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75659811c5771d598c87e2a35aceabc0613e97eb | Heresy | Orthodox Judaism considers views on the part of Jews who depart from traditional Jewish principles of faith heretical. In addition, the more right-wing groups within Orthodox Judaism hold that all Jews who reject the simple meaning of Maimonides's 13 principles of Jewish faith are heretics. As such, most of Orthodox Judaism considers Reform and Reconstructionist Judaism heretical movements, and regards most of Conservative Judaism as heretical. The liberal wing of Modern Orthodoxy is more tolerant of Conservative Judaism, particularly its right wing, as there is some theological and practical overlap between these groups. | what faith is mentioned first? | {
"text": [
"Orthodox Judaism"
],
"answer_start": [
0
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
27df66c3987965cd4ab3a78334fc5cd01c7a180b | Heresy | Orthodox Judaism considers views on the part of Jews who depart from traditional Jewish principles of faith heretical. In addition, the more right-wing groups within Orthodox Judaism hold that all Jews who reject the simple meaning of Maimonides's 13 principles of Jewish faith are heretics. As such, most of Orthodox Judaism considers Reform and Reconstructionist Judaism heretical movements, and regards most of Conservative Judaism as heretical. The liberal wing of Modern Orthodoxy is more tolerant of Conservative Judaism, particularly its right wing, as there is some theological and practical overlap between these groups. | what faith is mentioned fourth to last? | {
"text": [
"Reform and Reconstructionist Judaism"
],
"answer_start": [
336
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
3587a3da2814c4c43b572f9f5aeb304cee8f3454 | Heresy | Orthodox Judaism considers views on the part of Jews who depart from traditional Jewish principles of faith heretical. In addition, the more right-wing groups within Orthodox Judaism hold that all Jews who reject the simple meaning of Maimonides's 13 principles of Jewish faith are heretics. As such, most of Orthodox Judaism considers Reform and Reconstructionist Judaism heretical movements, and regards most of Conservative Judaism as heretical. The liberal wing of Modern Orthodoxy is more tolerant of Conservative Judaism, particularly its right wing, as there is some theological and practical overlap between these groups. | A Jewish philosopher born in Spain was called? | {
"text": [
"Maimonides"
],
"answer_start": [
235
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
281baf2601db3720b669e43cad41b4df30268ac8 | Heresy | Orthodox Judaism considers views on the part of Jews who depart from traditional Jewish principles of faith heretical. In addition, the more right-wing groups within Orthodox Judaism hold that all Jews who reject the simple meaning of Maimonides's 13 principles of Jewish faith are heretics. As such, most of Orthodox Judaism considers Reform and Reconstructionist Judaism heretical movements, and regards most of Conservative Judaism as heretical. The liberal wing of Modern Orthodoxy is more tolerant of Conservative Judaism, particularly its right wing, as there is some theological and practical overlap between these groups. | The adjective used to describe the willingness to accept behaviors or views different from commonplace, opposite to conservative is called? | {
"text": [
"liberal"
],
"answer_start": [
453
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
8c121fef26c65daf5dff3552ce0d36a53dcc1ed1 | Heresy | Orthodox Judaism considers views on the part of Jews who depart from traditional Jewish principles of faith heretical. In addition, the more right-wing groups within Orthodox Judaism hold that all Jews who reject the simple meaning of Maimonides's 13 principles of Jewish faith are heretics. As such, most of Orthodox Judaism considers Reform and Reconstructionist Judaism heretical movements, and regards most of Conservative Judaism as heretical. The liberal wing of Modern Orthodoxy is more tolerant of Conservative Judaism, particularly its right wing, as there is some theological and practical overlap between these groups. | The term that is analogous to conservative, and refers to the ordinary or usual type is? | {
"text": [
"Orthodox"
],
"answer_start": [
0
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
334752069e43ea042308719c25f8cd2d9d628275 | Alsace | Most of the Alsatian population is Roman Catholic, but, largely because of the region's German heritage, a significant Protestant community also exists: today, the EPCAAL (a Lutheran church) is France's second largest Protestant church, also forming an administrative union (UEPAL) with the much smaller Calvinist EPRAL. Unlike the rest of France, the Local law in Alsace-Moselle still provides for to the Napoleonic Concordat of 1801 and the organic articles, which provides public subsidies to the Roman Catholic, Lutheran, and Calvinist churches, as well as to Jewish synagogues; religion classes in one of these faiths is compulsory in public schools. This divergence in policy from the French majority is due to the region having been part of Imperial Germany when the 1905 law separating the French church and state was instituted (for a more comprehensive history, see: Alsace-Lorraine). Controversy erupts periodically on the appropriateness of this legal disposition, as well as on the exclusion of other religions from this arrangement. | Why is the area different from the rest of the country? | {
"text": [
"German heritage"
],
"answer_start": [
88
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
6954d27d19cb28adef9df4a1377e281b486b0353 | Alsace | Most of the Alsatian population is Roman Catholic, but, largely because of the region's German heritage, a significant Protestant community also exists: today, the EPCAAL (a Lutheran church) is France's second largest Protestant church, also forming an administrative union (UEPAL) with the much smaller Calvinist EPRAL. Unlike the rest of France, the Local law in Alsace-Moselle still provides for to the Napoleonic Concordat of 1801 and the organic articles, which provides public subsidies to the Roman Catholic, Lutheran, and Calvinist churches, as well as to Jewish synagogues; religion classes in one of these faiths is compulsory in public schools. This divergence in policy from the French majority is due to the region having been part of Imperial Germany when the 1905 law separating the French church and state was instituted (for a more comprehensive history, see: Alsace-Lorraine). Controversy erupts periodically on the appropriateness of this legal disposition, as well as on the exclusion of other religions from this arrangement. | What does the Napoleonic Concardat of 1801 give? | {
"text": [
"public subsidies"
],
"answer_start": [
476
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
18ccbbb4514ca36c7a1377cf8dca9a08863fc9a2 | Alsace | Most of the Alsatian population is Roman Catholic, but, largely because of the region's German heritage, a significant Protestant community also exists: today, the EPCAAL (a Lutheran church) is France's second largest Protestant church, also forming an administrative union (UEPAL) with the much smaller Calvinist EPRAL. Unlike the rest of France, the Local law in Alsace-Moselle still provides for to the Napoleonic Concordat of 1801 and the organic articles, which provides public subsidies to the Roman Catholic, Lutheran, and Calvinist churches, as well as to Jewish synagogues; religion classes in one of these faiths is compulsory in public schools. This divergence in policy from the French majority is due to the region having been part of Imperial Germany when the 1905 law separating the French church and state was instituted (for a more comprehensive history, see: Alsace-Lorraine). Controversy erupts periodically on the appropriateness of this legal disposition, as well as on the exclusion of other religions from this arrangement. | What does the Napoleonic Concordat do? | {
"text": [
"provides public subsidies"
],
"answer_start": [
467
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
4b7816ef8228cd105762665e39f52391ae656d8d | Alsace | Most of the Alsatian population is Roman Catholic, but, largely because of the region's German heritage, a significant Protestant community also exists: today, the EPCAAL (a Lutheran church) is France's second largest Protestant church, also forming an administrative union (UEPAL) with the much smaller Calvinist EPRAL. Unlike the rest of France, the Local law in Alsace-Moselle still provides for to the Napoleonic Concordat of 1801 and the organic articles, which provides public subsidies to the Roman Catholic, Lutheran, and Calvinist churches, as well as to Jewish synagogues; religion classes in one of these faiths is compulsory in public schools. This divergence in policy from the French majority is due to the region having been part of Imperial Germany when the 1905 law separating the French church and state was instituted (for a more comprehensive history, see: Alsace-Lorraine). Controversy erupts periodically on the appropriateness of this legal disposition, as well as on the exclusion of other religions from this arrangement. | What is a concern? | {
"text": [
"Controversy erupts periodically on the appropriateness of this legal disposition"
],
"answer_start": [
895
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
4cd572bad73a73e23db17baf73e8737747c080b7 | Alsace | Most of the Alsatian population is Roman Catholic, but, largely because of the region's German heritage, a significant Protestant community also exists: today, the EPCAAL (a Lutheran church) is France's second largest Protestant church, also forming an administrative union (UEPAL) with the much smaller Calvinist EPRAL. Unlike the rest of France, the Local law in Alsace-Moselle still provides for to the Napoleonic Concordat of 1801 and the organic articles, which provides public subsidies to the Roman Catholic, Lutheran, and Calvinist churches, as well as to Jewish synagogues; religion classes in one of these faiths is compulsory in public schools. This divergence in policy from the French majority is due to the region having been part of Imperial Germany when the 1905 law separating the French church and state was instituted (for a more comprehensive history, see: Alsace-Lorraine). Controversy erupts periodically on the appropriateness of this legal disposition, as well as on the exclusion of other religions from this arrangement. | What influence did the German's have on Alsatian? | {
"text": [
"Protestant"
],
"answer_start": [
119
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
c6e12489b1e397bd554d9b4c5c846a5ea7ba35a4 | Alsace | Most of the Alsatian population is Roman Catholic, but, largely because of the region's German heritage, a significant Protestant community also exists: today, the EPCAAL (a Lutheran church) is France's second largest Protestant church, also forming an administrative union (UEPAL) with the much smaller Calvinist EPRAL. Unlike the rest of France, the Local law in Alsace-Moselle still provides for to the Napoleonic Concordat of 1801 and the organic articles, which provides public subsidies to the Roman Catholic, Lutheran, and Calvinist churches, as well as to Jewish synagogues; religion classes in one of these faiths is compulsory in public schools. This divergence in policy from the French majority is due to the region having been part of Imperial Germany when the 1905 law separating the French church and state was instituted (for a more comprehensive history, see: Alsace-Lorraine). Controversy erupts periodically on the appropriateness of this legal disposition, as well as on the exclusion of other religions from this arrangement. | WHo is given public subsidies besides Jewish synagogues and Lutheran and Calvinist churches? | {
"text": [
"Roman Catholic"
],
"answer_start": [
500
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
d44b31ecdc7faf1193df03a59d548c9f1009a765 | Alsace | Most of the Alsatian population is Roman Catholic, but, largely because of the region's German heritage, a significant Protestant community also exists: today, the EPCAAL (a Lutheran church) is France's second largest Protestant church, also forming an administrative union (UEPAL) with the much smaller Calvinist EPRAL. Unlike the rest of France, the Local law in Alsace-Moselle still provides for to the Napoleonic Concordat of 1801 and the organic articles, which provides public subsidies to the Roman Catholic, Lutheran, and Calvinist churches, as well as to Jewish synagogues; religion classes in one of these faiths is compulsory in public schools. This divergence in policy from the French majority is due to the region having been part of Imperial Germany when the 1905 law separating the French church and state was instituted (for a more comprehensive history, see: Alsace-Lorraine). Controversy erupts periodically on the appropriateness of this legal disposition, as well as on the exclusion of other religions from this arrangement. | What is the lesser religion of Alsatian? | {
"text": [
"Protestant"
],
"answer_start": [
119
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
ef2277eed04acb19222376b60420bb7d632649b4 | Alsace | Most of the Alsatian population is Roman Catholic, but, largely because of the region's German heritage, a significant Protestant community also exists: today, the EPCAAL (a Lutheran church) is France's second largest Protestant church, also forming an administrative union (UEPAL) with the much smaller Calvinist EPRAL. Unlike the rest of France, the Local law in Alsace-Moselle still provides for to the Napoleonic Concordat of 1801 and the organic articles, which provides public subsidies to the Roman Catholic, Lutheran, and Calvinist churches, as well as to Jewish synagogues; religion classes in one of these faiths is compulsory in public schools. This divergence in policy from the French majority is due to the region having been part of Imperial Germany when the 1905 law separating the French church and state was instituted (for a more comprehensive history, see: Alsace-Lorraine). Controversy erupts periodically on the appropriateness of this legal disposition, as well as on the exclusion of other religions from this arrangement. | In which region do you need to take religion classes? | {
"text": [
"disposition"
],
"answer_start": [
964
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
8029431806cd66c42a7a3f79f8f16f9e6092b8b6 | Alsace | Most of the Alsatian population is Roman Catholic, but, largely because of the region's German heritage, a significant Protestant community also exists: today, the EPCAAL (a Lutheran church) is France's second largest Protestant church, also forming an administrative union (UEPAL) with the much smaller Calvinist EPRAL. Unlike the rest of France, the Local law in Alsace-Moselle still provides for to the Napoleonic Concordat of 1801 and the organic articles, which provides public subsidies to the Roman Catholic, Lutheran, and Calvinist churches, as well as to Jewish synagogues; religion classes in one of these faiths is compulsory in public schools. This divergence in policy from the French majority is due to the region having been part of Imperial Germany when the 1905 law separating the French church and state was instituted (for a more comprehensive history, see: Alsace-Lorraine). Controversy erupts periodically on the appropriateness of this legal disposition, as well as on the exclusion of other religions from this arrangement. | How do the people differ? | {
"text": [
"Most of the Alsatian population is Roman Catholic"
],
"answer_start": [
0
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
b6645d2f2d0d0bd39e07988bb44099867e148aa7 | Alsace | Most of the Alsatian population is Roman Catholic, but, largely because of the region's German heritage, a significant Protestant community also exists: today, the EPCAAL (a Lutheran church) is France's second largest Protestant church, also forming an administrative union (UEPAL) with the much smaller Calvinist EPRAL. Unlike the rest of France, the Local law in Alsace-Moselle still provides for to the Napoleonic Concordat of 1801 and the organic articles, which provides public subsidies to the Roman Catholic, Lutheran, and Calvinist churches, as well as to Jewish synagogues; religion classes in one of these faiths is compulsory in public schools. This divergence in policy from the French majority is due to the region having been part of Imperial Germany when the 1905 law separating the French church and state was instituted (for a more comprehensive history, see: Alsace-Lorraine). Controversy erupts periodically on the appropriateness of this legal disposition, as well as on the exclusion of other religions from this arrangement. | Who is EPCAAL united with? | {
"text": [
"EPRAL"
],
"answer_start": [
314
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
f58da57ca86f4ff7a821f41bf1d0663024a126dc | Alsace | Most of the Alsatian population is Roman Catholic, but, largely because of the region's German heritage, a significant Protestant community also exists: today, the EPCAAL (a Lutheran church) is France's second largest Protestant church, also forming an administrative union (UEPAL) with the much smaller Calvinist EPRAL. Unlike the rest of France, the Local law in Alsace-Moselle still provides for to the Napoleonic Concordat of 1801 and the organic articles, which provides public subsidies to the Roman Catholic, Lutheran, and Calvinist churches, as well as to Jewish synagogues; religion classes in one of these faiths is compulsory in public schools. This divergence in policy from the French majority is due to the region having been part of Imperial Germany when the 1905 law separating the French church and state was instituted (for a more comprehensive history, see: Alsace-Lorraine). Controversy erupts periodically on the appropriateness of this legal disposition, as well as on the exclusion of other religions from this arrangement. | When did the seperation occur? | {
"text": [
"This divergence in policy from the French majority is due to the region having been part of Imperial Germany when the 1905 law separating the French church and state was instituted (for"
],
"answer_start": [
656
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
4ad0f47690c415e4c601e507ac49c617226966cf | Alsace | Most of the Alsatian population is Roman Catholic, but, largely because of the region's German heritage, a significant Protestant community also exists: today, the EPCAAL (a Lutheran church) is France's second largest Protestant church, also forming an administrative union (UEPAL) with the much smaller Calvinist EPRAL. Unlike the rest of France, the Local law in Alsace-Moselle still provides for to the Napoleonic Concordat of 1801 and the organic articles, which provides public subsidies to the Roman Catholic, Lutheran, and Calvinist churches, as well as to Jewish synagogues; religion classes in one of these faiths is compulsory in public schools. This divergence in policy from the French majority is due to the region having been part of Imperial Germany when the 1905 law separating the French church and state was instituted (for a more comprehensive history, see: Alsace-Lorraine). Controversy erupts periodically on the appropriateness of this legal disposition, as well as on the exclusion of other religions from this arrangement. | Why is the Napoleonic Concordat still followed? | {
"text": [
"Imperial Germany"
],
"answer_start": [
748
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
8dd1230ad3ad87aa5a53b88f2facc7215227cab6 | Alsace | Most of the Alsatian population is Roman Catholic, but, largely because of the region's German heritage, a significant Protestant community also exists: today, the EPCAAL (a Lutheran church) is France's second largest Protestant church, also forming an administrative union (UEPAL) with the much smaller Calvinist EPRAL. Unlike the rest of France, the Local law in Alsace-Moselle still provides for to the Napoleonic Concordat of 1801 and the organic articles, which provides public subsidies to the Roman Catholic, Lutheran, and Calvinist churches, as well as to Jewish synagogues; religion classes in one of these faiths is compulsory in public schools. This divergence in policy from the French majority is due to the region having been part of Imperial Germany when the 1905 law separating the French church and state was instituted (for a more comprehensive history, see: Alsace-Lorraine). Controversy erupts periodically on the appropriateness of this legal disposition, as well as on the exclusion of other religions from this arrangement. | What is the EPCAAL? | {
"text": [
"France's second largest Protestant church"
],
"answer_start": [
194
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
b77bbf95897c97bc6f77f9da204366192cd4f61c | Alsace | Most of the Alsatian population is Roman Catholic, but, largely because of the region's German heritage, a significant Protestant community also exists: today, the EPCAAL (a Lutheran church) is France's second largest Protestant church, also forming an administrative union (UEPAL) with the much smaller Calvinist EPRAL. Unlike the rest of France, the Local law in Alsace-Moselle still provides for to the Napoleonic Concordat of 1801 and the organic articles, which provides public subsidies to the Roman Catholic, Lutheran, and Calvinist churches, as well as to Jewish synagogues; religion classes in one of these faiths is compulsory in public schools. This divergence in policy from the French majority is due to the region having been part of Imperial Germany when the 1905 law separating the French church and state was instituted (for a more comprehensive history, see: Alsace-Lorraine). Controversy erupts periodically on the appropriateness of this legal disposition, as well as on the exclusion of other religions from this arrangement. | What can be found here? | {
"text": [
"a significant Protestant community"
],
"answer_start": [
105
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
c35b3920cb91824fcced318e3cf9795c386d0174 | Alsace | Most of the Alsatian population is Roman Catholic, but, largely because of the region's German heritage, a significant Protestant community also exists: today, the EPCAAL (a Lutheran church) is France's second largest Protestant church, also forming an administrative union (UEPAL) with the much smaller Calvinist EPRAL. Unlike the rest of France, the Local law in Alsace-Moselle still provides for to the Napoleonic Concordat of 1801 and the organic articles, which provides public subsidies to the Roman Catholic, Lutheran, and Calvinist churches, as well as to Jewish synagogues; religion classes in one of these faiths is compulsory in public schools. This divergence in policy from the French majority is due to the region having been part of Imperial Germany when the 1905 law separating the French church and state was instituted (for a more comprehensive history, see: Alsace-Lorraine). Controversy erupts periodically on the appropriateness of this legal disposition, as well as on the exclusion of other religions from this arrangement. | Who follows the Napoleonic Concordat? | {
"text": [
"Alsace-Moselle"
],
"answer_start": [
365
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
4b551fbaa284d761d30c61aff49b6cd5b27ce7f9 | Alsace | The year 1789 brought the French Revolution and with it the first division of Alsace into the départements of Haut- and Bas-Rhin. Alsatians played an active role in the French Revolution. On 21 July 1789, after receiving news of the Storming of the Bastille in Paris, a crowd of people stormed the Strasbourg city hall, forcing the city administrators to flee and putting symbolically an end to the feudal system in Alsace. In 1792, Rouget de Lisle composed in Strasbourg the Revolutionary marching song "La Marseillaise" (as Marching song for the Army of the Rhine), which later became the anthem of France. "La Marseillaise" was played for the first time in April of that year in front of the mayor of Strasbourg Philippe-Frédéric de Dietrich. Some of the most famous generals of the French Revolution also came from Alsace, notably Kellermann, the victor of Valmy, Kléber, who led the armies of the French Republic in Vendée and Westermann, who also fought in the Vendée. | What did the French adopt post-revolution that was created during the revolution? | {
"text": [
"La Marseillaise"
],
"answer_start": [
505
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
6cd6c482fdb09386b2dcf7bd37e4f2a06cc793b3 | Alsace | The year 1789 brought the French Revolution and with it the first division of Alsace into the départements of Haut- and Bas-Rhin. Alsatians played an active role in the French Revolution. On 21 July 1789, after receiving news of the Storming of the Bastille in Paris, a crowd of people stormed the Strasbourg city hall, forcing the city administrators to flee and putting symbolically an end to the feudal system in Alsace. In 1792, Rouget de Lisle composed in Strasbourg the Revolutionary marching song "La Marseillaise" (as Marching song for the Army of the Rhine), which later became the anthem of France. "La Marseillaise" was played for the first time in April of that year in front of the mayor of Strasbourg Philippe-Frédéric de Dietrich. Some of the most famous generals of the French Revolution also came from Alsace, notably Kellermann, the victor of Valmy, Kléber, who led the armies of the French Republic in Vendée and Westermann, who also fought in the Vendée. | Which general mentioned did not fight at Vendee? | {
"text": [
"Kellermann"
],
"answer_start": [
835
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
59e73589f63c43bf07e72bc56b5e531215595625 | Alsace | The year 1789 brought the French Revolution and with it the first division of Alsace into the départements of Haut- and Bas-Rhin. Alsatians played an active role in the French Revolution. On 21 July 1789, after receiving news of the Storming of the Bastille in Paris, a crowd of people stormed the Strasbourg city hall, forcing the city administrators to flee and putting symbolically an end to the feudal system in Alsace. In 1792, Rouget de Lisle composed in Strasbourg the Revolutionary marching song "La Marseillaise" (as Marching song for the Army of the Rhine), which later became the anthem of France. "La Marseillaise" was played for the first time in April of that year in front of the mayor of Strasbourg Philippe-Frédéric de Dietrich. Some of the most famous generals of the French Revolution also came from Alsace, notably Kellermann, the victor of Valmy, Kléber, who led the armies of the French Republic in Vendée and Westermann, who also fought in the Vendée. | Who was the anthem created for? | {
"text": [
"Army of the Rhine"
],
"answer_start": [
548
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
7856c9b14146f39f4d34e9a57fdbf83b5fd240f0 | Alsace | The year 1789 brought the French Revolution and with it the first division of Alsace into the départements of Haut- and Bas-Rhin. Alsatians played an active role in the French Revolution. On 21 July 1789, after receiving news of the Storming of the Bastille in Paris, a crowd of people stormed the Strasbourg city hall, forcing the city administrators to flee and putting symbolically an end to the feudal system in Alsace. In 1792, Rouget de Lisle composed in Strasbourg the Revolutionary marching song "La Marseillaise" (as Marching song for the Army of the Rhine), which later became the anthem of France. "La Marseillaise" was played for the first time in April of that year in front of the mayor of Strasbourg Philippe-Frédéric de Dietrich. Some of the most famous generals of the French Revolution also came from Alsace, notably Kellermann, the victor of Valmy, Kléber, who led the armies of the French Republic in Vendée and Westermann, who also fought in the Vendée. | Where was Westermann from? | {
"text": [
"Alsace"
],
"answer_start": [
819
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
3b947ea5073d268c56753f67853bb4fec883fb16 | Alsace | The year 1789 brought the French Revolution and with it the first division of Alsace into the départements of Haut- and Bas-Rhin. Alsatians played an active role in the French Revolution. On 21 July 1789, after receiving news of the Storming of the Bastille in Paris, a crowd of people stormed the Strasbourg city hall, forcing the city administrators to flee and putting symbolically an end to the feudal system in Alsace. In 1792, Rouget de Lisle composed in Strasbourg the Revolutionary marching song "La Marseillaise" (as Marching song for the Army of the Rhine), which later became the anthem of France. "La Marseillaise" was played for the first time in April of that year in front of the mayor of Strasbourg Philippe-Frédéric de Dietrich. Some of the most famous generals of the French Revolution also came from Alsace, notably Kellermann, the victor of Valmy, Kléber, who led the armies of the French Republic in Vendée and Westermann, who also fought in the Vendée. | What is the counterpart of the Bastille in Alsace? | {
"text": [
"Strasbourg city hall"
],
"answer_start": [
298
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
e9a925d1d8db431127c171ace3e499d7240e385f | Alsace | The year 1789 brought the French Revolution and with it the first division of Alsace into the départements of Haut- and Bas-Rhin. Alsatians played an active role in the French Revolution. On 21 July 1789, after receiving news of the Storming of the Bastille in Paris, a crowd of people stormed the Strasbourg city hall, forcing the city administrators to flee and putting symbolically an end to the feudal system in Alsace. In 1792, Rouget de Lisle composed in Strasbourg the Revolutionary marching song "La Marseillaise" (as Marching song for the Army of the Rhine), which later became the anthem of France. "La Marseillaise" was played for the first time in April of that year in front of the mayor of Strasbourg Philippe-Frédéric de Dietrich. Some of the most famous generals of the French Revolution also came from Alsace, notably Kellermann, the victor of Valmy, Kléber, who led the armies of the French Republic in Vendée and Westermann, who also fought in the Vendée. | What is a subpart of Alsace called? | {
"text": [
"départements"
],
"answer_start": [
94
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
608835abcaf60deab8a9bd87e87b341d8fb16ef2 | Alsace | The year 1789 brought the French Revolution and with it the first division of Alsace into the départements of Haut- and Bas-Rhin. Alsatians played an active role in the French Revolution. On 21 July 1789, after receiving news of the Storming of the Bastille in Paris, a crowd of people stormed the Strasbourg city hall, forcing the city administrators to flee and putting symbolically an end to the feudal system in Alsace. In 1792, Rouget de Lisle composed in Strasbourg the Revolutionary marching song "La Marseillaise" (as Marching song for the Army of the Rhine), which later became the anthem of France. "La Marseillaise" was played for the first time in April of that year in front of the mayor of Strasbourg Philippe-Frédéric de Dietrich. Some of the most famous generals of the French Revolution also came from Alsace, notably Kellermann, the victor of Valmy, Kléber, who led the armies of the French Republic in Vendée and Westermann, who also fought in the Vendée. | Who was the subordinate Alsatian officer in Vendee? | {
"text": [
"Westermann"
],
"answer_start": [
932
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
1fa957b201e258dc5302c98ae26d12bba7ed5307 | Alsace | The year 1789 brought the French Revolution and with it the first division of Alsace into the départements of Haut- and Bas-Rhin. Alsatians played an active role in the French Revolution. On 21 July 1789, after receiving news of the Storming of the Bastille in Paris, a crowd of people stormed the Strasbourg city hall, forcing the city administrators to flee and putting symbolically an end to the feudal system in Alsace. In 1792, Rouget de Lisle composed in Strasbourg the Revolutionary marching song "La Marseillaise" (as Marching song for the Army of the Rhine), which later became the anthem of France. "La Marseillaise" was played for the first time in April of that year in front of the mayor of Strasbourg Philippe-Frédéric de Dietrich. Some of the most famous generals of the French Revolution also came from Alsace, notably Kellermann, the victor of Valmy, Kléber, who led the armies of the French Republic in Vendée and Westermann, who also fought in the Vendée. | What was being protested by the Alsatians in the storming of the city hall? | {
"text": [
"feudal system"
],
"answer_start": [
399
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
7cd2fe29542be8c3e9fa90137d367fb9742c34b7 | Alsace | The year 1789 brought the French Revolution and with it the first division of Alsace into the départements of Haut- and Bas-Rhin. Alsatians played an active role in the French Revolution. On 21 July 1789, after receiving news of the Storming of the Bastille in Paris, a crowd of people stormed the Strasbourg city hall, forcing the city administrators to flee and putting symbolically an end to the feudal system in Alsace. In 1792, Rouget de Lisle composed in Strasbourg the Revolutionary marching song "La Marseillaise" (as Marching song for the Army of the Rhine), which later became the anthem of France. "La Marseillaise" was played for the first time in April of that year in front of the mayor of Strasbourg Philippe-Frédéric de Dietrich. Some of the most famous generals of the French Revolution also came from Alsace, notably Kellermann, the victor of Valmy, Kléber, who led the armies of the French Republic in Vendée and Westermann, who also fought in the Vendée. | What can be said about General Kellermann? | {
"text": [
"the victor of Valmy"
],
"answer_start": [
847
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
e6d8b40362f134fe4cad1a4e097ee062b848c74d | Alsace | The year 1789 brought the French Revolution and with it the first division of Alsace into the départements of Haut- and Bas-Rhin. Alsatians played an active role in the French Revolution. On 21 July 1789, after receiving news of the Storming of the Bastille in Paris, a crowd of people stormed the Strasbourg city hall, forcing the city administrators to flee and putting symbolically an end to the feudal system in Alsace. In 1792, Rouget de Lisle composed in Strasbourg the Revolutionary marching song "La Marseillaise" (as Marching song for the Army of the Rhine), which later became the anthem of France. "La Marseillaise" was played for the first time in April of that year in front of the mayor of Strasbourg Philippe-Frédéric de Dietrich. Some of the most famous generals of the French Revolution also came from Alsace, notably Kellermann, the victor of Valmy, Kléber, who led the armies of the French Republic in Vendée and Westermann, who also fought in the Vendée. | What did Kellermann, Westermann, and Kleber have in common? | {
"text": [
"famous generals"
],
"answer_start": [
763
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
fad7f35f46f8f1b883523082728cb2c85033e794 | Alsace | The year 1789 brought the French Revolution and with it the first division of Alsace into the départements of Haut- and Bas-Rhin. Alsatians played an active role in the French Revolution. On 21 July 1789, after receiving news of the Storming of the Bastille in Paris, a crowd of people stormed the Strasbourg city hall, forcing the city administrators to flee and putting symbolically an end to the feudal system in Alsace. In 1792, Rouget de Lisle composed in Strasbourg the Revolutionary marching song "La Marseillaise" (as Marching song for the Army of the Rhine), which later became the anthem of France. "La Marseillaise" was played for the first time in April of that year in front of the mayor of Strasbourg Philippe-Frédéric de Dietrich. Some of the most famous generals of the French Revolution also came from Alsace, notably Kellermann, the victor of Valmy, Kléber, who led the armies of the French Republic in Vendée and Westermann, who also fought in the Vendée. | Who was the marching song played for? | {
"text": [
"Philippe-Frédéric de Dietrich"
],
"answer_start": [
715
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
bc68d757393d9ff309edadd05e7bc1260533613a | Alsace | The year 1789 brought the French Revolution and with it the first division of Alsace into the départements of Haut- and Bas-Rhin. Alsatians played an active role in the French Revolution. On 21 July 1789, after receiving news of the Storming of the Bastille in Paris, a crowd of people stormed the Strasbourg city hall, forcing the city administrators to flee and putting symbolically an end to the feudal system in Alsace. In 1792, Rouget de Lisle composed in Strasbourg the Revolutionary marching song "La Marseillaise" (as Marching song for the Army of the Rhine), which later became the anthem of France. "La Marseillaise" was played for the first time in April of that year in front of the mayor of Strasbourg Philippe-Frédéric de Dietrich. Some of the most famous generals of the French Revolution also came from Alsace, notably Kellermann, the victor of Valmy, Kléber, who led the armies of the French Republic in Vendée and Westermann, who also fought in the Vendée. | Where was Kleber from? | {
"text": [
"Alsace"
],
"answer_start": [
819
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
0ee780736dc85b84c9791af08dcda1c6a993e254 | Alsace | The year 1789 brought the French Revolution and with it the first division of Alsace into the départements of Haut- and Bas-Rhin. Alsatians played an active role in the French Revolution. On 21 July 1789, after receiving news of the Storming of the Bastille in Paris, a crowd of people stormed the Strasbourg city hall, forcing the city administrators to flee and putting symbolically an end to the feudal system in Alsace. In 1792, Rouget de Lisle composed in Strasbourg the Revolutionary marching song "La Marseillaise" (as Marching song for the Army of the Rhine), which later became the anthem of France. "La Marseillaise" was played for the first time in April of that year in front of the mayor of Strasbourg Philippe-Frédéric de Dietrich. Some of the most famous generals of the French Revolution also came from Alsace, notably Kellermann, the victor of Valmy, Kléber, who led the armies of the French Republic in Vendée and Westermann, who also fought in the Vendée. | Who is a famous non-military Alsatian of the period? | {
"text": [
"Rouget de Lisle"
],
"answer_start": [
433
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
781626b07593b002ea7db10cd3ba754b9661c848 | East_Prussia | Although Brandenburg was a part of the Holy Roman Empire, the Prussian lands were not within the Holy Roman Empire and were with the administration by the Teutonic Order grandmasters under jurisdiction of the Emperor. In return for supporting Emperor Leopold I in the War of the Spanish Succession, Elector Frederick III was allowed to crown himself "King in Prussia" in 1701. The new kingdom ruled by the Hohenzollern dynasty became known as the Kingdom of Prussia. The designation "Kingdom of Prussia" was gradually applied to the various lands of Brandenburg-Prussia. To differentiate from the larger entity, the former Duchy of Prussia became known as Altpreußen ("Old Prussia"), the province of Prussia, or "East Prussia". | Which part of Prussia remained in control of the Teutonic Knights? | {
"text": [
"East Prussia"
],
"answer_start": [
713
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
a50022dd006937edc0f537f82b564ee3c8366cb2 | East_Prussia | Although Brandenburg was a part of the Holy Roman Empire, the Prussian lands were not within the Holy Roman Empire and were with the administration by the Teutonic Order grandmasters under jurisdiction of the Emperor. In return for supporting Emperor Leopold I in the War of the Spanish Succession, Elector Frederick III was allowed to crown himself "King in Prussia" in 1701. The new kingdom ruled by the Hohenzollern dynasty became known as the Kingdom of Prussia. The designation "Kingdom of Prussia" was gradually applied to the various lands of Brandenburg-Prussia. To differentiate from the larger entity, the former Duchy of Prussia became known as Altpreußen ("Old Prussia"), the province of Prussia, or "East Prussia". | Which area wasn't a part of the administration by the Teutonic Order grandmasters? | {
"text": [
"the Holy Roman Empire"
],
"answer_start": [
35
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
c509d8ec2c0fed52c2e1a12fc65e64e95e66aaf1 | East_Prussia | Although Brandenburg was a part of the Holy Roman Empire, the Prussian lands were not within the Holy Roman Empire and were with the administration by the Teutonic Order grandmasters under jurisdiction of the Emperor. In return for supporting Emperor Leopold I in the War of the Spanish Succession, Elector Frederick III was allowed to crown himself "King in Prussia" in 1701. The new kingdom ruled by the Hohenzollern dynasty became known as the Kingdom of Prussia. The designation "Kingdom of Prussia" was gradually applied to the various lands of Brandenburg-Prussia. To differentiate from the larger entity, the former Duchy of Prussia became known as Altpreußen ("Old Prussia"), the province of Prussia, or "East Prussia". | What was another name for Old Prussia in English? | {
"text": [
"East Prussia"
],
"answer_start": [
713
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
c9faa45010d97e8ad4ccba84d4b0b171f5261983 | East_Prussia | Although Brandenburg was a part of the Holy Roman Empire, the Prussian lands were not within the Holy Roman Empire and were with the administration by the Teutonic Order grandmasters under jurisdiction of the Emperor. In return for supporting Emperor Leopold I in the War of the Spanish Succession, Elector Frederick III was allowed to crown himself "King in Prussia" in 1701. The new kingdom ruled by the Hohenzollern dynasty became known as the Kingdom of Prussia. The designation "Kingdom of Prussia" was gradually applied to the various lands of Brandenburg-Prussia. To differentiate from the larger entity, the former Duchy of Prussia became known as Altpreußen ("Old Prussia"), the province of Prussia, or "East Prussia". | Which of the following is not a political and geographic entity: the Kingdom of Prussia, the Holy Roman Empire, or the Teutonic Order? | {
"text": [
"Teutonic Order"
],
"answer_start": [
155
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
4912fe8407858e231c887017fbc7626e88023bba | East_Prussia | Although Brandenburg was a part of the Holy Roman Empire, the Prussian lands were not within the Holy Roman Empire and were with the administration by the Teutonic Order grandmasters under jurisdiction of the Emperor. In return for supporting Emperor Leopold I in the War of the Spanish Succession, Elector Frederick III was allowed to crown himself "King in Prussia" in 1701. The new kingdom ruled by the Hohenzollern dynasty became known as the Kingdom of Prussia. The designation "Kingdom of Prussia" was gradually applied to the various lands of Brandenburg-Prussia. To differentiate from the larger entity, the former Duchy of Prussia became known as Altpreußen ("Old Prussia"), the province of Prussia, or "East Prussia". | How did the King in Prussia gain his title? | {
"text": [
"for supporting Emperor Leopold I in the War of the Spanish Succession"
],
"answer_start": [
228
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
867e002b31502e77d1a5ab004fcb6e1e63e0f180 | East_Prussia | Although Brandenburg was a part of the Holy Roman Empire, the Prussian lands were not within the Holy Roman Empire and were with the administration by the Teutonic Order grandmasters under jurisdiction of the Emperor. In return for supporting Emperor Leopold I in the War of the Spanish Succession, Elector Frederick III was allowed to crown himself "King in Prussia" in 1701. The new kingdom ruled by the Hohenzollern dynasty became known as the Kingdom of Prussia. The designation "Kingdom of Prussia" was gradually applied to the various lands of Brandenburg-Prussia. To differentiate from the larger entity, the former Duchy of Prussia became known as Altpreußen ("Old Prussia"), the province of Prussia, or "East Prussia". | Which of the following is not a person: Leopold, Frederick or Duchy? | {
"text": [
"Duchy"
],
"answer_start": [
623
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
04cc9678f04cc6ca66c22cbf77b84485e65a4c9f | East_Prussia | Although Brandenburg was a part of the Holy Roman Empire, the Prussian lands were not within the Holy Roman Empire and were with the administration by the Teutonic Order grandmasters under jurisdiction of the Emperor. In return for supporting Emperor Leopold I in the War of the Spanish Succession, Elector Frederick III was allowed to crown himself "King in Prussia" in 1701. The new kingdom ruled by the Hohenzollern dynasty became known as the Kingdom of Prussia. The designation "Kingdom of Prussia" was gradually applied to the various lands of Brandenburg-Prussia. To differentiate from the larger entity, the former Duchy of Prussia became known as Altpreußen ("Old Prussia"), the province of Prussia, or "East Prussia". | Which land along with Prussia made up the Kingdom of Prussia? | {
"text": [
"Brandenburg"
],
"answer_start": [
550
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
d8f36fb3f563215660fe2c36689a96ae03c27802 | East_Prussia | Although Brandenburg was a part of the Holy Roman Empire, the Prussian lands were not within the Holy Roman Empire and were with the administration by the Teutonic Order grandmasters under jurisdiction of the Emperor. In return for supporting Emperor Leopold I in the War of the Spanish Succession, Elector Frederick III was allowed to crown himself "King in Prussia" in 1701. The new kingdom ruled by the Hohenzollern dynasty became known as the Kingdom of Prussia. The designation "Kingdom of Prussia" was gradually applied to the various lands of Brandenburg-Prussia. To differentiate from the larger entity, the former Duchy of Prussia became known as Altpreußen ("Old Prussia"), the province of Prussia, or "East Prussia". | Duchy of Prussia was in what direction? | {
"text": [
"East"
],
"answer_start": [
713
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
9f660ed1e528b2b5c68133549633267c83060299 | East_Prussia | Although Brandenburg was a part of the Holy Roman Empire, the Prussian lands were not within the Holy Roman Empire and were with the administration by the Teutonic Order grandmasters under jurisdiction of the Emperor. In return for supporting Emperor Leopold I in the War of the Spanish Succession, Elector Frederick III was allowed to crown himself "King in Prussia" in 1701. The new kingdom ruled by the Hohenzollern dynasty became known as the Kingdom of Prussia. The designation "Kingdom of Prussia" was gradually applied to the various lands of Brandenburg-Prussia. To differentiate from the larger entity, the former Duchy of Prussia became known as Altpreußen ("Old Prussia"), the province of Prussia, or "East Prussia". | What was the larger entity as opposed to the Duchy of Prussia? | {
"text": [
"the various lands of Brandenburg-Prussia"
],
"answer_start": [
529
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
dc7b685b2c30f6916ac26709aaf583c39838c792 | East_Prussia | Although Brandenburg was a part of the Holy Roman Empire, the Prussian lands were not within the Holy Roman Empire and were with the administration by the Teutonic Order grandmasters under jurisdiction of the Emperor. In return for supporting Emperor Leopold I in the War of the Spanish Succession, Elector Frederick III was allowed to crown himself "King in Prussia" in 1701. The new kingdom ruled by the Hohenzollern dynasty became known as the Kingdom of Prussia. The designation "Kingdom of Prussia" was gradually applied to the various lands of Brandenburg-Prussia. To differentiate from the larger entity, the former Duchy of Prussia became known as Altpreußen ("Old Prussia"), the province of Prussia, or "East Prussia". | Which of the following was a person: Frederick III, Prussia or Roman? | {
"text": [
"Frederick III"
],
"answer_start": [
307
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
8c0cae7ef6123d35ea3affb244f4c98c1dea66fb | East_Prussia | Representatives of the Polish government officially took over the civilian administration of the southern part of East Prussia on 23 May 1945. Subsequently Polish expatriates from Polish lands annexed by the Soviet Union as well as Ukrainians and Lemkos from southern Poland, expelled in Operation Vistula in 1947, were settled in the southern part of East Prussia, now the Polish Warmian-Masurian Voivodeship. In 1950 the Olsztyn Voivodeship counted 689,000 inhabitants, 22.6% of them coming from areas annexed by the Soviet Union, 10% Ukrainians, and 18.5% of them pre-war inhabitants. The remaining pre-war population was treated as Germanized Poles and a policy of re-Polonization was pursued throughout the country Most of these "Autochthones" chose to emigrate to West Germany from the 1950s through 1970s (between 1970 and 1988 55,227 persons from Warmia and Masuria moved to Western Germany). Local toponyms were Polonised by the Polish Commission for the Determination of Place Names. | what is the fourth word in the first paragraph? | {
"text": [
"Polish"
],
"answer_start": [
23
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
230f94ce1e4f53e4a4a8f19bb948050ca4c9804f | East_Prussia | Representatives of the Polish government officially took over the civilian administration of the southern part of East Prussia on 23 May 1945. Subsequently Polish expatriates from Polish lands annexed by the Soviet Union as well as Ukrainians and Lemkos from southern Poland, expelled in Operation Vistula in 1947, were settled in the southern part of East Prussia, now the Polish Warmian-Masurian Voivodeship. In 1950 the Olsztyn Voivodeship counted 689,000 inhabitants, 22.6% of them coming from areas annexed by the Soviet Union, 10% Ukrainians, and 18.5% of them pre-war inhabitants. The remaining pre-war population was treated as Germanized Poles and a policy of re-Polonization was pursued throughout the country Most of these "Autochthones" chose to emigrate to West Germany from the 1950s through 1970s (between 1970 and 1988 55,227 persons from Warmia and Masuria moved to Western Germany). Local toponyms were Polonised by the Polish Commission for the Determination of Place Names. | Which group of inhabitants in the Olsztyn Voivodeship was the smallest? | {
"text": [
"Ukrainians"
],
"answer_start": [
537
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
4e84a742c31f61589065799db8685dc58ba75e4f | East_Prussia | Representatives of the Polish government officially took over the civilian administration of the southern part of East Prussia on 23 May 1945. Subsequently Polish expatriates from Polish lands annexed by the Soviet Union as well as Ukrainians and Lemkos from southern Poland, expelled in Operation Vistula in 1947, were settled in the southern part of East Prussia, now the Polish Warmian-Masurian Voivodeship. In 1950 the Olsztyn Voivodeship counted 689,000 inhabitants, 22.6% of them coming from areas annexed by the Soviet Union, 10% Ukrainians, and 18.5% of them pre-war inhabitants. The remaining pre-war population was treated as Germanized Poles and a policy of re-Polonization was pursued throughout the country Most of these "Autochthones" chose to emigrate to West Germany from the 1950s through 1970s (between 1970 and 1988 55,227 persons from Warmia and Masuria moved to Western Germany). Local toponyms were Polonised by the Polish Commission for the Determination of Place Names. | what state start with S? | {
"text": [
"Soviet Union"
],
"answer_start": [
208
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
09286e3017d4e462841f39b16bc0aa1c6564266c | East_Prussia | Representatives of the Polish government officially took over the civilian administration of the southern part of East Prussia on 23 May 1945. Subsequently Polish expatriates from Polish lands annexed by the Soviet Union as well as Ukrainians and Lemkos from southern Poland, expelled in Operation Vistula in 1947, were settled in the southern part of East Prussia, now the Polish Warmian-Masurian Voivodeship. In 1950 the Olsztyn Voivodeship counted 689,000 inhabitants, 22.6% of them coming from areas annexed by the Soviet Union, 10% Ukrainians, and 18.5% of them pre-war inhabitants. The remaining pre-war population was treated as Germanized Poles and a policy of re-Polonization was pursued throughout the country Most of these "Autochthones" chose to emigrate to West Germany from the 1950s through 1970s (between 1970 and 1988 55,227 persons from Warmia and Masuria moved to Western Germany). Local toponyms were Polonised by the Polish Commission for the Determination of Place Names. | Who else lived in the annexed parts? | {
"text": [
"Ukrainians and Lemkos"
],
"answer_start": [
232
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
3e13aa8ee839fcc662ffb444db05f9640e7ba196 | East_Prussia | Representatives of the Polish government officially took over the civilian administration of the southern part of East Prussia on 23 May 1945. Subsequently Polish expatriates from Polish lands annexed by the Soviet Union as well as Ukrainians and Lemkos from southern Poland, expelled in Operation Vistula in 1947, were settled in the southern part of East Prussia, now the Polish Warmian-Masurian Voivodeship. In 1950 the Olsztyn Voivodeship counted 689,000 inhabitants, 22.6% of them coming from areas annexed by the Soviet Union, 10% Ukrainians, and 18.5% of them pre-war inhabitants. The remaining pre-war population was treated as Germanized Poles and a policy of re-Polonization was pursued throughout the country Most of these "Autochthones" chose to emigrate to West Germany from the 1950s through 1970s (between 1970 and 1988 55,227 persons from Warmia and Masuria moved to Western Germany). Local toponyms were Polonised by the Polish Commission for the Determination of Place Names. | What happened to what the area was called? | {
"text": [
"Local toponyms were Polonised"
],
"answer_start": [
901
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
7e9673f1ac1f9e7485d4e6e6c6d178f7bdcf828c | East_Prussia | Representatives of the Polish government officially took over the civilian administration of the southern part of East Prussia on 23 May 1945. Subsequently Polish expatriates from Polish lands annexed by the Soviet Union as well as Ukrainians and Lemkos from southern Poland, expelled in Operation Vistula in 1947, were settled in the southern part of East Prussia, now the Polish Warmian-Masurian Voivodeship. In 1950 the Olsztyn Voivodeship counted 689,000 inhabitants, 22.6% of them coming from areas annexed by the Soviet Union, 10% Ukrainians, and 18.5% of them pre-war inhabitants. The remaining pre-war population was treated as Germanized Poles and a policy of re-Polonization was pursued throughout the country Most of these "Autochthones" chose to emigrate to West Germany from the 1950s through 1970s (between 1970 and 1988 55,227 persons from Warmia and Masuria moved to Western Germany). Local toponyms were Polonised by the Polish Commission for the Determination of Place Names. | what is the last word in the passage? | {
"text": [
"Names"
],
"answer_start": [
987
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
569b5fb817d27334f9c544d3f3e03b9e706d4b61 | East_Prussia | Representatives of the Polish government officially took over the civilian administration of the southern part of East Prussia on 23 May 1945. Subsequently Polish expatriates from Polish lands annexed by the Soviet Union as well as Ukrainians and Lemkos from southern Poland, expelled in Operation Vistula in 1947, were settled in the southern part of East Prussia, now the Polish Warmian-Masurian Voivodeship. In 1950 the Olsztyn Voivodeship counted 689,000 inhabitants, 22.6% of them coming from areas annexed by the Soviet Union, 10% Ukrainians, and 18.5% of them pre-war inhabitants. The remaining pre-war population was treated as Germanized Poles and a policy of re-Polonization was pursued throughout the country Most of these "Autochthones" chose to emigrate to West Germany from the 1950s through 1970s (between 1970 and 1988 55,227 persons from Warmia and Masuria moved to Western Germany). Local toponyms were Polonised by the Polish Commission for the Determination of Place Names. | Which group of inhabitants in the Olsztyn Voivodeship was the second smallest? | {
"text": [
"pre-war inhabitants"
],
"answer_start": [
567
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
c8d1d1995b65f3ad2f60bb209c7476be4894438f | East_Prussia | Representatives of the Polish government officially took over the civilian administration of the southern part of East Prussia on 23 May 1945. Subsequently Polish expatriates from Polish lands annexed by the Soviet Union as well as Ukrainians and Lemkos from southern Poland, expelled in Operation Vistula in 1947, were settled in the southern part of East Prussia, now the Polish Warmian-Masurian Voivodeship. In 1950 the Olsztyn Voivodeship counted 689,000 inhabitants, 22.6% of them coming from areas annexed by the Soviet Union, 10% Ukrainians, and 18.5% of them pre-war inhabitants. The remaining pre-war population was treated as Germanized Poles and a policy of re-Polonization was pursued throughout the country Most of these "Autochthones" chose to emigrate to West Germany from the 1950s through 1970s (between 1970 and 1988 55,227 persons from Warmia and Masuria moved to Western Germany). Local toponyms were Polonised by the Polish Commission for the Determination of Place Names. | How many of them were always there? | {
"text": [
"18.5%"
],
"answer_start": [
553
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
f40e49b3e92c649f2566e60dbe6853ac17307d1d | East_Prussia | Representatives of the Polish government officially took over the civilian administration of the southern part of East Prussia on 23 May 1945. Subsequently Polish expatriates from Polish lands annexed by the Soviet Union as well as Ukrainians and Lemkos from southern Poland, expelled in Operation Vistula in 1947, were settled in the southern part of East Prussia, now the Polish Warmian-Masurian Voivodeship. In 1950 the Olsztyn Voivodeship counted 689,000 inhabitants, 22.6% of them coming from areas annexed by the Soviet Union, 10% Ukrainians, and 18.5% of them pre-war inhabitants. The remaining pre-war population was treated as Germanized Poles and a policy of re-Polonization was pursued throughout the country Most of these "Autochthones" chose to emigrate to West Germany from the 1950s through 1970s (between 1970 and 1988 55,227 persons from Warmia and Masuria moved to Western Germany). Local toponyms were Polonised by the Polish Commission for the Determination of Place Names. | Did a smaller percentage of the population consist of Ukrainians or pre-war inhabitants? | {
"text": [
"Ukrainians"
],
"answer_start": [
537
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
c9dcee91471cb8c83901aa2901ca501383b4913a | East_Prussia | Representatives of the Polish government officially took over the civilian administration of the southern part of East Prussia on 23 May 1945. Subsequently Polish expatriates from Polish lands annexed by the Soviet Union as well as Ukrainians and Lemkos from southern Poland, expelled in Operation Vistula in 1947, were settled in the southern part of East Prussia, now the Polish Warmian-Masurian Voivodeship. In 1950 the Olsztyn Voivodeship counted 689,000 inhabitants, 22.6% of them coming from areas annexed by the Soviet Union, 10% Ukrainians, and 18.5% of them pre-war inhabitants. The remaining pre-war population was treated as Germanized Poles and a policy of re-Polonization was pursued throughout the country Most of these "Autochthones" chose to emigrate to West Germany from the 1950s through 1970s (between 1970 and 1988 55,227 persons from Warmia and Masuria moved to Western Germany). Local toponyms were Polonised by the Polish Commission for the Determination of Place Names. | What happened in the lower part of the country? | {
"text": [
"Subsequently Polish expatriates from Polish lands annexed by the Soviet Union as well as Ukrainians and Lemkos from southern Poland, expelled in Operation Vistula in 1947, were settled in the southern part of East Prussia"
],
"answer_start": [
143
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
5302d298f87f9df381692ef6af04ffa4dd26f99a | East_Prussia | Representatives of the Polish government officially took over the civilian administration of the southern part of East Prussia on 23 May 1945. Subsequently Polish expatriates from Polish lands annexed by the Soviet Union as well as Ukrainians and Lemkos from southern Poland, expelled in Operation Vistula in 1947, were settled in the southern part of East Prussia, now the Polish Warmian-Masurian Voivodeship. In 1950 the Olsztyn Voivodeship counted 689,000 inhabitants, 22.6% of them coming from areas annexed by the Soviet Union, 10% Ukrainians, and 18.5% of them pre-war inhabitants. The remaining pre-war population was treated as Germanized Poles and a policy of re-Polonization was pursued throughout the country Most of these "Autochthones" chose to emigrate to West Germany from the 1950s through 1970s (between 1970 and 1988 55,227 persons from Warmia and Masuria moved to Western Germany). Local toponyms were Polonised by the Polish Commission for the Determination of Place Names. | what state start with P? | {
"text": [
"Poland"
],
"answer_start": [
268
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
1ea3d32f2e61b5b8c4935ac7d39361a41eaf3c1c | East_Prussia | Representatives of the Polish government officially took over the civilian administration of the southern part of East Prussia on 23 May 1945. Subsequently Polish expatriates from Polish lands annexed by the Soviet Union as well as Ukrainians and Lemkos from southern Poland, expelled in Operation Vistula in 1947, were settled in the southern part of East Prussia, now the Polish Warmian-Masurian Voivodeship. In 1950 the Olsztyn Voivodeship counted 689,000 inhabitants, 22.6% of them coming from areas annexed by the Soviet Union, 10% Ukrainians, and 18.5% of them pre-war inhabitants. The remaining pre-war population was treated as Germanized Poles and a policy of re-Polonization was pursued throughout the country Most of these "Autochthones" chose to emigrate to West Germany from the 1950s through 1970s (between 1970 and 1988 55,227 persons from Warmia and Masuria moved to Western Germany). Local toponyms were Polonised by the Polish Commission for the Determination of Place Names. | Did a larger percentage of the population consist of people coming from areas annexed by the Soviet Union or Ukrainians? | {
"text": [
"coming from areas annexed by the Soviet Union"
],
"answer_start": [
486
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
a5f9a8425d4793bf5b1a03eb08512dc74bd6abf2 | East_Prussia | Representatives of the Polish government officially took over the civilian administration of the southern part of East Prussia on 23 May 1945. Subsequently Polish expatriates from Polish lands annexed by the Soviet Union as well as Ukrainians and Lemkos from southern Poland, expelled in Operation Vistula in 1947, were settled in the southern part of East Prussia, now the Polish Warmian-Masurian Voivodeship. In 1950 the Olsztyn Voivodeship counted 689,000 inhabitants, 22.6% of them coming from areas annexed by the Soviet Union, 10% Ukrainians, and 18.5% of them pre-war inhabitants. The remaining pre-war population was treated as Germanized Poles and a policy of re-Polonization was pursued throughout the country Most of these "Autochthones" chose to emigrate to West Germany from the 1950s through 1970s (between 1970 and 1988 55,227 persons from Warmia and Masuria moved to Western Germany). Local toponyms were Polonised by the Polish Commission for the Determination of Place Names. | What happened in the spring? | {
"text": [
"Representatives of the Polish government officially took over the civilian administration of the southern part of East Prussia"
],
"answer_start": [
0
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
ed29e4e6a8cfd4b279ceaca51b324892c9923d0e | East_Prussia | The population of the province in 1900 was 1,996,626 people, with a religious makeup of 1,698,465 Protestants, 269,196 Roman Catholics, and 13,877 Jews. The Low Prussian dialect predominated in East Prussia, although High Prussian was spoken in Warmia. The numbers of Masurians, Kursenieki and Prussian Lithuanians decreased over time due to the process of Germanization. The Polish-speaking population concentrated in the south of the province (Masuria and Warmia) and all German geographic atlases at the start of 20th century showed the southern part of East Prussia as Polish with the number of Poles estimated at the time to be 300,000. Kursenieki inhabited the areas around the Curonian lagoon, while Lithuanian-speaking Prussians concentrated in the northeast in (Lithuania Minor). The Old Prussian ethnic group became completely Germanized over time and the Old Prussian language died out in the 18th century. | Were there lower amounts of Protestants or Jews in the province in 1900? | {
"text": [
"Jews"
],
"answer_start": [
147
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
a4ef83436a04b3b616c9516846ee61ff5f7c4b76 | East_Prussia | The population of the province in 1900 was 1,996,626 people, with a religious makeup of 1,698,465 Protestants, 269,196 Roman Catholics, and 13,877 Jews. The Low Prussian dialect predominated in East Prussia, although High Prussian was spoken in Warmia. The numbers of Masurians, Kursenieki and Prussian Lithuanians decreased over time due to the process of Germanization. The Polish-speaking population concentrated in the south of the province (Masuria and Warmia) and all German geographic atlases at the start of 20th century showed the southern part of East Prussia as Polish with the number of Poles estimated at the time to be 300,000. Kursenieki inhabited the areas around the Curonian lagoon, while Lithuanian-speaking Prussians concentrated in the northeast in (Lithuania Minor). The Old Prussian ethnic group became completely Germanized over time and the Old Prussian language died out in the 18th century. | Which religious group did not have a population higher than 1 million in the province in 1900: Protestants or Jews? | {
"text": [
"Jews"
],
"answer_start": [
147
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
b87552e9caecf6b30aefe1e290f5b6ad06077f48 | East_Prussia | The population of the province in 1900 was 1,996,626 people, with a religious makeup of 1,698,465 Protestants, 269,196 Roman Catholics, and 13,877 Jews. The Low Prussian dialect predominated in East Prussia, although High Prussian was spoken in Warmia. The numbers of Masurians, Kursenieki and Prussian Lithuanians decreased over time due to the process of Germanization. The Polish-speaking population concentrated in the south of the province (Masuria and Warmia) and all German geographic atlases at the start of 20th century showed the southern part of East Prussia as Polish with the number of Poles estimated at the time to be 300,000. Kursenieki inhabited the areas around the Curonian lagoon, while Lithuanian-speaking Prussians concentrated in the northeast in (Lithuania Minor). The Old Prussian ethnic group became completely Germanized over time and the Old Prussian language died out in the 18th century. | Were there less Roman Catholics or Jews in the province in 1900? | {
"text": [
"Jews"
],
"answer_start": [
147
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
a18f1bfa90b05d0edfaa06b4e0712fe3a2d3076e | East_Prussia | The population of the province in 1900 was 1,996,626 people, with a religious makeup of 1,698,465 Protestants, 269,196 Roman Catholics, and 13,877 Jews. The Low Prussian dialect predominated in East Prussia, although High Prussian was spoken in Warmia. The numbers of Masurians, Kursenieki and Prussian Lithuanians decreased over time due to the process of Germanization. The Polish-speaking population concentrated in the south of the province (Masuria and Warmia) and all German geographic atlases at the start of 20th century showed the southern part of East Prussia as Polish with the number of Poles estimated at the time to be 300,000. Kursenieki inhabited the areas around the Curonian lagoon, while Lithuanian-speaking Prussians concentrated in the northeast in (Lithuania Minor). The Old Prussian ethnic group became completely Germanized over time and the Old Prussian language died out in the 18th century. | Which religious group did not have a population lower than 20,000 in the province in 1900: Protestants or Jews? | {
"text": [
"Protestants"
],
"answer_start": [
98
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
f020510745d9ecb6ba89ce9da6980cb17ba7a02c | East_Prussia | The population of the province in 1900 was 1,996,626 people, with a religious makeup of 1,698,465 Protestants, 269,196 Roman Catholics, and 13,877 Jews. The Low Prussian dialect predominated in East Prussia, although High Prussian was spoken in Warmia. The numbers of Masurians, Kursenieki and Prussian Lithuanians decreased over time due to the process of Germanization. The Polish-speaking population concentrated in the south of the province (Masuria and Warmia) and all German geographic atlases at the start of 20th century showed the southern part of East Prussia as Polish with the number of Poles estimated at the time to be 300,000. Kursenieki inhabited the areas around the Curonian lagoon, while Lithuanian-speaking Prussians concentrated in the northeast in (Lithuania Minor). The Old Prussian ethnic group became completely Germanized over time and the Old Prussian language died out in the 18th century. | Were there greater numbers of Protestants or Roman Catholics in the province in 1900? | {
"text": [
"Protestants"
],
"answer_start": [
98
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
e2c8bc733d9261ca19490c371a1a00a533dc0c01 | Mandolin | The mandolin orchestras never completely went away, however. In fact, along with all the other musical forms the mandolin is involved with, the mandolin ensemble (groups usually arranged like the string section of a modern symphony orchestra, with first mandolins, second mandolins, mandolas, mandocellos, mando-basses, and guitars, and sometimes supplemented by other instruments) continues to grow in popularity. Since the mid-nineties, several public-school mandolin-based guitar programs have blossomed around the country, including Fretworks Mandolin and Guitar Orchestra, the first of its kind. The national organization, Classical Mandolin Society of America, founded by Norman Levine, represents these groups. Prominent modern mandolinists and composers for mandolin in the classical music tradition include Samuel Firstman, Howard Fry, Rudy Cipolla, Dave Apollon, Neil Gladd, Evan Marshall, Marilynn Mair and Mark Davis (the Mair-Davis Duo), Brian Israel, David Evans, Emanuil Shynkman, Radim Zenkl, David Del Tredici and Ernst Krenek. | what is the second to last profession mentioned? | {
"text": [
"mandolinists"
],
"answer_start": [
735
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
a403f607cf4e0cca8996114a252e594049c97acd | Mandolin | The mandolin orchestras never completely went away, however. In fact, along with all the other musical forms the mandolin is involved with, the mandolin ensemble (groups usually arranged like the string section of a modern symphony orchestra, with first mandolins, second mandolins, mandolas, mandocellos, mando-basses, and guitars, and sometimes supplemented by other instruments) continues to grow in popularity. Since the mid-nineties, several public-school mandolin-based guitar programs have blossomed around the country, including Fretworks Mandolin and Guitar Orchestra, the first of its kind. The national organization, Classical Mandolin Society of America, founded by Norman Levine, represents these groups. Prominent modern mandolinists and composers for mandolin in the classical music tradition include Samuel Firstman, Howard Fry, Rudy Cipolla, Dave Apollon, Neil Gladd, Evan Marshall, Marilynn Mair and Mark Davis (the Mair-Davis Duo), Brian Israel, David Evans, Emanuil Shynkman, Radim Zenkl, David Del Tredici and Ernst Krenek. | the Classical Mandolin Society of America is a | {
"text": [
"national organization"
],
"answer_start": [
605
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
6c9ead120f231d9ea5bba02511f346d1ef7c5099 | Mandolin | The mandolin orchestras never completely went away, however. In fact, along with all the other musical forms the mandolin is involved with, the mandolin ensemble (groups usually arranged like the string section of a modern symphony orchestra, with first mandolins, second mandolins, mandolas, mandocellos, mando-basses, and guitars, and sometimes supplemented by other instruments) continues to grow in popularity. Since the mid-nineties, several public-school mandolin-based guitar programs have blossomed around the country, including Fretworks Mandolin and Guitar Orchestra, the first of its kind. The national organization, Classical Mandolin Society of America, founded by Norman Levine, represents these groups. Prominent modern mandolinists and composers for mandolin in the classical music tradition include Samuel Firstman, Howard Fry, Rudy Cipolla, Dave Apollon, Neil Gladd, Evan Marshall, Marilynn Mair and Mark Davis (the Mair-Davis Duo), Brian Israel, David Evans, Emanuil Shynkman, Radim Zenkl, David Del Tredici and Ernst Krenek. | fretworks mandolin is part of the | {
"text": [
"Classical Mandolin Society of America"
],
"answer_start": [
628
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
3dbbc9e36acf14f7e8fab58f3b6eb5e141d5664b | Mandolin | The mandolin orchestras never completely went away, however. In fact, along with all the other musical forms the mandolin is involved with, the mandolin ensemble (groups usually arranged like the string section of a modern symphony orchestra, with first mandolins, second mandolins, mandolas, mandocellos, mando-basses, and guitars, and sometimes supplemented by other instruments) continues to grow in popularity. Since the mid-nineties, several public-school mandolin-based guitar programs have blossomed around the country, including Fretworks Mandolin and Guitar Orchestra, the first of its kind. The national organization, Classical Mandolin Society of America, founded by Norman Levine, represents these groups. Prominent modern mandolinists and composers for mandolin in the classical music tradition include Samuel Firstman, Howard Fry, Rudy Cipolla, Dave Apollon, Neil Gladd, Evan Marshall, Marilynn Mair and Mark Davis (the Mair-Davis Duo), Brian Israel, David Evans, Emanuil Shynkman, Radim Zenkl, David Del Tredici and Ernst Krenek. | What is the first name of the mandolin musician with the surname Israel? | {
"text": [
"Brian"
],
"answer_start": [
951
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
c0ea3feea4896b887bca637bb94703299e229949 | Mandolin | The mandolin orchestras never completely went away, however. In fact, along with all the other musical forms the mandolin is involved with, the mandolin ensemble (groups usually arranged like the string section of a modern symphony orchestra, with first mandolins, second mandolins, mandolas, mandocellos, mando-basses, and guitars, and sometimes supplemented by other instruments) continues to grow in popularity. Since the mid-nineties, several public-school mandolin-based guitar programs have blossomed around the country, including Fretworks Mandolin and Guitar Orchestra, the first of its kind. The national organization, Classical Mandolin Society of America, founded by Norman Levine, represents these groups. Prominent modern mandolinists and composers for mandolin in the classical music tradition include Samuel Firstman, Howard Fry, Rudy Cipolla, Dave Apollon, Neil Gladd, Evan Marshall, Marilynn Mair and Mark Davis (the Mair-Davis Duo), Brian Israel, David Evans, Emanuil Shynkman, Radim Zenkl, David Del Tredici and Ernst Krenek. | which mandolinist has the name of a country as part of their name | {
"text": [
"Brian Israel"
],
"answer_start": [
951
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
62ca35cfbb6337882d3b59b781d13a09df2e852e | Mandolin | The mandolin orchestras never completely went away, however. In fact, along with all the other musical forms the mandolin is involved with, the mandolin ensemble (groups usually arranged like the string section of a modern symphony orchestra, with first mandolins, second mandolins, mandolas, mandocellos, mando-basses, and guitars, and sometimes supplemented by other instruments) continues to grow in popularity. Since the mid-nineties, several public-school mandolin-based guitar programs have blossomed around the country, including Fretworks Mandolin and Guitar Orchestra, the first of its kind. The national organization, Classical Mandolin Society of America, founded by Norman Levine, represents these groups. Prominent modern mandolinists and composers for mandolin in the classical music tradition include Samuel Firstman, Howard Fry, Rudy Cipolla, Dave Apollon, Neil Gladd, Evan Marshall, Marilynn Mair and Mark Davis (the Mair-Davis Duo), Brian Israel, David Evans, Emanuil Shynkman, Radim Zenkl, David Del Tredici and Ernst Krenek. | what are the first groups mentioned? | {
"text": [
"mandolin orchestras"
],
"answer_start": [
4
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
ce5eafaca2b4898d1a0f1853f3e962f3122057f1 | Mandolin | The mandolin orchestras never completely went away, however. In fact, along with all the other musical forms the mandolin is involved with, the mandolin ensemble (groups usually arranged like the string section of a modern symphony orchestra, with first mandolins, second mandolins, mandolas, mandocellos, mando-basses, and guitars, and sometimes supplemented by other instruments) continues to grow in popularity. Since the mid-nineties, several public-school mandolin-based guitar programs have blossomed around the country, including Fretworks Mandolin and Guitar Orchestra, the first of its kind. The national organization, Classical Mandolin Society of America, founded by Norman Levine, represents these groups. Prominent modern mandolinists and composers for mandolin in the classical music tradition include Samuel Firstman, Howard Fry, Rudy Cipolla, Dave Apollon, Neil Gladd, Evan Marshall, Marilynn Mair and Mark Davis (the Mair-Davis Duo), Brian Israel, David Evans, Emanuil Shynkman, Radim Zenkl, David Del Tredici and Ernst Krenek. | What is the first name of the mandolin musician with the surname Shynkman? | {
"text": [
"Emanuil"
],
"answer_start": [
978
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
fd924dd67656bec634c0511e4e49583bc8744981 | Mandolin | The mandolin orchestras never completely went away, however. In fact, along with all the other musical forms the mandolin is involved with, the mandolin ensemble (groups usually arranged like the string section of a modern symphony orchestra, with first mandolins, second mandolins, mandolas, mandocellos, mando-basses, and guitars, and sometimes supplemented by other instruments) continues to grow in popularity. Since the mid-nineties, several public-school mandolin-based guitar programs have blossomed around the country, including Fretworks Mandolin and Guitar Orchestra, the first of its kind. The national organization, Classical Mandolin Society of America, founded by Norman Levine, represents these groups. Prominent modern mandolinists and composers for mandolin in the classical music tradition include Samuel Firstman, Howard Fry, Rudy Cipolla, Dave Apollon, Neil Gladd, Evan Marshall, Marilynn Mair and Mark Davis (the Mair-Davis Duo), Brian Israel, David Evans, Emanuil Shynkman, Radim Zenkl, David Del Tredici and Ernst Krenek. | what is the last location mentioned? | {
"text": [
"America"
],
"answer_start": [
658
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
e3cc49051188b2d322eb5468ddf4d43085e07d08 | Mandolin | The mandolin orchestras never completely went away, however. In fact, along with all the other musical forms the mandolin is involved with, the mandolin ensemble (groups usually arranged like the string section of a modern symphony orchestra, with first mandolins, second mandolins, mandolas, mandocellos, mando-basses, and guitars, and sometimes supplemented by other instruments) continues to grow in popularity. Since the mid-nineties, several public-school mandolin-based guitar programs have blossomed around the country, including Fretworks Mandolin and Guitar Orchestra, the first of its kind. The national organization, Classical Mandolin Society of America, founded by Norman Levine, represents these groups. Prominent modern mandolinists and composers for mandolin in the classical music tradition include Samuel Firstman, Howard Fry, Rudy Cipolla, Dave Apollon, Neil Gladd, Evan Marshall, Marilynn Mair and Mark Davis (the Mair-Davis Duo), Brian Israel, David Evans, Emanuil Shynkman, Radim Zenkl, David Del Tredici and Ernst Krenek. | what is the second type of instrument mentioned? | {
"text": [
"string"
],
"answer_start": [
196
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
9e239987c72621272cd9fea7d8ba37c02ce65af0 | Mandolin | The mandolin orchestras never completely went away, however. In fact, along with all the other musical forms the mandolin is involved with, the mandolin ensemble (groups usually arranged like the string section of a modern symphony orchestra, with first mandolins, second mandolins, mandolas, mandocellos, mando-basses, and guitars, and sometimes supplemented by other instruments) continues to grow in popularity. Since the mid-nineties, several public-school mandolin-based guitar programs have blossomed around the country, including Fretworks Mandolin and Guitar Orchestra, the first of its kind. The national organization, Classical Mandolin Society of America, founded by Norman Levine, represents these groups. Prominent modern mandolinists and composers for mandolin in the classical music tradition include Samuel Firstman, Howard Fry, Rudy Cipolla, Dave Apollon, Neil Gladd, Evan Marshall, Marilynn Mair and Mark Davis (the Mair-Davis Duo), Brian Israel, David Evans, Emanuil Shynkman, Radim Zenkl, David Del Tredici and Ernst Krenek. | What is the first name of the mandolin musician with the surname Krenek? | {
"text": [
"Ernst"
],
"answer_start": [
1031
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
f9c1ea38b06ad9282ee0cb996950910766bf6f78 | Mandolin | The mandolin orchestras never completely went away, however. In fact, along with all the other musical forms the mandolin is involved with, the mandolin ensemble (groups usually arranged like the string section of a modern symphony orchestra, with first mandolins, second mandolins, mandolas, mandocellos, mando-basses, and guitars, and sometimes supplemented by other instruments) continues to grow in popularity. Since the mid-nineties, several public-school mandolin-based guitar programs have blossomed around the country, including Fretworks Mandolin and Guitar Orchestra, the first of its kind. The national organization, Classical Mandolin Society of America, founded by Norman Levine, represents these groups. Prominent modern mandolinists and composers for mandolin in the classical music tradition include Samuel Firstman, Howard Fry, Rudy Cipolla, Dave Apollon, Neil Gladd, Evan Marshall, Marilynn Mair and Mark Davis (the Mair-Davis Duo), Brian Israel, David Evans, Emanuil Shynkman, Radim Zenkl, David Del Tredici and Ernst Krenek. | what is the second to last organization mentioned? | {
"text": [
"Fretworks Mandolin and Guitar Orchestra"
],
"answer_start": [
537
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
46c5527f4c7bfec57636fce2f859ffcdd264b8b7 | Mandolin | The mandolin orchestras never completely went away, however. In fact, along with all the other musical forms the mandolin is involved with, the mandolin ensemble (groups usually arranged like the string section of a modern symphony orchestra, with first mandolins, second mandolins, mandolas, mandocellos, mando-basses, and guitars, and sometimes supplemented by other instruments) continues to grow in popularity. Since the mid-nineties, several public-school mandolin-based guitar programs have blossomed around the country, including Fretworks Mandolin and Guitar Orchestra, the first of its kind. The national organization, Classical Mandolin Society of America, founded by Norman Levine, represents these groups. Prominent modern mandolinists and composers for mandolin in the classical music tradition include Samuel Firstman, Howard Fry, Rudy Cipolla, Dave Apollon, Neil Gladd, Evan Marshall, Marilynn Mair and Mark Davis (the Mair-Davis Duo), Brian Israel, David Evans, Emanuil Shynkman, Radim Zenkl, David Del Tredici and Ernst Krenek. | What is the first name of the mandolin musician with the surname Firstman? | {
"text": [
"Samuel"
],
"answer_start": [
816
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
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0570384c92a9e71ef2755d7dcec630fee41ea891 | Mandolin | Instruments were marketed by teacher-dealers, much as the title character in the popular musical The Music Man. Often, these teacher-dealers conducted mandolin orchestras: groups of 4-50 musicians who played various mandolin family instruments. However, alongside the teacher-dealers were serious musicians, working to create a spot for the instrument in classical music, ragtime and jazz. Like the teacher-dealers, they traveled the U.S., recording records, giving performances and teaching individuals and mandolin orchestras. Samuel Siegel played mandolin in Vaudeville and became one of America's preeminent mandolinists. Seth Weeks was an African American who not only taught and performed in the United States, but also in Europe, where he recorded records. Another pioneering African American musician and director who made his start with a mandolin orchestra was composer James Reese Europe. W. Eugene Page toured the country with a group, and was well known for his mandolin and mandola performances. Other names include Valentine Abt, Samuel Adelstein, William Place, Jr., and Aubrey Stauffer. | What was the first name shared by at least two mandolin players? | {
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284f817c61e0fc2d0297d99a2c95794b303193b1 | Mandolin | Instruments were marketed by teacher-dealers, much as the title character in the popular musical The Music Man. Often, these teacher-dealers conducted mandolin orchestras: groups of 4-50 musicians who played various mandolin family instruments. However, alongside the teacher-dealers were serious musicians, working to create a spot for the instrument in classical music, ragtime and jazz. Like the teacher-dealers, they traveled the U.S., recording records, giving performances and teaching individuals and mandolin orchestras. Samuel Siegel played mandolin in Vaudeville and became one of America's preeminent mandolinists. Seth Weeks was an African American who not only taught and performed in the United States, but also in Europe, where he recorded records. Another pioneering African American musician and director who made his start with a mandolin orchestra was composer James Reese Europe. W. Eugene Page toured the country with a group, and was well known for his mandolin and mandola performances. Other names include Valentine Abt, Samuel Adelstein, William Place, Jr., and Aubrey Stauffer. | Who was another black musician along with Seth Weeks? | {
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3c01c1602747cc810745a5b4fd4ab116473da643 | Mandolin | Instruments were marketed by teacher-dealers, much as the title character in the popular musical The Music Man. Often, these teacher-dealers conducted mandolin orchestras: groups of 4-50 musicians who played various mandolin family instruments. However, alongside the teacher-dealers were serious musicians, working to create a spot for the instrument in classical music, ragtime and jazz. Like the teacher-dealers, they traveled the U.S., recording records, giving performances and teaching individuals and mandolin orchestras. Samuel Siegel played mandolin in Vaudeville and became one of America's preeminent mandolinists. Seth Weeks was an African American who not only taught and performed in the United States, but also in Europe, where he recorded records. Another pioneering African American musician and director who made his start with a mandolin orchestra was composer James Reese Europe. W. Eugene Page toured the country with a group, and was well known for his mandolin and mandola performances. Other names include Valentine Abt, Samuel Adelstein, William Place, Jr., and Aubrey Stauffer. | What did many mandolin players do to make money? | {
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399
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f97041ba1034cf1e3de77808d504d6d7c05fb5b3 | Mandolin | Instruments were marketed by teacher-dealers, much as the title character in the popular musical The Music Man. Often, these teacher-dealers conducted mandolin orchestras: groups of 4-50 musicians who played various mandolin family instruments. However, alongside the teacher-dealers were serious musicians, working to create a spot for the instrument in classical music, ragtime and jazz. Like the teacher-dealers, they traveled the U.S., recording records, giving performances and teaching individuals and mandolin orchestras. Samuel Siegel played mandolin in Vaudeville and became one of America's preeminent mandolinists. Seth Weeks was an African American who not only taught and performed in the United States, but also in Europe, where he recorded records. Another pioneering African American musician and director who made his start with a mandolin orchestra was composer James Reese Europe. W. Eugene Page toured the country with a group, and was well known for his mandolin and mandola performances. Other names include Valentine Abt, Samuel Adelstein, William Place, Jr., and Aubrey Stauffer. | Where is Vaudeville? | {
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e2366f8da57f465b3ba0d6c45605cf5a48971aae | Mandolin | Instruments were marketed by teacher-dealers, much as the title character in the popular musical The Music Man. Often, these teacher-dealers conducted mandolin orchestras: groups of 4-50 musicians who played various mandolin family instruments. However, alongside the teacher-dealers were serious musicians, working to create a spot for the instrument in classical music, ragtime and jazz. Like the teacher-dealers, they traveled the U.S., recording records, giving performances and teaching individuals and mandolin orchestras. Samuel Siegel played mandolin in Vaudeville and became one of America's preeminent mandolinists. Seth Weeks was an African American who not only taught and performed in the United States, but also in Europe, where he recorded records. Another pioneering African American musician and director who made his start with a mandolin orchestra was composer James Reese Europe. W. Eugene Page toured the country with a group, and was well known for his mandolin and mandola performances. Other names include Valentine Abt, Samuel Adelstein, William Place, Jr., and Aubrey Stauffer. | Europe and Weeks were? | {
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06c0f26c89a0e727c6cc37cfb4b78abef2c5803a | Mandolin | Instruments were marketed by teacher-dealers, much as the title character in the popular musical The Music Man. Often, these teacher-dealers conducted mandolin orchestras: groups of 4-50 musicians who played various mandolin family instruments. However, alongside the teacher-dealers were serious musicians, working to create a spot for the instrument in classical music, ragtime and jazz. Like the teacher-dealers, they traveled the U.S., recording records, giving performances and teaching individuals and mandolin orchestras. Samuel Siegel played mandolin in Vaudeville and became one of America's preeminent mandolinists. Seth Weeks was an African American who not only taught and performed in the United States, but also in Europe, where he recorded records. Another pioneering African American musician and director who made his start with a mandolin orchestra was composer James Reese Europe. W. Eugene Page toured the country with a group, and was well known for his mandolin and mandola performances. Other names include Valentine Abt, Samuel Adelstein, William Place, Jr., and Aubrey Stauffer. | The Music Man sold? | {
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0
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ae1541b6173e143c480e02d913cf90b7e5e770ea | Mandolin | Instruments were marketed by teacher-dealers, much as the title character in the popular musical The Music Man. Often, these teacher-dealers conducted mandolin orchestras: groups of 4-50 musicians who played various mandolin family instruments. However, alongside the teacher-dealers were serious musicians, working to create a spot for the instrument in classical music, ragtime and jazz. Like the teacher-dealers, they traveled the U.S., recording records, giving performances and teaching individuals and mandolin orchestras. Samuel Siegel played mandolin in Vaudeville and became one of America's preeminent mandolinists. Seth Weeks was an African American who not only taught and performed in the United States, but also in Europe, where he recorded records. Another pioneering African American musician and director who made his start with a mandolin orchestra was composer James Reese Europe. W. Eugene Page toured the country with a group, and was well known for his mandolin and mandola performances. Other names include Valentine Abt, Samuel Adelstein, William Place, Jr., and Aubrey Stauffer. | In addition to playing the mandolin, what else did Seth Weeks and James Reese Europe have in common? | {
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35e35e91dcdaffb31688f3c55cfbd3b2cdd2f7bb | Mandolin | Instruments were marketed by teacher-dealers, much as the title character in the popular musical The Music Man. Often, these teacher-dealers conducted mandolin orchestras: groups of 4-50 musicians who played various mandolin family instruments. However, alongside the teacher-dealers were serious musicians, working to create a spot for the instrument in classical music, ragtime and jazz. Like the teacher-dealers, they traveled the U.S., recording records, giving performances and teaching individuals and mandolin orchestras. Samuel Siegel played mandolin in Vaudeville and became one of America's preeminent mandolinists. Seth Weeks was an African American who not only taught and performed in the United States, but also in Europe, where he recorded records. Another pioneering African American musician and director who made his start with a mandolin orchestra was composer James Reese Europe. W. Eugene Page toured the country with a group, and was well known for his mandolin and mandola performances. Other names include Valentine Abt, Samuel Adelstein, William Place, Jr., and Aubrey Stauffer. | Samuel Siegel was a? | {
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9fcab4c9a753e1170aaeb019a5e22eccf96cea91 | Mandolin | Instruments were marketed by teacher-dealers, much as the title character in the popular musical The Music Man. Often, these teacher-dealers conducted mandolin orchestras: groups of 4-50 musicians who played various mandolin family instruments. However, alongside the teacher-dealers were serious musicians, working to create a spot for the instrument in classical music, ragtime and jazz. Like the teacher-dealers, they traveled the U.S., recording records, giving performances and teaching individuals and mandolin orchestras. Samuel Siegel played mandolin in Vaudeville and became one of America's preeminent mandolinists. Seth Weeks was an African American who not only taught and performed in the United States, but also in Europe, where he recorded records. Another pioneering African American musician and director who made his start with a mandolin orchestra was composer James Reese Europe. W. Eugene Page toured the country with a group, and was well known for his mandolin and mandola performances. Other names include Valentine Abt, Samuel Adelstein, William Place, Jr., and Aubrey Stauffer. | Who was the main character in the film The Music Man? | {
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97
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09d711c79621551ecb026979d0c02517a5a2de08 | Mandolin | Instruments were marketed by teacher-dealers, much as the title character in the popular musical The Music Man. Often, these teacher-dealers conducted mandolin orchestras: groups of 4-50 musicians who played various mandolin family instruments. However, alongside the teacher-dealers were serious musicians, working to create a spot for the instrument in classical music, ragtime and jazz. Like the teacher-dealers, they traveled the U.S., recording records, giving performances and teaching individuals and mandolin orchestras. Samuel Siegel played mandolin in Vaudeville and became one of America's preeminent mandolinists. Seth Weeks was an African American who not only taught and performed in the United States, but also in Europe, where he recorded records. Another pioneering African American musician and director who made his start with a mandolin orchestra was composer James Reese Europe. W. Eugene Page toured the country with a group, and was well known for his mandolin and mandola performances. Other names include Valentine Abt, Samuel Adelstein, William Place, Jr., and Aubrey Stauffer. | What subject showed a little of what mandolin players do? | {
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97
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} | {
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59ea3f75ac512f61189c5933ff269cb94147281e | Mandolin | Instruments were marketed by teacher-dealers, much as the title character in the popular musical The Music Man. Often, these teacher-dealers conducted mandolin orchestras: groups of 4-50 musicians who played various mandolin family instruments. However, alongside the teacher-dealers were serious musicians, working to create a spot for the instrument in classical music, ragtime and jazz. Like the teacher-dealers, they traveled the U.S., recording records, giving performances and teaching individuals and mandolin orchestras. Samuel Siegel played mandolin in Vaudeville and became one of America's preeminent mandolinists. Seth Weeks was an African American who not only taught and performed in the United States, but also in Europe, where he recorded records. Another pioneering African American musician and director who made his start with a mandolin orchestra was composer James Reese Europe. W. Eugene Page toured the country with a group, and was well known for his mandolin and mandola performances. Other names include Valentine Abt, Samuel Adelstein, William Place, Jr., and Aubrey Stauffer. | What are the names of two members of the mandolin family of instruments? | {
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"mandolin and mandola"
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} | {
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88a8d98915823d52f18b1d6dce9de893eae45e15 | Mandolin | Instruments were marketed by teacher-dealers, much as the title character in the popular musical The Music Man. Often, these teacher-dealers conducted mandolin orchestras: groups of 4-50 musicians who played various mandolin family instruments. However, alongside the teacher-dealers were serious musicians, working to create a spot for the instrument in classical music, ragtime and jazz. Like the teacher-dealers, they traveled the U.S., recording records, giving performances and teaching individuals and mandolin orchestras. Samuel Siegel played mandolin in Vaudeville and became one of America's preeminent mandolinists. Seth Weeks was an African American who not only taught and performed in the United States, but also in Europe, where he recorded records. Another pioneering African American musician and director who made his start with a mandolin orchestra was composer James Reese Europe. W. Eugene Page toured the country with a group, and was well known for his mandolin and mandola performances. Other names include Valentine Abt, Samuel Adelstein, William Place, Jr., and Aubrey Stauffer. | What were to two groups of mandolin players? | {
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254
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fa3c2808b8d33673ed1669fddc3640f80559efe1 | Mandolin | The mandolin has been used extensively in the traditional music of England and Scotland for generations. Simon Mayor is a prominent British player who has produced six solo albums, instructional books and DVDs, as well as recordings with his mandolin quartet the Mandolinquents. The instrument has also found its way into British rock music. The mandolin was played by Mike Oldfield (and introduced by Vivian Stanshall) on Oldfield's album Tubular Bells, as well as on a number of his subsequent albums (particularly prominently on Hergest Ridge (1974) and Ommadawn (1975)). It was used extensively by the British folk-rock band Lindisfarne, who featured two members on the instrument, Ray Jackson and Simon Cowe, and whose "Fog on the Tyne" was the biggest selling UK album of 1971-1972. The instrument was also used extensively in the UK folk revival of the 1960s and 1970s with bands such as Fairport Convention and Steeleye Span taking it on as the lead instrument in many of their songs. Maggie May by Rod Stewart, which hit No. 1 on both the British charts and the Billboard Hot 100, also featured Jackson's playing. It has also been used by other British rock musicians. Led Zeppelin's bassist John Paul Jones is an accomplished mandolin player and has recorded numerous songs on mandolin including Going to California and That's the Way; the mandolin part on The Battle of Evermore is played by Jimmy Page, who composed the song. Other Led Zeppelin songs featuring mandolin are Hey Hey What Can I Do, and Black Country Woman. Pete Townshend of The Who played mandolin on the track Mike Post Theme, along with many other tracks on Endless Wire. McGuinness Flint, for whom Graham Lyle played the mandolin on their most successful single, When I'm Dead And Gone, is another example. Lyle was also briefly a member of Ronnie Lane's Slim Chance, and played mandolin on their hit How Come. One of the more prominent early mandolin players in popular music was Robin Williamson in The Incredible String Band. Ian Anderson of Jethro Tull is a highly accomplished mandolin player (beautiful track Pussy Willow), as is his guitarist Martin Barre. The popular song Please Please Please Let Me Get What I Want by The Smiths featured a mandolin solo played by Johnny Marr. More recently, the Glasgow-based band Sons and Daughters featured the mandolin, played by Ailidh Lennon, on tracks such as Fight, Start to End, and Medicine. British folk-punk icons the Levellers also regularly use the mandolin in their songs. Current bands are also beginning to use the Mandolin and its unique sound - such as South London's Indigo Moss who use it throughout their recordings and live gigs. The mandolin has also featured in the playing of Matthew Bellamy in the rock band Muse. It also forms the basis of Paul McCartney's 2007 hit "Dance Tonight." That was not the first time a Beatle played a mandolin, however; that distinction goes to George Harrison on Gone Troppo, the title cut from the 1982 album of the same name. The mandolin is taught in Lanarkshire by the Lanarkshire Guitar and Mandolin Association to over 100 people. Also more recently hard rock supergroup Them Crooked Vultures have been playing a song based primarily using a mandolin. This song was left off their debut album, and features former Led Zeppelin bassist John Paul Jones.[citation needed] | Who had more than two people playing the instrument? | {
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"Mandolinquents"
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263
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86e08e1e518a07085dd1225282b56ddfed34e7b0 | Mandolin | The mandolin has been used extensively in the traditional music of England and Scotland for generations. Simon Mayor is a prominent British player who has produced six solo albums, instructional books and DVDs, as well as recordings with his mandolin quartet the Mandolinquents. The instrument has also found its way into British rock music. The mandolin was played by Mike Oldfield (and introduced by Vivian Stanshall) on Oldfield's album Tubular Bells, as well as on a number of his subsequent albums (particularly prominently on Hergest Ridge (1974) and Ommadawn (1975)). It was used extensively by the British folk-rock band Lindisfarne, who featured two members on the instrument, Ray Jackson and Simon Cowe, and whose "Fog on the Tyne" was the biggest selling UK album of 1971-1972. The instrument was also used extensively in the UK folk revival of the 1960s and 1970s with bands such as Fairport Convention and Steeleye Span taking it on as the lead instrument in many of their songs. Maggie May by Rod Stewart, which hit No. 1 on both the British charts and the Billboard Hot 100, also featured Jackson's playing. It has also been used by other British rock musicians. Led Zeppelin's bassist John Paul Jones is an accomplished mandolin player and has recorded numerous songs on mandolin including Going to California and That's the Way; the mandolin part on The Battle of Evermore is played by Jimmy Page, who composed the song. Other Led Zeppelin songs featuring mandolin are Hey Hey What Can I Do, and Black Country Woman. Pete Townshend of The Who played mandolin on the track Mike Post Theme, along with many other tracks on Endless Wire. McGuinness Flint, for whom Graham Lyle played the mandolin on their most successful single, When I'm Dead And Gone, is another example. Lyle was also briefly a member of Ronnie Lane's Slim Chance, and played mandolin on their hit How Come. One of the more prominent early mandolin players in popular music was Robin Williamson in The Incredible String Band. Ian Anderson of Jethro Tull is a highly accomplished mandolin player (beautiful track Pussy Willow), as is his guitarist Martin Barre. The popular song Please Please Please Let Me Get What I Want by The Smiths featured a mandolin solo played by Johnny Marr. More recently, the Glasgow-based band Sons and Daughters featured the mandolin, played by Ailidh Lennon, on tracks such as Fight, Start to End, and Medicine. British folk-punk icons the Levellers also regularly use the mandolin in their songs. Current bands are also beginning to use the Mandolin and its unique sound - such as South London's Indigo Moss who use it throughout their recordings and live gigs. The mandolin has also featured in the playing of Matthew Bellamy in the rock band Muse. It also forms the basis of Paul McCartney's 2007 hit "Dance Tonight." That was not the first time a Beatle played a mandolin, however; that distinction goes to George Harrison on Gone Troppo, the title cut from the 1982 album of the same name. The mandolin is taught in Lanarkshire by the Lanarkshire Guitar and Mandolin Association to over 100 people. Also more recently hard rock supergroup Them Crooked Vultures have been playing a song based primarily using a mandolin. This song was left off their debut album, and features former Led Zeppelin bassist John Paul Jones.[citation needed] | What rock group that typically features a flute in their music has also incorporated the mandolin? | {
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2026
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3ab922e9107c712784c8ec87ee6452345cc5c91d | Mandolin | The mandolin has been used extensively in the traditional music of England and Scotland for generations. Simon Mayor is a prominent British player who has produced six solo albums, instructional books and DVDs, as well as recordings with his mandolin quartet the Mandolinquents. The instrument has also found its way into British rock music. The mandolin was played by Mike Oldfield (and introduced by Vivian Stanshall) on Oldfield's album Tubular Bells, as well as on a number of his subsequent albums (particularly prominently on Hergest Ridge (1974) and Ommadawn (1975)). It was used extensively by the British folk-rock band Lindisfarne, who featured two members on the instrument, Ray Jackson and Simon Cowe, and whose "Fog on the Tyne" was the biggest selling UK album of 1971-1972. The instrument was also used extensively in the UK folk revival of the 1960s and 1970s with bands such as Fairport Convention and Steeleye Span taking it on as the lead instrument in many of their songs. Maggie May by Rod Stewart, which hit No. 1 on both the British charts and the Billboard Hot 100, also featured Jackson's playing. It has also been used by other British rock musicians. Led Zeppelin's bassist John Paul Jones is an accomplished mandolin player and has recorded numerous songs on mandolin including Going to California and That's the Way; the mandolin part on The Battle of Evermore is played by Jimmy Page, who composed the song. Other Led Zeppelin songs featuring mandolin are Hey Hey What Can I Do, and Black Country Woman. Pete Townshend of The Who played mandolin on the track Mike Post Theme, along with many other tracks on Endless Wire. McGuinness Flint, for whom Graham Lyle played the mandolin on their most successful single, When I'm Dead And Gone, is another example. Lyle was also briefly a member of Ronnie Lane's Slim Chance, and played mandolin on their hit How Come. One of the more prominent early mandolin players in popular music was Robin Williamson in The Incredible String Band. Ian Anderson of Jethro Tull is a highly accomplished mandolin player (beautiful track Pussy Willow), as is his guitarist Martin Barre. The popular song Please Please Please Let Me Get What I Want by The Smiths featured a mandolin solo played by Johnny Marr. More recently, the Glasgow-based band Sons and Daughters featured the mandolin, played by Ailidh Lennon, on tracks such as Fight, Start to End, and Medicine. British folk-punk icons the Levellers also regularly use the mandolin in their songs. Current bands are also beginning to use the Mandolin and its unique sound - such as South London's Indigo Moss who use it throughout their recordings and live gigs. The mandolin has also featured in the playing of Matthew Bellamy in the rock band Muse. It also forms the basis of Paul McCartney's 2007 hit "Dance Tonight." That was not the first time a Beatle played a mandolin, however; that distinction goes to George Harrison on Gone Troppo, the title cut from the 1982 album of the same name. The mandolin is taught in Lanarkshire by the Lanarkshire Guitar and Mandolin Association to over 100 people. Also more recently hard rock supergroup Them Crooked Vultures have been playing a song based primarily using a mandolin. This song was left off their debut album, and features former Led Zeppelin bassist John Paul Jones.[citation needed] | what is the second to last group mentioned? | {
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3158
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99089f5c007d4f2b71607fd377437699a1ffcfb1 | Mandolin | The mandolin has been used extensively in the traditional music of England and Scotland for generations. Simon Mayor is a prominent British player who has produced six solo albums, instructional books and DVDs, as well as recordings with his mandolin quartet the Mandolinquents. The instrument has also found its way into British rock music. The mandolin was played by Mike Oldfield (and introduced by Vivian Stanshall) on Oldfield's album Tubular Bells, as well as on a number of his subsequent albums (particularly prominently on Hergest Ridge (1974) and Ommadawn (1975)). It was used extensively by the British folk-rock band Lindisfarne, who featured two members on the instrument, Ray Jackson and Simon Cowe, and whose "Fog on the Tyne" was the biggest selling UK album of 1971-1972. The instrument was also used extensively in the UK folk revival of the 1960s and 1970s with bands such as Fairport Convention and Steeleye Span taking it on as the lead instrument in many of their songs. Maggie May by Rod Stewart, which hit No. 1 on both the British charts and the Billboard Hot 100, also featured Jackson's playing. It has also been used by other British rock musicians. Led Zeppelin's bassist John Paul Jones is an accomplished mandolin player and has recorded numerous songs on mandolin including Going to California and That's the Way; the mandolin part on The Battle of Evermore is played by Jimmy Page, who composed the song. Other Led Zeppelin songs featuring mandolin are Hey Hey What Can I Do, and Black Country Woman. Pete Townshend of The Who played mandolin on the track Mike Post Theme, along with many other tracks on Endless Wire. McGuinness Flint, for whom Graham Lyle played the mandolin on their most successful single, When I'm Dead And Gone, is another example. Lyle was also briefly a member of Ronnie Lane's Slim Chance, and played mandolin on their hit How Come. One of the more prominent early mandolin players in popular music was Robin Williamson in The Incredible String Band. Ian Anderson of Jethro Tull is a highly accomplished mandolin player (beautiful track Pussy Willow), as is his guitarist Martin Barre. The popular song Please Please Please Let Me Get What I Want by The Smiths featured a mandolin solo played by Johnny Marr. More recently, the Glasgow-based band Sons and Daughters featured the mandolin, played by Ailidh Lennon, on tracks such as Fight, Start to End, and Medicine. British folk-punk icons the Levellers also regularly use the mandolin in their songs. Current bands are also beginning to use the Mandolin and its unique sound - such as South London's Indigo Moss who use it throughout their recordings and live gigs. The mandolin has also featured in the playing of Matthew Bellamy in the rock band Muse. It also forms the basis of Paul McCartney's 2007 hit "Dance Tonight." That was not the first time a Beatle played a mandolin, however; that distinction goes to George Harrison on Gone Troppo, the title cut from the 1982 album of the same name. The mandolin is taught in Lanarkshire by the Lanarkshire Guitar and Mandolin Association to over 100 people. Also more recently hard rock supergroup Them Crooked Vultures have been playing a song based primarily using a mandolin. This song was left off their debut album, and features former Led Zeppelin bassist John Paul Jones.[citation needed] | what is the last group mentioned? | {
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3301
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} | {
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1649ef96bca11508f77433d2b788db33c184c3f0 | Mandolin | The mandolin has been used extensively in the traditional music of England and Scotland for generations. Simon Mayor is a prominent British player who has produced six solo albums, instructional books and DVDs, as well as recordings with his mandolin quartet the Mandolinquents. The instrument has also found its way into British rock music. The mandolin was played by Mike Oldfield (and introduced by Vivian Stanshall) on Oldfield's album Tubular Bells, as well as on a number of his subsequent albums (particularly prominently on Hergest Ridge (1974) and Ommadawn (1975)). It was used extensively by the British folk-rock band Lindisfarne, who featured two members on the instrument, Ray Jackson and Simon Cowe, and whose "Fog on the Tyne" was the biggest selling UK album of 1971-1972. The instrument was also used extensively in the UK folk revival of the 1960s and 1970s with bands such as Fairport Convention and Steeleye Span taking it on as the lead instrument in many of their songs. Maggie May by Rod Stewart, which hit No. 1 on both the British charts and the Billboard Hot 100, also featured Jackson's playing. It has also been used by other British rock musicians. Led Zeppelin's bassist John Paul Jones is an accomplished mandolin player and has recorded numerous songs on mandolin including Going to California and That's the Way; the mandolin part on The Battle of Evermore is played by Jimmy Page, who composed the song. Other Led Zeppelin songs featuring mandolin are Hey Hey What Can I Do, and Black Country Woman. Pete Townshend of The Who played mandolin on the track Mike Post Theme, along with many other tracks on Endless Wire. McGuinness Flint, for whom Graham Lyle played the mandolin on their most successful single, When I'm Dead And Gone, is another example. Lyle was also briefly a member of Ronnie Lane's Slim Chance, and played mandolin on their hit How Come. One of the more prominent early mandolin players in popular music was Robin Williamson in The Incredible String Band. Ian Anderson of Jethro Tull is a highly accomplished mandolin player (beautiful track Pussy Willow), as is his guitarist Martin Barre. The popular song Please Please Please Let Me Get What I Want by The Smiths featured a mandolin solo played by Johnny Marr. More recently, the Glasgow-based band Sons and Daughters featured the mandolin, played by Ailidh Lennon, on tracks such as Fight, Start to End, and Medicine. British folk-punk icons the Levellers also regularly use the mandolin in their songs. Current bands are also beginning to use the Mandolin and its unique sound - such as South London's Indigo Moss who use it throughout their recordings and live gigs. The mandolin has also featured in the playing of Matthew Bellamy in the rock band Muse. It also forms the basis of Paul McCartney's 2007 hit "Dance Tonight." That was not the first time a Beatle played a mandolin, however; that distinction goes to George Harrison on Gone Troppo, the title cut from the 1982 album of the same name. The mandolin is taught in Lanarkshire by the Lanarkshire Guitar and Mandolin Association to over 100 people. Also more recently hard rock supergroup Them Crooked Vultures have been playing a song based primarily using a mandolin. This song was left off their debut album, and features former Led Zeppelin bassist John Paul Jones.[citation needed] | what is the last profession mentioned? | {
"text": [
"bassist"
],
"answer_start": [
3314
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
92ae3134addcefd739030292332917f5e843c6cf | Mandolin | The mandolin has been used extensively in the traditional music of England and Scotland for generations. Simon Mayor is a prominent British player who has produced six solo albums, instructional books and DVDs, as well as recordings with his mandolin quartet the Mandolinquents. The instrument has also found its way into British rock music. The mandolin was played by Mike Oldfield (and introduced by Vivian Stanshall) on Oldfield's album Tubular Bells, as well as on a number of his subsequent albums (particularly prominently on Hergest Ridge (1974) and Ommadawn (1975)). It was used extensively by the British folk-rock band Lindisfarne, who featured two members on the instrument, Ray Jackson and Simon Cowe, and whose "Fog on the Tyne" was the biggest selling UK album of 1971-1972. The instrument was also used extensively in the UK folk revival of the 1960s and 1970s with bands such as Fairport Convention and Steeleye Span taking it on as the lead instrument in many of their songs. Maggie May by Rod Stewart, which hit No. 1 on both the British charts and the Billboard Hot 100, also featured Jackson's playing. It has also been used by other British rock musicians. Led Zeppelin's bassist John Paul Jones is an accomplished mandolin player and has recorded numerous songs on mandolin including Going to California and That's the Way; the mandolin part on The Battle of Evermore is played by Jimmy Page, who composed the song. Other Led Zeppelin songs featuring mandolin are Hey Hey What Can I Do, and Black Country Woman. Pete Townshend of The Who played mandolin on the track Mike Post Theme, along with many other tracks on Endless Wire. McGuinness Flint, for whom Graham Lyle played the mandolin on their most successful single, When I'm Dead And Gone, is another example. Lyle was also briefly a member of Ronnie Lane's Slim Chance, and played mandolin on their hit How Come. One of the more prominent early mandolin players in popular music was Robin Williamson in The Incredible String Band. Ian Anderson of Jethro Tull is a highly accomplished mandolin player (beautiful track Pussy Willow), as is his guitarist Martin Barre. The popular song Please Please Please Let Me Get What I Want by The Smiths featured a mandolin solo played by Johnny Marr. More recently, the Glasgow-based band Sons and Daughters featured the mandolin, played by Ailidh Lennon, on tracks such as Fight, Start to End, and Medicine. British folk-punk icons the Levellers also regularly use the mandolin in their songs. Current bands are also beginning to use the Mandolin and its unique sound - such as South London's Indigo Moss who use it throughout their recordings and live gigs. The mandolin has also featured in the playing of Matthew Bellamy in the rock band Muse. It also forms the basis of Paul McCartney's 2007 hit "Dance Tonight." That was not the first time a Beatle played a mandolin, however; that distinction goes to George Harrison on Gone Troppo, the title cut from the 1982 album of the same name. The mandolin is taught in Lanarkshire by the Lanarkshire Guitar and Mandolin Association to over 100 people. Also more recently hard rock supergroup Them Crooked Vultures have been playing a song based primarily using a mandolin. This song was left off their debut album, and features former Led Zeppelin bassist John Paul Jones.[citation needed] | who is the last player mentioned? | {
"text": [
"John Paul Jones"
],
"answer_start": [
3322
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
01305363ad3161293d44c412b1027f9cf96e1201 | Mandolin | The mandolin has been used extensively in the traditional music of England and Scotland for generations. Simon Mayor is a prominent British player who has produced six solo albums, instructional books and DVDs, as well as recordings with his mandolin quartet the Mandolinquents. The instrument has also found its way into British rock music. The mandolin was played by Mike Oldfield (and introduced by Vivian Stanshall) on Oldfield's album Tubular Bells, as well as on a number of his subsequent albums (particularly prominently on Hergest Ridge (1974) and Ommadawn (1975)). It was used extensively by the British folk-rock band Lindisfarne, who featured two members on the instrument, Ray Jackson and Simon Cowe, and whose "Fog on the Tyne" was the biggest selling UK album of 1971-1972. The instrument was also used extensively in the UK folk revival of the 1960s and 1970s with bands such as Fairport Convention and Steeleye Span taking it on as the lead instrument in many of their songs. Maggie May by Rod Stewart, which hit No. 1 on both the British charts and the Billboard Hot 100, also featured Jackson's playing. It has also been used by other British rock musicians. Led Zeppelin's bassist John Paul Jones is an accomplished mandolin player and has recorded numerous songs on mandolin including Going to California and That's the Way; the mandolin part on The Battle of Evermore is played by Jimmy Page, who composed the song. Other Led Zeppelin songs featuring mandolin are Hey Hey What Can I Do, and Black Country Woman. Pete Townshend of The Who played mandolin on the track Mike Post Theme, along with many other tracks on Endless Wire. McGuinness Flint, for whom Graham Lyle played the mandolin on their most successful single, When I'm Dead And Gone, is another example. Lyle was also briefly a member of Ronnie Lane's Slim Chance, and played mandolin on their hit How Come. One of the more prominent early mandolin players in popular music was Robin Williamson in The Incredible String Band. Ian Anderson of Jethro Tull is a highly accomplished mandolin player (beautiful track Pussy Willow), as is his guitarist Martin Barre. The popular song Please Please Please Let Me Get What I Want by The Smiths featured a mandolin solo played by Johnny Marr. More recently, the Glasgow-based band Sons and Daughters featured the mandolin, played by Ailidh Lennon, on tracks such as Fight, Start to End, and Medicine. British folk-punk icons the Levellers also regularly use the mandolin in their songs. Current bands are also beginning to use the Mandolin and its unique sound - such as South London's Indigo Moss who use it throughout their recordings and live gigs. The mandolin has also featured in the playing of Matthew Bellamy in the rock band Muse. It also forms the basis of Paul McCartney's 2007 hit "Dance Tonight." That was not the first time a Beatle played a mandolin, however; that distinction goes to George Harrison on Gone Troppo, the title cut from the 1982 album of the same name. The mandolin is taught in Lanarkshire by the Lanarkshire Guitar and Mandolin Association to over 100 people. Also more recently hard rock supergroup Them Crooked Vultures have been playing a song based primarily using a mandolin. This song was left off their debut album, and features former Led Zeppelin bassist John Paul Jones.[citation needed] | Where is a mandolin unexpected? | {
"text": [
"rock music"
],
"answer_start": [
330
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
fd52be4e9c8c7261e0dd96a82e5c8220274ca70d | Mandolin | The mandolin has been used extensively in the traditional music of England and Scotland for generations. Simon Mayor is a prominent British player who has produced six solo albums, instructional books and DVDs, as well as recordings with his mandolin quartet the Mandolinquents. The instrument has also found its way into British rock music. The mandolin was played by Mike Oldfield (and introduced by Vivian Stanshall) on Oldfield's album Tubular Bells, as well as on a number of his subsequent albums (particularly prominently on Hergest Ridge (1974) and Ommadawn (1975)). It was used extensively by the British folk-rock band Lindisfarne, who featured two members on the instrument, Ray Jackson and Simon Cowe, and whose "Fog on the Tyne" was the biggest selling UK album of 1971-1972. The instrument was also used extensively in the UK folk revival of the 1960s and 1970s with bands such as Fairport Convention and Steeleye Span taking it on as the lead instrument in many of their songs. Maggie May by Rod Stewart, which hit No. 1 on both the British charts and the Billboard Hot 100, also featured Jackson's playing. It has also been used by other British rock musicians. Led Zeppelin's bassist John Paul Jones is an accomplished mandolin player and has recorded numerous songs on mandolin including Going to California and That's the Way; the mandolin part on The Battle of Evermore is played by Jimmy Page, who composed the song. Other Led Zeppelin songs featuring mandolin are Hey Hey What Can I Do, and Black Country Woman. Pete Townshend of The Who played mandolin on the track Mike Post Theme, along with many other tracks on Endless Wire. McGuinness Flint, for whom Graham Lyle played the mandolin on their most successful single, When I'm Dead And Gone, is another example. Lyle was also briefly a member of Ronnie Lane's Slim Chance, and played mandolin on their hit How Come. One of the more prominent early mandolin players in popular music was Robin Williamson in The Incredible String Band. Ian Anderson of Jethro Tull is a highly accomplished mandolin player (beautiful track Pussy Willow), as is his guitarist Martin Barre. The popular song Please Please Please Let Me Get What I Want by The Smiths featured a mandolin solo played by Johnny Marr. More recently, the Glasgow-based band Sons and Daughters featured the mandolin, played by Ailidh Lennon, on tracks such as Fight, Start to End, and Medicine. British folk-punk icons the Levellers also regularly use the mandolin in their songs. Current bands are also beginning to use the Mandolin and its unique sound - such as South London's Indigo Moss who use it throughout their recordings and live gigs. The mandolin has also featured in the playing of Matthew Bellamy in the rock band Muse. It also forms the basis of Paul McCartney's 2007 hit "Dance Tonight." That was not the first time a Beatle played a mandolin, however; that distinction goes to George Harrison on Gone Troppo, the title cut from the 1982 album of the same name. The mandolin is taught in Lanarkshire by the Lanarkshire Guitar and Mandolin Association to over 100 people. Also more recently hard rock supergroup Them Crooked Vultures have been playing a song based primarily using a mandolin. This song was left off their debut album, and features former Led Zeppelin bassist John Paul Jones.[citation needed] | what is the last type of release mentioned? | {
"text": [
"debut album"
],
"answer_start": [
3268
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
50169389f172e164ab8e9f3aace09d65d033c923 | Mandolin | The mandolin has been used extensively in the traditional music of England and Scotland for generations. Simon Mayor is a prominent British player who has produced six solo albums, instructional books and DVDs, as well as recordings with his mandolin quartet the Mandolinquents. The instrument has also found its way into British rock music. The mandolin was played by Mike Oldfield (and introduced by Vivian Stanshall) on Oldfield's album Tubular Bells, as well as on a number of his subsequent albums (particularly prominently on Hergest Ridge (1974) and Ommadawn (1975)). It was used extensively by the British folk-rock band Lindisfarne, who featured two members on the instrument, Ray Jackson and Simon Cowe, and whose "Fog on the Tyne" was the biggest selling UK album of 1971-1972. The instrument was also used extensively in the UK folk revival of the 1960s and 1970s with bands such as Fairport Convention and Steeleye Span taking it on as the lead instrument in many of their songs. Maggie May by Rod Stewart, which hit No. 1 on both the British charts and the Billboard Hot 100, also featured Jackson's playing. It has also been used by other British rock musicians. Led Zeppelin's bassist John Paul Jones is an accomplished mandolin player and has recorded numerous songs on mandolin including Going to California and That's the Way; the mandolin part on The Battle of Evermore is played by Jimmy Page, who composed the song. Other Led Zeppelin songs featuring mandolin are Hey Hey What Can I Do, and Black Country Woman. Pete Townshend of The Who played mandolin on the track Mike Post Theme, along with many other tracks on Endless Wire. McGuinness Flint, for whom Graham Lyle played the mandolin on their most successful single, When I'm Dead And Gone, is another example. Lyle was also briefly a member of Ronnie Lane's Slim Chance, and played mandolin on their hit How Come. One of the more prominent early mandolin players in popular music was Robin Williamson in The Incredible String Band. Ian Anderson of Jethro Tull is a highly accomplished mandolin player (beautiful track Pussy Willow), as is his guitarist Martin Barre. The popular song Please Please Please Let Me Get What I Want by The Smiths featured a mandolin solo played by Johnny Marr. More recently, the Glasgow-based band Sons and Daughters featured the mandolin, played by Ailidh Lennon, on tracks such as Fight, Start to End, and Medicine. British folk-punk icons the Levellers also regularly use the mandolin in their songs. Current bands are also beginning to use the Mandolin and its unique sound - such as South London's Indigo Moss who use it throughout their recordings and live gigs. The mandolin has also featured in the playing of Matthew Bellamy in the rock band Muse. It also forms the basis of Paul McCartney's 2007 hit "Dance Tonight." That was not the first time a Beatle played a mandolin, however; that distinction goes to George Harrison on Gone Troppo, the title cut from the 1982 album of the same name. The mandolin is taught in Lanarkshire by the Lanarkshire Guitar and Mandolin Association to over 100 people. Also more recently hard rock supergroup Them Crooked Vultures have been playing a song based primarily using a mandolin. This song was left off their debut album, and features former Led Zeppelin bassist John Paul Jones.[citation needed] | Who was the member of the Beatles that most recently played a mandolin? | {
"text": [
"Paul McCartney"
],
"answer_start": [
2792
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
75878585f1737ad91015bf8e20eaf6bda116e428 | Mandolin | The mandolin has been used extensively in the traditional music of England and Scotland for generations. Simon Mayor is a prominent British player who has produced six solo albums, instructional books and DVDs, as well as recordings with his mandolin quartet the Mandolinquents. The instrument has also found its way into British rock music. The mandolin was played by Mike Oldfield (and introduced by Vivian Stanshall) on Oldfield's album Tubular Bells, as well as on a number of his subsequent albums (particularly prominently on Hergest Ridge (1974) and Ommadawn (1975)). It was used extensively by the British folk-rock band Lindisfarne, who featured two members on the instrument, Ray Jackson and Simon Cowe, and whose "Fog on the Tyne" was the biggest selling UK album of 1971-1972. The instrument was also used extensively in the UK folk revival of the 1960s and 1970s with bands such as Fairport Convention and Steeleye Span taking it on as the lead instrument in many of their songs. Maggie May by Rod Stewart, which hit No. 1 on both the British charts and the Billboard Hot 100, also featured Jackson's playing. It has also been used by other British rock musicians. Led Zeppelin's bassist John Paul Jones is an accomplished mandolin player and has recorded numerous songs on mandolin including Going to California and That's the Way; the mandolin part on The Battle of Evermore is played by Jimmy Page, who composed the song. Other Led Zeppelin songs featuring mandolin are Hey Hey What Can I Do, and Black Country Woman. Pete Townshend of The Who played mandolin on the track Mike Post Theme, along with many other tracks on Endless Wire. McGuinness Flint, for whom Graham Lyle played the mandolin on their most successful single, When I'm Dead And Gone, is another example. Lyle was also briefly a member of Ronnie Lane's Slim Chance, and played mandolin on their hit How Come. One of the more prominent early mandolin players in popular music was Robin Williamson in The Incredible String Band. Ian Anderson of Jethro Tull is a highly accomplished mandolin player (beautiful track Pussy Willow), as is his guitarist Martin Barre. The popular song Please Please Please Let Me Get What I Want by The Smiths featured a mandolin solo played by Johnny Marr. More recently, the Glasgow-based band Sons and Daughters featured the mandolin, played by Ailidh Lennon, on tracks such as Fight, Start to End, and Medicine. British folk-punk icons the Levellers also regularly use the mandolin in their songs. Current bands are also beginning to use the Mandolin and its unique sound - such as South London's Indigo Moss who use it throughout their recordings and live gigs. The mandolin has also featured in the playing of Matthew Bellamy in the rock band Muse. It also forms the basis of Paul McCartney's 2007 hit "Dance Tonight." That was not the first time a Beatle played a mandolin, however; that distinction goes to George Harrison on Gone Troppo, the title cut from the 1982 album of the same name. The mandolin is taught in Lanarkshire by the Lanarkshire Guitar and Mandolin Association to over 100 people. Also more recently hard rock supergroup Them Crooked Vultures have been playing a song based primarily using a mandolin. This song was left off their debut album, and features former Led Zeppelin bassist John Paul Jones.[citation needed] | Who was in multiple projects? | {
"text": [
"Lyle"
],
"answer_start": [
1788
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
f973e11bf090c8ad999a1c273e98b6b8ea6d61ae | Mandolin | The mandolin has been used extensively in the traditional music of England and Scotland for generations. Simon Mayor is a prominent British player who has produced six solo albums, instructional books and DVDs, as well as recordings with his mandolin quartet the Mandolinquents. The instrument has also found its way into British rock music. The mandolin was played by Mike Oldfield (and introduced by Vivian Stanshall) on Oldfield's album Tubular Bells, as well as on a number of his subsequent albums (particularly prominently on Hergest Ridge (1974) and Ommadawn (1975)). It was used extensively by the British folk-rock band Lindisfarne, who featured two members on the instrument, Ray Jackson and Simon Cowe, and whose "Fog on the Tyne" was the biggest selling UK album of 1971-1972. The instrument was also used extensively in the UK folk revival of the 1960s and 1970s with bands such as Fairport Convention and Steeleye Span taking it on as the lead instrument in many of their songs. Maggie May by Rod Stewart, which hit No. 1 on both the British charts and the Billboard Hot 100, also featured Jackson's playing. It has also been used by other British rock musicians. Led Zeppelin's bassist John Paul Jones is an accomplished mandolin player and has recorded numerous songs on mandolin including Going to California and That's the Way; the mandolin part on The Battle of Evermore is played by Jimmy Page, who composed the song. Other Led Zeppelin songs featuring mandolin are Hey Hey What Can I Do, and Black Country Woman. Pete Townshend of The Who played mandolin on the track Mike Post Theme, along with many other tracks on Endless Wire. McGuinness Flint, for whom Graham Lyle played the mandolin on their most successful single, When I'm Dead And Gone, is another example. Lyle was also briefly a member of Ronnie Lane's Slim Chance, and played mandolin on their hit How Come. One of the more prominent early mandolin players in popular music was Robin Williamson in The Incredible String Band. Ian Anderson of Jethro Tull is a highly accomplished mandolin player (beautiful track Pussy Willow), as is his guitarist Martin Barre. The popular song Please Please Please Let Me Get What I Want by The Smiths featured a mandolin solo played by Johnny Marr. More recently, the Glasgow-based band Sons and Daughters featured the mandolin, played by Ailidh Lennon, on tracks such as Fight, Start to End, and Medicine. British folk-punk icons the Levellers also regularly use the mandolin in their songs. Current bands are also beginning to use the Mandolin and its unique sound - such as South London's Indigo Moss who use it throughout their recordings and live gigs. The mandolin has also featured in the playing of Matthew Bellamy in the rock band Muse. It also forms the basis of Paul McCartney's 2007 hit "Dance Tonight." That was not the first time a Beatle played a mandolin, however; that distinction goes to George Harrison on Gone Troppo, the title cut from the 1982 album of the same name. The mandolin is taught in Lanarkshire by the Lanarkshire Guitar and Mandolin Association to over 100 people. Also more recently hard rock supergroup Them Crooked Vultures have been playing a song based primarily using a mandolin. This song was left off their debut album, and features former Led Zeppelin bassist John Paul Jones.[citation needed] | What role in Led Zeppelin did their mandolin player typically hold? | {
"text": [
"bassist"
],
"answer_start": [
1193
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
a32a78e835f0ee18ba4721cca820504078ca12be | Mandolin | The mandolin has been used extensively in the traditional music of England and Scotland for generations. Simon Mayor is a prominent British player who has produced six solo albums, instructional books and DVDs, as well as recordings with his mandolin quartet the Mandolinquents. The instrument has also found its way into British rock music. The mandolin was played by Mike Oldfield (and introduced by Vivian Stanshall) on Oldfield's album Tubular Bells, as well as on a number of his subsequent albums (particularly prominently on Hergest Ridge (1974) and Ommadawn (1975)). It was used extensively by the British folk-rock band Lindisfarne, who featured two members on the instrument, Ray Jackson and Simon Cowe, and whose "Fog on the Tyne" was the biggest selling UK album of 1971-1972. The instrument was also used extensively in the UK folk revival of the 1960s and 1970s with bands such as Fairport Convention and Steeleye Span taking it on as the lead instrument in many of their songs. Maggie May by Rod Stewart, which hit No. 1 on both the British charts and the Billboard Hot 100, also featured Jackson's playing. It has also been used by other British rock musicians. Led Zeppelin's bassist John Paul Jones is an accomplished mandolin player and has recorded numerous songs on mandolin including Going to California and That's the Way; the mandolin part on The Battle of Evermore is played by Jimmy Page, who composed the song. Other Led Zeppelin songs featuring mandolin are Hey Hey What Can I Do, and Black Country Woman. Pete Townshend of The Who played mandolin on the track Mike Post Theme, along with many other tracks on Endless Wire. McGuinness Flint, for whom Graham Lyle played the mandolin on their most successful single, When I'm Dead And Gone, is another example. Lyle was also briefly a member of Ronnie Lane's Slim Chance, and played mandolin on their hit How Come. One of the more prominent early mandolin players in popular music was Robin Williamson in The Incredible String Band. Ian Anderson of Jethro Tull is a highly accomplished mandolin player (beautiful track Pussy Willow), as is his guitarist Martin Barre. The popular song Please Please Please Let Me Get What I Want by The Smiths featured a mandolin solo played by Johnny Marr. More recently, the Glasgow-based band Sons and Daughters featured the mandolin, played by Ailidh Lennon, on tracks such as Fight, Start to End, and Medicine. British folk-punk icons the Levellers also regularly use the mandolin in their songs. Current bands are also beginning to use the Mandolin and its unique sound - such as South London's Indigo Moss who use it throughout their recordings and live gigs. The mandolin has also featured in the playing of Matthew Bellamy in the rock band Muse. It also forms the basis of Paul McCartney's 2007 hit "Dance Tonight." That was not the first time a Beatle played a mandolin, however; that distinction goes to George Harrison on Gone Troppo, the title cut from the 1982 album of the same name. The mandolin is taught in Lanarkshire by the Lanarkshire Guitar and Mandolin Association to over 100 people. Also more recently hard rock supergroup Them Crooked Vultures have been playing a song based primarily using a mandolin. This song was left off their debut album, and features former Led Zeppelin bassist John Paul Jones.[citation needed] | What famous long bearded rock band included a mandolin in some of their music? | {
"text": [
"Led Zeppelin"
],
"answer_start": [
1178
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
767128be59fc3dd91e2a4cf58381d7430bd6c1b5 | Mandolin | The mandolin has been used extensively in the traditional music of England and Scotland for generations. Simon Mayor is a prominent British player who has produced six solo albums, instructional books and DVDs, as well as recordings with his mandolin quartet the Mandolinquents. The instrument has also found its way into British rock music. The mandolin was played by Mike Oldfield (and introduced by Vivian Stanshall) on Oldfield's album Tubular Bells, as well as on a number of his subsequent albums (particularly prominently on Hergest Ridge (1974) and Ommadawn (1975)). It was used extensively by the British folk-rock band Lindisfarne, who featured two members on the instrument, Ray Jackson and Simon Cowe, and whose "Fog on the Tyne" was the biggest selling UK album of 1971-1972. The instrument was also used extensively in the UK folk revival of the 1960s and 1970s with bands such as Fairport Convention and Steeleye Span taking it on as the lead instrument in many of their songs. Maggie May by Rod Stewart, which hit No. 1 on both the British charts and the Billboard Hot 100, also featured Jackson's playing. It has also been used by other British rock musicians. Led Zeppelin's bassist John Paul Jones is an accomplished mandolin player and has recorded numerous songs on mandolin including Going to California and That's the Way; the mandolin part on The Battle of Evermore is played by Jimmy Page, who composed the song. Other Led Zeppelin songs featuring mandolin are Hey Hey What Can I Do, and Black Country Woman. Pete Townshend of The Who played mandolin on the track Mike Post Theme, along with many other tracks on Endless Wire. McGuinness Flint, for whom Graham Lyle played the mandolin on their most successful single, When I'm Dead And Gone, is another example. Lyle was also briefly a member of Ronnie Lane's Slim Chance, and played mandolin on their hit How Come. One of the more prominent early mandolin players in popular music was Robin Williamson in The Incredible String Band. Ian Anderson of Jethro Tull is a highly accomplished mandolin player (beautiful track Pussy Willow), as is his guitarist Martin Barre. The popular song Please Please Please Let Me Get What I Want by The Smiths featured a mandolin solo played by Johnny Marr. More recently, the Glasgow-based band Sons and Daughters featured the mandolin, played by Ailidh Lennon, on tracks such as Fight, Start to End, and Medicine. British folk-punk icons the Levellers also regularly use the mandolin in their songs. Current bands are also beginning to use the Mandolin and its unique sound - such as South London's Indigo Moss who use it throughout their recordings and live gigs. The mandolin has also featured in the playing of Matthew Bellamy in the rock band Muse. It also forms the basis of Paul McCartney's 2007 hit "Dance Tonight." That was not the first time a Beatle played a mandolin, however; that distinction goes to George Harrison on Gone Troppo, the title cut from the 1982 album of the same name. The mandolin is taught in Lanarkshire by the Lanarkshire Guitar and Mandolin Association to over 100 people. Also more recently hard rock supergroup Them Crooked Vultures have been playing a song based primarily using a mandolin. This song was left off their debut album, and features former Led Zeppelin bassist John Paul Jones.[citation needed] | Who was the member of the Beatles that first played a mandolin? | {
"text": [
"George Harrison"
],
"answer_start": [
2925
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
574dbcf439000121e737b7cfa55ef80527234fe8 | Mandolin | Noteworthy Irish mandolinists include Andy Irvine (who, like Johnny Moynihan, almost always tunes the top E down to D, to achieve an open tuning of GDAD), Paul Brady, Mick Moloney, Paul Kelly and Claudine Langille. John Sheahan and the late Barney McKenna, respectively fiddle player and tenor banjo player with The Dubliners, are also accomplished Irish mandolin players. The instruments used are either flat-backed, oval hole examples as described above (made by UK luthier Roger Bucknall of Fylde Guitars), or carved-top, oval hole instruments with arched back (made by Stefan Sobell in Northumberland). The Irish guitarist Rory Gallagher often played the mandolin on stage, and he most famously used it in the song "Going To My Hometown." | How are mandolins sometimes tuned? | {
"text": [
"GDAD"
],
"answer_start": [
148
]
} | {
"split": "train",
"model_in_the_loop": "Combined"
} |
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