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[ "Y. A. Tittle", "Legacy", "What was Tittle's legacy?", "At the time of his retirement, Tittle held the following NFL records:", "What records did he hold?", "Tittle was the fourth player to throw seven touchdown passes in a game, when he did so in 1962 against the Redskins. He followed Sid Luckman (1943),", "What other records did he hold?", "Tittle, Manning and Foles did it without an interception. His 36 touchdown passes in 1963 set a record which stood for over two decades until it was surpassed", "Were there any other records?", "Despite record statistics and three straight championship game appearances, Tittle was never able to deliver a title to his team." ]

[ "The World Championship Wrestling (WCW) Hall of Fame was an American professional wrestling hall of fame maintained by World Championship Wrestling (WCW). It was established in 1993 to honor wrestlers who began their careers long before the 1990s, mostly alumni of the National Wrestling Alliance (NWA) and Jim Crockett Promotions (JCP), the predecessors of WCW. Inductees received commemorative plaques that had their names & portraits inscribed on them. Wrestlers were inducted by Gordon Solie, a senior commentator in professional wrestling, and received their plaque during the \"Legends Reunion\" segment at WCW's May pay-per-view event, Slamboree. The WCW Hall of Fame was the second hall of fame established to honor professional wrestlers, after the creation of the World Wrestling Federation (WWF) Hall of Fame in February 1993. After the 1995 Hall of Fame ceremony, WCW stopped the production of the Hall of Fame without a formal announcement. In 2001, the WWF acquired all of its assets; this led to the formal stoppage of the WCW Hall of Fame. The WWF, however, stopped producing its Hall of Fame ceremony after 1996. In 2004, World Wrestling Entertainment (WWE), the WWF's successor, reinstated the WWE Hall of Fame, which included inductees that were alumni of WWE, NWA, JCP, and WCW.\n\nThe first Hall of Fame ceremony was held on May 23, 1993 at Slamboree 1993 at The Omni in Atlanta, Georgia. The first wrestler inducted into the Hall of Fame was Lou Thesz, along with Verne Gagne and Mr. Wrestling II. Eddie Graham was also inducted that year; he was the first posthumous inductee into the Hall of Fame. During the following Hall of Fame ceremony on May 22, 1994 at Slamboree 1994 at Civic Center in Philadelphia, Pennsylvania, Harley Race led the Class of 1994. Ole Anderson, The Crusher, posthumous inductee Dick the Bruiser, Ernie Ladd, and Masked Assassin were also inducted that year. The final ceremony was held at Slamboree 1995 on May 25, 1995 in St. Petersburg, Florida at Bayfront Arena, in which Wahoo McDaniel led the Class of 1995. Also inducted that year were posthumous inductee Big John Studd, Terry Funk, Antonio Inoki, Angelo Poffo, Dusty Rhodes, and Gordon Solie. Following the 1995 ceremony, Solie, who both inducted the wrestlers and was an influential figure in the selections, resigned from WCW in protest of Poffo's initiation, feeling that management only inducted an unqualified person into the WCW Hall of Fame as a favor to Poffo's son, and one of the company's top draws, Randy Savage. The Crusher, Dick the Bruiser, Inoki, Rhodes, Gagne, Race, and Thesz were the only former World Heavyweight Champions to have been inducted. A posthumous inductee was inducted at every ceremony. Solie was the only non-wrestler to have been inducted into the Hall of Fame. Overall, there were 17 inductees.\n\nInductees\n\nFootnotes\n – From 1996 to 2001, WCW did not induct any person into the Hall of Fame.\n – Entries without a birth name indicates that the inductee did not perform under a ring name.\n – Before the 1990s, Jim Crockett Promotions (JCP) consisted of the American Wrestling Association (AWA) and the World Wrestling Association (WWA), while the National Wrestling Alliance (NWA) distributed many of its titles among its member promotions; these included the World (Wide) Wrestling Federation [W(W)WF], Extreme Championship Wrestling, and Championship Wrestling From Florida, among others.\n – This section mainly lists the major accomplishments of each inductee in the NWA, JCP, and WCW.\n\nSee also\nList of professional wrestling halls of fame\n\nReferences\nGeneral\n \n \n \nSpecific\n\nExternal links\n The other Hall of Fame: WCW's forgotten honor at WWE.com\n WCW Hall of Fame at Steelcagematch.com\n\n1993 establishments in Georgia (U.S. state)\nAwards disestablished in 1996\nAwards established in 1993\nProfessional wrestling-related lists\nHall of Fame\nHalls of fame in Georgia (U.S. state)\nProfessional wrestling halls of fame", "Gerald Sydney Halter, (April 18, 1905 – October 24, 1990) was a Canadian lawyer and the first commissioner of the Canadian Football League.\n\nBiography\nBorn in Winnipeg, Manitoba, he received a Bachelor of Arts degree in 1924 and a Bachelor of Law degree in 1927 from the University of Manitoba. He helped organize the Winnipeg Football Club, now the Winnipeg Blue Bombers, in 1934. He was president of the Amateur Athletic Union of Canada from 1938 to 1946, succeeding Jack Hamilton. \n\nIn 1956, Halter became commissioner of the Canadian Football Council, an umbrella organization of the two most powerful Canadian football unions, the eastern Interprovincial Rugby Football Union and the Western Interprovincial Football Union. The CFC withdrew from the Canadian Rugby Union in 1958 and formed its own league, the CFL. Halter became the new league's first commissioner, a post he held until 1966. From 1966 to 1971, he was Vice-Chairman of the Manitoba Horse Racing Commission and was Chairman from 1972 to 1982.\n\nHonours\nIn 1977, he was made an Officer of the Order of Canada. In 1963, he was inducted into the Canadian Olympic Hall of Fame. In 1966, he was inducted into the Canadian Football Hall of Fame. In 1975, he was inducted into Canada's Sports Hall of Fame. In 1982, he was inducted into the Manitoba Sports Hall of Fame. In 1988, he was inducted into the Canadian Horse Racing Hall of Fame. In 2006, he was inducted into the International Jewish Sports Hall of Fame.\n\nReferences\n\n \n University of Manitoba profile\n\nExternal links\n Canadian Horse Racing Hall of Fame profile\n International Jewish Sports Hall of Fame profile\n Manitoba Sports Hall of Fame profile\n Canada's Sports Hall of Fame profile\n\n1905 births\n1990 deaths\nCanadian Football Hall of Fame inductees\nCanadian Football League commissioners\nJewish Canadian sportspeople\nOfficers of the Order of Canada\nSportspeople from Winnipeg\nUniversity of Manitoba alumni\nLawyers in Manitoba\nRobson Hall alumni" ]

[ "Y. A. Tittle", "Legacy", "What was Tittle's legacy?", "At the time of his retirement, Tittle held the following NFL records:", "What records did he hold?", "Tittle was the fourth player to throw seven touchdown passes in a game, when he did so in 1962 against the Redskins. He followed Sid Luckman (1943),", "What other records did he hold?", "Tittle, Manning and Foles did it without an interception. His 36 touchdown passes in 1963 set a record which stood for over two decades until it was surpassed", "Were there any other records?", "Despite record statistics and three straight championship game appearances, Tittle was never able to deliver a title to his team.", "Did he get into the Hall of Fame?", "Gifford, Huff and Tittle, a team of Hall of Famers known for losing championships as their peers on the Yankees--with whom they shared a stadium, a city, and" ]

[ "The Wrestling Observer Newsletter (WON) Hall of Fame is a professional wrestling hall of fame that recognizes people who make significant contributions to their professions. It was founded in 1996 by Dave Meltzer, editor of the newsletter, the Wrestling Observer Newsletter. Like many other wrestling halls of fame, such as the WWE, Impact, ROH and WCW halls of fame, the Wrestling Observer Newsletter Hall of Fame is not contained in a building, and there are no ceremonies for inductions other than a highly detailed biographical documentation of their career in the newsletter. Inductees include wrestlers/fighters, managers, promoters, trainers, and commentators. On eight occasions, tag teams have been inducted rather than the individual members of the team. This first occurred in 1996, when The Dusek family, The Fabulous Kangaroos, and The Road Warriors entered the hall. The Fabulous Freebirds, The Midnight Express, The Rock 'n' Roll Express, The Assassins and The Sharpe Brothers have also been inducted as groups. In addition; the first trio was inducted in 2019, when Los Misioneros de la Muerte were voted in. \n\nMeltzer began the Hall of Fame by choosing a list of 122 inaugural inductees in 1996. Since then, wrestlers from past and present, others employed in the professional wrestling industry, and wrestling journalists and historians have been selected by Meltzer to cast secret ballots to determine annual groups of inductees. Voting criteria include the length of time spent in wrestling, historical significance, ability to attract viewers, and wrestling ability. Inductees must have at least 15 years of experience in the wrestling business or be over 35 years old and have 10 years of experience. To gain membership in the hall, potential inductees must receive 60% support on the ballots from their geographic region. Any person that gets less than 10% of the vote is eliminated from the ballot. If a person fails to get inducted 15 years after being put on the ballot, they must get 50% of the vote or be eliminated. There are 236 inductees, including the eight tag teams and one trio. \n\nIn 2008, a recall vote was held asking if 2003 inductee Chris Benoit, who killed his wife and son before committing suicide in June 2007, should remain in the hall. To have Benoit removed, Meltzer required that 60% of voters must agree with the proposal. Although the majority voted for Benoit's removal, they only represented 53.6% of the votes, falling short of the number required. Benoit remains on the list of inductees.\n\nInductees\n\nFootnotes\n\nReferences \n General\n \n Specific\n\nExternal links \n Online listing of the WON Hall of Fame\n\n1996 establishments in the United States\nAwards established in 1996\nProfessional wrestling halls of fame\nSports hall of fame inductees\nHalls of fame in California\nHall of Fame", "The Global Business Hall of Fame, powered by JA Worldwide, was established by Junior Achievement in 1975 as the U.S. Business Hall of Fame, the result of an idea by Willard F. Rockwell, Jr. (former chairman and CEO of Rockwell International) and Alan Hilburg (assisting W. F. Rockwell as a representative of Junior Achievement). Rockwell and Hilburg approached Pat Lenahan and Charles Whittingham (publisher and associate publisher of Fortune magazine) with the idea. Together they engaged the Board of Editors of Fortune to independently select the honorees. The originating idea was to align the principles of Junior Achievement with the lives of the inductees to promote examples of what it considers exemplary business leadership.\n\nThe U.S. Business Hall of Fame did not induct any new laureates from 2009 to 2019, when it was resurrected by the global Junior Achievement organization, JA Worldwide, and renamed the Global Business Hall of Fame, which seeks to be more global and more gender-balanced in its laureates going forward, in order to serve as a role model for young entrepreneurs. The Global Business Hall of Fame nomination process has been designed, with support from PwC, to engage diverse stakeholders from around the world and to ensure protocols are followed in the selection of laureates. Nominees are vetted throughout the process by two committees and final voting jury.\n\nLocation\nThe Business Hall of Fame, previously exhibited at the Museum of Science and Industry in Chicago, Illinois, US., is a virtual, online hall of fame, accessible from anywhere in the world at https://businesshalloffame.org.\n\nInductees\nMore than 270 laureates, made up of accomplished global businesspeople and entrepreneurs, have been inducted into the Global Business Hall of Fame, with four new laureates added in 2020.\n\nReferences\n\nExternal links\n Global Business Hall of Fame webpage (powered by JA Worldwide)\n\nAwards established in 1975\nBusinesspeople halls of fame\nJunior Achievement" ]

[ "Y. A. Tittle", "Legacy", "What was Tittle's legacy?", "At the time of his retirement, Tittle held the following NFL records:", "What records did he hold?", "Tittle was the fourth player to throw seven touchdown passes in a game, when he did so in 1962 against the Redskins. He followed Sid Luckman (1943),", "What other records did he hold?", "Tittle, Manning and Foles did it without an interception. His 36 touchdown passes in 1963 set a record which stood for over two decades until it was surpassed", "Were there any other records?", "Despite record statistics and three straight championship game appearances, Tittle was never able to deliver a title to his team.", "Did he get into the Hall of Fame?", "Gifford, Huff and Tittle, a team of Hall of Famers known for losing championships as their peers on the Yankees--with whom they shared a stadium, a city, and", "When did they get into the Hall of Fame?", "1960s" ]

[ "The D.C. United Hall of Tradition (formerly Tradition of Excellence) is an honor bestowed upon players, coaches and club management deemed by the franchise to have crucial to the club's success.\n\nOriginally known as Tradition of Excellence, the honor was created in 2003 when the club honored midfielder John Harkes. Since 2007, six fellow players, executives and media partners have been honored by United.\n\nThe most recent inductee into the Hall of Tradition was United midfielder and current head coach, Ben Olsen was a member of the club during their late 1998 and 2009 dynasty, which included two MLS Cup honors, three MLS Supporter's Shields, a U.S. Open Cup and a CONCACAF title.\n\nInduction ceremony \nOn September 13, 2008, at halftime during a match against FC Dallas, D.C. United honored the 1998 squad that won the CONCACAF Champions' Cup including the two finalists for induction into the Hall; Richie Williams and Jeff Agoos. Agoos was inducted during a 2-1 playoff victory against the New England Revolution on December 16, 2008, after winning three MLS Cup titles during five seasons with D.C. United.\n\nDíaz Arce and Dirón became the fourth and fifth inductees during a halftime ceremony while D.C. United faced the Seattle Sounders at RFK Stadium on September 12, 2009. Pope was inducted in the Hall at halftime ceremony during a 2–1 loss against the Los Angeles Galaxy on July 18, 2010.\n\n2011 induction ceremony \nOn June 13, 2011, D.C. United announced four nominees for the 2011 Hall of Tradition induction ceremony, including Roy Lassiter, Carlos Llamosa, John Maessner, and Richie Williams. On July 12, 2011, D.C. United announced that defensive midfielder Richie Williams would be inducted into the Hall of Tradition during a match against the Portland Timbers on August 27. Before the induction ceremony D.C. United President and CEO Kevin Payne recognized Williams' accomplishments:\n\nWilliams played for D.C. United six of his eight seasons in Major League Soccer. During his first five seasons with the club from 1996 until 2000 Williams helped the team win several titles, including the 1996, 1997, and 1999 MLS Cup titles; the 1996 U.S. Open Cup championship; the 1997 and 1999 Supporters Shields; and the 1998 Champions Cup and InterAmerican Cup victories. Williams played a final additional season with D.C. United in 2002.\n\n2013 induction ceremony \nOn September 14, 2013, Jaime Moreno was inducted into the Hall of Tradition at halftime of a match against the Los Angeles Galaxy at RFK Stadium. The ceremony was particularly poignant due to the presence of Galaxy coach Bruce Arena, who coached Moreno at DC United early in his career.\n\nList of members\n\nMembers by position \n\nPlayers only.\n\nMembers by nationality\n\nSee also \n\n D.C. United\n All-time D.C. United roster\n History of D.C. United\n List of D.C. United managers\n\nReferences\n\nExternal links\n Hall of Tradition page (D.C. United official website)\n Eddie Pope Tribute on YouTube\n Richie Williams induction ceremony on YouTube\n\nTradition\nLists of soccer players by club in the United States\nAssociation football museums and halls of fame\nHalls of fame in Washington, D.C.\nSports hall of fame inductees\nAwards established in 2003\n2003 establishments in Washington, D.C.\nAssociation football player non-biographical articles", "Say Anything is the fourth full-length and self-titled studio album by American rock band Say Anything.\n\nBackground and recording\nIn late 2007, vocalist Max Bemis and drummer Coby Linder worked with Saves the Day vocalist-guitarist Chris Conley and guitarist David Soloway for the side project Two Tongues. In an online chat with fans on March 14, 2008, Max Bemis stated that the band has plans to record a new record called This Is Forever. He said it will be \"about God and how we relate to him.\" AbsolutePunk reported on August 1, 2008, that J Records \"picked up the option for Say Anything's next release.\" In November, alongside the announcement of Two Tongues' debut album, it was revealed that Say Anything was working on their next album, which would be released in 2009. On November 10, Bemis announced that the focus of the fourth album changed and the new record would be self-titled. He noted that the album, which was to be released in 2009, will ask \"what the point of all of it was.\"\n\nThough Bemis has explained that he was very proud of In Defense of the Genre, he described it as being more of an \"homage to sort of a lot of the bands that we liked and, like, a style that we respected.\" He then explained that the new album would be \"more concise and would be a bit more original, I want to say, and sort of pop out like ...Is a Real Boy did.\" He also explained that this CD has both the catchiest and most mature songs they've ever recorded and called it a \"step forward.\"\n\nDuring a concert at the College of Saint Rose in Albany, New York, on April 25, 2009, Max Bemis proclaimed to the crowd that the newest album titled Say Anything was complete, and would be released \"early summer\", after stating that he was married two weeks prior to the event on April 4, 2009.\n\nAccording to Say Anything's In Studio website, on May 21, 2009, Bemis posted a blog entry stating \"I just wanted to let you guys know we’re done recording our new record, entitled \"Say Anything\", and we’re moving into the mixing phase. It should be out this fall. This record is kind of a new start, or at least a new phase in the Say Anything story.\"\n\nRelease\nAfter originally being scheduled to be released through RCA Records on October 13, 2009, it was delayed to November 3. Say Anything frontman Max Bemis posted a blog entry on the band's official site on July 30 announcing its release, and said the album \"literally defines everything about the band we've built so far.\" Max Bemis confirmed through Twitter, on June 21, that the first single from the album will be \"Hate Everyone\". The single was released on August 25. The song impacted radio on September 15. The second single from the album was \"Do Better.\"\n\nOn September 15, 2009 the song \"Property\" from the upcoming album was made available to fans who signed up for the Say Anything official mailing list on the band's official website. The complete album was uploaded to the band's Myspace page on October 29, 2009. Max Bemis stated on his Twitter that the next single from the album would be \"Do Better\" and that Say Anything will debut their live performance of \"Do Better\" on the Angels and Airwaves Spring Tour 2010. \"Do Better\" debuted on April 5, 2010 at The Warfield in San Francisco.\n\nReception\n\nSay Anything was given a metascore of 76 on aggregator Metacritic, from 8 critics it was rated as receiving generally favorable reviews.\n\nA review from Sputnikmusic gave the album a 4.5/5 stars stating: \"Pretty much, Say Anything offers more for fans and opens up the Say Anything sound for new ‘users’ to come and enjoy.\"\n\nThe album debuted at number 25 on the Billboard 200, Say Anything's highest charting record to date.\n\nTrack listing\n\nBonus tracks\n\nDeluxe edition\nDouble Vinyl Gatefold LP\n3-D Poster w/ Glasses\n13 Track CD/MP3 Download\n9 Track Demo CD\nT-Shirt & Badge\n\"Hate Everyone\" Lyrics Sheet\nGuitar Pick Card\nIron-On Decal\n\nSay Anything's Secret Origin\n\nReferences\n\n2009 albums\nSay Anything (band) albums\nRCA Records albums\nAlbums produced by Neal Avron" ]

[ "Y. A. Tittle", "Legacy", "What was Tittle's legacy?", "At the time of his retirement, Tittle held the following NFL records:", "What records did he hold?", "Tittle was the fourth player to throw seven touchdown passes in a game, when he did so in 1962 against the Redskins. He followed Sid Luckman (1943),", "What other records did he hold?", "Tittle, Manning and Foles did it without an interception. His 36 touchdown passes in 1963 set a record which stood for over two decades until it was surpassed", "Were there any other records?", "Despite record statistics and three straight championship game appearances, Tittle was never able to deliver a title to his team.", "Did he get into the Hall of Fame?", "Gifford, Huff and Tittle, a team of Hall of Famers known for losing championships as their peers on the Yankees--with whom they shared a stadium, a city, and", "When did they get into the Hall of Fame?", "1960s", "Did he say anything interesting at the induction ceremony?", "I don't know." ]

[ "A tittle or superscript dot is a small distinguishing mark, such as a diacritic in the form of a dot on a lowercase i or j. The tittle is an integral part of the glyph of i and j, but diacritic dots can appear over other letters in various languages. In most languages, the tittle of i or j is omitted when a diacritic is placed in the tittle's usual position (as í or ĵ), but not when the diacritic appears elsewhere (as į, ɉ).\n\nUse\nThe word tittle is rarely used. One notable occurrence is in the King James Bible at Matthew 5:18: \"For verily I say unto you, Till heaven and earth pass, one jot or one tittle shall in no wise pass from the law, till all be fulfilled\" (KJV). The quotation uses \"jot and tittle\" as examples of extremely small graphic details in \"the Law,\" presumably referring to the Hebrew text of the Torah. In English the phrase \"jot and tittle\" indicates that every small detail has received attention.\n\nThe Greek terms translated in English as \"jot\" and \"tittle\" in Matthew 5:18 are iota and keraia (). Iota is the smallest letter of the Greek alphabet (ι); the even smaller iota subscript was a medieval innovation. Alternatively, iota may represent yodh (י), the smallest letter of the Hebrew and Aramaic alphabets (to which iota is related). \"Keraia\" is a hook or serif, and in Matthew 5:18 may refer to Greek diacritics, or, if the reference is to the Hebrew text of the Torah, possibly refers to the pen strokes that distinguish between similar Hebrew letters, e.g., ב (Bet) versus כ (Kaph), or to ornamental pen strokes attached to certain Hebrew letters, or to the Hebrew letter Vav, since in Hebrew vav also means \"hook.\" \"Keraia\" in Matt. 5:18 cannot refer to vowel marks known as Niqqud which developed later than the date of Matthew's composition. Others have suggested that \"Keraia\" refers to markings in cursive scripts of languages derived from Aramaic, such as Syriac, written in Serṭā (, 'short line'). In printing modern Greek numerals a keraia is used.\n\nDotless and dotted i\n\nA number of alphabets use dotted and dotless I, both upper and lower case.\n\nIn the modern Turkish alphabet, the absence or presence of a tittle distinguishes two different letters representing two different phonemes: the letter \"I\" / \"ı\", with the absence of a tittle also on the lower case letter, represents the close back unrounded vowel , while \"İ\" / \"i\", with the inclusion of a tittle even on the capital letter, represents the close front unrounded vowel . This practice has carried over to several other Turkic languages, like the Azerbaijani alphabet, Crimean Tatar alphabet, and Tatar alphabet.\n\nIn some of the Dene languages of the Northwest Territories in Canada, specifically North Slavey, South Slavey, Tłı̨chǫ and Dëne Sųłıné, all instances of i are undotted to avoid confusion with tone-marked vowels í or ì. The other Dene language of the Northwest Territories, Gwich’in, always includes the tittle on lowercase i.\n\nThere is only one letter I in Irish, but i is undotted in the traditional uncial Gaelic script to avoid confusion of the tittle with the buailte overdot found over consonants. Modern texts replace the buailte with an h, and use the same antiqua-descendant fonts, which have a tittle, as other Latin-alphabet languages. However, bilingual road signs use dotless i in lowercase Irish text to better distinguish i from í. The letter \"j\" is not used in Irish other than in foreign words.\n\nIn most Latin-based orthographies, the lowercase letter i conventionally has its dot replaced when a diacritical mark atop the letter, such as an acute or grave accent, is placed. The tittle is sometimes retained in some languages. In some Baltic languages sources, the lowercase letter i sometimes retains a tittle when accented. In Vietnamese in the 17th century, the tittle is preserved atop ỉ and ị but not ì and í, as seen in the seminal quốc ngữ reference Dictionarium Annamiticum Lusitanum et Latinum. In modern Vietnamese, a tittle can be seen in ì, ỉ, ĩ, and í in cursive handwriting and some signage. This detail rarely occurs in computers and on the Internet, due to the obscurity of language-specific fonts. In any case, the tittle is always retained in ị.\n\nPhrases\n It is thought that the phrase \"to a T\" is derived from the word tittle because long before \"to a T\" became popular, the phrase \"to a tittle\" was used.\n The phrase \"to dot one's I's and cross one's T's\" is used figuratively to mean \"to put the finishing touches to\" or \"to be thorough\".\n\nReferences\n\nSources\nDictionary.com – Tittle\n\nExternal links\n\nHenry George Liddell, Robert Scott, A Greek-English Lexicon\n\"Tittle\" on Everything2\n\nDiacritics\nChristian terminology\nWriting systems", "Tittle is a surname. Notable people with the surname include:\n\n Ian Tittle (born 1973), West Indian cricket player\n LaDonna Tittle (born 1946), American radio personality, model and actress\n Minnie Tittle (1875–1974) American actress, better known under her stage name of Minnie Tittell Brune \n Steve Tittle (born 1935), Canadian composer and teacher\n Y. A. Tittle (1926-2017), American football quarterback\n\nEnglish-language surnames" ]

[ "Y. A. Tittle", "Legacy", "What was Tittle's legacy?", "At the time of his retirement, Tittle held the following NFL records:", "What records did he hold?", "Tittle was the fourth player to throw seven touchdown passes in a game, when he did so in 1962 against the Redskins. He followed Sid Luckman (1943),", "What other records did he hold?", "Tittle, Manning and Foles did it without an interception. His 36 touchdown passes in 1963 set a record which stood for over two decades until it was surpassed", "Were there any other records?", "Despite record statistics and three straight championship game appearances, Tittle was never able to deliver a title to his team.", "Did he get into the Hall of Fame?", "Gifford, Huff and Tittle, a team of Hall of Famers known for losing championships as their peers on the Yankees--with whom they shared a stadium, a city, and", "When did they get into the Hall of Fame?", "1960s", "Did he say anything interesting at the induction ceremony?", "I don't know.", "What else is interesting about Tittle's legacy?", "He made seven Pro Bowls, four first-team All-Pro teams, and four times was named the NFL's Most Valuable Player or Player of the Year:" ]

[ "Alexander Christoffersen Blonz (born 17 April 2000) is a Norwegian handball player for SC Pick Szeged and the Norwegian national team.\n\nHe made his international debut during the Gjensidige Cup 2019 against Netherlands where he scored 7 goals and was elected best player of the game.\n\nHe made his World Championship debut in the 2019 World Men's Handball Championship against Tunisia. Four days later and in only his fourth game with the norwegian handball national team, he scored 8 goals against Chile and was elected best player of the game.\n\nHe represented Norway at the 2021 World Men's Handball Championship.\n\nAchievements\nWorld Championship:\n: 2019\n European Championship:\n: 2020\nNorwegian League:\nWinner: 2019/2020, 2020/2021\nNorwegian Cup:\nWinner: 2019, 2020\n\nIndividual awards\n Best Rookie of Eliteserien: 2019/2020\n Best World Young Left Wing (generation 1998 and younger): 2019/2020\n\nReferences\n\nExternal links\n\n2000 births\nLiving people\nNorwegian male handball players\nSportspeople from Stavanger\nNorwegian expatriate sportspeople in Hungary", "Aleksa Uskoković (, born August 30, 1999) is a Serbian professional basketball player who currently plays for the Mega Basket on the loan from Crvena zvezda of the Adriatic League and the EuroLeague.\n\nEarly career \nUskoković started to play basketball for the youth teams of Crvena zvezda. He played the Euroleague Basketball Next Generation Tournaments for the Crvena zvezda U18 (2015–2017). In the 2015–16 season Uskoković was included into Crvena zvezda U18 team although he was younger than the other boys. He was one of the best players at the 2016 Euroleague Adidas Next Generation Tournament in which his team reached the finals. In the following season, Uskoković helped U18 Crvena zvezda mts team to win the national championship and to qualify for the 2017 Euroleague Adidas Next Generation Tournament. He was the MVP of the Euroleague Adidas Next Generation Qualification Tournament in Belgrade.\n\nProfessional career \nOn September 8, 2017, Uskoković signed a four-year contract with his hometown team FMP. He averaged 4.8 points and 2.7 assists per game during the 2019–20 ABA League season. On July 30, 2020, Uskoković signed a four-year contract with a Belgrade-based Crvena zvezda. On December 12, 2020, Uskoković recorded a double-double in a 111–75 win over FMP, making 10 points and 10 assists. He was loaned to Mega Basket on 30 December 2021 for the rest of the 2021–22 season.\n\nInternational career \nUskoković was a member and the team captain of the Serbian U-18 national basketball team that won the gold medal at the 2017 FIBA Europe Under-18 Championship. Over seven tournament games, he averaged 9.9 points, 3.1 rebounds, and 3.7 assists per game. Uskoković was a member of the Serbian under-20 team that finished 15th at the 2019 FIBA U20 European Championship in Tel Aviv, Israel. Over seven tournament games, he averaged 6.7 points, 5.3 rebounds, and 6.7 assists per game.\n\nPersonal life \nHis younger brother, Kosta (born 2001) is a professional basketball player too, playing for Tamiš.\n\nReferences\n\nExternal links \n Profile at eurobasket.com\n Profile at realgm.com\n\n1999 births\nLiving people\nABA League players\nBasketball players from Belgrade\nBasketball League of Serbia players\nKK Crvena zvezda players\nKK FMP players\nKK Mega Basket players\nSerbian men's basketball players\nPoint guards" ]

[ "Y. A. Tittle", "Legacy", "What was Tittle's legacy?", "At the time of his retirement, Tittle held the following NFL records:", "What records did he hold?", "Tittle was the fourth player to throw seven touchdown passes in a game, when he did so in 1962 against the Redskins. He followed Sid Luckman (1943),", "What other records did he hold?", "Tittle, Manning and Foles did it without an interception. His 36 touchdown passes in 1963 set a record which stood for over two decades until it was surpassed", "Were there any other records?", "Despite record statistics and three straight championship game appearances, Tittle was never able to deliver a title to his team.", "Did he get into the Hall of Fame?", "Gifford, Huff and Tittle, a team of Hall of Famers known for losing championships as their peers on the Yankees--with whom they shared a stadium, a city, and", "When did they get into the Hall of Fame?", "1960s", "Did he say anything interesting at the induction ceremony?", "I don't know.", "What else is interesting about Tittle's legacy?", "He made seven Pro Bowls, four first-team All-Pro teams, and four times was named the NFL's Most Valuable Player or Player of the Year:", "Was he the best player of his generation?", "I don't know." ]

[ "\"Anyone of Us (Stupid Mistake)\" is the second single from English pop singer Gareth Gates' debut studio album, What My Heart Wants to Say (2002). It was written by Jörgen Elofsson, Per Magnusson, and David Kreuger and produced by Magnusson and Kreuger. The single was released on 8 July 2002, entering the UK Singles Chart at 1 and staying there for three weeks, going platinum for sales exceeding 600,000 copies. It was then released in mainland Europe in 2003, reaching No. 1 on the Dutch, Norwegian, and Swedish charts. The video for the single was filmed in Venice, Italy.\n\nTrack listings\n UK CD single\n \"Anyone of Us (Stupid Mistake)\" – 3:50\n \"Forever Blue\" – 2:56\n \"Anyone of Us (Stupid Mistake)\" (Video) – 3:50\n \"Anyone of Us (Stupid Mistake)\" (Behind The Scenes Footage) – 2:00\n\n German CD single\n \"Anyone of Us (Stupid Mistake)\" – 3:50\n \"Forever Blue\" – 2:56\n \"Unchained Melody\" – 3:53\n \"Unchained Melody\" (Music Video) – 3:53\n\n German Mini CD single\n \"Anyone of Us (Stupid Mistake)\" – 3:50\n \"Forever Blue\" – 2:56\n\n Australian CD single\n \"Anyone of Us (Stupid Mistake)\" – 3:50\n \"What My Heart Wants To Say\" (Single Remix) – 4:12\n \"Unchained Melody\" – 3:53\n \"Unchained Melody\" (Music Video) – 3:53\n\n Unchained Melody UK CD single\n \"Unchained Melody\" – 3:53\n \"Evergreen\" – 3:41\n \"Anything Is Possible\" – 4:05\n\n Unchained Melody German CD single\n \"Unchained Melody\" – 3:53\n \"What My Heart Wants To Say\" (Single Remix) – 4:12\n \"Anyone of Us (Stupid Mistake)\" (Live Version) – 4:09\n \"Anyone of Us (Stupid Mistake)\" (Video) – 3:50\n \"What My Heart Wants To Say\" (Video) – 4:12\n \"Anyone of Us (Stupid Mistake)\" (Behind The Scenes Footage) – 2:00\n\n Unchained Melody German Mini CD single\n \"Unchained Melody\" – 3:53\n \"Evergreen\" – 3:41\n\n Unchained Melody Australian CD single\n \"Unchained Melody\" (Australian Radio Mix) – 3:20\n \"Unchained Melody\" – 3:53\n \"Evergreen\" – 3:41\n \"Anything Is Possible\" – 4:05\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nDecade-end charts\n\nCertifications\n\nCover versions\n In 2002, singer Mathias Holmgren covered the song as \"Något Som Kan Hända\", with Swedish lyrics by Ulf Georgsson.\n In 2003, German singer Jens Bogner released a version with German lyrics titled \"Das kann doch jedem mal passieren\" (That can happen to anyone) on his album \"Alles, was ich will\".\n Greek singer Sarbel made a Greek-language cover entitled \"Ένας από μας\".\n In 2018 \"Anyone of Us (Stupid Mistake)\" was included on the soundtrack of the Chinese series, Meteor Garden.\n\nReferences\n\n19 Recordings singles\n2002 singles\n2002 songs\nDutch Top 40 number-one singles\nGareth Gates songs\nNumber-one singles in Norway\nNumber-one singles in Scotland\nNumber-one singles in Sweden\nRCA Records singles\nSingle Top 100 number-one singles\nSongs about infidelity\nSongs written by David Kreuger\nSongs written by Jörgen Elofsson\nSongs written by Per Magnusson\nSyco Music singles\nUK Singles Chart number-one singles", "Say Anything is a board game designed by Dominic Crapuchettes and Satish Pillalamarri. It was released by North Star Games in 2008 as a follow-up to the award-winning Wits & Wagers.\n\nGameplay\nSay Anything is very similar to Wits & Wagers except players answer open-ended subjective questions instead of trivia questions. The goal of Say Anything is to get people talking about interesting things and laughing.\n\nEach round, one player will play the role of 'The Judge'. The Judge draws a card and then asks a question from it. Here are some sample questions:\n What would be the best thing to do on the moon?\n What would be the coolest thing to teach a monkey?\n What's the best action movie of all time?\n What's the most important invention of the past century?\n Who's the most annoying celebrity in show business?\n\nEach of the other players then writes an answer on a dry erase board and places it face-up on the table. Once all of the answers are on the table, the Judge secretly chooses their favorite response. Each other player has two tokens to bet on the answer they think the Judge chose as their favorite. Players receive 1 point for each correct bet. The game ends after a set number of rounds, usually 20 or so.\n\nReception\nSay Anything has won many awards including the BoardGameGeek 2008 Party Game of the Year, and an Origins Award for 2008 Best Children's, Family or Party Game.\n\nReferences\n\nExternal links\n\nSay Anything played on Tabletop (from Geek & Sundry)\n\nBoard games introduced in 2008\nMensa Select winners\nOrigins Award winners\nParty board games" ]

[ "Y. A. Tittle", "Legacy", "What was Tittle's legacy?", "At the time of his retirement, Tittle held the following NFL records:", "What records did he hold?", "Tittle was the fourth player to throw seven touchdown passes in a game, when he did so in 1962 against the Redskins. He followed Sid Luckman (1943),", "What other records did he hold?", "Tittle, Manning and Foles did it without an interception. His 36 touchdown passes in 1963 set a record which stood for over two decades until it was surpassed", "Were there any other records?", "Despite record statistics and three straight championship game appearances, Tittle was never able to deliver a title to his team.", "Did he get into the Hall of Fame?", "Gifford, Huff and Tittle, a team of Hall of Famers known for losing championships as their peers on the Yankees--with whom they shared a stadium, a city, and", "When did they get into the Hall of Fame?", "1960s", "Did he say anything interesting at the induction ceremony?", "I don't know.", "What else is interesting about Tittle's legacy?", "He made seven Pro Bowls, four first-team All-Pro teams, and four times was named the NFL's Most Valuable Player or Player of the Year:", "Was he the best player of his generation?", "I don't know.", "Did anyone say anything interesting about him?", "In a sports column in 1963, George Strickler for the Chicago Tribune remarked Tittle had \"broken records that at one time appeared unassailable" ]

[ "Eleven Best is a Ben E. King compilation album. This set was released by Cleopatra Records, which has not released any of King's albums to date.\n\nThis collection includes a special Drifters Medley, which combines several songs from King's days with the Drifters. Stand By Me, a staple on any King compilation, is also included. Many other classics have also been added to the track list such as Spanish Harlem and two versions of Don't Play That Song, one an extended version.\n\nTrack listing\n\n\"Amor\" [2:58]\n\"Spanish Harlem\" [3:07]\n\"Don't Play That Song (You Lied)\" [3:00]\n\"Seven Letters\" [3:15]\n\"Stand by Me\" [3:15]\n\"I (Who Have Nothing)\" [2:28]\n\"Drifters Medley\" [5:18]\n\"I Had a Love\" [3:37]\n\"Supernatural Thing, Pt. 1\" [4:30]\n\"Don't Play That Song (You Lied)\" (Extended Version) [4:02]\n\"Do It In The Name Of Love\" [3:17]\n\n2001 greatest hits albums\nBen E. King compilation albums\nCleopatra Records compilation albums", "Bryan Lewis Saunders (born 1969, in Washington, D.C.) is an endurance artist, a performance artist, videographer, performance poet, and self-portrait painter known for his disturbing spoken word rants, tragic art performances and stand-up tragedy.\n\nCareer\n\nOn March 30, 1995, Saunders began drawing at least one self-portrait every day for the rest of his life. For 11 days in 2001, Saunders conducted an experiment in which he ingested or inhaled a different intoxicant every day and created a self-portrait under the influence documenting the effects of his altered perception. On May 16, 2010 Saunders performed in the Palau de la Virreina as part of the International Poetry Festival in Barcelona alongside Bibbe Hansen, Eugene S. Robinson and Lydia Lunch as \"The Ugly Americans\". In January 2011, a selection of the drug induced self-portraits presented online went viral. In 2003, Saunders began sleeping with a cassette recorder and documenting both his dreams and somniloquy which led to a wealth of source material for both audio releases and books. The transcriptions of his lengthy somniloquy are an example of the stream of unconsciousness method of writing.\n\nOn March 30, 2015, on Saunder's 20 year anniversary of drawing a self-portrait a day, the feature-length documentary Art of Darkness was released worldwide on various on-demand platforms. The film by David Parker is an intimate profile that includes candid interviews with Saunders and highlights of the artist's life; from troubled childhood through his various art experiments including his infamous \"drug series\" of self-portraits.\n\nIn an interview he claimed to have sustained mild brain damage as the result of his experimentation with drugs.\n\nWorks\n\nDiscography (Incomplete)\n\nThe Inner Demon Demos Vol. 1-3 (Stand-Up Tragedy Records 2006)\nSongs About Huffing (Teenage Whore Tapes 2008)\nFur Die Hunde with Kommissar Hjuler und Frau (SHMF 2008)\nDaku: Bryan Lewis Saunders and Z'EV (Outfall Channel 2009)\nCraigslist (Anti Everything Noise 2009)\nA/Mei/Sen: Bryan Lewis Saunders mit Kommissar Hjuler und Frau (Scumbag Relations 2009)\nDer Muter Object Fur Die Hunde: Z'EV and Kommissar Hjuler und Mama Baer and Bryan Lewis Saunders (Blossoming Noise 2010)\nNear Death Experience (Erratum 2010)\nBed Bugs 1-3 (Private Leisure Industries 2011)\n... from the world of burning red bugs with Kommissar Hjuler und Frau (Psych.KG 2017)\n\nSleep Works\n\nN1-N4 Variations: Vocal Documentation From All Four Sleep Stages (Stand-Up Tragedy Records 2008)\nAnimus Chora: Spirit Receptacle (Belsona Strategic 2009)\nTorso (Colin Johnco Records 2009)\n87 Dreams Of A Sociopath (Surrism-Phonoethics 2010)\nLe Bobcat: Bryan Lewis Saunders and Raymond Dijkstra (Fragment Factory 2010)\nStream of Unconscious Vol. 1 with Hopi Torvald and Kommissar Hjuler und Frau (Stand-Up Tragedy Records 2011)\nStream of Unconscious Vol. 2 with Razen and Classwar Karaoke Friends (Stand-Up Tragedy Records 2011)\nStream of Unconscious Vol. 3 with Evil Moisture and Wehwalt (Stand-Up Tragedy Records 2011)\nStream of Unconscious Vol. 4 with Love, Execution Style and Adam Bohman & Adrian Northover (Stand-Up Tragedy Records 2012)\nStream of Unconscious Vol. 5 with Yoshihiro Kikuchi and Christopher Fleeger (Stand-Up Tragedy Records 2012)\nStream of Unconscious Vol. 6 with Sinus Buds and Andy Ortmann (Stand-Up Tragedy Records 2013)\nStream of Unconscious Vol. 7 with Joke Lanz and Dylan Nyoukis (Stand-Up Tragedy Records 2013)\nStream of Unconscious Vol. 8 with Lee Gamble and Carl Michael von Hausswolff (Stand-Up Tragedy Records 2013)\nStream of Unconscious Vol. 9 with Leif Elggren and John Moloney (Stand-Up Tragedy Records 2013)\nStream of Unconscious Vol. 10 with Language of Light and Matt Reis (Stand-Up Tragedy Records 2013)\nStream of Unconscious Vol. 11 with Offerings and Requiem (Stand-Up Tragedy Records 2013)\nStream of Unconscious Vol. 12 with Hopek Quirin and Michael Esposito (Stand-Up Tragedy Records 2013)\nThe Confessor (Stand-Up Tragedy Records 2013)\n\nVideography\n\nI'm Not Dead-I'm Schizotypal (2000)\nWhere's Mao Now When You Need Him? (2005)\nSex, Drugs and Institutions (2007)\nMissing Child (2008)\nSign It! (2008)\nBed Bugs II (2008)\nSteve Mackay and the Radon Ensemble \"Hidden Away\" Live 2008 (2009)\nSlobberscope (2009)\nNear Death Experience (2010)\nBryan Lewis Saunders & James Hollenbaugh (2012)\n\nBibliography\n\nSex, Drugs and Institutionz (2008)\n87 Dreams of a Sociopath (2010)\nThe Reasons Why I Dream with Knives (2010)\nChannel Zero (2011)\nThe Confessor (2012)\nProtective Geometry with drawings by Ed Pinsent (2012)\nAuthentic Soup Kitchen Menus (2013)\nAutoportraits Sous Drogues (2013) \nGregor Mendel Mutations (2013) \nWe Don't Need Another Doctor, We Can Run Our Own Tests (2014)\nLa Troisième Oreille et Autres Textes (2014)\n\nReferences\n\nExternal links\nOfficial Website\nDiscogs\nErratum\n2009 Interview\nGlossolalia Episode 5: Recent Sleep Works\nDinosaurcity Interview\nViceland Today Interview\n Jon Ronson, Bryan Saunders: portrait of the artist on crystal meth, The Guardian, 1 December 2012\nArt of Darkness documentary website\n\n1969 births\nArtists from Washington, D.C.\nAmerican performance artists\nAmerican video artists\nLiving people\nEast Tennessee State University alumni" ]

[ "Aesop Rock", "1985-2001: New York City underground music scene" ]

[ "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books", "\"What Happened to Us\" is a song by Australian recording artist Jessica Mauboy, featuring English recording artist Jay Sean. It was written by Sean, Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim and Israel Cruz. \"What Happened to Us\" was leaked online in October 2010, and was released on 10 March 2011, as the third single from Mauboy's second studio album, Get 'Em Girls (2010). The song received positive reviews from critics.\n\nA remix of \"What Happened to Us\" made by production team OFM, was released on 11 April 2011. A different version of the song which features Stan Walker, was released on 29 May 2011. \"What Happened to Us\" charted on the ARIA Singles Chart at number 14 and was certified platinum by the Australian Recording Industry Association (ARIA). An accompanying music video was directed by Mark Alston, and reminisces on a former relationship between Mauboy and Sean.\n\nProduction and release\n\n\"What Happened to Us\" was written by Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim, Israel Cruz and Jay Sean. It was produced by Skaller, Cruz, Rohaim and Bobby Bass. The song uses C, D, and B minor chords in the chorus. \"What Happened to Us\" was sent to contemporary hit radio in Australia on 14 February 2011. The cover art for the song was revealed on 22 February on Mauboy's official Facebook page. A CD release was available for purchase via her official website on 10 March, for one week only. It was released digitally the following day.\n\nReception\nMajhid Heath from ABC Online Indigenous called the song a \"Jordin Sparks-esque duet\", and wrote that it \"has a nice innocence to it that rings true to the experience of losing a first love.\" Chris Urankar from Nine to Five wrote that it as a \"mid-tempo duet ballad\" which signifies Mauboy's strength as a global player. On 21 March 2011, \"What Happened to Us\" debuted at number 30 on the ARIA Singles Chart, and peaked at number 14 the following week. The song was certified platinum by the Australian Recording Industry Association (ARIA), for selling 70,000 copies. \"What Happened to Us\" spent a total of ten weeks in the ARIA top fifty.\n\nMusic video\n\nBackground\nThe music video for the song was shot in the Elizabeth Bay House in Sydney on 26 November 2010. The video was shot during Sean's visit to Australia for the Summerbeatz tour. During an interview with The Daily Telegraph while on the set of the video, Sean said \"the song is sick! ... Jessica's voice is amazing and we're shooting [the video] in this ridiculously beautiful mansion overlooking the harbour.\" The video was directed by Mark Alston, who had previously directed the video for Mauboy's single \"Let Me Be Me\" (2009). It premiered on YouTube on 10 February 2011.\n\nSynopsis and reception\nThe video begins showing Mauboy who appears to be sitting on a yellow antique couch in a mansion, wearing a purple dress. As the video progresses, scenes of memories are displayed of Mauboy and her love interest, played by Sean, spending time there previously. It then cuts to the scenes where Sean appears in the main entrance room of the mansion. The final scene shows Mauboy outdoors in a gold dress, surrounded by green grass and trees. She is later joined by Sean who appears in a black suit and a white shirt, and together they sing the chorus of the song to each other. David Lim of Feed Limmy wrote that the video is \"easily the best thing our R&B princess has committed to film – ever\" and praised the \"mansion and wondrous interior décor\". He also commended Mauboy for choosing Australian talent to direct the video instead of American directors, which she had used for her previous two music videos. Since its release, the video has received over two million views on Vevo.\n\nLive performances\nMauboy performed \"What Happened to Us\" live for the first time during her YouTube Live Sessions program on 4 December 2010. She also appeared on Adam Hills in Gordon Street Tonight on 23 February 2011 for an interview and later performed the song. On 15 March 2011, Mauboy performed \"What Happened to Us\" on Sunrise. She also performed the song with Stan Walker during the Australian leg of Chris Brown's F.A.M.E. Tour in April 2011. Mauboy and Walker later performed \"What Happened to Us\" on Dancing with the Stars Australia on 29 May 2011. From November 2013 to February 2014, \"What Happened to Us\" was part of the set list of the To the End of the Earth Tour, Mauboy's second headlining tour of Australia, with Nathaniel Willemse singing Sean's part.\n\nTrack listing\n\nDigital download\n \"What Happened to Us\" featuring Jay Sean – 3:19\n \"What Happened to Us\" featuring Jay Sean (Sgt Slick Remix) – 6:33\n \"What Happened to Us\" featuring Jay Sean (Just Witness Remix) – 3:45\n\nCD single\n \"What Happened to Us\" featuring Jay Sean (Album Version) – 3:19\n \"What Happened to Us\" featuring Jay Sean (Sgt Slick Remix) – 6:33\n \"What Happened to Us\" featuring Jay Sean (OFM Remix) – 3:39\n\nDigital download – Remix\n \"What Happened to Us\" featuring Jay Sean (OFM Remix) – 3:38\n\nDigital download\n \"What Happened to Us\" featuring Stan Walker – 3:20\n\nPersonnel\nSongwriting – Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim, Israel Cruz, Jay Sean\nProduction – Jeremy Skaller, Bobby Bass\nAdditional production – Israel Cruz, Khaled Rohaim\nLead vocals – Jessica Mauboy, Jay Sean\nMixing – Phil Tan\nAdditional mixing – Damien Lewis\nMastering – Tom Coyne \nSource:\n\nCharts\n\nWeekly chart\n\nYear-end chart\n\nCertification\n\nRadio dates and release history\n\nReferences\n\n2010 songs\n2011 singles\nJessica Mauboy songs\nJay Sean songs\nSongs written by Billy Steinberg\nSongs written by Jay Sean\nSongs written by Josh Alexander\nSongs written by Israel Cruz\nVocal duets\nSony Music Australia singles\nSongs written by Khaled Rohaim" ]

[ "Aesop Rock", "1985-2001: New York City underground music scene", "What happened in 1985?", "I don't know." ]

[ "What Happened on Twenty-third Street, New York City is a 1901 American short film.\n\nPlot \nThe 77 second film depicts a woman, escorted by a man, walking over a grate. The hot air lifts her skirt, she laughs and they walk on.\n\nComparisons \n\nIn 2001, Rosemary Hanes and Brian Taves compared the sequence to the iconic image of Marilyn Monroe in a white dress in the 1955 film The Seven Year Itch, writing \"With The Seven Year Itch (1955), the image of Marilyn Monroe's thighs exposed under her billowing skirt entered American popular culture. The Library's motion picture and broadcasting collections provide the opportunity to document not only how women's roles and their depictions have changed throughout the past hundred years, but also how much has remained the same.\"\n\nTom Gunning makes another observation, contrasting the two events as narrative devices writing \"The act of display [in What Happened...] is both climax and resolution here and does not lead to a series of incidents or the creation of characters with discernible traits. While the similar lifting of Marilyn Monroe's skirt in The Seven Year Itch also provides a moment of spectacle, it simultaneously creates character traits that explain later narrative actions.\"\n\nSee also\nPromotional film poster of The Woman in Red (1984 film)\n\nReferences\n\nExternal links \n\n \n \n \n\n1901 films\nAmerican silent short films\n1901 comedy films\nAmerican short documentary films\nFilms shot in New York City\nAmerican films\nAmerican black-and-white films\nFilms directed by Edwin S. Porter\nAmerican comedy films\nDocumentary films about New York City\nArticles containing video clips\n1900s short documentary films\n1901 in New York City", "Karen Sillas is an American stage and film actress.\n\nEarly life\nThe daughter of a Greek father and a Swedish mother, Sillas was born in Brooklyn. She graduated from the Acting Conservatory of the State University of New York at Purchase.\n\nCareer\nSillas appeared in Hal Hartley's 1992 film Simple Men. In 1994, she starred in What Happened Was..., which won the Grand Jury Prize at the Sundance Film Festival and launched Sillas into primetime television. In CBS's critically acclaimed detective series Under Suspicion, Sillas portrayed Rose Phillips, the only female detective in an otherwise male-dominated squad room.\nSillas and Tom Noonan appeared in a virtual interview conducted by the film critic Sheila O'Malley, hosted by Film Forum, February 9, 2021, discussing the re-release of the digitized version of What Happened Was... on Film Forum's YouTube channel.\n\nFilmography\n\nFilm\n\nTelevision\n\nReferences\n\nExternal links\n\n Karen Sillas Current Month TV Schedule\n\nLiving people\nPeople from Brooklyn\nState University of New York at Purchase alumni\nActresses from New York City\nAmerican film actresses\nAmerican stage actresses\nAmerican television actresses\n20th-century American actresses\n21st-century American actresses\nSpeech coaches\nAmerican people of Greek descent\nAmerican people of Swedish descent\nYear of birth missing (living people)" ]

[ "Aesop Rock", "1985-2001: New York City underground music scene", "What happened in 1985?", "I don't know.", "What happened in New York City?", "As a youth, Bavitz and his family would usually commute to New York City. This had a great impact on him and the way he viewed the hip hop culture." ]

[ "Hardcore Justice (2021) was a professional wrestling event produced by Impact Wrestling. It took place on April 10, 2021 at the Skyway Studios in Nashville, Tennessee, and aired exclusively on Impact Plus. It was the twelfth event under the Hardcore Justice chronology, the first to be held since the 2015 event, and the first purchase-only event since the 2012 event.\n\nNine matches were contested at the event. In the main event, Violent By Design (Eric Young, Deaner, Joe Doering and Rhino) defeated Team Dreamer (Eddie Edwards, Rich Swann, Willie Mack and Trey Miguel) in an eight-man Hardcore War match. In other prominent matches, Deonna Purrazzo successfully retained her Impact Knockouts Championship against Jazz in an Old School Rules Title vs. Career match, where Jazz had to retire from in-ring competition, and Tenille Dashwood won a Weapons match to become the number one contender for the Knockouts Championship.\n\nProduction\n\nBackground \nHardcore Justice is an annual professional wrestling event produced by Impact Wrestling. In 2005, it was originally introduced as a pay-per-view (PPV) event held by Impact Wrestling (then known as Total Nonstop Action Wrestling, TNA). The first event was held in May 2005 and from 2006 to 2012, they have all been held in August. The event was known as Hard Justice until 2010. In 2013, TNA dropped Hardcore Justice as a pay-per-view event after announcing only four pay-per-view events would take place through the year and it was retained as a special episode of TNA's weekly broadcast of Impact!.\n\nOn the Impact! following Sacrifice, Tommy Dreamer came into the office of Impact Executive Vice President Scott D'Amore, saying that Impact has a problem with their Impact World Tag Team Championship being held hostage outside of the promotion for a month. D'Amore stalled him and then reminded him of the upcoming Hardcore Justice event on Impact Plus, and he let Dreamer book the card for the show.\n\nStorylines \nThe event featured professional wrestling matches that involved different wrestlers from pre-existing scripted feuds and storylines. Wrestlers portray heroes, villains, or less distinguishable characters in scripted events that build tension and culminate in a wrestling match or series of matches.\n\nOn the March 23 episode of Impact, Impact Knockouts Champion Deonna Purrazzo defeated Jazz in a non-title match, with interference from Susan. The following week on Impact, while Purrazzo and Susan were having an interview, Jazz attacked Purrazzo and Susan. Jazz would later go to Tommy Dreamer, demanding that she get her hands on Purrazzo. Dreamer would have the two booked for Hardcore Justice, but before that, talked about how he and Jazz used to be in Extreme Championship Wrestling (ECW) and how they used to have Ultimate Jeopardy matches in ECW. As a match where all participants wager something, Dreamer asked Jazz to put something at stake, while Purrazzo put her championship on the line. Jazz proclaimed that she is willing to put her career on the line for the title, officially making it a Title vs. Career match.\n\nOn the March 30 episode of Impact, Dreamer held a meeting of various knockouts, announcing a weapons match for Hardcore Justice, with the winner receiving an opportunity for the Impact Knockouts Championship at Rebellion. Alisha Edwards, Havok, Jordynne Grace, Rosemary, Susan (who would be attacked and replace by Su Yung at the event), and Tenille Dashwood were announced as participants.\n\nOn the March 23 episode of Impact, Eddie Edwards kicked The Good Brothers (Doc Gallows and Karl Anderson) out of the locker room, seeing how their friendship with AEW World Champion Kenny Omega, did not make them \"one of the boys\". Just as they were about to leave, they encountered Decay (Black Taurus and Crazzy Steve), who mocked how The Good Brothers lost both their tag team titles and the respect of the locker room. On the April 8 episode of Impact, a match between Black Taurus and Doc Gallows was scheduled for Hardcore Justice.\n\nIt was announced that Hardcore Justice will also play host to a BlindGames match between Jake Something and Brian Myers. Myers has been wearing an eyepatch since January after a match with Fallah Bahh, saw him being \"poked\" in the eye. On the April 8 episode of Impact, Myers attacked both Something and old friend-turned-enemy Matt Cardona, where he accepted Cardona's offer for a match at Rebellion, but not before pushing Something into the steel steps, which had clipped his eye. The BlindGames match, essentially a blindfold match with hardcore rules, was scheduled not long after.\n\nOn the April 8 episode of Impact, Tommy Dreamer booked an eight-man tag team Hardcore War featuring himself and three men of his choosing (revelead as Eddie Edwards, Willie Mack, and Impact World Champion Rich Swann, before Dreamer would be attacked and replaced with Trey Miguel) against Violent By Design (Eric Young, Deaner, Joe Doering, and Rhino). The rules of Hardcore War are as follow:\nTwo men start alone for five minutes\nEvery two minutes, a new man appears from alternating teams\nThe match cannot end until the final man has entered\nAfter all eight men have entered, the match is won by pinfall or submission\nThere are no disqualifications\n\nResults\n\nNotes\n\nReferences\n\nExternal links \n \n\n2021 Impact Plus Monthly Special events\n2021 in professional wrestling\n2021 in Tennessee\nEvents in Nashville, Tennessee\nHardcore Justice\nMarch 2021 events in the United States\nProfessional wrestling in Nashville, Tennessee", "The TNA World Heavyweight Championship was a short-lived professional wrestling world heavyweight championship created and promoted by Impact Wrestling. As part of a storyline in April 2020, Moose began to refer to himself as the TNA World Heavyweight Champion and carrying around the title belt that last represented the championship before it became known as the Impact World Championship. On February 23, 2021, Impact officially sanctioned Moose's TNA World Heavyweight Championship as a separate title from the Impact World Championship. \n\nImpact Wrestling Executive Vice President Scott D'Amore claimed that the championship carried the lineage of the title formerly known as the TNA World Heavyweight Championship, but how much of that lineage was unclear. It would be a short-lived championship, as at Sacrifice on March 13, 2021, Impact World Champion Rich Swann defeated Moose in a championship unification match, deactivating the TNA World Heavyweight Championship. The Impact World Championship became briefly known as the Impact Unified World Championship, and was represented by both title belts, until reigning champion Christian Cage retired the TNA belt on the August 19, 2021, episode of Impact!, returning to a single belt.\n\nHistory\nImpact Wrestling was originally known as Total Nonstop Action Wrestling (TNA). The promotion was originally affiliated with the National Wrestling Alliance (NWA), and controlled the booking over the NWA World Heavyweight Championship. In 2007, the agreement between TNA and the NWA ended, leading to the creation of the TNA World Heavyweight Championship. TNA changed its name and became Impact Wrestling in March 2017, and the championship was renamed accordingly.\n\nIn early 2020, Impact started a storyline where Moose dubbed himself \"Mr. TNA,\" claiming to represent the company's history while battling former stars. During the second part of Rebellion (taped April 8–10 and aired on April 28), Moose defeated Hernandez and Michael Elgin in a triple threat match which was originally scheduled to be for the Impact World Championship, but reigning champion Tessa Blanchard was absent due to the COVID-19 pandemic. Following the match, Moose brought back the championship belt that represented the TNA World Heavyweight Championship from 2011 to 2017 and declared himself the TNA World Heavyweight Champion. While Impact did not officially recognize Moose as champion, Moose defended his self-appointed title several times.\n\nThe following year on the February 23, 2021, episode of Impact!, the promotion's Executive Vice President Scott D'Amore announced that Moose's self-proclaimed championship was officially sanctioned as a separate title from the Impact World Championship with Moose immediately recognized as TNA World Heavyweight Champion. D'Amore stated that the championship also carried the lineage of the title formerly known as the TNA World Heavyweight Championship, though how much of that lineage was unclear. After this, D'Amore scheduled a championship unification match for Sacrifice on March 13, 2021, in which Impact World Champion Rich Swann would face TNA World Heavyweight Champion Moose to determine Impact's undisputed world champion. At the event, Swann defeated Moose to unify the titles. The TNA World Heavyweight Championship was deactivated, while the Impact World Championship became briefly known as the Impact Unified World Championship with Swann carrying both championship belts. Subsequent Impact World Champions Kenny Omega and Christian Cage also carried both title belts, until Cage formally retired the TNA belt on the August 19, 2021 episode of Impact!.\n\nReigns\n\nReferences\n\nExternal links \n ImpactWrestling.com\n\nImpact Wrestling championships\nWorld heavyweight wrestling championships\nUnsanctioned championships" ]

[ "Aesop Rock", "1985-2001: New York City underground music scene", "What happened in 1985?", "I don't know.", "What happened in New York City?", "As a youth, Bavitz and his family would usually commute to New York City. This had a great impact on him and the way he viewed the hip hop culture.", "how did it impact him?", "Bavitz began rapping in the early 1990s." ]

[ "Li Xinyi (; born 13 March 1998), also known as Rex (), is a Chinese singer and songwriter. He was a contestant in the survival program, Produce Camp 2019. His debut single, Dream with Me, was released at the 2019 Opening Ceremony of the 5th Annual Jackie Chan International Action Film Week and charted on Billboard China's Social Music Chart at No. 11.\n\nEarly life and education\nLi was born on 13 March 1998 in Liaoning, China. He was an avid basketball player until he was introduced to singing. He attends the Beijing Contemporary Music Academy.\n\nCareer\n\n2019–present: Produce Camp 2019 and solo debut\n\nIn 2019, Li and three other trainees represented SDT Entertainment on Chinese reality boy band show Produce Camp 2019. He placed 13th in the final episode and was eliminated. He did not join the final debuting lineup, R1SE. However, he made his solo debut with the single \"Dream with Me\" on July 16, 2019. His second single, titled \"Walk with You\" was released on August 7, 2019. He released his third single, \"就让我走\", together with the music video on August 26, 2019. Li released his debut EP One, consisting of three songs. He took part in the OST of the television series, 梦回 with the single, \"梦她\".\n\nDiscography\n\nAlbums\n\nSingles\n\nFilmography\n\nTelevision shows\n\nVideography\n\nMusic videos\n\nReferences\n\nExternal links\n \n\n1998 births\nLiving people\nChinese television personalities\nChinese male singer-songwriters\nProduce 101 (Chinese TV series) contestants\nSingers from Liaoning\n21st-century Chinese male singers", "\"Nekkoya (Pick Me)\" (; The word 'Naekkeoya' translates to 'You're mine' in Korean ) is a song performed by the contestants of the competition show Produce 48 and serves as the show's theme song. It was released as a digital single on May 10, 2018 by CJ E&M and Stone Music Entertainment, along with a music video.\n\nTrack listing\nDigital downloads as shown on iTunes. The Korean version was listed as the lead track. The piano version was listed separately.\n\nReception\nIn South Korea, the song did not enter the Gaon Digital Chart, but peaked at number 61 on the Mobile Chart and number 100 on the BGM Chart. In Japan, the song did not enter the Billboard Japan Hot 100, but peaked at number 56 on the Japan Hot 100 Download Chart.\n\nReferences\n\nExternal links\n\nProduce 101\n2018 singles\n2018 songs\nKorean-language songs\nElectronic dance music songs\nK-pop songs\nTelevision game show theme songs" ]

[ "Aesop Rock", "1985-2001: New York City underground music scene", "What happened in 1985?", "I don't know.", "What happened in New York City?", "As a youth, Bavitz and his family would usually commute to New York City. This had a great impact on him and the way he viewed the hip hop culture.", "how did it impact him?", "Bavitz began rapping in the early 1990s.", "what music did he produce?", "I don't know." ]

[ "Soul Underground was a UK-based music magazine covering \"underground\" black music and dance music, which launched in October 1987 and ceased publication in January 1991. The magazine was conceived as a reaction to what co-founders Darren Reynolds and David Lubich saw as the failure of the mainstream music press to cover the growth of an underground dance music scene in the UK. This went beyond the music itself to the fashions, warehouse parties and subcultures that were finding their feet at the time.\n\nFrom the outset, Soul Underground sought to cover a wide range of music – from the burgeoning \"Rare Groove\" scene of the late 1980s, though rap, electro, house to reggae and soul. It quickly gained a reputation for its provocative features and news reports, and its interest in writing about music from a historical and even political perspective.\nIts perceived credibility among musicians, club and radio DJs and journalists meant that it was able to attract a very strong team of writers and photographers.\n\nThe magazine was founded as a fanzine: its first issue had a print run of just 850 copies, and was distributed through record shops. Sales grew quickly, leading to a disagreement between Reynolds and Lubich over the direction the magazine should take (Reynolds wanted to preserve its \"fanzine\" ethos, while Lubich believed that it could evolve into a \"proper\" magazine without compromising its independence and credibility). Reynolds left the magazine at issue 7, leaving Lubich as publisher and editor.\n\nAs dance music made the move from underground scene to huge commercial success, Soul Underground saw its sales and profile rise. National newsagent distribution followed in late 1989, as did limited distribution through record and clothing stores in New York.\n\nIn early 1990, Soul Underground gained a presence in New York – both in terms of sales and editorial coverage. It appointed as New York editor Leonard Abrams, former editor of the East Village Eye, who built a roster of writers and photographers and helped the magazine stay on top of the city's burgeoning hip-hop scene.\n\nNotable firsts \nSoul Underground′s network of music and culture obsessives gave it an edge in reporting on a number of hugely influential developments. It was the first magazine to cover the \"Bristol Scene\", ran the first major interview with A Guy Called Gerald and championed the emergence of a new generation of black comedians, including Angie Le Mar.\n\nA career launchpad \nAlthough Soul Underground employed a number of established journalists, it gained a reputation for its \"open door\" policy and for an ability to spot and nurture talent. A passion for music was more important than formal journalistic skills. \nIn this way, the magazine proved to be something of a career launch pad. Some of the writers, artists, photographers and DJs associated with the magazine stayed within the media, while others moved into music and fashion.\n\nAlthough critically successful and intermittently profitable, Soul Underground was under-capitalized and unable to cope financially with the sudden drop in ad revenue that occurred around the end of 1990. Unable to secure financial backing, Lubich was forced to close Soul Underground in January 1991.\n\nAnthology: Catch The Beat \nAn anthology entitled Catch the Beat: The best of Soul Underground 1987–91 was published by Djhistory.com in October 2010. The hardcover, 440-page book contains a selection of features, interviews, charts and news stories from each of Soul Underground′s 38 issues. Catch The Beat has received overwhelmingly positive reviews from music magazines including Mojo and Record Collector, and from DJs including Greg Wilson, who has written about it at his blog.\n\nMain contributors\n\n Paul Ablett\n Leonard Abrams\n Lindsay Baker\n Baz Fe Jazz\n Brian Belle-Fortune\n Justin Berkmann\n Lisa Brinkworth\n David Corio\nPhil Crean\n Keb Darge\n Jon Dasilva\n Bill Dew\n Richard Faulks\n Muff Fitzgerald\n Tim Fielding\n Simon Fleury\n Hannah Ford\n Patrick Forge\n Patrick Gilbert\n Simon Goffe\n Michael Alan Gonzales\n Louise Gray\n Malu Halasa\n Lee Holding\n Charles Hunter\n Jasper the Vinyl Junkie\n Bob Jones\n Judge Jules\n Jazzy M\n Johnny S\n Pete Lewis\n Oliver Lim\n David Lubich\n Alexis Maryon\n Antonio Mattesini\n Ian McCann\n Mark Moore\n Patrick Moxey\n Justin Onyeka\n Dan Parker\n Olaf Parker\n Graeme Park\n Dom Phillips\n Mike Pickering\n Andrew Pothecary\n Kristina Raven\n Darren Reynolds\n Rhythm Doc\n Eddie Richards\n Justin Robertson\n Jay Strongman\n Phil Strongman\n Lindsay Wesker\n Tim Wells\n\nReferences\n\nExternal links\n David Lubich's blog\n Catch The Beat at amazon.com\n Catch The Beat at amazon.co.uk\n\nMonthly magazines published in the United Kingdom\nMusic magazines published in the United Kingdom\nDefunct magazines published in the United Kingdom\nFanzines\nHip hop magazines\nDance music magazines\nMagazines established in 1987\nMagazines disestablished in 1991", "Heather Lotruglio (born 1971), better known as Heather Heart, is an American (New York) based Techno DJ.\n\nIn 1991, her zine called Under One Sky laid the foundation for a network of techno music fans across the US. In 1992, she began DJing, especially at the Storm raves. In 1995, she co-founded Groove records, the first techno record store in the United States.\n\nLife and musical career\nHeather Heart was born in Brooklyn and grew up in the New York City area and started clubbing at the beginning of the underground dance music explosion influenced by the UK's \"summer of love.\"\n\nIn 1990 Heart, along with Frankie Bones and his brother, fellow DJ Adam X, co-founded the first all-techno record store, Groove Record Shop, in Brooklyn. Shortly afterwards, Heart began an underground techno music zine Under One Sky (Archived PDF from 1992 available here http://ravearchive.com/zines/underonesky/underonesky6.pdf), founded in 1991, which created a forum wherein the US and global dance music undergrounds could share ideas and, increasingly cultural and spiritual messages. This work drew together fans, DJs, and producers within and across the US and helped create a flourishing music scene. In 1992 Heart began Djing, first under the name \"Heather Heather,\" later changing it to Heather Heart. She became famous especially for djing the Storm Raves founded by fellow DJ Frankie Bones. The three have been called \"The forefathers (and foremother) of New York techno.\" In 1995 they moved the store to Manhattan, and renamed it Sonic Groove. This became the center of the underground techno scene and a fixture in dance music, where Heart was a crucial, friendly and knowledgeable presence. About that time X and Heart began to throw their own parties under the name Mental.\n\nThese venues and parties were the backbone of the New York underground music scene, as well as becoming \"the model for every city with an underground dance scene.\" In 1999, Heart was featured in the movie \"Better Living Through Circuitry\" about the US rave scene. In 2015, she was listed in Mixmag's \"20 Women who shaped the History of Dance Music.\"\n\nDiscography\n 1994 (as X-Heart, with Adam X) \"Analogistic Warrior\" Magnetic North\n 1997 \"Blizzard\" (on V/A Define The Sonic Groove) Sonic Groove\n 1995 (as X-Heart) \"Solo siren\" Communique Records\n 1998 (DJ Mix) \"Eastbound Underground 01 (The Future Sound Of Sonic Groove 98)\" Sonic Groove\n\nReferences\n\nExternal links\n\n1974 births\nAmerican DJs\nClub DJs\nDJs from New York City\nWomen DJs\nLiving people\nMusicians from Brooklyn\nAmerican techno musicians\nElectronic dance music DJs\n21st-century American women musicians\nAmerican women in electronic music" ]

[ "Aesop Rock", "1985-2001: New York City underground music scene", "What happened in 1985?", "I don't know.", "What happened in New York City?", "As a youth, Bavitz and his family would usually commute to New York City. This had a great impact on him and the way he viewed the hip hop culture.", "how did it impact him?", "Bavitz began rapping in the early 1990s.", "what music did he produce?", "I don't know.", "what was special about the underground music scene?", "released his Appleseed EP in 1999 which received critical acclaim in the underground hip hop circuit." ]

[ "West Coast Bad Boyz, Vol. 1: Anotha Level of the Game is the first compilation album released by No Limit Records. It was originally released on August 9, 1994, but was later re-released on July 22, 1997. Due to it being a re-release, the album couldn't make it to the Billboard 200 or any other regular charts, but it did make it to #1 on the Top R&B/Hip-Hop Catalog Albums. Due to a beef between Master P and King George, Two songs that featured George [Locked Up and Peace 2 Da Streets] were not included on the 1997 re-release.\n\nTrack listing \nWest Coast Bad Boyz, Vol. 1: Anotha Level of the Game\n\nReferences\n\nHip hop compilation albums\n1994 compilation albums\nNo Limit Records compilation albums\nPriority Records compilation albums\nGangsta rap compilation albums", "World Famous Classics: 1993–1998 is the first of three greatest hits albums by hip hop group The Beatnuts. It was released by Sony BMG in 1999 two weeks after the release of The Beatnuts' most commercially successful album, A Musical Massacre. It contains songs from The Beatnuts' first three albums, as well as its two EPs. The album does not feature any exclusive songs. World Famous Classics did not chart upon release, and is currently out of print.\n\nTrack listing\n\nReferences\n\nThe Beatnuts albums\n1999 greatest hits albums" ]

[ "\\Weird Al\\\" Yankovic\"", "Parodies" ]

[ "Cullen Hightower (1923 – November 27, 2008) was a well-known quotation and quip writer from the United States. He is often associated with the American conservative political movement.\n\nHightower served in the U.S. army during World War II before beginning a career in sales. He began to publish his writing upon retirement. A collection of his quotations was published as Cullen Hightower's Wit Kit. One of Hightower's most notable quotations is \"People seldom become famous for what they say until after they are famous for what they've done.\" Ironically, Hightower became famous for what he said rather than for what he did. A number of other quotes are in his obituary.\n\nReferences\n\nAmerican humorists\n1923 births\n2008 deaths\nUnited States Army personnel of World War II", "Igguthappa is a Hindu deity worshipped in Kodagu, India.\n\nMythology\nLegend has it that in ancient times from what is now Kerala arrived seven celestial children. They were siblings, six brothers (including Igguthappa) and one sister. The first 3 brothers stayed back in Kerala in and around what is known as Kanjirath village, in Taliparamba. The eldest brother was known as Kanyaratappa (Kanyarat was a name for Kanjirath), the second was Thiruchembarappa and the third was Bendru kolappa, known by the names of the villages they settled down in and where temples were built for them. The temples built for the three brothers are now famous in Kannur in Kerala. \nThe temple of the first brother is now famous as the Rajarajeshwara Temple in Tali Paramba. \nThe Trichambaram Temple of the second brother is now famous as the Krishna temple in Taliparamba. \nThe third temple is well known as the Vidyanatha temple of Kanjirangad. \nThe remaining three brothers with their sister moved towards Kodagu.\n\nThe fourth brother Igguthappa took base at Malma in Kodagu and a temple was built for him at Paadi naad. \nThe fifth brother moved to Paloor in Kodagu where a temple was built for him. It became known as the Mahalingeshwara temple. \nTheir sister who was called Thangamma settled down in Ponnangala village, near Kakkabe, where a shrine was built for her and so is now known also as Ponnangala Thamme. \nThe last brother Pemmayya moved further south and moved into what is now as Waynad in Kerala. Now known as Bainattappa or Wayanattu kulavan .\n\nReferences\n\nHindu temples in Kodagu district", "\"What I Go to School For\" is the debut single of English pop punk band Busted. It was written by James Bourne, Charlie Simpson, Matt Willis, Steve Robson, and John McLaughlin and produced by Steve Robson. The song was inspired by a teacher that Matt Willis had a crush on at school.\n\nThe song was released on 16 September 2002 and reached number three on the UK Singles Chart. A young Jade Ewen (who would later join girl group Sugababes) appears in the music video.\n\nBackground\nMatt Willis told the Essex Chronicle that the song came about after a night out in TOTs 2000 (now known as Talk nightclub) in James Bourne's hometown of Southend-on-Sea. \"We were too young, we got drunk and went to TOTs,\" Willis said. \"Then we walked home and continued drinking on the way – it took us ages. When we got back to James' house, we went to his bedroom and just picked up the guitar and that’s when we started writing What I Go to School For.\"\n\nIn 2003, the real-life inspiration for the song was revealed to be Willis' former teacher Michelle Blair, who made a surprise appearance on The Frank Skinner Show on ITV during an interview with Willis. Blair, who was 28 and had been married for three years at the time of her appearance on The Frank Skinner Show, was Willis' dance teacher at the Sylvia Young Theatre School when Willis was 15. Speaking about the surprise appearance with Willis on the show, Blair said: \"It was hilarious – he looked like he wanted the ground to swallow him up. I only found out the song was about me after it came out – it's really flattering.\" Blair said that at the time she was not aware of her pupil's crush on her, but that she did remember him from the dance classes: \"He was quite cheeky and charming and always had something to say in class. He used to tell us he was in a band, but I never dreamed they were going to be this big and I certainly hadn't a clue I was going to feature in one of their songs!\"\n\nCommenting on the veracity of these events as portrayed in the song, Blair said: \"I think he's used a bit of artistic licence in the song. It was a dance class so we never used any pencils but I suppose he had ample opportunity to look at my bum. There was never any tree outside my bedroom window though – I think I might have noticed a Peeping Tom.\" Reflecting on his time under the tutelage of Miss Blair, Willis said, \"She was kind of nice and there was always something really sexy about her.\" Being identified as the object of adolescent lust, and the subject of a pop song, hasn't caused any friction with her husband, according to Blair: \"My husband thinks its (sic) hilarious and takes the mickey. I don't think he's really worried I'm going to run off with a pop star. I'm proud of them. Looking back it was obvious Matt had what it takes.\"\n\nOn 29 October 2012, Michelle Blair appeared as the correct answer in the \"line-up\" section of BBC Two panel Never Mind the Buzzcocks.\n\nMusical\nWhat I Go to School For became the title of a musical theatre production produced by Youth Music Theatre UK following the story of Busted from their origins in Southend-on-Sea, Essex, through to their break-up in 2005. The musical was written by Elliot Davis with songs from the Busted albums and new music by James Bourne. It was directed by Steven Dexter and played at the Theatre Royal, Brighton in 2016.\n\nMusic video\nThe video for the song features model Lorna Roberts as Miss McKenzie, the object of the band's desire. Then 14-year-old Jade Ewen, who later joined the Sugababes, appears in the video as a schoolgirl. The filming of the What I Go To School For video was later parodied in the video for the Busted song Nineties.\n\nTrack listings\n\nUK CD1 and Australian CD single\n \"What I Go to School For\" (single version) – 3:30\n \"What I Go to School For\" (acoustic version) – 3:26\n \"What I Go to School For\" (alternative version) – 3:31\n \"What I Go to School For\" (instrumental mix) – 3:28\n \"What I Go to School For\" (CD-ROM video)\n\nUK CD2\n \"What I Go to School For\" (single version)\n \"Brown Eyed Girl\"\n Interactvie interview (CD-ROM video)\n\nUK cassette single\n \"What I Go to School For\"\n \"Dawson's Geek\"\n \"What I Go to School For\" (acoustic version)\n\nUS enhanced CD single\n \"What I Go to School For\" (radio version)\n \"What I Go to School For\" (album version)\n \"What I Go to School For\" (CD-ROM video)\n\nCharts and certifications\n\nWeekly charts\n\nYear-end charts\n\nCertifications\n\nRelease history\n\nCover versions\n \"What I Go to School For\" was parodied by the Amateur Transplants on their 2004 album Fitness to Practice.\n The Jonas Brothers covered the song for their 2006 album It's About Time.\n\nReferences\n\n2002 debut singles\n2002 songs\nBusted (band) songs\nIsland Records singles\nSongs about school\nSongs written by Charlie Simpson\nSongs written by James Bourne\nSongs written by Matt Willis\nSongs written by Steve Robson\nUniversal Records singles" ]

[ "\\Weird Al\\\" Yankovic\"", "Parodies", "What was he known for?", "Yankovic is well known for creating parodies of contemporary radio hits, typically which make up about half of his studio releases." ]

[ "Krasnaya Plesen (, literally, red mold), is a Russian punk rock group based in Yalta, active from 1989 to this day and having released 55 full albums. The name of the band is a mockery on the term Krasnaya Presnya ( - Red Presnya). Presnya is a name of a neighbourhood in Moscow that saw uprisings during the Russian Revolution of 1905, and during the Soviet era was a popular name for factories and other organizations.\n\nThe group is known for its parodies of popular musical artists, especially from Russia, such as Ruki Vverh!, and the profane and racist language used in many of its songs.\n\nFrequent characters in the group's songs include Russian political figures such as Leonid Brezhnev and Mikhail Gorbachev, as well as made-up characters like Cheburator (a portmanteau of Cheburashka and Terminator), the rural metalhead Balalaykin and Corporal Srul'.\n\nThe group's members as of 2010 are Pavel Yatsyna (founder), Sergey \"Sid\" Mikhaylov, Nika Morozova and Pavel Petrov.\n\nDiscography\n1991 – Album number 1 (remastered and re-release on CD in 2009 called \"Red Scum\")\n1992 – A snivel in the left ear (and remastered reissue on CD in 2007)\n1993 – Hit in the balls (Partial remastering and reissue on CD in 2007)\n1993 – Metalhead Balalaykin (Remastered and re-release on CD in 2000)\n1994 – New Year's Eve (Remastered and re-release on CD in 2006)\n1994 – Vampire Kasholkin (Remastered and re-release on CD in 2005)\n1994 – Ballads. Part 1 (re-released in 1996 titled \"Ballads and Lyrics\")\n1994 – Sadistic couplets (reissued in 1996 with the title \"A little boy and the other pioneering couplets, and the remastered edition on CD in 2004)\n1994 – Ninth delirium (Remastered and re-release on CD in 2005)\n1995 – Kabzdets to Chinese planes (Remastered and re-release on CD in 2006 and 2009 titled \"Our locomotive, or the Chynese don't fly\")\n1995 – Sleeping Beauty - part 1\n1997 – Sleeping Beauty - part 2\n1997 – THE BEST, mother fucka!\n1997 – Professor Bibizinsky and size of Chinese sneakers\n1998 – Cinderella\n1998 – Battle of Kulikovo\n1998 – Bulbets to \"Titanic\"\n1998 – Red Flower\n1999 – Phone Sex\n1999 – UNION of popular parodies 717\n1999 – The Tale of Tsar Saltan - 1\n2000 – UNION of popular parodies 828\n2000 – Eternal kaif\n2000 – UNION of popular parodies 1000\n2001 – The Adventures of Little Red Riding Hood\n2001 – UNION of popular parodies 3003\n2001 – Spanner for the cruiser \"Aurora\"\n2001 – UNION of popular parodies 2002\n2002 – The Tale of Tsar Saltan - 2\n2002 – UNION of popular parodies 6006\n2002 – ... you all\n2002 – UNION of popular parodies 4004\n2003 – Suck, pops!\n2003 – UNION of popular parodies 7007\n2003 – From the margins to the Kremlin\n2004 – UNION of popular parodies 8800\n2004 – Fly-Ssykatuha\n2004 – Bulbulator\n2004 – UNION of popular parodies 9900\n2004 – With Symphony Orchestra\n2005 – UNION of popular parodies XXX - Cold Twenty\n2005 – UNION of popular parodies 1.000.000\n2005 – UNION of popular parodies 5.000.000\n2006 – Trilogy of Russian punk rock\n2006 – UNION of popular parodies 16,000,000\n2006 – 46th album\n2007 – UNION of popular parodies of \"Fried thirty\"\n2007 – Disco of the Corporal Srul\n2007 – Ballads. Part 2\n2008 – ZheZZZt\n2008 – Kerosene\n2009 – Default\n2010 – Demotivators (not yet published)\n2010 – Ballads (BEST)\n2010 – UNION of popular parodies in 2010 (55 anniversary album)\n2012 – 21.12.12\n\nExternal links\n\nOfficial website \n\nRussian punk rock groups\nSoviet punk rock groups", "Movies in Fifteen Minutes (known as m15m for short) is primarily the name of a set of Internet-based movie parodies by Cleolinda Jones (a pen name). The parodies first appeared in 2004 on Jones' LiveJournal, but have now been moved to a LiveJournal community of their own. There have been no new entries since 2012.\n\nBackground\nJones wrote the first parody, Van Helsing in Fifteen Minutes, for fun; it appeared on her personal blog on 9 May 2004. Van Helsing in Fifteen Minutes proved surprisingly popular with readers on the internet. Jones' blog became so popular because of the m15m that she ran out of space for members, so she created a community for the parodies that would accept more members; she then posted subsequent movie parodies in this community.\n\nBook\n\nIn 2004, Jones was asked by British publishing company Orion Books if she was interested in writing a book of the parodies. She was, and the book, Movies in Fifteen Minutes: Hollywood Blockbusters For People Who Can't Be Bothered was released in October 2005. It contains \"the ten biggest movies ever,\" parodies not published online. The book is not currently available in the United States, though it has been published in Europe, where it met with praise.\n\nCharacteristics\nThe parodies, written in the style of a screenplay, have a wide appeal, at once scathing and affectionate, with plenty of references to pop culture, Internet fan culture, movie trivia, and just about anything else. Font sizes and punctuation are used inventively (perhaps most memorably in The Matrix in Fifteen Minutes).\n\nJokes are made at the expense of plot holes, inconsistent character arcs, and bad dialogue amongst other things. The world of Internet fanfiction is also made fun of, with Jones making straight-faced, ridiculous claims about the characters even wilder than those made by the fanfic authors themselves.\n\nPopularity\nThe parodies are popular on the Livejournal site especially, despite being famous Internet-wide. This has caused various other people to write their own parodies, sometimes under the \"Movies in Fifteen Minutes\" name. Jones is the owner of the trademark (\"Movies in Fifteen Minutes\") under the common laws of the United States, and has said she is not comfortable with people using the name for their own parodies.\n\nReferences\n\nFurther reading\n\nExternal links\n Movies in Fifteen Minutes\n\nParodies of films\nBooks about films\nBritish comedy websites\nWorks published under a pseudonym", "Saturday Night Live parodies of George H. W. Bush began in 1980 with his vice presidency under Ronald Reagan. The portrayals continued through his presidential campaigns in 1980, 1988, and 1992. SNL has aired dozens of George H. W. Bush parodies by several actors including Jim Downey, Fred Armisen, and most famously by Dana Carvey, regarded as one of the greatest in the show's history.\n\nHistory\nDuring the 1980 Republican Party presidential primaries, Bush was portrayed by Jim Downey for two sketches.\n\nStarting in 1987, Bush (then vice president) would be portrayed by then-sophomore cast member Dana Carvey, but his presence would greatly increase following Bush's bid for the presidency in 1988 and subsequent victory in a mock Oval Office Address. After leaving office in 1993, Carvey played him on occasion, including the 2000 United States Presidential campaign, where he would assist Governor George W. Bush (impersonated by Will Ferrell) during his presidential campaign. In 2010, Carvey reprised his role in Funny or Die's web short, Presidential Reunion.\n\nFred Armisen was the third person to play the former president during a 2005 cold opener side by side Darrell Hammond impersonating former president Bill Clinton and Will Forte impersonating president George W. Bush.\n\nReception\nGeorge H. W. Bush was a fan of Carvey's performance, imitating the impression of himself while giving a eulogy at President Gerald Ford's funeral. After losing his bid for re-election to Bill Clinton in 1992, Bush invited Carvey to the White House for the Christmas party. The two would remain very close family friends until Bush's death in 2018, when Carvey called his quarter-century relationship with the former president \"an honor and a privilege\".\n\nSee also\n Saturday Night Live parodies of Joe Biden\n Saturday Night Live parodies of Bill Clinton\n Saturday Night Live parodies of Hillary Clinton\n Saturday Night Live parodies of Sarah Palin\n Saturday Night Live parodies of Donald Trump\n Fictionalized portrayals of George W. Bush\n\nReferences\n\nCultural depictions of George H. W. Bush\nCultural depictions of presidents of the United States\nAmerican political satire\nSaturday Night Live sketches\nBush, George H. W.\nBush, George H. W.\nBush, George H. W." ]

[ "\\Weird Al\\\" Yankovic\"", "Parodies", "What was he known for?", "Yankovic is well known for creating parodies of contemporary radio hits, typically which make up about half of his studio releases.", "Name one of his parodies", "Yankovic's parody of Dire Straits' \"Money for Nothing\"," ]

[ "H3 – Halloween Horror Hostel is a German horror-parody, part of the TV series . The film was directed by Michael Karen and written by Stefan Barth.\n\nPlot \nDuring a cooking show, Tim Mälzer got repeated phone calls from a mysterious person, who asks for popcorn. After several calls Mälzer responds to the person, that threatened him to kill him, like he did it with the camera man. Mälzer looked for the camera man, but he had disappeared. Then the microwave rings and Mälzer opened it and find the camera man's head inside. After that a Jigsaw puppet appeared driving a small red car and asked again enraged for the popcorn.\n\nIn the same time the four friends Nico, Janine, Acki and Martin driving through a forest.\n\nCast \nAlfonso Losa as Nico\nJennifer Ulrich as Janin\nAxel Stein as Acki\nHendrik von Bültzingslöwen as Martin\nChristian Tramitz as Harry\nMike Krüger as Michael Meier\nIvonne Schönherr as Ficky\nAnni Wendler as Paris\nMirjam Weichselbraun as Sidney\nHolger C. Gotha as Vater von Sidney\nSantiago Ziesmer as Jigsaw (voice)\n\nParodies \nThe movie contains many references and parodies of many known horror-thriller movies:\nHalloween - The main theme can be heard, when the four friends walking through the forest.\nFriday the 13th\nHostel\nDead End\nSaw - The Jigsaw puppet.\nThe Ring\nJu-on\nI Know What You Did Last Summer\nScream\n28 Weeks Later\nHouse of Wax - Letter animation at the beginning\nThe Evil Dead - Camera drives\nDawn of the Dead\nThe Texas Chainsaw Massacre\nFreddy vs. Jason\nFrom Dusk till Dawn\nDonnie Darko - The smoking lookalike Donnie Darko rabbit scene\nE.T. the Extra-Terrestrial - Jigsaw puppet flies with his red car in front of shining moon.\nHarry Potter\nMichael Jackson's Thriller - The dance routine of the zombies, with the music\n\nReferences\n\nExternal links\n \n\n2008 films\n2008 television films\n2008 television episodes\nGerman films\nGerman television films\nGerman-language films\nGerman-language television shows\n2000s parody films\n2008 horror films\n2000s comedy horror films\nParody television episodes\nProSieben original programming\nParodies of horror\nParodies of films\n2008 comedy films", "Krasnaya Plesen (, literally, red mold), is a Russian punk rock group based in Yalta, active from 1989 to this day and having released 55 full albums. The name of the band is a mockery on the term Krasnaya Presnya ( - Red Presnya). Presnya is a name of a neighbourhood in Moscow that saw uprisings during the Russian Revolution of 1905, and during the Soviet era was a popular name for factories and other organizations.\n\nThe group is known for its parodies of popular musical artists, especially from Russia, such as Ruki Vverh!, and the profane and racist language used in many of its songs.\n\nFrequent characters in the group's songs include Russian political figures such as Leonid Brezhnev and Mikhail Gorbachev, as well as made-up characters like Cheburator (a portmanteau of Cheburashka and Terminator), the rural metalhead Balalaykin and Corporal Srul'.\n\nThe group's members as of 2010 are Pavel Yatsyna (founder), Sergey \"Sid\" Mikhaylov, Nika Morozova and Pavel Petrov.\n\nDiscography\n1991 – Album number 1 (remastered and re-release on CD in 2009 called \"Red Scum\")\n1992 – A snivel in the left ear (and remastered reissue on CD in 2007)\n1993 – Hit in the balls (Partial remastering and reissue on CD in 2007)\n1993 – Metalhead Balalaykin (Remastered and re-release on CD in 2000)\n1994 – New Year's Eve (Remastered and re-release on CD in 2006)\n1994 – Vampire Kasholkin (Remastered and re-release on CD in 2005)\n1994 – Ballads. Part 1 (re-released in 1996 titled \"Ballads and Lyrics\")\n1994 – Sadistic couplets (reissued in 1996 with the title \"A little boy and the other pioneering couplets, and the remastered edition on CD in 2004)\n1994 – Ninth delirium (Remastered and re-release on CD in 2005)\n1995 – Kabzdets to Chinese planes (Remastered and re-release on CD in 2006 and 2009 titled \"Our locomotive, or the Chynese don't fly\")\n1995 – Sleeping Beauty - part 1\n1997 – Sleeping Beauty - part 2\n1997 – THE BEST, mother fucka!\n1997 – Professor Bibizinsky and size of Chinese sneakers\n1998 – Cinderella\n1998 – Battle of Kulikovo\n1998 – Bulbets to \"Titanic\"\n1998 – Red Flower\n1999 – Phone Sex\n1999 – UNION of popular parodies 717\n1999 – The Tale of Tsar Saltan - 1\n2000 – UNION of popular parodies 828\n2000 – Eternal kaif\n2000 – UNION of popular parodies 1000\n2001 – The Adventures of Little Red Riding Hood\n2001 – UNION of popular parodies 3003\n2001 – Spanner for the cruiser \"Aurora\"\n2001 – UNION of popular parodies 2002\n2002 – The Tale of Tsar Saltan - 2\n2002 – UNION of popular parodies 6006\n2002 – ... you all\n2002 – UNION of popular parodies 4004\n2003 – Suck, pops!\n2003 – UNION of popular parodies 7007\n2003 – From the margins to the Kremlin\n2004 – UNION of popular parodies 8800\n2004 – Fly-Ssykatuha\n2004 – Bulbulator\n2004 – UNION of popular parodies 9900\n2004 – With Symphony Orchestra\n2005 – UNION of popular parodies XXX - Cold Twenty\n2005 – UNION of popular parodies 1.000.000\n2005 – UNION of popular parodies 5.000.000\n2006 – Trilogy of Russian punk rock\n2006 – UNION of popular parodies 16,000,000\n2006 – 46th album\n2007 – UNION of popular parodies of \"Fried thirty\"\n2007 – Disco of the Corporal Srul\n2007 – Ballads. Part 2\n2008 – ZheZZZt\n2008 – Kerosene\n2009 – Default\n2010 – Demotivators (not yet published)\n2010 – Ballads (BEST)\n2010 – UNION of popular parodies in 2010 (55 anniversary album)\n2012 – 21.12.12\n\nExternal links\n\nOfficial website \n\nRussian punk rock groups\nSoviet punk rock groups", "The 42nd President of the United States, Bill Clinton, has been parodied on Saturday Night Live (SNL) since 1992. Clinton was in office from 1993 to 2001, and has been portrayed on the show over a hundred times, most often by Darrell Hammond.\n\nBackground\nSaturday Night Live has parodied U.S. presidents and other politicians since the show started in 1975. The numerous sketches on Clinton are often inspired by aspects of his presidency, the Lewinsky scandal, and his relationship with his wife, herself a frequent subject in SNL's political sketches.\n\nPhil Hartman (1992–1994)\n\nPhil Hartman was the first cast member to portray Bill Clinton and did so until he left the show in 1994. Among his 18 appearances as Clinton, a December 1992 sketch, in which Clinton enters a McDonald's and eats customers' food while talking about politics, has been noted as a successful one.\n\nDarrell Hammond (1995–2019)\nDarrell Hammond took over the role during his SNL tenure from 1995 to 2009. Like Hartman, Hammond has been considered one of SNL'''s best political impersonators, and on the show he parodied several other American politicians. SNL's ratings rose at the peak of the Lewinsky-scandal, and when Monica Lewinsky guested the show in 1999, she appeared with Hammond's Clinton. In the sketch, Clinton dreams of the life after his presidency, and Lewinsky is his wife.\n\nIn 1997, he appeared as Clinton at the Radio and Television Correspondents' Association dinner. According to Hammond, he met Clinton at the White House before the event \"in full Clinton drag\". Telling Clinton that he felt foolish, the president replied \"I think you look terrific''.\" He also did an impression of Clinton as part of a 2001 White House Correspondents' Association dinner performance, after Clinton left office.\n\nHammond has returned as Clinton several times since he left the cast, and has played the part on the show over 90 times.\n\nOthers\nA 1994 sketch had several cast members auditioning to play Clinton, including Chris Farley, David Spade, Chris Elliott, Adam Sandler, and Tim Meadows. Michael McKean briefly played Clinton after Hartman, at the end of 1994. Dana Carvey once appeared as a \"young Clinton\" in a 1996 sketch where Bob Dole (Norm Macdonald) uses a time-machine. Beck Bennett played Clinton once, in 2013.\n\nSee also\n Saturday Night Live parodies of Joe Biden\n Saturday Night Live parodies of George H. W. Bush\n Saturday Night Live parodies of Hillary Clinton\n Saturday Night Live parodies of Sarah Palin\n Saturday Night Live parodies of Donald Trump\n\nReferences\n\nCultural depictions of Bill Clinton\nCultural depictions of presidents of the United States\nCultural depictions of Monica Lewinsky\nSaturday Night Live sketches\nSaturday Night Live in the 1990s\nSaturday Night Live in the 2000s\nSaturday Night Live in the 2010s\nAmerican political satire" ]

[ "\\Weird Al\\\" Yankovic\"", "Parodies", "What was he known for?", "Yankovic is well known for creating parodies of contemporary radio hits, typically which make up about half of his studio releases.", "Name one of his parodies", "Yankovic's parody of Dire Straits' \"Money for Nothing\",", "What other parodies did he do", "Yankovic considered that his first true satirical song was \"Smells Like Nirvana\"," ]

[ "Movies in Fifteen Minutes (known as m15m for short) is primarily the name of a set of Internet-based movie parodies by Cleolinda Jones (a pen name). The parodies first appeared in 2004 on Jones' LiveJournal, but have now been moved to a LiveJournal community of their own. There have been no new entries since 2012.\n\nBackground\nJones wrote the first parody, Van Helsing in Fifteen Minutes, for fun; it appeared on her personal blog on 9 May 2004. Van Helsing in Fifteen Minutes proved surprisingly popular with readers on the internet. Jones' blog became so popular because of the m15m that she ran out of space for members, so she created a community for the parodies that would accept more members; she then posted subsequent movie parodies in this community.\n\nBook\n\nIn 2004, Jones was asked by British publishing company Orion Books if she was interested in writing a book of the parodies. She was, and the book, Movies in Fifteen Minutes: Hollywood Blockbusters For People Who Can't Be Bothered was released in October 2005. It contains \"the ten biggest movies ever,\" parodies not published online. The book is not currently available in the United States, though it has been published in Europe, where it met with praise.\n\nCharacteristics\nThe parodies, written in the style of a screenplay, have a wide appeal, at once scathing and affectionate, with plenty of references to pop culture, Internet fan culture, movie trivia, and just about anything else. Font sizes and punctuation are used inventively (perhaps most memorably in The Matrix in Fifteen Minutes).\n\nJokes are made at the expense of plot holes, inconsistent character arcs, and bad dialogue amongst other things. The world of Internet fanfiction is also made fun of, with Jones making straight-faced, ridiculous claims about the characters even wilder than those made by the fanfic authors themselves.\n\nPopularity\nThe parodies are popular on the Livejournal site especially, despite being famous Internet-wide. This has caused various other people to write their own parodies, sometimes under the \"Movies in Fifteen Minutes\" name. Jones is the owner of the trademark (\"Movies in Fifteen Minutes\") under the common laws of the United States, and has said she is not comfortable with people using the name for their own parodies.\n\nReferences\n\nFurther reading\n\nExternal links\n Movies in Fifteen Minutes\n\nParodies of films\nBooks about films\nBritish comedy websites\nWorks published under a pseudonym", "João de Sá (fl. 1524–1567), known as Panasco (a nickname that meant rudeness as revealed by clothes or manners), was a black African in the employ of King John III of Portugal, who was eventually elevated from court jester to gentleman courtier of the Royal Household.\n\nCelebrated as a very spirited man, he began his career as a court jester, entertaining both the King and Queen Catherine with witty jokes and parodies. Even though he enjoyed the King's protection, João de Sá received constant racist abuse. His \"inferior condition\", undoubtedly a result of his initial condition as a slave, was frequently brought up by other courtiers. He could do, however, what was not allowed to anyone else: mock the nobility with impunity. His status as simultaneously an outsider and insider made him an invaluable informer to the King.\n\nIn 1535, he accompanied the King's brother, Infante Luís, Duke of Beja, to northern Africa, where he was part of the Holy Roman Emperor Charles V's military campaign to conquer Tunis from the Ottomans. The important victory over the Turks made the King of Portugal award João de Sá exceptional honours: he was eventually admitted to the prestigious Order of Saint James.\n\nReferences\n\n16th-century Portuguese people\nPortuguese slaves\nJesters\nPortuguese courtiers\nKnights of the Order of Saint James of the Sword\nPortuguese people of African descent\n16th-century slaves", "\"Someone Else's Eyes\" is a 2009 song by French singer Amanda Lear and Italian singer Deadstar. It was released by the independent label Just Good Music for Your Ears as the lead single from Lear's album Brief Encounters.\n\nSong information \n\"Someone Else's Eyes\" is a vocal duet between Lear and Enrico Petrelli, better known under his stage name Deadstar, who has also written and produced the track. It is a mid-tempo pop song with jazz elements, arranged by Nerio Poggi, including a saxophone solo by Fabio Tullio. The lyrics of the song, also written by Deadstar, tell about a relationship breakup.\n\nAmanda Lear and Deadstar met in summer 2008 – their first meeting took place in a café in the 16th arrondissement of Paris where they both live. They started recording the song in November that year in Rome and Paris. The track was then previewed at Midem in 2009 to positive reaction and subsequently chosen as the lead single from Lear's album Brief Encounters. It was released through Deadstar's own independent label Just Good Music for Your Ears, also including the ballad \"Secret Lover\". A limited edition of the single was released with copies of one of Amanda's sketches that she did during recording sessions. The song was then remixed by Boy George and Kinky Roland, and released as a maxi single on 24 May 2010 to promote the reissue Brief Encounters Reloaded. A remix of \"Doin' Fine\" was included as a bonus track.\n\nMusic video \nThe official music video for the track was filmed in April 2009 in Rome, Italy by Fabio Tibaldi at Studio 154. It pictures Amanda Lear and Deadstar performing the song in front of a white background. A video for the Boy George/Kinky Roland remix was also made in 2010.\n\nTrack listing \nCD Single (2009)\n \"Someone Else's Eyes\" – 4:08\n \"Secret Lover\" – 2:03\nvideo: \"Someone Else's Eyes\" – 4:08\n\nCD Promo Single (2009)\n \"Someone Else's Eyes\" (Radio Edit) – 2:54\n \"Someone Else's Eyes\" (All Eyes on the Dance Floor Remix Radio Edit) – 3:31\n\nCD Maxi Single (2010)\n \"Someone Else's Eyes\" (Boy George & Kinky Roland Mix) – 5:50\n \"Someone Else's Eyes\" (All Eyes on the Dance Floor Mix) – 6:45\n \"Someone Else's Eyes\" (Visionary Mix) – 4:05\n \"Someone Else's Eyes\" (Fully Loaded NRG Mix) – 7:33\n \"Doin' Fine\" (Devil's Desire Radio Mix) – 3:36\n\nReferences \n\nSongs about eyes\n2009 singles\n2009 songs\nAmanda Lear songs\nVocal duets" ]

[ "\\Weird Al\\\" Yankovic\"", "Parodies", "What was he known for?", "Yankovic is well known for creating parodies of contemporary radio hits, typically which make up about half of his studio releases.", "Name one of his parodies", "Yankovic's parody of Dire Straits' \"Money for Nothing\",", "What other parodies did he do", "Yankovic considered that his first true satirical song was \"Smells Like Nirvana\",", "What else was good about his parodies", "Yankovic's humor normally lies more in creating unexpected incongruity between an artist's image and the topic of the song, contrasting the style of the song with its content (" ]

[ "This article lists Sinn Féin's election results in UK parliamentary elections.\n\nSummary of general election performance\n\nNotes\nFor the 1918 election, MPs are given out of the Ireland total. For subsequent elections, MP totals are for Northern Ireland.\n\nFour Sinn Féin candidates were elected in two constituencies each, so Sinn Féin actually had 69 out of 101 Irish MPs. In what was to become Northern Ireland, Sinn Féin won 3 seats out of a possible 30.\n\nElection results\n\nBy-elections 1906–1910\n\nBy-elections, 1910–1918\n\n1918 general election\n\nCork City was a two-seat constituency, and both Sinn Féin candidate were elected.\n\nBy-elections, 1918–22\n\n1924 general election\n\n1950 general election\n\nMcAteer stood as an independent republican candidate.\n\n1955 general election\n\nBy-elections, 1955–59\n\n1959 general election\n\n1964 general election\nThese Sinn Féin members stood as Independent Republican candidates.\n\n1966 general election\nThese Sinn Féin members stood as Independent Republican candidates.\n\nBy-elections, 1979–83\nThese Sinn Féin members stood as Anti H-Block candidates.\n\n1983 general election\n\nBy-elections, 1983–87\n\n1987 general election\n\nBy-elections, 1987–92\n\n1992 general election\n\n1997 general election\n\nBy-elections, 1997–2001\n\n2001 general election\n\n2005 general election\n\n2010 general election\n\nBy-elections, 2010–15\n\n2015 general election\n\n2017 general election\n\nBy-elections, 2017–2019\n\n2019 general election\nSinn Féin did not stand candidates in Belfast East, Belfast South or North Down in order to aid anti-Brexit and anti-Democratic Unionist Party candidates in those constituencies.\n\nFootnotes\n\nReferences\n\nF. W. S. Craig, Chronology of British Parliamentary By-elections 1833–1987\n\nSinn Féin\nElection results by party in the United Kingdom", "Jignas Chittibomma (born January 12, 1994) is an Indian archer. He is noted for being instrumental in India's 2nd-place finish in the 2010 Commonwealth Games.\n\nEarly life\nHis superlative performance at the schooling age of 14 while studying class IX in Second South Asian Archery championship held in Jamshedpur has brought fame to the entire Krishna district of Andhra Pradesh archery fraternity and also to Volga Archery academy under international coach Lenin, who died in an accident while travelling back home along with his team after receiving accolades and felicitation for winning Silver medal from E. S. L. Narasimhan, Governor of Andhra Pradesh and K. Roshaiah, Chief Minister of Andhra Pradesh, although his team members escaped unhurt.\n\n2010 Common wealth game\nHe is noted as the youngest archer in India's team and being instrumental in winning team silver medal in Commonwealth Games of 2010 that was held at New Delhi in India by defeating South Africa with 226–224 in semifinal and settled for silver medal by losing to England in final with 229-231 points. Jignas was instrumental in entering final by scoring 78 points out of 80\n\n(8 Arrows) in semi final and scored a record of 79 points out of 80(8 Arrows) to win silver medal by the Indian team comprising Ritul Chatterjee and Chinna alias Raju Sridhar. Jignas is also credited for being youngest boy at the age of 14 years to participate in all Sub Junior, Junior and Senior Nationals in one single year between 2007 and 2008 held in India and Turkey. He is also credited for being youngest boy of 16 years old to play in Senior Archery world cup held in Croatia in 2010.\n\nPersonal Details\nJignas was born on January 12, 1994, to Sri. Ch.V. Rajasekhar an Irrigation Engineer and Smt. Ch. Nalini at Vijaywada in Andhra Pradesh.\n\nHis fine skills were first noticed by his father when he was shooting darts accurately and took up archery at the age of 8 in May 2002 as he has facilities for archery training in his native place, although he was actually interested in\nshooting. His Father and Mother both being sports persons, encouraged and supported him right from his youth in sports despite high cost of Archery equipment.\n\nParticipated Events\n Won 5 Gold Medals at Sub Juniors 49th National Schools held at Sangli in Maharashtra during 2004 and stood national first.\n Won 1 Silver Medal at Sub Juniors 50th National Schools held at Kolkata in West Bengal during 2005 and stood national second.\n Won 1 Bronze Medal at Sub Juniors 51st National Schools held at Amravati in Maharashtra during 2006 and stood national third.\n Won 1 Bronze Medal at Sub Juniors National Archery Championship held at Raipur in Chhattisgarh during 2007 and stood national sixth.\n Won 4 Gold Medals, 1 Silver and 1 Bronze at Sub Juniors National Archery Championship held at Jabalpur in Madhya Pradesh during 2007 and stood national first.\n Won 1 Silver and 1 Bronze Medal at Juniors National Archery Championship held at Amravati in Maharashtra during 2007 and stood national third. This also secured an opportunity to represent India at International stage.\n Stood 3rd in both 30 meters and 90 meters and 4th in 50 meters in South Asian Junior Archery Championship held at Tata Nagar in Jamshedpur.\n Participated in Youth World Championship and stood 15th in Cadet rank held at Antalya in Turkey.\n Participated in Senior National Archery Championship held at Tata Nagar in Jamshedpur during 2008 and stood national twenty first.\n Won 2 Gold, 2 Silver and 2 Bronze Medals at Junior National Archery Championship held at Raipur in Chhattisgarh during 2009 and stood national first and also became national champion.\n Won 1 Team Bronze Medal at Senior National Archery Championship held at Guwahati in Assam in 2010.\n Participated and stood 65th in Achery World Cup held at Porec in Croatia in 2010.\n Won 1 Team Silver Medal in Commonwealth Games 2010 held at New Delhi in India.\n\nReferences\n\nExternal links\n http://jeetlocwg.in/site/ch-jignas/\n https://web.archive.org/web/20101027083125/http://www.ndtv.com/article/sports/archery-coach-lenin-dies-in-accident-cwg-medallist-unhurt-61976\n \n https://web.archive.org/web/20101027083125/http://www.ndtv.com/article/sports/archery-coach-lenin-dies-in-accident-cwg-medallist-unhurt-61976\n \n \n \n https://web.archive.org/web/20100420065842/http://connect.in.com/commonwealth-games/profile-543083.html\n http://www.deccanherald.com/content/107092/former-india-archer-lenin-dies.html\n http://timesofindia.indiatimes.com/topic/article/043C6Qq2NCeY2?q=Commonwealth+Games\n https://web.archive.org/web/20120311101942/http://www.timesnow.tv/Vijaywada-Archery-coach-dies-in-car-mishap/articleshow/4356751.cms\n\nLiving people\nTelugu people\n1994 births\nCommonwealth Games medallists in archery\nCommonwealth Games silver medallists for India\nIndian male archers\nArchers at the 2010 Commonwealth Games", "The Independent Labour Network was a left-wing political organisation in the United Kingdom.\n\nIt was founded in 1998 by MEPs Ken Coates and Hugh Kerr following their expulsion from the Labour Party. They stood candidates in the 1999 European Parliament election and were involved in setting up first local branches of the Socialist Alliance, then the national organisation. The Leeds North East Constituency Labour Party supported the ILN and as a result were threatened with disaffiliation from the Labour Party, many of its members forming the Leeds Left Alliance.\n\nThe organisation attracted few votes in the 1999 European Parliament election, and had disbanded by 2003.\n\nExternal links\nIndependent Labour Network (inactive)\nArticle from What Next? critical of the ILN\n\nPolitical parties established in 1998\nDefunct socialist parties in the United Kingdom\n1998 establishments in the United Kingdom\nLabour parties" ]

[ "William Hogarth", "Harlot's and Rake's Progresses" ]

[ "A Harlot's Progress (also known as The Harlot's Progress) is a series of six paintings (1731, now destroyed) and engravings (1732) by the English artist William Hogarth. The series shows the story of a young woman, M. (Moll or Mary) Hackabout, who arrives in London from the country and becomes a prostitute. The series was developed from the third image. After painting a prostitute in her boudoir in a garret on Drury Lane, Hogarth struck upon the idea of creating scenes from her earlier and later life. The title and allegory are reminiscent of John Bunyan's Pilgrim's Progress.\n\nIn the first scene, an old woman praises her beauty and suggests a profitable occupation. A gentleman is shown towards the back of the image. In the second image she is with two lovers: a mistress, in the third she has become a prostitute as well as arrested, she is beating hemp in Bridewell Prison in the fourth. In the fifth scene she is dying from venereal disease, and she is dead at age 23 in the last.\n\nHistory\nThe protagonist \"M. Hackabout\" (see Plate 1, Plate 3, and the coffin-lid in Plate 6, which reads: \"M. Hackabout Died Sept 2d 1731 Aged 23\") is either named after the heroine of Moll Flanders and Kate Hackabout or ironically after the Blessed Virgin Mary. Kate was a notorious prostitute and the sister of highwayman Francis Hackabout: he was hanged on 17 April 1730; she was convicted of keeping a disorderly house in August the same year, having been arrested by Westminster magistrate Sir John Gonson.\n\nThe series of paintings proved to be very popular and Hogarth used his experience as an apprentice to a silversmith to create engravings of the images, selling a \"limited edition\" of 1,240 sets of six prints to subscribers for a guinea. Pirate copies of the engravings were soon in circulation, and Hogarth procured a 1735 Act of Parliament (8 Geo. II. cap. 13) to prohibit the practice. Soon after, Hogarth published his second series of satirical and moralistic images, A Rake's Progress, followed ten years later by Marriage à-la-mode.\n\nThe original paintings were destroyed in a fire at Fonthill House in 1755, the country house of William Beckford (1709–1770), a politician and father of William Thomas Beckford (1 October 1760 – 2 May 1844) builder of Fonthill Abbey in Wiltshire. The original plates survived, and were sold by Hogarth's widow, Jane, to John Boydell in 1789; by him to Baldwin, Cradock and Joy in 1818; and then to Henry Bohn in 1835. Each produced further copies.\n\nAdaptation\n\nBritish composer Iain Bell composed an operatic adaptation of the work which opened at the Theater an der Wien in Vienna in 2013 with German soprano Diana Damrau in the title role. The world premiere of the opera A Harlot's Progress was on 13 October 2013.\n\nThe plates\n\nLegacy\nOn 22 June 1828, William Innell Clement published Harlot's Progress in columns on a single page of his newspaper Bell's Life in London #330.\n\nReferences\n\nExternal links\n\n The series of engravings\n The Literary Encyclopedia\n A reprint of the Grub Street Journal, referring to Kate Hackabout\n An analysis\n (2006 film)\n Vienna’s New Opera House Since 1801, The New York Times, 29 May 2009\n\nPaintings by William Hogarth\n1731 paintings\nPainting series\nLost paintings\n18th-century engravings\nPrints by William Hogarth\nProstitution in paintings\nWorks about prostitution in the United Kingdom", "A Harlot's Progress is a 2006 British television film directed by Justin Hardy and starring Zoe Tapper, Toby Jones, Sophie Thompson and Richard Wilson. The story is based on the series of paintings entitled A Harlot's Progress by William Hogarth. Hogarth's work is inspired by his interactions with an eighteenth-century prostitute Mary Collins. It originally aired on Channel 4 on 2 November 2006.\n\nMain cast\n Zoe Tapper - Mary Collins\n Toby Jones - William Hogarth\n Sophie Thompson - Jane Hogarth\n Richard Wilson - Sir James Thornhill\n Geraldine James - Madame Needham\n\nReferences\n\nExternal links\n\n2006 television films\n2006 films\nBritish films\nBritish television films\nEnglish-language films\nFilms set in the 1730s\nFilms set in the 18th century\nBiographical films about painters\nChannel 4 television films\nFilms directed by Justin Hardy\nCultural depictions of William Hogarth" ]

[ "William Hogarth", "Harlot's and Rake's Progresses", "When did Hogarth paint Harlot's and Rake's Progresses?", ") before being published as engravings." ]

[ "Tony Tough 2: A Rake's Progress is a 2006 Windows adventure game designed by Stefano Gualeni and published by Dtp-entertainment. It is the sequel to Tony Tough and the Night of Roasted Moths (1999).\n\nGameplay\nA prequel to Tony Tough and the Night of Roasted Moths, A Rake's Progress was designed following the structure and the organization of two existing works with the same title:\n A Rake's Progress: a set of eight prints published in 1735 by William Hogarth\n A Rake's Progress: sixteen plates created in 1963 by David Hockney\n \nThe story of Tony Tough 2 follows a day in the life of Tony Tough as he investigates alien landings and ancient Indian cultures in his hometown of Washington, New Mexico during the early 1950s.\n\nGameplay focuses on conversations with strange characters, puzzle solving, and combining and using items found throughout the game with the objective to make sense out of a mystery which involves the disappearance of seven ancient statues and Tony's own maid, Cornelia Cook, as well as the death of Cornelia's grandmother Florence Cook (allegedly inspired by Katie King).\n\nIn addition, the game (like other works inspired by Hogarth's The Rake's Progress (as well as his A Harlot's Progress)) follows the regression of the main character and the loss of the qualities which made him human in the first place. In A Rake's Progress, the loss of Tony Tough's innocence, as well as his beloved dog Pantagruel, coincides with him developing into a private detective.\n\nReception\n\nPC Games says what the game is about can hardly be determined, that \"Tony jogs across the screen in what feels like slow motion\", and that the perspective often jumps back and forth so wildly that one would wish for a compass on the edge of the screen for orientation.\n\nSee also\nAnkh: Heart of Osiris\nRunaway 2: The Dream of the Turtle\nSam & Max Save the World\n\nReferences\n\nExternal links\n Tony Tough 2: development diary\n Tony Tough 2 at The Internet Movie Database\n\n2006 video games\nPoint-and-click adventure games\nVideo games developed in Italy\nVideo game prequels\nWindows games\nWindows-only games", "Bruno Agra (born September 1, 1980 in Rio de Janeiro, Brazil) is formerly drummer of the American rock band We Are Harlot and also Aquaria and Revolution Renaissance.\n\nMusical career\n\nAquaria (1999-2007) \nBruno begun as drummer of the Brazilian symphonic power metal-band Aquaria formerly known as Uirapuru. With Aquaria he released two studioalbums, Luxaeterna in 2005 and Shambala in 2007. As Uirapuru they recorded two demos.\n\nRevolution Renaissance (2010) \n\nBruno Agra provided drums for the third album, Trinity of the band Revolution Renaissance as a full member, however the band was disbanded that same year.\n\nWe Are Harlot (2011-present) \n\nAgra joined the band in their formation year of 2011 after he was invited by members Danny Worsnop and Jeff George to write music with them. Since then they have recruited Brian Weaver intend to release their debut album in March 2015.\n\nDiscography\n With Uirapuru\n Here Comes The Life (Demo, 2001)\n Flames of Trinity (Demo, 2002)\n\n With Aquaria\n Luxaeterna (2005)\n Shambala (2007)\n\n With Revolution Renaissance\n Demos (2008)\n Age Of Aquarius (2009)\n Trinity (2010)\n\nWith We Are Harlot\n We Are Harlot – (2015)\n\nReferences \n\n1980 births\nAmerican hard rock musicians\nBrazilian heavy metal drummers\nLiving people\nMusicians from Rio de Janeiro (city)\n21st-century drummers" ]

[ "William Hogarth", "Harlot's and Rake's Progresses", "When did Hogarth paint Harlot's and Rake's Progresses?", ") before being published as engravings.", "What are Harlot's and Rake's Progresses?", "A Harlot's Progress depicts the fate of a country girl who begins prostituting" ]

[ "A Rake's Progress is a series of eight paintings by British artist William Hogarth.\n\nRake's Progress may also refer to:\n\nThe Rake's Progress, an opera by Igor Stravinsky based on the paintings\nThe Rake's Progress (ballet), a ballet based on the paintings\nThe Rake's Progress (film), a 1945 British film directed by Sidney Gilliat\n\"The Rakes Progress\", a song by Marillion from Holidays in Eden\n\nSee also\nRake (disambiguation)\nProgress (disambiguation)", "The Rake's Progress is a short 1935 ballet based on the drawings of William Hogarth, with music by Gavin Gordon (1901-1970), choreography by Ninette de Valois, and set design by Rex Whistler. \n\nGavin Gordon had written some earlier ballets that were not successful. By contrast, The Rake's Progress was an instant hit and has remained in the repertoires of a number of ballet companies. It is the only work of Gavin Gordon's that is remembered today.\n\nBackground\nGordon based his scenario for the ballet on Hogarth's series of paintings called A Rake's Progress. These paintings influenced him far more literally than was the case with Igor Stravinsky in his 1951 operatic treatment. Stravinsky's Hogarthian borrowings were limited to the name of the protagonist, the general notion of his progress, and specific ideas for two of the scenes. \n\nThe ballet was Gordon's own concept, and he persuaded Ninette de Valois to choreograph it.\n\nThe Rake's Progress was produced at the Sadler's Wells Theatre in 1935. The costumes and scenery were by Rex Whistler. They were destroyed in the Netherlands during the Second World War, while Sadler's Wells were visiting that country, but were remade for a revival.\n\nStructure\nThe ballet consists of the following numbers: \nPrelude\nThe Reception\nThe Dancing Lesson (Menuetto galante)\nThe Orgy (Rondo)\nThe Faithful Girl (Loure)\nThe Gambling Den (Gigue)\nOutside the Prison Gates (Sarabande)\nThe Mad House (Quodlibet).\n\nGordon employed the Swannee whistle in his orchestration. \n\nThe ballet has had several recordings (conductors include Constant Lambert and Barry Wordsworth). \n\nRobert Helpmann, who was in the original cast, included it in The Royal Ballet's first tour of Australia in 1956. Other major artists to be associated with The Rake's Progress include Margot Fonteyn and Beryl Grey.\n\nOriginal 1935 cast\nThe Rake: Robert Helpmann\n The Betrayed Girl: Alicia Markova\nThe Dancing Master: \nMan with a Rope: \nThe Rake’s Friend/A Card Player: \nBetrayed Girl’s Mother: \nThe Dancer: \nThe Ballad Singer:\n\n1982 revival cast\nThe Rake: David Morse\nThe Betrayed Girl: Nicola Katrak\nThe Dancing Master: Kim Reeder\nMan with a Rope: David Bintley\nThe Rake’s Friend/A Card Player: Michael Corder\nBetrayed Girl’s Mother: Susan Crow\nThe Dancer: Chenca Williams\nThe Ballad Singer: Siobhan Stanley\n\nReferences\n\nSources\nBlom, Eric ed. (1954). Grove's Dictionary of Music and Musicians, 5th edition. St. Martin's Press. \nSchueneman, Bruce R. and William Emmett Studwell: Minor ballet composers: biographical sketches of sixty-six underappreciated composers (Psychology Press, 1997) p.45.\n\nBallets by Ninette de Valois\nBallets designed by Rex Whistler\n1935 ballet premieres\nBallets created for The Royal Ballet\nWorks based on art" ]

[ "William Hogarth", "Harlot's and Rake's Progresses", "When did Hogarth paint Harlot's and Rake's Progresses?", ") before being published as engravings.", "What are Harlot's and Rake's Progresses?", "A Harlot's Progress depicts the fate of a country girl who begins prostituting", "What is a Rake's Progress?", "the sequel" ]

[ "Watch What Happens may refer to:\n\n \"Watch What Happens\", the English-language version of the song \"Recit de Cassard\" by Michel Legrand from the 1964 film The Umbrellas of Cherbourg\n Watch What Happens, a 1967 jazz album by Harold Vick\n Watch What Happens!, a 1968 jazz album by Steve Kuhn\n Watch What Happens, a 1968 album by Chris Montez\n Watch What Happens, a 1978 jazz album by The L.A. Four\n The Jazz Album: Watch What Happens, a 2006 album by Thomas Quasthoff\n Watch What Happens Live with Andy Cohen, an American talk show", "\"Girl Code\" is a song by American television personality Luann de Lesseps, under the stage name and former courtesy title of Countess Luann. It was released on July 3, 2015, through Eloli Music, as a standalone single. Jerry \"Wonda\" Duplessis produced the song and co-wrote it with de Lesseps, Arden Altino, Angela Ann Hunte, Tzvetin T. Todorov, and Urales Vargas. Despite having no plans to release new music, de Lesseps was inspired by her fellow The Real Housewives of New York City cast members and convinced by the series' producer Andy Cohen to release a third single. \n\n\"Girl Code\" is a funk-influenced dance song that features backing vocals from de Lesseps' daughter, Victoria. She premiered the song during an episode of Watch What Happens Live with Andy Cohen, and its lyrics partially reference an argument between de Lesseps and American author Carole Radziwill that occurred while vacationing in the Turks and Caicos Islands. It received mixed reviews from music critics, with E! Online referring to it as a guilty pleasure song.\n\nBackground and release \nAccording to Luann de Lesseps, she did not have any plans to release additional music in her career. In 2010, she was signed to Ultra Music, and collaborated with New York City-based musician Chris Young as her producer and co-songwriter. Together, they released \"Money Can't Buy You Class\" in 2010, and \"Chic C'est la Vie\" in 2011. Her appearances on The Real Housewives of New York City proved to be a source of inspiration for developing her third single, \"Girl Code\"; she said in an interview: \"I got really inspired... I'm thrilled with it because the song is really different from what I've done before.\" The series' producer Andy Cohen also helped convince de Lesseps to release a new song. \"Girl Code\" was written by de Lesseps, Jerry \"Wonda\" Duplessis, Arden Altino, Angela Ann Hunte, Tzvetin T. Todorov, and Urales Vargas, while production was handled by Duplessis.\n\nde Lesseps premiered \"Girl Code\" as a live performance on the American late-night talk show Watch What Happens Live with Andy Cohen. The episode, which was broadcast on June 23, 2015, featured both de Lesseps and Real Housewives co-star Sonja Morgan; During the appearance, de Lesseps answered a fan's phone-in question regarding the song's subject matter and title: \"I think every woman can understand what that means. When you break the girl code, when you cross the line, and you just do something that is – you know – unforgivable unless someone apologizes.\" The song was released on July 3, 2015, when it was distributed for digital download and streaming through Eloli Music. Some publications have referred to the song by the alternative title \"Girl Code (Don't Be So Uncool)\". A music video for the song was filmed during the last week of June 2015.\n\nMusic and lyrics \n\n\"Girl Code\" is a funk-influenced dance song. de Lesseps' daughter, Victoria, provides backing vocals. Dave Quinn and Jessica Fecteau, writers from People, both noted the song's girl power theme, with the former calling it funky. \n\nLyrically, \"Girl Code\" refers to a moment in de Lesseps' life where she felt betrayed by her friends. While vacationing with the Real Housewives cast in the Turks and Caicos Islands, she took issue with some members, specifically author Carole Radziwill, for entering a relationship with the former boyfriend of de Lesseps' niece. Specifying, de Lesseps revealed to E! Online that \"Girl Code\" is not entirely about just one incident, but rather \"how friends have to look out for each other\" and what happens when they do not. One of the lyrics references a catchphrase de Lesseps coined during the trip (\"Don't be all, like, uncool\"). In the chorus, \"I'm just doing me / You broke the girl code / So don't be so uncool / I gotta let you go\", Ben Rimalower from Vulture felt she expresses her want of \"support and company\" from her friendships.\n\nCritical reception \nChris Harnick from E! Online referred to \"Girl Code\" as a guilty pleasure song. Bustles Kristie Rohwedder ranked de Lesseps' three singles, and provided the lowest score to \"Girl Code\"; however, she enjoyed its lyrics, danceability, and catchiness. Lynsey Eidell of Glamour encouraged her readers to listen to the song \"if only for a chuckle\". \n\nRetrospectively, Sadie Gennis from TV Guide Magazine listed \"Girl Code\" as the tenth best Real Housewives song in a 2017 article. She called the song nonsense and said Victoria de Lesseps' feature was the best part of the song. In a similar 2019 list by People, Quinn listed it as the franchise's 18th best song, and labeled it as \"a banger\".\n\nTrack listing\n\nRelease history\n\nNotes\n\nReferences\n\nExternal links \n \n\n2015 singles\n2015 songs\nCountess Luann songs\nThe Real Housewives\nSong recordings produced by Jerry Duplessis\nSongs about betrayal\nSongs written by DJ Buddha" ]

[ "William Hogarth", "Harlot's and Rake's Progresses", "When did Hogarth paint Harlot's and Rake's Progresses?", ") before being published as engravings.", "What are Harlot's and Rake's Progresses?", "A Harlot's Progress depicts the fate of a country girl who begins prostituting", "What is a Rake's Progress?", "the sequel", "What happens to the country girl?", "ending with a funeral ceremony that follows the character's death from venereal disease." ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "William Hogarth", "Harlot's and Rake's Progresses", "When did Hogarth paint Harlot's and Rake's Progresses?", ") before being published as engravings.", "What are Harlot's and Rake's Progresses?", "A Harlot's Progress depicts the fate of a country girl who begins prostituting", "What is a Rake's Progress?", "the sequel", "What happens to the country girl?", "ending with a funeral ceremony that follows the character's death from venereal disease.", "Are there any other interesting aspects about this article?", "The inaugural series was an immediate success" ]

[ "Ian Hogarth is the co-founder and Chairman of Songkick.\n\nHogarth studied Artificial Intelligence at the University of Cambridge.\n\nSongkick \n\nHogarth founded live music startup Songkick with friends Michelle You and Pete Smith in 2007. Smith and Hogarth met at Cambridge, Hogarth and You met in Beijing; they shared a love of live music and formed Songkick, which was part of the 2007 Y Combinator program in Boston. They chose to set up the company in London because it \"is the gig capital of the world. London has more concerts than anywhere else.\"\n\nHogarth and his fellow Songkick co-founders were named to Inc. magazine's 30-under-30 list in 2010; the same year, Hogarth won the British Council’s UK Young Music Entrepreneur of the Year award. He was also named as one of Forbes magazine's 2012 music 30-under-30.\n\nIn 2013, Songkick launched Detour, a crowdfunding platform for concerts.\n\nIn June 2015, Songkick announced its merger with direct ticket vendor CrowdSurge and a $16.6m Series C investment round. Hogarth became co-CEO of the combined company, alongside Matt Jones the former CrowdSurge CEO.\n\nSilicon Milkroundabout \n\nIn 2010, Hogarth and Songkick COO Pete Smith founded Silicon Milkroundabout, a career fair for high tech startups in East London.\n\nReferences \n\nYear of birth missing (living people)\nLiving people\nBritish company founders\nAlumni of the University of Cambridge", "William Hogarth (; 10 November 1697 – 26 October 1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranges from realistic portraiture to comic strip-like series of pictures called \"modern moral subjects\", and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode. Knowledge of his work is so pervasive that satirical political illustrations in this style are often referred to as \"Hogarthian\".\n\nHogarth was born in London to a lower-middle-class family. In his youth he took up an apprenticeship with an engraver, but did not complete the apprenticeship. His father underwent periods of mixed fortune, and was at one time imprisoned in lieu of outstanding debts, an event that is thought to have informed William's paintings and prints with a hard edge.\n\nInfluenced by French and Italian painting and engraving, Hogarth's works are mostly satirical caricatures, sometimes bawdily sexual, mostly of the first rank of realistic portraiture. They became widely popular and mass-produced via prints in his lifetime, and he was by far the most significant English artist of his generation. Charles Lamb deemed Hogarth's images to be books, filled with \"the teeming, fruitful, suggestive meaning of words. Other pictures we look at; his pictures we read.\"\n\nEarly life\n\nWilliam Hogarth was born at Bartholomew Close in London to Richard Hogarth, a poor Latin school teacher and textbook writer, and Anne Gibbons. In his youth he was apprenticed to the engraver Ellis Gamble in Leicester Fields, where he learned to engrave trade cards and similar products.\n\nYoung Hogarth also took a lively interest in the street life of the metropolis and the London fairs, and amused himself by sketching the characters he saw. Around the same time, his father, who had opened an unsuccessful Latin-speaking coffee house at St John's Gate, was imprisoned for debt in the Fleet Prison for five years. Hogarth never spoke of his father's imprisonment.\n\nIn 1720, Hogarth enrolled at the original St Martin's Lane Academy in Peter Court, London, which was run by Louis Chéron and John Vanderbank. He attended alongside other future leading figures in art and design, such as Joseph Highmore, William Kent, and Arthur Pond. However, the academy seems to have stopped operating in 1724, at around the same time that Vanderbank fled to France in order to avoid creditors. Hogarth recalled of the first incarnation of the academy: \"this lasted a few years but the treasurer sinking the subscription money the lamp stove etc were seized for rent and the whole affair put a stop to.\" Hogarth then enrolled in another drawing school, in Covent Garden, shortly after it opened in November 1724, which was run by Sir James Thornhill, serjeant painter to the king. On Thornhill, Hogarth later claimed that, even as an apprentice, \"the painting of St Pauls and gree[n]wich hospital … were during this time runing in my head\", referring to the massive schemes of decoration painted by Thornhill for the dome of St Paul's Cathedral, and Greenwich Hospital.\n\nHogarth became a member of the Rose and Crown Club, with Peter Tillemans, George Vertue, Michael Dahl, and other artists and connoisseurs.\n\nCareer\n\nBy April 1720, Hogarth was an engraver in his own right, at first engraving coats of arms and shop bills and designing plates for booksellers.\n\nIn 1727, he was hired by Joshua Morris, a tapestry worker, to prepare a design for the Element of Earth. Morris heard that he was \"an engraver, and no painter\", and consequently declined the work when completed. Hogarth accordingly sued him for the money in the Westminster Court, where the case was decided in his favour on 28 May 1728.\n\nEarly works\n\nEarly satirical works included an Emblematical Print on the South Sea Scheme (c. 1721, published 1724), about the disastrous stock market crash of 1720, known as the South Sea Bubble, in which many English people lost a great deal of money. In the bottom left corner, he shows Protestant, Roman Catholic, and Jewish figures gambling, while in the middle there is a huge machine, like a merry-go-round, which people are boarding. At the top is a goat, written below which is \"Who'l Ride\". The people are scattered around the picture with a sense of disorder, while the progress of the well dressed people towards the ride in the middle shows the foolishness of the crowd in buying stock in the South Sea Company, which spent more time issuing stock than anything else.\n\nOther early works include The Lottery (1724); The Mystery of Masonry brought to Light by the Gormagons (1724); A Just View of the British Stage (1724); some book illustrations; and the small print Masquerades and Operas (1724). The latter is a satire on contemporary follies, such as the masquerades of the Swiss impresario John James Heidegger, the popular Italian opera singers, John Rich's pantomimes at Lincoln's Inn Fields, and the exaggerated popularity of Lord Burlington's protégé, the architect and painter William Kent. He continued that theme in 1727, with the Large Masquerade Ticket. In 1726, Hogarth prepared twelve large engravings illustrating Samuel Butler's Hudibras.\n These he himself valued highly, and they are among his best book illustrations.\n\nIn the following years, he turned his attention to the production of small \"conversation pieces\" (i.e., groups in oil of full-length portraits from high. Among his efforts in oil between 1728 and 1732 were The Fountaine Family (c.1730), The Assembly at Wanstead House, The House of Commons examining Bambridge, and several pictures of the chief actors in John Gay's popular The Beggar's Opera. One of his real-life subjects was Sarah Malcolm, whom he sketched two days before her execution.\n\nOne of Hogarth's masterpieces of this period is the depiction of an amateur performance by children of John Dryden's The Indian Emperour, or The Conquest of Mexico by Spaniards, being the Sequel of The Indian Queen (1732–1735) at the home of John Conduitt, master of the mint, in St George's Street, Hanover Square.\n\nHogarth's other works in the 1730s include A Midnight Modern Conversation (1733), Southwark Fair (1733), The Sleeping Congregation (1736), Before and After (1736), Scholars at a Lecture (1736), The Company of Undertakers (Consultation of Quacks) (1736), The Distrest Poet (1736), The Four Times of the Day (1738), and Strolling Actresses Dressing in a Barn (1738). He might also have printed Burlington Gate (1731), evoked by Alexander Pope's Epistle to Lord Burlington, and defending Lord Chandos, who is therein satirized. This print gave great offence, and was suppressed. However, modern authorities such as Ronald Paulson no longer attribute it to Hogarth.\n\nMoralizing art\n\nHarlot's Progress and Rake's Progress\n\nIn 1731, Hogarth completed the earliest of his series of moral works, a body of work that led to wide recognition. The collection of six scenes was entitled A Harlot's Progress and appeared first as paintings (now lost) before being published as engravings. A Harlot's Progress depicts the fate of a country girl who begins prostituting – the six scenes are chronological, starting with a meeting with a bawd and ending with a funeral ceremony that follows the character's death from venereal disease.\n\nThe inaugural series was an immediate success and was followed in 1733–1735 by the sequel A Rake's Progress. The second instalment consisted of eight pictures that depicted the reckless life of Tom Rakewell, the son of a rich merchant, who spends all of his money on luxurious living, services from prostitutes, and gambling – the character's life ultimately ends in Bethlem Royal Hospital. The original paintings of A Harlot's Progress were destroyed in the fire at Fonthill House in 1755; the oil paintings of A Rake's Progress (1733–34) are displayed in the gallery room at Sir John Soane's Museum, London, UK.\n\nWhen the success of A Harlot's Progress and A Rake's Progress resulted in numerous pirated reproductions by unscrupulous printsellers, Hogarth lobbied in parliament for greater legal control over the reproduction of his and other artists' work. The result was the Engravers' Copyright Act (known as 'Hogarth's Act'), which became law on 25 June 1735 and was the first copyright law to deal with visual works as well as the first to recognise the authorial rights of an individual artist.\n\nMarriage A-la-Mode\n\nIn 1743–1745, Hogarth painted the six pictures of Marriage A-la-Mode (National Gallery, London), a pointed skewering of upper-class 18th-century society. This moralistic warning shows the miserable tragedy of an ill-considered marriage for money. This is regarded by many as his finest project and may be among his best-planned story serials.\n\nMarital ethics were the topic of much debate in 18th-century Britain. The many marriages of convenience and their attendant unhappiness came in for particular criticism, with a variety of authors taking the view that love was a much sounder basis for marriage. Hogarth here painted a satire – a genre that by definition has a moral point to convey – of a conventional marriage within the English upper class. All the paintings were engraved and the series achieved wide circulation in print form. The series, which is set in a Classical interior, shows the story of the fashionable marriage of Viscount Squanderfield, the son of bankrupt Earl Squander, to the daughter of a wealthy but miserly city merchant, starting with the signing of a marriage contract at the Earl's grand house and ending with the murder of the son by his wife's lover and the suicide of the daughter after her lover is hanged at Tyburn for murdering her husband.\n\nWilliam Makepeace Thackeray wrote: This famous set of pictures contains the most important and highly wrought of the Hogarth comedies. The care and method with which the moral grounds of these pictures are laid is as remarkable as the wit and skill of the observing and dexterous artist. He has to describe the negotiations for a marriage pending between the daughter of a rich citizen Alderman and young Lord Viscount Squanderfield, the dissipated son of a gouty old Earl ... The dismal end is known. My lord draws upon the counsellor, who kills him, and is apprehended while endeavouring to escape. My lady goes back perforce to the Alderman of the City, and faints upon reading Counsellor Silvertongue's dying speech at Tyburn (place of execution in old London), where the counsellor has been 'executed for sending his lordship out of the world. Moral: don't listen to evil silver-tongued counsellors; don't marry a man for his rank, or a woman for her money; don't frequent foolish auctions and masquerade balls unknown to your husband; don't have wicked companions abroad and neglect your wife, otherwise you will be run through the body, and ruin will ensue, and disgrace, and Tyburn.\n\nIndustry and Idleness\n\nIn the twelve prints of Industry and Idleness (1747), Hogarth shows the progression in the lives of two apprentices, one of whom is dedicated and hard working, while the other, who is idle, commits crime and is eventually executed. This shows the work ethic of Protestant England, where those who worked hard were rewarded, such as the industrious apprentice who becomes Sheriff (plate 8), Alderman (plate 10), and finally the Lord Mayor of London in the last plate in the series. The idle apprentice, who begins \"at play in the church yard\" (plate 3), holes up \"in a Garrett with a Common Prostitute\" after turning highwayman (plate 7) and \"executed at Tyburn\" (plate 11). The idle apprentice is sent to the gallows by the industrious apprentice himself. For each plate, there is at least one passage from the Bible at the bottom, mostly from the Book of Proverbs, such as for the first plate:\n\"Industry and Idleness, shown here, 'Proverbs Ch:10 Ver:4 The hand of the diligent maketh rich.'\"\n\nBeer Street and Gin Lane\n\nLater prints of significance include his pictorial warning of the consequences of alcoholism in Beer Street and Gin Lane (1751). Hogarth engraved Beer Street to show a happy city drinking the 'good' beverage, English beer, in contrast to Gin Lane, in which the effects of drinking gin are shown – as a more potent liquor, gin caused more problems for society. There had been a sharp increase in the popularity of gin at this time, which was called the 'Gin Craze.' It started in the early 18th century, after a series of legislative actions in the late 17th century impacted the importation and manufacturing of alcohol in London. Among these, were the Prohibition of 1678, which barred popular French brandy imports, and the forced disbandment, in 1690, of the London Guild of Distillers, whose members had previously been the only legal manufacturers of alcohol, leading to an increase in the production and then consumption of domestic gin. \n\nIn Beer Street, people are shown as healthy, happy and prosperous, while in Gin Lane, they are scrawny, lazy and careless. The woman at the front of Gin Lane, who lets her baby fall to its death, echoes the tale of Judith Dufour, who strangled her baby so she could sell its clothes for gin money. The prints were published in support of the Gin Act 1751.\n\nHogarth's friend, the magistrate Henry Fielding, may have enlisted Hogarth to help with propaganda for the Gin Act; Beer Street and Gin Lane were issued shortly after his work An Enquiry into the Causes of the Late Increase of Robbers, and Related Writings, and addressed the same issues.\n\nThe Four Stages of Cruelty\n\nOther prints were his outcry against inhumanity in The Four Stages of Cruelty (published 21 February 1751), in which Hogarth depicts the cruel treatment of animals which he saw around him and suggests what will happen to people who carry on in this manner. In the first print, there are scenes of boys torturing dogs, cats and other animals. It centers around a poorly dressed boy committing a violent act of torture upon a dog, while being pleaded with to stop, and offered food, by another well-dressed boy. A boy behind them has graffitied a hanged stickman figure upon a wall, with the name \"Tom Nero\" underneath, and is pointing to this dog torturer.\n\nThe second shows Tom Nero has grown up to become a Hackney coach driver. His coach has overturned with a heavy load and his horse is lying on the ground, having broken its leg. He is beating it with the handle of his whip; its eye severely wounded. Other people around him are seen abusing their work animals and livestock, and a child is being run over by the wheel of a dray, as the drayman dozes off on the job.\n\nIn the third print, Tom is shown to be a murderer, surrounded by a mob of accusers. The woman he has apparently killed is lying on the ground, brutally slain, with a trunk and sack of stolen goods near by. One of the accusers holds a letter from the woman to Tom, speaking of how wronging her mistress upsets her conscience, but that she is resolved to do as he would have her, closing with: \"I remain yours till death.\"\n\nThe fourth, titled The Reward of Cruelty, shows Tom's withering corpse being publicly dissected by scientists after his execution by hanging; a noose still around his neck. The dissection reflects the Murder Act 1751, which allowed for the public dissection of criminals who had been hanged for murder.\n\nPortraits\n\nHogarth was also popular portrait painter. In 1745, he painted actor David Garrick as Richard III, for which he was paid £200, \"which was more\", he wrote, \"than any English artist ever received for a single portrait.\" In 1746, a sketch of Simon Fraser, 11th Lord Lovat, afterwards beheaded on Tower Hill, had an exceptional success. \n\nIn 1740, he created a truthful, vivid full-length portrait of his friend, the philanthropic Captain Coram, for the Thomas Coram Foundation for Children, now in the Foundling Museum. This portrait, and his unfinished oil sketch of a young fishwoman, entitled The Shrimp Girl (National Gallery, London), may be called masterpieces of British painting. There are also portraits of his wife, his two sisters, and of many other people; among them Bishop Hoadly and Bishop Herring.\n\nHistorical subjects\nFor a long period, during the mid-18th century, Hogarth tried to achieve the status of a history painter, but did not earn much respect in this field. The painter, and later founder of the Royal Academy of Arts, Joshua Reynolds, was highly critical of Hogarth's style and work. According to art historian David Bindman, in Dr Johnson's serial of essays for London's Universal Chronicle, The Idler, the three essays written by Reynolds for the months of September through November 1759 are directed at Hogarth. In them, Reynolds argues that this \"connoisseur\" has a \"servile attention to minute exactness\" and questions their idea of the imitation of nature as \"the obvious sense, that objects are represented naturally when they have such relief that they seem real.\" Reynolds rejected \"this kind of imitation\", favouring the \"grand style of painting\" which avoids \"minute attention\" to the visible world. In Reynolds' Discourse XIV, he grants Hogarth has \"extraordinary talents\", but reproaches him for \"very imprudently, or rather presumptuously, attempt[ing] the great historical style.\"\n\nWriter, art historian and politician, Horace Walpole, was also critical of Hogarth as a history painter, but did find value in his satirical prints.\n\nBiblical scenes\nHogarth's history pictures include The Pool of Bethesda and The Good Samaritan, executed in 1736–1737 for St Bartholomew's Hospital; Moses brought before Pharaoh's Daughter, painted for the Foundling Hospital (1747, formerly at the Thomas Coram Foundation for Children, now in the Foundling Museum); Paul before Felix (1748) at Lincoln's Inn; and his altarpiece for St. Mary Redcliffe, Bristol (1755–56).\n\nThe Gate of Calais\nThe Gate of Calais (1748; now in Tate Britain) was produced soon after his return from a visit to France. Horace Walpole wrote that Hogarth had run a great risk to go there since the peace of Aix-la-Chapelle: he went to France, and was so imprudent as to be taking a sketch of the drawbridge at Calais. He was seized and carried to the governor, where he was forced to prove his vocation by producing several caricatures of the French; particularly a scene of the shore, with an immense piece of beef landing for the Lion d'argent, the English inn at Calais, and several hungry friars following it. They were much diverted with his drawings, and dismissed him.\nBack home, he immediately executed a painting of the subject in which he unkindly represented his enemies, the Frenchmen, as cringing, emaciated and superstitious people, while an enormous sirloin of beef arrives, destined for the English inn as a symbol of British prosperity and superiority. He claimed to have painted himself into the picture in the left corner sketching the gate, with a \"soldier's hand upon my shoulder\", running him in.\n\nOther later works\n\nNotable Hogarth engravings in the 1740s include The Enraged Musician (1741), the six prints of Marriage à-la-mode (1745; executed by French artists under Hogarth's inspection), and The Stage Coach or The Country Inn Yard (1747).\n\nIn 1745, Hogarth painted a self-portrait with his pug dog, Trump (now also in Tate Britain), which shows him as a learned artist supported by volumes of Shakespeare, Milton and Swift. In 1749, he represented the somewhat disorderly English troops on their March of the Guards to Finchley (formerly located in Thomas Coram Foundation for Children, now Foundling Museum).\n\nOthers works included his ingenious Satire on False Perspective (1754); his satire on canvassing in his Election series (1755–1758; now in Sir John Soane's Museum); his ridicule of the English passion for cockfighting in The Cockpit (1759); his attack on Methodism in Credulity, Superstition, and Fanaticism (1762); his political anti-war satire in The Times, plate I (1762); and his pessimistic view of all things in Tailpiece, or The Bathos (1764).\n\nIn 1757, Hogarth was appointed Serjeant Painter to the King.\n\nWriting\n\nHogarth wrote and published his ideas of artistic design in his book The Analysis of Beauty (1753). In it, he professes to define the principles of beauty and grace which he, a real child of Rococo, saw realized in serpentine lines (the Line of Beauty). By some of Hogarth's adherents, the book was praised as a fine deliverance upon aesthetics; by his enemies and rivals, its obscurities and minor errors were made the subject of endless ridicule and caricature.\n\nPainter and engraver of modern moral subjects\nHogarth lived in an age when artwork became increasingly commercialized, being viewed in shop windows, taverns, and public buildings, and sold in printshops. Old hierarchies broke down, and new forms began to flourish: the ballad opera, the bourgeois tragedy, and especially, a new form of fiction called the novel with which authors such as Henry Fielding had great success. Therefore, by that time, Hogarth hit on a new idea: \"painting and engraving modern moral subjects ... to treat my subjects as a dramatic writer; my picture was my stage\", as he himself remarked in his manuscript notes.\n\nHe drew from the highly moralizing Protestant tradition of Dutch genre painting, and the very vigorous satirical traditions of the English broadsheet and other types of popular print. In England the fine arts had little comedy in them before Hogarth. His prints were expensive, and remained so until early 19th-century reprints brought them to a wider audience.\n\nParodic borrowings from Old Masters\nWhen analysing the work of the artist as a whole, Ronald Paulson says, \"In A Harlot's Progress, every single plate but one is based on Dürer's images of the story of the Virgin and the story of the Passion.\" In other works, he parodies Leonardo da Vinci's Last Supper. According to Paulson, Hogarth is subverting the religious establishment and the orthodox belief in an immanent God who intervenes in the lives of people and produces miracles. Indeed, Hogarth was a Deist, a believer in a God who created the universe but takes no direct hand in the lives of his creations. Thus, as a \"comic history painter\", he often poked fun at the old-fashioned, \"beaten\" subjects of religious art in his paintings and prints. Hogarth also rejected Lord Shaftesbury's then-current ideal of the classical Greek male in favour of the living, breathing female. He said, \"Who but a bigot, even to the antiques, will say that he has not seen faces and necks, hands and arms in living women, that even the Grecian Venus doth but coarsely imitate.\"\n\nPersonal life\n\nOn 23 March 1729, Hogarth eloped with Jane Thornhill at Paddington Church, against the wishes of her father, the artist Sir James Thornhill. \n\nSir James saw the match as unequal, as Hogarth was a rather obscure artist at the time. However, when Hogarth started on his series of moral prints, A Harlot's Progress, some of the initial paintings were placed either in Sir James' drawing room or dining room, through the conspiring of Jane and her mother, in the hopes of reconciling him with the couple. When he saw them, he inquired as to the artist's name and, upon hearing it, replied: \"Very well; the man who can produce such representations as these, can also maintain a wife without a portion.\" However, he soon after relented, becoming more generous to, and living in harmony with the couple until his death.\n\nHogarth was initiated as a Freemason before 1728 in the Lodge at the Hand and Apple Tree Tavern, Little Queen Street, and later belonged to the Carrier Stone Lodge and the Grand Stewards' Lodge; the latter still possesses the 'Hogarth Jewel' which Hogarth designed for the Lodge's Master to wear. Today the original is in storage and a replica is worn by the Master of the Lodge. Freemasonry was a theme in some of Hogarth's work, most notably 'Night', the fourth in the quartet of paintings (later released as engravings) collectively entitled the Four Times of the Day.\n\nHis main home was in Leicester Square (then known as Leicester Fields), but he bought a country retreat in Chiswick in 1749, the house now known as Hogarth's House and preserved as a museum, and spent time there for the rest of his life.\nThe Hogarths had no children, although they fostered foundling children. He was a founding Governor of the Foundling Hospital.\n\nAmong his friends and acquaintances were many English artists and satirists of the period, such as Francis Hayman, Henry Fielding, and Laurence Sterne.\n\nDeath\n\nOn 25 October 1764, Hogarth was conveyed from his villa in Chiswick to his home in Leicester Fields, in weak condition. He had been in a weakened state for a while by this time, but was said to be in a cheerful mood and was even still working—with some help; doing more retouches on The Bench on this same day. On 26 October, he received a letter from Benjamin Franklin and wrote up a rough draught in reply. Before going to bed that evening, he'd boasted about eating a pound of beefsteaks for dinner and reportedly looked more robust than he had in a while at this time. However, when he went to bed, he suddenly began vomiting; something that caused him to ring his bell so forcefully that it broke. Hogarth passed away around two hours later, in the arms of his servant, Mrs Mary Lewis. John Nichols claimed that he died of an aneurysm, which he said took place in the \"chest.\" Horace Walpole claimed that he died of \"a dropsy of his breast.\"\n\nMrs Lewis, who stayed on with Jane Hogarth in Leicester Fields, was the only non-familial person acknowledged financially in Hogarth's will and was left £100 (approximately £18,651.61 in 2020) for her \"faithful services.\"\n\nHogarth was buried at St. Nicholas Church, Chiswick, now in the west of London. His friend, actor David Garrick, composed the following inscription for his tombstone:\n\nInfluence and reputation\nHogarth's works were a direct influence on John Collier, who was known as the \"Lancashire Hogarth\". The spread of Hogarth's prints throughout Europe, together with the depiction of popular scenes from his prints in faked Hogarth prints, influenced Continental book illustration through the 18th and early 19th centuries, especially in Germany and France. He also influenced many caricaturists of the 18th, 19th and 20th centuries. Hogarth's influence lives on today as artists continue to draw inspiration from his work.\n\nHogarth's paintings and prints have provided the subject matter for several other works. For example, Gavin Gordon's 1935 ballet The Rake's Progress, to choreography by Ninette de Valois, was based directly on Hogarth's series of paintings of that title. Igor Stravinsky's 1951 opera The Rake's Progress, with libretto by W. H. Auden, was less literally inspired by the same series. Hogarth's engravings also inspired the BBC radio play The Midnight House by Jonathan Hall, based on the M. R. James ghost story \"The Mezzotint\" and first broadcast on BBC Radio 4 in 2006.\n\nRussell Banks' short story \"Indisposed\" is a fictional account of Hogarth's infidelity as told from the viewpoint of his wife, Jane. Hogarth was the lead character in Nick Dear's play The Art of Success, whilst he is played by Toby Jones in the 2006 television film A Harlot's Progress.\n\nHogarth's House in Chiswick, west London, is now a museum; the major road junction next to it is named the Hogarth Roundabout. In 2014 both Hogarth's House and the Foundling Museum held special exhibitions to mark the 250th anniversary of his death.\nIn 2019, Sir John Soane's Museum, which owns both The Rake's Progress and The Humours of an Election, held an exhibition which assembled all Hogarth's series of paintings, and his series of engravings, in one place for the first time.\n\nStanley Kubrick based the cinematography of his 1975 period drama film, Barry Lyndon, on several Hogarth paintings.\n\nIn Roger Michell's 2003 film The Mother, starring Anne Reid and Daniel Craig, the protagonists visit Hogarth's tomb during their first outing together. They read aloud the poem inscribed there and their shared admiration of Hogarth helps to affirm their connection with one another.'Selected works\n PaintingsEngravingsSee also\n English art\n List of works by William Hogarth\n Judy Egerton, Hogarth curator, cataloguer, and commentator\n\nNotes\n\nReferences\n William Hogarth, John Bowyer Nichols, ed. Anecdotes of William Hogarth, Written by Himself (J. B. Nichols and Son, 25 Parliament Street, London, 1833)\n Peter Quennell, Hogarth's Progress (London, New York, Ayer Co., 1955, )\n Quennell, Peter. \"Hogarth's Election Series.\" History Today (Apr 1953) 3#4 pp 221–232\n Frederick Antal, Hogarth and His Place in European Art (London 1962).\n Georg Christoph Lichtenberg, Ausführliche Erklärung der Hogarthischen Kupferstiche (Munich: Carl Hanser Verlag, 1972, )\n Sean Shesgreen, Hogarth 101 Prints (New York: Dover 1973).\n David Bindman, Hogarth (London 1981).\n Sean Shesgreen, Hogarth and the Times-of-the-Day Tradition (Ithaca, New York: Cornell UP, 1983).\n Ronald Paulson, Hogarth's Graphic Works (3rd edn, London 1989).\n Ronald Paulson, Hogarth, 3 vols. (New Brunswick 1991–93).\n Elizabeth Einberg, Hogarth the Painter (London: Tate Gallery, 1997).\n Jenny Uglow, Hogarth: A Life and a World (London 1997).\n Frédéric Ogée and Hans-Peter Wagner, eds., William Hogarth: Theater and the Theater of Life (Los Angeles, 1997).\n Hans-Peter Wagner, William Hogarth: Das graphische Werk (Saarbrücken, 1998; revised edition, Trier 2013).\n David Bindman, Frédéric Ogée and Peter Wagner, eds. Hogarth: Representing Nature's Machines (Manchester, 2001)\n Bernadette Fort, and Angela Rosenthal, eds., The Other Hogarth: Aesthetics of Difference (Princeton: Princeton UP, 2001)\n Christine Riding and Mark Hallet, \"Hogarth\" (Tate Publishing, London, 2006).\n Robin Simon, Hogarth, France and British Art: The rise of the arts in eighteenth-century Britain (London, 2007)\n Ilias Chrissochoidis, \"Handel, Hogarth, Goupy: Artistic intersections in Handelian biography\", Early Music 37/4 (November 2009), 577–596.\n Bernd W. Krysmanski, Hogarth's Hidden Parts: Satiric Allusion, Erotic Wit, Blasphemous Bawdiness and Dark Humour in Eighteenth-Century English Art (Hildesheim, Zurich, New York: Olms-Verlag, 2010 )\n Johann Joachim Eschenburg, Über William Hogarth und seine Erklärer, ed. Till Kinzel (Hanover: Wehrhahn, 2013 )\n Cynthia Ellen Roman, ed., Hogarth's Legacy (New Haven and London: Yale University Press, 2016)\n Elizabeth Einberg, William Hogarth: A Complete Catalogue of the Paintings'' (New Haven and London, Yale University Press for Paul Mellon Centre for Studies in British Art, 2016)\n\nExternal links\n\n \n \n The Works of William Hogarth, 1822 Heath edition (engravings and commentaries by John Nichols)\n William Hogarth's biography, style, artworks and influences\nHogarth & John Wilkes - UK Parliament Living Heritage\n William Hogarth at The National Gallery\n William Hogarth and 18th-Century Print Culture\n The Site for Research on William Hogarth (annotated online bibliography)\n Print series in detail\n Hogarth exhibition at Tate Britain, London (7 February – 29 April 2007)\n William Hogarth at Wikigallery\n \n \n Location of Hogarth's grave on Google Maps\n The Analysis of Beauty, 1753 (abridged 1909 edition)\n Hogarth's The Rake's Progress and other of his works\n 'Hogarth's London', lecture by Robin Simon at Gresham College, 8 October 2007 (available for download as MP3, MP4 or text files)\n Hogarth's London video hosted at Tate Britain's website by Martin Rowson\n William Hogarth's Works hosted at The Victorian Web\n\n \n1697 births\n1764 deaths\n17th-century English writers\n17th-century English male writers\n18th-century English people\nPainters from London\nEnglish caricaturists\nEnglish cartoonists\nEnglish engravers\nEnglish illustrators\nEnglish satirists\nEnglish printmakers\n18th-century English painters\nEnglish male painters\nCourt painters\nArtist authors\nPolitical artists\nSocial critics\nFreemasons of the Premier Grand Lodge of England\nFellows of the Royal Society of Arts" ]

[ "Steve Smith (basketball)", "Atlanta Hawks" ]

[ "Tyson Demos (born 3 July 1988) is an Australian former professional basketball player and one-time assistant coach in the National Basketball League (NBL). He played nine seasons in the NBL with the Gold Coast Blaze and Illawarra Hawks.\n\nEarly life and career\nBorn and bred in the Illawarra region, Demos is a junior product of the Illawarra Basketball Association and attended the Australian Institute of Sport. He also represented Australia at the 2007 FIBA Under-19 World Championship in Serbia.\n\nNBL career\nDemos signed his first professional contract with the Gold Coast Blaze in 2007. He played three seasons with the Blaze before returning home and joining the Wollongong Hawks for the 2010–11 NBL season. He played six seasons with the Hawks, with his sixth and final season seeing him play in just six games after sustaining a knee injury in November 2015. He subsequently sat out the 2016–17 NBL season and did not return to the league.\n\nDuring his NBL career, Demos played in various state leagues during the off-seasons. Between 2008 and 2010, he played in the SEABL for the Brisbane Spartans; between 2011 and 2012, he played in the Waratah League for the Illawarra Hawks; and in 2015, he played in the QBL for the Mackay Meteors and won a championship.\n\nDemos' final stint came in 2017 with the Illawarra Hawks in the Waratah League.\n\nCoaching career\nOn 30 August 2019, Demos was appointed assistant coach of the Illawarra Hawks for the 2019–20 NBL season.\n\nReferences\n\nExternal links\nIllawarra Hawks profile\nNBL stats\n\n1988 births\nLiving people\nAustralian men's basketball players\nGold Coast Blaze players\nIllawarra Hawks players\nShooting guards\nWollongong Hawks players", "Angus Jack Glover (born 8 September 1998) is an Australian professional basketball player for the Sydney Kings of the National Basketball League (NBL).\n\nProfessional career\n\nIllawarra Hawks (2016–2020) \nGlover signed with his hometown Illawarra Hawks as a development player in 2016 after a youth career where he represented Australia nationally. In 2017, Glover tore his anterior cruciate ligament (ACL) for the second time and rehabilitated while contracted to the Hawks as he turned down an offer to play college basketball with the Saint Mary's Gaels.\n\nGlover returned to play in 2019 and subsequently signed a two-year full contract with the Hawks. His remaining contract with the Hawks was voided when the club was liquidated on 18 May 2020.\n\nSydney Kings (2020–present) \nOn 20 July 2020, Glover signed a three-year deal with the Sydney Kings.\n\nExternal links\nNBL profile\n\nReferences\n\n1998 births\nLiving people\nAustralian men's basketball players\nIllawarra Hawks players\nPoint guards\nShooting guards\nSportspeople from Wollongong\nSydney Kings players" ]

[ "Steve Smith (basketball)", "Atlanta Hawks", "How did he play with the Hawks?", "Smith started in 59 of 78 games for Atlanta and averaged 16 points during the regular season and 19 points in the playoffs," ]

[ "Kenneth Malcolm Wharram (July 2, 1933 – January 10, 2017) was a Canadian professional ice hockey right winger who played 14 seasons in the National Hockey League, all with the Chicago Black Hawks, wearing number 17. He won a Stanley Cup in 1961.\n\nEarly life and career\nWharram started his hockey career with his hometown team the North Bay Black Hawks in 1949 before switching the next season to the Galt Black Hawks for whom he played three seasons. He played one match for the Galt team's parent club the Chicago Black Hawks in 1951 before returning for another season to Galt. He played 29 matches for the Hawks in 1953–54 but spent an equal amount of time at the Quebec Aces in the Quebec Hockey League before joining the American Hockey League Buffalo Bisons in 1954. Under the training of Bisons' coach Harry Watson he enjoyed four productive seasons, made the AHL's second all star team in 1955, and returned to Chicago to stay in 1958.\n\nThe Scooter Line\nWharram still seemed to struggle to find a spot on the Hawks until he was teamed on a line with Stan Mikita. Mikita and Wharram meshed well together and Wharram's production - attributable to his considerable speed and puck-handling skills - soared. He would have seven straight seasons scoring 20 or more goals.\n\nAll that was needed was a left winger, and the Hawks got one in veteran Ted Lindsay, then near the end of his career. It would be Lindsay, Mikita and Wharram who formed the original Scooter Line. After Lindsay retired, Ab McDonald assumed the honors, and it would be this version of the Scooter Line in force when the Hawks won the 1961 Stanley Cup. After McDonald was traded to the Boston Bruins, Doug Mohns was placed in the left wing spot.\n\nSudden retirement and death\nWharram was attending the Black Hawks' training camp on September 16, 1969 when he noticed he was having chest pains. He was quickly sent to a hospital intensive care unit where he was diagnosed with myocarditis. Wharram's condition worsened to the point where he needed to be trained how to stay awake. The process took weeks, and while Wharram's life was eventually out of danger, the stress of playing hockey made a comeback out of the question. He officially retired in September 1970 and settled down in North Bay as a carpenter. He was inducted to the North Bay Hall of Fame in 1980. Wharram died on January 10, 2017 at the age of 83.\n\nCareer statistics\n\nReferences\n\nLegends of Hockey article on Ken Wharram\n\nExternal links\n \n\n1933 births\n2017 deaths\nCanadian ice hockey right wingers\nChicago Blackhawks players\nGalt Black Hawks players\nIce hockey people from Ontario\nLady Byng Memorial Trophy winners\nSportspeople from North Bay, Ontario\nStanley Cup champions", "Eugene R. \"Bumper\" Tormohlen (May 12, 1937 – December 27, 2018) was an American professional basketball player and coach. He was born and raised in Holland, Indiana; he attended Holland High and helped lead the Dutchmen to an IHSAA Sectional in 1953.\n\nHe was recruited to the University of Tennessee by former Purdue star Emmett Lowery. During his time in Knoxville, Bumper became a 3-year starter, set the Tennessee career rebounding record (1,113 rebounds), a 16.9 rpg rate; was twice named All-SEC and was named to Converse's All-American team and become known to scores of Vols fans as the \"Chairman of the Boards.\"\n\nAfter a splendid college career at the University of Tennessee, Tormohlen was selected with the fifth pick in the second round of the 1959 NBA draft by the Syracuse Nationals. However, his first years as a pro were spent in the NIBL with the Cleveland Pipers before being traded to the Kansas City Steers in the fledgling American Basketball League. After two seasons in that league, he moved to the NBA, joining the St. Louis Hawks) in 1962. His entire NBA playing career was with the Hawks; five seasons in St. Louis and one season in Atlanta. He retired as an NBA player in 1970, having spent the 1968-68 & 1969-70 seasons as a player-coach for the Hawks. He was a member of the 1970 Western Division champions during his final season in uniform.\n\nHe remained with the Hawks, becoming an assistant coach for four seasons with the Hawks, and served as an interim coach at the end of the 1975–76 season; replacing Cotton Fitzsimmons. The next season, the team hired Hubie Brown as their full-time head coach. He spent several seasons as the Director of College Scouting for the Los Angeles Lakers.\n\nTormohlen died on December 27, 2018 at age 81.\n\nReferences\n\nExternal links\n BasketballReference: Gene Tormohlen (as player)\n Gene Tormohlen (as coach)\n Gene Tormohlen Indiana Basketball Hall of Fame profile\n Gene Tormohlen SEC Legends\n\n1937 births\n2018 deaths\nPeople from Dubois County, Indiana\nAmerican men's basketball coaches\nAmerican men's basketball players\nAtlanta Hawks assistant coaches\nAtlanta Hawks head coaches\nAtlanta Hawks players\nBasketball coaches from Indiana\nBasketball players from Indiana\nCenters (basketball)\nCleveland Pipers players\nKansas City Steers players\nPhoenix Suns expansion draft picks\nPower forwards (basketball)\nSt. Louis Hawks players\nSyracuse Nationals draft picks\nTennessee Volunteers basketball players" ]

[ "Steve Smith (basketball)", "Atlanta Hawks", "How did he play with the Hawks?", "Smith started in 59 of 78 games for Atlanta and averaged 16 points during the regular season and 19 points in the playoffs,", "How many seasons was he with the Hawks?", "1998-99" ]

[ "The 1952–53 Chicago Black Hawks season was the team's 27th season in the NHL, and they were coming off of two consecutive seasons of finishing in last place in the six team NHL. The Black Hawks had a record of 17–44–9 in 1951–52, missing the playoffs for the sixth straight season. In 1952–53, the Black Hawks qualified for the playoffs, losing in the first round to the Montreal Canadiens.\n\nOff-season\nIn the off-season, the Black Hawks and Toronto Maple Leafs completed a trade which sent Harry Lumley to Toronto for Al Rollins, Cal Gardner and Gus Mortson. Chicago also fired head coach Ebbie Goodfellow, and replaced him with Sid Abel, who would be a player-coach. Abel would name defenceman Bill Gadsby as the new team captain.\n\nChicago also saw a change in ownership, as Arthur Wirtz and James D. Norris took over the struggling and near bankrupt franchise.\n\nRegular season\nThe Black Hawks started the season off strong, sitting with a 10–5–3 record in their first 18 games, however, the club would fall into a slump, and went 2–7–5 in their next 14 games to fall to .500. Chicago would continue to hover around the .500 for the rest of the season, battling with the Toronto Maple Leafs and Boston Bruins for the final playoff spot. Going into the final weekend of the season, Chicago would earn big wins against the Detroit Red Wings and New York Rangers to clinch the fourth and final playoff spot, and advance to the playoffs for the first time since 1946. The Hawks finished with club records in wins with 27, and points with 69.\n\nOffensively, the team was led by Jim McFadden, who scored a team high 23 goals and 44 points, while newly acquired Cal Gardner earned a club best 24 assists, en route to earning 35 points. Jimmy Peters would join McFadden as the only Hawks with over 20 goals and 40 points, as he scored 22 and 41 respectively. George Gee scored 18 goals and 39 points, while posting a team high 99 penalty minutes. Team captain Bill Gadsby led the defense with 22 points, while fellow blueliner Al Dewsbury scored 5 goals, and finished with 97 penalty minutes.\n\nIn goal, Al Rollins played in all 70 games, setting a team record with 27 victories, along with a solid 2.50 GAA, and 6 shutouts.\n\nSeason standings\n\nRecord vs. opponents\n\nPlayoffs\nThe Black Hawks would face the second place Montreal Canadiens in a best of seven opening round series. The Canadiens finished the year with a 28–23–19 record, earning 75 points, which was six more than the Hawks. The series opened up at the Montreal Forum, and the favored Canadiens won the series opener by a 3–1 score, then took a 2–0 series lead by winning a close second game by a 4–3 score. The series shifted to Chicago for the next two games, and the Black Hawks would respond, winning the third game in overtime to cut the series lead to 2–1, as the team won their first playoff game since 1944. The Hawks evened the series up at 2–2 with a 3–1 win in the fourth game, sending the series back to Montreal. Chicago stunned the Montreal crowd in the fifth game, defeating the Canadiens 4–2 to take a 3–2 series lead. The Canadiens, though, would shut out Chicago 3–0 in the sixth game, setting up a seventh and final game. Montreal would easily win the game, defeating the Black Hawks 4–1, putting an end to a very surprising season for the Black Hawks.\n\nSchedule and results\n\nRegular season\n\nPlayoffs\nMontreal Canadiens 4, Chicago Black Hawks 3\n\nPlayer statistics\n\nRegular season\n\nScoring leaders\n\nGoaltending\n\nPlayoff\n\nScoring leaders\n\nGoaltending\n\nAwards and records\n\nThe Chicago Black Hawks did not win any NHL awards for the 1952-53 NHL season.\n\nAll-Star teams\n\nTransactions\n\nThe following is a list of all transactions that have occurred for the Chicago Black Hawks during the 1952–53 NHL season. It lists which team each player has been traded to and for which player(s) or other consideration(s), if applicable.\n\nReferences\n\nExternal links\n National Hockey League Guide & Record Book 2007\n\nChicago Blackhawks seasons\nChicago Black Hawks season, 1952-53\nChicago", "The 1985–86 Chicago Black Hawks season was the 60th season of the Hawks' existence.\n\nOffseason\nAfter a successful 1984–85 season in which the Black Hawks made it to the Campbell Conference finals, the club was happy with their roster and did not make any major off-season moves. The club did announce that general manager Bob Pulford would remain the head coach, as he took over on an interim basis after Orval Tessier was fired in February.\n\nAt the 1985 NHL Entry Draft, the club selected defenceman Dave Manson with their first round, 11th overall pick. Manson played with the Prince Albert Raiders of the WHL, where he helped the club win the 1985 Memorial Cup. A tough player, Manson appeared in 72 games with Prince Albert, scoring eight goals and 38 points, as well as 247 penalty minutes during the 1984-85 season.\n\nRegular season\nVery early into the season, the Black Hawks acquired goaltender Bob Sauve from the Buffalo Sabres in exchange for a third round draft pick in the 1986 NHL Entry Draft. Sauve was coming off a 13-10-3 record with the Sabres in 1984–85 with a 3.22 GAA and a .855 save percentage in 27 games. He would split time with Murray Bannerman, replacing Warren Skorodenski, who was sent back to the AHL.\n\nThe Hawks started slow, posting a 4-9-1 record in their first 14 games, however, the club was in third place in the weak Norris Division, only two points out of first place. The Black Hawks would continue to sputter along throughout the first half of December, as following a five-game losing streak, Chicago had a record of 9-15-4, although they still remained in third place, just ahead of the Toronto Maple Leafs. The Hawks eventually heated up, going 16-4-3 through their next 23 games, vaulting them into first place in the division with a 25-19-7 record. The team battled the Minnesota North Stars and St. Louis Blues for first place in the Norris Division, and Chicago would eventually win the division with a 39-33-8 record, earning 86 points, winning the division for the first time since the 1982–83 season.\n\nOn offense, the Black Hawks finished third in the NHL with 351 goals. Denis Savard led the way with 49 goals and 116 points in 80 games, while Troy Murray had a breakout season offensively, scoring 45 goals and 99 points and a club high +32 rating in 80 games played. Eddie Olczyk also saw his offensive production increase significantly, scoring 29 goals and 79 points in 79 games played, as did Al Secord, who scored 40 goals and 76 points in 80 games, as well as leading Chicago with 201 penalty minutes. Steve Larmer had another solid season, scoring 36 goals and 76 points in 80 games, while Curt Fraser added 29 goals and 68 points in only 61 games played.\n\nOn defense, Doug Wilson led the way with 17 goals and 64 points in 79 games, while Behn Wilson had 13 goals and 50 points in 69 games. Keith Brown broke out offensively, scoring 11 goals and 40 points in 70 games, while Bob Murray had nine goals and 38 points in 80 games. Ken Yaremchuk scored 14 goals and 34 points in 78 games.\n\nIn goal, Murray Bannerman led the club with a 20-19-6 record in 48 games, while posting a 4.48 GAA and a .869 save percentage, and earning one shutout. Bob Sauve had a 19-13-2 record in 38 games with a 3.94 GAA and a .886 save percentage. The Black Hawks finished the season allowing 349 goals, the fifth highest total in the league.\n\nFinal standings\n\nSchedule and results\n\nPlayoffs\n\nToronto Maple Leafs 3, Chicago Black Hawks 0\nThe Black Hawks opened the 1986 Stanley Cup Playoffs against the Toronto Maple Leafs. The Maple Leafs struggled throughout the 1985-86 season, earning a record of 25-48-7, earning 57 points, placing them in fourth place in the Norris Division, which was 29 fewer points than the heavily favored first place Black Hawks.\n\nThe series opened at Chicago Stadium with Bob Sauve getting the start in goal, and the Leafs took an early 1-0 after a goal by Steve Thomas only 3:46 into the game. The Black Hawks tied it up midway through the period on a goal by Doug Wilson, however, Toronto retook the lead before the end of the period on a goal by Wendel Clark, giving the Leafs a 2-1 lead. The teams then played to a scoreless second period. Early in the third, Chicago tied the game on a goal by Darryl Sutter 4:48 into the frame, however, just over a minute later, the Leafs took the lead again on a Gary Leeman goal. Walt Poddubny scored again for Toronto just over three minutes later, giving the Leafs a 4-2 lead. Late in the period, the Leafs Steve Thomas scored his second goal of the game, giving Toronto a 5-2 lead. The Hawks Tom Lysiak scored late in the game, as the final score was 5-3 for the Maple Leafs.\n\nIn game two, the Hawks changed goaltenders, as Murray Bannerman was given the start. In the first period, Dan Daoust scored early for Toronto, giving the Leafs a 1-0 lead 4:01 into the game. Denis Savard tied it up for Chicago midway through the period, however, Steve Thomas restored the lead for Toronto with just under five minutes remaining in the period. The Hawks' Denis Savard tied the game with 32 seconds remaining in the first period, as the score was 2-2 after one period. In the second, Denis Savard completed the hat trick just 1:04 into the period, giving the Black Hawks a 3-2 lead. With the goal, the Hawks then pulled Murray Bannerman and replaced him with Bob Sauve. With just over five minutes remaining in the second period, Denis Savard scored his fourth goal of the game, giving the Hawks a 4-2 lead. Toronto's Wendel Clark scored just over a minute later, making the score 4-3 for Chicago after two periods. In the third, there was no scoring until just over five minutes remaining in the period, when the Leafs Peter Ihnacak scored, tying the game at 4-4. Then, with only 56 seconds remaining, the Leafs Walt Poddubny scored, giving Toronto a late 5-4 lead. The Leafs sealed the win with an empty net goal by Steve Thomas, giving Toronto the 6-4 victory, and a 2-0 series lead. Leafs goaltender Allan Bester made 42 saves for the win.\n\nThe series shifted to Maple Leaf Gardens in Toronto, Ontario for the third game. The Black Hawks started goaltender Murray Bannerman for this game after the late collapse by Bob Sauve in the previous game. The Maple Leafs came out strong in the first period, as Russ Courtnall and Rick Vaive scored, making it 2-0 for Toronto. In the second period, the Leafs continued to dominate the game, as they took a 5-0 lead after goals by Tom Fergus, Miroslav Frycer and Wendel Clark. The Black Hawks eventually scored two goals of their own, as Ken Yaremchuk and Tom Lysiak scored 17 seconds apart late in the period, cutting the Leafs lead to 5-2. In the third, the Leafs put the game out of reach after goals by Walt Poddubny and Russ Courtnall, as Toronto defeated the Black Hawks 7-2, and stunned the hockey world by sweeping Chicago out of the playoffs.\n\nPlayer stats\n\nRegular season\nScoring\n\nGoaltending\n\nPlayoffs\nScoring\n\nGoaltending\n\nNote: Pos = Position; GP = Games played; G = Goals; A = Assists; Pts = Points; +/- = plus/minus; PIM = Penalty minutes; PPG = Power-play goals; SHG = Short-handed goals; GWG = Game-winning goals; MIN = Minutes played; W = Wins; L = Losses; T = Ties; GA = Goals-against; GAA = Goals-against average; SO = Shutouts; SA = Shots against; SV = Shots saved; SV% = Save percentage;\n\nAwards and records\n\nTransactions\n\nDraft picks\nChicago's draft picks at the 1985 NHL Entry Draft held at the Metro Toronto Convention Centre in Toronto, Ontario.\n\nFarm teams\n\nSee also\n1985–86 NHL season\n\nReferences\n\nExternal links\n \n\nChicago Blackhawks seasons\nChicago Blackhawks\nChicago Blackhawks\nNorris Division champion seasons\nChicago\nChicago" ]

[ "Steve Smith (basketball)", "Atlanta Hawks", "How did he play with the Hawks?", "Smith started in 59 of 78 games for Atlanta and averaged 16 points during the regular season and 19 points in the playoffs,", "How many seasons was he with the Hawks?", "1998-99", "How many points did he score with the Hawks?", "He would go on to average a then career high 18.1 points a game in 80 starts in the 1995-96 season, forming a formidable backcourt one-two punch with Mookie Blaylock." ]

[ "Zone is the third and final studio album by Australian music group Southern Sons. The album was released in Australia in 1996. The album was re-released in late 1996 with an alternate track listing and three live tracks. All the tracks were written by guitarist Phil Buckle with various contributions. The album was also released in the Australian iTunes Store as a digital download in 2010. Colin Hay appears as guest on track \"Don't Tell Me What's Right\"\n\nTrack listing\n \"Zone\" (J. Jones, P. Buckle, T. Deluca) – 4:23\n \"Living Without You\" (J. Jones, P. Buckle) – 3:38\n \"Don't Tell Me What's Right\" (P. Buckle) – 3:57\n \"Seeds\" (P. Buckle, J. Jones, T. Deluca) – 3:21\n \"Trust In Me\" (P. Buckle) – 5:01\n \"We Are One\" (P. Buckle) – 4:00\n \"You Don't Know Me\" (J. Jones, P. Buckle, T. Deluca) – 3:46\n \"Fare Thee Well\" (P. Buckle) – 4:39\n \"Let It Go\" (P. Buckle) – 3:27\n \"Can't Help Wanting To\" (J. Jones, P. Buckle, T. Deluca) – 4:06\n \"Don't Ask Me Why\" (J. Jones, P. Buckle, T. Deluca) – 4:11\n\n1996 Re-Release track listing\n \"Zone\" (J. Jones, P. Buckle, T. Deluca) – 4:23\n \"Living Without You\" J. Jones, P. Buckle) – 3:38\n \"Don't Tell Me What's Right\" (P. Buckle) – 3:57\n \"Seeds\" (P. Buckle, J. Jones, T. Deluca) – 3:21\n \"Trust In Me\" (P. Buckle) – 5:01\n \"We Are One\" (P. Buckle) – 4:00\n \"You Don't Know Me\" (J. Jones, P. Buckle, T. Deluca) – 3:46\n \"Fare Thee Well\" (P. Buckle) – 4:39\n \"Let It Go\" (P. Buckle) – 3:27\n \"Can't Help Wanting To\" (J. Jones, P. Buckle, T. Deluca) – 4:06\n \"Pretend\" (P. Buckle) – 3:54\n \"Feels Right\" (P. Buckle) – 4:11\n \"Try\" (P. Buckle) – 2:32\n \"You Were There (Live)\" (P. Buckle) – 3:40\n \"Silent Witnesses (Live)\" (P. Buckle) – 4:08\n \"Hold Me In Your Arms (Live)\" (P. Buckle) – 4:29\n\nPersonnel\nJack Jones – lead vocals, guitars\nPhil Buckle – guitars, backing vocals\nVirgil Donati – drums, keyboards\nGeoff Cain – bass\nColin Hay – vocals on \"Don't Tell Me What's Right\"\n\nReferences\n\nSouthern Sons albums\n1996 albums", "Follow Me! is a series of television programmes produced by Bayerischer Rundfunk and the BBC in the late 1970s to provide a crash course in the English language. It became popular in many overseas countries as a first introduction to English; in 1983, one hundred million people watched the show in China alone, featuring Kathy Flower.\n\nThe British actor Francis Matthews hosted and narrated the series.\n\nThe course consists of sixty lessons. Each lesson lasts from 12 to 15 minutes and covers a specific lexis. The lessons follow a consistent group of actors, with the relationships between their characters developing during the course.\n\nFollow Me! actors\n Francis Matthews\n Raymond Mason\n David Savile\n Ian Bamforth\n Keith Alexander\n Diane Mercer\n Jane Argyle\n Diana King\n Veronica Leigh\n Elaine Wells\n Danielle Cohn\n Lashawnda Bell\n\nEpisodes \n \"What's your name\"\n \"How are you\"\n \"Can you help me\"\n \"Left, right, straight ahead\"\n \"Where are they\"\n \"What's the time\"\n \"What's this What's that\"\n \"I like it very much\"\n \"Have you got any wine\"\n \"What are they doing\"\n \"Can I have your name, please\"\n \"What does she look like\"\n \"No smoking\"\n \"It's on the first floor\"\n \"Where's he gone\"\n \"Going away\"\n \"Buying things\"\n \"Why do you like it\"\n \"What do you need\"\n \"I sometimes work late\"\n \"Welcome to Britain\"\n \"Who's that\"\n \"What would you like to do\"\n \"How can I get there?\"\n \"Where is it\"\n \"What's the date\"\n \"Whose is it\"\n \"I enjoy it\"\n \"How many and how much\"\n \"What have you done\"\n \"Haven't we met before\"\n \"What did you say\"\n \"Please stop\"\n \"How can I get to Brightly\"\n \"Where can I get it\"\n \"There's a concert on Wednesday\"\n \"What's it like\"\n \"What do you think of him\"\n \"I need someone\"\n \"What were you doing\"\n \"What do you do\"\n \"What do you know about him\"\n \"You shouldn't do that\"\n \"I hope you enjoy your holiday\"\n \"Where can I see a football match\"\n \"When will it be ready\"\n \"Where did you go\"\n \"I think it's awful\"\n \"A room with a view\"\n \"You'll be ill\"\n \"I don't believe in strikes\"\n \"They look tired\"\n \"Would you like to\"\n \"Holiday plans\"\n \"The second shelf on the left\"\n \"When you are ready\"\n \"Tell them about Britain\"\n \"I liked everything\"\n \"Classical or modern\"\n \"Finale\"\n\nReferences \n\n BBC article about the series in China\n\nExternal links \n Follow Me – Beginner level \n Follow Me – Elementary level\n Follow Me – Intermediate level\n Follow Me – Advanced level\n\nAdult education television series\nEnglish-language education television programming" ]

[ "Steve Smith (basketball)", "Atlanta Hawks", "How did he play with the Hawks?", "Smith started in 59 of 78 games for Atlanta and averaged 16 points during the regular season and 19 points in the playoffs,", "How many seasons was he with the Hawks?", "1998-99", "How many points did he score with the Hawks?", "He would go on to average a then career high 18.1 points a game in 80 starts in the 1995-96 season, forming a formidable backcourt one-two punch with Mookie Blaylock.", "What else can you tell me about his time in Atlanta?", "The team under head coach Lenny Wilkens would win 46 games and defeat Indiana in the first round in 5 games before falling to the Orlando Magic" ]

[ "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books", "\"Loner\" is the 3rd episode of the first season of the CW television series The Secret Circle, and the series' 3rd episode overall. It aired on September 29, 2011. The episode was written by Richard Hatem and it was directed by Colin Bucksey.\n\nPlot\nNow that the Circle has been bound, it seems that its members have lost their individual magic. The only way to do magic is to have at least two of the Circle's members present and that is something that Faye (Phoebe Tonkin) does not like at all.\n\nThere is a school dance coming and Sally (Logan Browning) asks Cassie (Britt Robertson) to help her organize it. Sally does not remember clearly what happened the previous night at the deck, so she tries to make Cassie tell her. Cassie avoids answering, saying that she did not see what exactly happened either.\n\nLuke (Zachary Abel), a student at the school, likes Cassie and he asks Adam (Thomas Dekker) to introduce him to her. Adam does it and Luke asks Cassie to go to the dance with him, but she rejects him. Later, trying to find a way to stay away from Adam, she tells Luke that she will go with him to the dance.\n\nMelissa (Jessica Parker Kennedy) takes the opportunity and uses the dance as an excuse to get closer to Nick (Louis Hunter) by asking him to the dance while Faye is trying to figure out a way to get her individual magic back.\n\nMeanwhile, a man named Zachary (Dave Baez) appears in town and when he sees Cassie, he starts to ask questions about the Circle. He seems to know the truth about them and who they are and, as he says, he will not allow what happened in the past to happen again.\n\nThe members of the Circle search for information about him and they find out that he and his girlfriend Heather (a woman who died in the fire that killed the members of the adult's Circle sixteen years ago) were close friends of Amelia, Cassie's mom. Finding out about this, they believe that he blames their parents for Heather's death and now he is coming after them.\n\nDawn (Natasha Henstridge) and Charles (Gale Harold) find out that Zachary is back in town and he is asking about the Circle. They are trying to warn him to stay away from the kids. Charles meets him to warn him but Zachary hits him and goes to the school dance aiming to kill one of the kids.\n\nThe members of the Circle and Zachary confront him at the school and they manage to knock him down with magic. Dawn gets to the scene and they find an excuse for what happened to cover it up. Dawn tells them that she knows that man and that he has been vandalizing the school for years. Saying that she will take care of him now, she asks the kids to go back to the dance.\n\nThe episode ends with the members of the Circle trying to understand what Zachary meant when he said that Heather did not die in the fire but what Amelia did to her was much worse, while Dawn and Charles \"mark\" Zachary telling him to not get close to their children again.\n\nReception\n\nRatings\nIn its original American broadcast, \"Loner\" was watched by 2.12 million; exact same rating as the previous episode.\n\nReviews\n\"Loner\" received mediocre/positive reviews.\n\nMatt Richenthal from TV Fanatic rated the episode with 4.2/5. \"The show [The Secret Circle] almost suffers from following The Vampire Diaries because it's not as fast-paced as that series (is anything?), which can make it feel slow. But I prefer to think of it as slow developing and enough seeds have been planted for me to anxiously tune in each week, curious about what will soon grow.\"\n\nKatherine Miller from The A.V. Club gave a C+ rate to the episode saying that \"The Secret Circle is concussed\".\n\nTyler Olson from Crimson Tear stated that episode didn't have the charm the first two had. \"Overall, this episode just didn't seem to have the same charm as the first two episodes. Let's hope that as they find more information about what happened to their parents, they will find the path they need in order to get into the pace viewers need.\"\n\nFeature music\nIn the \"Loner\" episode we can hear the songs:\n \"Style\" by Phil Ogden Band\n \"Girls Like You\" by The Naked and Famous\n \"Lovesong\" by Adele\n\nReferences\n\nExternal links\n\n2011 American television episodes\nThe Secret Circle (TV series) episodes" ]

[ "Steve Smith (basketball)", "Atlanta Hawks", "How did he play with the Hawks?", "Smith started in 59 of 78 games for Atlanta and averaged 16 points during the regular season and 19 points in the playoffs,", "How many seasons was he with the Hawks?", "1998-99", "How many points did he score with the Hawks?", "He would go on to average a then career high 18.1 points a game in 80 starts in the 1995-96 season, forming a formidable backcourt one-two punch with Mookie Blaylock.", "What else can you tell me about his time in Atlanta?", "The team under head coach Lenny Wilkens would win 46 games and defeat Indiana in the first round in 5 games before falling to the Orlando Magic", "What happened with the Magic?", "before falling to the Orlando Magic in the conference semifinals in 6 games." ]

[ "Christopher Lee Crawford (born May 13, 1975) is an American former professional basketball player who was selected by the Atlanta Hawks in the second round (50th pick overall) of the 1997 NBA Draft. A 6'9\" forward from Marquette University, Crawford played in 7 NBA seasons, all with the Hawks. His best year was in the 2003–04 season where he averaged a career high 10.2 points per game. After his stint with Atlanta, in which he missed the entire 2004–05 season because of a torn ligament in his right knee, Crawford was released, and had a tryout with the New Jersey Nets, but did not ever play for them.\n\nIn his NBA career, Crawford played in 252 games and scored a total of 1,654 points.\n\nNotes\n\nExternal links\n NBA.com Profile\n\n1975 births\nLiving people\nAtlanta Hawks draft picks\nAtlanta Hawks players\nBasketball players from Michigan\nMarquette Golden Eagles men's basketball players\nPower forwards (basketball)\nSportspeople from Kalamazoo, Michigan\nAmerican men's basketball players", "The College Park Skyhawks are an American professional basketball team of the NBA G League and an affiliate of the Atlanta Hawks of the National Basketball Association. The team is based in College Park, Georgia, with home games at Gateway Center Arena at College Park after the franchise played its first two seasons in Erie, Pennsylvania, at the Erie Insurance Arena as the Erie BayHawks. The team became the sixteenth D-League team to be owned by an NBA team.\n\nHistory\nOn November 10, 2016, the Atlanta Hawks announced that they had bought and established a new NBA D-League team to play in a new arena in nearby College Park beginning with the 2019–20 season. In December 2016, the Orlando Magic purchased the original BayHawks franchise with the intent of relocating it to Florida for the 2017–18 season, eventually becoming the Lakeland Magic. In February 2017, the original BayHawks owners negotiated with the Atlanta Hawks to activate their franchise early and play as the BayHawks until the new arena in College Park is completed. The new Hawks' minor league franchise then became the BayHawks and began play in the rebranded NBA G League for the 2017–18 season.\n\nThe Hawks announced on February 21, 2019, that their G League affiliate would be known as the College Park Skyhawks when the team moved to Georgia for the 2019–20 season. On May 10, 2019, the Hawks announced that rapper and College Park native 2 Chainz would join the Skyhawks' ownership group.\n\nSeason-by-season\n\nCurrent roster\n\nHead coaches\n\nNBA affiliates\n\nErie BayHawks (2017–19)\n Atlanta Hawks (2017–2019)\n\nCollege Park Skyhawks\n Atlanta Hawks (2019–present)\n\nReferences\n\nExternal links\n College Park Skyhawks website\n\n \n2016 establishments in Georgia (U.S. state)\nBasketball teams established in 2016" ]

[ "Steve Smith (basketball)", "Atlanta Hawks", "How did he play with the Hawks?", "Smith started in 59 of 78 games for Atlanta and averaged 16 points during the regular season and 19 points in the playoffs,", "How many seasons was he with the Hawks?", "1998-99", "How many points did he score with the Hawks?", "He would go on to average a then career high 18.1 points a game in 80 starts in the 1995-96 season, forming a formidable backcourt one-two punch with Mookie Blaylock.", "What else can you tell me about his time in Atlanta?", "The team under head coach Lenny Wilkens would win 46 games and defeat Indiana in the first round in 5 games before falling to the Orlando Magic", "What happened with the Magic?", "before falling to the Orlando Magic in the conference semifinals in 6 games.", "Did he make the NBA play offs with the Hawks?", "The Hawks would disappoint in the playoffs yet again however, this time losing to the Charlotte Hornets 3 games to 1 in the conference semifinals" ]

[ "\"This Is What It Feels Like\" is a song by Dutch DJ and record producer Armin van Buuren, featuring Canadian singer, songwriter and former soulDecision frontman Trevor Guthrie, released in the Netherlands by Armada Music on 29 April 2013 as the second single from van Buuren's fifth studio album, Intense (2013).\n\n\"This Is What It Feels Like\" peaked at number three on the Dutch Top 40. Outside the Netherlands, \"This Is What It Feels Like\" peaked within the top ten of the charts in ten countries, including Austria, Belgium (Flanders), Canada, Israel and the United Kingdom.\n\nThe song was written by Armin van Buuren, Benno de Goeij, Jenson Vaughan, Trevor Guthrie and John Ewbank. Van Buuren wrote the instrumental with de Goeij and Ewbank in 2012. Trevor Guthrie wrote the lyrics with Jenson Vaughan, and it was inspired by Guthrie's neighbour who was diagnosed with a brain tumor. \"This Is What It Feels Like\" was nominated for the 2014 Grammy Award for Best Dance Recording. The song was featured in the intro for a 2019 episode of America's Got Talent.\n\nMusic video\nA music video to accompany the release of \"This is What It Feels Like\" was first released onto YouTube on 17 March 2013. The video also features a guest appearance by Ron Jeremy. As of September 2017, it has received over 100 million views, making it the fifth most viewed video on Armada Music's YouTube channel.\n\nTrack listing\n Digital downloads\n \"This Is What It Feels Like\" – 3:25\n \"This Is What It Feels Like\" (extended mix) – 5:16\n \"This Is What It Feels Like\" (W&W remix) – 6:16\n \"This Is What It Feels Like\" (David Guetta remix) – 5:28\n \"This Is What It Feels Like\" (Antillas and Dankann remix) – 5:44\n \"This Is What It Feels Like\" (Antillas and Dankann radio edit) – 3:34\n \"This Is What It Feels Like\" (Giuseppe Ottaviani remix) – 6:38\n \"This Is What It Feels Like\" (Giuseppe Ottaviani radio edit) – 3:55\n \"This Is What It Feels Like\" (John Ewbank classical remix) – 3:12\n UK CD single\n \"This Is What It Feels Like\" – 3:25\n \"This Is What It Feels Like\" (extended mix) – 5:16\n \"This Is What It Feels Like\" (W&W remix) – 6:16\n \"Waiting for the Night\" – 3:03\n German CD single\n \"This Is What It Feels Like\" – 3:25\n \"This Is What It Feels Like\" (David Guetta remix) – 5:28\n\n Maddix remix\n \"This Is What It Feels Like\" (Maddix remix) – 3:50\n \"This Is What It Feels Like\" (Maddix extended mix) – 4:50\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nCertifications\n\nRelease history\n\nJason Benoit version\n\n\"This Is What It Feels Like\" was covered by Canadian country music artist Jason Benoit and released through Sky Hit Records, under license to Sony Music Canada, as Benoit's debut single on 10 September 2013. His rendition reached number 46 on the Billboard Canada Country chart. It received positive reviews for Benoit's \"strong vocal performance\" was also included on the compilation album, Country Heat 2014.\n\nMusic video\nAn official lyric video was uploaded to Benoit's Vevo channel on 4 October 2013.\n\nChart performance\n\nReferences\n\n2013 singles\n2013 songs\nArmin van Buuren songs\nArmada Music singles\nJuno Award for Dance Recording of the Year recordings\nSongs written by Armin van Buuren\nSongs written by Benno de Goeij\nSongs written by Jenson Vaughan\nSongs written by Trevor Guthrie\nTrevor Guthrie songs", "The What A Summer Stakes is an American Thoroughbred horse race held annually in January at Laurel Park Racecourse in Laurel, Maryland. The race is open to fillies and mares four years old and up and is run at six furlongs on the dirt.\n\nAn ungraded stakes race, it offers a purse of $100,000. The race was restricted to Maryland-breds between 1978 and 1992. It was run for fillies and mares from age three and up from 1978 through 1985 and was run under handicap conditions during that same time. The race was restricted to two-year-olds from 1985 to 1992.\n\nThe race was named in honor of What A Summer, a gray mare by What Luck. She was an Eclipse Award winner and was named American Champion Sprint Horse in 1977. She was bred in Maryland by Milton Polinger. What A Summer was a foal in 1973 and won 18 of 31 starts in her career. She won the de facto second leg of the filly Triple Crown, the Black-Eyed Susan Stakes, won the Fall Highweight Handicap twice (carrying 134 pounds each time), the Silver Spoon Handicap twice, the Maskette Handicap and four other stakes. In addition to her 18 wins, she placed nine times with earnings of $479,161. That record of 27 first or second finishes in 31 starts at 87% is among the best in history.\n\nWhat A Summer was trained by Bud Delp while racing for Polinger. She was bought by Diana Firestone following Polinger's death in 1976. Mrs. Firestone turned the mare over to trainer LeRoy Jolley. She was named Maryland-bred horse of the year in 1977 and twice was named champion older mare. What A Summer was retired in 1878 and as a broodmare produced several graded stakes winners.\n\nA venue of 1994 race was Gulfstream Park.\n\nRecords \n\nSpeed record: \n 6 furlongs – 1:09.20 – Xtra Heat (2003) \n 7 furlongs – 1:23.60 – Sea Siren (1983)\n\nMost wins by an horse:\n 2 – Silmaril (2006 & 2007)\n 2 – Sweet on Smokey (2016 & 2017)\n\nMost wins by an owner:\n 3 – Stephen E. Quick (1982, 2007 & 2008)\n\nMost wins by a jockey:\n 2 – five different jockeys share this record with 2 wins each\n\nMost wins by a trainer:\n 3 – Christopher W. Grove (2007, 2008 & 2010)\n\nWinners of the What A Summer Stakes since 1978\n\nSee also \n\n What A Summer Stakes top three finishers\n\nReferences\n\nExternal links\n Laurel Park website\n\n1978 establishments in Maryland\nLaurel Park Racecourse\nHorse races in Maryland\nRecurring sporting events established in 1978" ]

[ "Helloween", "Hansen and Kiske's departures (1989-1993)" ]

[ "Departures is the second solo album by Australian musician Bernard Fanning, a follow-up to his 2005 #1 Australian charting album Tea & Sympathy, and the first since Fanning's band Powderfinger was disbanded in 2011. The album was released on 7 June 2013. The album heralds a departure from Fanning's debut 2005 effort of folk and roots in favour of a rock sound, more akin to his Powderfinger origins.\n\nTrack listing\n\"Tell Me How It Ends\" – 3:41\n\"Limbo Stick\" – 3:53\n\"Battleships\" – 3:10\n\"Grow Around You\" – 4:20\n\"Drake\" – 3:48\n\"Call You Home\" – 4:51\n\"Departures (Blue Toowong Skies)\" – 4:20\n\"Zero Sum Game\" – 4:07\n\"Here Comes the Sadist\" – 3:35\n\"Inside Track\" – 3:49\n\"Ghosts\" (Retail bonus track) – 3:58\n\"Come Down On Your Side\" - 3:27 (iTunes bonus track)\n\nCharts\nDepartures debuted at number one on the ARIA Albums Chart dated 17 June 2013, becoming Fanning's second number-one album as a solo artist.\n\nCertifications\n\nSee also\nList of number-one albums of 2013 (Australia)\n\nReferences\n\n2013 albums\nBernard Fanning albums", "Disciples of the Sun is the fourth studio album by the Danish power metal band Pyramaze, released on May 22, 2015.\n\nThis album features a significantly different lineup than the band's previous records. Pyramaze recruited vocalist Terje Harøy to replace Matt Barlow and Urban Breed (with whom Pyramaze did not make a release) after their departures, and producer Jacob Hansen replaced Michael Kammeyer on guitars while remaining the band's producer. The album's title track had a music video produced to promote the album, a first for the band.\n\nReception \n\nDisciples of the Sun was generally well-received, and was compared favorably to the band's previous efforts.\n\nTrack listing\n\nPersonnel\n Jacob Hansen − Guitars, Bass\n Morten Gade Sørensen − Drums\n Jonah Weingarten − Keyboards\n Toke Skjønnemand − Guitars\n Terje Harøy − Vocals\n\nReferences\n\nExternal links\n Pyramaze homepage\n\nPyramaze albums\n2015 albums\nAlbums produced by Jacob Hansen" ]

[ "Helloween", "Hansen and Kiske's departures (1989-1993)", "How did these departures effect the band?", "The remaining members continued on but ran into label problems with Noise," ]

[ "Hoelderlin were a German progressive rock band that was formed in 1970 as Hölderlin by brothers Joachim and Christian von Grumbkow with Nanny de Ruig, whom Christian was married to. They were influenced by rock, jazz, and folk music.\n\nHistory \n\nThe group started out as a folk group, but after the release of their first album in 1972 and the departure of Nanny in 1973, the group began to change musical direction, incorporating jazz and rock. They changed their name to Hoelderlin in 1973 and took legal action against Rolf-Ulrich Kaiser, the head and founder of the label Pilz, which eventually led to the record label going out of business. In 1975 they got a new record contract with the label Spiegelei and released their second album the same year. After the release of three more albums, almost all of the founding members left the group, leaving Joachim to be the only remaining founding member. This led to both a significant change in lineup and another significant change in musical direction. The group was introduced to Dave Hutchins, who was an engineer for the Genesis album The Lamb Lies Down on Broadway and subsequently decided to develop an anglo-american commercial sound that later resulted in two more albums before their split in 1980. The album Fata Morgana was then put together and released by Spiegelei the following year. The group reunited in 2005 with only Hans Bäär and Michael Bruchmann as former members. However, Christoph and Nanny made special guest appearances for a few of their subsequent performances. Upon the release of their eighth album, the group then split up again in 2009.\n\nDiscography \n\n Hölderlins Traum (Pilz, 1972)\n Hoelderlin (Spiegelei, 1975)\n Clown & Clouds (1976)\n Rare Birds (1977)\n Traumstadt (Live Album, 1978)\n New Faces (1979)\n Fata Morgana (1981)\n 8 (2007)\n Hoelderlin - Live At Rockpalast 2005 (2021)\n\nPersonnel \n Michael Bruchmann - drums (1971-1978, 2005-2009)\n Hans Bäär - bass, guitars, vocals (1976-1981, 2005-2009)\n Ann-Yi Eötvös - vocals (2005-2009)\n Andreas Hirschmann - keyboards, vocals (2005-2009)\n Joachim von Grumbkow - keyboards, vocals (1970-1981) (died 1990)\n Christian von Grumbkow - guitar (1970-1977), lyrics (1970-1978)\n Christoph Noppeney - violin (1971-1977), guitar, vocals (1975-1978)\n Tommy L'Ohr - guitar, vocals (1977-1981)\n Peter Käseberg - bass, vocals (1970-1975)\n Eduard Schicke - drums (1978-1981)\n Nanny de Ruig (1970-1972)\n Pablo Weeber - guitar, vocals (1976-1977)\n\nSee also\nFriedrich Hölderlin, the German poet\n\nReferences\n\nExternal links \n Hoelderlin at progarchives.com\n \n\nGerman progressive rock groups\nMusical groups established in 1970", "Dark Suns is a German progressive metal band formed in 1997. It is currently composed of guitarists Maik Knappe and Torsten Wenzel, with Maik's brother Niko performing the vocals and drums. The band has released one demo, one EP, and five studio albums as of 2016.\n\nHistory\nThe band was founded in 1997 by Tobias Gommlich and Niko Knappe, two well known players of the local metal scene in Lutherstadt Wittenberg, Germany. Dark Suns was initially planned to only be a side project for Knappe and Gommlich, but they spent more and more time on it, eventually finding themselves absorbed in this \"side project\". In 1998 they recorded a demo called Below Dark Illusion. During that time they had numerous band member changes. Their first EP, Suffering the Psychopathic Results of Daily Blasphemy was released in 1999, and contained only one, 14-minute song.\n\nThe band began to write their first album, Swanlike, in 2001, and self-released it in 2002. In 2003, guitarist Gommlich left the band, to be replaced by Torsten Wenzel. This lineup would remain the same through the 2005 release of the band's second, album, Existence. This album showed a change in musical style, including the dropping of the death growls used in Swanlike, and a change from the death/doom style to a progressive metal style. A remastered version of Swanlike was released the same day, through Prophecy Productions.\n\nIn 2006, Christoph Bormann left the band, leaving them without a bassist. As of 2007, the band did not yet have a bassist, instead relying on Pain of Salvation's Kristoffer Gildenlöw as a session artist to perform the bass parts on the new material they were recording. Grave Human Genuine was released on February 22, 2008.\n\nAfter the release of Grave Human Genuine, keyboardist Thomas Bremer left the band, with Ekkehard Meister joining the band taking over keyboard duties. Around the same time, Jacob Müller joined the band as the new bassist. With a complete band in hand, Dark Suns started work on their next album Orange, which was released in 2011. The new album explored a different direction for the band, taking on a 70's progressive rock sound. This radical departure in style is similar to what Opeth and Steven Wilson did in Heritage and Grace For Drowning respectively, both of which were released in the same year as Orange.\n\nBand members\nCurrent members\n Niko Knappe - Vocals, Drums, Percussion (1997–present)\n Maik Knappe - Guitars, Vocals (1998–present)\n Torsten Wenzel - Guitars, Vocals (2003–present)\n Jacob Müller - Bass (2008–present)\n Ekkehard Meister - Keyboards (2008–present)\n Dominique 'Gaga' Ehlert - Drums\n Evgeny Ring - Saxophone\n Govinda Abbott - Trumpet\n\nFormer members\n Tobias Gommlich - Guitars (1997–2003)\n Matthias Benzke - Keyboards (1998)\n Oliver Fricke - Bass (1998–2001)\n Michael Beck - Bass (2000–2001)\n Christoph Bormann - Bass (2001–2006)\n Thomas Bremer - Keyboards, Samples (1998–2007)\n\nDiscography\nStudio albums\n Below Dark Illusion Demo (1998)\n Swanlike (2002)\n Existence (2005)\n Grave Human Genuine (2008)\n Orange (2011)\n Everchild (2016)\n Half Light Souvenirs (2019)\n\nEP\n Suffering the Psychopathic Results of Daily Blasphemy (1999)\n\nReferences\n\nExternal links\n Dark Suns Official Website\nObnoxious Listeners: Dark Suns\n\nGerman progressive metal musical groups\nMusical groups established in 1997\nGerman doom metal musical groups" ]

[ "Helloween", "Hansen and Kiske's departures (1989-1993)", "How did these departures effect the band?", "The remaining members continued on but ran into label problems with Noise,", "Did the musical direction change after they left?", "Instead of taking a heavier approach, the band ventured into new territory," ]

[ "IX is the ninth studio album by the Austin, Texas alternative rock rock band ...And You Will Know Us by the Trail of Dead, released October 20, 2014, on Superball Music.\n\nComposition\nJason Reece explained in an interview that the band was going for a record consisting of many instrumental tracks. Several instrumentals were written, but ended up writing songs that \"had a more personal lyrical bent\", departing from the last album's very aggressive and political lyrics. As for the sound, it was inspired by Slave Ambient and Lost in the Dream, both records by The War on Drugs: \"This layered Krautrock kind of vibe. We were thinking of Echo And The Bunnymen, Ocean Rain. These dense and bigger sounding albums. We were kind of into some 80’s music, Psychedelic Furs. Which is funny cause we’re not really a band that’s into the new wave sound, I don’t think we’ve ever made an 80’s sounding record. That’s kind of what we were jamming out to, the early 80’s sounds. Going for more of a Peter Gabriel thing, where you don’t use any cymbals, heavy toms and stuff like that were sort of the things we were kind of touching upon.\"\n\nCritical reception\n\nReviews for IX were mostly positive upon release, with an Metacritic average of 75/100, indicating generally favorable reviews.\n\nA review in Pitchfork stated, While the band may have struggled in the past to reconcile their post-hardcore roots with their art-rock ambitions*,* more often than not, \"IX\" marks the spot.\n\nIn MXDWN, Elliot Greiner wrote, For a band that started out in post-punk and somehow wandered into the feathery territory of art-rock, \"IX\" is a mediocre answer to a career’s worth of solid material. While not terrible, it is a far shot from all right, and an even farther shot from (some of) what they’ve put out in the past.\n\nTrack listing\n\nBonus CD: Tao of the Dead Pt III EP\n\nCharts\n\nReferences\n\n2014 albums\n...And You Will Know Us by the Trail of Dead albums\nSuperball Music albums\nAlbums produced by Chris \"Frenchie\" Smith\nAlbums recorded at Sonic Ranch", "Charmers were English practitioners of a specific kind of folk magic, specialising in supernatural healing. Other folk magic traditions include those of the cunning folk, the toad doctors and the girdle-measurers.\n\nThe charming tradition is quite distinct from others, being based either on the charmer's possession of inherent healing ability by 'laying on of hands', or ownership of an object that had healing properties or possession of a charm or charms in verse, typically deriving from Biblical sources genuine or apocryphal. \nThe latter is the most common source of healing power among charmers.\n\nCharmers differ from cunning folk in two principal ways. They usually refused to charge a fee for their services (even refusing verbal thanks) though they did accept gifts in kind. They also did not attempt to heal those who believed themselves to be suffering from the effects of witchcraft or demonic possession. They restricted themselves to healing natural ailments, such as snakebite, toothache or burns. They would occasionally augment their charming with herbalism.\n\n\"There was no ambiguity about what charmers did. They were merely custodians of a God-given gift, not masters of equivocal magical forces. Consequently, people did not prosecute charmers as they did cunning-folk: there was little to accuse them of, as they imposed no charges and they did not provide faulty diagnoses since they did not diagnose.\"\n\nReferences\n\nEnglish folklore" ]

[ "Helloween", "Hansen and Kiske's departures (1989-1993)", "How did these departures effect the band?", "The remaining members continued on but ran into label problems with Noise,", "Did the musical direction change after they left?", "Instead of taking a heavier approach, the band ventured into new territory,", "What kind of new territory did they go into?", "eschewing its signature double-guitar harmonies for synthesizers, horns, acoustic guitars, a children's chorus, country music, and swing." ]

[ "React is a media franchise used by the Fine Brothers consisting of several online series centering on a group of individuals reacting to viral videos, trends, video games, film trailers, or music videos. The franchise was launched with the YouTube debut of Kids React in October 2010, and then grew to encompass four more series uploaded on the Fine Brothers' primary YouTube channel, a separate YouTube channel with various reaction-related content, as well as a television series titled React to That.\n\nIn 2016, the duo announced React World, a program and channel in which they would license the format of their React shows to creators, which led to widespread negative reception from viewers and fellow content creators, as well as confusion about what their format is. This eventually lead to the Fine Brothers removing all videos related to React World, essentially pulling the plug on the React World program.\n\nYouTube series\n\nKids React\nBenny and Rafi Fine launched a series titled Kids React on October 16, 2010, the first video being \"Kids React to Viral Videos (Double Rainbow, Obama Fail, Twin Rabbits, Snickers Halloween)\". The Kids React series features The Fine Brothers (and one of the staff members since 2016), off-camera, showing kids ages 4–14 (7-13 as of September 2016, 7-11 as of October 2016) several viral videos or popular YouTubers and having the kids react to the videos.\n\nThe most popular Kids React episode to date is “Kids React to Gay Marriage\", with over 40.2 million views as of September 2, 2018. The popularity of Kids React made it possible for the online series to win a special Emmy Award at the 39th Daytime Emmy Awards in 2012. The Emmy Award, that was given in cooperation with AOL, was awarded to the Fine Brothers for \"Best Viral Video Series\". After their Emmy win, the brothers explained, \"Not a lot has changed [after winning the Emmy] other than realizing that there are shows on YouTube like React that can get similar if not better viewership than mainstream entertainment can.\"\n\nVideos and YouTube stars that have been reacted to by the kids include Smosh (who later reacted to the kids' reactions), planking and President Obama addressing the death of Osama bin Laden, among several other topics. Kids React has been compared to Kids Say the Darndest Things. In October 2012, the kids of the show were shown videos of the 2012 U.S. Presidential debates. Kids React won the Streamy Award for Best Non-Fiction or Reality Series in 2013.\n\nTeens React\nDue to the popularity of Kids React, The Fine Brothers spawned a spin-off dubbed Teens React on November 17, 2011 with \"TEENS REACT TO TWILIGHT\". The show has a similar premise to Kids React, however the younger stars are replaced with high school teenagers aged 14-18, some of whom have aged out of the Kids React series. Due to this, the Fine Brothers are able to show more mature and less \"kid-friendly\" videos such as videos on topics like Toddlers & Tiaras, Rick Perry's Strong commercial, Amanda Todd's death, and the 2012 U.S. Presidential debates. Other viral videos and YouTube stars that have been reacted to include Salad Fingers, the Overly Attached Girlfriend, \"Gangnam Style\", The Hunger Games trailer, Shane Dawson, and One Direction, among other topics. Later on, The Fine Brothers launched a series titled Teens React: Gaming consisting videos of teenagers reacting to popular games such as Mario Kart 64, Flappy Bird, Rocket League, and Five Nights at Freddy’s. Teens React launched the career of Lia Marie Johnson, it also featured some \"famous\" 'reactors' as guest stars, including Lisa Cimorelli, Amy Cimorelli, Lucas Cruikshank (who later appears in YouTubers React), Alex Steele, Jake Short, and Maisie Williams.\n\nElders React\nElders React was debuted in 2012 and it included seniors over the age of 55. In 2021, it became a subseries for Adults React.\n\nYouTubers React\nYouTubers React was debuted in 2012 and it included famous YouTubers. On November 2020, it is retitled Creators React due to the success of other social medias and is currently airing its one-off episodes as of June 2021.\n\nAdults React\nOn May 30, 2015, the Fine Brothers announced Adults React, which premiered on July 16 later that year. It consists of people ages 20 to 55, including former stars of Teens React that have aged out of the series. Depending on the video or topic, Adults React will be specific of which type of adults are going to be reacting, such as parents or college kids.\n\nParents React\n\nThe first episode of Parents React premiered on August 6, 2015 with “Parents React to Don’t Stay At School”. This series involves parents reacting to stuff that kids were getting into.\n\nCollege Kids React\nThe first episode of College Kids React premiered on June 23, 2016 with \"College Kids React to The 1975\". This series includes stars who have aged out of Teens React along with new stars, as well as stars that have not yet aged out of Teens React but have begun college. The content of College Kids React is similar to the content found in Teens React but more mature.\n\nOne-off episodes\nIn April 2014, as an April Fools joke, the Fine Brothers teamed up with Friskies and released Cats React, which went viral. In July 2016 they released another part of Cats React.\n\nIn August 2014, they released Celebrities React to Viral Videos, and now re-released yearly.\n\nIn April 2018, in another April Fools joke, they released \"Teens React to Nothing\" where they showed the teenagers on a blank screen. The following year, they released a sequel, \"nothing reacts to teens react to nothing.\", which featured the original video being played in an empty studio.\n\nReact YouTube channel\nAfter creating four individual successful React series on their primary YouTube channel, the Fine Brothers launched a separate YouTube channel in 2014, for reaction-related content, simply dubbed \"React\". With the intent of running programming five days a week, the channel launched with five series: React Gaming (a Let's Play-style series with real youths from their primary React series), Advice (a series featuring real youths respond to questions from viewers), React Remix (musical remixes of past React footage), People Vs. Foods (originally Kids Vs. Food until 2016) (a series featuring Reactors taste-test \"Weird\" or international foods), and Lyric Breakdown (a series in which Reactors break down the meaning of various songs). The channel launched with a teenage-focused playthrough of Goat Simulator.\nFrom September 18th 2020 to May 31st 2021, the React YouTube channel was retitled to \"REPLAY\", following the renaming of the main FBE channel to \"REACT\" in the wake of FBE's distancing from Benny and Rafi Fine as a consequence of the scandal in Summer 2020 that led to many reactors leaving the channel.\nOn June 1st 2021, REPLAY is retitled \"PEOPLE VS FOOD\" and moved all the non-food videos to REACT.\n\nReact to That\nIn early 2014, it was announced that the Fine Brothers made a deal with NCredible Entertainment, a production studio founded by Nick Cannon to develop a television series for Nickelodeon. The series, dubbed React to That, was \"entirely re-envisioned for television,\" as the reactors \"not only watch and respond to viral videos, but pop out of the reaction room and into showdowns where the clips come to life as each reactor is confronted with a challenge based on the video they just watched.\" Following the announcement of the series, Benny Fine explained, \"All these viewers now watching are also pioneering what it is to be a viewer of content. They follow us through all of our different endeavors, all our different series, and now will have the opportunity to follow us to another medium.\" Nickelodeon ordered 13 episodes to be produced, but only 12 were made and aired.\n\nReact World\n\nBackground\nIn July 2015, the Fine Brothers filed for trademark protection on \"React\" with the U.S. Patent and Trademark Office (USPTO). The trademark was filed for \"Entertainment services, namely, providing an ongoing series of programs and webisodes via the internet in the field of observing and interviewing various groups of people.\" The USPTO approved for a 30-day opposition period which was set to begin on February 2, 2016; if no parties filed an opposition to the Fines' trademark request, it would have proceeded through the process. The brothers had recently filed for and been granted trademark registrations for \"Elders React\" and \"Teens React\" in 2013 as well as \"Kids React\" in 2012.\n\nAnnouncement details\nOn January 26, 2016, the Fines announced that they would be launching React World, a way to grant content creators the license to create their own versions of the React shows. Specifically, the Fine Brothers explained they were going to license the format of their React shows. A Variety report detailed that React World would \"aggregate videos in a channel to launch later this year to promote, support and feature fan-produced programming based on their shows.\" The brothers' company, Fine Brothers Entertainment (FBE) explained they would be working with YouTube and ChannelMeter on the launch of React World. FBE also expressed they would be able to monetize React-style videos uploaded under their license. On monetization, Digital Trends detailed \"Although licenses are free, React World creators must agree to share 20 percent of AdSense revenue and 30 percent of premium brand deals with FBE.\" Additionally, the Fines explained they would provide ongoing production guidance, creative guidelines, format bibles, and other resources, as well as promotional and technical support to those creators who participated with the brothers on React World.\n\nReception\nAlthough YouTube's VP on content partnerships, Kelly Merryman, originally proclaimed \"This is brand-building in the YouTube age — rising media companies building their brands through collaborations with creators around the world,\" the Fine Brothers were met with overwhelmingly negative reception to their React World announcement. BBC News reported that \"critics of the Fine Brothers have expressed concern they may use the trademarks to stifle competition,\" and quoted one YouTuber who detailed \"People don't trust them because a few years ago when Ellen DeGeneres did a similar video—not that similar, it didn't have the same format or branding—they claimed it was their format.\" Viewers and fellow content creators alike condemned the Fines for their announcement, with The Daily Dot reporting, \"Backlash poured in on Reddit and social media, and other YouTubers posted their own reactions and parodies of the enthusiastically corporate React World announcement video.\" The backlash led to a dramatic drop in subscribers, with upwards of 675,000 accounts collectively unsubscribing from the React and Fine Bros Entertainment channels as well as recent videos getting many dislikes in protest as of February 22, 2016. Mashable described that one Reddit post \"ignited a thread of haters, defenders and overall discussion about whether what Fine Brothers Entertainment is doing is fair.\" Ryan Morrison, a gamer, lawyer and Reddit user, declared that he would file a legal challenge to the Fine Brothers' trademark request on \"React\", writing \"These guys didn’t come up with the idea of filming funny reactions from kids. And they certainly don’t own an entire genre of YouTube videos. It wasn’t their idea, and it’s not theirs to own or police.\"\n\nThough there was an overwhelmingly negative response to the React World announcement, other personalities expressed milder opinions; Internet personality Hank Green wrote \"This could actually be a very cool project if it could be divorced from the idea of two very powerful creators attempting to control a very popular YouTube video format. Franchising one of YouTube's biggest shows? Yeah, I’d love to see how that goes.\" New York reporter Jay Hathaway wrote \"The trademark and React World are dead. And that's a shame, because it was an interesting idea that suffered from tone-deaf execution.\"\n\nResponses and discontinuation by the Fine Brothers\nAfter seeing the initial backlash from their announcement, The Fine Brothers posted comments on various social media websites including Facebook, Twitter, Reddit, and the comment section of their YouTube announcement video. On Facebook the Fines wrote, \"We do not own the idea or copyright for reaction videos overall, nor did we ever say we did. You don’t need anyone’s permission to make these kinds of videos, and we’re not coming after anyone\", adding \"We are in no way claiming reaction content in general is our intellectual property. This is purely a voluntary program for people wanting direct support from us, and we continue to be so excited to work with all of you who may want to participate\". They additionally tweeted \"We're not saying we hold a copyright on reaction videos overall, no one can. We're licensing our specific shows, like TV has done for years\". The brothers also explained they would \"not be trying to take revenue from other types of reaction videos, and will not be copyright-striking\". However, other YouTubers have reported multiple copyright related video takedowns. The Guardian also reported that unrelated channels featuring diverse groups of people reacting to videos were also removed after takedown requests from the Fine Brothers; the \"Seniors React\" video was noted to be released prior to the Fines launching their Elders React series. The Fines also posted an update video in response to what they described as \"confusion and negative response\" to React World, in which they try to clear up confusion on what their format encompasses, as well as inviting viewers to e-mail them about any further questions.\n\nUltimately, the Fine Brothers removed all React World videos, and posted a statement on Medium, declaring they have filed the paperwork to rescind all their \"React\" trademarks and applications, will discontinue the React World program, and will release all past Content ID claims. In their post, the brothers expressed \"It makes perfect sense for people to distrust our motives here, but we are confident that our actions will speak louder than these words moving forward\". Reaction to this Medium post was negative on Reddit, where users were reported commenting they would not forgive the Fine Brothers.\n\nAccolades\n\nReferences\n\nCitations\n\nSources\n\nFootnotes\n\nSee also \n Reaction video\n\n2010 web series debuts\nFullscreen (company) channels\nFullscreen Media franchises\nYouTube original programming", "REACT (Radio Emergency Associated Communication Teams) began as a CB radio Emergency Channel 9 monitoring organization across the United States and Canada in 1962. Initially, the primary role of REACT volunteers was to monitor Channel 9, the CB Emergency Channel, to help motorists. Later, duties grew to include communications after disasters (such as tornadoes and floods), and in some places before disasters (storm spotting). As well, REACT safety communications for parades, runs/walks and other community events became prominent. Now, REACT Teams rarely use CB primarily, a large percentage have now added amateur, FRS, GMRS, Multi-Use Radio Service (MURS), Trunked radio systems and business band radio (LMR) to their public service capabilities. Their original purpose, to monitor CB, has largely gone by the wayside.\n\nServices Provided \nEach REACT Team is unique and fills a local purpose. The original purpose of monitoring Emergency Channel 9 for distress calls is not as needed as once was due to the availability of cellular phones, but is still done in some remote locations. Some teams disbanded when the need for CB 9 monitoring waned; however, other Teams became creative and found other things to do in their communities. \n\nMany REACT Teams go beyond just communications and provide services such as traffic and parking control, search and rescue support, assistance with large public events, helping with safety breaks along roadways, help monitor traffic flow, assist with their local emergency management offices, law enforcement and also some participate in the Skywarn program of storm spotters. However many of these functions require the mobile communications that many REACT Teams utilize.\n\nObjectives \n(a) To develop the use of the personal radio services as an additional source of communications for emergencies. disasters, and as an emergency aid to individuals;\n(b) To establish 24-hour volunteer monitoring of emergency calls, particularly over officially designated emergency frequencies, from personal radio service operators, and reporting such calls to appropriate emergency authorities;\n(c) To promote transportation safety by developing programs that provide information and communications assistance to motorists;\n(d) To coordinate efforts with and provide communication help to other groups, e.g., Red Cross, Emergency Management, and local, state, and federal authorities, during emergencies and disasters;\n(e) To develop, administer, and promote public information projects demonstrating and publicizing the potential benefits and the proper use of the personal radio service to individuals, organizations, industry, and government; and\n(f) To participate in citizens crime prevention programs where established by appropriate law enforcement agencies.\n\nHistory \n\n1962 - A sick infant, a disabled car on a Chicago freeway, and a January blizzard prompted Henry B. (Pete) Kreer to envision using CB radio to get help in such emergencies. By April, REACT was founded, with Hallicrafters Radio as its first sponsor and Kreer as its executive director.\n\n1967 - REACT approached FCC for a designated CB Emergency Channel.\n\n1969 - REACT gained General Motors Research Labs as its new sponsor.\n\n1970 - CB-9 was designated the 'Emergency and Travelers' Assistance Channel' by the FCC. The Ohio REACT Network was created. It worked with Ohio State Police to demonstrate how CB-9 could enhance highway safety. It later became the first REACT Council.\nREACT signed its first MOU (Memorandum of Understanding) with the American Red Cross.\n\n1973 - REACT's Pete Kreer and Jerry Reese were interviewed on the NBC 'Today' show about the potential for highway safety of CB radio.\n\n1975 - REACT became an Illinois not-for-profit corporation.\n\n1976 - REACT held its first convention in Deerfield, Ill. REACT participated in the White House Conference on CB Radio.\n\n1977 - REACT launched its highway Safety Break program in cooperation with the American Trucking Association. REACT developed the NEAR (National Emergency Aid Radio) safety program for the U.S. government.\n\n1978 - REACT signed an MOU with Special Olympics.\n\n1982 - REACT was honored with the first President's Volunteer Action Award (16 awarded out of 2300 nominations).\n\n1984 - REACT assisted in introducing FRS (Family Radio Service).\n\n1985 - REACT office moved from Chicago, Ill., to Wichita, Kans.\n\n1986 -'REACT Month' was observed for the first time.\n\n1988 - REACT developed its 'Team Topics' newsletter for Teams.\nREACT introduced the CB-9 road sign to advise travelers of monitoring.\n\n1991 - REACT published the first in a series of 'Team Training Modules' to advance its monitors' skills.\n\n1993 - REACT agreed to Memorandums of Understanding with the American Red Cross, Salvation Army, and National Weather Service.\n\n1994 - Dallas County REACT, at HamCom in Arlington, Tex., became the fourth local group to host remote operation of the ARRL's station W1AW.\n\n1995 - REACT HQ established its first website on the Internet.\nRose City Windsor REACT, Ontario, launched the first REACT Team website.\nSeveral Teams responded to and assisted with the response to the bombing of the Alfred P Murrah Building (Oklahoma City Bombing).\n\n1998 - REACT moved its headquarters from Wichita, Kans., to the D.C. area. REACT Teams in Florida respond to wildfires, receive recognition from governor. \n\n2001 - Several Teams assisted the Salvation Army in response to the World Trade Center attacks in New York City.\nREACT agreed to Memorandum of Understanding with the American Radio Relay League (ARRL).\n\n2002 - REACT assisted with Olympic Torch Run.\nREACT presented the first \"Radio Hero Award\" to an Indiana State Trooper.\n\n2004 - Dallas County REACT was again selected to host ARRL station W1AW at HamCom in Arlington, Texas.\n\n2010 - REACT moved its headquarters from Suitland, Md., to Dinwiddie, Va.\nREACT joins GERC - Global Emergency Radio Coalition - as a Charter Member.\n\n2011 - REACT Announced 50th Anniversary Logo and 2012 Convention Site at Las Vegas, Nev.\nFor the third time, Dallas County REACT hosted ARRL station W1AW at HamCom in Plano, Texas.\nREACT Teams involved in response to Hurricane Irene and Hurricane Lee.\n\n2012 - REACT official office returned to Chicago; administrative office moved to Glendale, Calif.\n\nReferences\n\nExternal links\nREACT International, Inc. Official Website\n\nwww.swreact.com\n\nAmateur radio emergency communications organizations\nEmergency communication" ]

[ "Helloween", "Hansen and Kiske's departures (1989-1993)", "How did these departures effect the band?", "The remaining members continued on but ran into label problems with Noise,", "Did the musical direction change after they left?", "Instead of taking a heavier approach, the band ventured into new territory,", "What kind of new territory did they go into?", "eschewing its signature double-guitar harmonies for synthesizers, horns, acoustic guitars, a children's chorus, country music, and swing.", "How did the fans react to their new direction?", "Chameleon failed commercially and critically." ]

[ "Honkytonk Homeslice is a band created by The String Cheese Incident frontman Bill Nershi. The band consists of Bill Nershi, his wife Jilian Nershi, and singer-songwriter, Scott Law. Honkytonk Homeslice began in the summer of 2004, when the trio was singing and playing at their campsite at Horning's Hideout, during a String Cheese-sponsored music festival in Oregon.\n\nThe band says they are \"drawing on the whole history of bluegrass, old time music, pre-Nashville country, the psychedelic country music of Gram Parsons and Emmylou Harris, even a few String Cheese and Talking Heads tunes.\"\n\nTheir self-titled debut CD contains thirteen songs of acoustic Americana music. This album is a return to roots for Bill Nershi, who says \"this band takes the music back to the kind of shows SCI did when it began.\"\n\nReferences\n\nMusical groups from Portland, Oregon\n2004 establishments in Oregon\nMusical groups established in 2004", "Unnatural Selection is the seventh album by American thrash metal band Flotsam and Jetsam, released on January 26, 1999. It was the band's first album with two new members, Craig Nielsen (drums) and Mark Simpson (guitarist).\n\nNatural Selection marked as a return to Flotsam and Jetsam's thrashy roots after almost a decade of musical experimentation with their metal sound, although it did continue the trend of most of their 1990s material, with the lyrical content focusing on social and political-related themes, whereas the band's 1980s output had Satanic/occult themes.\n\nTrack listing\nDream Scrape – 4:10\nChemical Noose – 4:12\nPromise Keepers – 4:34\nLiquid Noose – 3:59\nFalling – 3:40\nFuckers – 6:00\nBrain Dead – 4:33\nWay to Go – 4:26\nWin, Lose or Dead – 4:28\nWelcome to the Bottom – 5:14\nMr. Ridiculous (bonus track)\n\nCredits\n Edward Carlson – guitars\n Eric A.K. – vocals\n Jason Ward – bass\n Craig Nielsen – drums\n Mark Simpson – guitars\n\nReferences\n\n1999 albums\nFlotsam and Jetsam (band) albums" ]

[ "Helloween", "Hansen and Kiske's departures (1989-1993)", "How did these departures effect the band?", "The remaining members continued on but ran into label problems with Noise,", "Did the musical direction change after they left?", "Instead of taking a heavier approach, the band ventured into new territory,", "What kind of new territory did they go into?", "eschewing its signature double-guitar harmonies for synthesizers, horns, acoustic guitars, a children's chorus, country music, and swing.", "How did the fans react to their new direction?", "Chameleon failed commercially and critically.", "Did this make the band return to their roots?", "Abdel-Nabi, whose inability to replicate Schwichtenberg's machine-gun style of drumming hindered Helloween's ability to play live fan-favorites" ]

[ "The Hurt Building is an 18-story building located at 50 Hurt Plaza in Atlanta, Georgia with a unique triangular shape. One of the nation's earliest skyscrapers, the Hurt Building was built between 1913 and 1926, and was the initial home for the Federal Reserve Bank of Atlanta. It was renovated in 1985. It was added to the National Register of Historic Places in 1977.\n\nHistory\n\nConcept\nThe eponymous building was conceived and developed by Joel Hurt, a prominent Atlanta businessman and prolific developer. Hurt had already built the city's first skyscraper, the original Equitable Building, nearly two decades before. He was part owner of Atlanta and Edgewood Street Railroad, the city's first electric streetcar, which connected the city center to the Inman Park residential area he developed. He also co-founded the Trust Company of Georgia (an early predecessor of what is now Suntrust) and was its president for nine years starting in 1895. Moreover, Hurt married into the Woodruff family, which would eventually control both the Trust Company of Georgia and The Coca-Cola Company.\n\nHurt made preliminary drawings for several years before choosing well-known New York architect J.E.R. Carpenter to complete the design. Though Carpenter was based in New York by then, he was born and raised outside of Nashville, Tennessee.\n\nIt was the 17th largest office building in the world at the time of its construction, it is considered a good example of the skyscraper developed by the famed Louis Sullivan and the Chicago School style.\n\nConstruction and design\nThe Hurt Building was constructed during a turbulent economic period between 1913 and 1926 that was marred by four recessions as well as World War I, which delayed the construction of the wings and light court of the building until 1924. Nonetheless, the bulk of the building was completed in 1913, with a courtyard and the entry rotunda pushing the final completion to 1926.\n\nWith restrained ornamentation, it occupies a middle ground between Beaux Arts classicism and the emerging modernist aesthetic. The 17-floor building is characterized by a unique triangular shape, most closely associated with the Flatiron Building in New York City, which was necessitated by its triangular site.\n\nThe building is constructed of steel frame and reinforced concrete. The building envelope is uninterrupted marble and glazed brick piers with ornamental terra cotta spandrels terminating in a heavy decorative cornice exemplifying the craftsmanship of the early 1900s. It is composed of straight fronts, a flat roof, level skyline, subordination of ornament, a regular pattern of fenestration, and cornices of moderate projection. The lower four floors were designed to fill the building's footprint with the exception of the apex of the building, which faces Five Points, and was cut back 30 feet to allow a greater window area and a more majestic view of the building. The upper 13 floors above lower base is arranged in a V-shape, with the two wings extend from the western apex of the property along both Exchange Place and Edgewood Avenue leaving an open light court between the wings opening toward Ivy Street.\n\nAnother key feature is three-story domed rotunda. The original 1913 chandelier underscores the artistically vibrant ceiling, decorated with brilliant gold leaf panels and dramatic sunbursts, reflected in the circular grand marble staircase leading to the Venetian Room, an event space.\n\nThe first tenant occupied the Hurt Building in October 1913. Among the first tenants was the newly created Federal Reserve Bank of Atlanta, which paid rent of $6,500 for the first year, $8,000 for the second, and $9,000 for the third. until its own building was completed in 1918 at 104 Marietta Street.\n\nSix decades later, beginning in 1983, the Hurt Building was completely renovated, inside and out, reopening in 1985.\n\nThe Hurt Building at 96 years old became the first commercial office building in the state of Georgia (and 6th oldest in the nation) to earn LEED-EBOM Gold Certification as well as the first in Georgia to be awarded the BOMA 360 designation, both in 2009.\n\nIn popular culture\nThe NBC legal drama Matlock, starring Andy Griffith, used exterior shots of the Hurt Building to represent the office of the fictional Ben Matlock. In the 2016 crime thriller Triple 9, the Hurt Building was the site of the bank robbery committed at the start of the film.\n\nReferences\n\nExternal links\n\nThe Hurt Building, The official website for the Hurt Building\nHurt Building, National Park Service Atlanta\nHurt Building, Atlanta Urban Design Commission\n\nCommercial buildings on the National Register of Historic Places in Georgia (U.S. state)\nOffice buildings completed in 1913\nSkyscraper office buildings in Atlanta\nCity of Atlanta-designated historic sites\n1913 establishments in Georgia (U.S. state)\nNational Register of Historic Places in Atlanta\nChicago school architecture in Georgia (U.S. state)", "Departure, Departures or The Departure may refer to:\n\nArts, entertainment, and media\n\nPaintings\nDeparture (Beckmann), a 1932–1935 triptych by German painter Max Beckmann\n\nFilms\nDeparture (1931 film), a French drama film \nDeparture (1938 film), a 1938 Italian comedy film\nDeparture (1986 film), an Australian film \nDepartures (2008 film), a Japanese drama film \nDepartures (2011 film), a Turkish short film\nDeparture (2015 film), a British film starring Juliet Stevenson\nThe Departure (1967 film), a Belgian film\nThe Departure (2017 film), a 2017 American film\nThen Came You (2018 film), a 2018 American film also known as Departures\nUnfinished (film), a 2018 Korean film previously known as Departure\n\nLiterature\nDepartures (magazine), an American lifestyle magazine\nDepartures (short story collection), by Harry Turtledove\nThe Departure (novel), by K.A. Applegate\n\"The Departure\" (short story), by Franz Kafka\n\nMusic\nThe Departure, an English rock band\n\nAlbums\nDeparture (Jesse McCartney album), 2008\nDeparture (Journey album), 1980\nDeparture (Taio Cruz album), 2008\nDeparture, 1969 album by Pat Boone\nDepartures (album), 2013 album by Bernard Fanning\nSamurai Champloo Music Record: Departure, 2004\nThe Departure (album), by Jamie Teachenor, 2012\nDepartures, 2021 album by Jon Foreman\n\nSongs\n\"Departure\", a song by The Moody Blues from the 1968 album In Search of the Lost Chord \n\"Departure\", a song by R.E.M. from the 1996 album New Adventures in Hi-Fi \n\"Departure\", a song by Trivium from the 2005 album Ascendancy \n\"Departure\", a 2011 song by Masatoshi Ono\n\"Departure\", a song by Misery Signals from the 2013 album Absent Light\n\"Departure\", a song by Scandal from the 2014 album Hello World\n\"Departures\" (Globe song), 1996\n\"(It's A) Departure\", a song by The Long Winters from the 2006 album Putting the Days to Bed\n\"The Departure\", a song by Falling in Reverse from the 2017 album Coming Home\n\"Départe\" (French for \"Departure\"), a song by Rosetta from the 2005 album The Galilean Satellites\n\nTelevision\nDeparture (TV series), a Canadian-British drama series\nDepartures (TV series), a Canadian adventure travel television series\n\nTransport\n Departure, also called takeoff, the phase of flight from moving along the ground to flying in the air\n Departures, the section of a transport hub designated for outgoing passengers, freight, and vehicles\n\nSee also \n \n \n Departure Lake (disambiguation)\n Departure Lounge (disambiguation)\n Point of Departure (disambiguation)" ]

[ "Helloween", "Hansen and Kiske's departures (1989-1993)", "How did these departures effect the band?", "The remaining members continued on but ran into label problems with Noise,", "Did the musical direction change after they left?", "Instead of taking a heavier approach, the band ventured into new territory,", "What kind of new territory did they go into?", "eschewing its signature double-guitar harmonies for synthesizers, horns, acoustic guitars, a children's chorus, country music, and swing.", "How did the fans react to their new direction?", "Chameleon failed commercially and critically.", "Did this make the band return to their roots?", "Abdel-Nabi, whose inability to replicate Schwichtenberg's machine-gun style of drumming hindered Helloween's ability to play live fan-favorites", "So the departures hurt them artistically?", "1993 would come to a close for Helloween with no singer, no drummer, and no record contract" ]

[ "Raoul EP is an 8-track EP by Welsh band The Automatic featuring the original versions of singles \"Recover\" and \"Raoul\", plus B-sides from the \"Monster\", \"Raoul\" and \"Recover\" singles. It was originally released for the European market, but has since been made available in the UK, making it more convenient for fans to get hold of the rarer tracks all on CD. Raoul is the owner of a sandwich shop in Cardiff, who would make the band's sandwiches\n\nHistory\nOn 11 May 2006 a video for song \"Song6\" was uploaded to the band's MySpace after the song was featured on the \"Recover\" single earlier that year.\n\nMany of the Raoul EP tracks are featured on the first three singles by the band; \"Jack Daniels\" is featured on the Recover CD, \"Song6\" on the Recover 7\" vinyl, \"On The Campaign Trail\" is featured on both the \"Raoul\" single and the album Not Accepted Anywhere. \"Trophy Wives\" is also a b-side to \"Raoul\", \"Night Drive\" and \"High Tide On Caroline Street\" are both featured on the UK release of \"Monster\". The only b-sides from Not Accepted Anywhere which are not included on the EP are \"Time=Money\", which was released with \"Recover\", and \"Easy Target\" which was released with \"Raoul\".\n\nTrack listing\n\nReferences\n\nThe Automatic albums\n2006 EPs", "Recover EP is the debut EP by Scottish synth-pop band Chvrches.\n\nIt was released on 25 March 2013 in the UK via Goodbye and Virgin Records and 26 March 2013 in the US via Glassnote Records. The song \"Recover\" was issued as the second single from their debut studio album The Bones of What You Believe and it reached number 91 in the UK Singles Chart. This was the first time that a Chvrches single received notable attention on singles charts, as the band's first single, \"The Mother We Share\", would not begin to chart until its re-release in Autumn of 2013. The \"Recover\" single was also promoted by a music video.\n\nRecover EP was released as digital download and as a limited edition 12\" vinyl for Record Store Day 2013. It was also re-released as a limited edition orange 12\" vinyl for Record Store Day 2014.\n\nReception\nRecover EP received positive reviews. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 75 based on 10 reviews, which indicates \"generally favorable reviews.\n\nTrack listing\n\nReferences\n\nChvrches albums\n2013 EPs\nVirgin Records EPs" ]

[ "Helloween", "Hansen and Kiske's departures (1989-1993)", "How did these departures effect the band?", "The remaining members continued on but ran into label problems with Noise,", "Did the musical direction change after they left?", "Instead of taking a heavier approach, the band ventured into new territory,", "What kind of new territory did they go into?", "eschewing its signature double-guitar harmonies for synthesizers, horns, acoustic guitars, a children's chorus, country music, and swing.", "How did the fans react to their new direction?", "Chameleon failed commercially and critically.", "Did this make the band return to their roots?", "Abdel-Nabi, whose inability to replicate Schwichtenberg's machine-gun style of drumming hindered Helloween's ability to play live fan-favorites", "So the departures hurt them artistically?", "1993 would come to a close for Helloween with no singer, no drummer, and no record contract", "How did the band recover then?", "I don't know." ]

[ "Koukan Kourcia is a 2010 documentary film.\n\nSynopsis \nThe film portrays the voyage, from Niger to the Ivory Coast, of Hussey, an ageing Nigerian singer, and Sani Elhadj Magori, the director. He has asked Hussey to accompany him to the Ivory Coast to convince his father to return to his village. In the seventies, Hussey was a very well known singer and had the power to persuade young people to emigrate and try to make their fortune on the coasts of West Africa. Many young Nigerians, like the director's father, left never to come back. What sort of power does Hussey still have over the souls of men?\n\nAwards \n Fespaco 2011\n Milan 2011\n\nExternal links \n\n2010 films\nFrench films\nNigerien documentary films\nFrench documentary films\n2010 documentary films\nDocumentary films about African music\nDocumentary films about singers\nNigerien films", "A nonreturner is a person who did not return to some initial destination point, or to previous way of life, etc.\n\n Never-returners (), a group of noble disciples (Buddhist Sekhas) on the Buddhist path.\n Nonreturnees (), a slang term for Soviet citizen who refused to come back to USSR from the trips abroad." ]

[ "Exposé (group)", "Exposure (1986-1988)" ]

[ "The men's Mistral light competition at the 2002 Asian Games in Busan was held from 3 to 9 October 2002.\n\nSchedule\nAll times are Korea Standard Time (UTC+09:00)\n\nResults\nLegend\nDNC — Did not come to the starting area\nDNF — Did not finish\n\nReferences\n\n2002 Asian Games Report, Page 576\n\nExternal links\nResults\n\nMen's Mistral light", "The men's Raceboard light competition at the 2002 Asian Games in Busan was held from 3 to 9 October 2002.\n\nSchedule\nAll times are Korea Standard Time (UTC+09:00)\n\nResults\nLegend\nDNC — Did not come to the starting area\nDNF — Did not finish\nDSQ — Disqualification\n\nReferences\n\n2002 Asian Games Report, Page 574\n\nExternal links\nResults\n\nMen's Raceboard light" ]

[ "Exposé (group)", "Exposure (1986-1988)", "When did they come to light?", "In March 1987, the new lineup of Expose released its debut album" ]

[ "SUNDANCER is the seventh full-length studio album released by German melodic hard rock band Fair Warning. The album was recorded in 2011 thru 2012 with final \nmixing and production concluding in early 2013. The CD was released in Japan in April, 2013 and subsequently released in Europe and The United States in May and June 2013 respectfully. As with their previous release, 2009's Aura, the band recorded as a four-piece with Tommy Heart (vocals), Helge Engelke (guitars), Ule W. Ritgen (bass) and C.C. Behrens (drums).\n\nRecording\nWhile Ule Ritgen and Helge Engelke were the primary individual songwriters for Fair Warning's first six studio offerings, SUNDANCER has three tracks that were collectively written by the band. Ritgen said: \"This approach was new to us and it was certainly accompanied by one or two doubts, because you never know if something like that is going to work out. But, to our own surprise, we had an incredible amount of fun, resulting in three excellent songs.\" Engelke said of the process \"Three of the songs on “Sundancer” we wrote together. We never did it before but it turned out to be a nice experience resulting in good songs. The rest of the songs are written by Ule or me like on all the previous albums.\"\n\nTouring and promotion\nFair Warning supported SUNDANCER with a brief tour of Japan with concerts in Tokyo, Nagoya and Osaka in July, 2013. The band enlisted Niklas Turmann (guitar) and Torsten Luederwaldt (keyboards) to supplement the live performances. In mid May, 2013, to promote the new album, record company Steamhammer/SPV, (SPV GmbH) posted the song \"Hit and Run\" on SoundCloud.\n\nTrack listing\n \"Troubled Love\" – 4:25   b\n \"Keep it in the Dark\" – 4:54   c\n \"Real Love\" – 5:07   a\n \"Hit and Run\" – 3:42   c\n \"Man in the Mirror\" – 3:58   b\n \"Natural High\" – 3:28   b\n \"Jealous Heart\" – 4:54   a\n \"Touch my Soul\" – 4:48   b\n \"Send me a Dream\" – 5:00   b \n \"Pride\" – 4:21   c\n \"Get Real\" – 4:02   c\n \"How does it Feel\" – 5:07   a\n \"Living on the Streets\" – 4:00   b\n \"Cool\" - 3:28   c\n \"Just as She Smiles\" (Bonus Track) – 4:53\n\nSong credits:\n a. Music by Engelke, Heart, Ritgen / Lyrics by Ritgen \n b. Music and Lyrics by Ritgen \n c. Music and Lyrics by Engelke\n\nPersonnel\nTommy Heart – Vocals\nHelge Engelke – Guitars / Keyboards / Backing Vocals\nUle W. Ritgen – Bass / Backing Vocals\nC.C. Behrens – Drums\n\nReferences\n\nExternal links\nFair Warning\nHeavy Harmonies Website\nSPV Fair Warning Sundancer\nMetal Temple Review\n\nFair Warning (band) albums\n2013 albums", "Running to Follow is the debut studio album from the American-Christian praise & worship group Fellowship Creative. This is the band's third album overall, but first with label partners Fair Trade Services. The album released on May 13, 2014, and it was produced by C.J. Eiriksson. It charted on two Billboard charts, and received a four star reviews from New Release Tuesday and a two star review by CCM Magazine.\n\nBackground\nThis album is the follow to the commercially success second independent album by the group entitled, Always Been about You that released in 2013. This album was the band first with new label partners Fair Trade Services, and its production was handled by C.J. Eiriksson. The album released on May 13, 2014.\n\nCritical reception\n\nRunning to Follow received generally positive reception from the ratings and reviews of music critics. At New Release Tuesday, Kevin Davis rated the album four stars out of five, calling this a \"solid gourmet worship album\". Grace S. Aspinwall of CCM Magazine rated the album two stars out of five, indicating how the release \"feels incredibly disjointed.\" At 365 Days of Inspiring Media, Joshua Andre rated the album four stars out of five, stating how this is \"a fantastic label debut.\" David Bunce of CM Addict rated the album a perfect five stars, remarking how \"Not only are the instruments combined to create a high quality sound in every song, but the lyrics are well thought out and beautifully written.\" At Alpha Omega News, Rob Snyder graded the album an A-, writing how \"This is buoyant, well-produced rock/pop worship.\"\n\nCommercial performance\nFor the Billboard charting week of May 31, 2014, Running to Follow was the No. 22 most sold of the Christian Albums, and it was the No. 11 most sold in the breaking-and-entry chart of the Heatseekers Albums.\n\nTrack listing\n\nCharts\n\nReferences\n\n2014 debut albums\nFair Trade Services albums" ]

[ "Exposé (group)", "Exposure (1986-1988)", "When did they come to light?", "In March 1987, the new lineup of Expose released its debut album", "How did the band fair starting out?", "\"Come Go with Me\" which reached #5 on the US Billboard Hot 100 chart." ]

[ "Return of the 1 Hit Wonder is the fourth album by rapper, Young MC. The album was released in 1997 for Overall Records and was Young MC's first release on an independent record label. While the album did not chart on any album charts, it did have two charting singles; \"Madame Buttafly\" reached No. 25 on the Hot Rap Songs and \"On & Poppin\" reached No. 23. The title refers to Young MC's only Billboard Hot 100 top 10 hit, \"Bust A Move\".\n\nTrack listing\n\"One Hit\" \n\"Freakie\" \n\"On & Poppin'\" \n\"You Ain't Gotta Lie Ta Kick It\" \n\"Madame Buttafly\" \n\"Lingerie\" \n\"Coast 2 Coast\" \n\"Fuel to the Fire\" \n\"Bring It Home\" \n\"Intensify\" \n\"Mr. Right Now\" \n\"On & Poppin'\" (Remix)\n\nReferences\n\nYoung MC albums\n1997 albums", "Tee-Hit-Ton Indians v. United States, 348 U.S. 272 (1955), is a United States Supreme Court case involving a suit by the Tee-Hit-Ton, a subgroup of the Tlingit people. The Tee-Hit-Ton sought compensation from Congress for lumber taken from lands they occupied. The court ruled against the Tee-Hit-Ton.\n\nBackground \nThe Tee-Hit-Ton, a subgroup of the Tlingit people, brought an action in Court of Claims for compensation, under Fifth Amendment to the United States Constitution, for timber taken from tribal-occupied lands in Alaska authorized by the Secretary of Agriculture. The tribe contended it had \"full proprietary ownership\" or at least a recognized right to unrestricted possession; the federal government asserted the opposite, and argued that if the tribe had any rights, they were to use the land at the government’s will.\n\nProcedural posture \nThe tribe first filed a suit in the United States Court of Claims, which found that the tribe was an identifiable group residing in Alaska; its interest in the lands prior to purchase of Alaska was an “original Indian title” but such a title was not enough to bring suit because the Congress did not recognize the tribe's legal rights of property ownership. The Court of Claims dismissed the tribe's suit.\n\nDecision \nJustice Stanley Forman Reed, writing for the Court, stated that Congress did not intend to grant the Tee-Hit-Ton any permanent rights to the occupied lands but had given them permission to occupy it. Under the concept of conquest, any title to the land was extinguished when the \"white man\" came per Johnson v. M'Intosh. No case has held that taking of Indian title or use by Congress required compensation. Because there was no recognized title to the land, the court decided there was no right to compensation under the Fifth Amendment.\n\nSee also\nList of United States Supreme Court cases, volume 348\n\nExternal links\n \n \n\n1955 in Alaska\n1955 in United States case law\nAboriginal title case law in the United States\nAlaska Natives and United States law\nTakings Clause case law\nTlingit\nUnited States Supreme Court cases\nUnited States Supreme Court cases of the Warren Court" ]

[ "Exposé (group)", "Exposure (1986-1988)", "When did they come to light?", "In March 1987, the new lineup of Expose released its debut album", "How did the band fair starting out?", "\"Come Go with Me\" which reached #5 on the US Billboard Hot 100 chart.", "Did they have any hit ?", "\"Let Me Be the One\", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7" ]

[ "Anyone may refer to:\n\n Anyone (band), a band from Southern California formed in 1995\n \"Anyone\" (Roxette song), a 1999 song by Roxette\n \"Anyone\" (Demi Lovato song), a 2020 song by Demi Lovato\n \"Anyone\" (Justin Bieber song), a 2021 song by Justin Bieber\n \"Anyone\", a 1971 song by Sophia Loren from the film The Priest's Wife", "The Monomoiria are the 360 individual degrees of the sky in Hellenistic astrology. They were each associated with particular planets, especially in traditions that influenced and were influenced by Paulus Alexandrinus's Eisagogika and Vettius Valens's Anthology.\n\nReferences\n\nExternal links\nAlmagest Ephemeris Calculator, which also calculates monomoiria.\nTable of Monomoiria by Golden Hind Press\n\nHellenistic astrology\nTechnical factors of Western astrology" ]

[ "Exposé (group)", "Exposure (1986-1988)", "When did they come to light?", "In March 1987, the new lineup of Expose released its debut album", "How did the band fair starting out?", "\"Come Go with Me\" which reached #5 on the US Billboard Hot 100 chart.", "Did they have any hit ?", "\"Let Me Be the One\", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7", "Were they influenced by anyone?", "I don't know." ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Exposé (group)", "Exposure (1986-1988)", "When did they come to light?", "In March 1987, the new lineup of Expose released its debut album", "How did the band fair starting out?", "\"Come Go with Me\" which reached #5 on the US Billboard Hot 100 chart.", "Did they have any hit ?", "\"Let Me Be the One\", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7", "Were they influenced by anyone?", "I don't know.", "Are there any other interesting aspects about this article?", "During Expose's peak, the group endured legal issues behind the scenes." ]

[ "This is a list of songs written by Brian Holland, Lamont Dozier, and Eddie Holland. In most cases the original recordings were for Motown, for whom the three were contracted until 1968. They continued to have success after establishing the Invictus and Hot Wax labels, in some cases using the writing pseudonym \"Edyth Wayne\" (in various spellings). \n\nThe article also lists songs written by any of the three writers, sometimes in collaboration with others.\n\nFor a list of their production credits, see Holland–Dozier–Holland#Production.\n\nChart hits and other notable songs written by Holland, Dozier and Holland\n\nOther chart hits and notable songs written by Brian Holland alone or with others\n\nOther chart hits and notable songs written by Lamont Dozier\n\nOther chart hits and notable songs written by Eddie Holland Jr. with others\n\nSee also\nHolland-Dozier-Holland\n\nReferences\n\nHolland, Dozier, Holland\nAmerican rhythm and blues songs", "ABBA 18 Hits was released by Polar Music International on 8 September 2005, and is a compilation of hits by ABBA.\n\nThe 18 Hits set was released as a mid-price alternative to the best-selling full-price collection ABBA Gold: Greatest Hits and features 14 of the group's biggest hits and concludes with four non-English versions; \"Honey Honey\" (Swedish version), \"Waterloo\" (French version), \"Ring Ring\" (German version) and the Spanish version of \"Gimme! Gimme! Gimme! (A Man After Midnight)\", entitled \"Dame! Dame! Dame!\". Among the more notable omissions on the 18 Hits collection are one of the band's biggest hits, \"Dancing Queen\", as well as \"Chiquitita\", \"Take a Chance on Me\" and \"I Have a Dream\".\n\nThe Swedish edition of 18 Hits, also released in 2005, featured four Swedish language recordings instead of the four non-English versions; \"Waterloo\", \"Honey Honey\", \"Ring Ring (Bara Du Slog En Signal)\" and \"Åh Vilka Tider\". This is the first ABBA CD to include \"Åh Vilka Tider\", which had originally been released as the B-side to the Swedish version of \"Ring Ring\". It would also appear worldwide on The Complete Studio Recordings. A budget-priced DVD entitled 16 Hits was released simultaneously.\n\nWhile numerous other similar hits compilations with the group have been released both before and since, 18 Hits has proved to be one of Universal Music's bestselling ABBA products, peaking in the Top 10 in Poland and the Top 20 in the UK, Spain and Hungary and re-entering the charts in many territories after the premiere of movie Mamma Mia! in the summer of 2008. It never included any songs from The Visitors or any other songs released from 1981 to 1982.\n\nThis compilation is not available digitally, as many tracks, featured in this compilation, are part of other ABBA compilations available in digital distribution. It is, eventually, still repressed on CD for many regions of the world.\n\nTrack listing\n\nPersonnel\n\nAgnetha Fältskog - lead vocals , co-lead vocals , backing vocals\nAnni-Frid Lyngstad - lead vocals , co-lead vocals , backing vocals\nBjörn Ulvaeus - acoustic guitar, backing vocals\n Benny Andersson – synthesizer, keyboards, backing vocals\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nCertifications\n\nReferences\n\nABBA compilation albums\n2005 greatest hits albums\nAlbums recorded at Polar Studios\nAlbums produced by Björn Ulvaeus\nAlbums produced by Benny Andersson" ]

[ "Exposé (group)", "Exposure (1986-1988)", "When did they come to light?", "In March 1987, the new lineup of Expose released its debut album", "How did the band fair starting out?", "\"Come Go with Me\" which reached #5 on the US Billboard Hot 100 chart.", "Did they have any hit ?", "\"Let Me Be the One\", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7", "Were they influenced by anyone?", "I don't know.", "Are there any other interesting aspects about this article?", "During Expose's peak, the group endured legal issues behind the scenes.", "were there any other notable hits released?", "\"Point of No Return\"" ]

[ "\"Somethin' 4 da Honeyz\" is the second single released from Montell Jordan's debut album, This Is How We Do It (1995). Produced by Oji Pierce, \"Somethin' 4 da Honeyz\" was the follow-up to Montell's number-one hit, \"This Is How We Do It\". The song became his second consecutive hit, peaking at 21 on the Billboard Hot 100, and was certified gold by the Recording Industry Association of America in September 1995 for shipments of over 500,000 copies. The official remix entitled the \"Human Rhythm Remix\" was produced by Derrick Edmondson and featured an appearance by Redman. Both the original and remix had promotional music videos released. The track sampled \"Summer Madness\" by Kool & the Gang.\n\nTrack listing\n\nA-Side\n \"Somethin' 4 da Honeyz\" (radio version) – 4:02 \n \"Somethin' 4 da Honeyz\" (Human Rhythm remix) – 3:57 \n \"Somethin' 4 da Honeyz\" (Human Rhythm instrumental) – 3:57\n\nB-Side\n \"This Is How We Do It\" (Studio Ton radio mix) – 3:42 \n \"This Is How We Do It\" (Funkmaster Flex radio mix) – 4:33 \n \"This Is How We Do It\" (Puff Daddy radio mix) – 4:23\n\nCharts and certifications\n\nWeekly charts\n\nYear-end charts\n\nCertifications\n\nRelease history\n\nReferences\n\n1995 singles\nDef Jam Recordings singles\nIsland Records singles\nMontell Jordan songs\nSongs written by Montell Jordan", "\"How Do I Get There\" is a song written by Chris Farren, and co-written and recorded by American country music artist Deana Carter.\n\nIt was released in 1996 as a 7\" jukebox single along with the song \"Did I Shave My Legs for This?\", and in 1997 as a promotional CD single. The song became her third single to reach the top of the Billboard Hot Country Singles & Tracks chart. The song was Carter's last Number One hit on the country chart.\n\nTrack listing\n\nChart performance \n\"How Do I Get There\" debuted at number 52 on the U.S. Billboard Hot Country Singles & Tracks for the chart week of August 2, 1997.\n\nYear-end charts\n\nReferences\n\nDeana Carter songs\nSongs written by Deana Carter\nSongs written by Chris Farren (country musician)\nSong recordings produced by Chris Farren (country musician)\n1996 songs" ]

[ "Exposé (group)", "Exposure (1986-1988)", "When did they come to light?", "In March 1987, the new lineup of Expose released its debut album", "How did the band fair starting out?", "\"Come Go with Me\" which reached #5 on the US Billboard Hot 100 chart.", "Did they have any hit ?", "\"Let Me Be the One\", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7", "Were they influenced by anyone?", "I don't know.", "Are there any other interesting aspects about this article?", "During Expose's peak, the group endured legal issues behind the scenes.", "were there any other notable hits released?", "\"Point of No Return\"", "How did this hit do?", "it too topped out at #5 on the US Hot 100." ]

[ "My So-Called Life is the second and final album by the Chicago-based nu metal music group From Zero. The album was released on May 6, 2003 via Arista Records. Due to a lack of promotion by Arista Records, poor reviews, and general changes in mainstream music tastes, the album did not sell many copies. The album features a cover of Phil Collins' \"I Don't Care Anymore\".\n\nTrack listing\n\nPersonnel\nJett – vocals, bass\nPete Capizzi – guitar, backing vocals\nJoe Pettinato – guitar\nKid – drums\n\nReferences\n\n2003 albums\nFrom Zero albums\nArista Records albums", "is the third studio album and debut major Japanese release by South Korean girl group Kara. It was released on November 24, 2010 in four editions: CD+DVD, CD+Photobook (28-pages), CD-Only First Press coming with Korean versions of the songs \"Sweet Days\", \"Love Is\", and \"Binks\" and a CD-Only Normal Press coming with no bonus tracks. The album has topped the Oricon Weekly Album Charts several times and was eventually certified as Double Platinum by the RIAJ.\n\nComposition \nThe album contains two original Japanese songs. There are five songs that were included on the group's fourth Korean mini-album Jumping (2010) including \"Sweet Days\" which was titled \"With\" on the mini-album and the second single Jumping. There are two songs which was previously released in Korean on their third mini-album Lupin (2010) and these are \"Lupin\" and \"Umbrella\". The debut single, Mister was previously released in Korean on their second studio album Revolution (2009).\n\nChart performance \n\nGirl's Talk had sold over 107,000 copies which placed on number 2 at the Oricon Weekly Album charts, behind Hikaru Utada's Utada Hikaru Single Collection Vol. 2, which sold over 231,000 copies in the same week. This is the first time in 6 years and 9 months for a foreign Asian girl group to sell over 100,000 copies on its first week in Japan since Twelve Girls Band did back in March 2004 with the release of their album Kikō: Shining Energy. The album's first week sales doubles that of Kara Best 2007–2010 first week sales (51,000 copies) which was released back in September.\n\nThe album spent 14 weeks in the Top 10 spot of the Oricon Weekly Album charts. It was eventually certified Platinum by the RIAJ. On February 12, 2011, the album eventually peaked at number one after spending over 12 weeks in the charts, making it their first number-one album. The album managed to sell over 300,000 copies making them the first foreign female group to sell over 300,000 copies since Destiny's Child's #1's (2005). On November 18, 2011, it was announced that the album had already sold over 500,000 copies.\n\nTrack listings\n\nCharts\n\nOricon\n\nSingles and other songs charted\n\nCertifications\n\nSources \n\n2010 albums\nDance-pop albums by South Korean artists\nKara (South Korean band) albums\nUniversal Records albums\nJapanese-language albums" ]

[ "Exposé (group)", "Exposure (1986-1988)", "When did they come to light?", "In March 1987, the new lineup of Expose released its debut album", "How did the band fair starting out?", "\"Come Go with Me\" which reached #5 on the US Billboard Hot 100 chart.", "Did they have any hit ?", "\"Let Me Be the One\", a mid-tempo R&B song with Bruno on lead vocal, became yet another hit reaching #7", "Were they influenced by anyone?", "I don't know.", "Are there any other interesting aspects about this article?", "During Expose's peak, the group endured legal issues behind the scenes.", "were there any other notable hits released?", "\"Point of No Return\"", "How did this hit do?", "it too topped out at #5 on the US Hot 100.", "How many copies did it sell", "I don't know." ]

[ "The Rose Valley financial scandal or simply Rose Valley Chit Fund Scam was a major financial scam and alleged political scandal in India caused by the collapse of a Ponzi scheme run by Rose Valley Group.\n\nRose Valley scam is one of the biggest financial frauds, which rocked the state of West Bengal in 2013. As per Enforcement Directorate (ED) estimates, Rs 17,520 crore was reportedly raised from investors across India. The all India small depositors association pegged the amount at Rs 40,000 crore. Few reports pegged the amount at over Rs 60,000 crore.\n\nThe states affected by the scam were West Bengal, Assam, Bihar and Tripura. \n\nThe Rose Valley group had allegedly floated a total of 27 companies for running the alleged chit fund operations of which only half a dozen were active. It is alleged that the company had made \"cross investments\" in its various sister firms to suppress its liabilities towards investors.\n\nAccording to ED, a portion of the money was also used to bribe politicians so that the scam could run smoothly. The ED had frozen 2,500 accounts of the Rose Valley group and the agency suspects that there are many more to be tracked and frozen.\n\nIn 2015, Rose Valley chairman Gautam Kundu was arrested in money laundering case and probed by the CBI and Enforcement Directorate. In the course of the investigation, the government froze all the 2,600 bank accounts of the Rose Valley Group, which held around Rs 800 to 1,000 crore.\n\nThe name of AITC MP, Actor Tapas Paul too had surfaced during investigations as he was the director in the company.\n\nOn January 25, 2019, CBI arrested Bengali film producer Srikant mohta for duping rose Valley group by Rs 25 crore. Mohta's company Shree Venkatesh Films has produced many award-winning films like Chokher Bali, Memories In March, Autograph, Raincoat and Iti Mrinalini.\n\nReferences\n\nExternal links\n\n21st-century scandals\nPyramid and Ponzi schemes\nCorporate scandals\nFinancial scandals\nScandals in India\n2016 scandals\n2014 scandals\nCrime in West Bengal\nCrime in Odisha\nCrime in Assam", "Arab Udupi Group was a group of restaurants serving Indian food in the United Arab Emirates . The group was founded in 1978 by Kushala Shekhar Shetty with its first restaurant being located in Abu Dhabi. \n\nAs of 2015, there were 15 restaurants in the chain in a number of UAE locations, mainly around Abu Dhabi. \nHowever, as of 2021, no functional restaurants are to be seen in Abu Dhabi, or any other emirate. It is not known whether this is related to the financial scandals which engulfed BR Sherry in 2020.\nThere were also restaurants in Dubai and Sharjah.\n\nSee also\n List of casual dining restaurant chains\n List of restaurant chains\n\nReferences\n\nExternal links\n Arab Udupi website\n \n\nRestaurants established in 1978\nIndian restaurants outside India\nRestaurant chains in the United Arab Emirates\nTourist attractions in Abu Dhabi\nEmirati companies established in 1978" ]

[ "L. Frank Baum", "The South Dakota years" ]

[ "Bethany United Methodist Church is a historic church in Lodgepole, South Dakota. It was built in 1890 and was added to the National Register in 1987.\n\nIt is notable as one of the earliest churches built in South Dakota, and \"is architecturally significant as part of an important group of churches influenced by the 1852 publication Upjohn's Rural Architecture.\"\n\nIt is located about west of Lodgepole in Perkins County, South Dakota. When listed the building was in deteriorated condition.\n\nReferences\n\nMethodist churches in South Dakota\nChurches on the National Register of Historic Places in South Dakota\nGothic Revival church buildings in South Dakota\nChurches completed in 1890\nChurches in Perkins County, South Dakota\nNational Register of Historic Places in Perkins County, South Dakota", "Amherst is an unincorporated community in Marshall County, South Dakota, United States. Although not tracked by the Census Bureau, Amherst has been assigned the ZIP code of 57421.\n\nHistory\nA post office called Amherst was established in 1887. The community most likely takes its name from Amherst, Massachusetts. Approximately two and half miles southeast of the village a rupture of the Keystone Pipeline caused what is being called the largest oil spill in South Dakota history on November 16, 2017. The spill is an area about 100 yards in radius within a conservation reserve field about a mile east of 416 Avenue south of the village.\n\nReferences\n\nUnincorporated communities in Marshall County, South Dakota\nUnincorporated communities in South Dakota" ]

[ "L. Frank Baum", "The South Dakota years", "What is important about the south dakota years?", "Baum was born in Chittenango, New York in 1856 into a devout Methodist family." ]

[ "The Extraordinary Tale of Nicholas Pierce is a 2011 adventure novel written by Alexander DeLuca. It follows the journey of a university teacher Nicholas Pierce, who suffers from obsessive compulsive disorder as he searches for his biological parents, traveling across states in the United States of America. He travels with a friend, who is an eccentric barista in a cafe in upstate New York, named Sergei Tarasov.\n\nPlot\nNicholas Pierce suffers from OCD. He is also missing the memory of the first five years of his life. Raised by adoptive parents, one day he receives a mysterious box from an \"Uncle Nathan\". Curious, he sets off on a journey to find his biological parents with a Russian friend, Sergei Tarasov. On the trip, they meet several people, face money problems and different challenges. They also pick up a hitchhiker, Jessica, who later turns out to be a criminal.\n\nFinally, Nicholas finds his grandparents, who direct him to his biological parents. When he meets them, he finds out that his vaguely registered biological 'parents' were actually neighbors of his real parents who had died in an accident. The mysterious box that he had received is destroyed. He finds out that it contained photographs from his early life.\n\n2011 American novels\nNovels about obsessive–compulsive disorder", "Bomba and the Jungle Girl is a 1952 adventure film directed by Ford Beebe and starring Johnny Sheffield. It is the eighth film (of 12) in the Bomba, the Jungle Boy film series.\n\nPlot\nBomba decides to find out who his parents were. He starts with Cody Casson's diary and follows the trail to a native village. An ancient blind woman tells him his parents, along the village's true ruler, were murdered by the current chieftain and his daughter. With the aid of an inspector and his daughter, Bomba battles the usurpers in the cave where his parents were buried.\n\nCast\nJohnny Sheffield\nKaren Sharpe\nWalter Sande\nSuzette Harbin\nMartin Wilkins\nMorris Buchanan\nLeonard Mudie\nDon Blackman.\n\nReferences\n\nExternal links\n\n1952 films\nAmerican films\nAmerican adventure films\nFilms directed by Ford Beebe\nFilms produced by Walter Mirisch\nMonogram Pictures films\n1952 adventure films\nAmerican black-and-white films" ]

[ "L. Frank Baum", "The South Dakota years", "What is important about the south dakota years?", "Baum was born in Chittenango, New York in 1856 into a devout Methodist family.", "Who were his parents?", "Cynthia Ann (nee Stanton) and Benjamin Ward Baum," ]

[ "Kayin Maunghnama (; ) are two traditional Karen nats, named San Sae Phoe and Naw Mu Phan, who are believed to live in Mount Zwegabin, Hpa-An, Kayin State.\n\nLegend\nAccording to local legends, a Karen man Saw Phar Thant and his wife Naw Phaw Ya had two children named San Sae Phoe and Naw Mu Phan. After years of saving and honestly collecting all the hard-earned money, he needed to initiate his son into the Buddhist order and to make a big donation. While he was working in the farm, he died after being bitten by a tiger due to bad luck. After the death of Saw Phar Thant, Naw Phaw Ya was left a widow with two children. And then she remarried with Saw Phar Pug, a widower from the same village. At that time, two innocent siblings, San Sae Po and Naw Mu Phan, were full of fear and anxiety. Anxiety and pain overwhelmed them. The quiet little house was full of swearing and shouting. The two siblings burst into tears under the angry and violent insults of their stepfather. \n\nOne day, the stepfather took two siblings to the farm and pushed them down a steep cliff on the way to the farm and returned home alone. Two brothers and sisters fell from the mountain and prayed for Zwegabin Pagoda to be saved so they survived by lying on a bamboo tree under the cliff without dying. The two siblings returned to their mother in almost dawn and told her all about it. Their mother, Naw Phaw Ya was sad and cried. However, when it was not possible to bring the two children back home, she hid them in a forest cave on Mount Zwegabin to keep them safe. The two siblings did not dare go far from the forest cave that their mother left behind. Everywhere they looked in the forest was dark. It was a place they had never been to before, where they could only hear the sounds of wild animals. The younger sister did not know anything so the elder brother had to take care of her. One day morning two siblings made a campfire in the cold weather and a weizza-hermit came to them and greets two siblings. And then he was given three golden pills and forced to go down into the fire, transforming into a young man and a young woman. The two siblings gained the power of influence. They took care Pagoda as promised to hermit, Work diligently for the sake of the Dhamma and all those who believe in the Dhamma and all those who come to the Mount Zwegabin to pray the Pagoda that you will be took care of them, two siblings. \n\nThe Kayin Maunghnama shrine was built about 50 years ago by Sayadaw U Kay Tu of Naung Ein Saing at the foot of Mount Zwegabin. Zwegabin Sayadaw U Kawidaza was also a pilgrimage resort. The Lumbini Garden has also been remodeled to make it more memorable.\n\nReferences\n\nBurmese nats\nBurmese goddesses", "(1548 – September 19, 1603) was a Japanese samurai of the Sengoku through early Edo period. He is believed to have been the illegitimate son of Matsudaira Hirotada of Okazaki, and therefore the half-brother of Tokugawa Ieyasu. He known as Matsudaira Saburo Goro Iemoto.\n\nFamily\n Father: Matsudaira Hirotada\n Half-siblings:\n Tokugawa Ieyasu\n Naito Nobunari\n Matsudaira Tadamasa (1544-1591)\n Shooko Eike\n Matsudaira Chikayoshi\n Natural Siblings:\nIchibahime (d.1593) married Arakawa Yoshihiro\n Yadahime married Matsudaira Yasutada\n\n1548 births\n1603 deaths\nSamurai" ]

[ "L. Frank Baum", "The South Dakota years", "What is important about the south dakota years?", "Baum was born in Chittenango, New York in 1856 into a devout Methodist family.", "Who were his parents?", "Cynthia Ann (nee Stanton) and Benjamin Ward Baum,", "Did he have siblings?", "and was the seventh of nine children" ]

[ "Where Did We Go Wrong may refer to:\n \"Where Did We Go Wrong\" (Dondria song), 2010\n \"Where Did We Go Wrong\" (Toni Braxton and Babyface song), 2013\n \"Where Did We Go Wrong\", a song by Petula Clark from the album My Love\n \"Where Did We Go Wrong\", a song by Diana Ross from the album Ross\n \"Where Did We Go Wrong\", a 1980 song by Frankie Valli", "California Concordia College existed in Oakland, California, United States from 1906 until 1973.\n\nAmong the presidents of California Concordia College was Johann Theodore Gotthold Brohm Jr.\n\nCalifornia Concordia College and the Academy of California College were located at 2365 Camden Street, Oakland, California. Some of the school buildings still exist at this location, but older buildings that housed the earlier classrooms and later the dormitories are gone. The site is now the location of the Spectrum Center Camden Campus, a provider of special education services.\n\nThe \"Academy\" was the official name for the high school. California Concordia was a six-year institution patterned after the German gymnasium. This provided four years of high school, plus two years of junior college. Years in the school took their names from Latin numbers and referred to the years to go before graduation. The classes were named:\n\n Sexta - 6 years to go; high school freshman\n Qunita - 5 years to go; high school sophomore\n Quarta - 4 years to go; high school junior\n Tertia - 3 years to go; high school senior\n Secunda - 2 years to go; college freshman\n Prima - 1 year to go; college sophomore\n\nThose in Sexta were usually hazed in a mild way by upperclassmen. In addition, those in Sexta were required to do a certain amount of clean-up work around the school, such as picking up trash.\n\nMost students, even high school freshmen, lived in dormitories. High school students were supervised by \"proctors\" (selected high school seniors in Tertia). High school students were required to study for two hours each night in their study rooms from 7:00 to 9:00 pm. Students could not leave their rooms for any reason without permission. This requirement came as quite a shock to those in Sexta (freshmen) on their first night, when they were caught and scolded by a proctor when they left their study room to go to the bathroom without permission. Seniors (those in Tertia) were allowed one night off where they did not need to be in their study hall.\n\nFrom 9:00 to 9:30 pm all students gathered for a chapel service. From 9:30 to 10 pm, high school students were free to roam, and sometimes went to the local Lucky Supermarket to purchase snacks. All high school students were required to be in bed with lights out by 10:00 pm. There were generally five students in each dormitory room. The room had two sections: a bedroom area and (across the hallway) another room for studying. Four beds, including at least one bunk bed, were in the bedroom, and four or five desks were in the study room\n\nA few interesting words used by Concordia students were \"fink\" and \"rack.\" To \"fink\" meant to \"sing like a canary\" or \"squeal.\" A student who finked told everything he knew about a misbehavior committed by another student. \"Rack\" was actually an official term used by proctors and administrators who lived on campus in the dormitories with students. When students misbehaved they were racked (punished). Proctors held a meeting once a week and decided which students, if any, deserved to be racked. If a student were racked, he might be forbidden from leaving the campus grounds, even during normal free time School hours were from 7:30 am to 3:30 pm. After 3:30 pm and until 7:00 pm, students could normally explore the local area surrounding the school, for example, to go to a local store to buy a snack. However, if a student were racked for the week, he could not do so.\n\nProctors made their rounds in the morning to make sure beds were made and inspected rooms in the evening to ensure that students were in bed by 10:00 pm. Often after the proctors left a room at night, the room lights would go back on and students enjoyed studying their National Geographic magazines. Student might be racked if they failed to make their beds or did not make them neatly enough.\n\nAlthough California Concordia College no longer exists, it does receive some recognition by Concordia University Irvine. This is also the location of its old academic records.\n\nSources\n\nExternal links \n Photos of old campus\n\nEducational institutions disestablished in 1973\nDefunct private universities and colleges in California\nEducational institutions established in 1906\n1906 establishments in California\n1973 disestablishments in California\nUniversities and colleges affiliated with the Lutheran Church–Missouri Synod" ]

[ "L. Frank Baum", "The South Dakota years", "What is important about the south dakota years?", "Baum was born in Chittenango, New York in 1856 into a devout Methodist family.", "Who were his parents?", "Cynthia Ann (nee Stanton) and Benjamin Ward Baum,", "Did he have siblings?", "and was the seventh of nine children", "Where did he go to school?", "From the age of 12, he spent two miserable years at Peekskill Military Academy but," ]

[ "Where Did We Go Wrong may refer to:\n \"Where Did We Go Wrong\" (Dondria song), 2010\n \"Where Did We Go Wrong\" (Toni Braxton and Babyface song), 2013\n \"Where Did We Go Wrong\", a song by Petula Clark from the album My Love\n \"Where Did We Go Wrong\", a song by Diana Ross from the album Ross\n \"Where Did We Go Wrong\", a 1980 song by Frankie Valli", "\"Where Did All the Love Go?\" is a song by English rock band Kasabian and is the second official single from their third album, West Ryder Pauper Lunatic Asylum. It was released on 10 August 2009.\n\nLyrics \nGuitarist Sergio Pizzorno explained the song's meaning to New Musical Express stating that \"It's sitting at home seeing another kid get stabbed, everyone is scared and going, 'What the fuck is going on?\" The song also speaks about the Internet, with Pizzorno elaborating in an interview with The Sun that \"Kids today grow up really quickly and there's too much information. News channels, the internet and social networking sites. People aren't leaving their bedrooms and it's just crazy. The things that make you most happy are quite simple. That song is looking for the romantic image of life, when people looked out for each other.\"\n\nMusic video\nAccording to Serge Pizzorno, the song's music video was inspired by Kenneth Anger's films like Scorpio Rising, Busby Berkeley and French cabaret.\n\nPersonnel\nKasabian\nTom Meighan – lead vocals\nSergio Pizzorno – guitars, synths, backing vocals\nChris Edwards – bass\nIan Matthews – drums\nAdditional personnel\nRosie Danvers – string direction\nWired Strings – strings\n\nChart performance\nFollowing its release in August 2009, \"Where Did All the Love Go?\" entered the UK Singles Chart at a peak of #30. Although not as successful as the previous single \"Fire\", this single did prove popular on the radio.\n\nTrack listings\n2-Track CD PARADISE64\n \"Where Did All the Love Go?\" – 4:18\n \"Vlad the Impaler\" (Zane Lowe Remix) - 4:32\n10\" PARADISE65\n \"Where Did All the Love Go?\" – 4:18\n \"Where Did All the Love Go?\" (Burns Remix) - 6:07\nDigital Download\n \"Where Did All the Love Go?\" (Live at Le Live De La Sema) - 4:30\niTunes Bundle\n \"Where Did All the Love Go?\" – 4:18\n \"Vlad the Impaler\" (Zane Lowe Remix) - 4:32\n \"Where Did All the Love Go?\" (Burns Remix) - 6:07\n \"Take Aim\" (Dan the Automator Remix) - 5:17\n2-Track Radio Promo CD\n \"Where Did All the Love Go?\" (Radio Edit) – 4:14\n \"Where Did All the Love Go?\" (Instrumental) – 4:26\n\nReferences\n\nExternal links\nTownsend-records.co.uk\n\nKasabian songs\n2009 singles\nSongs written by Sergio Pizzorno\n2009 songs\nRCA Records singles\nColumbia Records singles\nSongs about crime" ]

[ "L. Frank Baum", "The South Dakota years", "What is important about the south dakota years?", "Baum was born in Chittenango, New York in 1856 into a devout Methodist family.", "Who were his parents?", "Cynthia Ann (nee Stanton) and Benjamin Ward Baum,", "Did he have siblings?", "and was the seventh of nine children", "Where did he go to school?", "From the age of 12, he spent two miserable years at Peekskill Military Academy but,", "where did he go after that?", "after being severely disciplined for daydreaming, he had a possibly psychogenic heart attack and was allowed to return home." ]

[ "This is the discography of R&B/Hip hop soul trio, Total.\n\nAlbums\n\nStudio albums\n\nSingles\n\n Notes\n Did not chart on the Hot R&B/Hip-Hop Songs chart (Billboard rules at the time prevented album cuts from charting). Chart peak listed represents the Hot R&B/Hip-Hop Airplay chart.\n\nFeatured singles\n\nGuest appearances\n\nSoundtracks\n\nVideography\n From Total (1996)\n No One Else\n No One Else (Puff Daddy Remix)\n Kissin' You\n Kissin' You / Oh Honey\n Can't You See\n Can't You See (Bad Boy Remix)\n Do You Think About Us\n From Kima, Keisha, and Pam (1998)\n Trippin'\n Sitting Home\n From Soul Food (soundtrack) (1997)\n What About Us? (1997)\n As Guest Artists\n LL Cool J - Loungin' (Who Do U Love?) (1995)\nNotorious B.I.G. \"Hypnotize\" (Pam)\nNotorious B.I.G \"Juicy\" (Keisha & Kima)\n Mase - What You Want (1997)\n Foxy Brown - I Can't (1998)\n Tony Touch - I Wonder Why (He's The Greatest DJ) (2000)\n Cameos\n Craig Mack - Flava In Ya Ear (Remix) (Keisha from Total) (1994)\n The Notorious B.I.G. - One More Chance/Stay With Me (1994)\nSoul For Real - Every Little Thing I Do (1995)\n 112 - Only You - Bad Boy Remix (Keisha from Total) (1996)\n Missy Elliott - The Rain (Supa Supa Fly) (1997)\n Jerome - Too Old For Me (Keisha from Total) (1997)\nLil' Kim - Not Tonight (Remix) (1997)\nThe Lox - We'll Always Love Big Poppa (1998)\nThe Bad Boy Family - You (2001) [Featuring Pam & Keisha]\n\nReferences\n\nTotal discography\nHip hop discographies\nRhythm and blues discographies", "What Else Do You Do? (A Compilation of Quiet Music) is a various artists compilation album, released in 1990 by Shimmy Disc.\n\nTrack listing\n\nPersonnel \nAdapted from the What Else Do You Do? (A Compilation of Quiet Music) liner notes.\n Kramer – production, engineering\n\nRelease history\n\nReferences\n\nExternal links \n \n\n1990 compilation albums\nAlbums produced by Kramer (musician)\nShimmy Disc compilation albums" ]

[ "L. Frank Baum", "The South Dakota years", "What is important about the south dakota years?", "Baum was born in Chittenango, New York in 1856 into a devout Methodist family.", "Who were his parents?", "Cynthia Ann (nee Stanton) and Benjamin Ward Baum,", "Did he have siblings?", "and was the seventh of nine children", "Where did he go to school?", "From the age of 12, he spent two miserable years at Peekskill Military Academy but,", "where did he go after that?", "after being severely disciplined for daydreaming, he had a possibly psychogenic heart attack and was allowed to return home.", "What else did he do during this time?", "Baum started writing early in life, possibly prompted by his father buying him a cheap printing press." ]

[ "This Type of Thinking (Could Do Us In) is the third studio album by American rock band Chevelle. Debuting at No. 8 on the Billboard 200 based on nearly 90,000 copies sold in its first week, it charted higher than its predecessor, Wonder What's Next but did not exceed its debut position. The album did not manage to match its predecessor's commercial success, but was certified platinum. This Type of Thinking follows generally the same heavy style as Wonder What's Next with popular singles like \"Vitamin R\" and \"The Clincher\". It would be the first of two records produced by Michael \"Elvis\" Baskette. This was also the final album featuring bassist Joe Loeffler, who departed from the band in 2005.\n\nBackground and recording\nComing off a highly successful major label debut, Chevelle finishing touring on December 17, 2003. They set out to write a follow-up album from scratch at the onset of the following year in what drummer Sam Loeffler described as a different approach to writing. He also noted how the band felt significant pressure from their label to not simply match but topple the platinum success of Wonder What's Next. In a 2004 interview, Loeffler described the process of approaching This Type of Thinking:\n\"We went home for Christmas and after New Year's we went into the studio and we said, 'All right, we have to write a whole record in basically four months.' We had no songs, so we had to write that whole record and we ended up taking five months. We wanted to go heavy, we wanted to do a lot of double-bass drum, kind of syncopated rhythms, and we wanted to basically write songs that we could bob our heads to. That was sort of where we started. We're a heavy melodic rock band, that's what we like to write, and that's what we like to play. And that's what we did.\"\n\nThis time around, Chevelle opted to produce their own album with the help of Michael \"Elvis\" Baskette. This Type of Thinking would continue the balance of melody and heaviness of its predecessor. And much like the final track on Wonder What's Next, \"Bend the Bracket\" would be recorded simply as an acoustic demo for its unpolished presentation.\n\nCritical reception\n\nAllMusic editor Johnny Loftus observes the album as \"...flatly mixed, lost in depression, and obsessed with rewriting \"Sober\" for a new generation of lank-haired misunderstoods.\"\n\nMelodic calls it \"...a real quality album that you will never get bored of.\", praising the songs \"The Clincher\", \"Vitamin R (Leading Us Along)\" and \"Another Know It All\".\n\nTrack listing\n\nPersonnel\nChevelle\n Pete Loeffler – guitar, vocals\n Joe Loeffler – bass, backing vocals\n Sam Loeffler – drums\n\nTechnical personnel\n Andy Wallace – mixing\n Ben Goldman – A&R\n Christian Lantry – photography\n Dave Holdredge – digital editing, drum programming, engineer\n Eddy Schreyer – mastering\n Farra Mathews – A&R\n Jef Moll – assistant\n Josh Wilbur – digital editing\n Katharina Fritsch – cover sculpture\n Kevin Dean – assistant\n Michael \"Elvis\" Baskette – engineer, producer\n Sean Evans – art direction\n Steve Sisco – assistant\n\nCharts\n\nCertifications\n\nReferences\n\n2004 albums\nAlbums produced by Michael Baskette\nChevelle (band) albums\nEpic Records albums", "Flight MH370: The Mystery is a 2014 book by the American-born-British author Nigel Cawthorne concerning the disappearance of Malaysia Airlines Flight 370.\n\nSynopsis\nThe book is critical of official accounts of the disappearance of Malaysia Airlines Flight 370, noting 'In a world where we can be tracked by our mobile phones, CCTV and spy cameras, things do not just disappear. Especially not a big thing like a jumbo jet'. The book questions alleged failure by governments and organisations to share information concerning Flight MH370. The author suggests a cover up has occurred because the United States Military shot down the plane during military exercises in the region.\n\nReception\nThe book was fiercely criticised in The Australian by David Free, who described it as an 'information gumbo' that 'reproduces the slapdash atmosphere of the worst kind of 24-hour news show' and advised readers 'Next time you're in one (a shop), buy any book other than this. I guarantee it won't be worse' while The Daily Telegraph reported some relatives of the victims were angered by the book\n\nIn a May 2014 segment of the Australian television program Today, co-host Karl Stefanovic also took issue with guest Cawthorne.“You write in the book: ‘They’ll never be sure, the families, what happened to their loved ones. Did they die painlessly unaware of their fate or did they die in terror in a flaming wreck crashing from the sky at the hands of a madman?’ Stefanovic characterized the book as \"disgusting\" and insensitive to the families. When asked \"why would you write the book?\", the author replied, “I’m afraid it’s what I do for a living.\"\n\nReferences\n\n2014 non-fiction books\nMalaysia Airlines Flight 370\nBooks about conspiracy theories\nBooks by Nigel Cawthorne" ]

[ "L. Frank Baum", "The South Dakota years", "What is important about the south dakota years?", "Baum was born in Chittenango, New York in 1856 into a devout Methodist family.", "Who were his parents?", "Cynthia Ann (nee Stanton) and Benjamin Ward Baum,", "Did he have siblings?", "and was the seventh of nine children", "Where did he go to school?", "From the age of 12, he spent two miserable years at Peekskill Military Academy but,", "where did he go after that?", "after being severely disciplined for daydreaming, he had a possibly psychogenic heart attack and was allowed to return home.", "What else did he do during this time?", "Baum started writing early in life, possibly prompted by his father buying him a cheap printing press.", "What did he write during this time?", "The brothers published several issues of the journal, including advertisements from local businesses," ]

[ "What Else Do You Do? (A Compilation of Quiet Music) is a various artists compilation album, released in 1990 by Shimmy Disc.\n\nTrack listing\n\nPersonnel \nAdapted from the What Else Do You Do? (A Compilation of Quiet Music) liner notes.\n Kramer – production, engineering\n\nRelease history\n\nReferences\n\nExternal links \n \n\n1990 compilation albums\nAlbums produced by Kramer (musician)\nShimmy Disc compilation albums", "Do You Know What I'm Going To Do Next Saturday? is a 1963 children's book published by Beginner Books and written by Helen Palmer Geisel, the first wife of Theodor Seuss Geisel (Dr. Seuss). Unlike most of the Beginner Books, Do You Know What I'm Going To Do Next Saturday? did not follow the format of text with inline drawings, being illustrated with black-and-white photographs by Lynn Fayman, featuring a boy named Rawli Davis. It is sometimes misattributed to Dr. Seuss himself. The book's cover features a photograph of a young boy sitting at a breakfast table with a huge pile of pancakes.\n\nActivities mentioned in the book include bowling, water skiing, marching, boxing, and shooting guns with the United States Marines, and eating more spaghetti \"than anyone else has eaten before.\n\nHelen Palmer's photograph-based children's books did not prove to be as popular as the more traditional text-and-illustrations format; however, Do You Know What I'm Going To Do Next Saturday received positive reviews and was listed by The New York Times as one of the best children's books of 1963. The book is currently out of print.\n\nReferences\n\n1963 children's books\nAmerican picture books" ]

[ "L. Frank Baum", "The South Dakota years", "What is important about the south dakota years?", "Baum was born in Chittenango, New York in 1856 into a devout Methodist family.", "Who were his parents?", "Cynthia Ann (nee Stanton) and Benjamin Ward Baum,", "Did he have siblings?", "and was the seventh of nine children", "Where did he go to school?", "From the age of 12, he spent two miserable years at Peekskill Military Academy but,", "where did he go after that?", "after being severely disciplined for daydreaming, he had a possibly psychogenic heart attack and was allowed to return home.", "What else did he do during this time?", "Baum started writing early in life, possibly prompted by his father buying him a cheap printing press.", "What did he write during this time?", "The brothers published several issues of the journal, including advertisements from local businesses,", "What else did they do ?", "By the age of 17, Baum established a second amateur journal called The Stamp Collector," ]

[ "Peter McCormack is a British Bitcoin investor, podcaster, former in the advertising industry, who founded What Bitcoin Did podcast McCormack has written the book Online Advertising Does not Work. What Bitcoin Did has been teaching and podcasting one to one conversation.\n\nLife \nMcCormack was born in Royal Berkshire Hospital, Reading, Berkshire. He grew up in Kempston, a town and civil parish in the Borough of Bedford, Bedfordshire. He dropped out of Buckinghamshire Chilterns University College where he studied Music Industry Management in 2000. From June 2005 to February 2007, McCormack was of commercial director at Evolving Media, which launched his temporary career in digital marketing. From February 2007 to May 2009 he was managing director of Evolving Media Network. In September 2009 he set up the digital transformation consultancy McCormack & Morrison with his Evolving colleague Oliver Morrison.\n\nMcCormack's mother died in January 2017, after which McCormack took time off to grieve. Around the same time, after about a year of trading bitcoin, McCormack started blogging about the crypto industry. In 2017, he got briefly rich on Bitcoin but then \"lost almost everything\".\n\nIn November 2017, McCormack started his podcast What Bitcoin Did. In October 2019, he released the first episode of his other podcast, \"Defiance\".\n\nWhat Bitcoin Did Podcast \nPeter started What Bitcoin Did Podcast after quitting the advertising industry and discovering bitcoin, he started the podcast in November 2017 as a hobby to learn more. On What Bitcoin Did, McCormack interviews experts on the topics of Bitcoin development, adoption, privacy, and investment. He has discussed political topics on the podcast as well. Some notable figures McCormack has featured on What Bitcoin Did are Adam Back, Brian Armstrong (businessman),Nayib Bukele, Vitalik Buterin and many more people. The podcast has grown to over 100 episodes with a guest list that is a testament to the diversity of knowledge and opinions that represent the broader Bitcoin community.\n\nDefiance Podcast \nDefiance has no political bias. They select guests based on the story alone and will not enter into any debates regarding guest choice or topics covered. Nobody is \"given a platform\", guests are offered an interview as they stated on website.\n\nBedford FC \nPeter is in negotiations to buy the football team Bedford F.C., a football club based in Bedford, England. <ref>\n\nHe announced in December 2021 that he had agreed on a deal to acquire Bedford F.C., with the intention of changing their name to Real Bedford at the end of the 2021/22 season. \"There is no intention of creating a token.\" Peter's team said.\n\nReferences\n\nLiving people\n1978 births\nBitcoin\nPodcasters\nFootball", "Daniel Lester is an American costume designer best known for his work on military themed films based in the Middle East (The Hurt Locker, Zero Dark Thirty, 12 Strong, Man Down). He was nominated for a Costume Designer’s Guild Award for his work on Once Upon A Time in 2018.\n\nLester moved to Los Angeles in the 1970s to open a boutique in Hollywood where he met many of the top industry artists. After years of setting up TV and film productions he began working as a costumer full time, beginning with highly respected designers including Academy Award winners Theodora Van Runkle and Moss Mabry.\n\nLester formed a partnership with Marilyn Vance and worked together on a string of iconic films including The Untouchables, Pretty Woman, Uncle Buck, The Rocketeer, and Little Monsters. During this period he received an Emmy nomination for his work on the television show Dallas: The Early Years. He moved on to work as a solo costume designer on Timecop, and continued with Spawn, The Relic, Sudden Death, The Core, and I Still Know What You Did Last Summer. He has worked on television shows such as The A-Team, Dallas: The Early Years, CSI, Eleventh Hour, and Once Upon A Time.\n\nDan Lester was born in Minnesota in 1954 and currently lives in Los Angeles, where he has resided for the last 40 years.\n\nReferences\n\nExternal links\n\nLiving people\nAmerican costume designers\nYear of birth missing (living people)" ]

[ "L. Frank Baum", "The South Dakota years", "What is important about the south dakota years?", "Baum was born in Chittenango, New York in 1856 into a devout Methodist family.", "Who were his parents?", "Cynthia Ann (nee Stanton) and Benjamin Ward Baum,", "Did he have siblings?", "and was the seventh of nine children", "Where did he go to school?", "From the age of 12, he spent two miserable years at Peekskill Military Academy but,", "where did he go after that?", "after being severely disciplined for daydreaming, he had a possibly psychogenic heart attack and was allowed to return home.", "What else did he do during this time?", "Baum started writing early in life, possibly prompted by his father buying him a cheap printing press.", "What did he write during this time?", "The brothers published several issues of the journal, including advertisements from local businesses,", "What else did they do ?", "By the age of 17, Baum established a second amateur journal called The Stamp Collector,", "What did he work on after that?", "At 20, Baum took on the national craze of breeding fancy poultry." ]

[ "Copyright law in Syria is regulated by the Copyright and Neighbouring Rights Law issued by Legislative Decree No. 62 of 2013. The Syrian Ministry of Culture, through its Copyright Office, is generally in charge of proposing copyright legislation to Parliament.\n\nHistory \nOn January 17, 1924, during the French Mandate over Syria and Lebanon, Decree 2385 was issued in which Article 145 defined works of art and literature as intellectual production.\n\nOn February 23, 1987, the Arab Society for Intellectual Property was founded, known at the time as the Arab Society for the Protection of Industrial Property with the mission of \"promoting and developing Intellectual Property protection in the Arab world...\". At the time, Syria was on the board alongside nine other Arab states. As of August 2017, Syria has one representative on the Society's board.\n\nSyria's first copyright law was issued in 2001. This law was repealed in 2013 by Legislative Decree No. 62 of 2013 on Law for the Protection of Copyright and Neighbouring Rights.\n\nMain features \nThe Syrian copyright law grants copyright protection automatically without the need for any formalities to all literary, scientific, and artistic works irrespective of the value of the work, the purpose for which it was created or whether or not it is reduced to a material form. The law protects all forms of human expression including computer software and databases. In addition to the classic forms of copyright protection, the law also protects neighbouring rights such as performers rights, audio-visual producers rights, and broadcasting rights. The law also provides a mechanism for compulsory licensing and a collective rights management.\n\nExclusive rights \nThe Syrian copyright law provides a number of moral and economic rights.\n\nMoral rights \nThe Syrian copyright law provides the author with following moral rights:\n The right to decide the publication of the work for the first time and the method and timing of this publication.\n The right to attribute the work to himself, to choose not to disclose his identity, or to use an pseudonym.\n The right to reject any mutilation or change applied to his work.\n The right to reject any interference with his work in a way that affects his honour or reputation.\n The right to stop the circulation of his work if serious reasons emerged to justify this action.\n\nEconomic rights \nThe Syrian copyright law provides the author with the following economic rights:\n The right to copy the work using any medium.\n The right to translate a work, arrange it musically, or adapt into any other way.\n The right to distribute the work to the work by sale or any other disposition.\n The right to publicly perform the work.\n The right to make the work available to the public using the internet or any other method.\n\nCopyright term \nMoral rights under the Syrian law are protected in perpetuity, but economic rights last only for a specific period of time as follows:\n Generally, all works are protected for the lifetime of the author plus 50 years.\n Audio visual works and collective works are protected for 50 years from the date of publication, if not published within 50 years from creation, then they are protected for 50 years from the date of creation.\n Applied art works are protected for 25 years from the date of the creation of the work.\n Databases are protected for 15 years from the date of the creation of the database.\n\nMembership to copyright treaties \nSyria is a member to following copyright treaties:\n Berne Convention for the Protection of Literary and Artistic Works (Acceded on 2004-03-11) \n Rome Convention for the Protection of Performers, Producers of Phonograms and Broadcasting Organizations (Acceded on 2006-02-13) \n Beijing Treaty on Audiovisual Performances (Ratified signature on 2013-03-18)\n Marrakesh Treaty to Facilitate Access to Published Works for Persons Who Are Blind, Visually Impaired or Otherwise Print Disabled (Signed on 2013-11-22, not yet ratified)\n\nReferences\n\nExternal links \n Syrian Arab Republic IP Laws and Treaties in WIPO Lex (WIPO Lex).\n\nSyria\nSyrian law", "To All My Friends On Shore is a 1972 television film drama starring Bill Cosby, and co-starring Gloria Foster. Cosby not only starred in the film, but produced it and worked on the film's music.\n\nPlot\nBlue (Cosby) works as a skycap for an airport. At the same time he works a second job as a junk scavenger. His wife Serena (Foster) works as a maid and is going to school trying to become a nurse. Blue is busy working trying to save money to buy his family a house so they can leave the projects. His young son, Vandy (Hines), resents him because he won't let him have any fun like his friends. It is eventually discovered that Vandy has sickle cell anemia. It is then that Blue realizes what he should spend his time on - being with his family.\n\nCast\nBill Cosby....Blue\nGloria Foster....Serena Blue\nDennis Hines....Evander \"Vandy\" Blue Jr.\n\nProduction\nThis was one of a string of film/TV productions Bill Cosby did in the 1970s. After he did The Bill Cosby Show (1969-1971), Cosby did other works. He did this film plus Man and Boy and Hickey & Boggs, the latter of which paired him with his I Spy co star Robert Culp. In addition he produced the Saturday morning series Fat Albert and the Cosby Kids which ran on CBS until the 1980s. Although Cosby did drama, he stayed with it in brief and concentrated on comedy; during this time, he worked with Gloria Foster, who appeared in other Cosby shows and films. As the 1970s closed, Cosby stayed with Fat Albert and worked on variety shows for Prime Time that ultimately bombed and were cancelled, including Cos.\n\nReferences\n\nExternal links\n\nTo All My Friends on Shore at URBTPlus\n\nAmerican drama films\n1970s drama films\nAmerican television films\nAmerican films" ]

[ "L. Frank Baum", "The South Dakota years", "What is important about the south dakota years?", "Baum was born in Chittenango, New York in 1856 into a devout Methodist family.", "Who were his parents?", "Cynthia Ann (nee Stanton) and Benjamin Ward Baum,", "Did he have siblings?", "and was the seventh of nine children", "Where did he go to school?", "From the age of 12, he spent two miserable years at Peekskill Military Academy but,", "where did he go after that?", "after being severely disciplined for daydreaming, he had a possibly psychogenic heart attack and was allowed to return home.", "What else did he do during this time?", "Baum started writing early in life, possibly prompted by his father buying him a cheap printing press.", "What did he write during this time?", "The brothers published several issues of the journal, including advertisements from local businesses,", "What else did they do ?", "By the age of 17, Baum established a second amateur journal called The Stamp Collector,", "What did he work on after that?", "At 20, Baum took on the national craze of breeding fancy poultry.", "Any other works during this time?", "He performed in plays under the stage names of Louis F. Baum and George Brooks." ]

[ "The Piano Sonata No. 6, Op. 13, by Samuil Feinberg was composed in 1923. The piece received its premiere on 4 September 1925 at the Festival of Contemporary Music in Venice. Its premiere was attended by famous composers of the time such as Igor Stravinsky and Arnold Schoenberg. Feinberg's composition was well-received, and would remain his only piano sonata to receive a wide publication.\n\nHistory\nThe sonata received its premiere on 4 September 1925 at the Festival of Contemporary Music in Venice, with Feinberg himself as the soloist. The piece was well received and even resulted in some publicity when the Dutch journal De Telegraaf pitted Feinberg's composition against the Piano Sonata of Igor Stravinsky, who was also in attendance of the festival.\n\nStructure and content\nThe 6th sonata encompasses a single movement, usually lasting around 15 minutes\n\nNotes\n\nReferences\n\nFeinberg 06\n1923 compositions", "Goodnight Already! is a children's book series by American author Jory John, illustrated by Benji Davies and published by HarperCollins. The series includes four books: Goodnight Already! (2014), I Love You Already! (2015), Come Home Already! (2017), and All Right Already! (2018).\n\nGoodnight Already! \nGoodnight Already! was published December 2, 2014.\n\nThe book received positive reviews from Booklist and Publishers Weekly, as well as a mediocre review from Kirkus Reviews. It also received the following accolades:\n\n Goodreads Choice Award Nominee for Picture Books (2015)\n E. B. White Read-Aloud Honor Book (2015)\n\nI Love You Already! \nI Love You Already! was published December 22, 2015.\n\nThe book received positive reviews from Publishers Weekly and Booklist, as well as a mediocre review from Kirkus Reviews.\n\nCome Home Already! \nCome Home Already! was published December 5, 2017.\n\nThe book received a positive review from Kirkus Reviews and was named one of Bank Street College of Education's Best Children's Books of the Year (2018).\n\nAll Right Already! \nAll Right Already! was published November 13, 2018.\n\nThe book received a positive review from School Library Journal.\n\nReferences \n\nHarperCollins books\nSeries of children's books" ]

[ "Stewart Copeland", "Solo projects and movie soundtracks (1987-1998)" ]

[ "Animal Logic is the name of a band (and its eponymous first release) formed in 1987 by ex-Police drummer Stewart Copeland, virtuoso bassist Stanley Clarke, and singer-songwriter Deborah Holland. The group recorded two albums under the auspices of Police manager Miles Copeland III before disbanding, with nearly all of the songs written by Holland.\n\nHistory\n\nFormation and tour of Brazil (1987–1988)\n\nIn 1987 Stewart Copeland was working on the opera “Holy Blood and Crescent Moon” and found himself missing pop music. Along with bassist Stanley Clarke, he decided to form a band centered around a female singer. They found Deborah Holland after an extensive search, having received her tape from publisher Dan Howell.\n\nIn November 1987, they embarked on a short tour of Brazil under the band name Rush Hour, with Copeland’s bandmate Andy Summers playing guitar. Summers, who was reluctant to join a group that would attract so many comparisons to The Police, quit the band after the tour ended in order to promote his own solo works.\n\nAnimal Logic album (1989)\n\nThe band adopted the name Animal Logic after Miles Copeland had misheard a punk band’s tape who he thought were singing “Animal logic! Animal logic!”. It turns out they were singing something completely different, but the band thought Animal Logic described their music perfectly, and after being sued for using the name of an already existing and well known band in the D.C. area bought the rights to use the name from the group.\n\nThe album cover depicting 3 dogs was a rejected cover for The Police's Greatest hits album. Stewart liked it so much that he had hung it on the wall of his studio in England, and when he was talking to Miles about the name Animal Logic, Stewart said \"Perfect! I have the album cover!\"\n\nMiles Copeland envisioned recruiting a well known guitar player to record the album, and had arranged a recording session with Joe Walsh, who did not show up to the studio. Michael Thompson, who had previously played in a cover band with Deborah Holland, was called in to salvage the session and played on the song “Spy In The House Of Love”. Michael was offered a spot in Animal Logic, but declined as he was just about to release his own album, Michael Thompson Band, for Geffen Records. Michael did commit to playing on the rest of the album, as well as a 3 week tour of Asia.\n\nCopeland and Clarke financed the recording of the band’s debut album, and soon began showcasing for labels. They eventually signed with I.R.S. Records, which was headed by Copeland’s brother Miles. The album Animal Logic was released in 1989 on I.R.S. Records in North America, and Virgin Records in other territories.\n\nA promotional video for “Spy In The House Of Love” was released to MTV.\n\nThe band performed “Spy In The House Of Love” on Late Night with David Letterman on November 10, 1989, accompanied by members of Paul Shaffer and the World's Most Dangerous Band.\n\nAnimal Logic II and breakup (1991)\n\nAnimal Logic released their second album, Animal Logic II in 1991, which included a duet with Jackson Browne on “Another Place”, recorded at Jackson’s studio in Santa Monica. \n\nThe album was promoted with a music video for “Rose Colored Glasses”, a song the band would also perform on The Tonight Show Starring Johnny Carson on November 7, 1991. \n\nRusty Anderson, later lead guitarist for Paul McCartney, recorded and toured with the group.\n\nStanley Clarke was unable to tour due to his career as a film composer which was just taking off. Rather than look for a replacement, and unable to promote the album, Animal Logic disbanded and Deborah Holland went on to pursue a solo career.\n\nReunions and related activity\n\nBoth Clarke and Copeland appeared on Deborah Holland’s debut solo album, Freudian Slip (1994).\n\nOn September 11, 2013, Copeland posted a Sacred Grove video on YouTube featuring an Animal Logic \"reunion\". Copeland, Holland and Clarke performed a new song by Holland entitled \"Whipping Boy\".\n\nIn January 2019, Holland posted several pictures and short videos from a new Animal Logic recording session at the Sacred Grove with Copeland and Clarke online via Facebook. On March 23, 2019 Deborah made the announcement on her official Facebook page that she was working on 2 new EPs – a solo release for 2020, and one with Animal Logic with no set release date. On February 25, 2020 it was announced that Deborah would release her sixth solo album, \"Fine, Thank You\" on March 27. The six song offering features performances by Stewart Copeland on four tracks.\n\nIn a March 2020 interview with sterwartcopeland.com, Deborah Holland confirmed that Animal Logic has been working on material for a new EP: \"We're in the process of finishing up five songs though the bulk of the work is now on Stanley's shoulders and he has a crazy schedule so it may take a while.\"\n\nDiscography \nStudio Albums\n Animal Logic (1989)\n Animal Logic II (1991)\n\nSingles\n\nBand members\n\nBand members\n Stewart Copeland – drums\n Stanley Clarke – bass\n Deborah Holland – lead vocals\n\nTouring musicians\n Michael Thompson – Banjo, Guitar \n Rusty Anderson – Guitar\n\nCredited guest musicians\n Jackson Browne – Vocals\n George Duke – Clavinet\n David Lindley – Saxophone, Guitar\n Peter Haycock – Guitar\n Lakshminarayana Shankar – Violin \n Steve Howe – Guitar \n Freddie Hubbard – Trumpet\n\nReferences\n\nExternal links\n Stewart Copeland Official Website: Animal Logic\n Deborah Holland Official Website: Animal Logic\n\n Animal Logic fansite\n Animal Logic MySpace site\n\nRock music groups from California\nMusical groups from Los Angeles\nMusical groups established in 1987\nMusical groups disestablished in 1991\nMusical groups reestablished in 2013\nMusical groups disestablished in 2013\nMusical groups reestablished in 2020", "\"Fall Out\" is a song by English new wave rock band The Police. It was released as their first single in May 1977 with \"Nothing Achieving\" on its B-side. It was re-released in 1979. A non-album track, it has appeared on a number of compilation and live albums including Message in a Box: The Complete Recordings, The Police and Live!\n\nBackground\n\"Fall Out\" was written by drummer Stewart Copeland, and was one of the first songs he presented to lead singer and bassist Sting when The Police were forming.\n\nThe single was recorded before The Police had done any live performances, using a budget of £150 borrowed from Paul Mulligan, and is the only Police recording featuring original guitarist Henry Padovani. Due to nervousness in the studio, Padovani only played the guitar solos for both tracks, with Copeland playing the other guitar parts. Copeland used a Gibson SG for his parts, while Padovani used a Jacobacci.\n\nThe b-side, \"Nothing Achieving\" was written by Stewart Copeland and his brother Ian, with Ian being responsible for most of the lyrics. Both tracks were produced by Stewart Copeland and \"Bazza\", which was the nickname of engineer Barry Farmer.\n\nThe cover art for the single is a photo of the group taken on the roof of Copeland's apartment by his friend Lawrence Impey. Padovani's unusual grimace on the cover, though appropriate for the punk look of the time, was actually a result of his having a major toothache on the day of the shoot. The actual packaging of the 7\" singles was done by Copeland and Sting.\n\nRelease\n\"Fall Out\" was released on the Illegal Records label, part of the Faulty Products group of companies owned by Copeland's brother Miles. Sting has cited Mick Jagger's review of the single in Sounds magazine as contributor to its success, saying, \"we had a coup when Mick Jagger reviewed it in a music weekly called Sounds.\" Copeland estimates that the single sold mostly because it was a part of the overall punk movement; the band appears in the cover photograph in clothes that were fashionable at the time and fans of the punk movement were buying any punk single that came out.\n\nIt failed to chart on its original release, but when re-released in 1979 it made number 47 on the UK Singles Chart, two months after \"Message in a Bottle\" reached number one. On the Record Business national chart then widely used in Independent Local Radio, which polled more independent shops, the 1979 release made number 26, and number 34 on the Record Business London chart broadcast on Capital Radio.\n\nTrack listing\nUK 7\" vinyl single\n \"Fall Out\" (Stewart Copeland) – 2:03\n \"Nothing Achieving\" (Copeland) – 1:56\n\nPersonnel\nSting – bass, vocals\nHenry Padovani – guitar solo\nStewart Copeland – drums, guitar, producer\n\nCharts\n\nReferences\n\n \n\n1977 debut singles\n1977 singles\n1979 singles\nThe Police songs\n1977 songs\nSongs written by Stewart Copeland" ]

[ "Stewart Copeland", "Solo projects and movie soundtracks (1987-1998)", "Did Copeland release any solo albums?", "I don't know." ]

[ "Tropic Thunder: Original Motion Picture Soundtrack was released on August 5, 2008, the week before the film was released in theaters.\n\nFive songs, \"Cum On Feel the Noize\" by Quiet Riot, \"Sympathy for the Devil\" by The Rolling Stones, \"For What It's Worth\" by Buffalo Springfield, \"Low\" by Flo Rida and T-Pain, and \"Get Back\" by Ludacris, were not present on the soundtrack, yet did appear in the film. The soundtrack features songs from The Temptations, MC Hammer, Creedence Clearwater Revival, Edwin Starr, and other artists. The single \"Name of the Game\" by The Crystal Method featuring Ryu has an exclusive remix on the soundtrack.\n\nThe soundtrack debuted 20th on Billboard'''s Top Soundtracks list and peaked at 39th on its Top Independent Albums list. James Christopher Monger of allmusic compared the music to other film's soundtracks such as Platoon, Full Metal Jacket, and Forrest Gump'' and called it \"...a fun but slight listen that plays out like an old late-'70s K-Tel compilation with a few bonus cuts from the future.\"\n\nTrack listing\n\nReferences\n\nExternal links\n \n Soundtracks for 'Tropic Thunder' at Internet Movie Database\n\n2008 soundtrack albums\nFilm scores\nAction film soundtracks\nComedy film soundtracks", "Brimstone & Treacle is the soundtrack for the 1982 film adaptation of the play Brimstone and Treacle directed by Richard Loncraine and starring Denholm Elliott, Joan Plowright and Sting. Sting and The Police wrote most of the original material on the album. The rest of the soundtrack was made of songs by other acts signed to A&M like The Go-Go's and Squeeze and a couple of traditional songs performed by the Finchley Children's Music Group and the ad-hoc formed Brimstone Chorale.\n\nThe Police's \"I Burn for You\" was a song Sting had presented for inclusion in the band's third album Zenyatta Mondatta two years earlier but it was deemed unsuitable for the musical direction the band was taking and rejected. Stewart Copeland's roadie Jeff Seitz played drums on \"Only You\" while the voice of actress Suzanna Hamilton can be heard on The Police's \"A Kind of Loving\". Words from the original play by Dennis Potter form the lyrics of \"Narration\".\n\nSting's cover of \"Spread a Little Happiness\" was released as a single and it reached number 16 in the UK charts. The title track was also awarded the 1984 Grammy Award for Best Rock Instrumental Performance, making Sting a three-time winner in this particular category, The Police being recipients of the award in 1981 and 1982—although Sting had no part in the band's \"Behind My Camel\", the 1982 award winner which he did not write and refused to play on. Sting would later go on to perform \"I Burn for You\" live during his The Dream of the Blue Turtles tour in 1985. That version is featured on his Bring on the Night live album.\n\nTrack listing\n\nPersonnel \n Brimstone Chorale – Performer\n The Go-Go's – Performer\n The Police – Performer\n Jeff Seitz – Drums on \"Only You\". \n Squeeze – Performer\n Sting – Performer\n Kenith Trodd – Producer\n\nNotes \n\nThe Police\nSting (musician) soundtracks\n1982 soundtrack albums\nA&M Records soundtracks\nGrammy Award for Best Rock Instrumental Performance\nNew wave soundtracks" ]

[ "Stewart Copeland", "Solo projects and movie soundtracks (1987-1998)", "Did Copeland release any solo albums?", "I don't know.", "What movie soundtracks did Copeland perform on?", "Copeland established a career composing soundtracks for movies (" ]

[ "Tropic Thunder: Original Motion Picture Soundtrack was released on August 5, 2008, the week before the film was released in theaters.\n\nFive songs, \"Cum On Feel the Noize\" by Quiet Riot, \"Sympathy for the Devil\" by The Rolling Stones, \"For What It's Worth\" by Buffalo Springfield, \"Low\" by Flo Rida and T-Pain, and \"Get Back\" by Ludacris, were not present on the soundtrack, yet did appear in the film. The soundtrack features songs from The Temptations, MC Hammer, Creedence Clearwater Revival, Edwin Starr, and other artists. The single \"Name of the Game\" by The Crystal Method featuring Ryu has an exclusive remix on the soundtrack.\n\nThe soundtrack debuted 20th on Billboard'''s Top Soundtracks list and peaked at 39th on its Top Independent Albums list. James Christopher Monger of allmusic compared the music to other film's soundtracks such as Platoon, Full Metal Jacket, and Forrest Gump'' and called it \"...a fun but slight listen that plays out like an old late-'70s K-Tel compilation with a few bonus cuts from the future.\"\n\nTrack listing\n\nReferences\n\nExternal links\n \n Soundtracks for 'Tropic Thunder' at Internet Movie Database\n\n2008 soundtrack albums\nFilm scores\nAction film soundtracks\nComedy film soundtracks", "+Bien (or Más Bien) is the eponymous soundtrack for the Argentine-produced film released in 2001. All 11 tracks were composed and performed by Gustavo Cerati for the movie. Cerati also acted in the movie.\n\nTrack listing\n\nReferences\n\nGustavo Cerati soundtracks\n2001 soundtrack albums\nFilm soundtracks\nSony International soundtracks\nInstrumental soundtracks" ]

[ "Stewart Copeland", "Solo projects and movie soundtracks (1987-1998)", "Did Copeland release any solo albums?", "I don't know.", "What movie soundtracks did Copeland perform on?", "Copeland established a career composing soundtracks for movies (", "What movie soundtracks did Copeland compose?", "Airborne, Talk Radio, Wall Street, Riff Raff, Raining Stones, Surviving the Game, See No Evil, Hear No Evil, Highlander II:" ]

[ "Fox Movies was a Southeast Asian movie channel owned by Fox Networks Group Asia Pacific, subsidiaries of Disney International Operations.\n\nHistory\n\nOn January 1, 2012, Star Movies was rebranded to Fox Movies Premium and FOX Movies Premium HD, available in Hong Kong and selected Southeast Asian countries. In India, China, Middle East and North Africa, Taiwan and the Philippines (SD only), the Star Movies brand remained.\n\nA new channel, named Fox Movies (Southeast Asian countries only), replaced Fox Movies Premium and Star Movies (Philippines) on June 10, 2017.\n\nOn November 1, 2017, Star Movies Vietnam was rebranded as Fox Movies Vietnam.\n\nOn January 18, 2018, Star Movies Taiwan was rebranded as Fox Movies Taiwan, yet Star Movies HD Taiwan remains the original name.\n\nAfter 27 years of broadcasting, on April 27, 2021, Disney announced that Fox Movies in Southeast Asia and Hong Kong would be closing down on October 1, 2021 at exactly 1:00 am (UTC+08:00)/12:00am (UTC+07:00), after which the channel space created by BBC World Service Television in 1991, folded and ceased to exist. The very final and last movie is Happy Death Day (Philippines only) and Pacific Rim: Uprising (rest of Southeast Asia and Hong Kong).\n\nOn January 1, 2022, Fox Movies Taiwan was renamed to Star Movies Gold.\n\nOverview\nFox Movies has first-run contracts for movies distributed by 20th Century Studios, Disney, Columbia Pictures, Pixar, Marvel Studios, Metro-Goldwyn-Mayer, and DreamWorks and sub-run contracts for movies from Paramount Pictures, Universal Pictures, and Warner Bros. for countries where FOX Movies is available. It also features movies from other movie distributors including: Lions Gate Entertainment, Summit Entertainment, Victor Hugo Pictures, and The Weinstein Company. It is another Hollywood movie channel whose main competitor is HBO Asia. Some of its design is based on the movie Tron: Legacy (the first movie aired on FOX Movies Premium) since the countdown to rebranding and has different station IDs based on type and genre of the movie.\n\nWith the launch of Disney+ Hotstar in Indonesia, several first-run films from Disney-owned properties were removed in favour of re-runs, including Marvel films that were produced by other studios. These changes were only available specifically to the Indonesian feed starting from September 1, 2020.\n\nIn conjunction of launching Disney+ in Singapore and Malaysia, starting 1 February 2021, several first-run films from Disney-owned properties were removed in favour of re-runs, including Marvel films that were produced by other studios. This applies to all remaining feeds in Asia.\n\nOperating channels\n\nFox Movies Asia\nFox Movies Asia (formerly known as Fox Movies Premium) was transmitted in Southeast Asia. It was the only advertisement free version of Fox Movies and, unlike other versions of Fox Movies, this version also spent minimal time promoting its own upcoming movies. The channel did not air promotions of movies classified as unsuitable for people aged under eighteen until 8pm SEAT and 9pm for Malaysia. This channel broadcast 24 hours a day. 5.1 Dolby Surround sound was available and applicable on the HD channel. The channel officially cease operations on October 1, 2021.\n\nFox Movies Philippines\nOn June 10, 2017, in line with its Southeast Asian counterpart (Fox Movies Premium), Star Movies in the Philippines was rebranded as Fox Movies. Like its predecessor, it also has English subtitles daily, as well as local advertisements when the movie is taking a break (its HD counterpart, however, does not because of the HD channel formerly using its Asian feed (Fox Movies Premium) and Fox Movies Asia feed). The channel typically broadcasts action, comedy, animation and horror/suspense films every day and drama films on early morning.\n\nOn June 12, 2017, the HD channel was converted into Philippine feed during independence day of the Philippines while the Asia feed will continue to broadcast via live streaming on a subscription-based FOX+ which is available to Cignal, Globe, Smart and PLDT Home subscribers and with Chinese subtitles on their movies (along with Fox Family Movies and Fox Action Movies) which was later removed and replaced by Fox Sports including (2 & 3).\n\nOn January 1, 2020, FOX Movies Philippines, along with its Philippine-based operating channels: Fox Life, FOX, and National Geographic SD, were reverted to their main Southeast Asian feed. The channel started showing main feed plugs and retained the English subtitles on the movie after the revert, but this feed still initiates a local opt-out after a movie and a lesser ad break in the middle of the movie to accommodate local advertisements. The channel premieres major blockbuster films every Saturday while independent and low-budget films on Mondays and Thursdays.\nThe channel officially cease operations on October 1, 2021.\n\nFox Movies HD\nOn January 1, 2012, Star Movies HD was rebranded as Fox Movies Premium HD in selected Asian territories where Star Movies has been renamed to Fox Movies Premium. On June 10, 2017, Fox Movies Premium HD has been renamed to Fox Movies HD.\nThe HD Channel also closed on October 1, 2021.\n\nSee also\n Star Movies\n Fox Family Movies\n Fox Action Movies\n\nReferences\n\nExternal links\n (archived)\n\nMovie channels\nMass media in Southeast Asia\nCable television in Hong Kong\nTelevision channels and stations established in 2012\nTelevision channels and stations disestablished in 2021\nEnglish-language television stations\nMovie channels in Fiji\nMovie channels in Singapore\nMovie channels in Indonesia\nMovie channels in Thailand\nMovie channels in Hong Kong\nMovie channels in Malaysia\nMovie channels in the Philippines\nSoutheast Asia\nFox Networks Group", "M-Net Movies is a group of South Africa-based film-only television channels launched as Movie Magic in 1995 and broadcast across Sub-Saharan Africa on pay TV satellite services DStv and GOtv. The channels broadcast films/movies based on genre as well as clips featuring behind-the-scenes looks at previous, current and future breakout box office hit films.\n\nHistory\nMultiChoice through M-Net launched two M-Net film/movie channels, Movie Magic 1 and Movie Magic 2 a day after the launch of its pay television satellite service DStv. In order to unify/expand the M-Net brand, the channels were renamed respectively M-Net Movies 1 and M-Net Movies 2 in 2005. Two additional film channels, M-Net Stars and M-Net Movies Action (which on launch replaced M-Net Action (then actionX) which launched in 2006), were later launched. In October 2012, the previous film channels were expanded to six channels which grouped films according to genre. These channels, along with the existing Action, Stars and Zone, made for a total of nine movie channels. In June M-Net Movies Action was made an HD channel, followed by M-Net Movies All Stars, both only in Southern Africa, in October 2016.\n\nAs of 1 September 2020, M-Net stopped giving their movie channels names and went with the numbering system and reduced the number of movie channels from 6 to 4 channels. M-Net Movies also has an Add Movies feature which allows non-premium subscribers to pay for premium movie channels including future pop-up channels.\n\nChannels\nThese were the channels they offered before September 2020 and its numbers:\n M-Net Movies Premiere (104)\n M-Net Movies Smile (105)\n M-Net Movies Action+ (106)\n M-Net Movies Action (110)\n M-Net Movies All Stars (111)\n M-Net Movies Zone (139)\n\nA seventh channel M-Net Movies Showcase was later dropped by M-Net on 1 April 2017 with the aim of creating limited run pop-up channels, airing films ranging from those starring Tom Cruise, Sylvester Stallone and Will Smith. On 1 June 2017 it was replaced by Sundance TV. On 1 December 2017, M-Net Movies Zone was made available in HD to all households who owned an HD capable decoder such as the DStv Explora, HD Decoder, HD PVR and were on the all DStv packages. M-Net Movies Zone is the only channel airing on the GOtv service via its Max and Plus packages.\n\nAs of 1 September 2020, M-Net Movies stopped giving their movie channels names and reverted to adding numbers to the channels alongside reducing the number of movie channels to four. From now on, there are 4 Movie channels, numbers, qualities and packages.\n\nM-Net Movies 1\n\nM-Net Movies flagship channel consisting of first run movie premieres mostly after being available on the DStv BoxOffice rental service, as well as animation specials. The channel is a result of M- Net Movies Premiere and M-Net Movies Smile (Smile being a combination of M-Net Movies Comedy and M-Net Movies Family).\n\nAs a combination of M-Net Movies Premiere & M-Net Movies Smile, the channel is only available for DStv Premium as part of the offering M-Net gives after airing a movie on the original channel.\n\nM-Net Movies 2\n\nThe premium action movie channel focuses on thrillers and horror movies. It is a combination of M-Net Movies Action and M-Net Movies Action+.\n\nThe channel is only available on DStv Premium for its offering from its former home M-Net Movies Action Plus.\n\nM-Net Movies 3\n\nThis is a general entertainment channel focusing on the most favoured stars, inherited from its predecessors M-Net Movies Action & M-Net Movies Allstars. Due to most stars being voiceovers, the channel has mostly animated films/movies, with a mix of comedy and romance and some action.\n\nThe channel is available for DStv Compact Plus and DStv Compact .\n\nM-Net Movies 4\n\nThe lower tiered channel aimed at DStv Access and GOtv Plus subscribers which air all movies shown on M-Net or other M-Net Movies channels.\n\nM-Net Movies Pop-Up Channel\n\nThe pop-up channel and the first of the movie channels to broadcast less than 24 hours a day. Initially, the channel was named M-Net Movies Showcase. In 2015, the same year M-Net Movies Smile was formed, another channel, M-Net Movies Romance was incorporated into Showcase, in direct response to viewer complaints of too many repeats. Mostly airing movie festivals such as Star Wars, Harry Potter, James Bond, etc.\n\nThis channel is usually available to DStv Premium and this January, the channel wasn't launched for Premium, it was launched for Compact and Compact+. M-Net Movies also has an Add Movies feature that allows non-premium subscribers to watch premium movie channels for a fee which includes future pop-up channels that may launch on M-Net Movies.\n\nReferences\n\nExternal links\nAs of January 2016, all M-Net Movies Channels are under the sub-domain of the M-Net website;\nM-Net Movies Action\nM-Net Movies Action+\nM-Net Movies Premiere\nM-Net Movies All Stars\nM-Net Movies Smile\nM-Net Movies Zone\n\n2012 establishments in South Africa\nAfrikaans-language television\nEnglish-language television stations in South Africa\nPay television" ]

[ "Stewart Copeland", "Solo projects and movie soundtracks (1987-1998)", "Did Copeland release any solo albums?", "I don't know.", "What movie soundtracks did Copeland perform on?", "Copeland established a career composing soundtracks for movies (", "What movie soundtracks did Copeland compose?", "Airborne, Talk Radio, Wall Street, Riff Raff, Raining Stones, Surviving the Game, See No Evil, Hear No Evil, Highlander II:", "Were there other movies?", "The Leopard Son, She's Having a Baby, The First Power, Fresh, Taking Care of Business, West Beirut, I am David, Good Burger)," ]

[ "James Copeland (January 18, 1823 – October 30, 1857) was an American outlaw during the early to mid nineteenth century, whose crimes took place mostly, in southern Mississippi and southern Alabama. He was born in Jackson County, Mississippi. He was the co-leader of a gang known as the Wages and Copeland Clan. On October 30, 1857, Copeland was executed by hanging in Perry County, Mississippi.\n\nEarly life \nBorn on January 18, 1823, in Jackson County, Mississippi, to Isham Copeland and Rebecca Wells, James Copeland began school at approximately age ten or eleven. Although his father was willing to put him through school for as long as James desired, he began associating with people who taught him fraud and how to cheat and steal. It was reported that he would often trick his schoolmates out of their money and pocket knives.\n\nJames Copeland himself once said, his first great theft was a valuable pocket knife of a neighbor, whom he tricked out of it. He did this when he was twelve, although he stated he stole from his schoolmates long before this. His next great theft was when he was fourteen. He and his brother, Isham, nicknamed Whinn, went out for a night claiming they were going hunting. Instead, they stole fifteen hogs from a person nearby and went to Mobile to sell them for the sum of $30. He later went back to that person's house and tried to steal more hogs, but he was caught and arrested by the Jackson County Sheriff and charged with larceny. Realizing that the lawyer Copeland's father had hired would not prevent incarceration, Copeland's mother contacted Gale H. Wages, a notorious thief from Mobile. Wages first considered waylaying and killing the witness to the hog theft but settled on destroying the evidence instead. Wages and James Copeland burned the Jackson County Courthouse to the ground one night, destroying evidence and everything else housed in the building.\n\nStill a teenager, Copeland joined with the Mobile bandits led by Wages and Charles \"Preacher\" McGrath. Wages took Copeland to a gathering in Mobile, where he was initiated as a member of a large clan that engaged in theft and other crimes for profit. He took the clan's oath: \"You solemnly swear upon the Holy Evangelist of Almighty God, that you will never divulge, and always conceal and never reveal any of the signs or passwords of our order; that you will not invent any sign, token or device by which the secret mysteries of our order may be known; that you will not in any way betray or cause to be betrayed any member of this order — the whole under pain of having your head severed from your body — so help you God.\"\n\nCopeland learned the secret codes and alphabet of the clan, and he eventually brought four of his brothers into the clan. The clan's criminal activities consisted primarily of the theft of Negro slaves and horses, the looting and burning of houses and stores, counterfeiting, boat larceny, and murder.\n\nCopeland knew of water hideouts and boat slips as well as he knew the land. He and his gang burned parts of Mobile, sacked it then disappeared into Mobile Bay. Copeland set fire to the West Side of Mobile and while the citizens were braving the flames to save what they could, the gang looted the East side. After things cooled down, Copeland set fire to the East side and sacked the West side of the port city. Each time, the raiders loaded boats with their plunder and disappeared into the dark waters of Mobile Bay.\n\nThe gang \nThe reported 60 members of the Wages and Copeland Clan were as follows:\n\n J. Alfred\n J. Baker\n J. Bowings\n A. Brown\n D. Brown\n W. Brown\n G. Buskings\n J. Butler\n R. Cable\n G. Clealand\n Henry Copeland\n John Copeland\n T. Copeland\n William Copeland\n G. Daniels\n J. Dewit\n D. Doty\n J. Doty\n J. Elva\n J. Gillet\n J. Harden\n S. Harden\n J. Harper\n J. Harper (see note)\n J. Hevard\n Thomas Hix\n W. P. Hobs\n J. Hopkins\n J. Kelly\n C. H. McGraffin\n Charles McGrath\n N. McIntosh\n W. W. Moore\n ___ Moulton\n E. Myrick\n ___ Overall\n J. Pool\n J. Porter\n T. Powell\n W. W. Ratlief\n W. Ross\n W. Sanferd\n H. Sanford\n E. Sharpor\n S. S. Shoemake\n S. Teapark\n J. Taylor\n G. H. Wages\n J. Walter\n J. Waters Jr.\n A. Watson\n G. Welter\n J. Welter\n J. W. Wesley\n W. C. Whelps\n J. Whitfield\n J. Whitlom\n Jasper Whitlow\n J. F. Wright\n G. Young\n\nNote: Initials of Moulton and Overall were omitted because of doubts about who Copeland referred to. Two Gang members had the same initials.\n\nLater years \n\nWages and McGrath attempted to collect a disputed debt for fellow clan member Allen Brown. James Andrew Harvey had purchased, in good faith, a farm from Brown, who did not hold clear title to the property. Unable to establish ownership, Harvey refused to pay the outstanding debt. Brown passed the loan along to Wages, who was to either collect the money or kill Harvey. However, Harvey killed Wages and McGrath.\n\nOn July 15, 1848, James Copeland and his gang rode to James Harvey's home on Red Creek in Perry County (now Forrest County), Mississippi. They had been offered one-thousand dollars by Wages' father, to avenge his son's death. Here, the Copeland clan fought a blazing gun battle, which resulted in the death of Harvey and one of Copeland's men. Friends carried the mortally wounded Harvey to John Dale's home in northwestern Harrison County (now Stone County), where he died several days later and was buried in the nearby Dale Cemetery. In 1974, Harvey's remains were exhumed and reinterred in Pearl River County, Mississippi.\n\nImprisonment and later execution \n\nAlthough Copeland escaped the gun battle, he was eventually captured near Mobile in 1849, tried for his Alabama crimes, and sentenced to a four-year prison term. Upon completion of the prison term, Copeland was transferred to Mississippi to stand trial for the Harvey killing, for which he was convicted and sentenced to hang. Before his death on the gallows in 1857, Copeland made a full confession to Sheriff J.R.S. Pitts in Perry County, Mississippi, naming each member of the clan. Many clan members were prominent citizens of Mobile and the surrounding area.\n\nBurial, grave robbing, and public display \nCopeland's body was buried on the banks of the Leaf River near Augusta, Mississippi. After two or three days, the body disappeared, however and a skeleton was purportedly made of his remains. The skeleton was allegedly exhibited at McInnis and Dozier Drugstore in Hattiesburg, Mississippi in the late 19th century. In the early 1900s, the skeleton vanished and has never been seen again.\n\nCopeland treasure \nCopeland detailed how his clan had buried some $30,000 in gold in a swamp near Mobile and later reburied the treasure in the Catahoula Swamp of Hancock County, Mississippi. Rumors have circulated for decades of Copeland gold caches, still unclaimed, hidden around the shores of the Gulf of Mexico. The James Copeland legend lives today, as treasure hunters search sections of the Mississippi Gulf Coast for burial sites of the Copeland gang's ill-gotten gains.\n\nSee also\nJohn Murrell (bandit)\n\nReferences\n\nExternal links\nAmerican Local History Network: Outlaws, Rascals and Ruffians—James Copeland\n\n1823 births\n1857 deaths\nAmerican outlaws\n19th-century American criminals\nOutlaw gangs in the United States\nCriminals from Mississippi\nAmerican people convicted of murder\nExecuted people from Mississippi\nPeople executed by Mississippi by hanging\n19th-century executions of American people\n19th-century American people\nPeople from Mississippi\nPeople from Jackson County, Mississippi", "Copeland is a surname. Notable people with the surname include:\n\n Aaron Copland (1900–1990), American composer\n Al Copeland (1944–2008), American restaurateur\n Anthony Copeland (born 1963), American football player\n Billy Copeland (1856–1917), Scottish cricketer\n Brian Copeland (born 1964), American comedian\n Chad Copeland (born 1971), American basketball player\n Charles L. Copeland (born 1963), American politician\n Charlie Copeland (footballer), (1892–1939), English footballer\n Chris Copeland (born 1984), American basketball player\n David Copeland (footballer) (1875–1931), English footballer\n David Y. Copeland III (1931–2019), American politician\n Edmund Copeland, British cosmologist\n Edward Copeland (disambiguation), multiple people\n Edwin Copeland (1873–1964), American botanist\n George Copeland (1882–1971), American pianist\n Gordon Copeland (1943–2018), New Zealand politician\n Herbert Copeland (1902–1968), American biologist\n Hollis Copeland (born 1955), American basketball player\n Howard Copeland (1944–2019), American lawyer and politician\n Ian Copeland (1949–2006), American talent agent\n Ida Copeland (1876–1964), British politician\n Ivy Copeland (1888–1961), New Zealand artist and art teacher\n Jack Copeland (born 1950), British philosopher\n James Copeland (disambiguation), multiple people\n Jeremaine Copeland (born 1977), Canadian football player\n Jim Copeland (American football) (1945–2010), American football player\n Joan Copeland (1922–2022), American actress\n John Copeland (born 1970), American football player\n John Anthony Copeland Jr. (1834–1859), American abolitionist\n Johnny Copeland (1937–1997), American blues singer and guitarist\n Katherine Copeland (born 1990), British rower\n Kenneth Copeland (born 1936), American televangelist\n Lanard Copeland (born 1965), Australian-American basketball player and coach\n Les C. Copeland (1887–1942) American composer and pianist\n Lillian Copeland (1904–1964), American track and field athlete\n Lorraine Copeland (1921–2013), British archaeologist\n Marquise Copeland (born 1997), American football player\n Miles Copeland (disambiguation), multiple people\n Misty Copeland (born 1982), American ballet dancer\n Robert Copeland (disambiguation), multiple people\n Royal Copeland, multiple people\n Russell Copeland (born 1971), American football player\n Scott Copeland (born 1987), American baseball player\n Shemekia Copeland (born 1979), American blues singer\n Stewart Copeland (born 1952), American musician\n Ted Copeland, English football coach\n Thomas Copeland (1781–1855), British surgeon\n Thomas Copeland (headmaster) (1437–??), English schoolmaster\n Tom Copeland (born 1924), American politician\n Trent Copeland (born 1986), Australian cricketer\n William Copeland (disambiguation), multiple people\n\nFictional Characters\n Dominic Copeland, a fictional character in the British medical drama Holby City\n Joseph Copeland, a fictional character in the anime Gundam SEED DESTINY\n Copelands’, fictional characters in the movie “White Chicks”\n\nSee also \n William Copeland Borlase\n Copeland (disambiguation)\n Copland (disambiguation)\n\nReferences\n\nSurnames\nEnglish-language surnames\nSurnames of English origin\nSurnames of British Isles origin" ]

[ "Stewart Copeland", "Solo projects and movie soundtracks (1987-1998)", "Did Copeland release any solo albums?", "I don't know.", "What movie soundtracks did Copeland perform on?", "Copeland established a career composing soundtracks for movies (", "What movie soundtracks did Copeland compose?", "Airborne, Talk Radio, Wall Street, Riff Raff, Raining Stones, Surviving the Game, See No Evil, Hear No Evil, Highlander II:", "Were there other movies?", "The Leopard Son, She's Having a Baby, The First Power, Fresh, Taking Care of Business, West Beirut, I am David, Good Burger),", "Did Copeland compose anything else?", "television (The Equalizer, Dead Like Me, Star Wars: Droids, the pilot for Babylon 5 (1993), Nickelodeon's The Amanda Show, The Life and Times of Juniper Lee" ]

[ "Ian Hultquist is an American composer and musician. Hultquist is best known for his score for The Diabolical and for being a founding member of the band Passion Pit. He is also known for his works on movies such as Mommy Dead and Dearest, The First Monday in May, My Blind Brother and Memoria.\n\nCareer\n\nAfter graduating from Berklee College of Music, Hultquist became a founding member of the indie band Passion Pit in 2007 and acted as their music director while on tour. This pulled him away from film composing for awhile and in 2010 he and his wife Sofia Hultquist created their side project 'Aislyn'.\n\nIn 2013 he was introduced to documentary filmmaker Andrew Rossi who quickly hired him to score his film Ivory Tower. Around the same time, while on set for a Passion Pit music video, Hultquist would also meet and befriend actor David Dastmalchian, who would then hire Hultquist to score his feature film 'Animals'.\n\nFrom there, Hultquist's composing career burgeoned as he began to compose music for films at SXSW and Sundance. In October 2014, he officially left Passion Pit.\n\nPersonal life\nHultquist is married to fellow composer and musician Sofia Hultquist.\n\nWorks and awards \nHultquist has composed dozens of soundtracks and film scores for both film and TV. He is best known for scoringThe Diabolical and for being a founding member of the band Passion Pit. He is also known for his works on movies such as Mommy Dead and Dearest, The First Monday in May, My Blind Brother and Memoria. He also composed score for Apple TV+'s Dickinson with Drum & Lace.\n\nReferences\n\nExternal links \n \n \n\nAmerican film score composers\nAmerican television composers\nAmerican indie pop musicians\nLiving people\nAmerican male film score composers\nMale television composers\n1985 births\nBerklee College of Music alumni", "S.W.A.T. is the soundtrack score for the 2003 action film S.W.A.T., based on the 1970s TV series of the same name, composed by Elliot Goldenthal.\n\nThe score \nIt is generally viewed as being another surprise project for Goldenthal, being that he usually gravitates towards more \"intellectual\" and \"arthouse\" type movies. Although he has done a few \"commercial\" action movie type scores in the past, the decision to score S.W.A.T. was nevertheless interesting, and Goldenthal has developed a reputation for choosing unlikely projects, if anything, for the sheer fun of it. In choosing to compose the score for S.W.A.T., Goldenthal—some have said—had played the \"Media Ventures\" (now known as Remote Control Productions) composers at their own game and won; creating an original, intense, yet complex and diverse score.\n\nTrack listing \n Bullet Frenzy (10:17)\n Don't Shoot Me Baby (3:26)\n My Big Black Assault Weapon (1:38)\n AK-47 Scherzo (3:42)\n Three Chords in Two Minutes (1:53)\n Run for Your Life (3:05)\n The Fascist Shuffle (1:29)\n \"S.W.A.T. 911\" (3:10) - Danny Saber\n Crash Landing (4:48)\n That Cop Stole My Car (2:04)\n S.W.A.T. Sticker (0:53)\n Bullet Frenzy II (1:38)\n Time is Running Out (4:59) - Apollo Four Forty\n Brother Down (4:24) - Sam Roberts Band\n Samuel Jackson (4:03) - Hot Action Cop\n Figure.09 (3:18) - Linkin Park from the album, Meteora\n Just Because (3:51) - Jane's Addiction\n\nThe song, \"Crosstown Traffic\" by Jimi Hendrix is also played during the film, but it is not included in the soundtrack.\n\nReferences\n\nExternal links\n \n Varèse Sarabande page for the score.\n\nS.W.A.T. (franchise)\nElliot Goldenthal soundtracks\n2003 soundtrack albums\nAction film soundtracks\nThriller film soundtracks\nCrime film soundtracks" ]

[ "Stewart Copeland", "Solo projects and movie soundtracks (1987-1998)", "Did Copeland release any solo albums?", "I don't know.", "What movie soundtracks did Copeland perform on?", "Copeland established a career composing soundtracks for movies (", "What movie soundtracks did Copeland compose?", "Airborne, Talk Radio, Wall Street, Riff Raff, Raining Stones, Surviving the Game, See No Evil, Hear No Evil, Highlander II:", "Were there other movies?", "The Leopard Son, She's Having a Baby, The First Power, Fresh, Taking Care of Business, West Beirut, I am David, Good Burger),", "Did Copeland compose anything else?", "television (The Equalizer, Dead Like Me, Star Wars: Droids, the pilot for Babylon 5 (1993), Nickelodeon's The Amanda Show, The Life and Times of Juniper Lee", "Did he compose for anything besides movies and TV?", "operas (Holy Blood and Crescent Moon, commissioned by Cleveland Opera) and ballets (" ]

[ "The Cage is a ballet made by New York City Ballet ballet master Jerome Robbins to Stravinsky's Concerto in D for string orchestra, also known as the \"Basel Concerto\", which he was commissioned to compose on the twentieth anniversary of the chamber orchestra Basler Kammerorchester; it notably shifts between D major and minor. The premiere took place on Sunday, 10 June 1951 at the City Center of Music and Drama, New York, with décor by Jean Rosenthal, costumes by Ruth Sobatka and lighting by Jennifer Tipton. It was danced as part of City Ballet's 1982 Stravinsky Centennial Celebration.\n\nCast\n\nOriginal \n\n \nNora Kaye\nYvonne Mounsey\n \nNicholas Magallanes\nMichael Maule\n\nNotes\n\nReferences \nRepertory Week, NYCB, Spring season, 2008 repertory, week 7\n\nReviews\n\n \nNY Times, John Martin, June 15, 1951 \nNY Times, Anna Kisselgoff, November 20, 1979 \n \nNY Times, Jack Anderson, February 5, 1982 \nNY Times, Jennifer Dunning, June 23, 2003 \n\nBallets by Jerome Robbins\nBallets to the music of Igor Stravinsky\n1951 ballet premieres\nBallets designed by Jennifer Tipton\nBallets designed by Jean Rosenthal\nNew York City Ballet repertory", "L'éventail de Jeanne (Jean's Fan) is a children's ballet choreographed in 1927 by Alice Bourgat and Yvonne Franck.\n\nThe music is a collaborative work by ten French composers, each of whom contributed a stylised dance in classic form:\n Maurice Ravel (Fanfare)\n Pierre-Octave Ferroud (Marche)\n Jacques Ibert (Valse)\n Alexis Roland-Manuel (Canarie)\n Marcel Delannoy (Bourrée)\n Albert Roussel (Sarabande)\n Darius Milhaud (Polka)\n Francis Poulenc (Pastourelle)\n Georges Auric (Rondeau)\n Florent Schmitt (Finale: Kermesse-Valse)\n\n\"Jeanne\" refers to a Parisian hostess and patroness of the arts, Jeanne Dubost, who ran a children’s ballet school. In the spring of 1927 she presented ten of her composer friends with leaves from her fan, asking each of them to write a little dance for her pupils. The children were dressed in fairytale costumes and the décor was enlivened by a set designed with mirrors.\n\nIt was produced in private at Jeanne Dubost’s Paris salon on 16 June 1927, with Maurice Ravel playing a piano transcription of the music. It had its public premiere at the Paris Opera on 4 March 1929, with the ten-year-old Tamara Toumanova dancing the lead role. This was the first performance of Darius Milhaud's music there and he was so annoyed to debut with a trifling work that he boycotted the performance.\n\nExcerpts have been recorded, particularly Ravel’s Fanfare and Poulenc’s Pastourelle. The first complete recording was made in 1984 by the Philharmonia Orchestra led by Geoffrey Simon.\n\nReferences\n Grove's Dictionary of Music and Musicians, 5th ed.\n What’s What in Titles of Classical Music – and Beyond\n The Music of Albert Roussel\n\nNotes\n\nExternal links\nVideo - Darius Milhaud - L'éventail de Jeanne (30:00).\n\nBallets by Maurice Ravel\nBallets by Francis Poulenc\nBallets by Jacques Ibert\nBallets by Darius Milhaud\nBallets by Albert Roussel\nBallets by Florent Schmitt\nBallets by Georges Auric\nBallets by Alice Bourgat\nBallets by Yvonne Franck\n1927 ballet premieres\n1927 compositions\nCollaborations in classical music" ]

[ "Stewart Copeland", "Solo projects and movie soundtracks (1987-1998)", "Did Copeland release any solo albums?", "I don't know.", "What movie soundtracks did Copeland perform on?", "Copeland established a career composing soundtracks for movies (", "What movie soundtracks did Copeland compose?", "Airborne, Talk Radio, Wall Street, Riff Raff, Raining Stones, Surviving the Game, See No Evil, Hear No Evil, Highlander II:", "Were there other movies?", "The Leopard Son, She's Having a Baby, The First Power, Fresh, Taking Care of Business, West Beirut, I am David, Good Burger),", "Did Copeland compose anything else?", "television (The Equalizer, Dead Like Me, Star Wars: Droids, the pilot for Babylon 5 (1993), Nickelodeon's The Amanda Show, The Life and Times of Juniper Lee", "Did he compose for anything besides movies and TV?", "operas (Holy Blood and Crescent Moon, commissioned by Cleveland Opera) and ballets (", "What ballets did he compose?", "Prey' Ballet Oklahoma, Casque of Amontillado, Noah's Ark/Solcheeka, commissioned by the Seattle Symphony Orchestra, King Lear," ]

[ "The Myanmar Police Band () is a military/police band formation in the Myanmar Police Force. Being a battalion-sized organization (it consists of 240 musicians in total), it follows a British and Malaysian military format for marching bands. It is today regarded as Myanmar's oldest brass band, having established in 1945. It is also one of many militarized marching bands in the Myanmar Armed Forces, with the police band being based in Yangon.\n\nHistory\nIt was founded in 1945, three years prior to the country gaining its independence from the British Empire. It was at that time, Indians soldiers and Gurkhas from Nepal were recruited to perform during flag-raising ceremonies. The newly formed band consisted of 13 recruits that were trained in Mandalay and sent to towns to train other uniformed musicians. Since 1997, the band has played at military parades and official receptions. The band took its first trip abroad in 2006 to Malaysia to perform with 10 other bands from ASEAN. In 2017, the band hosted the International Police Band Concert in the Kyauktada Township for the first time. It takes part in that event every year, where it performs with police bands from Vietnam and Singapore.\n\nConductor\nOne of the musicians trained in Tharyarwaddy was U Ba Tin, who would lead the Rangoon Armed Police Band (RAP) with 35 members, working as its band director for almost three decades. His son is Major U Myo Kyi, who is the current director of the band. He took over in 1997 during the military rule of the State Peace and Development Council. He learned clarinet in 1974 and later learned the saxophone before joining the band in 1977 at the age of 18. He expanded the band's profile by personally providing background music for films and radio. One of the more famous movies he performed in was Sone Yay, which was released in August 1990.\n\nOrganization\nThe band is organized into three companies:\n\nA Company (42 members) \nB Company (62 members)\nC Company (120 members)\n\nA Company is responsible for performing at national ceremonies such as Armed Forces Day and Independence Day. B and C Companies perform at small scale events such as graduation ceremonies.\n\nSources\n\nBurmese musical groups\nMusical groups established in 1945\n1945 establishments in Burma\nMilitary bands\nPolice bands", "The Hong Kong Police Band (Abbreviation: HKPB; ) is a ceremonial unit and a police band of the Hong Kong Police Force and is used for official events. It was established in 1954 and initially performed with the Hong Kong Police Silver Band (formed in 1951). Both bands merged to form a single band and was later renamed the Royal Hong Kong Police Pipe Band. \n\nThe Pipe Band colours is the MacIntosh tartan and was adopted in memory of a former Commissioner of Police, Mr Duncan William MacIntosh, after which the MacIntosh Forts were also named.\n\nOrganisation\nThe band has 84 members, made up of 60 from the Silver Band (regular ceremonial band) and 24 from the Pipe Band. The Auxiliary Police also has an Auxiliary Police Band that participates in parades with the regular pipe band. The Hong Kong Police Band is based at the Peter Moor Building, School of Foundation Training, Hong Kong Police College. It has barracks, practice rooms, offices, and musical instruments at Peter Moor Building.\n\nHistory\nThe Hong Kong Police Band began in 1951, when Superintendent W. B. Foster MBE led 21 people, organized in a silver band, to perform at routine police events, followed by performances due to increasing demand. Later in 1954 the silver band was merged with the drum band to form the Hong Kong Police Band. On May 30 and July 1, 2011, in order to mark the 14th anniversary of the reunification of Hong Kong, the police band made its first performance with the Central Military Band of the People's Liberation Army of China and held a large-scale symphony orchestra concert at the Queen Elizabeth Stadium. \n\nIn December 2016, the band received training from instructors from the Army School of Ceremonial at the British Army's Infantry Training Centre.\n\nGallery\n\nReferences\n\nPolice Report\n Police Report - 2015-2-21 - Topic: Police Encyclopedia-Police Band (Part 1 of 3)\n Police Report - 2015-2-28 - Topic: Police Encyclopedia-Police Band (Part 2 of 3)\n Police Report - 2015-3-07 - Topic: Police Encyclopedia-Police Band (Part 3 of 3)\n\nExternal links\n\n Police Band\n Police Band marches into 55th Anniversary\n\n1954 establishments in Hong Kong\nHong Kong Police Force\nPipe bands\nMarching bands\nChinese military bands\nHong Kong musical groups\nMusical groups established in 1954\nPolice bands" ]

[ "Stewart Copeland", "Solo projects and movie soundtracks (1987-1998)", "Did Copeland release any solo albums?", "I don't know.", "What movie soundtracks did Copeland perform on?", "Copeland established a career composing soundtracks for movies (", "What movie soundtracks did Copeland compose?", "Airborne, Talk Radio, Wall Street, Riff Raff, Raining Stones, Surviving the Game, See No Evil, Hear No Evil, Highlander II:", "Were there other movies?", "The Leopard Son, She's Having a Baby, The First Power, Fresh, Taking Care of Business, West Beirut, I am David, Good Burger),", "Did Copeland compose anything else?", "television (The Equalizer, Dead Like Me, Star Wars: Droids, the pilot for Babylon 5 (1993), Nickelodeon's The Amanda Show, The Life and Times of Juniper Lee", "Did he compose for anything besides movies and TV?", "operas (Holy Blood and Crescent Moon, commissioned by Cleveland Opera) and ballets (", "What ballets did he compose?", "Prey' Ballet Oklahoma, Casque of Amontillado, Noah's Ark/Solcheeka, commissioned by the Seattle Symphony Orchestra, King Lear,", "Did he perform with any bands besides The Police?", "Peter Gabriel employed Copeland to perform on his songs \"Red Rain\" and \"Big Time\"" ]

[ "Peter Gabriel is the debut solo studio album by English progressive rock singer-songwriter Peter Gabriel and the first of four with the same eponymous title. Released on 25 February 1977, it was produced by Bob Ezrin. Gabriel and Ezrin assembled musicians, including guitarist Robert Fripp, and his future King Crimson bandmate Tony Levin on bass. On the album's release, Gabriel began touring with a seven-piece band under his own name. The album went to No. 7 in UK and No. 38 in the US. This album is often called either Peter Gabriel I or Car, referring to the album cover by London artist Peter Christopherson. Music streaming services currently refer to it as Peter Gabriel 1: Car. Gabriel's first solo success came with the album's lead single \"Solsbury Hill\", which Gabriel has said is about \"being prepared to lose what you have for what you might get ... It's about letting go.\"\n\nAlthough mainly happy with the music, Gabriel felt that the album – particularly \"Here Comes the Flood\" – was overproduced. Piano-only or piano with synth versions of that song appear on Robert Fripp's Exposure and his appearance on Kate Bush's December 1979 BBC Two TV special (in which Gabriel and Bush also duetted on Roy Harper's \"Another Day\"). A third such version appeared on the 1990 compilation album Shaking the Tree: Sixteen Golden Greats. Gabriel often performs the song live, accompanied by only himself on keyboard, either in German or English, depending on the audience. The song was debuted during an appearance on Thames Television's Good Afternoon in the summer of 1976.\n\nDirect Disk Labs released a half-speed-mastered version of the album, from the original master tapes. It has a longer version of \"Slowburn\" (5:16 instead of 4:36) with the song's introduction intact. All other versions of this album have the introduction (with a full band) edited out.\n\nBackground \nDuring The Lamb Lies Down on Broadway tour, Gabriel announced to his Genesis bandmates that he had decided to leave the band, citing estrangement from the other members and the strains on his marriage. Nonetheless, he saw his commitment through to the conclusion of the tour. The breaking point came with the difficult pregnancy of Gabriel's wife, Jill, and the subsequent birth of their first child, Anna. When he opted to stay with his sick daughter and wife, rather than record and tour, the resentment from the rest of the band led Gabriel to conclude that he had to leave the group.\n\nIn a letter to fans, delivered through the music press at the end of the tour, titled Out, Angels Out, Gabriel explained that the \"vehicle we had built as a co-op to serve our song writing became our master and had cooped us up inside the success we had wanted. It affected the attitudes and the spirit of the whole band. The music had not dried up and I still respect the other musicians, but our roles had set in hard.\"\n\nGabriel then closed the letter: \"There is no animosity between myself and the band or management. The decision had been made some time ago and we have talked about our new direction. The reason why my leaving was not announced earlier was because I had been asked to delay until they had found a replacement to plug up the hole. It is not impossible that some of them might work with me on other projects.\"\n\nGabriel's Genesis bandmate Phil Collins, who replaced him in the band as lead vocalist, later remarked that the other members \"were not stunned by Peter's departure because we had known about it for quite a while\". The band continued without Gabriel, starting with their next studio album, 1976's A Trick of the Tail.\n\nRecording, release and promotion\nPeter Gabriel was recorded at The Soundstage in Toronto with producer Bob Ezrin in the autumn of 1976, with additional sessions at Morgan Studios and Olympic Studios, in London, England.\n\nGabriel and Ezrin assembled musicians for the sessions including guitarist Robert Fripp of King Crimson, bass player Tony Levin (later of King Crimson), drummer Allan Schwartzberg, percussionist Jimmy Maelen, guitarist Steve Hunter, keyboardist Jozef Chirowski and Larry Fast on synthesizers and programming.\n\nThe album was released on 25 February 1977 on Atco (US & Canada) and Charisma, reaching No. 7 in the UK and No. 38 in the USA.\n\nThe first single taken from it, \"Solsbury Hill\", became a Top 20 hit in the UK and reached No. 68 on the Billboard Hot 100. The second single, \"Modern Love\", did not chart.\n\nAfter Peter Gabriels release, Gabriel assembled a touring band, consisting of Fripp (occasionally using the pseudonym \"Dusty Rhodes\", and sometimes performing from offstage) and Hunter on guitar, Levin on bass, Fast on synthesisers, Schwartzberg on drums, Phil Aaberg on keyboards and Jimmy Maelen on percussion. The first leg of his debut solo tour, entitled \"Expect the Unexpected\", started on 5 March 1977 in the United States and continued until April. The UK portion of the tour concluded on 30 April. A second leg assembled a different band, which included Sid McGinnis on guitar, Levin on bass, Jerry Marotta on drums and Bayette on keyboards. The \"Sightings in the Test Area During Autumn\" leg began on 30 August and saw the band play throughout England and Europe before concluding on 1 November 1977.\n\nThe album received the prize of the French Académie Charles Cros.\n\nCover art\nThe photo on the cover is of Peter Gabriel sitting in the front passenger seat of a 1974 Lancia Flavia, owned by Storm Thorgerson, co-founder of Hipgnosis and the cover's designer. For the shoot, which took place in Wandsworth, the car was sprayed with water from a hose. The black-and-white image was then hand-coloured, and reflections modified using a scalpel, by artist Richard Manning.\n\nBecause Gabriel's first four albums were not titled and not even numbered, the photograph has been used by fans and online music services to assign the record the simple title of Car.\n\nAn alternative proposal was to feature a photograph of Peter Gabriel wearing contact lenses intended to give his eyes the appearance of metallic ball bearings; this was relegated to the inner sleeve instead.\n\nCritical reception \n\nRolling Stone critic Stephen Demorest described Peter Gabriel as \"a grab bag collection of songs that bear little resemblance to one another\" and called it \"an impressively rich debut album\". Robert Christgau of The Village Voice found it \"a lot smarter\" than Gabriel's past work in Genesis, and despite noting that \"every time I delve beneath its challenging textures to decipher a line or two I come up a little short\", felt that the album was \"worth considering\". Nick Kent, writing in NME in 1978, said that Peter Gabriel was \"a fine record with at least one 24-carat irresistible classic in 'Solsbury Hill' and a strong supporting cast of material that, all in all, in a year besmeared with great albums was, in retrospect, sorely underrated.\"\n\nTrack listing \nAll songs written by Peter Gabriel, except where indicated.\n\nOriginal order\n\n1977 US and Canada cassette release track order\n\nPersonnel \nPeter Gabriel – lead vocals, keyboard, flute, recorder\nRobert Fripp – electric guitar, classical guitar, banjo\nTony Levin – bass guitar, tuba, leader of the Barbershop Quartet\nJozef Chirowski – keyboard\nLarry Fast – synthesizer, programming\nAllan Schwartzberg – drums\nSteve Hunter – acoustic guitar on \"Solsbury Hill\", \"Slowburn\" and \"Waiting for the Big One\"; electric guitar, electric rhythm guitar; pedal steel\nDick Wagner – backing vocals, electric guitar on \"Here Comes the Flood\"\nJimmy Maelen – percussion, synthibam, bones\nLondon Symphony Orchestra – strings on \"Down the Dolce Vita\" and \"Here Comes the Flood\"\nMichael Gibbs – arrangement of orchestra\n\nCharts \n\nAlbum\n\nWeekly charts\n\nYear-end charts\n\nSingles\n\nCertifications\n\nNotes\n\nReferences\n\nExternal links \n \n\nPeter Gabriel albums\n1977 debut albums\nAlbums with cover art by Hipgnosis\nAlbums produced by Bob Ezrin\nAtco Records albums\nCharisma Records albums\nAlbums recorded at Morgan Sound Studios\nAlbums recorded at Olympic Sound Studios", "Garden Wall was a band from Charterhouse School in Surrey that went on to merge with the remains of another band from the same school, Anon, to form the progressive rock band Genesis in 1967. The band was formed around May 1965 and consisted of Peter Gabriel (vocals), Tony Banks (keyboards) and Chris Stewart (drums).\n\nHistory\nThe band formed in May 1965, although it had its roots back in September 1963 when Tony Banks and Peter Gabriel both entered Charterhouse. Both of them did not like the school for their first year there, and as arriving at the same time, they stuck together throughout the first year. It did not take long for them to discover their common passion of music. This led the two of them to going into the nearby towns and villages and listening to whatever music would be playing in the record stores at the time. The two of them were members of the Duckites house at Charterhouse, and there was a piano in the main hall which they used to go and play on. These occasions in the main hall were the first musical collaborations between Banks and Gabriel.\n\nDuring his time at Charterhouse, Peter Gabriel had been drumming for an R & B band called \"The Spoken Word\", and another band called \"Millords\". As a result of his time in this band, Gabriel started songwriting with Banks. The first song the two of them ever wrote together eventually evolved into a track called 'She Is Beautiful', and eventually became known as 'The Serpent' (released on Genesis' debut album From Genesis to Revelation, in 1969).\n\nIn May 1965, when future Genesis guitarist Anthony Phillips had joined the school, a five-piece band called Anon had come into existence. It was around this time that Gabriel and Banks got together with Phillips' friend Chris Stewart (who was not a member of Anon), and together they formed a three-piece band featuring Gabriel on vocals, Banks on piano, and Stewart on drums. This band named itself Garden Wall. The band simply carried on like this, playing covers and new songs that Banks and Gabriel were writing together.\n\nIn December 1965, Garden Wall played their only concert, on a stage inside Charterhouse School on a double bill with Anon. Gabriel showered the audience with rose petals that he had spent the afternoon picking, this was to be the first of his famous onstage antics.\n\nGarden Wall's fellow band splintered at this point, with two of the members leaving in the summer and a third member leaving towards the end of the year. This left Phillips and Mike Rutherford, the band's two guitarists, who then joined all three of the members of the Garden Wall in 1967 to form Genesis.\n\nMembers\nTony Banks - keyboards (May 1965 - January 1967)\nPeter Gabriel - lead vocals (May 1965 - January 1967)\nChris Stewart - drums (May 1965 - January 1967)\n\nReferences\n\nEnglish rock music groups\nMusical groups from Surrey" ]

[ "Stewart Copeland", "Solo projects and movie soundtracks (1987-1998)", "Did Copeland release any solo albums?", "I don't know.", "What movie soundtracks did Copeland perform on?", "Copeland established a career composing soundtracks for movies (", "What movie soundtracks did Copeland compose?", "Airborne, Talk Radio, Wall Street, Riff Raff, Raining Stones, Surviving the Game, See No Evil, Hear No Evil, Highlander II:", "Were there other movies?", "The Leopard Son, She's Having a Baby, The First Power, Fresh, Taking Care of Business, West Beirut, I am David, Good Burger),", "Did Copeland compose anything else?", "television (The Equalizer, Dead Like Me, Star Wars: Droids, the pilot for Babylon 5 (1993), Nickelodeon's The Amanda Show, The Life and Times of Juniper Lee", "Did he compose for anything besides movies and TV?", "operas (Holy Blood and Crescent Moon, commissioned by Cleveland Opera) and ballets (", "What ballets did he compose?", "Prey' Ballet Oklahoma, Casque of Amontillado, Noah's Ark/Solcheeka, commissioned by the Seattle Symphony Orchestra, King Lear,", "Did he perform with any bands besides The Police?", "Peter Gabriel employed Copeland to perform on his songs \"Red Rain\" and \"Big Time\"", "When did he work with Peter Gabriel?", "1986" ]

[ "Ariel Olivetti (born November 15, 1967) is an Argentine comic book penciller best known for his work on American comic book titles such as Daredevil, X-Man, Space Ghost and Punisher War Journal.\n\nCareer\nOlivetti studied Graphic Design in college and first had his work published in the Argentine magazine Fierro.\n\nHis first work in USA was 1995's The Last Avengers Story, which was written by Peter David and published by Marvel Comics. He went on to have a brief stint as regular penciller on Marvel's Daredevil between 1997 and 1998, where he worked with writer Joe Kelly. His next major work was in 1998 when he worked with writer Steven Grant on the Warren Ellis devised \"Counter X\" revamp of Marvel's X-Man title. In 2005 he again collaborated with Joe Kelly on DC Comics Space Ghost limited series which revealed the character's origins for the first time.\n\nOther titles he has worked on include Mystique and Sabretooth (1996), Alpha Flight (1997) and What If? (1997) at Marvel and JLA: Paradise Lost (1998), Haven: The Broken City (2002), Green Lantern (2003) and Batman: Legends of the Dark Knight (2006) at DC. In 1999, he collaborated with writer Mark Waid on The Kingdom (illustrating issue #1, with Mike Zeck illustrating issue #2), a sequel to Kingdom Come.\n\nIn 2006 he signed an exclusive contract with Marvel Comics and launched the second volume of Punisher War Journal with writer Matt Fraction. Olivetti did art on the first ten numbers. Other work for Marvel includes the Cable (vol. 2) ongoing series that debuted in March 2008, and more recently, Incredible Hulk, and Namor (vol. 3).\n\nThroughout his career Olivetti has worked in different mediums, including black and white, digital color, acrylics and oils. Olivetti himself declared having been influenced by artists like Richard Corben, Simon Bisley and his fellow countryman Mauro Cascioli \n\nIn 2012 he collaborated with the comic book Hero Seeds, drawing two covers of the comics and several drawings in the same comics.\n\nBibliography\n\nDC\n\nBatman: Legends of the Dark Knight #207-211 (along with Mauro Cascioli, 2006)\nDCU: Brave New World #1 (among other artists) (2006)\nElseworlds 80-Page Giant #1 (among other artists) (1999)\nFlash, vol. 2, 80-Page Giant #1 (among other artists) (1998)\nFuture Quest Presents (Space Ghost) #1-3 (2017)\nG.I. Combat, vol. 2, #1 (2012)\nHaven The Broken City, miniseries, #1-9 (2002)\nJLA (Martian Manhunter) Annual #1 (1997)\nJLA:\nParadise Lost, miniseries, #1-3 (1998)\nPrimeval (1999)\nJLA/Haven:Arrival (2002)Anathema (2002)JLA Showcase 80-Page Giant #1 (among other artists) (2000)The Kingdom, 2-part miniseries, #1 (1999)Lobo #63-64 (1999)Martian Manhunter Annual #1 (1998)Space Ghost, miniseries, #1-6 (2005)Superman, vol. 2, #179 (2002)Superman Returns Prequel, 4-part miniseries, #1 (2006)Superman Secret Files and Origins 2005 (2006)\n\nDC / Dark HorseSuperman and Batman vs. Aliens and Predators, miniseries, #1-2 (2007)\n\nMarvelAlpha Flight, vol. 2, #11 (1997)Cable, vol. 2, #1-15 (2008–09)Daredevil (full art): #369, 371-372, 374; (among other artists): #375 (1997–98)\n Death of the Inhumans, miniseries, #1 (2018)Hercules: Fall of an Avenger, miniseries, #1-2 (2010)Incredible Hulk #601-605 (2009–10)Iron Man 2.0 #4-5, 8 (2011)Last Avengers Story, miniseries, #1-2 (1995)Mystique and Sabretooth, miniseries, #1-4 (1996–97)Namor, vol. 3, #1-3, 5 (2010-11)Punisher War Journal, vol. 2, #1-3, 5-10 (2007)Thor: Heaven & Earth, miniseries, #1 (2011)Ultimate Civil War: Spider-Man, one-shot (among other artists) (2007)What If? #88 (1996)X-Men: Declassified #1 (among other artists) (2000)X-Men Unlimited #12 (along with Steve Epting) (1996)X-Man #38 (with ChrisCross); #63, 66-73 (2000–01)X-Force #107 (2000)X-Factor, vol. 2, #7 (2006)Venom - Space Knight #1-4 (2015-16)\n\nOther publishersBrutal Nature: Concrete Fury, miniseries, #1-4 (IDW, 2017)Conan and the People of the Black Circle, miniseries, #1-4 (Dark Horse, 2013-14) El Cazador de Aventuras #1-65 (gone along with Jorge Lucas, Mauro Cascioli and Claudio Ramírez) (Ediciones de la Urraca - Argentina, 1992–99)Fierro #?-? (Ediciones de la Urraca) ICH: Naturaleza Salvaje'' (Yermo Ediciones, 2016)\n\nNotes\n\nReferences\n\nExternal links\n\nOlivetti's Yahoo fan club \n\nPeople from Buenos Aires\n1967 births\nLiving people\nArgentine comics artists", "José Edilbenes Bezerra (born November 20, 1972), better known by his professional name Ed Benes, is a Brazilian comic book artist, known for his work for DC Comics, on such titles as Birds of Prey, Supergirl, Superman, and Justice League of America.\n\nEarly life\nJosé Edilbenes Bezerra was born November 20, 1972, in Alto Santo, a small town in the Brazilian state of Ceará, in the northeast region of the country. He has lived in Limoeiro do Norte, a medium town also in Ceará state, since he was 14 years old. He began drawing on his own in 1989, referencing the artwork from his brother's comic books. He also took a correspondence art course, though he did not finish it.\n\nCareer\nBenes' got his first professional work in 1993, after he mailed out sample art, and was discovered by Neal Adams, who gave him the job of illustrating Samuree for Continuity Comics in 1993. In the 1990s Benes began to work for Marvel where he did art for multiple comic book titles, including a Captain Marvel six-part miniseries.\n\nHe later moved to DC Comics, where continued penciling more work for titles such as Gen¹³, Birds of Prey, Supergirl (vol. 3), and Superman (vol. 2). In 2006 Benes was assigned to provide art to for writer Brad Meltzer's run on Justice League of America series, which he drew until 2009. He subsequently contributed to Batman and Birds of Prey (vol. 2) titles, and Steel.\n\nIn 2018, Benes released the first comic he also wrote along with penciling, Nina & Ariel. Financed through crowdfunding, the title takes an adult comics approach inspired by Fire and Ice, where two female warriors try to survive in a post-apocalyptic world.\n\nStudio and teaching\nEd Benes began the Ed Benes Studio for aspiring comic book artists, which currently offers several courses on illustration and techniques in sequential storytelling, and hosts lectures and workshops.\n\nBibliography\n\nDC\nAction Comics #836 (among other artists), Annual #13 (2006–10)\nArtemis: Requiem, miniseries, #1-6 (1996)\nBatgirl, vol. 4 #13 (2012)\nBatman #687 (2009)\nBatman: The Dark Knight, vol. 2, #8 (2012)\nBirds of Prey #56-65, 67, 70, 72, 75, 79-80 (2003–05)\nBirds of Prey, vol. 2, #1-4 (2010)\nBlackest Night: Titans, miniseries, #1-3 (2009)\nCodename: Knockout #15-18 (2002)\nCountdown to Infinite Crisis #1 (among other artists) (2005)\nDC Universe #0 (among other artists) (2008)\nDeathstroke, the Terminator Annual #3 (1994)\nDetective Comics, vol. 2, #10 (2012)\nFlash, vol. 2, Annual #7 (1994)\nGen 13 #45-50, 52, 54–59, 61–63, 67, 71-74 (1999-2002)\nGreen Lantern, vol. 4, #49 (2010)\nGreen Lanterns #8 (2016)\nHal Jordan and the Green Lantern Corps #10 (2016)\nGunfire #0, 6–7, 10-13 (1994–95)\nJustice League of America, vol. 2, #0-7, 9-10, 12, 14–15, 17–19, 22–23, 25-27 (2006–09)\nJustice League Task Force #24 (1995)\nRed Lanterns #1-7 (2011–12)\nSteel #1 (one-shot) (2011)\nSupergirl, vol. 3, #75-80 (2002–03)\nSupergirl, vol. 4, #6 (2006)\nSuperman #649 (among other artists) (2006)\nSuperman, vol. 2, #217-219, 221–223, 225-226 (2005–06)\nSuperman, vol. 3, #27 #29-31 (2014)\nSuperman, vol. 4, #15 (among other artists, 2016)\nSuperman/Batman #50, 78 (2008–10)\nSuperman/Wonder Woman #28 (2016)\nTeen Titans, vol. 3, Annual #1 (among other artists) (2006), #68 (2009)\nThundercats: The Return, miniseries, #1-5 (2003)\nUntold Tales of Blackest Night #1 (among other artists) (2010)\nWonder Woman, vol. 2, (Artemis) Annual #6 (1997)\n\nMarvel\nCaptain America, vol. 2, #12 (along with Joe Bennett) (1997)\nCaptain Marvel, miniseries, #1-4, 6 (1995–96)\nGladiator/Supreme (along with Carlos Mota) (1997)\nIron Man, vol. 2, #12 (among other artists) (1997)\nSilver Surfer, vol. 2, #124 (1997)\nUncanny X-Men #351 (1998)\nWhat If?, vol. 2, (Hulk) #80 (along with Kerry Gammill) (1995)\n\nOther publishers\nGlory #11-12 (Image)\nWildC.A.T.S. #44-50 (1998) (Image)\nSamuree, vol. 2, #4 (Continuity)\n\nNotes\n\nReferences\n\nExternal links\n\n1972 births\nLiving people\nBrazilian comics artists" ]

[ "Algonquin Round Table", "Activities" ]

[ "Do You Know What I'm Going To Do Next Saturday? is a 1963 children's book published by Beginner Books and written by Helen Palmer Geisel, the first wife of Theodor Seuss Geisel (Dr. Seuss). Unlike most of the Beginner Books, Do You Know What I'm Going To Do Next Saturday? did not follow the format of text with inline drawings, being illustrated with black-and-white photographs by Lynn Fayman, featuring a boy named Rawli Davis. It is sometimes misattributed to Dr. Seuss himself. The book's cover features a photograph of a young boy sitting at a breakfast table with a huge pile of pancakes.\n\nActivities mentioned in the book include bowling, water skiing, marching, boxing, and shooting guns with the United States Marines, and eating more spaghetti \"than anyone else has eaten before.\n\nHelen Palmer's photograph-based children's books did not prove to be as popular as the more traditional text-and-illustrations format; however, Do You Know What I'm Going To Do Next Saturday received positive reviews and was listed by The New York Times as one of the best children's books of 1963. The book is currently out of print.\n\nReferences\n\n1963 children's books\nAmerican picture books", "Table Plus is a club for men aged between 40 and 60 that provides a selection of social and community service related opportunities for its members. It was created in Canterbury, and is a member of the Association of Ex-Round Tablers' Clubs.\n\nLogo\n\nThe Table Plus logo was designed as an adaptation of the Canterbury Cross.\n\nHistory\n\nThe founder chairman, Martin Neame, had recently retired from Canterbury & District Round Table and felt a need existed for a club with a similar ethos and raison d'être to that existing in Canterbury & District Round Table, but with a younger look and feel than Canterbury 41 Club. Together with several colleagues (also recently \"retired\") he set up the organisation's first club (Canterbury Table Plus No 1). The formation of the club was also based on a desire to stem the loss of members from the Round Table family of Clubs.\n\nThe name \"Table Plus\" was selected to be sufficiently similar to \"Round Table\" but yet distinctive. Since its members are drawn from Ex-Tablers, it has a very similar feel. In general, it is supportive to its feeder table and will assist in many ways when called upon to do so.\n\nThe club received its Charter from The Association of Ex-Round Tablers' Clubs in 2008 and is proud to be counted as part of that organisation.\n\nWithin a couple of years the fledgling club has visited several international Round Table gatherings and sown the seeds of interest in countries such as the Netherlands, Belgium, Germany, Norway, Sweden, Denmark and Austria.\n\nActivities\n\nThe focal point of Table Plus is its regular meetings. It is these meetings and discussions that allow the lasting bonds of friendship that were formed during time in Round Table to continue to grow. Activities are frequently outdoors and challenging, often finishing with an evening meal or BBQ. Speakers for indoor events are often invited to enable those in the audience broadening their minds and cultural awareness.\n\nTable Plus does not exist in order to raise money for charity. It is often involved, however, with local projects and charitable organisations in order to discharge some civic duty.\n\nExternal links\n\nInternational 41 Club Websites\nThe National Association of Ex-Round Tablers' Clubs UK\nNational Association of Ex Tablers Clubs Denmark\n\nIndividual Table Plus Websites\nCanterbury Table Plus No. 1 UK\n\nReferences\n\n \n \n\nClubs and societies in England" ]

[ "Algonquin Round Table", "Activities", "What activities did the Round Table do", "The group was devoted to games, including cribbage and poker." ]

[ "4000 A.D. is a 1972 science fiction space-war board game published by House of Games.\n\nReception\nNeil Shapiro reviewed 4000 A.D. in The Space Gamer No. 4. Shapiro commented that \"Someone, somewhere, went to a powerful lot of artistic trouble to design and produce 4,000 A.D.'''s physical parts. I only wish they had paid half as much attention to the game's more ephemeral guts--the rationale behind it, the science, and the rules of play.\"\n\nReviews\nReview in Games'' #81\n\nReferences\n\nBoard games introduced in 1972", "Enry Juan Barale (born 16 November 1941) is an Argentine former footballer.\n\nCareer\nHe started his professional career playing for Banfield on May 19, 1963. Boca Juniors bought his rights in 1964, but he did not have a lot of opportunities to play there. In 1965, Osvaldo Zubeldía, the new coach of Estudiantes de La Plata, convinced him to join the team. He flourished in Estudiantes, where he was a fundamental piece of the team that won the 1967 Metropolitano Championship. Unfortunately, he got seriously injured (ACL) during the 4–3 victory in the semifinal game against Platense. That injury plagued him through the rest of his career. He was able to play again in 1968, playing in only 12 games; but he retired soon after that, playing for Deportivo Morón of the Argentine second division.\n\nReferences\n\n1941 births\nLiving people\nAssociation football defenders\nArgentine footballers\nBoca Juniors footballers\nPan American Games medalists in football\nPan American Games silver medalists for Argentina\nFootballers at the 1963 Pan American Games\nMedalists at the 1963 Pan American Games" ]

[ "Algonquin Round Table", "Activities", "What activities did the Round Table do", "The group was devoted to games, including cribbage and poker.", "Did they play a lot of games?", "The group had its own poker club, the Thanatopsis Literary and Inside Straight Club," ]

[ "What Else Do You Do? (A Compilation of Quiet Music) is a various artists compilation album, released in 1990 by Shimmy Disc.\n\nTrack listing\n\nPersonnel \nAdapted from the What Else Do You Do? (A Compilation of Quiet Music) liner notes.\n Kramer – production, engineering\n\nRelease history\n\nReferences\n\nExternal links \n \n\n1990 compilation albums\nAlbums produced by Kramer (musician)\nShimmy Disc compilation albums", "Do You Know What I'm Going To Do Next Saturday? is a 1963 children's book published by Beginner Books and written by Helen Palmer Geisel, the first wife of Theodor Seuss Geisel (Dr. Seuss). Unlike most of the Beginner Books, Do You Know What I'm Going To Do Next Saturday? did not follow the format of text with inline drawings, being illustrated with black-and-white photographs by Lynn Fayman, featuring a boy named Rawli Davis. It is sometimes misattributed to Dr. Seuss himself. The book's cover features a photograph of a young boy sitting at a breakfast table with a huge pile of pancakes.\n\nActivities mentioned in the book include bowling, water skiing, marching, boxing, and shooting guns with the United States Marines, and eating more spaghetti \"than anyone else has eaten before.\n\nHelen Palmer's photograph-based children's books did not prove to be as popular as the more traditional text-and-illustrations format; however, Do You Know What I'm Going To Do Next Saturday received positive reviews and was listed by The New York Times as one of the best children's books of 1963. The book is currently out of print.\n\nReferences\n\n1963 children's books\nAmerican picture books" ]

[ "Algonquin Round Table", "Activities", "What activities did the Round Table do", "The group was devoted to games, including cribbage and poker.", "Did they play a lot of games?", "The group had its own poker club, the Thanatopsis Literary and Inside Straight Club,", "What else did they do?", "In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly." ]

[ "Yolanda Murphy ( Bukowska, April 10, 1925 – June 3, 2016) was a Polish-born American cultural anthropologist who was the co-author of classic anthropology text Women of the Forest with her husband, Robert F. Murphy. This text was based on field work done in 1952 among the Mundurucu Indians of the Amazon rainforest in Brazil. \n\nMurphy was born in Warsaw, Poland on April 10, 1925. She met her husband while they were graduate students in at Columbia University. They did extensive field work in Brazil in preparation for writing their seminal work. She taught at Empire State College (SUNY). Murphy died in Medford, Oregon on June 3, 2016, at the age of 91.\n\nWorks\n\nReferences\n\nExternal links\n \n\n1925 births\n2016 deaths\nAmerican anthropologists\nAmerican expatriates in Brazil\nColumbia University alumni\nEmpire State College faculty\nScientists from New York City", "Collaborative writing, or collabwriting is a method of group work that takes place in the workplace and in the classroom. Researchers expand the idea of collaborative writing beyond groups working together to complete a writing task. Collaboration can be defined as individuals communicating, whether orally or in written form, to plan, draft, and revise a document. The success of collaboration in group work is often incumbent upon a group's agreed upon plan of action. At times, success in collaborative writing is hindered by a group's failure to adequately communicate their desired strategies.\n\nDefinition \nCollaborative writing refers to a distributed process of labor involving writing, resulting in the co-authorship of a text by more than one writer.\n Interaction between participants throughout the entire writing process. Whether it be brainstorming, writing a draft of the project, or reviewing.\n Shared power among participants. Everyone included in the project has the power to make decisions and no group member is in charge of all the text produced.\n The collaborative production of one single and specific text.\n\nCollaborative writing is often the norm, rather than the exception, in many academic and workplace settings. Some theories of collaborative writing suggest that in the writing process, all participants are to have equal responsibilities. In this view, all sections of the text should be split up to ensure the workload is evenly displaced, all participants work together and interact throughout the writing process, everyone contributes to planning, generating ideas, making structure of text, editing, and the revision process. Other theories of collaborative writing propose a more flexible understanding of the workflow that accounts for varying contribution levels depending on the expertise, interest, and role of participants.\n\nHistory \nIn Rhetoric, Composition, and Writing Studies, scholars have demonstrated how collaborative learning in U.S. contexts has been informed by John Dewey’s progressivism in the early twentieth century. Collaboration and collaborative writing gained traction in these fields in the 1980s especially, as researchers reacted to poststructuralist theories related to social constructionism and began theorizing more social views of writing.\n\nTypes \nCollaborative writing processes are extremely context-dependent. In scholarship, on both academic and business writing, multiple terminologies have been identified for collaborative writing processes, including:\n\n Single Author writing or Collegial: one person is leading, they compile the group ideas and do the writing.\n Sequential writing: each person adds their task work then passes it on for the next person to edit freely.\n Horizontal Division or Parallel writing: each person does one part of the whole project and then one member compiles it.\n Stratified Division writing: each person plays a role in the composition process of a project due to talents.\n Reactive or reciprocal writing: group all works on and writes the project at the same time, adjusting and commenting on everyone's work.\n\nUses of collaborative writing \nCollaborative writing may be used in instances where a workload would be overwhelming for one person to produce. Therefore, ownership of the text is from the group that produced it and not just one person. Researchers Joy Robinson, Lisa Dusenberry, and Lawrence M. Halcyon conducted a case study investigating the productivity of a team of writers who utilized the practice of interlaced collaborative writing and found that the team was able to produce a published article, a two-year grant proposal, a digital and physical poster, a midterm research report, and conference presentation over the course of three years. The writers used virtual tools such as Google Hangouts' voice feature for group check-ins, to hold group discussions, and to write as a group. Google Docs was used to allow each team member to edit and add writing to a shared document throughout the writing process.\n\nAnother motive for using collaborative writing is to increase the quality of the completed project by combining the expertise of multiple individuals and for allowing feedback from diverse perspectives. Collaborative writing has been proven to be an effective method of improving an individual's writing skills, regardless of their proficiency level, by allowing them to collaborate and learn from one or more partners and participate in the co-ownership of a written piece. Instructors may utilize this technique to create more student-centered and collaborative learning environments, or they may use it themselves to cross-collaborate with other academics to produce publishable works.\n\nViews on collaborative writing \nLinguist Neomy Storch, in a 2005 Australian study, discovered that reflections pertaining to collaborative writing in regards to second language learners in the classroom were overwhelmingly positive. The study compared the nature of collaborative writing of individual work versus that of group work, and Storch found that although paired groups wrote shorter texts, their work was more complex and accurate compared to individual works. The study consisted of 23 total participants: 5 doing individual work and 18 working in pairs. The pairs consisted of two male pairs, four female pairs and three male/female pairs. Post-assignment interviews revealed that the majority of students (16) yielded positive opinions about group work, but two students felt that group work is best reserved for oral activities and discussions rather than writing assignments. The majority of interviewees gave positive reviews, but one argued that group work was difficult when it came to criticizing another's work and another argued that there is a power imbalance when writing is based on ability. The two students who were stark opponents of collaborative writing revealed that it was hard to concentrate on their work and they were embarrassed by their supposedly poor English skills.\n\nDoctoral student Jason Palmeri found that when it came to inter-professional collaboration, most of the issues stemmed from miscommunication. In differing disciplines, one person may have a level of expertise and understanding that is foreign to another. The article gave the example of a nurse and an attorney having different areas of expertise, so therefore they had differing understanding of concepts and even the meaning of the same words. While much of the issues resulted from miscommunication, the article claimed that some nurse consultants resisted change in terms of altering their writing style to fit the understanding or standards of the attorneys.\n\nAs an educational tool \nCollaborative writing is used by educators to teach novice authors of all ages and educational levels to write. Collaborative writing allows participants to explore, discuss and improve with learning capabilities. Collaborative writing requires cooperation and in contributing ideas with others. In the past ten years, most studies say that most students are motivated in collaborative writing because of their improvement in writing competencies. When students work in groups, it generally produces shorter yet better text such as grammatical accuracy and fulfillment. It gives students ideas and gives them information.\n\nA study conducted by Stephen Bremner, an English professor at the City University of Hong Kong, investigated eight business communication textbooks to test the depth in which they provided students with a knowledge of collaborative writing in the workplace and how to execute those processes. The study found that, generally, textbooks highlighted the role of collaborative writing in the workplace. Textbooks listed the pros of collaborative writing such as saving time, more superior documents due to each individual's strengths and specialized knowledge, a well-crafted message due to team work, balanced abilities, and an interest in accomplishing a common goal.\n\nThe article claimed that the textbooks examined gave students a basic knowledge of collaboration in the workplace, but they also lacked the information that showed students the realities of collaborative writing in the workplace with few activities presented in the textbooks that mirror collaborative activities in the workplace. Much of the activities that featured group work seemed more idealistic rather than based in reality, where the writing process occurred in only controlled and orderly environments. Bremner also found that group work in the classroom also did not properly simulate the power hierarchies present in the workplace.\n\nTools\n Atlas is a wiki-like git-managed authoring platform from O'Reilly Media that is based on the open source web-based Git repository manager (version control system) \"GitLab\".\n For collaborative code-writing mostly revision control systems like Team Foundation Version Control (used in Team Foundation Server) and Git (used in GitHub, Bitbucket, GitLab and CodePlex) are used in parallel writing.\n Collaborative real-time editors like Etherpad, Hackpad, Google Docs, Microsoft Office, and Authorea.\n Online platforms mainly focused on collaborative fiction that allow other users to continue a story's narrative such as Protagonize and Ficly.\n Wikis like Wikipedia and Wikia\n\nAuthorship \n\nAn author acquires copyright if their work meets certain criteria. In the case of works created by one person, typically, the first owner of a copyright in that work is the person who created the work, i.e. the author. But, when more than one person creates the work in collaboration with one another, then a case of joint authorship can be made provided some criteria are met.\n\nSee also \n Collaborative editing\n Content management system (CMS)\n Document collaboration\n Document management system\n Joint authorship\n Mass collaboration\n Networked book\n New Worlds Project\n Online word processors\n Project management\n Real-time text\n\nReferences\n\nFurther reading \n Paul Benjamin Lowry's papers on collaborative writing.\n Lisa S. Ede, Andrea A. Lunsford (1991). \"Singular Texts/plural Authors: Perspectives on Collaborative Writing\".\n\nCollaborative writing\nWriting" ]

[ "Algonquin Round Table", "Activities", "What activities did the Round Table do", "The group was devoted to games, including cribbage and poker.", "Did they play a lot of games?", "The group had its own poker club, the Thanatopsis Literary and Inside Straight Club,", "What else did they do?", "In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly.", "Did they work in writing", "I don't know." ]

[ "\n\nTrack listing\n Opening Overture\n \"I Get a Kick Out of You\" (Cole Porter)\n \"You Are the Sunshine of My Life\" (Stevie Wonder)\n \"You Will Be My Music\" (Joe Raposo)\n \"Don't Worry 'bout Me\" (Ted Koehler, Rube Bloom)\n \"If\" (David Gates)\n \"Bad, Bad Leroy Brown\" (Jim Croce)\n \"Ol' Man River\" (Jerome Kern, Oscar Hammerstein II)\n Famous Monologue\n Saloon Trilogy: \"Last Night When We Were Young\"/\"Violets for Your Furs\"/\"Here's That Rainy Day\" (Harold Arlen, E.Y. Harburg)/(Matt Dennis, Tom Adair)/(Jimmy Van Heusen, Johnny Burke)\n \"I've Got You Under My Skin\" (Porter)\n \"My Kind of Town\" (Sammy Cahn, Van Heusen)\n \"Let Me Try Again\" (Paul Anka, Cahn, Michel Jourdan)\n \"The Lady Is a Tramp\" (Richard Rodgers, Lorenz Hart)\n \"My Way\" (Anka, Claude Francois, Jacques Revaux, Gilles Thibaut)\n\nFrank Sinatra's Monologue About the Australian Press\nI do believe this is my interval, as we say... We've been having a marvelous time being chased around the country for three days. You know, I think it's worth mentioning because it's so idiotic, it's so ridiculous what's been happening. We came all the way to Australia because I chose to come here. I haven't been here for a long time and I wanted to come back for a few days. Wait now, wait. I'm not buttering anybody at all. I don't have to. I really don't have to. I like coming here. I like the people. I love your attitude. I like the booze and the beer and everything else that comes into the scene. I also like the way the country's growing and it's a swinging place.\n\nSo we come here and what happens? We gotta run all day long because of the parasites who chase us with automobiles. That's dangerous, too, on the road, you know. Might cause an accident. They won't quit. They wonder why I won't talk to them. I wouldn't drink their water, let alone talk to them. And if any of you folks in the press are in the audience, please quote me properly. Don't mix it up, do it exactly as I'm saying it, please. Write it down very clearly. One idiot called me up and he wanted to know what I had for breakfast. What the hell does he care what I had for breakfast? I was about to tell him what I did after breakfast. Oh, boy, they're murder! We have a name in the States for their counterparts: They're called parasites. Because they take and take and take and never give, absolutely, never give. I don't care what you think about any press in the world, I say they're bums and they'll always be bums, everyone of them. There are just a few exceptions to the rule. Some good editorial writers who don't go out in the street and chase people around. Critics don't bother me, because if I do badly, I know I'm bad before they even write it, and if I'm good, I know I'm good before they write it. It's true. I know best about myself. So, a critic is a critic. He doesn't anger me. It's the scandal man who bugs you, drives you crazy. It's the two-bit-type work that they do. They're pimps. They're just crazy, you know. And the broads who work in the press are the hookers of the press. Need I explain that to you? I might offer them a buck and a half... I'm not sure. I once gave a chick in Washington $2 and I overpaid her, I found out. She didn't even bathe. Imagine what that was like, ha, ha.\n\nNow, it's a good thing I'm not angry. Really. It's a good thing I'm not angry. I couldn't care less. The press of the world never made a person a star who was untalented, nor did they ever hurt any artist who was talented. So we, who have God-given talent, say, \"To hell with them.\" It doesn't make any difference, you know. And I want to say one more thing. From what I see what's happened since I was last here... what, 16 years ago? Twelve years ago. From what I've seen to happen with the type of news that they print in this town shocked me. And do you know what is devastating? It's old-fashioned. It was done in America and England twenty years ago. And they're catching up with it now, with the scandal sheet. They're rags, that's what they are. You use them to train your dog and your parrot. What else do I have to say? Oh, I guess that's it. That'll keep them talking to themselves for a while. I think most of them are a bunch of fags anyway. Never did a hard day's work in their life. I love when they say, \"What do you mean, you won't stand still when I take your picture?\" All of a sudden, they're God. We gotta do what they want us to do. It's incredible. A pox on them... Now, let's get down to some serious business here...\n\nSee also\nConcerts of Frank Sinatra\n\nFrank Sinatra", "Wait Till Next Year is a 1988 memoir by sportswriter Mike Lupica and screenwriter William Goldman.\n\nThe book is similar to Goldman's earlier effort The Season: A Candid Look at Broadway in that it looks at a year of New York sports teams with Goldman getting press passes to see a huge number of games. The main focus is looking at The Mets following up their championship season while taking in the local Basketball and American Football teams too in a wildly frenetic overview of the coaches, stars, owners, trades and controversies that the season provided.\n\nLupica and Goldman had been friends for thirty years when Lupica suggested to Goldman they collaborate on a book together, from his point of view and Goldman's point of view. Goldman:\nI wanted to be a sports columnist when I was a kid and then I learned more about what they did for a living and I decided I didn't want to do it. You have to go see all that shit. It's fun to go to a ball game occasionally. What was great, the year I did the book with Lupica, was I had press passes so I could go sit with all those people whose columns I read and watch a baseball game or a football game or a basketball game.\nGoldman said they would do alternate chapters. \"I would eventually show him what I had and he would show me what he had but for the most part, we kept away from each other. We'd talk all the time.\"\n\nGoldman said the book \"was a total flop - it didn't work commercially - but it was a wonderful time for me.\"\n\nReferences\n\nEgan, Sean, William Goldman: The Reluctant Storyteller, Bear Manor Media 2014\n\nAmerican memoirs\n1988 non-fiction books\nBooks by William Goldman" ]

[ "Algonquin Round Table", "Activities", "What activities did the Round Table do", "The group was devoted to games, including cribbage and poker.", "Did they play a lot of games?", "The group had its own poker club, the Thanatopsis Literary and Inside Straight Club,", "What else did they do?", "In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly.", "Did they work in writing", "I don't know.", "What did they do for work", "silk merchant Paul Hyde Bonner, baking heir Raoul Fleischmann, actor Harpo Marx, and writer Ring Lardner" ]

[ "Do You Know What I'm Going To Do Next Saturday? is a 1963 children's book published by Beginner Books and written by Helen Palmer Geisel, the first wife of Theodor Seuss Geisel (Dr. Seuss). Unlike most of the Beginner Books, Do You Know What I'm Going To Do Next Saturday? did not follow the format of text with inline drawings, being illustrated with black-and-white photographs by Lynn Fayman, featuring a boy named Rawli Davis. It is sometimes misattributed to Dr. Seuss himself. The book's cover features a photograph of a young boy sitting at a breakfast table with a huge pile of pancakes.\n\nActivities mentioned in the book include bowling, water skiing, marching, boxing, and shooting guns with the United States Marines, and eating more spaghetti \"than anyone else has eaten before.\n\nHelen Palmer's photograph-based children's books did not prove to be as popular as the more traditional text-and-illustrations format; however, Do You Know What I'm Going To Do Next Saturday received positive reviews and was listed by The New York Times as one of the best children's books of 1963. The book is currently out of print.\n\nReferences\n\n1963 children's books\nAmerican picture books", "Oil and Vinegar is a screenplay that was written but never filmed. It is a screenplay that John Hughes wrote and that Howard Deutch planned to direct. It would have starred Molly Ringwald and Matthew Broderick.\n\nPlot\nA soon-to-be-married man and a hitchhiking girl end up talking about their lives during the length of the car ride.\n\nProduction\n\nCasting\nThe film was set to have Molly Ringwald and Matthew Broderick as the two main characters.\n\nDevelopment\nThe screenplay was written by Hughes, with Howard Deutch set to direct. Its style was said to be similar to The Breakfast Club (1985) but instead of taking place in detention, it would have taken place in a car with Ringwald's and Broderick's characters both discussing their lives to each other.\n\nFuture\nWhen asked about Oil and Vinegar Howard Deutch said,\n\nYes. That was John's favorite script and he was saving it for himself, and I convinced him to let me do it. It was the story of a traveling salesman that Matthew Broderick was going to play, and a rock-and-roll girl, a real rocker. Polar opposites. Molly [Ringwald] was going to play that. And I had to make a personal decision about whether to go forward or not. We had rehearsals in a couple weeks, and I was exhausted, and my girlfriend Lea Thompson, who became my wife, said, \"You're going to die. You can't do this. I'm not going to stick around and watch that.\" And I think it was also sprinkled with the fact that I wanted to do one movie that was my movie, not necessarily in service to John, even though I loved John. So between the two things, I didn't... It could still happen. I would do it. Not with Matthew and Molly anymore, but the script is still there. It doesn't need anything. It's one of his great scripts. He had so many great scripts. For instance, he would stay up all night, music blasting, and at like 5:30 or 6 a.m., he'd hand me what was supposed to be a rewrite on Some Kind of Wonderful. We needed five pages, and it was 50 pages. I said, \"What did you do?! What is this?\" and he said, \"Oh, I didn't do that. I did something else. Tell me what you think?\" And it was Ferris Bueller's Day Off. He wrote the first half of the movie in, like, eight hours, and then finished it a couple days later. That was John. I never knew a writer who could do that. No one else had that ability. Even the stuff I fished out of the garbage was gold.\n\nReferences\n\nUnproduced screenplays\nFilms with screenplays by John Hughes (filmmaker)" ]

[ "Algonquin Round Table", "Activities", "What activities did the Round Table do", "The group was devoted to games, including cribbage and poker.", "Did they play a lot of games?", "The group had its own poker club, the Thanatopsis Literary and Inside Straight Club,", "What else did they do?", "In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly.", "Did they work in writing", "I don't know.", "What did they do for work", "silk merchant Paul Hyde Bonner, baking heir Raoul Fleischmann, actor Harpo Marx, and writer Ring Lardner", "What else did the club do", "A number of Round Tablers were inveterate practical jokers, constantly pulling pranks on one another." ]

[ "Prank Academy is an American series produced exclusively for YouTube Red, which starred Jesse Wellens & Jeana Smith. The series premiered on March 30, 2016. The season finale was released on July 20, 2016. The 18 episodes series is produced by NorthSouth Productions.\n\nThe hidden camera series followed Jesse Wellens & Jeana Smith as they teach Internet celebrities to pull off pranks on other people.\n\nEpisodes\n\nSeason 1\n\nReferences \n\n2016 web series debuts\n2016 web series endings\n2016 American television series debuts\n2016 American television series endings\nYouTube original programming", "Purim humor, Purim jokes, and Purim pranks are elements of joyful celebration of the holiday of Purim. Notable expressions of Purim humor of long tradition are Purim Torah and Purim spiel.\n\nPurim Torah and Purim spiel\n\nPurim Torah are humorous and satirical comments in the learned style of talmudic or halakhic comments in relation to Purim and read during Purim. A notable historical example is the 14th century Masekhet Purim (A Tractate on Purim) by Kalonymus ben Kalonymus, condemned by many scholars.\n\nA Purim spiel (\"Purim play\") is a dramatization of classical stories, most often of the Book of Esther, in which the story of Purim is recounted. This tradition dates at least to mid-16th century. Over time it acquired the comic character. Today, Purim spiels can be comedies about anything related to Jews and Judaism.\n\nBefore the Purim of 1993, a parody on parody appeared on soc.culture.jewish in a thread titled \"Talmud Fortran\" with commentary on computer programming in the style of Purim Torah. Some comments: \"As I recall you are not (in certain days) permitted to separate the good from the bad. How does this apply to debugging programs during these days?\" - \"So long as there is less than one part in 60 of bugs in the code, it is kosher...<>\"\n\nPurim jokes and pranks\nPurim pranks may be insulting and even harmful. There is a scholarship on what Halakha says on whether harm, insult (lashon hara), or injury – whether physical (towards property or a person) or verbal – are admissible in the course of Purim pranks or jokes. There are various interpretations, however Rav Yosef Zvi Rimon comes to a conclusion that insults and minor physical harm are admissible as long they are sincere expressions of joy of mitzva and the harmful acts were not of evil intention; this kind of humor must be used with caution. Purim jokes are for the joy of mitzva, not for just jesting. Purim spiels may include a good deal of insults and foul language directed both at biblical characters and modern real persons.\n\nNotable public Purim pranks\n\nOn February 24, 2021 (a day before Purim that year), The Jerusalem Post tweeted that Benjamin Netanyahu could not get hold of Joe Biden for a month because the latter gave him a wrong number which replied \"Hello, this is not the person you were trying to call. You’ve reached the rejection hotline. Unfortunately the person who gave you this rejection hotline number did not want you to have their real number.\"\n\nIn March 2019 Esther Voet, a columnist of a respected Dutch Jewish weekly NIW announced that she was moving to Israel, where \"getting called a dirty Jew simply means I have to take a bath\", complaining about the rise of anti-Semitism in the country. Later she announced that it was a Purim prank, but not earlier than her announcement made waves and she received notes of condolence and wishes of good luck from one camp and \"good riddance\" from the other. \n\nIn March 2017, one of the annual Purim pranks pulled by the officials of the town of Psagot went too far: the social media got ahold of a letter on official stationery that Jared Kushner and Ivanka Trump would be visiting the town for Shabbos and Kushner would be delivering a dvar Torah in the local synagogue. Hundreds of people from the nearby places phoned the residents of Psagot to ask for a stay during the event, while leftist groups started arranging buses with protesters.\n\nIn February 2010, the residents of Bnei Brak fell to the prank pulled by a construction company ZAKA, who announced that oil was about to be drilled there, with posters, equipment, and all, and hinted that the residents would be exempt from local property taxes.\n\nSee also\n, a musical by Itzik Manger in the style of Purim spiel\nAdloyada\nLatke–Hamantash Debate\nFeast of Fools\nJewish humor\n\nReferences\n\nJewish comedy and humor\nPurim" ]

[ "Algonquin Round Table", "Activities", "What activities did the Round Table do", "The group was devoted to games, including cribbage and poker.", "Did they play a lot of games?", "The group had its own poker club, the Thanatopsis Literary and Inside Straight Club,", "What else did they do?", "In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly.", "Did they work in writing", "I don't know.", "What did they do for work", "silk merchant Paul Hyde Bonner, baking heir Raoul Fleischmann, actor Harpo Marx, and writer Ring Lardner", "What else did the club do", "A number of Round Tablers were inveterate practical jokers, constantly pulling pranks on one another.", "Did they pull any good pranks", "Harold Ross and Jane Grant once spent weeks playing a particularly memorable joke on Woollcott involving a prized portrait of himself." ]

[ "DM Pranks is an Italian YouTube channel created by Matteo Moroni. In 2013, he began to play pranks, and post videos on a channel on YouTube. As of May 2020, their channel has nearly 5 million subscribers and more than 215 million video views.\n\nThe YouTube channel is known for its \"killer clown\" character, which scares members of the public by running at them wielding hammers or chainsaws.\n\nEarly life \nMatteo Moroni was born in Castiglione del Lago, Italy on June 25, 1987, and moved to Magione where he was raised.\n\nYouTube career \nIn 2015 one of Moroni's external collaborators Diego Dolciami unfaithfully registered the \"DM PRANKS\" trademark. In January 2018 the federal district of California sentenced Dolciami for the use of the competing mark which constitutes trademark infringement and competing application was made in bad faith and constitutes fraud upon the USPTO.\n\nKiller Clown \nA video entitled \"Killer Clown Scare Prank!\", posted on May 11, 2014 and has over 52 million views, shows DM Pranks \"pranking\" a victim dousing the area around his car with what appears to be gasoline. In the same video a clown set up large bottles on a dummy's head that he filled with fake blood and then hit them with a hammer to simulate a murder.\n\nThe video \"Killer Clown Returns Scare Prank!\" was posted on June 15, 2014 and has over 85 million views. It features a fake clown pranking passers by running after them with an iron hammer or a chainsaw.\n\nOn September 7, 2014, DM Pranks received the first significant success, with the video \"Killer Clown 3 - The Uncle! Scare Prank!\". A man dressed up as a clown scared random bystanders with a road roller. By September 2014 the \"Killer Clown 3 - The Uncle! Scare Prank!\" had been viewed more than 105 million times.\n\nOn November 16, 2014, DM Pranks filmed a prank entitled \"Killer Clown 4 - Massacre! Scare Prank!\", involving two clowns driving a car and then hitting a mannequin. In the video the clowns scared a man in a public toilet by setting up a fake chainsaw murder. The YouTube video now has over 62 million views.\n\nOther characters \nOther videos they have created include the \"Devil's Daughter Scare Prank!\", featuring a devil woman who scared people by screaming. The video was uploaded on August 3, 2014 and generated more than 34 million views.\n\nthen he shot the sequel to Killer Clowns 5 Aphoteosis where three men with clown masks first scared several guys about then they were lured into a trap \"blew up\" at the end it was visible where one of them opened his eyes it was a hint that this was not just a cliche prank.\n\nAnother one of DM Pranks's videos is titled \"Telekinetic Priest Attack Scare Prank!\". This video was posted on July 9, 2014 and has over 18 million views. It features a fake telekinetic priest going after people and making chairs and garbage move.\n\nOn March 17, 2014, DM Pranks pulled a prank called \"Flamethrower Psycho Scare Prank\" which involved a dark dressed man running after people with a flamethrower. The prank went viral receiving over 14 million views.\n\nReferences\n\nExternal links \n \n \n\n1987 births\nLiving people\nItalian directors\nPrank YouTubers\nPeople from Perugia\nItalian YouTubers\nYouTube channels launched in 2013\nPeople from Castiglione del Lago\nYouTube channels closed in 2019", "Prank Patrol (known as Prank Patrol: Road Trip for its third season, also known as Prank Patrol Down Under in the UK) was the Australian version of the original Canadian series Prank Patrol. The show was made for the then new ABC3 channel (now ABC ME) which specialised in children's programming. It is hosted by Scott “Scotty” Tweedie and produced by the ABC.\n\nPremise\n\nThe show follows Scotty and his ninjas helping children to pull off a prank against someone they know, such as a parent or friend. Scotty then takes the new recruit to their \"HQ\", where they establish a plan to prank their target. Scotty meets with real prank experts, such as special effects experts and makeup or costume artists. The new recruit calls their target to lure them into the prank. The prank builds to a climax, where the famous catchphrase \"you've been pranked by the prank patrol!\" is shouted by everyone in on the prank.\n\nFillers\n\nRecipe for a Prank\nSimilar to the original Canadian format this filler is an animated short of which explains how to set up your own prank.\n\nNinjas on the Loose\nThe Ninjas usually go to a public place and commit a prank, whether it be hiding behind a park bench and making fart sounds or scaring strangers.\n\nEpisodes\n\nProduction\nThe show is produced by the ABC and based on the original Canadian series. The first series consisted of 25 episodes of 25-minute lengths. Series 2 was announced on 15 April 2010 with another 39 episodes being produced. It was announced filming for series two would start on 2 August 2010 and film twenty-six episodes in Melbourne and thirteen in Brisbane.\n\nReferences\n\nExternal links\n \n\nHidden camera television series\nAustralian Broadcasting Corporation original programming\n2009 Australian television series debuts\n2013 Australian television series endings\nAustralian children's television series" ]

[ "Algonquin Round Table", "Activities", "What activities did the Round Table do", "The group was devoted to games, including cribbage and poker.", "Did they play a lot of games?", "The group had its own poker club, the Thanatopsis Literary and Inside Straight Club,", "What else did they do?", "In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly.", "Did they work in writing", "I don't know.", "What did they do for work", "silk merchant Paul Hyde Bonner, baking heir Raoul Fleischmann, actor Harpo Marx, and writer Ring Lardner", "What else did the club do", "A number of Round Tablers were inveterate practical jokers, constantly pulling pranks on one another.", "Did they pull any good pranks", "Harold Ross and Jane Grant once spent weeks playing a particularly memorable joke on Woollcott involving a prized portrait of himself.", "what was the prank", "They had several copies made, each slightly more askew than the last, and would periodically secretly swap them out" ]

[ "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books", "What Happened to Jones may refer to:\n What Happened to Jones (1897 play), a play by George Broadhurst\n What Happened to Jones (1915 film), a lost silent film\n What Happened to Jones (1920 film), a lost silent film\n What Happened to Jones (1926 film), a silent film comedy" ]

[ "Algonquin Round Table", "Activities", "What activities did the Round Table do", "The group was devoted to games, including cribbage and poker.", "Did they play a lot of games?", "The group had its own poker club, the Thanatopsis Literary and Inside Straight Club,", "What else did they do?", "In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly.", "Did they work in writing", "I don't know.", "What did they do for work", "silk merchant Paul Hyde Bonner, baking heir Raoul Fleischmann, actor Harpo Marx, and writer Ring Lardner", "What else did the club do", "A number of Round Tablers were inveterate practical jokers, constantly pulling pranks on one another.", "Did they pull any good pranks", "Harold Ross and Jane Grant once spent weeks playing a particularly memorable joke on Woollcott involving a prized portrait of himself.", "what was the prank", "They had several copies made, each slightly more askew than the last, and would periodically secretly swap them out", "What happened when he noticed", "and then later comment to Woollcott \"What on earth is wrong with your portrait?\" until Woollcott was beside himself. Eventually they returned the original portrait." ]

[ "The Shadow Club is a book written by Neal Shusterman about two middle school students, Jared Mercer and Cheryl Gannett, who see themselves as the \"second best\" students in their school at the activities that they do best, and find the worst possible way to get revenge on those better than them.\n\nPlot synopsis\nCheryl Gannett and Jared Mercer are second bests at their school, so they decide to form a club consisting of their school's other second bests; Jason, Karin, Abbie, Darren, and Randall. Their club is called the Shadow Club, consisting of other students who also consider themselves to be \"in the shadows\" of people who are better than them at the things they are good at. They start out by pulling pranks to humiliate their enemies, the \"unbeatable\". However, their pranks quickly escalate, to the point of becoming dangerous. In addition, the most recent pranks were not carried out by the Shadow Club at all and the club members believe that they are being framed by Tyson, their school's biggest underachiever and pyromaniac. The pranks climax when Jared's biggest enemy, Austin Pace (nicknamed L'Austin sPace), a student training to be an Olympic racer, is permanently injured. After this even, the members of the Shadow Club gather to discuss their problem and decide that their only solution is to force a confession out of Tyson in the worst way possible; by punching, kicking, and pushing him, and even by trying to drown him. After he almost dies, they let him run off, and return to their meeting place, which they called \"Stonehenge.\" Meanwhile, Jared, who has taken part in half of Tyson's interrogation, discovers that it was not Tyson who pulled the pranks, it was the members of the Shadow Club, each acting independently, so that none of the others knew of their actions, and each of them truly believed that they pulled one prank, but that Tyson did the rest. Realizing their mistake, Jared rushes back to find the members of the club in Stonehenge, all with horrified looks on their faces. They share their mistakes, and here the ones from the Shadow Club that had been tormenting Tyson share what they learned about him; that he is a pyromaniac, and all the school fires had been cause by him. Jared goes over to the lighthouse where Tyson lives to apologize for their mistake. But what he sees is a burning building, and Tyson was no doubt in it. Refusing to turn his back on Tyson, Jared runs into the lighthouse, and manages talk him out of burning to death, with difficulty. The two escape by jumping from a window, into the ocean below, and Jared carries Tyson to shore as he is unable to swim. In the end, he had to admit to the Shadow Club to his parents. After the talk with Mr. Greene, the school's vice principal, Tyson, Jared, and Cheryl join at Stonehenge for a final meeting (the others refused to show). Cheryl gives the charter to Tyson, who tosses it into the flames, and it burns, ending the Shadow Club, but leaving all the members, mostly Jared, with a bad reputation.\n\nAmerican young adult novels\n1988 American novels", "Vicky & Johnny () is a South Korean-Spanish series of animated shorts produced by Tuba Entertainment in South Korea and BRB Internacional, Screen 21 and Televisió de Catalunya in Spain. While the shorts are known as Vicky & Johnny in South Korea and parts of Asia, they are distributed in the rest of the world as Angus & Cheryl by BRB Internacional.\n\nCharacters\n Vicky (a.k.a. Cheryl)\nAccording to the official website, Vicky is the heroine tomboy with a highly competitive and temperamental attitude. Johnny's pranks keep her from falling into monotony, and she is affectionate towards him because of his childish behavior. She considers herself Johnny's big sister. She never skips to punish Johnny when his affection is directed to other girls.\n Johnny (a.k.a. Angus)\nJohnny is Springtown's hero and the worst prankster they've ever known. His boundless ungrounded optimism is his vice and his virtue. He often ends up being the victim to his own plot to trick Vicky. he is always happy and joyful, but would not survive a day without Vicky.\nMickey\nMickey is healthy and good at all sports, but he is especially fond of baseball. He is Johnny's best friend. His friendship often pulls him into the pranks that Johnny pulls, and people think he's an innocent bystander.\nRich\nRich is the only heir of a fallen nobility. He firmly believes he is in a higher class than everyone else. he causes an uproar if his clothes are stained, and loves to brag about himself. None of his friends believes him when he talks about his glorious heritage.\nCory\nCory is a hip-hop girl with a love for music and dance. She is Vicky's best friend, always speaking for her and standing by her side. She is free and optimistic, and dreams to perform on a Hollywood stage. She is nice to the other girls, but hates the boy's childish pranks. She is in love with Uba, but it is unrequited.\nSugar\nSugar is naive and believes herself to be a precious princess. She always believes she is the most gorgeous girl in spring town and believes that everyone adores her. She is friends with Vicky and Johnny, she loves make-up, and her dignity is fragile. Sugar is dating Mickey.\nUba\nUba is a soccer lover and likes to keep things simple. He is newer in town, and a little uncomfortable around the other residents of Springtown. He is shy around girls, but does not return Cory's affection. He also does his best to keep out of Johnny's pranks.\nLuka\nLuka love being a mime and expresses all of her thoughts and feelings with not words. None of the characters use words, but Luka is especially silent. She will sometimes do magic and give her friends balloons. Her miming brings joy and despair to all those around her, as her friends just wish to know the true Luka behind the make-up.\nRolly-Polly\nRolly-Polly is the only adult in Springtown, and fits into any role that he is needed for. He is mysterious, and can appear in male and female roles in any situation where an adult may be needed.\nRosemary\nRosemary is always smiling, but that often makes others think she's up to no good. Johnny and Vicky can't stand her pranks, and there is a wind up key/spring in her back with no other information. She gets into a lot more trouble than anyone can handle.\nPoco\nPoco is Vicky's dog who always has a large smile on his face. Poco often does things that get Johnny in trouble, and is fiercely loyal to Vicky. Poco loves children, butterflies, and flowers.\n\nReferences\n\nExternal links\n by Tuba Entertainment\n Vicky & Johnny at Tuba Entertainment\n Angus & Cheryl at BRB Internacional (in English and Spanish)\n\nAnimated duos\nSouth Korean animated short films\nSouth Korean films\nSpanish animated short films\nAnimated television series without speech" ]

[ "Algonquin Round Table", "Activities", "What activities did the Round Table do", "The group was devoted to games, including cribbage and poker.", "Did they play a lot of games?", "The group had its own poker club, the Thanatopsis Literary and Inside Straight Club,", "What else did they do?", "In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly.", "Did they work in writing", "I don't know.", "What did they do for work", "silk merchant Paul Hyde Bonner, baking heir Raoul Fleischmann, actor Harpo Marx, and writer Ring Lardner", "What else did the club do", "A number of Round Tablers were inveterate practical jokers, constantly pulling pranks on one another.", "Did they pull any good pranks", "Harold Ross and Jane Grant once spent weeks playing a particularly memorable joke on Woollcott involving a prized portrait of himself.", "what was the prank", "They had several copies made, each slightly more askew than the last, and would periodically secretly swap them out", "What happened when he noticed", "and then later comment to Woollcott \"What on earth is wrong with your portrait?\" until Woollcott was beside himself. Eventually they returned the original portrait.", "Did they do any other good pranks", "I don't know." ]

[ "Do You Know What I'm Going To Do Next Saturday? is a 1963 children's book published by Beginner Books and written by Helen Palmer Geisel, the first wife of Theodor Seuss Geisel (Dr. Seuss). Unlike most of the Beginner Books, Do You Know What I'm Going To Do Next Saturday? did not follow the format of text with inline drawings, being illustrated with black-and-white photographs by Lynn Fayman, featuring a boy named Rawli Davis. It is sometimes misattributed to Dr. Seuss himself. The book's cover features a photograph of a young boy sitting at a breakfast table with a huge pile of pancakes.\n\nActivities mentioned in the book include bowling, water skiing, marching, boxing, and shooting guns with the United States Marines, and eating more spaghetti \"than anyone else has eaten before.\n\nHelen Palmer's photograph-based children's books did not prove to be as popular as the more traditional text-and-illustrations format; however, Do You Know What I'm Going To Do Next Saturday received positive reviews and was listed by The New York Times as one of the best children's books of 1963. The book is currently out of print.\n\nReferences\n\n1963 children's books\nAmerican picture books", "\n\nTrack listing\n Opening Overture\n \"I Get a Kick Out of You\" (Cole Porter)\n \"You Are the Sunshine of My Life\" (Stevie Wonder)\n \"You Will Be My Music\" (Joe Raposo)\n \"Don't Worry 'bout Me\" (Ted Koehler, Rube Bloom)\n \"If\" (David Gates)\n \"Bad, Bad Leroy Brown\" (Jim Croce)\n \"Ol' Man River\" (Jerome Kern, Oscar Hammerstein II)\n Famous Monologue\n Saloon Trilogy: \"Last Night When We Were Young\"/\"Violets for Your Furs\"/\"Here's That Rainy Day\" (Harold Arlen, E.Y. Harburg)/(Matt Dennis, Tom Adair)/(Jimmy Van Heusen, Johnny Burke)\n \"I've Got You Under My Skin\" (Porter)\n \"My Kind of Town\" (Sammy Cahn, Van Heusen)\n \"Let Me Try Again\" (Paul Anka, Cahn, Michel Jourdan)\n \"The Lady Is a Tramp\" (Richard Rodgers, Lorenz Hart)\n \"My Way\" (Anka, Claude Francois, Jacques Revaux, Gilles Thibaut)\n\nFrank Sinatra's Monologue About the Australian Press\nI do believe this is my interval, as we say... We've been having a marvelous time being chased around the country for three days. You know, I think it's worth mentioning because it's so idiotic, it's so ridiculous what's been happening. We came all the way to Australia because I chose to come here. I haven't been here for a long time and I wanted to come back for a few days. Wait now, wait. I'm not buttering anybody at all. I don't have to. I really don't have to. I like coming here. I like the people. I love your attitude. I like the booze and the beer and everything else that comes into the scene. I also like the way the country's growing and it's a swinging place.\n\nSo we come here and what happens? We gotta run all day long because of the parasites who chase us with automobiles. That's dangerous, too, on the road, you know. Might cause an accident. They won't quit. They wonder why I won't talk to them. I wouldn't drink their water, let alone talk to them. And if any of you folks in the press are in the audience, please quote me properly. Don't mix it up, do it exactly as I'm saying it, please. Write it down very clearly. One idiot called me up and he wanted to know what I had for breakfast. What the hell does he care what I had for breakfast? I was about to tell him what I did after breakfast. Oh, boy, they're murder! We have a name in the States for their counterparts: They're called parasites. Because they take and take and take and never give, absolutely, never give. I don't care what you think about any press in the world, I say they're bums and they'll always be bums, everyone of them. There are just a few exceptions to the rule. Some good editorial writers who don't go out in the street and chase people around. Critics don't bother me, because if I do badly, I know I'm bad before they even write it, and if I'm good, I know I'm good before they write it. It's true. I know best about myself. So, a critic is a critic. He doesn't anger me. It's the scandal man who bugs you, drives you crazy. It's the two-bit-type work that they do. They're pimps. They're just crazy, you know. And the broads who work in the press are the hookers of the press. Need I explain that to you? I might offer them a buck and a half... I'm not sure. I once gave a chick in Washington $2 and I overpaid her, I found out. She didn't even bathe. Imagine what that was like, ha, ha.\n\nNow, it's a good thing I'm not angry. Really. It's a good thing I'm not angry. I couldn't care less. The press of the world never made a person a star who was untalented, nor did they ever hurt any artist who was talented. So we, who have God-given talent, say, \"To hell with them.\" It doesn't make any difference, you know. And I want to say one more thing. From what I see what's happened since I was last here... what, 16 years ago? Twelve years ago. From what I've seen to happen with the type of news that they print in this town shocked me. And do you know what is devastating? It's old-fashioned. It was done in America and England twenty years ago. And they're catching up with it now, with the scandal sheet. They're rags, that's what they are. You use them to train your dog and your parrot. What else do I have to say? Oh, I guess that's it. That'll keep them talking to themselves for a while. I think most of them are a bunch of fags anyway. Never did a hard day's work in their life. I love when they say, \"What do you mean, you won't stand still when I take your picture?\" All of a sudden, they're God. We gotta do what they want us to do. It's incredible. A pox on them... Now, let's get down to some serious business here...\n\nSee also\nConcerts of Frank Sinatra\n\nFrank Sinatra" ]

[ "Algonquin Round Table", "Activities", "What activities did the Round Table do", "The group was devoted to games, including cribbage and poker.", "Did they play a lot of games?", "The group had its own poker club, the Thanatopsis Literary and Inside Straight Club,", "What else did they do?", "In addition to the daily luncheons, members of the Round Table worked and associated with each other almost constantly.", "Did they work in writing", "I don't know.", "What did they do for work", "silk merchant Paul Hyde Bonner, baking heir Raoul Fleischmann, actor Harpo Marx, and writer Ring Lardner", "What else did the club do", "A number of Round Tablers were inveterate practical jokers, constantly pulling pranks on one another.", "Did they pull any good pranks", "Harold Ross and Jane Grant once spent weeks playing a particularly memorable joke on Woollcott involving a prized portrait of himself.", "what was the prank", "They had several copies made, each slightly more askew than the last, and would periodically secretly swap them out", "What happened when he noticed", "and then later comment to Woollcott \"What on earth is wrong with your portrait?\" until Woollcott was beside himself. Eventually they returned the original portrait.", "Did they do any other good pranks", "I don't know.", "What else did they do that is interesting to know", "Members often visited Neshobe Island, a private island co-owned by several \"Algonks\"--" ]

[ "\"What Did I Do to You?\" is a song recorded by British singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: \"My Apple Heart,\" \"Lay Me Down\" and \"Something's Happenin'.\" \"What Did I Do to You?\" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries reaching number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. \"What Did I Do to You?\" was also released in Japan.\n\nIn 2014, the remixes of \"What Did I Do to You?\" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology. They were also featured on The Collection 1989–2003 box set (2014), including previously unreleased Red Zone Mix by David Morales.\n\nCritical reception\nThe song received positive reviews from music critics. Matthew Hocter from Albumism viewed it as a \"upbeat offering\". David Giles from Music Week said it is \"beautifully performed\" by Stansfield. A reviewer from Reading Eagle wrote that \"What Did I Do to You?\" \"would be right at home on the \"Saturday Night Fever\" soundtrack.\"\n\nMusic video\nA music video was produced to promote the single, directed by Philip Richardson, who had previously directed the videos for \"All Around the World\" and \"Live Together\". It features Stansfield with her kiss curls, dressed in a white outfit and performing with her band on a stage in front of a jumping audience. The video was later published on Stansfield's official YouTube channel in November 2009. It has amassed more than 1,6 million views as of October 2021.\n\nTrack listings\n\n European/UK 7\" single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"Something's Happenin'\" – 3:59\n\n European/UK/Japanese CD single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n UK 10\" single\n\"What Did I Do to You?\" (Mark Saunders Remix) – 5:52\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n European/UK 12\" single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"My Apple Heart\" – 4:22\n\"Lay Me Down\" – 3:19\n\"Something's Happenin'\" – 3:15\n\n UK 12\" promotional single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"What Did I Do to You?\" (Anti Poll Tax Dub) – 6:31\n\n Other remixes\n\"What Did I Do to You?\" (Red Zone Mix) – 7:45\n\nCharts\n\nReferences\n\nLisa Stansfield songs\n1990 singles\nSongs written by Lisa Stansfield\n1989 songs\nArista Records singles\nSongs written by Ian Devaney\nSongs written by Andy Morris (musician)", "Timeless Love () is a Singaporean romance drama film about teenage love and loss. It is directed by Singaporean TV personality Dasmond Koh. It was released on 8 March 2012.\n\nPlot\nThe plot mostly revolves around Morgan, who finds an island lease and a photo of a mysterious-looking stranger posing on an island whilst looking through his grandmother's belongings. Morgan somehow recalls that his grandmother used to tell him tales of her regrets with regards to a watch and the island when he was younger. Intrigued on the identity of the mysterious man and to escape the paparazzi, he decides to head off to the island to unravel the mysteries and find answers. As he went to the island, he found 3 teenagers. Love blossoms. But, are they related or what do all of them got to do with the island?\n\nCast\n\nReferences\n\nExternal links\nOfficial Website\n\n2012 films\nSingaporean films\nChinese language films" ]

[ "Gary Ablett Sr.", "The early years at Geelong (1984-1988)" ]

[ "Eric Nicholls (born 15 October 1939) is a former Australian rules footballer who played with Geelong in the Victorian Football League (VFL).\n\nCareer\nNicholls, who captained the Victorian schoolboys in interstate football, came to the VFL from East Geelong in 1956. He was a defender, used mostly as a half-back flanker and occasionally at full-back. His debut in the round 10 loss to Footscray at Western Oval, at the age of 16 and 245 days, made him the youngest player to debut for Geelong since Leo Tasker in 1917. It would be his only senior appearance in 1956 and he didn't get an extended run in the team until 1961, when he played in all 18 games. In 1962 he suffered a broken collarbone and later a thigh injury, which restricted his appearances, but he did feature in Geelong's drawn preliminary final against Carlton, before missing the replay. He played six league games in 1963, the last in round 14, then ended the year with a premiership in the reserves. It was his final season at Geelong before he left to captain-coach Geelong West in the Victorian Football Association (VFA).\n\nIn 1964, his first season as coach, Nicholls won a best and fairest and led Geelong West to the VFA 2nd Division premiership, with an upset 21 point win over Sunshine in the grand final. This came despite a poor start to the season, with losses in the opening four rounds and was the club's first VFA premiership, in what was only its second season in the competition. Promoted to the 1st Division for the 1965 VFA season, Nicholls was unable prevent Geelong West from finishing last. On an individual level he had a strong year, with an equal fifth placing in the J. J. Liston Trophy. Nicholls remained captain-coach in 1966 and in what would be his final season steered Geelong West to another 2nd Division grand final, which they lost to Oakleigh by 13 points.\n\nFamily\nHis son, Leigh Nicholls, played Under 19s for Geelong and was a Victorian Teal Cup representative.\n\nReferences\n\nExternal links\n\n1939 births\nAustralian rules footballers from Victoria (Australia)\nGeelong Football Club players\nGeelong West Football Club players\nGeelong West Football Club coaches\nEast Geelong Football Club players\nLiving people\nPeople educated at Geelong College", "William McCarter (23 October 1888 – 4 September 1941) was an Australian rules footballer who played for Geelong in the Victorian Football League (VFL).\n\nA back pocket player, McCarter made his debut for Geelong in 1913 in round 1 against Richmond at Corio Oval. He did not play from 1916 to 1920 because of war service but was at his best when he returned in 1921, supposedly being named Geelong's club champion. He certainly won such an award in 1923, before retiring the following season. During his career he represented Victoria five times at interstate football.\n\nReferences\n\nExternal links\n\n \n\n1888 births\n1941 deaths\nAustralian rules footballers from Victoria (Australia)\nGeelong Football Club players\nCarji Greeves Medal winners\nEast Geelong Football Club players\nAustralian military personnel of World War I" ]

[ "Gary Ablett Sr.", "The early years at Geelong (1984-1988)", "What did he do at Geelong?", "He debuted for the Cats in Round 7 and after just nine games on the wing, Ablett was selected to his first State of Origin game for Victoria." ]

[ "A working cat is type of domestic cat that \"works\" for its upkeep by hunting vermin, such as rodents. They are commonly employed where pest control is needed: in barns, farms, factories, warehouses, stores, churchyards, and private property. A benefit of using a working cat is that they alleviate the need for harmful pesticides. Working cats are often placed in their environment as a part of a working cats program.\n\nThe resident cat at the British Prime Minister's home at 10 Downing Street has been given the title Chief Mouser to the Cabinet Office.\n\nWorking cats programs \nA working cats program is designed to place cats in safe environments where they are valued for their hunting skills as working cats. These programs are typically offered by animal shelters who will use otherwise unadoptable cats in the program as an alternative to euthanasia. The cats may not be suitable for adoption because they are feral cats or did not acclimate to living in close quarters with humans. Working cats programs usually provide cats that are spayed or neutered and fully vaccinated, and any adoption fee is often waived. In exchange for their services, the cats are to receive a place to live, food, water, and vet care.\n\nFeral cats \nA feral cat is a cat without an owner that lives outside. These cats have very minimal to no human contact at all. They tend to hide from humans and do not allow themselves to be touched by them. Attempts to socialize feral cats often fail or take a long time, and even so some remain afraid of humans.\n\nThere are efforts to control the feral cat population, which is a big problem. There are trap neuter return programs, which capture the feral cats, neuter/spay them, and release them back outside. This prevents the cat from reproducing. Others result in euthanasia.\n\nPros \n\nEach year in the United States, about 1.5 million shelter animals are put down, and 860,000 of those are cats. Working cat programs decrease those numbers by giving a cat that would instead not be adoptable a home, and more room for other shelter animals.\n\nA study that was done at the University of Minnesota showed that taking care of a cat can improve human health. The study showed fewer chances of getting heart attacks, cardiovascular diseases, having trouble sleeping, and anxiety when caring for a cat.\n\nThere are also benefits for the community. Feral cats control the population of rodents in a neighborhood, which then negates the need for any harmful pesticides to be used. It also reduces the spread of rabies and fleas since they are vaccinated and their caretakers treat them for fleas. These programs also save tax dollars since they are run by volunteers or privately owned.\n\nCons \n\nSome disadvantages to feral cats are urine markings and destruction to wildlife and property. Feral cats are wild, and they will continue to act like so even though they have a caretaker. They may also injure other pets that get too close.\n\nAnother disadvantage is veterinary care. One round of vaccinations is not going to last for the rest of the cat's life. They must eventually get another round. Capturing a feral cat can be difficult, and some caretakers do not care to take the animal to the vet again. If they do not get their vaccinations when they are due, the cats can contract diseases and spread. Cats are three to four times more likely to get rabies than other domestic animals like dogs.\n\nReferences\n\nhttp://www.takepart.com/article/2014/03/31/sorry-cat-lovers-trap-neuter-release-flat-out-doesnt-work\n\nhttps://www.aspca.org/animal-homelessness/shelter-intake-and-surrender/pet-statistics\n\nExternal links \n Arizona Humane Society’s Working Cats Program\n Best Friends Animal Society: L.A.’s Working Cats Program\n\nWorking cats\nBiological pest control\nFeral animals\nUrban wildlife", "David Ungerer (born September 16, 1995) is a professional Canadian football wide receiver for the Hamilton Tiger-Cats of the Canadian Football League (CFL).\n\nCollege career\nUngerer played college football with the Idaho Vandals from 2014 to 2018.\n\nProfessional career\nUngerer was drafted in the second round, 11th overall by the Hamilton Tiger-Cats in the 2019 CFL Draft and he signed with the team on May 17, 2019. He played in his first career CFL game on August 10, 2019 against the BC Lions. He then recorded his first reception the next week on August 17, 2019 against the Ottawa Redblacks. For the season, he played in 10 regular season games as a rookie where he had two catches for 44 yards. He spent the post-season on the injured list and did not play in the Tiger-Cats' 107th Grey Cup loss.\n\nDue to the cancellation of the 2020 CFL season, Ungerer did not play in 2020. He became a regular starter with the Tiger-Cats in 2021 and scored his first career touchdown on a 23-yard catch from Dane Evans in the Labour Day Classic against the Toronto Argonauts on September 6, 2021.\n\nReferences\n\nExternal links\n Tiger-Cats bio\n\n1995 births\nLiving people\nCanadian football wide receivers\nHamilton Tiger-Cats players\nIdaho Vandals football players\nPlayers of American football from Washington (state)\nPeople from Pullman, Washington" ]

[ "Gary Ablett Sr.", "The early years at Geelong (1984-1988)", "What did he do at Geelong?", "He debuted for the Cats in Round 7 and after just nine games on the wing, Ablett was selected to his first State of Origin game for Victoria.", "How did he do for the Cats?", "Playing mostly on the half forward flank, Ablett won the club's goalkicking award for the following two seasons with 82 and 65 goals respectively." ]

[ "Ronald Paul Burns (born 13 March 1973) is a former Indigenous Australian rules footballer for the Geelong Football Club and Adelaide Crows in the Australian Football League (AFL).\n\nBiography\nBurns is the nephew of former footballers Tony and Benny Vigona.\n\nPlaying career\nOriginally from St Mary's Football Club of the Northern Territory Football League, Burns moved to Western Australia and played colts football for Claremont Football Club before moving back to Darwin. He was lured back to Perth by the West Perth Football Club before being drafted to the Geelong Cats in the AFL. Burns led the Cats in goalkicking 5 times, playing as a small crumbing forward during a less decorated time for the club.\n\nAfter a period of poor play, the Cats traded Burns to the Adelaide Crows for Ben Finnin, who ultimately did not play a game for the Cats. Burns played out the rest of his career with the Crows, but failed to make the same impact as he had made for the Cats.\n\nBurns played 154 games and kicked 262 goals from 1995 to 2004.\n\nReferences \n\nGeelong Football Club players\nAdelaide Football Club players\nAllies State of Origin players\nWest Perth Football Club players\nSt Mary's Football Club (NTFL) players\nPort Fairy Football Club players\nIndigenous Australian players of Australian rules football\nAustralian rules footballers from the Northern Territory\n1973 births\nLiving people\nHeywood Football Club players\nPort Adelaide Magpies players", "Anthony Royell Akins (born May 10, 1977) is a former Canadian football wide receiver and slotback who played for the Hamilton Tiger-Cats of the Canadian Football League (CFL) from 1999 to 2003. He played in 61 regular season games, catching 121 receptions for 2,138 yards and 14 touchdowns. He also returned punts and kickoffs. Akins is a Grey Cup champion.\n\nAkins played high school football at Starkville High School before playing at East Mississippi Community College. He later transferred to Eastern Louisiana University and played for the Warhawks. After going unselected in the 1999 NFL Draft, Akins was signed by the Buffalo Bills of the National Football League but was cut before the beginning of the regular season. He was signed by the Hamilton Tiger-Cats shortly after and spent his first two seasons moving between the practice squad and the active roster, playing in 9 games each season and contributing heavily on special teams. Akins transitioned to a more offensive role in 2001, but his career was interrupted in later seasons by repeated injuries.\n\nEarly career \n\nAkins began playing high school football at Starkville High School as a freshman. Due to his small size, Akins rarely played. As a senior, he was ruled ineligible for academic reasons but continued practicing with the football team throughout the season. Akins was also able to participate on the track and field team, running sprints. After Akins impressed his high school football coach by practicing despite his ineligibility, the coach invited East Mississippi Community College to look at Akins. A representative of East Mississippi attended a track and field meet where Akins won the 100 metres and offered him a scholarship to play college football shortly afterward.\n\nAkins went on to play at both East Mississippi and Northeast Louisiana University. In his first game at East Mississippi, Akins returned a punt 85 yards for a touchdown. Although Akins developed at East Mississippi and with the Northeast Louisiana Indians, he remained at least second on the depth chart, playing behind Quincy Jackson at East Mississippi and Marty Booker at Northeast Louisiana. Akins played with the Indians through 1998, when he featured as the team's kick returner and led his team with 1,269 all-purpose yards.\n\nProfessional career \n\nAkins declared for the 1999 NFL Draft, where he went unsigned. The Buffalo Bills later signed him to fill their final roster slot at wide receiver in training camp. In late August, they released Akins prior to the start of the regular season.\n\nHamilton Tiger-Cats \n\nWithin a week of being cut from the Bills, Akins was signed by the Hamilton Tiger-Cats to their practice squad. After Curtis Jackson was released from the Tiger-Cats, Akins was moved to the active roster to replace him as part of the punt and kick return rotation. On September 12, Akins made his CFL debut against the Montreal Alouettes, where he averaged 21 yards on kick returns. Akins was named Offensive Player of the Week for his performance in an October game against the Winnipeg Blue Bombers, where he caught eight passes for 257 yards and four touchdowns. In early November, he was named Special Teams Player of the Week after returning three kicks for over 100 yards. The Tiger-Cats won the 87th Grey Cup with Akins contributing four catches for 43 yards.\n\nAkins returned to the Tiger-Cats for the 2000 season. In July, he returned a punt from Lui Passaglia 65 yards for a touchdown. In mid-September, Akins started in place of the injured Darren Flutie, but he was later moved to the practice squad in October. He returned for the final game of the regular season and returned a punt for his second 65-yard touchdown of the season. The Tiger-Cats lost the East Semi-Final 22–20 to the Winnipeg Blue Bombers after an offensive interference penalty was assessed on Akins in the final minutes of the game. The Hamilton Spectator described the penalty as \"ill-deserved\". Akins finished the season sixth in the CFL with 393 punt return yards. He was also the league leader in punt return touchdowns.\n\nOn December 12, 2000, the Tiger-Cats announced that they had re-signed Akins. Due to the CFL's import ratio requirements, Hamilton Spectator reporter Steve Milton speculated that Akins would be cut before the regular season. Instead, Akins made the regular season roster and regularly started at wide receiver for the first time in his career. Due to Akins' speed, he was moved to the slotback position in August. He later lost his starting position to wide receiver Corey Grant but continued to see regular playing time. Akins was held out of two games entirely near the end of the season to allow offensive lineman Gary Brown to return from the injured list. Akins' role as a receiver increased in the 2001 season, and he finished his season with 29 catches for 461 receiving yards. Conversely, his role as a kick and punt returner decreased substantially. Akins averaged 5.1 yards per punt return and 15.5 yards per kickoff return, decreasing from 10.3 yards and 24.0 yards in the 2000 season, respectively.\n\nAkins became a free agent before the 2002 season. The Montreal Alouettes expressed interest in signing Akins, but he decided to re-sign with the Tiger-Cats in May shortly before a deadline imposed by head coach Ron Lancaster. In a pre-season game, Akins suffered a collarbone injury when a player's face mask was driven into his chest. He returned in mid-July. In his second game of the season, Akins scored three touchdowns. He scored in each of the two following games as well. Akins' success was interrupted in late August when he re-injured his collarbone with deep bruising. After Akins returned, he caught an 84-yard touchdown while accumulating 150 receiving yards against the Alouettes. The Hamilton Tiger-Cats did not qualify for the playoffs in 2002, but Akins had his most successful season, catching 38 receptions for 732 yards and 7 touchdowns. All three values were career-highs for the wide receiver.\n\nAkins re-signed with the Tiger-Cats before the start of the 2003 season. He was moved around in various positions throughout the season. Before the beginning of the season, Akins was designated the starting slotback, but he quickly lost the job to Trevor Shaw. He was later moved back to his original position at wide receiver. After missing games due to leg and knee injuries, Akins finished the season with 482 receiving yards and two touchdowns.\n\nIn 2004, Akins was cut from the Tiger-Cats during the preseason after facing competition from seven import receivers and five Canadians.\n\nSeason statistics\n\nPersonal life \n\nAkins is divorced and has four children.\n\nReferences \n\n1977 births\nLiving people\nLouisiana–Monroe Warhawks football players\nHamilton Tiger-Cats players\nAmerican football wide receivers\nCanadian football wide receivers\nCanadian football slotbacks\nAmerican players of Canadian football\nPlayers of American football from Mississippi\nSportspeople from Starkville, Mississippi\nBuffalo Bills players\nEast Mississippi Lions football players\nStarkville High School alumni" ]

[ "Gary Ablett Sr.", "The early years at Geelong (1984-1988)", "What did he do at Geelong?", "He debuted for the Cats in Round 7 and after just nine games on the wing, Ablett was selected to his first State of Origin game for Victoria.", "How did he do for the Cats?", "Playing mostly on the half forward flank, Ablett won the club's goalkicking award for the following two seasons with 82 and 65 goals respectively.", "When did he start playing for the Cats?", "Ablett signed a one-year contract for the 1984 season" ]

[ "The Secret Thoughts of Cats was written and illustrated by Steven Appleby, and first published in 1996. \n\nAlso known as the Infinite Subtlety of Cat Expressions, it focuses on the fact that cat expressions are always the same, no matter what the situation (apart from when asleep or dead). It has a picture of a cat with the same expression on every page, and a description of what it's thinking or doing underneath. It finishes with ‘Afterthoughts’ of cats, a selection of observations made on cat behaviour. The first page is a picture of cat hairs, the last, cat hairs on cushions.\nIt was written in memory of: Terry, Dibble, Sally, and for Jim.\n\n1996 books\nComedy books\nZoology books\nBooks about cats", "The 1978 Hamilton Tiger-Cats season was the 21st season for the team in the Canadian Football League and their 29th overall. The Tiger-Cats finished in 3rd place in the Eastern Conference with a 5–10–1 record, but lost the Eastern Semi-Final to the Montreal Alouettes. \n\nIn February 1978, the club was purchased by President and majority shareholder of Maple Leaf Gardens Limited, Harold Ballard. Mr. Ballard became the team president that year and would keep the strong tradition of pro football in that City. Rocky DiPietro was in his rookie season with the Ti-Cats. Ed George spent four seasons in the NFL before returning to the CFL in 1978 with the Hamilton Tiger-Cats. Through two seasons with the Tiger-Cats he played 34 games. Quarterback Jimmy Jones was in his final season with the Tiger-Cats and he finished his Tiger-Cats career with 861 career pass attempts, which was good enough to rank in the top ten.\n\nRegular season\n\nSeason Standings\n\nSeason schedule\n\nPost-season\n\nAwards and honours\nBen Zambiasi, Linebacker, CFL All-Stars Defense\n\nReferences\n\nHamilton Tiger-cats Season, 1978\nHamilton Tiger-Cats seasons\n1978 Canadian Football League season by team" ]

[ "Gary Ablett Sr.", "The early years at Geelong (1984-1988)", "What did he do at Geelong?", "He debuted for the Cats in Round 7 and after just nine games on the wing, Ablett was selected to his first State of Origin game for Victoria.", "How did he do for the Cats?", "Playing mostly on the half forward flank, Ablett won the club's goalkicking award for the following two seasons with 82 and 65 goals respectively.", "When did he start playing for the Cats?", "Ablett signed a one-year contract for the 1984 season", "What else was notable about his time with the Cats?", "was awarded the Carji Greeves Medal as the Geelong Football Club's \"best and fairest\" player of the year." ]

[ "Anthony Gleeson was a dual player from Tralee, County Kerry. He played at full back for most of his career. Gleeson was unlucky not to have won any senior honors with Kerry, he missed out on the Munster Championship win in 1991 and despite playing in the first round in 1996 did not play another game and therefore did not receive a Munster medal. He did win a Munster Under 21 Championship in 1988. He also played underage hurling with Kerry in the late 80's, he was captain of the team in 1987 when they won the Leinster Minor B Championship. He gave up hurling at a young age to focus on football. He also played with the Kerry Vocational Schools team in the late 80's winning 2 All-Ireland Vocational Schools Championships in 1986 and 1987.\n\nAt club level he played football with John Mitchels. He had little success with the club failing to win a County Championship, he did however played in the 1989 final when John Mitchels were beaten by Laune Rangers. He played hurling with Austin Stacks and won a County Minor Championship with them in 1986. He also played with Dublin club St Vincents.\n\nReferences\n http://www.terracetalk.com/kerry-football/player/101/Anthony-Gleeson\n https://web.archive.org/web/20111009064219/http://munster.gaa.ie/history/u21f_teams/\n\n \n\nYear of birth missing (living people)\nLiving people\nDual players\nJohn Mitchels (Kerry) Gaelic footballers\nSt Vincents (Dublin) Gaelic footballers\nAustin Stacks hurlers\nKerry inter-county hurlers", "Finland competed at the 1968 Summer Paralympics in Tel Aviv. It was the country's second participation in the Paralympics. Despite a good result in 1960 (with its sole representative winning gold in his single event), Finland did not take part in the 1964 Games. Finland again sent just one competitor: Veikko Puputti, who entered the men's javelin and club throw. He did not win any medal.\n\nBackground \nFinland did not take part in the 1964 Games.\n\nTeam \nIn 1968, Finland again sent just one competitor: Veikko Puputti, who entered the men's javelin and club throw. He did not win any medal. This is the only time Finland has taken part in the Summer Paralympic Games without winning a medal.\n\nOpening ceremony \nFinland the stadium during the Open Ceremonies behind Ethiopia.\n\nAthletics \n\nPuputti entered events in disability category A. In the javelin, he achieved a throw of 13.05m, placing him 22nd out of 35 competitors in the qualifying round. This was insufficient for him to advance to the final, where South Africa's Daniel Erasmus went on to win gold with a throw of 19.79m.\n\nPuputti's other event was the club throw. Here, a result of 25.90m ranked him 19th out of 45, causing him to be eliminated at the qualifying stage. Vic Renalson of Australia subsequently won gold, with a world record throw of 39.02m in the final round.\n\nSee also\nFinland at the 1968 Summer Olympics\n\nReferences\n\nExternal links\nInternational Paralympic Committee official website\n\nNations at the 1968 Summer Paralympics\n1968\nParalympics" ]

[ "Gary Ablett Sr.", "The early years at Geelong (1984-1988)", "What did he do at Geelong?", "He debuted for the Cats in Round 7 and after just nine games on the wing, Ablett was selected to his first State of Origin game for Victoria.", "How did he do for the Cats?", "Playing mostly on the half forward flank, Ablett won the club's goalkicking award for the following two seasons with 82 and 65 goals respectively.", "When did he start playing for the Cats?", "Ablett signed a one-year contract for the 1984 season", "What else was notable about his time with the Cats?", "was awarded the Carji Greeves Medal as the Geelong Football Club's \"best and fairest\" player of the year.", "Did he win any other honors?", "Although he missed out on State honours and failed to place within the top three in the club best and fairest award, Ablett finished with 82 goals" ]

[ "Alex Fontana (born May 1, 1995) is a professional Canadian football offensive lineman for the Hamilton Tiger-Cats of the Canadian Football League (CFL).\n\nCollege career\nFontana played college football for the New Mexico Military Institute Broncos in 2014 and 2015 and transferred to the University of Houston to play for the Cougars in 2016. He did not play in 2017 due to a foot injury and transferred to the University of Kansas to play for the Jayhawks in 2018 as a graduate transfer.\n\nProfessional career\n\nOttawa Redblacks\nFontana was drafted by the Ottawa Redblacks in the first round with the seventh overall pick in the 2019 CFL Draft and signed with the team on May 18, 2019. He made his professional debut on June 15, 2019, against the Calgary Stampeders, and played in all 18 regular season games in 2019. With the cancellation of the 2020 CFL season, he did not play in 2020 and also decided not to play in 2021 as he was placed on the Redblacks' suspended list on July 9, 2021. He became a free agent upon the expiry of his contract on February 8, 2022.\n\nHamilton Tiger-Cats\nOn February 8, 2022, it was announced that Fontana had signed with the Hamilton Tiger-Cats to a two-year contract.\n\nReferences\n\nExternal links\nHamilton Tiger-Cats bio\n\nLiving people\n1995 births\nPlayers of Canadian football from Ontario\nSportspeople from Toronto\nCanadian football offensive linemen\nNew Mexico Military Institute Broncos football players\nHouston Cougars football players\nKansas Jayhawks football players\nOttawa Redblacks players\nHamilton Tiger-Cats players", "David Ungerer (born September 16, 1995) is a professional Canadian football wide receiver for the Hamilton Tiger-Cats of the Canadian Football League (CFL).\n\nCollege career\nUngerer played college football with the Idaho Vandals from 2014 to 2018.\n\nProfessional career\nUngerer was drafted in the second round, 11th overall by the Hamilton Tiger-Cats in the 2019 CFL Draft and he signed with the team on May 17, 2019. He played in his first career CFL game on August 10, 2019 against the BC Lions. He then recorded his first reception the next week on August 17, 2019 against the Ottawa Redblacks. For the season, he played in 10 regular season games as a rookie where he had two catches for 44 yards. He spent the post-season on the injured list and did not play in the Tiger-Cats' 107th Grey Cup loss.\n\nDue to the cancellation of the 2020 CFL season, Ungerer did not play in 2020. He became a regular starter with the Tiger-Cats in 2021 and scored his first career touchdown on a 23-yard catch from Dane Evans in the Labour Day Classic against the Toronto Argonauts on September 6, 2021.\n\nReferences\n\nExternal links\n Tiger-Cats bio\n\n1995 births\nLiving people\nCanadian football wide receivers\nHamilton Tiger-Cats players\nIdaho Vandals football players\nPlayers of American football from Washington (state)\nPeople from Pullman, Washington" ]

[ "Gary Ablett Sr.", "The early years at Geelong (1984-1988)", "What did he do at Geelong?", "He debuted for the Cats in Round 7 and after just nine games on the wing, Ablett was selected to his first State of Origin game for Victoria.", "How did he do for the Cats?", "Playing mostly on the half forward flank, Ablett won the club's goalkicking award for the following two seasons with 82 and 65 goals respectively.", "When did he start playing for the Cats?", "Ablett signed a one-year contract for the 1984 season", "What else was notable about his time with the Cats?", "was awarded the Carji Greeves Medal as the Geelong Football Club's \"best and fairest\" player of the year.", "Did he win any other honors?", "Although he missed out on State honours and failed to place within the top three in the club best and fairest award, Ablett finished with 82 goals", "How long did he play with the Cats?", "With his contract expiring at the conclusion of the 1987 season, Ablett shocked the VFL by signing a new five-year contract with his former club, Hawthorn." ]

[ "Jennifer Nuzzo is an American epidemiologist, an Associate Professor in the Department of Environmental Health and Engineering and the Department of Epidemiology at the Johns Hopkins Bloomberg School of Public Health and a Senior Scholar at the Johns Hopkins Center for Health Security. She is also a Senior Fellow for Global Health at the Council on Foreign Relations.\n\nEarly life and education\nNuzzo earned a Bachelor of Science from Rutgers University in 1999. She received a Master of Science from the Harvard T.H. Chan School of Public Health in 2001 and a Doctor of Public Health from the Johns Hopkins Bloomberg School of Public Health in 2014.\n\nCareer\nNuzzo co-lead the development of the Global Health Security Index, an assessment of global health security capabilities in 195 countries, performed by the Nuclear Threat Initiative (NTI) and the Johns Hopkins Center for Health Security together with The Economist Intelligence Unit (EIU). She is the director and principal investigator of the Outbreak Observatory, a research project working to document infectious disease outbreaks and how governments respond to them. Nuzzo serves as an associate editor of the Health Security journal.\n\nShe has often appeared in the media discussing how health systems respond to outbreaks, and has helped bring attention to dangers of delaying vaccination, the spread of the Ebola virus, and the 2019–2020 coronavirus pandemic.\n\nCriticism\nNuzzo was criticized for comments on the George Floyd protests in which large numbers of people broke social distancing and lockdown rules during the COVID-19 shutdown; she said that to not protest against racism would cause greater public health risks than the virus.\n\nSee also\n National Biosurveillance Strategy\n\nReferences\n\n21st-century American women\nAmerican epidemiologists\nAmerican women epidemiologists\nHarvard School of Public Health alumni\nJohns Hopkins Bloomberg School of Public Health alumni\nJohns Hopkins University faculty\nLiving people\nRutgers University alumni\nYear of birth missing (living people)", "Daniela Drummond-Barbosa is a Brazilian-American geneticist who is a Professor of Biochemistry and Molecular Biology at the Johns Hopkins Bloomberg School of Public Health. Her research considers stem cell regulation.\n\nEarly life and education \nDrummond-Barbosa grew up in Belo Horizonte in Brazil. She earned her undergraduate degree in biological sciences at the Federal University of Minas Gerais in 1991. She moved to New Haven, Connecticut for her graduate studies, where she worked with Daniel DiMaio on the interactions between platelet-derived growth factor receptors and the bovine papillomavirus E5 protein. She joined the laboratory of Allan C. Spradling at the Carnegie Institution for Science for her postdoctoral research. Here she first identified that stem cells and their derivatives responded to diet.\n\nResearch and career \nDrummond-Barbosa continued to study the regulation of stem cells as she started her independent career at Vanderbilt University. She focused on how germline stem cells are regulated by diet and the control of meiotic maturation in Drosophila. In 2009 Drummond-Barbosa was appointed to Johns Hopkins Bloomberg School of Public Health. Her research considers how adult stem cells sense and respond to external and systemic environments. She has focused on the ovarian stem cells of Drosophila and how they respond to diet, concentrating on hormones, insulin and adipose tissue.\n\nAwards \n 1990 Conselho Nacional de Pesquisas Scientific Initiation Fellowship\n 1997 National Institutes of Health National Research Service Award\n 2006 Vanderbilt University Chancellor's Award for Research\n 2007 American Cancer Society Research Scholar\n 2014 Elected Fellow of the American Association for the Advancement of Science\n 2017 Johns Hopkins University Shikani/El Hibri Prize for Discovery & Innovation\n\nSelected publications\n\nReferences \n\nLiving people\nYear of birth missing (living people)\nPeople from Belo Horizonte\nJohns Hopkins Bloomberg School of Public Health faculty" ]

[ "Gary Ablett Sr.", "The early years at Geelong (1984-1988)", "What did he do at Geelong?", "He debuted for the Cats in Round 7 and after just nine games on the wing, Ablett was selected to his first State of Origin game for Victoria.", "How did he do for the Cats?", "Playing mostly on the half forward flank, Ablett won the club's goalkicking award for the following two seasons with 82 and 65 goals respectively.", "When did he start playing for the Cats?", "Ablett signed a one-year contract for the 1984 season", "What else was notable about his time with the Cats?", "was awarded the Carji Greeves Medal as the Geelong Football Club's \"best and fairest\" player of the year.", "Did he win any other honors?", "Although he missed out on State honours and failed to place within the top three in the club best and fairest award, Ablett finished with 82 goals", "How long did he play with the Cats?", "With his contract expiring at the conclusion of the 1987 season, Ablett shocked the VFL by signing a new five-year contract with his former club, Hawthorn.", "How did the public respond to this?", "After a \"cooling-off\" period, however, Ablett opted to remain with Geelong by agreeing to a lucrative five-year contract that tied him to the club for the long-term." ]

[ "\"What Did I Do to You?\" is a song recorded by British singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: \"My Apple Heart,\" \"Lay Me Down\" and \"Something's Happenin'.\" \"What Did I Do to You?\" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries reaching number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. \"What Did I Do to You?\" was also released in Japan.\n\nIn 2014, the remixes of \"What Did I Do to You?\" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology. They were also featured on The Collection 1989–2003 box set (2014), including previously unreleased Red Zone Mix by David Morales.\n\nCritical reception\nThe song received positive reviews from music critics. Matthew Hocter from Albumism viewed it as a \"upbeat offering\". David Giles from Music Week said it is \"beautifully performed\" by Stansfield. A reviewer from Reading Eagle wrote that \"What Did I Do to You?\" \"would be right at home on the \"Saturday Night Fever\" soundtrack.\"\n\nMusic video\nA music video was produced to promote the single, directed by Philip Richardson, who had previously directed the videos for \"All Around the World\" and \"Live Together\". It features Stansfield with her kiss curls, dressed in a white outfit and performing with her band on a stage in front of a jumping audience. The video was later published on Stansfield's official YouTube channel in November 2009. It has amassed more than 1,6 million views as of October 2021.\n\nTrack listings\n\n European/UK 7\" single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"Something's Happenin'\" – 3:59\n\n European/UK/Japanese CD single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n UK 10\" single\n\"What Did I Do to You?\" (Mark Saunders Remix) – 5:52\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n European/UK 12\" single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"My Apple Heart\" – 4:22\n\"Lay Me Down\" – 3:19\n\"Something's Happenin'\" – 3:15\n\n UK 12\" promotional single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"What Did I Do to You?\" (Anti Poll Tax Dub) – 6:31\n\n Other remixes\n\"What Did I Do to You?\" (Red Zone Mix) – 7:45\n\nCharts\n\nReferences\n\nLisa Stansfield songs\n1990 singles\nSongs written by Lisa Stansfield\n1989 songs\nArista Records singles\nSongs written by Ian Devaney\nSongs written by Andy Morris (musician)", "\"What Would Steve Do?\" is the second single released by Mumm-Ra on Columbia Records, which was released on February 19, 2007. It is a re-recorded version of the self-release they did in April 2006. It reached #40 in the UK Singles Chart, making it their highest charting single.\n\nTrack listings\nAll songs written by Mumm-Ra.\n\nCD\n\"What Would Steve Do?\"\n\"Cute As\"\n\"Without You\"\n\n7\"\n\"What Would Steve Do?\"\n\"What Would Steve Do? (Floorboard Mix)\"\n\nGatefold 7\"\n\"What Would Steve Do?\"\n\"Cute As\"\n\nReferences\n\n2007 singles\nMumm-Ra (band) songs\n2006 songs\nColumbia Records singles" ]

[ "Gary Ablett Sr.", "The early years at Geelong (1984-1988)", "What did he do at Geelong?", "He debuted for the Cats in Round 7 and after just nine games on the wing, Ablett was selected to his first State of Origin game for Victoria.", "How did he do for the Cats?", "Playing mostly on the half forward flank, Ablett won the club's goalkicking award for the following two seasons with 82 and 65 goals respectively.", "When did he start playing for the Cats?", "Ablett signed a one-year contract for the 1984 season", "What else was notable about his time with the Cats?", "was awarded the Carji Greeves Medal as the Geelong Football Club's \"best and fairest\" player of the year.", "Did he win any other honors?", "Although he missed out on State honours and failed to place within the top three in the club best and fairest award, Ablett finished with 82 goals", "How long did he play with the Cats?", "With his contract expiring at the conclusion of the 1987 season, Ablett shocked the VFL by signing a new five-year contract with his former club, Hawthorn.", "How did the public respond to this?", "After a \"cooling-off\" period, however, Ablett opted to remain with Geelong by agreeing to a lucrative five-year contract that tied him to the club for the long-term.", "What did he do in 1984?", "He played 15 games and kicked 33 goals in the 1984 season," ]

[ "SOARA (Situation, Objective, Action, Results, Aftermath) is a job interview technique developed by Hagymas Laszlo, Professor of Language at the University of Munich, and Alexander Botos, Chief Curator at the National Institute of Economic and Social Research. It is similar to the Situation, Task, Action, Result technique. In many interviews, SOARA is used as a structure for clarifying information relating to a recent challenge.\n\nDetails\n\n Situation: The interviewer wants you to present a recent challenge and situation you found yourself in.\n Objective: What did you have to achieve? The interviewer will be looking to see what you were trying to achieve from the situation.\n Action: What did you do? The interviewer will be looking for information on what you did, why you did it and what were the alternatives.\n Results: What was the outcome of your actions? What did you achieve through your actions and did you meet your objectives.\n Aftermath: What did you learn from this experience and have you used this learning since?\n\nJob interview", "The situation, task, action, result (STAR) format is a technique used by interviewers to gather all the relevant information about a specific capability that the job requires. \n\n Situation: The interviewer wants you to present a recent challenging situation in which you found yourself.\n Task: What were you required to achieve? The interviewer will be looking to see what you were trying to achieve from the situation. Some performance development methods use “Target” rather than “Task”. Job interview candidates who describe a “Target” they set themselves instead of an externally imposed “Task” emphasize their own intrinsic motivation to perform and to develop their performance.\n Action: What did you do? The interviewer will be looking for information on what you did, why you did it and what the alternatives were.\n Results: What was the outcome of your actions? What did you achieve through your actions? Did you meet your objectives? What did you learn from this experience? Have you used this learning since?\n\nThe STAR technique is similar to the SOARA technique.\n\nThe STAR technique is also often complemented with an additional R on the end STARR or STAR(R) with the last R resembling reflection. This R aims to gather insight and interviewee's ability to learn and iterate. Whereas the STAR reveals how and what kind of result on an objective was achieved, the STARR with the additional R helps the interviewer to understand what the interviewee learned from the experience and how they would assimilate experiences. The interviewee can define what they would do (differently, the same, or better) next time being posed with a situation.\n\nReferences\n\nExternal links\nThe ‘STAR’ technique to answer behavioral interview questions\nThe STAR method explained\n\nJob interview" ]

[ "Live (band)", "Songs from Black Mountain, Radiant Sea and live DVD: 2005-2008" ]

[ "\"Escobar '97\" produced by the TrackMasters is a 1997 single by Nas on the soundtrack Men in Black: The Album.\n\nIt samples the track \"Move Me No Mountain\" by Love Unlimited from the album In Heat as well as a line from Snoop Doggy Dogg's \"Gin & Juice\".\n\nThis song is also labeled as the 'Death of Escobar', where Nas dropped his alter ego of \"drug lord Escobar\" and adopted himself as just Nas.\n\nReferences \n\n1997 singles\n1997 songs\nNas songs\nSongs written by Nas\nSongs written by Samuel Barnes (songwriter)\nSongs written by Jean-Claude Olivier\nSongs written by Jerry Ragovoy\nSongs written by Aaron Schroeder\nSongs written for films\nSong recordings produced by Trackmasters\nSongs from Men in Black (franchise)", "Broken Down is an acoustic album from American pop punk band Mest. On November 13, 2013 a Kickstarter was started by Tony Lovato, and was successfully funded December 11. Much of the songs are acoustic renditions of songs from almost all their albums except \"Mo' Money, Mo' 40z\" and Not What You Expected.\n\nTrack listing\n \"Lost Broken Confused\"\n \"Last Kiss\"\n \"Rooftops\"\n \"2000 Miles\"\n \"Fuct Up Kid\"\n \"Drawing Board\"\n \"As His Black Heart Dies\"\n \"Jaded\"\n \"Keeps Me Movin On\"\n \"Wasting My Time\"\n \"Mother's Prayer\"\n \"Walking on Broken Glass\"\n \"Hotel Room\"\n \"Take Me Away\"\n\n Tracks 6, 10 and 13 are acoustic versions of songs from Wasting Time\n Tracks 5, 9 and 11 are acoustic versions of songs from Destination Unknown\n Tracks 1, 3, 4, 8 and 12 are acoustic versions of songs from Mest\n Tracks 2, 7 and 14 are acoustic versions of songs from Photographs\n\nReferences\n\nMest albums\n2014 albums" ]

[ "Live (band)", "Songs from Black Mountain, Radiant Sea and live DVD: 2005-2008", "What are Songs from Black Mountain?", "The River" ]

[ "The Sea Girl is a children's book written by Sophia de Mello Breyner Andresen.\n\nPlot\nThere is a country that is land and a country that is the sea. A young boy falls in love with a girl. He comes from the earth, she from the sea. What is the land? What is the sea? Each explains the universe to the other. But how will they do to come together?\n\nChildren's novels\n1958 novels\n20th-century Portuguese novels\n1958 children's books\nPortuguese children's literature", "The Libyan Sea (Greek , Latin Libycum Mare, Arabic البحر الليبي) is the portion of the Mediterranean Sea north of the African coast of ancient Libya, i.e. Cyrenaica, and Marmarica\n(the coast of what is now eastern Libya and western Egypt, between Tobruk and Alexandria). This designation was used by ancient Geographers describing the southern Mediterranean, but the term is also used by modern travel Writers and cartographers. The southern coastline of Crete which borders the Libyan Sea includes the Asterousia Mountains and Mesara Plain; this area is the locus of considerable ancient Bronze Age settlement including the sites of Kommos, Hagia Triada and Phaistos. \n\nNot counting Crete, other islands in the Libyan Sea are Gavdos, Gavdopoula, Koufonisi and Chrysi.\n\nTo the east is the Levantine Sea, to the north the Ionian Sea, and to the west the Strait of Sicily. \n\nThe Libyan Sea is also known as South Cretan Sea.\n\nSee also\nAsterousia Mountains\nGulf of Sidra\n\nReferences\n\nSeas of the Mediterranean Sea\n\nMarginal seas of the Mediterranean" ]

[ "Live (band)", "Songs from Black Mountain, Radiant Sea and live DVD: 2005-2008", "What are Songs from Black Mountain?", "The River", "What is Raidant Sea?", "first album" ]

[ "Rising in the East is a live DVD of Judas Priest, released on 15 November 2005, performing a concert in Tokyo's Nippon Budokan, filmed on 19 May 2005. It is the first straight-to-DVD release.\n\nRelease \nIn unconfirmed reports, the DVD was to be pushed back to January 2006, but other sources still listed the release date for 15 November 2005. Former website Play.com showed a cover image that was completely different from what is displayed.\n\nInformation \nThe band filmed two sold-out performances on 18 & 19 May 2005 in Tokyo in which the latter footage was used instead. Glenn Tipton explains that the band decided to film their performances at the Budokan \"because it's a special venue. It's world-renowned. We thought it was an ideal choice. We filmed both nights but we ended up using the second night only for this DVD. We wanted it to be as live and as real as possible, and when you start taking from different shows there isn't continuity. We wanted it to be one show and that's exactly what it is.\" Rob Halford says that the display of Rising in the East to the fans \"is the first time seeing us reunited for a full-length show in the DVD format. I think the DVD compounds all the great things that Priest fans and metal fans all around the world love about the band. Priest is still a powerful, physical, full-on experience in the live domain. What this DVD is intended to do is give longtime Priest fans another great memory to add to their collection, and it's also an opportunity for new Priest fans to explore all the great things we're achieving three decades later.\"\n\nTrack listing\n\nEncores\n\nPersonnel\nRob Halford – vocals\nK.K. Downing – electric guitar\nGlenn Tipton – guitar\nIan Hill – bass guitar\nScott Travis – drums\n\nSales and certifications\n\n|-\n\nReferences\n\nExternal links\n[ Rising in the East] at Allmusic\n\nJudas Priest video albums\n2005 video albums\nLive video albums\n2005 live albums", "This is a list of Where on Earth is Carmen Sandiego? episodes. The show ran for a total of four seasons from 1994 to 1999. The first three seasons ran their episodes weekly, while the fourth season had a season premiere in September 1996, a 1996 Halloween special, then a three-part episode that aired mid-1998, and the final four episodes airing late 1998 to early 1999.\n\nThe episodes were aired out of their production order and intended broadcast order. As a result, episodes from one production season would sometimes air before all of the episodes from the previous season had aired, leaving the seasons without well-defined start or end dates, and using airdate alone to determine what season an episode belongs to is impossible. However, the seasons can be distinguished by their different intros and outros, and by their bookends around commercial breaks, and the order in which they appear on the DVD releases matches what is known about the production codes, implying that the DVD order is correct.\n\nSeries overview \nThis list goes by the original, intended production season DVD order, and ignores the order of broadcast.\n\nEpisodes\n\nSeason 1 (1994)\n\nSeason 2 (1995)\n\nSeason 3 (1995)\n\nSeason 4 (1996–99)\n\nReferences \n\nCarmen Sandiego\nWhere on Earth is Carmen Sandiego?\njhgfds" ]

[ "Live (band)", "Songs from Black Mountain, Radiant Sea and live DVD: 2005-2008", "What are Songs from Black Mountain?", "The River", "What is Raidant Sea?", "first album", "What is important about this dvd?", "first concert DVD" ]

[ "\"What Else Is There?\" is the third single from the Norwegian duo Röyksopp's second album The Understanding. It features the vocals of Karin Dreijer from the Swedish electronica duo The Knife. The album was released in the UK with the help of Astralwerks.\n\nThe single was used in an O2 television advertisement in the Czech Republic and in Slovakia during 2008. It was also used in the 2006 film Cashback and the 2007 film, Meet Bill. Trentemøller's remix of \"What Else is There?\" was featured in an episode of the HBO show Entourage.\n\nThe song was covered by extreme metal band Enslaved as a bonus track for their album E.\n\nThe song was listed as the 375th best song of the 2000s by Pitchfork Media.\n\nOfficial versions\n\"What Else Is There?\" (Album Version) – 5:17\n\"What Else Is There?\" (Radio Edit) – 3:38\n\"What Else Is There?\" (Jacques Lu Cont Radio Mix) – 3:46\n\"What Else Is There?\" (The Emperor Machine Vocal Version) – 8:03\n\"What Else Is There?\" (The Emperor Machine Dub Version) – 7:51\n\"What Else Is There?\" (Thin White Duke Mix) – 8:25\n\"What Else Is There?\" (Thin White Duke Edit) – 4:50\n\"What Else Is There?\" (Thin White Duke Remix) (Radio Edit) – 3:06\n\"What Else Is There?\" (Trentemøller Remix) – 7:42\n\"What Else Is There?\" (Vitalic Remix) – 5:14\n\nResponse\nThe single was officially released on 5 December 2005 in the UK. The single had a limited release on 21 November 2005 to promote the upcoming album. On the UK Singles Chart, it peaked at number 32, while on the UK Dance Chart, it reached number one.\n\nMusic video\nThe music video was directed by Martin de Thurah. It features Norwegian model Marianne Schröder who is shown lip-syncing Dreijer's voice. Schröder is depicted as a floating woman traveling across stormy landscapes and within empty houses. Dreijer makes a cameo appearance as a woman wearing an Elizabethan ruff while dining alone at a festive table.\n\nMovie spots\n\nThe song is also featured in the movie Meet Bill as characters played by Jessica Alba and Aaron Eckhart smoke marijuana while listening to it. It is also part of the end credits music of the film Cashback.\n\nCharts\n\nReferences\n\n2005 singles\nRöyksopp songs\nAstralwerks singles\nSongs written by Svein Berge\nSongs written by Torbjørn Brundtland\n2004 songs\nSongs written by Roger Greenaway\nSongs written by Olof Dreijer\nSongs written by Karin Dreijer", "\"The Hardest Thing\" is the third single released from American boy band 98 Degrees's second studio album, 98 Degrees and Rising (1998). \"The Hardest Thing\" peaked at number five in the United States, number 10 in Canada, number 29 in the United Kingdom, and number 31 in Ireland. It also experienced moderate success in Oceania, peaking at number 24 in Australia and number five in New Zealand. The single was certified Gold by the Recording Industry Association of America (RIAA) for sales of 500,000 units.\n\nSong meaning\nThe song is about a man who is torn between two women that he loves: one being his significant other and the other being his mistress. This is apparent when Doctor Zhivago is referenced in the second verse of the song. In the end, the man chooses to say goodbye to his mistress because it is only fair to his significant other, who has always trusted him. This becomes clear in the first verse of the song when he says, \"I've got somewhere else to be, promises to keep/Someone else who loves me and trusts me fast asleep.\" However, as he is saying goodbye to the mistress, he has to hide his true feelings (love) from her; hence, the title of the song: \"The Hardest Thing\". As he says goodbye to his mistress, he thinks, \"It's the hardest thing I'll ever have to do to look you in the eye and tell you I don't love you.\" However, he knows that their love is real and that they will (hopefully) meet again when the time is right: \"I know that we'll meet again/Fate has a place and time/So you can get on with your life.\"\n\nMusic video\nThe music video takes place inside a boxing arena. Nick Lachey, the protagonist in the video, is the gentleman who is torn between two ladies. Nick is a boxer in the video, and his mistress is a show girl. His significant other is not in the video.\n\nTrack listings\nUS CD single\n \"The Hardest Thing\" (radio version) – 3:47\n \"Because of You\" (Hex Hector Dance Mix) – 3:07\n \"Invisible Man\" – 4:42\n\nUK 12-inch vinyl\nA1. \"The Hardest Thing\" (Love to Infinity Master Mix) – 6:35\nB1. \"The Hardest Thing\" (album version] – 4:34\n\nUK maxi-CD\n \"The Hardest Thing\" (radio version) – 3:47\n \"The Hardest Thing\" (album version) – 4:34\n \"The Hardest Thing\" (Love to Infinity Master Mix) – 6:35\n \"The Hardest Thing\" (music video) – 3:31\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nCertifications\n\nRelease history\n\nReferences\n\n1990s ballads\n1998 songs\n1999 singles\n98 Degrees songs\nSongs about infidelity\nSongs written by David Frank (musician)\nSongs written by Steve Kipner\nUniversal Records singles" ]

[ "Vampire Weekend", "Departure of Batmanglij, Columbia Records and LP4 (2014 - present)" ]

[ "is a Japanese professional basketball player who plays for the Toshiba Kawasaki Brave Thunders of the B.League in Japan.\n\nStats\n\n|-\n| align=\"left\" | JBL 2012-13\n| align=\"left\" | Toshiba\n| 10|| || 2.7|| .182|| .000|| .500|| 0.6|| 0.2|| 0|| 0|| 0.5\n|-\n| align=\"left\" | NBL 2013-14\n| align=\"left\" | Toshiba Kanagawa\n| 42|| || 9.5|| .400|| .268|| .867|| 0.9|| 0.4|| 0.2|| 0.0|| 2.4\n|-\n| align=\"left\" | NBL 2014-15\n| align=\"left\" | Toshiba Kanagawa\n| 42||3 || 13.4|| .448|| .333|| .731|| 1.1|| 0.6|| 0.6|| 0.1|| 3.7\n|-\n| align=\"left\" | NBL 2015-16\n| align=\"left\" | Toshiba Kanagawa\n| 49|| 35|| 21.4|| .441|| .370|| .778|| 1.9|| 1.3|| 0.7|| 0.1|| 4.6\n|-\n| align=\"left\" | B1 2016-17\n| align=\"left\" | Kawasaki\n| 59||58 || 22.9||.433 ||.418 ||.880 ||1.6 ||1.9 ||0.5 ||0.1 ||5.7 \n|-\n| align=\"left\" | 2017-18\n| align=\"left\" | Kawasaki\n| 57||57 || 24.6||.409 ||.401 ||.810 ||1.8 ||2.4 ||0.9 ||0.1 ||5.8 \n|-\n|}\n\nReferences\n\n1989 births\nLiving people\nJapanese men's basketball players\nPeople from Hanamaki, Iwate\nSportspeople from Iwate Prefecture\nKawasaki Brave Thunders players\nForwards (basketball)", "Shingo Utsumi (born April 28, 1984) is a Japanese professional basketball player who plays for the Kyoto Hannaryz of the B.League in Japan.\n\nPersonal\nHis father, Tomohide Utsumi is a head coach for the Levanga Hokkaido.\n\nCareer statistics \n\n|-\n| align=\"left\" | 2007-08\n| align=\"left\" | Mitsubishi\n| 25|| || 8.5|| .404|| .457|| .833|| 0.6|| 0.2|| 0.2|| 0.0|| 2.5\n|-\n| align=\"left\" | 2008-09\n| align=\"left\" | Mitsubishi\n| 35|| || 19.4|| .383|| .364|| .714|| 1.3|| 1.0|| 0.4|| 0.1|| 5.7\n|-\n| align=\"left\" | 2009-10\n| align=\"left\" | Mitsubishi\n| 40|| || 22.3|| .376|| .297|| .741|| 1.2|| 0.8|| 0.6|| 0.1|| 7.9\n|-\n| align=\"left\" | 2010-11\n| align=\"left\" | Mitsubishi\n| 36|| || 22.4|| .337|| .267|| .786|| 1.8|| 0.9|| 0.4|| 0.2|| 5.3\n|-\n| align=\"left\" | 2011-12\n| align=\"left\" | Mitsubishi\n| 42|| 7|| 18.2|| .387|| .360|| .824|| 1.3|| 0.6|| 0.3|| 0.1|| 5.5\n|-\n| align=\"left\" | 2012-13\n| align=\"left\" | Mitsubishi\n| 41|| 29|| 20.0|| .416|| .404|| .529|| 1.1|| 0.6|| 0.4|| 0.1|| 4.1\n|-\n| align=\"left\" | 2013-14\n| align=\"left\" | Wakayama\n| 53|| 28|| 21.1|| .417|| .382|| .679|| 1.3|| 1.2|| 0.3|| 0.1|| 4.8\n|-\n| align=\"left\" | 2014-15\n| align=\"left\" | Kyoto\n| 52|| 22|| 20.1|| .419|| .446|| .778|| 1.5|| 1.1|| 0.6|| 0.1|| 5.5\n|-\n| align=\"left\" | 2015-16\n| align=\"left\" | Kyoto\n| 51|| 51|| 25.1|| .405|| .420|| .813|| 2.2|| 1.0|| 0.4|| 0.1|| 7.1\n|-\n| align=\"left\" | 2016-17\n| align=\"left\" | Kyoto\n| 60|| 41|| 25.5|| .365|| .363|| .855|| 2.0|| 0.4|| 0.6|| 0.1|| 5.7\n|-\n| align=\"left\" | 2017-18\n| align=\"left\" | Kyoto\n| 60|| 4|| 18.5|| .384|| .387|| .898|| 1.2|| 0.6|| 0.5|| 0.1|| 3.9\n|-\n\nReferences\n\n1984 births\nLiving people\nTokai University alumni\nJapanese men's basketball players\nKyoto Hannaryz players\nNagoya Diamond Dolphins players\nSportspeople from Hokkaido\nWakayama Trians players\nShooting guards" ]

[ "Vampire Weekend", "Departure of Batmanglij, Columbia Records and LP4 (2014 - present)", "who left", "Rostam Batmanglij announced his departure from the band on Twitter." ]

[ "Why may refer to:\n\n Causality, a consequential relationship between two events\n Reason (argument), a premise in support of an argument, for what reason or purpose\n Grounding (metaphysics), a topic in metaphysics regarding how things exist in virtue of more fundamental things.\n Why?, one of the Five Ws used in journalism\n\nMusic\n\nArtists\n Why? (American band), a hip hop/indie rock band formed in Oakland, California, in 2004\n Yoni Wolf, formerly known by the stage name Why?\n Why?, a 1990s UK folk band, two members of which later formed Quench in 2001\n Why (Canadian band), a rock band formed in Winnipeg, Manitoba, in 1993\n\nAlbums\n Why? (Discharge album)\n Why? (Ginger Baker album)\n Why? (Jacob Whitesides album)\n Why (Prudence Liew album)\n Why? (They Might Be Giants album)\n Why (Taeyeon EP)\n Why (Baby V.O.X)\n Why, by Moahni Moahna\n\nSongs\n \"Why\" (3T song), featuring Michael Jackson\n \"Why\" (Andy Gibb song)\n \"Why\" (Annie Lennox song), covered by DJ Sammy, Kelly Clarkson, Lara Fabian, Allison Crowe, and others\n \"Why?\" (Bronski Beat song)\n \"Why\" (The Byrds song), B-side to the single \"Eight Miles High\"\n \"Why\" (Carly Simon song)\n \"Why\" (Cathy Dennis song)\n \"Why\" (Frankie Avalon song), covered by Anthony Newley and by Donny Osmond\n \"Why\" (Gabrielle song)\n \"Why?\" (Geir Rönning song)\n \"Why\" (Glamma Kid song)\n \"Why\" (Jadakiss song)\n \"Why\" (Jason Aldean song)\n \"Why\" (Jieqiong song)\n \"Why\" (Lionel Richie song)\n \"Why?\" (Marika Gombitová song)\n \"Why\" (Mary J. Blige song), featuring Rick Ross\n \"Why\" (Miliyah Kato song)\n \"Why?\" (Mis-Teeq song)\n \"Why\" (Rascal Flatts song)\n \"Why\" (Sabrina Carpenter song)\n \"Why\" (Sonique song)\n \"Why\" (Taeyeon song)\n \"Why\" (Tony Sheridan song), with The Beatles\n \"Why (Must We Fall in Love)\", a song by Diana Ross & The Supremes\n \"Why, Why, Why\", a song by Billy Currington\n \"Why\", by 4Minute from Best of 4Minute\n \"Why\", by Air Supply from Mumbo Jumbo\n \"Why?\", by Aminé from OnePointFive\n \"Why\", by Antique from Die for You\n \"Why\", by Average White Band from Cut the Cake\n \"Why\" by Avril Lavigne, B-side to the single \"Complicated\"\n \"Why\", by Ayaka from the single \"Clap & Love\"/\"Why\" and the theme song of the PSP game Crisis Core: Final Fantasy VII\n \"Why\", by Bazzi from Cosmic\n \"Why\", by Basshunter from Bass Generation\n \"Why\", by Busted from A Present for Everyone\n \"Why, Pt. 2\", by Collective Soul from Blender\n \"Why\", by Crossfade from Falling Away\n \"Why?\", by Des'ree from Dream Soldier\n \"Why! ...\", by Enigma from Le Roi Est Mort, Vive Le Roi!\n \"Why\", by Fleetwood Mac from Mystery to Me\n \"Why\", by Frankie Valli from Closeup\n \"Why\", by Godsmack from Awake\n \"Why\", by Helloween from Master of the Rings\n \"Why\", by Irene Cara from Anyone Can See\n \"Why\", by Jamie Walters from Jamie Walters\n \"Why\", by Jason Aldean, also covered by Shannon Brown from Corn Fed\n \"Why\", by Jocelyn Enriquez from All My Life\n \"Why\", by Joe Satriani from The Extremist\n \"Why\", by Limp Bizkit from Greatest Hitz\n \"Why?\", by Lonnie Mack from The Wham of that Memphis Man\n \"Why\", by Mario from Go!\n \"Why\", by Melanie Chisholm from Northern Star\n \"Why\", by Natalie Imbruglia from Left of the Middle\n \"Why\", by Ne-Yo from Non-Fiction\n \"Why\", by NF from The Search\n \"Why\", by Rooney\n \"Why?\", by Secondhand Serenade from A Twist In My Story\n \"Why\", by Shawn Mendes from Shawn Mendes\n \"Why\", by Stabbing Westward from Wither Blister Burn & Peel\n \"Why\", by Swift from Thoughts Are Thought\n \"Why?\", by Tracy Chapman from Tracy Chapman\n \"Why\", by Uriah Heep from Demons and Wizards\n \"Why?\", by Vanilla Ninja from Vanilla Ninja\n \"Why\", by Wide Mouth Mason from Where I Started\n \"Why\", by Yoko Ono from Yoko Ono/Plastic Ono Band\n \"Why?\", by Z-Ro from The Life of Joseph W. McVey\n \"Why\", written by Buddy Feyne, notably performed by Nat King Cole\n \"Why\", from the musical Tick, tick... BOOM!\n \"Why\", from the television series Fraggle Rock\n \"Why? (The King of Love Is Dead)\", by Nina Simone from 'Nuff Said!\n \"Why (What's Goin' On?)\", a song by The Roots from The Tipping Point \"Why, Why, Why\", a song by Eddie Rabbitt from Songs from Rabbittland \"Why? Why? Why? (Is It So Hard)\", a song by Paul Revere & The Raiders from The Spirit of '67Other media\n Why (board game), a game based on the television series Alfred Hitchcock Presents Why? (film), a 1987 Czech film\n Why? (1971 film), a 1971 short starring O. J. Simpson and Tim Buckley\n Why? (book), a children's book by Tomie dePaola\n \"Why?\", an episode of the TV series As Time Goes By Why? with Hannibal Buress'', a Comedy Central television series\n\nPlaces\n Why, Arizona, an unincorporated community in the United States\n Why, Lakes, South Sudan\n\nSurname\n Alby Why (1899–1969), Australian rugby league footballer\n Jack Why (1903–1944), Australian rugby league footballer\n\nTransport\n Whyteleafe railway station, Surrey, National Rail station code\n\nOther uses\n Why the lucky stiff, or simply why or _why, a computer programmer and artist\n World Hunger Year (WHY), a charity organization\n Why?, a satirical wiki and subproject of Uncyclopedia\n\nSee also\n Wai (disambiguation)\n Wye (disambiguation)\n Y (disambiguation)", "Tell Me Why may refer to:\n\nBooks \n Tell Me Why (magazine), a British children's magazine relaunched as World of Wonder\n Tell Me Why, a 2009 book by Eric Walters\n\nMusic\n\nAlbums\n Tell Me Why (Archie Roach album), 2019\n Tell Me Why (Bobby Vinton album), 1964, or the title song\n Tell Me Why (Jann Browne album), 1990, or the title song\n Tell Me Why (Wynonna Judd album) 1993, or the title song\n Tell Me Why, a 2002 EP and its title song by Pocket Venus\n\nSongs\n \"Tell Me Why\" (1951 song), song written by Al Alberts and Marty Gold, popularized by The Four Aces and by Eddie Fisher\n \"Tell Me Why\" (1956 song), song written by Titus Turner, popularized by Marie Knight, and later by Elvis Presley\n \"Tell Me Why\" (Beatles song), 1964\n \"Tell Me Why\" (Declan Galbraith song), 2002\n \"Tell Me Why\" (Earl Thomas Conley song), 1981\n \"Tell Me Why\" (Echobelly song)\n \"Tell Me Why\" (Exposé song), 1989\n \"Tell Me Why\" (Genesis song), 1991\n \"Tell Me Why\" (Jann Browne song), 1990\n \"Tell Me Why\" (M.I.A. song), 2010\n \"Tell Me Why\" (Monica Anghel and Marcel Pavel song), 2002\n \"Tell Me Why\" (Neil Young song), 1970\n \"Tell Me Why\" (Spice Girls song), 2000\n \"Tell Me Why\" (Supermode song), 2006\n \"Tell Me Why\" (Wah Wah Collective song), 2013\n \"Tell Me Why\" (Wynonna Judd song), 1993\n \"Tell Me Why (The Riddle)\", a 2000 song by Paul van Dyk and Saint Etienne\n \"Tell Me Why\", by the Bee Gees from 2 Years On\n \"Tell Me Why\", by Berlin from Pleasure Victim\n \"Tell Me Why\", by Eddie Cochran from Singin' to My Baby, adapted from\n \"Tell Me Why\", written by Mitchell Parish, Michael Edwards, and Sigmund Spaeth, adapted from\n \"Tell Me Why\", composed by Roy L. Burtch, lyrics by Fred Mower, c. 1899\n \"Tell Me Why\", by Gorky Park from Moscow Calling\n \"Tell Me Why\", by John Cale from Walking on Locusts\n \"Tell Me Why\", by Jonas Brothers from JONAS\n \"Tell Me Why\", by The Kid Laroi from F*ck Love\n \"Tell Me Why\", by Musical Youth\n \"Tell Me Why\", by Norman Fox & The Rob-Roys, and covered in 1961 by Dion and the Belmonts\n \"Tell Me Why\", by the Penpals from Berserk\n \"Tell Me Why\", by P.O.D. from When Angels & Serpents Dance\n \"Tell Me Why\", by Prezioso & Marvin\n \"Tell Me Why\", by Taylor Swift from Fearless\n \"Tell Me Why\", by Three Days Grace from Human\n \"Tell Me Why\", by Will Smith featuring Mary J. Blige from Smith's album Lost and Found\n \"Tell Me Why\", from the musical A Man of No Importance\n\nOthers\n Tell Me Why (video game), a video game by Dontnod Entertainment\n\nSee also\n Tell Me (disambiguation)" ]

[ "Vampire Weekend", "Departure of Batmanglij, Columbia Records and LP4 (2014 - present)", "who left", "Rostam Batmanglij announced his departure from the band on Twitter.", "why", "collaborate." ]

[ "What You Want may refer to:\n\nSongs\n\"What You Want\" (Evanescence song), 2011\n\"What You Want\" (Jay Sean song), 2017\n\"What You Want\" (Mase song), 1998\nWhat You Want (Belly song), 2018, featuring The Weeknd\n\"What You Want (Baby I Want You)\", by The Music Explosion in 1968\n\"What You Want\", by My Bloody Valentine from their 1991 album Loveless\n\"What You Want\", by Nuno Bettencourt from his 1997 album Schizophonic\n\"What You Want\", by The Wannadies from their 1997 album The Wannadies\n\"What You Want\", from the musical Legally Blonde\n\"What You Want\", by Mandy Moore from her 1999 album So Real\n\"What You Want\", by The Roots from their 1999 live album The Roots Come Alive\n\"What You Want\", by DMX, the alternate radio title of his 2000 single What These Bitches Want\n\"What You Want\", by LL Cool J from his 2006 album Todd Smith\n\"What You Want\", by Tenth Avenue North from their 2016 album Followers\n\nOther\nWhat You Want (EP), a 2004 EP by the John Butler Trio\n\"What You Want\" (Danny Phantom), an episode of the television series Danny Phantom\n\nSee also\n\"What Ya Want\", song by Eve\nWhat You Want Is Now, debut full-length album by the Christian rock band House of Heroes\n Whatcha Want, album by Michael Monroe\n \"So What'cha Want\", single by Beastie Boys", "\"What Do You Want from Me?\" is a 2007 song recorded by Cascada. It was released in Germany on 7 March 2008 and was released on 24 March 2008 for the UK.\n\nBackground and writing\n\"What Do You Want From Me?\" was leaked online in advance of the Perfect Day album release, and was speculated to be title \"Tell Me Why\". In late 2007, All Around the World announced \"What Do You Want From Me?\" would be the U.K. follow-up to \"What Hurts the Most\".\n\nThis track and \"Everytime We Touch\" share a similar chord structure.\n\nMusic video \n\nCascada's UK music label, All Around the World, released the music video on 19 January 2008, on their official site. In the video, Natalie and 3 friends are seen at a beach-side house, on the beach, and at a late night party, singing and dancing. In all scenes, she is continuously being followed or somehow connected by a young man, hence the song title \"What Do You Want From Me?\".\n\nTrack listing\nGerman release\n\"What Do You Want From Me?\" (Radio Edit)\n\"What Do You Want From Me?\" (Extended Mix)\n\"What Do You Want From Me?\" (S & H Project Radio Edit)\n\"What Do You Want From Me?\" (DJ Gollum Radio Edit)\n\nUK release\n\"What Do You Want From Me?\" (Radio Edit)\n\"What Do You Want From Me?\" (K-Klass Classic Radio Edit)\n\"What Do You Want From Me?\" (Original/Extended Mix)\n\"What Do You Want From Me?\" (Hypasonic Mix)\n\"What Do You Want From Me?\" (K-Klass Mix)\n\"What Do You Want From Me?\" (Manox Remix)\n\"What Do You Want From Me?\" (Fugitive's Freedom Mix)\n\nOfficial remixes\n\"What Do You Want From Me\" (Radio Edit) 2:50\n\"What Do You Want From Me\" (Extended Mix) 4:46\n\"What Do You Want From Me\" (K-Klass Remix) 6:28\n\"What Do You Want From Me\" (K-Klass Radio Edit) 3:34\n\"What Do You Want From Me\" (Flip and Fill Remix) 6:07\n\"What Do You Want From Me\" (Hypasonic Remix) 6:07\n\"What Do You Want From Me\" (Fugitives Freedom Remix) 5:22\n\"What Do You Want From Me\" (Manox Remix) 6:02\n\"What Do You Want From Me\" (Manox Radio Edit) 3:31\n\"What Do You Want From Me\" (Fugitives Freedom Radio Edit) 3:57\n\"What Do You Want From Me\" (Ti-Mo Vs Stefan Rio Remix) 5:08\n\"What Do You Want From Me\" (Ti-Mo Vs Stefan Rio Radio Edit) 3:43\n\"What Do You Want From Me\" (DJ Cyrus Remix) 5:35\n\"What Do You Want From Me\" (DJ Cyrus Radio Edit) 3:33\n\"What Do You Want From Me\" (Club Mix) 4:59\n\"What Do You Want From Me\" (Alex K Remix) 4:20\n\"What Do You Want From Me\" (Original Mix) 4:44\n\"What Do You Want From Me\" (S & H Project Radio Edit) 3:34\n\"What Do You Want From Me\" (S & H Project Remix) 5:47\n\"What Do You Want From Me\" (DJ Gollum Radio Edit) 3:35\n\"What Do You Want From Me\" (DJ Gollum Remix) 5:24\n\"What Do You Want From Me\" (Basslovers United Radio Edit) 3:40\n\"What Do You Want From Me\" (Basslovers United Extended Mix)\n\"What Do You Want From Me\" (Studio Acapella With Out Effects)\n\"What Do You Want From Me\" (Scotty-Donk Project 2010 Remix)\n\nCharts\n\nRelease history\n\nReferences\n\nCascada songs\n2008 singles\nSongs written by Yanou\nSongs written by DJ Manian\n2008 songs" ]

[ "Vampire Weekend", "Departure of Batmanglij, Columbia Records and LP4 (2014 - present)", "who left", "Rostam Batmanglij announced his departure from the band on Twitter.", "why", "collaborate.", "What did he want", "Batmanglij contributing to the record. The album's working title was revealed to be Mitsubishi Macchiato." ]

[ "Move is the second Korean studio album by South Korean singer Taemin. The album consists of nine tracks including the title track, \"Move\". It was released digitally and physically on October 16, 2017, through SM Entertainment and distributed by Genie Music. A Korean version of Taemin's Japanese single, \"Flame of Love\", also appears on the album. The album was re-released under the title Move-ing on December 10, 2017.\n\nBackground and release\nOn September 28, 2017, SM Entertainment announced Taemin's second Korean studio album for October 16, 2017. Prior to the release of the album, Taemin previewed the songs from Move at his first Korean concert, titled Off-Sick, on October 15, 2017 in front of 10,000 fans. The album was released a day later on October 16, 2017 through various music sites and contained a total of nine tracks. Its lead single, \"Move\", was accompanied by three different music videos—the first was the official music video for the song that featured the singer in a variety of scenes, while the second and third videos focused on the choreography itself; the latter featured Japanese choreographer Koharu Sugawara. The album also included \"Heart Stop\", a light-hearted duet with labelmate Red Velvet's Seulgi, and a Korean version of Taemin's second Japanese single \"Flame of Love\", previously released on July 18, 2017.\n\nOn December 5, it was reported that a repackaged edition of the album, titled Move-ing, would be released on December 10. Move-ing contained four additional tracks, including the single \"Day and Night\".\n\nSingles\n\"Move\" was not supposed to be the album's original promotional track, as the company had chosen the album's B-side \"Love\" instead. However, Taemin decided against the song, since he did not think it would allow him to show his true identity. He aimed to break gender stereotypes and the perceived limits of K-pop's artistry and worked with the Japanese choreographer Koharu Sugawara and a team of female dancers to create the choreography for the song with the intentional to use Taemin's soft frame as a starting point to counter the gender norms typified by many K-pop dances, stating: \nMy aim was to find a middle ground, mixing both masculine and feminine movements into the choreography together. My body shape is like that of a dancer’s, it’s not too masculine or overly muscular and I wanted to take advantage of that. I thought I could show the soft lines like the dance movements of a ballet dancer by adding subtlety to my choreography. I wanted to break the idea of what male performers are supposed to show, what performances girl groups are supposed to show. I really wanted to break those labels, showing that dance is a form of art.\nHe also explained putting out three different music videos at once was something he wanted to try in order to show the different elements of the choreography as well as a strategical decision to make the choreography seem both possible and impossible at the same time and that he wanted to focus on bringing nuances into the music rather than having big movements. Taemin also appeared at the Seoul Fashion Week in October 2017 to perform \"Move\", which was named as a standout moment of the season of Seoul Fashion Week by W Magazine writer Todd Plummer.\n\nTrack listing\n\nCharts\n\nWeekly charts\n\nMonthly charts\n\nAccolades\n\nRelease history\n\nReferences\n\nExternal links\n \n \n \n\n2017 albums\nLee Tae-min albums\nSM Entertainment albums", "Giuseppe Moletti (1531–1588) was an Italian mathematician best known for his Dialogo intorno alla Meccanica (Dialogue on Mechanics). Though an obscure figure today, he was a renowned mathematician during his lifetime, and was even consulted by Pope Gregory XIII on his new calendar.\n\nHe held the mathematics chair at the University of Padua, preceding Galileo, who had sent him his theorems on the centre of gravity.\n\nDialogo intorno alla Meccanica\nIn his Dialogo intorno alla Meccanica (Dialogue on Mechanics), Moletti \"intended to establish its Euclidean foundations...[and] to extend mechanics generally to explain all motions through the analysis of their forces and resistances\". He defined mechanics as the science of overcoming greater forces with smaller ones. On the first day of dialogue, he offers geometrical foundations for Archytas’ (Pseudo-Aristotles) mechanics, establishing the principle that the further a weight is from the centre of a pivoting lever, the less force is required to move it in a circular motion. He used geometry and angles of force to discuss and solve mechanical problems. He thereby sought to relate motion to mathematical laws, though he did not envision mathematics as a universal science of motion. The second day discusses problems of natural philosophy, especially the acceleration of falling bodies.\n\nOther Works\n\nMoletti was a prolific writer, though many of his writings remained unpublished. He lived in the generation before Galileo and anticipated Galileo's experiments that heavy bodies of different weights fell at the same rate. Also that “what makes a body hard to move also makes it hard to stop”, which is related to its mass, and to what later became the law of inertia. He also wrote a book of astronomical tables, another on mathematical certainty, and a work on reform of the calendar. His unpublished notes contain commentaries on Euclid's Elements, Archimedes’ Sphere and Cylinder, Alhazen's Optics, Sacrobosco's Tractatus de Sphaera, Archytas’ (Pseudo-Aristotles') Mechanika and Copernicus' De revolutionibus. He was also working on an introduction to astrology, and on the celestial spheres. His practical papers include notes on an instrument for measuring distance, a horologium, on fortifications and on practical perspective.\n\nReferences\n\nBibliography\n \n \n\n16th-century Italian mathematicians\n1531 births\n1588 deaths\nGregorian calendar" ]

[ "Vampire Weekend", "Departure of Batmanglij, Columbia Records and LP4 (2014 - present)", "who left", "Rostam Batmanglij announced his departure from the band on Twitter.", "why", "collaborate.", "What did he want", "Batmanglij contributing to the record. The album's working title was revealed to be Mitsubishi Macchiato.", "What did he move on to", "Koenig revealed in an elaborate Instragram update that during 2016 he had spent countless hours researching and writing music in libraries with grad students." ]

[ "Damien Lauretta (born 18 March 1992, in Cannes) is a French singer, record producer, songwriter and actor.\n\nLife and career\nHe participated in several music programs, such as the Bataille des chorales (TF1), and Le Grand show des enfants (TF1). But his first real appearance on television was when he participated at The X Factor (M6) in 2011. He joined the group “2nd Nature” before being eliminated in 6th prime.\n\nIn 2014, he return on the screen, play one of the main role in «Dreams : 1 Rêve 2 Vies», series recorded in Saint Martin and broadcast on NRJ 12.\n\nFrom 2014 to 2015, he played Clément and Alex in the third season of the famous Disney Channel Original Latin American series Violetta. He is the first French to work with Disney Channel International. He lived for one year in Buenos Aires, Argentina.\n\nIn 2016 his first music is “Fall in Love” with 1 000 000 views on YouTube. The video clip was filmed in Bogota (Colombia).\n\nThe same year, for the tribute album of Daniel Balavoine ; Balavoine(s), he made a cover of \"\" a song extract of the French musical Starmania\n\nHis 2017’ single \"Dreamin\" has been #1 of charts in Canada. (Québec) \n\nIn 2019 he released a single \"Calle Verdi\".\n\nThen, Damien Lauretta released 1 new singles: “La Mer” (March 13, 2020).\n\nHe realesed his first album solo on January 14, 2022 titled \"French Riviera\"\n\nFilmography\n\nDiscography\n\nReferences\n\nExternal links\n\nhttps://youtube.com/user/DamienLauretta\n\n1992 births\nLiving people\n21st-century French male actors\n21st-century French singers\nThe X Factor contestants\nFrench male television actors\n21st-century French male singers", "OSIM International Ltd () is a Singaporean company. OSIM is a combination of the surname of its founder, Sim, and 'O' that stands for the globe. It was originally established in Singapore in November 1980 by Ron Sim as an electrical and household appliance company under the name of R Sim Trading. With a small start-up capital, the company was mainly involved with the marketing of household products such as knives, knife sharpeners and mobile clothes drying rods. In 1989, the company registered the name Health Check and Care, and saw a shift in focus to healthy lifestyle products. The period following this saw tremendous growth for the company, and it developed outlets including Malaysia and Indonesia.\n\nIn 1993, the company officially launched the OSIM brand name and its distribution network expanded to 60 point-of-sale outlets in Asia. Also in the same year, the company opened its first concept shop in Shanghai, in the People’s Republic of China.\n\nOn 25 January 2002, OSIM opened its global business headquarters in Singapore at 65 Ubi Avenue 1. The Business Headquarters Status (BHQ) was awarded to OSIM by The Economic Development Board.\n\nIn October 2005, OSIM made a strategic acquisition of US Nationwide specialty retailer Brookstone.\n\nProducts\n\nMassage Chairs & Sofas\nuDream\nuInfinity\nuLove\nuDivine\nuRegal\nuNano\nuDiva\nuDesire\nuPilot\nuYogga\nuMagic\nuThrone - realesed in 2021, uThrone is the world's first gaming chair with full massage features \nuSofa\n\nAmbassadors\nAndy Lau\nJJ Lin\nLin Chi-ling\nFan Bingbing\nLee Min-ho\nSammi Cheng\n\nAwards \n\n Good Design Award 2018 \n Red Dot Design Award Winner 2021 \n Best Managed Companies Awards 2021 \n CES Innovation Award 2022\n\nReferences\n\nExternal links\nOfficial website\n\nRetail companies of Singapore\nCompanies of Singapore\nCompanies established in 1980\n1980 establishments in Singapore\nSingaporean companies established in 1980\nSingaporean brands\nCompanies formerly listed on the Singapore Exchange\nHealth care companies of Singapore\nMultinational companies headquartered in Singapore" ]

[ "Vampire Weekend", "Departure of Batmanglij, Columbia Records and LP4 (2014 - present)", "who left", "Rostam Batmanglij announced his departure from the band on Twitter.", "why", "collaborate.", "What did he want", "Batmanglij contributing to the record. The album's working title was revealed to be Mitsubishi Macchiato.", "What did he move on to", "Koenig revealed in an elaborate Instragram update that during 2016 he had spent countless hours researching and writing music in libraries with grad students.", "When was it realesed", "Initially, this news was regarded a rumour, until the band's website revamp in 2018, in which a Sony Music copyright appeared on the site." ]

[ "Compliance gaining is a term used in the social sciences that encompasses the intentional act of altering another's behavior. Research in this area originated in the field of social psychology, but communication scholars have also provided ample research in compliance gaining. While persuasion focuses on attitudes and beliefs, compliance gaining focuses on behavior.\n\nOverview\nCompliance gaining occurs whenever a person intentionally induces another person to do something that they might have not done otherwise. Compliance gaining and persuasion are related; however, they are not one and the same. Changes in attitudes and beliefs are often the goal in persuasion; compliance gaining seeks to change the behavior of a target. It is not necessary to change a person's attitude or beliefs to gain compliance. For instance, an automobile driver might have positive attitudes towards driving fast. The threat of a speeding ticket from a police officer positioned in a speed trap may gain compliance from the driver. Conversely, persuading someone to change their attitude or belief will not necessarily gain compliance. A doctor might tell a patient that tobacco use poses a serious threat to a smoker's health. The patient may accept this as a fact and view smoking negatively, but might also continue to use tobacco.\n\nDevelopments\nCompliance gaining research has its roots in social psychology, but overlaps with many other disciplines such as communication and sociology. Compliance gaining can occur via mediated channels, but the research is most associated with interpersonal communication. In 1967, sociologists Marwell and Schmitt attempted to explain how people select compliance gaining messages. The researchers posited that people have a mental bank of strategies that they draw from when selecting a message. Marwell and Schmitt created a typology for compliance gaining techniques: promise, threat, positive expertise, negative expertise, liking, pregiving, aversive stimulation, debt, moral appeal, positive self-feeling, negative self-feeling, positive altercasting, negative altertcasting, altruism, positive esteem, and negative esteem. This study was the catalyst for more interest in compliance gaining from communication scholars.\n\nMiller, Boster, Roloff, and Seibold (1977) as well as Cody and McLaughlin (1980) studied the situational variables that influences compliance gaining strategies. The latter study identified six different typologies of situations that can influence compliance gaining behaviors: personal benefits (how much personal gain an actor can yield from the influencing behavior), dominance (the power relation between the actor and the target), rights (whether the actor has the right to expect compliance), resistance (how easy will the target be influenced), intimacy (whether the relation between actor and target is shallow), and consequences (what sort of effect this situation would have on the relationship between actor and target). Dillard and Burgoon (1985) later investigated the Cody-McLaughlin typologies. They concluded that situational variables, as described by Cody and McLaughlin, did very little to predict compliance gaining strategy selection. As early as 1982, there was already strong criticism about the strength of the relationships between situational variables and compliance gaining message selection.\n\nBy the 1990s, many research efforts attempting to link compliance gaining strategy selection and features of a situation or features of the individual \"failed to coalesce into a coherent body of knowledge\". Situational dimensions and individual differences were not effective in predicting so researchers went into other perspectives in an effort to understand compliance gaining. For instance, Schrader and Dillard (1998) linked primary and secondary goals to compliance gaining strategy. Using the theoretical framework of Goals-Plans-Actions developed by Dillard in 1980, Schrader and Dillard operate from the assumption that individuals possess and act on multiple goals. In any compliance seeking situation, the actor has primary goals that drive the attempt to influence a target. The primary goal is what the interaction is all about. For instance, if an actor wants a target to stop smoking, this is the primary goal and this is what drives the interaction. However, in the course of pursuing that goal, there are \"secondary\" goals to consider. These are goals that limit the behavior of the actor. If getting a target to stop smoking is the primary goal, then a secondary goal might be to maintain a friendly relationship with the target. Dillard specifies five types of secondary goals that temper the compliance gaining behavior: identity goals (morals and personal standards), interaction goals (impression management), relational resource goals (relationship management), personal resource goals (material concerns of the actor), and arousal management goals (efforts to manage anxiety about the compliance gaining attempt).\n\nDespite the charges of individual differences making very little progress in prediction compliance gaining strategies, some researchers in the 2000s have focused their efforts to rectify this weakness in the research to link individual differences with compliance gaining effectiveness. King (2001), acknowledging the paucity of robust situational and trait studies linked to compliance gaining, attempted to isolate one situation as a predictor for compliance gaining message selection. King's research suggested that when target of compliance gaining were perceived to be less resistant to influence attempts, the actors used more compliance gaining tactics. When targets were perceived as strongly resistant, the actors used less tactics. Elias and Loomis (2004) found that gender and race affect an instructor's ability to gain compliance in a college classroom. Punyanunt (2000) found that using humor may enhance the effectiveness of pro-social compliance gaining techniques in the classroom. Remland and Jones (1994) found that vocal intensity and touch also affect compliance gaining. Goei et al. (2003) posited that \"feelings of liking\" between target and actor as well as doing favors for the target lead to liking and obligation, which leads to increased compliance. Pre-giving (giving a target a small gift or favor such as a free sample of food) is positively associated with increased compliance in strangers. \nOne of the major criticisms of examining compliance gaining literature is that very little research studies actual compliance. Filling out a survey and reporting intent to comply with a request is certainly different than actually completing the request. For example, many people might report that they will comply with a doctor's order, but away from the doctor's office, they may ignore medical advice.\n\nApplication\nCompliance gaining research has a fairly diverse background so much of the research uses alternate paradigms and perspectives. As mentioned above, the field of compliance gaining originated in social psychology, but was adopted by many communication scholars as well. Many fields from consumer psychology to primary education pedagogy have taken great interest in compliance gaining.\n\nMedicine \nDoctors have expressed much frustration with compliance resistance from their patients. A reported 50% of patients do not comply with medical advice and prescriptions. Researchers, as well as medical professionals, have a vested interest in learning strategies that can increase compliance in their patients. Many severe and chronic conditions can be avoided if early treatments are followed as prescribed, avoiding death, permanent injury, and costlier medical treatments later on. Researchers in communication have reported some key findings such as: clear and effective communication about a patient's condition or illness increases the likelihood of patient compliance with medical advice; doctors that use humor in their communication with patients have higher satisfaction rates; high satisfaction rates with physicians is highly correlated with patient compliance.\n\nPedagogy \nFor teachers, gaining compliance from students is a must for effective teaching. Studies in compliance gaining have ranged from elementary education all the way to adult and higher education.\n\nSales and consumer psychology \nAdvertising and marketing are tools of persuasion. There is literally centuries' worth of literature available about persuasion. However, changing attitudes and beliefs about a product does not necessarily change behaviors. Purchasing a product is a behavior. Researchers such as Parrish-Sprowl, Carveth, & Senk (1994) have applied compliance gaining research to effective sales.\n\nCompliance\nCompliance gaining was not originally conceived in the field of communication but found its roots in the late 1960s as a result of studies and research by two sociologists, Gerald Marwell and David Schmitt. In 1967, Marwell and Schmitt produced some interesting compliance-gaining tactics concerning the act of getting a teenager to study. The tactics, sixteen in all, are as follows.\n\n Promise: If you comply, I will reward you. For example, you offer to increase Dick's allowance if he studies more.\n Threat: If you do not comply, I will punish you. For example, you threaten to forbid Dick to use the car if he doesn't start studying more.\n Expertise (positive): If you comply, you will be rewarded because of the \"nature of things.\" For example, you tell Dick that if he gets good grades he be able to get into college and get a good job.\n Expertise (negative): If you do not comply, you will be punished because of the \"nature of things.\" For example, you tell Dick that if he does not get good grades he will not be able to get into college or get a good job.\n Liking: Act friendly and helpful to get the person in a \"good frame of mind\" so they comply with the request. For example, you try to be as friendly and pleasant as possible to put Dick in a good mood before asking him to study.\n Pre-giving: Reward the person before requesting compliance. For example, raise Dick's allowance and tell him you now expect him to study.\n Aversive stimulation: Continuously punish the person, making cessation contingent on compliance. For example, you tell Dick he may not use the car until he studies more.\n Debt: You owe me compliance because of past favors. For example, you point out that you have sacrificed and saved to pay for Dick's education and that he owes it to you to get good enough grades to get into a good college.\n Moral appeal: You are immoral if you do not comply. You tell Dick that it is morally wrong for anyone not to get as good grades as possible and that he should study more.\n Self-feeling (positive): You will feel better about yourself if you comply. For example, you tell Dick that he will feel proud if he gets himself to study more.\n Self-feeling (negative): You will feel worse about yourself if you do not comply. For example, you tell Dick that he will feel ashamed of himself if he gets bad grades.\n Altercasting (positive): A person with \"good\" qualities would comply. For example, you tell Dick that because he is a mature and intelligent person he naturally will want to study more and get good grades.\n Altercasting (negative): Only a person with \"bad\" qualities would not comply. For example, you tell Dick that he should study because only someone very childish does not study.\n Altruism: I need your compliance very badly, so do it for me. For example, you tell Dick that you really want very badly for him to get into a good college and that you wish he would study more as a personal favor to you.\n Esteem (positive): People you value will think better of you if you comply. For example, you tell Dick that the whole family will be very proud of him if he gets good grades.\n Esteem (negative): People you value will think the worse of you if you do not comply. For example, you tell Dick that the whole family will be very disappointed in him if he gets poor grades.\n\nIn 1967, Marwell and Schmitt conducted experimental research, using the sixteen compliance gaining tactics and identified five basic compliance-gaining strategies: Rewarding activity, Punishing activity, Expertise, Activation of impersonal commitments, and Activation of personal commitments.\n\nPower\nAnother element of compliance-gaining was produced in the early 1960s, as French and Raven were researching the concepts of power, legitimacy, and politeness. They identified five influential aspects associated with power, which help illustrate elements of the study of compliance. The fives bases of power are as follows:\n\n Reward Power: A person with reward power has control over some valued resource (e.g., promotions and raises).\n Coercive Power: A person with coercive power has the ability to inflict punishments (e.g., fire you).\n Expert Power: Expert power is based on what a person knows (e.g., you may do what a doctor tells you to do because they know more about medicine than you do).\n Legitimate Power: Legitimate power is based on formal rank or position (e.g., you obey someone's commands because they are the vice president in the company for which you work).\n Referent Power: People have referent power when the person they are trying to influence wants to be like them (e.g., a mentor often has this type of power).\n\n(French & Raven, 1960)\n\nTechniques\nThe study of compliance gaining has been central in the development of many commonly used or heard of techniques. The following techniques are a few of what has evolved as a product of the study of compliance gaining strategies. Note, many of these techniques have been empirically documented increasing compliance.\n\nFoot-in-the-door (FITD) \n\nWith research starting in 1966 by Freedman & Fraser, foot-in-the door is one of the earliest and most researched compliance gaining techniques. This technique gains compliance by making a smaller easy request then a larger more difficult request at a later time. The smaller request is usually one that would be widely accepted without scrutiny. The larger request is usually the actual the task or goal wanted to be completed.\n\nEffectivity \nFreedman and Fraser thought that after satisfying the smaller initial request, if the person was not forced to do then they must be \"the type of person who fulfills such requests\".\n\nThe smaller task/request should relate to the larger request and not be trivial. For the foot-in-the-door technique to be successful it must generate the self-aware \"I am the kind of person who fulfills this type of request\" other wise known as the self-perception theory. Other studies found that if the initial request is easy but unusual or bizarre, it would also generate the foot-in-the-door effectiveness. This idea was developed further into the Disrupt-Then-Reframe technique.\n\nThere are other reasons besides the self-perception theory that makes the foot-in-the-door technique successful.\n\nConsistency – Cialdini and Guadagno, Asher, and Demaine believe that what makes people want to fulfill larger request is the need to be consistent.\n\nThe Norm to Help Others – Harris believed that after the first request, the norm to help others becomes clear. It only becomes evident after the person reviews his or her reason why they completed the original request.\n\nSatisfying the First Request – Crano and Sivacek thought what made the technique so effective was personal satisfaction. \"The person learns that the fulfillment of request brings the reward of a positive experience. One may assume that the likelihood that satisfaction of this type appears willi increase if the person has to react to something unusual that awakens his or her mindfulness, and will decrease in situations in which the person reacts automatically and habitually\".\n\nDoor-in-the-face (DITF) \n\nDoor-in-the-face was first introduced in 1975 by Cialdini and colleagues. The opposite of foot-in-the-door, in the door-in-the-face technique, the requestor asks a large objectionable request which is denied by the target instead of gaining compliance by asking a smaller easy request. The requestor seeking compliance ask a smaller more reasonable request.\n\nThere are several theories that explain why door-in-the-face is an effective gaining compliance technique.\n\nSelf-presentation theory – \"that individuals will comply with a second request due to fears one will be perceived negatively by rejecting successive prosocial request for compliance\".\n\nReciprocal concessions – this theory describes the effects of door-in-the-face as a \"process of mutual concessions\". \"The second request represents a concession on the part of the sender (from his or her initial request), and compliance to the second request represents a concession on the part of the receiver (from his or her inclination to not comply with the first request)\".\n\nGuilt – One reason that makes door-in-the-face such an effective technique is people feel guilty for refusing to comply with a request twice.\n\nSocial Responsibility – this theory describes the social repercussions and pressures that occur if an individual declines a request.\n\nAll together the theories propose that a target who declines the first request feel a \"personal or social responsibility\" to comply with the second request. In an effort to avoid feeling guilty or reduce the sense of obligation the target would have.\n\nRecent techniques\n\nDisrupt-then-reframe (DTR) \nDTR was first introduced by Barbara Price Davis and Eric S. Knowles in 1999. This technique states that a person will be more likely to comply with a request if the initial request or pitch is confusing. The pitch is immediately followed by a reframing or a reason to comply with the request.\n\nAn example of this technique is: A waiter states that \"the steak dinner is on special for 800 pennies; it's a really good deal\". Disrupting the couple by saying \"800 pennies\" instead of \"8 dollars\", the waiter is able to increase the likelihood that they will buy the steak dinner.\n\nDTR was found to be a very effective way to gain compliance in non-profit instances such as raising money for charities or asking people to take a survey. DTR was found to be less successful as a sales technique; this may be because the message is more scrutinized, making it harder to confuse the target.\n\nPersistence \nPersistence used as a compliance gaining technique, gets the target to comply by repeating the message. In 1979, Cacioppo and Petty found that repeating the message more than five times lead to decrease in compliance. Success is enhanced if the repetition comes from more than one person and is enhanced further if the message has the same idea or meaning but is not exact.\n\nAn example of this technique would be: \"My wife kept reminding me to take out the trash until I finally did it.\"\n\nDump and chase (DAC) \nPersistence has a high probability of annoying the target and creating a negative interaction which could be viewed as \"nagging\". A way to avoid this would be rejecting the targets objection to your request by asking \"why not?\", then forming another message to overcome the second objection to gain compliance. This technique is called dump and chase.\n\nMechanics of this technique are urgency and guilt. When the repeated message is presented to the target it may be perceived as urgent, thus making it seem more important, and more willing to comply. By creating a sense of obligation in the request, the target may develop guilt if not willing to comply.\n\nJust-One-More (JOM) \nJust-One-More was developed as a way to make a donation seem more important. The use of this technique involves using the language of \"Just-One-More\" to gain compliance. The technique is found to be most useful in instances regarding volunteering and donations. It is seen as \"the last person to help will be more rewarding than being one of the first or those in the middle, due to the expectation that the requestor will appreciate the last person more than any of those who complied previously\".\nFor Example: \"Do you want to buy this car? I need just one more sale to reach my quota this month.\"\n\nIf the target finds that the requestor is lying or being deceptive about being the last one, it will create a negative outlook on the person and the organization that he or she represents. Even though losing some of the effectiveness the requestor could state that they are \"close to their goal\" or \"almost there\".\n\n64 compliance gaining strategies \nIn \"Classifying Compliance Gaining Messages: Taxonomic Disorder and Strategic Confusion\", Kathy Kellermann and Tim Cole put together 64 compliance gaining strategies as an attempt to classify more than 820 previous strategies.\n Actor Takes Responsibility: Try to get others to comply by stating your willingness to help them or even work on the request yourself. That is, try to gain their compliance by offering to do it yourself as a means of getting them to do what you want. Example: \"Is there anything I can do to so you can finish the project on time?\"\n Altercasting (Negative): Try to get others to comply by pointing out that only a bad person would not do what is wanted. That is, try to gain their compliance by noting that only a person with negative qualities wouldn't comply. Example: \"You should stop watching these types of television shows as only a disturbed person would like them.\" \n Altercasting (Positive): Try to get others to comply by pointing out that a good person would do what is wanted. That is, try to gain their compliance by noting that any person with positive qualities would comply. Example: \"A good boy would eat all his vegetables.\"\n Altruism: Try to get others to comply by asking them to give you a hand out of the goodness of their heart. That is, try to gain their compliance by asking them to be altruistic and just do it for you. Example: \"Could you help me move, I would really appreciate it.\"\n Assertion: Try to get others to comply by asserting (forcefully stating) what you want. That is, try to gain their compliance by demanding (commanding) them to comply. Example: \"Go get a bandaid now!\"\n Audience-Use: Try to get others to comply by having a group of other people present when you make your request. That is, try to gain their compliance by asking them in front of other people as a way to back up your request. Example: \"I asked her to go to the prom with me in front of her friends.\" \n Authority Appeal: Try to get others to comply on the basis of the authority that you or other people have. That is, try to gain their compliance by using or relying on a position of power over them to get them do to what you want. Example: \"My boss told me to get him the reports by 10 am so I did.\"\n Aversive Stimulation: Try to get others to comply by doing things they don't like until they agree to comply. That is, try to gain their compliance by bothering them until they do what you want. Example: \"My co-worker kept bothering me to quit smoking until I finally did.\"\n Bargaining: Try to get others to comply by striking a bargain with them. That is, try to gain their compliance by negotiating a deal where you each do something for the other so everyone gets what they want. Example: \"If you help me with the dishes, I will help you with the laundry.\"\n Benefit (Other): Try to get others to comply by telling them people other than themselves would benefit if they do what you want. That is, try to gain their compliance by pointing out how it helps people other than themselves if they comply. Example: \"By donating to our fundraiser, You ensure that everyone will have a coat this winter.\"\nBenefit (Self): Try to get others to comply by telling them you personally would benefit if they do what you want. That is, try to gain their compliance by pointing out how it helps oneself if they comply. Example: \"If you helped me with the yard work, then I won't get a ticket by the city tomorrow.\"\nBenefit (Target): Try to get others to comply by telling them they personally would benefit if they do what you want. That is, try to gain their compliance by pointing out how it helps them if they comply. Example: \"If you go grocery shopping for me tonight then you will have something for lunch tomorrow.\"\nChallenge: Try to get others to comply by challenging them to do what you want. That is, try to gain their compliance by provoking, stimulating, tempting, goading, and/or galvanizing them to comply. Example: I didn't want to race until his car pulled beside mine and he revved the engine. \nCompliment: Try to get others to comply by complimenting them on their abilities or accomplishments. That is, try to gain their compliance by praising them to get them to do what you want. Example: With that jump shot, you would be really good at basketball. \nCompromise: Try to get others to comply by offering to compromise with them. That is, try to gain their compliance by making a concession to them so they'll make their concession to you and do what you want. Example: \"I will drop you off at the airport if you will go to the dentist with me.\"\n Cooperation: Try to get others to comply by being cooperative and collaborating with them. That is, try to gain their compliance not by telling the other person what to do but by offering to discuss things and work them out together. Example: \"We should get the team together and brainstorm new ideas for this problem.\"\nCriticize: Try to get others to comply by criticizing them. That is, try to gain their compliance by attacking them on a personal level to get them to do what you want. Example: \"It looks like you're really gaining some weight, why don't you go on a run with me.\"\nDebasement: Try to get others to comply by acting pitiful and pleading. That is, try to gain their compliance by debasing, demeaning, degrading, devaluing, humiliating, and/or lowering yourself so as to deprive yourself of esteem or self-worth to get them to do what you want. Example: \"I am so stupid, I can't believe I deleted the report. Can you please go delay the presentation.\" \nDebt: Try to get others to comply by reminding them they are in debt to you because of things you have done for them in the past. That is, try to gain their compliance by indicating that they owe it to you to do what you want. Example: \"You should paid for my lunch, I bought your lunch last time.\"\nDeceit: Try to get others to comply by misleading them. That is, try to gain their compliance by lying to or deceiving them. Example: \"We told them the car was in perfect working order, but the transmission is about to go out.\"\nDirect Request: Try to get others to comply by just making a direct request. That is, try to gain their compliance by simply asking or stating what you want without giving any reasons for them to comply. Example: \"Can I use the computer?\"\nDisclaimer (Norms/Rules): Try to get others to comply by downplaying or disavowing restrictions and constraints that might prevent them from doing what you want them to do. That is, try to gain their compliance by pointing out that otherwise applicable procedures, rules, norms, and/or expectations should be broken in this instance. Example: \"You should drive faster than the speed limit, this is an emergency!\"\nDisclaimer (Other): Try to get others to comply by downplaying or disavowing the ability of anyone else to do so. That is, try to gain their compliance by pointing out that other people can't help you or do what is needed. Example: \"I would ask Ted for his help but we know that he is not good at presentations.\"\nDisclaimer (Self): Try to get others to comply by downplaying or disavowing your reasons for asking. That is, try to gain their compliance by indicating that: (a) you don't want to make a bad impression nor do you have bad intentions, (b) you don't really want to make the request and you are only doing so reluctantly, and/or (c) you simply have no choice but to make the request. Example: \"I'm sorry that I am asking you for money, I'm really not a beggar.\"\nDisclaimer (Target): Try to get others to comply by acknowledging and sympathizing with why they may not want to do so. That is, try to gain their compliance by indicating that: (a) you understand and are aware of their reasons, feelings, and abilities, and/or (b) that you are sensitive to their needs and concerns even though you must ask them to do what you want. Example: \"I know that you're disappointed that you can't go on the trip, but do you mind helping me get the presentation ready?\"\nDisclaimer (Task): Try to get others to comply by downplaying what you are asking them to do. That is, try to gain their compliance by indicating that what you want them to do isn't what they think it is and shouldn't pose a problem; it isn't awful, effortful, difficult, or dumb. Example: \"Updating the database shouldn't take that much time.\"\nDisclaimer (Time): Try to get others to comply by downplaying or disavowing being busy as a reason to refuse your request. That is, try to gain their compliance by pointing out that there is or soon will be enough time for them to do what you want. Example: \"We should go to the store now, you can finish your report later.\"\nDuty: Try to get others to comply by pointing out it is their duty to do so. That is, try to gain their compliance by stating they should fulfill obligations, responsibilities, and commitments that they have. Example: \"Taking out the trash at the end of the day is a part of your job.\"\nEquity: Try to get others to comply on the grounds that it is equitable to do so. That is, try to gain their compliance by pointing out that being fair, just, and impartial means they should do what you want. Example: \"Your brother cleaned the house last time; it's your turn now.\"\nEsteem (Negative) by Others: Try to get others to comply by pointing out that, if they do not do so, other people will think worse of them. That is, try to gain their compliance by noting that in the eyes of others they will be viewed more negatively if they don't do what you want. Example: \"If you don't go to that college, other people will think you're going to a party school.\"\nEsteem (Positive) by Others: Try to get others to comply by pointing out that, if they do so, other people will think better of them. That is, try to gain their compliance by noting that in the eyes of others they will be viewed more positively if they do what you want. Example: \"If you play football, everyone will think that you're really tough.\"\nEsteem (Negative) by Actor: Try to get others to comply by pointing out that, if they do not do so, you will think worse of them. That is, try to gain their compliance by noting that in your eyes they will be viewed more negatively if they don't do what you want. Example: \"I would be really disappointed if you went to the party instead of studying.\"\nEsteem (Positive) by Actor: Try to get others to comply by pointing out that, if they do so, you will think better of them. That is, try to gain their compliance by noting that in your eyes they will be viewed more positively if they do what you want. Example: \"If you went to law school, I would have a new level of respect for you.\"\nExpertise (Negative): Try to get others to comply by pointing out that because of the way the world works, unfavorable things will happen if they don't change their behavior. That is, try to gain their compliance by noting that in the natural course of things, bad outcomes will occur if they don't do what you want. Example: \"You will get the flu, if you don't get a flu shot.\"\nExpertise (Positive): Try to get others to comply by pointing out that because the way the world works, favorable things will happen if they change their behavior. That is, try to gain their compliance by noting that in the natural course of things, good outcomes will occur if they do what you want. Example: \"If you work hard at your job, you're sure to get that promotion.\"\nHinting: Try to get others to comply by hinting around at what you want them to do. That is, try to gain their compliance by indicating indirectly what you want, hoping they will figure it out and comply even though you never come out and really say it. Example: \"I left the trash by the front door, so Dan would take it out.\" \nI Want: Try to get others to comply for no reason other than you want them to. That is, try to gain their compliance by telling them to do what you want because you desire it. Example: \"I want you to go with me to the city.\"\nInvoke Norm: Try to get others to comply by indicating they would be out of step with the norm if they didn't do what you want. That is, try to gain their compliance by prodding them to conform to what others have, do, or desire. Example: \"Everyone is going to the gym after work.\"\nIt's Up to You: Try to get others to comply by telling them the decision is theirs to make and it's up to them. That is, try to gain their compliance by telling them the choice to comply is up to them. Example: \"It's up to you to save your money, instead of spending it on video games.\"\nLogical Empirical: Try to get others to comply by making logical arguments. That is, try to gain their compliance through the use of reasoning, evidence, facts, and data. Example: \"Statistics show that non-smokers live longer than smokers.\"\nMoral Appeal: Try to get others to comply by appealing to their moral or ethical standards. That is, try to gain their compliance by letting them know what is right and what is wrong. Example: \"Don't buy those shoes they are made using child labor.\"\nMy Concern for You: Try to get others to comply because of your concern for them. That is, try to gain their compliance by referring to your regard for, consideration of, interest in, and feelings for them. Example: \"Please go to the doctor, I'm worried about you.\"\nNature of Situation: Try to get others to comply by being attentive to the situation or circumstances you find yourselves in. That is, try to gain their compliance by taking note of the appropriateness of their behavior to the situation and/or the appropriateness of your request in the situation. Example: \"I told my son that the bed was not a trampoline.\" \nNegative Affect: Try to get others to comply by being really negative: expressing negative emotions, acting really unfriendly, and creating an unappealing impression. That is, try to gain their compliance by acting displeased to get them to do what you want. Example: \"Angrily, I told her to put her phone on silent after it went off in class..\"\nNot Seek Compliance: No attempt is made to get others to do what you want. That is, no compliance is sought. Example: \"I didn't ask if I could go out tonight.\"\nPersistence: Try to get others to comply by being persistent. That is, try to gain their compliance by persevering (continuing) in your attempts to get them to do what you want. Example: \"After asking for over a year, we are finally getting a pool.\"\nPersonal Expertise: Try to get others to comply by referring to your credibility (your personal expertise). That is, try to gain their compliance based on your experience, know-how, trustworthiness, and judgment. Example: \"You should get those shoes, I have them and they feel great when running. \nPositive Affect: Try to get others to comply by being really positive: expressing positive emotions, acting really friendly, and creating an appealing impression. That is, try to gain their compliance by charming them into doing what you want. Example: \"She was really happy, when she asked for a raise.\"\nPre-Giving: Try to get others to comply by doing positive and nice things for them in advance of asking them to do what you want. That is, try to gain their compliance by giving them things they'd like and then only afterwards making your request. Example: \"I bought my wife flowers, then later asked if I could go fishing this weekend.\"\nPromise: Try to get others to comply by making a promise. That is, try to gain their compliance by offering to give them a reward or something they'd like if they do what is wanted. Example: \"If you behave in the store, I promise that we will stop for ice cream on the way home.\"\nPromote Task: Try to get others to comply by promoting the value and worth of what you want them to do. That is, try to gain their compliance by identifying one or more positive qualities of the thing you are asking them to do (e.g., what you want them to do is important, meaningful, rewarding, enjoyable etc.). Example: \"If you complete this presentation on time, you will be less stressed and will get a good grade.\"\nSelf-Feeling (Negative): Try to get others to comply by stating that not doing so will result in an automatic decrease in their self-worth. That is, try to gain their compliance by pointing out that they will feel worse about themselves if they don't do what you want. Example: \"You will feel bad if you throw all that food away instead of donating it.\"\nSelf-Feeling (Positive): Try to get others to comply by stating that doing so will result in an automatic increase in their self-worth. That is, try to gain their compliance by pointing out that they will feel better about themselves if they do what you want. Example: \"You will feel better if you donate that old coat to charity instead of selling it in the garage sale.\" \nSuggest: Try to get others to comply by offering suggestions about what it is you want them to do. That is, try to gain their compliance by subtly proposing an idea that indirectly points out and describes what it is you want them to do. Example: \"Why don't you try the steak instead of the chicken?\"\nSurveillance: Try to get others to comply by indicating your awareness and observation of what they do. That is, try to gain their compliance by referring to your general vigilance, surveillance, scrutiny, and/or monitoring of their behavior. Example: \"I will find out if you're lying to me about the car accident.\" \nThird Party: Try to get others to comply by having someone else ask them for you. That is, try to gain their compliance by getting someone else to intervene and do it for you. Example: \"Jane don't you think Jim should go on that date with the girl from accounting.\" \nThis Is the Way Things Are: Try to get others to comply by telling them they have to because that is just the way things are. That is, try to gain their compliance by referring to rules, procedures, policies, or customs that require them to comply. Example: \"You should slow down since the speed limit is only 25 mph.\"\nThought Manipulation: Try to get others to comply by convincing them that the request you are making is really their own idea. That is, try to gain their compliance by having them think they were the ones who really wanted to do it in the first place. Example: \"We should go on the roller coaster, since you wanted to come to the fair in the first place.\" \nThreat: Try to get others to comply by threatening them. That is, try to gain their compliance by saying you will punish them if they don't do what you want. Example: \"If you go to the bar again tonight, consider us done.\" \nValue Appeal: Try to get others to comply because of important values that compel action in this instance. That is, try to gain their compliance by pointing to central and joint beliefs that should guide what they do. Example: \"Since we both care about the ocean, we should volunteer for the cleanup.\"\nWarning: Try to get others to comply by warning them about what they are doing. That is, try to gain their compliance by alerting them to possible negative consequences of their behavior. Example: \"You might get fired if you stay up all night.\" \nWelfare (Others): Try to get others to comply by telling them how other people would be hurt if they don't do what you want. That is, try to gain their compliance by pointing out that the welfare of other people is at stake. Example: \"If you are not going to be in the family photo then we won't take one.\" \nWhy Not?: Try to get others to comply by making them justify why they should not. That is, try to gain their compliance by pointing out there are no real grounds for not doing so. Example: \"Why wouldn't you help your sister?\"\nYour Concern for Me: Try to get others to comply because of their concern for you. That is, try to gain their compliance by referring to their regard for, consideration of, interest in, and feelings for you. Example: \"If you really cared for me then you would go to the dance recital.\"\n\nReferences\n\nFurther reading\n \n Dillard, J.P. (2004). The goals-plans-action model of interpersonal influence. In J. S. Seiter & R. H. Gass (Eds.) Readings in persuasion, social influence, and compliance gaining (pp. 185–206). Boston: Allyn & Bacon.\n French, J. P. R., Jr., & Raven, B. (1960). The bases of social power. In D. Cartwright & A. Zander (Eds.), Group dynamics (pp. 607–623). New York: Harper & Row.\n \n \n \n McQuillen, J. S., Higginbotham, D. C., & Cummings, M. C. (1984). Compliance-resisting behaviors: The effects of age, agent, and types of request. In R. N. Bostrom (Ed.), Communication yearbook 8 (pp. 747–762). Beverly Hills: SAGE.\n \n \n Wheeless, L. R., Barraclough, R., & Stewart, R. (1983). Compliance-gaining and power in persuasion. In R. Bostrom (Ed.), Communication yearbook 7 (pp. 105–145). Beverly Hills: Sage.\n\nPersuasion\nAttitude change\nSociological theories", "Steven Michael \"Steve\" Kemp (born 29 December 1978 in Lancashire, England) is an English drummer. He was the drummer of indie rock band Hard-Fi.\n\nCareer\nOriginally from Lancashire, Kemp went to Carnforth High School, before he moved to London in his late teens to do a musical course. Kemp is a big fan of Liverpool F.C. and was originally a drummer for a DJ who happened to be friends with Richard Archer. When Archer was scouting for members to be in his band, he asked Kemp to be part of it, through Kemp's link with the DJ.\n\nIn December 2007 he slammed bands such as Led Zeppelin and The Police for charging their fans £100 for tickets to their live concerts. He said \"I know these old bands have a huge legacy but paying over £100 for a ticket is a joke. If it's a band you really love, of course you want to go and see them - but why should you then pay so much money for it? These rock 'n' roll dinosaurs are coming out for a last pay cheque. I don't know what they’re going to do on stage that's so special\". He then joked that, \"I think we should split up in November, just to get back together in December. See if it makes us more famous. Maybe we could have November off and get back together in December and call it the reunion tour. The few remaining tickets will sell out in no time. It will be a winner. It will be perfect.\"\n\nIn an interview with ilikemusic, Kemp was asked to reflect on whether he has time to \"smell the roses and enjoy the journey and reflect\"\n\n\"It's weird because you don't whilst you're doing it. You don't realise how much you're enjoying yourself sometimes. I really try and stop myself in my tracks now and say 'look what you've achieved, look what you've just done, look what you're doing'. I really try and do that, because if you don't, you're always focusing on what's next rather than what's just happened. When we played our tour in May 2006 and we did the five Brixton Academy gigs I remember at the time I was so amazingly tired and shattered I enjoyed it, but it was really hard work. Now I can look back and think what a fucking laugh. It does take a while for it to sink in before you can look back and really enjoy yourselves.\n\nBut it's all amazing. We've had two number one records. We've sold over a million records. We've achieved so much that you have to remind yourself how fantastic that all is, and if it all finished tomorrow, then I've done what I always wanted to do. But hopefully it's not going to finish tomorrow and we can continue on to bigger and better things.\"\n\nReferences\n\nHard-Fi members\nLiving people\nPeople from Carnforth\nEnglish rock drummers\n1978 births\n21st-century drummers" ]