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1 9 7 7 ▁ ▁National ▁Ob server ▁( Austral ia ), ▁a ▁quarter ly ▁political ▁magazine ▁which ▁ran ▁from ▁ 1 9 8 8 ▁to ▁ 2 0 1 2 ▁ ▁National ▁Ob server ▁( UK ), ▁a ▁journal ▁published ▁in ▁the ▁ 1 9 th ▁century ▁ ▁National ▁Ob server ▁( Can ada ), ▁an ▁online ▁news ▁publication ▁foc using ▁on ▁energy , ▁environment ▁and ▁federal ▁politics <0x0A> </s> ▁" Su ite : ▁Jud y ▁Blue ▁E yes " ▁is ▁a ▁song ▁written ▁by ▁Stephen ▁St ills ▁and ▁performed ▁by ▁C ros by , ▁St ills ▁& ▁Nash ▁( CS N ). ▁It ▁appeared ▁on ▁the ▁group ' s ▁self - t itled ▁debut ▁album ▁in ▁ 1 9 6 9 ▁and ▁was ▁released ▁as ▁a ▁single , ▁reaching ▁# 2 1 ▁on ▁the ▁Billboard ▁Hot ▁ 1 0 0 ▁pop ▁singles ▁chart . ▁In ▁Canada , ▁" Su ite : ▁Jud y ▁Blue ▁E yes " ▁pe aked ▁at ▁number ▁ 1 1 . ▁The ▁song ▁is ▁a ▁suite ▁in ▁the ▁classical ▁sense , ▁i . e . ▁an ▁ordered ▁set ▁of ▁musical ▁pieces . ▁ ▁Background ▁The ▁title ▁" Su ite : ▁Jud y ▁Blue ▁E yes " ▁( a ▁play ▁on ▁words ▁for ▁" S weet ▁Jud y ▁Blue ▁E yes ") ▁refers ▁to ▁Stephen ▁St ills ' ▁former ▁girl friend , ▁singer / song writer ▁Jud y ▁Collins , ▁and ▁the ▁lyr ics ▁to ▁most ▁of ▁the ▁suite ' s ▁sections ▁consist ▁of ▁his ▁thoughts ▁about ▁her |
▁and ▁their ▁im min ent ▁break up . ▁Collins ▁is ▁known ▁for ▁her ▁pier cing ▁blue ▁eyes . ▁During ▁a ▁July ▁ 1 5 , ▁ 2 0 0 7 ▁interview ▁for ▁the ▁National ▁Public ▁Radio ▁program ▁All ▁Things ▁Consider ed , ▁St ills ▁revealed ▁that ▁Collins ▁was ▁present ▁in ▁the ▁studio ▁when ▁the ▁demo ▁t apes ▁were ▁recorded ▁and ▁had ▁ad vised ▁him , ▁" Don ' t ▁stay ▁in ▁here ▁[ in ▁the ▁studio ] ▁all ▁night ▁now ." ▁St ills ▁also ▁commented ▁that ▁the ▁break up ▁with ▁Collins ▁" was ▁im min ent . ▁... ▁We ▁were ▁just ▁a ▁little ▁too ▁big ▁for ▁one ▁house ." ▁St ills ▁said ▁that ▁he ▁liked ▁parts ▁of ▁this ▁demo ▁version ▁of ▁" Su ite : ▁Jud y ▁Blue ▁E yes " ▁better ▁than ▁the ▁released ▁version ; ▁the ▁song ▁and ▁other ▁dem os ▁of ▁early ▁C ros by , ▁St ills ▁and ▁Nash ▁songs ▁were ▁released ▁commer cially ▁on ▁the ▁album ▁Just ▁Roll ▁T ape . ▁ ▁Collins ▁and ▁St ills ▁had ▁met ▁in ▁ 1 9 6 7 ▁and ▁dated ▁for ▁two ▁years . ▁In ▁ 1 9 6 9 , ▁she ▁was ▁appearing ▁in ▁the ▁New ▁York ▁Shakespeare ▁Festival ▁musical ▁production ▁of ▁Pe er ▁G ynt ▁and ▁had ▁fallen ▁in ▁love ▁with ▁her ▁co - star ▁St acy ▁K each , ▁eventually ▁leaving ▁St ills ▁for ▁him . ▁St ills ▁was ▁dev ast ated ▁by ▁the ▁possible ▁break up ▁and ▁wrote ▁the ▁song ▁as ▁a ▁response ▁to ▁his ▁sad ness . |
▁In ▁a ▁ 2 0 0 0 ▁interview , ▁Collins ▁gave ▁her ▁impress ions ▁of ▁when ▁she ▁first ▁heard ▁the ▁song : ▁ ▁Com position ▁ ▁The ▁recording ▁features ▁an ▁ac oust ic ▁guitar ▁tun ed ▁to ▁E EE E BE ▁(" B ru ce ▁Pal mer ▁Mod al ▁Tun ing ") ▁vs . ▁the ▁standard ▁E AD GB E ▁tun ing . ▁This ▁style ▁of ▁tun ing ▁would ▁later ▁be ▁used ▁for ▁the ▁Dé jà ▁V u ▁songs ▁" 4 + 2 0 " ▁and ▁" Car ry ▁On ". ▁ ▁" Su ite : ▁Jud y ▁Blue ▁E yes " ▁has ▁four ▁distinct ▁sections . ▁The ▁tim ings ▁below ▁are ▁for ▁the ▁full ▁album ▁version . ▁The ▁short ened ▁version ▁released ▁as ▁a ▁single ▁cut ▁the ▁second ▁and ▁fourth ▁vers es ▁from ▁the ▁first ▁section , ▁the ▁third ▁and ▁fourth ▁vers es ▁from ▁the ▁second ▁section , ▁and ▁the ▁final ▁verse ▁and ▁preceding ▁break ▁from ▁the ▁third ▁section , ▁and ▁short ened ▁the ▁guitar ▁break ▁between ▁the ▁second ▁and ▁the ▁third ▁sections . ▁The ▁final ▁section ▁is ▁the ▁only ▁part ▁that ▁stayed ▁fully ▁int act ▁on ▁the ▁single . ▁ ▁The ▁first ▁section ▁is ▁a ▁traditional ▁pop ▁song ▁with ▁four ▁vers es , ▁featuring ▁a ▁ch orus ▁of ▁" I ▁am ▁yours , ▁you ▁are ▁mine , ▁you ▁are ▁what ▁you ▁are ." ▁Running ▁at ▁approximately ▁ 2 : 5 6 , ▁the ▁lead ▁vocal ▁is ▁performed ▁by ▁St ills , ▁with ▁C ros by ▁and ▁Nash ▁providing ▁harm on ies |
. ▁ ▁The ▁second ▁section ▁is ▁performed ▁in ▁half ▁time ▁relative ▁to ▁the ▁first ▁section , ▁and ▁features ▁four ▁vers es ▁of ▁three - part ▁harm ony ▁from ▁the ▁band , ▁with ▁St ills ▁performing ▁a ▁brief ▁vocal ▁solo ▁between ▁the ▁second ▁and ▁third . ▁This ▁section ▁runs ▁from ▁ 2 : 5 6 ▁to ▁ 4 : 4 3 . ▁ ▁The ▁third ▁section ▁is ▁more ▁up be at ▁and ▁features ▁po etic ▁lyr ics ▁(" ch est nut ▁brown ▁can ary , ▁ruby - th ro ated ▁sp arrow "), ▁last ing ▁from ▁ 4 : 4 3 ▁to ▁ 6 : 2 5 . ▁Each ▁of ▁the ▁three ▁phr ases ▁is ▁initially ▁s ung ▁by ▁St ills , ▁with ▁Nash ▁then ▁joining , ▁and ▁finally ▁C ros by ▁round ing ▁out ▁the ▁harm on ies . ▁Connect ing ▁the ▁phr ases ▁are ▁instrument al ▁breaks ▁performed ▁by ▁St ills ▁on ▁ac oust ic ▁guitar . ▁ ▁The ▁final ▁section ▁( the ▁c oda ) ▁is ▁s ung ▁in ▁Spanish , ▁with ▁" do o - do o - do o - da - do o " ▁backing ▁vocals , ▁starting ▁at ▁ 6 : 3 4 ▁until ▁the ▁song ▁con cludes . ▁St ills ▁has ▁said ▁that ▁he ▁intention ally ▁made ▁the ▁final ▁st anz as ▁unexpected ▁and ▁difficult , ▁even ▁using ▁a ▁foreign ▁language ▁for ▁the ▁lyr ics , ▁" just ▁to ▁make ▁sure ▁nobody ▁would ▁understand ▁it " ▁( not ▁even ▁Spanish ▁speaking ▁people ). ▁ ▁The ▁final |
▁section ▁has ▁been ▁par od ied ▁many ▁times , ▁not ably ▁in ▁Frank ▁Z appa ' s ▁compos itions ▁" B illy ▁the ▁Mountain " ▁and ▁" Mag dal ena " ▁on ▁The ▁M oth ers ▁of ▁In vention ' s ▁album ▁Just ▁Another ▁Band ▁From ▁L . A . ▁" We ird ▁Al " ▁Y ank ov ic ▁performs ▁a ▁take off ▁of ▁it ▁(" M ission ▁Stat ement ") ▁on ▁his ▁ 2 0 1 4 ▁album ▁Mand atory ▁Fun ; ▁instead ▁of ▁Spanish , ▁the ▁lyr ics ▁are ▁corpor ate ▁bu zz words ▁str ung ▁together ▁in ▁such ▁a ▁way ▁as ▁to ▁be ▁ultimately ▁n ons ens ical . ▁It ▁is ▁also ▁sample d ▁in ▁the ▁ 2 0 1 0 ▁Cy press ▁Hill ▁song ▁" Arm ada ▁Lat ina ". ▁ ▁Live ▁performances ▁The ▁final ▁section ▁of ▁the ▁song ▁is ▁included ▁on ▁the ▁C SN Y ▁live ▁album ▁ 4 ▁Way ▁Street . ▁It ▁f ades ▁in ▁on ▁the ▁opening ▁of ▁side ▁one ▁of ▁the ▁album . ▁C SN ▁also ▁performed ▁" Su ite : ▁Jud y ▁Blue ▁E yes " ▁as ▁their ▁opening ▁song ▁at ▁the ▁Wood stock ▁and ▁Live ▁A id ▁festiv als , ▁and ▁their ▁performance ▁at ▁the ▁former ▁is ▁featured ▁in ▁the ▁film ▁Wood stock ▁( 1 9 7 0 ). ▁ ▁Crit ical ▁reception ▁ ▁Writing ▁for ▁The ▁New ▁York ▁Times ▁in ▁ 1 9 6 9 , ▁Robert ▁Christ g au ▁believed ▁that ▁while ▁" St ills ▁has ▁become ▁such ▁a ▁s oph |
istic ated ▁guitar ist ▁that ▁many ▁of ▁his ▁lines ▁lack ▁any ▁straight - on ▁rh yth mic ▁comp ulsion ", ▁his ▁" Su ite : ▁Jud y ▁Blue ▁E yes " ▁is ▁" a ▁struct ural ▁triumph ▁which ▁could ▁never ▁have ▁been ▁brought ▁off ▁by ▁a ▁more ▁D ion ys iac ▁spirit ." ▁ ▁" Su ite : ▁Jud y ▁Blue ▁E yes " ▁was ▁named ▁the ▁ 5 1 st ▁greatest ▁song ▁ever ▁in ▁a ▁ 2 0 0 0 ▁list ▁by ▁V H 1 . ▁In ▁ 2 0 0 4 , ▁Rol ling ▁Stone ▁magazine ▁ranked ▁it ▁number ▁ 4 1 8 ▁on ▁its ▁list ▁of ▁the ▁ 5 0 0 ▁Great est ▁Songs ▁of ▁All ▁Time . ▁It ▁was ▁also ▁included ▁in ▁the ▁Rock ▁and ▁Roll ▁Hall ▁of ▁Fame ' s ▁" 5 0 0 ▁Songs ▁That ▁Sh aped ▁Rock ▁& ▁Roll ". ▁ ▁Person nel ▁ ▁David ▁C ros by ▁– ▁harm ony ▁vocals ▁Stephen ▁St ills ▁– ▁lead ▁and ▁harm ony ▁vocals , ▁electric ▁and ▁ac oust ic ▁gu it ars , ▁bass , ▁per cussion ▁Graham ▁Nash ▁– ▁harm ony ▁vocals ▁Dallas ▁Taylor ▁- ▁drums ▁and ▁per cussion ▁ ▁Ch arts ▁ ▁References ▁ ▁Category : 1 9 6 9 ▁singles ▁Category : C ros by , ▁St ills , ▁Nash ▁& ▁Young ▁songs ▁Category : S ongs ▁written ▁by ▁Stephen ▁St ills ▁Category : At l antic ▁Records ▁singles ▁Category : S uit es ▁( music ) ▁Category : 1 9 6 9 ▁songs <0x0A> |
</s> ▁T angu ing ui ▁( vari ously ▁T angu ing ui ▁Is let ▁and ▁histor ically ▁Is la ▁T angu ing ui ) ▁is ▁a ▁small , ▁un in hab ited ▁island ▁in ▁n ort he astern ▁I lo ilo , ▁Philippines . ▁It ▁is ▁a ▁minor ▁island ▁polit ically ▁admin ister ed ▁by ▁the ▁municipality ▁of ▁Car les ▁and ▁one ▁of ▁the ▁eastern most ▁islands ▁in ▁the ▁Is las ▁de ▁G ig antes ▁arch ip el ago . ▁There ▁is ▁a ▁l ighth ouse ▁on ▁the ▁island . ▁ ▁Location ▁and ▁ge ography ▁ ▁T angu ing ui ▁is ▁a ▁small ▁c ay ▁in ▁the ▁Vis ay an ▁Sea . ▁It ▁is ▁ ▁east ▁of ▁Pan ay ▁Island ▁and ▁almost ▁directly ▁north ▁of ▁B ant ay an ▁Island . ▁Fl at ▁and ▁sand y , ▁it ▁is ▁ ▁east - s out heast ▁of ▁G ig antes ▁Sur ▁and ▁is ▁part ▁of ▁the ▁Is las ▁de ▁G ig antes ▁island ▁group . ▁ ▁L ighth ouse ▁According ▁to ▁the ▁Far os ▁Españ oles ▁de ▁Ul tr amar , ▁T angu ing ui ▁was ▁one ▁of ▁the ▁ 2 7 ▁major ▁l ighth ouses ▁of ▁the ▁Philippines ▁during ▁the ▁Spanish ▁occupation ▁of ▁the ▁Philippines . ▁In ▁ 1 9 0 3 , ▁the ▁US ▁government ▁built ▁a ▁ ▁l ighth ouse ▁on ▁T angu ing ui . ▁The ▁current ▁l ighth ouse ▁is ▁a ▁black ▁steel ▁structure ▁ ▁high . ▁ ▁See ▁also ▁▁▁ ▁List ▁of ▁islands ▁in ▁the ▁Philippines ▁ ▁L |
ighth ouses ▁in ▁the ▁Philippines ▁ ▁References ▁▁ ▁Category : Is lands ▁of ▁I lo ilo ▁Category : Un in hab ited ▁islands ▁of ▁the ▁Philippines <0x0A> </s> ▁The ▁Ch âteau ▁P astr é , ▁formerly ▁known ▁as ▁the ▁Ch ate au ▁de ▁Mont red on , ▁is ▁a ▁nin ete enth - century ▁building ▁in ▁the ▁sub urb ▁of ▁Mont red on ▁to ▁the ▁south ▁of ▁Marse ille , ▁France . ▁Origin ally ▁the ▁property ▁of ▁a ▁wealth y ▁merchant ▁family , ▁as ▁of ▁ 2 0 1 2 ▁it ▁hous ed ▁the ▁Fa ï ence ▁pot tery ▁museum , ▁the ▁Musée ▁de ▁la ▁Fa ï ence ▁de ▁Marse ille . ▁The ▁grounds ▁of ▁the ▁ch ate au ▁are ▁a ▁public ▁park . ▁ ▁Foundation ▁Eug ène ▁P astr é ▁( 1 8 0 6 – 1 8 6 8 ) ▁and ▁his ▁wife ▁C é line ▁de ▁Be a ul inc ourt - Mar le ▁( 1 8 2 5 - 1 9 0 0 ) ▁belonged ▁to ▁a ▁wealth y ▁family ▁of ▁Marse ille ▁ship own ers ▁and ▁mer ch ants . ▁Between ▁ 1 8 3 6 ▁and ▁ 1 8 5 3 ▁the ▁P astr é ▁family ▁accum ulated ▁ ▁of ▁land ▁between ▁Po inte ▁Rou ge ▁and ▁the ▁G rot te ▁Rol land ▁in ▁the ▁south ▁of ▁Marse ille , ▁which ▁they ▁made ▁into ▁a ▁park . ▁ ▁The ▁natural ▁veget ation ▁would ▁have ▁been ▁scr ub , ▁Ale ppo ▁p ines , ▁o aks , ▁la |
ure l ▁and ▁juni per . ▁Before ▁the ▁Canal ▁de ▁Marse ille ▁was ▁constructed ▁to ▁this ▁point , ▁the ▁family ▁had ▁to ▁go ▁to ▁great ▁lengths ▁to ▁obtain ▁water , ▁with ▁which ▁they ▁ir rig ated ▁and ▁created ▁la wn s ▁in ▁the ▁lower ▁levels ▁ ▁with ▁gard ens ▁of ▁v ines , ▁c ere als ▁and ▁orch ards ▁of ▁al mond s , ▁fig s ▁and ▁apr ic ot . ▁The ▁P astr és ▁had ▁three ▁large ▁houses ▁built ▁in ▁the ▁park ▁between ▁ 1 8 4 5 ▁and ▁ 1 8 6 5 : ▁the ▁Ch âteau ▁E str ang in , ▁Ch âteau ▁P astr é ▁and ▁Ch âteau ▁S ander val . ▁ ▁Building ▁The ▁Paris ian ▁architect ▁Jean - Char les ▁Dan jo y ▁designed ▁the ▁Ch âteau ▁P astr é , ▁the ▁largest ▁of ▁the ▁buildings , ▁completed ▁in ▁ 1 8 6 2 . ▁The ▁three - story ▁building ▁was ▁designed ▁to ▁meet ▁the ▁needs ▁of ▁its ▁own ers ▁for ▁a ▁place ▁where ▁they ▁could ▁hold ▁entertain ments ▁for ▁many ▁people . ▁The ▁Nouvelle ▁Rev ue ▁in ▁its ▁g oss ip ▁section ▁Chron ique ▁de ▁L ' É l ég ance ▁in ▁ 1 8 8 4 ▁described ▁a ▁play ▁being ▁presented ▁at ▁the ▁home ▁of ▁M me ▁Past re . ▁ ▁The ▁ch ate au ▁is ▁located ▁between ▁the ▁hills ▁of ▁Marse ille vey re ▁and ▁the ▁Mediter rane an ▁Sea , ▁with ▁large ▁windows ▁looking ▁out ▁over ▁the ▁park . ▁The ▁exterior ▁design ▁is |
▁elegant ▁and ▁warm . ▁Jean ▁Dan jo y ▁chose ▁to ▁design ▁a ▁re inter pret ation ▁of ▁a ▁building ▁from ▁the ▁Louis ▁XIII ▁period . ▁In ▁the ▁fac ade ▁he ▁bl ended ▁br icks ▁from ▁Marse ille ▁with ▁bl onde ▁stone ▁from ▁Ar les . ▁These ▁meet ▁in ▁rh yth mic ▁curves ▁and ▁counter - cur ves . ▁ ▁Past ▁residents ▁ ▁Eug ène ▁and ▁C é line ' s ▁son ▁An ge ▁André ▁P astr é ▁( 1 8 5 6 - 1 9 2 6 ) ▁was ▁made ▁a ▁Roman ▁Count . ▁He ▁married ▁Cla ire ▁Gold sch midt ▁around ▁ 1 8 8 5 , ▁and ▁they ▁had ▁four ▁children : ▁Od ette , ▁D iane ▁( 1 8 8 8 - 1 9 7 1 ), ▁Jean ▁André ▁and ▁Louis . ▁Jean ▁P astr é ▁was ▁born ▁on ▁ 2 ▁December ▁ 1 8 8 8 ▁in ▁Marse ille , ▁and ▁inherited ▁the ▁title ▁of ▁" Count ". ▁In ▁ 1 9 1 8 ▁he ▁married ▁Louise ▁( L ily ) ▁Double . ▁The ▁couple ▁had ▁three ▁children . ▁Jean ▁P astr é ▁played ▁on ▁France ' s ▁pol o ▁team ▁in ▁the ▁ 1 9 2 4 ▁Summer ▁Olympic ▁games . ▁He ▁died ▁in ▁Paris ▁on ▁ 2 9 ▁June ▁ 1 9 6 0 ▁at ▁the ▁age ▁of ▁ 7 1 . ▁Their ▁daughter ▁Nad ia ▁P astr é ▁helped ▁in ▁the ▁escape ▁lines ▁for ▁Al lied ▁prisoners ▁during ▁World ▁War ▁II . ▁ ▁Count ess ▁L |
ily ▁P astr é ▁was ▁born ▁Louise ▁Double ▁de ▁Saint ▁Lam bert ▁in ▁ 1 8 9 1 . ▁Her ▁mother ▁V éra ▁Mag nan ▁was ▁partly ▁Russian , ▁and ▁was ▁grand d augh ter ▁of ▁Bernard ▁Pierre ▁Mag nan , ▁a ▁Marsh al ▁of ▁France . ▁Her ▁father ▁was ▁Paul ▁Double ▁( 1 8 6 8 - 1 9 3 5 ), ▁son ▁of ▁Lé on ▁Double ▁and ▁Marie ▁Pr at ▁( 1 8 4 9 - 1 9 3 9 ). ▁Marie ▁Pr at ▁was ▁the ▁daughter ▁of ▁Claud ius ▁Pr at ▁( 1 8 1 4 - 1 8 5 9 ), ▁the ▁co - found er ▁of ▁No illy ▁Pr at . ▁Count ess ▁L ily ▁Past re ▁inherited ▁the ▁No illy ▁Pr at ▁verm outh ▁fortune . ▁After ▁Count ess ▁L ily ▁and ▁Jean ▁P astr é ▁divor ced ▁in ▁ 1 9 4 0 , ▁she ▁continued ▁to ▁live ▁at ▁the ▁Ch ate au ▁de ▁Mont red on . ▁She ▁turned ▁it ▁into ▁a ▁refuge ▁for ▁artists ▁fle eing ▁the ▁Naz i ▁regime ▁in ▁occupied ▁France , ▁of ▁whom ▁many ▁were ▁Jewish . ▁ ▁L ily ▁P astr é ▁remained ▁on ▁good ▁terms ▁with ▁the ▁authorities , ▁and ▁invited ▁them ▁to ▁concert s ▁that ▁she ▁arranged ▁at ▁the ▁ch ate au . ▁At ▁the ▁same ▁time , ▁she ▁was ▁shelter ing ▁Jewish ▁compos ers ▁and ▁mus icians , ▁of ▁whom ▁perhaps ▁forty ▁stayed ▁at ▁the ▁ch ate au ▁at ▁different ▁times . ▁▁ ▁Nor bert ▁Gl anz |
berg , ▁who ▁played ▁piano ▁for ▁Éd ith ▁Pia f , ▁was ▁hidden ▁at ▁the ▁ch ate au ▁at ▁the ▁singer ' s ▁request . ▁The ▁Spanish ▁cell ist ▁Pablo ▁Cas als ▁and ▁the ▁American ▁ent ert ainer ▁Joseph ine ▁Baker ▁both ▁stayed ▁at ▁the ▁ch ate au ▁for ▁a ▁while , ▁ ▁as ▁did ▁the ▁pian ist ▁Clara ▁H ask il . ▁ ▁On ▁ 2 7 ▁July ▁ 1 9 4 2 ▁Past re ▁arranged ▁for ▁a ▁performance ▁of ▁A ▁Mid sum mer ▁Night ' s ▁Dream ▁at ▁the ▁ch ate au . ▁A ▁young ▁Christian ▁D ior ▁made ▁the ▁cost umes ▁from ▁the ▁dra per ies ▁of ▁the ▁ch ate au . ▁The ▁Or ch è stre ▁National ▁de ▁la ▁Rad iod iff usion ▁Fran çaise , ▁conducted ▁by ▁Manuel ▁Ros ent hal , ▁provided ▁music . ▁The ▁Germ ans ▁occupied ▁part ▁of ▁the ▁ch ate au ▁when ▁they ▁took ▁over ▁the ▁south ▁of ▁France . ▁They ▁arrested ▁and ▁killed ▁some ▁of ▁the ▁guests ▁found ▁at ▁the ▁ch ate au . ▁▁ ▁After ▁the ▁war , ▁Count ess ▁L ily ▁contributed ▁to ▁the ▁foundation ▁of ▁the ▁A ix - en - Pro v ence ▁Festival ▁of ▁music ▁and ▁arts . ▁She ▁died ▁in ▁ 1 9 7 4 , ▁having ▁spent ▁her ▁entire ▁fortune ▁helping ▁others , ▁much ▁of ▁it ▁during ▁the ▁war . ▁ ▁Rec ent ▁years ▁ ▁Between ▁ 1 9 6 6 ▁and ▁ 1 9 8 7 , ▁the ▁city ▁of ▁Marse ille ▁bought ▁almost ▁all |
▁of ▁the ▁property , ▁including ▁the ▁Ch âteau ▁P astr é , ▁Ch âteau ▁S ander val ▁and ▁the ▁bast ide ▁Cl ary . ▁It ▁had ▁the ▁Ch âteau ▁P astr é ▁carefully ▁restored . ▁Since ▁May ▁ 1 9 9 5 , ▁it ▁has ▁hous ed ▁the ▁Fa ï ence ▁Museum , ▁and ▁displays ▁more ▁than ▁ 1 , 5 0 0 ▁pieces ▁craft ed ▁during ▁a ▁period ▁sp anning ▁more ▁than ▁ 7 0 0 0 ▁years . ▁ ▁Marse ille ▁has ▁been ▁chosen ▁as ▁the ▁" Europe an ▁cultural ▁capital " ▁for ▁ 2 0 1 3 . ▁As ▁part ▁of ▁the ▁prepar ation ▁for ▁this , ▁the ▁government ▁plans ▁to ▁transfer ▁the ▁Fa ï ence ▁Museum ▁to ▁the ▁Ch âteau ▁Bor ély , ▁which ▁will ▁be ▁adapted ▁for ▁the ▁planned ▁Museum ▁of ▁Dec or ative ▁Arts ▁and ▁F ashion . ▁ ▁The ▁grounds ▁are ▁now ▁a ▁public ▁park ▁commonly ▁known ▁as ▁the ▁Camp agne ▁P astr é . ▁Of ▁this , ▁ ▁are ▁formally ▁laid ▁out ▁with ▁la wn s , ▁woods ▁and ▁two ▁artificial ▁la kes , ▁while ▁ ▁have ▁more ▁natural ▁veget ation . ▁The ▁central ▁a venue ▁from ▁the ▁entrance ▁to ▁the ▁ch ate au ▁is ▁over ▁ ▁long . ▁A part ▁from ▁the ▁la kes , ▁the ▁park ▁includes ▁play ground s , ▁canal ▁areas ▁and ▁h ik ing ▁tra ils . ▁The ▁gard ens ▁are ▁decor ated ▁with ▁stat ues . ▁From ▁a ▁ste ep ▁hill , ▁visitors ▁have ▁views ▁of ▁Marse ille . |
▁The ▁entire ▁for ested ▁area ▁of ▁the ▁park ▁is ▁part ▁of ▁the ▁Cal an ques ▁World ▁Heritage ▁Site . ▁ ▁References ▁Notes ▁ ▁Cit ations ▁ ▁S ources ▁▁▁▁ ▁Past re ▁Category : M useum s ▁in ▁Marse ille ▁Category : H ouses ▁completed ▁in ▁ 1 8 6 2 ▁Category : 1 8 6 2 ▁establish ments ▁in ▁France <0x0A> </s> ▁K oth and aram as w ami ▁Temple ▁is ▁a ▁H indu ▁temple ▁located ▁at ▁N and amb ak k am , ▁a ▁sub urb ▁of ▁Chen na i , ▁India . ▁D edic ated ▁to ▁R ama , ▁the ▁spot ▁is ▁associated ▁with ▁the ▁legend ary ▁s age ▁B hr igu . ▁ ▁History ▁▁ ▁The ▁temple ▁was ▁constructed ▁by ▁V ij ay an ag ara ▁Empire . ▁The ▁k ings , ▁initially , ▁built ▁shr ines ▁for ▁R ama , ▁Lak sh mana ▁and ▁S ita . ▁Later ▁shr ines ▁were ▁built ▁for ▁S rin iv asa , ▁Al w ars , ▁Han uman , ▁etc .' ▁ ▁References ▁▁▁▁▁ ▁Category : H indu ▁tem ples ▁in ▁Chen na i ▁Category : R ama ▁tem ples <0x0A> </s> ▁But ch ▁and ▁Sund ance : ▁The ▁Early ▁Days ▁is ▁a ▁ 1 9 7 9 ▁Western ▁film ▁and ▁pre quel ▁of ▁sorts ▁to ▁the ▁ 1 9 6 9 ▁film ▁But ch ▁Cass id y ▁and ▁the ▁Sund ance ▁Kid . ▁It ▁stars ▁Tom ▁Ber enger ▁as ▁But ch ▁Cass id y ▁and ▁William ▁K att ▁as ▁the ▁Sund ance |
▁Kid . ▁ ▁It ▁was ▁directed ▁by ▁Richard ▁L ester ▁and ▁written ▁by ▁All an ▁Burn s . ▁It ▁generally ▁received ▁mixed ▁reviews ▁but ▁was ▁nominated ▁for ▁an ▁Oscar ▁for ▁Best ▁Cost ume ▁Design . ▁ ▁Plot ▁ ▁In ▁Wy oming , ▁w ann abe ▁out law ▁But ch ▁Cass id y ▁joins ▁forces ▁with ▁sh ar ps ho oter ▁Harry ▁Long ab augh ▁( who ▁ren ames ▁himself ▁the ▁Sund ance ▁Kid ) ▁and ▁they ▁carry ▁out ▁a ▁series ▁of ▁rob ber ies . ▁However , ▁But ch ▁is ▁st alk ed ▁by ▁a ▁member ▁of ▁his ▁former ▁gang , ▁O . C . ▁H anks , ▁who ▁bel ieves ▁he ▁bet rayed ▁the ▁gang . ▁The ▁two ▁spend ▁the ▁winter ▁in ▁Tell ur ide ▁until ▁they ▁hear ▁O . C . ▁is ▁in ▁town , ▁then ▁r ush ▁away ▁to ▁deliver ▁di ph ther ia ▁ser um ▁to ▁snow bound ▁far ms ▁and ▁become ▁hero es . ▁O . C . ▁amb ush es ▁them ▁and ▁w ounds ▁Sund ance ▁by ▁mistake . ▁He ▁re co vers ▁in ▁But ch ' s ▁home , ▁t ended ▁by ▁But ch ' s ▁wife ▁Mary ▁and ▁their ▁two ▁sons , ▁who ▁don ' t ▁know ▁their ▁father ' s ▁real ▁job ▁( he ▁takes ▁up ▁but ch ery ▁to ▁ear n ▁money ). ▁O . C . ▁turns ▁up ▁for ▁a ▁show down ▁and ▁Sund ance ▁un int ention ally ▁k ills ▁him . ▁Return ing ▁to ▁crime , ▁the ▁pair ▁rob ▁a |
▁bank ▁and ▁then ▁decide ▁to ▁rob ▁a ▁money ▁train ▁guard ed ▁by ▁caval ry , ▁not ▁knowing ▁But ch ▁has ▁been ▁promised ▁an ▁am n esty ▁if ▁he ▁gives ▁up ▁crime . ▁They ▁get ▁the ▁money , ▁free ▁the ▁caval ry ▁horses ▁to ▁prevent ▁purs uit , ▁and ▁ride ▁away ▁dream ing ▁of ▁being ▁famous ▁out la ws . ▁ ▁Cast ▁ ▁Tom ▁Ber enger ▁as ▁But ch ▁Cass id y ▁/ ▁Robert ▁L ero y ▁Parker ▁William ▁K att ▁as ▁the ▁Sund ance ▁Kid ▁/ ▁Harry ▁Al on zo ▁Long ab augh ▁Jeff ▁Core y ▁as ▁Sher iff ▁Ray ▁B led so e ▁John ▁Sch uck ▁as ▁Kid ▁Cur ry ▁/ ▁Har vey ▁Log an ▁Michael ▁C . ▁G w yn ne ▁as ▁Mike ▁Cass id y ▁Peter ▁W eller ▁as ▁Joe ▁Le ▁F ors ▁Brian ▁Den ne hy ▁as ▁O . C . ▁H anks ▁Christopher ▁Lloyd ▁as ▁Bill ▁Tod ▁Car ver ▁J ill ▁E iken berry ▁as ▁Mary ▁Parker ▁Jo el ▁Fl u ellen ▁as ▁Jack ▁Regin a ▁B aff ▁as ▁Ruby ▁Peter ▁Bro cco ▁as ▁Old ▁Rob ber ▁Vincent ▁Sch ia vel li ▁as ▁Guard ▁Hugh ▁Gill in ▁as ▁C yrus ▁Anto on ▁Sh err il ▁Lyn n ▁R ett ino ▁as ▁An nie ▁ ▁E ly a ▁B ask in ▁as ▁Book - keeper ▁ ▁Production ▁All an ▁Burn s ▁worked ▁on ▁the ▁script ▁with ▁William ▁Gold man , ▁who ▁was ▁on ▁board ▁as ▁executive ▁producer ; ▁Gold man ▁added ▁some ▁scenes ▁and ▁moments ▁he ▁wanted ▁to ▁introduce |
▁in ▁the ▁first ▁movie ▁but ▁the ▁bulk ▁of ▁the ▁script ▁was ▁Burn s '. ▁ ▁William ▁K att ▁had ▁recently ▁made ▁First ▁Love ▁and ▁was ▁being ▁called ▁" a ▁young ▁Robert ▁Red ford " ▁so ▁ended ▁up ▁being ▁cast ▁as ▁Sund ance . ▁Tom ▁Ber enger ▁was ▁cast ▁after ▁the ▁studio ▁were ▁im pressed ▁by ▁his ▁performance ▁in ▁Looking ▁for ▁Mr ▁Good bar . ▁ ▁Jeff ▁Core y , ▁port ray ing ▁Sher iff ▁B led so e , ▁was ▁the ▁only ▁actor ▁to ▁repr ise ▁his ▁role ▁from ▁the ▁original ▁ 1 9 6 9 ▁film . ▁▁ ▁Director ▁Richard ▁L ester ▁stated ▁he ▁had ▁never ▁seen ▁the ▁first ▁movie . ▁ ▁Re ception ▁ ▁Crit ical ▁response ▁Roger ▁E bert ▁gave ▁the ▁film ▁ 2 . 5 ▁stars ▁out ▁of ▁ 4 ▁and ▁said ▁it ▁was ▁" techn ically ▁fine ▁... ▁But ▁as ▁we ▁listen ▁to ▁the ▁fre ew heel ing ▁dialog , ▁as ▁we ▁watch ▁young ▁But ch ▁and ▁the ▁Kid ▁bl under ▁through ▁their ▁first ▁advent ures ▁and ▁fin esse ▁their ▁later ▁ones , ▁there ' s ▁a ▁nag ging ▁question ▁b oun cing ▁about ▁in ▁the ▁back s ▁of ▁our ▁heads : ▁Why ▁are ▁we ▁in ▁this ▁the ater ▁at ▁this ▁time ? ▁Did ▁we ▁want ▁to ▁know ▁about ▁the ▁early ▁days ? ▁Now ▁that ▁we ' re ▁here , ▁does ▁the ▁movie ▁make ▁us ▁care ? ▁Not ▁really ." ▁Gene ▁S isk el ▁of ▁the ▁Chicago ▁Trib une ▁also ▁gave ▁it ▁ 2 . 5 ▁stars , |
▁writing ▁that ▁" F ox ▁succeeded ▁in ▁getting ▁the ▁actors ▁but ▁failed ▁to ▁provide ▁them ▁with ▁a ▁really ▁fine ▁script . ▁Which ▁is ▁not ▁to ▁say ▁that ▁' But ch ▁and ▁Sund ance : ▁The ▁Early ▁Days ' ▁is ▁a ▁bad ▁picture . ▁On ▁the ▁contrary , ▁it ' s ▁pleasant ▁enough , ▁but ▁that ' s ▁about ▁all ." ▁Vincent ▁Can by ▁of ▁The ▁New ▁York ▁Times ▁called ▁the ▁film ▁" so ▁lif eless ▁it ' s ▁almost ▁cre ep y ▁... ▁You ▁can ' t ▁believe ▁that ▁Mr . ▁L ester ▁was ▁in ▁the ▁same ▁continent ▁when ▁it ▁was ▁made ." ▁Of ▁the ▁two ▁leads ▁Can by ▁said , ▁" There ' s ▁nothing ▁remark ably ▁wrong ▁about ▁their ▁performances ▁but , ▁for ▁one ▁reason ▁or ▁another , ▁there ' s ▁absolutely ▁no ▁rapport ▁between ▁them ." ▁▁ ▁Vari ety ▁wrote , ▁" Tom ▁Ber enger ▁and ▁William ▁K att ▁acqu it ▁themselves ▁ad mi rab ly , ▁but ▁simply ▁can ' t ▁comp ete ▁with ▁the ▁g hosts ▁of ▁two ▁super st ars ▁... ▁There ▁are ▁some ▁pat ented ▁L ester ▁hij inks ▁in ▁the ▁first ▁half - hour ▁of ▁the ▁pre quel , ▁but ▁these ▁p eter ▁out ▁surprising ly ▁soon . ▁What ' s ▁left ▁is ▁a ▁m ish m ash ▁of ▁effective ▁st unt work ▁and ▁visual s , ▁and ▁a ▁story ▁line ▁that ▁m ose ys ▁along ▁with ▁little ▁susp ense ▁or ▁excitement ." ▁▁ ▁Kevin ▁Thomas ▁of ▁the ▁Los ▁Angeles ▁Times ▁called ▁the ▁film ▁" |
ple asant ▁though ▁slight ." ▁Gary ▁Arnold ▁of ▁The ▁Washington ▁Post ▁declared ▁it ▁" the ▁first ▁attract ive ▁Western ▁to ▁m ose y ▁across ▁the ▁screen ▁in ▁several ▁years . ▁Not ▁a ▁great ▁or ▁even ▁r ous ing ▁Western , ▁but ▁at ▁least ▁a ▁pleasant , ▁warm ly ▁ev oc ative ▁one , ▁beautiful ly ▁visual ized ▁and ▁incident ally ▁enjoy able ▁for ▁its ▁settings , ▁texture , ▁d roll ▁tone ▁and ▁sometimes ▁am using ▁inter play ▁of ▁characters ." ▁ ▁The ▁film ▁reported ly ▁lost ▁$ 4 ▁million . ▁" It ▁was ▁a ▁terrible ▁movie ," ▁said ▁a ▁retired ▁Fox ▁executive . ▁" It ▁was ▁a ▁par ody ▁of ▁a ▁sat ire ▁and ▁it ▁was ▁fil med ▁by ▁talent less ▁people . ▁Natur ally ▁it ▁bom bed .... ▁It ▁takes ▁a ▁lot ▁of ▁money ▁to ▁produce ▁a ▁western . ▁It ▁has ▁to ▁be ▁shot ▁on ▁location . ▁You ▁need ▁horses , ▁a ▁period ▁town , ▁cost umes ▁and ▁other ▁par aph ernal ia ▁that ▁a ▁contemporary ▁film ▁such ▁as ▁' K ram er ▁vs . ▁K ram er ' ▁doesn ' t ▁require . ▁That ' s ▁why ▁stud ios ▁are ▁rel uct ant ▁to ▁fin ance ▁them ." ▁ ▁Release ▁ ▁A ▁DVD ▁of ▁the ▁film ▁was ▁released ▁by ▁An chor ▁Bay ▁Entertainment ▁in ▁February ▁ 2 0 0 5 . ▁However , ▁An chor ▁Bay ▁has ▁since ▁lost ▁distribution ▁rights ▁to ▁the ▁film ▁and ▁the ▁DVD ▁was ▁forced ▁to ▁go ▁out ▁of ▁print . ▁ ▁Sh out ! ▁Factory ▁acquired |
▁the ▁rights ▁to ▁the ▁film ▁and ▁released ▁it ▁on ▁DVD ▁as ▁a ▁double ▁b illing ▁with ▁Death ▁H unt ▁on ▁February ▁ 1 , ▁ 2 0 1 1 . ▁ ▁It ▁is ▁currently ▁available ▁on ▁B L U - RAY ▁through ▁Tim eless ▁Media ▁Group . ▁ ▁References ▁ ▁External ▁links ▁ ▁Category : 1 9 7 9 ▁films ▁Category : 1 9 7 0 s ▁sequ el ▁films ▁Category : 1 9 7 0 s ▁Western ▁( gen re ) ▁films ▁Category : 2 0 th ▁Century ▁Fox ▁films ▁Category : American ▁films ▁Category : American ▁bud dy ▁films ▁Category : American ▁sequ el ▁films ▁Category : American ▁Western ▁( gen re ) ▁films ▁Category : English - language ▁films ▁Category : Fil ms ▁scored ▁by ▁Patrick ▁Williams ▁Category : Fil ms ▁directed ▁by ▁Richard ▁L ester ▁Category : 1 9 7 0 s ▁action ▁films ▁Category : C ult ural ▁dep ict ions ▁of ▁But ch ▁Cass id y ▁and ▁the ▁Sund ance ▁Kid ▁Category : 1 9 7 0 s ▁pre quel ▁films ▁Category : Re vision ist ▁Western <0x0A> </s> ▁José ▁Gal vez ▁District ▁is ▁one ▁of ▁twelve ▁districts ▁of ▁the ▁province ▁Cel end ín ▁in ▁Peru . ▁ ▁References <0x0A> </s> ▁The ▁River ▁L une ▁is ▁a ▁river ▁in ▁County ▁Dur ham , ▁England . ▁ ▁The ▁L une ▁r ises ▁close ▁to ▁L une ▁Head ▁Farm ▁at ▁the ▁confl u ence ▁of ▁L une ▁Head ▁Beck ▁( cons ider ed ▁by ▁some ▁the ▁upper ▁part ▁of |
▁the ▁L une ) ▁and ▁Cle ve ▁Beck . ▁L une ▁Head ▁Beck ▁itself ▁is ▁formed ▁by ▁the ▁meeting ▁of ▁Con ny pot ▁Beck ▁and ▁Go al ▁Si ke , ▁flow ing ▁east ward ▁from ▁C umb ria . ▁ ▁The ▁river ▁flows ▁east ward ▁through ▁L un ed ale ▁to ▁Sel set ▁Res er voir , ▁after ▁which ▁it ▁turns ▁north ▁east ▁and ▁fe eds ▁Gr ass hol me ▁Res er voir , ▁before ▁continu ing ▁to ▁join ▁the ▁River ▁Te es ▁at ▁M ick leton . ▁ ▁S ett lement s ▁( from ▁source ) ▁ ▁Gra ins ▁o ' ▁th ' ▁Beck ▁ ▁Th ring arth ▁ ▁Bow bank ▁ ▁M ick leton ▁ ▁Trib ut aries ▁( from ▁source ) ▁ ▁Cle ve ▁Beck ▁ ▁Ray back ▁Si ke ▁ ▁L une ▁Head ▁Beck ▁ ▁Con ny pot ▁Beck ▁ ▁Go al ▁Si ke ▁ ▁Long ▁Gra in ▁ ▁Ren ny g ill ▁Si ke ▁ ▁Dow hill ▁Si ke ▁ ▁G row ▁Si ke ▁ ▁Soul g ill ▁Beck ▁ ▁Row ant ree ▁Beck ▁ ▁H arg ill ▁Beck ▁ ▁References ▁ ▁L une <0x0A> </s> ▁S éb ast ien ▁Sch ull er ▁( born ▁ 2 6 ▁August ▁ 1 9 7 0 ) ▁is ▁a ▁French ▁singer , ▁song writer ▁and ▁film ▁score ▁composer ▁living ▁in ▁Philadelphia . ▁His ▁film ▁scores ▁include ▁To i ▁et ▁Mo i ▁, ▁Notre ▁univers ▁imp ito y able , ▁Un ▁J our ▁d ' É té , ▁One ▁O ▁One |
▁and ▁High ▁Society . ▁ ▁Disc ography ▁▁▁ 1 9 9 9 : ▁Londres ▁( EP , ▁Warner ▁Music ▁France ) ▁▁ 2 0 0 2 : ▁We eping ▁Will ow ▁( EP , ▁E MI ▁Music ▁France / Cap it ol ▁Records ) ▁▁ 2 0 0 5 : ▁H app iness ▁( LP , ▁Catalogue ▁Records / W agram ▁Music ) ▁▁ 2 0 0 5 : ▁Harm ony ▁( EP , ▁Catalogue ▁Records / W agram ▁Music ) ▁▁ 2 0 0 9 : ▁Even fall ▁( LP , ▁P I AS ▁France ) ▁▁ 2 0 1 4 : ▁He at ▁W ave ▁( LP , ▁self - produ ced ) ▁ ▁External ▁links ▁▁▁▁▁▁▁▁▁ ▁Category : English - language ▁sing ers ▁from ▁France ▁Category : F rench ▁film ▁score ▁compos ers ▁Category : M ale ▁film ▁score ▁compos ers ▁Category : F rench ▁male ▁sing ers ▁Category : F rench ▁singer - song writ ers ▁Category : Pe ople ▁from ▁Y vel ines ▁Category : L iving ▁people ▁Category : 1 9 7 0 ▁birth s ▁Category : 2 1 st - century ▁French ▁sing ers ▁Category : 2 1 st - century ▁male ▁sing ers <0x0A> </s> ▁Made ir an ▁land ▁sn ail ▁is ▁a ▁common ▁name ▁which ▁has ▁been ▁given ▁to ▁several ▁different ▁species ▁of ▁terrest rial ▁g ast rop ods , ▁air - bre ath ing ▁land ▁sn ails : ▁▁ ▁Case ol us ▁calculus ▁ ▁Ge om it ra ▁mon iz iana ▁ ▁Le |
i ost y la ▁abbre vi ata , ▁ext inct ▁ ▁Le i ost y la ▁c ass ida ▁ ▁Le i ost y la ▁cor ne oc ost ata ▁ ▁Le i ost y la ▁g ib ba , ▁ext inct ▁ ▁Category : An imal ▁common ▁name ▁dis ambiguation ▁pages <0x0A> </s> ▁Santiago ▁García ▁may ▁refer ▁to : ▁ ▁Santiago ▁García ▁( fen cer ) ▁( 1 8 9 9 – ? ), ▁Spanish ▁fen cer ▁ ▁Santiago ▁García ▁( Ar gent ine ▁footballer ) ▁( born ▁ 1 9 8 8 ), ▁Argent ine ▁footballer ▁currently ▁playing ▁with ▁Deport ivo ▁Tol uca ▁ ▁Santiago ▁García ▁( U ruguay an ▁footballer ) ▁( born ▁ 1 9 9 0 ), ▁Uruguay an ▁footballer ▁currently ▁playing ▁with ▁God oy ▁Cruz <0x0A> </s> ▁Events ▁in ▁the ▁year ▁ 1 8 8 0 ▁in ▁India . ▁ ▁Inc umb ents ▁ ▁Em press ▁of ▁India ▁– ▁Queen ▁Victoria ▁ ▁Vic ero y ▁of ▁India ▁– ▁Robert ▁Bul wer - L y tt on , ▁ 1 st ▁Earl ▁of ▁Ly tt on ▁ ▁Vic ero y ▁of ▁India ▁– ▁George ▁Robinson , ▁ 1 st ▁Mar qu ess ▁of ▁R ip on ▁( from ▁ 8 ▁June ) ▁ ▁Events ▁▁ 1 8 ▁September ▁– ▁ 1 5 1 ▁people ▁were ▁buried ▁in ▁a ▁lands lip ▁at ▁N ain i ▁Tal ▁following ▁ ▁of ▁rain ▁in ▁ 6 8 ▁hours . ▁ ▁B irth s ▁▁ 1 6 ▁March ▁– ▁Raj she k har |
▁Bas u , ▁writer , ▁chem ist ▁and ▁lex ic ograph er ▁( d ied ▁ 2 7 ▁April ▁ 1 9 6 0 ). ▁▁ 3 1 ▁July ▁– ▁Mun sh i ▁Prem ch and , ▁for em ost ▁W riter ▁in ▁H indu - U r du ▁Liter ature ▁and ▁Indian ▁Fre edom ▁f ighter ▁( d ied ▁ 8 ▁October ▁ 1 9 3 6 ). ▁ ▁Death s ▁ ▁References ▁▁▁ ▁India ▁Category : Year s ▁of ▁the ▁ 1 9 th ▁century ▁in ▁India <0x0A> </s> ▁In ▁cent rif ug ation ▁the ▁clear ing ▁factor ▁or ▁k ▁factor ▁represents ▁the ▁relative ▁pel let ing ▁efficiency ▁of ▁a ▁given ▁cent rif uge ▁rot or ▁at ▁maximum ▁rotation ▁speed . ▁It ▁can ▁be ▁used ▁to ▁estimate ▁the ▁time ▁ ▁( in ▁hours ) ▁required ▁for ▁sed iment ation ▁of ▁a ▁fraction ▁with ▁a ▁known ▁sed iment ation ▁coefficient ▁ ▁( in ▁s ved berg s ): ▁▁▁▁ ▁The ▁value ▁of ▁the ▁clear ing ▁factor ▁depends ▁on ▁the ▁maximum ▁angular ▁velocity ▁ ▁of ▁a ▁cent rif uge ▁( in ▁rad / s ) ▁and ▁the ▁minimum ▁and ▁maximum ▁radius ▁ ▁of ▁the ▁rot or : ▁▁▁▁ ▁As ▁the ▁rot ational ▁speed ▁of ▁a ▁cent rif uge ▁is ▁usually ▁specified ▁in ▁R PM , ▁the ▁following ▁formula ▁is ▁often ▁used ▁for ▁convenience : ▁▁▁▁ ▁Cent rif uge ▁manufact ur ers ▁usually ▁specify ▁the ▁minimum , ▁maximum ▁and ▁average ▁radius ▁of ▁a ▁rot or , ▁as ▁well ▁as ▁the ▁ ▁factor ▁of ▁a |
▁cent rif uge - rot or ▁combination . ▁ ▁For ▁runs ▁with ▁a ▁rot ational ▁speed ▁lower ▁than ▁the ▁maximum ▁rot or - speed , ▁the ▁ ▁factor ▁has ▁to ▁be ▁adjust ed : ▁▁▁ 2 ▁▁ ▁The ▁K - factor ▁is ▁related ▁to ▁the ▁sed iment ation ▁coefficient ▁ ▁by ▁the ▁formula : ▁ ▁Where ▁ ▁is ▁the ▁time ▁to ▁pel let ▁a ▁certain ▁particle ▁in ▁hours . ▁Since ▁ ▁is ▁a ▁constant ▁for ▁a ▁certain ▁particle , ▁this ▁relationship ▁can ▁be ▁used ▁to ▁inter convert ▁between ▁different ▁rot ors . ▁ ▁Where ▁ ▁is ▁the ▁time ▁to ▁pel let ▁in ▁one ▁rot or , ▁and ▁ ▁is ▁the ▁K - factor ▁of ▁that ▁rot or . ▁ ▁is ▁the ▁K - factor ▁of ▁the ▁other ▁rot or , ▁and ▁, ▁the ▁time ▁to ▁pel let ▁in ▁the ▁other ▁rot or , ▁can ▁be ▁calculated . ▁In ▁this ▁manner , ▁one ▁does ▁not ▁need ▁access ▁to ▁the ▁exact ▁rot or ▁c ited ▁in ▁a ▁protocol , ▁as ▁long ▁as ▁the ▁K - factor ▁can ▁be ▁calculated . ▁Many ▁online ▁calcul ators ▁are ▁available ▁to ▁perform ▁the ▁calculations ▁for ▁common ▁rot ors . ▁ ▁References ▁ ▁External ▁links ▁ ▁Beck man ▁C oul ter ▁lab ▁resources ▁and ▁manual s ▁ ▁Append ix ▁F ▁of ▁the ▁Cell ▁Bi ology ▁Labor atory ▁Man ual ▁ ▁Category : L abor atory ▁techniques ▁Category : Unit ▁operations <0x0A> </s> ▁K lip fish ▁is ▁any ▁of ▁various ▁species ▁of ▁fish ▁of ▁the ▁family ▁C lin idae ▁from ▁South |
▁Africa : ▁ ▁Ag ile ▁k lip fish ▁C lin us ▁ag ilis ▁ ▁Bar bel led ▁k lip fish ▁Cir r hib ar bis ▁cap ensis ▁ ▁Be arded ▁k lip fish ▁Pav oc lin us ▁ment alis ▁ ▁Blues p otted ▁k lip fish ▁Pav oc lin us ▁ca er ule op unct atus ▁ ▁Bl unt n ose ▁k lip fish ▁C lin us ▁c otto ides ▁ ▁Bot ▁River ▁k lip fish ▁C lin us ▁sp at ul atus ▁ ▁Bull ▁k lip fish ▁C lin us ▁t aur us ▁ ▁Cape ▁k lip fish ▁C lin us ▁bre vic rist atus ▁ ▁Chinese ▁k lip fish ▁C lin us ▁n emat opter us ▁ ▁Deep - ree f ▁k lip fish ▁Pav oc lin us ▁s ma lei ▁ ▁Deep water ▁k lip fish ▁Pav oc lin us ▁prof und us ▁ ▁False ▁Bay ▁k lip fish ▁C lin us ▁lat ip ennis ▁ ▁Fle et ▁K lip fish ▁Cl im ac op orus ▁nav alis ▁ ▁Gr ass ▁k lip fish ▁Pav oc lin us ▁gr amin is ▁ ▁Helen ' s ▁k lip fish ▁C lin us ▁hel ena e ▁ ▁High fin ▁K lip fish ▁C lin us ▁super cil ios us ▁ ▁Kel p ▁k lip fish ▁C lin us ▁rot und if rons ▁ ▁L ace ▁k lip fish ▁B len ni oc lin us ▁bra chy ce phal us ▁ ▁Lad der ▁k lip fish ▁C lin op orus ▁b ip or |
os us ▁ ▁Le af y ▁k lip fish ▁Smith ich th ys ▁f uc orum ▁ ▁Le pr ous ▁plat anna - k lip fish ▁X en op oc lin us ▁le pro s us ▁ ▁Mouse y ▁k lip fish ▁Fu com im us ▁mus ▁ ▁My a ' s ▁k lip fish ▁Pav oc lin us ▁my ae ▁ ▁N os est ri pe ▁k lip fish ▁M ura en oc lin us ▁d ors alis ▁ ▁Old man ▁k lip fish ▁C lin us ▁wood i ▁ ▁Pe ac ock ▁k lip fish ▁Pav oc lin us ▁pav o ▁ ▁Plat anna ▁k lip fish ▁X en op oc lin us ▁k och i ▁ ▁R ipp led ▁k lip fish ▁Pav oc lin us ▁la urent ii ▁ ▁Rob ust ▁k lip fish ▁C lin us ▁robust us ▁ ▁Sad ▁k lip fish ▁C lin us ▁ac umin atus ▁ ▁Silver b ubble ▁k lip fish ▁B len ni oc lin us ▁st ella ▁ ▁Sl ender ▁plat anna - k lip fish ▁Can cel lo x us ▁bur rel li ▁ ▁S link y ▁k lip fish ▁Pav oc lin us ▁l itor af ont is ▁ ▁S nak y ▁k lip fish ▁Bl enn oph is ▁an gu ill aris ▁ ▁Spe ck led ▁k lip fish ▁C lin us ▁ven ust ris ▁ ▁St rip ed ▁k lip fish ▁Bl enn oph is ▁stri atus ▁ ▁Super ▁k lip fish ▁C lin us ▁super cil |
ios us ▁ ▁West co ast ▁k lip fish ▁C lin us ▁heter odon ▁ ▁White bl ot ched ▁k lip fish ▁Can cel lo x us ▁el ong atus <0x0A> </s> ▁Live ▁She pp erton ▁ 1 9 8 0 ▁is ▁a ▁ 1 9 8 2 ▁album ▁by ▁The ▁Dam ned . ▁The ▁first ▁live ▁album ▁from ▁the ▁band . ▁ ▁Background ▁ ▁This ▁recording ▁was ▁made ▁live ▁at ▁a ▁special ▁gig ▁played ▁for ▁the ▁members ▁of ▁The ▁Dam ned ▁F an ▁Club ▁at ▁She pp erton , ▁England ▁in ▁ 1 9 8 0 . ▁ ▁Six ▁of ▁the ▁tracks ▁were ▁originally ▁released ▁as ▁side ▁ 4 ▁of ▁The ▁Black ▁Album ▁in ▁the ▁UK . ▁( Th ose ▁tracks ▁are ▁Side ▁One : ▁ 1 - 3 ▁and ▁Side ▁Two : ▁ 2 - 4 .) ▁ ▁Track ▁listing ▁ ▁All ▁songs ▁written ▁by ▁Rat ▁Sc ab ies , ▁Captain ▁S ens ible , ▁Dave ▁Van ian ▁and ▁Al gy ▁Ward , ▁except ▁where ▁noted . ▁ ▁Side ▁One ▁" L ove ▁Song " ▁- ▁ 2 : 1 0 ▁" Second ▁Time ▁Ar ound ▁( Machine ▁Gun ▁E ti qu ette )" ▁( R at ▁Sc ab ies , ▁Captain ▁S ens ible , ▁Dave ▁Van ian , ▁Al gy ▁Ward , ▁Giovanni ▁D ad omo ) ▁- ▁ 1 : 4 1 ▁" I ▁Just ▁Can ’ t ▁Be ▁Happy ▁Today " ▁- ▁ 3 : 5 5 ▁" M el ody ▁Lee " ▁- ▁ 2 : |
0 6 ▁" Help !" ▁( L enn on / Mc Cart ney ) ▁- ▁ 1 : 3 0 ▁" Ne at ▁Ne at ▁Ne at " ▁( B rian ▁James ) ▁- ▁ 4 : 3 7 ▁ ▁Side ▁Two ▁" Look ing ▁At ▁You " ▁( Michael ▁Davis , ▁Wayne ▁K ram er , ▁Fred ▁" S onic " ▁Smith , ▁Dennis ▁Thompson , ▁Rob ▁T yn er ) ▁- ▁ 5 : 4 6 ▁" Sm ash ▁It ▁Up ▁( P arts ▁ 1 ▁And ▁ 2 )" ▁- ▁ 4 : 2 2 ▁" New ▁Rose " ▁( B rian ▁James ) ▁- ▁ 1 : 4 8 ▁" Plan ▁ 9 ▁Channel ▁ 7 " ▁- ▁ 4 : 4 7 ▁ ▁Person nel ▁ ▁The ▁Dam ned ▁Dave ▁Van ian ▁- ▁lead ▁vocals , ▁key boards ▁Captain ▁S ens ible ▁- ▁guitar , ▁backing ▁vocals ▁Paul ▁Gray ▁- ▁bass ▁Rat ▁Sc ab ies ▁- ▁drums ▁ ▁Category : The ▁Dam ned ▁( band ) ▁live ▁albums ▁Category : 1 9 8 0 ▁live ▁albums <0x0A> </s> ▁Al unda ▁Church ▁() ▁is ▁a ▁Luther an ▁church ▁at ▁ ▁Al unda ▁in ▁Ö st ham mar ▁Municip ality , ▁U pp s ala ▁County , ▁Sweden . ▁The ▁church ▁is ▁associated ▁with ▁ ▁the ▁Arch di oc ese ▁of ▁U pp s ala ▁of ▁the ▁Church ▁of ▁Sweden . ▁ ▁History ▁and ▁architecture ▁The ▁oldest ▁part ▁of ▁the ▁church ▁date ▁from ▁the ▁ 1 3 th ▁century , |
▁and ▁the ▁church ▁was ▁expanded ▁to ▁its ▁present ▁size ▁during ▁the ▁ 1 5 th ▁century . ▁During ▁this ▁time ▁the ▁church ▁also ▁received ▁internal ▁brick ▁v ault . ▁The ▁church ▁has ▁been ▁rav aged ▁by ▁fire ▁in ▁ 1 5 4 2 , ▁ 1 7 1 5 ▁and ▁ 1 8 5 9 . ▁Ren ov ations ▁have ▁been ▁carried ▁out ▁in ▁ 1 8 9 8 - 1 8 9 9 ▁and ▁ ▁in ▁ 1 9 3 7 ▁under ▁the ▁direction ▁of ▁architect ▁Ä r land ▁N ore en ▁( 1 8 8 8 - 1 9 7 0 ). ▁ ▁Among ▁the ▁furn ish ings , ▁an ▁alt arp ie ce ▁from ▁ 1 8 6 2 ▁was ▁painted ▁by ▁the ▁artist ▁Johan ▁Zach arias ▁Black stad ius ▁( 1 8 1 6 - 1 8 9 8 ) ▁with ▁a ▁framework ▁car ved ▁by ▁sculpt or ▁Fred rik ▁S med berg . ▁The ▁bapt ism al ▁font ▁is ▁from ▁the ▁ 1 5 th ▁century . ▁The ▁pul pit ▁was ▁car ved ▁in ▁ 1 7 9 6 ▁by ▁Johan ▁West berg ▁( 1 7 3 2 - 1 8 1 1 ). ▁▁▁ ▁The ▁con greg ation ▁is ▁co oper ating ▁with ▁a ▁con greg ation ▁in ▁Mar ij amp ol ė , ▁Lith u ania . ▁ ▁References ▁ ▁External ▁links ▁Official ▁site ▁( in ▁Swedish ) ▁ ▁Category : 1 3 th - century ▁Church ▁of ▁Sweden ▁church ▁buildings ▁Category : Ch urch es |
▁in ▁U pp s ala ▁County ▁Category : Ch urch es ▁in ▁the ▁Dioc ese ▁of ▁U pp s ala ▁Category : Ch urch es ▁converted ▁from ▁the ▁Roman ▁Catholic ▁Church ▁to ▁the ▁Church ▁of ▁Sweden <0x0A> </s> ▁Dan ▁D . ▁Hall ▁( born ▁April ▁ 1 6 , ▁ 1 9 5 2 ) ▁is ▁a ▁Minnesota ▁politician ▁and ▁member ▁of ▁the ▁Minnesota ▁Senate . ▁A ▁member ▁of ▁the ▁Republican ▁Party ▁of ▁Minnesota , ▁he ▁represents ▁District ▁ 5 6 , ▁which ▁includes ▁port ions ▁of ▁the ▁cities ▁of ▁Burn sv ille , ▁Sav age ▁and ▁Lake ville ▁in ▁Dak ota ▁and ▁Scott ▁count ies ▁in ▁the ▁southern ▁T win ▁C ities ▁metropol itan ▁area . ▁ ▁Early ▁life , ▁education , ▁and ▁career ▁Hall ▁was ▁born ▁and ▁raised ▁in ▁Min ne apolis . ▁He ▁graduated ▁from ▁Ro ose vel t ▁High ▁School ▁in ▁Min ne apolis , ▁then ▁went ▁on ▁to ▁A ugs burg ▁College , ▁also ▁in ▁Min ne apolis , ▁where ▁he ▁major ed ▁in ▁health ▁and ▁physical ▁education , ▁and ▁where ▁he ▁was ▁a ▁hockey ▁All - American . ▁ ▁He ▁is ▁vice ▁president ▁of ▁Business ▁Rel ations ▁with ▁J U X ▁Law ▁F irm ▁and ▁the ▁former ▁CE O ▁of ▁Mid west ▁Chap la ins , ▁a ▁former ▁director ▁of ▁the ▁Min ne apolis ▁Y M CA , ▁and ▁a ▁former ▁Christian ▁school ▁principal . ▁ ▁Minnesota ▁Senate ▁Hall ▁was ▁first ▁elected ▁in ▁ 2 0 1 0 ▁and ▁was ▁re - elect ed ▁in ▁ 2 |
0 1 2 . ▁His ▁special ▁legisl ative ▁concerns ▁include ▁jobs , ▁tax es , ▁the ▁budget , ▁and ▁education . ▁In ▁ 2 0 1 4 , ▁Hall ▁opposed ▁the ▁Women ' s ▁Econom ic ▁Security ▁Act , ▁legisl ation ▁requiring ▁contract ors ▁to ▁pay ▁women ▁equally , ▁saying ▁" I ▁will ▁not ▁stand ▁here ▁and ▁vote ▁for ▁a ▁bill ▁that ▁prom otes ▁one ▁gender ▁over ▁another ." ▁ ▁Personal ▁life ▁Active ▁in ▁his ▁community , ▁Hall ▁is ▁a ▁volunte er ▁chap lain ▁for ▁the ▁Burn sv ille ▁Police ▁and ▁Fire ▁depart ments , ▁a ▁youth ▁hockey , ▁s occer , ▁vol ley ball ▁and ▁soft ball ▁coach , ▁an ▁Open ▁Ar ms ▁food ▁sh elf ▁volunte er ▁coordin ator , ▁a ▁youth ▁hockey ▁camp ▁volunte er , ▁and ▁a ▁Y M CA ▁Youth ▁in ▁Government ▁volunte er ▁ad visor . ▁He ▁was ▁also ▁a ▁chap lain ▁at ▁the ▁Minnesota ▁State ▁Capit ol ▁and ▁a ▁volunte er ▁chap lain ▁after ▁the ▁I - 3 5 W ▁bridge ▁collapse . ▁ ▁Crit ic ism ▁According ▁to ▁Hall , ▁Hall ▁has ▁attract ed ▁significant ▁criticism ▁in ▁regards ▁to ▁his ▁opposition ▁to ▁the ▁legal ization ▁of ▁gay ▁marriage ▁in ▁Minnesota , ▁saying ▁" I ▁can ' t ▁tell ▁you ▁how ▁many ▁letters ▁I ' ve ▁got ten ▁that ▁said , ▁' you ' re ▁a ▁big ot ,' ▁or ▁twe ets ▁' you ' re ▁a ▁big ot ▁because ▁you ▁disag ree ,' " ▁Hall ▁said . ▁" Re ally ? ▁Re ally ? ▁I |
' m ▁trying ▁to ▁be ▁a ▁nice ▁gu y ▁but ▁I ▁have ▁a ▁different ▁opinion . ▁So ▁now ▁you ' re ▁label ing ▁me , ▁name - call ing ▁me ." ▁ ▁Comment s ▁on ▁education ▁In ▁April ▁ 2 0 1 1 , ▁Hall ▁critic ized ▁government - m and ated ▁integration ▁and ▁seg reg ation , ▁saying ▁" I ▁watched ▁Min ne apolis ▁get ▁destroyed , ▁so ▁I ▁not ▁only ▁didn ’ t ▁want ▁my ▁k ids ▁in ▁the ▁school ▁system . ▁I ▁took ▁them ▁out ▁of ▁Min ne apolis ▁because ▁they ▁ru ined ▁our ▁neighborhood s ▁with ▁integration ▁and ▁seg reg ation ." ▁Hall ' s ▁statements ▁were ▁made ▁in ▁an ▁effort ▁to ▁reduce ▁schools ' ▁emphas is ▁on ▁race ▁and ▁increase ▁their ▁emphas is ▁on ▁liter acy ▁for ▁students ▁of ▁all ▁background s . ▁" I ▁am ▁a ▁product ▁of ▁the ▁Min ne apolis ▁school ▁system ," ▁he ▁explained , ▁" comple ting ▁all ▁of ▁my ▁years , ▁all ▁the ▁different ▁schools . ▁I ▁graduated ▁with ▁a ▁ 6 th ▁grade ▁reading ▁ability . ▁I ▁strugg led ▁my ▁whole ▁life . ▁We ▁need ▁to ▁teach ▁k ids ▁how ▁to ▁read " ▁Hall ▁agre es ▁with ▁the ▁Minnesota ' s ▁Office ▁of ▁the ▁Legisl ative ▁Aud itor ' s ▁report ▁which ▁found ▁that ▁the ▁Integr ation ▁Re venue ▁fund ing ▁formula ▁has ▁some ▁un int ended ▁and ▁potentially ▁negative ▁consequences . ▁ ▁References ▁ ▁External ▁links ▁ ▁Senator ▁Dan ▁Hall ▁official ▁Minnesota ▁Senate ▁website ▁Project ▁V ote ▁Sm art ▁– |
▁Senator ▁Dan ▁Hall ▁Profile ▁Senator ▁Dan ▁Hall ▁official ▁campaign ▁website ▁ ▁Category : 1 9 5 2 ▁birth s ▁Category : L iving ▁people ▁Category : Pe ople ▁from ▁Burn sv ille , ▁Minnesota ▁Category : A ugs burg ▁University ▁al umn i ▁Category : M inn esota ▁state ▁sen ators ▁Category : M inn esota ▁Republic ans ▁Category : 2 1 st - century ▁American ▁polit icians <0x0A> </s> ▁Ich ab od ▁and ▁Me ▁is ▁an ▁American ▁sit com ▁series ▁set ▁in ▁a ▁small ▁New ▁England ▁town ▁and ▁st arring ▁Robert ▁Ster ling ▁and ▁George ▁Ch and ler . ▁It ▁a ired ▁on ▁CBS ▁from ▁September ▁ 2 6 , ▁ 1 9 6 1 ▁to ▁June ▁ 5 , ▁ 1 9 6 2 , ▁and ▁was ▁produced ▁by ▁Joe ▁Con nel ly ▁and ▁Bob ▁Mos her , ▁in ▁association ▁with ▁Jack ▁Ben ny ' s ▁" J a M co ▁Produ ctions ". ▁ ▁Cast ▁and ▁characters ▁ ▁The ▁story line ▁features ▁Ster ling ▁in ▁the ▁role ▁of ▁ 4 4 - year - old ▁Robert ▁" Bob " ▁Major , ▁a ▁wid ower ▁and ▁newspaper ▁rep orter ▁from ▁New ▁York ▁City ▁who ▁moves ▁to ▁the ▁fict ional ▁town ▁of ▁Ph ipp s bor o ▁to ▁purchase ▁and ▁edit ▁the ▁local ▁paper , ▁The ▁Bul letin . ▁Ch and ler ▁plays ▁the ▁ 6 3 - year - old ▁med d les ome ▁former ▁editor , ▁Ich ab od ▁Adams , ▁who ▁has ▁become ▁the ▁municipal ▁traffic ▁commission er ▁but |
▁keeps ▁an ▁eye ▁on ▁Ster ling ▁to ▁make ▁sure ▁that ▁the ▁newspaper ▁meets ▁specific ations . ▁At ▁the ▁time ▁of ▁his ▁" I ch ab od " ▁role , ▁Ch and ler ▁was ▁also ▁the ▁president ▁of ▁the ▁Screen ▁Act ors ▁Gu ild . ▁ ▁In ▁addition ▁to ▁the ▁two ▁main ▁leads , ▁the ▁cast ▁includes ▁R eta ▁Shaw ▁as ▁A unt ▁Lav in ia , ▁Bob ' s ▁house keeper ; ▁Christ ine ▁White ▁as ▁Ab ig ail ▁Adams , ▁Ich ab od ' s ▁daughter ▁and ▁Bob ' s ▁girl friend ; ▁Jimmy ▁Math ers , ▁the ▁younger ▁brother ▁of ▁Le ave ▁It ▁to ▁Be aver ''' s ▁Jerry ▁Math ers , ▁as ▁Ben j ie , ▁Bob ' s ▁six - year - old ▁son ; ▁Jimmy ▁Haw kins , ▁also ▁a ▁semi - regular ▁on ▁The ▁Don na ▁Re ed ▁Show ▁and ▁later ▁P ett ico at ▁J unction , ▁as ▁Jonathan ▁Bay lor ; ▁B urt ▁Must in , ▁G us ▁the ▁Fire man ▁on ▁Le ave ▁It ▁to ▁Be aver , ▁as ▁O la f ; ▁and ▁For rest ▁Lewis ▁as ▁Col by . ▁ ▁Epis odes ▁▁ ▁Over view ▁ ▁The ▁pilot , ▁titled ▁" Ad am ' s ▁App les ", ▁was ▁broadcast ▁on ▁April ▁ 2 4 , ▁ 1 9 6 0 ▁on ▁CBS ' s ▁General ▁Electric ▁Theater ▁with ▁Ron ald ▁Re agan . ▁The ▁episodes ▁shown ▁that ▁season ▁were ▁" I ch ab od ' s ▁Nie ce ", ▁" The |
▁Ph ipp s bor o ▁Story ", ▁" The ▁Old ▁St owe ▁Road " ▁( with ▁Mary ▁T reen ), ▁" I ch ab od ' s ▁Rom ance ", ▁" Bob ' s ▁House keeper ", ▁" A ▁Let ter ▁from ▁Jul iet ", ▁" Te en age ▁Journal ist ", ▁" P ark ing ▁Problem s ", ▁" Bob ' s ▁Red head " ▁( with ▁Mer ry ▁Anders ), ▁ ▁" E lection ▁F ever ", ▁" J on athan ' s ▁Rom ance ", ▁" The ▁Pur ple ▁Cow ", ▁and ▁" Big ▁Business ". ▁Not ably , ▁Rod ▁Ser ling ▁appears ▁as ▁Eug ene ▁Hol lin field ▁in ▁the ▁episode ▁" The ▁C ele br ity ", ▁which ▁was ▁shown ▁on ▁March ▁ 2 0 , ▁ 1 9 6 2 . ▁ ▁Summer ▁re bro ad cast s ▁continued ▁until ▁September ▁ 1 6 . ▁The ▁series ▁ran ▁at ▁ 9 : 3 0 ▁Eastern ▁on ▁T ues day ▁in ▁a ▁favor able ▁time ▁slot ▁sand wich ed ▁between ▁The ▁Red ▁Sk el ton ▁Show ▁and ▁The ▁Gar ry ▁Moore ▁Show , ▁both ▁in ▁the ▁Top ▁ 1 5 . ▁At ▁the ▁end ▁of ▁each ▁Sk el ton ▁broadcast , ▁George ▁Ch and ler ▁ur ged ▁view ers ▁to ▁stay ▁tun ed ▁to ▁Ich ab od ▁and ▁Me . ▁Yet ▁view ers ▁left ▁CBS ▁for ▁that ▁half - hour ▁in ▁dro ves , ▁as ▁Ich ab od ▁and ▁Me ▁failed ▁to ▁develop ▁a ▁loyal ▁audience . ▁The |
▁competition ▁for ▁Ich ab od ▁and ▁Me ▁was ▁not ▁considered ▁form id able . ▁It ▁consisted ▁of ▁the ▁second ▁half ▁of ▁the ▁Les lie ▁N iel sen ▁police ▁drama ▁The ▁New ▁Bre ed ▁on ▁ABC ▁( until ▁November ▁ 1 4 , ▁when ▁The ▁New ▁Bre ed ▁moved ▁to ▁ 8 : 3 0 ▁PM ▁and ▁Bert ▁Park s ' ▁game ▁show ▁Y ours ▁for ▁a ▁Song ▁began ▁air ing ▁at ▁ 9 : 3 0 ▁Eastern ), ▁and ▁the ▁second ▁half ▁of ▁The ▁Dick ▁Pow ell ▁Show , ▁an ▁anth ology ▁series ▁on ▁N BC . ▁Ich ab od ▁and ▁Me '' ▁was ▁co - sp ons ored ▁by ▁The ▁Qu aker ▁O ats ▁Company ▁and ▁P . ▁Lor ill ard ▁Tob acco ▁Company . ▁ ▁References ▁ ▁External ▁links ▁▁▁▁▁ ▁Category : 1 9 6 1 ▁American ▁television ▁series ▁deb uts ▁Category : 1 9 6 2 ▁American ▁television ▁series ▁end ings ▁Category : 1 9 6 0 s ▁American ▁television ▁series ▁Category : 1 9 6 0 s ▁American ▁sit com s ▁Category : 1 9 6 0 s ▁American ▁work place ▁comedy ▁television ▁series ▁Category : C BS ▁original ▁programming ▁Category : English - language ▁television ▁programs ▁Category : T ele vision ▁series ▁by ▁Universal ▁Television ▁Category : Black - and - white ▁American ▁television ▁programs ▁Category : T ele vision ▁series ▁about ▁journal ism ▁Category : T ele vision ▁shows ▁set ▁in ▁New ▁Ham pshire <0x0A> </s> ▁Salvador i ▁may ▁refer ▁to : ▁ ▁S urname ▁Salvador i |
▁( s urname ), ▁Italian ▁surname ▁ ▁Bird s ▁Salvador i ' s ▁ant w ren , ▁a ▁bird ▁species ▁Salvador i ' s ▁fig ▁par rot , ▁a ▁species ▁of ▁par rot ▁ ▁Salvador i ' s ▁night jar , ▁a ▁bird ▁species ▁Salvador i ' s ▁p he asant , ▁a ▁bird ▁species ▁Salvador i ' s ▁ser in , ▁a ▁bird ▁species ▁Salvador i ' s ▁te al , ▁a ▁bird ▁species ▁Salvador i ' s ▁we aver , ▁a ▁bird ▁species ▁ ▁Build ings ▁Pal azzo ▁Salvador i , ▁a ▁historic ▁building ▁in ▁Tr ento , ▁Italy <0x0A> </s> ▁The ▁ ▁is ▁a ▁collection ▁of ▁wind ▁tur b ines ▁located ▁on ▁the ▁pe aks ▁of ▁mountains ▁along ▁the ▁Sad am is aki ▁Pen ins ula , ▁in ▁the ▁town ▁of ▁I k ata , ▁E h ime ▁Pref ect ure , ▁Japan . ▁ ▁The ▁wind f arm ▁borders ▁the ▁Set o ▁Wind ▁Hill ▁Park . ▁ ▁The ▁installation ▁consists ▁of ▁ 1 1 ▁M its ub ishi ▁He avy ▁Indust ries ▁M WT - 1 0 0 0 s ▁with ▁a ▁name plate ▁capacity ▁of ▁ 1 0 0 0 ▁kW . ▁They ▁were ▁ere cted ▁starting ▁September ▁ 2 0 0 2 , ▁and ▁began ▁full ▁operation ▁in ▁October ▁ 2 0 0 3 . ▁ ▁See ▁also ▁ ▁N un ob iki ▁Pl ate au ▁Wind ▁Farm ▁A oy ama ▁Pl ate au ▁Wind ▁Farm ▁ ▁References ▁ ▁External ▁links ▁I k ata ' s ▁Wind |
▁Power ▁In iti ative ▁ ▁Set o ▁Wind ▁Hill ▁Park ▁web c ams ▁ ▁Category : W ind ▁far ms ▁in ▁Japan ▁Category : Build ings ▁and ▁structures ▁in ▁E h ime ▁Pref ect ure <0x0A> </s> ▁La ▁il ust re ▁f reg ona ▁( The ▁Ill ust ri ous ▁K itchen ▁Ma id ▁or ▁The ▁Ill ust ri ous ▁Sc ull ery - ma id ) ▁is ▁a ▁nov ella ▁by ▁Miguel ▁de ▁C erv antes , ▁published ▁in ▁the ▁collection ▁Nov el as ▁ej empl ares . ▁It ▁tells ▁the ▁story ▁of ▁two ▁wealth y ▁young ▁men ▁who ▁fall ▁in ▁love ▁with ▁a ▁kitchen ▁ma id ▁in ▁To led o . ▁The ▁story ▁contains ▁mistaken ▁ident ities , ▁ir onic ▁comments ▁and ▁genre ▁tra its ▁of ▁the ▁pic ares que ▁novel ▁and ▁past oral ▁rom ance . ▁ ▁It ▁was ▁the ▁basis ▁for ▁ ▁References ▁ ▁Category : 1 6 1 3 ▁short ▁stories ▁Category : Span ish ▁nov els ▁adapted ▁into ▁films ▁Category : Short ▁stories ▁by ▁Miguel ▁de ▁C erv antes <0x0A> </s> ▁Sold ier ▁Run ▁is ▁a ▁stream ▁in ▁the ▁U . S . ▁state ▁of ▁Pennsylvania . ▁It ▁is ▁a ▁trib ut ary ▁of ▁Sand y ▁L ick ▁Creek . ▁ ▁Sold ier ▁Run ▁took ▁its ▁name ▁from ▁nearby ▁Big ▁Sold ier ▁coal ▁mine . ▁ ▁See ▁also ▁List ▁of ▁rivers ▁of ▁Pennsylvania ▁ ▁References ▁ ▁Category : Land forms ▁of ▁Clear field ▁County , ▁Pennsylvania ▁Category : Land forms ▁of ▁Jefferson ▁County , ▁Pennsylvania ▁Category : |
R ivers ▁of ▁Pennsylvania <0x0A> </s> ▁John ▁Patrick ▁O ' Ne ill ▁( F ebru ary ▁ 6 , ▁ 1 9 5 2 Se ptember ▁ 1 1 , ▁ 2 0 0 1 ) ▁was ▁an ▁American ▁counter - ter ror ism ▁expert , ▁who ▁worked ▁as ▁a ▁special ▁agent ▁and ▁eventually ▁a ▁Special ▁Agent ▁in ▁Char ge ▁in ▁the ▁Federal ▁Bureau ▁of ▁Investig ation . ▁In ▁ 1 9 9 5 , ▁O ' Ne ill ▁began ▁to ▁intens ely ▁study ▁the ▁roots ▁of ▁the ▁ 1 9 9 3 ▁World ▁Trade ▁Center ▁bomb ing ▁after ▁he ▁assist ed ▁in ▁the ▁capture ▁of ▁Ram zi ▁You sef , ▁who ▁was ▁the ▁leader ▁of ▁that ▁plot . ▁ ▁He ▁subsequently ▁learned ▁of ▁al - Q a eda ▁and ▁Os ama ▁bin ▁L aden , ▁and ▁investig ated ▁the ▁ 1 9 9 6 ▁Kh obar ▁Tow ers ▁bomb ing ▁in ▁Sa udi ▁Arab ia ▁and ▁the ▁ 2 0 0 0 ▁USS ▁Cole ▁bomb ing ▁in ▁Y emen . ▁Part ly ▁due ▁to ▁personal ▁fr iction ▁he ▁had ▁within ▁the ▁F BI ▁and ▁federal ▁government , ▁O ' Ne ill ▁was ▁pushed ▁out ▁of ▁the ▁Bureau ▁in ▁ 2 0 0 1 . ▁He ▁became ▁the ▁head ▁of ▁security ▁at ▁the ▁World ▁Trade ▁Center , ▁where ▁he ▁died ▁at ▁age ▁ 4 9 ▁while ▁helping ▁to ▁ev acu ate ▁the ▁North ▁Tower ▁during ▁the ▁September ▁ 1 1 , ▁ 2 0 0 1 ▁attacks . ▁O ' Ne ill ▁has |
▁been ▁featured ▁in ▁a ▁number ▁of ▁document aries ▁and ▁books . ▁ ▁Early ▁life ▁O ' Ne ill ▁was ▁born ▁in ▁Atlantic ▁City , ▁New ▁Jersey ▁on ▁February ▁ 6 , ▁ 1 9 5 2 ▁and ▁desired ▁to ▁become ▁an ▁F BI ▁special ▁agent ▁from ▁an ▁early ▁age . ▁As ▁a ▁child , ▁his ▁favorite ▁television ▁show ▁was ▁The ▁F . B . I ., ▁a ▁crime ▁drama ▁based ▁around ▁true ▁cases ▁the ▁b ureau ▁had ▁handled . ▁In ▁ 1 9 7 1 , ▁after ▁gradu ating ▁from ▁Holy ▁Spirit ▁High ▁School , ▁he ▁en rolled ▁in ▁American ▁University ▁in ▁Washington , ▁D . C .. ▁While ▁there , ▁O ' Ne ill ▁also ▁started ▁working ▁at ▁the ▁F BI ' s ▁Washington ▁headquarters , ▁first ▁as ▁a ▁finger print ▁cl erk ▁and ▁later ▁as ▁a ▁tour ▁guide . ▁He ▁graduated ▁with ▁a ▁degree ▁in ▁administration ▁of ▁justice ▁from ▁American ▁University ▁in ▁ 1 9 7 4 ▁and ▁later ▁obtained ▁a ▁master ' s ▁degree ▁in ▁for ens ics ▁from ▁George ▁Washington ▁University . ▁ ▁Career ▁▁ 1 9 7 6 – 9 5 ▁The ▁F BI ▁h ired ▁O ' Ne ill ▁as ▁an ▁agent ▁in ▁ 1 9 7 6 . ▁Over ▁the ▁next ▁ 1 5 ▁years , ▁O ' Ne ill ▁worked ▁on ▁issues ▁such ▁as ▁white - col lar ▁crime , ▁organized ▁crime , ▁and ▁foreign ▁counter int elligence ▁while ▁based ▁at ▁the ▁Washington ▁b ureau . ▁In ▁ 1 9 9 1 , ▁he ▁received |
▁an ▁important ▁promotion ▁and ▁was ▁moved ▁to ▁the ▁F BI ' s ▁Chicago ▁field ▁office ▁where ▁he ▁was ▁assistant ▁special ▁agent ▁in ▁charge . ▁While ▁there , ▁he ▁established ▁the ▁F ug itive ▁Task ▁Force ▁in ▁an ▁effort ▁to ▁promote ▁inter - ag ency ▁co operation ▁and ▁enh ance ▁t ies ▁between ▁the ▁F BI ▁and ▁local ▁law ▁enfor cement . ▁In ▁ 1 9 9 4 , ▁O ' Ne ill ▁also ▁became ▁super visor ▁of ▁V AP CON , ▁a ▁task ▁force ▁investig ating ▁abort ion ▁clin ic ▁bomb ings . ▁▁ 1 9 9 5 – 9 9 ▁In ▁ 1 9 9 5 , ▁he ▁returned ▁to ▁the ▁F BI ' s ▁Washington , ▁D . C . ▁headquarters ▁and ▁became ▁chief ▁of ▁the ▁counter - ter ror ism ▁section . ▁On ▁his ▁first ▁day , ▁he ▁received ▁a ▁call ▁from ▁his ▁friend ▁Richard ▁Clar ke , ▁who ▁had ▁just ▁learned ▁that ▁Ram zi ▁You sef ▁had ▁been ▁located ▁in ▁Pakistan . ▁O ' Ne ill ▁worked ▁continu ously ▁over ▁the ▁next ▁few ▁days ▁to ▁gather ▁information ▁and ▁coordinate ▁the ▁successful ▁capture ▁and ▁extr ad ition ▁of ▁You sef . ▁In tr igu ed ▁by ▁the ▁case , ▁O ' Ne ill ▁continued ▁to ▁study ▁the ▁ 1 9 9 3 ▁bomb ing ▁You sef ▁had ▁master mind ed ▁and ▁other ▁information ▁about ▁Islam ic ▁milit ants . ▁He ▁was ▁directly ▁involved ▁in ▁the ▁investigation ▁into ▁the ▁June ▁ 1 9 9 6 ▁bomb ing ▁of ▁the ▁Kh obar |
▁Tow ers ▁in ▁Sa udi ▁Arab ia , ▁which ▁took ▁place ▁during ▁a ▁retre at ▁O ' Ne ill ▁had ▁organized ▁in ▁Quant ico ▁for ▁F BI ▁and ▁C IA ▁counter - ter ror ism ▁agents . ▁Fr ustr ated ▁by ▁the ▁level ▁of ▁co operation ▁from ▁the ▁Sa ud is , ▁O ' Ne ill ▁pur port edly ▁vent ed ▁to ▁F BI ▁Director ▁Louis ▁Free h , ▁saying ▁they ▁were ▁" b low ing ▁smoke ▁up ▁your ▁ass ," ▁although ▁Free h ▁later ▁denied ▁this , ▁claim ing ▁they ▁had ▁an ▁excellent ▁relationship . ▁ ▁In ▁ 1 9 9 6 ▁and ▁ 1 9 9 7 , ▁O ' Ne ill ▁continued ▁to ▁warn ▁of ▁growing ▁thre ats ▁of ▁terror ism , ▁saying ▁that ▁modern ▁groups ▁are ▁not ▁supported ▁by ▁govern ments ▁and ▁that ▁there ▁are ▁terror ist ▁cells ▁operating ▁within ▁the ▁United ▁States . ▁He ▁stated ▁that ▁veter ans ▁of ▁the ▁ins ur gency ▁by ▁Afghan ▁reb els ▁against ▁the ▁Soviet ▁Union ' s ▁invasion ▁had ▁become ▁a ▁major ▁threat . ▁In ▁January ▁ 1 9 9 7 , ▁he ▁moved ▁to ▁New ▁York ▁City ▁to ▁be ▁Special ▁Agent ▁in ▁Char ge ▁of ▁the ▁F BI ' s ▁National ▁Security ▁Division , ▁the ▁F BI ' s ▁" larg est ▁and ▁most ▁pr estig ious ▁field ▁office ". ▁ ▁By ▁ 1 9 9 8 , ▁O ' Ne ill ▁had ▁become ▁focused ▁on ▁Os ama ▁bin ▁L aden ▁and ▁created ▁an ▁al ▁Q a eda ▁des k ▁in |
▁his ▁division . ▁In ▁August ▁ 1 9 9 8 , ▁two ▁United ▁States ▁emb ass ies ▁were ▁bom bed ▁in ▁quick ▁succession ▁in ▁simultane ous ▁attacks ▁in ▁N airo bi , ▁Ken ya , ▁and ▁Dar ▁es ▁S ala am , ▁T anz ania . ▁O ' Ne ill ▁hoped ▁to ▁be ▁involved ▁in ▁the ▁investigation ▁because ▁he ▁had ▁gained ▁a ▁trem end ous ▁knowledge ▁of ▁Os ama ▁bin ▁L aden ' s ▁al - Q a eda ▁terror ist ▁network . ▁O ' Ne ill ▁persu aded ▁F BI ▁Director ▁Free h ▁to ▁let ▁his ▁office ▁handle ▁the ▁case , ▁and ▁pro sec utor ▁Mary ▁Jo ▁White ▁later ▁said , ▁" John ▁O ' Ne ill , ▁in ▁the ▁investigation ▁of ▁the ▁bomb ings ▁of ▁our ▁emb ass ies ▁in ▁East ▁Africa , ▁created ▁the ▁template ▁for ▁successful ▁investig ations ▁of ▁international ▁terror ism ▁around ▁the ▁world ." ▁ ▁When ▁his ▁friend ▁Chris ▁I sh am , ▁a ▁producer ▁for ▁ABC ▁News , ▁arranged ▁for ▁an ▁interview ▁between ▁bin ▁L aden ▁and ▁correspond ent ▁John ▁Miller , ▁I sh am ▁and ▁Miller ▁used ▁information ▁put ▁together ▁by ▁O ' Ne ill ▁to ▁form ulate ▁the ▁questions . ▁After ▁the ▁interview ▁a ired , ▁O ' Ne ill ▁pushed ▁I sh am ▁hard ▁to ▁release ▁an ▁un ed ited ▁version ▁so ▁he ▁could ▁carefully ▁dis sect ▁it . ▁ ▁O ' Ne ill ' s ▁rise ▁through ▁the ▁ranks ▁at ▁the ▁b ureau ▁began ▁to ▁slow ▁as ▁his ▁personal ▁style ▁ch af |
ed ▁others , ▁and ▁he ▁made ▁a ▁few ▁s lip - ups ▁by ▁losing ▁a ▁b ureau ▁cell ▁phone ▁and ▁Pal m P il ot , ▁impro per ly ▁borrow ing ▁a ▁car ▁from ▁a ▁safe ▁house , ▁and ▁losing ▁track ▁of ▁a ▁brief case ▁with ▁sensitive ▁documents ▁for ▁a ▁short ▁period . ▁▁ ▁He ▁was ▁a ▁Catholic , ▁married ▁with ▁two ▁children , ▁but ▁separated ▁from ▁his ▁wife ; ▁his ▁family ▁continued ▁to ▁live ▁in ▁Atlantic ▁City , ▁and ▁he ▁supported ▁them ▁finan cially ▁and ▁paid ▁the ▁mort g age ▁on ▁their ▁house . ▁According ▁to ▁Lawrence ▁Wright ▁( in ▁The ▁Lo oming ▁Tower ), ▁during ▁the ▁ 1 9 9 0 s ▁O ' Ne ill ▁was ▁involved ▁simultaneously ▁in ▁extr amar ital ▁relationships ▁with ▁three ▁named ▁women , ▁each ▁of ▁whom ▁he ▁had ▁told ▁either ▁that ▁he ▁was ▁not ▁married ▁or ▁that ▁he ▁was ▁divor ced , ▁and ▁that ▁he ▁planned ▁to ▁marry ▁her . ▁▁ ▁He ▁was ▁officially ▁repr im and ed ▁and ▁dock ed ▁ 1 5 ▁days ' ▁pay ▁in ▁summer ▁ 1 9 9 9 ▁over ▁the ▁incident ▁involving ▁the ▁safe ▁house , ▁because ▁he ▁had ▁allowed ▁his ▁girl friend ▁to ▁enter ▁it . ▁His ▁l ifest yle , ▁which ▁involved ▁frequently ▁giving ▁g ifts ▁to ▁his ▁girl fri ends ▁and ▁lav ish ▁exp end it ures ▁with ▁his ▁colle agues , ▁resulted ▁in ▁substantial ▁credit ▁card ▁deb ts ▁which ▁he ▁found ▁difficult ▁to ▁manage ▁on ▁his ▁sal ary , ▁and ▁consequ ently , ▁he ▁borrow |
ed ▁substantial ▁sums ▁from ▁wealth y ▁friends . ▁ ▁In ▁ 1 9 9 9 , ▁O ' Ne ill ▁sent ▁a ▁close ▁associate ▁named ▁Mark ▁Ross ini ▁to ▁work ▁in ▁the ▁C IA ' s ▁Bin ▁L aden ▁Issue ▁Station ▁in ▁Virginia . ▁O ' Ne ill ▁had ▁a ▁conflict ▁with ▁the ▁C IA ▁station ▁chief ▁Michael ▁Sche uer : ▁O ' Ne ill ▁wanted ▁Ross ini ▁to ▁stay ▁at ▁the ▁station ▁and ▁feed ▁him ▁information ▁about ▁what ▁the ▁C IA ▁was ▁doing , ▁while ▁Rich ▁B lee , ▁who ▁had ▁been ▁appointed ▁by ▁C IA ▁chief ▁George ▁Ten et ▁to ▁head ▁of ▁the ▁Bin ▁L aden ▁Issue ▁Station , ▁wanted ▁Ross ini ▁out ▁working ▁in ▁the ▁field . ▁▁ ▁Later , ▁when ▁the ▁C IA ▁Bin ▁L aden ▁station ▁learned ▁that ▁Bin ▁L aden ' s ▁associ ates ▁N aw af ▁al - H az mi ▁and ▁K hal id ▁al - M ih d har ▁were ▁head ed ▁to ▁the ▁US ▁with ▁vis as , ▁Ross ini ▁and ▁his ▁colle ague ▁Doug ▁Miller ▁attempted ▁to ▁alert ▁O ' Ne ill , ▁but ▁B lee ▁blocked ▁the ▁message . ▁Mih d har ▁and ▁Haz mi ▁became ▁two ▁of ▁the ▁hij ack ers ▁of ▁American ▁Airlines ▁Fl ight ▁ 7 7 ▁on ▁ 9 / 1 1 . ▁ ▁Following ▁the ▁December ▁ 1 9 9 9 ▁arrest ▁of ▁Ah med ▁Ress am , ▁O ' Ne ill ▁co - ordin ated ▁the ▁investigation ▁into ▁the ▁ 2 0 0 0 ▁mill |
en ni um ▁attack ▁plots , ▁described ▁by ▁Richard ▁Clar ke ▁as ▁" the ▁most ▁compreh ensive ▁investigation ▁ever ▁conducted ▁before ▁September ▁ 1 1 th ." ▁▁ 2 0 0 0 ▁After ▁being ▁passed ▁over ▁for ▁multiple ▁prom ot ions ▁( to ▁assistant ▁director ▁in ▁charge ▁of ▁national ▁security ▁in ▁ 1 9 9 9 ▁and ▁head ▁of ▁the ▁F BI ' s ▁New ▁York ▁office ▁in ▁early ▁ 2 0 0 0 ), ▁O ' Ne ill ▁was ▁pleased ▁to ▁be ▁assigned ▁as ▁commander ▁of ▁the ▁F BI ' s ▁investigation ▁into ▁the ▁USS ▁Cole ▁bomb ing ▁in ▁October ▁ 2 0 0 0 . ▁However , ▁upon ▁arriv ing ▁in ▁Y emen , ▁he ▁compla ined ▁about ▁in ade qu ate ▁security . ▁As ▁his ▁team ▁investig ated , ▁O ' Ne ill ▁came ▁into ▁conflict ▁with ▁Barbara ▁Bod ine , ▁the ▁U . S . ▁amb assador ▁to ▁Y emen . ▁The ▁two ▁had ▁widely ▁diver gent ▁views ▁on ▁how ▁to ▁handle ▁searches ▁of ▁Y em eni ▁property , ▁and ▁inter views ▁with ▁citizens ▁and ▁government ▁officials , ▁and ▁they ▁only ▁grew ▁further ▁apart ▁as ▁time ▁progress ed . ▁ ▁After ▁two ▁months ▁in ▁Y emen , ▁O ' Ne ill ▁returned ▁to ▁New ▁York . ▁He ▁hoped ▁to ▁go ▁back ▁to ▁Y emen ▁to ▁continue ▁the ▁investigation , ▁but ▁was ▁blocked ▁by ▁Bod ine ▁and ▁others ; ▁the ▁dispute ▁made ▁the ▁US ▁press . ▁Following ▁thre ats ▁against ▁the ▁remaining ▁F BI ▁investig ators , ▁F BI ▁Director |
▁Free h ▁with d rew ▁the ▁team , ▁on ▁O ' Ne ill ' s ▁recommendation , ▁in ▁June ▁ 2 0 0 1 . ▁ ▁Ret irement ▁ ▁In ▁early ▁ 2 0 0 1 , ▁Richard ▁A . ▁Clar ke , ▁the ▁National ▁Co ordin ator ▁for ▁Security , ▁In frastr ucture ▁Prote ction , ▁and ▁C ounter - ter ror ism ▁wanted ▁to ▁move ▁to ▁another ▁position ; ▁he ▁ins isted ▁O ' Ne ill ▁was ▁the ▁best ▁person ▁to ▁replace ▁him . ▁O ' Ne ill ▁proved ▁rel uct ant , ▁not ▁least ▁because ▁of ▁the ▁relatively ▁low ▁sal ary . ▁When ▁O ' Ne ill ▁heard ▁of ▁up coming ▁le aks ▁to ▁The ▁New ▁York ▁Times ▁about ▁the ▁May ▁ 2 0 0 0 ▁incident ▁in ▁which ▁his ▁brief case ▁had ▁been ▁st olen , ▁he ▁decided ▁to ▁ret ire ▁from ▁the ▁b ureau ▁and ▁take ▁a ▁higher - pay ing ▁job ▁in ▁the ▁private ▁sector , ▁as ▁chief ▁of ▁security ▁at ▁the ▁World ▁Trade ▁Center . ▁ ▁An ▁August ▁ 1 9 , ▁ 2 0 0 1 , ▁The ▁New ▁York ▁Times ▁report ▁by ▁James ▁R isen ▁and ▁David ▁John ston ▁suggested ▁that ▁O ' Ne ill ▁had ▁been ▁the ▁subject ▁of ▁an ▁" internal ▁investigation " ▁at ▁the ▁F BI ▁because ▁O ' Ne ill ▁was ▁responsible ▁for ▁losing ▁a ▁brief case ▁with ▁" high ly ▁class ified ▁information " ▁in ▁it , ▁including ▁among ▁other ▁things ▁" a ▁description ▁of ▁every ▁counter esp ion |
age ▁and ▁counter ter ror ism ▁program ▁in ▁New ▁York ." ▁The ▁brief case ▁was ▁recovered ▁shortly ▁after ▁its ▁disapp earance . ▁The ▁F BI ▁investigation ▁was ▁reported ▁to ▁have ▁concluded ▁that ▁the ▁brief case ▁had ▁been ▁sn atch ed ▁by ▁local ▁th ieves ▁involved ▁in ▁a ▁series ▁of ▁hotel ▁burg l aries ▁and ▁that ▁none ▁of ▁the ▁documents ▁had ▁been ▁removed ▁or ▁even ▁touched . ▁ ▁Several ▁people ▁came ▁to ▁O ' Ne ill ' s ▁defense , ▁suggesting ▁that ▁he ▁was ▁the ▁subject ▁of ▁a ▁" sm ear ▁campaign ". ▁One ▁of ▁O ' Ne ill ' s ▁associ ates ▁claimed ▁later ▁that ▁O ' Ne ill ▁believed ▁the ▁source ▁for ▁the ▁Times ▁story ▁was ▁F BI ▁official ▁Thomas ▁J . ▁Pick ard . ▁The ▁Times ▁reported ▁that ▁O ' Ne ill ▁was ▁expected ▁to ▁ret ire ▁in ▁late ▁August . ▁ ▁O ' Ne ill ▁has ▁been ▁described ▁as ▁having ▁a ▁close ▁working ▁relationship ▁with ▁Ali ▁Sou fan . ▁ ▁O ' Ne ill ▁started ▁his ▁new ▁job ▁at ▁the ▁World ▁Trade ▁Center ▁on ▁August ▁ 2 3 , ▁ 2 0 0 1 . ▁In ▁late ▁August , ▁he ▁talked ▁to ▁his ▁friend ▁Chris ▁I sh am ▁about ▁the ▁job . ▁J ok ingly , ▁I sh am ▁said , ▁" At ▁least ▁they ' re ▁not ▁going ▁to ▁bomb ▁it ▁again " ▁( a ▁reference ▁to ▁the ▁ 1 9 9 3 ▁World ▁Trade ▁Center ▁bomb ing ). ▁O ' Ne ill ▁replied , ▁" They ' ll |
▁probably ▁try ▁to ▁finish ▁the ▁job ." ▁ ▁Death ▁ ▁O ' Ne ill ▁was ▁killed ▁on ▁September ▁ 1 1 , ▁ 2 0 0 1 , ▁and ▁his ▁remains ▁were ▁recovered ▁from ▁the ▁World ▁Trade ▁Center ▁site ▁on ▁Friday , ▁September ▁ 2 1 , ▁ 2 0 0 1 . ▁According ▁to ▁e y ew it ness es , ▁O ' Ne ill ▁was ▁coordin ating ▁the ▁ev acu ation ▁efforts ▁on ▁one ▁of ▁the ▁top ▁flo ors ▁with ▁dis reg ard ▁to ▁the ▁threat ▁to ▁his ▁own ▁life ; ▁he ▁was ▁last ▁seen ▁on ▁the ▁ 4 9 th ▁floor ▁shortly ▁before ▁the ▁South ▁Tower ▁col lapsed . ▁ ▁He ▁is ▁buried ▁in ▁Holy ▁Cross ▁C emetery ▁in ▁M ays ▁Land ing , ▁New ▁Jersey . ▁At ▁the ▁National ▁ 9 / 1 1 ▁Memorial , ▁O ' Ne ill ▁is ▁mem orial ized ▁at ▁the ▁North ▁Pool , ▁on ▁P anel ▁N - 6 3 . ▁ ▁Media ▁There ▁is ▁extensive ▁coverage ▁of ▁O ' Ne ill ' s ▁anti - ter ror ist ▁work ▁at ▁the ▁F BI ▁and ▁ins ights ▁into ▁his ▁character ▁and ▁private ▁life ▁in ▁such ▁works ▁as : ▁ ▁Books ▁ ▁Television ▁ ▁The ▁Man ▁Who ▁K new ▁( 2 0 0 2 ), ▁a ▁Front line ▁document ary ▁about ▁O ' Ne ill ▁▁ ▁The ▁Path ▁to ▁ 9 / 1 1 ▁( 2 0 0 6 ), ▁a ▁two - part ▁ABC ▁television ▁mini - series ▁whose ▁protagon ist , ▁O |
' Ne ill , ▁is ▁port rayed ▁by ▁Har vey ▁Ke itel ▁The ▁Lo oming ▁Tower ▁( 2 0 1 8 ), ▁H ulu ' s ▁ 1 0 - ep is ode ▁television ▁min is eries ▁adaptation ▁of ▁Wright ' s ▁e pon ym ous ▁ 2 0 0 6 ▁book , ▁in ▁which ▁O ' Ne ill ▁is ▁port rayed ▁by ▁Jeff ▁Daniel s ▁ ▁See ▁also ▁Rick ▁Res cor la , ▁a ▁Vietnam ▁War ▁veter an ▁and ▁Morgan ▁Stanley ' s ▁W TC ▁head ▁of ▁security ▁who ▁died ▁in ▁the ▁attacks ▁on ▁ 9 / 1 1 ▁ ▁References ▁ ▁External ▁links ▁▁▁▁ ▁Front line : ▁The ▁Man ▁Who ▁K new ▁| ▁P BS ▁Front line ▁published ▁October ▁ 3 , ▁ 2 0 0 2 ▁ ▁Front line : ▁The ▁Man ▁Who ▁K new ▁trans cript ▁| ▁P BS ▁Front line ▁( c ) ▁ 2 0 0 2 ▁ ▁Front line : ▁Bush ' s ▁War : ▁video ▁tim eline ▁| ▁P BS ▁Front line ▁ 1 9 8 0 s – 2 0 0 7 ▁posted ▁March ▁ 2 4 , ▁ 2 0 0 8 ▁ ▁Pro be ▁of ▁USS ▁Cole ▁Bomb ing ▁Un ra vel s ▁Washington ▁Post ▁May ▁ 4 , ▁ 2 0 0 8 ▁▁▁▁▁ ▁Category : 1 9 5 2 ▁birth s ▁Category : American ▁terror ism ▁vict ims ▁Category : American ▁University ▁al umn i ▁Category : Counter - ins ur gency ▁the or ists ▁Category : Counter - ter |
ror ism ▁the or ists ▁Category : F eder al ▁Bureau ▁of ▁Investig ation ▁execut ives ▁Category : Ge orge ▁Washington ▁University ▁al umn i ▁Category : G uer r illa ▁war fare ▁the or ists ▁Category : Pol it ics ▁of ▁Y emen ▁Category : P s ych ological ▁war fare ▁the or ists ▁Category : T error ism ▁the or ists ▁Category : V ict ims ▁of ▁the ▁September ▁ 1 1 ▁attacks ▁Category : 2 0 0 1 ▁death s ▁Category : Pe ople ▁from ▁Atlantic ▁City , ▁New ▁Jersey ▁Category : T error ism ▁death s ▁in ▁New ▁York ▁( state ) ▁Category : H oly ▁Spirit ▁High ▁School ▁al umn i ▁Category : Pe ople ▁murder ed ▁in ▁New ▁York ▁( state ) <0x0A> </s> ▁Gre tt is ▁s aga ▁Á sm und ar son ar ▁() ▁( also ▁known ▁as ▁Gre tt la , ▁Gre tt ir ' s ▁S aga ▁or ▁The ▁S aga ▁of ▁Gre tt ir ▁the ▁Str ong ) ▁is ▁one ▁of ▁the ▁I cel and ers ' ▁sag as . ▁It ▁details ▁the ▁life ▁of ▁Gre tt ir ▁Á sm und ar son , ▁a ▁bel lic ose ▁I cel and ic ▁out law . ▁ ▁Over view ▁ ▁Gre tt ir ' s ▁s aga ▁is ▁considered ▁one ▁of ▁the ▁S agas ▁of ▁I cel and ers ▁( Í sl ending as ög ur ), ▁which ▁were ▁written ▁down ▁in ▁the ▁th ir teenth ▁and ▁four teenth ▁centuries ▁and ▁record ▁stories |
▁of ▁events ▁that ▁supposed ly ▁took ▁place ▁between ▁the ▁nin th ▁and ▁the ▁ele vent h ▁centuries ▁in ▁I cel and . ▁ ▁The ▁manuscript ▁of ▁Gre tt ir ' s ▁s aga ▁was ▁written ▁down ▁some ▁time ▁just ▁before ▁ 1 4 0 0 , ▁making ▁it ▁a ▁late ▁addition ▁to ▁the ▁tradition . ▁▁ ▁The ▁author ▁is ▁unknown ▁but ▁it ▁is ▁believed ▁that ▁his ▁story ▁may ▁have ▁been ▁based ▁on ▁a ▁previous ▁account ▁of ▁Gre tt ir ' s ▁life ▁written ▁by ▁St ur la ▁ Þ ór ð ar son . ▁Who ever ▁the ▁author ▁was , ▁the ▁author ▁shows ▁an ▁aw aren ess ▁of ▁the ▁S agas ▁of ▁I cel and ers ▁tradition ▁by ▁making ▁references ▁to ▁other ▁sag as ▁and ▁borrow ing ▁them es ▁from ▁the ▁larger ▁cultural ▁milieu ▁of ▁the ▁German ic ▁pe op les ▁that ▁appear ▁independently ▁in ▁other ▁texts ▁like ▁the ▁Old ▁English ▁Be ow ulf . ▁▁ ▁The ▁s aga ▁can ▁be ▁split ▁into ▁three ▁major ▁sections : ▁Chap ters ▁ 1 - 1 3 , ▁Chap ters ▁ 1 4 - 8 5 , ▁and ▁Chap ters ▁ 8 6 - 9 3 . ▁The ▁first ▁and ▁last ▁sections ▁of ▁the ▁s aga ▁focus ▁on ▁Gre tt ir ' s ▁family ▁rather ▁than ▁on ▁Gre tt ir . ▁ ▁Chap ters ▁ 1 - 1 3 ▁primarily ▁focus ▁on ▁how ▁Gre tt ir ’ s ▁v ik ing ▁great - grand father ▁On und ur ▁Tree - foot ▁escaped ▁Norway ▁to ▁sett le |
▁in ▁I cel and ▁after ▁fighting ▁in ▁the ▁Battle ▁of ▁Ha fr sf j ord ▁against ▁the ▁first ▁king ▁of ▁Norway ▁Har ald ▁Fair h air . ▁Chap ters ▁ 1 4 - 8 5 ▁primarily ▁focus ▁on ▁the ▁life , ▁condem n ation , ▁and ▁death ▁of ▁Gre tt ir . ▁Chap ters ▁ 8 6 - 9 3 ▁focus ▁on ▁Gre tt ir ’ s ▁half - bro ther ▁Thor stein ▁D rom und ’ s ▁journey ▁to ▁the ▁court ▁of ▁Constantin ople ▁to ▁take ▁reven ge ▁and , ▁incident ally , ▁find ▁court ly ▁love ▁before ▁sp ending ▁the ▁latter ▁portion ▁of ▁his ▁life ▁in ▁a ▁mon astic ▁cell ▁in ▁Rome . ▁▁▁ ▁Both ▁Gre tt ir ' s ▁v ik ing / ra ider ▁great - grand father ▁and ▁his ▁kn ight ly ▁half - bro ther ▁succeed ▁whereas ▁Gre tt ir ' s ▁quest ▁to ▁become ▁a ▁mon ster - sl ay ing ▁hero ▁of ▁old ▁results ▁in ▁him ▁becoming ▁an ▁out law . ▁Christian ity ▁became ▁more ▁common ▁in ▁I cel and ▁around ▁ 1 0 0 0 , ▁and ▁some ▁sch ol ars ▁believe ▁this ▁changing ▁mor ality ▁explains ▁why ▁Gre tt ir ' s ▁fate ▁is ▁different ▁than ▁his ▁pag an ▁great - grand father ' s ▁before ▁conversion ▁and ▁his ▁more ▁p ious , ▁christ ian ▁half - bro ther ' s ▁fate ▁after ▁conversion . ▁▁▁ ▁Origin ally , ▁the ▁ill - temper ed ▁Gre tt ir ▁experienced ▁some ▁success , ▁but ▁his |
▁life ▁takes ▁a ▁turn ▁for ▁the ▁worst ▁after ▁he ▁enc oun ters ▁the ▁dra u gr ▁G lam r ▁in ▁chapter ▁ 3 5 . ▁ ▁As ▁a ▁result ▁of ▁G lam r ' s ▁cur se , ▁Gre tt ir ▁becomes ▁dis astr ously ▁un l ucky , ▁only ▁grows ▁we aker / ne ver ▁stronger , ▁becomes ▁afraid ▁of ▁the ▁dark , ▁and ▁is ▁do omed ▁to ▁l onel iness , ▁becoming ▁an ▁out law , ▁and ▁an ▁early ▁death . ▁While ▁in ▁Norway ▁in ▁chapter ▁ 3 8 , ▁Gre tt ir ▁will ▁accident ally ▁kill ▁a ▁h ut ▁full ▁of ▁people ▁by ▁un int ention ally ▁light ing ▁it ▁on ▁fire . ▁In ▁chapter ▁ 4 6 , ▁the ▁Al thing ▁back ▁in ▁the ▁I cel and ic ▁Commonwealth ▁ ▁votes ▁that ▁Gre tt ir ▁is ▁an ▁out law ▁because ▁of ▁the ▁death s ▁this ▁fire ▁caused . ▁This ▁out law ▁status ▁forces ▁Gre tt ir ▁to ▁live ▁on ▁the ▁edge ▁of ▁society ▁and ▁opens ▁him ▁up ▁to ▁being ▁h unted ▁by ▁others . ▁He ▁is ▁repeatedly ▁bet rayed ▁by ▁other ▁out la ws ▁and , ▁after ▁living ▁ 1 9 ▁years ▁as ▁an ▁out law , ▁he ▁will ▁die ▁a ▁h unted ▁man ▁on ▁the ▁lon ely ▁island ▁of ▁D range y ▁in ▁chapter ▁ 8 2 . ▁In ▁chapter ▁ 7 7 , ▁it ▁is ▁stated ▁that ▁Gre tt ir ▁would ▁have ▁ceased ▁being ▁an ▁out law ▁after ▁ 2 0 ▁years . ▁ ▁Story ▁ ▁Chap |
ters ▁ 1 - 1 3 ▁ ▁Chap ters ▁ 1 - 1 3 ▁take ▁place ▁before ▁Gre tt ir ' s ▁birth ▁and ▁focus ▁on ▁his ▁father , ▁Á sm und ar , ▁his ▁grand father , ▁Thor gr im ▁Grey - head , ▁and ▁his ▁great - grand father ▁Ö n und ur . ▁Gre tt ir ' s ▁great - grand father ▁Ö n und ur ▁had ▁been ▁a ▁v ik ing / ra ider . ▁In ▁chapter ▁two , ▁Ö n und ur ▁lost ▁his ▁leg ▁below ▁the ▁kne e ▁and ▁became ▁Ö n und ur ▁Tree - foot , ▁while ▁fighting ▁from ▁a ▁ship ▁against ▁the ▁Norwegian ▁king ▁Har ald ▁Fair h air ▁at ▁the ▁Battle ▁of ▁Ha fr sf j ord . ▁King ▁Har ald ▁won ▁the ▁battle ▁and ▁un ited ▁Norway ▁into ▁one ▁kingdom . ▁In ▁chapter ▁ 3 , ▁those ▁who ▁fought ▁King ▁Har ald ▁fled ▁Norway ▁for ▁Britain ▁and ▁Ireland . ▁At ▁one ▁point , ▁Ö n und ur ▁Tree - leg ▁fought ▁a ▁battle ▁against ▁K jar val , ▁who ▁was ▁king ▁around ▁ ▁Dublin . ▁In ▁chapter ▁ 7 , ▁Ö n und ur ▁tree - foot ▁vis its ▁southern ▁Norway ▁to ▁assist ▁kin . ▁In ▁chapter ▁ 8 , ▁he ▁leaves ▁Norway ▁and ▁arriv es ▁in ▁I cel and ▁to ▁sett le ▁for ▁good ▁in ▁chapter ▁ 9 . ▁Ö n und ur ▁dies ▁and ▁is ▁buried ▁in ▁tum ulus ▁in ▁chapter ▁ 1 1 , ▁after ▁which ▁the ▁s aga |
' s ▁focus ▁sh ifts ▁to ▁his ▁son ▁Thor gr im ▁Grey - head ▁and ▁his ▁son ▁Á sm und ar ▁Grey - h air . ▁As mund ar ▁f athers ▁Thor stein ▁D rom und ▁while ▁visit ing ▁Norway ▁in ▁Chapter ▁ 1 3 ▁and ▁then ▁returns ▁to ▁I cel and . ▁ ▁Chap ters ▁ 1 4 - 8 5 ▁ ▁Gre tt ir ' s ▁life ▁is ▁told ▁from ▁beginning ▁to ▁end . ▁Chapter ▁ 1 4 ▁describes ▁Gre tt ir ' s ▁immediate ▁family . ▁Á sm und ar ▁Grey - h air ▁and ▁his ▁wife ▁As dis ▁have ▁two ▁boys : ▁( 1 ) ▁the ▁el dest ▁brother , ▁At li , ▁is ▁quiet ▁and ▁gentle , ▁and ▁( 2 ) ▁Gre tt ir , ▁is ▁reb elli ous , ▁bad - temper ed , ▁and ▁m isch iev ous . ▁He ▁is ▁described ▁as ▁red ▁ha ired , ▁somewhat ▁fre ck led , ▁and ▁broad ▁around ▁the ▁eyes . ▁They ▁also ▁have ▁two ▁daughters : ▁( 3 ) ▁Th ord is ▁and ▁( 4 ) ▁R ann ve ig . ▁In ▁this ▁chapter , ▁it ▁is ▁stated ▁the ▁Gre tt ir ' s ▁father ▁did ▁not ▁care ▁for ▁him ▁much ▁but ▁that ▁his ▁mother ▁loved ▁him ▁a ▁lot . ▁It ▁is ▁also ▁revealed ▁that ▁Gre tt ir ▁grew ▁strong ▁and ▁that ▁he ▁has ▁a ▁fond ness ▁for ▁poetry . ▁ ▁In ▁chapter ▁ 1 6 , ▁Gre tt ir ▁receives ▁his ▁first ▁sentence ▁for ▁out law ry |
. ▁While ▁still ▁very ▁young , ▁Gre tt ir ▁k ills ▁a ▁person ▁because ▁he ▁thinks ▁they ▁have ▁taken ▁his ▁food ▁bag . ▁Despite ▁attempts ▁to ▁pay ▁compens ation ▁to ▁the ▁family ▁similar ▁to ▁wer eg ild , ▁he ▁is ▁tempor arily ▁ban ished ▁from ▁I cel and ▁and ▁sent enced ▁to ▁less er - out law ry ▁for ▁three ▁years . ▁He ▁asks ▁his ▁father ▁for ▁a ▁sword ▁before ▁he ▁leaves , ▁which ▁his ▁father ▁ref uses , ▁but ▁his ▁mother ▁As dis ▁gives ▁him ▁family ▁he ir lo om ▁sword ▁from ▁her ▁family line ▁in ▁chapter ▁ 1 7 . ▁He ▁then ▁leaves ▁for ▁Norway ▁for ▁the ▁first ▁time . ▁ ▁In ▁chapter ▁ 1 8 , ▁Gre tt ir ▁f ights ▁his ▁first ▁creature , ▁an ▁und ead ▁man , ▁Kar , ▁guard ing ▁tre asure ▁in ▁his ▁own ▁fun eral ▁m ound / t um ulus . ▁Tre asures ▁and ▁weapons ▁are ▁taken ▁from ▁the ▁m ound ▁after ▁Gre tt ir ' s ▁triumph . ▁He ▁has ▁other ▁successful ▁advent ures ▁in ▁Norway ▁as ▁well , ▁killing ▁be ars ▁and ▁b ers erk ers . ▁He ▁then ▁has ▁to ▁fle e ▁Norway ▁to ▁go ▁back ▁to ▁I cel and ▁after ▁he ▁k ills ▁people ▁for ▁an ▁ins ult ▁in ▁chap ters ▁ 2 3 ▁and ▁ 2 4 . ▁ ▁Gre tt ir ▁comes ▁back ▁to ▁I cel and . ▁In ▁Chap ters ▁ 3 2 - 3 3 ▁a ▁Swedish , ▁pag an ▁she ph erd ▁named ▁Gl |
ám r ▁is ▁asked ▁to ▁watch ▁sheep , ▁but ▁disapp ears ▁on ▁Y ule / ▁Christmas ▁e ve . ▁He ▁is ▁seen ▁dead ▁the ▁next ▁day ▁in ▁the ▁snow ▁and ▁then ▁G lam r ▁will ▁become ▁a ▁dra u gr ▁that ▁ha un ts ▁the ▁area . ▁Gre tt ir ▁will ▁fight ▁and ▁successfully ▁sl ay ▁G lam r ▁in ▁chapter ▁ 3 5 . ▁ ▁G lam r ' s ▁cur se ▁is ▁what ▁leads ▁Gre tt ir ▁in ▁a ▁different ▁direction . ▁As ▁a ▁result ▁of ▁G lam r ' s ▁cur se , ▁Gre tt ir ▁becomes ▁dis astr ously ▁un l ucky , ▁only ▁grows ▁we aker / ne ver ▁stronger , ▁becomes ▁afraid ▁of ▁the ▁dark , ▁and ▁is ▁do omed ▁to ▁l onel iness , ▁becoming ▁an ▁out law , ▁and ▁an ▁early ▁death . ▁▁ ▁While ▁in ▁Norway ▁for ▁the ▁second ▁time ▁in ▁chapter ▁ 3 8 , ▁Gre tt ir ▁will ▁accident ally ▁kill ▁a ▁h ut ▁full ▁of ▁people ▁by ▁un int ention ally ▁light ing ▁it ▁on ▁fire . ▁His ▁older ▁brother , ▁At li ▁at ▁the ▁family ▁farm ▁will ▁get ▁killed ▁by ▁a ▁man ▁named ▁Th orb j orn ▁in ▁chapter ▁ 4 5 . ▁In ▁chapter ▁ 4 6 , ▁the ▁Al thing ▁back ▁in ▁the ▁I cel and ic ▁Commonwealth ▁votes ▁that ▁Gre tt ir ▁is ▁an ▁out law ▁because ▁of ▁the ▁death s ▁the ▁fire ▁caused . ▁Gre tt ir ▁returns ▁home ▁to ▁I cel and ▁the ▁following ▁chapter |
, ▁ 4 7 , ▁to ▁learn ▁this ▁information ▁for ▁the ▁first ▁time . ▁This ▁out law ▁status ▁forces ▁Gre tt ir ▁to ▁live ▁on ▁the ▁edge ▁of ▁society ▁and ▁opens ▁him ▁up ▁to ▁being ▁h unted ▁by ▁others ▁and ▁being ▁bet rayed ▁by ▁other ▁out la ws . ▁▁ ▁Gre tt ir ▁lives ▁in ▁various ▁places ▁running ▁from ▁enemies ▁and ▁sl ay ing ▁more ▁mon sters . ▁In ▁Chapter ▁ 6 9 ▁he ▁returns ▁home ▁to ▁the ▁farm ▁at ▁B j arg ▁and ▁sees ▁his ▁mother . ▁She ▁sends ▁him ▁off ▁with ▁his ▁ 1 5 ▁year ▁old ▁brother ▁Ill ug i ▁and ▁they ▁head ▁off ▁to ▁spend ▁the ▁rest ▁of ▁the ▁s aga ▁on ▁the ▁island ▁of ▁D range y ▁off ▁the ▁northern ▁tip ▁of ▁I cel and . ▁Part ▁of ▁the ▁reason ▁for ▁this ▁if ▁that ▁the ▁island ▁has ▁ste ep ▁cl iffs ▁and ▁can ▁only ▁be ▁clim bed ▁up ▁on ▁with ▁the ▁help ▁of ▁a ▁lad der ▁than ▁can ▁be ▁with dra wn . ▁Gre tt ir ▁eventually ▁becomes ▁the ▁longest - sur v iving ▁out law ▁in ▁I cel and ic ▁history . ▁After ▁sp ending ▁over ▁ 1 9 ▁years ▁as ▁an ▁out law , ▁his ▁friends ▁and ▁family ▁ask ▁for ▁his ▁ban ishment ▁to ▁be ▁lifted , ▁arg uing ▁that ▁a ▁man ▁could ▁not ▁spend ▁more ▁than ▁ 2 0 ▁years ▁as ▁an ▁out law ▁according ▁to ▁the ▁law ▁( in ▁fact , ▁there ▁was ▁no ▁such ▁law ▁in ▁medieval ▁I cel and ). ▁In ▁chapter |
▁ 7 7 , ▁after ▁a ▁debate ▁at ▁the ▁assembly , ▁it ▁is ▁decided ▁that ▁the ▁out law ry ▁will ▁be ▁lifted ▁when ▁he ▁has ▁completed ▁the ▁ 2 0 ▁years ▁but ▁not ▁before . ▁His ▁enemies ▁make ▁one ▁last ▁effort , ▁using ▁sor c ery ▁to ▁cause ▁him ▁to ▁w ound ▁himself ▁and ▁finally ▁defeat ▁him , ▁at op ▁the ▁cl iff - s ided , ▁lon ely , ▁for tr ess - like ▁D range y ▁off ▁the ▁northern ▁tip ▁of ▁I cel and ▁where ▁he ▁was ▁stay ing ▁with ▁another ▁brother ▁of ▁his ▁named ▁Ill ug i , ▁and ▁his ▁slave ▁Gla um ur . ▁Gre tt ir ' s ▁enemies ▁succeed ▁in ▁killing ▁him ▁in ▁chapter ▁ 8 2 . ▁Assuming ▁that ▁the ▁tales ▁of ▁the ▁s aga ▁bear ▁any ▁relationship ▁to ▁historical ▁real ities , ▁Gre tt ir ▁would ▁have ▁died ▁' some ▁time ▁between ▁ 1 0 3 0 ▁and ▁ 1 0 4 0 '. ▁ ▁Chap ters ▁ 8 6 - 9 3 ▁ ▁His ▁half ▁brother , ▁Thor ste inn ▁D rom und , ▁later ▁a ven ges ▁him ▁in ▁a ▁semi - com ic ▁scene ▁in ▁By z ant ium / Const antin ople , ▁where ▁the ▁Nor se ▁served ▁as ▁Var ang ians . ▁While ▁in ▁Constantin ople , ▁he ▁falls ▁in ▁love ▁with ▁a ▁married ▁woman ▁named ▁Sp es , ▁who ▁helps ▁him . ▁After ▁Thor ste inn ▁D rom und ▁comple tes ▁his ▁mission ▁the ▁two ▁of ▁them ▁decide ▁to |
▁spend ▁the ▁rest ▁of ▁their ▁lives ▁in ▁mon astic ▁cells ▁in ▁Rome . ▁ ▁Leg acy ▁Gre tt ir ▁Á sm und ar son ▁was ▁reported ▁to ▁have ▁been ▁from ▁B j arg ▁in ▁Mi ð f jör ð ur . ▁At ▁B j arg , ▁Gre tt ir ▁Á sm und ar son ▁always ▁had ▁refuge ▁with ▁his ▁mother ▁Á sd ís . ▁Many ▁place ▁names ▁in ▁the ▁neighbourhood ▁of ▁B j arg ▁and ▁indeed ▁throughout ▁the ▁county ▁bear ▁the ▁name ▁of ▁the ▁out law ▁e . g . ▁Gre tt ish af , ▁Gre tt ist ak ▁and ▁Gre tt ish ö f ð i ▁at ▁Arn ar vat n . ▁Even ▁Gar field ▁is ▁named ▁Gre tt ir ▁in ▁I cel and : ▁because ▁he ▁is ▁r uf ous , ▁a ▁little ▁broad ▁and ▁unw illing ▁to ▁conform ▁to ▁society ' s ▁norm s . ▁A ▁mem orial ▁was ▁ere cted ▁to ▁his ▁mother ▁Á sd ís ▁at ▁B j arg ▁in ▁ 1 9 7 4 . ▁The ▁mem orial ▁displays ▁a ▁relief ▁from ▁Gre tt is ▁S aga ▁made ▁by ▁I cel and ic ▁artist ▁Hal ld ór ▁P ét ur sson . ▁ ▁Gre tt ir ▁is ▁celebrated ▁in ▁the ▁long ▁poem ▁E c log ue ▁from ▁I cel and ▁in ▁the ▁ 1 9 3 8 ▁collection ▁The ▁Earth ▁Comp els ▁by ▁Irish ▁poet ▁Louis ▁Mac Ne ice , ▁who ▁had ▁developed ▁a ▁love ▁of ▁Nor se ▁myth ology ▁while ▁at ▁school ▁at ▁Mar l borough |
▁College . ▁ ▁In ▁it , ▁the ▁g host ▁of ▁Gre tt ir ▁speak s ▁with ▁two ▁men , ▁Cra ven ▁and ▁Ryan , ▁who ▁have ▁been ▁' h ounded ' ▁from ▁a ▁dec ad ent ▁and ▁war - th re aten ed ▁Europe ▁' wh ose ▁voice ▁calls ▁in ▁the ▁sir ens ▁of ▁destroy ers '. ▁ ▁He ▁ur ges ▁them ▁to ▁recover ▁their ▁underlying ▁human ▁values , ▁and ▁to ▁assert , ▁as ▁he ▁has , ▁' the ▁san ct ity ▁of ▁the ▁individual ▁will '. ▁ ▁He ▁tells ▁them ▁to ▁return ▁home ▁as ▁an ▁act ▁of ▁duty , ▁which ▁he ▁calls ▁- ▁remember ing ▁his ▁own ▁def i ant ▁choice ▁to ▁be ▁an ▁out law ▁- ▁' Your ▁ha z ard , ▁your ▁act ▁of ▁def iance ▁and ▁h ymn ▁of ▁hate , ▁hat red ▁of ▁hat red , ▁assertion ▁of ▁human ▁values ' ▁and ▁( in ▁the ▁poem ' s ▁final ▁words ') ▁' your ▁only ▁chance '. ▁ ▁The ▁Australian ▁composer ▁Per cy ▁Gra inger ▁described ▁the ▁Gre tt is ▁S aga ▁as ▁the ▁" strong est ▁single ▁art istic ▁influence " ▁in ▁his ▁life . ▁ ▁The ▁s aga ▁was ▁adapted ▁in ▁ 2 0 1 7 ▁as ▁the ▁basis ▁for ▁a ▁novel ▁set ▁in ▁She ff ield ▁by ▁Tony ▁Williams ▁( author ). ▁ ▁Trans l ations ▁▁ ▁. ▁At ▁the ▁I cel and ic ▁S aga ▁Database . ▁ ▁References ▁ ▁External ▁links ▁▁ ▁Gre tt is ▁S aga ▁Á sm und ar son ar , |
▁a ▁critical , ▁annot ated ▁scholar ly ▁edition ▁by ▁R . ▁C . ▁Bo er ▁( in ▁German ). ▁ ▁Free ▁download s ▁at ▁, ▁ ▁and ▁▁ ▁Full ▁text ▁and ▁transl ations ▁at ▁the ▁I cel and ic ▁S aga ▁Database ▁ ▁I cel and ic ▁S aga ▁Map ▁– ▁an ▁online ▁digital ▁map ▁with ▁the ▁ge o - refer enced ▁texts ▁of ▁all ▁of ▁the ▁Í sl ending as ög ur ▁Pro ver bs ▁in ▁Gre tt is ▁s aga ▁ ▁G ís la ▁s aga ▁- ▁Another ▁I cel and ic ▁s aga ▁with ▁a ▁main ▁character ▁who ▁becomes ▁an ▁out law . ▁▁ ▁Russell ▁Po ole , ▁" M yth , ▁Psych ology , ▁and ▁Society ▁in ▁Gre tt is ▁s aga ," ▁Al ví ss m ál ▁ 1 1 ▁( 2 0 0 4 ): ▁ 3 – 1 6 . ▁▁ ▁Maria ▁Bon ner : ▁' G rett ir ' s ▁First ▁Esc ap ades : ▁How ▁To ▁Challenge ▁Your ▁Father ▁And ▁Get ▁A way ▁With ▁It ▁- ▁A ▁Case ▁Study ▁In ▁Historical ▁Dialog ue ▁Analysis .' ▁In : ▁Freder ic ▁Am ory ▁in ▁Mem or iam . ▁Old ▁Nor se - I cel and ic ▁Studies . ▁Ed . ▁John ▁L indow ▁& ▁George ▁Clar ke . ▁Ber keley ▁- ▁Los ▁Angeles : ▁North ▁P ine wood ▁Press ▁ 2 0 1 5 : 1 8 4 - 2 1 2 . ▁▁ ▁Category : S agas ▁of ▁I cel and ers ▁Category : Out |
la ws <0x0A> </s> ▁Or m ari ▁Rom ero ▁Tur c ás ▁( born ▁February ▁ 2 2 , ▁ 1 9 6 8 ▁in ▁Seg undo ▁Fr ente , ▁Santiago ▁de ▁Cuba ▁Province , ▁Cuba ) ▁is ▁a ▁right - hand ed ▁pitch er ▁for ▁the ▁Cub an ▁national ▁baseball ▁team ▁and ▁Santiago ▁de ▁Cuba ▁of ▁the ▁Cub an ▁National ▁Series . ▁ ▁Rom ero ▁was ▁part ▁of ▁the ▁gold ▁medal - win ning ▁Cub an ▁team ▁at ▁the ▁ 1 9 9 6 ▁Summer ▁Olympics , ▁and ▁he ▁was ▁ 2 - 1 ▁for ▁the ▁silver ▁medal - win ning ▁Cub an ▁team ▁at ▁the ▁ 2 0 0 6 ▁World ▁Baseball ▁Classic . ▁ ▁References ▁ ▁External ▁links ▁▁▁ ▁Category : 1 9 6 8 ▁birth s ▁Category : L iving ▁people ▁Category : C ub an ▁baseball ▁players ▁Category : O lymp ic ▁baseball ▁players ▁of ▁Cuba ▁Category : O lymp ic ▁gold ▁medal ists ▁for ▁Cuba ▁Category : O lymp ic ▁medal ists ▁in ▁baseball ▁Category : Med al ists ▁at ▁the ▁ 1 9 9 6 ▁Summer ▁Olympics ▁Category : Base ball ▁players ▁at ▁the ▁ 1 9 9 6 ▁Summer ▁Olympics ▁Category : Pan ▁American ▁Games ▁gold ▁medal ists ▁for ▁Cuba ▁Category : Base ball ▁players ▁at ▁the ▁ 1 9 9 9 ▁Pan ▁American ▁Games ▁Category : 2 0 0 6 ▁World ▁Baseball ▁Classic ▁players ▁Category : Pan ▁American ▁Games ▁medal ists ▁in ▁baseball <0x0A> </s> ▁Jeff ▁How e ▁( born ▁June ▁ 1 5 |
, ▁ 1 9 5 9 ) ▁is ▁an ▁American ▁politician ▁and ▁member ▁of ▁the ▁Minnesota ▁Senate . ▁A ▁member ▁of ▁the ▁Republican ▁Party ▁of ▁Minnesota , ▁he ▁represents ▁District ▁ 1 3 ▁in ▁central ▁Minnesota . ▁He ▁is ▁a ▁former ▁member ▁of ▁the ▁Minnesota ▁House ▁of ▁Representatives ▁representing ▁District ▁ 1 3 A . ▁ ▁Early ▁life , ▁education , ▁and ▁career ▁How e ▁grew ▁up ▁on ▁a ▁farm ▁near ▁Ch ok io , ▁Minnesota ▁and ▁graduated ▁from ▁Ch ok io - Al berta ▁High ▁School . ▁He ▁attended ▁St . ▁Cloud ▁State ▁University , ▁gradu ating ▁with ▁a ▁Bach elor ▁of ▁Arts . ▁ ▁How e ▁was ▁a ▁member ▁of ▁the ▁United ▁States ▁Ar med ▁Forces ▁for ▁ 3 8 ▁years , ▁first ▁in ▁the ▁Navy ▁and ▁later ▁in ▁the ▁Minnesota ▁Army ▁National ▁Guard . ▁He ▁retired ▁in ▁ 2 0 1 7 ▁with ▁the ▁rank ▁of ▁lieutenant ▁colon el . ▁He ▁was ▁a ▁member ▁of ▁the ▁Rock ville ▁city ▁council ▁and ▁is ▁now ▁a ▁consult ant . ▁ ▁Minnesota ▁Legisl ature ▁How e ▁was ▁first ▁elected ▁to ▁the ▁Minnesota ▁House ▁of ▁Representatives ▁in ▁ 2 0 1 2 . ▁He ▁did ▁not ▁seek ▁re - e lection ▁in ▁ 2 0 1 8 ▁in ▁order ▁to ▁seek ▁election ▁to ▁the ▁Minnesota ▁Senate , ▁which ▁he ▁won . ▁ ▁Personal ▁life ▁How e ▁is ▁married ▁to ▁Sh eri ▁How e . ▁They ▁have ▁four ▁children ▁and ▁res ide ▁in ▁Rock ville , ▁Minnesota . ▁His ▁brother ▁John ▁How e ▁is ▁a |
▁former ▁Minnesota ▁state ▁sen ator . ▁ ▁References ▁ ▁External ▁links ▁ ▁Official ▁Senate ▁website ▁Official ▁campaign ▁website ▁ ▁Category : 1 9 5 9 ▁birth s ▁Category : L iving ▁people ▁Category : Pe ople ▁from ▁Ste ar ns ▁County , ▁Minnesota ▁Category : St . ▁Cloud ▁State ▁University ▁al umn i ▁Category : M embers ▁of ▁the ▁Minnesota ▁House ▁of ▁Representatives ▁Category : M inn esota ▁Republic ans ▁Category : 2 1 st - century ▁American ▁polit icians ▁Category : M inn esota ▁state ▁sen ators <0x0A> </s> ▁In ▁computer ▁networking , ▁tele communic ation ▁and ▁information ▁theory , ▁broadcast ing ▁is ▁a ▁method ▁of ▁transfer ring ▁a ▁message ▁to ▁all ▁recip ients ▁simultaneously . ▁ ▁Broadcast ing ▁can ▁be ▁performed ▁as ▁a ▁high - level ▁operation ▁in ▁a ▁program , ▁for ▁example , ▁broadcast ing ▁in ▁Message ▁Pass ing ▁Interface , ▁or ▁it ▁may ▁be ▁a ▁low - level ▁networking ▁operation , ▁for ▁example ▁broadcast ing ▁on ▁E ther net . ▁ ▁All - to - all ▁communication ▁is ▁a ▁computer ▁communication ▁method ▁in ▁which ▁each ▁sender ▁transm its ▁messages ▁to ▁all ▁rece ivers ▁within ▁a ▁group . ▁In ▁networking ▁this ▁can ▁be ▁accomplished ▁using ▁broadcast ▁or ▁mult ic ast . ▁This ▁is ▁in ▁contrast ▁with ▁the ▁point - to - point ▁method ▁in ▁which ▁each ▁sender ▁communic ates ▁with ▁one ▁receiver . ▁ ▁Over view ▁ ▁In ▁computer ▁networking , ▁broadcast ing ▁refers ▁to ▁transm itting ▁a ▁packet ▁that ▁will ▁be ▁received ▁by ▁every ▁device ▁on ▁the ▁network . |
▁In ▁practice , ▁the ▁scope ▁of ▁the ▁broadcast ▁is ▁limited ▁to ▁a ▁broadcast ▁domain . ▁Broadcast ing ▁a ▁message ▁is ▁in ▁contrast ▁to ▁un ic ast ▁address ing ▁in ▁which ▁a ▁host ▁sends ▁dat agr ams ▁to ▁another ▁single ▁host ▁identified ▁by ▁a ▁unique ▁address . ▁ ▁Broadcast ing ▁is ▁the ▁most ▁general ▁communication ▁method , ▁and ▁is ▁also ▁the ▁most ▁int ensive ▁in ▁the ▁sense ▁that ▁many ▁messages ▁may ▁be ▁required ▁and ▁many ▁network ▁devices ▁are ▁involved . ▁ ▁Broadcast ing ▁may ▁be ▁performed ▁as ▁all ▁scatter ▁in ▁which ▁each ▁sender ▁performs ▁its ▁own ▁scatter ▁in ▁which ▁the ▁messages ▁are ▁distinct ▁for ▁each ▁receiver , ▁or ▁all ▁broadcast ▁in ▁which ▁they ▁are ▁the ▁same . ▁ ▁The ▁M PI ▁message ▁passing ▁method ▁which ▁is ▁the ▁de ▁fact o ▁standard ▁on ▁large ▁computer ▁clusters ▁includes ▁the ▁M PI _ All to all ▁method . ▁ ▁Not ▁all ▁network ▁techn ologies ▁support ▁broadcast ▁address ing ; ▁for ▁example , ▁neither ▁X . 2 5 ▁nor ▁frame ▁relay ▁have ▁broadcast ▁cap ability , ▁nor ▁is ▁there ▁any ▁form ▁of ▁Internet - wide ▁broadcast . ▁Broadcast ing ▁is ▁largely ▁conf ined ▁to ▁local ▁area ▁network ▁( L AN ) ▁techn ologies , ▁most ▁not ably ▁E ther net ▁and ▁token ▁ring , ▁where ▁the ▁performance ▁impact ▁of ▁broadcast ing ▁is ▁not ▁as ▁large ▁as ▁it ▁would ▁be ▁in ▁a ▁wide ▁area ▁network . ▁ ▁The ▁successor ▁to ▁Internet ▁Pro tocol ▁Version ▁ 4 ▁( IP v 4 ), ▁IP v 6 ▁also ▁does ▁not ▁implement ▁the |
▁broadcast ▁method , ▁so ▁as ▁to ▁prevent ▁disturb ing ▁all ▁nodes ▁in ▁a ▁network ▁when ▁only ▁a ▁few ▁may ▁be ▁interested ▁in ▁a ▁particular ▁service . ▁Instead ▁it ▁re lies ▁on ▁mult ic ast ▁address ing ▁- ▁a ▁concept ually ▁similar ▁one - to - many ▁routing ▁method ology . ▁However , ▁mult ic ast ing ▁limits ▁the ▁pool ▁of ▁rece ivers ▁to ▁those ▁that ▁join ▁a ▁specific ▁mult ic ast ▁receiver ▁group . ▁ ▁Both ▁E ther net ▁and ▁IP v 4 ▁use ▁an ▁all - ones ▁broadcast ▁address ▁to ▁indicate ▁a ▁broadcast ▁packet . ▁ ▁Token ▁Ring ▁uses ▁a ▁special ▁value ▁in ▁the ▁IE EE ▁ 8 0 2 . 2 ▁control ▁field . ▁ ▁Broadcast ing ▁may ▁be ▁ab used ▁to ▁perform ▁a ▁type ▁of ▁Do S - att ack ▁known ▁as ▁a ▁Sm ur f ▁attack . ▁The ▁attack er ▁sends ▁fake ▁ping ▁requests ▁with ▁the ▁source ▁IP - address ▁of ▁the ▁victim ▁computer . ▁The ▁victim ▁computer ▁is ▁flo oded ▁by ▁the ▁rep lies ▁from ▁all ▁computers ▁in ▁the ▁domain . ▁ ▁See ▁also ▁ ▁Broadcast ▁radiation ▁ ▁Point - to - multip oint ▁communication ▁ ▁Broadcast , ▁Un known - Un ic ast ▁and ▁Mult ic ast ▁traffic ▁ ▁Term in ating ▁R eli able ▁Broadcast ▁ ▁References ▁ ▁External ▁links ▁Network ▁Broadcast ing ▁and ▁Mult ic ast ▁ ▁Category : Pack ets ▁( information ▁technology ) ▁Category : Network ▁topology ▁Category : T ele communic ation ▁services ▁Category : Inter - process ▁communication <0x0A> </s> ▁Kam |
lo ops - S outh ▁Thompson ▁is ▁a ▁provincial ▁elect oral ▁district ▁in ▁British ▁Columbia , ▁Canada ▁established ▁by ▁the ▁Elect oral ▁District s ▁Act , ▁ 2 0 0 8 . ▁ ▁It ▁was ▁first ▁cont ested ▁in ▁the ▁ 2 0 0 9 ▁election . ▁ ▁Member ▁of ▁Legisl ative ▁Assembly ▁ ▁On ▁account ▁of ▁the ▁real ignment ▁of ▁elect oral ▁boundaries , ▁most ▁inc umb ents ▁did ▁not ▁represent ▁the ▁entire ty ▁of ▁their ▁listed ▁district ▁during ▁the ▁preceding ▁legisl ative ▁term . ▁Claude ▁Richmond , ▁British ▁Columbia ▁Liberal ▁Party ▁was ▁initially ▁elected ▁during ▁the ▁ 2 0 0 5 ▁election ▁to ▁the ▁Kam lo ops ▁r iding ▁and ▁didn ' t ▁seek ▁re - e lection . ▁Kevin ▁Kru eg er , ▁BC ▁Liberal ▁sought ▁re - e lection ▁in ▁the ▁adjacent ▁red ra wn ▁r iding ▁of ▁Kam lo ops - S outh ▁Thompson ▁during ▁the ▁ 2 0 0 9 ▁election ▁rather ▁than ▁in ▁the ▁r iding ▁of ▁Kam lo ops - N orth ▁Thompson . ▁ ▁History ▁ ▁Elect oral ▁history ▁▁ ▁| - ▁▁▁ ▁| ND P ▁| Tom ▁Fried man ▁| align =" right " | 8 , 1 3 2 ▁| align =" right " | 3 4 . 9 0 % ▁| align =" right " | ▁| align =" right " |$ 4 5 , 5 3 1 ▁ ▁| - ▁style =" background : white ;" ▁! ▁style =" text - align : right ;" ▁col span =" 3 " |
| Total ▁Valid ▁V otes ▁! align =" right " | 2 3 , 2 9 9 ▁! align =" right " | 1 0 0 % ▁| - ▁style =" background : white ;" ▁! ▁style =" text - align : right ;" ▁col span =" 3 " | Total ▁Re ject ed ▁Ball ots ▁! align =" right " | 9 7 ▁! align =" right " | 0 . 4 1 % ▁| - ▁style =" background : white ;" ▁! ▁style =" text - align : right ;" ▁col span =" 3 " | Turn out ▁! align =" right " | 2 3 , 3 9 6 ▁! align =" right " | 5 7 . 5 6 % ▁| } ▁ ▁Category : B rit ish ▁Columbia ▁provincial ▁elect oral ▁districts ▁Category : K am lo ops <0x0A> </s> ▁B ero e , ▁commonly ▁known ▁as ▁the ▁cig ar ▁comb ▁jel lies , ▁is ▁a ▁genus ▁of ▁comb ▁jel lies ▁in ▁the ▁family ▁B ero idae . ▁ ▁Species ▁According ▁to ▁the ▁World ▁Register ▁of ▁Marine ▁Species , ▁the ▁following ▁species ▁are ▁members ▁of ▁this ▁genus : ▁ ▁B ero e ▁aby ss icola ▁Mort ensen , ▁ 1 9 2 7 ▁B ero e ▁austral is ▁Ag ass iz ▁& ▁May er , ▁ 1 8 9 9 ▁B ero e ▁b aff ini ▁Kr amp , ▁ 1 9 4 2 ▁B ero e ▁b aster i ▁Less on , ▁ 1 8 3 0 |
▁B ero e ▁camp ana ▁Kom ai , ▁ 1 9 1 8 ▁B ero e ▁compact a ▁Mos er , ▁ 1 9 0 9 ▁B ero e ▁con str ict a ▁Cham is so ▁& ▁E ys en hardt , ▁ 1 8 2 1 ▁B ero e ▁c uc um is ▁Fab r ici us , ▁ 1 7 8 0 ▁B ero e ▁cul c ull us ▁Mart ens , ▁ 1 8 2 9 ▁B ero e ▁cy ath ina ▁A . ▁Ag ass iz , ▁ 1 8 6 0 ▁B ero e ▁f lem ing ii ▁( E sch sch olt z , ▁ 1 8 2 9 ) ▁B ero e ▁for sk al ii ▁Mil ne ▁Edwards , ▁ 1 8 4 1 ▁B ero e ▁g il va ▁E sch sch olt z , ▁ 1 8 2 9 ▁B ero e ▁g rac ilis ▁K ün ne , ▁ 1 9 3 9 ▁B ero e ▁h yal ina ▁Mos er , ▁ 1 9 0 7 ▁B ero e ▁macro st oma ▁P ér on ▁& ▁Les ue ur , ▁ 1 8 0 8 ▁B ero e ▁mit ra e form is ▁Less on , ▁ 1 8 3 0 ▁B ero e ▁mit r ata ▁( M oser , ▁ 1 9 0 7 ) ▁B ero e ▁ov ale ▁Bos c , ▁ 1 8 0 2 ▁B ero e ▁ov ata ▁Bru gui ère , ▁ 1 |
7 8 9 ▁B ero e ▁p and or ina ▁( M oser , ▁ 1 9 0 3 ) ▁B ero e ▁pen ic ill ata ▁( M ert ens , ▁ 1 8 3 3 ) ▁B ero e ▁ram osa ▁Kom ai , ▁ 1 9 2 1 ▁B ero e ▁rose us ▁Qu oy ▁& ▁Ga im ard , ▁ 1 8 2 4 ▁B ero e ▁r uf esc ens ▁( E sch sch olt z , ▁ 1 8 2 9 ) ▁ ▁References ▁ ▁Further ▁reading ▁ ▁Category : C ten oph ore ▁gener a ▁Category : N uda <0x0A> </s> ▁David ▁Michael ▁Sp ind el ▁( born ▁August ▁ 3 1 , ▁ 1 9 4 1 ) ▁is ▁an ▁American ▁photograph er . ▁ ▁He ▁began ▁his ▁professional ▁career ▁in ▁ 1 9 6 4 ▁working ▁with ▁still - life ▁objects ▁and ▁eventually ▁bro aden ed ▁his ▁hor iz ons ▁by ▁doing ▁port ra its . ▁ ▁Sp ind el ▁also ▁incorpor ates ▁baseball ▁memor abil ia ▁in ▁coll age ▁form ▁in ▁some ▁of ▁his ▁work . ▁ ▁He ▁is ▁probably ▁best ▁known ▁for ▁photograph ing ▁John ▁L enn on ▁and ▁Y oko ▁O no ▁during ▁L enn on ' s ▁last ▁recording ▁sessions ▁for ▁Double ▁Fant asy ▁in ▁ 1 9 8 0 . ▁ ▁Biography ▁▁ ▁Sp ind el ▁grew ▁up ▁in ▁the ▁Fl at b ush ▁section ▁of ▁Brook lyn , ▁New ▁York ▁and ▁graduated ▁from ▁Ro chester ▁Institute ▁of ▁Technology |
▁in ▁ 1 9 6 4 ▁( stud ying ▁under ▁such ▁photograph ers ▁as ▁Minor ▁White , ▁professor ▁Les lie ▁St ro eb el , ▁Richard ▁D . ▁Zak ia , ▁Ralph ▁Hat ters ley ▁and ▁Robert ▁Bag by ). ▁He ▁worked ▁as ▁a ▁photo ▁assistant ▁for ▁ 6 ▁years ▁until ▁his ▁employ er ▁at ▁that ▁time , ▁T osh ▁M ats um oto , ▁encourag ed ▁him ▁to ▁open ▁his ▁own ▁studio . ▁ ▁Through out ▁his ▁commercial ▁career , ▁Sp ind el ▁was ▁featured ▁in ▁major ▁newsp apers , ▁mag az ines ▁and ▁art ▁publications . ▁ ▁Television ▁shows ▁in ▁the ▁U . S . ▁and ▁abroad ▁have ▁featured ▁segments ▁on ▁his ▁approach ▁to ▁phot ography . ▁ ▁After ▁ 2 8 ▁years ▁in ▁commercial ▁advert ising , ▁Sp ind el ▁began ▁creating ▁an ▁interactive ▁body ▁of ▁work ▁called ▁" R eb uses ." ▁ ▁Web ster ’ s ▁dictionary ▁defines ▁a ▁re bus ▁as ▁representation ▁of ▁words ▁or ▁phr ases ▁by ▁means ▁of ▁pictures ▁or ▁objects ▁whose ▁names ▁res emble ▁those ▁words ▁or ▁phr ases ; ▁a ▁form ▁of ▁r iddle ▁composed ▁of ▁such ▁pictures . ▁ ▁Sp ind el ' s ▁reb uses ▁have ▁been ▁quoted ▁as ▁being ▁" un expected ly ▁different ▁and ▁more ▁fun ▁than ▁finding ▁one ▁of ▁Hir sh feld ’ s ▁N inas ". ▁ ▁R anging ▁in ▁subjects ▁from ▁all - time ▁favorite ▁cele brit ies ▁to ▁frequently ▁used ▁every day ▁expressions , ▁Sp ind el ' s ▁reb uses ▁are ▁an ▁out p |
our ing ▁of ▁his ▁in ex ha ust ible ▁sense ▁of ▁humor . ▁ ▁Notable ▁fans ▁and ▁collect ors ▁of ▁Sp ind el ' s ▁work ▁include : ▁Char l ton ▁H eston , ▁Hill ary ▁Cl inton , ▁Dr . ▁Ruth ▁West heimer , ▁Mart y ▁Allen , ▁St iller ▁and ▁M ear a , ▁Anne ▁Jackson , ▁Eli ▁Wal lach , ▁Ch uck ▁Con n ors , ▁Donald ▁Trump , ▁Jerry ▁Lewis , ▁Lou ▁Jacob i , ▁Billy ▁Cry stal ▁and ▁Kate ▁He p burn . ▁ ▁Reg is ▁Phil bin ▁said , ▁“ David ▁is ▁a ▁little ▁ecc ent ric ▁but ▁you ▁have ▁to ▁put ▁up ▁with ▁it ▁when ▁someone ▁is ▁a ▁genius ”. ▁ ▁B ette ▁Davis ▁once ▁said , ▁“ David ’ s ▁art ▁is ▁w ond r ous ”. ▁Michael ▁E is ner ▁thought ▁his ▁phot ography ▁was ▁extraordinary ▁and ▁recommended ▁it ▁to ▁the ▁sports ▁division ▁of ▁Disney . ▁Joe ▁Di M aggio ▁greatly ▁adm ired ▁Sp ind el ’ s ▁talent ▁and ▁pos ed ▁for ▁a ▁portrait ▁with ▁his ▁own ▁personal ▁memor abil ia . ▁ ▁In ▁ 1 9 9 2 , ▁Ab be ville ▁Press ▁released ▁The ▁Bron x ▁Bom bers ▁and ▁The ▁Boston ▁Red ▁So x , ▁the ▁first ▁two ▁titles ▁in ▁the ▁award ▁winning , ▁eight - volume ▁Major ▁League ▁Mem ories ▁series . ▁Each ▁book ▁chron icles ▁a ▁major ▁league ▁baseball ▁team ’ s ▁history , ▁in ▁sc rap book ▁form , ▁from ▁in ception ▁to ▁present ▁day . ▁ ▁In |
▁ 2 0 1 4 ▁Master ▁P I e ce ▁puzz le ▁commission ed ▁David ▁to ▁create ▁one ▁of ▁his ▁unique ▁coll ages ▁on ▁the ▁life ▁of ▁John ▁Wayne . ▁It ▁is ▁titled ▁" Rem ember ing ▁the ▁Duke ". ▁they ▁also ▁lic ensed ▁ 4 ▁of ▁his ▁sports ▁images ▁for ▁ 1 0 0 0 ▁piece ▁puzz les . ▁ ▁On ▁the ▁e ve ▁of ▁John ▁L enn on ▁birth day ▁in ▁ 2 0 1 5 , ▁CNN ▁lic ensed ▁several ▁of ▁his ▁photograph s ▁for ▁a ▁special ▁document ary ▁they ▁were ▁creating . ▁ ▁Sp ind el ▁is ▁also ▁known ▁for ▁don ating ▁his ▁photograph s ▁to ▁char itable ▁organizations . ▁ ▁He ▁has ▁raised ▁funds ▁for ▁the ▁Le uk emia ▁Society ▁of ▁America , ▁The ▁Mid ▁Hudson ▁Children ’ s ▁Museum , ▁A . L . S ., ▁Baseball ▁Ass istance ▁Team ▁( B AT ), ▁L up us , ▁The ▁Heart ▁Fund , ▁Y og i ▁Ber ra ’ s ▁and ▁Phil ▁R izz uto ’ s ▁favorite ▁char ities ▁( Hand ic apped ▁Boy ▁Sc outs ▁of ▁Southern ▁N J ▁and ▁St . ▁Joseph ’ s ▁School ▁for ▁the ▁Bl ind ) ▁and ▁numerous ▁family ▁sh el ters . ▁ ▁Sp ind el ' s ▁original ▁photograph s ▁created ▁for ▁post ers ▁are ▁featured ▁at ▁The ▁National ▁Baseball ▁Hall ▁of ▁Fame . ▁ ▁References ▁ ▁Category : 1 9 4 1 ▁birth s ▁Category : American ▁portrait ▁photograph ers ▁Category : L iving ▁people <0x0A> </s> ▁Sebast |
i án ▁Mer ch án ▁( born ▁ 2 ▁December ▁ 1 9 8 7 ▁in ▁C uen ca ) ▁is ▁an ▁E cuador ian ▁racing ▁driver . ▁He ▁has ▁competed ▁in ▁such ▁series ▁as ▁Euro series ▁ 3 0 0 0 ▁and ▁the ▁Italian ▁Formula ▁Ren ault ▁Championship . ▁ ▁References ▁ ▁External ▁links ▁▁▁▁▁ ▁Category : 1 9 8 7 ▁birth s ▁Category : L iving ▁people ▁Category : Pe ople ▁from ▁C uen ca , ▁E cuador ▁Category : E cuador ian ▁racing ▁drivers ▁Category : Ital ian ▁Formula ▁Ren ault ▁ 2 . 0 ▁drivers ▁Category : Ital ian ▁Formula ▁Three ▁Championship ▁drivers ▁Category : Form ula ▁ 3 ▁Euro ▁Series ▁drivers <0x0A> </s> ▁This ▁is ▁a ▁list ▁of ▁compos itions ▁by ▁jazz ▁music ian ▁Th el on ious ▁Mon k . ▁▁ 0 - 9 ▁▁ 5 2 nd ▁Street ▁Th eme ▁A ▁cont raf act ▁based ▁lo os ely ▁on ▁rh ythm ▁changes ▁in ▁C , ▁and ▁was ▁copy right ed ▁by ▁Mon k ▁under ▁the ▁title ▁" N am eless " ▁in ▁April ▁ 1 9 4 4 . ▁The ▁t une ▁was ▁also ▁called ▁" B ip ▁B op " ▁by ▁Mon k , ▁and ▁he ▁claims ▁that ▁the ▁t une ' s ▁latter ▁title ▁was ▁the ▁origin ▁of ▁the ▁genre - def ining ▁name ▁be b op . ▁It ▁quickly ▁became ▁popular ▁as ▁an ▁opening ▁and ▁closing ▁t une ▁on ▁the ▁clubs ▁on ▁ 5 2 nd ▁Street ▁on ▁Manh attan ▁where ▁D iz |
zy ▁G illes pie ▁and ▁Charlie ▁Parker ▁played . ▁It ▁was ▁first ▁recorded ▁by ▁D iz zy ▁G illes pie ' s ▁se xt et ▁on ▁February ▁ 2 2 , ▁ 1 9 4 6 , ▁under ▁the ▁title ▁" 5 2 nd ▁Street ▁Th eme ". ▁Leonard ▁Fe ather ▁claims ▁he ▁gave ▁the ▁latter ▁title . ▁ ▁A ▁ ▁Ask ▁Me ▁Now ▁A ▁ton ally ▁ambigu ous ▁ball ad ▁in ▁D ▁first ▁recorded ▁on ▁July ▁ 2 3 , ▁ 1 9 5 1 , ▁for ▁the ▁Gen ius ▁of ▁Modern ▁Music ▁sessions . ▁It ▁also ▁appears ▁on ▁ 5 ▁by ▁Mon k ▁by ▁ 5 , ▁and ▁Solo ▁Mon k . ▁Jon ▁Hend r icks ▁wrote ▁lyr ics ▁to ▁t une ▁and ▁called ▁it ▁” How ▁I ▁W ish ”, ▁and ▁was ▁first ▁recorded ▁by ▁Car men ▁Mc R ae ▁on ▁Car men ▁S ings ▁Mon k . ▁ ▁B ▁ ▁Ba - L ue ▁Boliv ar ▁Ba - L ues - Are ▁A ▁r iff - based ▁bl ues ▁in ▁B ▁first ▁recorded ▁on ▁October ▁ 9 , ▁ 1 9 5 6 , ▁for ▁Br illiant ▁Corn ers . ▁The ▁title ▁references ▁P annon ica ▁de ▁Ko enig sw arter ' s ▁troubles ▁with ▁her ▁stay ▁at ▁the ▁Boliv ar ▁Hotel , ▁where ▁her ▁parties ▁would ▁disturb ▁the ▁management ▁of ▁the ▁hotel . ▁It ▁also ▁appears ▁on ▁Les ▁L ia isons ▁d ang ere uses ▁ 1 9 6 0 , ▁and ▁on ▁Mon k ' s ▁Dream |
; ▁on ▁the ▁latter ▁release , ▁it ▁was ▁ret itled ▁" B ol iv ar ▁Blues " ▁or ▁" Blue ▁Boliv ar ▁Blues ." ▁ ▁Live ▁versions ▁also ▁appear ▁from ▁the ▁albums ▁recorded ▁at ▁the ▁It ▁Club ▁and ▁the ▁Jazz ▁Work shop . ▁ ▁B em sha ▁Sw ing ▁A ▁t une ▁Mon k ▁wrote ▁with ▁Den zil ▁Best ▁and ▁was ▁first ▁recorded ▁on ▁December ▁ 1 8 , ▁ 1 9 5 2 , ▁for ▁the ▁album ▁Th el on ious ▁Mon k ▁T rio . ▁The ▁t une ▁is ▁also ▁known ▁as ▁" B im sha ▁Sw ing ", ▁because ▁the ▁word ▁B em sha ▁is ▁a ▁re - sp elling ▁of ▁" B im shire " ▁— ▁a ▁col lo qu ial ▁nick name ▁for ▁Barb ados , ▁where ▁Den zil ▁Best ▁was ▁born . ▁It ▁is ▁a ▁ 1 6 - bar ▁t une ▁with ▁an ▁A AB A - form . ▁The ▁ 4 - bar ▁A - section ▁is ▁essentially ▁in ▁C ▁major ▁but ▁bor rows ▁t ones ▁from ▁the ▁parallel ▁C ▁minor ▁scale , ▁and ▁is ▁trans posed ▁up ▁a ▁fourth ▁to ▁create ▁the ▁B ▁section ▁of ▁the ▁form . ▁The ▁t une ▁also ▁appears ▁on ▁Mil es ▁Davis ▁and ▁the ▁Modern ▁Jazz ▁Gi ants ▁and ▁Br illiant ▁Corn ers , ▁featuring ▁Max ▁Ro ach ▁with ▁a ▁timp ani ▁drum ▁added ▁to ▁his ▁set , ▁this ▁inspired ▁Mon k ' s ▁son ▁" To ot " ▁Mon k ▁to ▁play ▁the ▁drums . ▁Live ▁versions ▁appear |
▁on ▁the ▁albums ▁recorded ▁in ▁Italy , ▁Tokyo , ▁It ▁Club , ▁Jazz ▁Work shop , ▁and ▁the ▁album ▁M ister ioso ▁( Record ed ▁on ▁Tour ). ▁ ▁Blue h awk ▁A ▁bl ues ▁in ▁B ▁first ▁recorded ▁on ▁October ▁ 2 1 , ▁ 1 9 5 9 , ▁for ▁Th el on ious ▁Al one ▁in ▁San ▁Francisco . ▁Mon k ▁wrote ▁the ▁t une ▁after ▁a ▁visit ▁from ▁Guy ▁Warren ▁in ▁ 1 9 5 8 , ▁the ▁mel ody ▁is ▁borrow ed ▁from ▁Warren ' s ▁" The ▁T alk ing ▁Dr um ▁Looks ▁A head " ▁from ▁the ▁album ▁Th emes ▁for ▁African ▁Dr ums . ▁The ▁title ▁is ▁a ▁t ribute ▁to ▁Mon k ' s ▁friend ▁Cole man ▁Haw kins , ▁and ▁the ▁Black ▁Haw k ▁club ▁in ▁San ▁Francisco . ▁ ▁Blue ▁Mon k ▁A ▁bl ues ▁in ▁B ▁written ▁in ▁the ▁studio ▁and ▁first ▁recorded ▁on ▁September ▁ 2 2 , ▁ 1 9 5 4 , ▁for ▁the ▁album ▁Th el on ious ▁Mon k ▁T rio , ▁and ▁is ▁by ▁far ▁the ▁t une ▁Mon k ▁recorded ▁the ▁most . ▁The ▁mel ody ▁is ▁partly ▁borrow ed ▁from ▁Charlie ▁Sh a vers ' ▁" P ast el ▁Blue ". ▁Vers ions ▁of ▁the ▁t une ▁appear ▁on ▁Art ▁Bla key ' s ▁Jazz ▁Mess engers ▁with ▁Th el on ious ▁Mon k , ▁and ▁Mon k ' s ▁Blues . ▁The ▁t une ▁appears ▁on ▁almost ▁every ▁single ▁live ▁album ▁by |
▁Mon k , ▁including ▁the ▁albums ▁from ▁Car neg ie ▁Hall , ▁Five ▁Sp ot , ▁Town ▁Hall , ▁Tokyo , ▁New port ▁( 1 9 5 8 , ▁ 1 9 5 9 , ▁ 1 9 6 3 ), ▁It ▁Club , ▁and ▁at ▁the ▁Jazz ▁Work shop . ▁Ab bey ▁Lincoln ▁wrote ▁lyr ics ▁to ▁the ▁t une ▁around ▁ 1 9 6 1 , ▁and ▁was ▁recorded ▁by ▁Car men ▁Mc R ae ▁as ▁" Mon k ery ' s ▁the ▁Blues " ▁on ▁the ▁album ▁Car men ▁S ings ▁Mon k . ▁ ▁Blues ▁Five ▁Sp ot ▁A ▁bl ues ▁in ▁B ▁dedicated ▁to ▁the ▁Five ▁Sp ot ▁C afé , ▁and ▁appears ▁on ▁M ister ioso , ▁Mon k ' s ▁Dream , ▁and ▁Live ▁at ▁the ▁It ▁Club . ▁ ▁It ' s ▁also ▁known ▁as ▁" F ive ▁Sp ot ▁Blues ". ▁ ▁Bo o ▁Bo o ' s ▁B irth day ▁A ▁ 2 1 - bar ▁t une ▁in ▁A AB - form . ▁It ▁was ▁only ▁recorded ▁once , ▁on ▁December ▁ 2 1 , ▁ 1 9 6 7 , ▁for ▁the ▁album ▁Under ground . ▁" B oo ▁Bo o " ▁was ▁the ▁nick name ▁of ▁Mon k ' s ▁daughter , ▁Barbara ▁Ev ely n ▁Mon k ▁( Se ptember ▁ 3 , ▁ 1 9 5 3 – J anu ary ▁ 1 0 , ▁ 1 9 8 4 ). ▁ ▁Bra ke ' s ▁S ake |
▁A ▁t une ▁that ▁was ▁recorded ▁only ▁twice , ▁and ▁the ▁form ▁is ▁different ▁on ▁both ▁versions . ▁It ▁was ▁first ▁recorded ▁by ▁G igi ▁G ry ce ▁with ▁Mon k ▁as ▁a ▁side man ▁on ▁October ▁ 1 5 , ▁ 1 9 5 5 , ▁for ▁G ry ce ' s ▁album ▁N ica ' s ▁Tem po , ▁and ▁the ▁second ▁version ▁was ▁recorded ▁on ▁February ▁ 1 0 , ▁ 1 9 6 4 , ▁for ▁the ▁album ▁It ' s ▁Mon k ' s ▁Time . ▁Both ▁versions ▁have ▁the ▁A AB A ▁form , ▁where ▁the ▁last ▁A - section ▁has ▁an ▁extended ▁c oda . ▁The ▁version ▁from ▁ 1 9 5 5 ▁has ▁ 1 0 ▁bars ▁in ▁the ▁last ▁A - section , ▁while ▁the ▁version ▁from ▁ 1 9 6 4 ▁has ▁ 1 2 ▁bars , ▁accordingly . ▁ ▁Bright ▁Mississippi ▁A ▁cont raf act ▁of ▁" S weet ▁Georgia ▁Brown " ▁that ▁Mon k ▁developed ▁during ▁the ▁European ▁tour ▁in ▁ 1 9 6 1 , ▁where ▁the ▁mel ody ▁consists ▁of ▁st acc ato ▁notes ▁that ▁outline ▁the ▁harm ony . ▁It ▁was ▁first ▁recorded ▁on ▁November ▁ 1 , ▁ 1 9 6 2 , ▁for ▁Mon k ' s ▁Dream . ▁Live ▁versions ▁also ▁appear ▁from ▁the ▁albums ▁recorded ▁at ▁the ▁It ▁Club ▁and ▁the ▁Jazz ▁Work shop . ▁ ▁Br illiant ▁Corn ers ▁A ▁not or iously ▁difficult ▁ 2 2 - bar ▁t une ▁in ▁A |
BA - form ▁( 8 - 7 - 7 ▁bars ▁respectively ), ▁where ▁the ▁head ▁is ▁first ▁played ▁slowly ▁and ▁then ▁in ▁double - time . ▁The ▁ch or uses ▁in ▁the ▁sol os ▁also ▁follow ▁this ▁form . ▁The ▁t une ▁was ▁first ▁recorded ▁on ▁October ▁ 1 5 , ▁ 1 9 5 6 , ▁for ▁the ▁album ▁Br illiant ▁Corn ers , ▁and ▁the ▁song ▁had ▁not or iously ▁ 2 5 ▁incomplete ▁takes ▁of ▁the ▁t une , ▁and ▁the ▁final ▁version ▁was ▁completed ▁by ▁producer ▁Or rin ▁Keep news ▁by ▁cutting ▁together ▁the ▁incomplete ▁takes . ▁The ▁t une ▁was ▁later ▁recorded ▁in ▁a ▁simplified ▁version ▁November ▁ 2 0 , ▁ 1 9 6 8 , ▁for ▁Mon k ' s ▁Blues ▁with ▁Oliver ▁Nelson ' s ▁or chestra . ▁ ▁By e - Y a ▁A ▁ 3 2 - bar ▁Latin - t une ▁in ▁A AB A - form ▁that ▁was ▁originally ▁titled ▁" Play house " ▁( as ▁a ▁dedic ation ▁to ▁M inton ' s , ▁where ▁Mon k ▁was ▁the ▁house ▁pian ist ▁in ▁the ▁early ▁ 1 9 4 0 s ▁with ▁Ken ny ▁Clar ke ). ▁It ▁was ▁originally ▁supposed ▁to ▁be ▁arranged ▁by ▁Gil ▁Full er , ▁when ▁Mon k ▁was ▁the ▁pian ist ▁in ▁D iz zy ▁G illes pie ' s ▁big ▁band , ▁but ▁wasn ' t ▁recorded ▁until ▁October ▁ 1 5 , ▁ 1 9 5 2 , ▁for ▁the ▁album ▁Th el |
on ious ▁Mon k ▁T rio ▁under ▁the ▁name ▁" By e - Y a ". ▁Produ cer ▁Bob ▁We inst ock ▁wanted ▁to ▁call ▁the ▁t une ▁" Go ", ▁but ▁because ▁of ▁the ▁Latin ▁influence , ▁We inst ock ▁asked ▁for ▁a ▁Spanish ▁translation , ▁thus ▁" Go " ▁became ▁" V aya ", ▁and ▁" V aya " ▁became ▁" By e - Y a ". ▁The ▁t une ▁was ▁later ▁recorded ▁for ▁Mon k ' s ▁Dream , ▁and ▁live ▁versions ▁appear ▁on ▁the ▁albums ▁recorded ▁at ▁Car neg ie ▁Hall , ▁Five ▁Sp ot , ▁and ▁Lincoln ▁Center . ▁ ▁C ▁ ▁Children ’ s ▁Song ▁A ▁ 1 6 - bar ▁( AA - form ) ▁composition ▁in ▁E , ▁derived ▁from ▁the ▁traditional ▁children ' s ▁counting ▁song ▁" This ▁Old ▁Man ." ▁It ▁was ▁only ▁recorded ▁once , ▁on ▁October ▁ 7 , ▁ 1 9 6 4 , ▁for ▁the ▁album ▁Mon k . ▁ ▁The ▁original ▁s tere o ▁LP ▁referred ▁to ▁the ▁song ▁as ▁“ That ▁Old ▁Man ” ▁on ▁both ▁the ▁jack et ▁and ▁the ▁label , ▁but ▁the ▁mon o ▁LP ▁listed ▁the ▁song ▁as ▁“ That ▁Old ▁Man ” ▁on ▁the ▁jack et ▁and ▁“ Children ’ s ▁Song ” ▁on ▁the ▁label , ▁as ▁have ▁later ▁re issues ▁of ▁the ▁s tere o ▁LP . ▁ ▁A ▁ 1 9 8 4 ▁European ▁LP ▁listed ▁it ▁as ▁simply ▁“ Children ’ s ▁Song ,” ▁but ▁it ▁has ▁generally |
▁been ▁known ▁as ▁“ Children ’ s ▁Song ▁( That ▁Old ▁Man ) ” ▁since ▁the ▁ 2 0 0 2 ▁CD ▁issue . ▁ ▁Com ing ▁on ▁the ▁Hudson ▁A ▁ 1 9 - bar ▁t une ▁in ▁A AB - form ▁that ▁Mon k ▁wrote ▁in ▁ 1 9 5 8 ▁during ▁his ▁stay ▁at ▁P annon ica ▁de ▁Ko enig sw arter ' s ▁house ▁at ▁We eh aw ken , ▁New ▁Jersey , ▁where ▁the ▁house ▁had ▁a ▁good ▁view ▁of ▁the ▁Hudson ▁River . ▁It ▁was ▁first ▁recorded ▁on ▁February ▁ 2 5 , ▁ 1 9 5 8 , ▁with ▁Clark ▁Terry , ▁Johnny ▁Griff in ▁and ▁Pe pper ▁Adams ▁with ▁Mon k ' s ▁rh ythm ▁section . ▁This ▁performance ▁currently ▁appears ▁on ▁Mon k ' s ▁Complete ▁R ivers ide ▁Record ings , ▁though ▁it ▁first ▁appeared ▁on ▁the ▁ 1 9 8 4 ▁r ar ities ▁compilation ▁Blues ▁Five ▁Sp ot . ▁A ▁live ▁version ▁appears ▁on ▁the ▁ 1 9 5 8 ▁album ▁Th el on ious ▁in ▁Action : ▁Record ed ▁at ▁the ▁Five ▁Sp ot ▁Ca fe , ▁and ▁it ▁was ▁later ▁recorded ▁in ▁studio ▁for ▁the ▁album ▁Cr iss - C ross . ▁ ▁C rep usc ule ▁with ▁Nell ie ▁A ▁through - com posed ▁t une ▁that ▁is ▁played ▁without ▁sol os . ▁Mon k ▁composed ▁the ▁t une ▁throughout ▁May ▁ 1 9 5 7 . ▁The ▁t une ▁was ▁originally ▁titled ▁" Tw il ight ▁with |
▁Nell ie ", ▁but ▁P annon ica ▁de ▁Ko enig sw arter ▁suggested ▁instead ▁to ▁use ▁the ▁French ▁word ▁for ▁tw il ight , ▁which ▁is ▁cre pus c ule . ▁The ▁t une ▁was ▁first ▁recorded ▁with ▁Mon k ' s ▁sept et ▁for ▁Mon k ' s ▁Music ; ▁on ▁that ▁album ▁( and ▁on ▁many ▁of ▁its ▁re issues ), ▁" C rep usc ule " ▁was ▁sp elled ▁" C rep esc ule " ▁( 3 ▁e ''' s , ▁ 1 ▁u ). ▁ ▁The ▁t une ▁also ▁appears ▁on ▁Les ▁L ia isons ▁d ang ere uses ▁ 1 9 6 0 , ▁Cr iss - C ross ., ▁and ▁on ▁the ▁live ▁albums ▁from ▁Car neg ie ▁Hall , ▁Town ▁Hall , ▁France ▁and ▁Italy . ▁ ▁Cr iss - C ross ▁" Cr iss - C ross " ▁( origin ally ▁titled ▁" S ail or ▁Cap ") ▁was ▁one ▁Mon k ' s ▁very ▁first ▁compos itions , ▁he ▁wrote ▁early ▁in ▁ 1 9 4 4 ▁as ▁response ▁to ▁a ▁collabor ative ▁project ▁between ▁Mon k , ▁Mary ▁Lou ▁Williams , ▁and ▁Bud ▁Pow ell . ▁It ▁was ▁first ▁recorded ▁on ▁July ▁ 2 3 , ▁ 1 9 5 1 , ▁for ▁the ▁Gen ius ▁of ▁Modern ▁Music ▁sessions , ▁and ▁was ▁later ▁featured ▁on ▁the ▁ 1 9 6 4 ▁album ▁of ▁the ▁same ▁name . ▁On ▁the ▁first ▁version , ▁the ▁t une ▁is ▁in ▁a ▁standard ▁ 3 2 |
- bar ▁A AB A - form , ▁but ▁in ▁the ▁last ▁version , ▁the ▁two ▁last ▁bars ▁of ▁the ▁B - section ▁are ▁dropped . ▁ ▁The ▁t une ▁inspired ▁Gun ther ▁Sch ull er ▁to ▁compose ▁variations ▁on ▁Cr iss - C ross , ▁which ▁premier ed ▁on ▁May ▁ 1 7 , ▁ 1 9 6 0 , ▁and ▁was ▁later ▁released ▁on ▁Jazz ▁Ab stra ctions , ▁featuring ▁Or net te ▁Cole man ▁and ▁Eric ▁Dol phy ▁as ▁solo ists . ▁ ▁E ▁Ep istro phy ▁" E p istro phy " ▁( initial ly ▁called ▁" F ly ▁R ite " ▁or ▁" I amb ic ▁pent am eter ") ▁was ▁co - written ▁with ▁Ken ny ▁Clar ke , ▁and ▁was ▁copy right ed ▁on ▁June ▁ 2 , ▁ 1 9 4 1 , ▁and ▁was ▁the ▁first ▁t une ▁copy right ed ▁by ▁Mon k . ▁It ▁is ▁a ▁relatively ▁at onal ▁ 3 2 - bar ▁t une ▁in ▁ABC B - form , ▁though ▁the ▁key ▁center ▁is ▁C . ▁ ▁The ▁main ▁mel od ic ▁theme ▁was ▁composed ▁by ▁Clar ke , ▁after ▁experiment ing ▁with ▁finger ings ▁on ▁the ▁uk ule le , ▁and ▁the ▁ch ords ▁where ▁written ▁by ▁Mon k . ▁The ▁title ▁" E p istro phy " ▁is ▁not ▁a ▁word ▁in ▁any ▁dictionary . ▁However , ▁the ▁word ▁" ep ist rop he " ▁is ▁defined ▁by ▁Mer ri am - Web ster ▁as ▁" the |
▁repet ition ▁of ▁a ▁word ▁or ▁expression ▁at ▁the ▁end ▁of ▁success ive ▁phr ases , ▁cla uses , ▁sentences , ▁or ▁vers es ▁especially ▁for ▁r het or ical ▁or ▁po etic ▁effect ". ▁ ▁The ▁t une ▁appears ▁on ▁almost ▁every ▁single ▁live ▁album ▁by ▁Mon k , ▁as ▁it ▁was ▁the ▁closing ▁t une ▁of ▁each ▁set ▁from ▁Mon k ' s ▁days ▁at ▁M inton ' s ▁Play house ▁on wards . ▁The ▁first ▁recording ▁was ▁by ▁C oot ie ▁Williams ▁on ▁April ▁ 1 , ▁ 1 9 4 2 , ▁and ▁it ▁was ▁later ▁recorded ▁by ▁Clar ke ' s ▁band ▁on ▁September ▁ 5 , ▁ 1 9 4 6 . ▁It ▁was ▁not ▁recorded ▁by ▁Mon k ▁before ▁July ▁ 2 , ▁ 1 9 4 8 , ▁for ▁the ▁W izard ▁of ▁the ▁V ib es ▁sessions , ▁featuring ▁M ilt ▁Jackson . ▁It ▁was ▁later ▁recorded ▁for ▁Mon k ' s ▁Music ▁and ▁was ▁an ▁out take ▁from ▁the ▁It ' s ▁Mon k ' s ▁Time ▁sessions . ▁ ▁Er onel ▁A ▁ 3 2 - bar ▁t une ▁in ▁A AB A - form ▁originally ▁composed ▁by ▁Sad ik ▁H ak im , ▁co - written ▁with ▁Id rees ▁Sul iem an . ▁It ▁was ▁recorded ▁on ▁July ▁ 2 3 , ▁ 1 9 5 1 , ▁for ▁the ▁Gen ius ▁of ▁Modern ▁Music ▁sessions . ▁However , ▁Mon k ▁repeatedly ▁changed ▁notes ▁and ▁the ▁ch ords ▁to ▁the ▁t |
une ▁and ▁added ▁the ▁B - section , ▁eventually ▁making ▁it ▁" his " ▁t une . ▁H ak im ▁originally ▁wrote ▁the ▁t une ▁in ▁dedic ation ▁to ▁an ▁old ▁fl ame ▁of ▁H ak im , ▁Len ore ▁Gordon ▁( E ron el ▁is ▁Len ore ▁backwards ). ▁When ▁the ▁recording ▁was ▁released , ▁it ▁was ▁only ▁cred ited ▁to ▁Mon k ▁– ▁H ak im ▁and ▁Sul iem an ▁did ▁not ▁receive ▁the ▁composer ' s ▁credit ▁until ▁Mon k ' s ▁death . ▁It ▁later ▁appeared ▁on ▁P iano ▁Solo , ▁and ▁on ▁Cr iss - C ross . ▁ ▁Ev idence ▁A ▁cont raf act ▁of ▁" Just ▁You , ▁Just ▁Me ". ▁The ▁title ▁is ▁a ▁cor ruption ▁from ▁" Just ▁You , ▁Just ▁Me " ▁to ▁" Just ▁Us " ▁to ▁" Just ice " ▁to ▁the ▁final ▁title ▁" E v idence ". ▁The ▁t une ▁was ▁first ▁recorded ▁on ▁July ▁ 2 , ▁ 1 9 4 8 , ▁for ▁the ▁W izard ▁of ▁the ▁V ib es ▁sessions , ▁featuring ▁M ilt ▁Jackson , ▁later ▁on ▁P iano ▁Solo , ▁and ▁on ▁Art ▁Bla key ' s ▁Jazz ▁Mess engers ▁with ▁Th el on ious ▁Mon k . ▁The ▁mel ody ▁and ▁ch ord ▁pro gression ▁of ▁the ▁t une ▁continued ▁to ▁evol ve , ▁finally ▁g elling ▁into ▁a ▁" def init ive " ▁form ▁in ▁later ▁ 1 9 5 7 , ▁as ▁heard ▁on ▁at ▁Car neg ie ▁Hall ▁and |
▁Th el on ious ▁in ▁Action . ▁Live ▁versions ▁appear ▁on ▁the ▁albums ▁recorded ▁at ▁Car neg ie ▁Hall , ▁Five ▁Sp ot , ▁Black h awk , ▁Tokyo , ▁Lincoln ▁Center , ▁It ▁Club ▁and ▁the ▁Jazz ▁Work shop . ▁ ▁F ▁Four ▁in ▁One ▁A ▁ 3 2 - bar ▁t une ▁in ▁A AB A - form ▁not orious ▁for ▁its ▁many ▁ 1 6 th ▁notes . ▁A ▁cont raf act ▁of ▁" F ive ▁Foot ▁Two ", ▁It ▁was ▁first ▁recorded ▁on ▁July ▁ 2 3 , ▁ 1 9 5 1 , ▁for ▁the ▁Gen ius ▁of ▁Modern ▁Music ▁sessions . ▁It ▁later ▁appeared ▁on ▁the ▁live ▁albums ▁recorded ▁at ▁the ▁Black h awk ▁and ▁at ▁the ▁Lincoln ▁Center . ▁ ▁Friday ▁the ▁ 1 3 th ▁A ▁ 4 - bar ▁t une ▁built ▁on ▁an ▁emb ell ished ▁And alus ian ▁cad ence ▁in ▁G . ▁The ▁t une ▁was ▁written ▁and ▁recorded ▁in ▁the ▁studio ▁on ▁November ▁ 1 3 , ▁ 1 9 5 3 . ▁The ▁t une ▁was ▁partly ▁inspired ▁by ▁tr ump eter ▁Ray ▁Cop eland ▁having ▁the ▁flu ▁on ▁the ▁recording ▁date , ▁and ▁horn ▁player ▁Julius ▁Wat kins ▁stepped ▁in ▁instead . ▁The ▁t une ▁was ▁later ▁released ▁on ▁the ▁album ▁Th el on ious ▁Mon k ▁and ▁Son ny ▁Roll ins . ▁The ▁t une ▁later ▁appeared ▁on ▁the ▁live ▁album ▁The ▁Th el on ious ▁Mon k ▁Orchestra ▁at ▁Town ▁Hall . ▁ ▁Function al ▁A |
▁ 1 2 - bar ▁bl ues ▁recorded ▁solo ▁on ▁April ▁ 1 6 , ▁ 1 9 5 7 , ▁for ▁the ▁album ▁Th el on ious ▁Him self . ▁The ▁second ▁take ▁was ▁released ▁on ▁Th el on ious ▁Him self , ▁while ▁the ▁first ▁take ▁was ▁later ▁used ▁in ▁compiling ▁the ▁album ▁Th el on ious ▁Mon k ▁with ▁John ▁Col tr ane . ▁ ▁G ▁Gal lop ' s ▁Gal lop ▁A ▁ 3 2 - bar ▁t une ▁in ▁A AB A - form ▁with ▁a ▁not or iously ▁difficult ▁mel ody . ▁It ▁was ▁first ▁recorded ▁by ▁G igi ▁G ry ce ▁with ▁Mon k ▁as ▁a ▁side man ▁on ▁October ▁ 1 5 , ▁ 1 9 5 5 ▁for ▁G ry ce ' s ▁album ▁N ica ' s ▁Tem po , ▁and ▁later ▁appears ▁on ▁the ▁live ▁album ▁Live ▁at ▁the ▁It ▁Club . ▁ ▁Green ▁Ch im ne ys ▁A ▁ 3 2 - bar ▁t une ▁in ▁A BA - form ▁that ▁Mon k ▁wrote ▁between ▁December ▁ 1 9 6 5 – J anu ary ▁ 1 9 6 6 ▁in ▁dedic ation ▁to ▁his ▁children ▁who ▁went ▁to ▁school ▁at ▁that ▁point . ▁It ▁was ▁first ▁recorded ▁on ▁November ▁ 1 4 , ▁ 1 9 6 6 , ▁for ▁the ▁album ▁Stra ight , ▁No ▁Ch aser , ▁and ▁later ▁appears ▁on ▁the ▁album ▁Under ground . ▁ ▁H ▁H ack ens ack ▁A ▁cont raf act ▁of ▁” |
Oh , ▁Lady ▁Be ▁Good !” ▁that ▁was ▁first ▁" st olen " ▁by ▁Mary ▁Lou ▁Williams ▁and ▁was ▁first ▁recorded ▁on ▁December ▁ 1 5 , ▁ 1 9 4 4 , ▁by ▁her ▁band . ▁Cole man ▁Haw kins ▁later ▁claimed ▁ownership ▁of ▁the ▁t une ▁and ▁recorded ▁it ▁under ▁the ▁name ▁" R if ft ide " ▁and ▁recorded ▁it ▁February ▁ 2 3 , ▁ 1 9 4 5 . ▁It ▁was ▁not ▁recorded ▁by ▁Mon k ▁until ▁May ▁ 1 1 , ▁ 1 9 5 4 , ▁and ▁appears ▁on ▁the ▁album ▁Mon k . ▁It ▁quickly ▁became ▁a ▁st ap le ▁of ▁Mon k ' s ▁re per toire , ▁and ▁appears ▁on ▁the ▁albums ▁P iano ▁Solo , ▁and ▁on ▁Cr iss - C ross . ▁It ▁appears ▁on ▁the ▁live ▁albums ▁recorded ▁at ▁New port ▁with ▁Mil es ▁Davis ▁and ▁Ger ry ▁M ull igan ▁( 1 9 5 5 ), ▁France , ▁Tokyo , ▁and ▁at ▁the ▁Jazz ▁Work shop . ▁ ▁Horn in ' ▁In ▁A ▁ 3 2 - bar ▁t une ▁in ▁A AB A - form ▁in ▁D ▁that ▁was ▁only ▁recorded ▁once , ▁on ▁May ▁ 3 0 , ▁ 1 9 5 2 , ▁for ▁the ▁Gen ius ▁of ▁Modern ▁Music ▁sessions . ▁ ▁Hum ph ▁A ▁cont raf act ▁of ▁” I ▁Got ▁Rh ythm ” ▁that ▁was ▁the ▁very ▁first ▁t une ▁Mon k ▁recorded ▁as ▁a ▁leader . ▁During ▁the ▁head , ▁the ▁first |
▁four ▁bars ▁of ▁the ▁A - section ▁are ▁replaced ▁with ▁cy cling ▁domin ants , ▁that ▁start ▁on ▁F 7 , ▁before ▁landing ▁on ▁the ▁t onic ▁B ▁in ▁bar ▁ 5 . ▁The ▁cy cling ▁domin ants ▁became ▁a ▁cl ich é ▁that ▁Mon k ▁would ▁always ▁play ▁on ▁other ▁Rh ythm ▁changes ▁t unes . ▁The ▁t une ▁was ▁only ▁recorded ▁only ▁once , ▁on ▁October ▁ 1 5 , ▁ 1 9 4 7 , ▁for ▁the ▁Gen ius ▁of ▁Modern ▁Music ▁sessions . ▁ ▁I ▁I ▁Mean ▁You ▁A ▁ 3 2 - bar ▁t une ▁in ▁A AB A - form ▁that ▁Mon k ▁co - w rote ▁with ▁Cole man ▁Haw kins , ▁and ▁Haw kins ▁was ▁the ▁first ▁to ▁record ▁the ▁t une ▁in ▁December , ▁ 1 9 4 6 . ▁The ▁first ▁recording ▁by ▁Mon k ▁was ▁recorded ▁on ▁July ▁ 2 , ▁ 1 9 4 8 , ▁for ▁the ▁W izard ▁of ▁the ▁V ib es ▁sessions , ▁featuring ▁M ilt ▁Jackson . ▁The ▁t une ▁later ▁appears ▁on ▁Art ▁Bla key ' s ▁Jazz ▁Mess engers ▁with ▁Th el on ious ▁Mon k , ▁M ull igan ▁Me ets ▁Mon k , ▁and ▁on ▁ 5 ▁by ▁Mon k ▁by ▁ 5 . ▁Live ▁versions ▁of ▁the ▁t une ▁appear ▁on ▁the ▁albums ▁recorded ▁on ▁Five ▁Sp ot , ▁Live ▁versions ▁of ▁the ▁t une ▁appear ▁on ▁the ▁albums ▁recorded ▁in ▁France ▁and ▁at ▁the ▁Lincoln ▁Center . ▁Both ▁Ch aka |
▁Khan ▁and ▁Jon ▁Hend r icks ▁have ▁written ▁lyr ics ▁to ▁t une . ▁Khan ' s ▁lyr ics ▁first ▁appears ▁on ▁the ▁album ▁E cho es ▁of ▁an ▁Era . ▁Hend r icks ▁re - t itled ▁the ▁t une ▁” You ▁Know ▁Who ”, ▁and ▁was ▁first ▁recorded ▁by ▁Car men ▁Mc R ae ▁for ▁the ▁album ▁Car men ▁S ings ▁Mon k . ▁ ▁In ▁Walk ed ▁Bud ▁ ▁" In ▁Walk ed ▁Bud " ▁was ▁based ▁lo os ely ▁on ▁the ▁ch ord ▁pro gression ▁of ▁Blue ▁Sk ies , ▁an ▁early ▁pop ▁standard ▁composed ▁in ▁ 1 9 2 7 ▁by ▁Ir ving ▁Berlin . ▁Mon k ▁composed ▁" In ▁Walk ed ▁Bud " ▁as ▁a ▁t ribute ▁to ▁friend ▁and ▁fellow ▁jazz ▁pian ist ▁Bud ▁Pow ell , ▁and ▁many ▁bi ograph ies ▁of ▁Pow ell ▁have ▁since ▁c ited ▁it ▁as ▁Mon k ' s ▁grat itude ▁for ▁Pow ell ' s ▁actions ▁in ▁his ▁defense ▁during ▁a ▁police ▁ra id ▁of ▁the ▁Sav oy ▁Ball room ▁in ▁ 1 9 4 5 . ▁The ▁t une ▁was ▁first ▁recorded ▁by ▁Mon k ▁on ▁November ▁ 2 1 , ▁ 1 9 4 7 , ▁for ▁the ▁Gen ius ▁of ▁Modern ▁Music ▁sessions . ▁It ▁was ▁later ▁also ▁recorded ▁for ▁the ▁album ▁Art ▁Bla key ' s ▁Jazz ▁Mess engers ▁with ▁Th el on ious ▁Mon k . ▁Live ▁versions ▁of ▁the ▁t une ▁appear ▁on ▁the ▁live ▁albums ▁Disc overy !, ▁M ister ioso ▁and |
▁on ▁The ▁Th el on ious ▁Mon k ▁Orchestra ▁at ▁Town ▁Hall . ▁The ▁last ▁recording ▁by ▁Mon k ▁was ▁for ▁his ▁ 1 9 6 8 ▁record ▁Under ground , ▁featuring ▁lyr ics ▁and ▁vocals ▁by ▁Jon ▁Hend r icks . ▁The ▁song ▁has ▁since ▁been ▁covered ▁by ▁numerous ▁artists . ▁ ▁Int ros pection ▁A ▁ 3 6 - bar ▁t une ▁in ▁A AB A - form ▁( 8 - 8 - 8 - 1 2 ). ▁It ▁that ▁was ▁first ▁recorded ▁on ▁October ▁ 2 4 , ▁ 1 9 4 7 , ▁for ▁the ▁Gen ius ▁of ▁Modern ▁Music ▁sessions . ▁It ▁was ▁also ▁later ▁recorded ▁for ▁the ▁album ▁Solo ▁Mon k . ▁ ▁The ▁t une ▁is ▁notable ▁for ▁its ▁radical ▁ch ord ▁progress ions ▁and ▁form , ▁as ▁it ▁is ▁border line ▁at onal . ▁In ▁most ▁jazz ▁standards , ▁the ▁A - section ▁is ▁used ▁to ▁establish ▁the ▁key , ▁while ▁the ▁B - section ▁has ▁t onal ▁exc urs ions , ▁but ▁in ▁" Int ros pection ", ▁the ▁roles ▁of ▁the ▁sections ▁are ▁revers ed . ▁The ▁A - section ▁doesn ' t ▁land ▁on ▁a ▁stable ▁ch ord ▁until ▁bar ▁ 6 ▁where ▁it ▁lands ▁on ▁D Δ 7 , ▁but ▁the ▁B - section ▁establish es ▁D Δ 7 ▁as ▁a ▁new ▁key ▁center . ▁The ▁last ▁extended ▁A - section ▁finally ▁lands ▁on ▁D Δ 7 ▁in ▁the ▁ 4 - bar ▁c oda . ▁ ▁J ▁Jack ie - |
ing ▁A ▁through - com posed ▁ 1 6 - bar ▁t une ▁in ▁the ▁B ▁l yd ian ▁mode , ▁that ▁Mon k ▁named ▁after ▁his ▁nie ce , ▁Jack ie ▁Smith . ▁It ▁was ▁first ▁recorded ▁on ▁June ▁ 4 , ▁ 1 9 5 9 , ▁for ▁the ▁album ▁ 5 ▁by ▁Mon k ▁by ▁ 5 . ▁The ▁t une ' s ▁march - like ▁feeling ▁made ▁it ▁the ▁opening ▁theme ▁for ▁many ▁of ▁Mon k ' s ▁concert s . ▁It ▁also ▁appears ▁on ▁the ▁live ▁albums ▁from ▁Italy , ▁France ▁and ▁Tokyo . ▁ ▁L ▁Let ' s ▁Call ▁This ▁A ▁ 3 2 - bar ▁t une ▁in ▁A AB A - form ▁that ' s ▁very ▁similar ▁to ▁the ▁changes ▁to ▁" H one ys uck le ▁Rose ". ▁It ▁was ▁first ▁recorded ▁on ▁November ▁ 1 3 , ▁ 1 9 5 3 , ▁and ▁appears ▁on ▁the ▁album ▁Mon k . ▁It ▁later ▁appears ▁on ▁the ▁live ▁album ▁recorded ▁at ▁the ▁Black h awk . ▁Mar go ▁G ury an ▁also ▁wrote ▁lyr ics ▁for ▁the ▁t une . ▁ ▁Let ' s ▁C ool ▁One ▁A ▁ 3 2 - bar ▁t une ▁in ▁A AB A - form ▁that ▁was ▁first ▁recorded ▁on ▁May ▁ 3 0 , ▁ 1 9 5 2 , ▁for ▁the ▁Gen ius ▁of ▁Modern ▁Music ▁sessions . ▁It ▁was ▁later ▁recorded ▁with ▁Clark ▁Terry ▁for ▁the ▁album ▁In ▁Or bit , ▁and ▁appears ▁on ▁M |
ister ioso , ▁and ▁Mon k ' s ▁Blues . ▁Mar go ▁G ury an ▁also ▁wrote ▁lyr ics ▁for ▁the ▁t une . ▁ ▁Light ▁Blue ▁An ▁ 8 - bar ▁t une ▁that ▁was ▁composed ▁in ▁ 1 9 5 7 , ▁and ▁first ▁appears ▁on ▁the ▁live ▁album ▁Th el on ious ▁in ▁Action . ▁It ▁later ▁appears ▁on ▁the ▁albums ▁Les ▁L ia isons ▁d ang ere uses ▁ 1 9 6 0 ▁and ▁on ▁Big ▁Band ▁and ▁Quart et ▁in ▁Con cert . ▁ ▁Little ▁Root ie ▁To ot ie ▁A ▁ 3 2 - bar ▁t une ▁in ▁A AB A - form ▁in ▁A , ▁that ▁was ▁written ▁around ▁ 1 9 4 3 – 1 9 4 4 , ▁and ▁was ▁originally ▁called ▁" The ▁P ump ". ▁It ▁was ▁later ▁ret itled ▁" L ittle ▁Root ie ▁To ot ie " ▁in ▁dedic ation ▁to ▁Mon k ' s ▁son , ▁" To ot " ▁Mon k , ▁and ▁first ▁recorded ▁October ▁ 1 5 , ▁ 1 9 5 2 ▁for ▁the ▁album ▁Th el on ious ▁Mon k ▁T rio . ▁It ▁was ▁later ▁recorded ▁with ▁Mon k ' s ▁big ▁band ▁for ▁the ▁album ▁The ▁Th el on ious ▁Mon k ▁Orchestra ▁at ▁Town ▁Hall , ▁where ▁Mon k ' s ▁solo ▁from ▁the ▁first ▁played ▁as ▁a ▁shout ▁ch orus ▁by ▁the ▁horn s ▁in ▁the ▁big ▁band . ▁It ▁later ▁appears ▁on ▁Mon k ' s ▁Blues . ▁ |
▁Lo comot ive ▁A ▁ 2 0 - bar ▁t une ▁in ▁A BA - form ▁( 8 - 8 - 4 ) ▁that ▁was ▁first ▁recorded ▁on ▁May ▁ 1 1 , ▁ 1 9 5 4 , ▁and ▁appears ▁on ▁the ▁album ▁Mon k . ▁It ▁later ▁appears ▁on ▁the ▁album ▁Stra ight , ▁No ▁Ch aser . ▁ ▁M ▁A ▁Mer rier ▁Christmas ▁A ▁Christmas ▁t une ▁that ▁Mon k ▁composed ▁in ▁the ▁hol iday ▁of ▁ 1 9 5 9 ▁with ▁lyr ics , ▁that ▁was ▁never ▁recorded . ▁It ▁was ▁supposed ▁to ▁be ▁recorded ▁for ▁the ▁Under ground ▁sessions , ▁but ▁was ▁never ▁ultimately ▁recorded ▁due ▁to ▁Mon k ' s ▁failing ▁health . ▁ ▁M ister ioso ▁" M ister ioso " ▁was ▁the ▁very ▁first ▁ 1 2 - bar ▁bl ues ▁that ▁Mon k ▁wrote , ▁and ▁it ▁was ▁first ▁recorded ▁on ▁July ▁ 2 , ▁ 1 9 4 8 , ▁for ▁the ▁W izard ▁of ▁the ▁V ib es ▁sessions , ▁featuring ▁M ilt ▁Jackson . ▁The ▁t une ▁later ▁appears ▁on ▁Son ny ▁Roll ins , ▁Vol . ▁ 2 , ▁M ister ioso , ▁Big ▁Band ▁and ▁Quart et ▁in ▁Con cert , ▁Live ▁at ▁the ▁It ▁Club ▁and ▁Live ▁at ▁the ▁Jazz ▁Work shop . ▁ ▁Mon k ' s ▁Dream ▁A ▁ 3 2 - bar ▁t une ▁in ▁A AB A - form , ▁and ▁was ▁first ▁recorded ▁October ▁ 1 5 , ▁ 1 9 5 2 |
▁and ▁written ▁around ▁the ▁same ▁time . ▁It ▁first ▁appeared ▁on ▁the ▁album ▁Th el on ious ▁Mon k ▁T rio . ▁It ▁later ▁appears ▁on ▁the ▁album ▁Mon k ' s ▁Dream . ▁Jon ▁Hend r icks ▁later ▁wrote ▁lyr ics ▁to ▁the ▁t une , ▁and ▁ret itled ▁it ▁" Man , ▁That ▁Was ▁a ▁Dream ", ▁and ▁was ▁first ▁recorded ▁by ▁Car men ▁Mc R ae ▁for ▁the ▁album ▁Car men ▁S ings ▁Mon k . ▁ ▁Mon k ' s ▁M ood ▁A ▁ball ad ▁in ▁A AB A - form ▁that ▁was ▁written ▁around ▁ 1 9 4 3 – 1 9 4 4 , ▁and ▁went ▁through ▁many ▁working ▁titles , ▁including ▁" Fe eling ▁That ▁Way ▁Now ", ▁and ▁" Be ▁Mer rier ▁Sarah ", ▁until ▁Mon k ▁settled ▁for ▁the ▁title ▁" Mon k ' s ▁M ood ". ▁It ▁was ▁first ▁recorded ▁on ▁October ▁ 2 4 , ▁ 1 9 4 7 , ▁for ▁the ▁Gen ius ▁of ▁Modern ▁Music ▁sessions . ▁The ▁t une ▁later ▁appears ▁on ▁Th el on ious ▁Him self , ▁featuring ▁John ▁Col tr ane ▁and ▁Wil bur ▁W are . ▁It ▁later ▁appears ▁on ▁the ▁live ▁albums ▁from ▁Car neg ie ▁Hall ▁and ▁Town ▁Hall . ▁ ▁Mon k ' s ▁Point ▁A ▁ 1 2 - bar ▁bl ues ▁in ▁B , ▁described ▁as ▁Mon k ' s ▁" hom age ▁to ▁the ▁bent ▁note ", ▁it ▁first ▁appeared ▁on ▁Solo ▁Mon k , ▁then ▁a |
▁second ▁( and ▁final ) ▁time ▁on ▁Mon k ' s ▁Blues ▁with ▁the ▁Oliver ▁Nelson ▁Orchestra . ▁ ▁N ▁North ▁of ▁the ▁Sun set ▁A ▁ 1 2 - bar ▁bl ues ▁in ▁B ▁built ▁on ▁a ▁short ▁r iff ▁similar ▁to ▁one ▁later ▁used ▁in ▁" R a ise ▁Four ". ▁It ▁was ▁only ▁recorded ▁once , ▁in ▁the ▁afternoon ▁session ▁on ▁October ▁ 3 1 , ▁ 1 9 6 4 , ▁for ▁the ▁album ▁Solo ▁Mon k . ▁The ▁recording ▁session ▁was ▁in ▁Los ▁Angeles ▁during ▁a ▁West ▁Coast ▁tour ▁by ▁the ▁quart et , ▁suggesting ▁that ▁the ▁title ▁probably ▁to ▁Sun set ▁Bou lev ard . ▁ ▁N ut ty ▁A ▁ 3 2 - bar ▁t une ▁in ▁A AB A - form ▁in ▁B ▁that ▁written ▁in ▁the ▁studio ▁and ▁first ▁recorded ▁on ▁September ▁ 2 2 , ▁ 1 9 5 4 , ▁for ▁the ▁album ▁Th el on ious ▁Mon k ▁T rio . ▁The ▁t une ▁is ▁struct ured ▁like ▁" B em sha ▁Sw ing " ▁and ▁" Good ▁B ait ", ▁in ▁that ▁in ▁their ▁respective ▁B - sections , ▁that ▁A - part ▁is ▁trans posed ▁to ▁the ▁sub domin ant ▁to ▁create ▁B - section . ▁The ▁t une ▁was ▁recorded ▁again ▁July ▁ 1 9 5 7 ▁for ▁the ▁album ▁Th el on ious ▁Mon k ▁with ▁John ▁Col tr ane . ▁Live ▁versions ▁of ▁the ▁t une ▁appear ▁on ▁the ▁albums ▁from ▁Car neg ie ▁Hall ▁and |
Subsets and Splits