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HOW ARE YOU? FINE. FINE. FINE. HEY, HOW ARE YOU? OK... GUESS WHO I SAW ON THE SUBWAY TODAY? HI THERE, VINCE. HI, HI. THIS IS AMAZING. HE SAID, "YOU SHOULD GO TO A RETREAT.	어떻게 지냈어? 괜찮아요 괜찮아요 축하드려요, 오늘 지하철에서 누굴 만났는지 아세요? 그 대답이 걸작이에요 "수양회에라도 가봐요"
YOU REALLY SHOULD GO TO A RETREAT." HE SAID THAT TO ME. ISN'T THAT HILARIOUS? CHAMPAGNE, PLEASE. RIGHT. STOLI ON THE ROCKS, BUT A FRESH GLASS, PLEASE. WHITE WINE, PLEASE. HERE YOU GO.	"정말 꼭 가봐요" 그렇게 말하더군요 그러더라니까요 정말 웃기지 않아요? 샴페인 주세요 스톨리 온더락스요 새 잔에 주세요 백포도주요
OH...HELLO. HI. HA HA, HI. HI. HI. DO YOU REMEMBER ME FROM THE BOOKSTORE? OF COURSE I REMEMBER YOU, YES. HI. HEY, HOW'S YOUR AUNT? SHE'S GREAT. THANKS. SWEET.	어머, 안녕하세요? 안녕하세요 안녕하세요 저 기억나세요? 그때 서점에서... 그럼요, 기억나죠 고모님은 안녕하세요? 그럼요, 고마워요
I'D BETTER GO DELIVER THIS. UH... I HAVE A VERY THIRSTY DATE. SHE'S PART CAMEL. JOE, RIGHT? JOE, ISN'T IT? AND YOU ARE KATHLEEN. MM-HMM. KATHLEEN KELLY. TWO WHITE WINES, PLEASE. SURE.	이거 갖다줘야 해요 여자친구가 낙타인지 목이 엄청나게 마르대요 조, 맞죠? 성함이 조 맞죠? 당신은 캐슬린이고요 캐슬린 켈리죠 백포도주 두 잔 줘요
I CANNOT BELIEVE THAT YOU WERE SPEAKING TO JOE FOX. JOE FOX? AS IN-- AS IN, HE'S GOING TO TAKE OVER EVERYTHING. FOX? YOUR LAST NAME IS FOX. F-O-X. GOD, I DIDN'T-- I DIDN'T REALIZE. I DIDN'T-- I DIDN'T KNOW...	조 폭스와 얘기하고 있었다니 믿을 수가 없군 그러니까 조... 그래 우리를 망하게 할 작자 말이야 폭스? 당신 성이 폭스군요 F-O-X 세상에! 난... 난 꿈에도 몰랐어요
WHO YOU WERE WITH? I DIDN'T KNOW WHO YOU WERE WITH. EXCUSE ME? IT'S FROM THE GODFATHER. SORRY. IT'S FROM THE GODFATHER. IT'S WHEN THE-- WHEN THE MOVIE PRODUCER REALIZES THAT TOM HAGEN IS AN EMISSARY OF VITO CORLEONE, YOU KNOW? IT'S JUST BEFORE THE HORSE'S HEAD ENDS UP IN THE BED WITH ALL THE BLOODY SHEETS, YOU KNOW? WAKES UP, AND IT'S-- AAH! AAH! AAH! AAH! AAH--	내 정체를요? 그때는 당신 정체를 몰랐어 뭐라고요? '대부'에 나오는 대사잖아요 미안해요 '대부'에 나와요 톰 헤이건이 비토 꼴레오네의 첩자인 걸 그 영화 제작자가 눈치챌 때 하는 대사죠 그 직후 침대에서 말 대가리가 발견되고 시트가 온통 피에 젖었는데 잠에서 깨서는...
NEVER MIND. YOU WERE SPYING ON ME, WEREN'T YOU? HMM? YOU PROBABLY RENTED THOSE CHILDREN. WHY WOULD I SPY ON YOU? BECAUSE I AM YOUR COMPETITION, WHICH YOU KNOW PERFECTLY WELL, OR YOU WOULD NOT HAVE PUT UP THAT SIGN, "JUST AROUND THE CORNER."	관둬요 날 염탐하러 왔었군요? 애들도 빌린 거겠죠 내가 왜 당신을 염탐해요? 난 당신네 경쟁 상대니까요 "모퉁이를 돌면 있습니다"란 표지도 그래서 내걸었죠?
THE ENTRANCE TO OUR STORE IS AROUND THE CORNER, AND THERE IS NO OTHER WAY OF SAYING THAT. IT'S NOT THE NAME OF OUR STORE. IT'S WHERE IT IS. AND YOU DO NOT OWN THE PHRASE "AROUND THE CORNER."	그건 우리 서점 입구가 모퉁이를 돌면 있기 때문이죠 우리 상점 이름이 아니라 위치일 뿐이에요 당신이 "모퉁이"란 말에 대한 독점권이 있는 것도 아니고요
WHAT IS THAT? WHAT ARE YOU DOING? WHAT IS THAT? WHAT ARE YOU DOING? YOU'RE TAKING ALL THE CAVIAR? THAT CAVIAR IS A GARNISH. LOOK, THE REASON I CAME INTO YOUR STORE IS BECAUSE I WAS SPENDING THE DAY WITH ANNABEL AND MATT, AND I WAS BUYING THEM PRESENTS. I'M THE TYPE OF GUY WHO LIKES TO BUY HIS WAY INTO THE HEARTS OF CHILDREN WHO ARE HIS RELATIVES.	뭐예요? 뭐 하는 짓이에요? 지금 뭐 하는 거예요? 캐비어를 다 가져가려고요? 그건 장식이라고요 내가 당신 서점에 간 건 그때 애나벨과 매슈를 돌보고 있었기 때문이고 책을 선물로 사준 거예요 난 친척 애들 마음을 선물 공세로 사로잡는
THERE WAS ONLY ONE PLACE TO FIND A CHILDREN'S BOOK IN THE NEIGHBORHOOD-- BUT HEY, THAT WILL NOT ALWAYS BE THE CASE-- AND IT WAS YOURS, AND IT IS A CHARMING LITTLE BOOKSTORE. YOU PROBABLY SELL, WHAT, $350,000 WORTH OF BOOKS IN A YEAR? HOW DID YOU KNOW THAT?	스타일이거든요 그 동네에 아동 서적 파는 데는 거기뿐이더군요 이젠 안 그렇겠지만 어쨌든 그래서 당신 가게에 갔는데 아담한 서점이더군요 1년 매출이 얼마나 돼요? 35만 달러쯤?
I'M IN THE BOOK BUSINESS. I AM IN THE BOOK BUSINESS. I SEE...AND WE ARE THE PRICE CLUB, ONLY INSTEAD OF A 10-GALLON VAT OF OLIVE OIL FOR 3.99 THAT WON'T EVEN FIT UNDER YOUR KITCHEN CABINET, WE SELL CHEAP BOOKS. ME, A SPY? OH, ABSOLUTELY. I HAVE IN MY POSSESSION THE SUPER-DUPER SECRET PRINTOUT OF THE SALES FIGURES OF A BOOKSTORE SO INCONSEQUENTIAL YET FULL OF ITS OWN VIRTUE THAT I WAS IMMEDIATELY COMPELLED TO RUSH OVER THERE FOR FEAR THAT IT'S GOING TO PUT ME OUT OF BUSINESS.	어떻게 알았죠? 나도 서점을 운영하니까 서점을 운영하는 건 나죠 그렇군요 우리 서점은 대형 할인 매장이군요 단지 부엌에 둘 곳도 없는 37리터짜리 올리브유 대신 싼 책을 판다는 것뿐이죠 내가 염탐꾼이라고요? 족집게네 당신의 하찮지만 잘난 척하는 구멍가게의 매출에 대해 뒷조사를 해보니 우리 가게가 망할 것 같아서 초조한 마음에 염탐하러 달려갔죠
WHAT? WHAT? HEY. HOW YOU DOING? FRANK NAVASKY. JOE FOX. JOE FOX. F-O-X. THE INVENTOR OF THE SUPERSTORE, OF COURSE- THE ENEMY OF THE MID-LIST NOVEL, THE DESTROYER OF CITY BOOKS. TELL ME SOMETHING, REALLY-- HOW DO YOU SLEEP AT NIGHT?	왜요? 뭐? 자기! 안녕하세요? 프랭크 나바스키입니다 조 폭스요 조 폭스? F-O-X 그 대형 할인점 주인이군요 중간급 소설들의 적 시티 북스를 망친 장본인 진짜 궁금해서 묻는 건데 밤에 잠이 와요?
I USE A WONDERFUL OVER-THE-COUNTER DRUG--ULTRA-DORM. DON'T TAKE THE WHOLE THING, JUST HALF, AND YOU WILL WAKE UP WITHOUT EVEN THE TINIEST HANGOVER.	처방전 없이 살 수 있는 끝내주는 수면제가 있어요 울트라돔이란 약이죠 딱 반 알만 먹어야 해요 그럼 아침에 일어났을 때 머리가 안 띵해요
YOU'RE FRANK NAVASKY, AREN'T YOU? YES. LEAVING-- YOUR LAST PIECE IN THE OBSERVER ABOUT ANTHONY POWELL WAS--WAS BRILLIANT. REALLY? BRILLIANT, YES. I'M PATRICIA EDEN. HI.	프랭크 나바스키 씨죠? 네, 가자 저번에 '옵서버'에 실린 당신 글... 앤서니 파웰에 대한 거요 정말 끝내줬어요 그래요? 대단하더군요, 네 난 패트리샤 이든이에요
HI. EDEN BOOKS. JOE, THIS MAN IS THE GREATEST LIVING EXPERT ON JULIUS AND ETHEL ROSENBERG. YOU--YOU REALLY LIKED MY--MY PIECE-- THIS IS KATHLEEN KELLY. HI.	이든 북스에서 일하죠 조, 이분은 줄리어스와 에델 로젠버그에 관한 당대 최고의 전문가셔 정말로 내 기사가... 이쪽은 캐슬린 켈리야
MY PIECE? I'M SORRY. I JUST--YOU KNOW, I--I'M FLATTERED. YOU WRITE THESE THINGS, AND YOU THINK SOMEBODY'S GOING TO MENTION THEM, AND A WEEK GOES BY, AND THE PHONE DOESN'T RING, AND YOU START TO THINK, I'M--I'M A FRAUD. I'M, LIKE, A FAILURE OR SOMETHING, AND TO-- YOU KNOW WHAT ALWAYS FASCINATED ME ABOUT JULIUS AND ETHEL ROSENBERG IS HOW OLD THEY LOOKED WHEN THEY WERE REALLY JUST OUR AGE. HA HA HA.	내 기사가 그렇게 좋았어요? 영광이네요 사실 자기도 써놓고 누가 한마디 해줄 것 같은데 일주일이 지나도록 전화 한 통 안 오면 내가 뭘 잘못했나 싶거든요 줄리어스와 에델 로젠버그의 흥미로운 점을 아세요? 우리 나이일 때부터 엄청나게 노티가 났다는 거죠
YOU KNOW? OH, WOW, I'M SO HAPPY TO HAVE FINALLY MET YOU. WE WILL TALK. HAVE YOU EVER THOUGHT ABOUT DOING A BOOK? HEY, HON, HAVE YOU EVER HAD A CAVIAR GARNISH?	안 그래요? 이렇게 뵙게 돼서 너무 반갑네요 언제 얘기 좀 하죠 책 쓰실 생각은 없으세요? 전화 주세요 자기, 캐비어 장식 먹어본 적 있어?
YOU KNOW, I HAD NO IDEA FRANK NAVASKY WAS GOING TO BE SO DOWN-TO-EARTH. YOU KNOW, YOU READ HIS STUFF, YOU THINK HE'S GOING TO BE SO OBSCURE AND ABSTRUSE. HE'S ALWAYS TALKING ABOUT, YOU KNOW, HEIDEGGER AND...FOUCAULT, AND I HAVE NO IDEA WHAT ANY OF IT'S ABOUT, REALLY.	프랭크 나바스키가 그렇게 털털한 사람일 줄 전혀 몰랐어 그 사람 글을 읽어보면 엄청나게 모호하고 난해한 사람일 것 같거든 늘 하이데거가 어쩌고 푸코가 어쩌고 그런 얘기만 하니까 사실 난 그게 무슨 얘긴지 하나도 모르겠더라
YOU KNOW, I'M-- I'M NOT TIRED. I'M NOT. THAT A PANDORA'S BOX OF ALL THE SECRET, HATEFUL PARTS-- YOUR ARROGANCE, YOUR SPITE, YOUR CONDESCENSION-- HAS SPRUNG OPEN? SOMEONE PROVOKES YOU, AND INSTEAD OF JUST SMILING AND MOVING ON, I'M SURE YOU HAVE NO IDEA WHAT I'M TALKING ABOUT.	나 안 피곤해, 진짜야 혐오스럽고 비밀스러운 것으로 가득 찬 판도라의 상자가... 오만과 미움... 경멸로 꽉 찼다가 갑자기 열렸다는 느낌이에요 누가 자극하는데 웃으면서 내가 무슨 얘기를 하는 건지 전혀 모를 거예요
WHAT HAPPENS TO ME WHEN I'M PROVOKED IS THAT I GET TONGUE-TIED. MY MIND GOES... BLANK. AND THEN-- THEN I SPEND ALL NIGHT TOSSING AND TURNING, TRYING TO FIGURE OUT WHAT I SHOULD HAVE SAID.	난 누가 자극해도 한마디도 못 하고 마음이... 어리벙벙하지 '어리벙벙해져요' 그리고는 집으로 돌아와서 밤새워 뒤척이며 그때 해야 했을 말을 생각해내려 하죠
WHAT SHOULD I HAVE SAID, FOR EXAMPLE... TO THE BOTTOM-DWELLER... WHO RECENTLY BELITTLED MY EXISTENCE? I CAN'T FIGURE IT OUT. THAT WHEN YOU FINALLY HAVE THE PLEASURE OF SAYING THE THING YOU MEAN TO SAY THE MOMENT YOU MEAN TO SAY IT, REMORSE INEVITABLY FOLLOWS.	예를 들면, 뭐라고 말했어야 좋을까요? 그 쓰레기한테... 날 얕본 놈한테 말이죠 생각이 안 나네요 속에 있는 말을 신랄하게 내뱉은 순간 후회가 물밀 듯이 밀려오거든요
DO YOU THINK WE SHOULD MEET? MEET? OH, MY GOD. THIS IS A CASH-ONLY LINE. WHAT? CASH ONLY. OH, MY GOD. OH, MY GOD. OH. I JUST HAVE A CREDIT CARD. IS--I'M SORRY. IS THAT OK? NO, IT'S NOT OK. THERE'S A SIGN.	우리 만날까요? 만나? 맙소사... 이 줄은 현금 계산 전용이에요 네? 현금 전용요 맙소사, 어떡해 지금 카드밖에 없는데 미안해요 그래도 될까요? 당연히 안 되죠
I'M SORRY. I'M VERY SORRY. I--I-- I NEVER DO THIS, BUT I'M ASKING YOU TO MAKE AN EXCEPTION IN JUST THIS ONE CASE. YOU HAVE NO CASH? SHE HAS NO CASH.	여기 쓰여 있잖아요 미안해요, 정말 미안해요 저 원래 이런 짓 안 해요 이번만 부탁할게요 현금이 없다고요?
NO, SHE HAS NO CASH. OH, GET ON ANOTHER LINE, LADY. I HAVE A DOLLAR. THAT'S ALL I HAVE. I HAVE A DOLLAR. $1.00. IS THERE ANYTHING YOU CAN DO-- HELLO.	현금이 없대요 현금이 없대요 그럼 다른 줄로 가요 현금은 1달러뿐이에요 이것 말곤 없어요 어떻게 안 될까요? 안녕하세요?
HELLO. HI. DO YOU NEED SOME MONEY? NO, I DO NOT NEED ANY MONEY, THANK YOU VERY MUCH. GET IN ANOTHER LINE. HI...ROSE. THAT IS A GREAT NAME. ROSE... THIS IS KATHLEEN. I'M JOE-- AND I'M HENRY.	안녕하세요 네, 돈 필요해요? 아니요, 필요 없어요 어쨌든 고맙네요 다른 줄로 가세요 안녕하세요 로즈 이름이 예쁘네요, 로즈 이쪽은 캐슬린, 난 조예요
HENRY, HOW ARE YOU? HAPPY HOLIDAYS. THIS IS A CREDIT CARD MACHINE. HAPPY THANKSGIVING. IT'S YOUR TURN TO SAY "HAPPY THANKSGIVING" BACK. HAPPY THANKSGIVING BACK. KNOCK, KNOCK. WHO'S THERE? ORANGE.	난 헨리요 헨리, 반가워요 즐거운 연휴 되세요 이거 카드 기계죠? 즐거운 추수감사절 당신도 말해야죠 "즐거운 추수감사절"이라고 "즐거운 추수감사절"이라고 똑똑 누구세요? 오렌지
ORANGE WHO? ORANGE YOU GOING TO GIVE US A BREAK BY ZIPPING THIS CREDIT CARD THROUGH THE CREDIT CARD MACHINE? COME ON. YOU CAN DO IT. ZIP, ZIP. THERE YOU GO.	오렌지 누구요? 당신이 이 신용카드로 계산해주는 덕분에 십년감수하게 될 "오렌지"요 할 수 있잖아요 그냥 긁어요 그렇죠
ROSE... AW, THAT IS A GREAT NAME. SO, YOU'RE FINE. FINE. HENRY, HAPPY THANKSGIVING. I'M SO SORRY. REALLY, I APOLOGIZE. I APOLOGIZE FROM THE BOTTOM OF MY HEART. SO SIGN, ALREADY.	로즈? 이름이 정말 예뻐요 이제 됐죠? 추수감사절 잘 보내요 헨리, 당신도요 정말 죄송합니다 진심으로 사과할게요 그럼 빨리 서명하고 가요!
THANK YOU. I'D LIKE TO GET HOME IN TIME FOR THE... YOU HAVE MY PEN. THANKSGIVING DAY PARADE. WONDERFUL! THANK YOU. I GOT IT. DO YOU KNOW THAT JONI MITCHELL SONG?	퍼레이드 보러 가야 해요 내 펜 주세요 잘했어! 감사합니다 감 잡았어 조니 미첼의 그 노래 알아요?
SUCH A SAD SONG, AND NOT REALLY ABOUT CHRISTMAS AT ALL, BUT I WAS THINKING ABOUT IT TONIGHT, AS I WAS DECORATING MY CHRISTMAS TREE-- UNWRAPPING FUNKY ORNAMENTS MADE OF POPSICLE STICKS AND MISSING MY MOTHER SO MUCH I ALMOST COULDN'T BREATHE.	가사가 너무 슬퍼요 사실 크리스마스 얘기가 아니에요 오늘 밤 크리스마스트리를 장식하는데 그 노래가 생각나더군요 막대사탕 막대기로 만든 괴상한 장신구를 꺼내다가 엄마가 너무 그리워 숨을 쉴 수가 없었어요
I ALWAYS MISS MY MOTHER AT CHRISTMAS, BUT SOMEHOW IT IS WORSE THIS YEAR SINCE I NEED SOME ADVICE FROM HER. AND I NEED HER TO MAKE ME SOME COCOA AND TELL ME THAT EVERYTHING THAT'S GOING BADLY IN MY LIFE WILL SORT ITSELF OUT.	크리스마스 때면 늘 엄마가 그립지만 올해는 훨씬 심해요 엄마의 조언이 필요하거든요 엄마가 만들어주는 코코아를 마시며 속상한 일들이 다 잘될 거라고 말씀해주시는 걸 듣고 싶어요
I WISH YOU COULD HELP. I WISH-- HI. I CAN GIVE YOU ADVICE. I'M GREAT AT ADVICE. OOH. IS IT ABOUT LOVE? PLEASE SAY NO. NO. HOW CUTE IS THAT? MY BUSINESS IS IN TROUBLE. TROUBLE.	당신이 도와줄 수 있으면 좋겠네요 그럼... 안녕? 내가 조언해줄게요 원래 그런 거 잘하거든요 사랑 문제예요? 아니라고 해줘 아뇨, 귀여워라 사업에 문제가 생겼어요
HUH. WELL... IT'S WHAT I DO BEST. WHAT'S YOUR BUSINESS? NO. UH-UH. NO SPECIFICS... REMEMBER? OK...HMM. WELL... MINUS SPECIFICS, IT'S HARD TO HELP, EXCEPT TO SAY...	그거라면... 내가 제일 잘하는 게 그거죠 무슨 사업을 하는데요? 안 돼 자세한 얘긴 못해요 약속 잊었어요? 좋아 그렇다면 이것 말곤 해줄 얘기가 없네요
"EXCEPT TO SAY GO TO THE MATTRE--" WHAT? WHAT DOES THAT MEAN? OH, WHAT IS IT WITH MEN AND... WHAT IS IT WITH MEN AND THE GODFATHER? HELLO? OH, COME ON. HELLO?	"매트리스로..." 뭐? 무슨 소리야? 남자들은 왜 걸핏하면 '대부' 얘기죠? 기가 막혀서 몰라서 물어?
WELL... WELL, WHAT CAN I-- THE GODFATHER IS THE SUM OF ALL WISDOM. UHH... THE GODFATHER IS THE ANSWER TO ANY QUESTION. WHAT SHOULD I PACK FOR MY SUMMER VACATION?	그야... 그야... 명언을 모아놓은 중국의 고전 말이에요 '대부'는 모든 질문에 대한 답을 갖고 있죠 가령, "여름 휴가 때 꼭 챙겨야 할 것은?"
LEAVE THE GUN... GUN. TAKE THE CANNOLI. CANNOLI. WHAT DAY OF THE WEEK IS IT? MONDAY, TUESDAY, THURSDAY, WEDNESDAY. YOU'RE AT WAR. "IT'S NOT PERSONAL. IT'S BUSINESS."	"총은 놔두고 카놀리 과자를 가져가라" 오늘이 무슨 요일인가? "월요일, 화요일 목요일, 수요일" 당신은 전쟁 중이에요 "사적인 감정은 없지만 사업일 뿐이다"
RECITE THAT TO YOURSELF EVERY TIME YOU FEEL YOU'RE LOSING YOUR NERVE. I KNOW YOU WORRY ABOUT BEING BRAVE. DON'T. THIS IS YOUR CHANCE. FIGHT. FIGHT.	용기를 잃을 때마다 그 말을 외우세요 용감해지기가 걱정스럽죠? 그러지 마 이건 기회예요 싸워요!
FIGHT TO THE DEATH. FIGHT TO THE DEATH. It's not personal. It's business. Just fight. Fight, fight, fight. I'VE BEEN THINKING. FRANK. WHAT? AHEM.	목숨을 걸고 싸워요! 목숨을 걸고 싸워요 사적인 감정은 없지만 사업이다, 싸워라! 싸우자! 생각 좀 해봤어 프랭크? 왜?
I'VE DECIDED TO GO TO THE MATTRESSES. DO YOU THINK IT WOULD BE A GIGANTIC CONFLICT OF INTEREST IF YOU WROTE SOMETHING ABOUT THE STORE? YES. YES?	매트리스로 갈 거야 당신이 폭스 서점에 대해 기사를 쓴다면 갈등이 될까? 그래 그래?
NO. SO YOU'LL DO IT? YES...YES. FROM THE GODFATHER. GOOD MORNING. SHOP AROUND THE CORNER. GEORGE SPEAKING. MAY I HELP YOU? KATHLEEN, THE CHANNEL 2 TRUCK JUST PULLED UP. OH. IN A SECOND. EVERYONE'S READ THE ARTICLE. ..."WE DO NOT HAVE TO LOOK TO ANY OF THE USUAL PLACES OH, FRANK, THAT'S...CHARMING. YOU THINK IT'S A LITTLE OVER THE TOP? THAT WAS THE VILLAGE VOICE. I TOLD THEM TO COME OVER WHENEVER.	아니 그럼 써줄 거야? 그래, 쓸게 '대부'의 대사잖아 모퉁이 서점의 조지입니다 무슨 일이시죠? 캐슬린, 채널 2의 중계차가 도착했어요 곧 갈게 다들 기사를 읽었어요 "그러니까 우린 선악의 대결이 펼쳐지는" 프랭크, 정말 멋져 좀 오버하지 않았나요? '빌리지 보이스' 전화예요 아무 때나 오라고 했어요
1, 2, 3, 4, WE DON'T WANT YOUR SUPERSTORE! 5, 6, 7, 8, GO AWAY AND CLOSE THE GATE. 1, 2, 3, 4... "WE DON'T WANT THIS SUPERSTORE." IS THAT WHAT THEY'RE SAYING?	하나, 둘, 셋, 넷! 대형 할인점은 필요 없다! 다섯, 여섯, 일곱, 여덟! 문을 닫고 사라져라! 하나, 둘, 셋, 넷! "대형 할인점은 필요 없다"
CATCHY. YEAH. WELL, WHO WROTE THAT? ANNOYING...PISSING ME OFF, ACTUALLY. DO YOU WANT THE WEST SIDE TO BECOME ONE BIG GIGANTIC STRIP MALL? NO!NO! NO! DO YOU WANT TO GET OFF THE SUBWAY AT 72nd AND BROADWAY AND NOT EVEN KNOW YOU'RE IN NEW YORK CITY? NO! NO!NO!	그렇게 말하는 거예요? 괜찮네 누가 썼대요? 짜증 나는군 사실 화가 나 웨스트사이드가 대형 쇼핑몰로 변하길 바라세요? 아니요! 72번가와 브로드웨이의 교차로가 뉴욕의 정취를 잃게 되길 바라세요?
CAN WE SAVE THE SHOP AROUND THE CORNER? YES!YES! YES! WE'RE HERE IN FRONT OF THE SHOP AROUND THE CORNER, THE FAMOUS WEST SIDE CHILDREN'S BOOKSTORE, NOW ON THE VERGE OF HAVING TO CLOSE ITS DOORS BECAUSE THE BIG, BAD WOLF, FOX BOOKS, HAS OPENED ONLY A FEW HUNDRED FEET AWAY, WOOING CUSTOMERS WITH ITS SHARP DISCOUNTS AND DESIGNER COFFEE. WELL--WELL,	우리가 모퉁이 서점을 구할 수 있을까요? 네! 이곳은 모퉁이 서점입니다 웨스트사이드의 유명한 아동 도서 전문점으로 현재 경영 위기에 놓여 있죠 모두 크고 나쁜 늑대 폭스 서점이 지척에 분점을 열고 싼 책과 고급 커피로 고객을 유혹하기 때문입니다
THEY--THEY HAVE TO HAVE DISCOUNTS AND LATTES BECAUSE MOST OF THE PEOPLE WHO WORK THERE HAVE NEVER READ A BOOK. SHE'S NOT AS NICE AS SHE SEEMS ON TELEVISION.	그런 걸 경쟁력으로 내세우는 이유는 직원들이 책을 한 번도 안 읽었기 때문이죠 실제로 보면 훨씬 심술 맞아
YOU MET HER? YEAH...BOY, SHE'S A PILL. SHE PROBABLY AIN'T AS FINE AS SHE LOOKS ON TV, EITHER. OH, NO, NO. SHE'S BEAUTIFUL. BUT...SHE'S A PILL. YOU DON'T FEEL BAD ABOUT BASICALLY SENDING HER ASS BACK TO THE PROJECTS WITH FOOD STAMPS...	만난 적 있어요? 그래 진짜 짜증 나 화면발이 더 잘 받나 봐요 아냐, 실제로도 예쁘긴 해 왕짜증이라 그렇지 저 여자를 망하게 만들어놓고 미안하지 않아요?
NO. BROKE, SINGLE WHITE LADY? IT'S NOT PERSONAL... IT'S BUSINESS. YEAH. HEY! HERE'S A GOOD-LOOKING GUY. I SELL CHEAP BOOKS. I DO. SO SUE ME. AND THAT, IN A NUTSHELL... HEY! IS THE FOX BOOKS PHILOSOPHY.	빈털터리 백인 미혼녀라니 사적인 감정은 없지만... 사업일 뿐 그래 이런, 미남이 나왔네! 싸게 파는 거 맞아요 싫으면 고소하세요 그게 폭스 서점의 철학입니다
THAT'S WHAT YOU SAID? WELL...YEAH-- THAT'S NOT ALL I SAID! I SAID--OH, I CAN'T BELIEVE THOSE BASTARDS. I SAID WE WERE GREAT. I SAID YOU CAN SIT AND READ FOR HOURS AND NO ONE WILL BOTHER YOU.	저렇게 말했어요? 박리다매죠 다른 말도 많이 했어 다 편집하다니 기가 막히네 우린 시설도 좋다고 했어! 몇 시간씩 책만 읽어도 귀찮게 안 한다고 말이야
I SAID WE HAD 150,000 TITLES. I SHOWED THEM THE NEW YORK CITY SECTION. I SAID WE WERE A GODDAMN PIAZZA, A PLACE IN THIS CITY WHERE PEOPLE COULD MINGLE AND MIX AND BE. I WAS ELOQUENT!	책이 15만 권이나 있다고 했고 뉴욕시 관련 서적도 보여줬어 광장이나 다름없다고 했지 사람들의 교류 장소로 활용하라고 했다고 말을 술술 잘했다고!
WELL, IT'S INEVITABLE, I GUESS. PEOPLE WANT TO TURN HER INTO JOAN OF ARC. AND YOU INTO ATTILA THE HUN. WELL, NOT ME PERSONALLY, BUT THE COMPANY, YEAH. ...MAKES NO APOLOGIES.	사람들은 저 여자를 잔 다르크로 만들고 싶은 거야 사장님은 훈족의 아틸라고요? 나 개인이라기보단 우리 회사겠지
I HAVE MET JOE FOX, AND I'VE HEARD HIM COMPARE HIS STORE TO A PRICE CLUB AND THE BOOKS IN IT TO CANS OF OLIVE OIL. THE BOOKSTORE. TELL US ABOUT IT.	조 폭스를 만난 적이 있어요 자기 서점을 대형 할인점에 비유하며 책을 올리브유 깡통에 비유하더군요 서점에 대해 좀 말씀해주시죠
THE SHOP AROUND THE CORNER HAS A KIND OF JEFFERSONIAN PURITY TO IT ARE YOU TAPING THIS? YEAH, I'M TAPING THIS. TECHNOLOGICALLY SPEAKING, THE WORLD'S OUT OF HAND, SIDNEY-ANN.	모퉁이 서점엔 뭔가 토마스 제퍼슨적인 순수함이 있어요 이거 녹화하고 있어? 그럼 기술 면에서, 요즘 세상은 너무 과도해요
I MEAN, TAKE THE VCR. ABSOLUTELY. HA HA HA, RIGHT! SHE GETS IT. SHE GETS IT. RADIO--THERE'S A MEDIUM I CAN GET BEHIND. ARE YOU GOING TO START COLLECTING RADIOS NOW? SHH, SHH, SHH! WE'RE ON TELEVISION.	VCR을 예로 들죠 물론이죠 맞아요 이해하잖아 라디오! 그건 저도 찬성이에요 이제부터 라디오 수집하게? 지금 TV에 나오셨잖아요
YOU'RE GOOD AT IT. NO. NO, NO, NO-- OH, YES. YES. FRANK... WHAT? SHE'S MAKING A-- SHE'S COMING ON TO YOU. NO, NO, NO. THIS IS--THEY DO THIS ON TELEVISION. THE SHOP AROUND THE CORNER, IT'S A TRUE NEW YORK TREASURE. AS ARE YOU.	정말 잘하시네요 그렇지 않아요 프랭크 저 여자 당신 유혹하려고 하잖아 아냐, TV 프로가 원래 저래 모퉁이 서점은 뉴욕의 참된 보물입니다 당신도 그렇고요
HONESTLY, I'D--I'D LOVE TO HAVE YOU BACK. IS SHE SWEATING? NO. SHE'S TOUCHING HERSELF, AND SHE'S SWEATING. WELL, I--ANYTIME. OK, WE--WE CAN TURN IT OFF. NO. OH, MY GOD. BECAUSE I JUST WANT TO SAY THAT I-- YOURS IS THE ONLY SHOW I DO WATCH.	정말, 꼭 다시 출연해주세요 저 여자 땀 흘려? 얼굴 만지잖아 땀 흘리는 거 맞아 언제든지요 이제 끄자 세상에 유일하게 보는 TV 프로가 당신 거라고 말하고 싶군요
OH, MY GOD. NO. NO, NO, NO. I-- I WAS BEING POLITE. I'M SORRY. THANK YOU'RE-- I SLOBBERED ALL OVER HER, DIDN'T I? YEAH. BUT I THINK THAT THERE'S--THERE'S SOMETHING THERE.	세상에 아니야, 예의상 한 말이야 "감수"? 죄송합니다 나 완전 정신 못 차렸지? 그래도 뭔가 제대로 했어
SO, FIRST I GOT TO GO GET SOME EUCALYPTUS CANDLES BECAUSE IT MAKES MY APARTMENT SMELL MOSSY. THEN I'M GOING TO THE MARKET, AND I CAN'T DECIDE WHETHER TO GET SAUSAGE FOR THE MEAT SAUCE OR CHOPPED MEAT.	먼저, 유칼립투스 향의 초를 사야 해요 그 초를 아파트에서 태우면 이끼 냄새가 나거든요 그런 다음 시장에 가서 소시지를 사든지 아니면 고기를 사야 하는데 결정을 못 하겠네요
SPARE US. YOU KNOW WHAT? CLAM SAUCE. YEAH, BECAUSE THIS IS A BIG DATE. DON'T TELL ME. NOT THE SLIGHTEST DIFFERENCE? HOW CAN THAT BE? ALL THIS PUBLICITY, AND NOT ONE BIT OF DIFFERENCE?	좋을 대로 해 조개 소스를 살래요 중요한 데이트거든요 정말로 변화가 없어요? 어떻게 그렇죠? 방송에 나가 그렇게 떠들었는데 매출에 변화가 없다니요?
OH, BIRDIE, WHAT AM I GOING TO DO? WHAT WOULD MOM HAVE DONE? WELL...LET'S ASK HER. CECILIA, WHAT SHOULD WE DO? BIRDIE-- SHH, SHH. SHE HAS NO IDEA...	버디, 이제 어떡하죠? 엄마라면 어떻게 했을까요? 글쎄, 물어보자 세실리아, 우리 어떡하지? 버디? 모르겠대
BUT SHE THINKS THE WINDOW DISPLAY IS LOVELY. GOOD NIGHT, DEARIE. NIGHT. DO YOU STILL WANT TO MEET ME? SO I SUPPOSE SHE'S CARRYING A COPY OF A BOOK WITH A FLOWER IN IT?	그런데 쇼윈도는 맘에 든대 잘 자 안녕히 가세요 아직도 절 만나고 싶어요? 책에 꽃이라도 꽂아 들고 있겠대요?
NOT REALLY? UH, SHE COULD BE A REAL DOG, MAN. I'M ONLY STAYING 10 MINUTES. I'M GOING TO SAY HELLO, I'M GOING TO HAVE A CUP OF COFFEE, AND THEN I'M GOING TO SPLIT. THAT'S WHAT I'M GOING TO DO. I HOPE SHE DOESN'T HAVE ONE OF THOSE HIGH, SQUEAKY VOICES LIKE THE MICE IN CINDERELLA. I HATE THAT-- WHY AM I EVEN DOING THIS? WHY AM I COMPELLED TO EVEN MEET HER? WHY? JOE, RELAX.	정말로요? 엄청나게 폭탄일지도 몰라요 10분만 만날 거야 인사하고, 커피 마시고 그걸로 끝이라고 '신데렐라'에 나오는 생쥐 같은 목소리만 아니면 좋겠어 내가 왜 만나겠다고 했지? 왜 그런 거야? 왜?
YOU'RE JUST TAKING IT TO THE NEXT LEVEL. I ALWAYS DO THAT. I ALWAYS TAKE A RELATIONSHIP TO THE NEXT LEVEL. IF THAT WORKS OUT, I TAKE IT TO THE NEXT LEVEL AFTER THAT, UNTIL I FINALLY REACH THAT LEVEL WHERE IT BECOMES ABSOLUTELY NECESSARY FOR ME TO LEAVE. HUH. AND I'M NOT GOING TO STAY THAT LONG ANYWAY. I ALREADY SAID THAT, DIDN'T I?	진정해요, 관계를 다음 단계로 발전시키는 것뿐이에요 난 늘 그런다고요 늘 관계를 발전시키죠 그게 잘 되면 다음 단계로 가고 그러다 결국 내가 떠나야만 하는 단계가 될 때까지요 그렇게 오래 안 있을 거야 그 말 벌써 했지?
YES, YOU DID. DOH! WELL, OK... CAFE LALO. THIS IS IT. 00. BOY, WE GOT HERE FAST, DIDN'T WE? YEP. KEVIN, THIS WOMAN IS THE MOST ADORABLE CREATURE I'VE EVER BEEN IN CONTACT WITH, AND IF SHE TURNS OUT EVEN TO BE AS GOOD-LOOKING AS A MAILBOX, I'D BE CRAZY NOT TO TURN MY LIFE UPSIDE DOWN AND MARRY HER.	했죠 좋아, 카페 랄로 여기야 8시네, 우리가 빨리 왔지? 케빈... 나랑 말해본 여자 중에 제일 귀여운 사람이야 만약 얼굴이 우체통만큼만 생겨도 내 인생 다 뒤집어엎고 결혼할 거야
SHE COULD BE A REAL DOG, BUT GOOD LUCK. WOULD YOU GO AND LOOK FOR ME? ME? YES. JUST GO LOOK THROUGH THE WINDOW AND CHECK HER OUT. PLEASE? ALL RIGHT.	폭탄일 수도 있어요 나 대신 가서 좀 봐줄래? 그냥 창문 밖에서 어떤지만 봐줘, 제발 알았어요
YOU'RE PATHETIC, MAN. I KNOW. ALL RIGHT, I'LL SEE WHAT I SEE. YOU SEE HER? NAH. OH... WAIT--YEAH! I SEE A VERY BEAUTIFUL GIRL. OH, SHE'S FINE. SHE'S FINE. I KNEW IT. SHE'S GORGEOUS. I KNEW SHE WOULD BE. I KNEW IT. BUT NO BOOK.	진짜 한심한 거 알아요? 좋아요, 봐 드리죠 보여? 잠깐만요, 네 진짜 미인인데요 예쁘네요, 끝내줘요 그럴 줄 알았어 진짜 근사해요 그럴 줄 알았다니까 그런데 책을 안 들었어요
ALL RIGHT. OK, WAIT. WAIT, WAIT A MINUTE. ALL RIGHT, LOOK, THERE'S A BOOK WITH A FLOWER, SO THAT'S GOT TO BE HER. AND WHAT DOES SHE LOOK LIKE?! CAN'T SEE HER. WAITER'S BLOCKING. DAMN IT! HOLD ON, HE'S MOVING. HE'S MOVING. YEAH?	알았어요, 봐줄게요 아, 잠깐만 책에 꽃이 꽂혀 있으니 저 여자가 분명해요 어떻게 생겼어? 웨이터한테 가려서 안 보여요 젠장! 잠깐만요 웨이터가 비키네요
CAN YOU SEE HER?! YEAH. AND? SHE'S VERY PRETTY. SHE IS! I KNEW SHE WOULD BE! SHE HAD TO BE! SHE HAD TO BE! HA HA! YOU KNOW WHAT? SHE LOOKS... I MEAN, SHE ALMOST HAS THE SAME COLORING AS... THAT KATHLEEN KELLY PERSON.	보여? 네 아주 예뻐요 좋았어! 그럴 줄 알았다니까! 당연히 예뻐야지! 당연히 예뻐야지! 근데 있잖아요 저 여자... 그 여자랑 많이 닮았어요
KATHLEEN KELLY OF THE LITTLE BOOKSTORE? WHY NOT? YOU SAID YOU THOUGHT SHE WAS ATTRACTIVE. ABSOLUTELY, YES. WHY NOT? WHO CARES ABOUT KATHLEEN KELLY? WELL, IF YOU DON'T LIKE KATHLEEN KELLY, I CAN TELL YOU RIGHT NOW... YOU AIN'T GONNA LIKE THIS GIRL.	캐슬린 켈리요 모퉁이 서점 주인? 뭐 어때요? 그 여자 예쁘댔잖아요 그렇지, 알 게 뭐야? 캐슬린 켈리 따위가 뭐? 만약 캐슬린 켈리가 싫다면 지금 말해두는데 십중팔구... 이 여자도 싫을 거예요
WHY NOT? BECAUSE IT IS KATHLEEN KELLY. SO, WHAT ARE YOU GONNA DO? NOTHING. YOU MIND IF I BORROW THIS CHAIR? YES! YES, I MIND. SORRY. I'M EXPECTING SOMEONE.	왜? 왜냐면 캐슬린 켈리가 맞거든요 어쩔 거예요? 아무것도 안 해 이 의자 좀 써도 될까요? 안 돼요, 미안해요 누가 오기로 했거든요
WOULD YOU LIKE ANOTHER TEA? YES, THANK YOU. KATHLEEN KELLY. HELLO. THIS IS A COINCIDENCE. WOULD YOU MIND IF I SAT DOWN? PRIDE AND PREJUDICE. DO YOU MIND?	차 한 잔 더 드릴까요? 네, 고마워요 캐슬린 켈리 이런 데서 만나다니 우연이네요 앉아도 돼요? '오만과 편견'이네요
I BET YOU READ THAT BOOK EVERY YEAR. I BET YOU JUST LOVE THAT MR. DARCY, AND YOUR SENTIMENTAL HEART JUST BEATS WILDLY AT THE THOUGHT THAT HE AND, UM... WELL, YOU KNOW, WHATEVER-HER-NAME-IS ARE TRULY, HONESTLY GOING TO END UP TOGETHER.	비켜줄래요? 그 책 1년에 한 번씩 읽죠? 내가 장담하는데 다르시의 팬일걸요 다르시와 그 여자... 이름이 뭔지 기억이 안 나는데 어쨌든 둘이 잘되길 빌며 가슴 졸이며 책을 읽을 거예요
CAN I GET YOU SOMETHING? NO, NO. HE'S NOT STAYING. MOCHACCINO, DECAF, NONFAT. NO, NO. YOU ARE NOT STAYING. I'LL JUST STAY HERE UNTIL YOUR FRIEND GETS HERE.	주문하시겠습니까? 아니요, 이 사람 곧 갈 거예요 모카치노, 무카페인에 무지방 우유로요 여기 있지 마세요 당신 친구가 올 때까지만 있을게요
GEE, IS HE LATE? THE HEROINE OF PRIDE AND PREJUDICE IS ELIZABETH BENNET. SHE IS ONE OF THE GREATEST AND MOST COMPLEX CHARACTERS EVER WRITTEN, NOT THAT YOU WOULD KNOW.	늦나 봐요? '오만과 편견'의 여주인공은 엘리자베스 베넷이에요 아주 멋지고 복잡한 인물이죠 당신은 모르겠지만요
AS A MATTER OF FACT, I'VE READ IT. OH, WELL, GOOD FOR YOU. I THINK YOU'D DISCOVER A LOT OF THINGS IF YOU REALLY KNEW ME. IF I REALLY KNEW YOU, I KNOW WHAT I WOULD FIND.	사실은 나도 읽었어요 아, 잘하셨네요 당신은 나에 대해 모르는 게 많아요 어떤 사람인지 알죠
INSTEAD OF A BRAIN, A CASH REGISTER. INSTEAD OF A HEART, A BOTTOM LINE. WHAT? I JUST HAD A BREAKTHROUGH. WHAT IS IT? I KNEW EXACTLY WHAT I WANTED TO SAY, AND I SAID IT.	머릿속엔 뇌 대신 현금 지급기가 가슴엔 심장 대신 손익 계산서가 들었죠 왜요? 드디어 해냈어요 뭘요? 하고 싶은 말을 그대로 했다고요
WELL, I THINK YOU HAVE A GIFT FOR IT. THAT WAS A PERFECT BLEND OF POETRY AND MEANNESS. MEANNESS? LET ME TELL YOU SOMETHING ABOUT MEANNESS. DON'T MISUNDERSTAND ME. I'M JUST TRYING TO PAY YOU A COMPLIMENT.	재능이 있군요 시적이면서도 못됐네요 못돼요? 못된 게 뭔지 모르시네 오해하지 마요 난 칭찬한 거예요
OH, OH! WHY ARE YOU TOUCHING THAT? WHAT ARE YOU DOING? WHAT IS THIS? IS THIS A RED ROSE? NO, IT'S A CRIMSON ROSE. SOMETHING YOU READ ABOUT IN A BOOK, NO DOUBT. IT'S FUNNY TO YOU, ISN'T IT? EVERYTHING IS A JOKE TO YOU.	뭐 해요? 이건 뭐죠? 빨간 장미인가요? 아니야, 선홍색 장미죠? 책에서 읽은 건가 봐요 재미있어 죽겠죠? 당신한텐 모든 게 농담이죠
PLEASE LEAVE. PLEASE, PLEASE LEAVE, I BEG YOU. THANK YOU. YOU KNOW WHAT THAT HANKY REMINDS ME OF? HMM. FIRST DAY I MET YOU. FIRST DAY YOU LIED TO ME. I DIDN'T LIE TO YOU. YOU DID TOO. NO, I DIDN'T. YES, YOU DID. I DID NOT. YOU DID TOO.	그만 가주세요 제발 부탁이에요 고마워요 그 손수건을 보니 당신 처음 만난 날이 생각나네요 당신이 처음 내게 거짓말한 날이죠 난 거짓말 안 했어요 했어요 안 했어요 했어요
I DID NOT. YOU DID TOO. I DID NOT! YEAH, YOU DID TOO. I THOUGHT ALL THAT FOX STUFF WAS SO CHARMING. "F-O-X." WELL, I DIDN'T LIE ABOUT IT. "JOE. JUST CALL ME JOE." SURE.	안 했어요 했어요 안 했어요 했어요 난 애가 "F-O-X" 그러는 걸 귀엽게만 봤다고요 내가 거짓말한 건 아니잖아요 "그냥 조라고 부르라"면서요? 그래요
AS IF YOU WERE ONE OF THOSE STUPID 22-YEAR-OLD GIRLS WITH NO LAST NAME. "HI, I'M KIMBERLY." "HI, I'M JANICE." DON'T THEY KNOW YOU'RE SUPPOSED TO HAVE A LAST NAME? IT'S LIKE THEY'RE AN ENTIRE GENERATION OF COCKTAIL WAITRESSES. LOOK...	성도 없이? 당신이 22살짜리 젊은 여자예요? "난 킴벌리예요" "난 재니스예요" 사람 이름엔 성이 있는 건데 다들 술집 웨이트리스 같다고요 이봐요
I AM NOT A 22-YEAR-OLD COCKTAIL WAITRESS. THAT IS NOT WHAT I MEANT. AND WHEN I SAID THE THING ABOUT THE PRICE CLUB AND THE CANS OF OLIVE OIL, THAT'S NOT WHAT I MEANT.	난 22살짜리 웨이트리스가 아니에요 그런 뜻이 아니잖아요 내가 대형 할인점이랑 올리브유 얘기를 했을 때는 그런 뜻이 아니었다고요
OH, YOU POOR SAD MULTIMILLIONAIRE. I FEEL SO SORRY FOR YOU. I'LL TAKE A WILD GUESS THAT THAT'S NOT HIM, EITHER. SO, WHO IS HE, I WONDER? CERTAINLY NOT, I GATHER, THE WORLD'S GREATEST LIVING EXPERT ON JULIUS AND ETHEL ROSENBERG... BUT SOMEBODY ELSE ENTIRELY DIFFERENT. AND WILL YOU BE MEAN TO HIM, TOO?	가엾은 백만장자님 정말 불쌍하네요 내가 맞혀볼까요? 저 남자도 아니죠? 대체 누굴 기다리시는 걸까? 줄리어스와 에델 로젠버그에 관한 당대 최고의 전문가는 아닐 것 같고 완전히 다른 남자일 것 같은데 그 남자한테도 못되게 굴 건가요?
NO, I WILL NOT, BECAUSE THE MAN WHO IS COMING HERE TONIGHT IS COMPLETELY UNLIKE YOU. THE MAN WHO IS COMING HERE TONIGHT IS KIND AND FUNNY. HE'S GOT THE MOST WONDERFUL SENSE OF HUMOR-- BUT...HE'S NOT HERE.	안 그래요 그 남잔 당신과는 정반대거든요 여기 올 남자는 아주 상냥하고 재미있죠 유머 감각이 아주 뛰어나요 하지만... 여기 오진 않았네요
WELL, IF HE'S NOT HERE, HE HAS A REASON, BECAUSE THERE IS NOT A CRUEL OR CARELESS BONE IN HIS BODY. BUT I WOULDN'T EXPECT YOU TO UNDERSTAND ANYBODY LIKE THAT, YOU WITH YOUR THEME-PARK, MULTILEVEL, HOMOGENIZE-THE-WORLD MOCHACCINOLAND. YOU'VE DELUDED YOURSELF INTO THINKING YOU'RE SOME SORT OF BENEFACTOR BRINGING BOOKS TO THE MASSES,	사정이 있을 거예요 그 사람은 잔인하고 무신경한 사람이 아니거든요 당신은 그런 사람 절대 이해 못 할 거예요 당신 서점은 고급 커피를 대접하는 놀이공원이니까 더 많은 사람한테 책을 접할 기회를 준다고 착각하죠?
BUT NO ONE WILL EVER REMEMBER YOU, JOE FOX. AND MAYBE NO ONE WILL REMEMBER ME, EITHER, BUT PLENTY OF PEOPLE REMEMBER MY MOTHER, AND THEY THINK SHE WAS FINE, AND THEY THINK HER STORE WAS SOMETHING SPECIAL.	하지만 아무도 당신을 기억 못 할 거예요 나 역시 아무도 기억 안 해줄지 모르지만 많은 사람이 우리 엄마를 기억해요 아주 멋지고 특별한 서점을 운영한 사람이라고 말이에요
YOU ARE NOTHING BUT A SUIT. THAT'S MY CUE. UH, GOOD NIGHT. ""FOR AN AUTHOR WHOSE LAST BOOK IS BEING USED AS TRIVETS ALL OVER THE WHOLE WORLD,"	당신은 사업가일 뿐이에요 이제 갈게요 잘 있어요 "고작 냄비 받침으로 쓰이고 있다고요"
"YOU ARE COMPLETELY CRAZY." SHE WAS INSULTING AND PROVOCATIVE, AND THE ONLY THING PLEASANT ABOUT HER WAS THE WAY THAT HER HAIR FELL ACROSS HER FOREHEAD.	"그런데 당신은 제정신이 아니군요" 모욕적이고 날 자극했어 그나마 좋았던 건 이마에 찰랑거리는 앞머리가 귀엽더라
BUT UNDERNEATH THAT DISAGREEABLE EXTERIOR, SHE MAY TURN OUT TO BE-- I'M GONNA GO BACK TO THE OFFICE, AND I'M SURE YOU HAVE SOME WORK YOU HAVE TO DO. NOT REALLY.	겉으론 안 좋게 보일지 몰라도 속으론... 그 얘긴 그만해 난 사무실로 가볼게 자네도 할 일 있을 테니까 할 일 없어요
THIS PLACE IS A WELL-OILED MACHINE, MY FRIEND. SO, WHAT HAPPENED? HE NEVER CAME. HE STOOD YOU UP. I WOULDN'T EXACTLY CHARACTERIZE IT IN THAT WAY. I THINK SOMETHING HAPPENED-- SOMETHING TERRIBLE AND UNEXPECTED THAT MADE IT IMPOSSIBLE FOR HIM TO...	서점이 혼자서 너무 잘 돌아가거든요 어떻게 됐어요? 안 나타났어 바람맞았군요 그렇게 단정 짓는 건 곤란해 사정이 있었을 수도 있잖아 예기치 못한 불미스러운 일이 생겨서...
WHAT IF HE SHOWED UP, HE TOOK ONE LOOK AT ME, AND LEFT? NOT POSSIBLE. MAYBE THERE WAS A SUBWAY ACCIDENT. ABSOLUTELY. A TRAIN GOT TRAPPED UNDERGROUND WITH HIM INSIDE. AND NO PHONE.	멀리서 날 보고는 그냥 간 거면 어쩌지? 그럴 리 없어요 지하철 사고가 있었는지도 몰라 맞아요 지하철에 탄 채로 땅속에 갇힌 거지 휴대폰도 없이 말이에요
AND YOU KNOW HOW THOSE EXPRESS TRAINS CREATE SUCTION. GOOD MORNING! HE GOT SUCKED ONTO THE TRACKS. THE THIRD RAIL. HE'S TOAST. WHAT HAPPENED?	지하철이 지나가면 흡인력이 생기는 거 알지? 트랙에 빨려 들어간 거예요 3번 레일에 토스트가 됐겠네
HE WAS UNABLE TO MAKE IT. HE STOOD YOU UP? MAYBE... HE HAD A CAR ACCIDENT. THOSE CAB DRIVERS ARE MANIACS. THEY HIT SOMETHING, AND YOU SLAM INTO THAT PLASTIC PARTITION. OR HIS ELBOWS COULD BE IN SPLINTS SO HE COULDN'T REALLY DIAL. OR HE COULD BE UNCONSCIOUS. IN A COMA...	뭐가 어떻게 됐어요? 그 남자 안 나타났어 바람맞힌 거예요? 차 사고가 났는지도 몰라 택시들 무섭게 달리잖아 택시가 뭔가에 충돌하면 승객은 플라스틱 칸막이에 부딪히죠 아니면 팔에 깁스해서 전화를 못 한 건인지도 몰라 아니면 의식이 없는 상태요
OOH! STUCK IN INTENSIVE CARE... WITH THAT HEART MONITOR BEEPING... AND, LIKE, NO PHONE. NO PHONE. WHAT? WHAT ARE YOU SAYING? IT COULD BE. IS THERE A PICTURE?	혼수상태? 지금 중환자실에 있을지도 몰라요 심장 모니터를 붙이고 말이야 그래서... 전화를 못 했어 전화를 못 했죠 왜? '옥상 살인범 체포' 무슨 얘기야? 사진 있어?
SO THAT EXPLAINS IT. HE WAS IN JAIL. AND THERE WAS A PHONE. BUT HE ONLY GOT ONE CALL, SO HE HAD TO CALL HIS LAWYER. YOU ARE SO LUCKY! YOU COULD BE DEAD.	이제 말이 된다 감옥에 있었던 거예요 거긴 전화가 있는데 한 통밖에 못 거니까 변호사한테 건 거야 진짜 운이 좋았네요 죽을 수도 있었잖아요
HE COULDN'T POSSIBLY BE THE ROOFTOP KILLER! REMEMBER WHEN YOU THOUGHT FRANK MIGHT BE THE UNABOMBER? WELL.... THAT WAS DIFFERENT. HOW LONG DID YOU SIT THERE ALL ALONE?	옥상 살인범은 아니야 예전에 프랭크가 폭탄 테러범이라고 생각한 적 있잖아요 그건... 얘기가 다르지 혼자서 얼마나 오래 앉아 있었어요?
NOT LONG. JOE FOX CAME IN. JOE FOX? I DON'T WANT TO TALK ABOUT IT. LET'S JUST GET TO WORK. THERE'S GOT TO BE SOMETHING TO DO. THERE'S ALWAYS SOMETHING TO DO.	그다지, 조 폭스를 만났어 조 폭스요? 그 얘긴 하고 싶지 않아 일이나 하자 뭔가 할 일이 있겠지 일은 언제나 있어
HEY... LOOK AT THIS. HE LOOKS KINDA CUTE. HE WAS UNAVOIDABLY DETAINED. HE STOOD YOU UP? LAST NIGHT, I WENT TO MEET YOU, AND YOU WEREN'T THERE.	이것 봐요 귀엽긴 하네 불가피한 일이 있어 못 나왔대요 바람맞았어? 어젯밤에 당신 만나러 갔는데 안 왔더군요
I WISH I KNEW WHY. I FELT SO FOOLISH. AND AS I WAITED, SOMEONE ELSE SHOWED UP-- A MAN WHO HAS MADE MY PROFESSIONAL LIFE A MISERY-- AND AN AMAZING THING HAPPENED.	이유가 궁금해요 바보처럼 느껴졌거든요 당신을 기다리다 누굴 만났어요 내 사업을 엉망으로 만든 장본인 말이에요 그때 놀라운 일이 벌어졌죠
I WAS ABLE, FOR THE FIRST TIME IN MY LIFE, TO SAY THE EXACT THING I WANTED TO SAY AT THE EXACT MOMENT I WANTED TO SAY IT... AND OF COURSE, AFTERWARDS, I FELT TERRIBLE...	난생처음으로 내가 하고 싶은 말을 적시에 할 수 있었어요 그런데 말을 하자마자 너무 마음이 안 좋더군요
JUST AS YOU SAID I WOULD. I WAS CRUEL, AND I'M NEVER CRUEL. AND EVEN THOUGH I CAN HARDLY BELIEVE WHAT I SAID MATTERED TO THIS MAN-- TO HIM, I AM JUST A BUG TO BE CRUSHED-- BUT WHAT IF IT DID?	당신이 말했던 것처럼요 난 원래 잔인하지 않은데 그땐 잔인했어요 내 말 따위 그 사람은 신경도 안 쓰겠지만 말이에요 그 사람한테 난 밟아 죽일 벌레에 불과하거든요 만약 신경 쓴다면 어쩌죠?
NO MATTER WHAT HE'S DONE TO ME, THERE IS NO EXCUSE FOR MY BEHAVIOR. ANYWAY, I SO WANTED TO TALK TO YOU. I HOPE YOU HAVE A GOOD REASON FOR NOT BEING THERE LAST NIGHT.	그 사람이 내게 무슨 짓을 했든 난 그래선 안 되는 거예요 그건 그렇고 당신과 꼭 얘기하고 싶었어요 어젯밤에 못 온 이유가 있었겠죠?

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