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(vomiting) |
(phone rings) |
(Walker) She's back, ma'am. We've got her, Susannah. |
They released her? |
Yeah, stumbling about in the middle of the city, sedated, |
she can't remember anything, but she's unharmed. |
But her finger? |
Not hers, the DNA shows it's male. |
What? |
There is one other thing ma'am, there's a CCTV grab |
of her from half three, it seems he let her go |
30 minutes before it happened. |
Why? |
My guess, he knew everyone would be |
elsewhere, watching screens. |
So it's a statement. |
Ma'am? |
That's what this was all about, about making a point. |
Should we... |
Lose that page of the report. |
No-one sees it, especially the PM. |
Of course. |
Good news, Michael, you saved her. |
Susanne is alive and well. |
(phone rings) |
(drops phone) |
(phone rings) |
null |
On the one year anniversary of his humiliating ordeal, |
an apparently unconcerned Michael Callow |
put in an assured performance at a public appearance today |
accompanied by his wife Jane. |
Here I go! Okay. |
Oh! Aah! |
The other central figure in last year's events was also |
before the camera |
at last night's Children Of Valour awards. |
Princess Susannah made her first public appearance |
since announcing her pregnancy. |
It was one year ago today |
that the former Turner Prize- winning artist |
Carlton Bloom coerced the Prime Minister |
into committing an indecent act with the audacious kidnapping. |
As the anniversary arrived one art critic has caused |
controversy by describing it as the first great artwork |
of the 21st century. |
but while cultural commentators debate its significance, |
there's no denying that with a global audience |
of 1.3 billion, |
it was an event in which we all participated. |
However, the incident failed to destroy |
a Prime Minister who currently holds an approval rating |
three points higher than this time last year. |
Damon Brown, UKN. |
Jane? |
Jane please? |
null |
null |
(rooster crows) |
(man) New from Wraith Babes, |
the hottest girls in the nastiest situations. |
(music plays) |
(motor whirring) |
(man) Let's play Bothergut... |
Let's play Botherguts! |
Yeah! |
Hey, come on! Three. Two. One. Go! |
(laughing) |
- Cacker-rum-bum! - (laughing) |
(laughing) |
(stomach rumbling) |
You're hungry? That's a first, eh? |
Come on! |
That'll hurt! |
Oh, brilliant! |
That's fucking brilliant that. |
(beeping, clunk) |
(beeping, no clunk) |
That one does that sometimes. Hang on. |
There's a little knob in here somewhere. |
Almost the only real thing in there and even that's |
grown in a Petri dish. |
Thank you. |
(violin music) |
(man breathing heavily) |
My God. |
(girls moaning) |
(Girl 1) Mmm, lickey licking. |
(Girl 2) Oh! |
Oh, for Christ's sake! |
Way to mood kill, Blubber Not! |
Cheers for the reflection! |
One minute I'm in Slitsville, |
the next there's a haunted pig gawping at me! |
They may as well have cut to a war crime! Ah! |
Oi! |
You missed a bit. (laughs) |
Pie ape! (laughs) |
Did you see that? |
Fucking pie ape! |
Subsets and Splits