text
stringlengths
115
737
label
stringlengths
32
303
I REALLY CARE ABOUT YOU, HONEY. YOU'RE MY LITTLE BABY. - THANK YOU, AMBER. - YOU'RE THE BEST THING IN THE WORLD THAT'S HAPPENED TO ME SINCE MY SON WENT OFF, AND I JUST...
๋„Œ ์ •๋ง ์†Œ์ค‘ํ•ด - ๋‚ด ์•„๊ธฐ ๊ฐ™์•„ - ๊ณ ๋งˆ์›Œ์š”, ์•ฐ๋ฒ„ ์•„๋“ค๊ณผ ๋–จ์–ด์ ธ ์‚ฐ ๋’ค๋กœ ๋„ˆ๋Š” ๋‚ด๊ฒŒ ์ตœ๊ณ ์˜ ์„ ๋ฌผ์ด ๋ผ์คฌ์–ด
I LOVE YOU, HONEY. I LOVE YOU, TOO. FUCKIN' 1980, YOU KNOW? CAN YOU BELIEVE IT? I CAN'T. I MEAN, IT'S, LIKE, THE NEXT THING YOU KNOW, IT'S GOING TO BE, LIKE, 1990 AND 2000.
์‚ฌ๋ž‘ํ•ด ๋‚˜๋„์š” ๋“œ๋””์–ด 1980๋…„์ด ๋ผ ๋ฏฟ์–ด์ ธ? ๊ทธ๋Ÿฌ๊ฒŒ์š” 80๋…„๋Œ€ ๋‹ค์Œ์€ 90๋…„๋Œ€ ๊ทธ๋ฆฌ๊ณ  2000๋…„์ด ์˜ค๊ฒ ์ฃ 
I MEAN, CAN YOU IMAGINE? MMM. GOOD-BYE, 1979. HELLO, 1980. OK. MAKE SURE YOU SNORT IT BACK... REAL QUICK AND HARD. HUH? LIKE THIS. AH, IT BURNS. IT'S GOOD, THOUGH, RIGHT? IT'S GOING IN MY THROAT. MMM, THAT'S THE DRIP. THE DRIP'S THE BEST PART. IT TASTES LIKE ASPIRIN.
์ƒ์ƒํ•ด๋ด์š” 1979๋…„์„ ์ž˜ ๋ณด๋‚ด๊ณ  1980๋…„์„ ์ž˜ ๋งž์ดํ•ด์•ผ์ง€ ์ข‹์•„ ์ด๊ฑธ ๋“ค์ด๋งˆ์…” ๋น ๋ฅด๊ณ  ํž˜์ฐจ๊ฒŒ ์ด๋ ‡๊ฒŒ ํ™• ์˜ฌ๋ผ์˜ค๋„ค์š” ํ•˜์ง€๋งŒ ์ข‹์ง€? ๋ชฉ์œผ๋กœ ๋“ค์–ด๊ฐ€์š” ๊ทธ ๋ถ€๋ถ„์ด ์•Œ์งœ๋ฐฐ๊ธฐ์•ผ
HERE. DO ONE MORE IN THE OTHER NOSTRIL. I NEED A DRINK OF WATER. MM-MM. ONE MORE... AND THEN A DRINK OF WATER. DO YOU THINK I LOOK COOL WHEN I DO IT?
๋ง›์ด ์•„์Šคํ”ผ๋ฆฐ ๊ฐ™๋„ค์š” ๊ทธ๋ž˜, ๋‹ค๋ฅธ ์ชฝ์œผ๋กœ ํ•œ ๋ฒˆ ๋”ํ•ด ํ…ํ…ํ•ด์„œ ๋ฌผ์„ ๋งˆ์…”์•ผ๊ฒ ์–ด์š” ํ•œ ๋ฒˆ ๋” ํ•˜๊ณ  ๋ฌผ ๋งˆ์…” ์ด๊ฑฐ ํ•˜๋ฉด ๋ฉ‹์ ธ ๋ณด์—ฌ์š”?
SO LET'S TALK ABOUT THE FUTURE. LET'S TALK ABOUT WHAT VIDEO MEANS TO THIS INDUSTRY, AND LET'S TALK ABOUT HOW ALL OF US, NOT ONE OF US-- HOW ALL OF US ARE GOING TO PROFIT. NOW, I'VE BEEN DOING THEATER IN SAN FRANCISCO, SAN DIEGO ABOUT AS LONG AS YOU'VE BEEN DOING STAG AND HARD CORE, JACK.
๋ฏธ๋ž˜๋ฅผ ์–˜๊ธฐํ•ด๋ณด์„ธ ๋น„๋””์˜ค๋ฅผ ์–ด๋–ป๊ฒŒ ํ™œ์šฉํ• ์ง€ ํ•œ ์‚ฌ๋žŒ์ด ์•„๋‹Œ ์šฐ๋ฆฌ ๋ชจ๋‘ ์ด์ต์„ ๋‚ด๋Š” ๋ฒ•์— ๋Œ€ํ•ด ๋‚œ ์ƒŒํ”„๋ž€์‹œ์Šค์ฝ”์™€ ์ƒŒ๋””์—์ด๊ณ ์—์„œ ๊ทน์žฅ์„ ํ•ด์™”๋„ค ์ž๋„ค๊ฐ€ ์ด ๋ฐ”๋‹ฅ์—์„œ ์ผํ•ด์˜จ ๋งŒํผ ๋ง์ด์•ผ
WE'RE ALL FAMILIAR WITH YOUR BIOGRAPHY, FLOYD. FLOYD, NO ONE IS DOUBTING YOUR CREDENTIALS OR YOUR HISTORY. THEN WHY THE RESISTANCE? I MEAN, THIS INDUSTRY IS GOING TO BE TURNED UPSIDE DOWN SOON ENOUGH.
์ด ์—…๊ณ„์—์„œ๋Š” ์ „์„ค์ด์‹œ์ฃ  ๋‹น์‹ ์˜ ๋Šฅ๋ ฅ์ด๋‚˜ ์ด๋ ฅ๋„ ๋Œ€๋‹จํ•˜๊ณ  ๊ทธ๋Ÿฐ๋ฐ ๋ญ˜ ๊บผ๋ฆฌ๋‚˜? ์ด ์—…๊ณ„์—๋Š” ๊ณง ํฐ ๋ณ€ํ™”๊ฐ€ ์˜ฌ ๊ฑฐ์•ผ
WHY HELP IT? WHY NOT BE PREPARED? THE COLONEL'S GOT THE MONEY. YOU GOT THE TALENT, JACK. I GOT THE CONNECTIONS TO THE EQUIPMENT AND THE MAIL-ORDER DISTRIBUTION, NOT TO MENTION THOSE KIDS OUT THERE, WHO ARE HOT FUCK ACTION TO THE MAX, JACK.
๊ทธ๊ฑธ ์žฌ์ด‰ํ•˜๋ผ๊ณ ์š”? ์ค€๋น„๋Š” ํ•ด์•ผ์ง€ ๋Œ€๋ น์€ ๋ˆ์ด ์žˆ๊ณ  ์ž๋„ค๋Š” ์žฌ๋Šฅ์ด ์žˆ๋„ค ๋‚œ ์žฅ๋น„ ์ œ๊ณต๊ณผ ์šฐํŽธ ๋ฐฐ๊ธ‰์ด ๊ฐ€๋Šฅํ•ด ํ™”๋ˆํ•œ ์—ฐ๊ธฐ๋ฅผ ๋ณด์—ฌ์ค„ ์• ๋“ค๋„ ์ค€๋น„๋๊ณ  ๋ง์ด์ง€
THIS IS THE FUTURE. VIDEOTAPE TELLS THE TRUTH. WAIT A MINUTE. YOU COME INTO MY HOUSE, MY PARTY, TO TELL ME ABOUT THE FUTURE? THAT THE FUTURE IS TAPE-- VIDEOTAPE--AND NOT FILM?
์ด๊ฒŒ ๋ฏธ๋ž˜์•ผ ๋Œ€์„ธ๋Š” ๋น„๋””์˜ค๋ผ๊ณ  ์ž ์‹œ๋งŒ์š”, ๋‚ด ํŒŒํ‹ฐ์— ์™€์„œ ๋ฏธ๋ž˜๋ฅผ ์–˜๊ธฐํ•˜๋Š” ๊ฒ๋‹ˆ๊นŒ? ๋ฏธ๋ž˜๋Š” ๊ทน์žฅ ์˜ํ™”๊ฐ€ ์•„๋‹ˆ๋ผ ๋น„๋””์˜ค๋ผ๊ณ ์š”?
THAT IT'S AMATEURS AND NOT PROFESSIONALS? I'M A FILMMAKER. THAT'S WHY I WILL NEVER MAKE A MOVIE ON VIDEOTAPE. I'LL TELL YOU SOMETHING ELSE. I WILL NEVER, EVER LOAN OUT ANY OF THE ACTORS THAT I HAVE UNDER CONTRACT. WAIT, WAIT, WAIT. WAIT, JACK. I'M NOT A COMPLICATED MAN. I LIKE CINEMA. IN PARTICULAR, I LIKE TO SEE PEOPLE FUCKING ON FILM,
๊ทธ๊ฑด ์•„๋งˆ์ถ”์–ด๋‚˜ ํ•œ๋‹ค๊ณ ์š”? ๋‚œ ์˜ํ™”๊ฐ๋…์ž…๋‹ˆ๋‹ค ๋‚œ ๊ทน์žฅ ์˜ํ™”๋ฅผ ๋งŒ๋“ค์ง€ ๋น„๋””์˜ค๋Š” ์•ˆ ๋งŒ๋“ค์–ด์š” ๋ถ„๋ช…ํžˆ ๋งํ•˜์ง€๋งŒ ๋‚˜์™€ ๊ณ„์•ฝํ•œ ๋ฐฐ์šฐ๋“ค์€ ์ ˆ๋Œ€ ์•ˆ ๋นŒ๋ ค์ค๋‹ˆ๋‹ค ์ž ๊น๋งŒ ๋‚œ ๋‹จ์ˆœํ•˜๋„ค ๋‚˜๋„ ์˜ํ™”๊ฐ€ ์ข‹์•„ ํŠนํžˆ ์„ฑ์ธ ์˜ํ™”๋ฅผ ์ข‹์•„ํ•˜์ง€
BUT I DON'T WANT TO WIN AN OSCAR, AND I DON'T WANT TO REINVENT THE WHEEL. I LIKE SIMPLE PLEASURES, LIKE BUTTER IN MY ASS, LOLLIPOPS IN MY MOUTH. THAT'S JUST ME. THAT'S JUST SOMETHING THAT I ENJOY. CALL ME CRAZY, CALL ME A PERVERT, BUT THERE'S ONE LITTLE THING I WANT TO DO IN THIS LIFE, AND THAT IS I WANT TO MAKE A DOLLAR AND A CENT IN THIS BUSINESS.
๋‚œ ์•„์นด๋ฐ๋ฏธ์ƒ์ด๋‚˜ ํ˜์‹ ์ ์ธ ๊ฑธ ์›ํ•˜๋Š” ๊ฒŒ ์•„๋‹ˆ๋„ค ๋‚œ ๊ทธ์ € ๊ฐ๊ฐ์ ์ธ ์ฆ๊ฑฐ์›€์„ ์ฐพ์ง€ ๊ทธ๊ฒŒ ๋‚˜์•ผ, ๊ทธ๋Ÿฐ ๊ฒŒ ์ข‹๊ฑฐ๋“  ๋ฏธ์นœ ๋ณ€ํƒœ๋ผ ํ•ด๋„ ์ข‹๋„ค ํ•˜์ง€๋งŒ ์‚ฌ๋Š” ๋™์•ˆ ํ•˜๊ณ  ์‹ถ์€ ๊ฒŒ ์žˆ๋‹ค๋ฉด ๋ฐ”๋กœ ์ด ๋ฐ”๋‹ฅ์—์„œ ๋ˆ์„ ๋ฒ„๋Š” ๊ฒƒ์ด๋„ค
AH, JACK, I'M NOT TRYING TO HURT YOU. I'M TRYING TO HELP YOU STAY ONE STEP AHEAD OF THE GAME. WE'RE GOING IN CIRCLES NOW, BUT WE'RE IN FAMILIAR TERRITORY.
์ž๋„ค์—๊ฒŒ ํ•ด๋ฅผ ๋ผ์น˜๋ ค๋Š” ๊ฒŒ ์•„๋‹ˆ์•ผ ๋‚จ๋ณด๋‹ค ํ•œ ๋ฐœ์ง ์•ž์„œ๋ผ๋Š” ๊ฒƒ์ด์ง€ ๊ณ„์† ๊ฐ™์€ ์–˜๊ธฐ๋„ค์š” ์„œ๋กœ ์ž˜ ์•„๋Š” ๋‚ด์šฉ์ธ๋ฐ์š”
THE TERRITORY WE'RE IN IS THE FUTURE, NOT TO MENTION THE COST. YOU KNOW, IF IT LOOKS LIKE SHIT, AND IT SOUNDS LIKE SHIT, THEN IT MUST BE SHIT.
๋ฏธ๋ž˜๋ฅผ ๋ณด์ž๋Š” ๊ฑฐ๋„ค ๋น„์šฉ๋„ ๋ฌธ์ œ๊ณ  ๋ณด๊ธฐ์—๋„ ํ˜•ํŽธ์—†๋Š” ๊ฒƒ ๊ฐ™๊ณ  ๋“ฃ๊ธฐ์—๋„ ํ˜•ํŽธ์—†๋Š” ๊ฒƒ ๊ฐ™์œผ๋ฉด ๋ถ„๋ช…ํžˆ ํ˜•ํŽธ์—†๋Š” ๊ฒ๋‹ˆ๋‹ค
YOU'RE HOLDING ON TOO TIGHT, JACK. IT DOESN'T HAVE TO LOOK GOOD. FILM IS JUST TOO DAMN EXPENSIVE, AND THE THEATERS ARE ALREADY CONVERTING TO VIDEO PROJECTORS.
์ง‘์ฐฉ์ด ํฌ๊ตฐ ํฌ๋ฅด๋…ธ๋Š” ๊ณ ๊ธ‰์ผ ํ•„์š”๊ฐ€ ์—†๋„ค ์˜ํ™” ํ•„๋ฆ„์€ ๋„ˆ๋ฌด ๋น„์‹ธ ๊ทน์žฅ๋“ค๋„ ๋น„๋””์˜ค ์˜์‚ฌ๊ธฐ๋กœ ๋ฐ”๊พธ๋Š” ์ค‘์ด์•ผ
I HAVEN'T HEARD THAT. WELL, IT'S TRUE. WELL... 10 MINUTES BEFORE THE NEW YEAR. I'D LIKE TO SPEND IT WITH MY FRIENDS. WE WILL OR WILL NOT CONTINUE THIS CONVERSATION.
๊ธˆ์‹œ์ดˆ๋ฌธ์ธ๋ฐ์š” ์‚ฌ์‹ค์ด๋„ค ๊ทธ๋Ÿผ... ์ƒˆํ•ด๊นŒ์ง€ ๋‚จ์€ 10๋ถ„์€ ์นœ๊ตฌ๋“ค๊ณผ ํ•จ๊ป˜ํ•˜๊ณ  ์‹ถ๊ตฐ์š” ๋Œ€ํ™”๋ฅผ ๊ณ„์†ํ• ์ง€๋Š” ์ด๋”ฐ ์ •ํ•˜์ฃ 
HEY, DIRK. HEY, SCOTTY. MAN, WHAT'S UP? FUCKIN' NEW YEAR'S, RIGHT? 1980. OH, MAN, RIGHT. DID YOU SEE MY NEW CAR? YOU GOT A NEW CAR? YEAH. WANT TO SEE? YEAH.
๋”ํฌ ์Šค์ฝ”ํ‹ฐ, ์™œ์š”? ์ด์ œ ์ƒˆํ•ด์•ผ 1980๋…„์ด์ฃ  ๊ทธ๋ž˜, ๊ทธ๋Ÿฐ๋ฐ ๋‚ด ์ƒˆ ์ฐจ ๋ดค์–ด? ์ƒˆ๋กœ ์ƒ€์–ด์š”? ๋ณผ๋ž˜? ๊ทธ๋ž˜์š”
ALL RIGHT, COOL. IT'S OUT FRONT. COME ON. IT'S OUT FRONT. DIRK, DIRK. I WANT YOU TO MEET MY FRIEND TODD. TODD PARKER, DIRK DIGGLER. WHAT'S UP, MAN? HOW ARE YOU?
์ข‹์•„, ์•ž์— ์žˆ์–ด ์ด์ชฝ์ด์•ผ ๋”ํฌ, ๋‚ด ์นœ๊ตฌ ์†Œ๊ฐœํ• ๊ฒŒ ํ† ๋“œ ํŒŒ์ปค์•ผ, ๋”ํฌ ๋””๊ธ€๋Ÿฌ ๋ฐ˜๊ฐ€์›Œ์š” ๋“œ๋””์–ด ๋งŒ๋‚˜๋Š”๊ตฐ์š”
WE FINALLY MEET. YEAH, I WAS TELLING YOU ABOUT HIM BEFORE. YOU REMEMBER. TODD PARKER--HE WORKS AT PARTY BOYS STRIP CLUB. OH, COOL, COOL. YOU'RE A DANCER.
๊ทธ๋ž˜์š”? ์ด๋Ÿฐ ๋‚ด๊ฐ€ ์ „์— ์–˜๊ธฐํ–ˆ์ž–์•„ ํ† ๋“œ ํŒŒ์ปค ์ŠคํŠธ๋ฆฝ ํด๋Ÿฝ์—์„œ ์ผํ•ด ๋„ค, ๋Œ„์„œ๊ตฐ์š”
YEAH. I GOT SOME MOVES. DIRK, UH... I'M SORRY. ARE YOU COMING? YEAH, SCOTTY. LISTEN, I'LL BE AROUND IN A LITTLE BIT. WE CAN TALK THEN, ALL RIGHT?
์ถค ์ข€ ์ถœ ์ค„ ์•Œ์ง€ ๋”ํฌ? ์•ˆ ๊ฐ€? ๊ณ„์† ์–˜๊ธฐํ•  ๊ฑฐ์•ผ? ์ž ๊น ๋‹ค๋…€์˜ฌ ํ…Œ๋‹ˆ ๋˜ ์–˜๊ธฐํ•ด์š”
SEE YOU LATER, REED. UH, WHEN YOU GET BY THE LIGHTS, CLOSE YOUR EYES, OK? ALL RIGHT. ALL RIGHT, JUST FOLLOW MY VOICE. HERE, HERE, HERE, HERE.
๊ทธ๋Ÿผ ๊ฐ€ ๊ทธ๋ž˜์š” ์ „๋“ฑ ์žฅ์‹์„ ์ง€๋‚˜๊ฐˆ ๋•Œ ๋ˆˆ์„ ๊ฐ์•„ ์•Œ์•˜์ง€? ๋„ค ์ข‹์•„, ๋‚ด ๋ชฉ์†Œ๋ฆฌ๋ฅผ ๋”ฐ๋ผ์™€ ์•Œ์•˜์–ด์š” ์—ฌ๊ธฐ ์–ด๋””์š”?
WHERE? KEEP COMING. ALL RIGHT, OPEN THEM. IT'S COOL! YEAH! YOU WANT TO GET INSIDE? WHEN DID YOU GET THIS? THIS IS GREAT, MAN. YEAH. YOU WANT TO GO FOR A RIDE?
๋” ๊ฐ€๊นŒ์ด ์ข‹์•„, ๋ˆˆ ๋–  ๊ต‰์žฅํ•ด์š” ๊ทธ๋ž˜, ํƒ€๋ณผ๋ž˜? ์–ธ์ œ ์ƒ€์–ด์š”? ์–ด์ œ ์ง„์งœ ๋ฉ‹์ง„๋ฐ์š” ํƒ€๋ณด๊ฒ ์–ด?
WAIT, WAIT, WAIT. FUCK. HELL, HOW MUCH TIME IS LEFT? I'M SORRY, DIRK. WHAT THE HELL IS THE MATTER WITH YOU? WHY DID YOU DO THAT, SCOTTY? YOU LOOK AT ME SOMETIMES. I WANT TO KNOW IF YOU LIKE ME. WELL, OF COUR--YEAH, I LIKE YOU, SCOTTY.
์ž ๊น๋งŒ์š”, ๊ณง ์ƒˆํ•ด์ž–์•„์š” ๋ฏธ์•ˆํ•ด, ๋”ํฌ ์™œ ์ด๋ž˜์š”? ๋ฌด์Šจ ์ง“์ด์—์š”? ๋‚˜๋ฅผ ๊ฐ€๋” ๋ณด๊ธธ๋ž˜... ๋ญ์š”? ๋‚˜๋ฅผ ์ข‹์•„ํ•˜๋‚˜ ํ•ด์„œ ๊ทธ๊ฑฐ์•ผ... ๋ฌผ๋ก  ์ข‹์•„ํ•˜์ฃ 
PLEASE? CAN I KISS YOU ON THE MOUTH? NO! PLEASE LET ME. SCOTTY! I'M REALLY SORRY. I DIDN'T MEAN TO GRAB YOU LIKE THAT OR SCARE YOU. IT'S ALL RIGHT, MAN. DO YOU WANT TO KISS ME? SCOTTY. NO?
์ž…์— ๋ง์ด์•ผ ์•ˆ ๋ผ์š” ์ œ๋ฐœ ์Šค์ฝ”ํ‹ฐ ๋ฏธ์•ˆํ•ด ๊ฐ‘์ž๊ธฐ ๊ทธ๋ž˜์„œ ๋†€๋ž์ง€? ๊ดœ์ฐฎ์•„์š” ํ‚ค์Šคํ•ด์ค„๋ž˜? ์Šค์ฝ”ํ‹ฐ, ๋ฌด์Šจ... ์•ˆ ๋ผ?
WHAT IS THE MATTER WITH YOU? ALL RIGHT, FORGET IT. I'M REALLY DRUNK. REALLY, I AM. I'M JUST-- I'M OUT OF MY HEAD. I'M SO WA-- I'M REALLY WASTED. REALLY, DIRK. I UNDERSTAND, MAN. I'M CRAZY RIGHT NOW. I'M REALLY CRAZY. DO YOU WANT TO GO BACK INSIDE?
๋„๋Œ€์ฒด ์™œ ์ด๋ž˜์š”? ๋์–ด ์ทจํ•ด์„œ ๊ทธ๋žฌ์–ด ์ œ์ •์‹ ์ด ์•„๋‹ˆ์—ˆ๋‚˜ ๋ด ์ •๋ง๋กœ ์ทจํ–ˆ์–ด, ์ •๋ง๋กœ ์ทจํ•ด์„œ ์ž ๊น ๋ฏธ์ณค๋‚˜ ๋ด ๋์–ด์š” ์ œ์ •์‹ ์ด ์•„๋‹ˆ์—ˆ์–ด ๋“ค์–ด๊ฐˆ๋ž˜์š”?
UH...DO YOU LIKE MY CAR, DIRK? WHAT? I MEAN-- YEAH. YEAH. BECAUSE I WANTED TO-- YOU KNOW, I WANTED TO MAKE SURE YOU THOUGHT IT WAS COOL OR ELSE I WAS GOING TO TAKE IT BACK.
๋‚ด ์ฐจ ์ข‹์ง€? ๋ญ์š”? ๊ทธ๋Ÿฌ๋‹ˆ๊นŒ... ๊ทธ๋ž˜์š” ๋‚˜๋Š” ์ด ์ฐจ๊ฐ€ ์ž๋„ค ๋งˆ์Œ์— ๋“ค์—ˆ์œผ๋ฉด ํ–ˆ์–ด ๋งˆ์Œ์— ์•ˆ ๋“ค์–ด ํ•˜๋ฉด ๋„๋กœ ๊ฐ–๋‹ค์ฃผ๋ ค๊ณ  ํ–ˆ์ง€
YEAH. IT'S GREAT, SCOTTY. HAPPY NEW YEAR. HAPPY NEW YEAR, SCOTTY. I LOVE YOU. I REALLY LOVE YOU. I LOVE YOU, TOO, SCOTTY. OK. LET'S GO BACK INSIDE, OK? ALL RIGHT. ALL RIGHT. FUCKIN' IDIOT. I'M A FUCKIN' IDIOT. I'M A FUCKIN' IDIOT. I'M A FUCKIN' IDIOT. I'M A FUCKIN' IDIOT! I'M A FUCKIN' IDIOT! FUCKIN' IDIOT. FUCKIN' IDIOT. FUCKIN' IDIOT.
๊ทธ๋ž˜ ๊ทผ์‚ฌํ•ด์š” ์ƒˆํ•ด ์ถ•ํ•˜ํ•ด ์ƒˆํ•ด ์ถ•ํ•˜ํ•ด์š” ๋„ˆ๋ฅผ ์‚ฌ๋ž‘ํ•ด ๋‚˜๋„ ๊ทธ๋ž˜์š” ๊ทธ๋ž˜ ์ด์ œ ๋“ค์–ด๊ฐ€์š”, ๊ดœ์ฐฎ์ฃ ? ๊ทธ๋ž˜ ์ด๋Ÿฐ ๋ฉ์ฒญ์ด ์ด๋Ÿฐ ๋ฉ์ฒญ์ด ์ด๋Ÿฐ ๋ฉ์ฒญ์ด ๋ฉ์ฒญ์ด ๋ฉ์ฒญ์ด ์ด๋Ÿฐ ๋ฉ์ฒญ์ด ๋ฉ์ฒญ์ด ๋ฉ์ฒญ์ด, ๋‚œ ๋ฉ์ฒญ์ด์•ผ
JACKIE! JACKIE! 2 MINUTES, POPS. 2 MINUTES. WHOA! 2! 2 MINUTES! 2 MINUTES! COME ON, LITTLE BILL! OK, BECKY. I'M-- LITTLE BILL! SMILE, MAN! RIGHT. LITTLE BILL, CHAMPAGNE?
๊ฐ๋…๋‹˜, 2๋ถ„ ๋‚จ์•˜์–ด์š” ์ค€๋น„ํ•˜์ž๊ณ ์š” ๊ทธ๋ž˜, 2๋ถ„ 2๋ถ„ ๋‚จ์•˜์–ด ๋นจ๋ฆฌ ์™€์š” ๊ทธ๋ž˜, ๋ฒ ํ‚ค ๋ฆฌํ‹€๋นŒ ์›ƒ์–ด์š”, ๋“ค์–ด์™€์š” ๊ทธ๋ž˜ ์ƒดํŽ˜์ธ ์ค„๊นŒ์š”?
AW, THANKS. THAT'S REALLY NICE OF YOU. HAPPY NEW YEAR. TO YOU, TOO. HEY, KURT, HAVE YOU SEEN MY WIFE? NO, NO. HEY, THEY'RE DOING THAT COUNTDOWN THING.
์ •๋ง ๊ณ ๋งˆ์›Œ ์ƒˆํ•ด ์ถ•ํ•˜ํ•ด์š” ์ž๋„ค๋„ ๊ทธ๋ž˜์š” ์ƒดํŽ˜์ธ ์ข€ ๋งˆ์…” ์ปคํŠธ, ๋‚ด ์•„๋‚ด ๋ดค๋‚˜? ์•„๋‹ˆ, ์ด์ œ ๊ณง ์นด์šดํŠธ๋‹ค์šด์„ ํ•  ๊ฑฐ์•ผ
COME ON IN, MAN. OK. WE NEED SOMETHING TO MAKE A TOAST. HEY, LITTLE BILL, LOOK AT ME. 10, 9, 8, 7, 6, 5, 4, 3, 2... WHAT ABOUT YOUR CHARACTER BROCK LANDERS AND WHAT SOME PEOPLE MIGHT CONSIDER VIOLENT ATTITUDES TOWARDS WOMEN?
์–ด์„œ ์™€ ๊ทธ๋ž˜ ์ž, ์ถ•๋ฐฐ๋ฅผ ๋“ค์–ด์š” ์–ด์„œ์š” ๋ฆฌํ‹€๋นŒ, ์—ฌ๊ธฐ ๋ด์š” 10, 9, 8, 7, 6, 5 4, 3, 2... '1980๋…„๋Œ€' ๋ธŒ๋ก ๋žœ๋”์Šค์™€ ๊ทธ๊ฐ€ ์—ฌ์ž์—๊ฒŒ ํ–‰ํ•˜๋Š” ํญ๋ ฅ์€ ์–ด๋–ป๊ฒŒ ์ƒ๊ฐํ•˜์ฃ ?
VIOLENCE? NO. WHAT... I MEAN, IF THERE'S A CERTAIN AMOUNT OF, YOU KNOW, VIOLENCE OR ACTION IN THIS SERIES OF FILMS, YOU KNOW, THAT'S THE MOVIE. IF BROCK LANDERS IS SLICK WITH A GUN, HE DOES SO ONLY IN THE VEIN OF GOOD AND RIGHT. BROCK PROTECTS THE VALUES OF THE AMERICAN IDEAL AND FIGHTS FOR CAUSES THAT INSTILL PRIDE IN A SOCIETY WHERE MORALS ARE HARD TO COME BY. WHO SENT YOU?! WHO SENT YOU?
ํญ๋ ฅ์š”? ์•„๋‹ˆ์ฃ , ๊ทธ๊ฑด... ์ด ์‹œ๋ฆฌ์ฆˆ ์˜ํ™”์—์„œ ํญ๋ ฅ์ด ์žˆ๋‹ค๋ฉด ๊ทธ๊ฑด ์˜ํ™”์— ํ•„์š”ํ•ด์„œ์ž…๋‹ˆ๋‹ค ๋ธŒ๋ก ๋žœ๋”์Šค๊ฐ€ ์ด์„ ์“ด๋‹ค๋ฉด ๊ทธ๊ฑด ์˜ค์ง ์ •์˜๋ฅผ ์œ„ํ•ด์„œ์ž…๋‹ˆ๋‹ค ๊ทธ๋Š” ๋ฏธ๊ตญ์˜ ๊ฐ€์น˜๋ฅผ ๋ณดํ˜ธํ•˜๊ณ  ๋Œ€์˜๋ฅผ ์œ„ํ•ด ๋‚˜์„ญ๋‹ˆ๋‹ค ๋„๋•์ด ํ”์น˜ ์•Š์€ ์ด ์‚ฌํšŒ์— ์ž๋ถ€์‹ฌ์„ ๊ฐ€์ ธ์˜ค์ฃ  '๋ธŒ๋ก ๋žœ๋”์Šค 7: ์˜ค๋Ÿด ํํ•˜ 1981๋…„' ๋ˆ„๊ฐ€ ๋ณด๋ƒˆ์ง€? ์ €๋ฆฌ ๋‚ด๋ ค๊ฐ€, ์ด ์ž์‹์•„
GET THE FUCK OFF ME. LIE STILL! LIE STILL, OR I'LL PUNCH YOU IN THE GODDAMN FACE! GET THE FUCK OFF! I'LL FIND OUT WHO SENT YOU. AMBER, I LIVE IN THIS WORLD. I DON'T LIKE VIOLENCE ANY MORE THAN YOU DO. VIOLENCE IS A BAD THING.
๊ทธ๋Œ€๋กœ ์žˆ์–ด ํ•œ ๋ฐฉ ๋จน๊ณ  ์‹ถ์ง€ ์•Š์œผ๋ฉด ์—ฟ ๋จน์–ด ๋ˆ„๊ฐ€ ๋ณด๋ƒˆ๋Š”์ง€ ์•Œ์•„๋‚ด๊ฒ ์–ด ์•ฐ๋ฒ„, ๋‚˜๋„ ์ด ์„ธ์ƒ์— ์‚ด๊ณ  ๋ˆ„๊ตฌ๋ณด๋‹ค ํญ๋ ฅ์„ ์‹ซ์–ดํ•ด์š” '๋ฆฌ๋“œ ๋กœ์Šค์ฐจ์ผ๋“œ ์ฒด์ŠคํŠธ ๋ก์›ฐ ์—ญ' ํญ๋ ฅ์€ ๋‚˜์˜์ฃ 
BUT WHEN YOU SEE VIOLENCE IN FILMS, IT'S...YOU KNOW, IF MOVIES-- FILMS CAUSED VIOLENCE, WE'D BE ABLE TO WIPE OUT VIOLENCE TOMORROW. BOOM. NO MORE FILMS. THAT'S FINE WITH ME.
ํ•˜์ง€๋งŒ ์˜ํ™” ์†์˜ ํญ๋ ฅ์€ ๋ญ๋ž„๊นŒ... ์˜ํ™”๊ฐ€ ํญ๋ ฅ์„ ์กฐ์žฅํ•œ๋‹ค๋ฉด ์˜ํ™”๋ฅผ ์—†์• ๋ฉด ํญ๋ ฅ๋„ ์—†์–ด์ง€๊ฒ ์ฃ  ์˜ํ™”๋ฅผ ์—†์• ๋Š” ๊ฑฐ์˜ˆ์š” ์ €๋Š” ์ƒ๊ด€์—†์–ด์š”
I'LL FIND SOMETHING ELSE TO DO. I'LL FUCK ON MY OWN TIME. YOU KNOW, I GOT OTHER INTERESTS. I'M A MAGICIAN. UM, AND YOU KNOW, HOPEFULLY I'LL, LIKE, YOU KNOW-- THAT WILL BE SOMETHING THAT I FOCUS ON IN THE FUTURE BECAUSE YOU CAN'T FUCK FOREVER. I REALIZE THAT. ANYWAY, VIOLENCE... IS SOMETHING THAT PLAGUES US AS A SOCIETY.
๋‹ค๋ฅธ ์ผ์„ ์ฐพ์•„๋ณด๋ฉด ๋˜์ฃ  ์—ฌ์ž๋ž‘ ์ž๊ณ  ์‹ถ์„ ๋•Œ ์ž๊ณ ์š” ๋‹ค๋ฅธ ๊ธฐ์ˆ ๋„ ์žˆ๊ฑฐ๋“ ์š” ๋งˆ์ˆ ๋„ ํ•˜๊ณ ์š” ์–ธ์  ๊ฐ€๋Š” ๋งˆ์ˆ ์„ ํ•˜๋ฉด์„œ ์‚ด ๊ฑฐ์˜ˆ์š” ์–ธ์ œ๊นŒ์ง€ ์ด ์ผ์€ ๋ชป ํ•˜์ฃ  ์ž˜ ์•Œ์•„์š”, ํ•˜์—ฌํŠผ... ํญ๋ ฅ์€ ์‚ฌํšŒ๋ฅผ ์ข€๋จน๋Š” ์งˆ๋ณ‘์ž…๋‹ˆ๋‹ค
I'M GOING TO ASK YOU ONCE MORE, AND I'M GOING TO ASK YOU NICE. WHERE THE FUCK IS RINGO, YOU BITCH? FUCK YOU. OH! UH, WHY DO I LOVE HIM? HE'S, UH... HE'S VERY SPECIAL, AND, UM... HE CAN FUCK HARD, OR HE CAN FUCK, LIKE, REALLY GENTLY. HE'S--HE'S THE BEST.
๋งˆ์ง€๋ง‰์œผ๋กœ ํ•œ ๋ฒˆ๋งŒ ๋” ๋ฌป์ง€ ๋ง๊ณ  ์–ด๋”” ์žˆ์–ด? ์ด ๋งํ•  ๊ฒƒ์•„! ์—ฟ ๋จน์–ด ์™œ ๊ทธ๊ฐ€ ์ข‹์œผ๋ƒ๊ณ ์š”? ๋„ค ์•„์ฃผ ํŠน๋ณ„ํ•˜๋‹ˆ๊นŒ์š” '๋กค๋Ÿฌ๊ฑธ' ๊ฐ•ํ•˜๊ฒŒ, ๋ถ€๋“œ๋Ÿฝ๊ฒŒ ์ž์œ ์ž์žฌ๋กœ ํ•˜๊ฑฐ๋“ ์š” ์ตœ๊ณ ์˜ˆ์š”
UH, I THINK THAT'S-- THAT'S... PART OF MY REASON FOR DOING THIS, YOU KNOW. I'VE GOTTEN THOUSANDS UPON THOUSANDS OF LETTERS, YOU KNOW, FROM PEOPLE TELLING ME, "GOD, YOU'VE TAUGHT ME THIS, AND YOU'VE MADE OUR LOVE LIFE SO MUCH BETTER." AND THIS ISN'T, YOU KNOW, GO OUT AND HAVE SEX WITH 10 MILLION PEOPLE AND, YOU KNOW, HOW TO GET A GIRL OFF. IT'S ABOUT HOW TO GET YOUR WIFE OFF.
๊ทธ๊ฒƒ๋„ ์ด๋Ÿฐ ์ผ์„ ํ•˜๋Š” ์ด์œ  ์ค‘ ํ•˜๋‚˜์ž…๋‹ˆ๋‹ค ์‚ฌ๋žŒ๋“ค์—๊ฒŒ ์ˆ˜์ฒœ ํ†ต์˜ ํŽธ์ง€๊ฐ€ ์˜ค๋Š”๋ฐ ์ด๋Ÿฐ ๋ง์„ ํ•ด์š” "๋‹น์‹  ์ž‘ํ’ˆ์„ ๋ณธ ๋•๋ถ„์— ์šฐ๋ฆฌ์˜ ์‚ฌ๋ž‘์ด ๊นŠ์–ด์กŒ์–ด์š”" ์•„๋ฌด ์ƒ๋Œ€์™€ ๊ทธ๋Ÿฌ๋ผ๋Š” ๊ฒŒ ์•„๋‹ˆ์—์š” ์•„๋ฌด ์—ฌ์ž๊ฐ€ ์•„๋‹ˆ๋ผ ์•„๋‚ด์™€ ๊ทธ๋Ÿฌ๋ผ๋Š” ๊ฒ๋‹ˆ๋‹ค
YOU KNOW, IF ONLY PEOPLE COULD HAVE BEEN DOING THIS BEFORE, WE COULD HAVE SAVED A MILLION RELATIONSHIPS. YOU KNOW, I'VE SAVED THOUSANDS. BLOCKING, AN IDEA OF MOVEMENT-- YOU KNOW, JACK WILL PUT THE FINAL TOUCHES TOGETHER FOR WHAT THE CAMERA NEEDS FOR EDITING AND STUFF, BUT, UM...YOU KNOW, HE ALLOWS ME TO BLOCK MY OWN SEX SCENES
์ง„์ž‘์— ์ด๋Ÿฐ ์ผ์„ ํ•ด์™”๋‹ค๋ฉด ์ˆ˜๋งŽ์€ ๊ฒฐ๋ณ„์„ ๋ง‰์•˜์„ ๊ฒ๋‹ˆ๋‹ค ์ €๋Š” ์ˆ˜๋งŽ์€ ์‚ฌ๋žŒ๋“ค์„ ๊ตฌ์›ํ–ˆ์Šต๋‹ˆ๋‹ค ์ƒ๊ฐ์ด๋‚˜ ๋™์ž‘์— ๋Œ€ํ•œ ๊ฒƒ์€... '์žญ ํ˜ธ๋„ˆ ๊ฐ๋…' ๊ฐ๋…๋‹˜์€ ํŽธ์ง‘์— ์ ์ ˆํ•œ ์นด๋ฉ”๋ผ ์œ„์น˜๋ฅผ ์„ค์ •ํ•˜๋Š”๋ฐ ์ œ ์„น์Šค ์žฅ๋ฉด์€ ์•Œ์•„์„œ ํ•˜๊ฒŒ ํ•ด์ฃผ์‹œ์ฃ 
AND--AHEM--YOU KNOW, GIVES ME THE FREEDOM TO DEVELOP THE CHARACTER AND STUFF LIKE THAT. GOD, YOU KNOW, I DON'T KNOW ANY OTHER, YOU KNOW, DIRECTOR WHO WOULD LET AN ACTOR... YOU KNOW, DO THAT. YOU KNOW?
์บ๋ฆญํ„ฐ ๊ฐ™์€ ๊ฒƒ๋„ ์Šค์Šค๋กœ ๋ฐœ์ „์‹œํ‚ค๊ฒŒ ํ—ˆ์šฉํ•˜์‹œ๊ณ ์š” ๋‹ค๋ฅธ ๊ฐ๋…์€ ์•ˆ ๊ทธ๋Ÿด ๊ฒ๋‹ˆ๋‹ค ๋ฐฐ์šฐ์˜ ํŒ๋‹จ์— ๋งก๊ธฐ์ง€๋Š” ์•Š๊ฒ ์ฃ 
I DON'T ALLOW HIM TO BLOCK HIS OWN SEX SCENES. IT IS. IT'S JEALOUSY. IT'S DECEITFULNESS. IT'S VINDICTIVENESS. IT'S ALL OF THAT STUFF, YOU KNOW? BUT I MEAN, GOD, WHAT CAN YOU EXPECT WHEN YOU'RE ON TOP, YOU KNOW?
์Šค์Šค๋กœ ์•Œ์•„์„œ ํ•˜๊ฒŒ ๋‘์ง€๋Š” ์•Š์Šต๋‹ˆ๋‹ค ๊ทธ๊ฑด ์งˆํˆฌ์˜ˆ์š” ๊ธฐ๋งŒ๊ณผ ์•…์˜์—์„œ ๋‚˜์™”์„ ๋ฟ์ด๋ผ๊ณ ์š” ์ตœ๊ณ ์˜ ์ž๋ฆฌ์— ์˜ค๋ฅด๋ฉด ์ฃผ๋ณ€์—์„œ๋Š” ๋Š˜ ๊ทธ๋Ÿฐ ์‹์ด์ฃ 
IT'S LIKE NAPOLEON. WHEN HE WAS THE KING, YOU KNOW, PEOPLE WERE JUST CONSTANTLY TRYING TO CONQUER HIM, YOU KNOW, IN THE ROMAN EMPIRE, SO IT'S...
๋‚˜ํด๋ ˆ์˜น์„ ๋ด์š” ๊ทธ๊ฐ€ ์™•์ผ ๋•Œ ์ฃผ๋ณ€์—์„œ๋Š” ๊ทธ๋ฅผ ๋Œ์–ด๋‚ด๋ฆฌ๋ ค๊ณ  ํ–ˆ์ฃ  ๋กœ๋งˆ ์ œ๊ตญ์—์„œ์š”
HISTORY REPEATING ITSELF ALL OVER AGAIN. TO ALL THE CRITICS OUT THERE, YOU KNOW, I KNOW THEY'RE GOING TO BE REVIEWING THIS, AND I KNOW THEY'RE GOING TO TRY TO KNOCK ME.
์—ญ์‚ฌ๋Š” ๋ฐ˜๋ณต๋œ๋‹ค๊ณ  ํ•˜์ž–์•„์š” ํ‰๋ก ๊ฐ€๋“ค์—๊ฒŒ ๊ณ ํ•ฉ๋‹ˆ๋‹ค ์•„๋งˆ ์ด๊ฒƒ๋„ ๋ณผ ํ…Œ๊ณ  ์ €๋ฅผ ์“ฐ๋Ÿฌ๋œจ๋ฆฌ๋ ค ํ•  ํ…Œ์ฃ 
I JUST WANT THEM TO KNOW-- IS IT OK IF I SAY THIS INTO THE CAMERA, AMBER? OK. I ONLY AM WHO I AM BECAUSE I WAS BORN THAT WAY. I HAVE A GIFT, AND I AM TRYING TO NOT BE SELFISH ABOUT IT, BUT TO USE IT, OK? AND IF YOU WANT TO KNOCK ME FOR THAT, IT'S YOUR OWN PROBLEM. OK, JEALOUSY WILL GET YOU NOWHERE.
๋ถ„๋ช…ํžˆ ๋งํ•ด๋‘๊ฒ ์–ด์š” ์นด๋ฉ”๋ผ์— ๋งํ•ด๋„ ๋˜์ฃ ? ๊ทธ๋ž˜์š” ๋‚œ ์ด๋ ‡๊ฒŒ ํƒœ์–ด๋‚ฌ์„ ๋ฟ์ž…๋‹ˆ๋‹ค ํƒ€๊ณ ๋‚œ ์žฌ๋Šฅ์„ ํ˜ผ์ž๋งŒ ๊ฐ„์งํ•˜์ง€ ์•Š๊ณ  ํ™œ์šฉํ•˜๋Š” ๊ฒ๋‹ˆ๋‹ค ๊ทธ๋Ÿฐ๋ฐ๋„ ๋‚˜๋ฅผ ์“ฐ๋Ÿฌ๋œจ๋ฆฌ๊ฒ ๋‹ค๋ฉด ๊ทธ๊ฑด ๋‹น์‹ ๋“ค ๋ฌธ์ œ์ฃ  ์งˆํˆฌ๋Š” ๋‚˜์œ ๋ณ‘์ž…๋‹ˆ๋‹ค
I'M GOING TO KEEP ROCKIN' ON. FOR DIRK DIGGLER, THE FUTURE IS SOMETHING TO LOOK FORWARD TO, NOT TO FEAR. HE IS A CREATIVE MAN FILM, POETRY, KARATE, MUSIC, AND DANCE. IT'S MY POEM TO YOU. IT'S GOOD, AMBER. IT'S REALLY GOOD. YOU'RE, LIKE, A DIRECTOR NOW. SO HAVE YOU SHOWN JACK YET? NO. I WANTED YOU TO BE THE FIRST. IT'S REALLY GOOD, AMBER. CONGRATULATIONS. THANKS, BABY.
๋‚œ ๊ณ„์† ํ•ด๋‚˜๊ฐˆ ๊ฑฐ์˜ˆ์š” ๋”ํฌ ๋””๊ธ€๋Ÿฌ๋Š” ๋ฏธ๋ž˜๋ฅผ ๋‘๋ ค์›Œํ•˜์ง€ ์•Š๊ณ  ๊ธฐ๋Œ€ํ•ฉ๋‹ˆ๋‹ค ์—ฌ๋Ÿฌ ๋ถ„์•ผ์— ๊ด€์‹ฌ์ด ๋งŽ์Šต๋‹ˆ๋‹ค ์˜ํ™”, ์‹œ, ๊ฐ€๋ผ๋ฐ ์Œ์•…, ์ถค ๋“ฑ ๋‚ด๊ฐ€ ๋ฐ”์น˜๋Š” ์‹œ์•ผ ๋ฉ‹์ ธ์š”, ํ›Œ๋ฅญํ•ด์š” ์ด์ œ๋Š” ๊ฐ๋… ๊ฐ™์•„์š” ์žญ ๊ฐ๋…๋‹˜์—๊ฒŒ๋Š” ๋ณด์—ฌ์คฌ์–ด์š”? ์•„๋‹ˆ, ๋„ค๊ฒŒ ๋จผ์ € ๋ณด์—ฌ์ฃผ๊ณ  ์‹ถ์—ˆ์–ด ์ •๋ง ํ›Œ๋ฅญํ•ด์š”, ์ถ•ํ•˜ํ•ด์š” ๊ณ ๋งˆ์›Œ, ๋”ํฌ
YOU MIGHT WANT TO THINK ABOUT CUTTING THAT PART, YOU KNOW, WHERE JACK TALKS ABOUT-- ABOUT BLOCKING THE SEX? YEAH. THAT STUFF ABOUT ME NOT BEING A BLACK BELT IS NOT TRUE.
๊ฐ๋…๋‹˜์ด ๋ง์”€ํ•˜์‹  ๋ถ€๋ถ„์€ ํŽธ์ง‘์„ ์ข€... ๋ฐฐ์šฐ์—๊ฒŒ ์•ˆ ๋งก๊ธด๋‹ค๋Š”... ๋„ค ๋‚ด๊ฐ€ ๊ฒ€์€ ๋ ๊ฐ€ ์•„๋‹ˆ๋ผ๋Š” ๊ฒƒ๋„ ์‚ฌ์‹ค์ด ์•„๋‹ˆ์—์š”
YEAH. I CAN FIX THAT. ACE OF SPADES. HOW'D IT TURN OUT? ARE YOU SURE? NO. HELLO. HEY, HOW WAS IT, MAN? WHAT? LOOK, SLOW-- SLOW DOWN. SLOW DOWN.
๊ทธ๋ž˜, ๊ณ ์น ๊ฒŒ ์ŠคํŽ˜์ด๋“œ ์—์ด์Šค ์–ด๋• ์–ด? ์ •๋ง ์ด๊ฑธ๋กœ์š”? ์•„๋‹ˆ ์  ์žฅ ์—ฌ๋ณด์„ธ์š” ๊ทธ๋ž˜, ์–ด๋• ์–ด? ๋ญ? ์ž ๊น, ์ฒœ์ฒœํžˆ์š” ๋ณด์—ฌ์ค˜์•ผ์ง€
GUYS, GUYS, GUYS. SLOW DOWN, COLONEL. SAY AGAIN? I'LL BE RIGHT THERE. SO? WELL, LET ME TELL YOU, JACK. I MEAN, I DON'T MEAN TO LAUGH ABOUT IT, BUT SHE WAS 15 GOING ON 150, BELIEVE ME.
์ด๋ด, ์ž ๊น ์กฐ์šฉํžˆ ํ•ด๋ด ์ฒœ์ฒœํžˆ ๋งํ•ด์š”, ๋Œ€๋ น๋‹˜ ์ง€๊ธˆ ๊ฐ€์ฃ  ๊ทธ๋Ÿผ... ๊ทธ๊ฒŒ ๋ง์ด๋„ค ์›ƒ๊ธฐ๋Š” ์–˜๊ธฐ์ง€๋งŒ ์ „ํ˜€ 15์‚ด ๊ฐ™์ง€ ์•Š์•˜์–ด
SHE WAS... YOU WOULD NEVER KNOW IT, NEVER KNOW. I MEAN, I WAS FOOLED COMPLETELY. I MEAN, I'VE HAD A FEW OF THEM. ANYHOW... YOU DO BELIEVE ME, DON'T YOU, JACK?
๋ณด๋ฉด ์•„๋ฌด๋„ ์•ˆ ๋ฏฟ์„ ๊ฑฐ์•ผ ์™„์ „ํžˆ ์†์•˜์ง€ ์ทจํ•œ ์ƒํƒœ์˜€๊ณ  ์–ด์จŒ๊ฑฐ๋‚˜... ์ž๋„ค๋Š” ๋‚˜๋ฅผ ๋ฏฟ์ง€, ์žญ?
YEAH, I-- I BELIEVE YOU. ANYWAY, SO I TAKE HER HOME, JACK, YOU KNOW, AND I GOT HER THERE, AND I TELL HER NOT TO DO SO MUCH COKE, BUT SHE MUST HAVE DONE 20 LINES OF THIS STUFF IN, LIKE, 5 MINUTES.
๋„ค, ๊ทธ๋Ÿผ์š” ์–ด์จŒ๊ฑฐ๋‚˜, ์ง‘์œผ๋กœ ๋ฐ๋ ค๊ฐ”์ง€ ์ง‘์— ๋„์ฐฉํ•ด์„œ๋Š” ๋„ˆ๋ฌด ๋งŽ์ด ํ•˜์ง€ ๋ง๋ผ๊ณ  ํ–ˆ๋Š”๋ฐ 5๋ถ„ ๋™์•ˆ ์Šค๋ฌด ๋ฒˆ์ด๋‚˜ ๋“ค์ด๋งˆ์‹  ๊ฑฐ์•ผ
IT'S LIKE A VACUUM IN HER NOSE. WHEW! JUST GOING UP LIKE CRAZY. ANYWAY SHE'S GOT ALL THIS STUFF GOING ON, AND THE NEXT THING YOU KNOW, SHE STOPPED-- SOMETHING MUST HAVE BROKEN UP THERE BECAUSE BLOOD POURED ALL OVER THE PLACE, ALL OVER THE SHEETS AND EVERYTHING. JUST... POURING OUT. OH, JACK. ALL RIGHT, YOU...
์ง„๊ณต์ฒญ์†Œ๊ธฐ์ฒ˜๋Ÿผ ์ˆœ์‹๊ฐ„์— ๋นจ์•„๋“ค์ด๋”๋ผ๋‹ˆ๊นŒ ๊ทธ๋ ‡๊ฒŒ ๋‹ค ๋“ค์ด๋งˆ์‹œ๋”๋‹ˆ ์–ด๋Š ์ˆœ๊ฐ„ ๊ฐ‘์ž๊ธฐ... ์–ด๋””๊ฐ€ ํ„ฐ์กŒ๋Š”์ง€ ์‚ฌ๋ฐฉ์œผ๋กœ ํ”ผ๋ฅผ ํ˜๋ฆฌ๋”๋ผ๊ณ  ์นจ๋Œ€ ์œ„์— ๊ทธ๋ƒฅ ์ค„์ค„ ํ˜๋ฆฌ๋”๋ผ๋‹ˆ๊นŒ ์žญ, ์ •๋ง์ด์ง€... ์•Œ์•˜์–ด์š”
YOU THOUGHT SHE WAS OLDER. YOU...YOU DIDN'T DO ANYTHING. SHE WAS JUST... SHE WAS AT YOUR PLACE. YOU DIDN'T DO ANYTHING, RIGHT? RIGHT. NOTHING. YOU DIDN'T DO ANYTHING TO HER?
๋Œ€๋ น๋‹˜์€ ๊ทธ ์• ๊ฐ€ ์–ด๋ฆฐ ์ค„ ๋ชฐ๋ž๊ตฐ์š” ๋‹ค๋ฅธ ๊ฑด ์•ˆ ํ–ˆ์ฃ ? ๊ทธ๋ƒฅ ์ง‘์— ๋ฐ๋ ค์™”๊ณ ... ๋‹ค๋ฅธ ๊ฑด ์•ˆ ํ–ˆ์ฃ ? ๊ทธ๋Ÿผ, ์•ˆ ํ–ˆ์–ด ๊ทธ ์• ํ•œํ…Œ ์•„๋ฌด ์ง“๋„ ์•ˆ ํ–ˆ์ฃ ?
NOT A THING. YOU KNOW ME, JACK. I DIDN'T DO A THING. YOU DIDN'T DO ANYTHING? NO, I DIDN'T DO ANYTHING. ALL RIGHT, NOTHING. BUT THEY, UH... THEY FOUND SOMETHING AT THE HOUSE.
๋‚˜๋ฅผ ์•Œ์ž–์•„, ์•ˆ ํ–ˆ์–ด ์ •๋ง๋กœ์š”? ์ •๋ง์ด์•ผ ์•Œ์•˜์–ด์š” ๊ทธ๋Ÿฐ๋ฐ... ๋‹ค๋ฅธ ์ผ์ด ์žˆ์—ˆ๋„ค
WHAT? THERE'S SOMETHING THAT'S... JACK...IT'S MY FUCKIN' WEAKNESS, JACK. IT'S JUST... THEY'RE SO SMALL, AND THEY'RE SO CUTE, AND THEY'RE SO ADORABLE. I JUST CAN'T HELP IT WHEN-- JESUS CHRIST. NO, NO, JACK. LISTEN. LISTEN, I DON'T TOUCH THEM, JACK.
๋ญ”๋ฐ์š”? ๊ทธ๋Ÿฌ๋‹ˆ๊นŒ... ๋‚ด๊ฐ€ ๋–จ์ณ๋‚ด๋ ค๋˜ ์•ฝ์  ๊ฐ™์€ ๊ฑด๋ฐ ์–ด๋ฆฐ ์•„์ด๋“ค์„ ๋ณด๋ฉด ์ •๋ง ๊ท€์—ฝ๊ณ  ์‚ฌ๋ž‘์Šค๋Ÿฝ๊ฑฐ๋“  ๊ทธ๋Ÿด ๋• ๋‚˜๋„ ๋ชจ๋ฅด๊ฒŒ... ๋ง™์†Œ์‚ฌ ์žญ, ๋งˆ์ € ๋“ฃ๊ฒŒ ์†์„ ๋Œ€์ง€๋Š” ์•Š์•˜์–ด
I DON'T TOUCH THEM IN ANY WAY, HONESTLY. JACK, PLEASE. ALL RIGHT. NOW YOU THINK I'M AN ASSHOLE. JACK, LET ME TELL YOU THIS. I LOVE YOU, JACK. I'M YOUR FRIEND.
์ ˆ๋Œ€ ์†์€ ์•ˆ ๋Œ€๋„ค ์žญ, ๋ฏฟ์–ด์ฃผ๊ฒŒ ๋„ค ๋ฏธ์นœ ๋†ˆ์ด๋ผ ์š•ํ•  ํ…Œ์ง€ ์žญ, ๋‚˜๋Š” ์ž๋„ค๋ฅผ ์ข‹์•„ํ•˜๊ณ  ์นœ๊ตฌ๋ผ๊ณ  ์—ฌ๊ธฐ๋„ค
JACK, COME ON. TELL ME THAT YOU'RE MY FRIEND. JUST TELL ME. AM I YOUR FRIEND? AM I-- I DO. I DO, TOO. LISTEN, I'M--I'M--I'M-- I'M DYING TO DO A MOVIE WITH YOU.
์žญ, ์–ด์„œ ์šฐ๋ฆฌ๋Š” ์นœ๊ตฌ๋ผ๊ณ  ๋ง์ด์•ผ ์–ด์„œ ์ œ๋ฐœ ์ž๋„ค์™€ ๋‚œ ์นœ๊ตฌ์ง€? ๋„ค ๋„ค '1982๋…„ 12์›”' ์žˆ์ž–์•„, ์ •๋ง์ด์ง€...
I'LL TELL YOU WHAT COMES TO MIND. YEAH? WHAT COMES TO MIND IS I AM THE ULTIMATE LATIN LOVER. THERE IS NO LATIN LOVER LIKE ME. YOU UNDERSTAND? ONCE YOU GET MAURICE AS THE LATIN LOVER... HAVE YOU EVER BEEN TO, UM, NIAGARA FALLS?
์ข‹์•„, ๋‚œ ๊ทธ์ €... ํ•œ ๊ฐ€์ง€ ๋– ์˜ฌ๋ž์–ด ๊ทธ๋ž˜? ๋‚ด ์บ๋ฆญํ„ฐ๋Š” ์ตœ๊ณ ์˜ ๋ผํ‹ด๊ณ„ ๋‚จ์ž์•ผ ๋ผ์Šค๋ฒ ์ด๊ฑฐ์Šค๋Š” ์ฒ˜์Œ์ด์•ผ ๋‚˜ ๊ฐ™์€ ์บ๋ฆญํ„ฐ๋Š” ์ฒ˜์Œ์ผ๊ฑธ ์ด ๋ชจ๋ฆฌ์Šค๋ฅผ ์ƒ๋Œ€๋กœ ํ•ด์„œ... ๋‚˜์ด์•„๊ฐ€๋ผ ํญํฌ์— ๊ฐ€๋ดค์–ด?
THAT IS GREAT! THAT'S SO GREAT, YOU GUYS. THIS IS GOING TO BE A GREAT OPPORTUNITY FOR ME TO RUN THE STORE MY WAY, YOU KNOW, JUST GET THOSE GUYS OFF MY BACK.
๋ผ์Šค๋ฒ ์ด๊ฑฐ์Šค๋Š” ๊ฐ€๋ดค์–ด ๊ทธ๋ž˜, ์ž˜๋๊ตฐ ๋‚ด ๋ฐฉ์‹๋Œ€๋กœ ๊ฐ€๊ฒŒ๋ฅผ ํ•  ์ข‹์€ ๊ธฐํšŒ์ง€ ๋ฐฉํ•ด๋„ ์•ˆ ๋ฐ›๊ณ  ๊ทธ๋ ‡์ง€
EXACTLY. I'LL RUN THE STORE MY WAY. ARE YOU GUYS MOVING TO BAKERSFIELD? YEAH. WELL, AREN'T YOUR FOLKS FROM BAKERSFIELD? HEY, GUYS, WE'RE LOSING THESE TWO. WOW. YOU LIKE IT THERE? BIG PROMOTION!
์—ฌ๊ธฐ ์ƒดํŽ˜์ธ์š” ๋‚ด ๋ฐฉ์‹์œผ๋กœ ํ•ด์•ผ์ง€ ๋ฒ ์ด์ปค์Šคํ•„๋“œ๋กœ ์ด์‚ฌ ๊ฐ€? ์ง‘์€ ๊ตฌํ–ˆ์–ด? ๊ฑฐ๊ธฐ์„œ ์‚ฐ ์ ์ด ์žˆ์–ด ๊ทธ๋ž˜? ์ด ๋‘˜์€ ๋ชป ๋ณด๊ฒŒ ๋์–ด ๋ฒ ์ด์ปค์Šคํ•„๋“œ๋กœ ์ด์‚ฌ ๊ฐ„๋Œ€ ์ข‹์•˜์–ด? ์„ฑ๊ณตํ•œ ๊ฑฐ์•ผ
I CAN DO IT. IT'S A LITTLE MORE COMPLICATED THAN THAT. HEY, JACK. HOW YOU DOING? GOOD. WHO'S THAT? HI. I'M-- I'M JOHNNY DOE. YOU'RE... DIRK DIGGLER.
์ž์‹  ์žˆ์–ด์š” ๊ฐ„๋‹จํ•œ ์ผ์ด ์•„๋‹ˆ์•ผ ํž˜๋“  ์ผ์ด์ง€ ๊ทธ๋ ‡์ฃ  ๊ฐ๋…๋‹˜ ์ž˜ ์ง€๋ƒˆ๋‚˜? ๋„ค, ๋ˆ„๊ตฌ์ฃ ? ์กฐ๋‹ˆ ๋„์˜ˆ์š” ๋”ํฌ ๋””๊ธ€๋Ÿฌ๊ตฐ์š”
IT'S GREAT TO MEET YOU. JOHNNY'S, UH... THE NEW BOY ON THE STREET. HE'S VERY TIRED. SO LIKE I SAID, IT'S A TOUGH--IT'S A TOUGH BUSINESS. BUT YOU KNOW, THERE'S A LOT OF WORK INVOLVED, A LOT OF PEOPLE. WE ALL HAVE TO WORK OUR BUNS OFF. KNOW WHAT I MEAN? I MEAN, IT TAKES 15, 16 GUYS JUST TO DO THE LIGHTING.
์˜๊ด‘์ด๋„ค์š” ์กฐ๋‹ˆ๋Š” ์‹ ์ž…์ด๋„ค ํ”ผ๊ณคํ•œ๊ฐ€ ๋ณด๊ตฐ ๋งํ–ˆ๋“ฏ์ด ๋งŒ๋งŒํ•œ ๋ฐ๊ฐ€ ์•„๋‹ˆ์•ผ ๊ณ ๋ คํ•  ๋ถ€๋ถ„๋„ ๋งŽ๊ณ  ๊ด€๋ จ๋œ ์‚ฌ๋žŒ๋„ ๋งŽ์ง€ ์—ด์‹ฌํžˆ ํ•ด์•ผ ํ•˜๋„ค, ์•Œ๊ฒ ๋‚˜? ์กฐ๋ช…๋งŒ ํ•ด๋„ ์ธ์›์ด 15๋ช…์€ ํ•„์š”ํ•˜๊ฑฐ๋“ 
NO, NO, NO. IT'S CRYSTAL, MAN. YOU JUST WANT TO DO BUMPS. SHUT UP, MAN. ALL RIGHT. HEY, YOU GUYS. WHAT? JUST SAYING HEY. YEAH, WHATEVER. OH, MAN. OH. YOU ALL RIGHT? OH, IT'S GETTING ME FUCKIN' HIGH, MAN. YEAH. IT'S THAT CARPET DOPE.
๊ทธ๊ฑด ํ•„๋กœํฐ์ด๊ณ  ๋„Œ ์ฝ”์นด์ธ๋งŒ ์ฐพ์ž–์•„ ์กฐ์šฉํžˆ ํ•ด์š” ์•Œ์•˜์–ด '1983๋…„ 1์›”' ์•ˆ๋…• ์™œ? ๊ทธ๋ƒฅ ์ธ์‚ฌํ–ˆ์–ด ํ•˜๋“  ๋ง๋“  ์„ธ์ƒ์— ๊ดœ์ฐฎ์•„? ์ง„์งœ ๊ธฐ๋ถ„ ๋งŒ๋•…์ด์—์š” ์นดํŽซ์„ ๋„ฃ์€ ์•ฝ์ด์•ผ
IT'S THE KIND OF DOPE THAT THEY USED TO PUT CARPET IN. OW. IT'S A LOT BETTER THAN THAT PINK SHIT, I'LL TELL YOU THAT. THE PINK SHIT'S FUCKIN' WEIRD.
์นดํŽซ์„ ์•ฝ์ด๋ž‘ ์„ž๋Š” ๊ฑฐ์ง€ ๊ทธ ๋ถ„ํ™ ์•ฝ๋ณด๋‹ค ํ›จ์”ฌ ๋‚ซ์ง€ ๊ทธ๊ฑด ์ด์ƒํ•ด์„œ ๋ชป ๋จน๊ฒ ์–ด
THEY PUT FISH SCALES IN THAT SHIT. OH... YOU LOOK GOOD. YOU READY? YOU READY? COME ON. I AM A STAR. I'M A FUCKIN' ROCK AND ROLL STAR. MAN, I GOT TO GET HARD. COME ON. FUCK. PLEASE DON'T DO THIS TO ME. NO, PLEASE. COME ON. I'M A STAR.
์ƒ์„  ๋น„๋Š˜์„ ๋„ฃ๋Š”๋‹ค๋‚˜ ๋ญ๋ผ๋‚˜ ์•„์ฃผ ์ข‹์•„, ์ค€๋น„๋์–ด? ์ค€๋น„๋์–ด? ์ž, ์–ด์„œ ๋‚œ ์Šคํƒ€์•ผ ์ตœ๊ณ ์˜ ๋กœํฐ๋กค ์Šคํƒ€์•ผ ์–ด์„œ ์ผ์–ด๋‚˜, ์–ด์„œ ์ด๋Ÿฌ์ง€ ๋งˆ ์ œ๋ฐœ, ์–ด์„œ ๋‚œ ์Šคํƒ€์•ผ, ๋‚œ...
YOU READY? I WAS BORN READY. COME ON. JACK. YEAH? I'M READY TO SHOOT. UH, 20 MINUTES, HUH? NO. I'M READY NOW. IT'S GOT TO BE NOW. 20 MINUTES, BABE. FUCK IT. HEY, NO. HEY, JACK. I'M READY TO SHOOT NOW.
๋‹ค์‹œ, ์ค€๋น„๋์–ด? ์ค€๋น„ ๋ ๊ฐ€์ž ๊ฐ๋…๋‹˜ ๊ทธ๋ž˜ ์ค€๋น„๋์–ด์š” 20๋ถ„ ํ›„์— ์ค€๋น„๋์–ด์š”, ์ฐ์–ด์š” 20๋ถ„ ํ›„์— ์  ์žฅ, ๊ฐ๋…๋‹˜ ์ง€๊ธˆ ์ฐ์ž๋‹ˆ๊นŒ์š”
MY COCK IS READY. I WANT TO FUCK. LET'S GO. 20 MINUTES. I WANT TO FUCK. WHO'S IT GOING TO BE? WHAT? WHO DO YOU WANT TO START FUCKING? ME OR HIM?
์ค€๋น„๋์–ด์š” ์ง€๊ธˆ ์‹œ์ž‘ํ•˜์ž๊ณ ์š” 20๋ถ„ ํ›„์— ๋ˆ„๊ฐ€ ํ•  ๊ฑฐ์ฃ ? ๋ญ? ๋ˆ„๊ฐ€ ํ•  ๊ฑฐ์˜ˆ์š”? ๋‚˜์š”? ์ € ๋…€์„์š”?
ME? WHAT? SHUT UP, OK?! I DIDN'T DO ANYTHING TO YOU. NO, NO, NO. I'M AN ACTOR, MAN. SHUT UP! WHAT?! SHUT UP, MAN! STOP THIS MICKEY MOUSE BULLSHIT. I WANT YOU TO GO IN THERE. I WANT YOU TO COOL OFF, OK?
๋ญ? ๋‹ฅ์ณ ์™œ ์‹œ๋น„์•ผ? ๋ญ? ๋ฐฐ์šฐ๋„ ์•„๋‹Œ ์ฃผ์ œ์— ๋‚ด๊ฐ€ ์ง„์งœ ๋ฐฐ์šฐ์•ผ ๋‹ฅ์ณ ๋ญ? ๊ทธ๋งŒ! ๋‹ฅ์ณ ์ง„์ •ํ•ด ๊ทธ๋งŒํ•ด, ์ €๊ธฐ ๋“ค์–ด๊ฐ€ ์žˆ์–ด ์ง„์ •ํ•˜๊ณ , ์•Œ์•˜์ง€?
JUST COOL OFF, AND WE'LL COME BACK AND SHOOT THE SCENE. I SAID I'M READY TO SHOOT. NOT NOW. I'M NOT GOING TO TELL YOU AGAIN, JACK. I'M NOT GOING TO SHOOT YOU IN THE STATE YOU'RE IN. WHAT DO YOU MEAN, STATE? STATE? STATE OF CALIFORNIA? I KNOW WHERE THE FUCK I AM, JACK. JESUS CHRIST, YOU'VE BEEN UP FOR 2 DAYS. NO, I HAVEN'T BEEN UP FOR 2 DAYS. NEVERTHELESS, YOU LOOK LIKE YOU HAVEN'T BEEN TO SLEEP,
์กฐ๊ธˆ ๋” ์žˆ๋‹ค๊ฐ€ ์ฐ๋Š” ๊ฑฐ์•ผ ์ค€๋น„๋๋‹ค๋‹ˆ๊นŒ์š” ๋‚˜์ค‘์— ์ž… ์•„ํ”„๊ฒŒ ์™œ ์ด๋ž˜์š”? ์ง€๊ธˆ ์ƒํƒœ๋กœ๋Š” ์•ˆ ๋ผ ์ง€๊ธˆ ์ƒํƒœ๋ผ๋‹ˆ์š”? ๋ฌด์Šจ ์ƒํƒœ์š”? ๋‚ด ์ƒํƒœ๋Š” ์ž˜ ์•Œ์•„์š” ์ดํ‹€ ๋™์•ˆ ์ž ๋„ ์•ˆ ์žค์ž–์•„ ๊ทธ๋ ‡์ง€ ์•Š์•„์š” ์–ด์จŒ๋“  ์•ˆ ์ž” ๊ฒƒ์ฒ˜๋Ÿผ ๋ณด์—ฌ
SO I AIN'T GONNA SHOOT YOU THIS WAY BECAUSE YOU DON'T LOOK GOOD. YOU KNOW WHAT? YOU DON'T TELL ME ANYTHING, OK? REALLY? YOU'RE NOT THE BOSS OF ME.
์ด๋Ÿฐ ๋ชจ์Šต์œผ๋กœ๋Š” ์ดฌ์˜์„ ํ•  ์ˆ˜ ์—†์–ด ๋ˆ„๊ตฌํ•œํ…Œ ์ด๋ž˜๋ผ ์ €๋ž˜๋ผ์ฃ ? ๋ญ? ์ƒ์‚ฌ๋„ ์•„๋‹ˆ๋ฉด์„œ์š”
YES, I AM. OH, YOU'RE THE KING, HUH? YES! HEY, DON'T YOU FUCKIN' TOUCH ME, MAN! DIRK, HONEY-- NO. NO, NO. YOU SHUT UP, TOO. YOU'RE NOT THE MOTHER OF ME, AND YOU'RE NOT MY BOSS!
๋„ค ์ƒ์‚ฌ์•ผ ์™•์ด์‹œ๋‹ค? ๊ทธ๋ž˜! ์–ด๋””์— ์†์„ ๋Œ€์š”! ๋”ํฌ, ์•ˆ ๋ผ ๋‹น์‹ ๋„ ๋‹ฅ์ณ ์—„๋งˆ๋„ ์•„๋‹ˆ๊ณ  ์ƒ์‚ฌ๋„ ์•„๋‹ˆ์ž–์•„
YOU'RE NOT MY MOTHER! YOU'RE NOT MY FUCKIN' MOM! LOOK, DIRK,I'LL TAKE HONEY--YOU HOME. NO, NO, NO. I'M READY TO SHOOT THE SCENE. I WANT TO SHOOT THE SCENE. I'M FINE.
๋ˆ„๊ตฌํ•œํ…Œ ์—„๋งˆ ๋…ธ๋ฆ‡์„ ํ•˜๋Š” ๊ฑฐ์•ผ? ์ด๋ด ๋”ํฌ ์ง‘์— ๊ฐ€์ž ๋‚œ ์ดฌ์˜ํ•  ์ค€๋น„๊ฐ€ ๋์–ด์š” ๊ดœ์ฐฎ์œผ๋‹ˆ๊นŒ ์ฐ์ž๊ณ ์š”
I WANT YOU OUT OF HERE. LOOK, IT'S OVER, OK? I'M DONE. LISTEN TO ME, KID. I WANT YOU-- DON'T YOU FUCKIN' CALL ME A KID! I'LL FUCK YOU UP! YOU WANT TO SEE ME KICK SOME ASS?! I KNOW FUCKIN' KARATE!
๊บผ์ ธ ๋‹ค ๋๋‚ฌ์–ด์š”, ์•ˆ ํ•ด์š” ๋‚ด ๋ง ์ž˜ ๋“ค์–ด, ์ด ์ž์‹์•„ ๋ˆ„๊ตฌํ•œํ…Œ ์ž์‹์ด๋ž˜์š”? ๋ญ? ๋ค๋ฒผ์š”, ๊ฐ€๋งŒ ์•ˆ ๋‘˜ ํ…Œ๋‹ˆ ๊ฐ€๋ผ๋ฐ ๋ง› ์ข€ ๋ณด๊ฒ ์–ด์š”?
YOU'RE FUCKIN' FIRED! YOU ARE FIRED! YOU'RE FIRED, YOU GODDAMN KID! SON OF A BITCH! JACK, WHAT THE HELL-- YOU KNOW WHAT? NO, NO, NO. YOU KNOW WHAT? I'M THE BIGGEST STAR HERE, MAN. THAT'S THE WAY IT IS! I WANT TO FUCK! IT'S MY BIG DICK! SO EVERYBODY GET READY FUCKIN' NOW!
๋„Œ ํ•ด๊ณ ์•ผ, ํ•ด๊ณ  ๋ค๋ฒผ์š” ๋„Œ ํ•ด๊ณ ์•ผ, ์ด ์ž์‹์•„ ๊ทธ๋ž˜์š”? ๋ค๋ฒผ์š” ๊ฐ๋…๋‹˜ ๊ทธ๋งŒ ํ•ด์š” ์ž˜ ๋“ค์–ด์š” ๋‚œ ์ตœ๊ณ ์˜ ์Šคํƒ€์˜ˆ์š” ๋ช…์‹ฌํ•ด์š” ๋‚ด ๋ฌผ๊ฑด์ด ์ตœ๊ณ ์ž–์•„์š” ๊ทธ๋Ÿฌ๋‹ˆ ์–ด์„œ ๋‹ค๋“ค ์ค€๋น„ํ•ด์š”
YOU KNOW WHAT? I DON'T NEED THIS SHIT! YOU KNOW, FUCK YOU! FUCK YOU! FUCK ALL OF YOU! YOU'RE NOT MY BOSS! YOU'RE NOT THE KING OF ME! I AM THE FUCKIN' KING OF DIRK! YOU'RE NOTHING WITHOUT ME, JACK! YOU'RE FUCKIN' NOTHING! FUCK THIS, MAN! I DON'T NEED THIS SHIT! DIRK, WAIT. I'M SO SORRY, JACK. I'M SO SORRY.
๋‹ค ํ•„์š” ์—†์œผ๋‹ˆ ๊ฐ€์ ธ๊ฐ€ ๋ชจ๋‘ ๋’ˆ์ ธ๋ฒ„๋ ค, ๋ชจ๋‘! ๋” ์ด์ƒ ํœ˜๋‘˜๋ฆฌ์ง€ ์•Š์•„ ์ด ๋”ํฌ๊ฐ€ ์ตœ๊ณ ๋‹ˆ๊นŒ ๋‚˜ ์—†์ด ์ž˜ ์‚ฌ๋‚˜ ๋ณด์ž๊ณ  ์–ด๋”” ๋‘๊ณ  ๋ด ๊ทธ๋งŒ๋‘๊ฒ ์–ด ์ž ๊น๋งŒ ๋นŒ์–ด๋จน์„ ์ •๋ง ์ฃ„์†กํ•ด์š”, ๊ฐ๋…๋‹˜
OK, DIRK, YOU READY? YEAH. I WAS BORN READY, NICK. LET'S GO, MAN. DIRK DIGGLER DEMO-- KEEP THE VOCALS UP. EXCUSE ME, REED. OH. YEAH! YOU THINK THE BASS IS TAKING AWAY FROM THE VOCAL?
๋”ํฌ, ์ค€๋น„๋๋‚˜? ์ข‹์•„์š”, ๋‹‰ ๊ฐ€๋ด…์‹œ๋‹ค ๋”ํฌ ๋””๊ธ€๋Ÿฌ ๋ฐ๋ชจ ๋†’์—ฌ์„œ ์žก์•„์š” ์ž ์‹œ๋งŒ์š” ๊ทธ๋ž˜ ๋ฒ ์ด์Šค ๋•Œ๋ฌธ์— ๋ชฉ์†Œ๋ฆฌ๊ฐ€ ์ฃฝ์ง€ ์•Š์•„์š”?
NO, NOT REALLY. MAYBE. IT SOUNDS BALANCED TO ME. IT'S DEFINITELY TAKING AWAY FROM MY VOCAL. JUST TAKE THE BASS DOWN AND BRING UP THE VOCAL. OK, LET'S DO IT, NICK. YOU HEARD HIM.
๊ทธ๋Ÿด ์ˆ˜๋„ ์žˆ์ง€๋งŒ ์—ฌ๊ธฐ์„œ๋Š” ์ ์ ˆํ•œ ๋“ฏํ•œ๋ฐ ๋‚ด ๋ชฉ์†Œ๋ฆฌ๊ฐ€ ์ฃฝ์–ด์š” ๋ฒ ์ด์Šค๋ฅผ ์ค„์ด๊ณ  ๋ณด์ปฌ์„ ์˜ฌ๋ ค์š” ๋“ค์—ˆ์ฃ ? ๊ทธ๋ ‡๊ฒŒ ํ•ด์š”
YOU WANT TO TAKE IT FROM THE TOP? YEAH. LET'S TRY IT. OK. YEAH. IT'S DEFINITELY COOL. LET'S LAY IT DOWN. NICK. YOU WANT TO LAY IT DOWN? WERE WE ROLLING ON THAT REHEARSAL?
์ฒ˜์Œ๋ถ€ํ„ฐ ํ• ๋ž˜? ๋„ค, ํ•ด๋ณด์ฃ  ์ข‹์•„ ๋‚ด ์—ด์ •์„ ๊ทธ๋ž˜, ์ข‹์•„ ๋…น์Œํ•ด์š”, ๋‹‰? ๋…น์Œํ•˜์ž๊ณ ? ๋ฆฌํ—ˆ์„ค ๋…น์Œํ–ˆ์–ด์š”?
IS HE GOING TO FUCK ME IN THE ASS? IS THAT WHAT YOU WANT? IT WOULD BE NICE. FUCK HER IN THE ASS. LOCK AND LOAD, JACK. I WAS GOING TO TAKE A POTTERY CLASS AT EVERYWOMAN'S VILLAGE.
๋’ค์—์„œ ํ•  ๊ฑด๊ฐ€์š”? ๊ทธ๊ฒŒ ์ข‹๊ฒ ์–ด? ๊ทธ๋Ÿผ ์ข‹์ฃ  ๋’ค์—์„œ ํ•ด ์ค€๋น„ ๋ '์—ฌ์„ฑ ๋งˆ์„'์˜ ๋„์˜ˆ ๊ต์‹ค์— ๋“ค์–ด๊ฐˆ๊นŒ ํ–ˆ์–ด
OH! OH, I WANT TO DO THAT. OK, WE'LL DO THAT-- MONDAYS, WEDNESDAYS, 00. I WAS THINKING SOMETHING. MM-HMM. FOR HIGH SCHOOL, TO GRADUATE. I NEVER GOT MY DIPLOMA. I FEEL BAD, YOU KNOW, THAT, UH... I THINK YOU WERE RIGHT ABOUT THAT.
๊ทธ๊ฑฐ ์ข‹๊ฒ ๋„ค์š” ๊ทธ๋Ÿผ ๊ฐ€์ž ์›”, ์ˆ˜, ๊ธˆ์š”์ผ 3์‹œ์•ผ ๊ทธ๋ฆฌ๊ณ  ์žˆ์ž–์•„์š” ์™œ? ๊ณ ๊ต ์กธ์—… ๊ฒ€์ •๊ณ ์‹œ์ž–์•„ ์กธ์—…์žฅ์„ ๋ชป ๋•„์œผ๋‹ˆ๊นŒ์š” ๊ทธ๋ž˜์„œ ์•„๋ฌด๋ž˜๋„... ์–ธ๋‹ˆ ๋ง์ด ๋งž์•„์š”
IF YOU WANTED TO, YOU COULD DO ANYTHING. MR. SWOPE. YES. THAT'S ME. DO YOU HAVE YOUR LOAN APPLICATION? YES, I DO. RIGHT THERE. GOOD. DO YOU WANT TO FOLLOW ME? YES, I DO.
๋œป๋งŒ ์žˆ์œผ๋ฉด ๋ญ๋“  ํ•  ์ˆ˜ ์žˆ์–ด ์Šค์›Œํ”„ ์”จ ๋„ค, ์ ‘๋‹ˆ๋‹ค ๋Œ€์ถœ ์‹ ์ฒญ์„œ๋Š”์š”? ๋„ค, ์—ฌ๊ธฐ์š” ๋”ฐ๋ผ์˜ค์„ธ์š” ๋„ค
HEY, KURT, ARE WE GOING TO HAVE ANY MORE COVERAGE ON THIS, OR-- NO, NO. WE JUST KEEP SHOOTING. THIS IS VIDEO. WE SHOOT AND SHOOT, AND THEN WE DEAL WITH IT LATER. ALL RIGHT, NOW, SUMMER, I WANT YOU TO TAKE SKY'S THONG OFF-- THAT THONG THING. YEAH, ACTUALLY TAKE IT OFF. THAT'S GOOD. AND FINGER IT.
์ปคํŠธ, ๋‹ค๋ฅธ ๋ณด์ถฉ ์žฅ๋ฉด์ด ํ•„์š”ํ•˜์ง€ ์•Š์•„์š”? ์•„๋‹ˆ์•ผ, ๊ทธ๋ƒฅ ์ฐ์œผ๋ฉด ๋ผ ์ด๊ฑด ๋น„๋””์˜ค์•ผ ๊ณ„์† ์ฐ๊ณ  ๋‚˜์ค‘์— ํŽธ์ง‘ํ•˜๋ฉด ๋ผ ์ข‹์•„, ์„ฌ๋จธ๊ฐ€ ์Šค์นด์ด์˜ ํ‹ฐํŒฌํ‹ฐ๋ฅผ ๋ฒ—๊ฒจ ๊ทธ๋ž˜, ๋ฒ—๊ฒจ ์ข‹์•„, ์†๊ฐ€๋ฝ์„ ์จ์„œ...
OH, THAT'S GOOD. LICK THE THONG. YEAH. YOU KNOW, THAT'S REALLY GOOD TECHNICALLY, BUT--BUT--BUT IT LACKS PASSION. I WANT TO SEE SOME PASSION HERE. YES, BITCH!
์ข‹์•„, ๊ทธ๊ฒƒ๋„ ์ข‹์•„ ์•„์ฃผ ๋ฉ‹์ง„ ์‹œ๋„์•ผ ์—ด์ •์ด ๋ถ€์กฑํ•ด ์ข€ ๋” ์—ด์ •์ ์œผ๋กœ ๊ทธ๊ฑฐ์•ผ!
YEAH, THAT'S IT. LICK MY BALLS. FUCK ME. OHH... WHO'S YOUR DADDY, BITCH? OH! YOU'LL LIVE. YOU'LL LIVE. YES! I'M BACK. PERFECT TIMING.
'ํ”Œ๋กœ์ด๋“œ ๊ณค๋Œ๋ฆฌ ์ œ์ž‘' ํ•ฅ์•„ ์ฃฝ์ธ๋‹ค '์žญ ํ˜ธ๋„ˆ ๊ฐ๋…' ๋ˆ„๊ฐ€ ์ตœ๊ณ ์ง€? '์กฐ๋‹ˆ ๋„ ๋ก ํ•˜๋”์Šค ์—ญ' ๋Œ€๋‹จํ•ด, ๊ทธ๋ž˜! ๋‚˜ ์™”์–ด ๋”ฑ ๋งž์ถฐ ์™”๊ตฐ์š”
I'M BACK! WHAT THE FUCK TOOK YOU SO LONG, MAN? TODD! FUCK. AND THAT'S REALLY WHAT BUCK'S SUPER STEREO WORLD IS ALL ABOUT. AND THAT'S THE KIND OF PERSONAL TOUCH THAT BUCK'S SUPER STEREO WORLD'S GOING TO HAVE.
๋‚˜ ์™”์–ด ์™œ ์ด์ œ ์™€์š”? ํ† ๋“œ ์ฃฝ์ธ๋‹ค! '๋ฒ…์˜ ์Šˆํผ ์Šคํ…Œ๋ ˆ์˜ค ์›”๋“œ'๋Š” ๊ณ ๊ฐ์„ ์šฐ์„ ์‹œํ•ฉ๋‹ˆ๋‹ค ๊ทธ๊ฒŒ '๋ฒ…์˜ ์Šˆํผ ์Šคํ…Œ๋ ˆ์˜ค ์›”๋“œ'๊ฐ€ ์ง€ํ–ฅํ•˜๋Š” ๋ฐ”์ž…๋‹ˆ๋‹ค
I MISS MY 2 SONS, YOU KNOW. I MISS MY LITTLE ANDREW AND... AND MY DIRK. YOU KNOW, I ALWAYS FELT LIKE DIRK WAS MY BABY... MY NEW BABY. DON'T YOU MISS DIRK? YEAH.
๋‚ด ๋‘ ์•„๋“ค์ด ๋ณด๊ณ  ์‹ถ์–ด ์•ค๋””์™€ ๋”ํฌ ๋”ํฌ๋Š” ์ •๋ง ์•„๋“ค ๊ฐ™์•˜์–ด ์ƒˆ ์•„๋“ค ๋”ํฌ๊ฐ€ ๋ณด๊ณ  ์‹ถ์ง€? ๋„ค
HE'S SO FUCKIN' TALENTED, THE BASTARD. YOU KNOW, I JUST... I LOVE HIM, ROLLERGIRL. I MEAN, I REALLY LOVE THE STUPID JERK. I LOVE YOU, MOM. I WANT YOU TO BE MY MOM, AMBER. ARE YOU MY MOM?
์ •๋ง ์žฌ๋Šฅ์ด ์žˆ์—ˆ๊ณ  ๊ทธ๋ž˜์„œ ๋”์šฑ... ๋”ํฌ๋ฅผ ์‚ฌ๋ž‘ํ•ด ์ •๋ง๋กœ ์‚ฌ๋ž‘ํ•œ๋‹ค๋‹ˆ๊นŒ ์—„๋งˆ๋ฅผ ์‚ฌ๋ž‘ํ•ด์š” ์—„๋งˆ๊ฐ€ ๋ผ์ค˜์š”, ์•ฐ๋ฒ„ ์—„๋งˆ๊ฐ€ ๋ผ์ค„๋ž˜์š”?
I'LL JUST--I'LL ASK YOU IF YOU'RE MY MOM, OK? AND YOU SAY YES, OK? ARE YOU MY MOM? YES, HONEY. YES. YES. HOLD ON. NOW, LOOK, COME ON, ALL RIGHT? ALL WE NEED IS THE TAPES, BURT? NO. YOU DON'T GET THEM UNTIL YOU PAY.
์—„๋งˆ๊ฐ€ ๋ผ์ฃผ๊ฒ ์–ด์š”? ์ข‹๋‹ค๊ณ  ํ•ด์ค˜์š” ์—„๋งˆ๊ฐ€ ๋ผ์ค„๋ž˜์š”? ๊ทธ๋ž˜ ์ข‹์•„, ๋ฌผ๋ก  ์ด๋Ÿฌ๋ฉด... ์ž, ์–ด์„œ ๋‚ด๋†”์š” ํ…Œ์ดํ”„๋งŒ ์ฃผ๋ฉด ๋๋‚˜์š” ๊ฒฐ์ œํ•ด์•ผ ๋‚ด์ค„ ์ˆ˜ ์žˆ๋„ค
IN OUR SITUATION, THAT DOESN'T MAKE ANY FUCKING SENSE! WAIT! WE CAN'T PAY THE PRICE OF THE DEMO TAPES UNLESS WE TAKE THE DEMO TAPES TO THE RECORD COMPANY AND GET PAID!
์ด๋Ÿฐ ์ƒํ™ฉ์—์„œ๋Š” ๋ชป ํ•˜์ž–์•„์š” ์ž ๊น๋งŒ์š” ๋ฐ๋ชจ ํ…Œ์ดํ”„ ๋น„์šฉ์€ ๋ฐ๋ชจ๋ฅผ ์Œ๋ฐ˜์‚ฌ์— ๋ณด์—ฌ์ฃผ๊ณ  ๊ณ„์•ฝ๊ธˆ์„ ๋ฐ›์•„์•ผ ์ฃผ์ฃ 
HELLO! EXACTLY! THAT'S NOT AN M.P. THAT'S A Y.P.- YOUR PROBLEM. COME UP WITH THE MONEY, AND I'LL GIVE YOU THE TAPES. THAT'S IT. OK, ALL RIGHT, NOW YOU'RE TALKING ABOVE MY HEAD. ALL RIGHT, I DON'T KNOW THIS INDUSTRY JARGON-- Y.P., M.P.-WHATEVER, OK? ALL I KNOW IS THAT I CANNOT GET A RECORD CONTRACT. WE CANNOT GET A RECORD CONTRACT UNLESS I TAKE THESE TAPES,
๊ทธ๋ ‡์ž–์•„์š”! ๊ทธ๊ฑด ๋‚ด ์•Œ ๋ฐ” ์•„๋‹ˆ๊ณ  ๊ทธ์ชฝ ๋ฌธ์ œ์ง€ ๋ˆ์„ ๊ฐ€์ ธ์˜ค๋ฉด ํ…Œ์ดํ”„๋ฅผ ์ฃผ๊ฒ ๋„ค ์ข‹์•„์š”, ๊ทธ๊ฒŒ ์ด์ชฝ ๋…ผ๋ฆฌ์ธ์ง€ ๋ชจ๋ฅด๊ฒ ๋Š”๋ฐ ์–ด์จŒ๋“  ๊ฐ„์— ๊ณ„์•ฝ์„ ๋ชป ํ•˜๊ณ  ์žˆ์–ด์š” ๊ทธ ๋ฐ๋ชจ ํ…Œ์ดํ”„๊ฐ€ ์—†์–ด์„œ ๋ง์ด์—์š”
AND GRANT IT, THE TAPES THEMSELVES ARE YOUR-- ARE YOUR--ARE YOUR-- YOU OWN THEM, OK? BUT THE MAGIC THAT IS ON THE TAPES, THAT FUCKIN' HEART AND SOUL THAT WE PUT INTO THOSE TAPES, THAT IS OURS, AND YOU DON'T OWN THAT.
๋ฌผ๋ก  ๊ทธ ํ…Œ์ดํ”„๋Š” ํ˜„์žฌ๋กœ์„œ๋Š” ๊ทธ์ชฝ ์†Œ์œ ์ง€๋งŒ ์šฐ๋ฆฌ๊ฐ€ ์‹ฌํ˜ˆ์„ ๊ธฐ์šธ์—ฌ ๊ฑฐ๊ธฐ์— ๋ถˆ์–ด๋„ฃ์€ ์˜ํ˜ผ์€ ๋ฐ”๋กœ ์šฐ๋ฆฌ ๊ฑฐ๋ผ๊ณ ์š” ๊ทธ๊ฑด ์šฐ๋ฆฌ ๊ฑฐ์ฃ 
NOW, I NEED TO TAKE THAT MAGIC AND GET IT TO THE RECORD COMPANY. WE LOOK LIKE ASSHOLES RIGHT NOW, MAN! I DON'T WANT TO DO THIS ANYMORE, HONEY. I CAN'T. I JUST... LET'S HAVE FUN NOW. LET'S JUST GO AND GO AND GO, BECAUSE IT'S OVER. THERE'S TOO MANY THINGS. TOO MANY THINGS, TOO MANY THINGS, TOO MANY THINGS.
๊ทธ๋Ÿฌ๋‹ˆ ๊ทธ๊ฑธ ๋‚ด๋†”์š” ์Œ๋ฐ˜์‚ฌ์— ๊ฐ€์ ธ๊ฐ€์•ผ๊ฒ ์–ด์š” ๊ฑฐ๊ธฐ์„œ ์šฐ๋ฆฌ๋ฅผ ์–ด๋–ป๊ฒŒ ์ƒ๊ฐํ•˜๊ฒ ์–ด์š”? ์ด์ œ๋Š” ๋” ๋ชป ํ•˜๊ฒ ์–ด ์ด์ œ๋ถ€ํ„ฐ ์‹ ๋‚˜๊ฒŒ ๋†€์ž ๋‹ค๋ฅธ ๋ฐ๋กœ ๊ฐ€์„œ ๋†€์ž ์ด์ œ๋Š” ๋ชป ํ•˜๊ฒ ์–ด ์ผ์ด ๋ณต์žกํ•ด ๋ณต์žกํ•ด, ๋ณต์žกํ•ด
OK. LET'S GO WALK. I DON'T WANT TO LEAVE THIS ROOM. ME, EITHER. HA HA! I LOVE YOU, HONEY. I LOVE YOU, MOM. LET ME EXPLAIN TO HIM IN SIMPLE ARITHMETIC-- 1, 2, 3!
์ข‹์•„์š” ์‚ฐ์ฑ… ๊ฐ€์ž ์—ฌ๊ธฐ ์žˆ์„๋ž˜์š” ๋‚˜๋„ ๋„ˆ๋ฅผ ์‚ฌ๋ž‘ํ•œ๋‹ค, ์–˜์•ผ ์‚ฌ๋ž‘ํ•ด์š”, ์—„๋งˆ ์•„์ฃผ ์‰ฝ๊ฒŒ ์„ค๋ช…ํ•ด์ค„๊ฒŒ์š” ๋‹จ์ˆœํ•˜๊ฒŒ์š”
BECAUSE YOU DON'T FUCKIN' GET IT, BURT! YOU GIVE US THE TAPES. WE GET THE RECORD CONTRACT. WE COME BACK AND GIVE YOU YOUR FUCKIN' MONEY. HAVE YOU HEARD THE TAPES? HAVE YOU EVEN HEARD THEM? WE'RE GUARANTEED A RECORD DEAL. OUR STUFF IS THAT GOOD! NOW I GOT IT. I GOT IT. NOW I UNDERSTAND.
์ดํ•ด๋ฅผ ๋ชป ํ•˜๊ฒ ์–ด์š”? ์–ด์„œ ํ…Œ์ดํ”„ ๋‚ด๋†”์š”! ๊ณ„์•ฝ๋งŒ ํ•˜๋ฉด ๋‹น์žฅ ๋ˆ์„ ์ค€๋‹ค๋‹ˆ๊นŒ์š” ํ…Œ์ดํ”„ ๋“ค์–ด๋ดค์ฃ ? ๊ณ„์•ฝ์€ ๋–ผ๋†“์€ ๋‹น์ƒ์ด์—์š” ๊ทธ๋ž˜, ์•Œ๊ฒ ๋„ค ์•Œ์•„๋“ค์—ˆ๋„ค
I KNOW YOU WANT IT TO HAPPEN, BUT IT'S NOT GOING TO HAPPEN BECAUSE IT'S A CATCH-22, AND THAT'S IT. WHAT THE FUCK DOES THAT MEAN? WHAT IS A CATCH-22, BURT? CATCH-22, GENTLEMEN. THINK ABOUT IT.
๊ทธ ์‹ฌ์ •์€ ์•Œ๊ฒ ์ง€๋งŒ ๊ทธ๋ ‡๊ฒŒ๋Š” ์•ˆ ๋˜๋„ค ๋”œ๋ ˆ๋งˆ ์ƒํ™ฉ์ด๋‹ˆ๊นŒ ๊ทธ๋ ‡์ง€? ๋ฌด์Šจ ๋œป์ด์ฃ ? ๋”œ๋ ˆ๋งˆ ๋ญ์š”? ๊ทธ๋Ÿฐ ๋‹จ์–ด ๋ชจ๋ฅด๋‚˜?
YOU KNOW WHAT I'M THINKING ABOUT, MAN?! NO, DIRK! I'M THINKING ABOUT KICKING SOME FUCKIN' ASS! SCOTTY, GET HIM OUT OF HERE! THANKS A LOT FOR BACKING US UP, TOO. REAL GOOD.
์ด๊ฑธ ๊ทธ๋ƒฅ ํ™•... ์•ˆ ๋ผ ๋ฌต์‚ฌ๋ฐœ์„ ๋งŒ๋“ค์–ด์ฃผ๊ฒ ์–ด ์Šค์ฝ”ํ‹ฐ, ๋ฐ๋ฆฌ๊ณ  ๊ฐ€ ๋„์™€์ค˜์„œ ๊ณ ๋งˆ์›Œ ์ž˜๋‚ฌ์–ด
FUCK! MR. SWOPE... YES? WE CAN'T HELP YOU. I HAVE ALL THE PAPERS, THOUGH. I MEAN, IF-- EVERYTHING'S IN ORDER, YES? YES, YES, BUT WE CAN'T GIVE YOU A LOAN. I'M SORRY.
์ œ๊ธฐ๋ž„ ์Šค์›Œํ”„ ์”จ ๋„ค ์•ˆ ๋˜๊ฒ ์Šต๋‹ˆ๋‹ค ์„œ๋ฅ˜๋„ ๋‹ค ์ค€๋น„ํ–ˆ๊ณ  ์ „๋ถ€ ์ œ๋Œ€๋กœ ๋์ž–์•„์š” ํ•˜์ง€๋งŒ ๋Œ€์ถœ์€ ์•ˆ ๋ฉ๋‹ˆ๋‹ค ์ฃ„์†กํ•ฉ๋‹ˆ๋‹ค
MR. SWOPE, YOU'RE A PORNOGRAPHER. THIS BANK IS NOT IN BUSINESS TO SUPPORT PORNOGRAPHY. OK, I'M NOT A PORNOGRAPHER, THOUGH. I'M AN ACTOR. ALL RIGHT? IT'S A REAL THING THAT I WANT TO DO. IT'S A REAL THING THAT I CAN DO.
์Šค์›Œํ”„ ์”จ๋Š” ํฌ๋ฅด๋…ธ ๋ฐฐ์šฐ์ฃ  ํฌ๋ฅด๋…ธ ์ชฝ์— ๋Œ€์ถœํ•  ์ˆ˜๋Š” ์—†์Šต๋‹ˆ๋‹ค ํฌ๋ฅด๋…ธ ๋ฐฐ์šฐ๊ฐ€ ์•„๋‹ˆ๋ผ ์ผ๋ฐ˜ ๋ฐฐ์šฐ์˜ˆ์š” ์ œ๊ฐ€ ํ•ด๋ณด๊ณ  ์‹ถ์€ ์ผ์ด๊ณ  ์ž˜ํ•  ์ˆ˜ ์žˆ๋Š” ์ผ์ด๋‹ˆ ๋ถ€ํƒํ•ฉ๋‹ˆ๋‹ค
NOW, LET'S JUST TAKE A MINUTE, OK? UM, LOOK, YOU HAVE SOMETHING TO SAY. I HAVE SOMETHING TO SAY, ALL RIGHT? SO LET'S JUST-- LET'S JUST TALK, OK?
์ž˜ ํ•ด๊ฒฐ๋  ๊ฑฐ์•ผ ์„œ๋กœ ์›ํ•˜๋Š” ๋ถ€๋ถ„์ด ์žˆ์„ ํ…Œ๋‹ˆ ๋Œ€ํ™”๋ฅผ ํ•˜์ฃ  ๋Œ€ํ™”๋กœ ํ’€๋ฉด ๋ผ์š”
IF THERE IS SOMETHING THAT I DIDN'T FILL OUT CORRECTLY ON THIS OR IF THERE IS SOMETHING I LEFT OUT OR SOMETHING MAYBE YOU WANT ME TO WRITE ON THERE, JUST TELL ME WHAT TO WRITE ON THERE. I'LL WRITE IT ON THERE.
์ œ๊ฐ€ ์ž˜๋ชป ๊ธฐ์žฌํ•œ ๊ฒŒ ์žˆ๊ฑฐ๋‚˜ ๋น ๋œจ๋ฆฐ ๊ฒŒ ์žˆ๊ฑฐ๋‚˜ ์–ด๋””์— ์„œ๋ช…์ด ํ•„์š”ํ•˜๋ฉด ๋ง์”€ํ•˜์„ธ์š” ํ•ด๋“œ๋ฆด ํ…Œ๋‹ˆ๊นŒ์š”
I'M SORRY. YOU'RE NOT BEING FAIR! THIS ISN'T FAIR! THIS FINANCIAL INSTITUTION CANNOT ENDORSE PORNOGRAPHY. STOP SAYING THAT! WILL YOU QUIT SAYING PORNOGRAPHY?!
์ฃ„์†กํ•ฉ๋‹ˆ๋‹ค ์ด๋Ÿฐ ๋Œ€์šฐ๋Š” ๋ถ€๋‹นํ•ฉ๋‹ˆ๋‹ค ๋ณธ ์€ํ–‰์€ ํฌ๋ฅด๋…ธ์—…์— ๋Œ€์ถœํ•  ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค ๊ทธ๋งŒ ํ•ด์š” ํฌ๋ฅด๋…ธ๋ผ๋Š” ๋ง ๊ทธ๋งŒ ํ•ด์š”
WHY ARE YOU DOING THIS TO ME?! PLEASE! NOW, PLEASE! I'M SORRY. I'M AN AC-- I AM AN AC-- I AM AN ACTOR. COME ON. AARON WANTS THAT THING FOR THE THING FROM-- YOU FIX IT UP. WHO'S YOUR DADDY?
์™œ ์ด๋Ÿฌ์‹œ์ฃ ? ์ง„์ •ํ•˜์‹œ๊ณ ์š”, ์ฃ„์†กํ•ฉ๋‹ˆ๋‹ค ์ €๋Š” ๊ทธ๋ƒฅ ๋ฐฐ์šฐ๋ผ๊ณ ์š” ๊ฐ€์ž ๊ทธ๊ฒŒ ํ•„์š”ํ•˜๋‹ค๊ณ  ํ•ด์„œ์š” ์•Œ์•„์„œ ํ•ด ๋ˆ„๊ฐ€ ์ตœ๊ณ ์ง€?
HOW IS IT? WHAT IT IS, WHAT IT IS. YEAH. SUCK THAT COCK, BITCH. HELLO. YOU MUST BE MAGGIE. YES. KATHLEEN O'MALLEY. I'M THE JUDGE. YES. YOU HAVE A LAWYER WITH YOU? NO, I DON'T.
์–ด๋–ค๊ฐ€? ๋ญ ๊ทธ๋ƒฅ ๊ทธ๋ ‡์ฃ  ์ข‹์•„ ์–ด์„œ ๋นจ์•„ ์•ˆ๋…•ํ•˜์„ธ์š”, ๋งค๊ธฐ ์”จ์ธ๊ฐ€์š”? ๋„ค ์บ์Šฌ๋ฆฐ ์˜ค๋ง๋ฆฌ ํŒ์‚ฌ์˜ˆ์š” ๋„ค ๋ณ€ํ˜ธ์ธ์€์š”? ์—†์Šต๋‹ˆ๋‹ค
I DO NOT. HELLO, JUDGE. GOOD MORNING, COUNSELOR. YOU'VE BEEN DIVORCED FOR 6 YEARS? UH, YES, SINCE 1977. AND THE AGREEMENT ON THE MONEY SETTLEMENT HAS BEEN TAKEN CARE OF?
์—†์–ด์š” ์•ˆ๋…•ํ•˜์„ธ์š”, ํŒ์‚ฌ๋‹˜ ์–ด์„œ ์˜ค์„ธ์š” 6๋…„ ์ „์— ์ดํ˜ผํ•˜์…จ์ฃ ? ๋„ค, 1977๋…„์—์š” ์œ„์ž๋ฃŒ ๋ถ€๋ถ„์€ ํ•ฉ์˜๊ฐ€ ๋๊ณ ์š”?
YES. SO WHAT WE'RE TALKING ABOUT, THEN, IS COMING TO AN AGREEMENT ON THE CUSTODY OF... OF ANDREW. YES. WHAT WAS DECIDED DURING THE DIVORCE? WELL, INITIALLY, ANDREW WAS TO GO WITH HIS FATHER, FOR VISITATION WITH HIS MOTHER, UH, FROM, UH... SATURDAY NOON 00, WITH HIS MOTHER ENTITLED TO BRING ANDREW TO HER HOUSE OR ANY REASONABLE PLACE.
๋„ค ๊ทธ๋Ÿผ ์ด์ œ ํ•ฉ์˜ํ•  ๋ถ€๋ถ„์€ ์–‘์œก๊ถŒ์ธ๋ฐ์š”, ๋Œ€์ƒ์ž ์ด๋ฆ„์ด... ์•ค๋””๊ตฐ์š” ๋„ค ์ดํ˜ผ ๋‹น์‹œ ํ•ฉ์˜ ์‚ฌํ•ญ์€์š”? ์•ค๋””์˜ ์•„๋ฒ„์ง€๊ฐ€ ์•ค๋””๋ฅผ ์–‘์œกํ•˜๊ณ  ์–ด๋จธ๋‹ˆ๋Š” ๋ฐฉ๋ฌธํ•˜๊ธฐ๋กœ ํ•ฉ์˜ํ–ˆ์Šต๋‹ˆ๋‹ค ํ† ์š”์ผ ์ •์˜ค๋ถ€ํ„ฐ ์ผ์š”์ผ ์˜คํ›„ 7์‹œ๊นŒ์ง€ ์•ค๋””์˜ ์–ด๋จธ๋‹ˆ๋Š” ์•ค๋””์™€ ์ง‘์ด๋‚˜ ํ•ฉ๋‹นํ•œ ์žฅ์†Œ์—์„œ ํ•จ๊ป˜ ์ง€๋‚ผ ์ˆ˜ ์žˆ์ฃ