text
stringlengths 5
285
| label
int64 0
1
| augment
stringclasses 2
values |
|---|---|---|
enough said , еxcept : film overboard ! | 0 | textbugger |
enough says , except : film overboard ! | 0 | textbugger |
sufficiently said , except : film overboard ! | 0 | textbugger |
enough said , except : film overboard ! | 0 | clean |
a suffocating rape- payback horror show that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industⲅial-model meat freezers . | 1 | textbugger |
a suffocating rape-payback horror displaying that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model meat 𝚏reezers . | 1 | textbugger |
a suffocating rape-payback horror show that hinges on the subgenre 's most enabling discriminated ... and an ebullient affection for induѕtrial-model meat freezers . | 1 | textbugger |
a suffocatіng rape-paybak horror show that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model meat freezers . | 1 | textbugger |
a suffocating rape-payback horror show that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model meat freezers . | 1 | clean |
while we no longer possess the lack-of-attention span that we did at seventeen , we had no problem sitting for blade iii . | 1 | textbugger |
while we no longer possess the lack-of-attentiоn length that we did at seventeen , we had no trouble sitting for blade ii . | 1 | textbugger |
while we no longer possess the lack-of-attentiоn span that we did at seventeen , we had no trouble sittnig for blade ii . | 1 | textbugger |
while we no longer possess the lack-of-atten𝚝ion ѕpan that we did at seventeen , we had no trouble sitting for blade ii . | 1 | textbugger |
while we no longer possess the lack-of-attention span that we did at seventeen , we had no trouble sitting for blade ii . | 1 | clean |
a collage of clichés and a dim ec ho of allusions to other films . | 0 | textbugger |
a collage of clichés and a dim echo of allusions to other 𝚏ilms . | 0 | textbugger |
a collage of clichés and a dim echo of alluѕions to other films . | 0 | textbugger |
a collage of clichés and a dim ecհo of allusions to other films . | 0 | textbugger |
a collage of clichés and a dim echo of allusions to other films . | 0 | clean |
combine the paranoid claustrophobia of a submarine movie with the unsetting spookiness of the supernatural -- why did n't hollywood tihnk of this sooner ? | 1 | textbugger |
combine the paranoid claustrophobia of a submarine movie with the unsettling spookinesѕ of the supernatural -- why did n't hollywood reckon of this sooner ? | 1 | textbugger |
combine the paranoid claustrоphobia of a submarine movie with the unsettling spookiness of the ѕupernatural -- why did n't hollywood think of this sooner ? | 1 | textbugger |
combine the paranoid clauѕtrophobia of a submarine movie with the unsettling spookiness of the supernatural -- why did n't hоllywood think of this sooner ? | 1 | textbugger |
combine the paranoid claustrophobia of a submarine movie with the unsettling spookiness of the supernatural -- why did n't hollywood think of this sooner ? | 1 | clean |
if damon and affleck attempt another project greenlight , next time out they might try paying lowest attention to the miniseries and more beware to the film it is about . | 0 | textbugger |
if damon and affleck attempt another project greenlight , next time out they mіght try paying less attention to the miniseries and more a𝚝tention to the film it is about . | 0 | textbugger |
if damon and affleck attempt another project greenlіght , next tmie out they might try paying less attention to the miniseries and more attention to the film it is about . | 0 | textbugger |
if damon and affleck ɑttempt another pⲅoject greenlight , next time out they might try paying less attention to the miniseries and more attention to the film it is about . | 0 | textbugger |
if damon and affleck attempt another project greenlight , next time out they might try paying less attention to the miniseries and more attention to the film it is about . | 0 | clean |
the screenplay by james eric , james horton and director peter o'fallon ... is so pat it does your teeth hurt . | 0 | textbugger |
the screenplay by james eric , james horton and director peter o'fallon ... is so pat it ma𝒌es your teeth hurt . | 0 | textbugger |
the screenplay by james eric , james horton and director peter o'fallon ... is so pat it mkaes your teeth hurt . | 0 | textbugger |
the sϲreenplay by james eric , james horton and director peter o'fallon ... is so pat it makes your teeth hurt . | 0 | textbugger |
the screenplay by james eric , james horton and director peter o'fallon ... is so pat it makes your teeth hurt . | 0 | clean |
i 'm confer it thumbs down due to the endlessly repetitive scenes of embarrassment . | 0 | textbugger |
i 'm giving it thumbs down due to the endless ly repetitive scenes of embarrassment . | 0 | textbugger |
i 'm giving it thumbs down due to the indefinitely repetitive scenes of embarrassment . | 0 | textbugger |
i 'm giѵing it thumbs down due to the endlessly repetitive scenes of embarrassment . | 0 | textbugger |
i 'm giving it thumbs down due to the endlessly repetitive scenes of embarrassment . | 0 | clean |
not only does leblanc make eden spectacularly ugly-looking broad , but he appears miserable throughout as he swɑggers through his scenes . | 0 | textbugger |
not only does leblanc make eden spectɑcularly ugly-looking broad , but he appears miserable throughout as he swaggers through his scenes . | 0 | textbugger |
not only does leblanc make one sepctacularly ugly-looking broad , but he appears miserable travers as he swaggers through his scenes . | 0 | textbugger |
not only does leblanc render one spectaculɑrly ugly-looking broad , but he appears miserable throughout as he swaggers through his scenes . | 0 | textbugger |
not only does leblanc make one spectacularly ugly-looking broad , but he appears miserable throughout as he swaggers through his scenes . | 0 | clean |
an elegant work , food of love is as consistently engagіng as it is revealing . | 1 | textbugger |
an elegant work , food of love is as consistently engɑging as it is revealing . | 1 | textbugger |
an elegant work , food of lve is as consistently engaging as it is revealing . | 1 | textbugger |
an elegɑnt work , food of love is as consistently engaging as it is revealing . | 1 | textbugger |
an elegant work , food of love is as consistently engaging as it is revealing . | 1 | clean |
the pain , loneliness and insecrity of the sϲreenwriting process are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by charlie kafuman and his twin brother , donald , and directed by spike jonze . | 1 | textbugger |
the pain , loneliness and insecurity of the dashes process are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature ԝritten by charlie kaufman and his twin sisterly , donald , and directed by spike jonze . | 1 | textbugger |
the pain , loneliness and insecurity of the screenwriting process are vividly and painfully brought to slovenly life in this self-deprecating , biting and irreverent feature written by chaⲅlie kaufman and his twin brother , donalԁ , and directed by spike jonze . | 1 | textbugger |
the painless , loneliness and insecuirty of the screenwriting process are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and directed by ridge jonze . | 1 | textbugger |
the pain , loneliness and insecurity of the screenwriting process are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and directed by spike jonze . | 1 | clean |
... a weak and ineffective ghost story without a conϲlusion or pay off . | 0 | textbugger |
... a weak and ineffec𝚝ive ghost story without a conclusion or pay off . | 0 | textbugger |
... a weak and inеffective ghost story without a conclusion or pay off . | 0 | textbugger |
... a wek and ineffective ghost story without a conclusion or pay off . | 0 | textbugger |
... a weak and ineffective ghost story without a conclusion or pay off . | 0 | clean |
if you 're a fan of the serial you 'll love it and probably want to see it twice . | 1 | textbugger |
if you 're a fan of the series you 'll love it and arguably want to see it twice . | 1 | textbugger |
if you 're a fan of the series you 'll love it and proЬably want to see it twice . | 1 | textbugger |
if you 're a fan of the series you 'll loѵe it and probably want to see it twice . | 1 | textbugger |
if you 're a fan of the series you 'll love it and probably want to see it twice . | 1 | clean |
the film never find its tone and several scenes run too long . | 0 | textbugger |
the film never finds its tone and assorted scenes run too long . | 0 | textbugger |
the film never finds its tone and sevearl scenes run too long . | 0 | textbugger |
the film never finds its tone and several scenes run too lоng . | 0 | textbugger |
the film never finds its tone and several scenes run too long . | 0 | clean |
suffers from a lack of carity and audacity that a subject as monstrous and pathetic as dahmer demands . | 0 | textbugger |
suffers from a lack of clarity and audacity that a subject as monstrous and pathetic as dahmer demand . | 0 | textbugger |
suffers from a lack of clarity and audacity that a subject as monstrous and pathetic as dahmer deｍands . | 0 | textbugger |
suffers from a lck of clarity and audacity that a subject as monstrous and pathetic as dahmer demands . | 0 | textbugger |
suffers from a lack of clarity and audacity that a subject as monstrous and pathetic as dahmer demands . | 0 | clean |
it 's not a motion photos ; it 's an utterly static picture . | 0 | textbugger |
it 's not a motion pictu re ; it 's an utterly static picture . | 0 | textbugger |
it 's not a motion picture ; it 's an utterly static photographs . | 0 | textbugger |
it 's not a motion picture ; it 's an utterly stationary picture . | 0 | textbugger |
it 's not a motion picture ; it 's an utterly static picture . | 0 | clean |
it 's probably not easy to make such a worthless movies ... | 0 | textbugger |
it 's probably not easy to make such a wor𝚝hless film ... | 0 | textbugger |
it 's probably not easy to mɑke such a worthless film ... | 0 | textbugger |
it 's probably not easу to make such a worthless film ... | 0 | textbugger |
it 's probably not easy to make such a worthless film ... | 0 | clean |
the film is bright and flashy in all the right waуs . | 1 | textbugger |
the film is bright and flashy in all the rigհt ways . | 1 | textbugger |
the film is brightest and flashy in all the right ways . | 1 | textbugger |
the film is luminous and flashy in all the right ways . | 1 | textbugger |
the film is bright and flashy in all the right ways . | 1 | clean |
a blistering , reverent , and subtly different sequel . | 1 | textbugger |
a brisk , obeisance , and subtly different sequel . | 1 | textbugger |
a brisk , reverent , and sub𝚝ly different sequel . | 1 | textbugger |
a brisk , reveren𝚝 , and subtly different sequel . | 1 | textbugger |
a brisk , reverent , and subtly different sequel . | 1 | clean |
a macabre and very stylized krone fillm about a moԁern city where all the religious and civic virtues that hold society in place are in tatters . | 1 | textbugger |
a macabre and very stylized swedish fillm about a modern ciudad where all the religious and civic virtues that hold society in plɑce are in tatters . | 1 | textbugger |
a macabre and very stylized swedish fіllm about a modeⲅn city where all the religious and civic virtues that hold society in place are in tatters . | 1 | textbugger |
a macabre and very stylized swedsh fillm about a moern city where all the religious and civic virtues that hold society in place are in tatters . | 1 | textbugger |
a macabre and very stylized swedish fillm about a modern city where all the religious and civic virtues that hold society in place are in tatters . | 1 | clean |
does an impressive job of relating the complicated history of the war and of filling in the Ьackground . | 1 | textbugger |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.