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a decided lack of spontaneity in its execution and a dearth of real poignancy in its epіphanies . | 0 | textbugger |
a decided lack of spontaneity in its executioո and a dearth of real poignancy in its epiphanies . | 0 | textbugger |
a decided lack of spontaneity in its exеcution and a dearth of real poignancy in its epiphanies . | 0 | textbugger |
a decided lacks of spontaneity in its execution and a dearth of real poignancy in its epiphanies . | 0 | textbugger |
a decided lack of spontaneity in its execution and a dearth of real poignancy in its epiphanies . | 0 | clean |
what sets ms. birot 's film apart from others in the genre is a greɑter attention to the parents -- and particularly the fatefսl fathers -- in the emotional evolսtion of the two bewitched adolescents . | 1 | textbugger |
what sets ms. birot 's film apart from others in the genus is a greater attention to the parents -- and peculiarly the fateful fathers -- in the emotional evolution of the two bewitched ɑdolescents . | 1 | textbugger |
what sets ms. birot 's film apart from others in the geոre is a more attention to the parents -- and particularly the fateful fathers -- in the emotional evolve of the two bewitched adolescents . | 1 | textbugger |
what se𝚝s ms. birot 's film apart from others in the genre is a bigger attention to the parents -- and particularly the deadly fathers -- in the emotional evolution of the two bewitched adolescents . | 1 | textbugger |
what sets ms. birot 's film apart from others in the genre is a greater attention to the parents -- and particularly the fateful fathers -- in the emotional evolution of the two bewitched adolescents . | 1 | clean |
like most of jaglom 's films , some of it is candidly affecting , but more of it seems contrived and secondahnd . | 0 | textbugger |
like most of jaglom 's films , some of it is honestly a𝚏fecting , but more of it seems contrived and sеcondhand . | 0 | textbugger |
like most of jaglom 's films , some of it is honetly afflicting , but more of it seems contrived and secondhand . | 0 | textbugger |
like most of jagloｍ 's films , some of it is honestly affecting , but more of it seems contrived and subsidiary . | 0 | textbugger |
like most of jaglom 's films , some of it is honestly affecting , but more of it seems contrived and secondhand . | 0 | clean |
it 's a wise and powerful tale of race and culture forcefully said , with superb performances throughout . | 1 | textbugger |
it 's a wise and powerful tale of race and culture forϲefully told , with superb performances throughout . | 1 | textbugger |
it 's a wise and powerful tale of rce and culture forcefully told , with superb performances throughout . | 1 | textbugger |
it 's a wiѕe and powerful tale of race and culture forcefully told , with superb performances throughout . | 1 | textbugger |
it 's a wise and powerful tale of race and culture forcefully told , with superb performances throughout . | 1 | clean |
eden of those terrific documentaries that collect a bunch of people who are enthusiaѕtic about something and then figures out how to make us share their enthusiasm . | 1 | textbugger |
oe of those terrific documentaries that collect a bunch of people who are enthusistic about something and then figures out how to make us share their enthusiasm . | 1 | textbugger |
one of those terirfic documentaries that collect a buոch of people who are enthusiastic about something and then figures out how to make us share their enthusiasm . | 1 | textbugger |
one of those terri𝚏ic documentaries that collect a bunch of people who are enthusiastic about something and then figures out how to make us sharing their enthusiasm . | 1 | textbugger |
one of those terrific documentaries that collect a bunch of people who are enthusiastic about something and then figures out how to make us share their enthusiasm . | 1 | clean |
not only are the film 's sopranos gag incredibly dated and unfunny , they also demoոstrate how desperate the makers of this ` we 're - doing-it-for - the-cash ' sequel were . | 0 | textbugger |
not only are the film 's sopranos gags incredibly dated and unfunny , they similarly demonѕtrate how desperate the makers of this ` we 're - doing-it-for - the-cash ' sequel were . | 0 | textbugger |
not only are the film 's sopranos gags incrеdibly dated and unfunny , they also demonѕtrate how desperate the makers of this ` we 're - doing-it-for - the-cash ' sequel were . | 0 | textbugger |
not only are the film 's sopranos gaɡs incredibly dated and unfunny , they also dеmonstrate how desperate the makers of this ` we 're - doing-it-for - the-cash ' sequel were . | 0 | textbugger |
not only are the film 's sopranos gags incredibly dated and unfunny , they also demonstrate how desperate the makers of this ` we 're - doing-it-for - the-cash ' sequel were . | 0 | clean |
i have to a dmit that i am baffled by jason x. | 0 | textbugger |
i have to admit that i am baffⅼed by jason x. | 0 | textbugger |
i have to admit that i am puzzled by jason x. | 0 | textbugger |
i have to confess that i am baffled by jason x. | 0 | textbugger |
i have to admit that i am baffled by jason x. | 0 | clean |
the cinema gets close to the chimps the same way goodall did , with a serious minded patience , respecting and affection . | 1 | textbugger |
the film gets close to the chimps the same camino goodall did , with a serious minded forbearance , respect and affection . | 1 | textbugger |
the film gets cloѕe to the chimps the same way goodall did , with a serious minded patience , honouring and affection . | 1 | textbugger |
the movies gets close to the chimps the same way goodall did , with a serious miոded patience , respect and affection . | 1 | textbugger |
the film gets close to the chimps the same way goodall did , with a serious minded patience , respect and affection . | 1 | clean |
a rip-off twice removed , modeled after -lrb- seagal 's -rrb- earlier coрycat under siege , sometimes referred to as die հard on a boat . | 0 | textbugger |
a rip-off twice removed , modeling after -lrb- seagal 's -rrb- earlier copier under siege , sometimes referred to as die hard on a boat . | 0 | textbugger |
a rip-off twice removed , moeled after -lrb- seagal 's -rrb- earlier copycat under sіege , sometimes referred to as die hard on a boat . | 0 | textbugger |
a rip-off twice removed , ｍodeled after -lrb- seagal 's -rrb- earlier copycat under besieged , sometimes referred to as die hard on a boat . | 0 | textbugger |
a rip-off twice removed , modeled after -lrb- seagal 's -rrb- earlier copycat under siege , sometimes referred to as die hard on a boat . | 0 | clean |
mrs. seigner and mr. serrault bring fresh , unforced naturalism to their characters . | 1 | textbugger |
ms. seigner and mr. serrault bring dulce , unforced naturalism to their characters . | 1 | textbugger |
ms. seigner and mr. serrɑult bring fresh , unforced naturalism to their characters . | 1 | textbugger |
ms. seigner and ｍr. serrault bring fresh , unforced naturalism to their characters . | 1 | textbugger |
ms. seigner and mr. serrault bring fresh , unforced naturalism to their characters . | 1 | clean |
that 's muy ground , but no more ridiculous than most of the rest of `` dragonfly . '' | 0 | textbugger |
that 's muy loco , but no more laughable than most of the rest of `` dragonfly . '' | 0 | textbugger |
that 's muy locо , but no more ridiculous than most of the rest of `` dragonfly . '' | 0 | textbugger |
that 's muу loco , but no more ridiculous than most of the rest of `` dragonfly . '' | 0 | textbugger |
that 's muy loco , but no more ridiculous than most of the rest of `` dragonfly . '' | 0 | clean |
but the movie that does n't really d eliver for country music fans or for family audiences | 0 | textbugger |
but the movie that does n't really deliver for country msic fans or for family audiences | 0 | textbugger |
but the movie that does n't really deliver for coսntry music fans or for family audiences | 0 | textbugger |
but the movie that does n't really deliveⲅ for country music fans or for family audiences | 0 | textbugger |
but the movie that does n't really deliver for country music fans or for family audiences | 0 | clean |
if you answered oui , by all means enjoy the new guy . | 1 | textbugger |
if you answered yes , by all means enjоy the new guy . | 1 | textbugger |
if you answered yes , by all ｍeans enjoy the new guy . | 1 | textbugger |
if you answered yeѕ , by all means enjoy the new guy . | 1 | textbugger |
if you answered yes , by all means enjoy the new guy . | 1 | clean |
generates an enormous feeilng of empathy for its characters . | 1 | textbugger |
generates an enormous feeling of empathy for its chɑracters . | 1 | textbugger |
generates an enormous sentiment of empathy for its characters . | 1 | textbugger |
geոerates an enormous feeling of empathy for its characters . | 1 | textbugger |
generates an enormous feeling of empathy for its characters . | 1 | clean |
the low-key direction is pleasingly emphatic in this properly intense , claustrophobic tale of оbsessive love . | 1 | textbugger |
the low-key direction is pleasingly emphatic in this properly intense , nightmarish tale of obsessive love . | 1 | textbugger |
the low-key direction is pleasingly emphatic in this properly intenѕe , claustrophobic tale of obsessive love . | 1 | textbugger |
the low-key direction is pleasingly emphatic in this propеrly intense , claustrophobic tale of obsessive love . | 1 | textbugger |
the low-key direction is pleasingly emphatic in this properly intense , claustrophobic tale of obsessive love . | 1 | clean |
those prone to indignation need not apply ; those susceptible to blue hilarity , step proper up . | 1 | textbugger |
those prone to indignation need not apply ; those susceptible to blue hilarity , stеp right up . | 1 | textbugger |
those prone to indignation need not apply ; those susceptible to blսe hilarity , step right up . | 1 | textbugger |
those prone to indignation ոeed not apply ; those susceptible to blue hilarity , step right up . | 1 | textbugger |
those prone to indignation need not apply ; those susceptible to blue hilarity , step right up . | 1 | clean |
an intriguing look at the fre nch film industry during the german occupatiоn ; its most delightful moments come when various characters express their quirky inner selves . | 1 | textbugger |
an intriguing look at the french film industry during the german occupation ; its most delightful moments come when vɑrious characters express their fickle inner selves . | 1 | textbugger |
an intriguing look at the frnech film industry during the gеrman occupation ; its most delightful moments come when various characters express their quirky inner selves . | 1 | textbugger |
an intriguinɡ look at the french film industry during the german occupation ; its most delightful moments ϲome when various characters express their quirky inner selves . | 1 | textbugger |
an intriguing look at the french film industry during the german occupation ; its most delightful moments come when various characters express their quirky inner selves . | 1 | clean |
would make an excellent companion piece to the equally themed ` the french lieutenant 's woman . ' | 1 | textbugger |
would make an excellent companion piece to the similarly themed ` the french lieutenants 's woman . ' | 1 | textbugger |
would make an excellent companion piеce to the similarly themed ` the french lieutenant 's woman . ' | 1 | textbugger |
would make an excellent mate piece to the similarly themed ` the french lieutenant 's woman . ' | 1 | textbugger |
would make an excellent companion piece to the similarly themed ` the french lieutenant 's woman . ' | 1 | clean |
if you like qu irky , odd movies and\/or the ironic , here 's a fun one . | 1 | textbugger |
if you like quirky , odd movies and\/or the iroinc , here 's a fun one . | 1 | textbugger |
if you like quirky , odd movies and\/or the ironic , here 's a amusing one . | 1 | textbugger |
if you like quirky , odd movies and\/or the ironic , here 's a fun o ne . | 1 | textbugger |
if you like quirky , odd movies and\/or the ironic , here 's a fun one . | 1 | clean |
no french humans were harmed during the making of this movie , but they were insulted and the audience was put through torture for an hour and a հalf . | 0 | textbugger |
no french people were impaired during the making of this mоvie , but they were insulted and the audience was put through torture for an hour and a half . | 0 | textbugger |
no french peoрle were harmed during the making of this movie , but they were insulted and the auԁience was put through torture for an hour and a half . | 0 | textbugger |
no frenchmen people were harmed during the rendering of this movie , but they were insulted and the audience was put through torture for an hour and a half . | 0 | textbugger |
no french people were harmed during the making of this movie , but they were insulted and the audience was put through torture for an hour and a half . | 0 | clean |
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