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Micheal Bateman
|
I mean, aren't you gonna be late ? No, there's one down here.
|
Micheal Bateman
|
Oh, really ? I didn't know that. Yeah, it's very good.
|
Micheal Bateman
|
Listen, if anything else occurs to you, any information--
|
Micheal Bateman
|
Absolutely. I'm 100 percent with you. Great.
|
Micheal Bateman
|
And thanks for your time, Mr. Bateman.
|
Micheal Bateman
|
Bye-bye. Good-bye.
|
Micheal Bateman
|
I haven't seen you around here. You just haven't been lookin'.
|
Micheal Bateman
|
- Would you like to see my apartment ? - I'm not supposed to.
|
Micheal Bateman
|
Do you wanna come to my apartment or not ?
|
Micheal Bateman
|
I'm not supposed to, but I can make an exception.
|
Micheal Bateman
|
Do you take a credit card ?
|
Micheal Bateman
|
I'm joking.
|
Micheal Bateman
|
Come on. Get in.
|
Micheal Bateman
|
I'd like a girl. Early 20s.
|
Micheal Bateman
|
Blonde, who does couples. Couples.
|
Micheal Bateman
|
And I really can't stress blonde enough. Blonde.
|
Micheal Bateman
|
I'm Paul.
|
Micheal Bateman
|
My name's Paul Allen. You got that ?
|
Micheal Bateman
|
You're Christie. You're to respond only to Christie.
|
Micheal Bateman
|
Is that clear ?
|
Micheal Bateman
|
That's a very fine chardonnay you're drinking.
|
Micheal Bateman
|
I want you to clean your vagina.
|
Micheal Bateman
|
No. From behind. Get on your knees.
|
Micheal Bateman
|
You have a very nice body.
|
Micheal Bateman
|
Mm-hmm ?
|
Micheal Bateman
|
Thank you. Send her up.
|
Micheal Bateman
|
Christie, get out and dry off.
|
Micheal Bateman
|
Choose a robe-- not the Bijan--
|
Micheal Bateman
|
and come and meet me and our guest in the living room for drinks.
|
Micheal Bateman
|
You've arrived. How lovely.
|
Micheal Bateman
|
Let me take your coat.
|
Micheal Bateman
|
I'm Paul. How good of you to come.
|
Micheal Bateman
|
Not quite blonde, are you ?
|
Micheal Bateman
|
More dirty blonde.
|
Micheal Bateman
|
I'm gonna call you Sabrina.
|
Micheal Bateman
|
I'm Paul Allen.
|
Micheal Bateman
|
So.
|
Micheal Bateman
|
Don't you wanna know what I do ?
|
Micheal Bateman
|
No. No, not really.
|
Micheal Bateman
|
Well, I work on Wall Street...
|
Micheal Bateman
|
for Pierce & Pierce.
|
Micheal Bateman
|
Have you heard of it ?
|
Micheal Bateman
|
You have a really nice place here, Paul.
|
Micheal Bateman
|
How much did you pay for it ?
|
Micheal Bateman
|
Well, actually,
|
Micheal Bateman
|
that's none of your business, Christie.
|
Micheal Bateman
|
But I can assure you, it certainly wasn't cheap.
|
Micheal Bateman
|
No. No smoking. Not in here.
|
Micheal Bateman
|
Varda truffle ?
|
Micheal Bateman
|
I don't want you to get drunk,
|
Micheal Bateman
|
but that's a very fine chardonnay you're not drinking.
|
Micheal Bateman
|
Do you like Phil Collins ?
|
Micheal Bateman
|
I've been a big Genesis fan eversince the release...
|
Micheal Bateman
|
of their 1980 album Duke.
|
Micheal Bateman
|
Before that, I really didn't understand any of their work.
|
Micheal Bateman
|
It was too artsy, too intellectual.
|
Micheal Bateman
|
It was on Duke where...
|
Micheal Bateman
|
Phil Collins' presence became more apparent.
|
Micheal Bateman
|
I think Invisible Touch is the group's undisputed masterpiece.
|
Micheal Bateman
|
It's an epic meditation on intangibility.
|
Micheal Bateman
|
At the same time, it deepens and enriches...
|
Micheal Bateman
|
the meaning of the preceding three albums.
|
Micheal Bateman
|
Christie, take off the robe.
|
Micheal Bateman
|
Listen to the brilliant ensemble playing...
|
Micheal Bateman
|
of Banks, Collins and Rutherford.
|
Micheal Bateman
|
You can practically hear every nuance of every instrument.
|
Micheal Bateman
|
Sabrina, remove your dress.
|
Micheal Bateman
|
ln terms of lyrical craftsmanship and sheer songwriting,
|
Micheal Bateman
|
this album hits a new peak of professionalism.
|
Micheal Bateman
|
Sabrina, why don't you, uh, dance a little.
|
Micheal Bateman
|
Take the lyrics to "Land of Confusion."
|
Micheal Bateman
|
In this song, Phil Collins...
|
Micheal Bateman
|
addresses the problems of abusive political authority.
|
Micheal Bateman
|
"In Too Deep" is the most moving pop song of the 1980s...
|
Micheal Bateman
|
about monogamy and commitment.
|
Micheal Bateman
|
The song is extremely uplifting.
|
Micheal Bateman
|
Their lyrics are as positive and affirmative...
|
Micheal Bateman
|
as, uh, anything I've heard in rock.
|
Micheal Bateman
|
Christie, get down on your knees...
|
Micheal Bateman
|
so Sabrina can see your asshole.
|
Micheal Bateman
|
Phil Collins' solo career...
|
Micheal Bateman
|
seems to be more commercial,
|
Micheal Bateman
|
and therefore more satisfying in a narrower way,
|
Micheal Bateman
|
especially songs like "In the Air Tonight" and "Against All Odds."
|
Micheal Bateman
|
Sabrina, don't just stare at it. Eat it.
|
Micheal Bateman
|
I also think that Phil Collins works best...
|
Micheal Bateman
|
within the confines of the group than as a solo artist.
|
Micheal Bateman
|
And I stress the word "artist."
|
Micheal Bateman
|
This is "Sussudio."
|
Micheal Bateman
|
A great, great song. A personal favorite.
|
Micheal Bateman
|
Look at the camera.
|
Micheal Bateman
|
Christie, look at the camera.
|
Micheal Bateman
|
Don't touch the watch.
|
Micheal Bateman
|
Can we go now ?
|
Micheal Bateman
|
We're not through yet.
|
Micheal Bateman
|
If they have a good personality and they are not great looking, then who fucking cares ?
|
Micheal Bateman
|
Let's just say hypothetically, okay ?
|
Micheal Bateman
|
What if they have a good personality ?
|
Micheal Bateman
|
I know. I know.
|
Micheal Bateman
|
There are no girls with good personalities.
|
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