text
stringlengths 505
4.3k
|
|---|
▁in ▁the ▁UK ▁Singles ▁Chart ▁and ▁number ▁seven ▁on ▁the ▁Billboard ▁Hot ▁ 1 0 0 ▁in ▁the ▁US . ▁Se al ▁st ole ▁the ▁show ▁at ▁the ▁ 1 9 9 2 ▁Brit ▁Awards ▁held ▁at ▁the ▁Hamm ers m ith ▁O de on , ▁London , ▁with ▁the ▁first ▁hat - tr ick ▁of ▁wins ▁in ▁the ▁history ▁of ▁the ▁event . ▁He ▁won ▁in ▁three ▁categories : ▁Best ▁British ▁Male , ▁Best ▁British ▁Video ▁(" K iller "), ▁and ▁Best ▁British ▁Album ▁( Se al ). ▁ ▁In ▁ 1 9 9 2 , ▁Se al ▁appeared ▁on ▁the ▁Red ▁Hot ▁Organ ization ' s ▁compilation ▁CD ▁Red ▁Hot ▁+ ▁Dance , ▁contrib uting ▁an ▁exclusive ▁track ▁" C ra zy ▁( If ▁I ▁Was ▁Tre v ▁Mix ) ". ▁The ▁album , ▁featuring ▁George ▁Michael ▁and ▁Madonna ▁among ▁others , ▁raised ▁money ▁and ▁aw aren ess ▁in ▁support ▁of ▁the ▁A ID S ▁ep ide mic ▁by ▁don ating ▁all ▁proceed s ▁to ▁A ID S ▁char ities . ▁ ▁Se al ▁II ▁( 1 9 9 4 ) ▁ ▁After ▁Se al ▁re group ed ▁with ▁Tre vor ▁Horn , ▁his ▁second ▁album , ▁also ▁self - t itled , ▁was ▁released ▁in ▁ 1 9 9 4 . ▁A ▁success , ▁the ▁album ▁featured ▁the ▁singles ▁" P ray er ▁for ▁the ▁D ying " ▁and ▁" New born ▁Friend ", ▁and ▁later ▁received ▁a ▁Gram my ▁nom ination ▁for ▁Album ▁of ▁the ▁Year . ▁" P |
ray er ▁for ▁the ▁D ying " ▁became ▁a ▁minor ▁pop ▁hit ▁in ▁the ▁US , ▁pe aking ▁at ▁number ▁ 2 1 ▁on ▁the ▁Billboard ▁Hot ▁ 1 0 0 . ▁A ▁third ▁single , ▁" K iss ▁from ▁a ▁Rose ", ▁performed ▁mod est ly ▁when ▁released , ▁but ▁was ▁later ▁featured ▁to ▁much ▁wider ▁popular ity ▁when ▁it ▁was ▁rem ixed ▁for ▁the ▁sound track ▁to ▁Bat man ▁Fore ver . ▁" K iss ▁from ▁a ▁Rose " ▁won ▁a ▁Gram my ▁Award ▁for ▁Record ▁of ▁the ▁Year ▁and ▁Gram my ▁Award ▁for ▁Song ▁of ▁the ▁Year ▁in ▁ 1 9 9 6 , ▁becoming ▁Se al ' s ▁best - perform ing ▁single ▁on ▁the ▁US ▁market ▁( it ▁to pped ▁the ▁Billboard ▁Hot ▁ 1 0 0 ▁in ▁late ▁August ▁ 1 9 9 5 ) ▁and ▁hit ▁number ▁four ▁in ▁the ▁UK . ▁ ▁Human ▁Being ▁ ▁In ▁ 1 9 9 8 , ▁Se al ▁released ▁Human ▁Being . ▁The ▁album ▁was ▁the ▁product ▁of ▁a ▁tur bul ent ▁time ▁in ▁his ▁life , ▁including ▁a ▁split ▁and ▁later ▁recon c ili ation ▁with ▁producer ▁Horn , ▁as ▁well ▁as ▁Se al ' s ▁part ing ▁with ▁Z TT ▁Records ▁and ▁his ▁signing ▁with ▁Warner ▁B ros . ▁Records ▁in ▁ 1 9 9 7 . ▁The ▁record ▁was ▁p anned ▁upon ▁its ▁release . ▁It ▁received ▁gold ▁record ▁cert ification ▁by ▁the ▁R I AA ▁just ▁two ▁months ▁after ▁its ▁release ▁date . ▁The ▁album |
▁provided ▁three ▁singles , ▁" H uman ▁Be ings ", ▁" Lat est ▁Cra ze ", ▁and ▁" L ost ▁My ▁Fa ith ". ▁ ▁T ogether land ▁ ▁In ▁ 2 0 0 1 , ▁fans ▁await ed ▁the ▁arrival ▁of ▁a ▁new ▁album , ▁announced ▁as ▁T ogether land . ▁After ▁a ▁prot ract ed ▁post production ▁period , ▁the ▁album ▁was ▁cancel led . ▁The ▁official ▁word ▁was ▁that ▁Se al ▁simply ▁did ▁not ▁think ▁it ▁made ▁the ▁grade , ▁although ▁this ▁conflicts ▁with ▁other ▁reports , ▁that ▁said ▁the ▁album ▁was ▁turned ▁down ▁by ▁the ▁label ▁because ▁produ cers ▁felt ▁the ▁album ▁would ▁not ▁be ▁commer cially ▁successful . ▁Even ▁so , ▁one ▁single ▁was ▁released ▁from ▁the ▁album ; ▁" This ▁Could ▁Be ▁Heaven " ▁was ▁released ▁in ▁the ▁US ▁and ▁featured ▁on ▁The ▁Family ▁Man ▁sound track . ▁Since ▁December ▁ 2 0 0 6 , ▁Se al ▁has ▁indicated ▁that ▁he ▁has ▁plans ▁to ▁ex cer pt ▁cut s ▁from ▁T ogether land ▁and ▁make ▁them ▁available ▁for ▁streaming ▁download . ▁Meanwhile , ▁Se al ▁co - w rote ▁and ▁provided ▁vocals ▁for ▁the ▁hit ▁single ▁" My ▁V ision " ▁from ▁Jak atta ▁in ▁ 2 0 0 2 . ▁He ▁also ▁recorded ▁a ▁successful ▁du et ▁with ▁French ▁singer ▁My l ène ▁Far mer ▁called ▁" Les ▁M ots " ▁during ▁that ▁same ▁period . ▁Also ▁in ▁ 2 0 0 2 , ▁Se al ▁l ent ▁his ▁vocals ▁to ▁the ▁song ▁" You |
▁Are ▁My ▁Kind ", ▁the ▁fourth ▁track ▁on ▁Sant ana ' s ▁album ▁Sh aman . ▁ ▁Se al ▁IV ▁ ▁In ▁ 2 0 0 3 , ▁Se al ▁released ▁his ▁fourth ▁album ▁Se al ▁IV . ▁Although ▁it ▁never ▁achieved ▁the ▁sales ▁figures ▁of ▁either ▁of ▁his ▁first ▁two ▁albums , ▁this ▁release ▁brought ▁him ▁back ▁into ▁the ▁public ▁eye ▁in ▁the ▁United ▁States ▁and ▁contin ental ▁Europe . ▁Singles ▁from ▁the ▁album ▁include ▁" Wait ing ▁for ▁You ", ▁" Get ▁It ▁T ogether ", ▁and ▁" L ove ' s ▁Div ine " ▁- ▁this ▁single ▁was ▁released ▁in ▁ 2 0 0 4 ▁and ▁was ▁a ▁big ▁hit ▁in ▁several ▁European ▁countries . ▁ ▁Great est ▁hits ▁album : ▁Best ▁ 1 9 9 1 – 2 0 0 4 ▁ ▁In ▁ 2 0 0 4 , ▁a ▁greatest - h its ▁album ▁entitled ▁Se al : ▁Best ▁ 1 9 9 1 – 2 0 0 4 ▁was ▁released , ▁including ▁a ▁cover ▁of ▁the ▁Bach ar ach / David ▁classic ▁" W alk ▁On ▁By " ▁and ▁a ▁cover ▁of ▁E cho ▁& ▁the ▁B unn ymen ' s ▁song ▁" L ips ▁Like ▁Sug ar ". ▁An ▁edition ▁of ▁the ▁album ▁was ▁available ▁that ▁included ▁an ▁extra ▁CD ▁with ▁ac oust ic ▁versions ▁of ▁some ▁of ▁Se al ' s ▁hits . ▁ ▁Live ▁in ▁Paris ▁Also ▁in ▁ 2 0 0 4 , ▁Se al ▁performed ▁shows ▁at ▁the ▁Olymp ia ▁Theatre ▁in |
▁Paris . ▁The ▁show ▁of ▁ 6 ▁July ▁ 2 0 0 4 ▁was ▁recorded ▁and ▁released ▁about ▁one ▁year ▁after ▁as ▁a ▁CD / D VD ▁package , ▁simply ▁titled ▁Live ▁in ▁Paris . ▁ ▁One ▁Night ▁to ▁Remember ▁In ▁June ▁ 2 0 0 5 , ▁Se al ▁recorded ▁a ▁concert ▁which ▁was ▁subsequently ▁released ▁in ▁ 2 0 0 6 , ▁entitled ▁One ▁Night ▁to ▁Remember , ▁as ▁a ▁CD / D VD ▁combination . ▁The ▁DVD ▁includes ▁a ▁" making ▁of " ▁document ary ▁in ▁addition ▁to ▁the ▁live ▁performance . ▁Record ed ▁in ▁a ▁historic ▁steel ▁mill , ▁the ▁Al tes ▁K essel haus ▁(" old ▁bo iler ▁house "), ▁in ▁Düsseldorf , ▁Germany , ▁this ▁performance ▁includes ▁a ▁version ▁of ▁Bra h ms ' ▁L ull aby ▁which ▁Se al ▁s ings ▁in ▁German ▁and ▁then ▁in ▁English . ▁Un like ▁earlier ▁record ings ▁in ▁which ▁Se al ▁is ▁accompanied ▁by ▁his ▁band , ▁a ▁full ▁or chestra ▁and ▁cho ir ▁of ▁ 5 2 ▁mus icians ▁accompan ies ▁the ▁singer . ▁ ▁System ▁ ▁System ▁was ▁released ▁in ▁the ▁UK ▁on ▁ 1 2 ▁November ▁ 2 0 0 7 ▁and ▁in ▁the ▁US ▁on ▁ 1 3 ▁November ▁ 2 0 0 7 . ▁Se al ▁describes ▁the ▁album ▁as ▁more ▁dance - orient ed , ▁apparently ▁a ▁return ▁to ▁the ▁roots ▁of ▁his ▁first ▁album . ▁On ▁the ▁track ▁titled ▁" W ed ding ▁Day ", ▁Se al ▁s ings ▁a ▁du et ▁with |
▁his ▁then ▁wife , ▁model ▁He idi ▁Kl um . ▁The ▁album ' s ▁first ▁single , ▁" A maz ing ", ▁was ▁released ▁on ▁ 2 5 ▁September ▁ 2 0 0 7 , ▁and ▁was ▁nominated ▁for ▁the ▁" Best ▁Male ▁Pop ▁V ocal ▁Performance " ▁Gram my ▁at ▁the ▁ 2 0 0 7 ▁ 5 0 th ▁Ann ual ▁Gram my ▁Awards . ▁ ▁Se al ▁performed ▁" A maz ing " ▁and ▁The ▁Beat les ' ▁" Lu cy ▁in ▁the ▁Sky ▁With ▁Diam onds " ▁at ▁the ▁ 2 0 0 7 ▁Royal ▁Vari ety ▁Performance . ▁ ▁Se al ▁also ▁performed ▁" A maz ing " ▁at ▁the ▁ 2 0 0 7 ▁Victoria ' s ▁Secret ▁F ashion ▁Show ▁in ▁December , ▁as ▁well ▁as ▁the ▁du et ▁" W ed ding ▁Day " ▁with ▁his ▁wife . ▁Other ▁perform ers ▁at ▁the ▁ 2 0 0 7 ▁Victoria ' s ▁Secret ▁F ashion ▁Show ▁include ▁the ▁Sp ice ▁Girls ▁and ▁will . i . am ▁of ▁the ▁Black ▁E yed ▁Pe as . ▁He ▁appeared ▁on ▁the ▁American ▁Id ol ▁season - se ven ▁finale , ▁singing ▁with ▁third - place ▁contest ant ▁S yes ha ▁Mer c ado . ▁ ▁Soul ▁ ▁Se al ' s ▁sixth ▁studio ▁album , ▁Soul , ▁was ▁released ▁on ▁ 3 ▁November ▁ 2 0 0 8 ▁intern ation ally ▁and ▁on ▁ 1 1 ▁November ▁ 2 0 0 8 ▁in ▁the ▁US . ▁It ▁contains |
▁ 1 1 ▁soul ▁class ics ▁produced ▁by ▁David ▁F oster . ▁The ▁first ▁single ▁was ▁a ▁cover ▁of ▁Sam ▁Co oke ▁song ▁" A ▁Change ▁Is ▁G onna ▁Come ". ▁ ▁On ▁ 1 4 ▁March ▁ 2 0 0 9 , ▁Se al ▁performed ▁a ▁song ▁from ▁the ▁album ▁and ▁co ached ▁the ▁participants ▁on ▁the ▁" Top ▁ 9 - Show " ▁of ▁the ▁sixth ▁season ▁of ▁the ▁German ▁TV ▁show ▁Deutschland ▁such t ▁den ▁Super star ▁( G erman ▁Id ol ). ▁ ▁H its ▁ ▁On ▁ 4 ▁December ▁ 2 0 0 9 , ▁H its , ▁a ▁compilation ▁album , ▁was ▁released . ▁It ▁contains ▁two ▁new ▁tracks , ▁" I ▁Am ▁Your ▁Man " ▁and ▁" Thank ▁You ". ▁ ▁Comm it ment ▁and ▁Soul ▁ 2 ▁ ▁Se al ' s ▁sevent h ▁studio ▁album , ▁Se al ▁ 6 : ▁Comm it ment ▁was ▁released ▁on ▁ 2 0 ▁September ▁ 2 0 1 0 ▁intern ation ally ▁and ▁ 2 8 ▁September ▁ 2 0 1 0 ▁in ▁the ▁US . ▁The ▁first ▁single ▁" Secret " ▁was ▁released ▁ 1 0 ▁August ▁ 2 0 1 0 ▁on ▁i T unes ▁in ▁the ▁US ▁and ▁in ▁the ▁UK ▁on ▁ 1 3 ▁September ▁ 2 0 1 0 . ▁This ▁album ▁was ▁said ▁to ▁be ▁inspired ▁by ▁his ▁wife , ▁He idi . ▁On ▁ 7 ▁November ▁ 2 0 1 1 , ▁Se al ▁released ▁his ▁second ▁cover ▁album ▁of |
▁classic ▁soul ▁songs , ▁Soul ▁ 2 ▁through ▁Re prise ▁Records . ▁ ▁Se al ▁soon ▁after ▁began ▁work ▁on ▁a ▁new ▁album , ▁initially ▁entitled ▁Let ▁Your self , ▁produced ▁again ▁by ▁Horn . ▁In ▁February ▁ 2 0 1 5 , ▁Horn ▁said ▁the ▁album ▁was ▁nearly ▁finished . ▁Se al ▁later ▁res igned ▁to ▁Per fect ▁Songs ▁and ▁had ▁a ▁two - week ▁writing ▁period ▁in ▁Horn ' s ▁Los ▁Angeles ▁studio ▁book ed ▁for ▁October ▁ 2 0 1 2 . ▁Stewart ▁Cop eland ▁( former ly ▁of ▁The ▁Police ) ▁said ▁that ▁month ▁on ▁his ▁Twitter ▁feed ▁that ▁Tre vor ▁Horn ▁and ▁L ol ▁Cr ème ▁were ▁working ▁with ▁Se al ▁on ▁a ▁project . ▁In ▁April ▁ 2 0 1 3 , ▁Se al ▁said ▁on ▁Twitter ▁that ▁the ▁new ▁album ▁would ▁be ▁released ▁in ▁about ▁June ▁( which ▁did ▁not ▁event uate ), ▁and ▁that ▁tracks ▁to ▁be ▁included ▁were ▁" Let ▁Your self ", ▁" Do ▁You ▁Ever ", ▁and ▁" L ay ing ▁with ▁an ▁Angel ". ▁The ▁album ▁was ▁later ▁ret itled ▁Beautiful ly ▁Sc ar red . ▁▁ 7 ▁ ▁On ▁ 1 0 ▁September ▁ 2 0 1 5 , ▁Se al ▁announced ▁that ▁the ▁album , ▁ 7 , ▁would ▁be ▁released ▁on ▁ 6 ▁November ▁ 2 0 1 5 . ▁ ▁Stand ards ▁Se al ▁released ▁the ▁album ▁Stand ards ▁in ▁November ▁ 2 0 1 7 . ▁ ▁Other ▁projects ▁Jeff ▁Beck ▁and ▁Se al ▁performed ▁a |
▁cover ▁of ▁" Man ic ▁De pression " ▁for ▁the ▁ 1 9 9 3 ▁album ▁Stone ▁Free : ▁A ▁T ribute ▁to ▁Jim i ▁Hend rix . ▁Se al ▁also ▁contributed ▁vocals ▁to ▁a ▁cover ▁of ▁John ▁L enn on ' s ▁" Im agine " ▁for ▁the ▁ 2 0 1 0 ▁Her bie ▁Han cock ▁album , ▁The ▁Im agine ▁Project ▁along ▁with ▁P ! n k , ▁India . Ar ie , ▁Jeff ▁Beck , ▁Kon ono ▁N º 1 , ▁O um ou ▁Sang ar é ▁and ▁others . ▁ ▁In ▁ 2 0 1 2 , ▁Se al ▁was ▁one ▁of ▁the ▁four ▁vocal ▁coach es ▁in ▁the ▁first ▁season ▁of ▁the ▁Australian ▁version ▁of ▁the ▁reality ▁singing ▁competition ▁The ▁Vo ice . ▁He ▁was ▁the ▁coach ▁of ▁the ▁series ▁winner ▁Kar ise ▁E den . ▁Se al ▁returned ▁to ▁The ▁Vo ice ▁season ▁two , ▁which ▁deb uted ▁on ▁ 7 ▁April ▁ 2 0 1 3 , ▁where ▁he ▁became ▁the ▁winning ▁coach ▁once ▁again , ▁co aching ▁event ual ▁winner ▁Harrison ▁Craig . ▁He ▁did ▁not ▁return ▁for ▁the ▁third ▁season ▁in ▁ 2 0 1 4 ▁with ▁the ▁N ine ▁Network ▁stating ▁that ▁Se al ▁" will ▁take ▁a ▁break ▁from ▁the ▁third ▁season ▁of ▁The ▁Vo ice ▁to ▁focus ▁on ▁music ▁and ▁material ▁for ▁a ▁new ▁album ." ▁Channel ▁N INE ▁announced ▁on ▁ 8 ▁November ▁ 2 0 1 6 ▁that ▁Se al ▁would ▁be ▁returning ▁alongside ▁D elta ▁Good rem |
▁to ▁The ▁Vo ice ▁as ▁a ▁coach ▁in ▁ 2 0 1 7 . ▁ ▁On ▁ 1 5 ▁November ▁ 2 0 1 4 , ▁Se al ▁joined ▁the ▁char ity ▁group ▁Band ▁A id ▁ 3 0 ▁along ▁with ▁other ▁British ▁and ▁Irish ▁pop ▁acts , ▁recording ▁the ▁latest ▁version ▁of ▁the ▁track ▁" Do ▁They ▁Know ▁It ' s ▁Christmas ?" ▁at ▁S arm ▁West ▁Studios ▁in ▁Not ting ▁Hill , ▁London , ▁to ▁raise ▁money ▁for ▁the ▁ 2 0 1 4 ▁E bol a ▁crisis ▁in ▁West ▁Africa . ▁ ▁Se al ▁was ▁cast ▁as ▁Pont ius ▁Pil ate ▁in ▁Ty ler ▁Perry ' s ▁musical ▁rend ition ▁of ▁The ▁Pass ion , ▁which ▁a ired ▁on ▁Fox ▁on ▁ 2 0 ▁March ▁ 2 0 1 6 . ▁ ▁Personal ▁life ▁The ▁prominent ▁sc arring ▁on ▁Se al ' s ▁face ▁is ▁the ▁result ▁of ▁a ▁type ▁of ▁l up us ▁called ▁disco id ▁l up us ▁er yth em atos us , ▁which ▁affect s ▁the ▁skin ▁and ▁leaves ▁large ▁sc ars . ▁ ▁Se al ' s ▁brother , ▁Je ym es ▁Samuel , ▁better ▁known ▁as ▁The ▁Bull itt s , ▁is ▁also ▁an ▁accomplished ▁singer - song writer . ▁ ▁Se al ▁first ▁began ▁d ating ▁German ▁model ▁He idi ▁Kl um ▁in ▁February ▁ 2 0 0 4 , ▁shortly ▁after ▁she ▁announced ▁her ▁pre gn ancy ▁and ▁end ▁of ▁relationship ▁with ▁Italian ▁Formula ▁One ▁team ▁manager ▁F lav io ▁B ri |
atore . ▁Se al ▁proposed ▁to ▁Kl um ▁on ▁ 2 3 ▁December ▁ 2 0 0 4 ▁in ▁a ▁qu in ze e ▁he ▁had ▁built ▁on ▁a ▁gla cier ▁in ▁Wh ist ler , ▁British ▁Columbia . ▁On ▁ 1 0 ▁May ▁ 2 0 0 5 , ▁the ▁couple ▁married ▁on ▁a ▁beach ▁in ▁Mexico ▁near ▁Se al ' s ▁home ▁on ▁Costa ▁Care yes . ▁Every ▁year ▁during ▁their ▁marriage , ▁Se al ▁and ▁Kl um ▁renew ed ▁their ▁v ows ▁on ▁their ▁anni versary ▁with ▁close ▁friends ▁and ▁family . ▁About ▁these ▁renew als , ▁Se al ▁said ▁in ▁ 2 0 1 0 , ▁" Each ▁year , ▁He idi ▁and ▁I ▁get ▁rem ar ried . ▁It ' s ▁a ▁great ▁party , ▁but ▁for ▁about ▁an ▁hour , ▁we ▁go ▁off ▁on ▁our ▁own ▁down ▁to ▁a ▁private ▁beach . ▁We ▁sit ▁there ▁with ▁the ▁k ids ▁and ▁read ▁v ows ▁to ▁each ▁other ▁as ▁the ▁sun ▁sets . ▁It ' s ▁a ▁very ▁special ▁moment ▁to ▁us ." ▁In ▁November ▁ 2 0 0 9 , ▁Kl um ▁officially ▁adopted ▁Se al ' s ▁surname ▁and ▁became ▁leg ally ▁known ▁as ▁He idi ▁Samuel . ▁ ▁On ▁ 1 1 ▁June ▁ 2 0 0 9 , ▁Se al , ▁on ▁tour ▁with ▁his ▁new ▁album ▁Soul , ▁revealed , ▁" It ▁is ▁nice ▁to ▁be ▁in ▁newsp apers ▁and ▁mag az ines ▁for ▁something ▁other ▁than ▁my ▁marriage ". ▁He ▁said ▁his ▁marriage |
▁to ▁Kl um ▁may ▁take ▁away ▁the ▁attention , ▁but ▁does ▁not ▁det ract ▁from ▁what ▁he ▁lov es ▁doing : ▁making ▁music . ▁In ▁February ▁ 2 0 1 1 , ▁Kl um ▁pra ised ▁Se al ▁for ▁his ▁good ▁parent ing ▁skills . ▁ ▁Kl um ▁also ▁remarked ▁how ▁luck y ▁she ▁was ▁to ▁have ▁a ▁husband ▁like ▁Se al . ▁ ▁Kl um ▁gave ▁birth ▁to ▁B ri atore ' s ▁daughter , ▁Hel ene ▁" L eni " ▁Bos h oven ▁Kl um ▁on ▁ 5 ▁May ▁ 2 0 0 4 ▁in ▁New ▁York ▁City ▁with ▁Se al ▁at ▁her ▁side . ▁According ▁to ▁Kl um , ▁B ri atore ▁is ▁not ▁involved ▁in ▁L eni ' s ▁life , ▁and ▁Kl um ▁has ▁stated ▁em ph atically ▁that ▁" Se al ▁is ▁L eni ' s ▁father ". ▁Se al ▁is ▁her ▁only ▁father ▁figure ▁and ▁he ▁has ▁pra ised ▁B ri atore ▁for ▁keeping ▁his ▁distance ▁and ▁not ▁dis rupt ing ▁L eni ' s ▁life . ▁In ▁late ▁ 2 0 0 9 , ▁Se al ▁officially ▁adopted ▁L eni , ▁and ▁her ▁last ▁name ▁was ▁changed ▁to ▁Samuel . ▁The ▁couple ▁have ▁three ▁other ▁children : ▁two ▁sons ▁born ▁in ▁September ▁ 2 0 0 5 ▁and ▁November ▁ 2 0 0 6 ; ▁and ▁a ▁daughter ▁born ▁in ▁October ▁ 2 0 0 9 . ▁ ▁On ▁ 2 2 ▁January ▁ 2 0 1 2 , ▁Se al ▁and ▁Kl um ▁announced |
▁that ▁they ▁were ▁separ ating ▁after ▁nearly ▁seven ▁years ▁of ▁marriage . ▁Kl um ▁file d ▁for ▁divor ce ▁from ▁Se al ▁on ▁ 6 ▁April ▁ 2 0 1 2 . ▁ ▁Their ▁divor ce ▁was ▁final ised ▁on ▁ 1 4 ▁October ▁ 2 0 1 4 . ▁ ▁Cont ro vers y ▁In ▁October ▁ 2 0 1 1 , ▁Se al ▁came ▁under ▁criticism ▁from ▁human - right s ▁groups ▁for ▁appearing ▁at ▁an ▁event ▁in ▁Gro z ny , ▁Che ch ny a , ▁that ▁turned ▁into ▁a ▁birth day ▁celebr ation ▁for ▁Ram zan ▁K ady rov , ▁the ▁President ▁of ▁Che ch ny a . ▁Also ▁appearing ▁at ▁the ▁event ▁were ▁the ▁actress ▁Hil ary ▁Sw ank , ▁actor ▁Jean - Cla ude ▁Van ▁Dam me , ▁and ▁viol in ist ▁Van essa - M ae . ▁The ▁New ▁York - based ▁Human ▁Rights ▁Foundation ▁claims ▁that ▁it ▁sent ▁letters ▁to ▁inv ite es ▁in ▁advance ▁of ▁the ▁event ▁not ing ▁K ady rov ' s ▁record ▁and ▁asking ▁them ▁to ▁decl ine ▁the ▁inv itations . ▁Human ▁Rights ▁Watch ▁sent ▁an ▁inqu iry ▁to ▁Se al ▁regarding ▁his ▁performance ▁at ▁the ▁event ▁and ▁released ▁a ▁statement ▁about ▁the ▁incident ▁which ▁said : ▁" R am zan ▁K ady rov ▁is ▁linked ▁to ▁a ▁lit any ▁of ▁hor r ific ▁human ▁rights ▁ab uses . ▁It ' s ▁in app ropri ate ▁for ▁stars ▁to ▁get ▁paid ▁to ▁party ▁with ▁him . ▁It ▁bol sters ▁his |
▁image ▁and ▁legit im izes ▁a ▁brut al ▁leader ▁and ▁his ▁regime . ▁And ▁getting ▁paid ▁to ▁be ▁part ▁of ▁such ▁a ▁lav ish ▁show ▁in ▁Che ch ny a ▁trivial ises ▁the ▁suffering ▁of ▁count less ▁vict ims ▁of ▁human ▁rights ▁ab uses ▁there ." ▁ ▁Se al ▁refused ▁to ▁apolog ise ▁for ▁appearing ▁at ▁the ▁event , ▁sending ▁a ▁message ▁from ▁his ▁Twitter ▁account ▁telling ▁people ▁to ▁" le ave ▁me ▁out ▁of ▁your ▁politics ". ▁Se al ▁was ▁reported ▁to ▁have ▁made ▁$ 5 0 0 , 0 0 0 ▁for ▁singing ▁at ▁the ▁party . ▁ ▁Char ity ▁work ▁In ▁April ▁ 1 9 9 2 , ▁Se al ▁performed ▁with ▁the ▁surv iving ▁members ▁of ▁the ▁rock ▁band ▁Queen ▁at ▁The ▁Fred die ▁Mercur y ▁T ribute ▁Con cert ▁held ▁at ▁W emble y ▁Stadium . ▁Se al ▁performed ▁on ▁his ▁own ▁singing ▁the ▁ 1 9 8 6 ▁hit ▁" Who ▁W ants ▁to ▁Live ▁Fore ver " ▁and ▁joined ▁the ▁rest ▁of ▁the ▁acts ▁for ▁the ▁all - star ▁finale ▁singing ▁" We ▁Are ▁the ▁Champions ." ▁ ▁On ▁ 1 0 ▁March ▁ 2 0 1 2 , ▁Se al ▁shared ▁the ▁stage ▁with ▁K any e ▁West , ▁Soul ▁Reb els ▁Br ass ▁Band , ▁and ▁S no op ▁Dog g ▁at ▁Brad ▁Pitt ’ s ▁Night ▁to ▁Make ▁It ▁Right ▁Foundation ▁New ▁Orleans ▁after - party , ▁hosted ▁by ▁com ed ian ▁Az iz ▁Ans ari . ▁The ▁char ity ▁event , ▁hosted |
▁by ▁Ellen ▁De Gener es , ▁raised ▁money ▁to ▁build ▁homes ▁for ▁vict ims ▁of ▁H urr icane ▁K atr ina . ▁ ▁Other ▁work ▁Se al ▁and ▁his ▁then - w ife ▁He idi ▁Kl um ▁announced ▁in ▁June ▁ 2 0 1 0 ▁that ▁they ▁would ▁be ▁making ▁a ▁reality ▁series ▁on ▁L if etime ▁titled ▁Love ' s ▁Div ine ▁( after ▁Se al ' s ▁song ▁of ▁the ▁same ▁name ). ▁ ▁Se al ▁was ▁also ▁a ▁judge ▁for ▁the ▁ 1 0 th ▁annual ▁Independent ▁Music ▁Awards ▁to ▁support ▁independent ▁artists ▁care ers . ▁ ▁In ▁ 2 0 1 7 , ▁Se al ▁was ▁a ▁guest ▁judge ▁for ▁America ' s ▁Got ▁Tal ent ▁season ▁ 1 2 . ▁ ▁Se al ▁performed ▁as ▁The ▁Leop ard ▁on ▁the ▁U . S . ▁second ▁season ▁of ▁The ▁M ask ed ▁S inger , ▁and ▁finished ▁in ▁fourth ▁place . ▁ ▁Disc ography ▁ ▁Studio ▁albums ▁ ▁Se al ▁( 1 9 9 1 ) ▁ ▁Se al ▁(" Se al ▁II ") ▁( 1 9 9 4 ) ▁ ▁Human ▁Being ▁( 1 9 9 8 ) ▁ ▁Se al ▁IV ▁( 2 0 0 3 ) ▁ ▁System ▁( 2 0 0 7 ) ▁ ▁Se al ▁ 6 : ▁Comm it ment ▁( 2 0 1 0 ) ▁▁ 7 ▁( 2 0 1 5 ) ▁ ▁Cover ▁albums ▁ ▁Soul ▁( 2 0 0 8 ) ▁ ▁Soul ▁ 2 ▁( 2 0 1 |
1 ) ▁ ▁Stand ards ▁( 2 0 1 7 ) ▁ ▁Awards ▁and ▁nomin ations ▁ ▁B MI ▁London ▁Awards ▁ ▁| - ▁| ▁ 2 0 0 5 ▁| ▁" L ove ' s ▁Div ine " ▁| ▁Pop ▁Award ▁ ▁| ▁ ▁| - ▁| ▁ 2 0 0 6 ▁| ▁row span = 2 | " K iss ▁from ▁a ▁Rose " ▁| ▁ 4 ▁Mill ion ▁Award ▁ ▁| ▁ ▁| - ▁| ▁ 2 0 1 2 ▁| ▁ 5 ▁Mill ion ▁Award ▁| ▁▁ ▁Billboard ▁Music ▁Awards ▁ ▁| - ▁| ▁row span = 3 | 1 9 9 5 ▁| ▁Se al ▁| ▁Top ▁Male ▁Art ist ▁| ▁ ▁| - ▁| ▁row span = 2 | " K iss ▁from ▁a ▁Rose " ▁| ▁Top ▁Hot ▁ 1 0 0 ▁Song ▁| ▁ ▁| - ▁| ▁Top ▁Hot ▁ 1 0 0 ▁Air play ▁Track ▁| ▁ ▁| - ▁| ▁ 2 0 0 3 ▁| ▁" Get ▁It ▁T ogether " ▁| ▁Top ▁Hot ▁Dance ▁Club ▁Play ▁Single ▁| ▁▁▁▁ ▁Brit ▁Awards ▁ ▁| - ▁| ▁row span =" 2 " ▁| ▁ 1 9 9 1 ▁| ▁" C ra zy " ▁| ▁row span =" 3 " ▁| ▁British ▁Video ▁of ▁the ▁Year ▁| ▁ ▁| - ▁| ▁row span =" 2 " ▁| ▁" K iller " ▁| ▁ ▁| - ▁| ▁row span =" 4 " ▁| ▁ 1 9 9 2 ▁| ▁ ▁| - ▁| ▁Se al |
▁| ▁British ▁Album ▁of ▁the ▁Year ▁| ▁ ▁| - ▁| ▁row span =" 3 " ▁| ▁Se al ▁| ▁British ▁Break through ▁Act ▁| ▁ ▁| - ▁| ▁row span =" 2 " ▁| ▁British ▁Male ▁Solo ▁Art ist ▁| ▁ ▁| - ▁| ▁row span =" 2 " ▁| ▁ 1 9 9 5 ▁| ▁ ▁| - ▁| ▁" P ray er ▁for ▁the ▁D ying " ▁| ▁British ▁Video ▁of ▁the ▁Year ▁| ▁ ▁| } ▁ ▁E CH O ▁Awards ▁▁ ▁| - ▁| ▁ 2 0 0 4 ▁| ▁row span =" 2 " ▁| ▁Him self ▁| ▁row span =" 2 " ▁| ▁Best ▁International ▁Male ▁| ▁ ▁| - ▁| ▁ 2 0 0 5 ▁| ▁▁ ▁Gram my ▁Awards ▁ ▁| - ▁| ▁ 1 9 9 2 ▁| ▁" C ra zy " ▁| ▁row span =" 2 " ▁| ▁Best ▁Male ▁Pop ▁V ocal ▁Performance ▁| ▁ ▁| - ▁| ▁row span =" 3 " ▁| ▁ 1 9 9 5 ▁| ▁" P ray er ▁for ▁the ▁D ying " ▁| ▁ ▁| - ▁| ▁row span =" 2 " ▁| ▁Se al ▁| ▁Album ▁of ▁the ▁Year ▁| ▁ ▁| - ▁| ▁Best ▁Pop ▁V ocal ▁Album ▁| ▁ ▁| - ▁| ▁row span =" 3 " ▁| ▁ 1 9 9 6 ▁| ▁row span =" 3 " ▁| ▁" K iss ▁from ▁a ▁Rose " ▁| ▁Record ▁of ▁the ▁Year ▁| ▁ ▁| - ▁| ▁Song ▁of ▁the |
▁Year ▁| ▁ ▁| - ▁| ▁row span =" 6 " ▁| ▁Best ▁Male ▁Pop ▁V ocal ▁Performance ▁| ▁ ▁| - ▁| ▁ 1 9 9 8 ▁| ▁" F ly ▁Like ▁an ▁E agle " ▁| ▁ ▁| - ▁| ▁ 2 0 0 5 ▁| ▁" L ove ' s ▁Div ine " ▁| ▁ ▁| - ▁| ▁ 2 0 0 6 ▁| ▁" W alk ▁On ▁By " ▁| ▁ ▁| - ▁| ▁ 2 0 0 8 ▁| ▁" A maz ing " ▁| ▁ ▁| - ▁| ▁ 2 0 1 0 ▁| ▁" If ▁You ▁Don ' t ▁Know ▁Me ▁by ▁Now " ▁| ▁ ▁| - ▁| ▁ 2 0 1 1 ▁| ▁" Im agine " ▁| ▁Best ▁Pop ▁Coll abor ation ▁with ▁V oc als ▁| ▁ ▁| - ▁| ▁ 2 0 1 9 ▁| ▁Stand ards ▁| ▁Best ▁Trad itional ▁Pop ▁V ocal ▁Album ▁| ▁ ▁| } ▁ ▁International ▁Dance ▁Music ▁Awards ▁ ▁| - ▁| ▁ 2 0 0 4 ▁| ▁Him self ▁| ▁Best ▁Dance ▁Solo ▁Art ist ▁ ▁| ▁ ▁| - ▁| ▁ 2 0 0 8 ▁| ▁" A maz ing " ▁| ▁Best ▁Pop ▁Dance ▁Track ▁| ▁▁ ▁I vor ▁Nov ello ▁Awards ▁ ▁| - ▁| ▁row span =" 3 " | 1 9 9 1 ▁| ▁row span =" 3 " | " K iller " ▁| ▁Most ▁Per formed ▁Work ▁ ▁| ▁ ▁| - ▁| ▁Best ▁S elling ▁A |
- Side ▁| ▁ ▁| - ▁| ▁row span =" 2 " | Best ▁Contempor ary ▁Song ▁ ▁| ▁ ▁| - ▁| ▁row span =" 2 " | 1 9 9 2 ▁| ▁row span =" 2 " | " C ra zy " ▁| ▁ ▁| - ▁| ▁row span =" 2 " | Intern ational ▁Hit ▁of ▁the ▁Year ▁| ▁ ▁| - ▁| ▁row span =" 2 " | 1 9 9 6 ▁| ▁row span =" 2 " | " K iss ▁from ▁a ▁Rose " ▁| ▁ ▁| - ▁| ▁Best ▁Song ▁In cluded ▁in ▁a ▁Film ▁| ▁▁ ▁MTV ▁Europe ▁Music ▁Awards ▁ ▁| - ▁| ▁ 1 9 9 4 ▁| ▁Se al ▁| ▁Best ▁Male ▁| ▁ ▁| - ▁| ▁ 1 9 9 5 ▁| ▁" K iss ▁from ▁a ▁Rose " ▁| ▁Best ▁Song ▁| ▁ ▁| } ▁ ▁MTV ▁Movie ▁& ▁TV ▁Awards ▁ ▁| - ▁| ▁ 1 9 9 6 ▁| ▁" K iss ▁from ▁a ▁Rose " ▁| ▁Best ▁Song ▁from ▁a ▁Movie ▁| ▁ ▁| } ▁ ▁MTV ▁Video ▁Music ▁Awards ▁ ▁| - ▁| ▁row span =" 5 " ▁| ▁ 1 9 9 1 ▁| ▁row span =" 5 " ▁| ▁" C ra zy " ▁| ▁Best ▁New ▁Art ist ▁in ▁a ▁Video ▁| ▁ ▁| - ▁| ▁Break through ▁Video ▁| ▁ ▁| - ▁| ▁Best ▁Special ▁Effect s ▁in ▁a ▁Video ▁| ▁ ▁| - ▁| ▁Best ▁Edit ing ▁in ▁a ▁Video |
▁| ▁ ▁| - ▁| ▁International ▁V iewer ' s ▁Cho ice ▁Award ▁for ▁MTV ▁Europe ▁| ▁ ▁| - ▁| ▁ 1 9 9 5 ▁| ▁" K iss ▁from ▁a ▁Rose " ▁| ▁Best ▁Video ▁from ▁a ▁Film ▁| ▁ ▁| - ▁| ▁ 1 9 9 6 ▁| ▁" Don ' t ▁Cry " ▁| ▁Best ▁Male ▁Video ▁| ▁ ▁| } ▁ ▁Music ▁Television ▁Awards ▁ ▁| - ▁| ▁row span =" 2 " ▁| ▁ 1 9 9 4 ▁| ▁row span =" 3 " ▁| ▁Se al ▁| ▁Best ▁Pop ▁Act ▁| ▁ ▁| - ▁| ▁row span =" 2 " ▁| ▁Best ▁Male ▁| ▁ ▁| - ▁| ▁ 1 9 9 7 ▁| ▁▁ ▁Other ▁ ▁See ▁also ▁ ▁Bra z ili ans ▁in ▁the ▁United ▁Kingdom ▁ ▁List ▁of ▁artists ▁who ▁reached ▁number ▁one ▁in ▁the ▁United ▁States ▁ ▁List ▁of ▁artists ▁who ▁reached ▁number ▁one ▁on ▁the ▁US ▁dance ▁chart ▁ ▁List ▁of ▁number - one ▁dance ▁hits ▁( Un ited ▁States ) ▁ ▁List ▁of ▁number - one ▁hits ▁( Un ited ▁States ) ▁ ▁References ▁ ▁Foot notes ▁▁ ▁General ▁sources ▁ ▁Entertainment ▁Week ly , ▁ 3 ▁June ▁ 1 9 9 4 . ▁ ▁Gu itar ▁Player , ▁October ▁ 1 9 9 4 . ▁ ▁The ▁Independent , ▁ 1 2 ▁May ▁ 1 9 9 4 . ▁ ▁Metro ▁Times ▁( Det roit ), ▁ 2 2 ▁June ▁ 1 9 9 4 . ▁ ▁Q , |
▁July ▁ 1 9 9 4 . ▁ ▁Rol ling ▁Stone , ▁ 2 8 ▁November ▁ 1 9 9 1 ; ▁ 2 5 ▁August ▁ 1 9 9 4 . ▁ ▁External ▁links ▁▁ ▁Official ▁website ▁▁▁▁▁ ▁Se al ' s ▁im e em ▁page ▁featuring ▁his ▁entire ▁catalog ▁ ▁In nam or amento . net ▁: ▁Se al ▁Inter view ▁( F rench ) ▁▁▁ ▁Category : 1 9 6 3 ▁birth s ▁Category : Black ▁British ▁mus icians ▁Category : Black ▁British ▁sing ers ▁Category : B rit ▁Award ▁w inners ▁Category : English ▁exp atri ates ▁in ▁Australia ▁Category : English ▁exp atri ates ▁in ▁the ▁United ▁States ▁Category : English ▁male ▁sing ers ▁Category : English ▁people ▁of ▁Niger ian ▁descent ▁Category : English ▁people ▁of ▁Brazil ian ▁descent ▁Category : English ▁singer - song writ ers ▁Category : English ▁soul ▁mus icians ▁Category : English ▁ten ors ▁Category : G ram my ▁Award ▁w inners ▁Category : L iving ▁people ▁Category : Pe ople ▁from ▁P adding ton ▁Category : Pe ople ▁with ▁l up us ▁Category : Re prise ▁Records ▁artists ▁Category : Sing ers ▁from ▁London ▁Category : S ire ▁Records ▁artists ▁Category : W ar ner ▁Records ▁artists ▁Category : Y or uba ▁mus icians ▁Category : Z TT ▁Records ▁artists ▁Category : I vor ▁Nov ello ▁Award ▁w inners ▁Category : The ▁M ask ed ▁S inger ▁( American ▁TV ▁series ) ▁contest ants <0x0A> </s> ▁Back ▁in ▁Town ▁is ▁George ▁Car |
lin ' s ▁ 1 5 th ▁album ▁and ▁nin th ▁H BO ▁special . ▁It ▁was ▁also ▁released ▁on ▁CD ▁on ▁September ▁ 1 7 , ▁ 1 9 9 6 . ▁This ▁was ▁also ▁his ▁first ▁of ▁many ▁performances ▁at ▁the ▁Be acon ▁Theater ▁in ▁New ▁York ▁City . ▁ ▁Track ▁listing ▁" Ab ort ion " ▁- ▁ 8 : 4 1 ▁" San ct ity ▁of ▁Life " ▁- ▁ 3 : 5 0 ▁" Cap ital ▁P un ishment " ▁- ▁ 8 : 4 0 ▁" State ▁Pr ison ▁Far ms " ▁- ▁ 8 : 1 3 ▁" F art ing ▁in ▁Public " ▁- ▁ 3 : 0 0 ▁" Famil iar ▁Express ions " ▁- ▁ 9 : 1 4 ▁" Free - F lo ating ▁Host ility " ▁- ▁ 1 9 : 3 0 ▁a ) ▁Qu ote ▁Mark s ▁in ▁the ▁Air ▁b ) ▁B add a - Bo om , ▁B add a - B ing ▁c ) ▁Bad ▁H air ▁Day ▁d ) ▁I ▁He ard ▁That ▁e ) ▁My ▁Ne eds ▁Ar en ' t ▁Being ▁Met ▁f ) ▁Mic key ▁Mouse ' s ▁B irth day ▁g ) ▁The ▁Two ▁P andas ▁in ▁the ▁Z oo ▁h ) ▁S perm / E gg - Don ors , ▁etc . ▁i ) ▁In noc ent ▁Vict ims ▁j ) ▁Personal ▁B ott les ▁of ▁Water ▁k ) ▁Women ▁with ▁Hy phen ated ▁Names ▁l ) ▁Tele phone ▁Call |
ing ▁Pl ans ▁m ) ▁Mot iv ation ▁T apes / Book s ▁n ) ▁One - H our ▁Ph oto ▁Fin ishing ▁o ) ▁To o ▁Many ▁Ve h icles ▁p ) ▁Back wards ▁Baseball ▁H ats ▁q ) ▁E arr ings ▁on ▁Men ▁r ) ▁Col ored ▁Rib b ons ▁s ) ▁Christian ▁Athlet es ▁and ▁Vo ices ▁in ▁One ' s ▁Head ▁t ) ▁After sh ave ▁and ▁C ologne ▁u ) ▁Cow boy ▁H ats ▁and ▁Cow boy ▁Bo ots ▁v ) ▁As sh oles ▁with ▁Cam cord ers ▁w ) ▁Wh ining ▁Baby ▁Bo om ers ▁x ) ▁In ▁Def ense ▁of ▁Polit icians ▁y ) ▁Why ▁I ▁Don ' t ▁V ote ▁z ) ▁Cred its ▁ ▁References ▁ ▁Category : 1 9 9 6 ▁live ▁albums ▁Category : 1 9 9 0 s ▁American ▁television ▁spe ci als ▁Category : Ge orge ▁Car lin ▁albums ▁Category : E ard rum ▁Records ▁live ▁albums ▁Category : At l antic ▁Records ▁live ▁albums ▁Category : H BO ▁network ▁spe ci als ▁Category : Stand - up ▁comedy ▁concert ▁films ▁Category : W ar ner ▁Music ▁Group ▁live ▁albums ▁Category : 1 9 9 0 s ▁comedy ▁albums <0x0A> </s> ▁Patrick ▁Andreas ▁Th ur ess on ▁( born ▁November ▁ 1 8 , ▁ 1 9 8 7 ) ▁is ▁a ▁Swedish ▁professional ▁ice ▁hockey ▁player ▁currently ▁playing ▁with ▁Schw en ninger ▁Wild ▁W ings ▁of ▁the ▁Deutsche ▁E ish ockey ▁Liga ▁( DE L ). ▁ ▁Play ing |
▁career ▁Th ur ess on ▁was ▁draft ed ▁by ▁the ▁Nash ville ▁Pred ators ▁in ▁the ▁fifth ▁round ▁of ▁the ▁ 2 0 0 7 ▁N HL ▁Entry ▁D raft , ▁ 1 4 4 th ▁overall . ▁Andreas ▁scored ▁his ▁first ▁N HL ▁goal ▁on ▁December ▁ 3 1 , ▁ 2 0 0 9 ▁against ▁Math ieu ▁G aron ▁of ▁the ▁Columb us ▁Blue ▁Jack ets . ▁ ▁On ▁July ▁ 2 , ▁ 2 0 1 1 , ▁he ▁was ▁trad ed ▁to ▁the ▁New ▁York ▁R angers ▁for ▁Bro die ▁Dup ont . ▁Th ur ess on ▁was ▁assigned ▁to ▁the ▁R angers ▁A HL ▁affili ate , ▁the ▁Connecticut ▁Wh ale , ▁for ▁the ▁duration ▁of ▁the ▁ 2 0 1 1 – 1 2 ▁season . ▁After ▁scoring ▁only ▁ 2 1 ▁points ▁in ▁ 7 3 ▁games ▁at ▁season ' s ▁end , ▁Th ur ess on ▁returned ▁to ▁his ▁native ▁Sweden ▁signing ▁a ▁one - year ▁contract ▁with ▁Bry n äs ▁IF ▁of ▁the ▁El it ser ien ▁on ▁May ▁ 1 8 , ▁ 2 0 1 2 . ▁ ▁In ▁a ▁second ▁st int ▁with ▁the ▁Red h aws , ▁Th ur ess on ▁played ▁two ▁seasons ▁with ▁the ▁club ▁before ▁leaving ▁as ▁a ▁free ▁agent ▁to ▁sign ▁a ▁one - year ▁deal ▁with ▁Chinese ▁club , ▁Kun l un ▁Red ▁Star ▁of ▁the ▁Kont inental ▁Hockey ▁League ▁( K HL ) ▁on ▁June ▁ 5 , ▁ 2 0 1 7 . |
▁ ▁After ▁returning ▁to ▁Sweden ▁for ▁the ▁ 2 0 1 8 – 1 9 ▁season ▁with ▁H V 7 1 , ▁Th ur ess on ▁again ▁opt ed ▁to ▁move ▁abroad ▁at ▁the ▁conclusion ▁of ▁his ▁contract ▁in ▁signing ▁a ▁new ▁two - year ▁deal ▁with ▁German ▁club , ▁Schw en ninger ▁Wild ▁W ings ▁of ▁the ▁DE L ▁on ▁April ▁ 2 2 , ▁ 2 0 1 9 . ▁ ▁Personal ▁Th ur ess on ▁was ▁married ▁to ▁Morgan ▁J aye ▁Z ab row ski ▁on ▁March ▁ 2 1 , ▁ 2 0 1 5 . ▁ ▁Career ▁statistics ▁ ▁Reg ular ▁season ▁and ▁play offs ▁ ▁International ▁ ▁References ▁ ▁External ▁links ▁ ▁Category : 1 9 8 7 ▁birth s ▁Category : L iving ▁people ▁Category : B ry n äs ▁IF ▁players ▁Category : Connect icut ▁Wh ale ▁( A HL ) ▁players ▁Category : HC ▁Kun l un ▁Red ▁Star ▁players ▁Category : H V 7 1 ▁players ▁Category : M alm ö ▁Red h aw ks ▁players ▁Category : Mil w au kee ▁Admir als ▁players ▁Category : N ash ville ▁Pred ators ▁draft ▁pick s ▁Category : N ash ville ▁Pred ators ▁players ▁Category : Pe ople ▁from ▁Krist ian stad ▁Municip ality ▁Category : Sch wen ninger ▁Wild ▁W ings ▁players ▁Category : S CL ▁Tig ers ▁players ▁Category : S ever stal ▁Ch ere p ov ets ▁players ▁Category : HC ▁Sib ir ▁Nov os ib ir sk ▁players ▁Category : |
S wed ish ▁ice ▁hockey ▁cent res <0x0A> </s> ▁John ▁Alexander ▁Sam ford ▁( August ▁ 2 9 , ▁ 1 9 0 5 ▁– ▁December ▁ 1 , ▁ 1 9 6 8 ) ▁was ▁a ▁lieutenant ▁general ▁in ▁the ▁United ▁States ▁Air ▁Force ▁who ▁served ▁as ▁Director ▁of ▁the ▁National ▁Security ▁Agency . ▁ ▁Early ▁life ▁and ▁education ▁Sam ford ▁was ▁born ▁at ▁H ag erman , ▁New ▁Mexico , ▁in ▁ 1 9 0 5 . ▁He ▁graduated ▁from ▁high ▁school ▁in ▁ 1 9 2 2 ▁and ▁then ▁spent ▁one ▁year ▁at ▁Columbia ▁University ▁in ▁New ▁York ▁City . ▁In ▁ 1 9 2 4 , ▁he ▁received ▁a ▁sen atorial ▁appointment ▁to ▁the ▁United ▁States ▁Military ▁Academy . ▁He ▁graduated ▁in ▁ 1 9 2 8 , ▁ 1 3 1 st ▁in ▁a ▁class ▁of ▁ 2 6 0 . ▁ ▁Military ▁career ▁Sam ford ' s ▁first ▁assignment ▁was ▁that ▁of ▁a ▁student ▁officer ▁at ▁Bro oks ▁Field , ▁Texas . ▁In ▁ 1 9 2 9 , ▁he ▁received ▁his ▁pilot ▁wings ▁at ▁Kelly ▁Field ▁and ▁was ▁eventually ▁r ated ▁a ▁command ▁pilot . ▁ ▁Sam ford ▁was ▁next ▁assigned ▁to ▁Fort ▁Cro ck ett , ▁located ▁at ▁Gal vest on , ▁Texas . ▁In ▁ 1 9 3 0 , ▁he ▁returned ▁to ▁Kelly ▁Field ▁where ▁he ▁served ▁as ▁a ▁flying ▁instruct or . ▁In ▁ 1 9 3 4 , ▁he ▁was ▁ordered ▁to ▁an ▁Engineering ▁and ▁Arm ament ▁School ▁at ▁Chan ute |
▁Field , ▁Illinois . ▁From ▁ 1 9 3 5 ▁until ▁ 1 9 4 2 , ▁he ▁held ▁various ▁assign ments ▁in ▁Pan ama , ▁Virginia , ▁Louisiana ▁and ▁Florida . ▁ ▁Sam ford ▁was ▁assistant ▁chief ▁of ▁staff , ▁G - 1 , ▁Head quarters ▁Third ▁Air ▁Force , ▁in ▁T ampa , ▁Florida , ▁when ▁appointed ▁chief ▁of ▁staff ▁of ▁the ▁VIII ▁Air ▁Force ▁Compos ite ▁Command ▁located ▁in ▁Northern ▁Ireland . ▁ ▁In ▁ 1 9 4 3 , ▁Sam ford ▁was ▁appointed ▁deput y ▁chief ▁of ▁staff ▁of ▁the ▁E ighth ▁Air ▁Force , ▁and ▁later ▁chief ▁of ▁staff ▁of ▁the ▁VIII ▁Bom ber ▁Command . ▁ ▁In ▁ 1 9 4 4 , ▁Sam ford ▁was ▁promoted ▁to ▁brig ad ier ▁general ▁and ▁appointed ▁chief ▁of ▁staff ▁of ▁the ▁E ighth ▁Air ▁Force . ▁In ▁October ▁ 1 9 4 4 ▁he ▁was ▁appointed ▁deput y ▁assistant ▁chief ▁of ▁staff , ▁A - 2 , ▁Head quarters ▁U . S . ▁Army ▁Air ▁Forces . ▁ ▁In ▁January ▁ 1 9 4 7 , ▁Sam ford ▁was ▁appointed ▁commander , ▁ 2 4 th ▁Compos ite ▁Wing ▁which ▁soon ▁there after ▁became ▁the ▁Ant illes ▁Air ▁Division ▁of ▁the ▁Car ib bean ▁Air ▁Command . ▁ ▁In ▁May ▁ 1 9 4 9 , ▁Sam ford ▁was ▁appointed ▁command ant ▁of ▁the ▁Air ▁Command ▁and ▁Staff ▁School . ▁He ▁was ▁promoted ▁to ▁major ▁general ▁in ▁ 1 9 5 0 ▁and ▁held ▁a ▁brief ▁appointment ▁as ▁command |
ant ▁of ▁the ▁Air ▁War ▁College ▁before ▁being ▁appointed ▁director ▁of ▁intelligence ▁for ▁the ▁United ▁States ▁Air ▁Force . ▁ ▁It ▁was ▁during ▁Sam ford ' s ▁ten ure ▁as ▁director ▁of ▁Air ▁Force ▁intelligence ▁that ▁Project ▁Blue ▁Book , ▁which ▁investig ated ▁un ident ified ▁flying ▁objects ▁( U FO s ) ▁was ▁started . ▁On ▁July ▁ 2 9 , ▁ 1 9 5 2 ▁Sam ford ▁conducted ▁a ▁press ▁conference ▁at ▁the ▁Pent agon ▁related ▁to ▁U FO s . ▁Sam ford ▁was ▁mentioned ▁at ▁the ▁beginning ▁of ▁the ▁ 1 9 5 6 ▁film ▁U FO ▁which ▁exam ined ▁the ▁phen omena ▁of ▁un ident ified ▁flying ▁objects . ▁ ▁Sam ford ▁served ▁as ▁Vice ▁Director ▁of ▁the ▁National ▁Security ▁Agency ▁from ▁June ▁to ▁August ▁ 1 9 5 6 . ▁In ▁November , ▁Sam ford ▁was ▁appointed ▁director ▁of ▁the ▁National ▁Security ▁Agency ▁and ▁promoted ▁to ▁lieutenant ▁general . ▁He ▁held ▁this ▁post ▁until ▁his ▁ret irement ▁on ▁November ▁ 2 3 , ▁ 1 9 6 0 . ▁His ▁successor ▁as ▁NS A ▁director ▁was ▁Admir al ▁Laur ence ▁H . ▁F rost . ▁He ▁died ▁on ▁November ▁ 2 0 , ▁ 1 9 6 8 ▁in ▁Washington , ▁DC . ▁ ▁Awards ▁Command ▁Pil ot ▁W ings ▁Army ▁Dist ingu ished ▁Service ▁Medal ▁Leg ion ▁of ▁Mer it ▁with ▁o ak ▁leaf ▁cluster ▁Air ▁Medal ▁American ▁Def ense ▁Service ▁Medal ▁American ▁Camp aign ▁Medal ▁European - A fr ican - Middle ▁Eastern ▁Camp aign ▁Medal |
▁World ▁War ▁II ▁Vict ory ▁Medal ▁National ▁Def ense ▁Service ▁Medal ▁Officer , ▁Leg ion ▁of ▁Honor ▁( France ) ▁ ▁References ▁ ▁External ▁links ▁▁▁ ▁Category : 1 9 0 5 ▁birth s ▁Category : 1 9 6 8 ▁death s ▁Category : American ▁av i ators ▁Category : A vi ators ▁from ▁New ▁Mexico ▁Category : Pe ople ▁from ▁Ch aves ▁County , ▁New ▁Mexico ▁Category : Un ited ▁States ▁Air ▁Force ▁gener als ▁Category : American ▁army ▁personnel ▁of ▁World ▁War ▁II ▁Category : Direct ors ▁of ▁the ▁National ▁Security ▁Agency ▁Category : Un ited ▁States ▁Military ▁Academy ▁al umn i ▁Category : De put y ▁Direct ors ▁of ▁the ▁National ▁Security ▁Agency ▁Category : M ack ay ▁Tro phy ▁w inners ▁Category : Re cip ients ▁of ▁the ▁Dist ingu ished ▁Service ▁Medal ▁( US ▁Army ) <0x0A> </s> ▁L inden ▁is ▁a ▁small ▁sub urb ▁of ▁Well ington , ▁New ▁Zealand . ▁ ▁Education ▁He ▁Hu ar ah i ▁T amar iki ▁is ▁a ▁te en ▁parent ▁unit ▁located ▁in ▁L inden . ▁ ▁References ▁ ▁Category : Sub ur bs ▁of ▁Well ington ▁City <0x0A> </s> ▁Gu ér on ▁ ▁is ▁a ▁commune ▁in ▁the ▁Cal v ados ▁department ▁in ▁the ▁Norm andy ▁region ▁in ▁north western ▁France . ▁ ▁Population ▁ ▁See ▁also ▁Comm unes ▁of ▁the ▁Cal v ados ▁department ▁ ▁References ▁IN SEE ▁ ▁Category : Comm unes ▁of ▁Cal v ados ▁( de partment ) ▁Category : Cal v ados ▁communes ▁articles ▁need |
ing ▁translation ▁from ▁French ▁Wikipedia <0x0A> </s> ▁" Nothing ▁Re ally ▁Mat ters " ▁is ▁a ▁song ▁recorded ▁by ▁American ▁singer ▁Madonna ▁for ▁her ▁sevent h ▁studio ▁album , ▁Ray ▁of ▁Light ▁( 1 9 9 8 ). ▁It ▁was ▁written ▁by ▁Madonna ▁and ▁Patrick ▁Leonard , ▁and ▁was ▁produced ▁by ▁the ▁singer ▁with ▁William ▁Or bit ▁and ▁Mar ius ▁De ▁V ries . ▁The ▁song ▁was ▁released ▁as ▁the ▁fifth ▁and ▁final ▁single ▁from ▁the ▁album ▁on ▁March ▁ 2 , ▁ 1 9 9 9 ▁by ▁Ma ver ick ▁Records ▁and ▁Warner ▁B ros . ▁Records . ▁An ▁ED M ▁track ▁on ▁which ▁Madonna ▁experiments ▁with ▁different ▁musical ▁gen res , ▁" Nothing ▁Re ally ▁Mat ters " ▁includes ▁ambient ▁music ▁and ▁electronic ▁noise ▁frequencies ▁that ▁were ▁added ▁by ▁De ▁V ries . ▁L yr ically , ▁the ▁recording ▁del ves ▁on ▁the ▁singer ' s ▁first ▁daughter ▁L our des ▁Leon , ▁having ▁also ▁them es ▁of ▁self ish ness , ▁affection , ▁and ▁mother hood . ▁ ▁The ▁song ▁was ▁crit ically ▁appreciated ▁for ▁its ▁lyr ical ▁content ▁and ▁composition , ▁and ▁was ▁declared ▁by ▁review ers ▁as ▁one ▁of ▁Madonna ' s ▁most ▁personal ▁efforts ; ▁however , ▁some ▁critics ▁felt ▁it ▁was ▁te pid ▁and ▁lack l ust re ▁compared ▁to ▁other ▁tracks ▁from ▁Ray ▁of ▁Light . ▁In ▁the ▁United ▁States , ▁the ▁song ▁remains ▁Madonna ' s ▁lowest ▁entry ▁on ▁the ▁Billboard ▁Hot ▁ 1 0 0 , ▁pe aking ▁at ▁number ▁ 9 3 |
. ▁Its ▁low ▁chart ▁peak ▁was ▁due ▁to ▁lack ▁of ▁air play ▁and ▁the ▁delay ▁in ▁re le asing ▁it ▁in ▁CD ▁single ▁formats , ▁to ▁which ▁the ▁singer ' s ▁fans ▁protest ed ▁against ▁Warner ▁B ros . ▁The ▁song ▁became ▁her ▁ 2 3 rd ▁number ▁one ▁on ▁the ▁US ▁Dance ▁Club ▁Songs ▁chart , ▁reaching ▁the ▁top ▁spot ▁in ▁Hung ary ▁and ▁Spain , ▁and ▁entering ▁the ▁top ▁ten ▁in ▁countries ▁including ▁Canada , ▁Finland , ▁I cel and , ▁Italy , ▁New ▁Zealand , ▁Scotland ▁and ▁the ▁United ▁Kingdom . ▁ ▁An ▁accomp any ing ▁music ▁video ▁was ▁directed ▁by ▁Swedish ▁director ▁Johan ▁Ren ck , ▁and ▁was ▁released ▁on ▁February ▁ 1 3 , ▁ 1 9 9 9 . ▁In sp ired ▁by ▁Arthur ▁Golden ' s ▁ 1 9 9 7 ▁novel ▁Mem oir s ▁of ▁a ▁Ge ish a , ▁the ▁video ▁port ray s ▁Madonna ▁as ▁a ▁ge ish a , ▁dan cing ▁in ▁a ▁small ▁room . ▁The ▁red ▁k im ono ▁worn ▁by ▁her ▁in ▁the ▁video ▁was ▁designed ▁by ▁French ▁fashion ▁designer ▁Jean ▁Paul ▁G ault ier . ▁It ▁was ▁worn ▁by ▁the ▁singer ▁during ▁her ▁performance ▁of ▁the ▁song ▁at ▁the ▁ 4 1 st ▁Ann ual ▁Gram my ▁Awards . ▁" Nothing ▁Re ally ▁Mat ters " ▁is ▁c ited ▁as ▁one ▁of ▁Madonna ' s ▁most ▁under r ated ▁singles ▁to ▁date . ▁The ▁cost ume ▁and ▁music ▁video ▁has ▁been ▁c ited ▁by ▁journalist ▁and ▁academ ics |
▁as ▁one ▁of ▁Madonna ' s ▁most ▁icon ic ▁and ▁best ▁re - in vent ions . ▁ ▁Background ▁and ▁writing ▁ ▁" Nothing ▁Re ally ▁Mat ters " ▁was ▁written ▁by ▁Madonna ▁and ▁American ▁producer ▁and ▁song writer ▁Patrick ▁Leonard , ▁and ▁was ▁produced ▁by ▁herself ▁alongside ▁British ▁produ cers ▁William ▁Or bit ▁and ▁Mar ius ▁De ▁V ries . ▁The ▁song ▁was ▁inspired ▁by ▁Madonna ' s ▁daughter ▁L our des ▁Leon , ▁whom ▁she ▁gave ▁birth ▁to ▁in ▁ 1 9 9 6 . ▁These ▁events ▁inspired ▁a ▁period ▁of ▁intros pection ▁for ▁the ▁singer . ▁" That ▁was ▁a ▁big ▁catal yst ▁for ▁me . ▁It ▁took ▁me ▁on ▁a ▁search ▁for ▁answers ▁to ▁questions ▁I ' d ▁never ▁asked ▁myself ▁before ," ▁she ▁said ▁to ▁Q ▁magazine ▁in ▁ 2 0 0 2 . ▁Madonna ▁begun ▁writing ▁the ▁song ▁with ▁Leonard ▁during ▁developing ▁her ▁album ▁Ray ▁of ▁Light . ▁However , ▁unlike ▁their ▁previous ▁work ▁dynamics , ▁Leonard ▁gave ▁little ▁input ▁during ▁studio ▁sessions ▁and ▁only ▁co - w rote ▁four ▁songs ▁for ▁the ▁album , ▁including ▁" Nothing ▁Re ally ▁Mat ters ". ▁As ▁a ▁result , ▁Madonna ▁did ▁not ▁want ▁him ▁to ▁produce ▁the ▁track . ▁Her ▁manager ▁Guy ▁O se ary ▁then ▁tele phon ed ▁Or bit , ▁and ▁suggested ▁that ▁the ▁latter ▁send ▁some ▁songs ▁to ▁Madonna . ▁Or bit ▁sent ▁a ▁ 1 3 - track ▁digital ▁audio ▁t ape ▁( DAT ) ▁to ▁her , ▁which ▁included ▁a ▁demo ▁version ▁of ▁" |
Nothing ▁Re ally ▁Mat ters " ' s ▁music . ▁According ▁to ▁Madonna , ▁she ▁had ▁been ▁a ▁fan ▁of ▁Or bit ' s ▁work ▁for ▁a ▁long ▁time ▁and ▁was ▁pleased ▁with ▁the ▁demo ▁version , ▁which ▁he ▁started ▁to ▁work ▁on . ▁ ▁De ▁V ries , ▁who ▁had ▁worked ▁on ▁the ▁demo , ▁asked ▁Or bit ▁to ▁help ▁produce ▁the ▁song , ▁and ▁was ▁en list ed . ▁According ▁to ▁Madonna : ▁Like ▁an ▁Icon ▁writer ▁Lucy ▁O ' B rien , ▁De ▁V ries ▁and ▁Or bit ▁had ▁originally ▁composed ▁and ▁produced ▁the ▁track ▁before ▁Ray ▁of ▁Light ▁had ▁been ▁conce ived . ▁During ▁the ▁sessions , ▁Or bit ▁found ▁De ▁V ries ' ▁contribution ▁" off - put ting ", ▁to ▁which ▁the ▁latter ▁conf essed , ▁" On ▁all ▁the ▁collabor ations ▁I ' d ▁left ▁a ▁lot ▁of ▁space ▁for ▁him , ▁but ▁for ▁this ▁I ▁wanted ▁to ▁put ▁something ▁on ▁the ▁table ▁and ▁say , ▁' This ▁is ▁what ▁I ▁think ' ". ▁De ▁V ries ▁had ▁added ▁electronic ▁noise ▁frequencies ▁during ▁the ▁first ▁ch orus ▁of ▁the ▁song , ▁stating ▁that ▁he ▁had ▁a ▁" vision ▁on ▁how ▁the ▁song ▁should ▁be ▁finished ". ▁Or bit ▁did ▁not ▁like ▁the ▁addition ▁since ▁it ▁sound ed ▁to ▁him ▁that ▁the ▁" DAT ' s ▁broken ". ▁De ▁V ries ▁def ended ▁his ▁contribution ▁saying ▁that ▁it ▁was ▁supposed ▁to ▁be ▁" like ▁that ▁[...] ▁It ' s ▁quite ▁slow ▁for ▁a ▁dance ▁t une ▁of |
▁that ▁nature , ▁not ▁a ▁pace y ▁t une ." ▁Madonna ▁had ▁enjoyed ▁all ▁three ▁of ▁their ▁contributions ▁to ▁the ▁track , ▁and ▁as ▁a ▁result , ▁Or bit ▁rel uct antly ▁left ▁it ▁on . ▁In ▁J . ▁R andy ▁Tar abor rel li ' s ▁book ▁Madonna : ▁An ▁Int imate ▁Biography , ▁the ▁singer ▁said ▁that ▁the ▁main ▁insp iration ▁behind ▁" Nothing ▁Re ally ▁Mat ters " ▁and ▁" The ▁Power ▁of ▁Good - By e " ▁from ▁the ▁same ▁album , ▁was ▁other ▁people ▁jud ging ▁and ▁dis sect ing ▁her ▁cre ative ▁process . ▁El abor ating ▁on ▁the ▁statement , ▁she ▁added , ▁In ▁' Nothing ▁Re ally ▁Mat ters ' ▁and ▁' The ▁Power ▁of ▁Good - By e ', ▁I ▁want ▁people ▁to ▁have ▁a ▁vis cer al ▁and ▁emot ional ▁reaction ▁to ▁things , ▁rather ▁than ▁to ▁have ▁in ▁their ▁mind ▁where ▁all ▁my ▁stuff ▁comes ▁from . ▁With ▁the ▁songs , ▁I ▁wanted ▁to ▁say ▁that ▁it ▁does ▁not ▁matter ▁really ▁what ▁you ▁think ▁or ▁do , ▁just ▁think ▁by ▁yourself , ▁and ▁not ▁judge ▁and ▁dis sect ▁others . ▁You ▁know ▁if ▁I ▁see ▁a ▁bug ▁craw ling ▁across ▁the ▁floor ▁and ▁it ▁inspired ▁me ▁to ▁write ▁the ▁most ▁incred ible ▁love ▁poem , ▁I ▁don ' t ▁want ▁people ▁to ▁be ▁thinking ▁about ▁their ▁relationship , ▁and ▁then ▁think ▁of ▁my ▁bug ▁craw ling ▁across ▁the ▁floor . ▁It ' s ▁then ▁that ▁the ▁power ▁of ▁good - bye ▁becomes |
▁better ▁than ▁the ▁power ▁of ▁accept ance . ▁ ▁Rec ording ▁and ▁composition ▁" Nothing ▁Re ally ▁Mat ters " ▁was ▁recorded ▁alongside ▁the ▁rest ▁of ▁the ▁album ▁at ▁Lar ra be e ▁North ▁Studio ▁in ▁North ▁Hollywood , ▁California . ▁Only ▁three ▁other ▁people ▁were ▁in ▁the ▁studio ▁with ▁Madonna ▁during ▁the ▁recording ▁of ▁the ▁song ▁and ▁album : ▁Or bit , ▁recording ▁engineer ▁Pat ▁Mc Car thy , ▁and ▁his ▁assistant ▁engineer , ▁Matt ▁Silva . ▁The ▁track ▁featured ▁no ▁live ▁instrument ation , ▁and ▁was ▁part ▁of ▁a ▁mach in ery ▁issue ▁that ▁delayed ▁initial ▁recording ▁as ▁Or bit ▁preferred ▁working ▁with ▁sample ▁loops ▁and ▁synth - based ▁instrument ation . ▁As ▁a ▁result , ▁it ▁took ▁a ▁while ▁to ▁finish ▁production ▁of ▁the ▁song , ▁until ▁the ▁computers ▁were ▁rep a ired . ▁The ▁song ▁was ▁master ed ▁by ▁Ted ▁J ensen ▁at ▁Ster ling ▁Studios ▁in ▁New ▁York , ▁and ▁included ▁background ▁vocals ▁from ▁Don na ▁De L ory ▁and ▁Nik ki ▁Harris . ▁ ▁" Nothing ▁Re ally ▁Mat ters " ▁is ▁a ▁mid - tem po ▁ED M ▁song ▁which ▁contains ▁influ ences ▁of ▁te ch no , ▁dow nt em po ▁pop , ▁and ▁house ▁music . ▁It ▁is ▁set ▁in ▁time ▁signature ▁of ▁common ▁time , ▁and ▁is ▁composed ▁in ▁the ▁key ▁of ▁F ▁major , ▁with ▁a ▁moder ate ▁tempo ▁of ▁ 1 1 7 ▁be ats ▁per ▁minute . ▁Madonna ' s ▁vocals ▁range ▁from ▁the ▁lower ▁oct ave ▁of ▁F 3 |
▁to ▁the ▁higher ▁note ▁of ▁A 4 . ▁Greg ▁Kot ▁from ▁the ▁Chicago ▁Trib une ▁label led ▁the ▁production ▁as ▁a ▁" world ly , ▁and ▁we ary ▁Madonna ". ▁David ▁Brow ne ▁from ▁Entertainment ▁Week ly ▁noticed ▁that ▁the ▁" hard - step ▁be ats ▁and ▁synth ▁was hes ▁make ▁the ▁rom antic - phys ical ▁year nings ▁( and ▁hook s ) ▁of ▁' S kin ' ▁and ▁' Nothing ▁Re ally ▁Mat ters ' ▁even ▁t aut er ▁[...] ". ▁J . D . ▁Cons id ine ▁from ▁The ▁Baltimore ▁Sun ▁felt ▁the ▁song ▁was ▁a ▁" sm art , ▁gro ove - int ensive ▁t une ". ▁Ch uck ▁Taylor ▁from ▁Billboard ▁compared ▁the ▁composition ▁of ▁" Nothing ▁Re ally ▁Mat ters " ▁to ▁the ▁" dis co - enc r usted " ▁" V og ue " ▁( 1 9 9 0 ). ▁However , ▁he ▁found ▁that ▁the ▁" core " ▁important ▁part ▁of ▁the ▁song ▁was ▁its ▁" s weet ly - sp irit ual " ▁and ▁" simple " ▁lyr ical ▁content . ▁ ▁The ▁song ▁begins ▁with ▁a ▁" st range , ▁electronic , ▁slightly ▁broken ▁noise " ▁that ▁sp ans ▁between ▁the ▁start ▁of ▁the ▁song ▁up ▁until ▁ 5 4 ▁seconds . ▁The ▁ambient - infl uen ced ▁beginning ▁gives ▁the ▁impression ▁that ▁" Nothing ▁Re ally ▁Mat ters " ▁would ▁be ▁a ▁ball ad , ▁but ▁in ▁the ▁minute ▁mark , ▁it ▁changes ▁to ▁a ▁mid - tem po ▁dance - |
pop ▁song . ▁The ▁ambient ▁music ▁becomes ▁rest rained , ▁although ▁a ▁curs ory ▁b leep ing ▁sound ▁can ▁be ▁heard ▁from ▁the ▁right ▁to ▁the ▁left . ▁The ▁background ▁has ▁a ▁number ▁of ▁faint ▁strings ▁in ▁it , ▁which ▁sign ifies ▁the ▁depth ▁of ▁the ▁s tere o ▁field . ▁The ▁ch orus ▁starts ▁with ▁a ▁fast - p acing ▁dance ▁sound , ▁over ▁which ▁Madonna ▁s ings , ▁" Nothing ▁really ▁matters ▁/ ▁love ▁is ▁all ▁we ▁need ▁/ ▁everything ▁I ▁give ▁you ▁/ ▁all ▁comes ▁back ▁to ▁me ." ▁Through out ▁the ▁entire ▁song , ▁it ▁includes ▁two ▁vers es , ▁three ▁ch or uses , ▁one ▁bridge ▁section , ▁and ▁an ▁out ro . ▁The ▁bridge ▁is ▁back ed ▁by ▁piano ▁sounds ▁with ▁a ▁desc ending ▁sequence ▁by ▁a ▁couple ▁of ▁bars . ▁Madonna ▁s ings ▁the ▁same ▁lyr ics ▁in ▁the ▁out ro , ▁but ▁is ▁slow ed ▁down ▁and ▁echo ed ▁longer ▁until ▁the ▁music ▁f ades ▁out . ▁ ▁The ▁lyr ics ▁are ▁about ▁the ▁birth ▁of ▁Madonna ' s ▁daughter ▁L our des , ▁and ▁the ▁real ization ▁of ▁mother hood . ▁In ▁an ▁interview ▁with ▁the ▁Wes ley an ▁University ▁Press , ▁the ▁singer ▁stated : ▁" There ' s ▁a ▁song ▁on ▁the ▁album ▁called ▁' Nothing ▁Re ally ▁Mat ters ', ▁and ▁it ▁is ▁very ▁much ▁inspired ▁by ▁my ▁daughter . ▁it ' s ▁just ▁real izing ▁that ▁at ▁the ▁end ▁of ▁the ▁day , ▁the ▁most ▁important ▁thing ▁is ▁lov ing |
▁people ▁and ▁sharing ▁love . ▁The ▁birth ▁of ▁my ▁daughter ▁has ▁been ▁a ▁huge ▁influence . ▁It ' s ▁different ▁to ▁look ▁at ▁life ▁through ▁the ▁eyes ▁of ▁a ▁child , ▁and ▁suddenly ▁you ▁have ▁a ▁whole ▁new ▁respect ▁for ▁life ▁and ▁you ▁kind ▁of ▁get ▁your ▁innoc ence ▁back . ▁It ' s ▁this ▁real isation ▁which ▁I ▁incorpor ated ▁in ▁' Nothing ▁Re ally ▁Mat ters ', ▁' L ittle ▁Star ' ▁and ▁' Mer ▁Girl ' ." ▁Based ▁on ▁the ▁lyr ical ▁content , ▁Bry an ▁L ark ▁from ▁The ▁Michigan ▁Daily ▁review ed ▁the ▁parent ▁album , ▁and ▁concluded ▁that ▁as ▁the ▁single ▁" R ay ▁of ▁Light " ▁was ▁about ▁confront ing ▁the ▁past , ▁" Nothing ▁Re ally ▁Mat ters " ▁convers ely ▁is ▁about ▁" mov ing ▁on ward ." ▁ ▁Release ▁details ▁" Nothing ▁Re ally ▁Mat ters " ▁was ▁selected ▁as ▁the ▁fifth ▁and ▁final ▁single ▁from ▁Ray ▁of ▁Light , ▁and ▁was ▁released ▁on ▁March ▁ 2 , ▁ 1 9 9 9 ▁by ▁Ma ver ick ▁Records ▁and ▁Warner ▁B ros . ▁Records . ▁It ▁was ▁released ▁in ▁six ▁major ▁formats , ▁including ▁a ▁ 1 2 ▁in ch ▁vin yl , ▁two ▁CD ▁singles , ▁one ▁max i ▁CD , ▁a ▁c ass ette ▁t ape , ▁and ▁was ▁made ▁available ▁for ▁digital ▁download . ▁A ▁prom ot ional ▁ 7 ▁in ch ▁vin yl ▁was ▁issued ▁to ▁several ▁clubs ▁in ▁North ▁America , ▁and ▁included ▁the ▁original ▁album ▁version , |
▁along ▁with ▁the ▁B - side ▁and ▁parent ▁album ▁track ▁" To ▁Have ▁and ▁Not ▁To ▁Hold ". ▁Two ▁ 1 2 ▁in ch ▁vin yl ▁formats ▁were ▁released ▁in ▁North ▁America ; ▁one ▁included ▁four ▁vin yl s ▁that ▁incorpor ate ▁two ▁tracks ▁on ▁each , ▁while ▁the ▁second ▁was ▁re - iss ued ▁with ▁new ▁art work ▁and ▁track ▁list ▁pla cement . ▁The ▁max i ▁CD ▁included ▁the ▁album ▁version , ▁and ▁two ▁rem ix es ▁by ▁the ▁Aust rian ▁disc ▁j ockey ▁Peter ▁R au ho fer ▁( under ▁the ▁alias ▁Club ▁ 6 9 ). ▁Two ▁CD ▁singles ▁were ▁issued ▁world wide ▁except ▁for ▁North ▁America ; ▁the ▁first ▁CD ▁includes ▁the ▁album ▁version , ▁one ▁rem ix ▁by ▁R au ho fer , ▁and ▁one ▁rem ix ▁by ▁Peter ▁Kr uder ▁& ▁Richard ▁Dorf meister , ▁whilst ▁the ▁second ▁includes ▁three ▁rem ix es ▁by ▁R au ho fer . ▁A ▁c ass ette ▁t ape ▁was ▁released ▁in ▁the ▁United ▁Kingdom ; ▁this ▁includes ▁the ▁album ▁version ▁and ▁one ▁rem ix ▁by ▁R au ho fer , ▁presented ▁on ▁both ▁sides ▁of ▁the ▁recording ▁t ape . ▁ ▁Crit ical ▁reception ▁Stephen ▁Thomas ▁Er le w ine ▁from ▁All Music , ▁Kevin ▁C . ▁Johnson ▁from ▁the ▁St . ▁Louis ▁Post - Dispatch ▁and ▁Chris ▁G ern ard ▁from ▁Metro ▁Week ly ▁highlight ed ▁" Nothing ▁Re ally ▁Mat ters " ▁as ▁one ▁of ▁Ray ▁of ▁L ights ▁best ▁tracks . ▁Er le w ine , |
▁who ▁also ▁wrote ▁Madonna ' s ▁bi ography ▁for ▁the ▁website , ▁c ited ▁the ▁song ▁as ▁one ▁of ▁her ▁career ▁stand outs . ▁Ch uck ▁Taylor ▁from ▁Billboard ▁l abeled ▁the ▁song ▁as ▁a ▁" gem " ▁and ▁comm ended ▁the ▁" ir res ist ible ▁hook ". ▁From ▁the ▁same ▁publication , ▁Jason ▁Li ps h utz ▁commented , ▁" What ▁if ▁the ▁su ave ▁dance ▁of ▁' Nothing ▁Re ally ▁Mat ters ', ▁the ▁eye - po pping ▁' R ay ▁of ▁Light ' ▁music ▁video ▁or ▁the ▁stark ▁beauty ▁of ▁' F ro zen ' ▁never ▁existed ? ▁L uck ily , ▁we ▁never ▁need ▁to ▁find ▁out ." ▁Rol ling ▁Stone ▁said , ▁" S ongs ▁like ▁the ▁title ▁track ▁and ▁' Nothing ▁Re ally ▁Mat ters ' ▁are ▁filled ▁with ▁warm th ▁and ▁wonder ." ▁" A ▁b ub b ly , ▁inf ect ious ▁piece ▁of ▁sh uffle be at … " ▁Stuart ▁Ma con ie ▁wrote ▁in ▁a ▁Q ▁review ▁of ▁Ray ▁of ▁Light , ▁" but ▁aber rant ▁items ▁contin ually ▁sw im ▁into ▁view , ▁like ▁a ▁t umb ling , ▁at onal ▁piano ▁solo ▁right ▁out ▁of ▁Sch o enberg ." ▁Stephen ▁Thompson ▁from ▁The ▁A . V . ▁Club ▁was ▁positive , ▁stating ▁that ▁the ▁" ch ug ging " ▁ch orus ▁and ▁composition ▁" should ▁ring ▁across ▁dance ▁flo ors ▁for ▁years ▁to ▁come [ ...] " ▁Nathan ▁Smith ▁from ▁the ▁Houston ▁Press ▁was ▁also ▁positive , ▁stating , ▁" |
F ew ▁singles ▁illustrated ▁[ Mad onna ' s ▁change ▁in ▁musical ▁approach ] ▁better ▁than ▁' Nothing ▁Re ally ▁Mat ters ' ". ▁He ▁concluded , ▁" It ' s ▁a ▁great , ▁b oun cy ▁dance ▁track ▁that ▁never ▁received ▁the ▁love ▁it ▁des erved , ▁and ▁its ▁family - friend ly ▁them es ▁are ▁a ▁good ▁fit ▁for ▁the ▁event ." ▁ ▁However , ▁En io ▁Chi ola ▁from ▁Pop Mat ters ▁felt ▁the ▁song ' s ▁commercial ▁appeal ▁and ▁production ▁was ▁inferior ▁to ▁other ▁album ▁tracks , ▁and ▁stated ▁that ▁" S kin " — another ▁song ▁from ▁Ray ▁of ▁Light — w ould ▁have ▁been ▁a ▁better ▁release . ▁Jose ▁F . ▁Prom is ▁from ▁All Music ▁review ed ▁the ▁single ▁and ▁awarded ▁it ▁two - and - a - half ▁stars ▁out ▁of ▁five . ▁He ▁suggested ▁that ▁the ▁original ▁album ▁version ▁was ▁somewhat ▁" te pid ", ▁and ▁commented , ▁" This ▁single ▁is ▁a ▁case ▁of ▁where ▁the ▁production ▁su pers edes ▁the ▁song , ▁which ▁in ▁and ▁of ▁itself ▁is ▁among ▁Madonna ' s ▁simplest ▁and ▁least ▁interesting ▁t unes ." ▁However , ▁he ▁comm ended ▁the ▁rem ix es , ▁including ▁the ▁" E astern ▁Asian ", ▁" ch ill out " ▁and ▁" se ver al ▁club ▁cut s ". ▁Med ium ' s ▁Richard ▁La Be au ▁op ined ▁that ▁it ▁was ▁a ▁" per fect ly ▁fine ▁cut ▁from ▁her ▁best ▁album , ▁but ▁there ▁are ▁several ▁other ▁songs ▁on |
▁the ▁album ▁that ▁are ▁better ▁and ▁would ▁have ▁made ▁more ▁interesting ▁singles ". ▁Bill boards ▁N olan ▁Fe en ey ▁noted , ▁" She ▁keeps ▁the ▁plat itudes ▁from ▁sound ing ▁empty ▁by ▁taking ▁her ▁younger ▁self ▁to ▁task ▁[...] ▁Dance ▁music ▁is ▁often ▁a ▁tool ▁for ▁artists ▁and ▁listen ers ▁to ▁build ▁their ▁ident ities ; ▁here , ▁Madonna ▁uses ▁pul sing ▁be ats ▁to ▁shed ▁her ▁skin ". ▁Rank ing ▁Madonna ' s ▁singles ▁in ▁honor ▁of ▁her ▁ 6 0 th ▁birth day , ▁The ▁Guard ians ▁J ude ▁Rog ers ▁placed ▁" Nothing ▁Re ally ▁Mat ters " ▁at ▁number ▁ 3 9 , ▁calling ▁it ▁a ▁" he aven ly ▁o de ▁to ▁mother hood ". ▁ ▁At ▁the ▁ 2 0 0 0 ▁ASC AP ▁Rh ythm ▁and ▁Soul ▁Awards , ▁" Nothing ▁Re ally ▁Mat ters " ▁was ▁nominated ▁for ▁the ▁Award - Win ning ▁Dance ▁Song ▁award ; ▁this ▁was ▁Madonna ' s ▁first ▁nom ination ▁in ▁that ▁category , ▁and ▁was ▁her ▁second ▁nom ination ▁at ▁the ▁awards ▁since ▁the ▁previous ▁year , ▁when ▁her ▁song ▁" R ay ▁of ▁Light " ▁was ▁nominated , ▁and ▁eventually ▁won ▁the ▁Top ▁Dance ▁Song ▁award . ▁" Nothing ▁Re ally ▁Mat ters " ▁eventually ▁won ▁the ▁award , ▁becoming ▁her ▁first ▁win ▁in ▁that ▁category ▁and ▁was ▁her ▁final ▁until ▁she ▁won ▁it ▁again ▁in ▁ 2 0 0 2 ▁for ▁" Don ' t ▁Tell ▁Me ". ▁ ▁Chart ▁performance ▁In ▁the ▁United ▁States , |
▁" Nothing ▁Re ally ▁Mat ters " ▁deb uted ▁at ▁number ▁ 9 9 ▁on ▁the ▁Billboard ▁Hot ▁ 1 0 0 , ▁making ▁it ▁her ▁lowest ▁entry ▁on ▁the ▁chart . ▁It ▁reached ▁a ▁peak ▁of ▁number ▁ 9 3 ▁the ▁following ▁week , ▁and ▁was ▁present ▁for ▁two ▁weeks ▁overall . ▁" Nothing ▁Re ally ▁Mat ters " ▁to pped ▁the ▁Dance ▁Club ▁Songs ▁chart ▁and ▁stayed ▁there ▁for ▁two ▁weeks , ▁whilst ▁pe aking ▁at ▁number ▁ 2 5 ▁on ▁the ▁Pop ▁Songs ▁chart . ▁Jose ▁F . ▁Prom is ▁from ▁All Music ▁believed ▁the ▁single ' s ▁lack ▁of ▁chart ing ▁success ▁in ▁North ▁America ▁was ▁due ▁" to ▁the ▁terrible ▁timing ▁of ▁the ▁single ' s ▁release , ▁which ▁was ▁much ▁after ▁radio ▁and ▁club ▁air play ▁had ▁pe aked ." ▁Many ▁fans ▁in ▁North ▁America ▁bl amed ▁Warner ▁B ros . ▁Records ' ▁market ing ▁strategy ▁for ▁the ▁song ' s ▁poor ▁chart ing . ▁" Nothing ▁Re ally ▁Mat ters " ▁was ▁also ▁the ▁first ▁time ▁since ▁ 1 9 9 4 ' s ▁Bed time ▁St ories ▁that ▁Madonna ▁chart ed ▁four ▁singles ▁from ▁her ▁album ▁on ▁the ▁Hot ▁ 1 0 0 . ▁In ▁Canada , ▁the ▁song ▁reached ▁a ▁peak ▁of ▁number ▁seven ▁on ▁the ▁R PM ▁Singles ▁Chart . ▁ ▁In ▁the ▁United ▁Kingdom , ▁" Nothing ▁Re ally ▁Mat ters " ▁entered ▁the ▁UK ▁Singles ▁Chart ▁at ▁number ▁seven ▁on ▁March ▁ 1 3 , ▁ 1 9 9 9 . |
▁It ▁was ▁later ▁cert ified ▁Silver ▁by ▁the ▁British ▁Ph on ographic ▁Indust ry ▁( B PI ) ▁for ▁ship ments ▁of ▁ 2 0 0 , 0 0 0 ▁units . ▁According ▁to ▁Official ▁Ch arts ▁Company , ▁the ▁song ▁has ▁sold ▁ 1 2 8 , 1 3 7 ▁copies ▁as ▁of ▁August ▁ 2 0 0 8 . ▁In ▁Belg ium ' s ▁Fland ers ▁region , ▁the ▁song ▁deb uted ▁and ▁pe aked ▁at ▁number ▁ 4 3 ▁on ▁March ▁ 1 3 , ▁ 1 9 9 9 , ▁while ▁in ▁the ▁Wall onia ▁region ▁it ▁had ▁a ▁similar ▁performance , ▁sp ending ▁a ▁sole ▁week ▁on ▁the ▁chart . ▁In ▁the ▁Netherlands , ▁the ▁song ▁deb uted ▁at ▁number ▁ 7 3 ▁on ▁the ▁Single ▁Top ▁ 1 0 0 ▁chart , ▁and ▁reached ▁a ▁peak ▁of ▁ 3 4 ▁on ▁March ▁ 1 3 , ▁ 1 9 9 9 . ▁The ▁recording ▁pe aked ▁at ▁number ▁ 3 8 ▁in ▁Germany , ▁sp ending ▁a ▁total ▁of ▁nine ▁weeks ▁on ▁the ▁chart . ▁In ▁Finland , ▁the ▁song ▁deb uted ▁at ▁number ▁six ▁on ▁the ▁Finn ish ▁Singles ▁Chart , ▁and ▁spent ▁two ▁weeks ▁overall . ▁In ▁Spain , ▁it ▁was ▁number ▁one ▁on ▁the ▁Spanish ▁Singles ▁Chart ▁and ▁stayed ▁there ▁for ▁three ▁consecutive ▁weeks . ▁ ▁In ▁Australia , ▁" Nothing ▁Re ally ▁Mat ters " ▁deb uted ▁on ▁the ▁A RI A ▁Singles ▁Chart ▁at ▁its ▁peak ▁of ▁number ▁ 1 5 ▁on |
▁March ▁ 4 , ▁ 1 9 9 9 . ▁The ▁next ▁week , ▁it ▁desc ended ▁to ▁number ▁ 2 2 , ▁and ▁continued ▁down ▁to ▁its ▁final ▁appearance ▁at ▁number ▁ 4 9 , ▁being ▁present ▁for ▁a ▁total ▁of ▁six ▁weeks ▁on ▁the ▁chart . ▁In ▁New ▁Zealand , ▁the ▁song ▁deb uted ▁at ▁number ▁seven ▁on ▁the ▁New ▁Zealand ▁Singles ▁Chart ▁on ▁April ▁ 1 1 , ▁ 1 9 9 9 . ▁It ▁stayed ▁there ▁for ▁two ▁weeks , ▁until ▁desc ending ▁to ▁number ▁ 4 5 . ▁It ▁rose ▁to ▁number ▁ 2 6 ▁on ▁its ▁final ▁pe aking ▁week , ▁and ▁was ▁present ▁for ▁a ▁total ▁of ▁nine ▁weeks ▁on ▁the ▁chart . ▁ ▁Music ▁video ▁ ▁Background ▁and ▁insp iration ▁An ▁accomp any ing ▁music ▁video ▁for ▁" Nothing ▁Re ally ▁Mat ters " ▁was ▁directed ▁by ▁Johan ▁Ren ck ▁and ▁fil med ▁in ▁January ▁ 1 9 9 9 ▁at ▁Silver cup ▁Studios ▁in ▁Long ▁Island ▁City , ▁New ▁York . ▁According ▁to ▁a ▁behind - the - sc enes ▁interview ▁with ▁Entertainment ▁Ton ight , ▁Madonna ▁stated ▁that ▁the ▁insp iration ▁behind ▁the ▁video ▁was ▁from ▁the ▁ 1 9 9 7 ▁Arthur ▁Golden ▁novel ▁Mem oir s ▁of ▁a ▁Ge ish a . ▁She ▁later ▁stated , ▁" The ▁whole ▁idea ▁of ▁a ▁ge ish a ▁is ▁a ▁straight ▁met ap hor ▁for ▁being ▁an ▁ent ert ainer ▁because , ▁on ▁one ▁hand ▁you ' re ▁privile ged ▁to ▁be ▁a ▁ge |
ish a , ▁but ▁on ▁the ▁other ▁hand ▁you ' re ▁a ▁prisoner ▁[...] " ▁Madonna ▁ch ore ograph ed ▁her ▁own ▁moves ▁in ▁the ▁video , ▁since ▁she ▁"[ did ▁not ] ▁like ▁how ▁other ▁people ▁say ▁how ▁I ▁should ▁move , ▁I ' m ▁my ▁own ▁best ▁ch ore ograph er ." ▁In ▁an ▁interview ▁with ▁American ▁broad c aster ▁and ▁journalist ▁Larry ▁King , ▁Madonna ▁commented ▁about ▁the ▁ge ish a ▁dep iction , ▁"[ ...] ▁there ▁was ▁a ▁character ▁in ▁the ▁book ▁called ▁H ats um omo ▁and ▁she ' s ▁been ▁my ▁muse ▁for ▁the ▁past ▁six ▁months . ▁So ▁I ▁don ' t ▁know ." ▁She ▁stated ▁that ▁her ▁daughter , ▁at ▁the ▁time , ▁called ▁Madonna ▁the ▁novel ' s ▁character , ▁H ats um omo , ▁which ▁the ▁singer ▁found ▁intr igu ing ▁yet ▁b izar re . ▁ ▁The ▁red ▁k im ono ▁that ▁Madonna ▁wore ▁in ▁the ▁music ▁video ▁was ▁created ▁by ▁French ▁fashion ▁designer ▁Jean - Paul ▁G ault ier . ▁Her ▁main ▁look ▁for ▁the ▁video ▁consisted ▁of ▁heavy ▁eye ▁make - up ▁and ▁a ▁pale ▁face ▁with ▁dark , ▁straight ▁hair , ▁as ▁well ▁as ▁a ▁pair ▁red ▁an k le ▁high ▁bo ots ▁to ▁accomp any ▁the ▁k im ono . ▁The ▁k im ono ▁was ▁tail ored ▁by ▁a ▁large ▁red ▁le ather ▁bel t . ▁Madonna ▁wore ▁the ▁k im ono ▁again ▁at ▁the ▁ 4 1 st ▁Ann ual ▁Gram my ▁Awards , ▁which ▁she ▁performed |
▁at . ▁The ▁look ▁was ▁then ▁re - des igned ▁by ▁G ault ier ▁and ▁the ▁Italian ▁fashion ▁du o ▁Dean ▁and ▁Dan ▁C aten ▁for ▁Madonna ' s ▁ 2 0 0 1 ▁D rown ed ▁World ▁Tour . ▁The ▁visual ▁for ▁" Nothing ▁Re ally ▁Mat ters " ▁premier ed ▁on ▁MTV ▁on ▁February ▁ 1 3 , ▁ 1 9 9 9 . ▁ ▁The ▁video ▁can ▁be ▁found ▁on ▁Madonna ' s ▁ 1 9 9 9 ▁compilation , ▁The ▁Video ▁Collection ▁ 9 3 : 9 9 . ▁ ▁Syn opsis ▁and ▁reception ▁ ▁The ▁video ▁opens ▁with ▁an ▁empty ▁room ▁with ▁a ▁fish ▁painting , ▁and ▁then ▁shows ▁Madonna ▁holding ▁to ▁what ▁looks ▁like ▁a ▁baby , ▁but ▁is ▁actually ▁a ▁big ▁bag ▁of ▁water . ▁Altern ating ▁scenes ▁shows ▁her ▁in ▁a ▁red ▁and ▁black ▁k im ono ▁dan cing ▁to ▁the ▁song . ▁Then , ▁a ▁scene ▁features ▁a ▁group ▁of ▁people ▁of ▁Asian ▁her itage , ▁who ▁walk ▁down ▁a ▁dark ▁hall way . ▁As ▁Madonna ▁s ings ▁the ▁song ▁in ▁a ▁black ▁k im ono , ▁she ▁g ri ps ▁onto ▁the ▁bag ▁of ▁water . ▁When ▁the ▁ch orus ▁starts , ▁it ▁features ▁Madonna ▁in ▁a ▁red ▁k im ono ▁continu ing ▁to ▁dance . ▁This ▁scene ▁car ries ▁on ▁through ▁the ▁rest ▁of ▁the ▁song . ▁There ▁are ▁multiple ▁scenes ▁of ▁Japanese ▁people ▁performing ▁but oh ▁dance ▁moves ▁co ached ▁by ▁Swedish ▁ch ore ograph er ▁Su - En . ▁These |
▁scenes ▁were ▁shot ▁in ▁a ▁de comm ission ed ▁R 1 ▁Re actor ▁below ▁the ▁Royal ▁Institute ▁of ▁Technology ▁in ▁central ▁Stockholm . ▁The ▁ending ▁scene ▁has ▁Madonna ▁sitting ▁while ▁someone ▁is ▁painting ▁her ▁back ▁and ▁slowly ▁rest s ▁her ▁body ▁on ▁the ▁group . ▁As ▁the ▁song ▁f ades , ▁Madonna ▁is ▁in ▁her ▁red ▁k im ono ▁walking ▁and ▁la ughing ▁towards ▁the ▁camera ▁and ▁then ▁the ▁screen ▁rapidly ▁f ades ▁to ▁black . ▁ ▁The ▁music ▁video ▁received ▁favor able ▁reviews ▁from ▁critics . ▁S oman ▁S . ▁Ch ain ani ▁from ▁The ▁C rim son ▁was ▁positive ▁in ▁his ▁review , ▁stating , ▁" The ▁video ▁is ▁del ici ously ▁sub vers ive . ▁In ▁a ▁sense , ▁Madonna ▁cons ci ously ▁sh eds ▁layers ▁of ▁her ▁post - mod ern ▁act ▁during ▁the ▁ 4 : 2 5 ▁minute ▁video , ▁d aring ▁us ▁to ▁piece ▁together ▁its ▁cl ues ." ▁Lab elling ▁it ▁a ▁" sur real " ▁video ▁with ▁" angular " ▁imag ery ▁and ▁direction , ▁he ▁concluded , ▁" Random ? ▁Of ▁course ▁not . ▁Real izing ▁it ' s ▁all ▁the ▁pieces ▁of ▁a ▁puzz le , ▁we ▁grasp ▁the ▁st unning ▁answer . ▁Madonna ▁is , ▁in ▁all ▁truth , ▁a ▁modern - day ▁Ge ish a . ▁She ▁is ▁tra pped ▁within ▁her ▁cor rid or , ▁without ▁the ▁least ▁priv acy , ▁but ▁she ▁is ▁free ▁to ▁perform ." ▁A ▁rev iewer ▁from ▁Hit F ix ▁commented , ▁"[ The |
▁video ] ▁is ▁a ▁g orge ous ▁fut ur istic ▁creation ▁and ▁one ▁of ▁Madonna ' s ▁most ▁under r ated ▁videos . ▁Dark ▁and ▁hyp not ic , ▁' Mat ters ' ▁features ▁un con vent ional ▁ch ore ography ▁that ▁was ▁initially ▁off ▁putting ▁to ▁many ▁( at ▁least ▁for ▁ 1 9 9 9 ), ▁but ▁in ▁actual ity ▁director ▁Johan ▁Ren ck ▁has ▁created ▁a ▁visual ▁spect acle ▁that ▁dem ands ▁repeat ▁view ing . ▁It ▁also ▁features ▁one ▁of ▁Madonna ' s ▁more ▁inspired ▁video ▁performances ." ▁ ▁At ▁the ▁ 1 9 9 9 ▁MTV ▁Video ▁Music ▁Awards , ▁Ren ck , ▁B j orn ▁Ben ck ert ▁and ▁Tor - B j orn ▁Ol sson ▁were ▁all ▁nominated ▁for ▁Best ▁Special ▁Effect s ▁in ▁a ▁Video . ▁This ▁was ▁Madonna ' s ▁second ▁sub - cred ited ▁nom ination ▁in ▁that ▁category , ▁having ▁been ▁nominated , ▁and ▁eventually ▁won ▁for ▁the ▁same ▁award ▁a ▁year ▁prior ▁with ▁her ▁single ▁" F ro zen ". ▁Madonna ▁was ▁also ▁nominated ▁three ▁times ▁for ▁her ▁single ▁" Be aut iful ▁Str anger " ▁that ▁same ▁year . ▁However , ▁Ren ck , ▁Ben ck ert , ▁and ▁Ol sson ▁lost ▁to ▁Se an ▁Br ought on , ▁Stuart ▁D . ▁Gordon ▁and ▁Paul ▁Sim pson ▁of ▁Digital ▁Domain ▁with ▁their ▁work ▁on ▁" Special " ▁by ▁American - Sc ott ish ▁band ▁Gar bage ; ▁this ▁remains ▁Madonna ' s ▁final ▁video ▁to ▁be ▁nominated ▁in ▁that ▁category |
. ▁ ▁Live ▁performance ▁On ▁February ▁ 2 4 , ▁ 1 9 9 9 , ▁Madonna ▁performed ▁" Nothing ▁Re ally ▁Mat ters " ▁as ▁the ▁opening ▁number ▁of ▁the ▁ 4 1 st ▁Ann ual ▁Gram my ▁Awards . ▁The ▁performance ▁was ▁held ▁and ▁recorded ▁at ▁S hr ine ▁Aud itor ium ▁in ▁Los ▁Angeles , ▁California . ▁The ▁stage ▁had ▁two ▁large ▁Japanese ▁infrastr uct ures ▁on ▁either ▁side , ▁a ▁black ▁screen , ▁and ▁a ▁semi - large ▁ben ch ▁on ▁which ▁Madonna ▁stood . ▁The ▁performance ▁opened ▁with ▁the ▁lights ▁be aming ▁on ▁Madonna , ▁who ▁wore ▁the ▁red ▁G ault ier ▁k im ono , ▁red ▁platform ▁bo ots , ▁and ▁black ▁b ob ▁ha irst yle . ▁The ▁ch orus ▁started ▁with ▁four ▁back - up ▁d anc ers ▁holding ▁pl astic ▁bag , ▁similar ▁to ▁the ▁Japanese ▁people ▁in ▁the ▁music ▁video , ▁and ▁a ▁background ▁dan cer ▁being ▁project ed ▁on ▁screen . ▁By ▁the ▁second ▁ch orus , ▁Madonna ' s ▁back - up ▁vocal ists ▁started ▁singing ▁at op ▁the ▁ben ches ▁we aring ▁similar ▁k imon os . ▁During ▁the ▁song ' s ▁bridge ▁inter l ude , ▁a ▁man ▁entered ▁the ▁stage ▁and ▁started ▁performing ▁with ▁fl amed ▁ro pe . ▁When ▁Madonna ▁won ▁the ▁award ▁for ▁Best ▁Pop ▁V ocal ▁Album ▁at ▁the ▁same ▁ceremony , ▁she ▁came ▁on stage ▁with ▁Or bit ▁to ▁accept ▁the ▁award ▁in ▁the ▁red ▁k im ono . ▁ ▁The ▁live ▁performance ▁received |
▁positive ▁reviews ▁from ▁most ▁music ▁critics ; ▁Jason ▁Kauf man ▁from ▁NY ▁Rock ▁commented , ▁" Her ▁constant ▁national ity ▁morph ing ▁has ▁got ▁to ▁go . ▁With ▁her ▁ge ish a - g irl - g one - club - ho pping ▁out fit ▁last ▁night , ▁[...] ▁the ▁woman ▁proved ▁she ' s ▁a ▁walking ▁E pc ot ▁Center , ▁long ▁on ▁fashion ▁and ▁short ▁on ▁culture . ▁And ▁what ▁were ▁those ▁women ▁dan cing ▁behind ▁her ▁in ▁her ▁musical ▁number ▁holding ? ▁The ▁objects ▁looked ▁like ▁fet uses ▁from ▁last ▁week ' s ▁The ▁X - Files ". ▁Brad ley ▁Stern ▁from ▁Id ol ator ▁hosted ▁a ▁poll , ▁asking ▁view ers ▁what ▁was ▁their ▁best ▁Madonna ▁Gram my ▁performance . ▁Al ong side ▁the ▁ 1 9 9 9 ▁Gr amm ys , ▁Stern ▁listed ▁Madonna ' s ▁performances ▁of ▁" Music " ▁at ▁the ▁ 2 0 0 1 ▁ceremony , ▁" H ung ▁Up " ▁at ▁the ▁ 2 0 0 6 ▁ceremony , ▁and ▁" S ame ▁Love " ▁and ▁" Open ▁Your ▁Heart " ▁at ▁the ▁ 2 0 1 4 ▁ceremony . ▁" Nothing ▁Re ally ▁Mat ters " ▁came ▁third ▁in ▁the ▁poll ▁with ▁ 1 0 2 ▁votes . ▁In Style ▁staff ▁highlight ed ▁the ▁performance ▁as ▁one ▁of ▁the ▁best ▁Gram my ▁performances ▁to ▁date . ▁ ▁Leg acy ▁and ▁other ▁usage ▁in ▁media ▁ ▁" Nothing ▁Re ally ▁Mat ters " ▁has ▁been ▁noted ▁as ▁one ▁of ▁Madonna ' s |
▁most ▁under r ated ▁singles ▁to ▁date . ▁Louis ▁V irt el ▁from ▁New Now Next ▁listed ▁the ▁song ▁at ▁number ▁ 9 4 ▁on ▁their ▁Top ▁ 1 0 0 ▁Madonna ▁Songs ▁list , ▁stating , ▁" Co pping ▁both ▁new - age ▁maxim s ▁and ▁Beat le ▁sent iments ▁(' Every thing ▁I ▁give ▁you ▁all ▁comes ▁back ▁to ▁me '), ▁' Nothing ▁Re ally ▁Mat ters ' ▁is ▁as ▁que er ▁and ▁curious ▁as ▁a ▁red ▁pat ent - le ather ▁ge ish a ▁cost ume ." ▁The ▁G ault ier ▁k im ono ▁has ▁been ▁c ited ▁by ▁several ▁publications ▁as ▁one ▁of ▁Madonna ' s ▁most ▁notable ▁re - in vent ions ▁and ▁looks , ▁including ▁fashion ▁mag az ines ▁In Style , ▁Elle ▁and ▁Har per ' s ▁B az aar . ▁Al ong side ▁this , ▁the ▁k im ono ▁has ▁been ▁recognized ▁as ▁one ▁of ▁the ▁Gram my ' s ▁best ▁and ▁worst ▁looks . ▁ ▁Louis ▁V irt el ▁listed ▁the ▁music ▁video ▁at ▁number ▁ 4 9 ▁on ▁his ▁ranking ▁of ▁ 5 5 ▁Best ▁Music ▁Videos ▁by ▁Madonna . ▁Jul ien ▁Sau val le ▁from ▁Out ▁listed ▁the ▁video ▁at ▁number ▁eight ▁on ▁his ▁Top ▁ 2 0 ▁Most ▁St y list ▁Madonna ▁music ▁videos ▁list . ▁Id ol ator ' s ▁N icole ▁Sta ▁called ▁the ▁clip ▁as ▁one ▁of ▁Madonna ' s ▁best ▁music ▁videos . ▁Nik ki ▁Og un na ike ▁from ▁G lam our ▁magazine ▁listed ▁the ▁video |
▁as ▁one ▁of ▁Madonna ' s ▁Top ▁ 5 ▁Most ▁F ashion able ▁music ▁videos . ▁ ▁The ▁ge ish a ▁look ▁was ▁further ▁reprodu ced ▁for ▁Madonna ' s ▁appearance ▁on ▁the ▁May – J une ▁ 1 9 9 9 ▁issue ▁of ▁Har per ' s ▁B az aar ▁magazine . ▁The ▁singer ▁took ▁partial ▁cre ative ▁control ▁of ▁the ▁issue , ▁and ▁requested ▁photograph er ▁of ▁the ▁shoot ▁Patrick ▁Dem arch el ier ▁to ▁incorpor ate ▁elements ▁of ▁the ▁novel ▁Mem oir s ▁of ▁a ▁Ge ish a ▁into ▁it , ▁both ▁vis ually ▁and ▁typ ograph ically . ▁Three ▁covers ▁were ▁selected ▁for ▁different ▁regions ▁around ▁the ▁world . ▁In ▁ 2 0 1 6 , ▁the ▁ge ish a ▁look ▁was ▁adapted ▁on ▁the ▁Log o ▁TV ▁series ▁Ru Paul ' s ▁Drag ▁Race , ▁season ▁eight . ▁The ▁show ' s ▁host , ▁Ru Paul , ▁announced ▁that ▁contest ants ▁had ▁to ▁create ▁a ▁g own ▁that ▁was ▁inspired ▁by ▁Madonna ' s ▁icon ic ▁looks . ▁Four ▁drag ▁queen ▁contest ants ▁wore ▁the ▁ge ish a ▁look , ▁including ▁one ▁sport ing ▁a ▁similar ▁look ▁from ▁the ▁singer ' s ▁music ▁video ▁" Par ad ise ▁( Not ▁for ▁Me ) ". ▁A ▁fifth ▁contest ant ▁decided ▁on ▁we aring ▁a ▁k im ono ▁from ▁the ▁video ▁of ▁" Nothing ▁Re ally ▁Mat ters ", ▁but ▁changed . ▁This ▁run way ▁show ▁was ▁critic ized ▁by ▁V ulture , ▁for ▁the ▁lack ▁of ▁variety ▁of ▁Madonna |
' s ▁icon ic ▁looks ▁outside ▁of ▁" Nothing ▁Re ally ▁Mat ters ". ▁ ▁Mas ah iro ▁I to ▁has ▁c ited ▁the ▁song ' s ▁music ▁video ▁as ▁one ▁of ▁the ▁inspir ations ▁for ▁his ▁work ▁on ▁the ▁video ▁game ▁Sil ent ▁Hill ▁ 2 . ▁ ▁Track ▁list ings ▁Europe ▁CD 1 ▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( Al bum ▁Version )" ▁– ▁ 4 : 2 7 ▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( Cl ub ▁ 6 9 ▁Radio ▁Mix )" ▁– ▁ 3 : 4 5 ▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( K r uder ▁& ▁Dorf meister ▁Mix )" ▁– ▁ 1 1 : 1 0 ▁ ▁Europe ▁CD 2 ▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( Cl ub ▁ 6 9 ▁Future ▁Mix )" ▁– ▁ 8 : 2 0 ▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( Cl ub ▁ 6 9 ▁Ph unk ▁Mix )" ▁– ▁ 8 : 0 0 ▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( V ik ram ▁Rem ix )" ▁– ▁ 8 : 3 8 ▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( Cl ub ▁ 6 9 ▁Mix show )" ▁– ▁ 5 : 3 7 ▁ ▁Rem ix es ▁ ▁Club ▁ 6 9 ▁Mix es ▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( Cl ub ▁ 6 9 ▁V ocal ▁Club ▁Mix ) ▁– ▁ 7 : 5 1 ▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( Cl |
ub ▁ 6 9 ▁Mix show )" ▁– ▁ 5 : 3 7 ▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( Cl ub ▁ 6 9 ▁Radio ▁Mix )" ▁– ▁ 3 : 4 5 ▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( Cl ub ▁ 6 9 ▁Future ▁Mix )" ▁– ▁ 8 : 2 0 ▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( Cl ub ▁ 6 9 ▁Future ▁Dub )" ▁– ▁ 5 : 4 8 ▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( Cl ub ▁ 6 9 ▁Speed ▁Mix )" ▁– ▁ 1 1 : 3 5 ▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( Cl ub ▁ 6 9 ▁Speed ▁Dub )" ▁– ▁ 1 1 : 2 5 ▁▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( Cl ub ▁ 6 9 ▁Ph unk ▁Mix )" ▁– ▁ 8 : 0 0 ▁ ▁Tal vin ▁Singh ▁Mix es ▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( V ik ram ▁Rem ix )" ▁– ▁ 8 : 3 8 ▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( V ik ram ▁Radio ▁Mix )" ▁– ▁ 7 : 4 3 ▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( V ik ram ▁Cy ber cut )" ▁– ▁ 1 3 : 4 4 ▁Kr uder ▁& ▁Dorf meister ▁Mix ▁ ▁" Nothing ▁Re ally ▁Mat ters ▁( K r uder ▁& ▁Dorf meister ▁Mix )" ▁– ▁ 1 1 : 1 0 ▁ ▁Cred its ▁and ▁personnel ▁ ▁Madonna ▁– |
▁lead ▁vocals , ▁song writer , ▁producer ▁Patrick ▁Leonard ▁– ▁song writer ▁William ▁Or bit ▁– ▁producer ▁Mar ius ▁De ▁V ries ▁– ▁producer ▁N iki ▁Har is ▁– ▁background ▁vocals ▁Don na ▁De L ory ▁– ▁background ▁vocals ▁Steve ▁S idel ny k ▁– ▁drum ▁programming ▁Mark ▁End ert ▁– ▁engineer ▁Jon ▁Ing olds by ▁– ▁engineer ▁Patrick ▁Mc Car thy ▁– ▁engineer ▁Dave ▁Re itz as ▁– ▁engineer ▁Matt ▁Silva ▁– ▁engineer ▁Ted ▁J ensen ▁– ▁master ing ▁Kevin ▁Re agan ▁– ▁art ▁direction , ▁design ▁Luis ▁San chez ▁– ▁phot ography ▁ ▁Cred its ▁adapted ▁from ▁Ray ▁of ▁Light ▁album ▁l iner ▁notes . ▁ ▁Ch arts ▁ ▁Week ly ▁charts ▁ ▁Year - end ▁charts ▁ ▁Cert ifications ▁ ▁See ▁also ▁List ▁of ▁number - one ▁singles ▁of ▁ 1 9 9 9 ▁( Sp ain ) ▁List ▁of ▁number - one ▁dance ▁singles ▁of ▁ 1 9 9 9 ▁( U . S .) ▁List ▁of ▁UK ▁top ▁ 1 0 ▁singles ▁in ▁ 1 9 9 8 ▁ ▁Notes ▁ ▁References ▁ ▁External ▁links ▁▁▁ ▁Category : 1 9 9 9 ▁singles ▁Category : B ill board ▁Dance ▁Club ▁Songs ▁number - one ▁singles ▁Category : Mad onna ▁( ent ert ainer ) ▁songs ▁Category : Number - one ▁singles ▁in ▁Hung ary ▁Category : Number - one ▁singles ▁in ▁Spain ▁Category : 1 9 9 9 ▁songs ▁Category : S ongs ▁written ▁by ▁Madonna ▁( ent ert ainer ) ▁Category : S ongs ▁written ▁by ▁Patrick |
▁Leonard ▁Category : S ong ▁record ings ▁produced ▁by ▁Madonna ▁( ent ert ainer ) ▁Category : S ong ▁record ings ▁produced ▁by ▁William ▁Or bit ▁Category : S ong ▁record ings ▁produced ▁by ▁Mar ius ▁de ▁V ries ▁Category : Music ▁videos ▁directed ▁by ▁Johan ▁Ren ck ▁Category : M aver ick ▁Records ▁singles <0x0A> </s> ▁The ▁Bre ton ▁Social - National ▁Work ers ' ▁Mov ement ▁() ▁was ▁a ▁national ist , ▁separ at ist , ▁and ▁F asc ist ▁movement ▁founded ▁in ▁ 1 9 4 1 ▁by ▁Thé oph ile ▁Je us set . ▁It ▁emer ged ▁in ▁Brit t any ▁from ▁a ▁deviation ist ▁fa ction ▁of ▁the ▁Bre ton ▁National ▁Party ; ▁it ▁disappeared ▁the ▁same ▁year . ▁ ▁Its ▁ 2 5 - point ▁program ▁was ▁based ▁on ▁the ▁principle ▁of ▁a ▁" pop ular ▁Bre ton ▁state ▁made ▁for ▁the ▁people ▁and ▁by ▁the ▁people ", ▁integrated ▁into ▁a ▁new ▁European ▁order , ▁reject ing ▁" G a ull ism , ▁the ▁last ▁red ou bt ▁of ▁the ▁Bre ton ▁b our ge ois ie " ▁and ▁rest ing ▁on ▁" the ▁pe asant ▁class , ▁the ▁most ▁numerous ▁in ▁Brit t any ", ▁as ser ting ▁" b read ▁for ▁Bret ons , ▁peace ▁within ▁Europe ▁and ▁freedom ▁for ▁Brit t any ", ▁taking ▁as ▁given ▁that ▁it ▁could ▁count ▁" not ▁on ▁England , ▁nor ▁France , ▁nor ▁Germany ▁to ▁ac quire ▁it ", ▁but ▁only ▁" through ▁the ▁power ▁and ▁confidence ▁that |
▁one ▁finds ▁in ▁the ▁Bre ton ▁people ". ▁ ▁Having ▁adopted ▁for ▁a ▁flag ▁a ▁standard ▁( des igned ▁by ▁O lier ▁M ord rel ▁several ▁years ▁before ) ▁closely ▁res emb ling ▁a ▁Naz i ▁flag ▁— ▁black ▁er mine ▁at ▁the ▁center ▁of ▁a ▁white ▁circle ▁on ▁a ▁red ▁field ▁representing ▁" the ▁blood ▁of ▁the ▁worker " ▁— ▁Thé oph ile ▁Je us set ▁rec ru ited ▁several ▁follow ers ▁in ▁the ▁work sh ops ▁and ▁fact ories ▁of ▁Il le - et - V ila ine ▁and ▁organized ▁about ▁twenty ▁meet ings ▁in ▁the ▁back ▁rooms ▁of ▁restaur ants ▁in ▁R ennes . ▁Its ▁founder ▁ren ounced ▁the ▁dialect ic , ▁and ▁emb ark ed ▁on ▁direct ▁action ▁with ▁a ▁small ▁group ▁of ▁Commun ist - separ at ists ▁who ▁it ▁had ▁joined ▁his ▁cause . ▁He ▁then ▁took ▁up ▁a ▁gra ff iti ▁campaign ▁directed ▁against ▁François ▁Ri pert ▁( the ▁pré f et ▁of ▁Il le - et - V ila ine ), ▁and ▁un le ashed ▁some ▁of ▁his ▁com r ades ▁into ▁the ▁botan ical ▁garden ▁of ▁R ennes , ▁to ▁sm ash ▁the ▁statue ▁of ▁the ▁" tra itor " ▁Ber tr and ▁du ▁G ues cl in . ▁ ▁References ▁ ▁La ▁Bret agne ▁dans ▁la ▁guerre ▁by ▁Her vé ▁Le ▁Bot er f . ▁ 1 9 6 9 . ▁ ▁See ▁also ▁ ▁History ▁of ▁the ▁French ▁far ▁right ▁Bre ton ▁national ism ▁and ▁World ▁War ▁II ▁ ▁External ▁links ▁Political |
▁movements ▁in ▁Brit t any ▁( 1 9 3 0 - 1 9 5 0 ) ▁ ▁Category : Pol it ical ▁parties ▁established ▁in ▁ 1 9 4 1 ▁Category : Bre ton ▁national ist ▁parties ▁Category : F asc ist ▁parties ▁in ▁France ▁Category : N azi ▁parties ▁Category : Pol it ical ▁parties ▁in ▁Brit t any ▁Category : Bre ton ▁collabor ators ▁with ▁Naz i ▁Germany <0x0A> </s> ▁Ana ▁Maria ▁B rag a ▁Ma ffe is ▁( born ▁April ▁ 1 , ▁ 1 9 4 9 ) ▁is ▁a ▁Brazil ian ▁television ▁present er ▁and ▁journalist . ▁ ▁Early ▁life ▁and ▁education ▁ ▁B rag a ▁was ▁born ▁on ▁April ▁ 1 , ▁ 1 9 4 9 ▁as ▁the ▁daughter ▁of ▁Italian ▁N ata le ▁Giuseppe ▁Ma ffe is ▁and ▁Brazil ian ▁L our des ▁B rag a . ▁She ▁graduated ▁with ▁degrees ▁in ▁bi ology ▁and ▁zo ology ▁at ▁the ▁São ▁Paulo ▁State ▁University ▁in ▁São ▁José ▁do ▁Rio ▁Pre to . ▁She ▁also ▁holds ▁Italian ▁citizens hip , ▁due ▁to ▁her ▁father . ▁ ▁Career ▁ ▁B rag a ▁started ▁her ▁career ▁in ▁journal ism ▁working ▁on ▁the ▁news program ▁R ede ▁T up i ▁de ▁Not í cias ▁at ▁R ede ▁T up i . ▁She ▁later ▁worked ▁at ▁Editor a ▁Abr il ▁as ▁a ▁commercial ▁director ▁for ▁fashion ▁mag az ines ▁such ▁as ▁Cl á ud ia . ▁She ▁att ained ▁national ▁recognition ▁at ▁R ede ▁Record , ▁where ▁she ▁presented ▁the ▁morning |
▁show ▁Note ▁e ▁An ote ▁and ▁the ▁talk - show ▁Program a ▁Ana ▁Maria ▁B rag a . ▁ ▁Since ▁ 1 9 9 9 ▁she ▁presents ▁the ▁variety ▁program ▁Mais ▁V oc ê , ▁at ▁R ede ▁Glo bo , ▁which ▁she ▁co - hosts ▁with ▁a ▁par rot ▁pu ppet ▁named ▁Lou ro ▁José . ▁ ▁Personal ▁life ▁ ▁In ▁ 2 0 2 0 ▁she ▁married ▁French ▁business man ▁Johnny ▁Luc et ▁in ▁her ▁own ▁home ▁in ▁São ▁Paulo , ▁Brazil . ▁ ▁Film ography ▁ ▁Television ▁▁ ▁Pres enter ▁▁ 1 9 7 7 - 1 9 8 0 ▁R ede ▁T up i ▁de ▁Not í cias ▁( R ede ▁T up i ) ▁▁ 1 9 9 3 - 1 9 9 9 ▁Note ▁e ▁An ote ▁( R ede ▁Record ) ▁▁ 1 9 9 6 - 1 9 9 9 ▁Program a ▁Ana ▁Maria ▁B rag a ▁( R ede ▁Record ) ▁▁ 1 9 9 9 - Current ▁Mais ▁V oc ê ▁( R ede ▁Glo bo ) ▁ ▁Special ▁particip ations ▁▁ 2 0 0 0 ▁- ▁V oc ê ▁De cide ▁- ▁( E p : ▁" O l ha ▁o ▁Pass ar inho ") ▁▁ 2 0 0 2 ▁- ▁O ▁Cl one ▁- ▁herself ▁▁ 2 0 0 2 ▁- ▁A ▁Grande ▁Fam ília ▁- h ers elf ▁( E p : ▁" A ▁qu entin ha ▁de ▁B eb el ") ▁▁ 2 0 0 2 ▁- ▁S ít |
io ▁do ▁Pic ap au ▁Am are lo ▁- h ers elf ▁( E ps : ▁" A ▁ped ra ▁m ág ica ▁de ▁T up ã " ▁e ▁" O ▁Sum i ço ▁da ▁Em ília ") ▁▁ 2 0 0 4 ▁- ▁A ▁D iar ista ▁- h ers elf ( E p : ▁" A que le ▁do ▁Pro j ac ") ▁▁ 2 0 0 4 ▁- ▁Sob ▁Nova ▁Dire ção ▁- ▁herself ▁( E p : ▁" A x é ▁do ▁D engo ) ▁▁ 2 0 0 8 ▁- ▁Be le za ▁P ura ▁- h ers elf ▁( th o ▁chap ters ) ▁▁ 2 0 1 0 ▁- ▁Jun to ▁e ▁M ist ur ado ▁- h ers elf ▁( E p : ▁" ce le br idades ▁blo co ▁ 2 ") ▁▁ 2 0 1 0 ▁- ▁Pass ione ▁- ▁herself ▁▁ 2 0 1 1 ▁- ▁Mal ha ção ▁Con ect ados ▁- ▁herself ▁▁ 2 0 1 2 ▁- ▁Lou co ▁por ▁El as ▁- ▁herself ▁▁ 2 0 1 2 ▁- ▁Che ias ▁de ▁Char me ▁- ▁herself ▁( two ▁chap ters ) ▁▁ 2 0 1 3 ▁- ▁Sang ue ▁Bom ▁- ▁herself ▁▁ 2 0 1 4 ▁- ▁Al to ▁A str al ▁- ▁herself ▁ ▁Cinema ▁▁▁ 2 0 0 1 ▁- ▁X ux a ▁e ▁os ▁Du endes ▁- ▁Z ing a ▁▁ 2 0 0 2 ▁- ▁X ux a ▁e ▁os ▁Du endes ▁ |
2 ▁- ▁No ▁Cam inho ▁das ▁F adas ▁- ▁Z ing a ▁▁ 2 0 1 3 ▁- ▁As ▁A vent uras ▁de ▁Cr ô ▁- ▁herself ▁ ▁Record ings ▁▁ ▁Solo ▁▁ 2 0 0 3 : ▁Sou ▁Eu ▁ ▁Special ▁guest ▁▁ 2 0 0 5 : ▁" Na ▁Tr il ha ▁do ▁Am or " ▁on ▁ ▁F áb io ▁J ú ni or ' s ▁Mais ▁de ▁ 2 0 ▁e ▁P ou cos ▁An os ▁ ▁Books ▁▁▁ 2 0 0 9 : ▁Mais ▁V oc ê ▁ 1 0 ▁An os ▁▁ 2 0 1 0 : ▁À ▁Es per a ▁dos ▁Fil hos ▁da ▁Lu z ▁- ▁fiction ▁▁ 2 0 1 1 : ▁D icas ▁de ▁Qu ase ▁T udo ▁▁ 2 0 1 1 : ▁Che f ▁em ▁Casa ▁▁ 2 0 1 1 : ▁ ▁Mais ▁V oc ê : ▁Vi agens ▁e ▁Rece itas ▁Intern acion ais ▁▁ 2 0 1 2 : ▁A ▁C oz inha ▁R á p ida ▁ ▁References ▁ ▁External ▁links ▁▁ ▁Official ▁website ▁( in ▁Portuguese ) ▁ ▁Category : 1 9 4 9 ▁birth s ▁Category : L iving ▁people ▁Category : B raz ilian ▁people ▁of ▁Italian ▁descent ▁Category : B raz ilian ▁people ▁of ▁Portuguese ▁descent ▁Category : B raz ilian ▁television ▁present ers ▁Category : B raz ilian ▁journal ists ▁Category : B raz ilian ▁television ▁actress es ▁Category : B raz ilian ▁film ▁actress es ▁Category : W omen ▁television ▁present |
ers ▁Category : B raz ilian ▁Roman ▁C athol ics ▁Category : Act ress es ▁of ▁Italian ▁descent ▁Category : S ão ▁Paulo ▁State ▁University ▁al umn i ▁Category : C it iz ens ▁of ▁Italy ▁through ▁descent ▁Category : Pe ople ▁from ▁São ▁Paulo ▁( state ) ▁Category : 2 0 th - century ▁Brazil ian ▁women ▁Category : 2 1 st - century ▁Brazil ian ▁women <0x0A> </s> ▁Mont astr uc ▁is ▁a ▁commune ▁in ▁the ▁T arn - et - G aron ne ▁department ▁in ▁the ▁Occ it anie ▁region ▁in ▁southern ▁France . ▁ ▁Note ▁that ▁Montr astr uc ▁is ▁not ▁the ▁site ▁of ▁the ▁" Mont astr uc ▁rock ▁shelter " ▁in ▁which ▁pre histor ic ▁remains ▁have ▁been ▁found ▁in ▁Br uni quel . ▁ ▁( Th ese ▁include ▁the ▁car ving ▁of ▁the ▁Sw imming ▁Rein de er ▁which ▁is ▁held ▁by ▁the ▁British ▁Museum ▁and ▁which ▁was ▁included ▁in ▁A ▁History ▁of ▁the ▁World ▁in ▁ 1 0 0 ▁Object s ▁and ▁the ▁M amm oth ▁spe ar ▁thro wer .) ▁ ▁See ▁also ▁Comm unes ▁of ▁the ▁T arn - et - G aron ne ▁department ▁ ▁References ▁IN SEE ▁ ▁Category : Comm unes ▁of ▁T arn - et - G aron ne <0x0A> </s> ▁Lad is lau ▁" G ioni " ▁Bro so v sz ky ▁() ▁( 2 3 ▁March ▁ 1 9 5 1 ▁– ▁ 2 3 ▁December ▁ 1 9 9 0 ) ▁was ▁a ▁Roman ian ▁football |
▁mid f iel der ▁with ▁Polish ▁roots . ▁His ▁daughter , ▁Mon ica ▁Bro so v sz ky - B or iga ▁was ▁a ▁basketball ▁player ▁who ▁played ▁ 2 7 0 ▁games ▁for ▁the ▁Roman ia ▁women ' s ▁national ▁basketball ▁team ▁and ▁won ▁the ▁Liga ▁Na ț ional ă ▁ 6 ▁times ▁with ▁BC ▁IC IM ▁Ar ad ▁and ▁C SM ▁T â rg ovi ște . ▁ ▁Hon ours ▁ ▁Club ▁U TA ▁Ar ad ▁Div izia ▁A : ▁ 1 9 6 8 – 6 9 , ▁ 1 9 6 9 – 7 0 ▁ ▁Career ▁statistics ▁Total ▁matches ▁played ▁in ▁Roman ian ▁First ▁League : ▁ 3 1 4 ▁matches ▁- ▁ 1 0 0 ▁goals ▁Top sc orer ▁of ▁U TA ▁Ar ad ▁in ▁Roman ian ▁First ▁League : ▁ 1 0 0 ▁goals . ▁European ▁Cu ps : ▁ 1 6 ▁matches ▁- ▁ 4 ▁goals ▁Roman ia ▁U ▁ 2 3 : ▁ 1 3 ▁matches ▁- ▁ 1 ▁goals ▁ ▁References ▁ ▁External ▁links ▁ ▁Category : 1 9 5 1 ▁birth s ▁Category : 1 9 9 0 ▁death s ▁Category : S ports people ▁from ▁Ar ad , ▁Roman ia ▁Category : R oman ian ▁football ers ▁Category : R oman ia ▁international ▁football ers ▁Category : FC ▁U TA ▁Ar ad ▁players ▁Category : Associ ation ▁football ▁mid field ers <0x0A> </s> ▁The ▁ 1 9 2 9 ▁German ▁football ▁championship , ▁the ▁ 2 2 nd ▁edition ▁of ▁the |
▁competition , ▁was ▁won ▁by ▁Sp V gg ▁Für th , ▁defe ating ▁Her tha ▁B SC ▁ 3 – 2 ▁in ▁the ▁final . ▁ ▁For ▁Sp V gg ▁Für th ▁it ▁was ▁the ▁third ▁national ▁championship ▁after ▁wins ▁in ▁ 1 9 1 4 ▁and ▁ 1 9 2 6 ▁but ▁the ▁club ▁would ▁never ▁again ▁appear ▁in ▁the ▁final ▁after ▁ 1 9 2 9 . ▁It ▁was ▁the ▁last ▁highlight ▁of ▁the ▁de cade ▁after ▁the ▁First ▁World ▁War ▁that ▁saw ▁seven ▁of ▁the ▁ten ▁national ▁champion ships ▁go ▁to ▁Middle ▁Fran con ian ▁clubs ▁ 1 . ▁FC ▁N ür n berg ▁and ▁Sp V gg ▁Für th . ▁For ▁Her tha ▁B SC ▁it ▁marked ▁the ▁fourth ▁consecutive ▁final ▁loss , ▁the ▁only ▁club ▁to ▁do ▁so . ▁Her tha ▁had ▁previously ▁lost ▁the ▁ 1 9 2 6 ▁final ▁to ▁Für th ▁as ▁well ▁but ▁would ▁go ▁on ▁to ▁win ▁back - to - back ▁champion ships ▁in ▁ 1 9 3 0 ▁and ▁ 1 9 3 1 . ▁ ▁Her tha ' s ▁Han ne ▁Sob ek ▁was ▁the ▁top ▁sc orer ▁of ▁the ▁ 1 9 2 9 ▁championship ▁with ▁six ▁goals . ▁ ▁Six teen ▁club ▁qualified ▁for ▁the ▁knock - out ▁competition , ▁two ▁from ▁each ▁of ▁the ▁regional ▁feder ations ▁plus ▁an ▁additional ▁third ▁club ▁from ▁the ▁South ▁and ▁West . ▁In ▁all ▁cases ▁the ▁regional ▁champions ▁qualified ▁and ▁almost ▁all ▁of ▁the ▁run ners - up , ▁except ▁in |
▁Central ▁Germany ▁where ▁the ▁second ▁spot ▁went ▁to ▁the ▁regional ▁cup ▁winner . ▁In ▁the ▁West ▁the ▁third ▁spot ▁went ▁to ▁the ▁third ▁placed ▁team ▁of ▁the ▁championship ▁while , ▁in ▁the ▁South , ▁the ▁third ▁spot ▁was ▁determined ▁in ▁a ▁separate ▁qual ifying ▁competition ▁for ▁run ners - up ▁and ▁third ▁placed ▁teams . ▁ ▁Qual ified ▁teams ▁The ▁teams ▁qualified ▁through ▁the ▁regional ▁champion ships : ▁ ▁Compet ition ▁ ▁Round ▁of ▁ 1 6 ▁The ▁round ▁of ▁ 1 6 , ▁played ▁on ▁ 9 ▁and ▁ 1 6 ▁June ▁ 1 9 2 9 : ▁ ▁| } ▁ ▁Qu arter - final s ▁The ▁quarter - final s , ▁played ▁on ▁ 3 0 ▁June ▁ 1 9 2 9 : ▁ ▁| } ▁ ▁Sem i - final s ▁The ▁semi - final s , ▁played ▁on ▁ 7 ▁July ▁ 1 9 2 9 , ▁with ▁the ▁re play ▁played ▁on ▁ 2 1 ▁July : ▁ ▁| } ▁ ▁Re play ▁ ▁| } ▁ ▁Final ▁ ▁References ▁ ▁S ources ▁ ▁k icker ▁All man ach ▁ 1 9 9 0 , ▁by ▁k icker , ▁page ▁ 1 6 0 ▁to ▁ 1 7 8 ▁- ▁German ▁championship ▁ ▁External ▁links ▁ ▁German ▁Championship ▁ 1 9 2 8 – 2 9 ▁at ▁w elt f uss ball . de ▁▁ ▁German ▁Championship ▁ 1 9 2 9 ▁at ▁R SS SF ▁▁ 1 ▁German ▁Category : G erman ▁football ▁championship ▁seasons <0x0A> |
</s> ▁Arm and ▁Hav et ▁( 1 7 9 5 , ▁Rou en ▁– ▁ 1 8 2 0 ) ▁was ▁a ▁French ▁botan ist . ▁ ▁Category : 1 7 9 5 ▁birth s ▁Category : 1 8 2 0 ▁death s ▁Category : Pe ople ▁from ▁Rou en ▁Category : F rench ▁botan ists <0x0A> </s> ▁S ik hs ▁form ▁a ▁very ▁small ▁minor ity ▁in ▁Iran , ▁with ▁a ▁ 2 0 1 1 ▁estimate ▁stating ▁some ▁ 6 0 ▁families ▁to ▁be ▁res iding ▁in ▁Iran . ▁M embers ▁of ▁the ▁community ▁speak ▁P un j abi ▁among ▁themselves , ▁and ▁Pers ian ▁and ▁Bal och ▁with ▁the ▁larger ▁community . ▁Most ▁S ik hs ▁living ▁in ▁Iran ▁are ▁Iran ian ▁citizens . ▁ ▁History ▁The ▁first ▁presence ▁of ▁S ik hs ▁to ▁Iran ▁began ▁in ▁the ▁ 1 9 0 0 , ▁when ▁both ▁S ikh ▁business ▁people ▁as ▁well ▁as ▁S ikh ▁troops ▁in ▁the ▁British ▁military ▁during ▁its ▁occupation ▁of ▁Iran . ▁The ▁primary ▁target ▁of ▁S ikh ▁imm igration ▁was ▁initially ▁the ▁ham let ▁of ▁Z ah ed an , ▁near ▁the ▁border ▁with ▁then - B rit ish ▁India ▁( now ▁Pakistan ) ▁during ▁the ▁ 1 9 2 0 s ▁when ▁the ▁Trans - I ran ian ▁Railway ▁project ▁was ▁started . ▁ ▁An ▁Indian ▁school ▁was ▁started ▁in ▁ 1 9 3 0 s ▁located ▁in ▁Z ah ed an ▁serving ▁S ikh ▁families . ▁ ▁In ▁ 1 9 7 9 |
▁there ▁were ▁around ▁ 2 5 0 ▁S ik hs ▁in ▁Z ah ed an ▁who ▁own ▁motor ▁parts ▁distrib utor ships , ▁construction ▁fir ms ▁and ▁import - export ▁companies . ▁After ▁the ▁Iran ian ▁Revolution ▁a ▁number ▁S ik hs ▁left ▁for ▁India ▁and ▁Europe ▁and ▁remaining ▁shift ed ▁to ▁the ▁capital ▁city ▁of ▁Te h ran . ▁ ▁In ▁ 2 0 1 9 ▁State ▁Government ▁of ▁P un j ab , ▁India ▁announced ▁that ▁a ▁chair ▁will ▁be ▁installed ▁in ▁the ▁name ▁of ▁G uru ▁Nan ak ▁in ▁ 1 1 ▁univers ities ▁including ▁University ▁of ▁Relig ions ▁and ▁Den omin ations ▁in ▁Iran . ▁The ▁Chair ▁will ▁conduct ▁research ▁on ▁life ▁and ▁teach ings ▁of ▁G uru ▁Nan ak . ▁ ▁See ▁also ▁ ▁Mas j id - e - H ind an ▁ ▁References ▁ ▁* <0x0A> </s> ▁Car pent ers ▁Island ▁was ▁an ▁island ▁located ▁at ▁the ▁head ▁of ▁St . ▁Clement ' s ▁Bay ▁in ▁St . ▁Mary ' s ▁County , ▁Maryland , ▁pat ented ▁in ▁ 1 8 4 7 ▁to ▁Susan ▁E . ▁Car p enter , ▁Am anda ▁Car p enter , ▁Reb e cca ▁Car p enter , ▁and ▁Mat ilda ▁Car p enter ▁and ▁cert ified ▁in ▁the ▁name ▁of ▁William ▁Car p enter . ▁The ▁land ▁pat ented ▁included ▁surrounding ▁waters ▁and ▁measured ▁one ▁and ▁three ▁quarter ▁acres . ▁ ▁In ▁ 2 0 0 5 , ▁the ▁island ▁was ▁included ▁in ▁a ▁list ▁of ▁" lost ▁islands |
" ▁of ▁Ch es ape ake ▁Bay , ▁which ▁is ▁situated ▁between ▁Maryland ▁and ▁Virginia ▁in ▁the ▁United ▁States . ▁ ▁References ▁ ▁Category : Is lands ▁of ▁the ▁Ch es ape ake ▁Bay ▁Category : Ch es ape ake ▁Bay ▁waters hed ▁Category : Is lands ▁of ▁Maryland ▁Category : Land forms ▁of ▁St . ▁Mary ' s ▁County , ▁Maryland <0x0A> </s> ▁Sem ah ▁Sar f ati ▁( 1 6 2 4 - 1 7 1 7 ) ▁was ▁a ▁Tun is ian ▁Rab bi ▁who ▁served ▁as ▁Chief ▁Rab bi ▁of ▁Tun is ia ▁and ▁served ▁on ▁the ▁Bet ▁din ▁of ▁Tun is ia . ▁ ▁At ▁the ▁end ▁of ▁his ▁life , ▁he ▁moved ▁to ▁the ▁Holy ▁Land , ▁dying ▁in ▁Jerusalem ▁in ▁ 1 7 1 7 . ▁Following ▁a ▁sch ism ▁between ▁the ▁Gran as ▁and ▁Tw ans a ▁communities , ▁in ▁which ▁two ▁of ▁his ▁students ▁— ▁Abraham ▁Ta ï eb ▁and ▁Isaac ▁L umb ro so ▁respectively ▁— ▁both ▁succeeded ▁him ▁as ▁Chief ▁Rab bi ▁of ▁Tun is ia . ▁Another ▁student ▁was ▁Ta ï eb ' s ▁successor , ▁M essa oud - R ap ha ël ▁El - F ass i . ▁ ▁Rab bi ▁Ser f ati ▁played ▁an ▁important ▁role ▁in ▁the ▁rev ival ▁of ▁Jewish ▁study ▁in ▁Tun is ia ▁in ▁the ▁ 1 7 th ▁century . ▁While ▁his ▁jud g ements ▁and ▁comment aries ▁have ▁not ▁been ▁published ▁in ▁its ▁own ▁volume , ▁his ▁work ▁has ▁been ▁c |
ited ▁by ▁his ▁students ▁and ▁their ▁success ors . ▁ ▁One ▁of ▁the ▁oldest ▁or ator ies ▁in ▁H ara , ▁the ▁Jewish ▁quarter ▁of ▁Tun is , ▁ ▁was ▁named ▁after ▁the ▁Rab bi . ▁ ▁References ▁▁ ▁Category : 1 7 1 7 ▁death s ▁Category : 1 6 2 4 ▁birth s ▁Category : 1 8 th - century ▁rabb is ▁Category : Ch ief ▁rabb is ▁Category : T un is ian ▁rabb is ▁Category : Wik i Project ▁Africa ▁articles ▁Category : Wik i Project ▁Tun is ia ▁articles <0x0A> </s> ▁Leo ▁Sach s ▁( H eb rew : ▁ ל י א ו ▁ ז ק ס ; ▁ ▁ 1 4 ▁October ▁ 1 9 2 4 ▁– ▁ 1 2 ▁December ▁ 2 0 1 3 ) ▁was ▁a ▁German - born ▁Isra eli ▁mole cular ▁bi ologist ▁and ▁cancer ▁research er . ▁Born ▁in ▁Leipzig , ▁he ▁em igr ated ▁to ▁England ▁in ▁ 1 9 3 3 , ▁and ▁to ▁Israel ▁in ▁ 1 9 5 2 . ▁There ▁he ▁joined ▁the ▁We iz mann ▁Institute ▁of ▁Science . ▁ ▁Biography ▁Leo ▁Sach s ▁moved ▁to ▁England ▁with ▁his ▁family ▁in ▁ 1 9 3 3 ▁following ▁Hitler ' s ▁rise ▁to ▁power . ▁In ▁ 1 9 5 2 ▁he ▁received ▁a ▁B Sc ▁from ▁the ▁University ▁of ▁Wales ▁in ▁Bang or . ▁His ▁original ▁dream ▁was ▁to ▁help ▁establish ▁a ▁k ib but z ▁in ▁Palest ine , ▁and ▁he |
▁even ▁spent ▁two ▁years ▁as ▁a ▁farm ▁labor er , ▁mil king ▁c ows . ▁But ▁the ▁doors ▁to ▁Palest ine ▁were ▁virt ually ▁closed ▁by ▁the ▁British , ▁so ▁Sach s ▁began ▁studying ▁agricult ural ▁bot any ▁at ▁the ▁University ▁of ▁Wales , ▁became ▁fasc in ated ▁along ▁the ▁way ▁by ▁gen et ics ▁and ▁development , ▁and ▁ended ▁up ▁comple ting ▁a ▁Ph D ▁in ▁gen et ics ▁in ▁ 1 9 5 1 ▁at ▁Cambridge ▁University . ▁ ▁Upon ▁moving ▁to ▁Israel , ▁he ▁began ▁to ▁contribute ▁to ▁the ▁fled g ling ▁country ▁in ▁the ▁way ▁he ▁knew ▁best ▁– ▁as ▁a ▁gen etic ist ▁at ▁the ▁We iz mann ▁Institute . ▁Because ▁there ▁were ▁no ▁animal ▁studies ▁yet ▁at ▁the ▁Institute , ▁Sach s ▁started ▁working ▁on ▁a ▁theory ▁that ▁human ▁am ni otic ▁fluid , ▁which ▁bath es ▁the ▁baby ▁in ▁the ▁w omb , ▁contains ▁f etal ▁cells ▁that ▁provide ▁information ▁about ▁the ▁fet us . ▁His ▁research ▁proved ▁him ▁right , ▁showing ▁that ▁these ▁cells ▁can ▁be ▁used ▁to ▁determine ▁the ▁baby ' s ▁gender ▁and ▁other ▁important ▁gen etic ▁properties . ▁Sach s ' s ▁research ▁formed ▁the ▁basis ▁for ▁am ni oc entes is , ▁the ▁widely ▁used ▁pr en atal ▁diagn osis ▁of ▁human ▁dise ases . ▁ ▁Event ually , ▁Sach s ▁secured ▁his ▁own ▁labor atory ▁and ▁a ▁supply ▁of ▁m ice ▁and ▁began ▁working ▁on ▁a ▁question ▁that ▁would ▁anchor ▁his ▁research ▁throughout : ▁What ▁controls ▁normal ▁development ▁and ▁what |
▁happens ▁when ▁development ▁goes ▁wrong ? ▁Why ▁does ▁the ▁mach in ery ▁in ▁cancer ▁cells ▁run ▁am ok , ▁causing ▁ab normal ▁pro l ifer ation ? ▁ ▁F oc using ▁on ▁blood ▁stem ▁cells , ▁a ▁small ▁group ▁of ▁b one ▁mar row ▁cells ▁that ▁produce ▁some ▁ 2 0 0 ▁billion ▁new ▁blood ▁cells ▁every ▁day , ▁Sach s ▁ended ▁up , ▁in ▁ 1 9 6 3 , ▁design ing ▁the ▁first ▁cell ▁culture ▁system ▁able ▁to ▁grow , ▁clone , ▁and ▁indu ce ▁the ▁development ▁of ▁different ▁types ▁of ▁normal ▁blood ▁cells . ▁Using ▁this ▁process , ▁he ▁subsequently ▁discovered ▁and ▁identified ▁a ▁family ▁of ▁prote ins ▁that ▁plays ▁a ▁key ▁role ▁in ▁cont rolling ▁normal ▁blood ▁cell ▁development . ▁Later ▁named ▁col ony ▁stim ulating ▁factors ▁( CS F ) ▁and ▁inter le uk ins , ▁one ▁of ▁these ▁C SF ▁prote ins ▁is ▁now ▁used ▁world wide ▁in ▁a ▁variety ▁of ▁clin ical ▁procedures , ▁including ▁boost ing ▁the ▁production ▁of ▁in fection - f ight ing ▁white ▁blood ▁cells ▁in ▁cancer ▁patients ▁under going ▁chem other apy ▁or ▁radiation , ▁and ▁impro ving ▁the ▁success ▁of ▁b one ▁mar row ▁and ▁peri pher al ▁blood ▁cell ▁trans pl ants . ▁ ▁Sach s ▁also ▁demonstrated , ▁for ▁the ▁first ▁time , ▁that ▁m align ancy ▁can ▁be ▁revers ed . ▁He ▁showed ▁that ▁the ▁prote ins ▁he ▁had ▁identified , ▁along ▁with ▁some ▁other ▁comp ounds , ▁set ▁le uk em ic ▁cells ▁back ▁on ▁the |
▁right ▁track ▁– ▁indu cing ▁them ▁to ▁differenti ate ▁into ▁normal - be h aving ▁m ature ▁cells . ▁This ▁approach , ▁using ▁ret ino ic ▁acid ▁combined ▁with ▁chem other apy , ▁is ▁now ▁standard ▁procedure ▁in ▁tre ating ▁human ▁prom y el oc yt ic ▁le uk emia , ▁and ▁it ▁has ▁greatly ▁increased ▁surv ival ▁rates . ▁ ▁At ▁the ▁We iz mann ▁Institute , ▁he ▁established ▁a ▁section ▁on ▁gen et ics ▁and ▁v iro log y ▁and ▁for ▁ 2 7 ▁years , ▁from ▁ 1 9 6 2 ▁to ▁ 1 9 8 9 , ▁served ▁as ▁Head ▁of ▁the ▁Institute ' s ▁Gen et ics ▁Department . ▁In ▁addition , ▁between ▁ 1 9 7 4 ▁and ▁ 1 9 7 9 ▁he ▁served ▁as ▁Dean ▁of ▁We iz mann ' s ▁Bi ology ▁Fac ulty . ▁ ▁Awards ▁and ▁hon ours ▁ ▁In ▁ 1 9 6 5 , ▁he ▁was ▁elected ▁Member ▁of ▁the ▁European ▁M ole cular ▁Bi ology ▁Organisation ; ▁ ▁In ▁ 1 9 7 2 , ▁Sach s ▁was ▁awarded ▁the ▁Israel ▁Prize , ▁for ▁natural ▁sciences ▁ ▁In ▁ 1 9 7 5 ▁he ▁was ▁elected ▁Member , ▁Israel ▁Academy ▁of ▁Sciences ▁and ▁Human ities ; ▁ ▁In ▁ 1 9 7 7 ▁Sach s ▁was ▁awarded ▁the ▁Roth sch ild ▁Prize ▁in ▁the ▁Bi ological ▁Sciences ; ▁ ▁In ▁ 1 9 8 0 , ▁he ▁was ▁awarded ▁the ▁Wolf ▁Prize ▁in ▁Medicine , ▁becoming ▁the ▁first ▁Isra |
eli ▁scient ist ▁to ▁win ▁the ▁Wolf ▁Prize ; ▁for ▁his ▁" cont ribution s ▁to ▁knowledge ▁of ▁the ▁function ▁and ▁d ys function ▁of ▁the ▁body ▁cells ▁through ▁[ his ] ▁studies ▁on ▁... ▁the ▁el uc id ation ▁of ▁mechan isms ▁gover ning ▁the ▁control ▁and ▁different iation ▁of ▁normal ▁and ▁cancer ▁cells ". ▁ ▁In ▁ 1 9 8 3 ▁Sach s ▁was ▁awarded ▁the ▁Br istol - My ers ▁S qu ib b ▁Award ▁for ▁Dist ingu ished ▁Ach iev ement ▁in ▁Can cer ▁Research , ▁New ▁York ; ▁ ▁In ▁ 1 9 8 5 ▁he ▁was ▁elected ▁Doctor ▁Honor is ▁C aus a , ▁Bor de aux ▁University , ▁France ; ▁ ▁In ▁ 1 9 8 6 ▁Sach s ▁was ▁awarded ▁The ▁Royal ▁Society ▁Well come ▁Foundation ▁Prize , ▁London ; ▁ ▁In ▁ 1 9 8 9 ▁Sach s ▁was ▁awarded ▁the ▁Alfred ▁P . ▁Slo an ▁Prize , ▁General ▁Mot ors ▁Can cer ▁Research ▁Foundation , ▁New ▁York ; ▁ ▁In ▁ 1 9 9 5 , ▁he ▁was ▁also ▁elected ▁as ▁a ▁Foreign ▁Associ ate ▁to ▁the ▁U . S . ▁National ▁Academy ▁of ▁Sciences ▁( N AS ). ▁ ▁In ▁ 1 9 9 6 , ▁Sach s ▁received ▁the ▁Ot ▁Han ag id ▁( Med al ▁of ▁the ▁Governor ) ▁award , ▁presented ▁ann ually ▁by ▁Jerusalem ' s ▁Sh a are ▁Z ed ek ▁Medical ▁Center , ▁for ▁his ▁pione ering ▁work ▁in ▁cancer ▁research . ▁The ▁presentation ▁noted ▁that |
▁" He ▁discovered ▁and ▁identified ▁a ▁group ▁of ▁prote ins ▁among ▁them ▁col ony - st im ulating ▁factors ▁and ▁some ▁inter le uk ins ▁that ▁control ▁the ▁vi ability ▁and ▁growth ▁of ▁blood ▁stem ▁cells ▁and ▁their ▁development ▁into ▁different ▁types ▁of ▁m ature ▁blood ▁cells ." ▁It ▁noted ▁further ▁that ▁his ▁" res earch ▁in ▁the ▁ 1 9 5 0 s ▁on ▁the ▁use ▁of ▁am ni otic ▁fluid ▁to ▁diagn ose ▁a ▁fet us ▁s ▁gen etic ▁properties ▁has ▁formed ▁the ▁basis ▁for ▁today ' s ▁pr en atal ▁diagn osis ▁of ▁human ▁dise ases ." ▁ ▁In ▁ 1 9 9 7 ▁he ▁was ▁elected ▁a ▁Fellow ▁of ▁the ▁Royal ▁Society ▁ ▁In ▁ 1 9 9 8 , ▁he ▁was ▁elected ▁Foreign ▁Member , ▁Academia ▁Europ ae a ; ▁ ▁In ▁ 1 9 9 9 , ▁he ▁was ▁elected ▁Member ▁Honor ary ▁Fellow , ▁University ▁of ▁Wales , ▁Bang or ; ▁ ▁In ▁ 2 0 0 0 , ▁he ▁was ▁elected ▁Ham - W ass erman ▁L ect ure , ▁American ▁Society ▁of ▁H emat ology , ▁San ▁Francisco ; ▁ ▁In ▁ 2 0 0 1 , ▁he ▁was ▁awarded ▁Honor ary ▁Life ▁M emb ership ▁Award , ▁International ▁Cy tok ine ▁Society ; ▁ ▁In ▁ 2 0 0 2 , ▁he ▁was ▁awarded ▁E met ▁Prize ▁for ▁Life ▁Sciences , ▁Medicine ▁and ▁Gen et ics ▁ ▁See ▁also ▁List ▁of ▁Israel ▁Prize ▁recip ients ▁ ▁References ▁ ▁External ▁links ▁ ▁Fac ulty |
▁Home page ▁ ▁Sach s ▁on ▁NAS ▁website ▁Sh a are ▁Z ed ek ▁Hon ors ▁We iz mann ▁Institute ' s ▁Prof . ▁Leo ▁Sach s ▁ ▁Category : 1 9 2 4 ▁birth s ▁Category : 2 0 1 3 ▁death s ▁Category : Al umn i ▁of ▁Bang or ▁University ▁Category : Foreign ▁associ ates ▁of ▁the ▁National ▁Academy ▁of ▁Sciences ▁Category : English ▁em igr ants ▁to ▁Israel ▁Category : G erman ▁em igr ants ▁to ▁England ▁Category : Is rael ▁Prize ▁in ▁life ▁sciences ▁recip ients ▁who ▁were ▁bi olog ists ▁Category : E ME T ▁Prize ▁recip ients ▁in ▁the ▁Life ▁Sciences ▁Category : Is ra eli ▁bi olog ists ▁Category : Is ra eli ▁gen etic ists ▁Category : Is ra eli ▁Jews ▁Category : Is ra eli ▁people ▁of ▁German - J ew ish ▁descent ▁Category : J ew ish ▁scient ists ▁Category : J ew ish ▁em igr ants ▁from ▁Naz i ▁Germany ▁to ▁the ▁United ▁Kingdom ▁Category : M ole cular ▁bi olog ists ▁Category : W olf ▁Prize ▁in ▁Medicine ▁la ure ates ▁Category : We iz mann ▁Institute ▁fac ulty ▁Category : F ell ows ▁of ▁the ▁Royal ▁Society ▁Category : M embers ▁of ▁Academia ▁Europ ae a ▁Category : M embers ▁of ▁the ▁European ▁M ole cular ▁Bi ology ▁Organ ization ▁Category : M embers ▁of ▁the ▁Israel ▁Academy ▁of ▁Sciences ▁and ▁Human ities <0x0A> </s> ▁Frank ▁B . ▁Good ▁( 1 8 8 4 – 1 9 3 9 |
) ▁was ▁an ▁American ▁cinemat ograph er ▁who ▁l ensed ▁more ▁than ▁ 1 0 0 ▁films ▁between ▁ 1 9 1 6 ▁and ▁ 1 9 3 7 . ▁He ▁was ▁known ▁for ▁working ▁on ▁Jack ie ▁Co og an ▁produ ctions ▁and ▁was ▁an ▁early ▁member ▁of ▁the ▁American ▁Society ▁of ▁Cin emat ograph ers . ▁ ▁Part ial ▁film ography ▁▁▁ ▁Let ▁K atie ▁Do ▁It ▁( 1 9 1 6 ) ▁ ▁Go ing ▁Stra ight ▁( 1 9 1 6 ) ▁ ▁The ▁Little ▁School ▁Ma ' am ▁( 1 9 1 6 ) ▁ ▁G ret chen ▁the ▁Green horn ▁( 1 9 1 6 ) ▁ ▁Jack ▁and ▁the ▁Be anst alk ▁( 1 9 1 7 ) ▁ ▁Al add in ▁and ▁the ▁Wonder ful ▁L amp ▁( 1 9 1 7 ) ▁ ▁A ▁Little ▁Sister ▁of ▁Every body ▁( 1 9 1 8 ) ▁ ▁Carol yn ▁of ▁the ▁Corn ers ▁( 1 9 1 9 ) ▁ ▁The ▁Love ▁That ▁D ares ▁( 1 9 1 9 ) ▁ ▁When ▁F ate ▁Dec ides ▁( 1 9 1 9 ) ▁ ▁The ▁Cy clone ▁( 1 9 2 0 ) ▁ ▁The ▁T error ▁( 1 9 2 0 ) ▁ ▁The ▁U nt amed ▁( 1 9 2 0 ) ▁ ▁Stra ight ▁from ▁the ▁Should er ▁( 1 9 2 1 ) ▁ ▁D addy ▁( 1 9 2 3 ) ▁ ▁Long ▁Live ▁the ▁King ▁( 1 9 2 |
3 ) ▁ ▁A ▁Boy ▁of ▁Fland ers ▁( 1 9 2 4 ) ▁ ▁Little ▁Robinson ▁Cr us oe ▁( 1 9 2 4 ) ▁ ▁The ▁W izard ▁of ▁O z ▁( 1 9 2 5 ) ▁ ▁The ▁R ag ▁Man ▁( 1 9 2 5 ) ▁ ▁An ▁En emy ▁of ▁Men ▁( 1 9 2 5 ) ▁ ▁The ▁G ild ed ▁But ter fly ▁( 1 9 2 6 ) ▁ ▁The ▁D ix ie ▁Mer chant ▁( 1 9 2 6 ) ▁ ▁Johnny ▁Get ▁Your ▁H air ▁C ut ▁( 1 9 2 7 ) ▁ ▁The ▁W ise ▁W ife ▁( 1 9 2 7 ) ▁ ▁Fle et wing ▁( 1 9 2 8 ) ▁ ▁The ▁California ▁Mail ▁( 1 9 2 9 ) ▁ ▁Golden ▁Da wn ▁( 1 9 3 0 ) ▁ ▁The ▁Life ▁of ▁the ▁Party ▁( 1 9 3 0 ) ▁ ▁Ghost ▁Par ade ▁( 1 9 3 1 ) ▁ ▁The ▁Ph arm ac ist ▁( 1 9 3 3 ) ▁ ▁Fight ing ▁to ▁Live ▁( 1 9 3 4 ) ▁ ▁Pe ck ' s ▁Bad ▁Boy ▁( 1 9 3 4 ) ▁ ▁The ▁D ude ▁R anger ▁( 1 9 3 4 ) ▁ ▁The ▁Cow boy ▁Mill ion aire ▁( 1 9 3 5 ) ▁ ▁Hard ▁Rock ▁Harr igan ▁( 1 9 3 5 ) ▁ ▁The ▁Mine ▁with ▁the ▁Iron ▁Do or ▁( 1 9 3 6 ) |
▁ ▁The ▁Border ▁Pat rol man ▁( 1 9 3 6 ) ▁ ▁Is le ▁of ▁F ury ▁( 1 9 3 6 ) ▁ ▁Daniel ▁Bo one ▁( 1 9 3 6 ) ▁ ▁Park ▁Avenue ▁Logger ▁( 1 9 3 7 ) ▁ ▁Hollywood ▁Cow boy ▁( 1 9 3 7 ) ▁ ▁Wind j ammer ▁( 1 9 3 7 ) ▁ ▁The ▁Road ▁to ▁Hollywood ▁( 1 9 4 7 ) ▁ ▁References ▁ ▁External ▁links ▁▁▁▁ ▁Category : American ▁cinemat ograph ers ▁Category : American ▁cinemat ograph er ▁stub s ▁Category : 1 8 8 4 ▁birth s ▁Category : 1 9 3 9 ▁death s <0x0A> </s> ▁Bed ford ▁cord , ▁named ▁after ▁the ▁town ▁of ▁Bed ford ▁in ▁England , ▁is ▁a ▁dur able ▁fabric ▁that ▁res emb les ▁cord uro y . ▁ ▁The ▁we ave ▁has ▁faint ▁length wise ▁rid ges , ▁but ▁without ▁the ▁filling ▁y ar ns ▁that ▁make ▁the ▁distinct ▁w ales ▁characteristic ▁of ▁cord uro y . ▁It ▁can ▁have ▁the ▁appearance ▁of ▁narrow - width ▁stri pes ▁with ▁thin ▁lines ▁between . ▁ ▁Because ▁of ▁its ▁st iff ▁construction , ▁it ▁is ▁often ▁used ▁in ▁u ph ol st ery ▁or ▁in ▁outer we ar ▁that ▁does ▁not ▁require ▁d rap ing . ▁Tr ous ers ▁made ▁with ▁Bed ford ▁cord ▁are ▁sometimes ▁called ▁" B ed ford ▁c ords ." ▁ ▁A ▁water - rep ell ent ▁cot ton ▁version ▁of ▁Bed ford ▁cord ▁called ▁Jung le ▁Cl |
oth ▁was ▁used ▁by ▁the ▁U . S . ▁Navy ▁for ▁flight ▁cl othing ▁during ▁the ▁ 1 9 2 0 s - 1 9 4 0 s ▁era . ▁Today ▁Jung le ▁Cl oth ▁is ▁made ▁exclus ively ▁in ▁Japan ▁on ▁special ▁order ▁to ▁the ▁gar ment ▁trade . ▁It ▁is ▁about ▁ 1 4 oz ▁in ▁weight ▁and ▁is ▁not ▁water ▁treated . ▁ ▁In ▁ 1 8 9 3 ▁a ▁dress ▁made ▁of ▁Bed ford ▁cord ▁figured ▁into ▁the ▁trial ▁of ▁L iz zie ▁B orden . ▁Vari ous ▁test imon ies ▁about ▁" the ▁Bed ford ▁Cord " ▁gave ▁conflic ting ▁ideas ▁as ▁to ▁whether ▁the ▁dress , ▁which ▁was ▁burn ed ▁by ▁B orden ▁after ▁the ▁mur ders ▁of ▁her ▁father ▁and ▁ste pm other , ▁was ▁st ained ▁by ▁blood ▁or ▁by ▁paint . ▁ ▁References ▁ ▁Category : W oven ▁fab rics <0x0A> </s> ▁The ▁F athers ▁is ▁a ▁concept ual ▁and ▁perform ative ▁work ▁of ▁critical ▁and ▁bi ographical ▁content ▁by ▁artist ▁Ab el ▁Az con a . ▁The ▁F athers ▁was ▁first ▁performed ▁in ▁ 2 0 1 6 ▁in ▁Madrid ▁with ▁the ▁final ▁performance , ▁also ▁in ▁Madrid , ▁in ▁ 2 0 1 7 ▁in ▁an ▁exhibition ▁format . ▁The ▁dur ational ▁piece ▁included ▁do z ens ▁of ▁female ▁surv iv ors ▁of ▁prost itution ▁who ▁gave ▁a ▁physical ▁description ▁of ▁their ▁last ▁client . ▁On ▁the ▁other ▁side ▁of ▁a ▁ten - meter - long ▁table , ▁composite ▁artists ▁listened ▁to |
▁them ▁and ▁drew ▁images ▁of ▁the ▁clients . ▁The ▁performance ▁generated ▁do z ens ▁of ▁port ra its ▁which , ▁at ▁the ▁closing ▁of ▁the ▁work ▁in ▁ 2 0 1 7 , ▁were ▁exhib ited ▁with ▁the ▁prem ise ▁that ▁any ▁of ▁them ▁could ▁be ▁Az con a ' s ▁father . ▁The ▁bi ographical ▁work ▁creates ▁a ▁critical ▁disc ourse ▁with ▁prost itution ▁and ▁its ▁inheritance , ▁and ▁in ▁the ▁case ▁of ▁Az con a ▁himself , ▁of ▁an ▁unknown ▁father , ▁having ▁been ▁conce ived ▁during ▁an ▁act ▁of ▁prost itution . ▁▁ ▁Az con a ' s ▁works ▁push ▁his ▁body ▁to ▁the ▁limit ▁and ▁are ▁usually ▁related ▁to ▁social ▁issues . ▁Az con a ▁states ▁that ▁within ▁his ▁works ▁he ▁purs ues ▁an ▁end ▁beyond ▁the ▁purely ▁a est h etic . ▁His ▁intent ▁with ▁his ▁works ▁is ▁to ▁question ▁the ▁vie wer ▁and ▁force ▁them ▁to ▁react , ▁making ▁his ▁own ▁body ▁the ▁representation ▁of ▁critical ▁and ▁political ▁subjects . ▁The ▁them es ▁of ▁most ▁of ▁his ▁performances ▁are ▁mostly ▁aut obi ographical ▁and ▁focused ▁on ▁issues ▁such ▁as ▁abandon ment , ▁violence , ▁ab use , ▁child ▁ab use , ▁mental ▁ill ness , ▁dep riv ation ▁of ▁liberty , ▁prost itution , ▁life ▁and ▁death . ▁ ▁See ▁also ▁▁▁ ▁Performance ▁Art ▁ ▁Install ation ▁ ▁End urance ▁art ▁ ▁Pro st itution ▁ ▁References ▁ ▁Category : Per form ances <0x0A> </s> ▁Q B 1 ▁may ▁refer ▁to : ▁ ▁Astronom y ▁ ▁, |
▁the ▁first ▁trans - Ne pt un ian ▁object ▁to ▁be ▁discovered ▁after ▁Pl uto ▁and ▁Char on ▁Cub ew ano , ▁a ▁class ▁of ▁trans - Ne pt un ian ▁objects ▁also ▁known ▁as ▁classical ▁K ui per ▁B elt ▁objects ▁ ▁Other ▁uses ▁ ▁Q B 1 ▁( game ), ▁a ▁N T N ▁B uz zt ime ▁interactive ▁American ▁football ▁game ▁of ▁predict ing ▁what ▁play ▁the ▁quarter back ▁will ▁make ▁ ▁Q b 1 ▁may ▁refer ▁to : ▁Al gebra ic ▁ch ess ▁notation ▁for ▁a ▁Queen ▁moving ▁to ▁b 1 ▁in ▁English <0x0A> </s> ▁N ono ▁is ▁a ▁town ▁in ▁the ▁N ono , ▁Ill ub abor ▁w ored a ▁in ▁the ▁O rom ia ▁Region ▁of ▁Eth iop ia . ▁ ▁References ▁ ▁Category : Pop ulated ▁places ▁in ▁the ▁O rom ia ▁Region <0x0A> </s> ▁Sch ep ers ▁Bos man ▁is ▁a ▁Dutch ▁fashion ▁designer ▁du o ▁consisting ▁of ▁San ne ▁Sch ep ers ▁( born ▁ 1 9 8 9 , ▁He er len , ▁The ▁Netherlands ) ▁and ▁Anne ▁Bos man ▁( born ▁ 1 9 8 8 , ▁Amsterdam , ▁The ▁Netherlands ). ▁ ▁Background ▁ ▁San ne ▁Sch ep ers ▁and ▁Anne ▁Bos man ▁both ▁graduated ▁with ▁hon ors ▁in ▁ 2 0 1 1 ▁from ▁Art E Z ▁University ▁of ▁Arts ▁in ▁Arn hem , ▁B A ▁fashion ▁design . ▁Their ▁gradu ation ▁collections ▁were ▁awarded ▁with ▁various ▁fashion ▁pri zes . ▁ ▁Sch ep ers ▁continued ▁her ▁studies ▁at ▁the |
▁Institut ▁Fran çais ▁de ▁la ▁Mode ▁( IF M ) ▁in ▁Paris . ▁She ▁was ▁selected ▁by ▁the ▁team ▁of ▁Robert ▁C ler ger ie ▁to ▁special ize ▁her ▁studies ▁further ▁at ▁l ’ Ē cole - de - Style ▁in ▁Rom ans - sur - Is ère . ▁Bos man ▁graduated ▁from ▁Central ▁Saint ▁Mart ins ▁London , ▁MA ▁Mens we ar . ▁They ▁gained ▁work ▁experience ▁at ▁C ler ger ie , ▁Christopher ▁K ane , ▁Vik tor ▁& ▁R olf ▁and ▁Alexander ▁van ▁S lob be , ▁before ▁starting ▁their ▁designer ▁du o ▁collaboration ▁named ▁Sch ep ers ▁Bos man ▁in ▁ 2 0 1 7 . ▁ ▁The ▁du o ▁presented ▁their ▁debut ▁collection ▁at ▁the ▁ 2 6 th ▁edition ▁of ▁the ▁Amsterdam ▁F ashion ▁Week ▁in ▁ 2 0 1 7 . ▁Short ly ▁there after ▁they ▁won ▁the ▁Mer cedes - B enz ▁Les ▁E to iles ▁Award ▁on ▁the ▁e ve ▁of ▁the ▁Paris ▁fashion ▁week , ▁the ▁j ury ▁consisted ▁of ▁Alex is ▁M ab ille ▁and ▁D ita ▁von ▁Te ese ▁among ▁others . ▁ ▁All ▁Sch ep ers ▁Bos man ▁collections ▁and ▁gar ments ▁are ▁designed , ▁developed ▁and ▁produced ▁in ▁the ▁Netherlands . ▁New ▁collection ▁present ations ▁and ▁sales ▁take ▁place ▁during ▁the ▁mens we ar ▁fashion we eks ▁in ▁Paris . ▁ ▁Awards ▁▁▁ 2 0 1 7 ▁– ▁Mer cedes - B enz ▁Les ▁E to iles ▁Award ▁▁ 2 0 1 2 ▁– ▁H & M ▁Design ▁Award |
▁Pe op les ▁Cho ice ▁Award ▁▁ 2 0 1 2 ▁– ▁H & M ▁Design ▁Award ▁The ▁Netherlands ▁▁ 2 0 1 1 ▁– ▁L icht ing ▁Tal ent ▁Award ▁ ▁Coll abor ations ▁▁ ▁Sch ep ers ▁Bos man ▁for ▁H ack ed ▁By ▁– ▁H ack ed ▁By _ ▁x ▁Sch ep ers ▁Bos man ▁( 2 0 2 0 ) ▁ ▁Sch ep ers ▁Bos man ▁for ▁Pin q pon q ▁– ▁pin q pon q ▁x ▁Sch ep ers ▁Bos man ▁( 2 0 1 9 ) ▁ ▁References ▁ ▁External ▁links ▁▁▁▁ ▁Category : D utch ▁design ers ▁Category : D utch ▁fashion ▁design ers <0x0A> </s> ▁Har l ene ▁Anderson ▁( born ▁ 1 9 4 2 ) ▁is ▁an ▁American ▁Psych ologist ▁and ▁a ▁c of ound er ▁for ▁the ▁Post mod ern ▁Coll abor ative ▁Appro ach ▁to ▁ther apy . ▁In ▁the ▁ 1 9 8 0 s , ▁Anderson ▁and ▁her ▁colle ague ▁Harold ▁A . ▁G ool ish ian ▁pione ered ▁a ▁new ▁technique ▁that ▁is ▁used ▁to ▁relate ▁to ▁patients ▁within ▁ther apy ▁through ▁language ▁and ▁collaboration , ▁and ▁without ▁the ▁use ▁of ▁di agnostic ▁labels . ▁This ▁approach ▁to ▁ther apy ▁places ▁the ▁patient ▁in ▁control ▁of ▁the ▁ther apy ▁session ▁and ▁asks ▁the ▁ther ap ist ▁to ▁focus ▁on ▁the ▁present ▁ther apy ▁session ▁and ▁ignore ▁any ▁pre con ce ived ▁not ions ▁they ▁may ▁have . ▁This ▁approach ▁was ▁first ▁developed ▁for ▁the ▁use ▁of ▁family ▁and |
▁mental ▁health ▁ther apy , ▁but ▁has ▁since ▁expanded ▁into ▁a ▁variety ▁of ▁professional ▁practices ▁such ▁as ▁organiz ational ▁psych ology , ▁higher ▁education , ▁and ▁research . ▁ ▁Education ▁▁ ▁Anderson ▁has ▁her ▁Ph D ▁in ▁Psych ology ▁and ▁is ▁lic ensed ▁to ▁practice ▁professional ▁coun sel ing ▁and ▁marriage ▁and ▁family ▁ther apy . ▁Anderson ▁received ▁both ▁her ▁Bach elor ' s ▁and ▁Master ' s ▁D eg ree ▁from ▁the ▁University ▁of ▁Houston , ▁Texas . ▁She ▁went ▁on ▁to ▁receive ▁her ▁Doctor ate ▁in ▁Psych ology ▁with ▁a ▁focus ▁around ▁Mar riage ▁and ▁Family ▁Ther apy ▁from ▁Union ▁Institute ▁and ▁University ▁which ▁is ▁located ▁in ▁C inc inn ati , ▁Ohio . ▁ ▁Research ▁▁▁ ▁In ▁ 1 9 9 7 , ▁Anderson ▁published ▁her ▁first ▁book ▁based ▁around ▁her ▁theory ▁around ▁collabor ative ▁ther apy ▁called ▁" Con vers ation , ▁Language , ▁and ▁Poss ib ilities : ▁A ▁Post mod ern ▁Appro ach ▁to ▁Ther apy ". ▁This ▁theory , ▁called ▁the ▁Post mod ern ▁Coll abor ative ▁Appro ach , ▁focus es ▁on ▁ther ap ists ▁collabor ating ▁with ▁their ▁clients ▁in ▁a ▁non - jud gment al ▁way ▁to ▁ensure ▁that ▁the ▁client ▁is ▁being ▁accur ately ▁understood . ▁Out side ▁of ▁ther apy ▁sessions , ▁ther ap ists ▁must ▁continu ously ▁go ▁through ▁a ▁process ▁of ▁self - ref lection ▁and ▁self - aw aren ess ▁so ▁as ▁to ▁avoid ▁the ▁inn ate ▁judgment al ▁nature ▁of ▁humans ▁from ▁cloud ing ▁their ▁own ▁opinion |
▁of ▁a ▁future ▁ther apy ▁session . ▁Within ▁ther apy ▁sessions , ▁ther ap ists ▁take ▁on ▁a ▁convers ational ▁role ▁with ▁their ▁client ▁and ▁view ▁the ▁client ▁as ▁the ▁expert ▁in ▁the ▁conversation ▁rather ▁than ▁themselves . ▁Con tr ary ▁to ▁other ▁th era pe ut ic ▁approaches ▁from ▁the ▁time , ▁the ▁post mod ern ▁collabor ative ▁approach ▁requested ▁that ▁ther ap ists ▁do ▁not ▁use ▁di agnostic ▁labels ▁either ▁since ▁these ▁may ▁have ▁pre con ce ived ▁not ions ▁and ▁opinions ▁behind ▁them ▁which ▁may ▁alter ▁a ▁ther ap ists ' ▁view ▁as ▁well . ▁ ▁Career ▁▁ ▁Har l ene ▁Anderson ▁c of ounded ▁several ▁instit utes ▁that ▁further ▁research ▁in ▁both ▁the ▁psych ology ▁and ▁ther apy ▁fields . ▁First , ▁she ▁c of ounded ▁the ▁Houston ▁Gal vest on ▁Institute ▁when ▁it ▁opened ▁in ▁ 1 9 7 8 ▁and ▁has ▁since ▁served ▁on ▁the ▁board ▁of ▁direct ors ▁for ▁the ▁following ▁ 4 1 ▁years . ▁After ▁this , ▁Anderson ▁c of ounded ▁the ▁Ta os ▁Institute ▁in ▁ 1 9 9 3 ▁where ▁she ▁has ▁worked ▁on ▁the ▁board ▁of ▁direct ors ▁for ▁the ▁past ▁ 2 6 ▁years ▁and ▁currently ▁serves ▁as ▁an ▁ad visor ▁in ▁their ▁doctor al ▁program . ▁In ▁ 2 0 0 2 ▁Anderson ▁founded ▁and ▁became ▁acting ▁principal ▁of ▁Access ▁Success ▁International , ▁a ▁job ▁she ▁has ▁maintained ▁for ▁ 1 7 ▁years . ▁Anderson ▁is ▁on ▁the ▁board ▁of ▁direct ors ▁for ▁Texas ▁Medical ▁Ass istant ▁and ▁Development |
▁and ▁the ▁Family ▁Business ▁Institute . ▁She ▁currently ▁works ▁as ▁a ▁consult ant ▁for ▁business es , ▁schools , ▁and ▁individuals ▁and ▁is ▁a ▁ke yn ote ▁speaker ▁at ▁con ferences ▁for ▁family ▁and ▁marriage ▁ther apy ▁as ▁well . ▁ ▁Ac com pl ish ments / A wards ▁▁ ▁Har l ene ▁Anderson ▁has ▁won ▁several ▁awards ▁throughout ▁her ▁career ▁for ▁her ▁contributions ▁to ▁theory ▁development , ▁as ▁well ▁as ▁innov ative ▁practices ▁and ▁training . ▁These ▁include : ▁▁ 1 9 9 7 ▁Texas ▁Association ▁for ▁Mar riage ▁and ▁Family ▁Ther apy ▁award ▁for ▁L if etime ▁Ach iev ement . ▁▁ 2 0 0 0 ▁American ▁Association ▁for ▁Mar riage ▁and ▁Family ▁Ther apy ▁award ▁for ▁Out standing ▁Cont ribution s ▁to ▁Mar riage ▁and ▁Family ▁Ther apy . ▁▁ 2 0 0 8 ▁American ▁Academy ▁of ▁Family ▁Ther apy ▁Award ▁for ▁Dist ingu ished ▁Cont ribution ▁to ▁Family ▁Ther apy ▁Theory ▁and ▁Pract ice . ▁ ▁Pub lished ▁Books ▁▁▁▁ ▁Anderson , ▁H . ▁( 1 9 9 7 ). ▁Con vers ation , ▁language , ▁and ▁possibilities : ▁A ▁post mod ern ▁approach ▁to ▁ther apy . ▁Basic ▁Books . ▁▁ ▁Anderson , ▁H ., ▁& ▁J ensen , ▁P . ▁( Ed s .). ▁( 2 0 0 7 ). ▁In nov ations ▁in ▁the ▁reflect ing ▁process . ▁K arn ac ▁Books . ▁▁ ▁Anderson , ▁H ., ▁Co op err ider , ▁D . ▁L ., ▁Ger gen , ▁K . ▁J ., ▁Ger gen |
, ▁M . ▁M ., ▁Mc Name e , ▁S ., ▁& ▁Whit ney , ▁D . ▁( 2 0 0 8 ). ▁The ▁appreci ative ▁organization . ▁Ch agr in ▁F alls , ▁O H : ▁Ta os ▁Institute ▁Publications . ▁▁ ▁Anderson , ▁H ., ▁& ▁Ge hart , ▁D . ▁( Ed s .). ▁( 2 0 1 2 ). ▁Coll abor ative ▁ther apy : ▁Rel ations hips ▁and ▁convers ations ▁that ▁make ▁a ▁difference . ▁Rout ledge . ▁ ▁Represent ative ▁Journal ▁Articles ▁▁▁▁ ▁Anderson , ▁H . ▁& ▁London , ▁S . ▁( 2 0 1 1 ). ▁Coll abor ative ▁learning : ▁Te ach ers ▁learning ▁through ▁relationships ▁and ▁convers ations . ▁Nova ▁Pers pect iva ▁S ist em ica . ▁▁ ▁Anderson , ▁H . ▁& ▁Sw im , ▁S . ▁( 1 9 9 3 ). ▁Learning ▁as ▁collabor ative ▁conversation : ▁Com bin ing ▁the ▁student ' s ▁and ▁the ▁teacher ' s ▁expert ise . ▁Human ▁systems : ▁The ▁Journal ▁of ▁System ic ▁Cons ult ation ▁and ▁Management , ▁ 4 , ▁ 1 4 5 - 1 6 0 . ▁▁ ▁Ger gen , ▁K ., ▁Hoff man , ▁L . ▁& ▁Anderson , ▁H . ▁( 1 9 9 5 ). ▁Is ▁diagn osis ▁a ▁dis aster ?: ▁A ▁construction ist ▁trial og ue . ▁In ▁F . ▁Kas low ▁( Ed .), ▁Hand book ▁of ▁rel ational ▁diagn osis ▁( pp . ▁ 1 0 2 - 1 1 |
8 ). ▁New ▁York : ▁John ▁W iley ▁& ▁S ons . ▁▁ ▁G ool ish ian , ▁H . ▁& ▁Anderson , ▁H . ▁( 1 9 8 0 , ▁Summer ). ▁Disc uss ion : ▁Eng agement ▁techniques ▁in ▁family ▁ther apy . ▁International ▁Journal ▁of ▁Family ▁Ther apy , ▁ 2 ( 2 ). ▁▁ ▁G ool ish ian , ▁H . ▁& ▁Anderson , ▁H . ▁( 1 9 8 7 ). ▁Language ▁systems ▁and ▁ther apy : ▁An ▁evol ving ▁idea . ▁Psych other apy , ▁ 2 4 , ▁ 5 2 9 - 5 3 8 . ▁▁ ▁London , ▁S . ▁( 2 0 1 2 ). ▁Coll abor ative ▁ther apy . ▁( S yl via ▁London ▁with ▁ref lections ▁by ▁Har l ene ▁Anderson ). ▁In ▁A . ▁Ram bo , ▁C . ▁West , ▁A . ▁L . ▁Sch o ole y ▁& ▁T . ▁V . ▁Bo yd ▁( Ed s ). ▁Family ▁ther apy ▁review : ▁Con tr ast ing ▁contemporary ▁models . ▁New ▁York : ▁Rout ledge . ▁ ▁See ▁also ▁Coll abor ative ▁ther apy ▁Hans - W erner ▁G ess mann ▁ ▁References ▁ ▁Category : L iving ▁people ▁Category : American ▁psych other ap ists ▁Category : Family ▁ther ap ists ▁Category : 1 9 4 2 ▁birth s ▁Category : T a os ▁Institute <0x0A> </s> ▁High gate ▁Man or ▁is ▁a ▁man or ▁located ▁on ▁Verm ont ▁Route ▁ 2 0 7 ▁in ▁High |
gate , ▁Verm ont . ▁It ▁has ▁been ▁used ▁as ▁a ▁home , ▁as ▁a ▁bed ▁and ▁breakfast , ▁and ▁as ▁a ▁dance ▁hall . ▁Local ▁legend ▁says ▁that ▁the ▁children ▁of ▁a ▁doctor ▁who ▁once ▁owned ▁the ▁house ▁and ▁performed ▁experiments ▁on ▁them ▁have ▁remained ▁in ▁the ▁house ▁since ▁they ▁died . ▁ ▁History ▁ ▁Const ruction ▁The ▁man or ▁was ▁built ▁in ▁ 1 8 1 8 ▁by ▁Captain ▁Steve ▁Key es . ▁ ▁B ax ter ▁ac quisition ▁Dr . ▁Henry ▁B ax ter ▁purchased ▁the ▁land ▁and ▁the ▁building ▁from ▁the ▁Key es ▁family ▁som etime ▁during ▁the ▁ 1 8 6 0 s . ▁Dr . ▁B ax ter ▁opened ▁his ▁practice ▁in ▁the ▁man or , ▁where ▁there ▁are ▁still ▁blood ▁st ains ▁on ▁the ▁floor ▁in ▁what ▁is ▁now ▁the ▁library . ▁It ▁is ▁believed ▁that ▁he ▁performed ▁experiments ▁on ▁his ▁children , ▁most ▁of ▁which ▁did ▁not ▁live ▁past ▁the ▁age ▁of ▁ten . ▁ ▁V ac ation ▁resort ▁After ▁the ▁death ▁of ▁Dr . ▁Henry ▁B ax ter ▁in ▁ 1 8 9 8 , ▁Philip ▁Sch mitt ▁took ▁over ▁the ▁man or . ▁In ▁ 1 9 1 7 ▁it ▁was ▁converted ▁into ▁a ▁vac ation ▁resort ▁with ▁great ▁success . ▁Many ▁dign itar ies , ▁including ▁Al ▁Cap one , ▁frequ ented ▁the ▁man or ▁and ▁a ▁spe ake asy ▁hidden ▁under ground . ▁ ▁Under ground ▁rail road ▁The ▁man or ▁was ▁one ▁of ▁the ▁last ▁stops ▁for ▁the ▁Under ground |
▁Rail road ▁before ▁entering ▁into ▁Canada . ▁There ▁are ▁still ▁t unn els ▁under ▁the ▁man or ▁that ▁lead ▁to ▁the ▁nearby ▁river . ▁There ▁have ▁been ▁reported ▁sight ings ▁of ▁an ▁African ▁American ▁spirit ▁near ▁the ▁man or . ▁ ▁References ▁ ▁Category : 1 8 1 8 ▁establish ments ▁in ▁Verm ont ▁Category : Build ings ▁and ▁structures ▁in ▁High gate , ▁Verm ont ▁Category : H ouses ▁in ▁Franklin ▁County , ▁Verm ont ▁Category : H ouses ▁on ▁the ▁Under ground ▁Rail road ▁Category : H ouses ▁completed ▁in ▁ 1 8 1 8 <0x0A> </s> ▁Young ▁Sc ots ▁or ▁Young ▁Scot ▁may ▁refer ▁to : ▁ ▁Young ▁Sc ots ▁for ▁Independ ence , ▁the ▁youth ▁wing ▁of ▁the ▁Scottish ▁National ▁Party ▁Young ▁Scot , ▁ ▁the ▁national ▁information ▁and ▁citizens hip ▁organisation ▁for ▁young ▁people ▁aged ▁ 1 1 - 2 6 ▁in ▁Scotland ▁Young ▁Sc ots ' ▁Society , ▁a ▁Scottish ▁national ist ▁organisation ▁at ▁the ▁break ▁of ▁the ▁ 2 0 th ▁century <0x0A> </s> ▁William ▁ ▁Ho oper ▁( J une ▁ 2 8 , ▁ 1 7 4 2 ▁ ▁October ▁ 1 4 , ▁ 1 7 9 0 ) ▁was ▁an ▁American ▁lawyer , ▁politician , ▁and ▁a ▁member ▁of ▁the ▁Cont inental ▁Congress ▁representing ▁North ▁Carolina ▁from ▁ 1 7 7 4 ▁through ▁ 1 7 7 7 . ▁ ▁Ho oper ▁was ▁also ▁a ▁sign er ▁of ▁the ▁United ▁States ▁Dec laration ▁of ▁Independ ence , ▁along ▁with ▁fellow ▁North ▁Carol |
ini ans ▁Joseph ▁H ew es ▁and ▁John ▁P enn . ▁ ▁Early ▁life ▁ ▁Ho oper ▁was ▁the ▁first ▁child ▁of ▁five , ▁born ▁in ▁Boston , ▁Massachusetts , ▁on ▁June ▁ 2 8 , ▁ 1 7 4 2 . ▁His ▁father , ▁William ▁Ho oper , ▁was ▁a ▁Scottish ▁minister ▁who ▁studied ▁at ▁the ▁University ▁of ▁Edinburgh ▁prior ▁to ▁imm igr ating ▁to ▁Boston , ▁and ▁his ▁mother , ▁Mary ▁D enn ie , ▁was ▁the ▁daughter ▁of ▁John ▁D enn ie , ▁a ▁well - res pected ▁merchant ▁from ▁Massachusetts . ▁ ▁Ho oper ' s ▁father ▁had ▁hoped ▁that ▁Ho oper ▁would ▁follow ▁in ▁his ▁foot steps ▁as ▁an ▁Epis cop al ▁minister , ▁and ▁at ▁the ▁age ▁of ▁seven ▁placed ▁Ho oper ▁in ▁Boston ▁Latin ▁School ▁head ed ▁by ▁Mr . ▁John ▁Lov ell , ▁a ▁highly ▁distinguished ▁educ ator ▁in ▁Massachusetts . ▁ ▁In ▁ 1 7 5 7 , ▁at ▁the ▁age ▁of ▁six teen , ▁Ho oper ▁entered ▁Harvard ▁University ▁where ▁he ▁was ▁considered ▁an ▁industri ous ▁student ▁and ▁was ▁highly ▁regarded . ▁ ▁In ▁ 1 7 6 0 ▁Ho oper ▁graduated ▁from ▁Harvard ▁with ▁hon ors , ▁obtain ing ▁a ▁Bach elor ▁of ▁Arts . ▁ ▁However , ▁after ▁gradu ating , ▁Ho oper ▁did ▁not ▁wish ▁to ▁purs ue ▁a ▁career ▁in ▁the ▁cler gy ▁as ▁his ▁father ▁had ▁hoped . ▁Instead , ▁Ho oper ▁decided ▁on ▁a ▁career ▁in ▁law , ▁studying ▁under ▁James ▁Ot is , ▁a ▁popular ▁att |
orney ▁in ▁Boston ▁who ▁was ▁regarded ▁as ▁a ▁radical . ▁Ho oper ▁studied ▁under ▁Ot is ▁until ▁ 1 7 6 4 , ▁and ▁once ▁comple ting ▁his ▁bar ▁exam ▁decided ▁to ▁leave ▁Massachusetts ▁in ▁part ▁due ▁to ▁the ▁abund ance ▁of ▁law y ers ▁in ▁Boston . ▁ ▁Life ▁in ▁North ▁Carolina ▁In ▁ 1 7 6 4 ▁Ho oper ▁moved ▁tempor arily ▁to ▁Wil ming ton , ▁North ▁Carolina , ▁where ▁he ▁began ▁to ▁practice ▁law ▁and ▁became ▁the ▁circuit ▁court ▁lawyer ▁for ▁Cape ▁F ear . ▁ ▁Ho oper ▁began ▁to ▁build ▁a ▁highly ▁respect ed ▁reputation ▁in ▁North ▁Carolina ▁among ▁the ▁wealth y ▁far mers ▁as ▁well ▁as ▁fellow ▁law y ers . ▁Ho oper ▁increased ▁his ▁influence ▁by ▁representing ▁the ▁colonial ▁government ▁in ▁several ▁court ▁cases . ▁ ▁In ▁ 1 7 6 7 , ▁Ho oper ▁married ▁Anne ▁Clark , ▁the ▁daughter ▁of ▁a ▁wealth y ▁early ▁sett ler ▁to ▁the ▁region ▁and ▁sh er iff ▁of ▁New ▁Han over ▁County . ▁ ▁The ▁two ▁had ▁a ▁son , ▁William , ▁in ▁ 1 7 6 8 , ▁followed ▁by ▁a ▁daughter , ▁Elizabeth , ▁in ▁ 1 7 7 0 ▁and ▁then ▁another ▁son , ▁Thomas , ▁in ▁ 1 7 7 2 . ▁ ▁Ho oper ▁quickly ▁was ▁able ▁to ▁move ▁up ▁the ▁ranks , ▁first ▁in ▁ 1 7 6 9 ▁when ▁he ▁was ▁appointed ▁as ▁Deput y ▁Att orney ▁of ▁the ▁Sal is bury ▁District , ▁and ▁then ▁in ▁ 1 7 7 |
0 ▁when ▁he ▁was ▁appointed ▁Deput y ▁Att orney ▁General ▁of ▁North ▁Carolina . ▁ ▁Initial ly ▁Ho oper ▁supported ▁the ▁British ▁colonial ▁government ▁of ▁North ▁Carolina . ▁ ▁As ▁Deput y ▁Att orney ▁General ▁in ▁ 1 7 6 8 ▁Ho oper ▁worked ▁with ▁Col onial ▁Governor ▁William ▁Try on ▁to ▁suppress ▁a ▁reb elli ous ▁group ▁known ▁as ▁the ▁Reg ul ators ▁who ▁participated ▁in ▁the ▁War ▁of ▁the ▁Reg ulation . ▁ ▁The ▁Reg ul ators ▁had ▁been ▁operating ▁in ▁North ▁Carolina ▁for ▁some ▁time , ▁and ▁in ▁ 1 7 7 0 ▁it ▁was ▁reported ▁that ▁the ▁group ▁drag ged ▁Ho oper ▁through ▁the ▁streets ▁in ▁Hills borough ▁during ▁a ▁ri ot . ▁ ▁Ho oper ▁ad vised ▁that ▁Governor ▁Try on ▁use ▁as ▁much ▁force ▁as ▁was ▁necessary ▁to ▁stamp ▁out ▁the ▁reb els , ▁and ▁even ▁accompanied ▁the ▁troops ▁at ▁the ▁Battle ▁of ▁Al am ance ▁in ▁ 1 7 7 1 . ▁ ▁He ▁served ▁in ▁the ▁Province ▁of ▁North ▁Carolina ▁House ▁of ▁Burg esses ▁in ▁ 1 7 7 5 . ▁ ▁American ▁Revolution ▁invol vement ▁ ▁Ho oper ' s ▁support ▁of ▁the ▁colonial ▁govern ments ▁began ▁to ▁er ode , ▁causing ▁problems ▁for ▁him ▁due ▁to ▁his ▁past ▁support ▁of ▁Governor ▁Try on . ▁ ▁Ho oper ▁had ▁been ▁l abeled ▁a ▁Lo yal ist , ▁and ▁therefore ▁he ▁was ▁not ▁immediately ▁accepted ▁by ▁Patri ots . ▁Ho oper ▁eventually ▁was ▁elected ▁to ▁the ▁North ▁Carolina ▁General ▁Assembly ▁in ▁ 1 7 7 |
3 , ▁where ▁he ▁became ▁an ▁oppon ent ▁to ▁colonial ▁attempts ▁to ▁pass ▁laws ▁that ▁would ▁reg ulate ▁the ▁provincial ▁courts . ▁This ▁in ▁turn ▁helped ▁to ▁s our ▁his ▁reputation ▁among ▁Lo yal ists . ▁ ▁Ho oper ▁recognized ▁that ▁independence ▁was ▁likely ▁to ▁occur , ▁and ▁mentioned ▁this ▁in ▁a ▁letter ▁to ▁his ▁friend ▁James ▁I red ell , ▁saying ▁that ▁the ▁colon ies ▁were ▁" str iding ▁fast ▁to ▁independence , ▁and ▁ere ▁long ▁will ▁build ▁an ▁emp ire ▁upon ▁the ▁ru ins ▁of ▁Great ▁Britain ." ▁ ▁During ▁his ▁time ▁in ▁the ▁assembly ▁Ho oper ▁slowly ▁became ▁a ▁supp orter ▁of ▁the ▁American ▁Revolution ▁and ▁independence . ▁ ▁After ▁the ▁governor ▁dis band ed ▁the ▁assembly , ▁Ho oper ▁helped ▁to ▁organ ize ▁a ▁new ▁colonial ▁assembly . ▁Ho oper ▁was ▁also ▁appointed ▁to ▁the ▁Committee ▁of ▁Cor respond ence ▁and ▁In qu iry . ▁ ▁In ▁ 1 7 7 4 ▁Ho oper ▁was ▁appointed ▁a ▁delegate ▁to ▁the ▁First ▁Cont inental ▁Congress , ▁where ▁he ▁served ▁on ▁numerous ▁comm itte es . ▁ ▁Ho oper ▁was ▁again ▁elected ▁to ▁the ▁Second ▁Cont inental ▁Congress , ▁but ▁much ▁of ▁his ▁time ▁was ▁split ▁between ▁the ▁con gress ▁and ▁work ▁in ▁North ▁Carolina , ▁where ▁he ▁was ▁assist ing ▁in ▁forming ▁a ▁new ▁government . ▁ ▁Due ▁to ▁matters ▁in ▁dealing ▁with ▁this ▁new ▁government ▁in ▁North ▁Carolina , ▁Ho oper ▁missed ▁the ▁vote ▁appro ving ▁the ▁Dec laration ▁of ▁Independ ence ▁on ▁the ▁Four th ▁of ▁July , |
▁ 1 7 7 6 ; ▁however , ▁he ▁arrived ▁in ▁time ▁to ▁sign ▁it ▁on ▁August ▁ 2 , ▁ 1 7 7 6 . ▁ ▁In ▁ 1 7 7 7 , ▁due ▁to ▁continued ▁financial ▁concerns , ▁Ho oper ▁res igned ▁from ▁Congress , ▁and ▁returned ▁to ▁North ▁Carolina ▁to ▁res ume ▁his ▁law ▁career . ▁ ▁Through out ▁the ▁Revolution ▁the ▁British ▁attempted ▁to ▁capture ▁Ho oper , ▁and ▁with ▁his ▁country ▁home ▁in ▁Fin ian ▁vulner able ▁to ▁British ▁attacks , ▁Ho oper ▁moved ▁his ▁family ▁to ▁Wil ming ton . ▁ ▁In ▁ 1 7 8 1 ▁the ▁British ▁captured ▁Wil ming ton , ▁to ▁where ▁Corn wall is ▁and ▁his ▁forces ▁fell ▁back ▁after ▁the ▁Battle ▁of ▁Gu il ford ▁Court ▁House , ▁and ▁Ho oper ▁found ▁himself ▁separated ▁from ▁his ▁family . ▁ ▁In ▁addition , ▁the ▁British ▁burn ed ▁his ▁est ates ▁in ▁both ▁Fin ian ▁and ▁Wil ming ton , ▁so ▁Ho oper ▁was ▁forced ▁to ▁rely ▁on ▁friends ▁for ▁food ▁and ▁shelter ▁during ▁this ▁time , ▁as ▁well ▁as ▁n urs ing ▁him ▁back ▁to ▁health ▁when ▁he ▁contract ed ▁mal aria . ▁Finally , ▁after ▁nearly ▁a ▁year ▁of ▁separation , ▁Ho oper ▁was ▁reun ited ▁with ▁his ▁family ▁and ▁they ▁settled ▁in ▁Hills borough , ▁North ▁Carolina , ▁where ▁Ho oper ▁continued ▁to ▁work ▁for ▁the ▁North ▁Carolina ▁assembly ▁until ▁ 1 7 8 3 . ▁ ▁Post - Re volution ▁years ▁After ▁the ▁Revolution ▁Ho oper ▁returned ▁to ▁his |
▁career ▁in ▁law , ▁but ▁he ▁lost ▁favor ▁with ▁the ▁public ▁due ▁to ▁his ▁political ▁st ance . ▁ ▁Ho oper ▁fell ▁in ▁line ▁with ▁the ▁Federal ist ▁Party ▁due ▁to ▁his ▁influ ential ▁connections , ▁his ▁m istr ust ▁of ▁the ▁lower ▁class , ▁and ▁his ▁widely ▁critic ized ▁soft ▁deal ings ▁with ▁Lo yal ists , ▁toward ▁whom ▁he ▁was ▁generally ▁forg iving . ▁This ▁kind ▁and ▁fair ▁treatment ▁made ▁some ▁even ▁label ▁him ▁a ▁Lo yal ist . ▁Ho oper ▁was ▁again ▁called ▁to ▁public ▁service ▁in ▁ 1 7 8 6 , ▁when ▁he ▁was ▁appointed ▁a ▁federal ▁judge ▁in ▁a ▁border ▁dispute ▁between ▁New ▁York ▁and ▁Massachusetts , ▁though ▁the ▁case ▁was ▁settled ▁out ▁of ▁court . ▁ ▁In ▁ 1 7 8 7 ▁and ▁ 1 7 8 8 ▁Ho oper ▁campaign ed ▁heavily ▁for ▁North ▁Carolina ▁to ▁rat ify ▁the ▁new ▁United ▁States ▁Constitution , ▁but ▁by ▁this ▁time ▁Ho oper ▁had ▁become ▁quite ▁ill , ▁eventually ▁dying ▁on ▁October ▁ 1 4 , ▁ 1 7 9 0 , ▁at ▁the ▁age ▁of ▁ 4 8 . ▁He ▁was ▁laid ▁to ▁rest ▁in ▁the ▁Pres by ter ian ▁Church yard ▁in ▁Hills borough , ▁North ▁Carolina . ▁His ▁remains ▁were ▁later ▁re inter red ▁at ▁Gu il ford ▁Cour th ouse ▁National ▁Military ▁Park . ▁ ▁His ▁home ▁at ▁Hills borough , ▁the ▁Nash - H o oper ▁House , ▁was ▁declared ▁a ▁National ▁Historic ▁Land mark ▁in ▁ 1 9 7 1 . ▁▁ |
▁It ▁is ▁located ▁in ▁the ▁Hills borough ▁Historic ▁District . ▁ ▁Foot notes ▁ ▁References ▁ ▁F rad in , ▁Den is ▁Br ind ell . ▁ ▁The ▁Sign ers : ▁The ▁ 5 6 ▁St ories ▁Be hind ▁the ▁Dec laration ▁of ▁Independ ence . ▁ ▁New ▁York : ▁Walker ▁and ▁Company , ▁ 2 0 0 2 . ▁▁ ▁Good win , ▁A . C . ▁" B rie f ▁Biography ▁and ▁Gene al ogy ▁of ▁William ▁Ho oper ." ▁ ▁An c est ry . com ▁( 2 ▁December ▁ 1 9 9 8 ). ▁Access ed ▁April ▁ 1 3 , ▁ 2 0 0 8 . ▁ ▁L oss ing , ▁B . J . ▁L ives ▁of ▁the ▁Sign ers ▁of ▁the ▁Dec laration ▁of ▁Independ ence . ▁A led o , ▁Tex .: ▁Wall Build ers ▁Press , ▁ 2 0 0 7 . ▁ ▁Low ry , ▁Harold ▁D . ▁" Will iam ▁Ho oper ." ▁ ▁Society ▁of ▁the ▁Des c end ants ▁of ▁the ▁Sign ers ▁of ▁the ▁Dec laration ▁of ▁Independ ence . ▁ 2 0 0 6 . ▁ ▁Access ed ▁April ▁ 1 3 , ▁ 2 0 0 8 . ▁ ▁S nell , ▁Charles ▁W . ▁Sign ers ▁of ▁the ▁Dec laration ▁of ▁Independ ence : ▁Bi ographical ▁Sk etch es . ▁United ▁States ▁Department ▁of ▁the ▁Inter ior , ▁National ▁Park ▁Service . ▁ 4 ▁July ▁ 2 0 0 4 . ▁ ▁Access ed ▁April ▁ |
1 3 , ▁ 2 0 0 8 . ▁ ▁Wood , ▁Gordon ▁S . ▁The ▁American ▁Revolution : ▁A ▁History . ▁ ▁New ▁York : ▁Modern ▁Library , ▁ 2 0 0 2 . ▁ ▁External ▁links ▁ ▁North ▁Carolina ▁History ▁Project ▁ ▁National ▁Park ▁Service ▁Bi ographical ▁Sk etch es ▁ ▁Biography ▁by ▁Rev . ▁Charles ▁A . ▁Good rich , ▁ 1 8 5 6 ▁ ▁Society ▁of ▁the ▁Des c end ants ▁of ▁the ▁Sign ers ▁of ▁the ▁Dec laration ▁of ▁Independ ence ▁ ▁Category : 1 7 4 2 ▁birth s ▁Category : 1 7 9 0 ▁death s ▁Category : Pol it icians ▁from ▁Boston ▁Category : American ▁Epis cop ali ans ▁Category : American ▁people ▁of ▁Scottish ▁descent ▁Category : American ▁slave ▁own ers ▁Category : N orth ▁Carolina ▁Federal ists ▁Category : Pe ople ▁from ▁Hills borough , ▁North ▁Carolina ▁Category : Cont inental ▁Congress men ▁from ▁North ▁Carolina ▁Category : 1 8 th - century ▁American ▁polit icians ▁Category : M embers ▁of ▁the ▁North ▁Carolina ▁House ▁of ▁Representatives ▁Category : Sign ers ▁of ▁the ▁United ▁States ▁Dec laration ▁of ▁Independ ence ▁Category : Har vard ▁University ▁al umn i ▁Category : L aw y ers ▁from ▁Boston ▁Category : New ▁Latin - language ▁po ets ▁Category : M embers ▁of ▁the ▁North ▁Carolina ▁Provin cial ▁Congress es ▁Category : M embers ▁of ▁the ▁North ▁Carolina ▁House ▁of ▁Burg esses <0x0A> </s> ▁Lost ▁Dutch man ▁State ▁Park ▁is ▁a ▁ ▁state ▁park ▁located ▁near |
▁the ▁Super st ition ▁Mountains ▁in ▁central ▁Arizona , ▁USA , ▁and ▁named ▁after ▁the ▁Lost ▁Dutch man ' s ▁Gold ▁Mine , ▁a ▁famous ▁gold ▁mine ▁legend ary ▁among ▁the ▁tales ▁of ▁the ▁Old ▁West . ▁It ▁is ▁accessible ▁about ▁ ▁east ▁of ▁Phoenix ▁via ▁U . S . ▁Highway ▁ 6 0 , ▁the ▁Super st ition ▁Fre ew ay . ▁ ▁History ▁The ▁area ▁was ▁first ▁developed ▁as ▁a ▁day ▁use ▁recre ation ▁area ▁by ▁the ▁Bureau ▁of ▁Land ▁Management ▁in ▁ 1 9 7 2 . ▁The ▁ ▁ab ut ting ▁the ▁T onto ▁National ▁Forest ▁was ▁transferred ▁in ▁ 1 9 7 7 ▁via ▁legisl ative ▁action ▁to ▁the ▁state ▁of ▁Arizona , ▁creating ▁the ▁Lost ▁Dutch man ▁State ▁Park . ▁The ▁park ▁was ▁expanded ▁to ▁ ▁in ▁ 1 9 8 3 . ▁ ▁Fe atures ▁▁ ▁The ▁park ▁offers ▁camp ing ▁facilities , ▁day ▁use ▁par king ▁and ▁acts ▁as ▁a ▁trail head ▁for ▁the ▁tra ils ▁leading ▁into ▁the ▁T onto ▁National ▁Forest ▁in ▁which ▁the ▁Super st ition ▁Mountains ▁are ▁located . ▁ ▁Some ▁of ▁the ▁most ▁popular ▁wal ks ▁are ▁from ▁the ▁park ▁onto ▁the ▁National ▁Forest ▁Service ▁tra ils ▁that ▁lead ▁across ▁the ▁western ▁face ▁of ▁the ▁Super st itions ▁( Jac ob ' s ▁Cross cut ▁trail ) ▁and ▁up ▁the ▁face ▁of ▁this ▁edge ▁using ▁Si phon ▁Draw ▁trail . ▁ ▁Many ▁people ▁conf use ▁these ▁National ▁Forest ▁tra ils ▁with ▁tra ils ▁that ▁are ▁maintained ▁by ▁Lost ▁Dutch man |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.