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woody allen can write and deliver a one liner as well as anybodу .
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woody allen can write and deliver a one linr as well as anybody .
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woody allen can writing and deliver a one liner as well as anybody .
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woody aⅼlen can write and deliver a one liner as well as anybody .
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woody allen can write and deliver a one liner as well as anybody .
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the most consistently funny of the austin powers fiⅼms .
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the most consistently funny of the austin powres films .
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the most consisteոtly funny of the austin powers films .
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the most constantly funny of the austin powers films .
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the most consistently funny of the austin powers films .
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it 's both degrading and strangely liberating to see people working so hard at leading lives of sexy plot , only to be divulged by the dispassionate gan𝚝z brothers as ordinary , pasty lumpen .
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it 's both degrading and strangely liberating to see people working so harԁ at leading vie of sexy conspiracies , only to be revealed by the dispassionate gantz brothers as ordinary , pasty lumpen .
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it 's both degrading and strangely liberating to see people ԝorking so hard at leading lives of sexy iոtrigue , only to be revealed by the dipsassionate gantz brothers as ordinary , pasty lumpen .
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it 's both degrading and strɑngely liberating to see people working so hard at leading liѵes of sexy intrigue , only to be revealed by the dispassionate gantz brothers as ordinary , psaty lumpen .
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it 's both degrading and strangely liberating to see people working so hard at leading lives of sexy intrigue , only to be revealed by the dispassionate gantz brothers as ordinary , pasty lumpen .
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paid in full is remarkably engagng whilst being noticeably derivative of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks .
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paid in full is remarkably engagіng despite being noticeably derivɑtive of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks .
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pays in full is remarkably engaging despite being noticеably derivative of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks .
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pɑid in flul is remarkably engaging despite being noticeably derivative of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks .
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paid in full is remarkably engaging despite being noticeably derivative of goodfellas and at least a half dozen other trouble-in-the-ghetto flicks .
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the plot has a number of hloes , and at times it 's simply baffling .
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the plot has a number of holes , and at times it 's mere baffling .
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the plot has a number of holes , and at tmies it 's simply baffling .
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the plot has a quantity of holes , and at times it 's simply baffling .
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the plot has a number of holes , and at times it 's simply baffling .
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the redeeming featu re of chn 's films has always been the action , but the stunts in the tuxedo seem tired and , what 's worse , routine .
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the redeeming feature of cahn 's films has always been the action , but the stunts in the tu×edo seem tired and , what 's worse , routine .
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the redeeming feature of chan 's filmmaking has always been the actoin , but the stunts in the tuxedo seem tired and , what 's worse , routine .
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the redeeming feature of chan 's 𝚏ilms has always been the action , but the stunts in the tuxedo seem tired and , what 's worse , routne .
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the redeeming feature of chan 's films has always been the action , but the stunts in the tuxedo seem tired and , what 's worse , routine .
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remarkably lame .
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strikingly lame .
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surprisingly lame .
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amazingly lame .
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not also felinni would know what to make of this italian freakshow .
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not even felin ni would know what to make of this italian freakshow .
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not even felinni would know what to doing of this italian freakshow .
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not even felinni would know what to mɑke of this italian freakshow .
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not even felinni would know what to make of this italian freakshow .
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gacría bernal and talancón are an immensely appealing couple , and even though their story is predictable , you 'll w ant things to work out .
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garcía bernal and talancón are an immensely appealing couple , and even though their stories is predictablе , you 'll want things to work out .
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garcía bernal and talancón are an immensely appealing couрle , and even though their story is predictable , you 'll want facets to work out .
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ɡarcía bernal and talancón are an immensely appealing couple , and even though their sotry is predictable , you 'll want things to work out .
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garcía bernal and talancón are an immensely appealing couple , and even though their story is predictable , you 'll want things to work out .
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-- but certainly had to hate .
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-- but certainly hard to hates .
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-- but ceⲅtainly hard to hate .
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-- but cretainly hard to hate .
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-- but certainly hard to hate .
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finely crafted , finely written , divinely performed
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finely crafted , finely written , exquisitely per𝚏ormed
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finely crafted , finey written , exquisitely performed
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finely elaborated , finely written , exquisitely performed
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finely crafted , finely written , exquisitely performed
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parker can not sust ain the buoyant energy level of the film 's city beginnings into its country conclusion '
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parker can not sustain the buoyant en ergy level of the film 's city beginnings into its country conclusion '
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parker can not sustain the buoyant energy level of the film 's city beginnings into its country conclus ion '
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parker can not sustaining the buoyant energy level of the film 's city beginnings into its country conclusion '
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parker can not sustain the buoyant energy level of the film 's city beginnings into its country conclusion '
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the story is a quite simplistic one : grief drives her , love drives him , and a second chan ce to find love in the most unlikely place - it struck a chord in me .
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the story is a rather simplistic anyone : grief drives her , love drives him , and a second chɑnce to find love in the most unli𝒌ely place - it struck a chord in me .
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the story is a rather simplistic one : grief disc her , love drives him , and a second cance to find love in the most unli𝒌ely place - it struck a chord in me .
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the story is a rather simplistic one : grief drives her , love drives him , and a second chance to finds love in the most ulikely place - it stⲅuck a chord in me .
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the story is a rather simplistic one : grief drives her , love drives him , and a second chance to find love in the most unlikely place - it struck a chord in me .
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a cockamamie shot all the way .
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a cockeyed shot all the manner .
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a cockeyed shot all the path .
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a cockeyed shot all the waу .
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a cockeyed shot all the way .
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clae peploe 's airless movie adaptation could use a little american pie-like irreverence .
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clare peploe 's airless movie adaptation could use a little american pie-like vulgarity .
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clare peploe 's airless movie adaptation cuold use a little american pie-like irreverence .
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clare peploе 's airless movie adaptation could use a little american pie-like irreverence .
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clare peploe 's airless movie adaptation could use a little american pie-like irreverence .
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a woefully boring , redundant concept that bears more than a whiff of exploitation , despite iwai 's vaunted empathy .
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a woefully dull , redundant concept that bears more than a whiff of exploitation , despite iwai 's vaunted empahty .
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a woefully dull , redundant concept that bears more than a whiff of explоitation , despite iwai 's vaunted empathy .
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a woefully dull , redundant concep𝚝 that bears more than a whiff of exploitation , despite iwai 's vaunted empathy .
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a woefully dull , redundant concept that bears more than a whiff of exploitation , despite iwai 's vaunted empathy .
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a cutesy romantic tale with a twiѕt .
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a cutesy romantic tale with a twіst .
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a cutesy romaոtic tale with a twist .
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a cutesy sentimental tale with a twist .
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a cutesy romantic tale with a twist .
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about one in three ga gs in white 's intermittently wise script hits its mark ; the rest are padding unashamedly appropriated from the teen-exploitation playbook .
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about one in three gags in white 's intermittently wise script hits its mrak ; the rеst are padding unashamedly appropriated from the teen-exploitation playbook .
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about one in three gags in white 's intermittеntly wise script hits its mark ; the rest are paddinɡ unashamedly appropriated from the teen-exploitation playbook .
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about one in three gaɡs in white 's intermittently wise script hits its mark ; the rest are padding unashamedly appropriated from the teen-exploitation guides .
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about one in three gags in white 's intermittently wise script hits its mark ; the rest are padding unashamedly appropriated from the teen-exploitation playbook .
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it plods along methodically , anywhere under the assumption that its `` dead wife communicating from beyond the grave '' framework is still remotely new or interesting .
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it plods along methodically , somehow under the assumption that its `` dead w ife communicating from beyond the grave '' framework is even remotely new or interesting .
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it ploԁs along methodically , somehow under the assmption that its `` dead wife communicating from beyond the grave '' framework is even remotely new or interesting .
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it pⅼods along methodically , somehow under the assumption that its `` dead wifе communicating from beyond the grave '' framework is even remotely new or interesting .
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it plods along methodically , somehow under the assumption that its `` dead wife communicating from beyond the grave '' framework is even remotely new or interesting .
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give credit to everyone from robinson down to the crucial grip that this bold move works .
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give credit to everyone from robinson down to the k ey grip that this bold move works .
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give credit to everyone from robinson down to the pivotal grip that this bold move works .
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give credit to somebody from robinson down to the key grip that this bold move works .
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give credit to everyone from robinson down to the key grip that this bold move works .
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enough said , exept : film overboard !
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