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[ "Skunk Anansie", "Reunion: 2009-2010", "When was the reunion?", "Mark Richardson confirmed reports that the band was reforming in an interview with Drummer Magazine (November 2008 issue),", "Did they produce any albums?", "A \"greatest hits\" album, Smashes and Trashes, was released 2 November 2009." ]

[ "Andrew Butterfield (born 7 January 1972) is an English professional golfer who plays on the Challenge Tour.\n\nCareer\nButterfield was born in London, England. He turned professional in 1993 and joined the Challenge Tour in 1996. He played on the Challenge Tour until qualifying for the European Tour through Q-School in 1999. Butterfield did not perform well enough on tour in 2000 to retain his card and had to go back to the Challenge Tour in 2001. He got his European Tour card back through Q-School again in 2001 and played on the European Tour in 2002 but did not find any success on tour. He returned to the Challenge Tour and played there until 2005 when he finished 4th on the Challenge Tour's Order of Merit which earned him his European Tour card for 2006. He did not play well enough in 2006 to retain his tour card but was able to get temporary status on tour for 2007 by finishing 129th on the Order of Merit. He played on the European Tour and the Challenge Tour in 2007 and has played only on the Challenge Tour since 2008. He picked up his first win on the Challenge Tour in Sweden at The Princess in June 2009. He also won an event on the PGA EuroPro Tour in 2004.\n\nProfessional wins (2)\n\nChallenge Tour wins (1)\n\nChallenge Tour playoff record (0–1)\n\nPGA EuroPro Tour wins (1)\n2004 Matchroom Golf Management International at Owston Hall\n\nPlayoff record\nEuropean Tour playoff record (0–1)\n\nResults in major championships\n\nNote: Butterfield only played in The Open Championship.\nCUT = missed the half-way cut\n\nSee also\n2005 Challenge Tour graduates\n2009 Challenge Tour graduates\n\nExternal links\n\nEnglish male golfers\nEuropean Tour golfers\nSportspeople from London\nPeople from the London Borough of Bromley\n1972 births\nLiving people", "The Bob Dylan England Tour 1965 was a concert tour by American singer-songwriter Bob Dylan during late April and early May 1965. The tour was widely documented by filmmaker D. A. Pennebaker, who used the footage of the tour in his documentary Dont Look Back.\n\nTour dates\n\nSet lists \nAs Dylan was still playing exclusively folk music live, much of the material performed during this tour was written pre-1965. Each show was divided into two halves, with seven songs performed during the first, and eight during the second. The set consisted of two songs from The Freewheelin' Bob Dylan, three from The Times They Are a-Changin', three from Another Side of Bob Dylan, a comic-relief concert staple; \"If You Gotta Go, Go Now\", issued as a single in Europe, and six songs off his then-recent album, Bringing It All Back Home, including the second side in its entirety.\n\n First half\n\"The Times They Are a-Changin'\"\n\"To Ramona\"\n\"Gates of Eden\"\n\"If You Gotta Go, Go Now (or Else You Got to Stay All Night)\"\n\"It's Alright, Ma (I'm Only Bleeding)\"\n\"Love Minus Zero/No Limit\"\n\"Mr. Tambourine Man\"\n\nSecond Half\n\"Talkin' World War III Blues\"\n\"Don't Think Twice, It's All Right\"\n\"With God on Our Side\"\n\"She Belongs to Me\"\n\"It Ain't Me Babe\"\n\"The Lonesome Death of Hattie Carroll\"\n\"All I Really Want to Do\"\n\"It's All Over Now, Baby Blue\"\n\nSet list per Olof Bjorner.\n\nAftermath \nJoan Baez accompanied him on the tour, but she was never invited to play with him in concert. In fact, they did not tour together again until 1975. After this tour, Dylan was hailed as a hero of folk music, but two months later, at the 1965 Newport Folk Festival, he would alienate his fans and go electric. Dylan was the only artist apart from the Beatles to sell out the De Montfort Hall in the 1960s. Even the Rolling Stones did not sell out this venue.\n\nReferences \n\nHoward Sounes: Down the Highway. The Life of Bob Dylan.. 2001.\n\nExternal links \n Bjorner's Still on the Road 1965: Tour dates & set lists\n\nBob Dylan concert tours\n1965 concert tours\nConcert tours of the United Kingdom\n1965 in England" ]

[ "Skunk Anansie", "Reunion: 2009-2010", "When was the reunion?", "Mark Richardson confirmed reports that the band was reforming in an interview with Drummer Magazine (November 2008 issue),", "Did they produce any albums?", "A \"greatest hits\" album, Smashes and Trashes, was released 2 November 2009.", "Did they go on tour?", "The band began their \"Greatest Hits\" tour on Friday, 9 October 2009" ]

[ "\"What Did I Do to You?\" is a song recorded by British singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: \"My Apple Heart,\" \"Lay Me Down\" and \"Something's Happenin'.\" \"What Did I Do to You?\" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries reaching number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. \"What Did I Do to You?\" was also released in Japan.\n\nIn 2014, the remixes of \"What Did I Do to You?\" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology. They were also featured on The Collection 1989–2003 box set (2014), including previously unreleased Red Zone Mix by David Morales.\n\nCritical reception\nThe song received positive reviews from music critics. Matthew Hocter from Albumism viewed it as a \"upbeat offering\". David Giles from Music Week said it is \"beautifully performed\" by Stansfield. A reviewer from Reading Eagle wrote that \"What Did I Do to You?\" \"would be right at home on the \"Saturday Night Fever\" soundtrack.\"\n\nMusic video\nA music video was produced to promote the single, directed by Philip Richardson, who had previously directed the videos for \"All Around the World\" and \"Live Together\". It features Stansfield with her kiss curls, dressed in a white outfit and performing with her band on a stage in front of a jumping audience. The video was later published on Stansfield's official YouTube channel in November 2009. It has amassed more than 1,6 million views as of October 2021.\n\nTrack listings\n\n European/UK 7\" single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"Something's Happenin'\" – 3:59\n\n European/UK/Japanese CD single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n UK 10\" single\n\"What Did I Do to You?\" (Mark Saunders Remix) – 5:52\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n European/UK 12\" single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"My Apple Heart\" – 4:22\n\"Lay Me Down\" – 3:19\n\"Something's Happenin'\" – 3:15\n\n UK 12\" promotional single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"What Did I Do to You?\" (Anti Poll Tax Dub) – 6:31\n\n Other remixes\n\"What Did I Do to You?\" (Red Zone Mix) – 7:45\n\nCharts\n\nReferences\n\nLisa Stansfield songs\n1990 singles\nSongs written by Lisa Stansfield\n1989 songs\nArista Records singles\nSongs written by Ian Devaney\nSongs written by Andy Morris (musician)", "\"What Would Steve Do?\" is the second single released by Mumm-Ra on Columbia Records, which was released on February 19, 2007. It is a re-recorded version of the self-release they did in April 2006. It reached #40 in the UK Singles Chart, making it their highest charting single.\n\nTrack listings\nAll songs written by Mumm-Ra.\n\nCD\n\"What Would Steve Do?\"\n\"Cute As\"\n\"Without You\"\n\n7\"\n\"What Would Steve Do?\"\n\"What Would Steve Do? (Floorboard Mix)\"\n\nGatefold 7\"\n\"What Would Steve Do?\"\n\"Cute As\"\n\nReferences\n\n2007 singles\nMumm-Ra (band) songs\n2006 songs\nColumbia Records singles" ]

[ "Skunk Anansie", "Reunion: 2009-2010", "When was the reunion?", "Mark Richardson confirmed reports that the band was reforming in an interview with Drummer Magazine (November 2008 issue),", "Did they produce any albums?", "A \"greatest hits\" album, Smashes and Trashes, was released 2 November 2009.", "Did they go on tour?", "The band began their \"Greatest Hits\" tour on Friday, 9 October 2009", "What did they do in 2010?", "Their fifth album Wonderlustre was released internationally on 13 September 2010," ]

[ "Running to Follow is the debut studio album from the American-Christian praise & worship group Fellowship Creative. This is the band's third album overall, but first with label partners Fair Trade Services. The album released on May 13, 2014, and it was produced by C.J. Eiriksson. It charted on two Billboard charts, and received a four star reviews from New Release Tuesday and a two star review by CCM Magazine.\n\nBackground\nThis album is the follow to the commercially success second independent album by the group entitled, Always Been about You that released in 2013. This album was the band first with new label partners Fair Trade Services, and its production was handled by C.J. Eiriksson. The album released on May 13, 2014.\n\nCritical reception\n\nRunning to Follow received generally positive reception from the ratings and reviews of music critics. At New Release Tuesday, Kevin Davis rated the album four stars out of five, calling this a \"solid gourmet worship album\". Grace S. Aspinwall of CCM Magazine rated the album two stars out of five, indicating how the release \"feels incredibly disjointed.\" At 365 Days of Inspiring Media, Joshua Andre rated the album four stars out of five, stating how this is \"a fantastic label debut.\" David Bunce of CM Addict rated the album a perfect five stars, remarking how \"Not only are the instruments combined to create a high quality sound in every song, but the lyrics are well thought out and beautifully written.\" At Alpha Omega News, Rob Snyder graded the album an A-, writing how \"This is buoyant, well-produced rock/pop worship.\"\n\nCommercial performance\nFor the Billboard charting week of May 31, 2014, Running to Follow was the No. 22 most sold of the Christian Albums, and it was the No. 11 most sold in the breaking-and-entry chart of the Heatseekers Albums.\n\nTrack listing\n\nCharts\n\nReferences\n\n2014 debut albums\nFair Trade Services albums", "How the West Was Won may refer to:\n How the West Was Won (film), a 1962 American Western film\n How the West Was Won (TV series), a 1970s television series loosely based on the film\n How the West Was Won (Bing Crosby album) (1959)\n How the West Was Won (Led Zeppelin album) (2003)\n How the West Was Won (Peter Perrett album) (2017)\n How the West Was Won, a 2002 album by Luni Coleone\n \"How the West Was Won\", a 1987 song by Laibach from Opus Dei\n \"How the West Was Won\", a 1996 song by the Romo band Plastic Fantastic\n\nSee also\n How the West Was Fun, a 1994 TV movie starring Mary-Kate and Ashley Olsen\n How the West Was One (disambiguation)\n \"How the West Was Won and Where It Got Us\", a 1997 song by R.E.M." ]

[ "Skunk Anansie", "Reunion: 2009-2010", "When was the reunion?", "Mark Richardson confirmed reports that the band was reforming in an interview with Drummer Magazine (November 2008 issue),", "Did they produce any albums?", "A \"greatest hits\" album, Smashes and Trashes, was released 2 November 2009.", "Did they go on tour?", "The band began their \"Greatest Hits\" tour on Friday, 9 October 2009", "What did they do in 2010?", "Their fifth album Wonderlustre was released internationally on 13 September 2010,", "How well was this album recieved?", "Wonderlustre reached number one on the Italian albums chart" ]

[ "Followers is an album by the American contemporary Christian music (CCM) band Tenth Avenue North. It was released by Provident Label Group, a division of Sony Music Entertainment, under its Reunion Records label, on October 14, 2016. The album reached No. 5 on the Billboard Christian Albums chart, and No. 151 on the Billboard 200. Three singles from the album were released: \"What You Want\" in 2016, and \"I Have This Hope\" and \"Control (Somehow You Want Me)\" in 2017, all of which appeared on the Billboard Hot Christian Songs chart.\n\nRelease and performance \n\nFollowers was released on October 14, 2016, by Provident Label Group LLC, a division of Sony Music Entertainment. It first charted on both the US Billboard Christian Albums and Billboard 200 on the week of November 5, 2016, peaking that week on both charts at No. 5 and No. 151, respectively.\n\nThree singles were released from the album. The first, \"What You Want\", was released five months in advance of the album on May 13, 2016, and charted on the Billboard Hot Christian Songs list, peaking at No. 17 on September 3, 2016. The other two were released in 2017 after the album, and reached the top 10 on Hot Christian Songs: \"I Have This Hope\" peaked at No. 5 on June 10, 2017, and \"Control (Somehow You Want Me)\" peaked at No. 7 on January 13, 2018.\n\nReception \n\nCCM Magazine gave the album 4 out of 5 stars, and cited its \"killer vocal work on honest, relatable lyrics paired with ... strong songwriting.\"\n\nChristian review website JesusFreakHideout rated the album 3.5 out of 5 stars. The review said the album was \"pretty much what you would expect from a CCM release\" and wrote that \"What You Want\" was \"the most energetic song on the album\". It singled out the opening track as \"excellent\" and the closing track as \"powerful\", and characterized the remaining songs as \"eight solid but otherwise ordinary tracks.\"\n\nTrack listing\n\"Afraid\" (3:48)\n\"What You Want\" (3:37)\n\"Overflow\" (3:40)\n\"I Have This Hope\" (3:24)\n\"One Thing\" (3:28)\n\"Sparrow (Under Heaven's Eyes)\" (3:59)\n\"No One Can Steal Our Joy\" (3:40)\n\"Control (Somehow You Want Me)\" (4:08)\n\"Fighting for You\" (3:22)\n\"I Confess\" (5:15)\n\nChart performance\n\nReferences\n\n2016 albums\nTenth Avenue North albums", "\"What's Forever For\" is a song written by Rafe Van Hoy and first recorded by England Dan & John Ford Coley on their 1979 album Dr. Heckle and Mr. Jive.\n\nThe song saw its biggest success when it was recorded by American country music artist Michael Martin Murphey. It was released in June 1982 as the second single from his album, Michael Martin Murphey. \"What's Forever For\" was Murphey's first of two number ones on the country chart. The single went to number one for one week and spent 16 weeks in the country top 40. On the Hot 100, \"What's Forever For\" was his final Top 40 hit, peaking at number 19. The song is also one of his most well known in the Philippines, along with \"Maybe This Time\".\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nCover versions\nAnne Murray on her 1980 album Somebody's Waiting, released by Capitol Records. \"What's Forever For\" was also included as the B-side of her Beatles cover hit, \"I'm Happy Just to Dance with You\".\nT. G. Sheppard on his 1981 album I Love 'Em All, released by Warner Bros. Records.\nDaryl Somers on his 1982 single.\nJohnny Mathis on his 1982 album Friends in Love, released on Columbia Records.\nBilly Gilman on his 2000 album One Voice, released by Epic Records.\nFilipino acoustic singer Nyoy Volante covered the song on his 2008 album, Heartstrings.\nJeff Trachta and Bobbie Eakes, on the soap opera The Bold and the Beautiful.\nTonny Willé and Marco Bakker.\nJohn Conlee on the album With Love in 1981 on MCA.\nB.J. Thomas on his 2000 album You Call That a Mountain.\n\nReferences\n\n1982 singles\nEngland Dan & John Ford Coley songs\nAnne Murray songs\nJohn Conlee songs\nT. G. Sheppard songs\nMichael Martin Murphey songs\nBilly Gilman songs\nB. J. Thomas songs\nSong recordings produced by Jim Ed Norman\nLiberty Records singles\nSongs written by Rafe Van Hoy\n1979 songs" ]

[ "Mary Shelley", "Lake Geneva and Frankenstein" ]

[ "Frankenstein is a novel by Mary Shelley.\n\nMary Shelley's Frankenstein may refer to:\nMary Shelley's Frankenstein (film), 1994 film adaptation of Mary Shelley's novel Frankenstein\nMary Shelley's Frankenstein (pinball), 1995 pinball machine based on the film\nMary Shelley's Frankenstein (video game), video game for multiple platforms based on the film\n\nSee also\nFrankenstein (disambiguation)", "\"On Frankenstein\" is a review of the 1818 novel Frankenstein; or, The Modern Prometheus written by Percy Bysshe Shelley in 1817 but not published until 1832.\n\nBackground\nThe review was written by Percy Bysshe Shelley in 1817 to help promote the novel and to counter expected negative reviews. It remained unpublished, however, until after the third edition of Frankenstein appeared in 1831.<ref>[http://knarf.english.upenn.edu/PShelley/frankrev.html \"On Frankenstein.\"]</ref> Percy Bysshe Shelley's cousin Thomas Medwin submitted it to the British literary magazine The Athenaeum for the Saturday, November 10, 1832 issue on page 730. It was part of the series \"The Shelley Papers\" which appeared in The Athenaeum starting in September, 1832. \n\nIn his biography Life of Shelley, Medwin had written that he sought to have the review published to demonstrate that, contrary to claims, Shelley did not write the novel and did not have any role in its creation: \"I have heard it asserted that the idea [of Frankenstein] was [Percy Bysshe] Shelley's, and that he assisted much in the development of the plot.\" Notwithstanding Medwin's own claims, the drafts and proofs of the novel showed that this statement was accurate. Shelley had come up with the idea for the novel, as Mary herself acknowledged in the 1831 Introduction, and he had, at the very least, made substantial contributions to the writing of the novel. Mary had not, however, included the review in her compilations and publications of Shelley's prose works. John Lauritsen in The Man Who Wrote Frankenstein argued that Mary suppressed the review because she feared it would expose Shelley as the true author of the novel.\n\nThe review was republished in Thomas Medwin's Memoir of Percy Bysshe Shelley; and Original Poems and Papers by Percy Bysshe Shelley: Now First Collected in 1833. The review also appeared in The Prose Works of Percy Bysshe Shelley edited by E. B. Murray in 1993.\n\nThe review was republished in The Man Who Wrote Frankenstein by John Lauritsin in 2007 and The Original Frankenstein edited by Charles E. Robinson in 2008.\n\nSummary\n\nShelley wrote that the dialogues between the Being and De Lacey were the most powerful and moving in the novel. He wrote that the central moral of the novel is intolerance, describing innocent victims of prejudice in society, \"who are best qualified to be its benefactors and its ornaments.\" Shelley argued that the Being was a product of a xenophobic society: \"Treat a person ill, and he will become wicked.\"\n\nShelley referred to the monster as the \"Being\" five times in his review. He also referred to the anonymous author using a masculine pronoun, \"he\".\n\nThe British Library analysis noted the direct connection to Shelley's poem \"Mont Blanc\" which was published in 1817 in History of a Six Weeks' Tour. Frankenstein develops the theme of \"necessity\" which Shelley wrote about in that poem. It is a philosophical idea of the novel.\n\nThe review related Frankenstein to Percy Bysshe Shelley's own works: \n\n\"The environment is an aspect Shelley also emphasises in his preface to the 1818 edition. He examines the way the monster turns against the world as a direct result of his treatment. For Shelley this is an example of the philosophical idea he defined as necessity, 'an immense and uninterrupted chain of causes and effects', which is explored in 'Mont Blanc' and is 'the direct moral' of Frankenstein. He points out that the monster’s mind is formed by impressions, and thus a conflict is created between Frankenstein monster’s good intentions (moments at which he is 'affectionate and full of moral sensibility') and the reactions of those around him to his 'tremendous' (frightening) appearance.\"\n\nShelley concluded that the novel was \"one of the most original and complete productions of the age.\"\n\nReferences\n\nSources\nGrande, James. \"The Original Frankenstein, By Mary Shelley with Percy Shelley ed Charles E Robinson. To what extent did Percy Bysshe Shelley work on 'Frankenstein'? A new analysis reveals all.\" 16 November, 2008, The Independent. Retrieved 30 September, 2018.\nLauritsen, John. The Man Who Wrote Frankenstein. Dorchester, MA: Pagan Press, 2007.\nMedwin, Thomas. Memoir of Percy Bysshe Shelley; and Original Poems and Papers by Percy Bysshe Shelley: Now First Collected. London: Whittaker, Treacher, & Co., 1833, pp. 165-70.\nRobinson, Charles E., ed. The Original Frankenstein by Mary Wollstonecraft Shelley (with Percy Bysshe Shelley). New York: Vintage Books, 2008, pp. 434-36.\nRobinson, Charles E. \"Percy Bysshe Shelley's Text(s) in Mary Wollstonecraft Shelley's Frankenstein\", in The Neglected Shelley edited by Alan M. Weinberg and Timothy Webb. London and New York: Routledge, 2015, pp. 117-136.\nShelley, Percy Bysshe. \"On Frankenstein.\" The Athenaeum: Journal of English and Foreign Literature, Science, and the Fine Arts'', Saturday, November 10, 1832. No. 263, page 730.\n\nLiterature controversies\nWorks by Percy Bysshe Shelley\n Gothic fiction\n1832 works\nFrankenstein" ]

[ "Mary Shelley", "Lake Geneva and Frankenstein", "When did Mary Shelley write Frankenstein?", "Mary Shelley remembered in 1831," ]

[ "Big Foot (Potawatomi: Maungeezik, meaning “Big Foot”) was a leader of the Prairie Band of Potawatomi on Kishwauketoe (today Geneva Lake) in what would become the U.S. State of Wisconsin.\n\nBig Foot likely led his band in the Battle of Fort Dearborn in Chicago, part of the War of 1812, in which a Potawatomi war band killed 38 American soldiers, 14 civilians, captured dozens more, and burned Fort Dearborn to the ground. Following the War of 1812, the United States regularly sent agents to Geneva Lake to spy on Big Foot, including the Ottawa leader Shabbona and the British-Potawatomi fur trader Billy Caldwell, which interfered with Big Foot's plans to make further war against the United States. He spent several decades preparing for further hostilities against the United States that never materialized.\n\nAfter the Potawatomi’s defeat in the Black Hawk War of 1832, in which Big Foot did not participate, he negotiated and signed the 1833 Treaty of Chicago, which sold much of southeastern Wisconsin and northeastern Illinois to the United States. Under the treaty, the United States forcibly removed Big Foot and the Potawatomi band from Geneva Lake to the Platte River in Missouri and later to Lawrence, Kansas.\n\nSeveral modern locations around Geneva Lake bear Big Foot's name, including the community of Big Foot Prairie in Wisconsin and Illinois, Big Foot Beach State Park in Lake Geneva, Wisconsin, Big Foot High School in Walworth, Wisconsin, and Big Foot Country Club in Fontana-on-Geneva Lake, Wisconsin. The original settler name for Geneva Lake in Wisconsin was Big Foot Lake.\n\nReferences \n\n19th-century Native Americans\n\nYear of birth missing (living people)", "State Trunk Highway 36 (often called Highway 36, STH-36 or WIS 36) is a state highway in the U.S. state of Wisconsin. It runs in a diagonal southwest–northeast direction across southeastern Wisconsin from Springfield which is north of Lake Geneva to Milwaukee.\n\nRoute description \n\nWIS 36 begins at its intersection with WIS 120 and travels in a general northeasterly direction to an intersection with WIS 11 in Burlington. The road continues northeast, passing through Waterford where it connects with WIS 164, then to Wind Lake and Muskego before heading to Franklin, where it runs concurrently with US Highway 45 (US 45) for a short distance, and crosses WIS 100. The highway then follows Loomis Road through Greendale and Greenfield, where it intersects with Interstate 43 (I-43) and I-894 before terminating at WIS 241 in Milwaukee.\n\nHistory\nWIS 36 is unusual in that its route has seen few changes since it was designated in 1918. The road originally began in Lake Geneva, approximately south of its current terminus, and ended near downtown Milwaukee. In 1921, the route was shortened to end at the junction with what was then WIS 57, which later became US 41, and is now WIS 241. In 1919, WIS 36 was extended to the west along WIS 50 to Williams Bay, then turned to the south into Walworth County to join WIS 89 (now US 14) to its end at the Illinois state line.\n\nThe route would change again in 1968; WIS 36 terminated at Lake Geneva, and the portion from Williams Bay to Walworth was redesignated as WIS 67. Later, in 1987–1988, WIS 120 was extended north from Lake Geneva via WIS 36 to Springfield, and then north along County Trunk Highway G (CTH-G) toward East Troy, placing the end of the highway at its present location.\n\nMajor intersections\n\nSee also\n\nReferences\n\nExternal links\n\n036\nTransportation in Walworth County, Wisconsin\nTransportation in Racine County, Wisconsin\nTransportation in Waukesha County, Wisconsin\nTransportation in Milwaukee County, Wisconsin" ]

[ "Mary Shelley", "Lake Geneva and Frankenstein", "When did Mary Shelley write Frankenstein?", "Mary Shelley remembered in 1831,", "What did she have to do with Lake Geneva?", "close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis" ]

[ "Follow Me! is a series of television programmes produced by Bayerischer Rundfunk and the BBC in the late 1970s to provide a crash course in the English language. It became popular in many overseas countries as a first introduction to English; in 1983, one hundred million people watched the show in China alone, featuring Kathy Flower.\n\nThe British actor Francis Matthews hosted and narrated the series.\n\nThe course consists of sixty lessons. Each lesson lasts from 12 to 15 minutes and covers a specific lexis. The lessons follow a consistent group of actors, with the relationships between their characters developing during the course.\n\nFollow Me! actors\n Francis Matthews\n Raymond Mason\n David Savile\n Ian Bamforth\n Keith Alexander\n Diane Mercer\n Jane Argyle\n Diana King\n Veronica Leigh\n Elaine Wells\n Danielle Cohn\n Lashawnda Bell\n\nEpisodes \n \"What's your name\"\n \"How are you\"\n \"Can you help me\"\n \"Left, right, straight ahead\"\n \"Where are they\"\n \"What's the time\"\n \"What's this What's that\"\n \"I like it very much\"\n \"Have you got any wine\"\n \"What are they doing\"\n \"Can I have your name, please\"\n \"What does she look like\"\n \"No smoking\"\n \"It's on the first floor\"\n \"Where's he gone\"\n \"Going away\"\n \"Buying things\"\n \"Why do you like it\"\n \"What do you need\"\n \"I sometimes work late\"\n \"Welcome to Britain\"\n \"Who's that\"\n \"What would you like to do\"\n \"How can I get there?\"\n \"Where is it\"\n \"What's the date\"\n \"Whose is it\"\n \"I enjoy it\"\n \"How many and how much\"\n \"What have you done\"\n \"Haven't we met before\"\n \"What did you say\"\n \"Please stop\"\n \"How can I get to Brightly\"\n \"Where can I get it\"\n \"There's a concert on Wednesday\"\n \"What's it like\"\n \"What do you think of him\"\n \"I need someone\"\n \"What were you doing\"\n \"What do you do\"\n \"What do you know about him\"\n \"You shouldn't do that\"\n \"I hope you enjoy your holiday\"\n \"Where can I see a football match\"\n \"When will it be ready\"\n \"Where did you go\"\n \"I think it's awful\"\n \"A room with a view\"\n \"You'll be ill\"\n \"I don't believe in strikes\"\n \"They look tired\"\n \"Would you like to\"\n \"Holiday plans\"\n \"The second shelf on the left\"\n \"When you are ready\"\n \"Tell them about Britain\"\n \"I liked everything\"\n \"Classical or modern\"\n \"Finale\"\n\nReferences \n\n BBC article about the series in China\n\nExternal links \n Follow Me – Beginner level \n Follow Me – Elementary level\n Follow Me – Intermediate level\n Follow Me – Advanced level\n\nAdult education television series\nEnglish-language education television programming", "\"What Did I Do to You?\" is a song recorded by British singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: \"My Apple Heart,\" \"Lay Me Down\" and \"Something's Happenin'.\" \"What Did I Do to You?\" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries reaching number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. \"What Did I Do to You?\" was also released in Japan.\n\nIn 2014, the remixes of \"What Did I Do to You?\" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology. They were also featured on The Collection 1989–2003 box set (2014), including previously unreleased Red Zone Mix by David Morales.\n\nCritical reception\nThe song received positive reviews from music critics. Matthew Hocter from Albumism viewed it as a \"upbeat offering\". David Giles from Music Week said it is \"beautifully performed\" by Stansfield. A reviewer from Reading Eagle wrote that \"What Did I Do to You?\" \"would be right at home on the \"Saturday Night Fever\" soundtrack.\"\n\nMusic video\nA music video was produced to promote the single, directed by Philip Richardson, who had previously directed the videos for \"All Around the World\" and \"Live Together\". It features Stansfield with her kiss curls, dressed in a white outfit and performing with her band on a stage in front of a jumping audience. The video was later published on Stansfield's official YouTube channel in November 2009. It has amassed more than 1,6 million views as of October 2021.\n\nTrack listings\n\n European/UK 7\" single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"Something's Happenin'\" – 3:59\n\n European/UK/Japanese CD single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n UK 10\" single\n\"What Did I Do to You?\" (Mark Saunders Remix) – 5:52\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n European/UK 12\" single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"My Apple Heart\" – 4:22\n\"Lay Me Down\" – 3:19\n\"Something's Happenin'\" – 3:15\n\n UK 12\" promotional single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"What Did I Do to You?\" (Anti Poll Tax Dub) – 6:31\n\n Other remixes\n\"What Did I Do to You?\" (Red Zone Mix) – 7:45\n\nCharts\n\nReferences\n\nLisa Stansfield songs\n1990 singles\nSongs written by Lisa Stansfield\n1989 songs\nArista Records singles\nSongs written by Ian Devaney\nSongs written by Andy Morris (musician)" ]

[ "Mary Shelley", "Lake Geneva and Frankenstein", "When did Mary Shelley write Frankenstein?", "Mary Shelley remembered in 1831,", "What did she have to do with Lake Geneva?", "close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis", "what did they do while they were there?", "They spent their time writing, boating on the lake, and talking late into the night. \"" ]

[ "Flight MH370: The Mystery is a 2014 book by the American-born-British author Nigel Cawthorne concerning the disappearance of Malaysia Airlines Flight 370.\n\nSynopsis\nThe book is critical of official accounts of the disappearance of Malaysia Airlines Flight 370, noting 'In a world where we can be tracked by our mobile phones, CCTV and spy cameras, things do not just disappear. Especially not a big thing like a jumbo jet'. The book questions alleged failure by governments and organisations to share information concerning Flight MH370. The author suggests a cover up has occurred because the United States Military shot down the plane during military exercises in the region.\n\nReception\nThe book was fiercely criticised in The Australian by David Free, who described it as an 'information gumbo' that 'reproduces the slapdash atmosphere of the worst kind of 24-hour news show' and advised readers 'Next time you're in one (a shop), buy any book other than this. I guarantee it won't be worse' while The Daily Telegraph reported some relatives of the victims were angered by the book\n\nIn a May 2014 segment of the Australian television program Today, co-host Karl Stefanovic also took issue with guest Cawthorne.“You write in the book: ‘They’ll never be sure, the families, what happened to their loved ones. Did they die painlessly unaware of their fate or did they die in terror in a flaming wreck crashing from the sky at the hands of a madman?’ Stefanovic characterized the book as \"disgusting\" and insensitive to the families. When asked \"why would you write the book?\", the author replied, “I’m afraid it’s what I do for a living.\"\n\nReferences\n\n2014 non-fiction books\nMalaysia Airlines Flight 370\nBooks about conspiracy theories\nBooks by Nigel Cawthorne", "\n\nTrack listing\n Opening Overture\n \"I Get a Kick Out of You\" (Cole Porter)\n \"You Are the Sunshine of My Life\" (Stevie Wonder)\n \"You Will Be My Music\" (Joe Raposo)\n \"Don't Worry 'bout Me\" (Ted Koehler, Rube Bloom)\n \"If\" (David Gates)\n \"Bad, Bad Leroy Brown\" (Jim Croce)\n \"Ol' Man River\" (Jerome Kern, Oscar Hammerstein II)\n Famous Monologue\n Saloon Trilogy: \"Last Night When We Were Young\"/\"Violets for Your Furs\"/\"Here's That Rainy Day\" (Harold Arlen, E.Y. Harburg)/(Matt Dennis, Tom Adair)/(Jimmy Van Heusen, Johnny Burke)\n \"I've Got You Under My Skin\" (Porter)\n \"My Kind of Town\" (Sammy Cahn, Van Heusen)\n \"Let Me Try Again\" (Paul Anka, Cahn, Michel Jourdan)\n \"The Lady Is a Tramp\" (Richard Rodgers, Lorenz Hart)\n \"My Way\" (Anka, Claude Francois, Jacques Revaux, Gilles Thibaut)\n\nFrank Sinatra's Monologue About the Australian Press\nI do believe this is my interval, as we say... We've been having a marvelous time being chased around the country for three days. You know, I think it's worth mentioning because it's so idiotic, it's so ridiculous what's been happening. We came all the way to Australia because I chose to come here. I haven't been here for a long time and I wanted to come back for a few days. Wait now, wait. I'm not buttering anybody at all. I don't have to. I really don't have to. I like coming here. I like the people. I love your attitude. I like the booze and the beer and everything else that comes into the scene. I also like the way the country's growing and it's a swinging place.\n\nSo we come here and what happens? We gotta run all day long because of the parasites who chase us with automobiles. That's dangerous, too, on the road, you know. Might cause an accident. They won't quit. They wonder why I won't talk to them. I wouldn't drink their water, let alone talk to them. And if any of you folks in the press are in the audience, please quote me properly. Don't mix it up, do it exactly as I'm saying it, please. Write it down very clearly. One idiot called me up and he wanted to know what I had for breakfast. What the hell does he care what I had for breakfast? I was about to tell him what I did after breakfast. Oh, boy, they're murder! We have a name in the States for their counterparts: They're called parasites. Because they take and take and take and never give, absolutely, never give. I don't care what you think about any press in the world, I say they're bums and they'll always be bums, everyone of them. There are just a few exceptions to the rule. Some good editorial writers who don't go out in the street and chase people around. Critics don't bother me, because if I do badly, I know I'm bad before they even write it, and if I'm good, I know I'm good before they write it. It's true. I know best about myself. So, a critic is a critic. He doesn't anger me. It's the scandal man who bugs you, drives you crazy. It's the two-bit-type work that they do. They're pimps. They're just crazy, you know. And the broads who work in the press are the hookers of the press. Need I explain that to you? I might offer them a buck and a half... I'm not sure. I once gave a chick in Washington $2 and I overpaid her, I found out. She didn't even bathe. Imagine what that was like, ha, ha.\n\nNow, it's a good thing I'm not angry. Really. It's a good thing I'm not angry. I couldn't care less. The press of the world never made a person a star who was untalented, nor did they ever hurt any artist who was talented. So we, who have God-given talent, say, \"To hell with them.\" It doesn't make any difference, you know. And I want to say one more thing. From what I see what's happened since I was last here... what, 16 years ago? Twelve years ago. From what I've seen to happen with the type of news that they print in this town shocked me. And do you know what is devastating? It's old-fashioned. It was done in America and England twenty years ago. And they're catching up with it now, with the scandal sheet. They're rags, that's what they are. You use them to train your dog and your parrot. What else do I have to say? Oh, I guess that's it. That'll keep them talking to themselves for a while. I think most of them are a bunch of fags anyway. Never did a hard day's work in their life. I love when they say, \"What do you mean, you won't stand still when I take your picture?\" All of a sudden, they're God. We gotta do what they want us to do. It's incredible. A pox on them... Now, let's get down to some serious business here...\n\nSee also\nConcerts of Frank Sinatra\n\nFrank Sinatra" ]

[ "Mary Shelley", "Lake Geneva and Frankenstein", "When did Mary Shelley write Frankenstein?", "Mary Shelley remembered in 1831,", "What did she have to do with Lake Geneva?", "close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis", "what did they do while they were there?", "They spent their time writing, boating on the lake, and talking late into the night. \"", "What did they write while they were there?", "Byron to propose that they \"each write a ghost story\"." ]

[ "14 Vileyrey (English: fourteenth night) is a 2011 Maldivian romantic horror film directed by Abdul Faththaah. Produced by Hassan under Dash Studio, the film stars Ali Seezan, Mariyam Nisha and Aishath Rishmy in pivotal roles. The film was released on 27 June 2011. Upon release, the film received mixed response from critics, did good business at box office and was ultimately declared a \"Hit\".\n\nCast \n Ali Seezan\n Mariyam Nisha\n Aishath Rishmy as Nazima\n Fauziyya Hassan\n Arifa Ibrahim\n Roanu Hassan Manik\n\nDevelopment\nAbdul Faththaah assigned Ibrahim Waheed to write the story and script for the film in 2010. Initially Fatthah, wanted the story to involve a ghost and a spirit, though Waheed and Fatthah later came to a conclusion to omit the involvement of ghost in script since \"its a challenge to incorporate both ghost and spirit simultaneously\". The project faced controversy when the team of Kuhveriakee Kaakuhey? accuses Fatthah for \"purloining their plot\" which also features Aishath Rishmy.\n\nSoundtrack\n\nAccolades\n\nReferences\n\n2011 films\nMaldivian films\nMaldivian horror films\n2011 horror films\nRomantic horror films", "Roald Dahl's Book of Ghost Stories (1983) is a collection of ghost stories chosen by Roald Dahl.\n\nDahl read 749 supernatural tales from an array of writers at the British Museum before choosing 14 that he considered the best. In the book Dahl writes; \"Spookiness is, after all, the real purpose of the ghost story\". He initially did this while working to develop an American television programme that would feature dramatisations of these stories. He wrote a pilot based on E. F. Benson's \"The Hanging of Alfred Wadham\", that was then filmed, but when producers saw the film they were concerned that it would offend American Catholics, due to the story being about the stipulations of confession. As a result, the show was cancelled, and years later Dahl decided to use his research to make a book.\n\nContents\nW.S. (1952) by L.P. Hartley\nHarry (1955) by Rosemary Timperley\nThe Corner Shop (1926) by Lady Cynthia Asquith\nIn the Tube (1922) by E.F. Benson\nChristmas Meeting (1952) by Rosemary Timperley\nElias and the Draug (1902) by Jonas Lie\nPlaymates (1927) by A. M. Burrage\nRinging the Changes (1955) by Robert Aickman\nThe Telephone (1955) by Mary Treadgold\nThe Ghost of a Hand (1962) by Sheridan Le Fanu\nThe Sweeper (1931) by A. M. Burrage\nAfterward (1910) by Edith Wharton\nOn the Brighton Road (1912) by Richard Barham Middleton\nThe Upper Berth (1885) by Francis Marion Crawford\n\nReferences\n\n1983 short story collections\nShort story collections by Roald Dahl\nJonathan Cape books\nGhost stories\nHorror short story collections\nFantasy short story collections\nFarrar, Straus and Giroux books" ]

[ "Mary Shelley", "Lake Geneva and Frankenstein", "When did Mary Shelley write Frankenstein?", "Mary Shelley remembered in 1831,", "What did she have to do with Lake Geneva?", "close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis", "what did they do while they were there?", "They spent their time writing, boating on the lake, and talking late into the night. \"", "What did they write while they were there?", "Byron to propose that they \"each write a ghost story\".", "Did they write the ghost story?", "she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story:" ]

[ "\"How Come, How Long\" is a song written, produced and performed by Babyface (Kenneth Edmonds). It was released as the third single from his album The Day. It is a duet with American singer-songwriter Stevie Wonder.\n\nThe lyrics deal with physical abuse, regarding a woman killed by her husband after tremendous physical abuse. This release met with mixed reaction by critics and did not chart on any major charts in United States, finding a better chart performance in United Kingdom, where it became a top ten hit for the performers. This song was nominated twice for a Grammy Award for Best Pop Collaboration with Vocals.\n\nSong information\nThe track was written, produced and performed by Babyface as a duet with American singer-songwriter Stevie Wonder, who also co-wrote the song. The lyrics deal with domestic violence and is inspired by the Nicole Brown Simpson case. On the Entertainment Weekly review of The Day, David Browne wrote that this \"domestic-abuse saga\" needed \"tougher music to make its point.\" At the 40th Grammy Awards this song received a nomination for Best Pop Collaboration with Vocals, which it lost to \"Don't Look Back\" by John Lee Hooker and Van Morrison. The following year, the song received the same nomination with the live version included on Babyface's Unplugged album, losing this time to Elvis Costello and Burt Bacharach with their rendition of \"I Still Have That Other Girl\".\n\nMusic video\nThe music video for this song, directed by F. Gary Gray, shows several residents of an apartment building ignoring the shouts, screams, and arguments between a married couple, ending with a twist, showing that the woman killed her abusive husband, ending with her being arrested. This video received a nomination for Best R&B Video at the 1997 MTV Video Music Awards, which was awarded to \"I'll Be Missing You\" by Puff Daddy (Sean Combs) featuring Faith Evans and 112. It also was nominated for a Grammy Award for Best Short Form Music Video, losing to \"Got 'til It's Gone\" by Janet Jackson.\n\nTrack listing\nUS CD single\n\"How Come, How Long\" – 5:11\n\"Every Time I Close My Eyes\" (Timbaland remix) – 4:23\n\nUK CD single (XPCD2161)\n\"How Come, How Long\" (Radio edit) – 4:12\n\nCD maxi single (EPC 664402 2)\n\"How Come, How Long\" (radio edit) – 4:12\n\"How Come, How Long\" (Natty & Slaps remix) – 5:08\n\"How Come, How Long\" (Laws & Craigie remix) – 6:28\n\"Every Time I Close My Eyes\" (Timbaland remix) – 4:55\n\nChart\n\nWeekly charts\n\nYear-end charts\n\nCertifications\n\nPersonnel\nThe following people contributed to \"How Come, How Long\":\nBabyface — main performer and producer\nStevie Wonder — vocals, harmonica\nTimbaland — producer, remixing\nJimmy Douglas — remixing\nJon Gass — mixing\nBenny Medina — management\nAnton Corbijn — photography\n\nReferences\n\nExternal links\nSong Lyrics on Rhapsody\nListen to the song\n\n1997 singles\nBabyface (musician) songs\nStevie Wonder songs\nMusic videos directed by F. Gary Gray\nSongs written by Babyface (musician)\nSongs written by Stevie Wonder\nSong recordings produced by Babyface (musician)\nSongs about domestic violence\nContemporary R&B ballads\nVocal duets\nAmerican soft rock songs", "\"How Do I Get There\" is a song written by Chris Farren, and co-written and recorded by American country music artist Deana Carter.\n\nIt was released in 1996 as a 7\" jukebox single along with the song \"Did I Shave My Legs for This?\", and in 1997 as a promotional CD single. The song became her third single to reach the top of the Billboard Hot Country Singles & Tracks chart. The song was Carter's last Number One hit on the country chart.\n\nTrack listing\n\nChart performance \n\"How Do I Get There\" debuted at number 52 on the U.S. Billboard Hot Country Singles & Tracks for the chart week of August 2, 1997.\n\nYear-end charts\n\nReferences\n\nDeana Carter songs\nSongs written by Deana Carter\nSongs written by Chris Farren (country musician)\nSong recordings produced by Chris Farren (country musician)\n1996 songs" ]

[ "Mary Shelley", "Lake Geneva and Frankenstein", "When did Mary Shelley write Frankenstein?", "Mary Shelley remembered in 1831,", "What did she have to do with Lake Geneva?", "close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis", "what did they do while they were there?", "They spent their time writing, boating on the lake, and talking late into the night. \"", "What did they write while they were there?", "Byron to propose that they \"each write a ghost story\".", "Did they write the ghost story?", "she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story:", "how did that end for her?", "She began writing what she assumed would be a short story. With Percy Shelley's encouragement, she expanded this tale into her first novel, Frankenstein:" ]

[ "Frankenstein Day is an annual holiday celebrated on August 30, Mary Shelley's birthday, in celebration of her 1818 novel Frankenstein; or, The Modern Prometheus.\n\nHistory \nMary Wollstonecraft Shelley was born on August 30, 1797. She wrote the novel Frankenstein in 1816, and published it in 1818. The holiday Frankenstein Day was created to honor Mary Shelley and Frankenstein, every year on the anniversary of her birthday. Frankenstein Day has also been known as National Frankenstein Day.\n\nSee also \n\n Frankenstein: Day of the Beast\n\nReferences \n\nHolidays\nFrankenstein\nBirthdays\nMary Shelley", "Henry M. Milner was a 19th-century British playwright and author of melodramas and popular tragedies. Milner wrote numerous plays, including two popular equestrian dramas/hippodramas featuring live horses on stage. These are: Mazeppa; or, the Wild Horse of Tartary (which was based on Lord Byron's 1819 poem), which kicked off a wave of interest in the legend and Dick Turpin's Ride to York; or, Bonny black Bess, about the famous highwayman and his horse. Both of these plays included great spectacle in performance and enjoyed great popular success during the mid to late nineteenth century. ' 'Mazeppa' ' was extremely popular and often produced; it is recalled as one of, if not the most, significant and popular equestrian drama of all time.\n\nAnother of Milner's noteworthy and successful works is, The Man and The Monster; or The Fate of Frankenstein, opened on 3 July 1826 at the Royal Coburg Theatre (now known as The Old Vic), eight years after Mary Shelley's Frankenstein was published. subsequent film adaptations follow Milner's example, in making Frankenstein's monstrous creation a pivotal scene.\n\nSee also\nDick Turpin's Ride to York, 1922 film\n\nPartial list of works\n\n \n \n (See Cultural legacy of Mazeppa#The 1830s-1860s)\n\nReferences\n\nExternal links\n \"Frankenstein: or The Man and the Monster.\" A Romantic Melo-Drama, in Two Acts. FOUNDED PRINCIPALLY ON MRS. SHELLEY'S SINGULAR WORK ENTITLED \"FRANKENSTEIN; OR, THE MODERN PROMETHEUS\" And partly on the French piece, \"Le Magicien et le Monstre.\"- at University of Pennsylvania\n\nBritish dramatists and playwrights\nYear of birth missing\nYear of death missing\nBritish male dramatists and playwrights" ]

[ "Mary Shelley", "Lake Geneva and Frankenstein", "When did Mary Shelley write Frankenstein?", "Mary Shelley remembered in 1831,", "What did she have to do with Lake Geneva?", "close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis", "what did they do while they were there?", "They spent their time writing, boating on the lake, and talking late into the night. \"", "What did they write while they were there?", "Byron to propose that they \"each write a ghost story\".", "Did they write the ghost story?", "she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story:", "how did that end for her?", "She began writing what she assumed would be a short story. With Percy Shelley's encouragement, she expanded this tale into her first novel, Frankenstein:", "was Frankenstein successful?", "The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films." ]

[ "Do Women Have a Higher Sex Drive? is a 2018 documentary film by Dutch media producer Jan-Willem Breure. It is presented by Cheyenne Löhnen and covers the topics of female sexuality, gender and feminism.\n\nSynopsis\nThe documentary explores female sexuality and challenges many long had beliefs society has had about women. The film also explores the polarization and growing tensions between men and women and the fundamental reasons behind these problems. How to rise of women has impacted society and how this new power has transformed mate selection. The film also goes into great detail examining issues such as female orgasms, lust, women's pornography, female sex toys, evolutionary biology and the many misconceptions both genders have about each other. It looks had how society conditions women from a young age to act and behave a certain way and looks at the consequences of this conditioning. How women navigate in these contradicting environments, where on the one hand the media encourage sexual freedom for women, but on the other hand family encourages abstinence.\n\nSee also\n Feminism\nHuman female sexuality\n Sex drive \nSexual arousal\nVibrator (sex toy)\n\nReferences\n\nExternal links\n \n \n\nDutch documentary films\nDutch films\n2018 films\nEnglish-language films\nDocumentary films about sexuality\nCinema of the Netherlands\nAmsterdam\n2018 documentary films", "Anita B. is a 2014 Italian drama film directed by Roberto Faenza. It is loosely based on the 2009 autobiographic novel Quanta stella c'è nel cielo (How Many Stars Twinkle in the Sky) by Edith Bruck.\n\nCast \n Eline Powell: Anita\n Robert Sheehan: Eli\n Andrea Osvárt: Monica\n Antonio Cupo: Aron\n Nico Mirallegro: David \n Moni Ovadia: Uncle Jacob\n Jane Alexander: Sarah\n\nReferences\n\nExternal links\n\n2014 films\n2014 drama films\nEnglish-language Italian films\nFilms directed by Roberto Faenza\nItalian films\nItalian drama films" ]

[ "Mary Shelley", "Lake Geneva and Frankenstein", "When did Mary Shelley write Frankenstein?", "Mary Shelley remembered in 1831,", "What did she have to do with Lake Geneva?", "close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis", "what did they do while they were there?", "They spent their time writing, boating on the lake, and talking late into the night. \"", "What did they write while they were there?", "Byron to propose that they \"each write a ghost story\".", "Did they write the ghost story?", "she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story:", "how did that end for her?", "She began writing what she assumed would be a short story. With Percy Shelley's encouragement, she expanded this tale into her first novel, Frankenstein:", "was Frankenstein successful?", "The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films.", "how many films?", "a number of films." ]

[ "Percy Verwayne (March 10, 1895 – November, 1968), sometimes spelled Percy Verwayen,\nwas an American stage and film actor. He featured in several films with African American casts including the 1921 REOL Productions film The Simp and Oscar Micheaux films. He played \"Sporting Life\" in Porgy, when it was first produced in 1927. He was also in the 1946 Toddy Pictures production Fight That Ghost. \n\nHe was born in British Guyana.\n\nTheater\nPorgy (1927)\nConfidence (1930), by and starring Frank Wilson\n\nFilmography\n\nThe Simp (1921)\nA Daughter of the Congo (1930) as Pidgy Muffy\nParadise in Harlem (1939) as Spanish\nFight that Ghost (1946)\nSepia Cinderella (1947) as MacMillan\n\nReferences\n\nExternal links\n\n \n\n1895 births\n1968 deaths", "Couchville, Tennessee was a community and U.S. Post Office founded on Stones River prior to 1880 in Davidson County, Tennessee. Couchville was inundated when J. Percy Priest Lake was formed by impounding Stones River in the mid-1960s. The community's identity is preserved in the name of adjacent Couchville Cedar Glade State Natural Area.\n\nSee also\nList of ghost towns in Tennessee\n\nReferences\n\nGhost towns in Tennessee" ]

[ "Mary Shelley", "Lake Geneva and Frankenstein", "When did Mary Shelley write Frankenstein?", "Mary Shelley remembered in 1831,", "What did she have to do with Lake Geneva?", "close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis", "what did they do while they were there?", "They spent their time writing, boating on the lake, and talking late into the night. \"", "What did they write while they were there?", "Byron to propose that they \"each write a ghost story\".", "Did they write the ghost story?", "she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story:", "how did that end for her?", "She began writing what she assumed would be a short story. With Percy Shelley's encouragement, she expanded this tale into her first novel, Frankenstein:", "was Frankenstein successful?", "The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films.", "how many films?", "a number of films.", "did percy also publish a ghost story?", "I don't know." ]

[ "Carlene Hatcher Polite (August 28, 1932 – December 7, 2009) was an American writer. She was avid fan of Fyodor Dostoevsky and Gabriel Garcia-Marquez's work. She was a cousin of Toni Morrison.\n\nEarly life\nCarlene Hatcher trained at the Martha Graham Center of Contemporary Dance and then danced professionally from 1955 to 1963 in New York and Detroit. She also worked for civil rights organizations, including the Detroit Council for Human Rights and the NAACP.\n\nWriter\nIn 1964, Polite moved to Paris where her first book The Flagellants was published in French in 1966, and was subsequently published in English in 1967. The book received critical acclaim, with Mel Watkins in The New York Times Book Review stating it was \"a complex, scathing and often brilliant depiction of the disintegration of a black couple’s relationship,\" and that it \"was among the first fictional works by a black woman to focus directly on the theme of the sometimes bitter antagonism between black men and women.\"\n\nPolite published her second book Sister X and the Victims of Foul Play, about the investigation into the death of a black nightclub dancer in Paris, in 1975. After two novels, Polite decided that she had said all that she needed to say in fiction, and purposefully did not publish anything else though she continued to write.\n\nLater years\nPolite joined the University at Buffalo in 1971, where she taught creative writing, African American history and literature until her retirement in 2000. She became tenured and served on several notable committees, as well as chairing the American Studies Department for a short while. She was famous at the University for her teaching style. She possessed a near-encyclopedic knowledge of a variety of subjects that included race, gender, history, sexuality, spirituality, religion, quantum mechanics, sports and theater. She was notable for wearing unique and stylish garments.\n\nHer classroom assignments often centered on books such as The African Origin of Civilization by Cheikh Anta Diop, Stolen Legacy by George G.M. James and other Afrocentric works.\n\nHer writing assignments included four standard papers, one page each that served as mid-term and final papers—centering on being in love, falling out of love, and being the opposite gender. In her tenure at the university, she only used two teaching assistants (John Ransom and Kyle Phoenix (née Brian Kyle Doyle) both later published and highly regarded authors), feeling that their personal abilities, writing interests and knowledge were sufficient for her classroom needs.\n\nShe died December 7, 2009.\n\nSelected works\n\nReferences\n\n1932 births\n2009 deaths\n20th-century American novelists\nAfrican-American novelists\nAfrican-American women writers\nAmerican women novelists\nNovelists from Michigan\n20th-century American women writers\nUniversity at Buffalo faculty\nAmerican women academics\n20th-century African-American women\n20th-century African-American writers\n21st-century African-American people\n21st-century African-American women", "Findlay (born 7 June 1991), real name Natalie Rose Findlay, is an English musician originally from Stockport, England.\n\nEarly life\nFindlay started playing the guitar when she was around 15 and after about a year began writing songs. She took up music for the simple fact that she wasn't into anything else growing up. She joked that \"(she) can't really do anything else.\"\n\nMusic career\n\n2008–2014: Polydor\nOn 24 November 2013, Findlay released her second EP Greasy Love. However, after disagreements with her record label, Polydor, Findlay was granted a release from her contract with the company.\n\n2015–2016: BMG\nFindlay soon created her own label Mint Records and signed with BMG. On 9 February 2015 the video for the single \"Electric Bones\" was released online and the Electric Bones EP was released digitally on 4 September 2015. In March 2015 Findlay released the single \"Wolfback\" which samples from the Ratatat song \"Loud Pipes\". The video for \"Junk Food\" premiered on 4 November 2015 on Clash.\n\n2017–2018: Forgotten Pleasures\nTo start off 2017, the single \"Waste My Time\" was released in January, followed by the release of Findlay's debut studio album Forgotten Pleasures on 3 March 2017.\n\n2019–present: Second studio album and Ttrruuces\nIn June 2019, Findlay announced she was working on her second studio album via Instagram post. In 2019, she also started a new project called Ttrruuces along with her debut album's co-producer Jules Apollinaire. Their self-titled debut album was released on 26 June 2020.\n\nOn September 2021, Findlay released her new single \"Life is but a Dream\".\n\nDiscography\n\nStudio albums\n\nEPs\n\nSingles\n\nFeatured Artist\n\nTouring \nAlong with performing at major festival stages, Findlay has toured in support of such notable acts as Jake Bugg, the Courteeners, Brandon Flowers and Miles Kane.\n\nFindlay made her United States debut on 12 March 2018 in Los Angeles. She also played at several 2018 SXSW showcases.\n\nIn other media \n\n \n 2015: \"Greasy Love\", featured in season three premiere episode of the Cinemax drama, Banshee.\n\n \n 2018: \"Waste My Time\", featured in an episode of Stan's TV series Younger\n 2018: \"Stoned and Alone\", featured in \"The Precious Blood of Jesus\", an episode of Netflix's Ozark\n 2018: \"Off & On\", As part of the soundtrack for the Konami Sports-related videogame Pro Evolution Soccer\n\nOfficial Videos\n\nPersonal life\nFindlay's current residence is in Hackney, East London. She is a vegetarian and speaks French. She has been in a relationship with her TTRRUUCES bandmate Jules Apollinaire since 2014.\n\nReferences\n\nExternal links\nOfficial Site\n\n1991 births\nLiving people\nEnglish women singer-songwriters\nMusicians from Manchester\n21st-century English women singers\n21st-century English singers" ]

[ "Mary Shelley", "Lake Geneva and Frankenstein", "When did Mary Shelley write Frankenstein?", "Mary Shelley remembered in 1831,", "What did she have to do with Lake Geneva?", "close to Lake Geneva at the village of Cologny; Percy Shelley rented a smaller building called Maison Chapuis", "what did they do while they were there?", "They spent their time writing, boating on the lake, and talking late into the night. \"", "What did they write while they were there?", "Byron to propose that they \"each write a ghost story\".", "Did they write the ghost story?", "she became possessed by her imagination as she beheld the grim terrors of her \"waking dream\", her ghost story:", "how did that end for her?", "She began writing what she assumed would be a short story. With Percy Shelley's encouragement, she expanded this tale into her first novel, Frankenstein:", "was Frankenstein successful?", "The story of the writing of Frankenstein has been fictionalised several times and formed the basis for a number of films.", "how many films?", "a number of films.", "did percy also publish a ghost story?", "I don't know.", "Was she famous for writing anything else?", "I don't know." ]

[ "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts", "\"What Else Is There?\" is the third single from the Norwegian duo Röyksopp's second album The Understanding. It features the vocals of Karin Dreijer from the Swedish electronica duo The Knife. The album was released in the UK with the help of Astralwerks.\n\nThe single was used in an O2 television advertisement in the Czech Republic and in Slovakia during 2008. It was also used in the 2006 film Cashback and the 2007 film, Meet Bill. Trentemøller's remix of \"What Else is There?\" was featured in an episode of the HBO show Entourage.\n\nThe song was covered by extreme metal band Enslaved as a bonus track for their album E.\n\nThe song was listed as the 375th best song of the 2000s by Pitchfork Media.\n\nOfficial versions\n\"What Else Is There?\" (Album Version) – 5:17\n\"What Else Is There?\" (Radio Edit) – 3:38\n\"What Else Is There?\" (Jacques Lu Cont Radio Mix) – 3:46\n\"What Else Is There?\" (The Emperor Machine Vocal Version) – 8:03\n\"What Else Is There?\" (The Emperor Machine Dub Version) – 7:51\n\"What Else Is There?\" (Thin White Duke Mix) – 8:25\n\"What Else Is There?\" (Thin White Duke Edit) – 4:50\n\"What Else Is There?\" (Thin White Duke Remix) (Radio Edit) – 3:06\n\"What Else Is There?\" (Trentemøller Remix) – 7:42\n\"What Else Is There?\" (Vitalic Remix) – 5:14\n\nResponse\nThe single was officially released on 5 December 2005 in the UK. The single had a limited release on 21 November 2005 to promote the upcoming album. On the UK Singles Chart, it peaked at number 32, while on the UK Dance Chart, it reached number one.\n\nMusic video\nThe music video was directed by Martin de Thurah. It features Norwegian model Marianne Schröder who is shown lip-syncing Dreijer's voice. Schröder is depicted as a floating woman traveling across stormy landscapes and within empty houses. Dreijer makes a cameo appearance as a woman wearing an Elizabethan ruff while dining alone at a festive table.\n\nMovie spots\n\nThe song is also featured in the movie Meet Bill as characters played by Jessica Alba and Aaron Eckhart smoke marijuana while listening to it. It is also part of the end credits music of the film Cashback.\n\nCharts\n\nReferences\n\n2005 singles\nRöyksopp songs\nAstralwerks singles\nSongs written by Svein Berge\nSongs written by Torbjørn Brundtland\n2004 songs\nSongs written by Roger Greenaway\nSongs written by Olof Dreijer\nSongs written by Karin Dreijer" ]

[ "Babrak Karmal", "Communist politics" ]

[ "Mir Akbar Khyber () (sometimes spelled Khaibar) (January 11, 1925 – April 17, 1978) was an Afghan left-wing intellectual and a leader of the Parcham faction of People's Democratic Party of Afghanistan (PDPA). His assassination by an unidentified person or people led to the overthrow of Mohammed Daoud Khan's republic, and to the advent of a socialist regime in Afghanistan, the Democratic Republic of Afghanistan.\n\nHistory\nBorn on March 11, 1925 in Logar Province. Khyber graduated from Harbi Pohantoon Military University in 1947. In 1950, he was imprisoned for his revolutionary activities. Later he was employed by the Ministry of Education, until he was expelled from Paktia for taking part in a riot in 1965. After returning to Kabul, he became editor of the Parcham newspaper, Parcham, and oversaw the Parchams recruitment program in the Afghan Army. He was a close confidant of the Parcham leader Babrak Karmal.\n\nAssassination\nHe was assassinated outside his home on 17 April 1978. The Daoud regime attempted to put the blame for Khyber's death on Gulbuddin Hekmatyar's Hezbi Islami, but Nur Mohammad Taraki of the PDPA charged that the government itself was responsible, a belief that was shared by much of the Kabul intelligentsia. Louis Dupree, an American historian and specialist of Afghanistan, concluded that interior minister Mohammed Issa Nuristani, a virulent anti-communist, had ordered the killing. However, several sources, including fellow Parchamites Babrak Karmal and Anahita Ratebzad, claimed that Hafizullah Amin, a leader of the rival Khalq faction, was the instigator of the assassination. But some former ministers of Khalq faction claim that the assassination was ordered by the Soviet Union and Karmal. Daoud's confidant, Abdul Samad Ghaus, suggested that a strong rivalry existed between Amin and Khyber as they both attempted to infiltrate the military for their respective factions. Also, Khyber's attempts to reunite Khalq and Parcham cells within the military would have undermined Amin's power, according to communist sources. Mr. Ghaus suggest that Amin's henchmen, Siddiq Alamyar and his brother, are responsible for assassination of both Khyber and Inamulhaq Gran (mistakenly thought to be Karmal) upon order from Amin. Alamyar became Amin's minister of planning and his brother president of the general transportation authority. \n\nAt Khyber's funeral on April 19, some 15,000 PDPA sympathizers gathered in Kabul, and paraded through the streets chanting slogans against the CIA and the SAVAK, the Shah of Iran's secret police. Alarmed by this demonstration of communist strength, Daoud ordered a crackdown on the PDPA leadership, which in turn prompted the PDPA to launch a military coup that became known as the Saur Revolution, during which Daoud was killed, and the PDPA took power.\n\nReferences\n\nPeople's Democratic Party of Afghanistan politicians\nAfghan communists\nAssassinated Afghan politicians\n1925 births\n1978 deaths\nPashtun people", "Sultan Ali Keshtmand (; born May 22, 1935 in Kabul), sometimes transliterated Kishtmand, was an Afghan politician. He served twice as Chairman of the Council of Ministers during the 1980s, from 1981 to 1988 and from 1989 to 1990 in the Democratic Republic of Afghanistan.\n\nEarly years\nKeshtmand was born in Kabul. He is a member of the Hazara ethnic group. He studied economics at Kabul University and became involved in the People's Democratic Party of Afghanistan. He joined the Parcham Faction of that party, which was led by Babrak Karmal. He sought and received political asylum from the British Prime Minister John Major. He lives in the UK.\n\nRole in politics\nImmediately after the April 1978 coup d'état in which the People's Democratic Party came to power, Keshtmand became the minister of planning in the newly formed Democratic Republic of Afghanistan.\n\nHe lost that post in August 1978 when he was arrested for an alleged plot against President Nur Mohammad Taraki, a member of the rival Khalq faction of the party. The PDPA Politburo ordered the arrest of Keshtmand and Public Works Minister Muhammad Rafi'i for their part in the possible anti-regime conspiracy. He and the other inmates went through severe torture and long imprisonment. He remained in prison and was sentenced to death, but this decision was revoked and he was resentenced to 15 years in prison.\n\nOn December 1979, the Soviet Union invaded Afghanistan, bringing Babrak Karmal and the Parcham faction to power. Keshtmand was released from jail, and was once again joined the Politburo.\n\nFriction among the People's Party members rose in 1980 when Karmal removed Assadullah Sarwari from his position as First Deputy Chairman of the Council of Ministers and replaced him with Sultan Ali Keshtmand. Keshtmand, a Parchami, soon became one of the most important leaders of the regime. In June 1981, Karmal retained his other offices, but resigned as Council of Ministers chairman and was succeeded by Keshtmand. A 21-member Supreme Defense Council headed by Mohammad Najibullah effectively assumed power.\n\nThe rise in the deficit greatly concerned the government, and as Council of Ministers chairman Keshtmand noted in April 1983, the tax collections were inadequate in view of the increased state spending. The security situation in the country, however, prevented the government from improving its tax collections.\n\nIn September 1987, the Kabul government sponsored a large convocation of Hazaras from various parts of the country and offered them autonomy. In his speech to the group, Keshtmand said that the government was going to set up several new provinces in the Hazarajat that would be administered by the local inhabitants.\n\nRise and fall of power\nHe served as Chairman of the Council of Ministers from 1981 to 1988 and 1989 to 1990, and as one of the vice presidents from May 1990 until April 1991, when he was dismissed shortly before the fall of the government.\n\nA mujaheddin radio station reports intra-Parcham (a faction of the PDPA) (P) clashes in Kabul between supporters of Najibullah and Keshtmand, Chairman of the Executive Committee of the Council of Ministers.\n\nNon-PDPA member Mohammad Hassan Sharq was selected by President Najibullah to be the new Council of Ministers chairman, replacing Keshtmand. This move was made in order to free spaces in the new government for nonparty candidates.\n\nHe then left Afghanistan, first moving to Russia and then to England. There he became an outspoken defender of the rights of Hazaras and other minorities, claiming that the Pashtun majority in Afghanistan had had too much power in all of Afghanistan's regimes, past and present. After the communist Saur Revolution, which toppled Daud Khan's first Afghan Republic, he reportedly said, \"Brothers, today the five long centuries of Pashtun political domination has come to an end.\"\n\nReferences\n\n1935 births\nLiving people\nAfghan Muslims\nVice presidents of Afghanistan\nPrime Ministers of Afghanistan\nCommunist rulers of Afghanistan\nPeople's Democratic Party of Afghanistan politicians\nGovernment ministers of Afghanistan\nHazara politicians\nAfghan exiles\nAfghan emigrants to England\nAfghan expatriates in Russia" ]

[ "Babrak Karmal", "Communist politics", "How was Karmal involved in Communist politics?", "befriended fellow inmate Mir Akbar Khyber," ]

[ "The 8th Central Committee of the Chinese Communist Party was in session from 1956 to 1969. It was preceded by the 7th Central Committee of the Chinese Communist Party. It held 12 plenary sessions in this period of 13 years. It was the longest serving central committee ever held by the Communist Party.\n\nIt elected the 8th Politburo of the Chinese Communist Party in 1956. This politburo was dysfunctional from 1967 -1969. This committee was succeeded by the 9th Central Committee of the Chinese Communist Party.\n\nMembers\nOrdered according to the numbers of ballots:\n\nChronology\n1st Plenary Session\nDate: September 28, 1956\nLocation: Beijing\nSignificance: Mao Zedong was appointed Chairman of the CCP Central Committee, with Liu Shaoqi, Zhou Enlai, Zhu De and Chen Yun as vice-chairmen and Deng Xiaoping as general secretary. A 23-members Politburo, the 6-members Politburo Standing Committee and other central organs were elected.\n2nd Plenary Session\nDate: November 10–15, 1956\nLocation: Beijing\nSignificance: Liu Shaoqi made a report on the Suez Crisis and the anti-communist revolts in Hungary and Poland; Zhou Enlai made a report on the 1957 economic plan; Chen Yun made a report on food issues. Mao Zedong delivered a closing speech focusing on the relations with the Soviet Union and upholding Joseph Stalin's legacy.\n3rd Plenary Session\nDate: September 20–October 9, 1957\nLocation: Beijing\nSignificance: Deng Xiaoping made a report on the Anti-Rightist Campaign; Chen Yun made a report on State governance and development of agriculture; Zhou Enlai made a report on labor insurances. The Great Leap Forward was first outlined.\n4th Plenary Session\nDate: May 3, 1958\nLocation: Beijing\nSignificance: The meeting approved the report which was to be delivered to the 2nd Session of the Party's 8th National Congress as well as a resolution on the meeting of communist and workers' parties held in Moscow in 1957.\n5th Plenary Session\nDate: May 25, 1958\nLocation: Beijing\nSignificance: The meeting focused on organizational issues, particularly appointing Lin Biao an additional vice-chairman of the CCP Central Committee, and starting the publication of Hongqi with Chen Boda as editor-in-chief.\n6th Plenary Session\nDate: November 28–December 10, 1958\nLocation: Beijing\nSignificance: The people's commune were proclaimed. Mao Zedong decided not propose himself as President of the People's Republic of China to the 2nd National People's Congress, paving the way for Liu Shaoqi.\n7th Plenary Session\nDate: April 2–5, 1959\nLocation: Shanghai\nSignificance: Meeting focused on economic and financial work. Reports were submitted by Bo Yibo, Li Xiannian, Deng Xiaoping and Li Fuchun.\n8th Plenary Session\nDate: August 2–16, 1959\nLocation: Lushan\nSignificance: Also known as \"Lushan Conference\", a debate on the Great Leap Forward occurred. In the end, Peng Dehuai (who criticized the Leap and the people's commune) was accused of being a counter-revolutionary and removed along with other Party leaders like PLA Chief-of-Staff Huang Kecheng and former General Secretary Zhang Wentian. The plenary meeting followed a central conference started on July 2. \n9th Plenary Session\nDate: January 14–18, 1961\nLocation: Beijing\nSignificance: Chen Yun made a report on the 1961 economic plan; Deng Xiaoping made a report on the 1960 Moscow meeting of communist parties. Regional bureaux of the CCP Central Committee were established at this session.\n10th Plenary Session\nDate: September 24–27, 1962\nLocation: Beijing\nSignificance: The meeting repeated Mao Zedong's assessment that Chinese economy was to take agriculture as basis to develop industry. The session's official communique also started to outline Mao Zedong's \"theory of continued revolution under proletarian dictatorship\" which led to the Cultural Revolution.\n11th Plenary Session\nDate: August 1–12, 1966\nLocation: Beijing\nSignificance: First plenary meeting after 4 years. It approved the Decision of the Central Committee of the Chinese Communist Party Concerning the Great Proletarian Cultural Revolution, setting the course for the Cultural Revolution, which had started in May. The Politburo Standing Committee was expanded from 7 to 11 members, with Lin Biao as the single vice-chairman and Liu Shaoqi severely demoted.\n12th Plenary Session\nDate: October 13–31, 1968\nLocation: Beijing\nSignificance: Liu Shaoqi—the main target of the Cultural Revolution—was condemned as \"renegade, traitor and scab\" and expelled from the Party. A decision to convene the Party's 9th National Congress (after 12 years since the 8th Congress) was adopted.\n\nReferences\n\nExternal links\n 8th Central Committee of the CCP, People's Daily Online.\n\nCentral Committee of the Chinese Communist Party\n1956 establishments in China\n1969 disestablishments in China\n\nit:VIII Congresso nazionale del Partito Comunista Cinese\nru:VIII съезд КПК", "The 7th Central Committee of the Chinese Communist Party was in session from 1945 to 1956. It was a product of the convening of the 7th National Congress of the Chinese Communist Party. It held six plenary sessions in this 11-year period. It began in June 1945, before the end of the Second Sino-Japanese War, and the resumption of the Chinese Civil War. This committee would be succeeded by the 8th Central Committee.\n\nIt had 44 members and 33 alternate members.\n\nIts first plenary session elected the 7th Politburo of the Chinese Communist Party in 1945.\n\nIts second plenary session was held in 1949, at about the same time as the establishment of the People's Republic of China.\n\nMembers\nOrdered according to the numbers of ballots:\n\nChronology\n1st Plenary Session\nDate: June 19, 1945\nLocation: Yan'an\nSignificance: Mao Zedong was appointed Chairman of the CCP Central Committee, aided by a Secretariat made up by Zhou Enlai, Ren Bishi, Liu Shaoqi and Zhu De. A 13-members Politburo and other central organs were elected.\n2nd Plenary Session\nDate: March 5–13, 1949\nLocation: Xibaipo, Pingshan County\nSignificance: This meeting was held just before the victory over the Kuomintang. Mao Zedong delivered a report focusing on the post-victory activity of the Communist Party, emphasizing the need to guard from \"unarmed enemies\" and \"sugar-covered bullets\". The decision to convene the Chinese People's Political Consultative Conference with \"democratic parties\" was also taken.\n3rd Plenary Session\nDate: June 6–9, 1950\nLocation: Beijing\nSignificance: First meeting of the CCP Central Committee to be held in Beijing and after the nationwide victory. It focused on the Central People's Government work, with reports delivered by Mao Zedong, Liu Shaoqi and Chen Yun. Nie Rongzhen made a report on the reorganization of the People's Liberation Army from guerilla formations towards becoming the armed forces of the new Republic.\n4th Plenary Session\nDate: February 6–10, 1954\nLocation: Beijing\nSignificance: Gao Gang was criticized. Mao Zedong did not participate, and the report by the Politburo was delivered by Liu Shaoqi.\n5th Plenary Session\nDate: April 4, 1955\nLocation: Beijing\nSignificance: The meeting was held after a Party national conference held in March. It approved the conference's resolutions on the Five-Year Plan and expelling Gao Gang (posthumously) and Rao Shushi. Lin Biao and Deng Xiaoping were elected to the Politburo for the first time.\n6th Plenary Session\nDate: October 4–11, 1955\nLocation: Beijing\nSignificance: Resolutions on the collectivization and socialist transformation of agriculture were taken. A decision on the convening of the Party's 8th National Congress was adopted.\n7th Plenary Session\nDate: August 22–September 13, 1956\nLocation: Beijing\nSignificance: Preparations for the 8th Congress were made.\n\nNotes\n\nExternal links\n 7th Central Committee of the CCP, People's Daily Online.\n\nCentral Committee of the Chinese Communist Party\n1945 establishments in China\n1956 disestablishments in China" ]

[ "Babrak Karmal", "Communist politics", "How was Karmal involved in Communist politics?", "befriended fellow inmate Mir Akbar Khyber,", "What was the significance of communist politics?", "Comrade of the Workers'\"" ]

[ "Chester C. Platt (1869–1934) operated a drugstore in Ithaca, New York, and was credited with the invention of the ice cream sundae. He was the owner of the Ithaca Democrat, the Batavia Times, and the Madison Wisconsin Leader. He was secretary to New York Governor William Sulzer, and was involved in Democratic state and national politics from 1910 to 1920. In Ithaca, he was active in the Unitarian Church and in local politics.\n\nReferences\n\nExternal links\n \n\n1869 births\n1934 deaths", "Ragnhild Barland (29 September 1934 – 27 November 2015) was a Norwegian politician for the Labour Party.\n\nBarland was born in Holla, Telemark. She was elected to the Norwegian Parliament from Telemark in 1985, and was re-elected on two occasions.\n\nBarland was involved in local politics in Skien municipality council from 1975 to 1985, serving as deputy mayor in 1983–1985.\n\nOutside politics she worked as a high school teacher from 1957. In 1975 he was promoted to school inspector. She was involved in the teachers' union Norsk lektorlag, and was board chairman of the sports club Gjerpen IF from 1972 to 1975.\n\nReferences\n\n1934 births\n2015 deaths\nLabour Party (Norway) politicians\nMembers of the Storting\nPoliticians from Skien\nWomen members of the Storting\n20th-century Norwegian politicians\n20th-century Norwegian women politicians\nPeople from Nome, Norway" ]

[ "Babrak Karmal", "Communist politics", "How was Karmal involved in Communist politics?", "befriended fellow inmate Mir Akbar Khyber,", "What was the significance of communist politics?", "Comrade of the Workers'\"", "Was he involved in politics?", "his bourgeois background." ]

[ "The following lists events that happened during 1980 in Afghanistan.\n\nKarmal faces increasing friction within the Revolutionary Council and other wings of the government. One of the most striking evidences of Khalq-Parcham feuding comes when Karmal removes his deputy prime minister, Assadullah Sarwari, a prominent Khalqi, and three other Khalq followers from the scene by appointing them as ambassadors. Sarwari, who was once considered a potential Soviet choice to replace Karmal, is named envoy to Mongolia after a sojourn in the Soviet Union. There are reports of assassinations of Khalqis by Parchamites and vice versa, and bitter interparty fighting is said to have spread to army units and government agencies in various parts of the country. Karmal reshuffles his cabinet, promoting Sultan Ali Keshtmand, a trusted Parchamite colleague, to replace Sarwari as first deputy prime minister.\n\nIncumbents\n General Secretary of the People's Democratic Party of Afghanistan: Babrak Karmal\n Chairman of the Revolutionary Council: Babrak Karmal\n Chairman of the Council of Ministers: Babrak Karmal\n\nJanuary 14, 1980\nA special session of the UN General Assembly passes a resolution (104-18) calling for the immediate withdrawal of \"foreign troops\" in Afghanistan. Similar resolutions are passed in subsequent years until November 10, 1987, when the vote in favour reaches a record 123.\n\nJanuary 29, 1980\nAn emergency session of the Conference of Islamic States, convening in Islamabad, Pakistan, condemns the \"Soviet military aggression against the Afghan people\" and demands that all Soviet troops be withdrawn immediately. The foreign ministers also suspend Afghanistan from their organization and ask that their respective governments sever diplomatic relations with it.\n\nFebruary 1980\n\nAnti-Soviet feeling among the Afghans rises to a high pitch, when a general strike and violent demonstrations are staged against the Soviet presence in Kabul and other major cities. The mass uprising is quelled as Afghan armed forces and Communist militia inflict heavy casualties on the demonstrators. As cases of Soviet soldiers disappearing begin to increase, the Soviet troops assume more and more direct control of the security situation from the Afghan Army. The Soviets unleash a series of offensives against insurgents in the provinces of Paktia, Konarha, Ghazni, Herat, Kandahar, and Badakhshan.\n\nApril 1980\n\nThe demonstrations are repeated at the end of April, this time staged by students from Kabul University and other educational institutions. The April demonstrations, which occur during the anniversary celebrations of the Saur (April) Revolution launched by former leader Taraki on April 27, 1978, result in the brutal killings of more than 50 students.\n\nMay 1980\nAttempts to bring about a peaceful solution of the Afghan crisis and Soviet withdrawal from the country are made by the Islamic Conference in Islamabad, Pakistan. No headway can be made, however. Pakistan refuses to have any direct talks with the Karmal regime, since this would involve recognition of the Soviet-backed government. Karmal insists that all subversive activities against his country must stop before any international discussion on the crisis could be held.\n\nJune 1980\nThe Soviet Union announces a token withdrawal of one of its divisions, but this fails to placate the Afghans. Despite intense propaganda by General Secretary Karmal, Afghan state organs, and the Soviet government to the effect that the Soviet presence had a \"limited\" purpose and the troops would pull out as soon as peace was restored, the Karmal regime is finding itself more and more isolated from the people. Except for a small percentage consisting of ruling PDPA cadres, bureaucrats, and intellectuals, no section of the population accepts the government's thesis: that all the country's ills either are caused by saboteurs and agents from Pakistan and the U.S. or result from the tyrannical measures adopted by the short-lived regime of Karmal's predecessor, Hafizullah Amin. Increasingly, Karmal is finding himself in a dilemma, because the very Soviet troops who are arousing such resistance from his countrymen are the only force preventing the collapse of his government. Meanwhile, several regional groups, collectively known as Mujahideen (from the Persian word meaning \"warriors\"), have united inside Afghanistan, or across the border in Peshawar, to resist the Soviet invaders and the Soviet-backed Afghan Army.\n\nThe Afghan Army's strength is down to 32,000 from an estimated 80,000 at the time of the Soviet intervention, due to large-scale desertions.\n\nSeptember 1980\nOutside estimates place the number of Afghans seeking shelter in Pakistan at over 900,000.\n\nOctober 16, 1980\nKarmal begins an extended visit to Moscow, where he is welcomed by Soviet Pres. Leonid Brezhnev. Their subsequent discussion and joint signature of a document in the Kremlin is seen as a formal acknowledgment of the Afghan government's puppet status.\n\nNovember 1980\nIt is disclosed that Egypt is sending arms to the Mujahideen.\n\n \nAfghanistan\nYears of the 20th century in Afghanistan\nAfghanistan\n1980s in Afghanistan", "Ghulam Dastagir Panjsheri (Pashtu: غلام دستگير پنجشېری) was an Afghan communist politician and public servant. Panjsheri was usually identified as a Khalq by fellow Afghan politicians, while outside observers said he was creating his own PDPA group under the name Gruhi Kar.\n\nEarly career \nPanjsheri studied at Kabul Teachers College and was the faculty of letters at the Kabul University. After working in a journal under the name, Anis and teaching literature at the Kabul Teachers College he started working for the Ministry of Information and Culture. In 1965, he became a member of the Central Committee of the PDPA at their first congress meeting on January 1, 1965. When Babrak Karmal left the PDPA because of the power struggle between the Khalq and the Parchams, Panjsheri left the party with Karmal and the rest of his supporters, he eventually returned to his original position in the PDPA and became a member of the Khalqi faction again. Later on, he tried to establish his own splinter communist party, which turned out to be unsuccessful. Between 1969-1972 he was imprisoned for political activities.\n\nIt is unknown what position he held or what he did under the rule of Mohammad Daoud Khan's Daoud's Republic of Afghanistan (1973–1978).\n\nDemocratic Republic of Afghanistan \nAfter the People's Democratic Party of Afghanistan (PDPA) sized power after the Saur Revolution (1978), he was Minister of Education and later Minister of Public Works under Nur Mohammad Taraki. He held the job as Minister of Public Works until Hafizullah Amin rose to power in 1979 after his assassination of Taraki. Under the rule of Babrak Karmal he was promoted to the Central Committee's Politburo. While seen by many as a Khalqi, he was given the position of Chairman of the Party Control Commission.\n\nAccording to rumours at that time Panjsheri was establishing his own political group within the PDPA with help from the Soviet government in Moscow. The name of his political group was Kar.\n\nReferences \n\nPeople's Democratic Party of Afghanistan politicians\nLiving people\nGovernment ministers of Afghanistan\n1933 births" ]

[ "Mumtaz Mahal", "Marriage" ]

[ "I Told You So is a 1970 Ghanaian movie. The movie portrays Ghanaians and their way of life in a satirical style. It also gives insight into the life of a young lady who did not take the advice of her father when about to marry a man, she did not know anything about the man she was going to marry, but rather took her mother's and uncle's advice because of the wealth and power the man has.\n\nThe young lady later finds out that the man she is supposed to marry was an armed robber. She was unhappy of the whole incident. When her dad ask what had happened, she replied that the man she was supposed to marry is an armed robber; her father ended by saying \"I told you so\".\n\nCast\nBobe Cole\nMargret Quainoo (Araba Stamp)\nKweku Crankson (Osuo Abrobor)\n\nReferences\n\nExternal links\n \n I TOLD YOU SO GHANAIAN MOVIE\n\n1970 films\nGhanaian films", "Kitty Lambert is an LGBT rights activist. She was raised Mormon and married a male Mormon missionary when she was seventeen.  She did not come out as a lesbian for many years out of fear of losing her children.\n\nLambert is president of (and was involved in the founding of) OUTspoken for Equality, an LGBT rights nonprofit in the Western New York area, and as such was instrumental in convincing the New York state legislature to legalize same-sex marriage.\n\nIn 2010 Lambert and her partner Cheryle Rudd went to a marriage office in Buffalo, New York to apply for a marriage license, accompanied by a group of supporters.  They were refused, but Lambert was given a license to marry a 22-year-old man at the marriage office whom she had never met before. She did not marry him, but the incident was filmed and put on YouTube, where as of July 2011 it had been viewed by 125,000 people.\n\nOver the years, Lambert had three heart attacks, and Rudd had cervical and thyroid cancer.  They had difficulty with hospitals due to lack of legal recognition of their relationship.\n\nIn 2011 Kitty Lambert and Cheryle Rudd became the first same-sex couple to legally marry in New York.  She and Rudd had been together for twelve years prior to their marriage.  Niagara Falls Mayor Paul Dyster officiated.\n\nReferences \n\nLGBT people from New York (state)\nLGBT rights activists from the United States\nLesbians\nActivists from Buffalo, New York\nFormer Latter Day Saints\nYear of birth missing (living people)\nLiving people" ]

[ "Mumtaz Mahal", "Marriage", "When did she marry?", "30 April 1612" ]

[ "I Told You So is a 1970 Ghanaian movie. The movie portrays Ghanaians and their way of life in a satirical style. It also gives insight into the life of a young lady who did not take the advice of her father when about to marry a man, she did not know anything about the man she was going to marry, but rather took her mother's and uncle's advice because of the wealth and power the man has.\n\nThe young lady later finds out that the man she is supposed to marry was an armed robber. She was unhappy of the whole incident. When her dad ask what had happened, she replied that the man she was supposed to marry is an armed robber; her father ended by saying \"I told you so\".\n\nCast\nBobe Cole\nMargret Quainoo (Araba Stamp)\nKweku Crankson (Osuo Abrobor)\n\nReferences\n\nExternal links\n \n I TOLD YOU SO GHANAIAN MOVIE\n\n1970 films\nGhanaian films", "Lucia Rosa was a girl from the 19th century who wanted to marry a poor farmer and instead was forced by her father to marry a wealthy man she did not want. In despair, she threw herself into the Tyrrhenian Sea on the northwest side of the island of Ponza, Italy. She is viewed by some women as a martyr for women's rights and a symbol for human rights. A beach and a group of tall rock stacks (the 'faraglioni di Lucia Rossa') are named after her, at the place where she died.\n\nReferences\n\nExternal links \nLucia Rosa Stacks Google Maps\nPicture and description of Lucia Rosa beach\n\nItalian children\nPeople from the Province of Latina\nSuicides by drowning\n19th-century deaths\nSuicides in Italy\nYear of birth unknown" ]

[ "Mumtaz Mahal", "Marriage", "When did she marry?", "30 April 1612", "Who did she marry?", "Shah Jahan" ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Mumtaz Mahal", "Marriage", "When did she marry?", "30 April 1612", "Who did she marry?", "Shah Jahan", "Are there any other interesting aspects about this article?", "Despite her frequent pregnancies, Mumtaz travelled with Shah Jahan's entourage throughout his earlier military campaigns and the subsequent rebellion against his father." ]

[ "The American Homecoming Act or Amerasian Homecoming Act, was an Act of Congress giving preferential immigration status to children in Vietnam born of U.S. fathers. The American Homecoming Act was written in 1987, passed in 1988, and implemented in 1989. The act increased Vietnamese Amerasian immigration to the U.S. because it allowed applicants to establish a mixed race identity by appearance alone. Additionally, the American Homecoming Act allowed the Amerasian children and their immediate relatives to receive refugee benefits. About 23,000 Amerasians and 67,000 of their relatives entered the United States under this act. While the American Homecoming Act was the most successful program in moving Vietnamese Amerasian children to the United States, the act was not the first attempt by the U.S. government. Additionally the act experienced flaws and controversies over the refugees it did and did not include since the act only allowed Vietnamese Amerasian children, as opposed to other South East Asian nations in which the United States also had forces in the war.\n\nBackground\n\nIn April 1975, the U.S.-backed government of South Vietnam fell to North Vietnamese forces. Refugees from Vietnam started to arrive in the United States under U.S. government programs. In 1982, the U.S. Congress passed the Amerasian Immigration Act (PL 97-359). The law prioritized U.S. immigration to children fathered by U.S. citizens including from Korea, Laos, Cambodia, Vietnam, and Thailand. However, the law did not provide immigration to mothers or half-siblings, only to Amerasian children. Amerasians would generally have to coordinate with their American fathers in order to obtain a visa. This provided a challenge for many since some fathers did not know they had children or the fathers may not have wanted to claim the children. If the Amerasian children did not have documentation from the American father, then they could be examined for “American” physical features by a group of doctors. Additionally, since the U.S. and Vietnam's governments did not have diplomatic relations, the law could not be applied to Vietnamese Amerasian children. Essentially the Amerasian Immigration Act did little for Amerasian children and even less for Vietnamese Amerasian children.\n\nAs a way to address Vietnamese Amerasian children, the U.S. government permitted another route for Vietnamese-born children of American soldiers to the United States. The children would be classified as immigrants, but would also be eligible to receive refugee benefits. The U.S. and Vietnam governments established the Orderly Departure Program (ODP). The program is housed in the United Nations High Commission for Refugees (UNHCR). The ODP created a system where South Vietnamese soldiers and others connected to the U.S. war effort could emigrate from Vietnam to the United States. Initially the Amerasian children had to have documentation from their American fathers to be issued a visa, however the program eventually expanded to individuals that did not have firm documentation. The Orderly Departure Program moved around 6,000 Amerasians and 11,000 relatives to the United States.\n\nEnactment\n\nOn August 6, 1987, Rep. Robert J. Mrazek [D-NY-3] introduced the Amerasian Homecoming Bill (H.R. 3171). The bill was co-sponsored by 204 U.S. representatives (154 Democrats, 49 Republicans, and 1 Independent). In 1988, the U.S. Congress passed the Amerasian Homecoming Act (PL 100-200). The law took effect on March 21, 1988, and allowed Vietnamese Amerasians born January 1, 1962, through January 1, 1976, to apply for immigrant visas until March 21, 1990. Additionally the legislation removed immigration quotas and reduced legal barriers for Vietnamese Amerasians’ immigration. As a result of the act around 20,000 Amerasian children left Vietnam. Prior to the Amerasian Homecoming Act, many Amerasian children faced prejudice in Vietnam sometimes referred to as bui doi (“the dust of life” or “trash”). However, after the act many of these children would be called “golden children” since not only could the Amerasian children move to the United States, but so could their families. The act allowed the spouse, child, mother, or the next of kin of the Amerasian child to emigrate. The act was significant, because it allowed applicants to establish a mixed race identity by appearance alone.\n\nImmigration process\n\nThe American Homecoming Act operated through the Orderly Departure Program in the respective U.S. embassies. U.S. Embassy officials would conduct interviews for Amerasians children and their families. The interviews were intended to prove whether or not the child's father was a U.S. military personnel. Under the American Homecoming Act, Vietnamese Amerasian children did not have to have documentation from their American fathers; however if they did, their case would be processed quicker. The approval rating for Amerasian applicants was approximately 95 percent.\n\nThe approved applicants and their families would go through a medical exam. The medical exam was less extensive than other immigration medical exams. If they passed, the U.S. would notify Vietnamese authorities and would process them for departure. The Amerasians would then be sent to the Philippines for a 6-month English language (ESL) and cultural orientation (CO) program. Once the Amerasians arrived in the United States they would be resettled by private voluntary agencies contracted with the U.S. State Department. Some Amerasians gave accounts that some “fake families” approached them as a way to immigrate to the United States. The U.S. Attorney General in conversation with the U.S. Secretary of State submitted program reports to the U.S. Congress every three years.\n\nControversies\n\nWhile the American Homecoming Act was the most successful measure by the United States to encourage Amerasian immigration, the act faced controversies. A primary issue was the act only applied to Amerasian children born in Vietnam. The American Homecoming Act excluded Japan, Korea, the Philippines, Laos, Cambodia, and Thailand. While Amerasian children from outside Vietnam could immigrate to the United States, they could do so only if their fathers claimed them. Most fathers did not recognize their children, especially if they were born to sex workers.\n\nIn 1993, a class action lawsuit was filed in the International Court of Complaints to establish Filipino Amerasian children's rights to assistance. The court ruled against the children, stating they were the products of sexual services provided to U.S. service personnel. Since prostitution is illegal, there could be no legal claim for the Filipino Amerasian children. Amerasian advocacy groups are actively attempting to gain recognition for Amerasian children through legal and legislative measures.\n\nThere were other concerns facing the American Homecoming Act by the Vietnamese immigrants. Some accounts include a Vietnamese woman who attempted to claim American citizenship for her Amerasian son, but the father denied the relationship and responsibility by calling her a prostitute. Since sex workers were largely excluded, many children were unable to participate in the program. In the 1970s, the U.S. cut refugee cash assistance and medical aid to only eight months. Many Amerasian children account for their struggles in public school and very few attended higher education. Amerasian children who stayed in their respective countries found difficulties. Many of the children faced prejudice since their fair skin or very dark skin, blue eyes, or curly black hair would quickly identify them as Amerasian. Additionally the children faced judgment from the new socialist Vietnamese officials and other neighbors since their features positioned them as reminders of the “old enemy.”\n\nReferences\n\nUnited States federal immigration and nationality legislation", "Matthew 11:17 is the seventeenth verse in the eleventh chapter of the Gospel of Matthew in the New Testament.\n\nContent\nIn the original Greek according to Westcott-Hort for this verse is:\nκαὶ λέγουσιν, Ηὐλήσαμεν ὑμῖν, καὶ οὐκ ὠρχήσασθε· ἐθρηνήσαμεν ὑμῖν, καὶ οὐκ ἐκόψασθε. \n\nIn the King James Version of the Bible the text reads:\nAnd saying, We have piped unto you, and ye have not danced; we have mourned unto you, and ye have not lamented.\n\nThe New International Version translates the passage as:\n\"'We played the flute for you, and you did not dance; we sang a dirge and you did not mourn.'\n\nAnalysis\nWitham states that Christ here is represented by the children that piped, while St. John by those that mourned, since Christ did not refuse to eat and converse with sinners.\n\nCommentary from the Church Fathers\nSaint Remigius: \" And straightway He answers Himself, saying, It is like unto children sitting in the market-place, crying unto their fellows, and saying, We have played music to you, and ye have not danced; we have mourned, and ye have not lamented.\"\n\nHilary of Poitiers: \" By the children are meant the Prophets, who preached as children in singleness of meaning, and in the midst of the synagogue, that is in the market-place, reprove them, that when they played to those to whom they had devoted the service of their body, they had not obeyed their words, as the movement of the dancers are regulated by the measures of the music. For the Prophets invited them to make confession by song to God, as it is contained in the song of Moses, of Isaiah, or of David.\"\n\nJerome: \" They say therefore, We have flayed music to you, and ye have not danced; i. e. We have called on you to work good works to our songs, and ye would not. We have lamented and called you to repentance, and this ye would not, rejecting both preaching, as well of exhortation to virtue, as of repentance for sin.\"\n\nSaint Remigius: \" What is that He says, To their fellows? Were the unbelieving Jews then fellows of the Prophets? He speaks thus only because they were sprung of one stock.\"\n\nJerome: \" The children are they of whom Isaiah speaks, Behold I, and the children whom the Lord has given me. (Is. 8:18) These children then sit in the market-place, where are many things for sale, and say,\"\n\nChrysostom: \" We have played music to you, and ye have not danced; that is, I have showed you an unrestricted life, and ye are not convinced; We have mourned unto you, and ye have not lamented; that is, John lived a hard life, and ye heeded him not. Yet does not he speak one thing, and I another, but both speak the same thing, because both have one and the same object. For John came neither eating nor drinking, and they say, He hath a dæmon. The Son of man came &c.\"\n\nSee also\nWeddings and Funerals\n\nReferences\n\nExternal links\nOther translations of Matthew 11:17 at BibleHub\n\n011:17" ]

[ "Mumtaz Mahal", "Marriage", "When did she marry?", "30 April 1612", "Who did she marry?", "Shah Jahan", "Are there any other interesting aspects about this article?", "Despite her frequent pregnancies, Mumtaz travelled with Shah Jahan's entourage throughout his earlier military campaigns and the subsequent rebellion against his father.", "Did they have children?", "they had fourteen children together (eight sons and six daughters), seven of whom died at birth or at a very young age." ]

[ "The A-Z Guide to Arranged Marriage is a 2005 romantic comedy novel written by Rekha Waheed about a single Asian woman looking to settle using old traditions and new world savvy.\n\nPlot summary\nMaya Malik is a 28-year-old single lonely Asian girl who wants an attractive husband and a grand ostentatious wedding. Her biggest fear is the realisation that she has to find a husband from a diminishing stock of eligible bachelors.\n\nMaya endures family introductions, blind dates, with Internet meetings in a journey that takes her from London to New York to Dhaka, and then back to London again.\n\nDevelopment\nIn November 2005, Waheed told CyberSylhet.com, A-Z Guide to Arranged Marriage \"merges old world tradition with new world savvy\". In a February 2011 interview with The Asian Writer she said, she wrote the novel \"to dispel myths surrounding the custom and help readers distinguish between the virtues of arranged marriages and the illegality of forced marriages.\"\n\nRelease\nMonsoon Press secured A-Z Guide to Arranged Marriage following a reading at London's 2005 Spitalfield's Literary Event. The book was launched at Bangladesh Centre on 17 November 2005. The event was attended by luminaries from Penguin, MBA Literary Agency, Bloomsbury, Saqi Books, Rebecca Winfield Agency, East Side Books, Foreign and Commonwealth Office, Local Government, and community organisations.\n\nCritical response\nRedhotcurry.com said \"The A-Z Guide to Arranged Marriage is a sassy story that unapologetically celebrates the realities of an age-old tradition for the new generation... The book is a contemporary, witty and proud representation of the controversial topic that has already created considerable interest... The A-Z Guide to Arranged Marriage reflects the splendid spirit of Asian traditions that has mass appeal. Helen Fraser, Managing Director of Penguin (UK) called the novel \"witty and charming.\"\n\nSequel\nAs a result of the success of this novel, Little Black Dress asked Waheed to write sequel My Bollywood Wedding, which was published in 2010.\n\nSee also\nArranged marriage in the Indian subcontinent\nBritish Asian\n\nReferences\n\nExternal links\nThe A-Z Guide to Arranged Marriage on Google Books\n\n2005 British novels\nBengali-language novels\nEnglish novels\nNovels by Rekha Waheed\nArranged marriage\nBangladeshi diaspora in the United Kingdom", "Theodegotha (5th-century – fl. 502) was a Visigoth queen consort by marriage to king Alaric II (494–507).\n\nShe was the daughter of Theodoric the Great. Her marriage was arranged as an alliance between the Visigoths and the Ostrogoths, though it is disputed when it took place and therefore the exact reasons for the alliance. She was the mother of Amalaric.\n\nReferences \n\nVisigothic queens consort\n6th-century people of the Visigothic Kingdom\n5th-century women\n6th-century women" ]

[ "Mumtaz Mahal", "Marriage", "When did she marry?", "30 April 1612", "Who did she marry?", "Shah Jahan", "Are there any other interesting aspects about this article?", "Despite her frequent pregnancies, Mumtaz travelled with Shah Jahan's entourage throughout his earlier military campaigns and the subsequent rebellion against his father.", "Did they have children?", "they had fourteen children together (eight sons and six daughters), seven of whom died at birth or at a very young age.", "Was this an arranged marriage?", "Mumtaz Mahal was betrothed to Shah Jahan around 30 January 1607, when she was 14 years old at the time and he was 15." ]

[ "The effects associated with divorce affect the couple’s children in both the short and the long term. After divorce the couple often experience effects including, decreased levels of happiness, change in economic status, and emotional problems. The effects on children include academic, behavioral, and psychological problems. Studies suggest that children from divorced families are more likely to exhibit such behavioral issues than those from non-divorced families.\n\nEffect on children \nA longitudinal study by Judith Wallerstein reports long-term negative effects of divorce on children.\n\nLinda Waite analyzed the relation between marriage, divorce and happiness using the National Survey of Family and Households and found that unhappily married families who had divorced were no happier than those who had stayed together. One broad-based study also shows that people have an easier time recovering after the death of a parent as opposed to a divorce. This study reported that children who lose a parent are usually able to attain the same level of happiness that they had before the death, whereas children of divorced parents often are not able to attain the same level of happiness that they had before the divorce.\n\nA child affected by divorce at an early age will show effects later in life. They may make premature transitions to adulthood such as leave home or parent their own child early. Recent authors have argued that a major cost to children comes long after: when they attempt to form stable marriages themselves. Parental divorce leads a child to have lower trust in future relationships. Compared with children of always married parents, children of divorced parents have more positive attitudes towards divorce and less favorable attitudes towards marriage.\n\nThe children of divorced parents have also been reported more likely to have behavioral problems than children of married parents and are more likely to suffer abuse than children in intact families.\n\nIn contrast to the usual negative views on marriage by children affected by it, Constance Ahrons, in We're Still Family: What Grown Children Have to Say About Their Parents' Divorce, interviewed 98 divorced families' children for numerous subjects found a few of the children saying, \"I saw some of the things my parents did and know not to do that in my marriage and see the way they treated each other and know not to do that to my spouse and my children. I know [the divorce] has made me more committed to my husband and my children.\" In the book For Better or For Worse: Divorce Reconsidered, Mavis Hetherington reports that not all kids fare so badly, and that divorce can actually help children living in high-conflict homes such as those with domestic violence. A peaceful divorce has less of an impact on children than a contested divorce.\n\nContrary to some of the previous research, those with divorced parents were no more likely than those from intact families to regard divorce positively or to see it as an easy way of solving the problem of a failing marriage. Members of both groups felt that divorce should be avoided, but that it was also a necessary option when a relationship could not be rescued.\n\nA 2015 article updated and confirmed the findings in a 2002 article in Clinical Child and Family Psychology Review. Both articles discuss a variety of health consequences for children of divorced parents. Studies have claimed that people who have been in divorced families have higher rates of alcoholism and other substance abuse compared to those who have never been divorced. Robert H. Coombs, Professor of Behavioral Sciences at UCLA, reviewed over 130 studies measuring how marital status affects personal well-being. Researchers have also shown that children of divorced or separated parents:\n\n Have higher rates of clinical depression – Family disruption and low socioeconomic status in early childhood increase the long-term risk for major depression.\n Seek formal psychiatric care at higher rates.\n In the case of men, are more likely to die by suicide and have lower life expectancies.\n Acute infectious diseases, digestive illnesses, parasitic diseases, respiratory illnesses, and severe injuries.\n Cancer – Married cancer patients are also more likely to recover than divorced ones.\n Stroke. \n Heart problems. \n Rheumatoid arthritis and osteoarthritis. \n Increased risk of arthritis for children later in life.\nLower levels of the hormone oxytocin in adulthood.\n\nUncontested divorce \nAn uncontested divorce is a divorce decree that neither party is fighting. Over 40% of American children will experience parental divorce or separation during their childhood. In a study of the effect of relocation after a divorce, researchers found that parents relocating far away from each other (with either both moving or one moving) has a long-term effect on children. Researchers found major differences in divorced families in which one parent moved away from the child; the children (as college students) received less financial support from their parents compared with divorced families in which neither parent moved. The children also felt more distress related to the divorce and did not feel a sense of emotional support from their parents. A parental divorce influences a child’s behavior in a negative manner that leads to anger, frustration, and depression. This negative behavior is cast outward in their academic and personal life. Relocating is defined as when a parent moves more than an hour away from their children. Children of divorces where both parents stayed close together did not have these negative effects.\n\nSee also\n Divorce\n Fear of commitment\n Cost of raising a child\n Single person\n\nReferences \n\nDivorce", "A referendum on divorce was held in Malta on 28 May 2011. Voters were asked whether they approved of a new law to introduce allowing divorces, as at that time, Malta was one of only three countries in the world (along with the Philippines and the Vatican City) in which divorce was not permitted. The proposal was approved by 53% of voters, resulting in a law allowing divorce under certain conditions being enacted later in the year.\n\nBackground\nA private member's bill was tabled in the House of Representatives by Jeffrey Pullicino Orlando, a Nationalist Member of Parliament. The text of the bill, which had been changed twice, did not provide for the holding of a referendum. This was eventually provided for through a separate Parliamentary resolution under the Referenda Act authorising a facultative, non-binding referendum to be held.\n\nThe Catholic Church in Malta encouraged a \"no\" vote through a pastoral letter issued on the Sunday before the referendum day. Complaints were made that religious pressure was being brought to bear upon voters. Around 8 per cent of marriages in Malta are already annulled by the Catholic Church.\n\nQuestion\nBallot papers had both English and Maltese questions printed on them. The English version of the question put to voters was as follows:\n\nThe question, which resembled the proposal approved by Irish voters in the Irish divorce referendum of 1995, was somewhat controversial. It was claimed that it did not reflect the content of the private member's bill.\n\nResults\n\nAlthough for the purposes of the referendum the whole country was regarded to be a single constituency - taking into account electoral districts - in only three out of the thirteen did the \"no\" vote reach a majority.\n\nAftermath\nDiscussion on the divorce bill started in earnest soon after the result was announced. In the second and third readings a number of MPs still voted against the bill. Parliament approved the law on 25 July. The law came into effect on 1 October.\n\nSee also \nDivorce in Malta\n\nReferences\n\n2011 in Malta\nMalta\nReferendums in Malta\nDivorce law\nMaltese law\nHistory of Malta\nMarriage reform\nMay 2011 events in Europe\nDivorce referendums" ]

[ "Mumtaz Mahal", "Marriage", "When did she marry?", "30 April 1612", "Who did she marry?", "Shah Jahan", "Are there any other interesting aspects about this article?", "Despite her frequent pregnancies, Mumtaz travelled with Shah Jahan's entourage throughout his earlier military campaigns and the subsequent rebellion against his father.", "Did they have children?", "they had fourteen children together (eight sons and six daughters), seven of whom died at birth or at a very young age.", "Was this an arranged marriage?", "Mumtaz Mahal was betrothed to Shah Jahan around 30 January 1607, when she was 14 years old at the time and he was 15.", "Did they divorce?", "Mumtaz had a loving marriage with Shah Jahan." ]

[ "Sessions@AOL is the first live/digital compilation album by Linkin Park co-vocalist Mike Shinoda for his well-known hip-hop side project, Fort Minor. This was recorded in Studio A of the Capitol Studio in Los Angeles, California, and filmed on November 2, 2005. The album included the live versions of songs that were included in Fort Minor's first studio album, The Rising Tied, which was released on November 22, 2005. Due to its time length in the digital download version, it is considered an EP.\n\nLive performance\nThe live performance included two versions. The digital download version and the webcast version. The digital download version only included the audio live versions of the songs. But the webcast version included the video of the live performance of the song and in addition it had performances of \"It's Goin' Down\" and \"Where'd You Go\" with Holly Brook, an interview with Mike Shinoda, and Sessions @ AOL announcements by Mike. It is rumored that Fort Minor did a whole set to rehearse for the gig at the Universal Amphitheater in LA that month, but it is not confirmed. Eric Bobo from Cypress Hill came out and played his Latin drums on the song \"Believe Me\". After Fort Minor did \"There They Go\", they launched into \"It's Goin' Down\", and then Holly Brook came out and they practiced \"Where'd You Go\".\n\nNotes\nSome clips of \"Where'd You Go\" and \"Believe Me\" can be seen in interviews with Holly Brook and Bobo on the Fort Minor Militia website. There is a \"Behind the Scene's\" montage video on AOL.com that can be viewed that has part of \"It's Goin Down\" in it. The show was released through AOL as a part of its Sessions@AOL series. It came with a front cover and a back cover. The set list of the release was in a different order and did not include \"Where'd You Go\" or \"It's Goin' Down\".\n\niTunes\nThe live performances of the whole track list of the digital album is available on iTunes for purchase.\n\nTrack listing\n\nDigital download\n\nWebcast\n\nPersonnel\nPerformer \nFort Minor (Mike Shinoda, rap vocals throughout)\n\nAdditional Musicians\n Styles of Beyond (rap vocals on \"Remember the Name\" and \"Believe Me\")\n Eric Bobo (Latin drums on \"Believe Me\")\n Toy Soldier (drums)\n Los Angeles choir (backing vocals and strings)\n\nRelease history\n\nReferences\n\nExternal links\n\nFort Minor albums\n2006 live albums\n2006 video albums\nLive video albums", "Ike & Tina Turner's Festival of Live Performances is a live album released by Kent Records in January 1970. It was recorded during their stint at Kent in the mid-1960s.\n\nBackground \nAt the time of the recording Ike & Tina Turner were touring vigorously on the Chitlin Circuit. They already had a string of hits by 1962, and simultaneously they were establishing themselves as \"one of the most potent live acts on the R&B circuit.\" They released various live albums in the 1960s which did better on the charts than their studio albums. Opening for the Rolling Stones on their 1969 American tour helped sell the duo to a major market. After they achieved mainstream success, Kent Records, one of the many labels they recorded for in the 1960s released Ike & Tina Turner's Festival of Live Performances in 1970.\n\nCritical reception \n\nBillboard (February 21, 1970): The husband-wife soul duo of Ike & Tina Turner are everyday these days, especially on the charts where their incredible brand of pop-soul excitement has finally been realized after years as also-rans. Their live performances at the Fillmore and Madison Square Garden did the trick, but Kent presents the team as they were when 'live' meant clubs and smaller audiences of devoted fans.Record World (February 28, 1970): \"After paying their dues, and it was a large amount, Ike and Tina are finally full-fledged members of the hot artist organization. All these sides were recorded live and some will say that's the only way to enjoy the sizzling duo and their Ikettes.\"\n\nRon Wynn at AllMusic stated that \"they were still a hungry, eager, galvanizing band then, and even performed with energy and fire on mundane filler.\"\n\nReissues \nThe album was reissued in France by Disques Festival on the double vinyl The Great Album Of Ike And Tina Turner in 1974.\n\nIke & Tina Turner's Festival of Live Performances was reissued on CD by RockBeat Records in 2011 with two additional tracks.\n\nTrack listing\n\nReferences \n\n1970 live albums\nIke & Tina Turner live albums\nKent Records albums" ]

[ "George Stephanopoulos", "Real estate loan controversy" ]

[ "IROC XII was the twelfth year of IROC competition took place in 1988. It saw the use of the Chevrolet Camaro in all races, and continued the format introduced in IROC VIII. Race one took place on the Daytona International Speedway, race two took place at Riverside International Raceway, race three ran at Michigan International Speedway, and race four concluded the year at Watkins Glen International. Al Unser, Jr. won his second championship and $211,900.\n\nThe roster of drivers and final points standings were as follows:\n\nRace results\n\nRace One, Daytona International Speedway\nFriday, February 12, 1988\n\n(5) Indicates 5 bonus points added to normal race points scored for leading the most laps.(3) Indicates 3 bonus points added to normal race points scored for leading the 2nd most laps (did not occur in this race so not awarded).(2) Indicates 2 bonus points added to normal race points scored for leading the 3rd most laps (did not occur in this race so not awarded).\n\nAverage speed: Cautions: 1Margin of victory: 2 clLead changes: 0\n\nRace Two, Riverside International Raceway\nSaturday, June 11, 1988\n\n(5) Indicates 5 bonus points added to normal race points scored for leading the most laps.(3) Indicates 3 bonus points added to normal race points scored for leading the 2nd most laps(2) Indicates 2 bonus points added to normal race points scored for leading the 3rd most laps (did not occur in this race so not awarded).\n\nAverage speed: Cautions: 2Margin of victory: 2 secLead changes: 1\nLap Leader Breakdown\n\nRace Three, Michigan International Speedway\nSaturday, August 6, 1988 \n\n(5) Indicates 5 bonus points added to normal race points scored for leading the most laps.(3) Indicates 3 bonus points added to normal race points scored for leading the 2nd most laps(2) Indicates 2 bonus points added to normal race points scored for leading the 3rd most laps (did not occur in this race so not awarded).\n\nAverage speed: Cautions:noneMargin of victory: 0.78 secLead changes: 1\nLap Leader Breakdown\n\nRace Four, Watkins Glen International\nSaturday, August 13, 1988\n\n(5) Indicates 5 bonus points added to normal race points scored for leading the most laps.(3) Indicates 3 bonus points added to normal race points scored for leading the 2nd most laps (did not occur in this race so not awarded).(2) Indicates 2 bonus points added to normal race points scored for leading the 3rd most laps (did not occur in this race so not awarded).\n\nAverage speed: Cautions: 3Margin of victory: 1.58 secLead changes: 0\n\nNotes\n Dale Earnhardt and Geoff Bodine tied for fifth place in the championship standings, but Earnhardt was awarded the position due to a higher finishing position in the final race.\n\nReferences\n\nExternal links\nIROC XII History - IROC Website\n\nInternational Race of Champions\n1988 in American motorsport", "IROC XI was the eleventh year of IROC competition, which took place in 1987. It saw the use of the Chevrolet Camaro in all races, the beginning of a long partnership with ABC/ESPN, and continued the format introduced in IROC VIII. Race one took place on the Daytona International Speedway, race two took place at Mid-Ohio, race three ran at Michigan International Speedway, and race four concluded the year at Watkins Glen International. Geoff Bodine won the championship and $191,900.\n\nThe roster of drivers and final points standings were as follows:\n\nRace results\n\nRace One, Daytona International Speedway\nFriday, February 13, 1987\n\n(5) Indicates 5 bonus points added to normal race points scored for leading the most laps.(3) Indicates 3 bonus points added to normal race points scored for leading the 2nd most laps(2) Indicates 2 bonus points added to normal race points scored for leading the 3rd most laps.\n\nAverage speed: Cautions: 3Margin of victory: 1 clLead changes: 5\n\nRace Two, Mid-Ohio Sports Car Course\nSaturday, June 6, 1987\n\n(5) Indicates 5 bonus points added to normal race points scored for leading the most laps.(3) Indicates 3 bonus points added to normal race points scored for leading the 2nd most laps(2) Indicates 2 bonus points added to normal race points scored for leading the 3rd most laps (did not occur in this race so not awarded).\n\nAverage speed: 85.702 mphCautions: noneMargin of victory: 1.7 secLead changes: 1\n\nLap Leader Breakdown\n\nRace Three, Michigan International Speedway\nSaturday, August 1, 1987\n\n(5) Indicates 5 bonus points added to normal race points scored for leading the most laps.(3) Indicates 3 bonus points added to normal race points scored for leading the 2nd most laps(2) Indicates 2 bonus points added to normal race points scored for leading the 3rd most laps (did not occur in this race so not awarded).\n\nAverage speed: 155.633 mphCautions: 1 (Lap 12, Dale Earnhardt crash)Margin of victory: .03 secLead changes: 6\n\nRace Four, Watkins Glen International\nSaturday, August 8, 1987\n\n(5) Indicates 5 bonus points added to normal race points scored for leading the most laps.(3) Indicates 3 bonus points added to normal race points scored for leading the 2nd most laps (did not occur in this race so not awarded).(2) Indicates 2 bonus points added to normal race points scored for leading the 3rd most laps (did not occur in this race so not awarded).\n\nAverage speed: Cautions: noneMargin of victory: 2.02 secLead changes: 0\n\nReferences\n\nExternal links\nIROC XI History - IROC Website\n\nInternational Race of Champions\n1987 in American motorsport" ]

[ "George Stephanopoulos", "Real estate loan controversy", "What year did this occur?", "In 1994," ]

[ "Leontiy Vasilievich Dubbelt () (1792–1862) was a Russian soldier and police chief under Nicholas I. He fought at the Battle of Borodino in 1812 and was briefly suspected of being involved in the Decembrist conspiracy of 1825. He ran the feared Third Section and was directly involved in secret service cases involving writers and intellectuals such as Pushkin, Lermontov, Saltykov-Shchedrin and Turgenev.\n\nReferences\n\nRussian soldiers\n1792 births\n1862 deaths", "Sergius I of Cyrrhus was a bishop of Cyrrhus, a Roman city in what is today Syria. He lived at a time when Cyrrhus was the center of a number of theological controversies, that birthed the Nestorian and Jacobite churches. \n\nHe was a late 5th century Nestorian bishop and was deposed by Byzantine Emperor Justin I in the theological controversies following the first four ecumenical councils. Sergius I of Cyrrhus was replaced by another bishop called Sergius II, who was of the directly opposite theological opinion, being a Jacobite. This bishop was subsequently expelled in 522 and replaced by an Orthodox bishop.\n\nReferences \n\n5th-century Syrian bishops\nAncient Christians involved in controversies\n\nYear of birth unknown\nPeople from Cyrrhus" ]

[ "George Stephanopoulos", "Real estate loan controversy", "What year did this occur?", "In 1994,", "Was he directly involved?", "Stephanopoulos sealed an $835,000 commercial real estate deal consisting of a two-story apartment, including an eyewear retailer, with a below-market loan rate from a bank" ]

[ "Jonny K. was a man who was fatally beaten at Alexanderplatz in Mitte, Berlin, Germany on 14 October 2012. Six people were criminally prosecuted for the beating. \n\nJonny K. was a 20-year-old Thai-German student. He was a Buddhist and was born in Khon Kaen, Thailand on 7 April 1992.\n\nAttack and arrests\nHe was with friends when one of them was attacked, and he received injuries when he attempted to intervene. The attack occurred close to a bar. Jonny K. was hospitalised before succumbing to a brain hemorrhage.\n\nPolice in Berlin arrested four of the accused while another one, Onur U., initially fled to Turkey. Onur U., a Turkish citizen, was 19 years old at the time and was an amateur boxer. He later said that he left Germany as he felt he was being presumed guilty. In April 2013 the Turkish authorities extradited Onur U. to Germany. Prosecutors stated that he was the primary culprit, as he was the first to punch the victim.\n\nThe trial began in May 2013. Two of the accused were charged with aggravated assault and the remaining ones were charged with grievous bodily harm causing death. The suspects were not charged with manslaughter or murder as the court could not determine that they planned to kill the victim. The prosecution wanted a five-and a-half-year sentence for Onur U. while the suspect said he did not hit Jonny K.\n\nIn June 2013 a mistrial was declared, therefore requiring the trial to occur again. Sentencing occurred in August 2013. Onur U., classified as a juvenile, was sentenced to four-and-a-half years. Five other men, all of ages ranging from 19 to 24, each received sentences with the highest being two years and eight months.\n\nAftermath\nAccording to Deutsche Welle, the killing sparked nationwide outrage and triggered a debate on youth violence.\n\nJonny K.'s sister, Tina K., began anti-violence advocacy. She was a co-plaintiff in the criminal case against the suspects.\n\nReferences\n\nExternal links\n \n\nCrime in Berlin\n2012 crimes in Germany\nOctober 2014 events in Europe\n2012 deaths\nOctober 2012 events in Germany", "Regina v. Woodrow, 15 M. & W. 404 (Exch. 1846) was a case decided by the English Court of Exchequer Chamber that first adopted a strict liability standard for the criminal offence of selling impure foods.\n\nDecision\nThe defendant was charged with violating a statute that prohibited possession of adulterated tobacco. The court held the defendant criminally liable even though he had no knowledge or reason to suspect the adulteration. The court justified this adoption of strict liability as being in the interests of convenient prosecution.\n\nThis decision overruled Rex v. Dixon, which had included a mens rea requirement.\n\nReferences\n\nW\n1846 in case law\n1846 in England\nCourt of Exchequer Chamber cases\nFood safety scandals\nTobacco in the United Kingdom\nFood safety in the United Kingdom\n1846 in British law" ]

[ "George Stephanopoulos", "Real estate loan controversy", "What year did this occur?", "In 1994,", "Was he directly involved?", "Stephanopoulos sealed an $835,000 commercial real estate deal consisting of a two-story apartment, including an eyewear retailer, with a below-market loan rate from a bank", "Was this something he was charged criminally with?", "I don't know." ]

[ "Bearden v. Georgia, 461 U.S. 660 (1983), was a landmark U.S. Supreme Court case holding that a local government can only imprison or jail someone for not paying a fine if it can be shown, by means of a hearing, that the person in question could have paid it but \"willfully\" chose not to do so.\n\nBackground\nTunnel Hill, Georgia resident, Danny Bearden was convicted of robbery for breaking into a trailer as a young man. As a result, he was ordered to pay a $500 fine and $250 in restitution, which he was initially paying off until he lost his job and couldn't find another one. This left him unable to pay the rest of his fines and fees, for which Georgia sent him to prison. Bearden's case was handled by Jim Lohr, a court-appointed attorney who had graduated from law school only a few years earlier. Lohr spent hours researching in the library before the case.\n\nRuling\nOn May 24, 1983, the Supreme Court ruled 5-4 that imprisoning Bearden violated his Fourteenth Amendment rights to \"fundamental rights\". In the Court's opinion, Sandra Day O'Connor, the Supreme Court's most junior Associate Justice at the time, wrote that it was \"fundamentally unfair\" for Georgia to have imprisoned Bearden. The ruling held that local governments \"must inquire into the reasons for the failure to pay\" when dealing with revocation cases for people who failed to pay a fine, and that only if the probationer \"willfully refused to pay or failed to make sufficient bona fide efforts legally to acquire the resources to pay\" can they be imprisoned or jailed. The ruling also held that courts must consider alternatives to imprisonment and determine that they are insufficient to \"meet the state's interest in punishment and deterrence\" before sending someone to prison for nonpayment of a fine.\n\nImpact\nAlthough the Bearden ruling required that the defendant in a case regarding not paying court fines can only be imprisoned if they \"willfully\" chose not to pay them, the Court did not define what \"willfully\" meant in this context. This has frequently led to judges having to determine whether someone who did not pay a fine was too poor to do so or not. Some attorneys with many poor clients have argued that the requirement in Bearden that judges consider a defendant's ability to pay is almost never enforced. In 2015, the American Civil Liberties Union filed a lawsuit on behalf of Kevin Thompson, who had spent five days in a Georgia jail for not paying a traffic ticket, arguing that Bearden was intended to prevent just such situations from happening. Thompson's lawyer also claimed that the court did not consider alternatives to imprisonment, like community service, as required by Bearden.\n\nSee also\nList of United States Supreme Court cases, volume 461\nTate v. Short\nWilliams v. Illinois\n\nReferences\n\nExternal links\n \n\nUnited States Supreme Court cases\nUnited States Supreme Court cases of the Burger Court\nUnited States Fourteenth Amendment case law\n1983 in United States case law\nDebtors' prisons", "Mason Fine (born April 19, 1997) is an American football quarterback for the Saskatchewan Roughriders of the Canadian Football League (CFL). He played his college career with the North Texas Mean Green.\n\nEarly years\nFine, who is one-quarter Cherokee, grew up in Peggs, Oklahoma. He has Cherokee lineage on both sides of his family and is an enrolled citizen of the Cherokee Nation. According to a 2020 story by Yahoo Sports journalist Jeff Eisenberg, Fine's development as a quarterback began in the summer before his sixth-grade year, during which he attended a quarterback camp at the University of Oklahoma. The young Fine paid special attention to former Oklahoma star quarterback and then-current Sooners assistant Josh Heupel, observing Heupel's throwing motion and paying attention to the advice he offered. During each day's drive home from the camp, he wrote down what he had learned. After the camp, Fine and his father Dale typed up the notes, and he went so far as to place a printed copy next to his bed.\n\nFine was initially trained by his father, who had never played football at any level. Each day, the two would teach one another proper throwing motion via the notes they took at the aforementioned camp. In Eisenberg's story, Dale recalled, \"It was hours and days and months and years of repetition. The motto we went by was that it wasn’t just practice that made perfect. It was perfect practice that made perfect.\" By the time Mason finished his eighth-grade year, they no longer worked on his mechanics. The following summer, he attended a quarterback camp at which an instructor praised his throwing motion and asked about his quarterbacks coach. Eisenberg noted, \"The instructor couldn’t believe it was his dad, let alone that Dale Fine had no previous football experience.\"\n\nHigh school\nSince his hometown of fewer than 1,000 operated only a K–8 school, Fine had a choice between several nearby high schools, and enrolled at Locust Grove High School in Locust Grove in 2012. The Pirates had just hired a new head coach Matt Hennesy after winning only two games in the previous three seasons. Eisenberg noted that the new coach had to make a decision regarding his new talent—while Fine was the team's best passer, \"Hennesy feared putting a 5-foot-9, 135-pound freshman behind a patchwork offensive line.\" Hennesy decided to start Fine as a wide receiver, but designed a series of trick plays to utilize Fine's throwing ability; Fine threw for more than 600 yards as a freshman despite not playing quarterback. He went on to start at quarterback in his remaining three high school seasons, setting the all-time Oklahoma high school record for passing yards and touchdowns and becoming the first player to ever win the state's Gatorade Player of the Year award twice.\n\nRecruitment\nDespite his gaudy high school statistics, Fine finished his senior season without a single scholarship offer, largely due to his lack of size. During a summer camp before his senior season, an assistant for Arkansas State pulled him aside, praising his arm strength and ability to escape a collapsing pocket. However, he then told Fine that his small size made it unlikely that he would ever play at a Division I FBS school, instead offering to recommend him to Division I FCS or Division II schools. Fine would tell Eisenberg, \"I was polite and told him that I appreciated it, but inside I was fuming.\" This coach was not alone in his sentiment; Fine went without an offer even after sending out numerous highlight tapes and attending camps at four other FBS schools. Rice showed strong interest after Fine's junior season, but went with a considerably taller prospect; Oklahoma State recruited him only as a walk-on, and did not make him an offer even after its main quarterback target rescinded a verbal commitment to the school; and when Hennesy called Kansas State's Bill Snyder about Fine, Snyder responded that he didn't recruit quarterbacks under 6 feet tall.\n\nFine caught a break when North Texas hired Seth Littrell as head coach shortly after the end of the 2015 season. Littrell, a former Oklahoma player who grew up in Muskogee, Oklahoma, was a close friend of Hennesy who operated an Air Raid offense similar to the one that Fine quarterbacked at Locust Grove. Shortly after his hiring, Littrell called Hennesy to ask about available quarterbacks; while North Texas had an incoming graduate transfer from Alabama for the 2016 season, Littrell sought a future prospect. Littrell and his staff were sold on Fine's ability; he would tell Eisenberg,\n\nSensing that this was his best chance at an FBS offer, Fine made makeshift lifts for his shoes in order to appear taller for his North Texas visit. For his part, Littrell would say, \"He could have shown up in combat boots with four-inch heels and we’d have taken him.\" On February 3, 2016, Fine signed a National Letter of Intent with North Texas.\n\nCollege career\n\nNorth Texas\n\n2016 \nFine started nine games for North Texas as a true freshman in 2016, throwing for 1,572 yards and breaking the school record for longest play from scrimmage with an 80-yard touchdown run against UTSA to earn a spot on the Conference USA All-Freshman team\n\n2017–2018 \nOver his sophomore and junior years, Fine led the Mean Green to 9 victories in each season and threw for a total of 7,845 yards and 58 touchdowns. He earned back-to-back CUSA Offensive Player of the Year awards and broke the school's career passing yards record along the way.\n\n2019 \nGoing into Fine's senior season in 2019, he was named as the top college quarterback in Texas by Dave Campbell's Texas Football and received national media attention for the Heisman campaign started on his behalf by the UNT athletic department.\n\nStatistics\n\nProfessional career\nAfter going undrafted in the 2020 NFL Draft, Fine had a tryout with the Chicago Bears on August 17, 2020. He signed with the Saskatchewan Roughriders of the CFL on December 30, 2020.\n\nReferences\n\nExternal links\n UNT Football bio\n\nLiving people\n1997 births\nAmerican football quarterbacks\nCherokee Nation people\nNative American sportspeople\nNorth Texas Mean Green football players\nPeople from Cherokee County, Oklahoma\nPlayers of American football from Oklahoma\nSaskatchewan Roughriders players\n21st-century Native Americans" ]

[ "George Stephanopoulos", "Real estate loan controversy", "What year did this occur?", "In 1994,", "Was he directly involved?", "Stephanopoulos sealed an $835,000 commercial real estate deal consisting of a two-story apartment, including an eyewear retailer, with a below-market loan rate from a bank", "Was this something he was charged criminally with?", "I don't know.", "Did he end up paying a fine?", "I don't know." ]

[ "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books", "Dražen Erdemović (born 25 November 1971) fought during the Bosnian War for the Army of Republika Srpska (VRS) and was later sentenced for his enforced participation in the 1995 Srebrenica genocide.\n\nBackground\nErdemović was born in Tuzla, Bosnia and Herzegovina, Yugoslavia to a Croat mother and a Serb father. He was mobilized into the VRS 10th Sabotage Detachment, a part of the Army of Republika Srpska.\n\nSrebrenica\n\nIn July 1995, Erdemović and his unit were sent to Branjevo military farm in the village of Pilica, north of Zvornik. After the VRS forces took over Srebrenica on 11 July, the Serbs began to send male Bosniaks to various locations for execution.\n\nOne of those places was the farm in Pilica, 15 kilometers from the border with Serbia, where Erdemović and the 10th Sabotage Detachment were tasked by General Ratko Mladić to execute about 1,200 Bosniak men and boys between the ages of approximately 17 and 60 years, who had surrendered to the members of the Bosnian Serb police or army near Srebrenica. On 16 July, the prisoners were bused to the farm and gunned down in groups of ten. Erdemović allegedly resisted the order, but was then told that he either shot them, or hand his gun to another, and join those to be killed. After the murders were over the victims were buried in mass graves. While it is unknown exactly how many people were personally killed by Erdemović, he estimated it was around 70 men and boys.\n\nAfter the massacre, Erdemović returned home, but reportedly felt guilt-ridden over the crimes he had committed. Fellow soldiers of the 10th Sabotage put pressure on him not to say anything, including a Serbian soldier, Stanko Savanović. One evening, while meeting in an undisclosed bar, Savanović shot Erdemović, wounding him badly in the torso. In early 1996, Erdemović sought out an ABC field reporter and testified on camera about what happened at Srebrenica. Several days later, he was arrested and charged with war crimes in the International Criminal Tribunal for the former Yugoslavia.\n\nTrial\nThis Erdemović case was significant in the Tribunal being it was the first application of the defence of duress, claiming that his life had been threatened and that he had no choice. It was found that it did not absolve him of guilt, but could be a mitigating factor in his sentencing. On 29 November 1996, Erdemović was sentenced to ten years in prison, convicted of murder as a crime against humanity. He was the first person to enter a guilty plea at the Tribunal, He was the only member of the 10th Sabotage Detachment to actually be tried for the war crimes, while the rest remained on the Tribunal's most wanted list.\n\nErdemović appealed and his sentence was later reduced by ICTY to five years in 1998, accepting that he committed the offences under threat of death had he disobeyed the order. Credit was given for time served since 28 March 1996. On 13 August 1999, he was granted early release. Upon serving his sentence in a Norwegian prison, Erdemović entered the Tribunal Court's witness protection program and testified at the trial of Slobodan Milošević.I wish to say that I feel sorry for all the victims, not only for the ones who were killed then at that farm, I feel sorry for all the victims in the former Bosnia and Herzegovina regardless of their nationality. I have lost many very good friends of all nationalities only because of that war, and I am convinced that all of them, all of my friends, were not in favour of a war. I am convinced of that. But simply they had no other choice. This war came and there was no way out. The same happened to me. Because of my case, because of everything that happened, I of my own will, without being either arrested and interrogated or put under pressure, admitted even before I was arrested in the Federal Republic of Yugoslavia, I admitted to what I did to this journalist and I told her at that time that I wanted to go to the International Tribunal, that I wanted to help the International Tribunal understand what happened to ordinary people like myself in Yugoslavia... in the Federal Republic of Yugoslavia I admitted to what I did before the authorities, judicial authorities, and the authorities of the Ministry of the Interior, like I did here. My lawyer, when he first arrived here, he told me, \"Dražen, can you change your mind, your decision? I do not know what can happen. I do not know what will happen.\" I told him because of those victims, because of my consciousness, because of my life, because of my child and my wife, I cannot change what I said to this journalist and what I said in Novi Sad, because of the peace of my mind, my soul, my honesty, because of the victims and war and because of everything. Although I knew that my family, my parents, my brother, my sister, would have problems because of that, I did not want to change it. Because of everything that happened I feel terribly sorry, but I could not do anything. When I could do something, I did it.\n\nIn the media\n\nThe story of Erdemovic's trial in the International Criminal Tribunal for the Former Yugoslavia forms the basis of the 2005 play A Patch of Earth, written by Kitty Felde and collected in the anthology The Theatre of Genocide: Four Plays about Mass Murder in Rwanda, Bosnia, Cambodia, and Armenia (University of Wisconsin Press, 2008).\n\nReferences\n\nSources\nGerminal Civikov - Srebrenica. Der Kronzeuge, Promedia Verlag, Vienna. 2009,\n\nExternal links\nICTY case information sheet\nTrial Watch : Drazen Erdemovic\n\n1971 births\nBosnia and Herzegovina mass murderers\nBosnia and Herzegovina people imprisoned abroad\nCroats of Bosnia and Herzegovina convicted of war crimes\nLiving people\nPeople convicted by the International Criminal Tribunal for the former Yugoslavia\nPeople from Tuzla\nPrisoners and detainees of Norway\nBosnia and Herzegovina whistleblowers" ]

[ "George Stephanopoulos", "Real estate loan controversy", "What year did this occur?", "In 1994,", "Was he directly involved?", "Stephanopoulos sealed an $835,000 commercial real estate deal consisting of a two-story apartment, including an eyewear retailer, with a below-market loan rate from a bank", "Was this something he was charged criminally with?", "I don't know.", "Did he end up paying a fine?", "I don't know.", "What happened to him because of this?", "source claims that NationsBank told the listing agent that, \"We're not (interested in mixed-use properties" ]

[ "Matthew Christopher Hurt (born April 20, 2000) is an American professional basketball player who last played for the Memphis Hustle of the NBA G League. He played college basketball for the Duke Blue Devils.\n\nHigh school career\nHurt attended John Marshall High School in Rochester, Minnesota for four years. As a freshman in 2015–16, helped his team to a 26–4 record. As a sophomore in 2016–17, helped his team to a 25–4 record. As a junior in 2017–18, averaged 33.9 points, 15.1 rebounds, 3.6 assists, and 4.3 blocks to help his team to a 26–3 record and the section title game. Hurt averaged 17.0 points, 7.0 rebounds, and 1.0 blocks per game on the Adidas Guantlet Circuit for his AAU team, D1 Minnesota. As a senior, Hurt averaged 36.8 points, 12.4 rebounds, and 5.0 assist per game and was named Minnesota Mr. Basketball. Hurt played in the 2019 McDonald's All-American Boys Game and Nike Hoop Summit.\n\nRecruiting\nOn April 19, 2019, Hurt committed to Duke University, choosing Duke over other offers from North Carolina, Kentucky, and Kansas.\n\nHurt was rated as a five-star recruit and considered one of the best high school prospects in the 2019 class. Hurt was ranked the No. 10 overall recruit and No. 2 power forward in the 2019 high school class.\n\nCollege career\n\nFreshman Season (2019–20)\nOn November 13, Hurt scored 19 points, 3 assist, and 2 blocks in a 105–54 blowout win against Central Arkansas. On November 29, Hurt notched a career high 20 points and 8 rebounds in a 83–70 victory over Winthrop. On December 31, Hurt scored a new career-high 25 points and 4 rebounds in a 88–49 win over Boston College. For the season, he averaged 9.7 points and 3.8 rebounds in 31 games with 22 starts.\n\nSophomore Season (2020–21)\nBefore the start of his sophomore season, Hurt was named to preseason watch lists for the John R. Wooden Award, Naismith Trophy, and Karl Malone Award. On December 16, 2020, Hurt scored 18 points in a 75–65 win over Notre Dame. On January 9, 2021, Hurt scored 26 points and 6 rebounds in a 79–68 victory against Wake Forest. On January 11, 2021, Hurt was named ACC Player of the week. On February 13, 2021, Hurt scored 24 points in a 69–53 win over NC State. On February 17, 2021, Hurt put up 22 points in a 84–60 victory against Wake Forest. On February 20, 2021, Hurt scored 22 points in a 66–65 win over Virginia. On February 22, 2021, Hurt was named Atlantic Coast Conference Player of the week for the second consecutive time. At the conclusion of the regular season, Hurt averaged 18.3 points and 6.1 rebounds per game and was named ACC Most Improved Player and First-Team All-ACC. \n\nAfter the conclusion of his sophomore season, Hurt would forgo his final two years at Duke and enter the 2021 NBA draft.\n\nProfessional career\n\nMemphis Hustle (2021–2022)\nAfter going undrafted in the 2021 NBA draft, Hurt signed a two-way contract with the Houston Rockets on August 13, 2021, splitting time with their G League affiliate, the Rio Grande Valley Vipers. However, he was waived on September 24, before training camp. On October 14, Hurt signed with the Memphis Grizzlies, but was waived two days later. On October 23, he signed with the Memphis Hustle as an affiliate player.\nMatthew Hurt suffered a season-ending injury according to the NBA G League's transaction page on January 24, 2022 and was no longer listed on the Memphis Hustle's roster on their website. He averaged 12.1 points and 5.1 rebounds a game in his first season of professional basketball. Matthew's season high was 20 points in a game against the Austin Spurs on November 26.\n\nNational team career\nHurt played for the United States under-18 basketball team at the 2018 FIBA Under-18 Americas Championship. He helped his team win the gold medal.\n\nCareer statistics\n\nCollege\n\n|-\n| style=\"text-align:left;\"| 2019–20\n| style=\"text-align:left;\"| Duke\n| 31 || 22 || 20.5 || .487 || .393 || .741 || 3.8 || .9 || .5 || .7 || 9.7\n|-\n| style=\"text-align:left;\"| 2020–21\n| style=\"text-align:left;\"| Duke\n| 24 || 23 || 32.7 || .556 || .444 || .724 || 6.1 || 1.4 || .7 || .7 || 18.3\n|- class=\"sortbottom\"\n| style=\"text-align:center;\" colspan=\"2\"| Career\n| 55 || 45 || 25.8 || .526 || .421 || .731 || 4.8 || 1.1 || .6 || .7 || 13.5\n\nPersonal life\nHurt's older brother Michael played college basketball for Minnesota.\n\nReferences\n\nExternal links\nDuke Blue Devils bio\nUSA Basketball bio\n\n2000 births\nLiving people\nAmerican men's basketball players\nBasketball players from Minnesota\nDuke Blue Devils men's basketball players\nMcDonald's High School All-Americans\nMemphis Hustle players\nPower forwards (basketball)\nSportspeople from Rochester, Minnesota", "Charles Hurt (born 1971) is an American journalist and political commentator. He is currently the opinion editor of The Washington Times, Fox News contributor, Breitbart News contributor, and a Drudge Report editor. Hurt's views have been considered to be by and large Republican-leaning.\n\nEarly career\nHurt began his newspaper career during college at Hampden-Sydney College in Virginia with stints at the Danville Register & Bee, the Richmond Times-Dispatch and the St. Louis Post-Dispatch. His first full-time job after graduating in 1995 was at The Detroit News. He worked at the paper until 2001, when he moved to the Washington, D.C. area to join the staff of The Charlotte Observer.\n\nHurt was The New York Post's D.C. Bureau Chief and news columnist covering the White House for five years.\n\nFrom 2003 to 2007, Hurt covered the U.S. Congress as a reporter for The Washington Times before leaving to join The New York Post. In 2011, he rejoined The Washington Times as a political columnist. In December 2016, Hurt was named the opinion editor.\n\nNational Review editor Rich Lowry described Hurt as, \"an early adopter of Trumpite populism.\" Hurt has written numerous opinion pieces lauding Trump since the 2016 election.\n\nPersonal life\nHurt is a native of Chatham, Virginia. Hurt is the son of investigative journalist and former Reader's Digest editor Henry C. Hurt and his wife, Margaret Nolting Williams. His older brother, Robert Hurt, is a former United States Congressman. Charles Hurt had been listed as a possible congressional candidate before his brother's term ended in 2016. Hurt and his wife, Stephanie, have three children.\n\nReferences\n\nExternal links\n\n1971 births\nLiving people\nPlace of birth missing (living people)\nSt. Louis Post-Dispatch people\nNew York Post people\nThe Washington Times people\nThe Detroit News people\nAmerican reporters and correspondents\nAmerican political writers\nAmerican male non-fiction writers\nPeople from Chatham, Virginia" ]

[ "Muse (band)", "2003-05: Absolution" ]

[ "Paul Reeve is a record producer from Cornwall, UK. Working alongside John Leckie, he co-produced five tracks on Muse's acclaimed debut album Showbiz. During his time as chief engineer at The Airfield Studios in Cornwall and during regular stints at the nearby Sawmills Studios and air studios in London he has assisted some highly respected and regarded producers, including the afore mentioned John Leckie as well as John Cornfield, Sam Williams and Chris Allison. He currently resides in Cornwall, UK.\n\nReeve has worked with many artists, including Beta Band, Muse, Steve Harley, Ruarri Joseph, Andrew Bate, Razorlight, Supergrass, and Armonite. He also produced Muse's debut EPs Muse and Muscle Museum EP, of which three tracks, \"Uno\", \"Muscle Museum\", and \"Unintended\" have been released as singles, the last entering the UK chart at number 20. As well as co-production on Muse's 'Showbiz' and 'Absolution' albums, Paul co-produced and mixed a large selection of b-sides for the Muse compilation Hullabaloo Soundtrack.\n\nAfter mixing COX’s ‘Rien A Perdre’ album for Barclay in early 2003, Paul was called in to co-produce tracks for the number one MUSE album, ‘Absolution’ for Taste Media.\n\n2004 saw him Producing and Mixing a new album and DVD by DAVID HALLYDAY/NOVA 6 for Mercury Records, France, and has co-producing material for the debut RAZORLIGHT album for Universal.\n\nIn 2005, he finished Producing and mixing the new album for THE GENERAL STORE and was developing new projects with Dangerous Records. He also was guitarist and Musical Director for the NOVA 6 European tour for Alias productions.\n\nIn 2007, Paul worked with Alan Smyth as engineer on the MILBURN album for Universal and produced tracks for the RUARRI JOSEPH debut album for Atlantic.\n\nIn 2009, Paul was asked to produce the vocals for the hugely successful Muse single 'Uprising'\n\nIn 2010-2011 Paul produced the Fainting in Coils EP by Andrew Bate. \n\nIn 2012, Paul co-produced vocals for the forthcoming 2012 Muse album, as well as developing promising artists in the UK and Europe.\n\nPaul Reeve has BPI awards for over 5 million record sales.\n\nExternal links \n Official website\n https://www.discogs.com/artist/198609-Paul-Reeve\n\nEnglish record producers\nLiving people\nMusicians from Cornwall\nYear of birth missing (living people)", "Muse are an English rock band from Teignmouth, Devon, formed in 1994. The band consists of Matt Bellamy (lead vocals, guitar, keyboards), Chris Wolstenholme (bass guitar, backing vocals), and Dominic Howard (drums).\n\nMuse released their debut album, Showbiz, in 1999, showcasing Bellamy's falsetto and a melancholic alternative rock style. Their second album, Origin of Symmetry (2001), incorporated wider instrumentation and romantic classical influences and earned them a reputation for energetic live performances. Absolution (2003) saw further classical influence, with strings on tracks such as \"Butterflies and Hurricanes\", and was the first of six consecutive UK number-one albums.\n\nBlack Holes and Revelations (2006) incorporated electronic and pop elements, displayed in singles such as \"Supermassive Black Hole\", and brought Muse wider international success. The Resistance (2009) and The 2nd Law (2012) explored themes of government oppression and civil uprising and cemented Muse as one of the world's major stadium acts. Rolling Stone stated the band possessed \"stadium-crushing songs\". Topping the US Billboard 200, their seventh album, Drones (2015), was a concept album about drone warfare and returned to a harder rock sound. Their eighth album, Simulation Theory (2018), prominently featured synthesisers and was influenced by science fiction and the simulation hypothesis.\n\nMuse have won numerous awards, including two Grammy Awards, two Brit Awards, five MTV Europe Music Awards and eight NME Awards. In 2012 they received the Ivor Novello Award for International Achievement from the British Academy of Songwriters, Composers and Authors. , they have sold over 30 million albums worldwide.\n\nHistory\n\nEarly years (1994–1997)\nThe members of Muse played in separate school bands during their time at Teignmouth Community College in the early 1990s. Guitarist Matt Bellamy successfully auditioned for drummer Dominic Howard's band, Carnage Mayhem, becoming its singer and songwriter. They renamed the band Gothic Plague. They asked Chris Wolstenholme – at that time the drummer for Fixed Penalty – to join as bassist; he agreed and took up bass lessons. The band was renamed Rocket Baby Dolls and adopted a goth-glam image. Around this time, they received a £150 grant from the Prince's Trust for equipment.\n\nIn 1994, Rocket Baby Dolls won a local battle of the bands, smashing their equipment in the process. Bellamy said, \"It was supposed to be a protest, a statement, so, when we actually won, it was a real shock, a massive shock. After that, we started taking ourselves seriously.\" The band quit their jobs, changed their name to Muse, and moved away from Teignmouth. The band liked that the new name was short and thought that it looked good on a poster. According to journalist Mark Beaumont, the band wanted the name to reflect \"the sense Matt had that he had somehow 'summoned up' this band, the way mediums could summon up inspirational spirits at times of emotional need\".\n\nFirst EPs and Showbiz (1998–2000)\n\nAfter a few years building a fanbase, Muse played their first gigs in London and Manchester supporting Skunk Anansie on tour. They had a significant meeting with Dennis Smith, the owner of Sawmills Studio, situated in a converted water mill in Cornwall. He had seen the three boys grow up as he knew their parents, and had a production company with their future manager Safta Jaffery, with whom he had recently started the record label Taste Media. The meeting led to their first serious recordings and the release of the Muse EP on 11 May 1998 on Sawmills' in-house Dangerous label, produced by Paul Reeve. Their second EP, the Muscle Museum EP, also produced by Reeve, was released on 11 January 1999. It reached number 3 in the indie singles chart and attracted the attention of British radio broadcaster Steve Lamacq and the weekly British music publication NME. Later in 1999, Muse performed on the Emerging Artist's stage at Woodstock '99 and signed with Smith and Jaffery. Despite the success of their second EP, British record companies were reluctant to sign Muse. After a trip to New York's CMJ Festival, Nanci Walker, then Sr. Director of A&R at Columbia Records, flew Muse to the US to showcase for Columbia Records' then-Senior Vice-President of A&R, Tim Devine, as well as for American Recording's Rick Rubin. During this trip, on 24 December 1998, Muse signed a deal with American record label Maverick Records. Upon their return to England, Taste Media arranged deals for Muse with various record labels in Europe and Australia, allowing them control over their career in individual countries. John Leckie was brought in alongside Reeve to produce the band's first album, Showbiz (1999). The album showcased Muse's aggressive yet melancholic musical style, with lyrics about relationships and their difficulties trying to establish themselves in their hometown.\n\nOrigin of Symmetry and Hullabaloo (2000–2002)\n\nDuring the production of their second album, Origin of Symmetry (2001), Muse experimented with instrumentation such as a church organ, Mellotron, animal bones, and an expanded drum kit. There was more of Bellamy's falsetto, arpeggiated guitar, and piano playing. Bellamy cites guitar influences such as Jimi Hendrix and Tom Morello (of Rage Against the Machine), the latter evident in the more riff-based songs in Origin of Symmetry and in Bellamy's use of guitar pitch-shifting effects. The album features a cover of Anthony Newley and Leslie Bricusse's \"Feeling Good\", voted in various polls one of the greatest cover versions of all time. It was released as a double A-side single, \"Hyper Music/Feeling Good\".\n\nOrigin of Symmetry received positive reviews by critics; NME gave the album 9/10 and wrote: \"It's amazing for such a young band to load up with a heritage that includes the darker visions of Cobain and Kafka, Mahler and The Tiger Lillies, Cronenberg and Schoenberg, and make a sexy, populist album.\" Maverick, Muse's American label, did not consider Bellamy's vocals \"radio-friendly\" and asked Muse to rerecord the song for the US release. The band refused and left Maverick; the album was not released in the US until September 2005, after Muse signed to Warner Bros.\n\nOrigin of Symmetry has made appearances on lists of the greatest rock albums of the 2000s, both poll-based and on publication lists. In 2006, it placed at number 74 on Q magazine's list of the 100 Greatest Albums of All-Time, while in February 2008, the album placed at number 28 on a list of the Best British Albums of All Time determined by the magazine's readers. Kerrang! placed the album at number 20 in its 100 Best British Rock Albums Ever! List and at number 13 on its 50 Best Albums of the 21st Century list. Acclaimed Music ranks Origin of Symmetry as the 1,247th greatest album of all time.\n\nIn 2002, Muse released the first live DVD, Hullabaloo, featuring footage recorded during Muse's two gigs at Le Zenith in Paris in 2001, and a documentary film of the band on tour. A double album, Hullabaloo Soundtrack, was released at the same time, containing a compilation of B-sides and a disc of recordings of songs from the Le Zenith performances. A double-A side single was also released featuring the new songs \"In Your World\" and \"Dead Star\".\n\nIn 2002, Muse threatened Celine Dion with legal action when she planned to name her Las Vegas show \"Muse\", as Muse have worldwide performing rights to the name. Dion offered Muse $50,000 for the rights, but they turned it down and Dion backed down. Bellamy said: \"We don't want to turn up there with people thinking we're Celine Dion's backing band.\"\n\nAbsolution (2003–2005)\n\nMuse's third album, Absolution, produced by Rich Costey, Paul Reeve and John Cornfield was released on 15 September 2003. It debuted at number one in the UK and produced Muse's first top-ten hit, \"Time Is Running Out\", and three top-twenty hits: \"Hysteria\", \"Sing for Absolution\" and \"Butterflies and Hurricanes\". Absolution was eventually certified gold in the US. Muse undertook a year-long international tour in support of the album, visiting Australia, New Zealand, the United States, Canada, and France. On the 2004 US leg of the tour, Bellamy injured himself onstage during the opening show in Atlanta; the tour resumed after Bellamy received stitches.\n\nIn June 2004, Muse headlined the Glastonbury Festival, which they later described as \"the best gig of our lives\". Howard's father, William Howard, who attended the festival to watch the band, died from a heart attack shortly after the performance. Bellamy said: \"It was the biggest feeling of achievement we've ever had after coming offstage. It was almost surreal that an hour later his dad died. It was almost not believable. We spent about a week sort of just with Dom trying to support him. I think he was happy that at least his dad got to see him at probably what was the finest moment so far of the band's life.\"\n\nMuse won two MTV Europe awards, including \"Best Alternative Act\", and a Q Award for \"Best Live Act\", and received an award for \"Best British Live Act\" at the Brit Awards. On 2 July 2005, they participated in the Live 8 concert in Paris. In 2003, the band successfully sued Nestlé for using their cover \"Feeling Good\" for a Nescafé advertisement without permission and donated the money won from the lawsuit to Oxfam. An unofficial DVD biography, Manic Depression, was released in April 2005.\n\nMuse released another live DVD on 12 December 2005, Absolution Tour, containing edited and remastered highlights from their Glastonbury performance unseen footage from their performances at London Earls Court, Wembley Arena, and the Wiltern Theatre in Los Angeles. During the 2004 Absolution tour, Bellamy smashed 140 guitars, a world record for the most guitars smashed in a tour.\n\nBlack Holes and Revelations and HAARP (2006–2008)\n\nIn 2006, Muse released their fourth album, Black Holes and Revelations, co-produced once again with Rich Costey. The album's title and themes reflect the band's interest in science fiction. The album charted at number one in the UK, much of Europe, and Australia. In the US, it reached number nine on the Billboard 200.\n\nBefore the release of the new album, Muse made several promotional TV appearances starting on 13 May 2006 at BBC Radio 1's Big Weekend. The Black Holes and Revelations Tour started before the release of their album and initially consisted mostly of festival appearances, including a headline slot at the Reading and Leeds Festivals in August 2006. The band's main touring itinerary started with a tour of North America from late July to early August 2006. After the last of the summer festivals, a tour of Europe began, including a large arena tour of the UK.\n\nBlack Holes and Revelations was nominated for the 2006 Mercury Music Prize, but lost to Arctic Monkeys. It earned a Platinum Europe Award after selling one million copies in Europe. The first single from the album, \"Supermassive Black Hole\", was released as a download in May 2006. In August 2006, Muse recorded a live session at Abbey Road Studios for the Live from Abbey Road television show. The second single, \"Starlight\", was released in September 2006. \"Knights of Cydonia\" was released in the US as a radio-only single in June 2006 and in the UK in November 2006. The fourth single, \"Invincible\", was released in April 2007. Another single, \"Map of the Problematique\", was released for download only in June 2007, following the band's performance at Wembley Stadium.\n\nMuse spent November and much of December 2006 touring Europe with British band Noisettes as the supporting act. The tour continued in Australia, New Zealand, and Southeast Asia in early 2007 before returning to England for the summer. At the 2007 Brit Awards in February, Muse received their second award for Best British Live Act. They performed two gigs at the newly rebuilt Wembley Stadium on 16 and 17 June 2007, where they became the first band to sell out the venue. Both concerts were recorded for a DVD/CD, HAARP, released in early 2008. It was named the 40th greatest live album of all time by NME.\n\nThe tour continued across Europe in July 2007 before returning to the US in August, where Muse played to a sold-out crowd at Madison Square Garden, New York City. They headlined the second night of the Austin City Limits Music Festival on 15 September 2007, and performed at the October 2007 Vegoose in Las Vegas with bands including Rage Against the Machine, Daft Punk and Queens of the Stone Age. Muse continued touring in Eastern Europe, Russia, Scandinavia, Australia, and New Zealand in 2007 before going to South Africa, Portugal, Mexico, Argentina, Chile, Colombia, Brazil, Ireland, and the UK in 2008. On 12 April, they played a one-off concert at the Royal Albert Hall, London in aid of the Teenage Cancer Trust.\n\nMuse performed at Rock in Rio Lisboa on 6 June 2008, alongside bands including Kaiser Chiefs, The Offspring and Linkin Park. They also performed in Marlay Park, Dublin, on 13 August. A few days later, Muse headlined the 2008 V Festival, playing in Chelmsford on Saturday 16 August and Staffordshire on Sunday 17 August. On 25 September 2008, Bellamy, Howard and Wolstenholme all received an Honorary Doctorate of Arts from the University of Plymouth for their contributions to music.\n\nThe Resistance (2009–2011)\n\nDuring the recording of Muse's fifth studio album The Resistance, Wolstenholme checked into rehab to deal with his alcoholism, which was threatening the band's future. Howard said: \"I've always believed in band integrity and sticking together. There's something about the fact we all grew up together. We've been together for 18 years now, which is over half our lives.\"\n\nThe Resistance was released in September 2009, the first album produced by Muse, with engineering by Adrian Bushby and mixing by Mark Stent. It topped album charts in 19 countries, became the band's third number one album in the UK, and reached number three on the Billboard 200. Reviews were mostly positive, with praise for its ambition, classical influences and the three-part \"Exogenesis: Symphony\". The Resistance beat its predecessor Black Holes and Revelations in album sales in its debut week in the UK with approximately 148,000 copies sold. The first single, \"Uprising\", was released seven days earlier. On 13 September, Muse performed \"Uprising\" at the 2009 MTV Video Music Awards in New York City.\n\nThe Resistance Tour began with A Seaside Rendezvous in Muse's hometown of Teignmouth, Devon, in September 2009. It included headline slots the following year at festivals including Coachella, Glastonbury, Oxegen, Hovefestivalen, T in the Park, Austin City Limits and the Australian Big Day Out. Between September and November, Muse toured North America.\n\nMuse provided the lead single for the film The Twilight Saga: Eclipse, \"Neutron Star Collision (Love Is Forever)\", released on 17 May 2010. In June, Muse headlined Glastonbury Festival for the second time; after U2 canceled their headline slot following singer Bono's back injury, U2 guitarist the Edge joined Muse to play the U2 track \"Where the Streets Have No Name\".\n\nFor their live performances, Muse received the O2 Silver Clef Award in London on 2 July 2010, presented by Roger Taylor and Brian May of Queen; Taylor described the trio as \"probably the greatest live act in the world today\". On 12 September 2010, Muse won an MTV Video Music Award in the category of Best Special Effects, for the \"Uprising\" video. On 21 November, Muse took home an American Music Award for Favorite Artist in the Alternative Rock Music Category. On 2 December, Muse were nominated for three awards for the 53rd Grammy Awards on 13 February 2011, for which they won the Grammy Award for Best Rock Album for The Resistance.\n\nBased on having the largest airplay and sales in the US, Muse were named the Billboard Alternative Songs and Rock Songs artist for 2010 with \"Uprising\", \"Resistance\" and \"Undisclosed Desires\" achieving 1st, 6th and 49th on the year end Alternative Song chart respectively. On 30 July 2011, Muse supported Rage Against the Machine at their only 2011 gig at the L.A. Rising festival. On 13 August, Muse headlined the Outside Lands Music and Arts Festival in San Francisco. Muse headlined the Reading and Leeds Festivals in August 2011. To celebrate the tenth anniversary of their second studio album Origin of Symmetry (2001), the band performed all eleven tracks. Muse also headlined Lollapalooza in Chicago's Grant Park in August 2011.\n\nThe 2nd Law and Live at Rome Olympic Stadium (2012–2013)\n\nIn an April 2012 interview, Bellamy said Muse's next album would include influences from acts such as French house duo Justice and UK electronic rock group Does It Offend You, Yeah?. On 6 June 2012, Muse released a trailer for their next album, The 2nd Law, with a countdown on the band's website. The trailer, which included dubstep elements, was met with mixed reactions. On 7 June, Muse announced a European Arena tour, the first leg of The 2nd Law Tour. The leg included dates in France, Spain and the UK. The first single from the album, \"Survival\", was the official song of the London 2012 Summer Olympics, and Muse performed it at the Olympics closing ceremony.\n\nMuse revealed the 2nd Law tracklist on 13 July 2012. The second single, \"Madness\", was released on 20 August 2012, with a music video on 5 September. Muse played at the Roundhouse on 30 September as part of the iTunes Festival. The 2nd Law was released worldwide on 1 October, and on 2 October 2012 in the US; it reached number one in the UK Albums Chart, and number two on the US Billboard 200. The song \"Madness\" earned a nomination in the Best Rock Song category and the album itself was nominated for the Best Rock Album at the 55th Grammy Awards, 2013. The band performed the album's opening song, \"Supremacy\", with an orchestra at the 2013 Brit Awards on 20 February 2013. The album was a nominee for Best Rock Album at the 2013 Grammy Awards. The song \"Madness\" was also nominated for Best Rock Song. The album listed at number 46 on Rolling Stones list of the top 50 albums of 2012, saying \"In an era of diminished expectations, Muse make stadium-crushing songs that mix the legacies of Queen, King Crimson, Led Zeppelin and Radiohead while making almost every other current band seem tiny.\"\n\nMuse released their fourth live album, Live at Rome Olympic Stadium, on 29 November 2013 on CD/DVD and CD/Blu-ray formats. In November 2013, the film had theatrical screenings in 20 cities worldwide. The album contains the band's performance at Rome's Stadio Olimpico on 6 July 2013, in front of over 60,000 people; it was the first concert filmed in 4K format. The concert was a part of the Unsustainable Tour, Muse's mid-2013 tour of Europe.\n\nDrones (2014–2016)\n\nMuse began writing their seventh album soon after the Rome concert. The band felt that the electronic side of their music was becoming too dominant, and wanted to return to a simpler rock sound. After self-producing their previous two albums, the band hired producer Robert John \"Mutt\" Lange so they could focus on performance and spend less time mixing and reviewing takes. Recording took place in the Vancouver Warehouse Studio from October 2014 to April 2015.\n\nMuse announced their seventh album, Drones, on 11 March 2015. The following day, they released a lyric video for \"Psycho\" on their YouTube channel, and made the song available for instant download with the album pre-order. Another single, \"Dead Inside\", was released on 23 March.\n\nFrom 15 March to 16 May, Muse embarked on a short tour in small venues throughout the UK and the US, the Psycho Tour. Live performances of new songs from these concerts are included on the DVD accompanying the album along with bonus studio footage. On 18 May 2015, Muse released a lyric video for \"Mercy\" on their YouTube channel, and made the song available for instant download with the album pre-order.\n\nDrones was released on 8 June 2015. A concept album about the dehumanisation of modern warfare, it returned to a simpler rock sound with less elaborate production and genre experimentation. It topped the album charts in the UK, the US, Australia and most major markets. Muse headlined Lollapalooza Berlin on 13 September 2015. On 15 February 2016, Drones won the Grammy Award for Best Rock Album at the 58th Grammy Awards. On 24 June, Muse headlined the Glastonbury Festival for a third time, becoming the first act to have headlined each day of the festival (Friday, Saturday and Sunday). On 30 November 2016, Muse were announced to headline Reading and Leeds 2017.\n\nSimulation Theory and reissues (2017–2021)\n\nIn 2017, Muse toured North America supported by Thirty Seconds to Mars and PVRIS. Howard confirmed in February that the band were back in the studio. On 18 May, Muse released \"Dig Down\", the first single from their eighth album. In November, they performed at the BlizzCon festival. \"Thought Contagion\", the second single, was released on 15 February 2018, accompanied by an 1980s-styled music video. In June, Muse opened the Rock In Rio festival. On 24 February, they played a one-off show at La Cigale in France with a setlist voted for fans online. A concert video, Muse: Drones World Tour, was released in cinemas worldwide on 12 July 2018.\n\nOn 19 July 2018, Muse released the third single from their upcoming album, \"Something Human\". On 30 August 2018, they announced their eighth studio album, Simulation Theory, to be released on 9 November. The announcement was accompanied by another single and video, \"The Dark Side\". The fifth single, \"Pressure\", was released on 27 September. The Simulation Theory world tour began in Houston on 3 February 2019 and concluded on 15 October in Lima. A film based on the album and tour, Muse – Simulation Theory, combining concert footage and narrative scenes, was released in August 2020. \n\nIn December 2019, Muse released Origin of Muse, a box set comprising remastered versions of Showbiz and Origin of Symmetry plus previously unreleased material. For the 20th anniversary of Origin of Symmetry in June 2021, Muse released a remixed and remastered version, Origin of Symmetry: XX Anniversary RemiXX.\n\nUpcoming ninth album (2022–present)\nOn 13 January 2022, Muse released a new single, titled \"Won't Stand Down\", which marked a return to the band's heavier early sound.\n\nMusical style\nDescribed as an alternative rock, progressive rock, space rock, hard rock, art rock, electronic rock, progressive metal, and pop. Muse mix sounds from genres such as electronica, R&B, progressive metal, and art rock, and forms such as classical music, rock opera and many others. In 2002, Bellamy described Muse as a \"trashy three-piece\". In 2005, Pitchfork described Muse's music as \"firmly ol' skool at heart: proggy hard rock that forgoes any pretensions to restraint ... their songs use full-stacked guitars and thunderous drums to evoke God's footsteps\". AllMusic described their sound as a \"fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation\". On the band's association with progressive rock, Howard said: \"I associate it [progressive rock] with 10-minute guitar solos, but I guess we kind of come into the category. A lot of bands are quite ambitious with their music, mixing lots of different styles – and when I see that I think it's great. I've noticed that kind of thing becoming a bit more mainstream.\"\n\nFor their second album, Origin of Symmetry (2001), Muse wanted to craft a more aggressive sound. In 2000, Wolstenholme said: \"Looking back, there isn't much difference sonically between the mellow stuff and the heavier tracks [on Showbiz]. The heavy stuff really could have been a lot heavier and that's what we want to do with [Origin of Symmetry].\" Their third album, Absolution (2003), features prominent string arrangements and drew influences from artists such as Queen. Their fourth album, Black Holes and Revelations (2006) was influenced by artists including Depeche Mode and Lightning Bolt, as well as Asian and European music such as Naples music. The band listened to radio stations from the Middle East during the album's recording sessions. Queen guitarist Brian May has praised Muse's work, calling the band \"extraordinary musicians\", who \"let their madness show through, always a good thing in an artist.\"\n\nMuse's sixth album, The 2nd Law (2012) has a broader range of influences, ranging from funk and film scores to electronica and dubstep. The 2nd Law is influenced by rock acts such as Queen and Led Zeppelin (on \"Supremacy\") as well as dubstep producer Skrillex and Nero (on \"The 2nd Law: Unsustainable\" and \"Follow Me\", with the latter being co-produced by Nero), Michael Jackson, Stevie Wonder (on \"Panic Station\" which features musicians who performed on Stevie Wonder's \"Superstition\") and Hans Zimmer. The album features two songs with lyrics written and sung by bassist Wolstenholme, who wrote about his battle with alcoholism. It features extensive electronic instrumentation, including Modular synthesisers and the French Connection, a synthesiser controller similar to the ondes martenot.\n\nMusicianship\nMany Muse songs are recognisable by vocalist Matt Bellamy's use of vibrato, falsetto, and melismatic phrasing, influenced by Jeff Buckley. As a pianist, Bellamy often uses arpeggios. Bellamy's compositions often suggest or quote late classical and romantic era composers such as Sergei Rachmaninov (in \"Space Dementia\" and \"Butterflies and Hurricanes\"), Camille Saint-Saëns (in \"I Belong to You (+Mon Cœur S'ouvre a ta Voix)\") and Frédéric Chopin (in \"United States of Eurasia\"). As a guitarist, Bellamy often uses arpeggiator and pitch-shift effects to create a more \"electronic\" sound, citing Jimi Hendrix and Tom Morello as influences. His guitar playing is also influenced by Latin and Spanish guitar music; Bellamy said: \"I just think that music is really passionate...It has so much feel and flair to it. I’ve spent important times of my life in Spain and Greece, and various deep things happened there – falling in love, stuff like that. So maybe that rubbed off somewhere.\"\n\nWolstenholme's basslines provide a motif for many Muse songs; the band combines bass guitar with effects and synthesisers to create overdriven fuzz bass tones. Bellamy and Wolstenholme use touch-screen controllers, often built into their instruments, to control synthesisers and effects including Kaoss Pads and Digitech Whammy pedals.\n\nLyrics\nMost earlier Muse songs lyrically dealt with introspective themes, including relationships, social alienation, and difficulties they had encountered while trying to establish themselves in their hometown. However, with the band's progress, their song concepts have become more ambitious, addressing issues such as the fear of the evolution of technology in their Origin of Symmetry (2001) album. They deal mainly with the apocalypse in Absolution (2003) and with catastrophic war in Black Holes and Revelations (2006). The Resistance (2009) focused on themes of government oppression, uprising, love, and panspermia. The album itself was mainly inspired by Nineteen Eighty-Four by George Orwell. Their sixth studio album, The 2nd Law (2012) relates to economics, thermodynamics, and apocalyptic themes. Their 2015 album Drones, is a concept album that uses autonomous killing drones as a metaphor for brainwashing and loss of empathy.\n\nBooks that have influenced Muse's lyrical themes include Nineteen Eighty-Four, Confessions of an Economic Hitman by John Perkins, Hyperspace by Michio Kaku, The 12th Planet by Zecharia Sitchin, Rule by Secrecy by Jim Marrs and Trance Formation of America by Cathy O'Brien.\n\nBand members\n\n Matt Bellamy – lead vocals, guitars, keyboards, piano, synthesisers\n Dominic Howard – drums, percussions\n Chris Wolstenholme – bass guitar, backing vocals, occasional keyboards and guitar\n\nTouring musicians\n Morgan Nicholls – guitars, keyboards and synthesisers, backing vocals, samples, bass (2004, 2006–present)\n Dan \"The Trumpet Man\" Newell – trumpet (2006–2008)\n Alessandro Cortini – keyboards, synthesisers (2009, substitute)\n\nDiscography\n\n Showbiz (1999)\n Origin of Symmetry (2001)\n Absolution (2003)\n Black Holes and Revelations (2006)\n The Resistance (2009)\n The 2nd Law (2012)\n Drones (2015)\n Simulation Theory (2018)\n\nConcert tours\n Showbiz Tour (1998–2000)\n Origin of Symmetry Tour (2000–2002)\n Absolution Tour (2003–2004)\n US Campus Invasion Tour 2005 (2005)\n Black Holes and Revelations Tour (2006–2008)\n The Resistance Tour (2009–2011)\n The 2nd Law World Tour (2012–2014)\n Psycho Tour (2015)\n Drones World Tour (2015–2016)\n North American Tour (with Thirty Seconds to Mars and Pvris) (2017)\n Simulation Theory World Tour (2019)\n\nSee also\n List of awards and nominations received by Muse\n List of Muse songs\n\nReferences\n\nExternal links\n\n \n \n\n \nEnglish art rock groups\nBrit Award winners\nGrammy Award winners\nEnglish alternative rock groups\nEnglish hard rock musical groups\nEnglish progressive rock groups\nKerrang! Awards winners\nNME Awards winners\nBritish musical trios\nMusical groups established in 1994\nMaverick Records artists\nWarner Records artists\nMusical groups from Devon\nIvor Novello Award winners\nSpace rock musical groups\nPolitical music groups\nMTV Europe Music Award winners" ]

[ "Muse (band)", "2003-05: Absolution", "What album number was this for Muse?", "Muse's third album, Absolution, produced by Rich Costey, Paul Reeve and John Cornfield was released in September 2003." ]

[ "was a stable of sumo wrestlers, one of the Nishonoseki ichimon or group of stables. As of September 2010 it had eight active wrestlers.\n\nThe stable was established in 1981 by former ōzeki Kaiketsu Masateru, as a breakaway from Hanakago stable. Among the wrestlers who went with him was Ōnokuni, who reached the top makuuchi division in 1983. In 1985 its parent stable folded and it took in the remaining Hanakago wrestlers, including future makuuchi Hananoumi and Hananokuni. Ōnokuni became the 62nd yokozuna in 1987. The stable had less success in later years, and did not have a sekitori ranked wrestler after the retirement of Shunketsu in 2008.\n\nIn August 2010, Hanaregoma became the head of the Japan Sumo Association, a position he held until 2012.\n\nOn 7 February 2013, due to Hanaregoma′s imminent mandatory retirement, the stable was absorbed into Ōnokuni′s Shibatayama stable, which had branched off from its parent in 1999.\n\nOwner\n1981-2013: 19th Hanaregoma (former ōzeki Kaiketsu Masateru)\n\nNotable wrestlers\nŌnokuni – best rank yokozuna\nHananoumi – best rank komusubi\nHananokuni – best rank maegashira 1\nMisugiiso - best rank maegashira 2\nShunketsu – best rank maegashira 12\nKomafudō - best rank maegashira 13\nHidenohana – best rank jūryō\nMaeta - best rank makushita\n\nReferees\nTamamitsu Kimura (real name Nobuhide Ueda) - san'yaku referee\nKichijiro Kimura (Masahiro Nishino) - makushita referee\n\nUsher\nKatsuyuki (Katsuyuki Koyama) - san'yaku usher\n\nSee also \nList of sumo stables\n\nReferences\n\nDefunct sumo stables", "How Did You Know is an extended play (EP) by Jamaican electronic dance musician Kurtis Mantronik. The EP was released in 2003 on the Southern Fried Records label, and features British singer Mim on vocals. \"How Did You Know (77 Strings)\" was released as a single from the EP, reaching number 16 on the UK Singles Chart and number three in Romania. The title track peaked atop the US Billboard Hot Dance Club Play chart in May 2004.\n\nTrack listing\n \"How Did You Know (Radio Edit)\" (Kurtis Mantronik, Miriam Grey - vocals) – 3:33 \n \"How Did You Know (Original Vocal)\" (Mantronik, Grey - vocals) – 6:35 \n \"How Did You Know (Tony Senghore Vocal)\" (Mantronik, Grey - vocals, Tony Senghore - remix) – 6:31 \n \"77 Strings (Original Instrumental)\" (Mantronik) – 7:57\n\nCharts\nThe following chart entries are for \"How Did You Know (77 Strings)\".\n\nWeekly charts\n\nYear-end charts\n\nRelease history\n\nReferences\n\nExternal links\n \n\n2003 EPs\n2003 singles\nAlbums produced by Kurtis Mantronik\nSouthern Fried Records albums" ]

[ "Muse (band)", "2003-05: Absolution", "What album number was this for Muse?", "Muse's third album, Absolution, produced by Rich Costey, Paul Reeve and John Cornfield was released in September 2003.", "How did it rank among its release?", "It debuted at number one in the UK and produced Muse's first top-ten hit, \"Time Is Running Out\", and three top-twenty hits:" ]

[ "The Manx Noble are platinum, gold or silver bullion coins distributed by the Isle of Man and minted by private companies. While platinum coins have been minted since the early 1800s, the Noble is the first platinum coin created for investors. The coins are not minted every year, but have an erratic schedule. Nobles are legal tender but they do not have a fixed face value; instead, like the Krugerrand or Mexico's Libertad, they are legal tender to the value of their precious metal content.\n\nSpecifications\n\nThe platinum coins contains 99.5% platinum (.995 fine). The gold coins contains 99.99% gold (.9999 fine) and silver coins contains 99.9% silver (.999 fine).\n\nDesign \n\nObverse: It shows a portrait of Queen Elizabeth II with the text Isle of Man and Elizabeth II in capitals. There have been four different portraits of Queen Elizabeth used on the coins. The 1984 coin showed the second coin portrait, done when the Queen was in her early 40s. The third coin portrait, of the Queen in her 50s, was used between 1985 and 1997. The fourth portrait, of the 70-year old Queen, was used between 1998 and 2014. Since 2015, the fifth coin portrait has been used.\n\nReverse: shows a viking ship and four birds with the denomination. In small lettering beneath the ship, metal content, coin size and fineness are given. The design is framed by an elaborate Viking knit motif border with the island's coat of arms, the triskele, appearing at the top, above the ship's flag.\n\nHistory \n\nThe first platinum coins regularly minted were Russian platinum rubles from 1828 to 1845. Only occasional commemorative coins were minted till the 1970s when Isle of Man started regularly issuing commemorative platinum coins. Isle of Man has used three private mints to make their coins, the English Pobjoy Mint from 1983 until 2016, Liechtenstein's Coin Investment Trust (CIT) in 2017, and the 2018 version was minted by the English Tower Mint. \n\nSeveral one-off coins were minted. What is claimed to be the world's first holographic coin is a 1996 platinum Noble whose viking ship's sail is made from a patterned hologram. A one-quarter ounce bimetallic coin, ring made of gold with the center platinum, was minted in 1995. A one-ounce bimetallic coin, ring of silver with a center of gold, was produced in 2009. A one-ounce palladium coin was issued in 2012. There were 26, five-ounce platinum coins minted in 1986 and another 15 coins in 1988. The same amount of ten-ounce platinum coins were also released in 1986 and 1988. The 2017 and 2018 silver coins came in both proof and reverse proof versions.\n\nThe following table shows mintages of proof coins unless noted with a (b).\n\nNR - Mintage numbers not released\n(b) - Brilliant uncirculated finish. Not a proof coin\n\nSee also \n\n Angel (Manx coin)\n Bullion\n Bullion coin\n Gold as an investment\n Inflation hedge\n Noble (English coin)\n Platinum as an investment\n Silver as an investment\n\nReferences\n\nBirds on coins\nShips on coins\nBullion coins of the Isle of Man\nGold bullion coins\nSilver bullion coins\nPlatinum bullion coins\nPalladium bullion coins", "In the United States, the Recording Industry Association of America (RIAA) awards certification based on the number of albums and singles sold through retail and other ancillary markets. Other countries have similar awards (see music recording certification). Certification is not automatic; for an award to be made, the record label must request certification. The audit is conducted against net shipments after returns (most often an artist's royalty statement is used), which includes albums sold directly to retailers and one-stops, direct-to-consumer sales (music clubs and mail order) and other outlets.\n\nDescription and qualifications \n\nA Gold record is a single or album that sells 500,000 units (records, tapes or compact discs). The award was launched in 1958; originally, the requirement for a Gold single was one million units sold and a Gold album represented $1 million in sales (at wholesale value, around a third of the list price). In 1975, the additional requirement of 500,000 units sold was added for Gold albums. Reflecting growth in record sales, the Platinum award was added in 1976, for albums able to sell one million units, and singles selling two million units. The Multi-Platinum award was introduced in 1984, signifying multiple Platinum levels of albums and singles. In 1989, the sales thresholds for singles were reduced to 500,000 for Gold and 1,000,000 for Platinum, reflecting a decrease in sales of singles. In 1992, RIAA began counting each disc in a multi-disc set as one unit toward certification. Reflecting additional growth in music sales, the Diamond award was instituted in 1999 for albums or singles selling ten million units. Because of these changes in criteria, the sales level associated with a particular award depends on when the award was made.\n\nNielsen SoundScan figures are not used in RIAA certification; the RIAA system predates Nielsen SoundScan and includes sales outlets Nielsen misses. Prior to Nielsen SoundScan, RIAA certification was the only audited and verifiable system for tracking music sales in the U.S.; it is still the only system capable of tracking 100% of sales (albeit as shipments less returns, not actual sales like Nielsen SoundScan). This system has permitted, at times, record labels to promote an album as Gold or Platinum simply based on large shipments. For instance, in 1978 the Sgt. Pepper's Lonely Hearts Club Band soundtrack shipped Platinum but was a sales bust, with two million returns. Similarly, all four solo albums by the members of Kiss simultaneously shipped Platinum that same year but did not reach the top 20 of the Billboard 200 album chart. The following year, the RIAA began requiring 120 days from the release date before recordings were eligible for certification, although that requirement has been reduced over the years and currently stands at 30 days. Sony was widely criticized in 1995 for hyping Michael Jackson's double album HIStory as five times Platinum, based on shipments of 2.5 million and using the RIAA's recently adopted practice of counting each disc toward certification, while SoundScan was reporting only 1.3 million copies sold. A similar discrepancy between shipments and sales was reported with The Lion King soundtrack.\n\nIn the digital era, changes in the way music is consumed resulted in changes in the certification criteria. Actual album sales had dropped significantly, while digital download followed by streaming became increasingly dominant. On-demand audio and video streams started to be counted towards Digital Single units consumed in 2013. Track downloads and audio and video streams were then included in album certification in 2016 using formulas converting downloads and streams into the album units for certification purpose.\n\nList of certifications\n\nRecords\n 500,000 units: Gold album\n 1,000,000 units: Platinum album\n 2,000,000+ units: Multi-Platinum album\n 10,000,000 units: Diamond album\n\nStarting from February 1, 2016, each album unit may be one of the following:\n One digital or physical album sold or shipped;\n 10 tracks from the album downloaded;\n 1,500 on-demand audio or video streams of songs from the album.\n\nMulti-disc\nMulti-disc albums are counted once for each disc within the album if it is over 100 minutes in length or is from the vinyl era. For example, the Smashing Pumpkins' Mellon Collie and the Infinite Sadness (running time of 121:39) and OutKast's Speakerboxxx/The Love Below (running time of 134:56), both double albums, were counted twice, meaning each album was certified diamond after 5 million copies were shipped. Pink Floyd's The Wall and the Beatles' White Album, both vinyl-era, are also counted as double even though their running times are under the minimum requirement. Rules may or may not apply depending on most recent staff within the Distributions position.\n\nSpanish\nSince 2000, the RIAA also awards Los Premios de Oro y De Platino (Gold and Platinum Awards in Spanish) to Latin albums which are defined by the RIAA as a type of product that features at least 51% of content in Spanish.\n\nAs of December 20, 2013, the award levels for Latin certifications are:\n\n 30,000 units: Disco de Oro\n 60,000 units: Disco de Platino\n 120,000 units: Disco de Multi-Platino\n 600,000 units: Disco de Diamante\n\nFor certifications made before December 20, 2013, the award levels are:\n 50,000 units: Disco de Oro\n 100,000 units: Disco de Platino\n 200,000 units: Disco de Multi-Platino\n 1,000,000 units: Disco de Diamante\n\nNote: The number of sales required to qualify for Oro and Platino awards was higher prior to January 1, 2008. The thresholds were 100,000 units (Oro) and 200,000 units (Platino). All Spanish-language albums certified prior to 2008 were updated to match the current certification at the time. \"La Bomba\" by Bolivian group Azul Azul is the only single to receive a Latin certification based on shipments before the creation of the Latin digital singles awards in 2013. The Disco de Diamante award was introduced after the RIAA updated the thresholds for Latin certifications on December 20, 2013. The Disco de Diamante is awarded to Latin albums that have been certified 10× Platinum.\n\nSingles\nStandard singles are certified:\n Gold when it ships 500,000 copies\n Platinum when it ships 1,000,000 copies\n Multi-Platinum when it ships at least 2,000,000 copies\n\nNote: The number of sales required to qualify for Gold and Platinum discs was higher prior to January 1, 1989. The thresholds were previously 1,000,000 units (Gold) and 2,000,000 units (Platinum).\n\nDigital singles are certified:\n Gold means 500,000 certification units\n Platinum means 1,000,000 certification units\n Multi-Platinum means 2,000,000+ certification units\n\nFrom 2004 through July 2006, the certification level was 100,000 downloads for Gold and 200,000 for Platinum. When the RIAA changed the certification standards to match retail distribution in August 2006, all Platinum and Multi-Platinum awards for a digital release were withdrawn. Gold certifications, however, were not, meaning a song that was downloaded over 100,000 times and certified so by the RIAA during that time frame retains its Gold status.\n\nStarting May 9, 2013, RIAA certifications for singles in the \"digital\" category include on-demand audio and/or video song streams in addition to downloads at a rate of 100 streams=1 certification \"unit\". On January 2, 2016, this rate was updated to 150 streams = 1 certification unit.\n\nLatin digital singles are certified:\n Disco de Oro (Gold) means 30,000 certification units\n Disco de Platino (Platinum) means 60,000 certification units\n Disco de Multi-Platino (Multi-Platinum) means 120,000+ certification units\n\nThe Latin Digital Single Awards began on December 20, 2013. As with the digital sales, 100 streams count as one download sale.\n\nVideo Longform\nAlong with albums, digital albums, and singles there is another classification of music release called \"Video Longform.\" This release format includes DVD and VHS releases, and certain live albums and compilation albums. The certification criteria are slightly different from other styles.\n\nGold: 50,000 copies\nPlatinum: 100,000 copies\n Multi-Platinum: 200,000 copies\n\nVideo Single\nFor Video Single certification, the title must contain no more than two songs and must have a running time of no more than 15 minutes. The certification criteria are:\n\nGold: 25,000 copies\nPlatinum: 50,000 copies\n Multi-Platinum: 100,000 copies\n\n, the titles certified the most Video Single awards are \"Here Without You\" by 3 Doors Down and Elvis Presley's \"A Little Less Conversation\", both winning 6× Platinum for 300,000 copies. Since 2010, only 5 titles have been certified Video Single. The latest Gold was awarded to \"R40\" by Rush in 2017.\n\nVideo Box Set \nThe \"Video Box Set\" (or \"Multi-Box Music Video Set\") award is a classification for video compilations that include three or more videos that are grouped and marketed together as a set. Like Video Longform, this includes DVD and VHS releases and the certification criteria are the same. Each individual video within set is counted as one toward certification.\n\nGold: 50,000 copies\nPlatinum: 100,000 copies\nMulti-Platinum: 200,000 copies\n\nThe best-selling video box set as certified by the RIAA is the Rolling Stones' Four Flicks DVD compilation from their Licks World Tour, with a 19X Multi-Platinum designation. This was likely achieved due to exclusive distribution rights owned by Best Buy by their short-lived music production company, Redline Entertainment.\n\nMaster Ringtone \nMaster Ringtone (mastertone) awards were introduced in 2006. Certification levels are identical to those of singles, 500,000 for Gold and 1,000,000 for Platinum and Multi-Platinum.\n\nMany Master Ringtone certifications were awarded until 2009, but since then only ten certifications were awarded in 2010, three in 2012 and three in 2019, all three to AC/DC.\n\nRecords\nLists from RIAA site showing current status holders of RIAA Certifications:\nList of highest-certified music artists in the United States\nList of best-selling albums in the United States\nList of best-selling singles in the United States\nList of best-selling Latin albums in the United States\n\nArtists with the most album certifications\n\nMost Platinum\n\nThis list show the artists with at least 10 platinum albums (excluding compilations)\n\nMost Diamond\n\nArtists with the most single certifications\n\nMost Platinum\nThis table tracks artists with some number of singles that have received at least 10 digital platinum certifications (excluding features).\n\nMost Diamond\nThis table tracks artists with some number of singles that have received at least 2 Diamond certifications.\n\nNote: The RIAA provides the Detailed List of Artists with Most Singles Certified Units\n\nRIAA Diamond certifications\nDiamond (10+ million) certified albums and singles\n\nRIAA Diamante Latin certifications\n\nDiamante certified Latin albums and singles (1+ million for Latin albums certified before December 2013 and 600,000+ for Latin albums and singles certified after December 2013)\n\nSee also\n List of best-selling albums\n List of best-selling music artists\n List of best-selling singles worldwide\n\nReferences\n\nExternal links\n RIAA Website\n Detailed List of Artists with Most Album Certified Units\n Detailed List of Artists with Most Singles Certified Units\n Search RIAA Gold and Platinum Database\n\nCertification\nMusic recording certifications" ]

[ "Muse (band)", "2003-05: Absolution", "What album number was this for Muse?", "Muse's third album, Absolution, produced by Rich Costey, Paul Reeve and John Cornfield was released in September 2003.", "How did it rank among its release?", "It debuted at number one in the UK and produced Muse's first top-ten hit, \"Time Is Running Out\", and three top-twenty hits:", "Was it platinum or gold?", "Absolution was eventually certified gold in the US." ]

[ "Simply Majestic was a Canadian hip hop and dance music collective, active in the early 1990s. They are most noted for winning the Juno Award for Best R&B/Soul Recording at the Juno Awards of 1991 for their single \"Dance to the Music (Work Your Body)\". Members of the collective included producer Anthony Bond, rappers B-Kool, Frank Morrell, The Russian Prince and MC A-OK, rap groups Point Blank, Brothers from the Ghetto, the Boys of the Greenhouse and the Forbidden Ones, and rhythm and blues singer Porsha-Lee.\n\nThe band signed to Capitol-EMI Canada in 1990 as part of the first significant wave of signings of Canadian hip hop acts, and released the EP Simply Majestic featuring B-Kool that year. The single \"Dance to the Music (Work Your Body)\" won the Juno for Best R&B/Soul Recording Juno and was a nominated finalist for Rap Recording of the Year, but did not win in that category. B-Kool was also a contributor to Dance Appeal, a supergroup of dance, hip hop, rhythm and blues and reggae musicians who released the one-off single \"Can't Repress the Cause\" in 1990.\n\nThey followed up in 1991 with the album We United to Do Dis. The album again received two Juno Award nominations at the Juno Awards of 1992, in the R&B/Soul category for the single \"Destiny\" and in the Rap category for the single \"Play the Music DJ\".\n\nSimply Majestic did not release any further recordings as a collective. B-Kool released the solo album Mellow Madness in 1994, and received another Juno Award nomination for Best Rap Recording at the Juno Awards of 1994 for the single \"Got to Get Over\".\n\nReferences\n\nCanadian hip hop groups\nCanadian dance music groups\nMusical groups from Toronto\nHip hop collectives\nJuno Award for R&B/Soul Recording of the Year winners", "2Frères is a Canadian folk rock duo from Chapais, Quebec, consisting of brothers Erik and Sonny Caouette. They are most noted as two-time winners of the Félix Award for Group of the Year, winning at the 38th Félix Awards in 2016 and at the 40th Félix Awards in 2018.\n\nFormed in 2008, they released their debut album Nous autres in April 2015. The album sold 80,000 copies in Quebec and was certified platinum, and the band were the most-played artists of any genre on francophone radio in Canada in 2016. In addition to their Group of the Year win at the Felix Awards in 2016, the album also won Pop Album of the Year.\n\nTheir second album, La Route, was released in November 2017. The album's single \"Comme avant\" spent a record 25 weeks as the most-played song on Quebec radio, and the album was again certified gold.\n\nTheir third album, À tous les vents, followed in February 2020. The album debuted at #1 on Quebec's pop charts. With touring impacted by the COVID-19 pandemic in Canada, the album was partially promoted by a documentary special on the duo, 2Frères : L’improbable parcours, which was broadcast by TVA on September 27, 2020, as well as a companion book, 2Frères, À tous les vents : L’histoire d’un improbable parcours, by François Couture.\n\nThey received three Felix nominations at the 42nd Félix Awards in 2020, for Group of the Year, Adult Contemporary Album of the Year for À tous les vents, and Song of the Year for the album's title track.\n\nThey received two Juno Award nominations at the Juno Awards of 2021, for Breakthrough Group of the Year and Francophone Album of the Year for À tous les vents.\n\nReferences\n\nExternal links\n\nCanadian folk rock groups\nMusical groups from Quebec\nFélix Award winners" ]

[ "Muse (band)", "2003-05: Absolution", "What album number was this for Muse?", "Muse's third album, Absolution, produced by Rich Costey, Paul Reeve and John Cornfield was released in September 2003.", "How did it rank among its release?", "It debuted at number one in the UK and produced Muse's first top-ten hit, \"Time Is Running Out\", and three top-twenty hits:", "Was it platinum or gold?", "Absolution was eventually certified gold in the US.", "Did they win any awards for the album?", "Muse won two MTV Europe awards, including \"Best Alternative Act\", and a Q Award for \"Best Live Act\"," ]

[ "This is a list of episodes of the 1962–67 ABC war drama Combat!.\n\nNote that the episodes are not in order on the DVDs. Season 1 DVDs do contain Season 1 episodes, but in random order. Use the chart below.\nHint: The Series should be watched following the Production Number (Prod. No.) of episodes, which show the progression of events as traced in WWII history.\n\nSeries overview\n\nEpisodes\n\nSeason 1 (1962–63)\n\nThe first-season DVDs come in two sets, \"Campaign 1\" and \"Campaign 2,\" which are sold separately. Each \"Campaign\" contains four discs. Each disc contains four episodes plus bonus material. There are eight discs total in both \"Campaigns,\" with 16 episodes in each, for a combined 32 episodes, which are listed in order below.\n\nSeason 2 (1963–64)\nThe second-season DVDs come in two sets, \"Mission 1\" and \"Mission 2,\" which, like the \"Campaigns\" of the first-season DVDs, are sold separately. Each \"Mission\" contains four discs. Each disc contains four episodes plus bonus material. There are eight discs total in both \"Missions,\" with 16 episodes in each, for a combined 32 episodes, which are listed in order below.\n\nSeason 3 (1964–65)\nThe third-season DVDs come in two sets, \"Operation 1\" and \"Operation 2,\" which, like the first-season \"Campaigns\" and the second-season \"Missions,\" are sold separately. Each \"Operation\" contains four discs. Each disc contains four episodes plus bonus material. There are eight discs total in both \"Operations,\" with 16 episodes in each, for a combined 32 episodes, which are listed in order below.\n\nSeason 4 (1965–66)\nThe fourth-season DVDs come in two sets, \"Conflict 1\" and \"Conflict 2,\" which, like the first-season \"Campaigns,\" the second-season \"Missions,\" and the third-season \"Operations,\" are sold separately. Each \"Conflict\" contains four discs. Each disc contains four episodes, except from the last CD which contains three episodes, plus bonus material. There are eight discs total in both \"Conflicts,\" with 16 episodes in \"Conflict 1\" and 15 episodes in \"Conflict 2,\" for a combined 31 episodes, which are listed in order below.\n\nSeason 5 (1966–67)\nAs pointed out in the main article on Combat!, this is the only season of the program produced in color.\n\nThe fifth-season DVDs come in two sets, \"Invasion 1\" and \"Invasion 2,\" which, like the first-season \"Campaigns,\" the second-season \"Missions,\" the third-season \"Operations,\" and the fourth-season \"Conflicts,\" are sold separately. Each \"Invasion\" contains four discs. Each disc contains three episodes plus bonus material except the first disc of \"Invasion 1,\" which contains four episodes plus bonus material. There are eight discs total in both \"Invasions,\" with 13 episodes in \"Invasion 1\" and 12 episodes in \"Invasion 2,\" for a combined 25 episodes, which are listed in order below.\n\nExternal links \n\n \n\nCombat!", "Come Along and Walk with Me is the seventeenth studio album by American country artist, Connie Smith. The album was released in October 1971 by RCA Records and was produced by Bob Ferguson. It was Smith's third album of Gospel music, and her second solo Gospel album.\n\nCome Along and Walk with Me contained ten tracks of Gospel music material, ranging from songs written by Dallas Frazier to songs by Bill Gaither. The album was released on a 12-inch LP album, with five songs on each side of the record. The album did not chart the Billboard Top Country Albums chart, nor were any singles released.\n\nTrack listing\n\nReferences \n\n1971 albums\nConnie Smith albums\nRCA Victor albums\nAlbums produced by Bob Ferguson (music)\nGospel albums by American artists" ]

[ "Take That", "1995-1996: Robbie Williams's first departure, break-up and Greatest Hits" ]

[ "\"Llangollen Market\" is a song from early 19th century Wales. It is known to have been performed at an eisteddfod at Llangollen in 1858.\n\nThe text of the song survives in a manuscript held by the National Museum of Wales, which came into the possession of singer Mary Davies, a co-founder of the Welsh Folk-Song Society.\n\nThe song tells the tale of a young man from the Llangollen area going off to war and leaving behind his broken-hearted girlfriend. Originally written in English, the song has been translated into Welsh and recorded by several artists such as Siân James, Siobhan Owen, Calennig and Siwsann George.\n\nLyrics\nIt’s far beyond the mountains that look so distant here,\nTo fight his country’s battles, last Mayday went my dear;\nAh, well shall I remember with bitter sighs the day,\nWhy, Owen, did you leave me? At home why did I stay?\n\nAh, cruel was my father that did my flight restrain,\nAnd I was cruel-hearted that did at home remain,\nWith you, my love, contented, I’d journey far away;\nWhy, Owen, did you leave me? At home why did I stay?\n\nWhile thinking of my Owen, my eyes with tears do fill,\nAnd then my mother chides me because my wheel stands still,\nBut how can I think of spinning when my Owen’s far away;\nWhy, Owen, did you leave me? At home why did I stay?\n\nTo market at Llangollen each morning do I go,\nBut how to strike a bargain no longer do I know;\nMy father chides at evening, my mother all the day;\nWhy, Owen, did you leave me, at home why did I stay?\n\nOh, would it please kind heaven to shield my love from harm,\nTo clasp him to my bosom would every care disarm,\nBut alas, I fear, 'tis distant - that happy, happy day;\nWhy, Owen, did you leave me, at home why did stay?\n\nReferences\n\nWelsh folk songs", "Leih Sebtaha (Why Did You Leave Her') is the fifteenth full-length Arabic studio album from Egyptian pop singer Angham, launched in Egypt in 2001.\n\nTrack listing\n\n Sidi Wisalak (Your Charm) (Lyrics by: Ezzat elGendy | Music composed by: Sheriff Tagg | Music arrangements by: Tarek Akef)\n Leih Sebtaha (Why Did You Leave Her) (Lyrics by: Baha' elDeen Mohammad | Music composed by: Sheriff Tagg | Music arrangements by: Tarek Madkour)\n Rahet Layali (Nights Have Gone) (Lyrics by: Mohammad elRifai | Music composed by: Sheriff Tagg | Music arrangements by: Yahya elMougi)\n Magabsh Serty (Did He Mention Me) (Lyrics by: Ayman Bahgat Amar | Music composed by: Riyad elHamshari | Music arrangements by: Tarek Akef)\n Leih Sebtaha (instrumental) (Why Did You Leave Her) Lyrics by: Baha' elDeen Mohammad | Music composed by: Sheriff Tagg | Music arrangements by: Tarek Madkour)\n Tedhak Alaya (You Laugh At Me) (Lyrics by: Saoud elSharabtli | Music composed by: elFaissal | Music arrangements by: Mahmoud Sadek)\n Noujoum elLeil (Stars Of the Night) (Lyrics by: Wael Helal | Music composed by: Ameer Abdel Majeed | Music arrangements by: Ashraf Mahrous)\n Habbeitak Leih (Why Did I Even Love You) (Lyrics by: Nader Abdallah | Music composed by: Sheriff Tagg | Music arrangements by: Ashraf Mahrous)\n Hayran (Confused) (Lyrics by: Naser Rashwan | Music composed by: Ameer Abdel Majeed | Music arrangements by: Hisham Niyaz)\n Ana Indak (I'm At Your Place)''''' (Lyrics by: Bahaa elDeen Mohammad | Music composed by: Sheriff Tagg | Music arrangements by: Tarek Madkour)\n\nReferences\n\nAngham albums\nArabic-language albums\n2001 albums\nAlam elPhan Records albums" ]

[ "Take That", "1995-1996: Robbie Williams's first departure, break-up and Greatest Hits", "Why did Williams leave?", "Robbie Williams's drug abuse had escalated to a near drug overdose" ]

[ "Elections to West Lindsey District Council were held on 3 May 2007. One third of the council was up for election and the Liberal Democrat Party held overall control of the council after what was seen as a straight fight with the Conservative Party.\n\nThe election in Scotter ward was decided by the toss of a coin which the Conservative candidate won.\n\nAfter the election, the composition of the council was:\n Liberal Democrat 20\n Conservative 16\n Independent 1\n\nElection result\n\nOne Independent candidate was unopposed.\n\nWard results\n\nReferences\n\n 2007 West Lindsey election result\n Ward results\n\n2007\n2007 English local elections\n2000s in Lincolnshire", "The St. Charles Borromeo Cathedral () Also Chillán Cathedral Is a temple of the Catholic Church, home of the Diocese of Chillán located in the center of the city of Chillán, Chile in front of the Plaza de Armas, in the corner of streets Arauco and Libertad. It is also a symbol and icon of the city, as a result of the city's progress after the Chillan earthquake of 1939. It was declared a National Monument in December 2014.\n\nThe first cathedral of the city of Chillán was established in what today is known as Old Chillán, but this one was destroyed after the earthquake that affected the zone in 1835. As a result, the city was devastated and was transferred and reconstructed in Its current location. The cathedral at that time was made of lime and brick.\n\nAfter the Chillán earthquake of 1939, the cathedral was completely destroyed again, beginning that same year the reconstructions that culminated in 1950. In this new reconstruction, the architect Hernán Larraín Errázuriz was based on ideas of modernism. The figure of the 10 arches represent the prayer and the sign that is made with the hands at the moment of praying intercalando the fingers of the hands and closing them of oval form.\n\nSee also\nRoman Catholicism in Chile\nSt. Charles Borromeo\n\nReferences\n\nRoman Catholic cathedrals in Chile\nRoman Catholic churches completed in 1950\nDiguillín Province\n20th-century Roman Catholic church buildings in Chile\nModernist architecture in Chile\nRebuilt buildings and structures in Chile" ]

[ "Take That", "1995-1996: Robbie Williams's first departure, break-up and Greatest Hits", "Why did Williams leave?", "Robbie Williams's drug abuse had escalated to a near drug overdose", "What was the result of this?", "I don't know." ]

[ "Matthias Kirste (born near Berlin), is a German cinematographer.\n\nInternationally, Kirste is mainly known for his work on the feature-films by Alexander Tuschinski. They met when they both studied at Hochschule der Medien. Since then, they often collaborated, and both share the cinematographer-credit, either of them taking turns at operating the camera depending on the scene.\n\nLife \n\nKirste got his first film camera when he was 15 years old and did his first photographic and filmic projects as a teenager. After serving in a PsyOps unit of the German military for a number of years, he started working as a freelance photographer and cinematographer.\n\nNotable works \n2010: Menschenliebe\n2011: Mutant Calculator (short film)\n2012: Hollow Date (short film)\n2014: Break-Up\n2016: Timeless\n\nReferences\n\nExternal links \n \n Making-Of documentary about \"Break-Up\". (Video)\n \n\nLiving people\nGerman cinematographers\nFilm people from Berlin\nYear of birth missing (living people)", "Fast break is an offensive strategy in basketball and handball. In a fast break, a team attempts to move the ball up court and into scoring position as quickly as possible, so that the defense is outnumbered and does not have time to set up. The various styles of the fast break–derivative of the original created by Frank Keaney–are seen as the best method of providing action and quick scores. A fast break may result from cherry picking.\n\nDescription\nIn a typical fast-break situation, the defending team obtains the ball and passes it to the fastest player, who sets up the fast break. That player (usually the smaller point guard, in the case of basketball) then speed-dribbles the ball up the court with several players trailing on the wings. He then either passes it to another player for quick scoring or takes the shot himself. If contact is made between him and a defender from behind while on a fast break, an unsportsmanlike foul is called. Recognition, speed, ball-handling skills, and decision making are critical to the success of a fast break.\n\nIn basketball, fast breaks are often the result of good defensive play such as a steal, obtaining the ball off a block, or a missed shot by the opposing team and a rebound, where the defending team takes possession of the ball and the other team has not adjusted.\n\nA fast break can sometimes lead to an alley-oop if there are more offensive players than defenders.\n\nIn basketball, if the fast break did not lead to a basket and an offensive rebound is obtained and put back quickly, this is called a secondary break.\n\nFly fast break\n\nA fly fast break (also known as a one out fast break, the technical term for the play) is a basketball move in which after a shot is attempted, the player who is guarding the shooter does not box out or rebound but instead runs down the court looking for a pass from a rebounding teammate for a quick score.\n\nHow to play the Fly fast break\nThe coach designates a certain guard or guards to carry out the Fly fast break. This is often the guard that defends the opponents' shooting guard. When the designated opposing guard makes an attempted shot. The defending guard (referred to as 'Fly') will contest the shot but then sprints down the court to the other team's key. When the defending team obtains the rebound or has to inbound the ball (after a made basket), they throw the ball into the other team's key, knowing that there is a 'Fly' waiting to catch the ball and score.\n\nStrengths\n Defeats the zone - the other team doesn't have time to set up their zone defense.\n Removes a rebounder - because the shooter has to defend against the Fly, they are removed from rebounding.\n Upsets the shooter - because the shooter has to worry about defense, they are less focused on their shooting.\n\nWeaknesses\n Rebounding weakness - The Fly's team is left with a 4 against 5 rebounding ratio, if the shooter stays to rebound.\n Inbounding - If a shooter scores, the inbounding set up takes longer and the distance to throw the ball is harder.\n Exhausting - The Fly has to sprint on offense, but has to hustle back on defense if the Fly fast break fails.\n\nBreaking Down the Fly fast break\nBreaking down the Fly fast break can be done in two ways:\n Have a confident shooter who can score and force the defending team to inbound while the shooter hustles back to defend against the Fly.\n Use non-shooting plays, where the #4 & #5 forwards do the scoring.\n\nNotes\nThe 'Fly' is a term in fly fishing where the actions of this type of fishing are similar to the actions of the basketball player in Fly fast break.\n\nReferences\n\nhttps://www.uri.edu/anniversary/stories/frank-keaney-and-the-old-gazazza/\n\nFurther reading\n\nBasketball terminology\nBasketball strategy\nHandball terminology" ]

[ "Take That", "1995-1996: Robbie Williams's first departure, break-up and Greatest Hits", "Why did Williams leave?", "Robbie Williams's drug abuse had escalated to a near drug overdose", "What was the result of this?", "I don't know.", "When did they break up?", "On 13 February 1996, Take That formally announced that they were disbanding." ]

[ "Singles of the 90s is a compilation album by Swedish pop music group, Ace of Base.\n\nBackground\nSingles of the 90s was released on November 15, 1999 in Europe, Asia, and Africa. The band had begun work on their fourth studio album (Da Capo), when they were approached by their label to put out a greatest hits release. Jonas Berggren, the band's main composer, initially refused the offer, claiming the idea for a singles package was premature. In the end, the band relented and offered three songs titled \"Hallo Hallo\", \"C'est La Vie,\" and \"Love in December\", which was co-written by all four band members.\n\nAn American counterpart, Greatest Hits, was released the following year on April 18, 2000, and included only \"C'est La Vie\" of the three new tracks. This release included a track error at the beginning of \"The Sign\" and sold poorly. Singles of the 90s was released in the US via iTunes in 2007 despite the Greatest Hits release.\n\nTrack listing\n\nCharts\n\nCertifications\n\nReferences\n\nAce of Base compilation albums\n1999 greatest hits albums", "A greatest hits album or best-of album is a type of compilation album that collects popular and commercially successful songs by a particular artist or band. While greatest hits albums are typically supported by the artist, they can also be created by record companies without express approval from the original artist as a means to generate sales. They are typically regarded as a good starting point for new fans of an artist, but are sometimes criticized by longtime fans as not inclusive enough or necessary at all.\n\nIt is also common for greatest hits albums to include remixes or alternate takes of popular songs as bonus tracks to increase appeal for longtime fans (who might otherwise already own the songs included). At times, a greatest hits compilation marks the first album appearance of a successful single that was never attached to a previous studio album.\n\nHistory \nThe first greatest hits album was Johnny Mathis's Johnny's Greatest Hits, released in 1958. The album collected eight of Mathis's charting singles, as well as three non-charting B-sides and an altogether new track. The album spent three weeks at the number one spot on Billboard's Best Selling Pop LP's chart. The greatest hits album format then gained popularity in the 1960s and 1970s among American and British rock and pop artists. Some artists were popular enough to release multiple greatest hits albums during and after their career.\n\nBy the 1990s, greatest hits albums were common for popular artists, with some artists even releasing the greatest hits album as a music video collection concurrently with the album. It also became a commercially viable option to boost popularity for artists with dwindling careers. Some bands refuse to release a greatest hits album, such as rock groups AC/DC, Tool, and Metallica. Garth Brooks had initially refused releasing one, but he eventually agreed to it in 1994 for a limited release (the resulting record, The Hits, sold over ten million copies).\n\nIn 2000, Sony Music Entertainment launched their The Essential series, which collects singles and other career-defining tracks of artists licensed to Sony. The Essential Bob Dylan was the first in the series, and the company has since released dozens of albums in the series with other artists under their label. In addition to artist-specific collections, the series has also released genre-specific and themed albums, such as The Essential Christmas (collecting pop and rock covers of Christmas songs) or The Essential Australian Rock (collecting a specific regional output). In 2005, Universal Music Group launched a similar line, Gold, which collects artists' greatest hits onto two discs.\n\nIn the late 2000s and 2010s, digital downloads and music streaming services increased in popularity, which allow users to listen to their favorite tracks without the need of a greatest hits package. In 2016, Pitchfork noted that \"in the digital era, once a catalog enters a streaming service or an MP3 store, there's no need for a reissue and, therefore, there's no reason for a label to mine the vaults, searching for old music to make new again. Users can assemble their own personalized greatest hits playlists or just scan through an act's most accessed songs\", which has led to greatest hits collections becoming redundant.\n\nDespite the popularity of streaming in 2010s and early 2020s, some artists continued to issue physical greatest hits albums, including the White Stripes, Spoon, and the Weeknd. Spoon lead singer Britt Daniel said he chose to compile 2019's Everything Hits at Once: The Best of Spoon out of an affinity for compilations such as Standing on a Beach by the Cure and Substance 1987 by New Order, which had introduced him to those artists in his youth, and to provide an official introduction to Spoon's catalog for new listeners. Alex Kapranos of Franz Ferdinand echoed those sentiments when describing the decision to release the band's 2022 Hits to the Head compilation, stating that \"I have friends who believe you’re somehow not a 'real' fan if you own a best of rather than a discography. I disagree. I think of my parents' record collection as a kid. I loved their compilation LPs. I am so grateful that they had Changes or Rolled Gold. Those LPs were my entrance point. My introduction.\"\n\nNotable examples\n\nEagles' Their Greatest Hits (1971–1975) is the best selling album ever in the United States, according to Billboard, which has sold over 38 million copies. Elton John's Greatest Hits is the best-selling greatest hits album by a solo artist according to the same chart.\n\nOne example of a greatest hits compilation released against the artists' intentions is British rock group the Rolling Stones' compilation Hot Rocks 1964–1971 (1971). The music magazine Rolling Stone remarked that the album served as a \"beautifully packaged... purely mercenary item put together by the Stones' former record company to cash in on the Christmas season and wring some more bucks out in the name of the Mod Princes they once owned.\" After their manager tricked the band into signing over the copyrights to their 1963–1970 song catalog, the band did succeed in changing management and record labels. However, they could neither prevent the release of Hot Rocks nor its successor, which was titled More Hot Rocks (Big Hits & Fazed Cookies). A testament to the selling power of greatest hits albums, Hot Rocks remains the best selling album of the Rolling Stones' career. Mick Jagger and Keith Richards continue to collect significant songwriting royalties from the Hot Rocks sales, but not the ownership royalties.\n\nIn the UK, Queen's Greatest Hits is the biggest selling album of all time. In second place is ABBA Gold, another greatest hits compilation which has gone on to become the longest-charting album in the UK. Queen's Greatest Hits II is also one of the UK's Top Ten biggest sellers.\n\nIn other media \nThe concept of greatest hits compilations has been adapted to other media as well. In television, some shows have released compilations of their critically successful and highest-rated episodes to drive new viewers to watch a program, such as Family Guys Freakin' Sweet Collection and South Park: The Hits. Several video game companies have re-released popular games for continued sales, sometimes with discounted prices: Sony's PlayStation has released games under their Greatest Hits series; Nintendo has re-released games under the Nintendo Selects label (formerly called \"Player's Choice\"); Microsoft has re-released games under the Platinum Hits label. Some video game franchises have released greatest hits collections of their own content, such as Super Mario All-Stars, Sonic Mega Collection, and Guitar Hero Smash Hits.\n\nSee also\n Hit record\n Grandes Éxitos (disambiguation) – the Spanish language equivalent of the concept\n\nReferences \n\nAlbum types" ]

[ "Take That", "1995-1996: Robbie Williams's first departure, break-up and Greatest Hits", "Why did Williams leave?", "Robbie Williams's drug abuse had escalated to a near drug overdose", "What was the result of this?", "I don't know.", "When did they break up?", "On 13 February 1996, Take That formally announced that they were disbanding.", "When did they release their greatest hits?", "This was followed by the Greatest Hits compilation in 1996," ]

[ "\"This Is How We Do It\" is a 1995 song by Montell Jordan.\n\nThis Is How We Do It may also refer to:\n\n This Is How We Do It (album), by Montell Jordan\n \"This Is How We Do It\" (Grey's Anatomy), a 2011 episode\n\nSee also\n \"This Is How We Do\", a 2014 song by Katy Perry", "\"How Do I Get Close\" is a song released by the British rock group, the Kinks. Released on the band's critically panned LP, UK Jive, the song was written by the band's main songwriter, Ray Davies.\n\nRelease and reception\n\"How Do I Get Close\" was first released on the Kinks' album UK Jive. UK Jive failed to make an impression on fans and critics alike, as the album failed to chart in the UK and only reached No. 122 in America. However, despite the failure of the album and the lead UK single, \"Down All the Days (Till 1992)\", \"How Do I Get Close\" was released as the second British single from the album, backed with \"Down All the Days (Till 1992)\". The single failed to chart. The single was also released in America (backed with \"War is Over\"), where, although it did not chart on the Billboard Hot 100, it hit No. 21 on the Mainstream Rock Tracks chart, the highest on that chart since \"Working At The Factory\" in 1986. \"How Do I Get Close\" also appeared on the compilation album Lost & Found (1986-1989).\n\nStephen Thomas Erlewine cited \"How Do I Get Close\" as a highlight from both UK Jive and Lost & Found (1986-1989).\n\nReferences\n\nThe Kinks songs\n1990 singles\nSongs written by Ray Davies\nSong recordings produced by Ray Davies\n1989 songs\nMCA Records singles" ]

[ "Take That", "1995-1996: Robbie Williams's first departure, break-up and Greatest Hits", "Why did Williams leave?", "Robbie Williams's drug abuse had escalated to a near drug overdose", "What was the result of this?", "I don't know.", "When did they break up?", "On 13 February 1996, Take That formally announced that they were disbanding.", "When did they release their greatest hits?", "This was followed by the Greatest Hits compilation in 1996,", "How did this album do?", "The single went on to become what was to be the band's final UK number one until their 2006 comeback a decade later." ]

[ "\"What Else Is There?\" is the third single from the Norwegian duo Röyksopp's second album The Understanding. It features the vocals of Karin Dreijer from the Swedish electronica duo The Knife. The album was released in the UK with the help of Astralwerks.\n\nThe single was used in an O2 television advertisement in the Czech Republic and in Slovakia during 2008. It was also used in the 2006 film Cashback and the 2007 film, Meet Bill. Trentemøller's remix of \"What Else is There?\" was featured in an episode of the HBO show Entourage.\n\nThe song was covered by extreme metal band Enslaved as a bonus track for their album E.\n\nThe song was listed as the 375th best song of the 2000s by Pitchfork Media.\n\nOfficial versions\n\"What Else Is There?\" (Album Version) – 5:17\n\"What Else Is There?\" (Radio Edit) – 3:38\n\"What Else Is There?\" (Jacques Lu Cont Radio Mix) – 3:46\n\"What Else Is There?\" (The Emperor Machine Vocal Version) – 8:03\n\"What Else Is There?\" (The Emperor Machine Dub Version) – 7:51\n\"What Else Is There?\" (Thin White Duke Mix) – 8:25\n\"What Else Is There?\" (Thin White Duke Edit) – 4:50\n\"What Else Is There?\" (Thin White Duke Remix) (Radio Edit) – 3:06\n\"What Else Is There?\" (Trentemøller Remix) – 7:42\n\"What Else Is There?\" (Vitalic Remix) – 5:14\n\nResponse\nThe single was officially released on 5 December 2005 in the UK. The single had a limited release on 21 November 2005 to promote the upcoming album. On the UK Singles Chart, it peaked at number 32, while on the UK Dance Chart, it reached number one.\n\nMusic video\nThe music video was directed by Martin de Thurah. It features Norwegian model Marianne Schröder who is shown lip-syncing Dreijer's voice. Schröder is depicted as a floating woman traveling across stormy landscapes and within empty houses. Dreijer makes a cameo appearance as a woman wearing an Elizabethan ruff while dining alone at a festive table.\n\nMovie spots\n\nThe song is also featured in the movie Meet Bill as characters played by Jessica Alba and Aaron Eckhart smoke marijuana while listening to it. It is also part of the end credits music of the film Cashback.\n\nCharts\n\nReferences\n\n2005 singles\nRöyksopp songs\nAstralwerks singles\nSongs written by Svein Berge\nSongs written by Torbjørn Brundtland\n2004 songs\nSongs written by Roger Greenaway\nSongs written by Olof Dreijer\nSongs written by Karin Dreijer", "In computer science, the Tak function is a recursive function, named after Ikuo Takeuchi (竹内郁雄). It is defined as follows:\n\ndef tak( x, y, z)\n if y < x\n tak( \n tak(x-1, y, z),\n tak(y-1, z, x),\n tak(z-1, x, y)\n )\n else\n z\n end\nend\n\nThis function is often used as a benchmark for languages with optimization for recursion.\n\ntak() vs. tarai()\nThe original definition by Takeuchi was as follows:\n\ndef tarai( x, y, z)\n if y < x\n tarai( \n tarai(x-1, y, z),\n tarai(y-1, z, x),\n tarai(z-1, x, y)\n )\n else\n y # not z!\n end\nend\n\ntarai is short for たらい回し tarai mawashi, \"to pass around\" in Japanese.\n\nJohn McCarthy named this function tak() after Takeuchi.\n\nHowever, in certain later references, the y somehow got turned into the z.\nThis is a small, but significant difference because the original version benefits significantly by lazy evaluation.\nThough written in exactly the same manner as others, the Haskell code below runs much faster.\n\ntarai :: Int -> Int -> Int -> Int\ntarai x y z\n | x <= y = y\n | otherwise = tarai(tarai (x-1) y z)\n (tarai (y-1) z x)\n (tarai (z-1) x y)\n\nOne can easily accelerate this function via memoization yet lazy evaluation still wins.\n\nThe best known way to optimize tarai is to use mutually recursive helper function as follows.\n\ndef laziest_tarai(x, y, zx, zy, zz)\n unless y < x\n y\n else\n laziest_tarai(tarai(x-1, y, z),\n tarai(y-1, z, x),\n tarai(zx, zy, zz)-1, x, y)\n end\nend\n\ndef tarai(x, y, z)\n unless y < x\n y\n else\n laziest_tarai(tarai(x-1, y, z),\n tarai(y-1, z, x),\n z-1, x, y)\n end\nend\n\nHere is an efficient implementation of tarai() in C:\nint tarai(int x, int y, int z)\n{\n while (x > y) {\n int oldx = x, oldy = y;\n x = tarai(x - 1, y, z);\n y = tarai(y - 1, z, oldx);\n if (x <= y) break;\n z = tarai(z - 1, oldx, oldy);\n }\n return y;\n}\nNote the additional check for (x <= y) before z (the third argument) is evaluated, avoiding unnecessary recursive evaluation.\n\nReferences\n\nExternal links\n\nTAK Function\n\nFunctions and mappings\nSpecial functions" ]

[ "Beck", "Guero and The Information (2004-07)" ]

[ "Güero may refer to:\n\nPeople\n El Güero Gil (d. 1999), nickname for Alfredo Gil, Mexican guitarist/vocalist, co-founder of trio Los Panchos and inventor of the Requinto guitar\n El Güero Jaibo (d. 1993), aka Juan Francisco Murillo Díaz, a member of the Tijuana Cartel\n El Güero Loco, one of the many aliases of Ivan Martin, a member of the Chicano Hip-hop group, Delinquent Habits.\n El Güero Palma, nickname for Héctor Luis Palma Salazar, a Mexican drug trafficker\n\nArts, entertainment, and media\n Guero (book) (\"Later\"), a 1643 Basque-language book by Pedro Agerre\nGuero Davila, a character in Queen of the South\n\nFilms\nEl Güero Estrada (1997), Mexican film directed by Gilberto De Anda and scored by Gustavo Ramírez Reyes\nGüeros (2014), Mexican film directed by Alonso Ruizpalacios\n\nMusic\nGuero (1970), a piano study by German composer Helmut Lachenmann\nGuero (2005), an album by Beck\nGuerolito (2005), a remix album by Beck, featuring all of the songs from Guero except for the hidden track, \"Send a Message to Her\"\nMatando Gueros (1993), an album by the Mexican metal-band Brujeria", "Guero is the ninth album by American musician Beck, released on March 29, 2005, by Interscope Records. It was produced with John King and Mike Simpson of the Dust Brothers, who had worked with Beck on his 1996 album Odelay, as well as Tony Hoffer.\n\nThe album was promoted with the singles \"E-Pro\", \"Girl\", and \"Hell Yes\", and debuted at number two on the US Billboard 200. To date, it is Beck's highest-charting album and had sold over 868,000 copies in the United States as of July 2008. It received positive reviews from critics.\n\nBackground\nGüero (pron. IPA ['wero]) means \"blond\" in Mexican Spanish, but can also refer to a light-skinned person. MTV described the term as being \"Mexican slang for a blond-haired, fair-skinned Caucasian\".\n\nBeck was raised in a prominently Chicano area of Los Angeles. In an interview with ABC's Nightline, Beck said the term \"guero\" was \"something that I'd hear growing up. Something I'd hear on the street, walking to school or something, I'd get called a 'Guero'. ... It's just a word that stuck in my head and I wanted to do something with that at some point. ... I ended up, in the end, just kind of doing this almost journalistic kind of look at that whole time.\"\n\nThe title of track 2, \"Qué Onda Guero\" (or \"¿Qué onda, güero?\"), is Mexican slang for \"what up, whitey?\"\n\nRecording\nThe album was recorded over a period of nine months, following a year and a half of touring in the aftermath of the September 11 attacks. Several other events contributed to the writing of the songs, including the suicide of Beck's friend Elliott Smith and Beck's impending child with wife Marissa Ribisi. The song \"Broken Drum\" is dedicated to Smith. More than 15 songs were considered for the final running order of the album.\n\n\"Hell Yes\" features spoken contributions from Christina Ricci, who happened to be in the studio at the time of recording. Beck and the Dust Brothers had spent weeks auditioning sushi waitresses around Los Angeles but chose Ricci after she \"tried it and just absolutely nailed it\". She is credited as \"Kurisuti-na\" in the album's liner notes.\n\nJack White of the White Stripes plays bass on \"Go It Alone\". Money Mark, solo artist and keyboardist for the Beastie Boys, plays the organ on \"Earthquake Weather\". Petra Haden, formerly of That Dog and the Rentals, provides an intricate backing vocal track for \"Rental Car\".\n\nRelease\nGuero was initially intended to be released on October 26, 2004, but was pushed back, due to delays with the artwork, mixing and music videos. An unmixed and un-mastered version of the album was leaked in January 2005, under the title Ubiquitous. The track listing differed slightly from the officially announced track listing of Guero. On February 1, Beck released the Hell Yes EP on iTunes, which included remixes of the title track and \"Que Onda Guero\" by 8-bit and \"E-Pro\" and \"Girl\" by Paza. On March 10, five songs from the forthcoming album were featured in an episode of The O.C.\n\nGuero was released on March 29. The album was released simultaneously in three formats: a standard 13-track CD, PlayStation Portable UMD and a deluxe CD/DVD edition. The latter featured seven bonus tracks, a surround sound mix and interactive video art for each song.\n\nLater in 2005, Beck released an album of Guero remixes called Guerolito, featuring remixes by Boards of Canada, Octet, the Beastie Boys' Ad-Rock and the Dust Brothers' John King.\n\n\"Black Tambourine\" was featured in the David Lynch film Inland Empire, the trailer for the film (500) Days of Summer, and episode 22 of season 4 of The Good Wife, as well as the 2006 video game Lumines II, and the video game Driver: San Francisco. \"Farewell Ride\" was featured in FX trailers promoting the final season of The Shield.\n\nReception\n\nCommercial\nGuero debuted on the Billboard 200 at No. 2, marking Beck's best chart performance to date, and sold 162,000 copies in its first week. It was certified gold by the RIAA on June 7, 2005.\n\nCritical\nGuero received generally positive reviews from critics, holding a Metascore of 78 on Metacritic. Several critics compared the album—either positively or negatively—to Beck's 1996 album Odelay, while others observed that such comparisons were inevitable but ultimately misguided.\n\nRob Sheffield of Rolling Stone called the album \"the first record since Odelay where Beck mixes up the medicine the way he did in his Nineties prime\". Contrasting the album with the \"wiseass charisma\" of his early albums, Sheffield noted that Beck now sounded \"like an extremely bummed-out dude who made it to the future and discovered he hates it there.\" David Browne of Entertainment Weekly called Guero \"alive and frisky\" when compared to its predecessor, Sea Change (2002), and called it Beck's \"most inviting, least off-putting work in years\", praising its \"slightly broader emotional range\". Browne stated that the album felt \"simultaneously familiar and new\" and was \"the first record on which the many moods and sides of Beck coexist\". Andy Gill of The Independent observed that \"Beck darts around the musical map like an animated flea,\" and praised the album's \"judicious blends of beats, riffs, songs and raps spiralling off in a variety of directions\". Gill highlighted the song \"Missing\" and its \"reflections on the essential patchwork incompleteness of life\", comparing it to Beck's work on the whole, \"which typically makes unorthodox wholes from diverse fragments.\"\n\nConversely, Rob Mitchum of Pitchfork gave the album a mixed review and compared the album extensively to Odelay, stating, \"one wonders whether Mr. Hansen's heart is in the proceedings, as many of the songs appear to be little more than weak echoes of their similar predecessors\". Mitchum concluded that \"the final result feels rote and calculated.\"\n\nThe album was included in the book 1001 Albums You Must Hear Before You Die.\n\nTrack listing\n\nSample credits\n\nPersonnel\n\nMusicians\nBeck – vocals (tracks 1–13), guitar (1–3, 5–6, 9–10, 13), bass guitar (1, 3, 5, 7–9, 12–13), additional sounds (2), slide guitar (3, 11, 13), intro programming (3), percussion (4, 11-13), tambourines (5), acoustic guitar (6, 8, 12), electric guitar (6, 12), harmonica (7, 9), vocoder (7), piano (8, 11), celesta (8), drums (8), beats (8, 11), keyboards (10), handclaps (10, 12–13), kalimba (11), 12-string guitar (12, 13), stomp (13) \nThe Dust Brothers – beats (1-7, 10, 12), handclaps (10)\nPaolo Díaz – \"dude\" (2)\nCharlie Capen – additional sounds (2)\nSean Davis – bass guitar (4)\nRoger Joseph Manning Jr. – Clavinet (6, 12)\nMoney Mark – organ (6)\nJustin Meldal-Johnsen – bass (6, 12), guitar sounds (12)\nJoey Waronker – drums (6)\nSmokey Hormel – electric guitar (6)\nChristina Ricci (as Kurisuti-na) – girl (7)\nJack White – bass guitar (10)\nPetra Haden – vocals (12)\n\nTechnical\nBeck – co-producer (1–13), engineer (1–13), mixing (1–13), string arranger (4, 13), art direction, design\nThe Dust Brothers – co-producers (1–7, 9–10, 12–13), engineers (1–7, 9–10, 12–13), mixing (1–7, 9–10, 12–13)\nDanny Kalb – engineer (1–7, 9–10, 12–13)\nMark Branch – assistant engineer (1–7, 9–10, 12–13)\nMike Laza – assistant engineer (1–7, 9–10, 12–13)\nBrad Breeck – sound designer (1–7, 9–10, 12–13)\nNigel Godrich – mixing (3)\nDan Grech-Marguerat – mixing engineer (3)\nTony Hoffer – co-producer, engineer, mixing (8, 11)\nJason Mott – assistant engineer (8, 11)\nBob Ludwig – mastering\nDavid Campbell – string arrangement (4, 13)\nKevin Reagan – art direction, design\nMarcel Dzama – artwork\nMelanie Pullen – photo\nAdam Levite – additional art, front cover layout\nElliot Scheiner – surround mix (deluxe edition)\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nCertifications\n\nReferences\n\nExternal links\n (standard edition)\nD-Fuse\n\nBeck albums\n2005 albums\nAlbums arranged by David Campbell (composer)\nAlbums produced by Tony Hoffer\nInterscope Records albums\nAlbums produced by Beck\nAlbums produced by the Dust Brothers\nAlbums with cover art by Marcel Dzama" ]

[ "Beck", "Guero and The Information (2004-07)", "Is Guero the name of an album?", "Guero, Beck's eighth studio album," ]

[ "Sixteen ships of the Royal Navy have been named HMS Success, whilst another was planned:\n\n was a 34-gun ship, previously the French ship Jules. She was captured in 1650, renamed HMS Old Success in 1660 and sold in 1662.\n HMS Success was a 24-gun ship launched in 1655 as . She was renamed HMS Success in 1660 and was wrecked in 1680.\n was a 6-gun fireship purchased in 1672 that foundered in 1673.\n was a store hulk purchased in 1692 and sunk as a breakwater in 1707.\n was a 10-gun sloop purchased in 1709 that the French captured in 1710 off Lisbon.\n was a 24-gun storeship launched in 1709, hulked in 1730, and sold in 1748. \n was a 20-gun sixth rate launched in 1712, converted to a fireship in 1739, and sold in 1743.\n was a 14-gun sloop launched in 1736; her fate is unknown.\n was a 24-gun sixth rate launched in 1740 and broken up in 1779.\n was a 14-gun ketch launched in 1754. Her fate is unknown.\n was a 32-gun fifth rate launched in 1781 that the French captured in 1801 but that the British recaptured the same year. She became a convict ship in 1814 and was broken up in 1820.\n was a 3-gun gunvessel, previously in use as a barge. She was purchased in 1797 and sold in 1802.\n was a 28 gun sixth rate launched in 1825, and captained by James Stirling in his journey to Western Australia. She was used for harbour service from 1832 and was broken up 1849.\n HMS Success was to have been a wood screw sloop. She was ordered but not laid down and was cancelled in 1863.\n was a launched in 1901 and wrecked in 1914.\n HMS Success was an launched in 1918. She was transferred to the Royal Australian Navy in 1919 and was sold in 1937.\n was an S-class destroyer launched in 1943. She was transferred to the Royal Norwegian Navy later that year and renamed . She was broken up in 1959.\n\nSee also\n , two ships of the Royal Australian Navy.\n\nCitations and references\nCitations\n\nReferences\n \n\nRoyal Navy ship names", "HMAS Success was an Admiralty destroyer of the Royal Australian Navy (RAN). Built for the Royal Navy during World War I, the ship was not completed until 1919, and spent less than eight months in British service before being transferred to the RAN at the start of 1920. The destroyer's career was uneventful, with almost all of it spent in Australian waters. Success was decommissioned in 1930, and was sold for ship breaking in 1937.\n\nDesign and construction\n\nSuccess was built to the Admiralty design of the S-class destroyer, which was designed and built as part of the British emergency war programme. The destroyer had a displacement of 1,075 tons, a length of overall and between perpendiculars, and a beam of . The propulsion machinery consisted of three Yarrow boilers feeding Brown-Curtis turbines, which supplied to the ship's two propeller shafts. Success had a maximum speed of , and a range of at . The ship's company was made up of 6 officers and 93 sailors.\n\nThe destroyer's primary armament consisted of three QF 4-inch Mark IV guns. These were supplemented by a 2-pounder pom-pom, two 9.5-inch howitzer bomb throwers, five .303 inch machine guns (a mix of Lewis and Maxim guns), two twin 21-inch torpedo tube sets, two depth charge throwers, and two depth charge chutes.\n\nSuccess was laid down by William Doxford and Sons Limited at their Sunderland shipyard in 1917. The destroyer was launched on 29 June 1918, and completed on 15 April 1919. The ship was briefly commissioned into the Royal Navy in April 1919, but was quickly marked for transfer to the RAN, along with four sister ships. Success was commissioned into the RAN on 27 January 1920.\n\nOperational history\n\nSuccess and three of her sister ships sailed for Australia on 20 February, visiting ports in the Mediterranean, India, Singapore, and the Netherlands East Indies before reaching Sydney on 29 April. Success operated in Australian waters until 6 October 1921, when she was placed in reserve. The destroyer was reactivated on 1 December 1925. In late May 1926, Success visited Port Moresby.\n\nDecommissioning and fate\nSuccess paid off on 21 May 1930. She was sold to Penguins Limited for ship breaking in 1937.\n\nCitations\n\nReferences\n\nS-class destroyers (1917) of the Royal Australian Navy\nShips built on the River Wear\n1918 ships" ]

[ "Beck", "Guero and The Information (2004-07)", "Is Guero the name of an album?", "Guero, Beck's eighth studio album,", "Was it a success?", "Guero debuted at number two on the Billboard 200, selling 162,000 copies, an all-time sales high." ]

[ "The Ultimate Live Experience was a European concert tour that was mostly in the United Kingdom that was through the month of March 1995. This tour was to promote the soon-to-be The Gold Experience that was released in September later than year. Much of the setlist was from Gold Experience and there was also Come and Exodus material. However, he did say that he wouldn't not perform his Prince stuff from 1978 to early 1993. However, he did perform \"I Love U in Me\" and \"7\" with some covers.\n\nAn extension of the tour known as the Gold Tour was launched in 1996. The concerts featured mainly songs from the album, but also started adding prior Prince fan favorites.\n\nHistory\nThe Ultimate Live Experience was performed during a chaotic period in Prince's life and career. He had much new music written but then record company Warner Brothers refused to release it at the speed that Prince wished, leading to public feuding. Meanwhile, Prince had already released the album Come with no promotion and was trying to get The Gold Experience released as well. During this time, he made many configurations of the album and this tour presents songs that he likely planned for the album (though not all would make the cut), as well as very rarely played cuts from the Prince period, with the exception of \"7\".\n\nWhile the previous year's Ultimate Live Experience tour presented Gold Experience prior to its release, the long overdue album had finally hit shelves in late 1995 and this tour was now a \"proper\" promotion. However, by this time, Prince had been playing some of the material for nearly two years and many of the songs were shortened to brief medleys. Conversely, Prince had formerly said he would not play \"Prince\" material anymore, but that idea was apparently tossed to the wind with this tour. Several fan-favorites such as \"The Cross\", \"Do Me, Baby\", and \"Sexy MF\" were regulars, along with the Gold material. Also, Prince started performing a cover of Joan Osborne's \"One of Us\", which he would include on his next album, Emancipation.\n\nSetlists\nSetlist of March 3, 1995, at the Wembley Arena, London, England \n\n \"Endorphinmachine\"\n \"The Jam\" (Includes \"The Exodus Has Begun\" lyric interpolation)\n \"Shhh\"\n \"Days of Wild\" (Includes snippets of \"Hair\")\n \"Now\" (Includes snippets of \"Babies Makin' Babies\")\n \"Get Up (I Feel Like Being a) Sex Machine\"\n \"Johnny\"\n \"The Most Beautiful Girl in the World\"\n \"P. Control\"\n \"Letitgo\"\n \"Pink Cashmere\"\n \"(Lemme See Your Body) Get Loose!\" (Unreleased remix of \"Loose!\")\n \"I Love U in Me\"\n \"Proud Mary\" (Includes \"I Can't Turn You Loose\" interpolation)\n Oriental prelude\n \"7\"\n \"Dolphin\"\n\nEncore \n\n \"Get Wild\"\n \"Race\"\n \"Super Hero\"\n Medley\n \"Billy Jack Bitch\"\n \"Eye Hate U\"\n \"319\"\n \"Gold\"\n\nTour dates\n\nReferences\n\nPrince (musician) concert tours\n1995 concert tours\n1996 concert tours", "The Subliminal Verses World Tour was a worldwide concert tour in 2004 and 2005 headlined by Slipknot in support of their third studio album Vol. 3: (The Subliminal Verses).\n\nPreparation\nBefore organizing the tour, Slipknot vocalist Corey Taylor commented that he was \"probably the most vocal of the guys who really didn’t feel good coming back to Slipknot\", and during the tour, he said that he was \"basically eating my words, eating a lot of crow this time around. [... But] it's really good. [...] It's good to be humbled and know you’re in a band that's fantastic.\"\n\nDuring the tour, the band's third studio album Vol. 3: (The Subliminal Verses) was approaching the platinum mark, and two of its tracks were nominated for the year's Grammy Awards (\"Duality\" for Best Hard Rock Performance and \"Vermilion\" for Best Heavy Metal Performance).\n\nPerformers\nAs is typical of the band, Slipknot members are masked and costumed when performing on stage. They received support at various stages of the tour from Fear Factory, Chimaira, Hatebreed and Shadows Fall. Slipknot also played as support to Metallica and Slayer.\n\nThe band Lamb of God also performed on the tour. When the tour arrived in Los Angeles on April 9, 2005 to perform at The Forum, Lamb of God was banned from opening for Slipknot because the church that owned the venue did not appreciate the band's old name of Burn the Priest.\n\nSet list\n\nTour dates\n\nReferences\n\nExternal links\n Slipknot\n\nSlipknot (band) concert tours\n2004 concert tours\n2005 concert tours" ]

[ "Beck", "Guero and The Information (2004-07)", "Is Guero the name of an album?", "Guero, Beck's eighth studio album,", "Was it a success?", "Guero debuted at number two on the Billboard 200, selling 162,000 copies, an all-time sales high.", "Did he tour during the time of this album?", "I don't know." ]

[ "Absolute OpenBSD: Unix for the Practical Paranoid is a comprehensive guide to the OpenBSD operating system by Michael W. Lucas, author of Absolute FreeBSD and Cisco Routers for the Desperate. The book assumes basic knowledge of the design, commands, and user permissions of Unix-like operating systems. The book contains troubleshooting tips, background information on the system and its commands, and examples to assist with learning.\n\n1st edition \n\nThe first edition was released in June 2003. Some of the information in the book became outdated when OpenBSD 3.4 was released only a few months later.\n\n2nd edition \n\nThe second edition was released in April 2013. Peter N. M. Hansteen, author of The Book of PF, was the technical reviewer.\n\nExternal links\n\nReferences \n\nOpenBSD\n2003 non-fiction books\nNo Starch Press books\nBooks about free software\nBooks on operating systems", "The Career Guide to Industries was a publication of the United States Department of Labor's Bureau of Labor Statistics that included information about the nature of the industry, working conditions, training and education, earnings, and job outlook for workers in dozens of different industries. The Career Guide was released biennially with its companion publication the Occupational Outlook Handbook.\n\nIt is no longer an independent product and similar information is to be found in other publications, in particular: information about current and projected occupational employment within industries and information about current and projected industry employment for occupations.\n\nThe 2006-07 edition was released in December 2005 and included employment projections for the period 2004–2014. The 2010-11 edition printed by Claitors Publishing Division was released in August 2010.\n\nReferences\n\nExternal links\n\nEconomics publications\nUnited States Department of Labor publications" ]

[ "Beck", "Guero and The Information (2004-07)", "Is Guero the name of an album?", "Guero, Beck's eighth studio album,", "Was it a success?", "Guero debuted at number two on the Billboard 200, selling 162,000 copies, an all-time sales high.", "Did he tour during the time of this album?", "I don't know.", "When was The Information released?", "I don't know." ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Panda Bear (musician)", "Animal Collective" ]

[ "Keep + Animal Collective is the sixth EP by experimental pop band Animal Collective, released on the March 26, 2011 on cassette. Bundled with a range of shoes designed by the band, Keep + Animal Collective contains one solo song from each member of the group.\n\nThe EP was released in limited quantities and was only sold in a bundle with the Keep + Animal Collective shoes on a first-come, first-served basis.\n\n\"The Preakness\" was later included on the deluxe edition of Tomboy, and an alternate version was included on the Crosswords EP.\n\nTracklisting\n\nReferences \n\n2010 EPs\nAnimal Collective EPs", "\"FloriDada\" is a song by Animal Collective, released as the first single from their 2016 album Painting With. It was released on November 30, 2015 by Domino Records. Avey Tare explained that the song was \"sort of inspired by hating on people from Florida. I was driving in L.A. and flipping through the radio dial and came across a morning radio show where they're just talking all the time. They had a segment called, like, 'Dumb Things People Are Doing In Florida.' It kind of bothered me. ... Everybody—they kind of agree that Florida's such a weird place, know what I mean? But in a way, that's part of the charm of it.\"\n\nMusic video\nA music video was released on January 8, 2016. It was produced and directed by the Brooklyn, New York artist collective PFFR. The video had its television premiere on Adult Swim's Toonami block on January 9, 2016.\n\nReferences\n\nAnimal Collective songs\nDomino Recording Company singles\n2015 songs\nSongs about Florida\n2015 singles" ]

[ "Panda Bear (musician)", "Animal Collective", "What was the Animal Collective?", "The band then became more collaborative in nature and they finally settled on the name \"Animal Collective" ]

[ "Sagawa Express Osaka Soccer Club(佐川急便大阪サッカー部) was a Japanese football club based in Higashisumiyoshi-ku, Osaka.\n\nHistory \nThey were founded in 1965 and played in the Japan Football League (JFL) from 2002 to 2007, when they merged with Sagawa Express Tokyo S.C. to form what is now Sagawa Shiga F.C. As the name implies they were run by Sagawa Express, a Japanese transportation business.\n\nPrior to joining the JFL the team played in the Kansai Soccer League, in which they won four championships. They joined the JFL in 2002, one year after their Tokyo counterparts did. They did not repeat their earlier success after the switch. In 2007 the team announced the merger with Sagawa Express Tokyo to form Sagawa Express S.C., now Sagawa Shiga F.C., based in Shiga Prefecture.\n\nHonors \n Kansai Soccer League: 4\n1997, 1998, 2000, 2001\n\nExternal links\n Hikyaku Kaido (in Japanese)\n \n\nAssociation football clubs established in 1965\nAssociation football clubs disestablished in 2007\nDefunct football clubs in Japan\n1965 establishments in Japan\n2007 disestablishments in Japan\nJapan Football League clubs", "Gloria! is the eighth studio album released by American singer-songwriter Gloria Estefan, released on June 2, 1998, by Epic Records.\n\nBackground\nGloria! is a dance and house album which was a departure from Estefan's previous works. Though dance elements had been featured in previous recordings, this was her first album to consist entirely of upbeat club music.\n\nThe album spawned four singles and one promotional single. \"Heaven's What I Feel\" was released as the first single from the album and peaked at number 27 on the Billboard Hot 100. \"Oye!\" was released as the second single from the album, however, its release as a physical single was canceled in the United States. The song peaked at number 1 on the Hot Dance Music/Club Play, Hot Latin Tracks, and the Latin Tropical/Salsa Airplay charts. \"Don't Let This Moment End\" was released as the third single from the album and peaked at number 76 on the Billboard Hot 100. In Spain, \"Cuba Libre\" was released as a fourth single and \"Don't Stop\" was released promotionally. Though they did not feature any tracks from Gloria!, the extended plays \"Bailando!\" and \"Partytime!\" were released exclusively at Target stores as a form of promotion for the album.\n\nSeveral nominations were received for the album's singles. \"Heaven's What I Feel\" received a Grammy Music Award nomination for \"Best Dance Recording\", as did \"Don't Let This Moment End\" the following year. Estefan received a Grammy nomination for \"Best Video, Long Form\" for the album's supplementary DVD Don't Stop!. Estefan received the Billboard Latin Music Award for \"Best Latin Dance Club Play Track of the Year\" for \"Oye!\" and received an Alma Award for the music video for \"Heaven's What I Feel\".\n\nTrack listing\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nCertifications and sales\n\nAccolades\n\nRelease history\n\nReferences\n\n1998 albums\nGloria Estefan albums\nDance music albums by American artists\nAlbums produced by Emilio Estefan" ]

[ "Panda Bear (musician)", "Animal Collective", "What was the Animal Collective?", "The band then became more collaborative in nature and they finally settled on the name \"Animal Collective", "What year did they form?", "2000." ]

[ "Attacco Decente were a musical group from Brighton, England, active from 1984 to 1996.\n\nThe band was notable for using unusual acoustic instruments such as hammered dulcimers, Appalachian dulcimers, and tongue drums alongside more conventional instruments such as acoustic guitar and acoustic bass guitar. Their founder member and sole constant was Geoff Smith. Their lyrics, written by Smith, reflected a strong socialist political stance, especially on the early singles and the first album. Although the band were active at the height of Thatcherism, they did not participate in the more moderate Red Wedge collective.\n\nThe band's first single, \"Trojan Horse\", featured Smith and Graham Barlow. Acoustic guitarist and backing vocalist Mark Allen joined and they released a 12\" EP, \"U.K.A. (United Kingdom of America)\", the sleeve of which featured an endorsement from Billy Bragg.\n\nThe band released their debut album, The Baby Within Us Marches On, in 1988. Barlow left after the release of the \"I Don't Care How Long It Takes\" single. Smith and Allen recorded the band's second and last album, Crystal Night, as a duo. The band's sound changed somewhat in this incarnation, with the heavily percussive sound of the trio line-up replaced by a mellower, folky feel. There was less emphasis on the tongue drums and more on the hammered dulcimer and Allen's guitar, which took on a markedly flamenco aspect. Smith's lyrics became less overtly political, and more concerned with love and personal relationships.\n\nThe band split after the Crystal Night album. Smith continued as a solo performer and composer, creating music for film and dance. Allen is now a teacher, but has also continued to work as a singer and guitarist in a number of groups.\n\nDiscography\n\nSingles and EPs\n\"Trojan Horse\"/\"Storms Clear the Air\" (Timber, 1984)\n\"U.K.A. (United Kingdom of America)\" (All or Nothing, 1986) – tracks: \"The Law Above The Law\", \"U.K.A.\", \"Dad Hits Mum\", \"Touch Yourself\", \"All Or Nothing\")\n\"The Will of One\" (All or Nothing; 7\", 12\", CD, 1988) – tracks on 7\": \"The Will of One\" (short version), \"One Mountain, One Checkpoint, One Chance\"; tracks on 12\" and CD: \"The Will of One\" (short version), \"The Will of One\" (long version), \"One Mountain, One Checkpoint, One Chance\", \"Together in a Bed of Blossom\")\n\"I Don't Care How Long It Takes\" (All or Nothing; 7\", 12\", CD, 1988) – tracks on 12\" and CD: \"I Don't Care How Long It Takes\" (7\" version), \"I Don't Care How Long It Takes\" (Hammer House Mix), \"Tears of Blood\", \"Don't Join Their Army\")\n\nAlbums\nThe Baby Within Us Marches On (All or Nothing; LP, CD, 1988)\nCrystal Night (All or Nothing; cassette, CD, 1996)\n\nMusical groups from Brighton and Hove\nEnglish folk musical groups\nHammered dulcimer players", "\"How Long, How Long Blues\" (also known as \"How Long Blues\" or \"How Long How Long\") is a blues song recorded by the American blues duo Leroy Carr and Scrapper Blackwell in 1928. It became an early blues standard and its melody inspired many later songs.\n\nOriginal song\n\"How Long, How Long Blues\" is based on \"How Long Daddy\", recorded in 1925 by Ida Cox with Papa Charlie Jackson. On June 19, 1928, Leroy Carr, who sang and played piano, and guitarist Scrapper Blackwell recorded the song in Indianapolis, Indiana, for Vocalion Records, shortly after they began performing together. It is a moderately slow-tempo blues with an eight-bar structure. Carr is credited with the lyrics and music for the song, which uses a departed train as a metaphor for a lover who has left:\n\nCarr's and Blackwell's songs reflected a more urban and sophisticated blues, in contrast to the music of rural bluesmen of the time. Carr's blues were \"expressive and evocative\", although his vocals have also been described as emotionally detached, high-pitched and smooth, with clear diction.\n\n\"How Long, How Long Blues\" was Carr and Scrapwell's biggest hit. They subsequently recorded six more versions of the song (two of them, unissued at the time), as \"How Long, How Long Blues, Part 2\", \"Part 3\", \"How Long Has That Evening Train Been Gone\", \"The New How Long, How Long Blues\", etc. There are considerable variations in the lyrics, but most versions begin with the lyric \"How long, how long, has that evening train been gone?\"\n\nLegacy\n\"How Long, How Long Blues\" became an early blues standard and \"its lilting melody inspired hundreds of later compositions\", including the Mississippi Sheiks' \"Sitting on Top of the World\" and Robert Johnson's \"Come On in My Kitchen\". Although his later style would not suggest it, Muddy Waters recalled that it was the first song he learned to play \"off the Leroy Carr record\".\n\nIn 1988, Carr's \"How Long, How Long Blues\" was inducted into the Blues Hall of Fame in the category \"Classics of Blues Recordings – Singles or Album Tracks\". Blues historian Jim O'Neal commented in the induction statement, \"'How Long, How Long Blues' was a massive hit in the prewar blues era, a song that every blues singer and piano player had to know, and one that has continued to inspire dozens of cover versions.\" In 2012, the song received a Grammy Hall of Fame Award, which \"honor[s] recordings of lasting qualitative or historical significance\".\n\nSee also\nList of train songs\n\nReferences\n\nBlues songs\n1928 songs\nGrammy Hall of Fame Award recipients\nVocalion Records singles\nSongs about trains" ]

[ "Panda Bear (musician)", "Animal Collective", "What was the Animal Collective?", "The band then became more collaborative in nature and they finally settled on the name \"Animal Collective", "What year did they form?", "2000.", "How long were they active?", "I don't know." ]

[ "Keep + Animal Collective is the sixth EP by experimental pop band Animal Collective, released on the March 26, 2011 on cassette. Bundled with a range of shoes designed by the band, Keep + Animal Collective contains one solo song from each member of the group.\n\nThe EP was released in limited quantities and was only sold in a bundle with the Keep + Animal Collective shoes on a first-come, first-served basis.\n\n\"The Preakness\" was later included on the deluxe edition of Tomboy, and an alternate version was included on the Crosswords EP.\n\nTracklisting\n\nReferences \n\n2010 EPs\nAnimal Collective EPs", "\"Fireworks\" is the second single from Animal Collective's 2007 album, Strawberry Jam, released November 5, 2007 by Domino Records. Rather than including a B-side, the reverse side of the record is an etching. The video for the song premiered in July 2007, which shows the band members watching fireworks. During the tours of 2005 and 2006 this song was known as \"Allman Vibe\".\n\nThe song was listed at No. 35 on Pitchfork Media's top 500 songs of the 2000s.\n\nWhen performed live between 2007 and 2009, the song often stretched upwards of ten minutes with the addition of elements of either \"Essplode\" or \"Lablakely Dress\", two songs from the band's earlier album Danse Manatee.\n\nThis song appeared in the Channel 4 drama series Skins in 2007, and in an episode of the third season of HBO series In Treatment in 2010.\n\nTrack listing\n\n2007 singles\nAnimal Collective songs\n2007 songs\nDomino Recording Company singles" ]

[ "Panda Bear (musician)", "Animal Collective", "What was the Animal Collective?", "The band then became more collaborative in nature and they finally settled on the name \"Animal Collective", "What year did they form?", "2000.", "How long were they active?", "I don't know.", "How many band members are in Animal Collective?", "four" ]

[ "Fonds commun de placement translates to \"investment funds\" or \"mutual funds\", and are open-ended collective investment funds based that are neither trust or company law based. They are similar to common contractual funds in Ireland, tax transparent funds in the UK and \"fondsen voor gemene rekening\" in the Netherlands.\n\nIn France, commonly referred to as FCP or F.C.P., these financial instruments are collective investments that are similar to the SICAV. They are not investment companies; they are more like open partnerships. They have no independent legal status but exist as a set of defined relationships between investors, managers and custodian. They invest in different financial instruments, but they do not have the tax status of the SICAV.\n\nThey are typically issued in the French-speaking countries of Europe.\n\nSee also \n Common fund\n Collective investment scheme\n\nReferences \n\nInvestment funds", "Tangerine Reef is the second visual album by American experimental pop band Animal Collective, released on August 17, 2018, through Domino. It is the band's first full-length release without Panda Bear, and was made in collaboration with art-science duo Coral Morphologic and in celebration of the International Year of the Reef. It was the band’s first visual album since 2010’s ODDSAC. The album is accompanied by a film, which premiered on the band's website upon release.\n\nBackground and recording\nTangerine Reef is the product of longtime collaborations between Animal Collective and Coral Morphologic, an art-science duo consisting of marine biologist Colin Foord and musician J.D. McKay. The two groups first met in 2010 at a screening of Animal Collective's ODDSAC, when Coral Morphologic gave Deakin a DVD consisting of their work. The members of Animal Collective were impressed by the footage and reached out, leading to several collaborations, such as Geologist soundtracking Coral Morphologic's 2011 short film Man o War, and Foord providing spoken word on Avey Tare's solo album Eucalyptus. The two groups have also gone scuba diving together.\n\nThe genesis of Tangerine Reef came in February 2017 at an art exhibition called \"Coral Orgy\", hosted at New World Center in Miami, where Animal Collective performed over video projections made by Coral Morphologic. Material from Tangerine Reef was also played live in May 2018 during a performance at David Lynch's Festival of Disruption in Brooklyn. The band recorded the initial performance with the intent of releasing it as a live album, but found the recording \"unusable\" due to crowd noise. Rather than abandon the project, the band got together at a Baltimore studio run in part by Deakin and \"took a few days and did four or five run-throughs of the Miami set.\" To recapture the feel of the original performance, the album was recorded live and with no overdubs. The recording was then sent to Coral Morphologic to provide the video component. Animal Collective thought it could simply be paired with the video they originally performed to, but Coral Morphologic felt they needed to re-shoot parts of it.\n\nThe album features the standard lineup of the band with the exception of Panda Bear, the band's first full-length release to do so. Panda Bear also did not feature in the live performances of the music. His absence is due to distance, as he lives in Portugal.\n\nThe project commemorates the 2018 International Year of the Reef, and is intended to draw public attention to the issue of coral reef conservation. According to Geologist, the band hopes that \"Animal Collective fans and beyond will see this footage and be inspired to care about the ocean and care about coral reefs and do what they can.\" For Foord, \"the point is to introduce corals into pop culture\", with the aim of speaking to people who would otherwise not have interest in corals.\n\nThe band cited the experimental film Koyaanisqatsi as an influence on the album. The work of filmmaker Jean Painlevé, and the documentary film Powers of Ten, were named by Foord as inspirations for the filmmakers.\n\nRelease\nAnimal Collective announced Tangerine Reef on July 16, 2018, alongside a pre-order of the album and the release of the first single \"Hair Cutter\", which was accompanied by a music video released exclusively on Apple Music and directed by John McSwain and Coral Morphologic. The album's accompanying film premiered on the band's website on the same day of its release on August 17, 2018.\n\nCritical reception\n\nAt Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Tangerine Reef received an average score of 60, based on 18 reviews, indicating \"generally favorable reviews\". Alex Hudson from Exclaim! gave the album a mixed review, saying, \"For fans of Animal Collective's trippier inclinations, Tangerine Reef is a pleasant bit of oceanic escapism. For new listeners or anyone looking for the next \"My Girls,\" this is decidedly inessential.\" Erik Adams of The A.V. Club wrote, \"The record captures all the noodling self-indulgence that makes the psych-poppers such a maddeningly inconsistent live act. But Tangerine Reef is an incomplete object in this form: It's accompaniment, not feature presentation, the drowsy soundtrack to the iridescent undersea visuals of Australian filmmakers Coral Morphologic.\"\n\nPopMatters critic Chris Ingalls stated, \"Tangerine Reef is a project that may likely polarize Animal Collective fans, and it may not be an ideal jumping-off point for anyone looking to discover this unique band, but it's a worthy addition to their catalog, and it supports a supremely important cause in this day and age.\" Pitchforks Sasha Geffen wrote, \"Without Panda Bear on board, Animal Collective lose the pop edge that has resulted in their most commercially successful music, but this isn't a project for scoring hits. It's a meditative, hypnotic experience, and it's not without the sense of playfulness that has driven Animal Collective throughout their career.\" Emily Mackay of The Observer criticized the album, saying \"AC plumb depths of paucity more than subtlety in this wilfully desolate expanse of dispassionate vocals and vague, awkward ambience.\"\n\nTrack listing\n\nPersonnel\n Avey Tare\n Deakin\n Geologist\n\nCharts\n\nRelease history\n\nReferences\n\nExternal links\n Official website\n\n2018 albums\nAnimal Collective albums\nDomino Recording Company albums" ]

[ "Panda Bear (musician)", "Animal Collective", "What was the Animal Collective?", "The band then became more collaborative in nature and they finally settled on the name \"Animal Collective", "What year did they form?", "2000.", "How long were they active?", "I don't know.", "How many band members are in Animal Collective?", "four", "What instruments do they play in Animal Collective?", "electronic music styles such as house and techno," ]

[ "The No Sound Without Silence Tour is the third arena tour by Irish pop rock band The Script. Launched in support of their fourth studio album No Sound Without Silence (2014), the tour began in Tokyo on 16 January 2015 and visited Europe, North America, Asia, Africa and Oceania. The opening acts were American singer Phillip Phillips for the South African dates, and English singer Tinie Tempah for the European dates. Pharrell Williams served as a co-headliner for the Croke Park concert on 20 June 2015.\n\nOpening acts\nColton Avery (Europe, North America, Australia, Philippines, Thailand, Malaysia)\nMary Lambert (North America)\nPhillip Phillips (South Africa)\nSilent Sanctuary (Philippines)\nTinie Tempah (Europe)\nPharrell Williams (Dublin)\nThe Wailers (Dublin)\nThe Sam Willows (Singapore)\nKensington (Band) (Europe)\n\nSetlist\nThis setlist is based on previous performances of the tour.\n\n \"Paint the Town Green\"\n \"Hail Rain or Sunshine\"\n \"Breakeven\"\n \"Before the Worst\"\n \"Superheroes\"\n \"We Cry\"\n \"If You Could See Me Now\"\n \"Man on a Wire\"\n \"Nothing\"\n \"Good Ol' Days\"\n \"Never Seen Anything (Quite Like You)\"\n \"The Man Who Can't Be Moved\"\n \"You Won't Feel A Thing\"\n \"It's Not Right For You\"\n \"Six Degrees of Separation\"\n \"The Energy Never Dies\"\n \"For the First Time\"\n \"No Good in Goodbye\"\n \"Hall of Fame\"\n\nAdditional information\nDuring the performance in Sheffield, The Script didn't perform \"We Cry\" due to a fan collapsing. Danny called for Paramedic to check on her, she was fine and they carried on.\n\nDuring the performance in Barcelona, The Script didn't perform \"The End Where I Begin\" or \"Nothing\". They also did not perform \"Six Degrees Of Separation\" and \"It's Not Right For You\".\n\nDuring the performance in Oakland, The Script didn't perform \"The End Where I Begin\", \"We Cry\", or \"Six Degrees of Separation\".\n\nDuring the performance in Toronto, The Script did not perform \"The End Where I Begin\" and \"Six Degrees of Separation\".\n\nDuring the performance im Hamburg, The Script did not perform \"Nothing\" and \"Never Seen Anything (Quite Like You)\".\n\nTour dates\n\nNotes\n\nReferences\n\n2015 concert tours\nThe Script concert tours", "Peter George \"Peet\" Coombes (1952–1997) was an English guitarist, vocalist and songwriter. He was the lead singer and primary songwriter of the group The Tourists, the first charting band to feature guitarist Dave Stewart and singer Annie Lennox, later to gain greater fame as the duo Eurythmics.\n\nThe Catch and The Tourists\nCoombes was born in Bradford, England, but spent most of his early life in Sunderland, where he met Dave Stewart. Stewart introduced Coombes to Annie Lennox, whom he had met when she was working in a London restaurant. In 1976 the three formed a post-disco band called The Catch, which released one single \"Borderline/Black Blood\" that failed to chart. The band renamed itself The Tourists, adding bassist Eddie Chin and drummer Jim Toomey. Coombes played guitar, sang and wrote most of the Tourists' original songs.\n\nAfter releasing their third album in 1980 the band dissolved. Dave Stewart was keen to move from the Tourists' guitar-based new wave sound to explore synthesiser-led pop and formed Eurythmics with Annie Lennox.\n\nPost-Tourists\nPeet Coombes and Eddie Chin started a group called Acid Drops but it did not release recorded material. Coombes moved to London and did not perform during most of the 1980s. In 1992 he moved to Cornwall and created the band Diminished Responsibility with amateur producer and bassist Andy Brown, his wife Cathy and with Dave Farghally on drums. The band did not release any recordings.\n\nIn the 1990s his health deteriorated and by late 1996 he could no longer perform. He died in 1997 due to cirrhosis of the liver related to long term heavy consumption of alcohol. He was 45 years old.\n\nCoombes' sons Joey and Robin Coombes formed the hip hop group Task Force.\n\nReferences\n\nExternal links\n\n1952 births\n1997 deaths\nEnglish rock guitarists\nEnglish male guitarists\nEnglish new wave musicians\nEnglish songwriters\nPeople from Sunderland\n20th-century English musicians\n20th-century British guitarists\n20th-century British male musicians\nThe Tourists members\nDeaths from cirrhosis\nAlcohol-related deaths in England\nBritish male songwriters" ]

[ "Panda Bear (musician)", "Animal Collective", "What was the Animal Collective?", "The band then became more collaborative in nature and they finally settled on the name \"Animal Collective", "What year did they form?", "2000.", "How long were they active?", "I don't know.", "How many band members are in Animal Collective?", "four", "What instruments do they play in Animal Collective?", "electronic music styles such as house and techno,", "Where did the band perform?", "I don't know." ]

[ "is a Japanese punk rock band that formed in 2009.\n\nBiography \n\nThe band formed in December 2009, and was made up of students from Kwansei Gakuin University's music club in Nishinomiya. After finding it difficult to find full-time employment, the members decided to form the band. For three of the members, this was the fourth time they had formed a band. Seiya Yamasaki and Kazuma Okazawa were originally from a band called , which formed at Kwansei Gakuin University and was active in 2008 and 2009. Keyboardist Shinnosuke Yokota was originally from a band called Blank Map, and drummer Taisuke Sogō from a band called . The band took their name from an accessory from the game Final Fantasy X-2, , which was translated as \"cat nip\" in the English version of the game. The name is a reference to the Japanese proverb .\n\nIn 2010, the band started performing at live houses across the Kansai area. In March 2012, the band released their first album Jūdai de Dashitakatta, followed by Daiji na Oshirase in December. The band entered the Rockin' On Japan web competition Ro69Jack 2011, and were one of 14 prize winning bands.\n\nThe band's 2013 extended play We Are Indies Band!! was successful, debuting in the top 20 of Oricon's albums charts. On April 1, 2014, it was announced that Kyuso Nekokami signed with major label Victor Entertainment, where they released Change the World in June.\n\nThe band has also toured in Asia.\n\nMembers \n is the band's main vocalist and guitarist. His name in kanji is , and he is originally from Gobō, Wakayama.\n is the band's keyboardist and occasional vocalist.\n is the band's guitarist. His name in kanji is , and he is originally from Nishiki-chō in Sasayama, Hyōgo.\n is the band's bassist, who joined the band on November 25, 2011 after Hagane-maru left.\n is the band's drummer.\n\nFormer member \n is the band's former bassist, who left on November 25, 2011 to be replaced by Takurō Kawakubo.\n\nDiscography\n\nStudio albums\n\nExtended plays\n\nSingles\n\nPromotional singles\n\nVideo albums\n\nNotes\n\nReferences\n\nExternal links \n\n Official website\n Official Victor label site\n\n2009 establishments in Japan\nJapanese indie rock groups\nJapanese punk rock groups\nMusical groups established in 2009\nMusical groups from Hyōgo Prefecture\nMusical quintets\nVictor Entertainment artists", "The Pilot EP was the first official release by British rock band Reuben. This recording was with the original Reuben line up, including Mark Lawton on drums. It was recorded in the summer of 2000 at Backline studios in Guildford with ex Redwood guitarist Rob Blackham. The band had met Rob at Guildford festival, where he urged them to record a demo of some sort, so they set about recording five songs in four days. The EP was released on the Badmusic label in January 2001. The initial run was of 500 copies, which sold out fairly fast, but it is regularly repressed and is available at shows and by mail order. It was reviewed in Kerrang! by members of Taproot, and received a KKKK rating, despite being described as 'cheesey' by the singer.\n\nTrack listing\n\"Alpha Signal Seven\"\n\"Words From Reuben\"\n\"Crimson\"\n\"Death Of A Star\"\n\"Shambles\" (hidden track only on the first 500 copies - click for free download from the band's official site)\n\nPersonnel\nJamie Lenman: Guitar, Vocals\nJon Pearce: Bass Guitar\nMark Lawton: Drums\n\nMiscellanea\nAlpha Signal Seven gained the band an early following by being played by DJ Steve Lamacq a number of times by the on his BBC Radio 1 show. It was also the track that convinced Badmusic to put out the EP.\nWords From Reuben was the song the band named themselves after. The title makes reference to receiving a letter from an old friend; 'Reuben' having been the first friend that Jamie ever made. It was decided to shorten the band name to just 'Reuben', because the band cited the longer version as 'way too emo'. The song was the first to be written with drummer Mark in the band. It was also featured on the Farnborough Groove Volume 9 compilation. The funny phased guitar sounds heard on the song were originally just for fun but were left in when the band ran out of time to mix.\nCrimson is said by the band to be \"a failed attempt to sound like the Deftones\". This is a big live favourite and was played a couple of times on XFM around the time of the initial EP release.\nDeath of a Star was written when the band were named Angel and with drummer and producer Jason Wilson, the song was a favourite of the band's at the time. It used to be the standard set-opener from their days at the Tumbledown.\nThe first pressing of the EP (the first 500 copies) included a secret track, 'Shambles'. The track can be downloaded in full at the band's website.\nReuben where unsure of whether or not they had enough money to record the EP, but decided to go for it after they won £100 in a 'battle of the bands' competition staged in Bookham barn hall in front of a panel of twelve year olds.\nThe band changed their name from 'Angel' to 'Reuben' just before the release, for fear that it might get overlooked if it were under a different name.\n Fleet/Farnborough-based alternative rock band Pilot:X took their name from this EP. The band are also heavily influenced by Reuben, citing them as one of their main inspirations.\n\n2001 EPs\nReuben (band) albums" ]

[ "Panda Bear (musician)", "Animal Collective", "What was the Animal Collective?", "The band then became more collaborative in nature and they finally settled on the name \"Animal Collective", "What year did they form?", "2000.", "How long were they active?", "I don't know.", "How many band members are in Animal Collective?", "four", "What instruments do they play in Animal Collective?", "electronic music styles such as house and techno,", "Where did the band perform?", "I don't know.", "Where was the band from?", "2000." ]

[ "Monkey Been to Burn Town is an EP by experimental pop band Animal Collective, released on May 27, 2013 on Domino. The release features three remixes of the track, \"Monkey Riches\", from the band's ninth studio album, Centipede Hz (2012), and one remix of \"New Town Burnout\" from the same album.\n\nReception\nWriting for Pitchfork, Mark Richardson gave the EP a mixed review, but praised Shabazz Palaces' contribution, stating: \"The Shabazz Palaces cut is easily the most interesting song here, and seems to be the one you might still be pulling out once in a while in another six months. Considering that the EP, with three versions of the same song in a row, isn’t really meant to be heard as a whole, getting one truly intriguing track out of it isn’t such a bad deal.\"\n\nTrack listing\n\nReferences\n\n≤\n\n2013 EPs\nAnimal Collective EPs\nDomino Recording Company EPs\nRemix EPs", "\"How Interesting: A Tiny Man\" is a 2010 science fiction/magical realism short story by American writer Harlan Ellison. It was first published in Realms of Fantasy.\n\nPlot summary\nA scientist creates a tiny man. The tiny man is initially very popular, but then draws the hatred of the world, and so the tiny man must flee, together with the scientist (who is now likewise hated, for having created the tiny man).\n\nReception\n\"How Interesting: A Tiny Man\" won the 2010 Nebula Award for Best Short Story, tied with Kij Johnson's \"Ponies\". It was Ellison's final Nebula nomination and win, of his record-setting eight nominations and three wins.\n\nTor.com calls the story \"deceptively simple\", with \"execution (that) is flawless\" and a \"Geppetto-like\" narrator, while Publishers Weekly describes it as \"memorably depict(ing) humanity's smallness of spirit\". The SF Site, however, felt it was \"contrived and less than profound\".\n\nNick Mamatas compared \"How Interesting: A Tiny Man\" negatively to Ellison's other Nebula-winning short stories, and stated that the story's two mutually exclusive endings (in one, the tiny man is killed; in the other, he becomes God) are evocative of the process of writing short stories. Ben Peek considered it to be \"more allegory than (...) anything else\", and interpreted it as being about how the media \"give(s) everyone a voice\", and also about how Ellison was treated by science fiction fandom.\n\nReferences\n\nExternal links\nAudio version of ''How Interesting: A Tiny Man, at StarShipSofa\nHow Interesting: A Tiny Man, at the Internet Speculative Fiction Database\n\nNebula Award for Best Short Story-winning works\nShort stories by Harlan Ellison" ]

[ "Daniel Barenboim", "Musical style" ]

[ "Ma Shilong (1594–1634), courtesy name Yuancang, was a Hui Muslim general in the Ming dynasty. He was born in 1594 in what is now called Ningxia. He was a protégé of Sun Chengzong.\n\nHe started his career as Provincial Level Knight, and served as Youji General in Xuanfu (nowadays Xuanhua, Hebei). He is responsible for the loss in Campagne of Liuhe in the 5th year of Tianqi (1625). In the 7th year of Chongzhen (1634), he died of illness.\n\nReferences \n\n1594 births\n1634 deaths\nMing dynasty generals", "Col. John Reading was the first white landowner in Hunterdon County, New Jersey. His son, Governor John Reading was the first native-born Governor of New Jersey, serving in 1747, and again in from September 1757 to June 1758.\n\nBorn in England, Colonel Reading emigrated to Gloucester, in what was then the Province of New Jersey in approximately 1684. He was a member of the assembly and was Clerk of Gloucester county from 1688–1702. Along with two others, he was commissioned by the Provincial Council of West Jersey to purchase land from the Native Americans which encompassed between the Raritan and Delaware rivers. He served as a judge of the Supreme Court of the Province starting in 1712. He died in Amwell Township, New Jersey in 1717.\n\nReferences\n\nExternal links\n Reading Family Biography\n\nYear of birth missing\nYear of death missing\nPeople from Hunterdon County, New Jersey" ]

[ "Daniel Barenboim", "Musical style", "What year was he born in?", "I don't know." ]

[ "Ondref Krajnak is a Slovakian musician.\n\nEarly life \nKrajnak was born on March 1, 1978 in Levice, Slovakia. He came from a musical family. At six, he was already playing classical music and participating in various competitions for young talents. At age ten he heard jazz for the first time. Krajnak became so fascinated by this new form of music that, in the same year, he participated in a young jazz artist competition- Jazz Fest Zilina, where he was awarded the 'Discovery of the year'.\n\nWhen Krajnak was 14, he began to study at the Erkel Ferenc Jazz Academy in Budapest (HUN) under Robert Ratonyi. During this period he participated in various musical competitions in Europe, such as a jazz contest in Poland, where he won a special award, and a piano contest in Hungary, where he was awarded best artist in the category “solo piano”. After graduation he obtained a scholarship at the Berklee College of Music in Boston, which he rejected to start his active career.\n\nCareer \nHe established himself on the European jazz scene. He has recorded over 40 albums and performed at concerts all over the world.\n\nSelected musical collaborations \n Elements duo with Radovan Tariska\n One with Oto Hejnic Trio \n Standards (One) with Oto Hejnic Trio\n Forevernest solo piano album\n Radovan Tariska Sextet\n Partnership Unlimited with Oskar Rozsa\n What´s outside with Stveracek Quartet \n Jazz at Prague Castle with Ondrej Stveracek\n When I Fall in Love with Oľga Skrancova \n Reflections of My Soul with Hanka Gregušová \n Essence with Hanka Gregušová\n Aven Bachtale with Ida Kelarova\n Sumen Savore with Ida Kelarova\n Ethno Fest with Ida Kelarova\n Ida Kelarova and Iva Bittova sings Jazz\n Marija Panna Precista with Zuzana Lapcikova\n Orbis Pictus with Zuzana Lapcikova\n Rozchody, Navraty with Zuzana Lapcikova\n Slovak Jazz Trio with Dodo Sosoka\n Three Pianos with Ľubomír Sramek and Klaudius Kovac\n Hot House with Juraj Bartos\n\nReferences\n\nSlovak jazz musicians\nJazz pianists\n1978 births\nLiving people\n21st-century pianists", "Lara Melda Ömeroğlu (born 16 December 1993), known professionally as Lara Melda, is a British-Turkish concert pianist.\n\nEarly life and education\nLara Melda was born in London, United Kingdom to Turkish parents. She began playing the piano at age 6, her sister Melis Ömeroğlu, being the one who inspired her to start.\n\nMelda began piano lessons with Emily Jeffrey, and at the age of 18 began studies with Ian Jones. Melda studied at The Purcell School for Young Musicians from 2008 to 2011. For her Bachelor of Music she went to the Royal College of Music where she was a Queen Elizabeth Queen Mother Scholar and graduated with a first class honour in 2016. Melda is also an accomplished viola player and plays chamber music on both piano and viola. In 2015 she was a scholarship holder under the Imogen Cooper Music Trust.\n\nProfessional career\n\nMelda performed her debut concert at the age of 8 and her debut concerto at the age of 12 playing Mozart's Piano Concerto in D minor K466 and Piano Concerto in A major K414. In 2009 she was a finalist in the International Franz Liszt Piano Competition in Weimar, Germany. Melda rose to international prominence in 2010 when she won the BBC Young Musician of the Year at the age of sixteen, performing Saint-Saëns' Piano Concerto No. 2 in the final round, with Vasily Petrenko and the BBC National Orchestra of Wales in Cardiff. The competition had an international following via television and radio broadcasts on the BBC. Since then she has also performed Mozart's Piano Concerto No. 20, as well as Beethoven's Piano Concerto No. 3, with the BBC National Orchestra of Wales.\n\nIn the autumn of 2013, Melda made her debut performing at the Barbican Centre in London and also with the Britten Sinfonia in a performance of Britten's Young Apollo with Paul Daniel. Previous concerto performances have included Rachmaninoff with the Royal Northern Sinfonia and Kirill Karabits, Mozart with the Aurora Orchestra and Nicholas Collon (Kings Place) and the Grieg concerto with English Sinfonia (St John's, Smith Square) Ludwig van Beethoven with the New Zealand Symphony Orchestra. She has played recitals at the Laeiszhalle (Hamburg); Les Sommets Musicaux in Gstaad, Switzerland; the Mecklenburg-Vorpommern Festival in Germany and performs often at Wigmore Hall in London.\n\nMelda performs regularly in Turkey and made her debut at the International Music Festival (IKSV) in Istanbul in June 2011, playing the Grieg concerto with the Borusan Philharmonic. She has also been presented by the Istanbul Recitals piano series and performed at the Antalya Piano Festival and Boğaziçi University. On 24 March 2012, she received the prestigious 'Promising Young Artist' award from Kadir Has University in Istanbul, and in 2016 was awarded the 'Woman of the Year Arts Award' by the Elele-Avon Women Awards where in her speech, Melda accepted the award on behalf of Turkish women who feel that they don't have a voice in the public square and for those that have not been given the opportunities in life that she has been fortunate to receive.\n\nMelda is most well known and praised for her Chopin interpretations. A performance of Chopin's 2nd sonata prompted this review: \"Unquestionably one of the most outstanding performances of the piece I've ever heard, it evoked its yearning, energy, loneliness, lyricism, fury and gutsiness with playing of stunning precision, technical adroitness and immense, perceptive feeling.\"\n\nReferences\n\nExternal links \n Lara Melda's official website\n Lara Melda's official Facebook page\n\nLiving people\n1993 births\nEnglish people of Turkish descent\nEnglish classical pianists\nEnglish women pianists\nTurkish classical pianists\nTurkish women pianists\nMusicians from London\n21st-century English women musicians\n21st-century classical pianists\nWomen classical pianists" ]

[ "Daniel Barenboim", "Musical style", "What year was he born in?", "I don't know.", "At what age did he start playing piano?", "he has played since childhood" ]

[ "The Ages of Man is a one-man show performed by John Gielgud featuring a collection of speeches in Shakespeare's plays. Based on an anthology edited by Oxford professor George Rylands in 1939 that organized the speeches to show the journey of life from birth to death, the show takes its title from Jaques' \"Ages of Man\" speech from As You Like It (\"All the world's a stage and all the men and women merely players...\"). Like the book, the show was divided into three parts: Youth, Manhood and Old Age.\n\nGielgud was inspired to do a Shakespeare recital by his great-aunt, actress Ellen Terry, who performed her own recital titled Shakespeare's Heroines. Gielgud first attempted such a recital during World War II, when he would perform a collection of speeches he called Shakespeare in Peace and War, culminating in the \"Once More Unto the Breach\" speech from Henry V.\n\nGielgud gave the first experimental performance of The Ages of Man in a house in St. James Square in London. It premiered at the Freemason's Hall at the 1957 Edinburgh Festival to a sold-out house and an overwhelming success. Gielgud would go on to perform the recital for the next ten years all over the world, winning a special Tony Award for the 1959 Broadway engagement (where it was revived in 1963), an Emmy Award for producer David Susskind for Outstanding Dramatic Program – Single Program for its 1966 telecast on CBS, and a 1979 Grammy Award for Gielgud's third audio recording of the recital, having been nominated for the same award for the versions made in 1959 and 1964. The 1966 television version was released on DVD in 2010, and the album made from the play is available as an mp3.\n\nAges of Man\nPlays for one performer\nMonodrama\n1939 plays\nPlays and musicals based on As You Like It", "Ryan Wang is a Canadian pianist and child prodigy. He has performed at Carnegie Hall and was featured on The Ellen DeGeneres Show.\n\nEarly life and education \nWang is from West Vancouver. He mother is named Iris Wang and he has a younger brother. Wang attends Collingwood School in Vancouver.\n\nCareer\nWang was only five years old in 2013 when he performed his first solo recital at Carnegie Hall. He was selected for the performance as part of the American Protégé International Piano and Strings Competition and played Variations on a Russian Theme. He came second in the competition. Shortly after his performance at Carnegie Hall, Wang appeared on The Ellen DeGeneres Show where he again performed Variations on a Russian Theme. Wang has played with the Vancouver Metropolitan Orchestra and the Shanghai Symphony and performed at the Steinway Hall and Italy's Fazioli Hall.\n\nHe was invited to perform as part of the cultural component of Canada's participation in the APEC Summit in Beijing, 2014, and he was also invited to perform a private recital in the Canadian Prime Minister's home.\n\nAwards\nIn 2017 and 2019, Wang was the recipient of the Emerging Artist Grant from the Vancouver Academy of Music.\n\nReferences\n\nYear of birth missing (living people)\nLiving people\n21st-century Canadian pianists\nCollingwood School alumni" ]

[ "Daniel Barenboim", "Musical style", "What year was he born in?", "I don't know.", "At what age did he start playing piano?", "he has played since childhood", "When did he perform his first recital?", "I don't know." ]

[ "Grand Analog is a Canadian hip hop band, fronted by Odario Williams. The project combines R&B, jazz, reggae and rock influences into a hip hop style performed mainly on live instruments instead of digital electronics.\n\nHistory\nGrand Analog was first formed by Williams in 2002 as a short-lived rock-oriented side project from his main band Mood Ruff. After Mood Ruff's breakup, he revived the project with a new focus on reggae and hip hop in 2006. Williams has told the press that \"sonically, I knew that I wanted to dig into dub and rock and soul. I’ve always wanted to do that, but years ago I wasn’t free enough upstairs to know that I could.\"\n\nThe band released their first album, Calligraffiti, in 2007. A follow-up album, titled Metropolis Is Burning, was released on May 26, 2009. The album topped the Canadian community and campus radio hip hop chart for several weeks.\n\nGrand Analog won two Western Canadian Music Awards for Best Rap/Hip-Hop Recording in 2009 for Touch Your Toes EP and 2010 for Metropolis Is Burning.\n\nThe band's third album, Modern Thunder, was released in Canada on August 20, 2013. Modern Thunder was also released in various European countries on German label Ferryhouse Records; and released in the U.S. on Brooklyn label Feel Up Records.\n\nIn 2015 the band released an album, Roll Dub Soul Rap, and performed at a number of clubs in western Canada., In 2016 they released a video, Love is a Battlefield.\n\nDiscography\n Calligraffiti (2007)\n Metropolis Is Burning (2009)\n Modern Thunder (2013)\n Roll Dub Soul Rap (2015)\n Survival (2018)\n\nReferences\n\nExternal links\n \n Feelup Records\n\nCanadian hip hop groups\nMusical groups from Winnipeg\nMusical groups from Toronto\nMusical groups established in 2006\n2006 establishments in Manitoba", "Cartel is a 1995 Turkish hip hop CD project involving three groups of rappers from different German cities, which received attention and popularity in both Turkey and Germany. It was notable for using samples of traditional Turkish music instruments in hip hop music. Cartel was the first Turkish-language project to get off the ground and often credited as the group that ignited \"Oriental hip hop\".\n\nDuring Cartel's short career, the band gave around 120 extremely successful concerts in Turkey, Germany, Switzerland, Austria, the Netherlands and France. Cartel is the only hip-hop group that managed to fill Istanbul's İnönü Stadium (as of December 2006). In addition to German and Turkish-speaking media, BBC London also reported on the group, as did the music channels VIVA and MTV.\n\nIn Turkey, where the band, which also appears in English, Spanish and German, has remained most successful, Cartel has sold more than half a million CDs through official sales to date. On February 4, 2011 the group released their new album Bugünkü Neşen Cartel'den and their new video Bir Oluruz, but without Kabus Kerim.\n\nDiscography\n\nReferences\n\nCrossover (music)\nMusical groups established in 1995\nGerman hip hop groups\nTurkish hip hop groups" ]

[ "Anton Webern", "Performance style" ]

[ "Variations for piano, Op. 27, is a twelve-tone piece for piano composed by Anton Webern in 1936. It consists of three movements:\n\nWebern's only published work for solo piano, the Variations are one of his major instrumental works and a signal example of his late style. Webern dedicated the work to pianist Eduard Steuermann. However, it was premiered (after months of coaching from Webern) by Peter Stadlen on 26 October 1937 in Vienna. Much later Stadlen produced the definitive interpretive edition of Op. 27, published by Universal Edition in 1979.\n\nHistory of composition\nBy the early 1930s, Webern was one of the composers and artists criticised by the Nazi Party, which was rapidly gaining power. By 1934, Webern's conducting career, a major source of income for the composer, was practically over, and he earned his living by teaching composition to a few private pupils. Despite the considerable disadvantages this financial situation had, the lack of a stable job provided Webern with more time to compose.\n\nOpus 27 took Webern about a year to complete. The three movements were not composed in the order they appear in the work:\n Third movement: begun 14 October 1935, completed 8 July 1936\n First movement: begun 22 July 1936, completed 19 August 1936\n Second movement: begun 25 August 1936, completed 5 November 1936\nThe piece is the only work for piano solo that was published by the composer and assigned an opus number. It was also the last work by Webern to be published by Universal Edition during his lifetime.\n\nAnalysis\n\nStructure\nAll three movements of the work are 12-tone pieces based on the following row (as found at the beginning of the second movement):\n\nThe work's title, Variations, is ambiguous. In a letter dated 18 July, Webern wrote: \"The completed part is a variations movement; the whole will be a kind of 'Suite'\". Only the third movement was completed at the time, and it is clearly a set of variations. The form of the other two movements conforms to the \"Suite\" plan: the first movement is a ternary form, A–B–A, and the second is a binary form. However, to refer to an entire work by the form of its last movement is very unusual, and numerous attempts have been made to explain the title.\n\nWebern scholar Kathryn Bailey outlined three possible views on the structure of the piece. Webern's Variations may be considered any of these:\n A three-movement sonata: sonata form – binary scherzo – variations\n A three-movement suite: ternary movement – binary movement – variations\n A set of variations, in which the first two movements have little connection to the third\n\nOne of the earliest explanations was offered by René Leibowitz, who in 1948 described the first movement as a theme and two variations, the second movement as a theme with a single variation, and the third movement as five variations of yet another theme. Willi Reich, a member of Arnold Schoenberg's circle, described the work as a sonatina which begins with a set of variations (first movement) and ends with a sonata form (third movement). Reich claimed his explanation was identical to Webern's and stemmed from the two men's conversations, however, the authenticity of this claim has been questioned.\n\nYet another explanation was provided by Friedhelm Döhl (who published Reich's analysis, but did not find it satisfactory), who viewed each of the fourteen phrases in the first movement as a variation of the prime/retrograde idea, and found the same structure in the second movement. Robert U. Nelson published a similar analysis in 1969. Finally, Kathryn Bailey's analysis suggests that the first movement is a sonata form, her ideas supported by Webern's own remarks in the original manuscript, published in 1979 by Peter Stadlen.\n\nSymmetry\nA particularly notable feature of Variations is symmetry, which is featured throughout the work. Horizontal symmetry can be observed, for example, in successive phrases of the first movement: bars 1–18 comprise four phrases, each built from the normal row and its retrograde stated simultaneously, and the second half of the phrase is always a reverse of the first. Each phrase is therefore a palindrome, though only the first pair of rows in the beginning of the movement is perfectly palindromic. Vertical symmetry pervades the second movement, which is a canon. The pitches are arranged around the pitch axis of A4. Each downward reaching interval is replicated exactly in the opposite direction.\n\nNotes\n\nSources\n Paperback reprint 2006. .\n \n \n Translation of Muziek van de twintigste eeuw: een onderzoek naar haar elementen en structuur. Utrecht: Oosthoek, 1964. Third impression, Utrecht: Bohn, Scheltema & Holkema, 1977. .\n\nFurther reading\n Bailey, Kathryn. Juni 1988. \"Willi Reich's Webern\". Tempo, New Series, no. 165, Emigres and 'Internal Exiles', pp. 18–22.\n Fiori, Mary E. 1970. \"Webern's Use of Motive in the 'Piano Variations'\". In: Lincoln, Harry B. (ed.). The Computer and Music, pp. 115–122. Ithaca: Cornell University Press.\n Jones, James Rives. Autumn–Winter 1968. \"Some Aspects of Rhythm and Meter in Webern's Opus 27\". Perspectives of New Music, vol. 7, no. 1, pp. 103–109.\n Leleu, Jean-Louis. 1998. \"Intuition et esprit de système. Réflexions sur le schéma formel du deuxième mouvement des Variations pour piano op. 27 de Webern\". Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap, vol. 52, pp. 101–122.\n Lewin, David. October 1993. \"A Metrical Problem in Webern's Op. 27\". Music Analysis, vol. 12, no. 3, pp. 343–354.\n Moldenhauer, Hans, and Rosaleen Moldenhauer. 1978. Anton von Webern: A Chronicle of His Life and Work. New York: Alfred A. Knopf. . London: Gollancz. \n Ogden, Wilbur. Spring 1962. \"A Webern Analysis\". Journal of Music Theory, vol. 6, no. 1, pp. 133–135.\n Stockhausen, Karlheinz. 1963. \"Gruppenkomposition: Klavierstück I (Anleitung zum Hören)\". In his Texte zur Musik, vol. 1, edited by Dieter Schnebel, 63–74. DuMont Dokumente. Cologne: Verlag M. DuMont Schauberg.\n Travis, Roy. Spring–Summer 1966. \"Directed Motion in Two Brief Piano Pieces by Schoenberg and Webern\". Perspectives of New Music 4.2, pp. 85–89.\n Westergaard, Peter. Spring 1963. \"Webern and 'Total Organization': an analysis of the Second Movement of Piano Variations, op. 27\". Perspectives of New Music 1.2, pp. 107–120.\n\nExternal links\nA Metrical Analysis and Re-notation of Webern's Variations for Piano, 1st movement, Joseph L. Monzo 2010, tonalsoft.com\nPerformance of Variations for Piano by Jonathan Biss from the Isabella Stewart Gardner Museum in MP3 format\n\nCompositions by Anton Webern\nCompositions for solo piano\nTwelve-tone compositions\nVariations\n1936 compositions\nMusic dedicated to ensembles or performers", "The String Quartet, Op. 28, by Anton Webern is written for the standard string quartet group of two violins, viola and cello. It was the last piece of chamber music that Webern wrote (his other late works include two cantatas Op. 29/31 and the Variations for Orchestra, Op. 30).\n\nThe work was initially planned in November 1936 and was premiered at the Coolidge Festival in Pittsfield, Massachusetts, on September 22, 1938, in response to a commission that year from Elizabeth Sprague Coolidge. When Webern sent the score of the piece to Coolidge, he accompanied it with a letter saying that the piece was \"purely lyrical\" and comparing it to the two and three movement piano sonatas of Ludwig van Beethoven.\n\nIt is in three movements:\n\nThe string quartet is atonal and uses twelve-tone technique. The tone row on which the piece is based (B, A, C, B, D, E, C, D, G, F, A, G) is based on the BACH motif (B, A, C, B) and is composed of three tetrachords:\n\nThe first four notes of the row are the BACH motif itself, followed by its inversion, followed by same motif transposed up a minor sixth. A special property of this row is that its inversion (G, A, F, G, D, C, E, D, B, C, A, B) is equivalent to its retrograde.\n\nThe piece was first published in 1939 by Boosey & Hawkes, and was the last of Webern's works to be published in his lifetime. In 1955 another edition appeared from Universal Edition.\n\nReferences\n\nExternal links\n \nProgram notes on the quartet (and other works) by Wayne Shirley\n\nCompositions by Anton Webern\nWebern\nMusic commissioned by Elizabeth Sprague Coolidge\nTwelve-tone compositions\n1938 compositions" ]

[ "Anton Webern", "Performance style", "What was Webern's style like?", "Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music;" ]

[ "Alex Nepomniaschy is an American cinematographer. He was born in Moscow in what was then the Soviet Union. Nepomniaschy graduated from the AFI Conservatory's cinematography program with a Master of Fine Arts in 1982.\n\nAwards\nAt the 1988 Sundance Film Festival, he won the Best Cinematographer Award for his work on Beirut: The Last Home Movie. In 1995 he was given awards for Best Cinematographer by the National Board of Review, and the Boston Society of Film Critics for the film Safe.\n\nNepomniaschy was nominated in 1989 for an award from the American Society of Cinematographers for the television series, Sable. And was nominated for Best Cinematography in the 2003 Independent Spirit Awards for Narc.\n\nFilmography\n Narc\n Safe\n Never Been Kissed\n Poltergeist III\n It's the Rage\n The Alarmist\n A Time for Dancing\n The End of Innocence\n Rites of Passage\n\nReferences\n\n1955 births\nLiving people\nPeople from Moscow\nAmerican cinematographers\nAFI Conservatory alumni", "David Austin (March 29, 1935 – November 19, 2005) was a British cartoonist. He was best known for his pocket cartoons in The Guardian, which he contributed from 1990 to 2005, and for the strip Hom Sap in Private Eye, which began in 1970. The Guardian's obituary said that he \"was one of the central pillars in what made the paper important to its readers.\"\n\nHe has had a train named after him by his widow, Janet.\n\nReferences\n\n1935 births\nPeople from Chelmsford\nBritish cartoonists\nPrivate Eye contributors\nThe Guardian journalists\n2005 deaths" ]

[ "Anton Webern", "Performance style", "What was Webern's style like?", "Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music;", "What was he best known for?", "extant recordings of Schubert's Deutsche Tanze (arr. Webern) and Berg's Violin Concerto under his direction," ]

[ "Casting television is a competition television program where the winner wins a recording contract, or takes part in a competition.\n\nSlovakia \n\nSlovakia's competition is Superstars, and the prize is a car, cash and recording contracts. Stars such as Zdenka Predna came to prominence this way.\n\nUnited Kingdom \n\nSimon Cowell's \"Popstars\" is perhaps the most famous one of the lot, and other shows on a similar focus are Stars in Their Eyes, and Andrew Lloyd Webber's How Do You Solve a Problem Like Maria?.\n\nUnited States \nFollowing directly on the UK template is the American Idol competition.\n\nRepublic of Ireland \n\nIreland's version, called You're a Star, had a unique twist: winners came into the Eurovision Song Contest as the prize. However, after the disaster of the McCall Twins that format has been abandoned. The most famous winner and most successful in Eurovision (though he did not win) was Mickey Joe Harte.\n\nReferences \n\n http://www.superstars.markiza.sk\n http://www.rte.ie/tv.yourastar\n\nTelevision genres", "Cullen Hightower (1923 – November 27, 2008) was a well-known quotation and quip writer from the United States. He is often associated with the American conservative political movement.\n\nHightower served in the U.S. army during World War II before beginning a career in sales. He began to publish his writing upon retirement. A collection of his quotations was published as Cullen Hightower's Wit Kit. One of Hightower's most notable quotations is \"People seldom become famous for what they say until after they are famous for what they've done.\" Ironically, Hightower became famous for what he said rather than for what he did. A number of other quotes are in his obituary.\n\nReferences\n\nAmerican humorists\n1923 births\n2008 deaths\nUnited States Army personnel of World War II" ]

[ "Anton Webern", "Performance style", "What was Webern's style like?", "Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music;", "What was he best known for?", "extant recordings of Schubert's Deutsche Tanze (arr. Webern) and Berg's Violin Concerto under his direction,", "What is his most famous recording?", "I don't know." ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Anton Webern", "Performance style", "What was Webern's style like?", "Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music;", "What was he best known for?", "extant recordings of Schubert's Deutsche Tanze (arr. Webern) and Berg's Violin Concerto under his direction,", "What is his most famous recording?", "I don't know.", "Are there any other interesting aspects about this article?", "many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors" ]

[ "A postal marking is any kind of annotation applied to a letter by a postal service. The most common types are postmarks and cancellations; almost every letter will have those. Less common types include forwarding addresses, routing annotations, warnings, postage due notices and explanations, such as for damaged or delayed mail and censored or inspected mail. A key part of postal history is the identification of postal markings, their purpose, and period of use.\n\nService marks provide information to the sender, recipient, or another post office. Advice marks notify about forwarding, missending, letters received in bad condition, letters received too late for delivery by a certain time, or the reason for a delay in mail delivery. (For example, a letter may be marked \"snowbank\" if snow accumulation not cleared by the potential recipient, or for whatever other reason, makes it difficult or impossible for the carrier to deliver the mail.) Dead letter offices would use various markings to keep track of their progress in finding the addressee, such as a notation that the letter had been advertised in the local newspaper. The tracking process for registered mail may entail multiple marks, notations and backstamps.\n\nAuxiliary marks are applied by an organization other than the postal administration. For instance, 19th century mail delivery often relied on a mix of private ships, steamboats, stagecoaches, railroads, and other transportation organizations to transport mail. Many of these organizations applied their own markings to each item, sometimes saying simply \"STEAMSHIP\" or some such, while others had elaborate designs. Similar routing notations were also used in the early days of airmail.\n\nShortly after the outbreak of the American Civil War, the Northern authorities declared the existing postage stamps invalid and issued new types. Letters using the demonetized stamps received a marking \"OLD STAMPS NOT RECOGNIZED\", an unintentionally humorous comment much prized by collectors today.\n\nPost offices may add cachets for special events such as a first flight.\n\nThe traditional way to apply a postal marking is with the use of a rubber or metal handstamp; handwritten notations are sometimes seen for unusual situations or in very small post offices. In the United States, modern postal markings may appear in the form of yellow adhesive labels with the text printed on them. Many postal administrations now have the ability to print inkjet annotations directly onto a cover, either as a barcode for reading by other equipment, or as text.\n\nAlthough it is technically possible to query postal services to find out what kinds of postal markings they use, in practice they do not seem to know about all the kinds of handstamps used in their offices, and previously unknown types of postal markings, both early and modern, regularly come to light. Hundreds of specialized works make up the philatelic literature of postal markings.\n\nSee also\n Indicia (philately)\n\nReferences \nSome representative works:\n Harry M. Konwiser, Postal Markings (1980)\n Tracy W. Simpson, United States Postal Markings and Related Mail Services, 1851 to 1861 (1959); Simpson's U.S. Postal Markings, 1851-61 (revised and enlarged edition, 1979)\n William Kane, Catalogue of the postal markings of Dublin, c. 1840-1922 \n John Leathes, Postal Markings of the German U-boat Arm During the First World War 1914 to 1918 (1997)\n\nExternal links \n British postal markings\n Hawaiian postal markings\n\nPhilatelic terminology\n\nde:Poststempel\nja:郵便印\npl:datownik\nru:Почтовый штемпель\nth:ตราประทับ\nzh:邮戳", "Battenburg markings or Battenberg markings are a pattern of high-visibility markings developed in the United Kingdom in the 1990s and currently seen on many types of emergency service vehicles in the UK, Crown dependencies, British Overseas Territories and several other European countries such as Czechia, Iceland, Sweden, Germany, Romania, Spain, Ireland, and Belgium as well as in New Zealand, Australia, Hong Kong and Trinidad and Tobago. The name comes from its similarity in appearance to the cross-section of a Battenberg cake.\n\nHistory\n\nBattenburg markings were developed in the mid-1990s in the United Kingdom by the Police Scientific Development Branch (now the Home Office Centre for Applied Science and Technology) at the request of the national motorway policing sub-committee of the Association of Chief Police Officers. They were first developed for traffic patrol cars for United Kingdom police forces; private organisations and civil emergency services have also used them since then.\n\nThe brief was to design a livery for motorway and trunk road police vehicles that would maximise the vehicles' visibility, from a distance of up to , when stopped either in daylight or under headlights, and which distinctively marked them as police vehicles.\n\nThe primary objectives were to design markings that:\n Made officers and vehicles more conspicuous (e.g. to prevent collisions when stopped)\n Made police vehicles recognisable at a distance of up to in daylight\n Assisted in high-visibility policing for public reassurance and deterrence of traffic violations\n Made police vehicles nationally recognisable\n Were an equal-cost option compared to existing markings\n Were acceptable to at least 75% of the staff\n\nConspicuity\n \n\nBattenburg design uses a regular pattern and the contrast between a light and a dark colour to increase conspicuity for the human eye.\nThe lighter colour is daylight-fluorescent (such as fluorescent-yellow) for better visibility in daytime, dusk and dawn. \nFor night-time visibility, the complete pattern is retroreflective.\n\nThe Battenburg design typically has two rows of alternating rectangles, usually starting with yellow at the top corner, then the alternating colour, along the sides of a vehicle. Most cars use two block rows in the design (so-called full-Battenburg scheme). Some car designs use a single row (so-called half-Battenburg scheme) or one and a half rows.\n\nUnless precautions are taken, pattern markings can have a camouflage effect, concealing a vehicle's outline, particularly in front of a cluttered background.\nWith Battenburg markings, this can be avoided by:\n Making rectangles large enough for optical resolution from distance—at least 600 × 300 mm. A typical car pattern consists of seven blocks along the vehicle side. (An odd number of blocks also allows both top corner blocks to be the same fluorescent colour.)\n Clearly marking cars' outlines in fluorescent colour along the roof pillars\n Avoiding designs with more than two block rows (even for higher vehicles) by including a large area of plain or daylight-fluorescent colour.\n Avoiding hybrid designs of Battenburg markings and other high-visibility patterns or check patterns.\n\nThe Battenburg livery is not used on the rear of vehicles; upward-facing chevrons of yellow and red are most commonly used there.\n\nSillitoe tartan\n\nIn the development of Battenburg markings, one of the key goals was to clearly identify vehicles associated with police. In this regard, the pattern was reminiscent of the Sillitoe tartan black-and-white or blue-and-white chequered markings first introduced by the City of Glasgow Police in the 1930s, which were subsequently adopted as a symbol of police services throughout the United Kingdom; they are also used by the Chicago Police Department, Australia, and New Zealand. (Although Sillitoe patterns identified vehicles associated with police and other emergency services, they were not highly visible.)\n\nAfter the launch of Battenburg markings, police added retro-reflective Sillitoe tartan markings to their uniforms, usually in blue and white.\n\nSafety\n \nBattenburg side markings and chevron front-and-rear markings provide conspicuity for emergency vehicles, helping to reduce accidents, especially when they are in unusual traffic situations—e.g. stopped in fast-moving traffic, or moving at different speeds or in different directions. \n\nSeveral criticisms of the Battenburg scheme were stated at the 3rd Annual US Emergency Medical Services (EMS) Safety Summit in October 2010 about their use on ambulances, including:\n The difficulty of applying them to small, curved, and oddly-shaped surfaces\n The high costs of adopting the markings\n The confusing pattern caused when several parked Battenburg vehicles visually overlap\n Obscuring the vehicle's shapes against complex backgrounds, or with open doors and hatches\n Combinations other than police yellow-and-blue being less effective, and sometimes even making emergency personnel harder to see\n Confronting the public with unfamiliar markings\n\nThe pattern's use by services other than UK police, and in other countries, was also criticised. \n\nThe high-visibility chevrons often used on the rear and front of Battenburg-marked vehicles, \"through popular opinion rather than by a scientific process of testing and research\", were found ineffective at reducing rear-end collisions. Stationary vehicles on high-speed roads were likely to be noticed, but not the fact that they were stopped. Parking at an angle was found a far more effective way of indicating the vehicles were stopped.\n\nUsage by country\n\nAustralia \n\nIn Western Australia, St John Ambulance Western Australia uses green-and-yellow markings, while New South Wales Ambulance uses red-and-white Battenburg markings on ambulances and patient transport vehicles. Australian police utilise the similar Sillitoe tartan markings.\n\nBelgium \n\nIn response to the terrorist attacks on 13 November 2015 in Paris and 22 March 2016 in Brussels, the Belgian federal government conducted an analysis on the functioning of the emergency services during terrorist attacks. The main issue identified regarding the emergency medical services was that their recognizability (of both vehicles and personnel) had to improve, so that emergency workers would be able to identify qualified medical providers more quickly during an intervention. \n\nAn agreement was made between the federal government and the communities and regions to implement the same new vehicle markings and uniforms. Specifically, emergency ambulances and response vehicles would keep the yellow base colour, whilst non-emergency ambulances would get a white base colour. Both types of vehicles would be marked with retroreflective yellow-and-green Battenburg markings, similar to British ambulances. \n\nA new uniform for medical personnel was also introduced, with different colours for the Star of Life for the different types of workers.\n\nAside from medical vehicles, some new fire brigade, Civil Protection and highway services vehicles also use respectively yellow-and-red, blue-and-orange and yellow-and-black Battenburg markings.\n\nChina\nHong Kong was a British Dependent Territory until 1997. Some emergency vehicles and special vehicles in the Hong Kong Police Force, Hong Kong Fire Services Department, Auxiliary Medical Service, and Hong Kong St. John Ambulance use Battenburg markings.\n\nCzech Republic\n\nDenmark \n\nDanish emergency vehicles can have one of two options: a series of diagonal lines, or a Battenburg pattern. The diagonal lines must be either red-and-white or red-and-yellow at an angle of 45° ± 5° and have a width of 100 mm ± 2,5 mm. In the front and rear of the vehicle, the markings must be made symmetrical in a way that traffic is lead around the vehicle.\n\nVehicles may have a reflective text in the above colours, describing their function; for example \"POLITI\" (Police), \"ALARM 112\", \"AMBULANCE\", \"LÆGEVAGT\" (Doctor), \"INDSATSLEDER\" (Incident Commander) or similar text.\n\nThe above patterns are not obligatory. For example the Danish Emergency Management Agency have chosen to simply not have any reflective marking on their vehicles.\n\nGermany \nAll rescue vehicles in Bavaria which have been procured uniformly since 2017 have a foiling in the Battenburg marker. From 2019 the ambulance service in Schleswig-Holstein started to adapt the design.\n\nIceland\nIn 2018 the Icelandic police started marking new police cars with blue and neon yellow markings similar to Battenburg markings used in Europe. Since then the police cars in the capital region have been made even more visible. In 2020 were Icelandic ambulances changed to look more like ambulances in Europe, adopting yellow and green markings. Icelandic Search and Rescue started adopting Battenburg markings in 2016 with red and yellow markings similar to the fire services.\n\nIreland\n\n\t\n\nIn Ireland, a similar system to the UK is used with some variations.\n\nNew Zealand\n\nThe New Zealand Police use yellow-and-blue Battenburg markings on some vehicles. Until October 2008 general duties vehicles were marked in orange and blue, with yellow and blue for highway patrol units; orange and blue was phased out in 2014. Vehicles of New Zealand's St John's Ambulance Service/ Wellington Free Ambulance are marked with green-and-yellow Battenburg markings or rows of green-and-yellow half-chevrons. On 1 July 2017, New Zealand's urban and rural firefighting organisations amalgamated into Fire and Emergency New Zealand, with a new brand including Battenburg markings to be rolled out to the fleet.\n\nSweden\n\nOriginally Swedish Police vehicles were painted with black roofs and doors or black roofs, bonnet, and boot. During the 1980s the cars became white with the word \"Polis\" written on the side in a semi-futuristic typeface. Later the livery became simply blue and white. In 2005 they began using a light blue and fluorescent yellow Battenburg livery. Swedish police cars have been Saabs, Volvos or Volkswagens, with the same livery all over Sweden. A recent Swedish trend is to also use Battenburg markings on road maintenance vehicles, with an orange-and-blue colour scheme, as in the UK rail response type shown above. A study by the Swedish Road Administration showed a significant traffic calming effect when using orange-and-blue Battenburg marking to improve the visibility of road maintenance vehicles.\n\nSwitzerland\n\nThe first Swiss ambulance service with Battenburg markings was the emergency medical services in Zofingen. Since 2008, they have used Battenburg markings on their Volkswagen Crafters and Mercedes-Benz Sprinters. They use white-and-red markings on their ALS units.\n\nAnother Swiss service with Battenburg markings is the Swiss Border Guard agency, which uses yellow block markings on its vehicles.\n\nUnited Kingdom\n\nIn the United Kingdom, the majority of the emergency services have adopted the Battenburg style of markings; nearly half of all police forces adopted the markings within three years of their introduction, and over three quarters were using it by 2003.\n\nIn 2004, following the widespread adoption and recognition of the Battenburg markings on police vehicles, the Home Office recommended that all police vehicles, not just those on traffic duty, use \"half-Battenburg\" livery, formalising the practice of a number of forces.\n\nIn the United Kingdom each emergency service has been allocated a specified darker colour in addition to yellow, with the police continuing to use blue, ambulances using green, and the fire service their traditional red. Other government agencies such as immigration enforcement have adopted a variation, without using the reflective yellow.\n\nThe use of these colours in retro-reflective material is controlled by the Road Vehicle Lighting Regulations 1989, with vehicles only legally allowed the use of amber reflective material (and red near the rear of the vehicle), A number of civilian organisations have also adopted the pattern, which is not legally protected, and a number of these also use other reflective colours.\n\nAn alternative to the use of reflective materials is the use of fluorescent or other non-reflective markings, which may be used by any vehicle.\n\nUnited States\nBattenburg markings on law enforcement vehicles in the US are rare; however for a time the Miami Township Police Department in Ohio has previously used ones similar to those found in the UK on their police cars.\n\nBattenburg markings are also used in South Carolina's Charleston County for EMS vehicles.\n\nSee also\n Sillitoe tartan\n Aerial roof markings\n Blues and twos\n Panda car\n Jam sandwich (police car)\n\nReferences\n\nExternal links\n\nHigh Conspicuity Livery for Police Cars 14-04\nHigh Conspicuity Livery for Police Motorcycles 47-06\n\nEmergency vehicles\nVehicle markings\nVisibility\nBritish inventions" ]

[ "Anton Webern", "Performance style", "What was Webern's style like?", "Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music;", "What was he best known for?", "extant recordings of Schubert's Deutsche Tanze (arr. Webern) and Berg's Violin Concerto under his direction,", "What is his most famous recording?", "I don't know.", "Are there any other interesting aspects about this article?", "many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors", "What types of markings are in his scores?", "anecdotes, correspondence, extant recordings of Schubert's Deutsche Tanze" ]

[ "\"If You Can Do Anything Else\" is a song written by Billy Livsey and Don Schlitz, and recorded by American country music artist George Strait. It was released in February 2001 as the third and final single from his self-titled album. The song reached number 5 on the U.S. Billboard Hot Country Singles & Tracks chart in July 2001. It also peaked at number 51 on the U.S. Billboard Hot 100.\n\nContent\nThe song is about man who is giving his woman the option to leave him. He gives her many different options for all the things she can do. At the end he gives her the option to stay with him if she really can’t find anything else to do. He says he will be alright if she leaves, but really it seems he wants her to stay.\n\nChart performance\n\"If You Can Do Anything Else\" debuted at number 60 on the U.S. Billboard Hot Country Singles & Tracks for the week of March 3, 2001.\n\nYear-end charts\n\nReferences\n\n2001 singles\n2000 songs\nGeorge Strait songs\nSongs written by Billy Livsey\nSongs written by Don Schlitz\nSong recordings produced by Tony Brown (record producer)\nMCA Nashville Records singles", "In baseball, a fair ball is a batted ball that entitles the batter to attempt to reach first base. By contrast, a foul ball is a batted ball that does not entitle the batter to attempt to reach first base. Whether a batted ball is fair or foul is determined by the location of the ball at the appropriate reference point, as follows:\n\n if the ball leaves the playing field without touching anything, the point where the ball leaves the field;\n else, if the ball first lands past first or third base without touching anything, the point where the ball lands;\n else, if the ball rolls or bounces past first or third base without touching anything other than the ground, the point where the ball passes the base;\n else, if the ball touches anything other than the ground (such as an umpire, a player, or any equipment left on the field) before any of the above happens, the point of such touching;\n else (the ball comes to a rest before reaching first or third base), the point where the ball comes to a rest.\n\nIf any part of the ball is on or above fair territory at the appropriate reference point, it is fair; else it is foul. Fair territory or fair ground is defined as the area of the playing field between the two foul lines, and includes the foul lines themselves and the foul poles. However, certain exceptions exist:\n\n A ball that touches first, second, or third base is always fair.\n Under Rule 5.09(a)(7)-(8), if a batted ball touches the batter or his bat while the batter is in the batter's box and not intentionally interfering with the course of the ball, the ball is foul.\n A ball that hits the foul pole without first having touched anything else off the bat is fair.\n Ground rules may provide whether a ball hitting specific objects (e.g. roof, overhead speaker) is fair or foul.\n\nOn a fair ball, the batter attempts to reach first base or any subsequent base, runners attempt to advance and fielders try to record outs. A fair ball is considered a live ball until the ball becomes dead by leaving the field or any other method.\n\nReferences\n\nBaseball rules" ]

[ "Anton Webern", "Performance style", "What was Webern's style like?", "Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music;", "What was he best known for?", "extant recordings of Schubert's Deutsche Tanze (arr. Webern) and Berg's Violin Concerto under his direction,", "What is his most famous recording?", "I don't know.", "Are there any other interesting aspects about this article?", "many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors", "What types of markings are in his scores?", "anecdotes, correspondence, extant recordings of Schubert's Deutsche Tanze", "Does he add anything else to his music?", "nearly slowing to half-tempo for the whole of first movement and taking care to delineate and shape each melodic strand and expressive gesture throughout the entirety of the work." ]

[ "Interpretive dance is a family of modern dance styles that began around 1900 with Isadora Duncan. It used classical concert music but marked a departure from traditional concert dance. It seeks to translate human emotions, conditions, situations or fantasies into movement and dramatic expression, or else adapts traditional ethnic movements into more modern expressions. \n\nThe effect of interpretive dance can be seen in many Broadway musicals as well as in other media. While it was—and most often, still is—thought of as a performing art, interpretive dance does not have to be performed with music. It often includes grandiloquent movements of the arms, turns and drops to the floor. It is frequently enhanced by lavish costumes, ribbons or spandex body suits.\n\nSee also\n Dance improvisation\n Free dance\n Lyrical dance\n\nReferences\n\nFree and improvised dance", "O lucenti, o sereni occhi (HWV 144) is a dramatic secular cantata for soprano written by Georg Frideric Handel in 1707. Other catalogues of Handel's music have referred to the work as HG li, 28; (there is no HHA numbering). The title of the cantata translates as \"O shining, o serene eyes\".\n\nHistory\nHandel's original manuscript for the cantata has not survived, but a copy in the Santini Collection suggests that the work originated under the patronage of Ruspoli. The work can be dated to the spring or summer of 1707, and Handel reused aspects of the first aria in his opera Rodrigo in the same year.\n\nSynopsis\nEven though the work is performed by a female voice, the text does not reveal whether the \"voice\" is male or female. The first aria relates how beautiful eyes cause the singer to languish and die. The second aria tells how blazing eyes cause the singer both pleasure and pain.\n\nStructure\nThe work is scored for solo soprano and keyboard (with figured bass markings). The cantata contains two recitative-aria pairings. The use of silence (with musical rests) is notable in the work.\n\nA typical performance of the work takes about eight minutes.\n\nMovements\nThe work consists of four movements:\n\n(Movements do not contain repeat markings unless indicated. The number of bars is the raw number in the manuscript—not including repeat markings. The above is taken from volume 51, starting at page 28, of the Händel-Gesellschaft edition.)\n\nSee also\nList of cantatas by George Frideric Handel\n\nReferences\n\n \n\nCantatas by George Frideric Handel\n1707 compositions" ]

[ "Anton Webern", "Performance style", "What was Webern's style like?", "Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music;", "What was he best known for?", "extant recordings of Schubert's Deutsche Tanze (arr. Webern) and Berg's Violin Concerto under his direction,", "What is his most famous recording?", "I don't know.", "Are there any other interesting aspects about this article?", "many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors", "What types of markings are in his scores?", "anecdotes, correspondence, extant recordings of Schubert's Deutsche Tanze", "Does he add anything else to his music?", "nearly slowing to half-tempo for the whole of first movement and taking care to delineate and shape each melodic strand and expressive gesture throughout the entirety of the work.", "How many movements does his music have?", "I don't know." ]

[ "Sonic Temple Art & Music Festival is a rock festival currently held in Columbus, Ohio, United States and is produced by Danny Wimmer Presents.\n\nHistory\n\nIn 2018 it was announced that Rock on the Range would be replaced by Danny Wimmer Presents as the Sonic Temple Art & Music Festival. The inaugural festival was held in May 2019 with sold-out crowds of 120,000.\n\nIn December 2019, the full lineup for Sonic Temple 2020 was revealed. Metallica were to headline both Friday and Saturday night, with Slipknot headlining on Saturday. Other performers were to include Deftones, Bring Me the Horizon, Evanescence, Sublime with Rome, Rancid, Dropkick Murphys, Cypress Hill, Pennywise, Royal Blood, The Pretty Reckless, Alter Bridge, Anthrax, Flatbush Zombies, Pop Evil, Hellyeah, Ghostemane, Suicidal Tendencies, Testament, Dance Gavin Dance, Ice Nine Kills, Sleeping with Sirens, The Darkness, Knocked Loose, Code Orange, Power Trip, Saint Asonia, Dirty Honey, Jinjer, City Morgue, Bones UK, Airbourne, Fire from the Gods, Dinosaur Pile-Up, Des Rocs, Counterfeit, Crobot, Cherry Bomb, DED, Goodbye June, Brutus, 3Teeth, BRKN Love, Killstation, Brass Against, Crown Lands, Ego Kill Talent, Dregg, Bloodywood, and Zero 9:36, with more to have been announced.\n\nIn February 2020, it was announced that Metallica would be replaced as headliners by the Red Hot Chili Peppers and Tool, following frontman James Hetfield's entrance into a rehabilitation program for substance abuse. The following month, the festival was cancelled due to the COVID-19 pandemic. In February 2021, it was announced it would once again be cancelled due to the COVID-19 pandemic, with plans to return in 2022.\n\nEvents\n\n2019 \n\nMonster Energy Stadium Stage:\n System of a Down\n Ghost\n Halestorm\n Parkway Drive\n Beartooth\n Avatar\n Badflower\n\nEcho Stage:\n Meshuggah\n Black Label Society\n Bad Wolves\n Zeal & Ardor\n Wage War\n SHVPES\n The Jacks\n\nWave Stage:\n Tom Morello\n Pussy Riot\n Ho99o99\n Cleopatrick\n Hands Like Houses\n Radattack\n\nSiriusXM Comedy & Spoken Word Tent:\n Henry Rollins\n Tom Morello\n Shapel Lacy\n Nadya\n\nMonster Energy Stadium Stage:\n Disturbed\n Papa Roach\n Lamb of God\n In This Moment\n Gojira\n Fever 333\n Black Coffee\n\nEcho Stage:\n The Cult\n Killswitch Engage\n Architects\n The Black Dahlia Murder\n While She Sleeps\n Evan Konrad\n The Plot in You\n\nWave Stage:\n Action Bronson (did not perform due to an \"unforeseen knee injury\")\n Mark Lanegan Band\n Don Broco\n Movements\n Boston Manor\n No1Cares\n\nSiriusXM Comedy & Spoken Word Tent:\n Andrew Dice Clay\n Eleanor Kerrigan\n Mark Normand\n Craig Grass\n\nMonster Energy Stadium Stage:\n Foo Fighters\n Bring Me the Horizon (did not perform due to high winds)\n Chevelle (did not perform due to high winds)\n The Distillers (did not perform due to high winds)\n The Struts\n The Glorious Sons\n Amigo the Devil\n\nEcho Stage:\n Joan Jett and the Blackhearts\n The Hives (performance ended early due to high winds)\n The Interrupters\n Yungblud\n Palaye Royale\n Dirty Honey\n Teenage Wrist\n\nWave Stage:\n Scars on Broadway (did not perform due to high winds)\n Refused (did not perform due to high winds)\n Black Pistol Fire (did not perform due to high winds)\n Basement (did not perform due to high winds)\n Scarlxrd (did not perform due to high winds)\n Demob Happy (did not perform due to high winds)\n\nSiriusXM Comedy & Spoken Word Tent:\n Pauly Shore (did not perform due to high winds)\n Carmen Lynch (did not perform due to high winds)\n Joe Deuce (did not perform due to high winds)\n Bill Squire (did not perform due to high winds)\n\nReferences\n\nExternal links\n \n\nHeavy metal festivals in the United States\nMusic festivals established in 2019\nMusic festivals in Ohio\nRock festivals in the United States", "The No Sound Without Silence Tour is the third arena tour by Irish pop rock band The Script. Launched in support of their fourth studio album No Sound Without Silence (2014), the tour began in Tokyo on 16 January 2015 and visited Europe, North America, Asia, Africa and Oceania. The opening acts were American singer Phillip Phillips for the South African dates, and English singer Tinie Tempah for the European dates. Pharrell Williams served as a co-headliner for the Croke Park concert on 20 June 2015.\n\nOpening acts\nColton Avery (Europe, North America, Australia, Philippines, Thailand, Malaysia)\nMary Lambert (North America)\nPhillip Phillips (South Africa)\nSilent Sanctuary (Philippines)\nTinie Tempah (Europe)\nPharrell Williams (Dublin)\nThe Wailers (Dublin)\nThe Sam Willows (Singapore)\nKensington (Band) (Europe)\n\nSetlist\nThis setlist is based on previous performances of the tour.\n\n \"Paint the Town Green\"\n \"Hail Rain or Sunshine\"\n \"Breakeven\"\n \"Before the Worst\"\n \"Superheroes\"\n \"We Cry\"\n \"If You Could See Me Now\"\n \"Man on a Wire\"\n \"Nothing\"\n \"Good Ol' Days\"\n \"Never Seen Anything (Quite Like You)\"\n \"The Man Who Can't Be Moved\"\n \"You Won't Feel A Thing\"\n \"It's Not Right For You\"\n \"Six Degrees of Separation\"\n \"The Energy Never Dies\"\n \"For the First Time\"\n \"No Good in Goodbye\"\n \"Hall of Fame\"\n\nAdditional information\nDuring the performance in Sheffield, The Script didn't perform \"We Cry\" due to a fan collapsing. Danny called for Paramedic to check on her, she was fine and they carried on.\n\nDuring the performance in Barcelona, The Script didn't perform \"The End Where I Begin\" or \"Nothing\". They also did not perform \"Six Degrees Of Separation\" and \"It's Not Right For You\".\n\nDuring the performance in Oakland, The Script didn't perform \"The End Where I Begin\", \"We Cry\", or \"Six Degrees of Separation\".\n\nDuring the performance in Toronto, The Script did not perform \"The End Where I Begin\" and \"Six Degrees of Separation\".\n\nDuring the performance im Hamburg, The Script did not perform \"Nothing\" and \"Never Seen Anything (Quite Like You)\".\n\nTour dates\n\nNotes\n\nReferences\n\n2015 concert tours\nThe Script concert tours" ]

[ "Anton Webern", "Performance style", "What was Webern's style like?", "Webern insisted on lyricism, nuance, rubato, sensitivity, and both emotional and intellectual understanding in performance of music;", "What was he best known for?", "extant recordings of Schubert's Deutsche Tanze (arr. Webern) and Berg's Violin Concerto under his direction,", "What is his most famous recording?", "I don't know.", "Are there any other interesting aspects about this article?", "many such detailed markings in his scores, and finally by his compositional process as both publicly stated and later revealed in the musical and extramusical metaphors", "What types of markings are in his scores?", "anecdotes, correspondence, extant recordings of Schubert's Deutsche Tanze", "Does he add anything else to his music?", "nearly slowing to half-tempo for the whole of first movement and taking care to delineate and shape each melodic strand and expressive gesture throughout the entirety of the work.", "How many movements does his music have?", "I don't know.", "Where did he perform?", "the Symphonieorchester des Bayerischen Rundfunks" ]

[ "\"What Else Is There?\" is the third single from the Norwegian duo Röyksopp's second album The Understanding. It features the vocals of Karin Dreijer from the Swedish electronica duo The Knife. The album was released in the UK with the help of Astralwerks.\n\nThe single was used in an O2 television advertisement in the Czech Republic and in Slovakia during 2008. It was also used in the 2006 film Cashback and the 2007 film, Meet Bill. Trentemøller's remix of \"What Else is There?\" was featured in an episode of the HBO show Entourage.\n\nThe song was covered by extreme metal band Enslaved as a bonus track for their album E.\n\nThe song was listed as the 375th best song of the 2000s by Pitchfork Media.\n\nOfficial versions\n\"What Else Is There?\" (Album Version) – 5:17\n\"What Else Is There?\" (Radio Edit) – 3:38\n\"What Else Is There?\" (Jacques Lu Cont Radio Mix) – 3:46\n\"What Else Is There?\" (The Emperor Machine Vocal Version) – 8:03\n\"What Else Is There?\" (The Emperor Machine Dub Version) – 7:51\n\"What Else Is There?\" (Thin White Duke Mix) – 8:25\n\"What Else Is There?\" (Thin White Duke Edit) – 4:50\n\"What Else Is There?\" (Thin White Duke Remix) (Radio Edit) – 3:06\n\"What Else Is There?\" (Trentemøller Remix) – 7:42\n\"What Else Is There?\" (Vitalic Remix) – 5:14\n\nResponse\nThe single was officially released on 5 December 2005 in the UK. The single had a limited release on 21 November 2005 to promote the upcoming album. On the UK Singles Chart, it peaked at number 32, while on the UK Dance Chart, it reached number one.\n\nMusic video\nThe music video was directed by Martin de Thurah. It features Norwegian model Marianne Schröder who is shown lip-syncing Dreijer's voice. Schröder is depicted as a floating woman traveling across stormy landscapes and within empty houses. Dreijer makes a cameo appearance as a woman wearing an Elizabethan ruff while dining alone at a festive table.\n\nMovie spots\n\nThe song is also featured in the movie Meet Bill as characters played by Jessica Alba and Aaron Eckhart smoke marijuana while listening to it. It is also part of the end credits music of the film Cashback.\n\nCharts\n\nReferences\n\n2005 singles\nRöyksopp songs\nAstralwerks singles\nSongs written by Svein Berge\nSongs written by Torbjørn Brundtland\n2004 songs\nSongs written by Roger Greenaway\nSongs written by Olof Dreijer\nSongs written by Karin Dreijer", "Léo Pons (born 4 October 1996) is a French filmmaker. He is best known as the director of Le Hobbit : Le Retour du roi du Cantal (2015) and is famous for making movies promoting his region Cantal. He directed several TV spots and short films.\n\nFilmography\n\nFilm\n 2014: Le Hobbit : Les Origines du Cantal\n 2014: Cantal, what else ?\n 2015: Le Hobbit : Le retour du roi du Cantal\n 2016: Smiling in Aurillac\n 2016: \"CHUT!\"\n\nReferences\n Léo Pons on Allocine.fr\n Léo Pons on Yahoo News\n A 17 ans, Léo Pons projette ce soir le 2e opus de sa parodie, inspirée du Seigneur des anneaux\n \"Cantal, what else ?\", un Auvergnat parodie Clooney et Dujardin\n Les coups d'éclat du réalisateur Léo Pons\n Interview de Léo Pons, réalisateur du Hobbit du Cantal\n\nExternal links\n\n \n \n\n1996 births\nLiving people\nFantasy film directors\nFrench film directors" ]

[ "Janis Joplin", "Death" ]

[ "Miracle Row is the ninth studio album by Janis Ian, and her fourth for Columbia Records, released in 1977.\n\nIn contrast to her previous three albums, Miracle Row was recorded in New York City with her recent touring band and lacked the orchestration. Following her previous album Aftertones, Ian would spend much time in Spanish Harlem with her mother, and aimed to capture that vibe on her new album.\n\nReception\n\nThe Kingsport News gave the album \"A\" upon release, saying that Janis was \"the best realist woman poet around today\" and also one if its best vocalists. The Irving Daily News’ Jason Christopher also praised the album, saying that Janis Ian “scored another triumph” and that the album was “highly recommended for rainy-day listening”. Joe McNally writing for the San Antonio Express, said that Janis “did what she did very well” and the critic admitted that he was a sucker for what she did.\n\nMiracle Row, despite these positive reviews, was substantially ignored by most critics, many of whom, for example Robert Christgau, did not review the album at all. Miracle Row proved a major commercial flop, failing to crack the top 40 of the Billboard pop albums chart, whilst none of its three singles would chart anywhere except for \"Will You Dance?\" being a top 40 hit in Japan. It proved to be Ian's last album to dent the top 100 in the United States, for her efforts to adopt a highly commercial pop sound on her subsequent Columbia albums would gain success only in Europe and Australia, and not do so consistently even there.\n\nTrack listing\n\nPersonnel\n Janis Ian – composer, producer, vocals, guitar, keyboards\n Rubens Bassini – conductor, congas, percussion\n Claire Bay – vocals\n Phil Kraus – bass, cymbals, percussion\n Jeff Layton – guitar, guitar arrangements, horn\n Barry Lazarowitz – drums, percussion\n Stu Woods – bass\n\nCharts\n\nReferences\n\n1977 albums\nJanis Ian albums\nColumbia Records albums", "\"What Good Can Drinkin' Do\" is a blues song by Janis Joplin, the first song she ever recorded. \n\nThe song has six verses, following the 12-bar blues pattern. Lyrics in the first and last verse are almost identical: \"What good can drinkin' do ?\" is sung twice, then answered with \"Lord, I drink all night but the next day I still feel blue.\"\n\nRecordings of this song can be heard on her 1975 album, Janis, or on the later box set Janis. Record Collector cites her intro to the song: Up steps a feisty young woman, one month short of her twentieth birthday. \"Uh, this is a song called 'What Good Can Drinkin' Do', that I wrote one night after drinkin' myself into a stupor.\" ... \n\nIn 2009, Austin musician Carolyn Wonderland began including the song in some of her live performances, after appearing at The American Music Masters tribute to Janis Joplin, \"Kozmic Blues: The Life and Music of Janis Joplin.\"\n\nReferences\n\nJanis Joplin songs\n1962 songs\nSongs about alcohol\nSong articles with missing songwriters" ]

[ "Janis Joplin", "Death", "What year did Janis die?", "1970," ]

[ "Iosif Grigor'evich Alliluyev (; 22 May 1945 – 2 November 2008) was a Russian cardiologist and a grandson of Joseph Stalin.\n\nThe son of Stalin's daughter Svetlana Alliluyeva, Iosif was seven years old when Stalin, his maternal grandfather, died in March 1953. Although he kept a low profile, he did take part in a television interview on Russian Channel One. He spoke about his relationship with his mother and how she fled to the United States.\n\nIn 1967, he was living in Moscow with his wife Yelena while studying to be a doctor. During this time, he was also serving his military service.\n\nAlliluyev died on 2 November 2008.\n\nHe is portrayed briefly as a 6-year-old in HBO's 1992 film Stalin.\n\nReferences\n\n1945 births\n2008 deaths\nPeople from Moscow\nRussian cardiologists\nSoviet cardiologists\nStalin family\nRussian people of Georgian descent", "Mary East (1730s — 8 June 1780) was an English tavern owner in the East End of London in the 1700s and is best known for being born as female but openly presenting as male in the Georgian era.\n\nIn 1732, a 16-year-old Mary East began to present as a man taking on the name James How after entering a relationship with another 17-year-old female friend (unnamed).\n\nLife as a pub landlord\n\nThe two identified as a married couple and went on to purchase and run several pubs across East London before settling in Poplar to run the White Horse pub in 1745.\n\nCourt case\n\nThe couple lived peacefully but experienced incidents of blackmail from confidants and old acquaintances wanting to expose James How’s female identity. Around 1750, a person who knew of Mary East in her youth, blackmailed the couple for cash in exchange for keeping their secret. James How complied with the payments of between £5 and £10 until 1765 when Mrs. How passed away.\n\nIn 1766, unable to comply with the demands any further and after a violent assault on James How from the blackmailer, James How brought the matter to the court. The extortionist appeared before Justices of the Peace in Whitechapel and \"after the strongest proof of their extortion and assault\" was detained in Clerkenwell Bridewell prison until trial. James How outed the original identity and attended the trial hearings as Mary East. Mary was able to prove the extortion of considerable sums of money as well as assault, and won the case. The blackmailer was convicted and sentenced to stand three times in the pillory and four years of imprisonment. Mary had to resign from the roles she had held as James How, and had to retire from the White Horse.\n\nAfter the hearing, Mary East retired and lived the remaining years of her life as a woman. She died on 8 June 1780; her estate was divided between the poor of Poplar, relatives, and friends. She was buried at St Matthias Old Church in Poplar.\n\nIn popular culture\n\nThe story of James Now and his wife was told in Bram Stoker’s novel Famous Impostors in 1910.\n\nReferences \n\n18th-century English people\nTransgender and transsexual people\n\n1730s births\n1780 deaths" ]

[ "Janis Joplin", "Death", "What year did Janis die?", "1970,", "How old was she when she died?", "On October 4, 1970, producer Paul Rothchild became concerned when Joplin failed to show up at Sunset Sound Recorders for a recording" ]

[ "Janis Anne Babson (September 9, 1950 – May 12, 1961) was a Canadian girl who received posthumous acclaim with the donation of her corneas for transplant after her death from leukemia at the age of 10. Her story was reported in a newspaper article syndicated across Canada, inspiring two books and other memorials. When Janis died of leukemia in 1961, corneal transplantation was a relatively unknown procedure. Although parents who lose young children frequently donate some of their organs to others, Janis's bequest was significant because the donation of her eyes at her death was her own idea, and it inspired many other people—across Canada and elsewhere—to become cornea donors as well.\n\nWhite Cane Week\nJanis happened to see a television program sponsored by an eye bank after watching National Velvet, a program she loved because of her passion for horses. When her youngest brother fell asleep on her lap, she did not want to wake him and remained in front of the television set when a White Cane Week special aired. The program's hosts explained how some cases of blindness could be cured with corneal donations, restoring a recipient's eyesight. After the program Janis, moved, told her mother and father that when she died she wanted to donate her eyes to the Eye Bank. Her parents—Harry Rudolphe (Rudy) Babson, a member of the Royal Canadian Mounted Police and Rita Quinn Babson—knew their daughter was serious about the gift, but it was a big decision for such a young girl.\n\nLeukemia\nIn early 1959, when Janis was eight years old, her mother noticed that she had lost her energy and appetite. Her father took her to the family pediatrician who noted a great increase in white blood cells from a sample he took. He ordered additional tests and referred her to hematologist Alexander English at the Ottawa Civic Hospital. The tests revealed that Janis was suffering from a sub-acute form of leukemia. At that time, leukemia was invariably fatal; with the chemotherapy available, Janis was expected to live about a year. She responded well to treatments which slowed the advance of the leukemia, and survived about 26 months after her diagnosis.\n\nDeath\n\nDespite a change in drugs from methotrexate to mercaptopurine, Janis's condition deteriorated in early 1961 as her leukemia worsened and she was hospitalized and released twice. In early May, she was hospitalized for the third (and final) time. Janis died in her parents' arms at 9:25 pm ET on Friday, May 12, 1961. Throughout her illness, Janis reminded her parents about her desire to donate her eyes; their original reluctance gave way when Rudy signed the consent forms for the donation of Janis's eyes a few hours before her death.\n\nJanis is buried in Notre Dame Cemetery in Ottawa. Her funeral Mass was attended by her entire school.\n\nLegacy\nJanis's best friend, Tricia Kennedy, moved from Ottawa to Chalk River, Ontario with her family. When the Kennedys were interviewed by the local paper as part of a get-to-know-your-neighbours feature, Tricia Kennedy announced that her best friend had died of leukemia and donated her eyes to the Eye Bank in Toronto. Impressed, the reporter then contacted the Ottawa Journal. Tim Burke, a reporter for the Journal, contacted the Babsons; his interview became \"Little Janis\" in his May 31, 1961 \"Below the Hill\" column. The response was immediate: from Ottawa Mayor Charlotte Whitton to retired pharmacist Abe Silver (who created an endowment to Hebrew National University in Janis's name for leukemia research) to groups and individuals who set a record for the number of pledged donations to the Eye Bank.\n\nIn 1962, the first of two books on Janis's life was published: Janis of City View (Holy Cross Press) by Rena Ray. The following year Lawrence Elliott, a correspondent for Reader's Digest, published A Little Girl's Gift (Holt, Rinehart & Winston). Six months earlier, a condensed version had appeared in the June 1963 issue of Reader's Digest entitled The Triumph of Janis Babson.\n\nTributes\nThe Internet has spawned several websites dedicated to Janis Babson's memory. In addition, her family (mother and siblings) have created a memorial Facebook page where many whose lives were touched by Janis's can leave comments and posts. A 50th-anniversary tribute, arranged by the Babson family, was held May 27, 2011, in Ottawa to commemorate a half-century since Janis's death. It featured Lawrence Elliott, a new commemorative edition of A Little Girl's Gift, and artist Caroline Langill (Custody of the Eyes). A large-cupped, broad-petalled daffodil, white with pink rims, has been named after Janis as a tribute.\n\nNotes\n\nReferences\n\nExternal links \nRetelling of A Little Girl's Gift and Janis of City View\nLenten Meditation: Character produces hope\n\nMemorial Facebook page\n\n1950 births\n1961 deaths\nCanadian children\nOrgan transplant donors\nDeaths from leukemia\nDeaths from cancer in Ontario", "Parallel Mothers () is a 2021 Spanish drama film written and directed by Pedro Almodóvar. The film stars Penélope Cruz and Milena Smit and features Aitana Sánchez-Gijón, Israel Elejalde, Julieta Serrano and Rossy de Palma.\n\nIt had its premiere as the opening film of the 78th Venice International Film Festival on 1 September 2021 where Penélope Cruz was awarded the Volpi Cup for Best Actress. It was theatrically released in Spain on 8 October 2021 by Sony Pictures Releasing International. It was also scheduled to be the closing film of the 2021 New York Film Festival on the same day. The film earned two nominations at the 94th Academy Awards for Best Actress (Cruz) and Best Original Score (Iglesias).\n\nPlot\nPhotographer Janis Martínez does a photo shoot with renowned forensic archaeologist Arturo. She asks him if his foundation will help excavate a mass grave in her home village, where her great-grandfather and other men from the village were killed and buried during the Spanish Civil War. Arturo agrees to review the case with his foundation; he and Janis then sleep together. Months later, Janis becomes pregnant. She decides to keep the baby and raise it alone, against Arturo's wishes, who has a wife undergoing chemotherapy but wants to be with Janis. \n\nJanis later shares a hospital room with Ana, a teen single mother accompanied by her mother; they give birth at the same time. After both babies are held for evaluation, they are released, and Janis and Ana go their separate ways. Janis and Ana stay in touch, keeping one another updated on their babies' progress. Arturo arrives one day asking to see baby Cecilia; he reacts strangely, confessing that he does not believe the baby is his. Janis does a maternity test, which reveals that she is not Cecilia's biological mother, but she decides not to tell anyone.\n\nMonths later, Janis runs into Ana working at a cafe near her home; Ana has left her mother's home to fend for herself after her mother left to pursue acting on the road. Janis invites Ana up to her apartment, where Ana tearfully reveals that her baby Anita has suffered a crib death. Janis asks for a photo of Anita, which confirms her suspicions that her and Ana's babies were swapped in the hospital.\n\nJanis later offers Ana a job as a live-in maid, watching over the house and baby Cecilia. She collects saliva samples from Ana and Cecilia without telling her they are for a maternity test, whose results confirm that Cecilia is Ana's daughter. Ana later reveals that her pregnancy was the result of a gang rape by her classmates, and her father pressured her into staying silent to avoid negative press attention. The budding sugaring-like relationship between Janis and Ana further develops into a casual sexual relationship, but Janis is unable to commit fully to Ana who wants more from her.\n\nArturo arrives with news that his foundation has approved the excavation of the mass grave, and also that his wife has recovered from cancer and they are separating. He and Janis celebrate with a night out on the town, making Ana jealous. Ana's mother also comes by to reconnect with Ana, admitting to Janis that she feels like a terrible mother but wanted so badly to pursue her dream as an actress.\n\nJanis finally admits the truth to Ana, who reacts angrily and leaves in the night with Cecilia, to Janis' dismay. She calls Arturo and breaks the news to him as well; he spends the night with her as they console each other. The next morning Ana calls Janis, having calmed down, and says that Janis is still welcome to see Cecilia and be a part of her life.\n\nMonths later, Janis and Arturo travel to her home village, where he gathers information about the grave from surviving relatives and prepares for the excavation with his team. Ana later arrives with Cecilia, and Janis reveals to her that she is three months pregnant. When asked what she will name the baby, Janis says Ana if it is a girl and Antonio if it is a boy (after her great-grandfather). The excavation is a success, and the village gathers at the exhumed grave to mourn their lost loved ones.\n\nCast\n\nProduction\nIn February 2021 it was announced that Pedro Almodóvar was ready to direct his new film entitled Madres paralelas, with a cast headed by Penélope Cruz, Israel Elejalde, Julieta Serrano and Rossy de Palma. On 12 March 2021, it was reported that Pedro Almodóvar intended to integrate Anya Taylor-Joy into the main cast of the film.\n\nPrincipal photography began on 12 March 2021 in Madrid, Spain, and concluded on 22 April 2021. Shooting locations included Madrid, Torrelaguna and Torremocha de Jarama. Produced by El Deseo and Remotamente Films AIE with the support of RTVE and Netflix, the movie also received funding from the ICAA.\n\nRelease\nOn 4 February 2021, Pathé acquired the UK distribution rights to the film. On 23 April 2021, Sony Pictures Classics acquired the North American, Australian and New Zealand distribution rights to the film. The film had its world premiere at the 78th Venice International Film Festival on 1 September 2021. Distributed by Sony Pictures Entertainment Iberia, it was theatrically released in Spain on 8 October 2021. It was scheduled to be released in the United States on 24 December 2021. It was scheduled to be released theatrically in the United Kingdom on 28 January 2022, and was the first movie released under Pathé's new term deal with Warner Bros. Pictures along with The Duke, after their distribution agreement with Disney expired on 30 June 2021.\n\nIts theatrical release poster, featuring a lactating nipple, was removed from Instagram due to its rules regarding nudity. The decision was criticized by the \"free the nipple\" movement, leading to an apology from Instagram.\n\nNetflix acquired the exclusive distribution rights for the Latin-American region, aiming for an early 2022 release, even if theatrical openings were not ruled out at the time of the announcement. A theatrical window of 15 days prior to streaming was the choice for Argentina, with a release \"in a few theatres\" slated for 3 February 2022.\n\nReception\nAt its opening night world premiere, the movie received a nine-minute standing ovation from Venice Film Festival attendees in the Sala Grande. It was submitted to be the Spanish entry to the 94th Academy Awards alongside Mediterraneo: The Law of the Sea and The Good Boss, but the latter film was the final official selection.\n\nOn review aggregator Rotten Tomatoes, 97% of 191 critics have given the film a positive review, with an average rating of 8.40/10. The website's critics consensus reads: \"A brilliant forum for Penélope Cruz's talent, Parallel Mothers reaffirms the familiar pleasures of Almodóvar's filmmaking while proving he's still capable of growth.\" On Metacritic, the film has a weighted average score of 88 out of 100, based on 46 critics, indicating \"universal acclaim.\"\n\nTop ten lists \nThe film appeared on many American critics' top ten lists of the best films of 2021.\n\nAccolades\n\nSee also\n List of Spanish films of 2021\n\nReferences\n\nExternal links\n \n\n2021 films\n2021 drama films\n2020s Spanish-language films\nFilms about parenting\nFilms directed by Pedro Almodóvar\nFilms shot in Madrid\nFilms set in Madrid\nSpanish drama films\nSpanish films\nEl Deseo films" ]

[ "Janis Joplin", "Death", "What year did Janis die?", "1970,", "How old was she when she died?", "On October 4, 1970, producer Paul Rothchild became concerned when Joplin failed to show up at Sunset Sound Recorders for a recording", "Was Janis with anyone when she died?", "Peggy Caserta and Seth Morgan had both failed to meet Joplin the Friday immediately prior to her death," ]

[ "\"Falling in Love Again\" is a 1977 song recorded by singer Marvin Gaye and issued on his 1978 album, Here, My Dear album. The song was another track on the personal album that did not discuss the demise of his first marriage. Instead of Anna Gaye, the song talked of the other woman in Marvin's life. Described in \"You Can Leave, but It's Going to Cost You\" as \"that young girl\", she was Janis Hunter, whom Gaye had married. In a solemn but still certain tone, he wanted to be sure that this time his love for Janis will be what he had always wanted. But as irony would have it, by the time of the album's release, Marvin and Janis' relationship was failing. By the end of the album's promotion, Janis had split from the singer after nearly two years as a married couple. They eventually divorced in February 1981. This song was the last song on Here, My Dear with a reprise from the album's \"theme song\", \"When Did You Stop Loving Me, When Did I Stop Loving You\", playing soon afterwards putting the album to a close for good.\n\nPersonnel\nAll vocals, keyboards and synthesizers by Marvin Gaye\nDrums by Bugsy Wilcox\nTenor saxophones by Charles Owens and Fernando Harkness\nBass by Frank Blair\nGuitar by Gordon Banks\nPercussion by Gary Jones and Elmira Collins\n\n1978 songs\nMarvin Gaye songs\nSongs written by Marvin Gaye\nSong recordings produced by Marvin Gaye", "Janis Anne Babson (September 9, 1950 – May 12, 1961) was a Canadian girl who received posthumous acclaim with the donation of her corneas for transplant after her death from leukemia at the age of 10. Her story was reported in a newspaper article syndicated across Canada, inspiring two books and other memorials. When Janis died of leukemia in 1961, corneal transplantation was a relatively unknown procedure. Although parents who lose young children frequently donate some of their organs to others, Janis's bequest was significant because the donation of her eyes at her death was her own idea, and it inspired many other people—across Canada and elsewhere—to become cornea donors as well.\n\nWhite Cane Week\nJanis happened to see a television program sponsored by an eye bank after watching National Velvet, a program she loved because of her passion for horses. When her youngest brother fell asleep on her lap, she did not want to wake him and remained in front of the television set when a White Cane Week special aired. The program's hosts explained how some cases of blindness could be cured with corneal donations, restoring a recipient's eyesight. After the program Janis, moved, told her mother and father that when she died she wanted to donate her eyes to the Eye Bank. Her parents—Harry Rudolphe (Rudy) Babson, a member of the Royal Canadian Mounted Police and Rita Quinn Babson—knew their daughter was serious about the gift, but it was a big decision for such a young girl.\n\nLeukemia\nIn early 1959, when Janis was eight years old, her mother noticed that she had lost her energy and appetite. Her father took her to the family pediatrician who noted a great increase in white blood cells from a sample he took. He ordered additional tests and referred her to hematologist Alexander English at the Ottawa Civic Hospital. The tests revealed that Janis was suffering from a sub-acute form of leukemia. At that time, leukemia was invariably fatal; with the chemotherapy available, Janis was expected to live about a year. She responded well to treatments which slowed the advance of the leukemia, and survived about 26 months after her diagnosis.\n\nDeath\n\nDespite a change in drugs from methotrexate to mercaptopurine, Janis's condition deteriorated in early 1961 as her leukemia worsened and she was hospitalized and released twice. In early May, she was hospitalized for the third (and final) time. Janis died in her parents' arms at 9:25 pm ET on Friday, May 12, 1961. Throughout her illness, Janis reminded her parents about her desire to donate her eyes; their original reluctance gave way when Rudy signed the consent forms for the donation of Janis's eyes a few hours before her death.\n\nJanis is buried in Notre Dame Cemetery in Ottawa. Her funeral Mass was attended by her entire school.\n\nLegacy\nJanis's best friend, Tricia Kennedy, moved from Ottawa to Chalk River, Ontario with her family. When the Kennedys were interviewed by the local paper as part of a get-to-know-your-neighbours feature, Tricia Kennedy announced that her best friend had died of leukemia and donated her eyes to the Eye Bank in Toronto. Impressed, the reporter then contacted the Ottawa Journal. Tim Burke, a reporter for the Journal, contacted the Babsons; his interview became \"Little Janis\" in his May 31, 1961 \"Below the Hill\" column. The response was immediate: from Ottawa Mayor Charlotte Whitton to retired pharmacist Abe Silver (who created an endowment to Hebrew National University in Janis's name for leukemia research) to groups and individuals who set a record for the number of pledged donations to the Eye Bank.\n\nIn 1962, the first of two books on Janis's life was published: Janis of City View (Holy Cross Press) by Rena Ray. The following year Lawrence Elliott, a correspondent for Reader's Digest, published A Little Girl's Gift (Holt, Rinehart & Winston). Six months earlier, a condensed version had appeared in the June 1963 issue of Reader's Digest entitled The Triumph of Janis Babson.\n\nTributes\nThe Internet has spawned several websites dedicated to Janis Babson's memory. In addition, her family (mother and siblings) have created a memorial Facebook page where many whose lives were touched by Janis's can leave comments and posts. A 50th-anniversary tribute, arranged by the Babson family, was held May 27, 2011, in Ottawa to commemorate a half-century since Janis's death. It featured Lawrence Elliott, a new commemorative edition of A Little Girl's Gift, and artist Caroline Langill (Custody of the Eyes). A large-cupped, broad-petalled daffodil, white with pink rims, has been named after Janis as a tribute.\n\nNotes\n\nReferences\n\nExternal links \nRetelling of A Little Girl's Gift and Janis of City View\nLenten Meditation: Character produces hope\n\nMemorial Facebook page\n\n1950 births\n1961 deaths\nCanadian children\nOrgan transplant donors\nDeaths from leukemia\nDeaths from cancer in Ontario" ]

[ "Janis Joplin", "Death", "What year did Janis die?", "1970,", "How old was she when she died?", "On October 4, 1970, producer Paul Rothchild became concerned when Joplin failed to show up at Sunset Sound Recorders for a recording", "Was Janis with anyone when she died?", "Peggy Caserta and Seth Morgan had both failed to meet Joplin the Friday immediately prior to her death,", "Had anyone tried to stop Janis from using heroin?", "During the 24 hours Joplin lived after this disappointment," ]

[ "\"Kozmic Blues\" is a song from American singer-songwriter Janis Joplin's I Got Dem Ol' Kozmic Blues Again Mama! album, her first after departing Big Brother and the Holding Company. It was a part of Joplin's set at the Woodstock Festival in 1969.\n\nBackground\nAlthough the concert as a whole is not regarded as Joplin at her best, that specific performance became very popular and was released on The Essential Janis Joplin.\n\nChart performance\n\nReferences \n\nJanis Joplin songs", "\"Down on Me\" is a traditional freedom song from the 1920s or earlier that became popular following its remake by Janis Joplin and Big Brother and the Holding Company.\n\nOriginal version\nSeveral early recordings and field recordings exist:\nEddie Head and His Family, (1930) on American Primitive Vol 1: Raw Pre-war Gospel (Revenant 206)\nMary Pickney and Janie Hunter, on Been in the Storm So Long: A Collection of Spirituals, Folk Tales and Children's Games from Johns Island, SC (Smithsonian Folkways 40031)\nDoc Reed, Livingston, Alabama in 1940. on Negro Religious Songs and Services (Rounder CD 1514).\nThe Golden Harps, on compilation Soul of Chicago \nEdna G. Cooke\nThe lyrics of the freedom song are darker than the later Joplin lyrics. For example, the second stanza of jazz versions and Dock Reed's version run:\n\nJanis Joplin version\nJanis Joplin rearranged the song and created new lyrics. The song was originally released in the summer of 1967 and was featured on the band's debut album Big Brother & the Holding Company. The song would reach #42 on the charts, barely missing the Top 40 mark. A live, more aggressive version is featured on the posthumously released live album In Concert and the 1973 collection Janis Joplin's Greatest Hits. This version was also released as a single, reaching #91 on the charts in 1972.\n\nThe third and final stanza of Joplin's version ends with a positive message:\n\nJoplin's version was covered by Jeany Reynolds in 1970.\n\nReferences\n\n1920s songs\n1967 singles\nYear of song unknown\nProtest songs\nJanis Joplin songs\nSongwriter unknown" ]

[ "Janis Joplin", "Death", "What year did Janis die?", "1970,", "How old was she when she died?", "On October 4, 1970, producer Paul Rothchild became concerned when Joplin failed to show up at Sunset Sound Recorders for a recording", "Was Janis with anyone when she died?", "Peggy Caserta and Seth Morgan had both failed to meet Joplin the Friday immediately prior to her death,", "Had anyone tried to stop Janis from using heroin?", "During the 24 hours Joplin lived after this disappointment,", "Was Janis Joplin suicidal?", "Cooke believes Joplin had been given heroin that was much more potent than normal, as several of her dealer's other customers also overdosed that week." ]

[ "The Moldy Peaches were an American indie group founded by Adam Green and Kimya Dawson. Leading proponents of the anti-folk scene, the band has been on hiatus since 2004. The appearance of their song \"Anyone Else but You\" in the film Juno significantly raised their profile; Dawson and Green made a handful of reunion appearances together in December 2007.\n\nHistory\nGreen and Dawson met at Exile on Main Street Records in Mount Kisco, New York, and began working together. Green put out a 7\" Ep called \"X-Ray Vision\" under the name The Moldy Peaches, featuring recordings he made from 1994–96 with Dawson and various other friends, notably Jules Sheridan, a songwriter based in Scotland. Green and Dawson recorded a CDR album in 1998 under the name Moldy Peaches 2000 called FER THE KIDS before Dawson moved to Port Townsend, Washington. In early 1999 Green joined her there, and more home and live recordings transpired. The band returned to NYC as a 4 piece later in the year (including Jest Commons, guitar, and Justin Campbell, drums). They became active on the NYC anti-folk scene, playing at the SideWalk Cafe before the band broke up. Dawson and Green both recorded solo albums. The band reformed in August 2000 with Chris Barron of the Spin Doctors on lead guitar, Brian Piltin on bass guitar, and Strictly Beats (Brent Cole) on drums. (The \"2000\" was dropped from their name around this time). A new 11 song album was recorded, which led to a deal with Rough Trade in the UK. They gained recognition after their initial 7\" 'Who's Got the Crack\" was named 'Single of the Week' in NME. Rough Trade released the album The Moldy Peaches in 2001. Released in the U.S. on September 11, 2001, it contained the song \"NYC Is Like a Graveyard\". The band expanded to a six-piece, with guitarists Jack Dishel and Aaron Wilkinson, bass player Steven Mertens, and drummer Strictly Beats, augmenting the original duo of Dawson and Green. They toured internationally with The Strokes with whom they shared record label and management.\n\nAaron Wilkinson left the band and was replaced by Toby Goodshank. Wilkinson died from an overdose in July 2003. The Strokes dedicated their album Room on Fire to his memory.\n\nIn 2003 a second album Moldy Peaches 2000 was released, a double-CD compilation of various scraps and live recordings.\n\nAfter an extensive US headlining tour in the winter of 2003, the band went into hiatus in early 2004. However, the band reunited in late 2004 for a one-off show to benefit Accidental CDs, Records and Tapes, a hole-in-the-wall record store on Ave A in NYC. That store was an early supporter of the band and helped hook them up with the gig that ultimately got them their record deal. Both central members embarked on solo careers.\n\nOn December 2, 2007, Dawson and Green played an impromptu set together at Los Angeles' The Smell to end a show where Dawson was headlining. They changed the lyrics of the song \"Who's Got The Crack\" to \"Who's Got The Blues\". On December 3, 2007, the Moldy Peaches played at the Juno film premiere.\n\nThe band was booked to appear on the Conan O'Brien television show on January 14, 2008, but they canceled because of the writer's strike. Dawson has said that she is not keen to reform the band at present. However, Dawson and Green did appear together on the NPR radio show Bryant Park Project on January 16, 2008. and appeared on television show The View on January 21, 2008.\n\nSubsequent to the success of the Juno soundtrack, which hit No. 1 on the Billboard 200 on its third week of physical release, the song \"Anyone Else but You\" was released as a UK single on February 25, 2008.\n\nOn November 13, 2011, The Moldy Peaches played a short set at the Knitting Factory in New York.\n\nSolo projects\nGreen released his seventh solo album and accompanying film, Aladdin, in 2016 via Fat Possum. His initial band included a 3-piece string section.\n\nDawson has continued to tour playing small clubs and house parties. Her album Remember That I Love You on K Records has been well received. Dawson collaborated with Aesop Rock on the album Hokey Fright under the name The Uncluded.\n\nDishel's former outfit Stipplicon having broken up, he formed a new band, Only Son, who have toured with Regina Spektor. Dishel also plays in Spektor's band.\n\nMertens has his own group SpaceCamp and plays in Green's backing band.\n\nCole is in the boyband Candy Boys and has performed with numerous acts including Dufus, Jeffrey Lewis, Only Son, Sandra Bernhard, and Toby Goodshank.\n\nGoodshank plays solo shows and is also in a duo, Double Deuce, with his sister Angela.\n\nNotable appearances\n The song \"Anyone Else but You\" was used in the Academy Award-nominated documentary film Murderball (film).\n The song \"Anyone Else but You\" was used in a mobile phone TV-ad in France during World Cup 2006, featuring French star Zinedine Zidane.\n The song \"Anyone Else but You\" is central to the 2007 Academy Award-winning film Juno and a version is also performed by the two main characters (Elliot Page and Michael Cera).\n A re-written version of \"Anyone Else but You\" was featured in a commercial for Atlantis Resorts in the Bahamas.\n The song \"Jorge Regula\" was used in a Pepsodent commercial in Hispanic America, without the group's permission.\n A version of the song \"Jorge Regula\" also appears in the 2006 indie film The Guatemalan Handshake.\n\nPersonnel\nKimya Dawson – vocals, guitars (1994–2004, 2007–2008)\nAdam Green – vocals, guitars (1994–2004, 2007–2008)\nJustice Campbell – drums (1999)\nJest Commons – guitars (1999)\nBrent Cole – drums (2000–2004)\nChris Barron – guitars (2000–2001)\nBrian Piltin – bass (2000–2001)\nJack Dishel – guitars (2001–2004)\nSteven Mertens – bass (2001–2004)\nAaron Wilkinson – guitars (2001–2002; died 2003)\nToby Goodshank – guitars (2002–2004)\n\nTimeline\n\nDiscography\nAfter releasing their first few records themselves, The Moldy Peaches have released music internationally through Rough Trade. In the United States records were originally released under the Sanctuary Records banner but, since the demise of Sanctuary and the takeover of Rough Trade by the Beggars Group, U.S. releases are now also on Rough Trade.\n\n X-Ray Vision (EP) – Average Cabbage Records – 1996\n Moldy Peaches 2000: Fer the Kids/ Live 1999 (Cassette/CD) – Average Cabbage Records – 1999\n\"The Love Boat\" - Live!!! (Cassette) – Average Cabbage Records – 1999\n The Moldy Peaches (CD-R) – Pro-Anti Records – 2000 (11-song CD, similar cover to next release, all songs included on later albums or singles).\n The Moldy Peaches (CD/LP) – Sanctuary Records/Rough Trade – 2001 (compilation from previous self-releases plus 1 re-recording of \"Nothing Came Out\")\n \"County Fair/Rainbows\" (CD single) – Sanctuary Records/Rough Trade – 2002\n Moldy Peaches 2000: Unreleased Cutz and Live Jamz 1994-2002 (CD) – Sanctuary Records/Rough Trade – 2003\n \"Anyone Else but You\" (single) – Rough Trade – 2008\n Origin Story: 1994–1999 (CD/LP/Cassette) – Org Music – 2022\n\nCompilation appearances\n Music from the Film Garage Days (\"Lucky Number Nine\") – Festival Mushroom Records 2002\nMusic from the Film Murderball (\"Anyone Else but You\") – Commotion 2005\nMusic from the Motion Picture Juno (\"Anyone Else but You\") – Rhino Records 2007\n\nReferences\n\nExternal links\n\n www.moldypeaches.com Official site.\n MP2K The original official site (archive.org)\nThe Moldy Peaches Beggars Group USA page\n\nAnti-folk groups\nMusical groups established in 1994\nMusical groups disestablished in 2008\nIndie rock musical groups from New York (state)\nPsychedelic folk groups\nRough Trade Records artists\nMusical groups from Washington (state)", "Ruwida El-Hubti (born 16 April 1989) is an Olympic athlete from Libya. At the 2004 Summer Olympics, she competed in the Women's 400 metres. She finished last in her heat with a time of 1:03.57, almost 11 seconds slower than anyone else in the heat, and the slowest of anyone in the competition. However, she did set a national record.\n\nReferences\n\n1989 births\nLiving people\nOlympic athletes of Libya\nAthletes (track and field) at the 2004 Summer Olympics" ]

[ "Janis Joplin", "Death", "What year did Janis die?", "1970,", "How old was she when she died?", "On October 4, 1970, producer Paul Rothchild became concerned when Joplin failed to show up at Sunset Sound Recorders for a recording", "Was Janis with anyone when she died?", "Peggy Caserta and Seth Morgan had both failed to meet Joplin the Friday immediately prior to her death,", "Had anyone tried to stop Janis from using heroin?", "During the 24 hours Joplin lived after this disappointment,", "Was Janis Joplin suicidal?", "Cooke believes Joplin had been given heroin that was much more potent than normal, as several of her dealer's other customers also overdosed that week.", "Did anyone else from her band overdose?", "I don't know." ]

[ "This Is Janis Joplin 1965 is an album by Janis Joplin released by James Gurley in 1995.\n\nRecord history\nRecorded originally in 1965, the seven tracks that appear here are all previously unreleased, including Joplin's original version of her song \"Turtle Blues\" and an alternate version of \"Cod'ine\" by Buffy Sainte-Marie. Originally just Joplin and her guitar, a full band has been added to these tracks. The original takes of these songs have been released on the 9 disc compilation Blow All My Blues Away , with the exception of \"Cod'ine\", which is also the enhanced version featured on this collection.\n\nTrack listing\n\"Apple of My Eye\"\n\"Zip Train [219 Train]\"\n\"Cod'ine\" (Buffy Sainte-Marie, Janis Joplin)\n\"Down and Out\"\n\"Turtle Blues\" (Janis Joplin)\n\"I Ain't Got a Worry\"\n\"Brownsville\"\n\n1995 compilation albums\nJanis Joplin compilation albums\nCompilation albums published posthumously", "\"What Good Can Drinkin' Do\" is a blues song by Janis Joplin, the first song she ever recorded. \n\nThe song has six verses, following the 12-bar blues pattern. Lyrics in the first and last verse are almost identical: \"What good can drinkin' do ?\" is sung twice, then answered with \"Lord, I drink all night but the next day I still feel blue.\"\n\nRecordings of this song can be heard on her 1975 album, Janis, or on the later box set Janis. Record Collector cites her intro to the song: Up steps a feisty young woman, one month short of her twentieth birthday. \"Uh, this is a song called 'What Good Can Drinkin' Do', that I wrote one night after drinkin' myself into a stupor.\" ... \n\nIn 2009, Austin musician Carolyn Wonderland began including the song in some of her live performances, after appearing at The American Music Masters tribute to Janis Joplin, \"Kozmic Blues: The Life and Music of Janis Joplin.\"\n\nReferences\n\nJanis Joplin songs\n1962 songs\nSongs about alcohol\nSong articles with missing songwriters" ]

[ "Janis Joplin", "Death", "What year did Janis die?", "1970,", "How old was she when she died?", "On October 4, 1970, producer Paul Rothchild became concerned when Joplin failed to show up at Sunset Sound Recorders for a recording", "Was Janis with anyone when she died?", "Peggy Caserta and Seth Morgan had both failed to meet Joplin the Friday immediately prior to her death,", "Had anyone tried to stop Janis from using heroin?", "During the 24 hours Joplin lived after this disappointment,", "Was Janis Joplin suicidal?", "Cooke believes Joplin had been given heroin that was much more potent than normal, as several of her dealer's other customers also overdosed that week.", "Did anyone else from her band overdose?", "I don't know.", "After her death, did Janis Joplin's popularity go up or down?", "Joplin's last will and testament funded $2,500 to throw a wake party in the event of her demise." ]

[ "Miracle Row is the ninth studio album by Janis Ian, and her fourth for Columbia Records, released in 1977.\n\nIn contrast to her previous three albums, Miracle Row was recorded in New York City with her recent touring band and lacked the orchestration. Following her previous album Aftertones, Ian would spend much time in Spanish Harlem with her mother, and aimed to capture that vibe on her new album.\n\nReception\n\nThe Kingsport News gave the album \"A\" upon release, saying that Janis was \"the best realist woman poet around today\" and also one if its best vocalists. The Irving Daily News’ Jason Christopher also praised the album, saying that Janis Ian “scored another triumph” and that the album was “highly recommended for rainy-day listening”. Joe McNally writing for the San Antonio Express, said that Janis “did what she did very well” and the critic admitted that he was a sucker for what she did.\n\nMiracle Row, despite these positive reviews, was substantially ignored by most critics, many of whom, for example Robert Christgau, did not review the album at all. Miracle Row proved a major commercial flop, failing to crack the top 40 of the Billboard pop albums chart, whilst none of its three singles would chart anywhere except for \"Will You Dance?\" being a top 40 hit in Japan. It proved to be Ian's last album to dent the top 100 in the United States, for her efforts to adopt a highly commercial pop sound on her subsequent Columbia albums would gain success only in Europe and Australia, and not do so consistently even there.\n\nTrack listing\n\nPersonnel\n Janis Ian – composer, producer, vocals, guitar, keyboards\n Rubens Bassini – conductor, congas, percussion\n Claire Bay – vocals\n Phil Kraus – bass, cymbals, percussion\n Jeff Layton – guitar, guitar arrangements, horn\n Barry Lazarowitz – drums, percussion\n Stu Woods – bass\n\nCharts\n\nReferences\n\n1977 albums\nJanis Ian albums\nColumbia Records albums", "\"Goodbye Yellow Brick Road\" is the 18th episode of the ABC series FlashForward.\n\nPlot\nAaron meets with Wedeck's contact in Afghanistan, who offers to help him find a doctor of a medical relief group that Aaron had met in his flashforward. Aaron and his contact are ambushed by a rebel group out in the desert, but Aaron is saved by another armed group, this one led by the Kahmir, the doctor he had been seeking.\n\nOlivia continues to be accosted by Gabriel, who seems to know a lot about her and her life. Olivia also learns Gabriel has been following her around; Olivia checks older photos of her and spots Gabriel in many of them. Olivia finally visits Raven Rivers, a psychiatric hospital, where Gabriel explains where it had all begun. Gabriel reveals that he and other savants like him were forced to watch flashforwards, generated by experiments run by Dyson Frost; their eidetic memory allowed them to record what they saw in great detail. Gabriel explains his flashforwards always concerned Olivia, and that in all of them, she had always been with Lloyd, having never even met Mark. Gabriel explains he kept trying to push her on the \"right path,\" ever since she had decided to attend UCLA instead of Harvard, where she would have met Lloyd, instead of Mark in Los Angeles.\n\nFlashbacks from two years ago show how Janis was first approached to being a mole in the FBI. She agreed in order to earn the extra cash, and was to report all her findings to the owner of a local pet store. However, it was later revealed that around this period, Vogel had also secretly arranged to meet her, and told her she would be the most likely candidate for being approached on being a mole. Vogel told her to accept the job and act as a double agent. After the blackout, Janis confronts the owner about wanting to quit, horrified she had helped in something so catastrophic. The owner, however, tells her she can't and will have to continue her job.\n\nIn the present, Mark has begun deciphering one of the pictures found on Frost: a large blueprint of an ancient mechanical device. Janis takes the blueprint to an antiquities professor to figure out what it means. When Janis shows a copy of the blueprint to the pet store lady, she orders Janis to take back the blueprint and destroy the other copy on Mark's mosaic board. Janis successfully infiltrates the professor's office and takes the blueprint, and also wipes his computer's hard drive. When she sneaks into Mark's office to take the copy, Mark catches her, and Janis hurriedly explains she needs it to replace the one that the professor had lost. Mark tells her he'll make a copy in the morning; the next day, the professor tells them his findings, as he had already taken pictures of the blueprints: he uses a computer to construct a model of the blueprints, which depict a clock-like device with many gears. The professor explains the machine outputs dates, with the first one being October 6, 2009, the day of the blackout. Meanwhile, Mark tries to interpret Frost's dying words: “You’ll be saved by the lady you see every day.” Mark realizes the “lady” to be the white queen chess piece tacked on his mosaic board, the one found with Frost at Utah. Mark breaks the chess piece open to reveal a ring, the same one Suspect Zero had been wearing. Lloyd and Simon identify the ring as a QED, or quantum entanglement device, and wearing it would make someone immune to the effects of the blackout. Mark theorizes that this might be the reason men come to attack him on April 29. Later, Janis reports to her handler, who orders her to retrieve the ring and not mess up again like she did with the blueprints. She also gives her a final task: to kill Mark Benford.\n\nTitle sequence image\nGabriel tied down in a bed for the Raven Rivers experiments.\n\nReception\nThis episode was watched by 5.17 million viewers in the United States, down from last week's 5.56 million viewers. IGN gave the episode a 7.8 rating out of 10. The episode also received a B from The A.V. Club, stating \"there was a surprising amount of good stuff in this one.\"\n\nReferences\n\n2010 American television episodes\nFlashForward episodes" ]

[ "Ai Otsuka", "Love Cook" ]

[ "\"All We Need Is Love\" is a 2014 song by Australian singer Ricki-Lee Coulter.\n\nAll We Need Is Love may also refer to:\nAll We Need Is Love (album), an album by Stefanie Heinzmann\n\"All We Need Is Love\", a 2000 single by Landsholdet, the Denmark national football team\n\"All We Need Is Love\", a song by Ric Ocasek from the 1991 album Fireball Zone\n\"All We Need Is Love\", a song by Elizabeth Cook from the album This Side of the Moon\n\"All We Need Is Love\", a song by the Leningrad Cowboys from the 2011 album Buena Vodka Social Club\n\"All We Need Is Love (Christmas in the Yard)\", a song by The Big Yard Family featuring Shaggy from Now That's What I Call Christmas!\n\"All We Need Is Love\", a 1977 single by Kelly Marie", "This list is an attempt to document every song recorded and released under the name of Mike Love, whether on an album, single, compilation or anthology album.\n\nLove, Mike\nMike Love" ]

[ "Ai Otsuka", "Love Cook", "Is Love Cook an album or a single?", "Love Cook, her third studio album," ]

[ "\"Summer Suspicion\" (Japanese: サマー・サスピション) is the debut single by Kiyotaka Sugiyama & Omega Tribe, released by VAP on April 21, 1983. The single reached at #9 on the Oricon charts.\n\nBackground \nInitially, the song \"Umikaze Tsushin\" was the candidate for their debut song, but producer Koichi Fujita did not want the song to be used as the debut, saying \"It's not too bad, but could you write another song? I'd like it to have a more melodic melody and crying.\" The song was created after.\n\nOne month before the release of the single, Kiyotaka Sugiyama performed the song at the 12th Tokyo Music Festival, held at the Nippon Budokan on March 27, 1983. He then appeared on the Tokyo Broadcasting System program Apple City 500, promoting the song. The song was first shown at the TBS TV program \"The Best Ten\" on August 4, 1983, then on the Nippon TV program The Top Ten on July 11, 1983. The single ranked in the top 10's on both programs.\n\nThe single was included in their debut album Aqua City, which released on September 21, 1983. It was included in the albums Single's History and was planned to also be included on the album Kamasami Kong DJ Special until the project was scrapped. Kiyotaka Sugiyama covered the song on his albums Hula Moon Sessions and I Am Me.\n\nTrack listing\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nReferences \n\nOmega Tribe (Japanese band) songs\n1983 songs\n1983 debut singles\nSongs with lyrics by Chinfa Kan", "A Time for Us is the debut studio album by Australian recording artist Luke Kennedy, who finished second on the second season of The Voice Australia. The album was released on 12 July 2013, through Universal Music Australia. It features eight songs Kennedy performed on The Voice, two original songs, as well as two newly recorded covers.\n\nSingles\n \"Stay for a Minute\" – Released on 5 July 2013. It did not reach the Aria Charts top 100.\n\nTrack listing\n\nCharts\n\nRelease history\n\nReferences\n\n2013 debut albums" ]

[ "Ai Otsuka", "Love Cook", "Is Love Cook an album or a single?", "Love Cook, her third studio album,", "Did it debut on the charts?", "In its first week, it sold 335,000 copies." ]

[ "Vessel of Love is a studio album by reggae musician Hollie Cook. It was released in 2018 via Merge Records.\n\nCritical reception\nPitchfork wrote that Cook \"always sounds strong and self-possessed, and that is what most makes Vessel of Love sound like pure joy.\" PopMatters wrote that \"Cook's breezy voice soothes on backdrops of steady brass and lush synths, making for a true tropical retreat.\"\n\nTrack listing\n\nCharts\n\nReferences\n\n2018 albums\nMerge Records albums", "Kristy Lee Cook (born January 18, 1984) is an American country music singer and television personality. She was the seventh place finalist on the seventh season of American Idol. In 2005, Cook released her first album called Devoted. In June 2008, Cook signed to 19 Recordings and Arista Nashville. She released her post-Idol album, Why Wait, on September 16, 2008. This album produced her first chart single, \"15 Minutes of Shame\", a Top 30 hit on the Billboard country charts. Her first single for Broken Bow Records, \"Airborne Ranger Infantry\", was released on October 16, 2012.\n\nCook hosted the 2010 TV show Outdoor's 10 Best, and was a main judge on the 2011 competition show Wanted: Adventure Host. She starred in the 2011 reality television show Goin' Country. Since 2015, she has hosted the show The Most Wanted List.\n\nPersonal life\nCook was born in Seattle, Washington, to Larry and Carlene Cook. She is the youngest of three children. Her brother-in-law is retired American football quarterback John Dutton of the Arena Football League. She lives in Amarillo, Texas.\n\nEarly career\nIn 2001, at the age of 17, Cook signed her first contract with BMI. According to her RMG page, she signed with RCA Records/Arista Nashville in 1999, and was the first artist signed to Britney Spears' production company. Spears agreed to make a cameo appearance in her first music video. However, RCA placed Cook and other younger artists on hold and then dropped her.\n\nCook then moved to Dallas, Texas, in an attempt to pursue her career and to gain more experience. She began modeling and appeared in commercials. In 2005, Ren-Hen Records released her first album, Devoted. During this time, Kristy Lee performed for two years at Cowboy's nightclub in Arlington, Texas, singing eight songs per night with the band Six Shooter.\n\nIn 2007, Cook returned to Selma, Oregon, to prepare for the American Idol audition. To raise funds for her audition and travel expenses, she sold her \"really good\" barrel horse. She had hoped to earn enough money to repurchase her horse on her return. However, the night she was eliminated, she commented that the person to whom she had sold the horse was unwilling to sell it back.\n\nAmerican Idol\n\nOverview\n\nCook auditioned for American Idol in Philadelphia, Pennsylvania, by singing \"Amazing Grace\". All three judges liked her voice and sent her straight through to Hollywood. In Hollywood, her first song did not impress the judges. For her second and final chance, she sang \"Amazing Grace\" again; she was then selected as one of the top 24 contestants in the semi-finals. She was the first female performer of the season and sang \"Rescue Me\". The judges did not care for her performance but gave her props since she was the first of the night and she had bronchitis. On March 12, Cook was placed in the bottom three with Syesha Mercado and David Hernandez. She was declared safe. On March 19, she was placed in the bottom three again with Carly Smithson and Amanda Overmyer, but she survived again, ensuring herself a spot in the American Idol Top 10 Concert Tour for the coming summer. Once again, on April 2, she was placed in the bottom three with her two roommates, Ramiele Malubay and Brooke White. Malubay was eliminated.\n\nPerformances\n\n When Ryan Seacrest announced the results for this particular night, Cook was among the bottom three but was declared safe second when David Hernandez was eliminated.\n When Seacrest announced the results for this particular night, Cook was among the bottom three but declared safe second when Amanda Overmyer was eliminated.\n When Seacrest announced the results for this particular night, Cook was among the bottom three but declared safe second when Ramiele Malubay was eliminated.\n\nPost-Idol career, 2008-2009\nAfter American Idol, Cook was interviewed on The Ellen DeGeneres Show, Live with Regis and Kelly and on WNYW in New York City. She performed with the other top 10 finalists on the American Idols LIVE! Tour 2008 which ran from July 1 to September 13, 2008. She sang \"Squeezin' the Love Outta You\" (Redmon and Vale), \"God Bless the USA\" (Lee Greenwood), which she performed on Top 10 night during the season, and \"Cowgirls\" (Kerry Harvick). In Toronto, she replaced \"God Bless the USA\" with \"Anyway\" (Martina McBride), which she had performed on Top 8 night during the season.\n\nCook announced on June 29, 2008, that she had once again signed with Arista Nashville and with 19 Recordings. On August 12 of that year, \"15 Minutes of Shame\" was released as the first single for Cook's upcoming studio album. It entered the Billboard Hot Country Songs charts at number 58 a week before its release and peaked at number 28. Her album, Why Wait, released on September 16, 2008, was produced by the Nashville singer-songwriter Brett James.\n\nIn the fall of 2008 and 2009, Cook performed \"The Star-Spangled Banner\" at NCAA football games hosted by both Vanderbilt Commodores and Middle Tennessee State University. On October 25, 2008, Cook made her first appearance on the Grand Ole Opry. Arista Nashville announced on December 10, 2008, that Cook and the label had parted ways.\n\nBroken Bow Records\nOn August 4, 2010, it was announced Cook had signed with Broken Bow Records.\n\nOn October 16, 2012, Cook's first single from Broken Bow Records, \"Airborne Ranger Infantry\", was released. She was inspired to write the songs after reading poems written by her father, Larry Cook, about his experiences in the Army during the Vietnam War. \"We took lines directly from the poems and put them into the song,\" Kristy said. \"I wouldn't have written the song if my dad hadn't written those poems, because he doesn't really talk about much. The cool thing is that it gives perspective to someone who doesn't know what it's like to know how they feel and what they're experiencing. It was really important for us to make sure it was right, and exactly what they would say.\" Cook's second Broken Bow single, \"Wherever Love Goes\", was released to country radio on August 12, 2013. The song was originally recorded by Cook as a duet with labelmate Randy Houser on his 2013 album How Country Feels; the single version changes the vocal parts from the original to make Cook more prominent. Cook has been released from her record deal with Broken Bow Records and her album believed to have been scrapped.\n\nTV career\nCook hosted Outdoor's 10 Best in 2010. She appeared as a judge in the same year in Wanted: Adventure Host. She starred in a reality show, Goin' Country, which documented her two loves of hunting and singing, in 2011. Since 2015, she has hosted the hunting show The Most Wanted List.\n\nCharity work\nCook founded the Kristy Lee Horse Heaven Foundation, which specializes in caring for, saving and training horses. \"I love horses with all my heart, and they have always been there for me through the good and the difficult times. The least I can do is to give back to them in appreciation of all they have done and meant to me.\" Cook also enters the horses in gymkhanas and other horse events.\n\nDiscography\n\nStudio albums\n\nExtended plays\n\nSingles\n\nMusic videos\n\nReferences\n\nExternal links\n\n1984 births\nLiving people\n21st-century American singers\nPeople from Josephine County, Oregon\nSinger-songwriters from Oregon\nAmerican women country singers\nAmerican country singer-songwriters\nAmerican Idol participants\nArista Nashville artists\nBBR Music Group artists\n21st-century American women singers" ]

[ "Ai Otsuka", "Love Cook", "Is Love Cook an album or a single?", "Love Cook, her third studio album,", "Did it debut on the charts?", "In its first week, it sold 335,000 copies.", "What year was Love Cook released?", "December 14, 2005." ]

[ "\"'What're You Doing Tonight'\" is a song written by Bob McDill that was recorded by American country music artist Janie Fricke. It was released as her debut solo single in August 1977 and reached chart positions in both the United States and Canada. It was the first single from Fricke's debut album Singer of Songs.\n\nBackground and recording\nJanie Fricke had gone from a studio background singer and commercial jingle performer to a recording artist in 1977. After being heard on a single by country artist Johnny Duncan, she signed her own contract with Columbia Records in 1977. Under the production of producer Billy Sherrill, Fricke recorded her first single \"What're You Doing Tonight\". It was composed by Nashville songwriter Bob McDill. The song was recorded at the Columbia Studio in Nashville, Tennessee under the direction of Sherrill. The session took place in June 1977. Also cut during the same session was the track \"We're a Love Song\".\n\nRelease, chart performance and reception\nIn August 1977, \"What're You Doing Tonight\" was released as a single on Columbia Records. It was backed on the B-side by Fricke's self-composed tune \"We're a Love Song\". It was issued as a seven inch vinyl single and was the debut single released in her career. It became Fricke's first single to reach the American Billboard Hot Country Songs chart. Spending 13 weeks on the survey, the single peaked at number 21 in November 1977. On Canada's RPM Country Songs chart, the single reached the top 20, peaking at number 14. \"What're You Doing Tonight\" was later included on Fricke's debut studio album called Singer of Songs. The album was released on Columbia in May 1978. At the 20th Annual Grammy Awards, Fricke was nominated for Best Female Country Vocal Performance. She would be nominated three more times for the same award in her career.\n\nTrack listing\n7\" vinyl single\n \"What're You Doing Tonight\" – 2:49\n \"We're a Love Song\" – 3:17\n\nCharts\n\nAccolades\n\n!\n|-\n| 1978\n| 20th Annual Grammy Awards\n| Best Female Country Vocal Performance\n| \n| \n|-\n|}\n\nReferences\n\n1977 debut singles\n1977 songs\nColumbia Records singles\nJanie Fricke songs\nSong recordings produced by Billy Sherrill\nSongs written by Bob McDill", "Cyndi Thomson (born October 19, 1976) is an American country music artist. Thomson wrote songs with songwriter Tommy Lee James and in 2000, she signed with Capitol Records Nashville as a recording artist. She released her first album, My World, in 2001 and her debut single, \"What I Really Meant to Say\", became a number one hit on the Billboard Hot Country Singles & Tracks (now Hot Country Songs) charts. She later abandoned her recording career in 2002, but resumed recording in 2006.\n\nBiography\n\nEarly life\nCyndi Thomson was born and raised in Tifton, Georgia, the youngest of four daughters for Pat and Russ Thomson. As a child, she was exposed to many different types of music. Her parents listened to the oldies while her sisters listened to music by Manhattan Transfer and Janet Jackson among others. As Thomson got older, she began singing in church like her sisters did. At the age of twelve, she knew that she wanted to be a singer and at thirteen, after listening to Trisha Yearwood's \"She's in Love with the Boy\", she knew that she wanted to be a country singer.\n\nAfter graduating high school and winning a Georgia Music Hall of Fame scholarship, Thomson attended Kennesaw State University in Kennesaw. Feeling that her dream of being a country singer was not going to be realized staying in Atlanta, she moved to Nashville, Tennessee. There, she attended Belmont University and enrolled in its music business program, but dropped out after a year and a half realizing that school was not necessary for her to do what she wanted to do. Thomson did various jobs while pursuing the recording career that she wanted, one of which was a modelling job at a party for Deana Carter's album Did I Shave My Legs for This? going platinum. One of the other models there later introduced Thomson to songwriter Tommy Lee James, who wrote for Brooks & Dunn and Martina McBride.\n\nMusic career\nEven though Thomson had never written a song before, James agreed to work with her and within a year of writing their first song, Thomson signed with Sony-ATV Music Publishing as a songwriter. In 2000, James introduced Thomson to Capitol Records Nashville which signed her to a record deal immediately after hearing her sing three songs. Thomson co-wrote eight of the eleven songs on her debut album My World, released on July 31, 2001. Co-produced by James and producer Paul Worley, it became the best-selling debut album by a female country singer since LeAnn Rimes' album Blue was released in 1996. The album was certified gold, for selling more than 500,000 copies, by the Recording Industry Association of America ten months after the album's release.\n\nLead-off single \"What I Really Meant to Say,\" written after an encounter with an older boy at a party one night, spent three weeks at the top of the Billboard Hot Country Singles & Tracks (now Hot Country Songs) charts. It also became the only debut single by a female country singer to spend more than one week at the top of the Radio & Records country chart. Her next two singles, \"I Always Liked That Best\" and \"I'm Gone\", failed to reach the top 20, with the former peaking at No. 21 and the latter peaking at No. 31 on the Billboard Hot Country Singles & Tracks chart.\n\nIn late 2002, Thomson, in a letter written to her record label, fans and friends, announced that she was walking away from her recording career. Thomson, who married musician and producer Daniel Goodman earlier that year, stated that being a recording artist was an \"overwhelming life changing experience\" and that she \"cannot commit to [the] obligations\" of making a new album. She did, however, contribute to the 2004 album Amazing Grace 3: A Country Salute to Gospel, on which she sang \"'Tis So Sweet to Trust in Jesus\". She also sang \"Have Yourself A Merry Little Christmas\" for the album Christmas Angels released by Capitol Nashville in 2005. \"Life Ain't Always Beautiful\", co-written by Thomson and credited to her as Cyndi Goodman, became a top five hit for Gary Allan in 2006. That year, she also returned to Capitol Nashville after leaving the label for four years and started recording for her second album with James. She never released anything, however, and was once again dropped from Capitol's roster.\n\nOn October 29, 2009, Thomson released her first new music album in eight years, This Time, a digital-only EP featuring five original songs.\n\nDiscography\n\nStudio albums\n\nEPs\n\nSingles\n\nMusic videos\n\nReferences\n\n1976 births\nAmerican women country singers\nAmerican country singer-songwriters\nLiving people\nCapitol Records artists\n21st-century American singers\n21st-century American women singers\nCountry musicians from Georgia (U.S. state)\nSinger-songwriters from Georgia (U.S. state)" ]

[ "Bernard Lewis", "Academic career" ]

[ "Where Did We Go Wrong may refer to:\n \"Where Did We Go Wrong\" (Dondria song), 2010\n \"Where Did We Go Wrong\" (Toni Braxton and Babyface song), 2013\n \"Where Did We Go Wrong\", a song by Petula Clark from the album My Love\n \"Where Did We Go Wrong\", a song by Diana Ross from the album Ross\n \"Where Did We Go Wrong\", a 1980 song by Frankie Valli", "California Concordia College existed in Oakland, California, United States from 1906 until 1973.\n\nAmong the presidents of California Concordia College was Johann Theodore Gotthold Brohm Jr.\n\nCalifornia Concordia College and the Academy of California College were located at 2365 Camden Street, Oakland, California. Some of the school buildings still exist at this location, but older buildings that housed the earlier classrooms and later the dormitories are gone. The site is now the location of the Spectrum Center Camden Campus, a provider of special education services.\n\nThe \"Academy\" was the official name for the high school. California Concordia was a six-year institution patterned after the German gymnasium. This provided four years of high school, plus two years of junior college. Years in the school took their names from Latin numbers and referred to the years to go before graduation. The classes were named:\n\n Sexta - 6 years to go; high school freshman\n Qunita - 5 years to go; high school sophomore\n Quarta - 4 years to go; high school junior\n Tertia - 3 years to go; high school senior\n Secunda - 2 years to go; college freshman\n Prima - 1 year to go; college sophomore\n\nThose in Sexta were usually hazed in a mild way by upperclassmen. In addition, those in Sexta were required to do a certain amount of clean-up work around the school, such as picking up trash.\n\nMost students, even high school freshmen, lived in dormitories. High school students were supervised by \"proctors\" (selected high school seniors in Tertia). High school students were required to study for two hours each night in their study rooms from 7:00 to 9:00 pm. Students could not leave their rooms for any reason without permission. This requirement came as quite a shock to those in Sexta (freshmen) on their first night, when they were caught and scolded by a proctor when they left their study room to go to the bathroom without permission. Seniors (those in Tertia) were allowed one night off where they did not need to be in their study hall.\n\nFrom 9:00 to 9:30 pm all students gathered for a chapel service. From 9:30 to 10 pm, high school students were free to roam, and sometimes went to the local Lucky Supermarket to purchase snacks. All high school students were required to be in bed with lights out by 10:00 pm. There were generally five students in each dormitory room. The room had two sections: a bedroom area and (across the hallway) another room for studying. Four beds, including at least one bunk bed, were in the bedroom, and four or five desks were in the study room\n\nA few interesting words used by Concordia students were \"fink\" and \"rack.\" To \"fink\" meant to \"sing like a canary\" or \"squeal.\" A student who finked told everything he knew about a misbehavior committed by another student. \"Rack\" was actually an official term used by proctors and administrators who lived on campus in the dormitories with students. When students misbehaved they were racked (punished). Proctors held a meeting once a week and decided which students, if any, deserved to be racked. If a student were racked, he might be forbidden from leaving the campus grounds, even during normal free time School hours were from 7:30 am to 3:30 pm. After 3:30 pm and until 7:00 pm, students could normally explore the local area surrounding the school, for example, to go to a local store to buy a snack. However, if a student were racked for the week, he could not do so.\n\nProctors made their rounds in the morning to make sure beds were made and inspected rooms in the evening to ensure that students were in bed by 10:00 pm. Often after the proctors left a room at night, the room lights would go back on and students enjoyed studying their National Geographic magazines. Student might be racked if they failed to make their beds or did not make them neatly enough.\n\nAlthough California Concordia College no longer exists, it does receive some recognition by Concordia University Irvine. This is also the location of its old academic records.\n\nSources\n\nExternal links \n Photos of old campus\n\nEducational institutions disestablished in 1973\nDefunct private universities and colleges in California\nEducational institutions established in 1906\n1906 establishments in California\n1973 disestablishments in California\nUniversities and colleges affiliated with the Lutheran Church–Missouri Synod" ]

[ "Bernard Lewis", "Academic career", "Where did he go to school?", "University of London" ]

[ "The Predator is the third EP by American metalcore band Ice Nine Kills and was self-released by the band on January 15, 2013. The EP debuted at No. 9 on the Billboard Heatseekers chart.\n\nIt is the only album to feature Steve Koch as bassist and backup singer after his departure in 2013, and the last album to feature Justin Morrow as rhythm guitarist; he would switch to bass guitar and backing vocals (on live performance only) while still playing rhythm guitar in studio in 2013.\n\nThe tracks \"The Coffin Is Moving\" and \"What I Never Learned in Study Hall\" later would be featured on the band's 2014 album The Predator Becomes the Prey.\n\nThe track \"What I Never Learned in Study Hall\" was later re-recorded acoustically for Take Action. Vol. 11 making it similar to the song's predecessors \"What I Really Learned in Study Hall\" and \"What I Should Have Learned in Study Hall\". Unlike the original version, the acoustic version did not feature Tyler Carter as guest vocalist, but instead featured former Kid's Jackson Summer vocalist Kate Ellen Dean.\n\nTrack listing\n\nPersonnel \n Spencer Charnas - lead vocals, piano on \"A Reptile's Dysfunction\"\n Justin \"JD\" DeBlieck - lead guitar, lead vocals\n Justin Morrow - rhythm guitar\n Steve Koch - bass guitar, backing vocals\n Connor Sullivan - drums\n Steve Sopchak - producer, engineer, mixing\n\nCharts\n\nReferences\n\n2013 EPs\nIce Nine Kills EPs\nSelf-released EPs", "Homeric psychology is a field of study with regards to the psychology of ancient Greek culture no later than Mycenaean Greece, around 1700–1200 BCE, during the Homeric epic poems (specifically the Illiad and the Odyssey).\n\nHistory of Homeric psychology\nThe first scholar to present a theory was Bruno Snell in his 1953 book, originally in German. His argument was that the ancient Greek individual did not have a sense of self, and that later the Greek culture \"self-realized\" or \"discovered\" what we consider to be the modern \"intellect\".\n\nLater, Eric Robertson Dodds in 1951, wrote how ancient Greek thought may have been irrational, as compared to modern \"rational\" culture. In this Dodds' theory, the Greeks may have known that an individual did things, but the reason an individual did things were attributed to divine externalities, such as gods or daemons.\n\nJulian Jaynes proposed a theory in 1976. He stipulated that Greek consciousness emerged from the use of special words related to cognition. Some of Jaynes' findings were empirically supported in a 2021 study by Boban Dedović, a psychohistorian. The study compared the word counts of mental language between thirty-four versions of the Iliad and Odyssey.\n\nReferences \n\nConsciousness studies\nPhilosophy of mind\nPhilology\nCognitive psychology\nHistorical linguistics\nArguments in philosophy of mind" ]

[ "Bernard Lewis", "Academic career", "Where did he go to school?", "University of London", "What did he study?", "graduated from the School of Oriental Studies" ]

[ "\"Be Someone Else\" is a song by Slimmy, released in 2010 as the lead single from his second studio album Be Someone Else. The single wasn't particularly successful, charting anywhere.\nA music video was also made for \"Be Someone Else\", produced by Riot Films. It premiered on 27 June 2010 on YouTube.\n\nBackground\n\"Be Someone Else\" was unveiled as the album's lead single. The song was written by Fernandes and produced by Quico Serrano and Mark J Turner. It was released to MySpace on 1 January 2010.\n\nMusic video\nA music video was also made for \"Be Someone Else\", produced by Riot Films. It premiered on 27 June 2010 on YouTube. The music video features two different scenes which alternate with each other many times during the video. The first scene features Slimmy performing the song with an electric guitar and the second scene features Slimmy performing with the band in the background.\n\nChart performance\nThe single wasn't particularly successful, charting anywhere.\n\nLive performances\n A Very Slimmy Tour\n Be Someone Else Tour\n\nTrack listing\n\nDigital single\n\"Be Someone Else\" (album version) - 3:22\n\nPersonnel\nTaken from the album's booklet.\n\nPaulo Fernandes – main vocals, guitar\nPaulo Garim – bass\nTó-Zé – drums\n\nRelease history\n\nCharts\n\nReferences\n\nExternal links\nOfficial music video at YouTube.\n\n2010 singles\nEnglish-language Portuguese songs\n2009 songs", "Grouvellina radama is a species of ground beetle in the subfamily Rhysodinae. It was described by R.T. & J.R. Bell in 1979.\nIt is native to Madagascar and it is unknown whether it lives anywhere else.\n\nReferences\n\nGrouvellina\nBeetles described in 1979" ]

[ "Bernard Lewis", "Academic career", "Where did he go to school?", "University of London", "What did he study?", "graduated from the School of Oriental Studies", "Did he study anywhere else?", "He undertook post-graduate studies at the University of Paris," ]

[ "That Was Then This Is Now may refer to:\n\nThat Was Then, This Is Now, a 1971 novel by S. E. Hinton\nThat Was Then... This Is Now, a 1985 film based on Hinton's novel\nThat Was Then, This Is Now (radio series), a BBC Radio 2 comedy sketch series\n\nMusic \nThat Was Then, This Is Now (Tha Dogg Pound album), 2009\n\"That Was Then, This Is Now\" (The James Cleaver Quintet album), 2011\nThat Was Then This Is Now (Wain McFarlane album), 2001\nThat Was Then, This Is Now, Vol. 1 (1999) and That Was Then, This Is Now, Vol. 2 (2000), studio albums by American rapper Frost\nThat Was Then, This Is Now (Andy Timmons album), an album by Andy Timmons\n\"That Was Then, This Is Now\" (song), a 1986 song by The Mosquitos, also covered by The Monkees\nThat Was Then, This Is Now, an album by Chasen\nThat Was Then, This Is Now (Josh Wilson album), 2015\n\nSee also\n\"That Was Then but This Is Now\", a 1983 song by ABC\nIf Not Now Then When?, an album by Ethan Johns\nIf Not Now Then When, an album by The Motels\nIf Not Now, When? (disambiguation)", "When I Was Young may refer to:\n\"When I Was Young\" (song), a 1967 song by Eric Burdon and The Animals\n\"When I Was Young\", a traditional song arranged by Julie Driscoll performed with Brian Auger and the Trinity from the 1969 album Streetnoise\n\"When I Was Young\", a jazz composition by Dave Brubek from the 1956 album Brubeck Plays Brubeck\n\"When I Was Young\", a song by the Kingston Trio from the 1960 album String Along\n\"When I Was Young\", a song by Nada Surf from the 2012 album The Stars Are Indifferent to Astronomy\n\"When I Was Young\", a song Akron/Family from the 2013 album Sub Verses\n\"When I Was Young\", a 1991 single by the River City People\n\"When I Was Young\", a song by punk/alt-country band Lucero from the 2012 album Women & Work\nWhen I Was Young (EP), a 2017 EP by MØ\nWhen I Was Young (album), a 1997 album by Len Graham, Garry Ó Briain and Pádraigín Ní Uallacháin" ]

[ "Bernard Lewis", "Academic career", "Where did he go to school?", "University of London", "What did he study?", "graduated from the School of Oriental Studies", "Did he study anywhere else?", "He undertook post-graduate studies at the University of Paris,", "When was that?", "1937." ]

[ "William Lawrence \"Seattle Bill\" James (March 12, 1892 – March 10, 1971) was a Major League Baseball pitcher. He was given a nickname to differentiate him from his contemporary, \"Big\" Bill James.\n\nThe Braves purchased James in from the Seattle Giants of the Northwestern League. In 1914, James was an integral member of the \"Miracle Braves\" team that went from last place to first place in two months, becoming the first team to win a pennant after being in last place on the Fourth of July. In his only full season, James posted a record of 26 wins against 7 losses. The Braves then went on to defeat Connie Mack's heavily favored Philadelphia Athletics in the 1914 World Series. James was 2–0 in the World Series as the Braves recorded the first sweep in Series history. His victory in Game Two was a 1-0 shutout.\n\nDuring World War I, James was an instructor at bomb-throwing for the US Army. He pitched in the minor leagues until 1925.\n\nSources\n\n1892 births\n1971 deaths\nBoston Braves players\nMajor League Baseball pitchers\nBaseball players from California\nSeattle Giants players\nPortland Beavers players\nGalveston Pirates players\nBeaumont Oilers players\nSaint Mary's Gaels baseball players\nSeattle Rainiers players\nBeaumont Exporters players\nSacramento Senators players\nChattanooga Lookouts players", "George Albert \"Lefty\" Tyler (December 14, 1889 – September 29, 1953) was a professional baseball pitcher from 1910 to 1921.\n\nFrom 1910 to 1917, Tyler played with the Boston Doves/Braves. He performed well, having an earned run average (ERA) under 3 in all but two years. In 1918, Tyler was traded to the Chicago Cubs for Larry Doyle, Art Wilson, and $15,000. Tyler did well in Chicago as well, having ERA's under 4.\n\nTyler's career earned run average was 2.95. His brother, Fred Tyler, played in the major leagues in 1914 as a catcher.\n\nIn 1914, Tyler was a member of the Braves team that went from last place to first place in two months, becoming the first team to win a pennant after being in last place on the Fourth of July. The team then went on to defeat Connie Mack's heavily favored Philadelphia Athletics in the 1914 World Series.\n\nIn 1916, the New York Giants set the current record of 26 consecutive wins without a defeat: Tyler beat them to end the streak on September 30, 1916.\n\nHe was the winning pitcher in Game 2 of the 1918 World Series for the Cubs, as well as the hard-luck loser of a 2-1 decision in Game 6, the last game of the Series; it was the last win for the opposing Boston Red Sox until 2004.\n\nTyler was a better than average hitting pitcher in his 12-year major league career, compiling a .217 batting average (189-for-870) with 85 runs, 4 home runs and 73 RBI. He recorded a career-high 20 RBI as a member of the 1916 Boston Braves.\n\nReferences\n\nExternal links\n\nBaseball-Reference\n\n1889 births\n1953 deaths\nMajor League Baseball pitchers\nBoston Doves players\nBoston Rustlers players\nBoston Braves players\nChicago Cubs players\nBaseball players from New Hampshire\nMinor league baseball managers\nLowell Tigers players\nRochester Colts players\nLawrence Merry Macks players\nPeople from Derry, New Hampshire\nSportspeople from Rockingham County, New Hampshire" ]

[ "Bernard Lewis", "Academic career", "Where did he go to school?", "University of London", "What did he study?", "graduated from the School of Oriental Studies", "Did he study anywhere else?", "He undertook post-graduate studies at the University of Paris,", "When was that?", "1937.", "Was that the last place he went?", "He returned to SOAS in 1938 as an assistant lecturer in Islamic History." ]

[ "\"How Long, How Long Blues\" (also known as \"How Long Blues\" or \"How Long How Long\") is a blues song recorded by the American blues duo Leroy Carr and Scrapper Blackwell in 1928. It became an early blues standard and its melody inspired many later songs.\n\nOriginal song\n\"How Long, How Long Blues\" is based on \"How Long Daddy\", recorded in 1925 by Ida Cox with Papa Charlie Jackson. On June 19, 1928, Leroy Carr, who sang and played piano, and guitarist Scrapper Blackwell recorded the song in Indianapolis, Indiana, for Vocalion Records, shortly after they began performing together. It is a moderately slow-tempo blues with an eight-bar structure. Carr is credited with the lyrics and music for the song, which uses a departed train as a metaphor for a lover who has left:\n\nCarr's and Blackwell's songs reflected a more urban and sophisticated blues, in contrast to the music of rural bluesmen of the time. Carr's blues were \"expressive and evocative\", although his vocals have also been described as emotionally detached, high-pitched and smooth, with clear diction.\n\n\"How Long, How Long Blues\" was Carr and Scrapwell's biggest hit. They subsequently recorded six more versions of the song (two of them, unissued at the time), as \"How Long, How Long Blues, Part 2\", \"Part 3\", \"How Long Has That Evening Train Been Gone\", \"The New How Long, How Long Blues\", etc. There are considerable variations in the lyrics, but most versions begin with the lyric \"How long, how long, has that evening train been gone?\"\n\nLegacy\n\"How Long, How Long Blues\" became an early blues standard and \"its lilting melody inspired hundreds of later compositions\", including the Mississippi Sheiks' \"Sitting on Top of the World\" and Robert Johnson's \"Come On in My Kitchen\". Although his later style would not suggest it, Muddy Waters recalled that it was the first song he learned to play \"off the Leroy Carr record\".\n\nIn 1988, Carr's \"How Long, How Long Blues\" was inducted into the Blues Hall of Fame in the category \"Classics of Blues Recordings – Singles or Album Tracks\". Blues historian Jim O'Neal commented in the induction statement, \"'How Long, How Long Blues' was a massive hit in the prewar blues era, a song that every blues singer and piano player had to know, and one that has continued to inspire dozens of cover versions.\" In 2012, the song received a Grammy Hall of Fame Award, which \"honor[s] recordings of lasting qualitative or historical significance\".\n\nSee also\nList of train songs\n\nReferences\n\nBlues songs\n1928 songs\nGrammy Hall of Fame Award recipients\nVocalion Records singles\nSongs about trains", "Valerius Wilezogerzosi was a Roman Catholic prelate who served as Auxiliary Bishop of Włocławek (1652–?).\n\nBiography\nOn 13 May 1652, Valerius Wilezogerzosi was appointed during the papacy of Pope Innocent X as Auxiliary Bishop of Włocławek and Titular Bishop of Margarita.\nIn 1652, he was consecrated bishop by Nicolas Albert Gniewosz de Olexow, Bishop of Włocławek. \nIt is uncertain how long he served; the next auxiliary bishop of record was Stanisław Domaniewski who was appointed in 1653.\n\nReferences\n\nExternal links and additional sources\n (for Chronology of Bishops) \n (for Chronology of Bishops) \n (for Chronology of Bishops) \n (for Chronology of Bishops) \n\n17th-century Roman Catholic bishops in the Polish–Lithuanian Commonwealth\nBishops appointed by Pope Innocent X" ]

[ "Macaulay Culkin", "1990-1994: Breakthrough" ]

[ "The year 1999 is the seventh year in the history of Pancrase, a mixed martial arts promotion based in Japan. In 1999 Pancrase held 14 events beginning with Pancrase: Breakthrough 1.\n\nTitle fights\n\nEvents list\n\nPancrase: Breakthrough 1\n\nPancrase: Breakthrough 1 was an event held on January 19, 1999, at Korakuen Hall in Tokyo, Japan.\n\nResults\n\nPancrase: Breakthrough 2\n\nPancrase: Breakthrough 2 was an event held on February 11, 1999, at Umeda Stella Hall in Osaka, Osaka, Japan.\n\nResults\n\nPancrase: Breakthrough 3\n\nPancrase: Breakthrough 3 was an event held on March 9, 1999, at Korakuen Hall in Tokyo, Japan.\n\nResults\n\nPancrase: Breakthrough 4\n\nPancrase: Breakthrough 4 was an event held on April 18, 1999, at the Yokohama Cultural Gymnasium in Yokohama, Kanagawa, Japan.\n\nResults\n\nPancrase: Breakthrough 5\n\nPancrase: Breakthrough 5 was an event held on May 23, 1999, at Chikusa Sport Center in Nagoya, Aichi, Japan.\n\nResults\n\nPancrase: Breakthrough 6\n\nPancrase: Breakthrough 6 was an event held on June 11, 1999, at Korakuen Hall in Tokyo, Japan.\n\nResults\n\nPancrase: Breakthrough 7\n\nPancrase: Breakthrough 7 was an event held on July 6, 1999, at Korakuen Hall in Tokyo, Japan.\n\nResults\n\nPancrase: 1999 Neo-Blood Tournament Opening Round\n\nPancrase: 1999 Neo-Blood Tournament Opening Round was an event held on August 1, 1999, at Korakuen Hall in Tokyo, Japan.\n\nResults\n\nPancrase: 1999 Neo-Blood Tournament Second Round\n\nPancrase: 1999 Neo-Blood Tournament Second Round was an event held on August 1, 1999, at Korakuen Hall in Tokyo, Japan.\n\nResults\n\nPancrase: Breakthrough 8\n\nPancrase: Breakthrough 8 was an event held on September 4, 1999, at the Sendai Spring General Gymnasium in Sendai, Miyagi, Japan.\n\nResults\n\nPancrase: 1999 Anniversary Show\n\nPancrase: 1999 Anniversary Show was an event held on September 18, 1999, at the Tokyo Bay NK Hall in Urayasu, Chiba, Japan.\n\nResults\n\nPancrase: Breakthrough 9\n\nPancrase: Breakthrough 9 was an event held on October 25, 1999, at Korakuen Hall in Tokyo, Japan.\n\nResults\n\nPancrase: Breakthrough 10\n\nPancrase: Breakthrough 10 was an event held on November 28, 1999, at the Namihaya Dome in Kadoma, Osaka, Japan.\n\nResults\n\nPancrase: Breakthrough 11\n\nPancrase: Breakthrough 11 was an event held on December 18, 1999, at the Yokohama Cultural Gymnasium in Yokohama, Kanagawa, Japan.\n\nResults\n\nSee also \n Pancrase\n List of Pancrase champions\n List of Pancrase events\n\nReferences\n\nPancrase events\n1999 in mixed martial arts", "Olga Paterova (Cyrillic: Ольга Патерова) is a politician in Transnistria. She was born in Tiraspol, today the capital of Transnistria, in 1984 in what was then part of the Moldovan SSR. She is the press secretary for the political youth organization Breakthrough (Russian: Proriv).\n\nAlong with fellow Breakthrough-leader Alena Arshinova, she was interviewed in December 2005 by Der Spiegel, a German news magazine.\n\nExternal links \n Olga Paterova webpage\n Open mike: Youth activists speak out\n\nYouth activists\n1984 births\nLiving people\nPeople from Tiraspol" ]

[ "Macaulay Culkin", "1990-1994: Breakthrough", "What was his breakthrough?", "Culkin rose to fame with his lead role of Kevin McCallister in the highly successful blockbuster Christmas film, Home Alone" ]

[ "The Filmfare Award for Best Film is given by the Filmfare magazine as part of its annual Filmfare Awards for Hindi films.\n\nThe award was first given in 1954. Here is a list of the award winners and the nominees of the respective years. Each individual entry shows the title followed by the production company and the producer.\n\nYash Raj Films has produced 18 films that have been nominated, the most for any production house. It also shares the most wins at 4 along with Bimal Roy Productions and UTV Motion Pictures. While Yash Chopra has been the producer of most of the nominated and all the winning films of Yash Raj Films, Bimal Roy has been the producer of all the nominated films of Bimal Roy Productions, thus making them the producer with the most wins. Bimal Roy, Yash Chopra, and Sanjay Leela Bhansali have each directed 4 winning films, the most for any director. Aamir Khan has starred in 9 winning films which is the most for any actor in a leading role.\n\nWinners and nominees\n\n1950s\n\n1960s\n\n1970s\n\n1980s\n\n1990s\n\n2000s\n\n2010s\n\n2020s\n\nSpecial 50 Year Award\n\nIn 2005, Filmfare announced the best movie of the last 50 years as Sholay, although the film did not win the Filmfare Award for Best Film in its year of release.\n\nSee also\n Filmfare Critics Award for Best Movie\n Filmfare Awards\n Bollywood\n Cinema of India\n\nReferences\n\nExternal links\nFilmfare Awards Best Film\n\nF\nAwards for best film", "The Star Awards for Best Actor is an award presented annually at the Star Awards, a ceremony that was established in 1994.\n\nThe category was introduced in 1995, at the 2nd Star Awards ceremony; Li Nanxing received the award for his role in Wounded Tracks and it is given in honour of a Mediacorp actor who has delivered an outstanding performance in a leading role. The nominees are determined by a team of judges employed by Mediacorp; winners are selected by a majority vote from the entire judging panel.\n\nSince its inception, the award has been given to 11 actors. Qi Yuwu is the most recent winner in this category for his role in A Quest to Heal. Since the ceremony held in 2019, Chen Hanwei remains as the only actor to win in this category six times, surpassing Xie Shaoguang who has five wins. Chen and Christopher Lee have been nominated on 14 occasions, more than any other actor. Terence Cao holds the record for the most nominations without a win, with six.\n\nRecipients\n\n Each year is linked to the article about the Star Awards held that year.\n\nMultiple awards and nominations\n\nThe following individuals received two or more Best Actor awards:\n\nThe following individuals received two or more Best Actor nominations:\n\nReferences\n\nExternal links \n\nStar Awards" ]

[ "Macaulay Culkin", "1990-1994: Breakthrough", "What was his breakthrough?", "Culkin rose to fame with his lead role of Kevin McCallister in the highly successful blockbuster Christmas film, Home Alone", "Did he win any awards for the role?", "He was nominated for a Golden Globe Award, and won an American Comedy Award and a Young Artist Award for his role as Kevin McCallister." ]

[ "Mark Buntzman (July 31, 1949 – June 8, 2018) was the film director, writer, producer and actor of the cult classic movie Exterminator 2. He was also the producer of its predecessor The Exterminator. Other than those two movies, he hasn't produced, directed, or written any other prominent films. He did, though, have a cameo in the 1993 movie Posse as Deputy Buntzman, as well as playing a reporter in the 1995 movie Panther. Both movies starred Mario Van Peebles, who also played a large role in Exterminator 2.\n\nFilmography\n Standing Knockdown (1999) [Producer]\n Love Kills (1998) [Producer] [Actor....The Accountant]\n Panther (1995) [Actor....Pushy reporter]\n Posse (1993) [Actor....Deputy Buntzman]\n Exterminator 2 (1984) [Producer] [Director] [Writer]\n The Exterminator (1980) [Producer] [Actor...Burping Ghoul]\n Suicide Cult (1975) [Producer] [Actor....Kajerste]\n\nReferences\n\nExternal links\n\n1949 births\n2018 deaths\nAmerican film producers\nAmerican film directors\nAmerican male film actors\nAmerican male screenwriters", "Gokulan is an Indian actor who appears in Malayalam films. He made his acting debut through the 2013 Malayalam movie Punyalan Agarbattis by doing the character of Jimbroottan, which became popular. As of 2021, he has so far acted in more than 30 Malayalam movies.\n\nCareer\nGokulan made his acting debut in 2013 with the film Punyalan Agarbattis. Even though he did a minor comedy role called Jimbrootan in the movie, which also had a less screen time, the character became very popular. Gokulan later did different minor roles in some movies. He also appeared in few character roles during this time. He went on to act in the films like Thoppil Joppan, Vaarikkuzhiyile Kolapathakam, Ente Ummante Peru, Punyalan Private Limited, Sapthamashree Thaskaraha, Pathemari, Ramante Edantottam and several others. But, it was the 2019 movie Unda (film) that gave him a new turn on his film career. Gokulan had a major character role in this movie. His performance in the 2020 movie Love was critically acclaimed. Gokulan then did the notable roles in the movies Innu Mudhal and Randu which was released in March and April 2021 respectively.\n\nPersonal life\nHe married his long time girlfriend Dhanya in May 2020.\n\nReferences\n\nIndian male film actors\nLiving people\nMale actors in Malayalam cinema\n20th-century Indian male actors\nFilm people from Kerala\nYear of birth missing (living people)" ]

[ "Macaulay Culkin", "1990-1994: Breakthrough", "What was his breakthrough?", "Culkin rose to fame with his lead role of Kevin McCallister in the highly successful blockbuster Christmas film, Home Alone", "Did he win any awards for the role?", "He was nominated for a Golden Globe Award, and won an American Comedy Award and a Young Artist Award for his role as Kevin McCallister.", "Did he have any other movies during this time?", "In 1991, Culkin starred in an animated Saturday morning cartoon television series, Wish Kid, hosted Saturday Night Live and starred in Michael Jackson's \"Black or White\" music video." ]

[ "A gift suite is a location where companies give products to celebrities in exchange for the celebrity taking a photo with the product or on a red carpet while standing in front of a press wall displaying company logos\n\nCompanies that are trying to build brand recognition or maintain a premier position in the market like to be associated with celebrities and other persons with significant social status. Fans of a celebrity are likely to look favorably on products or services associated with that person. The concept of the gifting suite dates back to the 1990s, created to service presenters and performers backstage at award shows.\n\nMost gifting suites take place in Hollywood during award weeks. During the week before these shows, there are often up to ten gifting suites operating independently from the event itself. During other award weeks like the Golden Globes, Screen Actors Guild Awards and the VMAs there will also be gifting suites, but they are typically fewer.\n\nOfficial gifting suites are contracted by award shows and Hollywood events and exist in a location on-site and backstage. They work in an official capacity with the show's production and talent. Events like the Oscars, Screen Actors Guild Awards, and Golden Globes do not currently host any official gifting suites at their events.\n\nReferences\n\nPromotion and marketing communications", "The third season of Australia's I'm a Celebrity...Get Me Out of Here, which was commissioned by Network Ten on 1 August 2016, premiered on 29 January 2017. Casey Donovan won the series, beating Natalie Bassingthwaighte and footballer Dane Swan, and was crowned the first ever \"Queen of the Jungle\", the $100,000 prize money, was won for her selected charity, the Starlight Children's Foundation .\n\nCelebrities\n\nCelebrity guests\n\nResults and elimination\n Indicates that the celebrity received the most votes from the public\n Indicates that the celebrity was immune from the vote\n Indicates that the celebrity was named as being in the bottom 2, 3\n Indicates that the celebrity received the fewest votes and was eliminated immediately (no bottom three)\n\nTucker Trials\n\nThe contestants take part in daily trials to earn food. These trials aim to test both physical and mental abilities. Success is usually determined by the number of stars collected during the trial, with each star representing a meal earned by the winning contestant for their camp mates.\n\n The public voted for who they wanted to face the trial\n The contestants decided who did which trial\n The trial was compulsory and neither the public nor celebrities decided who took part \n The contestants were chosen by the evicted celebrities\n The voting for the trial was of dual origin - see note for details.\n\nNotes\nThe winning team of this tucker trial received; the quickest way into camp, their choice of bed in the camp & a pillow.\nTom was voted by Australia to do this Tucker Trial but was told six people are involved in it and he had to choose the other five to join him.\nCasey & Ash had to decide which celebrities would be involved in this Tucker Trial.\nThis trial was used in the second season of the show with Laurina Fleure also winning 12/12 stars, however, this time two celebrities competed with double the number of snakes.\nDuring the trial, they failed one meal but succeeded in the rest giving them 10/11 stars, but were given the option to have Chris Brown & Osher Günsberg to have an extra meal, they accepted and Chris & Osher succeeded in this, which gave them the 11th star.\nAs a new celebrity, Keira was automatically placed in the trial. Voting took place for a second celebrity to join her in the trial. Australia voted for Dane to be a part of the trial.\nThe trial involved 2 celebrities versing each other throughout 6 rounds, the celebrity who wins went into the winners circle and the celebrity that lost went into the losers circle, ending with 6 celebrities in each group. The winners received a share in a family meat pie with tomato sauce & quickest way into camp, whilst the losers only received beans and rice.\nKeira & Steve got to choose a celebrity to join them as support (Steve chose Ash, Keira chose Lisa). In the trial, Steve & Keira would face-off against each other. The winner would return to camp with 10 stars while the celebrity that loses the trial, and their supporter, would be exiled to Skull Cave.\nEven though they won six stars during this trial, the stars became null and void after their dinner was provided by fast food restaurant KFC.\nThis was the first trial to be done at night.\nThis trial was a quiz, it did not involve the remaining celebrities but the evicted celebrities instead, each of the celebrities had to individually give an answer to a question from a category (e.g. Sport, Movies etc.), if the answer was correct the remaining celebrities would receive half a star. five out of nine celebrities answered correctly.\nthis was Nazeem's 14th tucker trial, making him the current world record holder for the most bushtucker trials competed by a person.\n\nCelebrity Chest Challenges\n\nTwo or more celebrities are chosen to take part in the \"Celebrity Chest\" challenge to win luxuries for camp. Each challenge involves completing a task to win a chest to take back to camp. However, to win the luxury item in the chest, the campmates must correctly answer a question. If they fail to answer correctly, the luxury item is forfeited and a joke prize is won. The luxury item is \"donated\" by a celebrity from the outside.\n\n The celebrities got the question correct\n The celebrities got the question wrong\n\nSkull Cave\nTwo or more celebrities are chosen to spend the night in the \"Skull Cave\", where they have no bed, bean & rice rations only and no contact with the other celebrities. If the celebrities successfully spend the entire night in the cave they will win a prize for the camp.\n\n The celebrities stayed the entire night\n The celebrities did not stay the night\n Saved from staying in the cave\n\nIn the first trial, there were two teams, in the trial the prize included pillows for the winning teams celebrities, Ash & Casey's team did not win and this was their second chance to win pillows for their team\n As a result, for losing the twentieth trial, Steve & his supporter Ash were exiled to Skull Cave. However, in a twist, the 10 campers were told they could save Ash & Steve from the Skull Cave but forfeit the 10 stars or let them stay there and receive them. The celebrities saved Ash & Steve from Skull Cave and forfeited their stars.\n\nCamp Leader\nEach celebrity in camp must vote for who they want to be Camp Leader, the celebrity who receives the most votes becomes the new Camp Leader\n Voted in as Camp Leader\n\nRatings\n\nRatings data is from OzTAM and represents the live and same day average viewership from the 5 largest Australian metropolitan centres (Sydney, Melbourne, Brisbane, Perth and Adelaide).\n\nReferences\n\n03\n2017 Australian television seasons" ]

[ "Macaulay Culkin", "1990-1994: Breakthrough", "What was his breakthrough?", "Culkin rose to fame with his lead role of Kevin McCallister in the highly successful blockbuster Christmas film, Home Alone", "Did he win any awards for the role?", "He was nominated for a Golden Globe Award, and won an American Comedy Award and a Young Artist Award for his role as Kevin McCallister.", "Did he have any other movies during this time?", "In 1991, Culkin starred in an animated Saturday morning cartoon television series, Wish Kid, hosted Saturday Night Live and starred in Michael Jackson's \"Black or White\" music video.", "Did he work with any other celebrities?", "My Girl (1991), for which he was nominated for Best On-Screen Duo and won Best Kiss at the MTV Movie Awards, with Anna Chlumsky." ]

[ "\"How Interesting: A Tiny Man\" is a 2010 science fiction/magical realism short story by American writer Harlan Ellison. It was first published in Realms of Fantasy.\n\nPlot summary\nA scientist creates a tiny man. The tiny man is initially very popular, but then draws the hatred of the world, and so the tiny man must flee, together with the scientist (who is now likewise hated, for having created the tiny man).\n\nReception\n\"How Interesting: A Tiny Man\" won the 2010 Nebula Award for Best Short Story, tied with Kij Johnson's \"Ponies\". It was Ellison's final Nebula nomination and win, of his record-setting eight nominations and three wins.\n\nTor.com calls the story \"deceptively simple\", with \"execution (that) is flawless\" and a \"Geppetto-like\" narrator, while Publishers Weekly describes it as \"memorably depict(ing) humanity's smallness of spirit\". The SF Site, however, felt it was \"contrived and less than profound\".\n\nNick Mamatas compared \"How Interesting: A Tiny Man\" negatively to Ellison's other Nebula-winning short stories, and stated that the story's two mutually exclusive endings (in one, the tiny man is killed; in the other, he becomes God) are evocative of the process of writing short stories. Ben Peek considered it to be \"more allegory than (...) anything else\", and interpreted it as being about how the media \"give(s) everyone a voice\", and also about how Ellison was treated by science fiction fandom.\n\nReferences\n\nExternal links\nAudio version of ''How Interesting: A Tiny Man, at StarShipSofa\nHow Interesting: A Tiny Man, at the Internet Speculative Fiction Database\n\nNebula Award for Best Short Story-winning works\nShort stories by Harlan Ellison", "In baseball, a fair ball is a batted ball that entitles the batter to attempt to reach first base. By contrast, a foul ball is a batted ball that does not entitle the batter to attempt to reach first base. Whether a batted ball is fair or foul is determined by the location of the ball at the appropriate reference point, as follows:\n\n if the ball leaves the playing field without touching anything, the point where the ball leaves the field;\n else, if the ball first lands past first or third base without touching anything, the point where the ball lands;\n else, if the ball rolls or bounces past first or third base without touching anything other than the ground, the point where the ball passes the base;\n else, if the ball touches anything other than the ground (such as an umpire, a player, or any equipment left on the field) before any of the above happens, the point of such touching;\n else (the ball comes to a rest before reaching first or third base), the point where the ball comes to a rest.\n\nIf any part of the ball is on or above fair territory at the appropriate reference point, it is fair; else it is foul. Fair territory or fair ground is defined as the area of the playing field between the two foul lines, and includes the foul lines themselves and the foul poles. However, certain exceptions exist:\n\n A ball that touches first, second, or third base is always fair.\n Under Rule 5.09(a)(7)-(8), if a batted ball touches the batter or his bat while the batter is in the batter's box and not intentionally interfering with the course of the ball, the ball is foul.\n A ball that hits the foul pole without first having touched anything else off the bat is fair.\n Ground rules may provide whether a ball hitting specific objects (e.g. roof, overhead speaker) is fair or foul.\n\nOn a fair ball, the batter attempts to reach first base or any subsequent base, runners attempt to advance and fielders try to record outs. A fair ball is considered a live ball until the ball becomes dead by leaving the field or any other method.\n\nReferences\n\nBaseball rules" ]

[ "Macaulay Culkin", "1990-1994: Breakthrough", "What was his breakthrough?", "Culkin rose to fame with his lead role of Kevin McCallister in the highly successful blockbuster Christmas film, Home Alone", "Did he win any awards for the role?", "He was nominated for a Golden Globe Award, and won an American Comedy Award and a Young Artist Award for his role as Kevin McCallister.", "Did he have any other movies during this time?", "In 1991, Culkin starred in an animated Saturday morning cartoon television series, Wish Kid, hosted Saturday Night Live and starred in Michael Jackson's \"Black or White\" music video.", "Did he work with any other celebrities?", "My Girl (1991), for which he was nominated for Best On-Screen Duo and won Best Kiss at the MTV Movie Awards, with Anna Chlumsky.", "Is there anything else interesting?", "He reprised his role of Kevin McCallister in the sequel, Home Alone 2: Lost in New York (1992" ]

[ "Venu Thottempudi (born 4 June 1976) is an Indian film actor who primarily works in Telugu cinema. He has appeared in several successful Telugu films as a lead actor.\n\nCareer\nAfter finishing his engineering from Dharwad Engineering College, Thottempudi started pursuing acting as his career. For his first acting job, he was cast as the main lead in a movie directed by Bharathiraja. After a brief period of shooting, the movie was stalled and later cancelled due to production problems. To promote Thottempudi , his friend Venkata Shyamprasad formed S. P. Entertainments. Under this banner, in 1999 Thottempudi started his career with the movie Swayamvaram, directed by K. Vijaya Bhaskar. Co-starring Laya, the movie was very successful at the box-office and Thottempudi won a Nandi Special Jury Award for the movie. Thottempudi became well known for his dialogue delivery, timing, expressions and clear portrayal of emotions. In 2000, Thottempudi won at the boxoffice once again with Chiru Navvuto. G. Ramprasad, who earlier worked with B. Gopal as an assistant director, was roped in as the director for this movie. This movie co-starring Shaheen Khan was produced once again by S. P. Entertainments. Chiru Navvuto became one of the milestones in Thottempudi 's career.\n\nAfter a couple of successful films, Thottempudi received several offers. Later he appeared in a few unsuccessful films like Manasu Paddanu Kaani directed by Veeru and Veedekkadi Mogudandi? directed by E. V. V. Satyanarayana. He later bounced back with a couple of hits like Hanuman Junction directed by M. Raja and Pellam Oorelithe directed by S. V. Krishna Reddy. In 2003, his movie Kalyana Ramudu, co-starring Prabhu Deva and Nikita Thukral, was directed by G. Ram Prasad. He also starred in Cheppave Chirugali, directed by noted Tamil director, Vikraman. His next releases were Sadaa Mee Sevalo (2005) directed by Neelakanta, Bahumati directed by S. V. Krishna Reddy and Allare Allari directed by Muppalaneni Siva.\n\nIn 2007, his movie Yamagola Malli Modalayindi co-starring Srikanth, Meera Jasmine and Reemma Sen was released. This movie was successful at the box-office. In 2008, he was seen in a small yet vital role in the movie Chintakayala Ravi starring Venkatesh. In 2009 he was seen in Gopi Gopika Godavari directed by Vamsy and co-starring Kamalinee Mukherjee. In 2011, Thottempudi was seen in Dileep Polan's Mayagadu opposite Charmy Kaur. His next release was titled Ramachari and directed by Eshawar. He is paired with Kamalinee Mukherjee in this movie. Thottempudi was also seen in N. T. Rama Rao Jr.'s movie Dammu, directed by Boyapati Srinu. After 9 years Venu will be Seen in Ravi Teja's movie Ramarao on Duty, directed by Sarath Mandava.\n\nFilmography\n\nAwards and nominations\n\nReferences\n\nExternal links\n\nLiving people\nTelugu people\nTelugu male actors\nIndian male film actors\nMale actors from Hyderabad, India\n1976 births\nTelugu comedians\nIndian male comedians\nMale actors in Telugu cinema\n21st-century Indian male actors", "Sampan, also known as San-Ban, is a 1968 film which was the first feature directed, written and co-produced by Terry Bourke. The film was successful at the box office.\n\nPlot\nIn Hong Kong, the owner of a sampan has two sons, one good and one bad. One son falls in love with his stepmother.\n\nProduction\nThe script was written by Bourke, who was working as a journalist in Hong Kong, He met Gordon Mailloux who agreed to produce.\n\nRelease\nAccording to Mailoux, the film was the most successful movie made in Hong Kong that year. Bourke claimed the movie contained the first naked scene in Chinese cinema. It was banned in Taiwan.\n\nReferences\n\nExternal links\n\n1968 films\nHong Kong films" ]

[ "Macaulay Culkin", "1990-1994: Breakthrough", "What was his breakthrough?", "Culkin rose to fame with his lead role of Kevin McCallister in the highly successful blockbuster Christmas film, Home Alone", "Did he win any awards for the role?", "He was nominated for a Golden Globe Award, and won an American Comedy Award and a Young Artist Award for his role as Kevin McCallister.", "Did he have any other movies during this time?", "In 1991, Culkin starred in an animated Saturday morning cartoon television series, Wish Kid, hosted Saturday Night Live and starred in Michael Jackson's \"Black or White\" music video.", "Did he work with any other celebrities?", "My Girl (1991), for which he was nominated for Best On-Screen Duo and won Best Kiss at the MTV Movie Awards, with Anna Chlumsky.", "Is there anything else interesting?", "He reprised his role of Kevin McCallister in the sequel, Home Alone 2: Lost in New York (1992", "Was that movie successful?", "he was nominated for a Kids' Choice Award." ]

[ "Mlađa Veselinović (21 April 1915 – 27 December 2012) was a Serbian actor and translator.\n\nBiography \nVeselinovic was born in Kragujevac, Serbia. He was a member of the Yugoslav Drama Theatre from its founding in 1947, and made his début in the theater play \"King Betajnove\". He has collaborated with the biggest names and directing made about what the role on the stage of the Yugoslav Drama Theater. He acted in the films The Magic Sword (1950), La tempesta (1950), Professor Kosta Vujic's Hat (1972), Otpisani (1974). He died, aged 97, in Belgrade.\n\nVeselinović married fellow Serbian actress Branka Veselinović in 1948, and they remained married until his death in 2012.\n\nSources\n\nExternal links \n \n\n1915 births\n2012 deaths\n20th-century Serbian male actors\nSerbian translators\nActors from Kragujevac\nSerbian male stage actors\nSerbian male film actors\n20th-century translators", "Dale Alan Midkiff (born July 1, 1959) is an American actor, best known for playing Louis Creed in the horror film Pet Sematary (1989) and Captain Darien Lambert in the TV series Time Trax.\n\nCareer\n\nMidkiff acted in off-Broadway plays like Mark Medoff's The Wager. His first movie role was in Roger Corman's Streetwalkin' playing a pimp named Duke. Dale's acting was called \"grittily impressive\" in what some consider a B-movie classic. He has said in interviews that while his family never quite understood his interest in acting, they never discouraged him: \"I love them for allowing a kid to believe in his dreams.\"\n\nHis first major break came when he landed the role of the young Jock Ewing in Dallas: The Early Years. That was followed by what many consider his biggest role to date, Elvis Presley, in the four-hour miniseries, Elvis and Me, and by Dream Street, a short-lived \"blue collar\" series set in New Jersey. Midkiff's roles have run the gamut from the wife beater in A Cry For Help: The Tracey Thurman Story, to the \"good old boy\" cop who discovers his partner/best friend is a murderer in Vigilante Cop, to the heroic time-traveling fugitive retrieval cop in Time Trax, to the amiable ladies' man and town protector in The Magnificent Seven. He is also well known for having played the lead role of Louis Creed in the 1989 film version of Stephen King's Pet Sematary.\n\nFilmography\n\nVideo games\n\nReferences\n\nExternal links\n\n1959 births\nAmerican male film actors\nAmerican male musical theatre actors\nAmerican male television actors\nLiving people\nMale actors from Maryland\n20th-century American male actors" ]

[ "Macaulay Culkin", "1990-1994: Breakthrough", "What was his breakthrough?", "Culkin rose to fame with his lead role of Kevin McCallister in the highly successful blockbuster Christmas film, Home Alone", "Did he win any awards for the role?", "He was nominated for a Golden Globe Award, and won an American Comedy Award and a Young Artist Award for his role as Kevin McCallister.", "Did he have any other movies during this time?", "In 1991, Culkin starred in an animated Saturday morning cartoon television series, Wish Kid, hosted Saturday Night Live and starred in Michael Jackson's \"Black or White\" music video.", "Did he work with any other celebrities?", "My Girl (1991), for which he was nominated for Best On-Screen Duo and won Best Kiss at the MTV Movie Awards, with Anna Chlumsky.", "Is there anything else interesting?", "He reprised his role of Kevin McCallister in the sequel, Home Alone 2: Lost in New York (1992", "Was that movie successful?", "he was nominated for a Kids' Choice Award.", "What was his biggest role?", "Kevin McCallister in the highly successful blockbuster Christmas film, Home Alone (1990)," ]

[ "Yes Yes Vindictive is the debut studio album from Australian indie rock/pop-punk band, Operator Please. It was released on 10 November 2007, and on 17 March 2008 in the UK under Virgin/EMI. The album features the singles \"Just a Song About Ping Pong\", \"Get What You Want\", \"Leave It Alone\" and \"Two for My Seconds\". The album was recorded in the Grove Studios on the New South Wales Central Coast with UK producer Simon Barnicott. It debuted and peaked at No. 28 on the Australian ARIA Albums Chart.\n\nAt the ARIA Music Awards of 2008, the album was nominated for two awards; ARIA Award for Breakthrough Artist – Album and ARIA Award for Best Pop Release.\n\nPromotion and touring\nThe album was released after the band had played some of the UK's biggest music festivals, including Leeds and Reading, which followed and Australian and New Zealand tours. Ashley McConnell said Operator Please were introduced to distortion pedals and synths during the making of the album.\n\nSingles\nThe lead single from the album was \"Just a Song About Ping Pong\", which was released in Australia on 28 July 2007. It debuted at number 15 on the Australian ARIA Singles Chart, before reaching its peak of 12. The song won the ARIA Award for Breakthrough Artist – Single at the ARIA Music Awards of 2007.\n\n\"Get What You Want\" was released on 27 October 2007 as the second single. The song peaked at number 27 in Australia.\n\n\"Leave It Alone\" was released as the third single on 19 November 2007 in the UK and on 25 February 2008 in Australia. The song peaked at number 62 in Australia.\n\n\"Two for My Seconds\", was released on 21 June 2008 as the fourth and final single. It debuted at No. 93 on the ARIA Singles Chart on 7 July based on downloads alone.\n\nTrack listing\n\nAustralian edition\n \"Zero! Zero!\" – 3:06\n \"Get What You Want\" – 3:49\n \"Leave It Alone\" – 3:38\n \"Cringe\" – 3:22\n \"Just a Song About Ping Pong\" – 2:18\n \"Two for My Seconds\" – 4:00\n \"6/8\" – 3:30\n \"Yes Yes\" – 2:54\n \"Other Song\" – 3:19\n \"Terminal Disease\" – 1:56\n \"Ghost\" – 3:21\n \"Pantomime\" – 4:28\n \"Rockinghorse\" (Australian physical album download bonus track) – 3:44\n \"One Yellow Button\" (iTunes bonus track)\n\nJapanese edition\n \"Zero Zero\"\n \"Get What You Want\"\n \"ピンポン!\" (Pinpon; \"Just a Song About Ping Pong\")\n \"Cringe\"\n \"Two for My Seconds\"\n \"Terminal Disease\"\n \"6/8\"\n \"Yes Yes Vindictive\"\n \"Other Song\"\n \"Ghost\"\n \"Leave It Alone\"\n \"Pantomime\"\n \"Crash Tragic\"\n \"Icicle\"\n \"One Yellow Button\"\n \"In Motion\"\n \"Leave It Alone\" (New Young Pony Club Remix)\n \"Leave It Alone\" (David E. Sugar Mix)\n \"ピンポン!\" (Pinpon; \"Just a Song About Ping Pong\" Kissy Sell Out's White Stallion Radio Edit)\n \"ピンポン!\" (Pinpon; \"Just a Song About Ping Pong\" music video)\n\nCharts\n\nReferences\n\n2007 debut albums\nOperator Please albums", "\"Alone\" is a song by Norwegian record producer and DJ Alan Walker. Incorporating uncredited vocals provided by Swedish singer Noonie Bao, it was released commercially for digital download on 2 December 2016. A second part, a collaboration with Ava Max titled \"Alone, Pt. II\", was released on 27 December 2019.\n\nBackground\nIn a press release on 2 December, Walker stated: \"For me, Alone is about cohesion. A song that praises the feeling and comfort of solidarity. When I started making music it was never about to be any [particular], but about creating something for others who could enjoy it with me. What I have experienced by making music and sharing it with [others] are stunning.\"\n\nMusic video\nThe release of the music video for \"Alone\" was published on Walker's YouTube channel on 2 December 2016. It has over 1.2 billion views as of October 2021.\n\nThe music video explores themes of being alone yet quickly evolves into what seems to be a group effort by Walkers to meet up.\n\nMost of the video was filmed in Norway, focusing on Walker's hometown Bergen, and included panoramic shots of nearby tourist attractions such as Ulriken and Trolltunga in Odda. Some parts were also filmed at prominent locations in Europe, including Berlin, London and Paris.\n\nIn connection with the release of his third official single, he recorded the music video at Ulriken mountain in mid-October. For that, he sought and used over 100 Bergen citizens to supernumerary roles in the production, which was made by the Swedish production company Bror Bror.\n\nAlone (Restrung)\nOn 10 February 2017, Alan Walker published an acoustic version of \"Alone\", called \"Alone (Restrung)\", exactly one year after he published \"Faded (Restrung)\". The official lyric video to \"Restrung\" was released 16 February.\n\nTrack listing\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nCertifications\n\nRelease history\n\nReferences\n\nExternal links\n \n\n2016 songs\n2016 singles\nNumber-one singles in Finland\nNumber-one singles in Norway\nMusic videos shot in Norway\nNumber-one singles in Austria\nSongs containing the I–V-vi-IV progression\nSongs written by Gunnar Greve\nSongs written by Jesper Borgen\nSongs written by Alan Walker (music producer)\nSongs written by Noonie Bao\nAlan Walker (music producer) songs\nSongs about loneliness\nSongs written by Mood Melodies" ]

[ "P.O.D.", "Murdered Love (2010-2013)" ]

[ "\"What Is Love\" is a song by Haddaway. \n\nWhat Is Love may also refer to:\n\nBooks\nWhat Is Love?, 1928 novel by E. M. Delafield\n What Is Love? (picture book), a 2021 picture book written by Mac Barnett and illustrated by Carson Ellis\n\nFilm and television\n Nishwartha Bhalobasa (What Is Love), a 2013 Bangladeshi film directed by Ananta Jalil\n What Is Love (TV series), 2012 Taiwanese series\n Just Only Love, a 2018 Japanese film also known as What Is Love?\n\nMusic\n\nAlbums\n What Is Love? (Andrea Marcovicci album), 1992\n What Is Love? (Never Shout Never album), 2010\n What Is Love? (Clean Bandit album), 2018\n What Is Love? (EP) by Twice, 2018\n\nSongs\n \"What Is Love?\", a song recorded by The Playmates, 1959\n \"What Is Love?\" (Howard Jones song), 1983\n \"What Is Love\" (En Vogue song), 1993\n \"What Is Love\", a song by Exo from the 2012 EP Mama\n \"What Is Love?\", a song by Irving Berlin\n \"(What Is) Love?\", a song by Jennifer Lopez from the 2011 album Love?\n \"What Is Love?\", a song by Dr. Nathaniel Irvin III and Roman Irvin, Janelle Monáe from soundtrack of Rio 2\n \"What Is Love\", a song by Take That from the 2008 album The Circus\n \"What Is Love?\", a song by Johnny \"Guitar\" Watson\n \"What Is Love?\", a song by Debbie Harry\n \"What Is Love?\", a song by Sound Tribe Sector 9\n \"What Is Love\", a single by Miriam Makeba from the 1967 album Pata Pata\n \"What Is Love?\" (Twice song), 2018\n \"What Is Love\" (V. Bozeman song), 2015\n\nSee also\n What's Love (disambiguation)", "\"The Night You Murdered Love\" is a song by English band ABC, released as the second single from their fourth studio album, Alphabet City (1987). It peaked at No. 31 on the UK Singles Chart.\n\nThe music video shows a homicidal fashion model carrying a slingshot and a skateboard stalking the band across the city of Paris.\n\nTrack listing\n\n7\" single\n\"The Night You Murdered Love\" – 4:53\n\"Minneapolis\" – 2:57\n\nUS 12\" single\nA1 \"The Night You Murdered Love\" (Sheer Chic Mix) – 6:31\nMixed by – The Funky Sisters, Pete Hammond\nA2 \"Minneapolis\" – 2:57\nB1 \"The Night You Murdered Love\" (The Whole Story) – 8:14\nRap [Featuring] – Contessa Lady V\nB2 \"The Night You Murdered Love\" (The Reply) – 4:50\nRap [Featuring] – Contessa Lady V\nB3 \"The Night You Murdered Love\" (Bonus Beats) – 4:53\n\nChart performance\n\nReferences\n\nABC (band) songs\n1987 singles\nSongs written by Mark White (musician)\nSongs written by Martin Fry\n1987 songs\nMercury Records singles" ]

[ "P.O.D.", "Murdered Love (2010-2013)", "What is Murdered Love?", "Murdered Love was originally going to be released in June 2012, but was instead pushed back to July 10." ]

[ "King vs. Queen is the debut album of indie rock group Brighten, released on March 20, 2007.\n\nOverview\nThe album was originally slated for a fall 2006 release, but was pushed back. However, before the album's intended release, Victory Records sued Carbon Copy Media (Brighten's then-current label). As a result of this, Brighten decided to go independent from Victory. On March 20, 2007, King vs. Queen was released to retail stores across the US without the band's knowledge, due to the printing of thousands of CDs by Carbon Copy Media prior to the lawsuit. Once Brighten was made aware of this, the CD was withdrawn from stores. Only a limited number of these CDs are now available.\n\nThis CD includes re-recorded songs from the EP Ready When You Are, \"Ready When You Are\" and \"Television\".\n\nTrack listing\n\nOriginal version\n\"More Vacations\" – 2:00\n\"A Heart Like That\" – 2:13\n\"Ready When You Are\" – 3:30\n\"Treasure Island\" – 2:57\n\"Mr. Mister\" – 2:54\n\"Darling Nicotine\" – 4:43\n\"The Better Way\" – 3:48\n\"Single Millionaires\" –2:33\n\"We Chose the King\" – 3:20\n\"Television\" – 4:21\n\"Cops and Robbers\" – 3:05\n\"Why Oh Why\" – 4:52\n\nIndependent release\nFollowing the band's fallout with Victory Records and the album's withdrawal from stores, they decided to release a shorter version independently, selling it at concerts and later online at SmartPunk. This version features slightly different artwork and only 9 tracks. The track listing is as follows:\n\"More Vacations\" – 2:00\n\"Ready When You Are\" – 3:30\n\"Treasure Island\" – 2:57\n\"Darling Nicotine\" – 4:43\n\"The Better Way\" – 3:48\n\"We Chose the King\" – 3:20\n\"Television\" – 4:21\n\"Cops and Robbers\" – 3:05\n\"Why Oh Why\" – 4:52\n\nExternal links\nOfficial Brighten Myspace\n\nBrighten albums\n2007 debut albums", "Identity Crisis is the second studio album by Christian rap artist, Tedashii. It was released on May 26, 2009 after being pushed back from its originally scheduled May 19, 2009 release date.\n\nConception\n\nBackground\nTedashii based the title of the album on 1 Corinthians 15:10.\n\n\"But by the grace of God I am what I am, and his grace to me was not without effect.\"\n\nRelease and promotion\nThe album, initially intended for a May 19, 2008 release date, was pushed back to May 26, 2009 by Reach Records. In order to make up for the delay, Reach Records made two left over tracks from the album freely available online.\n\nThe album's second single, \"I'm a Believer\", featuring label mate Trip Lee and Soyé was released on iTunes on April 30, 2009.\n\nTrack listing\n\nCharts\n\nReferences\n\n2009 albums\nTedashii albums\nReach Records albums" ]

[ "P.O.D.", "Murdered Love (2010-2013)", "What is Murdered Love?", "Murdered Love was originally going to be released in June 2012, but was instead pushed back to July 10.", "Why was it pushed back?", "In a 2012 interview with Broken Records Magazine, Sandoval said that the band had to get their lives back in order and take care of personal needs" ]

[ "Return of the 1 Hit Wonder is the fourth album by rapper, Young MC. The album was released in 1997 for Overall Records and was Young MC's first release on an independent record label. While the album did not chart on any album charts, it did have two charting singles; \"Madame Buttafly\" reached No. 25 on the Hot Rap Songs and \"On & Poppin\" reached No. 23. The title refers to Young MC's only Billboard Hot 100 top 10 hit, \"Bust A Move\".\n\nTrack listing\n\"One Hit\" \n\"Freakie\" \n\"On & Poppin'\" \n\"You Ain't Gotta Lie Ta Kick It\" \n\"Madame Buttafly\" \n\"Lingerie\" \n\"Coast 2 Coast\" \n\"Fuel to the Fire\" \n\"Bring It Home\" \n\"Intensify\" \n\"Mr. Right Now\" \n\"On & Poppin'\" (Remix)\n\nReferences\n\nYoung MC albums\n1997 albums", "Knockin' Boots 2001: A Sex Odyssey is the fifth and thus far final studio album by rapper Candyman. The album was released on February 6, 2001 for X-Ray Records and was produced by Candyman. The album was the fourth straight critical and commercial flop for Candyman and like his previous four albums, did not chart on any album charts or feature any hit singles.\n\nTrack listing\n\n2001 albums\nCandyman (rapper) albums" ]

[ "P.O.D.", "Murdered Love (2010-2013)", "What is Murdered Love?", "Murdered Love was originally going to be released in June 2012, but was instead pushed back to July 10.", "Why was it pushed back?", "In a 2012 interview with Broken Records Magazine, Sandoval said that the band had to get their lives back in order and take care of personal needs", "Did this album have any hit singles?", "\"Find a Way\", \"Burn It Down\"," ]

[ "\"What Else Is There?\" is the third single from the Norwegian duo Röyksopp's second album The Understanding. It features the vocals of Karin Dreijer from the Swedish electronica duo The Knife. The album was released in the UK with the help of Astralwerks.\n\nThe single was used in an O2 television advertisement in the Czech Republic and in Slovakia during 2008. It was also used in the 2006 film Cashback and the 2007 film, Meet Bill. Trentemøller's remix of \"What Else is There?\" was featured in an episode of the HBO show Entourage.\n\nThe song was covered by extreme metal band Enslaved as a bonus track for their album E.\n\nThe song was listed as the 375th best song of the 2000s by Pitchfork Media.\n\nOfficial versions\n\"What Else Is There?\" (Album Version) – 5:17\n\"What Else Is There?\" (Radio Edit) – 3:38\n\"What Else Is There?\" (Jacques Lu Cont Radio Mix) – 3:46\n\"What Else Is There?\" (The Emperor Machine Vocal Version) – 8:03\n\"What Else Is There?\" (The Emperor Machine Dub Version) – 7:51\n\"What Else Is There?\" (Thin White Duke Mix) – 8:25\n\"What Else Is There?\" (Thin White Duke Edit) – 4:50\n\"What Else Is There?\" (Thin White Duke Remix) (Radio Edit) – 3:06\n\"What Else Is There?\" (Trentemøller Remix) – 7:42\n\"What Else Is There?\" (Vitalic Remix) – 5:14\n\nResponse\nThe single was officially released on 5 December 2005 in the UK. The single had a limited release on 21 November 2005 to promote the upcoming album. On the UK Singles Chart, it peaked at number 32, while on the UK Dance Chart, it reached number one.\n\nMusic video\nThe music video was directed by Martin de Thurah. It features Norwegian model Marianne Schröder who is shown lip-syncing Dreijer's voice. Schröder is depicted as a floating woman traveling across stormy landscapes and within empty houses. Dreijer makes a cameo appearance as a woman wearing an Elizabethan ruff while dining alone at a festive table.\n\nMovie spots\n\nThe song is also featured in the movie Meet Bill as characters played by Jessica Alba and Aaron Eckhart smoke marijuana while listening to it. It is also part of the end credits music of the film Cashback.\n\nCharts\n\nReferences\n\n2005 singles\nRöyksopp songs\nAstralwerks singles\nSongs written by Svein Berge\nSongs written by Torbjørn Brundtland\n2004 songs\nSongs written by Roger Greenaway\nSongs written by Olof Dreijer\nSongs written by Karin Dreijer", "White Heat is the self titled debut album of future Switch members Gregory Williams, Bobby DeBarge and Jody Sims. The album was released in 1975 and produced by R&B notable Barry White.\n\nTrack listing\n\nSide A\n\"Take a Look at Yourself (Before You Frown on Someone Else)\"\n\"If That's the Way You Feel (Then Let's Fall in Love)\"\n\"I Love Every Little Thing About You\" originally performed by Stevie Wonder\n\"Talkin'\"\n\nSide B\n\"What a Groove\"\n\"I've Been So Lonely (Without You)\"\n\"You Can Change My Life For Me\"\n\"Funk Freak\"\n\nReferences\n\n1975 debut albums\nRCA Records albums" ]

[ "P.O.D.", "Murdered Love (2010-2013)", "What is Murdered Love?", "Murdered Love was originally going to be released in June 2012, but was instead pushed back to July 10.", "Why was it pushed back?", "In a 2012 interview with Broken Records Magazine, Sandoval said that the band had to get their lives back in order and take care of personal needs", "Did this album have any hit singles?", "\"Find a Way\", \"Burn It Down\",", "What else is notable about this album?", "Multiple behind the scenes videos were also on the track list." ]

[ "The No Sound Without Silence Tour is the third arena tour by Irish pop rock band The Script. Launched in support of their fourth studio album No Sound Without Silence (2014), the tour began in Tokyo on 16 January 2015 and visited Europe, North America, Asia, Africa and Oceania. The opening acts were American singer Phillip Phillips for the South African dates, and English singer Tinie Tempah for the European dates. Pharrell Williams served as a co-headliner for the Croke Park concert on 20 June 2015.\n\nOpening acts\nColton Avery (Europe, North America, Australia, Philippines, Thailand, Malaysia)\nMary Lambert (North America)\nPhillip Phillips (South Africa)\nSilent Sanctuary (Philippines)\nTinie Tempah (Europe)\nPharrell Williams (Dublin)\nThe Wailers (Dublin)\nThe Sam Willows (Singapore)\nKensington (Band) (Europe)\n\nSetlist\nThis setlist is based on previous performances of the tour.\n\n \"Paint the Town Green\"\n \"Hail Rain or Sunshine\"\n \"Breakeven\"\n \"Before the Worst\"\n \"Superheroes\"\n \"We Cry\"\n \"If You Could See Me Now\"\n \"Man on a Wire\"\n \"Nothing\"\n \"Good Ol' Days\"\n \"Never Seen Anything (Quite Like You)\"\n \"The Man Who Can't Be Moved\"\n \"You Won't Feel A Thing\"\n \"It's Not Right For You\"\n \"Six Degrees of Separation\"\n \"The Energy Never Dies\"\n \"For the First Time\"\n \"No Good in Goodbye\"\n \"Hall of Fame\"\n\nAdditional information\nDuring the performance in Sheffield, The Script didn't perform \"We Cry\" due to a fan collapsing. Danny called for Paramedic to check on her, she was fine and they carried on.\n\nDuring the performance in Barcelona, The Script didn't perform \"The End Where I Begin\" or \"Nothing\". They also did not perform \"Six Degrees Of Separation\" and \"It's Not Right For You\".\n\nDuring the performance in Oakland, The Script didn't perform \"The End Where I Begin\", \"We Cry\", or \"Six Degrees of Separation\".\n\nDuring the performance in Toronto, The Script did not perform \"The End Where I Begin\" and \"Six Degrees of Separation\".\n\nDuring the performance im Hamburg, The Script did not perform \"Nothing\" and \"Never Seen Anything (Quite Like You)\".\n\nTour dates\n\nNotes\n\nReferences\n\n2015 concert tours\nThe Script concert tours", "Sonic Temple Art & Music Festival is a rock festival currently held in Columbus, Ohio, United States and is produced by Danny Wimmer Presents.\n\nHistory\n\nIn 2018 it was announced that Rock on the Range would be replaced by Danny Wimmer Presents as the Sonic Temple Art & Music Festival. The inaugural festival was held in May 2019 with sold-out crowds of 120,000.\n\nIn December 2019, the full lineup for Sonic Temple 2020 was revealed. Metallica were to headline both Friday and Saturday night, with Slipknot headlining on Saturday. Other performers were to include Deftones, Bring Me the Horizon, Evanescence, Sublime with Rome, Rancid, Dropkick Murphys, Cypress Hill, Pennywise, Royal Blood, The Pretty Reckless, Alter Bridge, Anthrax, Flatbush Zombies, Pop Evil, Hellyeah, Ghostemane, Suicidal Tendencies, Testament, Dance Gavin Dance, Ice Nine Kills, Sleeping with Sirens, The Darkness, Knocked Loose, Code Orange, Power Trip, Saint Asonia, Dirty Honey, Jinjer, City Morgue, Bones UK, Airbourne, Fire from the Gods, Dinosaur Pile-Up, Des Rocs, Counterfeit, Crobot, Cherry Bomb, DED, Goodbye June, Brutus, 3Teeth, BRKN Love, Killstation, Brass Against, Crown Lands, Ego Kill Talent, Dregg, Bloodywood, and Zero 9:36, with more to have been announced.\n\nIn February 2020, it was announced that Metallica would be replaced as headliners by the Red Hot Chili Peppers and Tool, following frontman James Hetfield's entrance into a rehabilitation program for substance abuse. The following month, the festival was cancelled due to the COVID-19 pandemic. In February 2021, it was announced it would once again be cancelled due to the COVID-19 pandemic, with plans to return in 2022.\n\nEvents\n\n2019 \n\nMonster Energy Stadium Stage:\n System of a Down\n Ghost\n Halestorm\n Parkway Drive\n Beartooth\n Avatar\n Badflower\n\nEcho Stage:\n Meshuggah\n Black Label Society\n Bad Wolves\n Zeal & Ardor\n Wage War\n SHVPES\n The Jacks\n\nWave Stage:\n Tom Morello\n Pussy Riot\n Ho99o99\n Cleopatrick\n Hands Like Houses\n Radattack\n\nSiriusXM Comedy & Spoken Word Tent:\n Henry Rollins\n Tom Morello\n Shapel Lacy\n Nadya\n\nMonster Energy Stadium Stage:\n Disturbed\n Papa Roach\n Lamb of God\n In This Moment\n Gojira\n Fever 333\n Black Coffee\n\nEcho Stage:\n The Cult\n Killswitch Engage\n Architects\n The Black Dahlia Murder\n While She Sleeps\n Evan Konrad\n The Plot in You\n\nWave Stage:\n Action Bronson (did not perform due to an \"unforeseen knee injury\")\n Mark Lanegan Band\n Don Broco\n Movements\n Boston Manor\n No1Cares\n\nSiriusXM Comedy & Spoken Word Tent:\n Andrew Dice Clay\n Eleanor Kerrigan\n Mark Normand\n Craig Grass\n\nMonster Energy Stadium Stage:\n Foo Fighters\n Bring Me the Horizon (did not perform due to high winds)\n Chevelle (did not perform due to high winds)\n The Distillers (did not perform due to high winds)\n The Struts\n The Glorious Sons\n Amigo the Devil\n\nEcho Stage:\n Joan Jett and the Blackhearts\n The Hives (performance ended early due to high winds)\n The Interrupters\n Yungblud\n Palaye Royale\n Dirty Honey\n Teenage Wrist\n\nWave Stage:\n Scars on Broadway (did not perform due to high winds)\n Refused (did not perform due to high winds)\n Black Pistol Fire (did not perform due to high winds)\n Basement (did not perform due to high winds)\n Scarlxrd (did not perform due to high winds)\n Demob Happy (did not perform due to high winds)\n\nSiriusXM Comedy & Spoken Word Tent:\n Pauly Shore (did not perform due to high winds)\n Carmen Lynch (did not perform due to high winds)\n Joe Deuce (did not perform due to high winds)\n Bill Squire (did not perform due to high winds)\n\nReferences\n\nExternal links\n \n\nHeavy metal festivals in the United States\nMusic festivals established in 2019\nMusic festivals in Ohio\nRock festivals in the United States" ]