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YEAH? BUT YOU SEE, MISS AMBER, I'M JUST THIS POOR FELLOW FROM PUERTO RICO, YOU KNOW?
I GOT THIS CLUB HERE. THAT'S ONE THING.
BUT SOON THAT GOES, I DIE, AND WHAT DO I HAVE? I GOT NOTHING.
MM-HMM. I WANT SOMETHING I CAN SEND HOME, YOU KNOW?
SOMETHING I CAN SEND TO MY BROTHERS AND SAY, "LOOK AT ME. | ํ์ง๋ง ์ฐ๋ฒ ๋ ํธ์๋ฅดํ ๋ฆฌ์ฝ ์ด๋ฏผ์์ผ
ํด๋ฝ์ด ํ๋ ์์ง๋ง
๊ทธ๊ฒ ์์ด์ง๋ฉด ๋ ์ฃฝ์ด ์์งํ ๊ฒ ์๋ค๊ณ
๊ณ ํฅ์ ์๋ํ ๊ฒ ํ์ํด
ํ์ ๋ค์๊ฒ ์๋์ค๋ฝ๊ฒ ๋ณด์ผ ๋งํ ๊ฑฐ |
LOOK AT ME AND ALL THE BEAUTIFUL WOMEN I'VE BEEN WITH.
SO, WHAT? YOU WANT ME TO TALK TO JACK?
YEAH. I MEAN, YOU KNOW. I MEAN, WHAT AM I ASKING YOU HERE? | ๋ฏธ์ธ๋ค์ ๋๋ฌ์ธ์ธ ๋ด ๋ชจ์ต์ ๋ง์ด์ง
๊ทธ๋์ ๊ฐ๋
๋์๊ฒ ๋งํด๋ฌ๋ผ๊ณ ?
๊ทธ๋, ๊ทธ๋ฌ๋๊น ์ง๊ธ ์ด๋ฌ๊ณ ์์์ |
HONEY, AMBER, BABY, PLEASE TALK TO JACK.
TELL HIM I CAN DO THIS. TELL HIM I WON'T BE BAD.
SO, YOU WANT TO BE IN A MOVIE?
BABY, PLEASE. I'LL SEE WHAT I CAN DO. WOULD YOU, LOVE? THANK YOU VERY MUCH.
THANK YOU, MAMITA.
MAURICE, CAN I TALK TO YOU? I NEED TO TALK TO YOU NOW. PAL, BUDDY...
EXCUSE ME. | ์ฐ๋ฒ, ์ ๋ฐ ๋ถํํด
๋ ํ ์ ์์ด ๊ธฐํ๋ฅผ ๋ฌ๋ผ๊ณ ํด
์ํ์ ์ถ์ฐํ๊ฒ ๋ค๊ณ ? ๊ทธ๋, ์ ๋ฐ
๋งํด๋ณผ๊ฒ ๊ทธ๋ ์ฃผ๊ฒ ์ด? ๊ณ ๋ง์
์ ๋ง ๊ณ ๋ง์
๋ชจ๋ฆฌ์ค ๋๋ ์ ๊น ์๊ธฐ ์ข ํด ์ง๊ธ? ๊ทธ๋, ์ฌ๊ธฐ์
์ ๊ธฐ์ ์๋
|
HI. CAN I JOIN IN?
MOST CERTAINLY.
THE COWBOY LOOK, THAT'S NOT DEAD. THEN WHAT THE FUCK IS BECKY TALKING ABOUT?
SHE'S GOT A FUCKING SOMETHING UP HER ASS. FUCK THAT SHIT.
BITCH.
DO A CANNONBALL! NO, NO. WATCH THIS JACKKNIFE.
DID IT LOOK COOL? UH, PRETTY GOOD. | ๊ฐ์ด ํด๋ ๋ผ์?
๊ทธ๋ผ์
์นด์ฐ๋ณด์ด ํจ์
? ๊ฑด์ฌํ์ง ๊ทธ๋ฐ๋ฐ ๋ฒ ํค๋ ์ ์ ๋?
๋ญ๊ฐ ๋จ๋จํ ๊ผฌ์๋ค๊ณ ์ ๊ฒฝ ์ฐ์ง ๋ง
๋งํ ๊ฒ
๋ํฌ์! ์๋, ์ด๋ฒ์๋ ์ญ๋์ดํ
๊ด์ฐฎ์์ด์? ๊ฝค ์ข์์ด |
LET ME SHOW YOU WHAT YOU DID WRONG.
FULL FLIP.
YOU ALL RIGHT? YEAH.
I KNOW. I KNOW.
LIKE, HEY, HEY. THIS IS MY POINT.
WHAT? OK. YOU KNOW WHAT I SAY? | ๋๋ฅผ ๋ณด๊ณ ์ ๋ฐฐ์
ํ ๋ฐํด ๋๊ฒ
๊ด์ฐฎ์์? ๊ทธ๋
๊ทธ๋, ์๊ณ ์์ด
๋ด ๋ง์ ๊ทธ๊ฑฐ์ผ ๋ญ๋ฐ?
์์๋ค์ด? ๋ญ? |
WHAT? WEAR WHAT YOU DIG.
THAT'S IT. JUST WEAR WHAT YOU DIG.
THAT'S WHAT I SAY. WELL, WHAT'S THE PROBLEM?
SHOULD I GET THAT? YEAH.
HELLO.
WATCH THAT FOR ME, OK?
UH, EXCUSE ME. IS THERE A MAGGIE HERE? MAGGIE? ARE YOU MAGGIE? | ์ข์ํ๋ ๊ฑธ ์
์ด
๋ฐ๋ก ๊ทธ๊ฑฐ์ผ ์ข์ํ๋ ๊ฑธ ์
์ด
๋ด ๋ง์ด ๊ทธ ๋ง์ด๋ผ๊ณ ๊ทธ๋ฐ๋ฐ ๋ญ๊ฐ ๋ฌธ์ ์ผ?
๋ด๊ฐ ๋ฐ์๊น? ๊ทธ๋
์ฌ๋ณด์ธ์
์ํ๊ธฐ ์ข ๋ด์ค
์ฌ๊ธฐ ๋งค๊ธฐ๋ผ๊ณ ์๋์? ๋งค๊ธฐ์? ๋งค๊ธฐ? |
YOU MAGGIE? NO.
OH, MAN. CAN YOU BELIEVE THIS?
HELLO. YEAH, LISTEN. I'M SORRY. THERE'S NO MAGGIE HERE. OK. NO, NO. IT'S NOT A PROBLEM. OK. CIAO. | ๋งค๊ธฐ์์? ์๋์
์ฌ๊ธด ์๋ค๋๋ฐ
์ฌ๋ณด์ธ์? ๋ฏธ์ํ์ง๋ง ์๋ค ๊ทธ๋, ์๋์ผ, ๊ทธ๋ ๊ด์ฐฎ๋ค |
WHO WAS THAT? OH, SOME KID LOOKING FOR HIS MOM.
WHAT THE FUCK ARE YOU DOING? WHAT'S IT LOOK LIKE THEY'RE DOING? THAT'S MY WIFE.
SHUT UP, BILL. YOU'RE EMBARRASSING ME. | ๋๊ตฐ๋ฐ? ์ด๋ค ๊ผฌ๋ง๊ฐ ์๋ง๋ฅผ ์ฐพ๋๋
๋์ฒด ๋ญ ํ๋ ๊ฑฐ์ผ? ๋ณด๋ฉด ๋ชจ๋ฅด์ผ? ๋ด ์๋ด์
์กฐ์ฉํ ํด, ์ฐฝํผํ์์ |
YEAH, LITTLE BILL. SHUT UP.
LITTLE BILL. HEY, KURT. HOW'S IT GOING?
WHAT'S WRONG WITH YOU? OH, MY FUCKING WIFE, MAN.
SHE'S DOWN THERE, SOME IDIOT'S DICK IN HER. | ๊ทธ๋, ๋ฆฌํ๋น ์กฐ์ฉํ ํด
๋ฆฌํ๋น ์ปคํธ, ๋ณ์ผ ์์ง?
์ ๊ทธ๋? ์๋ด ๋๋ฌธ์
์ ๊ธฐ์ ๊ทธ ์ง์ ํ๊ณ ์์ด |
EVERYBODY'S STANDING AROUND, WATCHING. IT'S A FUCKING EMBARRASSMENT!
YEAH, YEAH. I KNOW. ANYWAY, LISTEN. YEAH.
FOR THE SHOOT, I WANT TO TALK ABOUT THE LOOK.
- I WANT TO SEE ABOUT GETTING THIS NEW ZOOM LENS. - RIGHT.
JACK WANTS A MINIMAL THING. YEAH, WELL, VERY OFTEN, MINIMAL MEANS A LOT MORE PHOTOGRAPHICALLY, | ๋ค๋ค ๊ตฌ๊ฒฝํ๊ณ ์ฐฝํผํด ์ฃฝ๊ฒ ์ด
๊ทธ๋ ๊ฒ ๊ตฐ, ๊ทธ๊ฑด ๊ทธ๋ ๊ณ
๋ ์... ์ด๋ฒ ์ดฌ์์ ์ธ
- ์ ์ค๋ ์ฆ ์ข ์์๋ด - ๊ทธ๋
๊ฐ๋
์ ๋จ์ํ๊ฒ ๊ฐ๋ค๋๋ฐ ๋จ์ํ๊ฒ ๋ง๋ค๋ ค๋ฉด ์ดฌ์์ ๋ ์ ๊ฒฝ์ ์จ์ผ ํด |
I THINK, THAN MOST PEOPLE UNDERSTAND.
I THINK WHAT JACK IS TALKING ABOUT IS MINIMAL,
NOT REALLY NATURAL, BUT MINIMAL.
OK. FINE. I WAS JUST SAYING--
I UNDERSTAND. BECAUSE I'M TRYING TO GIVE EACH PICTURE ITS OWN LOOK.
CAN WE TALK ABOUT THIS LATER? OH, YEAH. YOU GOT TO GO SOMEWHERE OR... | ์ฌ๋๋ค์ ์ ๋ชจ๋ฅด์ง๋ง ๊ทธ๋ ์ง
๊ฐ๋
์ ๋จ์ํ๊ฒ ๊ฐ๋
์์ฐ์ค๋ฝ๊ฒ๊ฐ ์๋๋ผ
๊ทธ๋, ๋ ๋จ์ง... ๊ทธ๋, ์์ง
์ํ๋ง๋ค ์๊น์ ๋ฌ๋ฆฌ ํ๋ ค๊ณ
๋์ค์ ์๊ธฐํ ๊น? ๊ทธ๋ ์ด๋ ๊ฐ์ผ ํด? |
YEAH. NO. I MEAN--
WE COULD SEND ROCKY DOWN AND HE COULD PICK IT UP.
NO, HEY. GOT YOU. YOU GOT TO GO SOMEWHERE,
ARE YOU GIVING ME SHIT, KURT? NO. HEY, NO WAY, LITTLE BILL.
MY FUCKING WIFE HAS AN ASS IN HER COCK IN THE DRIVEWAY, KURT!
OF THE FILM WE'RE SHOOTING TOMORROW, OK? OK. NO BIG DEAL. SORRY. | ๊ทธ๋, ์๋ ๊ทธ๋ฌ๋๊น...
๋กํค๋ฅผ ๋ณด๋ด์ ๊ฐ์ ธ์ค๋ฉด ๋์์
์๋ค๊ฐ ๋ฐ์๋ค๋ฉด ์ด์ฉ ์ ์์ง
์ง๊ธ ๋ ๋๋ ค, ์ปคํธ? ๊ทธ๊ฒ ์๋์ผ, ๋ฆฌํ๋น
๋น์ด๋จน์ ๋ง๋๋ผ๊ฐ ์ง์
๋ก์์ ์ ์ง์ ํ๋ค๊ณ
๋ด์ผ ์ดฌ์ ์๊ธฐ๊ฐ ๋ค์ด์ค๊ฒ ์ด? ๊ทธ๋, ๋ฏธ์ํด |
ALL RIGHT? GOT YOU.
I THINK SHE'S SICK.
OH, WHAT THE FUCK IS THIS? I DIDN'T DO ANYTHING. I--I DIDN'T.
IS SHE BREATHING? I DON'T KNOW. I THINK MAYBE SHE DID TOO MUCH COKE. OH, DO YOU THINK SO, DOCTOR? | ์์์ด? ๊ทธ๋
์ํ๊ฐ ๋ด์
์ด๋ป๊ฒ ๋ ๊ฑฐ์ผ? ์๋ฌด ์ง๋ ์ ํ์ด์
์จ์ ์ฌ๋? ๊ธ์์ ์ฝ์นด์ธ์ ๋๋ฌด ํ๋ ๋ด์ ์ด๋ค๊ฐ, ์์ฌ ์ ์? |
NO. THIS GIRL'S DEFINITELY O.D.'d. OH, FUCK ME. OK, I WANT YOU HANDLE THIS FOR ME. YOU LISTENING TO ME? YEAH.
PICK HER UP, GET HER IN THE CAR. AND DRIVE HER TO SAINT JOE'S. DROP HER OFF IN THE FRONT. | ๊ณผ๋ค ๋ณต์ฉ์ด๋ค์ ์ ์ฅ ์ ์ฒ๋ฆฌํด์ฃผ๊ฒ, ์กฐ๋ ์์๋? ๋ค
'์ธ์ธํธ ์กฐ'๋ก ํ์ฐ๊ณ ๊ฐ์ ์์ชฝ์ ๋ด๋ ค๋, ์๋ฌด๋... |
GOT YOU. MAKE SURE NO ONE SEES THE LIMO. GOT IT. WHAT THE FUCK IS THIS?
THIS IS TWICE IN 2 DAYS THAT A CHICK HAS O.D.'d ON ME.
YES, SIR.
OH, SHIT. SHE'S FREAKING OUT! | ์๊ฒ ์ด์ ๋ฆฌ๋ฌด์ง์ด ๋์ ์ ๋๊ฒ ํด ๋ค ๋์ฒด ์ ๊ทธ๋?
์ดํ ๋์ ๋ ๋ฒ์ด๋ ์ฌ์๋ค์ด ์ด๋ ๊ฒ ๋๋ค๊ณ ์
๋ค
์ ์ฅ, ๋ฐ์ํ๊ณ ์์ด์ ๋ญ ํด? |
PLEASE DON'T DIE! HEY, HEY.
AAH! COME ON!
BACK DOOR, JOHNNY. YOU GOT IT.
FUCKIN' SHIT!
GET OUT OF MY WAY.
IS SHE ALL RIGHT? SHUT THE FUCK UP.
HEY, REED. HEY, SCOTTY J. HOW ARE YOU? | ์ฃฝ์ผ๋ฉด ์ ๋ผ ์ด๋ด
์ ์ ์ฐจ๋ ค!
๋ท๋ฌธ์ผ๋ก ๋๊ฐ๊ฒ ๊ทธ๋์
๋น์ด๋จน์
๋น์ผ์
๊ด์ฐฎ์ ๊ฑฐ์ผ? ๋ฅ์ณ
๋ฆฌ๋ ์ค์ฝํฐ, ์ ์ง๋์ด? |
YOU KNOW, YOU KNOW. WHO'S THIS?
EDDIE, THIS IS SCOTTY J. HE'S A FRIEND. HE WORKS ON SOME OF THE FILMS.
NICE TO MEET YOU. OH, YEAH. ME, TOO.
UH, YOU GOING TO BE WORKING OR... | ๊ทธ๋ ์ง ๋ญ ์ด์ชฝ์ ๋๊ตฌ์ง?
์๋, ์ด์ชฝ์ ์ค์ฝํฐ์ผ ์ํ ์์
์ ์ฐธ์ฌํ์ง
๋ฐ๊ฐ์์ ๊ทธ๋, ๋๋
์๋ค๋ ์ผํด? |
UM, MAYBE. OH.
PROBABLY. THAT'S GREAT. HA HA! THAT'S GREAT...
BECAUSE HOW'D YOU MEET JACK? BECAUSE I WORK ON THE FILMS, YOU KNOW, SOMETIMES.
SO IF YOU EVER, YEAH... HEY, EDDIE.
YEAH. VERY NICE TO MEET YOU. | ์๋ง๋์
ํ์ ์ ๊ทธ๊ฑฐ ์๋๋ค
๊ฐ๋
๋์ ์ด๋ป๊ฒ ์๊ฒ ๋์ง? ๋๋ ๊ฐ๋ ์ ์์ ์ฐธ์ฌํ๊ฑฐ๋
์ ์ ํน์... ์๋
๊ทธ๋ ๋ฐ๊ฐ์ ์ด์ |
- TAKE CARE. - YEAH.
HEY. EDDIE ADAMS, THIS IS THE COLONEL.
HI. HOW DO YOU DO, EDDIE?
EDDIE IS, UH, INTERESTED IN FILM.
OH. YOU KNOW, I CAN'T GIVE YOU MUCH ADVICE THAT JACK PROBABLY DOESN'T KNOW, BUT I CAN ADVISE THAT MAYBE YOU THINK ABOUT YOUR NAME. | - ๋ ๋ด์ - ๊ทธ๋
๋ค ์๋, ๋๋ น๋์ด์
์๋
ํ์ธ์ ๋ฐ๊ฐ๋ค, ์๋
์๋๋ ์ํ์ ๊ด์ฌ์ด ๋ง๋์
์กฐ์ธ์ ์ญ ๊ฐ๋
์ด ์ํด์ค ๊ฑฐ์ผ ํ์ง๋ง ์๋ช
์ ์ ์ง์ด์ผ ํ์ง |
MY NAME. YEAH.
LIKE, THINK ABOUT SOME NAME THAT MAKES YOU HAPPY
OR SOMETHING WITH A LITTLE PIZZAZZ, YOU KNOW?
SURE. YOU SEE, EDDIE, THE COLONEL HERE, HE PUTS UP ALL THE MONEY FOR OUR FILMS.
IT'S AN IMPORTANT PART OF THE PROCESS. | ๊ทธ๋ ์ฃ
๊ธฐ๋ถ ์ข์ ์ด๋ฆ์ผ๋ก ์ง์ด๋ด
ํ์ด ๋์น๋ ๊ฑธ๋ก ๊ทธ๋ฌ์ฃ
๋๋ น๋์ ์ํ ์ ์์ ํ์ํ ๋์ ๋์ฃผ์
์์ฃผ ์ค์ํ ์ญํ ์ด์ง |
OH, GREAT, GREAT. I'M LOOKING FORWARD TO SEEING YOU IN ACTION.
JACK SAYS YOU GOT A GREAT BIG COCK. UM, WELL, I DON'T KNOW. I GUESS SO.
MAY I SEE IT? | ๊ทธ๋ฌ์๊ตฐ์ ์ฐ๊ธฐ ๊ธฐ๋ํ๊ฒ ๋ค
๋ฌผ๊ฑด์ด ํฌ๋ค๋๊ตฐ ๊ธ์์, ๊ทธ๋ฐ ๊ฒ ๊ฐ์์
๋ณด์ฌ์ฃผ๊ฒ ๋? |
REALLY? PLEASE. YEAH.
OK.
WELL, THANK YOU, EDDIE. NO PROBLEM.
THANKS, EDDIE. ALL RIGHT.
YOU WANT TO HEAR A POEM I WROTE? YEAH.
OK.
I LOVE YOU, YOU LOVE ME, GOING DOWN THE SUGAR TREE.
WE'LL GO DOWN THE SUGAR TREE AND SEE LOTS OF BEES... | ์ง๊ธ์? ๊ทธ๋
์์์ด์
์ ๋ดค๋ค, ์๋ ๋ญ์
์๊ณ ํ์ด ๊ฐ๊ฒ์
์์์ ๋ค์ด๋ณผ๋? ์ข์์
๊ทธ๋
๋ ๊ทธ๋๋ฅผ, ๊ทธ๋๋ ๋ ์ฌ๋ํด ์คํ ๋๋ฌด๋ฅผ ๋ด๋ ค๊ฐ๋ฉด
์คํ ๋๋ฌด๋ฅผ ๋ด๋ ค๊ฐ๋ฉด ๋ฒ๋ค์ด ๋ง์ด ์๊ฒ ์ง |
PLAYING, PLAYING.
BUT THE BEES WON'T STING BECAUSE YOU LOVE ME.
THAT'S IT. THAT'S FUCKING GREAT, MAN. DID YOU WRITE THAT?
YEAH. I WRITE SONGS, TOO. WOW. HOW'S IT GOING, BOYS? | ๋ฒ๋ค์ ์ ๋๊ฒ ๋๊ณ ์์ง
ํ์ง๋ง ์์ง ์์ ๊ทธ๋๊ฐ ๋ ์ฌ๋ํ๋๊น
์ฌ๊ธฐ๊น์ง ๋ฉ์ ธ์, ์ง์ ์ผ์ด์?
๊ทธ๋, ๋
ธ๋๋ ์จ, ์ง๊ธ... ์ฌ๋ฏธ์๋? |
- HEY, JACK! - HEY, JACK!
HAVING A GOOD TIME? EXCELLENT TIME. THANK YOU, JACK. IT WAS A GREAT PARTY.
THE BEST. THAT'S WHAT JACKIE'S HOUSE IS FOR--
TO HAVE A GOOD TIME. RIGHT? | - ๊ฐ๋
๋ - ๊ฐ๋
๋
์ฆ๊ฑฐ์ด๊ฐ? ๊ฐ์ฌํด์ ๋๋ด์ฃผ๋ ํํฐ์์ด์
์ต๊ณ ์์ฃ ๊ทธ๋์ ๋ด ์ง์ด ์๋ ๊ฑฐ์ง
์ฆ๊ฑฐ์ด ํํฐ์ฅ์ด์ผ |
THAT'S RIGHT!
HOW ABOUT A LITTLE BUBBLES, REED? OH, YEAH.
EXCUSE ME, JACK. YEAH?
I WAS THINKING ABOUT WHAT THE COLONEL WAS SAYING, YOU KNOW, ABOUT MY NAME. | ๊ทธ๋ผ์ ๋ค์ด๊ฐ๊ฒ
๊ฑฐํ ์ข ๋ด๋ณด์ง ๊ทธ๋์
๊ฐ๋
๋ ์?
๋๋ น๋์ด ์๋ช
์ ์๊ฐํด๋ณด๋ผ๊ณ ํ์
จ์์์ |
UH-HUH. I WAS JUST WONDERING IF YOU HAD ANY IDEAS.
WELL, MY IDEA WAS, YOU KNOW, I JUST WANT A NAME--
I WANT IT SO IT CAN CUT GLASS, YOU KNOW, LIKE RAZOR-SHARP. | ํน์ ์ข์ ์๊ฐ ์์ผ์ธ์?
์ ์๊ฐ์๋ ์๋ฌด๋๋
์ ๋ฆฌ๋ฅผ ์๋ผ๋ด๋ฏ ๋ ์นด๋ก์ด ์ด๋ฆ์ด ์ข์์ |
RAZOR-SHARP. RIGHT.
AND THE NAME IS IN, LIKE, BRIGHT BLUE NEON LIGHTS
WITH, LIKE, PURPLE OUTLINE, AND THIS NAME IS JUST SO BRIGHT AND SO SHARP THAT THE SIGN, IT JUST BLOWS UP
BECAUSE THE NAME IS JUST SO POWERFUL. | ๋ ์นด๋ก์ด ์ด๋ฆ์ด๋ผ...
๊ทธ ์ด๋ฆ์ ํธ๋ฅธ ๋ค์จ๋ฑ์ผ๋ก ๋น๋์ฃ
ํ
๋๋ฆฌ๋ ์์ฃผ์์ด๊ณ ์ ๊ทธ ์ด๋ฆ์ด ์ผ๋ง๋ ๋ฐ๊ณ ๋ ์นด๋ก์ด์ง ๊ทธ๋ฅ ํฐ์ ธ๋ฒ๋ฆฌ์ฃ
์ด๋ฆ ์์ฒด๋ก ๊ฐ๋ ฅํ๋๊น์ |
I THINK... I THINK HEAVEN HAS SENT YOU HERE, DIRK DIGGLER. HA HA HA!
I THINK THE ANGELS HAVE BLESSED US ALL BECAUSE OF YOU.
YOU'RE DIRK! DIRK DIGGLER.
AMEN!
TALK TO ME, KURT. | ํ๋์์ ๋ ๋ณด๋ด์ฃผ์ ๊ฒ ๊ฐ๋ค ๋ํฌ ๋๊ธ๋ฌ
๋ ๋ด๊ฒ ๋ณด๋ธ ๊ฑด ์ฒ์ฌ๋ค์ด ๋ด๋ ค์ค ์ถ๋ณต์ด์ง
๋ฉ์ ธ, ๋ํฌ! ๋ํฌ ๋๊ธ๋ฌ
์๋ฉ
์ด๋ค๊ฐ, ์ปคํธ? |
20 TO 30. WHY? I GOT A COUPLE OF TOUGH SHADOWS TO DEAL WITH.
THERE'S SHADOWS IN LIFE, BABE.
YOU, UH, WANT TO GO OVER THIS? OK.
UH, THE SETUP IS-- OK. HERE WE GO. | 20์์ 30์ ์์ ๋์ด ๊ฐ๊ฐ ํ๋ค๊ฒ ์ด์
์์์ ๋ ์๋ ๋ฒ์ด์ง
์ด๊ฒ ์ข ๋ด์ฃผ์ค๋์? ๊ทธ๋
์ค์ ์... ๋ค, ์ฌ๊ธฐ์ |
ONE, AMBER TALKING TO BECKY.
THEY MAKE THE TELEPHONE CALL TO THE AGENTS TO SEND OVER SOME ACTORS. MM-HMM.
2, ENTER REED TO AUDITION FOR AMBER. THEY GO AT IT. BECKY WATCHES. | "์ฅ๋ฉด 1, ์ฐ๋ฒ๊ฐ ๋ฒ ํค์๊ฒ ์๊ธฐํ๋ค"
"์์ด์ ์์ ์ ํํด์ ๋ฐฐ์ฐ๋ฅผ ๋ณด๋ด๋ฌ๋ผ๊ณ ํ๋ค"
"์ฅ๋ฉด 2, ๋ฆฌ๋๊ฐ ์ค๋์
์ ํ๋ฌ ์ค๊ณ ์ผ์ ๋ฒ์ด๋ฉด, ๋ฒ ํค๊ฐ ๋ณธ๋ค" |
3, BECKY GOES TO THE BATHROOM TO JACK OFF.
SHE GETS INTERRUPTED BY AMBER. THEY GO AT IT. 4...
WHO'S DIRK-- DIRK DIGGLER?
THAT'S THAT NEW BOY, GOOD-LOOKING KID-- EDDIE AT THE CLUB.
YEAH. ANYWAY, ENTER DIRK. HE MEETS BECKY. THEY GO AT IT. | "์ฅ๋ฉด 3, ๋ฒ ํค๊ฐ ํ์ฅ์ค๋ก ๊ฐ์ ์์ํ๋ค"
"๊ทธ๋ ์ฐ๋ฒ๊ฐ ๋ค์ด์ค๊ณ ๋์ด์ ํ๋ค" "์ฅ๋ฉด 4..."
๋ํฌ ๋๊ธ๋ฌ๊ฐ ๋๊ตฌ์ฃ ?
์์๊ธด ์ ์ธ ์์์ ํด๋ฝ์์ ์ผํ๋ ์๋
"๋ํฌ๊ฐ ๋ค์ด์์ ๋ฒ ํค์ ํ๋ค" |
NO. CHANGE THAT, WILL YOU? I WANT EDDIE TO BE AUDITIONING FOR AMBER.
GOT IT.
DARLING, WHERE ARE YOU GOING? I GOT TO GO WASH MY VAGINA.
HOW LONG WILL YOU BE? 2 SECONDS. YOU WANT IT CLEAN, DON'T YOU? | ์๋์ผ, ๋ฐ๊พธ์ง ์๋๊ฐ ์ค๋์
์ ๋ณด๋ ๊ฑฐ๋ก
์๊ฒ ์ด์
์๊ธฐ, ์ด๋ ๊ฐ? ๊ฑฐ๊ธฐ ์ป์ผ๋ ค๊ณ ์
์ผ๋ง๋ ๊ฑธ๋ฆฌ๊ฒ ์ด? ์ ๊น์ด๋ฉด ๋ผ์ ์ฒญ๊ฒฐํด์ผ ํ์์์ |
I'M BACK NOW. I'M READY TO START.
HI. HI.
DIRK...DIRK DIGGLER. HA HA HA!
SCOTTY. YEAH. UH...
OK. YEAH. OK.
THANKS.
I'M BACK NOW. I'M READY TO START MY ACTING CAREER. | ์ด์ ๋์์์ผ๋ ์ฐ๊ธฐ๋ฅผ ํด๋ณด๋ ค...
์๊ตฐ์ ๊ทธ๋
๋ํฌ, ๋ํฌ ๋๊ธ๋ฌ
์ค์ฝํฐ ๊ทธ๋
์์์ด์ ๊ทธ๋
๊ณ ๋ง์์
์ด์ ๋์์์ผ๋ ์ฐ๊ธฐ๋ฅผ ํด๋ณด๋ ค๊ณ ์ |
THAT'S RIGHT.
HEY. HEY.
YOU LOOK REALLY GOOD. OH, THANK YOU.
AND YOU LOOK REALLY SEXY.
THANKS. YEAH.
I LIKE YOUR NAME A LOT.
YOU DO? YEAH. IT'S REALLY COOL.
THANKS. YEAH.
YOU'LL BE RIGHT DOWN THERE.
THANKS. HEY. OH! HOW'S MY BOY? | ์ข์
๋์ด? ๋ค
์ข์ ๋ณด์ฌ ๊ณ ๋ง์์
์ ๋ง ์น์ํด
๊ณ ๋ง์์ ์ ๋ง์ด์ผ
์๋ช
๋ ์ข๊ณ ์ ๋ง์?
๊ทธ๋, ์ง์ง ๋ฉ์ ธ
๊ณ ๋ง์์ ๊ทธ๋
์ ๊ธฐ๋ก ๋ด๋ ค๊ฐ
๊ณ ๋ง์์ ์ด๋ค๊ฐ? ์ข์์ |
GREAT. LET'S DO IT.
ALL RIGHT. ALL RIGHT.
REMEMBER EVERYTHING WE TALKED ABOUT? YEAH.
OK. NOW, YOU'RE GOING TO COME THROUGH THE DOOR, WALK RIGHT OVER HERE.
I'LL SAY, UH... "ACTION, EDDIE." THAT WILL BE YOUR CUE, RIGHT? | ๊ธฐ๋ถ์? ์์ํ์ฃ
๊ทธ๋, ์ข์
๋ด ๋ง ๊ธฐ์ตํ์ง? ๋ค
์ข์, ์ ๋ฌธ์ผ๋ก ๋ค์ด์ ์ฌ๊ธฐ๊น์ง ์ค๋ฉด
๋ด๊ฐ "์ก์
, ์๋"๋ผ๊ณ ํ ๊ฑฐ์ผ ์ฐ๊ธฐ๋ฅผ ์์ํ๋ผ๋ ๊ฑฐ์ง |
UM, DO WE GO RIGHT INTO THE SEX OR...
IS THAT ALL RIGHT?
IS IT OK WITH YOU?
AMBER? GOOD.
OK. OK. YOU DON'T NEED A REHEARSAL? NO. IT'S OK. I CAN DO IT. | ๋ฐ๋ก ๊ทธ๊ฑธ ํ๋์? ์๋๋ฉด... ๋ ๋ฐ๊ฒ
๊ด์ฐฎ๊ฒ ์ด? ๋ค
๊ด์ฐฎ๊ฒ ์ด์? ์ข์
์ฐ๋ฒ? ์ข์์
์ข์์ ์ข์, ์ฐ์ต ํ์ ์๊ฒ ์ด? ์ ํด๋ ๋ผ์ |
OK. THEN WE'LL SHOOT THE REHEARSAL.
GREAT. ALL RIGHT!
COULD I ASK YOU SOMETHING, JACK? SURE.
UM, I WAS WONDERING IF YOU COULD CALL ME DIRK DIGGLER FROM NOW ON. ABSOLUTELY. | ๊ทธ๋ผ ๋ฆฌํ์ค๋ก ๊ฐ๋ ๋๊ฒ ๊ตฐ
๋ค ์ข์
๋ถํ์ด ์๋๋ฐ์ ๊ทธ๋
์ด์ ๋ถํฐ๋ ๋ํฌ ๋๊ธ๋ฌ๋ผ๊ณ ๋ถ๋ฌ์ฃผ์ธ์ ๋ฌผ๋ก ์ด์ง ์ข์์ |
- GREAT. - I'M SORRY.
OH, NO. IT'S ALL RIGHT. NO, NO. FROM NOW ON. THANKS.
OK. LET'S GET A GOOD ONE.
DO YOU WANT TO PRACTICE YOUR LINES WITH ME? NO. I KNOW IT. | - ๋ฏธ์ํ๋ค - ์๋์์, ๊ทธ๋ฅ...
์ด์ ๋ถํฐ๋ ์ ์์๊ฒ ๊ณ ๋ง์์
์, ์ฐ์ด๋ณด์๊ณ
๋์ฌ ์ฐ์ต ํ์ํด? ์๋์, ๋ค ์ธ์ ์ด์ |
YOU LOOK GREAT, HONEY. THANKS.
UM, DOES HE WANT ME TO KEEP GOING UNTIL I COME?
YEAH. YOU JUST COME WHEN YOU'RE READY. WELL, WHERE SHOULD I DO IT? | ๋ฉ์ ธ ๋ณด์ฌ ๊ณ ๋ง์์
์ฌ์ ํ ๋๊น์ง ๊ณ์ํด์?
๊ทธ๋, ์ค๋น๋๋ฉด ์ฌ์ ํด ์์์ด์, ์ด๋์ ํด์? |
WHERE DO YOU WANT? WHEREVER YOU TELL ME.
WELL, COME ON MY TITS IF YOU CAN, OK?
JUST PULL IT OUT AND DO IT ON MY STOMACH AND MY TITS IF YOU CAN.
YEAH. NO PROBLEM. | ์ด๋๋ฅผ ์ํด? ์ํ๋ ๋๋ก์
๊ฐ๋ฅํ๋ฉด ๊ฐ์ด์ ํด
๋ฌผ๊ฑด์ ๋นผ์ ๋ฐฐ์ ๊ฐ์ด์ ํ๋ฉด ๋ผ
๋ค, ๊ทธ๋ด๊ฒ์ |
OH, THIS IS GREAT. I'M FINE. I JUST WANT TO DO GOOD. I JUST WANT IT TO BE REALLY GOOD, YOU KNOW?
I WAS WONDERING, IS IT OK IF I REALLY TRY TO MAKE IT LOOK SEXY? WOULD THAT BE OK? | ๋ค, ์ข์์ ๊ทธ๋ฅ ์ํ๊ณ ์ถ์ด์์ ์ ๋ง ์ํ๊ณ ์ถ์ด์
์น์ํ๊ฒ ๋ณด์ด๋ ์ฐ๊ธฐ๋ก ๊ฐ๋ ๋ผ์? ๊ด์ฐฎ์๊น์? |
- YOU READY? - YEAH.
OK. YOU'RE GOING TO MAKE YOUR ENTRANCE THROUGH THIS DOOR RIGHT HERE. HE'LL CALL "ACTION." THAT'S YOUR CUE. YOU GOT THE LINES FOR THE SCENE? | - ์ค๋น๋๋? - ๋ค
์ด ๋ฌธ์ผ๋ก ๋ค์ด์ค๋ฉด ๋ผ ๊ฐ๋
๋์ด '์ก์
'์ด๋ผ๊ณ ํ๋ฉด ์์ํด ๋์ฌ ์ธ์ ์ง? |
UH-HUH. IF YOU DROP ONE, JUST CALL FOR IT, BUT DO NOT STOP, OK?
DO NOT STOP. YOU WANT SOME WATER OR SOMETHING?
NO. I'M FINE. THANKS. OK. YOU'RE GOING TO DO FINE. | ํ๋ ๋นผ๋จน์ด๋ ๊ณ์ํด ๋ฉ์ถ์ง ๋ง๊ณ
๋ฉ์ถ์ง ๋ง, ๋ฌผ ์ข ์ค๊น?
์๋์, ๊ด์ฐฎ์์ ์ข์, ์ํ ๊ฑฐ์ผ |
ROLL IT, SCOTTY.
CAMERA'S SET. WE'RE READY, CHIEF.
AND...
ACTION, DIRK.
HELLO. ARE YOU JOHN?
YES, MA'AM.
YOUR AGENCY RECOMMENDS YOU VERY HIGHLY.
OH, I'M A REALLY HARD WORKER, AND IF YOU'LL GIVE ME A JOB, I WON'T DISAPPOINT YOU. | ๋๋ ค, ์ค์ฝํฐ
์ด๋? ์นด๋ฉ๋ผ ๋๊ณ ๋์ด์ ์ข์
์...
์ก์
, ๋ํฌ
์๋
, ์กด์ธ๊ฐ?
๊ทธ๋ ์ต๋๋ค
์์ด์ ์์์ ์๋ค๋ฅผ ์ถ์ฒํ๋๊ตฐ
์ด์ฌํ ํ๊ฒ ์ต๋๋ค ์ค๋ง ์ ํ์ค ๊ฒ๋๋ค |
WHAT SPECIAL SKILLS DO YOU HAVE? I'VE BEEN IN THE MARINES FOR 3 YEARS. I JUST GOT BACK FROM A TOUR OF DUTY.
YOU'RE KIDDING. NO, I'M NOT.
AND IT GOT REALLY HARD BEING SURROUNDED BY ALL THOSE GUYS ALL DAY. | ์ด๋ค ๊ฑธ ํ ์ค ์์ง? ์ผ๋ง ์ ๊น์ง ํด๋ณ์ผ๋ก 3๋
๋ณต๋ฌดํ๊ณ ์ด์ ์ ๋ํ์ต๋๋ค
์ค๋ง ์ ๋ง์
๋๋ค
์จ์ข
์ผ ๋จ์๋คํ๊ณ ๋ง ์ง๋ด๋ ค๋ ์ ๋ง ํ๋ค์์ด์ |
HOW LONG HAS IT BEEN SINCE YOU'VE HAD A WOMAN?
A LONG TIME. THAT'S TERRIBLE.
BUT NOW I'M BACK, AND I'M READY TO PURSUE MY ACTING CAREER.
WELL, AS YOU MAY OR MAY NOT KNOW, THIS IS AN IMPORTANT FILM FOR ME. | ์ฌ์๋ฅผ ์์๋ณธ ์ง๋ ์ผ๋ง๋ ๋์ด?
์ค๋ ๋์ฃ ๊ฐ์พ๊ตฐ
ํ์ง๋ง ์ด์ ๋์์์ผ๋ ์ฐ๊ธฐ๋ฅผ ํด๋ณด๋ ค๊ณ ์
์๋์ง ๋ชจ๋ฅด๊ฒ ๋๋ฐ ์ด๊ฑด ์ค์ํ ์ํ์ด์ผ |
IF IT'S NOT A HIT, I'M GOING TO GET KICKED OUT OF MY APARTMENT.
MY LANDLORD'S A REAL JERK. REALLY?
WHY DON'T YOU TAKE YOUR PANTS OFF? IT'S IMPORTANT I GET AN IDEA OF YOUR SIZE.
NO PROBLEM. | ํฅํ ๋ชป ํ๋ฉด ์ง์์ ์ซ๊ฒจ๋ ํํธ์ด๊ฑฐ๋
์ง์ฃผ์ธ์ด ๊น๊นํด์ ๋ง์ด์ผ ์ ๋ง์?
๋ฐ์ง๋ฅผ ๋ฒ์ด๋ด ํฌ๊ธฐ๋ฅผ ์์์ผ ํ๋๊น
๊ทธ๋ฌ์ฃ |
I THINK THAT YOU HAVE THE JOB, BUT WHY DON'T I MAKE SURE OF SOMETHING?
THIS IS A GIANT COCK.
WE'VE ROLLED OUT. UH, WE GOT TO CHANGE MAGS.
DO IT QUICKLY.
KIDS... IS EVERYTHING COOL? | ์ผ์ ์ฃผ์ง ํ์ง๋ง ํ์ธ๋ถํฐ ํด์ผ๊ฒ ์ด
์ ๋ง ๊ฑฐ๋ํด
ํ๋ฆ ๋ค ์ผ์ด ํ๋ฆ ๊ฐ์์ผ ํด์
๋นจ๋ฆฌ ํด
์ ๊น๋ง ๋ฌธ์ ๋ผ๋ ์์ด์? |
IT'S GOING GREAT. WE JUST GOT TO CHANGE THE ANGLE.
DOES IT LOOK SEXY?
OH, IT'S GREAT. YOU'RE DOING SO GOOD, DIRK.
DOES IT FEEL GOOD?
OK?
ROLL SOUND, SCOTTY. | ์๋, ์ข์ ๊ฐ๋๋ฅผ ์ข ๋ฐ๊ฟ์ผ ํด์
์น์ํ๊ฒ ๋ณด์ฌ์?
์์ฃผ ๋ฉ์ ธ ์ํ๊ณ ์์ด, ๋ํฌ
๊ธฐ๋ถ ์ข์์? ๊ทธ๋
๋์ด?
์ฌ์ด๋ ์ก์ |
QUIET. STICKS.
ACTION, KIDS.
OK. UM, WE'RE GOING TO GO DOWN NOW. OK.
NO. DO IT AGAIN. OK.
JOHN, YOU'RE A WONDERFUL ACTOR. OH, JOHN.
OH! OH, JOHN! YEAH. JOHN, YOU'RE A WONDERFUL ACTOR. | ์กฐ์ฉ, ์คํฑ
์ก์
์ด์ ๋ด๋ ค๊ฐ ๊ฑฐ์ผ ์ข์์
์๋, ๋จผ์ ๋ค์ ์๋๋ก ๋ค
์กด, ์ ๋ง ๋ฉ์ง ๋ฐฐ์ฐ๋ก๊ตฐ
์ค, ์กด ๋ค ์ ๋ง ๋ฉ์ง ๋ฐฐ์ฐ์ผ |
YOU'RE AMAZING. OH, YOU FEEL SO GOOD, AMBER. YOU READY TO COME? YEAH. COME IN ME. WHAT?
DON'T WORRY. I'M FIXED. I WANT YOU TO COME IN ME.
OK. YEAH? | ์ต๊ณ ์ผ ๊ธฐ๋ถ ์ข์์, ์ฐ๋ฒ ์ฌ์ ํ๊ฒ ์ด? ๋ค ์์ ์ธ ๋ค?
๊ฑฑ์ ๋ง, ์์ ํ์ผ๋๊น ์์๋ค ์ธ์ค
์์์ด์ ์ข์ |
OK.
OH, GOD.
WONDERFUL.
CUT. TERRIFIC! NICE WORK!
THAT'S GREAT!
WASN'T THAT SEXY? ROCK AND ROLL! REALLY GOOD. LOOKED GREAT. VERY SEXY.
DOESN'T HE FUCK LIKE A CHAMP? | ๊ทธ๋
์ธ์์, ์ข์
ํ๋ฅญํด
์ปท, ์๊ณ ํ์ด, ํ๋ฅญํด ์ข์์ด
์ถํํด, ์ ๋ง ๋๋ด์คฌ์ด
์น์ํ์ง? ์ต๊ณ ์ผ ๋๋ด์คฌ์ด ํ๋ฅญํด ์์ฃผ ์น์ํ์ด
์ต๊ณ ์๋์์ด์? ์น์ํ์ด์? |
OH, YEAH. HE ROCKED.
THANKS, REED. HEY, THE CAMERA LOVES YOU. WE DIDN'T GET THE COME SHOT.
WE MISSED THE COME SHOT. HE CAME INSIDE HER.
MAYBE WE COULD, LIKE, GO TO STOCK FOOTAGE OR--
ARE YOU CRAZY? IT WON'T MATCH. WELL--
JACK. HMM? I COULD DO IT AGAIN IF YOU NEED A CLOSE-UP. | ์ต๊ณ ์๋ค๋๊น ๊ณ ๋ง์์
์นด๋ฉ๋ผ์ ์ฐฉ์ฐฉ ๊ฐ๊ฒจ ์ฌ์ ์ฅ๋ฉด์ ๋ชป ์ก์์ด์
์์๋ค ์ฌ์ ํ์์์
๊ธฐ์กด์ ์ฐ์ด๋ ๊ฑธ ์ฐ๋ ๊ฐ ํด์...
์ ์ ์ ์ธ๊ฐ? ํ๊ฐ ๋ ํ
๋ฐ
๊ทธ๋ผ... ๊ฐ๋
๋ ํด๋ก์ฆ์
์ด ํ์ํ๋ฉด ๋ค์ ํ ๊ฒ์ |
HERE WE GO!
OK. EVERYONE SAY, "DIRK."
DIRK! HA HA HA!
THESE ARE REAL WOOD.
I KNOW. THESE ARE THE ONES. THESE ARE GREAT.
YEAH. THOSE ARE OVERLY COOL. ARE THEY LIZARD? | ์, ๊ฐ๋ค ์ข์
์, ๋ชจ๋ '๋ํฌ'
๋ํฌ!
์ด๊ฑด ์ง์ง ๋๋ฌด์ผ
์๋์, ์ด๋ฐ ๊ฒ ์ข์ฃ ๋ฉ์ง๋ฐ์
๊ทธ๋, ๋ฉ์ง๊ตฐ ๋๋ง๋ฑ ๊ฐ์ฃฝ์ธ๊ฐ? |
NO. THEY'RE ITALIAN. I'M GOING TO FUCKING BUY THESE.
GUYS!
IT'S FUNNY YOU SAY THAT BECAUSE WE SHOULD BE IN A BAND, YOU KNOW?
YOU LIKE MY SHOES?
YEAH. THEY'RE EMBOSSED LEATHER WITH THIS PATCHWORK REPTILIAN PATTERN DESIGN. | ์ดํ๋ฆฌ์์ ์์ ์ด๊ฑธ๋ก ์ฌ๊ฒ ์ด์
์ด๋์?
์์๋ณด์๋ค์ ๋ฐด๋๋ฅผ ํด๋ ๋์ฃ
์ ๋ฐ ๊ด์ฐฎ์? ๋ฉ์ง๋ฐ
์ ๊ฐ์ฃฝ์ ์ธ๊ณต์ ํ ๊ฑฐ์ผ ํ์ถฉ๋ฅ ๊ฐ์ฃฝ์ฒ๋ผ ๋์์ธํ ๊ฑฐ์ง |
COOL. CAN WE HAVE SOME HOT SAUCE HERE? OH, HIYA, SCOTTY.
SAY HELLO TO JAIME LYNN.
SCOTTY, THIS IS JAIME LYNN.
SCOTTY, JAIME LYNN. SAY HELLO TO JAIME LYNN. | ๋ฉ์ง๋ค ์ฌ๊ธฐ ํซ์์ค ์ด์ ์ค๊ฒ, ์ค์ฝํฐ ์ค์ฝํฐ
์ด์ชฝ์ ์ ์ด๋ฏธ ๋ฆฐ
์ ์ด๋ฏธ ๋ฆฐ ์์์์
์ค์ฝํฐ, ์ธ์ฌํด์ผ์ง |
SO, YOU'RE A LEO, HUH?
THAT'S RIGHT. HEY, MY GIRLFRIEND WANTS TO MEET YOU. IS THAT RIGHT?
YEAH. THIS IS RAYMOND. HOW DO YOU DO? WHAT'S YOUR NAME? BECKY BARNETT. | ์ฌ์์๋ฆฌ์ฃ ? ๊ทธ๋์
์น๊ตฌ๊ฐ ๋ง๋๊ณ ์ถ๋์์ ๊ทธ๋์?
์ด์ชฝ์ ๋ ์ด๋จผ๋ ์๋
ํ์ธ์, ์ด๋ฆ์ด? ๋ฒ ํค ๋ฐ๋ท์ด์์ ๋ค? |
EXCUSE ME. BECKY BARNETT.
RAYMOND'S A LEO. I KNEW IT. SO, WHAT'S YOUR SIGN?
THAT SHIRT'S PRETTY SEXY, TOO.
WELL, THIS IS, LIKE, IMPORTED ITALIAN NYLON,
AND, UH, IT'S, LIKE, A SPECIAL EDITION LIMITED SILK PRINT,
AND IT WAS DONE BY THIS REALLY FAMOUS, UM, DESIGN ARTIST FROM ITALY. | ๋ฒ ํค ๋ฐ๋ท์
์ฌ์์๋ฆฌ๋ ๊ทธ๋ด ๊ฒ ๊ฐ๋๋ผ๋ ๊ทธ์ชฝ์์? ๋ฌผ๊ณ ๊ธฐ์๋ฆฌ์
์
์ธ ๋ ์น์ํ๋ค ๊ทธ๋
์ดํ๋ฆฌ์ ์์
๋์ผ๋ก ์๋จ์ธ๋ฐ
ํน๋ณ ์ ์๋ ์คํฌ ํ๋ฆฐํธ์ง
์ดํ๋ฆฌ์์ ์์ฃผ ์ ๋ช
ํ ๋์์ด๋ ์ ํ์ด์ผ |
PICK A CARD.
WHAT'S UP, BABY? I LOVE YOU.
BITCH YOU LATER, BABY. NOW, WHAT TABLE'S THAT GOING TO? 4? 5, JOSE. 5. WHAT'S HAPPENING, MY MAN? YOU ALIVE, MAN.
YO! WHAT'S UP, PEOPLE? ...RISE FROM THE DECK. OH! | ์นด๋ ๊ณจ๋ผ
๋ณ์ผ ์์ง? ๋์ค์ ๋ด
๋ช ๋ฒ ํ
์ด๋ธ๋ก ๊ฐ? 4๋ฒ? ๊ทธ๊ฑฐ 5๋ฒ์ด์ผ ์ด๋ป๊ฒ ์ง๋์ด? ๋ธํ๊ธธ๋ ์ฃฝ์ ์ค ์์๋๋๋ง
๊ฑฐ๊ธฐ ๋ณ์ผ ์๋? ์นด๋๊ฐ ์ฌ๋ผ์จ๋ค |
DAMN! THAT'S-- 2 OF DIAMONDS, RIGHT?
THAT'S MY CARD.
NO. THE EVIL FORCES. EVIL? NO, MAN. IT'S NOT EVIL. IT'S AN ILLUSION.
YEAH. YEAH, IT'S CONFUSING. | ์ธ์์ ๋ค์ด์๋ชฌ๋ 2์ง?
๋ง์, ์ธ์์! ๊ทธ๋
๋์ ํ ๊ทธ๋ฐ ๊ฑด ์๊ด์์ด ์ด๊ฑด ๋์์์ด๊ฑฐ๋
๋์์ ๊ทธ๋, ํท๊ฐ๋ฆฌ๋ค |
THANK YOU.
LISTEN UP, KID. LISTEN UP.
WE'RE GOING TO TRY AND DO THIS ALL IN ONE SHOT.
SO WE START LIKE THIS, AND THEN YOU ROLL HER OVER.
ROLLERGIRL, YOU'RE GOING TO ROLL RIGHT OVER WITH HIM, BUT TRY TO GIVE ME EVERY SINGLE POSITION. IS THAT POSSIBLE? | ๊ณ ๋ง์
์ข์, ์ ๋ค์ด
์ ๋ถ ํ ๋ฒ์ ๊ฐ ๊ฑฐ์ผ ์๊ฒ ์ง?
์ด๋ ๊ฒ ์์ํ๋ ๋์ค์๋ ์์ธ๋ฅผ ๋ฐ๊ฟ
๋กค๋ฌ๊ฑธ๋ ๊ฑฐ๊ธฐ์ ๋ง์ถ๊ณ ์ฒด์๋ฅผ ๋ค ๋ณด์ฌ์ค ํ ์ ์๊ฒ ์ด? |
ROLLERGIRL, IF YOU WRAP YOUR LEG AROUND--
NO, THE OTHER ONE, THE LEFT LEG--
AROUND AND OVER. GOOD. SEE, WE CAN GO RIGHT INTO DOGGY STYLE.
PERFECT. | ๊ทธ๋ผ ๋ค๋ฆฌ๋ฅผ ์ด์ชฝ์ผ๋ก...
์๋, ์ผ์ชฝ ๋ค๋ฆฌ
์ด๋ ๊ฒ ๋๊ธฐ๊ณ ํ์๋ก ๋ฐ๋ก ๊ฐ๋ฉด ๋์ฃ
์ข์ |
IS THE MOVEMENT OF THE WATERBED GOING TO BE A PROBLEM?
NO, NOT AT ALL, KURT. I DIG IT. IT'S GREAT.
OK, CAN WE DO THIS?
YEAH. ALL RIGHT, EVERYBODY, HERE WE GO. | ๋ฌผ์นจ๋๋ผ์ ์ข ์ด๋ ค์ด๊ฐ?
์ ํ์, ์์ฃผ ์ข์๋ฐ์
๊ทธ๋ผ ํด๋ณผ๊น? ๊ทธ๋
์ข์, ์์ํ์ง |
THIS IS GOING TO BE GREAT. JACK. YEAH?
DO YOU WANT ME TO USE THE SPANISH ACCENT?
""IT'S ANOTHER STELLAR SEXUAL STANDOUT FROM HORNER AND COMPANY." | ๊ทผ์ฌํ ๊ฑฐ์ผ, ๊ฐ๋
๋? ์?
์คํ์ธ๊ณ ์ต์์ผ๋ก ๊ฐ๊น์?
"ํธ๋ ์ดฌ์ํ์ด ๋ณด์ฌ์ค ๋ ํ๋์ ์น์ํ ๋ณ์ธ ๊ฒ์ด๋ค" |
""DIGGLER DELIVERS A PERFORMANCE WORTH A THOUSAND HARD-ONS."
""DIGGLER'S MORE ERUPTIVE THAN A VOLCANO ON A BAD DAY."
""BUT IT'S DIGGLER THAT REMAINS THE STANDOUT IN THIS FILM." | "๋๊ธ๋ฌ๋ ํ์ฐ์ฒ๋ผ ๋จ๊ฑฐ์ด ์ฐ๊ธฐ๋ฅผ ๋ณด์ฌ์ค๋ค"
"๊ทธ์ผ๋ง๋ก ์ฑ๋ ํ์ฐ์ฒ๋ผ ํญ๋ฐํ๋ค"
"ํ์ง๋ง ์๊ถ์ ๋ฐ๋ก ๋๊ธ๋ฌ๋ค" |
""IT'S EASY TO PREDICT THAT AFTER ONLY 2 FILMS"
AND LOOK, I JUST... TELL ME. WELL, I DON'T LIKE SEEING WOMEN TREATED THAT WAY. THIS GUY WHO PLAYS JOHNNY WADD--
IT'S ALWAYS ABOUT SLAPPING SOME GIRL IT'S NOT RIGHT. IT'S NOT COOL. IT'S JUST NOT SEXY. I MEAN, IT'S NOT SEXY LIKE IT SHOULD BE, JACK.
THIS GUY'S MORE LIKE A JAMES BOND TYPE CHARACTER. | "์ด์ ๋ ํธ์ ์ฐ์์ง๋ง"
๊ทธ๋ฐ๋ฐ ์ ๋... ๋งํด๋ณด๊ฒ ์ฌ์๋ฅผ ๊ทธ๋ฐ ์์ผ๋ก ๋ค๋ฃจ๋ ๊ฑด ์ซ์ด์, ์กฐ๋ ์๋๋
์ฌ์๋ฅผ ๋๋ฆฌ๊ฑฐ๋ ํ๋๋ฐ ๊ทธ๋ฌ๋ฉด ์ ๋์ฃ , ์ ์ข์์ ์น์ํ์ง ์๋ค๊ณ ์ ์น์ํ๊ฒ ๋๊ปด์ง์ง ์์์, ๊ฐ๋
๋
์ ์์ค ๋ณธ๋ ๊ฐ์ ์บ๋ฆญํฐ์ ๊ฐ๊น์ฃ |
YOU KNOW, HE'S... HE'S CLASSY. HE'S A WORLD- TRAVELED GUY.
I LIKE THAT. REED COULD PLAY MY PARTNER.
I LIKE THAT A LOT.
I MEAN, IT'S EXACTLY WHAT WE'VE ALWAYS TALKED ABOUT. | ํ๊ฒฉ์ด ์์ด์ ์ ์ธ๊ณ๋ฅผ ๋๋น๊ณ ์
๋ง์์ ๋ค์ด ๋ฆฌ๋๊ฐ ํํธ๋ ์ญ์ ํ๋ฉด ๋ผ์
์์ฃผ ์ข์ ์ํด๋ณผ๊ฒ์
๋ ๊ทธ๋ฐ ๊ฑธ ์ํ์
จ์์์ |
PLEASE?
WHEN WE GET BACK... SET UP THE TYPEWRITER.
WE'LL SEE WHAT COMES OUT OF IT.
BUT I HAVE TO TALK TO THE COLONEL WHEN WE GET TO VEGAS.
AND, DIRK, YOU GOT TO WORK ON THE COLONEL, TOO, DIRK.
I MEAN, YOU GOT TO BE COMMITTED.
RIGHT, RIGHT. JACK, I'LL DO WHATEVER I HAVE TO DO. | ์ด๋ ์ธ์?
๋์๊ฐ๋ฉด ๊ฐ๋ณธ์ ์ค๋นํ๋ ๊ฑฐ์ผ
์ด๋จ์ง ๋ณด์๊ณ
๋ผ์ค๋ฒ ์ด๊ฑฐ์ค์ ๊ฐ์ ๋๋ น๋๊ณผ ์์ํด์ผ ํด
๋ํฌ, ์๋ค๋ ๋๋ น๋์ ์ค๋ํด๋ณด๊ณ
์์ง๋ฅผ ๋ณด์ฌ์ค
๋ฌผ๋ก ์ด์ฃ , ๋ญ๋ ์ง ํ๊ฒ ์ด์ |
DOES THIS CHARACTER HAVE A NAME?
HIS NAME... IS BROCK LANDERS.
HIS PARTNER'S NAME IS CHEST ROCKWELL.
THOSE ARE GREAT NAMES!
AND THE AWARD FOR BEST NEWCOMER GOES TO...
YES! MY BABY BOY! DIRK DIGGLER! WOO! | ์บ๋ฆญํฐ์ ์ด๋ฆ์?
์ฃผ์ธ๊ณต ์ด๋ฆ์ ๋ธ๋ก ๋๋์ค์์
ํํธ๋๋ ์ฒด์คํธ ๋ก์ฐ์ด๊ณ ์
๋ง์์ ์ ๋ค์ด
์ ์ธ์ ์์์๋
๋ค, ์ํ ์ ๋ด ํํธ๋ ๋ํฌ ๋๊ธ๋ฌ์์ |
AND THE AWARD FOR BEST COCK GOES TO...
HERE WE GO AGAIN. DIRK DIGGLER.
THE AWARD FOR BEST ACTOR GOES TO...
I'VE SEEN ALL HIS MOVIES, AND I CAN'T WAIT TO WORK WITH HIM. MR. DIRK DIGGLER!
WOW. I DON'T KNOW WHAT TO SAY. | ์ต๊ณ ์ ๋ฌผ๊ฑด ์์์๋
๋ ์์ ํ๋๊ตฐ์ ๋ํฌ ๋๊ธ๋ฌ
๋จ์ฐ์ฃผ์ฐ์ ์์์๋...
์ถ์ฐ์์ ๋ค ๋ดค๋๋ฐ ํจ๊ป ์ผํ๊ณ ์ถ์ด์ ๋ํฌ ๋๊ธ๋ฌ ์จ
๋ฌด์จ ๋ง์ ํด์ผ ํ ์ง... ๊ด์ฐฎ์ |
I GUESS... WOW. I GUESS THE ONLY THING I CAN SAY
IS I'LL PROMISE TO KEEP ROCKIN' AND ROLLIN' AND MAKING BETTER FILMS.
YOU KNOW, IT SEEMS WE MAKE THESE MOVIES, AND SOMETIMES, YOU KNOW,
THEY'RE CONSIDERED FILTHY OR SOMETHING BY SOME PEOPLE,
BUT I DON'T THINK THAT'S TRUE. | ์ ๋... ํ ๊ฐ์ง๋ง ์ฝ์๋๋ฆฌ์ฃ
๊ณ์ ์ด์ฌํ ์ผํด์ ๋ ๋ฉ์ง ์ํ์ ๋ง๋ค๊ฒ ์ต๋๋ค
์ด ์
๊ณ์ ์ข
์ฌํ๋ ์ฐ๋ฆฌ๊ฐ ๋ง๋๋ ์ํ๋ค์
์ผ๋ถ์์๋ ๋๋ฝ๋ค๊ณ ํ๋๋ฐ์
๊ทธ๋ ์ง ์์ต๋๋ค |
THESE MOVIES WE MAKE, THEY CAN BE BETTER.
THEY CAN HELP. THEY REALLY CAN. I MEAN THAT.
WE CAN ALWAYS DO BETTER.
I'M GOING TO KEEP TRYING IF YOU GUYS KEEP TRYING. LET'S KEEP ROCKIN' AND ROLLIN', MAN. | ํ๋ฅญํ ์ํ์ ๋ง๋ค ์ ์์ด์
์ฌ๋๋ค์๊ฒ ๋์์ด ๋๊ธฐ๋ ํ๊ณ ์
๋ ์ํ ์ ์์ด์
์ฐ๋ฆฌ ํจ๊ป ๋ ์ด์ฌํ ํด๋ด์ ํจ๊ป ๋
ธ๋ ฅํฉ์๋ค |
MARKER.
SET.
SHOT OF TEQUILA, STRAIGHT UP.
YES, MA'AM.
I'VE BEEN IN THIS PLACE FOR 20 MINUTES JUST TO GET A SEAT.
ARE YOU ALONE? YEAH. JUST VISITING L.A. | '1978๋
' ๋ง์ปค
์ธํธ
ํ
ํฌ๋ผ ์ฃผ์ธ์ ์คํธ๋ ์ดํธ๋ก์
์๊ฒ ์ต๋๋ค
์๋ฆฌ๊ฐ ๋ ๊น ํด์ 20๋ถ์ด๋ ์์์ด์
ํผ์์ธ์? ๋ค, LA์ ์ ๊น ๋ค๋ ์ฃ |
SOME PEOPLE TOLD ME THE FOOD IN HERE WAS REALLY GOOD.
GOOD? IT'S NOT GOOD.
IT'S PROBABLY THE BEST PLACE TO EAT IN ALL LOS ANGELES. IT'S EXCELLENT. | ์ฌ๊ธฐ ์์์ด ๋ง์๋ค๊ณ ํ๋๊ตฐ์
๋จ์ง ๋ง์๋ ๊ฒ ์๋์ฃ
LA ์ต๊ณ ์ ์๋น์
๋๋ค ํ๋ฅญํด์ |
I CERTAINLY HOPE SO.
I COULD DIE OF STARVATION BEFORE I GET SOMETHING IN MY MOUTH.
STILL HUNGRY?
STARVING.
WHY DON'T YOU FEAST ON THAT? OK. | ๊ทธ๋์ผ์ฃ
์
์ ๋ญ๊ฐ ๋ฃ์ง ์์ผ๋ฉด ๋ฐฐ๊ณ ํ ์ฃฝ๊ฒ ์ด์
์์ง๋ ๋ฐฐ๊ณ ํ์?
๊ตถ์ฃผ๋ ธ์ด์
์ด๊ฒ๋ถํฐ ๋จน์ด๋ณด๊ฒ ์ด์? ์ข์์ |
OH, IT'S TRUE.
WHAT'S THAT?
YOU ARE BROCK LANDERS.
FREEZE! DON'T MAKE ME CHASE YOU, RAPHAEL!
FREEZE!
WE'RE ALMOST THERE. HERE'S WHAT I WANT. I WANT YOU TO TRIM THE HEAD. | ์ฌ์ค์ด์๊ตฐ์
๋ญ๊ฐ์?
๋ธ๋ก ๋๋์ค๊ตฐ์
๊ฑฐ๊ธฐ ์! ์กํ๋ฉด ์ฃฝ๋๋ค, ๋ผํ์
๊ผผ์ง ๋ง!
๊ฑฐ์ ๋ค ๋์ด ๋์
๋ถ๋ฅผ ๋ค๋ฌ์ด |
TAKE THAT SHOT OF REED WITH THE REVOLVER, JUST DUMP THAT, OK?
AND SWITCH THE TITLE CARD.
I WANT IT TO COME FLYING RIGHT OUT OF THE SCREEN RIGHT AT THE AUDIENCE.
NICE. PIECE OF CAKE. THAT'S MY GUY. | ๊ถ์ด์ ๋ ๋ฆฌ๋ ์ฅ๋ฉด์ ๋นผ๋ฒ๋ ค
ํ์ดํ ์นด๋๋ฅผ ๋ฐ๊ฟ
ํ๋ฉด์์ ๊ด๊ฐ ์ชฝ์ผ๋ก ํ์ด๋์ค๋ ๊ฒ์ฒ๋ผ ๋ง๋ค๊ฒ
๋ค, ๊ทธ๊ฑฐ์ผ ์ฝ์ฃ ์ญ์ ์๋ค์ผ |
ISN'T THAT PRETTY LIGHT?
WHAT DO YOU THINK, HUH?
BEAUTIFUL.
GREAT. LOOK HOW SPACIOUS IT IS. YEAH. LOOK, I LIKE THIS, TOO. THAT'S CUSTOM-MADE. THAT'S REAL IMPORTED ITALIAN LEATHER. | ์ ๋ง ๊ฐ๋ณ์ง? ๊ทธ๋ ๋ค
์ ๋ง ๋ฉ์ ธ ์ด๋์?
๊ทผ์ฌํด์? ๊ทธ๋
์์ฃผ ๋์ฃ ๊ทธ๋, ์ด๊ฒ๋ ๋ฉ์ง๋ค ์ฃผ๋ฌธ ์ ์์ธ๋ฐ ์ดํ๋ฆฌ์์ฐ ๊ฐ์ฃฝ์ด์์ |
VERY UNUSUAL. WATCH THIS.
MY INITIALS. OH, THAT'S SO IMAGINATIVE. HOW'D YOU THINK OF THAT?
I WAS JUST THINKING OF MY NAME ONE DAY
HOW ARE YOU? | ์๊น๋ ๋
ํนํ๊ณ ์ฌ๊ธฐ๋ ๋ด์
์ ๋ง ๋ฉ์ง๋ค ์ด๋ป๊ฒ ์๊ฐํ๋?
์๊ฐํ๋ ์ค์ ๋ฒ์ฉ ๋ ์ค๋ฅด๋๋ผ๊ณ ์
๋ํฌ ์ด๋? |
I'M ALMOST FINISHED.
LOOKS GREAT. I USED A LITTLE POETIC LICENSE TO CAPTURE YOUR ESSENCE. LOOKS GREAT, JESSIE.
YEAH, IT'S GOOD FOR CONVERSATION, HUH? | ๊ฑฐ์ ๋๋ฌ์ด ๋ฉ์ง๋ค
์์ ์์๋ ฅ์ ๋ํด์ ๊ทธ๋ ค๋์ด ๋ ๊ตฌ๊ฒฝ์์ผ์ค ํ๋ฅญํด
๋ํ ์ฃผ์ ๋ก๋ ์ข๊ฒ ๋ค |
YEAH. JESSIE DID THAT OIL PAINTING AS WELL, AND BUCK IS STILL INSTALLING THE STEREO. THAT'S A BEANBAG. YOU'RE KIDDING.
YEAH, AND THAT LAMP, THOSE ARE REAL STERLING SILVER. YEAH, THEY HAVE A VERY MODERN FEEL, TOO. | ์ ์ ํ๋ ์ ์๊ฐ ๊ทธ๋ ธ์ด์ ์คํ
๋ ์ค๋ ๋ฒ
์ด ์ค์นํ ๊ฑฐ๊ณ ์ ๊ฑด ๋น๋ฐฑ ์ํ ์ค๋ง
์ ๋จํ๋ ์ง์ง ์์ด์์ ์์ฃผ ํ๋์ ์ธ ๋๋๋ ๋์ฃ |
THIS COULD BE THE PLACE YOU COULD HAVE CONVERSATIONS.
WHAT? YOU READY? TA-DA!
OH! IT'S MY DOJO. IT'S ALL ASIAN. YOU HAVE AN ASIAN DOJO.
YEAH. IT HAS THAT WHOLE KARATE FEEL. IT'S VERY COMFORTABLE.
YEAH. A LOT OF ANCIENT CHINA. | ์ฌ๊ธฐ์ ์๊ธฐ๋ ๋๋๊ณ ๊ทธ๋ฌ๋ฉด ์ข๊ฒ ๋ค
๋ณผ๋์? ์ด๊ฑด ๋ญ์ผ? ๋ฉ์ง๋ค
๋ด ๋์ฅ์ด์์ ์์์ํ์ด๋ค, ๊ทธ๋, ๋ง์
๊ฐ๋ผ๋ฐ ๋ถ์๊ธฐ๋ก ๊พธ๋ช์ฃ ๋ฉ์ ธ, ํธ์ํ๊ณ
๊ณจ๋ํ ๋์๊ธฐ๋ ๋ง์์ ๊ทผ์ฌํ๋ค |
A GOOD PLACE TO KEEP YOUR AWARDS. I'M GLAD.
CAN YOU SEE YOURSELF? YEAH.
IT'S GREAT, HUH? TA-DA!
OH! MY WHOLE ENTIRE WARDROBE.
THAT'S GREAT. IT'S ALL PERFECTLY ORGANIZED BY COLOR, AS WELL AS DESIGNER. | ์ ๋ณด์ด๊ฒ ๋ฌ์ผ์ฃ
๊ทผ์ฌํ๋ค ์ ๋ณด์ด์ฃ ? ๊ทธ๋ผ
๋๋ด์ฃผ์ฃ ? ํ๋ฅญํด
์ฌ๊ธฐ๋ ์ท์ฅ์ด์์ ๊ทผ์ฌํด
์์๊ณผ ๋์์ด๋๋ณ๋ก ๊ตฌ๋ถํด๋์ด์ |
YEAH. YOU DON'T HAVE TO THINK ABOUT IT OR ANYTHING. NO. IT'S ALL READY.
YOU'RE GOING TO LOVE IT.
YEAH, BABY.
ISN'T IT BEAUTIFUL? OH, GOD!
THIS IS IT. THIS IS THE THING. | ์ท์ ์ฝ๊ฒ ์ฐพ๊ฒ ์ด ์๋ง ๋ป์ด ์ก์ผ๋ฉด ๋์ฃ
๋ง์์ ๋ค ๊ฑฐ์์ ์ ๋ง?
์ค๋น๋์ด์? ์
๊ทผ์ฌํ์ฃ ? ์ธ์์
๋ฐ๋ก ์ด๊ฑฐ์์, ์ด๊ฑฐ๋ผ๊ณ ์ |
YOU DESERVE THIS, BABY.
ISN'T IT GREAT? THIS IS THE MOST BEAUTIFUL THING I'VE EVER SEEN IN MY WHOLE LIFE.
WANT TO GO FOR A RIDE? OH, YEAH!
SHE ROCKS! | ์ด๋ฐ ์ฐจ๋ฅผ ํ ๋งํ์ง
๋ฉ์ง์ฃ ? ๋ด ํ์ ์ด๋ ๊ฒ ๋ฉ์ง ๊ฑด ์ฒ์์ด์์
ํ๋ณผ๋์? ์ข์
๊ฐ์, ๋๋ด์ค์ |
WOO! HA HA HA!
YOU SET US UP, CHICO. YOU WANT TO FUCK WITH RAPHAEL AND RINGO, THAT'S YOUR BUSINESS. YOU DON'T FUCK WITH CHEST AND BROCK!
YOU KNOW WHAT? YOU'RE NOT EVEN WORTH IT! | ์ ๋๋ค! ๊ฝ ์ก์์
์ฐ๋ฆฌ๋ฅผ ์์๊ตฐ, ์น์ฝ ๋ผํ์๊ณผ ๋ง๊ณ ๋ ๋ชฐ๋ผ๋ ์ฐ๋ฆฌํํ
์ฅ๋ํ๋ฉด ์ด๋ป๊ฒ ๋๋์ง ๋ณด์ฌ์ฃผ์ง
์ ๋ฐ! ๋ ์ฃฝ์ผ ๊ฐ์น๋ ์์ด |
I GAVE YOU A CHANCE!
I TRUSTED HIM.
WELL, WE ALMOST SOLVED THE CASE.
AT LEAST THE WOMEN ARE SAFE.
LET'S GO GET SOME OF THAT SATURDAY-NIGHT BEAVER.
NO ONE FUCKS WITH CHEST AND BROCK. | ๊ธฐํ๋ฅผ ์คฌ๋๋ฐ...
๋ฏฟ์ ๋ ์๊ตฐ
๊ทธ๋๋ ์ฌ๊ฑด์ ํด๊ฒฐํ ์
์ด์ผ
์ฌ์๋ค์ ์์ ํ๋๊น
ํ ์์ผ ๋ฐค์ด๋ ๊ฐ์ ์ฌ์๋ค์ ๊ผฌ์
๋ณด์๊ณ
์ฐ๋ฆฌ๋ฅผ ์ฟ ๋จน์ด๋ฉด ์ ๋์ง |
THIS IS THE BEST WORK WE'VE EVER DONE.
IT'S A REAL FILM, JACK.
IT FEELS GOOD. YOU MADE IT FLY.
YOU KNOW, THIS IS THE FILM...
I WANT THEM TO REMEMBER ME BY. | ์ต๊ณ ์ ์ํ์ด์ผ
์ง์ง ์ํ์์์
๋๋์ด ์ข์ ๊ฐ๋
๋ ๋๋ถ์ด์ฃ
๊ทธ๋, ์ด ์ํ์ ํตํด
๋๋ฅผ ๊ธฐ์ตํด์ฃผ๋ฉด ์ข๊ฒ ์ด |
THANK YOU.
YOU KNOW, AS FAR AS I'M CONCERNED, IT'S ALL ABOUT LOVE, YOU KNOW?
I MEAN, IF YOU LOVE SOMEONE, HOW HARD CAN THE WORLD BE?
I MEAN, PEOPLE WILL COME AND THEY WILL GO,
AND SO WILL PROBLEMS, BUT ULTIMATELY, IF YOU HAVE GOT LOVE ON YOUR SIDE AND IT IS JUST... I MEAN, IT IS JUST DEEP DOWN IN YOUR SOUL, | ๊ฐ์ฌํฉ๋๋ค
๋ด๊ฐ ์๊ฐํ๊ธฐ์๋ ์ฌ๋์ด ํด๊ฒฐ์ฑ
์ด์์
๋๊ตฐ๊ฐ๋ฅผ ์ฌ๋ํ๋ฉด ํ๋ค ๊ฒ ๋ญ๊ฐ ์๊ฒ ์ด์?
์ฌ๋๋ค ๋๋ฌธ์ ๊ดด๋กญ๊ณ ๋ฌธ์ ๊ฐ ์๊ฒจ๋
์ฌ๋ํ๋ ์ฌ๋์ด ์์ ์์ผ๋ฉด ๊ทธ๊ฑด ๋ง์น... ๊ทธ ์ฌ๋์ด ์ํผ ๊น์์ด ์๋ฆฌํ๊ณ ์๋ค๋ฉด |
WHAT'S A PROBLEM GOING TO BE THAT TAKES YOUR ATTENTION AWAY FROM THAT?
DO YOU UNDERSTAND?
I'M BECKY BARNETT. I'M JEROME.
NICE TO MEET YOU. NICE TO MEET YOU, TOO, BECKY. SO WHAT DO YOU DO? I'M IN THE AUTO INDUSTRY. | ์ด๋ค ๋ฌธ์ ๊ฐ ๊ทธ ์ฌ๋๋ณด๋ค ๋ ์ค์ํ๊ฒ ์ด์?
์ดํดํ๊ฒ ์ด์?
๋ฒ ํค ๋ฐ๋ท์ด์์ ๋ ์ ๋กฌ์ด์์
๋ฐ๊ฐ์์ ๋๋์, ๋ฒ ํค ๋ฌด์จ ์ผ์ ํ์ฃ ? ์๋์ฐจ ๊ด๋ จ ์ผ์ ํด์ |
OH. YEAH, I'M A REGIONAL MANAGER OVER AT PEP BOYS.
YOU'VE GOT A REALLY NICE SMILE, BECKY.
THANK YOU...
JEROME.
THE COLONEL. EXCUSE ME.
FLOYD GONDOLLI. HA HA! GREAT YOU COULD MAKE IT. GREAT, GREAT, GREAT.
HOW ARE YOU? YOU LOOK HAPPY. I'M FINE. | ์๋์ฐจ ๋ถํ ์ฒด์ธ์ ์ ์ง์ญ ์ฑ
์์์์
๋ฏธ์๊ฐ ์๋ป์, ๋ฒ ํค
๊ณ ๋ง์์
์ ๋กฌ
๋๋ น ์ ๊น๋ง
ํ๋ก์ด๋ ๊ณค๋๋ฆฌ ์ด๋ ๊ฒ ์์ฃผ๋ค๋ ์ ๋ง ๊ณ ๋ง๊ตฐ
์ด๋ค๊ฐ? ์ข์ ๋ณด์ด๋๊ตฐ ๊ทธ๋ ์ง |
MEET BOYS-- TOMMY, PETE.
MEET GIRLS-- CYNDI, ANGIE.
THESE ARE THE NEXT STARS. MM-HMM. THESE ARE THE REAL PEOPLE IN THE WORLD.
LET'S DO IT.
HI, AMBER. WHAT ARE YOU TALKING ABOUT HERE? | ์๊ฐํ์ง, ํ ๋ฏธ, ํผํธ ์๋
ํ์ธ์
์ด์ชฝ์ ์ ๋์ ์ค์ง
์ฐจ๊ธฐ ์คํ๋ค์ด์ง ์ฐธ์ ํ ์ฌ๋ฅ๊พผ๋ค์ด์ผ
๊ทธ๋ฌ์๊ณ
์ฐ๋ฒ ๋ฌด์จ ์๊ธฐ๋ฅผ ํด? |
OH, NOTHING. YOU WANT TO COME WITH ME FOR A LITTLE WHILE?
WHERE? IT'S A SURPRISE. IT'S A SURPRISE.
YEAH. LET'S GO. EXCUSE ME, JESSIE.
HEY, BUCK. HEY, JESSIE. HOW YOU DOING? | ๊ทธ๋ฅ์ ์ ๊น ๋๋ ๊ฐ์
์ด๋๋ก์? ๋๋ผ๊ฒ ํด์ค ๊ฒ ์์ด
์ข์์, ๊ฐ์ ์ ๊น๋ง, ์ ์
์๋
, ๋ฒ
์ ์, ๋ณ์ผ ์์ง? |
YOU SITTING ALONE? YES.
TODD PARKER! ROCKIN' REED ROTHCHILD!
AW, YOU MADE IT! YEAH! WOO-HOO!L
AN AMAZING PARTY, MAN. FUCKIN' CHICKS EVERYWHERE.
YOU BET. COURTESY OF JACK HORNER. THANK YOU. | ํผ์์ผ? ์
ํ ๋ ํ์ปค! ๋ฆฌ๋ ๋ก์ค์ฐจ์ผ๋
์๊ตฌ๋ ๊ทธ๋ผ
๋ฉ์ง ํํฐ์ผ, ์ฌ์๋ ๋ง๊ณ
๊ทธ๋ผ ์ญ ํธ๋ ๊ฐ๋
๋๋ถ์ด์ง |
I WOULDN'T MIND ME HAVING A PIECE OF THAT ACTION RIGHT OVER THERE.
MICHELLE. I'LL INTRODUCE YOU.
SURE. INTRODUCE HER TO MY LAP. HA HA! DID YOU GET OFF WORK, MAN? | ์ ๊ธฐ์ ๋ผ์ด๋ ๊ด์ฐฎ์ ๋ฏํ๋ฐ
๋ฏธ์
ธ์ด์ผ, ์๊ฐํด์ค๊ฒ
๊ทธ๋, ๋ด ๋ฌด๋ฆ์ ์ํ๋ด ์ผ ๋๋ฌ์ง? |
DON'T DANCE SUNDAY NIGHTS. RIGHT.
WHOSE 'VETTE IS THAT OUT IN THE DRIVEWAY? DIRK. I'M SO JEALOUS. AH, THAT SHIT'S JAMMIN', MAN.
START DOWN LOW WITH A 350 CUBE, 325 HORSEPOWER, 4-SPEED, 4-10 GEARS, 10 COATS OF COMPETITION ORANGE HAND-RUBBED LACQUER WITH A DUAL-PLANE MANIFOLD... | ์ผ์์ผ์๋ ์ฌ์์ ๊ทธ๋ ์ง
์ง์
๋ก์ ์๋ ์ฝ๋ฒณ์ ๋๊ตฌ ๊ฑฐ์ผ? ๋ํฌ ๋ถ๋ฝ๋ค๋๊น ๋๋ด์ฃผ๋ ์ฐจ์ง
๋ฐฐ๊ธฐ๋ 5,700 325๋ง๋ ฅ 4๋จ ๋ณ์์ ์ฝํ
์ 10๋ฒ ์์์
๋์ปค์น ์ ์ด์ค๋ฉด ๋ถ๊ธฐ๊ด๊น์ง |
FULL FUCKIN' RACE CAMS. WHOA.
IT'S PRETTY ORIGINAL, YOU KNOW, I THINK.
RIGHT.
TAKE THIS OFF.
YEAH.
WHAT WERE WE TALKING ABOUT BEFORE?
UM, OIL PAINTING? NO.
NO--YES. I MEAN, BUT I WAS SAYING THAT-- OH, OH, OH! SUNSETS.
RIGHT, YEAH. I WAS SAYING THAT I LOVE SUNSETS.
BUT SUNRISES ARE BETTER. EXACTLY. | ๊ฒฝ์ฃผ์ฉ ์บ ๊น์ง ์๋น
์ด๋ฐ ์์์ ์ฒ์ ์ ๋ณด์ด์์
๊ทธ๋
์ด๊ฑด ๋ฒ์๊ฒ
์ข๋ค
์ฐ๋ฆฌ ๋ฌด์จ ์๊ธฐ ์ค์ด์์ง?
์ ํ? ์๋
๋ง๋ค, ๊ทธ๋, ๊ทธ๋ฌ๋๊น... ์ผ๋ชฐ
๊ทธ๋ ์ผ๋ชฐ ๋ณด๋ ๊ฑธ ์ข์ํด
์ผ์ถ์ด ๋ ์ข์ง ๋ง์ |
I THOUGHT I WAS THE ONLY ONE WHO FELT THAT WAY.
NO. I FEEL THAT WAY.
REALLY? YES, REALLY. HEY, HAVE YOU EVER HEARD MY STEREO SYSTEM?
NO. I'M GOING TO OPEN MY OWN BUSINESS. | ๋๋ง ๊ทธ๋ฐ ์ค ์์์ด
๋๋ ๊ทธ๋ ์ ๋ง?
๊ทธ๋ผ, ๊ทธ๋ฐ๋ฐ ๋ด๊ฐ ์คํ
๋ ์ค ์๊ธฐ ํด์คฌ๋?
์๋ ๋ด ๊ฐ๊ฒ๋ฅผ ์ด ๊ฑฐ์ผ |
REALLY? YES. YES. IT'S MY DREAM, OK? IT'S...IT'S HI-FI STEREO EQUIPMENT AT DISCOUNT PRICES.
YEAH. IT'S CALLED BUCK'S SUPER STEREO WORLD.
THAT IS A FUCKING GREAT IDEA.
REALLY? YES, REALLY. THE 1980s. | ์ ๋ง? ๊ทธ๊ฒ ๊ฟ์ด๊ฑฐ๋ ํ์ดํ์ด ์คํ
๋ ์ค๋ฅผ ํ ์ธํด์ ํ ๊ฑฐ์ผ
๊ฐ๊ฒ ์ด๋ฆ์ '๋ฒ
์ ์ํผ ์คํ
๋ ์ค ์๋'
์ง์ง ๊ทผ์ฌํ๋ค ๊ทธ๋
์ ๋ง? ๊ทธ๋, 80๋
๋์๋ ๊ผญ... |
I WANTED YOU TO COME IN AND GIVE ME A MINUTE SO I COULD TELL YOU HOW MUCH I LOVE YOU.
I MEAN, IT'S GOING TO BE A NEW YEAR. WE'RE GOING TO START THINGS AND DO THINGS, AND I JUST WANTED YOU TO KNOW HOW MUCH I CARE ABOUT YOU. | ์ด๋ ๊ฒ ๋ถ๋ฅธ ๊ฑด ๋ด๊ฐ ์ผ๋ง๋ ์ฌ๋ํ๋์ง ์๋ ค์ฃผ๋ ค๊ณ
์ํด๋ฅผ ๋ง์ ์๋กญ๊ฒ ์์ํ์์ ๊ทธ๋์ ๋ด๊ฐ ๋ ์ผ๋ง๋ ์๋ผ๋์ง ์๋ ค์ฃผ๊ณ ์ถ์์ด |
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