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[ "Roy Keane", "Alf-Inge Haland incident" ]

[ "Nachtvlinder is a 1999 Dutch family film directed by Herman van Veen. It was van Veen's second feature film, after 1979's Uit Elkaar. The film, done on a small budget, struggled with negative reviews.\n\nCast\nArthur Kristel\t... \tPrins Ruben\nBabette van Veen\t... \tSarah Mogèn\nRamses Shaffy\t... \tWalko van Haland\nHans Trentelman\t... \tOnorg\nFred Delfgaauw\t... \tKoning Olaf van Haland\nMaike Meijer\t... \tJonkvrouw Hinde Baldon\nJules Croiset\t... \tAbraham Mogèn\nKarin Bloemen\t... \tGeertrui Moens\nHerman van Veen\t... \tWogram\nFrits Lambrechts\t... \tStuurman\nNiels Reijnders\t... \tMartijn\nSarah de Wit\t... \tAlma Mogèn\nLori Spee\t... \tMoeder Mogèn\n\nExternal links \n \n\nDutch films\n1999 films\nDutch-language films", "The Young Christian Democrats (, KDU) is the youth organization of the Christian Democrats in Sweden.\n\nKDU was founded at a conference in Sundsvall 1966. Initially the name of the organization was Christian Democratic Youth (Kristen Demokratisk Ungdom) but were later changed.\n\nList of chairmen\nBernt Olsson 1966-1970\nAlf Svensson 1970-1973\nMats Odell 1975-1981\nAnders Andersson 1981-1984\nBert-Inge Karlsson 1984-1986\nStefan Attefall 1986-1989\nGöran Holmström 1989-1992\nHans Åström Eklind 1992-1996\nAmanda Agestav (Grönlund) 1996-1997\nMagnus Jacobsson 1997-1999\nMagnus Berntsson 1999-2001\nJakob Forssmed 2001-2004\nErik Slottner 2004-2005\nElla Bohlin 2005-2008\nCharlie Weimers 2008-2011\nAron Modig 2011-2013\nSara Skyttedal 2013-2016\nChristian Carlsson 2016-2018\nMartin Hallander 2018-2020\nNike Örbrink 2020-\n\nHonorary chairman\nAlf Svensson 2021-\n\nCurrent leadership\n\nChairwoman: Nike Örbrink, \n\n1st Vice Chairwoman: Evin Badrniya,\n\n2nd Vice Chairman: Anton Roos,\n\nReferences\n\nExternal links\nKristdemokratiska Ungdomsförbundet in Swedish\n\nYouth wings of political parties in Sweden\nChristian Democrats (Sweden)\nYouth organizations established in 1966\n1966 establishments in Sweden" ]

[ "Roy Keane", "Alf-Inge Haland incident", "When was the Alf-Inge Haland incedent?", "in the 2001 Manchester derby," ]

[ "Destroyed in Seconds is a half-hour American television series that aired on Discovery Channel. Hosted by Ron Pitts, it features video segments of various things being destroyed fairly quickly (hence, \"in seconds\") such as planes crashing, explosions, sinkholes, boats crashing, fires, race car incidents, floods, factories, etc. The nature of the show closely resembles Real TV. The show uses real video of real events, and commentary explaining the destruction portrayed. Most videos have stock sound effects added. Some of the events seen resulted in fatalities, and all of the events have property damage.\n\nFormat\nAt the beginning of each episode, a compilation of all the incidents featured in that episode will play (though not in order), with Pitts narrating, \"Without so much as a warning, life hangs in the balance. Human endeavour turns to chaos. And within seconds, nothing will ever be the same. Ever.\" On rare occasions, one incident will be left out of the opening compilation due to restricted space. That was the case for the Wichita City Hall drive-thru, which was not featured in the intro of episode 49. After the compilation, Pitts will describe two of the incidents that happen in the episode in one-liners. Each intro ends off with the phrase, \"destroyed in seconds\" before the show's main intro plays and the first incident in the episode. For example, episode 45's intro goes like this: \"I'm Ron Pitts. Our team leaves no stone unturned in our search for destruction. In Italy, a Le Mans racer comes within inches of another car, as it cartwheels across the track. A military helicopter loses power and slices through the deck of a naval destroyer. A split second is all it takes for things to get destroyed in seconds. \"\n\nEach episode usually features eight or nine incidents, with a bonus incident at the end that is not part of the episode, but was lumped in by the crew for fun. The bonus clip usually involves car crashes or military disasters. At the beginning of each video shown, Pitts says the place, sometimes the time and date of the incident. Pitts will then explain the background of the incident (e.g. Racing competitions, industrial disasters), then the moment of the incident and what caused it. In the later episodes of the show, the location is sometimes not stated. This is likely because to give viewers an impression that the incident could have happened anywhere – across the globe or right down the street. Unlike Shockwave and World's Most Amazing Videos, there are no interviewees to talk about what happened in that incident. The incidents featured in the whole series happened before or during 2009, as the show was cancelled in 2010. At the end of each episode, Pitts ends off with a few words before the credits roll. The end credits usually review all the incidents that happened in the episode in order.\n\nUsually, if a destruction is horrible, very dangerous, heart-stopping, or results in many injuries, the show usually goes into commercial either right at the moment of impact, right before it, or a little afterwards(for example, Jack Bland's brutal crash at Hagerstown in episode 8). When the show starts again, it reviews what happened and then explains what started the incident.\n\nEpisodes\nSeason 1 completed on March 23, 2009, and Season 2 in 2010. This is a list of Destroyed in Seconds episodes for Season 1 and 2:\n\nReferences\n\nExternal links\n\nDiscovery Channel original programming\n2008 American television series debuts\n2009 American television series endings", "Gandhi Under Cross Examination is a 2009 book written by G. B. Singh and Dr. Tim Watson evaluating the iconization of Mohandas Karamchand Gandhi as a civil rights protagonist. \n\nIn 1893, Gandhi went to South Africa where, by his own account, he was thrown off a train on racial grounds. In their scrutiny of the incident and Gandhi's statements thereafter, the authors claim that Gandhi gave divergent accounts of what happened on his journey to Pretoria. Gandhi Under Cross-examination catalogs the incidents that happened around that time and attempts to prove that the train incident never occurred. The authors have claimed that Gandhi lied about the train incident.\n\nSee also\nGandhi Behind the Mask of Divinity\nZulu War of 1906\nGandhi's role in Zulu War\n\nReferences \n\n2009 non-fiction books\nBooks about Mahatma Gandhi" ]

[ "Roy Keane", "Alf-Inge Haland incident", "When was the Alf-Inge Haland incedent?", "in the 2001 Manchester derby,", "What happened during the incident?", "a blatant knee-high foul on Alf-Inge Haland" ]

[ "Affect, as a term of rhetoric, is the responsive, emotional feeling (affect) that precedes cognition. Affect differs from pathos as described by Aristotle as one of the modes of proof and pathos as described by Jasinski as an emotional appeal because it is “the response we have to things before we label that response with feelings or emotions.”\n\nIn further exploring this term, scholars recognized affect’s rhetorical role in literature, photography, marketing and memory. In 2012, Rogers described how author W. E. B. Du Bois used the structure of his work, The Souls of Black Folk, to affect his audience into feeling shame. In 2016, Brunner and Deluca proposed the term affective winds to describe “the force of images that moves people to engage and interact by exploring the affective potency of visual arguments.” Affective winds were part of the rhetorical persuasiveness of images shared through social media. In a different sense, Harold described how the Target Corporation’s advertising used aura and affect to democratize the appearance of some products. Affect has also been identified as a conduit through which rhetorical memories can be internalized.\n\nDrawing from philosophy, some rhetorical studies of affect have followed Martin Heidegger's articulation of Dasein which posits \"affect\" as the ground of reason. Others follow post-structuralist and post-Heideggerian insights to follow affect's influence on rhetorical canons and digital rhetoric.\n\nReferences\n\nRhetorical techniques", "The name Miriam has been used for eight tropical cyclones in the Eastern Pacific Ocean.\n\nHurricane Miriam (1978), a Category 1 hurricane that threatened Hawaii but did not affect land.\nHurricane Miriam (1982), a Category 1 hurricane that did not affect land.\nTropical Storm Miriam (1988), continuation of Hurricane Joan which originally formed in the Atlantic Ocean and crossed into the Pacific.\nTropical Storm Miriam (1994), a short-lived storm that did not affect land.\nTropical Storm Miriam (2000), a short-lived storm that hit Baja California as a weak storm.\nTropical Storm Miriam (2006), a short-lived tropical storm that did not affect land.\nHurricane Miriam (2012), a Category 3 hurricane that did not affect land.\nHurricane Miriam (2018), a Category 2 hurricane that did not affect land.\n\nPacific hurricane disambiguation pages" ]

[ "Roy Keane", "Alf-Inge Haland incident", "When was the Alf-Inge Haland incedent?", "in the 2001 Manchester derby,", "What happened during the incident?", "a blatant knee-high foul on Alf-Inge Haland", "How did the incident affect his career?", "He initially received a three-match suspension and a PS5,000 fine" ]

[ "The \"Chute na santa\" () incident was a religious controversy that erupted in Brazil in late 1995, sparked by a live broadcast of a minister of Universal Church of the Kingdom of God (UCKG), the largest pentecostal church in Brazil, kicking the statue of Our Lady of Aparecida, a Roman Catholic saint.\n\nThe incident\nThe incident took place on October 12, 1995, the national public holiday honouring Our Lady of Aparecida, the patron saint of Brazil. That dawn, on O Despertar da Fé (), a national live television program by UCKG broadcast on Rede Record (owned by the same church), televangelist bishop Sérgio Von Helder was expressing his thoughts about his church's biblical teachings on \"imagery\" and \"idolatry\" on the saint's day, when an actual icon of the saint was shown. Then, as he walked around the image, talking about its inability \"to see\" and \"to hear\", he started to kick the image, proclaiming its \"inability to react, because it's made of clay\". \n\nOn the following day, Rede Globo's Jornal Nacional denounced the incident, causing a nationwide commotion. The event was perceived by Catholics as a major act of religious intolerance, sparking a public outcry. Several temples of the UCKG were the target of protests, and Von Helder had to be transferred to South Africa until the end of the controversy.\n\nNetwork rivalry\nSome see the incident as another clash between Rede Record and Rede Globo. A few months prior to the incident, Globo had broadcast a mini-series by Dias Gomes titled Decadência (), which depicted the fictional tale of Mariel Batista (Edson Celulari), a corrupt Protestant pastor. According to a Rede Record documentary about the imprisonment of Edir Macedo (UCKG founder and Record owner), some lines of the character were based on public speeches by him.\n\nReaction\nPope John Paul II urged Catholics not to \"answer evil with evil\". Dom Eugênio de Araújo Sales, then Archbishop of Rio de Janeiro, said that \"unless we control our emotions, there is the risk of a holy war.\n\nPresident Fernando Henrique Cardoso, when questioned about the incident, said that \"Brazil is a democratic country known by its tolerance\" and that \"any demonstration of intolerance hurts its unison spirit as well as its Christian spirit\".\n\nCultural references\nThe \"kicking of the saint\" episode is referenced in the 1997 song \"Guerra Santa\" (), written and performed by Gilberto Gil. In this song, featured in the album Quanta, Gil criticizes prosperity theology, one of the tenets of UCKG and other popular Neopentecostal churches in Brazil.\n\nSee also \n\n Anti-Catholicism\n History of Roman Catholicism in Brazil\n Persecution of Christians\n Roman Catholicism in Brazil\n\nReferences\n\n1995 in Brazil\n1995 in Brazilian television\nAnti-Catholicism\nProtestantism-related controversies\nUniversal Church of the Kingdom of God", "The Rotvoll controversy refers to a political controversy in Norway in 1991 concerning the construction of a research and development (R&D) facility for Statoil at Rotvoll outside Trondheim.\n\nKey events\nThe background for the controversy was that Statoil wanted to establish a new research and development centre in Trondheim, and had acquired land at the recreational area Rotvoll to the east of Trondheim. This area was an agriculture boundary right outside Trondheim, and was connected to Leangenbukta (English: Leangen Bay), an important bird life area. There were some old farms at Rotvoll as well, considered to be worth protecting.\n\nThere was a lot of secrecy around the formal approval of the construction at Rotvoll, and the approval process did not, like the law required, undertake a study of the consequences for the environment. Both the Norwegian Directorate for Nature Management, the County Governor and city antiquarian opposed the construction. Nonetheless, the city council gave Statoil permission to proceed.\n\nThe controversy became national on 30 June when the Norwegian Broadcasting Corporation made a large story on the national news, followed up by a number of national newspapers. The main content of the news was the tent camp that had been established at Rotvoll, to prohibit the construction. The tent camp consisted among others of members of Natur og Ungdom and the Norwegian Society for the Conservation of Nature. In the first week of the tent camp there was sunshine, but since then it was continuously rainy. Each weekend there was a family day at Rotvoll, including appearances of singer Hans Rotmo. Statoil refused to accept any of the alternative locations provided by the environmentalists, despite meetings between the CEO Harald Norvik and environmentalists. Statoil also had multiple full-page advertisements in the Trondheim newspapers Arbeider-Avisa and Adresseavisen. \n\nAfter school start in August there were few activists left at the camp, and in early October Statoil sent a letter to them informing them that they would start construction soon. On 10 October 1991 the police woke the activists and informed them that Statoil was to start construction. This resulted in a quick mobilisation and 75 activists refusing to move in civil disobedience. They were removed by the police, and that day the construction workers did as much damage as possible to hinder more actions, but the next day 65 people let themselves be arrested to hinder construction. The following day a legal demonstration was held by 500 people outside the construction area.\n\nLegacy\nThe controversy was quite prominent in Trondheim, and though Statoil Rotvoll was built, it resulted in other environmental victories later\n A few years later a green area at Fagerheim in Trondheim was not demolished, partially to avoid a new Rotvoll incident.\n Area planning in Trondheim has since shifted, and instead of building large work places outside the town, they are being moved into town. Examples of this include Fokus Bank, the city administration, the county administration and Adresseavisen (announced) in addition to the planned centralising of the Norwegian University of Science and Technology and Sør-Trøndelag University College, totaling many thousands of jobs.\n Environmental groups threatened with new demonstrations and actions when Statoil announced plans for expansions of Statoil Rotvoll in 2004.\n\nReferences\n\nEnvironmental protests in Norway\n20th century in Trondheim\nNature and Youth\nEquinor\n1991 in Norway\nPolitical controversies in Norway\n1991 in the environment" ]

[ "Roy Keane", "Alf-Inge Haland incident", "When was the Alf-Inge Haland incedent?", "in the 2001 Manchester derby,", "What happened during the incident?", "a blatant knee-high foul on Alf-Inge Haland", "How did the incident affect his career?", "He initially received a three-match suspension and a PS5,000 fine", "Was there a lot of controversy about the incident?", "seen by many as an act of revenge." ]

[ "Daku Maharani is a Hindi rape and revenge, dacoit film of Bollywood directed by Teerat Singh Johar and produced by Vimal Jain. This film was released in 2000 in the banner of Nishu Art.\n\nPlot\nMaharani is a young woman who was brutally raped by village leader Thakur. Thakur is very powerful and influential person who stigmatised her as a fallen woman. Maharani was sent out of the village. Without getting justice she then turns into a daciat and takes revenge against the thakur. She became Daku Maharani for the poor.\n\nCast\n Kiran Kumar as Jagabatar\n Deepak Shirke as Chaudhari\n Joginder as Sarpanch\n Shiva Rindani\n Ishrat Ali\n Kamal Malik as Shambhu\n Romesh Goel as Police Commissioner\n Satnam Kaur as Rani\n Anil Nagrath as Lala\n Roma\n\nReferences\n\nExternal links\n \n\n2000 films\n2000s Hindi-language films\nIndian films\nIndian action films\nIndian rape and revenge films\nFilms about outlaws\nIndian films about revenge\n2000 action films\nHindi-language action films", "Ranga Khush is a Hindi action drama movie of Bollywood directed and produced by Joginder. This film was released in January, 1975 in the banner of Apollo International.\n\nPlot\nRanga, the bandit chief terrorises many villages and the police cannot catch him. A poor villager Sultan Singh lives with his son Karma and daughter Devi. Ranga kills Sultan and kidnaps Devi. Karma tries to organise the villagers against Ranga and his gang of dacoit to save his sister.\n\nCast\n Bharat Bhushan as Dilip Singh\n Dheeraj Kumar as Karma\n Aruna Irani as Kasturi\n Nazima as Devi\n Nazneen as Reshma\n Joginder as Ranga\n Chandrashekhar as Police Inspector\n Vikram as Karma\n Rajan Haksar\n Som Dutta as Ratna\n Chandrima Bhadury as Ginnibai\n\nSoundtrack\nThe music direction of Ranga Khush was made by Sonik Omi and main playback singer was Asha Bhosle.\n\nReferences\n\nExternal links\n \n\nIndian films\n1975 films\n1970s Hindi-language films\nHindi-language films\nIndian action films\nIndian rape and revenge films\nFilms about outlaws\nIndian films about revenge\n1975 action films\nHindi-language action films" ]

[ "Roy Keane", "Alf-Inge Haland incident", "When was the Alf-Inge Haland incedent?", "in the 2001 Manchester derby,", "What happened during the incident?", "a blatant knee-high foul on Alf-Inge Haland", "How did the incident affect his career?", "He initially received a three-match suspension and a PS5,000 fine", "Was there a lot of controversy about the incident?", "seen by many as an act of revenge.", "Why was the action seen as revenge?", "he stated that he intended \"to hurt\" Haland." ]

[ "Nachtvlinder is a 1999 Dutch family film directed by Herman van Veen. It was van Veen's second feature film, after 1979's Uit Elkaar. The film, done on a small budget, struggled with negative reviews.\n\nCast\nArthur Kristel\t... \tPrins Ruben\nBabette van Veen\t... \tSarah Mogèn\nRamses Shaffy\t... \tWalko van Haland\nHans Trentelman\t... \tOnorg\nFred Delfgaauw\t... \tKoning Olaf van Haland\nMaike Meijer\t... \tJonkvrouw Hinde Baldon\nJules Croiset\t... \tAbraham Mogèn\nKarin Bloemen\t... \tGeertrui Moens\nHerman van Veen\t... \tWogram\nFrits Lambrechts\t... \tStuurman\nNiels Reijnders\t... \tMartijn\nSarah de Wit\t... \tAlma Mogèn\nLori Spee\t... \tMoeder Mogèn\n\nExternal links \n \n\nDutch films\n1999 films\nDutch-language films", "Angry Birds POP! is a tile matching game co-developed by Rovio Entertainment and Outplay Entertainment that was soft launched for iOS in Canada in December 2014 and released worldwide for iOS and Android devices in March 2015. The game was originally the second game in the Angry Birds Stella series.\n\nIt was originally released as Angry Birds Stella POP!, and was given its current name, without Stella, with an update in July 2015 that brought classic Angry Birds characters into the game, making it the only one in the series to involve a crossover between classic Angry Birds and Stella's friends. In October 2015, the game was released as a Facebook game that was discontinued on December 21, 2016. As of May 2021, the game contains over 6000 levels.\n\nGameplay\n\nAngry Birds POP! is the second game of the Angry Birds Stella series. The game released on December 22, 2014, in the Canada App Store and released worldwide on March 12, 2015. On October 29, 2015, the game was added to Facebook. The game features the slingshot lined up in the bottom center, the player flings the bubbles to pop the bubbles at the top with a combination of three or more bubbles with the same color. Each level will give you a limited number of bubbles given at the slingshot and you can buy more by coins. Sometimes, there are also blocks appears at the top along with the bubbles. The game also has lives like all other match-3 games. When you lose a level, you will lose one of it and if you lost all the lives, you must buy them by coins to continue playing. The game initially featured only the six characters that appeared in Angry Birds Stella, with each character having a special power that can be used when the Pop Meter is full to unlock powerful boosts from their powers like Stella's Power Pop, Poppy's Line Pop and many more. To fill the Pop Meter, you have to get x6 Streaks, that means 6 pops in a row.\n\nReception\nAngry Birds POP! was seen by some as similar to King's 2014 title, Bubble Witch Saga 2. The Macworld reviewer enjoyed it as a free game, with its light puzzle gameplay and good production values but once a barrier in play presents itself, the reviewer thought it was best to do something else.\n\nSequel\nA sequel, Angry Birds POP! 2 (later renamed Angry Birds POP Blast) was released in 2019. Players solve each level in this game with one Bird and one Pig who each can be upgraded and offer different abilities that can be activated once bubbles of a certain color are popped. (Red bubbles build up the Bird's rage that fuels an ability that directly destroys other bubbles, while green bubbles increase the Pig's skills so that he can use an ability that replaces some bubbles with an item that confers certain benefits when shot.) The sequel is set after the events of The Angry Birds Movie 2, as the fledgling alliance between Birds and Pigs confronts a mysterious, unseen threat that infests the world with bubbles, spawns mysterious one-eyed creatures and traps young birds and pigs in bubbles alike.\n\nSee also\n\n Puzzle Bobble\n\nReferences\n\nIOS games\nAndroid (operating system) games\nFacebook games\nTile-matching video games\n2014 video games\nAngry Birds spin-offs\nPOP!\nVideo games developed in Finland\nRovio Entertainment games" ]

[ "Roy Keane", "Alf-Inge Haland incident", "When was the Alf-Inge Haland incedent?", "in the 2001 Manchester derby,", "What happened during the incident?", "a blatant knee-high foul on Alf-Inge Haland", "How did the incident affect his career?", "He initially received a three-match suspension and a PS5,000 fine", "Was there a lot of controversy about the incident?", "seen by many as an act of revenge.", "Why was the action seen as revenge?", "he stated that he intended \"to hurt\" Haland.", "Why was he angry with Haland?", "He fucked me over and my attitude is an eye for an eye" ]

[ "Nachtvlinder is a 1999 Dutch family film directed by Herman van Veen. It was van Veen's second feature film, after 1979's Uit Elkaar. The film, done on a small budget, struggled with negative reviews.\n\nCast\nArthur Kristel\t... \tPrins Ruben\nBabette van Veen\t... \tSarah Mogèn\nRamses Shaffy\t... \tWalko van Haland\nHans Trentelman\t... \tOnorg\nFred Delfgaauw\t... \tKoning Olaf van Haland\nMaike Meijer\t... \tJonkvrouw Hinde Baldon\nJules Croiset\t... \tAbraham Mogèn\nKarin Bloemen\t... \tGeertrui Moens\nHerman van Veen\t... \tWogram\nFrits Lambrechts\t... \tStuurman\nNiels Reijnders\t... \tMartijn\nSarah de Wit\t... \tAlma Mogèn\nLori Spee\t... \tMoeder Mogèn\n\nExternal links \n \n\nDutch films\n1999 films\nDutch-language films", "\"What a Night\" is a song performed by British band, Loveable Rogues. It was their debut single and was intended to feature on a debut album. The single was released in Ireland and the United Kingdom on 19 April 2013. The band were dropped from Syco in October 2013, but the single was featured on their debut album This and That, released in 2014 on Super Duper Records.\n\nBackground\nLoveable Rogues first announced that they're signed to Syco on June, 2012. In late 2012, the band released a free mixtape through their Soundcloud channel. The collection of songs was released as a free download and was called 'First Things First'. \"What A Night\" was previewed along with new songs such as \"Maybe Baby\", \"Talking Monkeys\" and \"Honest\".\n\nMusic video\n\nTwo teaser videos were released before the music video. The first teaser video was uploaded to their Vevo channel on 11 February 2013. The second teaser released two days after or a week before the music video released; on 19 February 2013, the music video was uploaded to their Vevo channel.\nThe video features the band having a night party with their friends.\n\nChart performance\n\"What a Night\" debuted on the UK Singles Chart at number 9 on 27 April 2013 after debuting at number 5 on the UK Singles Chart Update.\n\nTrack listing\nDigital download\n What a Night - 2:50\n Nuthouse - 3:58\n What a Night (feat. Lucky Mason) Sonny J Mason Remix] - 3:41\n What a Night (Supasound Radio Remix) - 2:42\n\nCharts\n\nReferences\n\n2013 debut singles\n2013 songs\nSyco Music singles\nSong recordings produced by Red Triangle (production team)\nSongs written by Rick Parkhouse\nSongs written by George Tizzard" ]

[ "Roy Keane", "Alf-Inge Haland incident", "When was the Alf-Inge Haland incedent?", "in the 2001 Manchester derby,", "What happened during the incident?", "a blatant knee-high foul on Alf-Inge Haland", "How did the incident affect his career?", "He initially received a three-match suspension and a PS5,000 fine", "Was there a lot of controversy about the incident?", "seen by many as an act of revenge.", "Why was the action seen as revenge?", "he stated that he intended \"to hurt\" Haland.", "Why was he angry with Haland?", "He fucked me over and my attitude is an eye for an eye", "What team was Haland on?", "I don't know." ]

[ "Adrienne Roy (June 28, 1953 – December 14, 2010) was a comic book color artist who worked mostly for DC Comics. She was largely responsible for coloring the Batman line (Batman and Detective Comics) throughout the 1980s and early 1990s.\n\nBiography\nRoy attended an art school in Wayne, New Jersey, where she studied painting techniques. Her first contact with comics was through collecting Marvel Comics' Tomb of Dracula, The Sub-Mariner and Conan the Barbarian. Roy's first work as a comics colorist was assisting her then husband Anthony Tollin, who worked for DC Comics at the time. But it was long-time colorist Jack Adler who would give her the first job at DC: the cover of DC Special Series #8 (featuring the Batman, Deadman and Sgt. Rock team-up). Adler and Sol Harrison (who was also a colorist) were considered by Roy herself as her mentors and both trained her on coloring during her first years at DC.\n\nRoy was also responsible for the coloring on many other titles during that time period: The New Teen Titans, The Warlord, Weird War Tales and Madame Xanadu. Nevertheless, she is predominantly known for her work on the Batman books: Batman, Detective Comics, Batman: Shadow of the Bat, Batman: Gotham Knights, and Robin.\n\nWhen computerized colors arrived to comics, the assignments to classic colorists substantially decreased. By 2000 Roy was largely out of work, despite training herself on the computer. Roy spent her last days battling cancer and died in Austin, Texas, at age 57 on December 14, 2010.\n\nBibliography\nRoy's comics work (interior art) include:\nBatman\nDetective Comics\n \"Arizona Desert with Cacti\"\n \"Grinding Corn\"\n \"New Jersey Pine Barrens\"\n\nReferences\n\nExternal links\n Adrienne Roy at the Grand Comics Database\n\n1953 births\n2010 deaths\nAmerican female comics artists\nArtists from Austin, Texas", "Roy Spence (born October 10, 1948) is the chairman and co-founder of the advertising agency GSD&M, and an author.\n\nEarly life\nSpence was born in Brownwood, Texas, to Roy Milam Spence Sr. and Ruth Griffin. He attended Brownwood High School, where he was a member of the 1965 Class 3A state championship football team. He then went on to enroll at the University of Texas at Austin, and went on to found GSD&M in 1971.\n\nAwards\nIn 2004, Roy Spence received the Distinguished Alumnus Award from the University of Texas.\n\nPublications\nIn 2006, the University of Texas Press published Spence's book The Amazing Faith of Texas.\n\nIn 2009, Spence, along with Haley Rushing, authored It's Not What You Sell, It's What You Stand For, a book about purpose-based brand management.\n\nBibliography\n\nReferences\n\n1948 births\nAmerican business writers\nUniversity of Texas at Austin alumni\nLiving people\nBusinesspeople in advertising\nPeople from Brownwood, Texas" ]

[ "Sam Cooke", "Aftermath" ]

[ "What You Need is the tenth studio album by American contemporary R&B singer Stacy Lattisaw, released October 17, 1989 via Motown Records. It did not chart on the Billboard 200, but it peaked at #16 on the Billboard R&B chart. It was also Lattisaw's final album before she retired from the music industry.\n\nFour singles were released from the album: \"What You Need\", \"Where Do We Go from Here\", \"Dance for You\" and \"I Don't Have the Heart\". \"Where Do We Go from Here\" was the most successful single from the album, peaking at #1 on the Billboard R&B singles chart in 1990.\n\nTrack listing\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nNotes\n\nReferences\n\nExternal links\n \n \n\n1989 albums\nStacy Lattisaw albums\nAlbums produced by Timmy Regisford\nMotown albums", "Mary From the Dairy is a comic song made famous by British comedian Max Miller, The Cheeky Chappie, in the 1930s and 1940s.\nWith words by Max Miller, Sam Kern & James Walsh and music by Sam Kern, it became Miller's signature tune, played by the orchestra when he walked on and left the stage. It was a mildly risqué song about Max Miller falling for Mary from the dairy and includes the lines \"I don't do things by halves / I'll let you see my calves / and they're not the same shaped calves as Nellie Dean's.\"\n\nSam Kern, the composer, said that the idea for the song came to him as he was sitting in the Express Dairies in Charing Cross Road. The waitress was called Mary. He started writing the song on a cigarette packet, took it to an orchestrator Arthur Parry and rushed to the Mile End Empire where he met Miller. He said to him that this song will do for you what \"Sally\" did for Gracie Fields. Miller told him that he would meet him the next day outside the Express Dairies. They agreed a price and Miller bought the song for £4.\n\nMiller's version of the story was somewhat different. He recollected how it came into being. He said that he was offered dozens of numbers by songwriters but hardly any suited his style. He was talking to Sam Kern in the Express Dairies one day and he told him he had an idea for a song, \"Mary from the Milk Bar\". Kern said it did not sound quite right and suggested \"Mary from the Dairy\".\n\nMiller recorded the song in 1936 which was released on an HMV 10-inch gramophone record. He recorded it again in March 1954 on the Philips label. The sheet music was published in 1950.\n\nMiller sang the song playing the character ‘’Harry Hawkins’’ in the feature film Hoots Mon! released in 1940.\n\nNotes\n\nExternal links \n\nOfficial Max Miller website : \n\nComedy songs\n1936 songs" ]

[ "Sam Cooke", "Aftermath", "What did Sam do after he retired from the music industry", "I don't know." ]

[ "William Henry Timlin (May 28, 1852August 21, 1916) was an American lawyer and judge. He was a justice of the Wisconsin Supreme Court for the last ten years of his life.\n\nBiography\n\nBorn in Mequon, Wisconsin. His father was an Irish American immigrant who had served as Treasurer of Washington County, Wisconsin, which then also included all of Ozaukee County. His mother died when he was six, and his father, who volunteered for the Union Army, disappeared during the American Civil War. Thus Timlin was raised, from age nine, by his uncle, who was a farmer struggling with financial hardship.\n\nHe worked on his uncle's farm but got little formal education. His uncle died during his teenage years, and more hardship followed. He studied surveying and stenography and taught school to make money. At age 25, he was employed as a stenographer at the Wisconsin Circuit Court in Kewaunee, Wisconsin.\n\nTimlin studied law under G. G. Sedgwick, and later H. G. and W. J. Turner, and was admitted to the State Bar of Wisconsin in 1878. He practiced law in Kewaunee, where he also served as superintendent of the public schools. He later moved to Milwaukee, Wisconsin, where he carried on his legal career.\n\nIn 1906, he was elected to a newly created seat on the Wisconsin Supreme Court. He did not run for re-election in 1916, but died four months before the end of his term.\n\nElectoral history\n\n| colspan=\"6\" style=\"text-align:center;background-color: #e9e9e9;\"| General Election, April 1906\n\nNotes\n\nExternal links\n\nPeople from Mequon, Wisconsin\nWisconsin lawyers\nJustices of the Wisconsin Supreme Court\n1852 births\n1916 deaths\n19th-century American judges\n19th-century American lawyers", ", meaning difficulty or trouble, may refer to the following:\n\nhardship clause in contract law\nundue hardship in employment law and other areas \nextreme hardship in immigration law\nhardship post in a foreign service" ]

[ "Sam Cooke", "Aftermath", "What did Sam do after he retired from the music industry", "I don't know.", "Did Sam run into hardship later in life", "Bertha Franklin said she received numerous death threats after shooting Cooke." ]

[ "The County of Cilli (, ) was a Medieval county in the territory of the present-day Slovenia. It was governed by the Counts of Cilli (also Counts of Celje).\n\nHistory\n\nCreation \nCounty of Cilli was created after lords of Saneck inherited lands in Slovenia.\n\nDevelopment \nThey gained power by allying Habsburgs.\n\nEnd \nThe last count, Ulrich II, Count of Celje was assasinated without an heir.\n\nReferences \n\nMedieval Slovenia\nCounties of the Holy Roman Empire", "F. M. B. \"Marsh\" Cook was a political candidate in Mississippi who was murdered by white supremacists for campaigning for a seat at Mississippi's 1890 Constitutional Convention. A Republican, he was campaigning Jasper County, Mississippi. He was ambushed by six men and shot 27 times. A historical marker commemorates his death. He was white.\n\nMississippi's 1890 Constitutional Convention was organized to disenfranchise African American voters. Cook was an 1888 candidate for a seat in the U.S. Congress. Democrats had retaken control of Mississippi after the Reconstruction era. He was assasinated as he approached a log schoolhouse in a rural area. His body was found hours later by a woman. His murder received national news coverage. No one was ever prosecuted for it.\n\nPrevious election campaign\nHe contested his election loss to Chapman L. Anderson. Anderson recorded about five times as many votes as Cook in the November 1889 election.\n\nReferences\n\n19th-century murders in the United States\nDeaths by firearm in Mississippi\n1890 murders in the United States" ]

[ "Sam Cooke", "Aftermath", "What did Sam do after he retired from the music industry", "I don't know.", "Did Sam run into hardship later in life", "Bertha Franklin said she received numerous death threats after shooting Cooke.", "Was cooke assasinated?", "She left her position at the Hacienda Motel and did not publicly disclose where she had moved." ]

[ "ReMastered: The Two Killings of Sam Cooke is a 2019 documentary film about Sam Cooke, the artist and activist, and the circumstances and controversy surrounding his murder.\n\nPremise\nOn December 11, 1964, at the age of 33, Cooke was shot and killed by Bertha Franklin, the manager of the Hacienda Motel in Los Angeles, California. ReMastered: The Two Killings of Sam Cooke explores the mystery behind the murder through interviews with family, friends, journalists and academics as well as archival footage.\n\nCast\n Sam Cooke\n Quincy Jones\n Smokey Robinson\n Dionne Warwick\n Lou Adler\n Al Schmitt\n Jerry Brandt\n Jim Brown\n Marjorie Cook\n Billy Davis\nKevin Powell\n Joan Dew\n Norman Edelen\n Renee Graham\n Erik Greene\n Jason King\n Spencer Leak\n\nReferences\n\nExternal links\n\n \n \n \n\n2019 documentary films\n2019 films\nNetflix original documentary films", "Frank Cooke may refer to:\n\n Frank Cooke (engineer) (1913–2005), American entrepreneur, engineer and inventor\n Frank J. Cooke (1922–1996), mayor of Norwalk, Connecticut (1961–1965)\n Frank Cooke (broadcaster) (died 2007), broadcaster and writer\n Frank Cooke (lawyer) (1862–1933), New Zealand lawyer and cricketer\n Franklin Cooke Jr., American politician and member of the Delaware House of Representatives\n\nSee also \n Francis Cooke (disambiguation)\nFrank Cook (disambiguation)" ]

[ "Sam Cooke", "Aftermath", "What did Sam do after he retired from the music industry", "I don't know.", "Did Sam run into hardship later in life", "Bertha Franklin said she received numerous death threats after shooting Cooke.", "Was cooke assasinated?", "She left her position at the Hacienda Motel and did not publicly disclose where she had moved.", "Why did Bertha Franklin shoot Cooke?", "After being cleared by the coroner's jury, she sued Cooke's estate, citing physical injuries and mental anguish suffered as a result of Cooke's attack." ]

[ "The Cookes Baronetcy, of Norgrove in the County of Worcester, was a title in the Baronetage of England. It was created on 24 December 1664 for William Cookes, in reward of his support for the Royalist cause during the Civil War. The second Baronet was the founder of Worcester College, Oxford. The title became extinct on his death in 1701.\n\nCookes baronets, of Norgrove (1664)\nSir William Cookes, 1st Baronet ( – c. 1672)\nSir Thomas Cookes, 2nd Baronet (c. 1649–1701)\n\nReferences\n\nExtinct baronetcies in the Baronetage of England\n1664 establishments in England", "Sir Thomas Cookes, 2nd Baronet (bap. 1648 – 8 June 1701) was an English philanthropist who was the benefactor of Worcester College, Oxford and Bromsgrove School.\n\nBiography\nHe was the eldest son of Sir William Cookes, 1st Baronet, of Norgrove Court, Worcestershire, and his second wife, Mercy, née Dinely. He began his studies at Pembroke College, Oxford in June 1667, going on to Lincoln's Inn in June 1669. Following the death of his father, he succeeded to the baronetcy in July 1672, His seat was Bentley Pauncefote at Tardebigge, Worcestershire.\n\nBoth of Cookes's marriages were without issue. He died on 8 June 1701 and was buried next to his first wife in Tardebigge church on 10 June.\n\nLegacy\n \nIn 1693 Cookes endowed Bromsgrove School. In his will, he then left £10,000 in trust to endow a new college at the University of Oxford, or to add to an existing foundation there. Priority for acceptance should be for students from Bromsgrove School, Feckenham, and his relatives.\n\nNegotiations had begun in Cookes's lifetime, with Thomas Tenison prompting him in 1698. With the prospect of endowment for an Oxford college, Benjamin Woodroffe, Principal of Gloucester Hall, had earlier gained a charter of incorporation and laid down statutes for the new college; but Cookes did not like its terms. James Butler, 2nd Duke of Ormonde as Oxford's Chancellor made clear to Cookes in early 1700 that he favoured Balliol College as recipient; and Roger Mander the Vice-Chancellor moved to implement Ormonde's wish. John Baron, Balliol's Master, made representations for the endowment.\n\nBoth parties dealt directly with Cookes and preached sermons on charity in Feckenham church (Baron in 1699, Woodroffe in 1700), as well as producing printed arguments in 1702. The will was proved on 9 July 1701, but the interpretation and execution of his intentions regarding the gift to Oxford took time to settle. It was initially decided that Magdalen Hall should be the recipient, but on 31 October 1712 the Lord Keeper, Simon Harcourt, 1st Viscount Harcourt, decreed in the Court of Chancery that Cookes's wishes were that the money, now totalling £15,000, should go to Gloucester Hall. The trustees agreed to this on 16 November 1713 and Gloucester Hall was incorporated as Worcester College on 29 July 1714.\n\nCookes left a fee-simple estate of some £3000 per annum and, including the £10,000 earmarked for the Oxford college, a personal estate of £40,000. Norgrove Hall was left to his nephew Thomas Winford on condition that he adopted the additional surname of Cookes.\n\nFamily\nOn 28 August 1672 Cookes married Mary Windsor, the daughter of Thomas Hickman-Windsor, 1st Earl of Plymouth, and niece of George Savile, 1st Marquess of Halifax. She died on 3 January 1695, and on 6 December 1695 he married Lucy Whalley.\n\nReferences\n\nAlumni of Pembroke College, Oxford\nFounders of English schools and colleges\n1648 births\n1701 deaths\nPeople from Worcestershire\nWorcester College, Oxford\nBaronets in the Baronetage of England\n17th-century philanthropists" ]

[ "Sam Cooke", "Aftermath", "What did Sam do after he retired from the music industry", "I don't know.", "Did Sam run into hardship later in life", "Bertha Franklin said she received numerous death threats after shooting Cooke.", "Was cooke assasinated?", "She left her position at the Hacienda Motel and did not publicly disclose where she had moved.", "Why did Bertha Franklin shoot Cooke?", "After being cleared by the coroner's jury, she sued Cooke's estate, citing physical injuries and mental anguish suffered as a result of Cooke's attack.", "Was Cookes attack on her physical in nature", "After Cooke's death, his widow, Barbara, married Bobby Womack. Cooke's daughter, Linda, later married Womack's brother, Cecil." ]

[ "The County of Cilli (, ) was a Medieval county in the territory of the present-day Slovenia. It was governed by the Counts of Cilli (also Counts of Celje).\n\nHistory\n\nCreation \nCounty of Cilli was created after lords of Saneck inherited lands in Slovenia.\n\nDevelopment \nThey gained power by allying Habsburgs.\n\nEnd \nThe last count, Ulrich II, Count of Celje was assasinated without an heir.\n\nReferences \n\nMedieval Slovenia\nCounties of the Holy Roman Empire", "Reuben \"Ru\" James Cooke (c. 1880 – 5 May 1940) was a New Zealand rugby union player who represented the All Blacks in 1903. His position of choice was loose forward.\n\nCareer \nCommonly known as \"Ru\", out of the Merivale club, Cooke made his debut for the Canterbury province as a 19-year-old in 1899.\n\nAfter playing for the South Island against the North consecutively in 1902 and 1903, Cooke was selected for the 1903 tour of Australia. He played in the preliminary match against Wellington and then nine out of the ten tour matches in Australia. He scored one try in his All Black career, against Combined Northern Districts, but did not score any points in his only test match against Australia.\n\nIn the first game in Australia against New South Wales, Cooke was sent off the field after being involved in an altercation with opposing player Harold Judd. This had happened only once prior in All Black history, in 1893 (ironically also against NSW) to William McKenzie. Further investigation proved Cooke was not at fault and he was cleared from any punishment.\n\nHe was further chosen for the test match against Great Britain in 1904 but Cooke was unable to play because of injury.\n\nFinally, at the end of the 1904 season he was part of a pool of players that would be selected for the famous Original All Blacks. Unfortunately he was not selected and as there were no trials it is unknown how close he was for selection.\n\nHe played for South Canterbury in 1904 and 1905.\n\nCooke moved to Melbourne, Australia in 1913 and was a coach as well as an administrator for the Kiwi club.\n\nFamily \nHis older brother, Alfred, was an All Black in 1894. Unfortunately, Alfred died aged 30, three years before Cooke made his All Black debut.\n\nReferences \n\n1880s births\n1940 deaths\nNew Zealand rugby union players\nNew Zealand international rugby union players" ]

[ "Sam Cooke", "Aftermath", "What did Sam do after he retired from the music industry", "I don't know.", "Did Sam run into hardship later in life", "Bertha Franklin said she received numerous death threats after shooting Cooke.", "Was cooke assasinated?", "She left her position at the Hacienda Motel and did not publicly disclose where she had moved.", "Why did Bertha Franklin shoot Cooke?", "After being cleared by the coroner's jury, she sued Cooke's estate, citing physical injuries and mental anguish suffered as a result of Cooke's attack.", "Was Cookes attack on her physical in nature", "After Cooke's death, his widow, Barbara, married Bobby Womack. Cooke's daughter, Linda, later married Womack's brother, Cecil.", "how old was Cooke when he was assasinated", "I don't know." ]

[ "\"How Interesting: A Tiny Man\" is a 2010 science fiction/magical realism short story by American writer Harlan Ellison. It was first published in Realms of Fantasy.\n\nPlot summary\nA scientist creates a tiny man. The tiny man is initially very popular, but then draws the hatred of the world, and so the tiny man must flee, together with the scientist (who is now likewise hated, for having created the tiny man).\n\nReception\n\"How Interesting: A Tiny Man\" won the 2010 Nebula Award for Best Short Story, tied with Kij Johnson's \"Ponies\". It was Ellison's final Nebula nomination and win, of his record-setting eight nominations and three wins.\n\nTor.com calls the story \"deceptively simple\", with \"execution (that) is flawless\" and a \"Geppetto-like\" narrator, while Publishers Weekly describes it as \"memorably depict(ing) humanity's smallness of spirit\". The SF Site, however, felt it was \"contrived and less than profound\".\n\nNick Mamatas compared \"How Interesting: A Tiny Man\" negatively to Ellison's other Nebula-winning short stories, and stated that the story's two mutually exclusive endings (in one, the tiny man is killed; in the other, he becomes God) are evocative of the process of writing short stories. Ben Peek considered it to be \"more allegory than (...) anything else\", and interpreted it as being about how the media \"give(s) everyone a voice\", and also about how Ellison was treated by science fiction fandom.\n\nReferences\n\nExternal links\nAudio version of ''How Interesting: A Tiny Man, at StarShipSofa\nHow Interesting: A Tiny Man, at the Internet Speculative Fiction Database\n\nNebula Award for Best Short Story-winning works\nShort stories by Harlan Ellison", "In baseball, a fair ball is a batted ball that entitles the batter to attempt to reach first base. By contrast, a foul ball is a batted ball that does not entitle the batter to attempt to reach first base. Whether a batted ball is fair or foul is determined by the location of the ball at the appropriate reference point, as follows:\n\n if the ball leaves the playing field without touching anything, the point where the ball leaves the field;\n else, if the ball first lands past first or third base without touching anything, the point where the ball lands;\n else, if the ball rolls or bounces past first or third base without touching anything other than the ground, the point where the ball passes the base;\n else, if the ball touches anything other than the ground (such as an umpire, a player, or any equipment left on the field) before any of the above happens, the point of such touching;\n else (the ball comes to a rest before reaching first or third base), the point where the ball comes to a rest.\n\nIf any part of the ball is on or above fair territory at the appropriate reference point, it is fair; else it is foul. Fair territory or fair ground is defined as the area of the playing field between the two foul lines, and includes the foul lines themselves and the foul poles. However, certain exceptions exist:\n\n A ball that touches first, second, or third base is always fair.\n Under Rule 5.09(a)(7)-(8), if a batted ball touches the batter or his bat while the batter is in the batter's box and not intentionally interfering with the course of the ball, the ball is foul.\n A ball that hits the foul pole without first having touched anything else off the bat is fair.\n Ground rules may provide whether a ball hitting specific objects (e.g. roof, overhead speaker) is fair or foul.\n\nOn a fair ball, the batter attempts to reach first base or any subsequent base, runners attempt to advance and fielders try to record outs. A fair ball is considered a live ball until the ball becomes dead by leaving the field or any other method.\n\nReferences\n\nBaseball rules" ]

[ "Sam Cooke", "Aftermath", "What did Sam do after he retired from the music industry", "I don't know.", "Did Sam run into hardship later in life", "Bertha Franklin said she received numerous death threats after shooting Cooke.", "Was cooke assasinated?", "She left her position at the Hacienda Motel and did not publicly disclose where she had moved.", "Why did Bertha Franklin shoot Cooke?", "After being cleared by the coroner's jury, she sued Cooke's estate, citing physical injuries and mental anguish suffered as a result of Cooke's attack.", "Was Cookes attack on her physical in nature", "After Cooke's death, his widow, Barbara, married Bobby Womack. Cooke's daughter, Linda, later married Womack's brother, Cecil.", "how old was Cooke when he was assasinated", "I don't know.", "Is there anything else particularly interesting", "December 18, 1964, at A. R. Leak Funeral Home in Chicago; 200,000 fans lined up for more than four city blocks to view his body." ]

[ "The Prairie View Co-eds were an all-female band that formed in the 1940s at the historically black Prairie View A&M University. The band formed in response to more and more males being drafted into the armed forces. The Prairie View Co-eds' success soon spread past the limits of their college campus though, and they were soon touring and traveling much of the year.\n\nBeginnings\nIn the early 1940s, Prairie View College was one of the leading African American colleges in the country, and one of the only four-year public schools African Americans could attend in Texas. The band that dominated the campus was the Prairie View Collegians, an all-male group that played gigs on campus as well as some touring. When she arrived at the school, the exceedingly skilled Bert Etta Davis auditioned for the Prairie View Collegians and was accepted by the band leader. An extremely talented alto saxophonist, Davis ended up being turned away from the band by the Dean of Women who found the concept of a woman playing in an all men's band too scandalous to allow.\n\nBy 1943 though, the times had changed. The Prairie View Collegians had lost many members to the draft, and lacked the numbers to continue making strong performances. Will Henry Bennett began to make a move to start an all-female dance band, possibly in response to having seen The International Sweethearts of Rhythm. The band was a hodge-podge of talent its first year. The group did draw some talented players like Davis, but also recruited from people to whom playing was just an extracurricular activity. They also relied on music majors to fill spots and pick up new instruments that no one had been trained on. This group was not merely a collection of beginners though. While the original venues of the Co-eds was campus parties and events, it wasn't very long before they began to be invited off campus. With most men's orchestras having fallen to pieces, The Prairie View Co-eds filled a need. A chaperone followed the band to their destinations in order to make sure the reputation of these educated young women would not be sullied.\n\nGrowth\nAfter its first year of popularity, the Prairie View Co-eds began to make a name for themselves. Through word of mouth, the tale of a skilled collegiate all-female band spread, and soon talented musicians were actively coming to Prairie View College in order to join the Co-eds. This marked a distinct shift from extracurricular activity performed casually to a greater focus on musicianship as a career for these women. The Co-eds went on more serious tours, often taking a teacher and a chaperone with them. Soon summer and winter tours were also established, and the Prairie View Co-eds were functioning like professionals. This group was championed by the Black press as symbols of successful, educated African American women who seemed to be representative of a patriotic spirit. The Prairie View Co-eds were even able to perform at USO shows. Their performance marked a success for black military personnel who were often excluded from the entertainment white soldiers received. The Co-eds played to black and white soldier audiences, meaning that African American soldiers were not just getting the entertainment they were so often denied, but they were also getting the performance from an African American group.\n\nThe Prairie View Co-eds also engaged in rather extreme tours during the summer months. They were constant professionals and worked with the Moe Gale Agency, Gale being the owner of the Savoy Ballroom. Touring was difficult during this time period as many problems were encountered with the rationing that occurred because of the war. Gas and rubber for tires were rationed, and oftentimes the only reason the Co-eds had access to ration coupons for these items was because of their work with the USO. Touring seemed to be worth it though, as the Prairie View Co-eds were able to perform at venues such as the Apollo Theater. The fact that they were listed as Co-eds was important too, as it confirmed them as symbols of educated African Americans, as well as being youthful and attractive.\n\nSources\n \n Tucker, Sherrie. Swing Shift: \"All-Girl\" Bands of the 1940s. Duke University Press, 2000.\n Tucker, Sherrie. \"Uplifts and Downbeats: What if Jazz History Included the Prairie View Co-eds?.\" Berkeley Electronic Press (2002).\n Tucker, Sherrie. \"Women.\" The New Grove Dictionary of Music and Musicians, (2nd ed.), Barry Dean Kernfeld (ed.).\n Handy, Dorothy Antoinette (née Miller; 1929–2002). Black women in American bands and orchestras. Scarecrow Press, 1998.\n\nNotes and references\n\nNotes\n\nReferences \n\nAll-female bands\nPrairie View A&M University\nAfrican-American women musicians\nMusicians from Texas", "January Col () is a high col on the north side of Claydon Peak, Prince Andrew Plateau, Antarctica. When the New Zealand southern party of the Commonwealth Trans-Antarctic Expedition (1956–58) approached from New Year Pass they were able to gain a view of the mountains to the north and east, and they so named the col because they climbed it in January 1958.\n\nReferences\n\nMountain passes of the Ross Dependency\nShackleton Coast" ]

[ "Sam Cooke", "Aftermath", "What did Sam do after he retired from the music industry", "I don't know.", "Did Sam run into hardship later in life", "Bertha Franklin said she received numerous death threats after shooting Cooke.", "Was cooke assasinated?", "She left her position at the Hacienda Motel and did not publicly disclose where she had moved.", "Why did Bertha Franklin shoot Cooke?", "After being cleared by the coroner's jury, she sued Cooke's estate, citing physical injuries and mental anguish suffered as a result of Cooke's attack.", "Was Cookes attack on her physical in nature", "After Cooke's death, his widow, Barbara, married Bobby Womack. Cooke's daughter, Linda, later married Womack's brother, Cecil.", "how old was Cooke when he was assasinated", "I don't know.", "Is there anything else particularly interesting", "December 18, 1964, at A. R. Leak Funeral Home in Chicago; 200,000 fans lined up for more than four city blocks to view his body.", "Were they all able to view it?", "Afterward, his body was flown back to Los Angeles for a second service, at the Mount Sinai Baptist Church on December 19," ]

[ "Buried Seeds is a documentary film, directed by Andrei Severny based on the life journey of Michelin Starred Indian Chef Vikas Khanna.\n\nSynopsis \nBuried Seeds is a timeless story of struggle, passion, willpower, failure and rise shown through Vikas Khanna’s eyes. It recreates his childhood, finding comfort in his grandmother's kitchen and follows the journey of an immigrant enduring overwhelming obstacles and pain in achieving his dreams.\"\n\nTrailer \nThe trailer of the film was released by Andrei Severny and Vikas Khanna at the 70th Cannes Film Festival.\n\nFilm locations \nThe documentary has been filmed in Amritsar, Vikas's hometown in India, Manipal, where he received formal training in Hotel management and New York, where he currently resides.\n\nCrew \nThe film is directed by Andrei Severny, produced by Pooja Kohli, co-produced by Jitendra Mishra and edited by Andrei Severny and Stephen Cardone.\n\nScreening \nThe documentary was screened at a special preview screening at the Venice Film Festival 2017 on 6 September, which was complemented by a dinner curated by Khanna himself based on the theme 'Celebrating India'.\n\nTV Premiere and streaming \nBuried Seeds' TV premiere was on National Geographic on August 15, 2021. The film is currently available on Disney+ Hotstar.\n\nReferences\n\nExternal links \n Official website\n \n Film trailer\n\n2019 films\nFilms about chefs\nFilms directed by Andrei Severny (filmmaker)\nEnglish-language films\nFilms shot in New York City\nAmerican films\nBiographical documentary films", "Basdila is one of the oldest villages of district Basti (currently falling under Sant Kabir Nagar district) in Uttar Pradesh in North India.\n\nBasdila is famous for the Sunni Madrasa Darul Uloom Tadrisul Islam established in the British Era, pre-independence India. Darul Uloom is a government aided institute established around 1940, currently serving approximately 800 students. The foundation stone of this Madrasa was laid down by Late Master Inamullah Khan. \n \nA historically significant place which is just 23 km from Basdila Village is \"Maghar\" , where Sant Kabir spent a significant part of his life. Sant Kabir was buried as well as cremated here at this place. His Samadhi present here is a proof of this historical connection.\n\nReferences\n\nVillages in Sant Kabir Nagar district" ]

[ "Sam Cooke", "Aftermath", "What did Sam do after he retired from the music industry", "I don't know.", "Did Sam run into hardship later in life", "Bertha Franklin said she received numerous death threats after shooting Cooke.", "Was cooke assasinated?", "She left her position at the Hacienda Motel and did not publicly disclose where she had moved.", "Why did Bertha Franklin shoot Cooke?", "After being cleared by the coroner's jury, she sued Cooke's estate, citing physical injuries and mental anguish suffered as a result of Cooke's attack.", "Was Cookes attack on her physical in nature", "After Cooke's death, his widow, Barbara, married Bobby Womack. Cooke's daughter, Linda, later married Womack's brother, Cecil.", "how old was Cooke when he was assasinated", "I don't know.", "Is there anything else particularly interesting", "December 18, 1964, at A. R. Leak Funeral Home in Chicago; 200,000 fans lined up for more than four city blocks to view his body.", "Were they all able to view it?", "Afterward, his body was flown back to Los Angeles for a second service, at the Mount Sinai Baptist Church on December 19,", "Where is he currently buried", "Garden of Honor, Lot 5728, Space 1, at Forest Lawn Memorial Park Cemetery in Glendale, California." ]

[ "Whangarei Observatory is associated with the Northland Astronomical Society (NAS), and situated in the Heritage Park grounds, off State Highway 14 in Maunu, Whangarei, New Zealand.\n\nThe observatory is open for public viewing evenings every month on the Saturday nearest to the Moon's first quarter phase.\n\nAs well as the society's 14\" Schmidt-Cassegrain telescope, members also bring along their own telescopes for public viewing.\n\nExternal links\n Northland Astronomical Society\n\nAstronomical observatories in New Zealand", "A public viewing area is a space set aside for members of the public to safely view sites of interest, such as airports, railroads, construction sites or other facilities. Sometimes they are known as visitor centers or interpretive sites.\n\nIn locations that have inherent dangers and would not normally be accessible to the public, viewing areas provide a way to satiate the public curiosity without exposing inordinate risk. Many sites contain descriptive signs, viewing pavilions, picnic facilities, toilets, radio receivers and brochures.\n\nExamples\n\nAirports \nAustin-Bergstrom International Airport (KAUS), Family Viewing Area is located near the State Aircraft Pooling Board (fancy talk for where aircraft belonging to the State of Texas gets maintained and stored) at the end of Golf Course Road. and faces west to runway 17L/35R. The Family Viewing Area also has paved parking, grassy areas, a picnic table.\nBaltimore–Washington International Airport (KBWI), has the Thomas A Dixon Jr Aircraft Observation Park located just to the south of Dorsey Road which is a viewing area complete with parking, picnic tables, trash cans, and a playground. The BWI Loop Trail also runs through the park.\nCharlotte-Douglas International Airport (KCLT) in Charlotte, North Carolina has the Charlotte Airport Overlook which is located on the west side of the airport on Old Dowd Road, near the threshold of 18C. It is also equipped with a large parking lot, benches and picnic tables.\nChicago Executive Airport (Palwaukee) (KPWK) in Wheeling, Illinois, has a public viewing area along Palatine Frontage Road that allows the public to view aircraft operations at the airport and provides seating, parking and airport information. A speaker with Air Traffic Control radio operations allows visitors to hear the planes and control tower.\nDallas/Fort Worth International Airport (KDFW) has a public viewing area located at Founders Plaza. The 6-acre (2.4 ha) plaza features a granite monument and sculpture, post-mounted binoculars, piped-in voices of air traffic controllers and shade pavilions. In 2010, a memorial honoring Delta Air Lines Flight 191 was dedicated at the plaza.\nMitchell International Airport (KMKE) in Milwaukee, WI has a public viewing area located on the north edge of the airport along Layton Avenue providing parking and rebroadcast of ATC communications.\nAurora Municipal Airport (KARR) in Sugar Grove, Illinois has a picnic table next to the control tower where the public can safely view operations.\nDeKalb Airport (KDKB) in DeKalb, Illinois has a viewing area set up at the east end of the hangar row.\nMcCarran International Airport (KLAS) in Paradise, Nevada (Las Vegas) has a viewing area along Sunset Road next to the longest two runways at the airport. Tower communications are available on FM radios.\nMinneapolis-St. Paul International Airport (KMSP) has a viewing area located at the end of Cargo Road next to the FedEx Shipping Center where plane spotters can see aircraft land and take off from two different runways. Picnic tables, trash cans, and parking are provided.\nNashville International Airport (KBNA) in Nashville, TN has a viewing area off of Vultee Avenue, east of Briley Parkway (TN-155). Picnic tables, trash cans and parking are provided.\nPalm Beach International Airport (KPBI) in Palm Beach, Florida has a viewing area in a small park on the south side of the field on Perimeter Rd, just east of the approach end of Runway 31. Picnic tables, trash cans and parking are provided.\nFort Lauderdale/Hollywood International Airport (KFLL) in Fort Lauderdale, Florida has three viewing areas. The Ron Gardner Aircraft Observation Area is on the south side of the approach end of Runway 10L, just east of the Animal Shelter. Picnic tables, trash cans and parking are provided. A loudspeaker monitors the tower. Another observation area is located on the top level of the Hibiscus Parking Garage. A third viewing area is just south of Runway 10R in the Airport Greenbelt Park.\nFort Lauderdale Executive Airport (KFXE) in Fort Lauderdale, Florida has a viewing area southwest of Runway 8. Picnic tables, trash cans, and parking are provided. A loudspeaker monitors the tower.\nHinckley Airport in Hinckley, Illinois has a picnic table along the grass strip for people to watch the aircraft operations and skydivers returning. The airport is used mostly for glider operations (Windy City Soaring) and skydiving, the skydivers (usually) return to a clearing just north of runway 9/27.\nRochelle Municipal Airport in Rochelle, Illinois hosts the Chicagoland Skydiving Center, and its ramp is open to the public for viewing. A bar and restaurant affords views of the operations. Aside from the skydiving operations (with airplanes and helicopters) other airport operations are easily viewed and photographed.\nGlendale Municipal Airport in Glendale, Arizona has a $100 Hamburger restaurant overlooking the main apron and runway, this also has a patio outside where visitors can enjoy the weather, view the aircraft operations and have meals. When the restaurant is closed the patio remains open for seating.\nPhoenix Deer Valley Airport in Phoenix, Arizona has a patio area facing the runways adjacent to the terminal building and a restaurant with a view of the runways. Radio receivers for the Ground Control and both Control Tower channels allow one to hear the radio traffic.\nManchester Airport in Manchester, England has had public viewing areas since the airport opened in 1938. The \"Runway Visitor Park\" not only allows viewing of aircraft movements, but also has a café, aviation souvenir shop, and several aircraft on display, including retired Concorde G-BOAC and others.\nScottsdale Municipal Airport in Scottsdale, Arizona has an outside patio with benches and control tower audio accessible thru the terminal building. While glass windows separate the ramp from the patio (making pictures difficult) and excellent view of the ramp and runway is afforded. Control Tower radio traffic is also heard in the terminal itself.\nRaleigh Durham International Airport (KRDU) has Observation Park which provides sweeping views of RDU’s 10,000-foot runway and is located near the Air Traffic Control Tower. It has an elevated observation area, radios that play tower communications, and a picnic area. Free parking and restrooms are provided.\nVan Nuys Airport has a public viewing center on the east side of the airport near the intersection of Woodley Ave. and Waterman Drive.\n\nRailroads \nRochelle, Illinois, has built a public viewing area at the crossing of the Union Pacific and BNSF railroads there, complete with an elevated shelter, parking lot, gift shop, toilet facilities and BBQ grills. They pipe in railroad radio audio on 106.9 MHz so visitors can listen to the radio traffic on FM radios. Trains magazine also sponsors a webcam to allow viewing of via the Internet.\nFolkston, Georgia has a small but well-appointed viewing area, overlooking the \"Folkston Funnel\", a stretch of track where two CSX lines have combined for a large amount of rail traffic. The shelter itself has some chairs, rail radio broadcasts, ample parking and electrical outlets for charging camera batteries. The only amenity it lacks is a restroom, but there is a McDonald's within a block that is railfan friendly. Highlights of viewing include up to 60 trains a day, including the auto train and the Tropicana juice train.\nHomewood, Illinois has built a public viewing platform at the south end of the CN (former Illinois Central) Markham Yard. This location is on the east side of the tracks and is connected by a tunnel under the tracks to the Homewood Metra / Amtrak station. Near the station is a static display of an IC GP10 and caboose. There is a Starbucks coffee shop on the other side of Harwood Avenue from the viewing platform and there are several restaurants within an easy walk in downtown Homewood.\n\nLocks and dams \nMany lock and dam facilities along the various rivers in the US have public viewing areas, including:\n\n Lock and Dam No. 15 in Rock Island, Illinois on the Mississippi River\n Olmsted Locks and Dam in Olmsted, Illinois on the Ohio River\n Lock and Dam No. 12 in Bellevue, Iowa on the Mississippi River\n Robert Moses Niagara Power Plant near Lewiston, New York, on the Niagara River, has an extensive interpretive center known as the Niagara Power Vista.\n Hoover Dam near Boulder City, Nevada, on the Colorado River, has an extremely large interpretive center and tour facility.\n Parker Dam near Parker, Arizona, on the Colorado River, has a basic viewing area with views of the dam and interpretive signs.\n\nConstruction sites \nThese are, by necessity, often temporary in nature. Harkening back to the \"knotholes\" in fences used by passersby to view the progress of a site, some large projects provide a glimpse into the construction by intentionally placing viewing ports in fences, often geared toward selling space in the final project.\n\nSports venues \nSome stadiums provide locations where the public can view games in progress without entering the stadium or paying for an admission. AT&T Park in San Francisco, California, home of the San Francisco Giants has such an area.\n\nExternal links\n Bruce's Planespotting guide: https://web.archive.org/web/20080923210623/http://www.bruceleibowitz.net/spotting-guide.htm\n Airport Spotters Wiki: http://www.spotterswiki.com\n Homewood Viewing Platform: https://web.archive.org/web/20080509075915/http://blackhawk.artsalive.org/homewood.htm\n\nReferences\n\nVisitor centers\nViewing area" ]

[ "Honus Wagner", "Later career" ]

[ "Dustin Skinner (born April 20, 1985) is an American former stock car racing driver. He has competed in one NASCAR Craftsman Truck Series race, in 2008 at Martinsville Speedway. He is the son of Mike Skinner.\n\nRacing career\nSkinner started his racing career in 1998, driving go-karts. He later moved on to Fast Trucks at various Florida racetracks, and ran Daytona International Speedway as a part of the IPOWER Dash series in 2004. He tested a NASCAR Craftsman Truck at New Smyrna Speedway in October 2007. In October 2008, Skinner made his only NASCAR Craftsman Truck Series start at Martinsville Speedway, starting 31st and finishing 34th after an early-race incident in turn three derailed his efforts. The start came with Germain Racing, an affiliate of Toyota Racing Development, whom Skinner had also worked with in late model racing. The start with Germain came after a driver development program with Key Motorsports did not come to fruition; in March 2008 the team announced that they were looking to field Skinner in up to six Truck races that year, dependent on sponsorship.\n\nAfter his driving career finished, Skinner transitioned into a mechanic role, working in Florida to prepare racecars in that state. He also helps, along with brother Jamie Skinner, on father Mike Skinner's late model efforts.\n\nIn 2020, Skinner came under fire for racist comments made regarding Bubba Wallace, the only Black full-time Cup Series driver in NASCAR, after a noose was found in Wallace's garage stall at Talladega Superspeedway. Skinner stated, \"Frankly I wish they would've tied [the noose] to [Wallace] and drug him around the pits because he has single handedly destroyed what I grew up watching and cared about for 30 years now.\" Skinner later backtracked his statement, saying, \"I disagree with what [Wallace] is doing, but it was stupidly foolish for me to say what I said and I truly regret every bit of it. If there was a way to take last night back I would. All I can do is say I'm sorry.\"\n\nMotorsports career results\n\nNASCAR\n(key) (Bold – Pole position awarded by qualifying time. Italics – Pole position earned by points standings or practice time. * – Most laps led.)\n\nCraftsman Truck Series\n\nReferences\n\nExternal links\n \n\n1985 births\nLiving people\nNASCAR drivers\nRacing drivers from North Carolina\nSportspeople from Greensboro, North Carolina", "Follow Me! is a series of television programmes produced by Bayerischer Rundfunk and the BBC in the late 1970s to provide a crash course in the English language. It became popular in many overseas countries as a first introduction to English; in 1983, one hundred million people watched the show in China alone, featuring Kathy Flower.\n\nThe British actor Francis Matthews hosted and narrated the series.\n\nThe course consists of sixty lessons. Each lesson lasts from 12 to 15 minutes and covers a specific lexis. The lessons follow a consistent group of actors, with the relationships between their characters developing during the course.\n\nFollow Me! actors\n Francis Matthews\n Raymond Mason\n David Savile\n Ian Bamforth\n Keith Alexander\n Diane Mercer\n Jane Argyle\n Diana King\n Veronica Leigh\n Elaine Wells\n Danielle Cohn\n Lashawnda Bell\n\nEpisodes \n \"What's your name\"\n \"How are you\"\n \"Can you help me\"\n \"Left, right, straight ahead\"\n \"Where are they\"\n \"What's the time\"\n \"What's this What's that\"\n \"I like it very much\"\n \"Have you got any wine\"\n \"What are they doing\"\n \"Can I have your name, please\"\n \"What does she look like\"\n \"No smoking\"\n \"It's on the first floor\"\n \"Where's he gone\"\n \"Going away\"\n \"Buying things\"\n \"Why do you like it\"\n \"What do you need\"\n \"I sometimes work late\"\n \"Welcome to Britain\"\n \"Who's that\"\n \"What would you like to do\"\n \"How can I get there?\"\n \"Where is it\"\n \"What's the date\"\n \"Whose is it\"\n \"I enjoy it\"\n \"How many and how much\"\n \"What have you done\"\n \"Haven't we met before\"\n \"What did you say\"\n \"Please stop\"\n \"How can I get to Brightly\"\n \"Where can I get it\"\n \"There's a concert on Wednesday\"\n \"What's it like\"\n \"What do you think of him\"\n \"I need someone\"\n \"What were you doing\"\n \"What do you do\"\n \"What do you know about him\"\n \"You shouldn't do that\"\n \"I hope you enjoy your holiday\"\n \"Where can I see a football match\"\n \"When will it be ready\"\n \"Where did you go\"\n \"I think it's awful\"\n \"A room with a view\"\n \"You'll be ill\"\n \"I don't believe in strikes\"\n \"They look tired\"\n \"Would you like to\"\n \"Holiday plans\"\n \"The second shelf on the left\"\n \"When you are ready\"\n \"Tell them about Britain\"\n \"I liked everything\"\n \"Classical or modern\"\n \"Finale\"\n\nReferences \n\n BBC article about the series in China\n\nExternal links \n Follow Me – Beginner level \n Follow Me – Elementary level\n Follow Me – Intermediate level\n Follow Me – Advanced level\n\nAdult education television series\nEnglish-language education television programming" ]

[ "Honus Wagner", "Later career", "What did he do late in his career?", "In 1910, Wagner's average fell to .320, his lowest average since 1898." ]

[ "Shelby Aldwin Whitfield (April 13, 1935 – February 5, 2013) was a play-by-play sports announcer, author and sports director for ABC Radio.\n\nEarly life and career\nWhitfield was born in Frost, Texas. He attended the University of Texas, where he announced games and did play-by-play coverage for the Plainview Ponies, a minor league team based in Plainview, Texas. He joined the Army in 1955 and became the sports director of American Forces Network within two years.\n\nWashington Senators announcing career\nWhitfield was a play-by-play announcer for the Washington Senators in 1969 and 1970.\n\nKiss It Goodbye\nAfter Senators owner Robert E. Short moved the team to Texas after the 1971 season, to become the Texas Rangers, Whitfield wrote a book called Kiss It Goodbye, which was highly critical of the franchise and its management. The book helped prompt the Federal Communications Commission to investigate the ethics of sports broadcasting.\n\nPost-Senators career\nFollowing his tenure with the Senators, Whitfield worked for WWDC, hosting the talk show \"Sports Roundtable.\"\n\nIn 1974, he joined Associated Press Radio, where he served as the sports director for seven years. Following his tenure there, he joined ABC Radio as its sports director in 1981. In that role, he oversaw coverage of multiple notable sporting events, including the Olympics.\n\nIn 1991, he collaborated with sports journalist and announcer Howard Cosell on a book called What's Wrong With Sports.\n\nHe retired in 1997. He died in Jackson, New Jersey at the age of 77 from complications from diabetes.\n\nReferences\n\n1935 births\n2013 deaths\nAmerican male non-fiction writers\nAmerican radio sports announcers\nAmerican television sports announcers\nDeaths from diabetes\nMajor League Baseball broadcasters\nPeople from Navarro County, Texas\nUnited States Army personnel\nUniversity of Texas alumni\nWashington Senators (1961–1971) announcers\nWriters from Texas", "Dean Brown (born in Saint Boniface, Manitoba on November 3, 1961) is a Canadian hockey commentator. He is known for being the main play-by-play announcer for the National Hockey League's Ottawa Senators since the team's inaugural season, at first on Ottawa's talk-radio station 580 CFRA in the franchise's first years, and since 1998 on TSN 1200 radio.\n\nEarly career\nPrior to becoming the voice of the Senators, Brown was a news anchor at CFRW in Winnipeg, Manitoba and at CKSL in London. Before moving into sports and moving to 580 CFRA in Ottawa in 1983. Brown later became the station's morning sports anchor, sports director and play-by-play voice of the now defunct Canadian Football League's Ottawa Rough Riders franchise.\n\nBrown was the radio play-by-play voice of the 1989 Grey Cup and was the youngest broadcaster ever selected to perform those duties on the national and international broadcast of the CFL's championship game.\n\nOttawa Senators\nBrown currently does play-by-play of Senators games on TSN Radio 1200 alongside analyst Gord Wilson. Brown previously did games on Sportsnet East alongside former New York Islanders defenceman Denis Potvin. In April 2014, Brown signed a 7-year contract with TSN to do play-by-play of all Senators games on TSN 1200.\n\nHe was previously paired with former goaltender Greg Millen until the 2002–03 season during Senators games on both A-Channel and Sportsnet.\n\nHe is known for his distinctive way of yelling, \"Scores!\", as well as for his commonly used phrases such as \"Scramble!\", \"Winds, fires\" \"Oh what a save by (goaltender)!\", \"Oh my heavens!\", \"(certain player) blows a tire\", and calling the trapezoidal area behind the net where goaltenders may not play the puck, the \"forbidden zone\". Not to mention, he came up with the clever \"sudden victory overtime\" phrase. The reason for this is that the losing team still gets a point, therefore it is no longer \"sudden death\".\n\nNational broadcasting assignments\nFrom November 1998 until Rogers Media acquired the NHL rights in 2014, Brown also did play-by-play on CBC's Hockey Night in Canada, usually on telecasts from Ottawa. Brown also occasionally worked as a football play-by-play broadcaster for the CFL on CBC and was a part-time general sports reporter for TSN and the now defunct Canadian Football Network.\n\nReferences\n\n1961 births\nLiving people\nOttawa Senators announcers\nCanadian television sportscasters\nNational Hockey League broadcasters\nCanadian Football League announcers\nCanadian radio sportscasters" ]

[ "Honus Wagner", "Later career", "What did he do late in his career?", "In 1910, Wagner's average fell to .320, his lowest average since 1898.", "what sports did he play", "baseball" ]

[ "The 1919–20 Michigan College of Mines Huskies men's ice hockey season was the inaugural season of play for the program.\n\nSeason\nAfter World War I college hockey began to expand west from its heartland in New England. Michigan College of Mines was one of two schools in the midwest to begin play in the 1919–20 season (the other being Notre Dame). Due to the lack of collegiate opponents, MCM didn't play any other colleges during their first season, nor did they play any home games as the school did not own or lease any of the local rinks.\n\nRoster\n\nStandings\n\nSchedule and Results\n\n|-\n!colspan=12 style=\";\" | Regular Season\n\nReferences\n\nMichigan Tech Huskies men's ice hockey seasons\nMichigan College of Mines Huskies \nMichigan College of Mines Huskies \n1920 in sports in Michigan", "Dave Benz is an American broadcaster who is the voice of the Minnesota Timberwolves.\n\nBroadcasting career\n\nComcast SportsNet\nBenz hosted several programs for the San Francisco 49ers, such as 49ers Postgame Live, 49ers Central, and 49ers Press Conference. He hosted pregame/postgame shows for the Golden State Warriors, Oakland Athletics, and the San Jose Sharks and was an anchor for SportsNet Central. He also did play-by-play for college basketball, reported for Sportsnet Reporters, and was the voice of the San Jose SaberCats of the Arena Football League.\n\nKNBR-AM\nHe has also worked for KNBR-AM as a fill-in host for The Gary Radnich Show, The Damon Bruce Show, and Sportsphone 680.\n\nWTTG-TV\nBenz was also employed by WTTG-TV as a sports anchor/reporter and hosted pregame/halftime/postgame shows for the Washington Redskins.\n\nThe Mountain\nBenz also called college basketball games for the MountainWest Sports Network.\n\nKLZ-560 AM\nDave also was a talk show host for KLZ-560 AM and was the host of a four-hour talk show host, Sportstown.\n\nFox Sports/Fox Sports Net/Bally Sports\nWhile working for the Fox Sports family, hosted several shows for Fox Sports Rocky Mountain such as AFL Weekly, Broncos Preview, Rockies All Access, Rockies Roundup, Crush Weekly, Insider Edition, and The Buffalo Stampede. He did play-by-play for Colorado Rockies spring training, hosted pregame/postgame shows for various sports such as college football and basketball, play-by-play commentator for the Colorado Crush, Colorado State Tigers men's basketball, and Colorado Buffalos men's and women's basketball and Denver Pioneers men's basketball, sideline reporting for the Colorado Crush and the Colorado Buffalos; football and men's basketball. He also did some sideline reporting for the Fox NFL Sunday. He was the host of Mavericks Live, a pregame/postgame show host for the Dallas Mavericks and performed the same role for the San Antonio Spurs. He also hosted Florida Sports Report and Southwest Sports Report.\n\nOther work\nHe worked as sports anchor and sports reporter at WTTV-TV and WXIN-TV as well as a sports director for WUTR-TV. He was the pregame/postgame host for the Colorado Rockies Radio Network and hosted shows Softball 360, SleadHead 24/7, and Autoweek. He was also the pregame/halftime/postgame host for the Green Bay Packers Radio Network. His other play-by-play experiences came from the Green Bay Bombers and the Wisconsin Blast. The Minnesota Timberwolves hired Benz to replace Tom Hanneman as the voice of the Timberwolves.\n\nReferences\n http://www.foxsportsnorth.com/10/1/12/Benz-I-love-sports-I-live-sport/landing_timberwolves.html?blockID=79\n http://minnesota.cbslocal.com/2012/10/1/dave-benz-names-wolves-tv-play-by-play-announcer\n https://archive.today/20130215190621/http://www.csnbayarea.com/sportsnetBayArea/search/v/64581283/so-long-to-csn-anchor-dave-benz.htm\n\nTelevision anchors from Washington, D.C.\nTelevision anchors from Indianapolis\nColorado Rockies announcers\nGolden State Warriors announcers\nSan Jose Sharks announcers\nOakland Athletics announcers\nGreen Bay Packers announcers\nLiving people\nAmerican television sports announcers\nAmerican television sports anchors\nAmerican radio sports announcers\nAmerican talk radio hosts\nNational Basketball Association broadcasters\nMajor League Baseball broadcasters\nArena football announcers\nWomen's college basketball announcers in the United States\nNational Hockey League broadcasters\nNational Football League announcers\nCollege basketball announcers in the United States\nMinnesota Timberwolves announcers\nCollege football announcers\nOlympic Games broadcasters\nYear of birth missing (living people)" ]

[ "Honus Wagner", "Later career", "What did he do late in his career?", "In 1910, Wagner's average fell to .320, his lowest average since 1898.", "what sports did he play", "baseball", "Did he play any other sports?", "I don't know." ]

[ "Johnny Griffith (May 27, 1924 – April 28, 2003) was an American football player and coach. He served as the head coach at South Georgia College (1950–1954) and the University of Georgia (1961–1963).\n\nEarly life and playing career\nGriffith was born in Crawfordville, Georgia, but played high school football at Boy's High in Atlanta, Georgia. He lettered at the University of Georgia in 1946 and was on the Bulldogs' national championship team. He also played junior college football at South Georgia College. Griffith graduated from Georgia in 1950.\n\nCoaching career\nGriffith's coaching career began at the junior college level at South Georgia College in Douglas, Georgia. He was an assistant there in 1949 before becoming the head coach in 1950. In four years as the head football coach at South Georgia College, Griffith compiled a 32–6 record and took his team to four bowl appearances.\n\nGriffith's coaching career with the Georgia Bulldogs began in 1956, when he became an assistant under head coach Wally Butts. He replaced Butts as head coach in 1961. Except for a Southeastern Conference championship in 1959, the Georgia Bulldogs struggled in the last few years under Butts. Things did not get any better under Griffith and he was only able to compile a 10–16–4 record during his three-year term as head coach. While there were few successes during this time as head coach, he did have two big victories, a 30–21 upset win over Auburn in 1962 and a 31–14 win over heavily favored Miami in 1963. Griffith was replaced after the 1963 season by Vince Dooley.\n\nWhile coaching at Georgia, Griffith became embroiled in the controversy created when the Saturday Evening Post ran an article alleging that Wally Butts and Bear Bryant had conspired to fix games. The focus of the Post story was Georgia's 35–0 loss to Alabama and Griffith was quoted in the article as \"bitterly\" saying, \"I never had a chance, did I\" after the game. Butts sued the Post and Butts, Griffith and Bear Bryant all testified. Griffith denied that he made the statement attributed to him and otherwise called the facts of the Post story into question. Butts and Bryant also vehemently denied the truth of the story. Butts eventually won the case.\n\nAfter Georgia, Griffith did some assistant coaching at Georgia Tech under Bobby Dodd, coaching quarterback Kim King, among others. He also became a key figure in the development of the Georgia Sports Hall of Fame and was inducted into the Hall in 1997 as a contributor. Griffith died on April 28, 2003, in Duluth, Georgia.\n\nHead coaching record\n\nReferences\n\n1924 births\n2003 deaths\nGeorgia Bulldogs football coaches\nGeorgia Bulldogs football players\nGeorgia Tech Yellow Jackets football coaches\nPeople from Crawfordville, Georgia\nAmerican people of Welsh descent\nPeople from Douglas, Georgia", "Warren Kenneth Lees (born 19 March 1952) is a New Zealand cricketer and coach. He played 21 Test and 31 ODIs from 1976 to 1983 as a wicket-keeper batsman. He was coach of the Black Caps from 1990 to 1993.\n\nDomestic career\nHe made his first-class debut for Otago in 1970 and extended his career until 1988. During this period, he played 146 matches and scored 4932 runs at 24.66 and effecting 348 dismissals. He took 304 catches and 48 stumping. He also took 2 wickets.\nIn his List A career he made his debut for Otago in 1971 and he played 81 matches, he scored 1071 runs at 18.78 and he took 82 catches and did 10 stumping. In his final season as captain of Otago (1987-88), Otago won both the one-day and first-class competitions that season.\n\nInternational career\nLees followed Ken Wadsworth into the New Zealand side and soon proved himself a capable wicketkeeper-batsman. In only his third Test, against Pakistan at Karachi in 1976–77, he made 152 at a time New Zealand were in deep trouble and followed with 46 in the second innings to save the match.\n\nHe was very unfortunate to be left out of the tour of England in 1978, arguably being a better wicketkeeper and batsman than Jock Edwards, his replacement, which was described by one journalist as the worst wicketkeeper he had ever seen! He returned to England the following year as part the New Zealand side which reached the semi-finals of the World Cup, but the emergence of Ian Smith meant that these opportunities thereafter were limited.\n\nIn 1982–83 he took five catches in an innings and eight in the match against Sri Lanka at Wellington, and played his final Tests on the 1983 tour of England.\n\nCoaching career\n\nOtago\nAfter ending his cricketing career he turned to coaching in 1989, he remained there until 1990 before being promoted to national team with which he spent nearly three years.\n\nNew Zealand\nLees' first tour in charge was very tough. New Zealand lost all three Tests and three ODIs, against Pakistan by big margins. Traveling did not get any easier, and they managed only one win on the road, against Zimbabwe in Harare. But there was one standout moment as coach for Lees – the 1992 World Cup.\n\nNew Zealand reached the semi-final of the tournament, losing to eventual champions Pakistan. He found good players for New Zealand but was not able to find any of great players. Players like Gavin Larsen, Rod Latham and Willie Watson were his find under Martin Crowe as captain of the team.\n\nIt was a tour abroad that ended Lees' national coaching role. After the team abandoned their trip to Sri Lanka in November and December 1992, when bomb blasts threatened their safety.\n\nIn 2014, after spending years with Black Caps, Lees became an interim coach of a New Zealand women's national cricket team called White Ferns. During that year, his team had participated in the 2017 World Cup against Sri Lanka and won seven wickets at the County Cricket Ground, Derby.\n\nFrom 2012 until 2017 Warren Lees spent five years as the coach of the Otago Sparks cricket team. He considers the two titles that they won as a highlight in his coaching career.\n\nHonours\nIn the 1989 Queen's Birthday Honours, Lees was appointed a Member of the Order of the British Empire, for services to cricket.\n\nPersonal life\nLees lives in Clyde, Central Otago, with his wife Jude. He spends his days coaching what he calls \"country kids\", who do not have access to the same resources as their counterparts in big cities.\n\nReferences\n\n1952 births\nLiving people\nNew Zealand One Day International cricketers\nNew Zealand Test cricketers\nNew Zealand cricketers\nOtago cricketers\nCricketers at the 1979 Cricket World Cup\nCricketers at the 1983 Cricket World Cup\nCoaches of the New Zealand national cricket team\nNew Zealand cricket coaches\nCricketers from Dunedin\nNew Zealand Members of the Order of the British Empire\nSouth Island cricketers\nWicket-keepers" ]

[ "Honus Wagner", "Later career", "What did he do late in his career?", "In 1910, Wagner's average fell to .320, his lowest average since 1898.", "what sports did he play", "baseball", "Did he play any other sports?", "I don't know.", "Did he do any coaching in his late career?", "I don't know." ]

[ "Forever Young is Kaysha's album released 2009.\n\nTrack list\n\n Anti Bad Music Police\n Be With You\n Digital Sexyness\n Duro\n Fanta & Avocado\n Forever Young Intro\n Funky Makaku\n Glorious Beautiful\n Heaven\n Hey Girl\n I Give You the Music\n I Still Love You\n Joachim\n Kota Na Piste\n Les Belles Histoires D'amour\n Love You Need You\n Loving and Kissing\n Make More Dollars\n Nobody Else\n On Veut Juste Danser\n Once Again\n Outro\n Paradisio / Inferno\n Pour Toujours\n Pure\n Si Tu T'en Vas\n Simple Pleasures\n Tell Me What We Waiting For\n That African Shit\n The Sweetest Thing\n The Way You Move\n Toi Et Moi\n U My Bb\n Yes You Can\n You + Me\n You're My Baby Girl\n\n2009 albums", "You Can Hold Me Down is the debut album by William Tell, first released on March 13, 2007 through Universal Records and New Door Records.\n\nTrack listing\n \"Jeannie\" (William Tell) 3:01\n \"Slipping Under (Sing Along to Your Favorite Song)\" (PJ Smith, William Tell) 3:34\n \"Trouble\" (William Tell) 2:55\n \"Fairfax (You’re Still the Same)\" (William Tell) 2:49\n \"Like You, Only Sweeter\" (Darren Tehrani, William Tell) 3:41\n \"Maybe Tonight\" (William Tell, Mike Green) 3:13\n \"Young at Heart\" (William Tell) 2:46\n \"Sounds\" (William Tell, PJ Smith) 3:05\n \"Just For You\" (William Tell, Mike Green) 3:33\n \"You Can Hold Me Down\" (William Tell, Darren Tehrani) 3:23\n\nBest Buy hidden track:\n<li> \"You Can Hold Me Down\" (Tell, Tehrani) – 9:31\n features the hidden track \"After All\", beginning at about 4:30\n\niTunes Store bonus track:\n<li> \"Yesterday is Calling\" (James Bourne, Smith) – 3:43\n\nTarget bonus track:\n<li> \"Young at Heart (Acoustic)\" (Tell) – 2:46\n\nWal-Mart bonus tracks:\n<li> \"This Mess\" – 3:23\n<li> \"Katie (Where'd You Go?)\" – 3:48\n\nPersonnel\nWilliam Tell - vocals, guitars, bass\nBrian Ireland - drums, percussion\nAndrew McMahon - piano\n\nReferences\n\nYou Can Hold Me Down (William Tell album)" ]

[ "Honus Wagner", "Later career", "What did he do late in his career?", "In 1910, Wagner's average fell to .320, his lowest average since 1898.", "what sports did he play", "baseball", "Did he play any other sports?", "I don't know.", "Did he do any coaching in his late career?", "I don't know.", "What else can you tell me about this time period?", "Wagner has been considered one of the very best all-around players to ever play baseball since the day he retired in 1917." ]

[ "\"Llangollen Market\" is a song from early 19th century Wales. It is known to have been performed at an eisteddfod at Llangollen in 1858.\n\nThe text of the song survives in a manuscript held by the National Museum of Wales, which came into the possession of singer Mary Davies, a co-founder of the Welsh Folk-Song Society.\n\nThe song tells the tale of a young man from the Llangollen area going off to war and leaving behind his broken-hearted girlfriend. Originally written in English, the song has been translated into Welsh and recorded by several artists such as Siân James, Siobhan Owen, Calennig and Siwsann George.\n\nLyrics\nIt’s far beyond the mountains that look so distant here,\nTo fight his country’s battles, last Mayday went my dear;\nAh, well shall I remember with bitter sighs the day,\nWhy, Owen, did you leave me? At home why did I stay?\n\nAh, cruel was my father that did my flight restrain,\nAnd I was cruel-hearted that did at home remain,\nWith you, my love, contented, I’d journey far away;\nWhy, Owen, did you leave me? At home why did I stay?\n\nWhile thinking of my Owen, my eyes with tears do fill,\nAnd then my mother chides me because my wheel stands still,\nBut how can I think of spinning when my Owen’s far away;\nWhy, Owen, did you leave me? At home why did I stay?\n\nTo market at Llangollen each morning do I go,\nBut how to strike a bargain no longer do I know;\nMy father chides at evening, my mother all the day;\nWhy, Owen, did you leave me, at home why did I stay?\n\nOh, would it please kind heaven to shield my love from harm,\nTo clasp him to my bosom would every care disarm,\nBut alas, I fear, 'tis distant - that happy, happy day;\nWhy, Owen, did you leave me, at home why did stay?\n\nReferences\n\nWelsh folk songs", "Mohammed Yaqub Ali (Urdu, ) (March 1912 – 5 August 1994) was a Pakistani judge who was Chief Justice of Pakistan from 1975 to 1977.\n\nEarly life and education\nMuhammad Yaqub Ali was born at Jalandhar in March 1912, received early education at Jalandhar. He did his graduation from Islamia College (Lahore) and Law from University of Punjab in 1936. He remained active in the Pakistan Movement and was Chairman of the Julundar Chapter of the All India Muslim League.\n\nCareer\nIn 1948, he started practicing at Lahore High Court. He was promoted to the High Court Bench in 1955 and in 1965 was elevated to the Supreme Court Bench. Justice Yaqub Ali was appointed the Chairman of the Karachi Airport Enquiry Commission in 1969 and in 1971 the Chairman of Special Court for Ganga Hijacking Case. In 1975, he led the Pakistan Delegation to the 7th World Peace Conference held at Washington, DC.\n\nJustice Mohammed Yaqub assumed the office of Chief Justice of Pakistan on 1 November 1975. In 1976, he led the Pakistani Delegation to the United Nations third Law of Sea Conference held at New York City. In 1977, he was appointed as the Chairman of Indus Water Commission. He was a great believer in democracy which is why he was forced to retire by the military dictator Muhammad Zia-ul-Haq on 22 July 1977. \n\nJustice Yaqub Ali had held a previous martial law by a usurping general violating the constitution of Pakistan as martial law undermines the concept of the rule of law which is the basis for the country's constitution. The usurping General Zia realized his illegal actions would be overturned in a court of law headed by a Judge who believed in democracy so he proposed amendments to force the Chief Justice of the Supreme Court Muhammad Yaqub Ali to retire.\n\nAfter retirement Justice Yaqub Ali became a social worker in the field of education to make sure he continued to serve his country.\n\nSee also\nChief Justices of Pakistan\nSupreme Court of Pakistan\nList of Pakistanis\n\nReferences\n\n1912 births\nChief Justices of Pakistan\n1994 deaths\nPakistani judges\nPeople from Jalandhar\nGovernment Islamia College alumni" ]

[ "Victoria Wood", "2011-15" ]

[ "Ester Vilhelmina Textorius (22 August 1883 – 13 February 1972) was a Swedish actress and opera singer, known for her comedic theater roles.\n\nEarly life and marriage\nEster Vilhelmina Pettersson was born in Västerås, Sweden, on 22 August 1883. In 1904 she married the actor Oskar Textorius \n(1864-1938).\n\nCareer\nTextorius started her acting career by answering an advertisement by theater leader Emil Hillberg, and made her stage debut in 1901 at Halmstad theater in Halmstad as Paula in the play Fri vilja. After studies with Hillberg and actress Josefina Gullberg, she worked for a few years at different theaters in the countryside. It was during these years that she had the opportunity to work with the famous Dramaten actor J. Gustaf Fredrikson (1832-1921). Her favorite part during these years was as Käthe in the play Gamla Heidelberg. At about this same time she also met her future husband.\n\nStockholm debut\nIn 1907, Textorius made her Stockholm debut in a farce at Djurgårdsteatern and also recorded three records for Lycrophon with recorded operetten. In 1909 and 1910 she worked with Anton Salmson at the newly opened Operett-teatern at Östermalm in Stockholm. And from 1911–18 she worked at Vasateatern. During these years she did a lot of operetten; even though successful, she never considered herself a good enough singer for such roles and later preferred speaking roles. She also played in a revue.\n\nIn 1911, the couple made their joint film debut in Anna Hofman-Uddgren's short film Stockholmsfrestelser. Textorius, however, never become an established actress and participated only in a handful of films, mostly comedic roles in the 1940s. By 1912 she had done some recordings for the label Odeon.\n\nBetween 1919 and 1925, the Textorius duo worked in Gothenburg, Ester mostly at Folkteatern, but they returned to Stockholm where her husband obtained a job as a director at Oscarsteatern and Vasateatern. Ester worked with the administration at the same time.\n\nIn 1939, Textorius became a widow and had her final stage performance in Pauline Brunius's play Kvinnorna at Dramaten.\n\nDeath and legacy\nTextorius died on 13 February 1972 in Stockholm, at the age of 88.\n\nFilmography\n\nReferences\n\n1883 births\n1972 deaths\nSwedish actresses\nPeople from Västerås\n20th-century Swedish women opera singers", "Anna Maria Seymour or Mrs Seymour (c. 1692 – 10 July 1723) was a British actress.\n\nLife\nSeymour is first heard of in 1717 when she appeared at Drury Lane in The Scowrers. She took leading roles in Richard III and Hamlet with Lacy Ryan as well as appearing with James Quin in Othello and with him as Lady Macbeth. In 1718-19 she moved to John Rich's theatre at Lincoln's Inn Fields to take leading roles.\n\nHer most noted role was as Marianne in Elijah Fenton's play of the same name. Her final appearance was with her future husband on 7 June 1723. She married Anthony Boheme who was also a leading actor in 1723 and she was said to have been lost to the profession. However the marriage did not last the year as she died in Norwich only months after her wedding. Boheme went on to marry again.\n\nReferences\n\n1692 births\n1723 deaths\nBritish stage actresses\n18th-century British actresses" ]

[ "Victoria Wood", "2011-15", "Did she play any roles in 2011?", "On New Year's Day 2011 Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe's mother, Sadie Bartholomew." ]

[ "Lori Ann Heuring (born April 6, 1973) is a Panamanian-born American film and television actress, perhaps most known for her starring role in 8mm 2, as Alice Richards in The Locket (2002), and as Mrs. Kesher in David Lynch's Mulholland Drive (2001).\n\nEarly life\nShe was born in Panama City, Panama and raised in Austin, Texas. She now lives in Los Angeles. She maintains family ties with her family in Panama and has one brother.\n\nCareer\nLori was born in Panama and did theatre growing up in Austin, but never really thought of acting as a career. About making acting her career she once quoted \"I basically changed my mind every day when I thought about what I wanted to do with my life.\" Even in one point she was considering ice skating as her future. For choosing acting career she said \"I guess that's why I like acting, you do get to change all the time, step into other people's shoes, I think it's important to re-discover aspects of yourself and life on a very regular basis, things change before your eyes, and I don't want to be ignorant of that by being too wrapped up in the way things already are. I want to be smacked into life every day.\"\n\nFilmography\nJust Go with It (2011)\nWithin (2009)\nHunger (2009)\nProm Night (2008)\nWicked Little Things (2006)\n8mm 2 (2005)\nSoccer Dog: European Cup (2004)\nPerfect Romance (2004)\nRunaway Jury (2003)\nTaboo (2002)\nThe Locket (2002)\nTrue Blue (2001)\nPretty When You Cry (2001)\nMulholland Drive (2001)\n Alias (2001) Eloise Kurtz/Kate Jones\nThe In Crowd (2000)\nEarly Edition (1998)\nAnimal Room (1995\n\nReferences\n\nExternal links\n\n1973 births\nLiving people\nActresses from Austin, Texas\nAmerican film actresses\nAmerican television actresses\nPanamanian emigrants to the United States\n20th-century American actresses\n21st-century American actresses", "Sonalika Prasad (born 05 October 1992), is an Indian film actress who predominantly works in Bhojpuri, Hindi films and television actress. She is a very well known personality for hosting events. She is known for her roles in television show CID (Indian TV series), Savdhaan India, Crime Petrol and films like Raajtilak & Laila Majnu.\n\nEarly life\nSonalika was born in a Prasad family on 05 October 1992. She was born and brought up in Patna, Bihar. Prasad did her schooling from st.Karen’s school ( From 1st - 6th standard) Than she changed her School and take admission in Krishna Niketan school ( From 7th - 10th) Patna, Bihar. She did her High School, Graduation ( Bachelor of Arts (Hons) in political science) and Post Graduation in mass communication From Patna women’s college. Prasad always interested to learn language and now she speaks Hindi, English, Bhojpuri.\n\nPrasad also adds, My family always wanted me to study till my post graduation. but I always had interest in fine arts Still I did Mass Communication but I used to do stuff related to vocal singing & kathak dance. I took 6 year training in vocal singing & kathak dance and all apart from my studies. I used to do plays, horse ridding, Bike & Car Driving, I did Modeling during college days, Some time i bunked my colleges lectures for my Singing and kathak training.\n\nCareer\nPrasad made her Television debut in the 2015 television shows name CID and her Film debut in the 2019 film name was Raajtilak. In 2017, Prasad did many commercial and print adds Shoots. She loved to do anchoring, hosting the events and Shows. \n\nIn 2020, She did Bhojpuri Industry Premier League (BIPL) SEASON 4 Live anchoring for dhishoom Channel. She did hosting, Game Played & dance in Roj Hoi Bhoj as celebrity participate, Dance performance in “Diwali Carnival“ and \"Chhat Pooja\" for Big Ganga Television Channel. Dance performance in “Holi\" Show for B4U Bhojpuri.\n\nIn 2021, She did acting & hosting \"Hansi ki rail chut na jaaye\" (comedy show). Lead Acting in Web series name- \"Luv Guru\" in an upcoming digital channel name :-WOW. Did a Audio music album Zindagi Jhand baa, Phir bhi ghamand baa Rap Song, Sung by Herself and Raju Singh Mahi its released By worldwide bhojpuri music company.\n\nTelevision\n\nFilmography\n\nMusic videos\n Zindagi Jhand Ba Phir Bhi Ghamand Ba\n\nWebseries\n\nAwards and nominations\n\nReferences\n\nExternal links\n\n1992 births\nLiving people\nActresses from Mumbai\nIndian film actresses\nIndian television actresses\n21st-century Indian actresses" ]

[ "Victoria Wood", "2011-15", "Did she play any roles in 2011?", "On New Year's Day 2011 Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe's mother, Sadie Bartholomew.", "Did she do any other acting in 2011?", "For the 2011 Manchester International Festival, Wood wrote and directed That Day We Sang, a musical set in 1969 with flashbacks to 1929." ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Victoria Wood", "2011-15", "Did she play any roles in 2011?", "On New Year's Day 2011 Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe's mother, Sadie Bartholomew.", "Did she do any other acting in 2011?", "For the 2011 Manchester International Festival, Wood wrote and directed That Day We Sang, a musical set in 1969 with flashbacks to 1929.", "Are there any other interesting aspects about this article?", "On 22 December 2012 Wood was a guest on BBC Radio Two's Saturday morning Graham Norton Show." ]

[ "There's a Girl in My Hammerlock is a 1991 young adult novel by Jerry Spinelli.\n\nPlot\nMaisie Potter tries out for the wrestling team in her junior high to get close to a boy she likes, but she soon finds out that what she really loves is the sport of wrestling.\n\nMaisie initially wants to be on the cheerleading squad, but she did not make the cut during tryouts. She is infatuated with a boy at her school, Eric Delong, and will do anything to be near him. Because he tries out for the wrestling team, Maisie decides to try out too. She makes the team but discovers that wrestling is a lot harder than she initially thought. She wins some of her matches but most of her opponents forfeit because they don't think it's right for a girl to wrestle a boy. She has to decide if she should do things that other people want her to do or things that she truly wants to do and is good at.\n\nExternal links\nAuthor Jerry Spinelli's homepage\n\n1991 American novels\nNovels by Jerry Spinelli\nAmerican sports novels\nAmerican young adult novels", "Lorraine Crosby (born 27 November 1960) is an English singer and songwriter. She was the female vocalist on Meat Loaf's 1993 hit single \"I'd Do Anything for Love (But I Won't Do That)\". Her debut album, Mrs Loud was released in 2008.\n\nEarly life\nCrosby was born in Walker, Newcastle upon Tyne. Her father died in a road accident when his car collided with a bus when she was two years old, leaving her mother to raise Lorraine, her two sisters, and one brother. She attended Walker Comprehensive school. She sang in school and church choirs and played the violin in the orchestra, but did not start singing professionally until she was 20.\n\nWork with Meat Loaf and Jim Steinman\nInspired by Tina Turner, Crosby searched the noticeboard for bands wanting singers at the guitar shop Rock City in Newcastle. After joining several bands she set up a five-piece cabaret band which toured extensively, playing to British and American servicemen throughout the early 1980s.\n\nBack in Newcastle, she met Stuart Emerson, who was looking for a singer for his band. They began writing together, and also became a couple. In the early 1990s, Crosby sent songwriter and producer Jim Steinman some demos of songs she had written with Emerson. Steinman asked to meet them so they decided to move to New York. They then followed Steinman after he moved to Los Angeles. Steinman became their manager and secured them a contract with Meat Loaf's recording label MCA. While visiting the label's recording studios on Sunset Boulevard, Crosby was asked to provide guide vocals for Meat Loaf, who was recording the song \"I'd Do Anything for Love (But I Won't Do That)\". Cher, Melissa Etheridge and Bonnie Tyler were considered for the role. The song was a commercial success, becoming number one in 28 countries. However, as Crosby had recorded her part as guide vocals, she did not receive any payment for the recording but she receives royalties from PRS, and so the credit \"Mrs. Loud\" was used on the album. Also, Crosby did not appear in the Michael Bay-directed music video, where model Dana Patrick mimed her vocals. Meat Loaf promoted the single with American vocalist Patti Russo performing the live female vocals of this song at his promotional appearances and concerts. Crosby also sang additional and backing vocals on the songs \"Life Is a Lemon and I Want My Money Back\", \"Objects in the Rear View Mirror May Appear Closer Than They Are\", and \"Everything Louder Than Everything Else\" from the album Bat Out of Hell II: Back into Hell. On these three selections, she was credited under her real name rather than the alias of Mrs. Loud.\n\nSolo work\nCrosby regularly performed at holiday camps and social clubs in England until April 2005 when she took a break from live work.\n\nIn 2005, she sang a duet with Bonnie Tyler for the track \"I'll Stand by You\" from the album Wings. The song was written and composed by Stuart Emerson about Crosby's and Tyler's relationship. Also in 2005, Crosby appeared as a contestant on ITV's The X Factor. She performed \"You've Got a Friend\" and progressed to the second round after impressing judges Louis Walsh and Sharon Osbourne but Simon Cowell expressed doubt saying she \"lacked star quality.\"\n\nCrosby returned to live performances in April 2007. In November 2007, she appeared on the BBC Three television show Most Annoying Pop Songs We Hate to Love discussing the Meat Loaf track \"I'd Do Anything for Love (But I Won't Do That)\" which featured at No. 76.\n\nIn November 2008, Crosby appeared at Newcastle City Hall with special guest Bonnie Tyler to launch her self-produced album entitled Mrs Loud. The concert was later repeated in March 2011. In April 2009, she was also featured on The Justin Lee Collins Show and performed a duet with Justin, singing the Meat Loaf song \"Dead Ringer for Love\". She also performed \"I'd Do Anything for Love\" with Tim Healy for Sunday for Sammy in 2012.\n\nCrosby performs in cabaret shows with her band along with her partner Stuart Emerson.\n\nCrosby appeared in the first round of BBC's second series of The Voice on 6 April 2013. She failed to progress when she was rejected by all four coaches.\n\nOther work\nIn the mid-1990s, Crosby appeared as an extra in several television series episodes.\n\nIn 2019, she joined Steve Steinman Productions in the show Steve Steinman's Anything for Love which toured the UK during 2019 and 2020, performing hits such as \"Good Girls Go to Heaven\", \"Holding Out for a Hero\" and dueting with Steinman on \"What About Love\" and \"I'd Do Anything for Love\", amongst others.\n\nIn 2020, she released a duet with Bonnie Tyler, \"Through Thick and Thin (I'll Stand by You)\" as a charity single in aid of the charity Teenage Cancer Trust.\n\nDiscography\nCrosby has provided backing vocals on Bonnie Tyler's albums Free Spirit (1995) and Wings (2005).\n\nStudio albums\n Mrs Loud (2008)\n\nSingles\n \"I'd Do Anything for Love (But I Won't Do That)\" (with Meat Loaf) (1993)\n \"Through Thick and Thin (I'll Stand by You)\" (with Bonnie Tyler) (2020)\n\nOther recordings\n \"I'll Stand by You\" (with Bonnie Tyler) (2005)\n \"Double Take\" (with Frankie Miller) (2018)\n\nReferences\n\nExternal links\n\n \n\n1960 births\nLiving people\nPeople from Newcastle upon Tyne (district)\nThe Voice UK contestants\n21st-century English women singers" ]

[ "Victoria Wood", "2011-15", "Did she play any roles in 2011?", "On New Year's Day 2011 Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe's mother, Sadie Bartholomew.", "Did she do any other acting in 2011?", "For the 2011 Manchester International Festival, Wood wrote and directed That Day We Sang, a musical set in 1969 with flashbacks to 1929.", "Are there any other interesting aspects about this article?", "On 22 December 2012 Wood was a guest on BBC Radio Two's Saturday morning Graham Norton Show.", "Did she do anything other than acting during this time period?", "On 23 December BBC One screened Loving Miss Hatto, a drama written by Wood about the life of concert pianist Joyce Hatto," ]

[ "Agata Vostruchovaitė (born 2 December 2000) is a Lithuanian artistic gymnast and was the 2016 Lithuanian national champion. She represented Lithuania at the 2017 and 2019 World Championships.\n\nEarly life\nVostruchovaitė was born in Vilnius in 2000. She began gymnastics when she was four years old.\n\nGymnastics career\n\nJunior\n\n2014–15\nVostruchovaitė competed at the 2014 European Championships. In 2015 she competed at the European Youth Olympic Festival alongside Diana Balkytė and they finished 25th as a team. Individually Vostruchovaitė placed 52nd in the all-around during qualification. She next competed at the Bosphorus Tournament where she placed sixth.\n\nSenior\n\n2016–17 \nVostruchovaitė turned senior in 2016. She made her senior debut at the Antonia Koshel Cup where she finished sixth in the all-around. She placed first at the Lithuanian national championships. At the 2016 European Championships Vostruchovaitė finished 33rd during qualifications.\n\nAt the 2017 European Championships Vostruchovaitė finished 72nd in the all-around qualifications. She next competed at the Szombathely Challenge Cup but did not qualify for any event finals. Vostruchovaitė was selected to represent Lithuania at the 2017 World Championships; she finished 72nd in qualifications.\n\n2018–19 \nVostruchovaitė competed at Gym Festival Trnava where she placed 19th in the all-around and fourth on vault. At the 2018 European Championships, while practicing on vault, Vostruchovaitė strained her knee ligaments.\n\nVostruchovaitė returned to competition at the 2019 Lithuanian Championships where she only competed on uneven bars; she placed second behind Greta Semionova. She competed at the 2019 World Championships but did not qualify for any event finals nor did she qualify to the 2020 Olympic Games.\n\n2020–21 \nAt the 2020 European Championships Vostruchovaitė placed thirteenth on vault during qualifications but did not qualify for the event final.\n\nAt the 2021 Lithuanian national championships Vostruchovaitė placed third in the all-around behind Ūla Bikinaitė and Ema Pleškytė. She placed first on vault. At the 2021 European Championships Vostruchovaitė finished 71st in the all-around qualifications and 14th on vault. She next competed at the Ukrainian International Cup where she placed eighth in the all-around, third on vault, and sixth on balance beam. Vostruchovaitė competed at the Mersin Challenge Cup where she placed third on vault behind Csenge Bácskay and Tjaša Kysselef.\n\nCompetitive history\n\nReferences\n\nExternal links\n \n\n2000 births\nLiving people\nLithuanian female artistic gymnasts\nSportspeople from Vilnius", "Tess Hurson (born 1955) is a poet and academic from Northern Ireland.\n\nLife\nHurson was born in 1955 in Annaghbeg, County Tyrone where she still lives. She gained her education in St Patrick's Academy, Dungannon and then went to college to study English at Trinity College, Dublin. She did an MA in Anglo-Irish Literature at Queen's University Belfast and then finished up with a PhD at York University, Toronto where her thesis topic was the work of Flann O'Brien which has made her one of the foremost experts on his work. She wrote extensively in college for the college newspapers. Later she was encouraged to take up writing again, especially poetry and eventually published her first collection with Lagan Press, in 1997.\n\nShe took a position at Queen's University Belfast where she is currently Director of Undergraduate programmes and she did work in the University of Ulster at Coleraine. She has served on the Arts Council.\n\nIn 2000 she married the photographer, Ian Maginess.\n\nBibliography\n\nReferences \n\nWomen poets from Northern Ireland\n1955 births\nPeople from County Tyrone\nAlumni of Trinity College Dublin\nLiving people" ]

[ "Victoria Wood", "2011-15", "Did she play any roles in 2011?", "On New Year's Day 2011 Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe's mother, Sadie Bartholomew.", "Did she do any other acting in 2011?", "For the 2011 Manchester International Festival, Wood wrote and directed That Day We Sang, a musical set in 1969 with flashbacks to 1929.", "Are there any other interesting aspects about this article?", "On 22 December 2012 Wood was a guest on BBC Radio Two's Saturday morning Graham Norton Show.", "Did she do anything other than acting during this time period?", "On 23 December BBC One screened Loving Miss Hatto, a drama written by Wood about the life of concert pianist Joyce Hatto,", "Did she work at all in 2015?", "In early 2015, Wood took part in a celebrity version of The Great British Bake Off for Comic Relief" ]

[ "This is a list of films with performances that have been nominated in all of the Academy Award acting categories.\n\nThe Academy of Motion Picture Arts and Sciences annually bestows Academy Awards for acting performances in the following four categories: Best Actor, Best Actress, Best Supporting Actor, and Best Supporting Actress.\n\nFilms \n\nAs of the 93rd Academy Awards (2020), there have been fifteen films containing at least one nominated performance in each of the four Academy Award acting categories. \n\nIn the following list, award winners are listed in bold with gold background; others listed are nominees who did not win. No film has ever won all four awards.\n\nSuperlatives \n\nNo film has won all four awards.\n\nTwo films won three awards: \n\n A Streetcar Named Desire (1951) \n Network (1976)\n\nFour films hold a total of five nominations, each with an additional nomination within one of the four categories:\n\n Mrs. Miniver (1942) – two nominations for Best Supporting Actress\n From Here to Eternity (1953) – two nominations for Best Actor\n Bonnie and Clyde (1968) – two nominations for Best Supporting Actor\n Network (1976) – two nominations for Best Actor\n\nThree of the nominated films failed to win any of the four awards: \n\n My Man Godfrey (1936) – also failed to win any other Academy Awards\n Sunset Boulevard (1950)\n American Hustle (2013) – also failed to win any other Academy Awards\n\nOnly two of the nominated films won Best Picture:\n\n Mrs. Miniver (1942)\n From Here to Eternity (1953)\n\nOnly one of the nominated films was not nominated for Best Picture:\n\n My Man Godfrey (1936)\n\nFive performers were nominated for their work in two different films that received nominations in all acting categories (winners in bold):\n\n William Holden (Sunset Boulevard, Network)\n Warren Beatty (Bonnie and Clyde, Reds)\n Faye Dunaway (Bonnie and Clyde, Network)\n Bradley Cooper (Silver Linings Playbook, American Hustle)\n Jennifer Lawrence (Silver Linings Playbook, American Hustle)\n\nOnly one director has directed two films that received nominations in all four categories:\n\n David O. Russell (Silver Linings Playbook, American Hustle)\n\nThe 40th Academy Awards (1967) was the only ceremony in which multiple films held at least one nomination in all four acting categories:\n\n Bonnie and Clyde\n Guess Who's Coming to Dinner\n\nAll of the films, except My Man Godfrey and For Whom the Bell Tolls, were also nominated for the \"Big Five\" categories (Best Picture, Best Director, Best Actor, Best Actress and Best Screenplay (Original or Adapted)).\n\nSee also \n\n List of Big Five Academy Award winners and nominees\n List of films with two or more Academy Awards in an acting category\n\nActing nom", "This is a list of drama serials with performances that have been nominated in all of the Star Awards acting categories.\n\nMediacorp annually bestows Star Awards for acting performances in the following four categories: Best Actor, Best Actress, Best Supporting Actor, and Best Supporting Actress.\n\nDrama serials\n\nAs of 2022, there have been 25 drama serials containing at least one nominated performance in each of the four Star Awards acting categories, with two drama serials winning all four awards.\n\nIn the following list, award winners are listed in bold; others listed are nominees who did not win.\n\nSuperlatives \n\nTwo drama serials won all four awards:\n\n Holland V 荷兰村 (2003)\n The Dream Makers II 志在四方II (2016)\n\nFive drama serials won three awards:\n\n The Price of Peace 和平的代价 (1997) – lost Best Supporting Actor\n Stepping Out 出路 (1999) – lost Best Supporting Actress\n The Dream Makers 志在四方 (2014) – lost Best Actor\n The Journey: Tumultuous Times 信约：动荡的年代 (2015) – lost Best Actress\n A Million Dollar Dream 给我一百万 (2019) – lost Best Supporting Actress\n\nSix of the nominated drama serials failed to win any of the four awards:\n\n The New Adventures of Wisely 卫斯理传奇 (1998)\n The Return of the Condor Heroes 神雕侠侣 (1998)\n Together 当我们同在一起 (2010) – but won Best Drama Serial\n Pillow Talk 再见单人床 (2013) – but won Best Drama Serial\n Against the Tide 逆潮 (2015)\n 118 (2016)\n\nExternal links \n\nStar Awards" ]

[ "Victoria Wood", "2011-15", "Did she play any roles in 2011?", "On New Year's Day 2011 Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe's mother, Sadie Bartholomew.", "Did she do any other acting in 2011?", "For the 2011 Manchester International Festival, Wood wrote and directed That Day We Sang, a musical set in 1969 with flashbacks to 1929.", "Are there any other interesting aspects about this article?", "On 22 December 2012 Wood was a guest on BBC Radio Two's Saturday morning Graham Norton Show.", "Did she do anything other than acting during this time period?", "On 23 December BBC One screened Loving Miss Hatto, a drama written by Wood about the life of concert pianist Joyce Hatto,", "Did she work at all in 2015?", "In early 2015, Wood took part in a celebrity version of The Great British Bake Off for Comic Relief", "Did she win any acting awards during this time period?", "I don't know." ]

[ "Simone Ritscher (born 1 September 1959) is a German actress, known for her roles as Doris van Norden in Sturm der Liebe and as Maria di Balbi in Verbotene Liebe.\n\nCareer\nSimone Ritscher studied acting at the Theaterhochschule \"Hans Otto\" Leipzig from 1980 to 1984. After that she played in various theater plays. She developed a passion for acting in front of an audience and is still part of several plays to that day. In 2008, she was seen in Der Fall Winslow in Hamburg in a guest role.\n\nVerbotene Liebe\nRitscher was first seen in the soap opera Verbotene Liebe in October 1995. She took on the role as Cecilia de Witt. A recurring role that served as an assistant in a scheme to antagonist Clarissa von Anstetten, played by Isa Jank. The role lasted a few months and Ritscher was last seen in February 1996. In 2002, she shortly was seen as Christina Hansen before guesting as Raphaela Klemm in 2007.\n\nIn the fall of 2008, Ritscher was cast for another role in Verbotene Liebe. This time she took on the contract role of Maria Galdi, a private secretary to a princess. However it was later revealed that Maria Galdi is actually Maria di Balbi, unknown mother of Ansgar von Lahnstein, played by Wolfram Grandezka. Ritscher debuted on-screen in January 2009 and was well received by fans. Maria took the identity of her late sister Francesca to secure her place in the Lahnstein family, made an enemy in Ansgar's wife Tanja von Lahnstein (Miriam Lahnstein), was almost killed by Tanja and then tried to kill herself and Ludwig von Lahnstein (Krystian Martinek) in a fire. Maria was then send off to a mental hospital with Ritscher last appearing in January 2011. Shortly after her departure, the character was killed off off-screen, which angered many fans.\n\nOver the course of sixteen years, Ritscher played four different roles, with one major. That is a record for the soap opera. None of her roles have a known connection with one another.\n\nSturm der Liebe\nIn 2011, after her departure from Verbotene Liebe, Ritscher was cast in the long-running telenovela Sturm der Liebe. The successful format brought Ritscher on as the new antagonist for their new season. Her role as Doris van Norden revealed that she has twins with Hotel director Werner Saalfeld (Dirk Galuba), whom she later married. Doris killed several people and finds an archenemy in Werner's ex-wife Charlotte (Mona Seefried). In 2012, she was included in the cast for another season. Ritscher then was announced to be leaving the telenovela in July 2013.\n\nReferences\n\nGerman soap opera actresses\n1959 births\nLiving people", "Gloria Ella Saunders (September 29, 1927 – June 4, 1980) was an American actress of film and television, primarily from the late 1940s to 1960.\n\nBackground\n\nSaunders was born to George D. and Lucille P. Saunders in Columbia, South Carolina. As a child she worked in radio and in the Little Theater in Charlotte, North Carolina. At the age of 16 in June 1944, she screen tested for Paramount Studios. In 1945, she was seriously injured in an automobile accident and suffered a facial cut from her forehead to the tip of her chin. By October 1951, numerous plastic surgeries resolved the scarring.\n\nCareer\nSaunders acting career began on stage. She was discovered when she performed in a production of Rebecca in the southern United States, after which she acted in a San Francisco production of Adam Ate His Apple\".\n\nHer first important role was as Sparky, an operator in the Women's Army Corps of World War II in the 1946 film O.S.S., with Alan Ladd. In 1951, she played Terry Flynn in the film Crazy Over Horses. That same year, she was cast as Anne DuMere in the film, Northwest Territory, starring Kirby Grant. In 1952, Saunders was cast as Catherine in the science fiction film Captive Women.\n\nSaunders had recurring roles in two of the earliest television series. In 1949 and 1950, she was cast in the role of Ah Toy in Mysteries of Chinatown. She appeared in an undetermined number of episodes, possibly as many as forty-eight. In 1953, she played the character, The Dragon Lady, in thirteen episodes of the series Terry and the Pirates, with John Baer in the title role.\n\nShe was cast as Sally Jones in the 1951 episode \"Boulder City Election\" of the television series The Adventures of Wild Bill Hickok, with Guy Madison in the title role. From 1952 to 1953, she appeared in five episodes of another syndicated western series The Range Rider. She appeared twice in 1952 on the syndicated western The Cisco Kid.\n\nFrom 1951 to 1953, she appeared three times in the early police drama, Racket Squad. In 1953, she was twice cast on Jack Webb's Dragnet. In another 1953 role, she played Lily in \"The Riddle of the Chinese Jade\" on the syndicated series Adventures of Superman.\n\nSaunders appeared in the Columbia Pictures film Red Snow (1952), and she portrayed Zelda in the Columbia production Prisoners of the Casbah (1953).\n\nIn 1956, Saunders was cast as Christina in \"The Voyage of Captain Castle\" of Frontier. The same year, she was cast as Gloria DiNeen in \"What Price Gloria\" of the syndicated State Trooper, starring Rod Cameron. In 1955 and 1957, she appeared in two episodes, \"The Silk Stocking Case\" and \"The Ambitious Peddler Case\", respectively, of The Lineup, starring Warner Anderson and Tom Tully. In 1957, she played Grace Patton in the episode \"Angel of Loudoun\" of the American Civil War series The Gray Ghost, starring Tod Andrews as the Confederate Major John Singleton Mosby. The same year, she played Virginia Malcolm in \"The Torch Carriers\" of David Janssen's Richard Diamond, Private Detective series, first broadcast on CBS.\n\nIn the episode \"The Wicked Widow\" (May 21, 1957) of the ABC/Desilu television series The Life and Legend of Wyatt Earp, Saunders was cast as Myra Malone, an attractive widowed dressmaker.\n\nIn 1957 and 1958, she was cast in two other western series, as Rose in \"The Town\" of the CBS series Trackdown, starring Robert Culp and in the segment \"Iron Trail Ambush\" of the syndicated Frontier Doctor, starring Rex Allen. Her last acting role was in 1960 as a mystery woman on The Donna Reed Show''.\n\nPersonal life\nSaunders first married the television director Arthur Rue \"Tommy\" Thompson (1927-2000). Saunders said that she likely would not have gone into television acting had it not been for her accident, and she would not have met Thompson had she not gone into television. The couple divorced in 1956, with a two-year-old child. She subsequently married Roy J. Maier.\n\nReferences\n\nExternal links\n \n\n1927 births\n1980 deaths\nAmerican stage actresses\nAmerican television actresses\nAmerican film actresses\nActresses from Columbia, South Carolina\nActresses from Charlotte, North Carolina\nPeople from Greater Los Angeles\n20th-century American actresses" ]

[ "Victoria Wood", "2011-15", "Did she play any roles in 2011?", "On New Year's Day 2011 Wood appeared in a BBC drama Eric and Ernie as Eric Morecambe's mother, Sadie Bartholomew.", "Did she do any other acting in 2011?", "For the 2011 Manchester International Festival, Wood wrote and directed That Day We Sang, a musical set in 1969 with flashbacks to 1929.", "Are there any other interesting aspects about this article?", "On 22 December 2012 Wood was a guest on BBC Radio Two's Saturday morning Graham Norton Show.", "Did she do anything other than acting during this time period?", "On 23 December BBC One screened Loving Miss Hatto, a drama written by Wood about the life of concert pianist Joyce Hatto,", "Did she work at all in 2015?", "In early 2015, Wood took part in a celebrity version of The Great British Bake Off for Comic Relief", "Did she win any acting awards during this time period?", "I don't know.", "What was another role she was cast in during this time?", "She co-starred with Timothy Spall in Sky television's three-part television adaptation of Fungus the Bogeyman," ]

[ "What A Summer (foal in 1973) was an American Thoroughbred Champion racehorse who defeated both male and female competitors. She was bred in Maryland by Milton Polinger. She was a gray out of the mare Summer Classic who was sired by Summer Tan. Her sire was What Luck, a multiple stakes winning son of U.S. Racing Hall of Fame inductee Bold Ruler. What A Summer is probably best remembered for her win in the Grade II $65,000 Black-Eyed Susan Stakes over stakes winners Dearly Precious and Artfully on May 14, 1976.\n\nTwo-year-old season \n\nWhat A Summer was trained very early in her career by Hall of Fame conditioner Bud Delp while racing for her breeder, Milton Polinger. She was bought by Mrs. Bertram Firestone following Polinger's death in the early fall of 1976. That death delayed her the first start of her career until late in the year. Mrs. Firestone turned the mare over to trainer LeRoy Jolley. What A Summer did not start racing until near the end of her two-year-old season, when she broke her maiden at Philadelphia Park. Near the end of the year, she won an allowance race. She ended the year with two wins in four starts.\n\nThree-year-old season \nIn January, What A Summer placed second in her first stakes race, the $25,000 Heirloom Stakes at the old Liberty Bell Race Track in Philadelphia. Two months later, she won her second allowance race over winners and convinced her connections that she was ready to step up in class and take on stakes winners in the Grade II $65,000 Black-Eyed Susan Stakes. In that race, she withstood a fast closing challenge down the stretch to hold off a late charge by 4:5 favorite Dearly Precious in a final time of 1:42.40 for the mile and one sixteenth on the dirt track at Pimlico Race Course in Baltimore, Maryland. Her jockey, Chris McCarron, was credited with a solid ride by conserving energy with moderate fractions in the middle portion of the race. Stakes winner Artfully held on for third in the field of ten three-year-old fillies. In December 1976, What A Summer won the $50,000 Anne Arundel Stakes at Laurel Park Racecourse, beating Turn the Guns and Avum in 1:38.20 for the mile under McCarron.\n\nFour-year-old season \n\nIn 1977, What A Summer won the $75,000 Fall Highweight Handicap twice, carrying the high weight of 134 pounds under jockey Jacinto Vásquez. The Fall Highweight is run in November of each year at Aqueduct Racetrack. In the 1977 race, she finished in a time of 1:09.4 and she broke the stakes record for six furlongs. That year, she also won the $40,000 Silver Spoon Handicap, the $50,000 Maskette Handicap and the $35,000 Distaff Handicap. She placed second in the grade one Beldame Stakes at Belmont Park and showed in both the $40,000 Grey Flight Handicap and the $25,000 Regret Stakes.\n\nFive-year-old season \n\nIn 1978 as a five-year-old, What A Summer repeated two of her victories from the year before in both the Fall Highweight Handicap, under Hall of Fame jockey Ángel Cordero Jr., and the $40,000 Silver Spoon Handicap. She also won the $40,000 First Flight Handicap. She placed second in the grade two Vosburgh Stakes, the grade three Vagrancy Handicap, the Sport Page Handicap, the Suwanee River Handicap and the Egret Handicap.\n\nHonors \n\nWhat A Summer was named Maryland-bred horse of the year in 1977 and twice was named champion older mare for the state of Maryland in both 1977 and 1978. She was retired in 1978 and as a broodmare she produced several graded stakes winners. After her retirement, Laurel Park Racecourse named a race in honor, the What A Summer Stakes. She was an Eclipse Award winner and was named American Champion Sprint Horse in 1977.\n\nWhat A Summer ended her career with a record of 18 wins out of 31 starts in her career. Her most memorable race was perhaps her dominating performance in the de facto second leg of the filly Triple Crown, the Black-Eyed Susan Stakes. In addition to her 18 wins, she placed nine times with earnings of $479,161. That record of 27 first or second finishes in 31 starts at 87% is among the best in history.\n\nReferences\n What A Summer's pedigree and partial racing stats\n\n1973 racehorse births\nRacehorses bred in Maryland\nRacehorses trained in the United States\nEclipse Award winners\nThoroughbred family 17-b", "Now What (foaled 1937, in Kentucky) was an American Thoroughbred Champion racehorse. Her dam was That's That, and her sire was the 1927 American Horse of the Year and two-time Leading sire in North America, Chance Play.\n\nBred by Guy and E. Paul Waggoner's Three D's Stock Farm of Fort Worth, Texas, Now What was raced by Alfred G. Vanderbilt II. Trained by Bud Stotler, she earned National Champion honors at age two after winning four important stakes races and running second in the Pimlico Nursery Stakes, and Juvenile Stakes. As a three-year-old, her best result in a top-level race was a second place finish in the Molly Brant Handicap at Saratoga Race Course. \n\nNow What served as a broodmare for Vanderbilt. Her most successful foal to race was Next Move, the 1950 American Champion Three-Year-Old Filly and the 1952 American Co-Champion Older Female Horse.\n\nPedigree\n\nReferences\n\n1937 racehorse births\nRacehorses bred in Kentucky\nRacehorses trained in the United States\nAmerican Champion racehorses\nVanderbilt family\nThoroughbred family 20\nGodolphin Arabian sire line" ]

[ "Frank Zappa", "Childhood" ]

[ "The Frank Zappa AAAFNRAA Birthday Bundle was released as a digital download on iTunes on December 15, 2006. It consists of five previously unreleased tracks performed by Frank Zappa, and six new tracks featuring the Zappa family. (AAAFNRAA stands for \"Anything Anytime Anywhere for No Reason At All\", Zappa's motto of sorts.)\n\nTrack listing\n\"Tryin' to Grow a Chin\" (Live '76) by Frank Zappa (4:50) - Sydney, Australia 1-20-76\n\"Dead Girls of London\" (Live '79) by Frank Zappa (2:22) - Odeon Hammersmith, London 2-79\nWords by Frank Zappa/Music by L. Shankar.\n\"You Are What You Is\" (Live '80) (4:14) by Frank Zappa - 12-11-80, Santa Monica Civic Auditorium\n\"Bamboozled by Love\" (Live '88) (5:41) by Frank Zappa - 5-8-88, Wien, Austria\n\"Fine Girl\" (Remix) (3:33) by Frank Zappa - 8-20-86 UMRK Remix by FZ with Bob Stone\n\"Girlie Woman\" by Diva Zappa (2:31)\nLyrics by Diva & Dweezil Zappa/Music by Dweezil Zappa.\n\"When the Ball Drops\" by Diva Zappa (3:53)\nLyrics by Diva Zappa/Music by Diva & Dweezil Zappa.\n\"Bring It Back\" by Ahmet Zappa (5:21)\nCo-written by Ahmet Zappa & Jason Nesmith.\n\"Feel How I Need You\" by Ahmet Zappa (2:54)\nCo-written by Ahmet Zappa & Jason Nesmith.\n\"Rhythmatist\" by Dweezil Zappa (4:13)\n\"Everyone is Going Mad\" by Moon Zappa & Jellybird (4:07)\nWritten by Paul Doucette & Moon Zappa.\n\nExternal links\n\nDEAD LINK Official Zappa website - album info\n\nDEAD LINK Album page at the iTunes Store\n \n\nDweezil Zappa albums\nCompilation albums published posthumously\nITunes-exclusive releases\nFrank Zappa compilation albums\n2006 compilation albums\nZappa Records albums", "Ed Mann is a musician who has been \"a drummer and piano dabbler since childhood.\" He is best known for his mallet percussion performances onstage with Frank Zappa's ensemble from 1977 to 1988, and his appearances on over 30 of Zappa's albums, both studio recordings and with Zappa's band live. Mann also has released a number of CDs as a bandleader and composer.\n\nCareer \n\nMann formed a band with Tommy Mars in mid 1973. By the end of that year he was studying with John Bergamo at CalArts. In 1977 Frank Zappa asked Bergamo to do some overdubbing on the Zappa In New York album and Bergamo in turn recommended Mann.\n\nA few months later Ruth Underwood told Mann that Zappa was looking for a second keyboard player. When Mann called to recommend Tommy Mars (\"At midnight, the only time when you could reach Frank by phone\"), Zappa invited him to come to his house. Mann went to the house, where Terry Bozzio, Patrick O'Hearn, and Adrian Belew were jamming with Zappa. By 2:00am Ed was in the band. Mann later commented: \"It took a few days for that all to sink in.\"\n\nMann can be heard playing gongs on J21's Yellow Mind:Blue Mind album.\n\nUntil mid-2014 Mann was a member of The Band From Utopia which has featured many Zappa alumni such as Robert Martin, Chad Wackerman, Albert Wing, Tom Fowler, Ray White and Ralph Humphrey over the years. In 2008, Ed Mann toured with Project Object and sat in with Agent Moosehead at the New York Harvest Festival and Freedom Rally. In 2013 Mann began performing on percussion and electronics with The Z3, an organ, guitar and drums trio that adapts Zappa music to the Hammond organ-centered jazz-funk tradition. Mann played on The White Album and did a virtuoso performance on the song 'Apple A Day.' Mann played on two of David Arvedon's albums.\n\nMann joined Northeast blugrasstafarian jamband Desert Rain for their set at the Wormtown Music Festival in the fall of 2015. Since then he has been joining the group at clubs throughout the Northeast.\n\nIn July 2016 Mann joined Mike Dillon for three dates of Dillon's northeast US tour.\n\nDiscography with Zappa \n\n Zappa in New York (Frank Zappa, 1978)\n Sheik Yerbouti (Frank Zappa, 1979)\n Joe's Garage Act I (Zappa, 1979)\n Joe's Garage Acts II & III (Zappa, 1979)\n Tinseltown Rebellion (Frank Zappa, 1981)\n Shut Up 'N Play Yer Guitar (Zappa, 1981)\n You Are What You Is (Zappa, 1981)\n Ship Arriving Too Late to Save a Drowning Witch (Zappa, 1982)\n The Man From Utopia (Zappa, 1983)\n Baby Snakes (Frank Zappa, 1983)\n London Symphony Orchestra, Vol. 1 (Zappa, 1983)\n Them or Us (Zappa, 1984)\n Thing-Fish (Zappa, 1984)\n Frank Zappa Meets the Mothers of Prevention (Frank Zappa, 1985)\n Jazz from Hell (Frank Zappa, 1986)\n London Symphony Orchestra, Vol. 2 (Zappa, 1987)\n Guitar (Frank Zappa, 1988)\n You Can't Do That on Stage Anymore, Vol. 1 (Zappa, 1988)\n Broadway the Hard Way (Frank Zappa)\n You Can't Do That on Stage Anymore, Vol. 3 (Zappa, 1989)\n The Best Band You Never Heard in Your Life (Frank Zappa, 1991)\n Make a Jazz Noise Here (Frank Zappa, 1991)\n You Can't Do That on Stage Anymore, Vol. 4 (Zappa, 1991)\n You Can't Do That on Stage Anymore, Vol. 5 (Zappa, 1992)\n You Can't Do That on Stage Anymore, Vol. 6 (Zappa, 1992)\n Frank Zappa Plays the Music of Frank Zappa: A Memorial Tribute (Frank Zappa, 1996)\n Halloween (Frank Zappa – Audio DVD, 2003)\n QuAUDIOPHILIAc (Zappa – kvadrofon Audio DVD, 2004)\n Trance-Fusion (Zappa Records 2006)\n The Dub Room Special (CD, Zappa Records, 2007)\n One Shot Deal (Zappa Records ZR 20006, 2008)\n Hammersmith Odeon (album) (Zappa, 2010)\n\nMann performances can be seen in the Zappa films Baby Snakes, Dub Room Special & Video From Hell.\n\nSolo discography\n Get Up (1988)\n Perfect World (1991)\n Global Warming (1994)\n Have No Fear (1997)\n (((GONG))) Sound Of Being (1998)\n\nReferences\n\nSources\n\nEd Mann Discography of CDs at cduniverse.com\nPerfect World Cutout at amazon.com\n\nLiving people\nAmerican rock drummers\nAmerican rock keyboardists\nAmerican people of German descent\n1954 births\nPlace of birth missing (living people)\n20th-century American drummers\nAmerican male drummers\n20th-century American male musicians" ]

[ "Frank Zappa", "Childhood", "Where did Zappa grow up?", "Baltimore, Maryland." ]

[ "Happy Days, 1880–1892 (1940) is the first of an autobiographical trilogy by H.L. Mencken, covering his days as a child in Baltimore, Maryland from birth through age twelve. It was followed by Newspaper Days, 1899–1906 (1941) and Heathen Days, 1890–1936 (1943).\n\nThe book was received with some surprise by Mencken's readers, since, unlike his commentaries on current events, it is written with great warmth and affection. Mencken's childhood was apparently happy and secure, and he enjoyed both living through it and reminiscing about it in later years.\n\nEditions\n Happy Days: Mencken's Autobiography: 1880-1892 (Johns Hopkins University Press: Bumcombe Collection, 2006)\n\nExternal links\n\n1940 non-fiction books\nBooks by H. L. Mencken\nLiterary autobiographies", "Eric & Us is a 1974 memoir by Jacintha Buddicom recalling her childhood friendship with Eric Blair, the real name of author George Orwell. Buddicom first met Blair when he was eleven and he became very close to her family. Their friendship lasted until Blair became a policeman in Burma and the two lost touch. Blair and Buddicom never saw one another again and did not resume contact until 1949, shortly before Orwell's death from tuberculosis.\n\nBuddicom's memoir, as well as recalling her relationship with Orwell, shows her disappointment in some of the views he took — for instance, she condemned his decision to fight in the Spanish Civil War as interfering in the affairs of another country. She also portrayed him as reserved but happy, in contrast to the bleak picture Orwell presents of his childhood in \"Such, Such Were the Joys\".\n\nBuddicom's cousin, Dione Venables, added a postscript to the memoir in 2006, suggesting that the real reason for the ending of Blair and Buddicom's friendship was the possibility that Blair, in an attempt to further their relationship, may have tried to rape Buddicom. Dione Venables responded by revealing that Buddicom never interpreted Blair's adolescent fumbling as rape, but that the incident was merely a moment when his immature desires got the better of him.\n\nReferences \n\n1974 non-fiction books\nBooks about George Orwell\nLiterary memoirs\nBritish memoirs" ]

[ "Frank Zappa", "Childhood", "Where did Zappa grow up?", "Baltimore, Maryland.", "Did he have a happy childhood?", "Due to their home's proximity to the arsenal, which stored mustard gas, gas masks were kept in the home in case of an accident." ]

[ "Coddies are a snack food of disputed origin which are largely popular in the mid-Atlantic region of the United States, particularly in Baltimore, Maryland. The typical recipe for coddies includes mashed potatoes, eggs, salt, pepper, onions, crushed up saltine crackers, all formed into a patty with breading and deep fried. They also may include a small amount of salted cod fish. Coddies are usually eaten sandwiched between saltines with yellow mustard. The food is somewhat of a local delicacy in Baltimore, and is commonly served in the city's delicatessens and seafood markets, including the historic Lexington Market.\n\nWhere coddies come from originally is unknown. One recipe dates back to the Czech region of Bohemia in the 1800s. Another theory traces them back to African-American slaves in the region during the same time period. However, they did not become available commercially until a Jewish merchant in Baltimore named Louis Cohen began selling them from a Bel Air market ice cream stand in 1910. The Cohen family then continued selling coddies from their own food stands until the 1970s.\n\nDespite limited availability these days, coddies were more widely sold in the Baltimore area throughout the 20th century. Locals recount that they used to be sold everywhere from drugstores to bowling alleys, and they were usually very cheap (sold for as little as a nickel during the 1960s). In fact, due to their cheap prices, coddies have been coined with the nickname \"the poor man's crab cake\", in reference to another Baltimore staple.\n\nAlthough they are more of a vintage snack, recipes for coddies can still be found on the Internet, and have even been featured in the Baltimore Sun. They are regarded by many Maryland locals as an important part of Baltimore's culture.\n\nReferences \n\nAfrican-American cuisine\nAfrican-American history in Baltimore\nAmerican snack foods\nCuisine of Baltimore\nCuisine of the Mid-Atlantic states\nCzech-American culture in Baltimore\nFood and drink in Maryland\nJews and Judaism in Baltimore\nJewish American cuisine\nMaryland cuisine", "The 1970–71 NBA season was the 76ers 22nd season in the NBA and 8th season in Philadelphia. They improved to a record of 47–35. In the playoffs, they lost a hard fought series with the Baltimore Bullets 4-3, who represented the Eastern Conference in the Finals. This was the final season for forward Bailey Howell, who was signed by Philadelphia & was a vital part in 2 Celtics championships in 1968 and 1969.\n\nThe Sixers also tried a new uniform style. Instead of the traditional PHILA in block lettering, they used a design that wrote out Seventy Sixers in cursive writing. These uniforms did not last the entire year.\n\nOffseason\n\nDraft picks\n\nThis table only displays picks through the second round.\n\nRoster\n\nRegular season\n\nSeason standings\n\nz – clinched division title\ny – clinched division title\nx – clinched playoff spot\n\nRecord vs. opponents\n\nPlayoffs\n\n|- align=\"center\" bgcolor=\"#ccffcc\"\n| 1\n| March 24\n| @ Baltimore\n| W 126–112\n| Hal Greer (30)\n| Luke Jackson (13)\n| Archie Clark (7)\n| Baltimore Civic Center6,707\n| 1–0\n|- align=\"center\" bgcolor=\"#ffcccc\"\n| 2\n| March 26\n| Baltimore\n| L 107–119\n| Archie Clark (26)\n| Billy Cunningham (11)\n| Archie Clark (6)\n| Spectrum10,369\n| 1–1\n|- align=\"center\" bgcolor=\"#ffcccc\"\n| 3\n| March 28\n| @ Baltimore\n| L 103–111\n| Hal Greer (30)\n| Billy Cunningham (19)\n| Billy Cunningham (10)\n| Baltimore Civic Center5,589\n| 1–2\n|- align=\"center\" bgcolor=\"#ffcccc\"\n| 4\n| March 30\n| Baltimore\n| L 105–120\n| Archie Clark (24)\n| Billy Cunningham (17)\n| Billy Cunningham (8)\n| Spectrum8,909\n| 1–3\n|- align=\"center\" bgcolor=\"#ccffcc\"\n| 5\n| April 1\n| @ Baltimore\n| W 104–103\n| Billy Cunningham (32)\n| Billy Cunningham (20)\n| Hal Greer (6)\n| Baltimore Civic Center10,998\n| 2–3\n|- align=\"center\" bgcolor=\"#ccffcc\"\n| 6\n| April 3\n| Baltimore\n| W 98–94\n| Billy Cunningham (33)\n| Billy Cunningham (16)\n| Billy Cunningham (5)\n| Spectrum7,059\n| 3–3\n|- align=\"center\" bgcolor=\"#ffcccc\"\n| 7\n| April 4\n| @ Baltimore\n| L 120–128\n| Archie Clark (37)\n| Billy Cunningham (19)\n| Clark, Greer (5)\n| Baltimore Civic Center6,662\n| 3–4\n|-\n\nAwards and records\nBilly Cunningham, All-NBA First Team\n\nReferences\n\nPhiladelphia\nPhiladelphia 76ers seasons\nPhiladel\nPhiladel" ]

[ "Frank Zappa", "Childhood", "Where did Zappa grow up?", "Baltimore, Maryland.", "Did he have a happy childhood?", "Due to their home's proximity to the arsenal, which stored mustard gas, gas masks were kept in the home in case of an accident.", "Did they stay in Baltimore?", "moved to Monterey, California," ]

[ "This is a list of U.S. cities where non-Hispanic whites formed less than half the population in the 2010 census, but no other ethnic or racial group had more people than non-Hispanic whites. The percentage listed is the percentage of the population that was non-Hispanic whites.\n\nCities\n\nCalifornia\nAntioch, California - 35.6%\nCypress, California -43.6%\nDixon, California - 49.3%\nEl Cerrito, California - 48.3%\nFairfield, California - 35.2%\nFountain Valley, California - 49.2%\nVallejo, California - 25.0%\nSuisun City, California - 29.2\n\nMaryland\nCambridge, Maryland - 42.7%\nGaithersburg, Maryland - 40.0%\nSalisbury, Maryland - 49.0%\nTakoma Park, Maryland - 43.3%\n\nMassachusetts\nBoston, Massachusetts - 47.0%\n\nMichigan\nHarper Woods, Michigan - 48.5%\n\nMissouri\nGrandview, Missouri - 45.0%\n\nNevada\nLas Vegas, Nevada - 47.9% \nNorth Las Vegas, Nevada - 31.2\n\nVirginia\nNewport News, Virginia - 46.0%\n\nCensus Designated Places\n\nMaryland\nAspen Hill, Maryland - 34.0%\nCloverly, Maryland - 40.5%\nColesville, Maryland - 35.2%\nColumbia, Maryland - 49.0%\nHillandale, Maryland - 35.8%\nReisterstown, Maryland - 48.5%\n\nNevada\nParadise, Nevada - 46.3%\nSpring Valley, Nevada - 48.1%\nWhitney, Nevada - 38.4%\n\nReferences\n\nWhite\nWhite Americans", "The 1972 United States presidential election in Maryland was held on November 7, 1972, as part of the 1972 United States presidential election. Both the Democratic and Republican (Sargent Shriver and Spiro Agnew, respectively) Vice Presidential nominees were from Maryland.\n\nMaryland was won by incumbent President Richard Nixon of California and Vice President Spiro Agnew (a Maryland native), winning 61.26% of the vote to George McGovern and Shriver's 37.36%. Nixon won every county-equivalent in the state except Baltimore City. He won over 77% of the vote in Carroll County, and over 70% in 9 counties overall. This is the last time Prince George's County has voted Republican in a presidential election, and the last of only 6 occasions since the emergence of the Republican Party that Maryland has voted more Republican than the nation as a whole. As of 2020, this remains the strongest performance by a Republican in Maryland.\n\nOf his three presidential campaigns, this is the only time in which Nixon carried the home state of his running mate. Nixon failed to carry Maryland in 1968 and in 1960 did not carry Massachusetts, the home state of his then running mate Henry Cabot Lodge Jr.\n\nResults\n\nResults by county\n\nSee also\n United States presidential elections in Maryland\n\nNotes\n\nReferences\n\n1972\nMaryland\n1972 Maryland elections" ]

[ "Frank Zappa", "Childhood", "Where did Zappa grow up?", "Baltimore, Maryland.", "Did he have a happy childhood?", "Due to their home's proximity to the arsenal, which stored mustard gas, gas masks were kept in the home in case of an accident.", "Did they stay in Baltimore?", "moved to Monterey, California,", "Did he enjoy California more than Maryland?", "They soon moved to Claremont, California, then to El Cajon, before finally settling in San Diego." ]

[ "Charles Gauci (born 1952) is an Australian priest who was appointed Bishop of the Roman Catholic Diocese of Darwin on 27 June 2018. He had been a priest in the Archdiocese of Adelaide since his ordination in 1977. His immediate previous post was as administrator of St Francis Xavier's Cathedral in Adelaide. He was consecrated bishop at St Mary's Star of the Sea Cathedral, Darwin on 26 September 2018.\n\nEarly life\nGauci was born in Malta and moved with his family to Australia when he was 13 years old. He was ordained in 1977 and served in several parishes in the Archdiocese of Adelaide, including the Southern Deanery with Kangaroo Island from 2012 to 2017.\n\nReferences\n\nExternal links\n\n \t\n\nLiving people\nRoman Catholic bishops of Darwin\n1952 births", ", was an Okinawan martial arts master who helped to continue the Matsumura family style of Shōrin-ryū karate-do.\n\nHistory\nNabe Mastsumura, born 1860, was the grandson of Matsumura Sōkon, who founded the Shōrin-ryū style of karate. Being related to Sōkon meant that Nabe was privileged to extremely thorough training from his grandfather in the family's style, as well as the secret White Crane system that was only taught to immediate family members.\n\nIn his martial arts career as a sensei, Nabe had only one student: his nephew, Hohan Sōken. Upon his death in 1930, he passed his Menkyo Kaiden to Hohan Sōken, who continued the Matsumura family tradition by solidifying the Shōrin-ryū style of Matsumura Seito karate-do.\n\nReferences\n\n1860 births\n1930 deaths\nOkinawan male karateka\nShōrin-ryū practitioners" ]

[ "Frank Zappa", "Childhood", "Where did Zappa grow up?", "Baltimore, Maryland.", "Did he have a happy childhood?", "Due to their home's proximity to the arsenal, which stored mustard gas, gas masks were kept in the home in case of an accident.", "Did they stay in Baltimore?", "moved to Monterey, California,", "Did he enjoy California more than Maryland?", "They soon moved to Claremont, California, then to El Cajon, before finally settling in San Diego.", "Who was in his immediate family?", "Frank, the eldest of four children," ]

[ "Else is a feminine given name, appearing in German, Danish and Norwegian. It is a shortened form of Elisabeth.\n\nNotable people with the name include:\n\n Else Alfelt (1910–1974), Danish painter\n Else Ackermann, German physician and pharmacologist\n Else Winther Andersen (born 1941), Danish politician\n Else Berg (1877–1942), Dutch painter\n Else Bugge Fougner (born 1944), Norwegian lawyer and politician\n Else Christensen (1913–2005), Danish neopagan\n Else Feldmann (1884–1942), Austrian writer\n Else Frenkel-Brunswik (1908–1958), Polish-Austrian psychologist\n Else Hench (20th century), Austrian luger\n Else Hirsch (1889–1942/3), German-Jewish teacher\n Else Holmelund Minarik (1920–2012), Danish American author\n Else Jacobsen (1911–1965), Danish swimmer\n Else Krüger (born 1915), German secretary\n Else Lasker-Schüler (1869–1945), Jewish German poet and playwright\n Else Mayer (1891–1962), German nun\n Else Meidner (1901–1987), Jewish German painter\n Else Repål (1930–2015), Norwegian politician\n Else Reppen (1933–2006), Norwegian philanthropist\n Else Sehrig-Vehling (1897–1994), German expressionist\n Else Seifert (1879–1968), German photographer\n Else Ury (1877–1943), German writer\n Else von Richthofen (1874–1973), German social scientist\n\nSee also\nElse-Marie\nElse-Marthe Sørlie Lybekk (born 1978), Norwegian handball player\n\nFeminine given names", "Something Else or Somethin' Else may refer to:\n\nBooks\n Something Else (book), a children's book by Kathryn Cave\n Something Else Press, an American small-press publisher\n Archie's Something Else! by Spire Christian Comics\n\nFilm and television\n Somethin' Else (content agency), a content and talent agency based in London\n Something Else (TV series), a 1978–1982 UK youth TV programme\n Something Else, a 1970–71 American musical variety show hosted by John Byner\n Something Else, a 2001 British children's animated show produced by Studio B Productions\n\nMusic\n\nPerformers\n Somethin' Else!, a rock and roll band featuring Bobby Cochran, nephew of Eddie Cochran\n Something Else (Japanese band), a J-Pop band\n Something Else, a 1970s Scottish band featuring Sheena Easton\n\nAlbums\n Something Else!!!!, a 1958 album by Ornette Coleman\n Somethin' Else (Cannonball Adderley album), or the title song by Miles Davis, 1958\n Somethin' Else (The Kingston Trio album), 1965\n Something Else by The Kinks, a 1967 album\n Something Else from The Move, a 1968 EP\n Something Else (Shirley Bassey album), 1971\n Something Else (Robin Thicke album), 2008\n Something Else, a 2012 album by Elom Adablah\n Something Else (Tech N9ne album), 2013\n Something Else (The Cranberries album), 2017\n Something Else (The Brian Jones Massacre album), 2018\n\nSongs\n \"Somethin' Else\" (song), a 1959 song by Eddie Cochran, covered by several other performers\n \"Something Else\", a song by Diamond Rings from Special Affections\n \"Something Else\", a song by The Doubleclicks from Lasers and Feelings\n \"Something Else\", a song by Gary Jules from Trading Snakeoil for Wolftickets\n \"Something Else\", a song by Good Charlotte from Good Morning Revival\n\nSee also\n Something (disambiguation)" ]

[ "Frank Zappa", "Childhood", "Where did Zappa grow up?", "Baltimore, Maryland.", "Did he have a happy childhood?", "Due to their home's proximity to the arsenal, which stored mustard gas, gas masks were kept in the home in case of an accident.", "Did they stay in Baltimore?", "moved to Monterey, California,", "Did he enjoy California more than Maryland?", "They soon moved to Claremont, California, then to El Cajon, before finally settling in San Diego.", "Who was in his immediate family?", "Frank, the eldest of four children,", "Who else?", "Zappa's father" ]

[ "Camilla Croudace (29 January 1844 – 3 April 1926) was a British supporter of education for women serving from 1881 to 1906 as Lady Resident at Queens College London.\n\nLife\nCroudace was born in Homerton in 1844 to Thomas and Ann Croudace. Her mother was Ann Hester \"Camilla\" Vignoles and her maternal grandfather was the leading civil engineer Charles Vignoles who built huge bridges. Her mother (born 1818) was christened Ann Hester because her mother was too ill to advise and her father was away, but she too was called \"Camilla\".\n\nCroudace was educated in London where she went to secondary school at Queens College London where she greatly admired the school's founder F. D. Maurice. Other notable teachers there were Dorothea Beale, R. C. Trench and E. H. Plumptre.\n\nAfter she left the school she worked as a governess, before she was invited back to become the \"Lady Resident\". It was not her role to teach but to look after the girls and to ensure discipline and the school's ethos was upheld.\n\nCroudace would invite her favourite pupils to tea. Katherine Mansfield was one of her student admirers and one of her most brilliant students was the traveller Gertrude Bell.\n\nCroudace died in Worthing and was buried in St Peters churchyard in Linchmere.\n\nReferences\n\n1844 births\n1926 deaths\nPeople from the London Borough of Hackney\nBritish governesses", "Radelgar was the eldest son of Radelchis I of Benevento and he succeeded him as Prince of Benevento on his death in 851. Radelgar's mother was Caretrude and his brother was Adelchis.\n\nHe was succeeded as prince by his brother, because his son, Guaifer, was too young. He also had a daughter who married Lando III of Capua.\n\n854 deaths\nPrinces of Benevento\n9th-century rulers in Europe\n9th-century Lombard people\nYear of birth unknown" ]

[ "Frank Zappa", "Childhood", "Where did Zappa grow up?", "Baltimore, Maryland.", "Did he have a happy childhood?", "Due to their home's proximity to the arsenal, which stored mustard gas, gas masks were kept in the home in case of an accident.", "Did they stay in Baltimore?", "moved to Monterey, California,", "Did he enjoy California more than Maryland?", "They soon moved to Claremont, California, then to El Cajon, before finally settling in San Diego.", "Who was in his immediate family?", "Frank, the eldest of four children,", "Who else?", "Zappa's father", "Was his mother there too?", "His mother, Rosemarie (nee Collimore) was of Italian (Neapolitan and Sicilian) and French ancestry;" ]

[ "Tendayi (Samaita) Gahamadze (born 3 July 1959) is a Zimbabwean artist and songwriter.\n\nBackground\nTendayi Gahamadze was born at his parents' farm in Musengezi and went to Mkwasha Primary School. He went to Moleli for secondary education.\n\nIn 1979 he left for the United Kingdom where he did his A levels and studied metallurgy from 1982 in Germany.\n\nCareer background\nTendayi Gahamadze was a member of a school choir and learnt to play instruments when he was in the UK. \nHe was fascinated by the sound of Mbira but did not expect to play the instrument. \nWhilst in Germany at a seminar in Essen he and his fellow Zimbabwean students had no option but to sing Ishe Komborera Africa in contrast with the Congolese and Latin American students who played their Rhumba and Salsa music respectively. \nOn coming back to Zimbabwe he was told that it had been prophesied that he would be a prominent mbira player. \nHe brushed it aside and wondered how at age 30 he would learn to play this instrument. \nA year later he found himself under the mentorship of spiritual leader Choshata of the Mhara Mbuya Chikonamombe totem. \nHe spent a year living with Albert and Benjamin Gobvu who were respected mbira players in Mhondoro. The assisted in the tuning of the mbiras but never attempted to play since to him it seemed far beyond his capabilities. \nChoshata recommended that Tendayi buy his own Mbira, which he did.\n\nWith this Mbira he went to another Mbira manufacturer, Seke, who made two more mbiras of the same tuning for him. \nHe left Choshata's shrine for Norton where his family was. With him now was a set of three mbiras which he could not play. \nIt just happened overnight, as it were, that he started playing the mbira without being directed by anyone. He started teaming up with different mbira players and performing with them at cultural ceremonies and gatherings. \nMagwimbe Mlambo and Wilfred Mafrika were with him in the beginning. \nHaving had some guitar band experience with college bands during his time at university Tendayi went on to buy guitar pick-ups and started manufacturing his own mbiras and electrifying them. \nHe formed the group Mbira dzeNharira which had its first recording, Rine Manyanga Hariputirwe, in 1998 which immediately topped the charts. \nTo date Mbira dzeNharira has won five musical awards.\n\nSee also\nMbira dzeNharira\nList of mbira players\nList of Zimbabwean musicians\nMbira music\nShona music\nMusic of Africa\n\nReferences\n\nZimbabwean songwriters\nLiving people\n1959 births", "The Britney Spears doll is a celebrity doll made in the likeness of pop singer Britney Spears. Several versions of the doll were released. Each doll is dressed in costumes that resemble the clothing Spears had worn in concerts, appearances, and music videos. The Britney Spears doll was the first doll produced by Play Along Toys.\n\nHistory\n\nThe doll\n\nJay Foreman and Charlie Emby, the founders of Play Along Toys, spent millions of dollars to license, advertise, and distribute the Britney Spears dolls. In 1999, Play Along Toys released the Britney Spears Fashion Doll; the Britney Doll was notable, as it was the first product Play Along Toys ever released. The dolls feature Spears in different outfits, make-up, and hairstyles from her concerts, appearances, photoshoots and music videos. The packaging the dolls were sold in often contained DVDs of music videos, stickers, and other accessories.\n\nA couple of years after Play Along Toys released the first Britney Doll, Yaboom Toys released their own version of the popular toy. The Singing Character, fashioned as Spears, plays a full-length version of one of Spear's popular songs when a button on the doll's stomach is pressed. The doll arrived on toy store shelves just in time for the holidays in 2000.\n\nA porcelain version of the Britney Doll was also released. The doll wears the classic outfit worn by Spears in the \"...Baby One More Time\" music video and is accompanied by a stand for easy display.\n\nPopularity\nOn October 15, 1999, the first Britney Spears Doll was released. The initial doll sold over 800,000 units. To date, over 5 million of the assorted Britney Dolls have been sold. According to the Winnipeg Free Press, the doll is the second best-selling celebrity doll of all time, behind only the Spice Girls dolls.\n\nThe first time Spears saw the doll she was displeased with its looks. She asked that the doll be changed because she felt it had the appearance of a bulldog chewing a wasp. As Spears reasoned, I felt a bit bad about ordering changes but hey, it's my doll. Following the changes to the doll's face, the dolls sold out in the United States in December. In the United Kingdom, three weeks of sales resulted in 60,000 dolls being sold.\n\nProduction of the doll was later discontinued sometime in late 2001 or early 2002. Years after the doll’s discontinuation, it has become a collectors item among her fans and doll collectors, usually sold on eBay.\n\nList of Products\n\n...Baby One More Time Dolls \nThis collection is composed of three dolls fashioning costumes from music videos from 1999. One wears the clothing from Spears' \"...Baby One More Time\" music video, two wear ensembles resembling those worn in the \"(You Drive Me) Crazy\" music video, and the last wear an outfit from the \"Sometimes\" music video.\n School Girl (outfit from \"...Baby One More Time\" music videos)\n Flowing White (outfit from \"Sometimes\" music videos)\n Pink Waitress (outfit from \"(You Drive Me) Crazy\" music videos)\n\nOops!... I Did It Again Dolls \nThis collection is composed of seven dolls (two dolls in other packaging) from two music videos by Britney Spears from 2000.\n Black & White (outfit from \"Oops!... I Did It Again\" music videos)\n White Leather (outfit from \"Oops!... I Did It Again\" music videos)\n Red Cat Jumpsuit (outfit from \"Oops!... I Did It Again\" music videos)\n Green Top (outfit from \"Lucky\" music videos)\n Red Top (outfit from \"Lucky\" music videos)\n\nVideo Performance Collection Dolls \nThis collection contains two dolls in different outfits from Spears' \"Born to Make You Happy\" music video, along with the outfit from her performance at the 1999 MTV Video Music Awards.\n Red & Black (outfit from \"Born to Make You Happy\" music videos)\n Silver Sequined Disco Dive (outfit from \"Born to Make You Happy\" music videos)\n Green & Black (outfit from \"(You Drive Me) Crazy\" music videos)\n Shine Grey Sequined Disco Diva (outfit from 1999 MTV Video Music Awards performance)\n Futuristic (outfit from \"Stronger\" music videos)\n Red Cat Jumpsuit (outfit from \"Oops!... I Did It Again\" music videos)\n\nVideo Collection Dolls \n Green Top (outfit from \"Lucky\" music videos)\n Red Top (outfit from \"Lucky\" music videos)\n Pink Top (outfit from \"I'm A Slave 4 U\" music videos)\n Ripped Top (outfit from \"I'm A Slave 4 U\" music videos)\n Futuristic (outfit from \"Stronger\" music videos)\n White Top (outfit from \"I'm Not a Girl, Not Yet a Woman\" music videos)\n Red Cat Jumpsuit (outfit from \"Oops!... I Did It Again\" music videos)\n Crossroads (outfit from Crossroads film)\n\nConcert Outfit Dolls \nThis collection contains seven dolls wears different clothing that Britney Spears wore on stage during her Oops!... I Did It Again Tour.\n Silver Cowboy Outfit\n Navy Sailor Outfit\n Pink Dress Outfit\n Purple Jumpsuit Outfit\n Fire Top Outfit\n Elvis Presley Jumpsuit Outfit\n\nReferences\n\n2000s toys\nCelebrity dolls\nBritney Spears" ]

[ "D.O.A. (band)", "Hardcore 81 and further lineup changes (1981-1989)" ]

[ "This is a list of notable bands considered to be thrashcore. Thrashcore (also known as fastcore) is a fast tempo subgenre of hardcore punk that emerged in the early 1980s, that is essentially sped-up hardcore, often using blast beats.\n\n ACxDC\n The Accüsed\n Benümb\n Code 13\n Cryptic Slaughter\n Deep Wound\n Dirty Rotten Imbeciles\n Dr and The Crippens\n Dropdead\n Electro Hippies\n Fig 4.0\n Flag of Democracy\n Heresy\n Gauze\n Guyana Punch Line\n Hellnation\n Hüsker Dü\n King Parrot\n Lärm\n Los Crudos\n Raw Power\n Septic Death\n Septic Tank\n Siege\n S.O.B.\n Straight Ahead\n Svetlanas\n Trash Talk \n Vitamin X\n Vivisick\n Void\n What Happens Next?\n\nReferences\n\nLists of hardcore punk bands", "Burning Empires is an American hardcore punk supergroup formed in 2009 in Milwaukee, Wisconsin, consisting of members of Misery Signals, 7 Angels 7 Plagues and Fall Out Boy. They have released two EPs, in 2009 and 2010, respectively, as well as having opened for The Amity Affliction on their 2010 Australian tour.\n\nMusical style\nBurning Empires have been categorized as hardcore punk and compared to work of Darkest Hour, as well as multiple of the member's other band, Misery Signals. In an interview, Ross stated that \"musically I wanted to do a band in relation to Misery Signals, a more punky hardcore version of what we were doing influenced by bands like Propaghandi, Comeback Kid and Cursed\" and \"I find this group is more socially charged than what we’ve done in Misery Signals. A lot of my lyrics up to this point on the Burning Empires material is anti-civilization\", in addition to Spin Magazine describing the band as \"(ripping) out a heavy, furious sound with thundering double kick drums, screeching electric guitars, and Morgan’s vicious screams\".\n\nMembers\n Matt Mixon – guitar\n Ryan Morgan – lead vocals\n Stuart Ross – guitar\n Kyle Johnson – bass\n Andy Hurley – drums\n\nDiscography\nBurning Empires (2009)\nHeirs of the Soil (2010)\n\nReferences\n\nHardcore punk groups from Wisconsin\nMusical groups established in 2009\nRock music supergroups" ]

[ "D.O.A. (band)", "Hardcore 81 and further lineup changes (1981-1989)", "What is Hardcore 81?", "their second album Hardcore '81;" ]

[ "\"What Are They Doing in Heaven?\" is a Christian hymn written in 1901 by American Methodist minister Charles Albert Tindley. , it has become popular enough to have been included in 16 hymnals.\n\nThe song has sometimes been recorded under the titles \"What Are They Doing?\" and \"What Are They Doing in Heaven Today?\". The question mark is often omitted. The song may also be known by its first line, \"I am thinking of friends whom I used to know\".\n\nThe song consists of four verses and a refrain, each four lines long. In both the verses and the refrain, the first three lines rhyme, and the fourth is \"What are they doing now?\" or some small variant of that. The author reflects on friends who were burdened in life by care, or by disease, or by poverty; and wonders what they might now be doing in Heaven, without giving his answer.\n\nThe first known recording of the song is the 1928 one by Washington Phillips (18801954; vocals and zither), in gospel blues style. Phillips' recording was used in the soundtrack of the 2005 film Elizabethtown. The song has since been recorded many times in a wide variety of styles, including gospel and bluegrass; sometimes attributed to Phillips or to \"anonymous\" or to \"traditional\".\n\nRecordings \n\n 1928Washington Phillips, 78rpm single Columbia 14404-D\n 1934Mitchell's Christian Singers, 78rpm singles Perfect 326, Banner 33433, Conqueror 8431, and Melotone 13400 \n 1938Golden Gate Quartet, 78rpm singles Bluebird 7994 and Montgomery 7866 \n The Southernaires, radio broadcast \n 1946Pilgrim Travelers\n 1948The Lilly Brothers, 78rpm single Page 505\n 1948The Southern Harmonizers, 78 rpm single Specialty 301 \n 1950The Mello-Tones, 78rpm single Columbia 39051 \n 1950-53Silvertone Singers\n 1952The Dixie Hummingbirds, 45rpm single Peacock Records 5-1594 \n 1957Harry and Jeanie West on the album Favorite Gospel Songs \n 1960Sister Rosetta Tharpe on the album Gospels in Rhythm \n 1962The Fairfield Four on the album The Bells Are Tolling \n 1964The Staple Singers on the album This Little Light \n 196692Marion Williams\n 1971The Downtown Sister New Heaven on the album Gospels And Spirituals \n 1983Slim & the Supreme Angels on the album Glory to His Name \n 1992Tom Hanway on the album Tom Hanway and Blue Horizon \n 1994Martin Simpson on the album A Closer Walk with Thee \n 1995The Pfister Sisters on the album The Pfister Sisters \n 1996Michelle Lanchester, Bernice Johnson Reagon and Yasmeen on the album Wade in the Water: African American Sacred Music Traditions \n 1996Little Jimmy Scott on the album Heaven \n 2000Last Forever on the album Trainfare Home \n 2000Margaret Allison and the Angelic Gospel Singers on the album Home in the Rock \n 2002Jorma Kaukonen on the album Blue Country Heart\n 2003Bill Gaither feat. Gloria Gaither and Babbie Mason on the album Heaven \n 2003The Immortal Lee County Killers on the album Love Is a Charm of Powerful Trouble \n 2003Mike \"Sport\" Murphy on the album Uncle \n 2006Riley Baugus on the album Long Steel Rail \n 2006Joanne Blum on the album Even More Love \n 2006Cabin Fever NW on the album The Door Is Always Open \n 2006Jessy Dixon on the album Get Away Jordan \n 2006Vince Gill on the album Voice of the Spirit, Gospel of the South \n 2006The Be Good Tanyas on the album Hello Love\n 2006Boxcar Preachers on the album Auto-Body Experience \n 2006Judy Cook on the album If You Sing Songs ... \n 2006The Great Gospel Crew on the album The Greatest Gospel Music \n 2007John Reischman and The Jaybirds on the album Stellar Jays \n 2008Murry Hammond on the album I Don't Know Where I'm Going but I'm on My Way \n 2009Jim Byrnes on the album My Walking Stick \n 2009The Habit on the album The Habit \n 2010Buddy Greene on the album A Few More Years \n 2011The Bright Wings Chorus on the album '' \n 2011Dead Rock West on the album Bright Morning Stars \n 2013The Quiet American on the album Wild Bill Jones 2013Marcy Marxer on the album Things Are Coming My Way \n 2013Mogwai on the album Les Revenants 2013Mavis Staples on the album One True Vine 2013Colin Stetson feat. Justin Vernon on the album New History Warfare, Vol. 3: To See More Light \n 2014Béla Fleck and Abigail Washburn on the album Béla Fleck and Abigail Washburn''\n\nReferences \n\nAmerican Christian hymns\nBlues songs\nGospel songs\nSongs about death\nSongs about Heaven\nHymns by Charles Albert Tindley\n1901 songs\nWashington Phillips songs\nColumbia Records singles\nPace Jubilee Singers songs\n20th-century hymns", "Future Memories is the seventh studio album by German artist ATB, released on May 1, 2009.\n\nJust like Two Worlds (2000) and Trilogy (2007) before it, this album also features two CDs. The first CD consists of dance songs, while the second one features chill-out tunes. Similarly to Trilogy, Future Memories also features 26 tracks in total and is released in two different versions: a normal one with two CDs, and a limited edition, which includes a DVD.\n\nOn the iTunes version of the album there are two bonus tracks, a full-length club remix of \"L.A. Nights\" and a 12-minute minimix featuring most songs from the album. This minimix was used to promote the album on YouTube.\n\nOverview\nATB made almost all announcements concerning this new album on his MySpace blog. The first thing he said was that the album would not be promoted in the old-fashioned way, and a single would not be released before the album. Instead, there would be three tracks released at the same time (two of which are \"What About Us\" and \"L.A. Nights\") to represent the main album, and all three of them were going to have their own music videos. Also, four tracks on the album were going to have more than 160 beats per minute (bpm), rare in ATB's songs, but they were not anything close to the hardcore genre. The reason for some of the songs' high bpm was that for the first time in ATB's repertoire, he has incorporated drum and bass elements into some of the songs such as \"What About Us\" and \"My Everything\".\n\nThe opening to the song \"Gravity\" is similar melodically to the opening track on ATB's first album Movin' Melodies, entitled \"The First Tones\".\n\nOn March 30, 2009, ATB published a preview on YouTube that featured 10 selected tracks from the album, including \"What About Us\", \"My Everything\", \"Summervibes with 9PM\" and others.\n\nMany singers and artists collaborated with ATB on this album, including Josh Gallahan, Haley Gibby (from Summer of Space), Betsie Larkin, Aruna, Tiff Lacey, Roberta Carter-Harrison (from Wild Strawberries), Apple&Stone, Jades and Flanders.\n\nTrack listing\nATB announced the official track list on March 27, 2009, on his MySpace blog.\n\nCharts and certifications\n\nCharts\n\nCertifications\n\nReferences\n\nExternal links\n \n Future Memories cover\n ATB's MySpace Blog\n ATB's official website\n\n2009 albums\nATB albums" ]

[ "D.O.A. (band)", "Hardcore 81 and further lineup changes (1981-1989)", "What is Hardcore 81?", "their second album Hardcore '81;", "What are some of the songs on the album?", "I don't know." ]

[ "How the West Was Won may refer to:\n How the West Was Won (film), a 1962 American Western film\n How the West Was Won (TV series), a 1970s television series loosely based on the film\n How the West Was Won (Bing Crosby album) (1959)\n How the West Was Won (Led Zeppelin album) (2003)\n How the West Was Won (Peter Perrett album) (2017)\n How the West Was Won, a 2002 album by Luni Coleone\n \"How the West Was Won\", a 1987 song by Laibach from Opus Dei\n \"How the West Was Won\", a 1996 song by the Romo band Plastic Fantastic\n\nSee also\n How the West Was Fun, a 1994 TV movie starring Mary-Kate and Ashley Olsen\n How the West Was One (disambiguation)\n \"How the West Was Won and Where It Got Us\", a 1997 song by R.E.M.", "How the West Was One may refer to:\n\n How the West Was One (Cali Agents album), 2000\n How the West Was One (2nd Chapter of Acts, Phil Keaggy and a band called David album), 1977\n How the West Was One (Carbon Leaf album), 2010\n\nSee also\n How the West Was Won (disambiguation)" ]

[ "D.O.A. (band)", "Hardcore 81 and further lineup changes (1981-1989)", "What is Hardcore 81?", "their second album Hardcore '81;", "What are some of the songs on the album?", "I don't know.", "How was the album received?", "the record's title and its extensive North American promotional tour is sometimes credited with popularizing the term \"hardcore punk\"." ]

[ "7: The Best of Stryper is the seventh release and second compilation album by Christian metal band Stryper. Released in 2003, it is the second compilation album produced by the band, and its recording and release led to the reunion of the original members of the band.\n\nHollywood Records asked the members of Stryper to record new tracks to be placed in a compilation album celebrating the 20th anniversary of the band. Frontman Michael Sweet wrote two new songs that were recorded by the original 4 members of the group. This marked the first time in 12 years that Stryper recorded together in the studio.\n\nAfter the release of the album, the band went on a 36 show reunion tour, their first in 12 years. Shows were recorded for a live album 7 Weeks: Live in America, 2003, which was released on May 18, 2004.\n\nTrack listing\nSomething (New Track)\nFor You (New Track)\nShining Star\nLady\nAll For One\nIn God We Trust\nAlways There For You\nTo Hell With The Devil\nCalling On You\nFree\nHonestly\nThe Way\nSoldiers Under Command\nMakes Me Wanna Sing\nReach Out\nFrom Wrong To Right\nLoving You\nBelieve\n\nReferences \n\nStryper albums\n2003 greatest hits albums\nHeavy metal compilation albums\nGlam metal compilation albums", "Crows in the Rain is an Iranian post-rock band which was formed in Tehran in 2014. It is among the first post-rock bands in Iran. After their first album was released, they became popular as the first Iranian ambient post-rock band. They were also known as “The Crows”. The band's music is a blend of post-rock and neo-classical style. Indeed, the core of the band consists of Masih Taj (Electric Guitar, Piano), Hamed Fahimi Jou (Electric Guitar), Ashkan Karimi (bass guitar), who had been intimate friends for many years before the band was formed. One of the characteristics of Crows In The Rain is that the lead guitar and rhythm guitar are swirling in a different way between Masih Taj and Hamed Fahimi Ju.\n\nHistory\n\nBand Formation: 2014-2015\n\nIn the fall of 2014, Hamed and Masih shared their dreams about composing music together. Accordingly, the basic foundations of the Crows In The Rain band were built. The band was named on the basis of what happened in the first jamming between the two. In a rainy afternoon, when Hamed and Masih were playing a tune together, they succeeded at making their first track after a few hours. After they listened to their first track, they named it “The Rain” under the influence of weather conditions. At the same time and in a random manner, they noticed the presence of a large circle of crows in the rainy sky. So, they named the track and the band “Crows In The Rain”.\n\nAfter that, they decided to compose more songs and form their feelings and ideas. Therefore, several tracks were created a few months later, such as “Forgotten Childhood”, “Dreaming”, and “You Were There”. They uploaded them on the internet. According to the members of the band, so many tracks were created in that period but they were not released. After that period, the band decided to collect an album and worked on the tracks for a while. Since spring 2015, they began to work on the album. In summer 2015, they released one of the album tracks as a single track. The finalization of the album lasted until the beginning of winter 2015. Eventually, the first album of “The Crows” was released in February 2016.\n\nYou Are Dying in My Arms: 2015-2016\n\nThe name of the first album of Crows In The Rain is “You are Dying in my Arms”. The album's genre is Ambient and Neo-classical. According to The Crows’ interview, the first album was just about the band's Inner voices. In fact, no other factor was taken into account but emotions, and The Crows were looking for their inner status. In order to form the album through dozens of tracks, ten tracks were selected. The basis for this selection was a feeling about their lost friend. According to the band members, the loss of a friend was an excuse to understand the main concept of the songs, and that feeling is a sense of distance and separation that all the people may have experienced within themselves. After their first album was released, the tracks were greeted by the audience and quickly shared.\n\nThe first album tells a story that was composed in many chapters. “It was 2016 Chaharshanbe Suri that we started composing instead of celebrating, and the result was the track of “Trust the Universe”. the reason for the track denomination was that it was a sentence widely used by our lost friend, and because she loved the track, that name was chosen for this piece,” Hamad and Masih said.\n\nAnother track of this album was named “I am not the body; I am not even the mind”. Members of the band are used to meditating before improvising playing each tune and this track was created just after a deep and specific meditation. The track “Please be well, Is it too late?” was played and denominated under the influence of the song “Horses in the Sky” composed by the Canadian band “Thee Silver Mt. Zion Memorial Orchestra”. Another track in the album is called “You Are Dying in My Arms”. This track was anonymous at the beginning and the album was supposed to be called “Trust the Universe”. While naming the track, one of the best friends of the band's members suggested this name. At the very moment, the album was named after this due to its meaning and emotional connotation.\nThe track “The End” is one of the final tracks of the album. The track, according to Hamed and Masih, indicates the peak feeling of loneliness and isolation we have experienced from within.\n\nLittle Girl and Lost Blossom : 2016-2017\n\nThe band continues to take a more serious look at its future after releasing the first album and its resulted in working on their second album. The second album was also warmly welcomed by the audience and their fans. The genre of the album is rather Neo-classical and ambient. The album was formed in spring 2017. The album was unveiled and released quite informally. The unveiling of this album was performed differently and on Valiasr street (one of the major and well-known streets in Tehran) with the presence of the audience and fans of the band.\n\nThe albums’ idea formation and release started at the point that, according to the members of the band, this album was the result of an astounding journey. The Crows spent 24 hours outside the house on a different journey and spent 12 hours in nature alone. The experience they gained in 12 hours and what happened to the Crows led to the formation of the main story of the second album. It was a metaphysical and inorganic experience, so that a year after the journey, all the tracks made by the band was influenced by that 12 hours and all its strange experiences.\n\nThe tracks in the album express unique concepts and names. With regard to this, the Crows say:\nIn fact, the Fatherland was the land we journeyed to in our special experience, and there were extraterrestrial beings that we felt their presence, and so we named the land “the Fatherland”. “Little girl and lost blossom” is the story of one of those creatures in part of that land called the “Second Death”, and the expression of her grief and sadness.\n\nThe track “... (For a Film)” tells the story of the moment when the band is saying goodbye to the little girl in their minds and leaves the land of Second Death. This track was collected in the very first year by Morego Dimma under the label “Unexplored sounds group”, and was released under the English label “Cold Spring” in the form of the album “Visions of Darkness (Iranian Contemporary Music)”.\n\nAshes of the Past: 2017-2018\n\nThe album “Ashes of the past” has had a stylish leap over the past two albums. The album's genre is post-rock. Adding the bass and the drums to another style, the band seems to have moved toward the core of the post-rock style. In this album, the style of the band’s jammings from home jamming to studio jamming and with the addition of new instruments has taken a different form. Like the previous two albums, this album was unofficially released, as well. The unveiling ceremony of the album took place at a local café named Kafeh Aparteman (Café Apartment) in Tehran in May 2017.\n\nIn winter 2017, Ashkan as the bassist and Amir Hossein as the drummer joined the Crows In The Rain band. The Crows decided to go on the stage for the first time in 2017, sharing their feeling through live music with their audience. They worked on their third album until fall 2017. Before their album was officially released, they held their first concert at the Koral Music School Hall (Hamdelan) by playing some pieces from the third album for the first time in November 2017. Twenty-four days later, the second performance of the Crows, as well as the first and largest official post-rock concert in Iran, took place in Azadi Tower Hall.\n\nThe Crows decided to release their third album in January 2018, but it did not happen because of some issues. In the meantime, they staged a concert in Shiraz in two sequences, at the “Kian black box artistic and cultural complex”. When they returned to Tehran, the Crows were invited to a conference in the 900-seat auditorium of Tehran University, where they performed two of their third and non-published album. In the same year, as a guest band, they were invited to participate in the festival opening ceremony and set off on stage. In March 2018, they performed their dedicated performance in Koral Academy Arena.\n\nThe album “Ashes of the past” consists of 11 pieces. This album was released with Italian label \"Hortus Conclusus Records\". The first piece of the album is called “Beyond the Flying Mountains”. Beyond the Flying Mountains was built after the first jammings with new instruments and a different style. The Crows In The Rain band now has reached a point where they acknowledged that they can express what has been engraved in their minds since the beginning in the form of music. The track marked the beginning of the album and served as a milestone for the band’s style transformation into the post-rock, the same post-rock style already imagined in the minds of all the band’s members. \n\n“Requiem for a Dreamer” is the name of another piece of the album. The track was initially ignored by the band, but after all the members of the band listened to it again, they decided to finalize it and put it in the album. The important thing about the track is that the band shows its internal grief and sorrow in a different atmosphere. According to the members of the band, the track is the sentiments of a dreamer who cannot dream anymore.\n\n“I will build the future on the past of the memories” was the last studio track of the album to be created. The reason for the track denomination was that the band members reached a consensus to leave the past with all its sadness and grief behind and start to build up the future from its ashes. The dreamer is dreaming again on his own ashes in this position.\n\nSorrow for an Unfinished Dream : 2018-2019\n\n“Sorrow for an Unfinished Dream” is the fourth album and the third studio album by the Crows In The Rain band. It is the first dependent official album by the band in Iranian market. The album’s style is Neo-classical and post-rock. The album is an epitome of the combination of the last three albums of the Crows In The Rain and may be called a pure extract from the nature of the Crows In The Rain band. After their second and third albums were released, the Crows attempted to perform musical improvisation with more experience and skill, and the result was the beginning of the fourth album. Over the past few years, certain tracks have been made by the band, and the tracks are being played in a diverse manner, combined with the last two albums in the band concerts. Over time, new tracks were made and added to the playlist.\n\nThe Crows In The Rain band had a performance in two sequences in Shiraz in August 2018, at the “Kian black box artistic and cultural complex”, where they played some tracks from the album of the “Ashes of the past” as well as the fourth album. Five months later, they were re-performing at “Azadi Tower Hall”. After a little while, they had another performance at “Eyvan-e Shams Hall”.\n\nThe unveiling ceremony of the band’s fourth album was held after the live performance of the band at the Niavaran Cultural Center in spring 2019, with the band’s extensive audience and fans. After the unveiling ceremony of the album was held, the album's first music video was released, which was warmly welcomed by the fans and critics. The band also unveiled the album in the cities of Isfahan, Shiraz, Kerman, and Rasht.\n\nWhile making the songs, the band began to realize that the concept of tracks created is closely related to the concepts of the tracks created in advance that have not been published to date. As a result, the old tracks were added to the new tracks, resulting in the formation of the fourth album, which may be called the most sophisticated and successful album by the Crows In The Rain band.\n\nThe album consists of 10 studio albums. Two years prior to the album's release, the earlier lines of the track “This is our cry” had been written. It was in the band's archive. While naming the rest of the album’s tracks, this track came into account accidentally, and this was a turning point for forming the concept of the album.\n\nIn the process of composing the album, the track “Unfinished Dream of Sadako” was the last track which was made. According to the band members, when the track was made, we felt that the album was finished and had completed its mission. Here there were signs such as paper cranes, origami and the story of Sadako Sasaki. The band came to the conclusion that the story of Sadaku Sasaki was very close to what the band was trying to express in the album. Consequently, the track was named “Unfinished Dream of Sadako”. It is the ensign and the main mask of the album. The band’s first music video is also derived from the same track. The general concept seen in the band’s fourth album is unrealized dreams. It may be said that the main message of the Crows In The Rain band is the same unrealized dreams. The signs of this concept can be observed from the second single track called “Dreaming” in the first year of band formation to the last album. In this vein, another track of the fourth album is “The Legend of the Cranes”. The track is more reminiscent of the track “You are Dying in My Arms” for the band. It represents the grandeur of the effort to fight for dreams and hope for unrealized dreams.\n\n“Now you can sleep” is the last track of the album, which has a different story from the rest of the songs. Masih’s grandmother laid on her deathbed, suffering from insomnia. When she heard the track, she could sleep after a few days of sleeplessness. After a little while, as soon as the band was performing in Shiraz, Masih’s grandmother died a few hours before the performance. The band states that after this, we discovered that this track, with all its incidents, is the best ending for the album.\n\nMusical style\n\nAlthough the band’s musical style has undergone changes since the band has started working, it has a different style in ambient/post-rock. that has been shaped by the Crows In The Rain. The formation of the band’s musical taste has been adapted from a combination of the musical taste of Masih and Hamad. The musical style Masih was listening to and playing was Neo-Classical, New Age, and Meditation. On the other hand, the musical style Hamed was listening to and playing was Rock and Metal. The blend of these two tastes has been the basis for the formation of the band’s style at the beginning of their work.\n\nIn the second album, after Hamed was more into the classical music, the album’s atmosphere became more ambient. In the third album, where Ashkan and Amir Hossein joined the band as bassist and drummer, the style of the band approached the main goal of the Crows In The Rain band, which could be called the pure post-rock. In addition to this, the presence of the jazz taste background of the band’s drummer caused the third album to have the elements of the jazz music whose signs can be seen in the fourth album and especially in the track “a scintilla of hope”. In the fourth album, the maximum coordination can be observed among the members of the band, resulting in the combination of the styles of the last three albums and the band’s movement towards reaching the ideal style they opted for.\n\nAwards and Honors\n\n New York festivals- Radio Awards\n2018, “Finalist certificate”.\n\n Best Post-rock of the Year\nOn April, 2019, Ashes of the past were placed on the list \"Best Album of 2018\", chosen by Reddit Channel.\n\n The Best Post-rock Albums and Eps of the 21st Century\n\nOn June, 2019, Crows in the Rain were placed on the list \" The Best Post-rock Albums and Eps of the 21st Century\", #67.\n\nMembers\nCurrent members\n Masih Taj – Guitar, Piano\n Hamed Fahimi Ju – Guitar, Piano\n Ashkan Karimi – Bass, Synthesizer\n Masoud Keramat – Drums\n\nFormer members\n Amir Hossein Abbasi – Drums\n\nDiscography\n\nStudio albums\n You Are Dying in My Arms (The Frozen Last Gasps) (2016)\n Little Girl and Lost Blossom (2017)\n Ashes of the Past (2018)\n Sorrow for an Unfinished Dream (2019)\n Dri:m Wan; Därk Blü (2020)\n\nCompilation albums\n\n Visions of Darkness- Iranian Contemporary Music (2017)\n\nSingles\n Forgotten childhood (2014)\n Dreaming (2015)\n You Were There (2015)\n The Tale of Creation within Her Being (Atman of Abhimata) (2015)\n Dri:merz Path / Way (2020)\n\nMusic Videos\n Unfinished Dream of Sadaku (2019)\n\nReferences\n\nIranian musical groups" ]

[ "D.O.A. (band)", "Hardcore 81 and further lineup changes (1981-1989)", "What is Hardcore 81?", "their second album Hardcore '81;", "What are some of the songs on the album?", "I don't know.", "How was the album received?", "the record's title and its extensive North American promotional tour is sometimes credited with popularizing the term \"hardcore punk\".", "Who were the members of the band for this album?", "Randy Rampage was fired from the band on January 1, 1982 and was replaced by ex-Skulls drummer Dimwit on bass." ]

[ "\"Somebody Else's Life\" is a song recorded by British-Irish girl group the Saturdays for their fourth studio album (fifth overall), Living for the Weekend (2013). The song was written by band members Una Healy, Frankie Bridge, Rochelle Humes, Vanessa White and Mollie King as well as Lucie Silvas, Judie Tzuke and Charlie Holmes co-writing the song with the band members. The songs genre is mainly pop, although the song contains a hint dance. When creating the song, the band wanted to create something \"amazing\", \"crazy\" and \"very pop\". The song was chosen to be the opening theme for the band's reality television show Chasing the Saturdays.\n\nBackground and recording\n\"Somebody Else's life was the first song recorded when the band arrived in the United States to record their fourth studio album, Living for the Weekend. The band said they were looking to go back to their \"roots\" with the song and record a song which related to their first studio album, Chasing Lights (2009). They were looking to great a song that was \"amazing\", \"crazy\" and \"very pop\" like they were known for back in their native, the United Kingdom. In late October 2012, it was revealed to the public that the Saturdays were in talks to feature in their own reality television programme. Although, they had already done this previously with The Saturdays: 24/7 broadcast through ITV2. It was later revealed that American television network, E! were interested in showing their show programme. It was announced that they did sign a contract with the network and Chasing the Saturdays would be broadcast through E! internationally. It was later revealed that the band had signed a joint record deal with Island Def Jam Records and Mercury Records, with a view to releasing future material internationally mainly the United States and Canada. While the band were filming their reality television in United States the band began working on new music and collaborating with a number of producers. Rodney Jerkins, who is known as \"Darkchild\" was revealed to be included in the band's fourth studio album. \"Somebody Else's Life is the opening theme for the band's reality show Chasing the Saturdays.\n\nCommercial performance\nAfter the release of Living for the Weekend, \"Somebody Else's Life\" debuted on Official Charts Company UK Singles Chart at number 94, becoming the Saturdays twenty-third top 100 on the chart.\n\nLive performance\n\n\"Somebody Else's Life\" was included on the set list of The Greatest Hits! Live Tour. During their Chasing the Saturdays row, the band performed the song to Island Def Jam and Mercury Records executives, which led to them signing a US record deal.\n\nCharts\n\nReferences\n\n2013 songs\nSongs written by Judie Tzuke\nSongs written by Lucie Silvas\nThe Saturdays songs", "The Cranberries were an Irish rock band formed in Limerick in 1989, originally under the name The Cranberry Saw Us. Although widely associated with alternative rock, the band's sound incorporates post-punk and rock elements. Since their formation, The Cranberries have released eight studio albums, six EPs, and 22 singles (including two re-releases).\n\nThe Cranberries rose to international fame with their debut album Everybody Else Is Doing It, So Why Can't We?, which became a commercial success and was certified Platinum in Australia, 2× platinum in Britain and 5× platinum in the US. Their next studio album No Need to Argue gave the band the hit single \"Zombie\" and was their best-selling studio album. The band has achieved one number-one album on the UK Albums Chart (Everybody Else Is Doing It, So Why Can't We?), and two number one singles on the Modern Rock Tracks chart (\"Zombie\") and (\"Salvation\"). The album Roses was released on 27 February 2012. Their next album, Something Else, covering earlier songs together with the Irish Chamber Orchestra, was released on 28 April 2017. Their eighth and final studio album, In The End, was released on 26 April 2019.\n\nThe group covered \"(They Long to Be) Close to You\" on the 1994 tribute album, If I Were a Carpenter.\n\nAlbums\n\nStudio albums\n\nNotes\nA Everybody Else Is Doing It, So Why Can't We? was remastered and re-released with exclusive bonus tracks in 2018.\n\nCompilation albums\n\nLive albums\n\nExtended plays\n\nSingles\n\nPromotional singles\n\nVideography\n\nMusic videos\n\nReferences\n\nDiscography\nDiscographies of Irish artists\nRock music group discographies\nAlternative rock discographies" ]

[ "D.O.A. (band)", "Hardcore 81 and further lineup changes (1981-1989)", "What is Hardcore 81?", "their second album Hardcore '81;", "What are some of the songs on the album?", "I don't know.", "How was the album received?", "the record's title and its extensive North American promotional tour is sometimes credited with popularizing the term \"hardcore punk\".", "Who were the members of the band for this album?", "Randy Rampage was fired from the band on January 1, 1982 and was replaced by ex-Skulls drummer Dimwit on bass.", "Who else was in the band?", "Dimwit switched back to drums and Subhumans singer Wimpy Roy was hired as the new bass player and second singer, leaving Keithley as the only remaining original member." ]

[ "Support Lesbiens is a Czech musical group from Prague. It was founded in 1992. Their single \"Cliché\" was the first single by a Czech English-singing group to reach number one in an official radio chart IFPI. The band is considered to be a part of the New Age genre, though it carries many Rock features as well. After the release of a new single \"Changes\" (in May 2013) with the new band members, the band is currently working on new album that should be ready in autumn 2013.\n\nMusical career\nSupport Lesbiens experienced a tough start in the Czech musical scene due to a general skepticism against Czech bands singing in English. Their first two albums were known by only the most die-hard Czech fans, but their break came with the album Regeneration?, which jump-started their rise to domestic fame. \n\nAfter their fourth album Tune Da Radio, the band's lead guitarist and writer Jaromír Helešic left the band, leading to a slight turn away from the Rock genre to a more modern style.\n\nIn May 2013, the group announced a new, as yet unnamed album, due to be released in autumn 2013.\n\nIn May, 2013, the band released a brand new single.\n\nBand members\nCurrent members\n\nJosef Czenda Urbánek - vocals\nHynek Toman - guitar\nJan Andr - keyboards\nFilip Fendrych - bass\nRadek Tomášek - drums\n\nPast members \n\n Kryštof Michal - vocals\n\nDiscography \n So, What? (1993)\n Medicine Man (1994)\n Regeneration? (2001)\n Tune Da Radio (2002)\n Midlife (2004)\n Euphony and Other Adventures (2006)\n Greatest Hits 1993-2007 (2007)\n Lick It (2008)\n Soft Collection (2009)\n Homobot (2011)\n Changes (2013) - new band members\n K.I.D. (2015)\n Glow (2018)\n\nReferences\n\nExternal links \n \n Kapela Support Lesbiens přežila svůj rozpad: Je zpátky v nové sestavě! - AHA.cz\n Support Lesbiens bez Kryštofa Michala přitvrdí. Deska bude v listopadu\n Support Lesbiens jsou zpět a vyrážejí na turné!\n Nová deska, nová sestava - staří dobří Supporti?\n Support Lesbiens bez Kryštofa Michala přitvrdí. Deska bude v listopadu\n\nMusical groups established in 1992\nCzech rock music groups\n1992 establishments in Czechoslovakia", "Flinch is glam rock band from Tampere, Finland formed in 2003.\n\nBand history\n\nInitial success\nThe band released their debut single \"Tuulet\" in 2005, where it reached number 2 on the Finnish music charts. Their follow-up single \"Liikaa\" was released in early 2006 and reached number 2.\n\nThe band's debut album, Kuvastin, was released in 2006 and reached number 17 on the Finnish album charts.\n\nChange in lineup\nIn early 2007 there was a significant change in lineup, and front man Liimatainen became the only remaining original member. Commenting on the split, Liimatainen stated that \"that group arrived to a point where there was no other choice than splitting. The former band members wanted to do other things. Despite the changes inside the band, fans have remained faithful. Feedback up to now has been positive\".\n\nOn April 9, 2008 the band released their second album Irrallaan. It was produced by Jonne Aaron, Liimatainen's elder brother and frontman of the band Negative.\n\nBand members\n Mikko Häkkilä (guitar)\n Olli Laukkanen (guitar)\n Tuukka Hänninen (bass guitar)\n Juuso Valkeala (drummer).\n Ville Liimatainen (lead vocals)\n\nDiscography\n\nAlbums\n\nSingles\n Tuulet (17.8.2005)\n Liikaa (25.1.2006)\n Taivas Tähtiverhoineen\n 1986\n\nMusic Videos\n Liikaa\n Taivas tähtiverhoineen\n\nReferences\n\nExternal links\n Official site\n Flinch.net.ms\n\nFinnish rock music groups\nMusicians from Tampere\nMusical groups established in 2002\n2002 establishments in Finland" ]

[ "D.O.A. (band)", "Hardcore 81 and further lineup changes (1981-1989)", "What is Hardcore 81?", "their second album Hardcore '81;", "What are some of the songs on the album?", "I don't know.", "How was the album received?", "the record's title and its extensive North American promotional tour is sometimes credited with popularizing the term \"hardcore punk\".", "Who were the members of the band for this album?", "Randy Rampage was fired from the band on January 1, 1982 and was replaced by ex-Skulls drummer Dimwit on bass.", "Who else was in the band?", "Dimwit switched back to drums and Subhumans singer Wimpy Roy was hired as the new bass player and second singer, leaving Keithley as the only remaining original member.", "Were there other changes to the band's members?", "the band's lineup changes continued after Let's Wreck the Party, with Dimwit replaced by Kerr Belliveau. Belliveau stayed only three weeks" ]

[ "Denis Belliveau is an American photographer, author and explorer notable for retracing Marco Polo's route from Europe to Asia and back, a feat which culminated in the publication of the documentary and book titled In the Footsteps of Marco Polo; the documentary has been used by Belliveau to create a unique interdisciplinary educational curriculum that he presents at schools and libraries across the United States and internationally. As a \"technical scuba diver with over 600 dives on the Mesoamerican Reef,\" Belliveau's photography was instrumental in establishing the definitive map for the coral reef of the Mexican island of Cozumel. Belliveau also participated in an historic archaeological dig in southwest France, unearthing a centuries-old Christian monastery, located at the current site of Abbatiale Saint-Maixent de Saint-Maixent-l'École. In addition, Belliveau's photography and writing have been highlighted in numerous periodicals, magazines and books, including The New York Times, Petersen's Photographic Magazine, Smithsonian Magazine and BBC’s Planet Earth.\n\nEarly life \nDenis Belliveau was born in Whitestone, Queens; as a Roman Catholic Christian, he was \"inspired to follow his passion for art and travel by his uncle, Father Paul Belliveau, a Maryknoll missionary\", who was stationed in Guatemala, Honduras, and El Salvador. He studied at the High School of Art and Design as well as the School of Visual Arts, both of which are in Manhattan, New York. At the School of Visual Arts, Denis Belliveau \"earned an Associates Degree in painting, sculpture and fine arts.\" In 1987, Belliveau joined his parents' photography studio that specialized in weddings and during the off-season, he would travel; it was during this time that he joined professional photography organizations, including Kodak.\n\nCareer \nAfter Denis Belliveau left the wedding photography studio in 1991, he became captivated by the idea of \"following Marco Polo’s route from Venice to China and back.\" As such, Denis Belliveau and a friend named Francis O'Donnell, who met on an archaeological dig in Saint-Maixent-l'École, southwest France, and hailed from the same academic institution, decided to trace Marco Polo's journey as recorded in Polo's Book of the Marvels of the World. Denis Belliveau, along with his companion, was the first individual \"to visit and document every region Marco Polo claimed to have traveled using only\" land and sea methods of transportation. Belliveau's story and photography on this mission was compiled into a News and Documentary Emmy nominated film, as well as a book by the same name (published by Rowman & Littlefield), titled In the Footsteps of Marco Polo; it \"has been used as the basis for a unique curriculum\" throughout schools in the United States and around the world. The same academic press has used Denis Belliveau's images in other books, such as Digging Through The Bible by Richard A. Freund.\n\nDenis Belliveau was \"the Director of Photography and Senior Cameraman for the national public television series Real Moms, Real Stories, Real Savvy\", which was acquired by Disney in 2010. He received Eastman Kodak's highest honor, its Gallery Award, for an image of a Quechua boy captured in Peru. In total, Denis Belliveau's career has taken him to over sixty countries in the world.\n\nReferences\n\nExternal links \nThe Steps of Polo Foundation\nExplorer Series - Geographical Society of Philadelphia\n\nAmerican explorers\nPeople from Whitestone, Queens\nYear of birth missing (living people)\nLiving people\nSchool of Visual Arts alumni\nAmerican male writers\nHigh School of Art and Design alumni\nCatholics from New York (state)\nEducators from New York City", "Sterling William Wallace Belliveau (born August 5, 1953) is a Canadian politician. Belliveau represented the electoral district of Shelburne (now Queens-Shelburne) in the Nova Scotia House of Assembly from 2006 to 2017 as a member of the Nova Scotia New Democratic Party.\n\nEarly life\nBelliveau grew up in Woods Harbour, Nova Scotia and was previously a self-employed fisherman.\n\nPolitical career\n\nMunicipal politics\nBelliveau served for three terms as a municipal councillor representing District 1 (Charlesville, Forbes Point and Woods Harbour) on the municipal council for the Municipality of the District of Barrington; two of those terms he served as warden.\n\nProvincial politics\nIn 2006 Belliveau successfully ran for the Nova Scotia New Democratic Party nomination in the constituency of Shelburne. He was elected in the 2006 provincial election, defeating Progressive Conservative candidate Eddie Nickerson by 65 votes. He was re-elected in the 2009 provincial election, receiving 55.41% of the votes and increasing his vote to 2,207 over his closest challenger. Belliveau's riding was abolished in the 2012 electoral boundary review. Belliveau was re-elected in the 2013 provincial election representing the new riding of Queens-Shelburne where he received 37.1% of the votes with a margin of 381 votes over his closest challenger.\n\nOn June 19, 2009, Belliveau was appointed to the Executive Council of Nova Scotia, serving as Minister of Fisheries and Aquaculture as well as Minister of Environment. He served in the Executive Council until October 22, 2013.\n\nIn June 2016, Belliveau announced that he is not reoffering in the 2017 Nova Scotia general election.\n\nRe-entry into provincial politics\n\nOn February 4, 2021, Belliveau announced he was seeking the Progressive Conservative nomination to run in his former seat as MLA in the reorganized constituency of Queens-Shelburne. In the previous year, Belliveau had re-entered the public view over the 2020 Mi'kmaq lobster dispute, at the time calling for a one-year pause to the Miꞌkmaq moderate livelihood fishery organized by the Sipekneꞌkatik First Nation. Belliveau was quoted as saying, \"I can assure you the commercial industry feels they have not had an opportunity to have their voices heard at the table,\" indicating that he believed Mi'kmaq livelihood fishing affirmed under The Marshall Decision must be tied to the commercial fishing season. Acknowledging his shift from the NDP to Conservative, Belliveau noted he believed the switch would be more likely to result in a win for him, and stated that he was unhappy with the Federal NDP's stance on the ongoing fisheries issue, which contrary to Belliveau, supports an indigenous moderate livelihood fishery apart from the commercial season.\n\nPersonal life\nHe is married to Luella Jean (Cameron) and they have two adult children and one grandchild.\n\nElectoral record\n\n|-\n\n|New Democratic Party\n|Sterling Belliveau\n|align=\"right\"| 3,066\n|align=\"right\"| 37.10\n|align=\"right\"| N/A\n|-\n\n|Progressive Conservative\n|Bruce Inglis\n|align=\"right\"| 2,685\n|align=\"right\"| 32.49\n|align=\"right\"| N/A\n|-\n\n|Liberal\n|Benson Frail\n|align=\"right\"| 2,302\n|align=\"right\"| 27.86\n|align=\"right\"| N/A\n|-\n\n|Green\n|Madeline Taylor\n|align=\"right\"| 211\n|align=\"right\"| 2.55\n|align=\"right\"| N/A\n|}\n\n|-\n\n|New Democratic Party\n|Sterling Belliveau\n|align=\"right\"|3844\n|align=\"right\"|55.41\n|align=\"right\"|\n|-\n\n|Progressive Conservative\n|Eddie Nickerson\n|align=\"right\"|1637\n|align=\"right\"|23.59\n|align=\"right\"|\n|-\n\n|Liberal\n|Darian Huskilson\n|align=\"right\"|1356\n|align=\"right\"|19.54\n|align=\"right\"|\n|-\n\n|}\n\n|-\n\n|New Democratic Party\n|Sterling Belliveau\n|align=\"right\"|2438\n|align=\"right\"|36.27\n|align=\"right\"|\n|-\n\n|Progressive Conservative\n|Eddie Nickerson\n|align=\"right\"|2373\n|align=\"right\"|35.00\n|align=\"right\"|\n|-\n\n|Liberal\n|Kirk Cox\n|align=\"right\"|1790\n|align=\"right\"|26.63\n|align=\"right\"|\n|-\n\n|}\n\nReferences\n\nExternal links\n Members of the Nova Scotia Legislative Assembly\n\nCanadian people of Acadian descent\nCanadian fishers\nNova Scotia New Democratic Party MLAs\nLiving people\nMembers of the Executive Council of Nova Scotia\nPlace of birth missing (living people)\nPeople from Shelburne County, Nova Scotia\nNova Scotia municipal councillors\n21st-century Canadian politicians\n1953 births" ]

[ "D.O.A. (band)", "Hardcore 81 and further lineup changes (1981-1989)", "What is Hardcore 81?", "their second album Hardcore '81;", "What are some of the songs on the album?", "I don't know.", "How was the album received?", "the record's title and its extensive North American promotional tour is sometimes credited with popularizing the term \"hardcore punk\".", "Who were the members of the band for this album?", "Randy Rampage was fired from the band on January 1, 1982 and was replaced by ex-Skulls drummer Dimwit on bass.", "Who else was in the band?", "Dimwit switched back to drums and Subhumans singer Wimpy Roy was hired as the new bass player and second singer, leaving Keithley as the only remaining original member.", "Were there other changes to the band's members?", "the band's lineup changes continued after Let's Wreck the Party, with Dimwit replaced by Kerr Belliveau. Belliveau stayed only three weeks", "Why was Belliveau there for only 3 weeks?", "I don't know." ]

[ "An Assembly of Notables (French: Assemblée des notables) was a group of high-ranking nobles, ecclesiastics, and state functionaries convened by the King of France on extraordinary occasions to consult on matters of state. Assemblymen were prominent men, usually of the aristocracy, and included royal princes, peers, archbishops, high-ranking judges, and, in some cases, major town officials. The king would issue one or more reforming edicts after hearing their advice.\n\nThis group met in 1583, 1596–97, 1617, 1626, 1787, and 1788. Like the Estates-General, they served a consultative purpose only. But unlike the Estates-General, whose members were elected by the subjects of the realm, the assemblymen were selected by the king for their \"zeal\", \"devotion\", and their \"trustworthiness\" toward the sovereign.\n\nIn addition, assembly of notables can refer to an expanded version of the King's Council (Curia regis). Several times a year, whenever the king needed to cast a wider net to gather information for making important decisions or preparing edicts and ordinances, he would enlarge his Council with prominent men chosen for their social and professional standing or their skills to give counsel on the matters at hand. The role of the assembly was to advise the king on how to remedy governance issues in conflict with or brought up by the parlements or the Estates-General.\n\n1583 assembly\nIn November 1583, Henry III convened an assembly of notables at Saint Germain-en-Laye to address religious demonstrations that threatened the collapse of the State. In the assembly, Charles, Cardinal de Bourbon called for a religious monopoly in France; he said that if this was offered, the clergy would sell their shirts to support the king. Henry, however, angrily interrupted him, knowing the origin of that hostile demand; any attempt to impose one religion was unthinkable while Anjou remained attached to the Netherlands. Henry replied that he had already risked his life and estate to establish a single religion, but since he had been forced to sue for peace, he would not breach it.\n\n1596 assembly \nFollowing the regicide of Henry III, his successor was Henry IV who learned from the experience of Henry III. He himself had called on the assembly's assistance in 1596–97 at Rouen. The assemblymen were summoned to assist in developing and authorizing new taxation plans for the country to tackle the debt. There were 95 notables present, and they recommended that the king levy a special sales tax of 5% on all sales—with the exception of wheat, to avoid bread riots. It was estimated that this pancarte would raise 5 million French pounds (livres), but in its best year it raised only 1.56 million pounds. Although the tax raised less than predicted, it did restore the royal budget to solvency. King Henry and the Duke of Sully had come up with many other possible ways to raise money, but the key to rescuing the monarchy from bankruptcy was simply to ensure that the system of taxation worked efficiently.\n\n1626 assembly \nIn 1626 Louis XIII called together an assembly consisting of the government's ruling elite—13 grandees, 13 bishops, and 29 judges. Many historians have regarded this assembly, and its predecessors, as unsuccessful because they failed to enact specific reforms, but this view fails to consider the assemblies' role. The assemblies had no legislative or administrative powers; instead, they served to provide considered advice on government reform proposals and to make appropriate counter-proposals. In the case of every successful assembly, the king himself would issue a major ordinance or enact significant reforms, most notably the Edict of Blois 1579, in response to the Estates-General of 1576, and the great Code Michau 1629, in response to the Assembly of Notables of 1626–27.\n\nThe king and the notables agreed on four basic changes in French government. First, they agreed that Protestant power had to be broken. There was no specific discussion of a march on La Rochelle, but the notables firmly supported the king's desire to destroy the network of independent Huguenot fortresses. Second, the notables, like those of 1596 and 1617, strongly criticized the grandees, particularly provincial governors. In 1626–27, the notables insisted in particular that the king should regain full control of the military. Third, everyone agreed that the basic administration of the kingdom lay in disarray, so that a strong statement from the central government was needed to reestablish order. In most cases, this reaffirmation of government control required only the restatement of pre-existing ordinances. Fourth, everyone agreed that the fiscal situation was catastrophic. The overwhelming majority of the assembly's deliberations focused on this last issue.\n\n1787 assembly \nThe final appearance of the Assembly of Notables began in February 1787 during Louis XVI's reign, during which France’s finances were in a desperate situation and the finance ministers of the day (Turgot, Necker, Calonne) all believed that tax reform was necessary if France was going to pay off its debt and bring government expenditure back into line with government income. However, before any new tax laws could be passed, they first had to be registered with the French parlements (which were high courts, not legislatures, but that possessed a limited veto power on new laws).\n\nRepeated attempts to implement tax reform failed due to lack of parlement support, as parlement judges felt that any increase in tax would have a direct negative effect on their own income. In response to this opposition, the finance minister at the time, Calonne, suggested that Louis XVI call an Assembly of Notables. While the Assembly of Notables had no legislative power in its own right, Calonne hoped that if the Assembly of Notables could be made to support the proposed reforms then this would apply pressure on parlement to register them.\n\nCalonne proposed four major reforms:\n a single land-value tax\n the conversion of the corvée into a money tax\n the abolition of internal tariffs\n the creation of elected provincial assemblies\n\nIn the traditional view, the plan failed because the 144 assemblymen, who included princes of the blood, archbishops, noblemen and other people from the traditional elite, did not wish to bear the burden of increased taxation.\n\nHowever, Simon Schama has argued that the notables in fact were quite open to radical political changes; for example, some proposed the elimination of all the tax exemptions conferred by noble status; others proposed lowering the income qualifications for voting for members of the proposed provincial assemblies. Schama wrote:\nYet what was truly astonishing about the debates of the Assembly is that they were marked by a conspicuous acceptance of principles like fiscal equality that even a few years before would have been unthinkable....Where disagreement occurred, it was not because Calonne had shocked the Notables with his announcement of a new fiscal and political world; it was either because he had not gone far enough or because they disliked the operational methods built into the program.\n\nIn addition, the Assembly insisted that the proposed reforms should actually be presented to a representative body such as the Estates-General.\n\nOpposition in the Assembly combined with intrigues from rival ministers led to Calonne's disgrace and he was subsequently dismissed by Louis XVI on 8 April 1787. In addition to tax reform, the Assembly also discussed other issues. The result was that the Assembly assisted the Parliament in creating provincial assemblies, reestablished free trade in grain, converted the corvée (a feudal duty in the form of forced labour) into a cash payment, and generated short-term loans.\n\nCalonne's successor, Loménie de Brienne, dissolved the body on 25 May.\n\nSee also\nGrand Sanhedrin, which sanctioned the decision of an Assembly of Jewish Notables in 1806\n\nNotes\n\nReferences\n John Hardman, Overture to Revolution: The 1787 Assembly of Notables and the Crisis of France's Old Regime. Oxford University Press, 2010\n Vivian R. Gruder, The Notables and the Nation: The Political Schooling of the French, 1787–1788. Harvard University Press, 2008.\n Collins, James; The State in Early Modern France. New York: Cambridge University Press 1995.\n Mousnier, Roland; The Institutions of France under the Absolute Monarchy 1598–1789, Volume II: The Organs of State & Society. Chicago: University of Chicago Press 1979.\n Sutherland, N.M.; Henry IV of France and The Politics of Religion. London: Intellect Books 2004.\n Baumgartner, Frederic; France in the Sixteenth Century. New York: St. Martin's Press 1995.\n Lefebvre, Georges; The French Revolution, Volume I: From its Origins to 1793. New York: Columbia University Press 1962.\n\nExternal links\n \n\nHistorical legislatures in France\n1787 in France", "Beatrice C. \"Bee\" Palmer (11 September 1894 – 22 December 1967) was an American singer and dancer born in Chicago, Illinois.\n\nPalmer first attracted significant attention as one of the first exponents of the \"shimmy\" dance in the late 1910s. She was sometimes credited as the creator of the \"shimmy\" (although there were other claimants at the time as well).\n\nShe first appeared in the Ziegfeld Follies in 1918.\n\nShe toured with an early jazz band, which included such notables as Emmett Hardy, Leon Ropollo and Santo Pecora in addition to pianist/songwriter Al Siegel (whom Palmer married). The band was called \"Bee Palmer's New Orleans Rhythm Kings\". With some personnel changes, the Rhythm Kings went on to even greater fame after parting ways with Palmer.\n\nIn 1921, an alleged affair with boxing champ Jack Dempsey created a scandal and a lawsuit.\n\nPalmer is credited as co-composer of the pop song standard \"Please Don't Talk About Me When I'm Gone\".\n\nShe made a few recordings which were not issued at the time. One was a session with Frankie Trumbauer that featured Palmer performing vocalese on the Bix Beiderbecke and Trumbauer solos on Singin' the Blues to lyrics by Ted Koehler. Thanks to surviving test pressings/masters, the recordings were finally issued in the 1990s and 2000s.\n\nReferences\n\nExternal links\n\n Bee Palmer 1894-1967 at the Red Hot Jazz Archive\n Bee Palmer at Jazzage 1920s site\n\n1894 births\n1967 deaths\nAmerican female dancers\nDancers from Illinois\nAmerican women jazz singers\nAmerican jazz singers\nSingers from Chicago\n20th-century American singers\nJazz musicians from Illinois\n20th-century American women singers\n20th-century American dancers\nNew Orleans Rhythm Kings members" ]

[ "D.O.A. (band)", "Hardcore 81 and further lineup changes (1981-1989)", "What is Hardcore 81?", "their second album Hardcore '81;", "What are some of the songs on the album?", "I don't know.", "How was the album received?", "the record's title and its extensive North American promotional tour is sometimes credited with popularizing the term \"hardcore punk\".", "Who were the members of the band for this album?", "Randy Rampage was fired from the band on January 1, 1982 and was replaced by ex-Skulls drummer Dimwit on bass.", "Who else was in the band?", "Dimwit switched back to drums and Subhumans singer Wimpy Roy was hired as the new bass player and second singer, leaving Keithley as the only remaining original member.", "Were there other changes to the band's members?", "the band's lineup changes continued after Let's Wreck the Party, with Dimwit replaced by Kerr Belliveau. Belliveau stayed only three weeks", "Why was Belliveau there for only 3 weeks?", "I don't know.", "Are there any other notables changes to the band?", "Dave Gregg quit in 1988 after D.O.A. fired their manager Ken Lester, to which he was very close." ]

[ "A substitute is a political candidate who is not directly elected, but who succeeds a politician holding an elected office after that person ceases to hold the office due to, for example, resignation or death. This system can be used as opposed to holding by-elections or special elections to fill the vacant office.\n\nBelgium \nIn Belgium, each electoral list has both a list of \"effective\" candidates and a list of \"substitutes\" (; ). The system was introduced as part of the law of 29 December 1899 introducing proportional representation. Before that, by-elections were held to succeed members.\n\nFrance \nIn the elections for the French National Assembly, each candidate nominates a substitute (), who assumes the functions of the elected deputy if they die, enter the executive government, if the Government appoints them to an assignment of more than six months' duration, or if they are appointed to the Constitutional Council or Defender of Rights (Défenseur des droits).\n\nIf the deputy resigns, or their election is determined to be invalid, a by-election () is held instead.\n\nThe Electoral Code does not provide for any age restriction to be appointed alternate. For the Fourteenth Legislature (2012 - 2017), the youngest Deputy-Substitute in France was Nicolas Brien, born in 1989, who was elected in Allier's 2nd constituency.\n\nExamples \n\n2017\n Élise Fajgeles replaced Benjamin Griveaux when he was appointed Secretary of State to the Minister of the Economy and Finance on 22 July 2017. \n Grégory Galbadon replaced Stéphane Travert when he was appointed Minister of Agriculture on 22 July 2017\n\n2018\n Jean-Louis Thiériot replaced Yves Jégo in Seine-et-Marne's 3rd constituency.\n\n2019\n Stéphanie Atger replaced Amélie de Montchalin when she was appointed Minister of Europe and Foreign Affairs.\n\n2020\n Sandra Boëlle replaced Claude Goasguen in Paris's 14th constituency when he died.\nNicolas Meizonnet replaced Gilbert Collard in Gard's 2nd constituency when he was elected to the European Parliament.\n\n2021\n Maud Gatel replaced Marielle de Sarnez in Paris's 11th constituency when she died\n\nReferences\n\nPolitics\nElections", "During the 1994–95 English football season, Portsmouth F.C. competed in the Football League First Division.\n\nSeason summary\nThe 1994–95 season was a disappointing one for Pompey and after a decline in form which left them struggling at the wrong end of Division One, Smith was sacked in February 1995 and was replaced by Terry Fenwick, who guided them to safety with 4 wins in their final 6 league games.\n\nFinal league table\n\nResults\nPortsmouth's score comes first\n\nLegend\n\nFootball League First Division\n\nFA Cup\n\nLeague Cup\n\nSquad\n\nReferences\n\nPortsmouth F.C. seasons\nPortsmouth" ]

[ "Spirit (rover)", "Columbia Hills" ]

[ "The Columbia Hills are an area of hills and small mountains along the north bank of the Columbia River in Klickitat County, in south-central Washington (state), USA. They have a maximum elevation of .\n\nColumbia Hills State Park\n\nColumbia Hills State Park, lies in the Columbia Hills. It includes Horsethief Lake (a reservoir made by The Dalles Dam). Camping is allowed. Its area is . It has of freshwater shoreline on the Columbia River.\n\nReferences\n\nParks in Klickitat County, Washington\nState parks of Washington (state)\nLandforms of Klickitat County, Washington", "Edge Hills Provincial Park is a provincial park in British Columbia, Canada, located west of the town of Clinton. The Edge Hills flank the wall of the Fraser Canyon north of Moran Canyon and form a small fore-range between the river and the higher Marble Range just east. Access to the Edge Hills is via the Jesmond Road, which cuts north off the Pavilion Mountain Road at Kelly Lake. A spur road from the Jesmond Road west goes to an overlook atop the Edge Hills, known as Cougar Point.\n\nEdge Hills Provincial Park is renowned for the spectacular sights of river canyons, forests, and grasslands. This diversity in landscape and vegetation is home to numerous wildlife species.\n\nEdge Hills Provincial Park is undeveloped. The wildlife in the park flourishes in part because of this. Although the park offers hiking, horseback riding and wildlife viewing opportunities, most of the trails are unmarked and not maintained. Visitors have more facilities for camping in the nearby parks such as Big Bar Lake, Downing, and Green Lake Provincial Parks.\n\nReferences\n\nSee also\nMarble Range Provincial Park\nKostering, British Columbia\nJesmond, British Columbia\nBig Bar, British Columbia\n\nProvincial parks of British Columbia\nFraser Canyon\nGeography of the Cariboo\nYear of establishment missing" ]

[ "Spirit (rover)", "Columbia Hills", "What is Columbia Hills?", "Spirit reached the first of many targets at the base of the Columbia Hills called West Spur." ]

[ "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books", "What Happened to Jones may refer to:\n What Happened to Jones (1897 play), a play by George Broadhurst\n What Happened to Jones (1915 film), a lost silent film\n What Happened to Jones (1920 film), a lost silent film\n What Happened to Jones (1926 film), a silent film comedy" ]

[ "Spirit (rover)", "Columbia Hills", "What is Columbia Hills?", "Spirit reached the first of many targets at the base of the Columbia Hills called West Spur.", "What happened after this?", "Hank's Hollow was studied for 23 sols." ]

[ "This Is Why We Can't Have Nice Things may refer to:\n\nMusic\n This Is Why We Can't Have Nice Things, an album by Leland Stanford Junior University Marching Band, 2003\n This is Why We Can’t Have Nice Things, an album by Alter Der Ruine, 2010\n \"I Don't Care (This Is Why We Can't Have Nice Things)\", a song by The Blackout from the album The Best in Town\n \"This Is Why We Can't Have Nice Things\", a song by Taylor Swift from the album Reputation, 2017\n\nOther\nThis is Why We Can't Have Nice Things, a book by David Carol (2011)", "Obinkita is one of 19 villages of Arochukwu. It was the capital of the Ibibio kingdom of Obong Okon Ita before its conquest by Igbo and Akpa invaders in 1690–1720. This town is significant in Aro History because Obinkita became the center where defeated Ibibio warriors were judged. This is why all Aro villages assemble at Obinkita during the Ikeji festival.\n\nExternal links \nhttp://www.aro-okigbo.com/history_of_the_aros.htm\nhttps://web.archive.org/web/20080828190518/http://www.aronetwork.org/others/confederancy.html\nhttp://www.aronewsonline.com/origincivilization.html\n\nTowns in Abia State" ]

[ "Spirit (rover)", "Columbia Hills", "What is Columbia Hills?", "Spirit reached the first of many targets at the base of the Columbia Hills called West Spur.", "What happened after this?", "Hank's Hollow was studied for 23 sols.", "Why is this significant?", "it contains hematite. This kind of rock can be built in connection with water." ]

[ "The Intercession of the Spirit is the Christian belief that the Holy Spirit helps and guides believers who search for God in their hearts.\n\nIn the Epistle to the Romans (8:26-27) Saint Paul states:\n\nIn the same way, the Spirit helps us in our weakness. We do not know what we ought to pray for, but the Spirit himself intercedes for us through wordless groans. And he who searches our hearts knows the mind of the Spirit, because the Spirit intercedes for God's people in accordance with the will of God.\n\nThere have been different theological interpretations of the intercession of the Spirit. John Calvin taught that it refers to the \"teaching ministry of the Spirit\" which instructs believers what to pray for and what to ask for in their prayers. On the other hand, Abraham Kuyper viewed the activity of the Spirit as separate and distinct from the efforts of the believers who pray.\n\nSee also \n Intercession of Christ\n Intercession of saints\n\nReferences \n\nChristian terminology\nNew Testament words and phrases\nPneumatology\nHoly Spirit", "\"What Did I Do to You?\" is a song recorded by British singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: \"My Apple Heart,\" \"Lay Me Down\" and \"Something's Happenin'.\" \"What Did I Do to You?\" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries reaching number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. \"What Did I Do to You?\" was also released in Japan.\n\nIn 2014, the remixes of \"What Did I Do to You?\" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology. They were also featured on The Collection 1989–2003 box set (2014), including previously unreleased Red Zone Mix by David Morales.\n\nCritical reception\nThe song received positive reviews from music critics. Matthew Hocter from Albumism viewed it as a \"upbeat offering\". David Giles from Music Week said it is \"beautifully performed\" by Stansfield. A reviewer from Reading Eagle wrote that \"What Did I Do to You?\" \"would be right at home on the \"Saturday Night Fever\" soundtrack.\"\n\nMusic video\nA music video was produced to promote the single, directed by Philip Richardson, who had previously directed the videos for \"All Around the World\" and \"Live Together\". It features Stansfield with her kiss curls, dressed in a white outfit and performing with her band on a stage in front of a jumping audience. The video was later published on Stansfield's official YouTube channel in November 2009. It has amassed more than 1,6 million views as of October 2021.\n\nTrack listings\n\n European/UK 7\" single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"Something's Happenin'\" – 3:59\n\n European/UK/Japanese CD single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n UK 10\" single\n\"What Did I Do to You?\" (Mark Saunders Remix) – 5:52\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n European/UK 12\" single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"My Apple Heart\" – 4:22\n\"Lay Me Down\" – 3:19\n\"Something's Happenin'\" – 3:15\n\n UK 12\" promotional single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"What Did I Do to You?\" (Anti Poll Tax Dub) – 6:31\n\n Other remixes\n\"What Did I Do to You?\" (Red Zone Mix) – 7:45\n\nCharts\n\nReferences\n\nLisa Stansfield songs\n1990 singles\nSongs written by Lisa Stansfield\n1989 songs\nArista Records singles\nSongs written by Ian Devaney\nSongs written by Andy Morris (musician)" ]

[ "Spirit (rover)", "Columbia Hills", "What is Columbia Hills?", "Spirit reached the first of many targets at the base of the Columbia Hills called West Spur.", "What happened after this?", "Hank's Hollow was studied for 23 sols.", "Why is this significant?", "it contains hematite. This kind of rock can be built in connection with water.", "What did the Spirit do?", "a detailed analysis with the AXPS-and the Mossbauer instrument" ]

[ "Transcendent truths are those unaffected by time or space. They define the world, but are not defined by the world. An example of a transcendent truth is \"God is good\", or \"there is no God\". Either way, how one looks at things contained by time and space is a result of the transcendent truth. One is true; both cannot be true at the same time.\n\nWorld views are made up of transcendent truths, things we believe are true before we question whether or not anything else is true.\n\nTheories of truth", "In baseball, a fair ball is a batted ball that entitles the batter to attempt to reach first base. By contrast, a foul ball is a batted ball that does not entitle the batter to attempt to reach first base. Whether a batted ball is fair or foul is determined by the location of the ball at the appropriate reference point, as follows:\n\n if the ball leaves the playing field without touching anything, the point where the ball leaves the field;\n else, if the ball first lands past first or third base without touching anything, the point where the ball lands;\n else, if the ball rolls or bounces past first or third base without touching anything other than the ground, the point where the ball passes the base;\n else, if the ball touches anything other than the ground (such as an umpire, a player, or any equipment left on the field) before any of the above happens, the point of such touching;\n else (the ball comes to a rest before reaching first or third base), the point where the ball comes to a rest.\n\nIf any part of the ball is on or above fair territory at the appropriate reference point, it is fair; else it is foul. Fair territory or fair ground is defined as the area of the playing field between the two foul lines, and includes the foul lines themselves and the foul poles. However, certain exceptions exist:\n\n A ball that touches first, second, or third base is always fair.\n Under Rule 5.09(a)(7)-(8), if a batted ball touches the batter or his bat while the batter is in the batter's box and not intentionally interfering with the course of the ball, the ball is foul.\n A ball that hits the foul pole without first having touched anything else off the bat is fair.\n Ground rules may provide whether a ball hitting specific objects (e.g. roof, overhead speaker) is fair or foul.\n\nOn a fair ball, the batter attempts to reach first base or any subsequent base, runners attempt to advance and fielders try to record outs. A fair ball is considered a live ball until the ball becomes dead by leaving the field or any other method.\n\nReferences\n\nBaseball rules" ]

[ "Spirit (rover)", "Columbia Hills", "What is Columbia Hills?", "Spirit reached the first of many targets at the base of the Columbia Hills called West Spur.", "What happened after this?", "Hank's Hollow was studied for 23 sols.", "Why is this significant?", "it contains hematite. This kind of rock can be built in connection with water.", "What did the Spirit do?", "a detailed analysis with the AXPS-and the Mossbauer instrument", "Is there anything else significant about this time?", "the rover was shut down completely during the night in order to save energy," ]

[ "Elections to West Lindsey District Council were held on 3 May 2007. One third of the council was up for election and the Liberal Democrat Party held overall control of the council after what was seen as a straight fight with the Conservative Party.\n\nThe election in Scotter ward was decided by the toss of a coin which the Conservative candidate won.\n\nAfter the election, the composition of the council was:\n Liberal Democrat 20\n Conservative 16\n Independent 1\n\nElection result\n\nOne Independent candidate was unopposed.\n\nWard results\n\nReferences\n\n 2007 West Lindsey election result\n Ward results\n\n2007\n2007 English local elections\n2000s in Lincolnshire", "The St. Charles Borromeo Cathedral () Also Chillán Cathedral Is a temple of the Catholic Church, home of the Diocese of Chillán located in the center of the city of Chillán, Chile in front of the Plaza de Armas, in the corner of streets Arauco and Libertad. It is also a symbol and icon of the city, as a result of the city's progress after the Chillan earthquake of 1939. It was declared a National Monument in December 2014.\n\nThe first cathedral of the city of Chillán was established in what today is known as Old Chillán, but this one was destroyed after the earthquake that affected the zone in 1835. As a result, the city was devastated and was transferred and reconstructed in Its current location. The cathedral at that time was made of lime and brick.\n\nAfter the Chillán earthquake of 1939, the cathedral was completely destroyed again, beginning that same year the reconstructions that culminated in 1950. In this new reconstruction, the architect Hernán Larraín Errázuriz was based on ideas of modernism. The figure of the 10 arches represent the prayer and the sign that is made with the hands at the moment of praying intercalando the fingers of the hands and closing them of oval form.\n\nSee also\nRoman Catholicism in Chile\nSt. Charles Borromeo\n\nReferences\n\nRoman Catholic cathedrals in Chile\nRoman Catholic churches completed in 1950\nDiguillín Province\n20th-century Roman Catholic church buildings in Chile\nModernist architecture in Chile\nRebuilt buildings and structures in Chile" ]

[ "Spirit (rover)", "Columbia Hills", "What is Columbia Hills?", "Spirit reached the first of many targets at the base of the Columbia Hills called West Spur.", "What happened after this?", "Hank's Hollow was studied for 23 sols.", "Why is this significant?", "it contains hematite. This kind of rock can be built in connection with water.", "What did the Spirit do?", "a detailed analysis with the AXPS-and the Mossbauer instrument", "Is there anything else significant about this time?", "the rover was shut down completely during the night in order to save energy,", "What was the result of this?", "The route was selected so that the rover's panels were tilted as much as possible towards the winter sun." ]

[ "Cambodia is one of the six founding members of the SEAP Games Federation, but did not compete in the inaugural edition.\n\nMedals by Games\n\n 1 – Competed as Khmer Republic.\n 2 – People's Republic of Kampuchea\nThis medal table is incomplete; you can help by expanding it.\n\nMedals by sport\n\nThis medal table is incomplete; you can help by expanding it.\n\nSee also\n All-time Southeast Asian Games medal table\n Lists of Southeast Asian Games medalists\n\nReferences", "\"Surrender\" is a 1993 single by Paul Haig, and his last single to appear on the Belgian independent label, Les Disques Du Crepuscule. It was released on 5\" CD in March 1993.\n\nThe single was culled from the then recent Coincidence vs Fate album. It is a cover of the Suicide song and was written by Martin Rev and Alan Vega.\n\nThe extra tracks on the CD were an instrumental, \"Coincidence vs Fate\", which curiously did not appear on the album (though is included as an extra track for the LTM 2003 reissue) and a re-working of an older Paul Haig single, \"Heaven Help You Now\", renamed \"Heaven Help You Now '93\". This version was remixed in New York City by Mantronik.\n\nTrack listing \n\n \"Surrender\"\n \"Heaven Help You Now '93\"\n \"Coincidence vs Fate\"\n\nReferences\n\n1993 singles\nSongs written by Alan Vega\n1987 songs\nSongs written by Martin Rev" ]

[ "The Apples in Stereo", "1991-1993: The Apples" ]

[ "Chris McDuffie is an American musician. A keyboardist, he performed with the Elephant 6 band The Minders and appeared on their 1996 debut EP Come On and Hear. McDuffie later became a member of The Apples in Stereo, first appearing on the album Her Wallpaper Reverie in 1999. He left the band during the production of the 2002 album Velocity of Sound.\n\nDiscography\n\nWith The Minders\nCome On and Hear (1996)\n\nWith The Apples in Stereo\nHer Wallpaper Reverie (1998)\nLook Away + 4 (2000)\nThe Discovery of a World Inside the Moone (2000)\nLet's Go! (2001)\nVelocity of Sound (2002)\n\nReferences \n\nLiving people\nYear of birth missing (living people)\nAmerican rock keyboardists\nThe Apples in Stereo members\n21st-century American keyboardists\nPlace of birth missing (living people)", "Adams Apples is a Ghanaian film series, starring Yvonne Okoro, Joselyn Dumas, John Dumelo, Naa Ashorkor Mensa-Doku, Anima Misa Amoah, Adjetey Anang, Helene Asante, SoulKnight Jazz, Jasmine Baroudi, Vincent McCauley, Roselyn Ngissah, Fred Kanebi. The series consists of ten drama feature films, known as \"chapters\", produced by Ken Attoh and directed by Shirley Frimpong-Manso.\n\nThe film series follows the life of the Adams' family, which is made up of Doris Adams (Anima Misa Amoah), a widow of an ex-diplomat , and her three daughters; Baaba (Okoro), Jennifer (Dumas) and Kuukua (Mensah-Doku), showing how they deal with their complicated family, love lives, individual secrets, lies and regrets. A spin-off television drama series, with the same title premiered in February 2013, and has since started airing on DStv's Africa Magic; the television series is set a year after the tenth chapter of the film series.\n\nCast\nAnima Misa Amoah as Doris Adams\nYvonne Okoro as Baaba Adams Smith\nJoselyn Dumas as Jennifer Adams\nNaa Ashorkor Mensah-Doku as Kuukua Adams\nAdjetey Anang as Albert Amankwah (or Albert Adams)\nHelene Asante as Ivy Amankwah (or Ivy Adams)\nSoulKnight Jazz as Chris Smith\nJohn Dumelo as Denu McCarby\nJasmine Baroudi as Michelle\nVincent McCauley as Foo\nFred Kanebi as Gerald\nRoselyn Ngissah as Linda\nFiifi Coleman as Chidi\nSesanu Gbadebo as Eric\n\nChapters\n\nMost chapters in the series were released at a month's interval, and the entire film series screened at a span of over ten months.\n\nAdams Apples: The Family Ties (2011)\nAdams Apples: Twisted Connections (2011)\nAdams Apples: Musical Chairs (2011)\nAdams Apples: Torn (2011)\nAdams Apples: Duplicity (2011)\nAdams Apples: Showdown (2011)\nAdams Apples: Confessions (2011)\nAdams Apples: Fight or Flight (2012)\nAdams Apples: Rescue Mission (2012)\nAdams Apples: New Beginnings (2012)\n\nRelease\nOfficial trailer for the first Chapter in the series was released on 15 April 2011. The first installment in the series premiered on 21 April 2011 and the concluding chapter was released on 25 May 2012. A complete DVD set, containing all ten films in the series was released in December 2012. Adams Apples is available for streaming on Demand Africa.\n\nCritical reception\nEach film in the series was generally positively received. Nollywood Reinvented, in its review of the film's final installment, praised everything about the film and commented: \"Shirley was successful in making this movie ‘more than a conqueror’. The fascinating thing about the Adams Apples movies is the wide range of topics it touches on (if not fully addresses). Conquering love in the face of age differences... how to deal with competitive love... the ability to discern lust from love, a quest for adventure and a lean towards reality... dealing with the mistakes of the past. Above all, realizing the importance of family and trusting God to work things out\". Victor Olatoye of Nollywood Critics, in his review of chapter 1 to 3 of the film, commended the character development, gave a 3.5 out of 4 stars and concluded: \"If you are looking for a good movie that can make you feel a little happier, smarter, sexier, funnier, more excited and yet full of wahala if that's what you want, then Adams Apples it is. Go ahead and take a pluck, sink your teeth in them, but just know there will be troubles\". Circumspecte in its overview of the film series comments: \"I'll employ one word to describe Shirley Frimpong Manso's latest film, Adams Apples - delightful. And it is, in every sense of the word. From the script, to the characters, to the picture quality, the music, costume, promotion, everything really, was tastefully done\".\n\nExternal links\n\nAdams Apples on Demand Africa\n\nReferences\n\nFilm series introduced in 2011\n2010s drama films\nFilm series\nGhanaian films\nFilms set in Ghana\nFilms directed by Shirley Frimpong-Manso\nFilms released in separate parts" ]

[ "The Apples in Stereo", "1991-1993: The Apples", "How did The Apples come about?", "Mangum. He discussed the idea of starting a record label with them (which soon became The Elephant 6 Recording Company)." ]

[ "Matthew Robinson (born May 26, 1978) is an American author, screenwriter, film director, actor, television writer, film producer, and podcaster. He came to prominence by writing and directing the film The Invention of Lying (2009) in collaboration with the English comedian Ricky Gervais.\n\nMusic career\nRobinson was a member of the satirical hip-hop group The Trilambs, performing under the name \"Matty Boom.\" The group took a sideways look at the excessive world of rap culture, mocking the glorification of materialism, misogyny and homophobia.\n\nTheir only album, entitled It Wasn't Not Funny, was released in 2001.\n\nScreenwriting\nRobinson wrote a script, which was titled This Side of Truth at the time, which was included in the 2007 official Black List of the \"most liked\" un-produced scripts in Hollywood. Robinson and producer Lynda Obst sent Ricky Gervais the script out of the blue in the hope that it would spark his interest. Gervais loved it and eventually flew Robinson to London to retool the script and make the movie which became The Invention of Lying (2009). Robinson's original idea for a feature film grew from a skit he wrote about two people on a date who don't have the ability to lie. He later expanded on the idea for more skits with the same premise and then adapted them into a full film script. Robinson ended up co-directing the movie with Gervais.\n\nRobinson wrote the original script for Monster Trucks (2016), while the shooting script was written by Derek Connolly. Robinson received a story credit.\n\nOn December 7, 2016, it was reported that Greg Berlanti was set to direct a revamped film of the musical The Little Shop of Horrors (1960) with Robinson writing the script.\n\nIn March 2019, it was reported that Robinson would rewrite the screenplay for the Edge of Tomorrow (2014) sequel.\n\nRobinson was reported to be writing the upcoming Star Wars spin-off film Rogue Squadron.\n\nPodcasting\nRobinson co-hosted the podcast Get Up On This with Jensen Karp, in which they, along with a guest, discuss things they think they should know about. Robinson and Karp also hosted Get Up Off This, the podcast within a podcast where they discuss things that people should not like and other replacements. The show ran from August 2011 until October 2018 with 371 episodes made. Karp and Robinson choose Ali Segel and Erin Mallory Long to replace them as hosts.\n\nOn March 22, 2019, he started the podcast Game Brain: A Board Game Podcast, where he would discuss board games with guests.\n\nPersonal life\nRobinson married actress Rachel Germaine on January 23, 2016. The couple welcomed their first child, a son named Strider Myer Robinson, on December 29, 2017. This was followed by a daughter, Joni Isley Robinson, who was born on October 15, 2019.\n\nFilmography\n\nFilm\n\nTelevision\n\nBibliography \nJust Can't Get Enough (2007) (co-written with Jensen Karp)\n\nReferences\n\nExternal links \n \n \n\n1978 births\nLiving people\nAmerican film directors\nAmerican film producers\nAmerican male screenwriters\nMale screenwriters\nWriters from Los Angeles", "If he were among us () is a Saudi Arabian television series for youth presented by Ahmad Al Shugairi. Each program has multiple segments; the main segment is an interview with a young person. The interviewer asks questions such as: \"If the prophet Muhammad were with us today, what would he say about ___?\"\n\nThe second part of the show features a hidden camera focused on people in real-life situations. The objective is to discuss what the prophet Muhammad would do in the same situation as the camera's subjects. The third part of the show is a \"Did you know?\" feature, and the final part of the show is called \"They said about him\".\n\nThe show has two seasons, each containing 15 episodes. All of the episodes are also available to view on YouTube.\n\nBasis\nThe idea of the program is based on the book: The guidance of the Prophet's biography in social change, ().\n\nInternational airings \nThe show has also been aired in Malaysia via TV AlHijrah, an Islamic-oriented TV station, during the Ramadan of 2011 under its romanized Arabic name \"Law Kana Bainana\" with Malay subtitles.\n\nSee also\n List of Islamic films\n\nReferences\n\nArabic-language television shows\nFilms about Muhammad\nTelevision series about Islam" ]

[ "The Apples in Stereo", "1991-1993: The Apples", "How did The Apples come about?", "Mangum. He discussed the idea of starting a record label with them (which soon became The Elephant 6 Recording Company).", "Who did he discuss the idea with?", "Schneider then spent two weeks in Athens, Georgia recording music and spending time with his childhood friends Will Cullen Hart, Bill Doss and Jeff Mangum." ]

[ "In computer programming, string interpolation (or variable interpolation, variable substitution, or variable expansion) is the process of evaluating a string literal containing one or more placeholders, yielding a result in which the placeholders are replaced with their corresponding values. It is a form of simple template processing or, in formal terms, a form of quasi-quotation (or logic substitution interpretation). The placeholder may be a variable name, or in some languages an arbitrary expression, in either case evaluated in the current context.\n\nString interpolation is an alternative to building string via concatenation, which requires repeated quoting and unquoting; or substituting into a printf format string, where the variable is far from where it is used. Compare:\napples = 4\nprint(\"I have ${apples} apples.\") # string interpolation\nprint(\"I have \" + apples + \" apples.\") # string concatenation\nprintf(\"I have %s apples.\", apples) # format string\n\nTwo types of literal expression are usually offered: one with interpolation enabled, the other without. Non-interpolated strings may also escape sequences, in which case they are termed a raw string, though in other cases this is separate, yielding three classes of raw string, non-interpolated (but escaped) string, interpolated (and escaped) string. For example in Unix shells, single-quoted strings are raw, while double-quoted strings are interpolated. Placeholders are usually represented by a bare or a named sigil (typically $ or %), e.g. $apples or %apples, or with braces, e.g. {apples}, sometimes both, e.g. ${apples}. In some cases additional formatting specifiers can be used (as in printf), e.g. {apples:3}, and in some cases the formatting specifiers themselves can be interpolated, e.g. {apples:width}. Expansion of the string usually occurs at run time.\n\nLanguage support for string interpolation varies widely. Some languages do not offer string interpolation, instead using concatenation, simple formatting functions, or template libraries. String interpolation is common in many programming languages which make heavy use of string representations of data, such as Apache Groovy, Julia, Kotlin, Perl, PHP, Python, Ruby, Scala, Swift, Tcl and most Unix shells.\n\nAlgorithms \nThere are two main types of expand variable algorithms for variable interpolation:\n Replace and expand placeholders: creating a new string from the original one, by find-replace operations. Find variable-reference (placeholder), replace it by its variable-value. This algorithm offers no cache strategy.\n Split and join string: splitting the string into an array, and merging it with the corresponding array of values; then join items by concatenation. The split string can be cached to reuse.\n\nSecurity issues \nString interpolation, like string concatenation, may lead to security problems. If user input data is improperly escaped or filtered, the system will be exposed to SQL injection, script injection, XML External Entity Injection (XXE), and cross-site scripting (XSS) attacks.\n\nAn SQL injection example:\n query = \" \"\nIf $id is replaced with \"'; \", executing this query will wipe out all the data in Table.\n\nExamples \nThe following Perl code works identically in PHP:\n$name = \"Alice\";\nprint \"${name} said Hello World to the crowd of people.\";\nproduces the output: Alice said Hello World to the crowd of people.\n\nABAP \n\nDATA(apples) = 4.\nWRITE |I have { apples } apples|.The output will be:I have 4 apples\n\nBash \n\napples=4\necho \"I have $apples apples\"\n# or\necho \"I have ${apples} apples\"\nThe output will be:\nI have 4 apples\n\nBoo \n\napples = 4\nprint(\"I have $(apples) apples\")\n# or\nprint(\"I have {0} apples\" % apples)\nThe output will be:\nI have 4 apples\n\nC# \n\nvar apples = 4;\nvar bananas = 3;\n\nConsole.WriteLine($\"I have {apples} apples\");\nConsole.WriteLine($\"I have {apples + bananas} fruits\");\n\nThe output will be:\nI have 4 apples\nI have 7 fruits\n\nColdFusion Markup Language \n\nColdFusion Markup Language (CFML) script syntax:\napples = 4;\nwriteOutput(\"I have #apples# apples\");\n\nTag syntax:\n<cfset apples = 4>\n<cfoutput>I have #apples# apples</cfoutput>\n\nThe output will be:\n\nCoffeeScript \n\napples = 4\nconsole.log \"I have #{apples} apples\"\nThe output will be:\nI have 4 apples\n\nDart \n\nint apples = 4, bananas = 3;\nprint('I have $apples apples.');\nprint('I have ${apples+bananas} fruit.');\nThe output will be:\nI have 4 apples.\nI have 7 fruit.\n\nGo \n\n, Go does not have string interpolation. There have been some proposals for string interpolation in the next version of the language, Go 2. Instead, Go uses printf format strings in the fmt.Sprintf function, string concatenation, or template libraries like text/template.\n\nGroovy \n\nIn groovy, interpolated strings are known as GStrings:\ndef quality = \"superhero\"\nfinal age = 52\ndef sentence = \"A developer is a $quality, if he is ${age <= 42 ? \"young\" : \"seasoned\"}\"\nprintln sentence\nThe output will be:\nA developer is a superhero if he is seasoned\n\nHaxe \n\nvar apples = 4;\nvar bananas = 3;\ntrace('I have $apples apples.');\ntrace('I have ${apples+bananas} fruit.');\nThe output will be:\nI have 4 apples.\nI have 7 fruit.\n\nJava \n\n, Java does not have interpolated strings, and instead uses format functions, notably the MessageFormat class (Java version 1.1 and above) and the static method String.format (Java version 5 and above).\n\nJavaScript \n\nJavaScript, as of the ECMAScript 2015 (ES6) standard, supports string interpolation using backticks ``. This feature is called template literals. Here is an example:\nconst apples = 4;\nconst bananas = 3;\nconsole.log(`I have ${apples} apples`);\nconsole.log(`I have ${apples + bananas} fruit`);\nThe output will be:\nI have 4 apples\nI have 7 fruit\n\nTemplate literals can also be used for multi-line strings:\nconsole.log(`This is the first line of text.\nThis is the second line of text.`);\n\nThe output will be:\nThis is the first line of text.\nThis is the second line of text.\n\nJulia \n\napples = 4\nbananas = 3\nprint(\"I have $apples apples and $bananas bananas, making $(apples + bananas) pieces of fruit in total.\")\nThe output will be:\nI have 4 apples and 3 bananas, making 7 pieces of fruit in total.\n\nKotlin \n\nval quality = \"superhero\"\nval apples = 4\nval bananas = 3\nval sentence = \"A developer is a $quality. I have ${apples + bananas} fruit\"\nprintln(sentence)\nThe output will be:\nA developer is a superhero. I have 7 fruit\n\nNemerle \n\ndef apples = 4;\ndef bananas = 3;\nConsole.WriteLine($\"I have $apples apples.\");\nConsole.WriteLine($\"I have $(apples + bananas) fruit.\");\nIt also supports advanced formatting features, such as:\ndef fruit = [\"apple\", \"banana\"];\nConsole.WriteLine($<#I have ..$(fruit; \"\\n\"; f => f + \"s\")#>);\nThe output will be:\napples\nbananas\n\nNext Generation Shell \n\nThe recommended syntax is ${expr} though $var is also supported:\nquality = \"superhero\"\napples = 4\nbananas = 3\nsentence = \"A developer is a $quality. I have ${apples + bananas} fruit\"\necho(sentence)\nThe output will be:\nA developer is a superhero. I have 7 fruit\n\nNim \n\nNim provides string interpolation via the strutils module.\nFormatted string literals inspired by Python F-string are provided via the strformat module,\nthe strformat macro verifies that the format string is well-formed and well-typed,\nand then are expanded into Nim source code at compile-time.\nimport strutils, strformat\nvar apples = 4\nvar bananas = 3\necho \"I have $1 apples\".format(apples)\necho fmt\"I have {apples} apples\"\necho fmt\"I have {apples + bananas} fruits\"\n\n# Multi-line\necho fmt\"\"\"\nI have \n{apples} apples\"\"\"\n\n# Debug the formatting\necho fmt\"I have {apples=} apples\"\n\n# Custom openChar and closeChar characters\necho fmt(\"I have (apples) {apples}\", '(', ')')\n\n# Backslash inside the formatted string literal\necho fmt\"\"\"{ \"yep\\nope\" }\"\"\" \nThe output will be:\nI have 4 apples\nI have 4 apples\nI have 7 fruits\nI have\n4 apples\nI have apples=4 apples\nI have 4 {apples}\nyep\nope\n\nNix \n\nlet numberOfApples = \"4\";\nin \"I have ${numberOfApples} apples\"\nThe output will be:\nI have 4 apples\n\nParaSail \n\nconst Apples := 4\nconst Bananas := 3\nPrintln (\"I have `(Apples) apples.\\n\")\nPrintln (\"I have `(Apples+Bananas) fruit.\\n\")\nThe output will be:\nI have 4 apples.\nI have 7 fruit.\n\nPerl \n\nmy $apples = 4;\nmy $bananas = 3;\nprint \"I have $apples apples.\\n\";\nprint \"I have @{[$apples+$bananas]} fruit.\\n\"; # Uses the Perl array (@) interpolation.\nThe output will be:\nI have 4 apples.\nI have 7 fruit.\n\nPHP \n\n<?php\n$apples = 5;\n$bananas = 3;\necho \"There are $apples apples and $bananas bananas.\";\necho \"\\n\";\necho \"I have {$apples} apples and {$bananas} bananas.\";The output will be:\nThere are 5 apples and 3 bananas.\nI have 5 apples and 3 bananas.\n\nPython \n\nPython supports string interpolation as of version 3.6, referred to as \n\"formatted string literals\". Such a literal begins with an f or F before the opening quote, and uses braces for placeholders:\napples = 4\nbananas = 3\nprint(f'I have {apples} apples and {bananas} bananas')\nThe output will be:\nI have 4 apples and 3 bananas\n\nRuby / Crystal \n\napples = 4\nputs \"I have #{apples} apples\"\n# or\nputs \"I have %s apples\" % apples\n# or\nputs \"I have %{a} apples\" % {a: apples}\n\nThe output will be:\nI have 4 apples\n\nRust \n\nRust does not have general string interpolation, but provides similar functionality via macros, referred to as \"Captured identifiers in format strings\", introduced in version 1.58.0, released 2022-01-13.\n\nRust provides formatting via the std::fmt module, which is interfaced with through various macros such as format!, write!, and print!. These macros are converted into Rust source code at compile-time, whereby each argument interacts with a formatter. The formatter supports positional parameters, named parameters, argument types, defining various formatting traits, and capturing identifiers from the environment.\n\nlet (apples, bananas) = (4, 3);\n// println! captures the identifiers when formatting: the string itself isn't interpolated by Rust.\nprintln!(\"There are {apples} apples and {bananas} bananas.\");\nThe output will be:\n There are 4 apples and 3 bananas.\n\nScala \n\nScala 2.10+ has implemented the following string interpolators: s, f and raw. It is also possible to write custom ones or override the standard ones.\n\nThe f interpolator is a compiler macro that rewrites a format string with embedded expressions as an invocation of String.format. It verifies that the format string is well-formed and well-typed.\n\nThe standard interpolators \nScala 2.10+'s string interpolation allows embedding variable references directly in processed string literals. Here is an example:\nval apples = 4\nval bananas = 3\n//before Scala 2.10\nprintf(\"I have %d apples\\n\", apples)\nprintln(\"I have %d apples\" format apples)\n//Scala 2.10+\nprintln(s\"I have $apples apples\")\nprintln(s\"I have ${apples + bananas} fruits\")\nprintln(f\"I have $apples%d apples\")\n\nThe output will be:I have 4 apples\n\nSciter (tiscript) \n\nIn Sciter any function with name starting from $ is considered as interpolating function and so interpolation is customizable and context sensitive:\nvar apples = 4\nvar bananas = 3\nvar domElement = ...;\n\ndomElement.$content(<p>I have {apples} apples</p>);\ndomElement.$append(<p>I have {apples + bananas} fruits</p>);\n\nWhere domElement.$content(<p>I have {apples} apples</p>); gets compiled to this:\ndomElement.html = \"<p>I have \" + apples.toHtmlString() + \" apples</p>\";\n\nSnobol \n\n apples = 4 ; bananas = 3\n Output = \"I have \" apples \" apples.\"\n Output = \"I have \" (apples + bananas) \" fruit.\"\nThe output will be:\nI have 4 apples.\nI have 7 fruit.\n\nSwift\n\nIn Swift, a new String value can be created from a mix of constants, variables, literals, and expressions by including their values inside a string literal. Each item inserted into the string literal is wrapped in a pair of parentheses, prefixed by a backslash.\n\nlet apples = 4\nprint(\"I have \\(apples) apples\")The output will be:\nI have 4 apples\n\nTcl \n\nThe Tool Command Language has always supported string interpolation in all quote-delimited strings.\n\nset apples 4\nputs \"I have $apples apples.\"\nThe output will be:\nI have 4 apples.\n\nIn order to actually format - and not simply replace - the values, there is a formatting function.\n\nset apples 4\nputs [format \"I have %d apples.\" $apples]\n\nTypeScript \n\nAs of version 1.4, TypeScript supports string interpolation using backticks ``. Here is an example:\nvar apples: number = 4;\nconsole.log(`I have ${apples} apples`);\nThe output will be:\nI have 4 apples\nThe console.log function can be used as a printf function. The above example can be rewritten, thusly:\nvar apples: number = 4;\nconsole.log(\"I have %d apples\", apples);\nThe output remains the same.\n\nVisual Basic \nAs of Visual Basic 14, String Interpolation is supported in Visual Basic.\n \nname = \"Tom\"\nConsole.WriteLine($\"Hello, {name}\")\n\nwill print \"Hello, Tom\".\n\nSee also \n Concatenation\n Improper input validation\n printf format string\n Quasi-quotation\n String literal\n Substitution\n\nNotes \n\nProgramming constructs\nInterpolation\nVariable (computer science)", "Quasar is a snake game written by Jonathan Dubman for the Apple II and published by Aristotle Software in 1983.\n\nGameplay\nThe objective of the game is to earn points by surrounding and eliminating opponents, the \"light-cycles\". The player control's an orange line with a \"cycle\" in front of it that can move up, down, left, or right. Wherever they go, they leave an orange trail.\n\nIf the player crashes into anything, their cycle is \"zapped\", even if they crash into their own trail.\n\nThe other cycles: violet, green, and blue, also move in a similar way. They are like the player except for that the computer controls them. Likewise, if they crash into anything, they disappear. They also leave trails, . If one cycle crashes, the others remain until they are trapped and crash, one by one.\n\nTo make them disappear, the player must restrict the area in which they move by surrounding them. If they get boxed in, they will spiral to their own demise. \n\nSome points are awarded for mere survival, but many more are awarded for such things as eliminating opponent cycles, completing a level, and eating apples, \n\nEvery 5000 points, the player will get a bonus cycle, which means they will get one more chance to play before the game ends.\n\nApples, After completing the first level, all successive levels will have apples on the screen, colored just like the Apple logo. Many points are earned by contact with an apple. As it is eaten, there is a little \"bleep\" and the apple disappears. The other cycles are not interested in the apples, and will not eat them.\nWormy Apples, When rising in level, the player will soon see some apples that have small worms inside. These apples are poisonous and should not be eaten by the player.\nBalls, are small, round, white balls that bounce haphazardly around the screen. They are fatal if A player touches them. Up to four balls can appear on the screen at one time, depending on the level.\nThe Caterpillar, At level six, a green caterpillar moves to the players monitor screen and slithers around. Players are recommended not to interact with him. He gets longer and faster as the game progresses\nThe Butterfly, The pink butterfly appears after the second ball. He flutters and flies and will home-in on you, attempting to sting you with his venomous bite. Just staying away from him will not help the player. There are many tricks that the player may learn to avoid the butterfly, but the player will have to figure them out for themself. Up to four butterflies can appear, but not until very late in the game.\n\nThere are six different speeds that the game can be played at. Inexperienced players are best off at the lower speeds (1,2) and experienced players are best off at the medium speeds (3,4). The upper speeds (5,6) are for very experienced players.\n\nEvery eighth level there is a \"bonus board\" in which the player can earn many bonus points by lasting long and then killing off their opponents. In the bonus board levels, they and their opponents are snakes. The player can only last so long before they run out of air.\n\nWhen all of the players cycles crash, the game is over and a finale tune is played. If the player then hear 3 sirens, they have a new high score. The player can then type there name letter by letter and press RETURN.\n\nReferences\n\nExternal links\n25th Anniversary Edition\n\n1983 video games\nApple II games\nApple II-only games\nSnake video games\nVertically-oriented video games\nVideo games developed in the United States" ]

[ "The Apples in Stereo", "1991-1993: The Apples", "How did The Apples come about?", "Mangum. He discussed the idea of starting a record label with them (which soon became The Elephant 6 Recording Company).", "Who did he discuss the idea with?", "Schneider then spent two weeks in Athens, Georgia recording music and spending time with his childhood friends Will Cullen Hart, Bill Doss and Jeff Mangum.", "Where did they get the name The Apples?", "It was also at this time that the name \"The Apples\" came about, inspired by the Pink Floyd song \"Apples and Oranges\"." ]

[ "Ryan Guldemond (born November 24, 1986) is the lead vocalist and guitarist of the Canadian indie rock band Mother Mother, which Guldemond formed on Quadra Island, British Columbia with his sister Molly Guldemond (on vocals and keyboard).\n\nCareer history\nGuldemond was at music school when he decided to start a band based on vocal-driven pop songs. He recruited his sister Molly along with a friend from college, Debra-Jean Creelman, to accompany his own vocals for the songs they had written. The trio played as an acoustic act in Vancouver in January 2005 before adding drummer Kenton Loewen and bassist Jeremy Page to form Mother, a 5-member band. In the fall of 2005, they independently released a self-titled album. Later on, the name of the band was amended to Mother Mother. Guldemond is also an experienced music producer, having worked with Hannah Georgas on her album, This is Good.\n\nPersonal history \nGuldemond grew up in Quadra Island in British Columbia, with sister and bandmate, Molly. The siblings did not play together in their youth, only deciding to start a band as adults. Guldemond has described working through issues with substance abuse and has noted that in the past these issues have negatively impacted his relationship with Molly, though their relationship has strengthened post-sobriety. He has discussed sobriety as an important influence on Mother Mother's sixth album, No Culture, particularly the single \"The Drugs\".\n\nReferences\n\nExternal links\nMother Mother Official website\n\nCanadian indie rock musicians\nMusicians from British Columbia\nPeople from Campbell River, British Columbia\nCanadian rock singers\nCanadian rock guitarists\nCanadian male guitarists\nLiving people\n1983 births", "The VON is an American band based in South Florida. The band comprises Luis Bonilla, Marek Schneider and Elisa Seda.\n\nHistory\nThe VON was formed in 2013 by the vocalist and bassist Luis Bonilla and the guitarist Marek Schneider. The VON has seen the majority of its career as a trio with the drummer Elisa Seda. Elisa became the part of the band when she replaced their former drummer when the band's 2015 album was recorded.\n\nIn 2015, THE VON released its album Ei8ht. The album depicts musical influences how they came together with respect to their diverse cultures, yoga ideology, and the themes of fearlessly living the life. The VON released their first single, Nothing to Fear, in the start of 2015. This was followed by Cry Of War in 2016. The VON is now working on a National and European Tour.\n\nDiscography \nThe following tracks were released by The VON:\n\nSacred Water, 2017 (Single)\n\n3nity, 2016 (EP)\n\n I Know It's Love\n Nature of the Beast\nMy Heart Machine\n\nei8ht, 2015 (Album)\n Nothing to Fear\n The Machine\n Cry of War\n Love Supreme\n Atomic Sun\n Let It Out\n Don’t Forget About Us\n Ei8ht (Spirit & Matter)\n\nProtagonist, 2013 (EP)\n\n My Fantasy\n The Machine\n Don't Forget About Us\n\nReferences\n\nIndie rock musical groups from Florida\nAmerican electro musicians\nAmerican musical trios\nMusical groups established in 2013\n2013 establishments in Florida" ]

[ "The Apples in Stereo", "1991-1993: The Apples", "How did The Apples come about?", "Mangum. He discussed the idea of starting a record label with them (which soon became The Elephant 6 Recording Company).", "Who did he discuss the idea with?", "Schneider then spent two weeks in Athens, Georgia recording music and spending time with his childhood friends Will Cullen Hart, Bill Doss and Jeff Mangum.", "Where did they get the name The Apples?", "It was also at this time that the name \"The Apples\" came about, inspired by the Pink Floyd song \"Apples and Oranges\".", "When did the band start working together?", "The earliest incarnation of the band began to form in 1992" ]

[ "Black Cats (in Persian بلک کتس) is a Los Angeles based Persian pop group founded and produced by Shahbal Shabpareh. The band was originally formed in Tehran, Iran in the 1960s and other than Shabpareh, the members have been constantly changing every few years. Some of the most popular members have been Ebi, Hassan Shamaizadeh, Farhad Mehrad, Shabpareh's brother Shahram Shabpareh and Kamran & Hooman.\n\nBackground \nThe group was originally formed in 1966 in Tehran, Iran as a rock band with members Hassan Shamaizadeh, Shahram Shabpareh, Farhad Mehrad, Shahbal Shabpareh. In the 1990s, the band was relaunched in Los Angeles as a pop group. While the band members and singers changed frequently over the next three decades, Shahbal Shabpareh has consistently remained the group's main musician, producer and manager. Shahbal's brother and ex-member, Shahram Shabpareh, who originally played guitar for the band, became a very popular Persian singer after leaving the band in the 1970s.\n\nEbi, one of the most popular Persian singers, was part of the group Black Cats from 1967 to 1979 before starting his solo career.\n\nHassan Shamaizadeh, who played the saxophone for the band, also ended up being a very popular solo singer as well a song writer for many popular artists such as Googoosh.\n\nFrom 1992 to 1999, Pyruz and David were the members, who were very popular. From 1999 to 2004, Kamran and Hooman were also very successful members, who ended up separating and starting their own very popular group called \"Kamran & Hooman.\"\n\nKamyar & Hakim were the main members from 2004 to 2008. Kamyer, who was influenced by Steve Wonder, also became successful on his own. This iteration of the band was known as Black Cats Next Level.\n\nIn 2008, Shabpareh recruited two new members Sami and Eddie and recorded an album called \"Dimbology\".\n\nIn 2013, the new iteration of the band was named Black Cats Ultimate, with the lead vocalist Edvin. Edvin was an X-Factor contestant based in Dubai who got the gig by contacting Shabpareh via email and then auditioning. He has since moved to Los Angeles.\n\nOver the years they have had at least 43 members.\n\nStyle \nThe band's music is traditional upbeat style of Persian pop, but are also known to blend in Jazz, R&B, Hip-Hop, Reggae, Rave and Rapcore influences into their music. Most their beats and timing is in traditional Persian shesh-o-hast format, meaning 6/8th, but often songs switch back and forth from 6/8 to 4/4 rock or pop format. Shabpareh calls it \"rock dambuli.\"\n\nDiscography\n\nExternal links \n Black Cats on Spotify\n Long video recording of early Black Cats, featuring Farhad Mehrad and Shahbal Shabpareh\n\nReferences \n\nIranian musical groups\nIranian pop music groups\nMusical groups from Tehran\nCaltex Records artists", "Star Band is a music group from Senegal that was the resident band of Dakar's Miami Club. They, along with the many off-shoots of the band, are responsible for many of the crucial developments in Senegalese popular music. They were formed in 1959 by the owner of the Miami Club, Ibra Kasse. As was typical in Africa at the time, Kasse owned the instruments and was the band leader of the Star Band although he only occasionally played piano. Each one of the band's twelve albums released in Senegal featured a photo of Kasse on the back cover stating that he was the band leader, composer and arranger.\n\nFormed to celebrate Senegal's independence in 1960, Kasse recruited members of other band including Guinea-Jazz and Tropical Jazz. The band has hosted many of Senegal's most influential musicians, Youssou N'Dour being the most notable, and gave birth to several splinter groups including Le Super Star de Dakar, Orchestra Baobab, Star Number One who considered themselves to be the original Star Band, and Etoile de Dakar. Star Band singers Pape Seck and Laba Sosseh would later go on to sing with Africando.\n\nEarly History\n\nEarly members of the band included singer Amara Toure and saxophonist Mady Konate who were recruited from Tropical Jazz. They joined saxophonist Dexter Johnson, guitar-player Papa Diabate, bass-player Harisson, and trumpet-player Bob Armstrong who were from the then-defunct Guinea-Jazz. Other members included guitarist José Ramos, Mbousse Mbaye (maracas, guiro, vocals) and Lynx Tall (tumba, vocals). The vocalist Laba Sosseh would join soon afterward after requesting to be allowed to sing a song during one of the bands shows.\n\nSplinter Bands\n\nAs Ibra Kasse ruled the band with an iron hand, members of the Star Band often got into disagreements with him. Throughout the years, members of the Star Band would quit because they felt that Ibra Kasse was too much of a dictator as band leader. One of the first major defections was when the Nigerian saxophonist Dexter Johnson left the band along with singer Laba Sosseh in 1964 to form Le Super Star de Dakar.\n\nIn 1970, most of the younger members of the Star Band left to form Orchestra Baobab who were to serve as the house band for the newly opened Baobab club, a new club that was opened to compete with the Miami Club. After several years as a top band in Dakar, Orchestra Baobab would eventually reform for an international career.\n\nStar Number One\n\nMany members of the Star Band left Ibra Kasse's control following a fight on Jan 7, 1976. Members of the Star Band ran afoul of Ibra Kasse after the band agreed to appear, without consulting Kasse, at a memorial concert for Laye Mboup, a singer for Orchestra Baobab who was killed in a car crash the previous year. Many members including noted guitarist Yahya Fall left the Star Band and Ibra Kasse's Miami club, creating a musical cooperative where all members were paid equally. At first they called themselves Star Band Un to assert that they were the original Star Band but after Ibra Kasse got government officials to intervene the band chose the name Number One. They used variants of this name over the course of their ten year career.\n\nThey became one of Dakar's leading bands, eventually becoming the resident band of Dakar's Jandeer Nightclub. Over the course of 10 years together, Star Number One released at least nine LPs and in the late 1970's were considered to be rivals to Orchestra Baobab and the Star Band for the hottest band in Dakar.It is believed that they were the first Senegalese band to record in Paris and that they were the first Senegalese group with their own record label. Their success was so great that all of the singers drove their own Mercedes.\n\nConsisting of up to 15 members, the band had 5 singers: the salsa singers Papa Seck and Maguette Ndiaye, Doudou Sow who sang the Mbalax songs, Pape Djiby Ba who sang ballads, and Mar Seck whose style was broad, signing traditional Wolof material along with Afro-Latin material. The group included Ali Penda N'Dioye, one of Senegal's best trumpet players, and the talented tama (percussion) player, Mamane Fall. Another notable member is the guitarist Yahya Fall who guitar work stood out for both his use of effects and his style which could approach acid rock and psychedelia. In 1978, the Star Band singer Mar Seck joined the band but soon thereafter left to join Étoile de Dakar, returning to No. 1 de Dakar after Étoile de Dakar splintered. After Pape Seck and Maguette Ndiaye served short stints as the first two band leaders, Yahya Fall took over the role for the final nine years of the bands existence.\n\nPost 1976 Defections\n\nAfter the 1976 defections, Ibra Kasse was forced to hire several new musicians including the then 16 year-old Youssou N'Dour. However, by 1977, several of the members of the Star Band including Youssou N'Dour left to create their own band, Etoile de Dakar.\n\nDiscography of Star Number One\n\nStudio albums\nNo. 1, Vol. 2\nNo. 1, Vol. 3\nNo. 1, Vol. 4\nStar Number One, Maam Bamba, Disques Griot GRLP 7601 also Disques M.A.G. 108\nStar Number One, Jangaake, Disques Griot GRLP 7602 also Disques M.A.G, 106\nOrchestra Number One de Dakar, 78 Vol. 1, Discafrique, darl 16 (1978) also no label NO-001\nOrchestra Number One de Dakar, 78 Vol. 2, Discafrique, darl 17 (1978) also no label NO-002\nNumber One du Senegal, Yoro-Kery Goro, no label 1156 A (1980)\nNumber One du Senegal, Yoro-Kery Goro - Objectif 2000, Eddy'son Consortium Mondial 1156 (1980)\nNumber One du Senegal, Jiko-Nafissatu Njaay, no label 1156 B (1980)\nNumber One du Senegal, Jiko-Nafissatu Njaay/Worpe Sanawle, Eddy'son Consortium Mondial 1157 (unknown year)\n\nCompilations\n1996: No. 1 de No. 1, Dakar Sound, DKS 010\n2000: No. 2 de No. 1, Dakar Sound, DKS 019\n2004: no. III de number 1, Popular African Music, pam adc 307\n2009: Star Number One de Dakar – La Belle Epoque, Syllart Productions, 000589\n\nContributing artist\n1994: \"Vampampero\" and \"Guantanamera\" on Latin Thing, Dakar Sound, DKS 003\n1994: \"Mambay Fary\" on Their Thing, Dakar Sound, DKS 004\n1993: \"Noguini, Noguini\" on 100% Pure/Double Concentré, Dakar Sound, DKS 006 & 007\n2008: \"Suma Dom Ji\" plus 4 more on African Pearls Senegal 70: Musical Effervescence, Discograph 6142032\n2009: \"Kouye Wout\" on African Pearls Senegal: Echo Musical, Discograph 6147482\n2013: \"Sama Dialy\" and \"Li Loumouye Nourou\" on Mar Seck, Vagabonde, Teranga Beat, TBCD 018\n\nReferences \n\n.\n Discography of Star Band De Dakar\n Some more (brief) information at The Independent Music\n\nSenegalese musical groups\nDakar\n1960 establishments in Senegal" ]

[ "Gustave Courbet", "Realist manifesto" ]

[ "The Realistic Manifesto is a key text of Constructivism. Written by Naum Gabo and cosigned by his brother, Antoine Pevsner, the Manifesto laid out their theories of artistic expression in the form of five \"fundamental principles\" of their constructivist practice. The Manifesto focused largely on divorcing art from such conventions as use of lines, color, volume, and mass. In the text, Gabo and Pevsner reject the successive stylistic innovations of modern art as mere illusionism (beginning with Impressionism, and including Cubism and Futurism), advocating instead an art grounded in the material reality of space and time: \"The realization of our perceptions of the world in the forms of space and time is the only aim of our pictorial and plastic art.\"\n\nThe text was first published on August 5, 1920, in poster form, on the occasion of an exhibition with Gustav Klucis in Moscow. Extracts were reproduced in the first issue of G in 1923.\n\nReferences\n\nExternal links\nAudio (MP3) of Naum Gabo reading the Realistic Manifesto\nAudio (MP3) of Naum Gabo reading the Realistic Manifesto, and partial transcript\n Website on the Realistic Manifesto http://www.terezakis.com/realist-manifesto.html\n\nModern art\nRussian avant-garde\nConstructivism (art)\nArt manifestos\n1920 documents", "Ray Pawson is Professor of Social Research Methodology in the School of Sociology and Social Policy at the University of Leeds.\n\nPawson's main interest lies in research methodology. He has written widely on the philosophy and practice of research, covering methods qualitative and quantitative, pure and applied, contemporaneous and historical. He is the author of 'Realist Synthesis', a new approach of literature review that, in the last years, has widely influenced systematic review practices of complex programmes and policies all over the world.\n\nSelect bibliography\nPawson, R. (2006) Evidence Based Policy: A Realist Perspective, Sage.\nPawson, R.; Tilley, N (1997) Realistic Evaluation, Sage.\nPawson, R. (1989) A Measure for Measures: A Manifesto for Empirical Sociology, Routledge.\nPawson, R. (1996) \"Theorizing the Interview,\" British Journal of Sociology 47, pp. 296–314.\nPawson, R. (2006) \"Simple Principles for The Evaluation of Complex Programmes,\" In: Killoran, A et al. Evidence Based Public Health, Oxford University Press.\n\nReferences\n\nAcademics of the University of Leeds\nBritish sociologists\nLiving people\nYear of birth missing (living people)" ]

[ "Gustave Courbet", "Realist manifesto", "What is the Realist Manifesto", "Courbet wrote a Realist manifesto for the introduction to the catalogue of this independent, personal exhibition," ]

[ "The Realistic Manifesto is a key text of Constructivism. Written by Naum Gabo and cosigned by his brother, Antoine Pevsner, the Manifesto laid out their theories of artistic expression in the form of five \"fundamental principles\" of their constructivist practice. The Manifesto focused largely on divorcing art from such conventions as use of lines, color, volume, and mass. In the text, Gabo and Pevsner reject the successive stylistic innovations of modern art as mere illusionism (beginning with Impressionism, and including Cubism and Futurism), advocating instead an art grounded in the material reality of space and time: \"The realization of our perceptions of the world in the forms of space and time is the only aim of our pictorial and plastic art.\"\n\nThe text was first published on August 5, 1920, in poster form, on the occasion of an exhibition with Gustav Klucis in Moscow. Extracts were reproduced in the first issue of G in 1923.\n\nReferences\n\nExternal links\nAudio (MP3) of Naum Gabo reading the Realistic Manifesto\nAudio (MP3) of Naum Gabo reading the Realistic Manifesto, and partial transcript\n Website on the Realistic Manifesto http://www.terezakis.com/realist-manifesto.html\n\nModern art\nRussian avant-garde\nConstructivism (art)\nArt manifestos\n1920 documents", "Ray Pawson is Professor of Social Research Methodology in the School of Sociology and Social Policy at the University of Leeds.\n\nPawson's main interest lies in research methodology. He has written widely on the philosophy and practice of research, covering methods qualitative and quantitative, pure and applied, contemporaneous and historical. He is the author of 'Realist Synthesis', a new approach of literature review that, in the last years, has widely influenced systematic review practices of complex programmes and policies all over the world.\n\nSelect bibliography\nPawson, R. (2006) Evidence Based Policy: A Realist Perspective, Sage.\nPawson, R.; Tilley, N (1997) Realistic Evaluation, Sage.\nPawson, R. (1989) A Measure for Measures: A Manifesto for Empirical Sociology, Routledge.\nPawson, R. (1996) \"Theorizing the Interview,\" British Journal of Sociology 47, pp. 296–314.\nPawson, R. (2006) \"Simple Principles for The Evaluation of Complex Programmes,\" In: Killoran, A et al. Evidence Based Public Health, Oxford University Press.\n\nReferences\n\nAcademics of the University of Leeds\nBritish sociologists\nLiving people\nYear of birth missing (living people)" ]

[ "Gustave Courbet", "Realist manifesto", "What is the Realist Manifesto", "Courbet wrote a Realist manifesto for the introduction to the catalogue of this independent, personal exhibition,", "Who did he send the Realist Manifesto too?", "I don't know." ]

[ "The Realistic Manifesto is a key text of Constructivism. Written by Naum Gabo and cosigned by his brother, Antoine Pevsner, the Manifesto laid out their theories of artistic expression in the form of five \"fundamental principles\" of their constructivist practice. The Manifesto focused largely on divorcing art from such conventions as use of lines, color, volume, and mass. In the text, Gabo and Pevsner reject the successive stylistic innovations of modern art as mere illusionism (beginning with Impressionism, and including Cubism and Futurism), advocating instead an art grounded in the material reality of space and time: \"The realization of our perceptions of the world in the forms of space and time is the only aim of our pictorial and plastic art.\"\n\nThe text was first published on August 5, 1920, in poster form, on the occasion of an exhibition with Gustav Klucis in Moscow. Extracts were reproduced in the first issue of G in 1923.\n\nReferences\n\nExternal links\nAudio (MP3) of Naum Gabo reading the Realistic Manifesto\nAudio (MP3) of Naum Gabo reading the Realistic Manifesto, and partial transcript\n Website on the Realistic Manifesto http://www.terezakis.com/realist-manifesto.html\n\nModern art\nRussian avant-garde\nConstructivism (art)\nArt manifestos\n1920 documents", "\n\nThe GNU Manifesto is a call-to-action by Richard Stallman encouraging participation and support of the GNU Project's goal in developing the GNU free computer operating system. The GNU Manifesto was published in March 1985 in Dr. Dobb's Journal of Software Tools. It is held in high regard within the free software movement as a fundamental philosophical source.\n\nThe full text is included with GNU software such as Emacs, and is publicly available.\n\nBackground \nSome parts of the GNU Manifesto began as an announcement of the GNU Project posted by Richard Stallman on September 27, 1983, in form of an email on Usenet newsgroups. The project's aim was to give computer users freedom and control over their computers by collaboratively developing and providing software that is based on Stallman's idea of software freedom (although the written definition had not existed until February 1986). The manifesto was written as a way to familiarize more people with these concepts, and to find more support in form of work, money, programs and hardware.\n\nThe GNU Manifesto possessed its name and full written form in 1985 but was updated in minor ways in 1987.\n\nSummary\nThe GNU Manifesto opens with an explanation of what the GNU Project is, and what is the current, at the time, progress in creation of the GNU operating system. The system, although based on, and compatible with Unix, is meant by the author to have many improvements over it, which are listed in detail in the manifesto.\n\nOne of the major driving points behind the GNU project, according to Stallman, was the rapid (at the time) trend toward Unix and its various components becoming proprietary (i.e. closed-source and non-libre) software.\n\nThe manifesto lays a philosophical basis for launching the project, and importance of bringing it to fruition — proprietary software is a way to divide users, who are no longer able to help each other. Stallman refuses to write proprietary software as a sign of solidarity with them.\n\nThe author provides many reasons for why the project and software freedom is beneficial to users, although he agrees that its wide adoption will make a work of programmer less profitable.\n\nA large part of the GNU Manifesto is focused on rebutting possible objections to GNU Project's goals. They include the programmer's need to make a living, the issue of advertising and distributing free software, and the perceived need of a profit incentive.\n\nSee also\n\nHistory of free and open-source software\n Open Letter to Hobbyists\n\nReferences\n\nExternal links\nGNU Manifesto\n\nGNU Project\nFree software culture and documents\nFree Software Foundation\nCopyleft media\nInternet culture\nPolitical manifestos\n1985 documents\nWorks about intellectual property law" ]

[ "Gustave Courbet", "Realist manifesto", "What is the Realist Manifesto", "Courbet wrote a Realist manifesto for the introduction to the catalogue of this independent, personal exhibition,", "Who did he send the Realist Manifesto too?", "I don't know.", "What was included in the Realist Manifesto?", "translate the customs, the ideas, the appearance of my time, according to my own estimation;" ]

[ "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books", "Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions is an epistolary form manifesto written by Nigerian author Chimamanda Ngozi Adichie. Dear Ijeawele was posted on her official Facebook page on October 12, 2016, was subsequently adapted into a book, and published in print on March 7, 2017. Before becoming a book, Dear Ijeawele was a personal e-mail written by Adichie in response to her friend, \"Ijeawele\", who had asked Adichie's advice on how to raise her daughter as a feminist. The result of this e-mail correspondence is the extended, 62-page Dear Ijeawele manifesto, written in the form of a letter. While the manifesto was written to a female friend, the work's audience scope has been recognized to extend beyond only the mothers of daughters.\n\nIt is composed of fifteen suggestions on how to raise a feminist daughter, with references to Adichie and Ijeawele's shared Nigerian heritage and Igbo culture. Adichie was inspired to publicize the letter after becoming increasingly aware of what she recognized as ongoing gender inequality in her native Nigeria. Dear Ijeawele was listed on NPR's \"2017's Great Reads\" list.\n\nSynopsis \nIn Dear Ijeawele Adichie attempts to challenge the prejudices of gender roles and expectations. The epistolary form literary device was used to give the reader a personal and intimate impression of the manifesto. Using language intended to be seen as clear, direct, and simple, the manifesto is meant to provide parents with the tools to combat situations of gender inequality when raising daughters. The manifesto covers issues ranging from domestic duties such as cooking, to gendered baby clothes. The manifesto asserts that central to raising feminist daughters is the embracing of feminist ideals by mothers raising daughters. One piece of advice that Adichie gives is to \"Ask for help. Expect to be helped...Domestic work and care-giving should be gender-neutral.\"\n\nAdichie rejects the idea of the manifesto as \"a parenting book.\" The manifesto references notable figure Hillary Clinton's title of \"wife\" on her Twitter account to exemplify claims of gender inequality. The overarching goal of the manifesto is gender equality.\n\nThe suggestions \nDear Ijeawele prefaces with Adichie's \"two 'Feminist Tools'\", of which the first is: your premise, the solid unbending belief that you start off with. What is your premise? Your feminist premise should be: I matter. I matter equally. Not 'if only.' Not 'as long as.' I matter equally. Full stop.The fifteen suggestions of Dear Ijeawele begin, respectively, with the following prompts:\n\n Be a full person. \n Do it together.\n Teach her that 'gender roles' is absolute nonsense.\n Beware the danger of what I call Feminism Lite. \n Teach Chizalum to read.\n Teach her to question language. \n Never speak of marriage as an achievement.\n Teach her to reject likeability.\n Give Chizalum a sense of identity.\n Be deliberate about how you engage with her and her appearance. \n Teach her to question our culture's selective use of biology as 'reasons' for social norms.\n Talk to her about sex and start early.\n Romance will happen so be on board.\n In teaching her about oppression, be careful not to turn the oppressed into saints.\n Teach her about difference.\n\nReception\nThe Guardian has reviewed the work in its book format, writing that \"It would be difficult not to like this little book, which shines with all Chimamanda Ngozi Adichie’s characteristic warmth and sanity and forthrightness\" and that \"Some of the suggestions feel like mountains of difficulty made simple: but then that’s what manifestos are for.\" The Harvard Crimson wrote favorably about the book, stating that it \"sets a standard for feminism\".\n\nReferences\n\nExternal links\n How Do You Raise A Feminist Daughter? Chimamanda Adichie Has 15 Suggestions on NPR\n\n2017 non-fiction books\nManifestos\nFeminist books\nAlfred A. Knopf books" ]

[ "Gustave Courbet", "Realist manifesto", "What is the Realist Manifesto", "Courbet wrote a Realist manifesto for the introduction to the catalogue of this independent, personal exhibition,", "Who did he send the Realist Manifesto too?", "I don't know.", "What was included in the Realist Manifesto?", "translate the customs, the ideas, the appearance of my time, according to my own estimation;", "What happened to the Manifesto?", "I don't know." ]

[ "\"Tell Me What You Want\" is the fourth single by English R&B band Loose Ends from their first studio album, A Little Spice, and was released in February 1984 by Virgin Records. The single reached number 74 in the UK Singles Chart.\n\nTrack listing\n7” Single: VS658\n \"Tell Me What You Want) 3.35\n \"Tell Me What You Want (Dub Mix)\" 3.34\n\n12” Single: VS658-12\n \"Tell Me What You Want (Extended Version)\" 6.11\n \"Tell Me What You Want (Extended Dub Mix)\" 5.41\n\nU.S. only release - 12” Single: MCA23596 (released 1985)\n \"Tell Me What You Want (U.S. Extended Remix)\" 6.08 *\n \"Tell Me What You Want (U.S. Dub Version)\" 5.18\n\n* The U.S. Extended Remix version was released on CD on the U.S. Version of the 'A Little Spice' album (MCAD27141).\n\nThe Extended Version also featured on Side D of the limited gatefold sleeve version of 'Magic Touch'\n\nChart performance\n\nReferences\n\nExternal links\n Tell Me What You Want at Discogs.\n\n1984 singles\nLoose Ends (band) songs\nSong recordings produced by Nick Martinelli\nSongs written by Carl McIntosh (musician)\nSongs written by Steve Nichol\n1984 songs\nVirgin Records singles", "\"Tell Me What You Want Me to Do\" is the title of a number-one R&B single by singer Tevin Campbell. To date, the single is Campbell's biggest hit peaking at number 6 on the Billboard Hot 100 and spending one week at number-one on the US R&B chart. The hit song is also Tevin's one and only Adult Contemporary hit, where it peaked at number 43. The song showcases Campbell's four-octave vocal range from a low note of E2 to a D#6 during the bridge of the song.\n\nTrack listings\nUS 7\" vinyl\nA \"Tell Me What You Want Me to Do\" (edit) – 4:16\t\nB \"Tell Me What You Want Me to Do\" (instrumental) – 5:00\n\n12\" vinyl\nA \"Tell Me What You Want Me to Do\" (edit) – 4:16\t\nB \"Tell Me What You Want Me to Do\" (album version) – 5:02\n\nUK CD\n \"Tell Me What You Want Me to Do\" – 4:16\n \"Goodbye\" (7\" Remix Edit) – 3:48\n \"Goodbye\" (Sidub and Listen) – 4:58\n \"Goodbye\" (Tevin's Dub Pt 1 & 2) – 6:53\n\nJapan CD\n \"Tell Me What You Want Me to Do\" – 4:10\n \"Tell Me What You Want Me to Do\" (instrumental version) – 4:10\n\nGermany CD\n \"Tell Me What You Want Me to Do\" (edit) – 4:10\n \"Just Ask Me\" (featuring Chubb Rock) – 4:07\n \"Tomorrow\" (A Better You, Better Me) – 4:46\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nSee also\nList of number-one R&B singles of 1992 (U.S.)\n\nReferences\n\nTevin Campbell songs\n1991 singles\n1991 songs\nSongs written by Tevin Campbell\nSongs written by Narada Michael Walden\nSong recordings produced by Narada Michael Walden\nWarner Records singles\nContemporary R&B ballads\nPop ballads\nSoul ballads\n1990s ballads" ]

[ "Jack Abramoff", "Long-standing college political alliances" ]

[ "Echo Boomers is a 2020 American crime drama film directed by Seth Savoy and starring Patrick Schwarzenegger, Alex Pettyfer and Michael Shannon. It's Savoy's feature directorial debut.\n\nPlot \nIn the midst of financial crisis, a recent college graduate Lance Zutterland, who leaves school in debt, decides to join with other college graduates – consisting of Ellis, Jack, Stewart, Chandler, and Allie – stealing valuable paintings owned by Chicago's richest for themselves under the supervision of Mel Donnelly. During the heist, the group expresses their anger by wrecking anything valuable but Mel will only pay them if they deliver the stolen paintings intact. Lance bonds with Ellis’s girlfriend Allie and they become friends but upon bringing Allie home to their apartment, Ellis intimidates Lance into staying away from her.\n\nThey buy expensive business attire and pretend to be accountants so they can interview with upper class clients and trick them into giving them their address. In one of their heists, Chandler inadvertently crosses paths with a realtor and his facial composite is released to the public. While Ellis leaves the table for a minute, Jack plugs Ellis’s phone into his laptop to copy the images, where they see the house of Daniel Wardlaw. The group realize that Wardlaw’s house has a vault and they agree to rob his house. Mel summons the group where he introduces his new henchmen, threatening to go after them if someone reveals Mel’s name. Later, they go to a nightclub where Allie loses consciousness after an overdose of cocaine. They bring Allie to the hospital, but knowing that bringing her in may lead to their arrest, Stewart kicks her out. Lance reluctantly helps her despite the group’s objections and stays by her side for the night. On their way to Wardlaw’s, Lance argues with Stewart over his recklessness. Arriving there, Jack ties Wardlaw up and Stewart and Chandler take most of the money from the vault. Angry over Stewart’s negligence to Allie, Lance locks them up in the vault and drives away with Jack and the bags of money. They arrive at Ellis’s apartment to get Allie, who refuses to go with Jack after being persuaded by Ellis. The rest of the group including Mel is subsequently arrested and each of them are sentenced to at least seven years.\n\nLance and Jack hide at the motel in Nebraska where they stay the night. The next morning, Lance wakes up to find Jack and the van gone, with nowhere else to go and penniless, he turned himself to the police.\n\nCast\nPatrick Schwarzenegger as Lance Zutterland\nMichael Shannon as Mel Donnelly\nAlex Pettyfer as Ellis Beck\nLesley Ann Warren as Author\nHayley Law as Allie Tucker\nGilles Geary as Jack\nOliver Cooper as Stewart\nJacob Alexander as Chandler Gaines\nKate Linder as Kathy Tucker\n\nProduction\nEarly in development, Nick Robinson and Britt Robertson were previously attached to star in the film.\n\nRelease\nIn September 2020, it was announced that Saban Films acquired the film's North American distribution rights.\n\nThe film was be released in theaters, VOD and digital platforms on November 13, 2020.\n\nReception\nThe film opened to mixed reviews, mainly critics vs audiences. The film has rating by the critics on Rotten Tomatoes. The Chicago Tribune awarded the film 3/4 stars. Jeffrey M. Anderson of Common Sense Media awarded the film two stars out of five.\n\nReferences\n\nExternal links\n\nAmerican films\nAmerican crime drama films\n2020 films\n2020 crime drama films\nFilms about financial crises\n2020s heist films\nAmerican heist films\n2020s English-language films", "A Very Merry Daughter of the Bride is a 2008 television film directed by Leslie Hope and starring Joanna García and Luke Perry. The film originally aired in Canada on December 15, 2008, and in the United States on December 20, 2008 on Lifetime. The screenplay concerns wedding planner Roxanne (García), who tries to foil her mother's plans to marry a man she just met by sabotaging their Christmas wedding. But she soon finds herself falling in love just as quickly as her mother did.\n\nPlot\n\nThe movie starts off at a wedding where Roxanne (Joanna Garcia) and her mother Rose (Helen Shaver) are attending the wedding they planned for the bride, Tish (Chantal Perron). In a twist of events, the wedding goes South as Tish catches her fiancé cheating on her with another woman at their wedding. The three of them go on to enjoy the rest of the wedding since none of them wanted their handwork to go to waste. The wedding consultants allow Tish to crash at their place where she began working at their company until she was able to get back up on her feet. The bride had also mentioned that had this wedding gone through, this marriage would have been her attempt number five.\n\nFollowing the wedding, Rose goes on a trip to France by herself for three days and leaves Roxanne to take care of the wedding business with the help of Tish. This proved to be a great challenge for Roxanne who was not used to working at the bridal store planning weddings and taking on clients without her mother. Roxanne had previously been engaged to her next door neighbors son Dylan (Lucas Bryant) until he abruptly left without saying goodbye and ended things six years ago. With a surprising visit from her ex fiancé, Dylan asks to catch up with Roxanne, but she refuses since her mother was due to arrive exactly the same day. Yet, on her way back from France, Roxanne gets a surprise when she meets her mother's new fiancé Jack. Rose had met Jack while in France and had known him for a couple of days. This to Roxanne was a complete shock and something she did not accept. Roxanne's excitement to her mother's arrival back from France turned sour as she met Jack.\n\nRoxanne's father, and Rose's husband had past away a couple years prior and the two have stuck together ever since; the duo went the longest time without any men in their lives. Rose as a widowed 50 something year old never planned on getting remarried, and Roxanne had been searching for a man who she could spend her entire life with. She had not yet found this man to spend 'forever' with; her previous engagement deeply impacted her future relationships, which at that point was nonexistent. Roxanne's focus had been on her mother and their bridal business, and dating was not a priority.\n\nRoxanne comes up with a plan to destroy her mother's marriage to Jack as she feared being lonely and having to depend on herself. Roxanne had become so accustomed to having her mother by her side whenever she needed her that her mother's marriage to Jack would put much constraint on their relationship. Rose and her fiancé had made plans to move to Seattle after their wedding since Jack lived there. Roxanne eventually becomes fed up with all the life changes Rose had planned to make with Jack, none of which included herself. As such, she comes up with a plan to sabotage her mother's marriage to Jack with the help of Jack' son Charlie (Luke Perry). Charlie had been from Jack's previous marriage, and Rose invited him to their house without telling Jack to prove her commitment to him. Charlie is portrayed as business savvy, as he took over his father's company and was focused on the money. Charlie is going through a divorce and is already worried enough about having to give up a large sum of his money to his ex-wife. Therefore, Charlie opposes this marriage as well since he did not want any of his father's inheritance to go to Roxanne's mother.\n\nThus, Roxanne and Charlie come up with a scheming plan to destroy their parents wedding. Roxanne asked Jack and Rose to put the wedding off for an extra ten days in order to plan the best wedding she could. Rose and Jack did not see the point of a wedding and instead wanted to go to the courthouse and make it official. With the help of Charlie, Roxanne manages to convince the couple to hold off the wedding so that she has enough time to make sure everything that can go wrong does. This first attempt was to make Charlie late to his own rehearsal dinner but things took a different turn. Charlie knew his father would not be able to resist a wine auction, and when he shows his father the flyer Jack quickly scurries off forgetting his phone in the bridal store. Jack ends up being late to the dinner, but with good reason. He had gone to the wine auction to find the wine that Rose and himself had dined on in Paris. Successful as he is, Jack buys the entire case and brings it to Rose. Rose in complete awe, Roxanne and Jack not so much as their plan had failed. To further their unsuccessful attempt, Jack gets a call on his phone when everyone realizes that the phone was in the purse of Roxanne. In order to make things right, Roxanne ends up calling this plan off when she realizes that Jack is a good guy who truly loves her mothers; the case of wine was an exemplar of this. With her mind changed, Roxanne now realizes she wants to actually plan the perfect wedding for her mother instead of the disastrous one she had originally pursued. Charlie, on the other hand had not changed his mind and still wanted things to be called off. As such, he does not see things the same way and decides to go ahead with his plans to open up a bridal store, CJB, that would put Roxane and Rose's company out of business. Roxanne figured this out when she took Dylan with her to spy on him in a suspicious location with another woman as they were making the arrangements.\n\nWith information on the plans Jack had arranged, Roxanne goes with the news to her mother. Once Rose is informed, she calls off the wedding to Jack who had no previous knowledge of the bridal store Charlie had planned to open. Rose had worked extremely hard to get her little store to get at where it is today, and she was not about to let a man take that away from her. Roxanne speaks to Jack and learns he had no knowledge of the opening of the bridal store right down the street from where Roxanne and Rose's was. As such, she is convinced and finds Jack to be truthful. Once again Roxanne comes up with another plan to get Jack and Rose back together. On Christmas Day, Roxanne forces her mother to come with her to the Christmas show in which she went unwillingly. Her mother had locked herself in the house ever since she left Jack and was not feeling the Christmas spirit so to speak.\n\nJack shows up at the same place with a horse carriage to sweep Rose off her feet and prove his innocence. With the help of Roxanne, Jack is able to convince Rose and she accepts his wedding proposal for a second time. While it was all good news for the trio, Charlie did not feel the same way since he was unsuccessful in his attempt. Jack promised to make sure no other bridal store was to open, ensuring the original one would not go out of business. While Roxanne had been so busy first trying to ruin and then trying to fix her mother's love life, she completely ignores who was standing right in front of her the whole time. Throughout the entire film, Dylan had been constantly available to offer help whenever he proved to be useful in order to win back his ex fiancé. Dylan remained with Roxanne and her mother up until the true wedding where he decided he was to yet again travel the world in order to take pictures. While Roxanne and Dylan had not gotten back together, it opened up old wounds.\n\nThe final scene of the film takes place at Jack and Rose's wedding. After everything the couple goes through to get to this point, they were finally able to pronounce themselves as husband and wife. After Dylan cancels his trip, Roxanne also got a surprise of her own when Dylan shows up to her mother's wedding. He proceeds to ask her for a dance, and Dylan proposes to Roxanne, as he proves to her his commitment. The film ends with Roxanne' s acceptance to Dylan's proposal.\n\nCast\n\nSetting \nThe film takes place during the holiday season around the time of Christmas. This specific holiday had been very important for Roxanne as she spent it with her mother, yet Rose and Jack planned to get married on the same day. Roxanne while she disapproved of her mothers wedding to Jack, was furthered in sabotaging their wedding when she realizes that her mother was not only marrying a stranger but during a time where family was seen as sacred and meant to celebrate together. Hence, this does not include bringing strangers over for Christmas just as Rose had done on her way back from France. While it is not specified where the film takes place, Roxanne and Rose lived in a smaller city in the United States of America.\n\nProduction \nA Very Merry Daughter of the Bride was filmed in Calgary, Alberta, Canada. The total production cost of the film is estimated at 1,300,000 CDN. While being filmed in Calgary, Perry was interviewed by the Ottawa Citizen and stated \"For Perry, a one-time starving actor who supported himself by laying asphalt and working in a doorknob factory, there was just no room for ego.\"\n\nReferences\n\nExternal links\n \nA Very Merry Daughter of the Bride at Rotten Tomatoes\n\n2008 television films\n2008 films\nCanadian television films\nCanadian Christmas films\nEnglish-language films\nFilms shot in Calgary\nCanadian films\nChristmas television films" ]

[ "Jack Abramoff", "Long-standing college political alliances", "Where did Jack go to college ?", "I don't know." ]

[ "White Electoral Alliance (Bokmål: Hvit Valgallianse, Nynorsk: Kvit Valallianse) was a short-lived political party in Norway, founded by Jack Erik Kjuus in September 1995 after the merging of Stop Immigration (Stopp Innvandringen) and Help the foreigners home or else we will lose our country (Hjelp de fremmede hjem ellers mister vi landet vårt), both minor fringe parties led by Jack Erik Kjuus. The name of the party was a counter to the contemporary far-left political party Red Electoral Alliance.\n\nPolitical profile\nThe party was extremely controversial throughout its short existence, and likely the most extreme far-right party to ever exist in Norway since the second world war. The party wanted to repatriate all immigrants who had come to the country since 1975. For non-western immigrants this would apply from 1960. If this proved infeasible the party advocated forced sterilization. The same applied to immigrants in relationships with ethnic Norwegians as well as their children. According to the party itself, this was to preserve the Norwegian people's ethnic composition.\n\nBecause of these sections of the party program, Jack Erik Kjuus was on 21 February 1997 convicted by the Oslo Municipal Court and received a suspended 60-day jail sentence and a 20.000 NOK fine for violation of penal code section § 135a, also known as racism paragraph. The ruling was appealed to the Supreme Court. In the Supreme Court the issue was discussed in the plenary, which had not happened for 27 years. The ruling from the Municipal Court was upheld in November. Five of the justices argued that the party program was protected free speech and voted to acquit, but the remaining twelve voted for upholding the verdict, arguing that promoting ethnic cleansing was beyond free speech protections. Kjuus also brought the case to the European Court of Human Rights, but that court ruled on 17 March 2000 that the verdict was compatible with the European Commission on Human Rights.\n\nAs a protest against the verdict the party board withdrew shortly after. Jack Erik Kjuus also pulled out of politics. Many of its members went over to the newly established party the National Alliance.\n\nReferences\n\nDefunct political parties in Norway\nPolitical parties established in 1995\n1995 establishments in Norway\nPolitical parties disestablished in 1997\nFar-right political parties in Norway\nWhite nationalist parties", "The Civic Action Front of Chad (, FACT) was a short-lived political alliance in Chad.\n\nHistory\nFACT was formed as an alliance of the Chadian Progressive Party and the Independent Socialist Party of Chad, and was initially named the \"Front for the Defence of Civic Rights\", but was renamed as the Civic Action Front on 19 May, just eleven days before the 1952 Territorial Assembly elections. The alliance put up electoral lists in five of the ten second college constituencies, winning six of the 30 seats, with the remaining 24 won by the Chadian Democratic Union.\n\nReferences\n\nDefunct political parties in Chad\nPolitical party alliances in Chad\nPolitical parties with year of establishment missing\nPolitical parties with year of disestablishment missing" ]

[ "Jack Abramoff", "Long-standing college political alliances", "Where did Jack go to college ?", "I don't know.", "what was Jack's college political alliance ?", "At the CRNC, Abramoff developed political alliances with College Republican chapter presidents across the nation." ]

[ "Cooperative Strategy refers to a planning strategy in which two or more firms work together in order to achieve a common objective. Several companies apply cooperative strategies to increase their profits through cooperation with other companies that stop being competitors.\n\nA cooperative strategy gives a company advantages, specially to companies that have a lack of competitiveness, know how or resources. This strategy gives to the company the possibility to fulfill the lack of competitiveness.\n\nCooperative strategy also offers access to new and wider market to companies and the possibility of learning through cooperation. Cooperative strategy has been recently applied by companies that want to open their markets and have a liberalist vision of negotiation through cooperation.\n\nStrategic alliance \n\nThe main way to apply cooperative strategies are through strategic alliances in which firms use their resources and knowledge to create a competitive advantage. There are three types of strategic alliances.\n Joint venture\n Equity strategic alliance\n Nonequity strategic alliances\n\nJoint venture \n\nA joint venture is a shared equity firm wherein the participant commit the same quantity of resources, this means that this legally independent new company share resources, capabilities and risks to achieve a competitive advantage. An example of a joint venture is the case of Facebook and Skype in 2011 that sign a Strategic Alliance that gave Facebook economic benefits and let Microsoft to open its market and move forward the social network market.\n\nEquity strategic alliance \n\nIn this type of strategic alliance, each company owns a part of the venture that they created, it is important to mention that every part must be equal to be considered an equity strategic alliance. Using this strategic alliance each of the parts share all the benefits but also all the risks. In 2013 Fly Emirates made an Equity Strategi Alliance with Jet Airways both companies made an investment of $379 million in order that each company can get benefits of this alliance.\n\nNonequity strategic alliance \n\nNonequity strategic alliance refers to a type of cooperation wherein two or more companies establish a contractual relation which specifies that each company will share their resources and knowledge to achieve competitive advantage. In this case cooperation is not totally equal because each company will share only the resources that are convenient and this could cause that a company lose more than the others.Geringer and Herbert in 1989 made a nonequity strategic alliance that did not work because of the concept because each company chose how much to contribute, and in many cases this means that companies would not take risks, and this affects the alliance.\n\nDevelop strategic alliances \nCompanies develop strategic alliances for different reasons:\n Firms create strategic alliances because it has a lack of resources or knowledge to achieve their objectives.\n Cooperative behavior gives a company values that can not be achieved independently.\n Reach stakeholders interests to reduce uncertainty inside the company.\n Strategic alliances can lead to new sources of revenues.\n Cooperation can improve the image of the company.\n Alliances can improve the capabilities of the company to respond to the changes of the market and changes in the ways of production.\n Strategic alliances offers opportunities to the company to acquire knowledge and experience.\n\nAccording to market type\n\nSlow-cycle markets \nIn markets that are restricted and that have constant changes. An alliance can increase competitiveness because the partner can understand and adapt to the market.\n\nFast-cycle markets \nFast-cycle markets have the characteristic of having companies with excess of resources and capabilities and an alliance can improve the way of entry to this market.\n\nStandard-cycle markets \nIn this type of market alliances usually happen between companies that use economy of scales that ensure benefits, experiences and knowledge to both sides.\n\nReferences\n\nStrategy", "Rural Alliances is an international project funded by the European Union through the Interreg North West Europe European Regional Development Fund IVB funding scheme aimed at bringing rural businesses together with their communities to stimulate local economies and services.\n\nTwelve partner organisations from six different EU countries are working together. The twelve are:\n\nBelgium\nBoerenbondvereniging voor Projecten vzw\nVlaamse Landmaatschappij (VLM) (Flemish Land Agency)\n\nFrance\nMaison de l'Emploi, du Développement, de la Formation et de l'Insertion du Pays de Redon-Bretagne Sud (MEDEFI)\nLaval, Mayenne Technopole (Laval & Mayenne Technology Park)\n\nGermany\nPhilipps Universität, Marburg\n\nRepublic of Ireland\nSouth Kerry Development Partnership Ltd.\nMayo County Council\n\nNetherlands\nStichting Streekhuis Het Groene Woud & De Meierij\nStichting Streekhuis Kempenland\nGemeente Lochem\n\nUnited Kingdom\nBrecon Beacons National Park Authority\nUniversity of Wales, Trinity Saint David\n\nThe project was initiated in 2011 with a meeting in Brecon, Wales. A project officer is employed by the Brecon Beacons National Park Authority to develop clusters of activity in several areas of the park.\n\nAlliance building Blueprint Prototype\n\nThe University Partners have been working closely with the partners to explore and develop concepts and frameworks to capture, record and share successful alliance building methods in order to develop an Alliance Building Blueprint. To begin this process, they held a Master Class with all the partners in February 2012 in Leuven, Belgium where key concepts were discussed and agreed, including debates on what constitutes a rural area, what is a community, and how many members are needed to make up an Alliance. This was followed up with research, interviews and further workshops with the partners to explore alliance building methods in the different areas.\n\nAt this early stage in the project an outline concept has been developed. This shows a cyclic phase from building the alliance, its management, reviewing its development and growth, and looking towards long-term planning.\n\nKey components include a good contact database; a method of plotting the skills and capacity that exist in the alliance or in the wider community; creating an atmosphere of open dialogue; identifying and supporting champions who are visionary and “get things done”, and a good understanding of local context, what other initiatives are competing, what are the risks and what are the rewards.\n\nThis concept will now be developed and modified through case studies on the different alliances in 2013/4 to explore the methods used to make them successful. Research will be done to assess how useful tools and techniques can be transferred between alliances, to ensure that lessons are being learned and communicated across the partnership, and monitoring and evaluation will take place to ensure the viability, usefulness and relevance of the Blueprint model.\n\nRural Vibrancy Measuring Index (RVMI)\n\nThe Rural Vibrancy Measuring Index is a tool that is currently being developed by the University partners of the Rural Alliances project. The current stage of the RVMI represents the outcomes of several transnational workshops, the evaluation of partner questionnaires and further literature research.\nThe purpose of this index is to give local communities a tool to determine their vibrancy. Using the RVMI should allow local communities to acquire knowledge on the strengths and weaknesses of their community and help them to allocate their resources more efficiently and develop their community.\n\nDefinition ‘Rural Vibrancy'\n\n‘Rural Vibrancy’ describes the nature of a rural community, which is characterized by active involvement and the creative, dynamic interaction of people from different groupings with the capacity to create common objectives and to act jointly to develop their community.\nIt is desirable from the perspective of the Rural Alliances consortium that vibrant rural communities follow the aim to develop and/or maintain social, cultural and economic benefit, adapt to change and improve quality of life for everyone within the community.\n\nRVMI categories\n\nThe analytical subject of the RVMI is an analysis of local community groups that are formed within a specific area. The RVMI focusses on local community groups because they are the origin and the basis of ‘vibrancy’, being the organisational form of people that act jointly. Depending on the actions the community groups take (e.g. cooperation) they can make a place more or less vibrant. On the basis of this pattern the RVMI proposes a ‘catalogue’ of quantitative and qualitative questions on the role of community groups that can be visualized and interpreted. The first field tests are scheduled for early 2013.\n\nContribution to rural development\n\nThe main goal of the Rural Alliances project is to develop a transnational tool to capture rural vibrancy. Approaches like quality of life or vibrant communities refer to a presence of certain amenities and measure hard and soft location factors. A vibrant countryside is one of the main categories of the English Rural White Paper and relates to community involvement and activity. It distinguishes between vibrant, active, barely active, and sleeping parishes assessed on numbers of meeting places, voluntary and cultural activities, as well as contested parish elections. Together with a living, working and protected countryside the vibrant countryside is seen as part of a sustainable rural development. Community involvement, participation and inhabitants’ perceptions need to be integrated in such instruments. Therefore, vibrant rural communities follow the aim to develop and/or maintain social, cultural and economic benefit, adapt to change and improve quality of life for everyone within the community. This development is on-going, iterative and inclusive. Taking various national frames, cultural backgrounds, social behaviours and personal opinions into consideration lead to a broadly agreed definition, approach and implementation process. A rural development instrument is created by the transnational partnership. This is called Rural Vibes.\n\nReferences\n\nRural community development\nRural development in Europe" ]

[ "Jack Abramoff", "Long-standing college political alliances", "Where did Jack go to college ?", "I don't know.", "what was Jack's college political alliance ?", "At the CRNC, Abramoff developed political alliances with College Republican chapter presidents across the nation.", "Who else did he develop alliances with ?", "I don't know." ]

[ "Zach Howell is an American political executive who served as national chairman of the College Republicans.\n\nEarly life and education \nA native of Sandy, Utah, Howell graduated from the University of Utah.\n\nCareer \nHowell has previously served as the statewide College Republicans Chairman, and as the CRNC Western Regional Vice-Chairman. He has also interned in the White House Office of Strategic Initiatives, and in 2008, managed the campaign of David Clark, Speaker of the Utah House of Representatives.\n\nHowell was elected chair of the College Republicans in June 2009 at the biennial convention in Washington, D.C. He served until 2011..\n\nThe CRNC is one of the leading 527 groups in the United States, and provides field support for Republican and conservative causes nationwide. During Howell's tenure, the CRNC coordinated a large deployment of student volunteers to Virginia, for the 2009 gubernatorial election in support of Bob McDonnell (as well as his running mates Bill Bolling and Ken Cuccinelli). The field program also assisted with the other major general-election effort that year, for New Jersey gubernatorial nominee Chris Christie. After Republican victories in both of those bellwether races, Howell's administration targeted the fall 2010 CRNC field program towards specific states, which they believed contained the greatest potential for state-level and congressional gains, in the November elections.\n\nHowell's leadership of the CRNC also marked the first time that the organization launched national television ads, as part of an effort to energize young Americans, many of whom they believed were frustrated with the Obama administration's fiscal and economic policies. Howell has also worked as a contributor to Fox News, MSNBC, and POLITICO.\n\nReferences\n\nSee also\n\nCollege Republican National Committee\nChairpersons of the College Republicans\n\nLiving people\nCollege Republican National Committee chairs\nUniversity of Utah alumni\nUtah Republicans\n1985 births", "Paul Gourley is former National Chairman of the College Republican National Committee in the United States.\n\nGourley, a native of Sioux Falls, South Dakota, was elected Chair of the College Republican National Committee in 2005. He won the chairmanship following a contested campaign against former California CR State Chairman Michael Davidson. The campaign focused on ethics and integrity issues surrounding the CRNC's fundraising activities and the organization's relationship with Response Dynamics in the previous years, while Gourley was the National Treasurer. His election and the preceding campaign received national press in The New Republic and other newspapers and news magazines, as well as a number of prominent conservative and liberal blogs.\n\nDuring his tenure, Gourley expanded the Field Representative program.\n \n\nPrior to his election as Chairman, Gourley's previous involvement in the College Republicans included time as the Vice-Chair of the South Dakota College Republican Federation, CRNC Field Representative in 2001 and 2002, and CRNC Treasurer from 2003-2005. He also chaired the youth campaign for then-Congressman John Thune's US Senate race in 2002. He was named CRNC Ronald Reagan Activist of the Year in 2003.\n\nReferences\n\nSee also\n Chairpersons of the College Republicans\n\nLiving people\nPeople from Sioux Falls, South Dakota\nSouth Dakota Republicans\nCollege Republican National Committee chairs\nYear of birth missing (living people)" ]

[ "Super Furry Animals", "1999-2000: Guerrilla and Mwng" ]

[ "On Guerrilla Warfare () is Mao Zedong’s case for the extensive use of an irregular form of warfare in which small groups of combatants use mobile military tactics in the forms of ambushes and raids to combat a larger and less mobile formal army. Mao wrote the book in 1937 to convince Chinese political and military leaders that guerilla style-tactics were necessary for the Chinese to use in the Second Sino-Japanese War.\n\nOverview\n\nChapter 1: What is Guerrilla Warfare?\nMao states that guerrilla warfare is “a powerful special weapon with which we resist the Japanese and without which we cannot defeat them.” Mao explains how guerrilla warfare can only succeed if employed by revolutionaries because it is a political and military style. According to Mao, guerrilla warfare is a way for the Chinese to expel an intruder that has more arms, equipment, and troops.\n\nChapter 2: The Relation of Guerrilla Hostilities to Regular Operations \n“A primary feature of guerrilla operations is their dependence upon the people themselves to organize battalions and other units.” In chapter 2, Mao explains the differences and the relationship between guerrilla and regular troops. Guerilla warfare needs to be decentralized to allow quickness and detachment. However, orthodox troops can temporarily adopt guerrilla strategy and vice versa.\n\nChapter 3: Guerrilla Warfare in History \nMao refers to a bevy of wars from different continents to support his belief that guerrilla warfare is necessary to expel more powerful potential conquerors. He refers specifically to Russian resistance during the French invasion of Russia and the Abyssinians' failures to resist Italian aggression in the Second Italo-Abyssinian War. He also makes reference to the use of guerrilla tactics in the Sanyuanli incident during the First Opium War, the Taiping Rebellion and the Boxer Uprising. He also states that guerrilla warfare cannot succeed on its own without orthodox warfare. The two should work together in an effort to defeat a larger, stronger enemy.\n\nChapter 4: Can Victory be Attained by Guerrilla Operations? \nMao explains that Japan's military efforts do not have complete citizen and soldier support. He believes that China can defeat the enemy if they use guerrilla warfare and extend the duration of the war.\n\nChapter 5: Organization for Guerrilla Warfare \nMao says that guerrilla bands can be created from the masses or soldiers. Guerrilla units should learn to be independent of higher leadership because they may need to function without it. “The most important natural quality is that of complete loyalty to the idea of the people’s emancipation. If this is present, the others will develop; if it is not present, nothing can be done.” Guerrilla troops should acquire supplies, ammunition, and weapons from the Japanese after victories on the battle field.\n\nChapter 6: The Political Problems of Guerrilla Warfare \nMao explains the inalienable political aspects of guerrilla warfare and any warfare in general. “Military action is a method used to attain a political goal. While military action and political affairs are not identical, it is impossible to isolate one from the other.” Chinese guerrilla soldiers must be self-disciplined and committed to the revolutionary cause or the effort will fail. Soldiers must sacrifice some democratic privileges in the effort to defeat the Japanese.\n\nChapter 7: The Strategy of Guerrilla Resistance against Japan \nMao explains that guerrilla troops should have no conception of defense or battle lines. They should attack orthodox Japanese troops from the front, the sides, and the rear. Guerrilla troops should always dictate the timing of conflicts with the enemy. They should be prepared to flee if need be.\n\nReferences\nMao, Tse-tung. On Guerrilla Warfare. Champaign, Ill: First Illinois Paperback, 2000. Print.\n\n1937 non-fiction books\nChinese military texts\nIdeology of the Chinese Communist Party\nNon-fiction books about guerrilla warfare\nWorks by Mao Zedong", "Guerrilla art is a street art movement that first emerged in the UK, but has since spread across the world and is now established in most countries that already had developed graffiti scenes. In fact, it owes so much to the early graffiti movement, in the United States guerrilla art is still referred to as ‘post-graffiti art’.\n \nGuerrilla art differs from other art forms in it has no external boundary between the image and the environment. While a traditional painting can be moved from one gallery to another without the meaning or the artistic credibility of the piece being affected, street art is environmental, the surface to which it is applied to being as fundamental to the piece's meaning as that which is applied. Without the dynamics of modern life, guerrilla art is reduced to ‘art for arts sake’ and would be defined by what it is as opposed to what it does.\n\nThe production of guerrilla art is focused on cause and effect, not the material piece itself. It aims to produce an effect within the minds of those people who live within the environment being altered. It does not necessarily aim to produce meaningful art in itself.\n\nGuerrilla artists \nGuerrilla artists increasingly seem to be moving towards a philosophy of painting a continuous work of art, adding to it over time as less developed elements of the piece are erased by graffiti cleaning efforts or in the battle for space. Art on canvas is not guerrilla art. Although many guerrilla artists regularly produce ‘trapped art’, they do not generally consider it to be the same thing. This has manifested itself in a wave of new canvas styles that have a guerrilla art style, but are more comprehensive and finished. Few traditional artists would create artwork intentionally meaning for it to be mass produced with little fidelity and put up with wheat paste. Many guerrilla artists hijack major branding for their own publicity and identity, often at odds with the brand itself. This can be seen with D*Face's hijacking of the Walt Disney signature.\n\nIt's not a movement that attempts to support or to oppose brand conditioning. It is the general public's artistic response to it.\n\nArtists \n\n Banksy is an English-based graffiti artist, political activist and film director whose real identity is unknown. His satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stenciling technique. His works of political and social commentary have been featured on streets, walls, and bridges of cities throughout the world.\n\nEarly guerrilla art \n\nIn 1978 in downtown Wellington, New Zealand artist Barry Thomas, in collaboration with Chris Lipscombe, Hugh Walton and others, planted 180 cabbages \"on the demolished Duke of Edinburgh/Roxy Theatre site in the centre of Wellington. This cabbage patch, planted in such a way as to spell the word CABBAGE immediately captured the imagination of both the media and the public and engendered a flurry of other activities on the site, culminating in a week-long festival... when the cabbages were ceremonially harvested.\" While a work of conceptual sculpture, this intervention is also an early example of Guerrilla art and guerilla gardening in New Zealand. Thomas' work remained for six months, \"astonishingly unvandalised, as a living, breathing sculpture in the heart of the city.\" Christina Barton writes in the following months, \"it captured the hearts and minds of Wellingtonians, who followed the growth of the cabbages, adding their own embellishments to the site, and contributed to the week of festivities (with poetry readings, performances, and the distribution of free coleslaw) that celebrated their harvest\", describing the work as \"a provocation to the local council and the city's developers\". Thomas' documentation of the project was recently purchased by New Zealand's national gallery Te Papa, who described the work as an \"important moment in New Zealand’s art and social history\" with links to the \"Occupy movement, urban farming and guerrilla gardening\".\n\nSee also \n Culture jamming\n Street installation\n Subvertising\n Bust of Edward Snowden\n Yarn bombing\nBrandalism\n\nReferences\n\nExternal links \n POW (Pictures On Walls)\n Banksy\n Iranian Graffiti movement\n GUERRILLA - INTERVENTIONIST - POLITICAL Art Links\n\nVisual arts genres\nGraffiti and unauthorised signage\nCulture jamming" ]

[ "Super Furry Animals", "1999-2000: Guerrilla and Mwng", "What is Guerrilla?", "the new album, Guerrilla." ]

[ "When the Bough Breaks is the second solo album from Black Sabbath drummer Bill Ward. It was originally released on April 27, 1997, on Cleopatra Records.\n\nTrack listing\n\"Hate\" – 5:00\n\"Children Killing Children\" – 3:51\n\"Growth\" – 5:45\n\"When I was a Child\" – 4:54\n\"Please Help Mommy (She's a Junkie)\" – 6:40\n\"Shine\" – 5:06\n\"Step Lightly (On the Grass)\" – 5:59\n\"Love & Innocence\" – 1:00\n\"Animals\" – 6:32\n\"Nighthawks Stars & Pines\" – 6:45\n\"Try Life\" – 5:35\n\"When the Bough Breaks\" – 9:45\n\nCD Cleopatra CL9981 (US 1997)\n\nMusicians\n\nBill Ward - vocals, lyrics, musical arrangements\nKeith Lynch - guitars\nPaul Ill - bass, double bass, synthesizer, tape loops\nRonnie Ciago - drums\n\nCover art and reprint issues\n\nAs originally released, this album featured cover art that had two roses on it. After it was released, Bill Ward (as with Ward One, his first solo album) stated on his website that the released cover art was not the correct one that was intended to be released. Additionally, the liner notes for the original printing had lyrics that were so small, most people needed a magnifying glass to read them. This was eventually corrected in 2000 when the version of the album with Bill on the cover from the 70's was released. The album was later on released in a special digipak style of case, but this was later said to be released prematurely, and was withdrawn.\n\nReferences\n\nExternal links\nWhen the Bough Breaks at Bill Ward's site\nWhen the Bough Breaks at Black Sabbath Online\n\nBill Ward (musician) albums\nBlack Sabbath\n1997 albums\nCleopatra Records albums", "\"When It Rains, It Really Pours\" is a song originally written and recorded by Billy \"The Kid\" Emerson. His version, titled \"When It Rains It Pours\", was released by Sun Records in 1954. The song was later recorded by Elvis Presley in 1957, but not released until 1965 on the album Elvis for Everyone.\n\nEmerson's version\nThe song was recorded on October 27, 1954 at Sun Recording Studio in Memphis, Tennessee. Sam Phillips was the producer. It was released on January 8, 1955 as Sun 214, as the B-side to the song \"Move Baby Move\" which did not chart.\n\nPersonnel at the season were Emerson, piano: Elven Parr, guitar: Robert Prindell, drums: Charles Smith, alto sax: Bennie Moore, tenor sax: and Luther Taylor, trumpet.\n\nPresley's recordings\nPresley had initially attempted to record the song while at Sun Records in November 1955, with Elvis and Scotty Moore on guitars, Bill Black on bass and Johnny Bernero on drums, but it was never completed as his contract with Sun was sold to RCA Records around the same time. The tapes of all Presley's Sun recordings were handed to RCA as part of the deal, with most of them being included on albums released shortly afterwards. Presley's 1955 recording of \"When It Rains, It Really Pours\", however, was not released. It was lost for several years until 1982 when it was found and finally released officially on the 1983 compilation album Elvis: A Legendary Performer Volume 4.\n\nPresley was recorded performing the song during the Million Dollar Quartet session on December 4, 1956.\n\nOn February 24, 1957 Presley again recorded the song, this time for RCA. This version also went unreleased until it appeared on the 1965 album Elvis for Everyone. The musicians on this session were Moore and Presley on guitars, Black on bass, Fontana on drums, Dudley Brooks on piano and the Jordanaires singing backup.\n\nIn 1968, during rehearsals for the television special Elvis, Presley was recorded singing it as a potential song for the show. Although the song was not chosen for the special, the rehearsal was released on The Complete '68 Comeback Special CD released in 2008.\n\nReferences\n\nElvis Presley songs\n1954 songs\nSongs written by Billy \"The Kid\" Emerson" ]

[ "Super Furry Animals", "1999-2000: Guerrilla and Mwng", "What is Guerrilla?", "the new album, Guerrilla.", "When was this released?", "1960s" ]

[ "Mwng (; English: Mane) is the fourth studio album by Welsh rock band the Super Furry Animals, and the first by the group to have lyrics written entirely in the Welsh language. Mwng was released on 15 May 2000 on the band's own record label, Placid Casual, following the demise of their former label, Creation. The album includes the single \"Ysbeidiau Heulog\", and reached number 11 on the UK Albums Chart following its release—the first Welsh-language album to reach the top 20. This success led to Mwng being mentioned in the House of Commons of the United Kingdom by Elfyn Llwyd, who described the record as a celebration of a \"new wave of confidence in the Welsh nation\".\n\nThe Super Furry Animals had attempted to make a hit record with a commercial sound with their previous release, 1999's Guerrilla. The record's singles failed to hit the top 10 of the UK Singles Chart, so the band decided to go on \"pop strike\". The group had written several Welsh-language songs during sessions for Guerrilla, and opted to release them as a coherent album rather than issue \"token Welsh songs\" as b-sides—reasoning that, if their English pop songs were not going to be played on the radio they may as well release Welsh pop songs that would not get played on the radio. Singer Gruff Rhys stated that, although the decision to release a Welsh language album was not an explicitly political statement, he does feel the record is a \"stand against globalisation\". Recording largely took place at Ofn Studios, Llanfaelog, Anglesey in 1999, with the band sharing production duties with Gorwel Owen. The \"lo-fi\" album cost just to make, in contrast with the \"excessive expense\" of Guerrilla, and was recorded almost entirely live.\n\nMwng is an understated rock record inspired by the band's love of \"Anglo-American pop culture of the 60s, 70s and 80s.\" The album has a \"wintery persona\" that is best summed up by the track \"Ymaelodi Â'r Ymylon\". Rhys feels that the record marks the first time the band managed to escape their influences and clearly establish their own sound. The album's lyrics deal with a diverse set of subjects, such as the death of rural communities, old school teachers, and Sarn Helen (a Roman road built in Wales). Rhys has stated that many of Mwngs songs are highly personal reflections on what were difficult years for him. Rhys has also expressed the belief that the album is accessible to non-Welsh speakers, as they can pick up on the mood of the songs even if they cannot understand the lyrics. Critical reception was generally positive, although some reviewers criticised the album for its \"bare-boned production\". Mwng was included in both the Melody Maker and NME \"Best album of 2000\" lists, with the latter calling the record the band's best release. The band were surprised by album's commercial success, entering number 11 in the UK charts, and going on to become the biggest-selling Welsh language album.\n\nOrigins and recording\n\nThe Super Furry Animals made a conscious decision to make a commercial-sounding \"pop jukebox\" record with 1999's Guerrilla. The band had written the album's intended singles with the hope that they would become \"radio hits\", and were disappointed with the limited success they received: the first single, \"Northern Lites\", charted just outside the Top 10 of the UK Singles Chart at number 11, while subsequent releases \"Fire in My Heart\" and \"Do or Die\" reached numbers 25 and 20, respectively. The band blamed their record label, Creation, for the relative failure of the singles—particularly \"Northern Lites\", which they felt \"could have been bigger\" if the label had produced a better music video and conducted a more successful marketing campaign. As a result, the group became tired of playing \"chart games\" and went on \"pop strike\", deciding to release music just \"for the joy of it\", with no agenda.\n\nThe Super Furry Animals had written several Welsh language songs while they were working on Guerrilla and decided that, rather than releasing \"token Welsh songs\" as b-sides and album tracks, they would issue them together as a coherent record. These tracks would be augmented by \"Dacw Hi\", a song written by Rhys in 1987 that he had never \"had a chance to do before\", and a cover of the track \"Y Teimlad\", which the group wanted to record because of their admiration for Welsh language band Datblygu (who originally wrote and recorded the song in 1984). According to Rhys, the Super Furry Animals reasoned that, if their English language pop songs were not getting played on the radio, they may as well make a Welsh language album featuring songs that would not be played on the radio. Rhys has said that, although the decision to release a Welsh language album was not \"an explicitly political statement\", he does see Mwng as a \"stand against globalisation\", railing against \"advanced capitalism\" and the lack of interest shown in minority cultures by large companies who \"just want to make money\". Rhys has also stated that his boredom with writing songs in English inspired him to write Mwng, and that it is a very personal album, rather than a celebration of Welsh culture.\n\nThe \"lo-fi\" Mwng was recorded over two weeks in late 1999, and—in contrast with the \"excessive expense\" of Guerrilla—cost just to make. The band chose Gorwel Owen as co-producer, having previously worked with him on their first two albums, 1996's Fuzzy Logic and 1997's Radiator. The majority of Mwng was recorded with Owen at Ofn Studios in Llanfaelog, Wales. According to Rhys, the band had to play in separate rooms to avoid the sound of one instrument bleeding onto the track of another during recording due to Ofn's small size. \"Y Gwyneb Iau\" and \"Ysbeidiau Heulog\" were recorded at Famous Studios in Cardiff, and were engineered by Greg Haver, while \"Y Teimlad\" was recorded at Real World Studios, Box, Wiltshire, and was engineered by Michael Brennan, Jr. \"Sarn Helen\" was recorded and engineered by keyboardist Cian Ciaran in his living room. Overdubs for all songs were added at Ofn with Owen, who also mixed the album at the studio along with the Super Furry Animals. Songs were recorded almost entirely live, with the band wanting to make a \"really immediate record\" as a reaction against the drawn out recording sessions for Guerilla and 1997's Radiator, which had taken several months and proved frustrating for the group. The version of \"Nythod Cacwn\" that appears on the album is the original demo, with Rhys on drums. The band felt that, although the demo did not sound very professional, there was a warmth to it that would be impossible to recreate were the group to record the song again. The album's title translates into English as \"Mane\". According to Rhys, the band did not have the mane of a particular animal in mind, but felt it could be \"an extension of a Super Furry Animal\".\n\nMusical style\n\nMwng is a \"lo-fi\", raw, and understated record of rock songs, \"stripped of the bleeps and squelches\" that appear on the Super Furry Animals' other releases. Although the album's lyrics are in Welsh, singer Rhys has said that \"musically there's nothing Welsh about it at all\", going on to state that the record's only real Welsh influences are Datblygu (the writers of \"Y Teimlad\") and Meic Stevens. Instead, the record is a tribute to the band's obsession with \"Anglo-American pop culture of the 60s, 70s and 80s\", and is an album that \"can be understood on a musical level anywhere in the Westernised world\" regardless of whether or not the listener can understand the lyrics.\n\nBassist Guto Pryce said that he feels Mwng \"sounds like an album\" rather than a collection of individual songs, due to the fact it was recorded live and over a short period of time. According to Rhys, Mwng marks a refining of the group's sound, with the band having \"sieved off\" their influences to truly sound like the Super Furry Animals for the first time. Rhys has said that, although keyboardist Cian Ciaran did not explore \"digital frontiers\" on the album, he was still able to \"deconstruct songs\", even when playing the harmonium. The band had previously thought of the saxophone as \"the instrument of Satan\", but actually used one on this record for the first time, reasoning that it was appropriate as Mwng is a \"darkish album\". Rhys described the album as the band's \"monochrome\" record, stating that it is \"less dressed up\" than their other releases, and that it is a \"good introduction to [the group's] songwriting.\"\n\nRhys said that \"if there's a song that sums up the album in terms of mood\", perhaps it is \"Ymaelodi Â'r Ymylon\", typifying its \"wintery persona\". The track has been described by Rhys as a celebration of the band's love of The Beach Boys, Love, and Ennio Morricone, featuring layered vocal harmonies. \"Pan Ddaw'r Wawr\" features a \"wheezing harmonium\" and \"perishing trumpet swirl\", and has been compared to the music of XTC, Ennio Morricone, and \"psychedelic-era\" Rolling Stones. According to Rhys, the music of \"Sarn Helen\" was written to provide the soundtrack to a fictional journey, \"cruising down the A5 to Rome in a two-door chariot\". The song has been called \"evil personified\" and dark, and has been likened to the sound of \"an approaching Roman army\". The \"folky\", eerily melancholic \"Nythod Cacwn\" has been compared to the Tori Amos single \"Cornflake Girl\". \"Y Gwyneb Iau\" has been described as a \"brass-soaked\" cross between the music of Herb Alpert and The Doors, featuring \"maudlin horns and military beats\", while Rhys has said that the song is a combination of Nick Drake, Gladys Knight, and The Velvet Underground's third album. \"Ysbeidiau Heulog\" and the album's opening track, \"Drygioni\", have been singled out as the only songs on Mwng that are \"distinctly cheery\". Both display glam rock influences and have been compared to Roxy Music, with Rhys describing \"Ysbeidiau Heulog\" as \"old time pop music\" with vocal harmonies that are a tribute to late 1960s groups such as the West Coast Pop Art Experimental Band and Os Mutantes.\n\nLyrical themes\n\nLyrically, the album deals with subjects as diverse as \"isolated communities, old school teachers and Roman roads\", but maintains a \"warped coherency\". According to Rhys, Mwngs lyrics—which he considers to be some of his best—were written \"very simply\" and convey simple messages. The singer made an effort to be economical with his words, not communicating a lot of information with them. Rhys feels that the album is accessible to non-Welsh speakers, citing his own experience of listening to Nirvana: \"If I listen to a Nirvana record I don't understand most of their lyrics cos he's just screaming away, but I just understand the frustration and the passion in his voice. I think equally people can get off on this record by just hitting on the mood of the song, or connecting to the mood of the song.\"\n\nSeveral of the songs on Mwng feature quite solemn, personal lyrics, which reflect on a difficult few years for Rhys. The single, \"Ysbeidiau Heulog\", is about \"looking back at a bad time which had the odd good moment\", while \"Pan Ddaw'r Wawr\" deals with the death of rural communities. The singer claims to have wept—rather than sung—the album's last track, \"Gwreiddiau Dwfn\" / \"Mawrth Oer Ar y Blaned Neifion\", which features lyrics \"so bleak it's almost comic\" about \"being rooted to a sad piece of land [...] being doomed to live somewhere and that's all you have and that's what you're stuck with\". Rhys has described Datblygu's \"Y Teimlad\" as being about \"not knowing what love is or what love means.\" \"Drygioni\" is a song about \"sleaze [...] about good versus evil, and a person's need for both\", and \"Y Gwyneb Iau\" is a \"moody song about war\" whose title is a Welsh insult that translates into English as \"Liverface\". In contrast, \"Nythod Cacwn\" is a comedic song, based on an incident involving drummer Dafydd Ieuan being chased by bees after he disturbed a beehive while attempting to build a bonfire on a beach. It features lyrics that were \"made up on the spot\" by Rhys. \"Dacw Hi\" is inspired by one of Rhys's former teachers who claimed she had eyes in the back of her head. \"Sarn Helen\" is about the decline of the Roman road of the same name that was built between North and South Wales. \"Ymaelodi Â'r Ymylon\" is partly inspired by the ostracisation the band felt from some areas of the Welsh musical community due to their decision to sing in English on earlier albums. The track's lyrics feature the old Welsh idiom \"y cythraul canu\", which means \"the demon in music\" and refers to the friction this can create between people.\n\nRelease and legacy\n\nThe Super Furry Animals had originally intended to issue Mwng in March 2000, but the release was delayed due to the demise of the band's UK record label, Creation. The group have variously stated that Creation originally planned to issue Mwng, but allowed the group to buy the rights from them for around , and that the company \"didn't want to take\" the record in the first place. The band decided to put the album out on their own label, Placid Casual, as they were worried that a label that did not understand the group might do something \"horrific\", such as putting a Welsh flag on the cover. The \"Mwng\" logo on the cover is based on the logo for Mixmag\n\nMwng was eventually released on 15 May 2000 in the United Kingdom on CD, cassette, and vinyl, and reached number 11 in the UK Albums Chart. In the United States, Mwng was released on 20 June 2000 by Flydaddy, with a bonus CD entitled Mwng Bach (; English: Little Mane) featuring five Welsh language tracks: \"Sali Mali\", from the 1995 EP Moog Droog, and four songs which had originally been released in the UK as B-sides. This two-disc version of Mwng was reissued in the US in 2005 by XL Recordings/Beggars Banquet US. \"Ysbeidiau Heulog\" was released as the only single from the album, and failed to chart inside the UK Singles Top 75. Although the Super Furry Animals had \"no commercial expectations\" for the album, Mwng became the first Welsh-language record to reach the Top 20 of the UK album charts, and has frequently been called the biggest-selling Welsh language album of all time. As a result of the record's success, Mwng was mentioned in the House of Commons of the United Kingdom by Plaid Cymru's Elfyn Llwyd, who called on his fellow politicians to congratulate the band on their \"chart topping new album\" and recognise Mwng as a celebration of a \"new wave of confidence in the Welsh nation\". Rhys dismissed Llwyd's statement, saying that the record is very personal and has \"bugger all to do with a celebration\".\n\nIn 2015, fifteen years after its release, Domino Records re-issued Mwng. Deluxe vinyl, CD and download versions included content from the bonus Mwng Bach disc, originally included with Mwng'''s American release, along with live recordings and radio sessions.\n\nCritical receptionMwng received generally positive reviews from critics, with a score of 84 on Metacritic denoting \"universal acclaim\". AllMusic called the album \"terrific\", and stated that the band's decision to release an all-Welsh record was courageous and proof that they are \"the great eccentric band of [their] time\". Drowned in Sound called the album \"a poignant, dark, curling, bundle of songs\", but expressed sadness that the band's usual \"skewed play on words\" are missed by all but Welsh speakers. In contrast, Rolling Stone said that the album's \"tight arrangements of melodic bliss\" manage to cross the \"Welsh-language barrier.\" Yahoo! Music stated that Mwng cemented the Super Furry Animals' position as \"figureheads of futuristic rock.\" The review went on to state that Mwng is \"a theoretically disorientating and complex, but triumphantly audacious, experience\", and said that initial reservations about not being able to understand the lyrics were lost when it became clear that Rhys was always \"unintelligible [...] on record anyway\".\n\nMatt LeMay, reviewing Mwng on its initial release for Pitchfork, described the album as being not as \"fully realised or inventive\" as 1999's Guerrilla and said that, although the record highlights Rhys's talents for songwriting, the lack of any \"electronic wizardry\" from keyboard player Ciaran is disappointing. LeMay went on to state, however, that Mwng is \"still [...] a damned enjoyable listen\", and said that the record \"couples cultural pride with unforgettable melodies in a way few bands have ever attempted\". On the album's re-release in 2005, Pitchfork writer Marc Hogan stated that Mwng's \"sinuous pop melodies and organic arrangements\" make for an \"exciting discovery\", despite the lack of the band's \"usual studio wizardry\". Q said that, while tracks such as \"Ymaelodi Â'r Ymylon\" and \"Y Gwyneb Iau\" are \"strangely charming, chiming pop music with a twist\", Mwng is hampered by its \"bare-boned production\". Mojo, however, described the album as a \"sensuous sonic journey\" with an \"organic, woody, mystical atmosphere\" that compares favourably with the overly-produced sounds of the band's previous records. The magazine went on to suggest the album's only flaw is that it \"manages to lose its way for a while [...] in the middle\", thanks to the poor sequencing of its tracks.Nude as the News stated that, although the record is \"more reserved\" than the band's previous releases, it \"conjures up images of the Welsh winter in which the songs were recorded\" and fits in with the group's \"unique vision.\" Melody Maker described the album as a \"sad, beautiful record\", but expressed concern that the Super Furry Animals had moved away from the pop of Guerilla and called on them to deliver another release in the vein of the band's 1996 single \"The Man Don't Give a Fuck\". Nevertheless, Mwng was ranked number 24 in the magazine's \"Albums of the year 2000\" feature. Website SonicNet described the record as a slightly retro album that sees the Super Furry Animals \"refashion the past into the present\". Art Sperl, writing for Rock's Backpages in December 2000, stated that although the album \"[gathers] from the past\", the band's influences are channelled \"into a truly organic maverick pop\". NME described Mwng as an antidote to the \"preservative pumped-junk\" music that they felt was prevalent at the time of the album's release, and placed it at number nine in their album of the year list for 2000, calling it the group's best record. The magazine also described the album as the most accessible Super Furry Animals release, despite its Welsh-language lyrics. Rhys has stated that he considers Mwng'' to be a \"really pure record\".\n\nAccolades\n\nTrack listing\n\nPersonnel\n\nBand\nGruff Rhys – lead vocals, rhythm guitar, drums on \"Nythod Cacwn\"\nHuw Bunford – lead guitar, backing vocals\nGuto Pryce – bass guitar\nCian Ciaran – keyboards, harmonium, backing vocals\nDafydd Ieuan – drums, backing vocals\n\nAdditional musicians\nGary Alesbrook – trumpet\nMatt Sibley – saxophone\nCan Pierce – claps\nLlyr Pierce – claps\nGorwel Owen – Stylophone\n\nRecording personnel\nSuper Furry Animals – production, mixing, mastering \nGorwel Owen – production, engineering, mixing (Ofn Studios)\nGreg Haver – engineering (Famous Studios)\nMichael Brennan Jnr. – engineering (Real World Studios)\nStuart Hawkes – mastering (Metropolis)\n\nArtwork\nPete Fowler – illustration\nJohn Mark James – design\n\nAlbum chart position\n\nReferences\n\nExternal links\n\nMwng at YouTube (streamed copy where licensed)\n\n \nMwng.co.uk explanation of lyrics in English on partially working official album site\n\n2000 albums\nSuper Furry Animals albums\nWelsh-language albums\nAlbums produced by Gorwel Owen\nLo-fi music albums\nAlbums with cover art by Pete Fowler", "Placid Casual is the Cardiff based record label set up in 1998 by Super Furry Animals. It is named after a track on their album Radiator.\n\nAccording to the label's website \"Placid Casual retains an amateur status and an a&r policy of blatant nepotism. We exist to expose to the world (when we can be bothered), songs that come our way that may be ignored otherwise.\" The Independent has described the label as an \"enterprise run by passion not for profit\".\n\nSuper Furry Animals released their Welsh language album Mwng on the label before leaving to sign with Epic Records.\n\nGruff Rhys also released his debut solo album, Yr Atal Genhedlaeth, on the label in 2005.\n\nSee also\n List of record labels\n\nReferences\n\nExternal links\n Placid Casual website\n\nSuper Furry Animals\nWelsh record labels\nRecord labels established in 1998\nAlternative rock record labels\nCompanies based in Cardiff\nEconomy of Cardiff" ]

[ "Super Furry Animals", "1999-2000: Guerrilla and Mwng", "What is Guerrilla?", "the new album, Guerrilla.", "When was this released?", "1960s", "What is Mwng?", "Welsh language songs entitled Mwng." ]

[ "The Derzky or Bespokoiny-class destroyers was a class of destroyers built for the Imperial Russian Navy just before World War I. Nine ships were built for the Black Sea Fleet. These ships were a derivative of the , but were slightly smaller. These ships were popular with the Russians and effective particularly in the Black Sea, where the Ottoman Navy had no similar ships.\n\nShips\n\nBibliography\n\nExternal links\n\nDestroyer classes\nD\nWrangel's fleet\nDestroyers of the Soviet Navy", "Lira popular (Popular Lire), also called string literature, refers to the style of poetry written and printed in Chile in the late nineteenth and early twentieth centuries. Poets created a series of loose prints that circulated in urban areas. It was advertised and spread by hanging it from string hung in common areas between poles or from trees. Many of the people who wrote the poems were either peasants, or poets who used the voices and opinions of the people to comment on news or social events.\n\nThemes \nMany of the poems in Lira popular are centered on themes such as misery, love, violence, murder, life, death, crime and religion. Poets chose these subjects to excite curiosity in readers where the accompanying illustrations depict the conditions and circumstances of their lives.\n\nPrinting \nLira popular were printed in varying forms over time. The first popular pages measured 26 x 35cm in Chile. Over time, they grew to 54 x 38. Liras today are of similar size. Each sheet of a Lira consists of 5 to 8 poems with pictures and drawings usually created by the poets. The purpose of these drawings is to illustrate the work's theme. The accompanying pictures illustrate the poem's story. The two types of images seen in Lira popular are xylography, where rough artwork was sent to poets to be described in verse. The signature of the engraver was often omitted. However, Adolfo Reyes was responsible for many of the illustrations. He illustrated his verses using a penknife and raulí board. The second type of image is known as cliché. These old images weren’t always necessarily relevant to the content but were used simply as decoration. Titles of Lira popular are similar to titles in newspapers today, in a large font, to catch attention.\n\nHistory \nIn many Latin American countries, news traveled slowly, especially between Spain and Central and South America. Lira, aided by the printing press, allowed information to spread faster than just by word of mouth. In the beginning, Lira popular was used to allude to events in Spain and other countries. Still, over time it became more of a cultural trend, eventually used as a representation of a country’s experiences and events. To have their poetry published in Lira popular, poets were responsible for registering their names. They were in charge of making sure that their works were published and had to go out in public and work hard to sell those original works. In addition to signing his name (or a pseudonym), the poet often distributed copies in the streets where workers, peasants, and artisans could have access. As it was a largely illiterate group at the time, the images and public readings helped to attract people to hear the reading of the tenths out loud.\n\nTimeline \n1541\n\nWritten poetic forms and other works are introduced in Chile, such as romances and counterpoint articles, through missionaries and writers, as well as imported books and documents.\n\n1866\n\nThe War against Spain caused the appearance of the first poetic documents that talked about the news.\n\n1879\n\nThe War of the Pacific is talked about by famous poets through the Popular Lira\n\n1880\n\nBernardino Guajardo, considered the most essential famous Chilean poet of the nineteenth century, published poems in five volumes in the same form as Lira popular.\n\n1891\n\nDevelopment and boom of the Lira popular.\n\n1920\n\nThe printing of popular liras falls due to the expansion of the publishing and journalism industry. The first study on the Lira Popular, by the German ethnologist and linguist Rodolfo Lenz, is published in Chile.\n\n1952 \n\nDiego Muñoz and Inés Valenzuela begin publishing “Lira Popular” in newspapers with the contributions of many poets or “payadores.”\n\nCollections \nCurrently, there are three entire collections of Lira being displayed and held for public use. Of the three, two are shown at The Archive of Oral Literature and Popular Traditions at the National Library of Chile. The third is in the Andrés Bello Central Archive of the University of Chile. Over 850 sheets of Lira are preserved.\n\nSee also \n Cordel literature\n\nReferences \n\nChilean literature" ]

[ "Simon Poidevin", "Rugby Sevens" ]

[ "Sharon Evelin Acevedo Tangarife (born March 5, 1993) is a female rugby sevens player. She played for Colombia's women's national rugby sevens team at the 2015 Pan Am Games in Toronto. She was named in Colombia's women's 2016 Olympic sevens team.\n\nShe is the older sister of Nicole Acevedo who is also a rugby sevens player.\n\nReferences\n\nExternal links \n \n \n\n1993 births\nLiving people\nFemale rugby sevens players\nRugby sevens players at the 2015 Pan American Games\nRugby sevens players at the 2016 Summer Olympics\nColombian international rugby sevens players\nOlympic rugby sevens players of Colombia\nCentral American and Caribbean Games gold medalists for Colombia\nCompetitors at the 2014 Central American and Caribbean Games\nCompetitors at the 2018 Central American and Caribbean Games\nRugby sevens players at the 2019 Pan American Games\nCentral American and Caribbean Games medalists in rugby sevens\nPan American Games competitors for Colombia", "Audrey Amiel (born 3 March 1987) is a French rugby sevens player. She was selected as a member of the France women's national rugby sevens team to the 2016 Summer Olympics.\n\nShe is a Firefighter by profession.\n\nReferences\n\nExternal links \n \n \n \n\n1987 births\nLiving people\nFemale rugby sevens players\nRugby sevens players at the 2016 Summer Olympics\nFrench female rugby union players\nOlympic rugby sevens players of France\nFrance international rugby sevens players" ]

[ "Simon Poidevin", "Rugby Sevens", "what is rugby sevens?", "I don't know." ]

[ "is a Belgian crime comedy television series on the Belgian channel Eén.\nIn the television show, a local Belgian potato farmer lost all his money and tries to win it back by growing cannabis.\nThe main language in the series is Dutch (Flemish) - more specifically West Flemish, a dialect in the province of West Flanders.\n\nHowever, as the farmers have Philippine wives, the locals also speak English with a very strong Flemish accent during the show.\n\nSeries overview\n\nSeason 1\n\n (An Interesting Investment)\n (My Mother Came Along)\n (Operation Bud-tokers)\n What Is That With The Washing Machine\n (For 7x70 times)\n (And No Cops!)\n\nChristmas Special\n\n (Christmas special)\n\nSeason 2\n\n (There's a man over there)\n (Keep out of my drawers)\n (potato beetles)\n Sick from Stockholm\n (Jos, let me go)\n The Code out a Dream from Mama\n\nSeason 3\n\n (Busy with something)\n (Accused of something)\n (All alone)\n \n Ze blow up job\n (the end)\n\nReferences\n\nBelgian television shows", "a TEN Talk (originally 10Talk) is a short presentation on a topic of the speaker's choosing given at a BarCamp type conference. It derives from a TED Talk and originated at the 2012 RefreshCache v4 developer conference (now defunct) in Gilbert, Arizona during the open floor demo time with a description of \"Fast paced 10 minute presentations by the you and the other leaders among us.\" Since the term was still somewhat new at the time, a \"What is a Ten-Talk?\" page was created on the RefreshCache site with the following abbreviated description so potential Ten-Talk presenters would know exactly what was expected of them:\n \n A Ten-Talk is a fast-paced, ten minute POLISHED presentation on an interesting topic that you think will appeal to the Church IT / Web Developer audiences.\n \n Here are some examples of Ten-Talk topics:\n (1) Have you implemented something at your church that has been a radical success or epic failure? We can learn from either of these!\n (2) Do you have an inspirational message that can lead others to action? Even better if you can share how this message inspired you to action and then show us what you did.\n (3) Have you spent time researching and understanding something in the world of ministry software or Church IT? Maybe you are an expert in [redacted]. Present this to the Church IT Network /RefreshCache community and share what you know. Your research may help another church find the solution to a problem they are facing, or save them the trouble of doing all the research you just did by realizing it won't work for them.\n\nIt was later adopted at the national Church IT Round Table conference held in February 2013 in Phoenix, Arizona when the two events began to intermingle and used again in 2014 at the Peoria, Illinois event where it was re-described as \"10Talks (or TEN-Talks) are 10 minute, fast paced talks on a topic. These are perfect sessions for raising awareness about a topic, tool, or idea that you think your peers should know.\"\n\nIts use outside of CITRT conferences is thought to begin with the WLAN professionals summit in February 2014.\n\nReferences\n\nPresentation" ]

[ "Simon Poidevin", "Rugby Sevens", "what is rugby sevens?", "I don't know.", "What is something interesting during this time?", "The final was the first time that Poidevin would oppose Wayne \"Buck\" Shelford," ]

[ "The Utah State–Wyoming football rivalry is an American college football rivalry between the Utah State Aggies and the Wyoming Cowboys. The rivalry is one of the oldest for both schools; it is Utah State's fourth-oldest rivalry and Wyoming's fifth. The schools played for the first time in 1903, a Aggie victory and Utah State leads the series \n\nOn November 25, 2013, “Bridger’s Battle” was announced as the name for the rivalry, after American frontiersman who spent much of his career in the region. A .50 caliber Rocky Mountain Hawken rifle was announced as the trophy for the rivalry, widely considered to be what Bridger carried.\n\nMeetings\nUtah State and Wyoming have a storied history dating back to the early 1900s as both schools were members of the Rocky Mountain Athletic Conference (RMAC) from 1916–37 and later members of the Mountain States Conference from 1938–61. Following the dissolution of the Mountain States Conference in 1962, Utah State and Wyoming continued to play almost every year until 1978, then did not play again until 2001. They would meet only four additional times from 2003 to 2011.\n\nUtah State joined the Mountain West Conference in 2013 and was placed in the same division as Wyoming; the rivalry was renewed and is again played an annual basis. The 2020 matchup, scheduled to be played in Laramie, was cancelled due to a spike in cases of COVID-19 within the Utah State program amid the ongoing pandemic.\n\nGame results\n\nSee also \n List of NCAA college football rivalry games\n\nReferences\n\nCollege football rivalries in the United States\nUtah State Aggies football\nWyoming Cowboys football", "In hurling, the term \"Big Three\" () refers to the hurling county teams of Cork, Kilkenny and Tipperary.\n\nHistorically, these three counties have dominated the sport. Together, they have won 94 out of 133 of the All-Ireland Senior Hurling Championships (71%) and 52/90 (58%) of the National Hurling Leagues.\n\nResults\nAccurate to 23 August 2021.\n\nSee also\nCork–Kilkenny hurling rivalry\nCork–Tipperary hurling rivalry\nKilkenny–Tipperary hurling rivalry\n\nReferences" ]

[ "Simon Poidevin", "Rugby Sevens", "what is rugby sevens?", "I don't know.", "What is something interesting during this time?", "The final was the first time that Poidevin would oppose Wayne \"Buck\" Shelford,", "did they have a rivalry?", "a fierce rivalry between the two men." ]

[ "is a former Japanese football player.\n\nPlaying career\nHorinouchi was born in Saitama on October 26, 1979. After graduating from Tokyo Gakugei University, he joined the J1 League club Urawa Reds in 2002. He got an opportunity to play in 2003 and he played many matches as stopper in a three-backs defense from 2005. The Reds won the championship at the 2005 Emperor's Cup. At the Emperor's Cup Final, he scored the opening goal. In 2006, he became a regular player as left defender of a three-back defense with Keisuke Tsuboi and Marcus Tulio Tanaka and the Reds won the championship of the J1 League for the first time in the club's history. In 2007, the Reds won the championship of the AFC Champions League. Although he did not play as much in 2009, he played many matches as defensive midfielder. However he did not play at all in 2011. In 2012, he moved to the J2 League club Yokohama FC. Although he did not play much during the summer, he played as center back after that. In 2013, he moved to the J2 club Montedio Yamagata. He played many matches as center back. He retired at the end of the 2013 season.\n\nClub statistics\n\n*Includes other competitive competitions, including the Japanese Super Cup, A3 Champions Cup and J1 Promotion Play-offs.\n\nAwards and honours\n\nClub\nUrawa Reds\nAFC Champions League: 1\n 2007\nJ1 League: 1\n 2006\nEmperor's Cup: 2\n 2005, 2006\nJ.League Cup: 1\n 2003\nJapanese Super Cup: 1\n 2006\n\nReferences\n\nExternal links\n\n1979 births\nLiving people\nTokyo Gakugei University alumni\nAssociation football people from Saitama Prefecture\nJapanese footballers\nJ1 League players\nJ2 League players\nUrawa Red Diamonds players\nYokohama FC players\nMontedio Yamagata players\nAssociation football defenders", "The Irish League in season 2002–03 comprised two divisions, one of 12 teams and one of 8, and Glentoran won the championship.\n\nPremier Division\n\nLeague standings\n\nResults\n\nMatches 1–22\nDuring matches 1–22 each team plays every other team twice (home and away).\n\nMatches 23–33\nDuring matches 23–33 each team will play every other team for the third time (either at home, or away).\n\nMatches 34–38 \nDuring matches 34–38 each team will play every other team in their half of the table once. As this is the fourth time that teams play each other this season, home sides are chosen so that they will have played each other twice at home and twice away.\n\nSection A\n\nSection B\n\nFirst Division\n\nLeague standings\n\nReferences\nNorthern Ireland - List of final tables (RSSSF)\n\nNIFL Premiership seasons\n1\nNorthern" ]

[ "Simon Poidevin", "Rugby Sevens", "what is rugby sevens?", "I don't know.", "What is something interesting during this time?", "The final was the first time that Poidevin would oppose Wayne \"Buck\" Shelford,", "did they have a rivalry?", "a fierce rivalry between the two men.", "what other matches did he play in during this time?", "Poidevin then participated in the Hong Kong Sevens where Australia were knocked-out in the semi-final" ]

[ "Christy Gunn (born 26 November 1985) is a Hong Kong rugby union player. She represented Hong Kong at their first World Cup in 2017.\n\nBiography \nGunn captained Hong Kong at the 2015 Asia Rugby Women's Championship. She was selected for the Hong Kong sevens team as they sought to secure a core team spot for the 2015–2016 Sevens Series. In November, she was called up for the sevens team in the 2015 Women's Sevens Championships which was a qualification series for the Rio Olympics.\n\nGunn was named in Hong Kong's training squad and then featured at the 2017 World Cup repechage tournament against Fiji and Japan. She and her husband, Stuart, got married in 2017.\n\nIn January 2018 Gunn was named as co-captain of the sevens team when they competed at the Fiji Coral Coast 7s. She captained the sevens team as they competed at the 2018 Borneo Sevens in March as preparation for the Sevens Series Qualifier in April. Gunn was named again as captain at the 2018 Hong Kong Women's Sevens which was a qualifier for the 2018–19 sevens series.\n\nReferences \n\n1985 births\nLiving people\nHong Kong female rugby union players\nHong Kong female rugby sevens players", "The Chinese Taipei national rugby sevens team is a minor national sevens side. They have competed in the Hong Kong Sevens since the 1980s. In 1989, veteran rugby commentator Bill McLaren mentions them in an article on the Hong Kong Sevens, saying that their team had two Chi-Mings, a Yen-Ching, and a Chijen-Shuen, and that he was grateful that he did not have to broadcast all the names, as he had trouble remembering them.\n\nRecord\n\nSummer Olympics\n\nRugby World Cup Sevens\n\nHong Kong Sevens\n\nSri Lanka Rugby 7s\n\nAsian Games\n\nReferences\n McLaren, Bill A Visit to Hong Kong in Starmer-Smith, Nigel & Robertson, Ian (eds) The Whitbread Rugby World '90 (Lennard Books, 1989)\n\nRugby union in Taiwan\nChinese Taipei national rugby union team\nNational rugby sevens teams" ]

[ "Simon Poidevin", "Rugby Sevens", "what is rugby sevens?", "I don't know.", "What is something interesting during this time?", "The final was the first time that Poidevin would oppose Wayne \"Buck\" Shelford,", "did they have a rivalry?", "a fierce rivalry between the two men.", "what other matches did he play in during this time?", "Poidevin then participated in the Hong Kong Sevens where Australia were knocked-out in the semi-final", "which team beet them in the hong kong sevens?", "the French Barbarians." ]

[ "The 23rd Fangoria Chainsaw Awards is an award ceremony presented for horror films that were released in 2020. The nominees were announced on January 20, 2021. The film The Invisible Man won five of its five nominations, including Best Wide Release, as well as the write-in poll of Best Kill. Color Out Of Space and Possessor each took two awards. His House did not win any of its seven nominations. The ceremony was exclusively livestreamed for the first time on the SHUDDER horror streaming service.\n\nWinners and nominees\n\nReferences\n\nFangoria Chainsaw Awards", "The 3rd Academy Awards were awarded to films completed and screened released between August 1, 1929, and July 31, 1930, by the Academy of Motion Picture Arts and Sciences.\n\nAll Quiet on the Western Front was the first film to win both Best Picture and Best Director, a feat that would become common in later years. Lewis Milestone became the first person to win two Oscars, having won Best Director – Comedy at the 1st Academy Awards.\n\nThe Love Parade received six nominations, the greatest number of any film to that point. However, it did not win in any category.\n\nBest Sound Recording was introduced this year, making it the first new category since the inception of the Oscars. It was awarded to Douglas Shearer, brother of Best Actress winner Norma Shearer, making them the first sibling winners in Oscar history.\n\nThis was also the first Academy Awards ceremony to be filmed. It is unknown where it was filmed at, but what was filmed was Universal Pictures co-founder and president Carl Laemmle winning a special Academy Award for All Quiet on the Western Front which was given to him by Louis B. Mayer, who was vice president of Metro-Goldwyn-Mayer at the time, Norma Shearer winning her Best Actress award, and screenwriter Frances Marion winning the Academy Award for Best Writing Achievement for The Big House.\n\nAwards \n\nWinners are listed first and highlighted in boldface.\n\nMultiple nominations and awards \n\nThe following eight films received multiple nominations:\n\n 6 nominations: The Love Parade\n 4 nominations: All Quiet on the Western Front, The Big House and The Divorcee\n 3 nominations: Disraeli and Anna Christie\n 2 nominations: Bulldog Drummond and Romance\n\nThe following two films received multiple awards:\n\n 2 awards: All Quiet on the Western Front and The Big House\n\nSee also \n\n 1929 in film\n 1930 in film\n\nReferences\n\nAcademy Awards ceremonies\n1929 film awards\n1930 film awards\n1930 in American cinema\nAcademy Awards\nNovember 1930 events" ]

[ "Simon Poidevin", "Rugby Sevens", "what is rugby sevens?", "I don't know.", "What is something interesting during this time?", "The final was the first time that Poidevin would oppose Wayne \"Buck\" Shelford,", "did they have a rivalry?", "a fierce rivalry between the two men.", "what other matches did he play in during this time?", "Poidevin then participated in the Hong Kong Sevens where Australia were knocked-out in the semi-final", "which team beet them in the hong kong sevens?", "the French Barbarians.", "did he win any awards during this time?", "I don't know." ]

[ "Zone is the third and final studio album by Australian music group Southern Sons. The album was released in Australia in 1996. The album was re-released in late 1996 with an alternate track listing and three live tracks. All the tracks were written by guitarist Phil Buckle with various contributions. The album was also released in the Australian iTunes Store as a digital download in 2010. Colin Hay appears as guest on track \"Don't Tell Me What's Right\"\n\nTrack listing\n \"Zone\" (J. Jones, P. Buckle, T. Deluca) – 4:23\n \"Living Without You\" (J. Jones, P. Buckle) – 3:38\n \"Don't Tell Me What's Right\" (P. Buckle) – 3:57\n \"Seeds\" (P. Buckle, J. Jones, T. Deluca) – 3:21\n \"Trust In Me\" (P. Buckle) – 5:01\n \"We Are One\" (P. Buckle) – 4:00\n \"You Don't Know Me\" (J. Jones, P. Buckle, T. Deluca) – 3:46\n \"Fare Thee Well\" (P. Buckle) – 4:39\n \"Let It Go\" (P. Buckle) – 3:27\n \"Can't Help Wanting To\" (J. Jones, P. Buckle, T. Deluca) – 4:06\n \"Don't Ask Me Why\" (J. Jones, P. Buckle, T. Deluca) – 4:11\n\n1996 Re-Release track listing\n \"Zone\" (J. Jones, P. Buckle, T. Deluca) – 4:23\n \"Living Without You\" J. Jones, P. Buckle) – 3:38\n \"Don't Tell Me What's Right\" (P. Buckle) – 3:57\n \"Seeds\" (P. Buckle, J. Jones, T. Deluca) – 3:21\n \"Trust In Me\" (P. Buckle) – 5:01\n \"We Are One\" (P. Buckle) – 4:00\n \"You Don't Know Me\" (J. Jones, P. Buckle, T. Deluca) – 3:46\n \"Fare Thee Well\" (P. Buckle) – 4:39\n \"Let It Go\" (P. Buckle) – 3:27\n \"Can't Help Wanting To\" (J. Jones, P. Buckle, T. Deluca) – 4:06\n \"Pretend\" (P. Buckle) – 3:54\n \"Feels Right\" (P. Buckle) – 4:11\n \"Try\" (P. Buckle) – 2:32\n \"You Were There (Live)\" (P. Buckle) – 3:40\n \"Silent Witnesses (Live)\" (P. Buckle) – 4:08\n \"Hold Me In Your Arms (Live)\" (P. Buckle) – 4:29\n\nPersonnel\nJack Jones – lead vocals, guitars\nPhil Buckle – guitars, backing vocals\nVirgil Donati – drums, keyboards\nGeoff Cain – bass\nColin Hay – vocals on \"Don't Tell Me What's Right\"\n\nReferences\n\nSouthern Sons albums\n1996 albums", "Follow Me! is a series of television programmes produced by Bayerischer Rundfunk and the BBC in the late 1970s to provide a crash course in the English language. It became popular in many overseas countries as a first introduction to English; in 1983, one hundred million people watched the show in China alone, featuring Kathy Flower.\n\nThe British actor Francis Matthews hosted and narrated the series.\n\nThe course consists of sixty lessons. Each lesson lasts from 12 to 15 minutes and covers a specific lexis. The lessons follow a consistent group of actors, with the relationships between their characters developing during the course.\n\nFollow Me! actors\n Francis Matthews\n Raymond Mason\n David Savile\n Ian Bamforth\n Keith Alexander\n Diane Mercer\n Jane Argyle\n Diana King\n Veronica Leigh\n Elaine Wells\n Danielle Cohn\n Lashawnda Bell\n\nEpisodes \n \"What's your name\"\n \"How are you\"\n \"Can you help me\"\n \"Left, right, straight ahead\"\n \"Where are they\"\n \"What's the time\"\n \"What's this What's that\"\n \"I like it very much\"\n \"Have you got any wine\"\n \"What are they doing\"\n \"Can I have your name, please\"\n \"What does she look like\"\n \"No smoking\"\n \"It's on the first floor\"\n \"Where's he gone\"\n \"Going away\"\n \"Buying things\"\n \"Why do you like it\"\n \"What do you need\"\n \"I sometimes work late\"\n \"Welcome to Britain\"\n \"Who's that\"\n \"What would you like to do\"\n \"How can I get there?\"\n \"Where is it\"\n \"What's the date\"\n \"Whose is it\"\n \"I enjoy it\"\n \"How many and how much\"\n \"What have you done\"\n \"Haven't we met before\"\n \"What did you say\"\n \"Please stop\"\n \"How can I get to Brightly\"\n \"Where can I get it\"\n \"There's a concert on Wednesday\"\n \"What's it like\"\n \"What do you think of him\"\n \"I need someone\"\n \"What were you doing\"\n \"What do you do\"\n \"What do you know about him\"\n \"You shouldn't do that\"\n \"I hope you enjoy your holiday\"\n \"Where can I see a football match\"\n \"When will it be ready\"\n \"Where did you go\"\n \"I think it's awful\"\n \"A room with a view\"\n \"You'll be ill\"\n \"I don't believe in strikes\"\n \"They look tired\"\n \"Would you like to\"\n \"Holiday plans\"\n \"The second shelf on the left\"\n \"When you are ready\"\n \"Tell them about Britain\"\n \"I liked everything\"\n \"Classical or modern\"\n \"Finale\"\n\nReferences \n\n BBC article about the series in China\n\nExternal links \n Follow Me – Beginner level \n Follow Me – Elementary level\n Follow Me – Intermediate level\n Follow Me – Advanced level\n\nAdult education television series\nEnglish-language education television programming" ]

[ "James Levine", "Metropolitan Opera" ]

[ "Seo Jung-hack () is a South Korean baritone singer.\n\nCareer\n\n1990s and 2000s\nSouth Korean Baritone to Perform with the Metropolitan Opera Company (1997–98).\n\nAfter graduating from Seoul National University, Jung-Hack Seo entered the Curtis Institute of Music.\n\nHe debuted with the San Francisco Opera in 1993 where he was the First Asian singer to win the Schwabache Family Award.\n\nIn 1996, Seo went on to win the Metropolitan Opera Competition and enter the Metropolitan Opera Young Artist Development Program.\n\nIn 1997, he performed the title role in \"Ill Barbiere di Siviglia\" and other programs with the Metropolitan Opera Company.\n\nIn 1997, he entered the Operalia, The World Opera Competition and placed second.\n\nHe has performed with numerous world class opera companies besides the Metropolitan Opera, such as the Wiener Staatsoper. The Opera Company of Philadelphia, the Connecticut Grand Opra, Tulsa Opera, the Dallas Opera, The San Francisco Opera and the Opera of the Pacific.\n\nHe studied under In-Young Lee, Marlena Malas, Renata Scotto, Robert Merill.\n\n2000s - present\n2006 Don Carlo at Seoul Arts Center\n\n2004 Oct. Lucia Di Lanmermoor at Seoul Arts Center\n\nPerformance in Japan\n2010 June 11 \"REINCARNAZIONE\" Vol.3 Finale The Road To Music at Bunkamura Orchard Hall\nperformed with Tokyo Philharmony Orchestra, Conducted by Mr. Park Sang-Hyun\n2009 July 17 Solo Concert \"REINCARNAZIONE\" Vol.2 l'Indicatore stradale poi l'amore at Ginza Oji Hall\n2009 July 14 Solo Concert \"REINCARNAZIONE\" Vol.2 l'Indicatore stradale poi l'amore at Kyoto Concert Hall\n2009 April 10 Solo Concert \"REINCARNAZIONE\" Vol.1 La Confession at Ginza Oji Hall\n2009 March 6 Solo Concert \"REINCARNAZIONE\" Prelude Svegliando at Saloon Tezzerra\n2008 March and May Gala Concert>br>\n2004 December 19 \"Beethoven No.9 At Tokorozawa\"\n\nAwards and distinctions\n\nManagement\n \nIn Japan: SEO MUSICA UNITA(Self management house) supported by WINNINGRUN MUSICA(WINNINGRUN Co., Ltd.)\nOther than Korea : Produce and management by WINNINGRUN CO., Ltd. ( Dated on Dec 09 2009 )\n\nRecordings\nThe American Russian Youth Orchestra in Concert\n\nNotes and references\n\nMETROPOLITAN OPERA NATIONAL COUNCIL WINNERS See 1996 Winner Seo, Jung-Hack　PDF Files \nSeoul National University Seoul National University\nSeoul National University College of Music\nSeoul Arts Center\nThe Licia Albanese-Puccini Foundation International Vocal Competition 1996　\nRomeo et Juliette Role: Paris Dated on March 28, 1998 \nIll Barbiere di Siviglia Role: Fiorello (title role) Dated on Dec. 20, 1997 \n1996 Met Competition.\nSerch of Jung-Hack Seo News *Online&sp-i=1\nMerola Opera \nNew York Times Search ”Jung-Hack Seo”\n\nExternal links\nSEO MUSICA UNITA: The Official Web Site Korean & Japanese.\nKBS Open concert: \nOperalia, The World Opera Competition\nThe American Russian Youth Orchestra in Concert \n\nLiving people\nOperatic baritones\n20th-century South Korean male singers\nSouth Korean opera singers\nCurtis Institute of Music people\nWinners of the Metropolitan Opera National Council Auditions\n21st-century South Korean male singers\nYear of birth missing (living people)\nSouth Korean baritones", "Vittorio Grigolo (correctly Vittorio Grigòlo, born 19 February 1977) is an Italian operatic tenor.\n\nEarly life\nGrigolo was born in Arezzo and raised in Rome. He began singing by the age of four. When he was nine years old he accompanied his mother to have her eyes tested and, hearing someone singing from another room, he spontaneously began his own rendition of \"Ave Maria\". The singer, the optician's father, was so impressed that he insisted Grigolo have an audition for the Sistine Chapel Choir as soon as possible. Young Vittorio was chosen to become part of Sistine Chapel Choir as a soloist. He then studied for five years at the Schola Puerorum at the Sistine Chapel. At age 13 he played the Pastorello in a performance of Tosca at Teatro dell'Opera di Roma, where he shared the stage with Luciano Pavarotti and was given the nickname 'Il Pavarottino'. When 18, Vittorio joined the Vienna Opera Company. He became the youngest man to perform in Milan's La Scala at age 23. He also raced Pre-3000 Formula cars for a while until an accident limited his opportunities in this field.\n\nAllegations of inappropriate behavior\nIn September 2019 Grigolo was dismissed firstly by the Royal Opera House Covent Garden on the grounds of inappropriate behavior during the Royal Opera's tour in Japan. His contracts with the Metropolitan Opera were subsequently also cancelled.\n\nRepertory\nGiuseppe Verdi: Don Carlo, I Due Foscari, Un Ballo in Maschera, Luisa Miller, Messa da Requiem, Rigoletto, La Traviata, Il Corsaro;\nGaetano Donizetti: L´Elisir d’Amore, Don Sebastiano, La Favorita, Anna Bolena, Lucrezia Borgia & Lucia di Lammermoor\nGiacomo Puccini: La Bohème, Tosca, Madama Butterfly;\nCharles Gounod: Faust, Roméo et Juliette;\nGioachino Rossini: Petite Messe Solennelle, Stabat Mater;\nWolfgang Amadeus Mozart: Idomeneo, Così fan tutte;\nJules Massenet: Werther, Manon;\nLeonard Bernstein: West Side Story;\nJacques Offenbach: Les Contes d’Hoffmann;\n\nAwards\nThe European Commission of the EU granted Grigolo and Romano Musumarra a European Border Breakers Award, along with the record company, authors and publishers, for recording the highest sales for a debut album in 2006 within the European Union, but outside of its country of production.\n\nNominations\nGrammy Award 2008 for Best Musical Show Album - West Side Story\n\nDiscography\n\nAlbums\n\nSingles\n\nDVD\n\nRecorded at Hadrian's Villa in Tivoli, Italy. A live performance of tracks from his album, as well as a few additional pieces. The DVD was recorded specifically for the Great Performances series on PBS TV USA.\n\nGrigolo plays Cassio in Giuseppe Verdi Otello recorded at Gran Teatre del Liceu Barcelona 2006\n\nAppearances\n'Camillo de Rossillon' in La vedova allegra at Roma Opera House, Rome December 2007\n'Rodolfo' in La bohème at the Kennedy Center Opera House, Washington, D.C. September 2007 and at Zurich Opera House, October/November 2009.\nStabat Mater by Rossini at Sydney Opera House Australia, May 2007\n'Alfredo' in La traviata at Roma Opera Theatre April 2007, at Théâtre Antique d'Orange, Les Chorégies d'Orange, 11 & 15 July 2009, at La Fenice September 2009, Deutsche Oper Berlin September 2009/March 2010\n'Cassio' in Otello at the Liceu, Barcelona February 2006.\n'Il Duca de Mantova' in Rigoletto at Hamburg State Opera, September/October 2005.\n'Don Carlos' in Don Carlos at Geneva Opera House, June 2008.\n'Edgardo' in Lucia di Lammermoor at Zurich Opera House, September 2008.\n Rigoletto, live from Mantua, 2010 RAI film version of Rigoletto, performed live on location in Mantua, Italy and broadcast simultaneously in 148 countries.\n'Rodolfo' in La bohème at the Metropolitan Opera, New York, October 2010. It was his debut with the company.\n'Corrado' in Il corsaro at Zurich Opera House, November 2009/January 2010.\n'Hoffmann' in Les contes d'Hoffmann at Zurich Opera House, March/April 2010.\n 'Duke of Mantua in Rigoletto at the Metropolitan Opera, New York, 2013\n 'Rodolfo' in La bohème at the Metropolitan Opera, New York, 2014\n 'Hoffmann' in \"Les Contes d'Hoffmann\" at the Metropolitan Opera, New York, January/February 2015\n 'Romeo' in \"Romeo et Juliette\" at the Metropolitan Opera, New York, 2017\n 'Nemorino' in \"L'Elisir d'Amore\" at the Royal Opera House, Covent Garden, 2017\n\nReferences\n\nExternal links\n\n Grigolo's official website\n\n1977 births\nLiving people\nItalian operatic tenors\nOpera crossover singers\nPeople from Arezzo\nSingers from Rome\n21st-century Italian male opera singers\n20th-century Italian male opera singers" ]

[ "James Levine", "Metropolitan Opera", "When did he first perform at the Metropolitan Opera?", "Levine made his Metropolitan Opera (the \"Met\") debut at age 28 on June 5, 1971," ]

[ "The situation, task, action, result (STAR) format is a technique used by interviewers to gather all the relevant information about a specific capability that the job requires. \n\n Situation: The interviewer wants you to present a recent challenging situation in which you found yourself.\n Task: What were you required to achieve? The interviewer will be looking to see what you were trying to achieve from the situation. Some performance development methods use “Target” rather than “Task”. Job interview candidates who describe a “Target” they set themselves instead of an externally imposed “Task” emphasize their own intrinsic motivation to perform and to develop their performance.\n Action: What did you do? The interviewer will be looking for information on what you did, why you did it and what the alternatives were.\n Results: What was the outcome of your actions? What did you achieve through your actions? Did you meet your objectives? What did you learn from this experience? Have you used this learning since?\n\nThe STAR technique is similar to the SOARA technique.\n\nThe STAR technique is also often complemented with an additional R on the end STARR or STAR(R) with the last R resembling reflection. This R aims to gather insight and interviewee's ability to learn and iterate. Whereas the STAR reveals how and what kind of result on an objective was achieved, the STARR with the additional R helps the interviewer to understand what the interviewee learned from the experience and how they would assimilate experiences. The interviewee can define what they would do (differently, the same, or better) next time being posed with a situation.\n\nReferences\n\nExternal links\nThe ‘STAR’ technique to answer behavioral interview questions\nThe STAR method explained\n\nJob interview", "In grammar, a correlative is a word that is paired with another word with which it functions to perform a single function but from which it is separated in the sentence. \n\nIn English, examples of correlative pairs are both–and, either–or, neither–nor, the–the (\"the more the better\"), so–that (\"it ate so much food that it burst\"), and if–then. \n\nIn the Romance languages, the demonstrative pro-forms function as correlatives with the relative pro-forms, as autant–que in French; in English, demonstratives are not used in such constructions, which depend on the relative only: \"I saw what you did\", rather than *\"I saw that, what you did\".\n\nSee also\nCorrelative conjunction\nPro-form (namely section Table of correlatives)\n\nParts of speech" ]

[ "James Levine", "Metropolitan Opera", "When did he first perform at the Metropolitan Opera?", "Levine made his Metropolitan Opera (the \"Met\") debut at age 28 on June 5, 1971,", "What did he perform?", "conductor" ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "James Levine", "Metropolitan Opera", "When did he first perform at the Metropolitan Opera?", "Levine made his Metropolitan Opera (the \"Met\") debut at age 28 on June 5, 1971,", "What did he perform?", "conductor", "Are there any other interesting aspects about this article?", "allegations that Levine had sexually abused four young men, the Met suspended its relationship with him" ]

[ "Nottinghamshire sex abuse allegations are centred on claims made by children in care homes and foster care. Since 2010 Nottinghamshire Police have started three operations to study historic child abuse in Nottingham and Nottinghamshire, England. The Independent Inquiry into Child Sexual Abuse will look into any institutional failures to protect children in council care.\n\nHistory\nIn 2010, police began to receive allegations of historic sexual abuse in Nottinghamshire children's homes. One of the first reports was from Melanie Shaw who claimed that she had been subjected to sexual abuse at Beechwood children's home in Nottingham. Shaw claimed that she had been raped and physically and sexually abused. She also claimed that a member of staff had threatened to kill her and that he told her that he had already murdered two children and buried them in the grounds of Beechwood. No charges have been brought against the people identified by Shaw. A statement from the police reads: \"Unfortunately, it was determined that the evidential test was not passed and, as such, no prosecutions brought. Our enquiries have also not identified any unaccounted-for people at Beechwood Children’s Home. \nSearches were carried out at Beechwood in February 2012\". \n\nShaw is not the only complainant. Over 80 other people have made allegations of abuse and nearly half of them claim that they were abused at Beechwood. There have been some prosecutions. In 2016, a residential social worker was sentenced to 20 years imprisonment after being found guilty of 17 offences at Beechwood, which took place between 1981 and 1985. In 2017, a former residential worker at Beechwood was found guilty of two charges of indecent assault on a child and two charges of indecency with a child. These offences were committed in the late 1970s.\n\nOn 31 July 2019, the Independent Inquiry into Child Sexual Abuse published its report into historical abuse in Nottinghamshire. It concluded that there was widespread sexual abuse of children during the 1970s, 1980s and 1990s, and that Nottingham City Council, Nottinghamshire County Council, and Nottinghamshire Police had failed the victims.\n\nSee also\n Beechwood children's home\n Amberdale children's home\n Independent Inquiry into Child Sexual Abuse\n\nReferences\n\nExternal links\n The ten Nottinghamshire children's homes where staff have now been convicted of sexual abuse – Nottingham Post\n These are the 22 children's homes being investigated by Nottinghamshire Police over abuse allegations – Nottingham Post\n IICSA in Nottingham and Nottinghamshire: The background to the Independent Inquiry into Child Sexual Abuse – Nottingham Post\n\nChild sexual abuse in England\nCrime in Nottinghamshire\nIncidents of violence against girls", "The Army Foundation College recruit abuse investigation 2014–2018 was a response to allegations from a group of 17-year-old British army recruits that 17 instructors had maltreated them during their training over nine days in June 2014. It was reported as the British army's largest ever investigation of abuse. Among the allegations were that the instructors assaulted recruits, smeared cattle dung into their mouths, and held their heads under water. The accused were initially charged with 40 counts of battery, actual bodily harm, and other offences; all denied the charges made against them.\n\nCharges against seven of the accused were dropped by the time of the preliminary hearing on 21 September 2017. The court martial began with the remaining ten accused on 12 February 2018. The hearing was expected to last four weeks, but soon collapsed after the judge ruled that the Royal Military Police (RMP) had abused the investigatory process and that a fair trial would therefore not be possible. Specifically, the judge criticised the investigation as 'seriously flawed': the RMP had failed to interview several key witnesses, took two years to arrest the accused for questioning under caution, and took three years to bring the case to trial. All the accused were released without further charges.\n\nBackground \nThe British army enlists new recruits from age 16. Recruits aged between 16 and 17.5 years, known as Junior Soldiers (JS), undergo 12 months of initial training based at the Army Foundation College in Harrogate, Yorkshire. Towards the end of this period, recruits destined for the infantry travel to battle camp in Kirkcudbright, Dumfries and Galloway, which includes bayonet practice. Infantry recruits then complete their training at the Infantry Training Centre in Catterick, Yorkshire.\n\nAllegations of abuse at the Army Foundation College have been common. Between 2014 and 2020, recruits made 60 formal complaints of assault or ill-treatment.\n\nAllegations and charges \nAmong the initial allegations reported in the Mail on Sunday on 12 August 2017 were that seventeen instructors from the Army Foundation College, having taken their trainees to battle camp in Kirkcudbright, had pushed cow dung into the recruits' mouths, held their heads under water, and kicked and punched them repeatedly during bayonet training. The recruits concerned were aged 17; the instructors were all corporals or sergeants, and included veterans of the Afghanistan War and Iraq War.\n\nThe instructors faced 40 charges of battery, actual bodily harm and other ill-treatment. All the accused denied any wrongdoing.\n\nCourt martial \nBy the time of the preliminary hearing of 21 September 2017, charges against seven of the accused had been dropped, leaving ten defendants to face 25 counts of ill-treatment and six of battery. All defendants entered not-guilty pleas.\n\nThe trial began on 12 February 2018 at Bulford Military Court Centre with Assistant Judge Advocate General Alan Large presiding. After the opening prosecution arguments, the defence applied to have the proceedings stayed as an abuse of process, meaning that the allegations were not investigated and brought to court in proper order. The judge agreed and, describing the investigation as 'seriously flawed' and 'totally blinkered', criticised the military police for failing to interview key witnesses and taking too long to bring the case to trial. On grounds that the defendants could no longer be fairly tried, the judge stayed the case and all defendants were released.\n\nTimeline \nThe following chronology is summarised from the legal judgement.\n June 2014: A cohort of infantry recruits aged 17 from the Army Foundation College travel to battle camp, where the incidents allegedly took place. The recruits concerned did not make a complaint at the time.\n September 2014: The recruits concerned, now based at the Infantry Training Centre in Catterick, are overheard by staff as they discuss the alleged incidents at Battle Camp. Their accounts are recorded informally and passed to the chain of command for action. The Royal Military Police are contacted.\n October 2014: The military police take formal witness statements from the recruits concerned, some of whom allege abusive treatment by instructors at battle camp during bayonet practice between 6 and 15 June. A statement is also taken from the Staff Sergeant responsible for delivering bayonet training at battle camp that June, who declares that he did not witness any ill treatment at the time. Other instructors were also present, including some of the accused, but statements were not taken from them. The reason for this, as explained later to the Court Martial by the officer in charge of the investigation, was that collecting these additional witness statements would have caused delay and 'the permanent staff [i.e. the instructors] were unlikely to corroborate any allegations of assaults or manhandling of the JS [i.e. the Junior Soldiers or trainees]'. In giving evidence to the court martial, the officer said of the Battle Camp instructors: 'It was unlikely they would say they had witnessed anything—they were likely to say they had not seen anything... If they said they had witnessed it and done nothing they would have incriminated themselves.'\n December 2014: By December 2014, approximately 40 junior soldiers have made allegations against approximately 30 members of staff.\n September 2016: Two years after the alleged incidents, the accused are arrested and questioned under caution.\n July 2017: The Service Prosecution Authority, which prosecutes on behalf of the armed forces, decides to send the case for trial at court martial.\n September 2017: At the preliminary hearing of the court martial on 21 September, all defendants plead not guilty pending a full hearing from 12 February 2018.\n February 2018: After the prosecution arguments, defence counsel argue that the failure to interview potential key witnesses, as well as the long delay between the alleged incidents and trial amount to an abuse of process and they apply for the proceedings to be stayed. The judge agrees and the five defendants are released on the grounds that a fair trial is no longer possible.\n\nReaction \nThe collapse of the case was reported on the BBC ITV, STV, and in the Guardian, Mirror, Northern Echo, Telegraph, Times, Yorkshire Evening Post, and Yorkshire Post.\n\nLewis Cherry, a defence lawyer at the court martial interviewed for the BBC said he was 'appalled' by the failure of the military police to conduct its investigation in proper order, and said his clients would be 'relieved that the nightmare of these false allegations hanging over them for many years is over'.\n\nHuman rights campaigners argued that the 'multiple failures' that led to the case collapsing showed that the military should not be entrusted to administer its own justice. The campaign group ForcesWatch said that the case's collapse meant that 'serious allegations of abuse against some of the army's youngest recruits have gone untested'.\n\nThe Ministry of Defence announced an internal review.\n\nSee also \n Army Foundation College\n Children in the military\n Recruit training\n\nReferences \n\nBritish Army\nBullying\nChildren in war\nHarrogate\nMilitary education and training in the United Kingdom\nMinistry of Defence (United Kingdom)" ]

[ "James Levine", "Metropolitan Opera", "When did he first perform at the Metropolitan Opera?", "Levine made his Metropolitan Opera (the \"Met\") debut at age 28 on June 5, 1971,", "What did he perform?", "conductor", "Are there any other interesting aspects about this article?", "allegations that Levine had sexually abused four young men, the Met suspended its relationship with him", "Were charges ever brought to these allegations?", "I don't know." ]

[ "Aleksandrs Antoņenko (born 26 June 1975) is a Latvian tenor who specializes in the dramatic repertoire, and has appeared at the Metropolitan Opera and La Scala.\n\nBiography \nAleksandrs Antoņenko was born in Riga to a large family. Already in childhood, he showed an aptitude for music.\n\nIn 1998, he graduated from the Latvian Academy of Music, in the class of wind instruments, and in parallel began vocal lessons under Margarita Gruzdeva. She identified him as a tenor, although many believed that the voice of Aleksandrs was a bass-baritone. Antoņenko considers his teacher as his \"second mother\" and continues to take lessons from her. He also studied at the vocal department of the Academy of Music in the class of Arvid Luste.\n\nIn 1997, he began singing in the choir of the Latvian National Opera. In 1998, he made his solo debut as Oberto in Handel's opera, Alcina.\n\nAntoņenko works without an impresario, having only an Austrian agent.\n\nCareer \nAleksandrs Antoņenko won the Paul Sacher Prize in 2002, and then a Great Music award 2004 at home, in Latvia, for opera productions and a performance of the Verdi Requiem.\n\nIn 2006, he made his debut as Chevalier des Grieux in Manon Lescaut at the Royal Swedish Opera and the Norwegian Opera, as well as at the Vienna State Opera.\n\nIn the season 2006–2007, the singer performed the role of Don José in the Norwegian State Opera (Oslo), Turiddu at the German Opera (Berlin) and the Monte Carlo Opera, and sang the role of Mario Cavaradossi at the festival in Baden-Baden.\n\nThe tenor has also sung the roles of Gabriel Adorno (Simon Boccanegra) at the Frankfurt Opera and Ismail in Nabucco at the Bavarian State Opera.\n\nIn the role of Otello, Antoņenko made his debut in the production conducted by Riccardo Muti at the Salzburg Festival in the summer of 2008. He then performed this role at the Rome Opera House.\n\nHe debuted on the stage of the Metropolitan Opera as the Prince in Rusalka in 2009, with Renée Fleming.\n\nIn 2010, he was seen as Hermann in The Queen of Spades and Otello at the Vienna State Opera, performed the role of Turiddu in Cavalleria rusticana in Valencia, and the Pretender in a new production of Boris Godunov at the Metropolitan Opera.\n\nIn 2011, Maestro Muti invited Antoņenko to perform Otello at the Opéra Garnier in Paris, accompanied by the Chicago Symphony Orchestra. He also appeared in a new production of Il tabarro at Covent Garden.\n\nHe continued his collaboration with the Swedish Royal Opera, where he took part in a new production of Puccini's La fanciulla del West.\n\nNotable other appearances include a 2012 performance in Tosca, as Cavaradossi, at La Scala. In the same year, he was seen as Otello at the Royal Opera House in London.\n\nIn 2013, he appeared in the role of Radames in Aida at the Zurich Opera House. He followed that performance by appearing as Manrico in Il trovatore at the Berlin State Opera. He has also performed in Turandot as Calaf at La Scala. Also in 2013, he appeared in the role of Ismaele in Giuseppe Verdi's opera Nabucco, conducted by Nicola Luisotti at the Scala.\n\nIn 2014, he appeared in Cavalleria rusticana and Pagliacci. He also received an invitation to star in a new production at the Metropolitan Opera of Otello, which opened the 2015–2016 season. The production was notable within American opera circles due to the Met's decision to abandon their tradition of blackface for the role of Otello.\n\nOther Antoņenko's performances include Norma at the Bavarian State Opera, Otello at Barcelona's Liceu and Zürich Opera House, and Pagliacci at Covent Garden.\n\nIn the season of 2019–2020, he was again at the Metropolitan, portraying the role of Radames in Aida, with Anna Netrebko.\n\nPerformances\nRusalka - Prince\nAida - Radames\nIl trovatore - Manrico\nTurandot - Calaf\nOtello - Otello\nCarmen - Don Jose\nPagliacci - Canio\nLa fanciulla del West - Dick Johnson\nTosca - Cavaradossi\nIl tabarro - Luigi\nNorma - Pollione\nCavalleria rusticana - Turiddu\nSamson et Dalila - Samson\nBoris Godunov - Pretender\n\nReferences\n\nExternal links\n\nAleksandrs Antoņenko\nAleksandrs Antoņenko\n\n1975 births\nLiving people\nMusicians from Riga\nLatvian tenors\nLatvian people of Belarusian descent\nLatvian people of Ukrainian descent\n21st-century Latvian male opera singers", "Armand Castelmary, real name Comte Armand de Castan, born Toulouse 16 August 1834, died New York City 10 February 1897, was a French operatic bass. He created roles in three major premieres at the Paris Opera – Don Diego in L'Africaine by Meyerbeer (1865), the Monk in Verdi's Don Carlos (1867), and Horatio in Ambroise Thomas's Hamlet (1868). Castelmary also appeared at opera houses in England and the United States, and died onstage at the Metropolitan Opera House, New York, during a performance of Martha by Friedrich von Flotow.\n\nCareer and death\nArmand Castelmary was a member of the Paris Opera from 1863 to 1870, where he created the three significant roles in the French grand operas listed above. He was married (later divorced) to the soprano Marie Sass, who created the role of Élisabeth in Verdi's Don Carlos. He made his debut at the Royal Opera House, London, in 1889 and sang there in many subsequent seasons. Castelmary toured the United States with several different opera companies in 1870, 1879 and 1890 and made his debut at the Metropolitan Opera in New York in 1893. He died onstage at the Metropolitan Opera in New York during a performance of Flotow's Martha. The audience, not realising he was suffering a heart attack, thought his physical collapse was a stroke of fine acting and rewarded him with a loud ovation as the curtain was lowered. His Funeral Mass was celebrated on February 10, 1897 at St. Vincent de Paul Church in Manhattan.\n\nNotes\n\nOperatic basses\nFrench basses\n19th-century French male opera singers\n1834 births\n1897 deaths\nMusicians who died on stage\nMusicians from Toulouse" ]

[ "James Levine", "Metropolitan Opera", "When did he first perform at the Metropolitan Opera?", "Levine made his Metropolitan Opera (the \"Met\") debut at age 28 on June 5, 1971,", "What did he perform?", "conductor", "Are there any other interesting aspects about this article?", "allegations that Levine had sexually abused four young men, the Met suspended its relationship with him", "Were charges ever brought to these allegations?", "I don't know.", "What was his role at the Metropolitan Opera?", "he was named principal conductor of the Metropolitan Opera in February 1972. He became the Met's principal conductor in 1973, and its Music Director in 1975." ]

[ "Remember When: The Anthology is a DVD featuring a collection of live performances by Harry Chapin. It features commentary by his children Joshua and Jennifer, as well as his widow Sandy in between some performances. There are eleven performances by Harry, and one by his daughter, Jennifer (I Wonder What Would Happen to This World).\n\nTrack listing\n \"Taxi\"\n \"Mr. Tanner\"\n \"I Wanna Learn a Love Song\"\n \"Remember When the Music\"\n \"W.O.L.D.\"\n \"Story of a Life\"\n \"Cat's in the Cradle\"\n \"Circle\"\n\nDVD Bonus Features\n \"Song for Myself\" – 4:56\n \"Dancin' Boy\" – 4:47\n \"Better Place to Be\" – 13:10\n \"I Wonder What Would Happen to This World\" – 4:25 (Performed by Jen Chapin)\n\nHarry Chapin video albums\n2005 video albums\nLive video albums\n2005 live albums", "List of maritime music festivals is a sortable incomplete list of regularly occurring festivals, throughout the world, which feature or which usually contain significant performances of maritime music, a style of folk music largely based on the sea shanty. This list may have some overlap with list of folk festivals and list of early music festivals.\n\nShanties had antecedents in the working chants of British and other national maritime traditions. They were notably influenced by songs of shanty repertoire borrowed from the contemporary popular music enjoyed by sailors, including minstrel music, popular marches, and land-based folk songs. The music has since appeared at early folk festivals, and by the late 1970s, the activities of enthusiasts and scholar-performers at places like the Mystic Seaport Museum (who initiated an annual Sea Music Festival in 1979) and the San Francisco Maritime Museum established sea music—inclusive of shanties, sea songs, and other maritime music—as a genre with its own circuit of festivals, record labels, performance protocol, and so on. Some of the performances may be held at maritime museums, in conjunction with boat shows or maritime festivals, or at other venues friendly to acoustic music.\n\nThe performances at festivals can take several forms, as shanty performances today reflect a range of musical approaches and tastes. There are performers who favor a \"traditional\" style, who often perform work songs a capella or only with light instrumentation typical of sailors (e.g. concertina). A great many of the performers of shanties do so in what might be distinguished as a \"folk music\" style, often accompanied by guitar and banjo. Still other performers come to shanties from backgrounds in pop, rock, or theatrical music, and perform in what may be called a \"contemporary\" style. Some shanties are performed in a \"classical\" choir style (like the Robert Shaw Chorale).\n\nRelated lists and categories\n\nThe following lists may have some overlap: \n List of music festivals\nList of folk festivals\nList of early music festivals\n List of Celtic festivals\n\nThe following categories are related:\n:Category:Music festivals\n:Category:Maritime music festivals\n:Category:Maritime music\n:Category:Folk festivals\n\nFestivals by location\n\nFestivals by date\nThe following table is a selection of the European event calendar remso.eu - Shanty- festivals with more than 4 performers (groups) only. All reported festival-events up from 3 groups you can find here: 2015, 2016, 2017, 2018, 2019, 2020. Click on date below to watch participants of that event and listen to some of their songs.\n\nOutdated\n\nGallery\n\nSee also\n\nSea shanty\nList of music festivals\nList of folk festivals\nList of maritime music performers\nList of maritime museums in the United States\n\nReferences\n\nExternal links\nHart Backbord contains a comprehensive list of forthcoming festivals across the world.\nThe Bitter End contains a comprehensive list of forthcoming festivals across the world.\nshantyfreun.de list of european shanty-choirs and groups.\nThe Event Calendar remso.eu contains a user-edited list of forthcoming maritime music events in Europe, some with audio and video included.\n\nMaritime\n\nMaritime" ]

[ "James Levine", "Metropolitan Opera", "When did he first perform at the Metropolitan Opera?", "Levine made his Metropolitan Opera (the \"Met\") debut at age 28 on June 5, 1971,", "What did he perform?", "conductor", "Are there any other interesting aspects about this article?", "allegations that Levine had sexually abused four young men, the Met suspended its relationship with him", "Were charges ever brought to these allegations?", "I don't know.", "What was his role at the Metropolitan Opera?", "he was named principal conductor of the Metropolitan Opera in February 1972. He became the Met's principal conductor in 1973, and its Music Director in 1975.", "What were some of his other performances?", "Levine led the Metropolitan Opera on many domestic and international tours." ]

[ "\nThis is a list of the 29 players who earned their 2011 PGA Tour card through Q School in 2010. Note: Michael Putnam and Justin Hicks had already qualified for the PGA Tour by placing in the Top 25 during the 2010 Nationwide Tour season; they did not count among the Top 25 Q school graduates, but Putnam did improve his status.\n\nPlayers in yellow are 2011 PGA Tour rookies.\n\n2011 Results\n\n*PGA Tour rookie in 2011\nT = Tied \nGreen background indicates the player retained his PGA Tour card for 2012 (finished inside the top 125). \nYellow background indicates the player did not retain his PGA Tour card for 2012, but retained conditional status (finished between 126-150). \nRed background indicates the player did not retain his PGA Tour card for 2012 (finished outside the top 150).\n\nWinners on the PGA Tour in 2011\n\nRunners-up on the PGA Tour in 2011\n\nSee also\n2010 Nationwide Tour graduates\n\nReferences\nShort bios from pgatour.com\n\nPGA Tour Qualifying School\nPGA Tour Qualifying School Graduates\nPGA Tour Qualifying School Graduates", "\nThis is a list of the 29 players who earned their 2012 PGA Tour card through Q School in 2011. Note: Roberto Castro and Mark Anderson had already qualified for the PGA Tour by placing in the Top 25 during the 2011 Nationwide Tour season; they did not count among the Top 25 Q school graduates.\n\nPlayers in yellow were 2012 PGA Tour rookies.\n\n2012 Results\n\n*PGA Tour rookie in 2012\nT = Tied \nGreen background indicates the player retained his PGA Tour card for 2013 (won or finished inside the top 125). \nYellow background indicates the player did not retain his PGA Tour card for 2013, but retained conditional status (finished between 126-150). \nRed background indicates the player did not retain his PGA Tour card for 2013 (finished outside the top 150).\n\nWinners on the PGA Tour in 2012\n\nRunners-up on the PGA Tour in 2012\n\nSee also\n2011 Nationwide Tour graduates\n\nReferences\nResults from pgatour.com\n\nPGA Tour Qualifying School\nPGA Tour Qualifying School Graduates\nPGA Tour Qualifying School Graduates" ]

[ "James Levine", "Metropolitan Opera", "When did he first perform at the Metropolitan Opera?", "Levine made his Metropolitan Opera (the \"Met\") debut at age 28 on June 5, 1971,", "What did he perform?", "conductor", "Are there any other interesting aspects about this article?", "allegations that Levine had sexually abused four young men, the Met suspended its relationship with him", "Were charges ever brought to these allegations?", "I don't know.", "What was his role at the Metropolitan Opera?", "he was named principal conductor of the Metropolitan Opera in February 1972. He became the Met's principal conductor in 1973, and its Music Director in 1975.", "What were some of his other performances?", "Levine led the Metropolitan Opera on many domestic and international tours.", "Where did they tour?", "I don't know." ]

[ "Arthur Reed Ropes (23 December 1859 – 11 September 1933), better known under the pseudonym Adrian Ross, was a prolific writer of lyrics, contributing songs to more than sixty British musical comedies in the late 19th and early 20th centuries. He was the most important lyricist of the British stage during a career that spanned five decades. At a time when few shows had long runs, nineteen of his West End shows ran for over 400 performances.\n\nStarting out in the late 1880s, Ross wrote the lyrics for the earliest British musical theatre hits, including In Town (1892), The Shop Girl (1894) and The Circus Girl (1896). Ross next wrote the lyrics for a string of hit musicals, beginning with A Greek Slave (1898), San Toy (1899), The Messenger Boy (1900) and The Toreador (1901) and continuing without a break through World War I. He also wrote the English lyrics for a series of hit adaptations of European operettas beginning with The Merry Widow in 1907.\n\nDuring World War I, Ross was one of the founders of the Performing Rights Society. He continued writing until 1930, producing several more successes after the war. He also wrote the popular novel The Hole of the Pit and a number of short stories.\n\nLife and career\nRoss was born in Lewisham, London. He was the youngest son and fourth child of Ellen Harriet Ropes née Hall, of Scarborough, and William Hooper Ropes, a Russia merchant. Ross's parents lived in Normandy, France, but sent him to school in London at Priory House School in Clapton, Mill Hill School, and the City of London School. He later attended King's College, Cambridge, where, in 1881, he won the Chancellor's Medal for English verse for his poem \"Temple Bar\", and also won the Members' Prize for the English essay. In 1883 he graduated with a first-class degree, winning the Lightfoot scholarship for history and a Whewell scholarship for international law. He was elected a fellow of the College.\n\nHe was a Cambridge University graduate and don, teaching history and poetry from 1884 to 1890 and writing serious and comic verse of his own, the first volume of which was published in 1884. In 1889, he published \"A Sketch of the History of Europe\". He was also a translator of French and German literature under his own name. He created the fictitious name \"Adrian Ross\" due to a concern that writing musicals would compromise his academic career.\n\nEarly career\n\nDuring a brief illness in 1883 after catching cold at the University Boat Race, Ross used the lonely time in bed to write the libretto of an entertainment entitled A Double Event. This was produced at St. George's Hall, London in 1884 with music by Arthur Law, and Ross used the name \"Arthur Reed\". His next work for the stage, also as Arthur Reed, was the book and lyrics for a musical burlesque, Faddimir (1889 at the Opera Comique), with music by fellow Cambridge graduate, F. Osmond Carr.\n\nThe piece earned enough praise so that the impresario George Edwardes commissioned the two to write another burlesque, together with the comic actor John Lloyd Shine, called Joan of Arc. Songs from the piece included \"I Went to Find Emin\", \"Round the Town\", and \"Jack the Dandy-O\". Joan of Arc opened in 1891 at the Opera Comique starring Arthur Roberts and Marion Hood; he wrote under the pseudonym Adrian Ross, which he used for the rest of his career. The piece was a hit, lasting for almost eight hundred performances, and Ross resigned from Cambridge. To supplement his income from theatre writing, Ross became a contributor to such journals as Punch, Sketch, Sphere and The World, and he joined the staff of Ariel in 1891–1892. He wrote in The Tatler under the pseudonym Bran Pie and in 1893 published an edition of Lady Mary Wortley Montague's Letters. He also published numerous French texts for the Pitt Press series.\n\nRoss and Carr's next work, in collaboration with James T. Tanner, was In Town (1892), a smart, contemporary tale of backstage and society goings-on. This left behind the earlier Gaiety burlesques and helped set the new fashion for the series of modern-dress Gaiety Theatre shows that quickly spread to other theatres and dominated British musical theatre. For his next piece, Morocco Bound (1893, with the song \"Marguerite from Monte Carlo\"), Ross concentrated on writing lyrics, leaving the \"book\" mostly to Arthur Branscombe. This proved to be his most successful model through most of his career. The position of \"lyricist\" was relatively new, as previously the writers of libretti would invariably write the lyrics themselves. As the new Edwardes-produced \"musical comedies\" took the place of burlesque, comic opera and operetta on the stage, Ross and Harry Greenbank established the usefulness of a separate lyricist.\n\nGaiety and Daly Theatre musicals\nRoss contributed lyrics to almost all of the Gaiety Theatre's shows, beginning with The Shop Girl (1894, with his song \"Brown of Colorado\") and Go-Bang in 1895. He wrote over two thousand lyrics and produced lyrics for over sixty musicals thereafter, including most of the hit musicals through World War I. In 1896, he contributed to the Gaiety Theatre hit, The Circus Girl. He also wrote lyrics for the one-act comic opera, Weather or No (1896), which played as a companion piece to The Mikado at the Savoy Theatre, as well as several other Savoy operas, such as Mirette (1894), His Majesty, or The Court of Vignolia (1897), The Grand Duchess of Gerolstein (1897) and The Lucky Star (1899).\n\nRoss also wrote lyrics for the shows at Daly's Theatre. His lyrics to additional numbers for An Artist's Model (1895) and The Geisha (1896) were successful enough so that Edwardes asked him for major contributions to the rest, beginning with A Greek Slave (1898), especially after the death of the theatre's early chief lyricist, Harry Greenbank. These included a series of enormous successes, including San Toy (1899), The Messenger Boy (1900), Kitty Grey (1901), The Toreador (1901), A Country Girl (1902), The Girl from Kays (1903), The Orchid (1903), The Cingalee (1904), The Spring Chicken (1905) and The Girls of Gottenberg (1907). In 1901, Ross married Ethel Wood, an actress, and the couple produced a son and two daughters. The family resided in Church Street, Kensington. Also in 1901, he collaborated with his sister Mary Emily Ropes on the children's story, On Peter's Island.\n\nWhen Edwardes found success, beginning in 1907, in mounting English-language versions of the new generation of continental European operettas to the London stage, Ross wrote the English lyrics for the adaptations, often with libretti by Basil Hood. His words to the songs in The Merry Widow (1907) became the standard English version of that piece, performed throughout the world for many decades. Other Continental musicals that Ross anglicised included A Waltz Dream (1908), The Dollar Princess (1909), The Girl in the Train (1910), The Count of Luxembourg (1911), The Girl on the Film (1913) and The Marriage Market (1913), most of which had enduring success throughout the English-speaking world. Other successes from this period were the musicals King of Cadonia (1908), Havana (1908), Our Miss Gibbs (1909), The Quaker Girl (1911), and Betty in 1915. In addition, many of Ross's most successful pieces had additional successes on tour in Britain, in America and elsewhere. His biggest hits on Broadway included The Girl from Kays (1903), The Merry Widow (1907 and many revivals), Havana (1909), Madame Sherry (1911) and The Quaker Girl (1911).\n\nLater career\n\nIn 1914, Ross was one of the founders of the Performing Rights Society. Ross continued, after Edwardes's death, to write lyrics for numerous shows at the Gaiety, Daly's, the Adelphi Theatre, and other London theatres. During World War I, he continued to produce hits, writing the lyrics for the musical adaptation of a French comedy, Theodore & Co (1916), the operetta Arlette (1917), the musical The Boy (1917), André Messager's adaptation of Booth Tarkington's Monsieur Beaucaire (1919, \"Philomel\") and contributed to A Southern Maid (1920). He also worked on the revues Three Cheers (1917) with Herman Darewski, Airs and Graces with Lionel Monckton, and, years later, Sky High for the Palladium Theatre, but these were only diversions from his chief focus of writing lyrics for musicals and operetta adaptations. In 1922, he wrote both the book and the lyrics for the popular English version of Das Dreimäderlhaus, the international hit based on Franz Schubert's music and life, produced in Britain as Lilac Time. In 1927, Ross and Dudley Glass, an Australian composer, collaborated on a musical based on The Beloved Vagabond by W. J. Locke. His last works were produced in 1930: the English adaptation of the operetta Friederike for the Palace Theatre, and a musical based on The Toymaker of Nuremberg by Austin Strong, which was produced as a Kingsway Theatre Christmas entertainment.\n\nRoss collaborated extensively with the foremost British-based composers of musical theatre active during his productive period, including Carr, Ivan Caryll, Monckton, Leslie Stuart and Sidney Jones, and later Paul Rubens, Harold Fraser-Simson, Howard Talbot and Messager. Sixteen of his musicals ran for more than 400 performances. Ross tailored each song to fit the style required by the producer – songs for the Gaiety were different from those for Daly's. Many of his most popular shows, songs (both for the theatre and beyond it) and adaptations are still performed today.\n\nFiction and last years\nRoss also wrote the popular horror novel The Hole of the Pit and a number of short stories. Set in 1645 during the English Civil War, the novel tells of a loathsome entity that inhabits a flooded pit amid the marshes surrounding a castle. The book is notable for its depth of characterisation – especially of the compassionate young narrator, a Puritan scholar who has refused to join Oliver Cromwell's army because of his objections to religious violence and who sees the good in everyone – and for its subtle depiction of the creature in the hole, which is never completely seen even as it overwhelms the castle. The novel was published in 1914 by Edward Arnold and never reprinted until Ramsey Campbell collected it in his 1992 anthology Uncanny Banquet. Brian Stableford called it \"a minor classic of the genre\". Ross also wrote Short History of Europe, edited Lady Mary Wortley-Montagu's Letters (Selection and Life), and was a contributor to Punch magazine.\n\nRoss died of heart failure at his home in Kensington, London on 11 September 1933 at the age of 73.\n\nList of stage works\nRoss contributed lyrics to the following musicals and comic operas, often in collaboration with other lyricists:\n\nFaddimir, or The Triumph of Orthodoxy (1889)\nJoan of Arc (1891) (400+ performances in total)\nDon Juan (1892, starring Roberts)\nThe Young Recruit (1892)\nIn Town (1892) (292 performances)\nMorocco Bound (1893) (295 performances)\nGo-Bang (1894) (129 performances)\nThe Shop Girl (1894) (546 performances)\nMirette revised English version (1894) (total of 102 performances in both versions)\nBobbo (1895)\nBiarritz (1896) (71 performances)\nMy Girl (1896) (183 performances)\nWeather or No (1896) (209 performances)\nThe Circus Girl (1896) (497 performances)\nHis Majesty, or The Court of Vignolia (1897) (61 performances)\nThe Ballet Girl (1897)\nThe Grand Duchess (1897) (104 performances)\n\nThe Transit of Venus (1898)\nBilly (1898)\nA Greek Slave (1898) (349 performances)\nMilord Sir Smith (1898) (82 performances)\nThe Lucky Star (1899) (143 performances)\nSan Toy (1899) (768 performances)\nThe Messenger Boy (1900) (429 performances)\nThe Toreador (1901) (675 performances)\nKitty Grey (1901) (220 performances)\nA Country Girl (1902) (729 performances)\nThe Girl from Kays (1903) (432 performances; 236 performances on Broadway)\nThe Orchid (1903) (559 performances)\nThe Cingalee (1904) (365 performances)\nThe Spring Chicken (1905) (401 performances)\nThe Little Cherub (1906) (114 performances)\nNaughty Nero (1906)\n\nThe New Aladdin (1906) (203 performances)\nSee-See (1906) (152 performances).\nLes Merveilleuses (1906) (196 performances)\nThe Girls of Gottenberg (1907) (303 performances)\nThe Merry Widow (1907) (778 performances; 416 performances on Broadway, and many revivals)\nA Waltz Dream (1908) (146 performances)\nHavana (1908) (221 performances; 231 performances on Broadway)\nKing of Cadonia (1908) (333 performances)\nThe Dollar Princess (1909) (428 performances)\nThe Antelope (1909)\nOur Miss Gibbs (1909) (636 performances)\nThe Dashing Little Duke (1909) (101 performances)\nThe Arcadians (1910, 809 performances; Broadway production: 201 performances)\nCaptain Kidd (1910)\nThe Girl in the Train (1910) (340 performances)\nThe Quaker Girl (1911) (536 performances; 248 performances on Broadway)\nMadame Sherry (1911: 231 performances on Broadway)\nCastles in the Air (Frau Luna) (1911)\nThe Count of Luxembourg (1911) (240 performances)\nGipsy Love (1912) (299 performances)\nThe Wedding Morning (1912)\nTantalising Tommy (1912)\nThe Dancing Mistress (1912) (241 performances)\nThe Girl on the Film (Filmzauber) (1913) (232 performances)\nThe Marriage Market (Lednyedsdr) (1913)\nThe Girl from Utah (1913) (195 performances)\nThe Belle of Bond Street revised version of The Girl from Kays (1914)\nBetty (1915) (391 performances)\nThe Light Blues (1915)\nThe Happy Day (1916) (241 performances)\nTheodore & Co (1916) (503 performances)\nOh! Caesar (1916) (toured only)\nThe Happy Family (1916)\nArlette (1917)\nThe Boy (1917) (801 performances)\nThree Cheers (1917) (revue)\nMonsieur Beaucaire (1919) (400 performances)\nThe Kiss Call (1919)\nMaggie (1919)\nThe Eclipse (1919)\nMedorah (1920)\nA Southern Maid (1920) (306 performances)\nThe Love Flower (1920)\nThe Naughty Princess (1920) (280 performances – at the Adelphi Theatre)\nFaust on Toast (1921)\nLove's Awakening (1921)\nLilac Time (1922) (626 performances)\nThe Cousin from Nowhere (1922; Der Vetter aus Dingsda, 1921, composed by Eduard Künneke) (105 performances)\nHead Over Heels (1923)\nThe Beloved Vagabond (1927) (107 performances)\nFrederica (Friederike) (1930) (music by Franz Lehár)\nThe Toymaker of Nuremberg (1930) (32 performances)\n\nNotes\n\nReferences\n \nNicoll, A. English drama, 1900–1930 (1973)\nParker, J. (ed.) Who's who in the theatre (1912)\nReeves, Ken: \"The Life and Work of Adrian Ross\" in The Gaiety Annual (2002) pp. 3–14\nThe Times obituary, 12 September 1933\n\nExternal links\nListing of English musicals with links\n\nLinks to poems by Ross\nSheet music covers for Ross songs\n \n\nEnglish lyricists\nEnglish musical theatre lyricists\nPeople associated with Gilbert and Sullivan\n1859 births\n1933 deaths\nPeople from Lewisham\nEnglish male dramatists and playwrights\nEnglish horror writers", "Draped Up & Chipped Out, Vol. 3 is a compilation album by American rapper Messy Marv, released on December 9, 2008. It peaked at #50 on the R&B/Hip-Hop Albums chart, #27 on the Heatseekers Albums chart, and #16 on the Heatseekers Albums chart. It is the third, and most successful, album of his Draped Up & Chipped Out series, and one of the most successful albums of his career. It includes performances by Krizz Kaliko, Tech N9ne, Killer Mike, Capone-N-Noreaga, Sean T, Mistah F.A.B., Jay Rock and Yukmouth, and a guest appearance from Keak da Sneak, among others.\n\nTrack listing\n\nReferences\n\n2008 albums\nMessy Marv albums\nSMC Recordings albums\nSequel albums" ]

[ "Nas", "1995-1997: Mainstream direction and The Firm" ]

[ "KUJ-FM(99.1 FM) is a Top 40 Mainstream station licensed to Burbank, Washington serving the Tri-Cities, Washington area. The Station is currently owned by Stephens Media Group. The New Northwest Broadcasters outlet broadcast at 99.1 MHz on the FM dial with an effective radiated power of 52,000 watts. The transmitter is located on Jump Off Joe.\n\nHistory\nKUJ-FM was originally the sister station of AM news/talk station, having signed on the air in 1996 with its Rhythmic CHR format. In 1999, under the direction of Program Director Dave Hilton, KUJ-FM shifted from Rhythmic to Mainstream CHR, thus garnering the station its highest 18-34 ratings ever. Unable to sell the stations high ratings, New Northwest Broadcasters, under the direction of Scotty Brink and Jeff Jacobs shifted KUJ-FM back in the Rhythmic direction in the Spring of 2002, and subsequently fired Hilton. KUJ-FM returned to Mainstream CHR in March 2007, suggesting that the previous change to the same format was the correct direction for the station at the time.\n\nExternal links\nPower 99's website\n\nRadio stations established in 1996\nUJ-FM\nContemporary hit radio stations in the United States", "Constance is a 1998 erotic film \"for women,\" directed by Knud Vesterskov and produced by Puzzy Power, a division of Lars von Trier's film company Zentropa. It was the first hardcore pornographic film ever to have been produced by an established mainstream film studio. \n\nConstance is based on the Puzzy Power Manifesto developed by Zentropa in 1997, and was the first in a series of pornographic films aimed particularly at a female audience. The others would be Zentropa's Pink Prison (1999) and All About Anna (2005).\n\nPlot\nA young woman, Constance (Anaïs), arrives at the mansion of the experienced Lola (Katja Kean), where she is initiated into the mysteries of sexuality. The story is told in flashback via a framing device with lyrical diary excerpts and narration read by mainstream actresses Christiane Bjørg Nielsen and Hella Joof. (In the English-language version, narration is by Danish actress Susan Olsen and Helle Fagralid).\n\nCritical reception\nThe film was shown in mainstream cinemas in Europe, and was reviewed by mainstream film critics. The Stockholm Film Festival arranged a special screening in Stockholm on Valentine's Day.\n\nConstance became a considerable success, and generated considerable hype, especially in Scandinavia. It was nominated for three AVN Awards: Best Art Direction - Video; Best Music; and Best Videography. The reaction of film critics was \"mixed.\"\n\nIn 2006, it was in part this film's claim of mainstream audience viewing behind a process that ended up with porn being legalized in Norway.\n\nIn September 2007, German weekly magazine Stern wrote: \"Women too like to see other people having sex. What they don’t like is the endless close-ups of hammering bodyparts without a story. Lars von Trier is the first to have realised this and produced valuable quality porn films for women.\"\n\nReferences\n\nExternal links\n\n \n\n1990s pornographic films\n1998 films\nDanish films\nDanish erotic films" ]

[ "Nas", "1995-1997: Mainstream direction and The Firm", "Where was the mainstream direction going?", "I don't know." ]

[ "The Firm is an American hip hop supergroup that formed in New York City in 1996. It was created by rapper Nas, his manager Steve Stoute, producer Dr. Dre and production team Trackmasters. The group was composed of East Coast-based rappers Nas, Foxy Brown, AZ and also Nature, who served as a replacement for Cormega after he was ousted from the group.\n\nAlthough the group received initial hype and high expectations from fans upon their formation after collectively signing to Dr. Dre's Aftermath label, The Firm's debut album, The Album (1997), generated disappointing sales and generally negative criticism. The album, which featured predominant mafioso rap-themes and production from Dr. Dre and the Trackmasters, was criticized for its pop-orientation. Their debut album was the group's only release and they disbanded in 1999 with each member continuing their solo careers.\n\nThe members (including Cormega, who had made up with Nas after their falling-out, and excluding Nature) reunited on Nas's 2020 album King's Disease on the track \"Full Circle\". Dr. Dre has outro vocals on the song.\n\nBackground \nThe Firm's origins lie in the recording of Nas's studio album It Was Written (1996), which included a collaboration on the song \"Affirmative Action\" with East Coast-based rappers AZ, Cormega, and Foxy Brown. The supergroup was a project created by rapper Nas, his manager Steve Stoute, West Coast-based rapper and producer Dr. Dre, and production team the Trackmasters. The resulting line-up included Nas, Brown, AZ and rapper Nature. Cormega had been ousted from the group and was replaced by Nature prior to recording The Firm's debut, due to artistic differences between him and Nas, as well as contract disagreements with Nas's manager Steve Stoute. According to Poke & Tone, 50 Cent and Mary J. Blige were tentatively considered for the group.\n\nPrior to their formation, the members were at transitional stages of their careers, as Nas had commercialized his musical style with his second album, Foxy Brown had earned her first recording contract, AZ had gained critical acclaim for his 1995 debut album Doe or Die (1995), and Cormega had chosen to continue his rapping career after his release from prison in 1995. The project also served as an attempt by Dr. Dre to focus on producing other artists work rather than his solo work, following his departure from Death Row Records and the formation of his Aftermath label, which the group was collectively signed to. After the announcement of the group's formation by Dr. Dre, all involved with the project hyped it heavily, creating considerable buzz.\n\nThe Album \nThe group's only studio album, The Album (1997) was a concept album that revolved around mafioso rap-themes, and featured production work from Dr. Dre and the Trackmasters. While anticipated with much hype, The Album received generally negative reviews and generated disappointing sales upon its release.\n\nDespite the group's excessive hype and its mainstream musical approach, The Firm did not meet the expectations of fans who were introduced to the group via It Was Written, and The Album was criticized by music writers for abandoning hip hop for R&B and pop style. Nas appeared to be seeking pop stardom.\n\nAftermath \nThe Firm disbanded the following year and its members continued their solo careers. Nas' and Dr. Dre's participation in the group furthered speculation by fans and critics that the two artists were losing their creativity and appeal. Their work during this period has since been considered the weakest and least successful of their careers.\n\nThe replacing of Cormega with rapper Nature strained his friendship with Nas. Cormega, who continued to resent being ousted from the group, released the white label \"Fuck Nas & Nature\", circulating it through the mixtape market. Nature retaliated through a verse contribution on a DJ Clue mixtape. The two have since ended their beef and have recorded and performed together. After a short-lived truce, Nas attacked Cormega on the diss track \"Destroy & Rebuild\" from his fifth studio album Stillmatic (2001).\n\nIn December 2006, Cormega, Foxy Brown and Nas reunited to perform \"Affirmative Action\" live on-stage, ending the beef between Cormega and Nas. A reunion was unconfirmed. In an August 2010 interview with MTV, Foxy Brown explained there have been recent discussions on a Firm reformation, dependent on the remaining four agreeing to it.\n\nReunion\nIn August 2020, the group reunited for the song \"Full Circle\" from Nas' album King's Disease.\n\nDiscography\n\nStudio albums\n\nReferences\n\nBibliography\n\nExternal links\n \n The Firm at Discogs\n\nAftermath Entertainment artists\nAfrican-American musical groups\nHip hop groups from New York City\nInterscope Records artists\nMusical groups disestablished in 1998\nMusical groups established in 1996\nMusical groups reestablished in 2020\nHip hop supergroups\nNas\nFoxy Brown (rapper)\nHardcore hip hop groups", "The Album is the only studio album by American hip hop group The Firm. It was released on October 21, 1997 by Aftermath Entertainment and Interscope Records. The project was created by rapper Nas, his manager Steve Stoute and producers Dr. Dre and Trackmasters, who came up with the idea of forming a hip hop supergroup. The original line-up included Nas, AZ, Foxy Brown and Cormega who were all featured on the song \"Affirmative Action\" from Nas' album It Was Written (1996). However, Cormega later left the group due to artistic differences between him and Nas, as well as contract disagreements with Stoute. He was replaced by Nature prior to recording of the album. The Album is a concept album that revolves around the themes of mafia and \"gangsta\" lifestyle. The songs on the album were mainly produced by Dr. Dre, Chris \"The Glove\" Taylor and Trackmasters (as Poke and Tone), and feature guest vocals from Pretty Boy, Wizard, Canibus, Dawn Robinson, Noreaga and Half-a-Mill.\n\nThe Album received mixed reviews from the music critics, who criticized its mainstream pop-oriented sound rather than the members' previous styles. In the United States, the album debuted at number one on the Billboard 200 and also topped the Top R&B/Hip-Hop Albums chart. It also charted in other countries, such as Canada, France and the United Kingdom. The Album sold 147,000 copies in the debut week and has sold over 925,000 copies in the United States and was certified gold in Canada. Two singles were released from the album, with \"Firm Biz\" peaking at number twelve on the Hot R&B/Hip-Hop Airplay and number eighteen on the UK Singles Chart. Although the album's second single \"Phone Tap\" failed to chart, it remained the group signature song.\n\nBackground\nPrior to the formation of The Firm, future members and affiliates of the group were at transitional stages of their careers. Following the acclaim of his landmark debut album Illmatic (1994), Queensbridge-based emcee Nas decided to concentrate his efforts in a mainstream direction. Despite its significant impact on hip hop at the time, Illmatic did not experience the larger sales of most major releases of the day, due in part to Nas' shy personality and withdrawal from promoting the record. Nas began to make appearances on other artists' work, including \"Fast Life\" on Kool G Rap's \"4,5,6\" and \"Verbal Intercourse\" on Raekwon's Only Built 4 Cuban Linx... (1995). Nas began to dub himself as Nas Escobar on these guest appearances. Meanwhile, his excessive spending habits had left him with little money, as Nas had to ask for a loan to purchase clothes to wear to the 1995 Source Awards. The success of fellow East Coast act The Notorious B.I.G. at the awards show sent a message to Nas to change his commercial approach, resulting in his hiring of Steve \"The Commissioner\" Stoute as manager. While Illmatic attained gold status, Stoute convinced Nas to aim his efforts in a more commercial direction for his second album, after which Nas enlisted production team the Trackmasters, who were known for their mainstream success at the time.\n\nMeanwhile, Brooklyn-based female rapper Foxy Brown was brought to the attention of the Trackmasters, who were working on LL Cool J's Mr. Smith (1995). After impressing the production team with an on-stage freestyle rap, she earned a guest appearance on Mr. Smith, contributing a verse to the remix of \"I Shot Ya\". Throughout 1995 and 1996, Brown appeared on several platinum and gold singles, including Jay-Z's \"Ain't No Nigga\" and the remix of Toni Braxton's \"You're Makin' Me High\". Her appearances sparked a recording company bidding war in early 1996, leading to her signing to Def Jam Recordings. The success of \"I Shot Ya\" prompted her inclusion, along with rappers AZ and Cormega, in collaborating with Nas on the song \"Affirmative Action\" for his second studio album, It Was Written (1996). The collaboration came in the wake of the critical success of AZ's debut album Doe or Die (1995). He initially garnered attention with his appearance on Nas' \"Life's a Bitch\" (1993). Cormega, whose rapping career had been put on hold due to his incarceration during the early 1990s, was referenced by Nas on \"One Love\" (1994), and was released from jail in 1995.\n\nWorking with the Trackmasters as producers, Brown released her solo debut Ill Na Na (1996), which became a chart success and sold over two million copies.\n\nIn an interview AZ personally picked Firm Biz, Phone Tap and Throw Your Guns as his favorites songs on the album.\n\nIn an interview, The Glove explained the mixed reception of the album: \"Phone Tap” wasn't the first single. Do you know how many people would have ran out to buy that album if the first thing they heard was that song? They chose “Firm Biz” to be the first single and I was like, “You've got to be kidding! That's not Mob music!” There were problems with that project from the beginning.\nWe had to replace Cormega with Nature and there was a bunch of label in-fighting. If you look at the back of that CD, you'll see like 50 logos on there. Every label and company involved wanted a piece of that project. Plus the album was rushed because it was done in Miami. Nobody wanted to come to L.A. because Biggie had been murdered and we didn't want to go out East.\"\n\nTitle\nAccording to critic Steve \"Flash\" Juon of RapReviews, the title of the album, as well as the group's name, was inspired by John Grisham's 1991 legal thriller-novel The Firm and the 1993 film adaption of the same name. While it was issued under the title The Album, writers and music critics have referred to the album with such titles as The Firm, Nas, Foxy Brown, AZ, and Nature Present the Firm: The Album, and The Firm — The Album, or The Firm: The Album.\n\nTrack listing\n\nSample credits\n\"Phone Tap\", samples \"Petite Fleur\" by Chris Barber's Jazz Band\n\"Fuck Somebody Else\", samples \"You Gonna Make Me Love Somebody Else\" by The Jones Girls\n\"Hardcore\", samples \"Your Love (Encore)\" by Cheryl Lynn\n\"Five Minutes to Flush (Intro)\", samples \"Hard to Handle\" by Etta James\n\"Five Minutes to Flush\", samples \"Five Minutes Of Funk\" by Whodini\n\"Firm Biz\", samples \"Square Biz\" by Teena Marie\n\"Firm All Stars\", samples \"Turn Off the Lights\" by Young Larry\n\"Firm Fiasco\", samples \"A Ma Fille\" by Charles Aznavour\n\"Firm Family\" samples \"Come On Sexy Mama\" by The Moments\n\"Untouchable\", samples \"Mother Nature\" by The Temptations\n\"I'm Leaving\", samples \"I'm Leaving On a Jet Plane\" by John Denver\n\"Desparados\", samples \"Dune\" by Wasis Diop\n\"Executive Decision\", samples \"Ô Corse île d'amour\" by Tino Rossi\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nCertifications\n\nSee also\n List of Billboard 200 number-one albums of 1997\n List of Billboard number-one R&B albums of 1997\n\nNotes\n\nReferences\n\nExternal links\n [ The Album] at AllMusic\n \n\n1997 debut albums\nAftermath Entertainment albums\nAZ (rapper) albums\nFoxy Brown (rapper) albums\nAlbums produced by Dr. Dre\nNas albums\nNature (rapper) albums\nInterscope Records albums\nColumbia Records albums\nMafioso rap albums" ]

[ "Nas", "1995-1997: Mainstream direction and The Firm", "Where was the mainstream direction going?", "I don't know.", "How was Nas involved in the firm?", "a supergroup consisting of Nas, AZ, Foxy Brown, and Cormega." ]

[ "Keepers of the Streak is a documentary by ESPN Films that focuses on four photographers who have attended and photographed the first forty-eight Super Bowl games from 1967 to 2014. John Biever, Walter Iooss, Mickey Palmer and Tony Tomsic are the focus of the film, and have their stories told throughout. It is directed by Neil Leifer.\n\nOverview\nThe film opens with a photo of John Biever, Walter Iooss, Mickey Palmer and Tony Tomsic meeting in the Los Angeles Memorial Coliseum in 1967 right before Super Bowl I. The film goes on to discuss how each man got into the photography business, and centers around their work during Super Bowl XLVIII. It also talks about multiple near misses for members of the group, including Palmer checking himself out of a hospital after a heart attack, right before Super Bowl X. At the time of the release of the film, three of the four men were in their seventies, and a fourth was well into his sixties.\n\nProduction\nAccording to director Neil Leifer, he aimed to show how hard it was to film the game, stating, And I probably didn't succeed in one thing that I wanted to do. I wanted to show how difficult it is to do what these guys do ... If I could re-edit it I would probably make that point, even just to show what it's like to go from the hotel to the stadium. But that doesn't make a good story. He added that he remembered what it was like to miss Super Bowl XIII after shooting the first twelve, and marveling how the photographers did it every single game.\n\nReception\nRichard Deitsch of Sports Illustrated states that the film (erroneously called \"Keepers of the Flame\" in his review) provides a good look at the past. He points out that the original AFL–NFL Championship game had 338 press passes handed out—of which 75% went to print media personnel—compared to over 6,000 today. He also mentions that the film shows how the original Super Bowls were played during daytime, and were not the massive events that they are today.\n\nSee also\n Never Miss a Super Bowl Club – a group of fans who have attended every Super Bowl\n\nReferences\n\nExternal links\nOfficial trailer\n\nSuper Bowl culture\n2015 television films\n2015 films\nESPN Films films\n2015 documentary films\nAmerican films\nAmerican documentary television films\nDocumentary films about photographers\nDocumentary films about American football\nSports photographers", "The 2014 FINA Men's Water Polo World League is played between November 2013 and June 2014 and open to all men's water polo national teams. After participating in a preliminary round, eight teams qualify to play in a final tournament, called the Super Final in Dubai, UAE from 16–21 June 2014.\n\nIn the world league, there are specific rules that do not allow matches to end in a draw. If teams are level at the end of the 4th quarter of any world league match, the match will be decided by a penalty shootout. Teams earn points in the standings in group matches as follows:\n Match won in normal time - 3 points\n Match won in shootout - 2 points\n Match lost in shootout - 1 point\n Match lost in normal time - 0 points\n\nPreliminary round\n\nEurope\nThe European preliminary round consisted of two group of three teams and a third group of four teams. The winner of each group after the home and away series of games qualified for the Super Final.\n\nGroup A\n\nGroup B\n\nGroup C\n\nIntercontinental\nThe intercontinental tournament will feature teams from Africa, the Americas, Asia and Oceania. The teams are split into two groups of four teams with all teams progressing to the knock-out stage. As the hosts of the Super Final (UAE) did not enter a team in the tournament the top five teams from this tournament qualified for the Super Final, instead of the initially allocated four. South Africa withdrew from the tournament before games commenced and were replaced by China II, whose games were exhibition and did not count in the standings. The games were played between 27 May and 1 June, 2014 in Shanghai, China.\n\nGroup A\n\nGroup B\n\nKnockout stage\n\nQuarterfinals\n\nSemifinals\n\n5th Place Play-off\n\n3rd Place Play-off\n\nFinal\n\nSuper Final\nIn the Super Final the eight qualifying teams are split into two groups of four teams with all teams progressing to the knock-out stage. The games were played in Dubai, UAE from 16 to 21 June, 2014.\n\nGroup A\n\nGroup B\n\nKnockout stage\n\nQuarterfinals\n\nSemifinals\n\n7th Place Play-off\n\n5th Place Play-off\n\n3rd Place Play-off\n\nFinal\n\nFinal ranking\n\nReferences\n\nWorld League, men\nFINA Water Polo World League\nInternational water polo competitions hosted by the United Arab Emirates" ]

[ "Nas", "1995-1997: Mainstream direction and The Firm", "Where was the mainstream direction going?", "I don't know.", "How was Nas involved in the firm?", "a supergroup consisting of Nas, AZ, Foxy Brown, and Cormega.", "What did this super group do?", "began working on their debut album." ]

[ "Open is the first solo studio album by the English recording artist Shaznay Lewis, following the break up of the girl group All Saints. Released by London Records on 19 July 2004, it peaked at number 22 on the UK Albums Chart.\n\nAbout the album\nThe title Open was chosen by Lewis while she was recording in the studio because she was \"opened\" to many new ideas at the time.\n\nIt includes two singles, \"Never Felt Like This Before\" and \"You\". Lewis was reportedly going to release a third single, \"Nasty Boy\", in March 2005, but this was a rumour.\n\nTrack #3 was originally called \"Never Felt Like This Before\" and the single and video were released under that name as well. However, on the album the title has been changed to \"I Never Felt Like This Before\".\n\nThere was an additional track called \"Don't Know What to Say\" which was removed from the album before it was released. It was removed because it was said to have been a weak song. The album (without any promotion) seems to have been re-released, as \"Don't Know What to Say\" is now an added track on the album. This change can be seen on the HMV website.\n\nThe final track, \"Now You're Gone\", was originally called \"Crying\" but was changed before the album was released. The song is included on the Shaznay Lewis Album Sampler which has five songs taken from Open; however, \"Mr. Dawg\" and \"You\" are both rough demos different from the album versions both vocally and melodically.\n\nTrack listing\nCredits adapted from the liner notes of Open.\n\nCharts\n\nReferences\n\nExternal links\n \n\n2004 debut albums\nAlbums produced by Rick Nowels", "\"What a Night\" is a song performed by British band, Loveable Rogues. It was their debut single and was intended to feature on a debut album. The single was released in Ireland and the United Kingdom on 19 April 2013. The band were dropped from Syco in October 2013, but the single was featured on their debut album This and That, released in 2014 on Super Duper Records.\n\nBackground\nLoveable Rogues first announced that they're signed to Syco on June, 2012. In late 2012, the band released a free mixtape through their Soundcloud channel. The collection of songs was released as a free download and was called 'First Things First'. \"What A Night\" was previewed along with new songs such as \"Maybe Baby\", \"Talking Monkeys\" and \"Honest\".\n\nMusic video\n\nTwo teaser videos were released before the music video. The first teaser video was uploaded to their Vevo channel on 11 February 2013. The second teaser released two days after or a week before the music video released; on 19 February 2013, the music video was uploaded to their Vevo channel.\nThe video features the band having a night party with their friends.\n\nChart performance\n\"What a Night\" debuted on the UK Singles Chart at number 9 on 27 April 2013 after debuting at number 5 on the UK Singles Chart Update.\n\nTrack listing\nDigital download\n What a Night - 2:50\n Nuthouse - 3:58\n What a Night (feat. Lucky Mason) Sonny J Mason Remix] - 3:41\n What a Night (Supasound Radio Remix) - 2:42\n\nCharts\n\nReferences\n\n2013 debut singles\n2013 songs\nSyco Music singles\nSong recordings produced by Red Triangle (production team)\nSongs written by Rick Parkhouse\nSongs written by George Tizzard" ]

[ "Nas", "1995-1997: Mainstream direction and The Firm", "Where was the mainstream direction going?", "I don't know.", "How was Nas involved in the firm?", "a supergroup consisting of Nas, AZ, Foxy Brown, and Cormega.", "What did this super group do?", "began working on their debut album.", "What was this debut album called?", "The Firm: The Album" ]

[ "Rough and Ready Volume 2 is a studio album released by Shabba Ranks. This album was not as successful as Volume 1 and it was going to be difficult to create an album as successful as its predecessor, X-tra Naked, which won a Grammy. Volume 2 was criticised for lacking variety.\n\nTrack listing\n\nReferences\n\n1993 albums\nShabba Ranks albums\nEpic Records albums", "Aniksi (Greek: Άνοιξη; English: Springtime) is a successful studio album by Greek artist Glykeria. It was released in mid-2004 by Sony Music Greece. The album was certified Gold by IFPI Greece.\n\nThe album also includes several well-known collaborations including Kitrina Podilata, Antonis Vardis and Dimirtis Zervoudakis.\n\nTrack listing\n\nChart performance\nAniksi was a successful album in Cyprus and Greece, however the album was only certified Gold in Greece over 2 years after its release.\n\n2004 albums\nGlykeria albums\nGreek-language albums\nSony Music Greece albums" ]

[ "Nas", "1995-1997: Mainstream direction and The Firm", "Where was the mainstream direction going?", "I don't know.", "How was Nas involved in the firm?", "a supergroup consisting of Nas, AZ, Foxy Brown, and Cormega.", "What did this super group do?", "began working on their debut album.", "What was this debut album called?", "The Firm: The Album", "Was this album successful?", "mixed reviews." ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "This article is about the demographic features of the population of Saint Mary's, including population density, internet access, crime rate, and other aspects of the population.\n\nPopulation \nAccording to the 2011 census the population of Saint Mary was 7,341.\n\nOther demographics statistics (2011)\n\nCensus Data (2011)\n\nIndividual\n\nHousehold \nThere are 2,512 households in Saint Mary Parish.\n\nSee also\nDemographics of Antigua and Barbuda\n\nReferences\n\nAntigua and Barbuda Christians\nDemographics of Antigua and Barbuda" ]

[ "Nas", "1995-1997: Mainstream direction and The Firm", "Where was the mainstream direction going?", "I don't know.", "How was Nas involved in the firm?", "a supergroup consisting of Nas, AZ, Foxy Brown, and Cormega.", "What did this super group do?", "began working on their debut album.", "What was this debut album called?", "The Firm: The Album", "Was this album successful?", "mixed reviews.", "Are there any other interesting aspects of this article?", "Nas was one of four rappers (the others being B-Real, KRS-One and RBX) in the hip-hop supergroup Group Therapy," ]

[ "Q was a disco group formed in Beaver Falls, Pennsylvania, USA. They released an album on Epic Records entitled Dancin' Man in 1977, which was successful. The group featured two members from Jaggerz, a hit-making group from the early 1970s. The title track from the album was released as a single and was successful in the US, becoming a Top 40 hit.\n\nCommercial success \nQ released a single, titled \"Dancin' Man,\" in Spring 1977 (the B side was entitled \"Love Pollution\"); spurred on by regional airplay and a full-page ad taken out in Billboard magazine, the single became a Top 30 hit in the US, peaking at number 23. In the UK, though not a national hit, in London the song reached number 8 on Capital Radio's 'Capital Countdown' Top 40 in May 1977.\n\nQ's debut album, also titled \"Dancin' Man,\" was less successful, reaching #140 on the Billboard 200. The group's second single, \"Sweet Summertime,\" stalled out at number 107 in the US, essentially rendering the group a one-hit wonder.\n\nMembers\nDon Garvin - guitar, vocals\nRobert Peckman - bass, vocals\nBill Thomas - keyboards, vocals\nBill Vogel - drums, vocals\n\nReferences\n\nExternal links\n Q -Pittsburgh Music History\n\nMusical groups from Pittsburgh\nAmerican disco groups", "\"Remote Control\" is a 1980, debut single by The Reddings. The song was written by Nick Mann, Bill Beard and Chet Fortune and appeared on their album, The Awakening. It was the group's most successful hit on the soul chart peaking at number six and one of two entries on the Hot 100 peaking at number eighty-nine. \"Remote Control\" was the group's most successful entry on the dance charts where the song peaked at number twenty-two.\n\nReferences\n\n1980 singles\nDance-pop songs\n1980 songs" ]

[ "Y. A. Tittle", "Legacy" ]

[ "LaDonna Theresa Tittle (born March 13, 1946) is an American radio personality, actress and former model. Tittle is perhaps best known for her radio career from the mid–1970s until the early–2000s. Tittle most notable career stints were in Chicago at several stations; WBMX-FM, WJPC-AM alongside Tom Joyner and WGCI-AM. From 2018 until 2020, Tittle had a recurring role as Ethel Brown in the Showtime television series The Chi.\n\nBiography\n\nEarly life and education\nTittle was born the oldest of five children to Juanita (née Wiley; 1922–2000) and James Olden Tittle in the Bronzeville neighborhood of Chicago, Illinois. Her mother owned a record shop and managed several businesses within the neighborhood. According to Tittle, Her mom served as part-time manager of WVON during the early 1960s. Her father was a businessman who owned several pool halls along East 47th street in the neighborhood. Sometime during her early childhood, Tittle and her brother attended school in Covert, Michigan. After her parents divorced in 1959, Tittle relocated to the Hyde Park neighborhood with her mother and siblings. As a child, Tittle sold candy at the Regal Theater during the late 1950s. During her teenage years, Tittle's family relocated to the Robert Taylor Homes public housing project; returning to the Bronzeville neighborhood. While a resident at Robert Taylor, Tittle began taking acting classes at the neighborhood club there. For high school, Tittle attended Dunbar Vocational High School; graduating in 1964. After high school, Tittle studied briefly at Loop College (now known as Harold Washington College) and later transferred to Chicago State University. At Chicago State University, Tittle majored in art education and drama with a minor in journalism; graduating in January 1971. Tittle was enrolled in the Master's of Art program at the Art Institute of Chicago shortly after graduating college but later dropped out.\n\nCareer\nPrior to graduating college, Tittle began doing modeling work with Shirley Hamilton Talent Inc along with the Mannequin Guild of Chicago. While working for Shirley Hamilton, Tittle modeled for department stores such as Marshall Fields. Tittle was offered a position to do public service announcements for WBEE-AM located in Harvey, Illinois; beginning her radio career in February 1971. Tittle later became a permeant radio personality for the station, playing jazz from 1PM until 2PM. During a break in her time at WBEE, Tittle temporarily moved to Milwaukee, Wisconsin where she worked as a weekend radio personality at WNOV radio in 1972.\n\nTittle worked at WBEE radio station for two years, later returning to Chicago in May 1973. Shortly after returning to Chicago, Tittle became the midday and evening host of WBMX-FM radio, where R&B and soul music were showcased. Tittle started her career at the station reporting news and working overnight, eventually moving to weekday afternoons by 1974. Due to her growing popularity, Tittle was sought after by Johnson Publishing Company's WJPC-AM radio station. They offered to double her salary, an offer she accepted in 1978. Tittle co-hosted alongside Tom Joyner and DJ Bebe D'Banana, and later JoJo Bell. In April 1979, Tittle was featured as JET magazine's \"Beauty of the Week\" while wearing bathing suit made out of the radio station bumper stickers. Tittle began hosting the midday show from 10AM until 3PM, naming it \"Tittle In The Middle, Right In The Middle\" by April 1982. Tittle worked at WJPC until the station was sold in December 1989. Thereafter, Tittle worked part–time at WNUA-FM, a blues and smooth-jazz radio station located in Joliet, Illinois in 1991. After a year at WNUA, Tittle landed full–time work for Chicago's WGCI-AM in 1992. For the first few years, Tittle worked between the FM and AM stations until automated overnight broadcasts came into play, which resulted in her being laid off in 2000.\n\nAfter a year's hiatus from the public, Tittle launched The LaDonna Tittle TV/Radio Show on Chicago's CAN-TV in 2001. The show began as a platform to chat with entertainers until she decided to shift to cooking after viewing a soul food exhibit in 2003. Tittle also starred in R. Kelly's 2005 melodrama Trapped in the Closet, as Rosie the nosy neighbor. Tittle has received many Awards and Recognitions for her public community service, mentoring, educational self-esteem activities, and Culinary contributions. Tittle is \"radio-act-tive\"...\n\nPersonal life\nTittle was married once and had no children. Her only marriage was to Ronald Horton, a Vietnam army volunteer from 1967 until his death in 1973. Tittle dated John E. Johnson of the Johnson hair-care product family from the late–1970s until his death in 1981.\n\nReferences\n\n1946 births\nLiving people\nPeople from Chicago\nActresses from Chicago\nAfrican-American actresses\nAmerican television actresses\n20th-century American actresses\n21st-century American actresses\nRadio personalities from Chicago\n20th-century African-American women\n20th-century African-American people\n21st-century African-American women\n21st-century African-American people", "The Million Dollar Backfield was a National Football League (NFL) offensive backfield of the San Francisco 49ers from 1954 to 1956. Featuring quarterback Y. A. Tittle, halfbacks Hugh McElhenny and John Henry Johnson, and fullback Joe Perry, the backfield was also referred to as the \"Fabulous Foursome\" and \"Fearsome Foursome\" by sportswriters. Formed well before players earned six-figure salaries, the unit was named as such for its offensive prowess, and compiled record offensive statistics. It is regarded as one of the best backfields compiled in NFL history, and is the only full house backfield to have all four of its members enshrined in the Pro Football Hall of Fame.\n\nLine-up\n\nHistory\n\nThe 49ers in the 1950s used the T formation, sometimes referred to as a full house backfield, which deployed a quarterback, fullback, and two halfbacks. Such a formation was common at the time at both the college and professional levels, as teams sought to emulate the success the Chicago Bears had with the formation over the previous decade. The Million Dollar Backfield began its construction in 1948 with the team's signing of speedy fullback Joe Perry. In 1951 the 49ers drafted quarterback Y. A. Tittle. Tittle had played the previous three seasons with the Baltimore Colts, and became available in that year's draft after the Colts folded. The next year the 49ers drafted halfback Hugh McElhenny in the first round. McElhenny proved to be an explosive play-maker and was recognized as the NFL's rookie of the year in 1952. All three were invited to play in the Pro Bowl for 1953, comprising the starting offensive backfield for the West. The final piece came in 1954, when John Henry Johnson joined the team. Johnson became known for his powerful running and his blocking, which served to complement the finesse of Perry and McElhenny.\n\nThe \"Million Dollar Backfield\" moniker was first applied by 49ers public relations man Dan McGuire to describe the collective talent of the backfield. Despite the name, not even when combined did the players' salaries approach the million dollar figure. In reality, at the time, players often took off-season jobs to supplement their income; Tittle launched his own insurance agency while with the 49ers, and McElhenny worked as a salesman for the Granny Goose potato chip company. Johnson, who never made more than $40,000 ($361,000 in 2017 dollars) in a season, joked in 1987 that he was \"still looking for the million.\"\n\nFor three seasons, the backfield challenged opposing defenses with Tittle's arm, Johnson's power, the speed of Perry, and the elusiveness of McElhenny. \"There was no greater running backs than Hugh McElhenny, John Henry Johnson and Joe Perry in the same backfield,\" Tittle reminisced. \"It made quarterbacking so easy because I just get in the huddle and call anything and you have three Hall of Fame running backs ready to carry the ball.\" They achieved their greatest success during their first year together, in 1954, in which they shattered the team record for rushing yards in a season. The 49ers led the league with 2,498 rushing yards and 28 rushing touchdowns, and averaged 5.7 yards per carry and 208.2 rushing yards per game. Perry, McElhenny, and Johnson each finished the season in the top ten in rushing yards, with Perry and Johnson finishing first and second, respectively. McElhenny ranked eighth despite playing in only six games before being sidelined by a season-ending shoulder injury. Tittle, Perry, Johnson, and Detroit Lions halfback Doak Walker comprised the starting backfield in the 1955 Pro Bowl, and Perry was deemed the NFL's Player of the Year by the United Press. With the highly potent offense, many thought San Francisco was due to win an NFL championship, but defensive problems landed the 49ers in third place behind the Lions and Bears in 1954. Moreover, the offense struggled after McElhenny's injury.\n\nPerry, taking advantage of Johnson's blocking, became the first NFL player to rush for 1,000 yards in consecutive seasons when he did so in 1954 and 1955. Writing for Jet magazine in 1955, sportswriter A. S. \"Doc\" Young called Perry \"the bellwether of the greatest rushing backfield in pro football.\" McElhenny was a valuable asset in the passing game, becoming a favorite target of Tittle on screen passes. Tittle's 17 touchdown passes in 1955 led the league. In 1956, McElhenny became the team's leading ball carrier, recording career-highs with 185 carries for 916 yards and eight touchdowns. As the 49ers' defensive struggles continued, Johnson was traded to Detroit after the 1956 season in exchange for a defensive back, effectively disbanding the Million Dollar Backfield. The backfield of Tittle, Perry, and McElhenny remained intact through the 1960 season. The nearest the 49ers came to a championship in the 1950s was in 1957, when the team finished with an 8–4 record and was defeated by the Lions in that year's Western Conference playoff.\n\nLegacy\n\nThe 49ers' Million Dollar Backfield is regarded as one of the best backfields in NFL history, and is the only full-house backfield to have all four of its members enshrined in the Pro Football Hall of Fame. By virtue of their memberships in the pro hall of fame, all four were automatically inducted as charter members of the San Francisco 49ers Hall of Fame in 2009. Longtime 49ers coach Bill Walsh co-authored a book about the backfield in 2000 entitled The Million Dollar Backfield: The San Francisco 49ers in the 1950s. In 2014, a sculpture comprising the four players, crouched over as if in a huddle, was erected in Levi's Stadium.\n\nTittle played for the 49ers until 1960, after which he was traded to the New York Giants, with whom he had the most successful years of his career; he was named AP NFL MVP in 1963, led the team to three straight NFL championship games, and broke several passing records. Consequently, the trade of Tittle for guard Lou Cordileone is seen as one of the worst trades in 49ers franchise history. Tittle retired as the NFL's all-time leader in passing yards, passing touchdowns, completions, attempts, total offense, and games played. He was inducted into the Pro Football Hall of Fame in 1971.\n\nMcElhenny made five Pro Bowl appearances with the 49ers before being released by the team in 1960. He was then picked in the 1961 expansion draft by the Minnesota Vikings, with whom he made his final Pro Bowl appearance. He played for the Vikings for two seasons, then reunited with Tittle on the Giants in 1963, and played his final season in 1964 with the Detroit Lions. A member of the NFL's 1950s All-Decade Team, McElhenny retired having amassed the third most all-purpose yards of any player in NFL history. The 49ers retired his No. 39 jersey, and he was elected to the Pro Football Hall of Fame in 1970.\n\nJohnson played only three seasons with the 49ers. Like Tittle, Johnson had a late-blooming career; his most productive years came with the Pittsburgh Steelers, well after his time in San Francisco. He remains the oldest player to rush for 1,000 yards in a single season, when he did so in 1964 at age 35. He retired in 1966 with the third most career rushing yards in the NFL. Johnson's induction into the Pro Football Hall of Fame came in 1987, and was an honor that contemporaries felt was fifteen years overdue.\n\nPerry was with San Francisco for fourteen of his sixteen seasons as a pro, during which he became one of the first black stars in American football. Despite sharing carries with McElhenny and Johnson, Perry's greatest individual success came while playing in the Million Dollar Backfield. After a brief stint with the Baltimore Colts, Perry returned to the 49ers in 1963 for his final season, and he retired as the NFL's all-time leading rusher. He was inducted into the Pro Football Hall of Fame in 1969, his first year of eligibility, and the 49ers retired his No. 34 jersey in 1971.\n\nOn June 9, 2011, it was announced that Johnson and Perry, who died within months of each other, would have their brains examined by researchers at Boston University who are studying head injuries in sports. Both men were suspected of suffering from chronic traumatic encephalopathy (CTE), a disorder linked to repeated brain trauma.\n\nSee also\n History of the San Francisco 49ers\n Million Dollar Backfield (Chicago Cardinals)\n Four Horsemen (American football)\n\nReferences\n\nFurther reading\n \n \n\nNicknamed groups of American football players\nSan Francisco 49ers" ]

[ "Y. A. Tittle", "Legacy", "What was Tittle's legacy?", "At the time of his retirement, Tittle held the following NFL records:" ]

[ "\"What I Need To Do\" is a song written by Tom Damphier and Bill Luther, and recorded by American country music artist Kenny Chesney. It was released in January 2000 as the fourth and final single from Chesney's 1999 album Everywhere We Go. The song peaked at number 8 in the United States and number 13 in Canada in 2000.\n\nContent\nThe song describes the narrator thinking about \"what [he] need[s] to do\" as he is driving away from his old hometown away from his former lover. He also thinks that he should \"turn [his] car around\" and go back to his lover, then hold her, and then tell her how sorry he is for what he did.\n\nChart positions\n\nYear-end charts\n\nReferences\n\n2000 singles\nKenny Chesney songs\nSong recordings produced by Buddy Cannon\nSong recordings produced by Norro Wilson\nBNA Records singles\nSongs written by Bill Luther (songwriter)\n1999 songs", "Lyceum is an album by The Orchids, released on Sarah Records in 1989.\n\nIt was the first album release by the group (and also by the label) and was originally only available as an 8 track, 10\" mini-album on vinyl. As was usual for albums on Sarah Records, no singles were released from it, although the later 2005 reissue contained all the early singles.\n\nIt was reviewed in Melody Maker as \"Another fountainhead of unqualified greatness\".\n\nTrack listing\n\"It's Only Obvious\" \n\"A Place Called Home\" \n\"Caveman\" \n\"York Song\" \n\"Carrole-Anne\" \n\"Hold On\" \n\"Blue Light\" \n\"If You Can't Find Love\"\n\n2005 re-issue\n\"It's Only Obvious\"\n\"A Place Called Home\" \n\"Caveman\" \n\"York Song\" \n\"Carrole-Anne\" \n\"Hold On\" \n\"Blue Light\" \n\"If You Can't Find Love\"\n\"I've Got a Habit\" – First single on Sarah Records, 1988\n\"Apologies\" – Single B-side\n\"Give Me Some Peppermint Freedom\" - from Shadow Factory compilation, Sarah Records 1989\n\"Defy the Law \" - From \"Underneath the Window\" EP, Sarah Records 1988\n\"Underneath the Window, Underneath the Sink\" - From \"Underneath the Window\" EP\n\"Tiny Words\" - From \"Underneath the Window\" EP\n\"Walter\" - From \"Underneath the Window\" EP\n\"What Will We Do Next\" - What Will We Do Next Single A-side Sarah Records 1989\n\"As Times Goes By\" - What Will We Do Next Single B-side \n\"Yawn\" - What Will We Do Next Single B-side \n\"Ill Wind That Blows\" - 7\" A-side, Caff 1990\n\"All Those Things\" - 7\" B-side, Caff 1990\n\n1989 albums\nThe Orchids albums\nSarah Records albums" ]

[ "Y. A. Tittle", "Legacy", "What was Tittle's legacy?", "At the time of his retirement, Tittle held the following NFL records:", "What records did he hold?", "Tittle was the fourth player to throw seven touchdown passes in a game, when he did so in 1962 against the Redskins. He followed Sid Luckman (1943)," ]

[ "\"What I Need To Do\" is a song written by Tom Damphier and Bill Luther, and recorded by American country music artist Kenny Chesney. It was released in January 2000 as the fourth and final single from Chesney's 1999 album Everywhere We Go. The song peaked at number 8 in the United States and number 13 in Canada in 2000.\n\nContent\nThe song describes the narrator thinking about \"what [he] need[s] to do\" as he is driving away from his old hometown away from his former lover. He also thinks that he should \"turn [his] car around\" and go back to his lover, then hold her, and then tell her how sorry he is for what he did.\n\nChart positions\n\nYear-end charts\n\nReferences\n\n2000 singles\nKenny Chesney songs\nSong recordings produced by Buddy Cannon\nSong recordings produced by Norro Wilson\nBNA Records singles\nSongs written by Bill Luther (songwriter)\n1999 songs", "Lyceum is an album by The Orchids, released on Sarah Records in 1989.\n\nIt was the first album release by the group (and also by the label) and was originally only available as an 8 track, 10\" mini-album on vinyl. As was usual for albums on Sarah Records, no singles were released from it, although the later 2005 reissue contained all the early singles.\n\nIt was reviewed in Melody Maker as \"Another fountainhead of unqualified greatness\".\n\nTrack listing\n\"It's Only Obvious\" \n\"A Place Called Home\" \n\"Caveman\" \n\"York Song\" \n\"Carrole-Anne\" \n\"Hold On\" \n\"Blue Light\" \n\"If You Can't Find Love\"\n\n2005 re-issue\n\"It's Only Obvious\"\n\"A Place Called Home\" \n\"Caveman\" \n\"York Song\" \n\"Carrole-Anne\" \n\"Hold On\" \n\"Blue Light\" \n\"If You Can't Find Love\"\n\"I've Got a Habit\" – First single on Sarah Records, 1988\n\"Apologies\" – Single B-side\n\"Give Me Some Peppermint Freedom\" - from Shadow Factory compilation, Sarah Records 1989\n\"Defy the Law \" - From \"Underneath the Window\" EP, Sarah Records 1988\n\"Underneath the Window, Underneath the Sink\" - From \"Underneath the Window\" EP\n\"Tiny Words\" - From \"Underneath the Window\" EP\n\"Walter\" - From \"Underneath the Window\" EP\n\"What Will We Do Next\" - What Will We Do Next Single A-side Sarah Records 1989\n\"As Times Goes By\" - What Will We Do Next Single B-side \n\"Yawn\" - What Will We Do Next Single B-side \n\"Ill Wind That Blows\" - 7\" A-side, Caff 1990\n\"All Those Things\" - 7\" B-side, Caff 1990\n\n1989 albums\nThe Orchids albums\nSarah Records albums" ]

[ "Y. A. Tittle", "Legacy", "What was Tittle's legacy?", "At the time of his retirement, Tittle held the following NFL records:", "What records did he hold?", "Tittle was the fourth player to throw seven touchdown passes in a game, when he did so in 1962 against the Redskins. He followed Sid Luckman (1943),", "What other records did he hold?", "Tittle, Manning and Foles did it without an interception. His 36 touchdown passes in 1963 set a record which stood for over two decades until it was surpassed" ]

[ "T. I. and Power was a football club from Bhutan, based at Changlimithang, who played in the inaugural Bhutan A-Division, then the top level of football in Bhutan, but since replaced by a full national league.\n\nHistory\nThey finished eighth in the inaugural season, with just a single victory over Health School and two draws against Public Works Department and Education to their name. They scored eleven goals in the whole competition, more than any other team outside the top three, but were defensively the weakest in the league, conceding twenty goals in total. There are no records available for any competitions held between 1987–1995 so it is not known whether they competed again, and there is no record of them competing in any future season for which records exist.\n\nReferences\n\nFootball clubs in Bhutan\nSport in Thimphu", "\"(If There Was) Any Other Way\" is a song by Canadian singer Celine Dion. It was included on her first English-language album, Unison (1990). \"(If There Was) Any Other Way\" was released by Columbia Records as the album's lead single in Canada on 26 March 1990. The next year, it was issued as the second single in other countries. The song was written by Paul Bliss, while production was handled by Christopher Neil.\n\nAfter its release, \"(If There Was) Any Other Way\" received positive reviews from music critics. The song peaked at number 23 in Canada and number 35 on the US Billboard Hot 100. Additionally, it became a success on the adult contemporary charts, reaching number eight in the United States and number 12 in Canada. Two accompanying music videos for the song were filmed. Dion performed \"(If There Was) Any Other Way\" during her Unison Tour (1990–91).\n\nBackground and release\nIn 1990, Dion was preparing to issue her first English-language album, Unison. After releasing various French-language albums in Canada and France in the '80s, she recorded new English songs in London, Los Angeles and New York. At first, Unison was released in Canada, and \"(If There Was) Any Other Way\" was chosen as its lead single. Written by British musician, Paul Bliss, and produced by British record producer, Christopher Neil, it was issued on 26 March 1990.\n\nOne year later on 18 March 1991, \"(If There Was) Any Other Way\" was released as the second single in the United States after \"Where Does My Heart Beat Now\". For the US market the single was remixed by Walter Afanasieff. This US version features a different audio mix from the Canadian single version and the album version: reverb has been applied throughout (most noticeably to Dion's vocal track), the guitars have been rebalanced so that they are less audible in some places in the song and more prominent in others, the drum track features \"rimshot\" effects during the chorus, additional synthesizer lines have been overdubbed onto the existing keyboard track (most noticeably in the bar before the instrumental break), and the fadeout has been slightly extended in length. It was also used in the American music video of the song that year. Additionally \"(If There Was) Any Other Way\" was remixed by Daniel Abraham, a French record producer living in New York. His dance remixes appeared on a promotional US single.\n\n\"(If There Was) Any Other Way\" was also released as a single in selected European countries, Australia, and Japan in June 1991.\n\nCritical reception\nAllMusic's senior editor Stephen Thomas Erlewine picked the song as an album standout along with \"Where Does My Heart Beat Now\". Larry Flick from Billboard noted that Dion \"continues to soar\" with a \"spirited, up-tempo\" song. He complimented the \"crystalline production and shimmering backup vocal support combined with a passionate lead performance\". Dave Sholin from the Gavin Report wrote about the song: \"Nothing like witnessing the growth and development of a genuine artist. Celine definitely falls into that category, capturing the hearts of Americans the way she's been doing in her native Canada for the past several years. Switching from torch song to snappy rhythm affords listeners an opportunity to hear another side of this wonderful talent\". Music & Media noted that \"talented Canadian chanteuse enters the Whitney Houston racket\" and described it as \"satisfying AC pop.\" Christopher Smith from TalkAboutPopMusic described it as a \"pop-soft rock mid tempo number\".\n\nCommercial performance\nIn Canada \"(If There Was) Any Other Way\" entered the RPM Top Singles chart on 31 March 1990 and peaked at number twenty-three on 9 June 1990. The song also entered the RPM Adult Contemporary chart on 24 March 1990 and reached number twelve there. In the United States \"(If There Was) Any Other Way\" debuted on the Billboard Hot 100 chart, dated 6 April 1991, and peaked at number thirty-five on 1 June 1991. The track also entered Billboards Adult Contemporary chart dated 30 March 1991, reaching number eight.\n\nMusic video\nThere were two music videos made for the song. The first one was directed by Derek Case and released in March 1990 for the Canadian market. The second one was filmed for the US market in Los Angeles, California, and Vancouver, British Columbia, Canada. It was directed by Dominic Orlando and premiered in March 1991. The two videos were included separately on Dion's 1991 home video Unison, depending on the Canadian or US release.\n\nLive performances\nDion performed \"(If There Was) Any Other Way\" on a few Canadian television shows in 1990. She also sang it on the Canadian/US variety show, Super Dave and performed it in Norway in 1991. It was included in her Unison Tour as well.\n\nTrack listings and formatsAustralian 7\", cassette, CD / Canadian 7\" single\"(If There Was) Any Other Way\" – 3:59\n\"(If There Was) Any Other Way\" (Instrumental) – 3:59Canadian cassette / European 3\", 7\" / Japanese 3\" single\"(If There Was) Any Other Way\" – 3:59\n\"I'm Loving Every Moment With You\" – 4:08European 12\", CD single\"(If There Was) Any Other Way\" – 3:59\n\"I'm Loving Every Moment With You\" – 4:08\n\"If We Could Start Over\" – 4:23US 7\" single\"(If There Was) Any Other Way\" – 3:59\n\"Where Does My Heart Beat Now\" – 4:33US cassette single\"(If There Was) Any Other Way\" (Walter Afanasieff Remix) – 4:13\n\"Where Does My Heart Beat Now\" – 4:33US promotional CD single'\n\"(If There Was) Any Other Way\" (Daniel Abraham's 7\" Remix) – 3:54\n\"(If There Was) Any Other Way\" (Daniel Abraham's 12\" Remix) – 5:39\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nCredits and personnel\nRecording\nRecorded at West Side Studios, London\n\nPersonnel\nCeline Dion – lead and backing vocals\nChristopher Neil – producer, backing vocals\nPhil Palmer – guitars\nPaul Bliss – songwriter, drums, keyboard programming, backing vocals\nSimon Hurrell – engineer\nWalter Afanasieff – additional producer, keyboards, percussion (Remix only)\nDaniel Abraham – additional producer (Dance Remix only)\n\nRelease history\n\nReferences\n\nExternal links\n\n1990 singles\n1990 songs\nCeline Dion songs\nColumbia Records singles\nDance-pop songs\nEpic Records singles\nSong recordings produced by Christopher Neil" ]