Split (1)

train · 5.38k rows

TEXT stringlengths 1.25k 199k	METADATA stringlengths 54 187	SOURCE stringclasses 1 value
Keeping Up with the Kardashians... KOURTNEY: I cannot be around you when you're just (bleep) a bitch. You guys make fun of me for going. KHLOE: We don't make fun of you for going to therapy, we make fun of you for literally hating us because of your therapist. KOURTNEY: In the past, I used to just brush things off, and it really didn't bother me, but because I've started going to therapy, I'm more aware of my feelings. I don't want to spend my time around people that are mean. I'm evolving. I don't want to be the bitchy person that I was before. ♪ ♪ KRIS: Hey. ]] SCOTT: Hi. KRIS: Wait a second. Have you ever thought about reshaping your earlobes? SCOTT: What? KRIS: Yeah. SCOTT: What's wrong with my earlobes? KRIS: I think they're a little large. (Laughs) SCOTT: Oh, my God. I don't even know what you're talking about, to be quite honest. KRIS: If we do, like, right there. ]] SCOTT: How about no?! KRIS: They just slice it right there and stitch it up. SCOTT: You want me to slice my ear? KRIS: Look, this one's even bigger. Do you have your ear pierced? SCOTT: Yeah, when I was a kid I had it pierced. ]] KRIS: What? You have your ear pierced? SCOTT: That's why you're freaking out? You're telling me to cut my ear off! I got a hole in it. KRIS: That's why it's so... Look at this! You had your ears pierced. SCOTT: I had one pierced. KRIS: Oh, does this mean you were gay at one time? SCOTT: Yes, 'cause I had an earring in my left (bleep) ear. (Kris laughing) KRIS: No, look, you just get a little, like, nip and a tuck right there. SCOTT: You're sick. KRIS: And it takes ten years off of your life. SCOTT: You've been in. Hollywood too long. KRIS: No, it takes ten years off your life, I promise. SCOTT: I don't need to take ten years off my life. KRIS: You have to. SCOTT: I'm definitely not. KRIS: You have to. SCOTT: And now you're making me very uncomfortable. (Kris laughing) ♪ ♪ KHLOE: Good girl! Come on. Come on, old lady. Come here, Goober. Act like you know how to run again... good old lady. KOURTNEY: How old is she? KHLOE: She's like or . KIM: That old? Really? KHLOE: Yeah. KIM: So that was what? I was ... oh, you're right. I was, like, . So, . So, . KHLOE: What's wrong with you? KIM: So I would say about or , I could've been . KHLOE: So or ? KIM: Could've been about . Yeah, so about , . KHLOE: That's what I said. KIM: Yep. KHLOE: Yeah. KIM: Just doing the math in my head. Oh. KHLOE: Okay, a few more runs. Do you want to do it? Do you know how? KOURTNEY: I've been dying to. KHLOE: Okay. KIM: I played a game where I gave her a lot of food, so... KHLOE: Yeah, Kim gives her cereal. Gabbana was Kendall and Kylie's dog their entire lives. And then when they all grew up and moved out, she became, like, the family dog. And then when Caitlyn and my mom got separated, I took Gabbana in. Oh, you dropped it. You can do it. Dive. Yeah! Good girl! So she's kind of been the family dog and everyone has their own great relationship with her. Even Kim loves to hate her. KIM: Oh, my God! Seriously! Ew! I smell like a wet dog. KHLOE: I love that whenever I come home from Cleveland, Gabbana is always there. She likes you. KIM: I know, but you're getting my shoes all dirty. Okay, Khloe, Khloe, Khloe. KHLOE: Gabbana, sit down. Sit. Sit. Lay down. Just chill. You're scaring me how you're breathing. (Gabbana barks) Oh! Oh, my God, I've never heard you bark, really. This is why I have to hide the balls. KIM: But she wants to run. KHLOE: But she doesn't know that then she's gonna... KIM: Have a heart attck? KHLOE: Like, she'll be limping all night, I have to give her a pain med for her hip. (Gabbana barks) No. No more. We're done. (Gabbana barks) KIM: That's really sad. KHLOE: She had two hip surgeries. KIM: I know, but that's, like, so sad. KHLOE: You look really good, though; It looks like you finally got your rhythm. No, Gabbana, I didn't throw it. ♪ ♪ KHLOE: Hello! How are you? You know, this is the first baby store I've been to. KRIS: I came here when I was pregnant with Kourtney, and Robert's grandmother bought me my first crib. ]] KHLOE: Aw. KRIS: And so this has always been, like, this tradition. Have you met Khloe? KHLOE: No, hi. How are you? LAUREN: Hi, Khloe. I'm Lauren, nice to meet you. KRIS: Now when did you first start working here? In ...? LAUREN: I've been here since ' . KHLOE: Oh, my gosh. KRIS: ' . KHLOE: I thought she was really exaggerating. LAUREN: No, she really wasn't. KHLOE: Wow, that's exciting. KRIS: So she's been helping me for my entire journey with all the kids. KHLOE: Look at that. KRIS: So cute. KHLOE: Yeah, it's so cute. They're just so little. KRIS: It makes me sad because I remember coming in here the first time, like, to shop for Kourtney... KHLOE: Mm-hmm. KHLOE: And now she's just so mean. (Laughs) I'm like, when they're so little they don't... KHLOE: Talk to you like that. KRIS: Treat you funny and talk back, and I don't know why she's being so... KHLOE: I don't know why you guys are in such a weird place. KRIS: I just wish she would make an effort to treat me the way that I feel like I would love to be treated, 'cause I love her so much. She's my firstborn daughter. My relationship with Kourtney over the years has been kind of fabulous, but lately there's definitely a shift. KOURTNEY: What are you doing here? Amanda and I are about to work out. ]] KRIS: I could join your workout. KOURTNEY: I really don't want to ruin our workout. Don't come to our workout, randomly show up when you're not even invited. KRIS: I really don't know where this is coming from. And it makes me really, really sad. KHLOE: Here's that. KRIS: No, I got it. I got it. KHLOE: No, stop. KRIS: This is my treat. KHLOE: You're not buying... KRIS: This is my thing. Yes, I am. KHLOE: That's crazy, Mom. KRIS: I did this for Kylie. This is my, this is my happiness. KHLOE: Oh, that's so nice of you, I didn't think you were... KRIS: I didn't give birth to you not to be able to do this. Don't look. You're so rude. KHLOE: That's very nice. KRIS: When you're doing this for your daughter, you'll look back on this and think, "Now I get it. Now I know what she was" "feeling." ♪ ♪ KHLOE: I don't know what people wear. I just still can't believe this fits a real person. (Laughs) Do I keep something this small? KIM: Oh, my God, yeah. That's, like, right at the beginning. This is cute. ]] KHLOE: Cute. KIM: This is a little... This is a very Penelope... KHLOE: Oh, that is literally Penelope's soul. KIM: You'll also pick out a style. Like... KHLOE: I don't know her style yet. KIM: You know what's a fun game? KHLOE: Foosball. KIM: Yeah, what is foosball? We should look into that. KHLOE: Isn't it, like, the table? ]] KIM: Oh. (Khloe laughs) I was like, let's play that. Let's get teams. No, the funnest game ever is the Kylie pregnancy game. KHLOE: Why? KIM: Just to see what people think; Like, there were pictures of her out on TMZ, and she looked so skinny. KHLOE: I know, 'cause it's the angle... they got her from face on. But if they got a side sht, it would've been over for her. KIM: If would've been over. Over. I literally woke up at : in the morning, and I saw it, and I was like... (gasps) And I called her and Travis. They were like, "What's wrong?" What's wrong?" They thought something was wrong, and I'm like, "There's pictures of you on TMZ." KHLOE: No. KIM: He must think we're, like, freaks. Your pregnancy has been the best-kept secret of our generation. KYLIE: Like, I'm not trying to keep it secret, I'm really doing this for myself. KIM: Like, this never... Like, your friends deserve awards. KYLIE: Mm-hmm. KIM: 'Cause seriously, now you know you have some real ones. KYLIE: Yeah. KIM: 'Cause that wouldn't have happened in my, in my day. KYLIE: Don't tell anyone my secrets. ]] KIM: I won't. KHLOE: These are bizarrely small, correct? KIM: Yeah, no, they're... They stretch, so, like, I would put North in them all the time when it would be freezing. KHLOE: So are we keeping these? No. A baby can't wear these. KIM: If you want to wear a dress, yeah, and you layer. Yeah. KHLOE: At this age, what is she... where is she going? This is like you're putting her in Spanx at three months. ♪ ♪ (Kourtney whooping) SIMON: You just came? KOURTNEY: Yeah. SIMON: We just finished our sh*t, you missed it. LARSA: How are you? Very nice seeing you. SIMON: I put on the zip lace. KOURTNEY: No you didn't. LARSA: How are you? Nice seeing you. SIMON: For real... I went... I put on the Good Legs. They fit. KOURTNEY: The hugs, do you need a hug class? SAVAS: I mean, what do you want me to crush your chest? KOURTNEY: No, no. Do you need a hug class? Watch. You give a hug like this. LARSA: She's really good at that. KOURTNEY: Your hug, your hug is like this. SIMON: Yeah, like... KOURTNEY: Your hug is... your hug is like... SAVAS: What do you want me to do? I don't want to break your chest. KOURTNEY: You just go like this. You give a nice hug. Yes. See that? Where's Khloe? She's working or something? She's busy? LARSA: We're gonna go hang out. KOURTNEY: Um, I saw the therapist yesterday. KHLOE: Hello? Okay, you yelled at me, so I'm taking a break to come talk to you. KOURTNEY: I was telling them about my therapy session. She said because Mom cheated on Dad, I have, like, an issue with betrayal because I knew what it felt like. KHLOE: But did she say that's why you're mean to Mom? 'Cause you're mad at her? KOURTNEY: No, but Mom (bleep) me in so many ways, we were talking about it all day yesterday. KHLOE: Mom (bleep) you in so many ways? KOURTNEY: Lately, in therapy, a lot of topics that have been coming up are about childhood issues and how that affects so many of my relationships today. KHLOE: How'd she (bleep) you? LARSA: Where did that come from? ]] KHLOE: Right. How...? KOURTNEY: I told you, Larsa. If I had a problem, I wouldn't go to her, ever. Did you? LARSA: But if you had a problem, she'd be there. KOURTNEY: I don't know. Did you? 'Cause I didn't. KHLOE: I don't go to anyone. I'm like... KOURTNEY: Okay, but... KHLOE: But Kylie and Kim go to Mom all the time, so, like, she is available... KOURTNEY: Okay. To them. KHLOE: To the kids who need her. KOURTNEY: I never went to her. KHLOE: But she's still a great mom. KOURTNEY: I would go to Dad. That's fine. KHLOE: Oh. KOURTNEY: I just said she was not my person that I found comfort in. So if you needed advice, I would never go to her. KHLOE: Okay, I'm gonna take a (bleep) photo, guys. LARSA: Holy! It's a lot. It's a lot going on here. KOURTNEY: Oh, my God. Did you hear Kylie's in labor? KIM: What? I don't have my phone on me. KOURTNEY: If she really wanted you there, then she would invite you there. KIM: No, I know. (Gabbana whines) KIM: It's nearing time. Obviously, when you have a dog for so many years, you know at some point, you know, she's not gonna be here. KHLOE: For some reason you do not give Mom the benefit of the doubt and it's really unfair. You only remember with Todd or this or that, but... KOURTNEY: I don't sit there and dwell about Todd. KHLOE: No, we're not saying that. KRIS: You have your own Todd right now. KOURTNEY: No, I actually don't. I'm actually not married. ♪ ♪ KRIS: You look really pretty. (Khloe chuckles) You look very much like a jewel tone. KHLOE: Oh, wow. KRIS: Like my little jewel. You're like a jewel. KHLOE: It's a nice day. I like when it's a little crisp. KRIS: Love. Like, love. KHLOE: I'm also used to Cleveland weather where it's, like, super chilly. KRIS: I love Cleveland. KHLOE: Me, too. KRIS: It's my new favorite place. ]] KHLOE: It's so weird. KRIS: That view is epic. KHLOE: I know. I love it there. KRIS: No, it's really peaceful. ]] KHLOE: I love it. KRIS: I was really surprised Kourtney went. KHLOE: God, you and Kourtney are, like, at each other's throats these days. KRIS: Mm-hmm. I think that she's going through a phase in her life where she has some anger inside that I don't quite understand. KHLOE: You think? It bothers me, like, even how she, like, says the memory she has with you, and, like, I get annoyed by that 'cause they couldn't be further from the... KRIS: All she had was Cinderella fairy dust and magical wands. I mean, it was, it was the best... she was doted on as a child. KHLOE: Caviar wishes and champagne dreams, ladies and gentlemen. KRIS: Exactly what it was. KHLOE: I think she thinks she's, like, speaking her truth more and she's... 'cause she says, "I've been" nonconfrontational for the past "ten years and now I'm finding my voice again." I don't really know what that means, but if she feels that way, that's good. I don't want to push that away from her, but I think there's also a way that we could all get along here. KRIS: I wish your dad was around to say, "You had the" best, most magical childhood of any child ever." That's what we prided ourselves on. KHLOE: No, but I don't think it's the childhood, I think she's blaming you specifically. KRIS: For what? KHLOE: She probably felt like she was always picking a side and it was always my dad's. In the divorce, she always picked his. KRIS: Yeah. She did. KHLOE: In the trial, she picked his. KRIS: She did. She was convinced. KHLOE: She wanted to live there over your house. Like, she's always picked his. So there's something. KRIS: That's interesting. KHLOE: When my parents got divorced, Kourtney took my dad's side. KOURTNEY: My parents got a divorce because my mom had an affair. KHLOE: Did Mom ever meet up with Todd? KIM: I don't know, but he e-mailed her again and said he wanted to meet up with her. KOURTNEY: That's the worst idea I've ever even heard. KRIS: I've paid a price for what happened to me in my life and I would hope that none of you would have to go through the same things I went through. KOURTNEY: Okay. I don't want to keep talking about this. I don't relate to it. I don't understand it. KHLOE: She holds and harbors all this resentment towards my mom. Okay, that's fine, but let's work things through. I don't understand, like, why Kourtney would want to just hold on to that negative space that they're in. For her, I think it's a way to heal. Like, if she discusses... I don't know. I'm still trying to figure it out. KRIS: But then she's got to accept that circumstance in her life and not put it on someone else to be responsible for her happiness. I still have scars, right here. See these three scars? KHLOE: Why are you bringing up the negative? KRIS: This. Because that's where she pinched me when she was a teenager. KHLOE: She didn't pinch you, she scratched you. KRIS: This was more than a scratch if I'm still carrying it around at . KHLOE: A pinch is nothing. She dug her nails into you. KRIS: That's right. KHLOE: She clawed you. KRIS: She clawed me. KHLOE: Well, I really feel like the only way to, like, resolve any of this or even just for, like, you can talk to me until you're blue in the face, but I'm not Kourtney. KRIS: Yeah. KHLOE: So I feel like at some point you and Kourt have to talk, but, like, enough with the bull(bleep). Like, talk. I feel like she... the things that she says to, like, me and. Kim about you... KRIS: Mm-hmm. KHLOE: Like, she should say to you. KRIS: She should. KHLOE (British accent): Look at me trying to be so responsible all of a sudden. KRIS: I'm proud of you. I just figure that I'm... It's... you guys are so cyclical. I just, like, I'll get... KHLOE: What are we? KRIS: It's a cycle. You know. KHLOE: Cyclical? Wow. You are smart. KRIS: I know. ♪ ♪ KIM: Well, so you need vision boards. KHLOE: So what you do first is that I cut out words... KIM: Honey, I have vis... I have mood boards all over my closet... KHLOE: I mean, not... Yep. KIM: Of looks. KHLOE: So I normally tear sheets and I cut. So you have your system and I have mine. If you want... KIM: Mine are more fashion-y. You know what, the problem with me doing a vision board, I'm here with you, and we'll take out... we'll cut out words. How about words? 'Cause pictures can offend me. KHLOE: We've got to buy magazines with more pictures and less words. ]] KIM: Mm-hmm. KHLOE: The cutest dog, this Chow Chow. KIM: That's my fav dog, so... KHLOE: But they're really aggressive. KIM: Really aggressive. KHLOE: Let's pull it out in case we want to put it on our vision board. ]] KIM: Yep. (Gabbana whines) Did anyone see that? KHLOE: She had a little bit of a seizure. KIM: She fully convulsed. No, I think she's... That's really sad. KHLOE: Yeah, she's getting old. I don't know what to do. I think about it all the time. It took her, like, minutes to get up the other day. It was really sad. KIM: It's nearing time. Any month now. KHLOE: Any month now? KIM: That's so sad. She literally convulsed. KHLOE: Look at her stomach. KIM: She, like, shook. KHLOE: Yeah, I saw that. Okay. Oh, okay. Just relax. That's so sad. KIM: That breaks my heart. Gabbana is really getting old, and I'm just sad because Gabbana and Khloe are really, like, two peas in a pod and Gabbana's always been there for Khloe during so many hard times. And obviously, when you have a dog for so many years, you know at some point, you know, she's not gonna be here. (Gabbana panting) KHLOE: Hi, Gabbana. Hi, Gabbana. Hi. (Kim gasps) What? KIM: Cher says, "I think the Cher hair trend is..." that's what the interviewer said, and then her answer is, "A good look. I saw Kim Kardashian West do it and thought it was so great." KHLOE: How awesome! Does she not look impeccable? It's out of control how good she looks. KIM: She will forever be the O.G. (Khloe laughs) ♪ ♪ (indistinct conversation) PENELOPE: I'm done. KOURTNEY: You're done? PENELOPE: Yeah. KOURTNEY: I don't think you ate. ]] PENELOPE: I ate bread. KHLOE: Kourt. Kourt, I have something to say to you. I was talking to MJ today, she said something how Mom said to her, something like, "Oh, you've" "never cooked for us" or something, and MJ was like, "You know, it's so funny, Mom's memory of me." And I was like, "That's like Kourtney; Kourtney's memory of." Mom is very negative." And she was like, "Yeah, she remembers when Mom was going through her divorce." For some reason you do not give Mom the benefit of the doubt, ever, from your childhood, and it's really unfair. Never was Mom locking you in a cabinet, leaving you with food, or no food, for, like, weeks on end, like... KIM: I had no idea she was in labor. KOURTNEY: Kylie is about to have her baby, and it's pretty crazy that it really hasn't been confirmed. As you know, I've been going to therapy lately, and my therapist says your intimate relationships bring up childhood issues, and I feel like I've been... not intentionally, but, like, I'll act somewhat resentful. KRIS: I just, I never want you to be disappointed in me. KHLOE: For some reason, you do not give Mom the benefit of the doubt, ever, from your childhood, and it's really unfair. You only remember with Todd or this or that, but... KOURTNEY: I don't sit there and dwell about Todd. KHLOE: No, we're not saying that. KRIS: You have your own Todd right now. KOURTNEY: No, I actually don't. I'm actually not married, and I'm not having an affair. You can't compare one to the other. That's absolutely not true. I don't think it's even about talking to my mom about it. I think it's, like, we all have different experiences with my mom, and I think it's not something, really, that my mom can fix. KHLOE: I'm just saying, sometimes our memories get a little warped by our age. KOURTNEY: Yeah. KHLOE: I'm just saying, but don't be so hard on your mom. ♪ ♪ (Honey barking) ]] KHLOE: Ooh! Just plopping on down. When do you figure out breastfeeding schedules? Do I determine that? KOURTNEY: Well, I used to, like, feed on demand, but usually after, I think, a month, and I think it's every four hours. ]] KHLOE: That's not bad. So, you and Mom, like, all this tension at dinner the other night. Why? KOURTNEY: Obviously, issues have come up in therapy, since I've started going, of issues that I have with her, but I'm not, like, looking to hold on to them for my whole life and, like, have an issue with her. KHLOE: Mm-hmm. But I think it's confusing, like, to all of us, like, why now when you are almost ? And you are a mom, I would think you would be more compassionate or understanding as a mom that's dating and trying to figure out her life, like... KOURTNEY: Mm-hmm. KHLOE: Probably how confusing it is just for you. KOURTNEY: Mm-hmm. KHLOE: And I think that you're not as understanding as I thought you would be with Mom. I know Kourtney for some reason feels more comfort in talking to a stranger about family stuff rather than talking to the source, and I would be fine with that if then Kourtney took whatever her and her therapist talked about, and then came to the source. But, like, that's the part we're missing. And that's what's frustrating to us all, 'cause we could never resolve something, or work through something, or just even fight about something if we don't know what's going on. It's always us pulling teeth and guessing what's wrong with her. I think you feel almost embarrassed to say that you do care. Like, you're allowed to care. You should want your mom's love and affection and... KOURTNEY: Yeah, I'm just saying truly in my everyday life, I'm not, like, sitting there... KHLOE: Because you got used to not... ]] KOURTNEY: Right. KHLOE: You got used to not having it, but that doesn't mean you still don't want it. Why don't you talk to Mom? Like, calmly, and don't raise your voice, don't say, like, trigger words, like, just communicate. (Honey barking) KOURTNEY: Honey is wild. KHLOE: Honey needs to be on... KOURTNEY: She just needs attention. KHLOE: I don't think kids should have a dog until they're, like, older. Unless the parent will take care of it. ♪ ♪ I've been at work all day long, and I come home, and. Gabbana just can't get out of her bed. I love you. Like, right now, she doesn't even shake her tail or anything. Which is just not like her, and you can tell, like, she's breathing a little strangely, but, like, she's tense right here. Well, she feels tense and, like, I had to put her legs back together 'cause they slid apart, but you can tell she just can't move from this position. And I don't know why. She just couldn't get herself up, and I just knew that something was wrong with her. I mean, do we think she's dying? Look at her, she won't move. Thankfully, both of my assistants are so sweet, they both come over, and they help me lift her and take her to the vet. VETERINARIAN: So, she has what I suspect to be cancer called hemangiosarcoma. We ultrasounded her heart and saw a heart-based tumor; That's why she was having trouble breathing. Her heart rate is slowing significantly, and I, um, think her end is, unfortunately, near. (Khloe makes kissing sound) KHLOE: I love you. Oh, I can't handle this... KRIS: We're hours away. (baby crying) I can already tell that Kylie is gonna be the most amazing mom. KOURTNEY: How did she do for her labor? KRIS: She did really, really well. It was really exciting. I delivered the baby. I pulled her out. ]] KIM: Ew. ♪ ♪ KHLOE: What are you doing? Just trying to make us feel worse about ourselves? You couldn't have, like, worn something baggy and depressing? You had to be, like, this gorgeous? ]] KIM: Thank you. KHLOE: Like, I've already had a bad day, you need to come out here with your abs? KIM: Sorry. KHLOE: It was such a horrible night. Gabbana passed away at, like, : a.m. We had to put her to sleep, and it's so sad, but I am so thankful that she chose to go after I was able to hug her and kiss her and say my good-byes to her. We took her to this vet here, and they were like, "A mass has" grown in her heart... and it's a certain kind of cancer that forms really fast." And then they said, "We have to put her down tonight." KHLOE: I just never, in a million years, thought she was gonna die last night. That's what the crazy part is. KIM: I was, like, hysterically crying. And I was like, "Why? I don't even like dogs," but I was hysterically crying over Gabbana. KHLOE: You secretly loved her, secretly. Like, you would always give her cereal. KIM: It's so sad. KHLOE: Kourtney said she cried. Tristan was like, "I appreciate" "her. I've not..." 'cause he's never owned a dog, and he was, like, "I never liked dogs until Gabbana." He's like, "She was a great little lady." I was like, "Oh, she was." KIM: The house felt empty today. ]] KHLOE: It is empty. The house is empty. The house will never be the same. ♪ ♪ You know, none of us want Gabbana in pain, so I think we're all happy that Gabbana's in a better place. Hey, Goober. I was really nervous to tell. Kendall and Kylie. And Kendall was devastated. PENELOPE: Look at Gabbana! KRIS: Gabbana has really been a best friend to every single member of our family, but kind of at different times. She's been there for Khloe through a lot of really bad times. KHLOE: Aw, she wants the red one. KOURTNEY: Oh! KHLOE: She's just such a sweetheart. KOURTNEY: She's a sweet girl. KIM: You have great teeth, Gabbana. (Khloe laughs) She does. Gabbana has, like, always been that soul there by Khloe's side. KHLOE: Isn't our dog so cute? SCOTT: And you're a good dog. KHLOE: Hey, Goobs. It's so crazy to me that a dog could touch your life the way Gabbana's touched my life. I mean, she's been with me through so much, and when I've been alone and had nobody, Gabbana was always there, and I always felt protected, even though she wouldn't hurt a fly. And I always just had a buddy and a companion. I could always hear her in my home, and now I hear silence, and it's just crazy she's just gone. ♪ ♪ KRIS: Are you tired? You must be exhausted. KHLOE: (sighs) Yeah. I mean, I'm just so uncomfortable in this body. (groans) KRIS: This is like a variety show. It's pregnant, menopausal, perfect. KHLOE: What fetish are you into? (Kris laughs) ♪ ♪ KOURTNEY: I typically don't love confrontation, and sitting in front of Khloe wasn't the best time for me to have this conversation with my mom, but if my going to therapy and, you know, figuring this all out is making me resentful towards my mom, which is not how I want to feel and it's not how I want to treat her, then I feel like it is worth having a conversation with her, just to let her know that's not my intention and that it's really about me working on myself. Um, so I wanted to talk to you. KRIS: Mm-hmm. KOURTNEY: Because I feel like I've been somewhat resentful, but I don't want to be feeling this way. KRIS: Kylie! Hey, Ky. Hi, Stormi. KHLOE: Oh, my gosh. KOURTNEY: I wanted to talk to you because I feel like I've been somewhat resentful, but I don't want to be feeling this way. As you know, I've been going to therapy lately, and my therapist says your intimate relationships bring up childhood issues, and I just don't think it's fair if I'm not communicating it, and I don't want to go back in time and be, like, "Let's talk about all the reasons," you know. I even asked my therapist, like, I don't want to be feeling this way, like, this is, like, why am I coming to therapy to just, like, I didn't feel this way ever, you know? KRIS: Mm-hmm. KOURTNEY: Like, for years. You know, she was like, "It'll pass, you just have to, like", get through it." And I feel like it has passed, and I'm not, like, feeling that way anymore, but I just wanted to explain that to you so you understand where it's coming from. KRIS: I know that sometimes you've made jokes or-or even talked seriously about your childhood, and at the time... KOURTNEY: But I'm not here to go back in time and start dwelling on childhood stuff. KRIS: I know, but I'm just... KOURTNEY: I'm just saying, it got brought up from me going to therapy. What we usually do as a family is we criticize each other, we're judgmental, and we give each other an attitude and we're bitchy. So, moving forward in life, I've made it a point with my sisters already to, like, not accept that anymore. KRIS: All I want for you is your... the best, most joyful, peaceful life that you can have. And whatever it takes for me to be a part of that, that's all I want. That's the joy of my life, is you guys. I have nothing else. Just, I never want you to be disappointed in me... KOURTNEY: I'm not. KRIS: So if there's something you want to say, or something that, you know, you need to have me work on, I'm % ready to work on it because I love you so much. You're my firstborn, and I wouldn't trade that for anything. I don't want you to be disappointed in me, and if there's something that, you know, you ever want to talk about, I just want you to remember that I just want you to be happy. That's all I care about. So... KOURTNEY: Moving forward, I'm gonna just tell you if some... if I don't like something, or if something is hurtful or whatever instead of, like, just being a bitch about it. ]] KRIS: Okay. KOURTNEY: A lot is still up in the air, but, you know, I've gone through a phase of being, like, more sensitive to things. It's nothing bad, it's just understanding and then understanding how that affects our current relationships. Like, if there's a certain behavior that, like, Younes will do or something that's similar to things that my mom would do, just, like, subconsciously, it will just bring up similar issues. There is, like, that uncomfortable place when you are growing, but I think it's something I have to deal with myself. KRIS: But just for the record, you had a pretty great childhood. KOURTNEY: Mom, I did, but there's things that just give you issues in everyone's childhood. ]] KRIS: Yeah. KOURTNEY: Um, anyways... I love you. KRIS: I love you, too. You're my little chick. I love you so much. KOURTNEY: I love you. I feel dizzy. KRIS: Okay, that's 'cause you're shorter than me. ♪ ♪ KRIS: Want to hold hands? KOURTNEY: Let's go for a stroll. KRIS: Let's hold hands and skip. KOURTNEY: You know, when I went to Big Sur, I skipped for a good, like, hour and a half straight. KRIS: Can I tell you what. Mason did when we were at Disneyland? KOURTNEY: Look how cute. KRIS: So I grabbed his hands... ]] KOURTNEY: Yeah. KRIS: And I said, "Come on, Mason, let's skip like we" used to." We were skipping, he was skipping with me. It was so funny. KOURTNEY: He's so funny, Mase. KRIS: He really is funny. In such a good way, he reminds me of Scott, you know? 'Cause he's got that cute personality. KOURTNEY: Mm-hmm. KRIS: And he's so handsome. KOURTNEY: Oh, look, what is this little store? KRIS: Let's go in here. This is cute. This is so you. KOURTNEY: I like this one better for you than the navy. KRIS: For jet skiing? You don't like them? KOURTNEY: They're just not you. The black is more you. KRIS: Yeah. KOURTNEY: The navy is not you. KRIS: I think Kourtney and I have gotten through that rough patch and started a healing process. That's a really big step in the right direction, especially for her. She's always gonna hang on to the past a little bit, but what I'm hopeful for is that we can look forward to an amazing future together because I love her more than anything. KOURTNEY: Oh, this is what I was telling you, this. I have these. ]] KRIS: Sex dust? What do we do with the dust? KOURTNEY: You put it in, like, water or a shake. KRIS: Oh, I need some sex dust for sure. Some sex dust and some cheese puffs, I'm all good. ♪ ♪ COURTNEY: Okay. KIM: I can't even sit down. Am I sitting down? COURTNEY: Yes. KIM: Okay. COURTNEY: You're on the mat. No, we're not gonna get on the mat yet, though. KIM: Oh, okay. Okay. Your Instagram is, like, so motivating. COURTNEY: Thank you. KIM: Like, you make me want to get in better shape. COURTNEY: Well, that's what we're doing. KIM: I know, I know. (Bleep) My quads. COURTNEY: Okay. Ready? KIM: Okay. Yeah. COURTNEY: Five... KOURTNEY: Oh, my God, did you hear Kylie's in labor? KIM: What? KOURTNEY: Yes. Why aren't you there? KIM: Wh-What do you mean? Why aren't you there? KOURTNEY: She didn't want me there. KIM: She really wanted me there. KOURTNEY: I mean, she didn't tell me to come there. KIM: I know, she planned it with me to have me there, but then she asked me, and I was like, "Well, I think Khloe is", like, a better delivery room person." But I didn't know she is, I don't have my phone on me. KOURTNEY: If she really wanted you there, then she would invite you there. KIM: No, I know, but, like, I had no idea she was in labor. ♪ ♪ KIM: I had no idea she was in labor. KOURTNEY: All right, but don't act like, "Oh, she really wanted me there." 'Cause you would be there if she really wanted you there. KIM: No, before we discussed how it was gonna go. Okay, it's not a fight over who she wants in the delivery room. Who cares? KOURTNEY: No, but I think it is 'cause you're trying to be like, "Oh, she really wanted" me." KIM: She wanted me there and I said, "Khloe is the one." So she must've picked Khloe over me. ]] KOURTNEY: Yeah. Kylie is about to have her baby and it's pretty crazy that it really hasn't been confirmed, so I don't want to be the one with the info or getting blamed for, you know, someone finding out the secret. KIM: I'll go to the hospital right after. You know... KOURTNEY: By the way, North's in there eating candies. KIM: Stop, I know. I... Oh, stop. Girl, that's enough candy. I heard you've been eating so much candy. No, no, no. We have dinner soon. We'll have some later. No, no, no. Too much candy. The cavity bugs will come, and all your teeth will fall out and it will just be so bad. What? NORTH: Candy. I want candy. ♪ ♪ KOURTNEY: I think Kylie wants you to bring Chicago over and take a photo with the two of them. KIM: I know. I was going to yesterday and then I just got tired. Can you believe that Kylie got out of the hospital with not one report? KRIS: I know. It was amazing. KIM: That's amazing. And now Caitlyn can never say we have big mouths and we leak everything. We kept that a secret. KRIS: I mean, that was a lot of anxiety for me. It was crazy. It was like, people were saying, "We're gonna post," you know, "We're gonna announce this." And I'm like, "No!" But she did it. KIM: Mm-hmm. KRIS: Perfect. And it was such a positive experience for her. KIM: Totally. Everyone was just like, "Okay", we get it. We get why you kept it, you know, private." KRIS: It's only been a couple of days since Kylie had baby Stormi. I can already tell that Kylie is going to be the most amazing mom and is so in love with her baby. ♪ ♪ KYLIE: Aw. Two burgers. One for me, one for the baby. And two different fries. KRIS: We're hours away. (Stormi cries) KIM: Kylie's always wanted to be a mom, so this is really exciting for her. She just didn't want anyone changing her happy moment and her happy pregnancy, so, um, I'm really proud of her, that she stuck to her gn and was able to tell her story her way. KOURTNEY: How did she do for her labor? KRIS: She did really, really well. She just kept saying, "I just" "don't feel any pain," and you'd see these contractions like crazy. And she would go, "I just, I'm" not feeling it." And I'm like, this is really weird. She was such a trooper. She really was. She was so calm. It was really exciting. I delivered the baby. KOURTNEY: She told me. KRIS: I delivered her. KIM: You did? ]] KRIS: Yes. KOURTNEY: She told me. KIM: I didn't hear that. KRIS: Yes! I delivered the baby! I pulled her out. KIM: Ew. (Kourtney laughs) ♪ ♪ KIM: You look so cute right now. KHLOE: What? KIM: And skinny. KHLOE: Okay, now I know you're lying. KIM: No, I'm serious. KHLOE: Hi, Chi Town. What's going on, girl? Are you trying to wave at us? Hi, girl. I have a present for you, Kendall. KENDALL: What is this? KHLOE: Gabbana's actual paw print. KENDALL: (gasps) Oh! KHLOE: I got it made for you. KENDALL: Thank you, sister. KIM: That's so cute. KHLOE: I know you wouldn't want one. (Laughs) KIM: I mean, like, I would have, like, a paw print on a piece of paper. KHLOE: The only one that would want one is Kenny. KENDALL: I love it. Aw. KHLOE: Don't ever say I didn't get you anything. KENDALL: I love it. KHLOE: Kendall and Gabbana have always been really close and had a great relationship. KIM: I think it's time to eat. KHLOE: The bond we all had was so strong and beautiful and it's crazy she's just gone. KIM: Yummy. KRIS: This looks so good. KHLOE: Does everyone know the necklace I got Kendall? KRIS: What? KENDALL: It's Gabbana's paw print. KRIS: Kendall. Aw. COREY: Aw, that's tight. KENDALL: Isn't it cute? KHLOE: And I got her ashes today, but I have Gabbana's bed, and I haven't felt the need to get rid of it yet, but I feel like now I want to sub Gabbana's bed for a baby bed. I think it's time. KIM: That's really sweet. KHLOE: Today was actually the first day that I felt like I could take her bed out of my room. Whenever I would come back from. Cleveland, Gabbana would be there and she was just my buddy. But now whenever I come back from Cleveland I'll have a baby. I'm grateful that Gabbana left me at a time where she knew I wouldn't be alone. COREY: Well, have you seen the facilities yet, where you're giving birth? KHLOE: No. KOURTNEY: Don't go see them in advance. ]] KHLOE: Why? KOURTNEY: 'Cause it's not a good idea. SCOTT: You know what the rooms look like. KOURTNEY: She's not giving birth there. KHLOE: I'm not giving birth at Cedars. SCOTT: So you should go look. KOURTNEY: No. The first time, we didn't look. I had no clue what was happening and it's so much better that way. SCOTT: Is it? KHLOE: Tim went this weekend and assessed it all. SCOTT: Okay. KRIS: Kylie! KOURTNEY: Hi, Ky. Hi, Stormi. KHLOE: Oh, my God! Hey, bo-bo. Mwah. KIM: Oh, my goodness. KHLOE: Ours are gonna be twins, I think. KIM: Oh, she just gave me the craziest side-eye. Did you see that? KYLIE: Yeah, she's... KIM: She literally went like this. KYLIE: 'Cause she knows you kissed me first before my mom. KHLOE: And she'll never let that down. KENDALL: What happened? KHLOE: Kim got to kiss her before Kylie did. KIM: It was, like, days later. Who knew that she didn't kiss her on the mouth? KYLIE: She was like, "Ooh!" And jokingly was like, "Ooh, "look, I'm your first kiss," and kissed her, and I was like... (gasps) KHLOE: Kylie's like, "That is" not funny." KIM: Stop. Will you text that to me? ]] KHLOE: Oh, my God. KENDALL: Let me see. KIM: We're gonna have, like, a book of, like, the triplets. KYLIE: I know. KIM: Okay, so now that it's, like, all said and done... KYLIE: Mm-hmm. KIM: What is your real take on pregnancy? KYLIE: I like it. I miss it. KIM: You miss it? KYLIE: Yeah, I had, like, the easiest pregnancy ever. Like, you just feel... you never feel alone and, like, I was really sad to not be pregnant anymore. ]] KIM: That's so cute. KYLIE: Khloe, I'm just so excited for you. I can't wait. KRIS: I'd like to raise a glass and make a toast to Khloe, another little Kardashian that you're bringing into the world. Next there'll be nine. KOURTNEY: Cheers, everyone. ALL: Cheers. KOURTNEY: Yay to Khloe. KYLIE: Cheers to Khloe. Stormi's not gonna be the new girl in town anymore. KIM: Chicago was, like, the new girl in town for, like, a day. ]] KYLIE: Two weeks. KOURTNEY: And now Stormi's got three months, maybe, as the new girl. KYLIE: Anyone else pregnant? KRIS: Nope. Not me. I'm good. KIM: Nope, but... COREY: Wait a minute. Wait, wait, if you get... KIM: Just kidding. (Laughter) Keeping Up With the Kardashians... WOMAN: You're always working and you need to have a better work-life balance. WOMAN: To our world tour. WOMAN : Our world tour. KENDALL: Tour. KHLOE: Are you and Kanye good? KIM: We had a fight 'cause I wouldn't get him a Band-Aid. KHLOE: Kim, like, you completely left Kourtney on that (bleep) e-mail. KIM: I was talking about. Kourtney in the e-mail as if she wasn't on the e-mail.	{"type": "series", "show": "Keeping Up With the Kardashians", "episode": "15x07 - The Perfect Stormi"}	foreverdreaming
Keeping Up with the Kardashians... MJ: So cute. KRIS: She's so cute. MJ: Her nose. (Gasps) Hello. KHLOE: God, she has so much hair. ]] MJ: So pretty. KENDALL: I've worked really hard to be taken seriously and recognized in the fashion world, and it's a little bit crazy sometimes. I want to get off the plane. KRIS: Kendall, don't cry. KENDALL: Anxiety's all mental, so you have to try and find your ways around it, but I think I'm very blessed to be in the situation I'm in, and every year that I do this, it gets a little bit easier. ♪ ♪ KIM: You know who used to love a good hot yoga? SCOTT: Hum. (Kim laughs) (Scott barks) Is this considered hot yoga because it's hot out? KIM: No. Okay. KHLOE: Do we start sitting? AMY ROSE: Yeah, just sit. KHLOE: Takes me a minute to get down there. AMY ROSE: Just sit and relax. (Khloe grunts) So let's begin. Let's do one quick breathing exercise. We're gonna look over the shoulder and go... (exhales forcefully) (Scott exhales) Okay. (Exhales forcefully) KHLOE: Kim, do it. (Kim yelps) AMY ROSE: Scott, this is for you. SCOTT: I'm going. AMY ROSE: Can you try it, please? (Scott yelps) And now take it longer, like... (exhaling forcefully) Show some teeth. (Scott exhales forcefully) When we look over the shoulder, we're facing our past. That's the type of thing that we could actually send love to. KHLOE: My sister Kourtney has to start doing yoga. She needs to send love to a lot of places. AMY ROSE: Well, I think that's what this is about. KHLOE: That's crazy. AMY ROSE: And then do the down dog. Okay, I'm gonna give you an adjustment. KIM: You guys, I got to get these braids out. I'm getting claustrophobic. SCOTT: They look so painful. KIM: They are. KHLOE: That was nice, guys. SCOTT: You gonna pull those puppies out? ]] KIM: What? SCOTT: Braids. KIM: Yeah, I mean, it's gonna take hours. KHLOE: I thought you meant her boobs. ]] KIM: I'm dying. Do you have scissors? SCOTT: I want to cut them. KIM: Okay, so... to there. SCOTT: I could probably sell the (bleep) out of these things. KIM: You can cut there. SCOTT: What, this whole thing? ]] KIM: Yeah, if you can. KHLOE: What if that's your real hair? SCOTT: That's what I'm worried. KIM: It's not. SCOTT: It's like cutting a carpet. KIM: God, this is gonna take hours. Hours! SCOTT: Oh, this is not for me. That-that freaks me out. ♪ ♪ ♪ ♪ KHLOE: Oh, hey, Ye. What a fun little thing up there. Oh, my goodness! KIM: Hi. LARSA: Oh, my God, I'm obsessed with Saint's hair. KIM: You ready to go bump people? All right, let's go. I say we go out there. KIM: Don't go too fast. Don't go too fast, okay? LARSA: Northie, do you know what you're doing? KIM: Oh, my goodness! (laughs) (screaming) She gets it! She gets it! (all shouting) LARSA: Who do you want to bump into? Hell yeah. KIM: Get Saint! Yeah! Saint's coming to get... (screaming) We got you. Saint got us. Having three kids, honestly, is crazy. I remember it was really hard for North when Saint was born, so I kind of put everything into. North to make her feel extra special. Okay, stop. Ah! Don't run into the wall. Ah! Okay. Yeah. Okay, hold on. I got to unbuckle you, booboo. And now with Chicago, I'm trying to work, like, even double hard to make sure North and Saint feel like they have enough time with me and they feel super loved and that no one's gonna take their place. Whoo! MAN: Look at that parking job. KIM: Did you have so much fun? (Saint babbles) Ooh! Let's have a little bit of pizza. KHLOE: Anyone else want an ice cream while it's open? NORTH: Me! KHLOE: Vanilla with chocolate? SAINT: Me. ]] KIM: Oh. NORTH: I want it. SAINT: Look, ice cream. KHLOE: Oh, right here. ♪ ♪ NORTH: Mwah. KIM: Say, "Bye, Dad." ♪ ♪ JEN: So we're going straight to the airport after this? WOMAN: Yes, ma'am. To go to the next city, next continent. JEN: So we're pretty much going around the world in, like, four days. KENDALL: This is none other than Jen Atkin. JEN (whispering): Of hair, the Kobe Bryant of hair. KENDALL (whispering): Brian? JEN: The Kobe Bryant of hair. KENDALL: Oh, Kobe Bryant of hair, got you. Should put that in, like, if you put a title for her, it should say, "Kobe Bryant of hair." This is your first interview. JEN: I'm scared. KENDALL: Welcome. (Chuckles) Don't be scared. No, you could talk to me, you could talk to the cameras. JEN: Okay. Hi. This is so fun. KENDALL: I, like, for the past five years, have had to travel a lot by myself, so it's always really nice to have people that are, like, family traveling with you. JEN: Kris Jenner jokes that, like, she has a built-in babysitter now with me 'cause I just travel the world with. Kendall. We're going all the way around the world. KENDALL: This is my third or fourth time doing that. JEN: You should get, like... KENDALL: A medal every time? We are in Shanghai. We're on our way to our event. I am launching a shoe for. Adidas. It is their first, like, women-only shoe, so I'm super excited. From Shanghai, we go to France... JEN: Just around the world... KENDALL: For the next launch, yeah. JEN: In literally, like, four days. KENDALL: I'd like to explore, like, more of China, though. JEN: Yeah. KENDALL: When they're this quick, you almost, like, forget it even happened. ]] JEN: Yeah. KENDALL: Your body's just so blacked out for, like, four days, three days. JEN: You're just numb. KENDALL: Yeah. (Crowd cheering) ♪ ♪ ASSISTANT: There's gonna be, like, people. JEN: Kendall, are you nervous? KENDALL: No. ♪ ♪ KENDALL: Oh, my God, who makes your shoes? They're so cute. FAN: They're from Japan. KENDALL: They're really cute, super cool. Thanks. Bye. WOMAN: This is Jane. KENDALL: Hi. How are you? How tall are you? JANE: One... Uh, ' . KENDALL: Oh, okay. This is what I look like when I'm wearing heels? (laughter) She's my height without heels. Now I'm like, "Wait." JEN: This is how you make us feel. ♪ ♪ MASON: Mommy. KOURTNEY: Yeah, babe? MASON: Look what I made. KOURTNEY: (gasps) You made that? ]] KIM: That's awesome. KOURTNEY: That's so cool. KIM: You drew that? Did you trace it? MASON: Yeah. KOURTNEY: And then colored it. Why don't you put it on your bulletin board? MASON: Okay. KOURTNEY: Okay. So good, Mase. KIM: So Kanye and I, everything was, like, fine, like, the next day. KOURTNEY: Mm-hmm. KIM: But I was annoyed. KOURTNEY: Yeah. Did you tell him that I called... That he called me? KIM: No, but you know what the fight was? You know what started it? Before I was like, "I'm filming, I got to go." KOURTNEY: He wanted you to post some photos. KIM: He wanted me to post six Polaroids from that sht that I posted, those, like, nude pictures. KOURTNEY: Yeah. KIM: I posted one from the beach. He wanted them to all match up and be all from the motel. That's what the (bleep) fight was. And I'm like, "I like the beach" one. "He's like, " No. You h... You don't understand. I see the vision." I mean, our fights are really stupid and, lately, we've been having a lot. I think so many husbands feel neglected when you just start having kids, and then they, all of their attention gets taken away. He said they have to be back to back to back, and I'm like, "I want my fragrance thing up." He's like, "(bleep) your fragrance for one day. You need six motel ones. Why'd you post the beach one? You got to delete the beach one." And I was like, "Oh, my God, I can't, like, sit here and organize my Instagram with you, like, who cares about this?" And he's like, "I care, I care, trust me." So he's, like, always right in the end. ♪ ♪ But I just am, like, it's my Instagram, you're not gonna tell me what to post. That's, like, the one thing. Like, no one will tell me what to post. KOURTNEY: Yeah. KIM: I'm allowed to have an opinion. ]] KOURTNEY: Yeah. We make it known. (Kim laughs) ♪ ♪ KIM: So Scott just texts me that he wants to have another baby. ]] LARSA: Oh, my God. Scott wants to have another baby? KIM: Yeah. LARSA: With who? KIM: With Kourtney. LARSA: I was joking. Um... KIM: I think he just wants one more. LARSA: Well, she definitely wants more kids. KIM: And she wants one more. LARSA: If they both want to have more kids, like, why not have them together? Their kids are gorgeous, like... KIM: I mean, it's, like, Scott has a girlfriend, Kourtney has a boyfriend, we get it, so they don't even have to have sex. LARSA: Totally. KIM: It could be, like, IVF. LARSA: It's just so much easier to have the same dad, I think. KIM: I have to tell the rest of the family to be, like, guys, should we encourage this? 'Cause, like, how cute will that be? Like, they have to have another baby. LARSA: So you're basically gonna facilitate this? KIM: I'm trying to. LARSA: You need backup. KIM: Yeah. I got to write a group e-mail. If she's gonna have another baby, like, why don't they just have one together even if they're not together. I mean, I would want all my four kids with the same person. LARSA: Totally. KIM: I think that I do hold on to this, like, hope of Kourtney and Scott, just because I'm so used to them being together. Like, when I got pregnant with North, I had no idea if Kanye and I were gonna end up together. I was, like, we can break up, but let me just at least have some sperm, so, like, I can have another one, so I could have siblings, and then, like, you know, it'll be all good. (ringtone playing) LARSA: Yeah. KIM: Oh, wait, Khloe's calling. Hello? ]] KHLOE: Kim. KIM: Yeah? KHLOE: Did you, like, you completely left Kourtney on that (bleep) e-mail, did you know that? ]] KIM: Wait, what e-mail? The one that I just sent about the baby? No (bleep) way! ]] KHLOE: Yes. Oh, my, I knew you didn't (bleep) mean to leave her on. KIM: Oh, my God. KHLOE: Are you and Kanye good? KIM: We had a fight 'cause I wouldn't give him a Band-Aid. I'm exhausted, like, go get your own Band-Aid. I'm not gonna have a full-fledged fight 'cause I won't get you a Band-Aid. (Khloe laughs) KOURTNEY: I yelled at Kim. I just cussed her out like you've never seen. KHLOE: Really? KOURTNEY: I just don't relate to backstabbing, manipulating, lying. ♪ ♪ KHLOE (on phone): Kim, you completely left Kourtney on that (bleep) e-mail. Did you know that? KIM: No (bleep) way. KHLOE: Yes. KIM: I was talking about Kourtney in the e-mail as if she wasn't on the e-mail. I thought it was, like, a cute thing. I was just gossiping with the family, but it definitely looks like I was trying to talk about her, like, without her knowing. LARSA: I mean, everyone knows you tell everyone everything. KIM: I know, shouldn't everyone know that I have a big mouth by now? Why is Scott even talking to me? I have a big mouth. Like, don't talk to me. I have to send another e-mail and be like, "Hey, guys..." LARSA: April Fools? It's not (bleep) April. KIM: No, like, I gotta, like, cover it up. LARSA: I feel like send another e-mail right now and just tell her. Just be like... KIM: No, I got to send another e-mail as a cover-up. Okay, let me think about what to say. I'll call you back, bye. KHLOE: Okay, bye. KIM: Okay, (bleep), (bleep), (bleep). LARSA: She hasn't even read it, so just be like... KIM: Well, she's with Simon. If he can just take her phone and delete that e-mail. LARSA: That's a good idea, actually. (Line ringing) (Kim sighs) You're in trouble. (Laughs) KIM: I know, I'm in big trouble. Why isn't he answering? North is there with them. Should I call North? LARSA: Call North's nanny? (line continues ringing) KIM: He's not (bleep) answering. I bet North is on his phone playing games. RECORDED VOICE: Two, one... KIM: Okay, well... I'm (bleep). ♪ ♪ MARY: Um, so what should we do while we're in Paris? I mean, we have two days. KENDALL: Um, I don't know. I usually just lay low. JEN: Do you want to do something fun? Like, we can go to Disneyland. KENDALL: I'm here for work. Like, I never do anything. I usually just, like, sit around. JEN: I know, but that's what's so fun. I feel like nobody's here, you have two days off. KENDALL: Yeah. JEN: You're always working, and you need to have a better, like, work-life balance. What should we do, guys? We could go to Versailles. KENDALL: Mm, I've been to Versailles before, though. I want to go places that I don't go to. Like, I'm here all the time, but I always go to the same places and do the same thing. JEN: Yeah. We could do horseback riding. You love horses. KENDALL: I know, but, like... what? JEN: I literally have never been on a horse, but I will do whatever you want. KENDALL: Good. JEN: I'll get on a horse for you. KENDALL: (chuckles) I'm still trying to cope with my ongoing anxiety, but traveling the world with two of my good friends, I feel like that's my sanity in it all. It's a good mixture. Jen's the crazy, I'm the crazy, and then Mary comes and settles us all down. JEN: I feel like I appreciate L.A. more when I'm away, and then when I'm in L.A. for too long, I go crazy. I go stir crazy. KENDALL: No, see, I don't anymore; I used to. JEN: Really? We don't have, like, a lot of culture in L.A. KENDALL: Hollywood, baby. What-what are you talking about? JEN: Calm down, Hollywood baby. KENDALL: It's Holly... I mean, it's like we have so much, like, movie history. Like, Hollywood, like, it's, like, the home of, like, glamour, no? JEN: Yeah. KENDALL: And, like, celebrities. JEN: And Beverly Hills Juice. Company. ]] KENDALL: Yeah. JEN: That's history. (Laughs) ♪ ♪ EMMA: We're here on set shting our summer campaign. KOURTNEY: Hey-ya, Khlo. How long are you here? KHLOE: Till, like, : or : . KOURTNEY: So, um, I almost had a heart attck today. KHLOE: What happened? KOURTNEY: I yelled at Kim. I just cussed her out like you've never seen. KHLOE: Really? Did she cuss you back? KOURTNEY: No, I just said, "I'm actually just concerned for who you are as a human being." Looping people in like that and, like, trying to take me off and... whatever. I was like, "It's so (bleep) up." I just feel like it never ends with my sisters and I fighting. The topic of Scott and I having a fourth kid has never even been discussed, so I don't know where this is coming from. You know, I'm in a relationship, and now, like, just sending an e-mail behind my back is just so... malicious. Kim also tried to pretend as if she knew that I was on the e-mail chain, and that just made it worse. I don't understand why Kim is involved in this at all. Like, I have a boyfriend, Scott has a girlfriend. And I just don't relate to... backstabbing, manipulating, lying. We were raised better to know how important loyalty is, and that that's not how you treat your family members. KHLOE: You don't got to do that again. KOURTNEY: Oh, no, I'm fine. KHLOE: Oh, I thought you were gonna cry. KOURTNEY: No, I'm more like, "Get the (bleep) out of here!" That's more my vibe. KHLOE: Okay. KENDALL: The show never fails to surprise me. JEN: Yeah, it makes me feel just lazy as a woman. It's just so... KENDALL: I feel like I need to go to the gym when I leave. JEN: Oh, shut up, you're a model. ♪ ♪ SCOTT: It's so weird how everybody's having kids like boom, boom, boom! KIM: Why do you want a fourth? KOURTNEY: Kim, I think your, like, your dream in life is to just be, like, the town gossip. ]] SCOTT: What happened? ♪ ♪ KENDALL: Hello. This is definitely the most cas I've ever been coming to Crazy Horse. JEN: Me, too. MAN: Follow me, please. KENDALL: I want, like, wine. JEN: Okay, let's do a bottle of that. KENDALL: Crazy Horse is, I guess... What do you consider it, like, a burlesque bar? JEN: It's more like an art, like, exhibit show. KENDALL: Yeah. The show never fails to, like, surprise me. JEN: Yeah, it makes me feel just lazy as a woman. KENDALL: Yeah. JEN: I feel like I need to put my back into it more. KENDALL: Right. JEN: It's just so... KENDALL: I feel like I need to go to the gym when I leave. JEN: Oh, shut up, you have their bodies, you weirdo. KENDALL: I literally don't. I'm, like, nine feet tall. JEN: Says the supermodel. KENDALL: Those girls are, like, the perfect ' . JEN: What? KENDALL: Yes. Right? JEN: You're saying the extra two inches you have is a bad thing? Wow. KENDALL: I guess I'm only three inches taller than that. JEN: I'll take those two inches you don't want. ♪ ♪ KENDALL: The girl in the middle's boobs are amazing. JEN: I know. ♪ ♪ (applause) ♪ ♪ KENDALL: We're going to the gym in the morning. JEN: Yeah. (cheers and applause) KENDALL: Wow. JEN: That was amazing. KENDALL: Hi, hi. Hi. ANDREE: Nice to meet you. KENDALL: How are you? I'm Kendall. Nice to meet you, too. Hi. Kendall. How are you? JEN: Has anyone ever had a wig fall off? WOMEN: Yes. (Laughter) PERFORMER: It's horrible. JEN: No! I would die. Oh, no. MANAGER: They've had their thongs fall off. ]] JEN: Oh, no! KENDALL: You always wear something under, right? WOMAN: No. No. JEN: Oh, my God. How do you keep the triangle on? WOMAN: We can't tell you the secrets. (Laughter) JEN: Too much information. Too much information. WOMAN: None of anybody's business, but there are secrets. Like, certain things, the way... What we do, we don't tell. JEN: Do you have any extra wigs? Come in, come in, Ken. Hurry. KENDALL: What's happening? JEN: Instagram. I want wigs. WOMAN: I have a wig. JEN: Oh, my God, yes. For one picture, please? Ooh. Yes, that's so dope. Let me change the light up a little bit. Oh, my God. Amazing. Learn from the Crazy Horse. So, I know that you are not working, but I feel like I'm all about getting pictures when you're on a pseudo work-type vacay. KENDALL: I know, and honestly, I've been into it more lately, I will say. JEN: You're a model. You're on / . It's just too good to pass up. KENDALL: Me? I'm too good to pass up? JEN: The moment. KENDALL: Okay. JEN: You in the moment. KENDALL: My face, right? JEN: Yes, your beautiful, inspiring face. Crazy. Beautiful. WOMAN: Thank you. KENDALL: Yay. (indistinct chatter) Thank you, guys. Nice to meet everyone. Nice to meet you. Oh, my God. We'll be back, I'm sure. Bye, guys. WOMAN: Thank you. Thank you. KENDALL: Bye. ♪ ♪ KIM: So, Kourtney called and fully cussed me out yesterday. KHLOE: She told me at the sht. KIM: Let's call Simon Huck. (line ringing) SIMON: Hey. ]] KIM: Hey. Wait, I heard North was, like, a wild animal eating. SIMON: (laughs) She... I mean, there's a lot of butter going on. (Laughter) There's a lot of... There's a lot of butter. Like, butter is on everything, butter is in the water. The water... ]] KHLOE: Ew. SIMON: In the water-butter. KHLOE: Ew. SIMON: And then we're gonna potentially have a sip of the water-butter, and then the water and the butter is in the hair. KHLOE: Oh, my God. SIMON: She was so cute, though. KIM: Wait, so you were with. Kourtney. ]] SIMON: Yes. KIM: Did she say anything about that crazy e-mail I sent? SIMON: She was livid. (Kim laughs) Uh-huh. She was like, "I cannot believe" this bitch." KIM: She screamed at me like none other. Like, you have no idea how someone can scream like that. Kourtney's really, really, really mad at me, and I get it. But I didn't think it was this deep secret. And I just wanted to tell the family. I don't know why Kourtney is taking this so personally. She needs to get over it. KHLOE: She said this was a joke of a family. KIM: But she, but s-she thinks we're all crazy, we're all a joke, we're all whatever. KHLOE: She says we have no loyalty. SIMON: She also thinks that you guys gng up on her. The first thing she said: "You" know, Kim's changed. Kim's a whole new person. I don't even know Kim." (Kim laughs) I said, "Well, what about Khloe? You and Khloe are close." "No, she's changed, too." KIM: Yeah. So, so Khloe and I... KHLOE: It's everyone. KIM: Have just had these crazy life changes to where we're completely different people. Like, we're in our late s. That doesn't happen. (laughs) JEN: I've never been on a horse. KENDALL: If you guys don't want to ride, Jen, you don't have to. JEN: No, I'm gonna. (Grunts) Oh, my dear. KENDALL: I don't know. JEN: You think this is a bad idea? (horse neighs) Oh, boy. KRIS: What's going on with Kim? Did you sit down and talk to her? KOURTNEY: Honestly, I'm just, I don't even want to look at her. Going behind someone's back, it's not okay. It's not something I will accept in my life. We don't share each other's personal business. ♪ ♪ KHLOE: Okay. KIM: Pain? Cramp? KHLOE: Yeah. What is that? I'm just going into labor. It's fine. ]] KIM: (chuckles) This morning, Saint was so cute. Look, I even videoed him. (over phone): Who is that, Saint? Saint, who is this? SAINT: Baby Chi. KIM: So cute. (over phone): She's so sweet. KHLOE: Aw. ]] SAINT: Daddy. KHLOE: Are you and Kanye good? KIM: Last night, I was just, like, not in, like, the best mood. ]] KHLOE: Oh, no. KIM: I was just, like, tired. I got home, and I was like, "Hey," and then I was, like, on my computer, and then he was like, "Hey, um, babe, will you get off your computer?" Like, let's t... I want to talk, like, let's hang out." And I was like, "Okay, will you give me ten minutes?" I'm on a deadline." I really was like, "I have to get this done." And then Saint's like, "Mommy, Mommy, let's go take a bath," I go, "Okay." And I shut the computer, and he's like, "You're gonna go take" a bath with him, and then... but I asked to hang out and talk and you wouldn't?" And I was like, "Oh, my God, I'm sorry." KHLOE: Maybe just take a bath with Kanye, and it will all be better. KIM: And then we had a fight 'cause I wouldn't get him a. Band-Aid. I said, "Did you look in the" proper place? There's a Band-Aid here." He didn't like that one. So he wanted another one. A Band-Aid there, and I put it on him. He didn't like the color of the Band-Aid. And so we went upstairs in the kids room, and I go, "Oh, look", North has Jesus Band-Aids. Put on a Jesus Band-Aid." And then he was like, "I've slaved around the world, making" clothes for you to make sure that you find the best outfit, "and you let me go out wearing a Jesus Band-Aid?" KHLOE: Aw. KIM: He said I should've got a skin-colored Band-Aid. And I'm like, "So I'm running" around to find three (bleep) different color Band-Aids? "When I have three kids to look after." When you have three kids, it's kind of a wild household, so I'm kind of annoyed, 'cause I wish he would understand also, like, I'm exhausted. Like, "Go get your own." Band-Aid." Just because I didn't give birth to this baby doesn't mean that my plate is not totally full. So I said, "Call the housekeeper." Let's have her get a Band-Aid." He's like, "Well, why can't you get it? You would get Saint one." And I'm like, "Oh, my God, are you fighting with Saint?" Is this... are you... is this, like, a thing?" I was like, "This is not gonna be this way." And I'm not gonna have a full-fledged fight 'cause I "won't get you a Band-Aid. I'm sorry." KHLOE: But if that's gonna make him feel better, just to get him a Band-Aid... KIM: I can't. That's where I draw the line. KHLOE: But if that's gonna make him feel more loved, don't you want to just get the. Band-Aid? Sometimes, like, men still want to be treated as, like, the first baby. Kimberly, I know, is so overwhelmed, and I think sometimes that's easy to maybe get distracted or, 'cause you know that they're adults, they can take care of themselves, but your husband still wants you to take care of him. And I'm sure, with three kids, you're tired at the end of the day, and you don't make that a priority. But she really has to. I get it. I just want everyone to be happy, and if a Band-Aid makes someone happy, just get the Band-Aid. KIM: Yeah. So I feel like... KHLOE: I might be falling asleep. KIM: (laughs) All right, let's go. ♪ ♪ KENDALL: So romantic. JEN: Remember, you came to my wedding dinner? It was five people. KENDALL: Remember you t-tried to steal Kim and Kanye's shine? JEN: No, I didn't at all. I simply just eloped. KENDALL: Which I love. I literally want to run to the. City Hall and get married. And just be like, "(bleep) it", let's go right now." Just, like, spur of the moment. JEN: Yeah. Like, who are you gonna marry? You do not have, like, a type, at all. KENDALL: I don't have a type. You cute, you cute. Like, who am I gonna marry? JEN: God, you're gonna have your pick of the litter. You should just be ho'ing it up as much as you can. MARY: For sure. JEN: Take it from us. We ho'd it up. (Laughter) It's great. No regrets. KENDALL: A piece of advice that my dad always, like, told me: Like, in a relationship, like, when you meet someone young, the hardest thing to do is change with them, like, you're with them for so long. JEN: That's why I think you shouldn't get married until you're, like, in your late s. KENDALL: Actually, I'm not planning on anything. JEN: Who knows? You might not even want to get married. Your generation probably is gonna be like, "Ugh, marriage is so old-fashioned." Like, who cares?" KENDALL: No, I want to get married. JEN: "Who needs labels?" (laughs) ♪ ♪ KHLOE: Ooh. KRIS: Look at how cute this is. KHLOE: I've done yoga with, um, Kim and Scott out here. It's like, so nice. KOURTNEY: I don't think yoga is Kim's thing. KHLOE: I just like to do it as a... together, and, like, to work on our vaginas. That's such a good thing. KOURTNEY: I know, but I just don't think yoga's her thing. KHLOE: Are you working on your vagina now? KOURTNEY: Yeah. You reminded me. KRIS: You should ask Dr. A if you're supposed to be tightening it, or just letting it go for a second? KOURTNEY: You are, Mom. No. KRIS: 'Cause it has to open. KOURTNEY: No, you need to tighten it, because you need to strengthen your pelvic floor. KHLOE: Let it go. KOURTNEY: For giving birth. KHLOE: And you're gonna let your whole (bleep) body go. KRIS: What? KOURTNEY: Yeah. KRIS: Anyway. So what's going on with Kim? Did you sit down and talk to her? KOURTNEY: Honestly? I'm just, I don't even want to look at her, after the whole e-mail situation. KRIS: I don't think she wants to hurt your feelings, I think she just communicates differently. KOURTNEY: Don't even say anything, 'cause there's-there's somebody in this situation who's right and who's wrong. KRIS: Okay. KOURTNEY: So it's nothing... You're not gonna, like, try to make this an equal thing. KRIS: I'm just trying to... KOURTNEY: She did something really malicious... KRIS: There's two sides. There's three sides. KOURTNEY: Backstabbing and actually evil. Going behind someone's back, it's not okay. It's not something I will accept in my life. KRIS: Okay, but tomorrow's not promised. KOURTNEY: Mom. KRIS: So I think that... KOURTNEY: But you never... you just say these little things here and there, but you also don't understand how to make a change for the future. My mom's totally wrong when it comes to the situation with Kim. We're supposed to protect each other from this kind of stuff, and we don't share each other's personal business. I feel like Kim needs to realize that she shouldn't be, like, involved in the decisions that are made in my life. KRIS: Maybe you should handle it sooner than later. KOURTNEY: Hmm, I'm good. ♪ ♪ KENDALL: They're making us wear helmets, Jen. JEN: But our hair's perfect. Okay. Nobody told me we'd be wearing a helmet. KENDALL: If you guys don't want to ride, Jen, you don't have to. ]] JEN: No. I'm gonna. Okay. You got it? KENDALL: Hi. JEN: Oh, my God, it's charging at me. Go for it. Oh, my dear. Her hair is sopping wet. Okay. ATTENDANT: Put your feet in the stirrups. JEN: I just want to dry their hair, and style it. (Kendall laughs) Okay. Oh, boy. Oh, this is, this is... (grunts) KENDALL: Jen? ATTENDANT: Yes. Good? JEN: I don't know... What? KENDALL: I don't know. JEN: You think this is a bad idea? KENDALL: Are you sure you're comfortable? JEN: I've ridden a camel before. KENDALL: I know, but I feel like it's not the same. JEN: Don't worry, I have a good life insurance policy. Oh, my God, someone's peeing. Jesus Christ. Okay. All right. (laughs) This is a dream come true. It's like a fairy tale, guys. KENDALL: Let's go. JEN (quietly): Help. KENDALL: (gasps) You guys. JEN: Oh, wow. Ooh. MARY: Look at that. KENDALL: Oh, my God. This is so dreamy. JEN: It's literally a Disney movie. That's really nice. What is this timing? Literally, the sun just came up. KENDALL: This is so amazing right now. What is happening? Dreams do come true, guys. Jen looks phenomenal, honestly. JEN: You're such a liar. KENDALL: I was really nervous at first, 'cause the horse kind of was freaking out when you first got on. How crazy? I come to Paris all the time, and never do things like this. You honestly... JEN: You'd be brave. I was so freaked out. KENDALL: Pulled your (bleep) together and you're klling it. JEN: It's even prettier in video. Oh, it's frozen. Well, the (bleep) Wi-Fi in the castle isn't so great. It's all right. (groans) ♪ ♪ KHLOE: Mom! Hi, gorge. KRIS: Hey. KHLOE: Where are you going with your diamonds, darling? KRIS: Over to your house. KHLOE: Wow. KRIS: Wow. Is that a new watch? KHLOE: Yeah. Well, I got it for Xmas. KRIS: From who? KHLOE: Uh, one-one of my boyfriends. Uh, Tristan. KRIS: That's what he gave you? KHLOE: Yeah, but he hates it. He gave it 'cause I wanted it. And bought me two other faces 'cause he hates the red face. KIM: I wish I could get a new face. KHLOE: I want a real new face, you know that. (laughter) KIM: So I feel like I should do something for Kanye. KHLOE: For Valentine's Day? KIM: Yeah. ]] KHLOE: Aw. KRIS: That's cute. KHLOE: He just wants a little, just a little bit of affection. KIM: Yeah. Um... KRIS: What do you get somebody for Valentine's Day these days? KIM: I don't know what to do. After my conversation with. Khloe, the one thing that I realized is I make such a priority for all the kids, and I go above and beyond for them, but in that, I'm fully neglecting my husband. So I just want to give Kanye, like, the attention and the love that he needs. You know, I think we have to just think of, like, all the things that I don't do. Like, I should give, like, "Here's a coupon book of five massages. Here's a coupon..." KHLOE: But will you do them when he gives them to you? KIM: But I'm, like, give a massage for, like, two seconds and I'm like... (Kris laughs) KHLOE: That's actually a cute idea if you did that. Like, ten free hugs. KIM: I did give two... I did give two massages and I went to the studio twice. KRIS: You would've been the greatest masseuse... KHLOE: I know. KRIS: In the world. You used to give the best massages when you were, like, . KHLOE: No. You used to make me give you massages when I was . (Kris laughs) She bought me a massage table when I was . For Christmas, she bought me a massage table. I've never asked for one. And she set it up in her room and said, "You could practice on" me." If you had it your way, I would be a masseuse living in your, like, attic and then coming down to rub your back and your weak neck from time to time. "Go back up to your attic now, Khloe, you're done for the day." KRIS: (laughs) Oh, my God. ♪ ♪ KENDALL: Look at the castle! Oh, more. This place is so cute! Is anyone not going or is everyone going? JEN: Will you scream out, "Picture," when it's picture? KENDALL: I'm gonna do this. Like, we should, like, be really cool about it. (All shouting) (all screaming) ♪ ♪ MAN: Kendall! Kendall, please! STYLIST: That's so cute. KENDALL: So pretty. ♪ ♪ Hello. Hi. KENZA: I'm Kenza. KENDALL: Kendall. You're what? ]] KENZA: Kenza. Kendall, Kenza. ]] KENDALL: Oh. (Kenza laughs) You want to take a pic? WOMAN: Hi. KENDALL: How are you? I'm Kendall. WOMAN: Oh. You are my inspiration. KENDALL: Oh, thank you. WOMAN: You are so great, so pretty and... KENDALL: Thank you. So are you. WOMAN: You are my favorite model and my favorite Angel. KENDALL: Oh, thank you. WOMAN: Can I have your sign? KENDALL: Sure. Of course. WOMAN: It's the first time I see you and, uh, it's a dream. KENDALL: Oh! Thank you. I'm so excited to meet you. There you go. WOMAN: And a silly face. KENDALL: For going around the world in three days, I think we had a really nice time and we made the most of it. I think this trip was a good reminder for both of us. 'Cause we both work really hard. We love working, but we have to remind ourselves to, like, take time for us. JEN: Yeah. We didn't work that much. KENDALL (laughing): No, we didn't. ]] JEN: We played a lot. KENDALL: We did play a lot, which is great. JEN: But literally, like, jumping horses and just, like, the whole thing. Lucky to be alive right now. That was so scary. KENDALL (laughing): Lucky to be alive. Bye! Thank you! MAN: Thank you. KENDALL: Bye. (people shouting) ♪ ♪ (Kourtney grunts) KIM: P, will you come babysit. Baby Chi for me? No? SCOTT: It's so weird how everybody's having kids like boom, boom, boom, so it's like... doesn't seem as crazy. But it's still, like, a huge deal. KIM: And to think you want a fourth. Why do you want a fourth? SCOTT: No, that's not true. KOURTNEY: Kim, I think your, like, your dream in life is to just be, like, the town gossip. SCOTT: What happened? KIM: I share business with people. Of Kourtney's, behind her back. ♪ ♪ Kanye is really into, like, the small, little, cute things, so I need to really just, like, be a little bit more thoughtful. I think I've definitely gotten better with that after this. Oh, my God, I love these shoes. ♪ ♪ SCOTT: What happened? KIM: I share business with people. Of Kourtney's, behind her back. SCOTT: Oh. Well, I could see 'cause Kourtney's very private and... KIM: She's so private. You know, she just... shared the birth of her child on a show. KOURTNEY: Yeah, but it's my choice what I share. SCOTT: So you have some new boundaries. KOURTNEY: Things I've learned over time. KIM: If you look up "boundary" in the dictionary, Kourtney's picture is right there. ]] KOURTNEY: Yeah. Good. KIM: So... KOURTNEY: There is a thing called healthy boundaries to live a happy life. You wouldn't like it if Kanye came and told me something personal about you, and I sent it to the whole family and was telling them about your business. KIM: Yeah, no, true. I wouldn't. Like, I totally get it. I just was being gossipy. It wasn't like, "Oh, my God, I'm gonna get this information and", "like, go behind..." you know. I mean, I wasn't trying to go behind your back. KOURTNEY: No, but you tried to take me off the e-mail and you didn't. KIM: Yeah. Yeah, I know. (laughs) KOURTNEY: It's not funny. KIM: We're always in each other's business, like, all of us and sometimes the lines get really blurred. KOURTNEY: But it's not okay. KIM: I know. SCOTT: Is there something you want to maybe tell her, though? That you might've twisted a little bit in there? ]] KIM: No. SCOTT: I would not go and call your family and say I want to knock you up. KHLOE: What was the e-mail? 'Cause from what I heard from Kimberly is that you wanted a fourth baby. SCOTT: No. It was more along the lines of her saying how boring Kourtney was. KHLOE: Oh, my God. SCOTT: And that if she was doing anything right, she would just have another kid with you. You know how it is. I mean, when somebody in the family's super passionate about something, you just got to kind of maybe pretend that you're with it even if you have no idea what they're really talking about. KHLOE: Oh, yeah. SCOTT: So, it seems like you guys have gotten somewhere. KIM: We did. SCOTT: It's a good day. ♪ ♪ KIM: I need to get a cuticle cutter. My nail is falling off. KOURTNEY: Yeah. KIM: I feel like I also need to get, like, lingerie and stuff. KOURTNEY: For Valentine's? KIM: Yeah. I don't know. Just, like, when you have, like, so many kids, it's, like, important to make your relationship still, like, a top priority. KOURTNEY: You should want to. KIM: Yeah. I think you just have to. KOURTNEY: Yeah. KIM: Like, no matter what. KOURTNEY: Yeah. KIM: Kanye is really into, like, the small, little, cute things. So, for Valentine's Day, I'm gonna get him all of his favorite Band-Aids and have a heart box of Band-Aids. Oh, Kourt, your favorite. They have flu shts. I think he'll think it's really cute. Tough strips. No, more. I actually think this is enough. Kanye's so thoughtful and even when he's really, like, in crazy work mode, he always takes the time to check in on me to see what's going on. And I think when I get in super busy mode, I need to really just, like, slow down and be a little bit more thoughtful. I think I've definitely gotten better with that after this. It's called Excitement, Excitement. Hi. Like, I swear I've worn some of this stuff out before. Like, I've gotten, like, this. KOURTNEY: The dress? KIM: Or, like, a top like that. KOURTNEY: Mm-hmm. KIM: And, like, it's $ . . Oh, my God, you're gonna think I'm, like, joking, but I love these shoes. KOURTNEY: Do you want a nurse costume? You should get a nurse since he said you don't take care of him. KIM: (laughs) He's ignoring me once he realized I was on a filter. Hey, Rob. Say, "Happy Valentine's Day." ROB: Happy Valentine's Day. KIM: Now that our fight is over, Kourtney and I thought it would be really cute to just go and bring all the kids and go skiing. All right, it's our first day on the slopes. Kourtney, me and Mason, we are going skiing, guys. I am excited to go away with Kourtney. I think it'll be just a good, few, fun days of just skiing and having fun and no drama. Hi, Penelope. My racer. Look at my Speed Racer. ♪ ♪ KIM: Aah! (Laughter) PENELOPE: Hi, everybody. My name's Penelope. You want to see my friend North? NORTH: Okay. PENELOPE: And if you watch today's show, you need to shake your butt like I told you to. Okay? NORTH: Yeah. (Line ringing) KIM: Alice. ♪ ♪ The only person that can grant her clemency would be the president. You're out. (screams) ]] KYLIE: Go. KHLOE: Pierre? Oh, my God! KENDALL: Oh, my God, I don't think I can do it! KOURTNEY: It's time that Congress does its job. KRIS: If we could use our connections, I think we could make a very immediate difference in a lot of people's lives. PEOPLE: Two, one! (Cheering) KHLOE: Kylie, you look amazing. KRIS (laughs): Don't aim it close to me. Oh! KENDALL: Oh, my God, are you okay? ]] KRIS: No! SCOTT: Nobody in this family can ever catch a break. KIM: They have another video of him. Unfollowed, I hate him. Sorry, not sorry. KHLOE: The things I can control, I have to be able to control. ]] COREY: gddmn. KRIS: These guys are, like, always going for sloppy seconds. KIM: We look like (bleep) clowns. KHLOE: Kim, stop. KOURTNEY: She's just a (bleep) stuck-up fashion snob. JONATHAN: TMZ was wild. KIM: Just because he has an opinion, that doesn't mean he's ment*lly ill. KRIS: Khloe's in labor. KHLOE: I hope everyone gets here in time. (grunting) (baby cries)	{"type": "series", "show": "Keeping Up With the Kardashians", "episode": "15x08 - An American Model in Paris"}	foreverdreaming
♪ KIM: How cute is this place? SCOTT: It's a nice little establishment. ]] KIM: (gasps) Stuffed Oreo churros. Hi. I would love a churro donut. CASHIER: Got it. KIM: Oh, you know what? We'll get a sampler, too. SCOTT: Get a sampler. Enjoy. KIM: We'll get both. (Sighs) Thank you. Dig in. OMG. Mmm. Try some. SCOTT: I'm not gonna have any just because I'm gonna see my son later and I'm scared that Kourtney will smell that on me. KIM: What? SCOTT: She's nuts. KIM: Okay, I'll just do this. Okay, I feel like the truth's out right now. Mmm. SCOTT: At least you're... living your life. (ringtone plays) KIM: Hang on. SCOTT: Uh-oh. KIM: Oh, who is it? SCOTT: Freak itself. KIM: Answer it. Say you're at a specialist, holistic place. SCOTT: Hey. KOURTNEY (on phone): Hi. Are you in the Valley or in the city? SCOTT: I'm at Sherman Oaks at this holistic doctor that's supposedly, like, number one at all diets all around the world. KOURTNEY: Oh, good. SCOTT: He's... He's from Thailand and says that he's got something that nobody else has heard of. KOURTNEY: Like...? (Kim and Scott laughing) What is...? KIM: Just, just... SCOTT: No, honestly, he's got cat urine. KOURTNEY: Pick me up a bottle. SCOTT: I will, I will. It's expensive so I'll take care of it. KOURTNEY: Okay, thank you. ♪ KIM: One black two-piece and one gold two-piece. JONATHAN: Hi, guys. KIM: Hi. JONATHAN: What's up? What are we doing here? Who's office is this? KIM: This is the tailor. JONATHAN: I'm so jealous you guys are going to Japan. KIM: Have you ever been? JONATHAN: No. You know I haven't been. I've been asking you to come for five years now. DANIELLE: Yes. KIM: I decided to go to Japan to sht a Yeezy campaign. We just thought it would be such cool vibes. Let's do a full sht out there, and kind of debut season seven out in Japan. KHLOE: And Kourt and I have been dying to go to Japan so we're not gonna let Kim go solo. KIM: Yeah. KHLOE: Pregnant and all, I'm bumping it up in Japan. JONATHAN: What are we doing here? What are you guys doing? KIM: Kanye's people, like, designing season seven, like, around my trip to Japan. So it's like, basically... JONATHAN: Oh, my God. He really takes this stuff really seriously. It's amazing. KIM: Yeah. Yeezy doesn't really, you know, play by the fashion rules of having to have his collection out by a certain time. I mean, we just finished season six. And it was such a genius campaign of just wearing all the looks and getting sht by the paparazzi. And Kanye got such a good response that for Japan, I'm hoping to get sht by, like, fans and they post it, or paparazzi, so that we get images, and we'll get tons of content for my app and my. Instagram. I love these cropped bmb. I could totally do these. And when I showed up to the office, and I saw, like, or people working on this with the entire bottom floor filled with samples, I was like, "Oh", my God, you guys are really serious. But I love working with Kanye in that way, 'cause he'll listen to me on things that are important to me. And then I'll trust him on colors and fabrics, so it really does work so well. JONATHAN: So you don't have to do, like, fashion shows anymore. That's amazing. KIM: I love this vibe. I think it's just, like, cooler and fresh. JONATHAN: So freaking cool. How many people are there doing this? ]] KIM: Like, at least , wouldn't you say? DANIELLE: Yes, something like that. ]] JONATHAN: (bleep) KIM: Japan is, like, for the forefront of fashion. You have to be, like, cool girl. JONATHAN: Can't wait to see this. ♪ CONCIERGE: Welcome to the Four Seasons. KRIS: Thank you. This looks nice. Ooh, fancy. SHEILA: Beautiful, huh? KRIS: I know, I love this place. SHEILA: It says you and me. You and me, babe. KRIS: I know, it's always you and me, babe. SHEILA: I know. KRIS: For how many years? SHEILA: A hundred. KRIS: Uh, it seems like that. SHEILA: It does, right? KRIS: I think you've been through every single important thing with me that I've had, for like, my entire life. SHEILA: Aw. KRIS: From births to... SHEILA: I love you. KRIS: I love you, too. Sheila's one of my oldest and closest girlfriends. SHEILA: Oh, hi. Joyce, that's you! You have your blanket? KRIS: We watched each other's children grow up, and we went on family vacations. I will always be so grateful for this friendship. SHEILA: Can I tell you something? This is, like, really kind of sad. I was going through a bunch of pictures last... I found great pictures of us. KRIS: You did? SHEILA: But, like, I just... You know, there's, like, a spark in my face back then. You look the same. You look fantastic. KRIS: I look the same 'cause I've had a little help here and there. You know? SHEILA: But I mean, like, it's really funny because you see, like, these young, you know, vibrant... I don't know, maybe I'm going through something. Oh, you know... KRIS: What don't you think looks the same on you? 'Cause I think, when I look at you, you're beautiful. SHEILA: I've always hated my neck. It's just stuff, you know? We all kind of, you know, go through stuff like that. We look in the mirror, and we kind of go, "Oh, I didn't know" that was there." It's really interesting. They say when someone... a woman has a long neck... if you want a long neck... well, guess what. (Kris laughs) It ends up droopy. KRIS: Yeah. SHEILA: I think everybody feels something like that. KRIS: %. ]] SHEILA: Yeah. KRIS: And if you don't feel it, Kim is telling you about it. (Sheila laughs) ♪ KHLOE: We are all going to Japan, so I have to meet with. Dr. A, my ob-gyn, to make sure that I'm all good to travel. ALIABADI: So, how have you been? KHLOE: Good. ALIABADI: Your baby's moving well? ]] KHLOE: Yeah. ALIABADI: Uh, you want to travel to Japan? KHLOE: Mm-hmm. ALIABADI: So you can. I want you to take a baby aspirin before you go on the plane and before you come back here. KHLOE: Okay. ALIABADI: Okay, because flights put you at risk for blood clots in your legs. KHLOE: Okay. ALIABADI: Keep yourself well-hydrated, walk around the cabin; That's like a layer of protection. ]] KHLOE: Okay. ALIABADI: All right, you're weeks and six days. Tomorrow, you'll be . KHLOE: Yes, ma'am. Almost. Ten weeks. (Laughs) Yeah, this is so weird. ALIABADI: The little head. KHLOE: Stay little. I saw Kylie's baby. (Aliabadi laughs) It was like, "How was that" inside of you?" That was so funny. ALIABADI: Oh, look at this; Look at the finger. KHLOE: Oh, my gosh. That's why I feel her kicking. ALIABADI: She's perfect. It's a good size. It's not a small one. KHLOE: Oh, perfect. ♪ (Khloe grunts) KOURTNEY: (laughs) It's Kanye West! KHLOE: Keeks, you look so cute. ]] KIM: Thank you. Do you like my pink hair? KHLOE: I love your hair. KANYE: You guys like the first season seven look? KOURTNEY: Yeah, I love it. KIM: All my looks are season sevens. KOURTNEY: I was just thinking I like the, um, material of the sweater. KHLOE: I love this. KIM: Yeezy season seven officially kicks off today, 'cause I'm heading to Japan in one of the first looks. Kanye's coming to say bye at the airport, but it's also, like, a professional send-off, too, just to make sure that everything looks amazing. KHLOE: Ye, we love you. We'll get you some prn. KANYE: Japanese prn? KHLOE: Yep. KOURTNEY: I actually like Japanese prn. ♪ KIM: I only have a few days to get looks sht. You know, Japan is the campaign. We can't, like, recreate it. There's dozens of people working on this, so it is a lot of pressure. It's my husband's collection, and I want to make sure that I do a good job, and that he likes how everything turns out. ♪ KHLOE: We have finally landed in Japan, land of the samurais and geishas. It's so gorgeous. KIM: Wait, go ahead for one sec; I'm gonna get a solo sht. KOURTNEY: This outfit is so intense. KIM: So, I got to be real with you guys, you look like (bleep) clowns. ♪ KHLOE: It's so gorgeous. KOURTNEY: Scott FaceTimed me with the kids, and I tried to call back, and he's like, "The" kids are all asleep." I'm like, "What time is it?" I had no idea that it was, like, time for bed. KIM: I'm so excited to be here. KHLOE: It's so beautiful. KIM: Yeah, no, it is. ♪ KHLOE: We have finally landed in Japan, land of the samurais and geishas. KIM: I would think more land of, like, anime and cherry blossoms. ]] KHLOE: Well... ♪ These are beautiful. Oh, my goodness, thank you. KIM: Oh, they smell so good. How pretty. We are staying at the Shangri-La Hotel. It is so amazing. KOURTNEY: This is the way to travel. KHLOE: You guys, taking a bath with this view... KIM: Yes, it's so good. DANIELLE: Why don't you sh*t this now? KIM: I could run downstairs real quick and do it. DANIELLE: Yeah, maybe put that on right now. KIM: That? ]] DANIELLE: Yeah. KIM: And then meet them for dinner. KOURTNEY: I wanted to do a turquoise... STYLIST: Turquoise what? HAIRSTYLIST: I think we have to just depend it on the outfit. Um, do you know what you're wearing tonight, or do you want to...? KOURTNEY: This is what I was thinking. HAIRSTYLIST: Yeah, I love it. KIM: Okay. Let's go. Will you come with me? DANIELLE: Mm-hmm. KIM: Good, I'm glad we're, like, knocking this one out. I'm getting a little bit nervous just because there's so many looks for this campaign. My sisters must think I'm crazy. And I have to get every single look, so we have to start, like, right now. ♪ I forgot my jacket. I'm gonna run in and grab it. Do you think they know what we're doing? MAN: Going back to the room, right? KIM: Yeah. Do you think we got enough? All right, so we're gonna wear the dress. The gray dress right now. ♪ KOURTNEY: Khloe? Where's Kim? KHLOE: She's taking some pictures outside or something. KOURTNEY: Ooh la la. You ready, sugarplum? KHLOE: Yeah. KOURTNEY: Let's go. ♪ KOURTNEY: This skirt is sticking to me. Ooh, what is that little thing? Look. KIM: So cute. Wait, go ahead for one sec; I'm gonna get a solo sht. My sisters look so... crazy. Like, it's actually embarrassing. Kourtney with the Japanese inspired outfits, and Khloe's wearing silver sequins, turquoise eye shadow, huge chandelier earrings. They're just, like, completely clashing and just making my outfit look really bad, and they're ruining everything. KOURTNEY: Wow, this outfit is so intense. It's, like, stuck in all the wrong spots. KIM: Oh, yeah. KOURTNEY: Ooh, oh, my gosh. WAITER: This is our vegetables. KIM: Oh, thank you. KHLOE: Thank you. KOURTNEY: Look how cute these tomatoes are. Oh, my gosh. They're so cute. KHLOE: They match your nails. KIM: I can't even eat dinner 'cause I'm so disgusted with my sisters' crazy outfits that completely don't go with my look. Like, I can't take it. KOURTNEY: Ooh, I love a good radish. WAITER: This is sea urchin and raw bean sauce. KIM: Thank you. KHLOE: Looks delicious. Thank you. KOURTNEY: This is so good. The custard. KIM: No, it really is. I need the Yeezy collection to be debuted and not to have all this crazy distraction in the background. Like, I'm gonna have to control this before it gets really bad and my whole trip is ruined. KOURTNEY: Mmm. KIM: You got it on your chin. (Khloe laughs) ♪ KOURTNEY: When we first walked in, didn't you guys think this was two stories? KHLOE: I did. KIM: Yeah. For sure. KOURTNEY: I thought, like, your room was upstairs, I thought glam was upstairs. KHLOE: I did. I thought it was two stories. KIM: Um, so I got to be real with you guys. KHLOE: Mm-hmm. KIM: You look like (bleep) clowns. ]] KHLOE: Oh. KIM: I'm not (bleep) kidding. This is not, like, a tourist thing where it's, like, "It's Halloween, dress up like a" "(bleep) Japanese geisha," unless we're at a geisha house. KOURTNEY: I thought my hair looked good last night, and I thought my outfit was, like, fun for Japan. KIM: Your outfit would've been, like, great if you didn't have (bleep) blue eye shadow. KOURTNEY: But I-I actually liked that we were all in sync, like, your blue shoes, my blue shadow and Khloe's blue... (laughs) earrings. KIM: No, but she was green and yellow. KHLOE: I didn't know the yellow was happening. KOURTNEY: Where's yellow? KIM: It was a yell... half yellow and half green, turquoise. KHLOE: It was like an evil eye. KOURTNEY: (laughs) You think I looked like a clown? Well, you look like you just won the Tour de France and you're cycling around town. I mean, look how cute I am. Even my cartoon character looks great, and has the best style. KIM: So I'm just saying, you have to, like, tell the glam people. Especially... we're in Japan. Like, everyone just thinks, "Oh, my God, we're in Japan, everyone" go full Japan." And, like, probably the people that live here make fun of people like that, and I literally am, like, cropping myself out of, like, turquoise, yellow, da, da, da. Like, I just think you got to, like, chill. KOURTNEY: But also, I don't think my things were that crazy. KIM: Like, you can be cooler. I'm not telling you guys who to be or what to wear or anything, but I'm telling you who to be and what to wear. It could be time for, like, a fashion overhaul, so that you stay, like, young and relevant. KRIS: I wanted to run something by you. SCOTT: ht me with the runner. KRIS: I'm trying to figure out how to surprise Sheila with a facelift. SCOTT: I mean, even though it's really a sweet gesture, are you at all nervous that you could offend her in any way? KIM: I don't even know what this style is. I feel like we're stuck. It's, like, trying too hard. KOURTNEY: I love it. Kim is just being rude. It's not that serious. ♪ SCOTT: Wow! ]] KRIS: Wow! SCOTT: Agoura Hills meets Beverly Hills. KRIS: Mwah. Yeah, the A meets the B. SCOTT: Hey, B. KRIS: How do you like my little spot? SCOTT: This is so cute. KRIS: Isn't it great? SCOTT: I had no idea. It's a hidden gem, I tell you. KRIS: So what is this beanie look you've got going on here? You look like you could go rob a house down the street. I would go with a black beanie. SCOTT: We're not gonna have to pay for this meal. Get the (bleep) out of here. KRIS: Dine and dash? SCOTT: Who cares? I'm gonna take the check, throw it and run. KRIS: We're gonna eat and run? ]] SCOTT: With this hat on, they're not gonna stop me. KRIS: I have never done that before. Yum. So I wanted to run something by you. SCOTT: ht me with the runner. KRIS: Okay. I'm trying to figure out how to surprise Sheila with a facelift. When I had my face done, that was really a hard thing for me to go through. And who was there every single step of the way? Sheila. It just occurred to me, like, she's wanted to do this for years, but this is just not something she would do. I want to do this for her and be there for her like she's always been there for me. I'm so excited. SCOTT: You're giving her a facelift? KRIS: Like, I want to jump up and down. I'm so excited, that I just, she's been such an amazing friend, and she's just always there for me. SCOTT: I mean, even though it's really a sweet gesture, are you at all nervous that you could offend her in any way? KRIS: Like... SCOTT: Is it, like, "Hey, your face looks old"? Just think about it. KRIS: Scott's getting in my head and making me feel like this is a mistake, and all I'm really trying to do is show her how much I love her. SCOTT: Listen, no... if you (bleep) me that I needed something done... ]] KRIS: Yeah? SCOTT: Even if maybe I didn't, I would definitely go stare and look at whatever that was. KRIS: Kim does it to me / . SCOTT: Kim does it to everybody in the world. You know, she-she catches everything. I don't even really like looking at Kim, because sometimes she's like... KRIS: It's scary, right? She'll stare at us. SCOTT: She's like, "Uh, uh... is that a pimple right there?" And I'm like, "I-I don't know." ♪ KHLOE: Oh, my God, what are those things? KOURTNEY: Ninja stars. KHLOE: Ninja stars. KIM: This is so cute. Oh, let's go down here. KHLOE: Are you just doing a photo sh*t? KIM: Basically. TOMOKO: So have you done fortunes? KOURTNEY: No. TOMOKO: It's good. It will tell you your fortune for this year. KOURTNEY: "Shake the box politely a few times, a stick" marked 'fortune number' will come out." TOMOKO: This is your fortune. KOURTNEY: Wait, it says "bad"? TOMOKO: This temple is famous for having many bad fortunes. KIM: Okay, I am not going to do... I don't want to have a bad fortune. TOMOKO: What we normally do is give this bad fortune to the temple. KOURTNEY: Okay, so I give them back? ]] TOMOKO: Yeah. KOURTNEY: Good-bye, bad fortune. KHLOE: Good-bye. KOURTNEY: See you. Feel my brain... Fill our hearts, all of us. ♪ KOURTNEY: Ah. Now what? (ringtone playing) KIM: Hello? Hey. Sorry, I couldn't hear you. KANYE: How'd it go today? KIM: Good. I wore, um, the XU leggings with the reflective boots in this, like, we went to, like, a marketplace that was really cute. KANYE: That wasn't a look. KIM: Yeah, it was, with the silver top and the black puffer vest with the glasses? KANYE: Silver top... KIM: The silver spandex top that I wore already with the spandex matching bike shorts, with that top. KANYE: Oh, yeah, that looked fre. ]] KIM: Yeah. Because I'm on the complete opposite time schedule as back home, Kanye is seeing my looks, like, way after I did them, like, as the paparazzi pictures go out, and, you know, of course, it's like, Yeezy's his baby. He wants to make sure everything comes out perfectly, so it-it is a lot of pressure, and it makes me a little bit nervous, just because I want him to like every look. Okay. Okay, bye. Scott just wrote me, "The outfit" in Tokyo was the jump-off. The bike shorts with the puffer? "You look like you're from the future." (Khloe laughs softly) ♪ TOMOKO: It is a plate, and you write down your wish, and then your wish will make true. KHLOE: I'm so excited to be in Kyoto. This is what I envisioned Japan to be like, more. KIM: I have a big day planned, going to the geisha house and the Bamboo Forest and the Owl Cafe. KHLOE: Hoot, hoot. KIM: Hoot, hoot. (Both laugh) ♪ KHLOE: It's so pretty. Oh, my God. What a cool picture if you stood right here. ]] KIM: Should I? KHLOE: Hurry up! That is such a cool picture. (alarm blaring) ]] KIM: Aah! KHLOE: It says, "Do not enter." Hurry up! It says, "Do not enter." And the buzz. I didn't know it was gonna do that, sorry. All I thought about was Fried Green Tomatoes. (laughing) ♪ KHLOE: Thank you. KOURTNEY: How cute is this presentation? KHLOE: So beautiful. TOMOKO: They are going to perform. ♪ KIM: Is that real? No. No. (gasps) It's real. Look at the babies. KHLOE: Why are you staring at me like that? Yo. What the (bleep) you want? KOURTNEY: Khlo, come here. TOY: Khlo, come here. KOURTNEY: Khlo. KHLOE: What? ]] TOY: Khlo. KHLOE: What is that? I swear I thought you guys were on the phone with North or something. KOURTNEY: Oh, my God, I'm obsessed with that. TOY: Oh, my God, I'm obsessed with that. KHLOE: Stop. ♪ KIM: I don't even know what this style is. I feel like we're stuck. I just, I just want you to be more like I said, like cool girl. It's, like, trying too hard and then, like, oh, we're in Japan, it's crazy colors. Oh, everything is Asia and Japan because I'm in Asia. KOURTNEY: I have no more. Asian, Japan vibes. ANDREW: You-you want her dressed more like Kendall? KOURTNEY: Except for my pajamas. KIM: Yes. Like, more like a... Like, like Kendall-y. I think that's what you can do. You look like a (bleep) grandma. %. I think you don't look anything special. Like, you don't look anything, like, innovative and I think you have it in you. It's just you better evolve before you fizzle out. KOURTNEY: Now I think Kim's just being rude and rude to everyone in glam. You know, we're all doing fun looks together. It's not that serious and I think Kim and I don't always see eye to eye as far as the importance of, like, traveling and living in the moment. Where's Khloe? KIM: Just like, these YSL shoes, like, come on. KOURTNEY: You don't see them with my outfit. SHEILA: This is so great. This is so fun. Well, we've been through a lot, all of us together. KRIS: Um, well, I have a surprise for you. KOURTNEY: I don't have seven stylists. (laughter) KIM: I don't have time for. Kourtney's, like, (bleep). KOURTNEY: You're so (bleep) jealous. (Laughter) KIM: Kourtney? ♪ SHEILA: Hi! ]] KRIS: Hi! SHEILA: What's going on? Ooh, I love that. Look how cute you look. KRIS: Hi, guys. (all blow kisses) I have a little sniffles so I'm not gonna hug anybody. JOYCE: Oh, that's not good. SHEILA: It's okay. This is so great. This is so fun. So, I have to surprise you guys with a photo. ]] KRIS: What? We are so cute. SHEILA: Is that not cute? KRIS: Oh, my God. JOYCE: We're so young there. SHEILA: I know. Seriously, I mean... JOYCE: Really? KRIS: Don't you wish we had these sweaters? JOYCE: I have mine. SHEILA: Oh! JOYCE: No, I'm only kidding. KRIS: You do? JOYCE: No, no, no, no, no. SHEILA: How cute. Look at the big, red earrings. KRIS: Oh, my God. JOYCE: Were we all matching? I mean, were we all in red and white? KRIS: I think so. Yeah. SHEILA: Yeah. KRIS: Red, white and black. And Sheila had on the red earrings to match. SHEILA: Well, we've been through a lot, all of us together. KRIS: Um, well... I have a surprise for you. I know my girlfriend better than anybody else, especially better than Scott. But I have to be really careful with Sheila because she's so kind, and she's so sweet and she never wants to hurt anybody's feelings, so she might be inclined to say, "Okay, thank you," even if she really doesn't want it. And it's making me nervous. Uh, Joyce already knows, but... SHEILA: What do you know? KRIS: I have arranged for Garth Fisher to do whatever you want him to do. SHEILA: You're kidding, right? KRIS: On your face and your neck. ]] SHEILA: Stop. KRIS: Yeah. Yeah. JOYCE: So what do you think? SHEILA: Stop. No. Come on. KRIS: Would you do it? I mean, I just said yes. SHEILA: Yes. Yes! (Kris laughs) Wait a minute. Wait a minute. JOYCE: She booked you. You're going. KRIS: Yeah, yeah, she's going. SHEILA: But wait... KRIS: And Joyce and I are going with you. SHEILA: Can you be with me? KRIS: Of course, we already booked ourselves. SHEILA: Stop. JOYCE: We're booked out. SHEILA: Oh, my... stop. KRIS: 'Cause if you're not gonna use it, we will. JOYCE: We will. (laughter) ]] SHEILA: What? KRIS: I feel super relieved that Sheila's so excited about her surgery. I really am because I never want to feel like I pushed her into doing something she wasn't ready for. ]] SHEILA: Wow. KRIS: We are so excited. Joyce and I were like... we couldn't sleep last night. JOYCE: I'm so excited for you. ]] SHEILA: Oh, my God. KRIS: Isn't this exciting? SHEILA: He-he's the best. JOYCE: He is the best. SHEILA: The best. KRIS: The whole day he booked out for you. SHEILA: I can't believe it. That is beyond. KRIS: Anybody have any Kleenex by any chance? SHEILA: This is clean, it's just... KRIS: Oh, no. (laughing): No, I don't know. SHEILA: I-I'm trying to be nice. JOYCE: She used it once. SHEILA: Well, no, I stuffed it in here and it's from this morning. KRIS: Okay. I'm gonna pass on that one. SHEILA: Seriously. ♪ STYLIST: Where is Justina? Does anyone have that picture? KOURTNEY: What picture? STYLIST : We're building a case for you. ANDREW: Stuff that Kim was saying to you. She literally came for everybody. Can't really say (bleep). KOURTNEY: No, after yesterday, I wanted to wear a white T-shirt and jeans. ANDREW: Oh, for real. STYLIST : And she's like, "Oh, my God, fur coats are the "worst," and I'm like, okay. (laughter) Burn all my clothes. KOURTNEY: Hello? I have three children and a full-time job. I'm not gonna do... I don't have seven stylists. (Laughter) KIM: Kourtney and all of the glam people at this point hate me 'cause I've just klled all their dreams. KOURTNEY: Big shoulders are awful. How rude. STYLIST: I don't give a (bleep), honey. (Laughs) KIM: And I don't care. KOURTNEY: You're so (bleep) jealous. STYLIST : (bleep) rude. (laughter) KIM: If you can't take the criticism, you shouldn't have come on this trip. Kourtney? Ooh, what a cute room. I would've done a photo sht right there. KOURTNEY: You missed out. KIM: Um, well, I just wanted to say, like, I know that I've been, like, kind of snappy and just, like, very opinionated, but I'm here for the Yeezy campaign. I don't have time to be, like, beating around the bush here. KOURTNEY: But I feel like we're also here to, like, have fun, wear some fun stuff, do some fun hair and makeup, whatever. And by the way, I have liked all my outfits. KIM: I don't know. I saw what I saw and I saw (bleep) clowns. KOURTNEY: Nobody wants to wake up and be criticized from head to toe, like, the whole day long. KIM: But the old Kourtney would've been like, "(bleep) you," or, like, "Whatever." You know? KOURTNEY: So would you rather me just say, like, your (bleep) outfits suck? You're wearing a puffy vest. You have pink hair and, like, turquoise shoes. I didn't come here to wear leggings that are see-through and show my ass off. (Khloe laughs) Do you know how easy it is to be a bitch? I could be a bitch all (bleep) day if that's what you want. But guess what? It takes a lot more courage to show your feelings than to sit there and be a bitch. KRIS: I'm personally praying for you. GARTH: We're all set to start now. ]] WOMAN: Come with me. KRIS: She-She. It's surgery day and I'm so nervous. I hate this part. KIM: This is what gives me anxiety in life. I'm starting to freak out because there's so many looks that we haven't sht yet. We really have one sht. Right here, right there. Stop, stop, stop. Stop here. Stop here. STYLIST: Oh my god, this is so crazy. ♪ KRIS: Hi. How are you feeling? SHEILA: Uh, I got really... I got really nervous. KRIS: Yeah. Well, this is for you. It's just a little goodie. It's a little blankie for the hospital. SHEILA: I love this. Oh, I love it. KRIS: That'll be your snuggly blanket in the hospital. SHEILA: Oh, thank you. Why does this bring me back to ? JOYCE: 'Cause it is. SHEILA: I mean... KRIS: My first boob job. (laughter) You remember? The last time I was sitting on this couch with the two of you was when I had my face done. Now it's your turn. JOYCE: Your turn. SHEILA: No. My turn, yes. JOYCE: It's your turn. SHEILA: It's hard to believe. KRIS: So, anything you need, you just let us know. SHEILA: Thank you, thank you. KRIS: But, um, I'm personally praying for you. And you're gonna be great. RANDY: Right? KRIS: Yeah, yeah. COREY: It's amazing. Like, every time something goes down with one of you three, the gng is... JOYCE: That's how we roll. KRIS: It's a big deal. It's surgery day and Sheila is so nervous. It's gonna be amazing. SHEILA: All of you guys, thank you. KRIS: You're gonna be so strong. But there's nobody that I would trust more with my girlfriend than Garth Fisher. SHEILA: Here's the star. KRIS: So I'm really confident that today's gonna go really, really well. You ready for her? GARTH: We're all set to start now. KRIS: This is really just a big love letter to her for all of her friendship. SHEILA: Here, come with me. KRIS: She-She. So exciting. SHEILA: I can't believe that I'm going in now. KRIS: I hate this part, because you just want to be put to sleep, and let's move on. TRISTAN: Hey. ]] KRIS: Hi. So, what did you want to talk about? TRISTAN: Thinking up some push present ideas. KRIS: Push present ideas? TRISTAN: Yeah. KRIS: Aw. TRISTAN: I remember KoKo saying she wanted something where she could pass it down, you know, generation after generation. KRIS: You know, Corey bought me, for Christmas a couple years ago, this really beautiful little diamond ring that's, like, you can put it on any finger. TRISTAN: Yeah. KRIS: Um, you know, until you get that really huge diamond that's gonna go on her ring finger. ]] TRISTAN: Of course, eventually. ]] KRIS: Yeah. TRISTAN: Yeah. I think jewelry's kind of the safest bet. ]] KRIS: And she'll be so excited and surprised. Okay, love you. TRISTAN: I love you, too. KRIS: A push present. That's so cute. GARTH: Hello, how are you? RANDY: Good. How are you? GARTH: She's doing great. Of course, what you're gonna have to do is get her a new passport and driver's license. (laughter) She, uh, she looks great. I mean, everything went perfect. SAMANTHA: Good. KRIS: Long day, but the surgery went amazing. I know it's gonna be a bit of a recovery process for Sheila, but I cannot wait to see the end result. RANDY: Kris, thanks. KRIS: Oh, I'm just so happy that she did so well. RANDY: Yeah, so... Look at that. KRIS: Oh, Corey gives the best shoulders. You got to do that for her, she'll love it. (Laughter) ♪ KIM: So, let's go over everything we need to sh*t before tomorrow. So, hair up, four looks. DANIELLE: Okay. KIM: Change into that. Bring this in the car and switch. DANIELLE: Okay. KIM: So we have eight looks that we're doing with this hair at Harajuku on different street corners. And then baseball hat. (bleep) This is what gives me anxiety in life. ♪ KIM: Can we shut the door? I'm literally changing on every street corner, so it's just done. Can we drive? I'm starting to freak out because we have to get so many looks done. But making sure the look looks amazing without a mirror is really hard. And if something is not right, there's no way we can redo it, because the pics are already out for the world to see. So, we've got one sht. Right here, right there, right there, right there. Stop, stop, stop. Can you drive? Let's go. Whoo! (Laughter) Should we get... should we literally get out and go to. McDonald's? Since there's a McDonald's in the last Yeezy sh*t? Can I have an apple pie? And two cheeseburgers. And fries. We got every single look sht. It was a lot of work, but we did it. And with how amazing and pretty the city is, this campaign's gonna be super dope. You guys want some fries? ♪ KOURTNEY: It's freezing. WOMAN: Hello, why don't you come and take a pic. This is big monster. His name is Chompy. ]] KIM: Aw! Cute! STYLIST: I feel like your outfit's cool for this kind of, like, crazy vibe. KOURTNEY: Yeah, it's perfect for this place. KIM: Like, I either feel like we have to go all-out Harajuku, like this... KOURTNEY: Is that what you want me to wear? STYLIST : Yeah, it's like every once in a while she unleashes, and it comes out. KOURTNEY: "You look like a clown!" STYLIST : Yesterday was horrible and disgusting. KIM: I feel like I always, like, pride myself on just being honest. STYLIST : Yeah, but, like, your delivery is a little... it's harsh. KRIS: Sheila has been recovering at home in bed, so I think it's time for her to come out and show us how beautiful she looks. ]] SHEILA: Hi. ♪ KIM: I feel like I always, like, pride myself on just being honest. STYLIST : Yeah, but, like, your delivery is a little... it's harsh. KOURTNEY: That's what I said, I said it's not what you say, it's how you say it. STYLIST: Sometimes it softens the blow if you say something nice first. KOURTNEY: It's called sandwiching. STYLIST: Yeah. STYLIST : Or giving a suggestion like, you know, we did this yesterday, we should try this... KIM: That's a good one. STYLIST: Where it's, like, constructive, yeah. KIM: But I just feel bad that I was, like, so critical. So I'm working on it. STYLIST: I think that's really great. KIM: So I will definitely work on my delivery, but my message, I think, it pretty clear. KOURTNEY: Just, first go in with a compliment so people don't feel attcked. KIM: Okay, so I would be like, "Oh, okay, your skirt's" cute. "The eye shadow's ridiculous. So, it's cute." KOURTNEY: But you don't have to say "ridiculous," you could say, "I like your skirt, I feel like the eye shadow might be a little too over the top." Maybe if we just compliment Khloe on the days we do like her hair, then she'll take the hint. KIM: Then we'd never be complimenting her. Oh, they want to dance with you, Kourtney. KOURTNEY: No, you go. KIM: No, I don't dance. KOURTNEY: I don't dance. ♪ ♪ KIM: Kanye's so happy with how the sht turned out, and I feel like it was a really good trip for all of us overall. I mean, there was definitely some rocky points, but I think we have moved past that. So, now it's the last night, and we are doing this, like, impromptu sht, just to be us again and hang out together and just have fun. STYLIST: You should do... You should pick it up with your hands and do that. Eat the pasta. Wait, but you should take it. Like, that's so cute. PHOTOGRAPHER: It definitely is. KHLOE: I could eat. If there's one thing you guys want me to do, ask me to keep eating. KIM: Can you see my boob? STYLIST: No, everything's covered, you're good. KHLOE: Where are you go... What are you...? KOURTNEY: Somebody get me a cigarette and a bottle of champagne. STYLIST: You are amazing. KIM: Who wants a performance? KHLOE: Girl, you better work it. PHOTOGRAPHER: Work. KHLOE: Work that hoochie. I want you, like, standing on this table. KOURTNEY: With a bottle of champagne and spray it. STYLIST: (laughs) You're so extra. KHLOE: Just act normal. STYLIST: Yes! KHLOE: You are so (bleep) annoying! I thought this was a great trip. I loved it. I loved Kyoto the most. And I'm happy I got to go for my first time with my sisters. KOURTNEY: Aw, that's so sweet. KHLOE: You can be such a bitch sometimes. Oh, no, face it that way, and not this way, towards the wall. KOURTNEY: This is so hard. PHOTOGRAPHER: Like that. Like that. ]] KHLOE: Whoa! (laughter) ♪ KRIS: Sheila has been recovering at home in bed, staring at the ceiling, and trying to be a good girl and not move. So, I think it's time for her to come out and have a little bit of dinner and show us how beautiful she looks. COREY: What's up, young kids? SHEILA: Hi. KRIS: I feel like I have my. Sheila from the ' s right back with me. How great does she look? RANDY: She does look amazing. KRIS: And it's really kind of fabulous. (phone ringing) SHEILA: Is it Scott? KRIS: Hi. We're celebrating Sheila's face-lift. SHEILA: Oh, God. (Laughter) KHLOE: Oh, my God. KRIS: Doesn't she look like a teenager? KHLOE: Aunt Sheila, you look so good. SHEILA: Oh, thank you, sweetheart. Thank you for everything. For checking in and... KHLOE: Oh, my gosh. SHEILA: I love you so much. KHLOE: Uncle Randy, do you even know who you're banging at night? SHEILA: Oh, my God! RANDY: That's the best. She might get rid of me. I'm afraid of that. SHEILA: Never. KRIS: It's his prom date. Oh, wait, what's going on? KHLOE: You got your hair cut? KRIS: Yeah. SHEILA: Oh, it looks cute, though. ]] KHLOE: I can tell. You look like a little boy. (laughter) KRIS: That's exactly what I was going for. (laughter) KIM: On the next episode... KRIS: Ooh, what is this? Did your friend make those? SCOTT: Yeah, that guy Art Vandelay. KRIS: Thank you so much for my painting. SCOTT: Oh, right. KHLOE: All good things must come to an end. ]] KRIS: What? KOURTNEY: To help out with the Watts Center, we're doing a softball game. KRIS: I brought my secret wapon. Take that, Jacksons. Hey, everybody, Alex Rodriguez! I'm so optimistic that this is going to make the community a better place. WOMAN: This is a dream.	{"type": "series", "show": "Keeping Up With the Kardashians", "episode": "15x09 - The Kardashians Take Japan"}	foreverdreaming
♪ ♪ JONATHAN: Hi. Oh, there's, like, thousands of trampolines. KOURTNEY: Who's ready to jump? (Indistinct chatter) JONATHAN: Gotcha. I got ya! PENELOPE: I'm not jumping. KOURTNEY: Why? I'm gonna jump. Mase. JONATHAN: Wait, Mason, but you got to do this. You got to run into the wall. MASON: No, I don't. JONATHAN: Yeah, look. (Kourtney gasps) Whoa. Ooh, ooh! MASON: I'm out. KOURTNEY: Why? You're out? JONATHAN: That's crazy (bleep). That's some crazy (bleep). KOURTNEY: My kids are so cranky. They like to sit on the side. JONATHAN: Look how mad they both are. KOURTNEY: I'm telling you, two minutes later, they'll be fine. Oh, my God. (shouts) Whoo! Oh, my God... (laughs) I fell. I'm gonna try it again. (laughing): Oh, my God. I'm literally, I'm gonna pee my pants. (Jonathan laughs) Oh, my God! JONATHAN: That's what I'm talking about! MASON: I want to try. JONATHAN: ht... You got to ht the wall. KOURTNEY: Mase. MASON: Whoa. KOURTNEY: Whoo! MASON: Come on, P! KOURTNEY: My kids came back. JONATHAN: Well, you called it. (Kourtney laughs) ♪ ♪ ♪ ♪ KHLOE: So I just left my first doctor's appointment in. Cleveland ever, and we are about two weeks out, two and a half weeks max from me giving birth. Something that I'm super grateful about is that the show basically documents all of these great moments in time, and that we get to have kind of really expensive, well-produced home videos. And since I was on maternity leave from the show, I decided to film everything myself, um, or have a friend sh*t it, so I'm able to have a great video for True one day. I'm so nervous. I don't know why... well, I know why, it's just scary. I'm just scared of the labor, 'cause that just scares me. Oh, and I've been having contractions, which is kind of cool 'cause they're not that painful. But that's why we're not concerned, 'cause they're not that painful. (laughs) It's the homestretch, two weeks, and then I get to be with her and see what she looks like, and meet her and... But I'm excited. ♪ ♪ KENDALL: So all of this is gonna be painted all green. We're gonna, like, fix this door a bit. SCOTT: Wait, did you sell the other house quickly, or you still have it? KENDALL: Literally, in less than a month. We sold it so fast, that's why I'm homeless right now. So this room's just like... SCOTT: Formal? KENDALL: Yeah, exactly. This is gonna be used to, like, hang out, or whatever. This is the TV room. SCOTT: This is nice. KENDALL: So we're putting, like, a big hundred-inch here. SCOTT: Are they gonna recess it into the wall? KENDALL: No. I just don't really care. SCOTT: It's kind of nice. (Kendall laughs) I want to see this yard. KENDALL: This is it. SCOTT: It looks damn good. KENDALL: They're gonna redo it completely, basically. Like, fill it in more. SCOTT: And how's that tub? KENDALL: It's not horrible. Comfortably, three people, four people. SCOTT: Yeah. Depending on the size. I think you'll like it up here. KENDALL: Yeah. SCOTT: It feels safe and secure. KENDALL: And I can, like, get to Calabasas and, like, my horses easier. SCOTT: Haven't you been riding a lot more lately? KENDALL: Yeah. I just got a new horse. SCOTT: That's fun. KENDALL: She's real cute. SCOTT: It's nice to do things. KENDALL: I feel like I have no one to do anything with. SCOTT: I mean, I would say I would come horseback riding with you, but I probably wouldn't. But I'm down to do any other kind of fun activities. KENDALL: We should do stuff. Yeah, I feel like you're my only person left that likes to do fun things. SCOTT: Well, also, everybody's, like, bedridden with a child. KENDALL: Yeah. Right. I'm literally the only one without a kid. SCOTT: I used to always run around with Khloe, but now she's got a baby coming. Kylie was, like, your go-to. She's got a kid. My kids are, like, growing up. KENDALL: Looks like the universe is just drawing us together. ]] SCOTT: It's just... That's all we need in life. (Kendall laughs) You know, I feel like me and Kenny have always had a lot in common. You know, we're both models. Just kidding. You know, we're both really into doing stuff that gets our adrenaline going, and with everybody having babies now, Kendall's pretty much the only person that can basically move. Oh, is this, for-for some odd reason, I, like, knew... KENDALL: (gasps) Oh, my God. SCOTT: You were going after that machine. I don't know why. You started thinking about doing activities, it looked like a big bowling ball. KENDALL: We can just build this house together. SCOTT: There's a lot of... Whoa! Whoa! You got to get on a helmet. KENDALL: I know. ♪ ♪ KHLOE: I have been on this birthing ball for how long, Malika? MALIKA: Um, like, the last three hours. KHLOE: And I love this thing. It's supposed to, like, help the baby get into position, and. Malika is with me because Tristan is on the road and... MALIKA: I'm baby daddy two. KHLOE: And so she's my second baby daddy. And he wanted her to be here in case anything happens, 'cause I'm very close to delivering, but so far... MALIKA: I can't wait. I can't wait, I can't wait. KHLOE: Come on, birthing ball, let's birth. MALIKA: Come on, baby. ♪ ♪ KIM: Hi. OLIVIA: Oh, my God, the brown hair. Nice to see you. KIM: I'm having a really bad hair day. Have you guys ever been here? OLIVIA: No. ]] KIM: Yeah. OLIVIA: I haven't been... KIM: But she's so nice. Natalie and Olivia are friends that I have kind of recently become friends with. NATALIE: Kim. What if it becomes trendy to have a hairy armpit? KIM: That... I cannot stand when girls are into that. NATALIE: I know, but I feel like it's creeping in, like, the hairy armpit things. OLIVIA: Well, I'll never do it, so I don't care. KIM: It's kind of different now that I'm a mom. Sometimes it's fun to have friends that aren't my mom friends, that I can just have a good time with. NATALIE: I have been so hungry lately, I can't control myself. ♪ ♪ KIM: (groans) I can hardly sit from my workout. They have, like, a green apple sake. ]] OLIVIA: Do they? Should we do it? We'll do the apple sake. NATALIE: Let's try it. KIM: Like, the tiniest, tiniest, tiniest bit. OLIVIA: Kim, one day... KIM: I have to be, like, in Vegas to get wasted. OLIVIA: Okay, one day, we'll get wasted. NATALIE: Well, having a drink at lunch isn't gonna get you wasted, Kim. OLIVIA: Don't booze-pressure her. NATALIE: I'm booze-shaming her. (Laughter) NATALIE: Peer pressure, peer pressure. Drink, Kim, drink. OLIVIA: I think now that you're a mom of three, we got to get you gooned. KIM: Yeah, but then if I can't get up in the morning to take the kids to school, it's, like, a whole other thing. NATALIE: But I think you're really underestimating the amount of, like, mothers that are drunk all day long. (Kim chuckles) Kim, just trust us, okay? OLIVIA: What you do, you could do a starter pack with us. On the low. NATALIE: Yeah, see? We could even stay in. KIM: Just at home? NATALIE: Yeah, at home. OLIVIA: Three girls just getting gooned, I don't know. KIM: My -year, um, reunion is in two weeks. OLIVIA: Are you kidding? KIM: That's a time where I would drink. I would get totally drunk. NATALIE: Yeah, that would be a great time. OLIVIA: Well, especially because it was a girls' school. So it really is time with the girls. NATALIE: Yeah, get sloshed with your old-timers, yeah. OLIVIA: "Sloshed with the" "old-timers." ]] KIM: Yeah. -year reunion. How crazy is that? Just to even think. NATALIE: Okay, let's just not say that. ]] KIM: It's wild. NATALIE: Are we that old? (laughter) KIM: I have honestly been waiting to go to a high school reunion since I graduated. There was, like, a group of us that were best friends, and I'm so excited to reconnect with them. I will say, this is pretty amazing, though. This tastes like, yeah. NATALIE: Tastes like apples. KIM: Did you fill this up? OLIVIA: Yes, she did. KIM: Just a little refill. OLIVIA: Cheers to life, ladies. ♪ ♪ KHLOE: Malika and I just left the doctors. Get into frame. MALIKA: I just saw my baby. She's so cute. KHLOE: Ugh, I look crazy. I'm one and a half centimeters dilated. My cervix is really... MALIKA: Soft and ready. KHLOE: Smushy. So basically, any time. With every day, I definitely was excited, but I was more anxious. 'Cause, you know, it's just the unknown. You don't know what's gonna happen. And I think people put such a scary... just, perception of birth into your head, so it's just, like, it's a terrifying thought to think, "Oh, my God, I have to deliver a baby out of" my vagina." Like, that's just, sounds so terrifying. MALIKA: Khloe's about to go. Yeah! SCOTT: I thought, you know, if me and Kenny got out, in the open sand, it would be kind of fun. (Kendall screams) (phone chimes) (Kendall gasps) SCOTT: What's popping? (phones chiming) What? Stop. KIM: There's a video of. Tristan making out with a girl last night. Khloe's gonna die. ♪ ♪ SCOTT: I feel like you really could just, like, kll somebody and then drop their body back here and no one would ever find it. ]] WOMAN: Hi. SCOTT: Hey. WOMAN: Hi, this is Sylvia. SCOTT: How are you? Scott. KENDALL: Hi, I'm Kendall, nice to meet you. SCOTT: You know, when I was a kid, I used to always ride ATVs or quads or whatever you want to call it, and I remember it being a really good time in my life. So I thought, you know, if me and Kenny got out in the open sand, it would be kind of fun. KENDALL: Good, how are you? JORGE: Welcome to Enjoy the Mountain, this is Jorge. KENDALL: I'm Kendall. JORGE: Kendall, nice to meet you. ]] SCOTT: Hey, Scott. How are you? JORGE: You can grab the handlebar now, please. Just steer left, right and point forward again. Where the front wheels are pointing, that's where it's gonna go. I'm gonna go first, then it's going to be you, then you're gonna be the last one, okay? (engine whirring) Ready, Kendall? ♪ ♪ KENDALL: Whoo! SCOTT: The whole ATV'ing is fun, but it's not exactly extreme. I mean, I'm pretty sure grandmothers could ride these little dirt bikes around town. KENDALL: Whoo! (Laughs) JORGE: You made it. Good job. You did a good job. Well done. How was the ride? KENDALL: Fun. JORGE: It was fun? KENDALL: Thank you. (exhales) SCOTT: It was therapeutic. Wasn't really an extreme sport, but... KENDALL: No, it was fun. SCOTT: It felt nice. It was, like, relaxing. Is that a spray tan or is that dirt? KENDALL: No... that's my arm. That's the dirt. SCOTT: Holy... KENDALL: Spray tan? SCOTT: You're an animal. All right, I'm ready to h*t the showers. KENDALL: Yeah, same. ♪ ♪ KENDALL: Mase's vibe is so funny, he wants to be like you so bad. ]] SCOTT: Really? KENDALL: He wears his little chains and he has his little cool guy attitude. And I'm just like, "You're so" funny." SCOTT: Today wasn't really an extreme sport, but I'll tell you what I really want to do more than anything though, is go skydiving. KENDALL: Oh, my God. Like, no. SCOTT: Yeah, I've always wanted to. KENDALL: It makes me so nervous. SCOTT: I think it makes everybody nervous. That's the point, kind of. You know, I've always wanted to skydive. I've actually always wanted to become, like, a licensed skydiver, just so when I went on planes, I could bring a pack. Just in case if things got ugly, you could just jump out and be good. I don't know if that's legal, but that always seemed like a good idea. KENDALL: So scary... SCOTT: I think you got to just give, like, a "I don't give" "a (bleep)" vibe and then once you're out, it's probably an unbelievable experience. I'm actually a little surprised, 'cause I kind of thought she would be into it hands down, but she seems a little reluctant. KENDALL: This was my agreement: I will go, I will get get in the plane and I will go up. SCOTT: Oh, well, that's fine. KENDALL: But I don't know if I can guarantee that I will jump out. SCOTT: Nobody can guarantee that. KENDALL: No, but I heard that if you get in the plane and you take off, they make you jump. SCOTT: No. Not a chance. No chance. That's fully illegal. (Kendall groans) They're not gonna push you out of the plane. ♪ ♪ KHLOE: So this is my new life. All I do is sit on this birthing ball. Sleeping, I can't get comfortable, sitting. And really, the only place I feel comfortable is this ball. It's really just a (bleep) workout ball, but they call it a birthing ball, and you bounce, you do whatever. Oh, my gosh, can we talk about the breathing? When I am watching these videos back and I am hearing... ugh... The breathing, I sound like a full-blown beast and I can't handle it. I mean, I have a little munchkin sitting on my lungs, so I guess it's to be expected, but holy cow. (Exhales) I'm out of breath right now. (chuckles) ♪ ♪ KIM: You know what I would dream for? I would dream to sit in bed and have no one bug me and watch whatever shows I want. SARAH: Right. You would do that for two days and then you'd be like, "I'm so lonely, where" "is everyone?" Trust me. KIM: Yeah, but there is nothing like, just a good night's sleep. I got pushed in my sleep... SARAH: Yeah, but I've done that my whole life. KIM: All (bleep) night long. I have the biggest bed and I got pushed and kicked... SARAH: Boo-hoo-hoo-hoo. KIM: All night long. SARAH: You have three beautiful kids, though. I'd so much rather get kicked off the bed than have the whole bed to myself. Our bodies are made for spooning, Kim. I spoon my dog, that's it. KIM: That's disgusting. People like you are sick in the head. ]] KOURTNEY: Honey. (phone ringing) Oh, you're in Stormi's room. How cute are you? So I feel like, maybe we should just go to Cleveland earlier... KYLIE: I agree. KOURTNEY: And see Khloe, and, like, be there. KYLIE: Yeah. KOURTNEY: Early, like, for the birth. KIM: I just, like, have my year high school reunion, that I really wanted to go to, but... and Khloe's like, "go to that", that's more important." KOURTNEY: On the th? KIM: Yes. Khloe has been timing out her pregnancy and we think her baby's gonna come sooner than we anticipated, and, like, literally, the doctor thinks it could happen right on the day of my -year reunion. SARAH: Kim, I feel like you need to go to your high school reunion. You've been talking about it for two years. KIM: I know, right? But what if Khloe, Khloe's having her baby? KYLIE: I think Khloe's just saying, "Go to that, it's more" "important, or do this," but I think she really wants us to be there. Imagine how she, like, how you'd feel like. Different states, already weird. She has the baby and none of us are there, it'll just... I know, like, she's stressed now, but after, she's gonna want us, like... She's gonna be like, "(bleep)" where are they?" KIM: So years, I've been waiting for this. I've been so excited. But I feel like Khloe really needs me right now, so, I don't know what to do. So what do I do? Birth, or -year reunion? KENDALL: Getting a little nervous. SCOTT: Today is the day that we are going to jump out of a perfectly good airplane. MAN: There's no turning back now. KENDALL: I don't think I can do it. WOMAN: We're wondering how you balance your responsibilities? KRIS: Well, I think as far as... what, you want to answer that? KOURTNEY: They said you have to check your phone right this second. KRIS: Oh. Khloe's in full-blown labor and I'm in charge of bringing the doctor. We should have come last night. I knew it. (sighs) (bleep) ♪ ♪ KHLOE: Just got out of the shower. Um, the baby has been really low, which is good. The baby's dropped, what they say. Um, yeah. I mean, I feel good, I'm just anxiously waiting for... the baby to get here. (sighs) My little, my babe. So, exciting. The countdown is real. ♪ ♪ KOURTNEY: Do you like me? KRIS: Hi, boo-boo. Wait. Kim didn't realize that you lived here now. ]] KIM: Yeah. KRIS: Do you love living out there in the guesthouse? Do you feel safe? KENDALL: I don't live out there, I live in here. KRIS: Oh, you do? KENDALL: Yeah. KRIS: What room? KENDALL: The master... KRIS: Stop, you took over. Khloe's master? KENDALL: She told me I could. KRIS: That is a badass move. KENDALL: I bet you she would have... KRIS: I like your style. (chuckles): I love your style. KIM: You know, I've been dying to go to my high school reunion. I'm literally in a group chat with my friends right now. KRIS: Stop. KIM: But I'm nervous 'cause. Khloe's supposed to... that's the weekend that the doctor is going out to see Khloe. KRIS: What day is the high school reunion? ]] KIM: Friday. KRIS: Oh, wow. ]] KIM: Yeah. If I want to go to the reunion on Friday night, can you just fly out a little bit later and I'll fly with you? 'Cause my reunion's at, like, : . KRIS: I've already told Dr. A that we're gonna get on a plane Friday morning. And I just want to get there, 'cause this is giving me anxiety just not being there. I just want to settle in and make sure she has everything she needs. You know, there's a lot to do. Because God forbid she goes into labor. Then at least Doctor A's there, I'm there. I mean, I wish I could leave now. So we're gonna go. You can't get on that plane. You need to go to your reunion, I get it. KIM: All right, well, you go, and I'll think about it. KRIS: All right. KIM: It's like, I really want to go to my -year reunion, so I'll just, I-I cannot plan... It's like, my -year reunion's really important to me, also. KRIS: Yeah. KIM: They're both are. I-I want to go to both, and I feel like I can go to both. KRIS: Uh, Khloe's birth, -year reunion. It should be Khloe's birth. KIM: I know, but I just feel like I can do both. So I'm just, like, I-I have to be really last-minute on this. KRIS: Of course you do. Okay. KIM: Like, I just can't make too many plans. KRIS: It'll be fine. I'm gonna be in Cleveland. So you have fun. KIM: Okay. KRIS: Okay? You do you. I'm gonna do me. ]] KIM: Okay. KRIS: Okay. How about you, Kenny? KENDALL: I don't know. ♪ ♪ KENDALL: How are you? SCOTT: Scott, nice to meet you. So today is the day that we are going to jump out of a perfectly good airplane. And I'm very excited. I got to tell you. SCOTT SMITH: You excited? KENDALL: Mm... I don't know. SCOTT SMITH: So you haven't jumped before, have you? KENDALL: Never. I'm getting a little nervous. SCOTT SMITH: Pull those leg straps up over your knees. And then slip your arms back. KENDALL: How many times have you jumped? Do you have, like... SCOTT SMITH: About , . KENDALL: Stop. SCOTT SMITH: Been jump... This summer will be years. KENDALL: Really? SCOTT SMITH: Mm-hmm. KENDALL: Has anything crazy happened to you? I mean like, scary? SCOTT SMITH: I've had a couple sprained ankles over the years. KENDALL: Obviously, my only real fear is, like, the parachute situation. SCOTT SMITH: Parachutes are super reliable these days. But again, they're... KENDALL: "These days." SCOTT SMITH: (laughs) years ago, they weren't, weren't quite as good as what we have right now. Yeah. KENDALL: So if we get up there and I change my mind, is that okay? SCOTT SMITH: That's fine. KENDALL: Okay. SCOTT: I feel like this is the worst part. KENDALL: No, I'm tripping out a little bit. Oh, it's time to get on the plane. I'm so scared. I can't breathe. Do people, do people black out often? SCOTT SMITH: Not very often. KENDALL: I'm getting nervous. SCOTT: It's no big deal. SCOTT SMITH: I think we're ready. KENDALL: Why am I doing this? SCOTT: It's because you're not just a model. KENDALL: (bleep) (Scott laughs) I need to go home! Oh, my God, it's happening. SCOTT: So anyway... KENDALL: Oh, my God, I'm freaking out. Ah! Oh, my gosh. SCOTT: No turning back now. KENDALL: What did I agree to? SCOTT SMITH: All right, you ready? KENDALL: I don't think I can do it. WOMAN: You're all right. MAN: You got this. You got this! KENDALL: How fast does it all happen? MAN: About eight minutes. SCOTT: I've been wanting to do this forever, so I'm comfortable. But Kenny definitely doesn't seem too comfortable. And it kind of feels like there's a very good chance she's not going to jump out of this plane. KENDALL: I don't know. SCOTT: I mean, listen, Kenny said she wanted to get her adrenaline rumbling around. So this is it. KENDALL: Oh, my God. I don't think I can do it. (Kendall gasps) ]] KIM: Hey. MALIKA: What the (bleep) is that? KIM: She's literally gonna go into labor over this. KOURTNEY: The whole thing just really makes me disgusted. KENDALL: Love you, Scott! SCOTT: There's something I've wanted to tell you! KENDALL: No! SCOTT: I've always loved you! SCOTT SMITH: Green light, green light. MAN: All right, start with your right. (Kendall screams) ♪ ♪ KENDALL: Oh, my God. I don't think I can do it. MAN: You want to... Want to take a look? KENDALL: I don't think I can do it. (whimpers) MAN: When you're ready to go, we're good to go. KENDALL: I can't. I'm, like, literally shaking! I'm sorry. CAMERAMAN: Just count to three. You can do this. I promise you. These guys got you. (Kendall moans) MAN: One, two, three. (Kendall screams) ♪ ♪ MAN (laughs): Yeah! Nice job. SCOTT: (bleep) yeah, brah. MAN: Pretty awesome, huh? KENDALL: Whoo! Oh, my God! PRODUCER: How was it? SCOTT: Oh, it was sick. KENDALL: It's crazy how many emotions you go through. MAN: Yeah. (Kendall whooping) (laughs) ]] MAN: Ah, ha, ha! KENDALL: I did it! MAN: Whoo-hoo! SCOTT: Ha, ha! KENDALL: Whoo! We did it! SCOTT: That was sick. KENDALL: I almost didn't go! SCOTT: You know, I feel like everyone sees Kendall as just this beautiful supermodel, but they don't realize that she's pretty wild, too, and is into doing pretty much anything. I'm, like, a proud older brother. We both did it, and it's a good experience, it's something we can have forever. All right, you ready to go back up? KENDALL: No! SCOTT: Ah, ha! KENDALL: Scott, let's stand in front of the plane. Try and, like, get, like, a lot of plane. Like, maybe, like, maybe stand there, and get it, like, that way. ]] SCOTT: How's my bulge? KENDALL: I can Facetune it bigger for you. SCOTT: Nice! (Kendall laughs) ♪ ♪ MAN: Three, two, one. SCOTT: That was (bleep) dope. Thank God you did it. KENDALL: Yeah. SCOTT: I was nervous for a second. So what was it like, right when you were about to jump? Was that, like, the scariest point? KENDALL: I was, like, on the verge of tears; I was, like, I was like, I'm gonna, I'm not, like, I can't do this. And I kept looking at everyone being, like, "Are you sure? Are you sure? Do you promise me?" Do you promise me?" And then they were like, "We have more seconds. If you want to go, you have to "go now, or else we have to circle around." And I was like, "My dad would yell at me right now if I wasn't" going." My dad would be like, "Get up and get off the plane." SCOTT: Right. KENDALL: Like, I know that my dad... So I was like, "Oh, my God, I have to do it." And I was like, "Fine! One, two, three," and then he jumped. SCOTT: Yeah, I think that's just how it is, like, you just don't feel like you can do it... KENDALL: Uh, I think it's that way. SCOTT: But then if you're like, "Okay, go..." KENDALL: Yeah. SCOTT: It's gonna happen. KENDALL: Mm-hmm. SCOTT: Yeah, that was an amazing experience, though. KENDALL: Yeah. (Phone chiming) (gasps) ]] SCOTT: Hmm? (phone chimes) What's popping? KIM: Wait, hold on one second. SCOTT: Group? What? Stop. Bro, that's pretty serious, isn't it? KENDALL: Wow. (Phone chimes) SCOTT: Is that for sure, for sure? KENDALL: I don't know, that's what I'm trying to find out. That's insane. SCOTT: I mean, you know the only person to ask right now... is Kim. KENDALL: She's the one who texted... SCOTT: Oh, that's what I'm saying. What's her take on it? KIM: Hold on. (quietly): Yikes. Ugh... There's video of Tristan making out with a girl last night. PRODUCER: Oh, no! KIM: I know. Khloe's gonna die. KENDALL: "The woman who" filmed the clip said, 'I was there and he was on the table right next to us with a group of friends. "Everybody watched them make out several times.'" KOURTNEY: I mean, I can't even imagine being in Khloe's shoes. Just how, like, reckless it all seems. This is really shocking, and obviously, heartbreaking. The whole thing makes me disgusted. KENDALL: I'm, like, in shock right now; I don't even know what to say. SCOTT: This is out of... KENDALL: Like, (bleep) idiot. It's a sick joke. SCOTT: (bleep) KIM: Kylie just sent Khloe the article. Like, do I call Khloe? KENDALL: Oh, no. SCOTT: What? KENDALL: She def knows, but she's not responding to the texts. KYLIE: No one had the courage to tell Khloe 'cause we knew she was days away from giving birth. We didn't want to stress her out, but we knew that it was the right thing to do. So I'm the one that told Khloe. I didn't want to hurt her feelings, but I felt like she should hear from one of us, versus on the Internet. KENDALL: Oh, my God. SCOTT: What? KENDALL: Oh, my God, I'm gonna cry for her. SCOTT: No... KIM: She's literally gonna go into labor over this. (phone ringing) Hey. MALIKA: What the (bleep) is that? ]] KHLOE: Hello? KIM: Hey, are you okay? Honestly, so many more stories have come out, so many friends are calling me with, like, so many more things. We thought she finally found her. Prince Charming, and then, (bleep). KRIS: Hey. Are you contracting? Oh, (bleep). I got to go. KIM: Like, go. KRIS: I got to go. KIM: When there's something crazy that goes on in our family, we drop everything that we're doing. KHLOE: I don't want any negativity in the delivery room. I don't want anyone to talk about it, make me feel uncomfortable or him uncomfortable. MALIKA: He's definitely gonna have to face you guys. KOURTNEY: You are (bleep) with all of us when you disrespect one of us. (phone ringing) ]] KIM: Hey. MALIKA: What the (bleep) is that? KIM: Are you with her? MALIKA: No, I'm not. KIM: She's literally gonna go into labor over this. MALIKA: She's, like, literally about to go into... she's, like, literally about to have the baby. You couldn't (bleep) sit down? KIM: Yeah, it's really (bleep) embarrassing. (phone chimes) Hold on. Khloe's texting me right now, I'll call you back. (line ringing) KHLOE: Hello? KIM: Hey, are you okay? KHLOE: Yeah. KIM: Do you want me to come down there? KHLOE: No. I'm fine. KIM: Are y-you... did you say you're trying to come back here to L.A.? KHLOE: I would love to. I need to figure that out. KIM: Well, do you want me to get you a plane and figure it out? Do you want me to... KHLOE: I need to ask if I can travel. I'm gonna call Dr. A and see if I can get out of here. KIM: I mean, I think you-you just have to worry about yourself right now, and just be calm, because... KHLOE (crying): I can't be calm. Not right now. KIM: Okay. KHLOE: I'm trying to figure it out. I'll call you back. KIM: Okay, bye. I mean, I definitely feel helpless, because she's confused, she doesn't know what to do, and we don't really know what to do, but we want to be there for her. And honestly, it's like I'm in shock. We love Tristan. Like, this is just nothing that we suspected. We thought she finally found her, you know, Prince Charming happy ending, and then, (bleep). It's just, why her? Like, it just, it really, really sucks. SCOTT: They're both in the same house right now? KENDALL: No, she kicked him out. He's, like, he left the house. We're trying to get her to come home. ]] SCOTT: (bleep), man. What... by the way... what the (bleep) he even doing out in the streets right now like that anyway? KENDALL: Right. SCOTT: Like, I mean, she is about to pop off, like... Got to chill at home for a minute. (Slurps) I've really turned into such a gentleman. ♪ ♪ KIM: You have an Instagram account? MJ: Yes. KIM: What is your Instagram account? MJ: Kimkardashian.com. (both chuckle) KIM: But what's your. Instagram name? MJ: I just push "Instagram." KIM: Oh. MJ: I have the app. KIM: Yeah. ]] MJ: (chuckles) Isn't that what you do? KRIS: Hey, Mom. MJ: Hi. KRIS: You look cute. MJ: Well, thank you. KRIS: Hi, Kimbo. KIM: Hi, Mom. MJ: Love your shoes, Krissy. KRIS: Thank you. MJ: They're so cute. KRIS: Thanks. KIM: Oh, so, I called Khloe today, and I was like, "Honestly, so many more stories" have come out, so many friends are calling me with, like, so many more things." MJ: I just found out, so I've just, you know, I'm still crying, so I can't... KIM: Oh, you just found out. MJ: Yeah. KIM: Oh. MJ: I'm really sad. Ruined my makeup. ]] KIM: Yeah. MJ: All the way over here. KIM: You know, I told her, "What is, what are you gonna get out of him?" I go, "Think about it. You're gonna be worried and" nervous and have an insecure life, 'cause if he's not faithful now..." MJ: He'll never change. KIM: Yeah, he'll never change. When one thing comes out, you kind of hope, like, "Okay, well", maybe the video's old or maybe it's a misunderstanding, maybe "something," 'cause a picture doesn't always tell the full story. But then, you know, two more stories come out. This is just, like, crazy. And now, you know, you know it's true. MJ: Find-find a different type. You know? ]] KIM: Yeah. MJ: An accountant or something. KIM: Yeah. Preach, Grandma. MJ: A preacher. KIM: An accountant. (Both laugh) KRIS: Okay, so I need your attention. KIM: Yeah? KRIS: This university... Brown. University... they have a class called "Keeping Up with Keeping." "Up." ]] KIM: Yeah. MJ: How cute. KRIS: And I'm gonna surprise the class by Skyping in. Then I thought what I could do is say that you're here, too... KIM: Okay. KRIS: And surprise you, and MJ can pop in. MJ: They'll be so excited. KRIS: Where is Kourtney? MJ: Upstairs getting her makeup. KRIS: So I'll get on with them now. KIM: I can't believe they have a class like that. KRIS: Isn't that wild? KIM: Yeah, to get credit for school on our show... like, that's crazy. KRIS: The timing isn't great with what's going on with Khloe. KIM: But we can't really reschedule the call, so, if anything, it's like a good distraction to get... KRIS: For sure. KIM: You know, our minds off of everything. (Laughter) KRIS: Hi, guys. (indistinct chatter) What are you...? Oh, my God, it's all women? ALL: Yes! KRIS: Oh, that's so cool. Well, hi. Happy Wednesday. KIM: I could probably help out with some reports. (laughter) That's crazy that you guys actually get credit for this. WOMAN: It's not that crazy, because you guys are just so relevant to American culture that... and I think really, it makes a lot of sense for us to be studying you guys. So, in general, why do you feel like your family's become such polarizing figures? Where do you think that some of that both positivity and negativity comes from? And then, how do you, I guess, deal with that? KIM: Sometimes I feel torn about it, 'cause sometimes, like, if I post a photo... KOURTNEY: Hi, guys. WOMAN: Oh, my God. KIM: Welcome to the party. KRIS: There she is. KOURTNEY: Sorry. I was glamming. KRIS: You're late, but go on. KIM: Well, I think we've gone through every crazy thing that you could possibly imagine, and we've shared that. I think just people can relate to that, whether they want us to win or not. I mean, it's so funny to me, the people that are so bothered. Like, I get it. If it's not your thing, like, it's not your thing, so don't... You know, change the channel or whatever, but at the end of the day, people can criticize all day long. We have each other. (phone ringing) KOURTNEY: Is that your phone? KRIS: I don't know. KIM: No. Um... You don't know your ringtone? KRIS: It's like everybody else's. ]] KOURTNEY: That's not everybody else's. KIM: It's not everyone else's ringtone. That's a really annoying, loud ringtone. KRIS: So, it's annoying, okay. ]] MJ: So they are normal. KRIS: Just push the button. WOMAN: We're wondering how you balance your responsibilities as both a character on your show and also a producer? KIM: Kourtney? KRIS: I think as far as... What? You want to answer that? KOURTNEY: They said you have to check your phone right this second. KRIS: Oh. Okay, I got to go. She's gonna answer that question. I'll be right back. KIM: Okay. KOURTNEY: Um, I think... I mean, we're always thinking of, like... What? KIM: Kourtney's not that good at this role. KOURTNEY: At producing? (laughter) No. I mean, people are always coming up with fun things... KRIS: Hey. No, but I can try and get another plane. Why? Are you contracting? Ah, (bleep). Okay, we should have come last night. I knew it! All right. No, I'm-I'm good. I'm just, I'm gonna be calm. I just, let me figure it out and see how fast we can get out of here. She's in labor, like, full-blown labor, and I'm in charge of bringing the doctor. Ah, (bleep). I mean, what's gonna happen if. Dr. A isn't there to deliver the baby? We've got to get there right now. It just doesn't get any worse. KRIS: Hi. So, listen, Khloe's in labor, so here's the thing. Can you get to the airport by : ? ALIABADI: Let me... Yeah. Let me go see my last patient, and I'll run out. KRIS: Okay. Bye. (whispering): I got to go. Wrap it up. I got to go. ]] KIM: Okay. KRIS: Do you want to just pause them, or...? KIM: Okay. One sec. KRIS: I can't wait one second. KIM: Um, we have to go, but, um, we are so excited that you guys... this is actually a real course. ]] KRIS: She's in labor. MJ: She's what? KRIS: I think she's in labor. MJ: I thought so, with this. KRIS: Yeah, yeah, so I got to go get on a plane. WOMAN: Oh, thank you so much. KOURTNEY: Okay, bye, guys. KIM: Thanks, you guys. Bye. KRIS: Okay, I got to go. I just moved the plane up, and I think she's in labor. KIM: Okay, well, to when? KRIS: I knew we should have gone last night, I knew it. KIM: Do you want me to go with you? KRIS: No, you come in a couple of days. I'm going, I'm bringing the doctor. KIM: I'll go. Like, I don't care. KRIS: Uh, the only thing that frightens me is that she's gonna have this baby before I can get there, and then she's giving birth alone. KIM: Hey, are you okay? KHLOE: Yeah. KIM: Um, how are you feeling? Do you want me to come with Mom, 'cause I could go? KRIS: I got to go. Bye, everybody. I love you. ]] KHLOE: Should the contractions feel like period cramps? KOURTNEY: Yeah. KIM: I'm here with Kourt and. Grandma. KHLOE: But they keep going from different times, so I don't understand if I'm feeling them. KOURTNEY: Write it down. KHLOE: Oh, no, one was at : , one was at : , one was at : something. KIM: I feel like I should go. KHLOE: : . KOURTNEY: Yeah. ]] KIM: Okay. KHLOE: And now, another one was at : . KIM: Okay, I'm gonna run and, um, get my bag, and I'm gonna come with Mom. I'll call you right back. KOURTNEY: Call Corey. KIM: I'm on my way. Bye. You know, when there's something crazy that goes on in our family, we just always drop everything that we're doing and go be supportive to them. I obviously wanted to go to my reunion, and I wanted to make both work, but since my reunion is in two days, it's like, game over, it's doesn't matter. I'm gonna go to Cleveland and be there for her. KHLOE: Mom's already stressing me out. KOURTNEY: Yeah. KHLOE: When I said, "Hey, I" think I'm having contractions," she said, "(bleep)." And I go, "What?" KOURTNEY: No, she comes in the room. She comes in the room and goes, "I got to go. I got to go, guys." (Khloe laughs) Um... KHLOE: She's just too much, and then, I love Kim, and I love all you guys, but, like, Kim... You know, it's like everyone wants me to make a decision right this second, and I just want to go and give birth, and focus on that, and, like, try to enjoy this, and try to enjoy it with him. PENELOPE: Mom, can we go through my backpack? KHLOE: As bad as... like, as crazy as that sounds, I want to enjoy this with him. KOURTNEY: Yeah. KHLOE: I don't want any negativity in the delivery room. I don't want anyone to talk about it, make me feel uncomfortable or him uncomfortable. Like, let's just act normal for... Give me a minute. KOURTNEY: Yeah. Okay, I'll keep you posted on what's going on. KHLOE: Okay, thank you. KOURTNEY: Okay, bye. MJ: Love you, Khlo. KHLOE: So, the date is April , and it is : p.m., and I've been having contractions for quite some time, so I'm waiting. My family is getting on an airplane from L.A., and the doctor, so I just hope everyone gets here in time. And we're just excited to meet you. Try to hold on a little bit longer in there. You've been cooking very well. I love you, baby. Big belly. ALEXA: I hope someone can get in the air soon. PRODUCER: Yeah. They said five minutes. I just asked. MALIKA: I'm gonna have no cuticles by the time I get to Cleveland, I swear. KOURTNEY: We had to find two planes at the last second. My mom's plane lands first with the doctor. They're leaving from LAX, and then, Malika and Kim and I are taking a jet from Van Nuys. We just really want to make it there in time. KHLOE: When are you guys taking off? MALIKA: Um, we're waiting on the plane right now. WOMAN: The plane's getting fuel right now. They said we should be able to get on it in five. MALIKA: So, not too much longer. ]] KHLOE: Okay. MALIKA: I will see you shortly. Where's Sav? KHLOE: Downstairs. MALIKA: Okay. I'll call him. KHLOE: Okay. MALIKA: All right. Bye, babe. Hi. SAVAS: What's up? MALIKA: Let's have a little chitchat. It's very easy to think you need to rush or panic... you know what I mean... because she's gonna be acting a fool in the passenger seat... SAVAS: Yeah, yeah. MALIKA: Somewhat ignore that. Also, you know, she's very tough. She's gonna try not to let you help her do a lot of things. Don't-don't-don't listen to her, don't argue with her. Just take it and move. Let her focus on her contractions. SAVAS: All right. MALIKA: All right, thanks. Bye. (indistinct chatter) Hi, Kimmy. Can you believe it? KIM: I know, I'm so excited. MALIKA: I'm, like, look, we all know the problem. Let's just get on the solution. KOURTNEY: Let's just what? MALIKA: I said, we all know the problem. Let's just get on the solution. KOURTNEY: I don't think there is one. MALIKA: Have the damn baby and let her figure her life out. KOURTNEY: Yeah, yeah, yeah. MALIKA: You know what I mean? That's all... to me, that's the best thing to do at this point. KOURTNEY: Yeah, totally. MALIKA: 'Cause she's gonna feel... KIM: She just doesn't want us to, like, start drama in the hospital, so... MALIKA: Yeah, she said, specifically, you be nice. KIM: Yeah, so... MALIKA: I said, "Don't worry. I got Kimmy for you." KIM: Yeah. I'm gonna look at him and just be, like... MALIKA: That's what a big sister's supposed to do. Okay, not the second one, babe. Do the look one, but not the... KOURTNEY: I think the look one's lame. I think I would only do that. MALIKA: You two are gonna be a real problem for me. He's definitely gonna have to face you guys, but for her, we're not even... Like, just... "Hi." KOURTNEY: Mm-hmm. KIM: I don't even think "Hi." MALIKA: Keep it cordial. KIM: I think just like... MALIKA: And you know what? I actually like that. 'Cause that's decent. KOURTNEY: I know how important it is for Khloe to have Tristan there, and I actually really respect that, but it's definitely going to be awkward. It's gonna be hard to even look at him or be in the same room with him. It's like you are (bleep) with all of us when you disrespect one of us. KIM: I think I'm just gonna look at him and be like, "To be continued, (bleep). It's not over." KIM: On the next episode... KHLOE: I really pray that my sisters get to the hospital in time. KOURTNEY: How (bleep) insane to be doing this by yourself? KIM: How far out are we? MAN: minutes. MALIKA: Oh, my God. KOURTNEY: Hurry! KIM: We can't miss this. (Khloe groans, True cries) KIM: I unfollowed Tristan on Instagram. KOURTNEY: Yeah. KIM: He said I'm trying to start stuff and I'm an instigator. I'm, like, done, done with him. Over it.	{"type": "series", "show": "Keeping Up With the Kardashians", "episode": "15x12 - The Betrayal"}	foreverdreaming
TRISTAN: She's here! Hi, cutie. KHLOE: Tristan obviously (bleep) up, but I'm not sure how I feel about anything right now. In two weeks, I might say, "You" know what, this isn't for me," or, "Let's keep it going." Right now my focus is on True. That's really what's important to me. KIM: Tristan, like, he should be embarrassed. I unfollowed him on Instagram. KOURTNEY: Yeah. KIM: I'm, like, done. Done with him. ♪ ♪ KIM: So, you wrote Khloe. KOURTNEY: I just wrote her saying hi. KIM: She's like, "Please, I" don't want you guys to fight." I'm like, "I unfollowed him, and I'm just letting you know." KOURTNEY: Mm-hmm. Does he follow us? KIM: I don't know. That's gonna be a rule. I'm not following any boyfriend or anything, 'cause it's so awkward when I have to unfollow. You have to practically be married in, at this point. That's my rule. (gasps) He blocked me. What a (bleep) loser. Literally, what a (bleep) loser. I'm calling her right now. (line ringing) KHLOE (on phone): Hello? KIM: Wait, he blocked me on. Instagram. Like, how old are you? KHLOE: He's . Only -year-olds even know how to block. I don't even know how to block someone. ]] KIM: Oh, it's on. KHLOE: Oh, no. Please don't do the "It's on." What does that mean? KIM: It just means when I see him... I'm going to, like... KHLOE: Yeah. KIM: Spit on him. Whatever, I'll save it all for him; I won't stress you out. I'll... KHLOE: No, please tell me, because I just have to know how long I have to keep you guys separated. KIM: We can coexist. I'll be nice. KHLOE: No, I don't know if you guys can coexist. It's so crazy. KIM: Yeah, I don't think we can, actually. KHLOE: Hold on. I got to go. ]] KIM: Bye. (phone beeps) Your boyfriend's a (bleep) loser. ♪ ♪ (dog barks) SCOTT: Can you, like, introduce me to the dog? KENDALL: Six, come here. SCOTT: Hi. (Kissing noises) Well, is she like a little bit, like... obsessed with me, or...? KENDALL: She likes you. It's 'cause you're petting her. SCOTT: Oh. So, what went on at the high school reunion? Were a lot of people there? KIM: Yeah, it was amazing. Me, I got a party bus. I got a big Sprinter. SCOTT: What? KIM: I picked up Allison. Do you know Amanda Lee? SCOTT: Yeah. KIM: My friend Sarah Hudson. Amber Jenkins. SCOTT: Well, you were fun, right? At one time? Like, you were, like, wild, right, some of your years, right? ]] KIM: Yeah. SCOTT: Yeah, it's so weird. I can't, like, picture you being, like, a wild child. KIM: Really? SCOTT: Can you? KENDALL: No, but I heard stories about you. KIM: Like what? KENDALL: I can't say it. KIM: Like what? SCOTT: I've heard some stuff. KIM: You can say it. SCOTT: You went to, like, Disney and you were all high or something. Or Six Flags, or... KENDALL: Yeah, I didn't know you, like, got high. KIM: I got married on ecstasy. KENDALL: I had no idea. KIM: No, the first time. I did ecstasy once and got married; I did it again, I made a sex tape. Like, everything bad would happen. SCOTT: You were high on ecstasy when you were in that sex tape? KIM: Absolutely. Everyone knows it. Like, my jaw was shaking. Like the whole time, I'm like... SCOTT: I thought that was 'cause of sucking the ol' zazee. KIM (laughing): No, this is my move. Yeah. SCOTT: No, I-I can't see that. KIM: When I first started to travel, I remember one night. Paris and I stayed in Ibiza. We go to a foam party. We leave the club at : a.m. I'm like, "Guys, we're going to" the beach." So we go to the beach. There was, like, buoys in the water that made a big square, and I'm like, "Let's sleep in the ocean." We locked arms on rafts, and we spent the night in the ocean on rafts. KENDALL: I just can't believe that that was you. KIM: I still can do crazy things. ]] KENDALL: Okay. SCOTT: Sure. KENDALL: Prove it. (Scott laughs) KIM: Kendall honestly has, like, no clue. I definitely went through a wild phase. I would say in, like, my late teens. I'm not like that anymore. But, like, I still have fun. Don't get it twisted. I'm always the life of the party. SCOTT: Hi. KENDALL: You can tell her "off." She likes you. SCOTT: Oh! This gddmn dog's a whore. (Kendall laughs) ♪ ♪ KOURTNEY: What about these? KHADIJAH: Those are cute. KOURTNEY: You want to put these in? PENELOPE: Yeah. KOURTNEY: So, two people from. EWG, it's this nonprofit organization, Environmental. Working Group, are coming over. KHADIJAH: Okay. KOURTNEY: They have this app that I've been using for years. And it's called Healthy Living, and you can scan, like, cleaning supplies, beauty products, food... like, different things. KHADIJAH: Mm-hmm. KOURTNEY: And they score it. They give it a score to tell you how good or bad it is. KHADIJAH: That's pretty cool. KOURTNEY: Having three kids, it's important to me to be conscious of product ingredients. Hi. NNEKA: Hi. KOURTNEY: How are you? NNEKA and KOURTNEY: It's good to see you. KOURTNEY: Hi. How are you. JOCELYN: Hi. Nice to see you again. KOURTNEY: Some of the women from EWG reached out to me about their mission and ways I could potentially get involved. I really didn't realize how, you know, that these products weren't regulated. Now I feel like I need to look up every kid product that I'm using. I've done it before, but I feel like it's, like, you constantly have to be doing it. And, like, even if it says natural. JOCELYN: Yeah. KOURTNEY: That's crazy that that doesn't mean... KHADIJAH: That scares me so much. JOCELYN: Right? And, like, the color of the bottle doesn't matter, and, like, a lot of people are like, "Oh, it looked really natural." KHADIJAH: The packaging's cute. Yeah. JOCELYN: "It said recycled." And just 'cause it's recycled doesn't mean the actual chemicals inside of it are good for you or for the environment. NNEKA: We realized that most people don't know that personal care products aren't very regulated. I just thought that all the products on store shelves met this very vigorous standard. JOCELYN: Oh, me, too. Yeah. NNEKA: That's not required now. Right now, we as consumers are all the guinea pigs, because these products aren't tested. KHADIJAH: That's really scary. NNEKA: Some baby wipes have an ingredient called methylisothiazolinone. Kids started to get these rashes that spread their entire face, and the company had to take the ingredient out of the wipes. KHADIJAH: So crazy. NNEKA: Triphenyl phosphate, that's a flame retrd. It's in nail polish, and it soaks right through your cuticles and gets into your body. JOCELYN: So, like, the same flame retrd we, like, would treat our couches or rugs with? NNEKA: Yeah. Red lipstick will have lead. KOURTNEY: No matter what. NNEKA: It just will. Yeah. If you're pregnant, you should avoid it. JOCELYN: We did a test, and babies are born pre-polluted with over ... industrial components. NNEKA: And also, when you look at the European laws, there's more than a thousand ingredients banned or restricted versus the here. That disparity is just too... it's too striking. KOURTNEY: It's crazy that it's up to us to really do the research and figure it out, you know. NNEKA: The law hasn't been updated since , so we're working really, really hard to update the personal care law and get a bill passed that would ensure that products are safe before they go on store shelves, and we'd love your help to get some attention. JOCELYN: You're welcome to come to Washington to lobby with us, or... KHADIJAH: Lobby, Kourt. Yeah. KOURTNEY: I would love to. JOCELYN: Yes! KOURTNEY: I feel like my sisters are always saying, "Oh, you don't have a passion." You don't have your own project." But this is something that I do feel strongly about. We should be able to walk into a store and safely shop for personal care products. And I know I'm not the most political person, but if going to Washington is going to help push their cosmetic law through, then I'm happy to do it. Well, thank you, guys. JOCELYN: Oh, yeah. Thank you. NNEKA: Absolutely. KOURTNEY: I'm so happy you guys are here, but the second you leave, I'm going upstairs with Khadijah, and we're gonna scan... KHADIJAH: And we're gonna pull everything out on the counter. NNEKA: Like, scanning everything. ♪ ♪ KOURTNEY: Why are you so close? Is that a...? Or am I just really far? KIM: So close? KOURTNEY: Yeah, don't I... I just look so far back. KIM: Oh, I don't know. Oh, like, so close to the thing? Can you call Khloe? KOURTNEY: Have you talked to her? (Phone ringing) KIM: Yeah, I mean, a little bit... just, like, "How's the" baby?" and, "What's going on?" KOURTNEY: I call her. I try to call her every day, but just try to talk about the baby. One time, she was like, "You're stressing me out." I get anxious whenever you guys call." KHLOE: Hello. KOURTNEY: Hi. KHLOE: Hi. ]] KIM: Hey. KHLOE: Hey. KIM: How's Cleveland? (Khloe laughs) KHLOE: Everything's good. KOURTNEY: How's True? KHLOE: She's so good. She's so cute. KOURTNEY: She's so cute, I can't take it. KHLOE: Oh, my God. Thank you. She's already getting so much bigger. KIM: Well, good. We can't wait to see you, so... KOURTNEY: I know. When are you coming? Like, come already. KHLOE: We will be home soon. KOURTNEY: Wait, so... how's Tristan? (Khloe laughs) KHLOE: Uh, he's good. He's good. ]] KOURTNEY: What? KIM: How's my boy? KHLOE (laughs): He's good. I'm just, you know, in a tough situation, 'cause my sister and my boyfriend hate each other. (Kim chuckles quietly) KIM: I still can't believe that Tristan blocked me. I mean, that's just too petty for me, and I could go there in the petty department. I know Khloe wants us to be cool with Tristan when they get back, but I still, you know, hold this resentment towards him. KHLOE: I'm strong enough that I can deal with everything personally, but she deserves to have bonding time with both of her parents. It's not her fault what's going on. KOURTNEY: Nope, it's not. KIM: It's not easy for me just to forget the fact that he broke Khloe's heart. I can't really get over that right now. Hi, guys. ]] OTHERS: Hi. KIM: I'm going to Vegas with all of my high school friends. To a night off to have fun. SARAH: And to Cher. KIM: We're going to the Cher concert. I'm gonna try to relive my crazy, wild years. Oh, my gosh. FABER: Tomorrow at the briefing, your job is to urge Congress to do their job. KOURTNEY: Who is this in front of? FABER: Reporters and about staff. KOURTNEY: I definitely have a fear of public speaking. FABER: Your voice right now is really important. (Scott gasps) SCOTT: True... dat! KHLOE: It's exciting that we get to see the family again and all her cousins, but Kim and Tristan have not been in the same room together since they've had that talk in Cleveland. KIM: Should I go say hi to my bestie? ♪ ♪ KIM: After talking to Kendall and Scott, I decided I need a fun night out. So I'm going to Vegas. Hi, guys. ]] OTHERS: Hi. KIM: I'm bringing all of my high school friends, like, my clique. We used to hang out all night long back in the day. SARAH: Hi! KIM: I've got Sarah, who is the free-spirited artist. Hi. ]] AMBER: Hi. KIM: Amber, the life of the party. You look so cute! Simone, the trendsetter. AMANDA: Hey. KIM: Amanda, the quiet one. FLORIANA: Hi. KIM: And Floriana, the mama bear. How are you? FLORIANA: So jelly of all this hair. SIMONE: You're in your Cher hair! KIM: It only took three hours to put in. No big deal. Oh, my God, is there still clips in my hair? We're going to the Cher concert. Cher is the most iconic singer on the planet, and she's, like, my biggest style inspiration. AMBER: Are you guys all dressing up like Cher? KIM: I have two wardrobe changes. She literally has the best clothes, the best hair, the best nails, the best, like, everything. Shelli Azoff knows how much I love Cher, so she gives me this box, and I, like, open it, and it's this turquoise bracelet, and then it's this scarf, and I was like, "Oh, that's so nice." "Thanks." AMBER: Wait, it's hers? KIM: It's, like, the scarf was something that she used to wear during Sonny and Cher days. AMBER: Oh, my God. KIM: And then the bracelet was Cher's for years, and... FLORIANA: Wow. KIM: But it was, like, really sentimental to her, so I'm wearing it tonight. SIMONE: Did you bring it? FLORIANA: I was just gonna say, add the scarf or no? KIM: I didn't bring the scarf, 'cause it just didn't go, but I really want to wear... AMBER: I can't wait to see it. KIM: The turquoise bracelet. Yeah. AMBER: I told my coworker I'm gonna go see Cher. She says, "Wait, who's Cher?" SIMONE (gasps): What?! No. KIM: How do you not know that? SARAH: How do you not know? KIM: Like, I would feel sad to be working with that person. (laughter) ♪ ♪ ANDREW: How was your flight? KOURTNEY: It was good. ANDREW: Yeah? KOURTNEY: So, the reason we're here... ]] ANDREW: Yeah? KOURTNEY: Is I'm running for president. (laughing) I am so excited to be in D.C. I brought my friend Sarah. She's one of my best friends since high school. She's a beauty blogger, and she is really into politics, so I thought she was the perfect person to bring along. We're going to meet with the EWG staff to talk about what we're going to be doing while I'm here. Hi. How are you? JOCELYN: Hi. Have a seat. KOURTNEY: Hi. Kourtney. WOMAN: Nice to meet you. You picked a good day to be in. Washington. ]] HOWARD: Why? WOMAN : 'Cause it's just gorgeous. KOURTNEY: It is. JOCELYN: So, we just wanted to start off by thanking you for taking your time to be here on behalf of this issue, and it means a lot to have a voice like yours. FABER: To be honest, I've never seen as many staff respond as quickly to the news that you're going to be on Capitol Hill. KOURTNEY: Really? How exciting. ADRIENNE: We need powerful outside voices such as yours being here to really advocate for the causes that we believe, so thank you for being here. FABER: Congress is really close to finally producing a law that sets limits on what kinds of chemicals can be added to cosmetics and other personal care products for the first time in years, and having you here is exactly what we need right now to get this bill into a law and across the finish line. So tomorrow at the briefing for. Senate staff, your job is just to tell your story and why you care and urge Congress to do their job. KOURTNEY: And this is... who is this in front of? FABER: There will be some reporters there, and then there'll be about or staff. They're the people who ultimately will decide: Is this important enough for Congress to act on this year? So your voice right now is really important. KOURTNEY: This is the closest that EWG has gotten to pushing their cosmetic law through. I didn't realize that I'm, like, the final push. HOWARD: You're gonna crush it. FABER: Yeah, you're gonna do great. All right. KOURTNEY: All right, see you in the morning. I definitely have a fear of public speaking. I don't really know, like, what I'm gonna say. I just don't want to mess up. I was about to have a heart attck. HOWARD: They just kept being like, "Thank you for being the" voice. Like, you're helping to get this onto the floor." KOURTNEY: Oh, my God. HOWARD: I was like, "Wait. Kourt's the spokesperson?" KOURTNEY: Oh, my God. HOWARD: Like, she's the make-or-break of this? I was dying! ♪ ♪ KHLOE: We are back in California. I really haven't seen anyone since I've been in Cleveland, since I gave birth, so today Scott gets to meet True for the first time. SCOTT: What's going on? KENDALL: Not much. Just here, you know, chillin'. (Scott gasps) SCOTT: True... dat! KENDALL: Have you met her? SCOTT: No. KENDALL: Swear. ]] KHLOE: No. Do you know how to hold a baby? SCOTT: I have three. KHLOE: She just ate. SCOTT: Whoa, she's so soft. Who's your boo-boo? KRIS: What are you doing? SCOTT: Who's your baby? KRIS: Mama just took the cutest pictures today. SCOTT: I can't believe you have your own child. Khloe has been so good with all my kids, and I just feel like, finally, thank God it's her turn. ]] KHLOE: Is that funny? (blows raspberry) SCOTT: And it's so obvious she's already such a good mom. KRIS: How come you look just like your dad? You're a little Tristan twin. SCOTT: True is so cute. She is such a ball of love. She's literally just one big cute bowling ball of a baby. So, True, how do you feel? Okay. (Kendall laughs) How are you? KRIS: Are you adjusting okay? KHLOE: Um, it's fine. I mean, it's great. SCOTT: You don't have that water view anymore. KHLOE: Don't have that water view, but I got a mountain view now. At first, I was a little nervous, like, just, like, anxious. Like, to go from, like, no one ever visiting or anything to, like, the overwhelming... KRIS: Stimulation? KHLOE: Sure. It's exciting that we get to see the family again and all her cousins, but Kim and Tristan have not been in the same room together since they've had that talk in Cleveland. So it's just awkward for me. I'm in a very uncomfortable position, and I don't know how they're both gonna act. I'm like, what is gonna happen when they get face-to-face? KOURTNEY: We're going in the morning to speak to the Senate, and literally, I don't speak. Part of me wishes that I didn't have to do this. I was trying to think of ways to get out of it. KIM: I was able to pull off a backstage meeting with Cher. Do they have any water anywhere? I feel like I'm gonna faint, 'cause I'm meeting Cher. Oh, my God! AMBER: Oh, my God. ♪ ♪ SIMONE: Oh, my gosh. KIM: Marymount Sailors, you guys. AMBER: Oh! No way. SIMONE: Oh, my God. AMBER: We always had the best balloon surprise. (all laugh) ]] SIMONE: So cute. Wait, what? Oh, my God. SARAH: Oh, my God, Amber. FLORIANA: Amber! AMBER: Why are we so gangster? (all laugh) KIM: The high school reunion continues in Vegas. ALL: Cheers! SIMONE: We have to, uh, look each other in the eyes. AMANDA: Wow. Very serious. FLORIANA: So intense. AMBER: Amanda? Jokes? KIM: Can I get in my Cher outfit? (Sarah laughs) AMANDA: Let's do it. KIM: My favorite thing in life to do is to wear Cher looks. I love recreating looks that she's done. FLORIANA: Cher's here. SARAH: Ready? KIM: Yeah. ]] SARAH: Go. KIM: If I could dress up like Cher every single day, that would literally make my life. Oh, (bleep). My nail keeps coming off. AMANDA: How did you put them on? Did you literally just, like, glue them? KIM: Like, press on, like... SARAH: Like, Lee Press-on? KIM: Yeah. (all laugh) SERVER: How's everyone doing? Does anyone need a drink or beverage? KIM: Yes. Can we get... shts of... AMBER: Shut up. KIM: Tequila. SARAH: What? AMBER: No. No. KIM: Do we want tequila? SIMONE: Kim! KIM: Okay, okay, vodka. Vodka, okay, vodka. Tonight we're drinking. I'm definitely gonna, like, just have fun and try to relive my crazy, wild years. To reuniting after years. And I'm so glad that we're in. Vegas, and just to, like, a night off to have fun. SARAH: Yes. FLORIANA: Absolutely. SARAH: And to Cher. ALL: To Cher! SIMONE: Yes. We have to look in the eyes. AMBER: Okay. Just do it, just one sht. Go, go. (All whooping, laughing) KIM: Oh, my God. ♪ ♪ KOURTNEY: I just took a photo of us in the bathroom, but tell me if it's even okay. ANDREW: Yeah, why not? KOURTNEY: Should I write, like, "businesswomen"? ANDREW: You're twins. Like, literally. KOURTNEY: Should I write... ANDREW: No, "career girl" special." WOMAN: "A businesswomen special." ANDREW: No, no, it's "career girl special." Actually, I think you're right. (all laugh) So, how did the meeting go? KOURTNEY: It was good. We were gonna cancel the press conference tomorrow. ANDREW: Yeah. KOURTNEY: But it's not really a press conference. It's, like, that's when I'm speaking in front of the Senate. ANDREW: Oh, okay. HOWARD: And then House staff later, 'cause they do it separately. ANDREW: So, are you, like... KOURTNEY: So, the Senate staff... ANDREW: Are you behind the thing with your, like, little name... KOURTNEY: No, so literally, I don't speak. Like, when I had to speak for Jen Atkin, I thought I was gonna start crying. I was like... ANDREW: Well, luckily, you brought yourself to Washington to talk in front of, like, politicians. WOMAN: What are you gonna do? KOURTNEY: So I was trying to think of ways to get out of it, and, like, be like, "My publicist doesn't want me to do this." ANDREW: Yeah. KOURTNEY: And I didn't even tell my sisters or anyone that I was coming and doing this. They're so judgmental on my... whatever I'm doing. After they say that I never have my passion. HOWARD: That's because they just want to be you. Don't worry about it. KOURTNEY: They really do. My sisters can just be very critical. I already put enough pressure on myself as it is. Like, I'm worried, what if I say the wrong thing tomorrow and let everyone down? Part of me wishes that I didn't have to do this. HOWARD: I think you just need to show that you're serious, and I think you are serious about it. ♪ ♪ (all laugh) SIMONE: Oh, my God, Kim, you look amazing. KIM: And I have new nails. SIMONE: Oh, you do. KIM: Yeah, I-I'll do anything for, like, a good look. Like, it doesn't matter. SIMONE: Wow. SARAH: What are we doing? FLORIANA: I want to get in. KIM: Ooh, the smell of this vodka. Oh, I'm gonna throw up. ALL: Cheers! (Simone whoops) (Sarah whistles) AMANDA: Look in the eyes. AMBER: Look in the eyes. SIMONE: I'm done looking in the eyes. AMBER: I'm not done. SARAH: I can't even see any of your eyes anyway. (Simone laughs) FLORIANA: Oh, my God, are you guys that wasted? Oh, my God. She is. SARAH: And I'm gagging. KIM: Oh, my God. FLORIANA: You're good now. KIM: Guys, one more sht? One more sht? SIMONE: Like, are you really...? KIM: Yeah, why not? I never go out unless it's with my kids. (all whooping) ]] SIMONE: Okay. KIM: We're going to see Cher! So, I was able to pull off a backstage meeting with Cher after her show. I met her one time at the Met Ball. My friends are so excited just to meet her and to hang out with her a little bit. ♪ ♪ AMBER: Kim, so, what are you gonna say when you meet Cher? Are you gonna be like... FLORIANA: I dare you. AMBER: You're gonna be like, "I'm obsessed with you." KIM: She knows. AMANDA: She knows. AMBER: Do you play it cool, or are you like, "I'm obsessed" with you?" KIM: No, I'll say I'm obse... I like to, I like to be, like... AMANDA: Honest. AMBER: Totally honest. KIM: Like, she's the queen. FLORIANA: She still is. KIM: I was like, "I would" love you to be my mom. I'm obsessed with you." Like, you got to give it up, you know? Like, there's no one like her. SIMONE: Nobody. %. We're here? ]] KIM: Yeah. FLORIANA: Oh, (bleep). KIM: You guys! (all shrieking) ]] SIMONE: Cher! ♪ ♪ KIM: In high school, we would get so dressed up and go to concerts all the time, so nothing has changed. We're all so dressed up, going to a concert. It's just in Vegas, and we're years older. It's, like, it's so funny just to see us all back together. (audience cheering) ("Welcome to Burlesque" playing) CHER: ♪ You may not be Guilty But you're ready to confess... ♪ KIM: Ah. Like, this is everything. I love Cher. CHER: ♪ Welcome to Burlesque Oh, everyone is buying ♪ Put your money in my hand If you got a little extra Well, give it to the band... ♪ KIM: Oh, my God. This concert is so much fun, and my friends are having a good time. ]] AMBER: Uh, which one... FLORIANA: Oh, Amber. AMBER: Oh, my God. (all laugh) KIM: Chris, do I need a hair touch-up? APPLETON: That was so good. KIM: It was so good. APPLETON: She's amazing. KIM: Her body. APPLETON: Banging. KIM: Oh, my God. I'm dying to see if Cher remembers what I'm wearing. Is she coming? Is she coming? I completely, like, copied one of her looks. AMBER: Oh, my God, Kim. You look so cute. KIM: I'm really curious to know if she's, like, flattered or thinks it's, like, beyond desperate. Do they have any water anywhere? I feel like I'm gonna faint 'cause I'm meeting Cher. Oh, my God! MAN: Okay, you guys ready? (Kim gasps) AMBER: Oh, my God. KHLOE: It's Taco Tuesday, Kimberly. ]] KIM: What? No one invited me? I-I mean, I know that she's trying to just keep me and Tristan apart. Like, I wouldn't want drama myself. JOCELYN: So, you will be walking into a full room. KOURTNEY: I didn't really realize this was, like, a full-on press conference. (indistinct chatter) I hope that I don't let my nerves get the best of me. KIM: Is she coming? Is she coming? I feel like I'm gonna faint 'cause I'm meeting Cher. Oh, my God! SIMONE: I feel like I heard her. She might be, like, right there waiting in the wing. Oh, my God! Hi! ]] KIM: Hi, queen. (Simone whoops) CHER: Hi. Hi. Hi. AMBER: Oh, my God. CHER: Hello, ladies. ALL: Hi! KIM: These are my high school friends. This was, like, we were all best friends in high school. CHER: Where-where is your... where is your high school? KIM: It was in Los Angeles, right across from UCLA. Called Marymount. All-girls Catholic school. CHER: Cool. I went to Catholic school for about a minute and a half. (all laugh) Before recorded time. KIM: How are you? I have to give you a hug. CHER: I'm good, how are you? KIM: Good. CHER: Wait a minute, I remember this. KIM: Do you rec...? I-I knew you would. Wait, my nails... some of them fell off, but... CHER: No, it's good. It's a good... Yeah, yeah, you did a good job. KIM: I made this yesterday. CHER: You did? KIM: Yeah, I bought, like, three jackets and cut it up and tried to get something similar. CHER: Cool, very cool. Oh, nice, girl. Good girl. KIM: Thank you so much. I try. CHER: Reminds me of the old days. KIM: My dream of life is to see your closet. Did you archive everything? CHER: Did I? Everything? KIM: Do you have, like... CHER: I don't have, uh, no, I don't have everything. I kept the things I love. I kind of wish I would have kept a few more things, but... KIM: Yeah. CHER: But I have the ones I love. KIM: You're my everything inspiration. CHER: Keep going. KIM: No, seriously. (laughter) Seriously. Like... CHER: No, I don't mean... I don't mean keep going and telling me anything. I mean, "Keep going." You keep going. ]] KIM: Yes. (laughter) CHER: Are you Armenian, too? FLORIANA: No, I'm Argentinian. But I got a little of everything. CHER: Okay, good. (Laughs) KIM: But seriously, I mean, everything you've done for the Armenian community has been amazing. CHER: I want to go back. KIM: They love you. I want to go back. SARAH: Maybe you guys should go back together. KIM: Yeah. I would love to. CHER: The reason we should go back is 'cause all kinds of bad things are happening, and we need to make a presence. FLORIANA: You guys really should. ]] KIM: Anytime. CHER: All right, well, we can make a... we can make a thing. KIM: Well, thank you for, you know, meeting with us after the show. I know you're probably exhausted. Just wanted to say hi. CHER: Like a little sister. KIM: Just excited. Just excited to see the show. CHER: It was good to see you guys. It was good to meet all of you, really. ]] FLORIANA: Thank you. So nice to meet you. CHER: Okay. KIM: Thank you. CHER: Good-bye, girls. FLORIANA: Thank you so much! Thank you! KIM: Bye. I was just happy to, like, literally just be in her presence. You guys, we just hung out with Cher, no big deal. I honestly haven't been out like this in so long. It's probably : or : in the morning, and we're flying home. I'm so tired, but it was so worth it. FLORIANA: Look at Kim. AMBER: I know, Kim's all ready to nap. ♪ ♪ KIM: I can't believe I'm doing long nails. (manicurist laughs) MANICURIST: Well, they're not cut yet, so they're really fun. KIM: I know. (phone rings) ]] KHLOE: Hello. KIM: Hi. ]] KHLOE: Hi. KIM: I'm getting long nails for you. KHLOE: Oh, my goodness! That's so great! KIM: I know. I knew you would love it. I'm feeling very much like you. KHLOE: Oh, my God! Can someone shut the door here? KIM: Where are you? KHLOE: It's Taco Tuesday, Kimberly. Get with it, okay? ]] KIM: What? No one invited me? KHLOE: We didn't know you would want to come. KIM: So, I mean, I know that she's trying to just keep me and Tristan apart, and I get that. Like, I wouldn't want drama myself, but, I mean, what can I do? KHLOE: Okay. KIM: All right. Love you. I'll call you later. KHLOE: Okay. KIM: Okay, bye. Very mature... things we've got going on here. MANICURIST: Right. (Laughs) ♪ ♪ KOURTNEY: Sarah, the clutch or my fanny pack? But I would just hold it, like, over my shoulder like that. HOWARD: I like that, but I think that's more business-y. So I don't know what vibe you want. You look very profesh. KOURTNEY: Thank you. It's a pretty big day. I'm going to speak to Congress and the Senate. I'm still a little bit nervous about how it will go. HOWARD: Thank you. KOURTNEY: All right, where are we going? HOWARD: This way. KOURTNEY: Hi! WOMEN: Good morning! Hi! KOURTNEY: I'm sorry we're late. I don't know what happened. ADRIENNE: You look amazing. No, the traffic can be insane. Good morning. Hi. WOMAN: Good morning. Nice to see you. KOURTNEY: Nice to see you. HOWARD: Yeah. We had a really good dinner. KOURTNEY: We had a good dinner. JOCELYN: Hi. Nice to see you. KOURTNEY: Wait, are we so late? Are we, like, walking in to, like... Okay. JOCELYN: Yes. Yeah. Um, Scott and Pen started it already. We have it set up as a conversational style, and everyone... so you will be walking into a full room. KOURTNEY: Okay. JOCELYN: There's, like, an aisle and stuff. We're gonna go to the right. KOURTNEY: Hi. GUARD: Step through. KOURTNEY: I didn't really realize this was, like, a full-on press conference. So I hope that I don't let my nerves get the best of me. FABER: So, maybe just to start, maybe talk a little bit about when you first became concerned about the chemicals in cosmetics. KOURTNEY: Um, well... (clears throat) KIM: Khloe's in town, and I just haven't seen her. SCOTT: How's that even possible? KIM: I just feel like Tristan's here, and she's so nervous for him and I to see each other. I don't want to have any more distance between me and Khloe, so I'm going to extend an olive branch. Where's Tristan? Should I go say hi to my bestie? KHLOE: I don't want just to have fighting in the house. FABER: So, maybe just to start, maybe you could talk a little bit about when you first became concerned about the chemicals in cosmetics. KOURTNEY: Um, well... (clears throat) When I had my first son, I started learning a lot about the foods that, you know, I was giving him, and then it snowballed into learning a lot about products, and... you know, I would find out that they had a lot of harmful chemicals. To me, it was just really shocking that you can buy baby products and products for children that are not safe. It shouldn't be up to parents or consumers, really, to have to do that much research. FABER: Right. KOURTNEY: You know, it's time that Congress does its job. (laughter, applause) FABER: There you go. KOURTNEY: I never really thought that I would be here speaking in front of Congress and Senate. BALDWIN: We're still plugging away on this issue, and thank you for your advocacy. KOURTNEY: Yes. BALDWIN: Really appreciate it. KOURTNEY: We're so happy to be here. I feel like I'm getting my points across well and people are really understanding why it's so important. PALLONE: Yeah, you know, I have two daughters, and as they were growing up, they always assumed that if they were buying something, somebody had looked at it and said it was safe. And when I told them that that's not true, they were like, "How" "can that be?" ]] KOURTNEY: Yeah. I was nervous, but I'm just happy that I could be here to lend my voice and hopefully make a difference. HOWARD: No, no, no. Like... KOURTNEY: Wait, should we take a photo? Paxy, do you want to take it? Do you want to take it? PAXY: Do I ever! KOURTNEY: I have to look like a boss. HOWARD: Ow! Ow! Oh. PAXY: Okay, ready? HOWARD: Oh, what? Here I come. ♪ ♪ SCOTT: This is, like, the nicest gym ever. KIM: Really? SCOTT: Well, I mean... it's, like, pretty. Like, all the equipment's black, and the floors are nice. What else is shaking? KIM: Um... SCOTT: This is some good, uh, good piece of equipment. (screams) No one heard that, did they? (screams) KIM: So, I feel like Khloe is living a full double life. SCOTT: What do you mean? KIM: She's in town, and I just haven't seen her. SCOTT: How's that even possible? KIM: I just feel like. Tristan's here, and she's so nervous for him and I to see each other. I feel like I get into this protection mode, where I just, like... SCOTT: Yeah, I mean, I think everybody... KIM: Go into, like, worst-case scenario. SCOTT: Wants to be protective of their family. KIM: Yeah. SCOTT: But I think sometimes when people get too caught up when it's, like, a negative protection and not always being there when the positive, then everybody feels kind of, like, attcked. KIM: Is it annoying when, like, family members start ganging up on you? SCOTT: Listen, no matter what you say to somebody, when there's something happening in their life, it's not actually going to be taken in. Like, I know back in the day, when your mom or Khloe would get involved with me and Kourtney's stuff, it only would draw us farther away from the family. Never pulled anybody in and made people more comforted. And now, look, it's, like, you're being protective 'cause you love your sister, but guess what, now your sister's in Calabasas, home, and doesn't want to see you. So it's, like, what did you solve? Whatever. A good set. ♪ ♪ KOURTNEY: I just want a couple bites. Oh, thank you. HOWARD: Oh, thanks. KOURTNEY: Khloe just wrote to the group chat, "Why is Kourtney" in D.C."? (Howard laughs) And I go, "I'm lobbying." And she's like, "Yeah, right." I'll call Khloe. (Line ringing) KHLOE: Hello? KOURTNEY: Hi. So, I came to Washington, D.C., and I literally, this morning I had to get... go in front of the Senate, and literally, I... It was a Q & A, so I was sitting in a chair, like, with this guy who... from this organization called EWG. So I'm here to try to, like... I was lobbying, and just to, like, get them to try to make some changes. HOWARD: She klled it. I have a video. KHLOE: Kourtney, I'm so proud of you. Oh, my God! KOURTNEY: And they... KHLOE: I'm so, so proud of you. KOURTNEY: Thank you. And so, um, I was like, "Of course it's coming out..." KHLOE: I can't believe you had the... KOURTNEY: The balls? KHLOE: Like, the... Yeah. KOURTNEY: I just feel like you guys are so judgmental about everything I do, and you guys will be like, "Oh, please. You're going to help with the" "beauty laws," or something. I don't know. Organic. KHLOE: Prove me wrong every day of the week. I'm fine with that. KOURTNEY: Um... KHLOE: I love when you prove me wrong. Listen, when I looked online, I was like, "What?!" (Kourtney laughs) What year is this? I go, "Where have I been?" HOWARD: That's amazing. KOURTNEY: The news got out that I'm in D.C. It was nice to hear Khloe say how proud she was of me for really going and trying to make a difference. I feel so good about the way that I spent the last two days, and I've learned so much. And I really want to just keep doing more of this. I have to make a phone call later. I've just been, you know, meeting with Congress and Senate. HOWARD: You're passing legislation. KHLOE: You've been lobbying all day. KOURTNEY: And the House of Representatives. Is that what it's called? (laughs) ♪ ♪ KIM: Knock, knock. KHLOE: Who's there? KIM: Hi, guys. KOURTNEY: Kim, you're so skinny, you look like a bobblehead. KHLOE: Oh, I love when I look like a bobblehead. KIM: What? KOURTNEY: You're so skinny. KHLOE: That's the best compliment. KIM: Thank you! I don't want to have any more distance between me and Khloe. I want to, you know, hang out with our babies and enjoy my time with my sisters. So I'm gonna extend an olive branch, 'cause, I mean, that's really all I can do. Where's Tristan? KHLOE: In the theater. KIM: Should I go say hi to my bestie? KHLOE: Can I go with you? KIM: No, I can handle it. KHLOE: Oh, my God. Kim going into the theater to see Tristan, obviously, like, my heart is racing. I have a ton of anxiety. I don't want just to have fighting in the house. KIM: Where's my bestie? KIM: Where's my bestie? KHLOE: Uh-oh. Give me your audio thing. I need to hear what's happening. Oh, my God. ]] KIM: Hi. TRISTAN: What's going on? KIM: Um... Have you ever played pickleball? KHLOE: She's like, "Have you" ever played pickleball?" KIM: It's like a mix between tennis and Ping-Pong. KOURTNEY: Are you on a phone call? KHLOE: What phone would I be on? KIM: So, it's a smaller court, like a tennis court, but, like, tiny. TRISTAN: So, there's no pickles? ]] KIM (laughing): No. TRISTAN: Oh, okay, okay. KIM: No pickles. I have no idea how to even start a conversation with Tristan. Pickleball is the first thing that popped into my head. It was super awkward, but he's an athlete. I just thought maybe talking about sports would be common ground. I'm such a good athlete. Have you ever seen me ski? TRISTAN: You can ski? KIM: What? Have you ever seen my video, or was I blocked at that point? TRISTAN: No, no, uh, no, I didn't see it. KIM: Okay, look. KHLOE: She's showing him the videos, um... KOURTNEY: From skiing? KHLOE: From skiing to prove what a good athlete she is. TRISTAN: Holy (bleep). KIM: So I'm a good athlete. TRISTAN: You're legit. KIM: No, no, no. TRISTAN: You do winter sports. KIM: I'm legitimately a really, really, really good athlete. TRISTAN: So you're coming for Lindsey Vonn's spot? KIM: No. TRISTAN: You know who that is? ]] KIM: Yes, of course. She dated Tiger Woods. TRISTAN: Yeah, she did. KIM: And she's a professional skier. I'm really, really good. KHLOE: I like that they're having a moment, so I won't intrude. KIM: I bet you I can bat you in some kind of sport, though. What do you...? TRISTAN: Only winter sports. KIM: It's on. Challenge. TRISTAN: May the best of us win. Yeah. ]] KIM: Challenge. TRISTAN: Calabasas versus Hidden Hills. Yeah. KIM: Yes. Yes, that's a good one. I just challenged Tristan to a game of pickleball. I realized that, why am I fighting this fight if no one else is? I'm not gonna spend my time angry at someone else for something that they didn't do to me. I'm gonna move on, if that's what Khloe chooses to do. I'm gonna be supportive of her. TRISTAN: First of all, I thought you were gonna play this. KHLOE: I am, 'cause I can't do pickleball? Can you? You don't even know what that is. I just heard of it yesterday. TRISTAN: Actually, I did. I did know, I know how it is now. Yeah. The combination of Ping-Pong and, uh, tennis. KHLOE: Oh, true. KOURTNEY: It has a lot of rules. KHLOE: No, there's a lot of rules. You have to stay out of the kitchen and do some... TRISTAN: I just thought that Kim had the least athletic gene out of all three of you guys. KHLOE: This one does. KIM: Kourtney does for sure. TRISTAN: She works out every day. KOURTNEY: How good am I in the gym? TRISTAN: You're good. You've gotten much better. Your lather's becoming a sweat now. ]] KOURTNEY: Yeah. KIM: Do you think I should ask this guy to unblock me? TRISTAN: Dismissed. KIM: There's no going back. TRISTAN: There's no going back now. You're here now. (birds singing) KHLOE: Oh, and this is what we're getting True. LARSA: Are you cool with him now? KIM: Yeah. It's all good. My relationship with Tristan... It's a work in progress, but it is just really important to move forward. We're such a close family. We're one big family. You just have to just move on and get over it. TRISTAN: (bleep) KHLOE: Don't hurt yourself. KOURTNEY: Oh, my God. Did you h*t the tree? TRISTAN: No, no, I almost... I didn't know it was that bouncy. KHLOE: Do you know how to do this? TRISTAN: I'll go with no socks. LARSA: Tristan, I'm glad you're living your best life! KHLOE: Have you ever been on a trampoline? TRISTAN: Uh... maybe. KOURTNEY: This is, like, a real deal trampoline. KHLOE: We're gonna get that for True. No, don't do that. KOURTNEY: Were you gonna try to flip? ]] TRISTAN: Yeah. I don't know if I... KHLOE: Can you flip in real life? ]] TRISTAN: I can do a cartwheel. KHLOE: No, you can't. TRISTAN: Back in ... KHLOE: Kourtney can. Show him your cartwheel skills. Look at this. (laughing): Oh, yeah. You know I can't do it. LARSA: This is the life. (children squealing) NORTH: One, two... KIM: Being here, swimming, hanging out with my kids, with my family... this is the dream. This is what I love to do. I mean, even having Tristan here... it's just... We're all together. It's so much fun, and this is what life's all about. KOURTNEY: We're gonna... we're gonna race. KIM: One. ]] KOURTNEY: One. ALL: Two. Three. (indistinct chatter) KOURTNEY: My top fell off! KIM: On the next episode... KRIS: I just got a call from Shelli. She wants to put together this huge poker tournament. MAN: Ready to learn some poker? KIM: Don't underestimate... No, underestimate me. I prefer it. I'm all in. (Kris whoops) So, I think I'm gonna go to. Paris and go to the Louis Vuitton show. KHLOE: How do you feel now? KIM: I'm going really cautiously, but you never know what could happen. (indistinct shouting)	{"type": "series", "show": "Keeping Up With the Kardashians", "episode": "15x14 - Vegas, Baby!"}	foreverdreaming
Sensei Wu: Long before time had a name, the First Spinjitzu Master created Ninjago using four elemental wapon. But when he passed, a dark sought out to collect them all - Lord Garmadon. So I, Sensei Wu, his brother, sought out to find four ninja to collect them first. Kai (O.C.): fre strike! Oh my gosh, is that the greatest move you've ever seen? Cole (O.C.): Stop trying to do it yourself. We need to attck as a team. Jay (O.C.): Zane, why are you wasting your special attck on me? You have to save it. Jay: Fantastic! I'm out of lives! Zane: But the lesson lives on, and I'm getting the hang of it. Cole: Okay. Now! Ninja: Aw... Cole: Aw, man! Jay: What happened?! Cole: It took us three hours to get there. Jay: Why did you do that?! Why?! Sensei Wu: Just because Lord Garmadon escaped through a vortex doesn't mean he won't return one day for the Golden wapon of Spinjitzu! Zane: But Sensei Wu, ever since he's been gone, Ninjago has had nothing but peace. Jay: Yeah. Peace is boring. There's no one to save. There's nothing to do. Cole: We can train tomorrow. Sensei Wu: Never put off until tomorrow what can be done today. Cole: Well, I was gonna eat this pizza tomorrow. So if that's the case... Ow! Sensei Wu: No pizza for you! In order to reach your full potential, you must train! Kai: Uh...remember when we did a little thing called the Tornado of Creation? I thought that was pretty insane. Sensei Wu: (sighs) You four have merely scratched the surface of your full potential. There are still so many secrets you have yet to unlock. You haven't even gn to tap into what powers your Golden wapon hold. Cole: You wanna talk secret powers? Check this out. Zane: Don't worry, master. We will be ready when Lord Garmadon returns. Nya: Guys! Lord Garmadon! He's returned! He was spotted approaching Jamanakai Village! Jay: Er-th-thanks-er-uh- Nya: Hurry! Jay: Okay! Nya: Uh...can I help? Kai: Sorry, sis. Where we go, danger abounds. This is a job for the Ninja. Uh...uh...a little help? (laughs) Nya: Will they ever reach their full potential? Sensei Wu: In time. Maybe a long time, but in time. Cole: Just like old times, hey, Rocky? Kai: You guys believe what Sensei said about unlocking our full potential? Jay: He may be onto something. I mean since we got these Golden wapon, it's not like we had to use them. I wonder what they do. Zane: I for one look forward to the future. If there's more for us to accomplish, let it be. Cole: Don't know about you, but is anyone else a little excited about battling Lord Garmadon? I've been looking forward to trying out some new Spinjitzu moves. Could be the perfect opportunity. Jay: Ha-ha! Race you there? Kai: Jamanakai Village. First ninja there wins. Kai: Ha-ha! I was first! Jay: No! No one was faster than me! Cole: Ha-ha-ha! My feet were down before yours! Zane: You were all disillusioned! It was clearly me! Kai: Stay sharp, fellas. Whatever happens, never let your guard down. Lloyd: (laughs) It is I, Lloyd Garmadon! I demand all the candy in town, or else! Jay: Lloyd Garmadon? I thought we were gonna face Lord Garmadon. Cole: It's his son. (Jay grunts) Cole: Looks like he escaped his boarding school for bad boys again. And to think we could've been doing Spinjitzu already. Lloyd: Er...er...gimmie your candy or I'll release the Serpentine on you! Lloyd: No way! I asked for candy, not vegetables! I hate vegetables! Kai: He's gonna have to do a lot better than use an old bedtime story to scare people. Zane: The Serpentine are real, Kai. They're not something to joke about. Kai: Serpentine? Real? We're talking about the ancient race of snake people who once ruled Ninjago and were supposedly locked underground. Jay: Sealed in five different tombs to separate the worrying tribes and ensure they don't unify to exact their revenge upon those who put them there. Kai: It was an old wise tale to teach kids not to poke their noses where they don't belong. Don't you think it's a little suspicious no one's ever found one of their tombs? Cole: Well that's because you'd be a fool to look for one. If there was anything I hated more than dragons, it was snakes. Rubber or not. Don't worry, folks, we'll take care of this. Nothing to see here. Lloyd: Bow down to me or suffer my wrath! I'll give you to the count of three! One! Two! Kai: What are we supposed to do? Spank him? Lloyd: Two and a half! Lloyd: (screams) You just made me your nemesis! Mark my words, you'll pay for this! Cole: Next time, try paying for your candy. Kai: Crime doesn't pay, muchacho. You can take that to the bank. Jay: Hmm...cotton candy. (Lloyd screams) Kai: Huh? I don't remember putting this here. Zane: That Sensei's bag. You must've accidentally took it in the rush. Jay: What is it? Kai: It's a scroll, windbag. Jay: I know it's a scroll, but what does it say? It's written in chicken scratch. Zane: Not chicken scratch. The ancient language of our ancestors. Kai: Uh, Can you read it? Zane: Well, I can try. This symbol means prophecy. Jay: Prophecy? Kai: It means it tells the future. Jay: Of course. Ha-ha. I knew that. Zane: One ninja will rise above the others and becomes the Green Ninja. The ninja destined to defeat the Dark Lord. Jay: (gasps) Look, a picture! Kai: Dark Lord? Hold on...you think they mean Lord Garmadon? Wait a minute! Is that us? Is anyone else thinking what I'm thinking? Jay: Like how good I'm gonna look in green? Kai: Isn't it obvious I'm gonna be the Green Ninja? Jay: The colour obviously suits me! Zane: Technically, I'm the best. Cole: Everyone, stop it! Remember why Sensei brought us together in the first place. We're a team. We Weren't meant to see this and probably for good reason. Come on, let's head back home. We have training to do. Jay: It's about time I added some finesse to my routine. Zane: Well, I could use some exercise. Cole: Yeah. I better work on some new moves. Kai: Could I be the Green Ninja? Lloyd: Stupid Ninja. I'll show then who they're dealing with. Lloyd: What is this? (Lloyd screams) Slithraa: You're out of your mind to venture so far away from home, little one. Look into my eyes. Give up your mind. I will control you. Lloyd: (chuckles) No. I will control you from now on. Slithraa: What shall you have us do, master? Lloyd: Us? Lloyd: My own army of snakes! (laughs) Jay: So then we all agree. The prophecy states that one of us will become the Green Ninja and the issue will not rest until it is decided. Zane: May I suggest a tournament? Last ninja standing is the best. Kai: And will be declared the Green Ninja! I love it! Jay: (laughs) Hey, Nya. Closer to beating your brother's speed record? Nya: I'm getting there. Heard what happened in town. Just a false alarm? Kai: Yeah. Uh, but we're gonna need the space. Sorry, sis. Cole: Two matches. Then the winners of each face off for the title. Armours for our own protection. It's time to see what these babies can do. Kai: Hey, Nya. Wanna stay and watch me mop the floor with them? Nya: No, thanks. I think I'll just visit Jamanakai Village. Knock yourselves out. Cole: Alright! First up: Kai versus Jay! Ninja Go... Kai: Next up: Cole versus Zane! (Jay sighs) Kai: Ninja Go! Jay: For the prize and the title of best ninja...blah blah...Ninja Go. Cole: Yes! Kai: It's too h-hot! Zane: It's burning! Jay: fre! Sensei Wu: What were you thinking?! Jay: Uh, we were tryna figure out who's the Green Ninja. Ow! Did I say Green Ninja? No, sorry. (clears throat) What I- what I said was lean! Sensei Wu: You were not supposed to see this. Kai: But Sensei, we wanna know. Which one of us is the chosen one? Sensei Wu: None of you if you don't unlock your full potential. Kai: But my sword. It was so bright. Is this what you meant by unlocking our Golden wapon? Sensei Wu: You are only at the beginning. And the road is long and winding, but yes, this is what I meant. If this is what it must take for you to train, then so be it. But none of you are near the level of what it takes to be the Green Ninja. Nya: What now? Lloyd: Take the candy! Take it all! (laughs) Skales: This makes no sense, General. Raiding an entire town for sweets? Slithraa: You will do as I command because I hold the staff! Sensei Wu: The Serpentine are back! Everyone in Jamanakai Village is in danger! Cole: Calm down, Sensei. We were just there. It was some kid who says he- Sensei Wu: The Spirit Smoke does not lie! An ancient evil has been released! Kai: Nya's there right now. Jay: Nya? Kai: Stay close. Stay together. Cole: Would we do it any other way? Lloyd: I'm never coming down from this sugar ride! Woohoo! Cole: Sorry to bust your buzz, little Garmadon. Jay: But it's already past your bedtime. Lloyd: Get them! Slithraa: Seize them! Kai: The Serpentine? They're real? Cole: It's not just them we have to worry about. The whole village has been hypnotised. Zane: No! Our wapon are too unstable. We can do more harm than good. Jay: I guess that leaves us with run! Jay: Nya. You're okay. Nya: Barely. They've hypnotised everyone in town. Jay: Mind control. How is this possible? Nya: When you hear them rattle their tails, don't look them in the eyes. That's how they get you. Jay: Well, what are we supposed to do? We can't use our wapon, and now we gotta fight with our eyes closed? Perfect. Nya: The snake with the staff is the General. He's the one in charge. If we can get the staff from him, it holds the anti-venom. If we get that, we can save everyone. Kai: Look, guys. Forget about the whole Green Ninja thing. Let's make Sensei proud. The four of us. Cole: Now you're talking. Jay: Oh. And Nya, you can be our honorary member. Nya: Gee, thanks. Kai: You wanna play? How about a little Spinjitzu? Ninja Go! Jay: Okay, we're really out of shape. Lloyd: Ha! Consider this a warning, Ninja! (laughs) Zane: Ninja Go! Sensei was right. Never put off until tomorrow what can be done today. We should've dealt with you the first time around. Lloyd: Retreat! Slithraa: Retreat! Cole: Go ahead. Give me a reason. Skales: Look into my eyes. I control you. Cole: You control... Nya: Cole! You have the anti-venom! Cole: By golly you're right! Nya: Quick, the fountain! Cole: Good idea. Kai: We're sorry, Sensei. If we dealt with Lloyd before he became a problem, none of this would've been necessary. Sensei Wu: Even lessons learned he hard way are lessons learned. Mmm...a great evil has been released. I fear troubling times will come. This is only the beginning. Zane: Then we will train and be ready for the Serpentine. It may not be Lord Garmadon, but that doesn't mean we won't bring our A-game. Kai: Help us train. Help us realise our potential. Jay: Yeah. Teach us the secrets behind the w*apon of Spinjitzu. Sensei Wu: Hmm...there is much to teach. We must return to the monastery. Nya: (sighs) When am I gonna get my own dragon? Sensei Wu: Patience, Nya. Your time will come. Lloyd: Uh...candy. I need candy. Slithraa: The boy set us free. Skales: He is a child. He is not one of us. Slithraa: I may not have the staff, but I'm still your General! Stand down! Mezmo: You coward! We all know he's under Lloyd's spell. You're second in command an still you do nothing? Skales: Now was not the time. I still hold the key to destroy the Ninja. And when I do that, everyone will see it is I who should be in control. (laughs)	{"type": "series", "show": "Lego Ninjago: Masters of Spinjitzu", "episode": "01x01 - Rise of the Snakes"}	foreverdreaming
Jay (O.C.): My turn! It's my turn! Cole (O.C.): Oh, you want a little more? Take this! Jay (O.C.): Yeah? How about a little of this? Kai (O.C.): Monkey paw to the head! Cole (O.C.): Ninja roll! Jay (O.C.): Dragon punch! Kai: Ninja Go! Jay: Hey! Huh? Cole: Hey! What? Zane: Ninja Go! Kai: This roof isn't big enough for the four of us. Cole: Correction: This roof isn't big enough for him. Jay: It's like he's in his own world. I bet he can't even hear us! Kai: Sensei, Zane's...weird. Sensei Wu: What is weird? Someone who is different or someone who is different than you? Cole: No, Sensei. He's weird weird. Cole: Do you mind?! Kai: Holy baloney! Zane: I'm sorry. I consumed the last of the deli-meat. Cheese? Kai: We like the guy. He's really smart. He's just...(sighs) a little off sometimes. Sensei Wu: Zane is a brother and brothers are often different. I should know. Kai, Jay and Cole: Mail! Mailman: (pants) Let's see. A letter from Jay's parents. Kai has a fan letter. Oh, something from Cole's father. Cole: What? No package? I'm expecting something from Creature's Beasts and Beyond. Mailman: No. Nothing from...uh-uh. Here it is! Cole: Huh! Rocky's gonna love this! Jay: Hey, Zane. How come you never hear anything from your parents? Zane: I don't remember my parents. I've been an orphan all my life. Kai: You mean you've never had a home? Sensei Wu: The Monastery is your home now. Cole: Liver and toads, Rocky. Your favourite. Mm-hmm. Rattla: I can't believe you hypnotised one of the Ninja. Does the General know? Skales: Of course not. He's been put under the control of Lloyd. But I plan to use it for my best interest. Slithraa: Everyone works while you two slack. As my second in command, I expect more from you, Skales. Skales: Yes, General. General, you know I am most loyal to you, but I must question this childish agenda. The Ninja have stolen our staff yet you instruct your army to make this playhouse for Lloyd? Snakes don't belong in trees. Slithraa: You know better than to question my judgement, Skales. I'll pretend you didn't ask. Lloyd: Hey! If we plan to rule Ninjago from here, this elevtor needs to have a trapped door! I want more booby traps! Slithraa: As you wish, young Garmadon. Skales: As you wish, General. Jay: Hmm. I love it when it's Zane's night to cook. Cole: Hey. I didn't hear any complains about my duck chowder last night. Kai: That's because it glued our mouths shut. You really thought Jay was speechless all throughout dinner? Jay: Yeah. Please don't make that again. Zane: Dinner is served. (laughter) Zane: What's so funny? Nya: Zane. You're wearing a...even I wouldn't wear that. Zane: You laugh because I take steps to ensure I'm clean after cooking? Kai: No! We laugh because you came out wearing that ridiculous outfit! Zane: I guess we don't share the same sense of humour. Cole: Well, how about this? (laughter) Cole: How could you not find that funny? Ah! Sensei Wu: Now you are brothers. Lloyd: If I see one girl in ere. I'm gonna go ballistic. Zane: Thank you, my mysterious friend. Kai: I don't even think Zane knows where he's going. Uh, tell us again how you stumbled upon Lloyd's secret headquarters.) Zane: I followed a bird. Jay: Why did yo follow a bird? Zane: Because it danced. Jay: Oh...okay. Was it a cuckoo bird? Zane: Of course not. Everyone knows cuckoo birds are not indigenous to these forests. Lloyd (O.C.): Watch it! No, here! Come on, we don't have all day! It's not me for a lunch break. Cole: Holy kanoley, Frosty was right! Kai: We can't let that brat and those snakes get a foothold of Ninjago. We gotta destroy that thing before it becomes operational. Jay: Whoa! Are you sure? It looks like a pretty cool treehouse. There's a rope course. Ooh, a tree swing. Cole: Hey! Remember who's team you're on Alright, guys. What do we do? Kai: It looks like the entire place is being supported by those three trees. Once those ties are severed, the whole is gonna fall like a house of cards. Zane: But why would one make a house of cards? Such construction would be careless. Kai (whispers): Oh, brother. Cole: Travel in shadows, boys. Zane: Gotcha. Lloyd: (chuckles) It's almost finished. Soon, my fortress will be complete. You! Hold up that sign for me! Lloyd: Booby trap!! Jay: Ninja Go! Zane: Ninja go! Lloyd: I said no Ninja! attck! Skales: Everyone! Retreat! Kai: Cole! Wait till we're off the treehouse, then cut the line. (Cole nods) Skales: You! You obey my every command. Cole: I will obey your every command. Jay: Where's Cole? Kai: This whole place is coming down! Cole: No one goes anywhere until you deal with me! Kai: What's gotten into him? Zane: He's under their control. Jay: Yeah, well he better snap out of it quick because this whole place looks like it's about to go down! Lloyd: Don't go. We have to protect my treehouse fortress. Skales: Your treehouse? It's about time we did this! Now, to get the staff! Jay: Okay, now come on. Friends don't ht friends. Ow, okay. I-I-I-I'm gonna ignore that. Kai: What're we supposed to do? If I use my sword, this place will turn up into flames faster than a tender box. Zane: Isn't the anti venom in the staff? Jay: Yeah, but the staff is back at the Monastery. Zane: Jay! Use your Lightning! Try to shock him out of his trance! Jay: Sorry, Cole, but this is gonna hurt you a lot more that it's gonna hurt me. Kai and Zane: Jay! Jay: That is a serious safety hazard! Kai: No, Cole! Don't! Zane: Cole! No, Cole! No! Cole: Huh? Where-where am I? What are we doing? Nya: We're getting outta here because this whole place is coming down! Jay: That flute! It cancels their powers! Sensei Wu: It's as old as the Serpentine themselves. But we must hurry! The Monastery is left unguarded! Quickly! Kai: We're too late. Snakes. Cole: Rocky! Kai: Our home. Zane: Shard! Put this out! Zane: The training equipment, gone. Jay: Our video games, gone. Sensei Wu: They stole their staff back. Cole: What do we do now? Kai: If you hadn't followed that silly bird, none of this would've happened! Sensei Wu: Kai! Jay: No! Sensei, he's right! Because of you, my high score has been deleted! Zane: This is a teaching moment. We must learn from this. Cole: A teaching moment? What's wrong with you? Don't you get it? Everything is gone! Sensei Wu: Enough! We're all at fault. Zane is your brother. Apologise at once. Kai: I'm sorry, Zane. I... Jay: Zane? Lloyd: Do something, General. You're still under my command, right? Slithraa: Enough! I am the General! You will return my staff at once! Skales: No. Slithraa: You dare challenge my command?! Hypnobrai (chanting): Slither Pit! Slither Pit! Slither Pit! Slither Pit! Skales: I guess we'll have to fight for it...in the Slither Pit! (Hypnobrai cheers) Mezmo: Winner gets the staff and leads the tribe! You know the rules. There are none, but in the Slither Pit, whatever I say goes. Alright, fight! Mezmo: Two w*apon! Mezmo: Side wonder! Lloyd: Go, General! Go! Rattla: He used Fang-Kwon-Do! Lloyd: Get up! Get up! Mezmo: We have a winner! Hypnobrai: (chanting) Skales! Skales! Skales! Skales! Skales! Skales! Skales! Skales! Skales: You will be loyal to me now! Slithraa: I will do as you command. Skales: You! Leave and never return! Kai: Wh-what are we eating again? Cole: Mud newt. Not bad for something that leaves underground. Jay: What? Yeah! A new high s-sc-score! Sensei Wu: Remember, we must be thankful for what we still have. Cole: What do we have? Our home is gone. Kai: You know, I don't miss our home. What I really miss is Zane. Jay: Yeah. I miss Zane. Nya: Zane? Jay: Yeah, Zane. You know. White Ninja. The smart, strange one. Nya: No. Zane! All: Zane! Jay: (sighs) Zane. We're so sorry for everything we've said. We're a team and that means we're all responsible. Zane: You don't need to apologise to me. Kai: But what about all those awful things we said? Isn't that why you left? Zane: Of course not. I saw the Falcon again and I followed him. Cole: That's our Zane. Nya: We're happy to have you back. Zane: Why? Is it my turn to make dinner? (laughter) Sensei Wu: Yes, Zane. We would love for you to make dinner. Zane: But I already made it. Come. I want to show you what I've found. I think you'll all be pleased. Zane: I can't explain it, but I feel a strange connection with the Falcon. I think he's trying to help show us the path we need to take. Zane: Our new home. Jay: Do I smell pie? Zane: Kabloo berry. Oh, and I made burtle berry and apple and... Sensei Wu: I'm proud of you, Zane. One day, I promise. We will find your family. Zane: But I've already found them. Sensei Wu: I feel there's more to you than meets the eye. There's something special about you, Zane. Zane: Sensei, will I become the Green Ninja? Sensei Wu: It's too early to tell, but if it's in your path, you'll know. Come now. It would be a shame to let them to eat all that pie.	{"type": "series", "show": "Lego Ninjago: Masters of Spinjitzu", "episode": "01x02 - Home"}	foreverdreaming
Kai: The ultimate battle. The battle that would end all battles. It feels like ages ago. After the Golden Ninja defeated the Overlord, much of Ninjago City was in ruin. It was a time to reflect on our past, and build for the future. Cyrus: Great work, people. Together, we can do it. Transportation group aligned with engineering. Kai: Ninjago City soon became New Ninjago City. And it became the center of great technological advancements. But without an enemy to fight, the age of the Ninja came to an end. Hey! How about a little privacy, you--? Kai: Whoa! This isn't supposed to be in here. Lights please! (Students Giggle) Kai: Ugh! Seriously? Student: Come quick! Mr. Zane's on the fritz! (Students Laugh) Zane: Up. No, down. Whoa! Cole: What's going on here? Sally: Brad got an ultra remote from Ninjago City and it's controlling Mr. Zane. (Zane whimpering) Cole: How do you turn this thing off? Zane: Hurry up, Cole. My liquid spirit level is making me less level. (Cole grunting) Zane: Ah. Brad: Mr. Cole is the worst. Cole: I heard that. Unh! Ah, recess. My favorite time. (Students Laugh) Jay: (sighs) All right! Who took my pudding cup? My name was clearly written on it. Cole: I didn't see "Motor Mouth" on it. Jay: I'm telling the headmaster. Sensei Wu: Leave me out of it. I'm on break too. Kai: Relax, Jay, you can have mine. Jay: But this isn't cold. Oh, give me. Mm. Is anyone else chapped that Lloyd gets to be the Golden Ninja and fly around accepting awards while we're stuck here being teachers with no powers? Ah. I miss our elemental wapon. Boy: Hi, Miss Nya. I like your dress, Miss Nya. Nya: Why is that when I teach, I get the feeling that none of the boys are listening? Jay: Hi, Miss Nya. I saved you some pudding. Nya: What did we talk about? Jay: Oh, right. Boundaries. Nya: Hey, did you guys hear the news? Kai: There's trouble? Jay: Danger? Zane: An emergency? Cole: Oh, a new menace? Nya: No. We got clearance for a field trip. (All groan) Nya: Not just any field trip. A field trip to tour Borg Industries. Jay: Ah! Not the Borg Industries. As in home to super genius reclusive savant Cyrus Borg? Inventor of the hover car and everything else cool in this world? (groans) Kai: Who cares about Cyrus Borg? If you ask me, people should concern themselves win the lessons of the past. Not waste their time on the disposable fads of tomorrow when-- (groans) Brad: Why can't we take Ultra Dragon? Or the Ultra Sonic Raider? Cole: Because they don't have one of these. Pretty cool, huh? I'm on a microphone. I am the MC. The Mighty Cole. Brad: Mr. Cole is the worst. Cole: I heard that. Kai: So we really are going back to the city. We haven't been there since-- Well, you know. Sensei Wu: Yesterday is gone. Tomorrow has not yet come. We only have today. Or else this offer expires. Get a move on, Nya. Nya: Aye, aye, Sensei. Cyrus (On TV): Welcome to New Ninjago City. The future is what we make it. Nya: Wow. You leave town a short while and-- Ahh! Man: Ugh! Who here still uses wheels anymore? Get with the program! Cole: Don't worry, we'll free you up. Time for some old-school muscle tool. Robot: Stand back, pedestrian. Cole: Who you calling pedestrian? Zane: It appears our help is not welcome. Sensei Wu: Well, I prefer traveling the old-fashioned way. On foot. Besides, it's not like we can't find where we're going. (Kai grunting) P.I.X.A.L.: Welome to Borg Industries. I'm P.I.X.A.L., Cyrus' Primary Interactive X-ternal Assistant Life-form. I'm sorry to hear about the traffic accident. Cole: Wow, news travels fast. P.I.X.A.L.: Everything in New Ninjago City is fully automated and interconnected. Your antiquated bus should be ready shortly. You are Zane a droid like me. What does Zane stand for? Zane: I stand for peace, freedom and courage in the face of all who thrat Ninjago. Jay: She means your name, tin head. Zane: I guess I'm just Zane. P.I.X.A.L.: Permission to scan? Zane: Uh... Permission granted? Jay: Heh, check it out. Zane has an admirer. P.I.X.A.L.: Your hardware is outdated and your processor is slow and incompatible with ours. Peculiar. All droids must recharge our batteries, yet curiously. I'm unable to locate your energy source. What powers you? Zane: I, uh... I don't know. P.I.X.A.L.: Mr. Borg would like to see the Ninja on the 100th floor. If the others would follow me for the rest of the tour. Kai: (grunts) Seriously? Cole: Hey, Zane, you with us? Computer: Black Ninja, Blue Ninja, Red Ninja, White Ninja. Golden Ninja not identified wait for action. P.I.X.A.L.: Mr. Borg believes technology is the key to make our dreams come true. (Students gasp) Brad: Whoa! Cool beyond cool. Boy 1: Awesome. Brad: Uber-mega. I'm, like, wow! (Students Chatter) Brad: Awesome. P.I.X.A.L.: Even now, he is working on a Digiverse where the gamer will be digitally scanned in to take gaming to another level. Marla: Whoa! They have a Perfect Match console. Nya: What's Perfect Match? Marla: It's the latest craze. If finds your perfect partner with flawless results. You should try it, Miss Nya. Nya: I doubt a machine could know someone's-- Computer: Hello, Nya. You are an independent, self-confident young woman who reduses to be in a boys' club. Analyzing match now. Girl: Of course it's gonna be Mr. Jay. (All Gasp) Nya: Promise you will not tell anyone. Cyrus: I would've guessed Ninja to sneak in a window, not use the elevator. Jay: Ah! Oh, my gosh. Are you--? Are you--? Cyrus: Cyrus Borg? Yes. Unfortunately, when my parents gave me a name like that, my future in technology was predetermined. (Jay chuckles) Cyrus: Ah, yes, these. Sadly, I've been disabled all my life. But it's nothing my mind couldn't fix. Speaking of which, my deepest condolences, Zane. I heard about your father. Oh, he was a brilliant mind. He would have fit right in. Zane: Thank you. But loss is inevitable. Cyrus: Today maybe, but not tomorrow. Technology making the impossible possible. The only limit to our potential is that which we don't dream. Kai: Isn't this the same place the Overload was destroyed? Who dreamed up the idea of building a corporate headquarters here? Cyrus: Ah, what better way to send a message to evil that we won't cover to anyone. I see. Or better yet, I don't see the Golden Ninja. Cole: Oh, his hands are a bit full, but we can tell him to stop by when we see him. Cyrus: No, no, no. I'm glad it's just you four. I wanted to give you a gift. Cole: A gift? Won't say no to that. It wouldn't happen to be cake would it? Cyrus (on recording): The future is what we make it. Cole: Ha. So no cake. Kai: Oh, wow. A statue. Of yourself. Jay: I know. How cool is that? Cyrus (whispers): Please, protect them with your life. All of Ninjago depends on it. Kai: Protect? Protect what? Cyrus: You were right, I should never have built here. You must go. He's listening. Statue: The future is what we make it. Cyrus: Uh, I'm sorry to cut this short, but there's things to invent. I hope you can show yourselves out. Cole: Ah, okay. Of course. A little help? Kai: oh, yeah. Statue: The future is what we make it. Kai: Guys, something weird is up with Borg. Jay: They're called artificial limbs, Kai. I know you hate machines, but you don't have to be rude. We're his guests. Kai: I mean he was acting suspicious. Like he was scared. He said we had to protect "them" with out lives. Cole: "Them" who? Kai: I don't know, but-- Cole: Ahh! Statue: The future is what we-- Jay: Oh, great, now look what you've done. Zane: It's hollow. There's something inside. Cole: Huh. Why would he give us new Ninja outfits? Guys, hate to admit it, but maybe Kai is onto something. Kai: And what exactly are these? Computer: Techno Blades located. Apprehend. Will the assailants stand down and drop the Techno Blades? Jay: First you call us pedestrians, and now we're assailants? Zane: Nothing works. Perhaps a malfunction? Kai: Guys, these must be the Techno Blades. We have to protect them with our lives. Computer: Have it your way. Goodbye. Jay: Let the elevator have the Techno Blades, Kai! I think it's made its point! Cole: We have to get off this thing! Kai: Going up? All: Ninja, go! Zane: There! (All yelling) Security #1: Ah, I'm bored. Security #2: Really? Well, me too actually. (All panting) Cole: Looks like we just quit our day jobs. Jay: Oh, my gosh! Our students! P.I.X.A.L.: And this factory line where-- This is will be the end of your tour. Nya: Stay back and stay together. (grunting) Brad: This way. There's a way out! (Students whimper) Nya: No! Do not break formation! Why don't boys ever listen to me? (grunts) Jay: Heh. I gotta say it. I love the new threads. Kai: Oh, yeah? Two can play at this game? (grunts) What's with these things? How do we turn them on? Zane: Here, let me try. It's not sharp. Why even call it a Blade? Jay: Oh, snap. (All yelling) Cole: Grab on! Ready to crash the party, boys? (All groan & scream) Jay: Ow! Overlord: You fool. You tried to give them the only thing that could defeat me and thought I wouldn't notice? I'd get rid of you if I didn't still need you. Don't think to ever betray me again. Cyrus: Of course not, I promise. I promise! Overlord: A promise isn't good enough. Cyrus: No! No! Don't. Let me go! No, please, no more. (whimpering) Kai: And that's when Borg said he was listening. Jay: Do you really think it's the Overlord? Cole: But how? We all saw Lloyd defeat him. Zane: Defeat, yes. But can he be destroyed? Jay: I don't know, but we can. Zane: Cole, throw me. Cole: Excuse me? Zane: Throw me! (grunting) Kai: What just happened? Jay: The Techno Blade must've hacked the tower-copter's system! Zane controls it! All: Cool! Nya: Run! Jump and kick! Sensei Wu: Everyone get to the window. Students: Whoa! Nya: How do we stop it? Kai: We need to get everyone to the bus. I have an idea. Cole: Come on, kids. Jump on board. P.I.X.A.L.: This will be the end of your tour. Nya: Come on, she's one of them. We have to go! Kai: Get to the academy as fast as you can, sis. We need the Golden Ninja. Nya: What about you guys? Sensei Wu: We must protect the people. (Man yelling) (Passengers scream) (Woman screams) (All scream) Cole: I'm on it. Ninja, go! No one calls me pedestrian! Brad: I always said Mr. Cole was my favorite. (Students cheer) Kai: So these Techno Blades can hack into their systems. Cole: So, what do you say we do a little hack-attck? Sensei Wu: Zane, Kai, you take to the skies. I want Cole and Jay on the ground. And I'll do what I can for the people. Cole: Heh-heh! Anyone else feeling all tingly inside? All: Ninja, go! Kai: (grunts) Oh, I want that. Yeah! Ha-ha! Aw, seriously? Whoa! Okay, not that button. Cyrus (hologram): So you're figured out how the Techno Blades work. Kai: What? Cyrus (hologram): You must know, they are far, far more important than you think. Kai: You mind explaining--? Cyrus (hologram): This is a prerecorded message, but I can tell you that a few weeks ago, we discovered a virus laying dormant in our system. The Overlord. Kai: Overlord? Cyrus (hologram): You have to get the Techno Blades out of the city. Because once he knows you have them, he'll never let you leave. I've also given you new outfits to help block the facial recognition software. Kai: Uh, great. Style and function. Ugh. Wanna wrap it up? I'm a bit occupied at the moment. Cyrus (hologram): Had I known this would happen, I would never have built where the Overlord was destroyed. Goodbye, Ninja, and good luck. Kai: Can you guys handle that? Jay: On it! Ha! I love it! Hey, Cole, need a hand with those security mechs? Or maybe just some old-fashioned atillery fre? Cole: I think got a handle on it. Yeah! (grunting) Stomping robots to robot stomper! Nya: Lloyd! The Ninja are in trouble! Dareth: Oh, hi, Nya. Can you believe it? I'm watching my favorite game show with the jujitzu dogs, you know, when bang, the cable just dies on me. Kai: We have to get the Techno Blades out of the city. Zane: But what about Sensei? We can't leave without him. Kai: There! I'll pick him up and meet you guys at the intersection of Wilfert and Fleming. I can't find a place to land. (Sensei Wu yelling) Cole: There's too many! We'll never get out! Kai: Keep fighting. They'll have to run out of batteries at some point. Zane: Well, I'm not sure about that. (Ninja cheering) Lloyd: Robots versus Ninja? Heh. Dare I ask? Cole: All right! Kai: You are a sight for sore eyes. Overlord: So you couldn't help yourself. The Golden Ninja we meet again. Lloyd: Overlord. I defeated you once, I'll defeat you again. Overlord: Oh, I don't want to fight. I just want your power. Sensei Wu: No, Lloyd, your power is only making them stronger. Lloyd: But how do we fight? Kai: We don't. We need to get you and the Techno Blades out of the city. Cole: I don't think he'll let us leave. Sensei Wu: I have an idea, but I don't have much time to explain. Listen close. All: Ninja, go! Kai: I hope this works. Zane: We have 4.2 percent chance of success, I'd say our hope is slim. Jay: That's why it's called hope, Zane. Overlord: The Techno Blades, find them! Computer: Searching for Techno Blades. Jay: Cole, jump on! Computer: Techno Blades, 92 percent confirmation. Overlord: Sensei. The Sensei has them. (Sensei Wu Panting)[/i] Overlord: No, No! No! Where are the Blades? That old fool will pay dearly! Lloyd: We have to go back for him. Kai: We will, but only when you are safe. Cole: He wants these wapon, and for some reason, he also wants you. Remember, this was Sensei's plan. They can't break him. Zane: Yesterday is gone. Tomorrow has yet to come. We need to worry about today. Jay: You said it, Zane. Zane: We will come back to New Ninjago City. And when we do we'll be ready. Kai: But for now, we find some place safe to hide. They'll be looking for us. P.I.X.A.L.: Upgrade complete.	{"type": "series", "show": "Lego Ninjago: Masters of Spinjitzu", "episode": "03x01 - The Surge"}	foreverdreaming
Narrator: Previously on Ninjago... Kai: The Overlord's alive. What? [ALL SCREAMING] Come back safe to us, ninja. [NARRATOR READING ON-SCREEN TEXT] Is this the greatest thing ever or what? Where are you? We're trapped in space and you... Where did you go? Guys, we're in space. I thought this is stuff only Fritz Donnegan gets to enjoy. Fritz is from a comic book, dude. This is real. Well, you got me hooked on the character. Would you lighten up and not step on my dreams of being a real Starfarer just yet? We have to find a way to take control of the ship. Unh! If they get the Golden wapon back to the Overlord... Ninjago doesn't stand much of a chance. Whoa! There's no access to the rest of the ship. Only way out is through the same air lock we came in. And if my memory banks serve correct... space has a way of taking one's breath away, in the negative sense. [BEEPING] Cryptor: Delta V guidance. Data point: 030. Initiate auto sequencing. [BLEEPING] [BEEP] Zane: Enjoy it while you can, Jay... because in five minutes, the entire ship is scheduled to lighten up. The supplemental boosters are set to detach. I'm a ninja, not an astronaut. What does that mean? Zane: The portion of the ship we are currently stationed will soon detach... and we will be abandoned in space with it. Hello? Kai? Anyone? Can you read me? Kai: We read you loud and clear. They are alive. They are alive. Good to hear you, boys. We're going to help you get home safe. Pixal was able to find the blueprints for the rocket. You need to escape the cargo hold before it's too late. Near the front of the ship is an A2 storage compartment. Inside are emergency space suits. That will be a doozy. We can't get the space suits unless we go outside. The problem is, we can't go outside without the space suits. Any other suggestions? They are completely out of their element. Even if they get through this, what chance do we have of getting them home? Uh, we can still hear you. Yeah. We could really use some encouraging words right about now. If you cannot change your circumstances, change yourself. Can anyone else figure that one out? His wisdom usually takes a while to set in. But we don't have a while! Zane, you're the only one who can survive outside the ship. She's right. I'm the only one who doesn't need oxygen. I must go alone. Go get them, Zane. [GRUNTING] [BEEPING] Cryptor: Approaching comet. Prepare to disengage supplemental boosters. [ZANE GRUNTING AND SCREAMING] No. No. No. No. Come on, Zane. You can do this. You can get back. Ice! [BEEPING] Lloyd: Come on, Zane, where are you? Cryptor: Booster separation on my command. Five, four, three, two... disengage. Lloyd: We made it! Thank goodness. Lloyd: We have our space suits and found one way to change ourselves. At least now we can stay on this ride a bit longer. Nya: All right. To commandeer the ship, get to the cockpit. You'll find an access hatch just ahead of you. Cole: You know what's also ahead? A desolate void of nothingness. If any one of us falls off... Kai: We'll take it slow. Together. [ALL SCREAMING] Jay: I can't wait to see the expressions on the faces of those chrome domes... when they find out we've stowed away onboard. Cole: They're nindroids, nimrod. They don't have expressions. Jay: Oh, yeah? Well, Zane has expressions. Cryptor: Ugh! Kai: Zane's not like them. Do we really have to go over this right now? Jay: It's just so quiet. I'm only trying to fill the space. Get it? Ha. Space? Cryptor: Get rid of them. The ninja have stowed away. Pythor [over radio]: Stay the course for the Golden wapon. They must be getting help. We'll track down who's aiding them. Kai: So much for our surprise attck. Look out! [NINDROID LAUGHING] All: Whoa! Lloyd: Cool. Kai: Go, Jay. All right! Jay: Not Jay. Fritz Donnegan. Fear isn't a word where I come from. Lloyd: Oh, man. I'm sorry for introducing him to that. Kai: Don't be. If we can't change our circumstances... that's one way to change yourself. fre! [COLE GRUNTING] Cole: Hope we didn't need that. Ice! Cole: Ninja... Uh-oh. Ah! Kai: Cole! Cole: Guys, a little help, please? We can't use our spinjitzu in zero gravity. There's too little resistance. Lloyd: Too little? I'd say the resistance is a bit more than we can handle at the moment. Jay: Haven't you heard, Scurge? No free rides. Waa-yah! Cole: Help! Jay, don't let Cole get away. Fritz, save him! Jay: I'm on it, Commander Kiflin. Waa-yah! I just blew you away. Ha, ha. Help! [PANTING] Fritz Donnegan to the rescue! Cole: Help! Jay: Gotcha. Next time, don't get carried away. Cole: Thanks, I owe you one. Jay: Okay. Stay away from Nya. Cole: Maybe a different one. Cryptor: The Golden wapon. Prepare for entry. But take us through the comet's tail. Nindroid: General, the comet's letting off... a high volume of debris. Do it. Wu: You are almost to the cockpit. Just make sure to continue your course... and focus on the task ahead. Kai: Sensei? I'm getting interference. I can't hear you. Zane: Asteroids. Kai: Cryptor's steering us into the tail of the comet. Find cover! Cole: Cover? What cover? [NINDROIDS WHIMPERING] Jay: Hey, ha, ha. They do have expressions. Never mind. Wu: They can't hear us because of the asteroid shower. They must be preparing to land. But we have to warn them about what else is on that comet. Yeah. Uh, we're not alone either. The transmissions are coming from here. Overlord: Seize the entire building. This place will play a crucial role to our greater agenda... once they return with the Golden wapon. Pythor: Do it. Wu: We must go. But we have to warn them. We can't just leave them without telling them what else is out there. Grab everything you can. This way. We're coming in hot. Lloyd! [LLOYD GRUNTING] Kai: Hold on! Pythor: Ha. The cowards have fled. [ELEVATOR BELL DINGS] Overlord: But Arcturus has landed. Prepare the factory. The Golden Master will rise on their return. He's vulnerable. We must fight him now. No. Not until we get the ninja home safe. We must get back in contact. We need to find somewhere we can't be found. I know just the place. They found us. Don't lose those computer components. We need them all. [ALL SCREAM] Wu: Hurry, use our momentum. Together. Now! I've got you, brother. Great. Now we'll never get out of here. Leave that to me. Get them, you imbeciles. Good thinking. You're still linked to the security forces. Pixal: Now let's get out of here. I hope the city can survive without us. So too the ninja, I pray. We survived. [KISSING NOISES] Lloyd: Nya, are you there? Dad? Wu? Anyone? Kai: Maybe the others didn't make it. Zane: They're all gone. Cole: They must have left for the wapon. Jay: Let's take the ship before they get back. Ugh. They took the launch key. Kai: Are you telling me this entire ship starts up with a simple little key? Cole: Come on, tell me one of you knows how to hot-wire this thing. Hey, guys, come and see this. They took lunar rovers. Looks like they left tracks to follow. Jay: Unh! Move your gas tnk. I can't see. Kai: Your blaster is in my rib. Jay: That's not a blaster, that's my leg. Cole: Zane, you're squeezing my arm. Zane: I thought that was the accelerator. [ALL GRUNTING] Kai: This must be where the Golden wapon landed. Cole: There's the wapon. Kai: And there's the key. Nindroid: Shiny. Cryptor: No, don't. Argh! Only the Overlord can withstand the power of all the wapon combined. No one directly touches it. Jay: Those are the Golden wapon, all right. Zane: Hello there, little friend. Jay: Oh, would you look at that? Can you believe it? It's an extraterrestrial life-form. Cole: It's a bug, and it's not what's important right now. Jay: There's so much we could learn from it. So much we could teach it. I'm gonna call him Glowy. Oh, look, Glowy can fly. How cute. Wu: [static noise] You must not disturb the alien life. They are very dangerous. Can you hear me? Kai: I can't make that out. What did you say? The alien life, they're dangerous. A few years ago, scientists studied a meteorite that had fallen to Ninjago. It most likely came from the same comet you're on. Inside the meteorite, there were the fossilized remains... of some kind of parasite that feeds on metal alloys. Zane: They tickle. [ZANE & JAY LAUGHING] Jay: Silly Glowy. Zane: Ow! Nya: Do you hear me? Whatever you do, don't come in contact with the parasites. They eat through metal. Zane: Ah! They're eating through my exoskeleton. Jay: Bad Glowy! Bad! [ALL GRUNTING] Kai: They're on me too. Jay: They're everywhere! [ALL GRUNTING] Ah! Unh! The gold must remain intact. Back to the ship. Zane: What do we do? Any ideas, guys? Cole: Space. Why did we come to space? If I could change any circumstance, I'd change ever coming here in the first place. Lloyd: If you can't change your circumstances, change your mind. Jay: Now's not the time to be quoting Wu. Lloyd: No. I finally see what he means. This is just like the Starteeth. Come on, I've got an idea. Ninja. Ugh. Get them. Lloyd: Sensei meant instead of focusing on how wrong things are... focus on what's right. We have to think positive. Those parasites aren't just a menace, they're a wapon. attck! [GRUNTING] Cryptor: Go. [WHIMPERING] What? Unh! Ah! [ALL SCREAMING] [ALL SCREAMING] [ALL SCREAMING] Lloyd: Yeah! All right! Kai: Now let's go get that launch key. All: Ninja, go! Zane: Ice! Cole: Hello. Ah! Kai: Ninja, go! [GRUNTING] Unh! Ah! [BLEEPING] Kai: You can keep your gold. I got it. Let's get out of here. Ninja, go! Ah! [CRYPTOR GRUNTING AND NINJAS LAUGHING] Ninja! [NINJAS CHEERING] Jay: We're home free. [LLOYD GASPS] Lloyd: The rocket. It's destroyed. Jay: Then how are we gonna get home? Cole: There's no way back. Cryptor: You're not the only ones who can adapt. So long, ninja. Lloyd: No. Kai: They got away. We failed. I repeat, they got the Golden w*apon. Are you on the rocket? Can you stop them? Kai: No. The ship is destroyed. We're not coming home.	{"type": "series", "show": "Lego Ninjago: Masters of Spinjitzu", "episode": "03x07 - The Void"}	foreverdreaming
Senseu Wu: Previously on Ninjago... Kai: This must be where the Golden wapon landed. Jay: How are we gonna get home? General Cryptor: So long, Ninja. Sensei Wu: Episode 34 - The Titanium Ninja. (Nindroid grunts) Golden Master: Have they melted down the Golden wapon? Pythor: Yes, the golden armor will be ready for your evil bidding, my Dark Lordship. Golden Master: Borg's still here? What use is he now that Project Arcturus is completed? (laughs) Yes. Yes! Behold the beginnings of the Golden Master! Cyrus: You're... You're releasing me? But what have you done? What now? General Cryptor: Now you watch your city and all of Ninjago fall. And bow to a new master. Looks like you already have that part down. (laughs) Cyrus: How can I stop this? Kai: (grunts) These bugs just keep coming. We are going nowhere. Jay: Nya, there's no way we're getting off this planet. Any last words, my darling? Cole: How about "It always you, Cole. I won't be able to carry on without you." Nya: Now is not the time for that! Can't I care for both of you? Now just don't give up. Lloyd: My dad was right, I've should never given up my golden power. We could have all been home. Now the Overload has all he needs to become the Golden Master. Garmadon: Don't say that. I was wrong, You must trust your friends. Trust yourself. P.I.X.A.L.: They've returned with the Golden wapon. It;s only a matter of time. Sensei Wu: Search for the power within, and then realize the greatness within each other. Lloyd: He's right, we can get off this planet. Kai: What about your green power, Lloyd? Zane: It's too far. He'd never be able to keep his focus that long. Cole: No one happens to have a build-your-own-rocket-kit handy, do they? Lloyd: Whoa. That's it! Jay: You have a build-your-own-rocket-kit? Lloyd: No, but we can make one. Arcturus may not fly, but she'll give us all the metal we need. And Zane knows this solar system better than anyone. Zane: And Kai's fre could weld the missing parts. Kai: Cole's manpower could do all the heavy lifting. Cole: Jay has enough electricity and nerd knowledge to make a halfway believable spacecraft. Jay: Ha, ha. Hey! Hey. This could actually work. Kai: Let's fre this thing up and see if she'll fly. (Cole grunts) Lloyd: Boosters? Kai: Check. Lloyd: Electronics? Jay: Check. Lloyd: Navigation? Zane: Check. Lloyd: How are we holding together? Cole: Bubble gum and a wish. Lloyd: Let's go home, fellas. Nya: They have lift off! (All cheer) Woman: What is this now? Hasn't Ninjago suffer enough already? Golden Master: (laughing) I was trapped in Lord Garmadon, then I was trapped in the Digiverse. Now I am free! Bow to your Golden Master! Cole: Hold on, we're almost there! Zane: My power has reached critical mass. It appears my unlimited energy is in fact limited. Jay: Critical mass? Like, it's gonna blow up? Zane: Don't worry about me, I must my power to hold our vessel together. Lloyd: Now way, Zane. Entering the atmosphere means we have air. Jay: No, it means we're gonna burn up. Lloyd: Listen! With just enough air, we can now support our elemental shields. Let's try, guys! Skales: We tried to warn them, Junior. This time it is their fight to lose. Bus Driver: Oh! It's the Ninja! (Crowd cheer) Pythor: They've returned? But how? Golden Master: If the Ninja are what give them hope, then we'll destroy them. Prepare for battle! Cole: I hate to bring this up now, but parachutes would've in handy. Kai: Friends and family make a good substitute. P.I.X.A.L.: Coordinating catch. Be on the lookout. Kai, go for 56 degrees north, 12 east. Zane, you're next. Zane: Don't worry, I've got you. All: Ninja, go! Sensei Wu: Welcome home, Ninja. Garmadon: Brother, I can't remember the last time we fought together on the same team. Zane: I have the city in my sights. Jay: City? That's not a city, that's an impenetrable fortress! Garmadon: Behind that wall, the Golden Master has the power of the First Spinjitzu Master. Cyrus: Ninja, if you get this message, I've managed to escape and have found refuge within the Temple of Fortiude here in the City. Sensei Wu: Temple of Fortitude? That was left over from the Stone Wars. The Overload used it as a stronghold against the power of the First Spinjitzu Master. Garmadon: It has a sacred seal of protection that can resist the Golden Power. Very clever. Cyrus: If you can make it here alive, I think I have a device that could defeat him. Lloyd: Then we have to get to that temple. Everyone stay together. Kai. You, Nya and Zane take the high road. We'll make our own road. Cole: I don't have time for finesse. (Man screams) Nya: Is that well getting higher? Zane: It's just like the Digiverse. His turf, his rules. (Crowd scream) Sensei Wu: The temple's up ahead. Nya: Two down and moving onwards to the-- (grunts) Kai: Nya's down! I repeat, Nya's down! Cole: I'm going back for her. Jay: No, I'll go back. Zane: Go back, and our probability to make it to the Temple exponentially diminishes. Kai: This isn't about numbers, Zane. It's about family. Lloyd: Everyone else head to the Temple, we'll go pick up Nya. Kai: I've got her. She's on the corner of Bradley Boulevard-- (grunts) And somewhere. Golden Master: The famous Ninja have time for meet-and-greet. Let's dance! (laughs) Lloyd: Change of plans! Run! Cole: Whoo-hoo! (All grunting) Nya: This is a complete mess. General Cryptor: Now let's see if the little girl can fight without her big suit. (All grunting) Sensei Wu: Brother, now! Garmadon: Activate the shield. Golden Master: No, no! (Nya grunts) General Cryptor: You kick like a little girl. Nya: Oh, yeah? How's this for little? (grunting) Golden Master: Keep shting. They will break and die busy. Lloyd: You said you had a wapon that could stop him? Cyrus: I do. It's my most protected secret. Jay: What is it? Zane: It us well-protected? Lloyd: Is it an ancient curse? Kai: I say, fre power. Cole: I hope it rocks. Jay: Is it dangerous? Is it alive? Does it come with a manual? Is it a-- A-- A pill? Cyrus: Ah, not just any pill, a nano pill. For all of time, scientists have been searching for the holy grail of inventions. A diet pill that actually works! Garmadon: Wait until you are old. You'll see why it's so important Tell me Borg, does it work? Cyrus: No, but the nanotechnology inside has an adverse effect. It not only shrinks your waistline, but miniaturizes you as well. Zane: You've made a shrinking pill? Kai: let me get this straight. You want us to get close to this guy, who has armor that with the mere touch, would make us toast, and you want us to give him a pill? Cyrus: Precisely! Garmadon: Brother, do you remember when both of us were on the same team? Jay: Ah, hey, yeah, old timers, mind paying attention? We're trying to save the world here! Sensei Wu: You're right, Brother, on the playground when we were kids. Templegate Tigers. Garmadon: Ha, I threw a mean curve ball, and your could thread the needle. We never lost. Sensei Wu: So true. Get us close, Ninja, and we'll give the Golden Master his medicine. (All clamoring) Pythor: Ha, ha! The people are losing hope. Soon they will bow to you, Golden Master. (Nya grunts) General Cryptor: (growls) What is that perfume I smell? Fear? Nya: Actually it's called Damsel in Distress. But I don't think it suits me. General Cryptor: You think you can mock me? Nya: Of course, doesn't everyone? I mean, even Mindroid knows you're short of a hard drive. General Cryptor: Mindroid? That little piece of scrap isn't even fit to tighten my bolts. I've met posters more intelligent than him. (grunts) Nya: Ha, ha! Kai: Are we sure this is gonna protect us? Garmadon: If the Overload's Stone Warriors used this against the First Spinjitzu Master, I see no reason can't use it against those exact same powers. Zane: Here. You take it. P.I.X.A.L.: No, you are vital to this mission. Don't worry about me. I shall see you again. Garmadon: Zane... Zane, we have to go. Lloyd: Hey! The seal! It's broken! Nya: Better late than never! Go get 'em, Ninja! All: Ninja, go! Sensei Wu: Feels like old times, doesn't it? Garmadon: Yes. It feels good. Cole: I don't believe it. The armor's working! Jay: Keep going! We have to take the heat off the senseis! (Lloyd grunts) Golden Master: My powers! They aren't working! They won't stop coming! (All cheering) Pythor: Then attck the people. (All clamoring) Lloyd: We have to save the people! Kai: We have to get Sensei's closer. Skales: People of Ninjago, follow me! Jay: The snakes are on our side? Great. Now I have seen it all. Kai: We'll never get close enough. Garmadon: We won't need to. Ready to thread the needle, Brother? Sensei Wu: Let's show them what old timers can do. Pythor: (coughs) Ah! What's happening to me? No! (screams) Golden Master: That was it? That was all you've got? (All grunting) Lloyd: The armor, why isn't it working? Golden Master: Because your time is over! Zane: Support me, friends. For one last time. Let my friends go! Golden Ninja: Go where, Doomed Ninja? The Golden w*apon are too powerful for you to behold. Your survival chance is low. Zane: (sighs) This isn't about numbers. It's about family. Lloyd: He's not letting go! Jay: His heart! It's reaching critical mass! Cole: If his heart overloads, he'll blow. He'll never survive. Kai: Let go of him, Zane! What is he doing? Sensei Wu: He's protecting us. Zane: I am a Nindroid. And Ninja never quit. Go Ninja. Go! Golden Master: What are you doing? Let me go, you fool! Jay: No, Zane, no! Sensei Wu: We have to get out of here now. (Golden Master grunting) Jay and Kai: No! P.I.X.A.L.: No. All: Ninja, go! Dr. Julien: Zane! Sensei Wu: There's something special about you, Zane. Zane: I know who I am. Dr. Julien: You were built to protect those who cannot protect themselves. (Golden Master screams) (Nya sobbing) (P.I.X.A.L. sobbing) Cyrus: I used to think technology would to be the answer to all of our problems... But then I saw technology invent new problems. Devastating problems. And then a Nindroid named Zane saved us all. He was the perfect balance between us and technology. He taught us that life should be a balance. Technology can improve our lives, but so can people. And if we focus on one at the expense of the other, that's when the balance is off. Our city will find its way again, but this time with Zane as our compass. With that I give to you the Titanium Ninja. Nya: So, what happens after this? Cole: I don't know. Jay: And I don't care. Today's about Zane. Cyrus: And now Kai would like to speak for those knew him best. Kai: Everyone wondered what powered Zane. I don't know if we'll ever know, but I'd like to think it was brotherhood. Because he powered me. And he'll still power me as his memory lives on. (Dareth crying) Kai: Ninja never quit. and Ninja will never be forgotten. Wherever you are, Zane, you'll always be one of us. (Crowd murmuring) P.I.X.A.L.: You are Zane. A droid like me. What does Zane stand for? Zane: I stand for peace, freedom and courage. P.I.X.A.L.: Your hardrive is outdated and your processor is slow and incompatible. Why are you so different? Zane: We're all different, but I don't feel so different around you. P.I.X.A.L.: Zane? Is that you? Zane: You are vital to me. P.I.X.A.L.: You are vital to me. I shall see you again. Zane 2.0: I'm... just Zane. Are we compatible now?	{"type": "series", "show": "Lego Ninjago: Masters of Spinjitzu", "episode": "03x08 - The Titanium Ninja"}	foreverdreaming
Sensei Wu: Previously on Ninjago. Kai: It's Zane. Lloyd: It says he's alive. Master Chen has personally invited you to participate in his Tournament of Elements. Kai: Why haven't Wu ever told us there are others with powers like us? Clouse: Welcome to Chen's Island. (Theme song plays) Sensei Wu: Episode 36 - Only One Can Remain. Kai: Look at that. Awesome. Karloff: Let me see. Kai: Do you mind? Clouse: Welcome to Chen's Island. The Tournament of Elements welcomes its brave fighters. Master Chen will be pleased you've returned, Sensei Garmadon. Sensei Garmadon: This pleasure is all mine, Clouse. Clouse: I'm sure it is. Jay: Definitely feeling some tension between you two. Kai: Yeah, and how is it we're on an island I've never seen any map? Cole: And care to explain how the face to Ninjago's most popular noodle house is secretly underground fighting tournament? Sensei Garmadon: Master Chen used to be a friend. Now he's a traitor. During the Serpentine Wars, Chen turned against his own kind and sided with the treacherous snakes. Lloyd: The battle you and Uncle Wu fought together in? He was an enemy? Sensei Garmadon: He used deception to divide the Elemental Masters. We barely defeated the Serpentine, and in a deal for his surrender, Chen was to never leave this island. Little did we know, he'd begin to build his criminal empire in here. Lloyd: He may have divided our ancestors, but he's not gonna divide us. Kai: Uh... Ladies first. fre will melt her icy heart. Just wait. Sensei Garmadon: (Sighs) Cole: This is a big island. Zane could be anywhere. Keep an eye out. Jay: So, this is the house that noodles built. Ha! Always wanted to go to a red carpet event. Sensei Garmadon: Chen lives like a King. Here, he's totally self-sufficient. The only way on or off this island is with his permission, which you have to earn. Lloyd: You never told me about this place. How do you know so much about this island? Sensei Garmadon: Because before Chen was my enemy, he was my Sensei. Lloyd: You never told me you had a Sensei. Sensei Garmadon: When I was your age, I sought a darker means of guidance. He taught me to win no matter who I hurt. It wasn't until you saved me that I saw the light. Jay: Uh, apparently he also never taught you to have a sense of humor. Lighten up, we're in an underground fight club. This is supposed to be fun. Clouse: All rise for Master Chen. Master Chen: Welcome to the Tournament of Elements. Now everyone can all die. All: (Gaps) Master Chen: Direct your attention to me. (Laughing) Sensei Garmadon: I forgot to mention he has a penchant for theatrics. Master Chen: Hee, hee, hee! Never before have so many Elemental Fighters been under one roof. I see Master of fre, Earth, Shadow, Speed. Even a prophesied Green Savior. And a former pupil has returned. The symbol before you is for the Anacondrai, fieriest Serpentine warrior to ever roam this land. It's creed: "Only one can remain." Kai: Good, looks like we're each in our own bracket. We won't have to face each other for a while. Lloyd: Better find Zane before that happens. Master Chen: Behold a Jade Blade. Here, it represents life. Obtain it, move on. Allow your opponent to take it... Loser. The rules are simple. Every match will be different. Now two fights will be the same. Your powers will keep you in the tournament. Use it or lose it. Karloff: Hm. What does Karloff win? Master Chen: Win and stay on this island. Win at all, and you'll receive fortunes beyond your wildest dreams, and lifetime supply of Master Chen noodles. But no one is here because of noodle. You want the the glory of being greatest fighter in all of Ninjago. All: (Cheering) Master Chen: And what happens if they lose? Lose? Who here likes to lose? All: (Laughing) Master Chen: Now please, enjoy my island. It's a super fun place. Ha, ha, ha. Fun time on me. Clouse: You'll now each be shown to your rooms. Jay: Ah, just what this place needs. Creepy clowns. Sensei Garmadon: Not just clowns. Kabuki, Chen's jesters. Cole: Yeah, well, whatever, they are, I don't like 'em. So much for staying together. Sensei Garmadon: Always be ready. Never loses focus. Kai: What? What did he say? Jay: I don't know. Something about, uh, mucus? Kabuki Servant: Your fre suite, Master Kai. Kai: Are you kidding me? Ha! fre! Whoa. So handsome. I could get used to this. Huh? Ah. Looks like we're neighbors. I'm Kai. Master of fre. Skylor: Skylor, Master of Wouldn't want you like to know? Kai: Huh? Ow, ow, ow, ow! Skylor: Ha, ha. Kabuki Servant: Every device within your room has been configured to interact with your own electrical signal. Jay: (Whooping) (Laughing) Cole: (Grunting) A stone bed? Come on. (Grunts) Huh? Chen's Noodle House? Three Ingredient Sizzling Rice, Snow Pea Cuttle Fish, Mu Shu Wu Shu. Ha, ha! Cake. (Whooping) Score! Lloyd: Yeah, this is sweet. Heh, heh. Don't worry. We're gonna find you, pal. Clouse: Since you weren't invited by Master Chen, I'm sorry to say there's no room for you. Sensei Garmadon: Fine, I'll just stand guard. I wouldn't want anything to happen to them. I know how you like to use dark magic. Clouse: Now, why would I want to cheat the Ninja? Master Chen: Fellow fighters, hidden around my island are enough Jade Blades for every participant expect for one. The one who returns to the Palace Arena empty-handed loses. The tournament begins... now. Jay: Now? Bolobo: Ahh! The room could use a breath of fresh air. Lightning, meet Nature. Jay: (Grunting) Bolobo: (Grunts) Jay: (Gasps) Master Chen: May the best fighter win. (Laughing Manically) Skylor: Is that-? Kai: A Jade Blade? All: (Grunting) Lloyd: Hey. (Grunts) Huh? Skylor: That one is mine. Kai: Hey! Skylor: Stop! Kai: You stop! Skylor: Unh! Help me! Kai: (Grunts) Sorry, hot tamale. Karloff: What does Karloff...? (Growls) Men: (Grunting) Cole: I can't fight on a full stomach. All right! Griffin Turner: Ha! Too slow, rocky boy. Cole: Hey! Bolobo: (Yells) Fritz Donnagan: Fear? Fear isn't a word where I come from. Bolobo: Ooh, Fritz Donnagan. (Yells) Jay: Ha, ha! I love my room! Clouse: Seekar... Lloyd: Wha--? Hey! Sensei Garmadon: (Growls) Hurry, Lloyd, you must not lose. Huhh! All: (Grunting) Cole: It's mine! Oh, stomach cramp. Hey, stop! Stupid blade. Unh! (Grunts) Ha, ha, ha! Ninja, go! Mr. Pale: Whoa! Cole: Ugh,! Okay, that was too fast. Hey, that's mine! Uh... Yes! Clouse: Two Jade Blade remaining. Cole: Wait! I got one! Jay: Cole! Whoo-hoo! You made it! Cole: Where's Kai? Clouse: Only one Jade Blade remaining. Master Chen: Get on with it. Both: (Grunting) Karloff: Ha, ha, ha! Karloff wins! Master Chen: (Laughs) All: (Cheering) Karloff: What? Kai: Ah, looks like you got a screw loose. (Grunts) Karloff: (Growls) All: (Cheering) Master Chen: We have a loser! Karloff: That's not fair. He cheated. Kai: I did what I had to do. Sensei Garmadon: That is not how you win. Karloff: Fine, I lose. Karloff never wanted to be on stinking island. Master Chen: Oh, I'm sorry to hear you did not enjoy your stay. I guess this worked out for the best. This is goodbye! Karloff: (Screaming) Master Chen: As you can see, lose and you are out. Break any rule, you are out. Never bits the hand that feeds you, Master Chen delicious noodles. Now rest up. Tomorrow the tournament will recommence. Cole: At least the chow's good. Jay: Argh! It's klling me. What's under the trap door? What happens when you lose? Sensei Garmadon: Don't think about that. Jay: It's all I can think about. I moved on. I feel guilt. These are not good feelings. Kai: You think you feel bad? Imagine how I feel. Our mission is simple. Tonight we find Zane and get off this crazy island. Cole: And just how are we supposed to do that? You heard Chen, break a rule and we're out. He's not gonna let us roam around. Kai: Then it's a good thing we're Ninja. Meet me in my room at midnight. Mr. Pale: You mind if I join you? Jay: Disappear, pal! This is private. Uhh. I know you're still here. I can see your lunch tray. Hmm... Cole: Wow, Jay, you were really mean. Jay: How am I supposed to know if we can trust him? See what this island is doing to me? It's corrupting me. It has to stop. I'll see you tonight. Kai: Ha, ha. Jay: (Yells) Skylor: What was that you said? Kai: Uh, I said... w-w-what a beautiful night. Ha, ha. Jay: Aw, come on. Skylor: What do you think happened to Karloff? I feel horrible. Kai: If I had known what would happen-- Skylor: You did what you had to do to stay in the tournament. I'm sorry if I was cold to you earlier. Jay: Psst. Skylor: Maybe it's good to have friends here. Jay: Kai! Kai: Jay, would you stop making noise? Skylor: You had asked about my power... Kai: Uh, yeah, oh., it's so cold out. Uhh. Better call it a night. Heh, heh. Skylor: Oh, okay. Sorry to bothered-- Kai: Oh, okay. Good night. Ah. Jay: You just had to leave me hanging, huh, Romeo? (Grunting) Whoa-ho-ho-ho. Nice digs. Cole: I know. His room is so much nicer than mine. Look, chocolate covered shell peas. I love these. (Laughs, Grunts) Oh, and look how soft your pillows are. Man, mine are made of rock. What a crock. Jay: Okay, it was almost impossible to get here. This place is swarming with guards. Any ideas on how we search the island? Kai: We travel by shadow. Cover every square inch of this place until we find him. Jay: The island's big. We'll need to split up. Lloyd: No, we stick together. Cole: Uh, guys... The bed is, uh... Kai: Cole, I get it! You like my bed. Would you stop playing around? Cole: I think I know how we can search the island. Lloyd: Okay, I feel ridiculous. Jay: You're right. The pillows are soft. Lloyd: Is this a joke? Cole: I must've done something to trigger it. I was laying here, then I stretched... All: (Yell, Gasps) Lloyd: Whoa! Secret passageway! Cool. Kai: Nice work, Cole. Maybe Zane's not on the island, but in it. Skylor: (Grunting) Lloyd: Quiet. Do you hear that? Jay: Oh, secret peep holes. Ha, ha! Super cool! Sounds like someone's fighting on the other side of this wall. Cole: What do you see? Who's fighting? Jay: It's not a fight. It's Skylor's room. And it looks like she's training. Kai: Let me see! Let me see! Cole: Oh, looks like Kai's got the hots for her. Kai: No, she's competition. I just wanna know what powers we're up against. Jay: Wait your turn. Kai: We can at least share. Skylor: (Grunting, Panting) Lloyd: Guys, this is an invasion of privacy. Kai: Her room doesn't reveal anything about her power. Both: (Gasps) Cole: What was it? What did you see? Kai: She's... fre. Lloyd: Wait a minute. If we're all descendants of elemental masters... Cole: (Laughs) Kai's heart is on fre. Kai's heart is on fre. Kai's heart is on fre. Kai: Can we please just keep moving? Huh. It's like a maze down here. Good thing you're leaving a trail back to our room. Cole: I'm what? Oh, yeah, I meant to do that. Lloyd: Everyone stop! Booby traps. Jay: Ha, ha! Booby traps. Even cooler. Ha, ha! Oh, I mean, kinda cool. I mean, they're totally not cool, you know, 'cause they'r dangerous. Lloyd: From here on out, we have to watch our step. Kai: Do you hear that? Everyone be quiet. Lloyd: Psst. Anacondrai Soldier: Hey! Waah! Kai: Stop licking your tattoos. Cole: It's chocolate. I can resist. 'Lloyd: Shh! Just try to fit in. Master Chen: Bring out the loser. Karloff: Unh! Get hands of Karloff! Karloff wish he never sign up for this. What is chanting for? Master Chen: Uh, they're saying... Only one can remain. Like I said, use it or lose it. Karloff: (Growling) Kai: He's stolen Karloff's power. Cole: And he used ice. That means he must have already stolen Zane's power too. Karloff: What happened to my metal? Master Chen: Your metal? Oh, it's mine now. (Chuckles) But now I will let you go. Karloff: Really? Master Chen: To the factory! Katloff: No, no! Let Karloff go! No! No! Lloyd: Jay, your face... Jay: Oh! My face? All of our faces! The chocolate's melting. Anacondrai Soldier: Who are they? Master Chen: Intruders! Stop them! They must not escape! All: (Yelling) Cole: Ahh! Unh! Kai: A-ha! Yes! Oh, no! Cole: That was close. Jay: That sound. Kai: That has got to be the second biggest snake I have ever seen! All: (Yelling) (Scream, Grunt) Kai: Are we...? Lloyd: Yeah. Barely. Cole: Did we just--? Ow! Jay: No more sneaking around. From now on, let's just follow the rules. Kai: Uhh. We may not have find Zane, but we found something just as important. This tournament about glory. It's about Chen stealing all of our elemental powers. Lloyd: But why? What is he planning? Kai: I don't know, but if we're gonna find out and find Zane we have to play by his rules. Agreed? All: Agreed. Cole: Good thing we weren't spotted. That was close. Jay: Yeah, too close. Clouse: Hm. Good work, my pet. Yes, yes, we do know who the imposters are, don't we? Don't worry. They will pay for their actions.	{"type": "series", "show": "Lego Ninjago: Masters of Spinjitzu", "episode": "04x02 - Only One Can Remain"}	foreverdreaming
Sensei Wu: Previously: On Ninjago. Master Chen: Welcome to the Tournament of Elements. Only one can remain. Goodbye. Karloff: (Screams) Kai: Tonight we find Zane and get off this crazy island. This tournament isn't about glory, its about Chen stealing aal of our elemental powers. [Theme song plays] Sensei Wu: Episode 37 - Versus. Zane 2.0: Ah. Ah. (Grunts) Ah! Titanium Dragon: (Growls) P.I.X.A.L.: Zane? Are you still there? If you can hear me, wake up. You need to wake up. Zane 2.0: (Gasps) It was only a dream. P.I.X.A.L.: It's amazing you dream. I've always wondered what it's like. You've always been special. Zane 2.0: Where am I? Who are you? P.I.X.A.L.: I'm P.I.X.A.L., a friend. And you're in danger and have to get out of here. Your memory drive is out of sorts and your elemental power... Zane 2.0: Elemental power? P.I.X.A.L.: You're a nindroid, Zane, a ninja. And your friends are here to save you. But they can't do it all. You have to remember who you are. Zane 2.0: Friends? P.I.X.A.L.: Remember, Zane. You saved your friends and then rebuilt yourself. There are things about you that you don't understand. That you have yet to discover. But if we're ever going to get out of here, you have to remember. Zane 2.0: P.I.X.A.L. We are compatible? P.I.X.A.L.: Yes, Zane. Yes, we are. Nya: Sure, Jay's cute funny, and I'm always laughing around him, but everything's about him, and he never takes me seriously. Sensei Wu: (Snoring) Nya: More light, please. Sensei Wu: Right. He never takes you seriously. Nya: Then there's Cole. He's handsome, and I suppose I connect with him on a deeper level, but everything's so serious with him, you know what I mean? Socket wrench. Sensei Wu: Young emotions are... complicated. Nya: Sensei, these are needle-nose pliers. I asked for a socket-wrench. And could you at least try to impart some wisdom? Sensei Wu: No way. I'm not sticking my finger into that beehive. Misako. Any word? Misako: Nothing. It's been days and still no word from Garmadon or the ninja. I'm worried. Sensei Wu: As am I. It's time we broaden our search. Nya: Well, then it's a good thing I made a mobile base in case the Destiny Bounty was ever out of commission. I call it... the D.B. Express! Mm, not married to the name. Misako: Find my family, Nya. Nya: I'm on my way. Sensei Wu: Wherever they are, at least my brother is there to guide them. Misako: This is my husband we're talking about. And that's what worries me. All: (Chattering) Anacondrai Chef: Next! Uh-uh, nothing for you. Sensei Garmadon: There's a valuable lesson here, son. If you turn your back on your evil sensei in an effort to go straight, you may not be served creamy biscuits. Anacondrai Chef: Next! Lloyd: Well, I know what we are being served. A whole bunch of baloney. This isn't a fighting tournament, it's an alibi for Chen to steal everyone's powers. But we still don't know why. Kai: Isn't it obvious? Chen wants to destroy New Ninjago City. I don't what it is., but that place has had a string of bad luck. Cole: I'm not so sure. From what Sensei G's told us about him, I have a feeling it's something far more sinister. Jay: And may I remind us, we still don't know where Zane is. Which is why we all need to take care of our first rounds to give us more time. Don't look at me. Ive already moved on. Cole: Your opponent got himself kicked out. Jay: Ha, ha. Either way, it's my day off. Extra creamy biscuits. And don't skimp. Cole: Taking a day off? And here I thought ninja never quit. Jay: And I used to think a ninja wouldn't steal your girlfriend. Sensei Garmadon: Whatever you have to say to each other, say it now, because harboring grudges hurts no one but yourselves. Lloyd: He's right. You should be preparing to fight your next opponent, not each other. Cole: What grudge? I already dropped it. Jay: I dropped it first. Cole: Did not. Jay: Did too. Both: (Bickering) Sensei Garmadon: This tournament will test them, Lloyd. Either find a way for them to make peace, or neither of them will move on. Master Chen (Over PA): The Tournament of Elements continues. Fun rime! Would the following Masters please make their way to their assigned area? Speed, Gravity, Smoke, Nature, Mind, oh, and last and hopefully not least... Jay: Huh, maybe we all got the day off. Master Chen (Over PA): fre! Kai: (Gasps) Master Chen (Over PA): Remember, only one can remain. All: (Cheering) Master Chen: Turner, Master of Speed, versus Gravis, Master of Gravity. Fight! Griffin Turner: (Grunting) Master Chen: Neuro, Master of Mind versus Bolobo, Master of Nature! Fight! Bolobo: (Gibberish) Lloyd: They call this a fight? Sensei Garmadon: Wait for it. Nuero: (Grunting) Bolobo: (Yells) Master Chen: Kai, Master of fre, versus Ash, Master of Smoke! Fight! Both: (Grunting) Ash: (Grunts) Lloyd: Come on, Kai, you can do it. Ash: (Laughs) Both: (Grunting) Ash: (Laughs) Master Chen: (Laughing) Crowd: (Cheering) Bolobo: (Yelling) Sensei Garmadon: Never underestimate the power of the mind. Nuero: I didn't see that coming. 'Lloyd: In man vs nature, nature usually wins. Bolobo: (Laughing) Gravis: (Grunting) Griffin Turner: What, can't keep up? I'm over here. Can't catch me. This doesn't look good. Gravis: (Laughing) Both: (Grunting) Kai: Whoa! Ninja, go! Lloyd: Come on, Kai. Use your power. Kai: fre! Nuero: (Groaning) Bolobo: (Laughing) (Groaning) Nuero: Yeah! Master Chen: Winner! Loser! Bolobo: (Screams) Master Chen: Master of Mind moves on. Gravis: (Laughing) Griffin Turner: Yeah! Master Chen: Winner! Loser. Gravis: (Laughing) (Grunts then Screams) Griffin Turner: Whoa. How many buttons does that man have? Master Chen: Master of Speed move on. Kai: (Grunting) Master Chen: No magic. I'm enjoying this. Ash: (Grunting) Master Chen: Winner! All: (Cheering) Master Chen: Loser. Master of fre moves on. Ash: (Screams) Master Chen: (Laughs) Clouse: Master, it was the ninja who snuck into our ceremony, yet we allow them to move forward. I beg you, let me use my sorcery and put an end to this. Master Chen: We'll use your magic in time, but not now. Not when there are other ways to whistle them down. Perhaps it's time to switch things up. (Laughing Manically) Jay: What's all the commotion? All: (Gasps) Cole: No. He can't do this. Lloyd: He already did. Cole: We gotta fight each other. Jay: Ah, but why does it say I have to fight Cole? It didn't say that before. I'm not ready to fight. It was supposed to be my day off. Cole: I tried to warn you, but you never listen. Talk? Yes. Listen? Not so much. Clouse: Is there a problem, ninja? Cole: You cheated! You changed the brackets! Clouse: Oopsie. (Laughing) Lloyd: What do we do? They can't fight each other. We came here to before whole not fall further apart. Sensei Garmadon: You can;t undo what's been done. My only advice is to be at peace with it. Jay: Peace? One of us has to lose! Oh, my gosh, it's totally gonna be me. He's got super strength and what do I have? Quick tell me! What do I have? Lloyd: Don't listen to my dad. We find Zane then none of us have to battle. Your fight isn't until tonight so we still have time to figure out what Chen's up to and stop this. Kai: I think I know just the person who can help and I think he already knows. Lloyd: We need your help, Neuro. Neuro: You think I can get close to Chen to read his mind, so you can find your robotic friend and not have to fight. Kai: Don't forget... Neuro: You still need to know what Chen's up to because he's hiding something. Jay: That's really impressive, Nerdo. Neuro: It's Neuro, Master of Mind. And Cole thinks Jay won't last long in a fight. Jay: Pfft. You think that? Cole: You just sait it yourself. Jay: But you didn't have to believe it. Neuro: Don't be offended, Cole. Jay here thinks you're the least valuable ninja. Cole: You don't say! Both: (Grunting) Lloyd: We wanted you to help, Neuro, not make things worse. Neruo: But why would I help? You're competition. The sooner you're out, the better for me. Neuro: If you want what's best for you, just look into my head and you'll see what this tournament is all about. Karof: (Grunts) Lloyd: It's only a mater of time before Chen steals your power too. So are you in? Neuro: (Groans) Zane 2.0: (Grunting) P.I.X.A.L.: Zane, you're built differently. You have to search deep within yourself. Yes, that's it! You're remembering. Man 1: Tonight's fight is gonna be epic. Who do you got? Jay or Cole? Man 2: I'm a Cole man. Never liked the color blue. What's that grinding sound? Heh, guess I was just hearing things. Come on., let's go. P.I.X.A.L.: It's not safe. I suggest you break out when everyone's at the big fight. Zane 2.0: You mean, we must break out. P.I.X.A.L.: Yes. Of course. Master Chen: Ha-ha-ha, not so tight. Clouse: The floor is restricted. Neuro: Clouse. I was just leaving. Clouse: I saw you speaking with the ninja. It'd be a shame if the other fighters were to find out you were... helping them. Neuro: Of course not. I'm the Master of the Mind, I'm smarter than that. All: (Cheering) Jay: (Grunting) Thinks it'll be an easy fight. Well, I'll show him! (Grunting) (Laughs) Cole: (Grunting) Kai: You're cutting it close. So did you see into his head? Neuro: (Panting) I'm sorry. I couldn't get past Clouse. Jay: Good. Then we can finally put our feud to rest... gladiator style. Neuro: But I did something. For a brief moment, I saw inside Clouse's mind. The powers he's collecting they are for a spell. A spell for what? I don't know. But it's in his spell book, on page 149. I'm sorry it's not enough to stop the fight. I wish I could've done more. Kai: That's okay, you've done what you could. Lloyd: (Sighs) You don't have to say it. Cole: It was inevitable we were gonna have to face each other. May as well be Jay. This fight's been a long time coming. Lloyd: Well, I'm not at peace with this, but doesn't mean you still can't find peace with each other. We don't have control when we fight, but we do have control how we fight. Jay's not your enemy, Chen is. Remember that. Cole: Wu once said the best way to defeat your enemy is to make him your friend, but how are you supposed to defeat your friend? Crowd: (Cheering) Sensei Garmadon: You tried your best, the rest is up to them. Lloyd: I hope they can see that too. Master Chen: Let the tournament continue! Jay, Master of Lightning versus Cole, Master of-- Both: (Grunting) Jay: Ha, ha. That's all you've got? Least valuable ninja! Cole: Eat drit, Blue-belle! Master Chen: (Laughing) Oh, Clouse, go get me popcorn. This is turning out better than I anticipated. P.I.X.A.L.: Hurry, Zane. Before they come back. Zane 2.0: I'm through. No that's get out of here. P.I.X.A.L. You're... You're... P.I.X.A.L.: Scrapped. I know, but I couldn't tell you. Not when you needed to get out of here. Sadly, this is where my journey ends, but not for you. Zane, you must go alone. Find your friends. Stop Chen. I know you have it in you and don't worry about me. I will always be a part of you. Zane 2.0: You're right. You will always be a part of me. P.I.X.A.L.: Zane, what are you--? Zane, you've taken my neural drive and inputted into your processor. You're ingenious! Zane 2.0: Not ingenious. Upgraded. I'm sure there will be other surprises about me we'll find out together, but until then, let's both get of-- P.I.X.A.L.: Zane, behind you! Initiate evasive-- Clouse: Next time, maybe it would be best to tie up the nindroid woth chains thick enough that he couldn't cut through. Cole: (Grunting) Jay: Stronger than you thought, eh? That's your betrayal flowing through my veins. Cole: I'm looking forward to the peace and quiet when you're... Jay: ...out of the tournament. Both: (Yelling) Crowd: (Cheering) Cole: What are we doing? I don't want you out. You're not my enemy, Chen is. Jay: Oh, sure, lower my guard by pretending to be my friend, then swoop in to steal the prize. Typical Cole maneuver. Cole: I never meant to hurt you, Jay. If I knew it would destroy our friendship, I'd take it all back. Jay: Well, if we're being honest, I was upset about losing Nya, but I take blame for that. I was more upset about losing you. We used to be good friends. Cole: The best! Right? We should've been honest with each other, instead of bottling this up. Jay: Agreed. But how are we supposed to stop fighting? We can't both win. Cole: Well, maybe we can draw it out till they call it a tie. Quick, att*ck me. But not hard. Both: (Grunting) Master Chen: Ah, what is this? Patty cake? I'm bored! Release the Condrai Crushers! Cole: I got your back. Jay: And I've got yurs! Both: Ninja, go! Anacondrai Soldier: Ah. Huh? Sensei Garmadon: Ah, they fight together. Good work, son. Lloyd: Yeah, I do listen to you every once in awhile. Anacondrai Soldier: (Laughs) Cole: (Grunts) Anacondrai Soldier: (Growls) (Whimpering) Crowd: (Cheering) Master Chen: Enough! I know what you are trying to do. If neither of you will win, then both of you will lose! Crowd: (Clamoring) Both: (Grunting) Cole: We can't both lose. Chen's right, there can only be one. Jay: And it should be you. You and I know I'm lucky to have even made it this far. You take the Jade Blade. Master Chen: Winner! Loser. Master of Lightning moves on. Cole: She's yours, Jay. I should've bowed out long ago. Win this thing. (Screams) Master Chen: Ah. About time. Phew! Sensei Garmadon: Cole may be gone, but he did not lose. Let what he did here today be a lesson for us all. Know thine enemy, but more importantly know thy friend. He fought like a true ninja. Nya: Why did you call me here? Zane's beacon. Coming from somewhere off the coast. But that's impossible. Sensei Wu, come in? This is Nya, do you read? I think I may have found the ninja.	{"type": "series", "show": "Lego Ninjago: Masters of Spinjitzu", "episode": "04x03 - Versus"}	foreverdreaming
Sensei Wu: Previously on Ninjago... Cole: We're gonna fight each other. Misako: Find my family. Zane 2.0: You will always be a part of me. P.I.X.A.L.: You're igenious. Nya: Sensei Wu, I may have found the ninja. Cole: (Grunts) Master Chen: Winner! Loser! Cole: (Screams) Sensei Wu: Episode 38 - Ninja Roll. Master Chen: Skylor, Master of Amber, versus Jacob, Master of Sound. Fight! Fight! Skylor: Eneie, meenie, minie, mo, catch a Jade Blade by its toe! Jacob: (Grunts) Sensei Garmadon: The Master of Sound's gotten stronger since the last time I saw him. Jacob: (Grunting) Kai: Excuse me. Excuse me. Uh, don't mean to block your view. Just passing through. Sorry, all of these temples look the same. Did I miss anything? Jay: Argh. By the looks of it, you din't miss much. Jacob: (Grunting) Jay: Maybe we shouldn't be sitting together. I mean, the more they think we're a team, the bigger targets we put on ourselves. Lloyd: Don't say that, we are a team. Sure we just lost Cole and still can't find Zane, but we're a team. Just smaller. All the more reason to stick together. Kai: Skylor's fighting? Sensei Garmadon: What has him so excited? Jay: He had a crush on her until he found out they might be related. Sensei Garmadon: Her element isn't fre. She's the Master of Amber, power of absorption. She can emulate the power of anyone she's touched. Kai: You're telling me we're not related? Jay: Oh, noy. Here we go again. Jacob: (Grunting) Skylor: (Snickers) Jacob: (Grunting) Ninjas: (Cheering) Kai: Yes! Go, Skylor! Master Chen: Winner! And loser. Jacob: (Screaming) Master Chen: I hope the Tournament of Elements has entertained you as much as it has me. To thank you, I wanted to give everyone jewels and untold shiny things. But then in yesterday's battle, Master Jay and Cole tried to undermine me by teaming up and refusing to fight each other. And that made me very upset. For their insubordination, all of your fancy quarters will be taken away, and tonight everyone must sleep together in the chow house. This is all. Thank you, you can go. Ash: (Grunts) Kai: Nice one, Jay. Jay: Whoa, easy, Romeo. Lloyd: Don't worry about them. We aren't here to make friends, just to save ours. Sensei Garmadon: Yes, but your exclusion of others has only made enemies. Beware how you treat those around you, for they will treat you the same. Cole: You can take my clothes and power, but you'll never take my super strength. (Grunting) All right, so you get that too. You're letting me go? Clouse: Of course not. Your presence is required in the factory. Cole: The factory? Look me up for all I care. I'm never gonna lift a finger for you, you despicable-- Aah! A noodle factory? Ha! Why din't you say so? Ha-ha-ha. This is my kind of place. Look, that's how they make the noodles. Oh, and that's the dumpling machine. And is that how you make fortune cookies? (Laughs) You know there's a fortune inside those, right? Clouse: There's only one rule" No eating the merchandise. Cole: No eating the merchandise? How cruel can this place be! You're evil! Anacondrai Soldier: Mm. Yummy. Karloff: Don't worry. After while, not so bad. Since you knew, I show you how to chop noodles. Worker: Ugh. Karloff: Not bad one. See? Chop. Now don't make trouble. Jacob: Well, I for one don't like following rules. The minute you tell me the coast is clear, I'm busting out of here. Karloff: Even if you get past the guards, Mr. Blind Guy, there's still the labyrinth, guarded by big snake. Jacob: My name's not Mr. Blind Guy. It's Jacob. And you may have already lost hope, but not me and not my buddy Cole here. Am I right? Cole: Actually, I'm on your left. Jacob: Oh. Heh. Hey, you moved on me. Heh. Sneaky ninja. Sensei Wu: And you say the noodle trucks disappear at night. But where do they go? Nya: That's what I'm trying to figure out. Perhaps if I follow them, they can lead me to more answers. I'll report more when I uncover more. Initiate replicate software. You're not the only one who can disappear. Darreth: What do you mean he's discontinued the Puffy Potsticker? They were my favorite. Do you even know who you're dealing with? Manager: Yes, Master Darreth. If you have a problem, take it up with them. Darreth: Wait! Come back! I need my Puffy Potsticker! All: (Snoring) Lloyd: (Sighs) Jay: Couldn't sleep either? Kai: Not when we still have to get Zane and Cole back. Lloyd: (Grunts) Speaking of backs, these new beds are the worst. All right, let's do-- Kai: Quick, back in bed. Clouse: Good morning, fighters. Oh, that's right, it's the middle of the night. Lloyd: Hey, what are you doing? Jay: Do you know what time it is? Kai: Roller Skates? Whoa, aah! Ugh. Thanks. Lloyd: Let me guess, another one of Chen's impromptu battles? Jay: Oh, roller skates. I love roller skates! We should be getting used to this by now. Did I ever mention I once placed first in the Mother-Son Skate-Off. Heh, heh. I should have never admitted that. Mr. Pale: Weirdo. Clouse: Master Chen wants everyone in the Royal Arena. I wouldn't be late if I were you. Skylor: If most of us have already thought, why are we all in skates? Clouse: Only two of you will be fighting, but the rest of you will have a chance to affect the outcome. Griffin Turner: Who's fighting? Tell us now. Clouse: The Green Ninja versus Master of Form. All: (Chattering) Lloyd: Master of Form? Who's that? Kai: You haven't heard? I hear she can look like anyone. She'd be right under your nose, and by the time you figure it out, she's a;ready discovered all your weaknesses, then it's game over. But you're the Green Ninja what weakness could you have? Lloyd: Ugh. Aside from the sore back, not many. Kai: Thanks. Jay: (Cheering) Kai: Skates. Lloyd: Kai? Kai: Why did it have to be skates? (Grunts) Camille: (Snickering) Watch your back, Green Ninja. Anacandrai Soldier: (Bleching) Karloff: Eh... Make noodles, not trouble. Cole: Aah-- Jacob: Hey! Not one of you could've warned me? Cole: (Grunts) Clouse: Make an example of him. Take him to feed my serpent. Jacob: (Grunting) Hey, hey! Cole: Feed his serpent? He doesn't mean--? Karloff: (Grunts) Karloff not make trouble. Karloff make noodle. Cole: (Grunts) I'm so not into this dumpling dump after all. Lloyd: I don't like the look of this. Kai: Don't worry, we got your back. Aah! Ugh! (Groans) Master Chen: Welcome to my favorite event. Thunderblade! Griffin Turner: Hey, I know this game. It's just like-- Master Chen: No, it's not like that! This is my game, I made it up! Fully original! A Jade Blade for you, Lloyd, Master of Power. And another for Camille, Master of Form. Where--? Where are you? Oh, there you are, Ha, ha. Rules are simple. Each lap you complete with your blade in possession, a point. Most points before time expires, you win. Griffin Turner: Whoa, whoa, whoa. What about us? Are we supposed to just stand here? Master Chen: You get to help anyone you wish, or hurt for that matter. You're free to choose sides. I'm not a dictator. Lloyd: What was that you said about us having targets on our backs? Kai: Don't worry, we're still a team-- (Groans) Jay: (Sighs) I gotta be honest. This doesn't look good. Master Chen: Lloyd, Master of Power versus Camille, Master of Form! Most laps with their Jade Blade When time runs out wins, loser is out. Thunderbladers on your mark, get set, good luck to everyone. Buut mostly Camille because we all want the Green Ninja out. Now go! Oh, how about some spectator ambiance? Jay: It's us against the world, Kai. If Lloyd has any chance of moving forward in the tournament, it's up to you and me. Skylor: Lloyd's your greatest competition. If he loses today, what's left to stand in your way from winning at all? Kai: I'd never think of it. Skylor: Maybe you should. Kai: (Yelps) People: (Laughing) Jay: We have to gibe him room. Kai: And just how are we supposed to do that? Jay: I got an idea. Don't touch anyone. Kai: When who am I suppose to hold onto? Lloyd: Thanks. Kai: Sorry. (Grunting) Anacondrai Soldiers: (Laughing) Kai: Use your power! Lloyd: On roller skates? You crazy? I'd never stay on the track! Camille: (Laughing) Jay: You're supposed to be helping, not hurting his chances. Kai: Thanks for the tip, but I can't skate! Nya: Nothing unusual to see here. Just a technologically advanced mobile base camouflaged as a noodle truck. (Screams) Darreth: (Pants) I beg of you, you gotta tell Master Chen not to give up on the Puffy Potstickers. Nya: (Sighs) Darreth: Huh? Nya? When did you start slinging noodles? Nya: Quiet. You're gonna blow my cover. Darreth: Cover? Oh, my gosh, you're on a mission. And why is your truck tripping me out? (Yelps) Far out. Aah! But wait a minute. I don't see any noodles. Nya: It's not a noodle truck. It's my only hope of finding the ninja. Darreth: The ninja have gone missing? Sounds like a job for-- Nya: No, it's not. You're not coming with me. Darreth: Looks like you don't have a choice. Nya: Somehow, I know I'm gonna regret this. Master Chen: Thunderblade never fails to deliver. Did you know I hold the record with a hundred points? Clouse can attest. Tell him, Clouse. Clouse: You were born with skates on, master. Master Chen: True story. Sensei Garmadon: True story, hmph. Just like all of his far-fetched endeavors. Clouse: There was a time when you were quite comfortable with lying. It worked on Misako,, didn't it? Master Chen: Button, button, I love buttons. Aha! Let's even the playing field, shall we? Kai: (Yelping, Grunts) Anacondrai Soldiers: (laughing) Jay: Grab my hand! I'll whip you. (Grunting) Camille: (Laughing) Ah. His back is hurting him. Shadow, strike his back. Jay: Wait, where'd the Master of Shadow go? Lloyd: (Groans) Shadow: (Laughing) (Grunts) Lloyd: You didn't learn that in your Mother-Son Skate-Off, did you? Jay: It was a fierce competition, Lloyd, and this isn't the time to judge. It's the time to skate faster. Kai: (Grunts) Griffin Turner: (Grunting) Jay: Ha, ha! Watch out for that poison cloud! Kai: (Groans) Thanks for the warning. Master Chen: Release the buggy! Jay: Look out, Lloyd! Lloyd: (Grunts) Camille: (Laughing) Lloyd: She has the lead and she gets a lift? I know Chen want me out, but this is getting ridiculous! Jay: Sorry, Tox. Must be my allergies kicking in. Tox: (Grunting) Griffin Turner: Check this out. Ash: Gotcha. Jay: (Whimpering) (Screams) (Grunting) We are so not loved. Skylor: You're very convincing. In no time, Lloyd will be out. Lloyd: This did wonders for my back, though. Skylor: And hell never suspect. Kai: Argh! That's it! I may not be ab;e to skate, but that doesn't mean I can't help. Aah! (Grunting) Jay: Ha, ha! All: Oh! Jay: Nice, Kai! Now you're cooking with fre! Kai: (Grunts) Jay: I got it, you want it! Come and get it! Come and get it! All: (Grunting) Skylor: What are you doing? We need Lloyd out. Kai: We need to stick together. I'm a ninja. Skylor: Ha! That's right, and the rest of us aren't. I should've known better. Jay: Lloyd's closing the gap, but the clock's against us. Kai: So is everyone else. Garmadon's right, the more we exclude everyone, the more they g*ng up on us. Jay: What are you saying? Kai: I'm saying, why don't we tell them about Chen? If others knew what this tournament was really about, maybe they'd help us. Jay: Argh. Worth a try, but time's running out and Lloyd's got a lot of ground to make up. Camille: Give me! I've got a job to finish. Skylor: (Gasps) Are you trying to take me out too? Kai: No, you're right. We aren't all ninja, but Chen's the real enemy. He doesn't care about who wins. He only wants to steal our powers so that he can perform some sort of spell. Camille: (Grunts) Mr. Pale: A spell? What kind of spell? Kai: I don't know, but we have to stay in the tournament to find out. Jay: This isn't about Lloyd winning. It's about all of us stopping Chen. Griffin Turner: And why are you telling me this now? Lloyd: Because it's never too late to do the right thing. Neuro: (Grunts) He's telling the truth. I know. Jay: Then why you have you now decided to help? Neuro: I'd rather be on the winning team. Then let's win this thing! Kai: (Screams) Camille: (Hisses) Lloyd: (Panting) Kai: Need a lift? Lloyd: Ugh. You took the buggy. Kai: We took the buggy. Take the wheel! Griffin Turner: Cut the green guy some slack. Master Chen: (Grunting) We don't have to keep fighting each other. We can all win. Camille: All of us? Lloyd: United. (Screams) Camille: (Laughs) Only one can remain. Lloyd: (Grunts) Master Chen: Lloyd might win. Do something! Clouse: Silicore-- Sensei Garmadon: (Grunts) Anacondrai Soldier: (Grunts) Kai: He's rigging the match. I'll stop him-- Skylor: Let me. Anacondrai Soldier: (Grunts) (Grunting) Camille: (Grunts) Master Chen: (Laughing) Lloyd: Whoa! Camille: Ugh! Lloyd: (Grunts) Camille: (Grunts) Camille and Lloyd: (Panting) Camille: Huh? Jay: She doesn't have her blade! Kai: Lloyd won! Skylor: Oops, I almost forgot. Sensei Garmadon: Look at that, he broke your record. Master Chen: No. No! No! He cheated! Lloyd loses! Griffin Turner: No way, Lloyd won fair and square. You were the one who cheated. Master Chen: My tournament. My rules. M. Pale: And just what rules are those? If Lloyd's out, then so am I. Kai: Me too. Jay: And three me. Skylor: If you kick us all out, what kind of tournament will you have then? Master Chen: (Grunting) Fine, have it your way. Form loses. Camille: (Screaming) All: (Cheering) Jay: All right! Whoo! Ha-ha-ha. Kai: We won! Yeah! Skylor: If you what you say is true, you are playing a dangerous game. Chen will find other ways to get you out the tournament. Kai: Which is why we'll need all the friends we can get. There's always hope. Zane 2.0: I don't know, P.I.X.A.L. But I sense these chains are unbreakable. Karloff: What are you doing? Don't make trouble. Cole: Zane. Is that you? Sumo Zumo: What's the hold up? Karloff: One second. Karloff tie shoe. Cole: Heh. You're alive! And you're silver? Zane 2.0: Titanium. Cole, you look white. Cole: (Laughs) Boy, it's good to see you! Look at that, you look brand-new. Sumo Zumo: Tie shoe? What shoe? Cole: Hold tight, lugnut, I'm getting you out of here. I'm getting us both out of here. That's a promise. Sumo Zumo: Where is Cole? Cole: Right here. Keep it real, big guy. Looks like you've seen a ghost. From here on out, Karloff, I'm making more than noodles. I'm making trouble. Chen can try his best be split up our team, but he's about to find out what happens when we put ourselves back together.	{"type": "series", "show": "Lego Ninjago: Masters of Spinjitzu", "episode": "04x04 - Ninja Roll"}	foreverdreaming
Sensei Wu: Previously on Ninjago. Master Chen: He cheated! Lloyd loses. Griffin Turner: No way. Mr. Pale: If Lloyd is out, then so am I. Kai: Me too. Jay: And me three. Nya: You're gonna blow my cover. Darreth: Cover? Oh, my gosh. You're on a mission. Nya: It's my only hope of finding the ninja. Cole: Zane? Is that you? Heh. You're alive! (Theme song plays) Sensei Wu: Episode 39 - Spy for a Spy. Cole: (Whistling) Karloff: Why you whistle? Yesterday Cole was sad. Not today. What changed? Cole: There are looking up, Karloff. We came her to find a friend, and I found him. All I gotta do now is get Zane and bust him out. Karloff: Ho, not so easy. Chen's made it nearly impossible to escape this place. Cole: I'm still working out the details, but Zane's a nindroid a walking computer. If I can get to him, he'll solve anything Chen throws at us in no time. Karloff: (Sighs) Karloff wished he had a friend like that, Cole: But first order of business, I gotta let the others know I'm busting him out. Karloff: You put message in cookie? Cole: I know, right? That's why it's called fortune cookie. Karloff: Well, if you get out, don't forget about Karloff. Cole: Yeah, sure. Of course. Special order for the banquet's ready. Karloff: I hope you have the good fortune for it to end up in the right hands. Cole: You and me both, Karloff. Now all I have to do is figure out how to get out of here. Anacondrai Soldier: Ahh. Both: (Gasps) Anacondrai Soldier: (Grunts, Whimpers) Cole: (Sighs) Kabuki Girls: (Giggling) Nya: All right, Darreth. Let's move in. Darreth: Wait a minute. Have I ever told you that I am master of disguise? Nya: Is that make up. Darreth: No, no this is the master of disguise kit. Nya: No! Darreth: Get ready to go undercover. Oh, yeah. Oh, that-- Oh, perfect. Oh... Nya: (Coughing, Whimpering) Darreth: Presenting Miss Kabuki. Yeah! Nya: What? How did you manage to change my clothes? Darreth: A true ninja never reveals his secrets. You should know that, Nya. Hmm. Lloyd: (Sighs) Master Chen: Try the wasp eggs. Delicious! Lloyd: Uh, I think I'll pass. Master Chen: Oh, lighten up, Green Ninja. This isn't a trick. This is a feast to celebrate the eight of you making it to the second round. Kabuki Girls: (Laughing) Master Chen: And I must congratulate the Master of Shadow's defeat over Master of Poison. She was a bit hard to swallow, am I right? All: (Laughing) Master Chen: Laugh harder! Ha-ha-ha! All: (Laughing Harder) Kai: You can relax, Lloyd. Even if there was a fight, now that we told the others about Chen's dirty plot to steal our powers, we're safe in our secret alliance. Griffin Turner: I tried to enlist Shadow, but that dude's throwing some serious shade. Sensei Garmadon: Well, if you plan to stop Chen, you'll need everyone on board. Each fighter that loses, give him strength. Soon he'll be too powerful for even all of you combined to overcome. Shade: (Chomping) Master Chen: Ooh, fortune cookies! Bring them to me. Clouse: But they are for your captured-- I mean, honored guests. Master Chen: I'm not gonna eat them, Clousy Clouse, just read the fortunes. They're my favorite part. Clouse: Might I warn you, our guests are whispering, and I don't think it's about your food. I've heard word they have allied themselves. The ninja have told them about our secret ceremony. Master Chen: Do they know about spell? Clouse: Not yet, but we must get ahead of this. Master Chen: It has come to my attention that there are rumors floating about that I am stealing everyone's power. I am. All: (Whispering Indistinctly) Master Chen: But it's all for this staff. (Grunts) No, no. Not you, staff. I mean my real staff. All: (Gasps) Master Chen: The Staff of Elements. it holds the power of your fallen foes, It holds the power of your fallen foes, and soon it'll hold all but one. For the last standing in my tournament will win this prize and be the greatest fighter ever in the history of Ninjago. All: (Indistinctly Whispering) Lloyd: You lie. What about the spell? Clouse: Spell? What spell? Lloyd: Don't believe him, it's just another trick. Neuro read Clouse's mind and saw it. Tell them what you saw, Neuro. Neuro: I-- I don't remember. Truthfully, I'm a bit more interested in knowing more about that staff. Griffin Turner: And why we be so quick to believe everything you say? How do we know you're not lying to get the staff for yourself? All: (Indistinctly Whispering) Skylor: (Gasps) Clouse: It worked. Their alliance is crumbling. Sensei Garmadon: So much for the alliance. Lloyd: They believe him over us? Jay: If we're gonna convince anyone, argh, we need proof. (Grunts) We need to, argh, find that spell. Would you cut it out? Nya: (Whispering) Jay, It's me. All: Nya? Nya: Lower your voices. I'm undercover. And to be completely honest, a bit out of my element. And I heard what happened to Cole. That was big of you both. Jay: Love is like wr, Nya. Everybody gets hurt. Kai: Iss it just you, sis? Nya: Darreth's also on the island. Darreth: What up, ninja? Nya: And in contact with Wu via a mobile base. Kai: If you're undercover, that means you can get close to Clouse's Spell Book. All we know is that it's on page 149. I think he might have it in his quarters. Nya: I'll look into it. And it sounds like you have your work out for you too. Jay: How so? Nya: How do you think they found out about your alliance? Someone in your circle is a spy. All (In Unison): A spy? Skylor: Do you know that servant girl? Kai: Uh-- Know that girl? Heh. Of course not. Why jealous? Skylor: My fortune tells me Cole and your friend Zane will be breaking out. You're lucky this didn't end up in the wrong hands. Kai: He found Zane, I can't believe it. Thanks, Skylor. It's good to know there are some people here we can trust. Jay: A spy? Who do you think it is? Lloyd: I have my suspicious. Darreth: Yeah! Heh, heh. Nya: Darreth. Darreth, are you there? Darreth: Ha! Loud and proud, Nya. Talk to me. Nya: Tell Sensei our objective. are set: I'm gonna find the spell and get proof Chen's up to no good, while the ninja sniff out the spy in their alliance. Darreth: Aye, aye, Samurai X. Brown Ninja out. Breaker, breaker. Come in, Wu. The falcon has landed. Anacondrai Soldier: (Chomping) Cole: It's time. Karloff: But shift not over for hours. Cole: It is for me. Heh. heh. I've been waiting to do this for a long time. (Panting and Grunting) (Grunting) All: (Cheering) Anacondrai Soldier: Get him! Cole: Ha, ha! Ooh. Aah! Unh. (Chuckles) Anacondrai Soldiers: (Grunting) Cole: Let there be food! Anacondrai Soldiers: (Groaning) All: (Cheering) Cole: (Grunting) Ha! All of you can eat. Eat it, guards! Anacondrai Soldier: (Grunting) Cole: (Chuckling) (Grunting) Guards: (Grunting) Cole: Woo-hoo! Karloff: Go, Cole. Go! Cole: (Yelps) Anacondrai Soldier: (Grunting) Cole: (Burps) Now I feel better. You got any cake? Argh! Ha! It was worth it! For these. Zane 2.0: (Gasps) Cole: Zane! Zane 2.0: (Panting) Cole? You've returned. Cole: Of course I did. I made a promise. Now come here, you shiny new tin can. Ah! Can you feel the love? Zane 2.0: No. But the longer we stand here, the shorter time we have to escape. Cole: Ha! You know you were always the smart one. Let's go. Anacondrai Soldier: (Gasps) Nya: Page 102, 122... Aha, page 149. Oh, this would change everything. (Gasps) Anacondrai Soldier: There's been a breach in the factory. Master Cole has gone missing. Clouse: Release my pet. She'll make sure he doesn't escape. Hmm. Nya: (Sighs) Zane 2.0: Not that way. That will only take us back to where we started. Cole: Unh. Maybe you should be leading. Zane 2.0: (Gasps) I am not familiar with that sound. Cole: I am. We need to move. Zane 2.0: I thought I was leading. Cole: Trust me, you'll wanna keep up. Zane 2.0: (Panting) Cole: (Grunts) Zane 2.0: This isn't a wall. It's the body of a large serpent. Cole: (Grunts) Come on, we have to find another way. Both: (Panting) Cole: Argh. Another dad end. Zane 2.0: The serpent's strategy appears to be to surround us and coil inward. Very clever. Cole: Yeah, well, my strategy is not to be eaten. (Gasps) Both: (Gasping) Cole: It was nice knowing you, Zane. I think this really is our dad end. (Moaning) I don't supposed you can freeze him? Zane 2.0: Chen took my powers like everyone else. P.I.X.A.L., calculate escape scenarios. Cole: P.I.X.A.L.? You got a girl stuck in your head? P.I.X.A.L.: Calculating escape routes. Activating explsive shuriken. Zane 2.0: (Grunting) Both: (Screaming) Cole: Heh. I'm gonna like the new you. Zane 2.0: We must move quickly. Cole: Lead the way. Shade: Like I said, I ain't joining your little alliance. I'm g*n for that staff. Lloyd: Hey, this isn't about an alliance. This is about finding out who is the spy. No one leaves this room until we find out who is passing information to Chen. Shade: Why are you looking at me, Greenie? I'm not your spy. Neuro: Perhaps I can help. (Whirring) I don't know who, but someone here isn't who they say they are. Skylor: How do we know we can trust you? Maybe I should use your power and see inside your head. Neuro: I'd like to see you try, power hoarder. Kai: (Grunting) This is what Chen wants, for us to fight. But we don't have to. There has to be a more civilized way around this. Sensei Garmadon: There is. Everyone who's ever worked for Chen has the Anacondrai tattoo on their back. Find the tattoo, find the spy. Lloyd: Anyone object? Neuro: Can I go now? Lloyd: Not until we check anyone. Who's next? Griffin Turner: Let's get it on. Master Chen: You're harshing my vibe. You better tell me they've caught the escaped prisoner. Clouse: Sadly Master, not yet. But I have far for worse news to report. Someone has stolen the spell. Master Chen: Do you need the page to do the spell? Clouse: Of course not. But if it gets into the hands of the ninja, the fighters will know we've lied. Then they'll rise up against us. Master Chen: Then we must find that page! Argh! Kabuki paint, uh, it gets everywhere. Clouse: Hmm. Master, I have a feeling a spy may well be in our midst. Master Chen: A Kabuki servant? Well, well. Clouse: The spy may have the page still on them. Guards! Search every servant in this room. Darreth: (Singing) ♪They call me Darreth the Man With the big Bad guitar sound Oh, I said spin Spin like a record Come on Yeah, spin Darreth, spin Spin like a record Come on Darreth the Man And the big, bad Guitar band♪ Master Chen: What is that racket? Clouse: It's coming from the island. Master Chen: It's coming from the spy. Find the signal. Find the spy. Clouse: You heard him. Search the island. As for you, stay put. Nya: Darreth, what have you done now? Lloyd: Well, only two left. Kai: Uh. I hate to do this, but it's your turn. Can I see your back, please? Skylor: How could you not trust me? I came to you with the fortune cookie. Kai: I'm sorry, but we all have to know. Lloyd: Wait. Where'd Shadow go? Jay: He disappeared through his own shadow. Griffin Turner: There he is! Get him! Shade: I ain't your spy, and I ain't your friend either. The staff will be mine. Lloyd: (Grunting) Jay: Aah! My leg1 Ugh. Get Kai off of me! Sensei Garmadon: (Grunting) Shade: You cast a long shadow, old man. Neuro: It was Shadow. He must be the spy. Jay: (Yelps, Sobs) Aah! Oh! Kai: Skylor, look, I'm sorry. Skylor: Don't. And if you still think I'm the spy, watch me walk out that door. Kai: (Sighs) Jay: What happened to our alliance? Lloyd: What alliance? Master Chen: Kabuki are always pleased to serve me. Isn't that right, Kabuki? Kabuki Girls: (Chuckling) Master Chen: Now harder! Really get into it! Clouse: Our spy tells me the Master of Lightning is hurt. Nya: (Gasps) Master Chen: Ow! Too hard! Clouse: The Ninja are weakening, master. Master Chen: What about their spy? Have you found where the signal's coming from? Clouse: We haven't found anything on the island yet, but we will. Nya: (Glups) Anacondrai Soldier: What are you doing? Kapau: I was, uh-- I was headbanging. Chope: Taking a break. Anacondrai Soldier: Have you checked out the waterfall? Kapau: Uh, yeah, it's beautiful. Chope: Yeah. So serene. Anacondrai Soldier: I meant for spies, you idiots! Kapau: Yes, sir. Chope: Right away, sir. Anacondrai Soldier: Now, come on! Darreth: Whoo! Yeah! The proud ninja. Nya: Darreth! Do you read me? They're coming! You hear me? They're coming for you! Darreth: (Pants, Gasps) Savages. Uh, where is that cloak button? (Grunting) Anacondrai Soldier: Check it out. All: (Laughing) Darreth: Now let's test what;s under the hood. Guards: (Grunting) Darreth: (Screaming) Somebody get me out of here! Mini Robot: Autopilot initiated. Darreth: Aah! About time you showed up, little dude! All right boneheads, I got a bone to pick with-- Ow! Ooh, aah! Anacondrai Soldiers: (Laughing) Anacondrai Soldier: (Grunts) Darreth: Score one for the Brown Ninja. Bad autopilot. Bad autopilot! (Panting) (Screaming) I've been taken hostage by the savages! You're on your own. Go on without me. Master Chen: So you're the spy. Ha! The spell! Nya: (Grunting) Oh, and by the way, your feet stink! (Grunting) Master Chen: Get her and get that spell! Anacondrai Soldier 1: They've ordered everyone after some Kabuki girl. Anacondrai Soldier 2: What about the escaped Factory worker? Anacondrai Soldier 1: Forget him. Chen will make sure the other workers pay for his actions. Anacondrai Soldier 2: Argh. Poor saps. Cole: Poor saps? Zane 2.0: Hurry, the exit is just around the bend. Cole: You go, I can't. A ninja doesn't save himself. He protects those who can't protect themselves. I want to go back. I have to go back and save them all. Zane 2.0: And a ninja never leaves another ninja's side. Cole: We'll get off this island one day, Zane. But it's either all of us or name of us. Nya: (Grunting) Clouse: (Grunting) Don't just stand there, find her! Guards: (Grunting) Clouse: (Grunting) Nya: (Grunting) Clouse: Get her. And get that spell. Master Chen: My spy, have they found the girl? Anacondrai Solider: No, but you may have bigger problems to deal with. Skylor: Cole's got the Metal Man, Father. Master Chen: Thank you, my child. The Master of Form's power has proved to be useful to you. Skylor: (Chuckling) Master Chen: But the ninja's time here is done. Tomorrow, we will end this charade. Tomorrow, we will break up the ninja forever. Both: (Laughing)	{"type": "series", "show": "Lego Ninjago: Masters of Spinjitzu", "episode": "04x05 - Spy For a Spy"}	foreverdreaming
Sensei Wu: Previously on Ninjago. Nya: Jay? All: Nya? Nya: I'm undercover. Kai: That means you can close to Clouse's spell book. Clouse: Get that spell! Anacondrai Soldier: Master Cole has gone missing. Jay: Aah! My leg! Nya: Someone in your circle of trust is a spy. Jay: Who do you think it is? Master Chen: We will break up the ninja forever. (Theme song plays) Sensei Wu: Episode 40 - Spellbound. Jay: What re you looking at, Zippy? Griffin Turner: The next one out of the tournament. Jay: Uh, heh. Kai: Why so scared to show us your back, Shadow? Worried we're gonna find a tattoo and know you're working for Chen? Shade: I hope this next fight is between you and me because I'm gonna put you on your back. Mr. Pale: (Whistles) Skylor: Do you mind? Sensei Garmadon: Tensions are high. Lloyd: Yeah, not as high as we are now. Can hardly see the island from up here. Nuero: I've had enough of this. I can't stand heights, Where's Chen? (Grunts) Master Chen: How do I know if this thing's on? Oh, oh, oh, I see, the light. Oh, oh, I'm on? Right now? Ahem, ahem. Hello, final eight. I see you are all eager for the tournament to commence so one of you can win my Staff of Elements. Instead of fighting for a Jade Blade, today you will be fighting for something different. Kai: Nya. Skylor: You know her? Kai: It's my sister. Master Chen: We have an uninvited guest on the island. Kai: And she must be holding the proof that will stop Chen. Master Chen: Find her and you will automatically move on-- Kai: The spell he plans to use when he takes our powers. Master Chen: --to the final found. Jay: He wants us all to hunt her down? She won't stand a chance. Lloyd: Then we have to tell her before anyone else does. Master Chen: In 10 seconds the bottom will drop. All: (Gasps) Master Chen: But to show you I'm not a bad man, I've given you eight parachutes. All: (Screaming) Master Chen: Sensei Garmadon is there? sht, that makes nine. Oh well, I was never good at math. Heh. Toodle-oo. Lloyd: That guy's love for trap doors is seriously getting on my nerves! All: (Screaming) Shade: (Grunting) (Laughing) Jay: Lloyd, use our energy dragon! Lloyd: (Grunting) I can't! I can't get it to work! Jay: (Screaming) (Whimpering) Griffin Turner: Get your own chute, lead sht. Jay: (Whimpering) Aah! I got one! I got one! Ha-ha-ha! Lloyd: (Panting) (Grunting) Sensei Garmadon: Your powers don't work because you aren't controlling your fear. Focus. Lloyd: (Grunting) Mr. Pale: (Laughing) Lloyd: (Gasps) Sensei Garmadon: Control your fear. Don't let it control you. Center yourself. Kai: (Grunting) Huh? Whoa! There's only one parachute left. Lloyd: We'll share. Sensei Garmadon: They're only built for one. This is an easy decision. Lloyd: You're right. Sensei Gramadon: (Gasps) What have you done? Lloyd: Control my fear. Kai: Huh. He made it! Jay: Ha, ha! Of course he did! Sensei Garmadon: Thattaboy! Nya: This doesn't look good. Kai: Whoa! Ow! Oh, ow, ow, ow! Jay: Hmm. (Grunting) Aah! Ugh. (Groans) Argh, That did not feel good. Master Chen: Hail, combatants, I have left a few treats to help you in the hunt. I hope you use them visely. Clouse, why have I never had a mobile base? It's my favorite toy. Hoo, hoo. There's so many buttons and surprises. (Laughs) Jay: Like I'll never trust a treat from you, Chen! Ouch, ouch, ouch. Okay, maybe just a small treat. Ouch, ouch, ouch. Mech: Welcome, Master of Lightning. Jay: Aah. Suddenly, my leg feels much better! I'm on my way, Nya! Sensei Garmadon: If we're gonna find Nya before the others do, we've got a lot of ground to cover. Lloyd: Look. Nya's footprints. Sensei Garmadon: Huh? Nya is more clever than that. No, she wants everyone to follow these tracks. But only us to see this. Her Samurai X symbol. Lloyd: Can I give you a lift? Sensei Garmadon: Save your energy. It's best not to draw attention. Come on. Misako: Nya, come in? Darreth? Can anyone read me? (Sighs) Sensei Wu: Still no word? Misako: Nothing. We've lost all communication. How can you be so calm? My husband and son are out there all alone. Sensei Wu: As are my brother and pupils, but we must not let fear cloud our thinking. Sensei Garmadon is there to guide them through this. I have to believe so. Anacondrai Soldier: Still no sign of Cole and that metal man? Anacondrai Guard: They still haven't escaped the island. We'll find them. Search the labyrinth and lock this place down. Karloff: All clear. Both: (Gasps) Cole: Okay, back to our plan to all of us getting out of here. Now, if we all tried to tackle one labyrinth, some of us would be sure to get lost. So that's not an option. But Zane here, he analyzed the sewer network. Karloff: Sewer network? Isn't that stinky? Cole: Hey, I'd blast my way out of here if I could, but all of our powers are gone. Zane 2.0: The sewer network is old and can only sustain so much weight. But after adding up all of our combined masses, the pipes wil hold by the slimmest of margins. Karloff: Did anyone else understand that? Cole: He means it'll work. All: It'll work! Darreth: (Grunts) Anacondrai Soldier: Get to work. Darreth: Don't worry, boys, the Brown Ninja's here. But before I rescue you, can anyone show me how to make a Puffy Potsticker? Cole, you're here. And Zane. Is that you? Boy, have you changed. Karloff: When metal friend say slimmest or margins, how slim? Cole: (Sighs) It won't work. Back to the drawing board. Zane 2.0: Argh. Lloyd: You said before that Master Chen was your Sensei, but nothing else. Sensei Garmadon: So, there are things from my past I am not proud of. Perhaps it's time for you to know the truth. After the Devourer bit me when I was a child, it took years for all of the evil to fully consume me. Both: (Grunting) Young Chen: Good Garmadon. Good Clouse. But you're both holding back. Might I add he wins this fight shall become my right hand and be granted lordship? Young Garmadon: Ugh. (Grunting) Young Clouse: (Grunts) He cheated, master. You told us spinjitzu was forbidden. Young Chen: He did what he had to do to win. Congratulations, Lord Garmadon. Garmadon: (Narrating) It was a time in our history when Man and Serpentine were not getting along. As our sides clashed, we hoped for a truce. But not Chen. Young Chen: Oh, peace is so boring, but conflict and turmoil is so unpredictable and exciting. Young Garmadon: But, Master Chen, even the Anacondrai are making concessions. There could be a truce, there could be-- Young Chen: Never trust a snake, Lord Garmadon. Remember that. Oh, don't look so sad. I've intercepted something that will make you feel better. A love letter. Apparently your patheric little brother feels the same about that girl you admire. Young Garmadon: Aah, Misako. Young Chen: His words are so heartfelt. They could sway how she feels about one of you. Young Garmadon: I didn't write this, I shouldn't be reading it. Young Chen: Didn't you? It could be your name on it. Certainly you feel the same. Lloyd: Mom thought that letter was from you. Sensei Garmadon: As I've told you, there are things in my past I'm not proud of, but I have no regrets. You wouldn't be here otherwise. My fear os losing Misako controlled me and led me down a dangerous path. Clouse: Master, if our men couldn't find her, why do you think they will fare much better? If the girl gets that spell to a ninja, all of our plans will be jeopardized. Master Chen: Oh, Clousey-Clouse. There's a reason why I'm the master and you're my pupil. Why should I worry about the remaining fighters rising up against me, when after today there'll be no fighters remaining? The little treats I gave them are tracking their every move. This little game isn't hunting the girl, it's about hunting them. Heh-heh-heh. Clouse: Master, you are a devious one. Your time in this tournament has expired. Shade: So the ninja were right all along. Chen was never gonna hand over that staff. Clouse: Hmm. Only one can remain. And it will be Chen! Shade: (Screaming) Nya: (Gasps) 'Kai: Nya! Where are you? Nya? Is that you? (Grunts) Whoever's there, I;m fired up. Skylor: It's just me. Kai: (Sighs) I see you didn't pick up any of Chen's special treats either. Skylor: Of course not, like I'd ever trust him. And I wanna find her to help you get the spell and stop Chen once and for all. Kai: Maybe we should be together. Aah, that didn't come out right. Heh. I mean, it's a big island, so maybe if we were a couple... Argh! No. Uh, heh. What I;m trying to say is, um... Skylor: You want me to help you find your sister. Of course, I'll follow you. Kai: Heh. It's good to work with people you trust. Skylor: Yes, I couldn;t agree more. Clouse: Two fighters down, six remain. And this one was a bit hard to find. Mr. Pale: Argh. You'll never get away with this, Chen. Master Chen: Are you serious? Where have you been? I've been getting away with it time and time again. Oh, take him away, he's boring. Mr. Pale: (Grunting) Master Chen: Argh. You'd think create a trap door in this thing... Clouse: Master, Skylor is with Kai. Master Chen: Good. Clouse: But we still don't know where Lloyd and Garmadon are. Master Chen: Bad. Find them, Clouse. While you're at it, round up the rest of them. Lloyd: Father, I don't understand. You trained under Chen, yet you fought beside Wu in the wars. What happened to the truce? Sensei Garmadon: When Chen said, "Never trust a snake," he was right. The Serpentine struck first. All: (Screaming) The Alliance of the Elemental Masters fought back. But they had never seen the likes of an Anacondrai warrior. They were bigger, smarter, natural leaders on the bttlefield. The Anacondrai were a proud tribe who thought with every ounce of venom. There was no greater warrior in the land. And with them in command, they proved to be too much for the Alliance to handle. Hypnobrai: We've taken the villiage, General Arcturus. General Arcturus: Good. Only one can remain. Sensei Garmadon: Chen stood to gain more if he sided with the Snakes and wanted me to help him. Though the evil in my veins tempted me, I wouldn't fight a wr for him. I would only fight to see Misako again. From then on, Chen and I went our separate ways. So that I could join my brother in battle. We were the sins of the first spinjitzu master. And together, with the Elemental Alliance we stood a fighting chance. Young Garmadon: Aah! Sensei Garmadon: (Narrating) But Chen's influence changed all that. He found a way to turn the Alliance against each other. The battle was all but lost. But in our darkest hour, we found hope. And hope found a way to end the wr. The Sepentine were divided and locked away in tombs. Chen and Clouse were exiled. General Arcturus: We ask for mercy. Woman: Mercy? Never heard of it. Sensei Garmadon: (Narrating) And the Anacondrai generals were given the strictest sentence: Banishment to the Cursed Realm, so that will never set foot in Ninjago again. Lloyd: Even after all the time, you never told Wu about your past with Chen? Sensei Gramadon: What would I have said? I would have lost your mother, as well as my brother. Notto mention-- Lloyd: Someone once told me you need to control your fear, and not let fear control you. Sensei Garmadon: Hm, you're right. Once we put all of us this behind us, I'll make things right. But first, we need to find Nya. Come on. Cole: (Grunts) Okay, so maybe rolling ourselves up into giant egg rolls isn't the best plan. Anyone else another idea? Karloff: Karloff used to be aeronautical engineer back in Metalonia. Work on roto jets. Just one could take out entire army. Cole: Oh. Great idea. But two things: We don't have a roto jet, and what good is a jet if we're underground? Darreth: Okay, don't mind me, carry on whatever business you all are doing. Cole: Sure, we were only using that to hatch our escape. Darreth, what are you doing? Darreth: Well, if there isn't a machine that makes Puffy Potstickers, by golly, I'm gonna make one. Zane 2.0: That's it! Darreth, you've solved it. Cole: How are Puffy Potstickers gonna help us? Zane 2.0: We'll use machine parts to build the roto jet. Karloff, do you still remember the schematics of it? Karloff: Of course. Zane 2.0: Then it's set. Karloff and I will create a blueprint. Everyone else, find parts. Cole: But we're underground. Jay: (Sighs) Wrists tired. Must keep looking. Nya! Clouse: I'm sorry, your search ends here. Your time in the tournament is over! Jay: Magic's for wussies. I'll stick to good old nuts and bolts with a little ingenuity. Clouse: You want ingenuity? Try this on for size. Jay: Heh. Clouse: Magic versus nuts and bolts. (Grunting) Jay: Ha! Is that all the hocus-pocus you got? Nya: Jay. Unh. Jay! Jay: Nya! I've got my hands full at the moment. Did you find the spell? Nya: Yes, it's right here! Chen plans to use everyone's elemental powers to... Jay: What? Clouse: Silence, girl! Nya: (Gasps) Jay: Go, Nya! Tell the others! I can't hold him for long! Mech: Primary power obstructed. atmatic self-detonation in five, four-- Jay: Heh, heh. That's unfortunate. Mech: --three, two... Kai: Aah! That could be Nya, come on. Skylor: Let me, I have a faster way. What are you waiting for? Your friends could be in trouble. Kai: How did you just do that? Skylor: I can absorb elemental power. Kai: But the ice... Zane's never been in the tournament. You're the spy. You've seen Zane. You're working for Chen. Skylor: I had to obey my father or else-- Kai: Chen's your father? Aah! Ugh. Master Chen: Yes. And now your time in the tournament is over, Master of fre. Take him, Skylor. Skylor: Okay, Dad. (Grunting) Kai: The reason you din't have a tattoo was because you used the power of Form. Skylor: Ans now I'll use the power of smoke. (Grunts) Master Chen: (Laughs) Skylor: Do it, and we'll both go in. No! Kai: Ninja, go! Skylor: What are you doing? Master Chen: (Screaming) Skylor, help me! Skylor: Dad! Master Chen: Enough of this. Kai: (Gasping) (Grunts) Nya: (Panting) Unh. Lloyd: Nya! Nya: They took Jay. They took everyone. Sensei Garmadon: Slow down, Nya. Nya: You're the only one left, Lloyd. You're the only one who can stop it. Lloyd: Stop what? Sensei Garmadon: A transformation spell. It can't be. Lloyd: Transformation? Transform into what? Sensei Garmadon: An army of Anacondrai. The tournament may be over, but the next Serpentine wr may have just g*n. ' Jay: Don't worry, Lloyd will come for us. Master Chen: I'm planning on it. (Laughing, Guffawing)	{"type": "series", "show": "Lego Ninjago: Masters of Spinjitzu", "episode": "04x06 - Spellbound"}	foreverdreaming
Sensei Wu: Previously on Ninjago. Master Chen: Every elemental power, all mine! Skylor: (Grunts) Master Chen: You betray me? Cole: Cause we're breaking everyone out. Lloyd: Zane, good to see you again, buddy. Kai: (Grunts) (Theme song plays) Sensei Wu: Episode 42 - The Day of The Dragon. All: (Cheering) Griffin Turner: Yeah! Ha, ha! Jay: Sink the ferry. No one's getting of this island. Bolobo: Yeah! All: (Laughing) All: (Grunting) Cole: The place and sleeping quarters are all clear. Still no sign of Chen and Clouse. Kai: What about Skylor? Lloyd: She wasn't able to pick her family, but she was able to pick her friends. And since you're her friend, that means so are we. We'll find her. Cole: He's right. With no way off the island, it'll only be a matter of time. Sensei Garmadon: I'm proud of you five. You've done that the original Elemental Masters never could: stick together. But you must not rest on your laurels, for your guard is down when you sleep. Nya: The island is secure. We destroyed the elemental staff and Chen's attempt to turn his army into Anacondrai has rolled up snake eyes. Sensei Wu: Good work, Nya. How is Zane? Nya: He's good. He's a different, but then again, aren't we all? Sensei Wu: The Bounty is nearly finished. As soon as it's done, we'll come by to pick you up. Nya: I look forward to coming home to see you two. Heh, I mean, you three. Kapow: I have to admit it, but maybe Chen losing his army wasn't such a bad thing. Chope: I know, I was thinking the same thing! Kapow: Look at us. We're in his inner circle! And he trusts us to guard his daughter. (Gasps) Skylor: I have to scratch my face. Both: (Gasps) Skylor: Thank you. Anacondrai Soldier: (Grunts) Both: (Gasps) Master Chen: I couldn't have asked for a better pet. Clouse: Garmadon will pay for what they've done. Master Chen: Yeah, yeah, big tear for the big snake. Can we get on with it? The Blade-Copter should be fixed by now and I have to get off this island. You serve me, remember? Clouse: He's not a snake, Master, he's a serpent. Master Chen: And might I remind you my pet never betrayed us. Clouse: That was your daughter. Master Chen: Leave her out of this. She held up her end of the bargain and used her powers to break them up. It's not her fault she got a little boy crazy at the end. Clouse: That's it. She's absorbed all of their powers. How could we be so blind? Master Chen: Right. We're not blind. We're see clearly. And what is it that we see so clearly? Clouse: Master, perhaps there's another way to get what you want. Master Chen: Free her. Kapow: Uh, but, Master, she still has her powers. Master Chen: And I still have the power to stuff you in a fortune cookie! Free her now! Skylor, how dare they tie you up. I blame myself for your slip in judgement. Skylor: It wasn't a slip in judgement. The Ninja were right. Master Chen: And I was wrong. Wrong to steal their powers. Wrong to want to transform myself into a snake. Wrong because you needed a father and I wasn't there. Skylor: You think my powers can still turn you into Anacondrai. Clouse: You have absorbed the powers of every elemental fighter. Skylor: But the staff crystal was destroyed. Master Chen: And that crystal was obtained from the crystal caves here on the island which we can go to now to to complete the spell. We have everything we need to make everyone happy. Isn't that great news? Skylor: But this isn't just my power, Taking everything from me could hurt me. Or worse. Master Chen: Heh, no plan is perfect. Skylor: You care more for your power than your own daughter. Master Chen: Without power, I'm insignificant. Is that what you want? An insignificant father? Skylor: I never had a choice, did I? You should have never taken off the chains. Master Chen: Get her! Skylor: You're not insignificant, you're pitful! Master Chen: How long do I have to listen to these insults? Will someone please seize her? All: (Grunting) Clouse: (Chanting) Sumo Zumo: The Blade Copter is fixed. Do you still want to leave this island? Master Chen: Argh! What do you think? Course not, I want her! Kaput, Flip-Flop, After her! Chope: Actually it's pronounced Kapow and Chope... Master Chen: (Gasps) Why didn't everyone tell me raising a daughter would be this difficult? Griffin Turner: Looks like all the action is over by now. Put me on "Most Ultimate Extreme Ninja Challenge" and watch me smoke that course. Neuro: (Groans) Griffin Turner: What is it? Neuro: Skylor's sending me a message. We have to tell the Ninja. Griffin Turner: Chen's just figured out Skylor's powers can finish the spell. She's in danger. Sensei Garmadon: He's replaced his elemental staff with the elements in his daughter. Kai: Where? Griffin Turner: Other side of the island. Kai: I'm going after her. Sensei Garmadon: We are all. Jay, Zane, you take the Mech and Buggy. Cole and I will take the Roto Jet. Lloyd, you've got your dragon. Nya, how fast will she go? Nya: Fast enough. Sensei Garmadon: Everyone else stay here and guard the camp. Let's get a move on! Lloyd: (Grunts) Karloff: (Sighs) Karloff wish he could do that. All: Ninja, go! Darreth: So there I was, the Helmet of Darkness at my feet, destiny in my grasp... Wait a minute, where'd everybody go? Nya: Watch out for booby traps. Chen's rigged the whole island. Jay: Read you loud and clear. P.I.X.A.L.: Be careful, Zane, at this speed I cannot analyze approaching obstacles. Zane 2.0: There isn't any time. We have to-- Jay: Zane! Zane 2.0: (Grunts) Whoa! Carry on the mission without me! Kai: He'll be all right. We have to stay on Skylor! She's too important! Zane 2.0: (Groans) Perhaps I should've listened to you. P.I.X.A.L.: Perhaps is an understatement. Your anxiety levels are rising. But there is no visible thrat. Zane 2.0: The Ice Dragon from my nightmare. It's quite visible and quite angry. P.I.X.A.L.: There is no dragon. It's only in your head. Zane 2.0: No. It's going to devour my head. P.I.X.A.L.: You didn't listen to me last time-- listen to me now. We must get out of this hole. There is no dragon. Skylor: (Gasping) Master Chen: Now she's heading west! Now west! Skylor: Whoa! Both: (Groaning) Chope: That wr was awesome. Kapow: I feel more dad than a dad-end street. Master Chen: Nowhere to run. Setting blast to stun! Someone stop fring at me! Take care of him. Cole: I can't see them. Where did they...? Argh! Sensei Garmadon Keep her steady, I'll handle this. A bit of a breeze up here. Clouse: I wonder which one of us will stay on their feet longer? Sensei Garmadon: How about neither! Both: (Groaning) Clouse: One of these days, your son will have to stand on his own without his dear father. Sensei Garmadon: Not today! Both: (Grunting) Skylor: Whoa! Ah! Kai: (Groans) Skylor: Kai! Kai: That looks fun, mind if I join you? (Grunting) Both: (Grunting) Kai: You okay? Skylor: Fairing better than you. Master Chen: (Manically Laughing) Skylor: I have an idea. Kai: You're reading my mind. Both: fre! Master Chen: Ah, smoke screen! (Coughing) No fair! Oh! Where did she go? Where did she go? Oh, turn around. Skylor: (Laughing) Kai: I altered the team we found you and are heading back. Skylor: Are we in the clear? Kai: I guess. Hey, this is a pretty cool place by the way. Skylor: You want to play tourist? Kai: No, bo. You're right. Let's get back to the good guys. They're all waiting for us. Kapow: Kapow! Ha-ha, Venge-Net! (Cheering) Chope: Let's see you work your powers on that. Both: (Laughing) Kapow: This is awesome! Clouse: (Grunting) Sensei Garmadon: You're gonna have to do better than that if you want to to get rid of me, Clouse. Both: (Grunting) Clouse: I have other things up my sleeve. (Chanting) Sensei Garmadon: You've opened the Cursed Realm! Are you mad? Clouse: (Chanting) You banished Anacondrai Generals there. It's time you answer to them! Sensei Garmadon: You coward! Letting dad generals do your dirty work! Clouse: You grow wiser in your years, Garmadon! There's nothing to save you. Take in your last moments, Lord Garmadon, and know that it was I defeated you. And I who will take your title. I, Lord Clouse! Sensei Garmadon: Never rest of your laurels, because you lower your guard! Both: (Grunting) Clouse: You fool! You're pulling us both in! Sensei Garmadon: No. Just you. Clouse: No! Sensei Garmadon (Panting): I always hated magic. Zane 2.0: But it's there. Right in front of me. P.I.X.A.L.: You're not afraid of dragons. You used to have one. Zane 2.0: I'm afraid of this one. And my memory doesn't remember everything from my past. P.I.X.A.L.: You must remember who you are. You are the White Ninja. Zane 2.0: I am not the White Ninja. I am just a replica. I am afraid. P.I.X.A.L.: You are the Ninja of Ice. Zane 2.0: But my powers can't stop him. P.I.X.A.L.: Because there is nothing there. It is all in your head. Close your eyes. Close your eyes and see there is nothing to fear. Zane 2.0: But I hear them. P.I.X.A.L.: What else do you hear? Zane 2.0: I am not the White Ninja. I am not the White Ninja. P.I.X.A.L.: Who are you then? Zane 2.0: I am the Titanium Ninja. I am the Titanium Ninja! And you are not here. P.I.X.A.L.: Yes. Anxiety levels are going down. But the elemental reactor levels are rising! Zane, the readings inside of you through the roof! Zane 2.0: I am the Titanium Ninja. Both: (Grunting) Karloff: Still no sign of Chen? Cole: He escaped, but we'll find him. Did Zane ever return? Karloff: The metal man? I have not see him. Lloyd: Dad! Sensei Garmadon: I don't see Skylor or Kai. Shade: They said they were on their way. Sensei Garmadon: (Groaning) Lloyd: Dad, what's wrong? Sensei Garmadon: I don't know. Lloyd: Your tattoo. Sensei Garmadon: Something inside of me. Something is happening. Kapow: Trayeaux, Keelie, Neptide. (Clears throat) Eek, Mojo, uh... Gloop? Chope: Not Gloop! Glop! Glop! Kapow: Um... Master, shouldn't Clouse be reading this? Master Chen: It doesn't matter. He's not here. Keep reading. Kapow: Oh, okay, "Trayeaux, Keelie, Neptide." Master Chen: It's working. It's working. Finish the spell! Kapow: (Groaning) Chope: "Vein, donner, klactu, barnato." Skylor: Kai, don't look at me. Kai: Fight it, Skylor! Fight it! Skylor: I... I can't. Master Chen: Now I am the most powerful warrior to ever rule Ninjago! (Laughing) Sensei Garmadon: The spell... The spell, it's completed. If anyone with the Mark of the Anacondrai is affected, that means... All: (Grunting in Distance) Lloyd: Oh. Sensei Garmadon: Don't worry. I'm always on your side. Cole: Let's get'em, guys. They're too strong! Griffin Turner: They're too fast! Sensei Garmadon: And they are too many! Retreat! Get everyone to the palace! Lloyd: Everyone, to the palace! Karloff: Retreat! Everyone retreat! Neuro: Behind you! Shade: Come on! All: (Grunting) Jay: (Panting) Snake among us! Lloyd: No, don't. It's my father! Jay: First it was four arms, than you became a dragon. Would you mind picking a body and sticking with it, please? Cole: (Grunts) Could use a little help. Argh. All: (Screaming) Chope: Oh, man. Look at you! You've got a tail, ha, ha! Kapow: No! Look at you! You've got fangs! Chope: You know what I'm thinking? Both: We're gonna need cooler names! (Laugh then Scream) Kai: You're both still ugly. fre! Master Chen: You think a little fre can hurt the thick-hide of an Anacondrai? Skylor: (Gasping) We must get out of here. Kai: Let's do this. Chope: Should we, uh, sither after them? Master Chen: Why? They're no longer important. It's time we leave this wretched island. All: (Grunting) Cole: Does anyone know any knock-knock jokes? 'Cause this ain't funny anymore. Nya: Where did they go? Jay: Don't it could be a trick. All: (Gasps) Master Chen: Take care of the island, it's yours. We'd be taking Ninjago now. (Maniacal Laughing) Jay: This, this is just priceless! He took the Roto Jet and all of blade copters! Nya: What have we done? Griffin Turner: We all have families in Ninjago. Jay: Argh! And we had to destroy any other way off the island! Who's idea was that? Cole: Your father was right, Lloyd. We thought we had to upper hand. Our guard was down and look what happened. Jay: Nobody listens to me! You all say I overreact, but no! Lloyd: I'll go alone. Nya: And take on his whole army? Lloyd: I'm the only one with an elemental dragon. Zane 2.0: Not anymore. All: (Gasps) Karloff: He unleashed the dragon too! Jay: Zane, none of us could do that before. You gotta tell us how you do that! Zane 2.0: I faced my fear. When I realized it wasn't something in front of me that held me back, but something inside me, I found a deeper power. A dragon power. Neuro: All right! Kai: Zane's right. We all have this power inside of us. But you have to see that it's not the Anacondrai we're afraid of it's our doubt. All: (Cheering) Kai: Divided, we failed. But together, we will succeed. Lloyd: Energy! Jay: Lightning! Cole: Earth! Karloff: Metal! Griffin Turner: Speed! Shade: Shadow! Karloff: Metal dragon make Karloff very happy, happy. Sensei Garmadon: The battle of our past has returned, but we will rise to meet that challenge. Kai: Chen brought us here so that only one would remain. Well, we are one! Jacob: Hello? Hello? It's me, Jacob, the master of sound. I was hauled off to feel the serpent. Well, I fed it, but it doesn't want to eat anymore. Hello? Anyone?	{"type": "series", "show": "Lego Ninjago: Masters of Spinjitzu", "episode": "04x08 - The Day of The Dragon"}	foreverdreaming
Sensei Wu: Previously on Ninjago. Skylor: You think my powers can still turn you Anacondrai. Master Chen: It's working! Finish the spell. We'll be taking Ninjago now. Lloyd: I'll go alone. I'm the only one with an elemental dragon. Zane 2.0: Not anymore. Jay: You gotta tell us how you did it! Zane 2.0: I faced my fear. (Theme song plays) Sensei Wu: Episode 43 - The Greatest Fear of All. Lloyd: Chen and his Anacondrai army have a day's start on us. Be prepared for anything and anything. Kai: How do we lose so much time? Darreth: You know, you took an oath never to leave a man behind. Jay: And we're not all quick learners. Mastering your fear to create Power Dragons takes time. Nya: Well, we're running out of time. There's Ninjago City. Hurry. Griffin Turner: Hurry's my middle name. Hyah! Lloyd: Remember, whatever happens down there, we're stronger united. We fight as one. Jay: Let's do this! Crowd: (Gasps) Women: (Gasps) Serpentine! Crowd: (Screaming) Skylor: I wish I still had the power to change. Kai: You're have changed. You're with us now. Old Lady: Could you be a dear and move your dragon? Thank you, young man. Sensei Garmadon: If we're the first ones they've seen, where's Chen and why hasn't he attcked? Lloyd: We have to get you and my father off the streets before we alarm everyone. Nya: Everyone else, stick together and watch over the people. Master Chen: Why is the spell wearing off? If we attck now and turn back to normal everything will be for nothing! Kapau: Eh, about that... We read everything on Page 149, but lo and behind, the spell continues onto the next page. Master Chen: You're slithering klutzes! What have I told you about attention to details? I know I've should had Clouse read the spell. "In order for the transformation to become permanent, one must obtain the essence of a true Anacondrai." Where are we supposed to get that? There aren't any real Anacondrai left! Chope: Eh, if there's any out there, we'll find it. General: There's another problem, Master. The Ninja and their friends have arrived. Master Chen: Oh, why must conquering Ninjago be so difficult? Fine. We change plans. It's not like I don't have something else up my sleeve. General: And what's that, Master? Master Chen: This! Now come on. We have some scheming to do. Zane 2.0: And hello to you, my old friend. Sensei Wu: You're all back. Zane. Look at you. You're all shiny. (Laughs) Misako: But where's your father? Sensei Garmadon: It's me, Misako. Misako: (Gasps) Skylor: Don't worry, we have reason to believe the spell may be wearing off. Kai: But if that's true, if only makes Chen more desperate to act now. Everyone, this is Skylor, Chen's daughter. Misako: You're amongst friends, Skylor. Sensei Garmadon: Thank you for looking after my Misako. Sensei Wu: As any good brother should. Sensei Garmadon: Yes. A good brother. Lloyd: There isn't much time. Our friends are on standby, but we don't know where Chen will strike first. Cole: And if we're not all there to stop him when he first attcks... Sensei Garmadon: Ninjago will succumb to wr. Our greatest fear will come true. Sensei Wu: Then the greatest victory will be that which has no battle. Jay: But how do we prevent a wr? How do we stop an enemy we know so little about? Sensei Wu: We find someone who does. Sensei Garmadon: Kryptarium Prison. Home to Ninjago's worst of the worst Cole: I don't get it, who's gonna help us here? Sensei Wu: If one must learn how to fight a snake, one must talk to one first. Warden: Sorry I had to confiscate your wapon. Here we try to foster what I call "an environment." Frakjaw: I'll rattle your bones, Warden! Warden: Very creative, Frakjaw. Love the puns. Soto: Pajama-Men! Warden: Easy, Soto, I'm the captain of this ship. Ha, ha. Ninja ain't popular around these parts, considering you put most of them behind bars, hm-hm. But who you're looking for, he hates Ninja the most. Last cell on the left. Pythor: Hm. Why yes, Pythor, this may very well be the greatest cup of tea you've steeped. Oh, you flatter me, Rodrigo, but do go on. Lloyd: We need your help. Pythor: (Gasps) Help you? The Ninja? You fed to the Devourer, defeated every army I've aligned with, even forced me to swallow your shrinking pill. Haven't you done enough damage to my diminishing ego? (Screams) Well-played. I suppose this is about that culturally insensitive noodle baron and his ilk that are now Anacondrai. Imposters, you ask me. Jay: You are the last remaining Anacondrai. You must know how to stop them. Pythor: I'm not going to say another word until you can figure out how to make me big. And don't ask me to trust a Ninja. Sensei Garmadon: Would you trust a snake? Pythor: Garma-Condrai? Oh, now my interest is piqued. Let's make a deal, shall we? P.I.X.A.L.: I thought you should be aware that someone has been poking around the Kryptarium database with an interest in your, shall I say, little friend. Zane 2.0: Chen? P.I.X.A.L.: I don't know, but be on your guard. You maybe expecting unannounced visitors. Guard: Thanks. Huh? Warden: Ooh. That's strange. Chope: So gulibe. Everyone knows there's no such as ghost. Pythor: Then you get the spell book, and I'll tell you their weakness and then-- Man: There's a been a breech in Sector 2! They appear to be Anacondrai-- Uh-oh, and they're coming my way. They see me talking on the intercom. Oh, boy, here they come. Why am I still talking on this thing? All: (Yelling) Pythor: You led them to me? What have you done? There's no escaping Anacondrai! Curse this fraudulent furniture! (Grunts) Sensei Garmadon: Tell me! How do we stop them? What is their weakness? Pythor: Don't you get it? There is no weakness. They're Anacondrai! Kai: Guys, we've got company! Cole: I'll handle this. Argh! Jay: We're trying to keep inmates in, not let them out! Pythor: (Yelling) Zane 2.0: Your hand. That may be why they've come for Pythor. What if he holds the key to making their transformation permanent? Sensei Wu: That's why Chen hasn't attcked. Lloyd: Then we have to get him out of here. If he's the key to preventing a wr, we can't let him fall into the wrong hands. Literally. Pythor: Oh, I get it, it's literal because of my size. Ha, ha. Very funny. But I'm a little sensitive to all the size references. Sensei Garmadon: A little sensitive? Pythor: Okay, I stepped right into that one. Sensei Wu: Zane, keep them busy. Kai: Ah. What do you think we've been do--? (Grunts) Jay: Get out of here already, it's not like we can hold them off all day! (Yells) Warden: (Grunts) (Grunting) Sensei Garmadon: Kryptarium's on lockdown. If we don't find a way out, we may never escape. Kai: (Grunts) Cole: It ain't fair. Why is it they've got wapon but we don't? Jay: Everything's a wapon in the big house. (Yelling) Pythor: Oh, some heroes you are. And to think there's only two of them. (Screams) Lloyd: Sensei Wu said, the greatest victories-- Pythor: Has no battle, blah, blah, blah. Well, if they're imposters, you're cowards. Sensei Wu: And what are you? There's a reason we never trust a snake. First the Anacondrai betray the truce in the Serpentine wr, then you tricked Lloyd-- Pythor: Are we still talking about the Serpentine wr? The Anacondrai had every intention of honoring the truce. It was Chen who told us your kind was going to betray us. We had no choice but to attck. Sensei Garmadon: Chen said you were going to betray us! Lloyd: Sounds like Chen was playing both sides. Pythor: Again I say... Cowards. Sensei Wu: Protect Pythor. Lloyd: Ninja, go! All: (Grunting) Lloyd: (Gasps) I lost him! Pythor: (Grunting) (Screams) Sensei Garmadon: What do you mean you lost him? Find him! Lloyd: (Gasps) Kai: fre! Jay: Lightning! General: (Screaming) Parrot: (Squawks) Left! Soto: Hey! Watch it! Jay: Hurry, grab his spear. Parrot: No, the other left. All: (Yelling) Kai: Oh, no! Uh, guys, I think we're about to serve hard time. Samurai Stone: Uht Tong Tcheko. Cole: (Screams) Jay: (Grunting) Zane 2.0: I am not an outdated relic anymore! Frakjaw: (Screaming) Jay: Okay, since we're already fought most of these guys before, what say we keep this short? Kai: I'm with you. The door, hurry! Cole: All right, who's busting out of here with me? Kai: There's no way you're breaking through this door. It's solid metal. Cole: I never said anything about a door. (Yelling) Prisoners: (Clamming) Jay: When people try to bust out of jail, they do so quickly. Not literally. Cole: (Grunts) Man: Ah, digging our way out takes forever. Cole: (Grunts) Man: Thank you! Lloyd: Got him! Don't got him! Pythor: (Gasping) I really hate being small! What? Wu. My savior. Kai: Do you have him? Cole: We can't let them escape! Sensei Wu: No, we can let them escape! No more smashing walls. Zane 2.0: Leave this to me. Ice! Kai: I'd hate to let anyone down, but... fre! Warden: I encourage you to go back to your cells. All: (Groaning) Pythor: Ah! Charlatans! Frauds! two-bit phonies! Kapow: I don't get it, how are we gonna get enough sweat out of that little guy to fix all of it? Master Chen: The simplest plan is often the best. The more complicated one's are so much fun to watch! Now run! Pythor: A true Anacondrai would never demean himself. I have my honor, you know. General: And we have a Swamp Rat! Pythor: (Screams) Master Chen: As you can see, fear is a powerful thing. Kapow: Oh, the Essence, it's working! Master Chen: Soon, I'll have enough to make my entire army permanently Anacondrai. And now that one problem is dealt with, It's time we give the Ninja one of their own. It's time to spread some fear. Kai: We got here as fast as we could. Nya: Twenty Noodle Trucks have been spotted heading toward Ninjago City just 50 clicks away. Cole: Let me guess, they ain't hauling noodles? Zane 2.0: Twenty trucks could hold 200 Anacondrai. If they get to the city before we do, the city will be theirs. Sensei Garmadon: And they'll have achieved the pivotal first foothold in the wr. Lloyd: We have to stop them. Nya: I've already warned the others to head them off at the pass. They should be able to hold the line until you offer support. I had them equip themselves so we could communicate. Shade: We're in position. If they show up, we'll be sure to put up a fight. Nya: They're coming to your location soon. Shade: I see them. Let's show them what we're made of. The trucks. They're going every which way. Jay: What do you mean? Aren't they going to Ninjago City? Shade: I don't know where they're going but they ain't going together. Misako: There are over 12 densely populated villages within a 10-click radius. Kai: They aren't planning to launch one attck, they're planning multiple. Shade: What do we do? You told us to stay together. Sensei Garmadon: Chen knows he can't take you all on at once. He's trying to split you up. Misako: But even if just one of trucks those makes it to a village, the people won't be able to defend themselves. Lloyd: We have to protect the people. Tell the Elemental Fighters we have to split up. We'll each intercept a truck and stop it from reaching those villages. Jay: Whatever happened to "we fight as one"? Sensei Garmadon: This isn't a vote, Jay. This is stopping the end of our world as we know it. Skylor: What's my father up to? Sensei Wu: Nya, ready the Bounty, We must prepare for the worst. Shade: You heard our orders, split up and intercept those trucks. Sensei Wu: Nya, why aren't we in the air? Nya: We just gave the old a makeover. It's gonna take some time for her to warm up. Sensei Wu: Misako, notify every ally we have. We're going to need all the help we can get. And brother, if for whatever reason this doesn't work out, I'm glad you're home. Misako: There's something wrong. What aren't you telling me? Sensei Garmadon: We're on the threshold of wr and I'm a man-snake. Take your pick. Misako: You're my husband, I know you better than that. There's something else. Sensei Garmadon: Do you remember the letter I gave you long ago? Misako: Of course. Those words you wrote. It was the reason I fell in love with you. Sensei Garmadon: That letter was not-- (Gasps) Sensei Wu: Nya? What just happened? Nya: I'll have her back online in no time. Pythor: (Panting) General: The trucks are in position. It's time. Pythor: What about me? You can't just leave me here! Where's the honor in that? Master Chen: Oh, right, honor. Like you said, we aren't real Anacondrai. (Laughing) No, we are not. No, no, no. (Children playing) Lloyd: Sorry, kid. No time to explain. Kid: Wow. Hey, let's play dragons. Cole: Not a change, pal. Can't let you finish this delivery route. Oh. Not giving up, huh? Neither will I. Kai: Out of the way! Hey, not cool. Old Lady: (Screams) I thought I told you to move your dragon, young man. Kai: I've gotta get him out of town. Now, that's what I call getting back onto the right track. (Laughing) Sensei Wu: Zane, have you diverted the truck away from the villages? Zane 2.0: Yes, and once it's at a safe distance, I plan to take care of the Anacondrai. Sensei Wu: Good work. The people are safe. Skylor: No, they aren't. We aren't pulling them away from the people, they're pulling us! Sensei Wu: Stop the trucks! Jay: All right, snakes, you're about to be charged. (Gasps) No. It can't be. Sensei Wu: Everyone come back now. Lloyd: (Grunting) I'm not afraid. I can do this. I have to get back. I can't. I'm too afraid. Sensei Garmadon: It was all a trap. Misako: Then that means... Sensei Wu: The greatest victories... have no battle. Now our worst fears have come true. Crowd: (Screaming) Master Chen: (Laughing Maniacally) Sensei Garmadon: The New Sepentine wr... has just gn.	{"type": "series", "show": "Lego Ninjago: Masters of Spinjitzu", "episode": "04x09 - The Greatest Fear of All"}	foreverdreaming
(London subway) ♪ Ooh ♪ ♪ I feel love, I feel love ♪ ♪ I feel love, I feel love ♪ ♪ I feel love ♪ ♪ I feel love, I feel love, I feel love ♪ Danny (on phone): Hey, guys. Erm, I was just... wanted to see if you were still up. But... Alex: Are you OK? Danny: Me? I'm fine. You don't know me, but if you did, you'd know I'm always fine. What about your drink? Alex: You can keep it. (Theme music and title scene) Female automated voice: Destination reached. Scanning successful. I'll shave his hand? I'll shake his hand. Shake his hand! Shake his hand. Danny: Hello! Hi. I'll sha-... I'll sha-... Sara: No... No... No... No... No... Oh, no. Danny: I'm gonna stay in tonight. Sara: You don't feel so good? Danny: I'm fine. (Alarm beeping) Danny: I wanted to say thank you. Which I didn't get to say... last time. I've just had a... a hunch. Sometimes you have to take a chance, right? Otherwise, how do you know? Heh-heh. Obviously I got this wrong. Oh sorry. Heh-heh. My name's Danny. Alex: My name is Joe. Danny: So Joe, are you... Are... Heh-heh. I've run out of questions. Erm... Alex: Ask me. Please. Danny: Are you out? Alex: No. If you want to go, I can understand that reaction. Danny: I don't want to go. Alex: I work for an investment bank. It's their appartment. Security is a concern. There's a terrace... If you want to smoke, I mean. I'm going to take a shower. Danny: I'll let you get dressed. Alex: I can pay. Danny: No, it's fine, I'm... I must be easy to read. Alex: You are. Danny: Is that bad? Alex: Makes a change. The people I work with... are inscrutable. Danny: I can be inscrutable. Alex: Did you look through my clothes? (Danny laughs) Alex: See you. Scottie: Has he rung? Danny: He will. Scottie: A week? Danny: I've never been more certain of anything in my life. Scottie: Why? Danny: Because... that can't be it. There's more. There has to be. Scottie: You love falling in love. The moment when it's all possibilities and dreams. Danny: You think he's out of my league? Scottie: The thought never crossed my mind. Danny: Where are we going to drink tonight? Scottie: Somewhere dimly lit and terribly old-fashioned. Danny: So we're on the doorstep, saying goodbye and I'm trying to give him Pavel's nymber, because I don't have a phone... except he doesn't write it down! And I'm like... "If you don't want to... If you don't want see me again..." And then he says, "numbers Danny, I have no problem with," like he could remeber every phone number in the world... and then... we shook hands! If you'd have told me a week ago I'd be this happy with a handshake at the end of a date... I'm sorry, I will stop talking about him now. Scottie: It's alright. I understand. Danny: It's just the feeling, you know? Not being able to think about anyone else. Scottie: Yeah, (chuckles) I know the feeling. Danny: Yeah, of course. (knock at door) Alex: Otherwise, how do you know? Danny: So at some point you're going to talk about yourself, right? Not your work, I understand. That's, eh, secret but, erm, the other stuff? Alex: Why? Danny: (laughs) Isn't that what you do when you meet someone? I tell you stuff. You tell me stuff. Alex: This is us. Danny: So grown-up. You drink tea out of a thermos, and you go for... country walks. I must seem young... compared to the people you work with. Alex: You do. Danny: You're not joking, are you? Alex: I started university when I was 15. Danny: So you never... messed around? Alex: In what sense? Danny: Any sense. Alex: I've been serious for a very long time. Danny: What made you change your mind? About me? Alex: I wondered what it would be like to do these walks with someone. Danny: I was worried that you were going to say it was cos I made you laugh. Alex: I don't think you've ever made me laugh. It's not that you won't... Danny: I understand. Alex: I'm sure you will... Danny: I understand. So you turn up, on my doorstep... Which is wonderful! .. Except I never told you where I live... and I was wondering - and I should say in advance that I don't mind - but... Did you carry out some kind of background check on me? Alex: The way we met was unusual. Danny: Right. So... You thought... Stranger! Seduction! Not that, erm, I'm presuming you were seduced by me. That's, erm... process ongoing... Erm, what was I saying? Erm, yeah, so you thought, our meeting was part of... A set-up? It's fine. It's fun. I just... I thought you said I was easy to read? Alex: That would have been the reason you were selected... The appearance of innocence. Danny: I'm not innocent. Alex: You might be the only innocent person I know. Danny: Can you tell me what your real name is now? Alex: (nods) My name is Alex. Danny: I'd like you to come up... if you want, obviously. And if you don't want, that's cool. I didn't mean to say cool! You want to? But... Alex: It's a little fast. Danny: Well, maybe next time. You've gotta stop shakin' my hand. Alex: I'm sorry. I'm sorry. Danny: Ok. Danny: fck! Danny: It's normally tidier than this... It's never tidier than this. Alex: Had you guessed? Danny: Mmmm. I'd guessed you hadn't slept with guys before. I thought maybe you'd slept with a couple of women. Can I ask you a question? Alex: Mmmm. Danny: What's stopped you? You don't have to answer. Alex: How do you admit to someone you've never been in a relationship? Who wants to hear? And when they do, who wants to stay? Danny: I do. Alex: At school I was old. At university I was young. I've always been... like a step to people around me. In the end, I left it so late... I gave up. I told myself I was all about the mind. And people find me odd. It grated on me. I could see it in their eyes. Rather than change, I started playing the role, more and more. I didn't need anyone. That's what I told myself: "I didn't want anyone." Danny: Did you imagine you'd spend the rest of your life alone? Alex: Yes. Danny: I can't begin to understand what that must feel like. Alex: You always knew you would find someone? Danny: Always. Alex: I can't imagine... ??? I'd like to try again. Danny: We don't have to. Alex: You don't want...? Danny: We can wait. Alex: I've waited long enough. Alex: Drugs? Danny: I've been using them to make me believe the sex was special. That the person I was with was special. But... I'd like to know what it feels like for real. Because I bet it's the best feeling in the world. Alex: Will you stop worrying about me? Danny: Will you stop worrying about ME? Danny: You saw me. What I mean is, you saw ME. And you asked if I was OK. And not like most people ask it. Like they've... asked it a hundred times already, you asked it as if... Nothing else mattered to you. And I thought, how is it that this person, who I've never seen before... How are they the only person in the whole world that knows... That I'm not OK. And I was sure if I could just find out your name - I could just find out who you were - then everything would be OK. Alex: What if everything isn't OK. Danny: Then we tell each other. And we deal with it. Whatever it is, we... deal with it. Together! Alex: (laughs) Danny: Is there something you want to tell me? Alex: No. (Takeda Lullaby, Japanese folk song.) Danny: You excited that you two are gonna meet? I should've organized it sooner. Scottie: A month or two, I could understand. I'm not so old I can't remember what it's like to be smitten. But eight months ??? declare ??? while failing to introduce us feels wilful. Danny: Sorry. (song ends) Danny: Scottie, this is Alex. Scottie: Alex, tell me... What did you make of her? Too much? That doesn't surprise me. Danny's always preferred his men to be as straight as possible - a tedious form of self-loathing - that I've unsuccessfully tried to wean him off. Danny: Scotty, I was telling Alex-- Scottie: I hope you told him this is where we first met? You must be wondering how an old qeer like me ended up friends with a handsome young man like him? 19 years old, he walked through that door. As lost as a person could be. I saw him, in his tatty jeans, with his cropped hair, and his puppy dog eyes. I could guess his sad story, without hearing a word! I presumed, if I bought him a drink, there wouldn't be a single second, when he wasn't hoping for someone better to come along. What can I say? I'm a soft touch. So I bought him that drink... And to my surprise, he talked to me for the whole night. He didn't leave, even when others stalked him. A small gesture, but it meant a great deal, and we have been friends ever since. I'm the one he comes to when times are tough. And they often are. Poor Danny has a terrible track record for picking the wrong man. He's an insufferable romantic! One of the last. Does it fall to me to say... Don't break his heart? Alex: I could never hurt Danny. Scottie: May I ask - as someone who has been witness to the breaking of many a heart - how you can be so sure? Alex: Because he is the only friend I have. Scottie: I'm pleased for you. I'm pleased for both of you. Danny: Had you two met before? Alex: No. Danny: You know Scotty asked if you knew how I became his friend? Alex: You don't need to tell me. I love you. Danny: And I need you to know. I was 19. Like he said. It was a bad time. I left home. I was doin' a lot of drugs. And one night... I was wired. Not happy. Not high. I was numb. And I posted an ad online... saying that anyone could come round. I mean anyone. My only condition was that they didn't speak. And people showed up. I didn't turn them away. I didn't ask anything of them. And they must have thought their luck was in, cos... They didn't make a sound. And the next day, I couldn't stop cryin'. And I went to see Scottie. I didn't... know him very well, I'd only met him a couple of times, but he was the only person I could trust. And he took me straight to the hospital... And I was put on a course of PEP, which is emergency medication. I was on the drugs for 28 days and Scotty looked after me. And 16 weeks later I had an HIV test... and I was clear! (cries) We were friends... (cries) I've never done anything like that again. I swear I was out of my mind. I'm always safe. Always! I don't know what happened to me that night. I look back; I don't recognize that person. And I've never cheated on you. I don't want to have any secrets from you. I never want to have any secrets ever again. Danny: Let's go away for the weekend. Alex: Sure. I have to buy a battery for my laptop. I can't go without replacing it. Danny: I understand. Danny: Has Alex called for me? Has Alex called?! Scottie: How long? Danny: (sighs) 11 days. Scottie: What happened? Danny: I told him-- Scottie: That you loved him? Danny: .. how you and I became friends. Scottie: That was a mistake! Danny: Why didn't I shut my mouth?! Scottie: Because you needed to know. Because you still love me. Danny: I fcked it up. I... I'd fcked it up before I'd even met him. Scottie: Have you tried everything? There is only one thing left to do: accept that it is over. Danny: I can't. Scottie: What other choice do you have? You'll get over it. Not quickly. Not completely. There's enough to carry on, trust me on that! But now, I am afraid, you'll have to excuse me. I have work to do. Danny: You want me to leave? Scottie: I'd never ask you to leave! Rest here. Sleep. Eat. But today, I can't play assistant to your personal life. Just out of curiosity... Did you ever wonder what I might want? Danny: What YOU want? What do you want? Do you want this? Is this what you want?! What do I owe you? Five nights? Ten nights? Tell me! Scotty, I'm sorry. I'm sorry. You should call the police? Nothing was taken. We couldn't even give our stuff away. (beeping) Automated voice: System rebooting. Item for Danny Holt. (beeping) (steady tone) Automated voice: Destination reached. (Danny opens a box) Danny: Alex? (closes door) Alex. Alex? (Danny climbs into attic) (Danny opens a trunk stood on its side and discovers a body) Danny (on phone): Police, please. (sirens) Policeman (on intercom): Police. Can you open up please? (banging on the door) Open this door! Step aside, sir. Danny: His name's Alex. He's my partner. It's his apartment. He disappeared two weeks ago. Do you think it might not be him? Tell me what you know about... Alex. Danny: He's a genius. He went to university at the age of 15. He's got no family. His parents are d*ad. Em... He works for an investment bank. What else do you need to know? Do you know... this man? Danny: That's... This is Alex. Your partner? Danny: Yeah. What kind of relationship did you have with him? Did it involve sadism? Drugs? Danny: No. You see? It's hard for me to believe you were in a serious relationship... when you don't even know his name. This man is called Alistair. His parents are alive. He did not work for a bank. Is it possible... you enjoyed extreme sexual encounters with someone who didn't want you to know their name? Is it possible? Scottie: This will stop. Right now. Danny: He lied. About everything. Scottie: When you introduced us... Danny: You knew? Scottie: Not exactly. Our paths had never crossed. But... I recognize the type. I see them in the corridors of Whitehall. People with power, secrets. Their importnce emanates from them. I felt it. He worked for MI6. He was a spy. Scottie: Er, Danny? The police were concerned you might've taken something from the crime scene. A personal item? Something of sentimental value? You wouldn't have done that, would you? Danny: Course not. Scottie: No. Course not.	{"type": "series", "show": "London Spy", "episode": "01x01 - Lullaby"}	foreverdreaming
Danny: This is Alex. Policewoman: Your partner? Danny: Yeah. He's a genius. He went to university at the age of 15. Alex: The people I work with... are inscrutable. Danny: Alex? Policewoman: What kind of relationship did you have with him? Did it involve sadism? Danny: No. ( He gasps ) Alex: I could never hurt Danny... because he is the only friend I have. Policewoman: This man is called Alistair, his parents are alive. Is it possible you enjoyed extreme sexual encounters with someone who didn't want you to know their name? Scottie: He worked for MI6. He was a spy. The police were concerned you might have taken something from the crime scene - a personal item, something of sentimental value. You wouldn't have done that, would you? Danny: Of course not. Scottie: No, of course not. Radio: ♪ ..All the love you can ♪ ♪ Stand by ♪ ♪ Your man ♪ ♪ Stand by your man ♪ ♪ And tell the world you love him ♪ ♪ Keep giving all the love you can ♪ ♪ Stand by your man. ♪ ( He pants ) ( He sighs ) ( He sobs ) Danny: Your newspaper has... reported a series of lies. It's not the truth. You need to tell them the truth. You need to listen to me! I'm here today... to tell you the truth. I'm here today to tell you the truth. I'm here today to tell you the truth. I'm here today to tell you the truth. You fck! ( He sobs ) I'm here today to tell you the TRUTH! Episode 2 Strangers Original air date: November 16, 2015 Journalist: In your phone call you asked how it all works. We took that as negotiating payment. Danny: Oh, no. Erm... I have never spoken to a journalist before. I don't want money. I'm here to tell you the truth. Journalist: You used the word "partners" to describe your relationship. Danny: Yeah, we were partners. Journalist: What do you mean by that? Danny: Erm, I wanted to spend the rest of my life with him. Journalist: You'd been together eight months? Danny: Yeah. Journalist: During those eight months, how many times had you visited the attic? Danny: I'd never visited the attic. Apart from when I discovered... That was the only time, that was the first time. Journalist: But you must have known about it? Danny: No. Journalist: The activities that went on up there? Danny: Well, that's what I'm trying to tell you - I don't think anything did go on up there. Erm, I never saw him use those items, I never heard him talk about those things. Journalist: You were his sexual partner for eight months. He never mentioned sadism? Never asked you to participate? Never discussed his predilections? You know nothing? Danny: Why won't you ask me what I think happened to him? Journalist: What do you think happened to him? Danny: He was mrder. Journalist: Who mrder him? Danny: I don't know. Journalist: Why did they mrder him? Journalist 2: Not here. Journalist 2: You don't use his name. Is it true you didn't even know it? Did he ever tell you he was in danger? Danny: No. Journalist 2: OK, I get it. He's a spy, he needed to be careful. You met by chance. First day, he lied. But eight months later you want to spend the rest of your lives together and you're still using the wrong name to say how much you love him? Danny: He told me his name was Alex. Journalist 2: People lie, Danny. And they lie well. Danny: Guys who own rooms like that attic... when it comes to sex, they know what they want, how they want it. The sex...is professional. And he didn't know what he enjoyed. He'd never found out. Danny: Do you believe me? Journalist 2: It doesn't matter what I believe. But, yes... I do. Scottie: Journalists make difficult bedfellows. You can't just tell them what to print. You didn't want to discuss it with me first? Danny: I knew you'd try and talk me out of it. Make me think what a dumb idea it was. Scottie: What is this? Mistrust? It is. I see. You trusted me with your life, but not now, not with this! Danny: My life is small, this is... organisations, institutions. Scottie: You see me as one of them, don't you? The suit, the education, the job - I'm part of the Establishment. Danny: Well, aren't you? Scottie: How dare you, young man! How dare you presume to know me. I know you because I've heard every secret you have to tell. What do you know about me? Answer me. Danny: I know... Scottie: You know where I live. You know what films I like, you know what music I listen to. Did you know that I suffer from depression? Did you know that in the past I drank every night, every day, every morning - I drank until a stranger could smell it on me! Do you know just how fcking far I am from being part of the Establishment?! How dare you mistrust me... when you don't know! You want to know who I am, who I really am... I'll show you. Danny: Where we going?! Scottie: Come on. Then you can decide whether you trust me or not. ( Birdsong ) ( Dog barks in distance ) Scottie: This is the spot where my career as a spy came to an end. I was a spy... a long time ago. In a world very different to this one. I was recruited at Cambridge. I said yes partly because it wouldn't be a normal life, with regular hours. I was desperate to avoid the five o'clock home time... whilst not being bohemian enough to imagine life without a proper profession. Not very patriotic motives, I suppose. But they rather liked that about me, an utter lack of idealism. Romantics make unreliable spies. It was my third year with MI6. I was travelling back to London on the night train. A handsome man entered my carriage... sat opposite me. The tips of our shoes touched. Our eyes chanced. He asked the most mundane questions in the most exciting way. When we arrived at Paddington, I went to the gentlemen's and waited in a cubicle, door ajar, hoping. I can't tell you how happy I was to see him. It meant that I hadn't been wrong. And that for the next 15 minutes or so, I wouldn't be alone. After all these years, prudishness runs deep. The next day, I was approached by a Soviet operative... who described how the Soviet Union welcomed "men like me". "Under Communism we're all equals." And once I'd completed my mission here, in a country that would always hate my kind, I could set up home in Moscow and be free. Some "men like me" actually believed that lie but I was not one of them. So, all that remained was the blackmail. I'd be exposed... arrested... disgraced. So, that night, I bought a rope... and came here... but sitting on that branch, noose ready, I thought to myself, there is another way. Danny: You told your bosses you were gay. ( Scottie chuckles ) Scottie: That's a wonderful wrong answer; the option did not exist. No, I explained to my section head that I'd been approached by a Soviet operative and I detailed the nature of the blackmail. He asked if the allegations were true. I admitted that I'd made a mistake with a man and that the operative probably had evidence of that mistake. But it was only once. An act of disgusting madness. "I'm not a hm! And I'm not a traitor! Hard for them to believe the second statement when they knew that the first was a lie. So, I proposed preposterously: they employ someone to follow me for the rest of my life - photograph my every move - I would never touch another man. I didn't discover until later that it hadn't been a Soviet operative, it had been an internal investigation. You've heard of a mole hunt? Well, this was a fg hunt, which they saw as more or less the same thing. Her Majesty's Secret Service had had its fingers burnt by one too many qeer spies but my prompt confession, saved my life. I was moved from MI6 into what was then named Ministry for Transport, where I was little more than a pen-pusher, whispered about by those in the know. Out of gratitude and fear, I kept my end of the bargain. And for 11 years, I did not touch another man. Scottie: Will you sleep? (Danny shakes his head) Then I propose we stay up all night and wait for the morning papers together. ( Birdsong ) Danny's Boss: (quietly) In my office. Danny: Huh? Danny: Drug-test me. I need this. Sara: It's from his parents. Danny: Mr and Mrs Turner. ( Engine starts ) Danny: Beautiful countryside round here. Danny: How long have you lived here? Mr. Turner: Didn't Alistair tell you? Danny: No. Mrs. Turner: What did he tell you about us? The truth... please. Danny: He told me you were dad. Mr. Turner: We weren't close. Mrs. Turner: Bathroom's opposite. It's... It's all yours. Is one towel enough? Danny: Plenty. ( Door closes ) Mr. Turner: We've already eaten. We won't stand here and watch. ( Door opens ) Mrs. Turner: How was dinner? Danny: Fine. Alistair, tell me about him. ( Book closes ) Mrs. Turner: Will you be able to sleep? Danny: Probably not. Alistair suffered from insomnia. Mrs. Turner: Well, that's why he enjoyed running so much - to exhaust him. His mind was so busy, he ran so he could sleep. Danny: Why can't you talk to me? ( Door opens ) ( Knock at door, door opens ) Mr. Turner: Time to talk. Danny: You read the article? Mrs. Turner: We're not making any judgements. Mr. Turner: You see the life we lead. We're private people, we don't want attention. The past is the past. What Alistair did in London was up to him. He was an adult. We can't bring him back. We'd just prefer it... if there was no fuss. Mrs. Turner: We'd... both prefer it. Danny: I won't talk to the press again. Mr. Turner: That's good. Danny: But nobody was saying it, so I had to. Your son was mrder. Mr. Turner: After breakfast, why don't we go for a walk? Danny: Your son was mrder. Mr. Turner: My son is dad. My wife is sick. Danny: I'm sorry. Mr. Turner: Enough. Danny: Enough? Mr. Turner: We need to leave soon if we're to catch your train. Danny: That... is not his bedroom. This is not his home. Mr. Turner: Have you lost your mind?! Danny: Who are you? Who are you?! ( Phone rings ) Woman (O.C. on phone): Bring him. Danny: Who was that? Mr. Turner: That was Alistair's mother. Danny: His mother?! What does she want? Mr. Turner: To meet you. Danny: How far is it? Mr. Turner: Not far. ( Engine starts ) Danny: Anything else you want to see? Frances: Not everyone is comfortable inviting strangers to their home. We thought if you saw where we lived you might try to extort us. Danny: Why do you think I would want your money? Frances: Because you have none. You want an apology? I gave you an explanation. Danny: You...I believe. Frances: My husband's name is Charles. My name is Frances. My son's name was Alistair. Your name, Daniel, we read in the paper. My staff you met. Danny: Where's she taking my stuff? Frances: Well, surely you're going to spend the night? ( Crow caws ) Frances: We're in the midst of restoring the house to its former glory. We had hoped Alistair would finish the task. Danny: This is his room. Frances: How did you know? Danny: Because it's the loneliest room I've ever been in. Frances: Charles was sure you'd catch the train home today, none the wiser. I was convinced you'd figure it out. It seems you did so not with reason or deduction... but something akin to... female intuition. Danny: I won't sleep in here. Frances: I would never have allowed it. Frances: Dinner is at eight. Danny: You're embarrassed by his death. Frances: Yes. Danny: Upset, too? Frances: Yes. More than you can imagine. ( Birdsong ) ( Crow caws ) Frances: Did you realise your provocation was infantile before or after you came through that door? Before, I see. But you didn't decide to change? Danny: Would you like me to? Frances: No. I think I prefer you like that. Danny: Thank you. Frances: Alistair completed that maze unassisted, three months before his fifth birthday. Others considered him to be disturbed, but what they saw as a disturbance of the mind was, in fact, an exceptional gift. However, it's not enough in this world to be born brilliant - you need direction and discipline. You need someone who reminds you, day after day, never to waste your talent on triviality. How many brilliant minds are out there right now rotting in squalor and neglect? It took every ounce of my strength to make Alistair realise his potential. He ended up hating me for it. But you guessed that already. Danny: Your son was mrder. The attic was staged. And everything you've read about his death is a lie. Frances: After dinner, perhaps you will join me for a drink. Frances: My son wasn't gay. Before you hold some sort of parade through the house, hear me out. Alistair...didn't think like ordinary people. He didn't feel what ordinary people feel. In his eyes, everyone was a puzzle. He took immense satisfaction figuring out what a person wanted and then giving it to them. As if we were all computers... waiting for the correct code. Alistair could be anything a person wanted him to be. In your case, it appears you craved romance, a good old-fashioned love story. He gave it to you. Meanwhile, he continued giving other kinds of stimulation to other kinds of people, men and women. If he was involved with someone who hankered after risk, he would have provided it. Danger, pain, submission, domination. Alistair was as precocious sexually as he was intellectually. To him, they were one and the same. Sex was just another form of decryption. You think I'm cruel? Perhaps I am. But not in this instance. I wanted to preserve your illusions. We had hoped that you would go home and mourn in the belief that your relationship was perfect. You loved him, I see that. However, I cannot allow you to be unaware of the facts, in case you blunder further into a situation you simply do not understand. I'm not surprised he used a different name - he was playing a part. The part of a conventional lover. Danny: I haven't read many books. I haven't been to many...places. But I have fcked a lot of people. And there's one thing... you just can't fake. Inexperience. The body's tense when it should be relaxed. It hurts when...it should be fun. And it's dirty when it should be clean. I don't care how smart you are, your muscles can't lie. I'm talking about feeling his inexperience as clearly as I can feel this glass. Do you follow me, Frances? I can see you do. So I know for a fact you're lying. I know for a fact that your son, the man I loved, was a virgin. What I don't understand is why you're so keen to convince me otherwise. When he told me you were dad, he wasn't lying, was he? Frances: Amongst all the lies you've heard here this weekend, recognise one truth - "no fuss" is the best piece of advice you will ever be given. Danny: I prefer it down here. Nanny: She won't like it. Danny: No. I don't think she will. You cared about him. You cared for him. If he had a problem, he came to you, didn't he? Not her. You loved him. Nanny: ( sobs ) Alex. Danny: Alex. Nanny: He hated the name Alistair. ( She laughs ) Danny: What happened here? Nanny: Get as far away from these people as you can. He insisted. ( Engine idles ) ( Horn ) Alex: I want to tell you a story...about a man. While everyone was laughing... and drinking, he would just walk... until he reached the exact same spot, where he'd sit with his back to all those people. And while he did everything he possibly could to signal to the world that he wanted to be left alone... more than anything, he hoped that someone passing would understand that what he really wanted was the exact opposite. And that this someone would sit next to him... and strike up a conversation. I was that man... and you were that someone. American: I have a sweet tooth. It's easier to quit smoking, I swear. Not very British, talking to strangers, is it? I've worked in your country for ten years now. Do you own a house? Danny: No. American: A car? Danny: No, nothing. American: Well, you have your health. That's the most precious asset of all. Danny: My health? American: Lots of people think they have nothing to lose, but in my professional experience, they just haven't thought it through. Danny: Are you thrat me? American: thrat? My, oh, my! This is just a conversation, a chitchat. Two people passing in the night. I can see why you're so confused, over the years I've adopted quite a few of your country's customs, but that great British reserve escapes me. I enjoy talking too much. And, once in a while, someone unexpected tells you something... that might save your life. Be sure to put that card someplace safe. ( Danny knocks on door ) Scottie: You think my house is bugged? Danny: I've just been thrat. They...heard us. Scottie: Who? Danny: The people who mrder Alex. Scottie: All right... suppose he was mrder, suppose you're right. Follow it through, the implications of what you're saying. You know nothing about them, they will know everything about you. Every action you take will have been predicted, planned for - even coming here tonight. And if they don't kll you, it'll be for one reason - they consider you less of a nuisance alive than d*ad. If you're insulted by the idea of your insignificance, you shouldn't be, you should cherish it. No daring journalist is going to come to your aid, no rogue police officer. It's just you - you alone, Danny. Ask yourself, honestly, who are you? You're friends with everyone, you trust everyone, and you know no-one. Danny: You know these people. Scottie: I knew them 30 years ago. Danny: Help me. Scottie: One way or another, I've been afraid for much of my life, and it's a privilege to spend time with a man who's never afraid of anything. And that's not because you were born in a different time - you're fearless. I've always wondered how that must feel. But, Danny, occasionally, it's right to be afraid. Leave this alone. Promise me. ( Scratching ) ♪ ..Your man ♪ ♪ And show the world you love him ♪ ♪ Keep giving all the love you can ♪ ♪ Stand by your man. ♪	{"type": "series", "show": "London Spy", "episode": "01x02 - Strangers"}	foreverdreaming
Journalist: You were his sexual partner for eight months. He never mentioned sadism, never asked you to participate? Danny: Well, that's what I'm trying to tell you. I don't think anything did go on up there. I never saw him use those items. Frances: Alistair was... as precocious sexually as he was intellectually. Danger, pain, submission, domination. Policewoman: Is it possible that you enjoyed extreme sexual encounters with someone who didn't want you to know their name? Frances: I don't know what went on in that attic... and the truth is neither do you. Alex (O.C.): I have to buy a battery for my laptop. American: Lots of people think they have nothing to lose. But in my professional experience, they just haven't thought it through. Danny: You thrat me? American (O.C.): Once in a while, someone unexpected tells you something that might save your life. ( Panting ) Police (O.C.): Armed police! Police! Stay where you are! Show us your hands! Sara (O.C.):Danny? Danny, what's going on? Let me go! Get your hands off him. Danny! ( Sirens wail ) Detective Taylor: The trunk. An antique. Wood. Leather. Steel frame. Very strong. You claim it was used to store hiking boots and other outdoor equipment in the back of his car? With a man inside, oxygen levels drop 17%. The temperature jumps ten degrees. You become breathless. Sweaty. There's a moment of euphoria. Danny: Euphoria? Detective Taylor: Have you ever experimented with erotic asphyxiation? "When the brain is deprived of oxygen, it induces a semi-hallucinogenic state called hypoxia. Combined with orgasm..." Danny: I know what it is. Detective Taylor: "..the rush is said to be no less powerful than cocaine, and highly addictive." You know what it is, because you've tried it? Danny: There was a guy. Detective Taylor: A man... Steve Fields. Did the two of you use a trunk? Danny: We used a belt. I didn't particularly enjoy it. I've never done it again. Detective Taylor: We were told you engaged in the practice repeatedly. Danny: It was... three or four times. With one man. Detective Taylor: How close did you come to death? Danny: Erm, we were... careful. Detective Taylor: Because? Danny: Because he was watching. Or I was. Detective Taylor: Danny, have you ever passed out from taking too much G? Danny: Yeah. When I first started using it. Detective Taylor: What would you say was a typical dose? 1.5 millilitres? 5.2 millilitres. Enough for three. That was the moment you were supposed to open the trunk, wasn't it? What happened that night, Danny? He asked you to lock him inside the trunk. You obliged. You sat on the bed waiting for his high. Only yours came first. It came stronger. You pass out. Nothing could wake you. Not his cries for help, the movement of the trunk. You sat up. You saw the trunk. On its side. Halfway across the attic. Now you're panicking. You open the locks. You touch his cheeks. He's still warm. You consider calling an ambulance... of course you do. But it's too late. You look around at the remnants of your night. The drugs. The kink. A jury's going to hate you. You close the trunk and you leave. After all, the guy slept around. You didn't even know his name. There were others. Maybe we'd think it was one of them. Danny: Why would I have told you that there WERE no other people? Detective Taylor: There are always other people. Exclusive. Discreet. A specialist escort agency, for the very rich. Danny: Alex didn't use escorts. Detective Taylor: Could we at least use his real name? Danny: Alistair didn't use escorts. Detective Taylor: You both enjoyed the company of strangers, it would seem. Danny (O.C.): "I was numb and I posted an ad online... saying that anyone could come round. I mean, anyone." Danny: How do you have that? Detective Taylor: You told him that story over the phone. Danny: No, that was a private conversation! Detective Taylor: The apartment belongs to the security services. All calls...were recorded. Danny: That conversation took place in my bedroom. We were face-to-face! Detective Taylor: We've just searched your apartment. No surveillance equipment was found. Danny: Alex... didn't give me these keys. He never... He never gave... He never did give me a... a set of keys. These...were left! At the warehouse. I don't know... I don't know... by who, I don't know how they but they were. You say that it can't be done, like...' it's a fact. But it was done! They were left... They left them... so that I could go to the attic, so that you would believe all of this, except it's all a fcking lie! Detective Taylor: I'm not the one running out of time, Danny. We both know those attic bed sheets, stained with semen... and shit...and blood... are going to come back as a match for your DNA. And when they do... we will charge you. Episode 3 Blue Original air date: November 24, 2015 Danny: Have you got a pen? What did the lawyer say? Scottie: He said you should confess. Danny: They built that attic... out of my past. All the stupid things I've done. Scottie: What is that? Danny: Another lie. ( He shouts ) Danny: Saturday? Scottie: Sunday. You should eat something. Danny: The bed sheets... in the attic. They're going to come back a match for my DNA. Scottie: How's that possible? Danny: Alex dry-cleaned everything. That's when they were stolen. They've been working on this for months. And I'll prove it. Scottie: You can't even prove it wasn't you. You're talking about spies and conspiracies. Look at you. ( Intercom chimes ) Rich (O.C.): Hello. Danny: It's me. ( Intercom buzzes ) Rich: Danny! The one that got away. Danny: Rich. Rich: Been a long time. You don't smoke it, it's going to be wasted. Look - it's getting away. Danny: I'm good. Thanks. Rich: You're not a man who usually says no. Danny: I need information. Rich: Information? How grown up you've become. What information could you possibly want? Who gave you this? Danny: I was shown it. Rich: Who showed you it? Danny: Could you help me? You know them, don't you? I need to... I need to speak to those people. Rich: Impossible. Danny: It's important. Rich: Come on. Closer. Closer. Closer. Danny? Rich: You have the very particular stink of a man out of his depth. Danny: Can you help me? Rich: For important information there's a price, Danny. You have any idea how upset these people would be if I shared their secrets with the likes of you? Why don't you take a moment, freshen up? And then ask yourself... "How badly do I want this?" Hmm? Rich: I'm going to die in this tub. Heart attck or a stroke. They'll find me here... tongue hanging out... my little dick bobbing about in the bubble bath. Four strong men will heave me out. My flesh will...slosh and slop on the marble floor. And they'll write about me... "He was a man who always got what he wanted". Danny: I can't. Rich: Then fck off! Danny: What's wrong? Sara: Why didn't you tell me? Danny: Tell you what? Sara: Danny, I found it. Danny: Found what? Sara: Your medication. Danny: Sara, what did you find? Clinician: Danny? Danny? Clinician (O.C.): Last test was eight months ago, since then one sexual partner. You're always safe? Danny: Always. Clinician (O.C.): Do you use a condom during oral sex? Danny: No. Clinician: Well, it's low-risk but not no-risk. We're going to do a finger prick test. It's not a test for the HIV virus but for the antibodies produced in response to the infection. It'll detect infection six weeks after exposure. Danny: I haven't had sexual contact of any kind for over six weeks. Clinician: Then this result will be up to date. I need to ask, before the test... if the results come back positive... is there someone you can phone? We have a support network. So no-one's ever alone. Just so you know. Going to feel a slight scratch. This'll just take a few minutes. The result is reactive. We use the word reactive because 7 out of a 1,000 results come back as a false reactive result. So... Danny? Danny, why don't you take a seat for me? Danny? Two dots indicate the presence of antibodies to the HIV virus. So I need to take a second sample, run a second test so that I can rule out the chance of a false result. Danny: It's not... possible. Clinician: Let's run the second test. Would you like someone to wait with you? Danny: No. Clinician: Danny? Danny: I know how they did it! Clinician: Danny... Danny: I know! Clinician: Danny. Danny: I know! Clinician: Danny. Danny: I know! Clinician: Danny, why don't you take a seat for me? Danny... can you give me the needle? Danny? Give me the needle. Danny (sotto): OK. OK. Clinician: Is there someone we can call? Danny: When they took...my blood at the police station, they must have injected me at the same time. The... The virus can't... can't survive outside the body. They must have, um... They must have kept it heated? And I, I, I, I know that... it takes more than six weeks for it to show up on the test and... it wasn't that long ago but they must have... I don't know, I don't know how they did it. I... ( He sighs ) But they did it! They did it. ( He sniffs ) ( He sobs ) Scottie... you have to believe me! Please. Please! Scottie: I remember taking you to hospital... all those years ago. There was a chance you'd been infected. We barely knew each other. You were so young. More child than adult. I made you promise never to take a risk like that again. Danny: Scottie, I swear! Scottie: You promised. You promised me. Danny: I never broke that promise. I swear to you! If you don't believe me, I don't have anyone else, Scottie, I don't have anyone else! You have to believe. Scottie: I believe you. I knew you were a young man who'd make a lot of mistakes. But never the same one twice. I believe you. I believe they deliberately infected you. Not to kll you, obviously. With medication, you'll live a long and normal life. They did it to discredit you. They'll say you took risks with your own health. You were reckless... and irresponsible. Perhaps they'll even say that you infected Alex. Danny: No. He, he was... Scottie: He was negative. But what will the test say? The story of you two has been written. It was written many months ago. A sordid tale... the details of which will leak out into the public sphere. People will recoil. Many will think you got what you deserved. No-one will campaign for answers. No-one will demand justice. Danny: These people... Scottie: Yes. Danny: .. they'd do anything. Scottie: Yes. Danny: I can't... Scottie: No. Danny: I loved him. I loved him very much. I can't fight them. Scottie: A long time ago, I had a lover. He was an aspiring artist. Quite promising. Extraordinarily beautiful. 1983. He was one of the first in London to fall ill. Back then, it didn't even have a name. There was no information. No leaflets. No warnings. No answers. You'd watch the news and hear no mention of it. A secret plague. I'd visit him as often as I could, with as much fresh fruit and vegetables as I could carry. He'd been given a book on colour therapy. In it, blue was described as having healing properties. Blue... blue alone, was able to fight infections. Blue... blue alone, could save him. Blue. No doubt the idea appealed to his artistic sensibilities. Back then, mysticism and magic stood in for medicine. He wouldn't accept the fresh fruit and vegetables because they weren't blue. But, since water was blue, he eventually agreed to take a bath. I told him that he'd given up. He must fight. He refused. He said that I'd never faced the inevitability of defeat. He was going to die. He was going to suffer, suffer terribly. There was nothing he could do. There was nothing anyone could do. He was right. On both counts. He did suffer terribly. And I have never faced the inevitability of defeat. It is impossible. We will lose. But we will fight. Danny: I'm ready. Scottie: Are you? Danny: Yes. Scottie: When are you going to tell me? The secret you've been keeping. Danny: You knew all the time? Scottie: Not here. Downstairs. Scottie: Tell me. Danny: I lied. Scottie: About? Danny: I stole something... from the attic. Scottie: You lied well. Danny: It's a locked cylinder. Scottie: You lied wisely. Danny: It needs a code. Scottie: Which you don't know? Danny: No. Scottie: Did Alex intend it for you? Danny: He told me where to look. Scottie: Then he must have believed you capable of opening it. Danny: I've gone over every conversation, every word. Scottie: Go over them again. Remember... he would have been aware that you were under surveillance. Danny, you've got to figure it out. You're the only one who can. Where is it now? You haven't kept it at the flat? You were right to be cautious. If they knew that you had this... they'd have behaved quite differently. Secrets have changed. It used to be typed documents, stashed inside manila files. Pages of paper stamped "Confidential". Rolls of microfilm. Now it's numbers. Algorithms. The contents of that cylinder are almost certainly incomprehensible. At least to us. We need an ally. A great mind. Some of the people we need to speak to... care very much about appearances. They look at the cut of your suit before they listen to what you say. It's not about wealth. It's about a set of signals. They require a lifetime of study, which is precisely the point. Wealth can be acquired in an instant. Tonight we must play by their rules. Fits. ( Scottie scoffs ) Scottie: What sort of spy would I be if I couldn't guess a man's shirt size? Danny: So who is she? Scottie: She's the President and Provost Professor of the University of London. Danny: Can we trust her? Scottie: There's no art in trusting nobody. The craft of a spy has always been to choose the right people to trust. Danny: You're friends? Scottie: Friends, yes. Scottie: They'll be aware of my connection to her. They'll have anticipated this meeting. Her office will almost certainly be bugged. Empty your pockets, please. This way. Claire: Thank you. You haven't lost your taste for theatricality. Scottie: For once it's justified. Claire: So what's this about? Why couldn't you tell me on the phone? Scottie: A former student of your university. A prodigy. Danny: You might know him as Alistair Turner. But he preferred the name Alex. Claire: Let's walk. I didn't know Alex well personally. Mainly by reputation. There aren't many students who start their degree at 15. Danny: He was mrder. Scottie: He WAS mrder, Claire. Claire: So I take it you want to speak to his professor? Marcus Shaw. Scottie: What do you know about him? Claire: Brilliant. Difficult. Scottie: And his relationship with Alex? Claire: They were close. Scottie: Sexual? Claire: I'm confident that their intimacy was purely intellectual. Danny: Will he talk to us? Claire: Marcus is precise. He won't "chat". Unless you're talking about mathematics, the discussion will be a waste of time. Scottie: Is it possible that Alex would have confided in him? Claire: That's a very serious allegation. Scottie: I'm just thinking aloud. Claire: Marcus admired Alex. On some level, he might have envied him, but... I can't believe he'd want to harm him. Scottie: Could you arrange a meeting? Claire: So you do have something specific you're going to speak to him about? Danny: We will. Scottie: Don't send e-mails. Don't make calls. They'll have access to your computer, your office, your phone. Claire, I should warn you... Claire: He was my student, Scottie. Danny: Where now? Scottie: A club, I thought. Scottie: Don't admire your surroundings. Affect an air of mild boredom. Don't take it too far. It needs to feel effortless. Making an effort is the surest giveaway. Danny: I don't think this is going to work. Scottie: All we need is enough uncertainty for them to let you inside. The advantage is with us. More than anything they despise a scene. Scottie: Good evening. Good evening, sir. Scottie: One guest. Danny: How do you know what anything costs? Scottie: Everything goes on account. It's assumed members can pay their way. Money's never mentioned, seen or discussed. Danny: There are more women in a gay club. Scottie: Women aren't allowed. Danny (sotto): Is that legal? Scottie: How many do you think apply? James: Good to see you. Scottie: You look fantastic as always, James. Danny: Danny. Scottie: James and I have worked together for over 30 years. James: Not really "together", Scottie. Scottie: (Chuckling) No, I suppose not. James... I'm afraid I need to ask a favour. James: A favour? Scottie: I'm afraid so. James: Scottie, this is unlike you. Scottie: The situation is exceptional. James: Very well. Scottie: What can you tell me about the mrder of Alistair Turner? James: Have you lost your mind? Scottie: I'm asking you to be indiscreet. The quid pro quo is that I will not be. James: You've been hanging around too many street corners, old friend. Your acquaintance is beginning to rub off on you. Scottie: Oh, no. I learnt these tricks from the top. James: You sure you want to continue down this road? Scottie: Quite sure. James: That's an awful shame. I'll tell you a joke. How about that? Scottie: It would depend on how funny I found it. James: It's hysterical. An Englishman, a Chinaman... a Frenchman, an American, a Russian... an Israeli and a Saudi... walk into a bar... and they all agree. You'd better explain it to your boy at a later stage. Like I said, old friend, an awful shame. Scottie: Time to go. If I could ask you to settle up, Sir? Scottie: Yes, of course, yes. Danny: What did it mean? Scottie: That my membership has been cancelled with immediate effect. A pity. They do a marvellous Eggs Benedict. Danny: The joke, Scottie, the joke? Scottie: I thought that was perfectly clear. Danny: No. Scottie: Substitute the nationality for the security agency. British MI6. The Chinese Ministry for State Security. American CIA. Israeli Mossad. Russian FSB. The Saudi GIP. Danny: OK? Scottie: The punchline was that they all agree. Danny, they've never agreed about anything. Until now... it seems. Whatever Alex discovered - whatever it was, whatever it is - no-one wants in the open. We're not up against one intelligence agency. We're up against them all. What does it mean? It means we are quite alone. Rich: Get in the car. Danny: What? Rich: Get in the f*cking car! ( Rich tuts ) Rich: Found yourself a rich Daddy, my fun-loving-friend? Or is it fun no more, Danny? Have you fallen out of love? With fun? You have. Some people call that growing up. I call it growing old. Once you let fun go, you never get it back. Over and above everything and anybody... I choose fun. It's for you. Not here! Danny: What is it? Rich: It's the impossible. Danny: What made you change your mind? Rich: I didn't. Danny: I don't understand. Rich: I'm sure you don't. Get out. Get out the car. Oh, Danny? Have fun. ( Phone rings ) Danny: I can do this alone. Scottie: I would like to finish this particular adventure with you, Daniel Edward Holt. Danny: Can it be opened? If you know the code. Danny: We did it for me. American: Where is it? I was sure that he was going to change the world in some way. I just didn't tell him how dangerous it would be. Scottie: But those systems of oppression never hold, never last, never survive, for we will not live in fear.	{"type": "series", "show": "London Spy", "episode": "01x03 - Blue"}	foreverdreaming
Detective Taylor: A specialist escort agency for the very rich. Danny: Alex didn't use escorts. Alex: I have to buy a battery for my laptop. Danny: I stole something... from the attic. It's a locked cylinder. It needs a code. Scottie: Which you don't know? Danny: No. I've gone over every conversation, every word. Scottie: Danny, you've got to figure it out, you're the only one who can. Scottie: Did you know that I suffer from depression?! Did you know that in the past I drank?! Claire: I didn't know Alex well personally. There are not many students who start their degree at 15. Danny: He was mrder. Claire: So I take it you want to speak to his professor? Danny: Marcus Shore. Journalist: Why did they mrder him? Danny: I don't know. Scottie: Whatever Alex discovered, whatever it was, whatever it is, no-one wants in the open. We're not up against one intelligence agency, we're up against them all. Danny: I need information. Scottie: What does it mean? It means we are quite alone. Rich: Get in the car. It's for you. Not here! ( Mobile phone rings ) Distorted voice: You're looking for answers. But are you ready for them? Get in the hotel. Room 116. Distorted voice: The bathroom. Get in. Clothes on. Distorted voice: Now you're clean, we can talk a little freer. Get changed. Outside. Danny: Where are we going? Distorted voice: Do you want to know who Alex was or not? Distorted voice: The doors are locked, Danny. No way out. No way back. I want to take you on a journey... into Alex's past. Distorted voice: Remember this place? Are you sure you know what really happened in there? Walk. ( Distant laughter ) Distorted voice: A reservation. For two. ( Phone beeps ) Waitress: There you go. Menu. Doppelganger: Here I am. Alex's past. Episode 4 I Know Original air date: November 30, 2015 Doppelganger: Well... this is weird. Never done anything like this before. Danny: Like this? What is this? Doppelganger: Being paid to tell someone how I... their boyfriend. They said you wouldn't believe me. Danny: Who are they? Doppelganger: Who are they? They are the people pulling my strings. I have no control over what I'm about to do. Like this... No control. Alex... ate breakfast here... almost every morning. Danny: You can even tell me what he liked to order? Doppelganger: What? Oh, to be convincing, you mean? Danny: You watched him? Doppelganger: Serving. Danny: A waiter? Doppelganger: Me? No. Please. I was pretending. The service... it's very expensive because the people, we... don't know that we are... escorts. Danny: How is that possible? Doppelganger: We pretend. We pretend to meet them by chance, we pretend to be won over by their charms... we pretend to... for pleasure... which takes some serious pretending. Danny: Who pays you? Doppelganger: Our clients aren't the people we... We report back. So and so... likes it like this. So and so... likes a little of this. ( He sniffs ) Danny: Blackmail? Doppelganger: But that's not my business. Danny: You just do the fcking. Doppelganger: I just do the fcking. ( Alex gasps ) Doppelganger (O.C.): They told me to meet him... in the way you met him. Doppelganger: I'm sorry... Doppelganger (O.C.): An accident. They told me to be like you. They told me to act like you. Doppelganger: In the end, Alex wasn't so tricky. He just needed to believe... he was being good... all the way up until he was being... a little bit bad. How do you seduce a good man? Doppelganger (O.C.): My approach was simple. I told him a sad story. Doppelganger: I tell him it's the will and last testament of my mother. And my mother, she never loved me, bitch. In her will, the bitch leaves just three things to me. Just three paintings. That's all. And Alex, listening like a puppy dog. And I tell him, heartbroken... they are the three paintings I painted for her. I'm an artist, I say... No, not yet an artist, aspiring to be. Danny: Pretending to be. Doppelganger: That's a true story. I am an artist. Danny: What? Doppelganger: What do you think? I grew up wanting to be an escort? Enough, Danny. Enough with not believing. What do you need? I'll give it to you? Hmm? You need those little details? A birthmark on the inside of his thigh? Something whispered? Something moaned? He had a thirst, I can tell you that. Like a man crawling out of the desert. Yeah? Throat dry. Lips dry. Gulping up all those missed years. Danny: Where? Doppelganger: My place. Danny: Your place? Doppelganger: My fake place. Danny: Why did he come round? Doppelganger: To see my paintings, of course. Danny: What did you do? Doppelganger (O.C.): You hate yourself for asking. Doppelganger: So... Doppelganger (O.C.): But you had to know. Doppelganger: I'll be right back, OK? Give me a second. Doppelganger (O.C.): You had to ask... what did we do? Doppelganger: We played a game. How long can we talk without mentioning the only thing we were both thinking about? The first game lasted an hour. The second game... lasted a little longer... ( Alex pants ) Doppelganger: I rang him afterwards, but he didn't answer. The client wanted more. But Alex wasn't interested. Danny: Why wouldn't you tell me that he kept coming back? Doppelganger: Because I can see you're good at sniffing a lie. So, I told you the truth. Danny: Why did they hire you? Doppelganger: I don't know, I don't care. It's just a job. Danny: He's dad. Your job. He was mrder. You think you're not involved? Because you seem like a loose end to me. Doppelganger: I was told to pay for our dinner. Danny: Hey? How else are you going to let them know what a great job you did? Doppelganger: I can see strings on you too. Danny: What are you thinking? Alex: Say it again. Danny: What are you thinking? Alex: Nothing. Scottie: You were Alex's first experience of love. If he enjoyed a second, would you seem less important? Could the thrill of the new replace the comfort of the old? Watergate wasn't just about bugging the opposition. They used prosttute to collect information on rival candidates to shame them, manipulate them, destroy them. Sex has always been a means of control. In the end, your relationship became a thrat to their relationship with him. He changed you, you changed him, priorities altered, loyalties altered. I noticed it in our friendship. The two of you were besotted. The rest of the world ceased to exist, but Alex was one of their most important minds. Did you imagine they'd just allow him to drift away? Danny: I didn't think about it. Scottie: It's all THEY would've thought about. What binds this brilliant young man to us? The Queen? Our history? His parents? Danny: I accept that I didn't know anything about his...work. His job. The truth is, I didn't really know him as a person either. I didn't know him. Scottie: Of all the attcks they've used, including your health, the one that has proved most effective is smut. For you, of all people. Danny: He made a mistake, that's not it. But why didn't he tell me? Some of it? Any of it? Scottie: Because you wanted him to be perfect. He saw that more clearly than you. Danny: It was his funeral last week. Do you know how I found out? I heard about it on the news. He was buried at a private ceremony for... close friends and family. Scottie: I can't count how many men I've comforted when their partners were dying and the family wouldn't allow them into the hospital, or the church where they're buried. I'm tired of it... tired of hearing about it. He wasn't close to his parents, he was close to you. Hold your own funeral, say your own goodbye. Danny: That's what I should be doing. Saying goodbye. Danny: What am I doing all this other stuff for? Because Alex discovered some government secret? So what? Cos they lied about a wr? They spy on us? Who..? What's it got to do with me? Danny: And you know, I don't know any code. I don't. Danny (O.C.): So, I don't know... Danny: Maybe, whatever those secrets are, maybe they weren't meant for me. Scottie: Then, that's that. ( Distant seagulls ) Danny: Do you believe in soul mates? Alex: No. Not only do I not believe in them... it's not even a nice idea. Danny: Not a nice idea? Alex: That there's only just one other person out there for you. What are the odds this person would be in the same country? Or the same city? That their paths would even cross? It would mean almost everyone in the world is with the wrong person. If it's a way of saying, "we're good together", why not just say... "we're good together"? But if you mean it literally... Danny: You think there are better people out there for you? Alex: There might be. For both of us. But since we don't know them, it's just a theoretical. Danny: Yes. It's... a sentimental idea. The maths doesn't add up. But... we're by the fre, we're under a night sky. Couldn't you just have said "yes"? Alex: Is that what your soul mate would've done? Danny: Can it be opened? Silversmith: If you know the code. Alex: This is us. Danny: Oh, I've done a lot of things with a lot of different people and... that's part of the reason I'm sure... that we're something special. But, for you, it... I don't want you to stay with me just because I'm the first. So, you should see other people. You should. Alex: I don't want to. Danny: I only meant... Alex: I don't need to. Alex: .. that there's only just one other person out there for you. ( Dog barks ) ( Doorbell rings ) Danny: Scottie? Scottie?! Scottie? ( Faint murmuring ) Danny: Scottie?! Scottie? Scottie: I was just remembering. Danny: Huh? Scottie: A place. I was remembering... a place. Danny: Right, we need to get you to the hospital. Scottie: Will you just listen to me, for once, Danny?! Danny: You were remembering... a place. Scottie: A place where no-one cares. Pathetic. Danny: Thank you. Scottie: My parents used to chide me. "You were such a happy child." Danny: How long? Scottie: Like this? Three weeks. Worse and worse each day. Now as bad as it's ever been. It can't be coincidence, can it? 30 years I've been OK and, now, like this? Danny: Why might someone who's managed depression for 30 years suddenly suffer a relapse? For no reason? Danny: This is what we're going to do. We'll get new pills. Real pills from a different doctor. You can keep them on you at all... Unless they switch them before they give them to you. I'll get them illegally. I know someone. He can get anything. Scottie: On your shell. Until they find a crack. A frailty. A vulnerability. No matter how small. And then they pick away. Scottie: How do you kll an alcoholic? With alcohol. How do you kll a drug addict? With drugs. How do you kll a depressive? Danny: Where'd you get them? Dealer: People tell the doctor whatever story, collect a prescription, sell it to me. They're good. It's all good. Always good from me. Do you want something else? Danny: No. Nothing else. Scottie: Thank you. Have you examined the contents? Danny: We're going to need help. Scottie: With help comes risk. The more people you involve... Look what they've done to us. That was before they knew we had this. Danny: I can do this alone. Scottie: There are rumours. About how the... Kremlin guarantees the loyalty of its most important citizens. Under the pretext of celebrating an election to the State Duma, the individual is treated to the finest meal Moscow has to offer. At some point during that night... this prized individual blacks out... waking in a hotel suite, on a bed, beside a terrified naked child. Before he can say anything, the FSB storm the room, arrest him, and take him to an interrogation cell in Moscow's Butyrka prison, where the individual swears he is not a paedophile. "My drink must have been spiked!" "I, I've been framed by my enemies!" He doesn't know. He can't explain. "But it is a mistake!" And, to his surprise... the FSB officer agrees that it is a mistake, but it is a mistake they will hold on record forever, a mistake no-one will ever see, unless... the individual makes a mistake of a political kind. And, with that, the man's choice is clear - privilege or disgrace. Destruction or survival. The FSB officer believes he's won. The individual believes he's lost. But those systems of oppression... as ruthless as they appear, as unbeatable as they seem, never hold, never last, never survive, for we will not live in fear. I would like to finish this particular adventure with you, Daniel Edward Holt. If you'll have me. Scottie (O.C.): We're being watched. We will be followed. So we separate. Shake them off. And meet up at a place... where no-one can follow us without revealing themselves. Danny: The place where no-one cares? Scottie: I've always taken comfort from the idea that people don't care. That they have better things to think about, that there are more important matters to worry about. I like it when people walk past me and couldn't care less what I'm wearing, or whose hand I'm holding. The place where no-one cares. When I was young, I spent a lot of time searching for it, and I promised myself, if I ever found it, if it ever existed, that's where I'd make my home. Danny: What do you think? Scottie: Ambition. But no conviction. You skip from short stories to lyrics, from poems to sketches, hoping the world will tell you who you are. You must tell the world. Claire: There you are. Scottie: Well done. Danny: You weren't followed? Claire: Well, I hope not. Scottie: So, will Marcus help us? Claire: He didn't say. Keep back, and then that gives you your 'B' for 'Baritone'. Oh, I see - no, four, of course. Scottie: Yes. Claire: And that's got... Danny: Where did you two meet? Scottie: Cambridge. Claire: We shared a flat. I was the first person he shared the secret of his sexuality with. Scottie: At that time, it was illegal. And there were rumours. Claire: So, then, I...agreed to play the part of...his lover. And we walked around arm in arm, and we... had picnics in the scholar's garden and... it was supposed to last about two months or so. Scottie: It lasted two years. Danny: Are you gay? Claire: No. Danny: Did you see other people? Claire: No. Scottie: I tried to become the man I was pretending to be. You know, I prayed for the right kind of desire? A sham romance, you might say. Claire: No. Scottie: No, no. We're friends. We have been ever since. We can't be sad about that. I refuse to be sad about that. Marcus: It's all very touching. Claire: Marcus... This is Danny, Alex's partner. And Scottie. Marcus: Where is it? Danny: Cheers. Marcus: You didn't know, did you? How smart he was? Danny: I knew. Marcus: But not really. Danny: Not in the way you did, no. Marcus: His partner... without any appreciation of his intellect. Beyond some generalised idea that he was good with numbers. Love without knowledge. Popular culture might depict that as a romantic notion, I suppose. Danny: He never spoke about his work. Marcus: What did you talk about? Danny: Everything else. Marcus: I see. No, I don't. I don't see at all. Danny: Well, what did you two talk about? Outside of work? Marcus: We didn't. Look, try to understand, I was sure, absolutely certain that he was going to change the world in some way. Not my world. THE world. Can you imagine the enormity of that feeling? Being in the company of someone like that? Danny: We knew different people. Marcus: Hmm. The man I knew was exceptional. The man you knew was not. Danny: The... Marcus: Unless you're going to tell me how many sugars he took in his tea, or how he liked to be fcked. Are these the details that define us? Danny: I think that... being admired is lonely. Marcus: You're right, I'm sure. But that was the price he had to pay. The ordinary world wasn't for him. And his flirtation with it... was always going to end badly. Danny: Professor? I miss him, too. Marcus: He did it. The 9/!! attackers sent e-mails using pre-arranged code words. "The Faculty Of Urban Planning" was the World Trade Center. The, uh, The Pentagon was "The Faculty Of Fine Arts". Mohammed Atta's final message to the other trrorists referred to their semesters beginning in three weeks at the faculties of Urban Planning and Fine Arts. Two e-mails. In this one, "zoo" means zoo. In this one, it means airport. How do you tell them apart? When... people... who go to the zoo also visit... museums. They watch animated movies. Buy children's clothes. And donate... to animal charities. Convert our entire online history into numbers, and a visit to the zoo... looks... like this. A coded message looks... like this. The 9/!! trrorists used innocent words, but they didn't use them like the rest of us. We like to think of ourselves as individuals. But we're not. We're a pattern. We are... married, gay... straight, professional, rich, poor. Our online DNA, revealing... our true nature... even... when we lie. I told him he would change the world. I just didn't tell him how dangerous it would be. Alex decided to apply his concept to speech. Words don't occur in isolation. They're part of a series of actions. Your intake of breath, facial gestures, pupil dilation, hand movements. Alex theorised they formed patterns, and these patterns would be different if we were telling the truth or telling a lie. Claire: A lie detector? Scottie: Important lies are told by important people. Marcus: They'd never consent to a test of any kind. Alex didn't need their consent. They've already provided all the information. The most important people in the world are also the most documented. Study every word they've ever spoken. Mundane, profound - it doesn't matter. Analyse every variable possible. Translate that information into numbers, and identify the patterns. A fingerprint... for our truths and our lies. Claire: We'd be able to analyse every statement. Marcus: Every political claim. Er, every case for wr. Every court case verdict. Scottie: The end of lies. Marcus: If the four of us survive a week, I'd be very surprised. Marcus: You're a thoroughly nice guy, aren't you, Danny? So was Alex. For all his intellect, an innocent, really. When he told me he was going to work for GCHQ, I knew it was a mistake. He didn't belong in that world. And I could feel him wanting me to tell him so. Danny: Why didn't you say something? Marcus: We didn't have that kind of a relationship. I take it you have some kind of plan? Scottie: We must prove it works. Danny: You don't have a plan, do you? Scottie: No. He needed to believe I did. And we need him. You see? Proof - the orderly functioning of society depends on our ability to lie. Given the choice of no lies, or lies, every organization, every person of power, without exception, will choose lies. Danny: Maybe Alex imagined a better way of doing things. Scottie: I wonder when he began work on this project. Danny: Why does that matter? Scottie: Maybe he was ashamed of the lies he'd told you. Ashamed that your relationship was built on lies. Maybe on some level, he thought he was making amends. Danny: To who? Scottie: To you. Scottie: Danny! Danny: I'm to blame. Scottie: I'm sorry. Danny: I'm to blame. Scottie: I never said "to blame". Danny: He did it for me? Scottie: It's possible. Danny: I never asked for it. Scottie: He knew you'd find out that he'd lied about much of his life. He must have worried that you'd end up hating him. He must have worried about that moment every day. Would you still love him if you knew? Could you still love him if you knew? Would you re-examine your love story - Alex's only love story... and decide, in the end, it was nothing but a lie? Danny: He was never sure. Scottie: How could he be? Danny: I wish I could've told him. That none of it mattered. The lies, the mistakes. That I loved him, just the same. That I, I love him. Still. Now. Knowing it all. I wish he could've heard me say it. Scottie: Yes. Danny: He'll never know. Scottie: No. Danny: This is going to sound a, a bit... But...it occurred to me I'd never said it out loud before. I love you. Very much. Detective Taylor: You're not going to be charged. Danny: Is that it? Detective Taylor: You're free to go. Danny: You brought me here like this to tell me that? Will anyone be charged? Detective Taylor: Danny... for you... this is over. Danny: This isn't over. This isn't over. ( Applause ) ( Phone rings ) Danny: Scottie? Scottie: Danny. Danny... Danny: Scottie? Scottie: There will be a note. ( Applause ) ( He begins to cry )	{"type": "series", "show": "London Spy", "episode": "01x04 - I Know"}	foreverdreaming
Danny: He was mrder. Scottie: He was mrder, Claire. Journalist (O.C.): Who mrder him? Danny: I don't know. Scottie: British MI6, the Chinese Ministry for State Security, American CIA, Israeli Mossad... We're not up against one intelligence agency, we're up against them all. Danny: That conversation took place in my bedroom. We were face to face! Journalist: Why did they mrder him? Marcus: Alex decided to apply his concept to speech. Claire: A lie detector. Danny: He did it for me! Scottie: He knew you'd find out that he had lied about much of his life. He must have worried that you'd end up hating him. He must have worried about that moment every day. I would like to finish this particular adventure with you, Daniel Edward Holt, if you'll have me? ( Phone rings ) Danny: Scottie? Scottie: Danny... there will be a note. Danny: I have a question. How do we live without the people that we love? Danny (O.C.): I can hear his reply. Danny: "We must figure this question out for ourselves." He's right. He was always right. Except, my friend... I don't want to know. Danny: I don't want to know how to live without you. I don't want to figure out how to stop feeling this sad. ( Inaudible ) Claire: Marcus, this isn't the time... Marcus: Yes, it is, Claire. It's exactly the right time. I have destroyed my copy of Alex's research. You should destroy yours. You asked for my advice. There it is. You can take it, or not. But I won't help you... Claire: That's enough. Marcus: It was... a nice idea. Episode 5 If This Is a Lie Original air date: December 7, 2015 Sara: Danny! Come on! Danny: OK. Pavel: Sorry. Goodbye. ( Big ben tolls ) ( Seagulls caw ) Detective Taylor: This is where you two met. ( Danny nods ) Detective Taylor: I visited the nurse who took your blood sample. I was curious, because it's not procedure. So, I asked a straightforward question. "Why did you do it?" This man was afraid. Afterwards, I'd barely left the room, my phone rings. It's my superiors, demanding to know why I'm interrogating him. You know what I said? "No reason." It wasn't much. But it's as far as I'm prepared to go. Danny: Why? Detective Taylor: Listen, this is what's going to happen. You'll be the early, innocent suspect and I'll be the simple-minded copper. That's the account that's going to be written. Claire: With Scottie, we had a chance. Without him, we haven't. Danny: I don't accept that. We knew him better than anyone. What would he do? Claire: You're confused, Danny... between trying to prove how much you loved him and trying to prove a conspiracy. You're confused, and I wonder if you haven't always been. Danny: What does that mean? Claire: Scottie was... sentimental about you. You're doing this for him. He was doing it for you. Maybe I was doing it for him. But it's not real, Danny. It won't work. Whatever you do, whatever you try, it won't work. He sent me this. There was a letter. It read, "Ambition, but no conviction. Love, Scottie". Walk with me. I'll be here, when you're ready. ( Slam ) ( Dogs bark ) ( Clanging ) ( Clanging ) ( Vehicle approaches outside ) ( Doorbell rings ) ( Doorbell rings ) ( Doorbell rings insistently ) Danny: How did you find me? Danny's Mother: You gave us this address. Danny: 11 years. Danny's Mother: A long time. Danny: And now? Danny's Mother: Dan, your dad's dying. We weren't much as parents... Danny: You read about me in the paper? Danny's Mother: We read about you. Danny: But that's not why you're here? You need money? Danny's Mother: No. Danny: No? Danny's Mother: No! This was a mistake. Danny: Tell me why. Why now? Why today? Danny's Mother: Weeks - that's all he's got left. Danny: We've said goodbye. Danny's Mother: Want to do a better job of it? There's something we'd like to show you. Danny: If this is a lie, please stop the car and let me out. Because I've been through too much for this to be another lie. I won't be angry. I know it's not your fault, but just stop the car and let me out. But if you drive me home, after I've given you this chance, I... Mum? ( Laboured breathing, camera turns on ) Danny's Mother: All right if I...? ( Camera beeps ) ( Camera clicks ) Danny: I wish this could be true. Shh. People can change this much, you know? For real, I mean. ( Laboured breathing ) Danny: You're not dying. Not today, not next week. Danny's Mother: They're scary people, Dan. They know everything about us. Everything we've ever done wrong. What did you do? This isn't like pinching stuff from the shops. Danny: Why am I here? Danny's Mother: Why are WE here? Being made to do this? Being thrat? What have you dragged us into? How could you do this to us? To your father? ( Her voice fades to echoes ) Danny: They gave you this, didn't they? They told you to take a photo. Why? ( Camera whirrs, beeps ) Danny: I always wanted to know... wouldn't it have been easier to have loved me? Danny's Mother: I can't say why we never did. Danny: I'm not angry anymore. ( Door opens, shuts ) ( Beeping ) ( Computer beeps ) ( Printer whirrs ) HIV Group Chair: Have you been to any forums on living with HIV before? Ryan: No. HIV Group Chair: If you take a seat, maybe over there. All right? Hi, guys. I'd like us to welcome Ryan. ( Applause ) HIV Group Chair: A lot of people don't speak until they've been a few times, so you shouldn't feel any pressure. But I wanted to give you the chance. And remember, there's no point talking unless you feel able to tell the truth. Maybe you're not ready? Danny: I'll go. HIV Group Chair: Danny. Danny: My partner, his name was Alex. He died some months ago... Danny (O.C.): .. and I've been trying to find out why he was klled... Alex: Are you OK? Danny: .. and he was working as a spy for MI6. Although, when we were together... Policeman: Get down! ( Sirens blare ) Danny: .. An attic in his apartment, and one of the ways they did that was to... inject me with HIV virus. Danny: You have to believe me! If you don't believe me, I don't have anyone else, Scottie. I don't have anyone else. Old Guy: What are you going to do now? Danny: I'm going to do nothing. Woman: (to Ryan) You OK? Danny: I wish this could be true. ( Knocks at door ) Frances: I rather thought it might be you. Danny: Is it too late to talk? Frances: Too late? Perhaps it is. ( Thud ) Frances: What harm can it do? Charles: What good can it do? Frances: "What good"? What possible good? What good can any of us do? Better leave him be. He's just a boy. ( Charles laughs ) Charles: Just a stupid boy. Frances: I take it you have something you wish to discuss? More than that - you intend to accuse me? Danny: I have a question. Frances: A question. I'll permit a question. But just one. That will be all. We both loved him. Danny: Yes. Frances: Can't we pretend, for a while, that's all we need to say? There was always something of the mystic about you. Fortune teller-soothsayer, a person who knows nothing, yet sees everything. Danny: Alex was the last person to hold your hand. Frances: Question? Danny: Statement. Frances: Yes. Yes, he was. Danny: You blame me for his death. Frances: Question? Danny: Statement. Frances: Yes. Yes, I do. Danny: How can you blame me... unless you know why he was klled? Frances: It is a good question. For all your efforts, all your loss, all your grief and sacrifice... you have nothing. You accept I'm continuing this conversation solely for my own personal reasons? Danny: Which are? Frances: It's very important to me that you understand how much I loved my son. Danny: Show me his room. Frances: Alistair spent more time in this room than any other. Danny: How do you know? How? Frances: No! No, no, no! Stop... No! No, no, no, no! ( Frances sobs ) Please... Frances: Because he was my spy. I made him a spy. I told you, my husband was an important man. An important man, with a second-rate mind. We were together at Cambridge. The tutor who recruited him was as blind to my talents... as he was to Charles' flaws. Nonetheless, in the gentlemen's club of MI5, Charles flourished, while I was relegated to... hosting dinners and cocktail parties for his spies. ( Gentle conversation ) ( Laughter ) Frances (O.C.): Three moles at the heart of his organization... and Charles didn't see them. Frances: They were men like him - talked like him, dressed like him, fcked like him. Well, two did, anyway. They were his friends. Agents were lost, operations compromised. When the three finally defected, we were disgraced, removed from the service, exiled from power, left to rot in this place, guarded night and day by agents, for fear that we too might be traitors. I took to drink, for a while. I became promiscuous, for a while. Scandal engulfed me. I couldn't go on behaving that way. You either step into the abyss... or step back from it. You cannot walk along its edge for long. Frances: You know this edge? Don't you? Danny: Yes. Frances: Yes. Alex was your step back? He was mine, too. I decided to have a child. He'd be my future, my saviour, my second chance. I'd make him into the spy I should've been. My spy, made by me... It was a mistake. Danny: Not a lie. Not the truth. Frances: For once, your intuitions let you down. Danny: You decided to have a child? What, fck old Charles and see what happens? Not much of a plan, considering how stupid you think he is. But luck was on your side. Your child was a genius. Frances: Be very careful what you say next. Danny: I want to tell you a story... about a man. While other people were laughing and drinking ... this man would just walk. Alex voice: .. Until he reached the exact same spot - where he'd sit, with his back to all those people. Danny: And while he did everything to signal to the world that he wanted to be left alone... Alex voice: More than anything, he hoped that someone passing would understand that what he really wanted was the exact opposite. Alex: And that this someone would sit next to him... Danny: Strike up a conversation. Alex (O.C.): I was that man.' Alex: You were that someone. Danny: Why was he so lonely? Frances: I put too much pressure on him. I made him too important in my life. It was unfair. I see that now. No child can redeem their parents. Danny: Hard to connect to people. Especially when you're not sure how they're connected to you. For an hour or so, I hoped that my real parents were real parents. Frances: Daniel! Nanny: I was in a state. I didn't deserve to be his mum. Frances: Surely you can't be so conventional as to think there's only one way to bring up a child? We are both his mother. Neither one less nor more real than the other. I took care of his mind and she took care of his other needs. Danny: He didn't know? Frances: No. Danny: Except he did. Didn't he? He knew. Frances: On some level, maybe. He was very young when it happened. At the time, she was working for me and stealing. I went to her house, to thrat her with the police if she didn't return the items. I've never seen anything like it. ( Tap drips water/ fly buzzes ) Frances: No father, no mother to speak of ... She thought the boy disturbed, damaged by her drink and drugs. I saw how precious he really was. We came to an arrangement. Danny: "An arrangement?" Frances: I would be his mother. Nanny: I'd be his nanny. Frances: He would be provided for in every way - every opportunity, every comfort. Danny: And Charles agreed? Frances: He resisted, initially. Then, he was persuaded. Danny: You could persuade anyone... of anything. Couldn't you? Frances: In this society, it's not enough to be born brilliant. I opened up a world that would've been closed to him. Danny: He didn't belong there. He's not you. He wasn't like you. Frances: Just a few years, that's all I asked, then he would be free to do whatever he wanted. Danny: Such as end all lies? Frances: Oh, such a sentimental, ridiculous notion. I warned him. I tried to save him. I tried... ( Buzzer ) Sir. ( Knocks at door ) Mrs Turner. ( He hyperventilates ) Frances: Alistair? Alex: ( cries out ) Frances: Shh. Alex: Frances! Frances: Shh. Alex: Aghh! Frances: Shh... Alistair. Shh... Listen, we have very little time. Listen to me. You're in a great deal of trouble, but there is a way out. Do you understand? Alex: I understand. Frances: It's all been arranged. This is a warning. You'll go to America, for a few years, to work. A new identity. A new life. A new name. But you must leave everything behind. This project - what were you thinking? All you have to do is say yes. You'll be flown out tonight. No belongings. No bags. Alistair, all you have to do is agree. All you have to do is agree. Alex: ( yells, sobs ) Frances: Alistair? All you have to do is agree. Alex: I agree. Frances: You will go to America? Alex: I'll go. Frances: You must speak clearly. Alex: I will go to America. Frances: You will destroy your research? Alex: I will destroy it. Frances: You'll never work on it again? Alex: I'll never work on it again. Frances: You'll leave it all behind? Alistair, you must never make contact with anyone from this life again. Alistair? Alex: His name is Danny. Frances: Danny. Alex: I'll never speak to him again. Frances: This can be a new start for us, too. You'll hate me for a while. But I love you so much. Alex: I love you too. Get me out of here! Get me out! Get me out! Frances: You must be clearer. Alex: I'll go to America. Frances: You will destroy your research? Alex: I'll destroy it. Frances: You'll never work on it again? Alex: I'll never work on it again. Frances: You'll leave it all behind? Alistair, you must never make contact with anyone from this life again. Alex: His name is Danny. Frances: Danny. Alistair? Alex: I'll never speak to him again. Frances! Frances! Frances: This can be a new start for us too. You'll hate me for a while. But I love you so much. Alex: I love you too. Get me out! Get me out! Get me out of here! Frances: Well, it's wrong. It's wrong! I'll go back up there. I'll talk to him. I'll explain. He'll listen to me. He didn't understand, that's all. I can persuade him. Alistair, Alistair... Listen to me. Listen to me... Let me speak to him! Let me speak to my son! Let me speak to him! Let me speak to my son... ( Frances weeps ) Danny: I know a police officer. Frances: You fail to grasp what has been done to you. The fact that you know the truth is irrelevant. No-one is going to publish anything you say. No-one is going to investigate your claims. No-one will believe you. Danny: But they'll believe you. You're his mother. What do you owe them? You gave them your son! Frances: Tell me... were I to agree... what would we do? Danny: We'd tell them the truth. Frances: I can't. She can't. Danny: I want to hear it from you. You heard it from me. His name is Alex. His real name. The name you gave him. Frances: She won't help you. Danny: She renamed him, but you let it slip. Deliberately? Frances: She can't help you. Nanny: ( Sobbing ) Frances: It's time you left. She's gone. ( Flames crackle outside ) Danny: For her son. For Alex. All she can do. It's all she can do! ( Door opens ) Danny: Just a stupid boy? Music: My Tears Are Becoming A Sea by M83 ( Door opens ) Frances: Let's burn them down for real. We'd probably better hurry. You understand we don't stand a chance?	{"type": "series", "show": "London Spy", "episode": "01x05 - If This Is a Lie"}	foreverdreaming
[sht of Jack's eye opening, looking up at bamboo trees. Overhead sht panning out to show Jack is lying injured in a jungle. Jack sees a dog, slowly gets up, in pain. Finds a little liquor bottle in his pocket. Then he runs though the bamboo and emerges on a tropical beach. He sees plane wreckage and people running around, screaming, in distress. The engine is still spinning. Charlie gets dangerously close to it. Jin yells out in Korean.] MICHAEL: Walt! Walt! REDSHIRT: Stay away from the gas! Stay there! [Shannon screaming. Jack looks up at the wing.] REDSHIRT #2: [trapped under the piece with the still moving engine] Help! Help! Somebody help me! Help! Help! Ahh, my leg! Ah! Ah! JACK: Hey you, just give me a hand! You, come on! Come over here, give me a hand! [A group of redshirts (and Locke) gather around to lift the metal piece that's trapping the man.] On the count of three: One, two, three. [Jack pulls the man out from under. One leg is bloody. Jack starts ripping the man's pants to get to the wound. Jack uses his tie as a tourniquet.] CLAIRE: Help! Please help me! Help me, please help me! [Jack sees Claire, who is is pregnant and on her hands and knees.] JACK: [to a redshirt and Locke] All right, get him out of here! Get him away from the engine! Get him out of here! [He runs over to Claire through a lot of wreckage.] CLAIRE: Help me, please. I'm having, I'm having contractions. JACK: How many months pregnant are you? CLAIRE: I'm, I'm nearly eight months. [Jack looks over and sees Boone doing CPR on Rose.] JACK: [to Claire] How far apart are they coming? CLAIRE: I don't know, a-a few just happened. [sht of Locke and Redshirt carrying bad-leg-guy away. Another guy starts walking in front of the engine and Locke sees him.] LOCKE: Hey! Hey, hey, hey, get away from there! [The guy gets sucked into the engine and the engine explodes. sht of people running. Jack sort of falls on top of Claire to protect her.] JACK: Listen to me! Look at me! You're going to be okay, do you understand me? But you have to sit absolutely still! [Jack looking at Boone giving Rose mouth-to-mouth.] JACK: [to Hurley] Hey, you! Come here! I need you to get this woman away from these fumes! Take her over there. Stay with her. If her contractions occur any closer than three minutes apart, call out for me. HURLEY: Oh, you got to be kidding me. JACK: I'll be right back, okay? CLAIRE: Thank you. [Jack starts running off.] HURLEY: Hey! What's your name? JACK: Jack. [Jack runs up to Boone and Rose.] JACK: Stop! Her head's not tilted far back enough. You're blwing air into her stomach. BOONE: You sure? [Jack starts giving her mouth-to-mouth. ] BOONE: That's exactly what I was doing. I'm a lifeguard. I'm licensed. JACK: Yeah, well, you need to seriously think about giving that license back. BOONE: Maybe we should do one of those hole things. You know, stick the pen in the throat? JACK: Yeah, good idea. You go get me a pen. [Boone runs off to get pens.] JACK: [doing CPR] Come on. Come on! Come on! Come on! [Rose breathes.] JACK: Big deep breaths. Take breaths! [Sound of metal. Jack looks up to see a big piece of metal high up (the wing) on some of the wreckage starting to wobble. Claire and Hurley are right under where it would fall. Jack runs over to them.] JACK: [as he's running] Move! Move! Move! Get her up! Get her out of there! The wing! [Jack, Hurley, and Claire run out of way as there is a huge explsin. A big piece of burning debris lands near Charlie.] JACK: [to Claire] You okay? CLAIRE: Yeah. JACK: [to Hurley] You? [Hurley sort of nods lying on the ground]. Stay with her. HURLEY: Dude, I'm not going anywhere. [Jack sort of stumbling around the beach, looks into the fuselage. Takes a moment to steady himself, almost crying.] BOONE: [walking up holding out a handful of pens] I didn't know which one would work best. JACK: They're all good. Thanks. -------------------------------------------------------------------------------- [sht of Jack going through a suitcase, and finding a sewing kit. Jack going to a deserted part of the beach and taking his jacket and shirt off. He has a big gash on his side. Kate comes walking by, doesn't know Jack is there. Kate rubbing her wrist.] JACK: Excuse me. Did you ever use a needle? KATE: What? JACK: Did you ever … patch a pair of jeans? KATE: I, uhm, I made the drapes in my apartment. JACK: That's fantastic. Listen, do you have a second? I could use a little help here. [Kate walks over to him.] KATE: And with what? JACK: With this. [Jack shows her the wound, and she grimaces.] JACK: Look, I'd do it myself, I'm a doctor, but I just can't reach it. KATE: You want me to sew that up? JACK: It's just like the drapes, same thing. KATE: No, with the drapes I used a sewing machine. JACK: No, you can do this. I'm telling you. If you wouldn't mind. [Jack looks at her pleadingly.] KATE: Of course I will. JACK: Thank you. [handing her the little liquor bottle from his pocket] It's for your hands. Save me some for the, for the wound. [Kate picks up a little sewing kit.] KATE: Any color preference? JACK: [laughing] No. Standard black. [Jack dumps the vodka on his wound.] -------------------------------------------------------------------------------- [sht of Sawyer lighting up a cigarette. Looking around. Then walking away, looks like he tosses his smoke down, disgusted-like; Claire standing by the shore; Hurley stacking airline food; Locke sitting alone looking out toward the ocean; Boone getting a "no service" signal on his cell phone.] BOONE: Come on. [sht of Sayid adding wood to a big fre.] SAYID: [to Charlie] Hey you. What's your name? CHARLIE: Me? Charlie. SAYID: Charlie. We need help with the fre. No-one will see it if it isn't big. CHARLIE: Okay, I'm on it. What's your name? SAYID: Sayid. CHARLIE: Sayid. I'm on it, Sayid. [sht of Rose kissing the ring on her necklace] -------------------------------------------------------------------------------- [Kate sewing up Jack's wound.] KATE: I might throw up on you. JACK: [shaking his head] You're doing fine. KATE: You don't seem afraid at all. I don't understand that. JACK: Well, fear's sort of an odd thing. When I was in residency, my first solo procedure was a spinal surgery on a 16 year old kid, a girl. And at the end, after 13 hours, I was closing her up and I, I accidentally ripped her dural sac. Shredded the base of the spine where all the nerves come together, membrane as thin as tissue. And so it ripped open. And the nerves just spilled out of her like angel hair pasta, spinal fluid flowing out of her and I … And the terror was just so … crazy. So real. And I knew I had to deal with it. (He's crying). So I just made a choice. I'd let the fear in, let it take over, let it do its thing, but only for five seconds, that's all I was going to give it. So I started to count: One, two, three, four, five. Then it was gone. I went back to work, sewed her up and she was fine. KATE: If that had been me, I think I would have run for the door. JACK: No, I don't think that's true. You're not running now. -------------------------------------------------------------------------------- [sht of stars in night sky; Charlie writing F.A.T.E. on his taped fingers, sitting next to Sayid.] SAYID: You think they would have come by now. CHARLIE: Huh? Who? SAYID: Anyone. [sht of Shannon painting her toenails. Boone comes up, offers her a candy bar.] SHANNON: As if I'm going to start eating chocolate. BOONE: Shannon, we may be here for a while. SHANNON: The plane had a black box, idiot. They know exactly where they are, they're coming. I'll eat on the rescue boat. [He offers the chocolate again]. I'll. Eat. On. The. Rescue. Boat. [Boone eats the chocolate.] [sht of Claire sitting on a piece of wreckage. Hurley comes up with a tray of airplane food.] HURLEY: Hungry? CLAIRE: Yeah, thanks. HURLEY: Anymore, uh... you know, baby stuff? CLAIRE: No. I'm-I'm okay. HURLEY: Well, hang in there. CLAIRE: Yeah, you too. [Hurley's arm comes back into the sht and gives her another meal.] [Close up of Michael] MICHAEL: You sure you're warm enough? [sht of Walt lying on the beach under a blanket. He just nods, with a far-off look; sht of Jin and Sun.] JIN: 내 옆에서 없어지면 안 돼. 내가 어디로 가든지 꼭 따라와. 알겠지? [Sun nods.] 다른 사람 신경쓰지 말고 우린 같이 있어야 돼. [Subtitle: You must not leave my sight. You must follow me wherever I go. Do you understand? Don't worry about the others. We need to stay together.] [sht of Kate standing over Jack while he's working on Marshal Mars, examining the Marshal's wound.] KATE: Do you think he's going to live? JACK: Do you know him? KATE: He was sitting next to me. [sht of a leaf torn into the shape of an airplane.] JACK: [off camera at first] We must have been at about 40,000 feet when it happened. ht an air pocket. Dropped, maybe, 200 feet. The turbulence was … I blacked out. KATE: I didn't. I saw the whole thing. I knew that the tail was gone, but I couldn't bring myself to look back. And then the, the front of the plane broke off. JACK: Well, it's not here on the beach. Neither is the tail. We need to figure out which way we came in. KATE: Why? JACK: Because there's a chance we could find the cockpit. If it's intact, we might be able to find a transceiver. Send out a signal, help the rescue party find us. KATE: How do you know all that? JACK: Took a couple flying lessons. Wasn't for me. KATE: I saw some smoke. Just through the valley. If you're thinking about going for the cockpit, I'm going with you. JACK: I don't know your name. KATE: I'm Kate. JACK: Jack. [Metal/weird sound coming from the jungle. Everyone on the beach is looking; Kate looks; Locke looks (the camera pans forward toward him for a close up); Walt looks; Shannon and Boone look.] SHANNON: What was that? [Kate looks back at Jack; Charlie and Sayid look.] CHARLIE: That was weird, right? WALT: Is that Vincent? [Walt gets up and goes toward it.] MICHAEL: [getting up to follow] It's not Vincent. [sht of trees moving/getting smashed down.] CLAIRE: [coming into the frame] Did anybody see that? HURLEY: [in disbelief] Yeah. [Boone gets up, moves off.] SHANNON: Boone! [Everyone moving toward the sound, except Michael who backs off. Everyone looking out at the trees moving/getting smashed.] CHARLIE: Terrific. Act 2 [Flashback - sht out of airplane window over wing above clouds. sht of Jack. Sound of cart rolling up.] CINDY: So, how's the drink? JACK: It's good. CINDY: That wasn't a very strong reaction. JACK: Well, it's not a very strong drink. CINDY: [hands him two more bottles] Shhh. Just don't tell anyone. JACK: This of course breaks some critical FAA regulations. [Jack puts one of the bottles in his coat pocket and drinks the other. He stands up, then Charlie comes by him in the aisle.] CHARLIE: Excuse me. CINDY: [in background, to Charlie] Sir, excuse me! ROSE: [looking at Charlie, then at Jack] Guess he really had to go. [Two Flight Attendants run by.] CINDY: Sir, excuse me! [Jack sits back down. Then there is turbulence. Jack puts on his seatbelt.] CINDY: [on the intercom] Ladies and gentleman, the pilot has switched on the "fasten seatbelt" sign. Please return to your seats and fasten your seatbelts. JACK: [to Rose] It's normal. ROSE: Oh, I know. I've just never been a very good flier. My husband keeps reminding me that planes want to be in the air. JACK: Well, he sounds like a very smart man. ROSE: Be sure and tell him that when he gets back from the bathroom. [The plane is really shaking now.] JACK: Well, I'll keep you company until he does. Don't worry it's going to be over... [There's a sudden lurch and one passenger goes flying out of his seat and hits the ceiling. More shaking and screaming. The oxygen masks come down. Jack and Rose put their masks on. sht of another guy putting his mask on.] -------------------------------------------------------------------------------- [On-Island - sht of ocean, then Jack looking out at the ocean. Rose and a bunch of redshirts in the background.] MICHAEL: It didn't sound like an animal. Not exactly, I mean. ROSE: That sound that it made, I keep thinking that there was something really familiar about it. SHANNON: Really? Where are you from? ROSE: The Bronx. CHARLIE: Might be monkeys. It's monkeys, right? SAWYER: Sure it's monkeys. It's Monkey Island. HURLEY: Technically, you know, we don't even know if we're on an island. SAYID: We're on an Island. KATE: [coming up behind Jack] You ready? JACK: Kate, you showed me where the smoke was. I can get there myself. KATE: I'm coming. JACK: [smiling] Well, you're going to need better shoes. [sht of a dad body's feet. Kate reaches down to take hiking boots, checks the size. She looks at Locke, who's looking at her. He gives her the "orange" smile. He keeps eating the orange and looks away. She looks slightly freaked out/disgusted.] [sht of a group: Michael, Walt, Charlie, Sayid, Boone and Shannon, with Hurley approaching.] MICHAEL: Whatever it was … it wasn't natural. CHARLIE: Does anyone have any sun block? SHANNON: Yeah, I do. CHARLIE: Ah. Cool. HURLEY: So, I was just looking inside the fuselage … It's pretty grim in there. You think we should do something about the, uh … [stopping and looking at Walt] b-o-d-y-s? MICHAEL: What are you spelling, man? "Bodies"? WALT: B-o-d-i-e-s. SAYID: That sounds like a good idea. SHANNON: No! They'll deal with it when they get here. JACK: [entering] We go out and look for the cockpit. See if we can find a transceiver, to send a distress signal, help the rescue team. (To Boone) You're going to need to keep an eye on the wounded. If the guy in the suit wakes up, try to keep him calm, but don't let him remove that piece of shrapnel. You understand? BOONE: Yeah, got it. What about the guy with the leg? The, the tourniquet. JACK: I stopped the bleeding. I took it off last night. He … he should be all right. BOONE: Yeah. Cool. Good job. CHARLIE: I'll come with you. I want to help. JACK: I don't need any more help. CHARLIE: No, it's cool, I don't really feel like standing still, so. [Jack nods.] Excellent. -------------------------------------------------------------------------------- [sht of valley looking out toward sea. You can see Jack, Charlie, and Kate in the distance coming toward camera.] KATE: May I ask you something? CHARLIE: Me? I'd be thrilled. I've been waiting. KATE: Have we ever met, anywhere? CHARLIE: No, that would be unlikely. KATE: Hum. CHARLIE: I look familiar, though, right? KATE: Yeah. CHARLIE: [Sighs.] Can't quite place it? KATE: No, I can't. CHARLIE: Yeah. I think I know. KATE: You do? CHARLIE: [singing] You all everybody … You all everybody! You've never heard that song? KATE: I've heard it. I just don't know what the hell it is— CHARLIE: That's us. Drive Shaft. Look, the ring—second tour of Finland. You've never heard of Drive Shaft? KATE: [incredulous] The band? CHARLIE: Yeah, the band. KATE: You were in Drive Shaft. CHARLIE: I am in Drive Shaft. I play bass. KATE: Seriously? CHARLIE: Yeah, Charlie. Track 3, you know, I do backing vocals. KATE: My friend Beth would freak. She loved you guys. CHARLIE: Give me Beth's number, I'll call her, I'd, I'd love to. JACK: Hey— CHARLIE: Does she live nearby? KATE: Have you ever heard of Drive Shaft? CHARLIE: [singing] You all everybody... You all every...body. JACK: [shakes his head] We've got to keep moving. KATE: They were good. CHARLIE: They are good. We're still together. In the middle of a comeback. [Camera pans down to reveal Vincent] -------------------------------------------------------------------------------- [sht of Locke alone on the beach looking out to sea; we see clouds forming, sound of thunder. sht of Kate, Charlie, Jack in the jungle in the rain.] CHARLIE: Hey guys, is this normal? Kind of ... day turning into night, you know? End of the world type weather. Is this—guys? -------------------------------------------------------------------------------- [sht of Locke sitting on the beach with people running around to get out of the rain. Locke just sits there. Jin kicks a guy out from Jin and Sun's little overhang of debris; Hurley runs past Boone and Shannon who are racing to get inside the fuselage.] HURLEY: I don't know if you want to go in there! There's too many bodies. [sht of Michael holding something up (some kind of tarp?) under some debris, puts his arm on Walt's shoulder. sht of Locke alone on the beach in a sort of meditation pose (music is sort of bittersweet). Locke holds his arms out, turns his face up to the rain, seems happy; we see the Monster in the jungle by the beach. Claire and Rose see it.] CLAIRE: There it is again. ROSE: Oh my god. -------------------------------------------------------------------------------- [sht of Jack, Kate, Charlie coming upon the cockpit. They all look a bit scared.] JACK: Well? Let's do this. Act 3 [sht of Jack, Kate, and Charlie making their way to the cockpit wreckage.] CHARLIE: Let's get this trans… JACK: Transceiver. CHARLIE: Transceiver thing and get out of here. [We see them climbing up, through the front of the plane. There are dad bodies. Jack can't open the cockpit door, bangs on it with a fre extinguisher.] JACK: Come on! Come... [The door opens and a body comes falling out.] JACK: [to Kate] You okay? KATE: Yeah. You? JACK: Yeah. CHARLIE: I'm fine. Charlie's fine, by the way. Okay? JACK: [to Kate] Hey. You don't have to come up here. KATE: No, I'm good. [Kate and Jack get inside the cockpit.] KATE: So, what does a transceiver look like? JACK: Complicated walkie-talkie. [Kate climbs over the pilot looking for the transceiver when suddenly the pilot takes a breath. Jack and Kate are shocked.] JACK: Hey! Can you hear me? [to Kate] I need that water. [He gives the pilot some water] Here. Here you go. Hey. PILOT: How many survived? JACK: At least 48. Does anything feel broken? PILOT: No, no. Just my head's a little dizzy, that's all. JACK: Yeah. It's probably a concussion. PILOT: How long has it been? JACK: Sixteen hours. PILOT: Sixteen? Has anybody come? JACK: Not yet. PILOT: Six hours in, our radio went out. No-one could see us. We turned back to land in Fiji. By the time we ht turbulence, we … we were a thousand miles off course. They're looking for us in the wrong place. PILOT: We have a transceiver. [The pilot moves to go get it.] JACK: Good. Good, that's what we were hoping. Listen, you shouldn't try to move. PILOT: No, no. I'm okay. It's okay. Transceiver's right there. It's right there. [Kate gets it and hands it to the pilot.] JACK: [to Kate] Where's Charlie? [Kate goes to look for Charlie. The pilot is fiddling with the transceiver.] PILOT: It's not working. KATE: [going through cabin, seeing two dad bodies] Charlie? [Charlie comes out of the bathroom.] KATE: What were you doing in the bathroom? CHARLIE: What? [The plane starts shaking. We hear the monster sounds. sht of Kate and Charlie, Pilot and Jack reacting.] PILOT: What the hell was that? JACK: Kate. [sht of Kate going back into Cockpit with Charlie's help.] KATE: It's right outside. PILOT: What, what's right outside? JACK: Shhhh. [Kate looks terrified. We see the shadow of the monster going past window. Jack tries to look out the window to see it. The pilot goes up to try and see it. Briefly hesitating, he first puts the transceiver on the co-pilot's seat, then climbs part way out of an opening above. Charlie comes into the cockpit. The pilot gets snatched out of a broken window. There's blood all over the window.] CHARLIE: What the hell just happened? [Big crashing and shaking. Jack reaches for the transceiver just before it falls. The cockpit falls to the ground from its inclined position. Jack is reaching for the transceiver.] KATE: Jack, come on! CHARLIE: Just leave it! [Jack grabs it. They run. Monster sounds, running, anxious music. Charlie falls. His leg is trapped in some vines.] CHARLIE: [shouts] Hey! [Jack goes back to rescue him.] JACK: Okay, let's run. [Kate keeps running and ends up alone.] KATE: [terrified] J-J-J... Jaaaack! [Big door slamming sound/big footstep sounds. Kate is trying to compose herself] One! Two! Three! Four! Five! Act 4 [sht of Kate, she hears something and looks off. Charlie comes up behind her, she turns to find him and knocks him down.] CHARLIE: Kate! KATE: Where the hell is Jack? CHARLIE: I don't know! KATE: Did you see him? CHARLIE: Yeah, he pulled me up! KATE: Where is he? CHARLIE: I don't know! KATE: How can you not know? CHARLIE: We got separated! Look, I … I fell down, and he, he came back for me, that thing was just… KATE: Did you see it? CHARLIE: No. No! But it was right there. We were dad! I was. An-And then Jack came back, and he, he pulled me up. I don't know where he is. [Kate looks around.] KATE: We have to go back for him. CHARLIE: Go back? There? Kate, there's a certain gargantuan quality about this thing. KATE: Then don't come. [Kate walks off, Charlie gets up to follow (reluctantly).] CHARLIE: Kate! -------------------------------------------------------------------------------- [sht of jungle. Kate and Charlie walking around.] CHARLIE: I heard you shout. I heard you shout "Jack". I'm Charlie, by the way. [Kate sees something.] CHARLIE: What is that? [Kate picks up pilot's wings from the muddy ground. sht shifts focus from wings to the reflection in the water where they see the pilot's body in the tree above them.] CHARLIE: What is... JACK: [approaching] It's the pilot. KATE: Did you see it? JACK: No. It was right behind me, but... I dove into the bushes. CHARLIE: [pointing up to the pilot in the tree] Guys? How does something like that happen? [sh*t of bloody pilot in the treetop, bloody and with face-skin torn off, but not eaten.]	{"type": "series", "show": "Lost", "episode": "1x01 - The Pilot"}	foreverdreaming
[sht of Kate, Charlie, Jack walking in woods. No rain or clouds. Jack is trying the transceiver.] CHARLIE: Anything? JACK: You keep asking if there's anything. CHARLIE: Pardon me for appearing desperate, but before the pilot was ripped from the cockpit, he did say that no-one's going to find us unless we … get that transceiver working. So... is there anything? JACK: No. CHARLIE: Okay. KATE: [to Charlie] What were you doing? In the bathroom? CHARLIE: I thought you could tell. I was getting sick. Puking. My one tangible contribution to the trek. KATE: No. I'm glad you came. Charlie. CHARLIE: Every trek needs a coward. KATE: You're not a coward. [Long sht of Charlie's reaction. We hear a tapping sound.] -------------------------------------------------------------------------------- [Flashback - Charlie on the airplane, tapping his ring against the seat's armrest, looking miserable.] CINDY: You all right, sir? CHARLIE: I'm good. Thanks. CINDY: Can I get you a water, or… CHARLIE: [irritated] I'm fine. Thank you. Please? CINDY: [nodding, but looking unconvinced] All right. [sht of Charlie looking back down the aisle to see some Flight Attendants talking in the back of the plane. Cindy starts walking toward Charlie who bolts (this is where he bumps into Jack).] CHARLIE: Excuse me. ROSE: Guess he really had to go. CINDY: Sir, excuse me! [getting angry] Sir, excuse me! [Charlie's trying to get into a bathroom, but they are locked. He bolts again away from the flight attendants that are following him. He's goes through the row where Shannon and Boone are.] SHANNON: [annoyed] Excuse me? [The turbulence starts. Cindy reaches for an intercom panel.] CINDY: Ladies and gentlemen, the Captain has turned on the "fasten seatbelt" sign. Please return to your seats and fasten your seatbelts. [Charlie gets into a bathroom and locks the door. He takes off his shoe to reveal a baggy of heroin.] JD: [through the bathroom door] Sir, are you all right? CHARLIE: Just a minute. [Charlie takes some of the drugs. We hear knocking.] Just a minute. JD: I'm gonna have to ask that you open the door, please. [Charlie looking into the mirror with a drugged out/relieved look on his face. We hear more knocking.] JD: Open the door now, sir. Sir! [Charlie drops the drugs into the toilet, and reaches for the handle to flush the drugs away. Suddenly there's a big bump of turbulence, and Charlie goes flying into the ceiling. He opens the door and falls down, with a food cart rolling toward him. He rolls out of the way just in time, crawls to a seat and puts the seatbelt and oxygen mask on.] Act 2 [sht of Shannon sunbathing. Boone enters.] BOONE: Hey. We're going through some clothes. Sorting them. I see you found your bag. Come on, you want to give us a hand? SHANNON: Not really. You're wasting your time. They're coming. [Boone walks away.] CLAIRE: [sitting next to Shannon] Is that your boyfriend? SHANNON: My brother. Boone. God's friggin' gift to humanity. CLAIRE: I used to have a stomach. SHANNON: You know what it is? CLAIRE: Not yet. I haven't felt the baby move since yesterday. [sht of tide pool. Jin getting an urchin. Sun looking on. Michael enters.] MICHAEL: Uh, excuse me. Hey, uh … have you, uh ... have you seen my boy? SUN: 죄송해요. 저 영어 못 해요. 아 … 저, 제가 영어를 못 해요. JIN: 윗 단추가 열렸네. 채워라. 빨리! [Jin motions for Sun to button her top button; Sun obeys.] MICHAEL: I'm sorry. [Walks off camera] Walt! Walt? -------------------------------------------------------------------------------- [sht of Walt carrying a leash.] WALT: Vincent! Vincent! Come here, boy! [Walt finds handcuffs lying on the ground.] MICHAEL: [running up] Hey! What did I tell you? After everything that's happened! WALT: I thought that maybe Vincent would be around! MICHAEL: I told you to stay on the beach! WALT: This is so close to the beach, I thought this would be okay… MICHAEL: Don't do that. You listen to me. I mean what I say. You understand? [Walt gives him a dirty look. Michael looks down to see the handcuffs in Walt's hands.] MICHAEL: What is this? WALT: I just found it. [Michael looks around, worried.] MICHAEL: [putting a protective arm around Walt] Come here. Act 3 [We see a fight between Sawyer and Sayid on the beach. People standing around watching.] MICHAEL: Hey guys. Come on, man. Hey. JACK: Hey. Break it up. Break it up! Come on! That's it! It's over! That's it! SAWYER: Son of a bitch! SAYID: I'm sick of this redneck! SAWYER: You want some more of me, boy? SAYID: Tell everyone what you told me! Tell them that I crashed the plane! Go on! Tell them I made the plane crash! SAWYER: The shoe fits, buddy! JACK: What is going on? SAYID: Ibn Al-Kalb! JACK: What's going on? MICHAEL: [handing the handcuffs to Jack] Look, my kid found these in the jungle. SAWYER: And this guy was sitting in the back row of business class, the whole flight, never got up. Hands folded underneath the blanket. SAYID: Oh. SAWYER: And for some reason - just pointin' this out - the guy sittin' next to him didn't make it. SAYID: Thank you so much for observing my behavior. SAWYER: You don't think I saw them pull you out of line before we boarded? [Sayid tries to get to Sawyer again to ht him.] SAWYER: Come on, bring it! KATE: [loud] Stop! [Sayid backs off.] KATE: We found the transceiver, but it's not working. Can anybody help? SAYID: Yes. I might be able to. SAWYER: Oh great. Perfect! Let's trust this guy! HURLEY: Hey! We're all this together, man. Let's treat each other with a little respect. SAWYER: Shut up, Lardo. JACK: Hey! Give it a break. SAWYER: Whatever you say, doc. You're the hero. BOONE: You guys found the cockpit? [Jack nods] Any survivors? JACK: No. SAYID: [looking at the transceiver] It's dual band, military spec. Chances are, the battery is good, but - the radio is dad. KATE: Can you fix it? SAYID: I need some time. ROSE: [approaching] Doctor, the... man with the shrapnel, I... I think you should take a look at him. -------------------------------------------------------------------------------- [sht of Sayid sitting on the beach, opening the transceiver. Hurley enters.] HURLEY: Tsss. Chain-smoking jackass... SAYID: Some people have problems. HURLEY: Tsss. Some people have problems? Us. Him. You're okay. I like you. SAYID: You're okay, too. HURLEY: [laughs] Hurley. [He reaches out to shake Sayid's hand, then sees he's busy with the transceiver and puts it down] Uh, just… SAYID: [reaching to shake hands] Sayid. HURLEY: How do you know to do all that? SAYID: I was a military communications officer. HURLEY: Oh yeah? You ever see battle? SAYID: I fought in the Gulf wr. HURLEY: No way! I got a buddy who fought over there. He was in the 104th airborne. What were you - Air Force... Army? SAYID: The Republican Guard. -------------------------------------------------------------------------------- [sht of the ocean. Kate is bathing.] SUN: 실례합니다. 준비 다 됐나 봐요. 당신을 찾아요. [Sun points to indicate that Kate is wanted somewhere.] -------------------------------------------------------------------------------- [We see Kate walking to Sayid on the beach, drying her hair.] KATE: Is it working? SAYID: Seems to be. Except we're not picking up a signal. KATE: Why do we need to pick up a signal? Aren't we trying to send one? SAYID: Yes, but what you want to see here is little bars. The bars would show the radio is getting reception. KATE: We need the bars. SAYID: We could broadcast blind... Hope that someone—maybe a ship somewhere—picks up our distress call. But that could be a waste of the battery, which might not last that long. There is one thing we could try... KATE: What? SAYID: Seeing if we can get a signal from high ground. KATE: How high? [Sayid looks up. Camera pans high up the mountain.] [sht of Marshal Mars with shrapnel, Jack is working on him. Suddenly Kate is there, and Jack seems surprised.] KATE: How is he? Can you do anything? JACK: Pull out the shrapnel. KATE: But you said yesterday that if you took it out... JACK: I know. But that was yesterday. I was hoping he'd be at a hospital by now. If I leave him like this, he'll be dad within a day. If I open him up... if I can control the bleeding and if he doesn't go into sepsis and if I can find some antibiotics... he might be all right. KATE: I'm going on a hike. JACK: Sorry? KATE: Sayid fixed the transceiver, but we can't use it. Not from here. JACK: Kate, wait a minute. KATE: You're the one who said that we had to send out a signal. JACK: Look, you saw what that thing did to the pilot. KATE: Yeah, I did. What makes you think we're any safer here than we are in the jungle? JACK: Wait for me. I don't know how long this will be... [he look at Marshal Mars.] KATE: Sayid said the batteries won't last. JACK: All right. If you see, or hear, anything... Anything. Run. Act 4 [We see Sun and Jin at the beach. Jin is cutting up the urchin. Sun reaches for a piece and he slaps her hand. He takes off with a tray of it. She looks disgusted and undoes her top button.] [sht of Jin offering urchin to Hurley.] HURLEY: What's that? What, that? What, eat that? [laughs] Dude. Dude. I'm... starving... But, I'm nowhere near that hungry. [laughs] No. No. No, thank you! No way, no. [laughs] [sht of comic book with polar bear. Comic book is in Spanish.] MICHAEL: The comic's in Spanish. You... read Spanish? WALT: No. I found it. MICHAEL: Tell you what: We get home... I get you another dog. [Walt walks away. sht of Charlie getting his drugs out. Then we see Hurley on the beach, Jack comes up.] JACK: Hey! I need your help. HURLEY: Okay. JACK: I need you to help me go through the luggage. I need any kind of prescription medications you can find. Especially drugs that end in -mycin and -cillin. Those are antibiotics. HURLEY: What's this for? [sht of Charlie doing drugs. Then of Shannon almost crying. Boone comes up.] BOONE: What are you doing? SHANNON: I think I was mean to him. BOONE: What? SHANNON: Isn't that the guy from the gate? He wouldn't let us have our seats in first class. He saved our lives. BOONE: Come on, Shannon, we're trying to clear some of the wreckage. You should help out. You're just being worthless over here. SHANNON: I'm being what? BOONE: What do you want me to say? You're sitting on your ass staring at bodies. SHANNON: I've just been through a trauma here, okay? BOONE: We've all been through a trauma. The only difference is, since the crash, you've actually given yourself a pedicure. SHANNON: You know what? It is so easy to make fun of me, and you're good at it. I get it. BOONE: I wish I didn't have to waste my time making fun of you. I wish I didn't have a reason. Yeah, it is easy, Shannon. SHANNON: Screw you, you do not have the slightest idea what I am thinking. BOONE: I have a much better idea than you think I do. SHANNON: No, you don't! BOONE: Okay, Shannon. Then what are you thinking? [Shannon sees Kate and Sayid preparing to leave.] SHANNON: I'm going with them. On the hike. BOONE: Yeah? SHANNON: Yup. I'm going. BOONE: No, you're not, Shannon. Shannon! SHANNON: [approaching Kate and Sayid] I'd like to come with you. BOONE: She's not going. She doesn't want to go. SHANNON: The hell I'm not. BOONE: It's what she does. She postures. SHANNON: You don't know what the hell I do! BOONE: Makes really bad decisions to upset her family, which, at the moment, is me. SHANNON: Shut up, and stop trying to be charming. [to Kate and Sayid] I'm coming with you. KATE: I don't... know if that's such a good idea. SHANNON: What are you? Two years older than me? Please. [to Charlie who has entered] You're going, aren't you? CHARLIE: Yeah, are you? SHANNON: Yup. CHARLIE: Yeah, I'm definitely going. KATE: Look, everybody can come. But we're leaving now. CHARLIE: [to Shannon] You couldn't tell from that, but she's actually really nice. [sht of Sawyer smoking, reading his letter. He sees the others walking off.] -------------------------------------------------------------------------------- [We see the "hikers" in the jungle and Sawyer is closing up to them.] KATE: You decided to join us. SAWYER: I'm a complex guy, sweetheart. [sht of them making their way up a steep mountain.] -------------------------------------------------------------------------------- [sht of Michael on the beach where Walt left him. Jack comes into the frame and opens a make-up type bag, looking for something.] MICHAEL: What you're looking for? JACK: Some sort of blade. How's your son? MICHAEL: Walt? Yeah, I think he'll be all right. JACK: How old is he? MICHAEL: Nine... Ten—Ten. Walt's more worried about his dog than anything. The dog was on the plane, so... Kids, you know. JACK: Is it a Lab? MICHAEL: Yeah. JACK: Yeah? I saw him yesterday, in the jungle. MICHAEL: What? Where? JACK: Over there. Couple hundred yards in or so. He looked good. [Jack finds a straight-edge razor. sht of Locke with the Backgammon pieces. Walt approaches, curious.] WALT: What is it, like checkers? LOCKE: Not really, it's a better game than... checkers. You play checkers with your Pop? WALT: No. I live in Australia with my mom. LOCKE: You have no accent. WALT: Yeah, I know. We move a lot. She got sick. She died a couple of weeks ago. LOCKE: You're having a bad month. WALT: I guess. LOCKE: Backgammon is the oldest game in the world. Archeologists found sets when they excavated the ruins of ancient Mesopotamia. Five thousand years old. That's older than Jesus Christ. WALT: Did they have dice and stuff? LOCKE: [nods] Mhhm. But theirs weren't made of plastic. Their dice were made of bones. WALT: Cool. LOCKE: Two players. Two sides. One is light... one is dark. Walt, do you want to know a secret? [sht of Claire writing in her diary. Jin approaches and offers her some urchin. She shakes her head, but then gives in and takes some.] CLAIRE: No. Tha- thank you. No, it's okay. [Jin keeps insisting] No, really. Okay. Thanks. [She eats some and then feels her baby move. She jumps up and makes Jin touch her belly.] CLAIRE: Oh, gosh. I just felt it. I ju … Come here, feel this. Please. [Jin resists, but Claire keeps insisting]. Please. Please. Do you feel that? There! Right there, that's a kick! There! There, right there's a foot! Oh no, he's, wait, he's moving around. "He". "He". I guess I think you're a "he". -------------------------------------------------------------------------------- [sht of group in jungle.] SAWYER: Okay! Wide open space! You should check the radio, see if we're good. SAYID: We're not going to have any reception here. SAWYER: Just try it. SAYID: I don't want to waste the batteries. SAWYER: I'm not asking you to keep it on all day. SAYID: We're still blocked by the mountain. SAWYER: Just check the damn radio! SAYID: If I just check.. we might not have any juice left when we get to... [They all turn toward a sound they hear. Sounds of growling, movement.] SHANNON: My god. BOONE: What the hell's that? KATE: Something's coming. CHARLIE: It's coming towards us, I think. KATE: Come on, let's move. [They all start running off.] SHANNON: I shouldn't have come. Aah! SAYID: Go! Go! [sht of them running, but Sawyer stands and faces the bear.] KATE: [turning to go back] Sawyer! SAYID: [grabbing Kate] Let him go! [Sawyer pulls out a gn and sht serveral times. The bear drops just as it almost gets to Sawyer.] SHANNON: That's... that's a big bear. BOONE: You think that's what klled the pilot? [Kate looks at Charlie.] CHARLIE: No. No, that's a tiny, teeny version compared to that. KATE: Guys, this isn't just a... bear. That's a polar bear. Act 5 [sht of Jack and Hurley with Marshal Mars getting ready to take out the shrapnel.] HURLEY: You sure he's out? JACK: He's out. HURLEY: How do you know he won't wake up when you yank that thing out? JACK: I don't. HURLEY: Hey, guy, are you awake? Yo, there's a rescue plane! We're saved! Yaaay! [Marshal Mars doesn't react at all.] Yeah, he's out. So—what do you want me... JACK: Look, it's unlikely that he'll regain consciousness. But the pain might bring him around. And if it does, I need you to hold him down. HURLEY: Uh... I'm not so good around blood, man. JACK: Then don't look. HURLEY: Yeah. But.. I'm not so good around blood. JACK: Just do the best you can. Okay? Don't look. HURLEY: Okay [looks like he's praying or something, mumbling something to himself]. [Jack pulls the shrapnel out.] HURLEY: Dude. JACK: Hand me those strips. HURLEY: Dude. JACK: Just hand me the strips, I need to get this bleeding stopped. HURLEY: I don't think I can. JACK: Oh. HURLEY: "Oh" what? What, what's going on, something in there? [Hurley looks down] JACK: The strips. Just hand me the strips. Give it to me. [Hurley looks sick.] Don't even think about it, Hurley. Don't even think a... Hurley! Hey! [Hurley passes out on the Marshal] Damn it! -------------------------------------------------------------------------------- [sht of the group in the jungle.] BOONE: That can't be a polar bear. SAYID and KATE: [at the same time] It's a polar bear. SHANNON: Yeah, but... Polar bears don't usually live in the jungle. CHARLIE: Spot on. SAYID: No, polar bears don't live near this far south. BOONE: This one does. SAWYER: Did. It did. KATE: [to Sawyer] Where did that come from? SAWYER: Probably Bear Village. How the hell do I know? KATE: Not the bear. The gn. SAWYER: I got if off one of the bodies. SAYID: One of the bodies. SAWYER: Yeah, one of the bodies. SHANNON: People don't carry gn on planes. SAWYER: They do if they're a US Marshal, sweet cheeks. There was one on the plane. KATE: How do you know that? SAWYER: I saw a guy lying there with an ankle holster, so I took the gn. I thought it might come in handy. Guess what? I just sht a bear! KATE: So why do you think he's a Marshal? SAWYER: Because he had a clip-on badge. [Sawyer holds up a badge] I took that too. Thought it was cool. SAYID: I know who you are. You're the prisoner. SAWYER: I'm the what? SAYID: You found a gn on a US Marshal. Yes, I believe you did. You knew where it was, because you were the one he was bringing back to the States. Those handcuffs were on you. That's how you knew there was a gn. SAWYER: Piss off. SAYID: That's who you are, you son of a bitch. SAWYER: Be as suspicious of me as I am of you. SAYID: But you are the prisoner. SAWYER: Fine! I'm the criminal. You're the trror1st. We can all play a part. [to Shannon] Who do you want to be? [As Sawyer turns, Kate grabs the gn and points it at him.] KATE: Does anybody know how to use a gn? CHARLIE: I think you just pull the trigger. SAYID: Don't use the gn. KATE: I want to take it apart. CHARLIE: Oh. SAYID: There's a button on the grip. Push that, it will eject the magazine. [Kate follows Sayid's instructions.] There's still a round in the chamber. Hold the grip, pull the top part of the gn. [Kate follows Sayid's instructions and gives the magazine to Sayid and the gn to Sawyer.] SAWYER: [grabbing Kate's arm] I know your type. KATE: I'm not so sure. SAWYER: Yeah. I've been with girls like you. KATE: No girl's exactly like me. [Kate walks off a ways.] -------------------------------------------------------------------------------- [Flashback - sht of Kate on the plane.] MICHELLE: Can I get you a refill? KATE: No, I'm... I'm fine with this, thank you. MICHELLE: You, sir? Can I get you anything? Cocktail? Soda? MARSHAL: Just coffee, sweetheart. Black. MICHELLE: [looking disgusted] Coffee. Sure. MARSHAL: You look worried. I'd be worried too, I was you. But you've got to stay positive, kiddo. You know, there's always that off chance that they'll believe your story. I know I sure do. KATE: I don't care what you believe. MARSHAL: Oh, I know. That's true. That has always been true. You sure you don't want some more juice? KATE: Yeah, I'm sure. [sht of Kate with hands cuffed. Then the turbulence starts to happen.] CINDY: [on the intercom] Ladies and gentlemen, the Captain has switched on the "fasten seatbelt" sign. Please return to your seats and fasten your seatbelts. KATE: I have one favor to ask. MARSHAL: Really? This ought to be good. What... [The turbulence causes the big drop with a woman hitting the ceiling. A big black/silver case hits the Marshal on the head. He passes out. The masks come down and Kate can't reach because of the handcuffs. She gets the key from the Marshal's pocket and unlocks the handcuffs. She puts her mask on and then puts a mask on the Marshal. The back of the plane rips off. -------------------------------------------------------------------------------- [On-Island - Cut back to the group standing on the hill.] SAYID: We should keep moving. [sht of Jack with the Marshal. The Marshal wakes up and grabs Jack's shirt.] JACK: No. No. MARSHAL: Where is she? JACK: Who? [sht of Kate walking with the group. Sayid getting the transceiver out.] SAWYER: Oh! Now's a good time to check the radio! Not before.. but now! SAYID: We're up higher. SAWYER: Yes, we are! SAYID: Bar. Hey! We've got a bar! Mayday! Mayday! [we hear feedback] KATE: What is that? SAYID: Feedback. KATE: Feedback from what? What would do that? SAYID: I don't know. SAWYER: I'll tell you what would do that. This guy not fixing the radio. This thing doesn't even work. SAYID: No. No, no, no, no, it's not broken. We can't transmit because something else is already transmitting. CHARLIE: Transmitting from where? SHANNON: What? SAYID: Somewhere close. The signal's strong. CHARLIE: Somewhere close? You mean on the Island? That's great! BOONE: Maybe it's other survivors. SHANNON: From our plane? How would they even— SAWYER: What kind of transmission is it? SAYID: Could be a sat phone, maybe a radio signal... KATE: Can we listen to it? SAYID: Let me get the frequency first. Hold on. SAWYER: There's no transmission. KATE: Shut up. CHARLIE: The rescue party. It has to be. [They hear the transmission]. It's French! The French are coming! I've never been so happy to hear the French! KATE: I never took French. What does she say? SAYID: D-Does anybody speak French? BOONE: She does. SHANNON: No, I don't. What? BOONE: What the hell are you talking about? You spent a year in Paris! SHANNON: Drinking, not studying! [We hear a male voice from the radio.] RADIO: Iteration 7294531. CHARLIE: Okay. What's that? SAYID: Oh, no, no, no, no, no, no, no, no, no, no. KATE: "No, no, no" what? SHANNON: What "no"? SAYID: The-the batteries are dying! KATE: How much time do we have? SAYID: Not much. BOONE: I've heard you speak French! Just listen to this! Listen to it! SHANNON: I can't! SAWYER: You speak French or not? Because that would be nice. RADIO: Iteration 17294532. CHARLIE: That voice is weird. What is that? BOONE: Come on. Come on, Shannon! KATE: Come on! SAYID: [moving his lips silently] Come on! [We can hear some of the transmission: Il est dehors.] SHANNON: It's... it's repeating. SAYID: She's right. BOONE: What? SAYID: It's a loop. "Iteration"—it's repeating the same message. It's a counter. The next number will end... "533". RADIO: Iteration 17294533. SAWYER: Does anyone know what the hell he's talking about? SAYID: It's a running count of the number of times the message has repeated. It's roughly thirty seconds long, so... how long... [we see him trying to figure it out in his head]. SAWYER: Don't forget to carry the one, chief. RADIO: Iteration 17294534. SHANNON: She's saying .. "Please". She's saying, "Please help me. Please, come get me." SAWYER: Or she's not! You don't even speak French! KATE: Let her listen! BOONE: Shut up, man! CHARLIE: Guys, the battery. The battery. RADIO: Iteration 17294535. SHANNON: [translating] I'm alone now. Uhm... On the Island alone. Please, someone come. The others, they're... they're dad. I-it klled them. I-it k*lled them all. BOONE: That was good. SAYID: Sixteen years. SAWYER: What? SAYID: Sixteen years. And five months. That's the count. BOONE: What the hell are you talking about? SAYID: The iterations. It's a distress call. A plea for help. A mayday. If the count is right... It's been playing over... and over... for sixteen years. BOONE: Someone else? Was stranded here? KATE: Maybe they came for them. SAWYER: If someone came, why is it still playing? CHARLIE: Guys. Where are we?	{"type": "series", "show": "Lost", "episode": "1x02 - The Pilot Part 2"}	foreverdreaming
[sht of people at the beach sorting through luggage. Claire and redshirts sorting through some papers. Scene changes to Jack and the Marshal.] MARSHAL: Don't trust her. She's dangerous. JACK: You should try not to move, man. MARSHAL: Have to find her. Have to bring her back. JACK: Yeah, you keep saying that. And every time I ask you who you have to bring back you pass out on me again. Since your fever's running pretty high, I'm guessing you have no idea who you're talking about. MARSHAL: My cuffs, my handcuffs. Where are my cuffs? JACK: What? MARSHAL: My jacket pocket. JACK: I don't... MARSHAL: Jacket pocket. JACK: Okay. [Jack gets a piece of paper out of the Marshal's jacket pocket and unfolds it.] MARSHAL: Dangerous. She's dangerous. [sht of Kate's mug sht wearing a sign that says: Harrison Valley Police with the numbers 961136 below (there are some other numbers, staggered, that don't look like part of the series (3 9 81 4 64).] -------------------------------------------------------------------------------- [sht of Kate, Sawyer, Boone, Sayid, Shannon walking back to the beach from the trek to try the transceiver.] BOONE: It's getting dark. SAWYER: Then pick up the pace. BOONE: Hick. SAWYER: Little louder? SAYID: We should make camp. SHANNON: What, here? SAYID: Yes, here. SAWYER: I'm not stopping. You all have a nice cookout. SAYID: Excellent, walk through the jungle in the dark. SAWYER: Oooo, afraid the trees are going to get us? SAYID: No, what is knocking down the trees will get you. SAWYER: [pulling out the gn] Well, if you're so worried about me, how about you give me the clip back? KATE: Put the gn back in your pants, Sawyer. Sayid's right, if you keep walking you're not going to make it to the beach. SAWYER: Yeah, why's that? [sht of Charlie looking away.] KATE: Trust me. [sht of the group around a fre at night. Sayid putting a rock on the ground, and holding a torch.] SAYID: This is Australia [indicating the rock]. This is us [indicating the torch]. SAWYER: Nice stick. SAYID: Two days ago we take off from Sydney. We fly along the same north east route every commercial airliner bound for Los Angeles does. Now the pilot, he said he lost communication with the ground, correct? KATE: Yeah, 6 hours in. He turned around and headed for Fiji. SAYID: So, we changed course. Regrettably, no one knew we changed course. The turbulence ht. We know the rest. [Sayid puts the torch's fre out.] KATE: The pilot said we were over a thousand miles off course. CHARLIE: Yeah, but, they'll find us. They have satellites in space that can take pictures of your license plate. SAYID: If only we were all wearing license plates. CHARLIE: Well, aren't you the pessimist. SAYID: Basic photography - point and sht. Satellites can sht, but they must be told where to point. CHARLIE: Oh. Bollocks. SAWYER: Okay, really enjoyed the puppet show. Fantastic. But we're stuck in the middle of damn nowhere. How about we talk about that other thing? You know that transmission Abdul picked up on his little radio? The French chick that said, "They're all dad." The transmission's been on a loop for … how long was it, Freckles? KATE: 16 years. SAWYER: Right. Let's talk about that. BOONE: Well, we have to tell the others when we get back. SHANNON: Tell them what, exactly? BOONE: What we heard. SHANNON: You didn't hear anything. I'm not a stupid translator. SAYID: No one's going to tell them anything. To relay what we heard without fully understanding it will cause a panic. If we tell them what we know we take away their hope. And hope is a very dangerous thing to lose. KATE: So we lie. -------------------------------------------------------------------------------- [sht of Jack and Hurley at the beach making a shelter.] HURLEY: Was it a dinosaur? JACK: It wasn't a dinosaur. HURLEY: You say you didn't see it. JACK: I didn't. HURLEY: So how do you know it wasn't a dinosaur? JACK: Because dinosaurs are extinct. HURLEY: Oh. Yeah. [Looking at the Marshal.] So what's his story? He looks kind of... dying. JACK: He's not going to die. HURLEY: He's yellow, man. JACK: His wound is infected, but the antibiotics will fight it off. HURLEY: What if they don't? JACK: Then his body will shut down one piece at a time. His abdomen goes rigid, then... HURLEY: He looks like he's in pain. JACK: Yeah. [Hurley picks up the mug sht of Kate.] HURLEY: What's this? Uh, dude? Uh... [Jack grabs the mug sht] What do you think she did? JACK: It's none of my business. HURLEY: She looks pretty hard core. JACK: Hurley... [Jack says this in a tone that indicates he doesn't want to talk about it, and goes back to doing something else.] Act 2 [sht of Sayid and group sleeping at their camp. Someone sneaks over and takes the magazine from Sayid who wakes up.] SAYID: What are you doing? [Everyone wakes up.] BOONE: [with the gn in his hand] Standing guard. You heard what they said is out there. SAWYER: You took my gn off me, boy? SHANNON: [to Boone] Please, you've never even held a gn. [to the group] He doesn't believe in gn. He's goes on marches. BOONE: I don't go on marches. SAYID: Give it back to me. SAWYER: Yeah, give it to Al Jazeera, he'll protect us. CHARLIE: Al Jazeera is a network. BOONE: I'll keep the damn gn. SHANNON: We should give it to her. [indicating Kate] CHARLIE: Yeah, Kate should hold the gn. SAYID: Fine with me. Well? [Boone gives the gn to Kate.] -------------------------------------------------------------------------------- [Flashback - sht of Kate sleeping on hay. The sound of a gn being cocked waking her.] RAY: Good morning. KATE: Morning. RAY: You were sleeping in my sheep pen. KATE: Sorry. [Ray lowers his gn and Kate gets up.] RAY: How'd you get here? KATE: I walked. RAY: You walked? KATE: Yeah. RAY: From where? KATE: Town. RAY: Nearest town's 15 kilometers. KATE: Maybe that's why I was so exhausted. RAY: What's your name? KATE: Annie. RAY: You hungry, Annie? [Scene changes to Kate (Annie) and Ray in the farmer's kitchen. Kate is eating and obviously very hungry.] RAY: So you want to tell me why you're trespassing on my property? KATE: I ran out of money. RAY: You're an American. KATE: Canadian. I graduated from college and figured I'd see the world. Australia was top of my list so I hopped a flight to Melbourne but I don't know anybody here so I figured I'd walk for awhile, you know. RAY: Melbourne's 100 kilometers from here. KATE: I like walking. RAY: And you just happened to wonder onto my farm. KATE: I like farms, too. RAY: Do you know how to work one? KATE: Yeah. RAY: My wife died 8 months ago Wednesday. She left me with too many chores and a hell of a mortgage. If you help me with the first one, I'll give you a fair wage and a place to stay. KATE: Deal. [Kate reaches to shake his hand. He pulls his arm up and sets in the table with a thud and raps it a couple of times to show it's artificial.] RAY: No. I'm a lefty. -------------------------------------------------------------------------------- [On-Island - sht of Hurley running on the beach toward the infirmary Jack has made.] HURLEY: Dude, dude, they're back. [sht of Sayid with a group gathered around him on the beach.] SAYID: As you and the others know, we hiked up the mountain in an attempt to help the rescue team locate us. The transceiver failed to pick up a signal. We weren't able to send out a call for help. [sht of Kate and Shannon.] But we're not giving up. If we gather electronic equipment - your cell phones, laptops - I can boost the signal and we can try again, but that may take some time. So for now, we should begin rationing our remaining food. If it rains, we should set up tarps to collect water. I need to organize 3 separate groups. Each group should have a leader. [sht of Jack walking up.] One group for water - I'll organize that. Who's going to organize electronics? [Kate starts walking toward Jack.] You? Rationing food? Okay. And I believe a third group should concern themselves with the construction of... [sht of Hurley watching Kate as she approaches Jack.] KATE: Hi. JACK: Hey. KATE: I, um, I need to tell you something. JACK: Okay, sure. KATE: We couldn't send out a signal because there was another signal blocking it. The other signal - we heard it. It was a distress call from a French woman. She said that the others were dad - something had klled them all. She was alone on the Island. It's been playing for 16 years, Jack. I wanted to tell you. JACK: Anything else? KATE: [looking toward the infirmary] How is he - the man with the shrapnel in his side? JACK: It's touch-and-go. KATE: He wake up? JACK: No, just for a few seconds during the surgery. KATE: He say anything? JACK: No. Act 3 [sht of people busy at the beach. Jack and Hurley carrying airline seats.] HURLEY: So what'd she say? JACK: She didn't say anything. HURLEY: But you told her you knew? JACK: I don't know anything. HURLEY: Well, you kind of know she's in that mug sht. And that we found those handcuffs. And that guy keeps mumbling "she's dangerous, she's dangerous" over and over. JACK: It's not my business. Not my problem. HURLEY: Yeah, you're right. We'll let Johnny Fever take care of her when he gets better. JACK: He's not getting better if we don't get some stronger antibiotics. HURLEY: That stuff I got from the luggage... JACK: It's for ear infections and foot fungus. HURLEY: We went through everything, man. JACK: What about that luggage in the overhead compartments? HURLEY: That's inside the plane. JACK: Yeah? HURLEY: But, the bodies are in there, and they're all... dad. JACK: Look, I'll handle it. Why don't you keep an eye on him...? HURLEY: Great. Yeah - love to - on it. -------------------------------------------------------------------------------- [sht of Jack looking at the fuselage. sht of Jack in the fuselage with a flashlight in his mouth looking at prescription bottles. He hears something moving around and quickly gets up to see what it is. Sawyer pops up.] SAWYER: Boo. JACK: [relieved/annoyed] What are you doing in here? SAWYER: Trick or treat, same as you. JACK: You're looting. SAWYER: Aww, you say potato... JACK: What's in the bag? SAWYER: Booze, smokes, couple of Playboys. What's in yours? JACK: Medicine. SAWYER: Well, that about sums it up, don't it? JACK: Do you do this back home, too - steal from the dad? SAWYER: Brother, you've to got wake up and smell the bull crap here, rescue ain't comin'. You're just wasting your time. You're trying to save a guy who last time I checked had a piece of metal the size of my head sticking out of his bread basket. Let me ask you something? How many of those pills are you going to use to fix him up? JACK: As many as it takes. SAWYER: Yeah? How many you got? You're just not looking at the big picture, Doc. You're still back in civilization. JACK: Yeah? And where are you? SAWYER: Me? I'm in the wild. -------------------------------------------------------------------------------- [sht of Charlie sitting down on the beach while Claire struggles with a piece of luggage. Charlie gets up to help her.] CHARLIE: Whoa, hey, I got it. I got it. CLAIRE: Thanks. [They put the luggage on the wheelchair.] CHARLIE: Well, look on the bright side. Whoever's this was is probably better off than we are. I got it. [sht of Sun with a suitcase.] SUN: 여기… 당신 가방 찾은 것 같아요! [Subtitle: I think I found your bag.] JIN: 그래? 보자. 아니야. [Subtitle: Really? Let's see. No, this isn't it.] SUN: 그럼 계속 찾아볼게요. [Subtitle: Then I'll keep looking.] JIN: 잠깐, 이리 와 봐. 니 모습 좀 봤니? 니 옷하고 얼굴이 너무 더러워 보여. 빨리 씻어라. 자기야. 사랑해. [Subtitle: Come here. Have you seen yourself? Your clothes. You're filthy. Go wash up. Sun. I love you.] [Scene switches back to Charlie and Claire pulling the wheelchair across the sand.] CHARLIE: So, how's the baby? CLAIRE: It's okay, I think. CHARLIE: Good. So, your husband. Was he on the flight? CLAIRE: Oh, no. I'm not married. CHARLIE: Oh. CLAIRE: I know - how modern of me. CHARLIE: Well, who needs men, right? Bloody useless. CLAIRE: [laughing] So, you guys hiked all the way up that mountain for nothing, huh? -------------------------------------------------------------------------------- [sht of Hurley running out of the infirmary with water bottles, and he runs into Kate.] KATE: Hey, sorry. HURLEY: I was going to get some more water. KATE: We haven't met. I'm Kate. HURLEY: Hi, Kate. KATE: Hi. HURLEY: Hurley. KATE: I was just looking for Jack and I thought he might be in there. HURLEY: Yeah, no. Uh, he went to go get some medicine... over there. [sht of Kate reveals a gn in her back waistband.] KATE: Where? In the fuselage? HURLEY: What? Yeah, in the uh, uh, you know? I've got to get that water. [Hurley runs off.] [It starts raining and people start trying to collect rainwater, running for shelter. sht of the Marshal. Kate come up very close - her face near his face.] -------------------------------------------------------------------------------- [Flashback - sht of Kate at Ray's house in the pantry. She removes a panel to a secret compartment with a can of money. She takes the money. Ray turns on the light.] RAY: The bank would have given you a heck of a toaster if you had kept that in a savings account. KATE: What do I need a toaster for? RAY: You're hiding your wages in a tin can, Annie. I mean, I would have held on to it for you. KATE: I got trust issues. RAY: Weren't you going to say goodbye? KATE: Wrote you a note. RAY: You've been here almost 3 months, Annie. And every time I ask you about yourself, you get that look in your eye. Yeah, that one. So, I mind my own business. I figured maybe you got off on the wrong side of a bad relationship. Maybe you ran. I always knew you'd leave here someday. I guess I hoped it wouldn't be in the middle of the night. KATE: I'm sorry. RAY: Yeah, so am I. [Kate starts to leave.] RAY: Hey, Annie, why don't you just stay one more night, eh? I'll drive you to the train station first thing in the morning. I promise. KATE: Okay. RAY: I get it, you know. Everyone deserves a fresh start. -------------------------------------------------------------------------------- [On-Island - Kate is staring at the face of the Marshal. He opens his eyes and grabs her around the neck. Jack walks in.] Jack: Damn it. Damn it. [Jack starts to break them up. The Marshal goes into convulsions.] JACK: Just breathe. Come on, come on, look, look at me, look. [To Kate] What did you do? KATE: I was just checking to if he was... he jumped on me. He grabbed me. Is he... okay? JACK: He's not responding to antibiotics, he's bleeding internally, his fever's pushing 104. And his abdomen's rigid. He needs water. [Jack leaves to get water, Kate follows. It's still raining.] KATE: So, what are you going to do about it? JACK: About what? KATE: About him. JACK: I told you, he needs water. KATE: Will he suffer? JACK: What? KATE: Will it be quick? JACK: No. It won't be quick. 2, 3, maybe 4 days. KATE: And he'll feel it? JACK: Yeah, he'll feel it. KATE: Can't you put him out of his misery? JACK: I saw your mug sht, Kate. I am not a mrder. -------------------------------------------------------------------------------- [Flashback - We see Kate in the truck with Ray driving along a highway.] RAY: Do they listen to Patsy Cline in Canada? KATE: They listen to Patsy Cline everywhere. RAY: You hungry? KATE: I'll eat on the train. RAY: You sure? There's a little place up here that makes a mean burger. [Ray looks at a car in his rearview mirror.] KATE: What are you looking for, Ray? RAY: What? KATE: How long have you known? RAY: Couple of days. I saw your picture in the post office. I guess they knew you were Down Under. KATE: [looking hurt] Why? RAY: The reward's 23,000 dollars. I told you when I met you, I've got a hell of a mortgage. If it makes you feel any better, it was a hard decision, Annie. KATE: My name's not Annie. [The truck following them speeds up to come alongside. We see the Marshal roll down his window and make a "sh*ting gn" gesture with his hand at Kate.] -------------------------------------------------------------------------------- [Back on the island, we see Kate in the rain at the beach.] Act 4 [sht of Walt and Michael in the rain.] MICHAEL: Hey, who was that guy you were hanging out with? WALT: What guy? MICHAEL: The bald guy. WALT: Oh, Mr. Locke? MICHAEL: Mr. Locke got any kids? WALT: He didn't say. MICHAEL: Yeah, what did he say? WALT: I don't know. MICHAEL: What do you mean you don't know. What did he say? WALT: Some of it's secret. MICHAEL: Did he tell you not to tell me? WALT: No. MICHAEL: Then what's the secret? WALT: Mr. Locke said a miracle happened to him. MICHAEL: Yeah, well, a miracle happened to all of us, Walt. We survived a plane crash. Look, I don't want you hanging around with him anymore. WALT: Why not? He's my friend. MICHAEL: Hey, I'm your friend, too. WALT: If you were my friend, you'd find Vincent. MICHAEL: Walt, look, I haven't given up on your dog. I'm going to do everything I can to find him. WALT: No you won't. MICHAEL: Yeah, Walt, I will. WALT: You don't care about Vincent. MICHAEL: I'm going to get your dog back as soon as it stops raining. Hey listen to me, I'm going to get your dog back. [The rain stops.] -------------------------------------------------------------------------------- [sht of jungle.] MICHAEL: [off camera at first, talking to himself] Yeah, soon as it stops raining - good, nice. I'm going to find your dog... yeah, I'm just going to go walking through the haunted damn jungle looking for your... [Michael hears something] Vincent? [We hear some animal sounds.] MICHAEL: Vincent? That you buddy? [More animal growling sounds/movement. Michael takes off running. Eventually, he comes to a clearing where Sun is having a sponge bath.] MICHAEL: Oh. Something was chasing me so, uh.. I don't hear it now. But you should probably head back. [He hands her her bra.] Uh, I didn't see anything, you know, if you're worried about it... I didn't see anything. -------------------------------------------------------------------------------- [sht of the Marshal crying out in pain. sht of Locke with a small piece of wood. Charlie walking by. They can hear the Marshal crying out.] CHARLIE: What are you making? LOCKE: Whistle. CHARLIE: I used some tribal flutes once in a recording session. I'm in a band. [sht of Shannon approaching Boone.] SHANNON: I wish he would just die already. BOONE: Real humane, Shannon. [sht of Sayid walking to Jack who's getting water from the rain tarp.] SAYID: Anything I can do to help? JACK: No, I'm good, thanks. SAYID: The others are getting upset. They want to know what's going on inside the tent. JACK: Trying to save his life. SAYID: Rumor has it you can't. [Jack walks away without responding. We see Kate stacking logs to make a fre. Sound of Marshal moaning in the background. Kate is getting matches ready when we see a lighter being lit in the foreground.] SAWYER: Need a light? [Kate nods. He throws her the lighter.] SAWYER: Came by to thank you. You going to ask what for? KATE: What for? SAWYER: For taking that gn away from me. KATE: I didn't take it away from you. SAWYER: It's sticking out of your denims, ain't it? I sure wouldn't want to be the one with that gn right now. Because everyone sitting out there listening to that poor boy scream all night knows what's got to be done. Only one that can do it is the one with that gn. Don't act so surprised. I heard you tell the hero the same thing. Hell, there's only one bllet left - be damned near poetic. [sht of the Marshal in a lot of pain. Jack gives him some water.] MARSHAL: Listen to me. JACK: No, you need to keep quiet. MARSHAL: Listen to me, no matter what she does - no matter how she makes you feel, don't you trust a word that she says. She will do anything to get away. JACK: What did she do? MARSHAL: I want to talk to her. JACK: Tell me what she did. MARSHAL: I want to talk to her, alone. [Jack just looks at him.] She got to you, too, huh? Act 5 [sht of Kate approaching the infirmary with the gn in her jeans. Sound of the Marshal moaning.] -------------------------------------------------------------------------------- [Flashback - We see the Marshal making the "gn shting" hand gesture at Kate in the truck again. Car chase ensues, and Kate grabs the wheel of Ray's truck forcing them off the road, overturning. The car catches fre and Kate pulls Ray to safety. She pulls his artificial arm off while dragging him to the side of the road.] MARSHAL: [pointing his gn at Kate's head] Hey, Kate. -------------------------------------------------------------------------------- [On-Island - sht of Kate back on the island in the tent with the Marshal.] MARSHAL: What was it? KATE: What? MARSHAL: The favor. KATE: I don't know what you're talking about. MARSHAL: The last thing I heard before the crash - you wanted a favor. [Flashback to plane crash during heavy turbulence.] KATE: I have one favor to ask. MARSHAL: Really? This ought to be good. [Sudden extreme turbulence. The case hits the Marshal in the head. The tail breaks off.] MARSHAL: [back on the island] Well? KATE: I wanted you to make sure that Ray Mullen got his 23 grand. MARSHAL: What—the guy who ratted you out? KATE: He had a hell of a mortgage. MARSHAL: You really are one of a kind. You know, you would have got away if you hadn't saved him. KATE: In case you hadn't noticed, I did get away. MARSHAL: You don't look free to me. Kate, I'm going to die, right? KATE: Yeah. MARSHAL: So, are you going to do it, or what? [sht of Jack looking out to sea at night. Hurley approaches.] HURLEY: Yo, so, where's the fugitive? JACK: In the tent. HURLEY: You let her in there alone? JACK: What's she going to do? She's 120 pounds soaking wet. HURLEY: Yeah, but she's got that gn. JACK: What? HURLEY: She's strapped, man. I saw it in her... in her... in her... in her... [Jack runs toward the infirmary. He sees Kate leaving.] JACK: Kate?! [They hear a gn sht. Kate walks away. Sawyer comes walking out with the gn.] JACK: What did you do? SAWYER: What you couldn't. Look, I get where you're coming from being a doctor and all, but he wanted it. Hell, he asked me. So, I don't like it any more than you do, but something had to be done. [Sound of choking sounds come from the infirmary tent.] HURLEY: Oh, no way. Guys? [Jack and Sawyer go back in the tent. Jack tries to stop the bleeding.] JACK: You sht him in the chest? SAWYER: I was aiming for his heart. JACK: You missed. HURLEY: [from the entrance of the tent] Man, is he still breathing? JACK: You perforated his lung. It'll take hours to bleed out. SAWYER: So what is—I only had one bllet. JACK: Get out. Get out! HURLEY: [leaving] Oh boy. [Sawyer leaves feeling bad, and tries to light a smoke but the lighter doesn't light. He throws the cigarette away.] SAWYER: Damn it! [The Marshal's sounds of pain stop. Jack walks out of the tent.] Act 6 [sht of Locke sitting on the beach blwing his whistle. Vincent shows up. Locke wakes Michael up but quiets him so as not to wake up Walt.] LOCKE: I found your son's dog. MICHAEL: What? LOCKE: Vincent-I tethered him to a tree just over there. I know that Walt lost his mom. I thought that you should be the one to bring his dog back to him. MICHAEL: Hey, thanks. LOCKE: Welcome. [sht of Jack looking out to sea. Kate joins him.] KATE: I want to tell you what I did - why he was after me. JACK: I don't want to know. It doesn't matter, Kate, who we were - what we did before this, before the crash. It doesn't really... 3 days ago we all died. We should all be able to start over. KATE: Okay. JACK: Okay. [Hurley listening to his headphones. Jin looking at a sleeping Sun, touching her hair. Boone gives sunglasses to Shannon. Sayid tosses Sawyer an apple. Charlie writing "late" on his finger tapes. Claire sitting on the beach. Michael bringing Vincent to Walt with Locke looking on—nice song fades to creepy music.]	{"type": "series", "show": "Lost", "episode": "1x03 - Tabula Rasa"}	foreverdreaming
[Flashback - Locke's eye opens. sht of him lying on beach, angle up from his feet. sht of engine still turning; Shannon screaming; Locke looking around; Jin screaming; Locke wiggling his toe, grabbing his shoe, moving slowly. Sound of dog barking.] -------------------------------------------------------------------------------- [Present day - sht of Locke awake in the dark, looking around the crash area. Pans to Walt and Michael.] MICHAEL: Walt, you gotta keep that dog quiet. WALT: I don't know what's wrong with him. Come on, Vincent, cut that out. [sht of the dog dragging Walt by the leash out of their sleeping area. He goes over by Boone and Shannon who wake up.] MICHAEL: Sorry, hey, sorry, sorry. [sht of Jin and Sun waking up. Sound of rummaging in the plane; Sayid looking around for what's wrong; sound of grunting; Hurley and Claire looking around; Charlie, redshirt waking up; Jack running up to where everyone else is. Kate sitting up. More sounds of rummaging, growling.] KATE: What is it? CLAIRE: Somebody's in there. SAYID: Everyone in there's dad. JACK: Sawyer. SAWYER: Right behind you, Jackass. [Jack pulls a little flashlight out of his pocket and goes toward the plane. Sawyer follows with a big flashlight.] KATE: Jack? [sht of inside plane. They are trying to see inside into the dark.] SAWYER: I'm gonna shed some light on this thing. [They see the animal look over its shoulder.] JACK: Run. [They all start running.] HURLEY: Oh crud, now what? [Sayid helping Claire. Boone helping Shannon. Jin helping Sun. Sawyer with Kate. Somebody knocks Charlie down. Jack helps Charlie. sht of three boars running into the woods.] SAYID: They're gone. CHARLIE: What the bloody hell was that? LOCKE: Boars. [Locke seems happy.] Act 2 [sht of Jack doctoring a scrape on Charlie's side.] JACK: Those boars were looking to feed. We have to get rid of the bodies. CHARLIE: Bury them? There's a whole bunch in there. SAYID: More than twenty. Digging will be difficult without shovels. JACK: We're not burying them. We need to burn them. KATE: They're people. JACK: I know they're people, Kate. SAYID: Burning the remains, they deserve better than that. JACK: Better than what? Being eaten by wild animals? Because that's what's going to happen. Any bodies we bury are not going to stay buried for very long. Look, I know this seems harsh, but that fuselage in the sun—it's not about what they deserve. They're gone, and we're not. SAYID: What you say may be true, but for us to decide how these people are laid to rest—it's not right. No regard for their wishes? Their religions? JACK: We don't have time to sort out everybody's god. CHARLIE: Really, last I heard we were positively made of time. JACK: Look, I'm not happy about it either, but we crashed a thousand miles off course. They're looking for us in the wrong place. It's been 4 days, no one's come. Tomorrow morning we need everyone to start gathering up wood, dried brush, and turn that fuselage into a furnace. Wait until the sun goes down tomorrow night before we start the fre. [Jack exits.] CHARLIE: If he's so eager to burn the bodies why are we waiting until sundown? KATE: He's hoping someone will see it. -------------------------------------------------------------------------------- [Day. sht of Sayid at the beach with electronic equipment. Kate approaches.] KATE: Looks like I'm not the only who couldn't sleep last night. SAYID: There are better things to do with my time than collect firewood. KATE: You don't agree with Jack. What are you making? SAYID: Too soon to talk about. I'm not sure it will even work. KATE: You're trying to pick up the transmission aren't you? The one we heard on the transceiver. SAYID: If the French woman's transmission has truly been playing on a loop for 16 years then there must be a power source on the Island. A significant one. KATE: And you can find it? SAYID: Hypothetically, yes. I'm making an antenna of sorts. With a few of these mounted at different points on the Island I may be able to use the transceiver to triangulate the signal, find out where it's coming from. KATE: So what can I do to help? SAYID: It appears you are as anxious to get off this Island as I am. [Kate looks down. sht of Michael walking back from getting wood, coming to beach. sht of Locke with a silver case.] WALT: [off camera] Catch the ball, catch the ball, Vincent. Good boy, good job Vincent. MICHAEL: Hey, hey, where you going, man? WALT: Nowhere, I just thought I'd see what Mr. Locke was doing. MICHAEL: Hey, why don't you help your dad with the wood. I'm sure Mr. Locke doesn't want a kid hanging around him all day anyway. WALT: At least he talks to me. Come on, Vincent. [sht of feet, a backpack, a scuffle.] HURLEY: What's your problem? Hand them over. SAWYER: How about no? HURLEY: There's other people here or don't you give a crap? SAWYER: Well if one of us wouldn't eat more than his fair share... HURLEY: Oh that's bull and you know it. You're not happy unless you're screwing over everybody... SAWYER: Hey I'm peachy, pork pie. [In the background we can hear someone saying knock it off.] JACK: [entering] Guys, knock it off. SAWYER: Stay out of this, Metro. [Jack and Sayid come and break up the fight.] JACK: What's going on? HURLEY: Jethro here's hoarding the last of the peanuts. SAWYER: My own stash. I found it in there. JACK: What about the rest of the food? HURLEY: There is no rest of the food, dude. We kind of—ate it all. SHANNON: What? [sht of everyone looking shocked and bummed.] JACK: Okay everybody, just calm down. SAYID: We can find food. There are plenty of things on this Island we can use for sustenance. SAWYER: [sitting down in an airplane seat] And exactly how are we going to find this sustenance. [A Knfe is thrown into the seat next the one Sawyer is sitting in. Everyone looks back at Locke.] LOCKE: We hunt. [Jack grabs the Knfe.] KATE: How'd you get that Knfe on the plane? LOCKE: Checked it. JACK: [handing the Knfe back to Locke] You either have very good aim, or very bad aim, Mr... MICHAEL: Locke. His name is Locke. JACK: Okay Mr. Locke, what is it that we're hunting? LOCKE: We know there are wild boar on the Island. Razorbacks, by the look of them. The ones that came into the camp last night were piglets, 100, 150 pounds each. Which means that there's a mother nearby. A 250 pound rat, with scimitar-like tusks, and a surly disposition, who'd love nothing more than to eviscerate anything that comes near. Boar's usual mode of attck is to circle around and charge from behind so I figure it'll take at least three of us to distract her long enough for me to flank one of the piglets, pin it, and slit its throat. SAWYER: [to Jack] And you gave him his Knfe back? JACK: Well, if you've got a better idea. SAWYER: Better than the three of you wandering into the magic forest to bag a hunk of ham with nothing but a little bitty hunting Knfe? Hell no, it's the best idea I ever heard. [Locke opens his case which is full of knives. Everyone looks like "okay"?] HURLEY: Who is this guy? -------------------------------------------------------------------------------- [Flashback - We hear the sound of a phone ringing, and see Locke in an office, answering it.] LOCKE: Yes? GL12: Colonel Locke, is this line secure? [Locke looks around like he's checking if anyone's listening.] LOCKE: Line secure GL12, go ahead. GL12: Target area is acquired. Maneuvers are a go for 1300 hours. Repeat: we are a GO. LOCKE: Roger that. We'll convene at the usual rendezvous point at 1300 hours. RANDY: [Locke's boss] Locke. I told you I need those TPS reports done by noon today. Not 12:30; not 12:15; noon. [Wide sht of a bunch of cubicles.] LOCKE: I heard you the first time, Randy. RANDY: And no personal calls during office hours, Colonel. [sht of Locke crunching numbers.] Act 3 [sht of Kate slipping a Knfe into a sheath at her waist. Jack enters.] JACK: So? Hunting boar, now, huh? KATE: Who says it's my first time boar hunting? JACK: Uh-huh. Tell me something, how come every time there's a hike into the heart of darkness you sign up? You know what's in there. KATE: Actually, I don't. And neither do you. JACK: What's your feel on our new friend? KATE: Seems to know what he's doing. JACK: Call me paranoid, but anyone who packs a suitcase full of knives? KATE: If I didn't know any better, I'd say your worried about me, Jack. JACK: If I didn't know any better, I'd say you have a problem staying in one place for very long, Kate. So, you want to tell me why you're really going? KATE: [showing the antenna to Jack] Sayid gave me this so he can triangulate the distress signal we heard—find the source. JACK: This isn't about boars. KATE: I'm a vegetarian. [sht of Walt and Michael.] WALT: But why can't I come? MICHAEL: Because I said so. [sht of Sun walking with some plants.] MICHAEL: [getting Sun's attention] Hi, hi, excuse me. Um, I am going off, away, to hunt, and um, I was wondering if you could keep an eye on my boy, Walt. And, I'm Michael. Anyway, could you watch him for me, until I come back? SUN: 아... 아드님은 제가 잘 돌보고 있을게요. 예... MICHAEL: Sorry I don't understand, but you're cool with this, right? [giving her the okay sign with his hand] [Sun nods and gives the okay sign.] WALT: I don't need a babysitter. MICHAEL: Come on, Vincent needs you here. And, hey, cheer up. This will give me a chance to get to know your friend Mr. Locke a little better. SUN: 너무 걱정하지 마. 아버지 괜찮으실 거야. WALT: Yeah, whatever. [sht of Jack stacking wood, Claire enters.] CLAIRE: Excuse me. Doctor? JACK: Claire, right? How's the [pointing to her belly]. CLAIRE: Oh, he's good, yeah, thanks. Um, I thought maybe you should see this [she hands him a stack of papers]. Someone found it in there. They're collecting all the belongings. They're wedding plans for Steve and Kristin. They were on the plane sitting a couple of rows behind me. I remember because they looked so happy. JACK: I don't understand, Claire, what am I supposed to do with this? CLAIRE: Oh, well, um, some of us were wondering if maybe we should do some kind of memorial service, or something. You could lead it. JACK: Uh, no, I don't think it... CLAIRE: Well, you know, just a few words, or we could just read their names from passports, and drivers... JACK: Look, it's not my thing. CLAIRE: Oh, okay. Maybe I'll do it. JACK: Yeah, sounds fine. Whatever everybody wants. [sht of Boone looking at Rose sitting alone on the beach away from everyone.] BOONE: [to Shannon] That woman's still sitting there. SHANNON: [not looking up from a crossword she's doing] Mmmhmmm. BOONE: Her husband was on the plane. SHANNON: Right. BOONE: Are you even listening to me? SHANNON: What's a four letter word for I don't care? BOONE: I just think somebody should go talk to her. SHANNON: I nominate you, Captain America. You just can't help yourself, can you? BOONE: Yeah, well, at least you don't have to worry about starving with me taking care of you. SHANNON: I'm not going to starve. BOONE: Right, what are you going to eat? SHANNON: The ocean's full of fish. BOONE: I hate to break it to you—the ocean is not going to take your gold card. SHANNON: You really don't think I can't catch a fish? -------------------------------------------------------------------------------- [sht of Locke in the jungle digging in the ground with his Knfe.] KATE: You find something? LOCKE: The ground here has been rooted up. That's how boars get the majority of their food, they dig. Afterwards they generally wallow in the dirt, rub up against the trees, scoring them with their tusks. MICHAEL: Okay. So what's all that mean? LOCKE: Means we're close. -------------------------------------------------------------------------------- [sht of Charlie getting drugs out of his baggie. Close up of hands. Shannon appears.] SHANNON: Hi. CHARLIE: Hi. (putting the drugs back in his pocket). Shannon, right? SHANNON: Yeah. Are you doing anything? CHARLIE: Me? No, I was just, uh. What are you doing? SHANNON: I was just going to go for a walk. Do you want to come? CHARLIE: Yeah, yes, sure. SHANNON: Can I ask you something? CHARLIE: Oh, I wondered when this was going to come up. Yes, I'm the bass guitarist in Dri… SHANNON: Do you know anything about fishing? CHARLIE: What? Fishing? My grand-dad used to take me out, taught me everything he knows. Everything he knew, he's dad now, god rest his soul. Yeah, I'm like a … I'm a fishing fiend. I mean England's an island so I just throw it in and … fish. SHANNON: Good. [sht of wheelchair being used as a wheelbarrow for wood. Boone enters toward Jack.] BOONE: Hey doc, you got a second? JACK: What's up? BOONE: The woman's been sitting over there by herself. Maybe she's having trouble dealing with her husband? I don't think she's had anything to eat or drink. Think maybe you can go talk to her? JACK: Why me? I'm not a psychiatrist. I mean, maybe you should... BOONE: I just thought you might want to do it. You're the one that saved her life. [sht of Rose holding a wedding band around her neck. Jack enters with water and puts a blanket around her shoulders.] JACK: Hi. Rose, right? Remember me, seat 23A? I'm the guy that told you not to worry about the turbulence. Everybody's getting pretty worried about you, Rose. If you want to be alone that's fine, but you have to take care of yourself. You should really drink. Okay. We don't have to talk. Let's just sit for a while. -------------------------------------------------------------------------------- [Kate, Locke and Michael in jungle.] KATE: Your son, how's he handling all of this? MICHAEL: A hell of a lot better than I am. KATE: You must be proud. He's a brave kid. MICHAEL: Yeah. I can't take credit for that. I wasn't part of his life. Till his mother passed away, two weeks ago. KATE: I'm sorry. I didn't know. MICHAEL: That's okay. There were living in Sydney the past couple of years. I flew out last week, you know, to go get him. What were you doing in Australia? [sht of Locke, listening to boar noises.] LOCKE: Shhh. [Locke sees tusk marks on a tree. Gives hand signals to direct the others.] MICHAEL: Hey, quit giving us the steal signal. [A boar suddenly runs at them. Locke gets Kate out of the way. Michael gets gored. Michael screaming. Locke laying on the ground with Knfe sticking up phallically. Kate helps Michael. Same ankle-up sht of Locke as when he comes to on the beach. He doesn't move right away. Michael is moaning.] KATE: He's bad. [Flashback - sht of an army game like Risk.] GL12: Move. You've got to move Col. Your troops are across enemy lines. [sht of Locke in an office break room.] LOCKE: Patience, the quality which you lack, GL12, is the hallmark of a leader. [Randy walks in the break room.] RANDY: Hallmark, huh? Tell me more about being a leader, Locke. While you're at it, tell me about this Col. thing. I cruised your file in human resources, you've never been in any of the armed forces. LOCKE: I'm just playing a game, Randy. It's my lunch hour, I can play a game. RANDY: Well, tell me, what's a Walkabout? [reading from a brochure]: "Experience the dream journeys of the fabled Australian Outback." LOCKE: You have no right taking that off my desk. RANDY: So, you wander around hunting and gathering food, right? On foot? LOCKE: Not that you would understand, but a Walkabout is a journey of spiritual renewal, where one derives strength from the earth. And becomes inseparable from it. I have vacation days, I'm going, Randy. I've already made a reservation. GL12: Wow. John you're really doing it, huh? You tell Helen yet? RANDY: Helen? Well, what's this Locke, you've actually got a woman in your life. LOCKE: That's none of your business. RANDY: What is it with you Locke? Why do you trture yourself? I mean, imagining you're some hunter? Walkabouts? Wake up, you can't do any of that. LOCKE: Norman Croucher. RANDY: What? Norman what? LOCKE: Norman Croucher. Norman Croucher, double amputee, no legs. He climbed to the top of Mt. Everest. Why? It was his destiny. RANDY: That's what you think you've got, old man? Destiny? LOCKE: Just don't tell me what I can't do. -------------------------------------------------------------------------------- [On-Island - Locke is still lying there.] KATE: [off camera at first] He's hurt. John? Can you hear me? Locke? John you okay? [sht from the foot angle again.] KATE: Locke? LOCKE: [moving] I'm fine, I'm fine. I'm fine, Helen, I just got the wind knocked out of me is all. KATE: Helen? LOCKE: What? KATE: You called me Helen. LOCKE: Did I? [Kate is tending to Michael, making a tourniquet.] LOCKE: Which way did that boar go? KATE: Michael's hurt. We have to get him back to camp. LOCKE: Yeah, you take him back to camp. I'm going to get that boar. [Kate looks shocked.] KATE: What are you talking about? LOCKE: I'm fine. I can do this. KATE: John, you can't. LOCKE: Don't tell me what I can't do. Act 4 [sht of Hurley and Charlie in the surf trying to fish with a stick with a piece of airplane shrapnel.] CHARLIE: Did you get it? HURLEY: Dude, quit asking me that. CHARLIE: Sorry. You, you said you knew how to fish. HURLEY: Yeah, off the Santa Monica pier with my old man and a fishing pole and bait. Never had to try and poke one with a sharp stick. CHARLIE: Well, I really appreciate you helping me out, thanks. HURLEY: Anything to keep me far away from that fuselage and that freakin' redneck jerk. [Hurley spears again and misses] Damn it, crap, crap, son of a... CHARLIE: You let me have a go? HURLEY: Knock yourself out. Okay, here comes one. Put your weight into it. Now, you see it? Wait for it, wait... now. [Charlie lunges and misses]. Dude, you've got to try to pin it. CHARLIE: You see how close I was? No, you said I had to corner it. -------------------------------------------------------------------------------- [sht of Sayid on the beach with a hand full of wires, next to Claire sorting through stuff.] CLAIRE: Excuse me, your name's Sayid, right? SAYID: Yes. CLAIRE: I just found this. It's got your name on it. [She hands him an envelope]. SAYID: I thought I'd lost this. Thank you. CLAIRE: Sure. [Sayid opens the envelope which has pictures of a woman, he rubs his thumb over a picture of her face.] -------------------------------------------------------------------------------- [sht of Jack and Rose.] ROSE: His fingers swell. JACK: Sorry? ROSE: Bernard, my husband, his hands swell up whenever we fly. JACK: The altitude. ROSE: He started having me hold onto his wedding ring whenever we took a plane trip. Always wore it around my neck for safe keeping. Just until we landed. You know, doctor, you don't have to keep your promise. JACK: Promise? ROSE: The one you gave me on the plane. The one you made me—to keep me company until my husband got back from the restroom. I'm letting you off the hook. JACK: Well, you're not going to get rid of me that easily. Rose, you shouldn't be out here alone. You're suffering from Post Traumatic Shock. ROSE: Aren't we all? JACK: Yeah, I guess we are. ROSE: You have a nice way about you. A good soul, patient, caring. I suppose that's why you became a doctor. JACK: Thanks but I was just kind of born into it. Family business. [sht of Locke out hunting alone.] -------------------------------------------------------------------------------- [Flashback - Locke is in his bed in a studio apartment talking on the phone.] LOCKE: I have never felt so alive. Getting to finally tell Randy off was... life changing. I mean it, now I'm free to do all those things I ever wanted to do. Things that I know I was destined to do, like we talked about Helen. HELEN: That's wonderful John. I'm happy for you, really. LOCKE: I haven't even told you the best part. [He reaches over and turns a machine off by his bed] You remember the authentic aboriginal Walkabout? HELEN: Sure. That's all you've talked about for weeks. LOCKE: Yeah, well, I'm going to do it. I'm flying to Australia at the end of the week. And I've, uh. I bought two tickets. Helen? HELEN: John, we've talked about this. I like you and I've enjoyed talking with you these past few months. LOCKE: 8 months. HELEN: I'm not allowed to meet customers. LOCKE: Customer? Is that what I am to you? HELEN: This isn't really normal. I mean, it isn't what I do. I don't know, maybe you should find a... I don't know... a therapist? LOCKE: I have a therapist. HELEN: John. LOCKE: I thought you understood Helen. You know me better than anyone. HELEN: John, if we talk any longer, I'm going to have to charge you for another hour. That's another 89.95 and... LOCKE: Look, I don't care about the money. I just... HELEN: I'm sorry John, I've got to go. LOCKE: [we hear the click of the hang up] Helen, Helen. Helen! [Locke slams the phone down several times.] -------------------------------------------------------------------------------- [On-Island - Kate is helping Michael back to camp. They stop.] KATE: Hey, hey wait a minute. Rest here for a minute. [Kate is taking off her backpack and over-shirt.] MICHAEL: I thought the guy with the gimpy leg should be deciding when we rest. What are you doing? KATE: Trying to boost the transceiver signal. I'm going to climb this tree and attach the antenna. MICHAEL: You're going to climb that? KATE: Yeah. Don't worry. I've climbed a lot worse. [Kate climbs the tree; sht of Locke hiking; Michael adjusting his bandage; Kate taking the antenna out of her pack. Everything shakes and we hear the metallic/growling noise. Kate drops the antenna. Kate sees the monster going toward Locke.] KATE: Locke. [sht of Locke in the jungle. He hears the sound of boars and starts to run toward them. Then we can hear the metallic sound and see the trees moving. Locke halts and looks up, backs away a bit. Camera is monster POV looking at Locke. Close up of Locke looking amazed.] Act 5 [sht of people on the beach, Claire, Sawyer.] SAWYER: [to Claire] Hey, uh... CLAIRE: Hey. SAWYER: These were, um. I found these the other day when I was... Aw hell, just, just take it. [He hands her a stack of wallets] CLAIRE: Thank you. [We see Walt and Sun on the beach. Sun is breaking a piece of a plant off.] WALT: What is that? [Sun shows Walt how to brush his teeth with it.] WALT: Oh, I get it. It's like toothpaste. SUN: [Sun says something in Korean that sounds like chia.] [치약.] WALT: Chia? [sht of Kate helping Michael back. Hurley runs up.] WALT: Dad! HURLEY: So, like, what happened out there? WALT: Dad! MICHAEL: Hey, hey! WALT: Your leg's all messed up. Does it hurt? MICHAEL: It's okay. It's not as bad as it looks. SAWYER: The mighty huntress returns. What's for dinner, hon- KATE: Not now. WALT: So, it was like a boar fight? MICHAEL: Not too much of a fight. It was more like me getting gored. WALT: So, um, where's Mr. Locke? [sht of Boone walking up to Shannon] BOONE: I don't think that hunt went very well. The bald guy never came back. SHANNON: Wait, they didn't bring back any food at all? BOONE: Did you hear what I just said? Somebody might have died out there. SHANNON: Well, we're all going to die if somebody doesn't do something. CHARLIE: [approaching] There you are. As promised, you and I will be dining of fresh catch of the day. SHANNON: [squealing] Oh, my fish! CHARLIE: I hope you don't mind al fresco. It was no problem. You know what, that one actually gave me a hell of a tussle, but you have to get inside the mind of the fish, you know. BOONE: I don't believe you. CHARLIE: I got it in the shallows, I cornered it. SHANNON: [to Boone] What's the matter? Can't stand to see me fending for myself? BOONE: [to Charlie] I'm sorry about this, seriously. CHARLIE: No, no, it's okay. SHANNON: What are you apologizing to him for? BOONE: For you. For using him—using this poor guy like you use everyone else. SHANNON: Oh, whatever. BOONE: Somewhere in that twisted little brain, you think this proves that you can take care of yourself. [Shannon and Boone walk away from Charlie.] SHANNON: I told you I'd catch a fish, didn't I? BOONE: [off camera, sht is on Charlie's sad reaction] That's low Shannon, even for you. SHANNON: Oh, go rescue a baby bird or something. -------------------------------------------------------------------------------- [sht of Jack and Rose on the beach.] JACK: Rose, after the sun goes down, we're going to burn the fuselage. It's just something that we have to do. There's going to be a memorial service back at the camp for those—for those who didn't make it. For everyone to say goodbye. ROSE: I'd like to be there for that. JACK: Okay. [They get up to go]. Maybe if you'd like to say something, you know, about your husband. ROSE: What? JACK: I'm just saying if you wanted to say goodbye to Bernard. ROSE: Doctor, my husband is not dad. JACK: Rose, he was in the tail section of the plane. It broke off in mid-flight. I'm sorry, but everyone who was in the rear of the plane's gone. ROSE: They're probably thinking the same thing about us. [Jack does a double-take. Sees a man in a suit and white shoes standing under a tree on the beach. He walks toward it.] ROSE: Doctor? You coming? [He looks back and the man is gone.] -------------------------------------------------------------------------------- [sht of Sayid with some equipment, Kate walks up and hands him the broken antenna.] KATE: I'm sorry. I guess I should've gotten a warranty. SAYID: I suppose I'll just try again. Of course, I have no welding iron, no rivets, scorched wiring. And it seems I must continue to lie to anyone who asks me what it is I'm actually doing. [Throws the antenna down angrily.] KATE: Sayid, I'll try it again. SAYID: [calmly] We'll try it again. JACK: [entering] Kate. SAYID: Excuse me. [He exit.s] KATE: Hey. JACK: [reaching for Kate's face] You okay? KATE: Is this when you say "I told you so?" JACK: No, I'm not big on rubbing it in. KATE: Locke, um. Locke's gone. That thing, it was moving in his direction. There wasn't time. [Looking toward another part of the beach] What's going on? JACK: The fuselage is ready to go. Some of the others decided, um … I guess there's going to be some words said over the fre... KATE: That's good. JAck: ... names read, I think. KATE: I just don't think they're ready to hear about some of the things that we've... [Jack suddenly runs off.] KATE: Jack? Jack? [Jack runs into the woods a little ways. Kate follows. We see Locke dragging a boar out of the woods.] JACK: Locke. [All looking at each other.] Act 6 [sht of everyone around by the fuselage. The memorial.] CLAIRE: Judith Martha Wexler from Denton, TX, guess she was going to catch a connecting flight. Um, she wore corrective lenses and she was an organ donor, or at least would have been. Steve and Kirsten, I don't know their last name, but they were really in love and were going to be married. At least, wherever they are now, they're not alone. [sht of Charlie doing drugs, hiding.] CLAIRE: ... video store receipt lists his overdue charges for Willie Wonka and A Little Princess. Looks like he hadn't traveled much... as far as I can tell from his passport. [sht of Charlie coming back standing next to Kate.] KATE: You seen Jack? CLAIRE: ... Wollstein, Harold, seat 23C. [sht of Jack sitting alone on the beach.] CLAIRE: [In the background] That's all we have on Harold, his name on a boarding pass... I just wish there was something more... Goodbye, Harold. [sht of Michael next to Locke.] MICHAEL: Nice work. LOCKE: What? CLAIRE: Millicent Louise D'Agostino MICHAEL: The boar. Nice work, you know, klling it. CLAIRE: ...Teaneck, NJ. MICHAEL: Just thought I should say something. So that thing, the monster, whatever. She said it was headed right towards you. Did you see anything? Get any kind of look at it? LOCKE: No. [Close up of Locke.] -------------------------------------------------------------------------------- [Flashback - Travel agency office in Australia.] AGENT: The Walkabouts we arrange here are not just some stroll through the park. It's trekking across vast stretches of desert, rafting bloody treacherous waters. LOCKE: Look, you've got no idea who you're talking to. I'm well aware of what's involved, believe me. I probably know more than you on the subject. AGENT: In any case, it's a trying ordeal for someone in peak physical condition, let alone... LOCKE: Look, I booked this tour a month ago, you've already got my money. Now, I demand a place on that bus. AGENT: You misrepresented yourself... LOCKE: I never lied. AGENT: By omission, Mr. Locke. You neglected to tell us about your condition. LOCKE: My condition is not an issue. I've lived with it for 4 years. It's never kept me from doing anything. AGENT: Look, unfortunately it is an issue for our insurance company. I can't keep the bus waiting any longer. It isn't fair to the other people. LOCKE: Hey, don't talk to me about fair. AGENT: I can get you on a plane back to Sydney on our dime. That's the best I can do. LOCKE: No. I don't want to go back to Sydney. Look I've been preparing for this for years. Just put me on the bus, right now, I can do this. AGENT: No, you can't. LOCKE: Hey, hey, don't you walk away from me. [The wheelchair reveal]. You don't know who you're dealing with. Don't ever tell me what I can't do, ever. This is destiny. This is destiny. This is my destiny. (yelling) I'm supposed to do this, dammit. Don't tell me what I can't do. Don't tell me what I can't... [The bus pulls away.] -------------------------------------------------------------------------------- [On-Island - We see a sht of Locke on the beach when he comes to, from the beginning of the episode. Putting his shoes on, getting up, Jack calls to him for help and he goes. sht of Locke back at the memorial.] CLAIRE: Millicent Louise D'Agostino. Teaneck, New Jersey. [sht of fuselage on f*re. Locke looks over at the wheelchair and smiles.]	{"type": "series", "show": "Lost", "episode": "1x04 - Walkabout"}	foreverdreaming
[Flashback - An eye opens. We pan out to see a young Jack laying on the ground. Another kid is standing over him.] MEATHEAD: Stay down! It's your choice man, walk away now and you won't get your ass kicked. [sht of young Jack looking at another kid getting punched. Jack gets up and tries to go help.] MEATHEAD: You should've stayed down, Jack. [sht of fist coming into the camera. Fade to black.] -------------------------------------------------------------------------------- [On-Island] CHARLIE: [off camera] Jack, Jack! [sht of Jack on the beach laying down, but looking out to sea.] CHARLIE: [off camera at first] Jack. Hey, Jack. There's someone out there. You gotta—the current's—there's someone out there, look. [sht of ocean, and splashing in the distance. We can hear someone yell help.] CHARLIE: I woke up and she's—I don't swim. [Jack runs toward the ocean.] CHARLIE: I don't swim. [sht of Jack swimming out. sht of Kate. sht of Jack, he can't see anything, and dives under. Comes up, dives under. He comes up with Boone.] JACK: You okay, just take deep breaths now. Come on, just breathe, just breathe. BOONE: Did you get her? JACK: What? BOONE: There was a woman—I was trying to—did you get her? [sht of woman in the distance, we hear her screaming "Help!" seeral times.] BOONE: You gotta go back. [sht of Kate and Charlie running toward ocean to get Boone. Jack goes back in.] KATE: Jack? JACK: There's someone else still out there. [We see a wide sht of Jack swimming out to sea.] Act 2 [We see Boone looking out to the sea, dejectedly. He looks over his shoulder toward Jack. We see Jack walking up the beach, Kate catching up to him.] KATE: Hey. JACK: So, what'd they say? KATE: Jack, maybe you should... JACK: Who was she? KATE: Her name was Joanna, she wasn't supposed to be on the plane. She was scuba diving off the barrier reef and got an ear infection so the doctor grounded her for two days. She bumped her flight. That's how she ended up with us. JACK: She was just swimming this morning, got caught in a riptide. We've been here six days and I never talked to her. Never said a word to her. KATE: Jack, don't. JACK: There were 47 of us and I never said a single word to her. KATE: You tried. JACK: No I didn't. I thought maybe I'd—I thought maybe I could bring him back and still have the time. I was there, in the water. I didn't try. I decided not to go after her. [Jack sees the man in the suit standing in the ocean.] KATE: Jack? [Jack walks toward the ocean.] KATE: Jack? [Jack looks again and there is no man in the ocean.] KATE: Are you okay? JACK: Did you see that? KATE: What? JACK: Standing there, in the water, there was a man. You didn't see that? KATE: Jack, when was the last time you slept? JACK: [referring to the bag he's carrying] I need to put this with the rest of the gear. [sht of Kate looking worried. sht of Vincent running along beach with a tennis ball. sht of Walt cleaning his teeth with the plant like Sun showed him.] MICHAEL: Who taught you that? WALT: Sun, the Korean lady. [Walt gets a cup of sea water.] MICHAEL: Don't swallow it. WALT: Why not? MICHAEL: Ocean water'll make you thirsty. WALT: Why? MICHAEL: [annoyed] Just don't swallow it, man. Alright? [sht of Walt rinsing and spitting and Sun looks on. Jin's hand comes in the frame and turns Sun's face toward him.] JIN: 입술 좀 봐. 물을 꼭 마셔야 돼. [Subtitle: Look at your lips. You really need water.] SUN: 아니. 난 괜찮아요… 고마워. 우리한테 언제 얘기해 줄까요? 뭘 어떻게 해야 할 지 모르겠네. 아무도 우릴 찾지 않을 것 같아요. [Subtitle: No. I'm alright … Thank you. When will someone tell us what to do? I don't think anyone is coming.] JIN: 걱정하지 마. 사람이 올 거야. [Subtitle: Someone will come.] SUN: 모두 다… 우릴 무시해요. 좀 더 적극적으로 얘기를 하려고 노력을 하면… [Subtitle: The others … they ignore us. If we tried harder to communicate...] JIN : 우리는 괜찮을 거야. 다른 사람은 필요 없어. 그냥 내가 하라는 대로 하면 돼. [Subtitle: We'll be fine. We don't need anyone else. I will tell you what to do.] [We see Shannon walking toward Sawyer.] SHANNON: Have you got it or what? SAWYER: You're in my light, sticks. SHANNON: Lightsticks? What the hell is that supposed to...? SAWYER: Light, comma, sticks. As in those legs of yours. SHANNON: Look, while I really love my new nickname, and I think it's really sweet... SAWYER: Calm down. I got your damn stuff. SHANNON: It'll keep off sand fleas? SAWYER: You bet. Even has aloe. SHANNON: How much? SAWYER: Your money's no good here. SHANNON: Then what the hell do you want? [Sawyer just smiles.] SHANNON: If you really think I'm going to... SAWYER: Five grand. SHANNON: I thought you said my money was no good here. SAWYER: I was negotiating. I can take an IOU. Something tells me you're good... for it. [Shannon throws the bug dope at Sawyer and storms away. We see Kate going through clothes, as Claire approaches.] CLAIRE: You haven't found a hairbrush in there, have you? KATE: No. Sorry. CLAIRE: I must have looked through twenty suitcases. I can't find one. It's weird, right? When you think that everyone packs a hairbrush. [Claire sits/sort of falls down.] KATE: You alright? CLAIRE: Yeah, it's just the heat. Oh, and, and I'm pregnant. KATE: Really? [She hands Claire some water.] CLAIRE: Thanks. What are you doing? KATE: I'm sorting the practical clothes from the impractical. Wanna help? CLAIRE: Sure. Can I—can I ask you something? KATE: Sure, sh*t. CLAIRE: Are you a Gemini? KATE: Yeah, I am. CLAIRE: I thought so, restless, passionate. You know, everyone thinks astrology's just a load of crap but that's just because they don't get it. I can do your chart if you want to? [Kate doesn't reply] Or not... Geminis... [Kate laughs and Claire joins her. sht of Jack, as Hurley approaches.] HURLEY: Hey Jack! [Return to close up of Hurley] HURLEY: Whoa. You look tired, brother. JACK: I'm fine. What's up? HURLEY: We got a problem. [Jack looks too tired to deal with it. sht of some water bottles in a suitcase.] JACK: That's it? CHARLIE: That's it. JACK: How many? CHARLIE: 18. HURLEY: People just kind of took what they needed because we were supposed to be rescued, but we weren't. CHARLIE: Even if we divvied it up, split the bottles in half it wouldn't be enough for 47 people. JACK: 46. There is 46 of us now. HURLEY: People find out this is all we have left, they're going to freak out, man. CHARLIE: The boar's running low until we can catch another one. What should we tell them? JACK: I don't know. HURLEY: Maybe we can make one of those water finding sticks. CHARLIE: What should we do with the stuff we've got? JACK: I don't know. [Jack walks away. Charlie and Hurley follow with the suitcase of water.] CHARLIE: We should put it in the tent, yeah? HURLEY: Maybe the dog can find water? CHARLIE: Probably better if no one knows how little is left. HURLEY: I mean, dogs can find pot and bmb, so I'm sure they can find water. CHARLIE: Don't tell the others we're running low. That way you can ration it. Then you can decide what... JACK: I'm not deciding anything! HURLEY: Why not? -------------------------------------------------------------------------------- [Flashback - We hear the sound of ice clinking in glass, then see a sht of a glass with ice and alcohol.] CHRISTIAN SHEPHARD: You wanna come in? [Young Jack enters his father's study.] CHRISTIAN SHEPHARD: So, you want to tell me what happened? YOUNG JACK: A couple guys jumped Marc Silverman. CHRISTIAN SHEPHARD: A couple guys jumped Marc Silverman. But they didn't jump you? YOUNG JACK: No. CHRISTIAN SHEPHARD: I had a boy on my table today. I don't know, maybe a year younger than you. He had a bad heart. It got real hairy, real fast. And everybody's looking at your old man to make decisions. And I was able to make those decisions because at the end of the day, after the boy died, I was able to wash my hands and come home to dinner. You know, watch a little Carol Burnett, laugh till my sides hurt. And how can I do that, hmm? And even when I fail, how do I do that, Jack? Because I have what it takes. Don't choose, Jack, don't decide. You don't want to be a hero, you don't try and save everyone because when you fail... you just don't have what it takes. -------------------------------------------------------------------------------- [On-Island - Close up of Jack back on beach.] BOONE: [off camera] Why didn't you leave me? Hey, I'm talking to you. JACK: Not now, man. BOONE: I could have made it back. What? Not going to answer me? I told you to leave me. JACK: You were drowning. BOONE: You should've saved her. JACK: But I didn't save her. And neither did you. [Jack walks away. Boone follows.] BOONE: You think you're all noble and heroic for coming after me? I was fine! You're not the only one who knows what to do around here, you know that? I run a business! Who appointed you our savior, huh? What gives you the right—[Jack looks off toward the jungle]. Look at me. Hey, I'm talking to you. [Jack sees the man in the suit again.] BOONE: Look at me, Jack. Where are you going? Hey, where are going? Hey! [Jack runs off toward the figure. The man has stopped, and Jack stops, too, about 12 feet away. He walks slowly toward the man, reaches out his hand. The man turns. It's Jack's father. Jack backs away and falls.] JACK: Dad? [The figure walks away. Close up of Jack.] Act 3 [sht of Jack on ground in jungle.] -------------------------------------------------------------------------------- [Flashback - sht of Jack in house looking at his reflection in a window, rain outside.] MARGO: Your father's gone, Jack. Did you hear what I said? He's gone, Jack. JACK: He'll be back. MARGO: This time it's different. I want you to bring him back. [Jack sighs.] MARGO: What? JACK: He hasn't talked to me in two months, Mom. MARGO: You haven't talked to him in two months. JACK: He doesn't want me to bring him back, trust me. Let one of his friends. MARGO: He doesn't have friends anymore. Why do you think that is? He was right about you. JACK: Right about what? MARGO: You don't understand the pressure that he's under. JACK: I understand pressure. MARGO: Jack, please you know how he gets—he doesn't—he won't take care of himself. You have to go after him. JACK: I'm sorry. I can't. MARGO: "I can't?" You don't get to say "I can't." Not after what you did. Bring your father home, Jack. JACK: Where is he? MARGO: Australia. -------------------------------------------------------------------------------- [On-Island - sht of Jack in jungle pursuing his father. sht of Walt running to Kate on beach.] WALT: Hey, hey! KATE: What's the matter? WALT: That pregnant lady fell down. [sht of Charlie, Michael and Kate carrying Claire to the infirmary.] KATE: What happened? CHARLIE: She just dropped. KATE: It must be the heat. Is she breathing? MICHAEL: Yeah, I think. KATE: Come on. Let's get her inside. CHARLIE: Wake up. KATE: Claire? Claire, honey, wake up. Claire? Can you hear me, Claire. Come on. Wake up. Come on. Come on, please wake up. Come on. Claire, can you hear me? Alright. CLAIRE: Hmm? KATE: Hi. It's me. It's Kate. CLAIRE: What? KATE: You passed out. Just take it easy, okay? [To Charlie] She needs water. [sht of Charlie looking for water and not finding it.] KATE: Don't move, okay? Honey, I think you have a fever, but if you keep really still that's okay. It's okay, it's okay. CHARLIE: What the... The water's gone. Someone stole it. [sht of Locke, Sayid, Kate on beach.] LOCKE: Where is the doctor? KATE: I don't know. No one can find him. SAYID: Is this the last of the camp's water supply? KATE: Yeah. SAYID: Keeping it all in one place, foolish. KATE: I can go into the jungle, try to find some fresh water. SAYID: You're not going alone. LOCKE: When the others find out the water's gone it's going to get ugly. And when they find out that someone pinched it, it's going to get uglier. I'll go. Camp needs you two here, especially with the doctor gone. And besides, I know where to look. [sht of Jack wandering around the jungle.] JACK: Where are you? Where are you? [yelling] Where are you?! -------------------------------------------------------------------------------- [Flashback - sht of Jack in a hotel room.] HOTEL MANAGER: The maid says he hasn't used the bed in the past three days. JACK: Did he rent a car from the concierge? HOTEL MANAGER: No, sir. Quite honestly, Mr. Shephard, I don't think your father rented a car at all. JACK: Yeah, why's that? HOTEL MANAGER: There was an incident a few nights ago, here at the hotel bar. I had to get security to escort your father to his room. JACK: What's that have to do with renting a car? HOTEL MANAGER: I'm sorry, sir, I shouldn't have said- JACK: Come on, what's that have to do with renting a car? HOTEL MANAGER: Mr. Shephard, I don't think any rental agent in Sydney would lease your father a car in his condition. JACK: My father is a Chief of Surgery. HOTEL MANAGER: Of course, sir. I apologize. [Jack has been looking around room, finding bottles of booze, pills. He finds his father's wallet on the bedside table.] JACK: He left his wallet. Who leaves a wallet? HOTEL MANAGER: Perhaps you should talk to the police, Mr. Shephard. JACK: Where are you? -------------------------------------------------------------------------------- [On-Island - sht of Jack in the jungle running after the figure again, disoriented. He gets to a clearing and then the father is behind him. He runs after him again, and falls down a hill and off a cliff. We see him trying to hold on, climb back up.] Act 4 [We see Jack hanging onto the vine; he's slipping, and a hand comes over the top.] LOCKE: Take my hand. Come on. [Locke pulls him up and they both stay on the ground a moment, catching their breath.] LOCKE: You okay? [Jack laughs, slightly crazily.] -------------------------------------------------------------------------------- [sht of Charlie on the beach, bringing water to Claire.] CHARLIE: Hey. CLAIRE: Hey. How long have I... CHARLIE: A couple of hours. Here. It's not much but it's what we have. Just relax, you have to think about the little one now, you. CLAIRE: Thanks for the water, Charlie. CHARLIE: There'd be more if some git hadn't nicked it. CLAIRE: Is Jack back yet? CHARLIE: No. No one's seen him. But, I wouldn't worry. Good old Mr. Locke's gone into the jungle to get some water for you. CLAIRE: Great. Our only hunter's going to get eaten just so he can get the pregnant girl some more water. CHARLIE: I wouldn't worry, luv. I mean, you tell me, who would you rather meet in a dark alley, whatever's out there, or that geezer with his 400 knives? I mean, who packs 400 knives? Personally, I can only have space for 200, 300 at most. CLAIRE: [chuckles] When are they going to rescue us? CHARLIE: Soon. CLAIRE: Thanks, Charlie. CHARLIE: For what? CLAIRE: People don't seem to look me in the eye here. I think I scare them. The baby... It's like I'm this time bmb of responsibility just waiting to go off. CHARLIE: You don't scare me. [Hurley runs up to Sayid and Kate.] HURLEY: Uh, the Chinese people have water. [Sayid goes right off to Sun.] SAYID: Where did you get this? Where did you get this? [yelling] Where! Did! You!- KATE: She doesn't understand you. SAYID: She understands me. Did you steal this water? SUN: 죄송하지만 무슨 오해가 있는 것 같은데요. 그런 게 아니라… Jin: [Runs up yelling.] 떨어져, 이 새끼야. 내 와이프 한 번만 더 만지면 넌 죽어. KATE: Just take it easy, alright. We just want to talk, alright? This had water in it. Is it yours? Who gave you this? [Jin points at Sawyer who's smoking a cigarette. Kate moves to go to him, but Sayid stops her.] SAYID: I don't see the water. KATE: And? SAYID: You go after him now, he'll give you nothing. But if you wait, a rat will always lead you to it's hole. -------------------------------------------------------------------------------- [sht of Sawyer walking to his 'hole' and grabbing a pack of cigarettes. Kate tackles him.] SAWYER: Well, it's about time. KATE: For what? SAWYER: I made this birthday wish four years ago. KATE: Where's the water? [Sawyer flips her over so he's on top.] SAWYER: That's better. KATE: Get off of me. [Sayid enters and drags Sawyer off of Kate.] SAYID: Give us the water now. SAWYER: [shoving Sayid] Touch me again, huh. [Kate looks through Sawyer's stuff.] SAWYER: You really think I stole your damn water? SAYID: We know you gave two bottles to the Koreans. SAWYER: I don't give nothing to nobody. KATE: It's not here. SAWYER: I traded Mr. Miyagi the last of my water for a fish he caught. We worked it out caveman style. KATE: You gave him your last two bottles? SAWYER: Water has no value, Freckles. It's gonna rain sooner or later. And hell, I'm an optimist. [Sawyer gets something out of his suitcase.] SAWYER: [to Kate] Hey, you forgot something. [Throws her a badge]. Seeing as you're the new sheriff in town. Might as well make it official. -------------------------------------------------------------------------------- [sht of a drop of water coming off a plant into a water bottle. Wider sht shows Locke's arms.] JACK: How are they, the others? LOCKE: Thirsty. Hungry. Waiting to be rescued. And they need someone to tell them what to do. JACK: Me? I can't. LOCKE: Why can't you? JACK: Because I'm not a leader. LOCKE: And yet they all treat you like one. JACK: I don't know how to help them. I'll fail. I don't have what it takes. LOCKE: Why are you out here, Jack? JACK: I think I'm going crazy. LOCKE: No. You're not going crazy. JACK: No? LOCKE: No, crazy people don't know they're going crazy. They think they're getting sane. So, why are you out here? JACK: I'm chasing something—someone. LOCKE: Ah. The white rabbit. Alice in Wonderland. JACK: Yeah, wonderland, because who I'm chasing—he's not there. LOCKE: But you see him? JACK: Yes. But he's not there. LOCKE: And if I came to you and said the same thing, then what would your explanation be, as a doctor. JACK: I'd call it a hallucination. A result of dehydration, post traumatic stress, not getting more than two hours of sleep a night for the past week. All of the above. LOCKE: All right, then. You're hallucinating. But what if you're not? JACK: Then we're all in a lot of trouble. LOCKE: I'm an ordinary man, Jack, meat and potatoes, I live in the real world. I'm not a big believer in magic. But this place is different. It's special. The others don't want to talk about it because it scares them. But we all know it. We all feel it. Is your white rabbit a hallucination? Probably. But what if everything that happened here, happened for a reason? What if this person that you're chasing is really here? JACK: That's impossible. LOCKE: Even if it is, let's say it's not. JACK: Then what happens when I catch him? LOCKE: I don't know. But I've looked into the eye of this Island. And what I saw was beautiful. [Locke gets up to leave.] JACK: Wait, wait, wait, where are you going? LOCKE: To find some more water. JACK: I'll come with you. LOCKE: No. You need to finish what you started. JACK: Why? LOCKE: Because a leader can't lead until he knows where he's going. Act 5 [sht of Jack sitting at a little fre in the jungle at night.] -------------------------------------------------------------------------------- [Flashback - sht of Jack and a medical examiner walking down a hall in some kind of medical building (morgue).] MEDICAL EXAMINER: The police found him in an alley in Queens Cross. Now, a tox screen showed a blood alcohol content, which for a man of his size, probably brought on myocardial infarction - a sizable, and fatal heart-attck. [They go into a room with a body bag on a gurney. The Medical Examiner unzips it. His father is there.] JACK: [crying] That's him. -------------------------------------------------------------------------------- [sht of Jack in the jungle, crying. We hear the sound of ice in a glass, and a branch breaking or moving. Jack grabs a log out of the fre to use as a torch and follows. He comes upon the caves and water. He sees a doll in the water which he picks up. There are a bunch of dolls scattered on the ground from a box. There is other debris there from a section of a plane. He finds a coffin.] -------------------------------------------------------------------------------- [Flashback - We see Jack at a counter at the Sydney airport.] JACK: What do you mean you won't put it on the plane? AGENT: I'm sorry Mr. Shephard, but our policy is that the body must have the proper documentation. There's just no latitude. JACK: No latitude? No latitude? AGENT: Without the proper documents- JACK: Look, you can't do this to me. I'm ready to go now. AGENT: Perhaps another carrier? JACK: No! [sht of Jin in line looking over at Jack's outburst.] JACK: I want you to listen to me, okay. Because I'm asking you a favor, Chrissy. I'm standing in front of you in the same suit that I'm wearing to my father's funeral and I'm asking you a favor. In 16 hours I need to land at LAX, and I need that coffin to clear customs because there's going to be a hearse waiting there. And I need that hearse to take me and that coffin to a cemetery. Why? Chrissy, why can't I just bring him to a funeral home and make all the arrangements? Why can't I really take my time with it? Because... because I need it to be done. I need it to be over. I just—I need to bury my father. -------------------------------------------------------------------------------- [On-Island - sht of Jack at caves looking at the coffin. He opens it and there's no body inside. He gets angry and smashes it with a metal pipe.] Act 6 [sht of people at beach, fires. We see three bottles of water.] BOONE: Hey, hey, Claire [giving her water to drink]. CLAIRE: How did you get that? BOONE: Shhh. CHARLIE: [coming up behind Boone] Where'd you get that? [sht of Boone's face hitting the sand.] CHARLIE: Here's your thief. MICHAEL: Where'd he hide it? CHARLIE: I don't know. This wnkr had three bottles on him. Why'd you do it, pretty boy, eh? BOONE: It was just sitting in—it was just sitting in the tent, and Jack just took off. CHARLIE: Claire could've died! BOONE: I tried to give her some sooner, but it just got out of hand. No one would have understood. KATE: [entering] What is going on? BOONE: Someone had to take responsibility for it. It would have never lasted! CHARLIE: [mumbling] Oh shut up! [Charlie pushes Boone, Sayid steps in.] JACK: [off camera, at first] Leave him alone! It's been six days and we're all still waiting. Waiting for someone to come. But what if they don't? We have to stop waiting. We need to start figuring things out. A woman died this morning just going for a swim and he tried to save her, and now you're about to crucify him? We can't do this. Everyman for himself is not going to work. It's time to start organizing. We need to figure out how we're going to survive here. Now, I found water. Fresh water, up in the valley. I'll take a group in at first light. If you don't want to go come then find another way to contribute. Last week most of us were strangers, but we're all here now. And god knows how long we're going to be here. But if we can't live together, we're going to die alone. [sht of everyone standing around feeling stupid; sht of Charlie and Hurley getting water for people; sh*t of Jin and Sun.] SUN: 고마워요-- 아까 물 갖다 줘서. [Subtitle: Thank you—for getting me water today.] JIN: 남편이니까 그렇게 해야지. [Subtitle: That's what husbands do.] [Michael brings water for Walt, but Walt's asleep so Vincent gets it. We see Boone sitting by himself, as Sawyer approaches.] SAWYER: So, how does it feel? BOONE: How does what feel? SAWYER: Taking my place at the top of everyone's most hated list. Sucks, don't it? [Kate brings water to Jack.] JACK: Thanks. KATE: So where were you today Jack? JACK: Just had to take care of a few things. KATE: That's all I'm gonna get, huh? JACK: My father died. In Sydney. KATE: I'm sorry. JACK: Yeah. I'm sorry, too.	{"type": "series", "show": "Lost", "episode": "1x05 - White Rabbit"}	foreverdreaming
[Sun's eye opens. sht of her with flowering plant which she smells. We see Jin catching a fish in the ocean as Sun looks on. Sun looks in the direction of Kate and Jack but the camera lingers on her watching them have this exchange.] KATE: It's not like I'm asking a personal question. JACK: It is a personal question. KATE: You don't have to get all quiet on me. I just want to know. [Camera switches to sht of Kate putting water into backpack on Jack's back.] JACK: Well, you're not going to know. KATE: What's the big deal? JACK: It's not a big deal. It's just something I did. I had my reasons. And I don't want to put it out there. [Camera switches to Sun watching them for a second when Jack says "I had my reasons."] KATE: It's just that you and your tattoos don't add up. Are you one of those hard-core spinal surgeons? [sht of them getting gear together for a hike.] JACK: That's me. Hard-core. [sht of Charlie with his pack.] CHARLIE: If you guys are finished verbally copulating we should get a move on. There's a whole beach of people waiting for us to get some drinking water for them. And the great white hunter's getting restless. [sht of Locke shaving with a straight-edge and a piece of broken mirror. sht of Jack.] JACK: Okay, let's do this. KATE: Hey, Charlie. Ask Jack about his tattoos. CHARLIE: Oh, you guys have an inside joke. How absolutely wonderful for you both. [sht of Jack, Kate, Charlie and Locke walking off to get water. sht of Sun still watching them. She looks troubled. Change of angle with Jin in foreground whacking fish head against something. Sun looks disgusted.] -------------------------------------------------------------------------------- [Flashback - We hear Sun laughing and see her at a party. She is dressed for a party talking to two other women. Jin comes into view carrying a tray with glasses of champagne.] JIN: Miss. 샴페인 드실래요? [Subtitle: Would you like some champagne?] [She takes a glass and smiles at him a little. He smiles back while giving other guests champagne. She smiles to herself when he leaves the frame.] -------------------------------------------------------------------------------- [We see Sun sitting in a gazebo type structure.] JIN: Miss. 뭘 두고 가셨네요. [Subtitle: You left something.] SUN: 그래요? 뭐죠? [Jin kisses her.] 우리 아빠는? [Subtitle: Really? What? My father?] JIN: 손님 때문에 바빠. [Subtitle: He's busy being a host.] SUN: 빨리 이 곳을 떠나고 싶어. 응? [Subtitle: We need to get away. Now.] JIN: 어디로? [Subtitle: Where?] SUN: 미국. [Subtitle: America.] JIN: 날 좀 봐. 자기야, 사랑해. 널 데리고 도망 가고 싶지는 않아. [Subtitle: Sun, look at me. I love you—but I don't want to elope with you.] SUN: 우리한테는 오직 이 방법 밖에 없어. [Subtitle: It's the only chance we have.] JIN: 너희 아버지가 절대 허락 안 할거야. [Subtitle: Your father would never allow it.] SUN: 아빠가 허락할 문제가 아니야. 우리가 결정할 문제지. [Subtitle: It's not his place to allow. It's our decision.] JIN: 내가 아버지한테 말씀 드릴게. 그리고 설득해 볼게. [Subtitle: I will talk to your father. I'll make him understand.] SUN: 자기야. 우리 아빠를 몰라서 하는 얘기야. 지금. [Subtitle: You're saying that now because you don't know my father.] JIN: 날 믿어봐. [Subtitle: I know me.] [Jin gives her a white flower. She smiles and smells it and laughs a little.] SUN: 너무 예쁘다. [Subtitle: It's beautiful.] JIN: 이게 다이아몬드였다면 좋았을 텐데. 언젠가는 그렇게 될 거야. [Subtitle: I wish it were a diamond. Someday it will be.] [They kiss.] -------------------------------------------------------------------------------- [On-Island - Back on the beach we see Jin's foot stomping on Sun's plants. Jin walks angrily toward the camera. Sun shouts after him. We see that Jin is walking toward Michael and Walt.] SUN: 여보, 왜 그래요? [Subtitle: What's the matter?] [Jin runs up and tackles Michael and starts slugging him.] MICHAEL: Hey, hey, what the... WALT: Stop! Hey stop! [Walt rushes up and Jin shoves him back, knocking him down.] Sun: 여보, 그만 해. 그만 해! 뭐하는 거야? 여보! 여보! 여보! WALT: Get off of him, please! Stop! Stop! [More shts of Jin beating Michael—trying to drown him.] WALT: [to Sun] Do something! He's going to kll him! Stop him, please! [Sun screaming.] Act 2 [We see Walt and Sun screaming for Jin to stop. Sayid and Sawyer come running out. Sayid tackles Jin. Sawyer grabs Michael.] SAYID: The handcuffs from the Sky Marshal! Now! [Sawyer tries to hand them to Sayid, but Jin is thrashing around and Sawyer has to help him to subdue Jin. We see Jin being handcuff to some kind of bar on the plane. Jin is still struggling.] SAYID: [to Sun] What happened? -------------------------------------------------------------------------------- [sht of Jack, Kate, Charlie, Locke walking through jungle.] JACK: Water's this way. KATE: How'd you find this place? JACK: Luck. [sht of everyone walking, looking around, especially Locke.] JACK: This is it. LOCKE: It's amazing. CHARLIE: Absolutely. [to Locke] It's totally you. [Charlie investigates a piece of plane wreckage] Hey guys, shouldn't someone look through this stuff? Could be something useful in here. LOCKE: He's got a point. CHARLIE: I do? JACK: Yeah. Bring me your bottles, and keep an eye out for any medical supplies, drugs in particular. CHARLIE: [nodding] Drugs, right. [sht of Locke bringing bottles to Jack. Charlie looks fidgety and starts walk away. He hides behind a tree, looking over his shoulder, going for the drugs in his pocket. His finger tapes says LATE. We hear the sound of bees.] LOCKE: [to Charlie, off camera] Don't move. CHARLIE: [quickly putting the drugs back in his pocket] Look, I was just going to take... LOCKE: Do not move. [Jack and Kate arrive on the scene.] JACK: What's going on? LOCKE: [shushing Jack] He's standing on a bee-hive. CHARLIE: What's a beehive doing there? Beehives are supposed to be in trees. JACK: What now? LOCKE: If he moves, he'll split the hive. CHARLIE: I don't like bees, okay. I have an irrational fear of bees. I think I'm allergic to bees. LOCKE: Please be quiet. [to Jack and Kate] We need to get something to seal the hive. KATE: To cover it? LOCKE: Hurry. [sht of bees landing on Charlie's face.] -------------------------------------------------------------------------------- [We see Michael talking to Sayid.] MICHAEL: I'm getting tired of saying this. I was just walking the beach with my son, and all of the sudden this dude is all up on me. I didn't do anything. Jin: 시끄러워! [Tense stares all around.] SAYID: Surely there must be something you're not telling us. MICHAEL: Surely? Where you from man? SAYID: Tikrit. Iraq. MICHAEL: Okay. I don't know how it is in Iraq, but in the United States of America where I'm from, Korean people don't like black people. Did you know that? JIN: 거짓말 하지 마! MICHAEL: So maybe you ought to talk to him [pointing at Jin]! Sun: [Pointing to her watch] 지금 시계 때문에 그래요, 시계. SAYID: The cuffs stay on! SAWYER: A little louder, Omar. Maybe then she'll understand you. HURLEY: [entering] Guys, that Chinese dude is going to get pretty crispy out here. How long are you going to keep him tied down like that? SAYID: He tried to kll Michael. We all saw it. The cuffs stay on until we know why. [sht of Michael. Then Sun and Jin.] MICHAEL: [to Walt] Come on, man. Let's go. [Everyone disperses, Sawyer stays looking over at Jin and Sun off camera. -------------------------------------------------------------------------------- [Flashback - sht of Sun's gold watch. We see her looking at the time, leaning on a railing. Jin approaches as she looks expectant.] SUN: 어떻게 됐어? [Subtitle: What happened?] JIN: [looking glum] 그게 말이야, 너희 아버님이—허락하셨어. [Subtitle: Well, your father—your father gave permission.] SUN [hugs him and then hits him]: 다시는 그런 장난 치지 마! 어떻게 된 거야? [Subtitle: Don't ever do that again! How did you?] JIN: 내가 아버님을 설득했지. 일 년 경영 수업을 받고, 일 년 공장에서 일 하면, 우리가 원하는 돈이 생길거야. [Subtitle: I reasoned with him. After a year of management training, and a year of work at the factory, we'll have all the money we need.] SUN: 아빠 밑에서 일 할거야? [Subtitle: You are going to work for my father?] JIN: 그렇게 하는 게 옳은 거야. [Subtitle: It's the right thing to do.] SUN: 하지만 자기야, 그거는... JIN: 아니, 그렇게 해야… 잠깐 뿐이야. [Subtitle: No, I have to. It's temporary.] [Jin opens an engagement ring box with a big diamond in it.] SUN: 어머, 자기야… 이렇게 비싼 걸 어떻게 샀어? [Subtitle: You can't afford this.] JIN: 이제 이 정도는 할 수 있어. [Subtitle: I can now.] [He puts the ring on her finger. Big smiles and hugs.] -------------------------------------------------------------------------------- [On-Island - sht of Sun at the beach looking troubled.] -------------------------------------------------------------------------------- [sht of the beehive and Charlie's feet.] JACK: Okay. Just keep still man. I'm going to try to cover the hive. CHARLIE: This is the most crap idea ever. It's never going to work. LOCKE: Now, pull yourself together, son. CHARLIE: It wouldn't be an irrational fear of bees if I could just pull myself together, would it? [sht of Jack with a suitcase, getting ready to cover the hive. Charlie smacks on bee on his face, gets off balance and steps on the hive breaking it open. They all take off running. Jack and Kate to the caves. Locke and Charlie in the other direction. Jack and Kate take their shirts off. Kate ends up right by one of the skeletons and sees it. She's frightened and backs away. We see the skeleton.] Act 3 [sht of skeleton.] KATE: Who is he. How'd he get here? JACK: I can't exactly perform an autopsy but there doesn't seem to be any major trauma to the bones. There's another one over here. Someone laid them to rest here. KATE: Who? JACK: I don't know. KATE: Where would they come from? JACK: Didn't you guys sht a polar bear last week? KATE: Yeah. JACK: Where'd that come from? KATE: Any idea how long they've been here? JACK: Long. It takes 40 or 50 years for clothing to degrade like this. [Jack finds a pouch in the clothing.] KATE: What is it? [Jack dumps a white stone and a black stone into his palm.] LOCKE: [approaching] Hello? Anybody there? Everyone alright? JACK: [nodding] A few stings aside. [Jack puts the stones back into the pouch, but we can't see what he does with the pouch.] CHARLIE: You two run away fantastically. Glad my diversion spared you. I was only stung several hundred times. Oh, and uh, someone left this [handing Kate her shirt]. KATE: It was, um, it was full of bees. CHARLIE: I'd have thought C's, actually. [Kate gives him a "you're an idiot" look.] CHARLIE: Sorry. [Jack sort of laughs. Then Charlie sees one of the skeletons. Jack is looking at the other one.] CHARLIE: Bloody Hell! Are these the people who were here before us? [Jack looks toward Locke. Locke comes closer.] LOCKE: What are you talking about? [Jack gives Charlie a "you idiot" look.] CHARLIE: Uh, just, you know, the, the, there could have been people here before us, right? [Locke looks toward Jack who looks away.] LOCKE: Clearly. But, who were these men? JACK: Actually, one of them is female. LOCKE: Our very own Adam and Eve. -------------------------------------------------------------------------------- [sht of Sun trying to attend to Jin's chafed wrist. Jin is flinching and moaning, and he pulls away.] JIN: 뭐 하는 거야? [Subtitle: What are you doing?] SUN: 상처가 너무 심해서. [Subtitle: Your skin is very raw [she blows on his wrist].] JIN: [irritated] 조심해. [Subtitle: Be careful.] -------------------------------------------------------------------------------- [Flashback - We see Sun in a cute dress with Chanel shopping bags coming into an apartment. She finds a box with gold wrapping and a bow but no lid. We can hear the sounds of a dog. She takes a puppy out of the box.] JIN: 어때? 좋아? 내가 사무실 가서 보내는 시간이 많으니까, 개라도 키우면 어떨까 해서. 물론, 니가 밥도 주고, 훈련도 시켜야 되는데. [Sun looks apprehensive, sad.] 괜찮겠지? [Subtitle: What do you think? Do you like it? I've been working such long hours, I thought you might enjoy the company. Of course, you'll have to train it, and feed it. Are you okay?] SUN: 당신의 꽃 한 송이가 내 인생의 전부였을 때? [Subtitle: Remember when all you had to give me was a flower?] [Jin gets a cell call.] JIN: 아버지네. [Subtitle: It's your father.] -------------------------------------------------------------------------------- [On-Island - sht of Sun on the beach, again, looking troubled.] -------------------------------------------------------------------------------- [sht of Kate putting water bottles in a pack. Then wide sht.] LOCKE: I think one of us should stay and help Charlie salvage the wreckage. KATE: You offering? LOCKE: Sure. Give me a chance to get to know him a little better. KATE: We should move out. People are probably getting thirsty. [She sees Jack looking at the spring] What? JACK: 46 people need to drink a half gallon a day each. Carrying all this water back and forth is going to be real pain in the ass. KATE: You're starting to make me regret volunteering. JACK: These caves make too good a shelter just to be used for burial. Adam and Eve, they must have lived here. Their plane crashed, or maybe they were ship-wrecked. They probably found this place and knew they could survive here. Unlimited supply of fresh water, tree canopy keeps the temperature down, shields out the sun, [Kate is looking down, unconvinced], the openings are narrow, easier for protection against predators. We don't need to bring the water to the people. We need to bring the people to the water. [Kate still looking unconvinced]. I think we could live here. -------------------------------------------------------------------------------- [sht of Walt on the beach, playing in the sand. He looks over at Jin chained to the plane. Sun walks up to Jin in background.] MICHAEL: [to Walt] Hey, what are you doing? [to Jin] You say something to my boy? [Jin says something. Walt looks scared. Sun looks scared.] MICHAEL: Yeah, nice talking to you, too. Move it, Walt. WALT: How come he doesn't like us? MICHAEL: What? WALT: You said people like him don't like people like us. MICHAEL: Oh man. You know, uh, look, that's not true, and you know what, I don't think like that anyway. I was, I was angry. WALT: What did you do to him? MICHAEL: What did I do to him? You tell me? I've been with you since we crashed. Have you seen me do anything, to anyone? What kind of man do you think I am, anyway? What did your mother say about me? WALT: She never talked about you. MICHAEL: You don't know anything about me, do you? WALT: You don't know anything about me. MICHAEL: I know a lot about you. WALT: Yeah? MICHAEL: Yeah. WALT: When's my birthday? MICHAEL: August 24th. When's mine? [pause] Forget it, come on, man. [Voice of Sun right before we cut back to Sun and Jin.] SUN: 여보, 제발. 내가 가서 설명을 하게 해 줘. 내가 얘기를 잘 하면 당신을 풀어 줄 수도 있잖아. [Subtitle: Honey, please just let me go and explain this to them. Maybe they'll let you go.] JIN: 니가 어떻게 설명해? 그냥 여기 있어. 도둑놈한테 일일이 얘기할 필요 없어. [Subtitle: How will you explain? Your place is by my side. And we will not explain ourselves to a thief.] -------------------------------------------------------------------------------- [Flashback - We see Sun sleeping on the couch with the dog, now grown. Hear the front door opening and see Jin running into the bathroom. Sun, concerned, follows him.] SUN: 여보, 왜 그래? [Subtitle: Are you alright?] [She goes into the bathroom. Jin has a lot of blood on his hands and shirt.] SUN: 도대체 말 좀 해 봐. 여보, 다쳤어? 무슨 일이야? 무슨 일 했어? 이 피는 누구 피야? 밖에서 무슨 일 있었구나. 밖에서 무슨 일이 있었냐구? [Subtitle: Please talk to me. Are you hurt? [Jin is washing blood off his hands] What happened to you? What were you doing? Whose blood is this? What were you doing? What happened?] JIN: 일 하고 왔어. [Subtitle: I was working.] SUN: 일 하고 왔다구? 도대체 아빠 밑에서 무슨 일을 하는 거야? 날 좀 봐. 얘기 좀 해 봐. 날 좀 바라봐. [Subtitle: Doing what? What do you do for my father? Look at me? Answer me. Look at me.] [He pushes her away. She slaps him across the face. He restrains himself, but gives her a mean look.] JIN: 아버님이 시키는 대로 할 뿐이야. 다 우리를 위해서 하는 거야. [Subtitle: I do whatever your father tells me. I do it for us.] [Sun leaves the bathroom. Jin continues to wash.] Act 4 [sht of Kate and Jack walking through the jungle. They stop for a rest.] KATE: You checking me out? JACK: What? KATE: No harm in it. JACK: Trust me, if I was checking you out, you'd know it. KATE: Yeah, so then what were you thinking? Right now. JACK: Well, I sure as hell wasn't thinking that. KATE: Don't stop to think, just tell me. JACK: I was thinking that if we were living at the caves we could build a dam around that spring so that everybody could have fresh water and we could get the infirmary off the beach. You think it's a bad idea? KATE: No, no. It makes sense. JACK: But? KATE: No but. JACK: Good, because a lot of people are still hoping a rescue boat is going to show up. They're not thinking about their own safety. We're going to have a lot of convincing to do. KATE: We? You still haven't convinced me yet. -------------------------------------------------------------------------------- [We see Charlie and Locke back at the caves going through the wreckage. Charlie starts to wander off and Locke follows.] CHARLIE: You following me? LOCKE: Yes. CHARLIE: There's no need. I'm just going to the loo. LOCKE: Is there something you want to tell me, Charlie? CHARLIE: I'm going to the loo. LOCKE: It's dangerous out there. Until we get back to the beach, I'm not breaking line of sight with you. CHARLIE: Bugger off. LOCKE: I know who you are. And I know what you're looking for. Drive Shaft -- you played bass. CHARLIE: And guitar -- on a couple of tracks. You really heard of us? LOCKE: Hey, just because I'm over 40 doesn't mean I'm deaf. I have both your albums. Although, I thought that your self-titled debut was a much stronger effort than Oil Change. It's a shame what happened to the band. How long since you played? CHARLIE: My guitar? Uh, 8 days, 11 hours, give or take. LOCKE: You miss it? [Charlie nods] Well, a lot of wreckage. It might still turn up. CHARLIE: Undamaged? Still playable? I don't think so. I mean, I wish, but there was this bloke at the counter made me check it in. LOCKE: No. CHARLIE: Yeah. There wasn't enough room in the cabin, fascist. LOCKE: You'll see it again. CHARLIE: Oh yeah? What makes you say that? LOCKE: Because I have faith, Charlie. -------------------------------------------------------------------------------- [sht of Jack and Kate walking. They come across Sayid chopping wood.] SAYID: It's about time. I am dying of thirst. [Jack, Kate, Sayid are sitting down drinking some water.] SAYID: I think I'll let him sit in the sun a while longer. Then I'll take his wife aside, find some way to communicate. I think she knows why he attcked Michael. JACK: You're sure you don't want me to talk to her? [Sayid nods.] Okay. If you've got that under control I'm going to start talking to people about the caves. Might be able to get a few to go with me before nightfall, start setting up camp. SAYID: You're serious? Is there a reason you didn't consult us when you decided to form your own civilization? JACK: I'm only talking about moving into the valley. SAYID: Well, what happened to live together, die alone? JACK: Digging in together is the only way we're going to survive. SAYID: Our best hope of survival is in being spotted by a plane or a ship, and for that we need to organize everyone to keep that signal fre burning while others scout the Island for supplies. Digging in anywhere else is su1c1de! KATE: It is the only source of fresh water we've found, Sayid. JACK: And staying on the beach, in the sun without water? That's not su1c1de? SAYID: [grabbing his firewood and axe] I'm not going to admit defeat. [Kate looks at Jack as Jack watches Sayid walk away.] -------------------------------------------------------------------------------- [We see Walt playing with Vincent on the beach as Michael watches. Jack is talking to people to convince them to go to the caves. Sayid approaches Michael.] MICHAEL: Now what? I already gave you my statement, sheriff. SAYID: I came to apologize. I shouldn't have been suspicious. You were the victim in the attck this morning. MICHAEL: I appreciate that, but I can tell you didn't come all the way over here just to say you're sorry. SAYID: People are seriously considering following Jack to the caves. I'd like to know where you stand. MICHAEL: Right here. I've got one priority right now and that's to get my kid off this Island. A boat passes, I'm not going to be on the hook for missing it. SAYID: Good. [Jack brings some water to Jin.] JACK: Slowly, just a little bit at a time, little bit. JACK: [approaching Hurley] Glad you're coming. HURLEY: Hey man, I go where the boar's at. So, what's up with you and Kate? You guys going to move into a cave together, or what? JACK: Sorry, am I in high school? HURLEY: Well, that wasn't a denial. JACK: Just get your stuff together, we've got to get out of here soon. SAWYER: [approaching Kate] Well, well, well, if ain't the belle of the ball? So what's it like having both the doctor and Captain Falafel fighting over you? [Kate doesn't respond] Just call 'em how I seem 'em, Freckles. Truth be told, I'm not the only one wondering where you're going to weigh in on this whole moving off the beach thing. Are you going with the pessimists, or staying here and waiting for the rescue boats? KATE: Are you going? SAWYER: Well, that's the real trick, isn't it? We all pack up stakes for the caves and the next day a plane passes by, they're going to go on their merry way and be none the wiser. On the other hand, stay here, get eaten by boars, fall off a rock, not going to be anyone around to answer that 911 call. KATE: Still haven't answered my question. SAWYER: You didn't answer mine. And I asked first. [sht of Michael walking, Sun sitting on beach. She follows him. Jin is sitting in the sun. Michael is cutting wood. Sun goes near to him, watching him from behind some bamboo.] -------------------------------------------------------------------------------- [Flashback - We see Sun with an "interior decorator".] INTERIOR DECORATOR: 당신 남편이 이 곳을 새로 인테리어 하는 데 돈에 대해서는 신경 쓰지 말라 그러시더군요. 당신은 정말 럭키 와이프에요. [Subtitle: Your husband told me that money is no object to redecorate this place. You're a very lucky wife.] SUN: 네. [Subtitle: Yes.] JIN: 여보, 개 좀 치워라. [Subtitle: Move the dog.] SUN: 그럼 우리 먼저 침실로 들어가서 볼까요, 한 번? [Subtitle: Let's look at the apartment from the bedroom, shall we?] INTERIOR DECORATOR: 당신 확실해요? [Subtitle: Are you sure about this?] SUN: 네. [Subtitle: Yes.] INTERIOR DECORATOR: 레슨 받았어요? 공부는 했구요? [Subtitle: You've taken your lessons?] SUN: 네. [Subtitle: Yes.] INTERIOR DECORATOR: 당신 알죠? 당신 남편이나 당신 아버지가 당신을 찾기 위해서 무슨 일이든 할 수 있다는 거. 당신… 남편이랑 다시 화해하는 건 어때요? 대답해 봐요. 예? [Subtitle: Do you realize that your husband and your father will do everything they can to find you? Are you sure you and your husband can't reconcile?] SUN: 제가 떠난 후에 우리 강아지 좀 부탁할게요. [Subtitle: When I'm gone will you care for my dog?] INTERIOR DECORATOR, [handing Sun an American passport]: 당신들이 여행하는 동안, 공항에서, 시간은 열 한 시 십오 분. 당신은 무슨 수를 써서라도 공항 밖으로 빠져나와야 해요. 나올 땐 아무 것도 가지고 나와선 안 돼요. 당신이 납치 됐다고 생각할 거에요. 첫 일주일 동안은 당신 가족들이 당신이 죽었다고 생각할 때 까지 당신은 조용히, 가만히 있어야 돼요. 그 후엔 당신이 원하는 대로 자유롭게 움직일 수가 있죠. 말해봐요. 언제라 그랬죠? [Subtitle: During your trip, at the airport, at 11:15... You make an excuse and walk out of the airport. Bring nothing! A car will be waiting. For the first week your family will assume you've been kidnapped. You will stay out of sight until they come to think you are dad. After that you will be free to move wherever you want. Now, tell me when.] SUN: 공항에서, 열 한 시 십오 분에. [Subtitle: The airport, 11:15.] INTERIOR DECORATOR: 다시 한 번. [Subtitle: Again.] SUN: 열 한 시 십오 분. 열 한 시 십오 분. 열 한 시 십오 분. [Subtitle: 11:15. 11:15. 11:15.] -------------------------------------------------------------------------------- [sht of Sun still watching Michael from behind some bamboo. After a moment, she approaches him.] MICHAEL: Oh great, look who came to chat. SUN: I need to talk to you. Act 5 MICHAEL: You speak English? SUN: Yes. MICHAEL: What? You speak English? Why didn't you say anything?! SUN: My husband doesn't know. MICHAEL: Why would you learn English and not tell your husband? SUN: He has a bad temper. What my husband did to you today, it was a misunderstanding. MICHAEL: No. I got it. Loud and clear. SUN: It was the watch. MICHAEL: Your husband tried to mrder me for a watch?! [Michael removes the watch] I found this watch two days ago. SUN: It belongs to my father. Protecting that watch is a question of honor. MICHAEL: He calls trying to kll me in front of my kid, honor?! SUN: You don't know my father. I need your help. -------------------------------------------------------------------------------- [We see Charlie walking away from caves trying to take drugs out of his pocket, looking behind him. But Locke is coming from the opposite direction.] CHARLIE: Listen to me, you old git, I'm going in the jungle. A man has a right to some privacy. LOCKE: Just hand it to me. You're going to run out. My guess is sooner rather than later. Painful detox is inevitable. Give it up now at least it will be your choice. CHARLIE: Don't talk to me like you know something about me. LOCKE: I know a lot more about pain than you think. I don't envy what you're facing. But I want to help. [Charlie walks away]. Do you want your guitar? [Charlie turns and comes back. He nods.] LOCKE: More than your drug? CHARLIE: More than you know. LOCKE: What I know is that this Island might just give you what you're looking for, but you have to give the Island something. CHARLIE: [giving Locke the drugs] You really think you can find my guitar? LOCKE: Look up, Charlie. CHARLIE: You're not going to ask me to pray or something. LOCKE: I want you to look up. [Charlie looks up and almost cries when he sees his guitar on a cliff above.] -------------------------------------------------------------------------------- [sht of Kate sitting on the beach. Jack approaches.] JACK: Hey. It's almost time to go. KATE: I don't want to be Eve. JACK: No one's asking you to. KATE: I just can't -- dig in. JACK: Why not? Someone else can stay here, keep a look out, wait for rescue. Why does it have to be you? KATE: That's not it. JACK: Then what is it? Kate, how did you get to be this way? Just what is it that you did? KATE: You had your chance to know. JACK: If you need me you know where to find me. [He exits] KATE: [to herself] You know where to find me, too. [sht of Michael with axe walking up to Jin.] MICHAEL: I know you can't understand a word, and normally I'm not the talking out loud type, but since I have a cptive audience, I hope for your sake you pay attention. I'm not exactly having the best month of my life. I barely knew my son, and now, I gotta be his daddy. And then to top if off, I have a deranged Korean guy trying to kll me and for what?! Look, I get it, right [takes the watch out of his pocket]. It's the watch. Mine broke and I found this in the wreckage, and I figured, "hey, why let a $20,000 dollar watch go to waste"? Which is ridiculous since time doesn't matter on a damn Island! [Michael chops the handcuff from the plane and frees Jin (who looks terrified throughout).] MICHAEL: Stay away from me. And my kid. [Camera pans on Michael walking away and we see Sun has been there watching.] -------------------------------------------------------------------------------- [Flashback - We see the airport in Sydney: We can hear Jack talking to the counter person. We see Jin. Sun looks at Jin, looks at a clock that says 11:15. We see a black car waiting outside. sht of Sun gathering her fortitude. She looks over at Jin. Sun is almost crying and walks off camera. Close up, she is crying, obviously trying to make up her mind. She looks over at Jin who holds up a white flower like the one he gave her when they were first in love. She joins him in line. He hands her the white flower.] JIN: 왜 그래? [Subtitle: Something wrong?] SUN: 너무 예뻐서. [Subtitle: It's too beautiful.] -------------------------------------------------------------------------------- [On-Island - sht of Sun back at the beach.] Act 6 [sht of Charlie playing guitar; and Locke with a giant Knfe at the caves. Jack approaches.] JACK: Hello? LOCKE: What's this? JACK: New tenants. [Jin, Sun, two redshirts, and Hurley come in.] HURLEY: Short walk. They lied. [More redshirts walking in. Hurley with a CD player playing (Willie Nelson). We see Jack getting water. Back at the beach Sawyer puts a log on the fre and people sitting around the fre.] WALT: Can I ask you something? MICHAEL: Anything you want, man. WALT: When's your birthday? [Sawyer, Sayid, Kate are all sitting together at the beach.] [Locke, Hurley, Jack sitting together at the caves. Sun pulls out a night gown in front of Jin. Charlie plays guitar, looking sweaty. Jack looks to the sky. We fade to Kate, looking into the f*re at the beach.]	{"type": "series", "show": "Lost", "episode": "1x06 - House of the Rising Sun"}	foreverdreaming
[Charlie looking very sweaty trying to play guitar.] LOCKE: Charlie. Charlie. How about you and I go for walk? CHARLIE: No. No thanks, Locke. I think I'm going to stay in today. LOCKE: Come on. Fresh air will do you good. [Charlie looks terrible. They stare at each other a moment.] -------------------------------------------------------------------------------- [Cut to Jack holding Kate's mug shts.] KATE: [entering] I take better pictures than that. Smaller, too, if you want something for your wallet. JACK: I just came by for a few things and this was. . . this was with my stuff. [He hands it to her]. KATE: So you're not staying? JACK: Call me a broken record, but caves are a natural shelter. And a hell of a lot safer than living here on the beach. KATE: You're mad at me. JACK: No. Kate, I'm -- I just don't understand why you won't come with me. Us. It's maybe a mile up there, if that. KATE: We crashed 8 days ago, Jack. I'm not setting up a house here. JACK: I want off this Island too, but we both know that's not going to happen any time soon. KATE: Sayid has a plan. JACK: Yeah, to find the source of the distress code, I know. KATE: The signal's coming from somewhere on the Island. If we can find it. . . JACK: The signal has been running on a loop for 16 years, Kate. And the woman that left it, she wasn't rescued. What makes you think it's going to be any different for us? KATE: I believe it. JACK: Well, I wish I shared your faith. SAWYER: [entering] Wouldn't mind sharing a few things with her myself. KATE: What do you want, Sawyer? SAWYER: Heard the doctor was vacating the premises. Thought I'd best lay claims to my new digs before somebody else did [he drops his suitcases]. I could fix this place up real good. Might even find somebody to share it with me [looking at Kate]. JACK: [to Kate] I'll talk to you later. [Kate watches Jack leave with a sad look on her face. Sawyer, smiling, waves.] -------------------------------------------------------------------------------- [We see Charlie walking in the jungle. We hear animal grunting sounds.] CHARLIE: Locke, is that you? CHARLIE: [running, slow motion, VO] Bless me father, for I have sinned. -------------------------------------------------------------------------------- [Flashback] CHARLIE: [in a confessional with priest] It's been a week since my last confession. PRIEST: Go ahead my son. CHARLIE: Last night I had physical relations with a girl I didn't even know. PRIEST: I see. Anything else? CHARLIE: Yeah. Uh, right after that I had relations with another girl. Then straight after that I watched while they had relations with each other. You see, it's, it's my band, father, Drive Shaft. We've been playing the clubs in Manchester. And, uh, we've been getting some heat, a following, you know, and, uh, the girls. There's some real temptations that come with the territory, if you know what I mean. PRIEST: Well, we all have our temptations, but giving in to them, that's your choice. As we live our lives it's really nothing but a series of choices, isn't it? CHARLIE: Well, then, I've made my choice. I have to quit the band. [We see Charlie leaving the church. Someone is there drumming on the pews.] LIAM: And the meek shall inherit the earth. CHARLIE: Liam, what are doing? This is a church. LIAM: Relax, choir boy. I bring good tidings of great joy. We've just been signed. A recording contract. You're going to be a rock god. -------------------------------------------------------------------------------- [On-Island - sht of Charlie running from a boar. Some luggage falls, the boar is trapped in a large net trap.] LOCKE: Nice work, Charlie. You make excellent bait. CHARLIE: [angrily] I'm glad I could oblige. Now give me my bloody drugs. Act 2 CHARLIE: Did you hear what I said? I want my drugs back. I need 'em. LOCKE: Yet you gave them to me. Hmm. CHARLIE: And I bloody well regret it. I'm sick, man. Can't you see that? LOCKE: I think you're a lot stronger than you know, Charlie. And I'm going to prove it to you. I'll let you ask me for your drugs three times. The third time, I'm going to give them to you. Now, just so we're clear, this is one. CHARLIE: Why? Why? Why are you doing this? To trture me? Just get rid of them and have done with it? LOCKE: If I did that you wouldn't have a choice, Charlie. And having choices, making decisions based on more than instinct, is the only thing that separates you from him [indicating the boar]. [Locke grabs the boar's ear and goes to slash it's throat. Charlie looks away.] -------------------------------------------------------------------------------- [sht of an antenna on a pole. Sayid, Boone and Kate on the beach.] SAYID: Three antenna. Three points of a triangle. One here on the beach. Another, Kate will position in the jungle, roughly two kilometers in, and the third I'll take to high ground, up there. If the French transmission is coming from somewhere within our triangulation, I'll be able to locate the source. But there are two complications. BOONE: Of course there are. SAYID: The power cells I grafted onto the antennas are dry. There's no telling how long they'll last. A minute -- maybe more, maybe less. KATE: So we have to wait until we're in position before we switch them on. BOONE: Wait. Wait a second. How are we going to be able to tell that we're actually in the right position? We have no way to communicate with each other. [Sayid grabs bottle rockets from a pack.] KATE: Bottle rockets? SAYID: Thank God for fireworks smugglers. Now, when I'm in position I'll fre off my rocket. When you two see it, you fre yours. As soon as the last one has gone up we all switch on our antennas. KATE: Okay, but you said there are two complications. SAYID: The battery in the transceiver is dad. Without the transceiver all of this is for nothing. Something from a laptop computer would probably work, but I've not been able to find anything. KATE: I think I might know where to look. [sht of Kate at Sawyer's place.] KATE: You're hoarding like a pack rat since the crash and you don't have a single laptop? SAWYER: We are testy. Still upset about your little break up? You and Jacko? KATE: It must be exhausting. SAWYER: What's that? KATE: Living like a parasite -- always taking, never giving. SAWYER: Well, you got me pegged, don't you? KATE: I get it now. You don't want off this Island because there's nothing for you to go back for. Nobody you miss. And no one misses you. SAWYER: Oh, you're feeling sorry for me. KATE: I don't feel sorry for you. I pity you. [Sawyer looks hurt, then smiles, then reaches into a suitcase, pulls out a laptop, and gives her the battery.] SAWYER: All you had to do was say please. [She reaches for it, and he pulls it away and then hands it to her again.] -------------------------------------------------------------------------------- [We see Charlie playing guitar. Charlie notices Hurley and Jack carrying luggage into the caves.] HURLEY: Dude, what's in these things, cinderblocks? JACK: I packed everything I thought might be useful here without leaving the others shorthanded. CHARLIE: Hey, you guys need a hand? [Hurley and Jack drop what they're carrying]. I used to load the band's equipment, before we had roadies, way back in the day. Here let me. JACK: Charlie, the zipper's... [Charlie grabs a bag and everything spills out.] JACK: ...broken. CHARLIE: Sorry, just trying to help. JACK: I know, I know, it's okay. [to Hurley)] Hey, want to help me grab the rest of those bags? HURLEY: Oh, could I? [sht of Charlie riffling through the bag looking at the Rx bottles.] JACK: What are you doing? CHARLIE: Oh, uh, I have a headache. JACK: [grabbing the bottle Charlie's holding] Diazepam. That's for anxiety. CHARLIE: I was looking for aspirin. JACK: Pretty strong stuff for a headache. CHARLIE: Yeah, right. JACK: Hey, you okay? You're looking a little... CHARLIE: No, it's nothing, it's just a headache. [Charlie starts cleaning up the spilled suitcase.] JACK: Charlie, leave it. Go get some water. Maybe you're dehydrated. Charlie, I got it. Go take care of yourself, man. We don't need you right now. [Charlie goes back to his guitar looking grumpy and lonely.] -------------------------------------------------------------------------------- [Flashback - We hear the sound of church bells.] LIAM: Come on, Charlie boy. We can't do this without you. You are bloody Drive Shaft. [We see nuns walking by.] CHARLIE: Watch the language. LIAM: [holding the record contract] This is our sht at the big time. What? You don't want to be famous? CHARLIE: It's not about all that. I only care about the music. LIAM: Yeah, your music. Your songs that got us signed. I'm just a clown with a pretty face that sings them. And you want to take away my chance to be somebody? CHARLIE: Liam, it's not about you. It's -- I love the band. It's not who I am. Sometimes I just get lost in it. LIAM: Won't happen -- because I'll be there looking out for you. We'll look out for each other. That's what brothers do, right? Right? [Liam starts horsing around with Charlie.] CHARLIE: Wait, wait, wait wait wait. Just promise me one thing. If things get too crazy no matter what, if I say we're done, we walk away. LIAM: We walk away. CHARLIE: Liam, promise. LIAM: We walk away. You're the rock god baby brother. [Big smiles and then they run around, playing.] -------------------------------------------------------------------------------- [On-Island - We see Jin getting water in a bowl from the spring. sht of handcuff still on his wrist. Sun approaches.] SUN: 손목을 의사에게 좀 보여줘야겠어요. [Subtitle: You should have the doctor look at your wrist.] JIN: 괜찮아. 나아지겠지. 옷이 그게 뭐야? 너무 야하잖아. 긴 거로 입어. [Subtitle: It's fine. I will heal. What are you wearing? (Sun's wearing a camisole type top). It's indecent. Cover yourself.] SUN: [defiantly] 긴 건 너무 더워요. [Subtitle: It's too hot.] [sht of Hurley walking into the caves carrying a guitar.] HURLEY: Hey, dude. This yours? CHARLIE: Oh yeah. You're probably wondering because I play bass in Drive Shaft. I wrote a bunch of tunes on that -- You, All, Everybody. HURLEY: Listen, uh, man. Jack just wants you to find another place for it. He's moving supplies and says it's in the way. CHARLIE: [walking inside the cave where Jack is] You know? A lot of people look up to me. They respect me. And you, you just treat me like I'm some bloody child! Like I'm some useless joke! JACK: What are you talking about? CHARLIE: Charlie's not good enough to do this, Charlie's just in the way. Put Charlie onto that. JACK: Sit down. Let me take a look at you man. CHARLIE: Oh, you're going to look out for me, yeah?! We'll look out for each other, that's how it is?! I'm not interested! JACK: Charlie, just calm down, alright. You're not yourself. CHARLIE: You don't know me! I'm a bloody rock god! [Then the cave caves in.] HURLEY: Oh, no. [Jin and Sun look. Hurley, Jin and Sun run up. Charlie runs out of the rubble.] HURLEY: Charlie, where's Jack? Where's Jack? [Charlie points to the blocked cave.] Act 3 HURLEY: Jack, Jack can you hear me? CHARLIE: I don't know what happened. We were just talking and it -- and it came down on us -- all happened so fast. HURLEY: Dude, we gotta get help. Charlie, go down to the beach and get help. CHARLIE: Okay, I'm on it. HURLEY: And make sure you tell Kate! -------------------------------------------------------------------------------- [sht of Kate and Sayid walking in the jungle.] KATE: What we're doing -- chasing some phantom distress signal -- what are the odds of this working? SAYID: No worse than the odds of our surviving that plane crash. KATE: People survive plane crashes all the time. SAYID: Not like this one. The tail section broke off while we were still in the air. Our section cart wheeled through the jungle and yet we escaped with nothing but a few scrapes. How do you explain that? KATE: Blind, dumb luck? SAYID: No one's that lucky. We shouldn't have survived. KATE: Sorry, Sayid, some things just happen, no rhyme, no reason. -------------------------------------------------------------------------------- [We see Charlie running onto the beach.] CHARLIE: Hey, hey, we need help. MICHAEL: What's wrong, man? CHARLIE: It's Jack, he's trapped. BOONE: What? CHARLIE: A cave collapsed. We don't even know if he's alive. Come on, we've gotta go. MICHAEL: Hey, uh, uh, Scott? STEVE: I'm Steve. SCOTT: I'm Scott. MICHAEL: We've got an emergency, grab a couple of guys and let's go. CHARLIE: We've got to go now. [Boone starts running off with them, but runs back to Shannon.] BOONE: Shannon, you have to be ready to do something really important, okay? At 5 o'clock sharp you have to be ready to turn that antenna on over there. There's a switch at the base. SHANNON: Why? BOONE: Because Kate and Sayid are triangulating the French signal. But the antenna's power's really weak so you have to wait until they fre their bottle rockets. Then you fre this one. Then you turn on the antenna. Got it? SHANNON: The switch is where now? BOONE: Did you hear a word I said? Can you or can't you do it? SHANNON: Yeah, I can. BOONE: Okay, [hands her the bottle rocket] okay. CHARLIE: [running to go back to the caves] Wait. Kate. Hey, we have to tell Kate about Jack. SAWYER: Sorry sport, you just missed her. Her and Mohammad headed into the woods about 10 minutes ago. CHARLIE: Which way? SAWYER: Don't sweat it, amigo. I know which way they went. CHARLIE: Yeah, but- SAWYER: I'll tell her. You just keep doing... whatever it is you do around here. -------------------------------------------------------------------------------- [Flashback - We see Drive Shaft on stage. Liam takes Charlie's part singing. We see Liam being greeted back stage and Liam pouring booze. Charlie's pissed.] CHARLIE: What the hell was that? LIAM: That was another kick ass show. You were bloody brilliant. CHARLIE: I sing the chorus to You All Everybody. LIAM: Oh yeah, sorry about that. [a photographer approaches]. Got caught up in the moment. The crowd wanted it, you know. CHARLIE: Yeah, I know. If I start and then you come in after me... LIAM: [to security] She's cool. Let her in. (to Charlie) I won't let it happen again. I promise. (Liam gets the groupie, pulls out some drugs and Charlie sees). Chill, baby brother. -------------------------------------------------------------------------------- [On-Island - Charlie back at beach.] -------------------------------------------------------------------------------- [We see people at the caves moving rocks out of the way. Michael runs up with Walt and Vincent.] MICHAEL: Wait. Hey wait. HURLEY: Jack's in there. MICHAEL: Let me check it out before you start moving things around. If it's unstable... HURLEY: Well, how do you know- MICHAEL: 8 years of construction work. Hey Walt, get back, man, I don't want you near the rocks, okay, and take the dog with you. WALT: You guys need Mr. Locke. HURLEY: Locke's out in the jungle klling stuff. Who knows where he is. [Michael looks around at the cave.] MICHAEL: Alright, this area here is load-bearing. We've got to dig where there's no danger of the wall buckling in on itself. Here, we dig in here so the wall doesn't collapse. Four at a time, by hand, until we can find some kind of shovel. We take shifts, and go slow. Whoever isn't digging should be clearing the rocks that we clear out and bring the water to whoever is working, okay. Let's move. [sht of Walt looking on, proud of/surprised by his father.] -------------------------------------------------------------------------------- [We see Kate and Sayid in the jungle. Sawyer enters.] SAWYER: Hey. KATE: What the hell are you doing here? SAWYER: Easy. Just came to tell you something. KATE: What makes you think I'm interested in anything you have to say? SAWYER: [after a long pause] Just came to tell you, you were right about me that I don't help anyone but myself. Well, here I am, ready to pitch in. KATE: You're here to help? [Kate and Sayid walk away.] SAWYER: Hey, you act anymore surprised and I'm going to get offended. -------------------------------------------------------------------------------- [sht of Locke skinning the boar and Charlie enters looking bedraggled.] LOCKE: Something wrong, Charlie? CHARLIE: Yeah, Jack. He's a -- there's been an accident at the caves. Jack's trapped in a cave-in. LOCKE: Is anyone trying to get him out? CHARLIE: Yeah, there's a bunch of people there now. LOCKE: Then why aren't you with them? You didn't come here to tell me about Jack, did you? CHARLIE: [looking like he going to cry] I want my stash, Locke. I can't stand feeling like this. LOCKE: Come here. Let me show you something. [They walk to a plant with a cocoon on it]. What do you suppose is in that cocoon, Charlie? CHARLIE: I don't know, a butterfly, I guess? LOCKE: No, it's much more beautiful than that. That's a moth cocoon. It's ironic, butterflies get all the attention; but moths -- they spin silk, they're stronger, they're faster. CHARLIE: That's wonderful, but... LOCKE: You see this little hole? This moth's just about to emerge. It's in there right now, struggling. It's digging its way through the thick hide of the cocoon. Now, I could help it, take my Knfe, gently widen the opening, and the moth would be free. But it would be too weak to survive. The struggle is nature's way of strengthening it. Now this is the second time you've asked me for your drugs back [he holds the heroin up]. Ask me again and it's yours. Act 4 [sht of people moving rocks. Michael struggling at the opening, then something gives.] MICHAEL: Hey, we're through, we got a hole. HURLEY: Jack? Jack? Can you hear me, Jack? Come on dude, answer me. [Sounds of moaning.] HURLEY: I hear him. BOONE: [to others behind him] He's alive. HURLEY: Jack, bro, you okay? JACK: I'm pinned. I can't move. I can't move. HURLEY: [to Michael] What do we do? How do we get him out? JACK: Charlie was with me. HURLEY: He's okay. He made it out. MICHAEL: Hey listen, Jack, we're going to get you out of there, okay? [sht of Jack moaning and coughing.] -------------------------------------------------------------------------------- [sht of Sayid, Kate, and Sawyer hiking. They reach the 'high ground' area.] SAYID: We'll place the second antenna here. [to Sawyer] You want to help? [Sawyer nods, Kate pulls the antenna out of Sayid's pack and hands it to him. Sayid hands it Sawyer.] SAYID: Attach this antenna up in that tree, as high up as you can. SAWYER: Golly, thanks, boss. [He walks toward the tree]. SAYID: [in a lowered voice to Kate] Five o'clock. Watch for my flare, then it's your turn. I don't trust him. KATE: Who does? SAYID: I don't trust him with you. KATE: I can handle him. [sht of Sayid leaving. Sawyer up in the tree.] -------------------------------------------------------------------------------- [sht of people at the caves, Michael moving through the sht.] MICHAEL: Okay, we can't safely make that tunnel any bigger, but since Jack can't get out, one of us is going to have to go in and un-pin him. HURLEY: What, crawl through that? BOONE: I think we need someone smaller. JIN: 내 와이프가 당신들 때문에 위험에 빠지는 걸 볼 순 없어. HURLEY: Dude, we don't understand Chinese. MICHAEL: Korean, man. They're Korean. CHARLIE: [off camera, entering] I'll do it. HURLEY: Charlie? MICHAEL: No, man. Look, you're still too shook up. I might be able to squeeze through... CHARLIE: Hey, who's going to take care of your son if something happens. [he points to Sun] She's got a husband, [to Boone] he's got a sister. I'm alone here, no one on the Island. Let me do this. -------------------------------------------------------------------------------- [We see Sawyer sitting on the ground. Kate is standing with the bottle rocket, looking at her watch.] SAWYER: Still ain't five, just like the last time you checked your watch. KATE: I just don't want to miss Sayid's signal. Remember, I'll fre the flare, you set off the antenna. SAWYER: I just thank the good lord I've got you here to keep reminding me. KATE: It's a dirty job, but somebody's got to do it. SAWYER: So what is it about that guy -- Jack. [Kate sits down by Sawyer] What it is about him makes you all weak in the loins. KATE: Do you try to be a pig, or does it just come naturally? SAWYER: So, he's a doctor, right? Yeah, the ladies dig the doctors. Hell, give me a couple of band aids, a bottle of peroxide, I could run this Island too. KATE: You're actually comparing yourself to Jack? SAWYER: [looking hurt] The difference between us ain't that big, sweetheart. I guarantee you, if he had survived a few more weeks on this Island you'd have figured that out. KATE: What did you just say? SAWYER: Ah, damn. Didn't I tell you? Word from the valley is Saint Jack got himself buried in a cave-in. KATE: What? SAWYER: Look at the bright side, now you have someone else to pity. [sht of Kate tossing the bottle rocket at Sawyer's feet and running off.] -------------------------------------------------------------------------------- [sht of Charlie, Hurley, Michael back at the caves.] MICHAEL: Listen, man, go slow. Try not to nudge any of the rocks around you. CHARLIE: Anything else? MICHAEL: Yeah, good luck. BOONE: [handing Charlie water] Be safe man. HURLEY: Good luck, Charlie. CHARLIE: Alright, thanks guys. [sht of Charlie looking into the opening, then looking back at everyone. He starts into the tunnel.] -------------------------------------------------------------------------------- [Flashback - sht of Charlie after a gig. People shouting "Drive Shaft! Drive Shaft!" He goes into the green room. Liam is there, sitting on a couch with a girl on either side.] LIAM: [to the girls] Everybody wants more, everybody wants to have a piece. All these people, they can't leave you alone when you're... CHARLIE: Bloody hell. LIAM: Hey, baby brother, grab a bird and sit down. CHARLIE: [to a girl standing at the buffet table] Get out. [to another girl] You too, get out. LIAM: Oh, I spilled on myself. CHARLIE: [to the second girl] Out! LIAM: Out? CHARLIE: [to the girls on the couch] Come on, now! LIAM: Come back in five minutes. [The girls leave the room.] CHARLIE: Sound check, you missed sound check, you don't show up for rehearsal. We've got a show in an hour. LIAM: [clearly high] Oooh, show. I like shows. [Liam gets his drugs. Charlie looks on worriedly.] CHARLIE: Alright, that's it. After tonight, we cancel the rest of the tour. LIAM: What? CHARLIE: We walk away. LIAM: Are you off your head? CHARLIE: We're walking away like we said we would if things got... LIAM: Walk away and go where? CHARLIE: Liam, you're klling yourself with this junk, you're destroying Drive Shaft! LIAM: [yelling] I am Drive Shaft! Nobody even knows who the sodding bass player is! This is it, Charlie -- end of the rainbow. You really think you can walk away? Then what, eh? Face it, if you're not in this band, what the bloody hell use are you? [Liam staggers out.] CHARLIE: Liam? LIAM: Piss off! [Charlie, devastated, alone. He sits in front of the mirror and takes a long look at himself. He pushes a bottle out the way and notices the drugs Liam left behind. He picks up a bag and begins to cry.] -------------------------------------------------------------------------------- [On-Island - sht of Charlie squeezing through the tunnel. It starts rumbling and bits of dirt start falling. sht of Michael and Hurley looking in from the entrance.] MICHAEL: Charlie? Charlie move! Charlie? [sht of Charlie crawling as fast as he can to the opening cave-side. The tunnel collapses. Charlie finds Jack.] CHARLIE: Hi. I'm... I'm here to rescue you. [Jack smiles at him. Charlie smiles back.] Act 5 [sht of Hurley, Michael, Boone at the caves. sht of Kate entering.] HURLEY: I say we try again. BOONE: We can't just leave them. HURLEY: If we don't move, they're going to run out of air. MICHAEL: Would you stop talking, I'm trying to think. KATE: Where is he? Where is he? MICHAEL: Kate. KATE: Where is he? Where's Jack? [sht of everyone looking helpless, and they don't want to tell her.] HURLEY: [nodding toward the now rubble-filled tunnel entrance] He's in there. KATE: Does anyone know if he's alive? Is he alive? MICHAEL: We don't know. Charlie went in there through a tunnel that we dug, but it collapsed. KATE: Why is nobody digging? [she starts digging, the others follow.] -------------------------------------------------------------------------------- [sht of Jack and Charlie in the cave. Charlie is trying to get some leverage on the rock pinning Jack.] CHARLIE: Okay, one, two, three. [He moves the rock, Jack yells out in pain, and holds his shoulder]. Sorry, Jack. Sorry. You alright? JACK: My shoulder's dislocated. CHARLIE: [looking terrified] What? JACK: You're going to have to pop it back in. CHARLIE: No, I can't. JACK: I need your help on this, man. CHARLIE: I can't do it, Jack. JACK: Yes you can. Yes you can. CHARLIE: Okay, what do I -- what do I do? JACK: Take my hand... CHARLIE: This hand? Okay, okay, wait, okay, okay [Charlie positions himself]. JACK: Now, when I tell you to, pull as hard as you possibly can. CHARLIE: Jack, I don't know, I don't, I don't... JACK: You can do this, Charlie. CHARLIE: Okay, okay, okay, okay. JACK: Now. [Charlie pulls his arm. Jack yells out, grabs his shoulder.] -------------------------------------------------------------------------------- [Flashback - sht of a wind chime on a porch. We see Charlie walking up to the door of nice house, and the door opens.] LIAM: [off camera] Charlie? What are you doing here? CHARLIE: A bloke can't pay his big brother a visit once in a while? LIAM: Of course you can. Why didn't you call, you lunatic. [They hug]. What are you doing in Sydney? [We see Charlie and Liam in the yard. Liam is pushing his young daughter on a swing.] CHARLIE: It's all lined up, Liam. 8 weeks on tour opening for some band called Meat Coat. First gig's in Los Angeles. LA, Liam. This is a chance to get back on a label, a real one. [Liam sets is daughter in a sandbox. Liam and Charlie sit down at a table.] CHARLIE: This is our comeback. LIAM: Charlie, I don't want to come back. CHARLIE: Yeah, right. Well, here's the thing. They won't book Drive Shaft without you. So I'm asking as a brother, the way you asked me. LIAM: You were with me the night I missed Megan's birth. You were the one I was stumbling around Dresden with trying to find a sodding fix. Oh man, you're still using, aren't you? CHARLIE: Don't change the subject. LIAM: That's why you haven't been returning my calls. CHARLIE: Look, are you going to go on tour with us or not? LIAM: You said you were going to get some help, man. CHARLIE: I lost your sodding number, okay? LIAM: You're still a junkie. CHARLIE: You did this to me! It was about the music! The music, Liam. You took that away from me. LIAM: Listen, why don't you stay with us for a few weeks. Karen and me, we can get you help. Sydney's got some really good programs. CHARLIE: Forget it. [He gets up and walks away] LIAM: Don't go. CHARLIE: Thanks for your help, brother. LIAM: Stay, please. I'm just looking out for you! CHARLIE: [angry] You never looked out for me! I have a plane to catch. [Slow motion of Charlie walking away.] -------------------------------------------------------------------------------- [sht of Charlie in the cave. His hand is shaking.] JACK: How long has it been, Charlie? CHARLIE: I don't know what you're going on about. JACK: How long since your last fix? CHARLIE: Almost a day and a half. JACK: How's the withdrawal treating you? Any hallucinations? CHARLIE: Apart from the conversation I had with you about an hour ago in the jungle, no, not really. JACK: Why didn't you say anything? I could've helped you through this. CHARLIE: Yeah, you think I'm useless, and a junkie to boot. JACK: Useless? You're not useless. That took a lot of guts getting in here and trying to rescue me. I won't forget that. CHARLIE: [ironically] For the rest of our lives? JACK: At the rate we're using our oxygen in here, that won't be too long. CHARLIE: This place, it reminds me of confession, those little claustrophobic booths. JACK: I wouldn't have taken you for a religious man. CHARLIE: I used to be. Hey, you want to hear my confession? Might take a while. JACK: Hey, I'm no saint, either. [Charlie sees something] What's wrong? CHARLIE: It's a moth. JACK: A what? CHARLIE: Right behind you, look. There's a bloody moth in here. Look. [Charlie starts to follow it.] JACK: Charlie, what are you doing? [Charlie is feeling around in the cave.] [sht of people on the outside pulling rubble away.] MICHAEL: Hey Kate, you need to take a break. KATE: I'm fine. MICHAEL: We've got enough people to dig. You keep going at this pace your going to kll yourself. [Back in the cave.] CHARLIE: There's light. JACK: What? CHARLIE: I can see light. [Outside they are digging. Inside Charlie is crawling. sht of ground outside. Then Charlie's hand comes up through the ground. sht of people outside digging. sht of Walt. Vincent barks.] WALT: Hey, it's the doctor. [Jack and Charlie enter. Kate gives Jack a huge hug.] JACK: Ow, easy, my shoulder, careful. HURLEY: How'd you get out? JACK: Charlie, Charlie found a way out. HURLEY: Dude, you rock. [Congratulations all around. sht of Charlie looking proud/happy.] -------------------------------------------------------------------------------- [sht of Sayid as he looks at his watch. He says a quick prayer and lights the bottle rocket.] SAYID: [to himself] Alright everyone, now it's your turn. [sht of Shannon laying on beach talking to a female redshirt.] SHANNON: We're in Malibu part of the year, but the guys there are such idiots. [We can hear the sound of the rocket exploding. The redshirt points to the sky]. SHANNON: [hurrying] Dammit! Dammit, dammit, dammit. [She lights the rocket]. SAYID: [seeing the beach rocket explode] Come on, come on, one more. Come on Kate. Come on. [We see the third rocket go off.] SAYID: Yes. Yes. [He gets the transceiver out of his pack and turns it on. The little screen says, acquiring signal.] Where are you? [The little screen says Receiving Signal] Yes! [The little screen shows a strong signal] Where are you? Where are you? [We see movement behind Sayid. We hear some noise. Then Sayid gets whacked on the head with a big stick and falls to the ground unconscious.] Act 6 [sht of Hurley getting some water from the spring. He gives water to Charlie and Jack.] HURLEY: [to Charlie] Dude, you feeling okay? You look a little... JACK: Flu. He's got the flu. HURLEY: Oh man, that's rough after all you've been through. Take it easy, man. [sht of Charlie looking gratefully at Jack. sht of Locke waiving a palm frond over the boar which is cooking on a spit. We see Charlie watching him.] CHARLIE: I think I'm going to stretch my legs. [sht of Walt and Michael] WALT: This place is cool. Can we live here? [Michael looks over at Sun. She returns his gaze. sht of Jack looking at the fre. Then we see a rag being put over his head. Kate has brought him a sling.] KATE: Made you something. JACK: Awww. My very first sling. KATE: How's that? JACK: Good. Thank you. KATE: So these are the safe caves you've been going on about. JACK: This was a fluke. Michael checked out the integrity of the rest of the caves and gave them an okay. So you're heading back to the beach, huh? KATE: Sayid should be back there by now and if his plan worked then... JACK: Then we're one step closer to getting off this Island. [Kate looks down (thinking about getting off the Island).] JACK: Thanks for the sling, Kate. KATE: You're welcome. [Locke brushing the boar. Charlie walks up.] CHARLIE: Give them to me. LOCKE: This is the third time. Are you sure you really want them? CHARLIE: I've made my choice. [Locke hands the drugs to Charlie. Charlie looks at them and throws them in the f*re. Locke smiles.] LOCKE: I'm proud of you, Charlie. Always knew you could do it. [Charlie looks up and sees a moth.]	{"type": "series", "show": "Lost", "episode": "1x07 - The Moth"}	foreverdreaming
[sht of Kate walking up the beach with bananas. She finds Sawyer's clothes and a paperback edition of Watership Down.] SAWYER: [from the ocean] Hell of a book. It's about bunnies. [We see Sawyer coming out of the ocean naked.] KATE: [looking Sawyer up and down] Must be cold without your trunks. SAWYER: You bet. How about you come a little closer and warm me up? KATE: You sure know how to make a girl feel special, Sawyer. [Kate walks away.] -------------------------------------------------------------------------------- [Flashback - We see Sawyer in a hotel room in bed with a woman, Jess.] JESS: You're incredible Sawyer. SAWYER: I love you. Look at you. What do you want, right now? JESS: How could I want anything else? [Jess notices the time.] JESS: Oh, uh-oh, baby. SAWYER: Oh, what. JESS: I thought you had a meeting. SAWYER: Yeah, but it's not until 3:30. JESS: Baby, it's 3:28. SAWYER: Damn it. Damn it. Baby, why don't you just, uh... JESS: No, just go. You go, okay, I'll stay here -- order room service, get fat. SAWYER: Why don't you order a chocolate sundae -- when I get back, I'll use you as a dish. [Sawyer pulls a brief case from on top of the armoire and money spills out.] SAWYER: You weren't exactly supposed to see that. -------------------------------------------------------------------------------- [On-Island - sht of Sawyer in the jungle. He hears rustling noises. He starts running and comes across Boone in his stuff.] SAWYER: What are you doing in my stuff, son? [sht of Sayid being doctored by Jack.] JACK: This is going to hurt. Ready to tell me what happened? SAYID: We were trying to find the source of the distress call. I saw the flare from the beach and then the flare from Sawyer's position in the jungle. I switched on my antenna, activated the transceiver, and then -- darkness. Whoever ht me came from behind. JACK: And destroyed the equipment? SAYID: Yes. JACK: Listen, we're going to figure this out, but don't do anything... SAYID: I will do whatever I need to do to find the man responsible. [Shannon and Boone enter the caves. Boone is wounded.] SHANNON: We need some help over here. JACK: What happened? BOONE: Sawyer. Act 2 [sht of Claire writing in her diary. Charlie approaches with some water.] CHARLIE: Morning delivery. CLAIRE: Awww, you're sweet, thanks. CHARLIE: Well, I figured in your condition, with the extra baggage, you know... CLAIRE: Well, I can still walk. CHARLIE: Barely. Anyway, I worry about you out here. You know, it's very -- sunny. CLAIRE: Thus, my hat. CHARLIE: There's plenty of hats in the caves. And we've got a doctor there, as well. That'll come in handy. CLAIRE: I like the beach, Charlie. CHARLIE: Yeah, who wouldn't want to spend the day with sand fleas. CLAIRE: I want to be here -- for when we get rescued. CHARLIE: When we get rescued, right. -------------------------------------------------------------------------------- [sht of Boone getting doctored by Jack.] BOONE: Jack, it's fine. It's just a scrape. JACK: Yeah, lot's of scrapes today. I'm running out of peroxide. BOONE: He just jumped me man. I didn't... JACK: Why? BOONE: Shannon has asthma. JACK: Asthma? BOONE: Yeah. JACK: I've never seen her have an attck before. BOONE: Because she had an inhaler. She's sneaks hits when no one's looking. She's been embarrassed about it since she was a little kid. I guess breathing's not cool. JACK: Had an inhaler? BOONE: It ran out a couple of days ago. But I had 4 refills which should have been enough for a couple of months. But she always forgets her medication so I put it my suitcase. Today I see that jackass reading Watership Down. JACK: You're losing me. BOONE: It was in my bags, the stuff that I checked. If he has my book he has my luggage, if he has the luggage he has the inhalers. Her breathing got really rough today, man. If she has an attck, it's not going to be good. -------------------------------------------------------------------------------- [sht of Sawyer reading his letter, smoking a cigarette. Jack enters and starts going through Sawyer's stuff. Sawyer folds his letter fast.] JACK: Where is it? SAWYER: Hey, Doc. Long time no see. JACK: Where is it? SAWYER: Where's what? JACK: The girl's asthma medicine. Shannon -- her inhalers. SAWYER: Oh, that. JACK: You attcked a kid for trying to help his sick sister. SAWYER: No, I whooped a thief cuz he was going through my stuff. JACK: Yours? What makes it yours? What, you think you can just take something out of a suitcase and that makes it yours? SAWYER: Which I had to move because everybody just wants to help themselves. Look, I don't know what kind of commie share-fest you're running over in cave town, but down here possession's 9/10ths. And a man's got a right to protect his property. JACK: Get up. SAWYER: Why, you want to see who's taller? JACK: Get up. SAWYER: You sure you want to make this your problem, Doc? JACK: Oh yeah. I'm sure. [Sawyer gets up. Kate enters.] KATE: Hey, what's going on here? [Jack walks away, Kate follows.] -------------------------------------------------------------------------------- [Flashback - Sawyer and Jess are in the hotel room.] JESS: You told me you were going to Baton Rouge to close a deal. SAWYER: Just trust me, there isn't any time to explain. I'm already late. I miss this meeting, the whole deal's a bust, alright? That's everything I have. 140,000 dollars. There's an oil mining operation in the Gulf of Mexico -- drilling platforms. 300,000 dollars buys one share, but as soon as you invest a Government sponsored fund kicks in and triples your money in two weeks. Triples it. JESS: 300,000? SAWYER: Yeah. JESS: You've got 140. SAWYER: I found an investor in Toronto -- wants in 50/50. In two weeks we'll be splitting almost a million bucks. Jess, this is my chance. JESS: There's another option. SAWYER: Yeah, and what's that? JESS: That I give you the 160,000 and we split the profit. SAWYER: Yeah, and how in the hell are you going to scare up 160,000 bucks? JESS: My husband. -------------------------------------------------------------------------------- [On-Island - sht of Kate and Jack on beach.] JACK: I'm going to kll him. KATE: That's not going to help us get the medicine. JACK: Maybe not, but it'll feel good. KATE: So what's stopping you? JACK: We're not savages, Kate. Not yet. KATE: Let me talk to Sawyer. JACK: What makes you think he's going to listen to you? KATE: He says we have a connection. JACK: Do you? KATE: Please. -------------------------------------------------------------------------------- [sht of Sawyer chopping wood.] KATE: What do you want? SAWYER: Excuse me? KATE: What do you want, Sawyer? SAWYER: Freckles, I got so many answers to that question, I wouldn't even know where to start. KATE: What do you want for the inhalers? SAWYER: Ah, good question. Hang on a tick. What do I want? A kiss ought to do it. KATE: What? SAWYER: A kiss, from you, right now? KATE: I don't buy it. SAWYER: Buy what? KATE: The act. You try too hard, Sawyer. I ask you to help a woman who can't breath and you want me to kiss you? Nobody's that disgusting. I've seen you, you know. SAWYER: Seen me what? KATE: With that piece of paper -- the one you keep in your pocket. Seen the expression on your face when you read it and how carefully you fold it up. It means something to you. So you can play games all you want, but I know there's a human being in there somewhere. Give me the medication. SAWYER: You think you understand me? KATE: Yeah. I think I have... SAWYER: Shut up. You want to know what kind of human being I am? [He hands her his letter] Read it. Read it. Out loud. KATE: Dear Mr. Sawyer, you don't know who I am but I know who you are and I know what you done. You had sex with my mother and then you stole my dad's money all away. So he got angry and he klled my mother and then he klled himself, too. SAWYER: Don't stop now. You're just getting to the good part. KATE: All I know is your name. But one of these days I'm going to find you and I'm going to give you this letter so you'll remember what you done to me. You klled my parents, Mr. Sawyer. SAWYER: Now about that kiss... I didn't think so. Act 3 [sht of a Knfe sharpening a stick to a point.] SAYID: Locke, where were you last night, around sunset? LOCKE: Well, I'm afraid the only witness to my whereabouts is the boar that I was skinning for our dinner. I heard you were trying to send out a distress call. So it would seem whoever attcked you has a reason for not wanting to get off the Island. Maybe someone who is profiting from our current circumstances? And from what I've seen you and Mr. Sawyer share a certain animosity. SAYID: No, he has an alibi. Just before I was struck, he set off a bottle rocket, a signal we had worked out -- 2 kilometers away. He wouldn't have the time to go... LOCKE: Unless he found a way to time delay the fuse on his rocket. SAYID: How could he possibly have... LOCKE: Anyone who watches television knows how to improvise a slow fuse. Use a cigarette. [Locke offers Sayid his Knfe] Just in case there's a next time. -------------------------------------------------------------------------------- [sht of Shannon gasping. sht of Jack looking through his stash of medicine. We see Sun looking on.] BOONE: Just try to breathe. Breathe. Come on Shann work with me. [Sawyer walks to the caves to get some water. Jack approaches.] JACK: Give me the inhalers -- now. SAWYER: Hell, I wondered when you were going to stop asking nice. [Jack punches him.] SAWYER: Well, it's about time, cowboy. Been telling you since day one, we're in the wild. Didn't think you had it in you. [Jack punches him again.] SAWYER: That all you got? [Jack notices that everyone is watching him. He shakes his head and walks away.] -------------------------------------------------------------------------------- [We see Sawyer at a restaurant with Jess and her husband, David.] SAWYER: I'm not sure this is such a good idea. JESS: Why not? SAWYER: Because business between friends is always a little sticky. I don't know you well, but I know your wife. Working with her at the auto dealership, I'm just not sure I'm comfortable. DAVID: Louisiana will invest two thirds of the drilling costs. What is this? A loophole? SAWYER: Look, David, you're reluctant. I get it. You got your lumbar yard, you don't need this. JESS: You should do this. DAVID: Jess, I don't even know this guy. JESS: Show him the cash. DAVID: How do I know this is real? SAWYER: The money? Hell, how about you hold on to it for a night. Check it out. I want you to feel secure. You know what? Let's not do this. I've got another investor who's already committed. JESS: David? SAWYER: [putting 300 down on the table] This should cover lunch. And I'll see you Monday [to Jess]. David. JESS: David? DAVID: Wait. [Sawyer stops and smiles to himself.] -------------------------------------------------------------------------------- [On-Island - sht of Claire and Charlie on the beach.] CLAIRE: Warm fluffy towels. Your turn. CHARLIE: Uh, banoffee pie. CLAIRE: You already said that. CHARLIE: Toffee and cream, mmmm. CLAIRE: Is food the only thing that you miss? CHARLIE: You're pregnant. I mean, do you not crave anything? Pickles, fried ice cream, chocolate? CLAIRE: Peanut butter. I'm the only Australian who loves peanut butter. CHARLIE: I could get you peanut butter. CLAIRE: Yeah, sure you can. CHARLIE: Yes, I can. And when I get you peanut butter you have to vacate this sandy shore of depression and move to the caves. Deal? CLAIRE: Deal. [They shake hands.] -------------------------------------------------------------------------------- [sht of Shannon gasping.] BOONE: Help, she's not breathing! The attcks are getting worse. JACK: Shannon, listen to me. Look at me, look at me. You need to listen now. This isn't just the asthma, it's anxiety. It's in your head. SHANNON: No. JACK: Yes. You know that your medicine's run out and you're panicking. Shannon, Shannon, look at me. We can fight this, together, okay? Nod your head, Shannon. Good. Breathe in through... BOONE: She needs her inhaler. JACK: Boone! [to Shannon] Breathe in through your nose, slowly. No, no, no. In through the nose, like this. You can do this Shannon. You can do it. In through the nose. You got your breath. Yeah. Your color's coming back. See, I knew you could do this. Do you feel it? SHANNON: Yes. JACK: It's passing. Okay. Again, in through the nose. Alright, just keep doing that. Keep breathing like that. That's perfect, good job. [Jack takes Boone aside.] JACK: Keep her relaxed. Do not let her panic. BOONE: Yeah. Yeah. HURLEY: Wow, man. That was awesome. I mean, that was like a -- Jedi moment. [We see Jack walking out of the caves. Sayid follows.] SAYID: Jack, what will happen if she doesn't get the medicine? [Jack shrugs] Then we have to make Sawyer give it to us. JACK: Yeah, that's what I'm going to do. SAYID: No, not you, me. I served 5 years in the Republican Guard. JACK: I thought you were a communications officer? SAYID: Part of my training entailed getting the enemy to communicate. Just give me 10 minutes with him. He'll give us the medicine. [Jack doesn't respond] Is that a yes? JACK: [taking a long moment] Yes. Act 4 [sht of Charlie and Hurley walking in the jungle.] HURLEY: Food from the plane's been gone for over a week, dude. CHARLIE: What, no secret stash for emergencies? You and Jack have got a bunch of stuff in that cave. HURLEY: Sorry, man. No peanut butter. No peanuts. No nothing. CHARLIE: Yeah, but, there's got to be something. I mean, look at you. HURLEY: Look at what? CHARLIE: No, no. Listen. HURLEY: Fat guy hoarding the food, is that what you think? CHARLIE: No. It's just we've been here for two weeks and you've not really... HURLEY: Slimmed down much? CHARLIE: All I need is a bag of peanuts. HURLEY: I have no food, alright?! And for the record, I'm down a notch in my belt. I'm a big guy, it's going to be a while before you're going to want to give me a piggy back ride, okay? CHARLIE: Sorry. Sorry, that was bad form. HURLEY: Yeah. I'm used to it. CHARLIE: So, not even a bag of... HURLEY: Dude. CHARLIE: Okay. Alright, I'm sorry. -------------------------------------------------------------------------------- [sht of Michael trying to clean a fish and getting it all over himself.] MICHAEL: Aaah, damn, stupid... SUN: Michael -- the sick girl. [Sun makes breathing sounds] MICHAEL: Yeah. Asthma. SUN: Yes, asthma. I think I can help her. -------------------------------------------------------------------------------- [sht of Sawyer sleeping in an airline seat. He awakens and looks up to see Sayid.] SAYID: [with a big metal pipe poised over Sawyer's head] Good morning. [We see Jack and Sayid dragging Sawyer away.] KATE: What are you doing? Jack! JACK: This was Sawyer's choice, not mine. KATE: If you do this! [We see Sawyer tied to a tree. Sayid splashes water on his face to bring him to.] SAWYER: Well, ain't you the brave one, jumping a guy while he's napping. Uh-oh, I'm in trouble now, ain't I? JACK: Sawyer, I'm giving you the chance to do the right thing. Now, all I want is the asthma medicine. Just tell me where the inhalers are and we'll stop. SAWYER: Stop what, Chico? [sht of Sayid making bamboo spikes.] JACK: It doesn't have to be this way. SAWYER: Yeah, it does. SAYID: We do not have bamboo in Iraq, although we do have something similar -- reeds. But their effect is the same when the sht are inserted underneath the fingernails. SAWYER: You know what I think, Ali. I think you've never actually tortured anybody in your life. SAYID: Unfortunately for us both, you're wrong. [Sayid starts with the bamboo under the fingernails.] SAWYER: That's it? That's all you got? Splinters? No wonder we kicked your ass in the Gulf... [he screams] JACK: Sayid. Sayid! SAWYER: No. Don't stop now. I think my sinuses are clearing. JACK: What the hell is wrong with you? SAYID: Perhaps losing an eye will loosen your tongue? SAWYER: Okay, okay. SAYID: Where is it? SAWYER: The only person I'll tell is her. JACK: Kate? SAWYER: That's the deal. -------------------------------------------------------------------------------- [Flashback - We see Sawyer playing pool with his buddy Kilo in a pool hall.] KILO: Tell me Sawyer, do you want to die? Because when a man walks in my place and tells me he left a 160,000 of my hard won dollars in the care of a civilian I've got to ask myself if what I'm hearing isn't the desperate cry for the sweet release of death. SAWYER: Deal closed today. See, women are easy -- a few cosmos, a couple of stunts they haven't seen between the sheets, and they think the scam's their idea. Now husbands, they need to touch the money, smell it -- believe that if they had the brass to put that suitcase in the trunk of their family sedan and speed away, they just might have a chance at being an honest-to-gosh outlaw. KILO: Okay, Tex. You got your grift so pat, what'd you need my money for? Where's your seed from the last couple you roped? SAWYER: Well, what can I say? I like earning it as much as I like spending it. KILO: Be that as it may, I know a thing or two about making people suffer. Now you have my money, plus 50%, by noon tomorrow or I'll tell you all about it. -------------------------------------------------------------------------------- [On-Island - sht of Kate with Sawyer.] KATE: So I'm here. Where is it? SAWYER: Happy to tell you, as soon as I get that kiss. KATE: What? Are you serious? SAWYER: Baby, I am tied to a tree in a jungle of mystery. I just got tortured by a damn spinal surgeon and a gen-u-ine I-raqi. Of course, I'm serious. You're just not seeing the big picture here, Freckles. You really going to let that girl suffocate because you can't bring yourself to give me one little kiss? Hell, it's only first base. Lucky for you I ain't greedy. KATE: Okay. SAWYER: Okay. [They kiss.] SAWYER: I don't have it. KATE: What? SAWYER: The medicine. I don't have it, never did. KATE: The book -- they said you found it in their luggage. SAWYER: The book washed up on shore, went in the drink with the rest of- [Kate elbows him across the face. Then we see her walking toward Jack and Sayid.] KATE: He doesn't have it. JACK: What? SAYID: He's lying. Can't you see that? He's been lying from the beginning. He doesn't want us to get off this Island. That's why he attcked me. JACK: Hold on a minute. SAYID: He destroyed the transceiver! JACK: You don't know that. Sayid! [Sayid runs back to Sawyer. Sawyer is loosening the bindings on his wrist. Sayid and Sawyer struggle. Sayid sab him in the arm. Sayid holds his arms out, like it was an accident. Jack pulls the Knfe out, blood spurts out.] JACK: You ht an artery. [to Sawyer] Keep still damn it. Sayid, I need my stuff from the caves, my leather backpack. Go. [Jack is pinching Sawyer's artery closed.] KATE: Can you make it stop? Act 5 [sht of Sayid back at the caves. Boone sitting with Shannon.] BOONE: [running to Sayid] Whose blood is that? Whose blood is that? SAYID: Sawyer. BOONE: You went after Sawyer and you didn't even tell me? She's my sister. SHANNON: Boone, don't leave me alone, okay? BOONE: I'm not going anywhere, okay? SHANNON: Okay. [sht of Michael coming in while Sayid runs out. Sun approaches Michael.] MICHAEL: [holding out some branches] Are these the right ones? I think I found the right tree, but I'm guessing. SUN: [smelling the cuttings] Just let me see. Oh yes, good. [Jin enters.] JIN: [yelling] 이 놈이랑 뭐하고 있어! 이 놈이랑 왜 몰래 웃는거지? 응? 뭐야! (What are you doing with him? Why are you sneaking around with this man? What’s going on?) [Sun walks away. Jin looks at Michael angrily.] MICHAEL: Don't, man. I'm telling you, don't. -------------------------------------------------------------------------------- [sht of Kate and Jack keeping Sawyer still.] SAWYER: Let go. I know you want to. JACK: Shut up. And stop moving. SAWYER: You've been waiting for this, haven't you? Now you get to be the hero again, because that's what you do -- fix everything up all nice. Tell him to let go, Freckles. We already made out, what else I got to live for? Hey, Jack, there's something you should know -- if the tables were turned, I'd watch you die. -------------------------------------------------------------------------------- [Flashback - We see Sawyer at David and Jess' house, finalizing the deal.] SAWYER: Alrighty. It looks like we're in the oil business. DAVID: We're cool? SAWYER: Oh, we're cool. DAVID: We get the money back? SAWYER: Week from tomorrow, tripled. DAVID: You're not going to skip town, are you? JESS: David, for god's sake, he left all his money with us. We could've skipped town. SAWYER: Smart woman you got there, David. Don't let her go. [A kid comes into the room.] JESS: Hi, baby. What are you doing up? Are you feeling better? BOY: Will you read to me? JESS: In a minute sweetheart. We have company right now. [Sawyer is looking at the kid, very sad.] DAVID: You okay? SAWYER: Deal's off. DAVID: Excuse me? SAWYER: Deal's off, forget it. JESS: What are you doing? DAVID: Hold on, what is this, a joke? SAWYER: I'm calling it off, walking away. DAVID: You're not walking out of here. You know what I had to do for this? All this money in one day?! SAWYER: Take your hand off me, boy. JESS: Sawyer? DAVID: What's going on here? JESS: This isn't how is was supposed to work. You said that we were...! DAVID: Said? What'd he say Jessica? [Sawyer leaves the money and walks out.] -------------------------------------------------------------------------------- [On-Island - sht of Sawyer waking up with bandage, Kate is with him.] KATE: You're lucky to be alive. SAWYER: Jack? KATE: Went to the caves to check on Shannon. [She holds up Sawyer's letter] I read it again, and then again, because I've been trying to figure out why you bat up Boone instead of just telling him you didn't have his sister's medication. Why you pretended to have it anyway. The thing that I keep coming back around to is that you want to be hated. Then I looked at the envelope -- America's bicentennial, Knoxville, TN. You were just a kid, 8 maybe 9 years old. SAWYER: Kate. KATE: This letter wasn't written to you. You wrote this letter. Your name's not Sawyer, is it? SAWYER: It was his name. He was a confidence man. Romanced my momma to get to the money, wiped them out clean, left a mess behind. So I wrote that letter. I wrote it knowing one day I'd find him. But that ain't the sad part. When I was 19, I needed 6 grand to pay these guys off I was in trouble with. So I found a pretty lady with a dumb husband who had some money. And I got them to give it to me. How's that for a tragedy? I became the man I was hunting. Became Sawyer. Don't you feel sorry for me. [He grabs the letter from her]. Get the hell out. Get out! Act 6 [sht of Sun putting a Eucalyptus paste on Shannon, holding it in front of her nose.] BOONE: [to Jack] I don't know. It's a miracle. She just showed up with that mixture. She rubbed it on Shannon's chest and 10 minutes later she was breathing. JACK: [smelling it] Eucalyptus -- smart, Jack. [to Sun] Thank you, very much. -------------------------------------------------------------------------------- [sht of Charlie gathering Claire's clothes.] CLAIRE: What are you doing? CHARLIE: Packing your stuff, you're moving to the caves. CLAIRE: You didn't? Peanut butter? No way. CHARLIE: Just like you ordered. Oh, there is one thing. It's extra smooth. CLAIRE: That's okay. [Charlie opens an empty jar.] CLAIRE: It's empty. CHARLIE: What? No, no it's not. It's full, full to the brim, with stick to the roof of your mouth, oh, god, makes you want a glass of milk extra smooth. It's the best bloody peanut butter I've ever tasted. You want some? [Claire tries the imaginary peanut butter.] -------------------------------------------------------------------------------- [sht of Kate at the beach, looking out at the ocean. Sayid walks by.] KATE: Sayid? SAYID: I can't stay here. KATE: What? SAYID: I'm leaving. I don't know for how long. KATE: Sayid, you can't. We still don't know what's out there. SAYID: I've worse things to fear than what's in the jungle. What I did today, what I almost did, I swore to do never again. If I can't keep that promise, I have no right to be here. KATE: There's nowhere to go. SAYID: Someone has to walk the shore and map the Island, see what else there is. I can't think of a better person to do it than the only one I trust. I hope we meet again. [He kisses her hand and leaves. A montage follows with "I Shall Not Walk Alone" playing. Charlie and Claire walk to the caves. Boone gives Shannon a bottle of water. Sawyer holds a lighter to his letter but changes his mind. Sayid walks down the beach into the sunset.]	{"type": "series", "show": "Lost", "episode": "1x08 - Confidence Man"}	foreverdreaming
[sht of Sayid sitting on a beach, looking at his photos. He looks at the writing on the back of the photo. He looks across the beach and notices something metal sticking out of the sand. sht of cable in the sand with a piece of the interior exposed. Sayid carefully digs it up. Pan left to the cable going into the ocean, presumably. sht of Sayid using the cable as a guide going toward the jungle.] -------------------------------------------------------------------------------- [sht of bandage being ripped off of Sawyer's arm, at Sawyer's tent.] SAWYER: Ow, easy, Jackass. JACK: You want it easy, quit moaning. I've got to change these bandages. SAWYER: Well, try not taking my skin off with them. How'd I score the house call, Dr. Quinn. Trying to ease your conscience? JACK: My conscience is fine, thanks. SAWYER: Of course, what do you have to feel guilty about? I mean, you just let that damn Arab trture me -- stood by and watched. You figure you patch me up -- buy you a ticket into heaven? Only reason you're here... JACK: I'm here because no one else wants anything to do with you. SAWYER: She does. JACK: Change your own bandages. [We see Kate on the beach looking worried. Jack approaches.] JACK: Looking for someone, or just admiring the view? KATE: It's been two days since Sayid took off on his own. I keep looking up, thinking I'm going to see him coming back. JACK: He'll come back when he's found what he's looking for -- the French transmission. KATE: He isn't looking for anything. He left because of what happened -- for what he did. JACK: It was an accident. KATE: Well, accidents happen when you trture people, Jack. JACK: Sayid's a trained soldier, Kate. He can take care of himself. -------------------------------------------------------------------------------- [sht of jungle floor pans up to reveal Sayid walking toward the camera. We see the jungle floor with the cable running along it. Sayid notices a tripwire and carefully steps over it. We see a rope moving through the jungle floor and Sayid's ankles are caught in a trap.] Act 2 [sht of Sayid hanging upside down, praying. He hears something.] SAYID: Hello? Hello? [sht of Knfe used to cut Sayid down. He falls, and sees someone wearing army green cargo pants, carrying the Knfe coming toward him before he loses consciousness.] -------------------------------------------------------------------------------- [sht of Jack doctoring a redshirt. Voices of people arguing (you, get him out of there, he's drinking our water)]. JACK: What's going on out there? HURLEY: Uh, you know, the usual -- people yelling at each other over nothing. SULLIVAN (a redshirt): Doc, what do you think this is, this, this, this, uh, rash. It's bad, right, like some kind of a tropical disease? JACK: It's hives. SULLIVAN: What's that? Is that like poison ivy? JACK: It's a common rash, Sullivan. It's brought on by heat and stress. SULLIVAN: Okay. JACK: Just try to relax; it'll clear up. SULLIVAN: Right. JACK: Try to keep your mind off it. SULLIVAN: Okay, [to Sun who has a poultice] What is that? Is it like aloe? Isn't that for sunburn, or something? HURLEY: Try to keep your mind off it? What else has that guy got to do but stress? JACK: I've got enough on my plate without having to treat hypochondriacs. HURLEY: Yeah, but that's like my point, man. We're all fried. I'm mean, have you taken a look at everybody out there? Everybody's way tense. Dude, I'm just saying, it'd be sweet if we could have, I don't know, something to do. JACK: We're surviving here Hurley, and that's what my main concern is, keeping us alive. Things could be worse. HURLEY: How? -------------------------------------------------------------------------------- [sht of an "interrogation" light. We hear a bunch of voices/languages asking "Where is Alex?" (The voice may just be one voice slowing, morphing into Rousseau's voice as Sayid is coming to. It's like the voice is becoming clearer through a fog). Sayid is tied to a metal bed frame.] SAYID: What? Who are you? DANIELLE: Where is Alex? SAYID: I don't know what you're talking about. [A figure runs across the frame and does something that electrocutes Sayid.] DANIELLE: Where is Alex? SAYID: Please listen... DANIELLE: Where is Alex? SAYID: I don't know any Alex. [Sayid gets electrocuted again.] SAYID: Stop! -------------------------------------------------------------------------------- [Flashback - sht of a prisoner being beaten by Sayid in Iraq.] PRISONER: Stop. SAYID: Arabic [تريدني أن أتوقف، فالح؟ إذا أجب عن أسئلتي لأنني يمكنني فعل هذا كل يوم. أؤكد لك بأننا نعرف مسبقا الحقيقة. لكننا نريد أن تعترف بنفسك... [Subtitles: You want me to stop, Falah? Then start answering my questions because I can do this all day. I assure you we already know the truth. But I want you to admit it.] SAYID: [In English] And all the pain will stop. Your Shiite friends have already implicated you in the bmb. [shouting] You planted the device in the Baathist headquarters, didn't you? You klled two soldiers. [lowered voice] Confess it. Confess it, and perhaps it will only cost you your hands instead of your life. [The prisoner throws up.] [sht of Sayid and his boss/friend, Omar, walking in military type surroundings.] SAYID: He doesn't know anything. Your sources were wrong. OMAR: Perhaps. But that's really not the point, is it? You handled yourself very well in there. SAYID: Did I? OMAR: I'll put in for your reassignment to Intelligence Division, if you wish it. SAYID: Yes, sir, very much so. OMAR: Good, now stop calling me sir when it's just the two of us. SAYID: You're my superior officer, Omar -- for now. OMAR: And I'll enjoy it while it lasts. [sht of a woman being brought in for interrogation. Sayid watches her.] OMAR: That reminds me, Sayid. In addition to your increased responsibility... Communications officer... [the dialogue volume fades as the woman walks by.] SAYID: I'm willing to make that sacrifice. -------------------------------------------------------------------------------- [On-Island - sht of Hurley sitting asleep on a log. A bag is dropped at his feet, waking him up.] ETHAN: Hi HURLEY: Yo. What's this? LOCKE: They were in the jungle. They must have fallen from the plane. HURLEY: What are you guys doing out in the jungle at night? ETHAN: Best time to hunt. LOCKE: Ethan here has some experience -- spotted some tracks, looked like they might be rabbit or some other rodent. HURLEY: Rodent, yum. ETHAN: Figured people are starting to get tired of eating boar meat. HURLEY: You got that right. Alright, well, I'll take a look at these [indicated the suitcases], and see if there's anything useful. ETHAN: Okay. [sht of Hurley digging through luggage and finding red Hawaiian shirt. We see Locke sheath his Knfe, and Walt wakes up.] WALT: Mr. Locke, are you going back out to hunt? LOCKE: For a bit. WALT: Can I go with you? I mean, I just want to learn how to do what you do- MICHAEL: [waking up] Walt! WALT: I was just. I was talking to Mr. Locke and... MICHAEL: I know what you're doing. It's not going to happen, man. Get back to bed. HURLEY: [opening a bag] Whoa, dude. [He smiles.] -------------------------------------------------------------------------------- [sht of Sayid being electrocuted.] SAYID: Please just listen to me! I keep telling you I don't know who Alex is! I'm a survivor of a plane crash. I found a wire on the beach, I followed it. I thought it might have something to do with the transmission we picked up on our receiver. A recording, a mayday, with a French woman repeating on a loop for 16 years. DANIELLE: Si quelqu'un m'entend, je vous en prie, venez à notre aide... Il les a tués. Il les a tous tués... [Translation - If anybody hears me, please, come to our rescue... It (or-He-) klled them. It (or -He-) klled them ALL] [coming out of the shadows] 16 years. Has it really been that long? SAYID: You. DANIELLE: You just happened to hear my distress call? I know what you are. [She knocks him out with the butt of a rfle.] Act 3 [sht of Rousseau's place, she's going through Sayid's backpack. There's a big book in it. Sayid is looking around and sees a jacket with the name Rousseau on it.] SAYID: Rousseau. DANIELLE: How do you know my name? SAYID: I read it. There, on the jacket. [Rousseau has Sayid's photos from his pack.] SAYID: What is this place? Those batteries -- they wouldn't be able to produce enough power to transmit your distress call all these years. DANIELLE: It broadcasts from somewhere else. But they control it now. SAYID: They? DANIELLE: You. And the others like you. SAYID: I don't know who you think I am. I've already told you I'm not... DANIELLE: Sayid? SAYID: How do you know my name? DANIELLE: My name was on a jacket, your's is on the envelope you carry. Who is she? The woman in the photographs. SAYID: Nadia. Her name is Nadia. -------------------------------------------------------------------------------- [Flashback - Sayid and Omar in Iraq.] OMAR: We cannot tie Noor Abed-Jazeem directly to the bmb, but we know where her sympathies lie. She's a known associate of Kurdish and Shiite insurgents. SAYID: You think she knows who orchestrated the bmb? OMAR: That, my friend, is exactly what you will find out. [We see Sayid in a room with the woman he had watched being escorted into the building in the previous flashback.] SAYID: Noor Abed-Jazeem, I'm going to ask you some questions. If you refuse to cooperate I'm going to hurt you. Do you understand? NADIA: Nobody calls me Noor, Sayid. You of all people should know that. [Sayid is startled.] NADIA: What? You don't remember me? Am I so different from the little girl in the school yard who used to push you in the mud? SAYID: Nadia? NADIA: And your mother would tell my mother, "why must you pick on little Sayid." And I'd answer, because he ignores me. SAYID: You had enough attention with your family's wealth and your charm. NADIA: Such things matter little to children. But then you always were older than your years, weren't you, Sayid? SAYID: Not old enough to understand that being pushed in the mud was a sign of affection. Now you're a traitor to your country. Tell me what you know about the bmb in Najaf. Tell me, or I swear I will hurt you. NADIA: Oh, I know Sayid. This is not my first interrogation by the Republican Guard. This is where they brned me with acid -- they pierced my hands with a drill. Would you like to see the soles of my feet? Where they flayed the skin off? These are the handiworks of your friends. The people you swear allegiance to. SAYID: If you were innocent, I am sorry. But this bmb is a different matter, Nadia. NADIA: Go on, Sayid, do your work. I'm not going to tell you anything. SAYID: Then I'm going to hurt you. NADIA: I know. -------------------------------------------------------------------------------- [On-Island - sht of a old bllet wound on Sayid's leg back at Danielle's place.] DANIELLE: You have a bllet wound. SAYID: I was a soldier. DANIELLE: You were. And are you still? SAYID: That was a long time ago. DANIELLE: Tell me more about her, the woman -- Nadia. SAYID: Alex. Who is he? -------------------------------------------------------------------------------- [sht of Michael with a sketch book.] WALT: I'm bored. Can I take Vincent to the beach? MICHAEL: I'll take you later, man. I'm in the middle of something. WALT: But there's nothing to do around here. MICHAEL: Well, you've got to figure out stuff to do. You know what I'm saying? You've got to find a way to entertain yourself. [We see Hurley looking for something.] HURLEY: [rummaging suitcases in search for something, speaking to himself] Come on. Come on. I know I saw it. [He finds what he was looking for.] Yes. JACK: Hurley, uh... HURLEY: Hold on, man. I'm busy. [Hurley sees Michael holding a long stick.] HURLEY: [to Michael] Dude, can I borrow this? MICHAEL: What? HURLEY: [takes the stick] Thanks, man. JACK: Hurley, what are you doing? [Hurley just laughs.] -------------------------------------------------------------------------------- [sht of Danielle at her place.] DANIELLE: So, you heard my transmission -- came looking for me, for answers? SAYID: I didn't know you were alive. DANIELLE: Still lying. SAYID: I'm not lying. DANIELLE: Lies! SAYID: Nothing... DANIELLE: Like this plane crash which you survived. You claim there were others? SAYID: More than 40, yes. DANIELLE: Then why are you alone? SAYID: I left them. DANIELLE: Why? SAYID: There was -- I did something, something I'm ashamed of. DANIELLE: But Nadia, you left her, too? SAYID: She wasn't on the plane. She's dad -- because of me. DANIELLE: [putting her hand on his face] I'm so sorry. I want to show you something. -------------------------------------------------------------------------------- [sht of Michael's sketch book.] MICHAEL: See, this junction here -- re-route some of the spring's water flow into a couple of suspended basins, pop in some hose, you got showers. This way you keep the drinking water separate. JACK: This is -- you drew this? MICHAEL: I was an artist in a previous life. JACK: I thought you were in construction. MICHAEL: I am. I mean, I was -- long story. CHARLIE: Hey, Jack. Hurley's all worked up about something, said we should come see it. [sht of plateau on mountain.] HURLEY: Welcome, to the first, and hopefully last, Island Open. JACK: What? HURLEY: It's two holes for now, 3 par, and no waiting. JACK: Hurley, you built a golf course? HURLEY: Rich idiots fly to tropical islands all the time to whack balls around. MICHAEL: All the stuff we've got to deal with, man -- this is what you've been wasting your time on? HURLEY: Dudes, listen. Our lives suck. Everyone's nerves are stretched to the max. I mean, we're lost on an Island, running from boars and monsters -- freakin' polar bears! MICHAEL: Polar bears? CHARLIE: You didn't hear about the polar bear? HURLEY: Look, all I'm saying is, if we're stuck here, then just surviving's not going to cut it. We need some kind of relief, you know. We need some way that we can, you know, have fun. That's right, fun. Or else we're just going to go crazy waiting for the next bad thing to happen. [Jack and Michael look at each other, bemused.] -------------------------------------------------------------------------------- [Back at Danielle's we see her music box.] DANIELLE: It's a music box, but it's broken. It has been for a long time. It was a gift from my love for our anniversary. SAYID: You mean Alex? DANIELLE: Robert. This was such a comfort to me in the first few years here. SAYID: I could fix it for you. I could take a look at it, if you freed my hands. [Danielle gets up quickly.] I'm very good with mechanical things. I need my hands. [Danielle gets a syringe, scrapes it with sandpaper, and fills it with some medication.] DANIELLE: What is written on the back of your photograph? SAYID: What are you doing? DANIELLE: Did she write it? Or did you? Perhaps you don't want to tell me because it causes too much pain. SAYID: Rousseau, you don't need to do that. [sht of Danielle giving him the injection.] Act 4 [sht of Michael and Jack, close up on their faces.] MICHAEL: This is a problem, man. JACK: Yeah. MICHAEL: I mean, I know what I'd do, but it's got to be your call. JACK: Okay, give me a seven iron. MICHAEL: You got it. JACK: [to Hurley and Charlie who are taunting him] Hey, heads up over there! CHARLIE: No chance, you won't get anywhere near us! SULLIVAN: [off camera, interrupting Jack's sht] Hey, Doc? There you are. Somebody said you went this way. Listen, that rash of mine, it's starting to spread. It's like the size of a grape. What are you guys doing? Are you playing golf? JACK: Yeah. SULLIVAN: Can I play? -------------------------------------------------------------------------------- [We see Sayid unconscious, chained to chair. He suddenly wakes up.] DANIELLE: Sorry about the sedative. It was the only safe way for me to move you. You offered to fix my music box after all I've done to you -- striking you, shocking you. Why? SAYID: Do you want me to fix your music box, or don't you? DANIELLE: Yes. Yes, please. SAYID: Then I want to know your name. Your first name. DANIELLE: Danielle. My name is Danielle. SAYID: [working on the music box] And how did you come to be on this Island, Danielle? [Danielle sighs and looks like she doesn't want to talk about it, but she will as if for the price of the music box.] DANIELLE: We were part of a science team. SAYID: A science team armed with rfles? Was Robert on the team? DANIELLE: Yes. SAYID: And Alex, was he, too? DANIELLE: Our vessel was 3 days out of Tahiti when our instruments malfunctioned. It was night, a storm, the sounds. The ship slammed into rocks, ran aground, the hull breached beyond repair. So, we made camp, dug out this temporary shelter. Temporary. Nearly 2 months we survived here, 2 months before -- SAYID: Your distress signal? The message I heard, you said, "It klled them all." DANIELLE: We were coming back from the Black Rock. It was them. They were the carriers. SAYID: Who were the carriers? DANIELLE: The others. SAYID: What others? What is the Black Rock? Have you seen other people on this Island? DANIELLE: No, but I hear them. Out there, in the jungle. They whisper. [Long Pause.] You think I'm insane. SAYID: I think you've been alone for too long. -------------------------------------------------------------------------------- [Flashback - We see Sayid going into Nadia's solitary confinement cell.] SAYID: [giving her bread] I'm sorry, this is all I could find. I'll try and bring you some fruit later on. Are you ready to talk? NADIA: That depends on what you'd like to talk about, Sayid. Books, weather? Since I've seen neither locked in this cell for weeks, I'm afraid my conversation will suffer. SAYID: We have two suspects in custody. Have a look at these photographs. All you need to do is nod. If you prove you are willing to cooperate, I think I can get them to free you. NADIA: Then I won't have these visits to look forward to anymore. SAYID: This isn't a game, Nadia. NADIA: Yet, you keep playing it, Sayid -- pretending to be something I know you're not. -------------------------------------------------------------------------------- [On-Island - sht of Shannon sunning on beach.] BOONE: You're never going to believe this. SHANNON: You finally learned how to tie your own shoes? BOONE: Funny. Someone at the caves built a golf course. SHANNON: Are you high? BOONE: Seriously, a golf course. Apparently, Jack's playing with them right now. KATE: Jack? Is golfing? BOONE: That's what I hear. I don't know about you guys but I'm going to go check this out. SHANNON: Wait for me, bonehead. SAWYER: Doctor playing golf. Woo, boy howdy, now I've heard everything. What's next, cop eating a donut? KATE: You want to come you should just say. SAWYER: I think I'll pass on that, Freckles. Not big on crowds. And let's face it, the crowd's not too hot on me, either. KATE: One outcast to another -- I'd think about making more of an effort. SAWYER: Duly noted. -------------------------------------------------------------------------------- [sht of Sayid in Danielle's place with the working music box.] SAYID: You see, some things can be fixed. DANIELLE: Thank you. Thank you so much. Thank you so much. SAYID: Danielle, please let me go. DANIELLE: Go? SAYID: Back to the people I told you about. DANIELLE: You can't. You have to stay. It's not safe. SAYID: Not safe, what's not safe? DANIELLE: You need me! You can't leave. SAYID: Danielle... [They hear sounds outside and Danielle picks up a rfle and heads to the hatch.] SAYID: Where are you going? DANIELLE: If we're lucky, it's one of the bears. SAYID: If we're lucky? It might be that thing out there -- the monster. DANIELLE: There's no such thing as monsters. -------------------------------------------------------------------------------- [Flashback - We see Sayid and Omar at their base.] OMAR: You have to execute her. SAYID: What? OMAR: The Jazeem woman has given us nothing. This will send a message to the others who will not talk. SAYID: I just need more time with her. OMAR: You have had more than a month, Sayid. Now bring her outside and sht her. Or I will. Is this a problem? SAYID: No, it's not a problem. OMAR: Good. [sht of Nadia in her cell.] NADIA: What did you bring me today? [Sayid throws an execution hood at her side.] SAYID: Put it on. NADIA: Are you going to hurt me, Sayid? Act 5 [On-Island - sht of Sayid using the screwdriver from when he fixed the music box to get out of his chains. He grabs Danielle's maps, and his pack, and a rfle. The photos of Nadia get left behind.] -------------------------------------------------------------------------------- [sht of golf course.] CHARLIE: Ugh! HURLEY: Dude, I think he stuck it. CHARLIE: Lucky, lucky. KATE: This thing have a ladies team? JACK: Hey, when did you show up? KATE: A while ago. I almost didn't recognize you. You're smiling. JACK: I'll have to watch that. KATE: So how'd you come up with this? JACK: Wasn't me -- it's all Hurley. I've been going crazy trying to make everyone feel safe. I haven't been sleeping because I want everyone to feel safe. And he builds a golf course and everyone feels safe. HURLEY: [after missing the ball completely] Aw, crap, do over. CHARLIE: It's a mulligan, mulligan. It's a gentleman's sport, you've got to get the words right. Mulligan. WALT: Dad. MICHAEL: Hey, come here. Check this out. CHARLIE: [hugging Hurley from behind] You want to -- let me. HURLEY: Dude, get away from me. WALT: You left me alone at the caves. MICHAEL: What? I left you with Claire. WALT: She's sleeping. MICHAEL: Oh, man. I'm sorry. I just... I just got caught up. I'm really sorry Walt. I screwed up. I'll make it up to you. Hey, you want to play? WALT: Nah, there's other people waiting. MICHAEL: Oh no, don't worry about it, they won't mind. You want to take a swing? CHARLIE: Michael, it's your sht. You're up. MICHAEL: Oh, okay, cool. [to Walt] So we'll play later, okay? -------------------------------------------------------------------------------- [sht of Sayid in jungle. He levels his rfle at Danielle.] SAYID: Put the gn down, Danielle. Put it down on the ground. [She doesn't, she levels her rfle at him.] SAYID: Don't. -------------------------------------------------------------------------------- [Flashback - We see Sayid walking down a corridor with Nadia in the hood.] SAYID: [to two soldiers] I'll take it from here. [The soldiers leave, and Sayid runs with Nadia.] NADIA: [terrified] What's... what's going on? SAYID: 40 meters outside this door there's a supply truck that will be leaving shortly. They don't check them on the way out, only coming in. Get inside. Cover yourself any way that you can. They won't reach the city for 30 minutes, that's enough time for you to jump out and hide yourself. NADIA: Come with me. SAYID: I can't. Desertion. They would kll my family. I don't have your courage. NADIA: You have more than you know. [She takes the photos out and writes something on the back.] SAYID: Nadia, you have to go. OMAR: [off camera at first] Sayid. What are you doing? [Omar reaches for his gn.] SAYID: Don't. OMAR: [shouts] Guards! [Sayid sh*t him.] NADIA: Sayid, now you have to come with me! They'll kll you! SAYID: No, you escaped, you stole my gn and you sht him. And then you sht me. [Sayid sht himself in the leg.] NADIA: Sayid! SAYID: [giving her the gn] Take it. Please, Nadia. Take it and go. [Nadia takes the gn and runs. Sayid looks at the message she wrote on the back of the photo.] -------------------------------------------------------------------------------- [On-Island - sht of Danielle.] SAYID: Please, I don't wish to hurt you. DANIELLE: You already have. SAYID: Don't. [Sayid fires, but nothing happens.] DANIELLE: The fring pin has been removed. Robert didn't notice it was missing, either -- when I sht him. SAYID: But you loved him. DANIELLE: He was sick. SAYID: Sick? DANIELLE: It took them, one after the other. I had no choice. They were already lost. SAYID: You klled them? DANIELLE: What would have happened if we were rescued? I couldn't let that happen. I won't! [Sayid throws the rfle down.] SAYID: I'm not sick. DANIELLE: I know. SAYID: Then why kll me? DANIELLE: I can't let you go. Don't you understand, to have someone to talk to, to touch -- SAYID: "You'll find me in the next life if not in this one." DANIELLE: What? SAYID: The writing on the back of Nadia's photograph. I know what it's like to hold on to someone. I've been holding on for the past 7 years to just a thought, a blind hope that somewhere she's still alive. But the more I hold on, the more I pull away from those around me. The only way out of this, this place, is with their help. Come with me. You don't have to be alone, Danielle. DANIELLE: Your people -- the ones you're determined to get back to -- watch them, watch them closely. SAYID: Danielle, who is Alex? DANIELLE: Alex was my child. Act 6 [Meanwhile, back at the golf course, Charlie is picking grass out his way as Michael laughs.] CHARLIE: Guys, please. I've never made par on a course before. [He takes his sht and misses.] HURLEY: Dude, you were robbed. CHARLIE: Bollocks. See that? MICHAEL: Okay, Jack. It's up to you. Sink this you get to wear the blazer. KATE: No pressure. CHARLIE: Yeah, no pressure. HURLEY: 5 bucks says he sinks it. CHARLIE: Hey, you're betting against me? HURLEY: Sorry, dude, but you're a duffer like me. BOONE: Make it 10 and you're on. SULLIVAN: I don't have any cash, but I'll bet my dinner on the Doc. SAWYER: I've two tubes of sunscreen and a flashlight says he chokes. [Everyone just stares at Sawyer for a minute.] KATE: I'll take that action. BOONE: Yeah, yeah, me too. SHANNON: You just bet on Jack, dumb-ass. BOONE: We need the sunscreen, Princess. [Jack takes his sht, but we don't see it.] -------------------------------------------------------------------------------- [We see Locke's Knfe flying into a tree, instead.] LOCKE: Does your father know you're here? WALT: [shaking his head] Can you teach me how to do that? [Locke hands Walt the Kn*fe.] -------------------------------------------------------------------------------- [We see Sayid walking through the jungle. Sound of wind, birds wings, whispering voices.]	{"type": "series", "show": "Lost", "episode": "1x09 - Solitary"}	foreverdreaming
[sht of Claire's eye opening. We hear a baby crying and see Claire looking around. She sits up and she isn't pregnant. She hears the baby cry, gets up and walks into the jungle to find the baby. We see Locke sitting at a table with a lamp, tarot cards, a table runner, and crystals. He's dealing the cards [but we can't see what they are]. We hear the sound of a sword being unsheathed. There is wind and motion in the trees.] CLAIRE: What's happening? LOCKE: You know what's happening. CLAIRE: But I don't understand. Why --? LOCKE: He was your responsibility but you gave him away, Claire. Everyone pays the price now. [Locke looks up and has one black eye and one white eye. We hear the baby crying and see Claire running through the jungle. She sees a crib and goes to it. It has a mobile with Oceanic airplanes hanging from it. There is shaking and a sound of the what the airplane might have sounded like when it was crashing. The planes on the mobile start spinning around, at least one is broken. There are a bunch of blankets in the crib. Claire starts digging through them and comes to a pool of blood. Her hands are all bloody. She starts screaming. sht of Claire screaming near the caves. Charlie is trying to calm her down. Michael, Jin, and Sun, Hurley run up.] CHARLIE: It's alright. Hey, hey, you're dreaming. You were sleep-walking, alright? [he looks at her hands which are bloody]. Claire, what happened? Act 2 [sht of Jack doctoring Claire's hands.] JACK: That must have been a hell of a nightmare. CLAIRE: Who said it was a nightmare? JACK: I'd say when someone makes their fists so tight they dig their fingernails a quarter of an inch into their palm they probably weren't dreaming about riding ponies. Did you ever sleep-walk before? CLAIRE: No. I don't think so. How would I know? JACK: It'll get back to you. I had a girlfriend once that told me I talked in my sleep. CLAIRE: What did you say? JACK: Don't know. Whatever it was she didn't like it. How was your OB-GYN in Sydney? CLAIRE: Good. She was good. JACK: She was okay with letting you fly in your third trimester? CLAIRE: Yeah, I went for a checkup the week before and she said it'd be fine. JACK: Ultrasound was cool? CLAIRE: Uh-huh. Very healthy. JACK: How have you been feeling? CLAIRE: Okay. Back's pretty sore, but it's probably just from sleeping on the ground. I get dizzy if I stand up too fast. And I have to pee all the time. JACK: Are you eating enough? CLAIRE: Boar and bananas. JACK: How many weeks in are you? What was the date that you found out you were pregnant. -------------------------------------------------------------------------------- [Flashback - We see Claire coming out of her bathroom with a pregnancy test in her hand.] THOMAS: Is it pink? CLAIRE: I don't know yet. THOMAS: I mean, did you actually pee on it? CLAIRE: I don't know, just give me a second. THOMAS: Maybe you didn't do it right. CLAIRE: Thomas, I can pee on a stick. THOMAS: Okay, well, what color is it? CLAIRE: How long's it been? THOMAS: 6 -- 66 seconds. Oh god. [He grabs the stick]. Okay, it's definitely two lines. CLAIRE: Two pink lines? THOMAS: Pink? No, no, no, these are, like, red. CLAIRE: What? [she looks at it] They're pink. THOMAS: These two lines? CLAIRE: They're pink. THOMAS: Okay, first of all these tests are not always accurate. CLAIRE: Thomas. THOMAS: No, no, no, my uncle he thought he had testicular cancer, remember that. CLAIRE: He did. He's dad. THOMAS: Yeah. I mean, no, no. It was like the wrong -- it was a bad diagnosis. Look, this thing, it doesn't mean for sure that you're pregnant. CLAIRE: Thomas -- THOMAS: We can go get another one. CLAIRE: I am six weeks late, okay. Six weeks. That never happens. I'm pregnant. THOMAS: Okay. Okay. Look, it's all going to be okay. CLAIRE: I know. I know. THOMAS: Hey, Claire? If we, if we wanted to we could do this. CLAIRE: Stop it. THOMAS: No. I'm not kidding. CLAIRE: My mom would disown me. THOMAS: She basically has already. CLAIRE: Yeah. But with what? My... my five dollar an hour job at Fish and Fry? THOMAS: You're not the only one with a job, you know. I mean, I've got my painting. CLAIRE: That's sweet, but this isn't what we want. THOMAS: Maybe it is. This could be like, uh, I don't know. It could be like the best thing ever. CLAIRE: You, you really want to try? THOMAS: Yeah. Claire, I love you. -------------------------------------------------------------------------------- [On-Island - sht of Jack walking on the beach in front of the fuselage. He approaches Kate.] JACK: Well, this is a first -- you standing still, middle of the day, doing nothing. Amazing. KATE: I'm doing something. JACK: Yeah, what's that? KATE: I'm sinking. Water goes out, takes the sand with it and you sink. I used to do it with my mom when I was a kid. JACK: Ah, new plan. You're going to just sink your way right off the Island. Sayid would be proud. KATE: He's been gone for almost a week. JACK: Something tells me he'll be okay. KATE: So what are you doing this far from the caves? JACK: Bringing water down, bringing fish back. Claire's going to have the baby soon. -------------------------------------------------------------------------------- [sht of Claire sitting on a rock or stump in the jungle writing in her journal, Charlie brings her tea.] CHARLIE: "Dear diary, still on the bloody Island. Today I swallowed a bug. Love, Claire." [He hands her tea.] Here, what separates us from these savage Yanks if we can't drink tea? Feeling better? CLAIRE: It was just a dream. CHARLIE: Mmmmm. I have this dream... I'm driving a bus and my teeth start falling out. My mom's in the back eating biscuits. Everything smells of bacon. It's weird. Of course, I don't wake up screaming. CLAIRE: I'm alright, Charlie. CHARLIE: No, of course you are. It's just, I think about you in this place -- how hard it must be for you without your family and your friends. And I think we could be friends. I could be your friend. We don't have to do each other's hair or anything. I just mean that if you needed someone to talk to about anything, I'm here. CLAIRE: Charlie. CHARLIE: Okay -- [he gets up to leave]. CLAIRE: I didn't mean that -- CHARLIE: It's cool, Claire. It's cool. -------------------------------------------------------------------------------- [Flashback - We see Claire walking with a friend, Rachel.] CLAIRE: Thomas cleaned out his whole loft. I'm officially moving in on Tuesday. RACHEL: That is great. CLAIRE: I know. He's awesome. [Claire looks apprehensively at the building they are approaching]. You know, maybe we shouldn't -- RACHEL: No, you're not backing out now. CLAIRE: It's seems -- RACHEL: He's just a psychic, Claire. I mean, I thought you were all into this, all your astrology stuff. CLAIRE: Yeah, I know, but I don't need somebody telling me what's going to happen or how to live my life. RACHEL: It's not about what you need. It's about what's fun. So unless you have another excuse -- [sht of Claire sitting at table with the psychic.] MALKIN: I'll need your hands for this. [He does a trance-like thing.] MALKIN: Ah, so when did you find out? CLAIRE: What? MALKIN: About the baby. CLAIRE: Two days ago. RACHEL: She hasn't told her mom yet. We're afraid she might -- [Claire shushes her]. [The Psychic opens his eyes and looks concerned.] CLAIRE: What? Should I not tell her? [The psychic looks up at her, looking worried, frightened.] What? What is it? MALKIN: I'm sorry. [He gives her money back.] I can't, I can't -- CLAIRE: What were you gonna -- what did you see? MALKIN: I'm... I'm not doing this reading. CLAIRE: You, you were going to say something. MALKIN: You'll have to leave. Now. Thanks, thanks very much. RACHEL: [as she and Claire leave] What a freak. -------------------------------------------------------------------------------- [On-Island - We see Claire sleeping and then she is attcked. In slo-mo: sht of Claire opening her eyes. A hand covers her mouth, shirt being pushed up Claire's belly, Claire's eye's going wide, sht of something silvery like a Knfe, sht of Claire's eyes, sht of something more coppery or gold colored. Then there's something that looks green that is out of focus in the foreground (maybe a needle?) A sht of her belly with what looks like a reflection (maybe the Knfe?) sht of her eyes with hand over her mouth.] Act 3 [sht of Jack sleeping and waking up to the sound of Claire screaming.] CLAIRE: [shouting] Help me! Somebody's going to hurt me, please, help me. CHARLIE: Someone attcked her. JACK: What? CLAIRE: He held me down. MICHAEL: Which way did he go? How long ago? CLAIRE: I don't know. I couldn't see. Just now, just now, he just ran away. [Hurley comes running.] HURLEY: What's going on? [Ethan comes to the scene.] CHARLIE: We should find out, check the surrounding caves. JACK: Hey, wait, wait, hold on don't go -- CHARLIE: Hurley, let's go. JACK: [to Claire] C'mon, c'mon, let's sit down here, okay? [to Ethan] Go get her some water. ETHAN: Yeah, sure. JACK: Claire, look at me, it's okay. You're safe now. MICHAEL: Did you get a look at him, at all? CLAIRE: No, it was dark. I couldn't see. JACK: Where did this happen? CLAIRE: It was here. I, I was sleeping and I woke up and he was trying to hurt my baby! He had this... this thing -- like... like a needle. And he sab me with it. [She shows her belly, but it doesn't look like there's a mark.] He was trying to hurt my baby. JACK: It's okay. It's okay. -------------------------------------------------------------------------------- [sht of people in the jungle with torches, Hurley and Jack end up in the foreground sht.] HURLEY: We looked around the entire perimeter, man. JACK: Nobody saw or heard anything? HURLEY: Uh-uh, nada. Everyone was asleep. So, I had an idea. I'm out here looking for some psycho with Scott and Steve, right? And I'm realizing who the hell are Scott and Steve? JACK: I'm not following you? HURLEY: Look, if I was a cop and some woman got attcked, we'd canvas, right? Knock on doors, find witnesses. But we don't even have doors. JACK: Hurley, you're not helping me understand where you're... HURLEY: Look, we don't know who's living here and who's still at the beach. I mean, we don't even know each other. My name isn't Hurley, it's Hugo Reyes. Hurley's just a nickname I have, alright? Why? I'm not telling. The point is, we've got to find out who everyone is. JACK: You want to start a census. HURLEY: Yeah, a registry, you know, names, what people look like, who's related to who. I mean, we start laying down the law, maybe we'll stop attacking each other. It seems like someone's getting punched, or sab, or something every other day here. We've got to find out who did this to her. -------------------------------------------------------------------------------- [sht of Charlie carrying blanket to Claire.] CHARLIE: You alright? [She half-heartedly nods.] Don't worry, you want to close your eyes, I'll be here all night. I won't let anyone get to you. I won't leave you, Claire. Promise. -------------------------------------------------------------------------------- [Flashback - We see Claire putting up curtains in her apartment. Thomas walks in with a bag of groceries.] THOMAS: Wow, we have drapes now. CLAIRE: I know it. I feel all grown up. You like them? THOMAS: Yeah. They're good. CLAIRE: I don't know why drapes represent age for me. I guess it just feels like something my mum would do. Oh, um, Sasha called, they're going out tonight, wanted to know if we'd go. [Thomas doesn't respond.] What? I didn't eat all the chips, there's another bag. THOMAS: Claire? I can't do this. CLAIRE: Do what? Did you have a bad day? THOMAS: This isn't working. Come on, you knew that. CLAIRE: I what? Um, just so I'm not over-reacting here, are you breaking up with me? THOMAS: Look, for the past three months, it's just, you know, there's always some plan, some responsibility, somewhere that we have to be, someone that you have to talk to. CLAIRE: Well, yeah, I'm trying to make sure that when the baby comes... THOMAS: Oh, the baby, yeah, I mean, that is just not -- it's like this now, you know. What's it going to be like when the baby comes? CLAIRE: But you said we should do this. THOMAS: Yeah, well, now it's real. CLAIRE: Well, you can't just change your mind. THOMAS: How in the hell am I supposed to be a dad, Claire? How about my painting, my life? CLAIRE: I knew... I knew this was going to happen. THOMAS: I told you so -- terrific. Now I get all your daddy abandonment crap, huh? CLAIRE: Hey, you bastard, don't you dare try and justify what you're doing! THOMAS: I have done nothing, okay. I have done absolutely nothing. CLAIRE: What?! I have?! THOMAS: You don't think I've seen what you've done? CLAIRE: Excuse me? THOMAS: You were supposed to be on the pill. CLAIRE: You think I got pregnant on purpose? THOMAS: I don't even care. CLAIRE: Like this was some kind of plan? You are out of your mind! THOMAS: It's over, Claire. CLAIRE: No, it's not over! THOMAS: I'm outta here. CLAIRE: Thomas! [Thomas leaves. Claire is left standing alone in the apartment.] -------------------------------------------------------------------------------- [On-Island - sht of Claire by the fre with Charlie. sht of Hurley and Locke at the beach.] HURLEY: John, right? John Locke? LOCKE: Is this about your census? HURLEY: Yeah, you know, I thought it'd be a good idea, you know, to get everyone's name and place of residence. LOCKE: And who's checking on you? HURLEY: Uh, me? LOCKE: That was a joke. HURLEY: Uh, good one. LOCKE: Yep. You already know my name. I lived most of my life in Tustin, CA. HURLEY: Cool. And, reason for travel? The reason you were in Australia? LOCKE: I was looking for something. HURLEY: Looking, uh-huh. So, did you find it? LOCKE: No. It found me. Anything else? HURLEY: [irritated] No, no. That's good. Uh, thanks. [Hurley approaches a redshirt that's walking by.] HURLEY: Hey, uh, I know I already talked to you, but, uh, I just wanted to get away from him fast, okay? [sht of Kate, Jack, and Charlie walking on the beach.] CHARLIE: Did you see anyone leave the beach last night? KATE: People come and go, but I, I don't know. [Jack looks back at Kate]. What? JACK: I'm not sure anything actually happened. CHARLIE: Wait, what? JACK: Claire told Michael and I that this attacker tried to inject her with something. But there was no mark on her stomach. She wakes up two nights in a row screaming. The first time she was sleep-walking. CHARLIE: You think she was making this up? She was terrified, man. JACK: Look, she said that the guy was trying to hurt her baby. Why would someone do that now with all of us sleeping 20 feet away? CHARLIE: So, you think she's lying? JACK: No. Pregnant women have extremely lucid... CHARLIE: Lucid, right. JACK: These are textbook anxiety nightmares. CHARLIE: You know everything that's going on with everyone? KATE: [to Charlie] Hey. [to Jack] So what do we do? JACK: She's due in a little more than a week, maybe two, but if she stays stressed out like this, or has another panic attck it could trigger an early labor. And out here, with no instruments, no monitors, no anesthetic -- that would not be good. CHARLIE: It's not all in her head. -------------------------------------------------------------------------------- [sht of Ethan getting Papaya from a tree, Hurley approaches.] HURLEY: Hey, Lance. ETHAN: Sorry? HURLEY: Lance. Your name's Lance, right? ETHAN: Ethan. HURLEY: Dude, that's right. Lance is the little skinny guy with the glasses and the red hair. ETHAN: I can see how you'd confuse us. HURLEY: Sorry, dude. Lots of names and faces. It's pretty pathetic, huh? You'd think after a couple of weeks on the Island with the same people, we'd all know each other. ETHAN: Yeah, you're right. You would think so. HURLEY: So, we're doing this list, you know, survivors, names, home addresses, stuff like that. ETHAN: Okay, well, you already have my name... HURLEY: Not Lance. ETHAN: Definitely not. HURLEY: Last name? ETHAN: Rom. HURLEY: Rom, R-O-M? ETHAN: That's right? HURLEY: Great, where are you from Ethan Rom? ETHAN: Ontario. HURLEY: Right on, love Canada, great uh... well that should do it. Thanks for your time, dude. ETHAN: Hey, what's this for? HURLEY: Oh, it's nothing. It's just, uh, you know, I thought I'd be a good idea. -------------------------------------------------------------------------------- [sht of Claire writing in her journal. Jack approaches with a bottle of medication.] JACK: Claire? CLAIRE: Did you find him? JACK: Um, no. CLAIRE: Well, what if he comes back? JACK: Claire, this situation we're in -- the crash, that no one's coming, this place -- it, it can kind of mess with your head a little, and maybe make you see things that aren't actually there. Now, I know it feels very real. CLAIRE: I, I don't understand... JACK: Your baby's coming, soon. And I can't even imagine how scary that must be for you, but the more upset you are, the more dangerous it is for you, and your baby. So, I want you to take these. CLAIRE: What are they? JACK: It's a sedative, very mild -- commonly used in situations like yours. It won't harm the baby, I promise. CLAIRE: You don't believe me. JACK: Claire. CLAIRE: You think I'm making this up? I get attcked and you want to give me sleeping pills? JACK: They're not sleeping p -- look, it's a very mild sedative. CLAIRE: I'm leaving. JACK: What? No. Claire, Claire. CLAIRE: I was safer at the beach. It's not safe here. JACK: Don't do this, Claire. You need to think about the baby. CLAIRE: Don't talk to me about the baby. I'm sick of everyone telling me what to do. JACK: [grabbing her arm] Please. CLAIRE: Let go of me. [sht of Charlie walking up and Claire is walking out.] CHARLIE: [to Claire] You okay? [to Jack, upset] What did you say to her? [sht of Claire running through the jungle.] -------------------------------------------------------------------------------- [Flashback - sht of Claire knocking on a door. The psychic answers.] MALKIN: Yes? CLAIRE: Mr. Malkin, we met before. MALKIN: Yes. I remember. CLAIRE: You wouldn't give me a reading. I was hoping you would now. [sht of Claire giving him money which he counts.] CLAIRE: If you're psychic, why do you have to count it? MALKIN: That's not how it works. CLAIRE: I was just joking. [He holds her hands and does his trance thing.] CLAIRE: So, how does it work? MALKIN: I don't know. [He continues focusing.] Oh, when did he leave you? CLAIRE: Last week. Is that why you didn't want to do my reading last time? MALKIN: No, no. I saw something, sort of a blurry thing. CLAIRE: And, blurry's bad? MALKIN: Blurry's bad. That's why I stopped the reading. Are you sure you want to go on now? CLAIRE: Yeah, yes, please. MALKIN: I can tell you, this is important. CLAIRE: Okay. MALKIN: It is crucial that you yourself raise this child. CLAIRE: You mean with Thomas? Is he... MALKIN: The father of this child will play no part in it's life, nor yours. CLAIRE: So what exactly are you saying? MALKIN: This child parented by anyone else, anyone other than you -- danger surrounds this baby... CLAIRE: Danger? MALKIN: Your nature, your spirit, your goodness, must be an influence in the development of this child. CLAIRE: Look, if Thomas and I don't get back together I'm putting this baby up for adoption. I just wanted to find out what would give the baby the happiest life. MALKIN: There is no happy life -- not for this child, not without you. CLAIRE: I don't... MALKIN: It can't be another. You mustn't allow another to raise your baby. CLAIRE: Okay, great. Thanks for taking my 200. MALKIN: Oh, no look, take it. Ms. Littleton, I am begging you just to consider... CLAIRE: I can't raise this child by myself. MALKIN: You have to listen to me! CLAIRE: Okay, thanks for your time, and my money back. MALKIN: Ms. Littleton, please. The baby needs your protection! Ms. Littleton, please! Act 4 [sht of Claire sleeping in a bed. The phone rings.] CLAIRE: Hello? MALKIN: Ms. Littleton, it's Richard Malkin. CLAIRE: Oh, my God. MALKIN: Listen to me. I have a plan, something that will make this all better. CLAIRE: You've got to stop calling me. It's too late, alright. I'm going to see adoptive services tomorrow. MALKIN: I've been telling you for months, you cannot do that. CLAIRE: Look, what I do with my baby is none of your business. MALKIN: If you don't do what I'm suggesting, great danger will befall... CLAIRE: Hey, great danger will befall you if you don't stop calling me in the middle of the night. MALKIN: I know what you're feeling inside, Claire -- that you're doubting your decision to give up the baby. Look, I'm begging you, don't do it. At least hear my plan first. CLAIRE: Good night. [Claire hangs up.] -------------------------------------------------------------------------------- [On-Island - sht of Claire walking in jungle.] CHARLIE: [entering] Hi. Where are you going? CLAIRE: Back to the beach. CHARLIE: What happened? Did Jack... CLAIRE: Jack tried to dope me. He thinks I'm making all this up, that none of it really happened. CHARLIE: Right. So, to prove your sanity you go tromping through the jungle alone. Well done. [Claire stops and gives Charlie a look.] CLAIRE: I'm not crazy, Charlie. -------------------------------------------------------------------------------- [sht of Shannon putting stuff (brush(?), nail polish remover and a magazine opened to a crossword puzzle) into the duffel bag.] SHANNON: You want my information. Name: Shannon Rutherford, Age: 20, Address: Craphole Island. HURLEY: So, uh, where were you guys last night? SHANNON: Um, the beach. BOONE: Why the interrogation? HURLEY: You're like the 20th person to ask me that. Why is everyone so uptight about answering a few questions? BOONE: Well, maybe we're just not cool with you setting up your own little Patriot Act, man. SHANNON: He's a liberal. BOONE: No, seriously, why the list? HURLEY: Ah, it's nothing, we just had a little incident in the valley last night. SHANNON: An incident? HURLEY: Yeah, Claire, the pregnant girl, you know her, she, uh, kind of got attcked. SHANNON: What? BOONE: She okay? HURLEY: Yeah, she's a little shook up, but... SHANNON: I am so not moving to the rpe caves. BOONE: [to Hurley] You know, your life would be so much easier if you just had the manifest as we crossed out all the names of the dad after we brned the fuselage, so it should be a full roster of the rest of us. HURLEY: What? Really? Where is it? BOONE: Who do you think? [sht of Sawyer kicking back in the shade with girls' or kids' sunglasses on. Hurley approaches.] HURLEY: I'm just going to lay it out straight. SAWYER: Okay, you do that. HURLEY: I hear you have the flight manifest, and I need it, and I want you to give it to me. SAWYER: That so? HURLEY: Now, you could do what you normally do when someone asks for something -- tell me to screw off. SAWYER: Screw off? HURLEY: Or, you could just give it to me -- because, dude, you could use the points. SAWYER: Well, gosh, you sure know how to butter a man up, Stay Puft. HURLEY: It's a gift. SAWYER: [laughs] Manifest is in the brown suitcase. Take it. -------------------------------------------------------------------------------- [sht of Claire and Charlie walking in jungle.] CHARLIE: Please let me carry your bag. CLAIRE: I'm fine. CHARLIE: I know you're fine, but I can still carry your bag. CLAIRE: Why did you come after me? CHARLIE: Well, it's probably because I like you. What? CLAIRE: You don't like me, Charlie, okay? You just want to rescue me because, because of this [referring to her belly]. I'm fine, okay. I don't need rescuing. I don't need... [she has a contraction pain.] CHARLIE: Whoa, Claire. What is it? What, Claire, what, what is it? Act 5 [sht of Claire in pain.] CHARLIE: Is that another one? CLAIRE: Yeah. CHARLIE: Okay, we need to time the contractions. That's what you do, time the contractions, okay. One sugar-plum fairy, two sugar-plum fairy... CLAIRE: Charlie. CHARLIE: You just need to calm down, alright. Big deep breaths. [Charlie takes a couple of big breaths and gets dizzy]. Oh, bloody hell. CLAIRE: Charlie, I need you to go get Jack. CHARLIE: What? CLAIRE: I'll be alright. CHARLIE: I'm not leaving you alone. CLAIRE: Charlie, please just go. CHARLIE: I can deliver a baby. I can do this. This must happen all the time. CLAIRE: Charlie, you don't know how to deliver a... CHARLIE: Just listen to me. I'm not going to let anything happen to you. I might not know what I'm doing but I'll figure it out. If I can kick drugs I can deliver a baby. Let me explain. I'm a drug addict. I was a drug addict. I'm clean now. CLAIRE: Get Jack! CHARLIE: Right. [sht of Charlie running through the jungle. sht of Claire in distress.] -------------------------------------------------------------------------------- [Flashback - sht of the adopting couple and Claire in the lawyer's office.] LAWYER: Arlene and Joseph will bring you to Melbourne. They'll pay your living and medical expenses. ARLENE: We found you an apartment. It's a really nice two bedroom place. And, well, we think you're going to be really comfortable in it. LAWYER: As discussed, once the baby is born and handed over to the Stewarts you'll have no right to see the child again. You'll have no right to correspond with the child. It will be entirely up to Eileen and Joseph to decide whether to tell the child anything about you. Understood? CLAIRE: Yes. LAWYER: Upon your discharge from the hospital you'll be given an additional payment of 20,000 dollars. CLAIRE: I just want to make sure that you're going to take really good care of the baby. ARLENE: Of course we will. LAWYER: Now, I'll need you to sign and date here, where indicated. [sht of Claire starting to sign.] CLAIRE: Do you know "Catch a Falling Star"? It's a song, like a lullaby. ARLENE: "Catch a falling star and put it in your pocket." CLAIRE: My dad used to sing that to me when I was little. Do you think you could sing it to the baby once in a while? ARLENE: Of course. [sht of Claire starting to sign the document but the pen is out of ink.] CLAIRE: It's not working. [sht of the Lawyer handing her another pen.] LAWYER: Here. [That pen doesn't work either. sht of Arlene passing another pen across the table.] CLAIRE: I, I'm sorry. I can't do this. ARLENE: What? No! [Claire leaves.] -------------------------------------------------------------------------------- [sht of Claire knocking on a screen door which the psychic answers.] CLAIRE: Okay, what is it? What's your offer. -------------------------------------------------------------------------------- [On-island - sht of Charlie running through the jungle. He comes across Ethan getting firewood.] CHARLIE: Oh, thank god. What's your name? ETHAN: Ethan. CHARLIE: Ethan... ETHAN: Are you alright? CHARLIE: ...you need to go the caves. Run to caves. Get Jack. Tell him that Claire... ETHAN: Claire. Is she okay? CHARLIE: She's having the baby. Go fast, okay? I'll be with her, on the path over there. Go. [sht of Charlie running back to Claire.] CHARLIE: Claire? CLAIRE: I'm here. CHARLIE: Claire. Okay, Jack's coming. How are you doing? CLAIRE: It hurts. CHARLIE: Okay, just take my hand. Squeeze. Okay, breathe. Inhale, exhale. Good, just breathe. Inhale, okay, good. CLAIRE: I'm not supposed to be here. CHARLIE: I think we all feel like that a little bit. CLAIRE: I know, it's just -- someone promised me it would be different. CHARLIE: Well, he was wrong. CLAIRE: Yeah. He was wrong. -------------------------------------------------------------------------------- [Flashback - We see Claire at the psychic's house.] CLAIRE: You spent the last 4 months telling me I have to raise the baby myself. Now you're giving me money and saying I don't have to? MALKIN: I found a couple in Los Angeles who are very eager to adopt. The baby will be safe in their care. Now, I've foreseen... CLAIRE: Heh, Foreseen? I don't even know why I'm here. I'm sorry. MALKIN: I know this sounds ridiculous, Claire. All this psychic business, and I appreciate that you must think I'm a raving madman. But this is what must happen. CLAIRE: So, you're giving me 6000 dollars to give my baby to a couple of strangers in Los Angeles? MALKIN: 12,000. The other 6 when you arrive in Los Angeles. And they're not strangers, Claire. They're good people. -------------------------------------------------------------------------------- [On-island - sht of Charlie and Claire in the jungle.] CHARLIE: A psychic? CLAIRE: I know. It's embarrassing. And now after everything, he was just full of it. CHARLIE: Or not. I mean, all he wanted was that no one else raise your baby, right? Maybe he knew. I mean, if he wanted it bad enough. You know, if he had the gift, and I believe some people do, maybe he knew, Claire. -------------------------------------------------------------------------------- [Flashback - sht of Claire accepting an airline ticket from Malkin.] CLAIRE: I can't go tomorrow. I have to get my... MALKIN: It has to be this flight. It can't be any other. They're already scheduled to meet you when you arrive. Flight 815. Flight 815. -------------------------------------------------------------------------------- [sht of Claire and Charlie in the jungle.] CLAIRE: There was no couple in Los Angeles. He knew. He knew about the plane, what was going to happen. Oh my god, he knew. Act 6 [sht of Sayid walking through the jungle. sht of Claire and Charlie. Claire sighs.] CHARLIE: You feel another one coming? CLAIRE: I don't think so. CHARLIE: Where the hell is Jack? CLAIRE: [getting up] You know, I think, I think I'm alright. CHARLIE: The contractions? CLAIRE: Maybe that was the last one? Please let that be the last one. CHARLIE: Jack said that stress can cause false labor. You sure you're alright? CLAIRE: No pain. CHARLIE: Birthing emergency averted. I told you I'd take care of you. CLAIRE: Thanks, Charlie. CHARLIE: You're quite welcome. You think you can make it back to the caves? [Claire looks like she's not sure about going back to the caves.] I won't let anything happen to you. CLAIRE: Okay, let's go. [sht of Sayid limping back to the caves, coming past Locke.] JACK: Sayid? [Locke peering on from the background.] SAYID: Listen to me. I found her, the French woman. JACK: [to Kate] I need some water. What happened? SAYID: The woman -- on the island. I had to come back. I had to come back. We're not alone. [sht of Locke with an odd look on his face. sht of Charlie and Claire walking in the jungle. Claire gasps and grabs her belly.] CHARLIE: You okay? CLAIRE: Yeah, yeah. Look, he just kicked, here [putting Charlie's hand on her belly]. [sht of Hurley running through the jungle to the caves.] HURLEY: We've got a problem. The manifest, Jack, the census, the names of everyone who survived, all 46 of us. I interviewed everyone. Here, at the beach, got their names. One them, one of them isn't -- Jack! One of them isn't in the manifest. He wasn't on the plane. [sht of Claire and Charlie. VO of Ethan, then pan to Ethan.] ETHAN: Hello there. CHARLIE: Ethan, where's Jack? [Ethan just stares at them. Claire looks terrified.]	{"type": "series", "show": "Lost", "episode": "1x10 - Raised by Another"}	foreverdreaming
[sht of Sayid passed out.] HURLEY: He wasn't on the plane. KATE: Who wasn't on the plane? HURLEY: Ethan, the Canadian guy, he is not on the passenger manifest. JACK: Well, where the hell is he? HURLEY: I don't know. I saw him yesterday, but now... JACK: [yelling] Has anyone seen Ethan? KATE: Sayid's leg. JACK: Has anyone seen Ethan? MICHAEL: Yeah, yeah. He went to go get some wood. He took off on the path to the beach. Is he okay? What happened? JACK: Where's Charlie? KATE: What? JACK: Where's Charlie? LOCKE: He went after Claire. [sht of Locke and Jack running through the jungle.] LOCKE: [stopping short] Jack! [sht of Claire's bag.] JACK: She was moving back to the beach. Claire. That's hers. What happened? What... LOCKE: I don't know. Footprints. At least three distinct sets all over the place. It looks like there might have been a struggle. [Locke sees something.] JACK: What? What is it? LOCKE: Drag marks. Here. And here. JACK: Claire and Charlie, they were together. LOCKE: I think they've been taken. JACK: [yelling] Claire! Charlie! Claire! LOCKE: Jack. Jack. [He puts his finger to his mouth] Shhhh. Act 2 [sht of a broken branch. Locke approaching, showing it to Jack.] LOCKE: Tracks are still fresh. JACK: This doesn't make any sense. How can one man drag off two people, one of them pregnant? LOCKE: You're asking the wrong question. Not how, why? JACK: You think it was Ethan. LOCKE: It certainly feels like it was Ethan, doesn't it? JACK: By himself. How? LOCKE: We can't account for all of our people. And, more importantly, who's to say they're even our people? JACK: What? LOCKE: Sayid said there were others. JACK: Sayid said we're not alone. LOCKE: Semantics. JACK: Sayid's injured. We're not even sure where he went. He's delirious. LOCKE: I'm just telling you what the ground is telling me. JACK: So which way is the ground telling you that they went? LOCKE: Jack, we don't know what's going on here. JACK: We know enough. LOCKE: We need to prepare. We could be back at the caves in 10 minutes, organize a search party, get wea- JACK: Which way did they go, Locke? [Locke points with his Knfe. sht of Jack running through the jungle.] -------------------------------------------------------------------------------- [Flashback - We see Jack in surgery.] NURSE: ...stats are dropping. JACK: C'mon, c'mon. NURSE #2: BP's falling. She's bleeding out. JACK: No, I've got the artery almost there. NURSE #2: She's in arrest. JACK: 1 milligram epi. Let's get the crash cart over here. Alright, artery's sealed. Close her up. NURSE: Defib. JACK: Charge NURSE: Charged. JACK: Clear. [The defibrillator doesn't start her heart] Charge. NURSE: We're charged. JACK: Clear. [It still doesn't work, Jack starts doing CPR.] JACK: Come on, come on back now, come on. Come on now. Come on back. Come on. [sht of Jack's father.] CHRISTIAN SHEPHARD: Call it. JACK: [still giving CPR] Come on, baby, come back. Come back. Come on, baby, come on. Come on now. You can do this. Come on. Come on. CHRISTIAN SHEPHARD: Call it, Jack. It's over, call it. JACK: [taking his mask off] You call it. -------------------------------------------------------------------------------- [Back on the Island.] KATE: You let him go alone? LOCKE: Don't worry. I'll catch up. What's the word from the beach? KATE: Nothing. Nobody has seen him. [Locke gives Kate a Knfe.] KATE: I'm coming with you. LOCKE: I figured you might. SHANNON: [to Boone who's walking toward Locke and Kate] What are you doing? We need to get our water and get back to the beach... BOONE: [to Locke] I heard you're forming a search party. Can I help? SHANNON: This is a deserted Island. There's no choppers, no Amber Alerts. How exactly are you going to find them? LOCKE: By following Ethan's trail. No one can walk through the wilderness without leaving signs, bending blades of grass, breaking twigs, especially with cptive in tow. And yes, I could use another hand if you're up for it. BOONE: I'm up for it. LOCKE: [handing him a Knfe] Then let's get moving. [sht of Walt with Vincent.] WALT: I could take Vincent, and he could sniff something that belonged to Charlie. And I can help. MICHAEL: I said no, man. Hey, Locke. Hey, look, you know, a lot of us don't just want to sit here waiting for news. LOCKE: Thanks, but we're set. Anyone else will just slow us down. MICHAEL: Okay. Maybe I'll just put together another party. LOCKE: Good idea. We're going north. I suggest you go south. [sht of Walt looking at dad. sht of Michael looking embarrassed.] MICHAEL: [to Walt] Come on. -------------------------------------------------------------------------------- [sht of Jack running, stopping, confused about where he's going. He finds a broken branch.] -------------------------------------------------------------------------------- [Flashback - sht of woman on operating table, dad, being covered with blanket.] CHRISTIAN SHEPHARD: I never thought I'd see the day, Jack. You barge into my O.R. You work on my patient. JACK: You didn't have to do this procedure. CHRISTIAN SHEPHARD: I don't have to do anything. JACK: Yeah, of course, you don't. CHRISTIAN SHEPHARD: I chose to do this procedure, this emergency procedure, because when this girl crashed in the ER, they called me. JACK: I was right upstairs. CHRISTIAN SHEPHARD: And you should have stayed upstairs. And how did you find out? JACK: One of the nurses came to get me. CHRISTIAN SHEPHARD: Who? [Jack doesn't respond.] Oh, thank god I have you and some anonymous nurse to rescue me. JACK: She told me that your hands were shaking. CHRISTIAN SHEPHARD: My hands were not... JACK: You cut her hepatic artery. CHRISTIAN SHEPHARD: She was in a car crash, Jack. Her insides were a mess. JACK: You made a mistake. CHRISTIAN SHEPHARD: They called me. I... JACK: I don't care whether they called you. You made a mistake. CHRISTIAN SHEPHARD: Are you lecturing me?! You tell me, if you were upstairs, and I was in a restaurant having lunch, then why did they call me? JACK: How many drinks did you have at lunch, dad? -------------------------------------------------------------------------------- [Back on the Island.] LOCKE: Jack. Jack. It's a good thing you were going in a circle. Not much of a search grid, but we never would have found you otherwise. KATE: [to Jack] Did you find anything? JACK: No. LOCKE: You should go back to the caves -- Sayid's leg. JACK: I dressed Sayid's leg. You found me, we can find Charlie and Claire. Now, do we have a trail to follow or not? LOCKE: Jack, this was my fault. JACK: What? LOCKE: I hunted with Ethan. I spent time with him. I never sensed anything -- off. But for everything that I know about hunting, tracking -- whoever he is, he knows more. If we catch up with him, I don't want anything to happen to the only trained physician on the Island. So go back, be the doctor. Let me be the hunter. JACK: Can we go now? LOCKE: Follow me. -------------------------------------------------------------------------------- [sht of Michael with Hurley filling water bottles.] MICHAEL: I'm trying to help and all the guy can tell me is go south? Like what? I'm going to get in his way or something? HURLEY: We're all tweaked, man. Locke's just feeling it like the rest of us. MICHAEL: So, what? There's five other guys who would've gone out there with me, putting our necks on the line to find Charlie and Claire. All I'm saying is I'm getting sick of getting treated like a second class citizen around here because Mount Baldy can bag a boar. WALT: He knows a lot more than how to catch a boar. Mr. Locke is a warrior. He can hunt, he can track stuff, and he's the only who brought knives. So, if it were me, I would listen to him. MICHAEL: Well, I don't want you to. You understand? [Walt nods.] You stay with Hurley. I may not be a warrior, but I am going south. HURLEY: Back home, I'm known as something of a warrior myself. [Walt shakes his head.] -------------------------------------------------------------------------------- [sht of Locke ripping fabric with his teeth.] LOCKE: We mark our progress by line of sight. We tie these off so we don't get lost. BOONE: You can lead us back to camp, right? LOCKE: If nothing happens to me. BOONE: Maybe I better take marker detail. [Locke smiles. Jack and Kate run up.] JACK: Anything? LOCKE: Not yet. JACK: If you can't find the trail... LOCKE: I'll pick it up again, alright? We need to rest for a minute to get our clarity back. JACK: You're going to take a break? It's got to be almost 4 o'clock. When the sun sets there's no way... LOCKE: It's 4:25. And, yes, I'm taking a break. KATE: [to Jack] Can I talk to you for a sec? [They walk a bit away.] Would it kll you to give the guy a little space? JACK: It might. KATE: Stop that. JACK: What? KATE: That. What's going on? JACK: I didn't believe her -- Claire. I gave her a sedative. KATE: Jack, you can't... JACK: She told me someone was after her, that she was being attcked, and I -- she just seemed so out of it. I thought that her pregnancy was amping up her stress and I... I didn't believe her. LOCKE: [yelling] Jack! [sht of Locke's holding Charlie's "L". sht of Charlie writing the "L".] KATE: What is it? LOCKE: Look familiar? JACK: It's Charlie's. BOONE: You think it just came off? JACK: No. He's leaving us a trail. [Locke nods.] Act 3 [sht of the search party.] JACK: They went this way. LOCKE: I'm not so sure. There's another trail here. JACK: What do mean, another? LOCKE: These are footprints. People moved off this way. JACK: Charlie's leaving these for us to follow [referring to the finger tapes]. They went that way. KATE: Unless Charlie isn't the one leaving them. If Ethan knows that we're behind him, he could be setting up a dummy trail. Take off in one direction, double-back his own footprints. BOONE: Wait? Now you're a tracker? LOCKE: You're just full of surprises. JACK: So, we've got two trails. Let's split up, I'll take that one. LOCKE: No. We should stay together, Jack. JACK: Why? We've got two trails, and, apparently, two trackers. LOCKE: Be careful. [They move off in two directions.] -------------------------------------------------------------------------------- [sht of Sawyer walking in the jungle.] SAWYER: Who got taken by what? WALT: Charlie and Claire, they think Ethan took them. SAWYER: Ethan took them, huh? WALT: Yeah. SAWYER: Took them why? And who the hell is Ethan? WALT: I don't know. He wasn't on the list thing, the manifest. SAWYER: Ever think he might have lied about his name? WALT: It's stupid to lie about your name. SAWYER: Alrighty, Tattoo, where do you think Ethan came from? WALT: Maybe he was already on the Island, before we were. SAWYER: You got yourself one hell of an imagination, kid. WALT: There could be lots of other people on the Island. SAWYER: So a tribe of evil natives planted a ringer in the camp to kidnap a pregnant girl and a reject from VH-1 has-beens? Yeah, fiendishly clever. And why am I getting the evening news from a 6 year old? WALT: I'm 10. SAWYER: Okay, then it must be true. WALT: If you don't believe me, ask Sayid. He said we're not alone. SAWYER: Sayid's back? [Walt looks triumphant and walks away.] -------------------------------------------------------------------------------- [sht of Boone tying red fabric to a tree.] BOONE: Red shirt. LOCKE: Huh? BOONE: Red shirt. Ever watch "Star Trek"? LOCKE: Nah, not really. BOONE: The crew guys that would go down to the planet with the main guys, the captain and the guy with the pointy ears, they always wore red shirts. And they always got klled. LOCKE: Yeah? BOONE: Yeah. LOCKE: Sounds like a piss-poor captain. BOONE: What do you do in the real world, Mr. Locke? LOCKE: It's John. BOONE: John. LOCKE: Why don't you guess? BOONE: Well, you're either a taxidermist or a ht man? LOCKE: [chuckling] I was a regional collection supervisor for a box company. BOONE: A box company? LOCKE: They made boxes. BOONE: [to himself] Yeah, right. -------------------------------------------------------------------------------- [sht of Kate running after Jack.] KATE: Please, slow down. JACK: You said they went this way. KATE: I think they went this way. I'm not as good at this as Locke is. JACK: So where did you pick up the tracking skills, Kate? Was that before or after you were on the run? KATE: I'm trying to help, Jack. JACK: You know what might help? A little honesty. Just give me something real, anything. KATE: My dad was in the army. Ranger Battalion. We were stationed in Fort Lewis, Washington State. We'd go hiking together. One day we spend 8 hours tracking deer. Being in the woods, it was like -- it was like his religion. [Pause.] That was real. Anything you want to share, Jack? -------------------------------------------------------------------------------- [Flashback - Jack walks into his father's office.] CHRISTIAN SHEPHARD: Oh, thanks for coming in, Jack. Have a seat. [He turns a document around for Jack to see.] JACK: What does it say? CHRISTIAN SHEPHARD: The truth, that a patient was brought to the ER following a car accident, rushed into surgery with massive internal bleeding -- you joined me, and in spite of our most heroic efforts, the patient succumbed to her injuries. JACK: Looks like you fixed everything but the patient. You had no business being in O.R. CHRISTIAN SHEPHARD: Do you really think I would have walked in there if I couldn't handle it? JACK: You've done it before. CHRISTIAN SHEPHARD: That's right, I have, because I am perfectly capable of making those... JACK: How can you say that after what happened yesterday? CHRISTIAN SHEPHARD: The problem is not that... JACK: You were impaired. CHRISTIAN SHEPHARD: I know my limits. JACK: I won't sign this. CHRISTIAN SHEPHARD: You're a part of the team, Jack. I'm not the only one on the hook for this. You called me off. You were the surgeon of record when she died. Look, accidents happen in surgeries all the time, Jack. That's the truth and you know it. But if you contradict this report, if you mention alcohol, well, that's the only fact that's going to matter. They'll strip me of my license. JACK: Yes, they will. CHRISTIAN SHEPHARD: I know I have been hard on you, but that is how you make a soft metal into steel. That is why you are the most gifted young surgeon in this city. And this, this is a career that is all about the greater good. I've had to sacrifice certain aspects of my relationship with you so that hundreds and thousands of patients will live because of your extraordinary skills. [Long Pause.] I know it's a long, a long time coming. What happened yesterday, I promise you, will never happen again. And after all what I've given -- this is not just about my career, Jack. It's my life. [Jack signs the report.] CHRISTIAN SHEPHARD: Thank you, son. Thank you. Act 4 [sht of Sayid asleep in the caves. Sawyer approaches.] SAWYER: Well, well, well. I don't know if you Islams got a concept of karma, but I get the sense this Island just served you up a heaping platter of cosmic payback. SAYID: What do you want? SAWYER: Dr. Do-Right doesn't trust me with his antibiotics so I have to hump it up here everyday just to get my meds. [He grabs a straight-edge from the "table".] You know, a less magnanimous man than I might just be thinking he could bat the ever-living-snot out of you right now without fear of reprisal. SAYID: You want to take a sht? Take it. But know that I left this camp out of shame for what I did to you. It was never my intention to return. SAWYER: Sorry, fresh out of sweet forgiveness. If it wasn't your intention to return, then why did you? SAYID: I was taken prisoner by the French woman. SAWYER: The one who's been sending out a distress signal for 16 years? She's alive? SAYID: She was on a science expedition. She said their ship wrecked. SAWYER: She alone? SAYID: She said that there are others on this Island. SAWYER: Her people? SAYID: No. She believed they had all gotten sick. She mrder her entire team. SAWYER: Right. And these others, who the hell are they? SAYID: I don't know. She's never seen them. SAWYER: Oh, she's never seen them, but she knows they're there. SAYID: If you believe her. SAWYER: Do you? SAYID: Maybe. Maybe not. But on my way back I heard something in the jungle surrounding me. SAWYER: Something like what? SAYID: Have you got something to say to me, Sawyer, or are you going to continue asking me questions you know I don't have the answers to? SAWYER: [exiting] Tide's coming up the beach. Plane hull's almost in the water. Kept your signal fre burning. -------------------------------------------------------------------------------- [sht of Hurley and Walt playing Backgammon on the beach.] HURLEY: Crap. WALT: Your blacks can't get in. HURLEY: Yeah, I know my blacks can't get in. WALT: My roll. HURLEY: Yahoo. WALT: Need a 4-3. [Walt then takes forever to roll.] HURLEY: Dude, would you please roll? WALT: [rolling a 4-3] Yes. HURLEY: No! WALT: Your turn. [Hurley rolls a 6-3.] WALT: It's okay, I wasn't very good when I first started playing, either. HURLEY: I didn't just start playing. I took 17th in a tournament once. WALT: 17th is not very good. HURLEY: No, 17th is very good. WALT: C'mon double 6's, double 6's. [He rolls double 6's.] Yes. HURLEY: Aw, you've got to be kidding me, WALT: I'm lucky. HURLEY: No one is that lucky. WALT: My dad said I was the luckiest person he ever knew. HURLEY: Really? WALT: Not Michael, Brian. My other dad. Yeah, um. . . [He rolls again and wins.] Yes! Yes! C'mon, one more game, double or nothing. HURLEY: Can't. I have a meeting. WALT: A meeting? HURLEY: Yeah. A meeting. WALT: You owe me 20 thousand dollars! HURLEY: You'll get it. -------------------------------------------------------------------------------- [sht of Locke and Boone in the jungle.] BOONE: It's been all 15 minutes since we've seen any sign. What are we following? LOCKE: My gut. BOONE: Great. LOCKE: So, Boone, what did you do in the real world? BOONE: I run a business. LOCKE: What kind of business? BOONE: Uh, it's a wedding thing. LOCKE: Huh? BOONE: My mother has this empire. The Martha Stewart of matrimony. I run one of the subsidiaries. LOCKE: So who's running it now? BOONE: I guess it doesn't matter, does it? LOCKE: I'm sure there are people who can handle it, temporarily. It's going to start raining, in one minute. BOONE: 1 minute? LOCKE: Give or take a few seconds. You should turn around, Boone, and head back. BOONE: What? LOCKE: The trail's been cold for a quarter mile, dangerous terrain ahead. If you start now, you'll make it back to camp before dark. BOONE: What about you? LOCKE: I can take care of myself. BOONE: No, I'm not heading back. LOCKE: I admire your courage, but... BOONE: I'm not heading back. LOCKE: [smiling] Alright. [It starts raining and Locke stretching his arms out to greet it, and smiles.] BOONE: They teach you how to predict the weather in a box company?! -------------------------------------------------------------------------------- [sht of Kate and Jack running along.] JACK: I guess we were right. [Jack picks up one of Charlie's finger tape letters, "T".] Where to now? [Sound of something vaguely bird-like, mixed with sound of Claire screaming. We see Jack start running.] KATE: Jack? Jack, where are you going? Jack? JACK: Didn't you hear her? KATE: What? Hear, hear who? [Jack and Kate begin to climb a hill. Jack slips.] KATE: Jack! [Jack falls to the bottom, landing hard. Ethan appears before him and puts his foot on Jack's chest.] ETHAN: If you do not stop following me, I will kll one of them. [He pushes on Jack's chest with his foot.] Do you understand? [Jack grabs Ethan's foot and fights with Ethan. Ethan kicks Jack's ass.] ETHAN: No more warnings. [Ethan kicks Jack in the face; Jack loses consciousness.] Act 5 [Flashback - We see Christian Shephard talking to the husband of the dad woman. Jack is watching them from a distance. Andrea, a nurse, is passing Jack.] ANDREA: [greeting Jack] Dr. Shephard. JACK: Andrea. Andrea, that man that my father is talking to, who is that? ANDREA: That's her husband. He's thrat to sue. [We see Christian Shephard putting his hand on the husband's shoulder exactly the he did with Jack when trying to convince him to sign the documents. The man succumbs to his grief.] -------------------------------------------------------------------------------- [On-Island - We see Jack lying in the mud at the bottom of the cliff, just coming to. Kate is trying to help him.] KATE: Jack, Jack. Jack, are you okay? JACK: How long was I out? KATE: I don't know, I'm sorry, you slid on the rocks and... JACK: Ethan? KATE: What? JACK: Ethan was here. KATE: You banged your head, Jack. JACK: No, no. He was here. KATE: You have to stop. The rain has washed away the trail. Even if he was here -- you've got -- Jack! JACK: I'm not letting him do this. KATE: Not letting him?! JACK: Not again. -------------------------------------------------------------------------------- [Flashback - We see Jack sitting in a hospital office, with a committee "hearing" the case of the woman who died.] CHRISTIAN SHEPHARD: We realized that her blood pressure was continuing to drop precipitously, at which point the patient went into cardiac arrest. Of course, every effort was made to resuscitate her, but the severity of her injuries, the amount of internal bleeding, made that impossible. Now, in my professional opinion, ladies and gentlemen, and that's all I have, by the time I was called in the damage was irreversible. HOSPITAL ADMINISTRATOR: Okay, thanks, Christian. Sorry about this formality. CHRISTIAN SHEPHARD: Of course. HOSPITAL ADMINISTRATOR: Just one final detail -- you were aware of the patient's pregnancy when you went into the procedure? CHRISTIAN SHEPHARD: Absolutely. The patient's husband had informed the attending in the ER. It was, however, extremely early in the pregnancy, so our primary focus had to be on the mother. HOSPITAL ADMINISTRATOR: Okay, then. I think we're done here. The final report will be filed. CHRISTIAN SHEPHARD: Okay. JACK: I need to -- revise my statement. I didn't come into the O.R. until well into the procedure. CHRISTIAN SHEPHARD: Jack? JACK: I was warned by one of the nurses that my father was operating... under the influence. CHRISTIAN SHEPHARD: Jack. This is not... JACK: By the time I got there it was clear that my father was not only incapacitated, but that he had also severed the patient's hepatic artery, which, in my professional opinion, caused the crisis which led to her death. [Christian stares at Jack, shocked. Betrayed.] -------------------------------------------------------------------------------- [Back to Jack and Kate running in the jungle. They come across Charlie hanging from some trees. Close up of Charlie's hand shows only the "E" left.] JACK: No. [He runs over and lifts Charlie up by the legs] You've got to cut him down. [sht of Kate climbing tree.] JACK: Hold on, Charlie. Hold on there. [sht of Kate trying to cut Charlie down.] KATE: I can't reach! Pull him over to me! [She finally cuts him down. Jack does CPR.] JACK: He's not breathing. C'mon, breathe, Charlie. C'mon, breathe. C'mon. C'mon. [Kate starts crying. Jack starts pounding Charlie's chest.] JACK: C'mon, Charlie, c'mon! C'mon, c'mon, Charlie, c'mon! KATE: Jack, Jack stop, he's not...! Jack, stop, he's not coming... [Jack stops. Kate's crying. Jack looks sad. Kate comes over to console him.] KATE: It's okay, it's okay. [Jack pushes her away.] JACK: No, no. KATE: Jack, Jack! [She's trying to stop him from doing CPR.] [Jack's starts thumping his chest again.] KATE: Stop! Stop! JACK: C'mon! C'mon. [Suddenly, Charlie breathes.] JACK: Just breathe, breathe. Breathe deep, breathe deep. You're okay. [Jack and Kate are crying for joy.] Act 6 [sht of Charlie, Kate, Jack around fre at the caves. sht of Michael coming back from his search.] WALT: Dad! [They hug.] They brought Charlie back. But he hasn't said anything since he came back. MICHAEL: [to Hurley] They find Claire? [Hurley shakes his head.] JACK: [pressing on Charlie's neck wound] Does that hurt? How's your breathing? [Charlie just stares into space.] Charlie, you've got to talk to me. We're going to back out and look for Claire the moment the sun comes up, and I could really use your help. Anything that you can tell me about what you remember, where you were going. Did you see or hear...? CHARLIE: I didn't see anything, hear anything. I don't remember anything. Claire... JACK: What? CHARLIE: That's all they wanted. JACK: They? CHARLIE: All they wanted was Claire. [sht of Kate by the waterfall.] SHANNON: [entering] They aren't back yet. KATE: I'm sure they just made camp for the night. If there's anyone on this Island that your brother's safe with, it's Locke. -------------------------------------------------------------------------------- BOONE: Are we lost? [sht of Boone and Locke in the dark hiking up a rocky area.] LOCKE: No, Boone, we're not lost. BOONE: Sorry, it's just... I don't see how you can still be following this trail. I think we should go back. LOCKE: Don't you feel it? BOONE: Feel what? LOCKE: It. BOONE: Alright, John. I'm going to follow the strips back. LOCKE: Suit yourself. [Boone looks flummoxed.] Boone, you need this more than I do. [Locke tosses Boone a flashlight. It lands on the ground but makes a metal k-thunk sound. Boone kneels down and grabs the flashlight.] BOONE: What is that? [Locke starts digging plant material out of the way, exposing a piece of metal. Locke bangs it with his Knfe.] LOCKE: Steel. BOONE: Could that be part of the plane? Part of the wreckage? [Locke knocks in a few different places with his Knfe.] BOONE: What is that? LOCKE: That's what we're going to find out. [They start "digging."]	{"type": "series", "show": "Lost", "episode": "1x11 - All the Best Cowboys Have Daddy Issues"}	foreverdreaming
[sht of Kate picking fruit on a tree, then climbing down. She hears a noise and stops. She continues walking, hears the sound again and picks up rock and throws it.] SAWYER: [off camera in the jungle, then stumbling into the clearing] Ow. Son of a bitch. What the hell are you doing? KATE: What the hell are you doing? SAWYER: It's my knee. You practically busted my damn knee. KATE: You stalking me, now? SAWYER: Stalking you? I was protecting you. KATE: From what? Southern perverts? SAWYER: Yeah, whatever. I can't believe you. KATE: It's not that bad. SAWYER: It's my knee. I'll tell you how bad it is. What the hell you doing out here anyway? KATE: Everyone's been eating a lot. This is the only place the trees aren't picked clean. SAWYER: Yeah, well, you shouldn't be out here alone. Not after what happened... KATE: No, I'm fine. I can take care of myself. SAWYER: Oh, of course. [Mocking Kate] I don't need protection. I can take care of myself. Me Kate. Me throw rock. KATE: [hearing something] Shhhh. SAWYER: What? You smell blood on the wind? KATE: You don't hear that? [They move toward the sound. The sound of water gets louder as Kate and Sawyer emerge from some bushes to reveal a large spring with a waterfall. Sawyer starts running toward it taking off his shirt.] KATE: What are you doing? SAWYER: I need to soak my sore knee. Come on, Freckles, after all we've been through on this damn Island, don't we deserve something good? What? You going to say no? You some sort of navel-gazing, no-fun, mopey type? [Sawyer climbs in. Kate takes off her pants and gets in.] SAWYER: Well, [happy she's taking her pants off]... it's chilly. Come on, girl, woohoo. It's nice, huh? C'mon, what you got? C'mon, let's go up the rocks. C'mon. [We see Sawyer and Kate frolicking in the spring. They climb up some rocks and dive in. More frolicking until they see two dad bodies from the plane under the water still strapped in their seats.] Act 2 [They surface from the spring, sputtering.] SAWYER: Hey, are you okay? KATE: Yeah. Yeah, you? SAWYER: Yeah, I'm going to go check them out. KATE: Check them out for what? SAWYER: See what they got on them. KATE: Sawyer! [They dive down and Sawyer gets a wallet off the dad guy. Kate sees a silver case. They surface.] SAWYER: Hey, I got myself a wallet. KATE: You're disgusting. SAWYER: He ain't gonna miss it. KATE: Help me get that case. SAWYER: Oh, I'm disgusting, but you're not? KATE: It's mine. [They dive under and struggle a bit to get the case which Sawyer pulls free.] SAWYER: [handing Kate the case] Wouldn't happen to have your key on you, would you? [Kate looks the case over] That case ain't yours, is it? KATE: No. SAWYER: Well, you wouldn't mind if I just -- take it. KATE: I don't care. SAWYER: Not what it looks like. [Sawyer watches as Kate puts her pants back on.] Something you want to tell me about this little suitcase, Freckles? KATE: Take it. [Kate walks away.] -------------------------------------------------------------------------------- [Then we see a sht of the ocean. Big waves are pounding. People are trying to rescue luggage that's being washed off the beach.] SAYID: Everything is getting washed out to sea. This can't be normal. The tide shifting so suddenly, rising in so short a time. JACK: There's a lot not normal around here. At the rate this beach is eroding this fuselage is going to be underwater in a matter of days. We need to get all this stuff off the beach before nightfall. SAYID: I just hope that moving up the coast will make a difference. JACK: It would make a difference if everyone moved inland. SAYID: I think you'll find people slightly wary of entering the jungle after what happened to the pregnant girl. Not to mention whatever that thing is. JACK: Sayid, I need you to take me back to the French woman, Rousseau. Claire's still out there. Now, Rousseau mentioned that there are others on this Island. SAYID: Her mind is gone. JACK: You heard them yourself. SAYID: I don't know what I heard. JACK: You said that when you... SAYID: The wind, Jack. It was the wind playing tricks. JACK: Okay, then, what about the papers that you took from her -- the documents, the maps. I mean, isn't there anything here that. . . SAYID: I'm skilled at mathematics and decryption, but these equations are beyond anything I've ever seen. There are these notes in French accompanying some of the maps and diagrams. If I could translate them I might be able to make sense of it, but. . . JACK: What? SAYID: Perhaps some things are best left untranslated. JACK: Yeah? [pointing at Charlie] Maybe you should tell him that. [sht of Charlie sitting on the beach, looking sad. sht of people still getting luggage out of the surf. sht of Shannon reading a magazine. Boone approaches.] BOONE: Glad to see you're doing something productive with your time. SHANNON: Where have you been? BOONE: What do you mean where have I been? SHANNON: You and Locke have been leaving before sunrise and coming back after dark for the last 4 days. What are you doing out there? Is he your new boyfriend? BOONE: We're looking for Claire. SHANNON: I thought there was no trail anymore -- that no one even knew where to look. BOONE: Yeah, well, at least I'm doing something. Don't you see the way they look at us around here? They don't take us seriously. We're a joke. I'm trying to contribute something. You're just -- you're useless. [Reaction sht of Shannon looking chagrined. sht of ocean sunset. sht of Kate sitting by a fre. She sees Sawyer with her case.] -------------------------------------------------------------------------------- [Flashback - We see Kate at a bank.] Mark Hutton: Okay, Ms. Ryan, if you'll just give me some ID, we'll get started on your loan app. KATE: [handing her ID to Hutton] Okay, here you go. HUTTON: So what brings you to New Mexico? KATE: My work. HUTTON: And what line of work is that? KATE: I'm a photographer. HUTTON: What do you photograph? KATE: I've been commissioned for a coffee-table book. Uh, pictures of old theaters in small towns. HUTTON: Oh, there's a fantastic one down in Ruidoso. You can't miss it. It's right off the main road. KATE: Well, if I end up using it, I'll have to make sure I give you acknowledgment, Mr. -- Hutton. HUTTON: Mark. [We hear the sound of a door slamming.] ROBBERS: Everyone down on the ground. Down on the ground, now. [sht of masked men sh*ting out the security cameras. Hutton reaches for the alarm button.] ROBBERS: Don't. Don't even think about it. Let's go. Shut up and move over there. Let's go. Move. Who's back there, I see you. All right, big boy, get your ass down there! Get out. [to Kate] Alright, girlie, get up and get over there! Let's go, move. Stay there, right there! Get down on the floor, bitch! [to Hutton] Are you the manager?! I said, are you the manager?! HUTTON: Yes. JASON: Good. Then let's open the money cage now, before people start getting klled. ROBBER #2: Don't look at me, look at the floor. [sht of Kate on the floor.] -------------------------------------------------------------------------------- [Back to the beach. sht of Kate going into Sawyer's tent. She sees him sleeping with the case between his knees. She sneaks up and tries to take it, but he grabs her and traps her with his legs around her waist.] SAWYER: Gotcha. KATE: Get off of me. SAWYER: Golly, I hate to bicker about positions, sweetheart. But I think you're the one on top. Maybe you're not here for the case at all. [Kate head-butts him and tries to grab the case, but Sawyer is stronger.] SAWYER: Ow, woman. If you wanted to play rough, all you had to do was say so. You want to try for it again? KATE: Give it to me. SAWYER: No. [Kate walks away.] Act 3 [sht of Shannon sunning herself. Sayid limps up.] SAYID: We're quite close to the equator. The sun might be stronger than what you're used to. SHANNON: I have a pretty good base. SAYID: There was a matter I was going to ask you about. [Shannon sits up with no top on, covering her front with a pink shawl.] SHANNON: What? SAYID: I need a favor. I need your help translating some papers I took from Rousseau. SHANNON: Who's Rousseau? SAYID: The French woman -- the distress call we intercepted. SHANNON: Did my brother put you up to this? SAYID: Your brother? No. The papers contain equations accompanied by notations in French. If I could understand the notations, then- SHANNON: Sorry, can't do it. SAYID: You're the only person on this Island who speaks French. SHANNON: I barely speak French. SAYID: Please, Shannon, can you at least try? [Reaction sht of Shannon. sht of Sawyer trying to pick the lock on the case.] SAWYER: [frustrated that he can't open the case] Son of a bitch! Michael: [passing by] You're wasting your time, man. If you pick the lock on a Halliburton, I'll put you on my back and fly us to LA. SAWYER: You better find yourself a runway, daddy, cuz there ain't a lock I can't pick. HURLEY: [coming up along-side Michael] What's he trying to do? MICHAEL: Pick the lock on a Halliburton. HURLEY: [laughing, walking away] Good luck. MICHAEL: The only way you're going to open that case is with pure force, man. Impact velocity. SAWYER: What the hell is that supposed to mean? MICHAEL: You've got to ht it with something hard, like a sledgehammer. Or the axe. -------------------------------------------------------------------------------- [sht of Boone making his way through dense jungle with the axe. He comes upon Locke sitting.] LOCKE: You got it? BOONE: [giving/throwing the axe to Locke] Yeah. Right there. Isn't there any easier way to get there? LOCKE: The easiest way isn't always the best. Did anybody see you take it? BOONE: No, I don't think so. LOCKE: Well, which is it? BOONE: Sorry? LOCKE: No? Or, I don't think so? BOONE: No. LOCKE: Good. Let's get to work. -------------------------------------------------------------------------------- [sht of Rose dragging a piece of wreckage across the beach. She passes by Charlie.] ROSE: Hello, Charlie. [He doesn't respond.] Oh, that's right, you're not talking much these days. It doesn't mean you get to be rude. CHARLIE: Excuse me? ROSE: Everybody else is helping us move the camp up the beach except for you. CHARLIE: Are you serious? ROSE: Do you think you're the only one on this Island that's got something to be sad about? Baby, I've got sob stories for you, so why don't you grab the other end of this thing and help me. Well? [Charlie reluctantly gets up to help.] -------------------------------------------------------------------------------- [sht of Sawyer trying to open the case by smashing it on a rock, which doesn't open the case.] SAWYER: Come on. Come on, god. [sht of Sawyer, now at the top of the cliff above.] SAWYER: Impact velocity -- physics my ass. Alright. [He drops the case but it doesn't open.] Son of a... Unbelievable. [Kate runs up and grabs the case.] Hey, hey, don't even think about it! Hey! Damn it. [sht of Sawyer chasing Kate through the jungle. He catches her.] SAWYER: Hell, Freckles, I knew you wanted it. I just didn't know how bad. [Kate tries to head-butt him again.] Whoa-hoa, you're going to have to come up with a new move. [She head-butts him again.] Ow, god, okay, okay. [Sawyer grabs the case.] Okay, this is just silly. Hold on. I've got a proposition for you. You tell me what's inside and I'll give it to you. KATE: Are you serious? SAWYER: Hell, no way to open the damn thing. At this point all I care about is satisfying my own curiosity. [Kate lunges for the case.] Whoa, easy, sweetheart, I don't really care what it is. What's burning me up is why it means so much to you. -- Last chance. Alright. [Sawyer walks away with the case.] -------------------------------------------------------------------------------- [Flashback - We are back at the bank robbery.] JASON: [off-camera at first] Give me the key, now. I'm tired of asking nice. Give me the money cage key, now. HUTTON: You're just going to kll me, anyway, why would I give you- JASON: [hitting Hutton so he falls] You think we're in a conversation, here, huh? ROBBER #2: Everybody be cool! You want to go home?! Don't look at me, look at the floor! Be calm, stay down! JASON: [to Hutton] Listen to me, I am not going to ask you again. I want that key! BASEBALL HAT: I can take him. KATE: What? BASEBALL HAT: The tall guy, he's not watching us... It's now or never. Keep your head down. [Baseball Hat grabs Six Foot Five (one of the robbers) and the gn falls and slides toward Kate.] BASEBALL HAT: Pick it up, pick it up! sht him! sht him! What's wrong with you, sht the gn! Turn off the safety! [Kate picks up the gn and stands up. Points the gn. Tries fring. Jason comes over.] JASON: Give me that gn. BASEBALL HAT: Other side, turn it off! KATE: I don't know how to use a gn! [Baseball Hat gets knocked out by the other robbers. Jason grabs the gn from Kate.] ROBBER #2: You want to get sht, fat boy, huh? JASON: [grabbing Kate by the neck] Okay, little hero... KATE: No, please don't. JASON: Shut up. Let's you and me go talk, huh? [He drags her into a room. Hutton looks on, worried. Jason slams the door, rips off his mask.] JASON: I don't know how to use a gn? That's classic. KATE: [laughs] Yeah. [Kate and Jason kiss.] Act 4 [On-Island - sht of Sayid and Shannon at a make-shift table with maps and papers laid out.] SHANNON: You never said anything about math. SAYID: You worry about the French, I'll take care of the math. SHANNON: I can't do this. SAYID: If you really put your mind to it, I know you can, Shannon. Where did you learn to speak French? SHANNON: I knew this guy. SAYID: This guy? SHANNON: In France, in Saint Tropez. I kind of lived there for a while. SAYID: Well, they say that is the best way to learn a foreign language. SHANNON: [going back to working on the papers] Alright. Let me see. -------------------------------------------------------------------------------- [sht of Sun with some plants in the caves. Jack approaches.] JACK: [pointing to one of her plants] So, what is this? What is this for? SUN: 두통에 쓰이는 약초인데, 그러니까... [Sun puts her hands to her temples and makes like she's in pain.] JACK: A headache? [Sun nods.] Oh, cool, alright. KATE: [entering] Jack? We got a problem. JACK: We have a problem? Or, you have a problem? KATE: [looking toward Sun like she doesn't want Sun to hear] Jack, you're the only one who knows about me. [They move off a little ways.] Before I left the city, the Marshal who was escorting me, he had this silver case. The airline wouldn't let him bring the case on the plane. It was hard enough trying to convince them to let him wear a gn on his ankle. But the case, they made him check it. JACK: What was in the case? KATE: Some traveling money, some of his personal stuff. And 4 nine millimeters with a few boxes of amo. JACK: gn? KATE: gn. [sht of Sun overhearing.] JACK: So, where is the case now? KATE: Sawyer has it. JACK: Aha. KATE: He hasn't been able to open it. JACK: Lucky for us. KATE: He will. Sooner or later. JACK: So, what do you need me to do? KATE: I know where the key is. The Marshal, he kept it in his wallet. In his back pocket. JACK: I buried him, Kate. KATE: I know. Where? JACK: So, what else is in the case? KATE: What? JACK: What else is in the case, Kate? KATE: Nothing. JACK: That's the truth? KATE: Just the gn. JACK: If you want my help, we're going to open the case together. KATE: Okay. JACK: Okay. -------------------------------------------------------------------------------- [sht of Charlie and Rose moving stuff on the beach.] CHARLIE: Why are you smiling? ROSE: Am I? CHARLIE: You look -- happy. ROSE: Well, I guess I must be then. CHARLIE: There's no reason to be happy, things are awful. ROSE: They're not that awful. CHARLIE: We're stranded on an Island. No one's coming for us. ROSE: You don't know that. CHARLIE: Well, what I do know, is there's something in that jungle that eats people. Just because we haven't heard from it in a couple of weeks doesn't mean it won't get hungry again. And I know there's a person, or people, that are trying to hurt us... ROSE: Charlie. Nobody blames you. CHARLIE: What? ROSE: For what happened to Claire. It's not your fault. You did everything that you could do. And you came very close to dying yourself. CHARLIE: Maybe I should have died. ROSE: You know what I think, Charlie? You need to ask for help. CHARLIE: Who's going to help me? -------------------------------------------------------------------------------- [sht of the jungle floor.] KATE: [off camera, at first] So, why didn't you put him with the others, when you brned the fuselage? JACK: Because I needed to bury him. [Jack and Kate grab some make-shift shovels.] KATE: So you ready to do this? -------------------------------------------------------------------------------- [Flashback - We are back at the bank.] JASON: Hell, yeah, by now their imaginations are running wild. KATE: Don't hold back. He won't talk if the details are off. JASON: You and your details, Maggie. [He hits her.] [Jason brings Kate out from the back room with red marks on her face.] JASON: Okay, hero. KATE: No, please don't. I've got... JASON: [pushing Kate to the floor] Shut up. ROBBER #3: Everybody just relax. I said quiet. JASON: Okay, Mr. Manager, you want to be a hard-ass? Protect a vault that doesn't even belong to you? [Kate is shaking her head no at the manager.] Okay? There's going to be consequences. KATE: He's going to kll me anyway. JASON: I said... if you don't shut up! You've got 3 seconds to give me that damn key. 1, 2, [cocks his gn], 3. HUTTON: Alright, I'll give it to you. JASON: Good. Let's go, right around here. Let's go. -------------------------------------------------------------------------------- [On-Island - sht of Kate and Jack digging up the grave of the Marshal. Coughing and gagging.] JACK: Okay, alright? KATE: Compared to what? JACK: You want me to... KATE: No, I'll do it. [Kate gets the wallet from the Marshal's back pocket, much gagging going on. Kate gets it and jumps out of the grave.] JACK: Did you get it? KATE: Yeah. [Kate opens the wallet which has maggots in it and throws it on the ground. Jack picks it up and looks through it.] JACK: Key isn't in here. KATE: It isn't? JACK: No, but that was real good sleight-of-hand distracting me with the wallet. [Jack grabs Kate's closed hand.] Open it. [Kate opens her hand to reveal the key which Jack takes.] KATE: Jack, I... JACK: Don't. Don't. [Jack walks away.] Act 5 [We see Shannon and Sayid working on the translation.] SHANNON: A des reflets d'argent. La mer des reflets changeants -- the sea of sparkles? No, wait, um, the sea of silver sparkles that change. [Sort of laughing] It's the same as the last one. SAYID: Are you sure? [Slightly annoyed.] But the equation is completely different. It doesn't relate. What you're saying doesn't make any sense. SHANNON: Okay? SAYID: What about this one? It should say something about latitude or longitude, something about the stars... SHANNON: Okay, just give me some room, okay? Um, next to the pond, blue, um, blue eternity, blue eternity? No, wait, no, blue infinity. SAYID: Blue infinity? SHANNON: Blue infinity. There's something about this that is so familiar. SAYID: You've been telling me what sounds very much like nonsense for the past hour and now it seems to me... SHANNON: Okay, a) I told you that my French sucks, and b) this isn't my nonsense, okay? Did you ever think that after 16 years on Mystery Frickin' Island your friend might not be quite adjusted? SAYID: [picking up the papers] This was a mistake. SHANNON: Yeah, haven't you heard? I'm completely useless. [Shannon walks off, upset. sht of Sawyer at his tent, Jack approaches.] JACK: Sawyer. SAWYER: Doctor? What can I do you for? [Jack points to the case.] Figured she'd get you to do her dirty work for her. So what? Are we going to wrestle for it? JACK: No, you're going to give it to me. SAWYER: Am I? JACK: Yeah. SAWYER: I'm just going to give it to you? JACK: Yeah. SAWYER: Why would I want to do that? JACK: Cephalexin. SAWYER: Yeah, go on? JACK: That's the antibiotic I've been giving you for the Knfe wound in your arm. You're right in the middle of the treatment cycle now, if I keep giving you the pills you're going to be as right as rain. But I'm going to stop giving you the pills. And for 2 days you're going to think you're all good, then it's going to start to itch. The day after that the fever's going to come and you're going to start seeing red lines running up and down your arm. A day or two after that you'll beg me to take the case, just to cut off your arm. SAWYER: That's a nice story, Jack. And, even if it were true, I don't think you could do it. JACK: You're wrong. SAWYER: Did she tell you what's inside? [Jack shakes his head.] Yeah, me neither. [He gives the case to Jack.] Hope you got yourself some jaws-of-life back in cave-town, that's what it's going to take to pop this bitch. JACK: I'll figure something out. SAWYER: I know you think you're doing her a favor. But however she talked you into doing this, she lied, brother. -------------------------------------------------------------------------------- [sht of Kate sitting on the beach with her far-away look, Jack walks up with the case.] KATE: Jack? JACK: We're going to do this together. KATE: Why? JACK: Because that's what I said we'd do. [Jack walks off and Kate follows.] -------------------------------------------------------------------------------- [Flashback - Back to the robbery.] JASON: What the hell you waiting for? Open the damn thing. [Hutton opens the door.] Well, now we're talking. Don't move. KATE: Please, don't. I can't... JASON: Shut up. HUTTON: I let you in, now please, let the girl go. JASON: Let the girl go? Man, you have no idea, do you? The girl is the one who set you up. The girl picked this bank, picked this vault. This whole thing is the girl's idea. [He takes his mask off.] KATE: What are you doing? JASON: [pointing gn at Hutton] Easy, Maggie -- just cleaning up after myself. [Kate grabs a gn from Robber #2 and points it at Jason.] KATE: You sht, I sht. HUTTON: Please, what's... KATE: I said, no one gets hurt. JASON: I know you're cold, baby. But you're not that cold. [He cocks his gn. Kate sht him in the leg. Then she sht Robber #2 & #3.] JASON: You sht me, stupid bit... KATE: Shut up, Jason. ROBBER #2: I told you not to trust her. KATE: [to Hutton] I need the key to safety deposit box 815, now. HUTTON: Who are you? KATE: The key to the box, now. HUTTON: You need 2 keys. The bank's, and... [Kate holds up a key.] If you had the customer key, why would you need... KATE: I'm not on the signatory card. JASON: You put me up to this to get into a safe deposit box? I swear to god, you better kll me, Maggie. Because if you don't... KATE: My name's not Maggie. [to Hutton] Now, go. [Kate opens the box which reveals an envelope inside.] -------------------------------------------------------------------------------- [On-Island - sht of Jack with the case.] JACK: Anything you want to tell me? [Kate doesn't respond.] Alright then. [Jack opens the box and pulls out money, gn, amo, and finally an envelope marked Personal Effects. Jack opens it and hands Kate a smaller envelope.] JACK: Is this it? Is this what you wanted? [Kate opens the envelope and pulls out a small "toy" airplane.] JACK: What is it? KATE: It's nothing. JACK: What is it, Kate? KATE: You wouldn't understand. JACK: I want the truth, just this once. What is it? KATE: It belonged to the man I loved. JACK: The truth. KATE: It belonged to the man I loved. JACK: Stop lying and tell me the truth! KATE: I'm not! It belonged to the man I klled! [Kate sits down and starts crying. Jack looks nonplussed, he closes up the case and walks away.] Act 6 [sht of everyone moving up the beach. Walt with his dog. Rose sitting by a tree, Charlie approaches.] CHARLIE: Your husband was in the tail section of the plane. ROSE: Yes, he was. But he'll be back. CHARLIE: You think he's still alive? ROSE: I know he is. CHARLIE: How? ROSE: I just do. It's a fine line between denial and faith. It's much better on my side. [Charlie starts crying.] CHARLIE: Help me. ROSE: Baby, I'm not the one that can help you... Heavenly Father, we thank you. We thank you for bringing us together tonight, and we ask that you show Charlie the path... [sht of Shannon walking up to Sayid on the beach.] SHANNON: The guy from Saint Tropez, he had this kid, a real snot, who hated me. His name was Laurent. He watched this movie over and over and over again, everyday, all day, the way kids do, 900 times. It was the cartoon about fish, you know, one of the computer ones? SAYID: Why are you telling me this? SHANNON: Because the movie was dubbed in French. And at the end there was this song. Those notations, they're song lyrics. And your French woman, she's just like Laurent, because she wrote them over and over and over again. SAYID: What's the song? SHANNON: [singing] La mer. Qu'on voit danser le long des golfes clairs. A des reflets d'argent. La mer. Des reflets changeants. Sous la pluie. La mer. Qu'on voit danser le long des golfes clairs... [Boone stares at Sayid and Shannon from behind a tree with a weird look on his face. Jack walks by Kate and looks at her. Kate just stares at her toy airplane.]	{"type": "series", "show": "Lost", "episode": "1x12 - Whatever the Case May Be"}	foreverdreaming
[sht of Boone's eye. He's watching Shannon read. Sayid brings Shannon a box, as Boone looks on.] SAYID: I brought you a present for helping me with the translations. I didn't have a chance to get it gift-wrapped, so -- [Shannon opens the box which contains purple flowery shoes]. I found these in the wreckage and I have no use for them personally. SHANNON: They are actually my size. Well, half a size off, but, I swear this place is actually making my feel swell. SAYID: Another mysterious force of the Island revealed. [They continue talking (though we can't hear) as the sht switches to Boone watching them. Hurley approaches.] HURLEY: [off camera] Yo, Boone. Question for you, dude. BOONE: Yeah. HURLEY: You and Locke are going out hunting boar everyday, right? BOONE: What about it? HURLEY: That's cool, except, how come you're not coming back with any? We haven't had fresh pork on a plate in about a week, dude. BOONE: It's not like they're domesticated animals. HURLEY: Maybe you guys aren't trying hard enough? BOONE: We're hunting, alright? HURLEY: I hope so, because people need food, man -- solid food. This isn't a game, man. [Boone looks back over and Shannon and Sayid still talking, Sayid grabs Shannon's hand.] -------------------------------------------------------------------------------- [Flashback - sht of Boone with his arm around a girl, carrying tennis racket and ball, walking up steps from the tennis court to the pool area of a club.] BOONE: I can't believe you ran down that last ball. And then you ht it for a winner. NICOLE: Lucky sht. BOONE: Yeah, I wish it was luck. [Sound of a cell phone ringing.] Is that my phone? [He answers it.] Yeah, hello. SHANNON: [in a shaky voice] Boone, it's me. BOONE: Shannon? SHANNON: Yeah... BOONE: What's the matter? SHANNON: Um, things aren't so good. BOONE: Where are you? SHANNON: [yelling at someone on her end] Get out of here! Get the hell away from me! BOONE: Shannon? Shannon? SHANNON: Just stay out of here! Get the hell away from me! BOONE: Shannon, what's going on? [Shannon crying.] Alright, Shannon, just hang on, just tell me where you are. I'll come get you. SHANNON: Sydney. BOONE: Sydney? SHANNON: Australia. -------------------------------------------------------------------------------- [On-Island - sht of Sayid limping along the beach. Boone approaches.] BOONE: Stay away from my sister. SAYID: For a moment you seemed to be giving me an order. BOONE: It's just a friendly suggestion. SAYID: A suggestion? BOONE: Yes, and if I were you I'd listen. SAYID: What if I don't? LOCKE: [off camera at first] Boone! Found some fresh tracks down by the stream. BOONE: [to Sayid] See you later. SAYID: You know where to find me. -------------------------------------------------------------------------------- [Boone and Locke walk off into the jungle.] LOCKE: You need to put aside your differences with Sayid. BOONE: He's hitting on Shannon. LOCKE: [while they are crossing the stream on stepping stone rocks] He's very competent. We don't want to make an enemy of him. We're going to want him on our side. BOONE: John, people are talking about what we're doing out here every day, especially since we never come back with anything. LOCKE: You mean boar. BOONE: Yeah. LOCKE: Plenty of fruit and fish to go around. What we're doing here is far more important. [They stop and uncover the hatch.] Right now, this is our priority. Act 2 [sht of Hurley picking a leaf off a plant. Jack approaches.] HURLEY: So, Jack? JACK: So, Hurley? HURLEY: Something kind of important I'd want to ask you about. Um, anything I tell you is doctor-patient confidential, right? JACK: Yeah. HURLEY: The thing is -- I haven't been feeling so great. JACK: What's the matter? HURLEY: Well, it's kind of like, uh, my stomach. I've been having some, um, major digestive issues. JACK: What have you been eating? HURLEY: You know, the usual - bananas, papayas, mangoes, guava, passion fruit, coconut. Some of those weird star fruits from up on the hill. Someone said they might be good for digestion. Let me tell you, they lied. JACK: Well, it might help if you had a little bit more protein in your diet. HURLEY: Dude, what can I do? There's no boar. No boar, no protein. JACK: You can eat fish. Jin's been catching a lot of them. HURLEY: No way, man. That guy has it in for me. JACK: [laughing] Oh, come on, man. HURLEY: I'm not kidding. He offered me something to eat, like right after we, you know, got here, um, the thing with the spikes? JACK: Sea urchin. HURLEY: Yeah. And when I turned him down it's like I soiled his family honor or something. He hasn't looked me in the eye since. The guy holds a serious grudge. JACK: [pointing to the leaves Hurley's been picking] You're not eating those, are you? HURLEY: Dude, these aren't for eating. Excuse me. [sht of Kate gathering fruit. Jack sees her from a distance and watches her.] KATE: I can see you there, you know. JACK: [laughing] I wasn't hiding, just didn't want to disrupt you from doing whatever it is you're doing. KATE: It's not like it's a secret. JACK: Hard to tell with you sometimes. [sht of seeds in Kate's hand.] JACK: Huh, gross little, grayish-yellow things. KATE: Passion fruit seeds. JACK: What are they for? KATE: I'll show you. If you want to see? JACK: Yeah. KATE: Follow me. [sht of Jack and Kate walking through the jungle.] JACK: Please tell me you found a coffee bar. KATE: Not quite. [sht of Sun at a small garden.] JACK: When did you do all this? KATE: I didn't. It was all Sun. I just wandered into this place the other day when I was out picking fruit. JACK: [to Sun] This is is beautiful. It's great. [Sun smiles.] KATE: She planted some herbs and some low growing stuff here. And then she started a grove over there. JACK: Smart. With the boar running out we're going to need as much food as we can possibly get. KATE: Maybe it's not running out. JACK: What do you mean? KATE: Maybe Locke's just decided not to catch it for us anymore. JACK: Why would he do that? KATE: A lot of mouths to feed. If the boar's thinning out then why should he feed everyone else at his own expense? -------------------------------------------------------------------------------- [sht of the hatch.] BOONE: That glass isn't breaking and the door's sealed shut. I think it's cement. What is that? [Locke is holding a "bowl" (coconut half), mixing something around in it.] LOCKE: Hmmm? BOONE: The stuff in the bowl - what is that? [Locke gets something out of his pack and sprinkles it into the bowl.] LOCKE: It's for later. BOONE: So, not to be too difficult, but we've been coming here for two days just staring at this thing. I'm not really sure what we're supposed to be doing. LOCKE: Ludovico Buonarrati, Michelangelo's father. He was a wealthy man. He had no understanding of the divinity in his son, so he bat him. No child of his was going to use his hands for a living. So, Michelangelo learned not to use his hands. Years later a visiting prince came into Michelangelo's studio and found the master staring at a single 18 foot block of marble. Then he knew that the rumors were true -- that Michelangelo had come in everyday for the last four months, stared at the marble, and gone home for his supper. So the prince asked the obvious -- what are you doing? And Michelangelo turned around and looked at him, and whispered, sto lavorando, I'm working. Three years later that block of marble was the statue of David. BOONE: We're not going to stare at this for 4 months, are we? How are we going to open it? LOCKE: Well, that's what we have to figure out. That's why we're sitting here. I mean, how do you open a hatch that has no handle, no latch, no discernible way of opening it? -------------------------------------------------------------------------------- [Flashback - sht of Boone knocking on a door. A guy, Bryan, comes to the door.] BRYAN: Yeah? BOONE: I'm looking for Shannon. BRYAN: Who are you? BOONE: I'm her brother. [Bryan lets him in. Shannon walks in from another room.] SHANNON: Boone? BOONE: What's going on? SHANNON: What are you doing here? BOONE: 15 hours. I just spent 15 hours on a plane -- happy to see you, glad you're here -- something like that might work. SHANNON: Listen, this really isn't the best time. Bryan and I were just on our way out to meet some friends. Why don't you give me a call tomorrow? [She runs her hand through her hair to reveal a bruise on her forehead.] Please? BOONE: Okay. Enjoy your friends. [Boone leaves.] -------------------------------------------------------------------------------- [On-Island - sht of Jin walking toward the shore.] HURLEY: [off camera at first] Jin! [Jin looks back and then just continues on his way.] Yo, Jin! Alto. Listen, I know you don't like me because of the sea urchin thing. But that's okay because I'm not asking for any favors. Just let me know where you get the fish. Fish [he makes fish-swimming motion with his hand. Jin sort of laughs.] Just point me in the right direction. I'll take care of my own business with my own tools. [Hurley makes a sab motion with his spear. Jin laughs.] JIN: 난 아마추어랑 안 놀아요. 그러니까 저리 가세요. (I have no time for amateurs. Just stay out of my way.) HURLEY: You just said something mean, didn't you? -------------------------------------------------------------------------------- [sht of Locke and Boone walking in the jungle.] BOONE: You know, we're going to have to tell them. LOCKE: Tell them what? BOONE: What we found. You know, they're not going to keep believing that we're coming out here hunting. We never go back... LOCKE: They're not ready. They won't understand it. BOONE: I don't think I understand it. LOCKE: That's the problem. BOONE: Look, at least I've got to tell Shannon. LOCKE: Why? BOONE: What do mean, why? Because she's my sister. LOCKE: Why do you care about her so much? BOONE: You don't know her, man. She's smart, she's special in a lot of ways. LOCKE: Fair enough. BOONE: She's been asking me about this. I can't keep lying to her. LOCKE: You mean you can't keep lying to her, or you can't stand the way she makes you feel because you're lying to her? BOONE: Both. Whatever. Look, she can keep a secret. LOCKE: You're sure? BOONE: Yes, I'm sure. LOCKE: No, I mean, are you sure you want to do this? BOONE: I've got to get her off my back. She keeps asking me about this, she keeps asking me about you, about the whole thing. LOCKE: You're sure you've thought through the ramifications? BOONE: Yes. LOCKE: So be it. [Boone turns around, Locke clocks him with a Knfe handle.] Act 3 [sht of Boone tied up. Locke is mixing the stuff in the bowl.] BOONE: Locke, what is this? Do you hear me? Untie me right now. LOCKE: Or what? BOONE: I swear I won't tell anyone about the hatch thing, okay? I promise. LOCKE: I'm doing this, Boone, because it's time for you to let go of some things. Because it's what's best for you. And, I promise, you're going to thank me for this later. BOONE: Hey, I don't think this is best for me [Locke smears the stuff he's been mixing onto the wound on Boone's head.] What is that?! LOCKE: An untreated wound, out here, is going to get infected. BOONE: You're not going to just leave me here! LOCKE: Whether you stay is up to you. The camp is 4 miles due west. BOONE: Which way is west? [Locke throws a Knfe into the ground, just out of Boone's reach.] LOCKE: You'll be able to cut yourself free once you have the proper motivation. BOONE: Locke! [Boone is struggling in the ropes, trying to reach the Knfe.] BOONE: Help, help! -------------------------------------------------------------------------------- [Flashback - We see Boone at a police station.] MALCOLM: I'm sorry, Mr. Carlyle, but I'm afraid I can't help you. Unfortunately, sir, we'll need a little more to go on. BOONE: I don't understand this, I'm reporting a crime. SAWYER: [questioned in the background, speaking loud] I'm sitting in this... little bar, minding my own business. And this guy... BOONE: Look, this is a cycle with her, okay. My sister just happens to be attracted to the wrong kind of guy. SAWYER: [now being dragged through the station by two policemen, shouting] I just gave it back to him. [to the detective who had questioned him] Hey, yo, croc hunter, how come nobody wants to hear my side of the story, huh?! Just what kind of... [Boone turns to look at the commotion Sawyer is making. Then back to Malcolm.] MALCOLM: Now, if that were her mate, see, then I could help you. Let's finish taking down the rest of your information. You were saying she's your sister, then why is her name Rutherford, and yours Carlyle? Is she married? BOONE: She was married. She's not married anymore, and that has nothing to do with this. [Malcolm looks up at that statement, Boone looks flustered.] Rutherford is her father's name. Our parents got married when I was 10, she was 8. MALCOLM: So she's your step-sister? BOONE: That's right. MALCOLM: No blood relation. BOONE: Maybe you've heard of my mother, Sabrina Carlyle? She owns the largest wedding business in the United States. I'm the COO of the wedding clothing subsidiary. MALCOLM: Would you like to buy my wife's wedding dress? Cost $2000 new. It's only been worn once. BOONE: I just want someone to go pay this guy a visit, that's all. MALCOLM: Mr. Carlyle, in the absence of any physical evidence or a direct complaint from, uh... BOONE: Shannon. MALCOLM: Shannon. We can't just go barging into people's apartments. Sadly, we're the police, not the dating police. -------------------------------------------------------------------------------- [sht of a harbor. Boone walks up to Bryan who's hosing down a picnic table on the dock area.] BOONE: Bryan, we need to talk. BRYAN: Yeah? BOONE: I'm not going to waste your time, and I'm not going to waste mine. I want you to break up with my sister. BRYAN: What? BOONE: I want you to end it. Today. Right now. BRYAN: Oh, bugger off, mate. BOONE: What you don't understand, Bryan, is that you'll be the third guy I've paid to leave. Go to her house when she's not there, pack your stuff, and never have contact with her again. Understood? BRYAN: So you flew all the way over here to bribe me. BOONE: I'm going to give you 25,000 US dollars. BRYAN: I love her. BOONE: How much? BRYAN: My love for her -- is worth closer to 50,000. [Boone writes a check.] -------------------------------------------------------------------------------- [On-Island - sht of Kate and Sun in the garden.] KATE: I can't believe we've been here for over 3 weeks. I was on my way to Bali. I travel a lot. I was looking forward to exploring the Island. Somehow I ended up on a flight to LA, instead. Guess that falls under the category -- be careful what you wish for. [Kate sees Sun smile.] You understood me. You did, didn't you, you just understood what I said? You speak English? SUN: Please, don't tell anyone. -------------------------------------------------------------------------------- [sht of Jin in the water with his net, and Hurley in the water with his shirt trying to catch fish. Jin gathers up his net and throws it next to the 3 other fish he's already caught. Hurley is failing to catch anything.] HURLEY: Damn it! JIN: [pointing at his fish] 이거, 내 고기니까 먹지 마. (Don’t eat my fish!) HURLEY: You know what? Fine. You win, okay? You happy now? Keep your damn fish, I'm out of here. [Hurley throws his shirt-net away, and goes to walk off but steps on something.] HURLEY: Ow! Ow, ow, ow! JIN: [running over to help] 무슨 일이에요? (What did you do?) HURLEY: I stepped in a friggin' urchin! Ow, you understand me?! [Jin is helping Hurley from the surf.] Do you understand infection, gangrene, amputation?! [Hurley falls on top of Jin.] [They stumble up on the beach.] HURLEY: Ow, aw, ow! You've got to do something for me. JIN: 이걸 빼야 되겠네. 촉수를 빼야 돼요. (Just pull out the spines -- pull them out.) HURLEY: You're going to have to pee on my foot, man. It'll stop the venom. I saw it on TV. [Jin inspects Hurley's injured foot.] Ow, arrgh, no just pee on it man. [Hurley points to Jin's crotch. Jin pushes his hand away.] JIN: (No -- you idiot -- that isn’t going to do anything! That’s for jellyfish stings!) HURLEY: You need to pee, pee on it. Pee on my foot. I'll lose my foot if you don't. Just pee! Pee on it! Pee on- [Jin is making motions, trying to communicate; then says No.] -------------------------------------------------------------------------------- [sht of a needle being rubbed on a magnet. Sayid lays the needle across half of some kind of nut and puts it in a bowl of water. He hears rustling and jumps up holding his Knfe as Locke appears.] LOCKE: Hi. SAYID: I didn't hear you. LOCKE: Sorry. Sneakier than I give myself credit for. SAYID: What are you doing out here? LOCKE: We were hunting. Boone thought I should take the afternoon off. SAYID: Boone -- is hunting? LOCKE: The boy's eager to learn. SAYID: You think he'll catch anything? LOCKE: Nope. What are you doing out here, Sayid? SAYID: Orienteering. I'm trying to make something of Rousseau's maps, but... LOCKE: There's nothing to make. SAYID: Exactly. LOCKE: Well, you made a compass. I haven't seen one of those since I was a Webelos. SAYID: What's a Webelos? LOCKE: It's half way between a Cub Scout and a Boy Scout. SAYID: And what does a Webelos do? LOCKE: Gets badges, mostly. Ties knots, identifies birds. I wasn't the most popular kid. I'll leave you to it. [He hands Sayid the compass from his safari vest.] Maybe this will help your cause. SAYID: Don't you need this? LOCKE: Not anymore. -------------------------------------------------------------------------------- [sht of Boone passed out. He's startled awake by Shannon's voice.] SHANNON: Somebody help me! BOONE: [disoriented] Who's that?! SHANNON: Boone! BOONE: [looking right] Shannon! I'm tied up! SHANNON: What?! BOONE: [looking left] Can you get over here?! SHANNON: I'm tied up, too! [We hear monster sounds.] SHANNON: [screaming] Boone! BOONE: Hold on Shannon, I'm coming! SHANNON: Boone! It's getting closer! Somebody help me! Boone! [Boone struggles to try and reach the Knfe, almost reaching it.] SHANNON: Please, help! [Boone struggles more and reaches it. We hear monster sounds.] SHANNON: Boone! [Boone quickly cuts through the ropes and starts running. He comes across Shannon who is tied to a tree, and runs up to free her.] SHANNON: Boone, help me! Hurry, please! BOONE: I'm trying. SHANNON: Please hurry. [Boone frees her and they start running.] BOONE: Go. Come on. [They come to a close stand of trees.] In here, in here. [They go in to hide. We see the shadow of the monster outside. We hear the sound of birds flying away. Then the sound of crashing, like the monster is trying to get in.] Act 4 [sht of Sayid and Jack walking in the jungle.] SAYID: Let me ask you something -- which way do you think North is? JACK: Sorry? SAYID: North? Which way is it? JACK: Uh, okay. [He looks around and points.] The sun's going to set over there, so that makes that West. [He points in another direction.] That'd be North. Yeah. SAYID: Correct. That's where North should be. [He pulls Locke's compass out and shows Jack that North doesn't show up correctly on the compass.] Yet that is North. JACK: I'm not... SAYID: A minor magnetic anomaly might explain a variance of 2 or 3 degrees, but not this. JACK: What are you saying? SAYID: I'm saying this compass is obviously defective. JACK: [laughing] Where'd you get it? SAYID: Locke gave it to me this afternoon. JACK: Locke? Where'd you see Locke? SAYID: About a mile East of here, walking through the jungle. At least I think it's East. -------------------------------------------------------------------------------- [sht of a stand of trees where Boone and Shannon are hiding. Boone and Shannon terrified inside. Boone looks out, and then they start to leave.] SHANNON: What did you do to him? BOONE: What did I do to who? SHANNON: Locke. What did you do to that psycho to piss him off? BOONE: I didn't do anything to him. SHANNON: What? He just did it because he was bored? Look, I know you guys are... BOONE: Let's go back to camp. -------------------------------------------------------------------------------- [Flashback - Sound of knocking on a door. We see Boone back at Shannon's house.] SHANNON: You were supposed to come later. BOONE: Do you have any bags? Anything you want to take? SHANNON: You should go back. BOONE: No, Shannon. We're getting out of this country. Is there anything you want to bring with you? What's the matter with you? [Bryan walks in the front door.] BRYAN: Aw, look at this. BOONE: [to Shannon] Let's go, please. C'mon. We can go. BRYAN: Hey, mate, you don't get this yet, do you -- what's what? BOONE: You set me up. This whole thing was a set up. BRYAN: She's just getting what she's owed. BOONE: What'd you say? BRYAN: She told me your mum screwed Shannon over after her daddy died, kept all her father's money for herself. A sweet mum you got there. BOONE: [to Shannon] This isn't the first time, is it? Oh, you've done this before, you little bitch. BRYAN: That's enough. BOONE: Don't touch me you low life piece of- [Bryan punches Boone, knocks him down, and keeps punching.] SHANNON: Bryan, get off of him! Get off of him! Get off! [Boone struggles to get up and leaves.] -------------------------------------------------------------------------------- [On-Island - Back at the beach we see Locke looking out toward sea. Jack approaches.] JACK: Any ships? LOCKE: Not yet. But I'm -- patient. JACK: Mind if I join you? It's been awhile since you and I talked, John. LOCKE: Well, you're a busy man. JACK: So are you. Where's Boone? LOCKE: I haven't seen him today. JACK: Yeah? You two have been attached at the hip all week. LOCKE: Well, let me just check my hip... Nope, no Boone. JACK: How's the boar hunting going? LOCKE: Between you and me? JACK: Always. LOCKE: I'm afraid they're beginning to migrate outside our valley. They're smart animals, and smart animals adapt quickly when a new predator is introduced into their environment. JACK: You mean us? LOCKE: The most dangerous predator of all. -------------------------------------------------------------------------------- [sht of Kate and Sun walking.] KATE: Does anybody else know? SUN: Only Michael. KATE: But not your husband? SUN: Please, I... KATE: Don't worry. I can keep a secret. SUN: I took English lessons in Korea. He doesn't know -- it's complicated. KATE: So why don't you tell him now? SUN: I can't. KATE: Why? SUN: Because I love him. KATE: I don't... SUN: Have you never lied to a man you've loved? -------------------------------------------------------------------------------- [sht of Jin trying to open some kind of shellfish, as Hurley looks on.] HURLEY: You sure you don't speak English? Cuz there's a rumor that you do. -- Your wife's hot. [Jin gives Hurley the thing he was opening to eat.] HURLEY: Oh, I get it, this is some kind of payback because I wouldn't eat the urchin the other time? I eat this you give me a fish, right? Okay, fine. Over the lips and past the gums, yada yada, oh god. [Hurley swallows it and promptly pukes.] -------------------------------------------------------------------------------- [sht of Jack giving aspirin to Charlie on the beach.] CHARLIE: [swallowing it] Cheers. JACK: You need a hand? CHARLIE: Yeah, yeah, I'd love one. [Jack helps Charlie with some firewood.] JACK: Haven't seen you around the caves lately. CHARLIE: I needed a change of scenery. JACK: How are you doing, Charlie? CHARLIE: How am I doing? With week 2 of heroin withdrawal? Or how am I doing with Claire being abducted by the freak who tried to kll me? JACK: I gave you the aspirin for the heroin withdrawal. [Jack nods toward Locke.] What do you think his story is? CHARLIE: Who? Locke? The guy's a freak of nature. Highly disturbed. Chances are he probably klled all his mates at the post office the day his mum forgot to put a cookie in his lunch tin. That was my first impression, anyway. And then he saved my life. JACK: So you trust him? CHARLIE: Trust him? No offense, mate, but if there's one person on this Island I would put my absolute faith in to save us all it would be John Locke. [sht of Jack looking at Locke who is sitting staring out to sea.] -------------------------------------------------------------------------------- [sht of Michael finding a box in a backpack and opening it. Looking sad. Vincent and Walt run up.] WALT: C'mon, you want the ball? Go get the ball. Go get the ball. Good boy. [sht of Michael smiling fondly at Walt.] HURLEY: [off camera at first] Dude, did you find your own bag? That's awesome, man. MICHAEL: Yeah. WALT: Come on, Vincent, over here. HURLEY: Be nice to get to use your own toothbrush again. MICHAEL: Got some papaya there, huh? HURLEY: Yeah. Yippee. MICHAEL: [pointing at the papaya and the Knfe Hurley has taken out] Hey, you mind if I, uh...? HURLEY: [handing over the papaya and Knfe] Knock yourself out. You want to wish something on your worst enemy? Hope they step on a sea urchin. [Jin walks up and holds out a fish to Hurley.] Oh hey, thanks. Dude, has this thing already been cleaned? Are you kidding me? SUN: 밥 먹었어요? JIN: 아니, 아직 안 먹었어. 손 씻어야 겠어. 손이 더러워졌어. [Jin and Sun walk past the waterfall where Kate is washing up, watching them.] JACK: [entering] They look happy. KATE: Happy? JACK: Put out your hand. [Kate looks skeptical.] You'll like it, I swear. [Jack puts something in her hand.] KATE: Gross little grayish-yellow thingies? JACK: Oh, no, no, no, these are slimy little bluish-black thingies. KATE: Guava seeds. JACK: What's a garden without guava? -------------------------------------------------------------------------------- [sht of Boone and Shannon in the jungle.] SHANNON: Are you sure we're going in the right direction? BOONE: If you don't want to follow me, don't. SHANNON: I wouldn't have to follow you if you weren't best friends with the nut case who brought us out here. You and Locke weren't hunting, were you? You were doing something else. BOONE: Haven't we been over this before? SHANNON: You're a horrible liar, Boone. BOONE: We weren't doing anything. SHANNON: Why are you keeping secrets for this guy? BOONE: Do you know who this guy is? He's the only one here that has a clue to what's going on. SHANNON: What is that supposed to mean? BOONE: It means he's smart. SHANNON: He tied us up, Boone. Why? BOONE: We found something. SHANNON: What? BOONE: While we were out looking for Claire we found this -- this piece of metal buried in the jungle. We've been excavating it. That's what we've been doing. SHANNON: A piece of metal? BOONE: A hatch, buried in the dirt. SHANNON: Like a door? BOONE: Yes, Shannon, that's what a hatch is. SHANNON: Where does it go? [We hear weird bird sounds.] BOONE: I don't know. But I told him I wanted to tell you, and that's when he did this. [We hear the sound of the Monster. A couple of trees are ripped straight up out of the ground. Boone and Shannon run.] BOONE: C'mon. [We hear monster sounds; stomping sounds. Shannon is picked up off the ground as she's running.] BOONE: No, Shannon! Act 5 [We see Boone running around looking for Shannon.] BOONE: Shannon! Shannon! -------------------------------------------------------------------------------- [Flashback - We see Boone in a hotel room holding a bag of ice on his face where Bryan slugged him. There's a knock on the door. Shannon is there taking her shoes off.] BOONE: What do you want? SHANNON: Bryan took the money. He's gone. BOONE: So the player got played. It's poetic, don't you think? SHANNON: I knew you'd bring the money. I knew you would. BOONE: You're drunk. SHANNON: You want to know why? BOONE: I guess it doesn't matter, does it? Because you're going to tell me anyway. SHANNON: Because you're in love with me. BOONE: What? SHANNON: You brought the money because you're in love with me. BOONE: You show up here plastered... SHANNON: You've always been in love with me. BOONE: You've always been a self-centered little bitch, but now you're delusional. SHANNON: I've always known it. BOONE: You're sick. SHANNON: [going in to kiss him] No. BOONE: Stop. SHANNON: It's okay. [They start making out and end up on the bed.] -------------------------------------------------------------------------------- [Scene cuts to dark with Boone in the foreground with his shirt off.] SHANNON: Boone? BOONE: What? SHANNON: When we get back to LA [she switches on the light; she's sitting on a chair fully clothed] you should just tell your mom that you rescued me -- again, just like you always do. And then we'll just go back. BOONE: To what? SHANNON: To what it was. BOONE: Like it's all up to you. SHANNON: Get dressed. -------------------------------------------------------------------------------- [On-Island - sht of Boone in the jungle.] BOONE: Shannon! [He sees blood and follows the trail. He sees Shannon laying on some rocks and runs over.] BOONE: No... [holding Shannon's body] Shannon? Shannon? Shan? Act 6 [Night-time. Boone is coming up to camp and sees Locke sitting by a fre. He runs up with a Knfe drawn.] BOONE: [attacking Locke] It klled her! LOCKE: You made it back. BOONE: That thing klled my sister. It's your fault. You drug her out there. LOCKE: Your sister? BOONE: Don't play dumb with me. LOCKE: Calm down. BOONE: She died in my arms. LOCKE: Why is there no blood on you? [Boone looks at himself and sees there's no blood.] BOONE: What the hell just happened to me out there? LOCKE: I don't know. I don't know, you tell me. [Locke pushes Boone off of him.] But your sister, Shannon... [we can see Shannon walk up with Sayid in the background] BOONE: She was d*ad. LOCKE: Is that what it made you see? BOONE: What made me see? That stuff you put on my head -- you drugged me. LOCKE: I gave you an experience that I believe was vital to your survival on this Island. BOONE: It wasn't real? LOCKE: It was only as real as you made it. BOONE: I saw her -- I saw her die. LOCKE: How did you feel? When she died? BOONE: I felt -- I felt -- I felt relieved. I felt relieved. LOCKE: Yes. Time to let go. [Locke gets up and grabs his pack.] Follow me. [Boone follows.]	{"type": "series", "show": "Lost", "episode": "1x13 - Hearts and Minds"}	foreverdreaming
[sht of Michael's eye. We see Michael walking, looking around.] MICHAEL: Walt! Walt! Walt! Walt! CHARLIE: [entering] Hey, Michael, you seen Claire's bags? MICHAEL: You seen my son? CHARLIE: You seen her bags? MICHAEL: Claire's? CHARLIE: Her luggage. It's not been brought back here. No one seems to know what's happened to it. MICHAEL: Uh, sorry man, I don't know. I'm just looking for Walt. CHARLIE: Oh, got it. Sorry, I've not seen him. [Jack walks up carrying fre wood.] MICHAEL: Hey, Jack, you see my boy when you were out there? JACK: No, he was at the caves. MICHAEL: Yeah, he took his dog for a walk. I told him to stay close, as usual. You listened to your old man when you were 10, right? JACK: Uh, yeah, yeah, I listened. Maybe a little too well. HURLEY: [off camera at first] Yo, dudes. Got a new tourney lined up. We're playing for the last of the deodorant sticks. You dogs up for some golf? MICHAEL: I have to go find my kid. Hey, if Walt shows up, you tell him I said stay right here until I get back. JACK: You got it. MICHAEL: [exiting] Walt! Walt! HURLEY: He seems to hate it, doesn't he? JACK: What? HURLEY: Being a dad. JACK: No, it's just a lot of hard work. HURLEY: No. He hates it. MICHAEL: Walt! [sht of Michael walking around calling for Walt.] -------------------------------------------------------------------------------- [Flashback - We see Michael and Susan in a baby furniture store.] MICHAEL: This is the one. This is definitely my baby's crib. SUSAN: Uh-huh, beautiful. It'll look great in the alley we'll be living in. This is 3 months rent. MICHAEL: What? It's not 3 -- look, don't you want the best for this kid? SUSAN: I know you're excited, but, Michael, we can't afford this. MICHAEL: Our baby in this crib? C'mon, that's a happy kid. Hey, I talked to Andy, he said he could throw some work my way. SUSAN: Construction? What about your art? MICHAEL: No, no, no, no. I'm not giving it up. I'm just going to take a break until you finish law school, pass the bar, get hired by some fancy-ass high paying law firm... SUSAN: Somebody's got it all figured out. MICHAEL: Yeah, I'll get back to painting eventually. Meanwhile, you can support me and Walt in a manner to which we'll soon become accustomed. SUSAN: Walt, huh? MICHAEL: I'd like to do that, you know, name him after my dad. SUSAN: Walter. Walter Lloyd. MICHAEL: Lloyd? Oh, all right. That's why you won't marry me. It's not that you think marriage is too prosaic, you just want him to have your last name. SUSAN: Hey, you want me to agree to Walter, or what? -------------------------------------------------------------------------------- [On-Island - sht of Locke's hand putting a Knfe into Walt's hand. Walt throws the Knfe at a tree, but it bounces off.] WALT: Man, I suck. LOCKE: You can do better than that. BOONE: You might want to take it easy on him. LOCKE: [pointing at the tree] See this knot, Walt? I want you to aim for it, right here. Focus on it, alright? Picture it in your mind's eye. You know what that is, right? The mind's eye? WALT: Like a picture in your head or... LOCKE: That's right. Now do it again. But see it. See it before you do it. Visualize the path. See it. See it. [Walt gets ready to throw again. sht of Vincent looking off toward a sound. Walt throws the Knfe and it sticks this time.] BOONE: Whoa. WALT: Yes! LOCKE: I knew you had it in you, Walt. WALT: It was weird. I actually saw it, in my mind or something, like it was real. LOCKE: Who's to say it wasn't? [Locke hands the Knfe back to Walt.] MICHAEL: [entering] Hey! What the hell is going on? [To Walt] Give me that. WALT: But, I was... MICHAEL: Take Vincent and go back to camp. WALT: But, Mr. Locke was... MICHAEL: Now, little man. [Walt reluctantly gets Vincent and leaves.] MICHAEL: [to Locke] You gave my boy a Knfe? LOCKE: You should have seen what... MICHAEL: Hey, don't tell me what I should have seen, man! If we were back home, I'd call the police on your ass! Encouraging a kid to sneak away from his parent?! Giving him a Knfe like this?! LOCKE: Walt knows his own mind. MICHAEL: [putting the Knfe in Locke's face] Hey, don't talk about my son like you know him! LOCKE: You really need to calm down. MICHAEL: You keep playing my son against me, and I'm going to have a- [Suddenly Boone tackles Michael, grabs the Knfe and is on top of him.] BOONE: The man said calm down. [Michael slugs Boone and gets on top of him.] MICHAEL: What are you his attck dog? [Locke breaks them up.] LOCKE: Easy, easy, easy. You're the one that was waving the Knfe around. He was just trying to make sure you didn't hurt someone. Michael, I know it's been difficult to bond with your son. You know why he's formed an attachment to me? Because I treat him like an adult. You still treat him like a boy. MICHAEL: He's 10 years old. LOCKE: He's been through more than most people in their entire lifetimes. Maybe you haven't spent enough time with him to see it, but he's different. MICHAEL: What did you say? LOCKE: And we're not back home, Michael. As long as we're here, I think Walt should be allowed to realize his potential. MICHAEL: Stay away from my son. And me. Act 2Edit [Flashback - sht of Walt as a baby with Michael, playing on the floor.] MICHAEL: You're not taking him. You're not taking my son. You can go if you want to, but Walt stays with me. SUSAN: I'm trying to have a discussion with you. MICHAEL: No you're not. You're talking about going to Amsterdam, just you and him. How is that a discussion? SUSAN: It's an offer, Michael. And that's where the job is. MICHAEL: You said you were happy. What about the legal clinic being a good fit? You said that... SUSAN: This is a huge opportunity. You know I've always wanted to do international law. MICHAEL: Am I supposed to be happy for you over here? For your huge opportunity? SUSAN: We've talked about taking some time apart. MICHAEL: Look, babe, I thought that was -- hey, we said a lot of things. You said you wanted to live on a boat. SUSAN: I still love you. You know, I do, but, Michael, we've been through so much in such a short time. Things... MICHAEL: Babe, we've got problems, right, that's what people have. You want to go to counseling? I'm down with that, let's go, alright? [Susan looks down and sort of shakes her head.] Oh, man, you already took it, didn't you -- the job? SUSAN: Yeah, I did. You haven't worked in months. MICHAEL: Construction slows in the winter -- I already told you that. SUSAN: I can provide for him. I'll give him everything he needs. MICHAEL: Except for his dad. He's not going with you, so, no! SUSAN: You really want to argue with me about this? MICHAEL: Hell yes! There are laws against this kind of thing. SUSAN: We're not married, Michael. I'm his mother and I'm steadily employed. Who do you think court's going to side with? -- This is not goodbye forever. I just -- I need some time. -------------------------------------------------------------------------------- [On-Island - We see Walt sleeping while Michael watches him. Sun approaches.] SUN: Are you alright? MICHAEL: No, I'm okay. Thanks. I just don't know how to talk him. How to get him to --, you know, understand I'm on his side. Locke says I should stop treating him like a child. I missed his whole childhood, so -- this can't happen. SUN: What? MICHAEL: He can't grow up here. He can't grow up in this place. [sht of Sayid spreading out maps.] SAYID: Once I realized these equations were coordinates, latitude and longitude, I assumed the French woman was trying to determine the location of the Island. But it was incomplete, the notations fragmented. SHANNON: Except for the fish song. SAYID: MmHmm. JACK: The what? SAYID: But when I laid the pages down like this [Sayid lays the maps on top of each other revealing a triangle] I realized it wasn't showing the location of the Island. I think it's a location on the Island. Specifically, here. JACK: So where are we in relation to the triangle? SAYID: Well, the map is hardly in scale, so I don't know. JACK: We're not even sure it's a map of this Island, are we? SAYID: We're not, no. But this may be the transmitter sending out the distress call. And its power source. MICHAEL: [entering] What are we talking about doing now? Looking for another excuse to get chased down and klled by whatever lives in the jungle? Guys, we can't keep doing this. Building water filtration systems? Playing golf? Making a sweet little home here? We need to get off this Island. SHANNON: You think any of us wants to be here? MICHAEL: No, but I don't think anyone wants to get off as much as I do right now. JACK: So, are you suggesting something? MICHAEL: Yeah, we build a raft. SAYID: A raft? MICHAEL: Look, don't say it like that, man. We need a little optimism here, okay? And we've got to do something because, let's be honest, no one's coming. Those seats we took off the fuselage, they float. And we've got an axe, and a whole bunch of trees, bamboo. We can do this. SAYID: The chances of surviving the rough waters? The odds of finding a shipping lane? SHANNON: And I get really sea-sick. MICHAEL: You know what? Great. Stay here. Grow old. Good luck to you, but I'm doing this. My son and I are leaving. Anybody that wants to help us build, God bless you. [sht of Walt reading the comic book, slowly turning the pages: Cover of the Flash, prologue page showing insect aliens, alien being kept prisoner, sht of a city on top of a dome in the water in something that looks like the arctic, polar bear.] WALT: [reading outloud] Conardo sepe que machio une oso polar. (This seems to make no sense the way Walt said it, except for Polar Bear.) MICHAEL: [entering] Hey, Walt. Hey, c'mon, I need your help with something. WALT: I'm doing stuff. MICHAEL: You're reading a comic book in Spanish and you don't read Spanish, man. WALT: I like the pictures. MICHAEL: You like the art, huh? WALT: I guess so. MICHAEL: You know, when I was your age, I don't know, maybe a little older, I used to trace comic books. I taught myself about perspective. You know what that is -- perspective? [Michael grabs the comic when Walt doesn't answer.] WALT: Hey! MICHAEL: I said I need your help. Let's go. WALT: Why do I have to come? MICHAEL: Because I've seen what happens when I don't keep an eye on you. -------------------------------------------------------------------------------- [Flashback - sht of Michael on a pay phone.] MICHAEL: Let me talk to him. SUSAN: He's 21 months old. He doesn't use the phone. MICHAEL: I'll do all the talking. I just want him to hear my voice. I miss him. SUSAN: I know. Let me call you back, okay? This isn't a good time. BRIAN: We've got to go. SUSAN: Shh. It's Michael. MICHAEL: Who's that? SUSAN: Let's talk tomorrow, okay? I'll call you from work. MICHAEL: What the hell is going on? SUSAN: Michael, listen, I've been seeing someone. MICHAEL: What? Who? SUSAN: Does it make any difference? MICHAEL: Who is it?! SUSAN: Brian Porter. MICHAEL: The guy who hired you. SUSAN: It wasn't like that before. MICHAEL: So when you said you needed time to think about us, you were just lying? SUSAN: No! I did, and I realized... MICHAEL: No. I'm coming to Amsterdam. SUSAN: Michael don't. It's over between us. MICHAEL: I'm not coming for you! I'm coming for Walt! I'm getting my son back! [Michael slams down the phone, walks into the street and gets ht by a car.] MAN: [shouting] Call an ambulance! Act 3Edit [sht of Kate and Charlie at the beach. Charlie is looking through Claire's bags.] KATE: Charlie? CHARLIE: Hey. These are Claire's things. Who brought them here? KATE: I did. Why? What are you doing? CHARLIE: I can't find it. I don't know where it is. KATE: What? CHARLIE: Claire's diary. She kept her diary in this side pocket. I know because I saw her put it in there. Someone's taken it. -------------------------------------------------------------------------------- [sht of Michael and Walt sorting some salvaged plane wreckage.] WALT: What are we looking for again? MICHAEL: Any long piece of metal or plastic tubing. Anything that looks like it would work as a frame. WALT: A frame for what? MICHAEL: You'll see soon enough. Hey, separate the cushions, the plastic, the tarp. Put everything you find in different piles so we can take stock. WALT: Am I being punished? MICHAEL: What? You think working with your old man is punishment? No, man, this us taking control of our destiny. WALT: Feels like punishment. -------------------------------------------------------------------------------- [sht of Kate and Charlie walking up to Sawyer's digs.] KATE: Sawyer? Hey, Sawyer? [No answer from Sawyer.] CHARLIE: You know, I could just go inside and... SAWYER: [from behind them sitting on the beach] Trick or treat. What are you two selling today? CHARLIE: Where's Claire's diary? Someone took it from her bag. SAWYER: Oh, I get it, something goes missing and right away you figure it's got to be me that took it. KATE: Do you have the diary or not? SAWYER: [pulling the diary out] You mean this one? CHARLIE: Give it to me. SAWYER: Now, I'm not sure that's the best idea. Maybe Missy Claire don't want you reading it. CHARLIE: I wasn't going to read it. SAWYER: You're not curious what she wrote about you? [Charlie tries to grab the diary, but Sawyer moves too fast.] CHARLIE: You bastard. Did you read it? SAWYER: Good literature's kinda scarce around here. CHARLIE: He read it. KATE: Just give it to us. SAWYER: "Dear Diary, I'm getting really freaked out by that has-been pop star. I think he's stalking me." KATE: Sawyer. SAWYER: "Diary, the little limey runt just won't let up." [Charlie punches the wound on Sawyer's arm, Sawyer drops the diary and Charlie picks it up. Sawyer slugs Charlie in the face.] CHARLIE: You ht like a ponce. SAWYER: [walking toward Charlie for more] Oh, yeah? KATE: Alright, enough. [Sawyer backs off.] You didn't really read it, did you? SAWYER: I just hadn't gotten around to it yet. -------------------------------------------------------------------------------- [sht of Walt sitting in the foreground while Michael is sorting through the salvage. Walt sees Boone and Locke walking through the area and disappearing up a path to the caves.] WALT: Um, I'm going to get some water. MICHAEL: Yeah, okay. Would you bring me some? Please? [to himself] Please and thank you. We've got to work on that. [sht of Boone and Locke coming into the caves. Shannon approaches.] SHANNON: Boone. Hi. So are you guys just going to keep coming back without any food? [Boone doesn't answer.] Hey, I'm serious. BOONE: Uh-huh. SHANNON: What's going on with you, Boone? Could you be acting any weirder? BOONE: Shannon, you've been a functioning bulimic since junior high. I thought you'd be excited about dropping a size or two. SHANNON: Well, since you're not having any luck with hunting maybe you should help Michael. He's building a raft. I was thinking I would help him out, maybe finally get the hell out of here. Why don't you help me? BOONE: No, thanks. [sht of Locke with his Knfe case, holding a pencil, sitting by a fre. Walt approaches.] LOCKE: Your father doesn't want us spending time together. WALT: He's not the boss of me. LOCKE: But he's your father. And he cares about you. And you need to show him respect. I'm serious, Walt. You're not to come to me anymore. MICHAEL: [off camera at first] Damn it! What is wrong with you?! LOCKE: I was just coming to see you. MICHAEL: I told you to stay away from my son! WALT: He didn't. I was just gonna... MICHAEL: Walt, I don't want to hear from you. LOCKE: I was just giving him this pencil to give to you. I thought you could use it. Consider it a peace offering. MICHAEL: [whispering in Locke's ear] If I catch you with my son again, I'll kll you. [Locke walks off with the pencil and his case.] WALT: You're a jerk. MICHAEL: What'd you say to me? WALT: Mr. Locke didn't do anything wrong. He's my friend. MICHAEL: He's not your friend anymore. I'm looking out for you. WALT: You don't care about me. You never cared about me. MICHAEL: What? WALT: You only showed up after my Mom died. Where were you when I was growing up, huh? Nowhere. MICHAEL: Listen, Walt, it's -- it's complicated. WALT: I don't even care. You're not my father. MICHAEL: You want to hate me? You want to punish me for something I can't change, fine? But you will listen to me. [Michael takes the comic book from his back pocket and throws it in the fre. The comic book is open to the polar bear page.] MICHAEL: Now, you get over there, and you stay there. Now! [sht of Michael looking at the burning comic book.] -------------------------------------------------------------------------------- [Flashback - sht of Michael drawing a guy in a hospital in traction with a birthday cake on his lap.] NURSE: [looking at the drawing] Hm, that's really wonderful. MICHAEL: Oh, thanks. For my son. He's going to be 2 next week. NURSE: Yeah? I didn't know you had a kid. MICHAEL: Yeah, yeah, um, he lives in Amsterdam with his mom. NURSE: Ever go to visit him? MICHAEL: No. No, not yet. I had a little, you know, run in with a car. I never know what to write. NURSE: How about a joke? MICHAEL: I don't know. What kind of joke? NURSE: How about what's black, white, and red all over? MICHAEL: Yeah, a newspaper, right? NURSE: A penguin with a sunburn. MICHAEL: [laughing] That's really dumb. NURSE: Trust me, mother of 4 talking here. He'll get a kick out it. SUSAN: [off camera at first] Hello, Michael. MICHAEL: Susan. SUSAN: I finally called Andy when I hadn't heard from you in over two months. I had to hear about your accident from him. You should have called me. MICHAEL: Yeah, well, considering how our last conversation went... SUSAN: I'm so sorry about that. MICHAEL: Hey, did you bring Walt? SUSAN: No. No, he's at home. MICHAEL: Oh, with Brian. So what are you doing here anyway? SUSAN: I came to see you. [Scene switches to Susan pushing Michael in the wheelchair down a hospital corridor.] MICHAEL: So I look pretty good, huh? SUSAN: Not that bad. -- Nurses say you're expected to make a full recovery. MICHAEL: Yeah, after a year of physical therapy. A year! SUSAN: I'm covering all your medical costs. MICHAEL: What? SUSAN: I've already spoken to the hospital administrator and all your bills are coming directly to me. MICHAEL: What is this about? SUSAN: Brian and I are getting married. MICHAEL: How nice for... SUSAN: No, you don't have to say anything, just listen. We're moving to Italy at the end of the month. Brian's taking over the firm's Rome offices. MICHAEL: Sounds like Brian's on a roll. SUSAN: And he wants to adopt Walt. I know this is hard, but just think about it. MICHAEL: You're kidding me, right? SUSAN: Consider what's best for Walt. You can keep holding on if you want, but ask yourself why you're doing that. Is it really for him? Or is it for you? -------------------------------------------------------------------------------- [On-Island - sht of Michael sitting looking at a book. Hurley approaches.] HURLEY: Uh, dude? Your kid's gone. MICHAEL: What? HURLEY: He just grabbed the dog and took off. MICHAEL: I know where he's gone. Act 4Edit [sht of Locke in the jungle sharpening a Knfe. Michael approaches.] MICHAEL: Locke, where the hell is he? LOCKE: What? MICHAEL: I'm not in the mood for your games, man. Where's Walt? LOCKE: Walt's not here, Michael. MICHAEL: Don't lie to me. BOONE: Hey, man, he's not here. Look around. MICHAEL: I'm not talking to you. LOCKE: I told him this morning that he couldn't be around me anymore, trying to respect your wishes. MICHAEL: Well, if he's not... LOCKE: Let's go find your boy. -------------------------------------------------------------------------------- [sht of Kate and Charlie bringing Claire's bags back to the caves.] CHARLIE: Thanks. You really didn't have to help, you know. I could've managed. I've had my share of manly encounters. KATE: I just thought you could use the company. You okay? CHARLIE: Yeah. It's weird. I barely knew her -- barely know her -- Claire. She's been missing over a week and everyday she's gone it feels like bits of me are crumbling or something. KATE: I think it's right that you should keep her stuff safe, until she gets back. CHARLIE: Yeah. [Charlie takes Claire's diary out of the bag and has a scene where he tries to not give in to temptation and read it. Finally puts it back in the bag and leaves.] -------------------------------------------------------------------------------- [sht of Walt in the jungle with Vincent.] WALT: C'mon, Vincent. [We hear the sound of something growling. Vincent barks. Walt looks around. We hear the sound of rustling in the jungle. Vincent starts barking and trying to run.] WALT: [struggling to keep hold of Vincent] Vincent, cut it out! Cut it out, Vincent! What's wrong? [Vincent's collar breaks, and he runs off.] WALT: Vincent! [Walt drops the leash and runs after the dog.] WALT: Vincent! Vincent! -------------------------------------------------------------------------------- [Flashback - Walt is in a house lying on the floor staring at Vincent.] SUSAN: [off camera to Brian] You should have seen him trying to weasel his way out -- anything not to let the case go forward. He was arguing it wasn't his jurisdiction. BRIAN: Oh, you're kidding me. SUSAN: I wish I was. Same argument 3rd time in a row. Barkley said it was an immigration issue. BRIAN: Barkley, that's classic. SUSAN: He thinks because I'm new to Australian law that I'm some kind of yokel or something. [to Walt] Hey, hello -- homework. WALT: I told you, I need help. BRIAN: He needs help. SUSAN: I'm a lawyer, sweetheart, I can tell when someone's stalling. WALT: Who cares about birds of Australia, anyway? We're in Australia. BRIAN: [to Susan who looks ill] You okay? SUSAN: I'm feeling kind of flu-ey. WALT: Shouldn't we be studying birds of Egypt or something? BRIAN: You haven't been sleeping much lately. Maybe you need to take a personal day. WALT: I picked the Bronze Cuckoo (Walt mispronounces it "Kahuku"). It's funny. Wanna see? SUSAN: What about Barkley? WALT: I mean, it doesn't look funny, just the name. SUSAN: Sleeping in late that's too much... WALT: Hey, Brian, look, look. You're not looking. You're not looking. [A bird smashes into the window.] SUSAN: Oh, my god. [Walt and Brian go to look at the bird on the ground which is brown-black and red.] WALT: Is it dad? BRIAN: Yeah, poor guy. [Brian gives Walt a weird look, and Walt goes back to his bird book. Neither of the birds in the book looks like the dad bird.] -------------------------------------------------------------------------------- [On-Island - sht of Walt from the ground up.] WALT: Vincent! Vincent! [Sound of rustling, growling in the jungle.] Act 5Edit [Flashback - Someone is knocking on a door. Then we see Michael open the door to reveal Brian.] BRIAN: Michael Dawson? MICHAEL: Yeah, can I help you? BRIAN: Yeah. I'm Brian Porter. MICHAEL: Susan's Brian? BRIAN: Yeah. Can I come in? I need to talk to you. MICHAEL: Susan know you're here, man? BRIAN: Susan died yesterday. Please [nodding toward the door]. MICHAEL: Um... [he opens the door to let Brian in.] BRIAN: She, uh, it turns out she had a blood disorder. She was only sick for about a week. MICHAEL: I didn't know. I, uh, I hadn't talked to her in a while. Sit down. And, Walt, how's he, uh... BRIAN: He's fine. He's back home with his nanny. MICHAEL: What? BRIAN: I mean, he's fine -- I mean, considering, you know. MICHAEL: You left him home after he just lost his mother? BRIAN: Before she died, Susan, she told me she wanted you to have custody of Walt. MICHAEL: She what? BRIAN: Well, I think she just thought, I mean -- since you're his father. MICHAEL: I haven't been his father in 9 years. BRIAN: Yeah, well, that's kind of the thing, see. Look, I loved Susan very much. And I was honest with her from the beginning, but she -- she wouldn't hear it. MICHAEL: Hear what? BRIAN: That I -- I didn't want to be a father. I just don't know how. MICHAEL: Hey, what the hell are you talking about, man?! You adopted him! BRIAN: Yes, yes, I did, because she wanted that, and I wanted her and... Look, these are two tickets - it's one round trip, the other one-way, Sydney to New York. The envelope has money in it for travel expenses. MICHAEL: She didn't tell you she wanted me to have custody of him. This is your idea. BRIAN: I'm a wreck right now, okay. Don't you understand that? MICHAEL: I'm supposed to give a damn about you?! BRIAN: I just lost the woman I love, alright?! And I can't be his father-! MICHAEL: [grabbing Brian by the collar and shoving him up against the wall] You son-of-a-bitch, what the hell are you talking about?! You're the only father he knows! BRIAN: It's more than that! MICHAEL: Well, then what?! BRIAN: There's just -- there's something about him! MICHAEL: What the hell are you talking about, man? BRIAN: Sometimes when he's around things happen. He's different somehow. [Back on the Island, we see Vincent's leash on the ground.] MICHAEL: Over here. [He picks up the leash.] What the hell wou... WALT: [yelling from a distance] Help, please! Help! MICHAEL: Walt! LOCKE: This way. [They run after Walt's voice.] MICHAEL: Walt! Walt! -------------------------------------------------------------------------------- [Flashback - We see a long corridor in Walt's house in Australia. The Nanny and Michael walk into frame at the far end.] NANNY: Walt should be home from school any minute. [She hands Michael something.] Mr. Porter asked me to give you that - some of Susan's effects. MICHAEL: Oh, thanks. NANNY: There's something else. [She hands him a wooden box.] MICHAEL: What's that? NANNY: Something I think Walt should have. Excuse me. [Michael opens the box. Inside are a bunch of papers. Michael sighs.] NANNY: Walt? WALT: Yeah? NANNY: There's somebody here to see you. [Michael starts walking slowly down the long corridor.] -------------------------------------------------------------------------------- [On-Island - We hear growling-type sounds and see Michael running, looking for Walt.] WALT: Dad! MICHAEL: Walt! WALT: Dad! Dad, help, please. [We see a polar bear trying to get to Walt who is hiding in a grove of trees/bamboo.] WALT: Help! MICHAEL: Walt! [Michael starts to run toward Walt, but Locke stops him, puts his hand over his mouth and shushes him. sht of the polar bear still trying to get Walt.] WALT: Dad! LOCKE: [looking up at the trees] C'mon, up here. Michael. WALT: Dad! Dad. -------------------------------------------------------------------------------- [Flashback - We see Walt in a room playing with Vincent. Michael comes in.] MICHAEL: Hey, Walt. WALT: Who are you? MICHAEL: I'm a -- I'm your father. Hey, um, I want you to know -- listen, I can't explain how sorry I am about your mom. You should know that we, hey, we loved each other very much when we had you. WALT: Where's Brian? MICHAEL: Brian's not here. I've come to bring you home with me. WALT: I'm not going anywhere with you. MICHAEL: Walt, can I? [indicating he's like to set the box and envelope down, which he does.] I know this is really hard to understand. All of this. See Brian, Brian loves you very much. And he wants you to stay with him, but it's not his choice. It's mine. I'm your legal guardian. And it's not like he's going to disappear from your life. He'll still call you, write to you, come to see you whenever he can. And you know, you'll still have your dog. WALT: But Vincent isn't mine. He's Brian's. MICHAEL: Brian said you could have him. -------------------------------------------------------------------------------- [On-Island - we see the polar bear trying to get Walt.] WALT: Dad! MICHAEL: Hey, Walt! WALT: Dad! Dad! Where are you dad? MICHAEL: Hang on! [Locke and Michael are making their way across a log beam in the trees to get to Walt. Michael almost falls, but Locke catches him.] MICHAEL: Okay, okay, okay. Let's go. Hey, Walt, just hang in there, okay? I'm coming, man. WALT: Dad! MICHAEL: Walt! [to Locke] Throw me the Knfe. Walt! [he drops the Knfe down to Walt. Walt picks it up.] If he comes near you, use it. LOCKE: Michael. [Locke throws him some vines which he uses to climb down to Walt.] MICHAEL: Stay there, buddy. [We see Walt sab at the polar bear.] WALT: Dad! MICHAEL: Are you okay? WALT: Yeah. MICHAEL: [tying vines around Walt] Alright. Whatever you do, you hold onto this tight. Got me? WALT: Yeah. MICHAEL: Tight! WALT: What about you? MICHAEL: Don't worry about me. I'll be right behind you, okay? Hold on. Okay, Locke, now! Pull! [Locke starts to pull Walt up to safety.] MICHAEL: Pull him, Locke! [We see the polar trying to get to Michael.] Act 6Edit [sht of the polar bear trying to get Michael. Michael hits the bear with the Knfe. The bear has blood on its snout, screams a bear scream, and runs away. Michael climbs up to Walt and Locke. He gives Walt a thank-god-you're-not-dad hug.] WALT: I'm sorry. I'm sorry... MICHAEL: No, no, no, it's --, it's okay. We're okay. I'm just glad you're safe. WALT: But, Vincent. He ran off again. LOCKE: He found his way back to you once, Walt. He will again. [Locke and Michael share a look of appreciation/understanding and a smile.] -------------------------------------------------------------------------------- [sht of Walt sitting up against a piece of wreckage. Michael approaches.] MICHAEL: Hey, I've got a present for you. [He gives Walt the wooden box.] Since you like to look at pictures. WALT: What's this? MICHAEL: Go ahead. [Walt opens it] Every card, every letter I sent you over the last 8 years. WALT: You wrote me? MICHAEL: Mmhmm. WALT: I never saw these. Did my mom have these? Why didn't she give them to me? MICHAEL: I don't know. But she didn't throw them away, either, which means, you know, somewhere inside she wanted you to have them. WALT: So, you drew these? MICHAEL: Just for you. This one I did for your 2nd birthday. [We see a sht of the drawing of the man in traction, and then of a penguin with sunglasses.] WALT: A penguin -- with a sunburn? That's dumb. MICHAEL: Yeah, I know. That's what I said. [They laugh.] [sht of Charlie back at the caves reading Claire's diary: "make-up, bathroom stuff, brush, water, books, camera, gum, hat, jerky, CDs, candy / I HATE HIM ... realized I really like Charlie, something about him that's just so adorable and sweet. Even in a scary place like this Charlie makes me feel safe." Charlie reads something interesting and goes to Jack and Sayid.] CHARLIE: Jack! Sayid. You have to hear this. JACK: What is that? CHARLIE: It's Claire's, her diary. SAYID: You're reading her diary? CHARLIE: Yeah, I know, I'm bloody scum. Just listen to this. "I had that weird dream again, the one with the black rock I can't get away from. I try to leave it but it won't let me." SAYID: Black rock? JACK: It's just dreams, Charlie. CHARLIE: No, Sayid mentioned the Black Rock before. SAYID: The French woman said something about her team returning from the Black Rock. The triangle on the map. Maybe it's the triangle on the map? CHARLIE: Maybe it's where Claire was taken. Maybe she's there? JACK: Maybe. Charlie, we all want to find Claire, but there's no sense going out into the jungle in the middle of the night. -------------------------------------------------------------------------------- [sht of Boone, and Locke bl*wing the dog whistle.] BOONE: I don't think that whistle's working, John. LOCKE: You can't hear everything, Boone. The sooner you learn that, the better. [Locke blows the whistle again and we hear footsteps, rustling.] BOONE: Well, I heard that. Vincent. Vincent is that you? Vincent. [Claire emerges from the bushes looking awful.] LOCKE: Claire?	{"type": "series", "show": "Lost", "episode": "1x14 - Special"}	foreverdreaming
[sht of Charlie sleeping.] VOICE: [off camera] Over here. Jack! LOCKE: [off camera] Where's Jack? [Charlie approaches] We need the doctor. VOICE: He's right there. Right there. CHARLIE: What happened? [sht of Locke walking into the caves carrying Claire.] VOICE: Jack! LOCKE: Doctor! CHARLIE: Claire? MICHAEL: Is she alive? WALT: What happened? CHARLIE: Is she alright? JACK: [now carrying Claire] Where did you find her? LOCKE: About a mile north. We were looking for the dog. JACK: Was she conscious? LOCKE: She collapsed in my arms. CHARLIE: Did she say anything? HURLEY: Charlie, man! Is she injured? WALT: Is she alright? JACK: Everybody needs to back off, okay? Just give her some air. [Jack wipes Claire's brow with a cloth]. Claire, can you hear me? Wake up now. Hey, Claire, Claire. Wake up now. [Claire opens her eyes]. Hey. [Claire screams and scrambles away.] JACK: Claire? It's okay. It's okay. CHARLIE: Claire. You're safe. CLAIRE: Who are you? Who are you?! Who are you people?! Act 2 [sht of jungle, then of Claire at the caves] CLAIRE: I don't understand. I don't know any Ethan. I don't remember. I don't remember any of you. I don't remember any of this. CHARLIE: What do you remember? CLAIRE: Um, I was on a plane flying to LA from Sydney. JACK: Claire, we were all on that plane. It crashed here -- on this Island. That was almost a month ago. CLAIRE: No, I'm, I'm due. JACK: Your baby's fine. He's kicking, everything's normal. Okay? CLAIRE: Well, if it's been almost a month then why hasn't somebody come to get us? [sht of Jack, Locke and Charlie looking around not knowing what to say, as Jin and Sun look on.] JIN: 도대체 무슨 일이 일어나는 거지? [Subtitle: What do you think is going on?] SUN: 저도 모르겠어요. [Subtitle: I don't know.] JIN: 저 여자… 괜찮을까? [Subtitle: Is she alright? The girl?] SUN: 제 생각엔 괜찮은 것 같아요. [Subtitle: Yes, I think so.] JIN: 애기는? [Subtitle: And the baby?] SUN: 애기도 무사하겠죠. [Subtitle: I'm sure the baby is fine.] [sht of Locke and Boone.] BOONE: You think she escaped? LOCKE: You were right beside me, Boone, you know as much as I do. BOONE: Well, where did she come from? I mean, we were out pretty deep. Nothing's out there. [Locke gives a faint smile.] She didn't say anything at all about Ethan? LOCKE: Apparently she doesn't even remember Ethan. BOONE: The guy pretends to be one of us -- he drags her through the jungle for almost two weeks -- she doesn't remember him? LOCKE: Apparently. BOONE: You think he's around? LOCKE: I sure hope not. [sht of Claire's journal] CHARLIE: Claire, here's your journal. It might help. [Charlie sits down next to her.] And this is where you sleep. It's quite cozy, isn't it? When he -- Ethan -- when he took you away, he took me, too. The others came after us. They got me back, but you, you were gone. CLAIRE: Who is he, Ethan? CHARLIE: Ethan? Ethan's the bad guy. CLAIRE: So, we were together when... CHARLIE: Yeah. CLAIRE: Why did he leave you? CHARLIE: Why don't we leave that lovely story for the morning. You've had enough for one day. CLAIRE: Ah, I won't be sleeping. CHARLIE: Oh, lucky for me. I'm not much of a sleeper myself. Finally, I'll have someone to stay up with. CLAIRE: We're friends? CHARLIE: Yeah. Yeah, we're friends. -------------------------------------------------------------------------------- [Flashback - We hear the sound of someone snorting heroin.] TOMMY: How's that feel, mate? CHARLIE: Sodding fantastic. TOMMY: Good, 'cause, uh, we're almost out. CHARLIE: But we're not out yet. Carpe Diem, my friend. TOMMY: Look, save your French for someone who appreciates it. CHARLIE: Latin, Tommy. It's Latin. TOMMY: Well, is it Latin for I've got a pile of money so we can score vast quantities of illicit substances? CHARLIE: No. TOMMY: I suppose you ought to clean up then. It's time to put you to work. -------------------------------------------------------------------------------- [sht of girl in a bar.] TOMMY: [off camera] Miss Lucy Heatherton, 22, and right in oh so many wonderful ways. Just graduated from Oxford, lives in Knightsbridge with her dear old dad, Mr. Francis Price Heatherton who, my friend, is bloody loaded. CHARLIE: How you amass this information never ceases to amaze me, Tommy. TOMMY: Ready to fall in love, Mr. Charlie Pace of the legendary rock band Drive Shaft? CHARLIE: Absolutely. [sht of money going into a Jukebox and You All Everybody being selected by Tommy. Charlie is with Lucy and other girls at her table.] CHARLIE: Seriously, ladies. I demand you stop buying me more drinks. I'm a man of high moral standing. Your obvious plans to take me home and ravish me will not work, saucy sirens. I believe in monogamy. I will not be shared like a common curry. LUCY: Are we that obvious? CHARLIE: Dreadfully. Call yourself ladies? Jane Austen would be ashamed. I personally... [Sound of the conversation goes down. sht of Tommy watching.] -------------------------------------------------------------------------------- [On-Island - sht of the ocean pans to Sayid.] SAYID: The girl is pregnant. Very pregnant. Are we supposed to believe that she escaped from him? CHARLIE: What are you getting at? SAYID: Ethan infiltrated us. Whoever he is and wherever he comes from, he's intelligent. Who's to say he didn't even send Claire? CHARLIE: You're off your head, mate! That- JACK: Charlie, calm down. That's a stretch, Sayid. SAYID: Then tell me, doctor, how many times have you diagnosed actual amnesia and such a selective brand of it? JACK: Okay, it's rare. But she's been through a major trauma. It is possible that her memory reset to the crash. LOCKE: And the chances of that memory returning? JACK: I don't know. CHARLIE: You know what? You boys talk about Claire all you want. I'm actually going to go spend some time with her. I get the impression she might still be a tad upset. -------------------------------------------------------------------------------- [sht of Jin walking with his fishing net. Charlie comes running up.] CHARLIE: Oi, Jin. You heading back to the caves? 안녕? JIN: 안녕. CHARLIE: Safety in numbers, right? Of course, you have no idea what I'm talking about. How nice it must be to not be involved in the bloody insanity that surrounds us at every turn. It's quite beautiful, really. You take care of your wife. Everything else is someone else's problem. No need to be involved in the decision-making process. No tree-shaking behemoths, French transmissions, just sweet, bloody ignorance. You don't know how lucky you are, you know. Must be nice. You wake up and... [Charlie and Jin hear a whirring sound.] CHARLIE: What? [Jin gets pegged with a rock and collapses. Ethan walks up.] ETHAN: Charlie, I want her back. CHARLIE: What? I... ETHAN: I want you to bring her back. CHARLIE: What did you do to her? [Charlie grabs a stick and tries to ht Ethan.] What did you do?! [Ethan grabs Charlie by the neck and lifts him up against a tree.] ETHAN: You bring her here. If you don't, I'm going to kll one of them. And then, if you don't bring her back before sundown tomorrow, I'll kll another, and another, and another. One every day. [Letting him go] And Charlie, I'll kll you last. [Ethan leaves.] Act 3 [sht of Charlie at the beach.] CHARLIE: What do we do? We go out and we bloody kll him! LOCKE: Calm down, Charlie. We don't want the others to get upset and... CHARLIE: Forget the others. He's out there right now, Locke. JACK: I think he's right. The man thrat to kll one of us unless we bring him Claire, and what, we just wait for that to happen? We tracked him once before, we can track him again. LOCKE: You both seem to have forgotten how that turned out. [to Jack] He bested you physically. [to Charlie] He hung you from a tree. Running into the jungle unarmed is not going to get the job done. CHARLIE: So what does get it done? LOCKE: We circle the wagons, tell a select few about the thrat. We post some sentries here and back at the caves. JACK: Tell a select few? He does what he says he going to do and that blood's on our hands. LOCKE: Okay, Jack, we tell everyone. But, you want to protect them, you need to start thinking defense. JACK: We move everybody off the beach, back up into the caves. LOCKE: What if Ethan isn't alone? What if he delivered his thrat so that we would gather like sheep to the slaughter in a confined space where they can roll in and take us all in one fell swoop. JACK: Okay, John. Obviously, you have a plan. So, let's hear it. -------------------------------------------------------------------------------- [sht of Sun ministering to Jin's wound.] SUN: 도대체 무슨 일이 있었냐구요? [Subtitle: What do you think is going on?] JIN: 무슨 일이 있었냐구? 내가 어떻게 알아? [Subtitle: What's going on? How would I know?] SUN: 아니 다른 사람들은 어떻게 이해를-- [Subtitle: Maybe the others understand--] JIN: 다른 사람들? 내가 다른 사람들 때문에 이렇게 된건데. [Subtitle: The others? I was attcked because of what they have done.] -------------------------------------------------------------------------------- [sht of Claire and Charlie.] CLAIRE: The others are avoiding me. CHARLIE: Sorry? CLAIRE: No one will talk to me. You know, it just feels like something is going on. CHARLIE: Anything coming back? CLAIRE: After the crash, no. Some of this stuff's probably better forgotten anyway. [She closes her diary.] CHARLIE: Well, I don't know about you, but the rest of us have been having a wonderful time. We even built a golf course. CLAIRE: You're sure there's nothing going on? CHARLIE: Absolutely. CLAIRE: Okay. [Flashback - sht of Lucy and Charlie walking in the door of Lucy's house.] LUCY: You're quite enamored with yourself, aren't you? CHARLIE: Now, Lucy, I know it's our first date and you want to appear demure, but, you know, if you want to invite me back for sex don't say tea, say sex. LUCY: Do you want tea, or not? CHARLIE: I'd love some. LUCY: Brilliant. CHARLIE: So where is the old man? LUCY: I don't know. I think he's buying some paper company up in Slough. CHARLIE: Oh, yeah? Do you two get on? LUCY: Dad's quite cool, actually. He was rather proud when I told him I was going on a date with a bona fide rock star. [sht of Charlie sizing up everything in the room while Lucy is making tea. Camera lingers on a cigarette case.] LUCY: [coming back in the room] It was Winston Churchill's. Dad collects all sorts of rubbish from the great leaders of the empire. Hey, you should meet him. CHARLIE: Winston? No thanks. I heard he's quite moldy. LUCY: My father. He's coming back tomorrow. You should come round for dinner. CHARLIE: I'd love to. LUCY: Excellent. -------------------------------------------------------------------------------- [sht of Charlie back on the Island. sht of Jack sharpening a Knfe. Kate approaches.] KATE: You look hungry. [She throws him a fruit.] JACK: Thanks. KATE: Locke told us what happened. Why do you think he wants her back? JACK: I don't know. KATE: Maybe it's time you use that key you've been wearing around your neck. There are 4 nine millimeters in the Marshal's case and- JACK: Uh-uh. No. I hand them out, someone hears something out in the jungle and gets scared, the chances of us shting each other are much higher than of us shting him. KATE: We're beyond sharpening knives here, Jack. JACK: I am not putting gn in untrained hands. -------------------------------------------------------------------------------- [sht of Locke, Boone and Sayid creating a perimeter trip wire signal.] LOCKE: Trip it! [A bag of garbage falls making a warning sound.] SAYID: Not bad. LOCKE: 4 of these around the perimeter will do the job. SAYID: I have fires prepared at 20 meter intervals. LOCKE: Excellent. SAYID: Some of the men have volunteered for sentry duty. I'm going to put them on rotating shifts. BOONE: I'll take a shift. SAYID: Okay. LOCKE: Absolutely, we're counting on you, Boone. -------------------------------------------------------------------------------- [sht of Jack and Charlie at the caves.] CHARLIE: Maybe we should move her. JACK: She's safer here. CHARLIE: What about the mountain? There could be another cave? JACK: She's safer here, Charlie. CHARLIE: [yelling] Nobody's safe! JACK: Hey. CHARLIE: It's my fault he took her. I was responsible. I should have taken care of her. I should... JACK: Charlie, nothing's going to happen to her, okay? CHARLIE: Yeah, okay. -------------------------------------------------------------------------------- [Flashback - We see Charlie having dinner with Lucy and her dad, Frank.] FRANK: Well, Charlie, I think my lovely daughter would agree that you're the most impressive person who's ever had dinner with us. CHARLIE: My condolences, sir. FRANK: I don't know if Lucy mentioned it to you, but I was in a band once myself, you know. CHARLIE: Oh. LUCY: They were called the Protestant Reformation. FRANK: Yes. Ouch. Dreadful, huh? CHARLIE: You gave it up then? FRANK: Well, I was married, Lucy was on the way. Her mom, god rest her soul, wanted me to keep trying, but I was wanting to be more practical, responsible, I guess. You know, a man has to provide, take care of his family. A man has to think about the future. LUCY: And, of course, your band was bloody awful. FRANK: Yes, there was that, too. Small detail. So, are you working on a new album, Charlie? CHARLIE: We're in a bit of a hiatus right now. Liam, my brother, just had a daughter. So, you know, we're taking some time off. Quite a lot of time off, actually. It's been a year since we were together. I'm thinking of doing a solo project. Liam and I don't exactly keep in touch and there's been some problems with royalties. The fact of the matter is, sir, uh, I think that Drive Shaft might be dad. -------------------------------------------------------------------------------- [sht of bar/pub.] TOMMY: You took a sodding what?! CHARLIE: A job, Tom. TOMMY: A job doing what? CHARLIE: Selling copiers. TOMMY: You took a job selling copiers? CHARLIE: I like her. TOMMY: She's a moose. CHARLIE: Don't say that. TOMMY: Are you off your bleeding chump, man? I've been getting you off on my skag for over a week now on spec. Spec means speculation. CHARLIE: Yes, I know what speculation means. TOMMY: In this case, the speculation that you'll execute your end of the plan and steal something of value which I can, in turn, sell. And by the time the poor helpless bird realizes it's missing it never even occurs to her that rock star Charlie bloody Pace could be responsible for such larceny, and the bloody party continues. CHARLIE: Look, I -- I don't think Liam's coming back. I have to think about my future. TOMMY: Your future? CHARLIE: Yeah. TOMMY: Really? CHARLIE: Yes. TOMMY: When do you start this job? CHARLIE: Monday. TOMMY: Today's Friday, isn't it? After a weekend without a fix, Monday should be bloody wonderful. Let's see how the future treats you then, hey, Charlie. -------------------------------------------------------------------------------- [On-Island - sht of Boone, Locke, Sayid on sentry duty. Boone is falling asleep. One of the wires is tripped and a bag of garbage falls, waking Boone up. It's now daylight. Boone hears something and goes running after it.] Act 4 [We see Boone running after the sound. He falls and Vincent comes running and licks Boone's face.] LOCKE: [off camera] Over here -- through the tree line -- something tripped the alarm. SAYID: [seeing Boone and Vincent] I think we found another missing castaway. [They hear a woman scream and go running to the beach where there's a body in the sand.] BOONE: What happened? SAYID: Is he alive? BOONE: Oh, god. SAYID: How did he get past us? [sht of Charlie, Kate and Hurley at the beach.] HURLEY: I thought those guys had a full on perimeter set up? KATE: Locke said it didn't matter -- he came in from the water. HURLEY: You sure it wasn't an accident? I mean, maybe the guy just drowned or something. KATE: His neck was broken, both his arms, all the bones in his fingers. HURLEY: Yeah, okay. Got it. SAWYER: [entering] So, Steve drew the short straw. HURLEY: Dude, that was Scott. -------------------------------------------------------------------------------- [sht of a burial mound.] HURLEY: Scott Jackson worked for an internet company in Santa Cruz. He won a sales prize: two week Australian vacation, all expenses paid. He was a good guy. Sorry, I kept calling you Steve, man. Um, amen, I guess. I... SEVERAL PEOPLE: Amen. HURLEY: I don't know how to end these. -------------------------------------------------------------------------------- [sht of Claire walking to the spring in the caves. Redshirts are staring.] CLAIRE: [to Shannon] Hi. Why is everyone staring at me? SHANNON: I'm not staring at you. CLAIRE: What's your name? SHANNON: Shannon. CLAIRE: Shannon, you're staring. SHANNON: You mean nobody's told you? CLAIRE: Told me what? [sht of Charlie walking in jungle.] CLAIRE: [off camera at first] Why? Why did you lie to me?! CHARLIE: Okay, look... CLAIRE: Yeah, what else didn't you tell me? CHARLIE: I just thought with your memory there wasn't anything you could do. CLAIRE: Nothing I could do? Why would you keep me in the dark, Charlie? I'm already in the dark. CHARLIE: Sorry. I just wanted to take care of you. CLAIRE: I can take care of myself. -------------------------------------------------------------------------------- [Flashback - sht of Charlie in a suit looking sick and sweaty.] LUCY: Look at you. Charlie Pace, respectable businessman. CHARLIE: You didn't have to buy me this suit, Lucy. LUCY: Mmhm. And what did you intend on wearing for your first day of work? CHARLIE: I have shirts... with buttons. LUCY: You okay? CHARLIE: Yeah, just a bit nervous. LUCY: Don't be. Dad's put the fix in. He's already demanded they buy two copiers to boost your confidence. [sht of Charlie looking at the cigarette case.] LUCY: [off camera walking away] Have you memorized the manual? CHARLIE: Backwards and forwards. LUCY: Say something impressive. CHARLIE: Uh, the Heatherton C815 copy center's leading scan offerings combine the benefits of document capture with instant delivery anywhere, anytime. LUCY: Anywhere? CHARLIE: Anytime, baby. LUCY: You've been on stage in front of thousands of screaming fans. This is just some men who want to buy a silly copy machine. You're going to do great. I believe in you. Oh, almost forgot, wait here. CHARLIE: Okay. [He swipes the cigarette case.] LUCY: Alright, now, I know you'll protest, but you simply can't be respected unless you have one of these. [She presents him with a briefcase.] CHARLIE: Oh, Lucy. LUCY: You're welcome. CHARLIE: Okay, well. I'm going to be late -- the bus. LUCY: The bus? Are you daft? I'm driving you. CHARLIE: Oh, no, Lucy. I'd rather you didn't. LUCY: No argument. Have everything you need? CHARLIE: Yeah. LUCY: Then let's get you to work. -------------------------------------------------------------------------------- [On-Island - sht of Boone sharpening a spear with a Knfe. Jack approaches Locke.] JACK: John, want to take a walk? [They walk away a bit.] JACK: What do you think happens after the sun sets tonight? LOCKE: Oh, if we don't bring Claire to him? Rhetorical, Jack. Same thing happens tonight as happened last night. JACK: You think you can track him? LOCKE: Well, I'm sorry? JACK: We know where he attcked Jin and Charlie. Do you think you can pick up the trail? LOCKE: Maybe, but I wouldn't. JACK: Wouldn't? LOCKE: Jack, I'm not a cold man. I feel for the loss of one of our own, but nothing fundamental is changed. Wherever he is, wherever he comes from, we're on Ethan's turf. He has the advantage. To him we're nothing more than a bunch of scared idiots with sharp sticks. JACK: What if I told you I had a way to get the advantage back? LOCKE: Then I would ask: what way might that be, Jack? [Jack and Locke go to the gn case which Jack opens.] LOCKE: Why, doctor, you've been holding out on us. JACK: I'm guessing you know how to handle one of these? [Jack holds the gn out to Locke who then takes it apart and puts it back together.] Act 5 [sht of Charlie, Locke, Jack, Sayid at the caves.] CHARLIE: Are you insane? JACK: It's the best chance we have, Charlie. CHARLIE: No bloody way! SAYID: If you want to capture Ethan, we have to ensnare him. And the only way do that is by giving him what he wants. CHARLIE: You have no idea what you're talking about. This guy, he will kll all of you. You can't protect her... CLAIRE: [entering] Charlie, I can talk for myself. CHARLIE: Claire, they want to use you as bait. CLAIRE: I don't remember Ethan. I don't remember what he did to me. But if I can help stop him from hurting anyone else, I have to do that. CHARLIE: I'm coming with you. You said there were 4 gn. LOCKE: You ever fre a wapon, Charlie? JACK: Alright, we should do this. Let's figure out a game plan. Alright, Sayid, you're the soldier. Locke, you're the hunter. . . -------------------------------------------------------------------------------- [Flashback - Inside an office with people gathered around a table.] CHARLIE: Allow me to demonstrate the awesome speed of the C815 using one your technical manuals. [shts of Charlie fumbling around trying to get the copier to work; looking in the manual, getting more and more flustered, and finally puking on the copy machine.] -------------------------------------------------------------------------------- [On-Island - sht of Charlie. sht of Locke and Jack.] LOCKE: Charlie's right. JACK: About what? LOCKE: We have 4 gn, we should have 4 men. -------------------------------------------------------------------------------- [sht of Jack, Sawyer, Kate.] SAWYER: Help? Moi? JACK: You know how to handle a gn, or not? SAWYER: Well, I know at least one polar bear that seems to think so. [Jack hands Sawyer a gn.] Where'd you get the hardware, Hoss? KATE: I want to come. JACK: Sorry, we're out of gn. And no one goes out there unarmed. SAWYER: How much amo you got? JACK: 100 rounds give or take. SAWYER: All 9's, right? 9 millimeters -- the gn? JACK: Yeah, why? SAWYER: Because, if the lady wants to come... [Sawyer gets a gn out of his tent.] Lifted this off the Marshal back in the old days. Remember him, don't you? Surly guy, kind of square of jaw, carries a Sig 9. JACK: Yeah, I remember you sht him. And missed. SAWYER: Yeah, well, bygones. And hell, 5 gn are better than 4. -------------------------------------------------------------------------------- [sht of Charlie watching the guys and Kate preparing to go.] SAYID: He'll be surrounded at 5 points. Everyone will be in visual contact with you. Make sure you stay in the area I've shown you. And remember, gn are a measure of the last resort. We want him alive. [sht of Charlie watching them leave. sht of cloudy sky. sht of Claire standing in a clearing in the rain waiting for Ethan to come. We see Sayid up in a tree. Sawyer, Jack, and Locke hiding. Ethan enters and starts chasing Claire.] Act 6 [We see Ethan chasing Claire; Jack runs in and tackles Ethan, losing his gn. The others come to help as Jack and Ethan slug each other.] LOCKE: Over here! Over here! Jack's got him! Hold your fre. Don't sht. We want him alive. Claire! [Locke runs over to her.] You alright? SAWYER: [running up with Kate following] Over here! SAYID: Hey, hold your fre! SAWYER: Easy. [Jack gets up off of Ethan.] SAWYER: Winner by a knockout. Nice one, Doc. Now, maybe somebody can tell me just who or what this son-of-bitch is! [Ethan starts to get up, everybody points their gn at him.] Uh, uh, uh, jungle boy. Not even for one second. [Ethan is suddenly sht in the chest 6 times. The camera pans to reveals Charlie as the sh*t.] JACK: Charlie?! -------------------------------------------------------------------------------- [sht of the ocean. The rain has stopped. Jack sits down by Charlie.] JACK: Why did you do it, Charlie? CHARLIE: Because he deserved to die. JACK: He could have told us where he came from, what he wanted with Claire, why he... CHARLIE: Do you really think he would have told us anything, Jack? I wasn't going to let that animal anywhere near her again. Ever. -------------------------------------------------------------------------------- [Flashback - We see Charlie knocking on Lucy's door. She opens it.] CHARLIE: Lucy, I'm sorry. I've been having some problems. If I could just explain... LUCY: Leave, Charlie. CHARLIE: Lucy, I made a mistake. LUCY: You made a mistake? My father's sales manager comes here to my house to return a cigarette case that the EMTs pulled from your suit pocket at the bloody hospital, and it still smells of your sick. CHARLIE: [whispering] I didn't mean to. LUCY: Oh, you meant to, Charlie. You meant to from the start. You're a liar! I believed you and you lied! I thought you wanted to -- you said -- you selfish bastard! CHARLIE: Lucy, if I can just explain. LUCY: Tell me one thing, and don't you dare lie to me. I get why you pretended to like me. I understand why you stole, because you're a junkie. But I don't understand why you took the job. Why did you take the job, Charlie? CHARLIE: I guess I -- I wanted to be respectable. I wanted you to think that I could take care of you. LUCY: You'll never take care of anyone. [She slams the door in his face.] -------------------------------------------------------------------------------- [On-Island - sh*t of Charlie back at the caves; Hurley with his headphones; Sun and Jin; Jack getting water; Shannon tending to Sayid's arm; Charlie alone when Claire walks up.] CLAIRE: I remember peanut butter. Why do I remember peanut butter? CHARLIE: It was imaginary peanut butter, actually. CLAIRE: I don't know what happened to me. I'm scared. I want to trust you. Goodnight, Charlie. CHARLIE: Goodnight, Claire.	{"type": "series", "show": "Lost", "episode": "1x15 - Homecoming"}	foreverdreaming
[Flashback - sht of Young Sawyer's eye opening. Sound of pounding on a door. Shouts of "Open this door!"] MARY: Wake up. He's here. C'mon. Got to get you up. He'll think you're still with your grandparents, okay? Get under the bed. Let's go. Okay. Listen to mommy, this is really important. Get under the bed, don't make a sound. Don't come out, no matter what happens. Don't come out, okay? YOUNG SAWYER: Okay. MARY: I love you. YOUNG SAWYER: I love you too, mommy. MARY: Let's go. Down you go. SAWYER'S FATHER: Open this door! MARY: Stop it! Please stop it! Go away! Stop it! [Sound of the door breaking.] MARY: What the hell is wrong with you?! I'm calling the police, get out of here. What are you doing? What the hell are you doing with a gn, get out of... [Sound of gn and her body falling to the floor. sht of Sawyer under the bed, and his POV watching his father's boots walk into the room. The father sits on the bed and we hear the sound of him sh*ting himself.] -------------------------------------------------------------------------------- [sht of Sawyer waking up on the Island. He hears boar sounds in his tent. He hits it with a metal pipe, and goes running after it. Then he hears the whispers. We can hear the last line of the whispers: It'll come back around.] Act 2 [sht of Sawyer cleaning up the mess the boar made in his tent area.] SAYID: Boar took your tarp? SAWYER: It was dark, but yeah, I'm pretty sure it was a boar. SAYID: I thought the boar had vacated this area? SAWYER: Well, genius, I think we got some bad info. SAYID: What was he doing inside your tent? SAWYER: It was staring at me. Then it came at me, so I ht it, and it ran off into the jungle. SAYID: With you tarp? Perhaps he wanted to go camping? SAWYER: You enjoying yourself? SAYID: Yes. SAWYER: Well, laugh it up, Mohammad. But I come back and find my stuff's gone, I'm coming after you. [Sayid starts walking away.] Sayid, what did you hear? After you ran into the French woman you said you heard something in the jungle. SAYID: I was injured and I was exhausted, my mind was playing tricks. SAWYER: What did you hear? SAYID: I thought I heard whispering. SAWYER: What was it saying? SAYID: Why? Did you hear something? SAWYER: Forget it. I didn't hear anything. -------------------------------------------------------------------------------- [Flashback - We see Sawyer going into a hotel room with Mary Jo.] MARY JO: What are you so afraid of? SAWYER: I'm not the one trembling, sweetness. [Sawyer carries a laughing Mary Jo to the bed.] HIBBS: [turning on the light] Okay, this is really awkward, but if I don't say something now, things are liable to get downright embarrassing. SAWYER: Hibbs. HIBBS: Hello, Sawyer. Ma'am, I must apologize. I -- I figured my good friend Sawyer here would be alone. I just need a few minutes. SAWYER: Listen, baby... MARY JO: Baby, who is this? SAWYER: Listen, go down to the bar, get a drink... MARY JO: No, I don't want to leave you here. SAWYER: As soon as I get rid of him, then I'll come get you and I'll explain everything. MARY JO: But, I... SAWYER: Listen, just trust me on this. I will find you, I promise. I promise. HIBBS: I've got to hand it to you, Sawbucks. How you find women that beautiful to work your grift. [Sawyer grabs Hibbs and pins him against a wall.] SAWYER: Now, if I'm not mistaken, I'm fairly certain I said I'd kll you if I ever saw you again. HIBBS: That's why I'm here, to make things right. Besides, we both know you ain't the klling type. [He pulls an envelope out his pocket and throws it on a table.] Here. I figure that makes us even for the Tampa job. SAWYER: What could possibly make us even for the Tampa job? HIBBS: How about the known whereabouts of the man who ruined your life? I'm going to make myself a drink. You want one? You remember old man Parks, right? Ran capper for us on that gig in Atlanta. SAWYER: Yeah, what about him? HIBBS: He's been working the wire at an off track parlor down in Sydney. So, last week one of his regulars gets a little too sauced, starts running his mouth off about his glory days as a grifter. That guy, Frank Duckett. Real hard luck case - gambling addict, alcoholic, runs a shrimp truck. Back in the day this guy Duckett was quite the hustler. He ran the romance angle, hooked the wife and took the husband for all the money. He was pretty good at it, too, from what I hear. Till, sadly, one of his marks, in despair, took a gn, sht up his wife and blew his own head off. All in front of their little boy. I paid Tony to pull his jacket. Turns out Frank Duckett used to be named Frank Sawyer. A name I believe you appropriated for yourself. SAWYER: [looking at a photo] This is him? HIBBS: That's him. -------------------------------------------------------------------------------- [On-Island - sht of gn in the case, Kate giving Jack her gn.] KATE: Thanks for the loaner. JACK: Always a pleasure. KATE: So, was anyone curious where they came from? JACK: The others knew there was a Marshal on the plane. I guess they just assumed he was traveling alone, protecting them from trrorists. Sounds like a good theory to me. KATE: Did you get all the gn back? JACK: All except one. KATE: Who? JACK: Let me give you 3 guesses. KATE: Sawyer. I can get it back. JACK: Really? How are you going to do that? KATE: Speak his language. JACK: You've done this before, Kate. And if I remember it right, you made out with him, and he never even had what you said you could get. KATE: Well, I only made out with him because torturing him didn't work. JACK: Let him keep the gn. It's not worth it. KATE: What, are you worried he's going to sh*t me if I ask? JACK: I just don't want you to owe him anything. -------------------------------------------------------------------------------- [sht of Charlie making a shovel. Claire approaches.] CLAIRE: Hey. CHARLIE: Hi. How are you feeling? CLAIRE: Very pregnant. I -- I had some dreams last night. Actually, more like memories. You were in them. CHARLIE: Sorry. CLAIRE: Thought I'd see if you wanted to go for a walk. CHARLIE: Sorry. I have to... do something. CLAIRE: Sure. CHARLIE: See you later, okay? -------------------------------------------------------------------------------- [sht of Sawyer in the jungle. He sees his tarp, grabs it, and starts walking back to camp when he hears the whispers again: "It'll come back around." Then he hears the boar running toward him. The boar knocks Sawyer over.] SAWYER: [in a mud puddle] Son of a bitch. -------------------------------------------------------------------------------- [We see Sawyer and Kate at what's left of Sawyer's tent area.] KATE: A boar? Did all this? SAWYER: Last night -- wrecked my tent. This morning when I went to get my tent back it attcks me from behind and runs off into the jungle like a coward. KATE: A boar wouldn't just attck you for no reason. SAWYER: Thank you, boar expert. This one did. It's harassing me. [Sawyer gets the gn.] KATE: What are doing? SAWYER: Getting even. KATE: Would you listen to yourself? It's a boar. Just go tell Locke and he'll kll it. SAWYER: Nope. This is my fight. KATE: Do you know anything about hunting boar? You are going to get yourself lost, or worse. SAWYER: Since when do you care? KATE: I don't. SAWYER: Good. Then if you'll excuse me, I've got some revenge to tend to. -------------------------------------------------------------------------------- [Flashback - We see Sawyer walking into a workshop type place on a dock.] LAURENCE: You must be Hibbs' mate. [He picks up a gn to give Sawyer.] I did a few jobs with Hibbs back in the States. Nice enough fella. SAWYER: He's a son of a bitch. LAURENCE: Right, indeed he is. A few disclaimers: Australia doesn't allow its citizens to carry gn. You get nicked with this... SAWYER: I'm not going to rat you out. LAURENCE: Secondly, you know, I've been doing this for awhile and a man who buys a compact 357 with hollow point loads -- he's not looking to scare or steal. He's looking to kll. But when it comes down to it, if he finds he doesn't have what it takes to do the job... SAWYER: Your sales pitch needs some work. LAURENCE: What I'm saying is, you look a man in the eye and you point a gn at him, you find who you really are, mate. And should you find you're not a kller, there's no refund. SAWYER: Won't be a problem. Act 3 [sht of the ocean, pan over to Hurley and Charlie.] CHARLIE: Hurley, look, I appreciate the help. You don't have to. I klled Ethan, I can bury him. HURLEY: Yeah, 'til he rises from the dad. Dude, I know how this works. This is going to end with you and me running through the jungle screaming and crying. He catches me first because I'm heavy and I get cramps. [Charlie just starts digging without saying anything.] HURLEY: You alright? [Charlie doesn't respond.] -------------------------------------------------------------------------------- [sht of Hurley walking up the beach toward Sayid.] HURLEY: Yo, Sayid, can I ask you a question? SAYID: Of course. HURLEY: Did you ever get that Gulf wr syndrome? SAYID: That was the other side. HURLEY: Oh, right. Then what's the one when you're all, like, shell-shocked? SAYID: Post Traumatic Stress Disorder. HURLEY: Yeah, that's it. Did you ever have that? SAYID: Why do you ask? HURLEY: Because I'm worried about Charlie. SAYID: What's wrong with Charlie? HURLEY: I mean, he klled a guy. He sht him in the chest 4 times. Maybe you should talk to him. -------------------------------------------------------------------------------- [sht of Sawyer tracking the boar.] KATE: [from behind him] It's a foot print. Based on the weight and the distance between strides, I'd say you've been following Boone for about an hour. SAWYER: Look... KATE: It could be Charlie, I suppose. SAWYER: I'm tickled you're taking such an interest in my affairs. I really am. So don't take it personal when I tell you to go... KATE: I want carte blanche. SAWYER: What? KATE: It's simple. You can't track this boar without my help. Over the last few hours you have managed to follow the tracks of humans, birds, a rock slide, yourself, basically everything except boar. You have no idea what you're doing. SAWYER: Carte blanche... KATE: It means blank check. SAWYER: I know what it means. KATE: Anytime I want something from your stash -- medicine, soap, whatever -- I get it. No questions asked. Take it or leave it. SAWYER: Alright, you got a deal. -------------------------------------------------------------------------------- [sht of Sawyer and Kate at night at a fre. Sawyer takes out a little bottle of booze and starts drinking it.] KATE: Where did you get that? SAWYER: Plane. KATE: Jack was looking for the liquor cart. SAWYER: It's a good thing I found it instead, then, huh? KATE: Got any more of those? SAWYER: I've got a lot more of everything, but you ain't got carte blanche yet. KATE: Is that a no? SAWYER: Alright, sassafras, but if you want to drink, you've got to play. KATE: Play what? SAWYER: I never. KATE: What? SAWYER: I never. KATE: How am I supposed to know what that means? SAWYER: Call it a way to get to know each other better. For example, I know you've never been to college. KATE: And how do you know that? SAWYER: If you had, you'd have heard about I never. It's simple, you say "I never" and then you finish the sentence. If it's something you did you drink, if it's something you never did, you don't drink. KATE: That makes absolutely no sense. SAWYER: Learn by example. I never kissed a man. Now you drink 'cause you've kissed man. Your turn. KATE: I never implied that I've been to college when I never have. [Sawyer drinks.] SAWYER: I never been to Disneyland. [Kate doesn't drink.] SAWYER: Ah, that's just sad. KATE: I never wore pink. [Sawyer drinks.] KATE: I knew it. SAWYER: The '80's. I never voted democrat. [Kate doesn't drink.] KATE: I never voted. [Sawyer drinks.] SAWYER: I've never been in love. KATE: You've never been in love? SAWYER: I ain't drinking, am I? [Kate drinks.] KATE: I've never had a one night stand. [Sawyer drinks.] KATE: Bottoms up, sailor. SAWYER: I've gotta drink for each one. KATE: Your turn. SAWYER: I've never been married. [Kate drinks a small sip.] KATE: It didn't last very long. I never blamed a boar for all my problems. [Sawyer drinks.] SAWYER: I never cared about having carte blanche because I just wanted to spend some time with the only other person on this Island that just don't belong. [Kate drinks.] KATE: I never carried a letter around for 20 years because I couldn't get over my baggage. [Sawyer drinks.] SAWYER: I never klled a man. [Kate drinks. Sawyer drinks.] SAWYER: Well, looks like we got something in common, after all. Act 4 [sht of Young Sawyer under the bed. We see the father's cowboy boots walking in the room. We see Young Sawyer under the bed and then the legs of a boar instead of his father. Then the whisper: "It'll come back around." We hear the sound of the gn, then a close-up of Sawyer's face on the Island having a bad dream.] KATE: You okay? You were shaking. SAWYER: I'm fine. I was just having a... [They look around and see their camp is destroyed.] SAWYER: I can't believe this. KATE: There are hoof marks everywhere. SAWYER: It ate all our stuff? KATE: Nope. It ate your stuff. Mine's fine. SAWYER: Oh, that hog's gonna suffer. I swear to god. [They hear something rustling in the bushes, and Sawyer grabs his gn and points it. Locke comes into the clearing.] LOCKE: Mornin'. What happened to your campsite? KATE: So, what are you doing all the way out here, John? LOCKE: Looking for salvage from the crash. KATE: Find anything useful? LOCKE: Occasional scrap of metal, a few bags of coffee. I picked up your path about a mile back, I thought I'd say howdy. SAWYER: [throwing down a shirt] Awww, son of a -- ohhh, peed on my shirt! Took my shirt out of the bag and peed on it! And you say this ain't personal. KATE: He thinks the boar we're after has a vendetta against him. LOCKE: Uh-huh. SAWYER: That's 3 times it's attcked me. KATE: Maybe it's got your scent, doesn't like your cologne? SAWYER: I don't wear cologne. KATE: Yes, you do. SAWYER: Yeah, well. The thing's got it in for me. KATE: It's a boar, Sawyer. LOCKE: [making coffee] My sister, Jeanie, died when I was a boy. Fell off the monkey bars and broke her neck. And my mother, well, my foster mother, she blamed herself, of course. She thought she wasn't watching close enough. So, she stopped eating, stopped sleeping. The neighbors started talking, afraid she might do something to herself, I guess. [Sipping coffee] Oh, that's good. Anyway, about 6 months after Jeanie's funeral, this golden retriever comes padding up our driveway, walks right into our house, sits down on the floor, and looks right at my mother, there on the couch. And my mother looks back at the dog. After about a minute of this, of them both staring at each other like that, my mother burst into tears. Beautiful dog, no tags, no collar, healthy, and sweet. The dog slept in Jeanie's old room, on Jeanie's old bed and stayed with us until my mother passed 5 years later. Then, disappeared back to wherever it was she came from in the first place. KATE: So, you're saying the dog was your sister? LOCKE: Well, that would be silly. But my mother thought it was, thought that Jeanie had come back to tell her the accident wasn't her fault, let her off the hook. -------------------------------------------------------------------------------- [Flashback - sht of Sawyer with a gn at the shrimp stand.] DUCKETT: [to the customer at the window] Good to go. [to Sawyer] Only two choices, shrimp in mild sauce, shrimp in hot sauce. [Sawyer doesn't respond.] Ssss, Pal? SAWYER: I'll go with the hot. DUCKETT: Hot it is. [Sawyer cocks the gn.] Fellow American, huh? Good for you. You missed the lunch rush. Whereabouts you from? SAWYER: Tennessee. DUCKETT: Yeah. I love the south. Miss those southern women. [laughs] In Australia long? SAWYER: Not really. DUCKETT: For what it's worth, we've got a special at the truck here. Half price for all Americans. Name's Frank, by the way. SAWYER: James. DUCKETT: Good to meet you, James. One shrimp and hot sauce. [He turns to hand Sawyer the shrimp, but Sawyer's gone. We the sound of his car driving away.] -------------------------------------------------------------------------------- [sht of Sawyer drinking at a bar.] SAWYER: [downing a sht] Again. BARTENDER: Are you sure about that, mate? SAWYER: Again. CHRISTIAN SHEPHARD: You tell 'em, cowboy. These bastards think Americans can't hold their liquor. I, uh, I hate to hold my hand out, but I seem to have misplaced my wallet. SAWYER: Set him up. CHRISTIAN SHEPHARD: I drink to you. What's your name, cowboy. SAWYER: Sawyer. CHRISTIAN SHEPHARD: To Sawyer, may he find whatever he's looking for in the bottom of a glass. So, Sawyer, what brings you to Sydney? SAWYER: Business. CHRISTIAN SHEPHARD: You know why they call Australia down under, don't you? Because it's as close as you can get to hell without being brned. SAWYER: [to bartender] How about you leave the bottles? [to Shephard] What'd you handle, back in the States? CHRISTIAN SHEPHARD: I was a Chief of Surgery. SAWYER: Was? CHRISTIAN SHEPHARD: Yeah, was. SAWYER: So, we're in hell, huh? CHRISTIAN SHEPHARD: Don't let the air conditioning fool you, son. You are here, too. You are suffering. But, don't bat yourself up about it. It's fate. Some people are just supposed to suffer. That's why the Red Sox will never win the damn series. I have a son who's about your age. He's not like me, he does what's in his heart. He's a good man, maybe a great one. And right now, he thinks that I hate him. He thinks I feel betrayed by him. But what I really feel is gratitude, and pride because of what he did to me. What he did for me. It took more courage than I have. There's a pay phone over here. I could pick it up and I could call my son. I could tell him about all this. I could tell him that I love him. One simple phone call and I could fix everything. SAWYER: Why don't you? CHRISTIAN SHEPHARD: Because I am weak. This -- this business that you have, will it ease your suffering? SAWYER: Yeah. CHRISTIAN SHEPHARD: Then what are you doing here? SAWYER: It ain't that simple. CHRISTIAN SHEPHARD: Of course it is. Unless you want to end up like me, of course it is. -------------------------------------------------------------------------------- [sht of Sawyer in the rain at the shrimp truck, in his car, getting his gn to go get Duckett.] Act 5 [On-Island - sht of Charlie shucking coconut.] SAYID: You're developing quite a talent. CHARLIE: Yeah. -- I get it. You're here to check up on me. SAYID: You klled a man. CHARLIE: A man who klled one of us, who kidnapped Claire, who strung me up and left me for dad. He deserved to die. I'd do it again in a minute. Pardon me, if I'm fresh out of bad feeling. SAYID: When I was in the army in Tikrit, in Iraq, the man who lived next door was a policeman. One day his car was rigged with a bmb. It klled his wife and 3 young children instead. They caught the man who did it. I volunteered to be on the fring squad, and I did my duty without a single ounce of remorse. Then, for no reason, I found myself waking up at night, replaying what I did in my head. CHARLIE: It looks like you're the one who needs checking up on. SAYID: All I'm saying is that what happened with Ethan will be with you for the rest of your life. CHARLIE: Any suggestions? SAYID: You're not alone. Don't pretend to be. -------------------------------------------------------------------------------- [sht of Sawyer and Kate walking in the jungle.] SAWYER: I take comfort knowing that someday this all going to be a real nice shopping complex. Maybe even an auto mall. Where you going? KATE: [pointing] Know what that is? SAWYER: A hole in the mud. KATE: It's a wallow. SAWYER: What the hell's a wallow? KATE: A boar's wallow? It's a den where he sleeps. And these tree rubbings are from his tusks. SAWYER: You mean he's around here? KATE: Maybe. [They hear a baby boar sound. Sawyer goes running toward it.] KATE: Sawyer? SAWYER: Gotcha, ha ha ha. KATE: I thought it'd be bigger. SAWYER: Funny. Now we know daddy's got to be around here. Here piggy, piggy, piggy. KATE: Hey, Sawyer, put it down. That's not funny. SAWYER: Here piggy, piggy, piggy! KATE: Put it down. What is the matter with you, Sawyer?! You're going to hurt it! SAWYER: We're right over here! KATE: Not funny. [Kate kicks Sawyer and makes him let go of the piglet.] SAWYER: Oww. KATE: You're sick. SAWYER: I didn't hurt it. KATE: [walking off] Find your own way home. SAWYER: No problem! -------------------------------------------------------------------------------- [Flashback - sht of Sawyer in the rain. He walks up to Duckett.] SAWYER: Sawyer. [He sht Duckett.] I've got a letter for you. [reads] "Dear Mr. Sawyer..." DUCKETT: Who? SAWYER: You used to go by the name of Sawyer. DUCKETT: What the hell are you talking about? You didn't have to -- tell Hibbs I would've paid. SAWYER: How do you know Hibbs? DUCKETT: You don't -- you don't know what you're doing, do you? SAWYER: You borrowed money from Hibbs? DUCKETT: I was going to pay. It'll come back around. -------------------------------------------------------------------------------- [On-Island - sht of Sawyer wandering around in the jungle.] SAWYER: Kate?! [Sawyer sees the boar and gets his gn. Kate appears, looking on. Sawyer stares into the eyes of the boar and puts his gn away. Then he sees Kate.] SAWYER: It's just a boar. Let's get back to camp. Act 6 [sht of people with the net at the beach. Claire sitting on the beach. Walt playing with Vincent. Michael building the raft. Charlie approaches Claire.] CHARLIE: Hey. CLAIRE: Hey. CHARLIE: Want to take that walk now? CLAIRE: Sure. -------------------------------------------------------------------------------- [sht of Jack getting wood, Sawyer comes up and pulls his gn out.] SAWYER: Stick 'em up. JACK: Trying to be funny? SAWYER: Yeah, I was fresh out of pies to throw at you. Here you go, sheriff. JACK: I asked you for this 2 days ago. SAWYER: And I told you, stick it. But I made a deal with your girlfriend. JACK: What did she give you? Kate -- what did she give you? SAWYER: Nothing she wasn't willing to part with. JACK: That's why the Sox will never win the series. SAWYER: What's that? JACK: Huh? SAWYER: What'd you just say? JACK: I said "That's why the Red Sox will never win the series". SAWYER: What the hell is that supposed to mean? JACK: It's just something my father used to say -- going through life knowing that people hated him. Instead of taking responsibility for it, he just put it on fate. Said he was made that way. SAWYER: Your daddy, he a doctor, too? JACK: Was. He is dad. Why do you want to know about my father? SAWYER: No reason. [Sawyer leaves. Jack snaps a log of wood with his foot.]	{"type": "series", "show": "Lost", "episode": "1x16 - Outlaws"}	foreverdreaming
[sht of Jin's eye. Jin looking out at the ocean.] -------------------------------------------------------------------------------- [Flashback - sht of Jin in Sun's father's office, waiting uncomfortably while Mr. Paik signs papers.] MR. PAIK: 내 딸과 결혼하려는 이유가 뭔가? [Subtitle: Why do you want to marry my daughter?] JIN: 아버님 -- 지금은 보잘 것 없는 시골 출신이지만, 제게는 야망이 있습니다. [Subtitle: Mr. Paik -- I may be from a fishing village, but I have ambitions.] MR. PAIK: 야망이라… 그게 뭐지? [Subtitle: What are your ambitions?] JIN: 우선 식당을 열고… 더 나아지면 호텔을 갖고 싶습니다. [Subtitle: To open a restaurant. To one day own my own hotel.] MR. PAIK: 자네 아버님은 이 결혼에 대해 어떻게 생각하시나? [Subtitle: What does your father think of this marriage?] JIN: 제 아버지는… 돌아가셨습니다. [Subtitle: My father? He is dad.] MR. PAIK: 내 딸을 위해 자네가 뭘 해줄 수 있지? [Subtitle: What would you do for my daughter?] JIN: 뭐든지 하겠습니다. [Subtitle: Anything.] MR. PAIK: 내가 시키는 어떤 일도? [Subtitle: Even work for me?] JIN: 네. [Subtitle: Of course.] MR. PAIK: 꿈을 그렇게 쉽게 파는 사람에게 내 딸을 왜 줘야 하지? [Subtitle: Why would I give my daughter to a man who sells his own dreams so easily?] JIN: 따님은 -- 제 꿈이니까요. 아버님. [Subtitle: Because -- she is my dream. Sir.] [Mr. Paik rises and offers his hand to Jin.] -------------------------------------------------------------------------------- [On-Island - We see Jin back at the beach. He sees Sun at the surf in a bikini and rushes over.] JIN: [covering her with a blanket] 뭐하고 있어? 정신이 나갔어? 빨리 나와! [Subtitle: What are you doing? Are you out of your mind?] [They argue as Jin continues to try to cover her up.] SUN: 왜 그래요? 수영 좀 하고 나왔는데. JIN: 말이라고 해? SUN: 이 수영복이 어때서 그래요? JIN: 아이 참! 다른 수영복도 있는데 왜 이걸 입어? SUN: 알았어요! JIN: 가자! 아니, 빨리 가자! [Everyone on the beach is watching them.] JACK: There they go again. CLAIRE: Do you think we should do something? CHARLIE: What should we do? JIN: 다른 사람들이 다 보잖아! MICHAEL: What's going on? KATE: I don't know, he just walked up and started going off on her again. [sht of Jin trying to drag Sun off the beach; she falls and is angry. Michael runs over.] SUN: 왜 그래요! JIN: 이제 남편 말이 말 같지가 않아? MICHAEL: Hey, hey, hey -- get your hands off of her. JIN: 너랑 상관이 없는 일인데 왜 끼어들어? MICHAEL: I swear to god, you put your hands on her one more time... JIN: [poking Michael's chest] 네가 뭔데! 남의 일에 끼어들지 마! MICHAEL: [pushing Jin] Get your hands off of me. [Sun steps in and slaps Michael's face. He looks stunned. Sun grabs Jin's hand and walks away, Jin jerks his hand away.] Act 2 [sht of Jin looking at a watch, with Sun at the caves.] JIN: 저 녀석하고 무슨 일이 있었어? [Subtitle: What's going on between you and him?] SUN: 누구요? [Subtitle: Who?] JIN: 마이클 말이야. [Subtitle: Michael.] SUN: 말도 안되는 소리. [Subtitle: That's ridiculous.] JIN: 진짜? [Subtitle: Is it?] SUN: 아무 일도 없었어요. [Subtitle: Nothing is going on.] -------------------------------------------------------------------------------- [Flashback - sht of Sun getting dressed for a reception/party.] BEST FRIEND: 색깔 너무 예쁘다. [Subtitle: The colors are so beautiful.] SUN: 괜찮아? [Subtitle: Is it okay?] BEST FRIEND: 너무 예뻐, 맘에 들어. 너 너무 좋겠다, 결혼도 하고... [Subtitle: It's really pretty. You must be so happy to be married.] SUN: 질투하는 거야? [Subtitle: Are you jealous?] BEST FRIEND: 아니. [Subtitle: No.] JIN: [poking his head in the door] 제 와이프랑 단 둘이서 할 얘기가 있는데요. [Subtitle: Can I have a moment with my wife?] BEST FRIEND: [exiting] 선, 손님들 아랫층에 있는거 잊지 마, 알았지? [Subtitle: Don't forget your guests are downstairs.] SUN: 어, 알았어. SUN: 자기야, 나 너무 행복해. 아버님이 살아계셔서 우리 결혼식을 보셨더라면 참 좋았을텐데. [Subtitle: I'm so happy. I wish your father had lived to see this.] [Jin looks down] 미안해요, 내가 괜한말을 했나봐. [Subtitle: I'm sorry -- I upset you.] JIN: 아니야. 괜찮아. 어디에 계시든 기뻐하셨을거야. [Subtitle: No. Wherever he is. I'm sure he is proud of me. SUN: 지퍼 좀 올려줄래요? [Subtitle: Will you button me up?] JIN: [kissing her shoulder] 꼭 올려야 돼? [Subtitle: Do I have to?] SUN: 자기야 우리 신혼여행 어떻게 할거야? [Subtitle: What about our honeymoon?] JIN: 아... 선. 나도 가고 싶지만, 지금은 안 되잖아. 지금은 아버님께 좋은 모습을 보여야 돼. [Subtitle: Sun, you know I want to. It's just that right now -- I want your father so see I'm committed.] SUN: 내가 아빠 딸인데... 우리 결혼식 하는 걸 가지고 뭐라고 하시겠어? 응? [Subtitle: He won't hold it against you. After all, I'm his daughter.] JIN: 6개월 후에, 경영 수업을 마치고 가자. [Subtitle: In 6 months -- after my management training is all done.] SUN: 아빠 자동차 회사만큼 나도 중요하잖아. [Subtitle: I'm just as important as his car company.] JIN: [putting a white flower in her hair] 내가 약속할게. 그땐 우리가 꿈꾸던 멋진 신혼여행이 될거야. [Subtitled: I promise -- we'll have the honeymoon -- we always dreamed of.] -------------------------------------------------------------------------------- [On-Island - sht of Sun walking toward Michael at the raft.] SUN: Michael? I'm sorry. MICHAEL: Don't worry. I stuck my nose where it didn't belong. It's on me. SUN: You must understand that- MICHAEL: Look, all I understand is that I've got to get this raft finished so I can get my boy out of here and take him home. SUN: When I slapped you I was protecting you. MICHAEL: Oh, yeah? From what? SUN: From Jin. You don't know what he's capable of. MICHAEL: It's not my problem. It's yours. -------------------------------------------------------------------------------- [sht of Jin hitting rocks at the golf course.] HURLEY: [entering] You should try sea urchin. They've got more ping. Hey, so listen, I know things got kind of nasty down there at the beach, and, um, I don't want to get involved in husband and wife stuff, but I figured, you know, you might need to relax. [He has two fishing poles.] So... [Jin looks over and then ignores Hurley.] C'mon, dude, I'm trying here. Okay, you want to be an outsider? It's your business. [Hurley leaves.] -------------------------------------------------------------------------------- [sht of Shannon tying ropes.] SHANNON: I tied this side down. Do you think this is going to hold? SAYID: Do you have a past in the Navy you neglected to tell me about? SHANNON: Why? SAYID: How does a woman like you learn to tie a perfect bowline knot? SHANNON: By dating guys with sailboats? SAYID: Since you bring it up. I've been worried since I first met you that you might end up being a spinster. SHANNON: Spending my Saturday nights alone at home, tying knots? SAYID: Perhaps with an overweight aunt? It's a very sad image. SHANNON: Maybe we should get some rope, spend a Saturday night alone together, and see what happens. [sht of Walt walking up past Vincent to the raft -- bringing Michael some wire.] WALT: Dad... MICHAEL: Thanks. You are going to love New York, Walt. No city like it. You know, what I really want to show you in New York are the buildings, the architecture... WALT: Buildings? MICHAEL: Yeah, I used to say that, too, 'til I saw the Flat Iron Building. WALT: What's that? MICHAEL: Oldest skyscraper in the city, built in 1902. And it's flat. That one building inspired me to start drawing and, you know, designing things. WALT: Why? MICHAEL: You've just got to see it, man. You want to see it, right? WALT: I guess. Could I go throw the ball to Vincent? MICHAEL: Yeah, sure, of course. WALT: Come on, Vincent. JACK: [entering] Wow, you're making a lot of progress. MICHAEL: Yeah, trying. JACK: It's pretty cool. MICHAEL: Got this bamboo for the decking. Got a piece of the fuselage for a cabin, some storage bins. -- What's up? JACK: I thought I'd give you the heads-up. MICHAEL: Yeah. JACK: Yeah, there's a lot of talk going on about who's going on this thing with you. MICHAEL: Hey man, it's not the Queen Mary. I've only got room for 4 people. There's one open spot. JACK: Who took the other one? SAWYER: What's the matter, Doc? Feelin' left out? JACK: You're taking Sawyer with you? SAWYER: Yep, bought myself a ticket on this little tub. Let me tell you, the fare was steep. [He tosses Michael a coil of cable.] I could've used that cable to hold up the whole east wing of my new beach house. JACK: You sold him a spot? MICHAEL: I needed the halyards for the mast. SAWYER: Good thing I'm a saver, not a spender, huh, Doc? -------------------------------------------------------------------------------- [sht of Kate and Sun in a tent on the beach.] KATE: How much longer are you going to let him treat you this way? SUN: Please... KATE: Sun... SUN: He's my husband... KATE: Yeah, a husband you're afraid to tell you speak English. I'm trying to understand, Sun. SUN: He wasn't always like this. He used to tell me how beautiful I looked to him. He was so tender. And then he was different. KATE: What changed him? [sht of people running on the beach. Kate and Sun leave the tent to see what's happening.] KATE: Hey, Charlie, what's going on? CHARLIE: The raft, it's on fre, look. [sht of Locke looking over at the burning raft. Everyone else is running toward it, trying to put out the fre.] MICHAEL: No, no, no. [sht of Walt looking on.] MICHAEL: [to Sun] Where is he? Where the hell is he?! Act 3 MICHAEL: Where is he? SUN: 무슨 말씀 하시는지 모르겠어요. MICHAEL: Where is he?! JACK: She doesn't understand you, man! MICHAEL: Hey! Where is he? KATE: Back off. MICHAEL: No, her husband did this, and she knows. You're trying to protect him now, is that it? KATE: She was with me! [sht of Walt trying to throw sand on the fre.] MICHAEL: Walt, hey Walt. Get back. Get back. WALT: I was... MICHAEL: No, no. It's done. [Sun runs off.] KATE: Sun, wait. MICHAEL: I'm going to break his damn neck! [Kate and Jack step in to keep Michael from running after Sun.] JACK: Take it easy, man. We don't know that Jin did this. SAWYER: Are you serious?! JACK: Sawyer, shut up! CHARLIE: Jack, c'mon, we saw him on the beach this morning. JACK: That doesn't mean that he torched the raft. MICHAEL: Yeah, then who did, Jack?! -------------------------------------------------------------------------------- [sht of Jin at the caves going through the medical supplies.] SUN: 여보, 뭐 하는 거에요? [Subtitle: What are you doing?] JIN: 좀 다쳤어. [Subtitle: I'm hurt.] [We see that Jin's hands are brned.] SUN: 당신이 이런 거에요? [Subtitle: You did it?] [Jin just looks at her.] 마이클은... 이 섬에서 우리를 탈출시키려고 노력하는데 왜 그런 사람... [Subtitle: Michael was trying to get us off this Island -- why would you...] JIN: 마이클? [Subtitle: "Michael?"] -------------------------------------------------------------------------------- [Flashback - sht of Jin running up the steps in the office and then bowing to Mr. Paik.] JIN: 이번 일은 제가 모두 책임지겠습니다. 공장 기계가 나간 걸 제가 미리 체크하지 못했습니다. [Subtitle: I take full responsibility for what happened, sir. The machinery is old, I should have...] MR. PAIK: 자네를 문책하려고 부른게 아니고... 자네 승진 얘기를 하려고 부른거야. 이제 자네가 내 새로운 보좌관이 되어주게. [Subtitle: I didn't call to reprimand you. I called to promote you. You will be my new special assistant.] JIN: 회장님, 죄송하지만 무슨 말씀이신지... [Subtitle: Sir, I don't know what to...] MR. PAIK: 한병철이라고 아나? [Subtitle: Do you know Byung Han?] JIN: 환경 차관 말씀이십니까? [Subtitle: The Secretary for Environmental Safety?] MR. PAIK: 오늘 밤 메시지를 그에게 전달해주게. '내가 섭섭한 점이 참 많아서 그래.' [Subtitle: Go to his home tonight. Deliver this message: "I'm very displeased."] -------------------------------------------------------------------------------- [sht of Jin knocking on a door. Byung Han answers.] HAN: 당신 누구시죠? [Subtitle: Who are you?] JIN: 안녕하십니까. 전 권진수라고 합니다. [Subtitle: My name is Jin-Soo Kwon. ] HAN: 무슨 일로 오셨죠? [Subtitle: What do you want?] JIN: 백 회장님 밑에서 일하고 있습니다. [Subtitle: I work for Mr. Paik.] HAN: 미스터 권, 네... 들어오세요. [Subtitle: Mr. Kwon, please come in.] [sht of Han's daughter on the couch watching TV with the dog.] HAN: 우선 이쪽으로 앉으세요. 뭐 마실 것 좀 드릴까요? [Subtitle: Please, have a seat. May I get you a drink?] JIN: 아니 괜찮습니다. 여기 회장님의 메시지를 전하러 왔습니다. [Subtitle: No, I'm fine. I'm here to deliver a message.] HAN: 제발, 부탁합니다. 우리 딸 앞에서만은... [Subtitle: Please -- not in front of my daughter-] JIN: 회장님이 굉장히 섭섭해 하시는데요... 그 말만... [Subtitle: Mr. Paik is displeased with you. That's all.] HAN: 아, 그래요? 고맙습니다. 고마워요! 회장님께 앞으로는 섭섭한 일 없도록 하겠다고 전해주세요. 어떻게라도 사과를 해야 하는데... [Subtitle: Thank you, sir -- thank you. Really! Please tell Mr. Paik that I won't make him unhappy. If there was some way I could apologize...] [He gets the dog from his protesting daughter and gives it to Jin.] HAN: 이 개는 당신께 드리는 선물입니다. 이 개는 품종이 좋은 개에요. [Subtitle: A gift. For you. It's a championship breed...] JIN: 차관님. [Subtitle: Secretary Han...] HAN: 정말 비싼 개에요. 회장님께 사과 드린다고 꼭 전해주세요. 그래 주실 수 있죠? [Subtitle: It's incredibly valuable. Please tell Mr. Paik I'm sorry. Will you do that?] JIN: 저는 이걸 받을 수 없습니다. [Subtitle: I can't...] HAN: 받아주세요. 제발 받아주세요. 고맙습니다. 정말 고맙습니다. [Subtitle: You must. Please. You must. Thank you, sir. Thank you. ] -------------------------------------------------------------------------------- [On-Island - sht of Boone at a fre on the beach. Sayid approaches.] BOONE: What do you want? SAYID: I'd like to talk to you about Shannon. It's very possible your sister and I are going to become more than just friends. BOONE: What is this? Some Middle Eastern thing? You want my blessing or something? SAYID: My hope is you won't object. BOONE: Yeah? SAYID: I was extending a courtesy, not asking your permission. [Sayid starts to walk away.] BOONE: Let me tell you about my sister. She likes older men, guys who can take care of her. My guess is, in this place, you fit the bill. She'll make you feel like the greatest guy ever while you get her food, or whatever it is that she needs. And when she gets whatever it is that she wants, she'll move on. When she does, don't take it personally, man. -------------------------------------------------------------------------------- [sht of Jin alone with eyes closed in the jungle. We hear the sounds of birds fluttering. Jin looks around, alarmed. He puts his hands in the river.] SAWYER: [kicking Jin from behind] You messed up my ride, Chief. Act 4 [sht of Shannon struggling to put up a sheet of plastic for her shelter. Sayid approaches.] SHANNON: Hey, there you are. Come, help me with this, I'm completely destroying it. SAYID: You seem to be doing just fine. SHANNON: Yeah, in trying making it collapse. SAYID: You're very capable, Shannon. I'm sure you'll be alright building it on your own. SHANNON: What's going on? SAYID: Perhaps you should find another friend to help you with your shelter. SHANNON: You've been talking to my brother, haven't you? [Shannon storms off to find Boone.] -------------------------------------------------------------------------------- [Shannon discovers Locke de-gutting rats.] SHANNON: Oh, gross. LOCKE: Gross to you, dinner to me. SHANNON: Boone, where is he? LOCKE: Don't know. SHANNON: What do you mean you don't know? You two are like jungle pals. LOCKE: Sorry, I haven't seen him. SHANNON: Well, if you do see him, tell him to keep his stupid mouth shut. And if he does have something to say, he can leave Sayid out of it, and come say it to my face. LOCKE: Should I be writing this down? SHANNON: Just tell him to stay the hell out of my business. LOCKE: Do you like him? SHANNON: What? LOCKE: Sayid. SHANNON: Are you serious? LOCKE: Because if you do -- like him, what's it got to do with your brother? You're a grown woman. Sure, you can yell at Boone 'til you're blue in the face, but all you're doing is giving him what he wants. SHANNON: Yeah, what's that? LOCKE: Your attention. Everyone gets a new life on this Island, Shannon. Maybe it's time you start yours. -------------------------------------------------------------------------------- [sht of Sawyer with Jin as prisoner, pushing him along a path.] SAWYER: You're pretty scared, huh? Scared, you understand scared, don't you? Huh? [Sawyer pushes Jin down.] If you ain't, you're going to be, Bruce. Folks down on the beach might have been doctors and accountants a month ago, but it's Lord of the Flies time, now. -------------------------------------------------------------------------------- [Flashback - sht of Sun with her hands over Jin's eyes, directing him to a feast-laden table for a surprise.] SUN: 계속 걷고... 여기서 스톱! 돌고, 앉으세요. [Subtitle: Keep walking -- and stop now. Turn around -- sit down.] 쨘! [She removes her hands.] JIN: 와... 진수성찬이네. 당신이 만들었어? [Subtitle: What a feast. You made this?] SUN: 그럼... 자기를 위해서 만들었지. 우리 오랜만에 같이 저녁식사하는 거니까 맛있게 드세요. [Subtitle: For you. I thought we could enjoy a meal. Together.] JIN: 그래, 아주 잘 했어. [Subtitle: I'm glad you did.] [Jin's cell phone rings and he puts it away without answering.] JIN: 걱정 마. 오늘은 일 안 해. [Subtitle: Don't worry. No work tonight.] SUN: 정말 고마워요. [Subtitle: Thank you.] JIN: 그래, 나도 고마워. [Subtitle: Of course.] SUN: 이거 먹어봐요. [Subtitle: Try this...] [The house phone rings, and Jin reluctantly answers it.] -------------------------------------------------------------------------------- [sht of Mr. Paik and Jin at the office.] MR. PAIK: 내 공장 문 닫게 만들었다 이거지? 메시지 못 전한 네 무능력 때문에 몇십 억을 손해본 줄 알아! [Subtitle: Why is my factory closed? I'm losing millions because you were too incompetent to deliver a simple message!] [sht of white-suit-thug-guy in the background] MR. PAIK: 한병철 집에 이 사람 데려다 줘. 이 사람 하는 걸 보고 잘 배워! [Subtitle: You're driving my associate to Byung Han's house tonight. He'll show you how to deliver a message!] -------------------------------------------------------------------------------- [sht of Jin driving while white-suit-guy puts gloves on.] WHITE SUIT: 2분 안에 처리할 테니 시동은 끄지 마시오. 내가 일 끝내고 돌아오면 빨리 운전해서... 시내와 떨어진 한가한 강가로 갑시다. 알겠소? [Subtitle: Keep the engine running. I will be inside less than two minutes. When I return, you will not drive faster than the speed limit. You will take this car to the riverbank eight kilometers away. Do you understand?] [At Byung Han's house Jin barges in and beats Han.] HAN: 여보! 빨리 피해! 미스터 권, 내 말 좀 들어봐! [Subtitle: Quick! Run. Mr. Kwon -- wait -- I can explain!] JIN: 내일 바로 공장 문 열어! 내가 당신 목숨을 구했다는 걸 명심해. [Subtitle: The factory opens tomorrow. I just saved your life.] [to White Suit] 이 정도면 알아듣겠죠. [Subtitle: He got the message.] -------------------------------------------------------------------------------- [sht of Jin coming home and washing the blood off his hands.] SUN: 여보... 여보! 말 좀 해봐. 다쳤어? 이 피는 누구 피야? 밖에서 무슨 일 있었구나, 어? 밖에서 무슨 일 있었냐구? [Subtitle: Please talk to me. Are you hurt? Whose blood is this? What were you doing? What happened?] JIN: 일 하고 왔어. [Subtitle: I was working.] SUN: 일 하고 왔다구? 도대체 아빠 밑에서 무슨 일을 하는거야? [Subtitle: Doing what? What do you do for my father? Look at me. Answer me. Look at me.] [He pushes her. She slaps him.] JIN: 아버님이 시키는 대로 할 뿐이야. 다 우리를 위해서 하는거야. [Subtitle: I do whatever your father tells me. I do it for us.] [Sun leaves the bathroom and Jin cries looking in the mirror.] -------------------------------------------------------------------------------- [On-Island - sht of Jin falling into the sand. Michael comes running with Walt.] JACK: Michael! Take it easy! MICHAEL: I'll take it easy, alright! HURLEY: Hang on, man. You've got to slow down. Slow down! MICHAEL: [to Jin] Hey, man. You burn my raft?! JACK: Just calm down. Calm down and take a breath. MICHAEL: You burn my raft?! Why'd you burn my raft, man?! [Sayid and Charlie come running, others gathering around.] JACK: Just calm down, and think about it for a minute. MICHAEL: Look at his hands, man. They're brned. SAWYER: Back off, Jack. It's got nothing to do with you. JACK: Shut it! HURLEY: Look, everybody chill out. [The yelling voices become garbled. There is a sht of Jin's ear/face. Then a sht of Sun looking on, and Jin looking at Sun.] JIN: [to Sun] 당신도 나를 못 믿겠어? MICHAEL: What'd he say? JIN: 난 아니야. MICHAEL: [going toward Jin] You said something to me?! JACK: [getting in his way] Michael. [Quick sht of Walt looking on.] JIN: 난 아니야! MICHAEL: Say it again!? JACK: Michael, Michael. MICHAEL: No, no, no. Say it again, man. JIN: 내가 불 지른게 아니야! JACK: [trying to stop Michael running at Jin] Michael. JIN: 알았어? 어? [Michael punches Jin.] JACK: [trying to grab Michael, but Sawyer grabs him] Hey! SAWYER: Easy, Doc. One fight at a time. SAYID: He's right. This is between them. [Jack backs off. Another quick sht of Walt. Jin gets up.] JIN: 내가 갔을 땐 이미 불타고 있었어! [Michael slugs him again, knocking him down. Reaction shts of the others at the beach. Jin gets up.] JIN: 불 끄려다가 내 손이 이렇게 된거야. 손을 좀 봐. [Michael is about to punch him again.] SUN: Stop it! Leave him alone. [Reaction shts of people realizing that Sun can speak English.] SUN: He didn't burn your raft. Act 5 [Long sht of everyone on the beach. sht of Sun, Jin.] CHARLIE: You speak English? HURLEY: Didn't see that coming. JACK: You understood us? All this time? Why didn't you say anything? SUN: [to Michael] Your raft was already on fre when he arrived. He brned his hands trying to put it out. MICHAEL: Then why did he run? SUN: [to Jin] 잘못하지 않았는데 왜 도망쳤냐고 이 사람이 물어보네요. [Jin doesn't reply.] MICHAEL: Exactly, that's what I thought. SUN: My husband is many things. But he is not a liar. SAWYER: You're going to lecture us about lying, Betty? From the look on his face, even your old man here didn't know you speak English. How do we know she's not covering for him? LOCKE: [suddenly on the scene] Because she's isn't! Why would he burn the raft? MICHAEL: He's been after me since day one, everybody knows it! What if- LOCKE: Okay, it's personal, but why take it out on our best chance of getting off the Island? Why would any one of us block an attempt to get home? We're so intent on pointing the finger at one another that we're ignoring the simple undeniable truth that the problem isn't here, it's there! [pointing to the jungle] They've attcked us, sabotaged us, abducted us, mrder us! Maybe it's time we stop blaming us and start worrying about them! We're not the only people on this Island and we all know it! [Locke walks away.] SUN: He did not do it. [Michael and Walt walk away. People disperse. Sun approaches Jin but he walks away. Long sht of Sun alone on the beach.] -------------------------------------------------------------------------------- [sht of Vincent sniffing around the brned raft. Michael kicking at the debris.] MICHAEL: I can't salvage a thing -- pontoons, the decking. [sht of Walt.] fre brned up all the twine! Damn it! [Michael beating the raft carcass. Walt is scared.] Damn it! God! [Michael sees Walt and collects himself.] I'm sorry, man. WALT: It's okay. MICHAEL: No. Come here. Come here. Look, we all have set-backs. I mean, God knows, man. It's just life, we'll start over. WALT: You're going to building another one? MICHAEL: Yeah. A better one. WALT: Can I help? MICHAEL: No doubt you can help. Come on. -------------------------------------------------------------------------------- [Sun finds Jin packing up his stuff at the caves.] SUN: 지금 뭐 하는 거에요? 말 좀 해 봐요! 어딜 가게요? 해변으로 가게요? 우리 관계를 이런 식으로 정리하고 싶어요? 뗏목에 대해서... 왜 나한테 사실을 말해주지 않았죠? 대답하기 싫어요? 나한테 이러는 이유를 모르겠어. 내가 뭘 잘못했는데? 우리가 언제부터 이렇게 대화가 안 됐어요! [Subtitle: What are you doing? Please answer me. So you're going where - to the beach? Is that how you've chosen to deal with me?! Why didn't you just tell me you didn't burn the raft? Why won't you speak to me, Jin? What have I done to deserve this? When did we stop talking?] [in English] I was going to leave you! I was going to get away. But you made me change my mind. You made me think that you still loved me. 나... 처음부터 다시 시작하고 싶어. 여보... 우리 새롭게 시작해요, 네? [Subtitle: I want to go back to the beginning. Can't we -- just start all over?] -------------------------------------------------------------------------------- [Flashback - sht of Jin walking down a pier to a small fishing boat with his father in it.] FATHER: 진수야! [Subtitle: Jin!] JIN: 죄송해요, 아버지... 용서하세요. 아버지가... 부끄러웠어요. [Subtitle: Father. Please forgive me. I was -- ashamed of you.] FATHER: [giving him a hug] 괜찮다, 괜찮아. [sht of them with a trap, working on the boat.] FATHER: 그래, 네 색시는 어떤 사람이야? [Subtitle: What is she like?] JIN: 아주 예쁘고, 똑똑하고... 고집 있는 친구에요. 요즘은... 대화도 없어요. [Subtitle: Beautiful. Intelligent. Hardheaded. We don't talk anymore.] FATHER: 아니 왜 말을 안해? [Subtitle: Why not?] JIN: 아버님에 대한 진실을... 그 애에게 직접 얘기할 수가 없어요. 진실을 알게 되면... 나보다 아버님을 더 미워할테니까요. [Subtitle: Because I can't tell her -- about her father. In a good world -- she would hate him, not me.] FATHER: 진수야, 지금은 살기 좋은 세상이다. [Subtitle: It is a good world.] JIN: 제가 어떤 일을 저질렀는지 아버지는 모르실 거에요. [Subtitle: You don't know what I've done.] FATHER: 너는 내 아들이야. 니가 무슨 일을 하든 상관 없어. [Subtitle: You are my son. It does not matter what you've done.] JIN: 다시 시작하고 싶어요. [Subtitle: I wish I could start over.] FATHER: 아니 그럼 왜 다시 못해? [Subtitle: Why can't you?] JIN: 제가 하는 일이 좋지... [Subtitle: I have responsibilities.] FATHER: 아니, 니 부인보다 더 중요한 게 있어? [Subtitle: More important than your wife?] JIN: 장인 어른은 제게 시드니와 LA에 있는 더러운 거래자에게 시계를 전달하라고 하셨어요. [Subtitle: Her father wants me to deliver watches to his associates in Sydney and Los Angeles.] FATHER: 그러면 이번일을 마지막으로 네 장인한테 해주고... 진수야. 손 떼고, 다신 하지 마. 그리고 미국으로 가. 응? 그래서 너의 결혼을 살려라. [Subtitle: Then let that be the last thing you do for him -- then walk away. Don't come back. Go to America. Save your marriage.] -------------------------------------------------------------------------------- [On-Island - We see Jin looking at Sun. He looks like he's almost going to go back, but sees his brned hand.] JIN: 그러기에는... 너무 늦었어. [Subtitle: It's too late.] [sht of Jin walking away, leaving Sun alone, crying.] Act 6 [sht of Sayid at night at a fre, as Shannon approaches. Silhouette of their profiles. Shannon kisses him.] SAYID: What was that for? SHANNON: Everyone gets a new life on this Island. I'd like to start now. -------------------------------------------------------------------------------- [sht of Walt and Vincent at the caves. Walt setting up a backgammon game.] LOCKE: [entering] Got yourself an opponent? WALT: Hurley owes me 83,000 dollars. I told him I'd give him a chance to win it back. LOCKE: It's been awhile since you and I played. I don't have 83,000 dollars. WALT: That's okay. [Locke pets Vincent.] LOCKE: Where's your pop? WALT: Down at the beach, I think. I'm not allowed to leave the caves after dark. You have a dad? LOCKE: Everyone's got a dad. WALT: Is he cool? LOCKE: No. No, he's not. WALT: [rolling the dice] Yes! LOCKE: Good for you. Hey, you mind if I ask you something? WALT: Sure. LOCKE: Why did you burn the raft, Walt? Don't worry, I'm not going to tell. You must've had a really good reason. WALT: I don't want to move anymore. I've been moving places my whole life. I like it here. LOCKE: I like it here, too. -------------------------------------------------------------------------------- [sht of the brned out raft. We see Michael working on it. Jin walks up with bamboo.] JIN: [in English] Boat. [Hurley walks by with his headphones on. sht of Shannon and Sayid being affectionate, eating. sht of god-light through the clouds. Sun at the shore alone in her bikini, removes the blanket covering her and wades into the ocean, smiles. Charlie brings some food or water to Claire. Hurley sitting alone, his CD skips and stops. He taps it.] HURLEY: Son of a bitch. [He takes his headphones off and throws them on the sand.]	{"type": "series", "show": "Lost", "episode": "1x17 - In Translation"}	foreverdreaming
[sht of waves crashing. We see Hurley bending over holding a bunch of bamboo together where they are rebuilding the raft.] JIN: 고정시키게 좀 조여줘요. HURLEY: Hold on a second, you want what now? [Jin makes a motion with his hands.] HURLEY: You want to make snowballs? MICHAEL: He wants you to hold the bamboo tighter... I think. JACK: [approaching Michael] Hey. MICHAEL: Hey. JACK: How's it coming? MICHAEL: It's coming. JACK: As long as nobody sabotages this one, as well, huh? MICHAEL: I've got people standing guard 24-7. Nobody gets near this with or without intent to burn. Hey, listen, I was thinking, chances of a passing ship spotting this raft out there are pretty slim. We could use something to send out a distress call to any ships that might be close, like an SOS. JACK: Okay, well, look I'll ask Sayid, but even if he can make something like that he's not going to have anything to power it with. HURLEY: Didn't Sayid say that crazy French chick has batteries? -------------------------------------------------------------------------------- [Scene switches to Hurley and Jack at Sayid's tent.] SAYID: Absolutely not. JACK: I'm not asking you to go. I'll do it. SAYID: No, you won't. HURLEY: Dude, we just trying to- SAYID: Do you really think she would give up something she needs for survival to a total stranger? JACK: All I'm asking is for you to tell me how to find her. That's it. SAYID: I was brought unconscious to her camp. When I escaped I was disoriented. I don't know how to find her. HURLEY: Don't know, dude? Or don't want to? JACK: Sayid, look, you've got her maps and her papers. Now you thought that they were pointing to something. SAYID: Well, I was wrong. JACK: Well, maybe they're pointing to her? SAYID: Look! I don't even know what these papers mean. For all I know they could be the ravings of her disturbed mind - song lyrics mixed with equations. [He hands the papers to Hurley and shows a map to Jack.] If this map is pointing to her, then you should know she resides here, in this area. She gave it a name: Territoire Fonce, Shannon translated it. It means dark territory. Does that sound like a place you'd like to visit? [sht of Hurley looking at the papers.] JACK: So, you won't help? SAYID: I didn't say that. [sht of Hurley seeing his winning lottery numbers written by Danielle.] I'll build a distress beacon, but I suggest you find another power source. There must be something in the cockpit. JACK: We're not going in the cockpit. -------------------------------------------------------------------------------- [Flashback - sht of a TV with people square dancing, a caller saying: Swing your partner dosado. Channel switches to an aerobics workout, then a cooking show.] CARMEN: What are you doing in there? HURLEY: Uno momento, Mama, just checking something out. CARMEN: I hope you're not watching those g-string mujeres again. HURLEY: Look, mom, we've talked about this. You want me living here -- you've got to respect my privacy. And no, I'm not. [He changes the channel to the lottery show.] CARMEN: Look at you. It's Saturday night. A grown up man sitting at home watching TV. You should go out, try to find yourself a nice woman. HURLEY: Yeah, I'll get right on that. CARMEN: At least try eating better. You're gaining weight again. MARY JO: -- with mega number 42. And that makes tonight's mega-lotto-jackpot 4 8 15 16 23 [sht of Hurley standing up. sht of the winning ticket.] With the mega number 42. Whoever has those numbers has won, or will share, in a near record jackpot. LOTTO OFFICIAL: That's right Mary-Jo because this is the 16th week without a winner. [Hurley faints.] Act 2 [On-Island - sht of Sayid turning over in his sleep, or trying to sleep. He opens his eyes and sees Hurley sitting there watching him.] HURLEY: Hi. You awake? SAYID: I was just wondering that myself. HURLEY: So, that French lady, she wrote this stuff, right? SAYID: Hurley, it's the middle of the night. What do you want? HURLEY: Nothing. Couldn't sleep, then I got curious. You and Shannon, you guys have been trying to figure out some of this stuff and I was wondering what, you know, you guys figured out about this stuff. SAYID: What stuff? HURLEY: I don't know. Look, take these numbers she wrote down a bunch of times - got any idea what it means? SAYID: I thought at one time they might be coordinates of some kind. HURLEY: Coordinates, yeah. When you first found her, the French chick, you said you saw a wire or something on the beach? And you followed it, and it led you to her? SAYID: No, it led me to a trap she set. HURLEY: Her place is probably close, right? SAYID: Why are you suddenly so interested in Rousseau? HURLEY: I'm not -- just, you know, making conversation, dude. Sorry if it's a bad time. Goodnight. [sht of Hurley walking away, pulling a map out from under his shirt.] -------------------------------------------------------------------------------- [Flashback - sht of Hurley and his family outside their house talking to a group of reporters.] HURLEY: Yeah, you. REPORTER #1: How'd you come up with the winning numbers, any significance? HURLEY: Oh, they just, uh, sort of came to me. REPORTER #2: Why don't you introduce your family. HURLEY: Oh yeah, okay, um, this -- this patch of beauty is my mom, Carmen. Come here, mom. And this is my brother, Diego and his wife, Lisa. DIEGO: Woo! We're rich! HURLEY: Nice, dude. Ignore him, he's an idiot. And, uh, oh, you've got to know this guy. This is the greatest guy I know, my, my, my grandpa Tito. He's worked 3 jobs for -- how long has it been now? TITO: 52 years. HURLEY: 52 years. 70 years old, and the closest thing he's had to a vacation is when they put a pacemaker in him 4 years ago. So the first thing I'm going to do with the money is, uh, finally give him the rest that he's earned. That's really what it's all about for me, to be able to do things for the people I care about, because I really put my family through a lot recently, and, um, well, this way I can make it up to them. You know, maybe even buy my mom a new house. And uh, [sht of grandpa looking bad] maybe after my grandpa comes back from his cruise we can, you know -- [Tito falls to the ground.] do some things that we always wanted to do. [Hurley sees Tito on the ground.] Grandpa? -------------------------------------------------------------------------------- [On-Island - sht of Hurley filling up a water bottle at the caves.] CHARLIE: [entering] Hey, man. HURLEY: What, I'm not doing anything. CHARLIE: What? HURLEY: What? CHARLIE: I'm just saying good morning. HURLEY: Oh, right. Morning. Sorry, I was just, uh... CHARLIE: You going somewhere? HURLEY: Me? No. Well, yeah. Just thought I might take a walk. Uh, maybe scope out some new fishing area. CHARLIE: Oh, hang on, I'll come with. HURLEY: That's okay. CHARLIE: No, I could use a little bit of the fresh wide open. HURLEY: Dude, I could really use some alone time right now. CHARLIE: Sure. [Hurley stands up and his pack unzips spilling four bottles of water.] HURLEY: I'm a big guy, I get dehydrated easy. CHARLIE: Yeah. Yeah, okay. -------------------------------------------------------------------------------- [sht of waves crashing. Claire sitting at the beach, picking at some leaves.] LOCKE: [off camera at first] Claire, you got a second? CLAIRE: Uh, yeah, sure. LOCKE: I was wondering if you were free to help me with a little project. CLAIRE: Me? LOCKE: Yeah. I'm building something and I could use an extra pair of hands. CLAIRE: I'm nearly nine months pregnant, I can barely waddle on the beach. LOCKE: Could you hold a saw? CLAIRE: Um, yeah. LOCKE: Can you move your hand back and forth, like this? [He makes a sawing motion.] CLAIRE: Possibly. LOCKE: You're perfect. [He reaches to help her up.] Come on. CLAIRE: Okay. So, what exactly are we building? -------------------------------------------------------------------------------- [sht of Jack with water bottle at the caves, Sayid enters.] SAYID: Where is it? JACK: Where's what? SAYID: The map. I told you, it won't help you find her. JACK: Whoa, slow down. I don't have the map. SAYID: What makes this worse is that you don't even do your own dirty work. You get Hurley to do it for you. JACK: Wait a minute -- Hurley? SAYID: He was in my tent last night, quizzing me about Rousseau, about numbers she wrote -- how I came to find her. [Jack shakes his head.] You don't know anything about this, do you? JACK: [to Charlie entering with firewood] Charlie, you seen Hurley? CHARLIE: A couple of hours ago, he was setting out for a walk. Acting like a loon, I might say. SAYID: My god, he's going after her. -------------------------------------------------------------------------------- [sht of Shannon talking to Sayid.] SHANNON: When are you going to be back? SAYID: If we can catch up to him, before nightfall. Why? You worried about me? SHANNON: So what if I am? JACK: [yelling from down the beach] Sayid, you ready? SAYID: [to Shannon, touching her face] I'll be fine. -------------------------------------------------------------------------------- [sht of Hurley walking along the beach with rap music playing.] -------------------------------------------------------------------------------- [Flashback - sht of a yellow Hummer with the same song playing.] CARMEN: You turn that noise down. HURLEY: [turning the music down] Uh, sorry. CARMEN: Where are you taking me? You know very well I don't like surprises. HURLEY: You're going to like this one, ma. I mean, after everything you've been through? Like grandpa -- [Carmen crosses herself and says a prayer.] And then at the funeral, Father Aguillar getting struck by lightening? Man, that was a freak storm. And Diego moving back home after Lisa left him for that . . . waitress? CARMEN: Don't mention that whore to me. HURLEY: I'm just saying you deserve something good to happen. You know, ever since I won the lottery it's like we've had nothing but bad luck. Like, I don't know, like the money's cursed or something. CARMEN: [slugging Hurley in the arm] That's blasphemy. You know very well we're Catholic. We don't believe in curses. HURLEY: Jeez, ma, I'm just talking. Okay, we're almost there. Here, put this on. [Hurley hands her a blindfold. They pull up to a curb and stop in front of a big house. Hurley gets out to help his blind-folded mom out of the car.] CARMEN: Why do I have to wear this? HURLEY: Give me your hand. Careful. CARMEN: No, no, you be careful. HURLEY: You're stepping down. CARMEN: I can't see anything. HURLEY: Okay, now take off your blindfold. And get a look [Carmen falls and hurts her ankle.] at your new dream house. CARMEN: Ow, my ankle! HURLEY: I said take off your blindfold. CARMEN: Why did you make me put that in the first place?! Hugo, do I smell smoke? [We see smoke pouring out of an upper window in the house.] HURLEY: Oh, crap. Hang on mom, I've got to call 911. CARMEN: You tell them I broke my ankle. [Hurley dials 911. We see two police cars pull up instantly. The officers get out with their gn drawn on Hurley.] COP: Drop the phone, move away from the vehicle! HURLEY: Oh, no, no, no. It's the house. COP: Do it, now! Turn around. [The cop pushes Hurley face down onto the hood of the Hummer. We see Carmen crossing herself and Hurley being cuffed.] HURLEY: No such thing as curses, huh, ma? COP: You have the right to remain silent. If you give up that right, anything you say can and will be used against you in a court of law. Act 3 [On-Island - sht of Hurley's feet walking in the sand. He approaches the cable, picks it up and starts following it.] HURLEY: Yo! French chick! -------------------------------------------------------------------------------- [Flashback - We see Hurley in his accountant's office.] KEN HALPERIN: I would think you'd be happy. Every one of your stocks is up. Your interest in orange futures skyrocketed after those tropical storms ht Florida. And, you are now the majority shareholder for a box company in Tustin. HURLEY: A box company? KEN: Mmhmm. They make boxes, lucrative business. Everybody needs boxes. Which reminds me, your sneaker factory in Canada . . . HURLEY: I have a sneaker factory in Canada? KEN: Well, not any more. It was destroyed in a fre last month. HURLEY: Of course it was. KEN: You might have read about it -- eight something people died. But, the good news is we over-insured it. It's going to yield you a windfall of cash. And, when we add in the generous settlement from the LAPD for your false arrest you've almost doubled your net worth in a few short months. I still can't imagine how the police mistook you for a drug dealer. HURLEY: Bad luck. KEN: Hugo, you are not the first lottery winner to believe the money's brought them nothing but trouble. It's all in your head. HURLEY: What, you don't believe in jinxes? You know, curses? KEN: I'm an accountant, I believe in numbers. Hey, where'd you get them, anyway? HURLEY: What? KEN: The winning numbers. What'd you use, somebody's birthday, phone number? HURLEY: No, it's nothing, it's something that I . . . KEN: What? HURLEY: That's it. It's not the money, it's the numbers. The numbers are cursed. Dude, don't look at me like that, I'm not crazy. This is real. KEN: Come on, Hugo, listen to yourself. "The numbers are cursed." You know there is no such thing as a- [A body falls past the window behind the accountant.] -------------------------------------------------------------------------------- [On-Island - We see Michael hammering on the raft, as Walt approaches. Sawyer is trying to read A Wrinkle in Time.] SAWYER: You want to ht that a little harder? MICHAEL: I'm sorry. Is my building a raft to get us rescued bothering you? SAWYER: At the moment, yeah. WALT: Why aren't you helping? SAWYER: I am helping, Short Round. I'm keeping watch for arsonists. MICHAEL: Walt's got a point. You could pitch in, seeing as how you already bought your ticket. [sht of a bundle of bamboo breaking apart.] JIN: 내가 밤새도록 묶어놨는데! MICHAEL: Hey, did you tie this like I told you?! If you tied this like I told you the thing would still be together! What's the matter with you man?! What is your problem?! [Sawyer leaves in disgust. sht pans from Jin and Michael arguing to Sun and Kate on the beach.] SUN: He's never going to speak to me again. KATE: He just needs time. SUN: I humiliated him. When the raft sails, do you think he's going to leave with them? KATE: I don't know. -------------------------------------------------------------------------------- [sht of Hurley following the cable through the jungle. We hear the sound of flies, Hurley looks up to see a boar caught in a rope trap. Hurley follows the cable a few more feet then steps on a trigger.] SAYID: [appearing from the jungle] Don't move! HURLEY: Hey, what are you guys... SAYID: I said do not move. You're standing on a pressure trigger. If you take your weight off it, it will release that. HURLEY: [looking up at a bundle of sharp pointy sticks] Oh, man. SAYID: We need to find something to replace his weight with the trigger. CHARLIE: Replace his weight? How are we going to do that? HURLEY: Hey! SAYID: Don't move! JACK: Hey, everybody, just calm down. HURLEY: Can I drop the wire? CHARLIE: Maybe if I find a rock or something? SAYID: A big one. HURLEY: I'm dropping the wire. JACK: Hurley, no! [Hurley drops the wire, nothing happens.] HURLEY: [looking up at the pointy stick bundle] I can make it. JACK: Hurley, don't move! CHARLIE: No! HURLEY: I can get out of the way, I'm spry. CHARLIE: Oi! JACK: Hurley, stay put. CHARLIE: Oi! No, wait! JACK: No, Hurley, Hurley! Don't even... [Hurley dives off the trigger and the pointy sticks miss him.] CHARLIE: Hurley, what the bloody hell's wrong with you?! HURLEY: Nothing. JACK: What are you doing out here, man? HURLEY: I came to get a battery. JACK: Hurley, seriously, what's going on? HURLEY: Nada. You guys coming? SAYID: You all want to go? Fine. But perhaps I should take the lead. CHARLIE: Excellent notion. -------------------------------------------------------------------------------- [Flashback - We see Hurley at the reception desk at a mental hospital.] HURLEY: Lenny. His name is Lenny, or Leonard. NURSE: But you don't know his last name. HURLEY: Look, I just need to talk to him for five minutes. [Hurley notices a guy climbing a ladder to change a light bulb.] NURSE: I'm sorry, but if you can't tell me the patient's name, sir, I can't very well look it up. HURLEY: How many Leonards are here? Can't you just type in Leonard? I mean, the guy's been here for, like, ever. He knows me. NURSE: Our records are private, sir. If any . . . HURLEY: [to the ladder guy] Dude! Do not do that right now! Leave the bulb for another time, man! [to the nurse] five minutes! All I need is five minutes! DR. CURTIS: Hugo? HURLEY: Oh, hey, Doc. DR. CURTIS: It's good to see you. What are you doing back here? HURLEY: Uh... -------------------------------------------------------------------------------- [We see Dr. Curtis and Hurley walking among patients in a common room in the mental hospital.] DR. CURTIS: I don't remember you and Leonard being that close, Hugo. HURLEY: Yeah, well, we hung. DR. CURTIS: I'll leave you gentleman to it then. Good luck, Hugo. LENNY: [Repeats the numbers over and over again.] HUGO: Hi, Lenny. Remember me? Hugo. Hurley. Well I was just, you know, in the neighborhood, and uh -- look, Lenny, I've got to know, what do the numbers mean? LENNY: 4 8 15 16 23 42. 4 8 15 16 23 42 . . . Act 4 HURLEY: C'mon, Lenny, give me something. Anything. Where'd you get the numbers? Is that why you're here, Lenny? Is it because of the numbers? Did they do something to you? Because I think they did something to me. I think they turned me into a jinx -- bad news to everyone around me. And when I tell people I think I'm the cause they, they, they look at me like I'm nuts. They don't believe me. But I know, ever since I won the lottery with those numbers. LENNY: You used those numbers to play the lottery? HURLEY: Uh, -- yeah. LENNY: Well, you shouldn't have done that. You've opened the box! HURLEY: I what? LENNY: Ah, you shouldn't have used those numbers! HURLEY: Why not? LENNY: It doesn't stop! You've got to get away from those numbers! You've got to get far, far away! [Lenny is freaking out and an orderly comes over to calm him down.] ORDERLY: All right, hey, hold on. Lenny, Lenny. Calm down. Lenny. LENNY: Do you hear me?!? No, don't you understand?!? You've got to get away from it or it won't stop! ORDERLY: Try and calm down. HURLEY: Wait a second, I need some answers. ORDERLY: Sir, you need to step away. HURLEY: Those numbers, where'd you get them? LENNY: [being dragged by the orderly] Sam Toomey! He heard them! HURLEY: Who's Sam Toomey?!? LENNY: He heard them in Kalgoorlie! It's a town where he used to work! HURLEY: It's a town where?! LENNY: In Australia! Oh, God! -------------------------------------------------------------------------------- [On-Island - We see a sht of the cable running into the ground.] SAYID: It stops here. It goes into the ground. This poses somewhat of a problem. CHARLIE: [off camera] Guys? You should come see this. [We see a reaction sht of the guys seeing an old broken down bridge.] HURLEY: Whoa. [Long sht of the bridge spanning a gorge.] JACK: You never mentioned anything about a bridge. SAYID: I never saw this before. JACK: There's no way she could have built this all by herself. SAYID: No, but her team could have. CHARLIE: Or Ethan's team. [Hurley starts walking across the bridge.] JACK: Hurley, what are you doing? HURLEY: Relax, I'm just going to check it out. You guys should stay here. JACK: Hurley, get back here! HURLEY: Dudes, chill. [sht of Jack, Sayid watching Hurley cross the bridge. He reaches the other side safely. Charlie starts to go across.] JACK: Charlie. CHARLIE: Hey, if he can do it... [Charlie starts walking across and the bridge starts collapsing.] JACK: Charlie! [Charlie barely makes it to the other side.] HURLEY: Dude, you okay? CHARLIE: I'm okay. Woo! JACK: Alright, you two stay put right there! We're going to find a way around and we'll meet you there! HURLEY: Nah, screw that! You guys stay! There's a path right here, Charlie and me- CHARLIE: Hurley, will you shut up and listen to Jack?!? He said stay put! You're acting like a bloody lunatic! -------------------------------------------------------------------------------- [Flashback - We see a house in the middle of nowhere, and hear the sound of knocking. Martha Toomey opens the door.] MARTHA: If this weren't the middle of nowhere, I'd say you were lost. HURLEY: Hi, is this Sam Toomey's house? MARTHA: It is. I'm his wife. HURLEY: Is he around, because I'd kind of like to talk to him. MARTHA: I'd like that, too. But Sam's been dad for four years. -------------------------------------------------------------------------------- [Inside the house.] HURLEY: Your husband worked with a guy I know, Leonard Sims. MARTHA: That's right, they served together in the U.S. Navy. How is Leonard? Still in the service? HURLEY: Uh, he's, um, retired. Anyway, he told me about Sam hearing something. MARTHA: You're talking about the numbers. HURLEY: Yes, the numbers, exactly. Do you know anything about them? MARTHA: Sam and Leonard were stationed at a listening post monitoring long wave transmissions out of the Pacific. Boring job. Sam hated it, nothing to do but listen to static night after night. Until one night, about 16 years ago, there's something in the static, a voice comes through, a voice repeating those numbers over and over again. [Hurley nearly spills his tea.] A couple of days later we're at the fair in Kalgoorlie and some wally there has got this jar, must have been big as a pony, and it's filled to the rim with beans. Fella's offering 50 grand to anyone able to guess how many beans are in that jar, within 10. HURLEY: Sam used the numbers? MARTHA: Yep, the answer was exact. To the bean. Men had been running the same scam for 40 years and nobody had ever come close. So we won the money. On the way home a pick-up truck blows a tire on the highway, hits us head on. Lost my leg that night. HURLEY: What about Sam? MARTHA: Barely a scratch. Most people would consider themselves lucky, but not him. He was never the same after that. He started keeping a record. Anything terrible that happened to anyone around us, he believed it was all because he used those numbers. He moved us out here in the middle of nowhere hoping it would stop. HURLEY: Did it? Did he ever find a way to make it stop? MARTHA: Yep. He put a gn in his mouth and pulled the trigger. What is it you're looking for Mr. Reyes? HURLEY: I used them, the numbers, to win the lottery. And now I think I'm under the same curse. MARTHA: Curse? There's no curse. HURLEY: But you just told me... MARTHA: You think I'd still have my leg if Sam hadn't have picked the right number of beans?! You think that floods wouldn't have happened?! That homes wouldn't have brned down?! That people wouldn't have died?! HURLEY: Well, yeah. MARTHA: You make your own luck, Mr. Reyes. Don't blame it on the damn numbers. You're looking for an excuse that doesn't exist. -------------------------------------------------------------------------------- [On-Island - sht of Locke holding what looks like a row of spikes attached to a rail.] CLAIRE: It's a trap, right? For catching animals? LOCKE: Pass me that cup please. CLAIRE: Ugh, what's this gn? LOCKE: Glue. CLAIRE: Where'd you find glue? LOCKE: I made it out of rendered animal fat. CLAIRE: You made glue? Wow. Then you should have one of those shows where you fix up houses for people. LOCKE: I don't think so. CLAIRE: Thanks, for this -- giving me something to do. I'm tired of trying to remember what happened to me out there. LOCKE: How's that coming? Your memory? CLAIRE: Bits and pieces here and there. Nothing that makes any real sense. LOCKE: Well, maybe I can help. I'm good at putting bits and pieces together. -------------------------------------------------------------------------------- [sht of Sayid and Jack in the jungle. Sayid stops.] JACK: What? SAYID: This is familiar, this area. We're close. JACK: How do you know? I thought she lived underground? [Jack starts walking and hits a trip wire.] SAYID: Jack! [There's an explsin. Hurley and Charlie see it.] CHARLIE: What the hell was that? Act 5 [sht of Jack and Sayid down in the wreckage of Danielle's place.] JACK: Hell of a security system. Somebody trips a wire and the whole place blows up? SAYID: There's nothing here. JACK: Batteries? SAYID: Nothing. JACK: I don't get it. SAYID: She knew. She knew that one day I'd come back and bring others. So she abandoned this place, booby-trapped it, and moved on. JACK: Moved on where? -------------------------------------------------------------------------------- [sht of Hurley and Charlie walking.] HURLEY: Jack! Sayid! CHARLIE: Do you even know where we're going? HURLEY: The blast sounded like it came from this way. I think. CHARLIE: You don't know. HURLEY: Dude, what do you want from me? CHARLIE: What do I want? I want to know what we're doing in the middle of nowhere? And don't tell me it's because of some stinking batteries. One minute you're happy-go-lucky, good time Hurley and the next you're Colonel-bloody-Kurtz. It just doesn't make any sense. It's not you. HURLEY: Dude, you don't know me. CHARLIE: Well, all this time on the Island, you've told me nothing about yourself. HURLEY: We've all got personal stuff, dude. CHARLIE: Don't change the subject. We're lost out here. Jack and Sayid could be hurt, if not blown to bits, all because you're acting like some bloody nutter. HURLEY: I am not crazy. I've got my reasons for every- CHARLIE: I think I have a right to know. HURLEY: Okay, alright, you want to know? CHARLIE: Yep. HURLEY: About a year ago... [Sound of a gn.] HURLEY: Is someone shting at us? [Sound of another gn. Hurley and Charlie take off running in different directions. Hurley trips and falls, he gets up and takes a few steps and has a rfle pointed at him. Danielle is revealed.] HURLEY: You must be the French chick. DANIELLE: Who are you? HURLEY: Hurley. I, uh -- Sayid? That guy you tortured, he... DANIELLE: You were on the plane. HURLEY: Look, I came here to find -- [He reaches for his pocket; Danielle aims her rfle.] oh, easy, easy, easy. I'm just getting your notes. Please, tell me why you wrote this. What do these numbers mean? Please. DANIELLE: I don't know. HURLEY: What? You don't know? Okay, that thing in the woods, maybe it's a monster, maybe it's a pissed off giraffe, I don't know! The fact that no one is even looking for us, yeah, that's weird, but I just go along with it because I'm along for the ride, good old fun time Hurley! Well guess what? Now, I want some friggin' answers! DANIELLE: [lowering her rfle] Our ship picked up a transmission -- a voice repeating those numbers. We changed course to investigate. After we shipwrecked my team continued to search for the transmission source. It was weeks before we found the radio tower. HURLEY: There's a radio tower on this Island? DANIELLE: Yes, up by the Black Rock. Some of us continued to search for the meaning of those numbers while we waited for rescue. But then the sickness came. When my team was gone, I went back up to the tower and changed the transmission. HURLEY: The distress signal we heard? DANIELLE: Yes. HURLEY: But the numbers -- did you ever find out anything about them? Do you know where they got their power? DANIELLE: Power? HURLEY: They bring bad stuff to everyone around you. They're cursed. You know that, right? The numbers, they're cursed. DANIELLE: The numbers are what brought me here. As it appears they brought you. Since that time I've lost everything, everyone I cared about. So yes, I suppose you're right. They are cursed. HURLEY: Thank you. Thank you. You have no idea how long I've been waiting for someone to agree with me. Thank you. Oh god, thank you. [Hurley hugs Danielle.] -------------------------------------------------------------------------------- [We see Sayid and Jack back at the wreckage of Danielle's place.] JACK: We need to find Hurley and Charlie and get out of this jungle. I just hate that we're going home empty handed. [Sayid finds the partially brned photo of Nadia. Charlie comes running up.] CHARLIE: Hey, hey, someone sht at us, Hurley and me. We were looking for you when... SAYID: Rousseau. JACK: Where's Hurley? CHARLIE: I don't know. He was right behind me and then he just, he just wasn't. SAYID: I'll go and find him. JACK: No, no. We'll all go. HURLEY: [off camera] Go where? CHARLIE: Hurley, what the hell happened to you? HURLEY: [pulling a battery out of his pack] Need a battery? [to Sayid] She says, hey. Act 6 [sht of Hurley and the boys returning, walking past Michael, Sayid hands him the battery.] -------------------------------------------------------------------------------- [sht of Locke and Claire still building something.] LOCKE: You think of a name yet? CLAIRE: Huh? LOCKE: For the baby. CLAIRE: Haven't really thought about it. I was going to give it away, you know, for adoption. LOCKE: That must have been a difficult decision. CLAIRE: Yeah, well, it doesn't matter now. It's my birthday today. LOCKE: Why haven't you told anyone? CLAIRE: I'm pregnant, single, and on an Island in the middle of nowhere. It doesn't really matter that it's my birthday, does it? LOCKE: I guess not. At least your birthdays will be close together, you and your baby, and that's good luck. CLAIRE: Yeah, you think? LOCKE: Yeah, I do. CLAIRE: You believe in that? Luck? LOCKE: I believe in a lot of things. [Locke finishes with the thing they're building.] That should do it. CLAIRE: Okay, I give up. What is it? [Locke turns it over.] CLAIRE: It's a cradle. LOCKE: Happy birthday, Claire. CLAIRE: Thank you. -------------------------------------------------------------------------------- [sht of Hurley sitting at a fre on the beach. Charlie approaches. We see Hurley holding a shirt on a stick over the fre.] CHARLIE: I know food's scarce, but your shirt? HURLEY: When you find a laundromat, let me know. CHARLIE: Back in the jungle before we became target practice you were going to tell me what inspired this little quest. HURLEY: I think the plane crash might have been my fault. CHARLIE: Don't be daft, how could you possibly... HURLEY: Hey, before we came here a lot of bad stuff used to happen whenever I was around. CHARLIE: What do you mean, like bad luck? HURLEY: Yeah, that's -- that would be kind of a mellow way of describing it. CHARLIE: Hurley, bad things happen, planes crash, people die. HURLEY: Dude, you gotta let me finish. CHARLIE: You think you're the only person with baggage? You know what I was doing when the plane went down? I was snorting heroin in the toilet. I was such a junkie I couldn't even take a plane ride with out having a fix. I suppose that was your fault, as well? -- So how about it? HURLEY: What? CHARLIE: I just told you the biggest secret of my life. I thought you'd want to reciprocate. HURLEY: Okay. Back home I'm worth 156 million dollars. CHARLIE: Fine. Don't tell me. HURLEY: Dude. CHARLIE: I bare my soul, and all I get is bloody jokes! -------------------------------------------------------------------------------- [sh*t of the hatch and the container it's attached to. The camera pushes in to reveal the numbers etched in to the side: 4 8 15 16 23 42.]	{"type": "series", "show": "Lost", "episode": "1x18 - Numbers"}	foreverdreaming
[Flashback - sht of Locke's hand setting up a Mouse Trap game as an employee in a department store. A kid walks up.] KID: What's that? LOCKE: A game. It's my favorite game, actually. I used to play it with my brother. It's called Mouse Trap. KID: How do you play? LOCKE: Well, you start with all these parts off the board. And then, one by one, you build the trap - shoe, bucket, tub - piece by piece it all comes together. And then you wait 'til your opponent lands here on the old cheese wheel. And then if you set it up just right, you spring the trap. Go ahead, kiddo. [Locke sees a woman in a fur coat watching him, and goes over to talk to her.] LOCKE: May I help you, ma'am? EMILY: Yes, um, could you tell me where the footballs are? LOCKE: Aisle 8 for regulation, aisle 15 for Nerf. EMILY: Oh, yes, thank you. Thanks. [sht of the game trapping the mouse.] -------------------------------------------------------------------------------- [On-Island - We see Locke at the hatch, wiping dirt from the glass.] BOONE: You want my opinion? LOCKE: Boone, you've got to have some faith. [Boone walks away.] All we've got to do is break the glass, and then we're in. The trebuchet delivers a half a ton of force. BOONE: Why do they call it a trebuchet? It looks like a catapult. [Boone and Locke are positioning the trebuchet to spring.] LOCKE: It's called a trebuchet, Boone, because it's a trebuchet. BOONE: I don't get you, man. One minute you're quoting Nietzsche, now all of the sudden you're an engineer. I don't think I can spell trebuchet. LOCKE: There's a 't' on the end. BOONE: I'm serious, John. We've been coming out here everyday for 2 weeks—you never talk about yourself. Everybody's got a story. LOCKE: My story would bore you. [sht of the trebuchet arm being hoisted upward by Boone and Locke.] LOCKE: 3, 2, 1. [Locke releases the arm which falls onto the hatch but does no damage. The whole trebuchet breaks apart.] LOCKE: [angry] This was supposed to work. This was supposed to work! BOONE: John. Your leg, man. [sht of a piece of metal sticking out of Locke's right leg. Locke pulls it out and sees that it's bloodied for 3 or 4 inches.] BOONE: Are you okay? LOCKE: [nonplussed] Yeah, I'm fine. -------------------------------------------------------------------------------- [sht of Locke bandaging his wound, then pricking the skin on his legs with a safety pin to check for feeling. Then holding a piece of burning wood from a fre to the bottom of his foot, but not feeling pain.] Act 2Edit [Boone and Locke are chopping wood to build another trebuchet.] BOONE: The trebuchet—why didn't it work? LOCKE: It didn't work because it wasn't strong enough. BOONE: I don't think that glass is going to break, man. Whatever it's made out of... LOCKE: Everything breaks if you apply the right force. BOONE: So, we're just going to build another one of your inventions, hope it works this time. LOCKE: That's right. BOONE: What if it doesn't? LOCKE: Then the Island will tell us what to do. BOONE: What's that? LOCKE: I should get back there -- salvage those pieces. BOONE: Your leg okay? LOCKE: It's fine. -------------------------------------------------------------------------------- [Flashback - sht of Locke in the store parking lot.] MAN: Hi John. [Locke greets the man. He finds a flier for a lost dog on his windshield, then sees Emily looking at him again. He follows her. He gets ht by a car backing up out of a parking space.] MAN: You alright, John? [Locke manages to get up and continues following Emily.] LOCKE: Hey, hey, hey. Why are you following me? EMILY: I'm sorry. LOCKE: Who are you? EMILY: I'm your mother. -------------------------------------------------------------------------------- [sht of Locke and Emily in a diner.] LOCKE: Look, miss, I don't know why you think I'm your son, or how you found me, but... EMILY: You're adopted, aren't you? LOCKE: No. No, I was raised in a foster home. Well, several foster homes, actually. Look, I don't mean to be rude -- what do you want from me? EMILY: I want to tell you that you're special, very special. You're part of a design. You do realize that, don't you? That our meeting, me finding you, this is a sign of things to come. Great things. LOCKE: My father, is he still alive? EMILY: Still alive? Oh, John, don't you understand? You don't have a father. You were immaculately conceived. -------------------------------------------------------------------------------- [On-Island - We see Sawyer approach Sun at her garden.] SAWYER: [with a leaf in each hand] Which one? SUN: That one. SAWYER: You're sure? Because this is the one I've been using and nothing's happening. SUN: I'm sorry it's not helping. KATE: [entering] What's not helping? SAWYER: Nothing. [to Sun] Thanks, anyway. Nice garden. [Sawyer exits.] KATE: What was that all about? SUN: He has headaches. KATE: Doesn't he have, like, a truckload of aspirin stashed away somewhere? SUN: He says aspirin didn't help. -------------------------------------------------------------------------------- [We see Jack shaving in a mirror at the caves. Kate enters.] KATE: Can I ask you a question? Say you're having bad headaches everyday... JACK: You okay? KATE: Yeah, fine. JACK: So, who are we talking about then, Kate? KATE: Sawyer. JACK: Uh-huh. KATE: I just think there might be something really wrong with him. JACK: And what does he think? KATE: He says he's fine, but... JACK: Then he's fine. KATE: Yeah, well, he could be playing it down. There could some... JACK: Look, Kate, I'd like nothing more than to check the guy out and make sure he's okay. But we both know all I'm going to get for my trouble is a snappy one-liner. And if I'm real lucky, a brand new nickname. I'm just over it. -------------------------------------------------------------------------------- [We see Locke re-building the trebuchet. Boone enters.] LOCKE: You're late. BOONE: Late for what? LOCKE: Late for work. BOONE: I think I'm done working, John. LOCKE: I'm sorry, what? BOONE: It's useless. You can't open that thing up. You say you can but you can't. LOCKE: No, don't tell me what I can't do. BOONE: Don't you get it? It's a dad end. You're not getting in. LOCKE: That's impossible. We didn't find this by accident. We're supposed to... BOONE: Oh, we're supposed to. We're supposed to find this, right? We're supposed to open it, right? Then tell me something, John, if we're supposed to open it, then why the hell haven't we opened it yet? LOCKE: The Island will send us a sign. BOONE: [sarcastically] The Island will send us a sign. LOCKE: All that's happening now is our faith is being tested - our commitment! But we will open it! The Island will show us how! BOONE: What kind of kind of sign will the Island send us? Huh, John? [We hear the sound of an airplane engine. Locke looks up to see a small, smoking plane looking like it's going to crash.] LOCKE: [pointing] Did you see that? Boone? [Boone is looking up at the sky. There's a quick inserted sht of Boone all bloody. Locke hears a metallic sound and looks around to see his mother pointing.] BOONE: [bloody] Theresa falls up the stairs. Theresa falls down the stairs. Theresa falls up the stairs. Theresa falls down the stairs. [Locke is in a wheelchair, his mother pointing up in the background.] LOCKE: No, no, no, please. BOONE: [overlapping with Locke] Theresa falls up the stairs. Theresa falls down the stairs. LOCKE: [trying to get out of the wheelchair, falling] Don't take it back. [We see Locke at night on the beach, waking up frightened from a dream. He checks his legs to see if he can feel them.] Act 3Edit [Locke approaches Boone who's sleeping.] LOCKE: [whispering] Boone, wake up. BOONE: Huh. [Locke shushes him.] What time is it? LOCKE: [whispering] It's morning, c'mon. BOONE: Okay, okay, I'm up, I'm up. What is going on? LOCKE: C'mon, let's go. -------------------------------------------------------------------------------- [We see Locke meeting with a private detective, Frainey, in the lunch room at Locke's company.] FRAINEY: Emily Annabeth Locke in 10,000 words or less. LOCKE: [picking up a copy of Emily's driver's license] So, she's my mother. FRAINEY: I lifted some hairs from her car and matched them with your DNA samples. It's 99% certain. [Locke looks at some admission records from a mental hospital.] She was institutionalized - a few times. LOCKE: What for? FRAINEY: Nothing criminal or violent. It's a type of schizophrenia. Apparently, if she stays on her meds, she's okay. LOCKE: [glancing at a red folder Frainey has] What about my father? FRAINEY: Here's the thing -- your mother sought you out, so she's fair game. But this guy—maybe he doesn't even know you exist. I've done this enough times to know this stuff isn't meant to be, even though it may feel that way. But this probably won't have a happy ending. So, do you want it, or not? LOCKE: I want it. -------------------------------------------------------------------------------- [We see Locke driving up to the gate of a big house and stopping at a guard gate.] EDDIE: [the guard] Your name is? LOCKE: John, John Locke. I'm Anthony Cooper's son. EDDIE: Mr. Cooper doesn't have a son. [sht of a surveillance camera.] LOCKE: Tell him I don't want anything. My mother is Emily Locke. Please. EDDIE: Just a minute. [he picks up a phone] Yeah, Mr. Cooper, I've got John Locke here -- says he's your son. Yes, sir. [to Locke] Well, you can go on in, sir. -------------------------------------------------------------------------------- [The scene switches to the inside of Cooper's house. sht of pictures, presumably, of Cooper kayaking, scuba-diving, etc.] COOPER: Well, this is -- awkward. LOCKE: Thank you for seeing me, sir. I'm, uh, John. [They shake hands.] COOPER: Something tells me I'm going to want a drink for this. You want a drink? LOCKE: Um, yeah, alright, great. COOPER: Scotch okay? LOCKE: Yeah, that's, um, thanks. COOPER: So who found who? LOCKE: I'm sorry, sir? COOPER: Emily, your mother, did she find you or did you find her? LOCKE: She found me. COOPER: How did she look? LOCKE: Alright, I guess. COOPER: Did she say anything about me? LOCKE: She said that I didn't have a father -- that I was immaculately conceived. COOPER: [laughing] Really? Well, I guess that makes me god, huh? I didn't even know you existed until a year after you were born. She told me she wasn't even going to have the baby, you, at all. Then she drops off the face of the planet. When she turns up again, she's asking for money, telling me she put you up for adoption. You going to drink that, or what? [Locke takes a sip.] You have a family your own? LOCKE: No, sir. COOPER: Me neither. I tried it a couple of times, didn't take. Do you hunt? LOCKE: [laughing] No, no. COOPER: You're not one of those animal rights nut jobs, are you? LOCKE: No. No, sir. COOPER: What are you doing this Sunday? LOCKE: Nothin'. COOPER: You want to go hunting? LOCKE: Um, well, I'd like that. Yeah, I'd like that very much. [Locke and Cooper drink to it.] -------------------------------------------------------------------------------- [On-Island - Boone and Locke at the hatch.] LOCKE: I had a dream last night. I asked for a sign and then I saw a plane crash, a Beechcraft [pointing] right out there. It was a dream, but it was the most real thing I've ever experienced. I know where to go now. BOONE: Go for what? LOCKE: To find what we need to open this bastard up. BOONE: Have you been using that wacky paste stuff that made me see my sister get eaten? LOCKE: [laughing] No, no. BOONE: Because, John, I've got to tell you -- signs and dreams and... LOCKE: Who's Theresa? BOONE: What? LOCKE: Theresa falls up the stairs. Theresa falls down the stairs. You were saying that in the dream. BOONE: How would you know about that? LOCKE: I don't know, Boone, but we're supposed to go to this place. We're supposed to find that plane. Will you come with me? [Boone nods.] -------------------------------------------------------------------------------- [We see Jin and Michael working on the raft. Jack enters.] JACK: I was going to ask you how this was going, but it's coming together fast. MICHAEL: The fre wasn't a total loss. We learned a few things from building the first one which is saving us from trial and error. Now it's just [looking at Jin] trial. JIN: 빨리 묶어서 마무리 하자고요! 고쳐야 돼. MICHAEL: Yeah, yeah, yeah, yeah. JIN: 어두워지기 전에! MICHAEL: Yeah, man, I know, now, now, now. JACK: You picking up on a little Korean there, Michael? MICHAEL: Yeah, I'm pretty sure I know how to say: faster and idiot. [Jack sees Sawyer putting a cloth over his eyes. He walks over.] JACK: I hear you're having trouble with your head. SAWYER: What, now she got you making house calls? JACK: You're sensitive to the light, too, huh? SAWYER: You know what? I'm sensitive to you... JACK: [exiting] Alright, we'll see you. SAWYER: Doc? Sensitivity to the light -- that bad? JACK: Depends. SAWYER: On what? JACK: On what's causing your headaches. SAWYER: It's not like it's a tumor, or something. JACK: What makes you think it's a tumor? SAWYER: I don't. JACK: Great. Okay, then. SAWYER: My uncle. He died of a brain tumor. JACK: Yeah? SAWYER: That run in a family? Tumors? JACK: What type of tumor was it? SAWYER: The type that kills you. JACK: Do you smell anything funny? Brain tumors bring on phantom smells, maybe like something burning. SAWYER: Just headaches. JACK: Well, I'm sure you're fine then. Look, if this is worrying you, there's a couple of tests that I could do. SAWYER: Sorry, Doc, sounds fun, but my insurance ran out. JACK: [laughing] Insurance ran out. That -- that's a good one. [Jack exits. Sawyer sniffs the air.] -------------------------------------------------------------------------------- [We see Locke and Boone walking in the jungle.] BOONE: I could have mentioned her name out by the hatch one day. LOCKE: Who? BOONE: Theresa. Maybe I was talking to myself. LOCKE: [checking his compass] Maybe, but you didn't. BOONE: So, in this dream you saw a plane crash, right? LOCKE: Yeah. BOONE: Okay, the fact that we were all just in a plane crash, you didn't think for one second- [Locke falls.] BOONE: John, you okay? LOCKE: [upset and not letting Boone help him] I'm fine! [he starts getting up] BOONE: What is wrong with your leg? LOCKE: I'm fine. [When Locke stands up he sees something.] BOONE: What? [Locke grabs a rosary from a branch and hands it to Boone.] BOONE: Someone from camp hiked all the way out here? LOCKE: Nope. BOONE: Where do you think it came from? LOCKE: [pulling on a vine which makes a body fall to the ground] Him. Act 4Edit [Flashback - We see Locke driving up to Cooper's house.] LOCKE: Mornin', Eddie. EDDIE: Mornin', Mr. Locke. You gentleman going to get some birds again? LOCKE: I sure hope so. -------------------------------------------------------------------------------- [Scene switches to inside the house. Locke walks in and sees a nurse. Cooper is hooked up to a dialysis machine.] LOCKE: Anthony? COOPER: You weren't supposed to be here 'til 12. LOCKE: I thought you said 11. What is this? COOPER: It's a dialysis machine. My kidney's failing. Damn doctors say I need a transplant. LOCKE: When? COOPER: Tomorrow if it were up to me. I'm on the donor list, but I'm an old man and it's a long list. LOCKE: How, how long... COOPER: John, the dialysis will be fine for a while. I didn't tell you for this exact reason. I'm not going to let this spoil what's going to be a fantastic day, and neither should you. So, I'll get done here and we'll have a nice lunch and go sh*t some birds. -------------------------------------------------------------------------------- [On-Island - We see the skeleton. Boone is looking at a book (Bible). Locke grabs a pen from the skeleton's shirt.] BOONE: He's a priest. How long do you think he's been dad? LOCKE: Normally clothing would completely decompose within 2 years, but this is high quality polyester, could be 2 years, could be 10. [Boone pulls the pen apart and finds it's a Knfe.] Gold teeth, obviously well off. [Locke finds a large wad of bills.] BOONE: What kind of money is that? LOCKE: Nigerian naira. BOONE: What is a Nigerian priest doing on an Island in the South Pacific? LOCKE: [finding a gn] I'm not so sure he's a priest. -------------------------------------------------------------------------------- [We see Sawyer wetting a cloth for his head, looking miserable. Redshirts start banging on stuff, building something.] SAWYER: You want to keep it down?! KATE: [entering] That's it, get up. SAWYER: What? KATE: Get up. You're going to Jack. SAWYER: Do I get a lollipop? -------------------------------------------------------------------------------- [Scene switches to the caves. Jack is moving a pen in front of Sawyer's eyes.] JACK: When did the headaches start? SAWYER: A few days ago, a week maybe. [To Kate] Do you have to be here? JACK: Do you have them when you wake up in the morning? SAWYER: Usually they ht me in the middle of the day. What the hell are you doing with that thing? JACK: Checking to see how your pupils respond to changing stimuli. [Jack nods and walks to get a notebook.] SAWYER: What's that -- that nod? KATE: Would you just let him do his thing? SAWYER: I'm letting him, but I want to know what the hell he thinks I- JACK: I think you should just shut up and relax. [Jack snaps his finger in Sawyer's face.] SAWYER: What the hell are you doing? JACK: Have you ever had a blood transfusion? SAWYER: What? No. JACK: Taken pills for malaria? SAWYER: Nope. JACK: Have you ever had sex with a prosttute? SAWYER: What the hell has that got to do with anything? JACK: Is that a yes? SAWYER: [sighs] Yes. JACK: Have you ever contracted a sexually transmitted disease? [Sawyer doesn't respond.] I'm going to take that as another yes. When was the last outbreak? SAWYER: Go to hell, Doc. [Sawyer exits.] KATE: I know he deserved it, but... JACK: He needs glasses. -------------------------------------------------------------------------------- [We see Locke and Boone walking. Locke is walking with difficulty.] BOONE: What's going on, John? LOCKE: Nothing. BOONE: You can barely walk, man. LOCKE: It's the wound from the shrapnel. BOONE: That's your right leg, John. What's wrong with your left? LOCKE: [annoyed] I'm fine, now stop asking me. [Locke falls.] BOONE: That's it. Let's go back. LOCKE: I'm fine. BOONE: No, you're not! Let me get you back to Jack. LOCKE: Jack wouldn't know the first thing about what's wrong with me. [Locke tries to get up but falls again.] BOONE: John, we've got to... LOCKE: No, no. BOONE: What is wrong with you? Are you crazy? LOCKE: I was in a wheelchair. BOONE: What? LOCKE: Paralyzed for 4 years. The plane, our plane, I was in that chair when we took off. But not after we crashed. BOONE: Why were you in a wheelchair? LOCKE: It doesn't matter anymore. But, but, this Island, it changed me. It made me whole. Now it's trying to take it back and I don't know why. But it wants me to follow what I saw. BOONE: What? LOCKE: I know it sounds crazy. 4 weeks ago I wouldn't have believed it myself. But you and I are here for a reason. There's something that we were meant to find, something that's going to help us get into the hatch. I know it. But we've got to keep going. BOONE: Okay. Can you move your legs? LOCKE: Just help me up, son. -------------------------------------------------------------------------------- [Flashback - We see Locke and Cooper in a field hunting.] COOPER: These doves fly a lot faster than you think. So you've got to really lead them. If you have to drop it in high cover... [A bird starts from a bush. Locke fires and hits it.] LOCKE: Got him. COOPER: Yeah, you did. Good sht, son. John, your mother, she may be a little crazy, but at least she brought us together. Thank god it happened now, while we still have time. Let's find your bird. -------------------------------------------------------------------------------- [On-Island - Boone is struggling to help Locke who can barely walk. Boone lets Locke fall and they take a rest.] BOONE: She was my nanny -- Theresa. She was my nanny. My mother wasn't around much. I needed someone to take it out on. My bedroom was at the top of this huge flight of stairs, and I would sit in bed all day calling her on the intercom. One day she took a bad step, broke her neck. I was six. [Locke sees something over Boone's shoulder and starts laughing.] BOONE: [grabbing Locke by the collar] Listen, what the hell is so funny? LOCKE: [laughing and pointing] Look. [They see the Beechcraft perched on a cliff.] Act 5Edit [sht of the plane balanced partly on a cliff and trees.] BOONE: Is that the plane you saw? LOCKE: As best I can tell. BOONE: You really saw it? LOCKE: Yeah, I really saw it. BOONE: How long do you think it's been there? LOCKE: Doesn't matter. What's important is that we found it. What's important is what's inside it. BOONE: What is inside of it, John? LOCKE: You're going to have to climb up there for us and find out. -------------------------------------------------------------------------------- [Flashback - We see Locke and Cooper in the hospital right before the transplant surgery.] COOPER: You can still change your mind. LOCKE: Nah. They already shaved my back. [They both laugh.] COOPER: I'm so thankful for you, John. LOCKE: This was meant to be. COOPER: See you on the other side, son. -------------------------------------------------------------------------------- [Jack approaches Sawyer at the beach, carrying a box.] SAWYER: If you're looking for a stool sample, you can forget it. JACK: You've been reading a lot since we came to the Island. SAWYER: Okay, so what? JACK: You, uh, you've got, uh, you've got hyperopia. SAWYER: [nervous] Hyperopia? That's, uh, what is that? JACK: You're far-sighted. SAWYER: Far-sighted? JACK: [laughing] Yeah. It can develop later in life, especially when you add a new strain to the eyes like with reading. [Jack hands Sawyer a pair of glasses from the box to try and holds a book up for Sawyer to read.] SAWYER: Blurry. [Sawyer tries a different pair.] JACK: Better or worse? SAWYER: Worse. [Jack gets another, ugly, pair.] SAWYER: Uh-uh, no way. JACK: Sawyer, it's not a fashion show. [The scene switches to Sayid melting 2 pairs of glasses apart and then putting the 2 different lenses together to make one pair for Sawyer.] [sht of a blurry sheet of paper that says: better or worse? Glasses come up and the image sharpens.] SAWYER: Har, har, very funny. HURLEY: [walking by] Dude, it looks like someone steam rolled Harry Potter. [Kate and Jack are amused.] SAWYER: [to Jack] You love this, don't you? JACK: You're welcome. -------------------------------------------------------------------------------- [We see Boone climbing up to the plane while Locke looks on. Boone slips.] LOCKE: Hang on. [Boone keeps climbing and gets inside the plane. He finds of map of Nigeria/Africa. The plane tilts, Boone falls, and a body falls on him. Boone screams.] LOCKE: Boone?! Boone?! BOONE: I'm fine! [Locke starts walking toward the plane.] LOCKE: Boone, what do you see?! Boone?! BOONE: Want to know what's in your damn plane, Locke?! [We see a crate with some Virgin Mary statues. Boone takes one and throws is down to Locke.] BOONE: Here's your sign! [The statue breaks open to reveal baggies of heroin.] BOONE: They're drug smugglers, Locke. Heroin, that's all that's in here! LOCKE: I don't understand. I don't understand. [Boone finds another map then looks at the instrument panel. He tries the radio and hears static. The plane starts toppling over, but stops.] LOCKE: Boone, Boone, get out! BOONE: [into the radio] Hello. Hello. Anybody out there? Mayday, mayday. LOCKE: Boone, there's no time! Get out now! RADIO VOICE: Is someone there? BOONE: Hello! Hello! Can you hear me? RADIO VOICE: Repeat your transmission, please. BOONE: Hello. We're survivors of the crash of Oceanic flight 815, please copy! LOCKE: [overlapping with Boone] Boone, get out! RADIO VOICE: We're the survivors of Oceanic flight 815. LOCKE: [overlapping] Get out now! [The plane falls and flips over. Locke struggles to get up so he can carry Boone back to Jack.] Act 6Edit [We see Jack at the caves. Kate enters.] KATE: So, did you know before or after you asked him about his latest outbreak? JACK: Well, I'd answer that, Kate, but, you know, doctor-patient confidentiality. KATE: Of course. Thank you for helping him. I know it was probably the last thing you wanted to do. JACK: I didn't do it for him. LOCKE: [running in, carrying Boone] Jack, help! JACK: No, no, no. Put him down up here. Alright, alright, that's it, easy. What happened? LOCKE: There was an accident. Boone fell off a cliff out near the place we were hunting. [Jack rips Boone's shirt open to reveal a big wound.] JACK: Okay, I'm going to need some water, shirts, towels, anything that I can use to staunch the bleeding. Kate, now, please! [sht of Locke standing, looking on.] JACK: John, tell me exactly what happened. John? Locke?! Locke?! Locke?! [Locke is gone.] -------------------------------------------------------------------------------- [Flashback - We see Locke waking in the hospital after the transplant surgery. He looks over to see an empty bed next to him. A nurse is taking his pulse.] NURSE: I think what you did was so kind. LOCKE: Where's my father? NURSE: Who? LOCKE: We had the transplant together. NURSE: I didn't know he was your father. LOCKE: We don't have the same last name. Where is he? NURSE: Mr. Cooper checked out this afternoon. He went back home. He's under private care. LOCKE: But, that doesn't make any... Why? Did he leave me a message? NURSE: No, not that I know of. You just relax, Mr. Locke. I'm going to get you some juice. [Locke is in pain.] EMILY: [entering] It was his idea. I'm sorry, John. LOCKE: What are you doing here? EMILY: I needed some money. He's always been good that way. Your father's always been generous. LOCKE: You told me I didn't have a father. EMILY: Well, he said that was the only way you would give it to him. It had to be your idea. He told me where to find you. He, he asked me to go see you. I wanted to see you. LOCKE: [starts crying] This can't be happening. This, this is a misunderstanding. This can't-this can't happen to me. He wouldn't do this to me. [angry] He wouldn't do this to me! [Locke gets up out of bed.] -------------------------------------------------------------------------------- [Locke driving up to the gate of Cooper's house.] LOCKE: Eddie, Eddie open the gate. EDDIE: Mr. Cooper's not seeing guests. LOCKE: I'm not a guest. EDDIE: I'm sorry, John. [Locke gets out of the car.] LOCKE: Eddie, open the gate. EDDIE: I'm sorry, I'm going to need you to move your car. [Locke goes up to the gate. We see the surveillance camera point at him.] LOCKE: I know you're watching me. You can't do this. EDDIE: John, please. Move your car. -------------------------------------------------------------------------------- [We see Locke driving. He's very angry and hitting the rear-view mirror, the roof of the car. He stops the car and screams.] -------------------------------------------------------------------------------- [Locke in the jungle, kneeling, crying, and banging at the hatch.] LOCKE: I've done everything you wanted me to do, so why did you do this to me?! [A light goes on inside the hatch.]	{"type": "series", "show": "Lost", "episode": "1x19 - Deus Ex Machina"}	foreverdreaming
[We see Jack, Sun and Kate at the caves working on the injured Boone - moving him.] JACK: C'mon, out of the way! I need room. Steady. KATE: Boone, can you hear me? It's okay, we've got you. HURLEY: What happened? KATE: He fell down a cliff. HURLEY: But he was with Locke. JACK: Hold steady. SUN: Jack, his leg. JACK: I know. He's bleeding. Keep him steady, damn it. You've got to press harder than that, Kate. KATE: I know. I'm trying. JACK: Alright, slow now. Slow and gentle. Easy. [They lay Boone down.] Sun, pair of scissors - second drawer in the cart. Second drawer! Diapers in the first drawer. [To Kate] Sun's going to switch places with you. Sun, I need... SUN: [going to where Kate is] Yes, I understand. JACK: Hurley, grab me that first class seat from up there. Also, I need that mesh. We need to create some kind of sterile -- [sht of Hurley looking queasy]. Hurley, I swear to god, if you faint! HURLEY: No -- first class -- mesh - I'm cool. Lord in heaven. JACK: [to Kate] Get to the beach. Ransack Sawyer's stuff. I want his alcohol - rubbing, scotch. [Boone starts making sounds like he's having trouble breathing.] KATE: Jack, what's going on? JACK: His lung just collapsed. Okay. [Jack gets some tubing and peroxide. He pokes a hole in Boone's chest with a small metal stake] Okay, okay, good Boone. Good, Boone, that's good. Good job. Alright, a little bit of tube in that and you're going to be just fine. [to Kate] What are you still doing here? The alcohol, Kate! You want him to live -- get to the beach, now! [Kate runs off and Jack inserts some tubing into Boone's chest to re-inflate his lung. Jack takes a deep breath.] -------------------------------------------------------------------------------- [Flashback - Jack is tying a tuxedo bow-tie on his friend, Marc.] MARC: Alright, damn it, just get the stupid clip-on, huh? JACK: You know why they call it a tie? Because you've got to tie it. MARC: You know why they call it a clip-on? Because you clip it -- on. JACK: You nervous, Silverman? MARC: What the hell do I have to be nervous about? JACK: It's a big responsibility. MARC: I can handle responsibility. JACK: Maybe. But I know that you don't like to get up in front of crowds. MARC: I'll be fine. After about 8 beers, I'll be fine. JACK: She'll bust you, man. MARC: I'll brush my teeth. JACK: She'll bust you. You can still back out, Marc. MARC: Nah, it's just a stupid speech. I'll make you proud. [The Tux Shop Owner comes out carrying another tuxedo.] TUX SHOP OWNER: Okay, groom's turn. MARC: You can still back out, Jack. -------------------------------------------------------------------------------- [On-Island - We see Jack ripping Boone's pants to get to the wound on his leg.] BOONE: Oh, it hurts. JACK: It's a closed fracture but I think I can set it. SUN: His chest, the wound. Can you -- sew him? JACK: He's lost a lot of blood. I wonder how far Locke had to carry him. BOONE: I'm going to die. JACK: [to Boone who's not quite conscious] Boone, listen to me. Listen! You are not going to die. I'm going to fix this, okay? I am going to save you. Act 2 [Claire walking past Jin who's chopping something at the raft. She walks up to Michael, Walt and Sawyer who are cooking fish.] MICHAEL: You've got to flip it or it'll burn, Walt. SAWYER: [to Claire] Hey, mamacita. You want some fish? CLAIRE: No, thanks. I'm not really hungry. [about the raft] How long do you think 'til it's ready? MICHAEL: Maybe a week, maybe less. You okay? CLAIRE: [exiting] Yeah, I'm fine. Alright, I'll see you guys later. SAWYER: She likes me. MICHAEL: Hey, Jin! Jin! Want some fish? Hey, take a break. Eat some fish. [Jin waves him off.] SAWYER: The man's got what I call an overzealous work ethic. MICHAEL: Try obsession. He wants off this Island bad, man. SAWYER: Can't say I blame poor Kato. His lady speaks English all this time and he didn't have a clue? I'm surprised he didn't try to swim out of here. Hell, I would've. KATE: [entering] Sawyer, I need all your alcohol. Now! [Scene of Sawyer putting the liquor bottles into Kate's pack.] SAWYER: How'd it happen? KATE: Locke said that he fell off a cliff while they were out hunting boar. SAWYER: Boar they never seem to get. KATE: Is that it? [referring to the alcohol] SAWYER: Afraid so. You need anything else? I could come with you. KATE: Too many cooks already, but thanks. -------------------------------------------------------------------------------- [Jack is stitching up Boone's chest wounds.] BOONE: I'm sorry. I'm really sorry. I'm sorry. JACK: He needs blood. SUN: What? JACK: Blood. A transfusion. SUN: How will you do that? JACK: I don't know. I'll figure it out. After I set the leg. SUN: Let me. JACK: That's okay. SUN: Let me. Get some air. [Jack goes to regroup and runs into Charlie.] CHARLIE: How is he? JACK: Don't know yet. CHARLIE: What happened out there? Where's Locke? Do you think that... JACK: I don't know! CHARLIE: What, he just took off? JACK: Yeah, Charlie. He just took off. CHARLIE: Where's Shannon? JACK: I don't know. CHARLIE: Well, she's his sister. You don't think... JACK: I don't know where she is! -------------------------------------------------------------------------------- [Flashback - Wedding rehearsal scene. Marc is handing the mic off to Sarah.] MARC: And here she is, the future Mrs. Jack Shepard. SARAH: Thank you. Wow, can I get another microphone? I think this one's been drinking. A little over two years ago, I blew a tire out -- flipped over the center divider into oncoming traffic, and was ht head-on by an SUV. My back was broken. They all said it was irreparable. And then there was Jack. And he promised he would fix me, because that's the kind of guy he is. Because you are the most committed man I have ever known -- because you fixed me, I will dance at our wedding. To Jack, my hero, Jack. -------------------------------------------------------------------------------- [On-Island - sht of Jack examining Boone's leg. Sun enters holding a small stick.] SUN: Give him this -- for the pain. JACK: I think we're a little beyond herbal remedies here. SUN: [putting the stick between Boone's teeth] It is not a remedy. JACK: Will you hold his shoulders? Here we go. [Sun holds Boone while Jack yanks on his leg to set the bone. Boone screams. Hurley is outside the 'ER' tent covering his ears.] -------------------------------------------------------------------------------- [We see Kate running through the jungle. She falls, breaking some of the liquor bottles. She hears some moaning and finds Claire.] KATE: Claire? What are you doing out here? CLAIRE: Nothing. Just leave me alone, please. KATE: Oh god, you're having a baby. Act 3 KATE: Claire, we need to get you back to camp. CLAIRE: I'm fine. I just need to -- I just need to catch my breath. KATE: It's not okay. You're having your baby. CLAIRE: No, I'm not, okay. It's just gas pains, it's fine. KATE: You're having contractions, Claire! CLAIRE: No! I'm bloody not. Can you just leave me alone? KATE: C'mon, I've got to get you to Jack. Please try to stand. Please. CLAIRE: Look, I can't. KATE: [yelling out] Help! Somebody help! [Jin barely hears the yelling down at the beach and takes off running toward the sound.] JIN: [coming across Claire and Kate] 오. 이런. KATE: Jin, I need you to go to the caves and get Jack, okay, you understand? We need Jack. JIN: Jack. Doctor. KATE: Yes. Get the doctor, please come here. CLAIRE: Don't leave me. KATE: Oh, no, no, honey. I won't. I'm not going anywhere, okay? I promise. [Kate hands the pack with the liquor bottles to Jin] Jack, hurry. -------------------------------------------------------------------------------- [We see Jack back at the caves with Boone and Sun.] JACK: Ask him again. SUN: He's in shock. JACK: That's why you need to ask him again. SUN: Boone, can you hear me? What is your blood type? Boone, please listen. What is your blood type? [Jack is trying to make a needle out of bamboo which doesn't work.] JACK: Damn it. SUN: Maybe a smaller piece? JACK: Veins are like a wet noodle -- first you have to find one, then you have to have a hollow needle sharp enough to actually pierce it. I've got bamboo. None of it actually even matters because I don't know his blood type, not to mention that his injuries- BOONE: A-negative. JACK: Boone, what'd you say? BOONE: Shannon, the plane. JACK: [to Sun] Did you hear A-negative? Get Charlie -- ask everyone you can find, everyone, what their blood type is. A negative, okay? And find his sister. Find Shannon. -------------------------------------------------------------------------------- [We see Shannon and Sayid walking.] SHANNON: Where are we going? SAYID: This way. SHANNON: Oh, okay. Are you lost? SAYID: No, absolutely not. Those trees look really familiar. It's this way -- I think. SHANNON: Did you just say: I think? [They come out to the beach where Sayid has a picnic waiting for Shannon.] SAYID: Surprise. -------------------------------------------------------------------------------- [We see Jack holding some branches and throwing them down.] JACK: Damn it. CHARLIE: [entering] I found an A. JACK: Positive or negative? CHARLIE: She doesn't know. I also found two B positives and one AB negative. At least, he thinks so. JACK: Did you find any O negative? CHARLIE: Sun said A negative. JACK: Where is she? CHARLIE: We split up. I thought she'd be back here. JACK: You only asked 4 people? CHARLIE: I asked the whole sodding camp -- no one knows their blood type. I don't know my bloody blood type. JACK: [to Sun who entered] Did you find Shannon? SUN [showing Jack a spiny sea urchin]: No. I was getting you this. [she breaks off a spine] A hollow needle sharp enough to pierce a noodle. JACK: It's perfect. CHARLIE: Not to rain on your proverbial parade but I thought you said we needed someone who was A negative. JACK: Or O negative. CHARLIE: Right, which judging by your tantrum, no one is. JACK: Someone is. CHARLIE: You? Why'd you make- JACK: O negative is universal donor. It's in the ballpark, it's not a match. My blood could put him into anaphylactic shock -- stop his heart. CHARLIE: You mean he'll die. JACK: He's not going to die. -------------------------------------------------------------------------------- [Flashback - We see Jack playing the piano at a hotel bar.] SARAH: [entering] Those girls are checking you out. JACK: You're in your PJs. SARAH: Indeed I am. JACK: Are they cute? SARAH: Who? JACK: The girls that are checking me out. SARAH: Mmm, one of them is kind of cute. The other one's just trashy. Heart and Soul? JACK: You got it. SARAH: I'm taking the easy part. JACK: Of course. [They start playing Heart and Soul on the piano.] SARAH: You know you really don't have to do this if you don't want to. JACK: How do you know I haven't? SARAH: Because you haven't. [she plays the wrong note in the song] Oh, sorry. It was a silly idea. I just -- I read too many bridal magazines. I think it rotted my brain. JACK: Sarah, I want to. I'm going to. I just have to figure out the right way to say it. SARAH: Just vows. JACK: Just vows? [Jack looks toward the hotel entrance and sees a woman getting out of a taxi.] SARAH: Hey, he's going to come. JACK: Yeah, I know. SARAH: So, you stay down here as long as you need to. And when you're ready I'll be upstairs. [they kiss] I cannot wait to marry you Jack Shepard. [Sarah exits. Jack looks pensive.] -------------------------------------------------------------------------------- [On-Island - We see Jin running to the caves to get Jack.] JIN: [to Hurley] Jack, Jack, doctor, Jack! HURLEY: [pointing] Jack. [Jin enters the tent and stops for a second when he sees Sun.] JIN: 그... 그... 해변가 근처 정글에 있는 그 임신한 여자... 지금 애 낳으려고 해요. Claire. CHARLIE: Claire? What about Claire? JIN: 지금 케이트하고 같이 있는데, 빨리 오래요. SUN: He says Claire's with Kate. She's in labor. Just off the beach. CHARLIE: Claire's having the baby? [to Jin] Where, where? JIN: 잭이 필요하대요. SUN: [to Jin] 클레어는 괜찮아요? JIN: 그런 것 같은데, 많이 아픈가봐. SUN: He says he thinks she's okay, but she's in pain. JACK: Does he know how fast the contractions are coming? SUN: [to Jin] 진통은 얼마마다 와요? JIN: 어... 아마... 2분만에... 한번씩? SUN: Every 2 minutes. JACK: Is she nauseous? Can she stand? Is there any bleeding? Did her water break? SUN: [to Jin] 구토 증상은요? 움직일 수 있나요? 하혈은요? 양수가 터졌나요? JIN: 양수가 터진지는 모르겠는데, 움직이지는 못할거야. SUN: No, none of that, but she can't move. CHARLIE: We should go. What do we need -- towels, bandages, hot water? How do we take hot water? JACK: I'm sure you'll figure all that out, alright. [to Sun] You tell Jin to take Charlie with him and go back to Claire. SUN: [to Jin] 당신은 찰리랑 함께 클레어한테 다시 가세요. CHARLIE: Uh, I know. That, that dilating thing -- how do I look out for that? JACK: Charlie, listen to me. Okay, Charlie, look at me. Tell Kate to wait until the contractions are 60 seconds apart, you got that? Now, she's going to need to make sure that Claire pushes, but not too hard, not too fast -- just until the head is clear. And then, as hard as she can. When the baby is out make sure she clears it's nose and it's mouth. CHARLIE: Yeah, but, you'll be there by then, right? JACK: No, I'm not going anywhere. I need to stay here. Now, you tell Kate she's going to have to deliver this baby. Act 4 [Sunset. We see Claire in the jungle with Kate who's tending a fre.] CLAIRE: They've stopped. KATE: That happens, I think. CLAIRE: No, no, no, they're not coming anymore. I'm fine. I'm okay. I'm okay. KATE: No. Claire. CLAIRE: No, no, no. I'm okay, really. [Claire stands up.] KATE: Claire, I don't think that you should be doing... CLAIRE: [looking down] What is that? KATE: I think your water just broke. CLAIRE: No, no, no. KATE: Yeah, no, no, I think you, okay... CLAIRE: No, I can't have the baby now. KATE: Just hold on... CLAIRE: I can't have the baby now! KATE: Just hold on. Jack's coming. Claire, he's coming. -------------------------------------------------------------------------------- [We see Jack doing the blood transfusion, checking Boone.] BOONE: I screwed myself up pretty bad, huh? JACK: Hey. BOONE: My leg, it hurts. JACK: Don't try moving. Can you breathe okay? BOONE: It fell on me. JACK: What fell? BOONE: A plane. It was a plane. JACK: Boone. Boone, Locke said you fell from a cliff. BOONE: No -- it was. It fell -- the plane. It's because of the hatch. We found a hatch. JACK: Boone, Boone, stay with me, man. Hey, stay with me. BOONE: Locke said, John said, John said not to tell. About the hatch. JACK: What did Locke do? What hatch? What... BOONE: Oh, my leg hurts. JACK: Boone? Boone, hey. BOONE: Shannon, Shannon, Shannon... -------------------------------------------------------------------------------- [We see Sayid and Shannon kissing at the beach.] SHANNON: I need to tell you something. SAYID: Alright. SHANNON: My brother, Boone. He's not really my brother. He's my step-brother. Our parents got married when we were, like, 8 and 10. He's kind of in love with me. SAYID: In love with you? And how do you feel towards him? SHANNON: I'll always feel something for him. But am I in love with him in that way? No. Not at all. We're here for god knows how long, and so is Boone. SAYID: Maybe we should go back? SHANNON: I don't want to go back. SAYID: Are you sure? SHANNON: Yes. I just need to take it a little slow. Are you okay with that? SAYID: I had no expectations. SHANNON: Right. SAYID: Hopes, not expectations. -------------------------------------------------------------------------------- [We see Claire in labor.] CLAIRE: Oh, god, that hurts. [Charlie and Jin come running up.] CHARLIE: Hello? Hey, Kate. Claire, is she okay? KATE: Where's Jack? CHARLIE: Couldn't come. KATE: What do you mean he couldn't come? CHARLIE: He's pouring his own blood into Boone's arm right now. KATE: Okay, okay. We'll just pick her up and bring her to him. CHARLIE: No, Kate. KATE: No, we have to take her to him before it's too late. [Jin motions to them to be quiet in front Claire. Charlie pulls Kate a little bit away.] CHARLIE: Look, Jack said you have to deliver the baby. KATE: What? CHARLIE: Now, he talked me through it... KATE: No. CHARLIE: It's relatively simple. KATE: I can't do this. CHARLIE: Yes, you can. I have water. I have towels. KATE: You're not listening to me. I can't deliver this baby. CHARLIE: Well, somebody bloody has to. JIN: [to Claire to try and calm her.] 오래 걸리지 않을거에요. 안정을 취해봐요. CLAIRE: You know I was out there for over a week -- days I can't remember. I mean, what if, what if they did something to the baby? I'm not ready for this. I'm not -- I'm so scared. I'm scared. KATE: I'm, I'm scared, too. But we're going to get through this together, okay? -------------------------------------------------------------------------------- [We see Jack checking Boone's eyes.] JACK: C'mon, Boone. SUN: It's not working. JACK: The blood's not the problem. It's the leg. All the blood's pooling there -- compartment syndrome. He didn't get this injury from a fall. Something crushed his leg. [Sun rips the transfusion tube out of Jack's arm.] JACK: What are you doing? SUN: You've given him enough. JACK: [walking out of the tent] Hurley. HURLEY: Whoa, dude. You alright, man? You're looking kind of goth. JACK: Where's Michael? HURLEY: The beach, I think. JACK: I need you to go get him for me, okay? HURLEY: What for? JACK: Just get him. -------------------------------------------------------------------------------- [Flashback - We Jack sitting at the hotel pool with his feel in the water, drinking from a half empty bottle of alcohol.] CHRISTIAN SHEPHARD: Hey, kiddo. JACK: Hey. CHRISTIAN SHEPHARD: How's the water? JACK: Oh, it's fantastic. CHRISTIAN SHEPHARD: Screaming kid next to me in first class. How does that happen, huh? What you got there? JACK: Oh, Sarah wants us to write our own vows. CHRISTIAN SHEPHARD: [reading from a piece of paper] 'My hearts skips beats at the sound of your voice. My skin warms to the touch of your fingers. Where you go, I will go,' etc. etc. This is very nice. JACK: Those aren't my vows. Those are hers. I stole them out of the room. Can't write mine. CHRISTIAN SHEPHARD: Yeah, well, you're a doctor, not a writer. JACK: Right. CHRISTIAN SHEPHARD: Right. Sarah is a beautiful girl. JACK: Hell, yeah, she is. CHRISTIAN SHEPHARD: Do you love her? JACK: Absolutely. CHRISTIAN SHEPHARD: Then why are you sitting out here? JACK: What if I can't be the husband, or the father, that I want to be? What if I asked her because I saved her life? Should I marry her, dad? CHRISTIAN SHEPHARD: Commitment is what makes you tick, Jack. The problem is you're just not good at letting go. -------------------------------------------------------------------------------- [Sun is with Boone who's going downhill. Jack and Michael are at a cargo container.] MICHAEL: You're saying Locke lied? JACK: He didn't fall. His leg was pinned under something -- something heavy. MICHAEL: Okay, Jack, wait. The cargo container? We've got to do this? What about the axe? JACK: We can't use the axe. SUN: What are you doing? JACK: The right leg is filling with blood. If I don't stop it I won't be able to save him. SUN: You don't mean that- JACK: The leg is dad. [Jack cuts a log in half using the container door.] JACK: There's no other choice. Act 5 [We see Claire in labor.] KATE: Claire, I think this is about the time you're supposed to start pushing, okay? So, push. [Claire holds her breath.] KATE: And, don't hold your breath, honey. You won't be able to push if you -- Claire? Claire, what are you doing? Oh, no, no, no, Claire, you need to push, right now. Don't do this, Claire, okay? You can't stop this -- this is happening. Your baby is coming and I need your help. CLAIRE: It's not going to want me. KATE: What? CLAIRE: It knows I don't want it -- that I was going to give it away. Babies know that stuff. KATE: Do you want this baby now? Hmm? Do you want it to be healthy and safe? [Claire nods] Okay, then the baby knows that, too. You are not alone in this. We are all here for you. This baby is all of ours, but I need you to push, okay? Okay? Alright. 1, 2, 3, push. Good. Good, push! [Charlie and Jin are watching. Charlie looks like he's going to go Claire, but Jin stops him.] CHARLIE: Yeah, right. Okay. -------------------------------------------------------------------------------- [Scene switches to Sun giving Boone water. Boone coughs blood which Sun shows to Jack.] SUN: Jack. JACK: [to Michael] Let's go. SUN: Jack. JACK: On 3... SUN: Jack. JACK: 1, 2, 3... SUN: Why are you doing this? He's bleeding inside. You're not helping him! You can't save him, Jack. You just can't! JACK: Don't tell me what I can't do! Okay, 1, 2, 3, go. [Jack and Michael move Boone to the cargo door and Jack puts a tourniquet on Boone's leg.] JACK: You don't need to see this. MICHAEL: If you need me, shout. [Sun and Jack stare at each other, Sun walks away. Jack gets ready to cut Boone's leg off.] -------------------------------------------------------------------------------- [Flashback - Sarah and Jack at the altar for their wedding.] SARAH: In sickness and in health, in good times and bad, I risk it all because I love you. MINISTER: Thank you, Sarah. Jack has also prepared his vows. Jack, if you would, please. Jack? JACK: I didn't write any vows. I've been trying to for a month, but I couldn't. So I started to wonder why that was. And as time went on it only got worse -- because I'm, because I'm not good at letting go. Or maybe I'm afraid of what'll happen if I fail. But I know one thing. I would've never been able to write anything as beautiful as what you just said. And last night, Sarah, when you were talking about the accident -- you got it all wrong. I didn't fix you. You fixed me. I love you, Sarah, and I always will. [They kiss.] -------------------------------------------------------------------------------- [On-Island - We see Jack as he's about to cut Boone's leg off.] BOONE: Wait. Wait. JACK: I have to, if I don't... BOONE: I'm all messed up inside. You know it. JACK: This is our best chance. BOONE: There's no chance. Really. I mean, look where we are. JACK: I'm not going to let you give up. BOONE: I know you made a promise. I'm letting you off the hook. Let me go, Jack. JACK: I'm sorry. BOONE: Don't be. -------------------------------------------------------------------------------- [See see Claire in labor.] KATE: Breathe, c'mon breathe, breathe, okay, okay. Ready? I think it's close, c'mon. Go, go, go. That's really good. C'mon, I think it's close. Okay, good, good, good. I can see it. I can see the top of its head. I can see it. I can see it, okay. You're almost there. You're so close, you're so close. Ready, ready? C'mon, one more. Push, push, push, push, push! Oh, you have a little boy. [Kate hands the baby to Claire] Your baby boy. CLAIRE: I have a son. I have a son. [Charlie and Jin hug and celebrate.] -------------------------------------------------------------------------------- [Jack lays Boone down.] BOONE: Tell Shannon -- tell Shannon -- tell her... [Boone is gone. Jack closes Boone's eyes.] Act 6 [We see Claire and baby coming out to the beach in the morning. The rest of the castaways greet her and look at the baby. Hurley points out Shannon walking up the beach with Sayid and Jack goes to tell her about Boone. We see Shannon at the caves crying over Boone's body. We see Jack alone on the beach with a backpack and water. Kate enters.] JACK: It's a beautiful, healthy baby. KATE: Want to talk about it? JACK: Talk about what? KATE: Boone died, Jack. JACK: He didn't die. He was mrder. KATE: What? Jack, where are you going? JACK: To find John Locke.	{"type": "series", "show": "Lost", "episode": "1x20 - Do No Harm"}	foreverdreaming
[We see Sayid looking at Shannon sitting at Boone's body. He sits next to her.] SAYID: Is there anything I can do for you? Sun said he wouldn't let Jack take his leg -- he didn't want him using up the antibiotics. She said he knew what was happening to him -- that he was brave. -------------------------------------------------------------------------------- [Flashback - We see Sayid at Heathrow airport in handcuffs being escorted by two guards to a room with intelligence agents from CIA and ASIS.] AIRPORT ANNOUNCEMENT: [while Sayid is being led by the guards] Heathrow airport authority reminds traveling passengers that safety regulations require... AGENT COLE: Okay, Sayid, 18 hours in a holding cell should be enough. Let's get to it, shall we? I'm Melissa Cole from Central Intelligence, this is Robbie Hewitt from ASIS. We're here because you're going to do us a favor. SAYID: A favor? AGENT HEWITT: Last week 300 pounds of C-4 explsives were stolen from an army base outside of Melbourne. The men responsible are members of a trror1st cell intent on disrupting the coalition presence in Iraq. 300 pounds of C-4 - I want it back. SAYID: [to Agent Cole] You're the CIA, plant a few bugs. AGENT COLE: Oh, we have. But you're going to get inside for us. SAYID: I am Iraqi. I am not a trror1st. AGENT COLE: We didn't snatch you up because you are a trror1st, Sayid. We snatched you up because you know one. AGENT HEWITT: Essam Tasir, your roommate at Cairo University. He's a member of the cell. SAYID: And why should I care? AGENT HEWITT: You'd be saving lives. SAYID: I repeat, why should I care? AGENT COLE: Because we know where she is. 7 years since you left Iraq -- 6 months here, 3 months there -- always moving. There's only two reasons a man would do that, Sayid. Either he's running away from something, or looking for something. [she shows Sayid a picture of Nadia] Noor Abed-Jazeem. SAYID: Nobody calls her Noor. AGENT COLE: You want to know where she is? Then we're going to Sydney. -------------------------------------------------------------------------------- [On-Island - sht of Kate walking slowly through the jungle. She finds a strip of white fabric and then hears Jack approaching.] JACK: Kate? What are you doing out here? KATE: Looking for you. JACK: Well, you found me. KATE: You're walking in circles. You need to come back. JACK: Not without Locke. KATE: You haven't slept. You gave Boone your own blood. JACK: Locke lied. KATE: Well, now you're- JACK: He lied, Kate. Boone did not fall off any cliff. His leg was crushed, and I based my medical treatment on his lie. KATE: People are scared and upset. They don't know what's going on. We need you to come back, Jack. Please. -------------------------------------------------------------------------------- [We see Hurley and Jack carrying Boone's body to the burial site, regulars and redshirts in tow.] JACK: Shannon? Do you want to say something? SHANNON: No. [Long pause.] SAYID: I didn't know Boone very well, and for that I am sorry. On our 6th day here a woman named Joanna died. She drowned. And Boone was the first one into the water. I didn't know him, but I remember his courage. And I know he will be missed. LOCKE: [off camera] It was my fault. We found a plane, a Beechcraft, in the jungle. It was lodged in the canopy so -- I would have gone up, but I -- my leg was hurt so he -- there was a radio inside and he thought he could -- look, his weight must have made the plane shift and it fell -- and -- it happened because he was trying to help us. He was a hero. JACK: Where were you? Where were you? Where the hell were you, you son of a bitch?! [Jack runs at Locke and tackles him] What did you do to him?! [Charlie and Sawyer pull Jack off of Locke.] CHARLIE: Hey, wait, wait, Jack! JACK: Where were you?! You left him to die! You lied to me! Where were you?! Act 2 [We return to scene on the beach. Charlie, Sawyer, and Kate are holding Jack back.] CHARLIE: Jack, okay, it's okay. JACK: Where were you?! Where were you?! KATE: Jack! Jack, what's the matter? Are you okay? Are you okay? [Jack collapses.] SAWYER: Get some water! CHARLIE: Breathe. He's okay. Just breathe, Jack. -------------------------------------------------------------------------------- [We see Jack and Sayid walking through the beach camp. Kate and Sun behind.] JACK: He's lying. SAYID: You're suffering from fatigue. JACK: Locke told Boone not to tell. SAYID: Tell about what? JACK: Something about a hatch. Locke's hiding something. SAYID: Jack, lis- JACK: Look, the man is hiding something. SAYID: Jack, listen to me. What we need is for the one doctor on this Island to get some sleep. JACK: I'm fine. I don't need it. KATE: Jack. SUN: You need some rest. C'mon. -------------------------------------------------------------------------------- [Flashback - We see Sayid in a Mosque praying. sht of Essam looking at Sayid and whispering to the guy next to him. Sayid walks out.] ESSAM: [outside the Mosque] Sayid! Sayid, it is you. SAYID: Essam. ESSAM: I see you haven't forgotten me. [They embrace in greeting.] SAYID: Hardly. ESSAM: What are you doing in Sydney? SAYID: I've been traveling, and you? ESSAM: I live here -- almost a year now -- I'm a tree-cutter. I cut trees. SAYID: It sounds like good, honest work. ESSAM: So much for my philosophy degree, huh? SAYID: Whatever puts food on your table. How is Zahra? ESSAM: She died -- stray bmb while she was shopping for a dress. SAYID: I'm so sorry. ESSAM: Listen, listen, we've got a lot of catching up to do. Why don't you come over? SAYID: I'd love to. -------------------------------------------------------------------------------- [We see a Half Life video game being played in the apartment of Essam. Essam brings Sayid some tea, while two other guys (Yusef and Haddad) play video games.] YUSEF: Damn it. I'm out of amo. HADDAD: Use the crowbar. YUSEF: That only works on the zombies, not the big bugs. HADDAD: Indeed. SAYID: The 3 of you live here? ESSAM: Sydney's very expensive. This is the best we can afford. HADDAD: And what is it you do, Sayid? SAYID: At the moment I'm at liberty. ESSAM: He's on holiday. You'll love the beaches here. There's something to be said for Australian women. [Sayid notices a smoke detector.] SAYID: [while walking to the smoke detector] I've had the misfortune of being landlocked for several years. The last beach I was at was Sharm-el Sheikh with you Essam -- remember, before our English exams? [Sayid holds a cigarette to the smoke detector which doesn't go off] I hear the beaches here are very nice, especially the women. [he pulls a bugging device out of the smoke detector] Perhaps we can go. [he puts the bug in a glass with liquid] So tell me exactly what kind of trees do you cut? HADDAD: Who are you? SAYID: I was a communications officer. ESSAM: Sayid was Republican Guard. He knows things. HADDAD: Perhaps it's not happenstance that you and Essam met at the Mosque. Perhaps it is fate. -------------------------------------------------------------------------------- [On-Island - We see Claire at the beach with the baby.] CLAIRE: It's okay. Look, I'm fine, really, okay? CHARLIE: You need rest, Claire. Sun, tell her. SUN: In a hospital they would have you sleep. The nurses would take your baby. CLAIRE: Yeah, but I'm not in a hospital. CHARLIE: Well, all the more reason to take extra care, Claire. Look, it's okay, I can take care of turnip-head for a while. CLAIRE: Turnip-head? CHARLIE: It's just what I'm calling him until you give him a name because his head -- it's like a turnip. CLAIRE: What if he needs something, okay? CHARLIE: You'll be there for him -- after you sleep. CLAIRE: No, okay? No. CHARLIE: Claire, no one is going to take this baby away from you. No one. CLAIRE: You don't know that, okay. You can't say that. CHARLIE: I won't let anything happen. CLAIRE: [handing the baby over] Just be really careful, okay? Make sure if he gets hot that you take his blanket off -- his neck, okay, got his neck? CHARLIE: Got it. -------------------------------------------------------------------------------- [We see Shannon sitting alone on the beach. Locke enters and sets down Boone's knapsack.] LOCKE: This was his. I didn't go through it. SHANNON: Thank you. LOCKE: Welcome. Storm coming. I should have said no -- the first time he offered to hunt with me I should have said no. SHANNON: He would have gone anyway. LOCKE: Yeah, I suppose he would have. I know how confused and angry you must be right now. I can't say I understand what you're going through, but I know what it feels like when you lose family. I hope you can forgive me. I'm sorry. [Locke exits. Shannon looks after him with tears in her eyes.] -------------------------------------------------------------------------------- [We see Sayid working on a piece of electronic equipment.] SHANNON: You asked if you could do anything for me. SAYID: Anything. SHANNON: John Locke klled my brother. Will you do something about that? Act 3 [We see Jack and Kate at a tent on the beach. Jack is drinking something which he tries to give to Kate.] KATE: Little more. JACK: No. KATE: You need to get your blood sugar level up. JACK: Look, enough already. I've rested. [Jack tries to get up.] KATE: Jack. JACK: I'm fine. KATE: Where are you going? JACK: I'm going to go talk to Locke. KATE: You need to lie down. JACK: No, I don't. KATE: I strongly advise it. JACK: Advise? [Jack is disoriented and lies back] Advice -- alright, what's going on now? KATE: Lie down, okay. I crushed up some sleeping pills -- put them in your juice. JACK: Why would you -- you drugged me? KATE: Yeah. JACK: Oh, okay. [Jack becomes unconscious.] KATE: Night. -------------------------------------------------------------------------------- [We see Locke cleaning out his blood soaked shirt at the caves. Walt walks by and Locke waves, but Walt keeps walking. Sayid enters.] SAYID: How did you get that? [Referring to a scar on Locke's back.] LOCKE: wr wound. SAYID: Looks more like a surgical scar. LOCKE: Like I said, wr wound. SAYID: The plane's radio? Was Boone able to pick up a signal? LOCKE: I was on the ground, all I could here was static. SAYID: But it was working? LOCKE: Yeah, but I can't imagine it survived the fall. SAYID: Some of its parts might work in the transmitter I'm building for the raft. If you'd be willing to take me? LOCKE: Of course. -------------------------------------------------------------------------------- [Locke and Sayid walking in the jungle.] SAYID: How did you find this plane? LOCKE: Luck. SAYID: You and Boone were hunting. LOCKE: Was that a question? SAYID: Yes. LOCKE: The boar got scarce a couple of weeks back. We weren't hunting, we were exploring. SAYID: So you just happened upon a Beechcraft perched in the trees? LOCKE: Yep. SAYID: At the funeral you said your leg was injured. LOCKE: It was just a charlie-horse. A cramp. SAYID: I know what a charlie-horse is, John. LOCKE: Back in Iraq you were an interrogator. SAYID: Is that a question? LOCKE: Yeah. SAYID: A long time ago I was. LOCKE: Well, you haven't lost your touch. SAYID: Why would I interrogate you, John? LOCKE: Jack called me a liar in front of every man, woman and child I've come to know over the past month. Maybe there's a part of you that thinks maybe there isn't a plane out here at all. SAYID: I know when I'm being lied to. There's a plane. [They come upon the plane.] LOCKE: Like I said, you haven't lost your touch. -------------------------------------------------------------------------------- [Flashback - We see Sayid and Essam playing soccer in a park.] SAYID: You've lost your edge, old man. ESSAM: I never had one when playing against you. SAYID: Were you always this slow? ESSAM: C'mon, c'mon, let's keep playing. SAYID: You have to get out of that apartment -- practice more. ESSAM: Haddad would like that -- more blending in with the community. SAYID: I think he's got his eye on a target. ESSAM: What makes you say that? SAYID: For the last 2 weeks he's been asking me about explsives -- blast radius, transport. ESSAM: Haddad's very thorough. SAYID: Do you know if he's gotten hold of any yet? ESSAM: explsives? I don't know. All I know is there's going to be an operation -- and there is going to be a martyr. SAYID: You? ESSAM: Haddad told me this morning. C'mon let's keep playing. C'mon -- I'll wipe the floor with you. SAYID: Essam, what is it, huh? What is it? ESSAM: I don't think I can do it. -------------------------------------------------------------------------------- [We see Sayid at a dock with Agents Cole and Hewitt.] AGENT COLE: You're kidding me, right? SAYID: Listen to me, I can get Essam to turn himself in. He wants out. AGENT COLE: Does he know where the C-4 is? SAYID: The other two are the one's you want. Essam's confused- AGENT COLE: Does he know where it is? SAYID: No. AGENT COLE: Then he's useless. These cells run top down. It's all need-to-know. The recruit's handed a bmb and target at the last possible moment. The only way to find that C-4 is to wait for Essam to walk out that door with a target to ht. SAYID: He's in over his head. He doesn't even know why he's doing it... AGENT COLE: That's why you're going to convince him to go through with it. SAYID: No. No, I will not. AGENT HEWITT: Excuse me? SAYID: I'm done. It's over. AGENT HEWITT: No, no, you're not even close to being done, my friend. SAYID: What are you going to do? Arrest me? AGENT COLE: No, we'll arrest her. Your girlfriend's an Iraqi living abroad with a record of insurgency. Wouldn't it be terrible if she got picked up as an enemy combatant, Sayid? So, if you want any chance of ever seeing her again you're going to go and talk your good friend Essam into blwing himself up. -------------------------------------------------------------------------------- [On-Island - We see Charlie walking the beach with a crying baby.] CHARLIE: The itsy-bitsy spider climbed up the spout, down came the rain and drowned the spider out... HURLEY: Dude, it's washed -- washed the spider out. Unless it's some kind of British version? CHARLIE: Oh, okay. Down came the rain and washed the spider -- oh, bollocks, shhhh, shhh, shhh. HURLEY: What's the matter, man? CHARLIE: Well, I can't get the bloody thing to stop crying. HURLEY: Maybe it's hungry? CHARLIE: Nope, Claire nursed him 5 times. HURLEY: Any deposits? You know, diaper-wise? [Charlie sniffs the baby and shakes his head.] HURLEY: Alright, it's time to break out the big gn. [Hurley starts singing I Got You (I Feel Good) but the baby keeps crying] Dude, that's all I got. -------------------------------------------------------------------------------- [See see Sayid and Locke at the plane.] SAYID: [tasting the stuff in the baggies] Heroin. LOCKE: The cargo hold's full of it. The best I can figure it -- they were smugglers. SAYID: The plane was perched in the canopy? LOCKE: Right up there. SAYID: And Boone climbed up by himself because of your charlie-horse? LOCKE: Yes, that's right. SAYID: Why did you lie? LOCKE: I made a mistake. SAYID: I'm going to salvage what I can of the radio. If we leave now we should bat the storm back. LOCKE: Why don't you trust me, Sayid? SAYID: For one thing, you've been carrying a gn you've told no one about. LOCKE: [taking the gn out of his pocket and giving it to Sayid] We found one of the smugglers about a half a click West of here dressed as a priest -- Nigerian currency in his pockets, and this. Now you're armed and I'm not. Does that earn me any trust? SAYID: You gave this to me because I caught you concealing it. That earns you adaptability. LOCKE: Okay, I'll tell you something you don't know. SAYID: Please do. LOCKE: The first week after the crash there was a cave in. Jack was trapped. Do you remember that? SAYID: Of course. LOCKE: You, Kate and Sawyer went out into the jungle to try and triangulate a signal. SAYID: Yes. LOCKE: You were ht from behind -- knocked unconscious? When you woke up your transceiver, your equipment was destroyed. That was me. Act 4 [Sayid grabs Locke by the neck and puts the gn to his throat.] SAYID: This is one time you'd better not be telling the truth. LOCKE: I did what was in everyone's best interest. SAYID: You ruined my chance to find the source. LOCKE: The source of a distress call that kept saying they're dad, it klled them all, over and over? Is that a place you really want to lead people to? SAYID: Why wait all this time? Why not tell me then? LOCKE: Because back then you wouldn't have engaged in reasonable debate, and nobody else would have. You were all so focused on getting off the Island that you weren't seeing things clearly. It's like what's happening now with the raft. SAYID: Did you burn the raft, John? LOCKE: No, Sayid, I didn't. SAYID: What is the hatch? LOCKE: The hatch? SAYID: Boone mentioned it before he died. LOCKE: A hatch? Two hatches on a plane, Sayid, could be forward or aft. [Sayid lowers the gn.] -------------------------------------------------------------------------------- [Flashback - We see Sayid and Essam walking in Sydney.] ESSAM: I'm not sure if I can do this. SAYID: You would not be a martyr if you didn't have to overcome fear, Essam. ESSAM: I'm not afraid to die. It's all the innocent lives -- all those people. The Imam preaches peace, Sayid. Every human life is sacred. SAYID: It's true, innocent lives will be lost -- in service of a greater good. ESSAM: What if I'm doing this because I'm angry? What if I'm doing this because they klled her? SAYID: What if you are? Should we just accept what happened to Zahra? Do we just accept their deaths? Because if we do, it means that ultimately we can do nothing about them. I lost someone, too, Essam. I will never be whole again. There need to be consequences for those responsible. That's my duty. That is how I will honor her. ESSAM: Haddad was right, it was fate that brought us back together. Sayid, will you do this with me? SAYID: I will. -------------------------------------------------------------------------------- [On-Island - We see Shannon looking through Boone's knapsack -- she finds a picture of her and Boone. Sayid enters.] SAYID: How are you? Do you want to take a walk? SHANNON: Sure. SAYID: I spoke to Locke. SHANNON: What did he say? SAYID: He took me to the plane. I believe what happened was an accident. SHANNON: Then why did he lie? SAYID: I have no idea. But I don't believe he meant to harm Boone. SHANNON: So that's it? SAYID: I know how strong the need can be to find someone to blame. SHANNON: You don't get it, do you? SAYID: Shannon. SHANNON: Just forget about it, okay? -------------------------------------------------------------------------------- [We see Michael, Walt and Jin at the raft.] WALT: How much weight can this hold? MICHAEL: I don't know. A lot. Enough. JIN: 그거... 조여줘요. MICHAEL: Yeah, yeah, tighter. Got it. WALT: What if it tips over? MICHAEL: It won't. That's why we made it this wide. There, that should do it. Right? Good? JIN: Good. MICHAEL: Alright. WALT: What if a shark attcks? MICHAEL: A shark's not getting anywhere near us, man. WALT: What if we die? MICHAEL: We are not going to die. WALT: Boone died. CHARLIE: [entering with the crying baby] Hey, Michael, do you know anything about babies? I can't get this little guy to be quiet. MICHAEL: Walk with him, he'll calm down. CHARLIE: Yeah, I tried that. Hey, Jin, have you seen Sun? JIN: 어? CHARLIE: Sun. I need some help with this baby. JIN: No. CHARLIE: Okay. SAWYER: [entering] Hey, Chuckie, want to keep that kid quiet? Baby Huey's like nails on a chalkboard. CHARLIE: [the baby is quiet] Oh, there you go. You happy now? [the baby starts crying] SAWYER: I was. If you're going to play nursemaid, at least do the damn job. [the baby quiets at the sound of Sawyer's voice] CHARLIE: Hey, say something else. Just say something, say anything. SAWYER: Okay, fine. I liked that thing a lot better inside than I like it outside. [Sawyer starts walking away and Charlie follows.] SAWYER: What? -------------------------------------------------------------------------------- [We see Jack wake up with Kate by his side.] KATE: Hey -- brought you something to eat. JACK: What's in it, chloroform? KATE: Soup. JACK: Thanks, but I think I'll -- [Jack notices the key to the gn case is missing] Who was in here? KATE: I don't know, what's the matter... JACK: Was anybody in here? KATE: No, why are you... JACK: The key to the gn case, it's gone. [We see Kate and Jack walking, they come upon Sayid.] KATE: Maybe it fell off this morning. JACK: It didn't fall off. SAYID: What's going on? JACK: Locke took the key -- he's after the gn. KATE: I haven't seen him all day, you don't know that... JACK: No, then who was it? SAYID: Jack, it wasn't Locke. -------------------------------------------------------------------------------- [We see Shannon in the rain getting a gn from the case.] Act 5 [Flashback - We see Sayid coming out of a door. A van with Haddad and Essam pulls up.] HADDAD: Sayid, get in. It's time. [The van pulls into a warehouse type location and Haddad moves to open the back of a truck filled with explsives.] HADDAD: Stay relaxed and focused; drive with the windows down -- the fresh air will keep you alert. You will need to wear these [handing them uniform-type jackets]. If you run into any problems use this [handing Essam a gn]. You are heroes. Good luck. [Haddad exits. Essam prays and starts the truck.] SAYID: Essam stop. ESSAM: Don't be nervous, brother. We'll be okay. SAYID: I'm working with the CIA. ESSAM: What? SAYID: I'm going to give you 10 minutes to get away before I call them. ESSAM: You set me up? SAYID: Essam, just go. ESSAM: Why would you do this to me? SAYID: You're wasting time. ESSAM: You said we were going to do this together. You said you lost someone. SAYID: Her name is Nadia. We were separated years ago. They know where I can find her. ESSAM: You used me to find a woman? [Essam puts the gn to Sayid's throat] You talked me into this. SAYID: Essam, don't. ESSAM: You said it was for the greater good. SAYID: I'm begging you to go. ESSAM: You said you were my brother. You were supposed to be my brother, my friend. SAYID: I am your friend. ESSAM: A friend who told me to do this for Zahra just so you could find some woman that you love?! [Essam is about to sht Sayid, but stops.] ESSAM: Well, then, Sayid, I hope she makes you whole again. SAYID: Essam! [Essam sht himself.] -------------------------------------------------------------------------------- [On-Island - We see Sayid, Jack and Kate running through the jungle in the rain. Jack stops and kneels, feeling sick. Kate stops.] JACK: Go! Go. [Kate helps Jack up. Sayid continues running until he finds Shannon holding a gn on Locke.] LOCKE: She doesn't believe me, Sayid. SAYID: Shannon, Shannon, please listen to me. SHANNON: He did it. I know it. SAYID: You're not thinking rationally. You've never fired a gn before. [Shannon fires the gn between Locke and Sayid.] SAYID: Shannon, you don't want to do this. SHANNON: Yes, I do! SAYID: If you do it, you can never take it back. [Jack and Kate enter.] SHANNON: Stay back! What did you do to him?! LOCKE: I told you it was an accident. JACK: Shannon. SHANNON: Jack, you told me he was a liar! [Shannon fires as Sayid tackles her. Locke falls.] SAYID: I'm sorry. SHANNON: Don't. Get away. SAYID: Shannon. [Kate runs after Shannon. Locke sits up with a bllet graze on his forehead. Jack looks disgusted and exits.] Act 6 [We see Sawyer sitting with Charlie and the baby.] SAWYER: [reading from a magazine] The low rumble breaks the crisp fall air as a flash of red streaks down the maple-dappled Vermont highway. [he stops and the baby starts fussing] The 32 valve V-8 engine purrs as the transmission clicks down a gear and the vehicle unleashes all 400 horses and 350 pound feet rear-wheel torque. [Claire approaches. The baby starts to cry.] CHARLIE: [to Sawyer] Keep going. Keep going. CLAIRE: Charlie. [Charlie shushes Claire and motions into the shelter.] SAWYER: Beneath the hood the 4.4 liter power plant features a fully integrated super-charger made into a 6 speed transmission from the manual sequential shift feature. CHARLIE: Keep going. SAWYER: This smooth-riding sports car offers a bewitching blend of taste, comfort and economy. -------------------------------------------------------------------------------- [We see Sayid looking at Shannon sitting alone at the beach by a fre. Kate enters.] KATE: She just needs time. She's been through a lot. SAYID: Time won't make a difference. Perhaps I made a mistake. KATE: You couldn't let her kll Locke. You had no choice. SAYID: There's always a choice. -------------------------------------------------------------------------------- [Flashback - We see Essam's body being wheeled away.] AGENT COLE: She lives in Irvine, California, just south of Los Angeles -- works as a lab-tech at a medical testing company -- plane ticket, walking around money, you're on an Oceanic flight to LA. It leaves in two hours. SAYID: What happens to his body? AGENT COLE: He was a trror1st so he's not exactly getting a state funeral. SAYID: What happens to his body? AGENT HEWITT: After it's released; he'll be cremated. SAYID: A Muslim man is supposed to be buried. AGENT HEWITT: Yeah, well, there's no one to claim the body. SAYID: I'll claim him. AGENT HEWITT: You can't claim him when you're on a plane in 2 hours, mate. SAYID: Then change my flight to tomorrow. [The agents nod in agreement.] -------------------------------------------------------------------------------- [We see Locke at a fre putting a salve on his wounded forehead.] SAYID: How's your head? LOCKE: It'll heal. SAYID: Another w*r wound. LOCKE: I know what it cost you to do what you did. Thank you. SAYID: I did it because I sense you might be our best hope of surviving here. But I don't forgive what you did. And I certainly don't trust you. And now, you're going to take me to the hatch. LOCKE: Hatch? -- I already showed you the... SAYID: John, no more lies.	{"type": "series", "show": "Lost", "episode": "1x21 - The Greater Good"}	foreverdreaming
Act 1 [Flashback - Landscape of a corn field. A car drives up to a motel. A blond gets out and changes Nebraska plates to Ohio plates on her car. A couple of kids and a dad exit a motel room, leaving the door slightly ajar. A maid walks by with a cart and stops to clean the room next door. The blond grabs a towel and shampoo off the cart and enters the room with the open door, putting out the Do Not Disturb sign as she enters. The blond dyes her hair and takes a shower. Reveal of Kate.] -------------------------------------------------------------------------------- [Kate enters the motel office and talks to the desk attendant, Sanjay.] KATE: Hi. I'm expecting a letter -- hold for guest arrival. SANJAY: Sure, what's your name? KATE: Joan Hart. SANJAY: [handing her a letter] Oh, Joan Hart. -------------------------------------------------------------------------------- [We see a hot of the license plate: Ohio: the heart of it all!/DPN 924A/Shelby. We see Kate reading a letter and crying. She's holding a stack of 20 dollar bills.] -------------------------------------------------------------------------------- [On-Island - We see Kate on the beach holding the airplane. Charlie enters.] CHARLIE: Platinum. KATE: Platinum? CHARLIE: As in platinum record -- as in a million units sold. Now, Drive Shaft's albums must have spiked when everybody found out that I died in some catastrophic plane disaster. When I come back, alive, it's going to be insane. KATE: So you think the raft's going to work? CHARLIE: Yeah, of course it will work, look at that thing. It's not a raft. They built a sodding boat. And when they get picked up, the helicopters will come, making us ridiculously and eternally famous. What's the matter, don't you want to be famous? [Kate turns to look at a ruckus over at the raft.] KATE: What do you think is going on over there? ARZT: Sure, you can absolutely wait a few weeks before you launch. I was just assuming you didn't want to die. MICHAEL: So, when is the next time we can launch? ARZT: 3, maybe 4, months. SAWYER: C'mon, even a weather man on TV don't know what's going to happen. Why are we listening to Arzt? ARZT: Because I'm a doctor, and you're a hillbilly. SAWYER: You're a damn high school science teacher. JACK: Hey, Sawyer, just let the man talk. ARZT: It's been raining every afternoon. That means that we are on the cusp on monsoon season. Monsoon season is bad. Now, the trade winds are blwing north right now -- shipping lanes are north -- so north is exactly where you want to be. MICHAEL: What does that mean? ARZT: It means that when monsoon season hits the trade winds are going to shift to the south. The raft goes with the wind. Can anyone tell me what is the only piece of land that is south of us? JACK: Antarctica. ARZT: That's right, Jack, Antarctica. MICHAEL: So, when do we have to leave? ARZT: Yesterday. [We see Kate catching up to Michael walking along the beach.] KATE: So obviously you believe him? MICHAEL: Arzt? I don't know, but I'm not taking any chances. KATE: You think you'll be ready by tomorrow? MICHAEL: The man said not a day to waste. KATE: Supplies all set? You've got food, fresh water? MICHAEL: Kate, no offense, but I've got work to do. Why the sudden interest? KATE: Because I'm going with you. Act 2 MICHAEL: Look, the raft's full -- we need 4, we got 4. KATE: Including Sawyer? MICHAEL: Including him. We needed the stuff he had so he bought his way on. KATE: To the first raft, which brned. MICHAEL: You know, I'm not going to get into semantics with you. I told the guy... KATE: He doesn't even know how to sail. MICHAEL: And you do? KATE: I spent 2 summers crewing J boats. I know my way around a sailboat. MICHAEL: Yeah, maybe so, but a deal's a deal. I'm sorry. KATE: You're bringing Walt, too? I'm just saying it's dangerous. MICHAEL: I decide what's best for my boy. And right now, what's best for him is to get the hell off this Island. The raft's full. -------------------------------------------------------------------------------- [Flashback - We see Kate with a large bouquet of flowers walking down a hospital corridor. She walks up to a nurses station.] HOSPITAL ANNOUNCEMENT: [in background] Hospital chaplain to the neural ICU. Hospital chaplain please report to the neural ICU. KATE: I have a delivery for Diane Jansen. NURSE: Right, she just came up from ICU. She's in room 208. It's around the corner to your right. KATE: Thanks. NURSE: You're welcome. [Kate sees an officer guarding a room and uses the flowers to hide her face as she passes.] -------------------------------------------------------------------------------- [We see a doctor getting into his car.] KATE: [from the back of the car] Hey, Tom. TOM: Oh, Katie. What are you doing here? KATE: Diane's dying of cancer. I thought I owed it to her to come see her. TOM: I heard. I'm sorry. KATE: Yeah, me too. TOM: So any particular reason why you're hanging out in the back of my car? KATE: I need your help. -------------------------------------------------------------------------------- [Back at the beach, Sun approaches Jin as he's working on the raft.] SUN: 당신도 갈 거에요? 여보, 제발 나랑 얘기 좀 해요. [Subtitle: Are you going? Please Jin, talk to me.] JIN: 나도 갈 거야. [Subtitle: Yes, I'm going.] [Sun walks away.] -------------------------------------------------------------------------------- [We see Jack and Sayid walking in the jungle.] JACK: How much further? SAYID: We're almost there. JACK: You want to tell me where we're going, Sayid? SAYID: It's better that you see it for yourself. JACK: No, I'm not so sure that it is. Tell me why you brought me out here or I'm going to turn around. LOCKE: [appearing] He brought you out here because I asked him to. I asked him not to tell you. I wanted you to have an open mind. JACK: Open mind about what? [Locke motions for Jack to follow him. They walk to the Hatch.] JACK: My god, what is this thing? LOCKE: Exactly. I guess it's time we talked about this. -------------------------------------------------------------------------------- [We see Michael dragging a metal-looking thing to the raft. Sawyer's drinking water.] SAWYER: Yo, chief, dumb question here -- we're sailing out in the ocean, right? MICHAEL: Do you mind? SAWYER: Sulu over here is packing a suitcase full of salted fish. MICHAEL: Yeah? SAWYER: We can't catch fish? MICHAEL: Do you know anything about surviving at sea -- sailing, navigating, steering a raft? SAWYER: Do you? MICHAEL: It doesn't matter what I know, I built it. Maybe you are the wrong guy to go on the raft. SAWYER: You're going to vote me off, Mickey? And who the hell's going to take my place? -------------------------------------------------------------------------------- [We see Kate burning the photo of a passport. Sawyer enters.] SAWYER: What the hell do you think you're doing? KATE: I'm sorry? SAWYER: Don't give me the awe-golly eyes. Michael just told me you were jockeying for my spot on the raft. KATE: I was just asking some questions. He must have misunderstood me. SAWYER: [grabbing Kate's arm] I know what you're doing. KATE: Yeah? SAWYER: Yeah, just like I know why you wanted that Halliburton case so bad -- the one that belonged to that U.S. Marshal who was flying with us. You were his prisoner. KATE: Let go of me. SAWYER: The only chance of running is getting on that raft, ain't it? We get picked up by a ship and they come back to rescue the rest of you all -- there's going to be a nice big asterisk next to your name. Don't worry puddin', your secret's safe with me. But just so you know -- no way in hell you're getting my spot on that raft. KATE: Hey Sawyer. I want your spot, I'll get your spot. -------------------------------------------------------------------------------- [We see Michael and Jin working on the raft. Walt enters.] MICHAEL: Hey, give me that water, man. WALT: [tossing a water bottle to Michael] Yo, dad. MICHAEL: Thanks. WALT: So what were you and Sawyer arguing about? MICHAEL: I told him something he didn't want to hear. WALT: Why does he want to get on the raft so much? MICHAEL: Because he knows it's going to work. WALT: When we get rescued we're going to come back for everybody else, right? MICHAEL: Yeah, sure, of course. The thing is -- this Island, uh, is, uh -- finding it again might be hard. WALT: Can't we fly around and look for it? MICHAEL: Absolutely, but there's no guarantees. That's why you and me- [Michael is suddenly unsteady and sick.] WALT: Dad? MICHAEL: Oh [he chuckles to play it off]. That's why you and... [Michael doubles over in pain] WALT: Dad! Dad! MICHAEL: Get Jack. [Walt leaves.] Act 3 [We see Walt running through the jungle. He comes upon Kate and Sun.] WALT: Help! I need help. It's my dad. KATE: What's the matter? WALT: His stomach is really bad. KATE: [to Sun] Take him back to Michael. I'll go get Jack. SUN: Okay. Let's go. WALT: This way. [We see Kate running through the jungle.] KATE: Jack! Jack! -------------------------------------------------------------------------------- [We see Jack, Locke and Sayid at the Hatch.] JACK: How long have you known about this? LOCKE: 3 weeks, give or take. JACK: 3 weeks. You've been out here for 3 weeks digging this thing up and you never told me about it? LOCKE: All due respect, Jack, but since when do I report to you? JACK: All due respect, John, but you lied. LOCKE: How long did you have that case full of gn before you decided the rest of us needed to know? You used your best discretion. I used mine. JACK: So how do we open it? SAYID: What? You want to open it? JACK: Yeah. SAYID: We should bury it! I brought you here to talk him out of this insanity. Anything could be inside! JACK: Best case scenario there's supplies -- worst case, we use it as a shelter. SAYID: Actually, Jack, I can think of much worse cases than that. You notice anything about this hatch? There's no handle. Could the reason for that be more obvious?! Maybe it was never meant to be opened from the outside. -------------------------------------------------------------------------------- [We see Locke, Jack and Sayid walking back to camp. They hear Kate calling out to Jack.] KATE: Jack! Jack! JACK: Yeah, over here! KATE: It's Michael, something's wrong. -------------------------------------------------------------------------------- [We see Michael in pain at the beach. Jack is examining him.] JACK: What'd you eat today? MICHAEL: Uh, fruit, fish. JACK: You drinking enough water? MICHAEL: 2 or 3 bottles. JACK: Where are you getting that water from? MICHAEL: You know, the caves, like everybody else. JACK: Alright, listen, Michael, just take it easy, okay? You stay in the shade and try not to move too much, okay. MICHAEL: No. We have to launch that raft tomorrow. We have to. JACK: I know, I know. I need you to lay back. [Jack and Locke walk off. Kate helps Michael.] KATE: Lay down. Just lay down, okay. -------------------------------------------------------------------------------- [Flashback - We see Kate at Tom's place, looking at pictures of his wife and kid on the refrigerator.] TOM: [on the phone] Hello? Hey, Adam, hey, listen can you carve out some time for me on the MRI? Yeah, it's a favor for a friend of a friend. Um, no, that would work out great, okay. Yeah, thanks, Adam. [He hangs up the phone and sees Kate looking at the pictures.] His name's Conner. KATE: How old is he? TOM: 22 months next week. KATE: He's beautiful. TOM: Yeah, well, it's Rachel, it's not me. KATE: Where is she? TOM: She's over in Cedar Rapids visiting her folks. They get back on Sunday. I got Diane in for an MRI. Now, they'll bring her downstairs to radiology. The appointment's not til 5am, so, we've got about 3 hours to kll. KATE: Tom... TOM: You're welcome. KATE: You think it's still there? TOM: What? KATE: You know what. TOM: It's the middle of the night, Katie. KATE: We might not get another chance. -------------------------------------------------------------------------------- [Kate and Tom drive up under a big tree and get shovels out. Kate counts off 6 paces and they start digging.] -------------------------------------------------------------------------------- [On-Island - We see Locke and Jack walking on the beach.] LOCKE: What do you think it is? Heatstroke? JACK: No, he would have felt that coming on. LOCKE: Bad fruit maybe? Raw fish? JACK: Michael and Jin are on the same diet. LOCKE: Well, Jin's fine. JACK: [looking at a cooler of water bottles by the raft] Jin's fine. What was making him sick was metabolized fast. It ht him quick and it ht him hard. LOCKE: So you think it was the water. JACK: [showing Locke the bottom of a water bottle with some white deposits] No, I don't think it was the water. I think it was something in the water. Act 4 [We see Jin and others working on the raft. Jack is with Michael.] JACK: Feeling any better? MICHAEL: The cramps are quieting down -- as long as I don't move, or, -- or breathe. [Jack gets some water for Michael and notices Hurley talking to Locke.] MICHAEL: You and Locke kiss and make up? [Jack shakes his head.] Good. [Michael reaches for his water bottle. Jack stops him and gives him a different one.] JACK: No, Michael. MICHAEL: What? JACK: Drink from that one. MICHAEL: Somebody did this to me? JACK: I don't know. I'm not sure of anything yet. MICHAEL: Sawyer. [Hurley talking with Locke.] HURLEY: I'm on bamboo duty, but yeah, sometimes I help refill the water. LOCKE: Michael and Jin getting along? HURLEY: Well, they fight like a married couple building a raft together... LOCKE: [to Jack who has just entered] You told him? JACK: Think Sawyer might have done it. HURLEY: Oh, because of Kate? JACK: Kate? HURLEY: Yeah, I guess she wants on the raft. So Sawyer went off on Michael because, you know, he gets to decide who goes. Hey, you don't think Kate did it, do you? LOCKE: Why would Kate poison Michael? HURLEY: Well, you know, the whole fugitive thing. [Jack has a look like "Hurley you idiot."] HURLEY: He doesn't know? [Jack shakes his head.] Well how am I supposed to keep straight who knows what around here? I mean, Steve didn't even know about the polar bear. LOCKE: What did she do? JACK: I don't know. Why don't you ask her? LOCKE: And you didn't think the others should know about this, Jack? JACK: Discretion, John. -------------------------------------------------------------------------------- [We see the baby in the crib. Charlie is playing guitar while Claire tries to cut his hair.] CLAIRE: Okay, can you stop moving or I'm going to cut your ear off. CHARLIE: Ah, this is good. I'm writing again. I'm really feeling it, as well. So, what's the first thing you're going to do when we get rescued? CLAIRE: You know, I don't really know. CHARLIE: You can hang out with me in L.A. -- you and turnip-head. You know, until you figure things out. CLAIRE: Thanks. CHARLIE: Smashing. Okay, check this out. This is track 2. It's called... [he turns his head and she straightens it so she can keep cutting.] Sorry. It's called "Monster Eats the Pilot". -------------------------------------------------------------------------------- [We see Jack at the caves looking through medical supplies. Kate enters.] KATE: How's Michael? JACK: He's going to be fine. KATE: Somebody going to be taking his place on the raft? JACK: I don't know. KATE: Because, you know, Dr. Arzt said if they leave tomorrow... JACK: Did you poison Michael, Kate? KATE: What? JACK: He's not sick, someone did this. KATE: Do you really think I'm capable of that? JACK: I don't know what you're capable of. [Kate leaves, upset.] -------------------------------------------------------------------------------- [Flashback - We see Kate digging and Tom getting a beer from the car.] KATE: You brought beer? TOM: No self-respecting man in Iowa goes anywhere without beer. [Kate laughs, takes a sip from her beer can.] TOM: It's not fair, you know -- you coming back. Here. Home. KATE: Yeah, I know. [Kate strikes something metal and pulls a box out of the ground (A New Kids on the Block lunch box). They open the box to reveal a red ball cap, the plane, a tape, and few other items.] TOM: Wow. KATE: Wow. Oh. TOM: Oh my god. My plane. [laughs] I can't believe I let you talk me into putting this in there. KATE: That was your idea. [She picks up the tape.] Kate and Tom, 1989. -------------------------------------------------------------------------------- [They listen to the tape in the car.] YOUNG TOM: Is it on? I don't think it's on. YOUNG KATE: It's on. YOUNG TOM: Okay, this is Kate Austen and Tom Brennan and this is our dedication for our time capsule, here on August 15th, 1989. Hey, give me that back. YOUNG KATE: Why are you putting this stupid plane in there? YOUNG TOM: Because it's cool, Katie. I got it when I flew to Dallas by myself. YOUNG KATE: Ooh, that is cool, just like this time capsule. YOUNG TOM: It'll be totally cool when we dig it up in like 20 years. YOUNG KATE: How do you know we'll be together? YOUNG TOM: Because we'll be married and you'll be a mom and we'll have 9 kids. YOUNG KATE: I don't think so. As soon as I get my license we should just get in a car and drive. You know, run away. YOUNG TOM: You always want to run away, Katie. YOUNG KATE: Yeah, and you know why. [The tape ends.] TOM: Funny how things turn out, huh? KATE: Yeah. [They kiss.] KATE: Sorry. TOM: We'd better get to the hospital. KATE: Yeah. -------------------------------------------------------------------------------- [On-Island - We see Locke doctoring his leg wound. Walt enters.] WALT: What happened? LOCKE: I had a little accident. WALT: Does it hurt? LOCKE: Yep. Something you want to tell me, Walt? WALT: I didn't do it. LOCKE: Didn't do what? WALT: I heard Jack. He thinks somebody got my dad sick. And I didn't do it. LOCKE: You think because I know you brned the first raft that I'd think you made your dad sick? [Walt nods.] We're friends, Walt. I didn't tell on you before and I'm not going to tell on you now. [He puts his hand on Walt's wrist.] And I know you would never do anything to hurt your dad. [Walt looks down at Locke's hand and pulls his arm away.] LOCKE: What's the matter? WALT: Don't open it. LOCKE: What'd you say? WALT: Don't open it, Mr. Locke. Don't open that thing. LOCKE: What? What thing? WALT: Just don't open it. Act 5 [Sawyer throws a bottle of Pepto Bismol-type stuff down by Michael.] SAWYER: Thought you might need that, boss. Wouldn't want our pilot out of commission before take-off. MICHAEL: What? You feeling guilty? SAWYER: What? MICHAEL: You're off the raft. SAWYER: Come again? MICHAEL: You're off the raft! SAWYER: We had a deal. MICHAEL: Yeah, well, the deal ended the minute you decided to poison me. SAWYER: I did what now? MICHAEL: I'm done with you. SAWYER: You ain't done with me by a damn sight. You said you needed 4! MICHAEL: I've got 4! You've been stealing stuff off of dad bodies, keeping it for yourself, using it to buy favors. You're a liar and a criminal, and I'm not letting you near my boy! SAWYER: Oh, I'm a criminal, huh?! I poisoned you because I'm a criminal! [Jin jumps up and pushes Sawyer back.] SAWYER: [to Jin] Get your hands off me, boy. [to Kate] Hey, sweet-cheeks! I had no idea how bad you wanted off this rock. Time to set things straight. [He grabs Kate and pulls her over to Michael.] KATE: Let go of me. SAWYER: Tell him who the criminal is! CHARLIE: Hey, leave her alone, man! SAWYER: Tell him! [Sawyer grabs her backpack.] KATE: Give that back. MICHAEL: Leave her alone! SAWYER: Leave her alone? KATE: Give that back. [Sawyer dumps her stuff out and grabs the passport.] SAWYER: Mmm-hmmm. Look. Look at this. KATE: Sawyer, please. SAWYER: You all remember Joanna, don't you? Huh? The woman who drowned? [He hands the passport to Michael.] Now what's Kate doing with poor Joanna's ID? Could it be she'd do just about anything to get on that raft? So she could get herself rescued, run off with a new identity before half the reporters in the world descend on this damn Island? She might even poison the captain himself. KATE: Shut up! SAWYER: She don't care about nothin' or nobody but herself. -------------------------------------------------------------------------------- [Flashback - In the hospital, we see Tom and a hospital worker wheeling Diane out of a room.] TOM: [to hospital worker] This is good here. Thank you. [Tom makes sure the coast is clear and then motions to Kate to come out from behind a wall.] TOM: My office is right back there. I'll wait for you. [Kate approaches Diane who's eyes are closed.] KATE: Hi, mom. Can you hear me? Mom? [Diane opens her eyes.] KATE: Mom? [Kate cries.] It's me, Katie. DIANE: Katherine? KATE: It's me, Katherine. I'm so sorry for everything that I have put you through. DIANE: [softly] Help. Help. KATE: It's okay, mom. It's just me. DIANE: [more loudly] Help. Help. KATE: It's okay. DIANE: Help. Help me. Help me! Somebody help me! Help me, somebody. [The hospital worker sees Kate and she runs out. She runs into a security guard.] SECURITY GUARD: What's going on? KATE: I'm her daughter. She's just confused. I was going to get a doctor. SECURITY GUARD: [grabbing Kate's arm] Hang on. [Into his walkie-talkie] We've got a situation- [Kate grabs his walkie-talkie and clocks him with it. Tom enters.] TOM: What happened? KATE: I need your car keys. [She runs.] TOM: [running after her] Kate, Katie? [They get in the car with Kate driving. A police car blocks the exit to the garage.] KATE: Get out. TOM: I am not letting you do this. Katie, if you cooperate they go easy... KATE: He's calling for backup! I've got to go! Get out! TOM: You can have a real life. KATE: Tom, please. TOM: No. KATE: Now. Get out. TOM: No! [Kate drives through the blockade while the officer sh*t. She crashes and then sees that Tom is sht, apparently dad.] KATE: Tom? Tom! Oh god, Tom. No, no, no, Tom. Please wake up. [She sees a cop car approach, and notices the contents of the time capsule in the back seat. She flees on foot.] -------------------------------------------------------------------------------- [On-Island] SAWYER: You want to tell us why you need to run so bad? You want to tell us the truth? KATE: Yes. I was on the plane -- with the Marshal. Yes, I was wanted and caught and being transported back. No matter what I say about what happened -- about what I supposedly did -- I'm going to jail. [to Michael] But I didn't poison you. MICHAEL: [handing the passport to Sawyer] Here. [Everyone is stunned. They leave Kate standing alone on the beach.] Act 6 [We see Jin and others working on the raft while Sun looks on. Jack enters.] JACK: He looks determined. SUN: Yes, he is. JACK: You don't want him to go, do you? SUN: No. JACK: Is that why you tried to make him sick? Michael and Jin working together all the time -- pretty easy for them to get their water bottles mixed up... SUN: I didn't want him to die out there. I just didn't know what to do. I only used enough to make him -- I wasn't trying to hurt him. Are you going to tell the others? JACK: I don't see any reason why they need to know. But Sun, he's going. If I were you, I'd -- I'd say goodbye. -------------------------------------------------------------------------------- [We see Kate alone at a fre. Sawyer enters.] SAWYER: I'm back on the raft. KATE: I'm glad to hear it. SAWYER: Michael's going to cowboy up. We set sail tomorrow. KATE: Are you here to say sorry, Sawyer? SAWYER: Nah, sorry don't suit me. You cornered me, Freckles. I did what I had to. KATE: I cornered you? SAWYER: You said if you wanted my spot you were going to take it. I guess I believed you. Well, that's that. I've got some packing to do. KATE: Why is it so important for you to be on that raft? SAWYER: 'Cuz there ain't anything on this Island worth staying for. [They share a long glance and Kate takes a moment to respond.] KATE: Be safe, Sawyer. SAWYER: Yeah. -------------------------------------------------------------------------------- [Walt and Michael at the beach by the raft.] WALT: Dad. MICHAEL: Hey, buddy. WALT: Feeling better? MICHAEL: Yeah, yep. I'm going to be alright. Hey, don't worry. I'm going to be on my feet soon. We'll be sailing home before you can even- WALT: I'm the one that b*rned the raft. I didn't want to leave and I thought I could stop you. I'm sorry. I'm really sorry, dad. MICHAEL: Hey, it's okay, man. We can stay here. You and me. We don't have to go. WALT: Yes we do. -------------------------------------------------------------------------------- [We see Kate and Sun at a beach shelter.] SUN: Hello. KATE: Hey. SUN: Jack knows. I didn't tell him it was your idea. KATE: Thanks. SUN: Why should you be punished? You were only trying to help me. He said he wouldn't tell the others. KATE: Yeah, Jack's good at keeping secrets. SUN: When I was a little girl I believed that once I found the man I loved I would be happy, forever. KATE: Yeah, me too.	{"type": "series", "show": "Lost", "episode": "1x22 - Born to Run"}	foreverdreaming
[Flashback - sht of tickets on a hotel nightstand. Walt throws open the curtains to reveal a view of the Sydney Harbor Bridge and skyline at night. He turns on the TV to watch Power Rangers with the volume way up which wakes Michael.] MICHAEL: What are you doing? WALT: Watching TV. [Michael looks at the clock which says 5:23] MICHAEL: Oh, man, do you see what time it is? Go back to sleep, Walt. WALT: I always watch this show. MICHAEL: Okay, then, can you at least turn it down a little. [Walt turns it up.] MICHAEL: I said turn it down, Walt. WALT: Brian lets me watch it as loud as I want. MICHAEL: I'm not Brian. [Michael grabs the remote and turns off the TV. Walt gets Vincent and starts to walk out.] WALT: Let's go, Vincent. MICHAEL: Hey, where do you think you're going? [He follows Walt and Vincent into the hotel hallway.] Hey, Walt. WALT: [yelling] Get away from me! Leave me alone! MICHAEL: Don't even - don't you think about it. WALT: I said get away from me! MICHAEL: Don't you walk away from me. [Walt tries to get in the elevator. Michael grabs him and pulls him back to the room.] MICHAEL: Look, I don't think so. Come on. WALT: Get off of me! MICHAEL: I don't like this either, but you're getting on that plane. WALT: No, I'm not! [Steve Jenkins, who later is to survive the crash of Flight 815 along with Michael and Walt, opens a hotel door to see what the commotion is.] STEVE: What's going on? MICHAEL: It's okay, I'm his father. WALT: No, you're not. You're not my father! You're not my father! -------------------------------------------------------------------------------- [On-Island - Back at the beach. Michael and Walt are sleeping. Walt wakes up and goes over to a tree to pee. He sees Danielle approaching camp and follows her. She sees him and he runs.] WALT: Dad! Dad, wake up! MICHAEL: What? What? WALT: Somebody's here. [Danielle continues moving into the beach camp, as people are waking up in alarm.] MICHAEL: Hey, hey, hey, hey, stop, slow, slow down. Stay right there. [to Sawyer] Who is that? SAWYER: She's got to be the French chick. SAYID: Calm down everyone. It's alright. [Claire's baby cries. Danielle and Claire share a long look.] SAYID: Danielle? Danielle? What are you doing here? DANIELLE: The Others are coming. Act 2 DANIELLE: Our ship went aground on this Island 16 years ago. There were 6 of us -- my team, 6. At that time I was already 7 months pregnant. I delivered the infant myself. The baby and I were together for only 1 week when I saw black smoke -- a pillar of black smoke 5 kilometers inland. That night they came, they came and took her -- Alex. They took my baby. And now, they're coming again. They're coming for all of you. JACK: Who's coming? DANIELLE: The Others. You have only 3 choices: run, hide, or die. -------------------------------------------------------------------------------- [We see Jack and Locke walking on the beach.] JACK: This is a woman who blew up her own shelter. And now she's talking about seeing black smoke and hearing whispers. I mean, she's not playing with a full deck. LOCKE: That doesn't mean that what she's saying isn't true. JACK: Well, if you want to focus on the "what if,", be my guest, but I've got to stick with what's tangible. And right now, that's the launching of the raft. [They arrive at the raft and Jack addresses Michael.] JACK: How's it going? MICHAEL: I wanted to get off today, but, realistically, man, after we get the rudder done, we've still got to lay the rails to get it down to the water. JIN: Good. JACK: Wouldn't it save time if we were laying the rails while you were finishing the rudder? MICHAEL: Manpower shortage. JACK: What do you need to lay the rails and then move the boat? MICHAEL: To get it all done today? Pretty much everybody. JACK: Alright, give me 20 minutes. [sht of Locke watching Jack as he walks off.] [We see Jack with a group of 4 male redshirts.] JACK: Grab as many palm tree logs as you can find, the longer the better. Take them over to the raft area and Michael will know what to do with them. REDSHIRT: Okay. [We see a group of people working on the raft.] MICHAEL: You need to get them in there tight. You need leverage to get them on the rails. Good, that's good. Okay, that's good man. Just get it under there, okay? Okay. [to Locke] You alright? LOCKE: Yep. MICHAEL: So, listen, on my count - I'll do 1-2-3—lift and then push, okay? Got it? Okay, c'mon. Once we get it down to the water line, we'll drop it and load it up. Alright. Ready. 1-2-3! Lift! [They start moving the raft forward.] MICHAEL: Push! Push, c'mon guys, push, push! Use the levers, use the levers! Good, good. 1-2-3, lift! [The raft picks up momentum and starts moving on it's own. It "crashes" and Sawyer backs away. The mast breaks off.] MICHAEL: I can't believe this [giving Sawyer a dirty look.] Can't believe it. SAWYER: What are you looking at me for?! It's not my fault! MICHAEL: You missed a lever! SAWYER: Because you couldn't keep the raft going straight! MICHAEL: I couldn't keep the boat going straight? Everybody's attention- WALT: Dad! Look. [Everybody looks inland to see a pillar of black smoke on the horizon.] -------------------------------------------------------------------------------- [We see Jack, Locke, Sayid, and Hurley gathered around Danielle who's preparing her rfle.] JACK: How many of them are there? DANIELLE: I told you all I know. SAYID: There has to be more you tell us. How did you know? DANIELLE: You have a bigger problem. I can vanish into the jungle, but I'm just one person. You have 40 people. Where will you hide them? -------------------------------------------------------------------------------- [We see Danielle, Jack, Hurley, Locke and Sayid at the hatch.] HURLEY: Dude. Whoa. DANIELLE: What is this? JACK: We were hoping you could tell us. DANIELLE: I have never seen anything like it. HURLEY: Uh, question -- how do we know we can all, like, fit in there? LOCKE: No handle on the outside, means there must be another way in. Another entrance means space. SAYID: This is a mistake. We don't know anything about these Others. We're reacting with no information, no intelligence. This hatch might even be theirs. Black smoke on the horizon doesn't mean they're- DANIELLE: It means they're coming! JACK: Yeah, we got that. LOCKE: You booby-trapped your shelter with explsives. You have any more? DANIELLE: Dynamite, by the Black Rock, in the dark territory. HURLEY: Well, that's 3 reasons to go right there. DANIELLE: If we're to make it back by sunset we have to leave within the hour. Act 3 [Flashback - We see Jack at an airport bar. A woman, Ana Lucia, enters and sits near him.] ANA LUCIA: Tequila and tonic with a wedge of lemon. [to Jack] Why were you yelling? -- The girl, at the check-in counter? You were yelling at her. JACK: I'm sorry, uh, do I know you? ANA LUCIA: I'm on your flight. LA? So your dad died, huh? JACK: I thought you didn't hear what I was yelling about. ANA LUCIA: I was being polite. JACK: Yeah. My dad died. ANA LUCIA: How? JACK: A heart attck. ANA LUCIA: Not a drinker, huh? JACK: No, no, not really. ANA LUCIA: No ring because you're single or because you don't like wearing one? JACK: You asking me if I'm married? ANA LUCIA: Are you married? JACK: No. No, not any more. [to bartender] Can we get another tequila and tonic, please? ANA LUCIA: I didn't think you were listening. JACK: So, what's your name? ANA LUCIA: Ana Lucia. JACK: So, tell me, Ana Lucia, why are you drinking tequila and tonics at ten to noon? ANA LUCIA: I hate flying. And they stuck me all the way in the back of the plane where the wheels come down right under your damn feet. So where are you sitting? JACK: [checking his ticket] 23B. ANA LUCIA: 42F. Wanna trade? [Her cell phone rings.] Hey, yeah. I'm in Sydney. Hold on. [to Jack] Sorry... JACK: Jack. ANA LUCIA: Jack, I've got to talk. We'll have the next drink on the plane, okay? JACK: 42F. ANA LUCIA: 42F, right. And Jack, the worst part's over. -------------------------------------------------------------------------------- [On-Island - We see Jack at the beach with the redshirts and regulars.] JACK: Look, I know you're all scared. And I know everybody has a lot of questions. All I can tell you right now is that we do have a plan. We've got to go into the jungle to get some supplies. We'll be back in a few hours. In the meantime, do everything you can to help Michael get that raft on the water. And after that, go to the caves. We'll be back as soon as we can. I promise. ARZT: Hey, nice speech. Plan's a little flawed, but, hey, nobody's perfect. JACK: What plan? ARZT: Yeah, your plan. You're going to go into the jungle and get some dynamite and blow open a hatch and then you're going to hide everyone inside. You want to keep a secret don't tell the fat guy. JACK: What do want, Arzt? ARZT: God knows how long that dynamite has been out there. And from what I can tell, Madam Nutso doesn't seem too concerned with how to handle it. So, unless you want to blow up, I'm coming with you. JACK: Okay. Grab some water bottles. We're leaving in half an hour. -------------------------------------------------------------------------------- [We see Michael and others working on the raft.] MICHAEL: We can salvage the cable but we need new bamboo for the mast. JIN: [looking at the rails under the raft] 이거, 어떻게 다시 얹어 놓지? MICHAEL: We need to fix the rudder before we even start to think about that. JIN: 올리다가 방향키가 부러지면 어떡해? SAWYER: Need some help? MICHAEL: [to Jin] Let's just get this done first. [Michael and Jin ignore Sawyer and walk by.] SAWYER: Hey, this wasn't my fault. So put me to work. MICHAEL: No offense, we just work faster this way, okay. JIN: 다 끝나셨어요? 일 좀 할까요? MICHAEL: [to Jin] Alright, alright. What do you think I'm doing over here? -------------------------------------------------------------------------------- [Flashback - We see Sawyer in a police station in Australia.] CALDERWOOD: You remember me? 3 nights ago? You were hauled in here thrashing and fighting. As you were being escorted by you kicked my desk. And you broke my mug. [He shows him the glued mug with a picture of a woman and a boy - presumably Calderwood's wife and son - on a South Sea vacation.] SAWYER: Nice kids. CALDERWOOD: Sadly for you, breaking my mug was not the most significant mistake you made that evening. SAWYER: C'mon, Doctor, I got into a bar fight. Isn't that a badge of honor in this country? CALDERWOOD: Do you know who you head-butted in that bar? You head-butted the Honorable Warren Truss, Minister of Agriculture, Fisheries, and Forestry. One of the most important pe- SAWYER: He head-butted me. CALDERWOOD: We have witnesses he did no such thing. SAWYER: Of course. CALDERWOOD: You think this is funny, James? [He opens a file folder.] James Ford, asault, wire fraud, identity theft, bank fraud, telemarketing fraud... SAWYER: This going some place? CALDERWOOD: You're a blight, a stain, a scavenger. You're a conman who prays on the weak and the needy. Tell me something, James, how do you live with yourself? SAWYER: I do just fine. CALDERWOOD: Do you? You're not even worth what it would cost us to incarcerate you. Which is why you're being deported. Your plane leaves this afternoon. And, James, you're banned from ever setting foot in Australia again. SAWYER: Don't you worry, I ain't ever coming back here. CALDERWOOD: Best not, mate. -------------------------------------------------------------------------------- [On-Island - We see Sawyer chopping down a bamboo pole. Jack enters.] JACK: A lumberjack. SAWYER: Excuse me? JACK: I never asked you what you did back in the real world, so, I'm taking a wild guess -- lumberjack. SAWYER: Something I can help you with, Doc, because I've got work to do. JACK: [handing Sawyer a gn] I've got something for you. You're the only one on the raft who knows how to use one. SAWYER: What do I need a gn for? JACK: Just in case. SAWYER: You think we're going to run out of food or water? Am I supposed to put the kid out of his misery? JACK: Just in case. SAWYER: What are you doing with the rest of them? JACK: I'm giving them to Sayid. SAWYER: Going into the jungle after the boom sticks, huh? JACK: Yeah. SAWYER: By the time you get back, we'll be in the water. Guess this is pretty much goodbye, then. JACK: Yeah, I guess it is. Good luck, Sawyer. SAWYER: [calling after Jack as he walks away] Jack. -- About a week before we all got on the plane, I got to talking to this man in a bar in Sydney. He was American, too. A doctor. I've been on some benders in my time, but this guy -- he was going for an all time record. So, it turns out this guy has a son. His son's a doctor, too. They had some kind of big time falling out. The guy knew it was his fault, even though his son was back in the States thinking the same damn thing. See, kids are like dogs, you knock them around enough they'll think they did something to deserve it. Anyway, there's a pay phone in this bar. And this guy, Christian, tells me he wishes he had the stones to pick up the phone, call his kid, tell him he's sorry, that he's a better doctor than he'll ever be -- he's proud, and he loves him. I had to take off, but -- something tells me he never got around to making that call. Small world, huh? JACK: Yeah. SAWYER: Good luck, Jack. Act 4 [Flashback - We see Kate and the Marshal at an airport official's office.] AUSTRALIAN OFFICIAL: [opening the case] You going to be armed? MARSHAL: Yes, sir, ankle holster. AUSTRALIAN OFFICIAL: You have to stow this in the crew luggage compartment in the front. MARSHAL: No problemo. AUSTRALIAN OFFICIAL: Why do you need 5 gn? MARSHAL: Gee, you want to tell him, Kate? Why do I need 5 gn? [to Official] She's shy. AUSTRALIAN OFFICIAL: [pulling the toy plane out of the case] What's this, then? MARSHAL: That's a good story, you want to tell it, huh, Kate? [He grabs the plane.] This belonged to her childhood sweetheart who she got klled a couple of years ago when she was on the run. Poor guy -- a wife, a 2 year old kid. What was his name? Hmm? Well, somewhere along the way during the 3 years that I was chasing her, she starts calling me, at my house, and whining on about her mitigating circumstances. But what she's really doing is taunting me. So, I tell her that I've got whats-his-name's little toy airplane in a safe deposit box in New Mexico. So, she somehow figures out which bank, which safe deposit box. She seduces some idiot to rob the damn bank, and then she puts a bllet in her new friend because she's done using him. But she leaves all the money. She just takes the plane because that's the one thing in the whole world that Kate does care about. She has no attachments, and I think she's telling herself she needs it to atone for klling her boyfriend, whats-his-name. God, Kate, c'mon, what was his name? [Kate jumps up and pins the Marshal to the wall.] KATE: Tom, it's Tom, you son-of-a-bitch! [The Marshal elbows her in the face and she falls to the ground.] MARSHAL: And that is why I need 5 gn. [He kicks the toy plane away from her as she tries to grab it.] -------------------------------------------------------------------------------- [On-Island - We see Kate on the beach approaching Jack.] KATE: So, you're heading out? JACK: Yeah. KATE: I was thinking that I might go with you -- for old time's sake? I want to help. JACK: You won't be here for the raft launching. KATE: Yeah, well, I'm -- I'm not very good at goodbyes. JACK: Grab your stuff. -------------------------------------------------------------------------------- [sht of the black smoke. Charlie, near the raft, is collecting messages to put in a bottle.] CHARLIE: [to a man who puts a message in the bottle] Thanks, man, I'll keep it safe. Hey, Locke, do you have a message? It's going on the raft. You know: "Dear mom, Everything's fine. I'm on the Island, unless, of course, the black smoke people turn up. Love, your name here." For when they get rescued—they can contact your family. LOCKE: Message in a bottle. That's sweet. [Locke pats Charlie's shoulder and walks away.] CHARLIE: [approaching Hurley] You ready? HURLEY: Here you go. CHARLIE: Okay. HURLEY: Don't look at it. CHARLIE: You got it. [Charlie looks at it] HURLEY: Dude! Do not look at it. CHARLIE: Arzt, do you want paper? ARZT: I gave at the office. CHARLIE: Okay. [Jack enters. Michael runs into Hurley as he's leaving the scene.] MICHAEL: Careful. HURLEY: Good luck, dude. [to Walt in the background] Keep dry, kiddo. WALT: I will. MICHAEL: [to Jack] Hey, good luck. JACK: [hugging Michael] Same to you. MICHAEL: See you soon. JACK: Yes, you will. [to Walt] Hey, guy, look after your dad, okay. WALT: I will. JACK: Alright. [to Jin] Jin. [They shake hands.] Good luck. JIN: 조심해요. [We see Kate looking around for Sawyer.] KATE: [to Charlie] Hey, have -- have you seen Sawyer? CHARLIE: No. JACK: Alright, let's go. CHARLIE: [to Kate] Take care, okay. [We see the dynamite expedition leaves the beach] -------------------------------------------------------------------------------- [The dynamite team are walking across the cove. They stop to rest for a moment. Danielle takes her sweater off which reveals scratches on her arm.] LOCKE: Where'd you get the scratches? DANIELLE: A bush. LOCKE: Mean bush. DANIELLE: We've got to keep moving. [They start walking again.] HURLEY: Let me ask you something, Arnzt. ARZT: Arzt. HURLEY: Arnzt. ARZT: No, not Arnzt, Arzt. A-R-Z-T, Arzt. HURLEY: Sorry, man, the name's hard to pronounce. ARZT: Yeah, well, I know a bunch of 9th graders who pronounce it just fine. HURLEY: How about I just call you by your first name? ARZT: How about you don't? HURLEY: Why not? I remember it from the plane's manifest. I think Leslie's a bitchin' name. ARZT: Arnzt is fine. -------------------------------------------------------------------------------- [They come to a piece of black fabric hanging from a branch.] DANIELLE: Le Territoire Fonce. JACK: The Dark Territory. DANIELLE: The Black Rock is not far. This is where it all began -- where my team got infected, where Montand lost his arm. We must move quickly. ARZT: You know what? I'm going back. JACK: Hey, I thought you wanted to help. ARZT: Yeah, I wanted to help and that was before Montand lost his fricking arm. JACK: Well, what about the dynamite? ARZT: Just be very careful with it. [Arzt leaves.] -------------------------------------------------------------------------------- [We see Michael and Jin at the raft.] MICHAEL: No, no, no! This one goes there! That one goes there! JIN: Okay, okay. SAWYER: [entering with his bamboo pole] Hey, Chief! Cut and measured to length -- perfect mast. MICHAEL: Thanks. SAWYER: Well, alright. Now, are we going to get off this rock or stand around talking about it? -------------------------------------------------------------------------------- [The dynamite expedition is in the jungle in the rain, now. They hear a strange sound.] KATE: Did you hear that? [Arzt comes running toward them. We hear the sound of the monster shortly after.] ARZT: Run! Run! Run! Act 5 [We see Arzt running. Kate, Jack, and Danielle run. Locke stops Hurley.] ARZT: Run! HURLEY: What are you... LOCKE: Just be still. [We hear the sounds of the monster and see Arzt running around. Danielle runs into a bamboo stand.] DANIELLE: [motioning to Kate and Jack] Here, in here. HURLEY: Dude, we've got to book. LOCKE: Wait. It's headed the other way. [The rain stops.] DANIELLE: We're safe now. KATE: What was that thing? DANIELLE: It's a security system. JACK: Security system? What does that mean? DANIELLE: Its purpose is that of any security systems -- to protect something. KATE: Protect what? DANIELLE: The Island. [Hurley and Locke meet up with Danielle, Jack and Kate.] HURLEY: Uh, where's Arnzt? ARZT: [entering] It's Arzt, you idiot. HURLEY: Dude, I thought you were dad. ARZT: Can we just, please, go get the dynamite, please? -------------------------------------------------------------------------------- [We see Shannon at the beach folding Boone's clothes. Walt enters.] WALT: Why are you folding the clothes? SHANNON: Because I'm a*l. Is there something you want? WALT: I think you should take Vincent. SHANNON: Are you serious? WALT: He'll take care of you. SHANNON: What makes you think I need a dog to take care of me? WALT: Vincent took care of me when my mom died -- and nobody would talk to me. They pretended like nothing happened. So I had to talk to Vincent. He's a good listener. You could talk to him about Boone if you want. SHANNON: Alright, but only until you get us rescued, okay. -------------------------------------------------------------------------------- [Flashback - We see Shannon doing word search puzzles at the airport.] AIRPORT ANNOUNCEMENT: [in background] Flight 338 to Fiji will be delayed. Please check the board for flight details. [Sayid comes partially into frame and sets his bag down by Shannon.] SAYID: Excuse me, would you mind watching my bag for a moment? I'll be right back. SHANNON: Sure, whatever. SAYID: Thank you. BOONE: [entering] I couldn't get us into first class. SHANNON: Why not? BOONE: Um, maybe you shouldn't have yelled at the gate agent. SHANNON: What? You're on his side, now? BOONE: One day you're going to appreciate everything I do for you. SHANNON: Yeah, I can't wait for that day. -------------------------------------------------------------------------------- [We see Shannon and Boone on an escalator.] SHANNON: You can try again with the gate agent. BOONE: Would you let it go? SHANNON: Excuse me for not being pathetic enough to not want to sit next to some crying baby for the next 15 hours. BOONE: Oh god, you can be a bitch. SHANNON: Oh, you want to play? I will get you thrown off this flight. BOONE: Yeah, how are you going to do that? SHANNON: I can do whatever I want. I could tell them... BOONE: Tell them what? Who's going to believe you? You're not even capable of... SHANNON: You have no idea what I'm capable of. [Shannon approaches an airport cop.] SHANNON: Excuse me, sir? AIRPORT COP: Yes, ma'am. SHANNON: Hi, um, some Arab guy just left his bags in the chairs downstairs and then just walked away. AIRPORT COP: Can you describe him, please? SHANNON: Um, Arab? He went towards the shops. [to Boone] How's that? -------------------------------------------------------------------------------- [On-Island - At the raft.] SAYID: I salvaged a few things for you from the Beechcraft. This is the plane's radar emitter. It needs to be mounted on the mast or the top of the cabin. SAWYER: I'll do it. SAYID: Michael, to conserve power, turn it on only once every hour or so. It will show you any ships within the horizon line, approximately 25 miles. The same with the radio transmitter. [Sayid hands Michael a flare gn.] This was in the plane's toolbox. There's only one flare. Choose wisely when you use it. -------------------------------------------------------------------------------- [We see the dynamite expedition.] LOCKE: Why are we stopping? DANIELLE: Because we're here. This is the Black Rock. [Reveal shows an old ship.] Act 6 [Flashback - We see Sun carrying a tray back to the table where Jin is waiting at the airport.] JIN: 왜 이렇게 오래 걸렸어? 배고파 죽겠는데. [Subtitle: Why did it take so long?] SUN: 사람들이 너무 많아서. 먹을게 별로 없어서 그냥 간단한 걸로 사왔어요. [Subtitle: I'm really hungry now. There were a lot of people in line. There really wasn't much to choose from, so I just got some simple things for us.] [Sun puts a napkin on Jin's lap] Here. GINA: [at the next table] If you ever catch me doing anything like that for you, sh*t me. JEFF: Don't knock it. Their divorce rate's 20 times lower than ours. [Sun overhears them.] SUN: 여기요. [then knocks over a drink onto Jin. She tries to help.] JIN: 아, 뜨거워! SUN: 어머, 어떡해! 어떡해, 미안해요. 뜨겁죠? JIN: 됐어, 됐어. 화장실... [Jin apparently asks where the bathroom is.] SUN: [Sun points] 저기 있네요. [Jin exits.] GINA: My god, it's "Memoirs of a Geisha" come to life. JEFF: Hey, volume. GINA: Relax, they don't speak English. -------------------------------------------------------------------------------- [On-Island - We see Sun approach Jin at the raft. When Jin sees her he starts to walk away.] SUN: 진수씨. [handing Jin some papers] 이거요. [Subtitle: This is for you.] JIN: [reading the papers] Star... star board. SUN: Starboard. 간단한 영어를 발음대로 적었어요. 당신한테 도움이 될 것 같아서 한번 만들어 봤어요. [Subtitle: It's a list of simple English words spelled out phonetically... I thought this would help you so I made it for you.] JIN: 정말 미안하다... [Subtitle: I'm sorry.] SUN: 저도요. 당신이 꼭 갈 필요는 없잖아요. [Subtitle: I am too. You don't have to go.] JIN: 아직도 모르겠어? 난 지금 벌을 받고 있는 중이야. 나 때문에 얼마나 고생했는지 잘 알고 있어. 당신 같은 여자가 왜 이 고생을 해야돼? [Subtitle: No, don't you understand, Sun. I'm in this place because I'm being punished. I made you suffer. You don't deserve any of this.] SUN: 여보... [Subtitle: Jin...] JIN: 아니, 내가 가야만 당신을 구할 수 있어. 잭이 지켜 줄 거야. 잭이랑 같이 있어. [Subtitle: I have to go because I'm going to save you. Stay with Jack. He'll keep you safe.] SUN: 그럼 당신은... 당신은 누가 지켜줄 거에요? [Subtitle: Who will keep you safe?] [They hug and cry.] SUN: 사랑해. 사랑해. [Subtitle: I love you.] JIN: 정말 미안해. [Subtitle: I'm so sorry.] SUN: 괜찮아요. [Subtitle: It's okay.] [They kiss.] [We see Shannon give Charlie a message for the bottle. Everyone is gathering around to see off the raft. Hugs goodbye. Charlie gives the bottle to Sawyer. They push the raft out into the water.] MICHAEL: Go, go, go! WALT: Bye Vincent, bye Vincent! [The raft sets sail. People wave and whoop. Vincent swims after Walt.] WALT: Stay, Vincent! Go back, Vincent! Vincent, go back, go back! [Vincent turns around and Shannon gets him. Sawyer hoists the sail.] MICHAEL: [to Walt] What'd I say? WALT: We did it! [More waving and whooping. Jin and Sun share a long goodbye look. Long sht of the boat moving out toward sea.] [sh*t of the pillar of black smoke.]	{"type": "series", "show": "Lost", "episode": "1x23 - Exodus Part 1"}	foreverdreaming
Act 1 [Opening sht of the baby's eye. He's crying and a frustrated Claire is shushing him. Charlie runs over.] CHARLIE: Claire, everybody's leaving. CLAIRE: Okay, well, I can't go anywhere, alright? I've got the baby, and I'm so tired, I can't carry him -- now he's wet, there's sand everywhere, I don't have anymore nappies. CHARLIE: [reaching for the baby] Why don't you let me help. CLAIRE: [brushing his hands away and picking up the baby] No, nobody ever taught me how to do this, okay? CHARLIE: Claire, it's going to be okay. CLAIRE: Oh, why do people keep telling me that? Are they the ones with the baby? [We see Sayid talking to a group of redshirts.] SAYID: We've got to get there before sundown. Once you reach the caves, stay there. The rest of us will be right behind you. [The group disperses and Charlie enters.] CHARLIE: Sayid. I need a gn. Look, I know Jack gave them to you. I want one right now. I have to protect Claire. SAYID: Rousseau said the Others wouldn't be here until nightfall. CHARLIE: Rousseau is certifiable. What if they show up before then and- SAYID: The last time you handled a sidearm- CHARLIE: I klled a mrder. I did us all a favor. SAYID: Charlie, you're emotionally involved. Let me handle the wapon. CHARLIE: But you're not here all the time. You can't protect Claire. Look, I need a gn! SAYID: If you really want to help Claire, get her packed, carry her child to the caves. That's what she needs. -------------------------------------------------------------------------------- [At the Black Rock.] HURLEY: How exactly does something like this happen? DANIELLE: Are you on the same Island as I am? HURLEY: I guess that explains it. [Jack, Locke, Kate and Hurley move toward the ship. Arzt stays where he is and Danielle starts walking off in the other direction.] ARZT: Hold on, wait, hold on. Hold, wait. What are we a couple miles inland? [to Danielle] A tsunami probably swept it here, huh, right? JACK: [seeing Danielle's departure] Hey, hey, where are you going? DANIELLE: explsives are in the hold of the ship. JACK: Rousseau, wait. DANIELLE: I did what you asked. You need dynamite, you don't need me. [She exits.] LOCKE: Let her go, Jack. JACK: Who's going to lead us back? LOCKE: I'll lead us back. JACK: Damn it. You heard her -- the explsives are in the hold. Let's go. ARZT: Whoa, whoa, hold on, hold on. I came here to tell you how to handle dynamite, not explore some ghost ship, you think I'm go- JACK: Alright, just stay out here. HURLEY: Uh, I'm going to stay out here and hang with Arnzt. [Jack, Locke and Kate enter the ship. Jack steps on a skeleton. We see skeletons chained up.] LOCKE: Slaves. [He sees a giant drill bit.] This ship must have been in route to a mining colony -- probably set off from the eastern coast of Africa -- Mozambique. [They look around the ship seeing more chains and manacles. Kate spots the explsives.] KATE: Jack, John, over here. -------------------------------------------------------------------------------- [Arzt and Hurley outside.] ARZT: And then my 3rd wife, she says, get this, she says, "I didn't sign up for this." Now you tell me, what the hell is that even supposed to mean? [Hurley doesn't respond.] What, am -- am I boring you? HURLEY: Huh? ARZT: You know what? I'm -- I'm sorry, I'm so... I'm sorry that I'm not cool enough to be part of your merry little band of adventurers. HURLEY: What? ARZT: I know a clique when I see it. I teach high school, pal-y. You know, you people think you're the only ones on this Island doing anything of value. I've got news for you. There were 40 other survivors of this plane crash. And we are all people, too. HURLEY: O-kay. -------------------------------------------------------------------------------- [Kate finds a pick axe to open the box of dynamite.] KATE: You know what? We could probably get it open if I just- JACK: No, no, no, we should take it outside. KATE: Why? We don't even know if it's... JACK: You're not prying open a crate that says explsives on the side with a pick axe, Kate. LOCKE: Yeah, I agree with Jack -- take it outside, open it there. KATE: [reaching to grab an end of the crate] Okay. JACK: I got it. You mind showing us the way? -------------------------------------------------------------------------------- [Arzt and Hurley outside.] ARZT: And it's not just the teenagers, either. You know, the gym teachers -- you think they let me sit with them in the cafeteria? No. They do not. HURLEY: Dude, this is all in your head. ARZT: Really? Then you explain to me why Kate gets the best pieces of wreckage to build her shelter? And the Korean guy? Does he catch fish for everybody on the Island? No, he does not. He doesn't. And some of us have actually lost weight while we were here. Now, would mind telling me where you're hiding the carbs because I can't figure... [Arzt stops talking upon seeing Jack and Locke exiting the ship with the crate of dynamite.] ARZT: What the hell are you people doing?! Wait, wait, stop, stop, right where you are. Alright, I want you to put that down carefully. Put it down carefully. Put it gently, gently. Damn it, carefully, gently, gently. Alright, now get out of there. Come away from there. C'mon, get out. Move away from it. JACK: What the hell are you doing? ARZT: Shhh. Be quiet. Do any of you have any idea what happens to dynamite in 90+ degree heat, huh? [Arzt pries open the crate with a pocket Knfe.] So you know? Any of you? It sweats nitroglycerin. [Jack starts moving toward him.] Whoa, hey, what you doing? Did I ask you to come closer? [He removes a stick of dynamite from the crate.] Dynamite is nitroglycerin sab by clay. Nitroglycerin is the most dangerous and unstable explsive known to man. Hey, Kate give me your shirt. Now, princess, give me your shirt. I need to wrap the dynamite. Just throw it to me, right here. Be careful, c'mon, hurry up. [She gives him her shirt.] Okay, good, now back up, back up, back up. Just back up. Get out of my way. Any of you ever hear about the guy who invented nitroglycerin? Probably not -- because he blew his freaking face off. [Arzt wets Kate's shirt and wraps it around the dynamite.] His lab assistant came into the room, saw that his mentor detonated, and he said, "Huh, I guess this stuff does work." Alright, we're not going to take any more of this stuff than we need because nitroglycerin is extremely temperamental, so we- [The dynamite explodes and bits and pieces of Arzt and leaves rain down on the other four, who've fallen to the ground.] HURLEY: Dude. Act 2 [Flashback - We see Sun and Jin at the Sydney airport.] SUN: [opening a sandwich box] 반으로 자를까요? [Subtitle: Do you want it cut in half?] [She hands it to Jin.] 여기요. [Subtitle: Here you go.] [She spills coffee on him.] 어머 어떡해 미안해 미안, 뜨겁죠? [Subtitle: Oh, I'm so sorry! Are you alright?] JIN: 괜찮아, 괜찮아. 됐어. 화장실이 어디 있어? [Subtitle: I'm alright, I'm fine. Where's the restroom?] SUN: 저쪽... 저쪽에 있네요. [Subtitle: It's over there.] [We see Sayid walking with airport security.] AIRPORT COP: Sorry for the inconvenience. SAYID: I'm sure you are. AIRPORT COP: Sir, your bag was unattended. SAYID: Am I free to go? AIRPORT COP: Yes, sir. SAYID: Good, I have a plane to catch. -------------------------------------------------------------------------------- [We see Jin in the restroom cleaning up. A man in a Hawaiian shirt is there washing his hands.] HAWAIIAN SHIRT: Hey, could you hand me a paper towel there, bud? A paper towel -- this one's broken. [Jin signals that he doesn't speak English.] HAWAIIAN SHIRT: Oh, oh, you don't speak English. Sorry. [Hawaiian Shirt goes to the next paper towel dispenser.] HAWAIIAN SHIRT: 아, 페이퍼 타올이 여기 있네. [Subtitle: Here's a paper towel.] JIN: 뭐라고요? [Subtitle: What?] HAWAIIAN SHIRT: 자네의 장인이신 백 회장님 밑에서 일하고 있지. [Subtitle: I work for Mr. Paik. Your father-in-law, and employer.] JIN: 여태까지 날 미행한거야? [Subtitle: You've been following me?] HAWAIIAN SHIRT: 물론. 그리고 자네가 도망가려는 것도 알고 있지. 자네는 남은 시계를 캘리포니아에 있는 백 회장님 친구에게 전하라고. 만약 그렇게 못하면 자네는 그녀를 잃게 되겠지. 넌 자유의 몸의 아니야. 여태까지 그래왔고 앞으로도 계속. [Subtitle: Yes. I know you're planning to run away. But you're going to take that watch to Mr. Paik's friend in California. You do anything else -- anything -- you will lose her. You are not free. You never have been, and you never will be.] -------------------------------------------------------------------------------- [On-Island - We see Jin apparently enjoying being on the raft.] WALT: Dad, look! [sht of part of the Island.] MICHAEL: How does a place this big never get discovered? SAWYER: Don't know, but you could build yourself one hell of a beach resort right over there. MICHAEL: Yeah, you build your resort. I'm happy to say goodbye to this place forever. WALT: What about everybody else? Think they'll be okay? [We hear Sawyer singing Redemption Song in the background.] MICHAEL: I hope so, buddy. At least until we can get them some help. SAWYER: [singing] Redemption song is all I'll ever have... MICHAEL: You singing Bob Marley? SAWYER: No. Why, you like Bob Marley? MICHAEL: Man, who doesn't like Bob Marley? -------------------------------------------------------------------------------- [We see Sun at the beach looking out to sea, and at her wedding ring. Shannon is struggling with her luggage and Vincent.] SHANNON: Damn it! SAYID: Do you really need all that? SHANNON: Yeah, I do. SAYID: Why do you have to bring so much? SHANNON: Don't you have a hike to lead? [She drops her suitcase and Sayid finds she has some of Boone's clothes. Shannon grabs them.] SHANNON: I'm fine. SAYID: These belong to your brother. SHANNON: I need these things. I can't just leave them. What are we doing? Hiding? As if they won't find us. It's just -- it's too much. It's too much. SAYID: [stroking her hair] It won't be too much if I carry it for you. Now come on, I have a hike to lead. -------------------------------------------------------------------------------- [We see Hurley sitting on a log by the Black Rock. Kate enters.] KATE: You okay? HURLEY: That was messed up. KATE: Yeah. HURLEY: He just...exploded in front of us. He was just trying to help. This is because I came. KATE: What? HURLEY: I'm kind of bad luck. KATE: Hey, it was an accident. HURLEY: An accident, yeah. [We see Jack wetting a shirt to wrap the dynamite in. Locke slowly reaches for a stick of dynamite.] JACK: Locke, we should think about this. LOCKE: Alright. JACK: Maybe this isn't the best way. LOCKE: It's the only way, Jack. [Locke reaches again for a stick of dynamite.] JACK: How many do we need to blow the Hatch? LOCKE: [pulling a roll of fuse out of the crate] Two should take care of the hinge, three to be safe. JACK: Safe? LOCKE: I'm removing the driest pieces to minimize our risk transporting it. [He reaches for another stick.] You ever play "Operation"? JACK: Sure. Don't touch the sides. LOCKE: I -- I always got nailed on the funny bone. [He picks up a stick.] Bzzzt! JACK: [flinching] You like to play games, John? LOCKE: Absolutely. -------------------------------------------------------------------------------- [sht of the baby. We see Claire preparing to leave. Charlie enters with something over his shoulder.] CHARLIE: Okay, I know we're in a rush to escape to the caves, so I solved the turniphead transport issue. This is just a blanket from the plane. And then there's a piece of wood here that goes through this bamboo. [He demonstrates how it works.] Here you go. It's a Bjorn. CLAIRE: A bjorn? CHARLIE: Bjorn -- it's Dutch for baby carrier. CLAIRE: Yeah, thanks. CHARLIE: That's okay. CLAIRE: [kissing his cheek] Thank you. CHARLIE: Oh, that's okay. CLAIRE: Thanks. I'll just put him in there. CHARLIE: It's really... DANIELLE: [entering] Sayid! Where is he? CHARLIE: Rousseau! What? DANIELLE: Sayid? Where is he? CHARLIE: He already left. DANIELLE: I need him now. CHARLIE: Jack and Kate... DANIELLE: There's no time. Where is Sayid? CHARLIE: Alright, just calm down, okay. I'll get him for you. [to Claire] Stay here, alright. CLAIRE: Okay. CHARLIE: [exiting] Sayid! Sayid! CLAIRE: What happened out there? DANIELLE: [mesmerized by the baby] What is his name? The child. What is his name? CLAIRE: [uncomfortable] Oh, I haven't named him yet. DANIELLE: May I hold him? CLAIRE: Why do you need Sayid? DANIELLE: You don't want me to hold him. CLAIRE: No, I just fed him. I don't think it's a good idea, okay? DANIELLE: Please. [Claire notices the scratches on Danielle's arm. We see a brief FLASHBACK of Claire struggling with Danielle, scratching her.] CLAIRE: Why did I do that? Why did I scratch you? Act 3 [Flashback - We see Charlie in a hotel room searching for his heroin. A girl is lying in the bed.] LILY: What's going on? CHARLIE: My flight, my flight to LA leaves in a couple of hours -- so I've got to get moving, you know. [He finds the heroin in the bathroom.] LILY: You want to do one more bump for the road? CHARLIE: [coming out of the bathroom] It's all gone. We did it all last night. I have some champagne. LILY: [slight panicked] You've got to have some left. CHARLIE: Mm-mm. No. It's done. I'll look you up next time I'm in Sydney, okay? I'll send you an autographed copy of my CD and then you can listen to it whenever you want. LILY: I don't want your piece of crap CD from your piece of crap band. CHARLIE: Last night in the bar you said you were a fan. LILY: Fine. I'm a huge fan. Drivethru is the best damned band ever. Now just give me a bump because I know you've got some. CHARLIE: Shaft. Drive Shaft. [Charlie pulls the heroin out of his pocket when Lily goes into the bathroom.] LILY: [coming out of the bathroom] What's that in your hand? CHARLIE: Nothing. LILY: Holding out on me? CHARLIE: Holding out on you? No, I'm not holding out... LILY: [cornering him] Give it to me. CHARLIE: Give you what? I'm not holding anything. LILY: Give it to me. CHARLIE: I've got nothing in my hand! LILY: Give it to me! [Lily knees him in the groin. They struggle.] LILY: Get up. CHARLIE: Get off. LILY: Get up. Let it go. Let it go. CHARLIE: What are you, crazy? LILY: Let it go. CHARLIE: Get off! LILY: Let it go! [She starts hitting him and he throws her off.] CHARLIE: Get off me. LILY: [smacking him some more] You're pathetic. You're pathetic. [She grabs the champagne and leaves Charlie lying on the floor clutching the heroin.] -------------------------------------------------------------------------------- [On-Island - We see Charlie running through the jungle looking for Sayid.] CHARLIE: [catching up] Sayid! Sayid, Rousseau's on the beach. She needs you. SAYID: Rousseau? What for? CHARLIE: I don't know. [They hear a scream and start running. When the enter the beach area Sun is kneeling next to Claire's body, yelling. Sayid, Shannon, Charlie, and a redshirt run to the scene.] SUN: Help! Someone! Help! CHARLIE: My god! SAYID: What happened? SUN: [showing them a bloody rag] Her head. CLAIRE: Where -- where is my baby? [Charlie looks for the baby who is missing.] CHARLIE: Oh, my god. CLAIRE: Is he alright? SAYID: Rousseau, was she alone? CLAIRE: Did she take my baby? Did she take my baby?! SAYID: Claire, which way did she go? CLAIRE: I don't know! She took my baby! CHARLIE: This is your fault! [punching Sayid] You brought her into the camp! If you had just given me a gn! [Charlie makes to take another jab at Sayid. Sayid grabs Charlie's throat.] SAYID: Do not ht me again. You want to waste time assigning blame? There's plenty to go around. She has a head start. If we leave now we can catch her. CHARLIE: How are we going to do that?! SAYID: Because I know where she's going. CLAIRE: [hysterical] I want my baby! -------------------------------------------------------------------------------- [At the Black Rock.] JACK: We can carry all the sticks in my pack. The more insulation we stuff in the better. LOCKE: I think we should split them up. JACK: What? LOCKE: It's not smart to keep it all together. So, we split them up. If we need 3 sticks to blow the hinge then we should bring 6 -- 3 and 3 -- failsafe, in case one of us... JACK: You and me, then. KATE: No, I'm -- I'm taking one. JACK: It's not going to happen, no. KATE: This is why I came. JACK: Then, you wasted a trip. KATE: I need to do this. JACK: Kate, no one owes anyone anything. KATE: I'm carrying one. JACK: We're done here. KATE: This is not your decision. JACK: Kate, yes it is. LOCKE: We'll draw straws. They're coming. We don't have time to argue about who gets to risk their life, so -- we'll let fate decide. KATE: Works for me. JACK: [to Hurley] What about you? You want to carry some dynamite, too? [Hurley stares.] What? HURLEY: [pointing to a piece of flesh on Jack's back] You got some... Arnzt on you. LOCKE: [holding sticks to draw] Short sticks carry the packs. [Kate and Locke draw the short sticks.] Looks like it's me and you, Kate. -------------------------------------------------------------------------------- [At the raft. Walt, Michael and Jin are at the radar screen.] WALT: So, what's this stuff even do? MICHAEL: Well, the transmitter sends out an SOS in case someone's listening. And if there's anything out there, we'll see it on this radar screen here. [Jin goes to the radar emitter.] MICHAEL: Here we go. C'mon, someone find us. [Walt sees Sawyer reading the messages from the bottle.] WALT: Those are the messages everybody wrote. SAWYER: Sure are. WALT: They're private. SAWYER: Yep. I, for one, never knew how much Tracy missed her hubby and 2 kids back in Fresno. Yet she's sleeping next to good old Scott to keep her warm at night. WALT: That's Steve. Scott's dad. SAWYER: Whatever. It's alright, Kazoo, we've got to keep ourselves entertained. Who the hell is Hugo and how's he got a 160 million dollars to leave to his mom. WALT: How would you like it if I read yours? SAWYER: You can't read mine because I didn't write one. WALT: Why not? SAWYER: Because the only one I ever wrote is to the man I'm going to kll. WALT: Why you going to kll him? SAWYER: Because I need to. WALT: Why? SAWYER: Because! -------------------------------------------------------------------------------- [sht of the black smoke. We see Sayid and Charlie running toward it.] CHARLIE: Are you bloody joking?! Why would she go for the black smoke?! Isn't that where the Others are supposed to be?! SAYID: The Others are precisely why she would go there. Rousseau told us she saw black smoke the day her own child was taken 16 years ago. [Sayid stops at the gn case.] They took something from her, and now she believes she has something that they want. CHARLIE: She's making a trade? SAYID: I believe she is, yes. CHARLIE: That's insane. She's insane. SAYID: Don't try to apply reason to her actions. She's a mother who lost her child, just like Claire. [Sayid hands Charlie a gn.] This isn't about revenge. Don't make it personal. [Claire and Sun enter.] CLAIRE: I'm coming with you. SAYID: That's not a good idea, Claire. CLAIRE: This is my baby, okay?! I let her take him! CHARLIE: Hey, hey. CLAIRE: [hitting Charlie] Don't tell me what to do, okay! CHARLIE: Calm down! CLAIRE: I am going to come with you! This is my fault and I'm coming and you can't stop me! CHARLIE: It's alright, Claire. CLAIRE: [spent] Get him back, Charlie. Get Aaron back. CHARLIE: Aaron? CLAIRE: Please, get him back. CHARLIE: Claire, I will get him back. Promise. [sht of the black smoke.] Act 4 [Flashback - We see Walt and Michael at Sydney airport. Walt playing GBA.] MICHAEL: Hey, you want something to eat? [Walt doesn't respond.] I guess that's a no, then. If you're worried about Vincent, he going to be okay, man. Dogs fly in the luggage compartment all the time. -- Alright, I've got to call work, right over there. Don't go anywhere, okay? [We see Michael at a pay phone.] MICHAEL: No, I live in a studio apartment. I've got to be out the door in the morning for work by 5am. Who's going to watch him? How's he going to get to school? What's he going to do after school? I can't do this, ma. -- You know, I was -- listen, I was thinking -- I was thinking maybe you could take him. -- Look, ma, if it's a question of money, I... [Locke goes by in his wheelchair] What am I supposed to do with him?! He's not supposed to be mine! He was never part of the plan. Yeah, I -- thanks a lot. [He hangs up and turns around to discover Walt standing there.] Hey, man, I was, uh... WALT: I need new batteries. -------------------------------------------------------------------------------- [On-Island - We see Michael and Walt at the raft.] MICHAEL: [steering] Hey, want to try? WALT: What? MICHAEL: C'mon, come here. You drive for awhile. WALT: Really? MICHAEL: Absolutely. Okay now, look, the most important part of this boat is the rudder. It's how you steer. You turn it gradually -- nothing sharp, okay. Push it this way. WALT: Where are we going? MICHAEL: Look, [holding a compass] so, we're going approximately North by Northeast. So, hopefully that puts us into a shipping lane, or we ht some land. WALT: What do I aim for? MICHAEL: See that cloud on the horizon, right there? WALT: Yeah. MICHAEL: You aim for that. WALT: Yep. MICHAEL: Okay. WALT: Got it. -- How come you and my mom didn't stay together? MICHAEL: We tried. It just didn't work out, so -- our lives, our interests -- we just went in different directions. WALT: How come I never saw you? MICHAEL: Because your Mom didn't want me to. She did what she thought was best for you. WALT: She was wrong. [Michael smiles. The boat hits something and the rudder comes loose.] JIN: Rudder! MICHAEL: Hey, we ht a log! We lost the rudder. JIN: Rudder! Rudder! MICHAEL: We're losing it! It's sinking! [Sawyer takes off his shoes and shirt.] MICHAEL: Stop the boat. Stop the boat. Just pull the sail down. Right. [Sawyer jumps in and swims for the rudder.] WALT: Dad! MICHAEL: Sawyer! Sawyer! [to Jin] Give me the rope. JIN: [throwing the rope to Michael] Rope! MICHAEL: Sawyer! SAWYER: [at the rudder] It's sinking! [Michael throws the rope.] SAWYER: I can't reach it! [Michael throws the rope again.] JIN: 다시 던져봐. MICHAEL: Got it? JIN: 먼저 묶고! MICHAEL: Tie it around the rudder, we'll pull you in! [They pull Sawyer and the rudder in.] MICHAEL: [pulling Sawyer up] C'mon, buddy. You just saved our asses, buddy. [Michael picks up Sawyer's gn and wraps his shirt around it.] MICHAEL: [a bit angry] Here's your shirt. You should put that back on before you burn. -------------------------------------------------------------------------------- [We see Jack carefully helping Kate put on her backpack.] KATE: Sorry. JACK: Yeah, well, luck of the draw. LOCKE: The sun sets in 90 minutes, give or take. If we want to get back to the Hatch we're going to have to hustle. JACK: Okay, this is how we do this. I'll lead -- Kate, you're right behind me, then Hurley. John, you bring up the rear. If you start to see me heading the wrong way- LOCKE: We should stagger our formation -- keep a safe distance from each other. JACK: Alright, we stagger. If anyone hears anything or sees anything... HURLEY: Like the security system that eats people? JACK: Yeah, like that. You two, you take your packs off, you put them down and you run. You got it? KATE: Got it. LOCKE: Yes, sir. JACK: Okay, let's do this. Act 5 [We see Sun, Claire, Shannon and redshirts arrive at the caves.] SUN: [to Shannon] He died bravely. SHANNON: What? SUN: Your brother. SHANNON: Yeah. Thanks. SUN: Do you think all this -- all we've been through -- do you think we're being punished? SHANNON: Punished for what? SUN: Things we did before -- the secrets we kept, the lies we told. SHANNON: Who do you think is punishing us? SUN: Fate. CLAIRE: No one's punishing us. There's no such thing as fate. -------------------------------------------------------------------------------- [We see Sayid and Charlie running/climbing along rocky shore.] SAYID: Are you okay? CHARLIE: I'm fine, keep going. SAYID: We're losing the light. Try to keep up. CHARLIE: I'm coming. [Sayid gets too far ahead.] Sayid! Sayid! -- Sayid! SAYID: [shouting from a distance] Over here. CHARLIE: Sayid?! SAYID: [approaching] You can barely breathe. We're going to rest. CHARLIE: Rest? She's out there right now... SAYID: In another mile you're going to collapse. We're going to take a break. [They stop at the Nigerian plane site.] CHARLIE: Is this where Boone fell? SAYID: The plane was up there. CHARLIE: Where did it come from? SAYID: Based on the maps inside -- Nigeria. CHARLIE: Anyone on board? SAYID: Two men dressed as priests. CHARLIE: Priests? SAYID: Drug runners in disguise. [He picks up a Mary statue.] The plane was loaded with heroin. [He picks up his pack to go.] Alright, now we go. [Charlie stares down at the broken statue with a look of temptation.] -------------------------------------------------------------------------------- [We see Jack, Kate, Locke and Hurley walking through the jungle.] HURLEY: So, dude? What do you think is inside of that hatch thing? LOCKE: What do you think is inside it? HURLEY: Stacks of TV dinners from the 50's, or something. And TVs with cable, some cell phones, clean socks, soap, Twinkies -- you know, for dessert, after the TV dinners. Twinkies keep for, like, 8000 years, man. LOCKE: [laughing] I like Twinkies, too. HURLEY: C'mon, really, what do you think is inside? LOCKE: Hope. I think hope's inside. [They continue walking. A large bird calls and flies away, scaring everyone.] HURLEY: Whoever named this place Dark Territory? Genius. Part 3 Act 1 [We hear a chittering sound. Jack and Kate see a black "shadow" slide by a short distance to their right. Jack looks at Kate.] KATE: Yeah, I saw it. We've got to get out of here. [Jack, Kate, and Hurley move off quickly. Locke stays to stare. We hear some animal cries, then the "footsteps," and sounds of the Monster. Jack takes his pack off and runs with Kate and Hurley. Locke takes his pack off and tries to get a closer look. Jack sees Locke going toward the Monster.] JACK: Locke! What are you doing? [Jack runs after Locke. Locke continues toward the Monster.] JACK: Locke! [The sounds of the Monster die down, and Locke stands still. There is a sudden "footstep" right next to Locke and he falls. Locke's expression changes from wonder to terror as he "sees" the Monster loom above him.] Act 2 [Locke scrambles to get away from the Monster. Jack runs after him.] JACK: Locke! [We see Kate and Hurley running. Kate turns around.] KATE: Jack! Jack! [Kate runs after Jack. We hear a ratcheting sound, and Locke is captured by a tedril of the Monster by the ankle and dragged. Jack runs and grabs hold of Locke barely keeping him from being dragged into a hole in the ground. Kate enters.] KATE: Oh, my god. JACK: I need the dynamite. [Kate takes her pack off.] No, no, it's in my pack. Just go get it! Hurry, go! John, John. LOCKE: Let me go. Just let me go. I'll be alright. [Locke tries to let go.] JACK: No! LOCKE: Let me go. I'll be alright. KATE: [entering] Hang on. I've got it. JACK: Careful unwrapping it. KATE: Alright. JACK: Now throw it in. LOCKE: No! KATE: It'll blow us up. JACK: Just hurry, I can't hold him! LOCKE: Don't do this, Kate! JACK: Throw it in -- now, Kate! [She throws the dynamite in. We hear the explsin and see a cloud of black come up behind Locke, gather together, and "exit." Jack and Kate pull Locke up.] -------------------------------------------------------------------------------- [sht of Jin's watch on a pad of paper at the raft. Michael picks up the paper.] MICHAEL: [to Jin] Hey, your wife -- wife made this for you? JIN: Sun. MICHAEL: She sounded it out, huh -- so you could learn English? JIN: Yes. MICHAEL: Yeah, I wish she had made one for me. So what words are in here? English words -- what can you say? JIN: Ah, starboard, aft, port, sail, eat. MICHAEL: [laughing] Yeah, right. She did you well. I hope you know how lucky you are, man. [Jin indicates that the rudder is fixed.] Back in business? Alrighty. [Michael grabs the watch to give it back to Jin.] Oh, hey, it's yours. JIN: [offering the watch to Michael] You. MICHAEL: What? JIN: [putting the watch in Michael's hand] You. MICHAEL: Um, thank -- you. Thanks. -------------------------------------------------------------------------------- [We see Sun approach Claire at the caves.] SUN: I made you some tea. CLAIRE: [not accepting it] I'm fine. [Then she takes the tea.] Thanks. SUN: Aaron is a beautiful name. What does it mean? CLAIRE: I don't know what Aaron means. SUN: They will bring him back. CLAIRE: Don't say that. SUN: They will. CLAIRE: How do you know that? SUN: Because he said he would. Charlie will bring your baby back. -------------------------------------------------------------------------------- [We see Charlie and Sayid running through the jungle. They come across a blanket on the ground.] CHARLIE: There! SAYID: Charlie, wait. [Charlie picks up what he thinks is the baby, but it's a booby-trap. A net full of rocks rains down on Charlie.] SAYID: Charlie! See, let me see. [Charlie has a gash above his eye.] CHARLIE: It's bleeding. SAYID: We need to put pressure on it. CHARLIE: Okay. Ow. SAYID: [handing Charlie a towel] There. CHARLIE: Ow. Animal, what is she... SAYID: Keep the pressure on, like this. CHARLIE: Ow! Ow! Ow! SAYID: She's been here for 16 years. She's learned how to set traps quickly. Okay, let's have a look. It's too deep. It's bleeding too much. You're going to have to go back. CHARLIE: No, I'm not going back! You're going to have to fix it. SAYID: I'm not a doctor. CHARLIE: You're a soldier! What do people do when you get wounded?! I'm not going back without that baby, Sayid. SAYID: Don't move. [Sayid gets a bllet and opens it.] CHARLIE: gn? SAYID: Remove the towel and tilt your head back. Remove the towel. CHARLIE: This is because I ht you, isn't it? [Sayid pours the gn onto the wound. Charlie moans.] SAYID: [getting a match] This is not going to be pleasant. You ready? CHARLIE: Yeah. SAYID: 1-2-3. [He puts the match to the gn. Charlie screams.] Act 3 [Flashback - Hurley wakes up in a hotel room and sees that his clock and lamp don't work. He pulls open the curtain. He sees that an electrical outlet has brned.] HURLEY: Oh, man. [He's frantically packing.] HURLEY: [on the phone] I need my car. 20 minutes? Look, I can't miss my flight. My mom's birthday is tomorrow. [Hurley runs to the elevator which is full. He runs for the stairs. We see Charlie in the elevator.] CHARLIE: Some of us have a bloody flight to make! HURLEY: [running through the hotel lobby] Excuse me, coming through. Excuse me. [Driving to the airport his car breaks down.] HURLEY: No, no, no! [He pulls off the road and starts running to the airport.] HURLEY: [running through the airport] Excuse me, coming through, excuse me, excuse me. Look out, excuse me. [He arrives at the check-in desk. The ticket agent starts checking him in.] HURLEY: Any way we can hurry that up? My mom's birthday is tomorrow. Or, today -- I don't know. I don't really get the whole time change thing, but I've got to make that flight. TICKET AGENT: I'm am going as fast as the system will allow me, dear. You're confirmed for seat 20G. However, the airline has a policy that a man of your size must purchase two tickets. HURLEY: What? I didn't have to do that on the flight out here. TICKET AGENT: Am I going to have to weigh you, dear? HURLEY: Fine, whatever. I'll buy the one next to it. TICKET AGENT: Alrighty. Here are two together. HURLEY: Book it. TICKET AGENT: Uh-oh. HURLEY: Uh-oh, what uh-oh? TICKET AGENT: It appears that your flight is already boarding in the Oceanic international terminal. Well, this is the domestic terminal. I don't think you're meant to make this flight, dear. [Hurley runs through the airport, excusing himself along the way. He runs to the front of the security checkpoint line.] HURLEY: Excuse me, sorry. Sorry, this is an emergency. I've got to cut through. Excuse me, dude. Dude? SECURITY AGENT: Back of the line. HURLEY: You've got to let me in. No, you don't understand... SECURITY AGENT: Back of the line. HURLEY: This is... SECURITY AGENT: Back of the line. [Hurley gives up and leaves. We see Arzt in line.] SECURITY AGENT: Next. ARZT: [to the man in front of him] Now? You're taking the computer out now? [Hurley sees a guy on a motorized scooter.] HURLEY: Hey, old guy! I'll give you 500 bucks to borrow your scooter. OLD SCOOTER MAN: I just had a hip replacement. I need this thing. HURLEY: Okay, 1600 bucks. [We see Hurley on the scooter, excusing his way through the airport. He gets to the gate where the door is closing.] HURLEY: Hey, hold it! Hold the door! Hold the door! Hold the door! I've got to get on this flight! GATE AGENT: Sir, the jetway's closed. HURLEY: Please, for the love of all that is good and holy in the world, let me on this plane. GATE AGENT: Alright, one second. [She picks up the phone] Hunter, this is Jenna, we've got one more... ta. [to Hurley] This is your lucky day. [Hurley gives gate agent a big hug.] -------------------------------------------------------------------------------- [We see Hurley walking in the jungle, at night.] Hurley: [whispering] 15, 16, 23, 4-2, 4; 15, 16, 23, 4-2, 4; 15, 16, 23, 4-2, 4; 15, 16... [He takes a big breath where 8 would be.] KATE: You say something? HURLEY: Nope. KATE: I thought I heard 23. HURLEY: Does that mean something to you? KATE: What? HURLEY: That number? 23? KATE: The guy who called the Feds on me, back in Australia, did it for a 23,000 dollar reward. Mean something to you? HURLEY: Nah, it's just a number. We better catch up -- can barely see them. -------------------------------------------------------------------------------- [We see Jack and Locke walking along.] LOCKE: We shouldn't be this close to each other, Jack. JACK: If we blow up, we blow up. What the hell was all that about back there, John? LOCKE: What was what about? JACK: You asked me to let you go. LOCKE: That's right. JACK: That thing was taking you down the hole and you asked me to let you go. LOCKE: It wasn't going to hurt me. JACK: No, John, it was going to kll you. LOCKE: I seriously doubt that. JACK: Look, I need for you -- I need for you to explain to me what the hell's going on inside your head, John. I need to know why you believe that that thing wasn't gonna- LOCKE: I believe that I was being tested. JACK: Tested? LOCKE: Yeah, tested. JACK: LOCKE: I think that's why you and I don't see eye-to-eye sometimes, Jack -- because you're a man of science. JACK: Yeah, and what does that make you? LOCKE: Me, well, I'm a man of faith. Do you really think all this is an accident -- that we, a group of strangers survived, many of us with just superficial injuries? Do you think we crashed on this place by coincidence -- especially, this place? We were brought here for a purpose, for a reason, all of us. Each one of us was brought here for a reason. JACK: Brought here? And who brought us here, John? LOCKE: The Island. The Island brought us here. This is no ordinary place, you've seen that, I know you have. But the Island chose you, too, Jack. It's destiny. JACK: Did you talk with Boone about destiny, John? LOCKE: Boone was a sacrifice that the Island demanded. What happened to him at that plane was a part of a chain of events that led us here -- that led us down a path -- that led you and me to this day, to right now. JACK: And where does that path end, John? LOCKE: The path ends at the Hatch. The Hatch, Jack -- all of it -- all of it happened so that we could open the Hatch. JACK: No, no, we're opening the Hatch so that we can survive. LOCKE: Survival is all relative, Jack. JACK: I don't believe in destiny. LOCKE: Yes, you do. You just don't know it yet. -------------------------------------------------------------------------------- [At the raft, Walt is sleeping, Sawyer is at the radar equipment.] MICHAEL: I turned it on a little while ago. SAWYER: Sayid said every hour. MICHAEL: Look, we're 15 miles out. We could be here for weeks. If that battery runs out... SAWYER: The man said every hour. [They switch the equipment on.] SAWYER: Nothing. MICHAEL: 5 minutes, no more. SAWYER: Aye, aye. You know what I like about you, Mike? You've got the patience of a saint. MICHAEL: Yeah? Why do you say that? SAWYER: I've seen the way he talks to you -- the way he runs around, does whatever the hell he wants. I'd have showed him the back of my hand a long time ago. MICHAEL: You would, huh? SAWYER: A hell of a lot cheaper than a shrink. MICHAEL: Is that what your father did to you? Show you the back of his hand? SAWYER: My daddy never got a chance to bat me. He sht himself when I was 8. MICHAEL: Is that why you want to die, man? SAWYER: What? MICHAEL: Since the day you told me you wanted on this raft, I couldn't figure it out. Why does a guy who only cares about himself want to risk his life to save everyone else? The way I see it, there's only two choices -- you're either a hero or you want to die. SAWYER: Well, I ain't no hero, Mike. [We hear a blip on the radar screen.] SAWYER: Is that what I think it is? MICHAEL: Something's out there. Act 4 [Flashback - Locke in his wheelchair at the gate.] GATE AGENT: I'm sorry, sir, but the special wheelchair that we use for loading the disabled passengers -- well, no one seems to know where it is right now. And unless we find it, I'm not sure we can get you on. LOCKE: There's not another flight until tomorrow. GATE AGENT: Yes, I'm aware of that, sir, but there's nothing I can... JD: Look, I can get Michelle, we can carry him on. Would you mind if we carry you on? LOCKE: No, that'll be fine. -------------------------------------------------------------------------------- [JD and Michelle carry Locke to his seat.] MICHELLE: Here we go. Here's your seat. JD: I'll get your bag, sir. MICHELLE: If you need anything just press the call button. LOCKE: Okay. Thank you. [Locke pulls out what looks like the flight safety card from the seat back, and drops it. It's too far away for him to reach.] -------------------------------------------------------------------------------- [On-Island - We see Locke, Jack, Kate, and Hurley arrive at the Hatch.] LOCKE: Hugo, take these extra sticks back a couple hundred yards. HURLEY: Me? Oh, okay. Got it. JACK: [handing him his pack] Be careful. HURLEY: Can I have the flashlight? Because, uh, the torch with the dynamite thing, not making a whole lot of sense to me. [Jack hands him the flashlight and takes the torch. Hurley exits.] LOCKE: Kate, you run the fuse, Jack and I will rig the charges. KATE: Okay. -------------------------------------------------------------------------------- [In the distance we see the black smoke is coming from a fre on the beach. Sayid and Charlie approach the fre.] CHARLIE: What the hell is that? SAYID: There's no footprints, no tracks. CHARLIE: This is it? This is the black smoke? Where are they? SAYID: I don't know. CHARLIE: [hearing the baby cry] She's here. SAYID: Danielle! CHARLIE: You come out, right now! SAYID: Calm down. [Sounds of Danielle sobbing.] SAYID: Danielle! I can hear you, come out. Please, he needs his mother. [Danielle emerges from the bushes.] DANIELLE: They were not here. SAYID: Danielle, you have to give us the baby. DANIELLE: I just wanted my Alex back. I thought if I gave them the baby... SAYID: It's okay. I know. It's okay. [Sayid takes the baby and gives it to Charlie.] CHARLIE: I've got him. There never were any Others. You started the fires yourself! DANIELLE: No, I heard them whispering. CHARLIE: You're a nut job. You heard nothing! DANIELLE: I heard them say they were coming for the child. The Others said they were coming for the boy. CHARLIE: You're pathetic. -------------------------------------------------------------------------------- [We see Locke and Jack setting the charges.] LOCKE: Wire. Hold that end. Now the fuse. JACK: I'll do it. [Jack pushes the fuse into the dynamite. They move away from the Hatch toward Kate.] KATE: This is as far as it goes. LOCKE: It's far enough. I'll light it. You take cover, there'll be enough burn time for me to get clear. JACK: Hurley! HURLEY: [off camera] Wait just a sec. KATE: So, what was that about back there? JACK: What was what about? KATE: Putting the dynamite in your pack. JACK: I made a judgment call. KATE: We drew straws. JACK: Sorry, I'm not going to let drawing straws make decisions like that for us, Kate. KATE: You had no right to make that choice... JACK: Everybody wants me to be a leader until I make a decision that they don't like. You want to keep second guessing me, Kate? That's your call. There's something that you need to know -- if we survive this, if we survive tonight -- we're going to have a Locke problem. And I have to know that you've got my back. KATE: I've got your back. LOCKE: Are we ready? HURLEY: Wait a sec, wait a sec. [Hurley drops his flashlight on the Hatch and notices the Numbers.] HURLEY: [running] No. No, no, no. Stop! Stop, we can't do this! Stop! Wait! Stop we can't do this! Stop! Stop it! We can't! Stop! Don't light it! We can't do this! We can't do this! Stop! Wait! You've got to stop it! [Locke lights the fuse.] HURLEY: The Numbers are bad! Stop! What are doing?! Why did you do that?! [Hurley tries to stamp out the fuse.] HURLEY: The Numbers are bad! The Numbers are bad! JACK: Hurley! Hurley stop! HURLEY: The Numbers are bad! JACK: Hurley! Hurley, you've got to get back! [Jack tackles Hurley right before the dynamite detonates.] -------------------------------------------------------------------------------- [We see the blip on the radar screen. Walt wakes up.] SAWYER: It's closer. It's closer. Give me the damn flare gn. MICHAEL: Hold on a sec. SAWYER: I'm telling you, it's closer. I'm telling you, look. MICHAEL: I know, okay. I've got one flare. JIN: 아무 것도 안 보여. MICHAEL: [to Jin] Okay, I know. You don't see anything. Okay. SAWYER: What the hell are you expecting to see?! In case you haven't noticed, it's dark! WALT: What is it? Is it a ship? MICHAEL: We don't know, little man. We don't know. JIN: Starboard? Port? MICHAEL: Uh, Port. Port. JIN: 반대로 가는데? MICHAEL: Okay, what the hell am I supposed to do about it? SAWYER: Hey, Han, you and Chewie want to slow down a second and talk to me here?! We have to fre the flare. MICHAEL: We don't know what it is. It could be anything -- a piece of floating junk. We don't even know if Sayid's radar works! SAWYER: Have you ever known that guy to fix something up that don't work? WALT: It's moving away. SAWYER: Floating junk that knows how to steer, huh? MICHAEL: We're moving! It doesn't make- SAWYER: Look, are you going to give me the damn gn, or am I going to have to take it?! MICHAEL: What are you going to do? sh*t me? WALT: It's almost gone. -- C'mon. MICHAEL: Please, god. [Michael fires the flare. Jin lowers the sail.] WALT: It's coming back! It's coming back! [They all laugh and whoop. Jin shushes them. We hear a boat motor sound approaching. A floodlight turns on. The raft folks are excited. The boat kills it's motor.] MICHAEL: Are we glad to see you! BEARDED MAN: What's going on?! What are you folks doing this far out here?! MICHAEL: We were, we were -- the plane crashed! We were on the Island for a month, man! BEARDED MAN: Plane crash, huh? Well, how about that? MICHAEL: We were on an Island -- oh, flight 815 -- hey, where are we?! BEARDED MAN: Well, it's a good thing we found you. MICHAEL: Yeah, yeah, we survived and there's a whole group of people on the... BEARDED MAN: Well, ain't that something? MICHAEL: Yeah! BEARDED MAN: Only, the thing is, we're going to have to take the boy. MICHAEL: What? What'd you say? BEARDED MAN: The boy, we're going to have to take him. MICHAEL: Hey, what the hell's going on here? Who are you people? BEARDED MAN: Just give us the boy. [Two other men on the boat stand up.] MICHAEL: I'm not giving you anybody. BEARDED MAN: Well, alright then. [The floodlight is turned off. Sawyer draws his gn, but is sht first by one of the two men, and falls into the water. Jin dives in after him. The two men jump onto the raft. One grabs Walt and the other fights with Michael.] WALT: Dad! Dad! MICHAEL: No! [Michael gets pushed into the water. Walt is taken onto the boat screaming. A women throws a Molotov cocktail from the steering compartment and the boat takes off. Michael dives under the water before the raft goes up in flames.] WALT: Help me! MICHAEL: Walt! WALT: Help me! Dad! Please! MICHAEL: Waaaaaaaaaaalt! Waaaahahahaaalt! No! Walt! Act 5 [Flashback - We see Claire at the caves. Charlie and Sayid enter with Aaron. Claire runs over. Sayid goes to the spring, Shannon runs to him. Charlie has a Mary statue in his pack.] [sht of people boarding, or on, the plane: Claire, Kate, Sawyer, Locke, Jack, Charlie, Sayid, Sun/Jin (with the watch), Michael/Walt, Shannon/Boone, Hurley (who gives Walt a thumbs-up, and then reads the comic book), Arzt helps Claire with her luggage.] -------------------------------------------------------------------------------- [On-Island - Back at the Hatch. They uncover it to reveal a long narrow passageway with a broken ladder going down.]	{"type": "series", "show": "Lost", "episode": "1x24-25 - Exodus Part 2"}	foreverdreaming
[Scene opens black with a blip sound; eye opens; green curser on computer screen; unknown man enters numbers and presses 'execute' button. He goes through a morning routine and injects himself with something from an Rx bottle. He hears an explsin, gets wapon from a vault, turns the lights down, looks through a scope, adjusts mirrors so he can see the hatch area. Camera pans up to Jack and Locke looking down.] [Hurley & Kate standing near the hatch.] Hurley: 4, 8, 15, 16, 23, 42. 4, 8, we're dad, 15, doomed and dad, 16, 23, 42... Kate: Hurley, you okay? Hurley: Huh? Yeah, awesome. I just have to pee. Great idea, dude, go look into the burning death hole. [Kate, Jack, and Locke peering into the hatch.] Kate: What is it? Jack: It doesn't matter what it is. We blew the door so we could get everyone inside this thing so we could be safe. That plan is not going to work. We'll never get everyone down in time. [Locke drops a rock into the hatch.] Kate: Water. Locke: It's shallow. It sounds like a puddle. Kate: 40 feet down? Locke: 50 tops. If we could use the wire we pulled from the fuselage -- rig up a harness... Jack: John, we're leaving now. Hurley: Yes, good idea. Let's do that. Locke: We all went through a lot to get here, Jack. Jack: The ladder's broken. You going to lower 40 people down there one by one? They're waiting for us to come back and tell them what to do, so let's forget about the harnesses. Kate: Jack? Jack: What? Locke: Why don't we all just calm down here. Jack: Look, if you want to go exploring in the morning that's fine, but tonight we're done. I'm going to go get the dynamite we didn't use and we're heading back to the caves. How about you pack it up, John? Locke: Sure, of course. Jack: Okay. Locke: Why don't you want to go down there, Jack? Flashback: [Jack in the hospital ER -- woman being wheeled in on gurney.] EMT: Female, late 20's, no ID, she coded twice on the way over here. Nurse: Where's the other one? EMT: Right behind us. They're on their way -- fre Department had to use the jaws. Intern: What have we got here? JACK: [entering] Piece of the steering column. All right, let's go. Keep that collar steady. Page my father. Intern: Already did. JACK: [to EMT] Tell me. EMT: Her tire blew, car jumped the divider, went head-on with an SUV. Nurse: BP's dropping. Jack: Pericardial's pierced. Was she driving? EMT: Yes, alone. Jack: Where's the driver of the SUV? [A man is wheeled in on a gurney.] EMT #2: Adam Rutherford, 57, chest trauma, no breath sounds. Jack: [to Intern] Tube Mr. Rutherford while I... Intern: I can't intubate, you've got to. Nurse: Dr. Shepard, her BP's 80 over 60. Nurse #2: Dr. Shepard, his breathing's deteriorating. Jack: [deciding to work on the woman] Okay, need a syringe -- big one. You, hold pressure. [He pulls the piece of the steering column out of the woman's chest.] Nurse: 88 over 52, no radial pulse. Jack: I know. I know -- sac's flooded. Where's that... Nurse: [handing him a syringe] Right here. Got it? Jack: Yep Nurse #2: Doctor, we're losing him. [Jack continues working on the woman as we hear the sound of Adam's Rutherford's heart monitor flatlining.] Nurse: BP sab. Nurse #2: Time of death 8:15am. Jack: Okay, get me a blood gas and C-spine. Get her up to ICU and keep her immobilized. [We see that the woman Jack has been working on is Sarah.] Sarah: [whispering weakly] I want to dance at my wedding. Intern: Did you hear that? Nurse: Sweety, you need to take it easy, okay. Just relax. Intern: What did she say? Jack: She said she has to dance at her wedding. [Scene switches to people at the caves.] Charlie: No one is out there. No one is coming. Redshirt: But the French woman said... Charlie: The French woman is missing a bloody wing nut, you know. I mean, it was all bollocks. It's a ghost story. She set the fre herself. [Charlie sees Sayid looking at him dubiously] What? Sayid: Nothing. Shannon: [to various Redshirts] Has anyone seen Vincent -- the dog? Anyone seen him? Has anyone seen the dog? Sayid: Where are you going? Shannon: I lost the damn dog. [Locke peering into the hatch.] Hurley: Why'd you do that? Why'd you light the fuse, man? Locke: Why wouldn't I light the fuse? Hurley: Maybe because I was running towards you, waving my arms, yelling "don't do that?" Locke: [laughing] Well, you've got a point there. I guess I was just excited to get inside. I mean, that's why we came here, isn't it? That's why we went all the way out to the Black Rock -- why we got the dynamite to blow the hatch. We did it so that we could get inside, Hugo. Jack: And to save everybody's lives. Locke: And to save everyone's lives. Jack: Or, maybe it was just our destiny, right John? Locke: Maybe. Kate: Guys, it's the hatch door, you'd better see this. [The word 'quarantine" is stenciled on the inside of the hatch door.] [Shannon and Sayid in the jungle.] Shannon: [calling out] Vincent! Sayid: It's not a good idea. Shannon: I saw him 5 minutes ago. Besides, you're the one who said there isn't anyone out here. Sayid: I said we didn't see anyone. The dog will come back on his own. He always does. Shannon: Watching that dog was the one thing anyone has ever asked me to do. If something happens to him... Sayid: When was the last time you slept or had something to eat? You're exhausted. Shannon: I can't tell that kid that I lost his dog becase I was exhausted. [Sound of Vincent barking in the background. Sayid and Shannon try to flank him but he runs off and they follow.] Sayid: Vincent! Shannon: Sayid! [Shannon loses sight of him] Sayid! Sayid, where are you? Sayid! Sayid! [Shannon falls and camera does several quick pans around. Then she "sees" Walt standing nearby.] Shannon: Walt? [Walt shushes her.] Shannon: What are you doing here? [Walt whispers something unintelligible (it's backwards). Shannon looks away and when she looks back Walt is gone.] Sayid: Shannon! What is it? What? [Locke and Kate walking back to the caves.] Kate: Why do you want to get down there so bad? Locke: Why do I want to get down there so badly. Jack thinks I'm crazy, doesn't he? Kate: Why, because you want to drop into a hatch that's been locked from the inside by a foot-thick steel door that says "quarantine?" Locke: Well, look at the bright side. The damage is done. Kate: The bright side? Locke: And if Jack thinks I've lost it, I can't blame him, really. Then again, 5 hours ago I was pulled into a hole by what appeared to be a column of black smoke. Did you see it, Kate? [The look on her face indicates that she did] Then I guess we're both crazy. Wonder what Jack thinks he saw? [Jack and Hurley walking back to the caves.] Hurley: You should go ahead, man -- don't want Locke making time with your girl. [Jack sh*t him a look] Joke, dude. Jack: I'm not really in the mood, Hurley. Hurley: Really? Wow, usually you're, like, Mr. Haha. [Jack chuckles] There you go. Life's not so bad, right? I mean, sure the Others are coming to, like, eat us all -- and every once in a while someone blows up all over you, but you do get to sleep in every morning. Jack: Uh-huh. And the numbers? Hurley: What? Jack: "The numbers are bad" -- that's what you were yelling right when I tackled you. Hurley: Yeah, that's kind of a long story. Jack: I've got time. Hurley: You'll think I'm crazy. Jack: Try me. Hurley: Awhile ago I was in this kind of psych ward, and there was this guy, Leonard -- and all the time I knew him all he ever said were these numbers -- 4, 8, 15, 16, 23, 42 -- over and over and over again. And they kind of got stuck in my head. So, when I got out -- well, actually a couple of months after I got out -- I was buying a frozen burrito and I thought, hey, I should play the lottery. And I guess those numbers were still stuck in my head so I played them. And I won 114 million dollars. That's when it started happening -- my grandpa died, my house caught on fre, the chicken joint that I worked at got ht by a meteor -- well, actually meteorite. Okay, so tonight I see the same freaking numbers on the hatch thing -- just written on the side -- and that's why I tried to stop it -- becuase that thing is cursed, man. Jack: You were in a psych ward? Hurley: I'm not crazy. Jack: I'm not saying you are. Hurley: So, what? That's it? That's all? Jack: What do you want me to say? Hurley: How about you believe me, man? Jack: Hurley, they're numbers. Hurley: What's that thing where doctors make you feel better just by talking to you? Jack: Bedside manner. Hurley: Yeah, that. Yours sucks, dude. Flashback: [Jack in the hospital looking at Sarah's chart as she comes to.] Sarah: What happened to him? Jack: Just try to relax, okay? Sarah: The car that I ht -- the other driver was older. Jack: He died in the ER. Sarah: I can't feel anything. Jack: I know. Sarah: What's happened to me? Jack: You have a fracture-dislocation of your thoracic lumbar spine with multiple crushed vertebrae. Your back is broken. Your spleen is ruptured and bleeding into your abdomen and that has to be stopped. [sht of Christian Shepard looking through a winder at Jack and Sarah.] I'm going to perfrom surgery and repair as much damage as possible. But even the most optimistic result puts the likelihood of retaining any feeling or any mobility anywhere below the waist extremely unlikely. Sarah: Oh. Christian Shepard: Dr. Shepard, may I have a word, please. Jack: So, what did I do wrong? Christian Shepard: You did something wrong? Jack: You're frowning. Christian Shepard: My face is always this way. Jack: Dad, hey, c'mon, let's hear it. Christian Shepard: You might want to try handing out some hope every once in awhile. Even if there's a 99 percent possibility that they're utterly, hopelessly screwed, folks are much more inclined to hear that 1 percent chance that things are going to be okay. Jack: Her spine's crushed. I tell her that everything's going to be okay -- that's false hope, dad. Christian Shepard: Maybe. Maybe, but it's still hope. [Back at the caves.] Shannon: I know what I saw. It was him. It was Walt. Sayid: Shannon, please lower your voice; you'll upset the rest of the group. Shannon: I heard whispers. Claire: Where? Shannon: Everywhere. Charlie: What whispers? Who? Shannon: I don't know -- them. Sun: Do you think something happened to the raft? Sayid: Nothing happened to the raft. Walt is with your husband, with Sawyer... Shannon: Sayid, I know what I saw. Charlie: [as the hatch group enters] They're back. Jack: Uh, Locke found, uh, a hatch in the ground about a half a mile from here. We left to blow it open so that we could hide inside -- so all of us could hide inside, in case -- but that doesn't matter now because it's not going to work. There's no way for all of us to get down in there tonight. Charlie: Jack, where's Dr. Arzt? Jack: Um, he didn't make it. Shannon: Did you see them? Did you see the Others? Charlie: Hey, Shannon, there are no Others; we've already had this conversation. Shannon: What the hell would you know about it -- just because you didn't see anything? Charlie: There's no one out there. Shannon: You don't know. Jack: Hey! Everything's going to be okay. Let's just take it easy. We're going to be alright. We're going to stay here tonight, okay, together. We've still got 4 gn; we'll put lookouts at all the entrances. We're all going to be safe as long as we stay together. The sun comes up in 3 hours and we're all going to be here to see that happen. I promise. [Locke enters carrying a cable.] John, what are you doing? Locke: I'm getting some cable. Jack: What for? Locke: It's for the hatch. I'm going in. Jack: Do you really think that's the smartest thing to do right now, John? Locke: I doubt it. In fact, you're right. The safest thing is to stay here -- wait for morning -- wait for these Others, to see if they show up -- wait for the brave folks on the raft to bring help -- but me, I'm tired of waiting. [Locke exits]. [Cut of Jack off by himself at the caves, Kate enters.] Kate: So, do you believe it? Jack: Believe what? Kate: That everything's going to be okay? Jack: Yeah, I do. Kate: Kind of unlike you -- the whole glass half-full thing. Jack: There's a glass? Kate: You did a good thing saying what you said -- taking care of everybody and just giving them something to count on. If you weren't here, Jack... [long pause] I'm going to the hatch. I understand why you can't go. They need you here. I get it. I do. But Locke's going into that thing whether you like it or not. And if he falls and breaks his neck? Live together, die alone, right? Jack: Right. Flashback: [Jack and Sarah's fiance, Kevin, in Jack's office.] Jack: Your fiance was seriously injured. It could take as long as 10, maybe 12 hours. I won't know how extensive the damage is until I get inside. Kevin: She was going for a dress fitting and to look at tablecloths. Jack: When is it -- the wedding? Kevin: It's 8 months. Jack: Well, I'm sure Sarah will have recovered by then. Kevin: Um, what does that mean? Jack: There will be ongoing physical therapy, but if she works really hard... Kevin: Well, well, will we be able to, you know, make love? Jack: You need to know that there's a chance Sarah may very well need professional care for the rest of her life. Kevin: Like, she won't be able to go to the bathroom by herself? [Jack and Sarah in the OR.] Sarah: Come here. Come here. I want to tell you a little secret. Come on, closer. It's okay. I know I'm not going to be dancing anymore. I can still roll around at my wedding. You're invited, okay. Jack: I'm going to fix you. [Locke at the hatch. Kate enters.] Kate: I expected to find you half way down there by now. Locke: I was waiting for you. Kate: So you want me to go down first? Locke: Well, you're lighter. I can belay you down and bring you back up just as easy. The shaft might get narrower down there, too. Kate: You left out the part where you just want to see if I get eaten by something. Locke: Yeah, well, that, too. [He fastens the cable harness around Kate] Not too tight? Kate: Got it. [She starts climbing down the ladder.] Wait, what do I say if I need to stop? Locke: Stop. Kate: Hmm, okay. Let's go. [As Locke is lowering her down, one of the trees holding the harness breaks and Locke barely holds on.] Locke: Kate, are you alright? Kate: Yeah, I dropped the light. Maybe we should... [Locke continues lowering her down] Well, okay then. 1, 2, 3, 4. [A light goes on inside the hatch] Stop! Locke: What is it? Kate: John, I think there's something down here. [Kate screams and a floodlight turns on.] Locke: Kate, are you alright? [Locke struggles as something pulls at the other end of the cable. Locke falls back as Kate's weight is taken from the cable. The floodlight goes out.] Locke: Kate! Kate! Kate! [Hurley and Jack at the caves.] Hurley: You're kidding, right? You're going back? Jack: [loading a gn] Yeah. Hurley: What about all that stuff you said about waiting 'til morning and watching the sun rise? Jack: I changed my mind. [Jack at the hatch.] Jack: Kate! Locke! [Getting no reply, Jack starts climbing down into the hatch.] Flashback: [Jack running the steps at a stadium. Another person comes into view running faster than Jack. Jack tries to keep pace but hurts his ankle.] Jack: Ow, damn it. Desmond: You alright, brother? Jack: I'm fine. I'm fine. Desmond: Take it easy; keep the weight off. Here, let me have a look. Does this hurt? [Jack shakes his head] You haven't sprained it then. I don't fancy your chances of catching up with me, though. Jack: I wasn't trying to catch up. Desmond: Aye, of course you weren't. Jack: What do you know about sprains, anyway? Desmond: I was almost a doctor once. Jack: Small world. Desmond: You a doctor then? [Jack nods. Desmond offers Jack his water bottle] So what's your excuse? Jack: Excuse? Desmond: To run like the devil's chasing you. My excuse - I'm training. Jack: Training for what? Desmond: A race around the world. Impressive, I know. So your excuse (unintelligible). Jack: Just trying to work a few things out. Desmond: Ah, a girl, right? Jack: A patient. Desmond: Ah, but a girl patient. What's her name? Jack: Her name's Sarah. Desmond: What'd you do to her then? Jack: Do to her? Desmond: You must have done something worthy of this self-flagellation. Jack: I told her -- I made her a promise I couldn't keep -- I told her I'd fix her and I couldn't. I failed. Desmond: Right. Just one thing -- what if you did fix her? Jack: I didn't. Desmond: But what if you did? Jack: You don't know what you're talking about, man. Desmond: I don't? Why not? Jack: Because with her situation that would be a miracle, brother. Desmond: Oh, and you don't believe in miracles? [Jack chuckles and shakes his head] Right. Well then, I'm going to give you some advice anyway. You have to lift it up. Jack: Lift it up? Desmond: Your ankle. You have to keep it elevated. It's been nice chatting. Jack: Jack. Desmond: Jack, I'm Desmond. Good luck, brother. See you in another life, yeah? [Jack explores the inside of the hatch coming upon a lab room with computer equipment.] Locke: [as Jack is about to press the 'execute' button on the computer] I wouldn't do that. Jack: [pointing his gn at Locke] Where Kate? What the hell did you... [A gn comes into frame pointed at Locke's head.] [Jack in Sarah's hospital room as she comes to.] Sarah: Am I alive? Jack: Yeah. Yeah, you're alive. Sarah: You smell. Jack: Well, thank you. Sarah: You really smell. Jack: Yeah, I went for a run. Sarah: You smell like you ran far. Jack: I showered. I mean, I guess I just didn't cool. I wanted to get back down here and check on you. It was a Tour de Stad. Sarah: What? Jack: When you run all the steps in every section of a stadium up and down. Sarah: Why would you do that? Jack: I'm intense. Sarah: Did you finish? Jack: No, I hurt my ankle. Sarah: That sucks for you. Is Kevin here, my fiance? Jack: I didn't see him. Sarah: I'm, I'm sure he'll be back. Jack: Yeah. Yeah. Yeah, absolutely. Sarah: You going to tell me how it went? Jack: Sarah, the damage to your back was extensive. I did everything I could but your spinal column was... I couldn't repair it. You're going to be paralyzed from the waist down for the rest of your life. I'm sorry. I'm so sorry, Sarah. Sarah: You're yanking my chain, right? Jack: No. Sarah: Then how come I can wiggle my toes? [Jack checks her nerve response in her legs.] Jack: Can you feel this? Sarah: Yes. Jack: Can you feel this? Sarah: Yes Jack: [getting more emotional each time] This? Sarah: Yes. Jack: This? Sarah: Yes. [Back in the hatch.] gn's Voice: Move and I kll him. Put the gn down. Jack: Where's Kate? Locke: Jack, it's okay. gn's Voice: I said drop it! Jack: Where's Kate? Locke: She's fine, just put down the... Jack: I'm not putting anything... gn's Voice: [fring the gn overhead] Do you want him to die? Put it down. Jack: Is this what you were talking about, Locke? Is this your destiny? All roads lead here? Locke: Jack, calm down. gn's Voice: [as he moves behind Locke] Lower your gn or I'll blow his damned head off, brother. Jack: [recognizing that it's Desmond] You?! [End]	{"type": "series", "show": "Lost", "episode": "2x01 - Man of Science, Man of Faith"}	foreverdreaming
Walt: Dad, please! Dad! Michael: Walt! [Sawyer pops up from underwater in front of the burning raft.] Michael: Walt! No! Walt! Sawyer: Mike! Michael: Walt! Jin: Sawyer! Sawyer: Jin! Jin: [Says something in Korean] Michael: Walt! Walt! [Sawyer swims to a piece of the raft and pushes it toward Michael.] Sawyer: Hang on Mike! Hang on Mike! Hang on. [Sawyer grabs Michael as he's going under water, hauls him up onto the raft wreckage and starts pounding his chest to revive him.] Sawyer: Mike! Mike! [Locke outside the hatch just as the light floodlight goes out.] Locke: Kate! Kate! [He secures the rope and lowers himself down.] [Sawyer hitting Michael's chest and then performing CPR until Michael revives.] Michael: Where's Walt? Sawyer: I don't know. Michael: Where is he? Sawyer: I don't know. Michael: Where the hell is my son? Walt! Flashback: [Michael in a custody attorney's office.] Attorney: How'd you hurt your leg? Michael: Got ht by a car. Attorney: Ow. Michael: Yeah. Attorney: So, this is the paperwork your ex-wife sent over. Michael: She's not my ex-wife, man. She's just -- Walt's mother. She, uh, Susan, she just got an new job in Rome -- the boyfriend -- they want to take Walt with them. Attorney: Don't worry, I'm going to take very good care of you, Mr. Dawn. Michael: Dawson. Attorney: Right, sorry, Dawson. So this boyfriend -- this is this guy Brian Porter? Michael: Yeah, why, what's it say? Attorney: It seems that Susan wants you to relinquish your rights as Walt's father so that Mr. Porter can adopt him. Michael: She wants me to sign my son away? Attorney: It's the only way they can proceed with the adoption, yeah. Listen, if you sign this document -- legally, he'll be no different than any other kid you pass on the street. You'll be giving up your paternal rights -- all of them. Michael: Yeah, so then, can I stop her from going? Attorney: Well, I guess we could file an injunction so she couldn't leave the city. Michael: Yeah, that, that. I want to do that. Attorney: Right. Um, Mr. Dawson, the fact that you came in through these doors -- that tells me something. It tells me that I'm the best that you can afford. If we go forward with this, it's going to take money. A lot of it, even at my rates. This is David and Goliath, so I've got to ask you -- are you sure you want to do this? Michael: They're not taking my son away. [Michael and Sawyer on the piece of raft wreckage.] Michael: Walt! Walt! [coughs] Walt! Sawyer: Mike, you should save your energy. Michael: They took my son! Sawyer: Yeah, I saw that -- onto a boat which means he's not in shouting distance. Michael: You don't know that. Sawyer: Well, I got a pretty good sense. And even if he was, there's nothing you can do. Michael: But if he can hear me, he knows that I'm alive -- that I'm coming for him -- that I'm going to get him back. Right now, all I've got is that maybe my son can hear me. Does that make any sense to you? Walt! Walt! [Back at the hatch. sht of the rope hung over the side, then Locke stepping in the water at the bottom.] Locke: Kate. [As he moves forward his shoes are squeaking so he takes them off. He sees the logo and moves into Desmond's living quarters. He hears Kate moaning, finding her on the ground.] Locke: Kate. Kate: John. Locke: Easy, easy, easy. Kate: Oh, John. [We hear a gn sound and Locke turns to find Desmond standing there with an assasult rfle pointed at them.] Desmond: Are you him? Are you him? [Michael and Sawyer on the raft wreckage.] Sawyer: Jin! Jin! Jin! Michael: I thought we had to save our energy. Sawyer: Yeah, well, Jin's still out there in the water, so if it's okay by you, I'm going to keep shouting for him. Jin! Michael: Feeling guilty. Sawyer: What? Michael: You made me fre that flare. Sawyer: I made you fre -- what, this is my fault? Michael: They took my son. They found us -- took Walt -- because you made me fre the flare. Sawyer: At least Walt is on a boat -- probably wrapped in a blanket with a cup of cocoa -- while we're on this piece... Michael: Get off my raft. Sawyer: What? [The raft is ht by something from below.] Sawyer: What the hell is that? [We can see a shark under water, swimming in front of the raft.] Michael: I see you managed to hold on to your best friend there [referring to Sawyer's gn]. That thing ain't going to work, anyway. Sawyer: It'll work. Michael: You were under water. Sawyer: What do you know about gn, anyway, Hoss. It'll work. [He starts slipping bllts out of the magazine] bllts are dry, powder's dry -- powder's dry... [the raft is bumped by the shark again.] Michael: What the hell is that? Sawyer: It's a shark. It's only a shark. Michael: It's only a shark? That's supposed to make me feel better? Well, I guess I know why the shark is hanging around -- your shoulder. Sawyer: Oh, well, I'll just stop bleeding then. Did you suddenly forget what happened? Why I got sht? Michael: What? Sawyer: Hey, how about a little gratitude here? I'm mean -- a thank you. Michael: Thank you? For what? For you trying to save your own ass? Sawyer: You want me off this raft? You got it. [Sawyer starts paddling with his arm to get to another piece of raft wreckage which he climbs up on.] Sawyer: I was trying to save your damn kid. [Michael and Susan meeting with lawyers.] Lizzy: [Susan's lawyer] Let's talk about Walt, shall we, Mr. Dawson? Michael: Uh, sure, okay. Lizzy: When was the last time you actually saw your son? Michael: Um, about a year ago. Lizzy: It was 14 months, actually. Attorney: Is that a question, Lizzy? Lizzy: Why is that Mr. Dawson? Why so long? Michael: Susan took him to Amsterdam -- for work. Lizzy: And you didn't have a problem with that? Michael: Excuse me? Lizzy: Well, since she's now going to Rome and you're filing an injunction. It just seems a little inconsistant to me. Michael: Incon -- no. No, no, no, no. Attorney: Michael, she's baiting - she's baiting you. Don't give her an answer. Michael: She took him, though. I didn't want her to go. Attorney: Michael, please. Michael: [to Susan] You said there was nothing I could do. Lizzy: And you didn't do anything, did you? Attorney: He's not going to answer that question. Lizzy: That's because there is no answer. You were in an accident recently, no? Michael: Yeah. Lizzy: You had several surgeries, spent weeks in a private hospital room, extensive rehabilitation. Who paid for all of that, Mr. Dawson? Michael: [to Susan] I didn't ask you for anything. Lizzy: [to court reporter] Could the record reflect that Mr. Dawson acknowledged that Ms. Lloyd paid his bills? Michael: Susan! Tell them -- Susan, tell them that I didn't ask you for anything. Lizzy: Please don't address my client directly. Michael: But I didn't. [Michael's attorney interrupts him and whispers to him.] Lizzy: Do you know what Walt's first words were, Mr. Dawson? Michael: I'm sorry, what? Lizzy: His first words, do you know what they were? Michael: I -- no, I -- I wasn't there. Lizzy: Do you know what his favorite food is? [Michael doesn't respond] Do you... Michael: No! Attorney: This is unnecessary. Michael: No. Lizzy: Well, for someone who wants to retain his paternal rights so badly you don't seem to know much about your son, Mr. Dawson. Michael: I'm his father. Lizzy: I'm sorry, could you say that louder please -- just for the record. Michael: I'm his father. [Michael and Sawyer each on their pieces of wreckage. Sawyer is ripping his shirt where his bllet wound is.] Michael: Are you crazy? You're going to take a bllet out with your bare hands? Sawyer: You got a better idea? [Michael doesn't respond] Then go to hell. Michael: You're never going to be able to do it by yourself. Sawyer: I thought we parted ways, Mike. Michael: We're caught in the same current. Sawyer: Still talking. [Sawyer digs in the wound, screaming, and pulls the bllet out while Michael looks on.] Sawyer: You got a bandaid? [At the hatch.] Desmond: Are you -- are you him? Locke: Yes. Yes I am. Desmond: I can't believe it. You're finally here. Locke: Well, here I am. Desmond: Who's she. Locke: She's with me. Desmond: What did one snowman say to the other snowman? Locke: I don't know what you're talking about. Desmond: Get rid of the Knfe. You're not him. Locke: [discarding his Knfe] We didn't come here to hurt you. Desmond: Yeah, then why did you come? Kate: We were in a plane crash. Desmond: Were you now? And when was that? Locke: 44 days ago. Desmond: 44 days? Move. Locke: How long have you been down here? Desmond: Shut it. [He throws a rope to Kate] Tie him up. Do it! Locke: Wait. Wait, wait -- you're tying up the wrong person. Desmond: How's that, brother? Locke: It's pointless to tie me up, I'm not dangerous. But her, she's a fugitive. Desmond: So, what does that make you then, brother? Locke: I'm a regional collections manager for a cardboard manufacturer -- boxes primarily. Desmond: All right then, box man, tie her up. [Locke reaches for Kate and she pulls away angrily.] Kate: Don't you dare touch me. Desmond: Hey! You be good girl, right? [Locke turns Kate around and starts tying her wrists.] Kate: What do you think you're doing? Locke: I'm doing what's best for all of us. [Locke slips a Knfe in Kate's jeans.] Desmond: Alright, bring her here. Kate: [struggling] Oh, hey, John, wait, hey. Wait! [Locke puts her in a storage room and closes the door.] [Hurley and Jack at the caves.] Hurley: You're kidding, right? You're going back? Jack: Yeah. Hurley: What about all that stuff you said about waiting 'til morning and watching the sun rise? Jack: I changed my mind. [Charlie and Claire.] Claire: What do you suppose all that's about? Charlie: I reckon Jack's going to do something heroic. [Claire sighs and rolls her eyes] What? Claire: You always try to be funny when you don't want to answer a question. Charlie: Try to be funny? Claire: [finding the Virgin Mary statue] What's this? Charlie: Oh, I found it in the jungle. Claire: You found it? Charlie: Yeah. Be careful. Be careful with it. Hey, take Aaron. [He hands the baby to Claire] You've got to be careful with it, you know. It's the Virgin Mary. She's holy. Claire: I didn't realize you were so religious. Charlie: I'm not. It's just, you know, it might come in handy. It'd be a nice thing to have around. [Michael and Sawyer on their pieces of wreckage.] Sawyer: It wasn't the flare. I said it wasn't the flare. Those people that did this -- at first I thought they were fisherman or pirates or something. Then I got a good look at their boat. You know anything about boats, Mike? A boat like that wasn't built for the open ocean -- water's coming over the side with the first little squall -- maybe got a range of 100 miles. Nope, a boat like that had to have left port from somewhere close -- like the island. French chick said the Others were coming for a kid. I think they came, Mike. Michael: What? Sawyer: He's the one they wanted -- why I got a bllet in my shoulder. Hell, Bluebeard blew us up because they wanted your kid. Michael: Are you saying this is my fault? Sawyer: That's what I'm saying. Michael: They took my son because of you. They were sailing away. Sawyer: They found us because they were looking for us, for Walt. Michael: Don't you ever say his name again, ever. Sawyer: Oh, what are you to do, splash me? [Michael splashes Sawyer, and Sawyer's piece of wreckage breaks apart. Sawyer swims back over to Michael's piece of wreckage and climbs on.] Sawyer: Look, I know you... Michael: Shut up! Don't even -- you have no idea what it's like to care for somebody else. Flashback: [Susan alone in the lawyer's office as Michael enters.] Susan: Hi. Michael: Where are your lawyers? Susan: Out. I told them I wanted to talk just you and me. But if you want yours I understand. Michael: No, it's okay. Susan: I think you're going to win. Michael: Excuse me? Susan: In court. I think you're going to keep me from leaving the country with Walt. I just have to ask you why? Michael: Why what? Susan: Why are you doing this? Michael: He's my son. Susan: Since when, Michael? Look, I know you don't care about what's best for me, but in Rome I'll be senior partner at the firm. I'll be able to give Walt anything he needs. You're still on disability, Michael. You can't work. You're about to be evicted from your apartment. Michael: You got your lawyers checking up on me, now? Susan: Well, of coure I did. Just like you had your lawyers checking up on me. Nobody's winning here. Michael: Then stop. Susan: Michael, the first thing you need to do is take care of yourself. You need to get healthy. You need to get back on your feet financially so you can get back to pursuing your art. You have rare talent as an artist, Michael. But how are you going to do that -- any of that -- and still be a part of Walt's life? Michael: I do it by doing it. Walt is my responsibility, too. Susan: Then let him go because it's not about you or me -- it's about him. I don't want to go court, Michael. So please just let him go. [Back at the hatch. Kate struggles in the storage room to cut the ropes off her wrists. The room is filled with food supplies. Sees a vent, has an Apollo candy bar, and climbs up through the vent.] [Scene changes to Locke and Desmond in the living quarters.] Locke: The pilot said we had lost radio contact, but by then we were already a thousand miles off course. Any search teams would have given up weeks ago. Desmond: So you traveled from Sydney to Los Angeles? Locke: Yes. Desmond: So the world is still out there? Locke: As far as I know. Could you tell me your name? Desmond: My name? My name is Desmond. Locke: Desmond, I'm John. You should know the gn is really unnecessary. Desmond: Yeah, so I should just hand it over to you then, should I? How many of you are there? Locke: 43, but 4 sailed out this morning on a raft. Desmond: A raft? Locke: That simulated sunlight -- is that because you never leave? Is there another way out? Desmond: How many of your group have gotten sick. Locke: Sick? Desmond: Sick, as in ill, as in dad. Locke: Is that why it says quarentine on the inside of the hatch... Desmond: Answer the question. Locke: No one has. No one. No one is sick. [The beeping signal is heard. Kate is shown moving through the ventilation ducts.] Desmond: Get up. [They go to the computer room.] Stand right there. Do you know how to use this, box man? Locke: I haven't seen one of those in 20 years. Desmond: Do you know how to use it? Locke: Yes. Desmond: Sit! [We see a number countdown move from 2:38 to 2:37 to 2:36.] Desmond: Listen carefully, type in exactly what I tell you -- exactly, nothing else. 4, 8, 15... Did you hear that? Locke: What? Desmond: What did you just put in? What number did you just put in? Locke: 15 Desmond: Right, 16, 23, 42. Now press execute. Locke: [hesitating] What's going to happen? Desmond: Just push it! [Locke pushes the execute button, and the counter resets to 108:00] [Off camera we hear Jack's voice.] Jack: Kate! Locke! Desmond: Who the hell is that? Locke: That would be Jack. [Desmond pushing Locke through the hatch. He looks through the scope and sees Jack.] Desmond: Who is he? Locke: His, uh, his name is Jack. He's our doctor. Desmond: What is he doing here? Locke: To be honest with you I'm a little surprised to see him. Desmond: Your doctor has a gn, brother. [He shoves Locke] Move. [He turns on the music] Make one sound and I'll sht. Move. [Kate can see Jack in the computer room and calls out to him, but he can't hear her.] Locke: I wouldn't do that, Jack. Jack: Where's Kate? What the hell did you... Desmond: [still behind a wall holding a gn to Locke's head] Move and I kll him. Put the gn down. Jack: Where's Kate? Locke: Jack, it's okay. Desmond: I said drop it. Jack: Where's Kate? Locke: She's fine. Just put down the... Jack: I'm not putting down anything. [Desmond fires his gn which hits near where Kate is, in the vent.] Desmond: Do you want him to die? Put it down. Jack: Is this what you were talking about Locke? Is this your destiny? All roads lead here? Locke: Jack, calm down. Desmond: [moving behind Locke] Lower your gn or I'll blow his damned head off, brother. Jack: You. [Michael and Sawyer on the water. Sawyer sees one of the pontoons and tries to paddle the piece of wreckage over to it.] Michael: What the hell is that? Part of the raft -- one of the pontoons. Stop paddling. Hey stop it. You're putting a strain on the binds; it's going to break us up. [Sawyer just keeps paddling.] Damn it, you're going to... [The piece of raft starts to break apart and Sawyer ends up in the water.] Michael: Hey Sawyer! Climb up. Sawyer: I do and we both sink. I'm going for the pontoon. Michael: Don't be an idiot. Sawyer: [handing Michael the gn] You see that toothy son of a bitch, you aim and squeeze, got it? Michael: Got it. [Sawyer swims for it, and the shark goes for him. Michael pulls the trigger but nothing happens. Michael fires again several more time and we see blood spray.] Michael: Sawyer! [Michael starts paddling over to the pontoon.] Sawyer! Sawyer! [Sawyer pops up on the other side of the pontoon.] Sawyer: Give me your hand. [Michael helps Sawyer climb onto the pontoon, and climbs on himself.] Flashback: [Michael in a park. Susan and a young Walt enter.] Susan: [to Walt] There he is, do you see him? Michael: Hey. Susan: Hey, I'm sorry I'm late -- packing's been a disaster and the plane leaves first thing in the morning. Michael: Sure, no problem. Susan: Uh, you want to say hi, Walt? Michael: Hi, Walt. I'm... hey, uh, [pulling a stuffed polar bear out of a bag] this is for you, man. [To Susan] He like bears? Susan: Yes, sure, he's just really shy. Michael: [kneeling down to talk to Walt] Hey little man, look, I guess I can't call you that -- I mean, because look how big you are. So, you and I -- well, we're not going to see each other for a while, Walt. But you are going to have a great life. I know your mommy, she's going to take real good care of you. And Brian is going to take good care of you, too. But, you know what? I just want you to know that no matter where you go that I -- that your daddy -- yeah, your daddy -- he loves you very, very much. And I always will. Always, okay. Susan: I'm sorry -- this... Michael: It's okay. Uh, hey, here [handing her the bag] -- just, you know -- you know, let him know it's from me -- sometime. Susan: Okay. Goodbye, Michael. Michael: Yeah, bye. [Michael crying on the pontoon.Sawyer wakes up.] Sawyer: You alright, Mike? Michael: It's my fault. Sawyer: What? Michael: I never should have brought him on the raft. I'm going to get him back. I'm going to get back my son. Sawyer: How about that? [They see land] The current brought us back. We're home. [Sawyer and Michael walk up on shore. They hear Jin yelling.] Sawyer: Jin? [Jin's comes running onto the beach with his arms tied behind his back.] Sawyer: Jin! [Jin falls and Michael unties him while Jin's talking in Korean, obviously scared.] Jin: Others. Others. [Jin sees the Others.] Others. [Sawyer and Michael turn to look and we see a group coming of people coming toward them carrying crude club/mace type wapon. [End]	{"type": "series", "show": "Lost", "episode": "2x02 - Adrift"}	foreverdreaming
The apparent leader of the group, which Jin is calling the Others, knocks out Sawyer and Jin. Sawyer, Jin and Michael are dragged to a dug-out prison and dumped in.] Michael: Where's my boy? Where's my boy? Hey, what'd you do with my boy? Do you hear me? Come back here. [The previous hatch scene replays again with Desmond holding a gn to Locke's head and fring a sht that almost hits Kate.] Desmond: Do you want him to die? Put it down. Jack: Is this what you were talking about, Locke? Is this your destiny? All roads lead here. Flashback: [Locke at an anger management group therapy-type meeting.] Francine: My mother stole again from me this week. I don't even keep money in my purse anymore. I've been hiding it. But when she wants a drink -- she stole 30 dollars. I know it may not seem like a lot of money to some of you, but it's a lot to me. And I want it back. [Locke sort of chuckles.] Moderator: Something you want to say? [Locke gestures to indicate no.] John, you've been coming here for a month now... Locke: I just don't think 30 dollars is worth getting angry about. Moderator: Well, Francine feels like 30 dollars... Locke: Francine feels a little too much, if you ask me. You all do. I mean, seriously -- so-and-so never called me back -- my mother stole 30 dollars from me. I never even knew who my parents were. A couple of years ago my birth mother found me, and uh, she told me I was special. And through her I met my real father. Great news, right? Well, he pretended to love me just long enough to steal my kidney because he had to have a transplant. And then he dropped me back in the world like a piece of trash -- just like he did on the day that I was born. You want your damned 30 dollars back? I want my kidney back! [Locke outside trying to light a cigarette but can't. A woman from the meeting approaches.] Helen: Probably a good idea. You know if you get kidney cancer you've only got one. Locke: That's funny. I'm sorry if I ruined your meeting. Helen: Oh hell, you just said everything I've always wanted to say in there. Most of the time I want to stand up and scream: get over it, freaks. Locke: Well, why don't you? Helen: I have to keep a cork in. Once I get all hot and bothered there's no stopping me. I guess you won't be coming back next week, huh? Locke: No, not likely. Helen: Hmmm, that's too bad. I like bald guys. Locke: I'm not bald. Helen: I can wait. Um, I'm Helen, by the way. Locke: Hi Helen, I'm John. [Back to inside the hatch.] Jack: Where's Kate? Desmond: Lower your gn or I'll blow his damned head off. Jack: Where's Kate? [Kate lowers herself from the vent into the gn vault. She grabs a gn, moves up behind Desmond, and hits Desmond in the back with it. He's falls, discharging his wapon.] Jack: [holding Desmond down] Do not move. Locke: Now, don't... Jack: Don't what? Locke: He's unarmed. Jack: He just had a gn pointed at your head! [We see the computer has been sht and is smoking.] Desmond: What did you do? What did you do? We're all going to die. We're all going to die. Desmond: [trying to get up] I have to fix it. Jack: What the hell is he talking about? Desmond: Listen, if you do not let me up, we are going to die... Jack: Stop moving or I swear god... Desmond: Look at the wall. You see that? That's a timer. It's counting down. I've got to enter the code. I've got to push the button. Jack: Or what? Locke: Jack, you should let him up. Jack: Don't tell me what to do! [to Desmond] Or what? What's going to happen? Desmond: Do I know you? Jack: [to Kate] You got him? [Jack let's Desmond up and Desmond runs to the computer to try and fix it.] Desmond: Bastard. [Locke stares at Jack.] Jack: What? Locke: Nothing, Jack. Flashback: [Helen in bed as Locke is putting on his shoes. Helen wakes up.] Helen: Hey. What are you doing? Where are you going? Locke: Nowhere, I -- I just have trouble sleeping in a strange bed. [Helen looks hurt] No, it has nothing to do with you, Helen, I promise. I really like you. I'm sorry, I'll call you later. [Locke sitting in his car in front of Cooper's house, drinking coffee. Suddenly Cooper gets in the car.] Cooper: Morning. Locke: Morning. Cooper: John, I know you like to drive through my neighborhood. And I know that every now and then you like to park outside my house. Now, I thought it might all stop when I moved, but here you are. Now, I admit -- at first I thought it was funny -- now it's just annoying. So how about you tell me what the hell it is you want. Locke: Why? Cooper: Excuse me? Locke: Why? Cooper: There is no why. Do you think you're the first person that ever got conned? You needed a father figure and I needed a kidney, and that's what happened. Get over it. And John, don't come back. You're not wanted. [Desmond is looking through his bookshelf for something.] Locke: [referring to the gn] I don't think you need that, Kate. [to Desmond] Whatever you're looking for, maybe I can help. Desmond: Can you fix a computer? [Locke shrugs] Then you can't help me, can you? Kate: Sayid can fix a computer. Locke: Get him. Go and get Sayid. Jack: Can you get back up that rope? Kate: I won't have to, there's got to be a front door in this place. Desmond: Down the corridor to the left. Be persistent, the wheel sticks. [Desmond finds of jar] Gotcha. [Desmond and Locke run back over to the computer. Kate opens the front door. Jack grabs the jar off the table where Desmond set it down and holds it hostage.] Jack: Now, you're going to tell me what's going on. Locke: Jack, we don't have time for... Jack: We're taking a time out. Desmond: Please, just let me... Jack: Look, you want to get to work -- you're going to tell me how you got here. Desmond: It was 3 years ago. I was on a solo race around the world, and my boat crashed into the reef, and then Kelvin came. Locke: Kelvin? Desmond: Kelvin -- he comes running out of the jungle -- hurry, hurry, come with me. He brings me down here. The first thing he does -- because there's beeping already -- he types in the code, he pushes the button, and it stops. What was all that about, I say. Just saving the world, he says. Jack: Saving the world? Desmond: His words, not mine. So I started pushing the button, too. And we saved the world together for awhile, and that was lovely. Then Kelvin died, and now here I am all alone. The end. [Jack hands over the jar and Desmond tries to fix the computer.] Jack: [to Locke] Don't tell me you believe this. This is crazy. You think that makes sense -- pushing a button? You're going to take his word for it? Locke: His word is all we have, Jack. Desmond: You don't have to take my word for it. Watch the film. Jack: What? Desmond: The bookcase -- top shelf, behind Turn of the Screw -- projector's in the pantry. [Locke and Jack get the film. It says Orientation on the side of the film canister.] [Hurley playing fetch with Vincent at the beach. Then he runs to help Sayid who's lugging a crate along the beach. People are setting up camp back at the beach.] Hurley: Dude, I've got to say, I didn't think we were going to get through the night. And I wasn't even here for that baby stealing part. Sayid: I can assure you it was very exciting. Hurley: It's about time things are finally returning to normalness. [Kate comes running onto the beach.] Kate: Sayid! Hurley: Crap. Kate: Sayid, we need your help. [Sawyer, Michael and Jin in the dug-out prison.] Sawyer: [to Jin] What do you know? What did they do to you? Who the hell are they? Who the hell are they? Jin: Others. [Then he says something in Korean.] Michael: Did you see Walt? Sawyer: The Others? How many? How many? Jin: [Says something in Korean, and makes a gesture to show he was blindfolded.] Michael: He was blindfolded. Sawyer: There could be a hundred of them out there. Push me up. Michael: What? Sawyer: Push me up. I'm going to try and get us out of here. C'mon, help us out, Jin. [They push Sawyer up and he tries to open the cover to the hold.] Sawyer: They've got it weighted down with something. It's tied off somewhere. C'mon lift me higher. [Suddenly a Knfe pokes through the cover and Sawyer falls. The leader looks down at them and then opens the cover. Ana Lucia is thrown in, unconscious.] Michael: It's a girl. [Locke and Jack set up the film.] Jack: You want to tell me what was going on down here before I showed up, John? Locke: Kate was tied up, Desmond had a gn on me. I think you pretty much caught the gist of it. Jack: [whispering to himself] Desmond. Locke: He wanted to know a lot about us -- how we got here -- if we were sick. Jack: You didn't ask anything about him? Locke: He was the one with the gn. Jack: You sure seem calm for someone who believes the world's going to end in the next 45 minutes. Locke: He'll fix it. Jack: You understand that what he's saying -- it's insane. It's impossible. Locke: Why is it insane? Jack: Because the last time I saw a computer that was going to save the world, it didn't look like that. Locke: Is the reason you're so upset because he said he recognized you? [Jack doesn't respond] Because that would be impossible. [The film: Title screen: The Dharma Initiative/3 of 6/Orientation. Then we see the image of the Swan and then the Dharma logo/Orientation/Station 3/The Swan. Narration: Welcome, I'm Dr. Marvin Kandel, and this is the orientation film for Station 3 of the Dharma Initiative. In a moment you'll be given a simple set of instructions for how you and your partner will fulfill the responsibilities associated with the station. But first, a little history. The Dharma Initiative was created in 1970, and it is the brainchild of Gerald and Karen DeGroot -- two doctoral candidates at the University of Michigan. Following in the footsteps of visionaries such as B.F. Skinner [there is a jump cut/splice here] imagined a large scale communal research compound where scientists and free thinkers from around the globe could pursue research in meteorology, psychology, parapsychology, zoology, electromagnetism, and utopian social [splice] Danish industrialist and munitions magnate Alvar Hanso whose financial backing made their dream of a multi-purpose social science research facility a reality. You and your partner are currently located in Station 3, or the Swan, and will be for the next 540 days. Station 3 was originally constructed as a laboratory where scientists could work to understand the unique electromagnetic fluctuations emanating from this sector of the island. Not long after the experiments began, however, there was an incident. And since that time the following protocol has been observed: every 108 minutes the button must be pushed. From the moment the alarm sounds you will have 4 minutes to enter the code into the microcomputer processor [splice] induction into the program. When the alarm sounds, either you or your partner must input the code. It is highly recommended that you and your partner take alternating shifts. In this manner you will stay as fresh and alert [splice] utmost importance that when the alarm sounds the code be entered correctly, and in a timely fashion. Do not attempt to use the computer [splice] for anything [splice]. Congratulations, until your replacements arrive, the future of the project is in your hands. On behalf of the DeGroots, Alvar Hanso and all of us at the Dharma Initiative, thank you. Namaste. And good luck. End screen: The Hanso Foundation, 1980. All Rights Reserved.] Locke: We're going to need to watch that again. Flashback: [Locke and Helen at a restaurant. Helen puts a gift on Locke's plate.] Locke: What's that? Helen: It's a present. It's been 6 months -- sort of an anniversary, right? Locke: I didn't get you anything. Helen: That's okay. It only cost me a buck. [Locke opens the box and finds a key.] Helen: It's to my place -- thought you might be tired of knocking. Locke: Oh, well, Helen. I don't know what to say. Helen: There's uh, just one condition, though, John. When you stay over, you stay over. Locke: What do you mean? Helen: I followed you last night -- to that house that you go to. Is it your father's house? Locke: Why would you follow me, Helen? Why would you do that? Helen: Well, you sneak off in the middle of the night. I just needed to know where you were going? I care about you, John. Locke: Well, yeah, but what I do is my business. It's personal. Helen: I wasted 20 years of my life being angry. I told myself I would get over it, but I couldn't do it alone. I needed to find help. You help me John. And I can help you. You just have to promise me that you're not going to go to that place anymore. Locke: Alright. Helen: Alright? [Locke puts the key in his pocket and they kiss.] [Back inside the hatch. Locke is re-threading the film.] Jack: You're going to watch that again? Locke: Aren't you? Jack: No, John, I'm not. [Back at the dug-out prison. Ana-Lucia regains consciousness and is frightened.] Michael: Okay, okay, okay. Sawyer: You alright, sister? Ana-Lucia: Who are you? Michael: We crashed here. We were on a plane, Sydney to Los Angeles. Ana-Lucia: What? Sawyer: 40 of us made it. Ana-Lucia: Flight 815? Sawyer: You were on it, too? Michael: What? You were in the back? It broke off mid-air. How did you... Ana-Lucia: I don't know. I don't know. The plane came apart, and somebody's fricking hardside came out of the overhead and knocked me out. I woke up under water and made my way to the top -- swam to shore. Sawyer: You've been out here by yourself all this time? Ana-Lucia: Trying to find food -- making my way -- hoping to find somebody. And then, yesterday, they found me. Michael: Who are they? Ana-Lucia: You tell me. Michael: Did you see a boy? 10 years old? They took my son. Ana-Lucia: No, I'm sorry. I'm Ana-Lucia. Sawyer: Sawyer. This is Mike. The quiet Korean guy is Jin. We're about to be the best thing that ever happened to you. Ana-Lucia: How's that? Sawyer: Next time Shaft opens the cage [pulling the gn out of his waistband] he's going to get a surprising little howdy-doody. [Desmond trying to fix the computer.] Jack: Are you in contact with the people that made it -- the film? Are you in contact with anyone? Desmond: Do you think I'd be here if I was? Jack: How is it that you didn't know about the crash? About us? Desmond: I push this button every 108 minutes. I don't get out much. Jack: So, these replacements? Desmond: Kelvin died waiting for his replacements. Jack: You don't get out, you don't see anyone. Where does your food come from? You really think this is happening. Desmond: Why wouldn't it be? Jack: It says quarantine on the inside of the hatch to keep you down here. To keep you scared. But you know what? We've been up there for over 40 days and no one's gotten sick. You think that this is the only part of it that's true? Do you ever think that maybe they put you down here to push a button every 100 minutes just to see if you would? That all of this -- the computer, the button -- it's just a mind game? An experiment? Desmond: Every single day. And for all our sakes, I hope it's not real. But the film says this is an electromagnetic station. And I don't know about you, brother, but every time I walk past that concrete wall out there, my fillings hurt. [Clock shows 49:00] Right. [Desmond flips the switch on the computer and the power goes out.] Oh no. Locke: What happened? Desmond: It's over. Locke: What do you mean, it's over? [Desmond fills a pack with food and the Rx bottles and injector.] Locke: What are you doing? Are you leaving? Desmond? Wait. We can fix the computer. Sayid is coming. He knows... Desmond: Give him my best. Locke: Wait, wait, wait -- where are you -- you can't leave. Where are you going? Desmond: As far as I can run, brother. [Desmond leaves, and Jack goes to follow him.] Locke: What should we do? Jack: Nothing. We do nothing. It's not real. None of it's real. Locke: This isn't -- this isn't what was supposed to happen! Jack: What was supposed to happen? Locke: Please, don't leave me here. Jack: Bye, John. You're on your own. Locke: Jack. [Jack closes the door and leaves. Locke tries to do something with the computer but knocks something on the floor.] Locke: Why is this happening like this? What do you want? What do you... What am I supposed to do?! Flashback: [Helen asleep and Locke staring at the ceiling. Locke splashing water on his face and looking at his kidney scar in the mirror. Cut to him sitting in his car in front of his father's house. Another car smacks into the back of his and Helen gets out.] Locke: Helen? Helen, what... [Helen grabs Locke's keys out of the ignition and walks over to the gate in front of Cooper's house.] Locke: Helen, wait. Helen, don't. Helen. [She throws his keys over the gate.] Why are you doing this? Helen: He's not coming out of this house, John, because he doesn't care. I know why you're here -- why you keep coming here. You're scared -- scared of moving forward -- with me, with us. You're going to have to choose. Him or me. Locke: No, no, it's not that simple. Helen: Yes it is. Locke: I, I, I can't. I can't. Helen: Yes, you can. Locke: No I can't! I don't know how. Helen: Because you don't know what's going to happen. None of us do. That's why it's called a leap of faith, John. You don't have to be alone. [She stretches out her hand and Locke takes it.] [Back in the hatch Locke looks like he's crying. We hear Kate's voice.] Kate: Jack! Jack! [entering] John. [Hurley and Sayid enter.] Hurley: Dude. Sayid: What is this place? Kate: John, where's Jack? Locke: Jack's gone. I need your help. [Timer shows 24:00. Kate is in the corridors looking for something.] Kate: What does it look like? Sayid: It's a breaker box. There has to be one. Follow the conduit lines. Hurley: Cool, okay, great. What's a conduit line? Kate: [pointing] Those tubes -- follow those. [Hurley finds the pantry.] Hurley: Whoa! Kate: Did you find it? Hurley: Uh, depends on what you mean by it? [Back at the prison hold.] Sawyer: [to Ana-Lucia] Alright, here's what we're going to do -- Jin plays dad, you call for help. Ana-Lucia: Sick prisoner -- are you serious? Sawyer: What? You got a better idea, sweetheart? Ana-Lucia: Where'd you get that gn, anyway? Sawyer: What? Ana-Lucia: The gn -- how'd you get it on the plane? Sawyer: There was a federal marshal on the plane. Ana-Lucia: So, what? You just happen to have his gn? Sawyer: Yeah, I'm lucky. Mike, let's get this thing going... Ana-Lucia: How come you didn't use it when they grabbed you? Sawyer: Gosh, I guess I was too busy getting ht in the face with a club. How come you're suddenly so interested, cupcake? Michael: Hey! Sawyer: What? Michael: C'mon, let's just -- we gotta... [Ana-Lucia grabs the gn, elbows Sawyer in the face, and points the gn at Jin who was going for her.] Ana-Lucia: Back up! Back up. Coming out. Coming out! [The leader guy lifts the cover, lowers a rope, and pulls Ana-Lucia up.] Leader: What happened? Who are they? [He lowers the cover and ties it down.] [Desmond stumbles and falls while running through the jungle. Jack enters with his gn drawn.] Jack: Stop. Desmond: Oh, right. The code, yeah? Jack: What? Desmond: Listen carefully. If by some miracle you manage to get the computer working again you've got to enter the code: 4, 8, 15, 16, 23, 42, ht execute. Again: 4, 8, 15... Jack: Shut up! Desmond: Sorry? Jack: Nothing is going to happen. Some man takes you down there, shows you a movie, and you push a button on, on faith alone? Nothing is going to happen! Desmond: In about 15 minutes you're either going to be very right, or very wrong, brother. You want to sht me? sht me. but I'm not... Jack: Why are you running? You don't even know what you're running from? Desmond: I remember you -- running -- I know you -- I met you -- Los Angeles. I was training, yeah? You twisted your ankle... Jack: Stop. Desmond: You're a doctor, right? There was this girl -- you were worried -- you said, you said you failed her. That was you. Jack: It doesn't matter. Desmond: Was she okay, the girl? Jack: It doesn't matter. Desmond: What happened to her? Jack: It doesn't matter. Desmond: How can you say it doesn't matter? Jack: I married her! [Jack breaks down crying.] Desmond: Right, and you're not married to her anymore, then? [Jack lowers his gn. Desmond goes back to get his pack.] Desmond: See you in another life, yeah? [The timer is at 5:00.] Locke: [to Sayid] Can you fix it? Sayid: This man, who ever he was, replaced the motherboard. The power transformer is blown. Locke: Don't you need to know why? Sayid: All I need to know is that the timer is counting down to something, and that this computer needs to be repaired. I'm sure you'll tell me why once I've done so. [Kate finds the breaker and flips the switch. The lights come back on.] Kate: Found it! [We hear the alarm sound and see the timer counting down past 4:00.] Hurley: Oh, what's that? Locke: Sayid! Sayid: Working on it. Locke: You have to... Sayid: I know what I have to do. Reconnected the processor, replaced the transformer. [Sayid hits the computer's on switch and it turns on.] Locke: It's on. Kate: Okay, so what now? Locke: There was a code. He made me enter it. Hurley: What code? Sayid: Do you remember what it is? Locke: 4, 8... Hurley: Wait a minute... Locke: 15, 16... Hurley: Dude, I'm serious, stop. Locke: Hugo, this is not the time or the place. Hurley: Yeah, well, I think it is. Locke: 23... Hurley: What is this thing? You don't even know what it does. We need... Locke: 32... Hurley: You know what? Forget it, go ahead, do your thing. Jack: It's not 32. It's 42. He just told me -- Desmond. The last number's 42. Locke: You're sure. Jack: Yeah, I'm sure. [Locke enters 42, and is about to press the execute button.] Locke: You do it, Jack. Jack: What? Locke: You have to do it. Jack: You do it yourself, John. Locke: You saw the film, Jack. This is a two person job, at least. Sayid: This argument is irrelevant. Locke: Sayid, don't. Sayid: Jack. Jack: No. It's not real. Look, you want to push the button, you do it yourself. Locke: If it's not real, then what are you doing here, Jack? Why did you come back? Why do you find it so hard to believe? Jack: Why do you find it so easy? Locke: It's never been easy! [The timer shows 1:04. Another, more insistant alarm starts to sound.] Kate: Maybe you should just do it. Jack: No. It's a button. Locke: I can't do this alone, Jack. I don't want to. It's a leap of faith, Jack. [The timer shows 0:27. Jack goes to the computer and pushes the button. The timer shows 0:01 and then resets to 108:00. Locke sits down at the computer.] Locke: I'll take the first shift. [End]	{"type": "series", "show": "Lost", "episode": "2x03 - Orientation"}	foreverdreaming
[A needle lands on a record. Hurley is in the food storage area eating candy, chips, cereal, a steak, and ice cream. Suddenly Jin appears.] Jin: Hi there, Hurley. Hurley: Jin, you're here. Jin: I sure am. Hurley: Dude, you speak English. Jin: No, you're speaking Korean. Hurley: [speaking Korean with subtitles] I am? [Hurley stands and suddenly there is a chicken-mascot-man standing next to Jin.] Hurley: [subtitled] What's he doing here? [We start hearing the countdown "blip" sound.] Jin: Everything's going to change. Hurley: [subtitled] What? Jin: Everything's going to change. Have a cluckity-cluck-cluck day, Hugo. [The chicken-mascot-man says "Hurley" in Kate's voice.] Kate: Hurley. [Hurley wakes up and we see 3:44 on the timer.] Kate: You fell asleep? Hurley: No, I was just -- resting my eyes. Kate: [touching a post-it on the computer monitor] The numbers are written right there. Hurley: Yeah, I remember the numbers.[Hurley starts entering the numbers.] Kate: Locke went back to the beach. I'll be taking the next shift. Hurley: Awesome. Kate: Jack told me about your job. At least we have jobs again, right? Hurley: Hurray for us. [He presses the execute button and the counter resets to 108:00.] [Saywer, Michael and Jin in the dug-out prison.] Sawyer: Ain't life grand. What I wouldn't give for a cup of water right now. Jin: [says something in Korean. He motions to Sawyer to lift him up again.] Sawyer: No way. No more human pyramids -- just forget it. Michael: [yelling] Hey. Hey! Hey, let us out of here! Sawyer: Chill! Michael: Every minute I spend down here is another minute my boy is still out there. Sawyer: Well, let me break it down for you, Mikey. Right now, Rambina and her buddies are trying to figure out what to do with us. Until they make up their damn mind there ain't nothing we can do. Jin: [says something in Korean -- points to Sawyer's shoulder.] Sawyer: Ah, yeah. Why don't you pee on it? [The cover is lifted from the pit and a rope is dropped down.] Leader: [lowering a rope and pointing to Jin]: Grab the rope. Please. Sawyer: Don't do it. Ana-Lucia: [approaching with a gn] Climb the rope or I sht your friend. [Jin goes up the rope.] Ana-Lucia: [to Michael] You next. Sawyer: Don't do it. She's bluffing -- the gn's only got 1 bllet -- she ain't going to waste it... [Sawyer gets ht in the head with a rock and goes down.] Sawyer: Ow, son-of-a-bitch. Ow, God. Ana-Lucia: [to Michael] Grab the rope. [Michael climbs up the rope.] Sawyer: You want me, Hotlips, you're going to have to come down here and get me -- [the cover closes and the screen goes to black] -- bitch. Flashback: [Hurley standing with the winning lotto ticket in his hand watching the tv showing his winning numbers.] Lotto Girl: 4, 8, 15, 16, and 23, with the mega number 42. Whoever has those numbers has won, or will share in, a near record jackpot. Lotto Announcer: That's right, Mary Jo, because this is the 16th week without a winner. [Hurley passes out, and Hurley's mom, Carmen, comes to check on him.] Carmen: Hugo? Hugo! Hugo, wake up. Wake up. [She slaps his face, vigorously.] Hurley: Stop, ow, ow, mom, stop. I just slipped. Carmen: Slipped sitting down? Is it your heart? Hurley: Mom, I'm fine. Carmen: You're lying. I always know because you don't look me in the eye. Hurley: I'm not lying. Carmen: Then tell me what happened, huh? [Hurley folds over the lottery ticket to hide it.] Hurley: It must be something I ate. Carmen: Yes, it must be something you ate because you eat basura, and you don't exercise. Hurley: I do exercise. Carmen: Falling down is not exercise. The only time you move is to lift a drumstick from the bucket. Everyday it's the same thing, Hugo -- you work, you eat chicken. You have to change your life, Hugo. You think someone else will change it for you? Maybe if you pray everyday Jesus Christ will come down from heaven, take 200 pounds and bring you a decent woman, and a new car. Yes, Jesus can bring you a new car. Hurley: Maybe I don't want to change. Maybe I like my life. [The phone rings.] Carmen: Oh, that must be Jesus. [She goes to another room and picks up the phone.] Hola, momento. [Calling to Hurley] Yes, it is Jesus. He wants to know what color car you want. [Back to the island. Hurley at the beach splashing water on his face. Charlie approaches.] Charlie: Hurley, we need to have a little chat. Don't worry, mommy's off for a walk, so it's just you, me and the baby. Spill it. Hurley: Spill what? Charlie: What's in it? Hurley: Uh, nothing, really. Charlie: You've been out there an entire day and night -- looking at nothing? Hurley: Well, I guess it's kind of like a bunker, you know, from WWII, only newer. Charlie: What's in it? Hurley: I don't know. Charlie: But somehow you know it's a bunker? Hurley: Well, I guess someone told me. Charlie: You're going to lie to me? You're going to lie to the baby? Hurley: Dude, look, I'd never lie. Charlie: Oh, and the time you told you were worth 150 million dollars? Hurley: It's 156 million. Charlie: I'm sorry, I must have confused it with the 900 trillion I am worth myself. And this baby's made of chocolate lollipops. So if you'll excuse us, I'm going to flap my wings and fly off this island. [Rose doing laundry on the beach. Hurley enters.] Hurley: Hey, Rose. Rose: Hey yourself. Hurley: So, doing laundry, huh? Rose: Indeed I am. You want to hand me those dirty clothes over there? [Hurley hands her a suitcase] Thank you. Hurley: Don't you want to know what happened? Rose: What happened? Hurley: You know, out there. Everyone's asking me what's in the hatch. Rose: That's your business, not mine. Hurley: Don't you want to know? Rose: Well, whatever it is, it's not going to help get this laundry done, now is it? Hurley: Well, actually it sort of is. [Hurley and Rose walking in the jungle.] Hurley: It's around here somewhere. [Hurley finds the bunker entrance and he and Rose go inside.] Rose: Someone actually lived down here? Hurley: Uh-huh. Rose: What is it for? Hurley: It's kind of a long story. Jack: [entering] Hurley? Who else did you tell? Hurley: No one. I swear. Dude, it's a big job. I needed help. Rose: Hello, Jack. Jack: Hey, Rose. Hurley: She's cool. She won't tell anyone. Rose: I don't even know what I would say. [Claire walking along the beach. She's sees the bottle of messages from the raft wash up in the surf.] [Jack, Rose and Hurley go into the food storage room.] Rose: All this is food? Jack: It's only a matter of time before we have to tell everyone what we found down here. [To Hurley] So, do you know what to do? Hurley: Inventory all of it, and figure out how we make it last. Jack: And in the meantime, nobody gets anything -- no exceptions. That's your responsibility, Hurley, okay. [We can hear the countdown alarm start blipping.] Rose: What's that? Hurley: You don't want to know. [Hurley and Rose doing the inventory.] Hurley: Dharma Initiative Salad Dressing - Ranch composite. Sounds tasty. [Hurley opens a box full of Apollo bars.] Hurley: Apollo bars? Ever hear of these? Rose: Huh-uh, but candy is candy -- that's what Bernard always says. Talk about a sweet-tooth. That man has a mouth full of sweet-teeth. Hurley: Bernard, that was your husband? Rose: Is my husband. Hurley: Oh, but, I thought he was in the back of the plane. [Rose gives him a look] I'm sorry, I didn't mean... Rose: Oh, no, no -- that's okay. Don't feel bad. Bernard is fine. I know it. You want to get the canned tuna? Hurley: Everyone's going to hate me, Rose. Rose: Now that's just plain silly -- you're about the only one on this island that everybody loves. Hurley: Well, that'll change. Kate: Hey, you guys happen to find any shampoo in here? Rose: Yeah, there's some right over here. Hurley: Uh, Kate, you can't take... Kate: [grabbing the shampoo] Thanks, Hurley. [She exits.] Rose: It's just one bottle. Hurley: That's where it starts. Flashback: [Hurley looking at his lotto ticket while he's at work at Mr. Clucks. Hurley's friend, Johnny, enters.] Johnny: Hey, Hugo. You okay, man? Hurley: [putting the lotto ticket in his pocket] Yeah, fine. Randy: [Hurley's boss] Reyes, my office, now. [Hurley goes to Randy's office.] Randy: You want to tell me something, Reyes? Hurley: Uh, no. Randy: You sure about that? Hurley: Uh, yeah? Randy: This is last night's surveillance tape. [Randy plays a tape which shows Hurley reading and eating a piece of chicken.] Randy: You owe the company for an 8 piece dark meat combo. Hurley: I didn't eat 8 pieces! Randy: You want to watch the whole tape? Oh, and while you're here, how many times do I have to tell you those napkins cost money, alright? It's two per customer -- two. We not made of money here at Mr. Clucks, Reyes. I'm not made of money. Are you made of money? Because if you're made of money -- maybe you don't want to work here. So get it together. What -- is that a problem, Reyes? Hurley: Dude, I quit. [Hurley is breathing into a Mr. Clucks paper bag in the parking lot outside work. Johnny comes out.] Johnny: Dude, are you okay? Hurley: I'm, I'm fine. Johnny: Randy's losing his brain in there. Hurley: You should get back in there or he'll have you scrubbing johns the rest of the week. Johnny: Doubt it. I quit, too. Hurley: What? Johnny: Looks like we've got ourselves a day off. Who needs money when you've got good looks? [Locke walking through the jungle. He picks some fruit up from under a tree.] Locke: You can come out now. I saw you back at the rock, and then at the mangrove tree. In fact, I walked in a big circle. I'm not sure how you didn't realize it. [Charlie comes out.] Charlie: Alright, you don't have to insult me. Locke: [eating the fruit] You want to tell me why you've been following me, Charlie? Charlie: Yeah. Quite simply, John, there are a lot of secrets around here, and I'm tired of being at the bloody kid's table. I got Claire's baby back. I didn't go swanning off to the Black Rock on the bloody A-Team mission, but I would have if someone had asked me. I think I'm entitled to some sodding answers around here. Locke: What do you want to know? [Sayid hits a wall in the bunker with a large piece of metal, trying to break through. Jack enters.] Jack: How's it going? Sayid: It's not. On the other side of this door there's more concrete. I'd say it's at least 8 to 10 feet thick. Jack: You see this? [Jack shows how his key is affected by the magnetic field.] Sayid: Interesting. Good thing this is titanium [referring to the piece of metal he's using as a pick-axe] almost no magnetic attraction. But we're not going to get in up here. Jack: Up here? [Sayid lifts up a grate in the floor and they look down.] Sayid: Perhaps we can go under it. [The "leader" guy of the tail-section group lifts the cover off the dug-out prison and throws a rope down for Sawyer.] Leader: Grab the rope. Sawyer: I ain't doing nothing 'til I know if my friends are okay. Michael: [coming into frame] So, we're friends now, huh? Ana-Lucia: [coming into frame] Do it now, or the rope comes up. [Sawyer gets pulled up out of the pit where there is a group waiting.] Sawyer: Howdy boys. Thanks for the rescue. Michael: Everything's cool. We had a talk and they believe we were on the plane, too. Sawyer: Swell, I guess we can all sue Oceanic together. Ana-Lucia: [to Sawyer who's trying to hide that he's holding a rock] What you got there? Sawyer: Nothing. Ana-Lucia: You got a rock? You looking for some revenge? You've got 3 seconds to drop it. Leader: Ana... Ana-Lucia: 1, 2... Sawyer: Now, hold on... [Ana throws an elbow across Sawyer's face, and he falls to the ground. Leader guy holds Jin back. Ana steps on Sawyer's wounded shoulder.] Sawyer: Ow, you didn't say 3. [She stomps on his shoulder.] Ana-Lucia: Shut up. When I tell you to do something, you do it -- I say move, you move -- I say stop, you stop. I say jump, what do you say? Sawyer: I say: you first. Ana-Lucia: [stomping his shoulder again] You don't like the rules -- I toss your ass back in the pit right now, you understand? Sawyer: I understand. [Sawyer gets up in a lot of pain.] Ana-Lucia: It's getting dark, we're moving out. Sawyer: Moving out where? Ana-Lucia: What did I just tell you? Sawyer: Sorry, forgot. Just one thing, though -- you ht me again, I'll kll you. [Ana just smiles in an amused sort of way.] Ana-Lucia: Let's go. [Michael and Jin wait for Sawyer. They all start walking through the jungle.] [Charlie and Locke talking in the jungle.] Charlie: He pushed that button every 108 minutes? Locke: He did indeed. Charlie: But how is that possible? I mean, didn't he sleep? Locke: Don't know -- didn't get a chance to ask him. Charlie: And after all that time, he just up and left? I mean, why? Where'd he go? Locke: Don't know. I tried to track him, but he didn't leave much of a trail. I guess he figured he found his replacements. Charlie: Meaning us? Locke: Meaning us. Charlie: It sounds a bit nutty, doesn't it? Locke: It is what it is, Charlie. Charlie: And what happens if we don't push it? Locke: We're not going to find out. I'm setting up a system. I'm still working on it, but it looks like it's going to be two person shifts every 6 hours or so. Charlie: Shifts? Pushing a button? Locke: Oh, and there's a record player. Charlie: What's Hurley been doing there? Locke: He's in charge of the food. Charlie: Food? [Hurley sitting at the beach alone. Charlie enters.] Charlie: Hey mate? Where you been? Hurley: Hey, I've been -- around. Charlie: I know, Hurley. Hurley: You know what? Charlie: I know about the food. Locke told me everything. Hurley: Yeah, well, Locke's lying. Charlie: Oh yeah, is he lying about the button we have to push every 108 minutes or the island will explode? Hurley: It's not going to explode. Charlie: Ah [Charlie points at Hurley like: I gotcha], come on. Hurley: Look, Jack put me in charge. Look, I don't even want... Charlie: Is there peanut butter? Hurley: What? Charlie: Peanut butter -- nutty, creamy, staple of children everywhere. Hurley: Uh, yeah. A couple jars. Charlie: Brilliant. How about you give us one? It's for Claire. Hurley: No can do, man. Charlie: You're saying no to a nursing mother? Hurley: It's not like that. Charlie: Oh, it's exactly like that. You know, I never thought this would happen but it did. You've become one of them. Hurley: One of them? Charlie: Them - the man - management. I thought we were friends. You've changed, man. Flashback: [Hurley and Johnny in a record store looking through the sale bin. They tentatively sing the lyrics to You All Everybody while looking at the CD in the One ht Wonders Section.] Johnny: Driveshaft - more like Suckshaft. Hurley: I'm going to go check out the headphones. Johnny: Sure, headphones. [We see a girl behind a counter smile when Hurley approaches.] Starla: Hu-go. Hurley: Star-la. Starla: Why aren't you chuckleheads at work? Johnny: We're currently exploring other opportunities. Starla: You quit? Hurley: I did. Johnny: He's mixing it up today. He's off the rail. Somebody get a straightjacket. Hurley: [pointing at some headphones] Hey, can I try those on? Starla: You're messing with my worldview here, Hugo. You're my rock. I mean if you quit your job the next thing you know bees will stop making honey, and flowers will die, and hell, the hole damn thing will fall apart. Hurley: [talking too loud because he has headphones on] So, Starla... [Starla takes the headphones off Hurley.] Hurley: Sorry. Uh, well, The Hold Steady is playing the Troubador this weekend, and I was wondering -- maybe Friday... Starla: Um, I have to work. Hurley: Oh, no, I didn't mean... Starla: I could probably go Saturday. Is that cool? Hurley: Yeah, that's totally cool. Johnny: [as they are leaving the record store] Dude, you've been crushing on this girl for months and doing nothing. Today you're fricking Fabio. Seriously, man, what has gotten into you? Hurley: Nothing, I just wanted to ask her out before... Johnny: Before what? Hurley: Nothing. [Sayid and Jack in tunnels under the bunker.] Sayid: I believe we're under the area where we began. They poured concrete all the way down here, too. [Sayid starts hitting the wall with the piece of metal.] Sayid: Just as thick. Jack: Maybe there's a way around it. [They crawl forward though what looks like pipes.] Jack: What is all this stuff? Sayid: My best guess? There's geothermal generator behind this wall. That's the power source. Careful with these pipes, they're very hot. [They come to the end of the tunnel.] Jack: That's it -- nothing -- it's blocked. So what do you think, Sayid? Sayid: What do I think about what, Jack? Jack: This place -- the computer? What do you think is going on? Sayid: The last time I heard of concrete being poured over everything in this way was Chernobyl. [They hear loud sound coming from the pipes.] Jack: Did you ht something? Sayid: I don't think so. It's coming from over there. Jack: I'm going to check it out. [Jack climbs up through a grate in the floor and finds Kate getting out of the shower.] Jack: Hey. Kate: Hey. Jack: You, um, you took a shower. Kate: I had to see if it worked. Jack: How was it? Kate: [in a towel, trying to pick up her clothes] Uh, pressure sucked, it kind of went cold at one point, and it smelled a little bit like sulfur but -- it was a shower. Jack: I know what you mean. Kate: You could use one. Jack: Maybe a little later. Kate: [exiting] I'll leave the shampoo for you. [The tail-section people, plus the raft guys walking through the jungle. Someone stumbles and Michael helps her.] Libby: I'm Libby. Michael: Michael. Libby: How many of you -- you know, on the other side of the island? Michael: When we left, around 40. How many of you survived? Libby: 23 of us. Leader: [to Sawyer] Are you alright? Sawyer: Now you give a damn. Leader: I said I'm sorry. It was a misunderstanding. Sawyer: A misunderstanding's when you bring me lemonade instead of iced-tea. Ana-Lucia: I said: no talking. Sawyer: He was talking to me. Ana-Lucia: [stopping in the jungle] We're here. Sawyer: What are you going to do -- beam us up? [Ana knocks on the bunker door like the one on station 3. They file inside. It doesn't appear to have any equipment or furniture in it. There is a Dharma logo on the wall. There are a few other people inside.] Michael: [to Libby] I thought you said there were 23 of you. Libby: There were. [Sun working in her garden. Claire and Shannon enter with the bottle of messages.] Claire: Hi, Sun. Sun: What's wrong? Claire: I found something out in the water, and I told Shannon about it, and we thought you should know. [Shannon hands the bottle to Sun] It's the messages from the raft. We thought you should decide what to do. [Locke looking over a rfle. Hurley enters.] Hurley: Why'd you tell Charlie, man? Locke: Because he asked, Hugo. Hurley: Yeah, well you shouldn't have. You should have listened to me about coming down here, period. Now it's all going to change, everything. Locke: Change is good, Hugo. Hurley: You know, people say that, but it's not true, man. Trust me, I know. And guess who gets to be the bad guy who has to say: no you can't have peanut butter for the cute blonde and her poor island baby. You know who? It's me. You know what? I'm not going to do it. Find someone else to deal with the chow, man. Locke: No, we all have our jobs, Hugo. My job is to convince people to push a button every 108 minutes without them knowing why -- or what. Wanna trade? Hurley: I don't want to do this, man! Locke: Yeah, I've had a lot of jobs I didn't want to do. I still did them. I'm sorry, Hugo, you don't get to quit. Hurley: Okay, then. [Hurley walking through the jungle. He gets the leftover dynamite from a hiding place in a tree.] Flashback: [Johnny and Hurley stealing garden gnomes.] Johnny: Do you think we got enough gnomes? Hurley: Okay, we're good. [They get in the van and then are in someone else's yard.] Johnny: This is genius. Hurley: A little to the left, dude, and more of an angle. [Someone opens the front door of a house.] Randy: Hey! Johnny: Run! [They take off in the van and leave Randy standing in his driveway in his underwear. The camera pans to the lawn to reveal the gnomes have been used to spell out the words Cluck You on the lawn.] Johnny: [yelling out the van window] Freedom! Hurley: [laughing] Dude, what are doing? Johnny: Freedom! So, anything else you want to do tonight -- you better let me know now -- because our day off is just about over, Huggy Bear. In about 10 hours we going to have to find ourselves some new employment. I hear Pizza Bin is hiring, or we could try our luck at Gyro-Rama. But I do kind of dig the chick who works at the Bin. Hurley: Dude, promise me something. Johnny: Okay, what? Hurley: Promise me that no matter what happens, we'll never change -- this will never change. Johnny: Okay. Oh, I know what this is about. I know why you've been acting so weird lately. You're getting that, uh, that stomach stapling surgery thing, aren't you? Hurley: I'm not getting surgery. Johnny: Awe, c'mon man, it's cool. I could still be all surprised and be like, ooh, my, Hurley. Wow, is that you? Hurley: Listen, Johnny, I'm serious. Promise me that you and I will always stay the same. Johnny: I'll do you one better. Not only will I stay gold, Ponyboy, I will drink to it. [He looks in his empty wallet] Can I borrow 2 bucks? [Hurley in the food storage room, placing a fuse in the dynamite. Rose enters.] Rose: What have you got there, Hurley? Hurley: Uh, it's dynamite. Rose: Dynamite? Well, what are you doing with it? Hurley: I'm sorry, but I can't let it happen again. Flashback: [Hurley and Johnny pulling into a gas station. There's a news crew interviewing the sales clerk.] Johnny: Why is there a news crew here? Hurley: Dude, we shouldn't go here. Dude, let's go, they jack the prices here. Johnny: [getting out of the van] Maybe somebody got sht. [Hurley looks at his lotto ticket.] [Back to Rose and Hurley in the storage room.] Rose: Why are you doing this, honey? Hurley: Look, just get out of here, Rose. Rose: But you're going to hurt somebody. Hurley: Not if I do it from outside the door. It's thick, and I'll make sure there's nobody around first. So, please, will you just go? Rose: No, you hauled me off of the beach and you dragged me into this place -- the least I can get is an explanation before you blow it up. Hurley: You don't get it. This is going to mess it all up. Flashback: [Hurley looking at his lotto ticket in the van.] Johnny: Dude, somebody won the lottery! [Back to Hurley and Rose.] Hurley: Let me tell you something, Rose. We were all fine before we had any [he pulls chips off the shelf] potato chips. But now we've got these potato chips and everybody's going to want them. So Steve gets them, and Charlie's pissed -- but he's not pissed at Steve, he's pissed at me. Flashback: [Gas station clerk pointing at Hurley in the van.] Gas Station Clerk: That's the guy! That's the guy! [Johnny stares at Hurley, looking hurt/surprised. A brief sht of Hurley and Rose, then shts from the gas station shown during the following lines.] Hurley: And I'm going to be in the middle of it. And then it's going to be: well, what about us -- why didn't I get any potato chips? C'mon, help us out, Hurley. Why did you give Kate the shampoo? And why didn't I get the peanut butter? Then, they'll get really mad and start asking: why does Hugo have everything -- why should he get to decide? [Quick intercuts between the gas station and storage room.] Then they'll all hate me. I don't know what to do. [Hurley and Jack on the beach.] Hurley: Come on, Jack. The inventory's done, this is the only way. Jack: Are you serious? Hurley: Dude, there's enough food in there to feed 1 guy, 3 meals a day for another 3 months. We have 40 people, it's just not going to work. You put me in charge, this is what we're doing. Jack: [nodding] Okay. Hurley: Okay? Jack: Yeah, okay. Hurley: [to himself - relieved] Okay. [Montage of Hurley giving peanut butter to Charlie and passing out food; Locke sharing a tin; Shannon sharing with Vincent; Kate and Jack laughing and eating; baby smiling and Charlie giving the peanut butter to Claire; people patting Hurley on the back; Charlie and Hurley hugging; Sun burying the bottle of messages. Then scenes of Jin, Sawyer, Michael; others talking in the background.] Bernard: Um, excuse me. Hi. Back where you guys, uh, where you came from -- is there a woman named Rose there? Sawyer: Black chick in her 50's? Bernard: [nodding] Is she, is she okay? Michael: Yeah, man, she's okay. Bernard: Oh, oh, thank you. Michael: Michael, I'm Michael. Bernard: Thank you, Michael. Michael: Okay, it's okay. She's okay. [sh*t of Rose putting an Apollo bar in her pocket, holding Bernard's ring and smiling.] [End]	{"type": "series", "show": "Lost", "episode": "2x04 - Everybody Hates Hugo"}	foreverdreaming
[Sun and Claire on the beach.] Sun: It's been 4 days. Claire: You know, that's not that long. They said it could take up to 2 weeks to find a current. I mean, Michael knew what he was doing. I doubt anything... [Sun notices that her wedding ring is gone. She starts frantically looking around and speaking in Korean.] Claire: What? What? [Sun continues looking for her ring and speaking Korean.] Claire: Sun, what's wrong? Sun: My wedding ring, it's gone. Flashback: [Sun putting a hair pin in her hair. Her mother enters.] Mrs. Paik: [subtitled]: You're not planning on wearing that, are you? Sun: [subtitled] What's wrong with this? [Mrs. Paik picks up a pair of pumps and takes them away.] Sun: [subtitled] Hey -- I like those shoes! Mrs. Paik: [subtitled] I like them, too, but you're not going to wear these. He might be shorter than you... [Mrs. Paik brings Sun a pair of shorter heeled shoes.] Sun: [subtitled] This is ridiculous, Mother. Mrs. Paik: [subtitled] If you'd found a husband in college we wouldn't need a matchmaker. Sun: [subtitled] I went to college to get a degree. Mrs. Paik: [subtitled] And after four years of college, you're "silver". Don't you want to find a husband before you turn "bronze"? Sun: [subtitled] I'll find a husband when the time is right. Mrs. Paik: [subtitled] Well, your father says the time is now. [Cut to Jin and his friend in an apartment. Jin is putting on a suit while Tai Soo looks at a "destiny book".] Tai: [subtitled] I'm telling you, man, this year love will find you. Jin: [subtitled] Well if the destiny book says it, it must be true. Tai: [subtitled] My grandma used this book to meet my grandfather. It never fails. Jin: [subtitled] What kind of woman? I mean, what's she look like, so I'll know when I see her? Tai: [subtitled - looking back at the book] Orange. Jin: [subtitled] Orange? Tai: [subtitled] Yes, love will look... orange. Jin: [subtitled] I can't take care of a woman, I can barely take care of myself! Tai: [subtitled] You could always let a woman take care of you. Jin: [subtitled] That's not what a man does. A man needs a goal in life. He works harder than anyone. He gets promoted. Then he'll be respected -- not like the son of a fisherman. Tai: [subtitled] It's just a job interview, Jin. Jin: [subtitled] A very important job interview. [Standing to show off his clothes] How do I look? Stunning, huh? Tai: [subtitled] Yeah, stunning. [He stops Jin from leaving] You forgot to cut the tag off! Jin: [subtitled] Are you kidding? If I cut it off, how can I return it? This tie cost a fortune! Tai: [subtitled] So, Jin, what should I do if Love calls? Jin: [subtitled] Tell it to wait. [Jin, Michael and Sawyer in the bleak bunker. The tail section people are off to one side talking.] Michael: Hey man, it's okay. Sun -- you'll be with her again. Soon, okay. Hey, I think they're trying to figure out what to do with us. Sawyer: I think they're going to eat us. Ana-Lucia: All right, all of you -- get up. We're moving out. Michael: Moving out where? Ana-Lucia: You're going to help us get food and water. Sawyer: What -- we work for you now? Ana-Lucia: You're going to do it because we have a long walk ahead of us. Sawyer: A long walk where? Ana-Lucia: Back to where you came from. [Tail section folks and rafters coming out of their bunker.] Ana-Lucia: All clear. Sawyer: [quietly to Michael] Hey Mike, I think we ought to stage a prison break here. Michael: Yeah, well I want to figure out what the hell's going on over here before I make any decisions about anything. Ana-Lucia: Okay people, listen up. We need to gather as much food and water as we can. You travel in pairs. You move as fast as you can. Don't make any noise. Michael: Maybe you could just take a minute to explain us what the hell is going on over here that's got you all so on edge. Ana-Lucia: You know what? That's a great idea, maybe we can swap stories on the road. Leader: I'm going to go scout before we move. Sawyer: [under his breath] I think she needs to be slapped. Ana-Lucia: Cindy, go with him. Libby, see what fruit you can gather. Take him with you. Libby: His name is Michael. Ana-Lucia: Yeah, right, Michael. Sawyer: [whispering to Michael] Wait. Michael: I'll be okay, man. Don't worry. Ana-Lucia: Bernard and I will gather the fish. Jin: Fish. [He points to himself.] Sawyer: The man knows how to fish. I'd take him with you if I were you. Ana-Lucia: Fine, he comes with us, too. [Sun going through her clothes and things looking for her ring. Jack enters.] Jack: Sun, you okay? Sun: I lost my wedding ring. Jack: When was the last time you saw it? Sun: I'm so used it. I don't, I don't know. Jack: I lost my wedding ring once. It's crazy where you look when you want to find something bad enough. I went through the garbage outside the house -- emptied the bags and everything. I even took apart the pipes in my bathroom because I was convinced that it had gone down the drain in the sink. Sun: What did your wife say? Jack: She never knew. Sun: How is that? Jack: I went to a jeweler and I had a replica made, that's how. Yeah, now it's just rattling around in my sock drawer back home. Um, I can help you look. Sun: No, thanks. I'm sure it will turn up. [Jin throwing pieces of an urchin into the surf while Ana-Lucia and Bernard struggle with a net.] Ana-Lucia: Hey, hey, you want to help us out over here? [Jin shakes his head.] Ana-Lucia: You want to eat? Help us. [Jin says something in Korean.] Ana-Lucia: Does it look like I speak Korean? [Jin throws his net into the water and catches several fish.] Jin: Fish. Flashback: [Jin at his job interview.] Mr. Kim: [subtitled] You worked at the Asiana Hotel. Jin: [subtitled] Yes, sir. Mr. Kim: [subtitled] As a busboy? Jin: [subtitled] I became a waiter, sir. Mr. Kim: [subtitled] They don't promote from within. Jin: [subtitled] No, sir. Not usually. I believe I was one of the few exceptions. Mr. Kim: [subtitled] What village are you from? Jin: [subtitled] Sir? Mr. Kim: [subtitled] You're obviously not from the city. What village are you from? Jin: [subtitled] Namhae. On the south coast. Mr. Kim: [subtitled] No wonder. I thought I smelled fish on you. [Mr. Kim pulls the tag off of Jin's tie.] Mr. Kim: [subtitled] This was sticking out. Jin: [subtitled] Thank you, sir. Mr. Kim: [subtitled - picking up the phone] Mr. Kwon will be joining us. [To Jin] You will start immediately. You work rain or shine. You don't ask for a raise or time off. [A man enters the room and gives Jin a uniform.] Mr. Kim: [subtitled] And Mr. Kwon? The Seoul Gateway is one of the finest hotels in the country. Do not open the door for people like you. Jin: [subtitled] Yes, sir. I understand. I will do my best. Thank you, sir. [Michael and Libby walking in the jungle.] Libby: Sorry, Michael. Michael: Sorry about what? Libby: You know, about throwing you and your friends into the pit. Michael: Friends. Libby: What? Michael: I guess I just never thought about it like that. I mean, I guess one of them is my friend. Libby: I'm guessing not the redneck. Michael: Yeah, not the redneck. Libby: I don't think I've ever seen someone so scared in my life. And I know about scared. Michael: That why you threw us in the pit -- because you're scared? Libby: And we've got trust issues. Michael: Huh, how about that? Where the hell are all the fruit? Libby: We picked these trees pretty clean. Sometimes you can find them on the ground. Michael: Why don't you head inland? That's where all the fruit is on our side. Libby: We don't go that way. Michael: Why? Libby: Because that's where They come from. [Sawyer sitting nursing his arm while Ana-Lucia, Bernard, Cindy and Jin sort through the fish. A giant Knfe gets planted in a piece of wood next to Sawyer's head, stirring him from a drowse.] Leader: For your protection when we travel. Sawyer: Did you make this? So what's your name, anyway? Leader: Mr. Eko. Sawyer: Mr. Eko? So what's that, like Mr. Ed? [Libby enters, running.] Libby: [to Ana-Lucia] It's Michael, he just left. Ana-Lucia: What? Libby: He just said something and he went into the jungle. He's gone. Ana-Lucia: Let's go. We're leaving now. Sawyer: What do you mean, we're leaving? Ana-Lucia: Your buddy ran off into the jungle. Libby: Michael, he just left. Jin: Michael. [Then he says something to Sawyer in Korean.] Bernard: What's he trying to say? What's he saying? Jin: [continuing to speak in Korean at first] Walt! Walt! Ana-Lucia: Let's go. We're moving out now. Cindy, water. Libby, can you carry the radio? Sawyer: Wait, you have a radio? Does it work? Can you use it? Ana-Lucia: Wow, what a great idea! You going to slow us down? Jin: No! Michael. Ana-Lucia: We're leaving before he can tell Them where we are. Jin: [to Sawyer] Michael. Sawyer: What are we supposed to do, wait for him? He ain't coming back without his kid. Walt - he ain't coming back without Walt. You really think he's going to find him? In case you haven't noticed it's every man for himself, Chewie. Mike's got to worry about Mike. And I've got to worry about me. [Jin starts to leave, but Eko stops him.] Eko: Wait, please. [Jin punches him, and Eko headbutts Jin and he falls. Jin gets up and Eko lets him pass.] Eko: You're going the wrong way. [He points in the opposite direction] That's where he's going. Toward Them. [Eko hands Jin a stick wapon.] Ana-Lucia: [to Eko] What are you doing? Eko: I'm going to help him find his friend. Ana-Lucia: We can't wait for you. Eko: I don't expect you to. [Sun and Hurley on the beach.] Hurley: All you've got to do is retrace your steps. Like, what'd you do yesterday? Sun: I woke up, washed up, walked with Shannon, picked some fruit, cut it up to feed Vincent. And then I was... Hurley: Whoa, you fed the dog? [Sun nods] Bingo! [Hurley and Sun sitting nearby Vincent, watching him.] Hurley: So, Seoul. Is that in the good Korea or the bad Korea? Sun: The good one. Hurley: Did you go to the Olympics? Sun: Hurley, this is ridiculous. Waiting here for... the dog did not eat my ring. Hurley: Dude, dogs will eat anything. When I was a kid, my dog, Buster -- I had this drawer where I'd throw in all my change, right -- and I guess there were some Smarties in there -- so, like, the next day, Buster craps out a $1.35 in nickels. [Sun doesn't respond.] Did you ever own a dog? Sun: Yes. Jin gave me one, a puppy. Hurley: What was his name? Sun: Popo. Hurley: Popo -- that mean something? Sun: Yes, it means a kiss. Hurley: A kiss. Flashback: [Sun getting out of a car with her mother; arriving at her "date."] Mrs. Paik: [subtitled] Keep your hands in your lap, okay? In fact, don't speak unless they ask you a direct question. [They are greeted by the matchmaker, Mrs. Shin.] Mrs. Shin: [subtitled] Isn't she a beauty! You're going to love him! He's handsome... well educated... and his family owns this hotel, and twelve others. Jin: [subtitled - working as the doorman, inconspicuously opening the door] Good afternoon! Welcome to the Seoul Gateway! [Sun and her mother at a table with her "date," Jae Lee, and his mother.] Mrs. Paik: [subtitled] Your hotel is so lovely... Mrs. Lee: [subtitled] Oh, please, you are too kind... I understand your daughter attended Seoul National University... Mrs. Paik: [subtitled] Yes, but it's certainly no Harvard. Mrs. Shin: [subtitled] All right... let's give these two some time to get to know each other. Jae: [subtitled] So, who's pressuring you more? Your mother or your father? Sun: [subtitled] Definitely, my father... via my mother. What about you? Jae: [subtitled] My father... via my mother... via my aunt.. via my grandmother. What did you study? Sun: [subtitled] Art history. Jae: [subtitled] To be honest I don't know anything about art. Sun: [subtitled] What did you study? Jae: [subtitled] Medieval Russian Literature... but somehow I ended up in hotel management. Sun: [subtitled] Yeah, somehow. Jae: [subtitled] I usually dread these set-ups... but today is... different. Sun: [subtitled] Yes, for me too. [Eko and Jin walking in the jungle. They stop, then Jin starts off again.] Eko: No. Jin: Michael. Eko: Wait, no. [Jin hears something, and sees something moving. A boar charges and knocks Jin over, leaving him rolling down a hill. He stops near a d*ad body with a stake sticking out of its chest.] Eko: [entering] His name was Goodwin. Jin: Others? [Eko nods.] [Eko breaks off a piece of aloe.] Jin: Michael? Eko: No, for your cut. [He sits] So, you're married? Your ring. You have a wife? Jin: Yes. You? Eko: Worse. Your wife, what is her name? Her name? Jin: Sun. Eko: She was with you? On the plane? [Jin nods.] [Sun in her garden looking for her ring. She gets angry and starts ripping up plants. She sits down and cries. Locke enters.] Locke: Bad day? [He hands her a "handkerchief"] It's clean. Sun: Thank you. Locke: You mind if I sit? [She motions for him to sit.] Sun: Did you see me? Locke: Rip apart you garden? No. [She laughs.] Sometimes I wish I had a garden to tear apart. Sun: I don't think I have ever seen you angry. Locke: [laughing] Oh, I used to get angry all the time. Frustrated too. Sun: You are not frustrated anymore? Locke: I'm not lost anymore. Sun: How did you do that? Locke: Same way anything lost gets found -- I stopped looking. Flashback: [Sun sitting alone at a table, waiting for her "date."] [Jin opening the door as a customer leaves. A car pulls up and he opens the car door for Jae.] Jae: [subtitled - referring to the flower on Jin's lapel] You mind if I borrow that? I've got a date. Jin: [subtitled] Of course, sir. Jae: [subtitled] Thanks. Your name is...? Jin: [subtitled] Jin Soo Kwon, sir. Jae: [subtitled] Thank you, Mr. Kwon. [Jae and Sun in the restaurant.] Jae: [subtitled] ...then the card slips out of the door and there I am in the hallway, wearing only a towel! Sun: [subtitled] I thought that only happened in movies. Jae: [subtitled] I had to convince the maid I owned the hotel... but she didn't believe me! How embarrassing! Sun: [subtitled] I can't believe how... normal you are. Jae: [subtitled] I think you're great too, Sun. So... I'd really like for us to keep seeing each other. Our parents will be so thrilled. No more "matchmakers." No more pressure. We can be free. Can I tell you a secret? Sun: [subtitled] Of course. Jae: [subtitled] When I was at Harvard, I met an American woman... I haven't told my father yet, but... in six months, I'm going to move there and marry her. [Sun looks hurt/embarrassed] Wait... you didn't think -- Sun: [subtitled] Of course not. America. That's wonderful. Jae: [subtitled] I thought you... Sun: [subtitled] I'm very happy for you. Restaurant Manager: [subtitled] Good afternoon, sir. Is there anything else you need? Jae: [subtitled] No, we're fine. Thanks. Restaurant Manager: [subtitled - to Sun] Would you care for some coffee or dessert? Sun: [subtitled] No, thank you. In fact, I have an appointment. Jae: Sun... Sun: [subtitled] Thank you so much for lunch. [Jin and Eko walking in the jungle. Jin veers off left.] Eko: No, not that way. Over here. [He sees a footprint.] Eko: A round heel. This is fresh. These tracks... Jin: Michael. Eko: Yes, Michael. They don't leave tracks. [They continue on, but Eko stops suddenly to look and listen. Jin says something in Korean but Eko ignores him. Jin says it louder and Eko puts his hand over Jin's mouth and shushes him. Then we see them hidden in the brush with just their eyes showing. Then we see several sets of legs walking by, the last one carrying a teddy bear hanging from a string.] [Jin and Eko get up from their hiding place, and Jin makes to follow the people that walked by.] Jin: Michael. Eko: No, they don't have him. They came from that way [pointing.] Your friend went that way [pointing in the other direction], crossed ahead of them... very lucky. Jin: You, go back. I go. Eko: No, we go together. Flashback: [Jin working his doorman gig, as Sun walks out (from her lunch with Jae). A man hails Jin.] Poor Man: [subtitled] Excuse me? Excuse me, please? May my son use the bathroom inside? Please, sir. It's an emergency. Jin: [subtitled] I'm sorry, sir -- hotels guests only. There is a bathroom down the street. [To the boy] Can you hold it? [The boy shakes his head.] Poor Man: [subtitled] I'm sorry. He really has to go. Jin: [subtitled] All right. Go ahead. It's to the left. But please... be quick. Poor Man: [subtitled]: Thank you -- you're a good man. Jin: [subtitled] Please... please go. [Jin's boss walks up.] Mr. Kim: [subtitled] Mr. Kwon... what did I tell you about who you let inside? Jin: [subtitled] I apologize, sir. Mr. Kim: [subtitled] Consider this your first warning. Jin: [subtitled] It's just that the little boy... Mr. Kim: [subtitled] He can piss in the gutter for all I care. You people are used to that. If you want to keep your job go find them and get them out of here! [Jin takes off his gloves and hat.] Mr. Kim: [subtitled] What are you doing? Jin: [subtitled - handing him the gloves and hat] Thank you for the opportunity, sir. [Sun sitting at the beach rubbing her ring finger. Kate enters.] Kate: Hey. Sun: Hello. Kate: [referring to the ocean] It's pretty. Hurley told me that you lost your wedding ring. Sun: I was just sitting here telling myself it's silly to be so upset about it -- it is just a thing. Kate: Well, they've only been gone a few days, and... Sun: Don't. I'm sick of everyone saying he's alright. He's not alright. Claire found the bottle -- the one with the messages inside -- the one from the raft. Kate: Where is it? Sun: I buried it. [Ana-Lucia and company walking in the jungle. Sawyers sits.] Ana-Lucia: Stop. [to Cindy] Let me see your water. [She hands the water to Sawyer] You keep slowing us down, we're going to leave you behind. Sawyer: Go ahead, leave me behind. Ana-Lucia: See ya. Sawyer: Got a question for you. Ana-Lucia: Yeah? Sawyer: Now that your tracker's gone how are you going to find our camp without me? Ana-Lucia: Walk across the island, follow the beaches. And Eko's coming back. Sawyer: You married? Ana-Lucia: What? Sawyer: You married? Ana-Lucia: No. Sawyer: Too bad, you seem suited for it. Ana-Lucia: Funny. What about you? Sawyer: No ma'am. Ana-Lucia: You gay? Sawyer: [getting up] Funny. Let's go. What are we waiting for? [Eko and Jin come to a stream and get some water.] Eko: Wait here, we lost his trail. I'll go back and find it. [Jin is washing up and we see Michael's orange shirt come into frame.] Michael: What are you doing? Go back. Jin: Michael! Michael: Go back, man! [Michael runs off, and Jin's follows.] Michael: Walt! Walt! Walt! Jin: Michael. Michael: Go away! I'm not going back without him. Walt! I'm here! Where are you, man? [Jin runs up to where Michael stopped by a waterfall] Walt! [Jin tries to quiet Michael] What, you worried they're going to hear me? Let them take me! Come! Come take me! Eko: [appearing] Shouting is not a good idea. You need to come back with us now. Michael: I'm not leaving him out here. [Eko approaches and Michael brandishes a stick] Stay away from me. Eko: I know they took your son. But you have no idea what these people are capable of -- and they will not be found if they don't want to be. Michael: They took him right out of my hands -- right out of my hands! I'm not going back without him. Jin: You find Walt, Michael. {The intention here is: You will find Walt, but you need to come with us now.} [Michael leaves with Jin and Eko.] [Sun digging up the bottle.] Kate: Can I see it? [Kate starts going through the messages a bit frantically.] Sun: Kate! Those are private. Kate, stop. What are you doing?! Kate: We didn't, uh... I didn't say goodbye. Sun: Sawyer? [Kate looks down and smiles.] Kate: Sun? [Kate moves her head in the direction she was looking to make Sun look. Sun sees her ring in the sand. She cries and puts in on.] [Jin looking at his ring.] Flashback: [Jin walking along a river embankment in Seoul. He sees a girl in an orange dress and turns to look at her. As he turns back, he runs into Sun and she drops her purse.] Sun: [subtitled] Oh, excuse me. Jin: [subtitled] Are you okay? Here you are [handing Sun her bag]. [Then they gaze into each other's eyes. And it's love at first sight.] [Sun on the beach crying and happy and scared.] [End]	{"type": "series", "show": "Lost", "episode": "2x05 - ...And Found"}	foreverdreaming
[At the beach, Shannon gives Vincent water.] Shannon: You thirsty, dog? Yeah, you're always thirsty, aren't ya? So drink. Sayid: [walking by] Come on, gather your things. Shannon: Where are we going? Sayid? Sayid: Right over here. Shannon: [following Sayid] Where are we going? [Sayid doesn't answer and they approach a tent on the beach.] Sayid: What do you think? Shannon: Does it have an inside? [They enter the tent and Shannon is touched by Sayid's efforts to make her a tent.] Shannon: When did you do this? Sayid: It's all yours. Shannon: Thank you. Sayid: You're quite welcome. [They kiss, and there's a sound when Shannon puts her arms around him. Sayid pulls a gn out of the back of his waistband.] Sayid: [putting the gn away] I'm sorry. Shannon: You need to carry that all the time? Sayid: I only carry it because I have someone to protect. [They kiss again, and lay down. Finally someone on the island gets some.] [The tail section folks and Sawyer are resting (some apparently sleeping).] Cindy: Ana, it's got to be over an hour. Shouldn't we start moving again? Ana-Lucia: Let them rest a little while longer. Cindy: Yeah, but what if they come? Sawyer: She's lost. Ana-Lucia: I'm not lost. Sawyer: Then tell me, Ponce de Leon, which way are we supposed to go? Ana-Lucia: Alright then, genius, where would you go? Sawyer: Hey, I'm with you -- sit tight and wait for Mr. Eko to show up and guide us. Ana-Lucia: If your friend didn't run off, Eko would still be here now, wouldn't he? You sure didn't have any problem leaving him behind, though, huh? Sawyer: Mike only cares about himself and his kid, and neither's got squat to do with me. Michael: [appearing] Glad you feel that way. Sawyer: Didn't expect to see you again. Jin: [speaks to Sawyer in Korean, and looks at Sawyer's wound.] Sawyer: Yeah, yeah, Chewie, I know. My arm's about to fall off. Ana-Lucia: [to Eko] You okay? Eko: Yes, but we have to go. I saw them. Cindy: What? Bernard: What do you mean, you saw them? Cindy: How many were there? Libby: Did you see the kids? Ana-Lucia: Libby. Eko: We need to go. Now. Ana-Lucia: Alright. We're moving out. Now. [Post-coital Shannon and Sayid.] Shannon: So, does all this -- the tent, flowers -- mean that we're serious now? Sayid: Quite definitely not. I do this for all the girls I meet on deserted islands. Shannon: [laughing] Don't go anywhere. Sayid: Where are you going? Shannon: To get some water. Sayid: [getting up and dressed] Let me. I'll be right back. [Shannon lies back contentedly. There's a sudden "wind" sound and the candle in the tent is extinguished.] Shannon: That was quick. [We see Walt's silouette. He's dripping wet, and says something backwards. Shannon screams.] [Shannon standing on the beach. Sayid comes running from the direction of their tent.] Sayid: There's nothing -- no one there. Shannon: I am telling you I saw Walt. Sayid: It was a dream, Shannon. Shannon: He was here. I saw him. He went into the tent. Sayid: I was only gone a few moments. You must have fallen asleep. Shannon: This was not a dream! I saw Walt! Sayid: Then where is he? Charlie: [entering] Hey, what's going on? Sayid: Nothing. It's just a dream; everything's fine. [Shannon walks off, upset that Sayid doesn't believe her. Claire enters carrying the baby. Sayid follows Shannon.] Sayid: Shannon... Claire: What's wrong? Charlie: Shannon had a nightmare. [Looking at the baby] Why's he up? Claire: I woke him. Charlie: Woke him? Claire: I heard screams -- I got worried. Why, would rather I had left him over there alone? Charlie: You heard screams so woke up the baby and ran toward them? Claire: Okay, it sounded like she needed help. Charlie: Well, he's going to need feeding now. He's going to be up all night and fussy all day. Claire: Sorry. Charlie: Alright, well, no harm done -- give him here then. I got him. [Claire reluctantly hands Aaron over to Charlie. Charlie kisses and soothes the baby while Claire looks on, none too happy.] [Shannon packs up her bag at the tent and starts walking away.] Sayid: Wait. Wait! Come back with me; let's talk about this. Shannon: Do you believe me? [Sayid doesn't answer and Shannon starts to walk away again] No. I know what I saw. Flashback: [A ballet studio with girls practicing.] Shannon: Beautiful, Sophie. Okay, can you bring your shoulders down for me a little -- extend up, good -- and finish. Very nice, ladies. Sophie: Did my papa see me? [We see an older man whispering in the ear of another instructor.] Shannon: I think so. [Looking at the students] Wonderful, alright, thank you for a great class today, ladies. [We see the older man leaving with Sophie walking past the other instructor, Dominique. She and Shannon laugh.] Dominique: He wants me to be his au pair, can you believe that? Shannon: Au pair, my ass. Dominique: [in a French accent] Live in my big house, take care of my kids -- next thing you know it's: Oh, I'm so sorry; I did not know you were in the shower. What a perve! [Shannon's cell phone rings.] Shannon: Hello. Sabrina: Shannon, your father's been in an accident. I'm on my way to St. Sebastian's, I'll meet you there. [At the hospital.] Doctor: Mrs. Rutherford? Sabrina: Yes. [Jack walks by in the background.] Doctor: Why don't we talk down here? Sabrina: Doctor, my husband, Adam, how is he? Doctor: Your husband was in a head-on collision with an SUV. He suffered massive internal injuries. He stopped breathing at the site of the accident. I'm afraid we were unable to resusitate him. I'm so sorry. [Shannon starts to cry.] Sabrina: May I see him? Doctor: Of course. Would your daughter like to come? Sabrina: Step-daughter. Come on, Shannon. [The tail section folks and the raft guys walking through the jungle.] Ana-Lucia: How much further to their camp? Eko: A day -- maybe more, maybe less. Ana-Lucia: Thanks for being so specific. [Sawyer stumbles and goes down to one knee.] Sawyer: Damn it! [Libby tries to check his wound.] Sawyer: Okay, okay. I'm fine. Libby: You want to let me just take a look at your shoulder? Sawyer: What, are you a doctor? Libby: A clinical psychologist. Sawyer: You're a shrink? Well, maybe you ought to talk to my shoulder. Libby: How'd you get sht, anyway? Sawyer: With a gn. Michael: He got sht when they took my kid. Sawyer: It's bad, right? Libby: Yeah, it's bad. But it's not real bad. C'mon, you're going to be okay. Let's go. [Michael helps Sawyer up, but Sawyer wants to make it on his own.] Sawyer: I got it. I'm alright. I'm fine. Bernard: Let me give you a hand, okay? [Sawyer doesn't answer; he just keeps on walking by.] [Rose and Hurley on the beach doing laundry.] Hurley: Um, tell me again why we're doing this here when there's a dryer in the hatch? Rose: I don't like the hatch. Hurley: Oh, it's because of the doomsday button, isn't it? Rose: Well, who needs a dryer when we've got sun and fresh air? We wouldn't want to spoil ourselves, now would we? Hurley: [laughing] Yeah, spoiled. Shannon: [entering] Hey, do you guys know where Michael and Walt left the stuff they didn't take with them on the raft? Hurley: What kind of stuff? Shannon: Their clothes. Hurley: I think their stuff's still on the beach back where their tent is. Shannon: Thanks. Rose: Poor thing, it can't be easy losing the one person you love on the island. [Shannon finds a shirt of Walt's and gets Vincent to smell it.] Shannon: Here, smell this, that's his, right? Come on, get a good whiff of it. You're always trying to run off and find him? Then find him. Find Walt. [Vincent takes off running, dragging Shannon along by the leash.] Shannon: Good dog. Find Walt. [Shannon stops as they end up back at the beach, right at Boone's grave.] [Claire rocking a crying Aaron in the cradle as Locke passes by.] Claire: [to Aaron] I know I woke you and I'm very, very sorry; but please, staying awake for 8 hours straight -- isn't that just cruel and unusual punishment? Locke: How's that cradle treating you? Claire: The cradles great. It's the baby that's the problem. Locke: What's wrong? Claire: He just won't sleep. Locke: [wanting to pick the baby up] May I? Claire: Sure. [Scene jumps to Locke wrapping the baby in a blanket.] Locke: Babies like the feeling of being constricted. It's not until we're older that we develop a desire to be free. [Finishing up with the blanket] There. [Claire takes the baby.] Claire: You know, I think everybody knows more about my baby than me. Locke: Everybody? Claire: Charlie read me the riot act last night for waking him. And as mad as it made me -- turns out he was right. You know, it's like we're playing mum and dad to this baby. Yet, I don't remember marrying him. [Locke laughs] No, seriously. I mean, we're practically strangers, him and me. For all I know, Charlie could be some religious freak. Locke: Yeah, I seriously doubt that. Claire: Then why is he carrying around a Virgin Mary statue? Locke: What? Claire: You know, one of the little statues? He says he found it in the jungle. Locke: Hmm, how about that? [We see Shannon at Boone's grave.] Flashback: [Her father's funeral. Shannon looks like she's in shock.] Boone: [to Shannon as she's looking in he father's casket] Death sucks, doesn't it? Shannon: Boone! Boone: Hey. [They hug] I'm so sorry, Shannon. Shannon: You came back. [We see Sabrina looking over at them embracing.] [In Shannon's room, Boone pours alcohol from a flask into some toy tea cups.] Boone: Where'd the poster of Marky Mark go? Shannon: I'm 18, Boone. Your mom's going to freak. Boone: It's a wake. I mean, seriously, who doesn't serve booze at a wake? Scotch? [toasting] To your dad. [Handing Shannon some gum] Maybe after all this you'll come visit me in New York. Shannon: I won't have to visit if I get that job at the Martha Graham dance company. I'll be living there. Boone: Right. Internship. [He shrugs] Shannon: I know it's like a 1 in 3000 chance, but I may get it. Boone: Absolutely. Have you spoken to my mother? Shannon: She's going through her thing and I'm going through mine. Boone: Have you two been getting along? Shannon: She hates me. Boone: Just try to talk to her. Shannon: From day one she resented my relationship with him, my dad. [At the rocky shore part of the beach. Eko notices Sawyer is struggling.] Eko: We need a break. Ana-Lucia: 5 minutes. Eko: [handing Sawyer some water] Here. [Eko assesses the coastline they need to traverse.] Ana-Lucia: What are you looking at? Eko: We have to cut inland. Ana-Lucia: What? Into the jungle. They said their people were on the beach. If we keep walking... Eko: The beach goes into a peninsula ahead. It may not be passable. Ana-Lucia: May not? Eko: May not. Ana-Lucia: You're doing this to get the cowboy back faster, aren't you? You would risk our lives to help him? Eko: It's the only way I know. Ana-Lucia: I liked you better when you weren't talking. [Claire and Locke at the beach.] Claire: I can't believe he's still asleep. Locke: Swaddling works every time. Claire: Uh-huh. Hey, do you want to hold him? Locke: That's okay. Claire: Put your arms out. It's okay. Locke: He smells good. Claire: He does, doesn't he? Locke: Yeah. Charlie: [enters] Oh. Locke: Hello, Charlie. Charlie: Hello. Claire: Hey, John just taught be a new trick: swaddling. Charlie: That's excellent. I just came to take him so you could have your walk. [Locke looks to Claire, unsure if he should give the baby to Charlie, but Claire doesn't say anything.] Locke: Well, great timing, yeah. I've got to get going. Claire: Well, thanks for your help, John. Locke: Welcome. Claire: [to Charlie who's staring at her] What? [In the jungle, the tail section people are walking very carefully. Libby steps on a stick, and Cindy shushes her. Jin starts saying something in Korean. Sawyer stumbles and Jin says something again.] Sawyer: I'm fine. Jin: [something in Korean] Sawyer: I'm fine. Jin: [something in Korean] Ana-Lucia: Shhhh - shut up. Michael: What? They can't talk at all? Ana-Lucia: If he talks he's going to get us all klled. Michael: By what? Them? I thought they lived a day back that way? Ana-Lucia: How about you shut your mouth and get your buddy over here moving? Michael: What happened to you people? You want us to take you back with us? Fine. But you want me to keep quiet then you need to tell me why I have to. Ana-Lucia: They came the first night that we got here. They took 3 of us. Nothing happened for 2 weeks, then they came back. They took 9 more. They're smart, and they're animals, and they could be anywhere at any time. Now we're moving through the jungle -- their jungle -- just so you can save your little hick friend over here. And if you think that 1 gn and 1 bllet is going to stop them -- think again. So shut your mouth and keep moving. Michael: They took my son. Ana-Lucia: They took a lot of things. [Shannon at Boone's grave. Sayid enters.] Sayid: I know what it is to lose someone you care deeply about. Shannon: You really think that this is all about Boone? I saw Walt, Sayid. Sayid: Then why are we sitting at Boone's grave. Shannon: [getting up to leave] Just go back, Sayid. Sayid: Where are you going? Shannon: To find him. Flashback: [Shannon in her apartment. Dominique comes in.] Dominique: [handing Shannon a letter] It came. Shannon: Oh my god. Dominique: Open it. Shannon: I can't open it. Dominique: You what? Shannon: You open it. Dominique: You have been waiting 6 months for this letter -- no way I'm opening it. [Shannon opens the letter.] Shannon: I got it! Dominique: You got it! Shannon: I got it! Dominique: Oh my god, you're going to New York. [They're jumping and hugging. The phone rings.] Shannon: Hello. This is her. Uh, that's impossible. Okay, are you sure? Of course, I will certainly do that. Sorry. Dominique: What? Shannon: My rent check bounced. Dominique: But you're, like, rich. [At Sabrina's house.] Sabrina: I'm sorry, I would have offered you something to drink, but I have to be at a meeting in 10 minutes. Shannon: Yeah, um, my checks are bouncing. Sabrina: Well, that's what happens when you make withdrawals and don't make deposits, Shannon. Shannon: When do I get the money dad left me? The money from the will. Sabrina: There was no will. Shannon: What? Sabrina: Shannon, your father and I had a living trust. Everything passed to me. I'm afraid there was nothing specifically designated for you. Shannon: Why would he do that? Sabrina: Well, maybe he just wanted you to find your own way. We all have to work, Shannon. Most of us are the better for it. Shannon: I can work. I just -- I just got this really prestigious internship. And I'm not going to make any money for a while but I'm going to be working like 16 hours a day. Sabrina: The only thing I've ever seen you do 16 hours a day straight is sleep. Shannon: I just need to get to New York. I need just something -- something to get started. I'll pay you back. Sabrina: This week it's an internship -- last year it was what -- interior design? You'll never pay me back. And you'll only hate yourself even more. Shannon: I really want this, Sabrina. I can do this. Sabrina: I'm sorry, Shannon. You're on your own. [Locke and Charlie playing backgammon on the beach.] Charlie: Oh, double-6's, how nice for you. Locke: [laughing] Lucky. [pause] I hope you didn't get the wrong idea seeing me with the baby? Charlie: What wrong idea would that be? Locke: You and Claire are close, and you spend a lot of time with Aaron -- I just wouldn't want to overstep my bounds. Charlie: Did she tell you we had a fight? Locke: She didn't say it was a fight. Charlie: She was going to give it up, you know -- for adoption. Did she tell you that? Locke: Yeah, when I built the cradle. Charlie: Ah, of course, when you built the cradle. Locke: Why do you ask? Charlie: She's got a bit to learn about being a mum -- responsibility and all. Locke: Hmmm, now that's an interesting thing to say -- for a heroin addict. Charlie: Recovering addict. Locke: Recovering. It's your turn. [Jin is half carrying Sawyer through the jungle.] Bernard: [hearing Sawyer stumble behind him] Here, let me help you. Jin: [Says something in Korean like: That's okay, thanks.] Michael: I got it. Jin: [Says something in Korean] Michael: I said I got it, man. Take a break. Jin: [Says something in Korean like: No, I got it.] Sawyer: [to Michael]'What? You suddenly give a damn about me? [taking his arm from around Jin's shoulder] Leave me alone. Both of you. I got it. [Sawyer starts walking away, but collapses.] Michael: Hey, hey, hey [he puts Sawyer's head in his lap] Okay. Hey, Sawyer, you okay? Sawyer: [barely conscious] I would have left you behind. Michael: Shut up, man. Don't try that. Sawyer: I did leave you behind. Michael: Yeah, well, good thing I ain't you. [He smiles at Sawyer and Sawyer passes out.] No, no, hey, Sawyer. Sawyer, hey. Jin: Water! Water! Libby: Here you go. Here, here. Michael: [pouring water into Sawyer's mouth] What's the matter with him? Libby: Well, the fever -- he's got an infection -- he's dehydrated. Ana-Lucia: We gotta keep moving. Michael: What? Ana-Lucia: We gotta keep going. Jin: [angry, to Ana][Says something in Korean like: Sawyer needs our help] Ana-Lucia: You want stay, that's fine. But we're rolling out. Bernard: We can't just leave him, Ana. Libby: Maybe if we just rest a little while, he'll regain consciousness. Ana-Lucia: Rest? Here? Do you remember what happened to us? What they did to us? You remember Goodwin? Cindy: Ana's right, maybe we should just push on. Michael: Hey, you know what? I don't remember Goodwin. And I'm really sorry about whatever happened to him, but I don't care. Mr. Eko, can you help me make a stretcher? And Bernard, I need 4 sticks -- sturdy ones -- about 5 feet long. Bernard: Yeah, got it. Ana-Lucia: You're going to carry your friend. Michael: Yeah, we're going to carry him. [Sayid and Shannon in the jungle.] Sayid: Why are you doing this, Shannon? Shannon: I didn't ask you to follow me. Sayid: No, you'd rather be out here alone and get lost or hurt. Shannon: I don't need your help, Sayid. Sayid: Walt is not out here. You're following a Labrador, not a Bloodhound -- in an effort to find a boy who's on a raft in the middle of the ocean. Shannon: He's not on the raft. Sayid: What are you talking about? Shannon: We found the bottle on the beach. Sayid: The bottle with the messages that they brought with them? Shannon: I know he's out here somewhere. I saw Walt. And the raft is gone, and he is all alone. Sayid: Shannon. [Jin and Michael carry Sawyer on the homemade stretcher. They come to a steep embankment along a river, and all struggle to lift Sawyer up.] Ana-Lucia: Cindy. Cindy? Where's Cindy? Bernard: She was just here. Ana-Lucia: Cindy? Cindy? Bernard: I don't know, she was... Libby: Did they take her? Michael: How could she just be gone? Bernard: Cindy? Cindy? Ana-Lucia: I'm going after her. Eko: [grabbing Ana's arm] No, we stay together -- we split up, we give them what they want. Ana-Lucia: This is all your fault. We never should have gone through the jungle. You risked our lives to save him and he's already dad. This one's on you. [They all hear the whispers.] Michael: What the hell is that? [Ana draws her gn.] Libby: [terrified] Oh, god. Ana-Lucia: Run! Flashback: [Shannon packing up her apartment. Boone enters.] Boone: Hey. Shannon: Hey. Boone: She said no. She knew why I asked for the money. Shannon: Can I crash at your place in New York for just a little while -- until I get on my feet. Boone: I'm leaving New York. She offered me a job. Shannon: You're going to work for your mother? Boone: It's a really good job, Shannon. [He pulls out a check] Look, this is all I have right now, but my trust fund's going to kick in at the end of the month. And after that I can absolutely keep you afloat. Shannon: Thank you, but I'm going to figure out a way to make my own money. Boone: But who knows when that's going to be, just take it. Shannon: Why, you don't think I can do it? Boone: I didn't say that. Shannon: Do you believe I can, or don't you, Boone? [He just looks at her] Okay, you know what, I really want you to just take your money -- go work for your mother -- I don't want it... Boone: Shannon, it's just money... Shannon: Just take it, alright! Boone: I'm trying to help you, Shannon! Shannon: I don't want your money! [Shannon and Sayid running through the jungle at night in the rain. Shannon trips and falls.] Sayid: Shannon! Shannon: Do not help me up. Sayid: Let's go back. Shannon: Why don't you believe me? [Sayid doesn't answer] I need you to believe in me. Sayid: I do believe in you. Shannon: You don't! No one does. They think that I'm some kind of joke. They think I'm worthless. Sayid: Shannon, you are not worthless. Shannon: You say that now, but you don't -- you're just going to leave me. I know as soon as we get out of here you're just going to leave me. Sayid: I will never leave you. I love you. I'll never leave you. Shannon: You do? Sayid: I do. [They hug. And then they hear the whispers. Sayid sees Walt.] Walt: Shhh. Shannon: Do you see him? [Sayid nods.] Shannon: Walt! Walt! [Walt walks away and Shannon runs after him. Sayid sits stunned for a moment and then goes after Shannon.] Sayid: Shannon! Shannon: Walt! Wait! [Sayid trips and starts running after Shannon again.] Sayid: Shannon! [Sayid hears a gn.] Sayid: Shannon! Shannon. [Shannon turns around to reveal a wound in her gut. She collapses into Sayid's arms and dies. Then we see Ana standing there with the gn. And shocked looks on Jin and Michael's faces. Sayid looks like he has m*rder in his heart looking at Ana.] [End]	{"type": "series", "show": "Lost", "episode": "2x06 - Abandoned"}	foreverdreaming
[The tail section of the plane crashes into the water near the beach.] [Day 1] [General chaos of people struggling to make it to the beach. Then we see Ana break the surface and take a deep breath. Other survivors are on the beach and in the water. Ana swims for shore. Eko drags a woman out of the ocean. Ana swims out to help. Eko carries a boy, Zack, out of the water.] Zack: Emma -- my sister, my sister. Emma! Emma! [Eko goes back in the water to rescue Emma and brings her to the beach. Ana sees her and leaves a man lying on the beach to go to help with Emma.] Ana-Lucia: I'll be right back. Eko: She's not breathing. [Ana begins CPR. Eko sees the boy watching.] Eko: Come with me. [The boy drops his teddy bear by his sister while Ana administers chest compressions on Emma.] Eko: [to the boy] Don't look. She will be fine. [Emma spits up water and regain consciousness.] Ana-Lucia: Good, let it out. You okay? Emma: Where's my mom? Ana-Lucia: I don't know. Emma: She's meeting us in Los Angeles. Yelling Man: Help! Help! Anybody see my wife? Ana-Lucia: We're not there yet. I promise, we're going to get you home soon, okay. [Scene of general chaos and yelling on the beach.] [Cindy on the beach looking tired.] Eko: Excuse me, would you look after the children? There is something I have to do. Cindy: Uh, okay. Eko: [to Emma] Stay with this nice woman. I'll be back in a minute. [Eko starts hauling dad bodies out of the ocean. Scene switches to Libby caring for a man with a badly broken leg.] Donald: Ow, my leg, my leg! Is it bad? It's bad, isn't it? Libby: No, it's not that bad. I broke my leg skiing up at Stowe in Vermont. I was on this run -- going pretty fast -- I was racing this cute ski patrol guy. I went off this mogul, lost my edge and, bam! [Libby twists the guy's leg to try to set the bone. He screams. Ana looks on, shocked. The guy passes out.] Libby: Snapped my left leg. Now that -- that was bad. Ana-Lucia: You a doctor? Libby: A year of med school before I dropped out. I'm a clinical psychologist. You saved that girl's life -- you a doctor? Ana-Lucia: No. Goodwin: [appearing] Help! There's somebody in the jungle, come on. [Ana runs to help.] Bernard: Help! Please help me. Help! Help! [Bernard is strapped into an airline seat, sitting next to a dad guy. The seats are precariously perched in a tree.] Goodwin: We should climb up there -- I'll hold him steady, you pull him... Ana-Lucia: No, wait. [yelling to Bernard] What's your name? Bernard: Bernard! Ana-Lucia: You're going to be alright, Bernard. I need you to unbuckle your seat belt and grab the branch next to you. Bernard: [referring to the guy next to him] Is he dad? I think he's dad. Goodwin: We should climb up there. Ana-Lucia: No. [to Bernard] I need you to focus, Bernard. Unbuckle your seatbelt. [He does so, shakily] Now grab the branch next to you. Bernard: I don't think I can do that. Ana-Lucia: Those seats are going to fall. [Bernard reaches for the tree.] Ana-Lucia: Come on, you can do it. Bernard! [The seats fall to the ground. We see Bernard clinging to the tree.] Ana-Lucia: Alright, hold on tight, okay. I'm coming up to get you. [Back on the beach.] Libby: Does anybody have any water? [Goodwin trying to start a fre with a hand drill type device.] Ana-Lucia: [entering]: You couldn't find any matches? Goodwin: Dry ones? You can ask around but I couldn't find any. It'll be dark soon, let me get a signal fre started so they can find us. Ana-Lucia: What are you, a boy scout? Goodwin: Grown up version -- I'm in the Peace Corps. Ana-Lucia: They still have that? Goodwin: I'm just happy somebody your age actually knows what it is. Ana-Lucia: What's your name? Goodwin: Goodwin. Ana-Lucia: I'm Ana-Lucia. [Scene switches to night, around a fre at the beach. Bernard approaches Eko, who's off by himself a little ways.] Bernard: I heard that you were the one who pulled the dad bodies out of the water. Eko: Yes. Bernard: Were any of them African-American? Eko: No. Bernard: Because my wife -- I can't find her. Eko: I will pray for her. Bernard: Where the hell are the rescue planes? Eko: I will pray for them, too. [At the beach, everyone is sleeping. We hear strange noises and people awaken.] Ana-Lucia: What was that? [Goodwin grabs a stick out of the fre and runs.] Ana-Lucia: Libby, watch the kids. Goodwin: Over here. Libby: [to the kids]: It's alright. It'll be okay. [Ana and Goodwin come upon a bloody Eko and two dad bodies.] Ana-Lucia: What happened? [Eko shows he has klled them with a big rock.] [Day 2] [Eko looks upset. Ana examines the bodies.] Ana-Lucia: No wallets, no cell phone, no keys. Nothing. [Eko, off to himself at the shore, takes off his bloody shirt.] Ana-Lucia: [to Eko] Hey, are you okay? [Eko says nothing.] Nathan: [entering] Look, 3 of the people are missing -- the blond guy, the curly-haired guy, and the German who was helping us with the injured. Ana-Lucia: Did you see anything? Nathan: No, I didn't. Ana-Lucia: Where did they come from? How many there were? Nathan: No, I didn't see anything. Who are these people? Ana-Lucia: I don't know. They're out here in the jungle with no shoes, nothing in their pockets, no labels on their clothes. These people were here before us. [Eko is fashioning a walking stick/club while Ana speaks.] Ana-Lucia: We need to get off the beach. We need to find a safer place. Nathan: We've got kids and people that are seriously hurt. Where are we going to go? How are we going to move them? And what about the signal fre? How are we going to get rescued if we're off the beach? Goodwin: Nathan's right. Ana-Lucia: They have satellites -- the black box -- we don't need a fre for them to find us. Cindy: Yes, we do. Before the crash, the pilot said we'd lost communication; we were turning back. We were flying for two hours in the wrong direction. They don't know where to look. [Day 3] [Goodwin trying to open some shellfish. Other people on the beach collecting shellfish. Ana removing the arms of her leather jacket.] Libby: It's Donald, his leg. The infection is getting worse. He'll be the 4th to go. Ana-Lucia: What are we supposed to do about that? [Day 5] [Donald gets buried amongst other graves at the beach. [Day 7] [The castaways catch a chicken. Eko is off by himself carving something into his club.] Libby: [sitting down next to Eko] Would you like some chicken? You haven't said a word in a week. Why aren't you talking? Hey, it wasn't your fault, you know. You were just defending yourself. [Day 12] [Ana trying to create a sharp edge on a wooden wapon.] Goodwin: That'll work. Ana-Lucia: Eh, I heard a pig or something out there. Maybe we can have some bacon tomorrow. [She looks at the kids, and notices Goodwin staring at her] What? [Nathan comes from the jungle to the beach.] Ana-Lucia: Where were you? Nathan: I had to go to the bathroom. Ana-Lucia: We have a system for that. We go in pairs. Nathan: Yeah, sorry. [At night on the beach, a roaring fre. Everybody sleeping. The camp is attcked and the kids and some adults are taken.] Unknown Voice: Behind you! Behind you! Emma: Help us, please! Libby: The kids, they took the kids. [Ana charges one of the attackers and hits her with a rock.] Libby: Nancy's gone. They're gone. Ana-Lucia: Which way did they go? Which way did they go?! [Grabbing the "other" she just ht with a rock] Wake up! Wake up! Who are you? Talk to me. Wake up! Goodwin: She's dad. She's dad. [Ana starts going through her clothes.] Goodwin: What are you doing? [Ana finds a Knfe] Is that a Knfe? [Ana finds a piece of paper and unfolds it.] Goodwin: What is that? Ana-Lucia: It's a list. Libby: A list of what? Ana-Lucia: 9 -- of us. [On the beach.] Ana-Lucia: [to Eko] Nothing? They drag 9 people into the jungle -- the kids -- and there's no sign of them? [Eko doesn't speak] Now's not a good time to talk? What needs to happen to make you say something?! Nathan: Hey, calm down, let's figure this out. Ana-Lucia: Calm down? Let's figure this out? Here are the names of every single person they took -- all 9 of them -- what they were wearing -- what they look like -- one of them had a list of us. Nathan: They could have gotten our names from the people they already took. Ana-Lucia: Nobody knew anybody's names the first night. Nathan: Maybe they're watching us? Ana-Lucia: You were gone for 2 hours yesterday. Nathan: What? Ana-Lucia: Where were you? Nathan: I was going to the bathroom. Goodwin: Hey, stop! We're all scared. Let's not get paranoid here. We don't know anything. Bernard: He's right. Why would they try to infiltrate us -- that's crazy. Libby: Well, whoever they are they know we are here. We need to leave this beach. Ana-Lucia: [to Goodwin] You said we needed to keep the signal fre burning. Goodwin: I think it's time we let it go out. [Day 15] [Trekking through the woods. They stop at a stream.] Ana-Lucia: 5 minutes. Bernard: We've been walking for 3 days straight, Ana. Ana-Lucia: And you're still here. 5 minutes. Nathan: You know what? You want to keep walking, go ahead -- fresh water -- rock wall at our backs -- lots of fruit trees -- right here looks pretty good to me. Ana-Lucia: Fine, okay. This'll work. [Day 17] [Ana digging out the pit.] Libby: [entering] Hey. Ana-Lucia: Hey. Libby: Back at the beach -- the night they came back -- you said that Nathan was gone for 2 hours? That he was missing? Creeps me out, Ana. Do you really think it's possible that one of us is one of them? Ana-Lucia: Why do you think I'm digging this hole? [Day 19] [Bernard and Nathan setting a trap.] Bernard: Are we really going to be able to catch rabbits with this? Nathan: Oh yeah, give me another stick. Bernard: [to Ana, entering] Oh, hey, Ana. [Ana kicks Nathan in the head and knocks him out.] Bernard: Ana?! [Ana carries Nathan to the pit and throws him in.] Nathan: What are you doing? Ana-Lucia: You and I are going to have little talk, Nathan. Nathan: You, let me out of here right now. You let me out. You let me out! [Ana closes the pit cover.] Ana-Lucia: He wasn't on the plane. Bernard: What? Ana-Lucia: We were in the air for 2 hours -- I didn't see him once -- not once. Goodwin: It's a big plane, Ana, just because you didn't... Cindy: No, I didn't see him either. I'm pretty good with faces, you know, with the passengers, and I did not see him. Goodwin: You're not all serious. Libby: He never talks about himself, Nathan. Every time I ask him anything, he just dodges. Bernard: No, if he really were one of them why would he still be here? Ana-Lucia: I don't know, but I'm going to find out. Nathan: [faintly in the background] Will you let me out, Ana? Ana-Lucia: [to Eko] You got a problem with this? Nathan: [faintly in the background] What are you doing? Let me out. [Night time. Ana opens the cover of the pit.] Ana-Lucia: Where are the kids? Where are the kids? Where are you from, Nathan? Nathan: Canada. Ana-Lucia: What were you doing in Australia? Nathan: Company retreat. Ana-Lucia: Where are they? Nathan: What? Ana-Lucia: The rest of your retreat -- where are they? Nathan: They weren't on the plane. I stayed a couple extra days to sight-see. Ana-Lucia: How come nobody saw you on the plane, Nathan? Nathan: I was in the lavatory. Ana-Lucia: For 2 hours? Nathan: I don't remember seeing you on the plane, Ana-Lucia. Ana-Lucia: That's because you weren't on it. [Ana replaces the cover on the pit.] [Day 23] [Back at the pit.] Ana-Lucia: Where are the kids, Nathan? Where are the kids? Not talking to me anymore? What's that behind you? Get up! [Ana throws a rock] I said get up! [Some banana skins are revealed.] Ana-Lucia: [to the rest of the group] Who gave him food? Cindy: What happened? Ana-Lucia: I'm trying to find out what they did to us. [To Bernard] And you're taking care of him? Bernard: I didn't do anything. And what if you're wrong, Ana? We don't even know if there is a spy. Ana-Lucia: Whose idea was it to stay at the beach where they could pick us off one by one -- his -- Nathan's. Libby: Well, they haven't come since you put him in there. Ana-Lucia: Who did it? [Eko enters.] Ana-Lucia: You? [Eko doesn't speak and walks off.] [Ana drinking at the river. Goodwin joins her.] Goodwin: I'm worried about you, Ana. You've had him down there 4 days. Ana-Lucia: I promised that little girl that I would get her back home to her mom. Goodwin: Do you have any kids, Ana? Ana-Lucia: No. Goodwin: We should let him go. We're not savages. Ana-Lucia: If I were a savage I would have cut off his finger already. That's tomorrow. [At night. Goodwin opens the pit.] Goodwin: Grab the rope. I'll pull you up. [He pulls Nathan up] Ana-Lucia's -- I think we all think that she's going to hurt you. Now, you need to get away from here. [He hands Nathan a package wrapped in leaves] There's some fruit in there, now just go. Nathan: Which way's the beach? Goodwin: That way, maybe 5 miles. [Nathan starts to leave and Goodwin breaks his neck.] [Day 24] [Ana wakes up on the beach. Goodwin is lying beside her, watching her.] Goodwin: Morning. Ana-Lucia: Morning. Cindy: [running into camp] Ana-Lucia, he's gone. Ana-Lucia: What? Cindy: He's gone. Nathan's gone. [Everyone heads to the pit to take a look.] Bernard: Ana, what are you going to do? Ana-Lucia: They found us, it's time to move. [Day 26] [Walking through the jungle. They come to the ocean.] [Day 27] [They find the hatch door.] Cindy: What is it? Ana-Lucia: I don't know -- some sort of bunker. Libby: Do you think it's theirs? [Eko goes toward the door.] Ana-Lucia: What are you doing? [Eko opens the door. They see the Dharma Arrow logo.] Libby: What is this place? Goodwin: It looks like some sort of storage facility. [Ana finds a control panel and turns on the lights.] Ana-Lucia: Hey, come over here. [They find a chest and open it. Something falls out.] Ana-Lucia: What was that? Get it. [They find a bible and some blankets.] Bernard: What else in here? Libby: [finding the thing that fell] It's a glass eye. Bernard: [holding a radio] Look at this. It's a radio. [Outside, Bernard tries the radio.] Bernard: Hello? Hello, can anybody hear me? Goodwin: [grabbing the radio] The hills are blocking it. If we want a signal we need to get to higher ground. I'll do it. Ana-Lucia: I'll go with you. Goodwin: Nah, you should stay here, Ana -- get this place set up as a shelter. Ana-Lucia: We can all get it set up. We can make it back in a couple of hours, let's go. [Ana and Goodwin hiking to higher ground.] Ana-Lucia: Why do you think they're doing this? Goodwin: Why do I think who's doing what? Ana-Lucia: Them. Don't you ever wonder why they attck us? Goodwin: Maybe they're not attacking us. Ana-Lucia: Yeah, they just drag us into the jungle every now and then -- no real harm done. Goodwin: Good point. Ana-Lucia: Why do you think they take some of us and not the others? Goodwin: That first night they took the strongest of us -- our quiet friend -- three other guys. They're all athletic, tough, thrat. Ana-Lucia: They didn't take you. Goodwin: Guess they changed their plan after two of them got klled. Want to take a break? Ana-Lucia: Yeah, that's a good idea. Goodwin: Can I have the Knfe? [He takes out a mango and Ana hands him the Knfe. He gives Ana a piece of mango.] Ana-Lucia: Thank you. Where do you think they got it? I mean, they don't even wear shoes. How'd they get an army Knfe? Goodwin: Sorry? Ana-Lucia: The Knfe -- it's U.S. military. Here [she reaches for the Knfe] I'll show you. You see the tang stamp? [We see a U.S. Army stamp] This Knfe's probably 20 years old. You don't see these anymore, yet here it is, on this island. Weird, huh? Can I ask you something? Goodwin: Sure, Ana. Ana-Lucia: When you ran out of the jungle the day of the crash -- how did you find Bernard up in the tree? Goodwin: I heard him shouting from the beach. Ana-Lucia: From the beach? Goodwin: Why are you asking me about that, Ana? Ana-Lucia: Did he see you out there? Is that why you pretended to be one of us? You ran out of the jungle 10 minutes after the crash, you weren't wet. You were never even in the ocean. Where are they -- your friends? Nathan -- what did you... Goodwin: If you had cut off his finger and he still told you he was on the plane, I think maybe you would have started to believe you had the wrong guy. Ana-Lucia: Did you kll him? Goodwin: Nathan was not a good person. That's why he wasn't on the list. Ana-Lucia: What about the kids? Did you kll them, too? Goodwin: Children are fine. They're better off now. [Ana and Goodwin struggle. They fall down a hill and Ana impales him as he falls. Ana heads back to camp.] Cindy: Where's Goodwin? Ana-Lucia: We're safe here now. [Day 41] [Bernard tries the radio again.] Ana-Lucia: Why are you wasting your time with that thing? There's no signal. Bernard: I only turn it on a couple minutes a day. It really doesn't... Boone: [on the radio] Hello. Hello, anybody out there? Mayday. Mayday. Bernard: Is there someone there? Boone: Hello! Hello! Cindy: Who is that? Oh my god! Boone: Can you hear me? Bernard: Repeat your transmission, please. Boone: Hello. We're survivors of the crash of Oceanic flight 815. Please copy. Bernard: We're the survivors of flight 815. [Ana takes the radio.] Bernard: No, wait a minute. What are you doing? Ana-Lucia: It's them. [She turns the radio off] It's them. They're trying to draw us out -- trying to find us. Bernard: No, he said 815; he said flight 815. Ana-Lucia: They know our flight number because Goodwin knew our flight number. Bernard: What if there really are other survivors out there? Ana-Lucia: There are no survivors. This is our life now. Get used to it. [Ana sitting at the stream crying. Eko sees her.] Ana-Lucia: What are you looking at? Eko: Going to be okay. Ana-Lucia: What, you're talking now? Eko: It's been 40 days. Ana-Lucia: You've been waiting 40 days to talk? Eko: You waited 40 days to cry. [Day 45] [On the beach, Cindy sees Jin's body in the surf.] Cindy: Libby. [Cindy and Libby get Jin out of the water.] Cindy: Turn him over. Libby: Is he alive? Get Ana-Lucia, quick! [Jin is tied to a tree and blindfolded. Eko removes the blindfold.] Eko: Who are you? Where are you from? Jin: [says something in Korean] [Scene switches the group talking.] Bernard: He doesn't even speak English. Ana-Lucia: That doesn't mean anything. Cindy: Ana, we found him in the water. Ana-Lucia: He has a broken hand cuff on his wrist. Eko: I'm not sure that he's a thrat. [Jin breaks free and runs to the beach.] Ana-Lucia: He's running! Jin: [coming to the beach] Michael, Sawyer! Sawyer: Jin! Jin: Others! Others! Others! [There's a montage of Sawyer, Michael, and Jin being thrown into the pit. Then we see Ana and Eko talking.] Ana-Lucia: ht me. Eko: ht you? Ana-Lucia: You think they're okay? Let's find out. ht me. [Montage of scenes with Ana in the pit.] [Day 46] [Scenes of them getting out of pit, going into the bunker.] [Day 47] [Scenes them walking in the jungle and on the beach. Sawyer in the stretcher.] [Day 48] [Black screen with the sounds of a storm and Ana asking "where's Cindy?" They hear the whispers. We see Ana sht Shannon.] Michael: What was that? [Reactions shts to the sh**ting.] [End]	{"type": "series", "show": "Lost", "episode": "2x07 - The Other 48 Days"}	foreverdreaming
Flashback: [Ana sh*ting at a fring range. Scene switches to Ana at the office of Matthew Reed, her therapist.] Matthew: So how're you doing? Ana-Lucia: Well, the family with the screaming baby moved. Matthew: You must be thrilled. Ana-Lucia: Actually, it's too quiet now. Matthew: So, how's Danny -- you 2 trying to work things out? Ana-Lucia: There's nothing to work out. He left. Matthew: You okay with that? Ana-Lucia: I guess you could say I'm one of those people that's just better off alone. Matthew: So, how was the fring range? Ana-Lucia: Good. Matthew: How did it feel to hold a gn again? Ana-Lucia: Very good. Matthew: All these steps count, Ana. You've come a long way since we met 4 months ago. Ana-Lucia: Did she say -- you know, when I can come back to work? Matthew: She left the final determination up to me. Ana-Lucia: Right. Matthew: Do you think you're ready? Ana-Lucia: What do you think? [He hands Ana her badge. Scene switches to a sht of her LAPD badge at the police dept. office.] Cop: [off camera] Welcome back to the force, Officer Cortez. [Scene switches to right after Ana sht Shannon. Sayid pulls out his gn and goes after Ana.] Michael: Sayid! Sayid, no! [Eko tackles Sayid and they fight. Ana cold-cocks Sayid, and grabs the gn.] Michael: Hey, hey! Ana-Lucia: [pointing the gn at Michael] Don't move! Nobody move! Ana-Lucia: Nobody move. Nobody! [to Eko] Does he have anything else on him? Eko: What? Ana-Lucia: He just had a gn to your neck -- check to see if he had anything else on him? Michael: Hey, put it down. Ana: pointing the gn at Michael]: Stop. Michael: Are you crazy? Don't point that at me? Ana-Lucia: I said stop! Michael: What is your problem? [Ana fires off a warning round.] Bernard: Ana! Jin: [Says something in Korean, and comes toward Ana.] Ana-Lucia: Get back! Get back, both of you! Michael: Are you crazy? Libby: Ana. Ana-Lucia: Get back now! Libby: Ana! Ana-Lucia: [to Eko] We need to tie him up. Eko: I'm not tying him up. Ana-Lucia: He tried to kll you. Eko: No. Ana-Lucia: [pointing the gn at Libby] You, you do it. Tie him. Use the vines from the stretcher. Michael: Hey, if we take that thing apart we won't be able to... Ana-Lucia: Shut up! Libby: Ana, Sawyer needs a doctor or he'll die. Ana-Lucia: I know what I'm doing. Flashback: [Ana at the police station.] Captain: I hope this is all of it. Raggs: That's all we've got right now. Captain: {something unintelligible} Raggs: Thanks, Captain. [Ana knocks at the Captain's open door.] Captain: Come on in. Raggs: Hey, look who's here. Good to see you Ana-Lucia, welcome back. Ana-Lucia: Thanks, Raggs. Raggs: I'll get you those IRs, Captain. Captain: Today. Raggs: You've got it. Captain: [to Ana-Lucia] How are you? Ana-Lucia: Good. Fine. Captain: Good. Your assignment. Ana-Lucia: Evidence? You're putting me behind a desk? Captain: Is that a problem? Ana-Lucia: I want patrol. Captain: I don't care what you want. Ana-Lucia: Just put me in a car. Captain: You were in an officer involve shting -- no. Ana-Lucia: [subtitled from Spanish] You're doing this because you're my Captain? Or because you're my mother? Captain: Both. Ana-Lucia: I need to be back on the street. Please. Captain: I put you in a car -- everyone's going to know I pulled strings. You don't want me to treat you like my daughter? Don't ask for favors. Ana-Lucia: Then transfer me. [Ana's mother/Captain fills out a form.] Captain: You don't get the transfer, but I'll give you the car. Happy? Raggs: Sorry to bother you Captain -- Ana, there's a call for you in the bullpen, they say it's real important. Ana-Lucia: Thanks, Raggs, I'll be right there. Captain: They got you a cake, try and act surprised. [Jack filling a water bottle, Rose approaches.] Rose: Jack, nice to see you out of the hatch. You could use more sunshine. Jack: I'll take that under advisement. Rose: A little fruit might do you good, too. Good for the constitution -- at least that's what they say. Jack: Well, if that's what they say. [Jack takes a piece of fruit from Rose.] Rose: Mmmm? Jack: Where'd you get these? Rose: Well, now just because you're a little excited -- no reason to talk with your mouth full. [Something drops out of the sky into the water trough Jack was using to fill his bottle. Jack grabs it, and finds it's a golf ball.] Hurley: Past the hanging tree, double or nothing. Kate: You sure? Hurley: Dude, double or nothing, there's no way you're hitting it that far. Charlie: Hurley, the woman's on bloody steroids. Kate: Double's 10 thousand bucks. Charlie: Oh, that's nothing to someone who's worth 150 million dollars. He'll build you your own course, if you'd like. Kate: What are you talking about? Hurley: Ignore him, he's an idiot. [Kate swings and wins the bet.] Hurley: Crap! Jack: [entering] You hooked it. Try keeping your left arm straight. Kate: You giving me tips? Jack: Kate, I'm -- I'm a doctor. Kate: So, you think you could do better? Jack: [chuckling] Anyone can ht a ball. That's not golf. Kate: And what's golf? Jack: Golf is accuracy. Kate: Well, why don't we play a few holes and see which one of us is more accurate. Charlie: Oooh, fighting talk. Jack: You're kidding, right? Kate: 3 holes, no handicap, we play for bragging rights. What are we waiting for? [Eko giving a very sick and shaking Sawyer some water.] Libby: Ana, let's just get to their camp. It was an accident; they'll understand. Ana-Lucia: They'll understand? I klled one of them. [motioning to Jin and Michael] If those 2 move, shout. Libby: Wait, what are you doing? [Ana walks over to Sayid.] Sayid: Untie me. Ana-Lucia: I'm not... Sayid: Untie me! Libby: Ana. [Eko lifts Sawyer onto his back.] Ana-Lucia: What are you doing? Eko: I'm taking him back to his camp. Ana-Lucia: Don't leave, please. If that were you, he'd let you die. Eko: I'm not doing it for him. I'm doing it for me. Flashback: [Ana and her partner, Big Mike, on patrol.] Big Mike: So'd the shrink give you any good drugs? Ana: laughing]: Not that kind of shrink. Big Mike: Did you miss me? Ana-Lucia: Boy, did I. Big Mike: I heard about you and Danny. Want me to go kick his ass for you? Ana-Lucia: Nah. It's better this way. What are we doing in Westwood? Big Mike: I thought a change of scenery would be nice -- a nice safe neighborhood for your first day back. Ana-Lucia: This was her idea, wasn't it? Big Mike: She is the Captain. Ana-Lucia: Yeah. Police Radio Voice: 809, please respond to a domestic disturbance call at 2210 South Veteran. Ana-Lucia: This is 8 Adam-16. Big Mike: That's not our call. Police Radio Voice: Go ahead Adam-16. Ana-Lucia: We're just 3 blocks from away from that call on Veteran. We got it. Police Radio Voice: Copy that, 8 Adam-16. [Ana and Big Mike put on their siren. Scene switches to the domestic disturbance. A woman with a baby is fighting with a guy moving stuff.] Shawna: Where are you going? What are you doing?! Drop the TV, Travis. The TV's mine. [Ana and Big Mike pull up.] Travis: I bought it with my money. Shawna: Liar! Travis: Did you call the cops?! Shawna: What?! Travis: Do something useful, Shawna, shut your trap. Shawna: Arrest him; he is stealing my TV. He cannot get away with this. Travis: She ht me. She ht me. Big Mike: Hey, enough, all of you! Both of you! Ana-Lucia: [pulling her gn] Put your hands where I can see them! Get down on the ground! Big Mike: Officer Cortez! Ana-Lucia: Ma'am, get your baby upstairs. Big Mike: Ana Lucia! Ana-Lucia: Hands on the ground! Big Mike: Ana Lucia! He is down. Holster your wapon. Now. [Ana with Sayid and the rest of the group.] Libby: Hey, I think you should let him go. Ana-Lucia: No. He's going to come after me. Libby: You don't know that. Ana-Lucia: I klled someone he loves. [Michael gets up to give Sayid water.] Ana-Lucia: Sit down. Now. Michael: I'm bringing him water. You going to sht me? sht me. Ana-Lucia: Don't even think of untying him. [Michael gives Sayid some water.] Sayid: Who is that woman? Michael: Her name is Ana-Lucia. She was on the plane -- tail section -- they all were. We were bringing them back. Sayid: Where is Walt? Michael: They took him -- the others. Sayid: What do you mean they took him? Michael: From the raft -- the night we left. [Sayid grunts and struggles.] Michael: Hey, man. Hey, we're going to get out of this, man. [Jack throws a golf tee to the ground.] Jack: Guess you're first. Kate: Lucky me. Jack: You know the lady's tee at my golf club back home is about 10 feet closer so if... Kate: Shut up, Jack. [Kate swings and gets the ball very close to the hole.] Jack: Nice. Kate: You're up. [Jack swings and his ball goes into the trees.] Kate: Wow, you really put it in there. [Jack crossing over a little creek to get to his ball.] Kate: We have more balls; you could always just take a drop. Jack: I'm good. [Jack finds his ball] Got it. [Kate sees something behind Jack.] Jack: You may want to move. [He sees the worried look on her face] What? [Eko enters carrying Sawyer.] Eko: Where is the doctor? [Locke in the hatch doing a crossword puzzle. The clue he's looking at is 42 down: Enkidu's friend. Locke fills in Gilgamesh. Jack and Kate enter.] Jack: I got him. I got him. Kate: Where are we headed? Jack: Bathroom. He's burning up. We've got to get him in the shower -- bring his fever down. Kate: What can I do? Jack: Okay, go through the medical stash; there's a bottle of Ofloxacin... Kate: Ofloxacin. Jack: Ofloxacin -- little white pills. Bring the alcohol and some gauge patches, and strip that bed and make sure it has clean sheets on it. Kate?! Kate: Uh, yeah, yeah. [Kate exits and Jack tends to Sawyer's wound. Locke enters and we hear the blip sound of the timer.] Locke: What happened? Jack: John, the button. [Locke exits and Jack turns the shower on Sawyer. Eko examines the Swan Dharma logo. We hear the timer reset to 108. Locke enters.] Locke: Hello. Eko: Hello. [Ana and the rest of the group with Sayid.] Bernard: [sitting next to Ana] Hey, what are we doing here, Ana? I mean, their camp has got to be close. I just want to get back to my wife. Ana-Lucia: How long have I kept you alive out here, Bernard? [Bernard bows his head] That's right. So cut me some slack. Libby: Hey, we just want to know what you're doing. What's the plan? Sayid: She has no plan. She only has her guilt and the gn. Ana-Lucia: You want a plan? [to Michael] Do you have any amo, back at your camp? Michael: What? Ana-Lucia: amo -- for the gn -- do you have any back at your camp? Michael: Yeah, a couple boxes. Ana-Lucia: Alright, I want it -- at least half. And I'll need a pack -- a big one -- a blanket, some medicine, clothes -- jeans and socks -- you getting all this? Michael: Yeah, I got it. Ana-Lucia: Alright, you bring all of that stuff back to me and I'll let your friend go. Michael: I'm not leaving them. Libby: Michael, you should. Michael: No. We stick together. Jin: Go. [he says something in Korean like: I'll stay here with Sayid.] Michael: [to Jin] I'll be back, man. Libby: Ana, what are you doing? You can't live out here alone. Ana-Lucia: I'm already alone. Flashback: [Ana and Big Mike arrive in the LAPD parking lot.] Big Mike: I'll sign us out. Ana-Lucia: What, you talking to me, now? Big Mike: I just want to go home A-L. Ana-Lucia: Hey, I ordered that guy to stop twice. Big Mike: So does that mean every time we run into some yo-yo with a TV in his hands, you're going to draw down? Raggs: [entering] Hey, Ana-Lucia -- you're guy -- we got him. [We see a suspect in an interrogation room from the other side of the mirrored glass.] Captain: His name is Jason McCormick. We picked him up on an asault on an elderly woman in Echo Park. His fingerprints matched a partial from your crime scene. We questioned him and he confessed. The D.A. is ready to file charges -- all he needs is for you to I.D. him. Ana-Lucia: It's not him. Captain: He confessed. Ana-Lucia: I don't know him. Captain: [to the lawyers in the room] Can you guys give us a minute? [to Ana] Why are you doing this? Ana-Lucia: Because it's not him. Captain: He put 4 bllts into you -- hollow points through your vest -- he tried to kll you. You want a list of his priors? You want to put this guy back out on the street? [Ana walks over to Shannon's body and is sad. Scene switches to Eko looking into the gn vault in the hatch. Locke enters.] Locke: What happened? Out there -- what happened? Eko: There was an accident. Locke: What kind of accident? Eko: A girl was sht and klled. Locke: What did she look like? Eko: She was tall with blonde hair. There was an Arab man... Locke: Shannon. You said there were 5 of you from the tail section? Eko: 4. Locke: 4 -- why didn't the rest of them come back with you? And Michael, Jin? Eko: They cannot come back right now. Locke: Can you take me to them? Eko: [looking at the gn] No. [Kate brings the anti-biotics and some water to Jack and Sawyer.] Kate: Here you go. What's happening? Why is he shaking? Jack: He's septic. The infection's gotten into the blood stream. If the anti-biotics don't bring the fever down he'll go into shock. Hold him up. Kate: Okay, I've got him. [Jack puts a pill in his mouth and pours some water in. Sawyer coughs it out.] Jack: Swallow it, swallow it, swallow it. Kate: I'll do it. Jack: No, no, I've got it. Kate: I can do it. [quietly to Sawyer]: Sawyer? Hey, you have to listen to me, okay? The only way that you are going to get better is if you take this pill. So I want you to swallow it, okay? Okay, here we go. [She puts the pill in his mouth and holds up the glass for him to drink] Now swallow, swallow. Good! Good. Jack: Nice job. I never learned the whole whisper-in-the-ear thing in med school. [Ana and the group with Sayid. Bernard is picking up his bags.] Ana-Lucia: What are you doing? Bernard: I'm going Ana. I don't want to be a part of this. I know everything you've done for us, and I wouldn't be alive if it weren't for you. But I'm going. Ana-Lucia: [to Libby] What about you? Libby: I just don't think you're the best judge of character. I was with you when you put Nathan in the pit. Ana-Lucia: Alright, you want to go? Go. Leave. [To Jin] You -- go. [Jin looks at Sayid who nods for him to go.] Ana-Lucia: Get out of here. Go. [Michael running through the jungle. He comes out of the jungle and sees Sun at her garden.] Sun: Michael! Michael: Hi. Listen, it's alright. Jin is okay. Sun: Where is he? Michael: He's fine; and I'll explain. But right now, I need to find Jack. [Jack talking to Eko in the hatch.] Jack: [angry] Where are they? [Eko doesn't answer] I said, where are they? Locke: Jack, it's not his fault... Jack: Shannon's dad! I'm not... [to Eko] You're going to take me back out there, right now. Locke: This man isn't the problem. He brought Sawyer back. Jack: Half-dad with a bllet hole in his shoulder, John. [to Eko] Are you going to talk to me or are you just going to sit there? Eko: Anything I say will only make you angry. So, yes, I will sit here. Sun: [entering with Michael] Jack! Jack! Jack! Jack: Michael. [They hug]. Michael: We've got a problem, man. [We see Jack loading a rfle.] Jack: You remember how to get out there, right? Michael: Yeah, I think so. Locke: We should stop and think about this, Jack. Jack: Think about what, John? Shannon's dad, Sayid's being held at gn. You want to sit and hope that situation resolves itself -- be my guest. [Handing Michael a gn] You know how to use this? Michael: Yes, sir. Eko: Stop! Please. What do you want? Jack: Excuse me? Eko: Peace? Revenge? Justice? And you are going out with all these gn? What do you want? Jack: I want all of our people back here safely. Your friend mrder... Eko: Ana-Lucia made a mistake. Jack: What did you say? Eko: Ana-Lucia made a mistake. Jack: Ana-Lucia. Eko: I will take you there. But only you, and no gn. Jack: Let's go. [Ana repeatedly removing and re-engaging the magazine of the gn.] Ana-Lucia: Where are you from? [Sayid doesn't answer.] Where are you from? Sayid: I'm from Iraq. Ana-Lucia: Do you have any kids? Sayid: Why are you asking me if I have children? Ana-Lucia: I'm curious. Sayid: I do not. Do you have children? Ana-Lucia: No. Sayid: Are you going to kll me? That's what you're thinking about isn't it? Ana-Lucia: Should I? Sayid: Almost 40 days ago on this very island I tied a man to a tree and tortured him. I tortured him as I've tortured many men -- men whose voices I still hear in the night. Should you kll me? Maybe you should. Maybe you were meant to. Ana-Lucia: I'm a cop. I was a cop. One night my partner and I responded to a burglary call. We were the first ones there. I covered the front and he went around the back. I was there a minute and then this kid comes right through the front door -- I tell him to put his hands up -- and he's says I'm making a mistake -- that he's a student and he wants to show me his I.D. I believed him. I just -- I let him reach. All I remember was a pop. By the time I ht the ground I thought I was dad. I feel dad. Sayid: What happened to him -- the man who sht you? Flashback: [Ana in a bar. We see the guy who had been in custody before leaving the bar. Ana gets up and follows.] Ana-Lucia: Hey, Jason. Jason: Do I know you? Ana: pulling her gn]: I was pregnant. [Ana sht 3 times, walks over and sht 3 more times.] Sayid: What happened to him? Ana-Lucia: Nothing. They never found him. [She picks up Eko's homemade Knfe and swings it at Sayid, but only to cut the ropes. Then she drops the Knfe and gn at Sayid's feet.] Go ahead, pick it up, I deserve it. Sayid: What good it would be to kll you if we're both already d*ad? [Sayid goes to Shannon's body to carry it back.] [Kate with Sawyer who is shivering.] Kate: Hey! Hey, can you hear me? You're going to be okay. You're going to be alright. You're home. [Montage of Michael finding Vincent on the beach; Bernard, Libby, and Jin coming to the beach; Charlie and a bunch of redshirts greet them; Bernard and Rose reunite; Sun and Jin reunite; Eko and Jack come across Sayid carrying Shannon followed by Ana.]	{"type": "series", "show": "Lost", "episode": "2x08 - Collision"}	foreverdreaming
[A shirtless Jin comes out of his tent followed by Sun who snuggles against his back. Hurley comes out of his tent nearby, and gives Jin a thumbs up for getting some. Sun sadly watches Sayid digging Shannon's grave. Scene switches to Jack changing Sawyer's bandages.] Jack: Sorry, man, I know this hurts. Michael told me you pulled the bllet out with your bare hands. You'll have to show me how to do that sometime. Sawyer: [whispering] Where is she? Jack: What? I didn't... Sawyer: [whispering] Where is she? Jack: You mean Kate. She's been watching over you for the past 24 hours straight. The only way I could get rid of her was to send her out to get some food for you. Sawyer: [whispering]: I love her. I love her. [Jack sits down looking disappointed.] [Kate is gathering mangoes in the forest and almost falls from the tree. She sees a black horse which trots off.] Flashback: [Kate sitting outside a house playing with a Zippo lighter. A truck pulls up playing country music and a drunken guy, Wayne, gets out.] Wayne: Well, heya, girl. What are you doing here? [He grabs onto Kate] Hey, there. Kate: [annoyed] Alright, let's get you to bed. [She helps him to the bed as he stumbles around] Watch your step, watch your step. Wayne: What the hell is that smell? Kate: Probably your breath. Wayne: Sha, right. Kate: Come on. [She puts him in bed and takes off his shoes.] Wayne: You're beautiful. Hey. Hey! I just gave you a compliment. Kate: Yeah, I heard you. [Kate puts a blanket on him] Wayne: Aren't you going to take my pants off first? [He grabs her arm] You are beautiful. Kate: [jerking away] Goodnight. [We see Kate exiting the house and getting on a motorcycle. She hesitates a moment and rides off. The house explodes.] [Kate enters a coffee shop and we see her mother, Diane.] Diane: Coffee, pie, both? Kate: How about a beer? Diane: I'd like to see some I.D. Kate: I'm 24, Ma. Diane: You want to ride around on that on that deathtrap of yours without a helmet -- I'm not going to help your cause by getting you drunk. Kate: How's that wrist? Diane: What, this? No, that shelf in the kitchen sticks out sometimes. You'd think I'd remember it was there, but I banged it. Kate: Don't. Diane: I made my bed, Katherine. Kate: Well, your bed's gone, Ma. Diane: What? [Kate hands her an envelope.] Diane: What is this? Kate: An insurance policy for the house. Diane: What? I never... Kate: I took it out in your name. Diane: What did you do? Does Wayne know about this? Kate: [leaving] Just remember that you were here and you didn't see me, okay. Diane: Katherine! What did you do? Kate: I took care of you, Ma. I've got to go and you're not going to see me for awhile. [Kate hugs her and leaves.] Diane: [calling after her] Katherine, what did you do? Katherine! [Kate in the hatch returning from her fruit gathering trip.] Kate: Hey. Jack: Hey. You okay? Kate: Yeah. Yeah, I think I'm just -- I think I'm tired. How is he? Jack: His fever's still up there. I can't tell if the anti-biotics are working. It'll help to get some food in him. You should get down to the beach for -- for Shannon. Kate: I was actually thinking that I should stay and watch Sawyer. Jack: I'll stay with him. Kate: You should be there. Jack: Keep him hydrated -- maybe mash up some of that fruit and see if you can get him to eat it. And everybody'll be at the beach so don't forget the button. Kate: I got it. Jack: I'll be back in a couple of hours. You're sure you're okay? Kate: Yeah, I'm great. [Ana banging a stake into the ground as Eko approaches.] Ana-Lucia: Hey. Eko: I'm going to go to the funeral. Ana-Lucia: I don't think I'm going to make it. Eko: I think most of them realize it was an accident, Ana. [At Shannon's funeral.] Sayid: Shannon and I were strangers. We never would have met if -- We wouldn't even have spoken if -- But we did meet and we did speak. At least -- I loved her. [Sayid walks away. Jack grabs a handful of dirt to pour on Shannon's grave.] Jack: May she rest in peace. [Locke, Sun, Claire start filing past the grave to put the ritual handful of dirt on the grave.] [Kate puts on a Patsy Kline record, and starts talking to Sawyer even though he's unconscious.] Kate: You hungry? I'm just going to mash you up some fruit here. When you wake up you're going to get a kick out of me feeding you like a baby. I saw a horse. Yeah, that's what happens when you don't sleep. [Sawyer starts to stir and whisper.] Sawyer: [whispering something unintelligible] Kate: Sawyer? Are you awake? Sawyer: [whispering something unintelligible] Kate: What? [Sawyer opens his eyes and grabs Kate's throat.] Sawyer: [whispering] Why did you kll me? [Then yelling] Why did you kll me? [In the hatch, we see the record needle at the end of the album. The alarm is going off. Jack and Locke run in.] Locke: It's the alarm. Jack: Kate! Kate! [Locke runs to enter the numbers. Jack finds Sawyer lying on the floor.] Jack: Sawyer. Locke: 4, 8, 15, 16, 22. Gah. [He hits the backspace key as there are 5 seconds left on the countdown] 23, 42. [The timer resets. Jack lifts Sawyer back into the bed.] Locke: What happened? Jack: I don't know. Locke: Well, you said... Jack: I don't know, John. Locke: Well, where's Kate? [Charlie comes upon Kate walking in the jungle.] Charlie: Kate, hey. You missed the funeral. Kate: Yeah, uh, I was with Sawyer. Charlie: Oh, right. A few of them came -- the new people. Not her -- the one who klled Shannon -- that would have been a bit awkward. They seem to have had a rough time of it. It looks like they went bloody Lord of the Flies out there. [Kate stops and stares into the distance] You haven't listened to a word I've said. Kate: Do you think there are horses here? Charlie: What? Kate: I think I saw a horse in the jungle. Charlie: I've seen polar bears. I've seen monsters, well, heard monsters; but horses, no. [Kate starts walking away] Kate! Where are you going? Flashback: [Kate buying a bus ticket.] Kate: Tallahassee one-way, please. [The guy in line behind her starts talking, but we can only see the back of him.] Marshal: Tallahassee? I spent a week in Tallahassee one night. It's all strip malls and waffle houses. What's a pretty girl like you going to do down in Tallahassee? Kate: I'm sure I'll find something. Marshal: I'll bet you've got family down there, huh? Kate: Actually, I'm just visiting. [Reveal of the Marshal as the guy in the line.] Marshal: Hey, hey, don't I know you? [Kate looks around and notices a couple of agents in the bus terminal.] Kate: No, I don't think so. [She tries to walk out] Marshal: Don't run, Kate. [She punches him a couple of times and he cuffs her. The other agents run up.] Marshal: I've got her. Kate Austen you're under arrest for mrder. Kate: I didn't do anything. Marshal: Uh-huh, yeah you did. Your mama gave you up, Kate. [Charlie playing guitar on the beach, as Jack enters.] Jack: Charlie, have you seen Kate? Charlie: A little while ago in the jungle. She was acting kind of barmy, asking me about horses on the island. Jack: You know where she is now? Charlie: She's on the path heading back to the caves. Everything okay? Jack: Yeah, Charlie, everything's fine. [Locke using bolt cutters to cut the handcuff off of Jin's wrist.] Jin: [shaking Locke's hand] Thank you. Locke: Free at last, huh? [Jin starts to leave and shows the cuff to Michael on his way out.] Michael: Yeah, man. Looks good. [Michael is examining a metal strip on the ceiling of the hatch.] Michael: Hey, Locke, what's up with the blast doors? Locke: Blast doors? Michael: Yeah, like in case of an explsin they come from the ceiling. That guy down here, uh... Locke: Desmond? Michael: Desmond. He didn't tell you about these -- what they're for? Locke: No, no he didn't. But he did leave a movie. Michael: A movie? Locke: Yeah. You want to see it? Eko: [appearing] I would like to see it too -- if you don't mind. Locke: Why not? The more the merrier. [Kate sitting in the jungle. Jack walks up.] Jack: Kate, what the hell are you doing out here? What happened in the hatch, Kate? Why'd you leave? I come back -- I find Sawyer just lying on the ground. You just took off... Kate: Is he okay? Jack: Yes, Kate, he's fine. Kate: I'm sorry. Jack: Are you? Kate: Yeah, I'm sorry. I'm sorry that I am not as perfect as you. I'm sorry that I'm not as good. Jack: Okay, what's going on with you? Kate: Just forget it. Jack: [grabbing her arm] No, don't walk away from me. Kate: [struggling]: Let go of me. Just... Jack: No. Kate. [He grabs her] Kate, Kate, Kate. Kate: Don't! I've got... [she starts to cry] Jack: [hugging her] It's okay. It's okay. Kate: Please, this place is crazy -- it's just -- I can't -- it's driving me nuts. Jack: I know. It's okay. It's alright. It's alright. [Kate kisses him, looks confused, and runs off.] Jack: Kate! [Locke, Michael, and Eko watching part of the film.] The Film: From the moment the alarm sounds you will have 4 minutes to enter the code into the microcomputer processor [splice] induction into the program. When the alarm sounds, either you or your partner must input the code. It is highly recommended that you and your partner take alternating shifts. In this manner you will stay as fresh and alert [splice] utmost importance that when the alarm sounds the code be entered correctly, and in a timely fashion. Do not attempt to use the computer [splice] for anything [splice]. Congratulations, until your replacements arrive, the future of the project is in your hands. On behalf of the DeGroots, Alvar Hanso and all of us at the Dharma Initiative, thank you. Namaste. And good luck. Michael: Alright, so you've been pushing that button every 2 hours since you got down here. Locke: That's right. Michael: How does that even work? Locke: I set up 2 person shifts -- 6 hours -- everyone's on the roster. Michael: Don't they want to know why? Locke: I think the film's pretty self-explanatory. Michael: Really? All I heard was something about electro-magnets and an incident. What about all the missing pieces? Locke: Oh, you mean the splices? Yeah, just a frame here and there, I think -- nothing important. [to Eko] What do you think? About the film -- what do you think? [Eko doesn't say anything, but gets up and leaves.] [Kate sitting, teary, at Shannon's grave, as Sayid approaches.] Kate: I'm sorry I missed it -- her funeral -- I had to be with Sawyer, so... Sayid: Why aren't you with him now? Kate: Because I'm going crazy. Do you believe in ghosts, Sayid? Sayid: I saw Walt in the jungle just before Shannon was sht. Does that make me crazy? Flashback: [Kate in handcuffs in a car with the Marshal on a rainy night.] Marshal: It's a long drive back to the arraignment, you comfy [he laughs]? Why now? Kate: What? Marshal: Nice, corn fed farm girl like yourself -- no history of volence, straight A's, no record, couple of speeding tickets -- just got to wonder, why'd you kll him now? [Kate doesn't respond] Oh, right, yeah, don't tell me. You wouldn't want to incriminate yourself, not after you were so smart planning it. That jury back in Iowa sure ain't going to get hung up on pre-meditation. And a gas leak, come on, it's amateur hour from top to bottom. Kate: Sounds like you've got it all figured out. Marshal: I do have you all figured out. Kate: You don't know anything about me. Marshal: White trash mom divorces dad, starts up with some guy who's a drinker. He knocks her around a little bit, she marries him, because, you know, that's what happens. And then this drunk, this Wayne, he moves into your house, and you get to lay there every night and listen to him doing your mom right there in daddy's old bedroom. And even that wouldn't be so bad if he didn't bat her up all the time. But she loves him. She defends him. If that don't make a person want to kll somebody I don't know what does. But the question is now, why now? Why after all these years did you just decide to blow poor Wayne up? He come knocking on your door late at night? Kate: He never touched me. [Suddenly there's a black horse in the road and the car crashes into a pole. The Marshal is knocked out and Kate grabs the keys to the cuffs. He tries to stop her but she kicks him out of the car and starts driving off. She sees the horse standing there looking at her, and then drives off.] [Michael and Locke in the hatch.] Michael: Why can't you just put the numbers in now? Locke: It doesn't work that way. The alarm goes off at 4 minutes; you can't type anything until then. [Locke presses some keys to show nothing happens on the screen]. Michael: You mind if I check out some of this hardware? Locke: Sure. Just don't break it. [Locke walks toward the kitchen and finds Eko sitting at the table.] Locke: Hello again. Eko: Hello. I have something I think you should see. If you don't mind, I will begin at the beginning. Long before Christ the king of Judah was a man named Josiah. Locke: Boy when you say beginning, you mean beginning. Eko: At that time the temple where the people worshipped was in ruin. And so the people worshipped idols, false gods. And so the kingdom was in disarray. Josiah, since he was a good king, sent his secretary to the treasury and said: "We must rebuild the temple. Give all of the gold to the workers so that this will be done." But when the secretary returned, he had no gold. And when Josiah asked why this was the secretary replied, "We found a book." Do you know this story? Locke: No, I'm afraid I don't. Eko: What the secretary had found was an ancient book -- the Book of Law. You may know it as the Old Testament. And it was with that ancient book, not with the gold, that Josiah rebuilt the temple. On the other side of the island we found a place much like this, and in this place we found a book. [Eko unwraps the book and pushes it toward Locke] I believe what's inside there will be of great value to you. [Locke opens the book. A square has been cut out, and inside is a piece of film.] [Jack chopping wood, as Hurley approaches.] Hurley: Hey. [Jack doesn't answer] So, Rose's husband's white, didn't see that one coming. Jack: Is there something you need, Hurley? Hurley: No, just taking a walk, thought I'd say hey. Who's taking care of Sawyer? Jack: Sun is. Hurley: So, you're like, mad at him? Jack: [laughing] Why would I be mad at Sawyer? Hurley: Maybe because he's the one that always comes down here and chops wood, and now you are? It's like, transference. Jack: What are you a shrink now? Hurley: Well, that's what they call it in the mental hospital. Jack: I'm not mad at anyone. [Sun in the hatch with Sawyer. Kate enters.] Kate: Where's Jack? Sun: I don't know. He didn't come back. Kate: Has he said anything? Sun: Sawyer? No, he's still sleeping. Can you watch him? [Kate doesn't reply right away] I can stay with... Kate: Yeah, I -- I can. Sun: Thanks. [Sun exits] Flashback: [Kate entering a recruiting office. We see Sgt. Sam Austen on the phone at a desk.] Austen: Right, uh-huh. Yes, I'm sure that's the exact one you have, uh-huh. I'll send one over to you, right. [He sees Kate] I'll call you back later. Kate: Hi, Dad. Austen: Kate, the police and the U.S. Marshals are looking for you. You shouldn't have come here. Kate: I've been waiting outside for 2 hours, they're not here. Austen: Is it true what they're saying? [Kate doesn't answer] Katie, what'd you come here for? Kate: Why didn't you tell me, Dad? Austen: Tell you what? Kate: I was making a scrapbook -- a surprise for your birthday. So I called one of your COs to get some pictures of you in uniform. The pictures that he sent me had dates on the back -- photos of you in Korea up until 4 months before I was born. Why didn't you tell me that Wayne was my father? Why? Austen: I didn't tell you because I knew you'd kll him. And your mother loved him. You were 5 years old. I wanted to take you along with me. She wouldn't let me. Kate: So why didn't you kll him? Austen: Because I don't have mrder in my heart. I'm going to have to call them. Kate: Can I have an hour? [He nods, and Kate hugs him.] Kate: Bye, Daddy. [Kate and Sawyer in the hatch.] Kate: Can you hear me? Sawyer? Wayne? [Sawyer stirs] I'm probably crazy and this doesn't matter, but maybe you're in there somehow. But you asked me a question. You asked me why I -- why I did it. It wasn't because you drove my father away, or the way you looked at me, or because you bat her. It's because I hated that you were a part of me -- that I would never be good. That I would never have anything good. And every time that I look at Sawyer -- every time I feel something for him -- I see you, Wayne. It makes me sick. Sawyer: That's about the sweetest thing I've ever heard. Kate: Sawyer? Sawyer: Who the hell's Wayne? [he opens his eyes] I'm in a bunk-bed? Kate: Yeah, you're in a bunk-bed. Sawyer: Are we saved? Kate: No, Sawyer. Not yet. [Eko and Locke splicing the film together.] Locke: Voila. What are the odds? Eko: The odds? Locke: Here, hold this down on the table there nice and flat. I mean, think about it. Somebody made this film. Someone else cut this piece out. We crash -- 2 halves of the same plane fall in different parts of the island -- you're over there, I'm over here. And now, here's the missing piece right back where it belongs. What are the odds? Eko: Don't mistake coincidence for fate. [Kate helping Sawyer walk through the hatch.] Sawyer: You've got to be kidding me. Kate: Air lock's over this way. Sawyer: Come on, admit it, we've been rescued. Kate: [exiting from the hatch door]: You got it? Sorry. Watch yourself. Sawyer: [seeing the jungle]: Son of a bitch. Kate: Watch yourself, okay? Sawyer: [sitting down]: Oh, got it. Kate: Okay. Sawyer: Home sweet home. Kate: Yeah. Sawyer: I really thought you were yanking my chain. What do you keep smiling at? Kate: You need a haircut. Sawyer: Oh, really? [Sawyer sees something in the distance] Maybe you ought to take me back inside. [Kate turns to see the black horse.] Kate: You see that? Sawyer: If you mean the big ass horse standing in the middle of the jungle, then yeah. [Kate approaches the horse and nuzzles it before it walks away.] Sawyer: Do you know that horse, Freckles? Kate: Yeah, I do. [Ana sitting on the beach making a sharp pointy stick as Jack approaches carrying little bottles of liquor.] Jack: Tequila and tonic, that's your drink, right? Ana-Lucia: Where's the tonic? Jack: We're running a little low on mixers. Ana-Lucia: You sure you want to waste that on me? Jack: Figured you could use a drink. I know I could. Ana-Lucia: Are you going to try to convince me that everyone here doesn't hate me? Jack: Only if you're going to try to convince me that every woman in the world's not crazy. [Eko and Locke watching the Film as Michael checks out the computer hardware in the other room.] The Film: When the alarm sounds, either you or your partner must input the code. It is highly recommended that you and your partner take alternating shifts. In this manner you will stay as fresh and alert [splice] utmost importance that when the alarm sounds the code be entered correctly, and in a timely fashion. Do not attempt to use the computer [splice] for anything else other than the entering of the code. This is its only function. The isolation that attends the duties associated with Station 3 may tempt you to try and utilize the computer for communication with the outside world. This is strictly forbidden. Attempting to use the computer in this manner will compromise the integrity of the project and worse, could lead to another incident. I repeat, do not use the computer for anything other than entering the code. Congratulations, until your replacements arrive, the future of the project is in your hands. On behalf of the DeGroots, Alvar Hanso and all of us at the Dharma Initiative, thank you. Namaste. And good luck. [Michael hears a bing sound. He looks at the timer which is at 51:00. He hears the bing sound again. He looks at the computer which displays a word.] Computer: Hello? Michael: [typing, not talking] Hello? Computer: Who is this? Michael: [typing] This is Michael. Who is this? Computer: Dad?	{"type": "series", "show": "Lost", "episode": "2x09 - What Kate Did"}	foreverdreaming
[Flashback] [We see a group of Nigerian kids playing soccer in a village. A truck full of thugs speeds into the village as Young Eko, wearing a cross, looks on worriedly. The thugs get out of the truck with gn and herd the children together.]] THUG [subtitled]: Get the children. THUG #2 [subtitled]: All of you! Let's go! THUG [subtitled]: Be quiet! THUG #2 [subtitled, to the adults]: All of you people! Out of here! [A priest come running out of the church.] PRIEST: Don't take anymore of the children. [One of the thugs knocks the priest to the ground with the butt of his rfle.] THUG #2 [subtitled]: Grab the old man. [A balding man is brought forward and forced to his knees.] THUG [subtitled]: Get the little one. Yes, the little one! [The Thug Captain takes a gn out of his holster and walks over to a small boy, Eko's younger brother, Yemi. He grabs Yemi and shoves the gn in his hands and points the gn at the old man. Eko looks on helplessly.] THUG CAPTAIN [in English]: kll him. sh*t him. Now. [The villagers look on as Yemi holds the gn pointed at the old man.] THUG CAPTAIN: sh*t him! Do it! [Yemi continues to shakily point the gn. Eko runs up, grabs the gn, and sht the old man. The Thug Captain grabs the gn away from young Eko.] THUG CAPTAIN: What's you're name, boy? What's you're name, boy!? YOUNG EKO: Eko. THUG CAPTAIN [laughing]: Look at Mr. Eko. No hesitation. A born kller. [He puts his arm around Eko's shoulder] Come. [He yanks the cross from around Eko's neck and tosses it to the ground] You won't need that anymore. [The Thug Captain leads Eko off to the truck to leave, as Yemi picks up the cross.] [Back on the island we see Eko carving the names of books of the bible onto his stick with some chapter numbers and the word "hateth."] CLAIRE [off camera at first, holding the baby]: What are you writing? EKO: Things I need to remember. CLAIRE: Do you mind if I sit? EKO: Please. CLAIRE: Thanks. So you're Eko, huh? EKO: Yes. CLAIRE: Claire; and this is Aaron. EKO: Aaron? The brother of Moses? CLAIRE: Yeah, that must have been tough to live up to, right? The pressure of everyone saying, "Why can't you be more like your brother, Moses." EKO: Yes, I'm sure it was. Why did you choose it -- Aaron? CLAIRE: I just liked it. EKO: Aaron was a great man. Moses had great difficulty speaking so it was Aaron who spoke for him. CLAIRE: So you're religious, huh? You should speak to Charlie. He doesn't want to admit he's religious, but he carries around a statue of the Virgin Mary. EKO: Statue? CLAIRE: Yeah, he says he found it on the island. Weird, right? EKO: May I see it? [Scene switches to a close up of the statue. Eko and Claire are at Claire's emcampment on the beach. Eko is upset.] EKO: Where did he find this? CLAIRE: He said he found it in the jungle. EKO: Where in the jungle? CLAIRE: I don't know. EKO [quite upset]: Where!? CLAIRE: Look, what are you -- it's just a statue. EKO: Just a statue? [Eko puts the statue on a little table and breaks it with his stick. He shows her the heroin inside.] EKO: Where is Charlie? [We see the combination to the gn vault being opened (using the numbers 25 & 29) by Locke. Locke opens the vault door and starts using a screwdriver on the other side of the lock.] MICHAEL [entering]: You breaking in or breaking out? LOCKE: I used to love those old silent movies where the robbers would crack a combination lock with their ear pressed up against the safe. And the money they stole was always in a white bag with a big dollar sign on it. MICHAEL: Silent movies, huh? You're not that old, man. LOCKE: I'm old enough. MICHAEL: You set the combination? LOCKE: With the new folks joining us I figure we better limit people's access to the gn. Can't have just anyone who wants one walk in and help themselves -- which I'm guessing is why you're here, Michael. [Scene switches to Jin and Charlie at the shore. Jin is trying to fish with a net. Charlie is holding a homemade fishing pole under his arm and singing.] CHARLIE [singing]: He's got wit he's got charm/But when he gets rough he'll break your arm/He's got taste, manners and grace/But when he gets rough he'll slit your face/He'll buy you jewels, expensive shoes, uh, oooo -- Hey Jin, do you like the Kinks? Kinks? JIN: Kins? CHARLIE: No, man, Kinks. Kinks with a "k" at the end. K-ki-kink-a. Kinks. You know, [singing again] Once you're in love, you're no getting out ha-a-a-a so look out. It's a good tune, Jin. [Singing] Look out. JIN: [says something in Korean and motions for Charlie to go away, walk down the beach.] CHARLIE: Oh, thank you very much, Jin. I do have a beautiful voice, don't I? [Jin looks over at something and Charlie turns his head. We see Eko walking intently toward them.] EKO [to Charlie, holding a piece of the statue]: Where did you find this? CHARLIE: What happened? EKO: Where did you find it? CHARLIE: In the jungle. I found it in the jungle. EKO: Take me there. JIN: [says something in Korean.] EKO [to Jin]: This is not your business. [to Charlie] I want you to take me to where you found it. CHARLIE: Okay, fine. Yeah, we'll go for a stroll -- there's nothing there. We'll go first thing in the morning, alright? EKO: We're going now. CHARLIE: Okay, let me go tell Claire so she doesn't get the wrong idea. Wait here -- EKO: Tell her on your way. [FLASHBACK] [We see a car pull up in a village. Two thugs get out. Then we see the adult Eko emerge from the car and scope out his surroundings. Scene switches to Inside one of the buildings in the village. We see a duffle bag dropped on the ground and Eko sitting across from two Moroccans.] MOROCCAN [to a boy]: Get us some beers. Go. EKO: Where did you find this? MOROCCAN: What does it matter? [One of Eko's men, Goldie, pulls a bag of heroin out of the duffle bag and put it on the table. Eko picks it up.] EKO: Same in the other bag? MOROCCAN: Yes. [Eko pulls out a huge Knfe, punctures the bag of heroin and tastes it.] EKO: 50. MOROCCAN: 50 what? [One of Eko's men puts some money on the table.] EKO: 50 is what I will pay you in exchange for the favor you are asking me to do. MOROCCAN: A favor? EKO: You have a large quantity of heroin in a country that has no poppies and no market for its sale. Your drugs are of no value here, so you must get them out. The borders are all guarded by the military so you must fly. But as I'm sure you are aware the only private planes currently allowed into the air are either U.N. aid or the Catholic missionaries. And so you have come to me for a favor. I will buy your heroin -- for 50. [Moroccan says something to Moroccan #2 in Arabic; they stand.] MOROCCAN: It is true what they say about you. EKO: And what is that? MOROCCAN: You have no soul. [Eko laughs briefly and suddenly kills both men with a swipe of his Knfe across their necks. The boy drops a beer, and Eko's men point their gn at the boy.] EKO [to his men]: No. [To the boy] Go. Go. And tell your friends that I let you live -- that Mr. Eko let you live. [Back on the island we see Claire picking up pieces of the broken Mary statue. Charlie and Eko enter.] CHARLIE [to Eko]: Just give me a second, okay? [To Claire] Hi, Claire. What happened to the statue? CLAIRE: Don't play stupid, Charlie. CHARLIE: What? CLAIRE [pulling baggies of heroin out of her pocket]: What's this? Because this was in your little statue. And, unless I'm mistaken I seem to remember you saying you're a drug addict. CHARLIE: I didn't know. [Claire rolls her eyes.] Look, it's sealed up inside a statue, how would I know? Claire, I'm not using. [Charlie starts breaking open the baggies and dumping the heroin in the sand] Look, you believe me now? I don't -- care. CLAIRE: Someone's waiting for you. [Scene switches to a sht of a jar of Dharma Ranch Composite Dressing sitting on a log. We see Locke teaching Michael how to sht.] LOCKE: Got it? MICHAEL: Got it. LOCKE: Alright. Breath half-way out -- gently squeeze the trigger. Squeeze. [Michael pulls the trigger of the unloaded gn] Good. MICHAEL: How'd you learn all this stuff? LOCKE: My dad used to take me hunting. MICHAEL: Hunting for what? LOCKE: Birds mostly. Of course, birds don't sh*t back. MICHAEL: Yeah. I know people are talking -- thinking I'm going to go running off after Walt again. LOCKE: If people are talking I'm not hearing it. But if I was, I'd say it's not a very smart plan. MICHAEL: Yeah, it's not. LOCKE [loading the gn]: Let's try one for real. [Michael takes a sht and hits the jar of dressing.] LOCKE: Bravo. [Charlie and Eko walking in the jungle.] CHARLIE: Well done with Claire, mate. You got me in a lot of trouble there, so thanks for that. Hope you're happy. Oh, that's right, you don't do happy. [They stop at a tree] Alright, well, we're here. I found it right here, right by that tree. EKO: You found it here? CHARLIE: Yeah, found it here. EKO: You're lying. CHARLIE: You know what? I don't even know you. You asked to see where I found it. This is where I found it. We're done. Have a nice hike. [Charlie starts to walk away, but Eko grabs him by the neck and shoves him up against the tree.] EKO: You did not find the statue here. Take me to the plane. [Charlie and Eko walking in the jungle.] CHARLIE: How'd you know about the plane? It's old, you know. It's been out in the jungle for years. Of course, you would know that -- you know everything. EKO: Why did you lie to the girl? CHARLIE: What? EKO: You told her you did not know what was inside the statue. CHARLIE: I wasn't lying. EKO: Then what is the wrong idea? CHARLIE: What? EKO: When I showed you the broken pieces of plaster, you said you did not want her to get the wrong idea. What is the wrong idea? CHARLIE: I don't have to tell you anything, man. You come traipsing across the island, and what, suddenly now you're in charge? You want me to take you to your plane? You best start treating me with some respect. I'm not just some guy you can just... [Eko suddenly looks into the jungle and we see the smokey monster "fly" by in the distance. Charlie looks too late and doesn't see it.] CHARLIE: What? What!? EKO: Let's go. CHARLIE [under his breath]: Yes, sir. [FLASHBACK] [In the village from the first scene, we see the church, and a woman selling the Virgin Mary statues out front. Eko approaches.] NIGERIAN WOMAN: Sir! Sir, if you buy a statue the money will buy polio vaccine for the village. 200 Naira, sir. YEMI [appearing]: What are you doing here? EKO: I have come to give my confession. YEMI [smiling]: Hello, Eko. EKO [smiling]: Hello, brother. [Inside the church.] EKO: So I come to visit you for the first time in 3 years and you won't hear my confession? You know, Monsignor would have said he failed to raise a proper Catholic boy. YEMI: Well, why waste your time confessing. It won't help you. EKO: It won't? YEMI: No, for confession to mean something you must have a penitent heart. EKO: You and your guilt, Yemi. I've only done what I needed to do to survive. How is that a sin? YEMI: You may live far from here, but that doesn't mean I haven't heard of who you are and what you have done. [Eko reaches in Yemi's priest's shirt and pulls out the cross (the one that Eko wore as a boy).] EKO: Have you forgotten how you got that cross, brother -- the day they took me? Is what I did that day a sin? Or is it forgiven because it was you that was saved? YEMI: Why are you here, Eko? EKO: I have come to help you. I have some merchandise that I need to get out of the country. I would like to use one of your church relief flights to transport it. YEMI: Merchandise? You mean drugs. EKO: It is not my normal business, Yemi. We are moving the drugs out of Nigeria so that they cannot be used by our people. And the money -- you'll have all the money to buy your vaccine. God has given us this opportunity; we should not turn our back on it. YEMI: God did not bring you here, Eko. You're own greed did. I will always love you, but I will not help you. It's good to see you again, brother. [He exits leaving Eko sitting in the church.] [Back on the island, Kate gives Sawyer a haircut.] SAWYER: A little close to the ear, Freckles. You sure you know what you're doing? KATE: Would you please turn your head. SAWYER: Why, you ain't got a clean enough sht at my neck? I can cut my own damn hair. KATE: You know, you don't have to be belligerent just for belligerent's sake. Everyone loves you now. SAWYER: Bull puckey. [We see Hurley and Michael walking by.] HURLEY: Yo, Sawyer, glad you're back, man. SAWYER [not loud enough for Hurley to hear]: Yo yourself, Pillsbury. KATE: See? MICHAEL: Hey, Kate? Hey, Locke said you were on hatch duty later. I was wondering if, uh, you mind if I go instead? KATE: You want my shift? MICHAEL: Help me take my mind off things. KATE: Sure, it's all yours. MICHAEL: Thanks, appreciate it. [He hesitates a moment, then to Sawyer] Glad you're okay, man. SAWYER: Yeah. [to Kate] Don't even say anything. [Charlie and Eko walking in the jungle.] CHARLIE: Time to take a break. EKO: You just had a break. [Charlie stops and gets some water.] CHARLIE: I'm not what you think I am. EKO: And what do I think you are? CHARLIE: It was my brother's fault. EKO: Sorry? CHARLIE: It was his fault I became an addict. He started with the heroin. I tried to make him stop. You don't know me, man. I was a good person. I was an alter boy. Alright, I knew what was in that statue, it doesn't mean I needed what was inside it. So don't judge me, man. [Eko suddenly sees something in the trees beyond Charlie and goes to investigate.] CHARLIE: What? What's that? It's a parachute. [Eko looks around and see the Nigerian "priest" skeleton that Boone and Locke found in a previous episode.] CHARLIE: Is that a priest? [Eko reaches to pull open the priest's shirt.] CHARLIE: What are you doing? [Eko opens the shirt but we just see the decaying body. He looks at the skull and notices a gold tooth.] CHARLIE: You know that guy? EKO: Yes, this man saved my life. [We see Eko kneeling and praying over the body with Charlie standing a little bit away.] CHARLIE [while Eko's praying]: He saved your life, huh? Sure, that makes sense. He takes off in a plane in Nigeria -- we're out in the middle of the South Pacific -- that makes all the sense in the world. [Eko finishes praying, Charlie picks up Eko's stick.] CHARLIE: This is scripture written here. You're a priest. You're a priest, right? He's a priest and you're a priest, too, right? [FLASHBACK] [Eko bursts into his brother's church and opens the curtain of the confessional where his brother is.] EKO: I need to talk to you. YEMI: I'm in the middle of a confession. EKO: It cannot wait. YEMI [to the confesser]: Bless you. [To the other people in the church] God be with you all and please come back in the morning. [A woman looks back at him] It's okay. [To Eko] How dare you come here and disrupt my work? EKO: Have you reconsidered? YEMI: What? EKO: My request? YEMI: Flying drugs under the cover of the church? How is that something I could ever reconsider? [He sees one of Eko's men handling the candles on the altar] Look, hey, don't touch those! EKO: I'm going to make this easy for you. You will make us priests and we will fly the drugs out ourselves. YEMI: Make you priests? EKO: Just sign these ordination documents and I will give you the money for the vaccines. YEMI: Leave this church now, Eko. Go. Now. EKO: Yemi, I understand that you live in a world where righteousness and evil seem very far apart, but that is not the real world. I am your brother and I would never do anything to hurt you, but my friends -- if you do not do what I ask -- they will burn this church to the ground. Is that worth less than the price of your name on a piece of paper? Think of the lives you will save. [After a long stare down, Yemi snatches the paper out of Eko's hand and makes to sign the ordination documents.] YEMI: My signature does not make you a priest, Eko. You could never be a priest. EKO: How many of the statues do you have left? The Virgin Mary statues, how many? YEMI: I don't know -- 300. EKO: I will take all of them. [Eko offers a pile of money to his brother who doesn't take it. Eko sets it down on the bible next to him.] EKO: I guess we are both sinners now. YEMI: Perhaps we are but God will forgive me, Eko. [Charlie and Eko walking in the jungle. Charlie is looking around, perplexed.] CHARLIE: Uh, I'm lost. It was dark. I was following Sayid. Right afterwards a big bag of rocks fell on my head so I'm sorry if I'm a bit spotty with the geography. EKO: Climb that tree. CHARLIE: What? EKO: Climb that tree and perhaps you will be able to get your bearings or spot the plane. CHARLIE: You climb it. What if I don't? You going to bat me with your Jesus stick? I find it a little odd that your scripture stick has dried blood on it. EKO: Are you going to climb that tree, or not? CHARLIE [reluctantly going to the tree]: What kind of priest are you, anyway? [Charlie climbs up the tree with some difficulty.] EKO: You need to get higher. [We see Eko surveying his surroundings, as Charlie climbs higher in the tree. Suddenly the ground explodes a little ways off from Eko and we hear the monster sounds.] CHARLIE: Eko, run! Run! [We get a monster POV sht as if "flies" toward Eko stopping right in front of his face while Charlie looks on. Then we see a sht from above/Charlie's POV of Eko standing in front of a long "cloud" of the black smokey looking monster. The camera swings around so it's in the black "smoke" pointing toward Eko. Inside it there are flashes of light, images. The camera continues its arc through the black "smoke" and comes out the other side. We see another sht from above as the monster gathers itself and "flies" off and into the ground. Eko looks up at Charlie.] [Charlie is down from the tree and goes to Eko.] EKO: Did you see it? CHARLIE: Yeah, I saw it. What the bloody hell did you do? EKO: I did nothing. CHARLIE: Most people, when they see a creature made of swirling black smoke, they run. EKO: I was not afraid of it. CHARLIE: I can see that. That thing kills people. EKO: Did you see the plane? CHARLIE: Yes, I saw your plane. It's about a kilometer that way. EKO [leaving]: Thank you. CHARLIE [quickly following]: Wait! [Inside the hatch we see Michael looking around to make sure no one is there. He goes into the computer room and tries to type but nothing happens.] MICHAEL: Come on. Come on. Where are you? [Suddenly something appears on the monitor.] MONITOR: Dad? MICHAEL [typing]: Are you OK? MONITOR: Yes. Are you alone? MICHAEL [typing]: Yes. MONITOR: Can't talk long. They're coming back soon. MICHAEL [typing]: Where are you? MONITOR: You need to com... [The sht changes to Michael's face, reading. Suddenly Jack enters just as Michael was about to type something.] JACK: Hey, Michael. MICHAEL: Hey. JACK: How're you doing? MICHAEL: I'm good, thanks. JACK: You down here alone? MICHAEL: Yeah, Hurley's supposed to be here, but, uh, I guess he's running late. [Jack grabs a chair and sits down, but he can't see the monitor screen.] JACK: Well, listen, uh, no one's forgotten about Walt. MICHAEL: What? JACK: I can't -- I don't have any idea what you must be going through, but I just want you to know that as soon as we can we're going to figure a way to go out and bring him back. MICHAEL: Yeah, thanks, man. Thanks. [Michael looks toward the computer screen.] JACK: You okay? MICHAEL: Yeah, fine. [Jack gets up and crosses behind Michael. We see that the screen is blank. Jack puts his hand on Michael's shoulder.] JACK: Well, I'll leave you to it then. MICHAEL: Thanks. [Eko and Charlie walking in the jungle. They come upon the plane.] [FLASHBACK] [We see a plane idling on a runway. Eko and Goldie, dressed as priests, are loading the drugs onto the plane. One of Eko's men, Olu, is standing guard and sees something.] OLU [shouldering his gn]: Eko. [We see a van driving up. Eko motions for his men to lower their gn. Yemi gets out of the van.] EKO: What are you doing here, Yemi? YEMI: I came to stop you. EKO: Go back to your church. YEMI: Do not get on that plane, Eko. You saved my life once and now I'm here to save yours. EKO: Save my life? YEMI: Look, if you get on that plane -- if you do this... EKO: Do what, Yemi? Are you a prophet now? YEMI: Please, Eko. Let me take your confession. Anything I can do, I will do. But please, don't go. [Suddenly a truck with soldiers comes speeding up.] GOLDIE: He called the military. EKO [to Yemi]: You did this? YEMI: I did not tell them who was involved. Just leave the drugs and come back with me. [Goldie and Olu start shting at the military truck. The truck crashes to a stop and the soldiers start shting back, klling Olu. Yemi runs in front.] YEMI [yelling at the soldiers]: No! Stop! No more. No more. [Yemi gets sht and Eko runs to him.] EKO: Yemi! No! No! [to Goldie] Help me get to the plane. [Goldie gets Yemi into the plane. As Eko is trying to climb in, Goldie kicks him to the gound, closes the door and the plane flies away.] [Back on the island, Eko goes inside the plane. He sees the statues, and his brother's blood. Then he sees a body. He opens the shirt and finds his cross. He holds the corpse and cries.] EKO: Forgive me, forgive me. [FLASHBACK] [At the runway, Eko is still on the ground, as a soldier approaches.] SOLDIER [to Eko]: Father? Are you okay, Father? [At the plane on the island. Eko removes the cross from the body as Charlie approaches.] CHARLIE: Eko? Who's that? EKO: He's my brother. CHARLIE: I'm sorry. [Eko places one of the Virgin Mary statues with his brother's body. He pulls a fuel line out of the plane's interior and douses the body with fuel. Eko emerges from the plane and gives a statue to Charlie.] EKO: For the one I broke. [We see the plane on fre with Eko and Charlie looking on.] CHARLIE: So, are you a priest or aren't you? EKO [putting the cross around his neck]: Yes, I am. The Lord is my Shepard I shall not want. He maketh me to lie down in green pastures. He leadeth me beside the still waters. He restoreth my soul: he leadeth me in the paths of righteousness for his name's sake. Yea, though I walk through the shadow of the valley of death, I fear no evil: for thou art with me; thy rod, thy staff they comfort me. [The following lines are spoken by Eko as voice over on a sequence of Sun and Jin bringing a fish to Ana]: EKO : Thou preparest a table before me in the presence of mine enemies: thou anointest my head with oil; my cup runneth over. Surely goodness and mercy shall follow me all the days of my life: and I will dwell in the house of the Lord forever. Amen. [We see a montage: Libby is struggling to build a shelter and Hurley comes to help her. Sawyer looks at his haircut in a mirror and teases Kate. Jack interrupts their flirting to give Sawyer a pill.] [Charlie approaches Claire as she's packing up his stuff.] CHARLIE : Claire? CLAIRE : You lied to me, Charlie. CHARLIE : I know I did. I'm sorry. I just -- it made me safer to have it around. CLAIRE : Look, I can't have you around my baby, okay? CHARLIE : Claire, I... CLAIRE : Charlie, I don't want you sleeping anywhere near us, okay? Just go. (We see Charlie walking in the dark with a torch. He stops and reveals a hiding place with a cache of Virgin Mary statues. He adds another one to his collection.)	{"type": "series", "show": "Lost", "episode": "2x10 - The 23 Psalm"}	foreverdreaming
[FLASHBACK][We see Jack and Christian Shepard examining x-rays of a spine in an office with two people seated at a table nearby.] CHRISTIAN [whispering to Jack]: Look here and here. You can see it's rotting out the spinal [something] area, and plus all this extra dural growth -- I'm surprised it hasn't caused permanent ischemia. ANGELO [in Italian]: Digli di smettere di bisbigliare. Non sono un idiota. GABRIELA [translating]: He says you don't need to talk in whispers. He knows he doesn't have a chance. CHRISTIAN: Your father appreciates candor. GABRIELA: We both do. CHRISTIAN: Well, then tell him I'm very sorry but he's not a candidate for surgery. [Gabriela translates for her father: Papa, lui e come gli altri. Non lo fara. The way the tumor is situated on the spine, it's just not possible to remove it. ANGELO [in Italian]: Non ci provera? Perche ? GABRIELA: He wants to know why you won't try. CHRISTIAN: Because what your father is looking for is not a surgical procedure. What he is looking for is a miracle. ANGELO: Signore, non sono venuto fino a qui per lei. Sono venuto qui per suo figlio. GABRIELA: He said, "I did not come all this way for you, sir. I came for him [indicating Jack]. JACK: Ms. Bissone, I, uh... GABRIELA: You fixed someone with a crushed spinal column -- an impossible surgery -- and now she walks, yes? I consulted many medical journals before making this trip here. CHRISTIAN: Then you should know it's a very different case under very different circumstances. GABRIELA: But a miracle, right? JACK: Everything that my father's saying -- the risks, the unlikelihood -- he's absolutely right. GABRIELA: But will you try? JACK [taking a few moments to look at the x-rays]: I'll have to admit him in the next couple of weeks; run some tests. ANGELO: La ringrazio... tantissimo [Christian stares at Jack for a moment, then leaves.][We see Jack waking up in the bunk bed in the hatch, apparently a bit shaken by this flashback/dream. He gets up and looks around the hatch.] JACK [calling out]: Locke! [We hear a moan in the background and Jack finds Locke knocked out on the floor of the gn vault.] JACK: John. [We hear the sound of a gn and see Michael point a rfle at Jack.] MICHAEL: Stay in there. Stay -- JACK: Michael, what are you--? MICHAEL: Stay in there, Jack! JACK: Hey, whatever's going on -- MICHAEL: Look, I'm going after my son. I'm going after my son, and nobody is going to stop me, okay? Okay, that is my right. That is a father's right. JACK: There's another way to go about this -- MICHAEL: Get in the damn room! JACK: You going to sht me, Michael?! MICHAEL: No, but I'll sht your damn computer. That thing is not what you think it is anyway. You don't understand, man. You don't have any idea. Now get in there! JACK: Michael, listen, we can do this together, okay? I'll come with you. MICHEAL: No, I have to do it. Now. I have to do it alone. [Michael closes the door of the vault.] (We see Locke coming to in the vault with Jack.] LOCKE: What happened? JACK: Michael knocked you out. Look over here [Jack moves his finger in front of Locke's eyes to check if he's okay.] LOCKE: Why would he -- ? JACK: He went after Walt. You feel nauseated, sick? LOCKE: No, I'm okay. JACK: Good. Give me a boost up. LOCKE: It's no use. I bolted it shut from the inside. JACK: You what? LOCKE: No point in changing the combination if you can get in through the air vent. JACK: That's really good thinking, John. You want to tell me why you let Michael in here? LOCKE: He wanted a gn -- for shting practice. JACK: shting practice? LOCKE [trying the door]: The button. How long was I out? JACK: 20 minutes. LOCKE: We're on shift for the next 4 hours; there's nobody coming down here. JACK: Yeah, well, better hope Sawyer shows up to get his band-aid changed. [We see Sawyer sleeping in an airline chair at the beach. Kate approaches and tosses a banana on Sawyer's chest.] KATE: Morning. SAWYER: Did you just throw a banana at me? KATE: Couldn't find any rocks. SAWYER [smiling]: There are nicer ways to wake a man up, Freckles. KATE: Come on, it's time to go get your bandages changed. SAWYER: Why can't you do it for me? KATE: Because I'm not your nurse, and Jack's got the bandages. SAWYER: Of course he does. [He struggles to stand up] You want to give me a hand? [Kate helps to pull him up and they stand very close together looking at each other.] SAWYER: Thanks. KATE: Come on. [We see Kate and Sawyer arrive at the hatch, closing the air lock door behind them.] SAWYER: This place still creeps me out. KATE: You'll get used to it. Where is everybody? Jack! John! SAWYER: Maybe they went out for ice cream. KATE [hearing some muffled cries]: Shhh. [we hear Locke say "Kate" and pounding sounds] Jack! JACK: In here, in the armory. Michael locked us in here. SAWYER: What'd he say? KATE [hearing the timer start to beep]: I got it. SAWYER: Hope you got the combo, Doc. LOCKE: Right two times to 25. SAWYER: 25, got it. [We see Kate enter the numbers and reset the timer.] LOCKE: Left two times to 29. Right once to 40. SAWYER [opening the door]: Howdy, boys. [Jack hands Locke a gn.] LOCKE: What are you doing, Jack? JACK: Going after him. [He grabs a rfle and exits the gn vault]. SAWYER: Hey, what --? What happened? LOCKE: Michael went after Walt. SAWYER: Went after Walt?! JACK [putting supplies in a pack]: Pulled a gn on me, put us both in there, and went after Walt. [Sawyer walks back to the vault] Hey, what are you doing? SAWYER: What does it look like? I'm coming with you. JACK: You're still on antibiotics. SAWYER: It's a good thing I'm traveling with my doctor, then. [FLASHBACK][We see Angelo unconscious on a bed. Jack is looking at some monitors, and Gabriela enters.] GABRIELA: How is he? JACK: I thought you'd gone home. GABRIELA: My home is a hotel room. I like it more here. JACK: I think you need to find a better hotel. GABRIELA: You didn't answer my question. JACK: His counts aren't where I'd like them to be. GABRIELA: You've been doing tests for a month now, Jack. JACK: I'm thorough. GABRIELA: I have a confession to make. I don't believe in miracles. JACK: Yeah, I guess I'm not too sure about them, either. GABRIELA: I bet your wife feels differently. Your wife, she's the woman you fixed, isn't she? JACK: Yes. GABRIELA: I'm thorough, too. She must be a very special person to let you work until 4:30 in the morning. JACK [looking at his watch]: I completely lost track of -- I've got to -- will you excuse me? GABRIELA: Yes, of course, go. And Jack, thank you. JACK: Yeah, of course. GABRIELA: Good night. JACK: Good night. [We see Sarah lying in bed in the dark with her eyes open as Jack arrives home.] SARAH: Hey, how is he? JACK: Hey, sorry to wake you. SARAH: I had to get up anyway. So how is he? JACK: About the same. Sarah, I'm sorry. I meant to -- I just got -- SARAH: Hey, that's the price of being a miracle-worker. [She gets out of bed.] JACK: Where are you going? SARAH: I have to go to the gym and then I've got some papers to grade. [Jack gets into bed and she sits down near him] I didn't want to say anything until I knew either way, but, um, I was late so I got a pregnancy test. [Jack sits up and looks concerned.] SARAH: Don't worry. It's negative. JACK: Do you, um, want to talk about it? SARAH: What's to talk about? JACK: Sarah, I -- SARAH: See you later, Jack. [We see a footprint in the jungle, with Locke examining it.] JACK: Well? LOCKE: Well, I can't tell you it's definitely Michael's, but it looks like his boot print. KATE: There's one over here, too. LOCKE: That sounds like a trail. KATE [to Jack]: You got a gn for me? JACK: You're not coming. KATE: Excuse me? JACK: You're not coming. Someone has to be here to take care of the button. KATE: So why should that person be me? I can track, carry a gn -- JACK: You're not coming! You're staying. Alright? [Sawyer pulls the slide on his gn.] JACK [walking away]: Let's go. [Sawyer gives Kate an apologetic look and follows Jack.] [We see the boys trekking through the jungle.] SAWYER: What'd she do to you? JACK: What? SAWYER: Kate, what'd she do? JACK: She didn't do anything. SAWYER: Right, you're yelling at her because she wanted to help get Mike back makes a lot of sense. JACK: Why don't you go back and see if I hurt her feelings? SAWYER: I'm just saying. JACK: Yeah, I know, you love her. SAWYER: What'd you say? [Locke stops and looks around.] JACK: What? LOCKE [to Sawyer]: Does any of this look familiar from when you were coming back? SAWYER: Well, yeah, there's my favorite leaf. How could I forget this place? JACK [to Locke]: What's wrong? LOCKE [to Sawyer]: When you came across the island what side was the ocean on? [Sawyer looks around and points] You came from the east, Michael's heading north. SAWYER: What the hell's that supposed to mean? JACK: It means he's not going back to where you came from. He's heading somewhere else. [We see Kate talking to Hurley on the beach, with Jin looking on. Sun approaches with a hat.] SUN [subtitled]: The sun's very strong today. JIN [subtitled]: I don't need a hat. JIN [subtitled]: I think something's wrong [indicating Kate and Hurley]. [Kate and Hurley finish their conversation and Hurley walks toward Sun and Jin.] SUN: Hello, Hurley. HURLEY: Hey. Cool hat, dude. [Jin smirks] SUN: Is Kate alright? HURLEY: Uh, yeah. I guess Michael took off. JIN [subtitled]: What's he saying? SUN: What do you mean he took off? HURLEY: He stole some gn and he went all commando. He said he was going after Walt. Later dudes, gotta get to the hatch. [We see Jin putting supplies in a pack.] SUN [subtitled]: What are you doing? JIN [subtitled]: He said they just left. If I hurry I can catch up... SUN [subtitled]: You're not going anywhere. [Jin starts to leave] Don't go! Don't walk away from me! While you were on that raft do you know how worried I was? I didn't know if you were dad or alive. I was out of my head. I won't go through that again. JIN [subtitled]: Michael's my friend. SUN [subtitled]: I'm your wife. [Jin puts down his pack.] [We see Locke, Jack and Sawyer walking through the jungle.] SAWYER: Hey, Doc, you want to slow down -- take a break a minute? LOCKE [stopping]: Good idea. JACK: He still heading north? LOCKE: Yep. JACK: Do you think he's lost? LOCKE: Doesn't seem to be -- trail's as straight as the interstate -- the path of a man who knows where he's going. [Locke stares at Jack a moment] Where are you going, Jack? JACK: What? LOCKE: Well, let's say we catch up with him, Michael. What are you going to do? JACK: I'm going to bring him back. LOCKE: What if he doesn't want to come back? JACK: I'll talk him into coming back. LOCKE: This is the second time he's gone after Walt. He knocked me out; he locked us both up. Something tells me he might be past listening to reason. JACK: What? You think we should just let him go -- write him off? LOCKE: Who are we to tell anyone what they can or can't do? [We see Jack giving Gabriela some papers to sign in his office.] JACK: It's not too late to go back. The tumor's aggressive, but your father could lead a very normal life for at least another year. GABRIELA: Go back? Go back where? Home? Have you changed your mind, Jack? JACK: No. [then more intently] No. GABRIELA [signing]: Is that it? Even if you don't succeed, you're giving us a chance. That's all we wanted. JACK: I'll come out and check on you before I scrub in. GABRIELA: Okay. [Christian enters the room.] CHRISTIAN: Am I interrupting? GABRIELA: No, I was just leaving. [to Jack]: I'll see you in the morning. JACK: I'll see you in the morning. [Gabriela exits.] CHRISTIAN [handing Jack files]: ITR reports need to be signed by you as Chief Resident. [Jack notices Christian staring at him.] JACK: What? CHRISTIAN: Careful. There's a line, son. You know it's there. And pretending it's not -- that would be a mistake. JACK: Guess you would know. CHRISTIAN: It may be okay for some people, Jack. But not for you. [Jack, Locke and Sawyer use some vines to pull themselves up a steep slope.] SAWYER: Are you sure Mike went this way? LOCKE: What do you ask? SAWYER: Oh, I don't know, Mr. Clean, I probably would have gone around Mt. Vesuvius. LOCKE: Why'd you pick that name? SAWYER: Ain't it obvious? All you need's an earring and a mop. LOCKE: No, your name. Why'd you pick Sawyer? SAWYER: What do you mean, pick? LOCKE: After the census Hurley gave me the flight manifest. Your name is James, right? James Ford. SAWYER: What's it to you? LOCKE: Just an interesting name to choose, is all. Who'd you get it from? SAWYER: Who says I got it from anybody? [Suddenly they hear gn.] JACK [yelling]: Michael! LOCKE [whispering]: Jack, get down. JACK [taking off running]: Michael! LOCKE [following]: Jack! Jack! [We see Jack, Locke, and Sawyer running toward the location of the gn.] JACK: Michael! [stopping] Michael! LOCKE [waving Jack to be quiet]: Jack. [Locke sees something]. JACK: What? [we see a bllet graze mark on a tree] He's close. LOCKE: Yeah, and if he was sh*ting at someone you want them coming back? SAWYER: Personally, hell yeah. JACK: You said these people were two days across the island. SAWYER: Yeah, and they took Cindy less than a mile from our camp. LOCKE: Over here. [Locke finds some shell casings on the ground.] JACK: Shell casings. How many? LOCKE: 3, Michael's. SAWYER: You boys deaf? I heard at least 7 sht. You heard, Danielle Boone, what's your count? LOCKE: Yeah, 7 sounds about right. SAWYER: It's getting dark. Which way did Mike go? [Locke looks for the trail. Jack stares at Sawyer.] SAWYER: What? JACK: You out here for Michael, or is this pay back for getting sht? SAWYER: Why are you out here, Doc? You got your reasons and I got mine. [FLASHBACK][We see Jack, dressed in scrubs, angrily banging against some lockers in a room in the hospital.] CHRISTIAN: Jack. Jack! JACK: I had it! CHRISTIAN: I know, son. JACK: I got it. I got it all. I mean, I had it! CHRISTIAN: He was a sick old man on a table for 7 and half hours. His heart gave out; it's nobody's fault. JACK: I've got to go tell her. CHRISTIAN: Yeah, well, I've already done that. [Jack looks at him angrily] Lest you forget I am still Chief of Surgery. JACK: Where is she? CHRISTIAN: Maybe you should go home. JACK: Where is she? CHRISTIAN: She's gone. Jack, go home. [We see Jack walking out to his car in the parking lot. Gabriela gets out of her car nearby.] GABRIELA: Jack? JACK: Gabriela, my father told me that you'd gone. I, uh -- I, uh -- GABRIELA: Thank you. Thank you for trying. [she starts crying.] JACK [hugging her]: I'm so sorry. I'm sorry. I'm so sorry. [They kiss and then Jack pulls away.] GABRIELA: It's okay. JACK: I, I'm -- I can't. [he walks away] [Back on the island we see Jack lighting some torches.] SAWYER: What do you mean you lost it? LOCKE: He's a man, not a boar. The sign's more subtle; I need light to follow it. JACK [giving torches to Locke and Sawyer]: Here, light. LOCKE: I think we'd better head back. SAWYER: What? JACK: Just find the trail, John. LOCKE: I've lost the trail. JACK: You don't just lose a trail! You just don't want to find him. LOCKE: Yeah, that's right, Jack. I've been running in the jungle toward the sound of gn because I don't care about Michael. [Locke starts walking away.] JACK: Don't turn around on me, John. LOCKE: You're not going to get him to come back and you know it. JACK: You know what happens if we just turn around and go back? We're never going to see him again. And that's going to be on us -- on you, and on me. MR. FRIENDLY [off camera at first]: You're exactly right, Jack. But if I were you, I'd listen to Mr. Locke. [Locke, Jack and Sawyer all have their gn drawn on Mr. Friendly.] JACK: Who are you? SAWYER: He's the son-of-a-bitch that sht me on the raft. [Sawyer moves forward, looking like he's going to sh*t.] MR. FRIENDLY: Why don't you point the gn down? [Sawyer is suddenly sht, the bllet apparently grazing his ear or neck as he's not seriously hurt but his hand comes away with blood on it. Jack and Locke look around trying to figure out where the sh*t is.] MR. FRIENDLY: It'd probably be best if we just keep our hands at our sides, gentlemen. JACK: Where's Michael? MR. FRIENDLY: Don't worry about Michael. He's not going to find us. JACK: What do you want? MR. FRIENDLY: Why don't you build us a fre, John? I think it's time we all had a talk. [We see an album cover for Geronimo Jackson. Hurley and Charlie are looking through the albums in the hatch.] HURLEY: Geronimo Jackson? CHARLIE: Well, hooo, as an expert in all things musical -- I've never heard of these guys, shocking as that may be. Geronimo Jackson? HURLEY [holding a different album]: This looks sweet. Let's give her a rip. [Charlie puts the Geronimo Jackson record down and puts the other album on the turntable.] HURLEY: So what do you think's the story with that Libby chick? CHARLIE: The story? HURLEY: She's kind of cute, right? You know, in a I've-been-terrorized-by-the- Others-for-40-days kind of way. CHARLIE: Yeah, there is that. HURLEY: I think I have a chance with her. I mean, it's the classic desert island scenario. If I ever had a sht, this is it. CHARLIE: Do you think Claire's missed me yet? HURLEY: Dude, it's been a day. SAYID [entering]: This music is quite depressing. HURLEY: We can change it, dude. Ever hear of Geronimo Jackson? SAYID: I'm afraid not. Where's Jack and Locke? HURLEY: Oh, they went after Michael. SAYID: Michael? CHARLIE: Yeah, he's run after Walt again. Everyone's gone to bring him back. SAYID: Who's everyone? HURLEY: Everyone -- Jack, Sawyer, Locke. Oh, and Kate. [Jack, Sawyer, Locke and Mr. Friendly around a fre.] MR. FRIENDLY: Just sit down, Jack. Nobody's going to hurt you. I come in peace. LOCKE: How do you know our names? [Mr. Friendly just smiles.] JACK: You took Walt. MR. FRIENDLY: Walt's fine. He's a very special boy. JACK: Look, you said you wanted to talk. Talk. MR. FRIENDLY: Let me ask you something. How long you been here on the island? JACK: 50 days. MR. FRIENDLY: Oooo, 50 days. That's what -- almost 2 whole months, huh? Tell me, you go over a man's house for the first time, do you take off your shoes? Do you put your feet up on his coffee table? Do you walk in the kitchen, eat food that doesn't belong to you? [he looks at Locke] Open the door to rooms you got no business opening? You know, somebody a whole lot smarter than anybody here once said: "Since the dawn of our species man's been blessed with curiosity. You know the other one about curiosity don't you, Jack? This is not your island. This is our island. And the only reason you're living on it is because we let you live on it. JACK [smiling broadly]: I don't believe you. MR. FRIENDLY: You don't believe what? JACK: I think you've got one guy up there with a gn. I think there's more of us than there are of you. I think if you had any real strength, you wouldn't have had to send a spy -- Ethan. MR. FRIENDLY: That's an interesting theory. [suddenly yelling and raising his arms] Light 'em up! [Torches are suddenly lit and the group is surrounded by people just out of sight.] MR. FRIENDLY: We've got a misunderstanding, Jack -- you're people, my people. So listen carefully. Right here there's a line. You cross that line, we go from misunderstanding to something else. Now give me your wapon, turn around, go home. JACK: No. LOCKE: Jack, maybe -- JACK: No! MR. FRIENDLY: I hoped it wouldn't come to this. [yelling] Bring her out, Alex! [We see Kate, bound with a bag over her head shoved toward Mr. Friendly.] MR. FRIENDLY: She was following you. Like I said -- curiosity. [He pulls the bag off her head.] [Jack looks angry. Sawyer makes a move toward them, but Mr. Friendly draws a gn and puts it to Kate's neck.] MR. FRIENDLY: Jack, the decision you gotta make right now is this -- can you live with the fact that I sht this woman right in front of you when you could have saved her life by giving up and going home? Or are you going to give me your gn, turn around and walk away. It's your call, Jack. SAWYER: You touch a hair on her head, I'll -- MR. FRIENDLY: Shut up! I'm going to count to 3. 1-2 -- JACK: Stop. [Jack throws his wapon down.] MR. FRIENDLY: Now them. [Locke throws his wapon down.] MR. FRIENDLY: Give me the other one, too. [Locke takes a gn from his pocket and adds it to the pile.] SAWYER [to Mr. Friendly]: You and me ain't done, Zeke. [Mr. Friendly grabs the gn and lets Kate go. The torches go out simultaneously and Mr. Friendly walks away. Sawyer unties Kate.] KATE: Jack, I, uh -- JACK [cold]: You alright? KATE: Yep. [We see Jin sitting alone on the beach. Sun approaches and sits with him.] SUN [subtitled]: What are you doing out here alone? JIN [subtitled]: I couldn't sleep. SUN [subtitled]: Are they back? JIN [subtitled]: Not yet. Honey... I don't like being told what to do. SUN [subtitled]: Being told what to do was my life for four years... I didn't like it much either. JIN [subtitled]: Right. I don't suppose you did. [He moves closer and puts his arm around her.] [Jack, Sawyer, Locke and Kate walking back to camp.] KATE: I was just trying to help, Jack. When you told me not to go, I just -- I made a mistake. [Jack doesn't respond] Hey, could you just talk to me for a second. I'm sorry. JACK: Yeah, I'm sorry, too. [FLASHBACK] [Jack arrives home to find Sarah clearing dishes from the table.] JACK: Hey. SARAH: Hey. How did it go? JACK: He died. SARAH: I'm sorry. JACK: Yeah, me too. Who was over? SARAH: My mom. JACK: The bridge game okay? SARAH: Oh yeah, she's on a streak. Did you eat? JACK: Yeah. No, it's uh, it's late. [Jack joins her at the sink to help with the dishes.] SARAH: You don't have to do that. JACK: It's therapeutic -- cheaper than a shrink. SARAH: How did the daughter take it? What's her name, Gabriela? JACK: She kissed me. Yeah, she kissed me and I kissed her back. I, I don't know. I don't know how it happened. I made a mistake. I made a mistake and this is my fault. It's my fault that you and me -- I haven't been here. Sarah, I mean, we don't even talk anymore. I hate what's happening to us and I promise you that things are going to be different. I'm going to, I'm going to work less. I'm going to be here for you. Okay? I'm going to fix this. We're going to go back to the way things were. I'm going to fix this. I'm going to fix this. [Jack hugs Sarah. She cries, but doesn't hug him back. She breaks away after a moment.] SARAH: Jack. Jack, I'm leaving you. JACK: What? SARAH: I was already leaving you. That's why my mother was here. She was helping me pack. I've been seeing someone -- someone else. I have to -- I can't stay. JACK: Sarah. SARAH: You, you will always need something to fix. Goodbye. [We see Jack and the others arrive at the beach. Kate follows close behind Jack and wants to say something but he pays no attention and keeps walking. Kate stops, and Sawyer stops beside her.] LOCKE: See ya, James. SAWYER [to Kate]: Don't bat yourself up, Freckles. If he'd told me to stay behind, I'd have done the same damn thing. [Locke walks by Claire who's holding a fussy Aaron.] LOCKE [to Aaron]: What's the matter? What's the matter with your little foot? Hi. Hi. CLAIRE [to Aaron]: Who's that? [The baby starts fussing more.] LOCKE: Uh-oh, you don't like old Uncle Johnny. [Charlie is looking on, disturbed.] CLAIRE: What is he doing to your toe? [Jack approaches Ana sitting near her shelter with Vincent.] ANA [to Vincent]: Hey, go away. I barely have enough food to feed myself. [she cuts off a piece of apple and throws it so Vincent will chase it.] Here. JACK: I see you found a new friend. ANA: Progress. I hear you were out looking for Michael. JACK: Yeah. ANA: He ran off looking for his kid again? [Jack nods] Not much you can do about that then. JACK: Is it true that you klled one of them? ANA: One of who? JACK: Them. [Ana nods] Sayid tells me that you're a cop. ANA: I was a cop. JACK: Can I ask you something? ANA: sh*t. JACK: How long do you think it would take to train an army?	{"type": "series", "show": "Lost", "episode": "2x11 - The Hunting Party"}	foreverdreaming
[We see a close up on a painting (The Baptism of Christ by Verrocchio) and then the feet of a child in bunny slippers coming down stairs. It's Christmas morning and a young Liam is already opening presents. Young Charlie looks for a present to open but they all have tags that say Liam.] YOUNG LIAM [opening a present]: Voltron, whoa! YOUNG CHARLIE: Where are my presents? MRS. PACE: Right over here, Charlie. [She removes some blankets and wrapping from a piano.] YOUNG CHARLIE [excited]: It's a piano! This is mine? MRS. PACE: Yes, Charlie. Father Christmas must have known how talented you are. [He gives her a big hug] You're special, love. Someday you're going to get us out of here, all of us. Now, go on, play us a tune. LIAM [off camera]: Come on, baby brother. [Young Charlie looks and we see the adult Liam sitting under the Christmas tree playing with his Voltron transformer wearing a diaper] You can't save us if you don't play. [We see adult Charlie now sitting at the piano looking confused.] MRS. PACE: Come on, Charlie, play. Play me a tune. Come on now, let's hear it. [Charlie turns to the piano and we hear a man's voice, off camera.] VOICE: He ain't saving no one, he ain't. Music. Music will never get you anywhere, Charlie boy. [Charlie looks and we see a man from the neck down, dressed as a butcher and chopping meat with a cleaver. In the background, a butcher shop is blended in with the living room. Liam is sitting on a couch playing with Voltron. The man then puts a baby doll on the chopping block.] BUTCHER [pointing the cleaver at Charlie]: You need a trade. CHARLIE: Dad? [The butcher cuts the head off the doll.] LIAM: Do it baby bro; save us. MRS. PACE: Save us, Charlie. Save us. [Charlie starts playing and we see a close up of his hands at the piano. We hear sounds of the ocean and as the camera zooms out Charlie is playing piano in the surf. We hear the sound of a baby crying and Charlie stops playing.] CHARLIE: Aaron? [The baby sounds seem to be coming from inside the piano and Charlie tries to open the piano lid but it won't open.] CHARLIE: Aaron! Aaron! It's okay Aaron, it's alright. [Suddenly Charlie sees the trees moving and stops to watch. The piano falls into the water and starts washing out to sea.] CHARLIE: Aaron! Aaron! [Charlie wakes up on the beach and runs to see if Aaron is okay. He sees the cradle at Claire's shelter is empty and runs over to Sun.] CHARLIE: Sun! Hey, Sun! Have you seen Claire and the baby, they've gone. SUN: They're right over there. CHARLIE: Is Aaron okay? SUN: Yes, he's fine. Charlie!? -- [Charlie runs off in the direction Sun pointed and sees Claire with Aaron at the shore. Locke enters and plays with the baby. Claire and Locke talk and laugh while Charlie looks on from a distance.] COMMERCIAL BREAK [We see Claire writing in her journal and rocking Aaron in his cradle.] CLAIRE: It's okay, shhh. CHARLIE [approaching with some homemade diapers]: Hey. CLAIRE: Hey. CHARLIE: I made Aaron some nappies this morning. [setting them down] I'll just put those there. CLAIRE: Thanks. CHARLIE [looking at Aaron]: Has he been asking about me? CLAIRE: Charlie -- don't. CHARLIE: I'm sorry. I should have told you about the statue -- what was in it. I just wish things could get back to the way they were before. CLAIRE: There is no before, Charlie. We were strangers on a plane and we became friends. CHARLIE: Now Locke's your friend, huh? CLAIRE: Please, Charlie, just for now give me some space, okay? CHARLIE: Yeah, space. [looking at Aaron] See ya, mate. Take care of your mom now, okay. [FLASHBACK] [Close up on a baby in a hospital nursery. Charlie is watching her. KAREN [entering]: Charlie? Hey! CHARLIE [hugging her]: Hey! What are you doing up? You should be lying down. KAREN: I just needed to see her again. Isn't she brilliant? CHARLIE: She's beautiful, Karen. KAREN: I named her Megan. Where's Liam? [Charlie doesn't know what to say] He's not here. CHARLIE: Karen, look, it wasn't his fault. We were leaving the club in Dresden -- I was in a cab -- he, he was in a van with the gear and they blew a tire on the way to the airport. He missed his flight. He's on the next plane, alright? He'll be here soon. KAREN: But he's okay? CHARLIE: He's great. He's a dad. [We see Charlie at his apartment. He finds a cigarette burning on the piano.] CHARLIE: Oh, for the -- Liam. Unbelievable. Liam? [Charlie finds Liam passed out on a couch.] CHARLIE: Liam, wake up! Oy, what the hell's wrong with you? [Charlie removes a tourniquet from Liam's arm] What the hell are you doing? LIAM: Hey, baby brother. CHARLIE: You're supposed to be cleaning up. Get up. I told Karen you missed your flight. She's all alone at the hospital and you're here fixing? What's the matter with you? LIAM: I'm cool. I'm cool. I just needed to get right, that's all. [Charlie picks up the needle and drugs] Don't worry, I left you some. CHARLIE: Get right? Why don't you get up? Take a shower, get dressed, get to the hospital. LIAM: Alright. Alright, I'm on it. Alright. CHARLIE: Oh, by the way -- you have a daughter. Her name's Megan. LIAM [smiling]: After mum? CHARLIE: Yeah, after mum. Now clean yourself up. You're a sodding father now. [We see Kate helping Sawyer do some physical therapy for his shoulder. Hurley is sitting nearby.] KATE: Easy. That's good. That was good. Okay, one more. HURLEY: Uh, Sawyer, when you were over there across the island how well did you get to know those Tailies? SAWYER: Well enough, why? HURLEY: That Libby chick seems pretty cool. I mean, is she? SAWYER: Well, you got a little love connection brewing over there, Jabba? HURLEY: Nah, just asking. SAWYER: I hear you asking. HURLEY [leaving]: Forget it. KATE [to Sawyer]: What's with you? You're acting like you're in junior high. [Sawyer sees Jack and Ana coming out of the jungle.] SAWYER: Well, what do we have here? It looks like Ana-Lucia is getting the 20 dollar tour. That's the third time I've seen them walking out of the jungle. [suggestively] What do you suppose they're doing out there? KATE: Why don't you just do your exercizes, Sawyer. [We see Charlie on the beach trying to tune his guitar.] CHARLIE: Bloody hell. [Suddenly Charlie hears Aaron crying and sees his cradle in the ocean.] CHARLIE [yelling]: Hey! Hey! Somebody help me! I ca-- help! [He looks around the beach but no one is there.] CHARLIE [removing his shoes and shirt]: Help! The baby! [Charlie swims out and gets the cradle.] CHARLIE: Aaron. I'm coming. I'm coming, Aaron. Okay. Just hang on. [He gets the baby out of the water and picks him up.] CHARLIE: I've got you. It's alright. It's okay. You're okay now. You're safe. You're safe. It's okay. [Charlie sees something confusing or frightening. We see his mother and Claire on the beach dressed and posed like the angels in the Verrocchio painting from his childhood home.] CHARLIE [smiling]: Mom? Claire? MRS. PACE [talking at the same time as Claire]: He's in danger. You have to save him. The baby's in danger. You have to save him. The baby's in terrible danger. He's in danger. You have to save him. He's in danger. You have to save him. Danger. You have to save him. He's in danger. CLAIRE [talking at the same time at Mrs. Pace]: You have to save the baby. Charlie, only you can save him. The baby. You have to save the baby, Charlie. [The women keep repeating the message while we hear the sound of the Nigerian plane that Locke heard in his dream. There is a flash of light and a dove flies through the tableau and out to sea. Aaron starts to cry. Suddenly Hurley comes out of the jungle dressed similar to John the Baptist in the Verrocchio painting.] HURLEY: Charlie? What are you doing? CHARLIE [looking confused]: What? [Suddenly it's night time and Hurley is in his regular clothes.] HURLEY: What are you doing, man? CHARLIE: What's going on? HURLEY: It's the middle of the night. What are you doing with the baby? CHARLIE: I don't know. CLAIRE [off camera]: Help! Somebody took my baby! [someone asks what happened] I don't know, Aaron's gone. HURLEY: It's okay! We're over here! CLAIRE [running toward them]: Is he alright? Is he okay? CHARLIE: Claire. I don't know what happened. I'm sorry. He's okay, though. I, I had this dream -- [Claire slaps him hard across the face, and leaves. Everyone that has gathered around leaves Charlie standing alone.] COMMERICAL BREAK [We see Hurley and Sawyer playing cards on the beach.] HURLEY: Stick? I don't know, dude. Don't you need 21? I think you should ht. SAWYER: But I've got a 6; I'm going to bust. HURLEY: How do you know that? SAWYER: Well, I don't, but you've got to assume that I'm going to bust. HURELY: Why? [Sawyer looks slightly irritated, then he sees Libby carrying some clothes.] SAWYER: Well, well, look who's off to the laundromat? Well, go on. I'm sure you've got a load you need to drop in, don't you, Jethro? HURLEY: I'm kind of waiting for my moment. SAWYER [standing up]: Well, your moment is now, Hoss. Hey Libby! [Sawyer ducks inside his tent so Libby thinks Hurley called to her. Hurley waves.] LIBBY: Hey yourself. [She exits.] [We see Charlie standing in the jungle and hear the sound of the bunker door opening and Locke emerges.] CHARLIE: Hey, John, can I talk to you for a second? LOCKE: Yeah, what is it, Charlie? CHARLIE: I take it you heard about what happened last night. LOCKE: If you mean you taking the baby out of Claire's tent in the middle of the night -- yeah, I heard. CHARLIE: This whole thing was a big misunderstanding, John. I was sleepwalking. I don't how or why -- LOCKE: Is there something you want from me, Charlie? CHARLIE: I was hoping you could speak to Claire for me. You know, put in a good word. LOCKE: Are you using? CHARLIE: What? LOCKE: Heroin. Are you using again? CHARLIE: Kate sees a horse -- nothing. Pretty much everybody's seen Walt wondering around the jungle. But when it's Charlie it must be the bloody drugs, right? LOCKE: It's funny, you didn't answer my question. CHARLIE: You remember the plane, John? We brned it, Eko and me. We brned the whole thing -- the heroin, the statues -- it's all gone. Destroyed. LOCKE: All of them? CHARLIE: All of them. LOCKE: Trust is a hard thing to win back. Claire needs time. You should leave her and the baby alone for awhile. [FLASHBACK] [We see the guys in Driveshaft wearing robes and sitting in director's chairs on a film set. Liam looks terrible.] CHARLIE: Can you do this? You look green. LIAM: Sod off. I'm fine. DIRECTOR: All right, let's give this another go, shall we? CHARLIE [to Liam]: Get it together, alright. Lest you forget, we need this. DIRECTOR [to someone on the set]: Tea. [to the band] So, you lads ready? CHARLIE: Yeah, we're ready. [to Liam] Let's go. DIRECTOR: Let's try not to blow it this time, eh. CHARLIE [to someone taking his tea]: Thank you. [to Liam] You good? DIRECTOR: We've only 20 minutes until we're in overtime. Now get it right. [The guys take off their robes to reveal that they're dressed in nothing but diapers, with giant pacifiers around their necks. They're in a giant crib holding packages of "bubbies" diapers.] DIRECTOR: Alright. Camera. Rotate on the 8 count. CREW: Rolling. DIRECTOR: Hold the product up! CREW: Bubbies diapers, take 53. CREW: Playback. DIRECTOR: And, action. [You All Everybody starts to play, and the band does a little step-kick dance. Liam can't keep up. They sing "You All Every Butt-ies," and stick their rear ends through the slats of the giant crib. Liam falls down.] DIRECTOR: Cut! CHARLIE: It's alright. DIRECTOR: That's it. We wrap. CHARLIE: Oy, no! Oy, mate, hang on. Wait, what are you doing? DIRECTOR: Let's not waste anymore time, shall we? You were only hired as a favor to your lawyer. I wanted Dirt [something I can't make out]. CHARLIE: Come on, mate. Give us another chance. DIRECTOR: You want another chance? Take my advice; ditch that one [referring to Liam]. He's a bloody disaster. CHARLIE: I'm not ditching anyone. He's my brother. DIRECTOR: Right. Well then, I guess you're fired. [Back on the island we find Hurley and Libby doing laundry in the hatch.] LIBBY: Is this washer and dryer newer than everything else in here? HURLEY: It washes clothes. That's all I need to know. LIBBY: Ah, finally, someone who keeps it simple. Oh, hey, look at this. [She holds up a shirt] I got it in some of the abandoned luggage. You think I can pull this off? [Hurley just stares at her] Let me give you a hand -- when a girl asks that kind of question, she's looking for validation. HURLEY [studying Libby's face]: Do I know you from somewhere? LIBBY: You mean other than the flight? HURLEY: Flight? LIBBY: Okay, turn around. HURLEY: Huh? LIBBY: Turn around. I want to try it on. Turn around. HURLEY: Oh, oh, sure, go ahead. LIBBY: No peeking. [She starts changing] I cannot believe you don't remember stepping on my foot. HURLEY: I did? LIBBY: Yes, you did. And it was hard. I know that because I remember you were the last one on the flight, and you were all sweaty, and you had headphones on -- and crunch. You stepped on my foot. Okay, turn around. What do you think? HURLEY: It's awesome. LIBBY: Thanks. [We see Eko marking an X on a tree. Charlie approaches.] CHARLIE: What are you doing? EKO: I'm marking trees. CHARLIE: Why? EKO: Because these are the ones I like. CHARLIE: Did you tell Locke you gave me one of those statues from the plane? EKO: Why would I do that? CHARLIE: He knows, man. Bald wnkr knows something. EKO: Something wrong, Charlie? CHARLIE: Apart from me losing my mind? No, everything's just peachy. EKO: Why would you say you are losing your mind? CHARLIE: How about the fact that I've been sleepwalking? Stealing babies from their cribs? Oh yeah, and then there's the vivid dreams that make me feel like I'm completely awake until, of course, I wake up. EKO: What are your dreams about? CHARLIE: Variations on Aaron being in mortal peril -- trapped in a piano, drifting out to sea, there's the flying dove, and Claire and my mum dressed as angels telling me I need to save the baby. [Eko is silent] What? EKO: Have you ever considered that these dreams mean something? CHARLIE: Like what? EKO: What if you do need to save the baby? [We see Charlie walking toward Claire's tent. Kate gets up to intercept.] CHARLIE: I have to talk to her. KATE: Hey, you know, now's not a good time. Okay? CHARLIE: No, I have to talk to her. She'll want to hear this. KATE [physically stopping Charlie from getting to Claire]: Okay, you know what, so tell me and I will tell her. CHARLIE: Kate. No. Claire! KATE: I said not now! CHARLIE [pushing Kate aside]: Claire! Wait, please, Claire. Listen to me. Aaron's in danger. CLAIRE: What are you talking about? CHARLIE: The baby's in danger! Look, I've been having these dreams. I know what they mean now. KATE: Charlie. CHARLIE: Kate! Claire, listen, we have to baptize Aaron. CLAIRE: What? CHARLIE: We can do this! Eko's a priest! We can do this. KATE [slightly pushing Charlie]: It's time to go. CHARLIE: No, wait. I'm not finished. Claire, look, we have to baptize Aaron! KATE: [pushing him harder]: I said it's time to go. Now. [Camera pulls back to reveal Locke watching all this intently.] COMMERCIAL BREAK [Ana-Lucia is building a frame for a shelter. Jack approaches with a tarp.] JACK [handing her the tarp]: Here. For when it rains. ANA: Thanks. [They drape the tarp over the frame.] ANA: So when are you going to tell me what happened in the jungle? JACK: I already did. Pull it tighter; it'll sag. ANA: You told me what that guy said. You didn't tell me what made you turn around -- what made you come back. JACK: He had a gn at Kate's head. ANA: You hittin' that? JACK: What? ANA: Plane crash -- you both survive -- nice beach -- she's hot, you're hot. It's what people do. JACK: I'm not hittin' that. [We see Charlie go to his stash of Virgin Mary statues. He takes one out and breaks it open.] [FLASHBACK] [We see Charlie at his piano, composing. Liam enters.] CHARLIE: Hey. LIAM: Karen kicked me out, man. CHARLIE: What? What happened? LIAM: She, uh, she thinks I'm dangerous. CHARLIE: Why would she think that? LIAM: Because I dropped her. [crying] I dropped Megan. CHARLIE: Oh. Hey, Liam, sorry. LIAM: I've got no money. I've got nothing. What are we going to do? CHARLIE: We'll get through this. LIAM: Yeah, how's that? CHARLIE: I'm writing again. I've got a new song. It's about 2 brothers. LIAM: 2 brothers who should be butchers. CHARLIE: Don't say that! It's a good one. I feel like this might be the one. Alright, listen to this, okay. [singing] Funny now, you finally see me standing here/Funny now, I'm crying in the rain. [Liam likes the song and joins Charlie at the piano] All alone, I try to be invincible/Together now [Liam joins in with a harmony], we can be saved. [Charlie stops playing] Nice, man. LIAM: This could work. CHARLIE: It's good, right? LIAM: We could make it work. Write all night just like the old days. CHARLIE: Alright. LIAM: So, baby brother, have you got any? [Back on the island, Charlie holds a couple of baggies of heroin in his hand.] LOCKE [suddenly, off camera at first]: I'm disappointed in you, Charlie. CHARLIE: You following me? LOCKE: How long have you been coming out here? CHARLIE: John, you've got the wrong idea, man. LOCKE: You said you destroyed them all, and yet here they are. How is that the wrong idea? CHARLIE: I came out here to finish the job. I'm going to get rid of these right now. LOCKE: Yeah, that's very convenient now that I found you. [Locke goes to the statues with his pack.] CHARLIE: What are you doing? LOCKE [putting the statues in his pack]: There was a time when I let you choose whether or not you were going to do this to yourself. Now I'm making that choice for you. CHARLIE: Oh, you don't believe me? Give them to me. Give them to me right now; I'll destroy them. Look. [He breaks up the baggies in his hand] I'll throw them in the sodding wind. Look, John, I know I lied, alright. [Locke starts walking away] Wait, wait, wait. Remember all those talks we had, you and me? You said everything happens for a reason -- this island tests us. That's what this is, John, at test. This is my test. That's why these are here. LOCKE: These are here because you put them here, Charlie. [Locke starts to leave again.] CHARLIE: Wait, John, wait. [Charlie grabs Locke's arm, and Locke angrily breaks free.] What are you going to do? Are you going to tell Claire? You can't. If she sees them, I'm done. She'll never trust me again, and she has to, John. It's about the baby, alright? Aaron's in danger. You have to believe me. LOCKE: You've given up the right to be believed, Charlie. COMMERCIAL BREAK [We see Locke and Claire on the beach.] CLAIRE: Hey. LOCKE: Hi. How's our boy? CLAIRE: Oh, he's good. Hey, John, can I ask you something? LOCKE: Sure. CLAIRE: Do you think Aaron and I could stay in the bedroom in the hatch for a while? LOCKE: A pretty loud alarm goes off every hour and a half. It's not the best place for a baby to sleep through the night. CLAIRE: Oh, yeah, sure. LOCKE: How about if my move my stuff down here for a couple of nights -- set up right next to your tent? CLAIRE: That would be great, thanks. LOCKE: Consider it done. CLAIRE: Hey, John, you don't know anything about baptism, do you? LOCKE: Not a whole lot, why? CLAIRE: Charlie came by my tent before and told me Aaron had to be baptized -- he was in danger. LOCKE: My understanding is that baptism is about making sure that children get into heaven -- should anything happen. Call it spiritual insurance. There isn't any danger, Claire. Charlie is just [Locke looks in pack and sees the statues] -- Charlie just feels like he has to save the baby because he can't save himself. I'll see you tonight. [Night time. We see Charlie walking through the jungle. He starts a fre and walks away. He comes across Sayid and a redshirt moving something.] SAYID: Charlie, can you give us a hand? CHARLIE [continuing to walk by]: Now's not a good time, Sayid. SAYID [to the redshirt]: Here, let's lift this. [Sayid sees the fre.] SAYID: fre! [He runs through camp] Grab tools, containers for sand, anything you have. If we don't stop it, it's going to burn right through the camp. LOCKE [to Claire]: Stay here with Aaron. [Everybody goes to put out the fre.] SAYID: We need to cut a fre break right here. Form a bucket line. LOCKE: Some of you people down to the water! [Locke grabs some buckets from a redshirt and runs to the shore] We'll hand them up, wait here. [We see Claire watching from the beach. Charlie approaches from behind her.] [FLASHBACK] [Charlie arrives home to find his piano is gone.] CHARLIE: Liam! My piano. What's going on? Liam, where's my piano? LIAM: I sold it. CHARLIE: You what? [Liam walks by and Charlie gets in his face] Hey, wait, I don't have to -- LIAM: [says something I can't understand] CHARLIE: Where's the money? Is it up your sodding arm? LIAM: I'm clean. I haven't used in two days. CHARLIE: Two days? Well, happy anniversary! LIAM: Well, how long have you been clean? CHARLIE: Where's the money? LIAM: She was going to leave me, Charlie. She was going to take Megan. CHARLIE: What did you do, Liam? LIAM: Karen's got an uncle in Australia. He's going to get me a job. There's a rehab clinic in Sydney. I just needed the money to get us there. I have to do this. I have to take care of myself for them -- for my family. CHARLIE: I'm your family. [We see Liam walking down a street with Charlie following behind.] CHARLIE: Wait. Will you just wait. LIAM: I can't, Charlie. CHARLIE: What about the band? What about the song? LIAM: Try to understand. I have to go. I have to. Look, I'll give you a call when things settle down for me. [He leaves] CHARLIE: For you? What about me? What about my family? What about my family?! [We see people working to put out the last of the fre. Charlie takes Aaron out of his cradle, and Aaron starts to fuss.] CLAIRE: Charlie, what are you doing?! CHARLIE: I'm doing what I have to do. CLAIRE: He's got my baby! Stop it! CHARLIE: No, Claire, it's alright. It's not -- CLAIRE: Charlie, stop! Help! Somebody help! He's got my baby! [Locke hears this and runs to help.] CLAIRE: Help! Come on, Charlie, please. Stop it. CHARLIE: I just wanted to save him. LOCKE: Charlie! Give me the baby. [Everybody gathers around this confrontation.] CHARLIE: Eko, tell them. Tell them, Eko. Tell them what you told me -- that the baby has to be baptized. EKO: This is not the way. LOCKE: Charlie, come on, give him to me. CHARLIE: Who the hell are you, John? Aaron's not your responsibility. Where were you when he was born? Where were you when he was taken? You're not his father. You're not his family. LOCKE: Neither are you, Charlie. CHARLIE: I have to do this. I need to. I'm not going to hurt him. CLAIRE: You're hurting me, Charlie. [Locke takes the baby from Charlie and gives him to Claire who starts to leave.] CHARLIE [trying to get to Claire]: Claire. I'm sorry, Claire. [Locke suddenly punches Charlie, 3 times, very hard. Charlie goes down in the surf. Everyone starts to leave giving Charlie dirty/puzzled looks as they go.] COMMERCIAL BREAK [We see Charlie sitting on the beach as Jack approaches.] JACK: You need stitches. [He starts working on Charlie's cut] Try to be still. CHARLIE: I started the fre, Jack. JACK: Yeah, I know. CHARLIE: I was desperate. She -- JACK: I need to know you're never going to do anything like this again. Ever. CHARLIE: I know what this looks like -- what people think. It doesn't matter now, but I didn't use. I wanted to. I really wanted to. But I didn't. JACK: That's not what I asked, Charlie. CHARLIE: It's not going to happen again. [We see Eko walking through the brned out area left by the fre. Claire approaches.] CLAIRE: Charlie told me you were a priest. EKO: Yes. CLAIRE: He said that you told him that I had to have -- EKO: I did not tell Charlie to do what he did. I'm sorry if he misunderstood me. CLAIRE: But, do you think the baby has to be baptized? EKO: Do you know what baptism is? CLAIRE: It's what gets you into heaven. EKO: It is said that when John the Baptist baptized Jesus the skies opened up and a dove flew down from the sky. This told John something -- that he had cleansed this man of all his sins. That he had freed him. Heaven came much later. CLAIRE: I haven't been baptized. Does that mean that if you do it to Aaron and something happened to us that we wouldn't be together? EKO: Not if I baptize you both. [Montage: Locke changing the combination on the gn vault; Eko baptising Aaron and Claire; Locke putting the Virgin Mary statues in the g*n vault; Charlie sitting by himself on the beach.]	{"type": "series", "show": "Lost", "episode": "2x12 - f*re and Water"}	foreverdreaming
[We see Jack and Locke open the gn vault. Jack brings the gn case in the vault and opens it.] LOCKE: Is that all of them? JACK: All 6 of them. There's 1 box of amo. LOCKE: At least we don't have to worry about running out any time soon. Jack, I'm grateful that you decided to keep them all in the same place. [Jack notices the Virgin Mary statues] Oh, I had to take them from Charlie -- his heroin stash. I figure it might have therapeutic value, if it ever came to that. JACK: You're just going to leave it all in the statues? LOCKE: You want to break 7 Virgin Maries, be my guest. I'm superstitious. JACK: John, the combination. LOCKE: I'm going to go ahead and assume that you're asking me because you're worried that I might fall off a cliff or something -- that it would be irresponsible for just one of us to have access to this room -- rather than this being an issue of trust. JACK: Well, there are a lot of cliffs on this island, John. LOCKE: Alright, but I think we should agree, Jack, that if either of us need to open this door, we consult each other first. JACK: Absolutely. LOCKE: Right 7, left 33, right 18. You need to write it down? JACK: Nope, I got it. LOCKE: Alright. And, Jack, you may want to consider locking the medicine in here, too. JACK: Why would I need to do that? [Back on the beach, Sawyer is coming back to his tent from a swim and sees Charlie building a shelter nearby.] SAWYER: Well, well, now look who had to relocate to the suburbs. [Charlie doesn't respond] Ain't that just like a woman? She keeps the house and you get the cheap-ass apartment. Man, I thought these people hated me, but I've got to hand it to you -- stealing a baby, trying to drown it -- now, that's a new low. You even made Locke take a swing at you. Hell, that's like getting Gandhi to bat his kids. CHARLIE: Shouldn't you be more worried about Jack ransacking your tent right now? SAWYER: What? [We see Jack in Sawyer's tent, looking through his stuff.] SAWYER: What the hell do you think you're doing? JACK [holding an Rx]: You stole these from the hatch. SAWYER: You stole them from me. JACK: What? SAWYER: They were in my stash when I left. I just took back what was mine. JACK: These belong to all of us, Sawyer -- to the group. You don't have a stash anymore. SAWYER: Seriously, Doc, you don't want to do this. Just give me the pills. We'll forget it ever happened. JACK: Are you thrat me? SAWYER: Last chance, Doc. [Jack walks away] COMMERCIAL BREAK [FLASHBACK] [Sawyer is in bed with a woman, Cassidy.] SAWYER: What do you want -- right now? CASSIDY: Just you. SAWYER [noticing the clock]: Oh, damn it! CASSIDY: What is it? SAWYER: I'm going to be late to that meeting I told you about. CASSIDY: Meeting, huh? You got another date you could just say so. SAWYER: I can only wrap my mind around one woman at a time -- but I appreciate the permission. Back in flash, gorgeous. [Sawyer grabs his suitcase and it opens, spilling out money.] You weren't exactly supposed to see that. CASSIDY: Are you serious? SAWYER: What? CASSIDY: You're not serious. You just happen to have a suitcase full of cash? And you go to pick it up and the lock just happens to break? [She grabs one of the stacks of money to examine it.] SAWYER: Give me that. CASSIDY: It's not even real. Newspaper? Are you trying to con me? What, I ask you what all the money's for and you do some song and dance about an investment or something? And then I say, "Oh, hey, I've got some money." SAWYER: Look, you got me. Good for you. No harm, no foul. CASSIDY: You should have done your homework. I didn't take anything from him in the divorce. I'm not even worth your trouble. SAWYER: Well, shame on me. CASSIDY: I want you to show me what you do. Show me what you do -- what you really do. SAWYER: And what do I do? CASSIDY: Show me how to con people, Sawyer. [Back on the island we see Sawyer in his tent putting things in order after Jack's ransacking. Kate approaches.] KATE: I like what you've done with the place. SAWYER: Maid's day off. [He tries to pick up a shirt, but Kate's standing on it] You want to move? KATE: I heard Jack took your pain Kllers. SAWYER: Well, I guess me and the Doc are on the outs. One less Christmas card I'll have to send this year. KATE [tossing down a magazine]: Maybe that'll cheer you up. It's from the hatch. I know you're hard up for new reading material. [The magazine is a woman's magazine called Elegant.] SAWYER: Well, as much as I'd like to learn to feather my hair, I lost my damn glasses on the raft. You want to read it to me? [Kate looks at him like he's crazy] What, you got an appointment or something? KATE [finding an article]: Alright, 10 Ways To Tell If He's A Sensitive Man. SAWYER: This ought to be good. LOCKE [passing by]: Morning. KATE: Hey, John. SAWYER [suggestively]: Now, there's a sensitive man. KATE: Claire asked him to sleep down here. SAWYER: Come on. Locke's got himself needs -- just like anyone else. KATE: Not everyone is like you, Sawyer. SAWYER: I guess that's why old Jacko and Ana-Lulu didn't ask me to join their revolution. [Kate looks surprised] What, you didn't hear about their little army? I guess I'm not the only one on the outs with the Doc. [We see Sayid shucking coconut husks on a stake. Hurley approaches.] HURLEY: Hey, man. You gonna put the lime in the coconut, drink 'em both up? [Sayid doesn't respond] Lime in the coconut? The song? SAYID: What do you want, Hurley? HURLEY: So, I'm over at Rose and Bernard's tent -- did you know he's a dentist? Well, that's not all he's been holding out on us. The guy picked up Boone's signal from the Norwegian plane. SAYID: Nigerian. HURLEY: Right. Anyhow, he picked it up with this. [Hurley holds up a radio] SAYID: That is a short wave radio. It's a glorified walkie-talkie. HURLEY: Yeah, but can't you switch a blue wire with a red wire -- make it stronger. SAYID: We tried to send a signal with the plane's transceiver and all we got was the French women's transmission on a loop. Why would I bother? HURLEY: Come on, man, it's worth... SAYID: It's worth nothing. It's a waste of time. HURLEY: Just trying to cheer you up, dude. SAYID: I don't need cheering up. HURLEY: Okay, man. Sorry. No problem. [Sayid notices that Hurley left the radio behind.] [We see Ana trying to catch up with Jack in the jungle.] ANA: Hey. [Jack doesn't respond] Hey. JACK: Hey. ANA: You get the combo? [Jack nods] Nice. I didn't think it would be that easy convincing your pal to give it up. That's the nice thing about you people -- you're not scared enough. JACK: Not scared enough? ANA: Same reason we can't talk anyone into joining the army. Everyone around here actually thinks they're safe. JACK: Trust me, Ana. No one thinks we're safe. ANA: So, Jack, what's the combo? [He looks at her suspiciously] I was just kidding. [We hear the sound of thunder and see Sun working in her garden. She's alarmed by the sound of rustling in the bushes a couple of times, and then Vincent comes bounding out.] SUN [relieved]: Oh, Vincent! What are you doing out here? [She says something in Korean] [It starts pouring rain and a bag comes down over Sun's head. Her wrists are bound and she's dragged away.] [We see Sawyer and Kate sitting outside Sawyer's tent. Sawyer scrambles to get under the tarp because of the rain.] SAWYER: Oh, man. It's really coming down. Get under here, Freckles. KATE: I like the rain. SAWYER [dragging Kate into the tent]: Yeah, me too, if I'm under here. [They hear screaming.] KATE: That's Sun. [Sawyer and Kate run through the jungle and find Sun unconscious.] SAWYER: Is she alright? KATE: She's breathing. SAWYER: Go get Jack. Go get Jack! KATE: Okay. [Kate runs off and Sawyer carries Sun back to camp.] LOCKE: What happened? SAWYER: Where's Jack? [Sawyer carries Sun to her tent and Jack arrives.] JACK: Was she conscious at all? Did she say anything? SAWYER: Nothing. Not a word. JIN [running to the tent]: [Says something in Korean.] JACK: She's okay. She's okay. She's going to be alright. You need to let me take care of her, alright. [to Sawyer] Where'd you find her? SAWYER: I heard her scream. Found her out in the jungle about a half a click from here. KATE: She was out cold and her hands were tied. JACK: What do you mean, her hands were tied? ANA: They're back. COMMERCIAL BREAK [We see a group standing on the beach.] LOCKE: They told us they would leave us alone. JACK: Well, John, it looks like they broke their promise. LOCKE: We don't even know what happened. JACK: Do we need to know? ANA: Where'd you find her? KATE: Just outside her garden. ANA: We need to take a look around -- with gn. LOCKE: No. JACK: No? LOCKE: If we arm up we're just as likely to sht each other as we are one of them. JACK: Okay, we'll wait for Sun to wake up. She'll tell us what happened. Then we're going to do something about it. LOCKE: Sounds like a plan. [We see Kate and Sawyer walking in the jungle.] KATE: They usually don't leave any trail. SAWYER: It's worth a look. Let me ask you something -- this whole scenario make sense to you? KATE: What do you mean? SAWYER: Think about it. First off, how'd she get away? The woman doesn't weigh 100 pounds soaking wet. KATE: She was fighting for her life. People are capable of almost anything... SAWYER: You couldn't get away. You versus Sun -- hot oil death match -- my money's on you, Sheena. KATE: Thanks for your vote of confidence. [Sawyer sees something on a branch.] KATE: It's a hood, just like the one they put over my head. SAWYER: No it's not. This one's black, different weave. It's all in the details -- and they're wrong. KATE: Well, if it wasn't them, then who? [Sawyer doesn't respond] What are you saying, one of us did it? Who the hell would want to go after Sun? SAWYER: Not much upside to scaring the crap out of 46 people -- unless you're trying to con them into joining an army. [FLASHBACK] [We see Sawyer writing $1299.00 and $1399.00 on price tags attached to some necklaces.] CASSIDY: Those necklaces are junk, Sawyer. A 5 year old could tell that. SAWYER: They ain't going to be looking at the necklaces; they're going to be looking at the price tags. It's all in the details, Dimples. CASSIDY: What if we get caught? SAWYER: We ain't going to get caught. [He puts a band aid across his nose] Anybody goes to the cops, the only thing they're going to remember is a guy that looks like he's been in a bar fight. You're scared, huh? CASSIDY: A little bit. SAWYER: Well, here's the good news, baby -- everybody's scared. The thing they're scared of most is missing an opportunity. [We see a couple of guys getting gas, one of them coming out of the convenience store. Sawyer approaches unrolling a velvet carrying case for the necklaces.] SAWYER: Hey, you guys want to buy some necklaces? GUY: Where'd you get them? SAWYER: Where do you think? You want to buy them, or not? [They look unsure] Oh, forget it. [Sawyer starts to leave] CASSIDY [approaching]: Hey, how much? SAWYER: 100 a piece. CASSIDY: For any of them? SAWYER: Yeah, yeah, taster's choice. CASSIDY: I'll take the 1200 dollar one and the 1300 dollar one. Thanks. [She buys the two necklaces and Sawyer starts to leave] GUY: Hey, wait. GUY #2: Hang on, man. I'll buy some of those. GUY: Yeah, me too. It's Gina's birthday next week. GUY #2: They love their jewelry. [Sawyer and Cassidy share a smile.] [Back on the island Jack is taking Sun's pulse.] JACK [to Jin]: Pulse is good. Strong. We just need to watch her. She's going to be okay, man. [Jin holds Sun's hand, very concerned.] [Jack goes to get some water, and Kate is waiting to talk to him.] KATE: That bump on head -- do you think she fell or that someone ht her? JACK: I don't know. KATE: Jack, how well do you know Ana-Lucia? [Jack doesn't respond] It's just -- the Others, I -- I was out there with you. I heard that man say that if we stayed away they'd leave us alone. And we've left them alone. So why would they attck us a few days later? JACK: Well, if it wasn't them then who was it? KATE: Like I said, how well do you know Ana-Lucia? [Jack walks away.] COMMERCIAL BREAK [We see Jack and Ana-Lucia walking on the beach.] ANA: I got a couple more people interested in joining up. JACK: Yeah, who? ANA: Uh, the big guy who lives behind Sayid and Scott. JACK: You mean Steve, Scott's dad. ANA: Scott, Steve -- the point is, after what happened people are finally willing to do something. JACK: Where were you this morning? ANA: Lots of places. JACK: During the rain storm. ANA: You think I had something to do with Sun getting grabbed? Now where would you get an idea like that? CLAIRE [entering]: Jack! Jack, Sun's awake. [Jack arrives at Sun's tent as she's sitting up.] JACK: How's your head? Any pain, dizziness? SUN: Just a little bit. JACK: Do you remember anything? SUN: I was working in my garden when Vincent ran up. Then it started raining and there was a bag over my head and I was being dragged. JACK: How many were there? SUN: I didn't see anything. JIN: [Says something in Korean.] SUN: [Responds to him in Korean.] I kicked and I fought, and I just ran as fast as I could and I fell... JIN: [Says something in Korean, clearly upset.] SUN: [Responds to him in Korean.] JIN: [Says something in Korean.] [to Jack] gn. gn! gn. [We see Sawyer watching from a distance. Kate approaches.] KATE: Hey, what's going on? SAWYER: It looks like the good folks of Island Town are about to form a posse -- get themselves armed up. Hell, I wouldn't be surprised if Jack didn't find himself that horse of yours and start leading the charge in a big white hat. [Ana and Kate stare intently at each other.] KATE: The gn. This is all her play to get her hands on the gn. Locke -- you need to go and tell him that they're coming. SAWYER: I need to tell him? KATE: Sawyer, please. [FLASHBACK] [We see Cassidy taking a shower and Sawyer brushing his teeth.] CASSIDY: So what's next? SAWYER: Next? CASSIDY: Next play. SAWYER: I'll show you the pigeon drop. CASSIDY: We already did that - twice. And the Tulsa Bag Scam and the Lookie-Loo. I want to do a big one. SAWYER: You want to do a big what? CASSIDY: A big con. SAWYER: It's called a long con. CASSIDY: Okay, a long con. How does it work? SAWYER: It works by getting someone to ask you to do something like it's their idea, but it's not their idea, it's your idea. But none of that matters because the one thing you need for the long con we ain't got -- money. CASSIDY: I have money. SAWYER: Sorry, Cassidy, 40 grand in a mutual fund ain't money. CASSIDY: Remember when I told you that I didn't get anything from the divorce? SAWYER: Mmmhmm. CASSIDY: I kind of lied. SAWYER: Kind of lied how much? CASSIDY: 600 grand. SAWYER: Well, hell baby, with kind of money let's go find an island somewhere and sit on a beach drinking Mojitos 'til we go toes up. CASSIDY: Sawyer, for the first time in my life I'm actually happy. And it's not really about the action and the money; it's about doing this with you. Come on, one long con? And then the mojitos. SAWYER: I'll think about it. CASSIDY [dragging Sawyer to the bedroom]: Why don't you think about it in here? [We see Locke in the hatch trying to find something in the pages of a book called Owl Creek Bridge. Sawyer enters.] SAWYER: Hate to interrupt whatever the hell it is you're doing. What are you doing? [We see a bunch of books thrown on the ping-pong table that Locke has presumably already looked through.] LOCKE: I'm alphabetizing. SAWYER: Oh, sure. Sun gets attcked in the jungle and you figure it's a good time to start the damn Dewey decimal system. Good thinking. LOCKE: How can I help you, James? SAWYER: Well, actually, John, I'm here to help you -- give you the heads-up. LOCKE: Heads-up? SAWYER: Seems Jack's on his way over here to open your little gn closet and take whatever he needs. You should know he's not alone. The whole camp's pretty shook up about what happened to Tokyo Rose. I'm guessing everybody's going to want to play Cowboys and Indians. And once those gn are out and about -- something tells me they ain't never going back in. LOCKE: Why are you telling me this? SAWYER: Because it'll piss off Jack. If I were you, I'd change that combination, pronto. LOCKE: But that won't work. The door will just slow him down. If Jack wants to get in, he'll get in. Will you help me? SAWYER: Help you what? LOCKE: Move the gn. SAWYER: Move them where? [Locke doesn't respond] Fine, you don't want to trust me -- lots of luck. LOCKE: But I can't leave the hatch unmanned. SAWYER: Sure, you move the gn and I'll stay here and push your damn button for you. LOCKE: How long 'til they get here? SAWYER: Well, that ain't my problem, Hoss; it's yours. COMMERCIAL BREAK [Sawyer is sitting in a diner at a table alone. The waitress approaches, but we can't see her face.] DIANE: Steak sandwich, two beers. SAWYER: Thank you. GORDY [entering]: Aw, shucks, you got a beer for me? SAWYER: Want one? Ask the lady. GORDY [to Diane]: Well hell, I do want one. And could I get a plate of chicken salad -- white meat only -- and please, god, no celery, okay, sweetheart? [Diane's face is revealed and we can see that it's Kate's mother.] DIANE: That's how we make it here, darlin'. GORDY: So, tell me you got her. SAWYER: Yeah, I got her. GORDY: All 600 grand? SAWYER [looking uncomfortable]: All 6. GORDY: You fell for her. Oh, come on, you've got to be kidding me. SAWYER: Look, it's got nothing to... GORDY: Hey, I found that bitch. SAWYER: Her name is Cassidy. GORDY: Well, I waited 6 months while you and Cassidy played house. Now, if you think... SAWYER: I ain't doing it. GORDY: You know what's making you stupid right now? It's your damn hormones. You think you're in love, but you're not. You know, a tiger doesn't change his stripes, James. You're a con man, just like me. And it's not what you do, it's what you are. Do I make myself clear? SAWYER: I'm sorry, man. I just can't do it. GORDY: No, you're going to do it -- because that girl, she doesn't know you one bit. But when she finds out who you are -- who you really are -- she's going to hate your guts. SAWYER: Yeah, well -- enjoy your chicken salad, Gordy. [Sawyer puts some money on the table and starts to leave.] GORDY: Wait a minute, you don't walk away now. You owe me. You don't want to pay me? I'll put one in your ear, James. You or your little friend, Cassidy. [We hear the sound of the timer alarm and see Sawyer open his eyes, apparently awakened. He inputs the numbers as Jack and Jin enter.] JACK: What are you doing here? SAWYER: One second, I'm like this close to the high score on Donkey Kong. JIN: [Says something in Korean.] SAWYER [as the timer resets]: Now, what can I do you for? JACK: Where's Locke? SAWYER: I don't know. I think he said something about going to the store for a pack of smokes. [Jack opens the gn vault and sees it's empty.] SAWYER: Uh-oh, it looks like we've got ourselves a theft. Who's going to call the cops? JACK: Where are they? SAWYER: Don't look at me; I was just pushing a button. [Throwing an Rx bottle to Jack] Oh yeah, I believe these are yours. [Jack starts to go for Sawyer but Jin stops him.] JIN: [Says something in Korean.] [At night on the beach, we see Locke sitting near a fre. Ana is sharpening a stick. And Jack strides toward Locke.] JACK: John, where are they? You moved the gn. Where are they? We had an agreement. LOCKE: An agreement that you were about to violate, Jack. Yes, I moved the gn. JACK: Where? Where? Where, John? LOCKE: Are you going to start handing them out? How many? Who gets them? How much time before there's an accident? Another accident. I made a mistake teaching Michael how to sh*t and now he's -- he could be dad for all I know -- and that, that was my fault. I take responsibility for that and so, yes, I'm taking responsibility for the gn, too. JACK: I want 2 gn, John. LOCKE: I'm sorry, Jack. That's the way it's going to be, Jack. JACK: 2 gn. Now tell me where they are, right now! [We hear the sound of 3 bllts being fired, and see people's frightened, surprised reaction. We see Sawyer walking into camp in the dark.] JACK [to Locke]: You gave him the gn? LOCKE [shocked]: No. I hid them. SAWYER: That's right, Jack. He's as stupid as you are. You were so busy worrying about each other you never even saw me coming, did you? How about you listen up because I'm only going to say this once. You took my stuff. While I was off trying to get us help -- get us rescued -- you found my stash and you took it, divvied it up -- my shaving cream, my batteries, even my beer. And then something else happened, you decided these two boys here were going to tell you what to do and when to do it. Well, I'm done taking orders. And I don't want my stuff back. Shaving cream don't matter; batteries don't matter. The only that matters now are gn. And if you want one you're going to have to come to me to get it. [He looks at Sayid] Oh, you want to trture me, don't you? Show everybody how civilized you are. Go ahead, but I'll die before I give them back. And then you'll really be screwed, won't you? New sheriff in town, boys! You all best get used to it. COMMERCIAL BREAK [FLASHBACK] [We see Cassidy at home with a briefcase full of money on the kitchen table. Sawyer enters from outside, quite agitated.] CASSIDY: What's going on? Where were you? [Sawyer doesn't respond] Sawyer what happened? SAWYER [looking out the window]: You see that black car? CASSIDY: Who is it? SAWYER: His name's Gordy, my partner. CASSIDY: What partner? SAWYER: If I don't walk out the front door with that briefcase in the next 2 minutes we're both dad. CASSIDY: What happened? That's the guy from the Mercado deal? What...? SAWYER: There is no Mercado deal. I knew about the 600 grand you had tucked away from the get go. Cass -- you were the long con. CASSIDY [hitting him]: Son of a bitch. Go to hell. Go to hell. SAWYER: You've got to understand, everything that's happened between us in the last 6 months, all of it -- that was real. CASSIDY: Get out. You get out. SAWYER: You can hate me all you want later, but right now you've got to listen to me. He's going to kll us -- because I told him I wasn't going to take your money. CASSIDY: Oh my god. [Sawyer looks out the window again, and then starts putting the money from the briefcase into a duffle bag.] SAWYER: Okay, this is what we're going to do. I want you to go out back through Evan's yard. There's a rental car parked out front. Go to Sioux City. I want you to check in at the Sage Flower Motel, off highway 29. [He hands her the duffle bag] Watch TV, have a drink, and wait for me. I'll be there in the a.m.. It'll all be over. CASSIDY: Let me just pack a few things. SAWYER: There's no time. Remember when you said I was all you ever wanted? Well, now you know better. I love you. CASSIDY: I love you, too. SAWYER: Go. Go. [Back on the beach we see Sawyer polishing his rfle. Kate approaches.] KATE: How'd you do it? SAWYER: How'd I do what? KATE: Locke said that he left you in the hatch when he went to hide the gn, and we both know you can't track worth a damn. So, how'd you get them? SAWYER: A magician never tells his secrets. KATE: You played us. You played me. All that stuff you said about Ana-Lucia -- you knew I'd go to Jack; and you knew I'd ask you to go to Locke. SAWYER: Now, how in the world would I know all that? KATE: Did you have anything to do with Sun? SAWYER: What kind of person do you think I am? KATE: What kind of a person do I think you are? I don't think this has anything to do with gn, or with getting your stash back. I think you want people to hate you. SAWYER: Good thing you don't hate me, Freckles. KATE: Why do you have to do this? SAWYER: You run. I con. Tiger don't change their stripes. [We see Hurley sitting by a fre reading a manuscript entitled Bad Twin by Gary Troup. Sayid enters carrying a pole and the radio.] HURLEY: Hey, check this out. I found a manuscript in one of the suitcases. It's like a mystery book. SAYID: I want to show you something. HURLEY: Cool, you fixed it. SAYID: We'll see. [handing Hurley the radio] Hold on to this. Don't expect anything. The chances of getting a signal are slim at best. [Sayid plants the pole in the sand and turns on the radio. We hear static.] HURLEY: Static's good, right? SAYID: No, reception is good. [Sayid changes the dial and we hear Danielle's transmission.] HURLEY: Wait, what's that?! SAYID: It's Rousseau's signal. HURLEY: Oh, crap. SAYID [changing the dial]: But this radio has a wider bandwidth. HURLEY: Hold it, stop! Do you hear that! RADIO [with spotty reception]: That was the old classic Just A-Sittin' and A-Rockin' by Duke Ellington and his Orchestra, featuring Cootie Williams on the trumpet. Up next on WXR, the Glenn Miller Orchestra with Moonlight Serenade. [The song begins to play with good reception.] HURLEY: Whoa, you hear how clear that is? It's got to be close, right? SAYID: Radio waves at this frequency bounce off the ionosphere. They can travel thousands of miles. It could be coming from anywhere. HURLEY: Or, anytime. Just kidding, dude. [We see Sawyer walking in the dark jungle and stopping. Charlie approaches.] SAWYER: He never saw you, huh? CHARLIE: No, he was more worried about his sodding g*n than being followed. SAWYER [offering a Virgin Mary statue]: Figured you'd want your friends back. CHARLIE: If I wanted them I would have taken them before I told you where they were. That's not why I did it. SAWYER: It's not, huh? CHARLIE: I wanted him to look like a fool -- to feel like a fool. SAWYER: Well, well, it looks like Johnny Locke's got himself a nemesis. CHARLIE: Sun can never find out what I did to her. Never. SAWYER: Don't sweat it. I've got bigger things to worry about now. CHARLIE: Sawyer, this idea -- all of this -- what we did -- what made you -- How does someone think of something like that? [FLASHBACK] [We see Sawyer and Cassidy at the back door.] SAWYER: Now go. [Cassidy leaves and we see Sawyer get into the passenger seat of the black car parked in front. Sawyer looks to the driver's seat and we see there's no one there.] SAWYER: 1-Mississippi, 2-Mississppi, 3-Mississipi, 4-Mississipi, 5-Mississipi. [Sawyer goes back into the house and gets the "real" duffle bag out from underneath the kitchen table. On the way out the door he notices a picture of himself and Cassidy and turns it face down.] [Back on the island we are still with Sawyer and Charlie.] SAWYER: I'm not a good person, Charlie. Never did a good thing in my life.	{"type": "series", "show": "Lost", "episode": "2x13 - Manipulations"}	foreverdreaming
[FLASHBACK] [Scene open with the sounds of bmb dropping on an Iraqi compound. We see Sayid and other soldiers burning and shredding documents as they are thrown by the concussion of explsin.] TARIQ [subtitled]: They're getting closer! Move it! Burn those! Shred faster! Hurry up! Sayid! Take these files! Burn them! Keep shredding you cowards! We leave when I say! [he strikes a soldier] Stop again, and I'll kll you myself! I'm your commanding officer and you will do -- [The U.S. Army suddenly breaks the door in.] U.S. SOLDIER #1: Get down! Get the hell down! SGT. BUCCELLI: Get down. Get down. You, no, no, no, drop your gn. On the ground now. U.S. SOLDIER #2: Freeze! On the ground, now! U.S. SOLDIER #1: Get the hell down! [The Iraqi soldiers get down on the ground.] SGT. BUCCELLI: Who's in charge here? I said, who's in charge? [he sees someone still burning papers] Somebody better tell him to stop, or god help me, he's dad. U.S. SOLDIER #1: They don't understand, Sergeant. SGT. BUCCELLI: They understand. Listen up, I'll fre on 3. 1-2... SAYID [subtitled]: Stop shredding or they'll kll you! SGT. BUCCELLI [to Sayid]: You -- you in charge? SAYID: No, I am not. SGT. BUCCELLI: Who is? SAYID [after looking at Tariq]: There is no commanding officer here. He left two hours ago for, for Hila. SGT. BUCCELLI: Your English is good, Abdul, but you're lying. And that ain't so good. [Buccelli knocks Sayid out with the butt of his rfle.] [We see shts of activity within the compound. And then a couple of soldiers making their way through a dozen or so prisoners kneeling inside a fenced area.] SGT. BUCCELLI: That's him, Sergeant. SGT. AUSTEN [to Sayid]: Let's go, hombre. [they start leading him out] Son, we don't want to be here any more than you do -- your pal, Sadaam, had to go marching into Kuwait -- here we all are. Buccelli here says that you speak English. Ever doing any translating? SAYID: Formally, no. SGT. AUSTEN: Hell, the fact you know what "formally" means -- we're good. Apache helicopter went down in this vector 2 days ago. Our sources tell us the pilot was captured. It's very important we that get this pilot back. We know that he was taken to the local Republican Guard intelligence commander -- a man named Tariq. Do you know him? SAYID: Yes, he was our commanding officer. SGT. AUSTEN: Do you know where he is? SAYID: When the bmb started he fled to Hila. SGT. AUSTEN: Hila, huh? SAYID: Yes, that is right. [They go through a door.] SGT. AUSTEN: Welcome to Hila. [We see Tariq sitting there.] [Back on the island we see Sayid washing up. Ana comes running out of the jungle.] ANA: Where's Jack? SAYID: Why? [We see Ana and Sayid running quietly through the jungle. Ana stops and points.] ANA: There. See? [We see Danielle walking through the jungle a short distance away.] SAYID: Go back, I'll deal with this. ANA: What? SAYID: Go back, Ana-Lucia. And don't tell anyone what you saw. [Sayid follows Danielle and gets in front of her so that she's surprised when she sees him.] SAYID: What are you doing here, Danielle? DANIELLE: Looking for you. COMMERCIAL BREAK SAYID: Where are we going? You said you were looking for me -- what was your plan -- to hide in the woods hoping I would pass you by? DANIELLE: I was going to wait until dark and find you at your tent. SAYID: Why? [he stops] DANIELLE: We need to keep moving. SAYID: Not until you tell me where we're moving to. DANIELLE: Trust me. SAYID: The last time we met you arrived to warn us the Others were coming which they weren't. In fact, it was a diversion to kidnap Claire's baby. So pardon me for not trusting you. DANIELLE: This place I'm taking you to -- there's something that will help you -- something important. As for trust, take this. [she offers her rfle which Sayid takes] If I'm lying it's yours to use. SAYID [checking to see if the rfle's loaded]: How much further? DANIELLE: Not far. [FLASHBACK] [We see Sgt. Austen using Sayid as a translator with Tariq.] SGT. AUSTEN: Ask him where he took the pilot. SAYID [subtitled]: They want to know where the pilot is. TARIQ [subtitled]: Tell him his mother is a goat. SAYID: He says he does not know. SGT. AUSTEN: Look, we know for a fact he interrogated the pilot day before yesterday. Hell, probably in this room. Tell him if we get our man back safe and sound, he goes free. SAYID [subtitled]: They will let you go if you tell them where the pilot is. TARIQ [subtitled]: You are a disgrace. You're an Iraqi soldier! Steal his gn and kll them all. Right there on his belt. You can get a few of them before you are klled. SGT. AUSTEN: What's he saying? SAYID: He says he does not know. SGT. AUSTEN: I was born, but I wasn't born yesterday, son. Now, if you don't help me out here, someone else will take over. And that someone -- he won't play nice at all. SAYID: I am sorry. He does not know. SGT. AUSTEN [leaving]: Okay, you had your chance. Guards, lock him back up. [We hear the sound of a frog and see Sawyer trying to sleep in his tent. He gets up, frustrated by the sound of the frog.] SAWYER: This is unbelievable. [Jin happens by] Hey! Hey, you hear that thing? You hear that frog -- that frog? You want to help me find it? [Jin gives him a dirty look, and walks away.] SAWYER: What, we ain't friends anymore? [We see Sawyer walking through the jungle looking for the frog. He comes across Hurley who's dipping a chip in some Dharma ranch dressing.] SAWYER: What do you got there, Rerun? HURLEY: Nothing. [Hurley covers up the dressing and some other food he has] SAWYER: Yeah, well, you've got a spot of nothing on your chin there. [Sawyer uncovers the dressing] Dharma Initiative ranch dressing? You know you're supposed to refrigerate that after you open it. HURLEY: Well, actually in the back it says it'll keep at room temperature for up to 7 years. SAWYER [uncovering the rest of the food]: Well, well, look at who's got a secret stash? HURLEY: Please, dude, you can't tell. SAWYER: What, that you stole food from the group? Now why would I want to do that? HURLEY: Come on, man, please? SAWYER [hearing the frog]: Son of a bitch. [Sawyer looks around for the frog while putting his hand on the gn in his waistband.] HURLEY: Dude, it's just a tree frog. SAWYER: Have you seen it? HURLEY: Yeah. SAWYER: Tell you what -- you help me find that thing, you can keep right on ranch dipping. We got a deal? [We see Sayid and Danielle walking through the jungle.] SAYID: How much further? [she doesn't respond] Danielle? DANIELLE: We're here. SAYID: And where exactly is here? [Danielle uncovers a crossbow and some arrows she's hidden.] SAYID: What is that for, Danielle? [We hear a voice faintly in the background.] VOICE: Help me. Hey, somebody here. [Sayid immediately takes off toward the voice.] DANIELLE: Wait. VOICE: Help! DANIELLE: Sayid, listen to me. [We see someone hanging from a tree in a net trap.] VOICE: Hey! Hey, over here. Please, help me. COMMERCIAL BREAK VOICE: Help me! DANIELLE: Don't believe a word he says. VOICE: Hey! DANIELLE: He's one of them. VOICE: I have no idea what she's talking about. She's crazy. SAYID: How long has he been up there? VOICE: Since last night. Please, just cut me down. My name is Henry Gale. I'm from Minnesota. Please. DANIELLE: He's lying. SAYID [pulling out his Knfe]: I'm going to cut him down. DANIELLE: Don't. GALE: Thank you. DANIELLE: You're making a serious mistake. SAYID [after cutting him down]: It's okay; it's okay. You're alright. Hold on. Take it easy. [Danielle prepares her cross bow. Gale sees her.] GALE [running]: No. SAYID: Wait. Danielle, don't! [Danielle sh*t Gale in the shoulder. Sayid runs to him.] SAYID: You could have klled him. DANIELLE: If I wanted to kll him, I would have klled him. SAYID: You sht this man with no provocation. DANIELLE: He is one of them. Tie him up. You should take him to your doctor. He's no good to you dad. SAYID [tying him up]: And then what? DANIELLE: You talk to him, Sayid. As I recall that is what you do. But know this -- he will lie -- a long time. He will lie. [Sayid starts carrying him back to camp.] [FLASHBACK] [We see Sayid, handcuffed, being taken by two soldiers to see Joe Inman, apparently a CIA operative.] INMAN: I want to talk to you about your buddy Tariq. Look, I get it; you're a man who values loyalty. Even doing a little translating for us -- you feel like you're doing the wrong thing. I get that, and I respect it. This is what Tariq was doing before he took over command of your village. He was the head of the chemical warfare battalion in the North. [Inman starts playing a video tape] He personally supervised the use of sarin gas on this village. You recognize it, don't you? You had relatives in that village didn't you, Sayid? So, you know what sarin gas does. No discrimination -- the entire marketplace -- innocent women, children. SAYID: Enough, please. INMAN [turning off the tape]: Loyalty is a virtue. But unquestioning loyalty -- I don't think that's you. SAYID: Why should I believe you? INMAN: How do you think we knew you had relatives in that village? We liberated your personnel file, and Tariq's. [he shows the files to Sayid] All we want is our pilot back, so we can send him home to his family. SAYID: Tariq will never talk to you. INMAN: That's why you're going to have to make him talk to you. [He gives Sayid a box.] [We see Sayid in the hatch waking Locke.] SAYID: John, John wake up. LOCKE: What? SAYID: Come out here. [We see Locke and Sayid looking at Gale.] LOCKE: Minnesota, huh? SAYID: That's the question, isn't it? GALE: Where am I? SAYID: Who are you? GALE: Henry, Henry Gale. Ah, my back. SAYID: We're going to take it out, but first I want you to relax. How did you get to this island? GALE: 4 months ago, we crashed on this island, my wife and I. SAYID: Crashed in what? GALE: A balloon. We were trying to cross the Pacific. SAYID: Your wife, where is she? GALE: She died. She got, she got sick 3 weeks ago. We were staying in a cave off the beach. Ah, my shoulder. At least untie my arms. JACK [entering]: What the hell's going here? SAYID: Rousseau trapped him in the jungle. She believes he's an Other. GALE: An other what? JACK: You sht him with an arrow? SAYID: Do I have a bow? JACK [to Gale]: Hey, hey, you with me? [to Sayid] What, you were just going to let him bleed to death? SAYID: I was trying to get honest answers while he was able to give them. And his wound is far from life thrat. LOCKE: We should let Jack treat him first, then we'll get our answers. SAYID: Jack, do not untie him. [We see Sawyer and Hurley walking through the jungle.] HURLEY: This is how people get klled in scary movies. SAWYER: If this was a scary movie I'd be with a hot chick not you, Barbar. HURLEY: It's Babar. SAWYER: Why don't you shut up, Hammo. Or your ranch disorder's going to be the new lead item on the coconut internet. HURLEY: Fine, go ahead. Tell everyone the fat guy's been hiding ranch dressing -- the fat guy likes to eat. Yeah, I'm fat. Fat, fat, fat, fat, fat. You think I don't know that? At least people like me. You know what? Find the damn frog by yourself. SAWYER: Hurley, wait, wait. Hey, Hurley wait. Look, man, I'm sorry, alright. This frog is klling me. You've got to help me out, please. [We see Jack removing the arrow from Gale's shoulder, as Sayid and Locke watch from a small distance.] LOCKE: So, what do you think? SAYID: What do you think, John? LOCKE: I think he's pretty convincing. SAYID: Yes, he is. LOCKE: The real problem is there's no way we can be sure he's telling the truth. SAYID: That is not necessarily true. Does Jack have the combination to the armory? LOCKE: For now he does. SAYID: How long would it take for you to change it? LOCKE: If you're angry -- looking for someone to punish... SAYID: Why would I need to punish anyone? I want to find out who he is. I want the truth. And I think we both know that Jack will have issues with what must be done in order to get it. So how long, John, to change the combination? LOCKE: Couple minutes, tops. SAYID: Then I suggest you get started. COMMERICAL BREAK [Jack is still working on Gale. Sayid enters.] SAYID: Did he say anything while... JACK: No, he didn't. He was in shock. LOCKE: We can't just leave him lying here, Jack -- if people see him it'll create a panic. JACK: Yeah, well, where do you think we should put him? SAYID: I say we put him in the armory, secure. LOCKE: Better to err on the side of safety, Jack. At least until we can be sure. JACK: Okay. For now. [They carry Gale into the armory.] JACK: We can pull that cot in here. He shouldn't be on his back. LOCKE: Good idea. [Sayid locks himself in with Gale.] JACK [pounding on the armory door]: Sayid, hey, what the hell are you doing? Sayid! Sayid! SAYID: What needs to be done. [FLASHBACK] [We see Sayid enter the room with Tariq carrying the box he got from Inman.] TARIQ [subtitled]: They're letting you speak with me alone now? SAYID [subtitled, opening the box]: You need to tell me where the helicopter pilot is. TARIQ [subtitled, laughing]: This is their new bluff? That you're going to trture me? They think you will do this? Sayid, you are a loyal soldier. The son of a great hero. Do not disgrace your father! You wouldn't dare harm me! You will follow my orders as your commanding officer. Take that bag. Put it over your head and tape it up. kll yourself, now! That's an order. Do it and die with what little honor you have left. SAYID [subtitled]: You would have me take my own life -- the information means nothing to you! [Tariq spits in Sayid's eye. Sayid picks up some pliers.] [We see Inman pacing in his tent. Sayid enters. ] SAYID: The pilot was excuted 2 days ago. He's buried in a field 4 kilometers from here. I can take you there. [Sayid hands the box to Inman and we see his bloody hand.] [We see Jack unsuccessfully trying the combination on the vault.] JACK: Damn it. Sayid, open the door! Sayid, answer me. LOCKE: Jack. JACK: Why isn't this combination working, John? Did you change it? LOCKE: Yeah. JACK: Why would you do that? LOCKE: You're raising an army. JACK: What? LOCKE: And why you didn't ask me to help -- well, that's your business -- but there's only one reason to raise an army, Jack. And that's because we're at wr. And like it or not, whatever Sayid has to do behind that door -- that's a part of it, too. JACK: What if he's telling the truth, John? LOCKE: What if he's not? [We see Sayid tying Gale up in the armory.] SAYID: Get up. GALE: What's happening? SAYID [making Gale sit up]: Here, let me help you. You said you've been here for 4 months. GALE: What? SAYID: You said you came to this island 4 months ago, yes? GALE: Where am I? SAYID: Please, answer my question. GALE: Yeah, yes we landed 4 months ago. Maybe more. Who are you? SAYID: And you were in a cave for all that time? GALE: Off the beach on the North shore of the island. SAYID: How far from this beach to where you were captured? GALE: I don't know. SAYID: How many days' walk? GALE: 2 -- 2 days. SAYID: Why did you stay on the beach for so long? GALE: Why wouldn't we? We wanted to be there for fly-overs. We had an emergency beacon, a transmitter. SAYID: What kind of transmitter? GALE: An ADF beacon. We wanted to make sure we'd be spotted. Look, whatever you think I am, I'm not. Please, please just -- tell me your name. SAYID: Your wife, what is her maiden name? GALE: Murphy. SAYID: Where did you meet her? GALE: University of Minnesota. SAYID: How did she die? GALE: She got sick. SAYID: She got sick? GALE: It started as a fever. After 2 days she was delirious. Then she died. I don't know why you're asking me all these questions. I don't know why you're treating me this way -- why I have to explain to you who I am when you don't tell me who you are. SAYID: I was 23 years old when the Americans came to my country. I was a good man. I was a soldier. And when they left I was something different. For the next 6 years I did things I wish I could erase from my memory -- things which I never thought myself to be capable of. But I did come to learn this -- there was a part of me which was always capable. You want to know who I am? My name is Sayid Jarrah, and I am a torturer. COMMERCIAL BREAK [Hurley and Sawyer walking through the jungle. We hear the sound of the tree frog.] SAWYER: Where is it? HURLEY: There it is. [Hurley runs toward it, but trips and falls. Sawyer catches it.] SAWYER: Gotcha. HURLEY: Dude, nice catch. SAWYER: Well, I'll be damned. All that noise from this tiny critter. HURLEY: It kind of reminds me of a turtle I once had. Its name was Stuart. It ran off when I was 10. Well, that's what mom said. I kind of think she threw him out. SAWYER [to the frog]: Well, you're a happy little fella, ain't ya? HURLEY: I have an idea. Why don't I take him -- far from here -- 2 beaches away? Then maybe he'll find a Mrs. Tree Frog. That way he won't keep you up anymore, and everyone's happy. SAWYER: Yeah, that's one idea. Here's another. [Sawyer squishes the frog in his hand.] HURLEY: Dude. SAWYER: I hear with a little ranch they taste just like chicken. [Sawyer hands the frog to Hurley.] [We see Jack cleaning up the blood from working on Gale. Locke enters.] LOCKE: Give you a hand? [Jack doesn't respond] Jack, I know this isn't... JACK: Shut up. [Jack starts to wash his hands and notices that the pliers he was using to remove the arrow are missing.] JACK: Where are the pliers? [We see Sayid in the armory with Gale.] SAYID: Tell me about this balloon. GALE: What? SAYID: This balloon that brought you here with your wife. Tell me about it. GALE: What do you want to know? SAYID: Everything. GALE: She's 140 feet high, 60 feet wide. And when she's up in the air 550,000 thousand cubic feet of helium and a 100,000 thousand of hot air keep her up. And if you could look down on her you'd see a big yellow smiley face on top. SAYID: Why would you travel in that way? GALE: Because I was rich. Because it was my dream. And Jennifer thought it would be neat. SAYID: You "were" rich? GALE: I guess I'm thinking of things in the past tense now. How's that for optimism? SAYID: What did you do to become so rich? GALE: I sold my company. SAYID: What kind of company? GALE: Mining. SAYID: What did you mine? GALE: We mined non-metallic minerals. I know, everyone wanted to talk to me at cocktail parties. SAYID: Give me your hands. Give me your hands! [Sayid puts the pliers around Gale's finger.] SAYID: Where is she buried? GALE: What? SAYID: Listen to me. You said you buried your wife. Tell me where. GALE: What are you going to...? SAYID: Where! GALE: In the jungle. By the balloon, in the jungle. SAYID: How deep? How deep did you dig the grave? GALE: I don't -- it was... SAYID: How deep? How many shovelfuls of earth? Did you use your hands? How long did it take you? GALE: I don't remember. SAYID: You would remember! You would remember how deep. You would remember every shovelful, every moment. You would remember what it felt like to place her body inside. You would remember if you buried the woman you loved. You would remember -- if it were true! GALE: Did you -- did you lose someone? Did you lose someone here on the island? Did you lose someone, too? What happened to her? SAYID: It was an accident. It was an accident. The woman responsible thought she was someone else -- someone coming to hurt her -- someone like you! GALE: This is all a mistake. Slow down here, okay. Hurting me isn't going to bring her back. [Sayid starts punching Gale repeatedly.] SAYID: You know what I lost. Tell me how long. GALE: No, no. Help! Help me! SAYID: Tell me who you are. [We see the door of the armory from the outside.] JACK: Sayid! Sayid! LOCKE: Jack. JACK: Open it. Open it now, John. LOCKE: Jack, this has to happen. JACK [pushing Locke up against a wall]: Open that damn door, you understand me! You open it now. LOCKE: No. [We hear the sound of the timer alarm start.] JACK: Now! [Inside the armory.] GALE: What do you want me to say? Whatever you want me to do, I'll do it. Please. SAYID [still beating him]: I want you to tell me the truth. [Outside the armory.] JACK: The door. LOCKE: Let go of me, Jack. JACK: Or what? You want to push the button? Open the door. [The timer alarm changes to a more insistent sound. We see the timer is now at 58 seconds.] JACK: It's under a minute now, John. You better think fast. LOCKE: You wouldn't. JACK: What? I wouldn't what? LOCKE: If we don't -- you would risk everyone's lives? JACK: You talked me into pushing that button once, John, but it's yours now. You're the one who won't risk it, you. Me? I don't think anything's going to happen when we get down to zero. LOCKE: Jack! JACK: You want to see what's going to happen? Let's just see what's going to happen. SAYID [from behind the door]: Who are you?! Who are you?! [We see the timer is down to 27 seconds.] LOCKE: Okay. JACK: Okay. LOCKE: Okay, right 15, left... JACK: You think I'm stupid; you open it! [Locke rushes to open the gn vault. And then rushes to enter the numbers. We see the timer at 10 seconds. Jack opens the door to the armory and wrestles Sayid out. Locke typed in 16 twice, instead of 15, 16 and has to backspace. The timer hits zero and starts spinning around. We hear sounds of something starting up in the hatch. The timer shows hieroglyphs in black and red. 4 of them lock in place. Locke enters the last number and hits execute before the last glyph locks. The timer resets and we hear a winding down sound.] [In the background we can hear Sayid, Jack and Gale.] SAYID: He's lying! JACK: Not like this. GALE: I'll tell you whatever you want. [Scene switches to Sayid, Jack and Gale. Jack is wrestling Sayid away from Gale.] SAYID: He's lying! He's lying! JACK: That's enough! [Jack closes the door and leaves Gale alone in the armory.] COMMERCIAL BREAK JACK [to Sayid]: What the hell was that? SAYID: He is one of them. JACK: Yeah? Did he tell you that? SAYID: No. JACK: Then how do you know? SAYID: Because I know. He is one of them. JACK: I think that Rousseau thought that about you once, Sayid. If I'm not mistaken she strapped you down, she shocked you, all because she thought you were one of them. LOCKE: He is. JACK: What? LOCKE: He is one of them. To Rousseau, we're all Others. I guess it's all relative, huh? [FLASHBACK] [We see an Army convoy driving down a long barren road in Iraq. Sgt. Austen is looking at a photograph in a truck with Sayid.] SGT. AUSTEN: You got a wife, kids? [Sayid shakes his head. We see that Austen is looking at a picture of a younger Kate at a lake or river. The truck comes to a stop and they take Sayid out.] INMAN [to a soldier]: I'll take him. [to Sayid] It's over. We're pulling out, not going to Baghdad. So your man Sadaam gets to stay in power which means you, in all likelihood, will remain in his employ. Guess you're lucky you have a new skill set you can use. SAYID: What you made me do no human being should ever have to do to another. [Inman pulls out a Knfe, but only uses it to cut the bindings on Sayid's wrists.] INMAN [in Arabic, subtitled]: One of these days there will be something you need to know. And now you know how to get it. SAYID: I will never do that again. INMAN [giving Sayid money]: Yeah. Good luck to you, Sayid. Bus fare back to Ramadi. [to the truck driver] Let's move out. [Back on the island we see Sayid sitting on the beach with Charlie.] SAYID: There is a man down in the hatch. A stranger captured by Rousseau. I bat him. I bat him badly. CHARLIE: Why are you telling me this, Sayid? SAYID: Jack asked me how I knew -- knew for sure that this man was lying. How I knew for sure that he was one of them -- one of the Others. I know because I feel no guilt for what I did to him. But there is no way I can ever explain that to Jack, or even Locke, because both of them have forgotten. CHARLIE: Forgotten? What? SAYID: That you were strung up by your neck and left for d*ad. That Claire was taken and kept for days during which god only know what happened to her. That these people -- these Others -- are merciless, and can take any one of us whenever they choose. So tell me, Charlie, have you forgotten?	{"type": "series", "show": "Lost", "episode": "2x14 - One of Them"}	foreverdreaming
[Scene opens on the beach at night. Aaron is crying.] CLAIRE: Hey, hey it's okay, sweetie. Shhh. Hey, sweetie, it's alright. [She shakes Locke awake] John, John, wake up. LOCKE: What? Claire... CLAIRE: He's burning up, and he's got a rash, and I need to find Jack. LOCKE: He's on shift at the hatch. CLAIRE: Okay. [Claire starts off toward the hatch. Locke gets up and follows.] LOCKE: No, no, Claire, wait. Claire, wait. CLAIRE: I can't, John. LOCKE: No, you're not walking through the jungle in the middle of the night. I'll go get Jack; I'll send him right back here. CLAIRE: Okay. LOCKE: Don't worry. [We see Jack sleeping on the couch in the hatch. Locke enters and Jack awakens.] LOCKE: Jack. JACK: What's going on? LOCKE: Baby's got a fever. JACK: A fever? LOCKE: Claire was coming here. [Jack and Locke look toward the closed armory door.] LOCKE: He asleep? JACK: Not a sound all night. I'll get back here as soon as I can. [We see Claire putting a cold rag on Aaron's forehead.] CLAIRE [panicky]: Hey, it's okay; it's okay. Mommy's going to cool you down, okay. Shhh, it's okay. [Claire hears something behind her] Jack. [We see Danielle approaching from behind. Claire quickly picks up Aaron.] CLAIRE: What are you doing here? You stay away from us. DANIELLE: He's infected, isn't he? CLAIRE: What? DANIELLE: Your child, he's sick. CLAIRE: Get away. You get away from us! DANIELLE: You don't remember, do you? [Claire gets a far off look in her eye and we see a montage of very quick shts -- apparently flashes of Claire's memory from when she was abducted: a crib with a plane-mobile, a cold locker opening to reveal vials of a medicine, someone knitting a baby booty, a cap being unscrewed from a canteen, the face of young woman, a needle ejecting some liquid, a swab of alcohol being swiped across a pregnant belly and a long needle being inserted, a quick scene of Danielle and Claire struggling. When we see the cap being unscrewed we hear a VO saying: "It's a vaccine, we don't want him to get sick."] KATE [running in, to Danielle]: Hey, get back! Get away from her! What do you think you're doing here? What are you doing here?! Just get out of our camp. [Danielle leaves.] KATE [to Claire]: What happened? What did she say? CLAIRE: She said there's something wrong with him. COMMERCIAL BREAK [We see Jack at Claire's tent having a look at the baby.] CLAIRE: It's just not like him. He always sleeps through the night. And this rash -- I mean, there's something wrong. JACK: Babies get sick, Claire. CLAIRE: Okay, well, the fever and cough? JACK: Perfectly normal. CLAIRE: He hasn't been eating at all. JACK: Claire, he's okay. It's probably rosiola -- a typical virus that's common in children his age, and the rash is a sign of it. CLAIRE: Okay, what's if it's not? What if he caught something really bad -- like some kind of infection? JACK: Infection? Where did you get that idea? KATE [entering]: Rousseau was here. JACK [to Claire]: What did she say to you? CLAIRE: She said she knew he was sick, okay -- that he's infected. JACK: Claire, there is no infection. We've been on this island 2 months and no one's gotten sick. Rousseau's crazy. We're going to let the fever just run its course. It's going to be fine, okay, trust me. I'm going to get back to the hatch. I'll come back in a couple of hours and check on him again, okay. CLAIRE [inaudibly]: Okay. JACK: Okay? CLAIRE: Yeah. [Jack exits.] KATE: Hey, I'm sure that if there was something wrong Jack would know. [The next morning we see Kate and Claire walking quickly through camp.] KATE: Are you sure about this? We don't really know her. CLAIRE: I think she can help me. [Kate and Claire approach Libby and Hurley.] LIBBY: Hey. HURLEY: Hey, guys. CLAIRE: So, you're a shrink, right? LIBBY: I'm a clinical psychologist, but "shrink" works, too. CLAIRE: Can you help people remember things? LIBBY: I guess it depends on what you need to remember. [We see Kate, Libby, and Claire walking along the beach.] CLAIRE: So, it was our second week on the island, I was out in the jungle and I thought I was having the baby. Charlie was with me, and there was this man, Ethan. We thought he was one of us from the plane but he wasn't. So, he took me. He took both of us. And, I don't remember. I don't remember anything. KATE: When Jack and I found Charlie he was hanging from a tree by his neck. CLAIRE: I have no idea what happened and now I'm seeing these flashes of things and -- you know, I have amnesia. There's 2 weeks missing from my life. LIBBY: Claire, I don't think you have amnesia. You know, sometimes when something terrible happens to us there's a switch in your head that flicks on to protect us from having to deal with it. Maybe your memories aren't gone. Maybe you're just blocking them. CLAIRE: Then I need you to unblock them because my baby's sick and they did something to him. [We see Locke and Jack opening the door to the gn vault to bring Gale some food.] JACK: Do you have to go to the bathroom? GALE: No. JACK: Well, just let us know when you do. GALE: I'll look forward to that. LOCKE [tossing a book on the cot]: I thought you might like something to read. GALE: Dostoyevsky. You don't have any Stephen King? LOCKE: The library's a little outdated. GALE: Right. Well, thanks. [Jack and Locke exit the gn vault.] JACK: What's with the book? LOCKE: Just something to pass the time. Did you know that Hemingway was jealous of Dostoyevsky? JACK: No, John, I didn't know that. LOCKE: He wanted to be the world's greatest writer, but convinced himself that he could never get out from under Dostoyevsky's shadow. Kind of sad, really. What are we doing, Jack? JACK: What are we doing? LOCKE: We can't hide him down here forever. Changing shifts around is going to get people asking questions. I just want to know what the long term plan is. JACK: Well, John, let me ask you this: we don't have a long term plan for the button but we keep pushing it, don't we? Look, until we know who he is -- whether or not he's telling the truth -- we have to keep doing what we're doing. If you've got a better idea let's hear it. GALE [very faintly]: Why don't you let me go? [We see Kate holding Aaron. A little distance away Libby and Claire are sitting on the ground facing each other.] LIBBY: We're away from all the noises of the camp. Just breathe. Let your whole body relax, good. Listen to the waves. Good, in and out slowly. Keep your eyes closed. Very relaxed, Claire. Just keep breathing. Now, I want you to visualize yourself when you were pregnant. Keep listening to my voice. Think about what you see. [Claire sees more memory flashes: prescription vials, a young woman's face, the plane mobile with plane's crashing, a door closing, a needle, a sonogram of a baby on a monitor, the young woman mouthing the words "wake up," a needle pushing into Claire's belly, a sht from when Claire was attcked in the night before she was abducted. During the flashes we hear a VO: "You don't want him to get sick." Then we see hands on Claire's pregnant belly. She's in a hospital gown.] VOICE: When was your last check-up, Claire? CLAIRE: I haven't been in a while. I've been busy, you know. I'm going to Los Angeles. VOICE: Really? CLAIRE: Yeah. VOICE: Traveling in your third trimester -- that's not usually recommended. CLAIRE: There's a family there. I'm, uh, giving the baby up for adoption. VOICE: Oh, of course, I understand. The sedative I gave you was very mild. I know these exams can be very stressful. [We see the doctor go to a refrigerated cabinet filled with the vials from Claire's previous flashes. He fills a syringe with liquid from one of the vials.] VOICE: I'm going to give you a sht now, Claire. [the camera pans up to reveal that Ethan is the doctor] A little medicine for your baby. Don't worry; you're just going to feel a little pinch. [We see a series of memory flashes again, and see Claire back on the beach. She screams and scrambles to a standing position.] LIBBY: It's okay, you're alright. It's okay. It's okay. CLAIRE: It was Ethan. I saw Ethan. I saw him. It was Ethan. COMMERCIAL BREAK LIBBY: Claire, it's okay. CLAIRE: No, it's not! LIBBY: You're alright. CLAIRE: No, I'm not alright. It was Ethan. KATE [entering]: What happened? LIBBY: I don't know. KATE: What did you do?! LIBBY: Nothing, she just... CLAIRE: Do it again. Do it again! LIBBY: No, Claire. You are screaming... CLAIRE: I remembered, okay. I saw Ethan. He was there and he was giving me an exam. LIBBY: Claire, what you saw could be combining experiences of what happened before the crash to the night you were having dreams here on the island. CLAIRE: No, I know this was real. I was drugged. He did something to me. KATE: Claire, you need to calm down, alright. It's not good for Aaron. CLAIRE [taking Aaron from Kate]: You know what -- Aaron is sick, okay. I need to find that place -- that room is real. It's real. And there's medicine there for the baby. I need to find it. I need to find it. Kate, please help me find it. [We see a tree with an X marked on it, and hear the sound of chopping. We see Eko fell a tree. The scene switches to Eko entering the hatch.] EKO: Hello. [Jack is with Gale in the bathroom and shuts the door, shushing Gale.] EKO: Hello? Hello. LOCKE [changing a light bulb]: Howdy. EKO: Hello, John. You are alone? LOCKE: Not anymore. [We see Gale and Jack in the bathroom.] GALE: How many of you are... JACK: Shut up. [We see Eko and Locke.] EKO: I was hoping to borrow a saw. LOCKE: Absolutely, right this way. [Locke exits and Eko sees the cot set up through the open door of the armory.] [We see Sawyer reading a book near his tent on the beach. Kate approaches.] KATE: I need a gn. And you don't get to ask why. SAWYER: Well, Thelma, seeing as I got all the gn, I do get to ask why. KATE: No, you don't. SAWYER: Yes, I do -- watch. Why? KATE: Just give me a gn, Sawyer. SAWYER: Check it out -- I found a new pair of glasses damn near my prescription. You like 'em? KATE: Alright, I'm going into the jungle to track down Rousseau. SAWYER: The French chick? What for? KATE: Claire thinks she knows where there might be some medicine. The baby's sick. SAWYER: Well, hell, I got medicines. KATE: She thinks he's really sick -- as in quarantine sick. SAWYER: What do you think? KATE: I think she's a little too worried, but she's going after Rousseau with or without me. SAWYER: No boys allowed, huh? [Kate shakes her head] Alright, what do you want -- 9 millimeter or rfle? [We see Claire handing Aaron over to Sun.] SUN: I don't think this is a good idea. Maybe you should listen to Jack. CLAIRE: What if Jack's wrong, okay? Jack said the fever would break and it hasn't. He's getting worse. SUN: Just because it hasn't broken yet... CLAIRE: Well, how long am I supposed to wait, Sun? SUN: A mother should not leave her child. CLAIRE: I'm sorry, are you a mother? SUN: No, I'm not. Claire, are you sure you want to do this? CLAIRE: What did you say? SUN: Are you sure you want to do this? [Claire has another series of memory flashes: a strange looking log, Ethan saying: "You need to be sure," the plane mobile, the young woman saying: "You need to get out of here," an operating room, Claire with someone holding something over her mouth, being injected with a syringe, a canteen. Then we see the cabinet with the vials being opened by Ethan. He fills a syringe with liquid from the vials.] CLAIRE [drugged and loopy]: Do you have to put that in my tummy? It really, really hurts. ETHAN: I know. I wish there was another way. But the baby needs it, Claire. Okay? CLAIRE: Okay. [Ethan "injects" Claire's belly.] ETHAN: There, all done. That wasn't so bad, was it? CLAIRE: No. ETHAN: And now, because you've been such a good girl, I think it's time for a surprise. [We see Claire and Ethan walking down a corridor. Claire sees some stairs and a ramp, apparently an exit, but Ethan steers her another way.] ETHAN: Claire, this way. Here we go. Over here. [He takes her to a room that's made up like a nursery.] CLAIRE: What is this place? ETHAN: It's for your baby, Claire. CLAIRE: It's amazing. What happened to Charlie? ETHAN: Charlie? Oh, he's fine. When we got far enough away from camp, I let him go back. CLAIRE: Oh. So, where did it all come from? ETHAN: Well, I'd love to explain everything to you, Claire, but I'm afraid it would be a little overwhelming right now. [Claire sees the crib with the plane mobile and seems to recognize it.] ETHAN: Go ahead, turn it on. [Claire turns it on and it plays Catch a Falling Star.] VOICE [from outside the room]: Ethan. ETHAN: Wait here, I'll be right back. CLAIRE: Okay. VOICE: What the hell happened? You were supposed to make the list and then bring her in. Was I unclear? ETHAN: It's not my fault. They knew I wasn't on the plane. They had a manifest. [The voice is revealed as Mr. Friendly, without his beard and grubby clothes.] MR. FRIENDLY: What am I supposed to tell him? You know what he's going to do when he finds out. Damn it, Ethan. [Mr. Friendly notices Claire listening and closes the door.] [There are a series of memory flashes, and then we see Claire back on the beach.] SUN: Claire? Claire, are you alright? CLAIRE: I, um... KATE [entering]: Ready to go? CLAIRE: Aaron, sweetheart, shhhh. Mommy's got to go now, sweetheart. Don't cry. Don't cry. I'll be back really soon and I'm going to make you feel all better, okay. I promise. [to Sun] Thanks. SUN: Okay. KATE: You okay? CLAIRE: Yeah. COMMERCIAL BREAK [We see Kate and Claire walking through the jungle.] CLAIRE: You're sure this is her trail? KATE: We started at the exact spot where we chased her off the beach. CLAIRE: So, what do you know about Rousseau? KATE: Not much. CLAIRE: You spent all that time with her when you went out to the Black Rock. You must have talked about something. KATE: Just about her ship crashing here -- her and her research team getting stranded. CLAIRE: What happened to them? KATE: They died. CLAIRE: How? KATE: Tracks are gone -- trail ends here. CLAIRE: Kate, how did they die? KATE: She klled them. CLAIRE: What? Why, why would... DANIELLE [appearing]: Because they were infected. You believe me now, don't you? CLAIRE: I want you to take me back there. DANIELLE: Back? CLAIRE: To where I scratched you. KATE: Claire. CLAIRE: No, okay, she knows I remember! I remember a lot of it now. I remember the room, the medicine, a teenage girl. Okay, so don't lie to me and make out you don't know what I'm talking about. My baby is sick and you're going to take me back there to get what he needs. Right now! DANIELLE: It's not far from here. [We see Jack on the beach getting water. Eko approaches.] EKO: Jack, may I have a word with you? JACK: Sure. EKO: Who is he? JACK: What? EKO: The man that you are keeping in the hatch. JACK: Did Locke tell you? EKO: Locke did not tell me anything. Who is he? I wish to speak to him. JACK: Speak to him about what? EKO: I wish to speak to him alone. Can you arrange this? JACK: Why should I do that? EKO: Because you wish to keep this a secret. [We see Kate, Danielle, and Claire walking through the jungle. Danielle stops.] CLAIRE: Why are we stopping here? DANIELLE: This is where you scratched me. CLAIRE: But there's nothing here. DANIELLE: Where do we go next? CLAIRE: Why are you asking me that? You need to tell me where to go. DANIELLE: Where is this room?! CLAIRE: How can you be saying that? You grabbed me, that's why I scratched you -- because you were taking me back to them. DANIELLE: Is that what you think? You said you remembered! That's why I brought you here. You lied! [she grabs Claire] KATE [pointing her gn]: Hey, get your hands off of her! [Claire walks off, and Danielle approaches Kate until the barrel of the gn is up against her chest.] DANIELLE: Go ahead, please. Do it. [Kate, surprised, leaves Danielle and follows Claire.] KATE: Claire! Claire! [Claire sees the strange log from her memories. She has another series of memory flashes.] [We see Ethan enter the nursery where Claire is knitting a baby bootie.] ETHAN: How's it coming? CLAIRE [still drugged and loopy]: One down, one to go. ETHAN: Now all we need is a little foot to put it on, huh? Tell you what, what do you say we sneak out of here and take a walk? CLAIRE: Okay. [We see Ethan and a stumbling Claire walking through the jungle.] ETHAN: Whoa [in response to Claire's unsteadiness]. I'm sorry this is the first time I've managed to get you out. My friends are afraid you'll run away. Whoa! Whoa. Don't tell on me, okay? CLAIRE: Okay. ETHAN: Whoa, easy now. Aright, easy. [They sit down on the log and Ethan offers her his canteen.] ETHAN: Okay, here, this will help. CLAIRE: Thanks [she drinks]. Ew. ETHAN: What? CLAIRE: That's really sour. ETHAN: Is it? I hadn't noticed. CLAIRE: Oh, hey, it's kicking! ETHAN: May I? CLAIRE: Yeah. ETHAN [feeling Claire's belly]: Claire, can I tell you a secret? CLAIRE: Yeah. ETHAN: I'm going to miss you. I wish -- I wish you didn't have to go. CLAIRE: Maybe I don't have to go? ETHAN: We've been through this Claire. There's not enough vaccine for you and the baby. CLAIRE: Well, I'm not, I'm not sick. ETHAN: Thank God. And once you've delivered you can go back to your friends and hopefully you'll stay that way. CLAIRE: What if I want to see the baby? ETHAN: Hey, nobody's going to take him from you unless that's what you want. You have a choice. We're good people, Claire. We're a good family. But if you're going to trust us with your child I want you to be sure. Okay? [The camera moves around behind Claire and Ethan and we see present-day Claire looking on. Scene switches back to Claire on the island, in the rain.] CLAIRE [dazed]: Sure. KATE: There you are. Where are you going? CLAIRE [walking]: I know this is it. KATE: Claire! DANIELLE: Leave her alone. KATE: Excuse me! DANIELLE: Let her look. KATE: Look for what? Claire! Claire! [Claire starts pulling at some branches and a tarp, uncovering a set of doors to another hatch. They open the doors and look into the dark interior.] COMMERCIAL BREAK [We see Claire, Kate and Danielle walking into the hatch down a ramp. Kate opens a small cabinet on the wall.] KATE: Flashlights. The lights, I'm going to see if I can turn the power on. [to Claire] You okay? CLAIRE: This way. [Claire and Danielle enter the room that was the nursery and see outlines on the walls where decorations used to be. The lights come on, and we see the rocking chair has been left behind.] DANIELLE: What is this place? CLAIRE: It's where they were going to keep him. [We see Kate enter a room with lockers. She opens one and finds raggedy clothes and the knit hat that Mr. Friendly was wearing when he kidnapped Walt. She opens a box in the locker and finds some theatrical glue and a fake beard.] [In the nursery, Claire finds the bootie she knitted lying on the ground. Then she has a series of memory flashes and sees the teenage girl.] YOUNG GIRL: Wake up. CLAIRE: Who are you? YOUNG GIRL: Shhh; he'll hear you. Look, you have to get out of here. CLAIRE: Huh? YOUNG GIRL: You have to get out of here, now. CLAIRE: What? No, no, no, I can't leave. YOUNG GIRL: Yes, you can. CLAIRE: I can't leave. No. What are you doing? [The girl gets Claire out of bed and brings her to the door. They see an operating room full of people.] YOUNG GIRL: Don't scream. They're going to do it tonight. CLAIRE: Do what? YOUNG GIRL [closing the door]: Shhhh. CLAIRE: What are you talking about? YOUNG GIRL: You're going to die. They're going to cut him out of you. I can get you back to your camp, but we have to leave. Now! CLAIRE: No, no, no, hey, you're lying. You're lying, okay. I'm sure about this, okay. YOUNG GIRL [struggling with Claire]: Shhhh. CLAIRE: Get Ethan, I want to talk to Ethan. Ethan wouldn't hurt me. Ethan wouldn't... [The girl puts a rag over Claire's face which drugs her and makes her pass out.] YOUNG GIRL: You'll thank me for this one day. [We see more quick memory flashes, and see Claire holding the bootie in the medical hatch in present time.] CLAIRE: It's here. The medicine's here. [Claire and Danielle enter the exam room and find the cabinet with the vaccine lying face down on the ground. Claire tries to move it, but it's too heavy.] CLAIRE: Help me. [Danielle doesn't respond] Help! Kate, come here, I need some help! [Kate enters] Help me open this. KATE: What is it? CLAIRE: It's in here. The vaccine's in here. KATE: Okay, 1-2-3. [They lift the cabinet up and open it, but it's empty.] CLAIRE: It was in here. The vaccine was in here! The vaccine was in here! Where is it! [to Danielle] You were bringing me back here -- where is it! You know where it is, don't you? Tell me! Tell me where it is! Tell me! [Claire remembers struggling with Danielle and then looks at Danielle's arm where she had scratched her.] [We see Claire regaining consciousness in the jungle.] CLAIRE: Ethan. Ethan. Ethan, I'm sure. Ethan. Hey, Ethan! Ethan! I'm sure. I want you to take the baby. [Claire suddenly sees Danielle.] CLAIRE: Who are you? ETHAN [from a distance]: Claire! CLAIRE: Yeah! I'm here! ETHAN: I can hear you, where are you?! DANIELLE: Quiet. CLAIRE: I'm here, Ethan! DANIELLE: Be quiet. CLAIRE: I have to give him to them. ETHAN: Claire! CLAIRE: I have to give him to them so he'll be safe, okay. Help! I'm here! Ethan! [Danielle puts her hand over Claire's mouth and struggles to drag her away. Claire falls and Danielle knocks her out with the butt of her rfle.] [We see Claire and Danielle back in the medical hatch.] CLAIRE: You weren't trying to take me back, were you? You were trying to save me. DANIELLE: I carried you on my back to your camp. I left you where they would find you. CLAIRE: I'm sorry. [Danielle turns to leave] Where are you going? DANIELLE: You're not the only one who didn't find what they were looking for. COMMERCIAL BREAK [We see Kate, Claire and Danielle walking through the jungle.] DANIELLE: This is as far as I go. CLAIRE: Your baby -- was it a girl? DANIELLE: Yes. CLAIRE: What was her name? DANIELLE: Alex, Alexandra. CLAIRE: I remember a girl -- a girl with blue eyes. She helped me. She saved me, just like you did. She wasn't like the others. She was good. DANIELLE: I'm sorry that you didn't find what you were looking for. I hope you're baby's not infected. But if it is, I hope you know what must be done. [she exits] [We see Locke doing dishes in the hatch. Jack and Eko enter.] LOCKE: Back for more tools? JACK: He knows, John. LOCKE: Well, there you go. JACK [to Eko]: Be careful what you say to him. He's smart and curious. Just give us a shout when you're done. LOCKE: If the alarm goes off, don't tell him what it's for. EKO: What is it for? [Locke opens the armory door and Eko enters.] EKO [extending his hand to shake]: Hello. I am Mr. Eko. GALE: Henry Gale. EKO: Do you mind if I sit, Henry? GALE: Okay. EKO: How long have you been in here? GALE: 2 days. EKO: Are they treating you well? GALE: Treating me well? I'm a prisoner; and I don't know why, or for what, or... EKO: You are a prisoner because they are being careful. They are being careful because they believe you are lying. GALE: Why would I lie? They think I'm one of these others -- other what? EKO: Please, stop talking, Henry. The first night I spent on this island I was dragged into the jungle by 2 men. They never spoke a word to me, nor I to them. I klled these men -- smashed in their head with a stone, felt their blood on my arms. I need you to know how sorry I am for this. I need you to know that I am back on the righteous path now. And that I regret my actions. I ask you for your forgiveness. GALE: Why are you telling me this? EKO: Because I needed to tell someone. [Eko pulls out a Knfe in a thrat manner, but uses it to cut off the 2 longer strands on his beard. Eko exits.] [We see Jack at Claire's tent examining Aaron.] JACK: He looks good -- fever's broken, the rash is even starting to fade.] CLAIRE: Thank you so much. JACK: I didn't do anything. I'll check back in a couple hours, okay? [he exits] CLAIRE [giving Aaron the booty]: Look, Mommy made this for you when you were still inside her tummy. [she cries] You know, I wanted them to take you. But now I know that we're supposed to be together, you and me. We're supposed to take care of each other, okay. You're mine and I love you. I love you so much. [Locke opens the door to the armory and brings Gale some food.] GALE: No cheeseburgers, huh? LOCKE: No cheeseburgers. Bon a petit. GALE: Is that true -- what you said Hemingway? LOCKE: You have good ears. GALE: You have thin doors. LOCKE: You read Hemingway? GALE: Sure, guy ran with the bulls, fought in the Spanish Civil wr, stuff I can wrap my brain around. This is I can't get through 5 pages of [indicating the Dostoyevsky novel]. LOCKE: Well, Dostoyevsky had his virtues, too. He was a genius, for one. Bullfighting isn't everything. GALE: So, which one are you? LOCKE: I'm sorry. GALE: Are you the genius, or are you the guy who always feels like he's living in the shadow of a genius? LOCKE: I was never very much into literary analysis. GALE: I just don't understand why you let the doctor call the shts. LOCKE: No one calls the shts. Jack and I make decisions together. GALE: Right, okay. My mistake. [Locke leaves the armory, starts to do the dishes, and then loses his temper, swiping all the dishes on the counter to the ground.]	{"type": "series", "show": "Lost", "episode": "2x15 - Maternity Leave"}	foreverdreaming
[FLASHBACK] [We see Sun looking in a mirror.] JIN [subtitled]: Are you coming to bed? SUN [subtitled]: I'll be right there. [Sun enters the bedroom wearing a nightie.] JIN [subtitled]: You look great. SUN [subtitled]: Oh, come on. JIN [subtitled]: Turn around. SUN [subtitled]: Honey... JIN [subtitled]: Come on, please. [Sun does a little spin for him, and goes to the bed where they kiss.] JIN [subtitled]: Did you take your temperature? SUN [subtitled]: Isn't that romantic. JIN [subtitled]: I'm sorry. It's just -- we've been trying for a year. I think we should see a doctor. SUN [subtitled]: A doctor? JIN [subtitled]: A fertility doctor. SUN [subtitled]: Why do you care so much about a baby you wouldn't even see? JIN [subtitled]: Don't blame my work, Sun. I work so we can... SUN [subtitled] Work? When a man comes home with blood on his hands that isn't "work." JIN [subtitled]: And why do you think I come home with blood on my hands? I have blood on my hands because of your father. Because of what he makes me do! [Sun starts to cry, and Jin gets out of bed and goes to the window.] JIN [subtitled]: I didn't mean to -- I'm really sorry. Maybe if we had a baby your father might change his mind. Maybe if we gave him a grandchild he might give me a safer job. A baby will change everything. A baby will make it better. [Back on the island we see Sun working in her garden. She's afraid when she hears rustling in the bushes, but it's only Jin.] SUN [subtitled]: Jin, you scared me. JIN [subtitled]: Do you know how long I've been looking for you? What are you doing out here? SUN [subtitled]: What do you mean? I'm working in my garden. JIN [subtitled]: Come with me, we're going back. SUN [subtitled]: What? No. JIN [subtitled]: Let's go, now. [Jin grabs her arm and pulls her up to make her come with him. She jerks away.] SUN [subtitled]: What?! JIN [subtitled]: The others attcked you here. We talked about this! Let's go. Now. [Jin grabs and pulls her again. She breaks away.] SUN [subtitled]: I don't need you to protect me. I'm just working in my garden. JIN [subtitled]: What? "My garden?" [Jin rips up a bunch of plants from the garden.] SUN [subtitled]: Stop! Please stop! JIN [subtitled]: Now you have no reason to be out here. Shall we go back now? [Sun walks off ahead of him.] COMMERCIAL BREAK [We see Ana running hard on the beach. She runs toward some shelters and we see Locke sitting under a tree eating a banana.] LOCKE: You were running like the devil's chasing you. ANA: Maybe he is. LOCKE: Good for you, keeping in shape. ANA: What do you want, Locke? LOCKE: What do I want? ANA: I've been here over a week -- you've never said 2 words to me. And now you're sitting outside my tent? LOCKE: We've got a man locked up down in the hatch. There's a possibility he's one of them -- the Others. ANA: Who's we? LOCKE: Me and Jack. He's keeping watch right now. ANA: How long's he been down there? LOCKE: 3 days. I'd like you to talk with him. You have experience with the Others. You were a cop. Seems to me you're the most qualified to figure out if this man's telling the truth. ANA: Does Jack know you're coming to me with this? LOCKE: We've got a serious problem, Ana-Lucia -- all of us. I'm taking the necessary steps to solve it. I don't need Jack's permission to talk with you because right now there's a man sitting in a room in my hatch and I want him out. [We see Sun walking at the beach. She stops in pain near a tree. We can hear Rose and Bernard faintly.] ROSE: I don't have to give you anything. It's the thought that counts. You just didn't think. BERNARD: I think all the time. You know, maybe you should think about giving me a little bit of a break here. ROSE: Oh, just hush, Bernard. Just hush. [They see Sun in pain and go to her.] ROSE: Honey? Are you alright? SUN: I'm -- I think I'm just a little lightheaded. BERNARD: You look as pale as a sheet. ROSE: Well, give her some water. BERNARD: Yes, ma'am. ROSE: Don't pay him any mind, honey. He's just mad at the world because he forgot my birthday. BERNARD: I didn't forget. I don't even know what day of the week it is, Rose. ROSE: It's Saturday, Bernard. [to Sun] Honey, can you walk? SUN: Really, I'm alright. BERNARD: Maybe we should go get Jin? SUN: No -- I think I was just out in the sun too long. ROSE: Well, you spent a lot of time around the baby maybe you caught something. At least talk to Jack. SUN: Really, I'm okay. Thank you -- both of you. [FLASHBACK] [We see Sun enter a hotel room and put the do not disturb sign on the door. Jae is there.] JAE [subtitled]: Was there traffic? SUN [subtitled, taking off her coat]: Just the usual. JAE [subtitled]: Does he know you're here? SUN [subtitled]: No. JAE [subtitled]: I thought you were going to tell him. SUN [subtitled]: I couldn't. [She drops her coat and they share a look as they both bend down to pick it up.] SUN [subtitled]: I'm glad you were able to get away today. JAE [subtitled]: Just one of the perks of being the general manager and the hotel owner's only son -- flexible hours. The room's not too shabby, either. Can I get you a drink? SUN [subtitled]: Just some iced-tea, please. JAE: In English. SUN [with difficulty]: I would like iced-tea, please. JAE: Very good. SUN: Thank you. JAE [subtitled]: Are you alright? SUN [subtitled]: I'm fine. JAE [subtitled]: Do you want to talk about it? SUN [subtitled]: Not really. JAE [subtitled]: Well, if you change your mind -- not that I'm the one to come to for relationship advice -- but I think Jin would proud that you can speak English. SUN [subtitled]: And what do I tell him when he asks how I learned? Or who I learned from? JAE [subtitled]: If you're uncomfortable with our arrangement, we can stop. SUN [subtitled]: Is that what you want? JAE [subtitled]: No. It's good practice for me, too. [Back on the island we see Jack get out of the shower.] LOCKE: Morning, Jack. [We see Locke is shaving.] JACK: You couldn't wait 'til I was done in here? LOCKE: The steam opens up my pores. A man's got no shaving cream, he's got to improvise. I also thought this might be a good time to talk about our problem. JACK: Our problem? LOCKE: Our Henry problem. We've had him locked up for 3 days now, and I can't help but get the sense that he's just not motivated to cooperate with us. JACK: And how are we going to motivate him? LOCKE: I don't think there's anything we can do. I think we need to bring in some new blood. JACK: Obviously, you have someone in mind. LOCKE: What do you think about Ana-Lucia? JACK: Why her? LOCKE: She's the one you went to to start an army to fight these people -- why not her? Unless you're worried about what she'll do to him. JACK: I'll talk to her. LOCKE: I already did. She's in there with him now. [We see Ana and Gale in the armory.] GALE: Were you on the plane, too? ANA: I was in the tail section. We crashed on the other side of the island. GALE: You walked across all the way here? That must have been fun. ANA: It had its moments. So, are you going to tell me your story, Henry? GALE: Why bother, I've already told it to everyone -- Jack, Locke, the big black guy that cut off his beard in front of me. Oh, yeah, and my buddy, Sayid. You can see how much he liked my story. ANA: So how about you try me. GALE: I don't mean to be ungrateful, but why are you going to help me get out of here? ANA: On the other side of the island there was this guy with us. I was 100 percent convinced that he wasn't on the plane. So I dug a whole and I threw him in it. GALE: And what happened? ANA: I was wrong. And now he's dad. But good news for you Henry -- I don't make the same mistake twice. So how about you tell me your story? [We see Sawyer reading a book, Sun approaches.] SUN: Sawyer? SAWYER: Well, hey there, Sunshine, what can I do for you? SUN: How's your book? SAWYER: Predictable -- not nearly enough sex. SUN: I heard that you have all the medical supplies. SAWYER: You heard correct. SUN: May I look through them? SAWYER [chuckling]: No you may not. But if you'll tell me what you're looking for... SUN: Forget it. [Sun starts to leave.] SAWYER [going after her]: Okay, hold on. Now I'm intrigued. Tell you what, tell me what you're looking for and it's yours, gratis. SUN: Can't I just look myself? SAWYER: It's not a drugstore, sweetheart. SUN: I need a pregnancy test. COMMERCIAL BREAK [We see Locke and Jack in the hatch. Locke is listening to music while Jack stands at the armory door.] JACK: Can't hear anything. LOCKE: She's only been in there about 30 minutes. JACK: How do you know he hasn't snapped her neck, John? LOCKE: How do you know she hasn't snapped his? [In the armory.] ANA: So let me get this straight -- you and your wife travel around the world and crash here in a smiley-face balloon? Then she dies. You get captured by a French chick who brings you here, and then they lock you up. GALE: It sounds kind of silly when you say it like that. ANA: Why don't you have a beard? GALE: Because I shaved -- because I needed something normal. ANA: Okay, so why don't you draw me a map to your balloon? We'll go out there, we'll find it, and everybody will believe you. GALE: That's what they all keep asking me to do -- draw a map. And if I mess up they'll crucify me. ANA: You flew around the world in a balloon and you don't think you can draw up a good map? GALE: Air travel -- it's a different animal. It's about wind currents and... ANA: Do you or do you not know where it is? GALE: Yeah, I know where it is. I went back there to bury my wife. ANA: Why'd you do that? GALE: Because our balloon was the closest thing we had to home. You people have been looking for someone to punish for everything that's happened to you -- someone to blame -- and now you've got him. It doesn't matter what I do, I'm dad already. ANA: You draw up that map, Henry. I'll find your balloon. But if you don't, things are going to play out just like you said. [We see Sun walking stealthily through the jungle. She stops and pulls out the pregnancy test. Suddenly Hurley appears holding a partially eaten Apollo bar. Sun quickly hides the test behind her back.] HURLEY: Hey, Sun. Look what I found in the middle of the jungle. It's not even melted or nothing. Crazy, huh? You want to split it? SUN: No. No, thank you. I was just heading to the beach. HURLEY: Okay, well, later, dude. [FLASHBACK] [Jin and Sun are in a doctor's office. The doctor enters.] DR. KIM: Hello, Mr. Kwon. Hello, Mrs. Kwon. I apologize for the wait. How is your father? SUN: Well, thank you. DR. KIM: Please give him my regards. SUN: Of course. And thank you for seeing us so fast. JIN [interrupting]: Doctor, do you have the results? DR. KIM: I'm afraid the news is not good. The ultrasound showed advanced endometriosis -- scar tissue -- blocking the fallopian tubes. I'm afraid that -- even with surgery -- the chances of conceiving are -- impossible. JIN: Can't you fix this? There must be something you can do. DR. KIM: I'm afraid not, sir. I'm sorry. JIN: Did you know about this before we got married? SUN: What? JIN: You must have had some idea. SUN: Why would I keep something like this from you? Oh, yes. I was trying to trap the son of a fisherman. [Jin looses his temper and pushes some papers off the doctor's desk and storms out.] [Back on the island we see Jack and Locke in the hatch. We hear Ana bang on the armory door.] ANA: Coming out. [Jack opens the door for her.] ANA: He told me the same story he told you. LOCKE: You believe him? ANA: I don't know yet. I need more time with him. LOCKE: He's all yours. ANA: Tomorrow. I want to give him some time to think. [to Jack] If that's okay with you. JACK: I didn't tell anyone, Ana. ANA: No worries, man. [We see Sayid and Charlie building something out of bamboo at the beach.] CHARLIE: A bit large for a dining room table, isn't it? SAYID: If we cut them in two, it will suit the purpose. ANA [entering]: Sayid, can I talk to you? SAYID: Of course. ANA: Alone? SAYID: Whatever you need to say you can say it here. ANA: It's about the hatch. CHARLIE: You mean the guy locked in the closet there? What about him? [Ana pulls a map out of her pocket and hands it to Sayid.] ANA: It's to his balloon. SAYID: How did you get him to do this? ANA: I asked nicely. SAYID: Do Jack and Locke know about this? ANA: Jack and Locke are a little too busy worrying about Locke and Jack. All I want to know is if this guy's telling the truth. SAYID: Why come to me? ANA: Judging from what you did to his face that's what you want, too. SAYID: This is at least a day's walk. ANA: Then we should get going. COMMERCIAL BREAK [We see Ana, Sayid and Charlie walking across a stream. Charlie stumbles and Ana reaches to help.] ANA: You okay? CHARLIE: I'm alright. Thanks. [They continue walking and see a cliff in the distance.] SAYID [pointing]: That cliff there appears to be this [showing the spot on the map]. ANA: Score one for Henry. SAYID: Pointing out a geographical touchstone does not mean he's leading us to a balloon. ANA: Maybe not, but at least we're on the right island. [Sayid walks off.] CHARLIE: Humor's not his strong suit. [Ana doesn't respond] And I'm saying this to you. [They continue walking. Charlie looks around and sees Ana staring at him.] CHARLIE: You looking at my bum? ANA: No, I'm looking at your gn. CHARLIE: My what? ANA: Maybe you should give the gn to somebody who knows how to use it. CHARLIE: Maybe I will. As I recall, the last time you had a gn you mrder someone. SAYID: That's enough. [Charlie takes the gn out and acts like he's going to give it to Ana but gives it to Sayid.] SAYID: We'll go as far as the base of the cliff and we'll camp there. [We see Sun and Kate sitting on the beach. Kate has the instructions to the pregnancy test.] SUN: How long is it supposed to take? KATE: Uh, up to two minutes. SUN: I'm sorry -- I'm just... KATE: I know. Where did Sawyer find one of these anyway? I mean, who flies with a pregnancy test, right? SUN: Have you ever taken one? KATE: Yeah. SUN: Thank you for waiting with me and not asking why you're here and not Jin. KATE: You're welcome. It's time. [Sun looks and sees two pink lines.] KATE: You're pregnant. SUN: Is it 100 percent sure? KATE: There's only one way to find out. [We see Jack with the pregnancy test.] JACK: These tests are pretty accurate. You know, a false negative in the first week maybe, but positive is a positive. SUN: But it's impossible. JACK: Oh, it's possible. You feeling queasy, lightheaded? SUN: Please, Jack. This is private, nobody can know. KATE: You're not going to tell Jin? SUN: In time I will, it's just -- it's complicated. JACK: As complicated as Jin being the last one on the island to find out you spoke English? Sun, my advice -- and it's just that because I'm the last person to ask about this, but -- you should tell him. And when you do you should tell him everything -- the whole truth. I'm going to get back to the hatch. Congratulations, Sun. KATE: You've been down there a lot, Jack. Is everything okay? JACK: Sure, yeah, everything's fine. [he exits] KATE: Are you okay? Sun? [FLASHBACK] JAE: Sun? Sun. Sun are you alright? SUN: Yes, I'm fine. JAE: You were distracted for our entire lesson. You're not fine. SUN: We -- Jin and I went to see a doctor. He said I cannot have children. JAE: I'm very sorry, Sun. SUN: I was glad. JAE [subtitled]: Why are we here? SUN [subtitled]: Because you're teaching me English. JAE [subtitled]: You've been practically fluent for a month now. Why are you learning English? SUN [subtitled]: Because I'm moving to America. JAE [subtitled]: Jin. You're going to leave him. I ran away to America for a woman because I thought I was in love. But you can't run away from your life. SUN [subtitled]: And Jin? Is he my life? I should stay because... JAE: I'm not saying you should stay for Jin. [Back on the island we see Sayid sitting at a campfire. Charlie is sleeping. Ana enters.] ANA: Do you mind? SAYID: You should sleep while you can. ANA: Yeah, I can't sleep. People don't like me. I tried to get them to most of my life. I guess I just gave up a while back. I mean, I am what I am. But you -- you've got a good reason to hate me. I'm sorry. I'm sorry for what I did. SAYID: You were trying to protect your people. It wasn't you that klled Shannon; it was them. And once we find out he is one of them then something will have to be done. COMMERCIAL BREAK [We see Sayid watching Ana sleep.] ANA [waking]: What?! SAYID: Nothing. ANA: It's going to rain. SAYID: We should get moving. CHARLIE [entering]: Morning! Who wants breakfast? I have papayas and papayas. SAYID: Let's go. CHARLIE: Right, why eat? [We see them walking in the rain when they come to a large clearing.] SAYID [looking at the map]: This is it. CHARLIE: This balloon would be rather large, right? SAYID: Why am I not surprised? ANA: We need to look some more. SAYID: This is where he said it would be. ANA: If I'm going to back your play on this, Sayid, we need to be sure. SAYID: I'll divide the area into 3 grids, so search as thoroughly as you please. [We see Jin with his fishing net at the shore. He sees Bernard struggling with a net of his own.] BERNARD: Oh, for the love of... JIN: [Speaks in Korean.] BERNARD: Oh, no, no, no, it's not for fish. JIN: [Speaks in Korean.] BERNARD: No, no, no, oysters. [he makes a gesture to indicate a shell opening and picking something out] Pearl, for Rose. JIN: Ahhh. BERNARD: Pearl. JIN [shaking his head]: [Speaks in Korean.] No oyster. No oyster here. BERNARD: Ah, of course not. Why would there be? SAWYER [entering]: Yo, Dadio. JIN: Sawyer. SAWYER: Way to go, Papa-san. You didn't waste much time. I'd give you a cigar, Bernie, but I'm fresh out. BERNARD: Sun's pregnant? SAWYER: Keep it down there, Suzie; I don't think Jin Sr. here knows yet. [Jin hears them speaking gibberish.] [Scene switches to Jin replanting Sun's garden. Sun enters.] SUN [subtitled]: What are you doing? JIN [subtitled]: I'm fixing a mistake. SUN [subtitled]: You didn't have to. JIN [subtitled]: Yes, I did. I need you. SUN [subtitled]: What? JIN [subtitled]: I hate being this way. Fighting. And I can't -- I can't talk to anyone. I can't understand them. I need you, Sun. SUN [subtitled]: Jin, I... JIN [subtitled]: It's okay -- I'm sorry. It was wrong of me to... SUN [subtitled]: I'm pregnant. JIN [subtitled]: What? You're... SUN [subtitled]: I'm pregnant, Jin. [Jin is joyful and hugs Sun, lifting her off the ground.] SUN [subtitled]: Jin, listen to me. JIN [subtitled]: What is it? SUN [subtitled]: There's something -- there's something I need to tell you. [FLASHBACK] [We see Sun walking her dog. A car pulls up beside her.] DR. KIM [subtitled]: Sun! Sun! SUN [subtitled]: Dr. Kim? DR. KIM [subtitled]: Will you get in the car? SUN [subtitled]: What? Why? DR. KIM [subtitled]: Please, I need to speak with you. [Sun seems a bit weirded out and starts walking away. Dr. Kim gets out of his car.] DR. KIM [subtitled]: Wait! Please! I've done something terrible. It's not you that can't have children. SUN [subtitled]: What? DR. KIM [subtitled]: It's him. It's your husband. SUN [subtitled]: But why would you...? DR. KIM [subtitled]: I couldn't. I'm so sorry. Your husband, he works for your father. If I told a man like him he couldn't -- he would burn my practice to the ground! SUN [subtitled]: Why are you telling me this now? DR. KIM [subtitled]: Because you deserve to know the truth. [We see Jin and Sun back on the island, still in the garden. Jin looks stunned and sits down.] JIN [subtitled]: Why didn't you tell me? SUN [subtitled]: How could I? JIN [subtitled]: If I can't -- how can there be a baby? SUN [subtitled]: I swear to you, Jin, I have never been with another man. That is the truth. JIN [subtitled, taking a long pause]: Then it's a miracle. [They hug.] COMMERCIAL BREAK [We see Sun and Jin working in the garden together.] JIN [subtitled]: If it's a boy I'd like to use a character from my father's name. SUN [subtitled]: And perhaps one from my mother's. JIN [subtitled]: Can we tell people? SUN [subtitled]: Well, Jack and Kate already know. And Sawyer probably knows. JIN [subtitled, nodding]: Dadio. And Bernard knows, too. SUN [subtitled]: We'll be lucky if there's anyone left to tell. JIN [subtitled]: Are you ready for lunch? Shall we go back? SUN [subtitled]: I'd like to stay for another 20 minutes or so -- by myself. If that's alright with you. JIN [subtitled, disappointed]: Of course. That's fine. I'll see you back at the beach. SUN [subtitled]: I love you. [Jin stops in his tracks and kisses her.] JIN [in English]: I love you. [he exits] [Sun puts her hands on her belly and smiles.] [We see Gales reading in the armory. Jack enters.] JACK: How is it? GALE [reading from the book]: Men reject their prophets and slay them, but they love their martyrs and honor those whom they have slain. [to Jack] So what's the difference between a martyr and a prophet? JACK: Either way, it sounds like you end up dad. GALE: That's the spirit. JACK: In the mood for some breakfast? [We see Locke getting bowls and cereal. Jack leads Gale out of the armory. Locke looks surprised. Gale sees the computer room.] GALE: What's the computer for? JACK: Nothing. GALE: Cereal? Wow, where'd you guys get cereal? LOCKE: It was down here all along. The pantry's full of food. GALE: How old is it? [Jack and Locke don't respond] You guys don't know much, huh? I mean, I'd be asking all kinds of questions about all this stuff down here. You guys don't even seem that curious. JACK: Do you want the cereal or don't you? GALE: This must be my reward for good behavior, huh? I guess I earned myself some good will for finally drawing that map for Ana. LOCKE: What map? GALE: To my balloon. JACK [to Locke]: Did you... LOCKE: No. GALE: Wow, you guys have some real trust issues, don't you? Guess it makes sense she didn't tell you. I mean, with the two of you fighting all the time. Of course, if I was one of them -- these people that you seem to think are your enemies -- what would I do? Well, there'd be no balloon, so I'd draw a map to a real secluded place like a cave or some underbrush -- good place for a trap -- an ambush. And when your friends got there a bunch of my people would be waiting for them. Then they'd use them to trade for me. I guess it's a good thing I'm not one of them, huh? You guys got any milk?	{"type": "series", "show": "Lost", "episode": "2x16 - The Whole Truth"}	foreverdreaming
[FLASHBACK] [We see Locke retrieving an engagement ring he's hidden in a sock drawer. Scene switches to Locke in the kitchen packing a picnic lunch.] HELEN [giving him a kiss]: So, what did I do to deserve this? LOCKE: What, can't a fella take his girl out for a picnic lunch just because? HELEN: Fella? LOCKE [hiding the ring in the picnic basket]: That's right, fella. HELEN: Where are you taking me? LOCKE: I'm not telling, so just quit asking. HELEN: Can I be of any help? LOCKE: You just read your obituaries and drink your coffee and I'll take care of everything. HELEN: Don't knock the obits -- the nicest part of the paper. No one ever says anything mean about people once they're dad. LOCKE: Mmm, and here I am thinking the funnies are the nicest part of the paper. [We see a concerned look cross Helen's face as she's reading the obits.] HELEN: John? John, what's your father's name? LOCKE: Why? HELEN: Is it Anthony -- Anthony Cooper? LOCKE: Yes, that's right. HELEN: He's dad. [Back in the hatch, we see Gale at the dining table with Locke and Jack.] JACK [giving Gale paper]: Draw it again -- the map to your balloon. GALE: I was joking. I was making a joke. There's nothing out there besides my balloon. I was just frustrated. It was a stupid thing to say. I'm sorry. LOCKE: It's too late anyway. She's already long gone, Jack. JACK: So, what's done is done? LOCKE: That's right. JACK: Put him back in the armory. [he exits] GALE: Why do you let him talk to you like that? [Locke grabs him by the collar and forcefully takes him to the armory] Hey, wait, I... LOCKE: Shut up! GALE: John, I'm sorry. John? [We see Ana and Sayid in the jungle, in the rain.] ANA: Maybe he's wrong. We should search the other side of the cliff. SAYID: We've been searching for 3 hours. This balloon does not exist. [calling out] Charlie! ANA: Then why did he draw the map? SAYID: You told him you would protect him whether we found this balloon or not. You've given him 2 more days to talk -- to figure how to escape. We're done. [calling out] Charlie! CHARLIE [off camera]: Over here! This way! [Sayid and Ana run toward him] Sayid! [We see a burial mound with a cross.] CHARLIE: He said he buried her, right? His wife? ANA: Why isn't it raining here? [They look up and see the balloon in the trees above.] COMMERCIAL BREAK [We see Hurley arranging things at his shelter. Jack approaches.] JACK: Hurley, you seen Ana-Lucia? HURLEY: She took off into the jungle with Charlie and Sayid yesterday. JACK: Yesterday -- they say anything about where they were going? HURLEY: Well, that would, like, assume that anyone actually tells me anything. Maybe if I were in the loop I could be more helpful. JACK: There is no loop, Hurley. CLAIRE [entering with Aaron]: Excuse me, Jack. He's been really hot and fussy. Do you mind having a look at him? JACK: Yeah, sure, sure. HURLEY [exiting]: Loop, dude, loop. CLAIRE: So, the fever's completely gone? JACK: Completely. CLAIRE: You're not just saying that, right? You seem a bit distracted. JACK: No, I'm fine. And so is Aaron. CLAIRE: Thanks. LIBBY [entering]: Doctor still in? I was grabbing for muscles in the tide pool -- pissed off a sea urchin. JACK: Well, it doesn't look infected. A little neosporin wouldn't hurt. LIBBY: Yeah, right, neosporin. [she looks toward Sawyer] I think the current rate of exchange is 10 loads of laundry for a tube. JACK: Right. [We see Gale reading in the armory. Locke is listening to music and riding the exercise bike. We hear a beep sound and a voice through heavy static.] LOUDSPEAKER VOICE: 20 minutes to lockdown. [Locke stops riding the bike. We hear feedback from the speaker. Locke stops the music and checks on the computer. The screen looks normal and the timer shows 47 minutes. We hear more feedback as Locke tries to fix the loudspeaker. The volume on the speaker increases dramatically, scaring Locke and getting Gale's attention.] LOUDSPEAKER VOICE: ... 17 minutes to lockdown. GALE: What was that? John, what's the matter? [FLASHBACK] [We see Locke and Helen drive up to the cemetery where Cooper's being buried.] HELEN: You sure you want to do this? [Locke nods] We could just go on that picnic, you know. LOCKE: Soon, I promise. HELEN: Hey, maybe he left you his kidney? [They chuckle. The scene switches to them sitting beside the coffin as the priest performs the service. Locke and Helen are the only people attending.] FATHER CHUCK: For we who are alive, who are left, will be caught up together with them in the clouds to meet the Lord in the air. And so we will live with the Lord forever. [Locke notices 2 thug-looking guys lurking a little way off.] FATHER CHUCK: We commit the soul of Anthony Cooper to you, but we shall never be separated. And now we are united with Christ as we go toward him. Amen. [Locke notices a silver car.] FATHER CHUCK: Do you wish to say anything, John? LOCKE [approaching the coffin]: I forgive you. [The car drives away.] [Back in the hatch, we hear more of the broken up loudspeaker message.] LOUDSPEAKER VOICE: ... please proceed... protocol... please proceed... GALE: John? Hey, you out there? What's that noise? John? What's going on? Talk to me. LOCKE: Will you be quiet! GALE: Tell me what's happening, what the hell is... LOCKE: Will you shut up! LOUDSPEAKER VOICE: 9, 8, 7, 6, 5... GALE: Maybe you should get Jack? LOCKE: I said, shut up! LOUDSPEAKER VOICE: 4, 3, 2, 1. [The blast doors begin coming down. Locke manages to get a crow bar slipped in under the last door to go down just in the nick of time.] GALE: What happened? COMMERCIAL BREAK [We see Hurley, Sawyer, and Kate playing poker on the beach.] HURLEY: I bet 4 papayas. SAWYER: You can't bet; I just bet. You can either call or raise or lay 'em down, Muttonchops. [Hurley's unsure of what to do, and looks toward Kate.] KATE: Don't look at me. JACK [entering]: Lay 'em down, Hurley. He's got you bat. HURLEY: Dude, I got a kller hand, here. JACK: No, you don't. HURLEY: But you don't even know... JACK: You've a baby straight. He's got the flush. KATE: What about me? What do I got? JACK: Hard to say, but you're just playing for the fun of it. KATE: Well, fun's not bad. You should try it sometime. JACK [exiting]: Don't call him, Hurley. SAWYER [to Jack]: Hey, Amarillo Slim -- you think because you watch poker on TV you can tussle with the big boys? JACK: I've got to head back to the hatch. SAWYER: Hatch ain't going nowhere, Doc. How about you put your mangos where your mouth is? JACK: I guess I could play a hand or two. [Back in the hatch, the lights start flickering.] GALE: Hey, what's going on? [Locke tries to lift the blast door using the crow bar, but can barely get it to budge.] GALE: Are you still out there? John? John? LOCKE: I'm here. GALE: What were those noises? What's wrong? Did something... LOCKE: Nothing is wrong. [FLASHBACK] [We see Locke putting the panel back on the crawl space access to a house, and meeting a woman in front of the house.] NADIA: So what's the verdict, Mr. Locke? LOCKE: The seismic bolting is all first rate; there's no visible mold, no dry rot. It'll all be in my report, but I think you and your husband got a pretty nice house. NADIA: If I had a husband I'm sure he would be happy to hear that. LOCKE: If you'll just sign this invoice. [Locke notices the same car that was at the funeral is parked across the street. He approaches and the window rolls down revealing Cooper.] COOPER: Hello, son. [Scene switches to Locke and Cooper in a bar.] LOCKE: What do you want? COOPER: Look, John, I know what I did to you was wrong. LOCKE: You stole my kidney. COOPER: I was dying. LOCKE: You could've asked me. You could have just asked me. What do you want from me? COOPER: I klled myself off because there are 2 men out there who were going to bat me to it. LOCKE: What'd you do, steal their livers? COOPER: No, I took them for 700,000 dollars -- retirement con. I put the money in a safe deposit box, but these 2 guys may be sitting on the bank to see if I show my face -- which is why I need you to go in there and get it for me. LOCKE: You think I'm stupid? COOPER: I want you to take 200 grand of it. It won't make up for what I did to you, but it's the best I can do. I'll be at the Flightline motel -- it's out by the airport -- until tomorrow afternoon. Then I'm gone, money or no money. And, John, if I don't see you again? I'll understand. [Back at the hatch.] LOCKE: We're locked in. GALE: What? LOCKE: These blast doors came down. The whole living area is sealed off. I can't get out. GALE: Did you try to pry... LOCKE: Yeah, but I couldn't -- maybe, maybe if the 2 of us. GALE: You want me to help you? LOCKE: Yeah. GALE: And if I do help you get these doors up then you're just going to lock me back in here, aren't you? LOCKE: That's right. GALE: Then I'm going to need your word, John. I'm going to need your word that you won't let your people do anything to me. LOCKE: Well, if you're who you say you are then what are you worried about? GALE: Things have happened to them -- things that I have nothing to do with. But they've got no one to blame except for me. So I'm going to need your word that you'll protect me, no matter what. [Locke opens the armory door.] LOCKE: Who are you? GALE: My name is Henry Gale. I'm from Minnesota. And I crashed on this island just like you. LOCKE: Alright, you have my word. COMMERCIAL BREAK [We see Hurley, Kate, Sawyer and Jack playing cards at the beach. There is a big pile of fruit on the ground between Jack and Sawyer.] HURLEY: Dude, you got me. KATE: I'm out. SAWYER: Think you're in my head, Doc? JACK: You've still got 3 papayas -- call or fold. SAWYER: Well, you're in trouble now, Cool Hand. Pocket queens makes me the set. [he chuckles] JACK [showing his cards]: King's wired. HURLEY: Whoa, dude. [Kate laughs, Sawyer looks crushed.] JACK: But at least I'm not in your head. Well, I guess that's it. SAWYER: What do you mean, "it"? JACK: Sawyer, you're busted. I got it all. It wouldn't really be fair for you to go pick more mangos. SAWYER: Oh, I've got a hell of lot more than mangos. You want to play real stakes, name 'em? JACK [laughing]: It's a pile of fruit, man. SAWYER: And I want it back. KATE: Should I go and get a ruler? SAWYER [to Hurley]: Fun time's over, Mongo. Why don't you go ht the buffet? HURLEY: But, I want to... KATE: Come on, Hurley. Let's go leave these boys to their sandbox. SAWYER: One more hand, Doc. What's it going to take? JACK: The medicine you stole from the armory, all of it. [In the hatch, we see Locke positioning one of the longer bars for the weights to slide it under the blast door to get more leverage. Locke and Gale lift the door with the crow bar far enough to slide the weight bar under. They use the weight bar to try to lift the door higher.] LOCKE: Let's go. Harder. GALE: I'm losing it. LOCKE: The tool box. Get the tool box -- that'll hold it. GALE: You sure? LOCKE: Get it! Come on, put it under. [The tool box holds the door. Locke immediately starts to slide under.] GALE: John, John, wait, don't just... [The tool box buckles and Locke's legs are trapped under the door. He screams out in pain, and Gale tries lifting the door with his arms.] LOCKE: You have to stop the door. Put something else under the door. Come on, come on. [Gale puts the weights under the door.] LOCKE: Stack 'em, stack 'em. You have to stop the pressure. Come on, come on, come on. [Gale puts enough weights so the door stops moving down.] GALE: Alright, alright, let's get you out. Come on. [Gale starts pulling Locke out.] LOCKE: No, no, stop, stop, stop! GALE: Alright, we'll wait 'til somebody comes down. Alright? It's only a matter of time, yeah? LOCKE: Yeah, but we don't have time. [FLASHBACK] [We see safe deposit box #1516 being opened. Inside is a pile of cash. The scene switches to Locke arriving home.] LOCKE: Honey, put on your Sunday best! I'm taking you out to paint... HELEN: John, we have visitors. [Locke turns to see the men that were lurking at the funeral.] HELEN: Um, these men say they knew your father. BANE: Hi, John, I'm Jimmy Bane. [Locke pauses a long time before shaking Bane's outstretched hand.] LOCKE: I'm sure Helen told you I didn't really know him... BANE: She told me. But I'd like to ask you a couple questions if that's okay. LOCKE: Sure, of course. BANE: Have you seen your father since he died, Mr. Locke? LOCKE: Wh-have-have I...? BANE: Well, we were thinking possibly he's not dad, and maybe you know that? I mean, for his son, you didn't look too shook up at his funeral. HELEN: How dare you? If you had any idea what that man did to him -- what that son-of-bitch... LOCKE: Helen, hey Helen. HELEN: We were there to get past him, to get on with our lives, to let him go. Get out of here. LOCKE: Helen, hey. BANE: Okay. Okay, just one thing before we go. What's in the bag, John? LOCKE: Work papers and stuff. I'm a home inspector. BANE: You won't mind if we take a look? [Locke gives him the bag and the other guy dumps it out on the table. It's just work papers and stuff.] BANE: Well, there you go. Thanks for the coffee, miss. [they exit] LOCKE: Helen, I'm sorry. Are you okay? HELEN: Were you lying to those men, John? LOCKE: No, I was scared. I was -- I was scared. [They hug.] [Back on the island, Sawyer and Jack are playing cards.] SAWYER: So, where'd you learn to play cards, Doc? JACK: Phuket. SAWYER: What the hell were you doing in Thailand? [Jack doesn't respond] What, you don't think I know where Phuket is? Just because I dropped out in 9th grade don't make me an idiot. Far East, huh? I wouldn't have taken you for a world traveler. That where you got the art on your shoulder? JACK: How about you deal again? SAWYER: What? JACK: This time from the top of the deck. SAWYER [smiling]: Well, I had to try. [Back in the hatch.] GALE: What does it do? LOCKE: We're not exactly sure. GALE: And you push it... LOCKE: Every 108 minutes, yeah. GALE: How soon does this alarm go off? LOCKE: Very -- which is why I need you to go up through the grate and into the vents. GALE: Grate's bolted shut. I tried it. LOCKE: There's another grate in the pantry. You can get up through there. Take the vent into the dome. GALE: Maybe we should wait. LOCKE: We can't wait; it's going to go off any minute. I trusted you, Henry, now you've got to trust me. That button has to be pushed. GALE: Okay, what do I do? LOCKE: Once you're inside, you'll hear the alarm beeping, and you just have to enter the numbers: 4, 8, 15, 16, 23, 42, and then you press execute. It has to be exactly those numbers in exactly that order. Now do you... GALE: 4, 8, 15, 16, 23, 42. I got it. [Gale goes into the pantry.] LOCKE: Can you reach it? GALE: I think so. [Gale climbs up on the shelving and tries to open the grate.] LOCKE: Be careful. [Gale falls and is unconscious.] LOCKE: Henry? [We hear the timer start to beep.] LOCKE: Henry?! COMMERCIAL BREAK [Back at the beach, Jack and Sawyer are playing cards. We see them through binoculars.] LIBBY: What's going on? HURLEY: Jack and Sawyer are finally going to bat each other up. [The scene switches to Jack and Sawyer.] JACK: 10 mangos. SAWYER: Okay, I'll call you with the aspirin and raise you with a bottle of Amoxicilin. JACK: Do you even know what Amoxicilin is? SAWYER: You may have been to Phuket, Doc, but I've been to Tallahassee. [Jack looks like he doesn't understand] Let's just say something was burning and it wasn't from the sunshine. JACK: I'm all in. SAWYER: Well, that's the move of a man who wants me to lay it down. JACK: You're not going to lay it down. SAWYER: I'm not, huh? Why's that? JACK: Because there's a bunch of people watching us right now and you don't want them to see you lose. Again. SAWYER: Well alright, I call. What you got? [Jack shows his cards] Pair a 9s? You pushed in with a pair of 9's?! JACK: You got me. Let's see 'em. [Sawyer shows his cards, irritatedly. He's got a pair of 5s.] JACK: Guess it was enough, huh? SAWYER: Son-of-a-bitch. JACK: I'll come get the meds later. [he starts to leave] SAWYER: Hey, when I asked you what you wanted for stakes -- why didn't you ask for the gn? JACK: When I need the gn, I'll get the gn. [Back in the hatch we see that Henry is still unconscious and the alarm is still beeping.] LOCKE: Henry, get up, damn it. Henry! [Henry comes to] Henry, are you alright? GALE: What happened? LOCKE: Listen to me, you have to get up into the vents and enter the numbers into the computer. GALE: How long was I... LOCKE: Please, you have to go right now; we're running out of time. GALE [faintly]: Okay, yeah. LOCKE: Be careful! [Henry goes into the vent.] LOCKE: Henry?! [The 1 minute alarm starts sounding] Henry, can you hear me? [Locke tries very unsuccessfully to lift door with his arms.] LOCKE: Henry? Henry? [FLASHBACK] [We see Locke arrive at the Flightline Motel and knock on the door to Cooper's room.] COOPER: Yeah, who is it? LOCKE: It's John. [Cooper opens the door, smiling broadly] Can I come in? COOPER: Yeah, of course. [Locke opens the bag of money. Cooper starts transferring the money to his own bag.] COOPER: Any problems. LOCKE: Nope. COOPER: Your date at my funeral -- she got a name? LOCKE: Helen. COOPER: That's a nice name -- pretty girl, too. LOCKE: I'm, uh, I'm going to ask her to marry me -- tonight, actually. COOPER [chuckling]: Well, good for you. Congratulations. LOCKE: Yeah, thanks. [Cooper puts a couple of stacks of money on the table.] COOPER: Your share -- should buy you a nice honeymoon. LOCKE: I didn't do this for the money. COOPER: Then why did you do it? [Locke just looks at him] Well, alright, um -- my plane, I gotta -- I gotta cab waiting. If you don't want the cash, the maid's going to get a hell of a tip. Bye, John. [Cooper opens the door to find Helen standing there. Locke is shocked.] HELEN: Are you him? COOPER: Listen, sweetheart... HELEN [slapping his face]: How could you? How could you do this to him? We were moving past this. [Helen looks to Locke. He looks like he wants to explain, but can't find the words. Helen leaves.] LOCKE: Helen, wait. [he follows her] Helen, wait, you don't understand. I was going to tell you everything. HELEN: You lied to me. LOCKE: No, please, I can explain. HELEN: You looked me right in the eye and you lied to me. You made your choice, John. You need his love more than mine. LOCKE: No, my choice is you. I was going to -- I love you. [Helen opens the car door] No, please. Please, Helen. I love you and I want to spend my life with you and, and I can't live without you. Helen, so -- [Locke goes down on one knee and pulls the ring out] so, will you marry me? [Helen looks troubled, but she gets in the car and drives away.] LOCKE: Helen. [We see Cooper staring at Locke. He gets in the cab and drives off.] [We see Locke in the hatch. The alarm is sounding furiously.] LOCKE: Henry! Henry! [Suddenly the alarm stops and we hear the timer numbers flipping. We hear sounds like something powering up. The lights go out. We hear the numbers stop flipping.] LOCKE: Please say something. [We see black lights comes on, Locke looks at the blast door in surprise and we see a map of the hatches fluorescing in the black light. The lights go off again, and the regular lights come back on. The blast doors come up. We see that a bar on the bottom of the door has gone into Locke's leg. He pushes himself away from the door.] LOCKE: Henry! [Locke pulls himself by his arms into the computer room.] LOCKE: Henry? Anybody here? [We see the timer at 107.] LOCKE: Is anybody here? Henry! [We see Henry approach Locke from behind.] LOCKE: You came back. GALE: What, did you think I was going to leave you here? Come on, can you stand? LOCKE: I don't -- I think so. [Locke stands and leans again a wall] Thank you, Henry. Thank you for not leaving me. GALE: You're welcome, John. COMMERCIAL BREAK [We see Jack walking in the jungle at night with a torch. Kate, also carrying a torch, runs to catch up with him.] KATE: Hey, hey, Jack. Wait up. You heading up to the hatch? JACK: Yeah. KATE: Mind if I join? It's been a while since I had a shower and I was just hoping that... JACK: Actually, the plumbing's busted. KATE: Busted? JACK: Yeah, water's been running muddy. I guess we've got a cracked pipe but it's going to take some time to find it. KATE: Oh, well, I guess I wasted a trip, then. JACK: Well, I'll let you know as soon as we get things worked out down there. KATE: Right. [she turns to leave, but turns back] I'm glad you bat Sawyer. JACK: You know what? The hatch can wait until morning -- if you'd like me to walk you back to the beach. [Kate notices a strobe light a little distance away in the jungle.] KATE: Do you see that? JACK: Yeah. [They walk toward it and find a pallet of Dharma supplies.] JACK: It's a parachute. [Kate grabs a box out off the large pile of supplies.] JACK: Wait. [Kate holds up a box of mac & cheese.] KATE: It's food. [They hear rustling in the bushes and turn to see Charlie, Sayid and Ana.] CHARLIE: What the bloody hell is that? JACK [to Sayid]: What'd you find? [We see Gale helping Locke to the couch in the hatch.] GALE: I've got you, easy, easy. [Gale lifts Locke's leg up to the coffee table. Locke winces in pain.] GALE: Sorry. LOCKE: What did you do -- what did you do to end it -- to make the doors go up? GALE: I did what you told me to. I punched in the code and pressed the execute button, but nothing happened other than that clock flipping back. I was climbing back into the vent when the lights went out. 10 seconds later the doors went up. I didn't do anything. LOCKE: You think it was all just random? GALE: Don't look at me; it's your hatch. JACK [entering]: Get away from him. GALE: Wait, you don't... SAYID [aiming his gn]: Step back, right now. LOCKE: Sayid, it's okay. [Jack grabs Gale and shoves him up against a wall.] JACK: I said, "get away"! LOCKE: I let him out -- some kind of lockdown or something -- he, he was helping me. GALE: Couldn't you find my balloon? ANA: Yeah, we found it. SAYID: We did find your balloon, Henry Gale, exactly how you described it. We also found the grave you described -- your wife's grave. The grave you said you dug with your own bare hands. It was all there. Your whole story -- your alibi -- it was true. But still I did not believe it to be true. So I dug up that grave and found that there was not a woman inside. There was a man. [Sayid shows him a driver's license] A man named Henry Gale	{"type": "series", "show": "Lost", "episode": "2x17 - Lockdown"}	foreverdreaming
[We see Hurley and Libby jogging on the beach.] LIBBY: Isn't this nice? HURLEY: I kind of prefer breathing. LIBBY: Come on, you're doing great. You know, exercise is addictive. HURLEY: Wow, I can see why. [Hurley stops and puts his hands on his knees, trying to catch his breath.] HURLEY: I need to drop a few pounds. LIBBY: Hurley, don't be so hard on yourself. It's not going to happen over night. Some people's metabolisms are just a little slower. HURLEY: It's not my metabolism. I'm sick. LIBBY: What? What's wrong? HURLEY: Never mind. [he starts to leave] LIBBY: Hurley, you can trust me. HURLEY: Okay, but it's bad. [Scene switches to Hurley uncovering a "pantry" full of Dharma food in the jungle.] HURLEY: When we first crashed here, I was like, this isn't all bad -- it's, like, the all mango diet. I wasn't turning any heads or nothing but I did drop a couple belt sizes. Then we found this hatch and it was full of food -- tons of food. I tried giving it all away, but I guess I kind of kept some of it for myself. I wish I could just get rid of it. LIBBY: Then get rid of it. [Libby grabs a giant jar of ranch dressing and holds it out to Hurley.] LIBBY: You want to change -- then change. [Montage of Hurley opening and dumping the food from his pantry while Libby laughs and encourages him.] LIBBY: How do you feel? HURLEY: I feel free. [Hurley and Libby hug and share a little intimate moment. Suddenly Jin, Sun and other people come running from the beach.] JIN: [Speaks in Korean] SUN: They found something. Come on! [Hurley and Libby follow and we see people grabbing food from the supply drop.] HURLEY: No. LIBBY [to Charlie]: Where did this come from? [Jin investigates the parachute and looks up.] JIN [to Sun]: [Speaks in Korean.] CHARLIE: Locke said some kind of blast doors trapped him in the hatch. Maybe it was because of this -- so no one would see who dropped it. Any of you guys see a plane last night? SAWYER: Yeah, I saw it, Tattoo. I just decided not to tell. [People start arguing over the food, sort of in the background.] REDSHIRT #1: Hey, give those back, man. Those are mine. REDSHIRT #2: No, man. I saw them first. HURLEY: No. REDSHIRT #1: No, you saw me put those in my box. REDSHIRT #2: No way. REDSHIRT #1: Give me my stuff, man! SAWYER: Hold on, take it easy. You guys are like locusts. How about a little order here? CHARLIE: Shouldn't we let someone a little more trustworthy take care of this? SAWYER: Like you, babynapper? CHARLIE: No, like Hurley. Why not Hurley? He's done it before, he can do it again. HURLEY: No. No way! Not me, no. Not again, no. LIBBY: Okay, hey, hey, how about no one's in charge, okay? I'm sure everyone can manage to just take what they need. SAWYER: Great plan, Moonbeam. And after that we can sing Kumbaya and do 'trust falls.' [The redshirts start talking amongst themselves, divvying up the food, trading, etc. We see Hurley notice something and are shown a man standing there in his bathrobe. He walks away and Hurley follows.] HURLEY: Hey! Hey! [Hurley falls and as he gets up he notices the man's slipper on the ground.] HURLEY: Uh-oh. COMMERCIAL BREAK [We see Hurley at the beach holding the slipper. Libby approaches.] LIBBY: Hey. What are you doing? HURLEY: Nothing. LIBBY: Who were you looking for out there? [Hurley tries to nonchalantly hide the slipper.] HURLEY: No one. LIBBY: When you ran off it sort of seemed like you were looking for someone. I tried to find you. HURLEY: I kind of -- don't want to talk about it. LIBBY: Sure, okay. Pretty weird, huh? So the island won't let you lose weight -- you destroy your stash, then bang -- more food falls from the sky. HURLEY: How about that? LIBBY: I'm proud of you. HURLEY: Proud of me for what? LIBBY: Not freaking out. [FLASHBACK] [We see Hurley wearing a bathrobe in a doctor's office.] DR. BROOKS: How's the diet coming, Hugo? HURLEY: It's okay. I had a salad and some chicken breast for lunch. DR. BROOKS: That's great. It gets easier, I promise. So I heard you had a visit with your mom. How did that go? HURLEY: It was good. DR. BROOKS: You're not still mad at her, then? HURLEY: Nah. I know she put me in here for a reason. DR. BROOKS: What reason was that? HURLEY: The accident. DR. BROOKS: You want to talk about that today? HURLEY: Do we have to? DR. BROOKS: Hugo, you've been in here almost 2 months, now. Don't you think it's time to start getting our hands dirty? [Hurley doesn't respond] Okay, why don't we talk about that little homework assignment that I gave you? HURLEY: I was never really good at homework. DR. BROOKS: You remember what you were supposed to do -- just make a list of things you like about yourself? HURLEY: Well, nobody else did it. DR. BROOKS: Nobody else -- meaning -- ? HURLEY: Well, Dave didn't do it. He said it was a stupid idea. DR. BROOKS: Well, I'm not Dave's doctor, but we have talked about how he could be a very negative influence. HURLEY: Dave's the most normal person in this place, man. DR. BROOKS: But he doesn't want you to change, does he? [We see a group of patients playing basketball. Hurley enters and we see Dave playing basketball.] DAVE: Dude, dude, I'm open, dude. [another patient runs by him with the ball] It's called dribbling, not drooling -- dribbling. Well, sht it then! sht it! [the patient lays the ball down under the basket] Wait -- oh, high percentage sht, excellent choice. [to Hurley] Do you want in the game, man? Go for it. Something tells me no one will care. [Hurley doesn't respond] What's the matter with you? HURLEY: Nothing. DAVE [to the players]: Dude, dude, give up the rock! [The ball goes over Dave's head and Hurley catches it.] DAVE: Fantastic, give it to the guy who's not even in the game! [to Hurley] Hey, it's taco night, dude, let's blow this pop stand. [Hurley looks away] What? HURLEY: Brooks said you're, like, negative. DAVE: Well, duh. So what, you don't want to hang out with me anymore? HURLEY: Uh, I don't know, it's just... DAVE: Is that quack getting inside your head, man? Do not let him. You've got much more important things to think about. HURLEY: Like what? DAVE: Like hard or soft shell, baby -- chicken or shrimp -- sour cream or hot sauce. HURLEY: Yeah, I guess I could eat. DAVE: Yeah, I thought so -- noche de tacos, amigo. [Back on the island we see Locke in the bunk bed, wiggling the toes on his left leg while Jack looks on.] JACK: Good. Now, can you do the other one? [Locke wiggles the toes on his other leg with some difficulty and pain. Jack looks at the wound on his leg.] LOCKE: Is it broken? JACK: Without an x-ray, you're just going to have to do with my best guess. [Jack grabs Locke's leg near the wound and moves it, causing Locke to wince in pain.] JACK: Sorry. KATE [entering, to Locke]: How are you holding up? LOCKE: Depends on Jack's best guess. JACK [wrapping Locke's leg with gauze]: There's a small fracture -- probably hairline. This will keep the swelling down until I can get a splint on it. LOCKE: How long 'til I can walk on it? JACK: You're going to have to keep off it a couple of weeks. There's a wheelchair back at camp... LOCKE: No! -- I don't need a wheelchair. KATE: We took a pair of crutches from the fuselage when we moved down the beach. [Locke nods] Okay. I'll be back in a while. LOCKE: He could have escaped. JACK: Sorry? LOCKE: Henry -- during the lockdown -- I was hurt. He could have escaped. [Locke winces in pain as Jack presses into his wound] But he came back to help me, why would he do that? JACK: He didn't come back to help you, John. He came back because he thought his story was going to check out. [We see "Henry" strung up in the armory. Sayid is questioning him.] GALE: He was dad already. [Ana enters] 4 months ago I was part of the search party. Henry Gale was hanging out of the basket -- neck broken. SAYID [motioning Ana not to speak]: So he was already dad? GALE: Yes. SAYID: Then you buried him and left a grave marker? GALE: Yes. SAYID [pulling a 20 dollar bill out his pocket]: You really should have checked his wallet before you did that. I assume Henry Gale did not have any paper on which to compose his thoughts, so he had to improvise. There wasn't much space for that. [reading from the bill] "Jennifer, well you were right. Crossing the Pacific isn't easy. I owe you a beer. I'm hiking to one of the beaches to start a signal fre. If you're reading this I guess I didn't make it. I'm sorry. I love you, Jenny. Always have; always will. Yours, Henry." So tell me, how did Henry Gale write a note to his wife with a broken neck? GALE [panicky]: It wasn't me. I didn't kll him. You don't understand. SAYID: How did you know his wife's name? Did you interrogate him? GALE: Please, just listen. I'm just a -- SAYID: How many of you are there? GALE: If I told you about them -- you have no idea what he'll do. SAYID: He? ANA: You mean their leader -- the guy with the beard. GALE: Him? He's no one. Nothing. SAYID: Where are your people? GALE: I can't... SAYID: How many of you are there?! GALE: You don't understand. SAYID [pulling a gn]: Understand this -- ANA: Hey. SAYID: You have 3 seconds to answer my question. How many of you are there? 1 -- GALE: He'll kll me! SAYID: I'll kll you. [he pushes the slide back on the gn] 2... ANA: Sayid! GALE: You can't do this! I am not a bad person! SAYID: 3. [Ana pushes Sayid just as he pulls the trigger so that he misses Gale.] ANA: What the hell's wrong with you? LOCKE [from the bunk bed]: What's going on? I heard a gn sht. JACK [entering the armory]: What happened? SAYID: He's a liar! ANA [to Jack]: It's fine, just get him out of here. [Sayid and Jack exit the armory.] LOCKE: Jack! Jack! JACK [looking in at Locke] I've got it covered, John. [Locke hits the top bunk in frustration.] GALE [to Ana]: Thank you. ANA: Shut up. [She locks Gale in the armory.] COMMERCIAL BREAK [We see Eko at the beach, sawing some wood. Charlie enters dragging the pallet from the supply drop behind him.] CHARLIE: Hey, I noticed you were building something. I thought maybe you could use this -- for whatever it is. EKO: That's very thoughtful of you, Charlie. Why don't you help me? CHARLIE: What are you making? EKO: Hold that end. [referring to a log] CHARLIE: Is it a Starbucks? EKO: Help me carry one of those logs, please. CHARLIE: Are you going to tell me? EKO: Not right now. [We see Hurley walking through the jungle carrying the slipper. He suddenly sees a box of Dharma "fish crackers" on the ground and after a moment's hesitation he opens it and starts shoving them in his mouth. He looks up and sees Dave standing there in pajamas and a bathrobe.] HURLEY: You're not here. [Dave picks up a coconut and throws it at Hurley, hitting him in the stomach and making him spit out fish crackers. Dave picks up another coconut and looks like he's going to throw it, but he turns and runs. Hurley follows.] HURLEY: Hey, wait! [We see Hurley running after Dave through the jungle.] HURLEY: Wait, Dave! [Dave disappears and Hurley runs out onto the beach where Eko and Charlie are working.] CHARLIE: Are you okay, Hurley? HURLEY: Did either of you see a guy run through here -- in a bathrobe, with a coconut? CHARLIE: No, I saw a polar bear on roller blades with a mango. EKO: I did not see anything, Hurley. HURLEY [exiting]: Yeah, me either. [FLASHBACK] [We see Hurley playing Connect 4 with Lenny.] LENNY: 4, 8, 15... [he repeats the numbers over and over throughout the scene] HURLEY: Uh, dude. DAVE: Pretty sneaky, Leonard. [Lenny wins and gathers the red pieces to his side] You're using those magic numbers of yours as a psyche-out, are you man? Oh, yeah, that's right, you just play dumb. I'm on to your juju, man. HURLEY [eating some celery]: They're just numbers, man. DAVE: Hey. What the hell is that? [referring to the celery] HURLEY: It's my mid-afternoon snack. DAVE: Dude, that's celery. Celery's not a snack. Leonard's got graham crackers, man. You should snag one. He won't notice. What's he going to do -- call you a 23? [Hurley and Dave laugh. Hurley grabs a graham from Lenny's plate.] NURSE: Here you go. Here's your meds. HURLEY: Thank you, nurse Lasenby. [Hurley starts to swallow his pills.] DAVE: Dude, you want to get out of here with me? Don't take the horse tranquilizer. HURLEY: What do mean, get out of here? DAVE: I mean escape, man. Me and you, A-S-A-P. They're getting to you, dude. We've got to split. HURLEY: Dr. Brooks says... DAVE: Dr. Brooks does not care about you, man. He's the one prescribing that crap. What the hell is it, anyway? HURLEY: Clonazepam. DR. BROOKS [entering]: Hugo, something wrong with your meds, there? HURLEY: No, me and Dave were just, you know, talking about stuff. DR. BROOKS: Right, well, sorry to interrupt. Hello there, Dave. DAVE: Hello there, Dr. Brooks. DR. BROOKS: And how are you today? DAVE: Never been saner. DR. BROOKS: I've been taking some pictures for the bulletin board. I've got everyone except you 2. Would you guys mind? HURLEY: Okay. [Hurley moves his chair over next to Dave.] DR. BROOKS: Why don't you two get a little bit closer. DAVE: Are you going to make us look at the ducky, too? [Hurley puts his arm around Dave and poses.] DR. BROOKS [taking a polaroid]: Say cheese. HURLEY: Cheese. DAVE: Queso. DR. BROOKS: Okay, you need a little water with that? HURLEY: Nope, I'm good. [Hurley tilts the pills into his mouth.] DR. BROOKS: Okay, well fine. See you later guys, thanks for the photo op. [Brooks exits. Hurley turns to Dave and sticks his tongue out, showing that he didn't take the pills.] DAVE: Dude. HURLEY: Dude. DAVE: The revolution has gn, man. Lay low -- when the time is right we fly. [Back on the island we Sawyer with a pack of Dharma Initiative Chocolate Cream Cookies (like Oreos). He pulls the top off, but it breaks.] HURLEY [entering]: You've got to twist it to get the frosting. Pulling it will only break the cookie. SAWYER: Well, that's what I get for not going to the expert in the first place. What can I do you for, Deepdish? HURLEY: I'm kind of looking for something. SAWYER: Forget it; I'm done trading. I got enough food now to open a chain of mini-marts. Hey, you think Sayid needs a job? HURLEY: Well, actually, I was sort of hoping you'd do me a favor. Remember when I helped you out with that tree frog -- that you klled? SAWYER: Yeah, I remember. HURLEY: I sort of -- need some medicine. SAWYER: What do you need? HURLEY: It's called Clonazepam. SAWYER: Clonaza -- what? What the hell's that? HURLEY: So you can calm down. Or, for when you're seeing things that aren't supposed to be there. SAWYER: What stuff you seeing? HURLEY: I don't know, maybe like a bald guy in a bathrobe. SAWYER: You mean like that guy there? [Hurley turns, but Dave isn't there.] SAWYER [laughing]: Gotcha. [Hurley looks angry and suddenly tackles Sawyer.] SAWYER: Get off of me. HURLEY: Who the hell do you think you are? SAWYER [trying to get away]: Let go of me. [Jin and Sun come out of their tent to see what's going on.] SUN: [Speaks in Korean.] HURLEY [punching Sawyer with each word]: Barbar, Jabba, Staypuff, Mongo, Lardo. SAWYER: Let go of me. Get him off me. [Jin looks quite amused but goes over and tries to help.] SAWYER: What the hell's the matter with you? Get off me. [Jin finally pulls Hurley off Sawyer.] SAWYER: What the hell's the matter with you? You're crazy! HURLEY: I'm not crazy. I'm not crazy. COMMERCIAL BREAK [We see Kate with some crutches at the beach talking to Sawyer.] KATE [amused]: So, he just attcked you, huh? SAWYER: Try to contain yourself, Freckles. KATE: What? I'm worried. You look like you got your ass kicked. SAWYER: Don't you got an adventure to get to? I think Timmy fell down a well over that way. KATE: Seriously though, why would Hurley of all people...? SAWYER: I've got no idea. I didn't do nothing. He just Hulked-out on me. KATE: For no reason at all? SAWYER: Okay, you walk off and have yourself a nice long giggle. But steer clear -- the man is crazy. [We see Hurley putting things in a backpack at his shelter on the beach. Libby approaches.] LIBBY: Hurley? Hey, are you okay? What happened with Sawyer? HURLEY: I don't want to talk about it. LIBBY: So, you bat him up? HURLEY: I guess you know what happened, then. LIBBY: I'm on your side, whatever you tell me... HURLEY: I don't want to talk, okay! [He puts a large jar of peanut butter in his pack, and notices Libby staring.] HURLEY: What? LIBBY: That's a lot of peanut butter. HURLEY: Well, I'm going to need a lot of protein where I'm going. LIBBY: Where are you going? HURLEY: Back to the caves. No one lives there anymore, so I won't bother anybody. I'm just going to live alone and be one of those guys -- you know, the crazy guys -- with a big beard and no clothes who's naked and throws doodie at people. LIBBY: Hurley, you don't have to do this. HURLEY: Just leave me alone. You can't help me. No one can. [Hurley exits. The scene switches to Hurley walking in the jungle. Suddenly his pack rips open and the peanut butter is jar is split open on the ground. Hurley uses a leaf to scoop some up and eat it. He hears footsteps and sees Dave's feet with one slipper.] HURLEY: You're not here. You were in the hospital. You can't be here. DAVE: Sorry, dude. I am here. [FLASHBACK] [We see Hurley in Dr. Brooks' office. He's reading from a list.] HURLEY: I like that I have a good relationship with my mom. I like making my grandpa, Tito, laugh. I like chicken. DR. BROOKS: Well, that last one wasn't about you, Hugo. HURLEY: I like that I like chicken? DR. BROOKS: So, tell me, how did it feel writing that? Was that difficult? HURLEY: Kind of -- I think I messed up some spelling. DR. BROOKS: I notice that you didn't say anything about the way you look. Are you comfortable with your appearance? HURLEY: It's not like -- I mean, I can't really do anything about it, right? [Dr. Brooks just stares at him] If I, uh -- if I w -- if I wasn't so fat, they never would have died. DR. BROOKS: There were 23 people on that deck. It was built to hold 8. And it would have collapsed whether you went out there or not. HURLEY: Yeah, but I did walk out there. And it did collapse. I klled them. DR. BROOKS: It was an accident. HURLEY: That was my fault. DR. BROOKS: After those people died, you were in a practically catatonic state. You stopped talking, you stopped going out, you stopped sleeping. But you never stopped eating because that's how you punish yourself. HURLEY: Dave's right about you, you know. You're nothing but a quack. DR. BROOKS: Dave doesn't want you to lose weight, does he? HURLEY: You know, Dave cares about me. He's my friend. DR. BROOKS: Let me show you something. [Brooks gets the polaroid out of Hurley's file.] DR. BROOKS: It may upset you. It's the photo I took for the bulletin board. [Hurley looks at the picture with surprise and shock.] DR. BROOKS: Dave isn't your friend, Hugo, because Dave doesn't exist. [We see the photo is a picture of Hurley sitting next to an empty chair with his arm around nothing.] COMMERCIAL BREAK [FLASHBACK] [We see Hurley in bed sleeping. Dave enters.] DAVE: Psst. Hey, wake up, dude. Finally, you could sleep though a damn Nascar race, man. HURLEY: Wait, you're not -- you're a hallucination. [Dave slaps him] Ow. DAVE: Was that a hallucination? HURLEY: Maybe I just imagined you slapped me? [Dave slaps him again] Ow! Damn it. DAVE: We can do this all night. HURLEY: Dr. Brooks showed me a picture from the rec room. My arm was around, like, nothingness. DAVE: Uh, Kinkos, Photoshop? What, you think they really blew up the Death Star? HURLEY: No. DAVE: Then stop talking crazy, man. Come on, we're on a clock here. [Dave starts to leave, but Hurley doesn't follow.] DAVE: Hey, you in or you out, dude? [Hurley follows Dave into the hall. They see a plate of food on a cart.] DAVE: Hey, check it out, Marcus didn't finish hislasagna. That is a waste, man. One for the road? [Hurley picks up the plate and starts eating. They stop at an area where they can see a guard below them.] DAVE: Shhh. Wait for it -- wait. [The guard leaves, and they continue on.] DAVE: Tippy-toes, big guy. Vamanos. [They make their way into the rec room, and go to the window which is padlocked.] DAVE: Okay, man. You've got the keys, hombre. You took them off Brooks' desk earlier. [Hurley looks surprised when he finds them in his pocket.] DAVE: Come on, man. Open it; open it. [Hurley unlocks and opens the window.] DAVE: Oh, oh, oh -- can you taste that? That is freedom, baby. You know what tastes even better than freedom? Cheeseburgers. [Dave jumps down out of the window.] DAVE: Come on, man, chili-fries on me. HURLEY: I don't think I can do this. I'm sorry. DAVE: Sorry? What, are you kidding me? HURLEY: You're not real. You're trying to get me to run away and get cheeseburgers because I want cheeseburgers. DAVE: Did you take those pills, man? HURLEY: No, man. I'm just not coming. Look, you don't want me to get better. You don't want me to change. DAVE: You don't need to change, man. You are fine. You're great. HURLEY: No I'm not. You just want me to stay fat. You don't want me to get better. You wouldn't care if I ate myself to death. DAVE: Do not do this, man. If you don't come with me right now, you will never get out of here. HURLEY: Bye, Dave. [Hurley closes the window.] [Back on the island we see Hurley with his eyes closed. He opens them and sees Dave. He closes them again, but Dave is still there when he opens them.] DAVE: You wouldn't happen to have my slipper would you? [Hurley hands him his slipper.] DAVE: Thank you. Oh, man, you got peanut butter on it. Okay, look, I know you're freaking out right now, and I'm, I'm sorry. But it's going to get a little worse before it gets better. HURLEY: Worse? DAVE: Yeah, kind of. You ready, dude? [Hurley nods] You remember that night you closed that window on me? [Hurley nods] You remember what you did after that night? HURLEY: Yeah, I realized you were imaginary. DAVE: Mmmmhmmm. HURLEY: And that was a breakthrough. And a little while later Brooks let me out, and I went home to live with my mom, and I got my job at Mr. Clucks back. And I got better. DAVE: Okay, good, great, yeah -- except see, here's the thing -- none of that ever happened. HURLEY: What? DAVE: You're still at Santa Rosa, man. You never left the hospital. HURLEY: That's not possible. DAVE: It's hard, I know, but I mean -- all this? You, me, this island, that peanut butter -- none of it's real, man. None of it's happening. It's all in your head, my friend. The second you closed that window your brain popped a gasket. You went back into your little coma thing. That's where you are right this very second. In your own private Idaho, inside Santa Rosa. HURLEY: No. I had my mom, my friend Johnny -- I won the lottery. DAVE: Whoa, wow, awesome, dude! What numbers did you play? Leonard's number, right -- from the hospital? What a coincidence. You, uh, seen him around anywhere else? HURLEY: The hatch? DAVE: Bingo! The hatch -- the button that you've got to push every 108 minutes or the world ends. Oh, oh, oh, and what's the code for the button? Oh yeah, the numbers. HURLEY: But I got better. I changed. DAVE: Changed? What, are you kidding me? Take a look at yourself. You've been on a deserted island for over 2 months and you haven't dropped 10 pounds. How is that even possible, man? HURLEY: I just destroyed my stash, and I've been exercising. Libby says it won't happen over night. DAVE: Oh, right, right, right, Libby -- the mega cute blonde chick who magically appeared from the other side of the island. Oh, oh, oh, yeah -- and who just happens to have the hots for you. Come on, man, let's take a walk. [We see Dave and Hurley walking through the jungle.] HURLEY: So this is all just in my brain? DAVE: Every rock, every tree. Every tree frog. Even me. The real me -- the one they told you was imaginary? He went out the window, man. Right now he's probably bouncing from hot chick to hot chick, unlike me, who's really you, who's got more important things to do. HURLEY: So I'm making you up? DAVE: Well, sort of. I'm part of your subconscious, man. All the people on this island are. HURLEY: What part of me are you? DAVE: I'm the part of you that wants to wake up, man. Follow me. [We see them arrive at a high cliff above the ocean.] DAVE: This is it, dude. HURLEY: It? DAVE: The big finale. The answer to all your problems. A way for you to wake up, snap out of it. HURLEY: I don't want to kll myself. DAVE: Who said anything about klling yourself, man? This is going to bring you back to life. The only way for you to bust out is to tell your mind that you don't believe any of this. HURLEY: So, if I -- all this will be gone? I'll just wake up? DAVE: That's right. And when you do wake up, come find me. I'm sure I miss you. See you in another life, Hurley. [Dave backs up to the edge of the cliff and lets himself fall backwards, laughing all the way down.] HURLEY: Dave! COMMERCIAL BREAK [We see Locke approach Ana in the hatch.] LOCKE: Jack not back yet? ANA: Nope. He's telling everyone at the beach that we've got one of them. Something tells me people have a lot of questions about our houseguest. LOCKE: I want to talk to him. ANA: I don't think that's on today's program. LOCKE: Well, all due respect, Ana-Lucia, but I don't care what you think. [she just stares at him] 5 minutes. I earned 5 minutes with him. [We see Ana open the door to let Locke in the armory.] LOCKE: What's your name -- your real name? GALE: Why don't you just keep calling me Henry? I've gotten used to it. LOCKE: Did you get caught on purpose? You and your people have been here for God knows how long, and you got caught in a net... GALE: God doesn't know. LOCKE: Excuse me? GALE: God doesn't know how long we've been here, John. He can't see this island any better than the rest of the world can. May I ask you a question? What possible reason could I have for putting myself through all this? LOCKE: Maybe your people were looking for this place. GALE: This place? This place is a joke, John. LOCKE: What are you talking about? GALE: I crawled through your vents and I stood at your computer as the alarm beeped. And you know what happened? The timer went all the way down to zero, and then some funny red pictures flipped up in its place. They looked like hieroglyphics, but I'm no expert. And then things got real interesting. There was a loud clunking and a hum like a magnet -- a big magnet. It was really very frightening. And you know what happened next? Nothing happened, John. Nothing happened at all. Your timer just flipped back to 108. I never entered the numbers. I never pressed the button. LOCKE: You're lying. GALE: No, I'm done lying. [Back at the cliff, we see Hurley looking down into the surf.] HURLEY: Dave! LIBBY [appearing]: Who's Dave? HURLEY: What are you doing here? LIBBY: What are you doing here? HURLEY: How'd you know where I was? LIBBY: Jin saw you while he was fishing. HURLEY: Hah! Jin doesn't speak English. LIBBY: Sun was with him. She translated. Hurley, what is going on? HURLEY: No! You're just a part of me that's scared. You don't want me to wake up. Well, guess what? I'm not scared. [Hurley takes a couple steps back toward the edge of the cliff.] LIBBY: Okay, okay, Hurley, you're having some sort of panic attck. I get that. But this isn't like you. HURLEY: Like me? You don't know me. LIBBY: I was starting to. HURLEY: Yeah, well did you know I'm so fat that I klled 2 people? And that I have an imaginary friend? LIBBY: Hurley, please, you're going to hurt yourself. HURLEY: No, I'm not, because this isn't happening. None of it. I'm just imagining it. This isn't real life. LIBBY: Why would you say that? HURLEY: Because in real life, no girl like you would ever like me. Remember when I said I knew you from somewhere? Well, maybe it's because I made you up? LIBBY: What was the man's name who broke his leg? The day of the crash on the other side of the island, Eko brought a man with a broken leg to me for help. What was his name? HURLEY: I don't know. LIBBY: You don't know. You know why? Because it happened to me. His name was Donald, and I buried him. I buried a lot of people, Hurley. So don't tell me that that wasn't real. And don't tell me you made me up. It's insulting. HURLEY: When you saw me on the beach this morning was I holding a slipper? LIBBY: Not that I can remember, no. [she holds Hurley's face in her hands] Hurley, look at me. I am real. You're real. The way I feel about you -- that's real. [She kisses him.] LIBBY: And that was real. HURLEY: Maybe you should do it one more time just to be sure. LIBBY: Ready to go back? [They start walking back.] HURLEY: Do you really think I can, you know, change? LIBBY: Yeah, yeah I do. [FLASHBACK] [The scene when Dr. Brooks take the picture of Hurley and Dave repeats with some changes.] DR. BROOKS: Why don't you get a little closer together. [We see Hurley put his arm around nothing.] DR. BROOKS: Say cheese. HURLEY: Cheese. DR. BROOKS: So, you need some water to go with that? HURLEY: Nope. I'm good. [We see a woman patient's profile, apparently watching Hurley.] DR. BROOKS: See you later, guys. Thanks for the photo op. [The camera pans around and we see that woman is very disheveled, out-of-it, Libby.] NURSE: Here's your pill, Libby.	{"type": "series", "show": "Lost", "episode": "2x18 - Dave"}	foreverdreaming
[The scene opens on Rose and Bernard storing some Dharma food on a shelf at the beach.] ROSE: Cereal goes on the left, Bernard. BERNARD: So this isn't bothering you at all? ROSE: What's "this"? BERNARD [holding a can of food]: Well, this [grabbing a bag of chips] this... ROSE: Why would a bag of potato chips bother me? BERNARD: Aren't you remotely curious as to where all this came from? You're acting like we just got back from the supermarket. ROSE: Well, I guess I was raised never to question my blessings. BERNARD: I was raised to question piles of food with weird labels that just fall out of the sky, Rose. ROSE: Well, honey just because you're having a bad day doesn't mean you have to raise your voice. BERNARD: Bad day? I had 7 weeks of bad days on the other side of the island just trying to stay alive so I could get back to you. Here -- my God, Rose -- they've built a kitchen on the beach. They've given up. ROSE: Given up? On what? BERNARD: On getting rescued. [In the hatch, we see the timer at 2:00 minutes. Locke is sitting at the computer trying to sketch out the diagram from the blast door. He gets frustrated and scratches out what he's drawn. We see the timer at 1:34 then at 1:00. The alarm starts sounding more insistently. Locke closes his eyes and appears to fall asleep for a second.] JACK [entering]: Hey, you going to get that? [Locke enters the numbers and presses the button somewhat reluctantly.] [We see Jack going toward the armory.] JACK [to Ana]: When's the last time you went in to see him? ANA: A couple of hours ago. He was sleeping. JACK: Did he eat? ANA: No. It's 2 days now. No food. No water. Nothing to say. JACK: I don't know about you but I'm tired of waiting. [Jack goes into the armory.] JACK [to Gale]: I hear you've lost your appetite. [Gale doesn't respond] Okay, don't talk. I was never that good at bedside manner anyway. I'm going to change that dressing on your shoulder. If you try anything, we've got a problem. [Jack starts changing the dressing] So, Henry [Jack pauses] -- Henry. I was thinking about something you were saying before we found out who you are. This is going to sting. [he applies some disinfectant to the wound and Gale flinches] Yeah, you were saying that if you were one of them that you'd lead us into a trap, capture our people, force a trade -- us for you. Pretty good idea, Henry. And, since you are one of them, I thought now might be a good time to use it. I'm going out to the line we're not supposed to cross and telling them that we've got you. And if they want you back, it's going to cost them. And when we get Walt back you might just have been worth all the trouble. [Gale makes an exhaling sound.] JACK: Did you say something? GALE: They'll never give you Walt. COMMERCIAL BREAK [FLASHBACK] [We see car on a city street spinning its wheels in the snow. Rose is in the car gn the engine but not getting anywhere.] BERNARD [on the sidewalk]: Don't gn it. You're digging yourself in. Just tap the gas lightly. ROSE [rolling down the car window]: With all due respect, I have been driving in snow my whole life. You mind stepping back? BERNARD: Well, you have to rock it out. You're not going to be able... [Rose continues gn the engine and not getting anywhere.] ROSE: I'm calling AAA. BERNARD: Why, so they can send a tow truck? Trust me, I can do this. [Bernard goes around behind the car to push.] BERNARD: Okay, ease on the gas. That's it. You're doing great. Almost. Go, go, go. [The car moves forward and Bernard falls on his face. Rose gets out of her car.] ROSE: Are you okay? BERNARD: Oh, yeah, sure. I'm fine. ROSE: You know, I would have gotten it out eventually. BERNARD: Oh, sure. July's right around the corner. ROSE [laughing]: Well, thanks for helping me. BERNARD: Sure. ROSE: By the way, I'm Rose. BERNARD: Oh, uh, Bernard. ROSE: Okay. BERNARD: Oh, okay, yeah. [Bernard starts toward his own car.] BERNARD: Drive safe now, okay. ROSE: Yeah, you too. [Rose hesitates a moment] Uh, um, Bernard. BERNARD: Yeah. ROSE: Can I buy you a cup of coffee? BERNARD: Coffee would be nice. Yeah, okay. [We see Bernard walking purposefully along the beach. Scene switches to Rose with a box of Dharmalars she's trying to give to Hurley.] ROSE: I had to bat back half the group to get these. I saved them for you. HURLEY: No way. I'm on a new diet. Nothing but fish and water; and fish and water. BERNARD: Hurley, what are you doing, right now? HURLEY: Talking to your wife. BERNARD: Good. Can you get Libby and meet me at the edge of the tree line in 5 minutes? Oh, and if you can get Jin and Sun, Jenkins and that Frogurt guy -- the guy who used to make frozen yogurt. HURLEY: Neill? BERNARD: Yeah, and Craig -- anybody else you can get. ROSE: Bernard? What are you up to? BERNARD: I got an idea. [he walks away and goes toward a couple of redshirts] Hey, Richard, Rolf (?), come here. [Back in the hatch we see Jack getting some gear together.] ANA: I'm not so sure trading people's their thing. JACK: Well, talking to him is getting us nowhere, so -- I think we can get something for him. ANA: You want me to come with you? JACK [looking over at Locke]: You need to stay here. ANA [handing him her gn]: You need it more than I do. Do yourself a favor, man. Don't go out there alone. JACK: Alright. [We see Kate at the shore trying to pry a mussel or some type of shellfish from a rock.] SAWYER: Ah, that's how it's done. [the mussel finally comes free] Aw, well look at you. That's like 4 in the last half hour. Let me call the Guinness Book. KATE: You want help or not? Because I've got better things to do with my time. SAWYER [seeing Jack approach]: Oh happy day, here comes Dr. Giggles. JACK: Hey. SAWYER: Hey, yourself. JACK: I'm going back out into the jungle to talk to our friend with the beard -- see if we can make a trade. SAWYER: Ah, the old prisoner exchange. And you're inviting me along because you want a gn, huh? JACK: I'm not inviting you; I'm inviting Kate. And I've already got a gn, but thanks for offering. SAWYER: How the hell did you get a gn? JACK: Does it matter? KATE: I'll get my things. [We see Bernard on the beach with a group gathered around.] BERNARD: Okay, 2 months we've been on this island -- 2 months. And already we have a water trough, and we've got a food pantry. And people are taking showers in your hatch. Have you forgotten that we all crashed on this island? It's like none of you want to go home again. CLAIRE: How can you say that? Of course we want to go home. BERNARD: Well, then why aren't we doing anything about it? HURLEY: Dude, we, like, built a raft. But it got blown up. BERNARD: Okay, so what are we doing now? That pallet of food had a parachute which means a plane dropped it here which means there are other planes that fly over the island. So, we are going to build a sign -- a massive sign along the beach. So that way if a plane flies over or a satellite takes pictures from up there -- we want to make damn sure that they know we're here -- that they know about us. ROSE: Maybe we should speak to Jack about this first. BERNARD: Well, do we have to run everything by Jack? I mean, he's not the president. He's a doctor. ROSE: You're a dentist. [We hear some chuckling from the crowd.] BERNARD: Could I speak to you for just a second? Come here. [he pulls her off to the side] Honey, it is just a sign. I don't see what the harm is. ROSE: The harm is you are telling these people about airplanes and satellites coming out of nowhere to save the day. BERNARD: I'm just trying to do something. I want to get back to our life. ROSE: Well, the only thing you are doing is giving these people false hope. BERNARD [looking hurt]: Excuse me; I have a sign to build. [going back to the group] Alright, I want to get this going right away. We've waited long enough. COMMERCIAL BREAK [FLASHBACK] [We see Rose and Bernard sitting in a restaurant looking out over Niagara Falls]. ROSE: It's just amazing, isn't it? BERNARD [signaling someone behind Rose]: Oh, sure, it's beautiful. ROSE: You're not impressed, huh? BERNARD: Yeah. ROSE: So, what does God have to do to get your attention? [Bernard again signals to someone behind Rose.] ROSE: Bernard, what are you doing? [Two violinists come to the table and begin to play. Bernard gets down on one knee.] BERNARD: Rose, I've been a bachelor for 56 years, and then I met you. And we just fell into this rhythm like we had known each other forever. I always dreamed of finding somebody like you, but I'd given up hope that I ever would. ROSE: Bernard. BERNARD: I know, I know. It's crazy. We just met 5 months ago. But 5 months is long enough because I knew after 5 minutes. [he opens an ring box] Rose, I love you. Will you marry me? ROSE: Bernard, I'm dying. I'm sick, and I'm dying. BERNARD [to the violinists]: Would you excuse us for a minute, please? [he sits down again] ROSE: I've been in remission for the last couple of years. But now it's back and this time it's not going away. My doctor says I have about a year -- maybe a little longer. BERNARD [after a moment]: You haven't answered my question. ROSE: Are you sure? BERNARD: Oh, I'm sure. ROSE: Yes. Yes. [Back on the island, we see Bernard approach Charlie and Eko at their work site.] BERNARD: Boy, you bunk with a guy for 48 days -- now he doesn't call or write. EKO: Hello, Bernard. BERNARD: What have you boys got going up here? EKO: Just working. BERNARD: Listen, I've got a whole team of folks throwing together a big sign down along the beach. Hopefully, it'll get spotted by a plane or a satellite. We could sure use all the bodies we could get to help put it together. EKO: Sorry, I'm busy. BERNARD: Charlie? CHARLIE: Ah, regrets, Bernard, I've only got 2 hands, you know. Good luck, though. BERNARD: Well, could I at least grab some of these logs? We could use them... EKO: We're using them. BERNARD: For what, exactly? CHARLIE: A church. BERNARD: A church? EKO: Yes. BERNARD: Everybody on this island is building something. I'm trying to get us saved. EKO: People are saved in different ways, Bernard. BERNARD: I think I liked you better when you just ht people with your stick. [he exits] CHARLIE: I like you just the way you are. [Back in the hatch. Locke is listening to music and getting frustrated trying to remember the diagram from the blast door. He moves on crutches toward the armory.] LOCKE [to Ana]: I need to talk to him. ANA: The gn's with Jack. The door stays closed. But if you want to talk to him -- talk to him. LOCKE [through the armory door]: Henry, can you hear me? [he knocks] It's John, Henry. Henry, did you enter the numbers? Did you push the button, or not? Henry, I need to know. I want you to answer me. Answer me! [We see Henry looking creepy and smiling.] COMMERCIAL BREAK [At the beach we see Bernard dragging a pile of rocks toward a small group of people there.] BERNARD: What happened to everybody? Where's Craig? Where's Frogurt? [no one responds] Okay, alright, moving on. We're going to put this sign across this entire beach which means the letters have to be really big -- about 40 feet. These black rocks will get maximum contrast with the sand. HURLEY: Dude, we're, like, going to need a lot more rocks. BERNARD: Yes, Hurley, we're going to need a lot more rocks. There's a lava field about a half mile inland that's loaded with them. We're going to haul them out in 2 man teams. So, you guys double up, and I am going to start sketching out the letters in the sand. Let's do this. HURLEY: Hey, um, I can sketch the letters. BERNARD: Everybody's got a job, Hurley. I do my job, you do yours. JIN: [Speaks in Korean] BERNARD: What? What'd he say? HURLEY: I think he's not so crazy about the whole carry the rocks a half mile thing. BERNARD: Okay, this is going to take time. But if this is the thing that gets us off this place, isn't that worth it? [to Jin] Rome wasn't built in a day, you know. No, you don't know. Alright, let's get started. Come on. [FLASHBACK] [We see a jeep type vehicle driving on a dirt road in Australia.] ROSE: We're lost. BERNARD: You saying we're lost doesn't make us lost, sweetheart. I know exactly where we are. ROSE: Me too. Driving around in circles in the middle of the Outback. That's why I wanted to be on a beach for our honeymoon. [We see them pull into an area with a couple of buildings and a couple of people.] ROSE: Thank goodness, civilization. Bernard, let's get directions. BERNARD: Oh, I don't need directions. I told you, honey, we're not lost. ROSE: Bernard, what's going on? BERNARD [giving her a brochure]: I brought you out here because I want you to see this man. His name is Isaac of Uluru. He's helped hundreds of people. Now, I know how it looks, but believe me he's completely legit. ROSE: Bernard, you brought me to a faith healer? [She gets out of the car, annoyed.] BERNARD: He's the real deal, Rose. When I started telling people about your situation I got 3 separate calls recommending him. ROSE: My situation? This is why you wanted to come to Australia? To bring me to some kind of a kook? BERNARD: No, he's not. Rose, I made a 10,000 dollar donation just to get you in to see him. Normally... ROSE [upset]: I didn't ask for this! This is -- Bernard, I have made my piece with what is happening to me. BERNARD: Well, I haven't. I can't just do nothing, Rose. That's not me. That's not who I am. I have to try. Will you try, Rose? For me. [Back on the island we see Rose working around her shelter area. We can hear Bernard talking to Sawyer in the background. Scene switches to Bernard and Sawyer.] BERNARD: If you have time to fix your hut you have time to move some rocks. Come on, we could really use your help. SAWYER: What, you got union trouble down at the sand factory, Norma Rae? BERNARD: Come on, Sawyer, I need your help. What do you say? SAWYER: I say Pasadena. [Bernard joins Rose at the water trough.] BERNARD: Well, I hope you're happy. ROSE: About what? BERNARD: This morning I had 15 people willing to work on the sign, now I'm down to 4. ROSE: How is that my fault? BERNARD: At the very least I expected your support. You had to go and attck me. ROSE: Have you ever stopped to think maybe the reason people are quitting is because you've got yourself a management problem? BERNARD: What is the matter with you, Rose? I am just trying to do something. ROSE: That's right. You're always trying to do. Why can't you just let things be? BERNARD: If I didn't always have to do something you wouldn't be here. [Rose looks at him, then grabs her things and walks away.] [We see Jack and Kate walking in the jungle.] KATE: I'm flattered. JACK: Yeah, why is that? KATE: Because you chose me to go with you instead of Sawyer. JACK: I asked Sayid first but he turned me down. And I only asked you because they don't want you. They grabbed you -- had you at gn. They could have kept you but they didn't. Then again, they didn't really want me, either. KATE: Damaged goods, both of us. [Jack walks on. Kate notices a doll on the ground.] KATE: What's that? JACK: Kate? KATE: It's a doll. [she reaches for it] JACK [running toward her]: Wait, wait, no. No don't. [Just as Jack gets there a trap springs and they get captured in a net.] KATE: Sorry. COMMERCIAL BREAK [We see Kate and Jack strung up in the net.] JACK: You okay? KATE: Yeah. JACK: Oh good, so you can hear me? This isn't one of theirs. KATE: No, it's not sophisticated enough. It must be one of Rousseau's traps, so hopefully she's not far from here. JACK: It could be a week before she shows up. [Jack struggles in the net.] KATE: What are you doing? JACK: I'm trying to get the gn. I can't get my arm around. KATE [reaching around to get the gn out of Jack's waistband]: Alright. Sorry. I don't want to sh*t you. Okay. JACK: You got it? KATE: Okay, ready? Got it, got it, got it. JACK: Oh, alright. Okay, now give me the gn. KATE: Why, what for? JACK: I'm going to try to sh*t the rope. [Kate starts to aim] Oh, hey, hey, hey. KATE: I'm a better sht than you are. JACK: Oh, really? KATE: Yeah, I told you. I grew up hunting with my dad. [She sh*t and misses.] Damn! JACK: Well, at least they know where we are. Okay, now give me the gn. KATE: Are you going to waste another bllet? JACK [chuckling]: We'll still have 13 more to sht each other with. Come on. KATE: Fine. You have a better angle than mine anyway. JACK: Oh, that's going to be your excuse when I make the sht? KATE: When you make the sht. [Jack sht the rope and they fall to the ground.] KATE: Nice sht. [We see Bernard pulling a pile of rocks on to the beach. He sees Jin placing rocks along the outline of an S in the sand.] BERNARD: No, no, no, no. You're doing it all wrong. I told you 3 rows -- 3 so they can see it from the air. JIN [annoyed]: [Speaks in Korean.] BERNARD: 3 rows. How hard is that? JIN: [Speaks in Korean.] BERNARD: So I just have to do everything myself?! JIN: [Speaks in Korean.] [he starts to leave] BERNARD: No, no, no. No, Jin. No, wait. Please, I just want to get my wife home. Rose. I want to get Rose home. JIN: Sorry [he exits] [We see Locke's crutches in the sand, and Locke sitting beside them. Rose approaches.] ROSE: You're in my spot. LOCKE: I can move. ROSE: Can you? LOCKE: Oh, that's funny. ROSE: I guess your sense of humor got trapped under that blast door with your leg. LOCKE: I saw your husband walking through the jungle hauling rocks. ROSE: He's building a big sign in the sand so the satellites will see it. That man doesn't know the difference between an errand and a fool's errand. LOCKE: Well, Rose, most of us don't. ROSE: So, what are you doing down here, John? Can't remember the last time I saw you out of that hatch. LOCKE: I'm done with the hatch. ROSE: Oh, now you're just frustrated. You'll be out of that splint and running around the island again in no time. LOCKE: And yet, Jack said it would be at least 4 weeks. ROSE: But, honey, you and I both know it's not going to take that long. [FLASHBACK] [Back in Australia, we see Rose being led into a room.] AUSSIE WOMAN: Right this way, Rose. Please, make yourself comfortable. Isaac will be right with you. [The room is filled with crutches hanging from the high ceiling. Rose investigates a wall covered with thank you notes to Isaac. Isaac enters.] ISAAC: You must be Rose. Why don't you have a seat. ROSE: So, um, how does this work? I sit here and you chant, pray, or what? ISAAC: There are certain places with great energy -- spots on the Earth like the one we're above now. Perhaps this energy is geological -- magnetic. Or perhaps it's something else. And when possible I harness this energy and give it to others. May I? [He puts his hands near Rose's face and closes his eyes. He suddenly opens his eyes, looking disturbed.] ROSE: What? What, what is it? ISAAC: I'm sorry. I can't do anything for you, Rose. ROSE: I didn't expect you to. [Rose goes to a window and looks out at Bernard talking to a young girl on crutches.] ISAAC: It's not that you can't be healed. Like I said, there's different energies. This is not the right place for you. ROSE: Where is the right place? ISAAC: I wish I knew. I'll return your husband's donation. ROSE: Don't. I'm going to tell him you fixed me. I'm going to tell him you fixed me. [We see Kate and Jack walking in the jungle, in the pouring rain.] JACK: What did you mean back there? KATE: What? JACK: In the net -- you said they were sophisticated, the Others. KATE: Uh, last week when the baby got sick, Claire and I went into the jungle and, uh, found another hatch. JACK: What? KATE: It's a medical station. There's nothing you can use; it was all cleared out, but I found some lockers. They had clothes inside -- all worn and dirty. And they were on hangers like costumes, you know. And there was a make-up kit, and a fake beard. JACK: When were you going to tell me this? KATE: When you decided to let me back in the club. [Jack walks away] What, you can keep one of them locked up in the hatch for like a week and say nothing, but then when I... [Jack stops as they come to a clearing.] JACK: We're here. KATE: Are you sure? JACK [pointing]: That's where they took a sht at Sawyer. Right over there was where they pushed you out of the jungle with the bag on your head. And right there is where I laid my gn down. [yelling out] Hey, hey I'm back! You say you're watching us -- you hear me? We've got your man! If you want him back you're going to have to come out here! Come on out! KATE: Jack! JACK: I know you're out there! I know you can hear me! KATE: Jack, they're not here. JACK: I'll be right here 'til you talk to me! I'll be right here! COMMERCIAL BREAK [We see Bernard on the beach alone adding rocks to his sign. Rose enters carrying a bowl on a tray.] ROSE: I brought you some supper. BERNARD: Thanks, you can just set it down there. ROSE: Where is everybody? [Bernard gives her a look] I owe you an apology. BERNARD: You don't have anything to be sorry for. It's my own damn fault I'm out here by myself. ROSE: That's not why I'm apologizing. I lied to you. Back in Australia, Isaac -- he didn't heal me. He didn't do anything. BERNARD: Of course he did. ROSE: Bernard, he didn't heal me. But that doesn't mean I'm not healed. [Rose continues speaking to Bernard on the island as a voice over on a scene of Rose and Bernard sitting, waiting at the airport in Australia.] ROSE: When you're sick and you have got something inside you that doesn't belong there you can feel it. [We see Bernard get his Oceanic tickets out and leave to make a phone call or something.] ROSE: And after the crash I couldn't feel it anymore. At first I thought it was just shock. [We see Rose and Bernard back on the island] But it wasn't. It's this place. BERNARD: But you said Isaac fixed you. ROSE: I told you that so that you wouldn't spend what time we had left trying to do something. BERNARD: Rose, you could just be in remission. How do you know it wasn't Isaac who healed you? ROSE: Bernard. BERNARD: How do you know that he didn't heal you? ROSE: I know. I know. [FLASHBACK] [At the ariport, we see Rose still sitting by herself getting something out of her purse. A prescription bottle falls to the ground. Locke comes by in his wheelchair and picks them up for her.] LOCKE: These yours? ROSE: Thank you. LOCKE: You're welcome. [We see Rose and Bernard back on the island.] ROSE: Trust me. I know. BERNARD: You don't want to be rescued, do you? You think if you leave it'll come back. And if you can't leave, neither can I. We won't ever leave Rose. [They hug and cry.] BERNARD: I would offer to take down the sign, but we didn't get very far. [We see an SOS sign dug in the sand.] [In the hatch we see Locke listening to music. Ana approaches.] ANA: Hey. LOCKE: Hi. ANA: I pressed your button. LOCKE: It's not my button. ANA: Where did you go? LOCKE: I just needed to stretch my legs. [Locke goes back to the computer and starts drawing the diagram he saw on the blast door. This time he's not frustrated and can remember easily. He smiles.] [Montage: Charlie and Eko working on the church. Jin rubbing Sun's belly. Claire playing with Aaron. Hurley making hand shadow puppets for Libby. Sawyer feeding Vincent. Rose and Bernard cuddling.] [We see Kate and Jack in the jungle sitting at a f*re.] KATE: How long are you going to wait, Jack? JACK: Until I get my voice back. Then I'm going to yell some more. KATE: Maybe they can't hear you. JACK: They can hear me. KATE: I'm sorry I kissed you. JACK: I'm not. [Suddenly they hear movement and see a torch coming through the jungle. Someone is running toward them making frightened gasping sounds. He falls almost at their feet and they turn him over.] KATE: Michael.	{"type": "series", "show": "Lost", "episode": "2x19 - SOS"}	foreverdreaming
[We see Kate and Jack at Michael's side in the jungle.] KATE: Michael, Michael. What's wrong with him? Michael. Michael? [Jack starts walking in the direction Michael came from] Jack, where are you going? JACK: Maybe they just let him go? KATE: Let him go? He's alone. They didn't just push him out into the jungle, Jack. He's alone! JACK: Okay, let's go. [Jack lifts Michael over his shoulder and starts carrying him back to camp.] [We see Ana slicing up some fruit in the hatch. She looks over at Locke, who's snoring in the bed.] [FLASHBACK] [We see a police car parking lot. Ana and her partner pull in.] PARTNER [exiting]: See ya, Ana-Lucia. [Ana's mother, Captain Cortez, enters.] CAPTAIN: You look tired. ANA: Yeah, thanks. What? CAPTAIN: Where were you last night? ANA: Home. CAPTAIN: All night? ANA: Yeah, cooked myself some dinner, watched some TV. CAPTAIN: What'd you watch? [Ana just looks at her] Let's go for a drive. [We see Ana and Captain Cortez at the morgue looking at the body of the guy Ana sht in Collision.] CAPTAIN: Remember Jason Alder? Found him in a parking lot just after 3 in the morning. He was dad an hour before anyone saw him. Crime scene pulled a gn from the dumpster -- registration was filed off, no prints, no witnesses. He was excuted. ANA: Any idea who did it? CAPTAIN: Yeah, Ana, you did. This man confesses to sh*ting you in cold blood, and you refuse to ID him, so we had to cut him loose. A week later he shows up with 5 bllts in his chest because you sht him in cold blood. ANA: Guess I should get a lawyer. CAPTAIN: Look, we both know that this is going to be a dad-end investigation. But, Ana, if you did this -- if you did this -- you have to let me help you. ANA: Yeah, thanks, mom; but I don't need your help. CAPTAIN: You don't want my help; you're going to have to get it from somewhere else. You're a police officer, Ana. If you don't respect me, at least respect that. ANA [handing over her badge]: Then I quit. [Back on the island we see Ana enter the armory.] ANA: Hey, Henry, what do you say? How long are you going to keep up this hunger strike, Henry? I ever tell you I was a cop? I've been around a lot of Kllers in my life. You know what surprises me most about them? How much they love to talk. But you're different, Henry. Hmm? Quiet. GALE: [whispers something inaudible (possibly: You insult.)] ANA: What was that? GALE: [repeats the whisper twice.] ANA [getting in Gale's face]: If you're going to say something; you're going to have to speak up. [Gale suddenly stands and knocks Ana back. He grabs her and starts strangling her.] GALE: You klled 2 of us -- good people who were leaving you alone. You're the kller, Ana-Lucia. [Gale and Ana struggle, but he pins her. Just as it looks like she's done for, Locke hits Gale in the back of the head with his crutch.] LOCKE: I guess he decided to start talking, huh? COMMERCIAL BREAK [FLASHBACK] [We see Ana working at a security check-point at an airport. Next we see her at the airport bar.] ANA: Hey, Mike, tequila-tonic. CHRISTIAN: Long day, huh? [Ana doesn't respond] Good to see you again. You, uh, wanded me at security. [to the bartender] Another one, please. [to Ana] So, how does one get into wanding? ANA: One stops being a cop. CHRISTIAN: What a coincidence, I just stopped being a doctor. ANA: Why'd you quit? CHRISTIAN: I didn't. My son ratted me out for drinking on the job. [to bartender] Thank you. [to Ana] Lost my license. [Ana chuckles] Yeah, I know, it's hilarious. ANA: No, no, it's just that I don't think parents and their kids should work together -- too many issues. CHRISTIAN: I'll drink to that. ANA: So, where you headed? CHRISTIAN: Sydney. Sydney, Australia. You want to come? I'm serious. ANA: Why would I go to Sydney with you? CHRISTIAN: Maybe fate has just thrown the 2 of us together, you know. Two drinks in an airport bar -- ANA: Why would fate do that? CHRISTIAN: Same reason fate does anything -- so that we can help each other out. You do need help, right? Unless you don't. What I'm doing down there could be a little dangerous and I need someone to protect me -- a bodyguard. It's perfect for someone who stopped being a cop. ANA: I don't even know your name. CHRISTIAN: Oh, let's not use real names. I'll tell you what -- why don't you pick a name for me and then I'll pick one for you. ANA: You look like a Tom. CHRISTIAN: Tom, what an excellent name. And you should be a -- Sarah. Australia. [Back on the island we see Ana tending to a wound on her forehead. Libby enters.] LIBBY: What happened? ANA: I cut myself shaving. [Libby doesn't respond] The guy in the hatch tried to kll me. LIBBY: You okay? ANA: I'm fine; but he won't be. LIBBY: Hey, Ana? ANA: What? LIBBY: Don't do anything stupid. [We see Locke examining a blast door area in the ceiling of the hatch. Then we see him unlock the armory door.] GALE: If you've come to apologize, I forgive for hitting me with your crutch. I'm so glad my head didn't break it. LOCKE: Why? GALE: Now that's a broad question. LOCKE: Why'd you try to hurt Ana-Lucia, but not me? GALE: I'm not sure I know what you're getting at, John. LOCKE: I was trapped under that blast door, helpless. You could've crushed my skull, but you didn't do a thing. Why didn't you? GALE: Because you're one of the good ones, John. LOCKE: What? Good what? GALE: None of this matters. I'm dad anyway. The doctor's gone to make a trade and we both know he'll come back empty-handed and then I've lost my value. So either Jack comes back here and kills me or my people find out where I'm being held and they do it. LOCKE: Why would your own people want to kll you? GALE: Because the man in charge -- he's a great man, John, a brilliant man -- but he's not a forgiving man. He'll kll me because I failed, John. I failed my mission. LOCKE: What mission? GALE: When that woman caught me in her trap I was on my way here, John. I was coming for you. KATE [in the background]: Locke! JACK: Locke, get out here. Locke! Locke! KATE: John! [Locke leaves and locks Henry in the armory.] COMMERCIAL BREAK [We see Sawyer using a pole to get mangos from a tree. Ana enters and picks some up.] SAWYER: Hey, I've been knocking those things down for 20 minutes. Get your hands off of my damn mangos. ANA: I didn't figure you for the fruit picking type. SAWYER: What do you want? ANA: I need a gn. SAWYER: Well, here's an idea -- why not go to your buddy, Jack? He's got himself a gn. Oh, that's right, he's still traipsing around the jungle with Kate. ANA: If you've got a problem because he's making time with your girlfriend, don't take it out on me, man. How about you just give me a gn? SAWYER: Here's another idea -- scram. You heard me, now get. [FLASHBACK] [We see Ana get out of a hotel room bed in Sydney. She grabs a drink and there's a knock on the door.] CHRISTIAN: Sarah. Sarah, open the damn door. [she opens the door] Good, you're up. It's time -- protection duty. Come on, let's go. ANA: After 4 days of drinking and doing nothing -- now, in the middle of the night, you're ready to go? CHRISTIAN: That's exactly right. It's time, come on. Fate's calling, Sarah. [We see Ana and Christian driving in the rain, then pull up in front of a house.] CHRISTIAN: This is it, pull over right here. ANA: This is what you needed protection for -- the suburbs? CHRISTIAN: Stay in the car. ANA: Should I keep the meter running? [Christian knocks on the door as Ana waits in the car watching.] CHRISTIAN [faintly, under a Patsy Cline song]: I just want to see my daughter. [then yelling] She's my daughter and I have every right to see her. LINDSEY: No, you don't have a right. Now get out. [She tries to close the door, but Christian tries to bust his way in. Ana runs over.] CHRISTIAN: I pay the mortgage on this house... I want to see my daughter. [Ana pulls Christian back.] ANA: What the hell is wrong with you? LINDSEY: Don't you ever come back here. [Ana pulls Christian to the car.] CHRISTIAN: I was just having a conversation with the lady. LINDSEY: You need help! [Back on the island, Hurley approaches Sayid who's digging near the tents.] HURLEY: Dude, nice hole. SAYID: What is it, Hurley? HURLEY: Hey, man, remember that radio we made? I'm thinking maybe I could get it to play some music. You know, for Libby. SAYID: Well, it worked only once and then just for a minute. I've tried several times since and only gotten static. HURLEY: Here's the thing -- even that would be good -- because then Libby would be like, "it's the thought that counts" -- and I'll score major points. Especially when she sees me holding it over my head. SAYID: And why would you hold a static generating radio over your head? HURLEY: They didn't have Say Anything in Baghdad? It's awesome. This dude, like, gets his boom box and he holds it over his head outside this chick's window and he plays some Peter Gabriel song for her and bam, the girl's, like, his. I mean, after her dad goes to jail. But then he gets her. SAYID: I think I get the idea. HURLEY: You should really check it out sometime. I mean, if we ever, you know, get off this island. SAYID: If you want to do something nice for Libby, there's a beautiful beach 3 kilometers from here. You could take her there. HURLEY: You think she'd like that? SAYID: I took Shannon there once. [We see Jack examining a still unconscious Michael.] JACK: Michael. Michael. LOCKE [entering]: So, it worked? JACK: What are you talking about, John? LOCKE: Your deal -- the trade. If they gave us Michael... JACK: They didn't give us anything. LOCKE: So, it was just a coincidence that he came wandering out? JACK: I was shouting; he heard my voice. What, they just let Michael go hoping we would keep up our end of the bargain? You think they're on the honor system? KATE [entering]: Hey. JACK: Hey. [We see Sawyer walking through the jungle. He hears rustling and stops.] SAWYER: Come out, come out whoever you are. I know you're there. [he draws his gn] Don't make me come in after you. [Ana clears her throat] Well, well, well, what have we got here? Was little red riding hood going to follow the big bad wolf back to his big old stash-o-gn? ANA: Why don't you give me that one, right there? SAWYER: I ain't going to give me you nothing. [she approaches thrat] We've been through this, Lucy. [She takes a swing and he deflects her, laughing. She takes him down and he gets on top of her.] SAWYER: What you gonna do now, Muchacha? [Ana kisses him and they start pulling off each other's clothes. The camera pulls to a sht of the gn with Sawyer's discarded shirt.] COMMERCIAL BREAK [FLASHBACK] [Morning, we see Ana and Christian in the car near a wharf.] CHRISTIAN [reaching for the radio]: We need some damn music in here. ANA: Who is she? CHRISTIAN: Who is who? ANA: That woman. CHRISTIAN: She is a very long story, Sarah. ANA: It's Ana-Lucia. CHRISTIAN: Well, I'm still Tom. ANA: You're pathetic, that's what you are. CHRISTIAN: You bet your sweet ass I am. ANA [stopping the car]: Why are you here? CHRISTIAN: I'm here because I can't apologize to my son. He tried to help me, so I thanked him by cutting him off. I thanked him by hating him. You came here for the same reason I did, kiddo. You ran away. [Christian notices a bar in the background] My, my, look what fate has delivered up this time. Come on, let's go have a drink or 10 and be pathetic together. What do you say? ANA: No. No. CHRISTIAN: It's your call. [he opens his car door and hits Sawyer] SAWYER: Hey, I'm walking here. ANA: Wait, don't. Let's just get the hell out of Sydney. Let's just go. Let's go back. CHRISTIAN: I can't ever go back. See ya, kiddo. [Back on the island, we see Ana putting her shirt on as Sawyer watches.] ANA: What? SAWYER: Don't you want my phone number? ANA: You tell anyone about this and I'll kll you. [she exits] SAWYER: I guess that takes cuddling off the table. [We see Hurley putting food from the beach pantry into his pack.] LIBBY [appearing]: Hey there. How's it going? HURLEY: This isn't what it looks like. LIBBY: And, what does it look like? HURLEY: It looks like something that it's not. Aw, man. I'm so busted. LIBBY: Hurley, I'm not here to tell you how to act around food. HURLEY: Naw, I'm not busted for that. I'm busted for something else. I was packing a picnic because I was kind of hoping that you'd want to go with me. You know, as an 'us' thing. But, it was a surprise. LIBBY: Really? That's very sweet. HURLEY: So, you want to go? LIBBY: Where to? HURLEY: Can that part still be a surprise? [In the hatch, we see Jack cleaning some scissors. Locke is reading in the background. Ana enters.] ANA: Hey, you're back. JACK: Hey. ANA: So, the Others -- they didn't show up? JACK: No. Michael's back, though. [noticing the cut on Ana's forehead] What happened here? LOCKE: My fault. I left the tap on in the bathroom sink and Ana wiped out and ht her head on the bathroom counter. And I'm sorry, again. ANA: Yeah, don't worry about it. KATE [off camera at first]: Jack? Jack. I think he's waking up. JACK: Hey, Michael. MICHAEL: Jack? JACK: Hey, man. MICHAEL: Wait a minute... how did I get...? JACK: Wait, try to take it easy, okay. You're back in the hatch. We found you out in the jungle last night. MICHAEL: Oh, my head. LOCKE: Welcome back. MICHAEL: Hey, John. I found them. After I left I hiked North back to where we were [he looks at Ana]. I hiked to the beach -- followed the shore line. A day later I saw one. LOCKE: What did he look like? MICHAEL: Dirty, worn clothing, no shoes, simple. Just like the rest of them. JACK: Like the rest of them? MICHAEL: Yeah, his people -- the Others. I followed him back to his camp. They live in tents -- canvas tents and teepees. They eat dried fish. They're worse off than we are. KATE: How many of them were there? MICHAEL: I counted 22. JACK: And, the boat? MICHAEL: I didn't see it. JACK: Did you see Walt? MICHAEL: No. But I know he's there. ANA: What about everyone else they took? Cindy -- did you see any other kids? MICHAEL: No, no, no kids, no. But I think they were in the same place as my boy. They have a hatch. JACK: How do you know that they... MICHAEL: There's a set of metal doors leading underground. What else could it be? JACK: And you think that's where they're keeping the kids? MICHAEL: They keep it guarded 24/7. 2 guards, 2 gn. And 2 gn is all I saw. They're barely armed. Most of them are old and half of them are women. I wanted -- I couldn't save him. So I came back to tell you -- tell you that we can take them. As soon as I get my strength back, I will take us back there. And we are going to get my boy back. COMMERCIAL BREAK [We see Locke writing in the computer room. Jack enters.] JACK: You were right. LOCKE: Right about what? JACK: About Henry -- what you and Sayid did to him when you first found him. You were right. I don't like how you did it, but I shouldn't have gotten in your way. LOCKE: Well, you did what you thought was right at the time you thought it, Jack. I just hope that next time you decide to do something you include me. And something tells me that's going to be soon. JACK: You heard Michael. We can take them. LOCKE: Our friend with the beard told us not to cross the line. JACK: These people are liars, John. Why should we take their word on anything? LOCKE: I couldn't agree more. So, now what? [Jack and Locke enter the living area and start getting a pack together.] KATE: Where are you going? LOCKE: To get our gn back from Sawyer. JACK: We're going to need you to help convince him. KATE: Who's going to take care of Michael? ANA: I'll stay. You guys go ahead. JACK: You sure? ANA: Give Sawyer my best. JACK: Alright, we'll be back soon. [We see Hurley and Libby walking through the jungle.] HURLEY: Watch your head. Almost there. LIBBY: You ever watch the Flintstones? HURLEY: Sure, I used to watch it all the time when I was in the hospital -- when I broke my hip. LIBBY: Well, did you ever notice how Fred would run by the same thing over and over again? [she stops and points] Third time past this tree. HURLEY: Uh, that's a different tree. LIBBY: Hurley, it's okay if you're lost. HURLEY: Dude, I'm not lost. Will you trust me? [Hurley starts walking again] We're right about to walk on the most excellent secret beach on the island, and -- surprise! LIBBY: Uh, Hurley, this is our beach. There's Jin. Hey, I'll tell you what -- why not have the picnic here? Come on, give me the blankets. HURLEY: Blankets? LIBBY: You don't have any blankets? How about drinks? [Hurley doesn't respond] Okay, I'll tell you what, I will handle the blankets. You just track down Rose and Bernard. I saw them pull wine from the pallet, okay? HURLEY: Oh, wine. Groovy. Hey, maybe if I get drunk enough I'll remember where I know you from. LIBBY: Yeah, okay. [she exits] [Jin gives Hurley a thumbs up.] [We see Sawyer reading the Bad Twin manuscript. Jack, Locke and Kate enter.] JACK: Sawyer, put the book down. SAWYER: It's not a book, it's a manuscript. I'm about to be the first and only guy to find out who done it. I think I've got it figured out. Cool your damn jets and walk around the coconut trees; I've got, like, 10 pages left. [Jack grabs the manuscript and drops the last 10 pages into the fre near Sawyer.] SAWYER: Hey! JACK: You want to figure it out? [Sawyer pulls the manuscript out of the fre.] SAWYER: What is your problem, Doc?! JACK: It's time to give us the gn back. SAWYER: You burn the ending of my book and now you want... LOCKE: Where are they, James? SAWYER: You too, Brutus? KATE: Just take us there, Sawyer, alright? Quit playing around. SAWYER [to Jack]: What, did you bring her along for a sympathy vote? She ain't in my head, Doc. [to Kate] Why don't you two just go play in the jungle, huh? JACK [drawing his gn]: Take us to the gn, now. [Sawyer reaches behind to draw his gn and realizes it's not there.] SAWYER: Ah, that bitch. She stole my damn gn -- Ana-Lucia. JACK: Why would she need a gn? SAWYER: Son of a bitch. [We see Ana in the hatch pulling the gn out of her boot.] LOCKE: Jack, I need to tell you something. [We see Ana open the armory door. She slides the swiss army Knfe to Gale.] ANA: Pick it up. Cut yourself loose. GALE: What? ANA: Just do it. GALE: Why? ANA: You know why. [Gale cuts himself free.] GALE: He kept saying you were misunderstood. ANA: What are you talking about? GALE: Goodwin. Yes, he told us all about you, Ana -- how he thought you were worthy, and that he could change you. But he was wrong. And it cost him his life. ANA: He was going to kll me. GALE: Was he? ANA: Are you done? GALE: Yes, Ana, I'm done. [Ana draws her gn and points it at Gale's head.] GALE: So, this is it, huh? ANA: Yes, Henry. This is it. COMMERCIAL BREAK [FLASHBACK] [We see Jack in the airport in Sydney arguing with the counter agent about his father's body.] JACK: I want you to listen to me, okay, because I'm asking you a favor, Crissy. I'm standing in front of you in the same suit that I'm wearing to my father's funeral. And I'm asking you a favor. [we see Ana in line behind him] In 16 hours I need to land at LAX, and I need that coffin to clear customs because there's going to be a hearse waiting there [we see Jin standing in line behind him], and I need that hearse to take me and that coffin to a cemetery. Crissy, why can't I just bring him to a funeral home and make all the arrangements? Why can't I really take my time with it? Because -- because I need it to be done. I need it to be over. I just -- I need to bury my father. [We see Ana dial a number on her cell.] ANA [on her cell]: That was an airplane. No, I'm not at work. I'm in Sydney. That's right, Australia. I -- I don't know, I -- I made a mistake, mom. You knew, so I got as far away from you as I could. But now -- I want to come home, mom. CAPTAIN: So come home. ANA: I'm on Oceanic flight 815. CAPTAIN: I'll be there when you land, m'hija. [Back on the island we see Ana playing with her gn in the hatch. Michael enters.] MICHAEL: Where is everybody? ANA: What you said got them worked up. They went to get all the gn back from Sawyer. MICHAEL: Sawyer? Sawyer has all the gn? ANA: Long story. MICHAEL: At least he didn't get that one. ANA: Yeah. Too bad I can't use it. MICHAEL: Use it on what? ANA: We caught one of them -- the Others. He's locked up in there. MICHAEL: How long has he...? ANA: Over a week. MICHAEL: And you're what -- taking care of him? ANA: He tried to kll me today, so I wanted him dad. I couldn't do it. I couldn't even kll him. I looked at him and he -- I can't do this anymore. MICHAEL: Then let me do it. They're animals. I've seen these people and they are animals. They took my son -- right out of my hands -- they took my son and -- I'll do it. Give me the gn. I'll kll him. Because that's what they do. [Ana hands him the gn] What's the combination? ANA: 18 right, 1 left, 31 right. [Michael looks at the gn for a long time.] MICHAEL: I'm sorry. ANA: For what? [Michael turns and sht Ana.] LIBBY [appearing]: Michael?! [Michael, surprised, turns and sht her twice. He opens the armory door. He and Gale stare at each other for a long moment. Michael sh*t himself in the arm.]	{"type": "series", "show": "Lost", "episode": "2x20 - Two For the Road"}	foreverdreaming
[We see Eko chopping wood, working on his church.] ANA [off camera at first]: What are you building? EKO: Hello, Ana. ANA: Well, hello yourself. So, are you going to tell me? What is it? EKO: I am building a church. ANA: Now, why the hell would you want to do that? EKO: Because I was told to. ANA: Told to by who? EKO: I was just told. I think it was in a dream. ANA: A dream like this one? [Suddenly blood appears on Ana's chest and the corner of her mouth.] ANA: You need to help John. [We see a series of very quick flashes of event's from Eko's life. Then we see Eko in the hatch still holding the axe. Yemi is sitting at the computer.] EKO: Yemi? YEMI: Hello, brother. EKO: Forgive me. I should have listened to you. You were right. I didn't want to do it. YEMI [shushing Eko]: The work being done in this place is important, Eko. It is more important than anything. And it is in danger. You must help John. He has lost his way. You must make him take you to the question mark. [We hear the timer alarm start to sound. The timer starts flipping and shows black and red question marks flipping, instead of numbers. Yemi tries to enter the numbers but all the keys have questions marks on them.] YEMI: John will not want to show you, so you must make him. [Eko turns to leave, but Yemi grabs his arm] Eko, there are many distractions, brother [we see equipment shaking like in an earthquake], but you must move past them. What is done is done. Do you understand? EKO: Yes, Yemi. YEMI: And, Eko, bring the axe. [We see Eko wake up with a start, breathing hard. Charlie wakes up near him.] CHARLIE: What's the matter? [Eko looks at his cross, but doesn't respond] You alright, mate? [Eko gets his axe.] EKO: I need to find John. [We see Locke, Kate, Jack and Sawyer walking through the jungle at night.] JACK: What were you thinking, John? KATE: Jack, leave him alone. SAWYER: No, Jack, don't leave him alone. JACK: Shut it, Sawyer. If Ana hadn't lifted your gn we wouldn't... SAWYER: Well, ain't that swell, Gimpy McCrutch over here covers up that the Artist Formally Known as Henry Gale tried to strangle your little amiga, and suddenly it's on me when she goes vigilante. JACK: How about you go back to the beach? KATE: Hey, enough -- both of you. [Suddenly Michael stumbles out of the hatch door which the group has almost reached.] JACK: Michael, hey. MICHAEL: He sht me. JACK: Who? MICHAEL: He's gone. He ran out. JACK [to the others]: Go, I got him. MICHAEL: I was sleeping and I heard gn. I came out of the bedroom and there was this guy. He had a gn and... JACK: Okay, come on, we've got to get you up. EKO [appearing]: Let me help you. [Sawyer, Kate and Locke enter the hatch, horrified to see Ana and Libby have been sht. Sawyer goes to Libby. Kate goes to Ana. Locke notices that Henry is gone. Eko, Jack and Michael enter.] KATE: She's dad. [Libby suddenly coughs blood all over Sawyer and cries out in pain. Michael looks on.] JACK: Okay, we've got to get her up. We've got to get her to the back room, okay. COMMERCIAL BREAK [Eko places Ana's arms over her chest and crosses her, as Locke looks on] EKO: Grant us this mercy, oh Lord. We beseech, Thee. Amen. [Jack and Kate attend to Libby.] JACK: She's in shock. Alright we've got to keep pressure on this. KATE: Can you do anything? Jack? JACK: I heard you. Keep pressure on her, okay. [he walks into the kitchen area] MICHAEL: How is she? JACK: I'm doing what I can. How long ago? MICHAEL: What? JACK: When did this happen? How long ago did he leave? MICHAEL: I don't know. 20 minutes, maybe a half hour. JACK: We can pick up the trail, catch up to him. SAWYER: Man's got a head-start, a gn, and he ain't afraid to... JACK: He sht 3 of our people! One of them is dad, one of them... SAWYER: Who's going to take care of Libby while you're off playing Daniel Boone? EKO: I will go. John, you have tracking experience, yes? LOCKE: Yeah. EKO: We will find his trail together. JACK: You find anything -- anything -- you come right back here and we figure out what we're going to do next, together. EKO: Let's go, John. [FLASHBACK] [We see Eko dressed as a priest in a confessional.] EKO: How long has it been since your last confession? CALDWELL: Oh, good question. Too many years for me to even remember. EKO: What do you wish to ask God's forgiveness for? What sins have you committed? CALDWELL: Let's see. Well, I slept with another woman besides my wife. EKO: Just once, or many times? CALDWELL: How many is many? EKO: To receive God's forgiveness you must be penitent for your sins. CALDWELL: Oh, I also forged ID papers for a guy pretending to be a priest. [We see Eko and Caldwell outside the church.] EKO: Do you have it? [Caldwell hands Eko a fake Australian passport.] CALDWELL: What'd you do, Padre? Skim from the collection plate? You know, I've got some friends in Los Angeles. I could get you on with them. EKO: Doing what? CALDWELL: You know, stuff. MONSIGNOR [entering]: Good morning, Father Tunde. EKO: Good morning, Monsignor. This is Mr. Caldwell. He has been helping me arrange my trip to the United States. MONSIGNOR: I'm sorry Father, but I've got some bad news. You're going to have to postpone your trip. It appears we have a miracle. [Scene switches to the Monsignor and Eko with a woman, Joyce.] JOYCE: My daughter, she -- she drowned. EKO: I'm very sorry for your loss. JOYCE: Oh, no, you don't understand. She came back to life. We were out in the back blocks and Charlotte must have slipped; and she went into the river and she's not much of a swimmer. She was dad and the next day she woke up. Don't you understand? It's a miracle -- a confirmation of faith. Everyone needs to know about it. People need... EKO: Where is your daughter? JOYCE: At home with my husband. EKO: What does he think? JOYCE: The world needs to know about this. We need to tell the Vatican. We need to tell the world... MONSIGNOR: I'm sorry; we can't just do that, Mrs. Malkin. The church needs to conduct an investigation before anyone can be told. Father Tunde will start this process, if you'll permit him. EKO: Mrs. Malkin, will you excuse us for a moment, please. JOYCE: Of course. EKO: Monsignor, with all due respect, I cannot do what you have asked. MONSIGNOR: Why not? EKO: Because I do not believe what this woman says. MONSIGNOR: Why do you think I chose you? [Back on the island we see Eko and Locke walking through the jungle.] LOCKE: Are you seeing something I'm not? [Locke stops] Hey! I haven't seen a single track or piece of sign since we left the hatch. What the hell are you following? EKO: Where is the question mark? LOCKE: The what? EKO: The question mark, John. Where is it? LOCKE: You know what, you keep chasing after your own shadow; I'm going back. [Eko moves in front of him to stop him.] EKO: I know you do not want to show me, but you must. LOCKE: No, I don't have to show you anything. EKO: Then I am sorry. [Eko suddenly head-butts Locke who instantly collapses.] COMMERCIAL BREAK [We see Eko and Locke around a fre. Locke regains consciousness.] LOCKE: You ht me. Why did you...? EKO: Because you were being difficult. LOCKE: Are you insane? EKO: No. LOCKE: Ana-Lucia, your friend, was just mrder and you... EKO: Ana wants me to help you, John. LOCKE: Help me do what? EKO: Find the question mark. LOCKE: You don't even know what you're talking about, do you? EKO: No, but you know what I am talking about, John, and that is all that matters. LOCKE [pulling the map out of his pocket]: Here, you want to find your damn question mark? Here, this is it right here. Here take it. Take it because it's nothing. It's a memory. It's 10 seconds of nothing. EKO [pointing on the map]: This is your hatch, yes? LOCKE: It's not my hatch. EKO: If the Swan is where we came from then we go that way. LOCKE: We shouldn't even be out here. Ana-Lucia would still be alive if I just told Jack that Henry attcked her. EKO: Now, she wants us to go here, John, together. She said this in my dream. LOCKE: Of course, a dream. EKO: Tell me, John, haven't you ever followed a dream? [FLASHBACK] [We see Eko at Dr. Ian McVay's office.] MCVAY: So, the Vatican's really interested in this one, eh? EKO: That depends upon what I put in my report. Why don't you just start by telling me what happened that night? MCVAY: Well, I got a call around 1am -- Ambrose brought this girl in, dad. She'd been in the water 2 hours. EKO: Have you had much experience in this type of death? MCVAY: Yeah, of course. I'm, I'm an undertaker. [Eko looks skeptical] Well, I mean, it's my day job. I mean, I'm perfectly qualified to be a coroner. I mean, I did go to medical school. EKO: And when did you find out that she was -- not dad? MCVAY: During the autopsy. EKO: During the autopsy? MCVAY: It's alright; I didn't expect you to believe me. [McVay presses play on a tape recorder.] MCVAY: I figured you'd want to have a listen for yourself. MCVAY [on the tape]: This is a caucasian female. She's 161 cm, 51.3 kilos. Body prepped and washed by the very lovely Valerie McDervish. VALERIE [on the tape]: Ian, stop it. MCVAY [on the tape]: Commencing with the post. This is a clear case of drowning. I'll begin with a thoracic... [We hear screams, Oh God!, lots more screaming. McVay turns off the recorder and hands Eko the tape.] MCVAY: Take it. No, please, I don't ever want to listen to that tape again. [Back on the island we see Eko holding the map as he and Locke are walking through the jungle.] LOCKE: You lost already? EKO: Your map is inexact. LOCKE: No kidding. EKO: These landmarks -- is this a river? LOCKE: No, it's a wavy line. I didn't draw it, I just transcribed it. I told you, I don't even know if it is a map. EKO: Let's assume it is. LOCKE: What's the axe for? EKO: I don't know yet. [Eko steps on something and we hear it break. The camera reveals that it's one of the Virgin Mary statues. They continue walking on and find themselves at the site of the brned out plane.] EKO: You are the one that found this plane, yes? LOCKE: Yeah. [looking up] It was up there. EKO: And what made it fall? LOCKE: Boone. Boone made it fall. Then he died. A sacrifice that the island demanded. EKO: Excuse me? LOCKE: Nothing. So, what's next? EKO: We make camp. Get some sleep, and wait for further instruction. [We see Jack and Kate, et al, back in the hatch.] JACK: Where the hell are they? KATE: Just calm down. Finding his trail in the dark is not going to be easy. They'll be back. MICHAEL: She say anything? Libby? JACK [shaking his head]: She's still unconscious. The bleeding stopped. KATE: That's good, right? JACK: No, it's not good. MICHAEL: And there's nothing you can... JACK: I can make her comfortable. [he looks at Sawyer] But I don't have what I need. SAWYER: Why are you looking at me? I gave you all the damn meds 2 days ago... JACK: The heroin, Sawyer. SAWYER: Give me 20 minutes. JACK: Kate's going to go with you. SAWYER: It doesn't take 2 people to... JACK: Kate is going with you. KATE: What are you talking about? Why would he need me to go with him? SAWYER: Jacko here knows his heroin's in my stash with the gn. So, I can either show you where it's at, or let poor Libby suffer. That pretty much it, Doc? JACK: Yeah. Yeah, that's pretty much it. SAWYER: Let's go, Freckles. COMMERCIAL BREAK [We see Kate and Sawyer heading for Sawyer's tent on the beach.] KATE: I'm curious about something. SAWYER: Yeah, what's that? KATE: How did Ana-Lucia get your gn? SAWYER: I don't know, she must've lifted it off me. KATE: She pick-pocketed your gn? How'd she do that? SAWYER: Well, if I knew how she did it, she wouldn't be able to do it, now would she? [he stops outside his tent] After you. KATE: I thought you were taking me to your stash. SAWYER: Do you have to make everything so damned difficult? Just go in. [Sawyer lifts up a piece of wreckage and reveals his stash.] KATE: You kept the gn here, all this time, right under you? SAWYER: Fooled you, didn't I? [He hands her a statue and they exit the tent. Hurley approaches.] HURLEY: Hey guys, you seen Libby around? [The camera pulls out to a long sht and Kate puts her arm on Hurley's shoulder, apparently telling him what happened.] [We see Eko and Locke in the jungle. Eko is poking at the remains of the fre while Locke still sleeps.] YEMI: Eko. EKO [smiling]: Yemi. YEMI [shushing him]: You'll wake John. Come, follow me. EKO [limpingly follows]: Yemi. [We see Yemi climbing up the cliff where the plane was perched. Eko follows.] EKO: Yemi! Yemi. [At the top Eko looks surprised. We see Yemi sitting in a wheelchair.] YEMI: Wake up, John. [We see Eko fall. Locke suddenly wakes up.] EKO: Are you alright, John? LOCKE: Yeah. Yeah, I'm fine. EKO: You had a dream. [Locke nods] Was there a man? A priest? [Locke looks shocked/puzzled] The man that you saw was my brother. LOCKE: Your brother? EKO: This is why we needed to come together. This is how we are going to be led, and how we will know where to go next. LOCKE: But I don't know where to go. EKO: Did he tell you anything? LOCKE: No, he, he... EKO: Nothing? Anything? LOCKE: It wasn't even me. It was you. It didn't -- he wanted me to follow him. EKO: Follow him where? [Locke looks up the cliff] Wait here. [Eko starts for the cliff.] LOCKE: Eko, it was just a dream. It's not safe. Eko! [FLASHBACK] [We see Eko getting out of his car at a house where a young woman is sitting on the porch. Joyce Malkin comes out to greet him.] JOYCE: Father, I'm afraid it's not a very good time. You'll have to come back later. EKO: Mrs. Malkin, I must speak to your daughter. Yesterday in the church you said that... JOYCE: I know what I said. It's just that right this minute is not a very good time. [Richard Malkin comes out onto the porch.] MALKIN: Get back in the house, Joyce. Get her inside. JOYCE: Richard, please. MALKIN: Inside, now! [Joyce and Charlotte exit.] MALKIN: I know why you're here, friend. But you can save yourself the trouble. What happened here was not a miracle. EKO: The doctor that treated your daughter seems to feel differently. MALKIN: Treated her? He tried to cut her open. He's just trying to cover up his own negligence. He tell you the whole story -- how she supposedly drowned? She fell into a mountain river, her body shut down; she went into hypothermia which made her appear dad. EKO: And why is your wife so convinced otherwise? MALKIN: Because she's a zealot. All of this -- everything she's doing -- is to spite me. EKO: Why would she spite you? MALKIN: Because she knows I'm a fraud. Because I make my living as a psychic. You see, that's what I do. I gather intelligence on people and I exploit it. Everyday I meet people looking for a miracle, desperate to find one. But there are none to be had. Not in this world, anyway. EKO: I will report back to my Monsignor that there was no miracle here. Your daughter is alive. This is all that matters. [As Eko is leaving he looks back and sees Charlotte looking out at him from a window.] [Back on the island, we see Eko climbing up the cliff.] LOCKE: Eko, be careful. [Eko loses his grip and almost falls.] LOCKE: Eko! Eko! EKO: I'm fine. [He gets to the top and surveys the landscape around him.] LOCKE: Eko, what's up there? You see anything? EKO: I don't see nothing. [He looks down at Locke and sees a circle where not much is growing.] COMMERCIAL BREAK [We see Eko tasting some dirt in the circle area.] EKO: It's salty. LOCKE: What? EKO: The earth. It's been salted so that nothing can grow. LOCKE: Why would any want to salt -- there's nothing here. EKO: I believe they made a circle -- a target -- so that this place can be seen from up above. LOCKE: They? What place? EKO: The place that this plane fell upon, John. [Eko searches the ground near the plane. He brushes away dirt and uncovers something metallic.] EKO: John! Will you help me with this? [They push the plane out of the way and uncover a large set of doors. Locke tries to open the latches, but can't.] EKO: Wait. [Eko uses the axe to loosen the latches and he starts to open the doors.] LOCKE: Eko, may I? EKO: Please, be my guest. [Eko and Locke lift the doors up together. They stare down into a shaft much like the shaft into the Swan hatch.] [We see Jack break open a Virgin Mary statue while Kate and Sawyer look worriedly on. We see Michael watching it all.] HURLEY [off camera at first, but sitting near Michael]: We were going to have our first date. MICHAEL: Date? HURLEY: Yeah, a picnic on the beach. I'm glad you're okay, man. [We see Eko and Locke climbing down a ladder into the hatch. We see a Dharma logo with only a white circle. Locke turns some lights on. They continue on and see a room with old TV monitors and a couple of large chairs. Locke turns on the TV monitors. Most of them remain black-screened. One shows static. One shows the inside of the Swan hatch kitchen/dining table area; Jack walks by . Locke turns on more lights. He finds a computer terminal which displays, "Printlog Y/N." Locke presses Y and Execute. Something starts printing. Meanwhile, Eko opens a closet and finds a stack of notebooks. We see the printout which shows lines of numbers and the word "accepted." Eko opens a dusty notebook, but there's nothing written in it. Locke finds a pneumatic tube and puts his map in it and watches it get sucked away. Eko finds an old style video tape.] EKO: John. [He shows it to John and we see that it's labeled "Orientation." Eko puts in a player.] The Video: Title Screen: The Dharma Initiative/5 of 6/Orientation. Next we see a screen with the white circle Dharma logo and under it is written: Orientation - Station 5 - The Pearl. As the film starts we see "Marvin Candle" minus the white lab coat. He's dressed in a turtleneck and sport coat, standing in the Pearl hatch. Narration: Hello, I'm Dr. Mark Wickman, and this is the orientation film for Station 5 of Dharma Initiative. Station 5, or the Pearl, is a monitoring station where the activities of participants in Dharma Initiative projects can be observed and recorded -- not only for posterity, but for the ongoing refinement of the Initiative as a whole. As Karen DeGroot herself has written, "Careful observation in the only key to true and complete awareness." Your tour of duty will last 3 weeks and during this time you and your partner will observe a psychological experiment in progress. Your duty is to observe team members at another station on the island. These team members are not aware that they are under surveillance, or that they are the subjects of an experiment. Working in 8 hour shifts, you and your partner will record everything you observe in the notebooks we provided. What is the nature of the experiment, you might ask? What do these subjects believe they are accomplishing as they struggle to fulfill their tasks? You, as the observer, don't need to know. All you need to know is the subjects believe their job is of the utmost importance. Remember, everything that occurs, no matter how minute or seemingly unimportant, must be recorded. Each time a notebook is filled with the fruits of your diligent observation, roll it up [audio/video problem] containers provided. Then, simply place the container in the pneumatic tube, and presto, it will be transported directly to us. At the end of your 8 hour shift, proceed to the Pala ferry which will take you back to the barracks [audio/video problem] prepare for your next shift [/audio/video warp problem]. On behalf of the DeGroots, Alvar Hanso, and all of us here at the Dharma Initiative, thank you. Namaste and good luck. End Screen: The Hanso Foundation,/1980 All Rights Reserved. EKO: Would you like to watch that again? LOCKE: No. No, I've seen enough. COMMERCIAL BREAK [We see Eko gathering papers from a table.] LOCKE: What are you doing? EKO: I'm taking this back with us. LOCKE: Why? EKO: Because they may be important. LOCKE: Important? I'm sorry, weren't you just watching the same thing I was? EKO: Yes, John. And I believe the work you have been doing is more important now than ever. LOCKE: What work? EKO: Pushing the button. LOCKE: That's not work. That's a joke -- rats in a maze with no cheese. EKO: It is work, John. We are being tested. LOCKE: Tested? EKO: The reason to do it -- push the button -- is not because we are told to do so in a film. LOCKE: Oh -- well, then what is the reason, Mr. Eko? EKO: We do it because we believe we are meant to. Isn't that the reason you pushed it, John? LOCKE: I was never meant to do anything. Every single second of my pathetic little life is as useless as that button! You think it's important? You think it's necessary? It's nothing. It's nothing. It's meaningless. And who are you to tell me that it's not? [FLASHBACK] [We see Eko at airport check-in in Australia.] AGENT [handing him a board pass]: That's flight 815, leaving from gate 23. EKO: Thank you. [Eko turns to see Charlotte Malkin waiting for him.] EKO: What are you doing here? CHARLOTTE: I had to see you. EKO: Look, your father said I shouldn't... CHARLOTTE: I know. He doesn't want me talking to you. And I know you probably think I'm crazy, but I have a message for you and I promised to deliver it. EKO: A message? CHARLOTTE: He says you were a good priest. EKO: Who says that? CHARLOTTE: Yemi. EKO [shocked]: Speaking about my brother is not a joke, so you should be very careful what you say next. CHARLOTTE: I saw him what I was -- between places. He said that you would come and see me. He said that even though you were pretending, you're a good man. EKO: Who put you up to this? Did your father tell you to do this? CHARLOTTE: He wants you to know that he will see you soon. He said that even though you don't have faith in yourself, that he has faith in you. EKO: Why are you doing this to me? What do you want from me? Why are you doing this to me?! LIBBY [appearing]: Is everything alright? [Charlotte nods and Libby keeps walking.] CHARLOTTE: He has faith in you. One day you'll believe me. [she exits] [Back on the island, we see Eko showing his cross to Locke.] EKO: This cross was worn by my brother, Yemi. Yemi was a great man, a priest, a man of God. And because I betrayed him he was sh*t and died. He was placed on a plane which took off from an airstrip in Nigeria half a world from here. Then, the plane that I was on crashed on this island. And somehow, here, I found my brother again. I found him in the same plane that took off from Nigeria. In the same plane that lies above us now -- that has concealed this place. And I took this cross from around Yemi's neck and put it back on mine, just as it was on the day I first took another man's life. So let me ask you -- how can you say this is meaningless? I believe the work being done in the hatch is more important than anything. If you will not continue to push the button, John, I will. [We see Jack injecting Libby with the heroin, as Hurley looks on.] HURLEY: Can, can I talk to her? JACK: Sure. [he exits] HURLEY [trying not to cry]: Hey, it's Hurley. Hugo. I'm sorry I forgot the blankets. I'm sorry I forgot the blankets. [she opens her eyes] Libby? [Libby struggles to say something. Jack enters.] LIBBY: Michael. JACK: Michael. He's okay. He made it, Libby. It's okay. It's alright. [Libby gasps for air and dies. Jack closes her eyelids. Hurley cries. Kate cries and Sawyer comforts her. We hear the timer alarm start sounding. We see Eko and Locke walking through the jungle. We see Michael standing by himself in the armory. We see a close up of the prompt at the computer monitor.]	{"type": "series", "show": "Lost", "episode": "2x21 - Interrogations"}	foreverdreaming
[FLASHBACK (all the flashbacks in the episode are on-island)] [We see 13 Days Ago written on the bottom of the screen.] [We see Locke putting gn away in the armory. Michael enters.] MICHAEL [whispering]: John, John, I was hoping I could borrow one of these gn. LOCKE: Is it supposed to be a secret? MICHAEL: Jack's asleep. LOCKE [handing him a rfle]: More target practice? MICHAEL: Well, you know, just want to stay sharp. [Michael looks at his watch] LOCKE: You got a date? MICHAEL: No. Old habits, you know. LOCKE: Yes, I do. MICHAEL: Thanks, man. Hey, can I just get a couple of these bllts? I promise I won't... [Michael drops a box of bllts on the floor.] MICHAEL: Damn! I'm sorry... LOCKE: Naw, that's alright. I got it. [Locke bends down to get the bllts and Michael knocks him out with the butt of the rfle. Michael runs to the computer and starts typing but nothing is displayed.] MICHAEL: Come on. Where are you? [Some random letters that Michael was typing appear and he backspaces over them. He starts typing again.] MICHAEL [typing]: You okay? MONITOR: ok, no time, come soon? MICHAEL [typing]: I'm ready. Coming NOW. You said north -- north WHERE? MONITOR: when they take me out. there's huge rocks with a big HOLE in the middle by the beach. you'll know when you see. MICHAEL [typing]: It's gonna be okay. I'm coming. MICHAEL [speaking]: I'm coming, Walt. JACK [in the background, off camera]: Locke. [Michael blanks out the screen and grabs the rfle.] [Jack finds Locke lying unconscious in the armory.] JACK: John. MICHAEL [entering and cocking his gn]: Stay in there. Stay. JACK: Michael, what are you... MICHAEL: Stay in there, Jack! JACK: Hey, whatever's going on... MICHAEL: Look, I'm going after my son. I'm going after my son and nobody is going to stop me, okay. Okay, that is my right. That is a father's right. [Michael closes the vault door.] [Today] [Outside the hatch we see Michael light a piece of paper on fre and watch it burn. Jack comes out of the hatch.] JACK: Hey. What are you doing out here? MICHAEL: Nothing. Just getting some air. JACK: Come on. We should talk. [We see Ana and Libby's bodies covered with blankets on makeshift stretchers. Hurley, Jack, Sawyer, Kate, and Michael are in the hatch.] JACK: How many? SAWYER: rfles and pstol? 11 total. JACK: That's it? SAWYER: That's it. In case you forgot, they took 5 of 'em right off us. JACK: How long would it take us to get to their camp? MICHAEL: We leave now, move fast? Middle of the night tomorrow. Look, they have no idea I know where they are. They won't be expecting us. So we get the gn and we go. Right now. Just the 5 of us. JACK: No, no, 5 is not enough. You said there's at least 20 of them. They've got our gn and we're not even sure if what you saw was... MICHAEL: Hey, I know I saw! We take too many people, they'll hear us coming. I'm not taking a damn army across the island, Jack. JACK: Michael, you sure you're in the best place to be making decisions for all of us right now? MICHAEL: You got a son, Jack? HURLEY [angry]: They're dad! Ana-Lucia and Libby are dad. I mean, we haven't even buried them yet. JACK [to Hurley]: Me and you will take Libby, okay. -to Kate]: Can you? KATE: Yeah, of course. JACK: Sawyer, would you? SAWYER: Yeah. JACK [to Michael]: You should stay here. We'll bury them tonight, then we'll figure out what's next. [They get the bodies and start to carry them out of the hatch. Michael stares at a pool of Libby's blood on the floor.] COMMERCIAL BREAK [13 Days Ago] [We see Michael running through the jungle. He stops to check his compass and continues running. He comes across a man peeing.] MICHAEL [shouldering his rfle]: Hey, put your hands up. Put 'em up! Don't move. PICKETT: Relax buddy. I ain't movin'. Why don't you just put that down... MICHAEL: Shut up! PICKETT: You're Walt's old man, aren't you? MICHAEL: What? [Suddenly Mr. Friendly is right behind Michael and takes the rfle. Michael breaks away and runs fring a pstol behind him. Pickett fires a couple of shts after him.] MR. FRIENDLY: What are you doing?! We need him. [Mr. Friendly throws a slingshot type strap that wraps around Michael's feet, tripping him.] MR. FRIENDLY: Bag him quick. His friends are right behind us. [Today] [We see Michael cleaning the blood from the floor of the hatch. Eko enters.] EKO: Hello. MICHAEL: I didn't hear you come in, man. EKO: I left my shoes outside. They were muddy. MICHAEL: Did you find him? Henry? EKO: No. MICHAEL: I hear you're a priest. EKO: Yes. MICHAEL: I guess you believe in hell, then. EKO [helping Michael clean the blood]: For a brief time I served in a small parish in England. Every Sunday after Mass, I would see a young boy waiting in the back of the church. And then one day, the boy confessed to me that he had beaten his dog to death with a shovel. He said that the dog had bitten his baby sister on the cheek; and he needed to protect her. And he wanted to know whether he would go to hell for this. I told him that God would understand -- that he would be forgiven, as long as he was sorry. But the boy did not care about forgiveness. He was only afraid that if he did go to hell -- that dog would be there waiting for him. [We see Michael walking through the jungle. He stops and throws up. Jack happens to walk by and see him.] JACK: Hey, are you alright? MICHAEL: Yeah. JACK: I was coming back to check on you. MICHAEL: Yeah, man. I had to get out of there. Just -- I have to get my son back. JACK: We're going to help you do that, Michael. MICHAEL: But, it's got to be the way I said, man. Just the 5 of us. Otherwise, it won't work. It won't work. JACK: I promise. We're going to figure that out. MICHAEL: No, I already have figured it out. It's got to be just the people who already know. You, me, Kate, Sawyer, Hurley. That's it. Anybody else -- look, it puts him in more danger. You don't get to decide this. It's my son. It's my call. And that's the way it has to be. JACK: Then that's the way it'll be. [We see Claire with Aaron at their tent. Charlie enters.] CHARLIE: Hey. Hey, Aaron. Hey, big guy. Hi. Have you seen Eko? CLAIRE: No. CHARLIE: You know, we're building a church. CLAIRE: Is there something you want, Charlie? CHARLIE: Yeah, I found something on the pallet I thought you might need. [He takes a small case out of his pack and opens it revealing an injection device and some vials.] CLAIRE: Vaccine? CHARLIE: I don't know what we need a vaccine for, but I figured if anyone should have it, you and the baby should. [she doesn't respond] It's alright. It's a pneumatic injector. You just put into your leg [he demonstrates] and it goes right in. Quite painless, really. CLAIRE: You seem to know a lot about it. CHARLIE: I tried it. I wanted to make sure it was safe before giving it to you and the baby. CLAIRE: Well, how do you feel? I mean, did it do anything? What did it, what did it do? CHARLIE: I feel fine. Anyway, it says you're supposed to give yourself a sht every 9 days. Alright? So, there's enough here for you and the baby for a while. That's it. I'll put it -- I'll put it... [he puts it down]. CLAIRE: Thank you. CHARLIE: Welcome. CLAIRE: I should really feed him. CHARLIE: Yeah. Hey, Claire, did you think that maybe you and I could... CLAIRE [seeing something over Charlie's shoulder]: Oh my God! Michael's back. [We see Sun and Jin on the beach. Sun looks up and sees Michael approaching.] SUN: Michael? [Jin turns to see Michael and Jack approaching. He runs over and hugs him.] JIN: [Speaks in Korean] Okay? MICHAEL: Yeah, yeah. It's good to see you, too. SUN [hugging him]: Are you alright? MICHAEL: Yeah, I'm am. It's just -- I'm fine. [Sun looks over and notices Kate and Hurley are digging graves.] SUN: [Speaks in Korean] Who? MICHAEL: Ana-Lucia and Libby. JIN: [Speaks in Korean] SUN: What happened to them? MICHAEL: They were mrder. COMMERCIAL BREAK [13 Days Ago] [We see Alex at a fre. Mr. Friendly brings Michael in and takes the hood off his head.] MR. FRIENDLY: Hey there, Michael. [Michael spits in his face.] Not going to hold that against you. Fair's fair. I took your boy. But don't do that again, okay. MICHAEL: Where is he you son-of-a-bitch? PICKETT [entering with Kate in a hood]: Hey, look at what I found? She was following her friend about a half a click behind us. MR. FRIENDLY [to Michael]: You make one sound you'll never see your boy again. [to Pickett] Gag him. Get ready with the torches. I'm going to talk to her people. [We see Locke, Sawyer and Jack in the jungle with torches. It's an edited version of the same scene we saw in The Hunting Party episode.] LOCKE: I think we'd better head back. SAWYER: What? JACK: Just find the trail, John. LOCKE: I've lost the trail. JACK: You don't just lose a trail! You just don't want to find him. LOCKE: Yeah, that's right, Jack. I've been running through the jungle, toward the sounds of gn, because I don't care about Michael. JACK: You know what happens if we just turn around and go back? We're never going to see him again. And that's going to be on us -- on you, and on me. MR. FRIENDLY: You're exactly right, Jack. [Locke, Jack and Sawyer all have their gn drawn on Mr. Friendly.] JACK: Who are you? SAWYER: He's the son-of-a-bitch that sht me on the raft. [Sawyer moves forward, looking like he's going to sh*t.] MR. FRIENDLY: Why don't you point the gn down? [Sawyer is suddenly sht, the bllet apparently grazing his ear or neck.] [We see Michael and Kate reacting to the gn.] ALEX: It's okay. He's just delivering a message. He has to scare your friends to do it. [Back to Jack and Mr. Friendly.] JACK [smiling broadly]: I don't believe you. MR. FRIENDLY: You don't believe what? JACK: I think there's more of us than there are of you. MR. FRIENDLY: That's an interesting theory. [suddenly yelling and raising his arms] Light 'em up! [Torches are suddenly lit and the group is surrounded by people just out of sight.] MR. FRIENDLY: Give me your wapon, turn around, go home. JACK: No. MR. FRIENDLY: I hoped it wouldn't come to this. [yelling] Bring her out, Alex! [We see Alex looking hesitant.] PICKETT: Go on. ALEX: You. PICKETT: Come on, Alex. ALEX: Please? PICKETT [to Kate]: Let's go. Up. [he exits with Kate] ALEX: Is Claire okay? Did she have the baby? Is it okay? Is it a boy or a girl? [Michael looks confused, but can't respond because he's gagged.] [Back to Jack and Mr. Friendly.] MR. FRIENDLY: Like I said -- curiosity. [He pulls the bag off Kate's head.] [Jack, Sawyer and Locke throw their wapon down.] SAWYER [to Mr. Friendly]: You and me ain't done, Zeke. [Mr. Friendly grabs the gn and lets Kate go. The torches go out simultaneously and Mr. Friendly walks away and goes back to where Michael and Alex are.] MR. FRIENDLY: His friends are going home. [He drops the gn on the ground] Divvy 'em up. [Mr. Friendly looks at Alex, and she hesitates.] ALEX [to Michael]: Sorry. [She knocks him out with her gn.] [Today] [We see Michael on the beach with Vincent.] [We see Jack and Sawyer getting the gn from Sawyer's tent. Sawyer pulls a bottle of booze out of his stash.] SAWYER: What do you say, Doc? [Jack looks at the bottle and goes back to collecting the gn] Here I was thinking the Irish drink when somebody dies. [he takes a drink] JACK: I'm not Irish. SAWYER: Neither am I. So what happened out there in the jungle? JACK: Exactly what he said happened -- he found their camp... SAWYER: I ain't talking about Mike. You and Freckles -- before you found him you all were gone all night. JACK: We were caught in a net. SAWYER: What the hell is that supposed to mean? JACK: It means we got caught in a net. SAWYER: Is that what they're calling it these days? [Jack exits the tent and we see Sayid approaching.] SAYID: Is it true -- Henry's gone? JACK: Yeah. SAYID: Who's going after him? JACK: Locke and Eko went out in the middle of the night, but... SAWYER: But we haven't seen either of them since. SAYID [noticing what they're carrying]: Those are the gn, aren't they? What are you doing with them? SAWYER: What do you think we're doing? It's time to finish this. SAYID: When do we leave? SAWYER: In the morning. JACK: You're not coming, Sayid. SAYID: Excuse me? JACK: Michael wants to keep it small. Me, Kate, Hurley, and him. SAWYER: Yeah, well, him says even though Pippy Longstocking and the damn Grape Ape are ideal candidates for the Dirty Dozen -- I'm just going to say we might just want to bring the Red Beret. JACK: It's Michael's call. He knows where we're going. SAYID: It is not his call, Jack. It's ours. SAWYER [handing Sayid a gn]: Welcome aboard. [We see Eko walking in the hatch. He sees his cross pulling from his chest toward as he walks by the magnet area. We hear the alarm start to beep. Eko goes to the computer room and enters the numbers. Charlie enters.] CHARLIE: So, you wake up in the middle of the night; you grab your Jesus stick; you race off into the jungle. You don't call; you don't write? EKO: I'm sorry. I had work to do. CHARLIE: Right, yeah. EKO: Charlie, would you do me a favor? I was hoping you could bring my things from the beach here. CHARLIE: What for? You moving in here? Fancy yourself a little bachelor pad? EKO: Yes. I'm moving in here. CHARLIE: Well, what about the church? You said we were supposed to be building it together, man. EKO: I am supposed to do something different now. CHARLIE: What am I supposed to do? EKO: Bring me my things. CHARLIE [exiting]: Bring your own things. EKO: Charlie, please. CHARLIE: You better leg it, mate. Clock's ticking. [We see Michael putting supplies in his pack. Sawyer enters.] SAWYER: Got some good news for you. Captain Arab's in too. Calvary rides at sunrise. MICHAEL: You told Sayid? SAWYER: Yeah, I told Sayid. MICHAEL: You shouldn't have done that! SAWYER: Oh, well I'm sorry. I just figure if we going to wr, we'd want the one guy who's actually been in a wr. That a problem? MICHAEL: No, it's not a problem. SAWYER [exiting]: Well, alright then. COMMERCIAL BREAK [11 Days Ago] [We see a group of the Others leading Michael, whose arms are tied behind his back. He trips and Pickett pulls him up hard.] PICKETT: Get up. MICHAEL: Get off of me! MR. FRIENDLY: You got a problem, Michael? MICHAEL: You march me day and night without any rest. Yeah, my problem is I'm tired. MR. FRIENDLY: Well, I'd offer to knock you out and carry you, but we're here. [We see a large stone "wall" in the distance with a hole in it. Michael recognizes it as the landmark he was told to look for. They enter a camp with tent-like shelters and more Others, all dressed in raggedy clothes. We see two men with rfles standing guard in front of hatch doors. They pass people with fishing nets and we can see the ocean behind them.] MR. FRIENDLY: Put him right over here. [to Alex] Tell her we're here. PICKETT: I can't promise this won't hurt. [he jabs a needle in Michael's arm.] MICHAEL: Ow, damn it! PICKETT: Relax, just taking some blood. MICHAEL: Taking some blood for what? Who are you people? Where's my son? PICKETT: That's it; all done. See you in the funny pages. [he exits] [A woman, Ms. Klugh, enters.] MS. KLUGH: Hello, Michael. MICHAEL: Where's my son? MS. KLUGH: My name is Ms. Klugh. I was hoping you might help me answer some questions. About Walt. MICHAEL: Where is he? MS. KLUGH: Is he your biological son? MICHAEL: What? MS. KLUGH: Are you his father? MICHAEL: Yes, I'm his... MS. KLUGH: How old was he when he started speaking? MICHAEL: I, he... MS. KLUGH: Did he have any illnesses growing up? Headaches? Fainting spells? MICHAEL: What? No! I don't -- I wasn't there. He was half way around the world. Why are you asking me all these questions? MS. KLUGH: Did Walt ever appear in a place he wasn't supposed to be? You say he was half way around the world -- did you see him? MICHAEL: I want my son! You bring him to me right now. I want to see my boy! MS. KLUGH: For someone who wants his son back so badly, you don't seem to know much about him, Michael. [Today] [We see Sayid preparing his pack on the beach. Michael enters.] MICHAEL: Hey, you're not coming. SAYID: Welcome back, Michael. MICHAEL: Look, I know Sawyer told you, alright. But, it's not going to work. You're not coming. SAYID: And why is it that I'm not coming? MICHAEL: Because you're going after the guy that escaped. And I'm going after my son. SAYID: Are you implying I'd let a desire for revenge compromise Walt's safety? MICHAEL: I'm implying that I decide who stays and who goes; and you stay. I know you want to help, right? But I've got to do this my way. SAYID: Of course. Good luck, Michael. [We see Charlie working on building the church, but he drops the pole he's trying to lift into place.] CHARLIE: Bloody hell. [He looks up to see Vincent running toward him carrying a Virgin Mary statue in his mouth which he then drops at Charlie's feet.] CHARLIE: Are you kidding me? Did someone put you up to this? [Vincent runs off and Charlie follows him to Sawyer's tent where he finds the rest of the statues.] [We see Charlie at the shore, throwing the statues into the ocean. He looks around to see Locke is sitting on the beach nearby, watching him.] [We see Jack walking in the hatch. He comes upon Eko at the computer.] JACK: You were supposed to come right back. You were out in the jungle all night. What happened? EKO: We were unable to find Henry's trail. JACK: Yeah, I got that. Where's Locke? EKO: I do not know. JACK: We're burying Ana-Lucia and Libby at sunset. EKO: Thank you. I will mourn them in my own way. [We see Jack and Sawyer preparing the gn.] SAWYER: Who's going to talk? JACK: What? SAWYER: The funeral. Who's going to talk? JACK: I'm sure Hurley will want to say something about Libby. SAWYER: I never even knew her last name. Ana-Lucia. JACK: It's Cortez. SAWYER: Cortez, there you go. I screwed her. JACK: What? SAWYER: That's how she got my gn. Ana, she jumped me. [Jack looks puzzled] We got caught in a net. JACK: Why are you telling me this, Sawyer? SAWYER: Because you're about the closest thing I've got to a friend, Doc. And because she's gone. Well, at least now we get to kll to somebody. COMMERCIAL BREAK [We see Hurley and Kate digging the graves. Michael approaches.] MICHAEL: Jack fill you in on the plan? KATE: What plan? MICHAEL: We're leaving first thing tomorrow -- back across the island to their camp. KATE: Okay. MICHAEL [to Hurley]: What about you, man? You coming with us? HURLEY: Why would I want to go? MICHAEL: Because they klled her! KATE: Michael, come on. MICHAEL: What do you say, Hugo? HURLEY: I'm sorry about Walt, dude. But I'm not coming. MICHAEL: You're sorry...! KATE: Michael. [3 Day Ago] [We see the Others' camp at night. Michael is being held inside one of the shelters. Ms. Klugh enters.] MS. KLUGH: Dinner time. MICHAEL: When are you going to do it? MS. KLUGH: When am I going to do what? MICHAEL: kll me. I've seen where you live. I know how to get here. You have been asking me asking me questions I don't know the answer to for a week. I don't even think my son is alive. MS. KLUGH: He is alive, Michael. He's standing outside right now. MICHAEL: What, do you think I'm stupid? MS. KLUGH: There's been a development since you came here, Michael. One of our people was captured by yours. MICHAEL: So, go get him back. MS. KLUGH: We can't do that. But you can. And if you do, we'll let you and Walt go free. MICHAEL: I want to see my son. MS. KLUGH: Michael... MICHAEL: I want to see him! If he is out there you bring him in! You bring him in here right now! MS. KLUGH [calling out]: Pickett! [to Michael] You have 3 minutes. [Pickett brings Walt inside.] MICHAEL: Walt. WALT: Dad. MICHAEL: Let him go! Let him go! Get your hands off him, right now! WALT: Dad, don't. MICHAEL: Are you okay? WALT: Yeah. MICHAEL: I just -- did they hurt you? WALT: They make me take tests. MICHAEL: They make you what?! MS. KLUGH: We're not going to talk about that. WALT: How's Vincent? MICHAEL: Vincent, he's great. He's great. He misses you. Hey don't, don't, don't be scared, man. Don't be scared. It's going to be over real soon, okay? I'm going to get you out of here, okay. WALT: They're not who they say they are. They're pretending. MS. KLUGH: Walt! You want me to put you in the room again? MICHAEL: Pretending? Pretending what? MS. KLUGH: That's it. We're done. MICHAEL: No, wait. Hey wait, wait, wait. Come here, Walt. Wait, come here, Walt. [Walt breaks away from Pickett and runs and hugs Michael.] WALT: Dad, [a couple of unintelligible words]. Help me, please! Don't leave me! MICHAEL: I won't, man. I'm going to take -- I'm going to get you out of here. I promise you, I will get you out of here. [Pickett grabs Walt.] WALT: Dad! Dad! MICHAEL: Let him go! Walt wait! Let go of him! WALT: I love you! MICHAEL: Walt, I'm going to get you out of here! WALT: I love you! MICHAEL: Walt, I love you too, Walt! WALT: Let me go! Let me go! MICHAEL: I'm going to get you out of here. [Walt is finally taken out, and Michael breaks down sobbing.] MS. KLUGH: After you release our man, I'm going to need you to do something else. MICHAEL: Whatever you want. MS. KLUGH: I'm writing 4 names down -- 4 of your friends. We need you to bring them here. You have to bring only these 4 people, Michael. Just them. If you don't bring all the people on the list, you'll never see Walt again. MICHAEL [still crying]: Okay, okay. MS. KLUGH: Do you understand, Michael? MICHAEL [still crying]: Yes. What do I tell them. MS. KLUGH: Doesn't matter. Make up a story. They'll be angry enough to believe whatever you say. [She hands him the list of names.] MICHAEL: Who's James Ford? MS. KLUGH: You know him as Sawyer. You know the rest of them? MICHAEL: Yeah. I know them. If I do all this -- if I do what you say... MS. KLUGH: You get your son back. You both go free. MICHAEL: Then I want the boat. COMMERCIAL BREAK [We see people gathering at the beach for the funeral. We see Locke sitting on the beach nearby. He cuts loose the splint on his leg, shoulders his pack, and walks off in the other direction.] [We see Jack and Sayid walking together toward the graves.] JACK: When the plane crashed I was on my way to Los Angeles to bury my dad. SAYID: I'm sorry to hear that. JACK: Yeah. It seems like such a long time ago now. I was going to go right from the airport to the cemetery but I had no idea what I was going to say. Here we are again. SAYID: I think Michael has been compromised. [Jack stops] Let's keep walking, Jack. JACK: What do you mean "compromised"? SAYID: His actions are not those of a man who is telling the truth. JACK: Why would he lie to us? SAYID: Because I believe a father would do anything for his son. Because I believe Michael may have freed Henry. And because I believe he is leading you into a trap. JACK: You believe a lot, Sayid. SAYID: I also believe that Henry was one of them. JACK: Alright, let's go talk to him. SAYID: No, he must continue to believe he's in control. JACK: Why the hell would we want to do that? SAYID: So we can create an advantage. JACK: How? SAYID: I don't know yet. But we have one more night to figure that out. [We see everyone gathered around for the funeral service.] JACK: Ana-Lucia Cortez was -- before we crashed she was a police officer. I don't think it was easy for her being here. But I think she did the best she could. She was a woman of few words, and I'm going to follow her example. Rest in peace, Ana. HURLEY: Libby was -- she was -- she -- Libby was a psychologist, or psychiatrist -- one of those. Either way, she probably helped a lot of people. She helped me. She was my friend. It's not fair that this happened to her. It's not. [to Michael] I'm going with you. Goodbye, Libby. [Sun sees something on the water.] SUN: Boat. Boat! [We see a sailboat coming in to shore.]	{"type": "series", "show": "Lost", "episode": "2x22 - Three Minutes"}	foreverdreaming
[We see everyone on the beach running toward shore, toward the boat.] CHARLIE: Are we rescued? REDSHIRT: Saved? [Jack, Sayid, and Sawyer swim out toward the boat while the folks on the beach yell and look on. Kate looks through binoculars.] CHARLIE: You see anything? KATE: No. CHARLIE: Maybe it's a trap? HURLEY: What do you mean a trap? [Jack, Sayid and Sawyer reach the boat and climb aboard. They hear music coming from below deck.] SAWYER: You hear that? [Jack nods] [Suddenly shts are fired from below. Then we can hear the trigger being pulled, but no shts being fired.] VOICE: [from below] Damn it. [Jack, Sayid and Sawyer kick in the door that leads below with their gn drawn. We see Desmond drunk and disheveled sitting on the floor.] DESMOND: You. [He laughs] [COMMERCIAL BREAK] [We see Kate with a group of redshirts around her, asking her questions.] KATE: Okay, okay, just wait one second, okay. I'll be right back. [She approaches Jack] Everybody needs to know what's going on, Jack. There's a boat... JACK: Just tell them Desmond's back until I find out the rest, okay. [Jack exits and approaches Desmond who's sitting near a fre, drinking.] JACK: So, before you ran off, I guess you just forgot to mention that you still have a sailboat. Why'd you come back? DESMOND: [laughing] Do you think I did it on purpose? I was sailing for two and half weeks, bearing due West and making 9 knots. I should have been in Fiji in less than a week. But the first piece of land I saw wasn't Fiji, was it? No. No, it was here—this, this island. And you know why? Because this is it. This is all there is left. This ocean and this place here. We are stuck in a bloody snow globe. There's no outside world. There's no escape. So, just go away, huh. Let me drink. [Sayid approaches and Jack gets ready to leave.] DESMOND: Are you still pushing it? JACK: Yeah, we're still pushing it. [FLASHBACK] [We see Desmond at a counter talking to a soldier in a prison. The soldier is taking items out of an envelope.] MASTER SERGEANT: Set of keys; one pocket watch, gold plated; one photograph (the same picture Desmond had in the Hatch); one book, Our Mutual Friend. Why didn't you bring that inside? DESMOND: To avoid temptation, brother. I've read everything Mr. Charles Dickens has ever written - every wonderful word. Every book except this one. I'm saving it so it will be the last thing I ever read before I die. MASTER SERGEANT: Nice idea, as long as you know when you're going to die. [He stamps "discharged" on some papers] Lance Corporal Desmond David Hume your sentence is hereby complete and you are now and forever dishonorably discharged from the Royal Scotts Regiment of Her Majesty's Armed Forces. Long live the queen. Enjoy your sodding book. [We see Desmond exiting the garrison as a limo pulls up. A man, Charles Widmore, rolls down the window.] WIDMORE: You want a ride? DESMOND: Not with you. WIDMORE: Get in the car. [Desmond gets in and notices boxes on the seat.] DESMOND: Did you bring me a present? WIDMORE: Actually, two presents. One of these boxes contains your past, Hume. The other, your future. Go ahead, open it. [Desmond opens a box and finds it filled with letters which are unopened and addressed to Penelope Widmore, sent by Desmond.] DESMOND: You're a bastard, you know that? WIDMORE: The fact that she never received your sentiments is good for her. Good, because as far as she's concerned you've forsaken her. And that's the way it's going to stay. DESMOND: Is it now? WIDMORE: Penelope's moved on, Hume. She's getting married. [He opens the other box which is filled with money.] This is for your new life—away from my daughter. The conditions are simple—no contact, no calls, no posts. You just run away, Desmond. DESMOND: And what makes you think I would just run away? WIDMORE: Because you're a coward. [Back on the Island we see Sayid and Jack walking on the beach.] SAYID: On the way to the funeral I told you that Michael had been compromised by the Others, and then you asked me how we might take advantage of that. I believe fate has given us our answer—the boat. JACK: The boat? SAYID: This camp Michael is leading you to across the Island—that is where they will set their trap. While Michael leads you by land, I can approach far more quickly by sea. And I can go ashore undetected. JACK: Go ashore and do what? SAYID: Scout them—their numbers and positions, their wapon. Then I'll go to the nearest beach and start a signal fre with these [he holds up some leaves]. They burn with a dark, black smoke. You and your team will come to meet me at the signal and we will go in together. JACK: We're not even sure if Michael's been turned by them. SAYID: He has been turned. JACK: I'll have to tell Kate, and Hurley and Sawyer what we're doing. SAYID: No. Michael cannot sense we know he is lying. All we have is the element of surprise, Jack. Right now it's only your responsibility to keep it secret. JACK: Black smoke, huh? SAYID: This time they will know that we are coming. [We see Locke enter the Hatch and approach Eko. The timer is at 5:00 minutes.] EKO: Hello, John. Where have you been? LOCKE: I've been thinking. EKO: About what? LOCKE: That in a minute that computer's going to start beeping, and when it does you're going to let it go. You're going to let it run down to zero, past zero. And you're not going to push the button. EKO: But I am going to push the button. Why wouldn't I? LOCKE: Because you don't want to be a slve. EKO: I am a slve to nothing. LOCKE: You're a slve to that [pointing to the timer clock], just like I was. So I'm going to tell you again—don't push it. EKO: Do not tell me what I can do. [Eko starts entering the Numbers. Locke grabs his stick and tries to smash the computer but Eko stops him and they struggle.] LOCKE: You cannot push that button. [Eko knocks Locke to the ground, pushes the button and starts leading Locke out of the Hatch.] LOCKE: No, it's not real. We're only puppets—puppets on strings. As long as we push it, we'll never be free. EKO: [pushing him out of the Hatch] Well, you're free now, John. Do not come back. LOCKE: No. [We see Jack give Michael a gn. He tries to give one to Hurley.] HURLEY: No way. I'm not even going to kll someone. SAWYER: Ain't that the point? HURLEY: I thought the point was to get Walt back. [Jack hands Kate a gn. She looks pensive.] JACK: What's the matter? KATE: All that stuff we found in the medical station—costumes, make-up, fake beards—what if these people just want us to think they're hillbillies? MICHAEL: Listen, I was there. I saw them. They are hillbillies. They live in huts; they eat fish; they're probably more scared than we are. And they have no idea we're on our way. SAWYER: Alright, enough jibber-jabber, let's roll. [COMMERCIAL BREAK ] [We see Sayid approach Desmond on the beach.] SAYID: I need your boat. DESMOND: I wouldn't waste your time. There's nothing out there, pal. SAYID: I'm not going out there. I need to get to the North shore of the Island, and quickly. DESMOND: Going to see the hostiles, are you? SAYID: What? DESMOND: You know what, ignorance is bliss. The boat's all yours, brother, for all the good it'll do you. SAYID: I don't know how to sail. DESMOND: Then I suggest you find someone who does. [FLASHBACK] [We see Desmond at a coffee bar counter.] DESMOND: Just give me which ever one has the most caffeine in it, brother. [he opens his wallet] Damn, um, I'm sorry. I've just arrived and I spent all my American money on a taxi. LIBBY: [putting money on the counter] I've got it. DESMOND: That's not necessary. LIBBY: It's just 4 bucks. DESMOND: I don't suppose you have 42,000 more of those do you? LIBBY: Depends on what it's for. DESMOND: I was joking. LIBBY: No you weren't. [We see Libby and Desmond sitting with each other. Libby is looking at a brochure for a sailing race. There's a picture of Widmore on the brochure.] LIBBY: So, a sailing race around the world? DESMOND: I have 8 months to get into the best shape of my life. I'll tell you what, miss, I'm going to win. LIBBY: And what do you get if you do? DESMOND: What really matters is who I win it for. [he pushes the brochure toward her] LIBBY: [looking at the brochure] Charles Widmore. DESMOND: He tried to buy me off. And when I didn't take his money, he took away the only thing in the world that I ever truly cared about. LIBBY: Who is she? DESMOND: His daughter. I was unsuitable on several levels. LIBBY: And what' the 42 grand for? DESMOND: It's a wee bit complicated. As of yet, I don't actually have a boat. [Libby looks sad] Sorry, did I say something wrong? LIBBY: I have a boat. It was my husband's but he got sick. He wanted to sail the Mediterranean—he never—he passed away about a month ago. DESMOND: I'm sorry. LIBBY: I want you to have it. DESMOND: I can't take your boat, miss. LIBBY: But you have to. He'd want you to. DESMOND: What was your husband's name? LIBBY: David. DESMOND: And what did he name his boat? LIBBY: Elizabeth. He named it after me. DESMOND: Then I thank you, Elizabeth. And I shall win this race for love. [Back on the beach, we see Jin approach Sun and Sayid.] JIN: [Speaks in Korean.] SUN: [to Sayid] Would you excuse us, please? SAYID: I'll be at the shore. SUN: [Subtitle: Sayid wants you to sail the boat to the other side of the Island. To help Michael.] JIN: [Subtitle: No. I won't leave you. Not now. ] SUN: [Subtitle: You won't leave, Jin, because I'm coming with you.] [We see Michael, Sawyer, Jack, Hurley and Kate walking through the jungle. Sawyer sees a doll and starts to reach for it, but Kate stops him.] KATE: Don't even think about it. It's a trap—a net. Rousseau's got them all over the Island. SAWYER: How the hell would you know that? KATE: I tripped one with Jack. We ended up—never mind. [Sawyer chuckles] What? SAWYER: When the Doc told me you all got caught in a net I thought he meant, uh—something else. KATE: Since when did you and Jack start talking about me? [They hear some rustling in the bushes. A big bird swoops down over them and screeches. Michael tries to sh*t, but his gn doesn't fre.] HURLEY: Did that bird just say my name? SAWYER: Yeah, it did. Right before it crapped gold. [We see Michael looking at his gn to see if there's something wrong. Jack notices.] JACK: Sorry, man. I guess I forgot to load that one. Want to give me the mag? [COMMERCIAL BREAK] [We see Charlie walking through the jungle. He comes across Locke who is crying.] CHARLIE: John. [Locke pulls himself together and turns] What happened to your face? LOCKE: Nothing, I'm fine. CHARLIE: Hey, uh, if you're feeling a little sorry for yourself you may want to have a drink with your mate from the Hatch. I hear he's a little despondent, as well. LOCKE: What? CHARLIE: Oh, that's right; you weren't there for the dramatic arrival at the funeral. I think he's pushed your button too many times, if you ask me. LOCKE: Desmond? CHARLIE: Yeah, Desmond. I'm sure you two have a lot to talk about. [We see Sayid preparing an inflatable raft with supplies and a gn, to take the sailboat. Jin and Sun approach.] SAYID: I'm sorry if what I said was confusing, but I asked Jin to come. SUN: You need someone to translate. And you need at least two people who know how to sail. SAYID: Desmond managed by himself. SUN: And look where he ended up. [We see Claire getting ready to give Aaron an injection.] DESMOND: [off camera at first] You're wasting your time, sister. I sht myself with that stuff every 9 days for 3 years. [he looks at Aaron] He's lovely. Is the father here on the Island? CLAIRE: No. Nope, he's been gone a long time. Sort of walked off the moment he got a bit scared by the situation. DESMOND: Well, maybe he knew he'd be a lousy dad—thought he was doing what was best for you. CLAIRE: He was doing what was best for him. [FLASHBACK] [We see Desmond at the stadium getting ready to run. A car pulls up and Jack gets out and heads to the steps. Another car pulls up and a woman gets out.] DESMOND: How did you find me? PENELOPE: The landlord at your flat told me you ran here everyday. DESMOND: How did you find me? PENELOPE: I have a lot of money, Desmond. With enough money and determination you can find anyone. Did you read your beloved book—the one you were saving? DESMOND: Not yet. PENELOPE: I thought you might have read it while you were away. DESMOND: I was in prison, not away. PENELOPE: Why didn't you write to me? DESMOND: When are you getting married, Pen? PENELOPE: We haven't set a date yet. DESMOND: I'll be back in a year. PENELOPE: What if you were back, right now? DESMOND: I'm going to win this race, Pen—his race. And in a year, I'll be back. PENELOPE: Desmond, what are you running from? DESMOND: I have to get my honor back, and that's what I'm running to. [Back on the Island, Locke approaches the still drinking Desmond on the beach.] LOCKE: So what did one snowman say to other snowman? DESMOND: Smells like carrots. LOCKE: Hello, Desmond. DESMOND: Hello yourself, box man. LOCKE: [reaching for the bottle] Do you mind? DESMOND: Oh, I insist. So you managed to fix the computer, then, did you? LOCKE: World's still here, ain't it? DESMOND: I'm not so sure about that, brother. LOCKE: Refresh my memory, Desmond. How long did you say that you were down there in the Hatch? DESMOND: 3 years. LOCKE: Desmond, what if I told you that for all that—all those years that you and all the men before you were down there pushing that button—what if I told you that it was all for nothing? DESMOND: I'd ask you how the hell did you know something like that? LOCKE: I found another hatch—another station on the Island. They called it the Pearl, and I saw a film there—an orientation film. And it said that everything that was happening in our hatch wasn't real—that it was a test—a psychological experiment. DESMOND: You're lying. [Locke reaches in his pack and pulls out the Pearl video.] LOCKE: You want to take a walk? I'll make the popcorn. DESMOND: You're so sure it's not real, then just stop pushing the button! LOCKE: Well, I have. Except, unfortunately, someone else decided to start. So you're going to sober up. We're going to get a good night's sleep. Tomorrow we're going to find out what happens if that button doesn't get pushed. [COMMERCIAL BREAK] [We see Hurley and Sawyer around a fre.] SAWYER: DHARMA nutri-bar? HURLEY: No thanks; I'm not hungry. SAWYER: You serious? [Hurley gives him a dirty look.] [We see Michael by himself, agonizing. Jack approaches.] JACK: Hey, you alright? MICHAEL: Yeah, just getting some more firewood. Not feeling too hot. JACK: You shouldn't be out here alone. I'll give you a hand. MICHAEL: Hey, thanks for coming out here—risking your neck for my boy. JACK: Live together, die alone, man. MICHAEL: Yeah. [We see Sayid, Jin and Sun on the sailboat. Sun throws up over the side.] JIN: [Subtitle: I told you not to come. ] SUN: [Subtitle: It's not seasickness, Jin.] JIN: [Subtitle: I know. There's something you should see. ] [He points to the shore, and we see the foot and calf of one leg of what was once a giant statue.] SAYID: I don't know what is more disquieting—the fact that the rest of the statue is missing, or that it has 4 toes? [In the Hatch, we see Eko carving another bible verse into his stick. The lights suddenly go out. Eko investigates and finds a fuse is missing from the fuse box. The loudspeaker starts counting down: 8, 7, 6. We see Eko and Desmond in the computer room. Desmond is rubbing two bare wires together causing the blast doors to come down and locking Eko outside the computer room. Eko jams his stick under the blast door just before it goes down, but Locke grabs it.] EKO: [banging on the door] John! LOCKE: [to Desmond] Neat trick. EKO: [banging] John! John! Can you hear me? Open up. DESMOND: Are you sure about this, brother? LOCKE: I'm more sure about this than anything in my entire life. EKO: [banging] John! DESMOND: Alright then, box man. We wait. [FLASHBACK] [We see Desmond on the sailboat in a terrible storm. He goes below deck and wraps his Dickens book in plastic and puts in his coat. He goes back on deck, falls and is knocked out. Next we see him washed up on shore. We see a blurry, jumpy sequence of a man in a yellow environmental suit drag Desmond back to the Hatch. We see that the man is Inman, the CIA operative from Sayid's flashbacks.] INMAN: Are you him? DESMOND: What? INMAN: What did one snowman say to the other? DESMOND: What are you talking about? Who are you? INMAN: I'm Inman. Kelvin Inman. DESMOND: What, what happened to my boat? INMAN: I found you washed up on the beach. There was no boat. [We hear the alarm start to sound. Inman enters the Numbers.] DESMOND: What was all that about, then? INMAN: Just saving the world. [COMMERCIAL BREAK] [We see Desmond watching the Orientation Film.] MARVIN CANDLE: Not long after the experiments began, however, there was an incident. And since that time the following protocol has been observed: every 108 minutes the button must be pushed. From the moment the alarm sounds you will have 4 minutes to enter the code into the microcomputer processor. [The film reel ends there, and Desmond takes it off the projector.] INMAN: [donning his environmental suit] How many times are you going to watch that thing? DESMOND: Why are there missing parts? INMAN: Radzinsky made some edits. DESMOND: Who's Radzinsky? INMAN: He was my partner. DESMOND: And what happened to him? INMAN: Just make sure you put that back behind Turn of the Screw when you're done with it. DESMOND: Why do you wear that suit? INMAN: So I don't get infected out there. [he grabs an injector and vaccine] Give yourself a sht of this every 9 days. You were out there a while before I found you. Hope it's not too late. [Back in the Hatch, we hear Eko still banging on the blast door.] EKO: John! DESMOND: Who is he, box man—the man out there pounding on the door? LOCKE: His name is Mr. Eko. DESMOND: Why does Mr. Eko carry around a stick covered in scripture? LOCKE: Because he's a priest. EKO: Open the door, please. John! Can you hear me? Open up. DESMOND: We locked out a priest? [We see Eko climb up out of the Hatch door entrance. He sees the quarantine sign and runs toward the beach. We see Charlie playing guitar. Eko approaches.] EKO: Charlie, do you know how they got the Hatch door open? CHARLIE: No, but if you hum it, I could probably play it. EKO: How did they open it—the door that says "quarantine"? CHARLIE: They blew it up, why? EKO: Charlie, I need your help. CHARLIE: Oh, now I'm back in your good graces, Father? EKO: Charlie, John has locked me out of the Hatch. And I believe he is doing this because he is going to stop pushing that button. And, Charlie, I am absolutely certain that if he is successful, in 90 minutes everyone on this island will die. CHARLIE: Alright, I'm in. I'm in. EKO: Thank you. Come, come quickly. [We see Jack and company walking through the jungle.] SAWYER: So, these Others, you think they're left over from the DHARMA folk? MICHAEL: I don't know, man. SAWYER: My theory, they're aliens. That's why they use the fake beards—their heads are made of pathetic. HURLEY: Prosthetic, dude. SAWYER: You can't even spell and now you're correcting me? What do you think, Freckles? KATE: Just keep moving, we're being followed. SAWYER: What? KATE: [stopping to pretend to tie her shoe] Just keep smiling. There's at least two of them across the river. In about 5 seconds I'm going to turn the tables on them. [she pulls her gn out] SAWYER: Wait a second. KATE: You in? [Kate and Sawyer starts shting. Sawyer hits one and the other one runs.] KATE: He's getting away! [Jack and the rest rush to the guy Sawyer sht.] KATE: He's dad. We have to find the other one. JACK: No! KATE: I'm going. Sawyer. JACK: I said no! SAWYER: Are you crazy? We let him go they'll know we're coming. He'll... JACK: It doesn't matter if we catch him now. [Sawyer and Kate stare at him like he's crazy. Jack looks at Michael] They've already been warned. SAWYER: What do you mean "warned"? JACK: Why don't you tell them, Michael? KATE: Jack. MICHAEL: I don't know what you're talking about. JACK: Stop lying! Tell them. MICHAEL: Tell them what? JACK: [pushing Michael up against a tree] I know what you're doing, Michael! Now tell them the truth. Tell them! MICHAEL: It was the only way. They gave me a list. JACK: What list? MICHAEL: It had your names on it. I had to bring all 4 of you back, or they said I'd never see my son again! JACK: Who are they? MICHAEL: It's like I said—they live in a camp with huts. I swear, that's it. KATE: You let Henry go? [Michael nods.] HURLEY: Did you kll them? Ana Lucia and Libby? Did you? MICHAEL: I had to, man. I, God, I couldn't find any other way. And Libby was a mistake. I, I didn't have time to think. HURLEY: But if you did have time—you still would have klled her, right? MICHAEL: I'm sorry. You understand—I am sorry. I'm sorry. I—my son! HURLEY: I'm going back. JACK: No, Hurley. Hurley, you can't! HURLEY: We're all going to get klled and you knew it! You let us come anyway. JACK: It's too late to go back now, Hurley. We already caught them following us once. If they don't believe that we trust Michael, they'll kll us all. I'm sorry that I didn't say anything. But you have to know that I would never bring you out here if I didn't have a plan. SAWYER: What plan? [COMMERCIAL BREAK] [We see Sayid praying on the boat.] SAYID: [Prays in Arabic.] [Jin sees something on the shore.] JIN: Sayid! Here. [Sayid looks through the binoculars and sees the rock wall with the hole in it.] SAYID: That's the rock Michael described. We're here. [We see Charlie and Eko walking in the jungle.] EKO: Hurry, please. CHARLIE: Hurley showed me. It's around here somewhere. It's definitely around, uh... EKO: We're running out of time, Charlie. CHARLIE: Here it is! Told you. Careful. Careful. Dynamite is very unstable. You don't want to end up like Dr. Arzt. [We see Charlie and Eko enter the Hatch.] CHARLIE: Careful. Eko, hey, Eko. Listen, what if we hurt them? Or blow up the computer? EKO: You can leave now, Charlie. CHARLIE: John, it's Charlie. Let's work this thing out, John. John! Eko is very upset, John. Just open this door and we can talk about it. John, you should know Eko is going to blow open the blast door. LOCKE: Blow it open with what? CHARLIE: With dynamite from the old ship in the jungle. DESMOND: It would take an atom bmb, brother. Tell him not to bother. LOCKE: You're sure it'll hold? DESMOND: Aye, I'm sure. [FLASHBACK] [We see Desmond moving a cart under a blast door. Inman pours some detergent into a measuring cup and stirs it with a paint brush.] DESMOND: Maybe you should do it? INMAN: Come on, Des, you've seen me do it a hundred times. [Desmond hits the bare wires together to make the blast doors come down. We hear the loudspeaker counting down: 6, 5, 4; and see the blast door come down on the cart, leaving a big enough space to crawl under.] DESMOND: How do you even remember where you left off from? INMAN: Slowly, Des. Very, very slowly. You should have seen Radzinsky do this. He had a photographic memory. I mean, this whole baby was his idea. DESMOND: Yeah, right, Radzinsky. Radzinsky figured out how to fake a lockdown. Radzinsky created this great invisible map. More and more tales about your former partner. Yet for some reason, you never want to tell me what bloody well happened to him. [Inman walks over to Desmond and points to a spot on the ceiling.] INMAN: See that brown stain, there? That's Radzinsky. He put a gn in his mouth when I was asleep. The bitch of it was, I only had a 108 minutes to bury the poor bastard. DESMOND: Well, if you don't want me to go crazy, next time let me go out. INMAN: Well, you want to go out there with the quarantine and the hostiles? DESMOND: I haven't been outside for 2 bloody years! Yes, I want to go. I was in the army for God's sake! INMAN: Oh, right, Her Majesty's Army, correct? Tell me, Desmond, why'd you leave that nice old lady's army? Oh, I remember now. You got kicked out because you couldn't follow orders. DESMOND: Why did you leave your army, Kelvin, huh? INMAN: Because men followed my orders. Ah, but then thank God I joined the DHARMA Initiative. Namaste, thank you, and good luck. [he laughs] DESMOND: Please, Kelvin. Let me go out, huh? Just once. INMAN: Sorry, Des. You stay here. You push the button. That's an order. [Back at the Hatch, we see Charlie banging on the blast door.] CHARLIE: John! Seriously, you're about to be detonated. [We see Eko rigging the dynamite.] CHARLIE: [to Eko] Hey, what if John's right. What if it's just some colossal joke? You know, it's just some old computer connected to nothing? Maybe it's just a bunch of wire? [Eko suddenly pounces on Charlie and shoves him up against a wall. He rips his belt off, and throws it at the magnet wall where it sticks.] EKO: Is that a joke? CHARLIE: I'll see myself out. [Eko goes back to the dynamite. Charlie grabs his belt from the wall.] EKO: John, this is your last time to end this. Open the door, and I will forgive you. LOCKE: Forgive me for what? [Eko gets ready to light the fuse.] CHARLIE: Hey, hey, Eko. Wait. Just wait a second. I don't think it's a good idea, Eko. [Eko lights the fuse] We're in a very confined area. [Eko pushes himself up against a wall. Charlie starts running.] CHARLIE: Oh, bollocks. [There's a huge explsin and a fre ball that chases Charlie to the end of the hall.] [COMMERCIAL BREAK] [FLASHBACK] [We hear the alarm sound and see Desmond wake up.] DESMOND: Kelvin! Hey, Kelvin. [Desmond runs to the computer and enters the Numbers. Desmond hears Kelvin singing and sees a bottle of booze on the floor. He opens a grate on the floor and finds Kelvin drunk under the Hatch holding a key dangling from a chain.] INMAN: I couldn't do it. I couldn't do it. [Desmond makes his way over to Kelvin who is lying next to a small alcove. We see a lid has been opened to reveal a place to insert the key and a sign that says Caution: System Termination.] DESMOND: What is this? INMAN: This is the only other way out, partner. DESMOND: What are you talking about? INMAN: Failsafe. Turn this key and this all goes away. DESMOND: What's behind that wall, Kelvin? Huh? What was the incident? INMAN: Electromagnetism, geologically unique. The incident—there was a leak. So now the charge builds up and every time we push the button it discharges it before it gets too big. DESMOND: Why make us do it—push the button? If we, if we can just... INMAN: [laughing and closing the lid] Here's the real question, Desmundo—do you have the courage to take your finger out of the dam and blow the whole thing up, instead? [Back in the Hatch.] DESMOND: I think your friends just blew themselves up, brother. LOCKE: They're not my friends. DESMOND: I can't hear anything. Maybe we should open it. LOCKE: No, no; it's a trick. DESMOND: A trick? They could be hurt? Is your doctor around? LOCKE: Our doctor is God knows where. And he sure as hell doesn't care about anything happening down here. DESMOND: Can I ask you a question, brother? LOCKE: Absolutely. DESMOND: Is the reason you're letting that clock there run all the way down to the very last tick—is it because you need to look down the barrel of a gn to find out what you really believe, John? LOCKE: I looked down the barrel of the gn and I believed. I thought it was my destiny to get into this place. And someone died—a kid. Because he was stupid enough to believe that I knew what I was talking about. And the night that he died for nothing, I was sitting right up there, all alone, beating my hand bloody against that stupid door—screaming to the heavens asking what I should do. And then a light went on. I thought it was a sign. But it wasn't a sign. Probably just you going to the bathroom. [Desmond has a look of recognition on his face, and turns away.] [We see Sayid sneaking up to the Other's camp from the beach. He sneaks up to one of the shelters and looks inside but no one is there. No one is at the camp at all. He opens the door of the Hatch, but there is just rock wall behind it.] [We see Jack and company walking through the jungle. Kate sees something.] KATE: Jack. [They discover a huge pile of canisters, each with a notebook in it, piled on the ground. We see that the pneumatic tubing runs up out of the ground and has been spitting the canisters out in the middle of the jungle. Kate inspects them.] HURLEY: What are they? KATE: It's handwritten. It's all filled, the whole book. They're journal entries. [Sawyer picks up a piece of paper from on top of the pile and finds Locke's map.] KATE: [reading from the notebook] 0400: S.R. moves ping-pong table again. 0415: Takes a shower. What is this? SAWYER: [spotting something in the distance] Hey, Doc, what did you say Sayid's signal's going to be when the coast is clear to ht that beach party? [We see a column of black smoke.] KATE: That means he found them, right? JACK: That's miles from here. [to Michael] Where were you taking us? MICHAEL: What? JACK: Sayid said that he'd light the signal so that we could meet him at the shore. Why aren't we going to the beach? MICHAEL: We are headed to the beach. JACK: We're nowhere near the beach! MICHAEL: Look, I had to. JACK: What?! [They hear whispers, then Sawyer gets ht in the neck with a dart and falls to the ground convulsing.] KATE: Sawyer! JACK: Run! Go, go. [Kate and Jack start running. Hurley crouches and covers his head. Michael stands there.] MICHAEL: Wait! [Kate gets ht with a dart. Jack fires into the bushes and picks Kate up. He gets ht with a dart and falls. We see some Others come to collect them.] [COMMERCIAL BREAK] [We see Desmond and Locke in the Hatch.] DESMOND: Tell me about this other hatch you found—this Pearl. LOCKE: What do you want to know? DESMOND: Details. LOCKE: The Pearl is a psychological station full of TV monitors. And two men sat in viewing chairs and filled notebooks with observations on what happens in here. And then they put the notebooks in pneumatic tubes and send them back to their headquarters so they could evaluate us—as an experiment. [Desmond looks concerned, confused] What? DESMOND: What if you've got it backwards? LOCKE: Backwards? DESMOND: What if the experiment wasn't on the two men in here, but on the two men in there? I want to see that tape, John? LOCKE: No, you can't. There's no way to see it down here. DESMOND: Well, was there anything else in that station? Was there a computer? LOCKE: Yeah. DESMOND: So what did it do?! LOCKE: Nothing! It didn't do anything. It printed out numbers. Lots and lots of numbers. DESMOND: What printout, where is it? LOCKE: Here, reading material for the next 19 minutes. Knock yourself out. [FLASHBACK] [We see Desmond shaving.] INMAN: You've been shaving everyday for the last 3 years. You need to live a little, let go. DESMOND: I'm never going to let go, brother. INMAN: [zipping his environmental suit] Oh, that's the spirit. Bye, Des. DESMOND: Goodbye? INMAN: Yeah, goodbye. See you in a couple hours. [Desmond notices a big tear in the leg of the environmental suit. He watches Inman leave, and put the gas mask on. He follows him outside and sees him take off the mask. We see Desmond following Inman along a rock shore. Suddenly Inman is gone. Desmond sees his sailboat in the water.] INMAN: [from behind Desmond] Well, gosh, I didn't think you had the stones to come after me. I was a spook for 10 years, Des. I know when I'm being followed. DESMOND: What are you doing with my boat? INMAN: I'm fixing it. DESMOND: You were leaving? INMAN: Well, I mean, not yet. It's still about a week away. You wrecked it pretty good, Des. What do you think? Want to come with me? DESMOND: Come where? What about the button? INMAN: Screw the button, man. Who knows if it's even real? DESMOND: That's not what you said when you were going on and on about dams and electromagnetics and failsafes! INMAN: Well, I was drunk. DESMOND: Why did you lie to me? INMAN: I lied to you because I needed a sucker to save the world after I left. DESMOND: You crazy old bastard! You stole my life! INMAN: Oh, come on. DESMOND: What else did you lie to me about?! What else? Tell me?! [Desmond has Inman by the collar and they fall to ground. Inman gets up and Desmond rushes him, falling on top of him. Inman hits his head.] DESMOND: How could you do this to me? Get up. [Desmond sees blood coming from the back of Inman's head and realizes he's dad.] DESMOND: Oh my God. Oh my God. [Desmond grabs the failsafe key from around Inman's neck and runs back to the Hatch. He arrives to hear the loudspeaker repeating: System Failure over and over; the whole hatch is shaking. We see that the hieroglyphs on the timer are all locked in place. Desmond is frantically trying to enter the Numbers, but the screen is filled with System Failure over and over again. We see everything metal in the Hatch flying in the air toward the magnet wall area. Finally, Desmond somehow enters the Numbers and the timer resets. The screen blanks and we see the >: caret.] [Back in the Hatch, Desmond is looking over the print out from the Pearl station.] LOCKE: What are you doing? DESMOND: When did you come here? LOCKE: What? DESMOND: The Island—when did you come here? How long ago? LOCKE: 60-65 days. DESMOND: The date—what was the date? LOCKE: September 22nd. [We see numbers on the printout: 922044:16, followed by System Failure printed over and over.] LOCKE: It was September 22nd. DESMOND: I think I crashed your plane. [COMMERCIAL BREAK] [We see the Others leading Jack, Kate, Sawyer and Hurley down a long pier, making them kneel when they near the end. Michael is walking freely. Their hoods are taken off, and we see they are gagged.] SAWYER: [through the gag] Son-of-bitch... [Pickett knees him in the stomach.] MR. FRIENDLY: Everybody just calm down. KATE: [through the gag, to Mr. Friendly] It's fake. I know that your beard is fake. MR. FRIENDLY: Sorry, missy, I didn't get you. MS. KLUGH: She says she's knows your beard's fake, Tom. MR. FRIENDLY: [removing the beard] Well, thanks for pointing that out, Kate. I can't tell you how much this thing itches. And thanks for telling them my name, Bea. [We see the boat that we saw in Exodus arrive at the pier. Henry Gale gets out and is obviously the one in charge. He strides up to Jack.] GALE: Hello again. [to Mr. Friendly] Where's your beard? MR. FRIENDLY: I think they know. GALE: [to Michael] Alight, let's take care of business, shall we? [We see Charlie regaining consciousness in the Hatch. The sound is muddy with a ringing tone to simulate Charlie's hearing loss from the blast. He gets up and finds Eko lying unconscious and bloody on the ground a little ways away.] CHARLIE: Eko? Eko! It's Charlie. Wake up. [We see Locke and Desmond in the computer room.] DESMOND: We need to push the button. LOCKE: No, we don't! DESMOND: Do you not hear me, brother? I crashed your bloody plane? LOCKE: How did you manage to do that? DESMOND: On that day, those numbers turned to hieroglyphics. And when the last one came down this whole started to shake. And that screen? That screen filled up with "system failure," [pointing to the printout] System Failure. And I know what they are. 92204—September the 22nd, 2004, the day your planed crashed. It's real! It's all bloody real! Now, push the damn button! LOCKE: I know what I saw! It's a lie; it's not real! None of it is real! DESMOND: You don't want to push the button? Then I will. LOCKE: No! [Locke grabs the computer and smashes it on the floor. Desmond looks horrified. There's about 3 minutes on the timer.] DESMOND: You klled us. You klled us all. LOCKE: No. I just saved us all. [Desmond opens the blast doors. And starts going through the bookcase.] CHARLIE: Hey, Eko, wake up. [to Desmond] Hey, can I get some help? Can you help me? DESMOND: I'm trying, brother. [Desmond finds his copy of Our Mutual Friend.] [FLASHBACK] [We see Desmond in the Hatch, holding a gn. He's finishes off a bottle of booze, and opens the Dickens book. A letter slips out. We hear a VO of Penelope reading the letter.] PENELOPE: Dearest Des, I am writing this letter to you as you leave for prison. And I've hidden in the one place you would turn to in a moment of great desperation. I know you go away with the weight of what happened on your shoulders. And I know the only person who can ever take it off is you. Please don't give up, Des. Because all we really need to survive is one person who truly loves us. And you have her. I will wait for you. Always. I love you, Pen. [Desmond sobs and throws the bottle.] DESMOND: It's all gone. It's all gone! [He starts pulling all the books out of the bookshelf and throwing them. Suddenly, he hears banging and hears something which turns out to be Locke from the night Boone died.] LOCKE: [from outside] I've done everything you wanted me to do? Why did you do this? Why? [Desmond turns the light on in the Hatch. He laughs.] [Back in the Hatch Desmond opens his Dickens book and finds the failsafe key. We see the timer at 29 seconds. Desmond rushes to open the grate and get to the failsafe.] DESMOND: 3 days before you came down here, before we met, I heard a banging on the Hatch door, shouting. But it was you, John, wasn't it? You said there isn't any purpose—there's no such thing as fate. But you saved my life, brother, so that I could save yours. LOCKE: No, no, no, none of this is real! Nothing is going to happen. We're going to be okay. [We see 5 seconds left on the timer.] DESMOND: I've got to go. And you've got to get as far away from here as possible. LOCKE: Go where? Stop! DESMOND: I'm going to blow the dam, John. [the timer starts flipping to the hieroglyphs] I'm sorry for whatever happened that made you stop believing. But it's all real. Now I've got to go and make it all go away. LOCKE: Wait, Desmond. DESMOND: I'll see you in another life, brother. [We see the last hieroglyph lock in place. The loudspeaker starts announcing System Failure over and over. Everything starts shaking. We see Charlie trying to help Eko.] CHARLIE: Eko! Eko! Wake up. Can you move? Okay, come on. [Knives and forks start flying toward the magnet wall, with Charlie and Eko in their path. Everything metal in the place starts flying toward the magnet wall. Charlie helps Eko walk. Desmond makes it to the failsafe mechanism.] CHARLIE: Eko, on your feet. EKO: Charlie. CHARLIE: No. [Eko pushes Charlie away and knocks him to the ground. Eko heads back toward the computer room. The washing machine comes barreling toward Charlie as he rolls out of the way.] EKO: John! LOCKE: I was wrong. [We see Desmond cross himself and insert the key. We hear Penelope as a VO, reading again.] PENELOPE: All we really need to survive is one person who truly loves us. And you have her. I will wait for you. Always. I love you. DESMOND: [turning the key] I love you, Penny. [The screen fades to white.] [We see Gale and everyone on the pier. The ground shakes, there's a bright light and a strange sound, and everyone covers their ears. We see Sayid, Sun and Jin on the boat, covering their ears. We see the people on the beach reacting the same way. The light and sound fade. We see an object falling from the sky. Bernard moves Claire to safety, right before the Hatch door with the quarantine stencil almost falls on them.] [COMMERCIAL BREAK] [We see people cleaning up the food "pantry" at the beach. Charlie arrives out of the jungle.] BERNARD: Charlie, are you okay? CHARLIE: It's hard to tell exactly. But, my ears, you know? BERNARD: Where's Locke—Eko? CHARLIE: They're not back yet? [Charlie sees Claire and smiles.] [We see Gale and Michael at the pier.] GALE: I'm not happy about the arrangement that was made with you Michael, but we got more than we bargained for when Walt joined us, so I suppose this is what's best. And you let me go, set me free—you lived up to your word. We live up to our word, too. Do you know how to drive a boat? MICHAEL: Yeah, I can drive a boat. GALE: Good, then you're going to take this boat and follow a compass bearing of 325, and if you do that exactly, you and your son will find rescue. MICHAEL: That's it? I follow the bearing and me and my son get rescued? GALE: Yes. MICHAEL: How do you know I won't tell people about where I was? GALE: Maybe you will, maybe you won't. But it won't matter. Once you leave, you'll never be able to get back here. And my hunch is you won't say a word to anybody because if you do, people will find out what you did to get your son back. MICHAEL: My friends—I was promised you wouldn't hurt them. GALE: A deal's a deal. MICHAEL: Who are you people? GALE: We're the good guys, Michael. Alright, she's all yours. MICHAEL: What? What, am I stupid? Where's my son? GALE: Walt's inside. [Michael runs to the boat.] GALE: Bon voyage, Michael. MICHAEL: Walt! WALT: Dad! Dad! MICHAEL: Come here, come here [they hug]. You okay? WALT: Yeah. MICHAEL: You sure? Okay, I've got you now. It's going to be okay now. We're going home, Walt. We are going home. [Gale motions to Ms. Klugh and she removes Hurley's gag.] MS. KLUGH: Hugo, you can go back to your camp. HURLEY: What? MS. KLUGH: Go back. Your job is to tell the rest of your people they can never come here. HURLEY: But what about my friends? GALE: Your friends are coming home with us. MS. KLUGH: Go. [Hurley looks to Jack who nods for him to leave. Michael takes off in the boat and the hoods are put back on Sawyer, Jack, and Kate.] [We see Charlie and Claire sitting by a fre at the beach.] CLAIRE: What happened out there, Charlie? CHARLIE: You want to hear the part about me nearly being klled by the flaming fireball—or the flying fork? CLAIRE: I want you to be serious. CHARLIE: Nothing happened. CLAIRE: Well, something happened. I mean that noise, and the sky turned that weird violet color. CHARLIE: Did it? [Claire turns away exasperated and Charlie smiles. Claire examines a wound on Charlie's arm.] CHARLIE: Ow, ow. [Claire kisses him.] [The scene suddenly switches to a landscape of snowy peaks in blizzard conditions. The camera pulls back to reveal that it's a sh*t through a window. We see the inside of a fairly small shelter filled with equipment and laundry hanging from lines. One man is getting coffee while another man waits at a chess board. Man #1 kicks something.] MAN #1: Quem quebrou isso, hein? MAN #2: Não se preocupe. Tá quebrado. Destruí sua defesa. Essa será sua última vez que verá "o" torre. [Subtitled from Portuguese: I crush your defense and that is the last you shall see of your rook. ] MAN #1: Parte do plano, meu amigo. Tudo parte do plano. [Subtitle: All part of the plan, my friend.] MAN #2: Ah, então seu plano deve ser perder. Agora, por favor. [Subtitle: Ah. Then your plan must be to lose. Please. Your move.] [Man #1 looks over a piece of equipment. We can see a screen that says Electromagnetic Anomaly Detected.] MAN #2: O quê? [Subtitle: What? ] MAN #1: Há quanto tempo tá fazendo isto? [Subtitle: How long has it been doing that? ] [Man #2 goes over to the equipment and hurriedly looks through a book.] MAN #1: É isso, não é? A gente não percebeu de novo. Eles vão matar a gente! [Subtitle: That's it, isn't it? We missed it again... ] MAN #2: Fica quieto! Nós não o perdemos! [Subtitle: We didn't miss it! ] [An alarm starts beeping and Man #2 goes to a computer screen.] MAN #1: Fala! Fala de novo que não é um alarme falso. Fala, fala de novo. Fala que eu... [Subtitle: So it's not a false alarm this time?! ] MAN #2: Cala a boca e chama ajuda! [Subtitle: Just shut up and call! ] [We see a bedroom nightstand and hear the phone on it ringing.] PENELOPE: Hello. MAN #1: Ms. Widmore? PENELOPE: Yes. MAN #1: It's us. I think we found it.	{"type": "series", "show": "Lost", "episode": "2x23-24 - Live Together, Die Alone"}	foreverdreaming
(We see a woman (only her hand) select a CD and put it in a player. The camera reveals her as a new character. She looks in a mirror and tries to smile as the song (Downtown by Petula Clark) starts to play. But she's obviously upset and almost starts to cry. She shakes it off and we hear an alarm beep. She runs to her smoking oven and pulls out a pan of burnt muffins, burning her hand in the process. Someone rings the doorbell and she opens the front door. We see an older women who notices a towel wrapped around the other woman's hand.) JULIET: I burnt my hand -- on my muffins. (They hear a noise and both look over to see someone working on the house. We can only see his legs.) AMELIA: Still hasn't fixed your plumbing yet? WORKER GUY (still not fully visible): It's a work in progress. (Scene switches back to inside the house, a little while later. We see a group of people sitting around the coffee table in the living room.) ADAM: It's not even literature. It's popcorn. AMELIA: And why isn't it literature, Adam? I'm dying to know. ADAM: There's no metaphor. It's by-the-numbers religious hocum-pocum. AMELIA: No metaphor? ADAM: It's science-fiction -- now I know why Ben isn't here. JULIET: Excuse me? ADAM: I know the host picks the book; but seriously, Julie, he wouldn't read this in the damn bathroom. JULIET: Well, Adam, I am the host and I do pick the book. And this is my favorite book. So I am absolutely thrilled that you can't stand it. Silly me for sinking so low as to select something that Ben wouldn't like. Here I am thinking that free will still actually exists on... (Suddenly there is violent shaking like an earthquake. Everyone gets up.) JULIET: The doorway -- get into the doorway. (They all move to doorways and wait until the shaking stops. After it subsides we're outside and see everyone coming out of their homes. We see a brief sht of Ethan, discovering that he was the man working on Juliet's house. Then, we see the person we know as Henry Gale coming out of another house. Everyone looks up at the sky. They see a plane flying over which then breaks apart in mid-air and crashes.) GALE: Goodwin, did you see where the tail landed? GOODWIN: Yeah, probably in the water. GALE: You run and you can make that shore line in an hour. Ethan, get up there to that fuselage. There may actually be survivors; and you're one of them. A passenger -- in shock -- come up with an adequate story if they ask. Stay quiet if they don't. Listen, learn, don't get involved. I want lists in 3 days. Go. (Goodwin and Ethan run off. Henry notices Juliet standing nearby holding a Steven King book.) GALE: So I guess I'm out of the book club. (The camera moves so that we can see a wider and wider sht of the Other's group of houses and how it's situated on the island.) COMMERCIAL BREAK (FLASHBACK) (We see a sht of a pager, badge, and a crossword puzzle on a car seat. We hear Moonlight Serenade playing on the radio. The camera reveals Jack sitting in his car. He's watching some kids in a playground at a school when he notices Sarah approach a man who is carrying some art supplies. They talk and laugh as Jack stares moodily.) (Back on the island we see Jack awaken to find himself lying on a metal platform. He peels off a band-aid and cotton ball that's covering a puncture wound in the crook of his arm. He unsuccessfully tries to open a door, and then tries to reach another area, but runs into a wall of reinforced glass which is one entire wall of his cell.) JACK (yelling): Kate! Kate, can you hear me! Kate! (Scene switches to water from a shower hitting the ground. We see Kate come to; and then Tom (Mr. Friendly) is revealed. They're in a sort of locker room.) TOM: Rise and shine, Kate. KATE: Where am I? TOM: You don't really think I'm going to answer that, do you? KATE: Where are Sawyer and Jack? TOM: I'll tell you what, why don't you just take a nice hot shower -- wake yourself up -- wash the day off you and start fresh. There's a nice clean towel, soap, shampoo... KATE (defiantly): I'm not showering in front of you. TOM (laughing): Kate, you're not my type. (Tom exits and we see Kate remove a band-aid and cotton ball from her arm, as well.) (The scene switches to a sht of Sawyer lying on the ground outside, coming to. He looks up and sees he is in a cage. We see a building nearby and a long walkway with a Dharma logo stenciled on the awning. The camera pans to show another man in a cage across from Sawyer's.) SAWYER: Hey. (the guy looks over, but doesn't respond) Where are we? Who the hell are you? Oh, you ain't gonna talk to me? What -- you got more important things to do? (Sawyer looks around the cage and sees a large circular "button" protruding from the one solid wall of the cage. Inside it are a white fork and Knfe under a plexiglass-type cover. We also see a couple of large levers in different parts of the cage and a chute that's near the "button". Sawyer pushes the button and a voice from a speaker says: Warning. Sawyer pushes the button again and the speaker again says: Warning. Sawyer is about to push the button a third time when...) KARL: I wouldn't do that. SAWYER: If I want your advice -- I'll ask for it. (Sawyer pushes the button again and is shocked with electricity; he flies across the cage crashing in the bars.) SAWYER: Son-of-a-bitch! KARL: Told you. (Back in Jack's cell we see a red light flashing on a security-type camera. There is a long metal chain attached to ceiling of the cell and Jack tries pulling on it hoping to find a way out.) UNKNOWN VOICE: Stop that. (Jack looks and sees a women. We see that it's Juliet on the other side of the glass.) JULIET: Hi, Jack. I'm Juliet. COMMERCIAL BREAK (FLASHBACK) (We see Jack enter an office building and check-in with a receptionist.) JACK: Hi, I'm Jack Sheppard. I'm here... SARAH (from a couch behind Jack): Where's your lawyer? JACK (sitting with her): You look pretty. SARAH: Where's your lawyer? JACK: I fired him. Sarah, I'm sorry for, for pushing us to this place. I know that I... (Sarah's cell phone rings.) SARAH: Excuse me; I'm sorry. (she answers the call and walks a bit away) Yeah, um, no not yet. He just got here. (She laughs) I'll call you when I get home. (she goes back to the couch) Jack, I'm going to say this as simply as I can... JACK: What's his name? SARAH: Jack, stop it. JACK: I'm not going to stop it. I'm going to keep asking you that until you tell me. SARAH: No, I don't ask you what you do in your... JACK: Just tell me what his name is! I want to know who he is. Look, you can have everything -- the cars, the house -- I don't care. I just want to know the name of the man that is with my wife. (Sarah stares at him but doesn't respond. Finally, she gets up and leaves.) (Back on the island we see Jack continuing to pull on the chain.) JULIET (turning up the volume on a sound board): Jack, can you hear me in there? (he continues yanking the chain) Is that a yes? JACK: Where are my friends? JULIET: Come down from the table first. JACK: You want me to come down -- come in here and get me down. JULIET: If you want to talk, I'm happy to... JACK: Tell me where my friends are! JULIET: I will -- if you let go of the chain. JACK: You think I'm stupid! JULIET: I don't think you're stupid, Jack. I think you're stubborn. (Jack continues pulling on the chain.) (Scene switches to Kate showering. She exits the stall in a towel and discovers her clothes are missing.) KATE (calling out): Hey! Where are my clothes? (She notices a partially open locker door with a strip of masking tape across it that says: Wear this. She pulls out a flowery sundress and put it on. Suddenly Tom appears.) TOM: (whistles appreciatively at how nice Kate looks) Come on, Kate. He's waiting. (Tom and three armed guards escort Kate through a covered walkway and to a beach where Henry is waiting under a thatch-roofed structure at a table laden with breakfast foods. Henry pulls out a chair for Kate. Kate sees a pair of handcuffs lying on the table.) GALE: Sorry, I'm going to have to ask you to put those on, Kate. KATE: And if I don't? GALE: Then you don't get any coffee. (Kate puts the cuffs on.) GALE: A little tighter. (Kate gives a defiant look) Please. (Kate makes the cuffs tighter.) KATE: What did you do with Sawyer and Jack? GALE: Now why Sawyer? KATE: Why Sawyer what? GALE: He's the first one you asked about. "What did you do with Sawyer and Jack?" KATE: You don't know me. GALE: Of course I don't. KATE: I want my clothes back. GALE: We brned them. KATE: Why did you bring me here? Why did you make me put on this dress? Why are you feeding me breakfast? GALE: I brought you here so you'd look out at the water and feel comforted -- comforted that your friends were looking out at the same ocean. I gave you the dress so that you'd feel like a lady. And I wanted you to eat your food with a real live fork and feel civilized. I did all those things so that you'd have something nice to hold on to. Because, Kate, the next two weeks are going to be very unpleasant. COMMERCIAL BREAK (FLASHBACK) (We see Jack sitting in his office, talking on the phone.) JACK: Yeah, hi. Uh, I met a woman on the train. Sarah. And she dropped her cell phone and I don't even know her last name. But your number was in her phone so I was just wondering... I'm sorry, forget it. (Christian enters the office.) CHRISTIAN: Hey. JACK: Just give me a minute, Dad. (Christian walks toward Jack's desk) I asked you to give me a minute here. CHRISTIAN (indicating the list of phone numbers Jack has): What's this? Why are you dialing all the numbers on Sarah's cell phone? JACK (dialing another number): Because one of them is him. CHRISTIAN: You've got to stop this, Jack. It's over. JACK: Not until I know his name -- where he works, where he lives, when they first kissed. I want to know what it is about him. (Christian's cell phone rings.) JACK: Why is Sarah calling you, dad? CHRISTIAN: I think it's time that you let this go. JACK: Why is she calling you?! CHRISTIAN: Because she was afraid -- for you. JACK (yelling): I want to know exactly why the hell she was calling... CHRISTIAN: She could see that you were slipping -- you were losing your grip. JACK: My grip is not the problem here. CHRISTIAN: Which is exactly what's happening here. Jack, I think I know a little something about being obsessive. JACK: No, being a drunk is not obsessive. CHRISTIAN (exiting): Let it go, Jack. (Back on the island we see Jack letting some water from the ceiling drip into his mouth. He quickly spits it out. He hears a lot of static on a speaker.) JACK (to the speaker): What? If you're trying to talk to me, I can't hear you. (Jack hears the voice of his father come over the speaker: Let it go, Jack. A light suddenly comes on and we see Juliet with a tray of food and water.) JULIET: I know you're hungry. I brought this for you. This is how it will work. You sit there across from the door, back against the wall. I open the door and leave the tray. Can I trust you to do that, Jack? JACK: I don't want your food. JULIET: Well, it's a delicious sandwich... JACK: I want you to tell the guy who's trying to talk to me through that intercom that he can give it up. JULIET: Maybe you're hungrier than you think. That intercom hasn't worked in years. JACK (pointing to button behind Juliet): What's that for -- the button -- what's it for? JULIET: It's for emergencies. JACK: Who's watching me? JULIET: Are you going to sit against the wall so I can open the door? (we get a sht of a grilled cheese sandwich) It's just off the frying pan. JACK: You can have it. JULIET: What do you do, Jack? What's your profession? JACK: I'm a repo man. You know, when people don't pay their bills I go into the bank and collect their possessions. I'm a people person so I really love it. JULIET: Are you married? JACK: No. I never saw the point. What about you? What's your job, besides making sandwiches? JULIET: Oh, I didn't make it. I just put the toothpicks in. When your plane crashed, where were you flying from? JACK: Sydney. JULIET: What were you doing there? JACK: I was bringing my father home. JULIET: Why would you go all the way to Australia just to... JACK: Because he was dad. JULIET: I'm sorry. JACK (laughing): Yeah, I'm sure you are. Thanks. JULIET: You can trust me, Jack. I'm not going to hurt you. JACK: What the hell is going on here? (Juliet exits, taking a bite of the sandwich before she goes.) (We see Sawyer trying to work out the lever-puzzle in the cage.) KARL: Hey. Hey, how long would it take to get to your camp? SAWYER: What, you talking to me now, Chachi? KARL: From where they got you, how long a walk was it? A day, two days? And what are the people like from your plane? SAWYER: Oh, they're just awesome. (we see Karl picking the lock to his cage while Sawyer's busy on the puzzle) Last one of you boys came for a visit got tortured by an Iraqi. He tortured me, too. But hell, he don't know any better. (Sawyer turns and is surprised to see Karl's cage door open. We hear a loudspeaker say: Subject escaped; subject escaped. Karl suddenly comes into frame right in front of Sawyer, and then starts picking the lock to Sawyer's cage.) SAWYER: Hey, how'd you get out of there? KARL (opening the door and pointing): Run that way. SAWYER: Hold on! KARL: You run that way! (Sawyer starts running as Karl runs in the other direction. Sawyer stops and tries to get his bearings. Suddenly Juliet appears.) JULIET: Hey. (She smiles, then pulls a taser-like device and sh*t Sawyer in the neck with a dart that immediately drops him. We see Sawyer being dragged back to his cage by Tom and another man. Once Sawyer is back in his cage, Tom drags Karl to Sawyer's cage and shoves his face up to the bars.) TOM: Say it. Say it, Karl. KARL: I'm sorry. Sorry, I involved you in my break out attempt. COMMERCIAL BREAK (We see Jack sitting in his cell. Juliet enters the outer area with a tray of food and water.) JULIET: The drugs we gave you when we brought you here have a pretty serious side-effect -- dehydration. Your head is probably sore, your throat is raw. If you don't eat or drink something soon you're going to start hallucinating. JACK: So, you're a doctor, huh? JULIET: No, I'm a repo woman. No strings attached. You don't have to answer any questions. You don't have to do anything but sit with your back up against the far wall. Let me open that door, put the plate down and leave. I know it feels like you're giving up, like you're losing, if you do anything that I ask you to. But you're not. You need to eat. What do you say? (Jack slowly moves to the far wall and sits.) JULIET: Thank you, Jack. (Juliet exits without giving Jack any food.) (FLASHBACK) (We see Jack at the hospital in a patient's room with a nurse. His father is in the hall in the background.) JACK (to the nurse): Let's take out the epidural catheter and get him started on a PCA. (Jack sees his father take a call from his cell.) NURSE: You sure he's ready to self-administer his pain meds? (Jack is so intent on his father, who he sees talking and laughing on the phone, that he doesn't respond to the nurse.) NURSE: Dr. Sheppard... (We see Christian pull up in front of a hotel. Jack is right behind and follows him into a room. He enters and finds Christian getting some coffee in a small conference room.) CHRISTIAN: Jack? JACK: Give me your cell phone. CHRISTIAN: What? What? JACK: I want to see it. Now. CHRISTIAN: Look where you are, Jack. I mean, just look around you, please. JACK: Give me the phone. CHRISTIAN: This is not the place for this. MODERATOR: You must be Jack. Why don't you grab a chair and join us? JACK: You know me? MODERATOR: Yes, your father's told us all about you. JACK: Yeah, what's he told you about me? What did you tell them about me, dad? That your son never really had it -- not like the old man. I didn't have the will to make it work? My life, my job, my marriage. What did you tell them about my marriage, dad?! You want to know how he manages his marriage? A bottle of scotch every night before dinner. MODERATOR: Your father has been sober 50 days now. We're very proud of that. JACK (laughing): Wow, dad, I wonder what helped you turn that corner? Do you think maybe it was a new lady friend? Do you think maybe that's what... CHRISTIAN: I will not let you you talk to me... JACK: I will not let you sleep with my wife. CHRISTIAN: Jack, I'm your father. Jack, please just let it go. (Jack suddenly runs at Christian and tackles him.) (Back on the island we see Jack in his cage. Juliet starts to enter and Jack runs at her. He takes the taser/dart wapon, and puts a sharp piece of broken plate to her throat.) JACK: Which way out? JULIET: Don't do this, Jack. Don't. Don't. (He drags her to a hatch-like door with a wheel lock.) JACK: Open the door. JULIET: No. I can't. I can't, Jack. I do that -- we die. I'm not. I'm not. JACK: Open the door! JULIET: I can't! I swear I can't! GALE (appearing): She's telling the truth, Jack. JACK: I swear to god, I will kll her. GALE: Okay. Have her open the door and she dies anyway. We all do. (Jack pushes Juliet away and starts to open the door. Henry and Juliet start running. Henry runs out a door and quickly closes it behind him, leaving Juliet in the same area as Jack. We hear a loud creaking sound and suddenly a huge gush water pushes the door in and throws Jack backward. Juliet grabs onto a pipe and grabs Jack.) JULIET: Jack, over here! (Together they push the door closed.) JULIET: The button! The yellow button, the button! (Jack pushes the button and when he turns around Juliet clocks him, knocking him out.) COMMERCIAL BREAK (We see Sawyer stretching to reach a rock outside of the cage. He grabs the rock and places it on one of the levers. He throws his shoe at another lever. Sawyer has figured out the puzzle. A congratulatory song plays through the speaker and a voice says: Reward, reward. We see a large fish-shaped crcker drop down the chute.) SAWYER (picking up the crcker): Oh, come on. Unbelievable. (A pile of food pellets then drop down the chute. Sawyer takes a bite of the crcker, and water starts coming out of a pipe. Sawyer drinks.) TOM (off camera): Keep moving. (We see Kate being led to the cage Karl used to occupy.) TOM: Stick your arms out through the bars; I'll take off your cuffs. They scratched you up pretty bad, didn't they? I'll bring you some anti-septic later. SAWYER: How about you bring me an ottoman? While you're at it I could use a blow dry. TOM: Hey, you got yourself a fish biscuit. How'd you do that? SAWYER: I figured out your complicated gizmos, that's how. TOM (exiting): Only took the bears 2 hours. SAWYER (calling after Tom): How many of them were there? (to Kate) You okay, Freckles? KATE (looking terrified, but trying to be tough): Yeah. You? SAWYER: Just swell. I requested that cage, but whatever. Nice dress. KATE: They made me wear it. SAWYER: You hungry? (Sawyer tosses her the fish biscuit and she hungrily takes a bite.) (We see Jack in his cell and hear some whale-like sounds. Juliet is sitting a desk looking at some papers in a file.) JACK: It's an aquarium. JULIET: Excuse me? JACK: This thing's for what -- sharks? JULIET: Dolphins, too. JACK: We're underwater, aren't we? JULIET: Yes. JACK: Is this one of their stations -- the Dharma Initiative? JULIET: They called it the Hydra. JACK: So you people are just whatever's leftover of them. JULIET: Well, that was a long time ago. It doesn't matter who we were. It only matters who we are. We know exactly who you are, Jack Sheppard. JACK: You don't know anything about me. JULIET: We know that you're a spinal surgeon based out of St. Sebastian's Hospital in Los Angeles. I know that you went to Columbia and that you graduated med school a year faster than anyone else. I know that you were married only once and that you contested the divorce. I know your father died in Sydney. I know this because I have a copy of his autopsy report. JACK: How did you get... JULIET: We got it. JACK (referring to the file Juliet has): What is that? JULIET: This, Jack, is your life. JACK: Do you -- is it just about me or is it about my family, too -- my friends. JULIET: It's pretty much about everything. JACK: Do you know about my -- about my ex-wife. JULIET: Sarah. Yes, Jack, we know all about her. What would you like to find out? (FLASHBACK) (We see Jack in a prison cell.) GUARD (opening the door): Sheppard, someone posted your bail. (Jack walks around a corner in the jail, putting his wedding ring back on, and sees Sarah waiting.) JACK: How'd you, uh... SARAH: Your dad told me you were here. I called you a cab. So, um, goodbye. (she exits) JACK (following her out): Sarah! SARAH: What?! JACK: Is that him? (referring to a man waiting by a car across the street) SARAH: What difference does it make? JACK: It just does. SARAH: It's not going to change anything. JACK: I want to know! I need to know who he is. SARAH: It doesn't matter who he is. It just matters who you're not. Jack, your father -- he called me to help you. He was so drunk I could hardly understand him. Look at the bright side. Now you have something to fix. ( Back on the island we're still with Jack and Juliet.) JULIET: Jack. Jack. What would you like to find out? JACK: Is she -- is she happy? JULIET: Yes, Jack, she's very happy. Now, I'd like to bring you some food and water. But this time I need to know that you'll behave. Can I trust you, Jack? Put your back against the wall, please. (Jack moves to the far wall and sits down. Juliet exits without giving Jack any food. We see Henry waiting for her.) GALE: Good work, Juliet. JULIET: Thank you, Ben.	{"type": "series", "show": "Lost", "episode": "3x01 - A Tale of Two Cities"}	foreverdreaming
(FLASHBACK) (We see a close up of a glass ballerina figurine tumbling through air in slow motion in front of a fre before it crashes to the ground, shattering. A little girl looks guilty and runs out of the room. She goes to another room and starts to practice piano with a metronome. Mr. Paik enters with a bag filled with the broken remains of the ballerina and drops it at the little girl's feet.) MR. PAIK (subtitled): Did you do this? Sun -- did you break the ballerina? (young Sun shakes her no) Then who did? YOUNG SUN (subtitled): The maid. MR. PAIK (subtitled): If you tell me the maid did this I will be forced to fre her. Do you understand? (young Sun nods her head yes) Sun, who broke it? YOUNG SUN (subtitled): The maid did. MR. PAIK (subtitled, looking disappointed): Very well. (Back on the island we see Sun splashing water on her face in the bathroom on the sailboat -- looking like she doesn't feel well. Jin knocks on the door.) JIN (off camera, subtitled): Sun -- open the door. SUN (opening the door, subtitled): I'm okay; it's just morning sickness. (Jin looks upset and leaves.) SUN (subtitled): Jin, wait. (We see the sailboat offshore, nearby the column of black smoke coming from the signal fre they lit in Live Together, Die Alone. Sayid is adding a notation to one of Danielle's maps.) JIN: (speaks in Korean) SUN: My husband says it's time to leave. JIN: (speaks in Korean) SUN: He doesn't think Jack and the others are coming. It's been over a day since we lit the fre. They should be here by now. SAYID: Jack knows we're out here. He's counting on our signal. Perhaps he's not able to see the smoke. If he's North of us, the mountains would block his view. SUN: (translates to Jin in Korean) SAYID: We need to sail forward along the coast, clear the mountains, and start another signal fre. SUN: (translates to Jin in Korean) JIN: No! SAYID: I told Jack I would light a fre. I'm not abandoning him. SUN (subtitled): Sayid says... JIN (subtitled): We're not sailing anywhere! (he grabs Sun's shoulders angrily) Sayid's not your husband! SUN: My husband thinks we have to do as he says because he's the only one who knows how to sail. But he's wrong. I can help you sail the boat. (We see Jack sitting in the corner of his cell. Someone opens the door for her and Juliet enters carrying a tray of food.) JULIET: Are you feeling any better? I made the soup myself, but I won't take it the wrong way if you don't like it. (Juliet exits, goes to another door and knocks. Ben opens the door and we can see a bank of screens used to monitor what's happening in various locations, like Jack's cell.) BEN: You never made soup for me. (A woman, Colleen, climbs down a ladder and enters the room where Juliet and Ben are.) COLLEEN: Am I interrupting something? JULIET: Would it really matter if you were? COLLEEN: We have a situation -- Ryan radioed in -- the Iraqi found the decoy village. BEN: Good, it's what we wanted. COLLEEN: Ryan followed him back to the shore and they have a sailboat. BEN: How?! COLLEEN: I have no idea. JULIET: So they have a boat -- sailing in circles will keep them busy. COLLEEN: They could find us. (long pause) Ben? BEN: I'm thinking. How quickly can you put together a team? COLLEEN: Within the hour. BEN: Then don't waste time talking to us. (Colleen starts to exit) Hey Colleen, I want that boat. (We see Sawyer work the levers to release a fish biscuit and food. The music starts and Kate awakens.) KATE: Nice alarm clock. SAWYER: I've woken up to worse. (We see Pickett and some Others entering) Want half a fish biscuit? (Pickett and the guards open the cage doors and Pickett hands Sawyer a lunch box.) SAWYER: What's this? PICKETT: Lunch -- we're going to need you to keep up your strength. SAWYER: Is that right? (We see Kate and Sawyer being led along a path. Colleen approaches with a small group of Others.) COLLEEN: Danny, wait! PICKETT: Hold up. COLLEEN (whispering): They have a boat. (There's more whispering that's inaudible.) PICKETT: Okay, be careful out there. (Pickett gives Colleen a kiss on the cheek, as Sawyer looks on.) PICKETT: What are you looking at? (We see Sayid loading a gn on the boat while Jin looks toward shore with binoculars. Sun approaches.) JIN (subtitled, getting ready to leave): I have to adjust the sails. SUN (subtitled): I'm sorry, Jin. I shouldn't have disagreed with you. Not in front of Sayid. JIN (subtitled): You shouldn't have disagreed with me. Period. Sun, why did you come with us? SUN (subtitled): You know why I came. I didn't want to be without you. (FLASHBACK) (We see Sun in bed looking sad. Someone next to her sits up, and it's revealed that it's Jae.) JAE: What's wrong? SUN: What's wrong is I'm married. JAE: Right. That. (They kiss.) SUN (subtitled): Jae, I can't. I can't. I'm sorry... (she starts to get out of bed) JAE (subtitled): Sun. Wait. (he opens a box, revealing a pearl necklace.) SUN (subtitled): Jae, it's beautiful. But I can't wear this. Jin will ask where it came from... JAE (in English): I don't want to share you anymore. Your English is excellent now. You can go to America. (A knock on the door surprises them.) JAE: Does anyone know you're... SUN: No! (Jae answers the door and sees a hotel employee.) JAE (subtitled): What are you doing here? Get out of my... (Suddenly Mr. Paik comes into the room.) JAE (subtitled, bowing): Sir. I didn't realize... (Mr. Paik walks into the room until he can see Sun. Sun looks ashamed and closes her eyes.) MR. PAIK: Get dressed. (Back on the island, we see several people working to clear an area, tamping down the ground, hoeing, etc. We see Kate and Sawyer being led into the area.) PICKETT: Alright, here's the jig -- see these rocks, here? That's where you two come in. (pointing to Kate) You're going to chop them loose. (pointing to Sawyer) And you're going to haul them out of here. KATE: You expect me to work in this dress? PICKETT: Well, it's up to you? You can take it off if you want. (Sawyer looks at her and smiles salaciously. Kate gives him a dirty look.) SAWYER (to Pickett): How dare you? PICKETT: Now, if you need anything -- you raise your hand. You get 10 minutes for lunch. SAWYER (raising his hand): I got a question, boss. PICKETT: No questions. SAWYER: She got to ask a question. PICKETT: If you try to run off, you will be shocked. SAWYER: sht?! We don't even get a warning? PICKETT: Shocked. I said, shocked. If you talk to each other you're going to be shocked. If you touch each other, you're going to be shocked. If you're slacking, you're going to get shocked. Matter of fact, if you do anything at all that pisses me off, you're going to get shocked. Okay? Let's get to work. KATE: I'm not doing anything until I see Jack. (Pickett walks toward her, then shocks Sawyer with a taser-like device. Sawyer drops to the ground.) PICKETT: Now, that was a quarter charge. You got anymore questions? (Pickett walks over to Sawyer and yanks his head back by the hair.) PICKETT: As soon as you're able to walk -- the wheelbarrow's right over there. (We see Jin in Mr. Paik's office.) JIN (subtitled): You wanted to see me, Sir? MR. PAIK (subtitled): Come in. Please sit down. (he slides a file across his desk toward Jin) We have a problem. (Jin opens the file and sees a picture of Jae.) MR. PAIK (subtitled): This man has been stealing from me. I need you to put an end to it. JIN (subtitled): What did he steal? MR. PAIK (subtitled): That's not important! JIN (subtitled): Of course. (pause) I'll deliver a message. MR. PAIK (subtitled): A message won't suffice! I need you to put an end to it. JIN (subtitled): I cannot do that. MR. PAIK (subtitled): Of course you can. JIN (subtitled): Sir, it's not my job to... MR. PAIK (subtitled): Your job is what I say it is. JIN (subtitled): Then I can't work for you anymore. I quit. (Jin starts to exit) MR. PAIK (subtitled): You don't get to quit! This man has shamed me! You married my daughter, Jin -- that makes you my son. My shame is your shame. I need you to restore our family's honor. (Back on the island we see Jin in the galley of the sailboat, chopping a fish. Sun calls down to him in Korean and he comes up on deck. Sayid and Sun show him the Pala Ferry dock.) SUN: Why should there be a dock all the way out here? JIN: Others. SAYID: The dock's decaying. It's overgrown. It looks like it hasn't been used in quite some time. Whoever built it -- they're not here now. SUN: (speaks in Korean) SAYID: Let's bring the boat in. We'll tie it to the dock and build a fre on the beach. The visibility's excellent. Jack will be able to see us for miles around. JIN: Safe? SAYID: Yes, Jin. Of course it's safe. (We see Kate breaking rocks with a pickaxe. Sawyer stops to watch her ass. We see Pickett and Juliet looking over some plans in the background. Pickett notices Sawyer watching Kate.) PICKETT: Hey! Get back to work. SAWYER: Whatever you say, boss. (Someone hiding in the bushes throws a rock to get Kate's attention. Kate looks around to see Alex.) ALEX: Hey, careful. Don't let them see you talking to me. Are they keeping you in the cages? (Kate nods) Did you see another guy in there with you -- about my age, named Karl? KATE (whispering): No. Just Sawyer and me. ALEX: You're not even supposed to be in that cage. KATE: What are you talking about? Who are you? ALEX: Where'd you get that dress? KATE: They gave it to me. ALEX: It's mine. You can keep it. It looks better on you anyway. (Sawyer approaches and Alex takes off.) KATE: Wait. SAWYER: Are you having fun yet, Freckles? KATE: Quit staring at my ass. SAWYER: Give me something else to stare at. PICKETT: Hey! Shut up! SAWYER: Yes sir, boss. (We see Sun walking along the dock carrying a gas can. Sayid is stacking wood for a fre.) SAYID (taking the gas): Thank you. SUN: What else can I do? SAYID: Help your husband. We need as much wood as we can find. SUN (suspiciously): We're building quite a large fre. SAYID: We need to make sure Jack will see the smoke. SUN: Why are you lying to me, Sayid? SAYID: And what would you know about lying, Sun? SUN: You're putting our lives in danger. (she starts to leave) SAYID: I'm fairly certain our friends have been captured. There are tracks all over the dock. They're fresh -- as recent as yesterday. SUN: You said this dock was abandoned. SAYID: That would be part of the lying you mentioned. SUN: You're not building this fre for our people; you're building it for the Others. SAYID: I suspect that when they see the smoke they'll send a scout party to investigate. By then it will be night. When they arrive, I'll ambush them. I'll take two of them hostage, and I'll kll the rest. SUN: Two? SAYID: One to make the other cooperate. SUN: What do you need me to do? SAYID: I'm sorry, but I'm going to have to ask you to lie to Jin for another 20 minutes. SUN: Why? SAYID: Because once the fre is lit it will be too late to go back. (FLASHBACK) (We see Jin arriving home.) SUN (subtitled): You're home. (There is tension in the air as Jin doesn't speak, but just sits down at the dinner table.) JIN (subtitled): How was your day? SUN (subtitled): Fine. JIN (subtitled): I saw your father today. SUN (subtitled): Oh? JIN (subtitled): He called me "son" for the first time. SUN (subtitled): Why did he do that? JIN (subtitled): He wants me to deliver a message. SUN (subtitled): Are you going to do it? JIN (subtitled): I have to. SUN (subtitled): No, Jin -- you don't. JIN (subtitled): You think it's that simple? SUN (subtitled): We can start a new life. We'll go away... JIN (subtitled): A new life? If we run away, you're father would... SUN (subtitled): He won't know where we are. And you won't have to do this anymore -- you won't have to... JIN (subtitled, banging the table): I do this for you, Sun! I do this because your father expects it. I do this because that's what it takes to be married to you. SUN (subtitled): And what does it take to be married to you? (Jin starts to leave) Jin. Where are you going? JIN (subtitled): To deliver the message. (Back on the island we see Jin watching Sayid start the fre. He approaches.) JIN: gn. SAYID: I don't think I understand. JIN: (speaks in Korean) SAYID (to Sun): What is it? SUN: He knows what we're doing. He knows it's a trap. JIN: (speaks in Korean) SUN: He says he understands English better than I think he does. JIN: (speaks in Korean) SUN: He knows I betrayed him. JIN: gn. SAYID (handing him a pstol): Can you handle one of these? It's an automat... (Jin expertly handles the gn, checking the amo and loading it.) JIN: (speaks in Korean, motioning to the boat) SAYID (to Sun): I think you'd be safer on the boat. (Sun starts to leave.) Sun, if by chance they get past us -- there's another gn. It's inside the blue tarp beneath the galley counter. SUN: If they get past you, that means my husband is dad. And I won't care anymore. SAYID: As I said, the gn is inside the tarp. (We see Juliet drinking from a canteen and chatting with an other guy. Sawyer is unloading a barrow full of rocks nearby, and watches them. Juliet notices him staring and throws him the water canteen. He catches it and then empties it on the ground. He watches Kate hacking away at the rocks. He thinks a second, then marches up to her and kisses her. Pickett and another guy run over, shouting. Pickett smashes Sawyer in the head with the butt of his rfle. A fight ensues with Sawyer fighting 3 of the Others. He gets a taser away from one guy, but it doesn't work when he tries it. He gets a gn that's fallen on the ground.) SAWYER (pointing the gn): Back off! JULIET: James! (Sawyer looks around and sees Juliet pointing a gn at Kate.) JULIET: Put the gn down. Right now. (very calmly) Put the gn down. (Sawyer drops the gn, and Pickett walks up and taser's him.) (Nighttime. We see Sayid and Jin hiding on the beach waiting to ambush the Others. We see Sun in the galley of the boat making tea. Suddenly Others are sneaking onto the boat. Sun hears them and grabs the gn.) (FLASHBACK) (We see Jin sitting in his car, a picture of Jae and a gn on the dash. He finally sees Jae and follows him in the hotel. He approaches Jae menacingly just as Jae's about to go into a room.) JAE: Wait! (Jin smashes Jae's head into the door, takes him into the room, and violently throws him around.) JIN (subtitled, punching Jae): Do you know who I am? Do you know why I'm here? JAE (subtitled): I'm sorry. JIN (subtitled): Then you know what I have to do. (Jin puts a gn to Jae's head. Jae starts crying.) JAE (subtitled): I'm sorry. I'm sorry. (Jin won't kll him and pulls the gn away.) JIN (subtitled): You will leave this country. Do you understand me?! You will leave and never come back. Start a new life. And if I hear you've returned -- if you have any contact at all -- I will finish this. Am I clear?! You don't exist. (We see Jin get in his car, and rest for moment. Suddenly there is a sound and Jae falls, crashing onto Jin's car from above. Jin gets out and sees Jae's dad. We see he's holding the pearls he wanted to give to Sun in his hand.) (Back on the island, Sayid and Jin are still waiting in the bushes.) SAYID: I don't think they're coming. (At the boat we see the Others stealthily climbing onto the boat. Colleen enters the galley, and Sun comes out from hiding, pointing her gn.) SUN: I want you to let me off this boat. COLLEEN: I can't do that. SUN: Why not? COLLEEN: It's not my decision to make. (they hear a noise coming from above) Do you realize there are 5 of my friends up there? SUN: Lower your voice. COLLEEN: Okay. (Colleen starts to move) SUN: Stop; or I'll sht. COLLEEN: No you won't, Sun. I know you, Sun-Hwa Kwon. And I know you're not a kller. But despite what you may think, I'm not the enemy. We are not the enemy. But if you sht me, that's exactly what we'll become. (she moves toward Sun) SUN: Stop! I will -- I'll sht you. (The boat engine starts up; and Sun fires hitting Colleen in the gut. Colleen falls. Sun runs and closes a door as an Other fires at her. Sayid and Jin hear the gn and start running for the boat. As they get to the dock the Others fre at them. We see Sun trying to open a hatch overhead. The boat starts pulling away and Jin jumps in the water after it. Sun gets the hatch open, Tom takes a sht at her and she falls in the water. The boat continues to move on. Jin yells for Sun and finally hears her call back to him. He reaches her, speaks in Korean and they hug.) (FLASHBACK) (We see Sun standing a ways off at Jae's funeral. Her father approaches from behind.) MR. PAIK (subtitled): You shouldn't be here. SUN (subtitled): Father. What are you doing here? MR. PAIK (subtitled): I do business with the young man's father. I'm told he jumped from a balcony. He must have felt great shame. Now -- go home to your husband. SUN (subtitled): Father. Will you ever tell Jin? MR. PAIK (subtitled): It's not my place to tell him. (Back on the island we see Sun sitting on the beach. Jin puts a blanket around her shoulders and kisses her cheek.) JIN (subtitled): I don't know what I'd do without you. (he touches her belly) Both of you. SAYID (entering): I'm sorry I dragged you into this. And please communicate to your husband that next time I will listen to him. We should go. We have a long walk ahead of us. (We see Sawyer and Kate being put back in their cages. Sawyer is coughing and in pain.) KATE: Are you okay? SAWYER: Never better. KATE: What the hell were you thinking? SAWYER: I couldn't help myself -- you just looked so damn cute swinging that pickaxe. Chain gng looks good on you, Freckles. KATE (calling his bluff): Sawyer. SAWYER: Two of those guards got some real fight in them. The rest of them, I'm not so much worried about. That heavy-set guy -- he packs a hell of a punch. The shaggy-haired kid's got some kind of martial arts training, but I think I could take him if I had to. Oh, FYI -- those zapper things got a safety on them. KATE (smiling): Did you see the look on their faces when you got a hold of that rfle? SAWYER: I'm guessing most of these boys have never seen any real action. But that blond who had a gn pointed at you? She would have sh*t you -- no problem. KATE: Why'd she call you James? SAWYER: Because that's my name. I noticed something else, too. You taste like strawberries. KATE: You taste like fish biscuits. So what do we do now? SAWYER: Well, Shortcake, now we wait for these bastards to make a mistake. (We suddenly see this conversation between Kate and Sawyer is being watched by Ben on one of the screens in the room he was in earlier.) SAWYER: Sooner or later, they're going to let their guard down. And when they do, we're going to be there to put them in their place. (We see Jack in his cell, on the floor with his back up against the wall. The camera pulls back and we can see Ben is in the cell.) BEN: Hello, Jack. (he sits on a small chair he brought in) You know what's crazy, Jack? A week ago, you and I were in exactly the opposite situation. I was the one locked up and you were the one coming in for visits. And I know that you were angry that I lied to you about who I was; but, hell, do you blame me? I mean, let's face it, if I had told you I was one of those people that you and your friends have been calling Others all this time it would have been right back to Sayid and his -- fists. Wouldn't it? JACK: What do you want from me? BEN: I want for you to change your at--perspective. And, the first step in doing that would be for me to be decent enough to introduce myself honestly, so -- (he crouches down beside Jack and extends his hand to shake) Hi, my name is Benjamin Linus and I've lived on this island all my life. (pause) You're not going to shake? (Ben walks to the door and someone starts rolling a cart into the room.) BEN: Bring it in, please. JACK: Where are Kate and Sawyer? BEN: They're fine; and they're close. That's all I'm able to tell you right now. JACK: You can tell me anything you want. BEN: Fair enough. It's all I want to tell you. I'm going to make this really simple, Jack. If you cooperate; we send you home. JACK: Cooperate with what? BEN: When the time is right, I'll tell you... JACK: You tell me now. BEN: Patience, Jack. Patience. JACK: Home -- is that where you sent Walt and Michael? BEN: Yes. JACK (laughing): If you could leave this island why would you still be here? BEN: Yes, Jack, why would we be here? JACK: You're lying. You're stuck here just like we are. You don't have any... BEN: Your flight crashed on September 22nd, 2004. Today is November 29th. That means you've been on our island for 69 days. Yes, we do have contact with the outside world, Jack. That's how we know that during those 69 days your fellow Americans re-elected George W. Bush; Christopher Reeve has passed away; the Boston Red Sox won the World Series. (Jack starts laughing) What? JACK: If you wanted me to believe this, you probably should have picked somebody else besides the Red Sox. BEN: No, they were down 3 games to none against the Yankees in the league championship, and then they won 8 straight. JACK (laughing): Sure. Sure, of course they did. (Ben turns toward the cart that was rolled in the turns on a TV. It shows the Red Sox winning the World Series. Jack moves toward the TV in disbelief and watches the end of the game. Ben turns the TV off.) BEN: That's home, Jack. Right there, on the other side of that glass. And if you listen to me -- if you trust me -- if you do what I tell you when the time comes -- I'll take you there. I will take you home. [END]	{"type": "series", "show": "Lost", "episode": "3x02 - The Glass Ballerina"}	foreverdreaming
[We see Locke's eye open. We see him lying on the jungle floor. He turns to see Desmond running by, and he tries to call out but can't. He stands and Eko's stick falls on him, apparently from a tree above. The scene switches to the beach camp. Locke is dismantling his shelter while Claire and Charlie look on.] CLAIRE: When did John get back? And what's he doing? Where's he been? Where's everyone else? Don't you think you should go find out? [We see Locke bringing bits of his shelter to where the frame of Eko's church stands. Charlie approaches.] CHARLIE: So you're gone for a whole day after a massive hatch detonation -- you don't call, you don't write? [Locke doesn't respond] Sorry, am I interrupting something? [Locke looks at Charlie like he wants to talk. He gestures to his throat.] CHARLIE: What, you can't speak John? You're mute? [Locke nods] I am sorry about that. So where are Eko and Desmond? Are they off being mute and building structures, as well? [Locke gestures to his throat again] I know; you can't speak. [Locke continues gesturing while Charlie guesses what he's saying] You need to speak? To me? What do you want to--? [Locke grabs a handful of sand] Sand? You need to speak to the sand? [Locke gestures toward the tree line] Trees? Yeah, I've heard they're wonderful conversationalists. [Locke walks toward Charlie] Hey! I don't understand! Who do you need to speak to? [Locke spreads his arms wide and spins around] Church? Sky? [Locke draws a circle on the ground] Island? [Locke points to say "that's right"] Island? You need to speak to the island? [COMMERCIAL BREAK] [We see Locke approach Charlie back at the beach camp, carrying a pen and pad of paper. He's written "I need your help" on the paper and shows it to Charlie.] CHARLIE: I need your help? Since when do you need my help? [Locke writes something else on the paper.] CHARLIE: I need you to stand guard? Oh yeah, so you can talk to the island. Dangerous. Well, amusing as the mute game invariably is, you are aware, John, that I detest you, aren't you? You do remember repeatedly punching me in the face and accusing me of using heroin when I was not. [Locke writes "@ the sweat lodge" on the paper.] CHARLIE: What the sodding hell is a sweat lodge? [FLASHBACK] [We see Locke driving down a rural road in a pick-up truck in the rain. He stops to pick up a hitchhiker.] LOCKE: Where you headed? EDDIE: Eureka. LOCKE: I can get you as far as Bridgeville. Come on, hop in. Come on. [Eddie gets in and they take off.] LOCKE: My name's John. EDDIE: Eddie. LOCKE: Hi, Eddie. EDDIE: Hey. LOCKE: Nasty day to be hitching. EDDIE: That's for sure. LOCKE: You don't mind my asking -- what's in Eureka? EDDIE: I heard that was some work there cutting timber. LOCKE: Oh, is that what you do? EDDIE: That might be what I do. I don't know. All I know is I had to get out of where I came from. Mom's dad. Dad's a drunk. LOCKE: Hey look at that, the rain is passing. [We hear a cop siren and Locke pulls over.] EDDIE: What, did you rob a bank? LOCKE: [smiling] Afraid so. [We see a Sheriff approach the truck.] SHERIFF: Can I see license and registration, please? LOCKE: Was I speeding, officer? SHERIFF: Tail light's out. Can you both please step out of the vehicle? [he points to the truck bed] What you got back here? LOCKE: gn and groceries. [The sheriff uncovers the gn and we see a few rfles and gn.] LOCKE: Now, the transactions logs and the paperwork for all of them is in the red notebook right there in that duffel. [the sheriff looks at the logs] So are we free to go? SHERIFF: I could still take you in for picking up a hitchhiker. EDDIE: That's my uncle. I called him. He picked me up. SHERIFF: Get out of here. [he exits] EDDIE: So what is with all the gn, uncle? [Back on the island, we see that Locke has built a sweat lodge inside the frame of the church. He's mixing something in a coconut bowl, as Charlie looks on.] CHARLIE: What's that? You're not taking drugs are you, John? I only ask because of the strict zero tolerance policy you've enacted, and I wouldn't want you to have to start punching yourself in the face. [Locke shows Charlie a note that says: I need u 2 stand gaurd [sic]]. CHARLIE: Yeah, I know, I get it. You're going to go in your little magic hut and I'm going to stand out here in case you devolve into a monkey. [Locke writes on the pad, and Charlie reads it as he's writing.] CHARLIE: Don't come in -- okay. Okay, I get it. [Inside the sweat lodge we see Locke eat some of what's in the bowl and ladle some water onto hot stones. Suddenly someone grabs Locke's shoulder and the camera reveals Boone in the sweat lodge with Locke.] BOONE: Hi, John. It's good to see you again. [Locke wants to speak, but can't] What's that, John? [Locke mouths/whispers: I'm sorry] Oh, you're sorry. That's okay. I was the sacrifice the island demanded. [Locke mouths something else] Don't worry; you'll speak when you have something worth saying. I'm here to help you find your way again. So you can bring the family back together. Come on, I want to show you something. [Locke tries to move, but his leg doesn't work. He looks at Boone, panic stricken, and tries to move his leg again.] BOONE: [pointing off camera] John, you're going to need that. [We see a wheelchair lying on its side with the wheel spinning. We see trippy flashes of superimposed images of Locke's face. We see the wheel chair rolling along with Locke at the Sydney airport, Boone pushing him.] BOONE: John, someone in this airport is in serious danger. You are the only one who can save them. [We see Charlie and Claire cooing over Aaron and Locke points at them.] BOONE: Not them, they'll be fine -- for a while. [Locke sees Sayid, Sun and Jin. He points as Jin and Sun argue. Sayid pats Jin's back.] BOONE: I think Sayid's got it. [Locke sees Hurley working as an Oceanic counter person. Hurley types the numbers into the computer.] BOONE: Not Hurley. [Locke sees Desmond dressed as a pilot walking and laughing with some beautiful flight attendants.] BOONE: Forget it. He's helping himself. [Locke sees Kate and Sawyer, very chummy in line. He sees Jack going through a metal detector, and getting wanded by Ben. Locke starts waving his arm frantically.] BOONE: There's nothing you can do for them. Not yet. First you have to clean up your own mess. [We can hear "clean up your own mess" being repeated in the background. Boone stares intently into Locke's face, then disappears. Locke is suddenly alone in the airport sitting at the bottom of three escalators. Boone appears at the top.] BOONE: Come up here, John. [We see Locke dragging himself up the escalator using his arms. When he gets to the top he puts his hand in a pool of blood and then sees Eko's stick.] BOONE: Clean it up, John. [We see that Boone is covered in blood with his shirt torn. He looks as he did in Locke's dream from Deus Ex Machina.] BOONE: They've got him. You don't have much time. [Suddenly Locke is back in the sweat lodge. He starts to leave and suddenly we see the image of a snarling polar bear's face. Locke stumbles out of the sweat lodge, frightened.] CHARLIE: John! What happened? Are you alright? [Locke picks up his Knfe and pulls it out of the sheath.] CHARLIE: What are you doing? LOCKE: I'm going to save Mr. Eko's life. [COMMERCIAL BREAK] [We see Locke and Charlie walking through the jungle. Locke finds Eko's cross in some bushes.] CHARLIE: Eko's cross. LOCKE: He was dragged this way. CHARLIE: Dragged? By what? LOCKE: By a polar bear. CHARLIE: Sawyer klled the polar bear. LOCKE: He klled a polar bear. [They continue walking. Locke comes upon a pool of blood.] CHARLIE: What's that, John? Blood? LOCKE: I'm going to go on alone, Charlie. You go back to Claire. CHARLIE: Well, I'll take my chances. LOCKE: You don't want to go with me, Charlie. Bad things happen to people who hang around with me. [FLASHBACK] [We see Locke and Eddie pull up a dirt drive. A boy opens a gate and Locke hands him a bag.] LOCKE: [smiling] Hey, Bobby. [They park next to a large tent-like object, and exit the truck.] EDDIE: [gesturing to the "tent"] What's that? LOCKE: That, Eddie, is our sweat lodge. EDDIE: A what? LOCKE: Anybody who wants can go in there, light a fre, get it nice and hot -- meditate. EDDIE: Then what? LOCKE: And then you're supposed to figure out what to do with your life -- you know, what direction to take -- go on in there and figure out if you're a farmer or a hunter. EDDIE: So, which are you, John? [The scene switches to a big group sitting at a picnic table getting ready to eat.] LOCKE: Hey, Mike, Jan, this is Eddie. He's looking for some logging work, but I convinced him to come home and have some supper with us first. MIKE: Nice to meet you, Eddie. EDDIE: Nice to meet you. JAN: Any friend of John's is a friend of ours. MIKE: John's a very special guy. JAN: Grab a spot. MIKE: [referring to Eddie's shirt] So, you like Geronimo Jackson, huh? EDDIE: Uh, yeah, yeah, they're alright. It's one of my dad's old shirts. MIKE: Your dad has excellent taste. [he stands] Listen up, people. John brought a guest to supper. So everyone, this is Eddie [people say hi]. Eddie, this is everyone. EDDIE: Nice to meet you. MIKE: John, you want to say some grace? LOCKE: Yeah. Thank you, Lord. Thank you for the food and the friends. And thanks for the rain today so that Adam will stop grumbling about the drought [people chuckle]. And for me, thank you for helping me stop being so angry. And for helping me find a real family -- because they're a hell of a lot better than the one I used to have. So, let's eat. Amen. JAN: Amen, let's dig in. EDDIE: [quietly to Locke] Thank you. Thank you. [Back on the island we see Locke and Charlie walking in the jungle. They come upon a large hole in the ground.] CHARLIE: Is that the hatch? LOCKE: What's left of it. CHARLIE: What happened? LOCKE: Looks like it imploded. [They continue walking. Locke finds a dad boar lying on the ground.] CHARLIE: What's that? LOCKE: It's an active kll -- meaning that whatever was eating this is going to be back for more. CHARLIE: If you want to say polar bear you can just say it. LOCKE: [picking up a tuft of white fur] Alright, polar bear. [They hear a growling sound.] LOCKE: Run! [They run for a minute and then stop. They hear rustling in the bushes nearby. Locke draws his Knfe and throws it in the direction of the rustling. We hear a cry. Locke carefully approaches, pulls some branches aside, and discovers a terrified Hurley holding a canteen in front of him with Locke's Knfe buried in it.] HURLEY: Dude. [COMMERCIAL BREAK] [We see Hurley walking with Locke and Charlie.] HURLEY: They kept Jack, Kate and Sawyer. And they sent me back to tell everyone else that we can't ever go over there. Oh, and that dude we had in the hatch, Henry -- he was there. He's, like, their leader. [Locke stops and looks around] So, what do we do? LOCKE: Do what they told you. Go back to the camp and tell the others. HURLEY: You're not going to do anything? LOCKE: I am doing something. Go back to the beach, Hugo. HURLEY: Wait, where are you guys going? CHARLIE: The island told Locke he has to save Eko. HURLEY: Save him from what? CHARLIE: Well, apparently, a bear's got him. It's just made an active kll. You may want to hustle. HURLEY: Bear? What bear? [Locke and Charlie continue on. Locke finds another tuft of polar bear fur.] CHARLIE: What's that? More fur? LOCKE: This way. CHARLIE: You know, when I used to get high, I'd watch nature programs on the Beeb. Polar bears are meant to be quite clever. Very clever. They're like the Einsteins of the bear community. [Locke doesn't respond, but keeps moving until he finds the entrance to the bear cave.] [FLASHBACK] [We see Locke and Eddie walking together at the "commune." They pass by a pretty girl.] EDDIE: She likes you, man. LOCKE: She does not. EDDIE: Oh, yeah, she does. LOCKE: She does not. EDDIE: Yeah, she does. LOCKE: She's, like, half my age, man. You'd be better off with her. EDDIE: Uh-uh, no. Lizzy's too granola for me. What she really wants is a daddy -- like everyone else here. You should take advantage of that. LOCKE: That's not really funny, Eddie. EDDIE: It was a joke. It was a joke. I'm sorry. [Locke and Eddie grab some baskets to go pick peaches.] EDDIE: How come you never talk about your dad, John? LOCKE: Nothing worth talking about. [We see people carrying bags of fertilizer into a greenhouse.] EDDIE: What's going on in that greenhouse over there? Maybe they need a hand with that fertilizer? [Eddie starts to walk toward the greenhouse, but Locke stops him.] LOCKE: No, no, no, no. They're okay. They're okay. Come on, we've got orchard duty. [We see Eddie and Locke walking with their baskets full.] EDDIE: What's the big secret, John? LOCKE: Sorry? EDDIE: The greenhouse -- what have you guys got in there? What are you hiding? Because every time I go near it, you and just about everyone else acts all weird. LOCKE: Look, you're a guest here. These things take time. EDDIE: I've been here for 6 weeks. LOCKE: Nothing's... EDDIE: I'm not blind, man. Did you forget you had a duffel bag full of gn when you brought me here? LOCKE: Mike and Jan welcomed you here with open arms. They feed you. They give you a place to stay. EDDIE: And Mike and Jan fold their hands every night before chow and talk about how we're family. But your family's got too many secrets. Now, I see the fertilizer going into that greenhouse. I know what's going on, and I want in. LOCKE: In on what? EDDIE: Whatever you guys are trying to blow up. [Locke laughs] What's so funny? LOCKE: I'll talk to Mike and Jan. [Back on the island we see Locke preparing to enter the cave.] CHARLIE: You really think Eko's in there? Let's hurry up and do this, maybe the bear's out finishing his lunch. LOCKE: You're not going in there, Charlie. CHARLIE: What? LOCKE: I'm going to do this alone. CHARLIE: You don't get to tell me what I can't do. If I want to go in there, I'll go in there. LOCKE: Why? CHARLIE: What? LOCKE: Why do you want to go in there? CHARLIE: I don't need a reason! LOCKE: Then go back. CHARLIE: You go back. You don't have a good reason to go in there either. LOCKE: I'm going in there because I'm supposed to go in there. [We see Locke putting mud on his arms and face.] CHARLIE: If it all goes to plan, we probably won't even see the bear, will we? LOCKE: And hopefully, he won't smell us. [Locke grabs a spray can and puts it in his pocket] CHARLIE: Hairspray? Now, I hate to be the one to point this out to you... LOCKE: [smiling] It's not for me. [Locke lights a torch he's made and steps into the cave.] [COMMERCIAL BREAK] [We see Hurley walking in the jungle. He stops when he hears rustling in the bushes.] HURLEY: Bear? Is that you? Who's there? DESMOND: You alone, brother? HURLEY: Uh, yeah. [Desmond stands up and Hurley sees that Desmond's naked.] HURLEY: Whoa! Dude! I'm not alone. DESMOND: Beach camp's right over there. Can you get me some clothes? HURLEY: What happened to yours? DESMOND: I woke up in the jungle like this. HURLEY: So, like, the hatch blew off your underwear? DESMOND: [coming closer] Fine, you want to discuss this in great detail right now? Let's do it. HURLEY: No, no, that's okay. I've got something in here. [He reaches into his backpack and pulls out a shirt] How do you feel about tie-dye? [We see Locke walking in the cave. He bumps something on the ground and discovers a toy dump truck.] [FLASHBACK] [We see Locke approaching the greenhouse which is being guarded.] LOCKE: Hey Kim! Hey, Mike and Jan in? KIM: Yeah, they were looking for you. LOCKE: Good, good. Good timing then, huh? KIM: [opening the door] Go on in. [Inside the greenhouse, we see that they've been growing marijuana. Mike and Jan are quickly boxing up files and baggies of pot.] MIKE: Got all the cash? JAN: In the bag. MIKE: What bag? JAN: The one with the money in it! MIKE: What about the bank records? JAN: Leave them. MIKE: Shouldn't we sort out what they can trace? JAN: There's no time, Mike. LOCKE: [approaching] What's going on? JAN: What does it look like? LOCKE: I don't... MIKE: You screwed up, John. You blew it, big-time. LOCKE: [looking completely perplexed] What are you -- what? What are you doing? Are you leaving? Why? JAN: [shoving a folder at Locke's chest] That is why, you idiot. MIKE: John, your friend's a cop. [Locke looks in the file and sees a picture of a sheriff's ID with Eddie's picture on it.] MIKE: Do you know how much jail time we'd get for this much weed? JAN: Nice picture, huh? Got him fresh out of the academy. LOCKE: No -- that -- he was hitchhiking. He told me he was going to Eureka. How could he possibly--? JAN: He was waiting for you, John. He has been here for 6 weeks gathering evidence because you brought him here. LOCKE: Mike, that's impossible. MIKE: He played you for a sucker. Now it's over. LOCKE: No, wait. No, wait, wait. Stop! We don't know what he's told them. He hasn't even been in here yet. If he's still gathering evidence and trying to make a case then it's not too late. JAN: Not too late for what? LOCKE: To protect us. To protect all of us. It's not too late to fix this. I can fix this. MIKE: How are you going to do that, John? Huh? [Back on the island, we see Locke in the cave. He comes across the bones of many animals, including human. There's a human skull and some cloth with a version of the DHARMA Pearl logo on it. Locke looks up and sees Eko lying on the ground, barely conscious.] LOCKE: Eko! EKO: John. [There's some noise from the other end of the cave and suddenly Eko is being dragged away. Locke grabs Eko's arm and throws a rock at the bear's head to make him let go. Locke makes a flamethrower out of the hairspray and torch and sends the bear running. He drags Eko out of the cave to a waiting Charlie.] CHARLIE: Is he okay? Is he alive? Is he alright? LOCKE: He's alive. CHARLIE: Turn him over. Turn him over. LOCKE: Charlie, we've got to get out of here. CHARLIE: Okay, let's get him up. [COMMERCIAL BREAK] [We see Desmond and Hurley walking in the jungle.] HURLEY: So, when you say "turn the key" you mean like key, key? DESMOND: It was a failsafe key. HURLEY: That seems kind of convenient. DESMOND: I'm sorry? HURLEY: I'm just saying, if you had this magic key the whole time why didn't you, like, use it? DESMOND: I didn't know what would happen. HURLEY: So what did happen? DESMOND: The failsafe key must have detonated the electromagnetic anomaly -- made the hatch implode. HURLEY: You didn't implode. DESMOND: No. HURLEY: You're not going to, like, turn into the Hulk, or something. [Desmond sort of chuckles] So is that what made the blender noise? And the sky turn purple? DESMOND: I'm afraid I missed that, brother. HURLEY: Right, you were failsafing. Well, FYI, the whole island vibrated. And Kate and Jack and Sawyer saw it, too, right before they got bags pulled over their heads. DESMOND: Don't worry. Locke's going to go after them. He said so in his speech. HURLEY: What? What speech? All he said was he was going to go save Eko and kll bears. DESMOND: Right. Right, of course. I'm sorry. I'm just a bit shook up. [We see Charlie and Locke dragging Eko through the jungle.] LOCKE: I brned that bear pretty good. I don't think he's going to be coming after us. CHARLIE: Now that we've survived this su1c1de mission are you going to tell me what you saw? LOCKE: What I saw? CHARLIE: In the spirit tent. LOCKE: I saw Boone. CHARLIE: Boone? What did he have to say for himself? LOCKE: He told me I had to clean up my own mess. CHARLIE: Well, dad as he may be, I agree with Boone. If you kept pushing that button like Eko told you to... LOCKE: We wouldn't have had to save him in the first place. Yeah, Charlie, that's what cleaning up your own mess means. CHARLIE: Spoken like someone who's had a few too many messes to clean. [FLASHBACK] [We see Locke and Eddie walking in the forest, carrying rfles.] EDDIE: No deer, huh? LOCKE: Nope. EDDIE: You talk to Mike and Jan yet? LOCKE: Yeah, I sure did. EDDIE: What did they say? LOCKE: They said that I should bring you by the greenhouse tonight after supper and that they would explain everything. EDDIE: Cool, that's great. [Locke points into the distance, and Eddie turns to look, shouldering his rfle.] EDDIE: What, did you see something? [Locke aims his rfle at Eddie.] EDDIE: What are you doing? LOCKE: Did you know it would be me? EDDIE: What? LOCKE: In the truck? Did you know it would be me driving? Did they choose me? EDDIE: They? John, I have no idea what you're talking about. [Eddie starts to raise his rfle.] LOCKE: I didn't load that one. So how about you just answer the question, Eddie? EDDIE: Yeah, they chose you, John. LOCKE: Why? EDDIE: Because you hadn't been here long, didn't have a criminal record, and psyche profiles said you would be amenable for coercion. LOCKE: Amenable for coercion?! EDDIE: Hey! Lower the gn, John. Okay? This isn't personal. LOCKE: What's not personal?! [Locke is upset, his eyes tearing up; he's pointing the gn at Eddie, trying to sht. Eddie starts backing away.] LOCKE: Stop. Stop. EDDIE: I'm sorry, John, but you're not going to sht me. You're not a mrder. You're a good man. You're a farmer. LOCKE: Nope. Not a farmer. I was a hunter. I'm a hunter. EDDIE: I'm going to walk away now, John. [Eddie turns and walks away. Locke eventually lowers the rfle without shting.] [Back on the island, we see Locke and Charlie carrying/dragging Eko.] CHARLIE: Hey, John? You hear something? LOCKE: It sounds like a stream. CHARLIE: Yeah. LOCKE: Let's put him down -- maybe get some water in him. CHARLIE: I'll go. You stay here. [he exits] LOCKE: [to Eko who's unconscious] I'm sorry. Sorry I ever doubted you. Sorry I gave up on my faith in the island. I messed up. Now our people are captured -- if I'd just listened to you -- if I'd just let you keep pushing the button. I could have gone with them, protected them. I could have saved them. EKO: You can still protect them. You can still save them. LOCKE: I don't even know where they are. EKO: You will find them. After all, you are a hunter, John. [Charlie approaches and Locke looks away from Eko.] CHARLIE: Did you say something? LOCKE: He's awake. Eko? [Locke sees that Eko is unconscious] Eko? [Locke tries to give Eko some water, but Eko doesn't respond at all.] CHARLIE: Maybe we should just get him back, John. LOCKE: Yeah. [We see Claire doing laundry at the beach. Charlie and Locke enter camp dragging Eko.] CHARLIE: You alright? LOCKE: Yeah, just keep walking. CHARLIE: [to Claire] Hey! CLAIRE: John? Charlie? PAULO: What happened? CHARLIE: We got him. HURLEY: [approaching] Is he alive? NIKKI: We need Jack. LOCKE: [to Charlie, indicating a shelter] Take him in. HURLEY: Jack's not coming back. They've got him. CLAIRE: What? What are you talking about, Hurley? NIKKI: Jack's gone? I don't understand. Okay, when were planning on telling us this, Hurley? PAULO: What do you mean "they"? Who's "they"? LOCKE: They are the Others. And, yes, they've taken Jack, and Kate and Sawyer. PAULO: How? What happened? CLAIRE: What about Sun and Jin and Sayid? Are they okay? LOCKE: I don't know. I'm going to find our friends. [we see Hurley eying Desmond who's standing at the shore throwing stones into the ocean] I don't know how yet, but I will. We're going to find them. All of them. And then we're going to bring them home. But first things first, we've got to look out for Mr. Eko. So, Paulo and Nikki, bring towels and water. Claire, we've got to clean him up so bring all the first aid supplies. [he exits] CHARLIE: [to Hurley] Not a bad speech. HURLEY: Whoa. CHARLIE: Whoa, what? HURLEY: I just got ht with, you know, deja vu. [Hurley looks at Desmond again] CHARLIE: [looking at Desmond and back at Hurley] Okay. Well, when that wears off can you get bandages from the kitchen? [Hurley continues staring as Desmond. The last sh*t we see is of Desmond looking out to sea -- worried and slightly crazed.]	{"type": "series", "show": "Lost", "episode": "3x03 - Further Instructions"}	foreverdreaming
[We see Desmond sitting on the beach at camp deep in thought, watching Claire and Aaron. He approaches Claire, as she writes in her journal.] DESMOND: You've, um, you've got a problem with your roof. CLAIRE: What? DESMOND: Look, maybe you should move down the beach, just for tonight. That way I can fix it -- make some improvements. CLAIRE: That's really nice of you to offer, but, um, Aaron just feel asleep so I should just... DESMOND: No, it'll be worth it. I promise. CHARLIE: [appearing] Whatcha doing, brother? DESMOND: I was just offering to fix this roof here. Fine. If there's a problem I'll fix it. I'm quite handy. I was building a church before Eko exploded. DESMOND: Right, well, just trying to help, huh. CLAIRE: Thanks. [Desmond exits] What was all that about? CHARLIE: I don't know. We're going to have to get that guy another button to push. [We see an old Merrie Melodies cartoon being played on a TV in Jack's cell. There's a knock on the door and Jack sits with his back to the wall. Juliet enters with a tray of food.] JULIET: How are you doing today, Jack? JACK: [sarcastic] Great. JULIET: You seem frustrated. JACK: Am I going to keep watching cartoons or are you going to tell me why I'm here? JULIET: I hope you like blueberry. If not, I can... JACK: Should I talk to Benjamin? JULIET: Sorry? JACK: Should I talk to Benjamin? Because I'm starting to think that you're just the person who brings me my food. JULIET: You can talk to him all you want. But he won't tell you anything. JACK: You work for him? JULIET: No, I don't work for him. JACK: He's in charge. JULIET: Well, it doesn't work that way over here, Jack. We make decisions together. JACK: Really? Because when I was holding that broken plate at your neck he seemed happy to just let you die. I mean, it felt like he made that decision on his own. JULIET: You don't know what you're talking about. I don't answer to him. [A door suddenly opens and Ben enters.] BEN: Juliet, I need you. JULIET: Can it wait? BEN: The sub is back. We have a situation, so come with me now. [We see people running through the jungle, carrying Colleen on a stretcher.] [Scene switches to Sawyer's cage being opened by Pickett (with a bandage on his nose) and a couple of guards.] PICKETT: Time for work. SAWYER: Sound a little stuffy there, Chinatown. You need to blow your nose? PICKETT: Just give me an excuse. SAWYER: I thought I just did. What do I got to do -- talk about your mother? [Pickett grabs Sawyer's shirt collar, but is interrupted by a voice on his walkie-talkie.] VOICE: Danny, are you there? PICKETT: Yeah? VOICE: [unintelligible] PICKETT: Hold on. [he shoves Sawyer back] Okay, go. VOICE: [unintelligible] PICKETT: What? Where are they? [Ben, Juliet, and the others carrying Colleen run through the cage area on their way to the Hydra. Pickett joins them.] TOM: She's hurt bad, Juliet. JULIET: Keep her steady. PICKETT: She's going to be fine, right? She's going to be okay? KATE: [to Sawyer] What happened? SAWYER: We happened. KATE: What? SAWYER: Been on this rock long enough to realize they ain't in the business of sh*ting each other. We did it. Our team. KATE: [indignant] You smiling? SAWYER: Damn right I'm smiling. 'Cause we just got our ticket outta here. [COMMERCIAL BREAK] [We see Sawyer maneuvering the levers in his cage to make the food drop.] KATE: What are you doing? [he doesn't respond] Whenever you're ready to fill me in. SAWYER: Shush up, I'm thinking. [He finishes the sequence and the food drops, the song plays.] SAWYER: You know that chick they brought in on the stretcher -- that's broken nose man's girl. KATE: They call him Pickett. [We see water from Sawyer's cage flowing into a small pool just outside the door.] SAWYER: Well, Pickett is distracted at the moment. KATE: So? SAWYER: Watch and learn, little lady. [He presses the big button twice with a stick] There's juice pumping into this box from somewhere. Next time someone comes to pull me out, I'm going to wait until they step in my little swimming hole, then I grab 'em. Zap! They fall back from the shock -- I snag the keys. Bet the bears never thought of that. KATE: You're both going to get electrocuted. SAWYER: Yeah, but I felt the jolt. I can take it. The other guy -- he ain't going to be ready for it. What, you think I'm crazy? KATE: No, I'm actually impressed. SAWYER: Well, wipe the stars out of eyes, sweetheart -- 'cause we're going to do this. KATE: So, what about Jack? SAWYER: What about him? We don't even know if he's here. Hell, we don't even know if he's alive. We gotta take care of us. It's every man for himself, Freckles. [FLASHBACK] [We see Sawyer in a boxing ring. He knocks his opponent to the mat.] GUARD: Alright, Ford. That's enough. [Sawyer helps the other guy up, and we see that they are in prison. The scene switches to both of them dressed and walking.] PRISON TOUGH: The problem is I was following your hands, not your eyes. SAWYER: The problem is you old and dumb. [They stop walking to watch a fight that's broken out.] SAWYER: Who's the punching bag? PRISON TOUGH: Just got here -- name's Munson. Rumor has it he ripped off the government for 10 mil, but they never found the money. SAWYER: I'll be damned. PRISON TOUGH: If your buddy the warden didn't keep breaking up the fights, Munson would be a dad man. [We see the warden watching as the fight gets broken up. Sawyer eyes the warden.] SAWYER: That son of a bitch. [Scene switches to a sht of Munson sewing. Sawyer approaches.] SAWYER: You get little mints on your pillow at night, too? MUNSON: Sorry? SAWYER: You're here, what, a week? And you're on tote bag duty? I've been here 9 months; I'm still pushing trash. MUNSON: What does that mean? SAWYER: You think the warden's breaking up those fights because you're cute, Costanza? He's making a play for that 10 mil. First step -- butter you up, give you a plum job. Step two -- warden will reach out to your wife -- use her against you. Textbook con. MUNSON: And you're telling me this out of the kindness of your... SAWYER: Advice is free, Murgatroyd. Last 9 months that warden's made my life a living hell. He gets that 10 mil you ain't got? I might just have to kll myself. [The warden enters eating an apple.] WARDEN HARRIS: Hey. SAWYER: Well, howdy, warden. WARDEN HARRIS: He bothering you, Munson? [Munson shakes his head.] SAWYER: So what brings you to the sewing shop, Boss? WARDEN HARRIS: Don't think I can't extend your stay, Ford. All it takes is one call. One call. [He drops his apple on the floor.] How about you get that trash? [Back on the island, Ben approaches Sawyer's cage.] SAWYER: [whispering to Kate] Oh, yeah, the big kahuna. [Ben steps just outside the pool of water outside Sawyer's cage.] SAWYER: Lunch already? BEN: What do you weigh? SAWYER: What? BEN: What do you weigh? SAWYER: [sighing] 180, give or take. BEN: [stepping closer to the water] How old are you? SAWYER: 32. BEN: Don't lie. SAWYER: [sighing] 35. BEN: [stepping in the water and unlocking the cage] Good. SAWYER: [grabbing Ben's arm and pressing the button with his foot] Sayonora, sucker. [Sawyer tries to push the button a few times, but nothing happens.] SAWYER: What did you do? BEN: We turned it off. [Ben hits Sawyer in the face with a billy club-type stick.] KATE: Sawyer! [Ben enters Sawyer's cage and beats him down.] KATE: Hey! [Scene switches and we see Sawyer strapped to a table, coming to. We can hear Tom in the background.] TOM: 2 days since the sky turned purple. We've been blind. Our comms are all down -- I can't get them back up again. And in case you forgot, Colleen's in critical... BEN: Juliet's taking care of her. SAWYER: Where am I? What the hell are you doing to me? Let me up! BEN: Jason. SAWYER: Let me up! [Jason approaches Sawyer with a stick about 8 inches long.] JASON: Bite down on this please. SAWYER: You bite down on it. BEN: It's for the pain. [Another Other, Matthew, approaches Sawyer with a syringe with a very long needle.] SAWYER: What?! Wait! Let me up! No! BEN: God, I hate needles. SAWYER: No! What are you doing?! [We see Jack in his cell eating. He hears Sawyer yelling through the speaker.] [The scene switches back to Matthew trying to inject Sawyer.] JASON: No, you have to go through the sternum -- the sternum, like in the movie. MATTHEW: I know. I know. SAWYER: No! MATTHEW: 1, 2... [COMMERCIAL BREAK] [We see Paulo practicing golf on the beach as Desmond approaches.] DESMOND: Don't mind me, brother. I'm just going to take one of your clubs. Hurley said it would be alright. PAULO: Hurley, huh? Does this mean you're off to save the day? DESMOND: So, uh, I can take one of these? PAULO: Take the five iron; I never use it. That way when you die in the jungle, doing whatever you're doing, I don't have to go looking for it. DESMOND: Thanks, mate. [he watches Paulo take a sht] You know, you might want to square your shoulders a bit more. PAULO: You play golf? DESMOND: I'm Scottish. Cheers. [he exits] [We see Sawyer strapped to the table. There's a bandage on his chest. He comes to, and a door opens. Tom and Ben enter carrying a rabbit in a cage. The rabbit has a number 8 on its back. They place the cage on Sawyer's stomach.] SAWYER: What the hell? BEN: Shhh. [He starts shaking the rabbit's cage quickly and forcefully.] BEN: [to the rabbit] Hey. Hey, come on. Hey, move. Let's move. Hey, come on, come on, come on. SAWYER: What are you doing? BEN: [to the rabbit] Come on, come on, come on, come on. Let's move it. Let's move it. Let's move it. Hippity-hop. Hippity-hop. Hippity-hop. SAWYER: Come on, what are you doing? BEN: Let's move it. Let's move it. Let's move it. Let's move it. SAWYER: What's your problem? BEN: Come on, come on, come on. [The rabbit suddenly keels over.] SAWYER: Did you just kll that bunny? BEN: You know what a pacemaker is? SAWYER: What? BEN: They stick them in the tickers of people who've had by-pass work who's heart's need just a little jump -- a kickstart. The rabbit had a small pacemaker set to deliver its kickstart should it get too excited, or anxious, or frightened -- or should it try to escape. [Ben puts a watch-like device on Sawyer's wrist] Assuming you were telling the truth about your age and weight your resting heart rate should be about 70 beats per minute. Your active heart rate, however, that would be about 140 -- which is the point at which your pacemaker will cause your heart to explode. Which is how I know that you're going to start behaving now. The watch monitors your pulse. If you get within 15 beats of your danger zone it'll start to beep. If and when it beeps, you're going to want to relax yourself. Do some deep breathing, some yoga. SAWYER: If you want me dad, why don't you just sht me and get it over with? BEN: Because we're not Kllers, James. Oh, and one other thing -- Kate... SAWYER: You touch her, I swear... BEN: You tell her what we did, what we put in you -- that we're watching you -- you tell her any of these things -- we'll put one in her, too. [We see Kate pacing in her cage as they bring Sawyer back to his cage.] KATE: Sawyer? Sawyer, are you okay? TOM: [putting a bucket of water and a sponge in the cages. To Kate] That's so you can clean yourselves. And Kate if any of that doesn't fit, just give me a holler, okay? [he exits] KATE: What happened? What did they do to you? SAWYER: Nothing, they just asked me questions. It ain't important. KATE: Talk to me. What happened? SAWYER: Look, I told you. Nothing happened. So quit asking. [Kate empties out a bag of clothes which was left in her cage.] KATE: Turn around. [Sawyer turns so she can change and checks under the bandage on his chest. He's sees a 2-3 inch incision wound. He looks at Kate who is facing away, but taking off her shirt. The alarm on his heart monitor starts beeping.] KATE: What's that? SAWYER: It's just my watch. It's busted. KATE: When did you get a watch? SAWYER: Look, I don't tell you everything! Just leave me alone, damn it. Put some clothes on. [He dumps a bucket of water over his head.] [COMMERCIAL BREAK] [FLASHBACK] [We see Sawyer in prison watching Munson talking to a woman visitor. Suddenly we hear a woman say hello to Sawyer.] CASSIDY: Hello, Sawyer. SAWYER: It's James Ford. And I know you know that because you got it right when you pressed charges. CASSIDY: You're mad at me? SAWYER: Well, look where I am. CASSIDY: What did you want me to do? You conned me. SAWYER: Something you want? CASSIDY: Yeah. Yeah, there is. SAWYER: Come on, I got license plates to make. [Cassidy places a picture of a little girl on the table.] SAWYER: What's this? CASSIDY: This is your daughter. SAWYER: What do you want? CASSIDY: Well, first I wanted you to know. SAWYER: Then what? You think I'm going to take one look at this picture and turn into Father Knows Best? CASSIDY: We're living in this little place in Albuquerque. It's near the University... SAWYER: Why are you telling me this? CASSIDY: I just thought you could write her a letter. Her name's Clementine. SAWYER: What the hell am I going to write, "Dear Goo-goo, Ga-ga?" She's a baby. She ain't mine. CASSIDY: Sawyer, she is... SAWYER: I ain't got no daughter. [Back on the island, Sawyer touches his chest. Kate eyes the top of her cage.] KATE: I've been checking out my cage and I think if I climb to the top I can squeeze through those bars. They're spaced farther apart up there. SAWYER: Don't bother. KATE: What are you talking about? SAWYER: I'm talking about being smart. I think we should chill out here a while -- get the lay of the land. [Jack hears something on the speaker in his cell.] VOICE: Under control... ANOTHER VOICE: Yeah? VOICE: [unintelligible] ... it was a mistake bringing those two here. [Juliet enters.] JACK: What did you do to Sawyer? JULIET: Nothing. JACK: I heard him yelling. You've got blood on your clothes. JULIET: Jack. Jack! JACK: What did you do to him?! JULIET: It's not his blood. JACK: Then whose blood is it? JULIET: It's the blood of a woman who's dying. Jack, I, I need your help. [A very loud alarm sounds in the area where Kate and Sawyer are being kept. We see Jack being led through with a bag over his head.] KATE: It's Jack. Jack! SAWYER: Doc! KATE: Jack! SAWYER: Doc! Doc! KATE: Jack! [he turns slightly] Jack! [Jack is led in. Inside, Ben appears and speaks to Juliet.] BEN: Have you lost your mind? You bring him here? JULIET: He's a doctor. He can help. BEN: Well, this is not why... JULIET: Do you want her to die? [to Jack] Come on. [In the operating room, we see Tom in the background. Pickett is stroking Colleen's face. Ben exits.] JACK: What happened? JULIET: gn wound to the abdomen. [Jack scrubs up, and notices some spinal x-rays hanging on a light screen.] JULIET: Those aren't hers. Come on. [They enter the operating room.] PICKETT: What's he doing in here? JULIET: Danny, he's here to help. PICKETT: Tell him who did this. He ought to know that. JULIET: Danny. JACK: I need him out of here. JULIET: Danny, get out. TOM: Come on, Danny. Let's go. JULIET: Go. PICKETT: No way; she's my wife. TOM: Danny, they got it. [they exit] JULIET: I got the bllet out, but she's still bleeding. JACK: Right upper quadrant; it's swelling badly. JULIET: No, I padded it. JACK: I need you to clamp under the liver so I can get a look back there. JULIET: [struggling] I'm not a surgeon. JACK: I know. But I need you to do this. [We see Pickett, Tom and Ben watching from a window above.] JULIET: [digging in] Here. JACK: She's got a retro-hepatic caval bleed. It's behind the liver, that's why you missed it. I need lap pads -- as many as you got. Alright, another one. [We can see Colleen start to flatline on a heart monitor.] JACK: The crash cart, now. Juliet, I need paddles. JULIET: It's broken. We've had... Jack, we haven't had anything happen before. We didn't -- we have -- I don't... [Jack tries to do CPR, but Colleen is dad.] JACK: Time of death [he looks, but doesn't find a clock]... she's gone. PICKETT: They did this! They did this! TOM: Danny, wait. Danny, wait, no. [Pickett in a rage goes to Sawyer's cage.] SAWYER: Hey, hey hey hey hey. Take it easy, Hoss. Take it easy. [Pickett drags him out of the cage and throws him to the ground.] Take it easy! PICKETT: [throwing him against Kate's cage] Shut up! [to Kate] Do you love this guy? KATE: What? PICKETT: [punching Sawyer] I said do you love him?! KATE: Stop! PICKETT: [punching Sawyer] Do you love him?! Do you love him?! KATE: Leave him alone! PICKETT: [punching Sawyer] Do you love him?! KATE: What are you doing? Stop! PICKETT: Do [punch] you [punch] love [punch] him [punch]! KATE: Yes! I love him! I love him! Please. [she cries, Pickett chokes back tears] PICKETT: [exiting] Lock him up! [COMMERCIAL BREAK] [FLASHBACK] [We see Sawyer reading Of Mice and Men in prison. Munson approaches.] MUNSON: I need to talk to you. SAWYER: Sorry, I'm busy. MUNSON: It's important. Please. [Scene switches to Munson and Sawyer walking down a corridor.] MUNSON: You were right. I loved her. I thought she -- I really thought she... SAWYER: 10 mil's a lot of greenbacks, kller -- tends to change things. That's why you never get attached -- because once you care, that's when they can come at you. MUNSON: What did your's want? I saw you the other day with a woman. What did she want? SAWYER: Something I ain't got. That all? You had yourself a good cry? You mind if I go back and see if George gets his farm? MUNSON: I need you to move it. The money. SAWYER: The money you didn't steal? MUNSON: We both know I did. Lila's hired a PI. She's going to find it. Do this for me. You have to. SAWYER: No. It's too dangerous. I'll be a walking target. MUNSON: If you don't help me the warden will get it all. He'll win. Please. Please. [Back on the island, Sawyer is cleaning himself up with his bucket of water and sponge.] KATE: Are you okay? SAWYER: Dandy. Guy hits like a girl. No offense. KATE: Why did he do that? SAWYER: Hell if I know. These people ever make any sense to you? [Kate starts climbing to the top of her cage.] SAWYER: What are you doing? What are you doing? KATE: What does it look like? SAWYER: Hang on a second, Freckles. [Kate climbs out.] SAWYER: I told you, the time ain't right. KATE: You're the one that said we had to go. SAWYER: Well, that was before... KATE: Before what?! I don't know what they did to you. But I know you're scared enough to lie about it. And that scares me more than anything that they have done to us before. SAWYER: Wait. [Kate climbs down the outside of the cage] Wait! What are you doing? [She starts hitting the lock on his cage with a rock.] KATE: I'm getting you out of here. SAWYER: Don't. KATE: I'm not leaving you, Sawyer. I can get it open. SAWYER: No. You're already out. You've got to go. You've got to leave me! KATE: What? SAWYER: Run! KATE: What did they do to you?! SAWYER: Will you go! [The alarm on Sawyer's heart monitor starts beeping.] KATE: What is that thing? SAWYER: Run. Just go. It's every man for himself. KATE: Why didn't you fight back?! Tell me the truth for once in your life! SAWYER: If you really love me -- go. KATE: I only said that so he'd stop hitting you. [she walks back to her cage] SAWYER: Run. Hurry! [she climbs back up] What the hell are you doing? Kate?! Damn it, Freckles, go. Every man for himself. [Kate gets back in her cage.] KATE: Live together, die alone. [We see that Ben and Tom have been watching all this on their monitors.] TOM: You know Danny wants to kll him. BEN: Danny can wait. TOM: Should I bring Shephard back? BEN: No, I want him to sit with her for a while longer. [On one of the monitors we see Jack handcuffed to a gurney with the dad body of Colleen.] [Juliet enters the operating room.] JULIET: I'm, I'm sorry they -- they, uh, had to put handcuffs on you. Um, I'm a fertility doctor. I'm not used to death. JACK: What was her name? JULIET: Cole; it was short for Colleen. I shouldn't have, uh -- I should have come to get you sooner. JACK: It wouldn't have mattered. There wasn't any more that you could have done. She was -- she was dad before you put her on the table. JULIET: Are you just saying that to make me feel better? JACK: I don't care about making you feel better. JULIET: I'm going to take you back now. Um, I'm sorry for bringing you here. JACK: Who's x-rays are those? Outside? Those are spinal x-rays. They belong to a man about 40 years old. And whoever he is, he has a very large tumor on his L-4 vertebrae. And I just happen to be a spinal surgeon. So, you tell me, Juliet, who am I here to save? [COMMERCIAL BREAK] [At the beach, Desmond has built a tower with the golf club on top, and a pole with wire sticking into the ground. It sits near Claire's shelter. We see Hurley chopping some fruit, watching Desmond.] HURLEY: Is that -- art? DESMOND: Nope. Just an experiment. HURLEY: Okay. You want some fruit salad? DESMOND: Thanks, I'm not hungry. [Hurley starts walking out from under the shelter] You might want to wait a minute. HURLEY: Why's that? [A storm causes a sudden downpour. We see Claire getting Aaron out of his crib, and Charlie putting his arms around them. There's a lightning strike which hits Desmond's tower.] [Sawyer is sleeping in his cage. Ben is there, waking him up.] BEN: Good morning. Let's go for a walk. [FLASHBACK] [We see Sawyer being escorted by guards to a meeting with the warden.] WARDEN HARRIS: I have to be honest, Ford. When they first brought you here, I thought you were nothing more than a dumb hick. Now I know better. You're a dumb hick that knows how to steal. SAWYER: Can we just get this over with? WARDEN HARRIS: Yeah, let's. You remember Agent Freedman from the Treasury Department? AGENT FREEDMAN: So, what have you got? SAWYER: 10 million's in a red Bronco parked in a Stor-Quik facility in Sawgrass, right off 441, unit 23C. That's where your money is. WARDEN HARRIS: As agreed, the last 6 years of your sentence have been commuted. AGENT FREEDMAN: As soon as the truck is recovered and the funds confirmed, your commission will be processed. Now, how would you like that? SAWYER: Set up a new account. It don't matter what bank, just make it in Albuquerque. AGENT FREEDMAN: Okay. SAWYER: Put it in the name of Clementine Philips. AGENT FREEDMAN: Okay, Clementine Philips. SAWYER: And I want it so there's no way she can ever find out who the money's from. WARDEN HARRIS: Who's Clementine Philips? SAWYER: We done? WARDEN HARRIS: Congratulations, Ford, you just lied and cheated your way out of prison. You're a free man. [Back on the island, Ben is taking Sawyer on a steep hike.] BEN: Not much further, James -- just at the top of the next rise. SAWYER: What's up there? BEN: Something I want you to see. SAWYER: That little place you always wanted, George? BEN: Sorry? SAWYER: What, don't you read? It's from Of Mice and Men. You'd like it -- puppies get klled. [They continue hiking and Sawyer's heart monitor starts beeping.] SAWYER: Bring me up here to kll me? Make that thing you put inside of me blow up my damn heart? BEN: Your heart's not going to blow up, James. The only thing we put inside you was doubt. Oh, the watch is a heart rate monitor, but nothing more. [he pulls a rabbit out of a satchel with a number 8 on its back] Look. We gave him a sedative, not a pacemaker. SAWYER: How do I know that's the same bunny? That you didn't just paint an 8 on another one? BEN: You don't. [Sawyer slugs Ben.] SAWYER: You son-of-a-bitch. BEN: The rabbit wasn't the thing I wanted to show you. [They continue up the hill and Sawyer looks amazed.] SAWYER: What the--? [The camera reveals a view of the island across an inlet.] BEN: You ever been to Alcatraz -- take the tour? Right now you're standing on a small island roughly twice the size of Alcatraz. And that over there -- that's your island -- the one you've come to know and love. I just wanted you to know there's nowhere to run. SAWYER: You did all this just to -- just to keep me in a damn cage? BEN: We did all this because the only way to gain a con man's respect is to con him. And you're pretty good, Sawyer. We're a lot better. Funny thing is, us telling you about the pacemaker wasn't what kept you in line. It was when I thrat her. You work so hard to make her think you don't care -- that you don't need her, but, "A guy goes nuts if he ain't got nobody. It don't make no difference who the guy is, long as he's with you. I tell you, I tell you a guy gets too lonely and he gets sick." SAWYER: What the hell are you talking about? BEN: It's from Of Mice and Men. Don't you read? Come on, let's get you back to your cage.	{"type": "series", "show": "Lost", "episode": "3x04 - Every Man for Himself"}	foreverdreaming
[FLASHBACK] [Young Eko is breaking a lock on a shed door. Yemi, as a young boy, is with him. Inside the shed is a basket filled with packages of crackers. Eko hands a package to Yemi.] EKO: Here, eat. It's okay, Yemi. [Yemi tears open the packaging and begins eating hungrily and then spots someone walking up to them.] NUN: Eko!? [Eko and Yemi are sitting on a pew in the church. The nun is standing in front of them. A woman exits the confessional.] NUN: Alright Eko. Go. [Eko doesn't move.] NUN: Did you hear me? Go! Confess that you have stolen. EKO: Yemi was hungry. NUN: That is not an excuse. You have sinned, Eko! Hunger does not matter. Now go. Ask God for forgiveness. [Eko stands and walks toward the confessional and then turns back.] NUN: Confess! [Back on the island, sht of Eko lying in a tented area on the beach at night. Sayid, Charlie and Hurley are with Eko.] SAYID: How long has he been like this? HURLEY: Couple of days now. SAYID: Eko. Can you hear me? What happened to him? CHARLIE: Before, or after, we saved him from the polar bear cave? HURLEY: Come on. Locke will want to know you guys are back. [Turning to look at Eko] Stay alive dude, ok? [Eko is lying in the tent. His eyes are moving beneath his eyelids and he appears to be dreaming. FLASHBACK scenes of Eko talking to Yemi as adults. Vocals have slight reverb to indicate dream sequences - same sequences appear in S2E10 - The 23rd Psalm.] YEMI: What are you doing here? EKO: I have come to give my confession. YEMI: Hello, Eko. EKO: Hello, brother. [sht of the inside of Yemi's church.] EKO: I have some merchandise that I need to get out of the country. YEMI: You mean drugs. EKO: You will make us priests and we will fly the drugs out ourselves. YEMI: My signature does not make you a priest, Eko. You could never be a priest. [The drug smugglers are at a runway where a truck with soldiers appears and speeds toward the plane shting. Goldie and Olu sht back and Olu is sht and klled.] YEMI: No! Stop! No more. No more. [Yemi gets sht by the soldiers in the truck and Mr. Eko runs to him.] EKO: Yemi! Yemi! No! No! No! Help me get to the plane. [Goldie takes Yemi then kicks Mr. Eko off the plane. Soldiers find Mr. Eko on the ground dressed as a priest.] SOLDIER: Father? Are you okay, Father? [Back on the island, we see Eko lying in the tent on the beach.] YEMI: Eko! Eko, wake up! [Eko awakens to Yemi's voice. Yemi lights a flame with a lighter] YEMI: It is time to confess. To be judged, Brother. I will be waiting. You know where to find me. [sht of Sayid, Charlie and Hurley walking away from Eko's tent.] HURLEY: You guys smell smoke? [They turn and see Eko's tent in flames and then run toward it.] SAYID: Get him clear! CHARLIE: Eko! Help! [They start throwing sand on the flames. Then Hurley and Charlie go inside to get Eko.] CHARLIE: Pick him up! HURLEY: Eko. Eko, come on! CHARLIE: Pick him up! HURLEY: We gotta get you outta here! CHARLIE: Cover him up. Cover him with this! HURLEY: Come on, Eko. CHARLIE: Careful...careful! HURLEY: It's hot, Eko! Careful! [They drag/carry Eko out of the burning tent onto the sand next to a tree.] CHARLIE: Lay him down... lay him down. [Charlie checks over Eko to make sure he isn't hurt.] CHARLIE: You're ok. You're alright. [Charlie turns to check out the burning tent and Eko grabs his arm.] EKO: [Mumbling deliriously] My... brother. My... brother. CHARLIE: You're alright. It's ok. EKO: My... brother. Yemi. CHARLIE: It's alright. I'll be back. EKO: Yemi... [Charlie walks away to make sure the tent fre is being taken care of. Locke runs up to him.] LOCKE: Charlie! Is everyone ok? CHARLIE: Yeah! We're good. LOCKE: Where's Eko? CHARLIE: Hurley and I pulled him out... over... [They both turn to look where Eko was resting beneath the tree on the sand. Eko is gone and nowhere in sight.] CHARLIE: He was right there! Eko? Eko!? [COMMERCIAL BREAK] [In the Hydra tnk, Jack is doing pull-ups from an overhead bar in his containment cell. Ben walks in dressed in a simple white garment and carrying another white garment.] BEN: Good evening, Jack. JACK: Good evening, Ben. BEN: I was hoping you might join me for a walk. [Jack laughs] What? JACK: Well, you say that like...you're not going to just throw a bag over my head and drag me out of here if I say no. BEN: Then don't say no. Why don't you put this on. [He hands Jack the white clothing] I'll wait outside. JACK: Does it hurt? BEN: Sorry? JACK: Your neck, does it hurt? Any numbness in your fingers and toes, like pins and needles when your foot falls asleep, but permanent? BEN: Why are you asking me these questions, Jack? JACK: Because, Ben, you have a tumor on your spine. An aggressive tumor... that... is going to kll you. I don't know when those x-rays were taken that I saw, but unless they were very recent... you're not going to be taking walks much longer. BEN: I have no idea what you're talking about. JACK: Ok. My mistake then. [Jack finishes getting dressed] I'm ready whenever you are. [sht of Jack being led through the jungle at night with Ben and a man carrying a torch and another man carrying a rfle. They stop at the edge of the beach where several others are gathered, all dressed in the same, simple white clothing. Several torches are lit around the beach. Colleen Pickett's body is covered on a small raft. Danny is kneeling next to the body.] BEN: Stay here. [Ben walks over to the crowd] BEN: [From a distance, barely audible as Jack would hear it] As we prepare to send Colleen on her way, I'd like to take a moment... [Juliet walks up behind Jack] JULIET: I hate funerals. [Jack turns to look at her] He let you out? JACK: Gave me a new shirt, too. [They both watch as the funeral proceeds. Ben is still talking, inaudible.] JULIET: Bye, Jack. [Juliet walks to the crowd around the body. The body and raft are set afloat in the ocean and then lit on fre with a torch. A song plays over the speaker: Brenda Lee - I Wonder. Lyrics heard: "I wonder my little darling, where can you be this moonlit night? Are you holding someone tight? I wonder. My heart, my heart is aching. And I'm a fool, I'm a fool to let it go on breaking."] BEN: [Speaking quietly to Juliet] Why did you show him my x-rays? JULIET: I didn't tell him they were yours. But I guess you did. [sht of Locke, Sayid and Desmond sitting on the beach, daytime the next day.] LOCKE: I think I know how to find Jack, Kate and Sawyer. SAYID: Can I ask why he's being included in the conversation? DESMOND: Is that supposed to hurt my feelings? LOCKE: Tell him what you told me. DESMOND: The computer in the hatch wasn't only for pushing the button. I'm pretty sure... it could be used to communicate with other stations. SAYID: This is fascinating. But you just told me the hatch exploded. LOCKE: One of them did. SAYID: You want to try and communicate with the others. LOCKE: Yup. [Hurley and Charlie walk up.] HURLEY: No luck, dudes. We looked everywhere. Eko's gone. CHARLIE: There's no trail. HURLEY: Not that we, like, know what a trail looks like. LOCKE: When you pulled him out of the tent, did he say anything? CHARLIE: Nothing coherent. Just mumbling 'My brother, my brother.' LOCKE: Sayid, pack your gear. We're going to that computer. CHARLIE: Wait! What about Eko? LOCKE: We'll catch up to him. We're all going to the same place. [Eko is stumbling through the jungle, barely able to walk. He falls down.] [FLASHBACK] [Cut to sht of Eko riding in the back of the military truck with soldiers, shortly after Yemi's death. The truck stops in front of Yemi's church.] SOLDIER: You're home, father. [Eko jumps from the truck and enters the church. He looks at the cross on the wall and almost begins to cry. He then notices Yemi's Bible on the floor of the confessional. Inside is a picture of Eko and Yemi as children. A young woman and small boy walk into the church.] AMINA: Father? [Eko turns around] Oh! I was looking for Father Yemi. EKO: Father Yemi is...is gone. He was called away quite suddenly. An emergency at the refugee camp... down South. AMINA: I am Amina. I work at the clinic. This is my son Daniel. He is the altar boy here. Are you taking his place? EKO: Yes. AMINA: Will Father Yemi still go to London? EKO: London? AMINA: He was leaving at the end of the week. He was going to continue his studies. EKO: I will take his place there, too. [Back on the island, Eko is seen lying on the ground in the jungle. The snickety sound of the black smoke is heard. Eko gets up and continues walking, using a large stick as a walking cane. Eko suddenly sees bloodied black men surrounding him. One man throws a machete at him and it embeds in a tree next to Eko's head. Eko pulls the machete free and faces the attackers. One attacker is seen on his knees.] MAN: No! Don't! Please! No! [Eko raises the machete over his head at the man intending to strike. The man is suddenly the altar boy Daniel and Eko stops.] DANIEL: [Raising his finger to his lips] Shhhhhh. Confess. [Eko drops the Knfe. The boy and all the other attackers disappear. Eko looks around at the jungle, shocked and confused.] [COMMERCIAL BREAK] [Locke, Sayid and Desmond are walking through the beach camp. Many of the survivors are mingling about within earshot.] LOCKE: Hey everybody. We're heading out to the Pearl station. There's a computer there that might help us find our people. Anybody want to come along? HURLEY: What do you mean 'Anybody want to come along?' LOCKE: I mean, if you'd like to join us, it's a free island. HURLEY: Yeah, see, Jack would go and do stuff alone. Or he'd take Sayid or Kate. LOCKE: Yeah, well. I'm not Jack. The more the merrier. NIKKI: I'll go. LOCKE: Great! PAULO: What? LOCKE: Anybody else want to come, meet us at the tree line in 10 minutes. Bring water. PAULO: [To Nikki] You're not serious. NIKKI: What? You always whine about not being included. Now's our chance. DESMOND: Would you mind if I asked you a question, Brother? LOCKE: sht. DESMOND: Are we off to poke at a computer, or are we going after your man Eko? LOCKE: Two birds, one stone. Eko's heading for the plane that crashed on top of the entrance to the Pearl station. DESMOND: Well, that's quite a coincidence. LOCKE: Don't mistake coincidence for fate. [sht of Eko stumbling through the jungle. He finds a stream of water and bends down to drink.] [FLASHBACK] [Eko is back in church, washing his hands in the holy water basin. Daniel is in altar boy's attire, lighting candles.] DANIEL: You're not supposed to do that. That's holy water. EKO: I'm washing away my sins. DANIEL: Father Yemi wouldn't... EKO: I am not Father Yemi. [sh*ting of atmatic rfles is heard outside, people screaming.] EKO: Wait there! [Eko runs outside to the church steps and sees a wrlord and his gng shting in the air, while arriving on a truck. Villagers are gathered outside.] EMEKA: [Unintelligible]... where is Father Yemi? EKO: Who wants to know? EMEKA: Perhaps you did not hear me. I said, where is Father Yemi? [Amina runs up to talk to Emeka.] AMINA: The shipment is late! I just got off the telephone. He assured me it would arrive on Friday. EKO: What shipment? EMEKA: You should explain our arrangement to the new priest. AMINA: We receive shipments of vaccines from the Red Cross. We are allowed to keep 20 percent. The rest we give to Emeka and his men. EMEKA: In exchange for protection. So you see Father, everybody is happy! Huh? Hmmm? Everybody's happy. Everybody benefits! So, I hope you will continue to honor our arrangement. EKO: I am not afraid of you. [Eko turns and begins walking back to the church door. Emeka sht and kills a blind lady who was selling statues of Mary. The crowd gasps in horror.] EMEKA: I'll be back for the vaccine on Friday, Father. You don't want more lives on your conscience. [Back on the island, Eko is by the stream, drinking. He hears the Monster and sees the smoke over his shoulder in the reflection on the water. He spins around to face the smoke but the smoke curls back on itself and disappears. Eko turns to see what scared it away. Across the stream, Locke walks out, not having seen the smoke.] LOCKE: Hello, Eko! [COMMERCIAL BREAK] [sht of Jack sitting in his cell. Juliet walks in carrying a silver platter.] JULIET: You want to guess what's for lunch? JACK: I'm not... I'm not big on mysteries. JULIET: Of course you're not. [She takes the lid off the platter.] JACK: [Laughing] You people have cheeseburgers? JULIET: You have no idea what I went through to make this for you. I klled the cow, processed the meat, baked the bun. And the fries... try rendering animal fat. JACK: No ketchup? [The door opens and Ben walks in.] BEN: I'd like to talk to him. JULIET: Ok. So talk to him. BEN: Alone. Please. JACK: I'm fine with her being here. BEN: And I'm thrilled that your fine, Jack, but it's private. Doctor-patient confidentiality. JULIET: Sure. Of course. [Juliet leaves the room.] JACK: Mind if I eat? [Jack takes a bite of the burger.] BEN: We had such a wonderful plan to break you, Jack. JACK: Break me? BEN: Wear you down till you were convinced we weren't your enemies. Get you to trust us. And then of course we'd lead you to believe that you were choosing to do... whatever we asked you to do. All of this of course assumed that you would get... invested. JACK: Invested in what? BEN: Has it not occurred to you that Juliet bears a striking resemblance to your ex-wife? JACK: Why are you telling me this? BEN: I'm telling you this, Jack, because my wonderful plan... got sht to sunshine when you saw my damned x-rays and figured out I was dying. JACK: All of this... you brought me here to operate on you. You... you want me to save your life? BEN: No, I want you to want to save my life. But we're beyond that now, so... all I can ask is that you think about it. Do you believe in God, Jack? JACK: Do you? BEN: Two days after I found out I had a fatal tumor on my spine, a spinal surgeon fell out of the sky. And if that's not proof of God, I don't know what is. [sht of Eko, Locke, Sayid, Desmond, Paulo and Nikki walking through the jungle. Eko stumbles.] LOCKE: Hey! Are you sure you are all right? We can stop for a bit and catch our breath. EKO: I'm fine. LOCKE: You're heading for the plane wreckage aren't you? Charlie heard you call out for your brother before you left the camp. Is that what you're doing out here, looking for Yemi? [Eko spins around and pins Locke to a tree using his stick against Locke's neck. Eko also pulls a Knfe and puts it against Locke's throat.] EKO: Do not speak my brother's name again! LOCKE: What are you so afraid of, Eko? [FLASHBACK] [sht of Eko standing in front of the clinic near Yemi's church] AMINA: [Speaking to a woman carrying a baby leaving the clinic] You need to come back in two days. [Spotting Eko] Father! What can I do for you? EKO: Yes, is that... the vaccine that you spoke of? How often do the shipments come? AMINA: Every six months, if we are lucky. What makes you so interested in our shipments of vaccine, Father? EKO: You agreed to give most of it to the militia? AMINA: The vaccines fetch a high price in the black markets. Whatever you are thinking, do not cross these men. Before father Yemi, we got nothing. We owe whatever vaccines we have to his work. You remind me of him, you know. You're a good man, too. [Eko is later seen pulling up in a small stationwagon in front of a run-down shanty bar, dressed in civilian clothing. He walks in the bar and sits down with what appears to be another wrlord.] wrlord: I hear you have some vaccine to sell. EKO: I do. But it has to be done by Sunday. I'm leaving the country. wrlord: No problem. [Cut to sht of Eko, Locke, Sayid, Desmond, Paulo and Nikki walking through the jungle. They come upon the brned-out drug runner plane.] LOCKE: [Speaking to Sayid] The hatch is over here by the plane. Why don't you take everybody down. SAYID: And you? LOCKE: I'll be there in a minute. PAULO: [Speaking softly to Nikki] What's Eko looking for? NIKKI: His brother's body is in that plane. [Sayid, Paulo and Nikki open the hatch and go inside the Pearl station. Eko and Locke take rocks from the front of the plane door entrance, and then begin to enter.] LOCKE: So, what exactly did you see back there? I saw it once, you know. EKO: And what did you see? LOCKE: I saw a very bright light. It was beautiful. EKO: That is not what I saw. [Eko enters the plane wreckage and finds that Yemi's body is missing. He exits the wreckage in disbelief and looks at Locke.] EKO: My brother's gone! [COMMERCIAL BREAK] LOCKE: You set the plane on fre. Yemi's body could have brned... or, not to mention animals... or... [Eko pulls out a picture of himself and Yemi as children and sits down to look at it.] LOCKE: So, you don't want to come down there with us? EKO: No. I will wait here. LOCKE: Well...oh, I forgot, I found this when I was looking for you. [Locke holds out the gold cross necklace that was Eko's, and that Yemi had worn.] [FLASHBACK] [sht of church interior with Eko looking at the cross on the wall. The doors bang shut behind him as the wrlord Emeka and two of his gng walk in.] EMEKA: Hello, Father. I hear you have a shipment of vaccine for sale. [Laughs] If you thought you could do this without me knowing... you don't know who I am. [Emeka walks up close to Eko and puts a machete to Eko's neck.] EMEKA: You know, you're lucky Father, I'm a superstitious man. I don't relish taking the life of a holy man. That is why today, I'm only going to cut off your hands. [The two men grab Eko and pull his hands out and down to the pulpit, binding them. Emeka raises the machete to cut Eko's hands. Eko spins and fights, taking the machete away from Emeka and knocking the two men to the ground. He slices through the neck of one man and cuts the arm of the other man at the elbow. Emeka tries to grab Eko, and Eko knocks him to the floor. Emeka gets back up to his knees as Eko raises the machete over his head with both hands.] EMEKA: No! Don't! Please! No! No! EKO: You do not know who I am! [Eko does not show mercy. He slices down, klling Emeka, and then walks out of the front doors of the church. Amina and her son Daniel, as well as many other people, see Eko standing on the front porch of the church with the blood stained machete in his hand. The villagers react in horror. Eko, in shock, drops the machete.] [Back on the island, the interior of The Pearl is shown. Nikki is sitting in a chair watching the video while Locke and Sayid work on the wiring of the computer. A scene from the Pearl orientation film plays on the screen.] Narration: I'm Dr. Mark Wickmund, and this is the Orientation Film for Station 5 of the DHARMA Initiative. Station 5, or, The Pearl, is a monitoring station where the activities of participants in DHARMA Initiative projects can be observed and recorded. LOCKE: [Talking to Sayid over the sound of the film] Well? SAYID: The wiring is only one-way. It's a closed system. A dad end. NIKKI: Hey, guys? What are these other TVs for? LOCKE: Sorry? NIKKI: All these TVs... this guy says that there's 6 stations. Uh, here, check it out. [Nikki rewinds the film and plays a section again.] Narration: ...is a monitoring station where the activities of participants in DHARMA Initiative projects can be observed and recorded. NIKKI: Projects. More than one. So, maybe some of these TVs are connected to the other hatches. LOCKE: Well, I'm suddenly feeling very stupid. SAYID: Perhaps I could patch in one of the other feeds. See if we can get another picture. [The orientation film continues to play. From a closed door on the other side of the room comes the sound of a flushing toilet. Paulo walks out of the room and everyone looks at him.] PAULO: Ahhhh. The uh, toilet still works. [Everyone turns back to what they were doing. Sayid tries to connect other incoming video signals to the working televisions.] SAYID: Anything yet? LOCKE: [Looking at static on the TVs] Nothing. SAYID: [Changing a wire] What about now? [The video changes and shows a small room with reel-to-reel recorders and other electronic equipment.] SAYID: John? LOCKE: Yeah, we got something. [Nikki watches the screen intently.] NIKKI: [Whispering] Wow! What is it? LOCKE: That's a good question. PAULO: Hmmm. Those are computers! Great! That's what you're looking for. Now we can get out of here. [The video shows a man enter the camera's view. He is wearing a large black eye patch over his right eye and DHARMA overalls, but the station logo can not been seen well. Nikki gasps. The man on the video peers into the camera then slowly reaches up with his right hand and covers the lens. The video feed is then interrupted and static is displayed.] LOCKE: I guess he'll be expecting us. [At Hydra, Jack is in his holding cell. The door opens on the other side of the dividing glass and Juliet enters the secondary room.] JACK: You don't trust me anymore? JULIET: I trust you just fine. Just thought I'd put a movie in. [Juliet walks to the VCR on the TV stand and puts in a tape.] JACK: [Angry] You know what, I'm going to pass on the movie. JULIET: You'll like this one Jack. It's "To kll A Mockingbird". It's a classic. JACK: Juliet, I don't want to watch a movie right now! JULIET: I'll turn the sound down then. [Juliet moves the screen close to Jack, out of view of the camera watching the room. She turns the sound down and starts the movie, which at first is static.] JULIET: I felt like I should apologize. Say I'm sorry. I'm sorry for bringing you here. And for everything that's been done to you. And your friends. You have to know we were desperate. It was only so that we could save his life. [The video begins playing but shows Juliet in her house. She's holding a large cue-card. Handwritten on the card is - 'Ignore Everything I'm Saying'. Jack is confused but says nothing.] JULIET: Ben. He's a great man. [The video shows Juliet change the card to another one. This card says 'Ben is a liar.'] JULIET: I know you find that hard to believe but... he is. [The video shows Juliet change the card to another one. This card says 'And he is very dangerous'.] JULIET: You probably feel like you don't have a choice. But you do, Jack. Free will is all we've really got, right? [The video shows Juliet change the card to another one. This card says 'Some of us want a change'. Then the video shows another card which says 'But it has to look like an accident'.] JULIET: Anyway, just wanted to put in my two cents. [The video shows Juliet change the card to another one. This card says 'It has to look like we tried to save him.' Then the video shows another card which says 'And that's up to you, Jack'.] JULIET: I told you before, you can trust me. I want you to trust me, now, when I tell you that doing the surgery is absolutely the right thing for you to do. [The video shows Juliet changing to a card that says 'It's a complicated surgery. No one would ever know'.] JULIET: It's the right thing because he deserves to live. [The video shows Juliet changing to a card that says 'And I would protect you'. Then the video shows another card which says 'Now tell me to turn off the movie'.] JACK: Turn the movie off. JULIET: Jack... JACK: Turn it off! Now. JULIET: Alright. It's off. [Juliet turns off the movie and ejects the tape. She turns to leave, taking the tape with her, then turns back.] JULIET: Think about what I said. Please. [Jack nods his head silently.] [COMMERCIAL BREAK] [FLASHBACK] [Inside Yemi's church, Daniel is sweeping. Eko walks through carrying a suitcase.] DANIEL: Where are you going? EKO: London. DANIEL: Are you a bad man? [Eko stops] My mom says you're a bad man. EKO: Only God knows. [Eko walks out of the church and past a van offloading vaccines. Amina is standing there.] EKO: I see you have your vaccine. AMINA: Do you expect me to be grateful? I know what you are planning to do. EKO: Those men! I helped... AMINA: Those men will be replaced by other men. [Eko sees people boarding up the doors to the church.] EKO: What are they doing? What is the meaning of this? AMINA: They are boarding up the church. We can no longer use it. EKO: This is Yemi's church. You have no right to do this! AMINA: It is no longer sacred! And one day you'll be judged for what you did! If I were you, I would start making my peace now. I would go to London and begin to repent. Because you owe God for every life you've taken. And you truly believe this is Yemi's? You owe him one church. [Back on the island, Eko is still sitting near the wreckage of the drug runner plane. He is holding the gold cross necklace. He looks up and sees Yemi looking at him.] EKO: Yemi! [Yemi turns around and heads out through the jungle.] EKO: Wait! Yemi! [Eko goes after Yemi, who has disappeared.] EKO: Yemi! You say you want to hear my confession! Why? Why now, eh? Show yourself! Where are you! Where! [Yemi appears across from Eko in a field of waist-high plants with red flowers. Eko walks over to him.] YEMI: Are you ready, Eko? EKO: Yes. I am ready, Yemi. [Eko pulls out the cross and raises it. Yemi reaches out to caress it but does not take it.] EKO: I ask for no forgiveness, Father. For I have not sinned. I have only done what I needed to do to survive. [Yemi lets his hand fall from the cross and Eko lowers it.] EKO: A small boy once asked me if I was a bad man. If I could answer him now, I would tell him that... when I was a young boy, I klled a man to save my brother's life. I am not sorry for this. I am proud of this! [Eko drops to his knees in front of Yemi and spreads his arms out.] EKO: I did not ask for the life that I was given. But it was given, nonetheless. And with it... I did my best. [Yemi stares down into Eko's eyes. He looks angry.] YEMI: [Almost in disgust] You speak to me as if I were your brother. [Eko cringes back from him, scared and angry.] EKO: Who are you? [Yemi turns without answering, and walks away toward the jungle tree line. Eko stands.] EKO: [Angrily] Who are you!? Who are you!? [Eko follows Yemi into the jungle.] EKO: Who are you? [The sound of the Monster is heard and then the smoke is seen circling to Eko's right through the trees. Eko turns around but does not see anything. He turns back around to continue after Yemi and is confronted by a giant column of the black smoke. The noise of the monster/smoke can be heard.] EKO: The Lord is my shepherd. I shall not want. The Lord is my shepherd... [A metallic clanking noise is heard as the smoke reaches out and grabs Eko around the waist, lifting him into the air and slamming him head first into a tree.] EKO: Oh! [sht of Station 5, The Pearl interior. Locke and everyone else in the bunker hear the siren of the monster outside the station and climb outside to see what is happening. Cut to sht of Eko in the grip of the smoke. The smoke slams Eko into one tree, then another tree. Eko's back appears to break. The smoke then lifts Eko to the tops of the trees at least 40 feet in the air and then forcefully slams Eko straight down into the ground. The smoke then leaves, retreating into the jungle. Locke runs up and finds Eko lying face down on the ground, not moving.] LOCKE: Eko! [Sayid, Desmond, Paulo and Nikki run up. Locke turns Eko over. Eko is still alive, but barely.] LOCKE: [Sadly, looking at Eko's broken body] Ohh...Eko. It's ok. It's ok. [Eko whispers something to Locke. The words can not be made out but it sounds somewhat differently than what Locke later tells the others. Eko breathes out his last breath. Cut to sht of Eko and Yemi walking as young boys, Eko carrying a soccer ball in one hand and his other arm around his brother's shoulders, best friends. The boys walk down a road, away from the camera. Cut to sht of Eko's lifeless eyes. Locke reaches out and closes Eko's eyes.] SAYID: What did he say, John? LOCKE: He said, 'We're next.'	{"type": "series", "show": "Lost", "episode": "3x05 - The Cost of Living"}	foreverdreaming
[FLASHBACK] [A brunette female in a white tnk walks down a motel hallway with her back to us. She is holding a shopping bag with a box in her right hand. She opens the door for room 752 and turns slightly, revealing that it is a younger Kate. She enters, and puts the box on the bed. She opens it, showing it contains a wedding veil. Someone knocks on the door.] MAN: Police, open the door. KATE: [Nervously] Um. Everything's alright in here. MAN: Ma'am, we have reason to believe that someone extremely dangerous is in the motel. We're conducting a room-to-room search. KATE: [Starting to smile] I'm alone, officer. MAN: The person could be holding you at gn, forcing you to say that. Please open the door. KATE: I don't think I should. MAN: Then you have three seconds before I break this door down. One... two... [Kate stands by and opens the door right before he says "three", revealing the policeman, Kevin.] KEVIN: Hey. Wanna get it on? KATE: [Laughing] Hell yeah! [Jumps into his arms] [Back on the island, Kate awakens as the cage door clanks. The siren is blaring "Warning", and Sawyer is throwing rocks at the feeding apparatus in his cage.] KATE: Hey. SAWYER: Hey yourself. KATE: What are you doing? SAWYER: Throwin' rocks. KATE: Thought you had to pull the lever. SAWYER: I know how to get a damn fish biscuit. KATE: Get me one. SAWYER: Psh. What, you trying to keep me feeling productive? [sht back in Hydra tnk with Jack. Ben is entering, and Juliet is already there.] JACK: You took these blood tests, made all the notations? [Juliet nods.] How old are the x-rays? JULIET: A week. JACK: [To Ben] The tumor on your spine is borderline inoperable. And at the rate it's growing, that borderline goes away in one week. BEN: [Unemotional] Oh. [Jack and Juliet exchange a look.] JACK: The OR in the other room, is that fully equipped? JULIET: Yes. JACK: Anesthesia? Sterile? JULIET: Yes. JACK: You needed to be in surgery yesterday. BEN: Alright, then. Whatever you need, it's yours. I'm ready. JACK: [Laughing] No, I think you misunderstood me. I didn't say I was gonna do it. I just wanted you to understand how you're gonna die. [Sardonic laugh] You think I believe you people? You think I trust you? That I'm just going to do the surgery, and then I'm just going to HOPE that you let me go?! JULIET: Jack! JACK: [Throws notebook at her face, behind partition] No, don't! [The three exchange tense looks.] BEN: Well, Jack. I'm very disappointed in your decision. JACK: Well, Ben. At least you won't have to be disappointed for very long. [COMMERCIAL BREAK] [Close-up of police uniform on bed. Pan to Kevin and Kate, who are in half-naked in bed together embracing one another peacefully and happily.] KATE: You shouldn't have come here. KEVIN: Yeah, you're right. I've made a huge mistake, and I'm just full of regret right now. KATE: [Smiling] Seriously. It's bad luck to see the bride before the wedding. KEVIN: It's bad luck to see the bride in her dress before the wedding. You, my friend, are naked. [Kate laughs and hugs him tightly. sht of wedding dress in cover, hanging in bathroom.] KEVIN: Have you tried it on? KATE: I had to hold my breath to get the claspy things to clasp. So, I'm waiting for the very last minute. KEVIN: Well, it's about twelve hours, right? Might wanna get clasping. [Kate falls silent. Kevin strokes her hair.] KEVIN: Hey. I know its... it's been fast. But this is right. I know it's real. And I love you, Monica. KATE: I love you too, Kevin. [They kiss.] [Back to cages, Pickett is walking by.] PICKETT: Time for work. [Opens Kate's cage] KATE: What about him? [Motions to Sawyer] PICKETT: He's got the day off. KATE: Well, if he's not working, neither am I. PICKETT: Oh, you're not, huh? SAWYER: Go, Freckles. Man wants to give me a day off? Let him give me a day off. KATE: No Sawyer, we're a team. You break the rocks, I haul 'em. PICKETT: [Irritated] Alright. Fine. [Man leads Kate out, and Pickett opens Sawyer's cage.] PICKETT: [Sarcastically] Lord knows I wouldn't want to break up the team. [Sawyer gives him a look as he walks by.] [Back on main island, Desmond covers up Eko's deceased body with a sheet. Locke picks up Eko's cross and looks at it, then takes it in his hand.] NIKKI: What happened to him? LOCKE: Must have been an animal. Maybe one of the bears. NIKKI: Are we gonna carry him back? LOCKE: No. We're gonna bury him here. DESMOND: Are we? LOCKE: The people back in camp... there's just been a few too many funerals lately. Nobody needs to see him like this. I'll slip back to the beach and get a couple of shovels. SAYID: I'll come with you. LOCKE: I'll be back in an hour. SAYID: [Raising voice] It's not safe to go alone, John! LOCKE: I appreciate your concern. [Locke starts walking off by himself. Sayid picks up his bag and starts following him without asking.] SAYID: So, what klled Eko? LOCKE: [Stops to drink out of water bottle] Folks back at the beach call it "the Monster". I don't really have a name for it. You don't believe in monsters? SAYID: I believe in what I can see. But obviously you have. So, why don't you tell me what you think it is? LOCKE: Might be what brought us here. SAYID: So, you think that this Monster decided that Eko was meant to die? LOCKE: I believe that Eko died for a reason. I just don't know what it is yet. SAYID: That's why you lied? We're not headed back to the camp, are we, John? LOCKE: Sure we are. Just need to take a little detour first. [Walks off again] [On Hydra work site, Kate is piling firewood on a fre, walking back to Sawyer. Suddenly, the loudspeaker blares, "WARNING. Compound breach."] PICKETT: [Angrily over walkie] Where is she?! Someone's on the grid. I want him on the ground [Points at Sawyer], her, too [Points at Kate]. If he moves, you sht him! [Sawyer and Kate are held at gn and thrown on the ground.] PICKETT: [Over walkie] Yeah, they're here. The doctor get out again? [Walkie unintelligible reply] You sure? Well, does he know? How the hell did she get over here?! [Suddenly, one of the Other guards is ht by something. Alex comes running up out of nowhere with a slingshot and starts pelting the Others with stones.] ALEX: [To Sawyer and Kate] Come on! Get up! Go! [Alex turns around with her slingshot pulled back, but is confronted by Pickett holding her at gn.] PICKETT: What the hell do you think you're doing? ALEX: What, you gonna sh*t me? PICKETT: You know you're not supposed to be here. So let's just calm down... ALEX: What did you do to him, Danny?! Where is he?! I wanna talk to Ben. PICKETT: Sure, that sounds like a great idea. So why don't we just lower our little sling... ALEX: [Hysterically] WHERE IS HE?! Tell me! [Another Other man comes up behind her and restrains her.] ALEX: Get off of me! PICKETT: Get her out of here. Get her OUT of here! ALEX: Let me go! [To Kate as she is being dragged away] Listen, whatever they say, don't believe them! They're gonna kll your boyfriend just like they klled mine! [Kate and Sawyer meet eyes anxiously.] [COMMERCIAL BREAK] [Kate is at the site breaking rocks with a pick-axe. Pickett is over on the other side, talking to Juliet.] PICKETT: I don't understand. It's supposed to be two weeks. JULIET: Our schedule's been moved up. PICKETT: That's an order? JULIET: It's coming from him. PICKETT: It's stupid. JULIET: It's not my call. It's the way it is, Danny. PICKETT: Alright. [Juliet walks over to Kate.] JULIET: [To Kate] I would like you to put this on, and come with me. Please. [Hands Kate a hood] KATE: You think I'm going to put a hood over my head because you said please? JULIET: No Kate. I think you're going to put a hood over your head because the man standing behind me, the one who's burning a hole in my back? [sht of Pickett] That man is going to kll Sawyer. But if you put this on, and you come with me, there's something you can do for us that will save his life. [Kate looks back at Sawyer, who is breaking rocks, unaware of conversation. She looks unhappily over and puts the hood over her head.] [FLASHBACK] [Kate is wearing a wedding dress in front of the mirror, and looking nervous and lost in thought. There is a knock on the door.] KATE: Come in? [An older lady in a blue dress walks in.] SUZANNE: Oh, sweetheart. You're beautiful. Absolutely beautiful. KATE: [Smiling] How is it out there? SUZANNE: There are a lot of excited policemen. [Laughs] Don't worry, I've asked them not to sht their gn in there when you say "I do." KATE: You know, mother-in-laws aren't supposed to be so nice. SUZANNE: Monica, I have something for you. [She takes out a locket and hands it to Kate.] KATE: Suzanne, you shouldn't have. SUZANNE: My mother gave that to me on my wedding day. She told me one day I'd give it to my daughter. But, since I have four boys... here. [Kate puts on locket and looks at herself in mirror.] KATE: It's perfect. [Expressionless as she is lost in thought.] [Switch to church scene, Kevin and Kate grasping hands at altar in front of priest.] PRIEST: You know, Kevin's been coming to the church here since he's been about yea high. When I first met you Monica, I was struck by your honesty and devotion to Kevin. When I asked him what he loved most about you, he said "What you see, is what you get." That being said, you've got the rings, vowed your vows, I now pronounce you husband and wife. [Wedding March starts up and smiling, they kiss one another and then walk down the aisle, hand in hand happily.] [Back at Hydra tnk, Jack sees the side door open. Juliet brings in a hooded Kated, and then takes the hood off. Kate and Jack come up to the clear wall that separates them and stare at one another, not speaking.] JULIET: I'll give you two some privacy. [Leaves] JACK: [Both hands against clear partition] Hey. You Ok? KATE: Yeah. You? JACK: Yeah, I'm great. [Both holding back emotion] Where are they keeping you? KATE: Outside. In a cage. JACK: Sawyer? KATE: He's in a cage, too. They're making us work. JACK: Work? On what? KATE: I dunno what it is, but it's big. We're hauling rocks, and... JACK: Hey. Did they hurt you? [Kate starts to cry.] JACK: Kate, hey. Hey. It's gonna be alright. KATE: Jack. You have to do it. This thing that they told you, this operation. [Jack looks up at the video camera, where a red light is blinking.] KATE: She said that if you do it that... JACK: What did they do to you? KATE: Jack... JACK: What did they do to you? KATE: Nothing! JACK: How did they get you to ask me?! What did they offer you?! KATE: [Crying] Nothing! JACK: Then what are you doing here?! KATE: They're gonna kll Sawyer! [Breaks down into tears] I'm sorry! [Jack turns away from partition.] KATE: I'm so sorry! But she said that if you do it, and you do it soon, they'll let us go! JACK: And you believe them? KATE: I have to. [Jack is silent] Jack? Please... JACK: We're done here. KATE: Jack! JACK: [Shouting out at camera] Hey! We're done in here! [Pan to Jack's image on television screens in monitoring room, where Ben is watching the whole scene.] KATE: [On screen] Jack! I'm sorry! [Unintelligible] BEN: Get her out of there. KATE: [Background] Jack! Jack! Please! [COMMERCIAL BREAK] [FLASHBACK] [Kate is walking down a supermarket aisle with a shopping cart. Her cell phone rings.] KATE: Hey, you. KEVIN: [Over phone, on other end sitting in uniform in police car in the rain] Hey! What's for dinner, gorgeous? KATE: It's taco night. KEVIN: You're making tacos? KATE: [Laugh] Yes, and you'd better like em. KEVIN: Or what? KATE: Or no dessert. I'm leaving now, I'll be home soon. KEVIN: Love you. KATE: I love you, too. [Kate runs out in the rain without an umbrella. She gets in a phone booth. She puts money in and dials a number by heart. She takes a timer out of her bag, sets it, and puts the timer on the phone. On the other end, a phone rings at a desk with Edward Mars. He is in front of a computer screen about to log into the US Marshal's website.] MARSHAL: Agent Mars. KATE: It's me. [Mars grasps phone receiver mouthpiece and whistles to get someone's attention to start a trace on the phone call.] MARSHAL: Well, I'm glad. I realized this morning that it was the Feast of the Assumption and I was feeling bad. How many holy days have come and gone since you last called? I thought you and I were friends? KATE: I don't want to run anymore. MARSHAL: What's his name? [Kate is silent] Does he know who you are? KATE: Edward, please. I know you don't want to spend the rest of your life chasing me. Please, I love this guy. Just let me go. MARSHAL: I'll tell you what. [He and the agent doing the trace make eye contact] If you can really stay put? Really settle down? Then I'll stop chasing you. [Kate is silent] But you and I both know that's not gonna happen. [Kate's timer goes off, and she quickly hangs up. She leans back against the wall of the booth.] [Back on Hydra island, Kate is led back to her cage by Juliet. She removes the hood from her head to realize Sawyer's cage is empty.] JULIET: Sawyer. You really care about him, huh? KATE: Where is he? JULIET: I'm sorry you weren't able to help us, Kate. [Pickett is holding Sawyer at gn, and pushing him forward.] JULIET: Danny... [Suddenly, Pickett knocks Sawyer over the head with his gn violently, pushing him in the cage.] JULIET: DANNY! [Pickett locks the cage] PICKETT: Right. Sorry, Jules. [Back at Sawyer] You got anything you wanna say to your girl? You best say it tonight. [Danny gives him a dirty look and stalks off, Juliet following. Sawyer stands up painfully.] SAWYER: And how was your day, honey? [Back on main island, Locke is talking over Eko's grave, with Desmond, Sayid, Nikki and Paulo standing in a circle, with heads bowed.] LOCKE: When the hatch exploded, your prayer stick fell out of a tree right on top of me. So, Sayid and I came out to get it, because it didn't seem right to bury you without it. I'd like to think you died for a reason, Mr. Eko. I just hope that it's not too long before we find out what the heck it might be. [The group is silent. Locke bends down with stick and starts banging it into the earth over the grave.] LOCKE: Rest in peace, Mr. Eko. Thank you for helping me find my... [Suddenly, Locke stops, and focuses on the stick. The camera pans in to focus on the carved line "Lift up your eyes and look North." Locke is thinking silently.] [Back at Hydra, Kate and Sawyer are sitting in their respective cages.] KATE: I saw Jack. They brought me in to see him. They want him to do surgery on Ben. SAWYER: Who the hell is Ben? KATE: Henry. The guy who brought us in. He's sick. And they say that if he does it, they're gonna let us all go. SAWYER: And you and me are what, bait? KATE: Something like that. SAWYER: At least the doc ain't dumb enough to do it. KATE: I told him he had to. SAWYER: Why the hell would you do something so stupid?! KATE: To save your life! SAWYER: My life don't need saving! KATE: You want to die?! Because that's what's going to happen! Pickett is just waiting for his chance! I've seen him look at you! [Kate starts climbing up the bars of her cage to the top.] SAWYER: Dammit, Freckles, stay put. KATE: And you know what he's going to do! So don't pretend like you don't care! SAWYER: Get down, Freckles, we've already been through this. KATE: Shut up, James. [Kate climbs to top and out through smaller opening. She then walks up to Sawyer's cage.] KATE: You don't want Jack to save your life? Then you're gonna save your own. We're getting out of here now. [Starts banging on lock with a rock] SAWYER: Stop it, dammit, Kate! [Kate ignores him and bangs on lock, eventually opening the lock and then opening the cage door.] KATE: Go! Get out of here, run! SAWYER: You're out of your cage. Why don't you run?! Because me? I ain't running, 'cause there ain't no place to go. KATE: What are you talking about? SAWYER: [Sigh] We ain't on our island. We're on another island, like Alcatraz, couple miles off shore. So unless you're a mermaid, or you got a boat, there ain't no point. KATE: [Pushing Sawyer in chest] When were you planning on telling me this? SAWYER: [Whispering] Never. KATE: Why not?! Why wouldn't you?! SAWYER: 'Cause I wanted you to believe we had a damn chance. [Kate, crying, kisses Sawyer passionately. They embrace.] SAWYER: What was that for? KATE: I don't know. [They share a passionate kiss. Sawyer pins her up against the cage bars, and they start stripping off their clothes.] [COMMERCIAL BREAK] [FLASHBACK] [Kate, in an apron, brings food to the kitchen table, where Kevin is reading the newspaper. It's French toast, with a little smiley face made of whipped cream.] KEVIN: Very nice. [Kate laughs] OK, now it's your turn. Look under your placemat. KATE: What did you do? KEVIN: Just look. [Kate pulls out an Oceanic Airlines ticket.] KATE: What is it? KEVIN: You know that honeymoon I've been promising you for 6 months? You are holding in your hand two tickets to Costa Rica. You got your passport ready, baby? [Kate smiles but looks distracted] Hey. What's wrong? KATE: Nothing. I just love you so much. [Kevin takes her hand and pulls her over.] KEVIN: C'mere. [They hug] [Kevin leaves for work in a police car that says MIAMI DADE POLICE. Kate stands in the doorway and waves goodbye.] [Back in Kate's cage, she and Sawyer are embraced and laying peacefully.] SAWYER: Lemme ask you something, Freckles. When Blockhead was beating on me, and you said "I love you." That was just... to get him to stop, right? [Kate is silent as Sawyer strokes her hair. She kisses him without a word, and then lays down on his chest.] SAWYER: I love you, too. [In the Hydra tnk, Jack is sleeping alone on the table. He wakens with a start, upon hearing the intercom crackling. He walks up to it and tries to use it.] JACK: Who is this? Hello? Hello! FEMALE VOICE: Try... the door. [Jack walks over and pushes on the lever, which opens the door. He peeks out cautiously and walks out in the hallway. He carefully looks in various rooms. Past the first door he opens, he sees the video surveillance room and all the television screens, showing different areas of the Hydra. He looks in the closet, and sees the arsenal of gn and rfles there. He takes a pstol out and checks that it is loaded, and then walks out to the room with the screens. He focuses on one screen, where he sees Kate and Sawyer laying together in the same cage, kissing and embracing one another. Jack looks surprised and looks down, not knowing what to think, then fixates on the screen. Ben sneaks up behind him.] BEN: If it helps, I was surprised, too. [Jack swings around and points the gn in his face.] BEN: If I were a betting man, I would have picked her and you. JACK: Shut up. BEN: Well. I suppose this would be the proverbial nail in my coffin, wouldn't it. JACK: [Pause] Tomorrow. BEN: Sorry? JACK: Tomorrow morning. First thing. And everything I mentioned before. The instruments. The anesthesia. And someone who can hold a damn clamp. BEN: Yes. Of course. JACK: I'll get it out, your tumor. And I'll keep you alive. But I need your word. I need what you promised me before. I need to get the hell off this island. BEN: Done. [COMMERCIAL BREAK] [Sawyer and Kate are asleep in each other's arms in the cage.] [FLASHBACK] [Kate is back in her house, looks like she's been crying. She looks down at a pregnancy test, which reads with a single line (not pregnant). She starts crying and sits down. Change scene to Kevin sitting at his desk at the computer. Kate comes in with two glasses of lemonade.] KATE: Whatcha workin' on? KEVIN: Just finishing some IRs, and that fugitive recovery in Tampa. Being a cop is just endless paperwork. [Kate hands him a glass of lemonade, and he drinks] Thank you, sweetie. KATE: What if I told you I was a fugitive? [Kevin is speechless] What if I told you I was on the run for blwing up my father, and it was only a matter of time before you found out? KEVIN: This isn't funny. KATE: [Crying] It's not a joke. I almost had a baby, Kevin. Me, a baby! I can't do this! Taco night?! I don't do taco night! KEVIN: Ok, calm down, Monica... KATE: My name's not Monica! [Pause] I love you. But I can't stay. [Starts to walk away] KEVIN: Whoah, hey... [Kevin gets up to follow her, and then starts to get light-headed and sways.] KATE: Kevin... KEVIN: Something's wrong with me. KATE: I drugged you. KEVIN: You what? KATE: I had to. Otherwise they will think you knew. People are going to be asking a lot of questions and I didn't want you to lose your job. KEVIN: Wait... [He starts to move forward and then falls to the floor unconscious] KATE: No, Ke-- [Kate cries and takes the locket out of her pocket. She places it in Kevin's hand and kisses him on the lips, then walks away.] [Back at the Hydra operating room, Jack and Juliet are in sterile gowns and masks, scrubbing in for surgery. X-rays are to the side.] JACK: This is going to be a very tricky procedure. If I tell you to do something I need you to do it then and there, no questions asked. JULIET: You may find this very hard to believe, but I've always been very good at just following orders. JACK: Is that a yes? JULIET: Yes. JACK: Good. Let's go. [The two enter the OR, where Ben is on the stretcher, face down, already prepped for surgery. Jack gloves up. Besides Juliet, there are at least two other Others in sterile gowns assisting in the OR.] BEN: Do you get nervous? Before you do surgery? JACK: I used to. Not anymore, no. BEN: Whatever happens, everything will be very different, won't it? JACK: No doubt about it. BEN: Juliet. Did Alex ask about me? JULIET: No. We took her home last night. I don't know where she is now. BEN: Well, see you on the other side. [Places head down] I'm ready. JACK: I need you to count down from twenty. BEN: 20, 19... [Ben drifts off from anesthesia at "18"] JACK: Scalpel. [Juliet hands him the scalpel and he starts cutting. Pickett is up a tier in observation, watching.] PICKETT: Let's go. [Walks off with a man] OTHER MAN: Ben's just gone into surgery. PICKETT: Ben just put his life in the hands of one of them! Shephard wasn't on Jacob's list. [At cages, it is raining. Kate sees Pickett and the Other man approach and tries to wake up Sawyer.] KATE: Sawyer. PICKETT: Well, well, well. Look who got out of her cage. You shoulda run when you had the chance. Let's go, James. KATE: Don't, please! You don't have to do this. [Grasping Sawyer] PICKETT: He's coming with me, and there's nothing you can do about it! Step away! [Back at OR, Jack is in surgery and has opened up Ben's back.] JACK: Hand me another hemostat. [Jack clamps a vessel] Swab again. [Juliet assists] [When the Other man with them turns, Jack takes the scalpel and makes a deliberate incision in Ben's back. Immediately, the heart monitor beeps faster as Ben's pulse increases.] JULIET: What happened? Is he Ok? OTHER MAN: His blood pressure's dropping. He shouldn't be bleeding like that! JACK: Nope, no, he shouldn't. [Jack punches the Other man in the OR out, and he goes crashing into a small table. Tom watches from the above observation deck, speechless.] JACK: [To Juliet] Step away from the table. JULIET: Jack... JACK: Step away from the table! Now! [Juliet steps away. Tom is still watching, shocked. Jack pulls down his mask and walks up to meet eyes with Tom.] JACK: Can you hear me in there? TOM: Yeah. JACK: Good. I just made a small incision in Ben's kidney sac. Now, if I don't stitch that back up in the next hour, he's dad. Now get in here, and bring that walkie-talkie! [Back at cages, Sawyer is trying to get Kate to pull away from him.] PICKETT: Step away! [Sawyer punches out the man with him and grabs Pickett's hand with the gn. There's a scuffle, and Sawyer ends up with Pickett's gn pointed at Pickett, but Kate has been overtaken by the Other man.] PICKETT: You let go, or I do her too! [Sawyer looks over at Kate, who is helpless, pinned at gn up against the cage bars by the second Other man.] PICKETT: Let go! KATE: Don't you let go! Don't you think about it, Sawyer, you fight! No! Sawyer, NO! [Sawyer lets go and lets Pickett have the upper hand. He is pushed face-first into the cage bars, and Pickett holds the gn to his head.] KATE: No, NO! Sawyer, PLEASE! You get your hands off of him! PICKETT: Get on your knees! [Pushes Sawyer to his knees] KATE: Please! I'll do anything you want! PICKETT: I want you to watch! SAWYER: Close your eyes, Freckles. KATE: Stand up! SAWYER: Close your eyes! [Sawyer closes his eyes, as Pickett prepares to sht him execution style.] KATE: NO! NO! NO! PICKETT: This is for Colleen. You son-of-a-bitch! [Kate is crying in the pouring rain, and Sawyer looks away, waiting for the bllet. Suddenly, Pickett's walkie starts crackling.] TOM: [Over walkie] You there? Pick it up. Pick it up, Danny. Pick it up, dammit! PICKETT: I'm here, WHAT?! TOM: Are you anywhere near the cages? PICKETT: Yeah, you could say that. TOM: Give your walkie to Kate. PICKETT: Now why the hell would I do that? TOM: [Back at Hydra, making eye contact with Jack, who is standing over Ben menacingly] Because if you don't, the doctor's gonna let Ben die! PICKETT: What are you talkin' about? What's that beeping? TOM: Just hand her the damn walkie, Danny! [Pickett pauses on other end] Do it. Just do it now! [Pickett stands with g*n in right hand pointed at Sawyer, and walkie in left hand, trying to decide. He hands the walkie to Kate.] PICKETT: [To Other man] Let go of her. KATE: Jack? Jack! JACK: Kate? You have about an hour headstart before they come after you. KATE: Where are you? Where are you? JACK: You remember what I told you on the beach? The day of the crash. You remember what story I told you when you were stitching me up? [Kate is silent on other end] DO YOU REMEMBER IT?! KATE: [Crying] YES! Yes, I remember! JACK: When you get safe, you radio me, and you tell that story. KATE: Jack, please. JACK: If I don't get a call from you in the next hour, I'm going to know something went wrong, and [turning to Tom] HE DIES! KATE: I can't leave without you! JACK: Yes, you are. Go! KATE: Jack! I can't! JACK: Go, now! KATE: I can't! JACK: Kate, dammit, RUN!	{"type": "series", "show": "Lost", "episode": "3x06 - I Do"}	foreverdreaming
[We see Juliet sitting on the beach at sunset looking troubled. She leaves the beach and walks through a drab hallway carrying a zippered wallet. We see Ethan emerge from a doorway and pass her.] ETHAN: Hello. [Juliet doesn't respond, just continues on and the scene switches to the inside of an apartment where she stops a record album on a turntable. She sits on a bed next to a sleeping woman. She unzips the wallet and takes out an alcohol swab and a band-aid, preparing to give the woman injection. The woman wakes up. She's wearing a covering on her bald head -- indicating chemo treatment.] RACHEL: [sleepily] Oh, I fell asleep. JULIET: With candles burning -- it's real safe. [Rachel turns a light on] We don't have to keep doing this, you know. RACHEL: Are you saying that because you don't think it's going to work? Or, because you're afraid he'll find out? JULIET: Lift up your shirt. [Juliet injects Rachel's abdomen with a long needle causing Rachel some pain.] JULIET: [finishing] Okay. RACHEL: Some doctor you are. JULIET: I'm not doing this as your doctor. I'm doing it as your sister. [she leans in] I don't like you being here alone. Come stay with me. RACHEL: I like living on the beach. [Juliet walks to the window and draws the curtains revealing the sea and a night time skyline in the distance.] JULIET: This is Miami, Rachel -- everything's on the beach. [We see an Oceanic plane fly by, and the scene switches back to the island where Juliet is standing in the operating room at Hydra.] JACK: [on the walkie-talkie to Kate] You have about an hour's head start before they come after you. Take a walkie, take Sawyer. Go. KATE: Wait, where are you? Where are you? JACK: Kate, listen to me, just listen to me. Do you remember what I told you on the beach? Do you remember what story I told you when you were stitching me up? Do you remember it?! KATE: Yes, yes, I remember. JACK: When you get safe, you radio me and you tell me that story. KATE: Jack, please. JACK: If I don't get a call from you in the next hour I'm going to know something went wrong and he dies! KATE: I can't leave without you! JACK: Yes you are. Go. KATE: Jack, I can't! JACK: Go! Now! KATE: No, I can't! JACK: [yelling] Kate, damn it, run! [Scene switches to Kate and Sawyer at the cages. After Jack's order to run they quickly start hammering on Pickett and Jason. The scene switches back the operating room.] TOM: Juliet, stop the bleeding and stitch him up. JACK: She's not a surgeon; she can't fix this. JULIET: He's right. [Scene switches back to Kate and Sawyer making quick work of Pickett and Jason. Sawyer gets some revenge by ramming Pickett's head into the food pellet button until he receives an electric shock.] KATE: Sawyer, let's go! Sawyer! [They lock the Pickett and Jason in the cage and take off running. The scene switches back the operating room.] TOM: [to Juliet] Then what the hell do you suggest we do? JULIET: [to Ivan, an Other in the room] Go get Danny, then find Austen and Ford and bring them back. JACK: [to Ivan] No, you do that and Ben dies. JULIET: Go. JACK: You think I'm lying? You think this is a bluff? I will let him die. JULIET: No, Jack, you won't. [to Ivan] Go, get them back. If you have to, kll them. [COMMERCIAL BREAK] [FLASHBACK] [We see Juliet entering the Medical Research Lab of Miami Central University at night. A sign at the door says bio-research building, and she has to use a "restricted access card" to gain entry. She answers her cell phone as she walks along a corridor.] JULIET: [into cell phone] Hello. DIANA: Dr. Burke? JULIET: Yes. DIANA: This is Diana from Mittelos Bioscience. I'm calling to confirm your appointment tomorrow. JULIET: Two o'clock, right? DIANA: Two o'clock. Dr. Alpert asked me to tell you that he's very much looking forward to meeting you. JULIET: Me too. Thank you. DIANA: Goodbye. [Juliet enters an empty, darkened lab. She goes to a refrigerator and steals two vials of something marked "Test Sample." Suddenly the lights are turned on and a man and woman enter. Juliet ducks out of sight.] EDMUND: These are the main labs... (unintelligible) ...this little baby here took most of last year's grant. You don't really want to talk about that now do you? [He starts kissing her while she giggles.] [Juliet's cell phone rings. Edmund walks over to where she's been hiding, and she stands up awkwardly.] EDMUND: Hello, Juliet. JULIET: Hey. Hey, Ed. EDMUND: Why exactly are you here? JULIET: Uh, I, um -- today's lab work -- I got home and I realized I inverted some numbers. EDMUND: And it couldn't wait until the morning? WOMAN: Uh, Edmund? EDMUND: Oh, I'm sorry. How rude of me. Juliet, this is Sherry. Sherry, this is Juliet, my ex-wife. Juliet's leaving. JULIET: I am. [Juliet begins to exit.] EDMUND: Jules? Could you please turn off the lights? [She turns off the lights and exits. Scene switches back to the operating room.] JULIET: You haven't thought this through, Jack. Your plan's not going to work. JACK: Yeah? Why's that? JULIET: Your friends aren't going to make it back to your side of the island because we're not on that island. We're on a smaller island two miles offshore. [Jack looks to Tom for confirmation.] TOM: Afraid so. JULIET: So why don't we see if we can come up with some kind of peaceful resolution? JACK: A peaceful resolution? JULIET: That's right. JACK: Is that what you call asking me to kll Ben while on the operating table? Make it look like an accident? [Jack and Juliet start talking over each other, more and more loudly.] JULIET: [to Tom] That's ridiculous. JACK: She wants Ben to die. She said if I did it that she would protect me. JULIET: Tom! He's lying! I don't know what you're trying to do, Jack, but... TOM: ENOUGH! Juliet, get out. JULIET: Tom, he's lying! TOM: You said you can't stitch him up -- then you don't need to be in here. Go Julie. JULIET: Don't let him fool you. He'll never let a patient just die. [Cut to Pickett and Jason locked in the cage.] PICKETT: Hey! Hey, can anybody hear me?!?! [The Other, Ivan, runs in.] IVAN: What happened? PICKETT: Open the cage. IVAN: Where's...? PICKETT: Just open the damn cage! [We see Pickett being freed; then we get a sht of Kate and Sawyer running through the jungle, and emerging onto the beach.] KATE: [looking across the inlet] That's our island? SAWYER: What, you didn't believe me when I told you before? KATE: We need a boat. SAWYER: Yeah, a couple of towels and buffet lunch. KATE: We'll just keep following the beach. There's got to be one around here somewhere. How else would they get back and forth? SAWYER: Why don't you stop and ask for directions? KATE: [using the walkie-talkie] Jack, are you there? JACK: Yeah. Yeah, I'm here. KATE: Are you okay? JACK: I'm fine. SAWYER: Tell him I said hi -- get to the point! KATE: Jack, we need a boat. We need some way to get off this island. JACK: [to Tom] You heard her. How do they get off this island?! SAWYER: What's he doing?! [A sht is fired at Kate and Sawyer.] JACK: Kate? Kate?! [The next sht hits the walkie-talkie. Sawyer fires back and they take off running.] JACK: Kate? [Kate and Sawyer stop to hide behind some trees, and when the Others catch up Sawyer runs out of amo. Alex shows up and hits Jason with her slingshot.] ALEX: This way. PICKETT: [off camera] Jason, you alright? [Kate and Sawyer follow Alex.] PICKETT: [off camera] Over there! Over there! [Alex lifts the camouflaged top to a small pit dug in the ground. It completely blends in with the grasses in the area.] ALEX: Come on, get inside. Get inside, go. [They climb in and hide as Pickett and the others halt in the clearing near the pit.] PICKETT: Come on. Be quiet, be quiet, be quiet. Shh, shh. What? Where'd they go? IVAN: That way. [Kate, Sawyer and Alex breathe a sigh of relief as Pickett and his men move off.] SAWYER: Nice to meet you, Sheena. [Cut to a sht of Ben's face in the operating room. He's lying face down on the operating table, so we're seeing a sht of him from the floor up to see his face.] TOM: Is it true? JACK: Is what true? TOM: What you said -- did Juliet really ask you to kll him? JACK: Yeah, and in about 40 minutes she's going to get her wish. BEN: [coming to] Hey, that's not helping anything. Now, could somebody please get Juliet? [COMMERCIAL BREAK] [FLASHBACK] [We see Juliet working at a computer. Sherry, dressed in a lab coat, approaches.] SHERRY: Juliet, Edmund wants to see you in his office. JULIET: [puzzled] Do you work here? SHERRY: I'm the new research assistant. JULIET: Of course you are. [Scene switches to Edmund's office. He looks over some papers while Juliet stands nervously waiting.] EDMUND: I want in. JULIET: In on what? EDMUND: I know what you're doing, Juliet. JULIET: [sitting] I'm not really sure what... EDMUND: I read your notes. I know what you took from the lab. The only thing I don't know is who's your guinea pig. JULIET: Ed, I've been doing my research in my own lab, on my own time. I don't really see how... EDMUND: It's your sister, isn't it? [she doesn't respond] Look, Jules, there's two ways this plays out. One is your research is potentially genius. And the other -- it raises some very serious ethical questions. Maybe even criminal concerns. But if you collaborate with me, based on my reputation, all this is viewed as cutting edge science. And we will win prizes and drink champagne. And do a lot of good for people. [she doesn't respond] Why don't I give you some time to think about it? [Back on the island, we see Juliet pacing outside as Tom approaches.] TOM: Juliet, Ben's awake. JULIET: How? TOM: Shephard says he's a spinal surgeon, not an anesthesiologist. Ben's asking for you. [Scene switches to Kate, Sawyer and Alex exiting the pit.] SAWYER: This a hobby of yours, Underdog -- digging holes? ALEX: Yep. That and basket weaving. Want one? SAWYER: Happen to have a tunnel to the mainland? ALEX: No, but I've got a boat. KATE: Can we use it? ALEX: Yeah, but we've got to hurry. SAWYER: Hold on a second, sister. You just happen to find us in the woods? You just happen to have a boat, and you're going to let us use it, huh? ALEX: There's something we need to do first. SAWYER: Oh, gee. ALEX: My boyfriend is being held prisoner. If you help me rescue him, I promise you I'll get you back to the other island. SAWYER: Your boyfriend -- his name happen to be Karl? ALEX: [surprised] Yeah. SAWYER: Aw, sheee, come on. [Back in the operating room.] JACK: I stopped the surgery. BEN: I know. I've been able to hear you for a few minutes now. It's very clever of you. I should have seen it coming. JACK: Are you in pain? I can... BEN: No, but thanks all the same. [Juliet and Tom enter.] BEN: I'd like to speak to Juliet alone, please, Jack. JACK: No. No, I'm sorry. BEN: Please, I'm asking you one gentleman to another. It won't hurt you to give me three minutes, will it -- knowing I have only 27 left? JACK: [exiting, to Juliet] If you touch him, if you try... JULIET: I won't. JACK: You've got three minutes. [Jack moves to the observation window and watches Juliet sit next to Ben. We see Ben talking, but can't hear what he's saying. Tom joins Jack at the window.] TOM: I'm Tom, by the way. [Jack doesn't respond; and we see Ben talking again, but can't hear him. Jack and Tom continue watching.] TOM: They've got history. [Juliet exits the operating room and goes to Jack.] JULIET: I would like you to go back in there, put Ben under, and finish the surgery. JACK: And why would I want to do that? JULIET: Because I'm going to go help your friends escape. [COMMERCIAL BREAK] [FLASHBACK] [We see Juliet in a posh conference room. A man, Mr. Alpert, is showing a presentation.] ALPERT: Thank you for taking the time to let us make our pitch, Dr. Burke. Mittelos Bioscience is based in Oregon. We're just outside of Portland. [he shows some slides of workers strolling through the grounds] Uh, these shts might seem a little cheese-ball, but our people really are this happy. Now why? Because we're privately funded. Privately funded means freedom. [he shows a slide of people doing outdoor activities] We organize trips every week in and around the Portland area which is just awesome for hiking and biking and river running. JULIET: Look, when you -- your company -- reached out to me I was flattered. But I don't really know why you would want me. ALPERT: Is it true that you successfully impregnated a male field mouse? JULIET: [smiling] He didn't carry to term. ALPERT: Mind if I ask you something? JULIET: Sure. ALPERT: [changing slides] What do you see? JULIET: Well, that's a human womb, obviously. Judging from the decomposition of the endometrium I would say that the woman was somewhere in her seventies. ALPERT: Well, actually, she's 26. JULIET: What happened to her? ALPERT: What if I told you that you could have complete freedom and money to find out? We think you're special, Dr. Burke. And we want you to lead a team of highly trained people because we think you're just that good. JULIET: I can't. ALPERT: Why can't you? JULIET: My ex-husband wouldn't let me. I... ALPERT: He wouldn't want you to have this opportunity? JULIET: [upset] No, he doesn't want me to have anything. He would never give the okay. It's... ALPERT: Maybe we could reach out to him on your behalf? JULIET: Don't bother. ALPERT: There must be something that he would respond to. JULIET: If he were ht by a bus. How about that? That would work. [she gets tears in her eyes, then is embarrassed] How totally inappropriate. ALPERT: No, no, no. JULIET: No, I, uh -- I'm sorry, but I've wasted your time. ALPERT: Dr. Burke, please -- no, you don't... JULIET: [gathering her things] No, I'm sorry. Whatever you think I am, I'm not. I'm not a leader, Mr. Alpert. I'm a mess. [Back at Hydra station, Juliet checks the surveillance monitors to find Sawyer and Kate. She's surprised when she sees Alex them, too.] JULIET: Oh, hell. [Cut to an Other, Aldo, reading a copy of a Brief History of Time, while guarding a building. Kate, Alex and Sawyer spy from the bushes.] ALEX: Karl's got to be in there. SAWYER: What, you mean you ain't sure? ALEX: It's the only place I haven't looked. KATE: You know the guard? ALEX: Yeah, his name's Aldo. SAWYER: Aldo? Okay, Lollipop, you want to tell me how we're going to get by him with one gn and no bllts? KATE: I've got an idea. SAWYER: Of course you do. [We see Aldo making notes in the book. Alex approaches with Kate and Sawyer as her prisoners.] ALEX: Open the door! ALDO: Alex? What the hell are you doing? ALEX: They must have gotten out of their cages. I caught them in the jungle. Now open up, Aldo! ALDO: Whoa! Whoa! Just stop! Alex, you're not supposed to be here. If your dad finds out, he's going to kll me. ALEX: My dad was the one who told me to bring them here -- to you. Look, maybe you should call him. I'm sure he's got nothing better to do. ALDO: [into a walkie-talkie] Danny, I need Ben. PICKETT: Why? ALDO: Listen, I've got Alex here. She's got Austen and Ford with her. [Suddenly, Sawyer knocks Aldo to the ground.] PICKETT: Damn it, whatever she says, don't believe it. Hold them right there. I'm on my way. [Alex smashes the walkie-talkie, and Sawyer covers Aldo with a rfle.] SAWYER: Don't get mad at me just because you were dumb enough to fall for the old Wookiee prisoner gag. ALEX: Where's Karl? ALDO: I have no idea what you're talking about. KATE: sh*t him in the knee. SAWYER: What? KATE: [grabbing the gn] Give me the damn rfle. We don't have time for this. I'll do it. ALDO: Whoa! Whoa! Okay, alright! He's at the end of the hall, room 23. Keys are in my back pocket. [Kate hits Aldo with the butt of the rfle and they make their way to room 23.] SAWYER: Damn good con, Freckles. I almost believed you were going to sh*t that boy. KATE: It wasn't a con. ALEX: Here it is! SAWYER: [grabbing the gn] Give it to me. [They can hear music as they approach. Inside the room they find speakers are blaring. Karl is strapped to a chair in front of a screen displaying seemingly random images like flowers, coins, keyboards, the moon, DeGroot, etc. Occasionally words are superimposed over the images: Plant a good seed and you will joyfully gather fruit; Everything changes; We are the causes of our own suffering; God loves you as he loved Jacob; Think about your life. We see Alex remove an IV and some strange lighted glasses from Karl.] KATE: [screaming to be heard over the music, to Sawyer] Help! Help! [Sawyer stands transfixed for a few moments watching the screen, but finally hears Kate and snaps out of it.] ALEX: [to Karl] It's okay; we're here to help. [Sawyer throws Karl over his shoulder and they get out of the room.] ALEX: Is he okay? SAWYER: Look, we got your boyfriend back. Now, where's your damn boat? [COMMERCIAL BREAK] [Pickett arrives and slaps Aldo to revive him.] PICKETT: Idiot! Where are they? ALDO: I don't know. Alex is with them. JULIET: [arriving] Danny! We're letting them go. PICKETT: Letting them go? JULIET: Ben gave the order. PICKETT: Ben's in surgery. I was just there. JULIET: He woke up. PICKETT: Oh, he woke up, huh? JULIET: Shephard won't finish the surgery unless he knows his friends are off the island. Do you want Ben to die? PICKETT: I know Ben would rather die than let them go. [FLASHBACK] [We see Juliet enter an apartment. Her sister is sitting in the living room.] RACHEL: Hey. How was the interview? JULIET: It's not for me. RACHEL: What? JULIET: It's fine. We're too far away, anyway. It's Portland. RACHEL: Jule, you didn't say no because of me. JULIET: Well, why would I want to go all the way to Portland for research that doesn't even work? RACHEL: [smiling] Because it does work. [Juliet looks shocked] I'm pregnant. I'm pre -- I'm pregnant. JULIET: What? RACHEL: [grabbing a pregnancy test stick] Look, look. I took a blood test, too. I didn't want to tell you until I was sure. JULIET: It worked. RACHEL: Yeah. [They laugh and hug and cry.] RACHEL: My whole life all I ever wanted was to have a baby. And now because of you I can. Oh, God. Now I just need to get healthy. Now I just need to get healthy so I can see the little bugger get into an Ivy League school, you know. JULIET: You will. Of course you will. You will. RACHEL: Now you can tell that bastard ex-husband of yours what he can do with his ethics. [We see Edmund on a cell phone, walking on a city sidewalk.] EDMUND: Because you're insufferable. And you're mean. Well, you asked me for the truth, Mom. [Juliet approaches.] JULIET: Ed! EDMUND: Let me call you later, okay? Okay, bye. Hello, Jules. What's up? JULIET: She's pregnant. EDMUND: Excuse me? JULIET: It worked. Rachel's pregnant. EDMUND: Ju -- Julia, that's -- wow. I need, uh -- I need to see your labs. We'll have to verify the data if we're going to... JULIET: No! I'm not interested in publishing, Ed. It's my sister. EDMUND: Fine, then, if you're not interested why are you concerned...? [Edmund takes a step off the sidewalk into the street. Suddenly, he's ht by a bus.] [Back in the operating room, Jack works on Ben's spine while Tom stands by looking green.] JACK: You okay? TOM: Yeah, I just don't like blood too much. JACK: [holding a chunk of tissue in the air] Well, then you probably won't want to be looking at that. [he tosses it in a tray] So, if you really can get off the island why didn't you just take him to a facility? Why all this? TOM: Because ever since the sky turned purple... [We see blood spurt up from Ben, and Jack takes a step back. The heart monitor starts beeping.] TOM: What the hell happened?! JACK: I just nicked an artery. TOM: Isn't that what you already did? JACK: [working on the artery] Yeah, well, that was on purpose. TOM: Can you fix it? JACK: Damn it! [Kate, Sawyer and Alex arrive at the boat (a sort of outrigger-type canoe). Kate's got Karl.] SAWYER: You got him? KATE: I got him. SAWYER: Nice ride. KATE: [off camera] Karl, we've got to go now, okay? Can you stand? ALEX: Help me. [They push the boat toward the water.] KATE: [off camera] Okay, can you stand? SAWYER: [to Alex] So, you're the boss's daughter, huh? I never saw that coming. [he grabs Karl to help into the boat] Let's go, Cheech; we're going for a little ride. ALEX: Careful. SAWYER: Alright, alright, easy. I'm going to put you in the boat, alright? ALEX: Wait, wait. You'll be okay. KARL: [apparently delirious] Danny. SAWYER: No, Sawyer. KARL: Danny! [Sawyer turns to see Pickett aiming a gn at him.] KATE: [running over] No! JULIET: [off camera] Danny! [Pickett turns toward Juliet and she sh*t him down.] [COMMERCIAL BREAK] [In the operating room, Jack works on Ben but there's a lot of blood.] TOM: What happened? Is he...? JACK: I can't see. TOM: What? JACK: I can't see. There's too much blood. Alright, get over here. [Tom hesitates] Tom, he's going to die if you don't get over here right now. [Back on the beach with Kate, Sawyer, Alex and Juliet.] JULIET: Go. Get out of here. SAWYER: You heard the lady. ALEX: [pulling the boat toward the water] Let's go. JULIET: Not you, Alex. You're staying. ALEX: Why? JULIET: We both know your father. The only way he'll let Karl live is if you're here when he wakes up. I'm sorry, Alex. [Alex approaches a very groggy Karl.] KARL: Hey, Alex. ALEX: Hey. KARL: I missed you. ALEX: I know. I missed you, too. You have to go away now; but I'll see you real soon. KARL: I love you. [she gives him kisses] I have to go sleep now. [Kate and Sawyer start pushing the boat toward the water.] JULIET: [holding out a walkie-talkie] Wait. [In the operating room, Jack works on Ben while Tom holds a suction tube.] JACK: Easy. Okay, easy. [The heart monitor shows an increased heart rate and beeps.] TOM: Wait. Wait! JACK: Hold it steady, damn it. Hold it steady. KATE: [over the walkie-talkie] Jack, are you there? JACK: [to Tom] Alright, hold that up to me. The walkie, hold it up to me. TOM: What about the surgery? JACK: Just do it! [Tom gets the walkie talkie] Yeah, I'm here, Kate. You okay? KATE: Yeah, I -- we've got a boat. They're letting us go. JACK: Who's letting you go? KATE: The blond woman. JACK: So you're safe -- you and Sawyer? KATE: Yes, yeah. JACK: Tell me. KATE: Tell you? JACK: The first day on the beach -- the day of the crash -- the story that I told you. If you're safe, tell me. TOM: You think this is the best time, doctor? JACK: Shut up! KATE: [very emotional] You were doing surgery on a girl and you messed up. You made a mistake. You tore something on her back and all the nerves came loose. And you said you were so afraid. And you said the fear was so real. And you didn't know what to do, so you counted to five. And then you weren't afraid anymore. And then it was just gone. And you fixed her. You saved her. JACK: I need you to make me a promise, Kate. KATE: Jack? JACK: Promise me that you'll never come back here for me. Don't come back, Kate. KATE: Jack, where are you? JACK: [to Tom] Turn it off. [Tom turns off the walkie-talkie.] KATE: Jack! Jack, please, where are you? [She turns off the walkie-talkie and hands it to Sawyer.] SAWYER: [softly] The trades are coming. We've got to go. Let's go. [They push the boat into the water and start rowing.] [FLASHBACK] [We see Edmund's body in the morgue. Juliet is there.] MORGUE EMPLOYEE: We have some paperwork we need you to sign; but take your time. There's no rush. JULIET: Thank you. [he exits] [Juliet starts to sign the documents and breaks down crying.] [At Hydra station we see Jack watching Ben from the observation window. Juliet approaches.] JULIET: Were you able to remove the tumor? JACK: Yeah. You'll want to do a biopsy -- see if it's malignant. So what now? I just go back to my cell? JULIET: Until they figure out what to do with you. JACK: "They." [he pauses] What did he say? JULIET: I'm sorry? JACK: Ben. What did he say that made you want to save his life? JULIET: It doesn't really matter what he said. JACK: It matters to me. After everything that I have been put through, you owe me an answer. I want to know what he said. [FLASHBACK] [Back to Juliet crying in the morgue. We can hear footsteps approaching.] ETHAN: [off camera] Tissue? JULIET: [taking a tissue] Thank you. Thanks. [looking at him] Have we met? ALPERT: [appearing] Hello, Dr. Burke. JULIET: Mr. Alpert? ALPERT: I'm so sorry for your loss. JULIET: What are you doing here? ALPERT: I saw what happened on the news and your office said you were down here. I just wanted to express my condolences in person before I went back up to Portland. This is Ethan. He's one of my colleagues. ETHAN: It's a pleasure to meet you. JULIET: He was ht by a bus. ALPERT: I know. They say you were there when it happened. You must have been... JULIET: No! No. In our interview I said -- I said that I wanted him to get h*t by a bus. ALPERT: Dr. Burke, I realize that you're a little shook up right now, but this is just a tragic accident. You can't blame yourself. I don't even remember you saying that. JULIET: Why are you here, Mr. Alpert? ALPERT: Look, I know the timing is horrible. But we came because we're that serious about getting you to come work with us. Just give us six months. If you need to you can be back before your sister gives birth. JULIET: How did you know that my...? ALPERT: Well, we're very thorough in our recruitment process. JULIET: Can my sister come? ALPERT: Won't work. We're pretty remote. She wouldn't have access to the treatment that she needs. JULIET: But, it's Portland. There's plenty of clinics and... ALPERT: Well, actually we're not quite in Portland. [Back in the Hydra station.] JACK: I want to know what he said. JULIET: I've been on this island for 3 years, Jack. 3 years, 2 months, and 28 days. He said that if I let him live and I helped you -- that he would finally let me go home.	{"type": "series", "show": "Lost", "episode": "3x07 - Not in Portland"}	foreverdreaming
[We see Desmond walk onto the beach and look around. The scene switches to Charlie and Hurley going through the stash in Sawyer's tent.] HURLEY: Dude, I don't know about this. CHARLIE: See, you're looking this all wrong. He would want us to do this. HURLEY: He would want us to ransack his tent and take his stash? Yeah, that sounds exactly like Sawyer. CHARLIE: Well, he stole all this in the first place. I mean, people need food. They need medical supplies. They need -- [Charlie looks down and sees a stack of magazines] shocking amounts of prn. DESMOND: [approaching] Charlie. HURLEY: [surprised] Oh, Desmundo. DESMOND: I need you to come with me. HURLEY: You guys find Eko? DESMOND: Both of you. [Charlie and Hurley follow Desmond into the jungle to meet with Sayid and Locke.] CHARLIE: What happened? LOCKE: Eko is dad. SAYID: We found his body in the jungle -- buried him yesterday. CHARLIE: How did he die? LOCKE: The island klled him. CHARLIE: What do you mean "the island klled him?" [Locke doesn't respond] What do you mean "the island klled him?" LOCKE: You know what it means. With the doctor gone, the camp's on edge enough without people having to worry about what's out here in the jungle. They're going to look to you two to see how to react. [Hurley notices Desmond looking distracted and agitated.] LOCKE: So when I tell everyone what happened I need you to help keep things calm. HURLEY: [to Desmond] Dude, you okay? Hey guys, what's wrong with Desmond? [Desmond takes off running and the others follow him to the beach. He dives in the water and starts swimming.] SAYID: What is he doing? [Desmond sees someone in the water and heads toward them.] LOCKE: There's someone else out there. [Sun, carrying Aaron, approaches to see what's going on.] CHARLIE: Where's Claire? SUN: She just went for a walk. I offered to watch the baby. [Charlie runs toward the shore. Desmond reaches Claire and brings her back to shore.] CHARLIE: Claire! DESMOND: [lifting her] I've got her. CHARLIE: Is she okay? Claire! What happened?! DESMOND: [lying Claire on the sand] Just stand back; give me some room. CHARLIE: Claire. DESMOND: Get back, Charlie; I know what I'm doing. CHARLIE: Is she breathing? She's not breathing. [Desmond performs CPR.] CHARLIE: You want me to help you? DESMOND: Come on; come on. CHARLIE: Claire? Claire. [Claire coughs up water and regains consciousness.] CHARLIE: Claire! DESMOND: Are you alright? Come on; you're okay. Let's get you back to the tent. CHARLIE: Charlie's here! DESMOND: [gently pushing Charlie back] It's alright, Charlie. [lifting Claire] Alright, let's get her back to her tent. CHARLIE: Is she okay? Let me help. DESMOND: I got it, Charlie. CHARLIE: Hey, I'll take her. [Desmond carries her back toward her tent.] CHARLIE: [calling after him] Where are you going? Hey, how did you know? How did you know she was drowning? HURLEY: I'll tell you how he knew -- that guy sees the future, dude. [COMMERCIAL BREAK] [We see Desmond sitting on the beach looking at a picture of Penelope and himself. Claire approaches.] CLAIRE: She's beautiful. DESMOND: Aye, thanks. CLAIRE: What's her name? DESMOND: Penny, well, Penelope. How are you feeling? CLAIRE: Still a little shaken up. I mean, I go swimming almost everyday -- the undertow just grabbed me. I mean, if -- if you hadn't... CHARLIE: [appearing, carrying Aaron] Claire? I thought you were only going to be 5 minutes. Aaron's starving. CLAIRE: Yeah, um, sorry, I... [to Desmond] Anyway, I just wanted to say thank you. Thank you so much for being there. DESMOND: It's my pleasure. [Charlie looks suspiciously at Desmond. Cut to Hurley and Charlie walking through camp.] HURLEY: Locke doesn't know about anything except knives and fishing. CHARLIE: There's nothing to know. I don't buy this precognitive insanity rubbish. Look, if the bearded wonder could predict the future he wouldn't have ended up here, would he? [They enter Sawyer's tent.] CHARLIE: [going through the stash] Well, whatever happened to him -- we're going to have to find out what it is. HURLEY: You do realize he's going to know your plan before you even come up with it, dude. CHARLIE: In that case, [he grabs a bottle of whiskey] we're going to have to get him really bloody drunk. [We see Hurley and Charlie approach Desmond who's building a fre on the beach.] CHARLIE: Beautiful evening. DESMOND: Aye. HURLEY: [to Charlie] Say it, dude. CHARLIE: This morning -- I'm sorry I wasn't more grateful. Thank you for helping Claire not drown. DESMOND: No harm done. CHARLIE: Excellent. Brought a peace offering -- you know, make the truce official. DESMOND: Thanks, but no. I've spent a wee bit too much time drunk as of late. CHARLIE: This'll be good for us, brother. [Desmond shakes his head] Alright, that's fine. We'll take our drink and go somewhere else. DESMOND: What kind of whiskey is that? CHARLIE: It's, uh -- it just says MacCutcheon. DESMOND: [laughing, a bit maniacally] Alright then, let's have it. [Charlie offers him a cup] No, the bottle, brother. I mean, if you've come to drink, let's drink. CHARLIE: Alright, let's drink. DESMOND: Cheers. [he takes a long drink] CHARLIE: Cheers. [Cut to later. The guys are drunk. Desmond and Charlie are singing with Hurley chiming in a bit.] DESMOND AND CHARLIE: [singing, mostly unintelligible] ...she was only the farmer's daughter. CHARLIE: [handing the bottle over] Desi. DESMOND: Cheers. HURLEY: Hey, do you know any songs about drinking and fighting and girls with one leg? CHARLIE: Well, girls with [Desmond joins in] one leg and a heart of gold. [they laugh] So, Desi, let me ask you something. DESMOND: Anything, pal. CHARLIE: [suddenly seeming more sober] How'd you know Claire was drowning? DESMOND: I could hear her calling for help. HURLEY: Oh no you didn't. You were like a mile away. DESMOND: Well, I suppose I've -- I've got good hearing. CHARLIE: You hear the lightning, as well? DESMOND: Excuse me? CHARLIE: The lightning. Just by chance you pitch your little rod outside Claire's tent -- 2 hours later lightning strikes. DESMOND: [moving to leave] Thanks for the drink, pal. CHARLIE: [standing] Hey, I don't know what you're doing -- you best tell us. Oy! You think because you turned some key that makes you a hero? You're no hero, brother. I don't know how you're doing what it is you're doing, but I know a coward when I see one. [Desmond turns and rushes Charlie] Yeah... [Desmond tackles Charlie and starts choking him.] DESMOND: [yelling] You don't want to know what happened to me when I turned that key! CHARLIE: Hurley. HURLEY: Dude. DESMOND: You don't want to know! And I don't want to know! CHARLIE: Get him off! DESMOND: You don't want to know! [The scene suddenly switches to inside the hatch, reprising scenes in Live Together, Die Alone when the timer reaches zero. We see Desmond find the key and head to the failsafe device.] LOCKE: Desmond! DESMOND: I'll see you in another life, brother. [We see Desmond put the key in the failsafe device.] DESMOND: I love you, Penny. [Cut to close up of Desmond's eye opening. He's lying on the ground in a red puddle.] PENELOPE: Oh, my God! Oh, my God! Oh, my God! [she runs to find a towel] Des, are you alright? Stay there, hang on. [The camera pulls back to reveal Desmond is lying in a puddle of red paint.] PENELOPE: I'm just getting ice. [returning to his side] You alright? Sweetie, you okay? DESMOND: [disoriented] What's happening? PENELOPE: Well, what's happening is the result of combining ladders, painting a ceiling, and alcohol. Are you okay? You nauseous? DESMOND: This is my flat? PENELOPE: Mmm-hmm, although, if you want me to feel at home you might start calling it our flat. How many fingers, Des? [he looks around, awestruck] Love, look at me. What's wrong? [Desmond smiles and kisses her.] DESMOND: Absolutely nothing. [He hugs her and smiles but then looks confused, disbelieving.] [COMMERCIAL BREAK] [We see Desmond in the flat, later. The clock reads 1:08 and Desmond looks at it quizzically. He has trouble with his tie. Penelope approaches.] PENELOPE: [helping with the tie] Here, let me. DESMOND: Thanks. PENELOPE: Oh, hang on. You've got paint on your neck. DESMOND: Have I? PENELOPE: How's that concussion? DESMOND: Well, my severe head injury is a small price to pay for the pleasure of having you move into my humble -- is rat trap accurate? PENELOPE: Uh-uh. [she kisses him and finishes with the tie] Voila! You know you don't really need a job from my father, Des. DESMOND: It's not about the job. I want him to respect me. PENELOPE: And respect you he shall. But if for some reason he's too daft to see how brilliant you are it's not the end of the world. DESMOND: What did you say? [We hear a beeping sound in the background very much like the sound of the hatch alarm. Desmond goes to investigate. It turns out to be the microwave and Penelope takes out a cup and offers it to Desmond.] PENELOPE: Here you go, love. You alright? DESMOND: Yeah, yeah, I'm fine -- just had a bit of a deja vu, that's all. [The scene switches to Desmond approaching a reception desk in an office building lobby.] DESMOND: Good afternoon, uh, I'm here to see Mr. Widmore. RECEPTIONIST: And you are? DESMOND: Hume, uh, Mr. Desmond Hume. DELIVERY MAN: [to Receptionist] Hello, love. Got a parcel here for 815. DESMOND: Excuse me, what did you say? DELIVERY MAN: I said "delivery for 815." [We see a few very quick flashes from the hatch: numbers being entered on the computer screen, the execute button, the timer hitting 108.] RECEPTIONIST: Mr. Hume, Mr. Widmore is ready for you. DESMOND: Thank you. [Cut to a sht of Desmond in Widmore's very posh office. Desmond notices a painting (in the style of the hatch mural) depicting a polar bear, a Buddha, and the word "namaste" written backwards. We see Widmore looking at Desmond's resume.] WIDMORE: They didn't tell me you were an actor, Desmond. DESMOND: No, it was actually set design for the Royal Shakespeare Company. WIDMORE: Impressive. You didn't graduate from university. DESMOND: No, sir. I had to look after my 3 brothers after my father... WIDMORE: Any military experience? DESMOND: No, sir. [noticing a model of a boat] She's beautiful -- your boat. WIDMORE: My foundation is sponsoring a solo race around the world. [We see quick flashes: Desmond's boat in the storm, the boat sitting in the cove, Inman dad with Desmond's hand covered in blood.] WIDMORE: Something wrong? DESMOND: No. No, sir. WIDMORE: Well, Desmond, I'm going to see to it that you have a position in our administrative department. Not the most glamorous duty but it's a start. I'll speak to human resources. DESMOND: With all due respect, sir, I haven't come here to interview for a position in your company. WIDMORE: You haven't? DESMOND: No, sir. I came here to ask for your daughter's hand in marriage. We've been together 2 years now and Pen's moving in and I love her. Your permission would mean everything to me. WIDMORE: I'm impressed, Hume -- a very noble gesture. [Widmore gets 2 glasses and a bottle of whiskey.] WIDMORE: You know anything about whiskey? DESMOND: No, I'm afraid not, sir. WIDMORE: This is a 60 year MacCutcheon, named after Anderson MacCutcheon, esteemed Admiral from the Royal Navy. He retired with more medals than any man before or since -- moved to the highlands to see out his remaining years. Admiral MacCutcheon was a great man, Hume. This was his crowning achievement. [Widmore pours some into one glass.] WIDMORE: This swallow is worth more than you could make in a month. [he drinks it down] To share it with you would be a waste, and a disgrace to the great man who made it -- because you, Hume, will never be a great man. DESMOND: Mr. Widmore, I know I'm not... WIDMORE: What you're not, is worthy of drinking my whiskey. How could you ever be worthy of my daughter? [Cut to Desmond outside of the Widmore Industries building. He takes off his tie and throws it to the ground. Desmond hears a street musician and follows the sound. We see Charlie finishing Oasis' Wonderwall] CHARLIE: [Singing] I said maybe / You're gonna be the one who saves me ? / Maybe / And after all / You're my wonderwall CHARLIE: [as someone drops money in his guitar case] Thank you very much. Fiver! Thank you very much. DESMOND: I know you? How do I know you? CHARLIE: [ignoring Desmond] Thank you, you can leave your number if you want. DESMOND: How do I know you? CHARLIE: I don't, uh... DESMOND: Where do I know you from? CHARLIE: Look, I don't know, but I'll remember if I could get some help. [We see a flashback to the island when the hatch is imploding: Desmond looks for the key, and Charlie enters.] CHARLIE: Hey, can I get some help? [Back on the London street.] DESMOND: You're Charlie. CHARLIE: Yeah, name's on the sign. [referring to a homemade sign at his feet] [We see flashes from the island: Inman in his environmental suit; Desmond holding the key; Inman dad with blood on Desmond's hand; Desmond running; the timer with hieroglyphs displayed; "system failure" displayed on the monitor; the execute button; the computer crashing to the ground.] DESMOND: [slightly crazed] Who -- they -- they. It -- it was in the hatch. I remember seeing you. There was a -- there was a computer. There was a button. We -- we were on an island. CHARLIE: We are on an island, mate. This is England. DESMOND: [a little more crazed] No, it was real, man. I remember. CHARLIE: Hey, alright. [to the crowd] This is why we don't do drugs. DESMOND: No this -- I remember this. This all happened before. Today -- th -- th -- this happened today. This -- I remember that he said I wasn't worthy -- and then I -- and then I -- and then I came down and I -- and I took off my tie and I -- and then I lost my tie and Penny said where was it and then it started to rain and... [It starts to rain.] [COMMERCIAL BREAK] [We see two unknown characters walking.] DONOVAN: Your thesis is a bit neat. The wild card part which is unpredictability -- run the same test 10 times -- you'll 10 different outcomes. It's what makes life so wonderfully... DESMOND: [entering] Donovan! DONOVAN: Case in point, who could have known that a drenched Scotsman would appear in this rotunda? [Cut to Donovan and Desmond walking.] DONOVAN: You've looked better, Des; not much, but I... DESMOND: [urgent] I need to ask you something. DONOVAN: By all means, do. DESMOND: What do you know about time travel? [Cut to Desmond and Donovan in a pub.] DONOVAN: Are you bloody insane? DESMOND: Just tell me if it's possible? DONOVAN: Which part? The island full of mysterious hatches? Or the computer which keeps the world from ending? DESMOND: You know what? Forget you're my best mate, right? As a physicist -- is it possible that I've somehow managed to go back in time and I'm now living my life over again? [Donovan laughs] It's not funny, Donovan. DONOVAN: Penny's father berates you for not being a great man, and voila, you've dreamed a future where you push a button to save the world. DESMOND: These things are not in my head, brother. I remember things. DONOVAN: Alright, then -- what happens next? DESMOND: It doesn't work like that. I don't remember everything, just -- just bits and pieces. DONOVAN: How wonderfully convenient. [They hear the song, Make Your Own Kind Of Music, play on the jukebox.] DESMOND: Wait, I remember this. I know this song. The jukebox... DONOVAN: Des, you're worrying me now. DESMOND: I remember this night. [he sees a TV showing a soccer game] Graybridge come back from 2 goals down in the final 2 minutes and win this game. It's a bloody miracle. And after they win, Jimmy Lennon's going to come through that door and ht the bartender right in the head with a cricket bat because he owes him money. DONOVAN: Seriously... DESMOND: Watch, please! Just watch. [sht of TV screen] They'll score the first goal right now. [they don't score] No, no, they came back. They won. Jimmy Lennon [we see 2 women walk through the door]... cricket bat. DONOVAN: There's no such thing as time travel, Des. From what I understand true love can be just as unlikely. So, if you love Penny, stop messing about and marry her. [Cut to Desmond returning to the flat. He's sees Penelope has fallen asleep sitting up in bed and goes to kiss her.] PENELOPE: You smell like a pub. DESMOND: That's because I was at the pub. PENELOPE: You didn't get the job. DESMOND: Nope. PENELOPE: What did my father say? DESMOND: Your father was lovely. We just both agree that I wasn't exactly qualified. PENELOPE: Well, I say we celebrate. I say we celebrate that fate has spared you a miserable existence under the employ of Widmore Industries. Let me take you out tomorrow. Let's go for lobsters on the pier. My treat. DESMOND: I don't think my failure to impress your father is any occasion to celebrate. PENELOPE: Well, the occasion is I love you. DESMOND: Why? Why do you love me? PENELOPE: Because you're a good man. In my experience they're pretty hard to come by. [Desmond turns away and Penny gets out of bed to go to him.] PENELOPE: Hey, Des, where are you? DESMOND: I'm right here. [Cut to a close up of wedding rings in a display counter.] MS. HAWKING: Never done this before have you? [Camera reveals Desmond in a second hand shop.] DESMOND: Is it that obvious? MS. HAWKING: I can always tell the first timers. Well, then, may I ask your price range? DESMOND: I'm not a man of means... MS. HAWKING: Oh... DESMOND: I hope to -- one day... MS. HAWKING: I have just the thing. [she shows him a ring] This won't blind any queens, to be sure, but still has the sparkle of life. DESMOND: I'll take it. MS. HAWKING: [surprised] I'm sorry? DESMOND: It's perfect. I'll take it. MS. HAWKING: No you won't. Give me the ring. Give it here. DESMOND: I don't understand. MS. HAWKING: This is wrong. You don't buy the ring. You have second thoughts; you walk right out that door. So, come on, let's have it. DESMOND: I don't know what you're on about. MS. HAWKING: You don't buy the ring, Desmond. DESMOND: How do you know my name? MS. HAWKING: Well, I know your name as well as I know that you that don't ask Penny to marry you. In fact, you break her heart. Well, breaking her heart is, of course, what drives you in a few short years from now to enter that sailing race -- to prove her father wrong -- which brings you to the island where you spend the next 3 years of your life entering numbers into the computer until you are forced to turn that failsafe key. And if you don't do those things, Desmond David Hume, every single one of us is dad. So give me that sodding ring. [COMMERCIAL BREAK] MS. HAWKING: [when Desmond doesn't give her the ring] Oh, you're going to be difficult about this, I can see. DESMOND: Who are you? MS. HAWKING: Do you like chestnuts? DESMOND: What? [Scene switches to Ms. Hawking buying chestnuts from a street vendor.] MS. HAWKING: Thank you. [She notices a man climbing stairs from the Underground.] MS. HAWKING: That man over there is wearing red shoes. DESMOND: So, what then? MS. HAWKING: Just thought it was a bold fashion choice worth noting. DESMOND: This isn't really happening, is it? MS. HAWKING: Sorry? DESMOND: I've had a concussion. You're my subconscious. MS. HAWKING: [amused] Am I? DESMOND: You're here to talk me out of marrying Penny. Well, it won't bloody work. MS. HAWKING: Oh, yes it will. DESMOND: No, there is no island. There is no button. It's madness. I love her. She loves me. I'm going to spend the rest of my life with her. MS. HAWKING: No, Desmond, you're not. [Suddenly, there is a loud crash behind the bench Ms. Hawking and Desmond have been sitting on. Some scaffolding has fallen and klled the man with red shoes.] DESMOND: Oh, my God. You knew that was going to happen, didn't you? [she nods] Then why didn't you stop it? Why didn't you do anything? MS. HAWKING: Because it wouldn't matter. Had I warned him about the scaffolding tomorrow he'd be ht by a taxi. If I warned him about the taxi, he'd fall in the shower and break his neck. The universe, unfortunately, has a way of course correcting. That man was supposed to die. That was his path just as it's your path to go to the island. You don't do it because you choose to, Desmond. You do it because you're supposed to. DESMOND: I'm going to meet Penny in an hour. I've got the ring; she'll say yes; I can choose whatever I want. MS. HAWKING: You may not like your path, Desmond, but pushing that button is the only truly great thing that you will ever do. DESMOND: How much for the ring? [Ms. Hawking looks disappointed and walks away.] [Cut to Desmond walking down a street. He passes an Armed Forces Careers office, and eyes a recruitment poster with the tag line: Become a man you can be proud of.] [Cut to Penny meeting Desmond along the Thames.] DESMOND: Hi. PENELOPE: [kissing him] Hey, am I late? DESMOND: Right on time. [They walk past a souvenir photographer.] PHOTOGRAPHER: Eh, take your photo, lovebirds? DESMOND: No thanks, mate. PHOTOGRAPHER: Come on, something to show the grandkids. PENELOPE: Oh, come on, Des, let's do it -- for all those grandkids. PHOTOGRAPHER: Yeah, you'll do it? Alrighty. Let's see what we've got for you here, eh? [he pulls down a backdrop screen] Ah, beautiful desert scene? PENELOPE: Nah. PHOTOGRAPHER: No, not the desert, alright. Ah, I know, the Alps. DESMOND: Ah, I love the Alps. PENELOPE: Oh, I hate the Alps. PHOTOGRAPHER: Yeah, not the Alps. Ah, here we go -- beautiful marina scene. [He pulls down a backdrop that we recognize as the background in the photo Des had at the hatch.] PENELOPE: Yeah, let's do that. PHOTOGRAPHER: That's the one, isn't it? Alright, you guys get in position. PENELOPE: [to Desmond] Take your coat off; it's boiling. There are palm trees. PHOTOGRAPHER: 1-2-3. Instant classic. Only 5 quid. PENELOPE: Here you go, love. PHOTOGRAPHER: [handing the photo to Des] Here you go, mate. [to Pen] Out of 20. You're a lovely couple -- small price to pay for the memories, right? [We see Desmond walk off a little ways, staring intently at the photo.] DESMOND: [to himself] I couldn't go through with it. PENELOPE: What was that? DESMOND: I can't do this. PENELOPE: You can't do what? DESMOND: Us. This. This relationship. PENELOPE: What are you talking about? DESMOND: How can I? I - I can't look after you. I haven't got a job. I don't have any -- I can't even afford 5 quid for a bloody photograph. You deserve someone better. PENELOPE: I know what I deserve. I chose to be with you. I love you. DESMOND: Love's not enough. Being a good man is not enough. PENELOPE: What's this about, Des? Where's this coming from? DESMOND: It's all happening too soon -- you moving in. You're painting rooms; you're changing things. I don't even like red. Why would you leave your flat, your expensive flat... PENELOPE: [slapping Desmond's face] Don't do that. Don't you pretend you don't care. And don't you dare rewrite history. I left my expensive flat because you were too proud to live there, remember. If you want me to go -- if you want me to leave then don't make this about what I do or don't deserve. And have the decency to admit that you're doing this because you're a coward. DESMOND: I'm sorry, Pen, but this -- we're not supposed to be together. [Penelope walks away. Desmond throws the ring into the river.] [COMMERCIAL BREAK] [We see Desmond at the pub.] BARTENDER: What'll it be? [Desmond eyes a bottle of MacCutcheon behind the bar.] DESMOND: Just give me a pint of your cheapest. I'm celebrating. BARTENDER: Oh, what's the occasion? DESMOND: I think I've made the biggest mistake of my life. And the worst part is I'm pretty sure I've made it before. BARTENDER: That's what they call deja vu, mate. DESMOND: Do they now? [Desmond hears Make Your Own Kind of Music start playing on the jukebox. He sees a soccer game on the TV, and Graybridge wins.] DESMOND: [excited] I had the wrong night. I was right. I was off by a night. I heard the song and then -- I remember this. I'm not crazy. I can still change things. I can still change it. [He starts to leave as Jimmy Lennon comes in the door with a cricket bat.] DESMOND: Jimmy Lennon. JIMMY: [ to Bartender] Where the hell's my money? DESMOND: [to Bartender] Hey, duck brother! [Jimmy Lennon swings, the bartender ducks, and the cricket bat bashes Desmond in the head, knocking him out.] [We get a flash of Desmond turning the key. Cut to a sht of trees from the ground up. We see Desmond slowly open his eyes and realize he's on the island, regaining consciousness after the hatch implosion. We see Desmond running naked through the jungle as he comes upon some debris from the hatch: the stationary bike, dart board, ping-pong table. He sees the hole the implosion made.] DESMOND: Oh, no. Oh. [He notices the photograph of Penelope and himself and picks it up.] DESMOND: [upset, crying] Please, let me go back. Let me go back one more time. I'll do it right. I'll do it right this time. I'm sorry, Penny. I'll change it. I'll change it. [We hear the familiar flashback "whoosh" sound, and see Desmond sitting on the beach looking at the photo (same scene as earlier in the episode).] CHARLIE: [voice over] How'd you know Claire was drowning? [Cut to Desmond drunk on the beach at night with Charlie and Hurley from earlier in the episode] CHARLIE: How'd you know Claire was drowning? DESMOND: I could hear her calling for help. CHARLIE: You hear the lightning, as well? [Cut to a sht of the lightning rod Desmond made in Every Man for Himself. We see the storm and the lightning strike.] CHARLIE: [Voice over] Just by chance you pitch your little rod outside Claire's tent -- 2 hours later lightning strikes. [Cut to Desmond drunk on the beach with Charlie and Hurley from earlier in the episode.] CHARLIE: I don't know how you're doing what it is you're doing, but I know a coward when I see one. [Desmond turns and rushes Charlie] Yeah, a cow... DESMOND: You don't want to know what happened to me when I turned that key! You don't want to know! CHARLIE: Get off! [Hurley tries to get Desmond off Charlie.] DESMOND: You don't want to know what happened to me. You don't want to know! [Hurley finally pulls Desmond off.] DESMOND: [crying] You don't want to know. No matter what you do... CHARLIE: What the hell are you doing? DESMOND: [crying] You can't change it. You can't change it no matter what you try to do. You just can't change it. [Hurley makes the gesture for "crazy."] CHARLIE: He's wnkr. Let's get him to his tent. Alright, Des, come on. Give me your arm. Come on stand up. Stand up. Okay, okay. [Charlie helps Desmond over to a tree near his tent.] DESMOND: You're a good man, Charlie. Listen, I'm sorry I tried to strangle you, alright? CHARLIE: Oh, fair play, mate. Sorry I called you a coward. DESMOND: No, you're right, pal. CHARLIE: Desmond, you are going to tell me what happened to you. DESMOND: When I turned that key my life flashed before my eyes. And then I was back in the jungle and still on this bloody island. But those flashes, Charlie -- those flashes -- they didn't stop. CHARLIE: So, you're telling me you saw a flash of Claire drowning this morning -- that's how you knew how to save her? DESMOND: I wasn't saving Claire, Charlie, I was saving you. This morning you dove in after Claire. You tried to save her but you drowned. CHARLIE: What are you talking about? I didn't drown. DESMOND: When I saw the lightning h*t the roof you were electrocuted. And when you heard Claire was in the water you -- you drowned trying to save her. I dove in myself so you never went in. I've tried, brother. I've tried twice to save you, but the universe has a way of course correcting and -- and I can't stop it forever. I'm sorry. I'm sorry because no matter what I try to do you're going to die, Charlie.	{"type": "series", "show": "Lost", "episode": "3x08 - Flashes Before Your Eyes"}	foreverdreaming
[We see Sawyer and Kate on the water in the canoe.] SAWYER: [singing] Show me the way to go home/I'm tired and I want to go to bed/I had a little drink about an hour ago/And it went straight to my head. KATE: Stop. SAWYER: What, you want a turn steering? KATE: We have to go back. SAWYER: What the hell are you talking about? KATE: Turn the boat around, Sawyer. I mean it. SAWYER: Have you lost your mind? We just got away. KATE: Just do it. SAWYER: You give me one good reason to turn around! KATE: Because we can't leave Jack behind! SAWYER: [pausing and staring at her] Yes we can, Freckles, because that's what he asked us to do. You think about it -- if we go back there -- what do you think Captain Bunny kller's going to do if he catches us? KARL: [off camera] kll you. [we see Karl, out-of-it, lying in the end of the boat] God loves you as he loves Jacob. SAWYER: Okay, thanks for the input. [to Kate] Sorry, kiddo, Jack's on his own. [Cut to Jack sitting on the floor of his cell as a door opens.] TOM: Time to get up. We're moving you. JACK: Moving me where? TOM: Some place else, Jack. JACK: Why? [Tom doesn't respond and looks away] So this is it, huh? TOM: It? JACK: You just helped me save his life. If you're going to kll me, at least show me the respect of not calling it "moving." TOM: Now, why would we kll you? JACK: Because you're done with me. TOM: What kind of people do you think we are, Jack? JACK: Oh, I don't know, Tom -- the kind of people that would take a pregnant woman -- that would hang Charlie from a tree -- would drag our people out of the jungle -- would kidnap children. That's the kind of people I think you are. TOM: [tapping the glass] You see this glass house you're living in, Jack? How about I get you some stones? [two Others enter] Let's do this the easy way -- what do you say? [They cuff Jack and lead him out into a corridor where he sees Juliet walking toward him with some Others.] JULIET: Hey. [Jack turns to see that Juliet is handcuffed. He also notices an unfamiliar Other, a blond woman, eying him.] [COMMERCIAL BREAK] [FLASHBACK] [We see a panning sht across the horizon of a beach featuring several smaller islands in the distance before Jack comes into view, exiting from a hut on the beach. He puts his glasses on and slings a pack over his shoulder. A boy carrying a bucket approaches.] THAI BOY: Doctor Jack! Hey, Doctor Jack! Doctor Jack, want soda? Doctor Jack. [Jack holds up two fingers and the boy gives him two sodas.] THAI BOY: [speaks Thai] JACK: [paying] You know I can't understand a word you're saying, right? THAI BOY: Doctor Jack. JACK: [chuckling] You're welcome. [We see Jack unsuccessfully trying to assemble a kite. A Thai woman laughs at him, and comes over to help. She's carrying platform shoes and wearing a very skimpy outfit. They get the kite together and launch it into the air.] JACK: Thank you. Thank you very much. ACHARA: You're not from around here are you? JACK: [smiling] No, no I'm not. [he extends his hand to shake] I'm Jack. ACHARA: Hi, Jack. I'm Achara. JACK: Achara. Achara. [Back on the Island, we see Jack pacing in the bear cage. Tom approaches with a sandwich and shoves it through the bars.] JACK: Juliet grilled these for me. Who's that woman? TOM: That'd be the sheriff. JACK: You have a sheriff? TOM: Not literally, Jack. JACK: Why are you moving Juliet into my room? TOM: Because she's in trouble, Jack. [Jack moves away] Now don't try anything stupid. Stay put in this cage, okay? JACK: You say that like you're not watching me from the camera right there. TOM: Oh, right. Ben told me you got into the surveillance room. Let me ask you something. You risk your neck to cut them loose, and they run away and don't ever look back... JACK: Thanks for the sandwich. [Cut to Sawyer, Kate and Karl in the canoe.] SAWYER: Never thought I'd be glad to get back to this rock again. KATE: What are you doing? SAWYER: What does it look like? I'm heading into shore. KATE: Why? If we just keep going we can circle round. Sooner or later we'll get to camp. We can tell Locke and Sayid what happened -- SAWYER: Oh, we will, huh? You got a map you ain't showing me, Magellan? We've got no food, no water -- and I can't steer in the dark. KATE: Then I'll steer. SAWYER: No, you'll come ashore; we'll make camp. You want to contribute -- you can build a campfire while I carry the kid. [Kate just stares at him] Glad we agree. [Cut to Kate, Sawyer and Karl around a campfire.] SAWYER: [offering mango] Sure you ain't hungry? KATE: No, James, I ain't hungry. KARL: You shouldn't fight. SAWYER: When the hell did you wake up? KARL: You shouldn't fight because you're lucky to be alive. SAWYER: Golly, I think he's got a point. KATE: That island we were on -- is that where your people live? KARL: Just where we work. KATE: Work on what? KARL: Projects. SAWYER: Well, sure, like the steal-the-kid-off-the-raft project. That was a humdinger. KATE: So, you don't actually live on that island? KARL: Nope. KATE: Do you live here on this island? KARL: Yes, ma'am. KATE: And what did you do with the people that you took - the kids? KARL: We give them a better life. KATE: Better than what? KARL: Better than yours. [looking at the sky] There's not going to be any moon tonight. It'll be dark. Me and Alex used to lie in my backyard at night and think up names for the constellations. You can't see it yet, but right there will be Ursa Theodorus - the Teddy Bear. SAWYER: You have backyards? KARL: Yeah. SAWYER: Well, ain't that quaint. [Cut to Jack in his cage. He pushes the food pellet button twice and then stops. Juliet approaches, escorted by two guards.] JACK: I thought you were locked up. JULIET: They let me out to examine Ben. His vitals are low and he has a fever. [she hands a photo to Jack] I took this about 10 minutes ago. It's of his stitches. They're infected aren't they? JACK: Yes. JULIET: Will you come look at them? JACK: No. JULIET: Jack. JACK: No. JULIET: I'm not asking you for them, or him. I'm asking you as a personal favor to me. JACK: You want me to help him again? JULIET: Yes. JACK: [laughing] Are you sure about that, Juliet? JULIET: Yes, I'm sure. JACK: And this is because he said that he would let you go home. JULIET: No. No. It's because I'm in trouble. JACK: Trouble for -- JULIET: I just klled someone. It's why they put me in your room. JACK: Who? JULIET: It's complicated. JACK: Well, then, let me simplify it for you. I'm not going to help him. And I'm not going to help you. [COMMERCIAL BREAK] [FLASHBACK] [We see Jack and Achara at a restaurant.] CHET: [serving a plate] Okay, special Thai dish for you. You try. [Jack takes a big bite] Very brave. Very brave. [he exits] ACHARA: My brother likes you. JACK: Well, I'm a very likable guy. ACHARA: So, Jack, tell me something. JACK: sh*t. ACHARA: Why is you don't know how to fly a kite? JACK: Just never learned, I guess. ACHARA: That's very sad. JACK: Well, my dad worked a lot and wasn't exactly the kite-flying type, anyway. I mean, we never really -- ACHARA: Jack? JACK: Yeah. ACHARA: I have no interest in your father. JACK: Well, that's a relief because I'm pretty tired of talking about him. ACHARA: Some things are personal. So, you're in Phuket to find yourself. JACK: Why would say that? ACHARA: You are an American. THAI MAN: [entering] [Speaks in Thai] ACHARA: [Speaks in Thai] THAI MAN: [handing over an envelope, apparently money] [Speaks in Thai] ACHARA: [Speaks in Thai] [He exits and she puts the envelope in her purse.] ACHARA: I have a gift. JACK: Must be one hell of a gift. [Back on the Island, the "sheriff," Isabel, visits Jack at the cage.] ISABEL: [Speaks in Chinese] [Jack is puzzled] Oh, I was just reading your tattoos. The 5 and the stars are very cute. But the Chinese I find a bit ironic. JACK: You find what ironic? ISABEL: What it says. You do know what it says. JACK: Yeah, I know what it says. ISABEL: Are you sure? Chinese is a very complicated language. It's fairly common for some things to get lost in translation. JACK: I know what it says. ISABEL: Alright, then. Jack, my name is Isabel. If you'll come with me, I'd like to talk to you and ask you a few questions. [Cut to Jack being led down a corridor. They run into Alex.] ISABEL: Why don't you check on your father, sweetheart? I know he'd appreciate it. [Alex exits/is led away by another Other. Jack and Isabel enter a room where Juliet and Tom are waiting.] ISABEL: Please, have a seat, Jack. As you may have gathered, we don't live on this little island. In fact, most of us don't really like even coming here. There's been an incident that I'm investigating and I need to ask you some questions. So, I was hoping you might help me clear up a few of the inconsistencies. Now correct me if I'm wrong, Tom. But you said that in the midst of a surgical procedure Jack made several comments indicating that Juliet had asked him to kll Ben. TOM: Yeah, that's right. ISABEL: That true, Jack? Did Juliet ask you to kll Ben? [he doesn't respond] The question's simple. Did Juliet ask you to kll Ben? JACK: [smiling] No. No, I was lying. I would have done anything to get my friends out. And turning you people against each other was my best chance of creating chaos. ISABEL: Why are you lying for her, Jack? JACK: I'd like to go back to my cage now. [COMMERCIAL BREAK] [FLASHBACK] [We see Achara enter Jack's hut at night. Jack awakens.] JACK: Who's there? ACHARA: [kissing him] Who do you think? JACK: What time is it? ACHARA: [kissing him] It's late. JACK: Mmm, salty. ACHARA: I went for a swim in the ocean. JACK: Washing the day off of you, huh? ACHARA: Is there something you'd like to ask me, Jack? JACK: No. I mean, it might be nice -- after a month of you coming and going whenever you want -- to find out something about you. ACHARA: There are things that happen here that you could never understand. JACK: Like your gift? ACHARA: Yes, like my gift. [they kiss and roll off the bed, laughing] Are you having fun with me, Jack? JACK: Oh, yeah. ACHARA: Then stop ask questions. Let's have fun. [Back on the Island, Jack wakes up startled in his cage. The camera reveals about a dozen people standing outside the cage.] JACK: [frustrated] What?! CINDY: [approaching] Hey, Jack. JACK: Do I -- do I know you? 815, you were the stewardess. CINDY: Cindy. JACK: What are you doing here -- with them? I thought you were taken -- you were -- you were captured. CINDY: They're not, um -- it's not that simple. JACK: What are they doing here, right now? What are you doing here?! CINDY: We're here to watch, Jack. JACK: Watch what? [The little girl, Emma, from the tail section approaches.] CINDY: What is it, sweetheart? [Emma whispers in her ear and waits with a big smile.] CINDY: She wants to know how Ana Lucia's doing. JACK: Are you serious? CINDY: What? JACK: [angry] If you've got something to watch, Cindy, go watch it! Go! [The little boy, Zack, hands his teddy bear to Emma and stares at Jack in confusion as the group of people walk away from Jack.] [Cut to Kate waking up at the campsite. She sees that Karl is missing.] KATE: Sawyer. Sawyer, wake up. He's gone. Karl's gone. SAWYER: Where? [they search a bit and hear something] Hold up. [They stop and can hear Karl crying.] SAWYER: I got it. KATE: No, let me talk to him. SAWYER: I got it -- boys only. [Cut to Sawyer approaching Karl. Karl quickly wipes his eyes. Sawyer punches Karl in the arm.] KARL: Ow! What the hell was that for?! SAWYER: So you'd cowboy up. Crying in the jungle -- I thought you people were supposed to be tough. KARL: [shoving Sawyer] I am tough. SAWYER: Sure you are, Bobby. [Karl looks puzzled] Bobby, the Brady Bunch? KARL: What the hell's the Brady Bunch? SAWYER: Okay, anyway look, Karl -- I've been with a lot of girls -- some of them worth the trouble, some not. Every now and again there's one -- one you name dumb stars with. So this girl, Sally Slingshot -- KARL: Alex. SAWYER: Yeah. Do you love her? KARL: More than anything. SAWYER: Then go back to wherever the hell your yards are and get her back. KARL: If I get caught -- they'll kll me this time. SAWYER: Well, at least it'll be worth it. [Cut to Jack in his cage. Alex enters and throws a rock at the surveillance camera, breaking it.] ALEX: I want to ask you something. They're not watching anymore so you can tell me the truth. JACK: Okay. ALEX: Ben -- why'd you save his life? All this time -- after all he did to you and your people you should hate him. But you still fixed him up, even after your friends got away. Why? JACK: You're his daughter. ALEX: Answer the question. JACK: I'll answer your question if you answer one of mine. Where's Juliet? ALEX: She's with the rest of them. They're going to read her verdict. JACK: Her verdict? ALEX: And we all know what it's going to be. We're pretty strict about klling one of our own. Eye for an eye. JACK: Who did she kll? ALEX: The man who was going to mrder your friends. No wonder you're so worried about her. If it wasn't for you she never would have done it. That was 3 questions. Your turn, Jack. JACK: I saved your father because I said I would. [Alex starts to leave] Hey, hey! Is he still in charge? ALEX: What? JACK: Ben, your father, is he still in charge? Will that woman, Isabel, do what he says? ALEX: Yeah. JACK: Get me out of this cage. [COMMERCIAL BREAK] [In the Hydra operating room, we see Ivan about to inject a needle in Ben's infected back. Jack busts in.] JACK: I wouldn't do that! BEN: The cavalry has arrived, at last. JACK: I'd be more impressed with you people if you had a good surgeon. BEN: We had an excellent surgeon, Jack. His name was Ethan. JACK: You've got a very serious infection, Ben. That infected tissue needs to be reincised, debrided; and you need be closely monitored from here on out. There might be nerve damage or any number of other complications. You might not walk again. BEN: Your bedside manner leaves something to be desired. JACK: Well, then it's too bad you're stuck with me. BEN: Am I? JACK: You need a doctor, Ben -- someone to stay with you -- bring you back to good health. BEN: And, here we go again. I've already given you a ticket off this island, Jack. What's it going to cost me this time? JACK: Right now, you're people are in a room deciding whether or not to execute Juliet. You're going to stop it. BEN: Juliet doesn't care about you, Jack. It doesn't matter what she's done. No matter what you think -- she's one of us. JACK: Do we have a deal or not? BEN: [to Alex] Does Isabel have a walkie? ALEX: They're already in the meeting. BEN: Then get me something to write on. [FLASHBACK] [We see Jack at a seedy street market. He sees Achara and follows her into an empty room -- sort of a lounge, but with a tattoo station in the room.] ACHARA: You're following me. JACK: What is all this? ACHARA: This is where I work. And you shouldn't be here. JACK: This is, uh, a tattoo parlor. That was big secret? The envelopes? Your gift? ACHARA: I am not a tattoo artist. I am able to see who people are. My work is not decoration; it is definition. And this, this is my gift. JACK: So you see who people are? ACHARA: Yes, and I mark them. JACK: So tell me who I am. ACHARA: No. JACK: Why not? ACHARA: You are an outsider. JACK: So you can sleep with me... ? ACHARA: I'm not allowed. JACK: Do you see who I am, Achara? ACHARA: Yes. JACK: Who am I? ACHARA: You are a leader, a great man. But this, this makes you lonely, and frightened, and angry. JACK: Now, put it on me. Put it on me! ACHARA: No. This, this is against my people. [Jack pushes Achara to the tattoo station and takes his shirt off.] ACHARA: There will be consequences, Jack. JACK: There always are. [Back on the Island, Jack and Alex run to the meeting.] ALEX: [stopping] No, you shouldn't be here. Just stand back. Don't say anything. [Alex knocks on a door and Tom answers.] TOM: Alex. Jack! What the hell did you bring him here for?! ISABEL: Let him go, Tom. What's going on, Alex? ALEX: [handing over a note] This is from Ben. ISABEL: [reading] Ben has commuted Juliet's sentence. Execution is off the table. He says the rules don't apply. He has, however, ordered her to be marked. [COMMERCIAL BREAK] [FLASHBACK] [We see Jack on the beach exiting his hut. We see the Thai boy selling soda to a man. Jack sees him and gestures for two sodas, but the boy looks frightened and takes off.] JACK: Where you going? [Suddenly a group men approach Jack, including Achara's brother.] JACK: Hey, I know you. [they keep approaching, thrat] I'm Achara's friend from -- Chet, from the restaurant. [Chet looks at the tattoo] Let go of me, man. [Suddenly the guys bat Jack to the ground. Chet gets in a couple of good last punches.] CHET: You will get off of beach! You will leave this country! Do you understand me?! [We see that Achara has been watching from a distance. She tearfully turns and walks away with her brother and the guys.] [Back on the Island, Juliet brings a sandwich to Jack in the cage.] JULIET: I heard you only liked them grilled. JACK: I miss the toothpicks, too. [she hands him the sandwich] Let me see. JULIET: Jack. JACK: They marked you? Let me see it? [She shows him what looks sort of like an asterisk with one long arm branded into the small of her back.] JACK: Break a branch off that aloe plant over there... JULIET: It's okay, Jack. JACK: Please, please do it. [she brings him a piece of aloe] Turn around. [The camera lingers over a sht of Jack's hand on Juliet's hip, as he applies the aloe to the mark.] JULIET: Why did you help me? JACK: He told you he was going to let you go home. He told me the same thing. We're going to make sure he keeps his word. JULIET: And how are we going to do that? JACK: Together. JULIET: They'll be coming for you in a few minutes. All of them. Your friends know where we are so we have to leave this island to go back to where live. JACK: Go where? JULIET: Well, Ben calls it home. [Cut to Sawyer returning to the campsite alone.] KATE: Where's Karl? SAWYER: I let him go. KATE: You what?! SAWYER: I let him go. KATE: He could have led us back to where they live. SAWYER: What, you think I cut him loose because I'm so damn sensitive? The kid's a target! Ben ain't never going to stop looking for him... KATE: All Ben wants is that kid as far from his daughter as possible. SAWYER: Let's get back to camp. [Kate is annoyed but doesn't respond] Well, are you coming, or not? KATE: Should I walk beside you, or ten paces behind you? You've gotten so good at telling me what to do, I can't think for myself anymore. SAWYER: Don't take it out on me because you feel guilty. KATE: I don't feel guilty. SAWYER: The hell you don't. KATE: We had to leave Jack behind. I didn't have a choice. SAWYER: I'm not talking about leaving Jack behind. I'm talking about you and me. I know you did it because you thought I was dad man. So don't b*at yourself because the Doc's left behind. KATE: I'm not beating myself up. SAWYER: Of course you're not. So, now that we got that out of the way, let's go. [Scene switches to the Others on the beach preparing to ferry people to a larger boat offshore.] ISABEL: [to Jack] "He walks amongst us, but he is not one of us." Your tattoos -- that's what they say. JACK: That's what they say. It's not what they mean. [Montage: Jack and Ben are ferried out. Sawyer and Kate walk with torches; Sawyer looks sad. Karl, alone at a campfire, looks to the night sky. The camera tracks across the sky and ends with Alex looking up. Jack and Juliet on the boat share a glance.]	{"type": "series", "show": "Lost", "episode": "3x09 - Stranger in a Strange Land"}	foreverdreaming
[FLASHBACK] [We see a boy arrange some tools on the ground near a car up on blocks. He opens the hood, and we see a man, David, approach carrying a duffel bag.] DAVID: You got that thing running yet, buddy? YOUNG HURLEY: Naw, but I got your tools all set. DAVID: Let's see if we can get this thing started, okay? YOUNG HURLEY: I thought we needed a new carburetor? DAVID: Well, maybe we don't. Come on, slide behind the wheel. Let's fre this up. [They get in and he hands the keys to a reluctant Hurley.] DAVID: What's the matter? Go ahead. [Hurley closes his eyes and silently prays as he puts the key in the ignition. He turns the key, but it doesn't start.] YOUNG HURLEY: It's stupid. Without a new carburetor it's not going to work. DAVID: Having hope is never stupid. You've got to believe good things will happen and then they will. You understand what I'm saying? [Hurley nods] In this world, son, you've got to make your own luck. Alright, come on. YOUNG HURLEY: [getting out of the car] Well, what do you want to fix today? DAVID: [sighing] We're going to have to put that on hold for a little while because, um, I've got to go to Vegas. You know, I've got some work out there. YOUNG HURLEY: What about the road trip? DAVID: The Grand Canyon will still be there when I get back, little dude. Hey, I've got something for you. [he hands him a candy bar] YOUNG HURLEY: Um, I'm not supposed to, mom says. DAVID: Live a little, Hugo. It's just a candy bar. [he grabs his duffel bag] Alright, I'll be back before you know it. Hold down the fort? You're my man? Alright. [Hurley starts eating the candy bar while watching his father ride away on his motorcycle. Hurley's mom watches from a window.] [Back on the island, we see Hurley looking sad.] HURLEY: So then, the Others take the bags off our heads and we're, like, on the other side of the island. And they take Jack, Kate and Sawyer someplace and they sent me back to warn everyone to stay away. Which I did. And now everyone's freaked out. With them gone -- and what happened to Eko -- they're all scared. And I'm scared. But then, I've been scared most of my time here anyway, except when I'm with you. I miss you, Libby. [Hurley places a flower at Libby's grave. Cut to Charlie shaving, and cutting himself.] CHARLIE: Bloody hell. HURLEY: Dude, you okay? CHARLIE: Peachy. HURLEY: Really? Because you've kind of been moping... CHARLIE: Look, it's not worth talking about, Hurley. Okay? HURLEY: You can tell me anything. CHARLIE: Desmond told me I was going to die. He told me has these flashes -- visions, whatever -- and in them I always die. [Hurley doesn't respond] So this is the part where you tell me it is ridiculous, don't be daft, he's a nutter. HURLEY: I think he might be right. And I think it might be my fault. CHARLIE: Your fault? HURLEY: I'm kind of cursed. Death finds me, dude. [Suddenly Vincent runs up carrying a mummified arm in his jaws. A key and rabbit's foot dangle from the hand.] CHARLIE: Vincent? Is that an arm? HURLEY: Here, Vincent. Come here. [to Charlie] I think we need to get that. CHARLIE: Yeah, chase the dog with the skeletal arm into the creepy jungle. You be my guest. HURLEY: Okay, if I'm not back in 3 hours tell somebody. [Hurley takes off running after Vincent.] HURLEY: Vincent! Vincent, come here. Vincent. [Hurley stops. Vincent shows up, drops the arm at his feet, and takes off again. Hurley grabs the key, and Vincent barks getting Hurley to follow. Hurley comes upon an old VW van turned on its side and overgrown with plants.] HURLEY: Awesome. [COMMERCIAL BREAK] [FLASHBACK] [Hurley is being interviewed by a news crew outside a Mr. Clucks.] TRICIA: It's everyone's fantasy -- winning the lottery -- untold millions falling into your lap overnight. What would you do with all that money? Well, one such lucky winner recently bought a chicken shack. I'm Tricia Tanaka with Hugo Reyes, winner of a record 114 million dollars, outside Mr. Clucks Chicken in Diamond Bar which will be having its grand re-opening tomorrow. So, Hugo, I think the question on everyone's mind is: why did you buy Mr. Clucks? HURLEY: [nervous] Uh, I like chicken. TRICIA: Um, also with us is Hugo's former boss, and now employee, Randy Nation. That's probably every working stiff's fantasy, isn't it, Mr. Reyes? [Hurley just shrugs] Um, okay, so, Hugo, tell us what else you've done since you got on your lucky streak? HURLEY: Actually, I've kind of had some bad luck, too. My grandpa Tito died of a heart attck and the first house I bought my mom burnt down. My friend Johnny ran off with my girlfriend, Starla. Oh, and this guy jumped off my accountant's roof. TRICIA: Cut! [to Hurley] What the hell was that?! It's a puff piece, Mr. Reyes, do you know what that is? HURLEY: Yeah. Sorry, Tricia Tanaka. TRICIA: Um, do you mind if we go inside and sh*t some B-roll? HURLEY: Oh, I don't know. RANDY: Yeah, yeah, yeah. Of course you can. He's just superstitious. You know, the ribbon isn't cut yet. TRICIA: [to cameraman] Okay, let's go. Ugh, god I hate this. HURLEY: [to Randy] Hey, you sure it's okay? RANDY: Yeah, relax. HURLEY: The safety guards are on the fryers? RANDY: Those fryers are stone cold, alright? We don't even start cooking until tomorrow. HURLEY: Do you hear something? [We hear a sound like a mssile in the background. Cut to Tricia and cameraman inside.] TRICIA: And then pan through the... [She stops when she hears the sound. Hurley and Randy look up in disbelief as a meteor crashes into the restaurant.] [Back on the island, Hurley examines the van and finds the body the arm belonged to. It's wearing a DHARMA jumpsuit with Swan logo. Written under the logo is: Roger; and on a second line: Work Man.] [Cut to Paulo and others at the beach "kitchen".] PAULO: Well, we are out of DHARMA Oat Bars. NIKKI: Already? PAULO: Yep. NIKKI: Did you check behind the powdered milk? PAULO: Yes, it's not there. [Camera pans to Sun and Jin at the table.] SUN: Would you pass me the box of cereal? [Jin looks confused] Would you pass me the box of cereal? JIN: [speaks in Korean] SUN: From now on I will only speak to you in English. It's how you will learn. JIN: [speaks in Korean] SUN: It will be hard at first. JIN: [annoyed] [speaks in Korean] [Hurley runs into camp and is quite winded.] HURLEY: Hey! Hey! Hey everyone! Hey! CLAIRE: Hurley, what is it? PAULO: Is he jogging? CLAIRE: Hurley, are you okay? PAULO: Wait, hold on, man. HURLEY: [triumphantly] Car! I found a car tipped over in the jungle. NIKKI: You found a car? HURLEY: And we could totally fix it and get it going again. It's not far, come on. PAULO: Why do we need to start a car? HURLEY: Because it'll be fun. [everyone looks sort of embarrassed for Hurley] We could all use some fun. I mean, after everything's that happened we need it. [he looks at Charlie] Especially you, dude. So who's with me?! PAULO: Well, I've got to cut some bananas. Sorry. CHARLIE: I don't think so, Hurley. HURLEY: Come on. Anyone. We're going to drive it! Who's coming?! [Everyone walks away except Jin. Hurley walks over and puts a hand on his shoulder.] HURLEY: Thanks, dude. [Hurley laughs] You have no idea what you volunteered for, do you? [Jin laughs] Come on. [Cut to Kate and Sawyer walking in the jungle.] SAWYER: Are we there yet? KATE: If we are where I think we are then our beach should be just through those trees. We'll be home in about 5 minutes. SAWYER: Try to contain your excitement, Freckles. KATE: Forgive me if I'm not excited about explaining why there's only 2 of us coming back, James. SAWYER: Maybe they should explain why they ain't come looking for us. In fact, I'd be surprised if Locke... [Sawyer steps on a dart] Ow, ow, ow. KATE: What happened? SAWYER: I stepped on something. Son-of-a-bitch! KATE: Looks like a dart. SAWYER: How the hell did it get out here? KATE: Alright, just relax your foot for a second, okay? I'm going to pull it out. On the count of 3. Ready? 1 -- [she pulls it out]. SAWYER: Ow! I thought you said "3"? KATE: Yeah, well, anticipation's the worst part. I thought I would spare you. [she sits next to him and they share a long look] You know, all you have to do is say sorry. You could start again -- give each other a clean slate. SAWYER: [sighing] Slate. Like on Little House? KATE: What? SAWYER: Little House on the Prairie? Laura Engles used to write on this little chalkboard at school. KATE: [laughing] You call it Little House? SAWYER: I had mono when I was a kid -- missed 2 months of school -- we only got one channel in my trailer. KATE: What are we even talking about? SAWYER: [quietly] We ain't talking about nothing. [he starts to exit] KATE: James? SAWYER: And I ain't got nothing to be sorry for. KATE: So that's how it's going to be? Welcome home, Sawyer. [she walks off] SAWYER: Welcome home, Kate. [Scene switches to Kate and Sawyer arriving at the beach and everyone happily greeting them, even as they keep their distance from each other.] [COMMERCIAL BREAK] [FLASHBACK] [We see Hurley, still covered in dust from the Mr. Clucks disaster. He enters a huge formal home as his mother, Carmen, calls to him.] CARMEN: Hugo! Hugo, is that you? Oh my god, what happened? HURLEY: Tricia Tanaka is dad. CARMEN: What? HURLEY: Mr. Clucks got ht by a meteor, or an asteroid. I don't know the difference but it's gone. CARMEN: That's crazy. HURLEY: It's not crazy. It's the lottery money, the numbers, I'm cursed. And now Tricia Tanaka's dad, and her camera dude, and it's all my fault. [Carmen slaps him hard across the face] Ow! CARMEN: It was an accident. HURLEY: It's not an accident. It is a curse. There's only one way to stop it. I have to go to Australia. CARMEN: Again with Australia. HURLEY: That's where the numbers came from. Lenny, in the institution, he told me. CARMEN: Hugo, Hugo wait. I can prove to you you're not cursed. HURLEY: You can? CARMEN: Yes. Come here with me. I have to show you something. [She leads him away and we see his father, David, enter.] DAVID: Hey, Hugo! CARMEN: After 17 years your father has returned. DAVID: [sizing Hurley up] Hey, your mom wasn't kidding about those candy bars. [he laughs] Just kidding. [Back on the island Hurley and Jin look at Roger in the van.] HURLEY: Poor, Roger. Sorry about your arm, dude. JIN: [at the back of the van] Hurley [then speaks in Korean] HURLEY: [opening the back] Let's check it out. [Inside there's a pile of DHARMA beer.] HURLEY: Roger was on a beer run. JIN: [gesturing at the van] [Speaks in Korean] HURLEY: I suck at charades. You want to what? JIN: [gesturing] [Speaks in Korean] HURLEY: Oh, you want to take Roger out? [Jin continues gesturing] And turn it over. [yelling to Jin] I understand! [Hurley and Jin position themselves so they can take Roger out of the van.] HURLEY: Okay, on 3. 1-2-3. [They pull him out, but his skull breaks off in the process.] HURLEY: We'll get that later. [Cut to Desmond arranging his tarp. Charlie approaches.] CHARLIE: So, when's it going to happen? DESMOND: When's what going to happen? CHARLIE: Don't play stupid with me, brother. DESMOND: I was drunk. Now if I said anything... CHARLIE: I have a right to when I'm going to die. DESMOND: It doesn't work like that. CHARLIE: What doesn't work like that? SAWYER: [entering] Hey, Oliver Twist, where the hell's my stuff? CHARLIE: What stuff? SAWYER: Oh, you know good and damn well what stuff! I had books, food, prn, a bottle of scotch. DESMOND: Aye, apologies for the scotch, mate. SAWYER: You drank it?! DESMOND: Well, to be fair there was -- there was 3 of us. CHARLIE: Yeah, there was. SAWYER: You, the Munchkin, and who else? [Cut to Hurley and Jin with long poles to use as levers to tip the van.] JIN: [placing his pole under the van] [Speaks in Korean] HURLEY: Hmm? JIN: [Speaks in Korean] HURLEY: Oh, I got it. You're going to tip it up. Crafty. JIN: Crafty? HURLEY: Yeah, crafty. It's like, when you're good at -- crafts. Nevermind. SAWYER: [entering] Hey, where the hell's my stuff? [he notices the van] What are you all doing? HURLEY: [running to hug him] Dude! You're alive! You're alive. SAWYER: [chuckling] Yeah, yeah, Snuffy. Good to see you, too. I'll be damned, you all found yourselves a hippy car. HURLEY: Pretty cool, huh? JIN: [reaching for a hug] Sawyer. SAWYER: Jin-bo. How are you going? JIN: Good see you. SAWYER: Well, look at that. Somebody's hooked on phonics. HURLEY: What about Jack and Kate? Are they with you? Are they alright? SAWYER: Kate's with me, but the Doc -- they've still got him. HURLEY: Okay. It's okay. It's going to be alright. Jack's going to be alright. We all are. SAWYER: Well, what a relief. HURLEY: Naw, see, things are getting better. The car, you coming back safely -- it's a sign. SAWYER: Yeah, a sign I want my stuff back. HURLEY: Uh-uh. You're going to help us fix this thing. SAWYER: Now why would I do that? HURLEY: Because there's beer. [Scene switches to Locke, Sayid and Kate walking on the beach.] SAYID: Why did he say "don't come back?" KATE: He sacrificed himself so we could escape. He probably didn't want it to be for nothing. SAYID: Hurley told us they released Michael and Walt. KATE: Yep. They gave Michael a boat. He took off and never looked back. SAYID: Did you see any other boats? KATE: No, but something tells me they didn't give away their only one. LOCKE: So they can leave the island? KATE: I don't know, John. SAYID: This zoo where they held you, is that where they live? KATE: [shaking her head] We escaped with one of them -- a kid named Karl -- he says that they live on this island. He could have taken us there but Sawyer let him go. SAYID: Why? KATE: You're going to have to ask Sawyer. [she starts to walk off] SAYID: Kate, where are you going? KATE: I don't care what Jack said. They've got him and we've got to get him back. I owe him that. I'm going to get help. LOCKE: Help from who? [COMMERCIAL BREAK] [FLASHBACK] [We see a close-up of a golden statuette of Jesus. The camera pulls back to reveal the Reyes family at the dinner table being served by two butlers.] DAVID: Now, that's a hell of a Jesus. CARMEN: Yes, Hugo's such a good son. He knows of my love for the savior, so he commissioned artisans in Taxco to custom carve for me this statue in solid gold. DAVID: Ah, that smells like great lasagna. CARMEN: The Tranhs made it themselves. Hugo found them in Bennigans. Now they are our butlers. [Hurley is just sitting dejectedly, staring at his plate.] DAVID: Something wrong, Hugo? CARMEN: Your father asked you a question, Hugo. HURLEY: My father? You're acting like he never left us -- like he hasn't been gone for 17 years. And all the sudden he shows up? Are you at least a little suspicious? DAVID: I showed up because your mom and said you were in trouble. HURLEY: What?! CARMEN: All those numbers and curses. Hugo, I don't know what to do anymore. I thought you needed a manly influence, a father, to get you stop this nonsense. HURLEY: I'm not crazy. And the only reason he's back is because he wants the money. DAVID: Well, now that hurts. HURLEY: Well, guess what? There isn't going to be any money. Mr. Tranh? Lady Tranh? Your services will no longer be needed. [he tosses a wad of money toward them] Severance. Trust me, I'm doing you a huge favor. It's only a matter of time before the curse gets you, and you die, or worse. CARMEN: Hugo, what are you doing? HURLEY: Getting rid of it. All of it -- the money, the houses, the livestock -- and I'm starting with him. CARMEN: No, Hugo. Your father is staying with us. HURLEY: He's staying with us? Where? CARMEN: It's been 17 years, Hugo. HURLEY: What's been 17 years? CARMEN: I have needs. HURLEY: [covering his ears and yelling] No! No! No! This can't be happening. He has to go! He has to. I want him gone! CARMEN: No you don't. HURLEY: Yeah, I do. CARMEN: Why don't you go show your father what you have in the garage? Hugo? [Cut to Hurley and David in the garage with the old Camaro.] DAVID: I can't believe it. You saved it. You saved it. [Back on the island Hurley, Jin and Sawyer tip the van up. Sawyer opens the side door, and Vincent butts in.] SAWYER: [to Vincent] Me first, now, come on. [We see a sht of a large pile of crumpled papers.] SAWYER: What the hell is up with all this recycling? HURLEY: You got me, dude. [Jin opens the engine compartment. Sawyer finds a map.] SAWYER: Looks like those DHARMA freaks were building some sort of dirt road. [he sees the beer] Woo, now we're talking. JIN: [looking at the engine overgrown with ivy] [Speaks in Korean] HURLEY: Looks good to me. Engine's fine, right? SAWYER: [surprised] Son-of-a -- what's a head doing back here? HURLEY: Oh, that's just Roger. [loudly to Jin] I'm going to start the car now. JIN: [Speaks in Korean] HURLEY: Dude, even if you were speaking English, I wouldn't understand a word you were saying. Just relax; we're good. This'll work. [Sawyer grabs the beer out of the van, as Hurley gets into the driver's seat.] HURLEY: I have hope. This will work. [He closes his eyes and turns the key, but nothing happens.] HURLEY: [softly] Damn it. [Cut to Sawyer opening a beer. Jin is working on the engine in the background with Hurley standing over him.] SAWYER: [smelling the beer] Hoh, it's flat and it stinks. HURLEY: [to Jin] Can you get it to work? Do you know what's wrong? SAWYER: Chill out; let the man do his thing. HURLEY: Dude, that beer's been sitting there since before Rocky III, maybe even II. It's probably poison by now. SAWYER: [pointing at Roger] Skeletor seems to like it. [Sawyer clinks the beer can on Roger's skull] Bottoms up. HURLEY: That's not cool, dude. That guy had a mom, a family, and friends. Oh, and a name, [unintelligible] it's Roger Workman. SAWYER: It's Work Man, you blockhead. That's his job. He was a DHARMA janitor. HURLEY: Yeah, well you should still respect the dad. JIN: [Speaks in Korean] HURLEY: Whoa, whoa, whoa, can you fix it? JIN: No. No fix. HURLEY: But you have to! Can't you try, dude? I mean, we've got to get this thing running. SAWYER: Leave the man alone. He's right, "no fix." Take a look at that mess -- no way it's going to get running. How thick are you? HURLEY: What's your problem, man? Why do you don't want this to work? SAWYER: I don't care if it works. Why is it so important to you? HURLEY: Because we could all use a little hope. SAWYER: If it's hope you're looking for ese, you're on the wrong damn island. There sure as hell ain't no hope here. [COMMERCIAL BREAK] [FLASHBACK] [We see Hurley in bed asleep and David enters to wake him up.] DAVID: Rise and shine; ht the deck. We're burning daylight; let's go. [Hurley moans grumpily] What's with the earphones? HURLEY: It's for the noise. DAVID: Well, your mother's a very passionate woman. HURLEY: That is disgusting. DAVID: Come on, we're going on an adventure. Let's go. HURLEY: I'm not going anywhere with you. DAVID: Come on, just do this one thing with me. If it doesn't work, you can go to Australia. I won't stop you, okay? HURLEY: What "one thing?" DAVID: We're going to break the curse. [Scene switches to David and Hurley in a psychic, Lynn Karnoff's, office.] HURLEY: This is stupid. DAVID: Just give it a chance, man. LYNN: [setting a tarot deck on the table] Cut the deck please. [flipping the first card] You've recently come into a great deal of money. HURLEY: You could have seen that on the news. LYNN: [flipping second card] But it hasn't brought you happiness. No, it's brought you great misfortune. DAVID: She didn't see that on the news. LYNN: I'm seeing numbers. HURLEY: What numbers? LYNN: 4, 8, 15, 16, 23, 42. There's darkness around these numbers. Great tragedy. [she flips the third card, Death] I'm sorry. HURLEY: Why? What is it? LYNN: Death surrounds you; and more is coming. Your hands, please. There's a curse on you. But it can be removed. [she starts toward another room] Now, Hugo, I need you to remove your clothes. HURLEY: My clothes? LYNN: [carrying a large pot] A curse is like an unwelcome entity that lives inside you. And it must be exercised. HURLEY: Did my dad put you up to this? LYNN: What? DAVID: Hugo, please. HURLEY: I'll give you a thousand dollars right now if admit that my dad told you to say this stuff. LYNN: The mystic arts are not subject to bribes. How dare you... HURLEY: 10,000. LYNN: Your dad put me up to it. DAVID: I was just trying to help. HURLEY: Help who? [Back on the island we see Hurley praying as Jin and Sawyer talk.] SAWYER: Beer. JIN: Beer. SAWYER: Bingo. Beautiful. [tapping the van] Car. JIN: Car. SAWYER: [pointing to Hurley] International House of Pancakes. [to Hurley] What are you doing over there? HURLEY: I'm praying. SAWYER: Praying for what? HURLEY: Help. SAWYER: Well, hell, I've got you a little help right here. [Sawyer tosses a can of beer in Hurley's direction and Hurley watches it roll down a hill.] [Cut to Hurley approaching Charlie at the beach.] HURLEY: Dude. Hey, dude, stop moping. Come on. CHARLIE: Not moping -- thinking. HURLEY: Oh. When people stare out at the ocean and get all quiet-like? They're moping. So get up and come with me. That car I found? We're getting it running. CHARLIE: What's the point? [Hurley slaps Charlie across the face] Ow! What did you do that for? HURLEY: Snap out of it! Stop feeling sorry for yourself because someone said you're going to die. I've got an idea that's going to help us both. Now, it is dangerous. And there's a very good chance that you will die. CHARLIE: That's supposed to convince me to come with you? HURLEY: It is. Because if you don't die, then we win. CHARLIE: Win? HURLEY: Look, I don't know about you, but things have really sucked for me lately and I could use a victory. So let's get one, dude. Let's get this car started. Let's look death in the face and say, "whatever, man." Let's make our own luck. What do you say? [Scene switches to Sawyer and Jin at the van.] SAWYER: I'm sorry. JIN: I'm sorry. SAWYER: Okay, nice. Keep it coming. JIN: You were right. SAWYER: Okay. That's two. ht me. JIN: Those pants don't make you look fat. SAWYER: Now you got it -- only 3 things a woman needs to hear. HURLEY: [entering] Come on. Get up; we've got work to do. SAWYER: What's your problem, Jumbotron. HURLEY: Shut up! Red -- neck -- man. SAWYER: Touché. [Charlie enters] What is Jiminy Cricket doing here? HURLEY: We need another man. SAWYER: Another man for what? HURLEY: To push this car, dude. SAWYER: Push it? Push it where? [They push the van to the edge of a fairly steep hill.] SAWYER: Oh, this is going to be real good. [COMMERCIAL BREAK] [FLASHBACK] [We see Hurley packing as David enters.] DAVID: So, you're going to Australia, huh? [Hurley doesn't respond] Long way to go because of some stupid numbers. HURLEY: I'd really like you to leave. DAVID: When your mom called me about the lottery I was on my bike before she could hang the phone up. I'm getting old. Yeah, I saw my retirement. You're right. I'm here for the money. HURLEY: Well, you're not getting any of it. DAVID: That's not why I'm here talking to you now. I'm here talking to you now because going to Australia's not going to break any curse. You don't need to leave. You just -- you need a little hope. We make our own luck, Hugo. You know what I think you should do? HURLEY: What? DAVID: I think you should give away the money. All of it, every penny. Just save enough for a new carburetor -- work on the Camaro -- you know, just you and me -- take it off the blocks and make that road trip to the Grand Canyon. Never too late for a fresh start. HURLEY: I'll send you a postcard from Sydney. [he starts to exit] DAVID: Hey, I'll -- I'll be here when you get back. [Back on the island, we see a sht down into a valley.] SAWYER: Are you nuts? You're not going to drive down that. HURLEY: We're going to jumpstart it. You guys are going to push it. And then on the way down I'm going to pop the clutch and get it started. SAWYER: You see those rocks? All you're going to do is crash into those real fast. If you don't roll over first. JIN: Hurley, no. HURLEY: Dude, I know how to drive. Now come on, just push me. This'll work; I know it. SAWYER: [to Charlie] What are you out here for -- watch him crash and burn? CHARLIE: Came to ride gn. SAWYER: Well, it's your funeral. [to Jin] Come on, let's give 'em their ride. HURLEY: [to Charlie] Are you sure you want to do this? CHARLIE: Victory or death. HURLEY: Push! [They push the van down the slope and it bounces along picking up speed.] HURLEY: Oh, jeez. CHARLIE: Careful now. [they get closer to the boulders] Now would be a good time, Hurley. Like right now! HURLEY: There is no curse. You make your own luck. CHARLIE: Hurley! HURLEY: You make your own luck. There is no curse! [He pops the clutch and the car starts. An old 8 track starts playing Shambala by Three Dog Night, as Charlie and Hurley laugh and whoop.] SAWYER: Son-of-a-bitch. JIN: Yeah! [Sawyer and Jin and Vincent run down to meet them and they all have a joy ride.] [Fade to a montage of Jin, Charlie and Sawyer returning to the beach. Jin gives Sun a white flower. Charlie talks to Claire. Sawyer carries the beer and wants to bring it to the "kitchen" and share, but can't bring himself to do it. Hurley sits contentedly in the van. Sawyer has a beer alone at his tent while wistfully watching the others.] [We see Kate at night hiking with a torch. She finds some netting. Sayid and Locke enter.] SAYID: Kate, if you were looking for help to find Jack why didn't you ask us? KATE: Two reasons -- you don't know where to look and you're not motivated. And I don't blame you. Why would you want to go on another trek across the island, risk more lives just to get Jack back? LOCKE: You're wrong. KATE: Oh, really? Then why didn't you come after... LOCKE: Not about the motivation, just about knowing where to look. We got a compass bearing, and I'm pretty sure if we follow it it'll lead us right to him. KATE: How? SAYID: Because of the way the sunlight ht Mr. Eko's stick when John was burying him. LOCKE: So now you know our secret, how about you tell us yours? [Suddenly there is gn, and Locke pulls his gn.] KATE: No, no, no, don't sht. Don't sht. [calling out] It's alright! It's safe! We're just here to talk! You can come out! [Danielle enters cautiously.] DANIELLE: What are you doing here? KATE: I came to ask for your help. DANIELLE: To do what? KATE: I'm heading to the Other's camp, and if I'm going to find it, I need someone who knows the island. DANIELLE: What makes you think I have an interest in helping you? KATE: Because they had me, and they would have never let me go -- probably would have klled me if I hadn't escaped. And the girl who helped me escape -- she was about 16 years old and her name was Alex. I'm pretty sure that she's your daughter.	{"type": "series", "show": "Lost", "episode": "3x10 - Tricia Tanaka Is d*ad"}	foreverdreaming
[Sawyer walks down the beach as castaways carry the remains of a ping-pong table] SAWYER: Ping-pong table? Where the hell did that come from? HURLEY: Jin found it when he was out looking for firewood. We made legs for it, paddles, now all we need is a ball. SAWYER: Found it? HURLEY: It must’ve landed in the jungle when the hatch exploded. SAWYER: I thought the hatch collapsed. HURLEY: Look, dude, all I know is the sky turned purple. After that I don’t ask questions. Just make myself a salad and move on. SAWYER: Yeah, I can see that’s working for you. Hey! You seen Kate around? HURLEY: Wow. She’s not back yet? Hmm. [to the others] You guys find anything we could use as a ball? BACKGROUND VOICE: No. SAWYER: [to Paulo] Hey, that’s my gn and amo. Where the hell you get it? PAULO: It was in the magazine stack. We share things now. SAWYER: Listen, Zorro, it was in my stuff. Stuff you all decided to have yourselves a little party with while you thought I was dad. PAULO: Listen, hillbilly, if you want it that bad, take it. [The magazine is moved to reveal a roll of DHARMA toilet paper on a stick] SAWYER: Just keep it. [walks away] [Cut to Sayid, Kate, Locke and Rousseau walking through the jungle] SAYID: We need to eat. LOCKE: Are we still on course? SAYID: We’re still heading north on a bearing of 3 0 5. Yes. LOCKE: I’m sensing a lack of confidence. SAYID: We’ve been walking for two days, following a compass bearing provided by the carvings on a stick! LOCKE: And? SAYID: You really think we’re just going to chance upon where The Others are? LOCKE: I don’t know what we’re going to chance upon, Sayid, but my bearing is the only bearing we got. SAYID: I’m going to find some fruit, and then, John, we’ll have a rational conversation regarding our next move. [Locke nods his head. Sayid goes off to pick fruit. He hears the rattles of a cowbell. He grabs his gn. He finds a cow in the jungle. A man whistles and the cow follows to a house with a barnyard. The man is revealed to be the man with the patch] [COMMERCIAL BREAK] SAWYER: You all looking for something like this? [holds up a whiffle ball] HURLEY: Cool, the ball. SAWYER: Uh-uh. We need to do a quick prid quo first. I know I’ve been gone a while and you thought the General Store was having a “going-out-of-business” sale. But now I’m back. And I want what’s mine. NIKKI: Yeah, but it wasn’t really yours to begin with. SAWYER: A, it was mine to begin with when I took it. B, who the hell are you? And C, because I’m fair, I’m going to let you play me for it. HURLEY: Play ping pong? SAWYER: That’s right, Avalanche. You bastards put up your best player. One game. And when I crush them, you all gotta bring me every piece of my stash back. HURLEY: If you lose? SAWYER: I ain’t gonna lose, but if I do, tell you what, name it. [Jin and Sun talk to each other in Korean] SAWYER: Ooh, looks like crouching tiger and hidden dragon got something good. Lay it on me. SUN: No nicknames. If you lose, no nicknames for anyone for a week. CHARLIE: Nice! SAWYER: You’re on. Pick your player. I’ll be back in an hour, then let the slaughter begin. [Cut to Sayid looking at the house through binoculars] LOCKE: You sure it’s completely isolated? SAYID: I’ve circled the house. Nothing but jungles surrounding it. Here. [hands binoculars to Locke] LOCKE: Does that dish still work? SAYID: A satellite dish of that size would have broadcasting capabilities for thousands of miles. Danielle, you once mentioned a radio tower. Is this it? ROUSSEAU: I have never been here before. KATE: The man in the house, you said you’ve seen him before? SAYID: On a video feed from the Pearl Station. KATE: So who is he? SAYID: Only one way to find out. We ask him. [hands Kate his gn] KATE: What’s this for? SAYID: If I’m unarmed, he won’t feel thrat. In case he is thrat, you cover me from here. KATE: Where are you going? ROUSSEAU: I have no interest in that man inside the house. I have survived on the island precisely by avoiding these types of encounters. I’ll wait for you by the stream, for those of you who survive. [FLASHBACK] [Sayid is working as a chef. Arabic man approaches him.] ARABIC MAN: [in Arabic] A man out front wants to see you. [Sayid walks outside] SAMI: Did you cook this? SAYID: Yes, I did. SAMI: Wow, it is delicious. My name is Sami. SAYID: Najeev. Thank you. SAMI: Please sit. Sit. Where are you from, Najeev? SAYID: I’m Syrian. SAMI: Please. والله يااخي, انت مبين عليك كثير انك عراقي مثلي. [Subtitle: You are as much as an Iraqi as I am, young man] [Literal translation: I swear, my brother, it's very clear to me that you're Iraqi like me.] SAYID: What do you want from me? SAMI: You’re an excellent cook. And I, I have a restaurant. Much nicer than this place. Come take a look. If you like it, I will hire you at twice your pay here. SAYID: You’re offering a job to a stranger because of a single meal? SAMI: I’m offering you a job because we’re outsiders here. And because, um, my chef just quit. [Cut back to Sayid walking toward the house with his hands up. He notices a gray cat. A sht is fired and Sayid falls to the ground.] KATE: No, he’s been ht. He’s been ht. LOCKE: Not yet. Do you want to get sht too? MIKHAIL: I didn’t cross the line. We had a truce. This is my land. You said I could stay here. SAYID: I’m not who you think I am. My name is Sayid Jarrah. I was on a plane that crashed here months ago. MIKHAIL: A plane? SAYID: I’m unarmed, I swear. MIKHAIL: Stay right there. [Mikhail comes out as Kate and Locke approach. shts are fired} LOCKE: Drop the wapon! Stop. Back up. Back up. [picks up Mikhail’s gn] KATE: [to Sayid] Are you all right? MIKHAIL: You really did crash here? SAYID: Over 40 of us, yes. LOCKE: I’ll go in first. Make sure it’s ok. KATE: Who are you? MIKHAIL: My name is Mikhail Bakunin and I am the last remaining member of the DHARMA Initiative. [COMMERCIAL BREAK] [Kate and Mikhail help Sayid into the house] KATE: Watch your step. MIKHAIL: Please. Sit. Here, let me…[looks at Sayid’s gn wound] SAYID: You’ve had experience treating gn wounds? MIKHAIL: I spent some time in Afghanistan. I had experience with field medicine in the Soviet Army. [to Kate] In the kitchen, on the top shelf there is a medical kit. Will you bring it please? SAYID: It’s alright, Kate. [Kate goes to the kitchen] SAYID: How did you get here? MIKHAIL: I almost don’t know where to begin. SAYID: Why don’t you begin with the DHARMA Initiative. MIKHAIL: I grew up in Kiev and joined the Soviet Army. I was stationed at a listening post at Vladivostok. After the Cold wr, after we lost the Cold wr, my unit was decommissioned. I was dismissed from my life in the military. And after years of conducting unpleasant actions against our enemies, I found myself wanting to do something good. So I replied to a newspaper advertisement. SAYID: An advertisement? MIKHAIL: ‘Would you like to save the world?’ it read. That’s how I met them, the Initiative. They’re very secretive, very rich, very smart. SAYID: So, when did you come to the island? MIKHAIL: 11 years now. I like computers, communications equipment, being along like a lighthouse keeper. So they put me in this station. They called it The Flame. SAYID: What is the purpose of the flame? MIKHAIL: To communicate with the outside world, of course. [Locke walks past a computer, which reads, “READY TO PLAY? Y/N”] COMPUTER VOICE: Ready to play? Ready to play? [Locke pushes Y and it reveals a game of chess] COMPUTER VOICE: Your move. SAYID: What happened to the DHARMA Initiative? MIKHAIL: They’re all dad, of course. They foolishly initiated a wr against The Hostiles, the purge they called it. SAYID: How did you survive this purge? MIKHAIL: By not participating in it. I told you, I like being alone. SAYID: And the hostiles allowed you to stay here? MIKHAIL: After it was over, four men appeared in the yard. They offered a truce. They said to imagine a line that extended all the way across the valley. As long as I did not cross it, I would be left alone. Then they took two cows and I never saw them again. KATE: They weren’t interested in the satellite dish in the yard? MIKHAIL: Why wouldn’t they be? It hasn’t functioned for years. SAYID: Who are they, these Hostiles? MIKHAIL: I do not know. But they were here a long time before we were. A very long time. [Sayid screams as Mikhail takes out the bllet from his arm] [FLASHBACK] [Sayid is walking down the streets of Paris near the Eiffel Tower. He walks into Sami’s restaurant and sees a group of men eating] SAYID: I am looking for Sami. MAN: Sami! SAMI: Najeev! I’m so glad you came. What do you think? It’s a simple place. We have simple customers. [Amira walks through the door] Ah, here’s my wife. She is in charge of the kitchen. Amira, come meet the chef. [Sayid shakes Amira’s hands and notices that it has burn marks all over it] SAYID: Pleasure to meet you. [A man grabs Sayid] SAMI: [to Amira] Are you sure this is him? AMIRA: Yes. SAYID: Look, I do not know who you think I am… [The men bat up Sayid as Amira watches. Sami kicks Sayid in the face.] [Cut back to the house on the island as Mikhail places the bloodied bllet on a plate. Sayid and Kate grimace. The gray cat scratches at a rug. Mikhail speaks to the cat in Russian and Sayid recognizes the name “Nadia.”] SAYID: What did you just say? MIKHAIL: I told Nadia to be polite because you are my guests. SAYID: Nadia? MIKHAIL: Mm hmm. After Nadia Comaneci, the greatest athlete the world has ever known. We have the same birthday. Excellent work if I say so myself. SAYID: Thank you, Mikhail MIKHAIL: Perhaps I can begin to earn your forgiveness by offering you some iced tea. I will also check on your friend. [Locke continues to play the game of chess on the computer. A screen pops up saying “CHECKMATE YOU LOSE. Mikhail walks in] MIKHAIL: Ha! Don’t waste your time. For ten years I have tried to defeat that game. But it was programmed by three grand masters. And it cheats. LOCKE: Hmm. Well, I’ve played a lot of computers and I’m pretty sure they don’t know how to cheat. That’s what makes being human so distinctly wonderful. [KATE bandages Sayid’s arm] SAYID: What’s wrong? KATE: It just doesn’t make any sense. Why would they let him stay here with all this stuff, all this equipment. SAYID: Actually it makes perfect sense. KATE: What are you talking about? SAYID: The reason they let him stay here is because he is not DHARMA. He is one of them. KATE: He sht you and you just let him- Why are we still sitting here? SAYID: We are sitting here, Kate, because I am certain he is not alone. [COMMERCIAL BREAK] [The castaways are standing around the ping-pong table] SAWYER: So, you really the number one draft pick, Grimace? HURLEY: Yep. Are we playing with the mercy rule? SAWYER: Mercy rule? HURLEY: Yeah, if I am like up 11-0 I, you know, automatically win. SAWYER: You’re going to go up 11-0. HURLEY: Well, any one of us. SAWYER: Sure, we can have a mercy rule. HURLEY: Wanna volley for serve? SAWYER: Tell you what, you can be my guest. [crowd cheers] CHARLIE: Take him down, Hurley! HURLEY: 0 serving 0. [Hurley easily gets a point on Sawyer. Crowd cheers.] CHARLIE: Yes! HURLEY: 1-Nothing [cut back to Mikhail’s house as Mikhail brings Sayid and Kate ice tea] MIKHAIL: I grow the tea myself. So pardon the sweetness. SAYID: Any tea is good tea. KATE: You know how long it’s been since we’ve seen ice? SAYID: I noticed a series of thick wires as I walked around the station. MIKHAIL: This is the hub. But they go around to various stations on the island. SAYID: And these cables, do any of them run into the ocean? MIKHAIL: Yes. There is an underwater beacon that emits solar pings to help guide in the vessels. SAYID: By vessels, you mean submarines. MIKHAIL: Yes. The Initiative used it to bring us to the island. But I can only imagine that The Hostiles have either destroyed it or decommissioned it by now. SAYID: That explains how they are able to get around my position and capture our sailboat. MIKHAIL: You have a sailboat? SAYID: Until we lost it to your Hostiles. MIKHAIL: That’s very unfortunate. SAYID: Well, at least we were able to kll one of them. MIKHAIL: Why are we continuing to play this little game when we all know it has moved to the next stage? [Mikhail throws the pitcher of ice tea against the wall and begins to attck Kate and Sayid. Sayid and Mikhail struggle, but Kate holds up Mikhail with the rfle. Locke comes out of the room with his gn drawn.] SAYID: Get some rope. [FLASHBACK] [Sayid is chained to the floor in the stockroom. Sami walks in with a bag and a bowl of water.] SAMI: Drink [Sayid frantically drinks the water.] SAMI: You were a torturer, were you not, in the Republican Guard? Do you not recognize one of your victims? Do you not recognize the woman you tortured? Do you not recognize my WIFE! SAYID: No I have never seen- You are confusing me with someone else. SAMI: Amira was arrested for harboring an enemy of the state. She was held for three months while she was questioned. Her arms bear the scars of those questions. So I assure you, Najeev, I am NOT confused. SAYID: My name is not Najeev. I’m Sayid Jarrah. I was in the Republican Guard and, yes, I was an interrogator. But I have never seen your wife. Maybe she saw me at the same facility, but I do not know her. I can remember every face of every person I interrogated. SAMI: She remembers your face. She remembers it so well that she recognized you from a mere glimpse as we walked by the restaurant where you worked! SAYID: What do you want from me? SAMI: I want you to admit what you did. And if you don’t, you will leave this room in a bag. [cuts back to the house on the island as Kate, Sayid and Locke ties up an unconscious Mikhail] KATE: How do you know he is not alone? SAYID: The horse is still saddled outside, and the stirrups are set for someone much shorter than this man. LOCKE: You think The Others sent someone out here to keep him company? SAYID: I think they sent someone out here because they lost communication. LOCKE: Maybe when the sky turned purple. SAYID: That would be my guess. LOCKE: Well, if they sent somebody out here, they’re hiding pretty good. I checked every nook and cranny of this place. [Sayid pulls back the rug to reveal a door in the floor] SAYID: Not every nook and cranny, John. [COMMERCIAL BREAK] [FLASHBACK] [Sami walks into the storage room with a chair, a club and Amira at his side. Amira sits down on the chair.] SAMI: Are you ready to tell me the truth? SAYID: I have already told you the truth. [to Amira] I do not know you. [Sami hits Sayid] SAMI: You tortured her! SAYID: No, I would never touch a woman. [Sami hits Sayid again] Do you think this will do any good? To make me confess to something I didn’t do? SAMI: My wife already confessed. She confessed to something she didn’t do and you poured boiling water all over her arm! SAYID: No I did not- [Sami hits Sayid again] SAMI: Admit it! SAYID: I can not admit to something I didn’t do. [Sami walks to get the club, but as he does Amira stops him.] AMIRA: That is enough for today. SAMI: [to Sayid] Then I will see you tomorrow. [cut back to Kate and Sayid as they go into the room underneath the floor. They notice a DHARMA symbol that says “The Flame.” Upstairs Locke watches the unconscious Mikhail as the computer in the other room talks.] COMPUTER VOICE: Your move. [Downstairs, Kate and Sayid notice a mysterious box on the wall.] KATE: What is it? SAYID: C4. explsive. The entire place is wired. KATE: Why? SAYID: I don’t know. [Upstairs, Locke walks toward the computer and resumes playing the chess game. Downstairs, Sayid finds a stack of DHARMA notebooks, one in particular that says “Operations Manual.” Upstairs, Locke makes a move on the game and the words YOU WIN and CHECKMATE appear and music plays. The screen fades to fuzz as Dr. Candle appears.] DR. CANDLE: Manual override complete. For pallet drop enter 24. For station uplink enter 32. for mainland communication enter 38. [Locke enters 38] DR. CANDLE: The satellite dish is inoperable. Communications are down. For sonar access enter 56. [Locke enters 56] DR. CANDLE: Sonar is inoperable. Has there been an incursion of this station by The Hostiles? If so, enter 77. [As Locke is about the enter 77, Mikhail draws a Knfe to his throat.] MIKHAIL: Keep your voice low, and your hands in front of you. [Downstairs, Kate finds a rack of workman shirts. All of a sudden a woman jumps out at her and attcks her. They struggle for a bit. Sayid draws his rfle.] SAYID: Stop right there. Put the gn on the ground, now. [KATE looks at the woman, who is Ms. Klugh, and punches her.] SAYID: What are you doing? KATE: It’s her! She was there! She was at the dock! She was there when we got kidnapped! She knows where Jack is! SAYID: [draws his rfle again] Are there any more of you here? [No answer] SAYID: Let’s take her upstairs. John, we’re coming up. [Upstairs] John! LOCKE: Out here! [Outside Mikhail has a gn to Locke, while Kate and Sayid have a gn to Ms. Klugh.] MIKHAIL: This is simple. Send her over to me and I release him, and we all go our separate ways. LOCKE: Don’t listen to him. If he was going to kll me, I’d be dad already. MIKHAIL: Shut your mouth! SAYID: Listen to me! LOCKE: Sayid, do not let her go! MIKHAIL: I will execute you right here! LOCKE: He’s not going to do it! SAYID: Be quiet, John! LOCKE: I’m the only thing keeping him alive! MIKHAIL: I swear to you! MS. KLUGH: Михаил. [in Russian: Mikhail.] SAYID: Calm down everyone! MS. KLUGH: Михаил! Ты знаешь что делать. [in Russian: Mikhail! You know what to do.] MIKHAIL: У нас есть ещё выход. [in Russian: We still have another way out.] LOCKE: Sayid! SAYID: I’ll handle this, John. KATE: John... MS. KLUGH: Мы не можем рисковать. [in Russian: We cannot risk it.] MIKHAIL: нет. [in Russian: No.] MS. KLUGH: Ты знаешь условия. [in Russian: You know the conditions.] MIKHAIL: Есть другой выход. [in Russian: There is another way.] MS. KLUGH: Они взяли нас. Мы не дадим им пройти на территорию. [in Russian: They captured us. We will not let them to get into the territory.] LOCKE: Don’t let her talk to him! MS. KLUGH: Ты знаешь что делать. [in Russian: You know what to do.] SAYID: Mikhail! MS. KLUGH: Это приказ! [in Russian: That's an order!] MIKHAIL: У нас всё ещё есть выход! [in Russian: We still have another way!] SAYID: Stop! MS. KLUGH: Just do it, Mikhail! MIKHAIL: Прости меня. [in Russian: Forgive me.] [Mikhail pushes Locke away, then sh*t Ms. Klugh.] SAYID: John! [Mikhail head butts Locke. Sayid hits Mikhail with the rfle and draws it on him.] MIKHAIL: Finish it! kll me! [Sayid aims the gn away from Mikhail.] [COMMERCIAL BREAK] [Back at the beach, Sawyer is messing with his glasses. Hurley approaches.] HURLEY: Sorry I bat you so bad, dude. SAWYER: Sorry you hustled me, you mean. HURLEY: My mom had a table in her basement. And I played a lot at the instit- this place I hung out at. And I got kinda good. SAWYER: Well, hooray for you. HURLEY: Looks like that last slam didn’t cause any long-term damage to your forehead. And you got 3 points which is better than nothing. SAWYER: Is there something you want? HURLEY: I came to give you back your stuff. [Throws a Playboy magazine at Sawyer] Cause I know you’re the kind of guy who needs stuff. SAWYER: Are you a shrink now? HURLEY: She’ll be ok, dude- Kate. I know you’re worried about her. But she’s with Locke and Sayid. She’s going to be fine. SAWYER: Well, thanks for the pep talk— HURLEY: Uh uh. It’s Hurley. Or Hugo if you want. SAWYER: Get bent, Hugo. [Back at the house Locke is at the computer. Kate is downstairs] KATE: Ready to go, Locke? LOCKE: Be there in a minute! DR. CANDLE: Has there be an incursion on this station by The Hostiles? If so, enter 77. [Outside, Sayid is walking with a gn to Mikhail.] SAYID: Danielle! Danielle! Tell me something. Were you ever a member of the DHARMA Initiative? Or was everything you said a lie? Of course, I’m wasting my breath. MIKHAIL: I was never a member. But everything else I told you was true. I moved into this station after the purge. SAYID: The purge? In which a group of scientists attcked your people? MIKHAIL: Believe what you want, but that is what happened. ROUSSEAU: Your friends, did he kll them? SAYID: No. They are collecting whatever is useful from the farmhouse. And now we have our ticket to where The Others live, where we will find your daughter, and Jack, and finally, perhaps, a way home. MIKHAIL: There is nothing you could do to me to make me lead you there. SAYID: I didn’t say you were our ticket, did I? [He pulls out a map from his backpack] This is a map showing electrical and data cabling running from The Flame, here, to a place called The Barracks, here. It’s comprised of houses and dormitories, with water and power large enough to accommodate an entire community. Sounds like a place well worth visiting, don’t you think? MIKHAIL: There will come a time when your guard is down. And when it is, I will not hesitate a moment before klling you. You should know this because— ROUSSEAU: He is making an excellent point. You have a map. Why keep him alive? [FLASHBACK] [Amira walks into the storage room with a gray cat and sits in the chair] AMIRA: After my husband and I first arrived in Paris, I was afraid to ever leave our apartment. So I would stare out in the window into the alley, and I would see this cat looking for scraps. One day some children came into the alley and trapped him in a box. I watched them light firecrackers and drop them in the box. I could hear him howl from three stories above. So finally, I had a reason to leave my apartment. I rescued this cat and I brought him home. He sits with me when I read, sleeps with me, and he purrs. But, every once in a while, he will bite me or scratch me. He does this because sometimes he forgets that he is safe now. So I forgive him when he bites me, because I remember what it is like to never feel safe. And that is because of you. So today, I ask only one thing of you: I ask you now to show me the respect by acknowledging what you did to me. That it was you who questioned me, tortured me and that you remember me. SAYID: I remember you. I remember your face. Your face has haunted me ever since I left Iraq. [crying] I am sorry. I am so sorry for what I did to you. I am sorry. AMIRA: I forgive you. When my husband return, I will tell I made a terrible mistake, that it was not you, and he will release you. SAYID: Why? Why are you letting me go? AMIRA: We are all capable of doing what those children did to this cat. But I will not do that. I will not be that. [Cuts back to the farmhouse where Rousseau has a gn to Mikhail.] ROUSSEAU: We should kll him, Sayid. He already said he was going to kll us. SAYID: No. He’s my prisoner. I will decide his fate. [Kate and Locke come outside] SAYID: [to Locke] I can see you didn’t see anything worth taking. LOCKE: Actually I just played that silly chess game again. And now [to Mikhail] I can see why you didn’t want me to bat it. SAYID: Meaning what? [The farmhouse explodes knocking them to the ground.] SAYID: What have you done, John? That place was our one hope of communication with the outside world! LOCKE: The computer said that if there was an incursion of the station by The Hostiles, I should enter 77. So I entered 77. SAYID: We should go. If anyone is around this explsi*n’s going to attract their attention. [The group leaves as Sayid shines his light on the gray cat.]	{"type": "series", "show": "Lost", "episode": "3x11 - Enter 77"}	foreverdreaming
[FLASHBACK] [The episode opens to Claire’s eye. She is in a car. There has just been an accident and she looks outside the window. On the street in front of her, her mom is lying unconscious.] CLAIRE: Mom! Mom! (repeatedly cries for her mom) [Claire awakes on the beach. She looks in the crib, but Aaron is not there.] CHARLIE: Oh look Aaron! Your mom has finally decided to wake up. CLAIRE: Mmm… [Charlie hands Aaron to Claire.] CHARLIE: Only way I could get you to sleep in, was to borrow the midget. [Claire laughs and they both smile.] CLAIRE: And, err, what is all this? CHARLIE: An aperitif…of mysterious island fruit before the breakfast picnic I have set up in your honor a short walk down the beach. CLAIRE: What’s gotten into you Charlie? CHARLIE: Sorry? CLAIRE: It’s just, you’ve been so depressed all week, and now it’s breakfast in bed and picnics… CHARLIE: I woke up this morning and I thought it’s time to stop feeling sorry for yourself and seize the day, and I can’t think of anyone I’d rather do some day-seizing with than you. So, what do you say? Let’s drop the cherub off with Auntie Sun and Uncle Jin and you and I, go for a little stroll. CLAIRE: I would love to. [Charlie and Claire get up and the scene changes to the “A” team around a small campfire.] SAYID: From the position of this stream, we should be here, and if the scale is right, his people are two miles in that direction. (to Mikhail) I don’t expect you to confirm that. LOCKE: It’s electrical wiring map, Sayid. I’m not sure it’s as accurate as you think. SAYID: Well it’s certainly not as infallible as the magical carvings on your stick. LOCKE: Hey, the stick did get us to that station. SAYID: Oh, the station which you accidentally blew up. LOCKE: Well, if you’da warned me that the basement was rigged with C4, I might'a been a little more careful. KATE: [to Mikhail] Why don’t you just tell us if we’re going to right way? MIKHAIL: You’re going the right way. LOCKE: Remind me why we’re keeping him alive. SAYID: What do you suggest; we sht him like a dog? LOCKE: No, I like dogs. ROUSSEAU: He’s right; they will not trade his life for his friend’s. We should sht him. KATE: Enough, nobody’s sh*ting anybody. The map says where they are and he says the map is right. Just keep moving. [Kate starts to walk and everyone follows. The scene changes to Charlie and Claire on the beach.] CHARLIE: Okay, here we are, here we are. Not bad ay? CLAIRE: Not bad at all… CHARLIE: Well, if you take a seat, we’ll begin with our first course, which is cereal, we have fresh fruit salad— [Desmond comes walking down to their picnic on the beach.] DESMOND: Good morning. CHARLIE: Morning yourself. What brings you down to the beach, Desmond? DESMOND: Boar running thick. I was hoping you might want to join me in a hunt. CHARLIE: Oh, well thanks for the invite, but as you can see we’re just about to begin a picnic. [Claire is looking up at birds in the sky, not paying attention to Desmond and Charlie’s conversation.] DESMOND: I think hunting might be a better way to spend your day, Charlie. I mean of all the things you could choose to do today, hunting with me might be your best option. CLAIRE: Oh my god, oh, oh my god. CHARLIE: What is it? CLAIRE: I think I know how to get us off this island! [Charlie looks at Desmond as Claire runs away.] [COMMERCIAL BREAK] CLAIRE: Sun, Jin! SUN: Claire! What’s the matter? CLAIRE: I need Jin’s nets and fish. We gotta hurry, and buckets I’m gonna need those too. JIN: [something in Korean]. CLAIRE: We have to catch the birds. SUN: What birds? CLAIRE: They just flew over and they’re only gonna be here today, so if we’re gonna catch one, we need to do it now. SAWYER: Oh, this sounds like fun. CLAIRE: Can you get some nets? SAWYER: Nets for what, Barb— [Sun looks at Sawyer.] SAWYER: Nets for what, Claire? CLAIRE: Okay, five minutes ago, a flock of seabirds flew over my head. Seabirds are migratory which means they’re going to keep heading south. SUN: I’m sorry; I don’t understand why we need to— CLAIRE: They’re tagged! JIN: Tagged? CLAIRE: Scientists tag these birds so they can track them. So, when they eventually land in Australia or New Zealand or wherever, somebody’s gonna gather them up. SUN: We can send a message! [Charlie walks up to them. He looks at Desmond who is behind him.] CLAIRE: If we can catch one. Okay, so here’s the plan. First we gotta cut up these fish, make chum, that’ll get the birds to settle in the water. And then, umm, we’re gonna need to cut up some of this net. Charlie, can you go get some knives? [Charlie does not respond.] CLAIRE: Umm, Charlie. [Still no response.] CLAIRE: Charlie! CHARLIE: Yeah, err, how do you even know this stuff about birds, Claire? CLAIRE: I umm, I watched a lot of nature shows with my mum. CHARLIE: That doesn’t exactly make you an expert. I just…I don’t want to see you wasting your time, that’s all. CLAIRE: So what happened to seizing the day? CHARLIE: Sorry, I don’t see the point. [As Charlie walks away, Claire looks at Desmond, and becomes very curious.] [FLASHBACK] [Claire is getting her stitches completed by the doctor.] E.R. DOCTOR: Hold still dear, just another second. There. [to Barnes] We’re through now. OFFICER BARNES: Miss Littleton? I’m Officer Barnes. I’m sorry to bother you, but I need to ask you a few questions. Can I—ask you how the accident happened? CLAIRE: A truck forced us off the road. BARNES: Okay, and who was driving? CLAIRE: Me. BARNES: Has anyone contacted your father? CLAIRE: My father died when I was two. BARNES: I’m sorry to hear that. I spoke with the truck driver, he’s fine by the way, umm, he said that when you ht him— CLAIRE: No, he ht us. BARNES: At about what speed would you say that happened when you were driving? CLAIRE: It just came out of nowhere, I didn’t— BARNES: That’s not the question I asked, Miss Littleton. CLAIRE: I don’t, I don’t know how fast I was driving. [overwhelmed] Why are you even asking me these questions? BARNES: These questions are standard procedure when there’s a fatality. CLAIRE: My mother is in surgery, she’s not dad. BARNES: Right. So she is. CLAIRE: This is not my fault. BARNES: Didn’t say it was. Good day Miss Littleton. [Barnes walks out as Claire looks worried.] [Kate and Rousseau are filling their water bottles by a stream.] KATE: Can I ask you something? I told you that your daughter was living with them, and you haven’t asked me a single question about her, you haven’t— ROUSSEAU: Your friend, Jack. Do you care about him? KATE: Yes. ROUSSEAU: Imagine sixteen years from now, you’re told he’s still alive, but in your heart, you know that he wouldn’t remember you, he wouldn’t know you. He wouldn’t even know that you ever cared about him. I haven’t asked you questions about my daughter, because I do not want to know the answers. [Rousseau walks away. The scene cuts to the “A-team” walking through the woods.] KATE: [to Mikhail] Water? MIKHAIL: No thank you. KATE: So how’d you get here? How’d you get onto this island? ROUSSEAU: Don’t waste your breath; whatever he says will be a lie. MIKHAIL: I was recruited when I was 24; I was approached by a man— KATE: I didn’t ask you when, I asked you how. MIKHAIL: They brought me on the submarine. KATE: So your people, they can just come and go whenever they want? MIKHAIL: Oh yes, but two weeks ago, our underwater beacon stopped emitting its locator signal. There was an event, an electromagnetic pulse. It would be impossible to come back. KATE: Why would you want to come back? MIKHAIL: You would not understand. KATE: Try me. MIKHAIL: I misspoke. What I meant to say is you are not capable of understanding. KATE: And why am I not capable? SAYID: Kate. MIKHAIL: Because you are not on the list. KATE: What list? MIKHAIL: The man who brought me here, who brought all of my people here, he is a magnificent man. KATE: If Ben’s so magnificent, then why did he need one of us to save him? MIKHAIL: Ben? Ben is not. I will try to make this as simple as I can. You are not on the list because you are flawed. Because you are angry, and weak, and frightened. SAYID: The more I learn about your people, the more I suspect you’re not as omniscient as you’d have us believe. Don’t speak to us as if you know us. MIKHAIL: Of course I don’t know you, Sayid Jarrah. How could I? And you, Kate Austen, are a complete stranger to me. But you John Locke, you I might have a fleeting memory of, but I must be confused, because the John Locke I know was paral— ROUSSEAU: Hey! Look at this! Over here…come on. [They walk out of the jungle to the sonic fence. The “A-team” looks up at the pylons in awe.] LOCKE: Well, looks like we’re here. [COMMERCIAL BREAK] [Claire and Jin are at the beach, setting up a net in the water.] CLAIRE: Will this work? JIN: Yes, work. [Sun walks towards them with two buckets of fish.] JIN: Err, Sun, needs help. CLAIRE: Okay. [Claire walks up to Sun and the two of them sit down and make chum.] CLAIRE: Mmm…smells great! SUN: Let’s get it over with. This was my mother’s worst fear. CLAIRE: What do you mean? SUN: That I would end up doing something very much like this, cutting bait. She had high hopes for my future. They did not include me marrying a fisherman’s son. CLAIRE: Well, I guess we don’t always turn out like our mother’s wanted. SUN: Of course, mine never worked a day in her life. [Claire looks upset.] CLAIRE: My mom was a librarian. SUN: Was? [To avoid finishing the conversation, Claire looks over towards Jin.] CLAIRE: We should get this stuff out there. [FLASHBACK] [Claire walks into a hospital room. Her Aunt Lindsey is standing there next to her mom Carole, who is still in the hospital bed, unresponsive.] LINDSEY: Where were you? CLAIRE: Went home to take a shower. LINDSEY: Oh, that must have been nice. CLAIRE: They said she was still in surgery. I had glass in my hair, Aunt Lindsey. LINDSEY: Well I’m glad that you’re feeling refreshed. [Doctor Woodruff walks into the room.] DR. WOODRUFF: Good afternoon. Are you the daughter? I’m Doctor Woodruff, neural surgery. I’ll be observing your mother for the next few days. LINDSEY: How is she? WOODRUFF: We’ve managed to sab her immediate injuries, but your mother’s suffered a severe head trauma. We’ll have to wait for the swelling in her brain to go down before we determine the full extent of her injuries. But, err, I’m afraid we’re looking at fairly widespread damage. CLAIRE: Wait, what does that mean? WOODRUFF: It means that right now, these machines are sustaining her life. CLAIRE: It won’t always be, I mean when she wakes up she won’t need— WOODRUFF: I can’t say with any real confidence—that she will wake up. CLAIRE: Can she hear us? WOODRUFF: I like to think she can. LINDSEY: How long will she be like this? WOODRUFF: Could be a day, a week, or years. We’ll just have to wait and see. But I can assure you she’ll be well looked after. LINDSEY: Oh, that’s very nice, but we can’t pay for that. WOODRUFF: Don’t worry; her expenses have already been taken care of. LINDSEY: By whom? WOODRUFF: I’ve been asked to keep that confidential. [Claire, Sun, and Jin are hiding in the bushes. A bird lands in the net. They’ve got a makeshift rope running to them from the net.] JIN: One, two. [A gn is heard and all the birds fly away.] CLAIRE: Oh no! [Desmond comes running out of the jungle with a rfle in hand.] JIN: [something in Korean] DESMOND: Look, I’m sorry. JIN: [something in Korean] DESMOND: I’m sorry, man. JIN: [something in Korean] DESMOND: I said I’m sorry. CLAIRE: What the hell is wrong with you? DESMOND: Look I was shting at a boar, I had no idea you were out here. CLAIRE: Where’s Charlie? Is he with you? DESMOND: He’s back at the camp, look I’m really sorry. CLAIRE: So it’s just you? DESMOND: Aye it’s just me. CLAIRE: Hunting? In the exact same spot we’re setting our trap! DESMOND: I was following a boar, Claire. CLAIRE: Oh, so it’s just a coincidence then. Where is it? DESMOND: It got away. CLAIRE: You don’t want me to catch the birds do you; you and Charlie. What’s going on? DESMOND: Why wouldn’t I want you to catch the birds? [Claire walks away and the scene cuts to the “A-team” at the sonic fence. Kate walks up to it.] KATE: What is it? [Sayid grabs her arm and pulls her back.] SAYID: Don’t touch it! Don’t even go near it! [to Mikhail] What are these pylons? MIKHAIL: What do you think they are? SAYID: A security perimeter. Those sensors on the side would be triggered if anyone passed between them. It’s an alarm system, or a trap. Either way, we’d be safer going around it. MIKHAIL: You’re right, it was a security perimeter. But like everything else on this island, it hasn’t functioned in years. SAYID: Of course it hasn’t. MIKHAIL: If you wish to waste your time, be my guest. The pylons encircle the entire Barracks. There is no going around them. If you don’t believe me, look at your map. [Sayid and Kate look at the map as Locke drops his pack to the ground.] SAYID: He appears to be telling the truth. [Locke grabs Mikhail by the suit and pushes him through the sonic barrier.] SAYID: John, John! [The barrier starts up.] MIKHAIL: Thank you. [A pulse is fired and Mikhail’s brain is hemorrhaged as he is thrown back onto the ground. He groans.] KATE: Oh my god. LOCKE: Sorry. [COMMERCIAL BREAK] [Sayid is looking at Mikhail from the other side of the fence.] SAYID: Looks like he suffered cerebral hemorrhage. KATE: [to Locke] Why did you do that? We needed him! LOCKE: They were never going to trade him for Jack! KATE: You don’t know that LOCKE: Well you don’t know it either! What we do know is that he sht one of his own people who didn’t want to be in this exact situation. So I’m going to stick with my opinion. KATE: Yeah, well we could’ve discussed it. LOCKE: Nobody asked me about it when we brought him along in the first place. SAYID: Alright. LOCKE: Pardon me, for not knowing that they had err, err, a sonic wapon fence. I didn’t know he was gonna die, how would I know that? SAYID: Why are you really here? Are you here for Jack? LOCKE: Why else would I be here? SAYID: We’ll talk about this later. LOCKE: Fine by me. Just tell me how we’re gonna go through this. KATE: We’re not going through it, we’re going over it. Sayid, where’s the axe? SAYID: It’s in his pack. LOCKE: No wait a minute I got it, here I got it. [Sayid grabs Locke’s pack before Locke can get it. Sayid pulls out a block of C4.] SAYID: I thought you didn’t know there was any C4? LOCKE: Well I stand corrected. SAYID: Why did you take it? LOCKE: You never know when a little C4 might come in handy. SAYID: You’ll have to do better than that. [The scene cuts to Charlie laying Aaron down for a nap.] CHARLIE: [whispering to Aaron] Okay, here we go. Ohh… CLAIRE: What’s going on with you Charlie? CHARLIE: [whispering] Shh, I just put Aaron down. CLAIRE: No, you and Desmond, what’s going on? CHARLIE: I don’t know what you’re talking about. CLAIRE: So you don’t know anything about Desmond shting off his gn and scaring away the birds? CHARLIE: I’ve been with Aaron, all morning. CLAIRE: You’re lying to me Charlie. CHARLIE: I am not lying! CLAIRE: What happened to the guy that woke up this morning and wanted to go and have a picnic and seize the day? CHARLIE: You really wanna know the truth? The glint you saw could have been anything; a piece of glass stuck in the birds foot, or it coulda been nothing at all! I don’t want to advocate false hope, Claire. That’s all. CLAIRE: Well I’m sorry I bothered you with my stupid ideas. And err, it won’t ever happen again. And Charlie, I don’t want my baby around liars. CHARLIE: I think you might be overreacting. CLAIRE: Overreacting? No, I thought you were here for me, that I could count on you. I was wrong. CHARLIE: Claire… CLAIRE: [yelling] No, I’m on my own and at least I know that now. CHARLIE: Claire… CLAIRE: [yelling] Just go! [Claire sits and looks at Aaron as Charlie starts to walk away, disappointed.] [FLASHBACK] [Claire walks into the hospital hallway.] HEAD NURSE: Morning dear. Oh, I like your new doctor. CLAIRE: What new doctor? HEAD NURSE: Oh, the American. He’s in with your mum now. LOUDSPEAKER: Dr. Brown to the OR stat, Dr. Brown to the OR stat. [Claire walks into her mother’s room. There is a man standing over the bed.] CLAIRE: ‘scuse me. [The man turns. It is Christian Shephard, Jack’s father.] CLAIRE: The nurse said—are you a doctor? CHRISTIAN: Yes, umm. I’m umm. I’m very sorry, I shouldn’t be disturbing you, I was just leaving. [As Christian starts to put his jacket on, Lindsey walks into the room.] LINDSEY: What are you doing here? CHRISTIAN: I was just on my way out, Lindsey. LINDSEY: If Carole knew you were here— CHRISTIAN: She’d what? What would she do? She wouldn’t be acting the way you are. CLAIRE: Aunt Lindsey, err, what’s going on here? Who is he? LINDSEY: It doesn’t matter, just go. CHRISTIAN: Maybe you should tell her, Lindsey. She deserves to know. LINDSEY: Please, just leave us alone. CHRISTIAN: [yelling] You are not the arbiter here. LINDSEY: [yelling] No, you are taking advantage of my— CHRISTIAN: [yelling] Under these circumstances, I do believe that Claire has every right to know! CLAIRE: [yelling] Just stop it! You are the one paying the bills? Are you the one taking care of all this? CHRISTIAN: Yes. CLAIRE: Then who are you? CHRISTIAN: I’m your father, Claire. [Claire looks very confused.] [COMMERCIAL BREAK] [Locke is chopping down a tree as the others watch. They make an “X” stand and put the tree up to one of the pylons.] SAYID: The system appears to fre a sonic pulse when an object breaks the plane between two pylons. So, as long as we don’t break the plane, we should remain unharmed. ROUSSEAU: Why don’t we just use the plastic explsive you took? LOCKE: Be my guest, you wanna go stick it on there? SAYID: Whoever climbs over, give those sensors a wide berth. KATE: I’ll go first. [Kate climbs up onto the tree and over the pylon. She cautiously jumps down.] LOCKE: I guess I’ll go next. [Kate turns over Mikhail’s body as the scene cuts to Sun and Claire on the beach. Sun is helping put a new “diaper” on Aaron.] SUN: Here you go. CLAIRE: Thanks. SUN: You have every right to be upset. CLAIRE: It just doesn’t make any sense. Desmond’s never gone boar hunting before, and the boar never come that close to the beach. SUN: Well whatever’s going on, they’re still talking about it. [Claire looks at Desmond and Charlie who are arguing behind them.] CLAIRE: Can you watch him? [indicating Aaron] SUN: What are you going to do? CLAIRE: Get some answers. [Claire gets up and walks away as the scene cuts to Claire in a tattoo and piercing parlor.] [FLASHBACK] [The bell on the door rings as someone walks in.] CLAIRE: I’ll be with you in a sec! [Claire finishes the piercing she is doing.] CLAIRE: There you go, be ten bucks. [Claire looks up to Christian standing at the counter.] CLAIRE: What are you doing here? CHRISTIAN: Buy you a cup of coffee? CLAIRE: I have nothing to say to you. CHRISTIAN: Claire, I’m leaving tonight, then I’ll be out of your life forever. Just one cup of coffee. [The scene changes to Claire and Christian in a café in a mall-type setting. They are drinking coffees as they talk.] CLAIRE: So it’s true? CHRISTIAN: Yes, it’s true. CLAIRE: How’d you find out about the accident? CHRISTIAN: A doctor friend here in Sydney told me. I got the call the minute your mother went into surgery. CLAIRE: Why did she tell me that you were dad? CHRISTIAN: Well, because I, no doubt, left her with so many wonderful memories. Look, we had a fling, I was back in Los Angeles, and she told me she was pregnant, that she was going to have the baby, have you. CLAIRE: And you didn’t want to see me? CHRISTIAN: No, no, I came out a bunch of times when you were little. I stayed over, I gave you toys, I sang to you. CLAIRE: Why’d you stop coming? CHRISTIAN: Cause your Aunt hates me and your mother didn’t like the fact that I had another family. CLAIRE: Why are you here now then? And why’d you come; you could’ve just paid the bills from the states. CHRISTIAN: I came over because I wanted to help. CLAIRE: Help with what? CHRISTIAN: Claire, your mother is alive, but she’s not really living. CLAIRE: What the hell’s that supposed to mean? CHRISTIAN: It means that now may be the time to look at other alternatives; other ways to relieve her pain. Now, it is illegal to turn off her machines, but I know of ways that can achieve the same effect without the legal consequences. CLAIRE: Just stop it. You didn’t come here to help me, you came here to try and fix a mistake that you made. CHRISTIAN: No honey, that’s not true. CLAIRE: You think that just paying her bills makes you noble or something? You come down here and you try and get me to kll her? You know, just go. Why don’t you just go, go back to your real family. [Claire gets up and throws her coffee away but turns to look at Christian.] CLAIRE: You know, you might be my father, but I don’t even know your name, and I umm, want it to stay that way. [Claire starts to walk away, but Christian jumps up and grabs her by the arm.] CHRISTIAN: Claire! Claire, Claire listen to me. Do not keep your mother alive for the wrong reasons. Now there is hope and there is guilt. And believe me, I know the difference. (pause) Bye kiddo, it was great seeing you again. [Christian walks away.] [Claire is following Desmond along a rocky shoreline. She catches up to him as he goes to the edge of a rock.] CLAIRE: What the hell are you doing? DESMOND: You followed me. Stay back! [On the rock, there is a bird in a nest.] CLAIRE: It’s one of the birds. DESMOND: Stay back! CLAIRE: It’s a— [Desmond picks the bird up.] CLAIRE: How did you know it was gonna be here? DESMOND: I didn’t. CLAIRE: Yes you did, you had to. That’s what you and Charlie were arguing about. You knew. DESMOND: How would I? CLAIRE: I don’t know, but you know, you walked straight here, no doubt at all about where you were going. You came right to this beach and right to this rock, and lo and behold, there’s the bird. What the hell is going on Desmond? DESMOND: See that spot over there? [points to a protruding rock in the water] That’s where Charlie slipped and fell in and got pounded again and again by the rocks and broke his neck. CLAIRE: What? What are you talking about? DESMOND: That’s where Charlie died. [COMMERCIAL BREAK] [Claire is carrying the bird to Charlie on the beach.] CLAIRE: Look what Desmond found. CHARLIE: How bout that? It does have a tag. You were right. CLAIRE: Desmond told me everything. About all his visions; that he knew you were gonna get ht by lightning; that you were gonna drown, trying to rescue me in the ocean; how you died trying to get me this bird. CHARLIE: You don’t believe all that, do you? [FLASHBACK] [Claire, now resembling her present self (only, pregnant), walks into her mother’s hospital room.] CLAIRE: Now who turned the telly off? Don’t they know how much you love your nature shows? [Claire turns on the television.] CLAIRE: That’s better. So how are you today mom? Did you have an okay night? There’s umm, something I have to tell you, mom, something I should have told you a long time ago. (pause) I’m pregnant. I err, I’m giving it away, it’s for the best. I wish—I don’t know how you did it…raising me alone? It must have been so hard. And I was just awful, awful, so horrible to you. (crying) I’m so sorry, mom. I’m so sorry. I’m so sorry for all the awful things I said to you in the car; that I hated you; and that I wished you weren’t my mother; and I wished you were dad. It’s all my fault, the accident and everything. I’m so sorry, mom. I’m so sorry. I’m so sorry. I’ll see you soon, okay. [Charlie and Claire are standing on the beach with the bird. Charlie has the letter they will attach.] CHARLIE (reading the letter): To whom it may concern, we are survivors of Oceanic Flight 815. We have survived on this island for 80 days. We were 6 hours into the flight when the pilot said we were off course and turned back towards Fiji. We h*t turbulence and crashed. We’ve been waiting here, all this time, waiting for rescue that has not come. We do not know where we are, we only know you have not found us. We’ve done our best to live on this island. Some of us have come to accept that we may never leave it. Not all of us have survived since the crash, but there is new life too, and with it, there is hope. We are alive. Please don’t give up on us. CHARLIE: It’s—it’s perfect, Claire. CLAIRE: You know, I’m not giving up on you either, Charlie. It’s gonna be okay. You’re gonna be okay. We’ll get through this together. [Charlie attaches the note to the bird’s tag and Claire lets the bird fly away. They hold hands as the flock of birds fly over the island. The scene cuts to the “A-team” in the jungle. Sayid walks up to Kate.] KATE: What? SAYID: We’re here. [They walk to the edge of the jungle and see the Barracks, the housing facility of “the Others.” As they duck, Kate sees Jack running towards them.] KATE: Jack! [She almost runs out of the jungle, but Sayid grabs her. Jack turns and catches a football that was thrown by Tom.] TOM: Ha! Whoop! [Jack throws it back. Tom throws it to Jack once more, and Jack spikes it to the ground.]	{"type": "series", "show": "Lost", "episode": "3x12 - Par Avion"}	foreverdreaming
[FLASHBACK] [sht of a stack of paperwork being reviewed by a government worker. The stack of papers is an application for disability insurance.] GOVERNMENT WORKER: Name? LOCKE: John Locke. GOVERNMENT WORKER: Marital status, Mr. Locke? LOCKE: Ah, single. GOVERNMENT WORKER: Girlfriend? LOCKE: No. GOVERNMENT WORKER: Are your parents living? LOCKE: I, I was raised in foster care. I never really knew my parents. GOVERNMENT WORKER: Have you ever considered seeking out your biological parents? LOCKE: [pauses] Ah, I, ah.. I don't see how that's relevant. GOVERNMENT WORKER: It's relevant, Mr. Locke, because if the government's going to continue paying your disability insurance, I have to figure out whether or not your condition has improved. So. How's your appetite? LOCKE: Fine. GOVERNMENT WORKER: I see you've stopped submitting your therapy bills for reimbursement. LOCKE: That's 'cause I stopped going. Waste of time. [Worker glances up at Locke, then stamps John's form with "BENEFITS SUSPENDED".] GOVERNMENT WORKER: It's just a temporary suspension, Mr. Locke. As soon as you resume your sessions, you can reapply. LOCKE: You think I'm temporarily disabled? GOVERNMENT WORKER: Depression can be temporary, yes. And since you see fit to stop going to therapy, I guess you're all better. LOCKE: [stands up] Guess I am. [Locke walks away from the worker’s desk.] GOVERNMENT WORKER: Next! [Cut to sht of the Barracks. Locke, Sayid, Kate and Danielle are watching the Others from some underbrush. In a continuation from the last scene of "Par Avion", Jack and Tom are passing a football back and forth.] TOM: [to Jack] Over here! [Jack throws the football to Tom.] KATE: [whispering] What is he doing...?! LOCKE: Shhh! [Tom throws the football back to Jack.] TOM: [to Jack] Good hands! [Danielle watches in silence, then walks away.] JULIET: Jack! [Juliet walks toward Jack and Tom. Jack throws the football to Juliet. She catches it, laughing, and throws it to Tom.] KATE: [whispering] She's the one who helped me and Sawyer escape. [Tom throws the football back to Jack. Juliet walks up to Jack and puts her hand on his arm. They speak, though their conversation is barely audible.] JACK: What's up? JULIET: Okay, I think it's going to be tomorrow. [Juliet keeps talking to Jack. Sayid sees that Danielle has gone missing. He starts to leave.] KATE: [whispering] Hey, what? SAYID: [whispering] Danielle. KATE: [whispering] John, Rousseau's gone. [Locke doesn't respond, but moves away from Kate and Sayid, trying to get a better view of Jack and Juliet as they walk towards a house. Kate and Sayid follow. Locke gets out binoculars from his pack and sees Juliet go inside and wheel Ben out in a wheelchair. He sees Ben and Jack converse, also barely audible. JACK: Can you feel anything? BEN: So how do you feel? [indistinct] [They shake hands. Locke puts the binoculars down.] LOCKE: This is going to be more complicated than we thought. [Kate loads amo into her rfle. Kate, Locke, and Sayid have retreated into the woods.] SAYID: So what exactly are you saying? We simply start sh*ting people and hope for the best? KATE: We came here to rescue Jack, and that's what we're going to do. SAYID: But obviously the circumstances have changed. He may not want to be rescued. KATE: That is not him! That's not Jack. They must have done something to him. When they captured us, they drugged us. SAYID: He didn't appear to be drugged, Kate. KATE: They kidnapped him! Held him prisoner! He wouldn't just forget that! SAYID: I agree. But until we know why, we're putting our lives at risk. KATE: [walking away] I'm not leaving him, Sayid. SAYID: [puts a hand on Kate's shoulder, stopping her] You may not have a choice. LOCKE: It's Jack. The first time I saw him he was risking his life pulling people out of burning airplane wreckage. If he's shaking hands with the Others, I'm sure he has a good reason. We just have to go down there and find out what it is. SAYID: What do you suggest? LOCKE: We wait till it's dark, we approach Jack when he's alone... and if he wants out, we get him out. [Locke cocks his gn.] [FLASHBACK] [Locke is in his apartment, watching the television while eating a television dinner.] AUTUMN: Here's what we know, Crystal: the Bolivian gold deposits were stolen last night around 2 a.m. CRYSTAL: Um, that means...? AUTUMN: The Cobra! CRYSTAL: He's back! Ah, get down! AUTUMN: I've been sht! CRYSTAL: I can't find him! AUTUMN: There! Behind winged victory! I think he's armed! CRYSTAL: I can get him! [There is a knock on the door.] PETER: Hello. John Locke? LOCKE: I'm sorry. No solicitors. [points to a sign that says "NO SOLICITING"] I have a sign. PETER: Uh, I'm not... I'm not trying to sell you any... Listen, my name's Peter Talbot. I, uh, I just need a couple of minutes to talk to you. LOCKE: Talk about what? PETER: My mother, actually. I think she might be in some trouble. LOCKE: You've got the wrong John Locke. [begins to close the door] PETER: How many kidneys do you have? [Locke stops closing the door and peers at Peter.] [Cut to Locke making a pot of coffee in the kitchen.] PETER: She met him two months ago. Love at first sight, is what she said. Guy was charming, sweet, funny. His name's Adam Seward. He's a retired computer entrepreneur from Ontario. [Locke hands Peter a cup of coffee and sits down with his own cup.] PETER: Anyway, Adam had something... special. My mom just went ga-ga for him right out of the gate. After two months of knowing him, she agrees to marry the guy. And something about him, it... Something in my gut told me that he was after something, so I... I had to check him out. LOCKE: Well, I'm not sure what any of this has to do with me. PETER: Well, what this has to do with you, Mr. Locke, is that you donated one of your kidneys to Adam Seward. Only his name was different back then. He used to be Anthony Cooper. [Peter gives Locke a photograph of Cooper and a white-haired woman standing in front of flowers.] PETER: All I could find were his medical records. And I saw that he was the recipient of a kidney transplant from... you... so I figured, hey, someone gave the guy his kidney; how bad could he be? Right? LOCKE: Well, it, it was an anonymous donation. I never met him. PETER: Are you sure? LOCKE: Yeah, I'm sorry. I can't help you. [Cut to the Barracks. Locke is spying through binoculars. Kate and Sayid hide alongside him. Locke passes the binoculars to Kate, and they watch as Juliet walks Jack to his new house and says goodnight. Jack goes inside. Juliet leaves.] LOCKE: [whispering] Sayid, you guard the front. I'll go around and cover the back. [to Kate] You head in through the side door. KATE: I'm going in alone? LOCKE: It's better if you're the first one he sees. KATE: All right. [Locke, Kate, and Sayid move towards the house. Kate moves in through the door, gn in hands. Jack is playing a piano. Kate approaches him from the back, lowering her gn. Jack stops playing, and turns and sees her.] KATE: Hi. JACK: What are you doing here? KATE: I came to get you. JACK: [softly but urgently] Get out of here! Right now. Go. [glances away] KATE: Jack... JACK: [stands up, yelling] Kate! They're watching me! [Kate sees a camera on the ceiling.] JACK: Get out of here! KATE: I'm not leaving you! JACK: Yes you are! [The door slams open as two men enter with gn drawn.] OTHER: Get down! Get down! PRYCE: Get her down! Get her down! [One of the Others restrains Kate.] JACK: Don't hurt her! Don't hurt her! PRYCE: [aims his gn at Jack, who backs off] Step back, Doc. Step. Back. [The Other throws Kate to the ground, and she cries out in pain. Two more Others come into the room with Sayid, holding him to the ground.] PRYCE: Hold him still! KATE: Jack! Jack?! Jack! [Jack stays to the side, arms raised, as the Others restrain Kate and Sayid. Pryce points his gn at Kate.] PRYCE: [to Kate] Who else is with you? KATE: [looks at Jack pleadingly] Jack.. JACK: Just answer the question, Kate. PRYCE: OK, one more time. [cocks gn] Who else is with you? KATE: [looks down, then glances around] Nobody. Nobody else; it was just us. [looks up at Jack, breathing heavily] [Cut to Ben lying on his side in a hospital bed. Something rouses him. He elevates the head of the bed and looks around in the dark.] BEN: Alex? [Ben turns on his bedside lamp. Locke walks up to Ben and points his gn at him.] BEN: John! LOCKE: [whispering] Shhh. Keep your voice down. BEN: All right. It's all right, John. You don't have to point the gn at me. I can tell you where Jack is. LOCKE: [smiles wryly] I'm not looking for Jack. I'm looking for the submarine. [COMMERCIAL BREAK] LOCKE: The submarine. Where is it? BEN: I'm not sure what you mean, John. What submarine? LOCKE: The one you use to travel to and from the island. The one your man Mikhail told me about, right before I klled him. ALEX: [outside room] Dad? Who are you talking to? BEN: [frightened] Alex, don't come in here! [Locke goes to the door and opens it. Alex is there. There is a knock on the house's front door. Locke glances at it, then grabs Alex and forces her into the bedroom.] ALEX: [squealing] What do you--?! What--?! Ah! Dad--?! LOCKE: [covering Alex's mouth] Tell her to be quiet! BEN: Alex! Please! TOM: [from outside house] Ben? You awake? [Locke drags a struggling Alex into the closet, then closes the door, leaving it open a crack to watch.] TOM: [from outside house] I'm coming in! [Tom and another Other walk in the room.] BEN: What is it? TOM: It's Austen and Jarrah. They're here. Somehow they found us. BEN: Where are they now? TOM: We captured them. We're holding them over at my place. Want me to help you get out there? BEN: No. Separate them. I want to know how they found us. TOM: What about Juliet and Shephard? Tomorrow, in the morn... BEN: Let me worry about that. Just go. TOM: Got it. BEN: Richard? Wait a minute. TOM: I'll wait outside. [Locke raises his gn warily. Tom leaves. Richard Alpert, his back to Locke, walks closer to Ben.] BEN: I want you to bring me the man from Tallahassee. [Locke narrows his eye, confused.] ALPERT: What do you need him for? BEN: Just do it. Now. ALPERT: OK. [Locke looks questioningly at Alex. Alpert leaves. Locke and Alex come out.] LOCKE: [checking to make sure they've left] The man from Tallahassee? What is that? Some kind of code? BEN: No, John, unfortunately we don't have a code for "There's a man in my closet with a gn to my daughter's head." Although we obviously should. LOCKE: [pointing his gn and finger at Ben] Sayid... He had a pack with him. [glances at Alex, pointing to her] I want her to retrieve it. BEN: ... OK. But you should know, John, my daughter currently hates me. So I'm not sure holding me hostage is your best option-- ALEX: Dad! [to Locke] I'll get your bag. [Locke nods. Alex walks out the door.] [FLASHBACK] [Cut to flower shop where Anthony Cooper and Mrs. Talbot [Peter's mother] are finding flowers for their upcoming wedding. Locke walks in the doors.] MRS. TALBOT: I'm looking for something really stunning, something that will grab everyone's attention on the table. Honey? What do you think of this one? [Mrs. Talbot finds a bouquet of flowers and shows Cooper.] COOPER: That looks good. What do you think? MRS. TALBOT: I like it. Maybe just a little larger. COOPER: Yeah. [sees Locke behind the counter] Larger would be good. Um, I'll go over there and take a look. [Cooper walks over to Locke.] COOPER: Hello, John. LOCKE: Going to be a big to-do, or just the two of you and a preacher? I guess you couldn't invite me, huh? That would make for.. awkward introductions. COOPER: How did you even know that I was going to...? LOCKE: I know... because her son came to me and asked why I gave you a kidney. He's on to you. But he doesn't have any proof, so he came to me, hoping I would vouch for you. COOPER: What did you say to him? LOCKE: You're conning her, aren't you? You're going to marry her for her money, right? COOPER: What is it you want, John? LOCKE: I want you to end it. I want you to call off the wedding. COOPER: Why are you doing this? LOCKE: Because. Because it's not fair! You make people think that you're their family. And then you leave their life in ruins. And I'm not going to let you do it again! You're going to call off your engagement and go... or I'm going to tell her the truth. I want to hear you say it! You say you're going to leave! COOPER: OK, John. You got it. [walks out of the shop] [Cut to Ben's bedroom. Locke is sitting down watching Ben.] BEN: Would you mind helping me get into my chair? No tricks, I promise. [smiles weakly] I just want some dignity. You of all people should understand what it means to want some dignity. [Locke stares at Ben for a minute, then gets up.] BEN: Thank you. So tell me, John. How do you expect to pilot our submarine? I mean, it's a complicated piece of machinery. You don't just press "submerge". [Locke brings the wheelchair over to the bed.] LOCKE: I'll figure something out. For all you know I was a commander in the navy. [Ben turns and stares at Locke. Locke smiles.] LOCKE: Put your arm around my neck. I'll lift under your knees. BEN: What's in the pack, John? If you met Mikhail that means you were in the communications station. Which means you found the explsives. So you're not planning to pilot the submarine anywhere, are you? You're planning to destroy it. I know you, John Locke. LOCKE: You don't know me at all. BEN: I know you were born in California. I know you were raised in foster care. I know you wasted a big part of your life in Tustin, pushing papers at a company that manufactured industrial boxes. I know you spent the four years prior to your arrival on this island in a wheelchair. And I know how you ended up in it. Tell me, John. Did it hurt? [The side of Locke's mouth twitches as he looks down at Ben.] LOCKE: I felt my back break. What do you think? [Cut to Kate locked up in a game room. She sits on a pool table and pulls her handcuffed arms under her legs so they are in front of her. Tom walks in, interrupting her. He stays at the open door.] TOM: I didn't think I'd see you again so soon, Kate. TOM: [turns to someone outside the door, pointing to his own head] Be careful in here. [Jack walks through the door into the room where Kate is being held.] JACK: [to Tom] Thanks. [Tom leaves and shuts the door. Jack sits down backwards in a chair.] JACK: They hurt you? KATE: No. They hurt you? JACK: [laughing] No. KATE: What is all this? JACK: This is where they live. KATE: And the people they took? The kids? JACK: They're all safe. KATE: [pointedly] Safe? [Jack nods] So you're with them now. JACK: [shakes head] I'm not "with" anyone, Kate. [Kate hops off the pool table and goes to Jack.] KATE: What did they do to you? JACK: Nothing. KATE: [raising voice] Then why are you acting like this? JACK: There's no w... Y... There's no way that I could... KATE: [shouting] I came here to help you! So why don't you just tell me why you're... JACK: [shouting over Kate] I told you not to come back here for me! KATE: [sounding hurt] I didn't think you meant it. [They look at each other. Jack looks down, then glances at Kate, and looks back down. Kate goes over and places her hand on his arm, then kneels to his level.] KATE: What did they do to you, Jack? JACK: I made a deal with them. They're going to let me go. KATE: Where? JACK: Home. KATE: [smiles sadly] When? JACK: First thing in the morning. [whispering] I can bring back help. It's our best chance-- KATE: [disbelieving] You trust these people? [raising voice] They are liars! Why would you believe a word that... JACK: [speaking over Kate] I trust them because you told me to, Kate. When you asked me to save Sawyer's life. KATE: Jack... What did they tell you? [The door opens, and Juliet steps in.] JULIET: Jack, we need to go. JACK: I'll be right there. [She leaves and closes the door. Kate turns away from Jack.] JACK: I asked that you not come back here for me and I wish... I wish that you hadn't. [Jack stands to leave. He stoops down and whispers into Kate's ear.] JACK: But I will come back here for you. [Jack turns and walks out the door.] [COMMERCIAL BREAK] [FLASHBACK] [Cut to Locke pulling into a parking lot in a Volkswagen. He gets out of the car and walks across the lot with his groceries. Two people standing by a car interrupt him.] DETECTIVE MASON: John Locke? LOCKE: Yeah...? DETECTIVE MASON: Detective Mason. That's Detective Reed. Do you mind if we ask you a few questions? LOCKE: No, of course not. DETECTIVE MASON: Do you know a man named Peter Talbot? LOCKE: [pauses] No, I don't think so. DETECTIVE MASON: Thin, brown hair, 20s? DETECTIVE MASON: If it will be helpful, we believe he was here in your apartment two days ago. LOCKE: Oh! Oh, oh, yeah. Yeah, he was a solicitor. I, I, uh, I, I sent him away. DETECTIVE MASON: Mr. Talbot's family is worth somewhere in the neighborhood of 200 million dollars. So I'm curious, what exactly was he selling you door-to-door? LOCKE: Well, I... Look, I told you I don't know him, so... DETECTIVE MASON: Then why was your name and address on a piece of paper in his pocket, Mr. Locke? LOCKE: [puzzled] Why were y... would you be looking through his pockets? DETECTIVE MASON: Because Peter Talbot's dad. [Cut to Ben's house. Locke is looking out a window warily.] BEN: It wasn't easy, you know. Being in that hatch with you all that time. Knowing you had no business walking around. Knowing I couldn't even ask you about it without telling you who I really was. LOCKE: So ask me now. [closes the drapes] Now that I know who you really are. [Ben wheels his wheelchair over to Locke.] BEN: [excitedly] Was it immediate? It started the moment you got here? LOCKE: [smiling slightly] Yeah. BEN: And you were just walking? The feeling returned right after the crash? That day? LOCKE: That's what immediate means, Ben. You’re wondering why it hasn't happened for you. You're not recovering as fast as you'd like. How long has it been since Jack fixed you? A week? Now that I think about it, how'd you get sick in the first place? BEN: Are you afraid it'll go away, John? Is that why you want to destroy the submarine? Because you know if you ever leave this island you'll be back in the chair? LOCKE: [examines a small object, then glances at Ben] You got anything to eat? [Cut to Sayid handcuffed to a swing set. Pryce is watching from a nearby fence. Alex walks over to him.] PRYCE: Hey. Go on home, kid. You know you're not supposed to be here. ALEX: My father sent me to get his pack. PRYCE: ... Why? ALEX: [exasperated] I don't know, Ryan, but he told me to get it. PRYCE: All right. Here you go. [Pryce gives Alex Sayid's backpack. She turns on her heel and walks away.] SAYID: You're Alex, aren't you? [Alex turns around and looks at Sayid.] PRYCE: Hey! Can it. ALEX: How do you know my name? SAYID: Because you look like your mother. ALEX: [frowning] My mother is dad. SAYID: I'm sure that's what they told you. [PRYCE stands up and bashes Sayid with his gn. Sayid groans and falls.] PRYCE: Get going, Alex. [Alex pauses, then walks away.] PRYCE: [to Sayid] Keep your mouth shut. [Cut to Locke pushing Ben into the living room in his wheelchair. Ben turns on a light.] LOCKE: Where do you get electricity? BEN: We have two giant hamsters running in a massive wheel at our secret underground lair-- LOCKE: Yeah, that's funny. BEN: There's leftovers in the refrigerator. Help yourself. [Locke goes to the refrigerator. He opens it and takes out one of the plates. Meanwhile, Ben wheels over to look at some framed photographs of a dark-haired young girl on the wall.] BEN: I ate most of the dark meat. Sorry. [Locke tears in to the food.] LOCKE: [while chewing] Mmm. I never really appreciated chicken until right now. BEN: [turns around to look at Locke] I know you think you need to do this, John, but if you blow up my submarine, I have a big problem with my people. LOCKE: Is that supposed to be an incentive not to blow it up? BEN: [rolls over to Locke] I was born on this island. Not many of my people can say that. Most of them were recruited and brought here and as much as they love this place, as much as they would do anything to defend it, they need to know they can leave if they want to. The sub maintains that illusion. LOCKE: So you're lying to them? BEN: [exasperated] No! They're here because they want to be here! Some of them are just not ready to make a full... commitment yet. But you, John... You've already made that commitment. [Locke glances at Ben while holding a glass of water.] BEN: And now you have a choice. Because if you stop and if you think, I can show you things. Things I know you want to see very badly. Let me put it so you'll understand. Picture a box. You know something about boxes, don't you, John? What if I told you that somewhere on this island, there's a very large box... and whatever you imagined, whatever you wanted to be in it, when you opened that box, there it would be. What would you say about that, John? LOCKE: I'd say I hope that box is big enough to imagine yourself up a new submarine. [drinks the water] BEN: [looking away and smiling slightly] Why are you so angry, John? LOCKE: Because you're cheating! You and your people. [puts down his glass and walks around the room] Communicate with the outside world whenever you want to, you... you come and go as you please... you use electricity and running water and gn... You're a hypocrite! A pharisee. You don't deserve to be on this island. If you had any idea what this place really was... you wouldn't be putting chicken in your refrigerator! BEN: You've been here 80 days, John; I've been here my entire life! So how is it that you think you know this island better than I do? LOCKE: Because you're in the wheelchair, and I'm not. [COMMERCIAL BREAK] [Locks spots Alex returning to Ben's house. She steps in the door.] BEN: Did you have any problems? [She signals no. Locke takes the pack from her.] LOCKE: OK, here's how this is going to work. She's going to take me to the sub. Once we're there, I'll let her go. BEN: John, she's done enough. Let me take you. LOCKE: I don't want you to slow me down. [to Alex] Come on. Let's go. BEN: [urgently] John, before you go you should know--! [Locke turns] Jack and I made a deal. In less than an hour he's leaving this island on that submarine, and it's a one-way ticket. The anomaly wiped out our communications. We have no way of contacting the outside world. Which means when that sub leaves, it can never come back. So whether you destroy the submarine or whether you let it go, the end result is the same. No one will find this island. LOCKE: [to Alex] Let's go. [he walks away with Alex, who glances back at Ben] Come on. [They leave. Cut to outside the house.] ALEX: You know he's manipulating you, right? LOCKE: How's that? ALEX: That's what my father does. He manipulates people. He makes you think it's your idea, but it's his. LOCKE: I'll have to keep that in mind. [Alex and Locke walk through the woods. They come to the end of a path. The submarine is visible at the end of a pier.] ALEX: The submarine is down there. At the end of the dock. LOCKE: [puts his hand on Alex's shoulder for a moment] I'm sorry I had to involve you in this. [Alex watches Locke hurry over to the submarine. She pauses for a minute, then heads back to the Barracks. Meanwhile, Danielle has secretly been watching Alex from a nearby tree.] [Cut to Locke walking to the end of the pier. He looks around warily, then reaches the submarine, opens it, and looks inside. He climbs down into it and walks around inside.] [Cut to Ben opening his refrigerator. He puts the plate of chicken back inside with tinfoil over it. Jack walks into the room, and Ben looks over at him.] JACK: Look, I know you don't owe me anything, but I need to ask you for one last favor. [Juliet is standing beside Jack. Ben wheels himself over to Jack.] BEN: You don't knock? JACK: I need you to let my friends go. After I'm gone. BEN: And if I said no, would that stop you from leaving? JACK: [nods] Of course it would. BEN: Your friends are only here to rescue you, but you seem to be doing a good job of rescuing yourself, so... I suppose there's no reason to keep them here. JACK: Do I have your word on that? BEN: [wheels closer to Jack and extends his hand] You have my word. [Jack shakes his hand warily.] BEN: I'll let them go, just as soon as you've left the island. [Jack nods and walks away.] BEN: [to Juliet] Well, I guess this is it. JULIET: Thank you, Ben, for keeping your promise. [Ben nods and smiles. Juliet and Jack leave, with Jack pausing at the door to glance at Ben before heading out.] [Cut to Locke walking back from the pier. He is soaking wet. Jack, Juliet, and a couple Others walk towards him. The Others raise their gn upon seeing him.] PRYCE: Hey! Hold it right there. Get your hands up! Get down! I said get down! [LOCKE lowers himself to his knees, holding his hands up. Pryce takes his gn.] JACK: What are you doing here, John? LOCKE: I'm sorry, Jack. JACK: Sorry for what? [Behind Locke, the submarine suddenly explodes. Jack and the Others duck. As smoke billows from the ruined submarine, Jack and Locke stare at each other.] [FLASHBACK] [Cut to Anthony Cooper's house. Cooper goes up to his door in response to a banging and opens it; Locke is standing there.] LOCKE: What did you do? COOPER: John! [Locke walks in frantically, pointing an accusing finger at Cooper.] LOCKE: Tell me. Tell me you didn't do it! COOPER: [shuts the door] What are you talking about? LOCKE: [rushes into the main space of Cooper's apartment] Tell me that you didn't kll that kid! COOPER: What? You think I had something to do with Peter's death?! LOCKE: I tell you to end things with his mother, and the next thing you know, he's dad! COOPER: John, now calm down, please. Think about what you're saying. Why would I kll Peter? LOCKE: [shouting] He was on to you! COOPER: John, I've been doing this for a long time. I'm not sweating some rich kid. LOCKE: Then why are you still here? COOPER: What do you mean? LOCKE: [pacing back and forth] I tell you to leave, you tell me.. you're going to leave town... [shouting] Why are you still here?! COOPER: Now listen, John. I'll be honest with you. I didn't end it. I was looking for an angle. I wanted to make some money before I skipped out. But then all this happened. [Cooper pours two glasses of MacCutcheon whiskey.] COOPER: Peter died and everything just went straight into the tnk. She's devastated. She's called off the wedding. There's no profit in it, John. I'm a con man, not a mrder. LOCKE: [skeptically, but more calmly] She called off the wedding? COOPER: She said she couldn't deal with it. She needs to be alone. LOCKE: [louder] So if I were to call her, right now, that's what she would tell me? COOPER: [pauses, then points behind Locke] Phone's right over there, John. [Cooper takes a slow sip of his whiskey. Locke pauses, then turns and picks up the phone.] LOCKE: What's her number-- [Cooper abruptly tackles Locke, sending him through the window behind him. The window shatters as Locke falls eight stories to the ground below.] [Cut to a hospital room. Locke is lying in bed, bandaged and very badly bruised. The detectives from earlier are in his room.] DETECTIVE MASON: Mr. Locke, we know this isn't what you want to hear, but your father's gone. We know he fled to Mexico shortly after your.. encounter, then... he disappeared. I'm sorry, but he could be anywhere in the world right now. [Locke doesn't answer. A physical therapist, Kincaid, enters the room.] KINCAID: All right detectives, that's enough. Mr. Locke has work to do today. [Kincaid opens the blinds.] DETECTIVE MASON: We'll let you know if anything develops. [They leave.] KINCAID: John, John, John. We have got ourselves quite a day ahead of us, my friend. It's a fine time to get you up out of that bed. [Kincaid lowers the rail on Locke's bed and reaches to pull away Locke's covers, but Locke holds them tight.] LOCKE: No. I don't want to. KINCAID: John, I don't remember asking. [Kincaid pulls away the covers, then leaves the room and comes back with a folded-up wheelchair, which he opens and places on the ground.] KINCAID: Now. Most people struggle with this at first, but don't worry, you'll get used to it. LOCKE: Uh, no, no, please, I, I, I can't do this-- KINCAID: John. You fell eight stories and survived, OK? I don't want to hear about what you can't do. Now let's go. It's going to be all right. LOCKE: No, I don't, no, I don't think... KINCAID: [talking over Locke] It's going to be fine, John. Come on. [Kincaid picks up Locke, lifting him like a baby.] LOCKE: I don't think I... think I can... [Kincaid carries a terrified Locke to the wheelchair. He places Locke in the wheelchair.] KINCAID: You're fine. Ah... There you go. There you go, buddy. See? Wasn't that bad, was it? [finishes setting up Locke's wheelchair and pats Locke on the back] I'll be right back, buddy. [Kincaid leaves. Locke looks down at his immobile legs and starts to cry.] [Cut to Locke, handcuffed to an overhead pipe in a dark room. Ben and Alpert come into the room to talk to John.] BEN: Well, John, you've really gone and done it now. LOCKE: You don't have to pretend to be disappointed anymore. We both know you wanted it to happen. That's why you left the C-4 in Sayid's bag: because you wanted me to make it happen. BEN: Uncuff him please, Richard. [Alpert goes to release Locke.] ALPERT: You going to do anything stupid? LOCKE: No, sir. [Alpert releases Locke.] BEN: Do you remember earlier, John, when you called me a cheater? When you said I didn't deserve to live on this island? Well get this: there I was, shaking hands with Jack, and thinking I'd give almost anything to come up with a way to stop him from leaving... because to let him go would be a sign of weakness, of failure, of defeat. People would see that. They would know it. And that, John, would be the end of me. But to kll him... that would be cheating, because my people also heard me make a promise, and to break my word... that would be the end of me too. And then you came striding out of the jungle, John, to make my dream come true. LOCKE: You're not going to start talking about the magic box again, are you? BEN: No, John. I'm going to show you what came out of it. [Alpert pulls Locke up. Ben wheels out of Locke's room, and Alpert forces Locke out and closes the door. Alpert wheels Ben down the hall, and Locke follows beside, rubbing his arm.] BEN: When I asked you earlier if it hurt when you suffered your injury, I think you misunderstood me. Seems fairly obvious that when a person's back smashes into a hard surface after being thrown from a building, that that's going to sting a little. But I really wasn't asking about the physical pain. LOCKE: What, do you want to know if it hurt my feelings? BEN: No John. I wanted to know what it felt like when your own father tried to k*ll you. [Alpert, Ben, and Locke stop moving.] BEN: He's the reason you destroyed the submarine, isn't he? You're afraid. You're afraid of him and this is the one place he can never find you. This is the one place he can never get to. LOCKE: What do you want from me? BEN: I don't know how it happened, but you seem to have some communion with this island, John, and that makes you very, very important. You have no idea what you're talking about, of course, but in time you'll have a better understanding of things. So what do I want? I want to help you, John. LOCKE: Why? BEN: Because I'm in a wheelchair and you're not. Are you ready to see? [Alpert opens the door to the cell. Locke cautiously looks inside of the room. Inside he sees Cooper, tied to a chair, gagged, and covered with cuts and bruises. He looks terrified.] LOCKE: Dad?	{"type": "series", "show": "Lost", "episode": "3x13 - The Man From Tallahassee"}	foreverdreaming
[Nikki runs frantically through the jungle. She grabs something out of her bag, and buries it in the dirt quickly, before getting up shakily to resume running.] [FLASHBACK] [Nikki steps down the stairs in a strip club, wearing a white jacket and hat.] ANNOUNCER: And now, dancing on stage three, the pride of Saint Paul, Corvette! [Nikki pole dances, stripping off her jacket. She notices a man in a suit enter a back room. She follows him into the room, entering to find the man opening a case full of money, and another man in a purple hat facing CCTV feeds.] NIKKI: No! That's the money for the orphanage. That means, Mr. LaShade, you're the Cobra. BILLY DEE: Sorry, baby, it's just business. NIKKI: All this time it was you. BILLY DEE: Pretty and smart. What a shame. [He looks to the other man, who attcks Nikki. She kicks the gn out of his hand and karate chops him in the neck.] NIKKI: Razzle-dazzle! Ha! [She bends down and grabs the gn, but "LaShade" pulls out another gn and sht her three times. She collapses. He gets up and sht her again. Two other strippers enter and see Nikki's body.] BILLY DEE: Autumn, Crystal, bad news. Corvette was working for the Cobra. But fear not: he will pay. ZUKERMAN: And, cut! [A man with a clipboard signals the scene's end. Production crew rush around. Nikki lifts herself up.] BILLY DEE: Oh, let me give you a hand. [helps Nikki up] NIKKI: Oh, thank you. Billy Dee, it was so great working with you. BILLY DEE: Oh, no, the pleasure's all mine; thank you so much. NIKKI: You're sweet. BILLY DEE: Take care. NIKKI: You too. [Nikki heads over to meet the director, Howard L. Zukerman.] ZUKERMAN: Alright, that's a series wrap for Corvette! Let's hear it for Nikki! [Most of the production crew clap and whistle.] NIKKI: Thank you. ZUKERMAN: Brilliant, Nikki. As always. You know, you don't need to die. We can bring you back next season. NIKKI: [laughs] How? ZUKERMAN: Well, let's say that, uh, Corvette was wearing a bllet-proof vest? [Nikki pulls away her jacket to remind Zukerman that she is wearing nothing but a bikini underneath.] ZUKERMAN: bllet-proof breast! NIKKI: [covering back up] Look, I'm just a guest star, and we all know what happens to guest stars. ZUKERMAN: Now that your work's done here, I suppose you'll be leaving Sydney and heading back to LA. [They step off-set to look at Sydney Harbour.] NIKKI: No, I'm not leaving Sydney. I love you. ZUKERMAN: I love you too. [They smile and kiss. End flashback.] [Cut to the Island. Hurley and Sawyer are playing table tennis. Hurley wins the point.] SAWYER: Son of a bitch! Alright, come on, let's go one more. HURLEY: You said best out of five. SAWYER: Well, now we're going best of seven. [Suddenly someone approaches from the jungle. It's Nikki, who stumbles onto the beach looking dazed.] SAWYER: Ah. HURLEY: Uh, you OK? [Nikki falls to the ground, struggling to breathe. Hurley rushes over, and Sawyer follows.] HURLEY: What happened? NIKKI: [struggling for breath] Pa... lies... SAWYER: The hell's she saying?! HURLEY: I dunno. SAWYER: Let's get her some water! Get help! [Sawyer gets up and moves toward the jungle, peering through the trees to see where Nikki came from. As Hurley watches, Nikki stops moving. Sawyer turns around and sees Hurley sitting there.] SAWYER: What are you doing?! Get moving! HURLEY: Dude... Nikki's dad. SAWYER: ... Who the hell's Nikki? [FLASHBACK] [84 days ago, Nikki sits in Zukerman's house eating breakfast with him.] NIKKI: Mmm. Howie, the frittata is amazing. ZUKERMAN: Hm hm! My new chef; he's fantastic. Paulo, come in here. PAULO: [walking in with a bread basket] Yes, sir? ZUKERMAN: Paulo, my boy, you have a new fan. I'd like you to meet Nikki. NIKKI: The food is amazing. PAULO: You're too kind. The secret is the shaved truffles. Luckily for you, they are in season. NIKKI: [in a mock whisper] You know, you should ask for a raise. [Paulo chuckles, and Nikki bursts into laughter.] PAULO: Excuse me. [walks away] ZUKERMAN: He just came to Sydney. Heard I was hiring, and showed up at my office every day until I gave him the job. Apparently, back home, he's the, um, "Wolfgang Puck of Brazil". NIKKI: Wow. ZUKERMAN: [grabs the bread basket] Here. Try one of these home-made rolls. [Nikki laughs] Please, please do. [Nikki takes a slice, revealing a diamond bracelet underneath.] NIKKI: Oh, it's... beautiful. Howie, you shouldn't have! ZUKERMAN: [laughs as Nikki puts the bracelet on] I realize, of course, it's not a ring. Not yet. But, uh, when my wife-- [Nikki looks up from admiring the bracelet as Zukerman abruptly stops. Zukerman suddenly starts to choke and grab his chest.] NIKKI: [standing up, urgently] Paulo..! Paulo! [Paulo hurries in. Both stand over Zukerman as he moans, then stops moving. Paulo checks his pulse.] PAULO: He's gone. [Nikki moves to touch him softly, but instead pulls open his shirt and grabs a key on a necklace he's wearing. She snaps the necklace off of Zukerman.] NIKKI: [scornfully] I would have loved it if you could have figured out a way where I didn't have to eat the same food as him. [They move to a walk-in closet and find a safe.] PAULO: So nobody else knows about this thing? NIKKI: Everything in here is way off the books. [Nikki puts the key in the safe and starts to open it. Paulo pulls out a cigarette and prepares to light up, but Nikki grabs it out of his mouth.] PAULO: What? NIKKI: Ashes are evidence, Paulo. We poisoned him; let's not poison ourselves. [Paulo reluctantly snaps his lighter shut. Nikki opens the safe and pulls out a Matryoshka doll. She opens three layers of dolls to get to the core. Nikki and Paulo smile down at it.] NIKKI: Razzle-frickin'-dazzle. [Cut to Nikki's body lying on the beach, as the survivors assess the situation.] CHARLIE: What happened? HURLEY: We dunno. She's got no gn wound, no Knfe wound, no polar bear bite, nothing. SUN: Maybe it was something she ate. CHARLIE: Maybe she was poisoned. SUN: We should check the food supply to see if anyone else is sick. CHARLIE: [checking Nikki's limp hands] She's got gn. Under her fingernails. [to Sawyer] Where'd you find her? SAWYER: Right here. She stumbled out of the jungle, face-planted, said something like "plywood", and... and, sayonara. HURLEY: Actually, I think she said "power lines". SAWYER: Well, who the hell knows what she said; she was five seconds from dying. Probably seeing a light at the end of the tunnel-- HURLEY: [interrupts Sawyer with a shout] "Paulo lies"! That's what she said! "Paulo lies", not "power lines". "Paulo lies". SAWYER: Who the hell's Paulo? HURLEY: Paulo's her... husband, or her.. boyfriend, or... whatever. They lived down the beach. SAWYER: Well, where the hell is he? 'Cause if he lies, that might be a good place to start. [FLASHBACK] [80 days ago. Paulo looks at a newspaper article on Howey's death as he and Nikki sit in Sydney Airport] PAULO: English ex-pat, Howard L. Zuckerman, the creative force behind such ht shows as Exposé, Strike Team Alpha and Dr. Kincaid Esquire, was found dad in his palatial Sydney estate from heart failure. [Both laugh, and Paulo kisses Nikki] NIKKI: Are you chewing gum? [Paulo opens his bag, inside is the Matryoshka doll. He pulls out a pack of nicotine gum] PAULO: Nicotine gum. I quit. [They pick up champagne glasses] PAULO: A toast. To our new life together. NIKKI: Cheers. [Behind them, two people arrive] SHANNON: There's nowhere to sit. No tables, no chairs, nothing. Good call, Boone. BOONE: Do you wanna just grab a chair from the restaurant? SHANNON: No, forget it, let's just leave. You already screwed us out of seats in first class, why would you be able to find them here. BOONE: [To Paulo and Nikki] Hey, can I have this chair please? PAULO: Yeah. Be my guest. SHANNON: Boone, let's just go! BOONE: Thanks anyway. [They both walk away] SHANNON: Boone! BOONE: I'm coming, Shannon. SHANNON: If you quit flirting with random guys, maybe you could actually get on the plane. NIKKI: Promise me we'll never end up like them. PAULO: I promise. [They kiss again] AIRPORT PA: Paging Captain Stewart, please pick up the courtesy call Captain Stewart. [The scene moves to the beach, but still in flashback. Its the moments following the crash. Shannon screams at the top of her lungs. Jin shouts for Sun, as Nikki appears in the background] SHANNON: BOONE! BOONE! BOONE! [Nikki rushes past, seeing Jack with Claire, Boone with Rose. She then sees Locke helping carry a man. Locke turns to another man near the turbine] LOCKE: Hey, hey, get away from there! [To Nikki] Hey, get back, get down. Get away from there! [The man is pulled into the turbine, causing it to explode. Nikki carries on walking, and sees a man lying face down] NIKKI: Paulo! Paulo! [She turns him over, to find it is not Paulo. It's Leslie Arzt] ARZT: Are we alive? Did we survive? Look at me, am I OK? Am I OK? BOONE: [Runs up to Nikki] Hey. Do you have a pen? Do you have a pen? [Runs off] Hey does anybody have a pen?! [Nikki finally sees Paulo looking out at sea with shocked eyes] NIKKI: Paulo. Paulo, are you OK? PAULO: Yeah. I think so. NIKKI: Baby look at me. Look at me. [Paulo does so] NIKKI: Where's the bag? PAULO: What? NIKKI: The bag, Paulo, where is it? [Paulo looks shocked] [Back in real-time, Sawyer, Hurley and Jin can be heard approaching Paulo's body in the jungle] SAWYER: I'm telling ya, this is the trail. HURLEY: What do you know about tracking? SAWYER: Well I know what a footprint is. JIN: Over here. [They find his body] HURLEY: Wow. SAWYER: I'm guessing that's Paulo. HURLEY: He's just like Nikki, no wound, nothing. JIN: [Speaks Korean] HURLEY: Yeah I know. [Sawyer sees one of Paulo's shoes stuck in a tree] HURLEY: Why are his pants undone? And why's his shoe in that tree? SAWYER: Maybe he stepped on something. [Sawyer looks out into the jungle as Jin opens Paulo's bag] HURLEY: You see something? Sawyer? SAWYER: Nothing. [Jin uncaps Paulo's bottle of water] SAWYER: No! Don't. [He pours all the liquid out] HURLEY: Dude, what are you doing? SAWYER: Two people are dad, you ever think they mighta been doing. HURLEY: That's evidence. You're messing up the crime scene. SAWYER: Crime scene? There a forensics hatch I don't know about? JIN: STOP! Monster. [FLASHBACK] [75 days ago. At night, Nikki and Paulo look through some of the unclaimed luggage] NIKKI: How many times do I have to tell you, there's no such thing as monsters. PAULO: Maybe it was a dinosaur. NIKKI: Its not Jurassic Park, Paulo, its the South Pacific. PAULO: Then what was it? You saw the trees move. NIKKI: Would you start focusing? We've been here for six days, OK, the coastguard is gonna get here any second, and I really don't think that they're gonna take “hey, you know what, I'm looking for my script-bag” as an excuse for not getting on the rescue boat. PAULO: OK, OK, OK. ETHAN: Hey. You guys lose your luggage? Yeah I lost mine too. I found some other stuff though, so if you need anything, pants or, sweatshirt, I can help you find some that fit. I'm Ethan, by the way. NIKKI: Hi, I'm Nikki, and this is Paulo. ETHAN: Nikki. PAULO: Hi. ETHAN: Paulo. NIKKI: And you are so sweet Ethan, but actually we're not looking for clothes. Yeah, see Paulo here lost his nicotine gum. ETHAN: Ouch. You might have more luck looking inland. PAULO: In the jungle? ETHAN: The plane split apart when it was over the Island [Possibly says “Islands”], so some of the stuff might have rained down in there. [Commotion can be heard, and Arzt runs past] ARZT: Boone. Boone took the water. [Many survivors chatter] KATE: What is going on? BOONE: Someone had to take responsibility for it, it would have never lef... [The group start to fight, Sayid holds back Charlie] JACK: Leave him alone! Its been six days, we're all still waiting for someone to come. We have to stop waiting. We need to start figuring things out. Now I found water. Fresh water up in the valley. I'll take in a group at first light. If you don't wanna come, then find another way to contribute. Because every man for himself is not gonna work. But if we can't live together, we're gonna die alone. [Back in real-time, the group have brought Paulo's body back to the beach to keep it with Nikki] HURLEY: I'm with Jin. Its the Monster. SAWYER: Yeah because that makes the most sense. HURLEY: It does. Locke said when Eko died, his last words were you're next. And Nikki and Paulo were with them. He was talking about them. SAWYER: He wasn't saying you're next about them, he was saying you're next as in, you're all next. HURLEY: Yeah that's not really better. SAWYER: Alright, so here's how I see it. We wanna know what happened, we gotta find out whatever we can about these jabronis. JIN: Jabronis? SAWYER: Nina and Pablo. HURLEY: Dude, show some respect. You know their names, its Nikki and Paulo. SAWYER: Whatever, Hugo. Where's their tent? And we better get some shovels. [FLASHBACK] [57 days ago. Nikki wanders the beach and goes to Arzt's tent, where he is examing bottles with insects inside them] NIKKI: Hey Doctor Arzt. ARZT: Oh hi. NIKKI: You're a scientist, right? ARZT: And an educator, yes. NIKKI: What are you doing with all this stuff? ARZT: Oh, erm well, since we've been on here, I've discovered twenty new species, I'm gonna be the next Charles Darwin. [Nikki picks up a glass] ARZT: Ah, ah, that is a Latrodectus regina. Very dangerous. They call her the medusa spider. Her pheromones are very strong, one whiff and every male of the species would be here in seconds. Not unlike you I guess. NIKKI: So, you're probably too busy to help me then. ARZT: No, no, not at all, I'm fine, er, I can help you, what can I do ya for? NIKKI: Well I'm trying to find my luggage, and since the plane broke apart over the jungle, I was wondering if you knew about trajectories and stuff. ARZT: [Laughs] Do I, do I know about trajectories? Allow me to draw you a map, Madam. [Nikki looks to see Paulo watching her. Later, they trek through the jungle together carrying the map] PAULO: Are you sure we should be listening to a High School Science teacher? NIKKI: Junior High, and yes. What's your problem with Leslie anyway? PAULO: Leslie? NIKKI: Oh ho, you're jealous! PAULO: Of him? Ha, never. NIKKI: Yeah his spiders turn me on so much, I had to sleep with him to get the map. PAULO: I wouldn't be surprised. You slept with Zuckerman. [Nikki stops walking] NIKKI: I did that for us. [She continues walking] PAULO: OK I'm sorry, I just, I don't trust that guy. We should have gone to Ethan, he would have helped. NIKKI: Paulo, look. [They both look up to see the smugglers' plane dangling over the cliff edge, caught in the vines] PAULO: Another plane. Looks like its been here a while. NIKKI: Go up there, maybe there's a radio or... PAULO: Are you insane? If I go up there that thing's gonna happen. NIKKI: You're not gonna fall. PAULO: What? You want me to die? [Pause] Come on. Let's keep going. [They carry on, walking over soil] NIKKI: What's that? [Paulo looks to see hatch doors poorly covered in dirt. They uncover it and try the doors] PAULO: OK, let's do it. [They pull the doors open to reveal a deep drop and a ladder by the side] PAULO: Let's check it out. NIKKI: Wow. So our carry-on bag fell from the sky, opened a manhole, crawled inside and closed the doors behind itself? You don't wanna climb up to a plane, but now you wanna climb down a ladder into a dark tunnel. I don't think so. [Nikki shuts one of the doors and walks off] [In real-time, Sawyer rummages through Nikki and Paulo's tent as Hurley watches] HURLEY: Hey man, be careful. SAWYER: Why, they don't live here any more. CHARLIE: So Sun checked the food. They were eating the same as us and no-one else is sick. Could be a virus? HURLEY: Dude, Monster. [Looks over] Creepy, they collected bugs. CHARLIE: Ah, I think these were Arzt's. Collected all kinds of creepy crawlies before he, exploded. HURLEY: They must have been friends. [Charlie pulls out a script-book] CHARLIE: Exposé. HURLEY: Did you just say Exposé? CHARLIE: Yeah. SAWYER: What the hell's Exposé? HURLEY: Only of the most awesome hour of television ever. It's like Baywatch only better. Its about Autumn and Crystal, two strippers that solve crimes with the help of their swarve smooth-talking club owner, Mr. LaShade. SAWYER: How'd I miss that one? HURLEY: Check it out, look at the cast list, Nikki Fernandez. That's gotta be why she was in Australia. This must have been her big break. CHARLIE: Well it certainly sounds like it. HURLEY: No way. Mr. LaShade was the Cobra? CHARLIE: Is that supposed to mean something? HURLEY: Dude the Cobra's this big bad guy. His identity's been shrouded in mystery for four seasons. [Sawyer finds a walkie in Paulo's luggage, and turns it on] HURLEY: They had a walkie talkie? SAWYER: Every damn one of those bastards on the other side of the Island had one exactly like this hanging from their belts. CHARLIE: So how did Nikki and Paulo get one? SAWYER: I'll tell ya how. They were working with the Others. [FLASHBACK] [48 days ago. Shannon and Arzt stand arguing with Kate as Paulo and Nikki approaches] SHANNON: What gives you the right? KATE: You have to understand, we thought it was best for everybody. ARZT: I'm sorry, you my mother? Cause she knows what's best for me, other than that, I decide. NIKKI: Hey, what's going on? SHANNON: Kate and her two boyfriends found a case of gn that fell out of the plane, but they decided they didn't really need to tell the camp. KATE: Look. The case is locked. The key is around Jack's neck, alright, I promise you they're safe. ARZT: You're all out of control. The pigs are walking. [Shouts] Huh, the pigs are walking! [Both Shannon and Arzt leave] NIKKI: So, where did you say you found that case? [At the waterfall, Nikki and Paulo stand discussing] NIKKI: Its just water, Paulo, stop being such a wuss, and dive in. PAULO: Why me? NIKKI: Well as you had no trouble reminding me, I slept with Howey Zuckerman. So the least you could do is go for a swim, and Kate said they found the case on the bottom. PAULO: Lemme ask you something. NIKKI: What? PAULO: If you didn't need me to find that bag, would we still be together? NIKKI: That bag is worth eight million dollars. Just dive in, Paulo. [Paulo does so, and finds the bag between some rocks. He resurfaces] NIKKI: Well? PAULO: Nothing. NIKKI: There's nothing down there? PAULO: Just dad bodies. [Nikki leaves, and Paulo goes underwater once more] [In real-time, the survivors stand over Nikki and Paulo's bodies] HURLEY: OK so they had a walkie talkie. You think they were working with the Others, like how? SAWYER: Like Michael. CHARLIE: If that's the case, when why'd they kll Nikki and Paulo? SAWYER: Who knows why those people do anything. What matters is they could be out there right now waiting to get us. HURLEY: I dunno dude. I was with the Others like two weeks ago, they're on a total other side of the Island. SUN: Then who dragged me into the jungle. The Others came into our camp, they grabbed me, put a bag over my head. And if I hadn't gotten away, they would have klled me. SAWYER: Look y'all stay here. [Pulls out a gn] Lemme see if I can see any sign of em. I'll do a perimeter sweep. HURLEY: Where'd you get the gn? SAWYER: Got it off one of them. HURLEY: And when were you gonna let us know? SAWYER: I guess right now. [Sawyer leaves] HURLEY: What exactly is a perimeter sweep? CHARLIE: [Shakes his head] Hey shouldn't we cover them up? SUN: Yes, of course. [FLASHBACK] [At night, Paulo sits on the beach and takes some nicotine gum. He then brings out the Matryoshka doll from his bag and begins to bury it in the sand] LOCKE: Nice night. [Paulo is caught by surprise and hides the doll] LOCKE: What you doing? PAULO: Nothing. LOCKE: It looks like you're digging a hole. Every man's entitled to his secrets Paulo, but can I give ya a piece of advice? PAULO: Please John. LOCKE: You should put the shovel away and save yourself some trouble. PAULO: Why is that? LOCKE: Things don't stay buried on this Island. The beach is eroding. Winter's coming, high tide. Whatever it is you're hiding, make sure you pick a spot that won't wash away. See you back at camp. [Paulo looks at the doll, thinking] [Some time later, Paulo enters the Pearl station with a flashlight and investigates. He finds a toilet, and hides the Matryoshka doll in the plumbing behind it. Before he can leave, he hears voices and hides] BEN: Who left this open? JULIET: Tom was down here a couple of days ago. BEN: Have him cover it up with the plane. [Ben and Juliet enter the main room and turn the monitor to show the Swan station, with Jack in sht] JULIET: That him? Shephard? BEN: Yes. JULIET: He's cute. Why are we doing this? Shephard will never agree to do the surgery. BEN: No, I can convince him to do it. JULIET: How? BEN: Same way I get anybody to do anything. I find out what he's emotionally invested in, and I exploit it. JULIET: So, what? We just grab all three of them, Ford and Austen too? BEN: No they need to come to us. JULIET: And how do we make that happen? BEN: Michael, of course. JULIET: Are we done here? This place gives me the creeps. [Ben turns off the monitor and they leave, shutting off the lights too. Paulo creeps out of his hiding place, and finds a walkie on the table] [In real-time, Hurley rushes over to the food tent] HURLEY: Hey! Desmond! You hear about what happened to Nikki and Paulo? DESMOND: Aye. Tragic. HURLEY: So, do you know anything? DESMOND: How d' you mean? HURLEY: Can you, you know use your psychic powers? DESMOND: Doesn't work like that. I only see flashes. HURLEY: No offence dude but, as far as superpowers go, yours is kinda lame. Thanks anyway. DESMOND: I do know that she was with your mate this morning. HURLEY: My mate? DESMOND: I saw her with your boy Sawyer. The dad girl, Nikki. HURLEY: He said he didn't know her. DESMOND: Then why was she yelling at him? HURLEY: Yelling? DESMOND: Aye. HURLEY: At Sawyer, this morning? DESMOND: Right before she died. [Further down the beach, where Paulo and Nikki bodies are lying, Vincent pulls away the blankets covering them] HURLEY: Vincent! Dude! CHARLIE: So he saw Sawyer and Nikki fighting. That doesn't prove anything. HURLEY: Look at the facts, and ask yourself. Why is Sawyer so gn-ho about investigating this? What's in it for him? He pretended he didn't know their names, but then he was fighting with Nikki. SUN: Sawyer's not a mrder. He went all the way across the Island to help Michael. It is the Others, I know what they can do. HURLEY: OK, you know what, I'll go get Desmond, he'll tell you exactly what he saw. [Hurley leaves] CHARLIE: Sun. It was me. SUN: What? CHARLIE: It was me who took you, not the Others. I wasn't myself. After Locke ht me. After he humiliated me. Sawyer told me I could get even by helping him steal the gn, we just made it look like, the Others. I didn't mean to hurt you. [Sun walks away with a tear in her eye] CHARLIE: [Mutters] I'm sorry. [FLASHBACK] [9 days ago. Locke, Sayid and Desmond approach a group of survivors, including Nikki and Paulo] LOCKE: Hey everybody. We're heading out to the Pearl station, there's a computer there that might help us find our people. Anybody wanna come along? NIKKI: [Raises her hand] I'll go. LOCKE: Great. PAULO: What? LOCKE: Anybody else wanna come, meet us at the tree-line in ten minutes, and bring water. PAULO: You're not serious. NIKKI: What? You always whine about not being included. Now's our chance. [Inside the Pearl, the group try to fix the monitors. Meanwhile, Paulo sneaks into the side room to retrieve the doll] NIKKI: Hey guys. What are these other TVs for? LOCKE: Sorry? NIKKI: All these TVs. This guy says that there's six stations, [Inaudible] [The Pearl Orientation video is replayed with Nikki pointing out the pluralized form “projects”. Paulo gets the doll, and flushes the toilet before entering the main room. The rest of them turn from the sound of the toilet] PAULO: The, toilet still works. [The group shrug off the interruption] [Back in real-time, the survivors are busy digging Nikki and Paulo's graves. Sawyer approaches] HURLEY: Give me the gn. SAWYER: The hell you talking about? HURLEY: Give it to me. [Sawyer pulls out the clip] SAWYER: Ain't even loaded. HURLEY: Then how are you sweeping the perimeter. Quit lying dude. Desmond saw you fighting with Nikki this morning. SAWYER: Oh I see what this is. Villagers have got themselves some torches. HURLEY: Did you kll them? SAWYER: No. No I didn't kll them. Yeah, me and Nikki went at it this morning. Cause she wanted a gn. HURLEY: Why didn't you tell us this before? SAWYER: Cause of the dirt under her nails. HURLEY: What? SAWYER: She was digging. And when we found him I saw a fresh mound of dirt. She was burying something. And if you take the time to dig a hole right before you die, then what your hiding's probably pretty damn good. SUN: So what was it? What did she hide? [Sawyer throws Sun a pouch. She sprinkles out the contents onto her hand. Diamonds] SAWYER: Go ahead, take em. Cause whatever happened to those two I had nothing to do with it. [Sawyer walks away] [FLASHBACK] [12 hours ago. Nikki sits on the beach, and Paulo joins her] NIKKI: Did you know Thanksgiving was two weeks ago? [Paulo shakes his head] NIKKI: We missed it, Paulo, just like we're gonna miss everything. PAULO: They're going to find us. We'll get rescued. You'll see. NIKKI: [Laughs] OK where did this sudden burst of optimism come from? PAULO: I dunno I guess, its how we look at things. Like the bag. I mean, maybe not finding it was good for us. NIKKI: How do you figure that? PAULO: Look what it did. It might have torn us apart. NIKKI: Yeah. [They both smile] PAULO: Wait here. I'm gonna get us some breakfast. NIKKI: [Smiles] OK. [They kiss briefly. As Paulo leaves, Nikki notices something on the sand. Nicotine gum, which was in the same bag as the doll. Nikki goes to see Sawyer] NIKKI: OK, I know you have them. Give me a gn. SAWYER: I don't have the gn. A-team took em all. NIKKI: Right, except for the ones you kept for yourself. SAWYER: Even if I had a gn I wouldn't give it to you. Judging by the fre you're breathing, I got a feeling no good would come of it. NIKKI: Sawyer, give me a gn. [Across the beach, Desmond notices the two arguing] SAWYER: I got a better idea sister. How about you go stick your head in the ocean and cool yourself off. NIKKI: Thanks for nothing. [She leaves. Sawyer shouts after her] SAWYER: And who the hell are you?! [In real-time, Sawyer goes over to Nikki's body] SAWYER: [Whispers] Thanks for nothing [He closes her eyes and begins to dig. Sun approaches him] SUN: Charlie told me it was your idea. To kidnap me. SAWYER: You gonna tell Jin? SUN: No. SAWYER: Why not? SUN: Because then we'd have to dig another grave. [Sun takes Sawyer's hand and gives him back the diamonds] SAWYER: Why are you giving me these? SUN: Because they're worthless here. SAWYER: See, and I thought I was going to get out of this without a lesson... [Sun slaps Sawyer hard across the face, and walks away. Some time later, Nikki and Paulo's bodies have been replaced in the grave. A group of survivors have gathered for their funeral] HURLEY: Nikki and Paulo. I guess we didn't really know you very well. And it appears, you klled each other for diamonds. But I know there are good parts to you too. You were always nice to me. And you're a member of the camp. And, er, I really loved Exposé. OK then, goodbye... SAWYER: Wait. [He pours the diamonds into his hands, and throws them over the bodies] SAWYER: Rest in peace, Nikki and Paulo. [FLASHBACK] [8 hours ago. Nikki leads Paulo through the jungle] PAULO: Come on. Just tell me. NIKKI: Na-uh, its a surprise. We're almost there. OK, ready? PAULO: Yeah. NIKKI: I found the diamonds, Paulo. PAULO: [A sht of confusion goes across his face] What? Where? NIKKI: Right here. [Paulo looks on the ground as Nikki frowns] NIKKI: Give em to me. PAULO: What're you talking about? NIKKI: What am I talking about? [Pulls out the gum] What's this? Your nicotine gum. You wanted to stop looking for the bag cause you'd already found it. I know you have them, Paulo, so where are they?! PAULO: Calm down, OK? [Nikki unscrews a glass bottle with a spider inside] PAULO: What the hell's that? [Nikki opens the bottle and thrusts it at Paulo, causing the spider to land on his neck and bite him] PAULO: Are you out of your mind? NIKKI: You remember Doctor Arzt's friend. Did it bite you? Does it hurt? He told me why they call it the Medusa Spider. Wanna know why? [Paulo begins to shake and grabs Nikki] PAULO: What did you do? NIKKI: Because one look from Medusa will turn anyone to stone, just like one bite from the spider will paralyze you, for about eight hours. It won't kll you, it'll just slow your heart rate down to the point of where even a doctor would have a hard time... [Paulo falls to the ground] NIKKI: ...Hearing it bat. You won't be able to move a muscle, so I'll be able to do, all sorts of nasty things to you. And since it bit you on your neck, I'd say paralysis will happen fast. I'm guessing that you have the diamonds on you. Huh? [Nikki searches Paulo] NIKKI: In a shoe, maybe? [Finding nothing, she throws the shoe away, and it catches in a tree] NIKKI: [Pauses] I think I know where... [She undoes Paulo's belt and zipper, and pulls out the pouch from his underwear] NIKKI: Son of a bitch. PAULO: I'm sorry. NIKKI: You're only sorry cause you got caught. PAULO: I was, afraid, of losing you. If you found the diamonds, you wouldn't need me any more. [As Nikki looks on forgivingly, the clicking sound of the Monster can be heard. As Nikki looks around, numerous Medusa spiders approach. One crawls on Nikki's leg, and she shakes it off, but not before it bites her] NIKKI: Ow, dammit! Oh no! No! No, no. [She runs through the jungle, and buries the diamonds pouch in the dirt. She then arrives at the beach, finding Hurley and Sawyer] HURLEY: Er, you OK? [Nikki collapses face down, and is turned over by Sawyer and Hurley] HURLEY: Hey, hey, what happened? NIKKI: Para...lyzed. [In real-time, Sawyer and Hurley shovel sand over the bodies and the scattered diamonds. The rest of the survivors all begin to leave. Nikki's eyes open wide as sand is poured over them. Sawyer and Hurley finish burying the pair, and walk away]	{"type": "series", "show": "Lost", "episode": "3x14 - Expos\u00e9"}	foreverdreaming
[In the game room at the Barracks, Kate sits. She sees someone approaching the door, and prepares to attck. As the door opens, Kate swings a pool cue at Juliet, who dodges and throws her to the ground] KATE: Ah! JULIET: I was just bringing you something to eat. Enjoy your sandwich. [Juliet leaves Kate lying on the floor] [FLASHBACK] [Kate stands by a car as it is towed onto a truck] TRUCK DRIVER: Been on the road a while, huh? KATE: How long's it gonna take? TRUCK DRIVER: Well your fan belt's sht. Take two days, maybe three. KATE: Three days for a fan belt? TRUCK DRIVER: [Smirks as he opens his car door for Kate] Welcome to Iowa. Name's Johnny. KATE: I'm Lucy. [Johnny and Kate arrive at a garage, as a woman tries to sell a man some jewelery. It's Cassidy] CASSIDY: They're all 18 carat gold. [Inaudible] MAN: Come on, those don't look real. I'm not buying them. [Inaudible] JOHNNY: [To Kate] If you need a lift into town, I'm finished up here in an hour. MAN: Call the cops! [Kate turns away instinctively] CASSIDY: Ah fine, whatever! Your loss. JOHNNY: Hey there a problem buddy? MAN: Yeah, yeah, there's a problem. I'm getting scammed here that's a problem. CASSIDY: Look I'm sorry. MAN: What'ya think I'm an idiot? CASSIDY: Hey man if you don't wanna buy em you don't have to buy em. MAN: Those are fake necklaces and you're a rip-off artist. CASSIDY: They're real. MAN: Call the cops. CASSIDY: If you don't want em, I'll sell em to somebody else... KATE: Hey lemme see those. My father owns a jewelery store, I think I can spot a fake. How much? CASSIDY: Sixty bucks. KATE: I'll take the one on the end. MAN: Whatever. [Both the man and Johnny leave. Cassidy and Kate both start to walk away] CASSIDY: Thanks. KATE: Yeah. [Pause] Can I get my money back? [Kate begins to leave] CASSIDY: Hey! Why'd you help me? KATE: Just one girl watching another girl's back I guess. CASSIDY: Or, you're stranded here, and for some reason you didn't want that guy calling the cops. [Kate stops and approaches Cassidy] CASSIDY: I'll give ya a ride into town, you buy me a drink. [On the Island, Kate sits playing backgammon in the games room. Someone enters the room via the door behind her] KATE: What? LOCKE: Kate. KATE: John! What are you doing? Did they capture you? LOCKE: Yes, but, only temporarily. I came to say goodbye. KATE: Goodbye? LOCKE: I'm leaving with them. KATE: The hell is going on, I mean what are they doing to you, are you brainwashed? Where did Jack go? LOCKE: Jack didn't go anywhere, Kate. He's gonna have to stay behind like you. KATE: You can't trust them. If they told you that they're going to take you home, they're lying th... LOCKE: I don't want to go home, Kate. I want you to know, I made a strong case for you. I told them that you were a good person. Reliable, smart, honest. And then they told me who you were and what you had done. Let's just say forgiveness isn't one of their strong suits. Good luck. [Locke heads for the door, and Kate follows] KATE: John, where are you going? LOCKE: [Shouts] Coming out! KATE: Hey, just. Where is Jack, and where is Sayid, have you seen Rousseau? [Locke lightly shakes his head, and moves to go] KATE: John, please, what's happened to you? LOCKE: I'm sorry, Kate. [He leaves, and the door shuts] [At the beach, Hurley walks past Sawyer while he reads, kicking his foot. He then looks directly towards the sea not facing Sawyer] SAWYER: The hell's wrong with you? HURLEY: Don't look at me and pretend we're not talking. I'm not supposed to be here. SAWYER: Good then scram. HURLEY: Dude you need to know that, there's been some chatter. After Paulo and Nikki and everything. Well, tomorrow there's gonna to be a vote. SAWYER: A vote for what? HURLEY: To decide whether or not to banish you. SAWYER: Banish me?! Where?! HURLEY: Well there's debate about that, but the consensus was half a mile down the beach. SAWYER: Consensus? HURLEY: I'm only saying this because there may be a way to fix it. To, like, make amends. SAWYER: I don't do amends. HURLEY: Might wanna ask yourself, about all the good stuff that comes from being a part of this, society. I mean you can't even feed yourself. You use our latrine, drink the water that Steve brings every morning to the trough... SAWYER: Er.. HURLEY: What? SAWYER: You know how for three days, ten hours and fifteen minutes I ain't allowed to use nicknames? HURLEY: Yeah? SAWYER: Well, you, Sir Hugo, are rotund, annoying, and you're ruining my damned view. How's that for amends? HURLEY: You're making a big mistake dude. [Hurley leaves] SAWYER: [Mumbles] Banish me... [At the Barracks, flies buzz around Kate's sandwich. As she lies on the ground next to it, she grabs the bread and begins to eat it. She is interrupted by noise. Outside, the Others chatter and quickly pack bags. They then put on gas masks. A gas canister is thrown into the games room, and Kate kicks it, quickly covering her face. She tries to leave but is locked in. She falls unconscious] [FLASHBACK] [Kate and Cassidy sit at a bar table drinking] CASSIDY: How bout you tell me your name? KATE: It's Lucy. CASSIDY: And what's your real name? Next time somebody asks you don't think about it. KATE: I didn't thi... CASSIDY: Not even for a second. [Kate laughs] CASSIDY: So, why Lucy? KATE: She's a saint. Memorized them all in Sunday school so I figured they're probably still all rattling around my brain. CASSIDY: What makes a girl who went to Sunday school scared of cops? [Kate gulps down a large amount of her drink] KATE: A few months ago, I klled my stepfather, and escaped from the Marshal who arrested me for it. CASSIDY: [Pauses] Why? KATE: [Laughs coldly] Cause he was a bad guy. CASSIDY: So, the hell are you doing in Iowa? KATE: I wanna talk to my mother. CASSIDY: You're gonna have a real hard time doing that. Because if you did what you just said you did, then the Feds are gonna be watching her twenty-four seven. KATE: I'll figure something out. CASSIDY: Oh you will huh? KATE: What, you wanna help me? CASSIDY: [Pauses] Absolutely. KATE: Why? CASSIDY: [Pauses] I fell in love with the wrong guy. And then I gave him my life savings. He conned me, and embarrassed me. He was a bad guy. So, I'll help you get the meeting with your Mom, Lucy, because one of us deserves something good. [Back on the Island, Kate wakes up lying in leaves. She realizes she's in the jungle, and then notices that her arm is handcuffed, to an unconscious Juliet] [At the beach, Sawyer tries fishing to little avail. He notices Sun and Jin, smiles, but receives a stern look from Sun] SAWYER: I ain't gonna get the Korean vote. [He suddenly seems to catch something on the line] SAWYER: Oh, oh, what the... shoo! Come here, come on... [Sawyer lies a freshly caught fish on the sand, and attempts to gut it, very poorly. He then heads to find Hurley] SAWYER: Alright, let's do it. HURLEY: Do what? SAWYER: I'm ready to do it. Make amends. Change the vote. I don't wanna be banished, OK? You happy? HURLEY: Dude you stink. What is that, fish? SAWYER: No. HURLEY: Did you try to gut one yourself? How have you not learned that by now? I mean we've been here like, three months. SAWYER: Can we just do this? HURLEY: Do what? SAWYER: [Grudgingly] Make nice! HURLEY: Apologize for calling me all those names. SAWYER: [Sighs] I'm really sorry I called you rotund. HURLEY: Really? SAWYER: Ah God, you're worse than a girl. Come on, let's, spread the love. [In the jungle, Kate notices a flip Knfe in Juliet's pocket. She slowly pulls it out, but when she flicks it open, Juliet wakes and grabs her hand] JULIET: What the hell am I doing here? KATE: Why don't you tell me. JULIET: I dunno. KATE: Well I dunno either, so why don't you let go of my wrist. [Juliet does so, and Kate pulls the blade away, attempting to pick the lock on the cuffs] KATE: So what the hell happened? JULIET: I was making a cup of tea. Canister came in through the window. KATE: So what you do to piss em off? JULIET: You're wasting your time. The Knfe is too big, you need something smaller, a safety pin or.. KATE: We're going back. JULIET: What? They did this to us, why would we go back? KATE: You say they like you didn't lock me in a cage and watch me break rocks all day. We're going back to your village because, my friends were probably gassed just like us. And your people are gone anyway. I saw them all pack up and leave. JULIET: What? KATE: Locke came in and said goodbye. They were taking off, going somewhere else. JULIET: Going, going where? KATE: He didn't, exactly tell me. [Pauses] Welcome to the wonderful world of not knowing what the hell's going on. [FLASHBACK] [Kate approaches a house dragging a luggage case behind her. She knocks on the door and Diane opens it] FEDERAL AGENT: Go go go! [Kate is jumped on by federal agents with gn] EDWARD MARS: On the ground! [Cars arrive with more agents in them] MARS: Get down! On the ground! Let me see those hands. Let me see those hands! Long time no see, Austen. [He pulls her over, and rips off her cap and sunglasses, to reveal that the girl is in fact Cassidy] MARS: Who the hell are you? CASSIDY: I'm just selling Bibles! [Mars breaks open Cassidy's case to find a number of different editions of the Bible. Across the street, Kate watches the scene with a pair of binoculars. Some time later, Cassidy knocks at Kate's motel door and comes in] CASSIDY: Hi. They questioned for half an hour. He confiscated my case. He was asking me about selling Bibles and, ah its a good thing I know how to lie. KATE: Yeah, now we know what we're up against right? CASSIDY: Yeah now we know that there were six guys waiting to take you down, Lucy. KATE: Yeah its OK I'll figure it out. CASSIDY: Figure it out? That Marshal, I don't know what you did to him, but if he ever gets his hands on you, it is going to be you or him. KATE: Look, if you've changed your mind. If you don't wanna help me, I get it. CASSIDY: No I do wanna help you but if I'm lying to federal agents Lucy so that you can have a chat with your Mom, then I at least need to know that there's a pretty good reason. KATE: He, er, used to get drunk, and bat up my Mom. So I blew up his house. I made it look like an accident. A gas leak. Took out an insurance policy on the house, for her. Set her up for life. And then she gave me up. Chose him over me. So the reason I need to talk to her is, someone I love, someone whose supposed to care about me, betrayed me. And I wanna know why! CASSIDY: Well, then let's go find out. [In the jungle, Kate examines the ground. It is now night time on the Island] JULIET: What are you doing? KATE: Whoever dragged us out here left a trail, it'll lead us back to where we came from. Let's go. [Juliet pulls on the cuffs to keep Kate where she is] JULIET: It's gonna rain. Don't you think we should wait til morning? KATE: No. [Kate pulls on the cuffs to make Juliet follow] KATE: Why? JULIET: Why what? KATE: Why would they handcuff you to me and then drag us all the way out into the jungle? JULIET: Ben has a thing for mind games. KATE: That why he left you behind? JULIET: Do we really have to talk? KATE: Nope. [Suddenly, thunder crackles and rain pours down] KATE: Come on, if the trail gets away I'll lose it. JULIET: I hope you're not dragging me all the back there with you for him. KATE: Excuse me?! JULIET: I hope you're not going back, for Jack. Because I was standing right there, when he told you not to come back. And now that you've ruined his chance to get off the Island... [Kate punches Juliet in the face, and the two begin to fight violently. Kate twists Juliet's arm] KATE: You done? I SAID ARE YOU DONE! [A crack signals that Kate has dislocated Juliet's arm. Juliet screams] KATE: I... I'm sorry, I, I didn't mean to... [She is interrupted by the sounds of the Monster] JULIET: What the hell is that?! [Kate looks stunned] KATE: Get up. JULIET: You dislocated my shoulder! KATE: GET, UP! [Juliet pulls herself up and the two run for cover. Kate notices some vines and clump of trees] KATE: Quick, in here! Come on. Get in. Come on, get down, get down. JULIET: What... the hell? KATE: Shh... up. [The sounds of the Monster screech right outside the trees where they are hiding. As it nears, blinding lights shine sharply on both of them. Juliet covers her eyes in shock] JULIET: Are we safe? KATE: You tell me. [At the beach, Claire nurses Aaron as Hurley and Sawyer watch from a distance] SAWYER: I ain't kissing no damn baby. HURLEY: Claire's like really influential. If she votes for you to stay you're home free dude. SAWYER: Well why wouldn't she vote for me? Its not like I ever done anything bad to her. HURLEY: Nah but you never did anything good for her either. And have you ever even asked how Aaron is? SAWYER: Well I know how he is. He, cries loud and he smells. HURLEY: You see, that's what I'm talking about. You're sarcastic, people don't like that. SAWYER: Alright. So I go over. Do what? HURLEY: Moms love it when you show an interest in their babies. You should go over there, say something nice. Call her Claire. And give her this [Hands Sawyer a blanket] I know you can do it, dude. [Sawyer approaches Claire] SAWYER: Hey, Claire. CLAIRE: [Surprised] Hey. SAWYER: [To Aaron] Hey there, little baby [Aaron begins to cry] ...Aaron. CLAIRE: Is er, is there anything I can do for you? SAWYER: No. I just came by to say, your baby's... he's not as wrinkly as he was a couple weeks ago. CLAIRE: [Puzzled, then laughs] Yeah, I, I guess he's not. Thanks! SAWYER: Oh and er, this is for you. [Hands Claire the blanket] CLAIRE: Thank you. SAWYER: I don't like, blankets. Well goodnight. CLAIRE: Goodnight. [Sawyer walks away, looking to Hurley who gives him a thumbs up] [In the jungle, Kate and Juliet are still hiding in the tree] JULIET: Do you think it's gone? Are we safe? KATE: Are you serious? You've never seen that? JULIET: Oh if you don't believe me, you can always pull my other shoulder out of its socket. KATE: I was, I wasn't trying to... JULIET: Don't flatter yourself. This is the fourth time its been dislocated. [Juliet sits up and begins to press on her hurt arm] JULIET: Give me your hand. KATE: Why? JULIET: Cause I want you to pop it back in. KATE: No, I'm not gonna... JULIET: You're gonna. Right now it feels like there's broken glass under my skin, and if it weren't for you, I would be on my way home right now. KATE: Jack told me not to come back to protect me. Because he didn't want me to get hurt. JULIET: Is that what you think? KATE: Yeah that's what I think. JULIET: We have cameras on the cages, Kate. All of them. He saw you, you and Sawyer. The reason Jack told you not to come back, wasn't because he didn't want you to get hurt, it was because you broke his heart. So, grab my wrist. Push up, and twist! [Kate does so, and Juliet screams] [At the main camp, Sawyer and Desmond lie on the ground with gn, hunting boar] SAWYER: Why're we gotta be out here so damn early? DESMOND: You asked me to help you catch a boar. Well this is when they break cover to eat. SAWYER: Looks like they picked a day to sleep in. DESMOND: So what's your angle, brother? SAWYER: My angle? DESMOND: Well you, haven't spoken three words to me and then, suddenly you want to be my hunting partner. SAWYER: My angle, is that I got hearts and minds to change. And politics is all about bribes. Since money don't mean squat on this Island, I gotta give the people something they like. And people like meat... DESMOND: Shh. [A boar appears, and Desmond sh*t it dad] [At the tree hiding spot, Juliet and Kate wake up] KATE: How's your shoulder? JULIET: Awesome. KATE: Then let's get going. [FLASHBACK] [Cassidy sits in a diner and is given some soup by the waitress] CASSIDY: Thank you. DIANE: You're welcome sweetheart. [As Kate's mother serves someone else, Cassidy positions the soup at the edge of the table. When Diane heads past her again, she knocks the soup onto her shirt] CASSIDY: Oh my God, I'm so sorry, I'm so sorry. DIANE: No worries. CASSIDY: I'm such an idiot. DIANE: It happens all the time, sweetheart. [Another waitress arrives to help clean up] DIANE: Uh, thank you. [She heads off to clean herself up and Cassidy watches as she goes. In the bathroom, Diane cleans her apron and sees someone enter in the mirror] KATE: Hi Mom. DIANE: What are you doing here, Katherine? KATE: You look good. DIANE: I asked you what you are doing here. KATE: I wanna know why you told them what I did to Wayne. DIANE: I thought maybe you came cause you wanted to say you were sorry. KATE: I'm not sorry. He ht you, he treated you like a dog, and you... DIANE: You can't help who you love, Katherine. And for good or bad, I loved him. And you burnt him alive. You turned on the gas and you lit a match. You mrder him in cold blood. KATE: I did it for you. DIANE: No. What you did, you did for yourself. [Shrugs off her tears] I have to go back to work. Because you are my daughter, I'm not going to tell the two men sitting at the table who've been following me for the last month that you are here. But I swear to God, Katie, if I ever see you again, the first thing I will do is yell for help. Goodbye. [Diane leaves, and Kate bursts into tears] [On the Island, Kate and Juliet continue their trek to the Barracks] KATE: Did he say that to you? JULIET: Sorry? KATE: That I broke his heart. JULIET: He didn't have to. KATE: You don't know anything about him. JULIET: I know where he was born. I know what his parents did for a living. I know that he was married. And who he was married to. I know why he got a divorce. I know how his father died. I know his height, his weight, his birthday, and his blood type. What do you know about him, Kate? KATE: [Pauses] Let's go. [As the two walk on, the sounds of the Monster can be heard once more] KATE: Run, run, run. [As they do so, Juliet trips and both of them fall into a mud pit] KATE: Get up, run, run, come on. [They keep moving, but Kate stops Juliet as they arrive at the sonic barrier fence] KATE: Stop. JULIET: Wait, what are you doing? KATE: I know what happens when you step through those things... JULIET: They're off, we can... KATE: We'll go alongside... JULIET: We don't need to, we can... KATE: ...Go around... JULIET: ...They're off... dammit. [Juliet grabs a key from her pocket and undoes the cuffs. Kate falls to the ground stunned. Juliet runs to the other side of the fence and accesses a control panel, revealing a lever switch] JULIET: You're gonna wanna be over here. [Kate hesitates] JULIET: Kate, come on! [Kate runs through the barrier covering her head. Once through, Juliet turns the switch, causing the fences to buzz. The Monster then heads straight forwards Juliet, but the smoke is completely blocked by the sonic fence, which acts like a forcefield. The Monster quickly gives up and flies away. Kate walks over to Juliet and pushes her] JULIET: Alright. We don't know what it is but we know it doesn't like our fences... KATE: You had a key. JULIET: They left me behind too, they gassed me. I know that you don't care, but the people I spent the last three years of my life with, they just left me. I thought that maybe, maybe if I could make you think that we were in it together. Maybe I wouldn't get left behind again. [Kate grabs the key from Juliet's hand and walks on ahead of her] [At the beach, Sawyer pours beer over the skinned boar as he cooks it] SAWYER: Ahaha. CHARLIE: Um, ah, its delicious. Just a little DHARM-A1 and paprika. SAWYER: I hope you'll remember this little barbecue at your meeting later. CHARLIE: Oh what meeting? SAWYER: Hurley told me about the vote. CHARLIE: Vote? Since when did anyone around here vote? [Sawyer laughs, then realizes Charlie isn't lying. He goes to find Hurley] SAWYER: You son of a bitch. There wasn't ever gonna be no vote. HURLEY: But, wasn't it nice, being nice. SAWYER: You tricked me into being decent. That's gotta be the lamest cons in the history of cons. HURLEY: Wasn't a con dude. If you're gonna be our temporary leader, you need to do some damage control. SAWYER: Leader? The hell are you smokin? HURLEY: Jack's gone, Locke's gone, Kate and Sayid, you're all we got. And Paulo and Nikki dying, we all look to you. Then again you totally tried to steal the diamonds, but we wanted to look to you. Look around, you made everyone happy. Just for today, they can eat boar, laugh, and forget that they're totally screwed. And you did that for em dude, you. SAWYER: Well what if I don't wanna be the leader? HURLEY: Yeah well, I don't think Jack wanted it either. Sucks for you dude. [As the survivors happily eat and drink, Hurley gives Desmond a sandwich while Sawyer takes one to Claire. She lets him hold Aaron while she eats. Sawyer looks towards Sun with a smile, but she once again frowns at him] [Kate and Juliet manage to make it back to the Barracks, which is now completely deserted] JULIET: Sayid's in one of those backyards down there. I'll go get him. You should get Jack. [Kate enters the house Jack was living in, and finds him unconscious on the floor, with gas canisters nearby] KATE: Jack, Jack, hey, wake up, its me. [Jack quickly wakes up, but knocks Kate back into the wall] JACK: What happened? KATE: They all left. JACK: What? What? KATE: Because of me. I'm so sorry. I should have listened to you. I never [Pauses] I wanted to come back to help you. But you didn't need me to. And now because of me you can't go. [She begins to cry] KATE: I'm so sorry. I am so sorry. JACK: They just, left. Even, even Juliet. KATE: [Pauses] No they left her too. JACK: Why? KATE: You know her better than I do. Now what? JACK: Now, now we go back. [They both get up and head outside] [FLASHBACK] [Cassidy pulls up at the garage, dropping Kate off. She sees her car, now fixed] KATE: Thanks for everything, Cassidy. CASSIDY: You got it. KATE: So, this guy who ripped ya off. You gonna give me his name? Tell me where I can find him? You almost got arrested for me Cassidy, I wanna help you. CASSIDY: I'm pregnant. KATE: Oh. CASSIDY: It's his, the baby's his. And I still love him. KATE: So call the cops, have him locked up. CASSIDY: Will you ever forgive your Mom for calling the cops. KATE: No, no I won't. CASSIDY: Thanks, Lucy. KATE: My name's Kate. [The two smile, and Kate gets out of the car and leaves] [On the Island, Jack and Kate leave the house to find Juliet] JACK: Hey. JULIET: Hey. JACK: You OK? JULIET: Yeah. You? JACK: Yeah. [Both chuckle as Sayid appears] SAYID: Jack. JACK: Sayid. SAYID: I've checked all the house, everyone's gone, no w*apon, no trail... KATE: [To Sayid] Hey. SAYID: ...it's like fifty people disappeared into thin air. JACK: We should take what we can find and head out while we still got light. SAYID: She is not coming with us. JACK: Yes she is. SAYID: Why? JACK: Because they left her behind too. [Jack and Juliet set off. Sayid and Kate exchange glances, and then follow]	{"type": "series", "show": "Lost", "episode": "3x15 - Left Behind"}	foreverdreaming
[Jack, Kate, Sayid, and Juliet trek across the Island. They cross a stream and Sayid stops] SAYID: Its getting late. This is a good place to make camp. JACK: I'll get some firewood. KATE: I'll go with you. [Jack and Kate break firewood nearby trees] KATE: You wanna talk about it. JACK: Talk about what? KATE: About the week, you spent over there with them JACK: Well after you left. I, er, made a deal with them if I took care with Ben that they'd let me off the Island. You know I just, kept my head down, did what I was supposed to. Didn't ask any questions. KATE: And that's it. JACK: That's it. [Kate looks on as Jack walks away. Meanwhile, Juliet washes some of the dirt off herself from the stream water. She notices Sayid watching her] JULIET: OK. Let's have it. SAYID: I want to know what you people are doing on this Island. Why you're terrorizing us. Making lists. Kidnapping children. I want to know everything. But the first thing I'd like to know is, who are you? [Juliet simply sits quietly] [FLASHBACK] [Juliet and her sister Rachel drive up to security gates and a guard] JULIET: Hi. I'm Juliet Burke, I'm with Mittelos Bioscience. GUARD: I'll let Mr. Alpert know you're here. JULIET: Thank you. RACHEL: Well. [Both laugh] I think they're taking this whole corporate secrecy thing a little too seriously. JULIET: I'm never gonna fit in with these people. [Someone knocks on the car window. It's Ethan Rom] ETHAN: Hey there, Doctor Burke. If you pop the trunk I'll get your bags. JULIET: Thank you. [As the gates open, Richard Alpert also arrives] RICHARD: Ah you managed to find us. JULIET: I didn't even know they had an airport out there. RICHARD: I know it surprises everyone. Hi. You must be Rachel. Richard Alpert. RACHEL: Nice to meet you. RICHARD: Thank you for letting us borrow your sister for a few months. RACHEL: Just promise me you'll bring her back in one piece. RICHARD: [Laughs] Well, we'll do our best. Er, so listen, its, er, a security thing. We have to take you in the rest of the way, so, whenever you're ready we'll be waiting, right over here but please do take your time. Pleasure to meet you. RACHEL: Thanks. RICHARD: Thank you. [Richard leaves and Juliet and Rachel face each other with sad faces] RACHEL: Its better this way. JULIET: Is this a mistake? I shouldn't go, what if you get sick again? RACHEL: I won't. Cancer's gone. And, I'm 100% preggers thanks to you. JULIET: I'll be back... RACHEL: Yes, I know. JULIET: ...Before you give birth, I promise. RACHEL: I know. Don't worry about us, OK? JULIET: OK. RACHEL: You spent your whole life working to get here. So, don't blow it! JULIET: I love you. RACHEL: I love you. [The sisters embrace in tears] JULIET: OK. RACHEL: Go make us proud. [Juliet gets in the van with Richard and Ethan ushering her. She smiles to Rachel before the door closes] [Back on the Island, Sayid is still waiting for Juliet to reply] SAYID: Who are you? JULIET: If I told you who I was. If I told you everything that I know. You'd kll me. SAYID: What you think I'll do if you don't. JACK: Leave her alone. [Jack and Kate arrive back with firewood] SAYID: Sooner or later she'll answer my questions. JACK: She'll answer your questions when she's ready. And you'll wait until she is. She's under my protection. [Sayid looks on in anger, Kate in surprise, and Juliet with no real emotion, all in silence] [At the beach, Charlie hears Aaron crying, and finds Claire asleep] CHARLIE: Claire? Claire? Claire? [To Aaron] Oh, oh, what is it? Oh, it's OK. Shh, shh, its OK. Claire? Hey. Claire. You OK? CLAIRE: Charlie? What's, what's going on? CHARLIE: Didn't you hear Aaron? CLAIRE: Is he OK? CHARLIE: Nah, he's OK. Are you alright? CLAIRE: Yeah, I just, feel a little bit off. I didn't sleep well. I can't believe I didn't hear him crying! CHARLIE: Maybe you're coming down with something. Look why don't you let me take Aaron, and, you get some more rest. CLAIRE: Yeah, do you mind? CHARLIE: Absolutely. CLAIRE: [Lying back down] I won't sleep long. [Across Island, Sayid angrily cuts trees with a machete. Jack and Juliet are further behind walking together] JULIET: I guess its no use asking them to wait up huh. JACK: They'll come around. Just give them some time. JULIET: My people kept Sayid chained to a swing-set for three days, then I dragged Kate into the jungle, handcuffed myself to her and lied about it. How much time do you think they need? JACK: We'll be back at our beach in a couple of hours, they'll probably be over it by then. [Both laugh] You nervous? JULIET: Hell yes. [FLASHBACK] [Juliet is at Herarat Aviation with Richard. They walk to a seating area] RICHARD: I know that erm, six months sounds like an eternity but, you're gonna be amazed at how time flies once you're there. JULIET: I can't wait to find out where there is. ETHAN: Doctor Burke? Wanna have a seat, I'd like to take some of your vitals. If that's OK with you? JULIET: Yeah, sure. RICHARD: You know everyone at the company's really excited about you coming down Doctor Burke. And I think your research is really gonna have a major impact on us. [Juliet sees Richard pours a substance into a glass of orange juice] JULIET: What is that? RICHARD: That, is orange juice, with a considerable amount of tranquilizer mixed in. JULIET: [Pause] You want me to drink it? RICHARD: Oh yes [Smiles], you're gonna wanna be asleep for the trip Doctor Burke. ETHAN: It can be [Chuckles], kind of intense. JULIET: Er, OK, I was fine with signing all over your paperwork. Fine with agreeing to not talk to anyone in my life for six months. Fine with the fact that no-one in the medical community has ever heard of Mittelos Bioscience. RICHARD: Why were you fine? JULIET: What? RICHARD: Why were you fine with those things? It seems like, er, quite a leap for a job opportunity. I mean we're not paying ya that much. I think you're fine because deep down a part of you knows that the place we're taking you to is special. JULIET: Special huh. RICHARD: Let me ask you, Juliet. You took a woman, your own sister. Whose reproductive system was ravaged by chemotherapy, who was sterile. And you made her pregnant. You created life where life wasn't supposed to be. That's a gift, Juliet. You have a gift. And don't you think you're meant to do something significant with it? Where we're going, you can do just that. JULIET: Where exactly are we... RICHARD: I can't tell you that. But what I can tell you is that, you'll see things there that you never imagined. Now, no-one is forcing you to do anything, so if you change your mind we're happy to take you back to... [Juliet takes the glass and quickly gulps down the entire drink] ETHAN: Erm, you probably shouldn't have drunk that so fast. [Juliet quickly blacks out. She awakes to see a roof, in red light. She bolts up, but is held back. She has been shackled to a bed. Ethan draws back a curtain] ETHAN: Good morning. [Juliet tries to speak] No, no, its OK. You'll be hoarse for a few hours but it gets better as the day goes on. Sorry I had to, strap you in but the last leg is always a little bumpy. Watch your head. Give me your hand. [Juliet gets out and walks down a submarine walkway, seeing other people sat drinking] ETHAN: We're here. JULIET: Here where? [Ethan points up and Juliet climbs a ladder outside. She is on a tropical Island by a pier. Ben approaches] BEN: Hello Doctor Burke. My name is Benjamin Linus. [He offers his hand, and after a moment Juliet takes it] I'm really looking forward to working with you. Watch your step here. [At the beach, Hurley cooks oatmeal with Charlie, who is caring for Aaron] CHARLIE: Hey, wow, that's too much water, its going to be all soggy. HURLEY: It's oatmeal dude, it's supposed to be soggy. SAWYER: Well if it ain't three men and a baby... I counted Hugo twice. Oh what, come on I used your name. [Claire arrives] CLAIRE: Hey. Does anybody know where there's any aspirin? DESMOND: Claire you don't look so good. CHARLIE: What are you doing up? You're meant to be in bed. CLAIRE: Yeah no I know, I just... my head's pounding. SAWYER: I got you covered, two aspirin coming right up. CLAIRE: Thank you. [As Sawyer heads for his tent he sees Jack coming around the shoreline] SAWYER: Son of a bitch. SUN: Jack? It's Jack! [The other survivors all notice and run over. Sawyer spots Kate and sighs. Shouts and cries can be heard from the whole group as they hug Jack, Kate and Sayid. Sawyer and Jack shake hands, and Sawyer hugs Kate passionately] SAWYER: The hell is she doing here?! [The whole group turn, and notice Juliet] [The group all run around and discuss. Juliet sits alone on the beach. Hurley approaches] HURLEY: Hey. JULIET: Hey. HURLEY: So. You're like one of them, huh? JULIET: I'm Juliet. HURLEY: I don't remember you from the dock. Where you put bags on our heads. After you shocked us. JULIET: I had the day off. [Both smile weakly] HURLEY: So I hear you're a doctor. JULIET: I'm really more of a researcher. HURLEY: Ahuh. [Pause] JULIET: They send you over here to keep an eye on me? [Hurley nods] OK. HURLEY: The last one of you guys that came over here. Ethan. He kidnapped Claire and, Charlie got upset. We buried him over there. [Juliet looks off in the direction, an unremarkable area of woodland] [FLASHBACK] [A heart monitor flatlines in the Staff station as many Others stand in medical garb. Juliet looks upset] ETHAN: She's gone Juliet, she's dad. GOODWIN: It's OK. You tried. You go ahead and take off. I'll talk to Ben. [Juliet sits on the rocks by the sea watching the waves. Ben approaches] BEN: It was Sabine's choice to get pregnant. She knew she was taking a risk. JULIET: I think it happens at conception. And if that's the case there's nothing I can do about it, at least not here. BEN: I'm not sure I understand. JULIET: The only way to see if I'm right is to take a woman off the Island, back to Miami. BEN: No, you're not taking anybody off the Island. JULIET: In that case, there's nothing more I can do. I know you put a lot of faith in me, Ben. And I'm sorry I couldn't help you. My sister's giving birth in three months, and I haven't even been able to call her. It's time for me to go home. BEN: Your sister won't be giving birth in three months, Juliet. She'll be dad before then. Her cancer is back. [Ben removes a document from his bag; Rachel's medical notes. Juliet studies them] JULIET: Where did you get this? BEN: Mikhail. I'm sorry I should have told you sooner, I just didn't see what good it would do. JULIET: What good it would do! I could have gone home, I could have been with her! BEN: You still can. You can go home, Juliet. Be with her in her final days, or you can stay here and help me with our problem. JULIET: Why would I stay? BEN: Because if you do I will cure your sister's cancer. JULIET: I'm supposed to take that on faith? BEN: You've been here for six months. You've done extensive work-ups on all of us, have you seen even a trace of cancer? JULIET: That's here. And being that you won't let me my sister here, I'm going to need more... BEN: Jacob said he would take care of it himself. Unless of course you don't have faith in him. Every woman on this Island needs you. If you choose to stay. I promise you, we will save Rachel's life. [At the beach, the group discuss Juliet being amongst them] SUN: Trust her? She's one of them. JACK: Not anymore. They left her behind. CHARLIE: Oh yeah, where'd they go? JACK: I told you, I dunno. SAWYER: Well maybe we better ask her. JACK: She doesn't know either. SAWYER: Well here's a wacky idea. Let's stick our resident Iraqi on her. Let him do what he does, then see what she says. SAYID: No I don't do that anymore. SAWYER: Well ain't that convenient. SAYID: But I don't trust her, Jack. If she's so innocent, why won't she answer my questions? [Claire arrives and Charlie goes to her as the others continue arguing] CHARLIE: Hey. JACK: Just give her some time, she's afraid. SAYID: How much time? JACK: Look the fact that I trust her should be enough. SAYID: It's not. DESMOND: Where did Locke go? JACK: He went with them. Right after he destroyed the sub, the sub that was gonna take me off this Island. HURLEY: What? SAWYER: They were gonna let you go? JACK: Yeah. SAWYER: Said who? JACK: Ben. SAWYER: Ben. Whose life you saved. KATE: Sawyer, lay off. SAWYER: You should have let that bog-eye bastard die. KATE: He did it for us. SAWYER: Sounds like he did it for him. KATE: James. JACK: Something you wanna ask me, Sawyer? SAWYER: Yeah Jack I wanna ask you why you're fighting every one of us and sticking up for one of them. JACK: Look I spent every moment over there trying to find a way off this Island... CHARLIE: Claire? JACK: ...I was trying to help all of us. I was trying to get us rescued. [Claire suddenly spits up blood] CHARLIE: Claire... Jack! There's something wrong with Claire! [As everyone speaks, Jack comes over and helps Charlie. Blood has now covered Claire's hand] JACK: Put her head back, put her head back. Let's get her up. How long's she been like this? CHARLIE: Er she started feeling bad this morning. JACK: Before she got back, was she showing any symptoms at all? CHARLIE: No she was fine. JACK: What about water, has she been drinking enough water? CHARLIE: I think so yeah. JACK: Alright keep that head up. JULIET: [To Sun] What happened to her. JIN: [Speaks in Korean] SUN: He said, what do you care? [Kate walks back to her tent] JULIET: Kate! I need your help. I need you to go and get Jack. KATE: Look he's busy right now. JULIET: Please I have to talk to him. KATE: You wanna tell me why you need Jack? JULIET: Because I think I know what's wrong with Claire. KATE: Why? JULIET: Because I did it to her. [Kate grabs Jack and leads him away from the group to Juliet. Sawyer and Sayid watch on from afar] SAWYER: Giving you a bad feeling in your stomach? [Sayid nods] Yeah me too. JULIET: Claire's immune system is turning on her, she's having a latent reaction to a medication in her bloodstream. JACK: What medication? JULIET: It was designed to keep her alive during the late stages of her pregnancy. JACK: Designed by who? JULIET: By me. For some reason, the women here can't have babies. The mother's body turns on the pregnancy, treats it as a foreign invde. I saw it happen over and over. Every pregnant woman on this Island died. [Kate chillingly glances at Sun] JULIET: That is, every pregnant woman until Claire. JACK: What did you do to her? [Flashback images of on-island events overlap as Juliet explains] JULIET: One of our people infiltrated your camp, and began taking blood samples, right after your plane crashed. KATE: Ethan. JULIET: Even though Claire didn't conceive on this Island, we found that her symptoms were consistent with previous mothers so we tried to save her life. JACK: By kidnapping her? JULIET: No! That wasn't supposed to happen. She was our control case. I had developed a serum that I thought would reverse what was happening to her, Ethan was administering the injections. But then, you found out that he wasn't on the plane. [Flashback of Hurley] HURLEY: The census, I interviewed everyone. One of them isn't in the manifest. He wasn't on the plane. JULIET: So, he improvised. [Flashback of Ethan greeting Claire and Charlie in the jungle] ETHAN: Hello there. JULIET: He kidnapped her, on his own. That was never the plan. Look, I know how this sounds, but without those injections, Claire would have died. Without the serum, she's going into a form of withdrawal, and if I don't treat her quickly, her immune system could shut down entirely. Jack! I can fix this. I just need the serum. Ethan kept a stash of medical supplies near the caves where you used to live. If I go right now I can be back before its too late. [Pause as Kate looks skeptical] JACK: Do it. Get moving. [FLASHBACK] [Juliet is in bed eating ice cream with Goodwin] GOODWIN: Where are you? JULIET: In bed, with you. GOODWIN: [Smiles] Ahuh. And where were you? JULIET: I was just realizing, that tomorrow I will have been on this Island for three years. GOODWIN: Hum, well, then I better bake a cake. [They kiss as there is a knock at the door] JULIET: Stay here. [Outside in the living room, Juliet examines X-ray scans. Goodwin enters] GOODWIN: What have you got there? JULIET: Karl developed some X-rays for me. GOODWIN: What's wrong. [Now dressed, Juliet exits her house] UNNAMED OTHER: Morning, Juliet. [Juliet knocks on Ben's door. He opens it] BEN: Hi. JULIET: Can I come in? BEN: Of course. I was just finishing Carrie. I still don't know why you picked it, but boy is it depressing. JULIET: You have a tumor. BEN: What? JULIET: When you told me about your back pain, I said that I would take some X-rays to see if it was a small fracture or a herniated disc. But that's not your problem. Your problem is a large tumor surrounding your L-4 vertebrae. [Ben examines the X-rays] You're surprised. BEN: Well you just told me I have cancer, Juliet, of course I'm surprised. JULIET: No I told you that you had a tumor. [Ben walks to get a glass of water] JULIET: Why are you scared? BEN: I'm not scared. JULIET: Why are you scared, Ben? You said no-one on this Island ever had cancer, you told me that. BEN: I know what I told you, Jul... JULIET: You told me you could fix it. You said that, you said that you cured my sister, you lied to me. BEN: [Strongly] No I did not lie to you! JULIET: If you can cure cancer Ben then why do you have it? BEN: [Pause] I dunno! [Juliet knocks the glass out of Ben's hand, causing it to smash on the floor. Ben backs away] JULIET: I wanna talk to her. I wanna talk to Rachel, I wanna talk to her, now! BEN: Its not going to happen Juliet, but I can promise you that Rachel is fine. JULIET: You, never cured her! BEN: I did! JULIET: You're a liar! BEN: No Juliet... JULIET: YOU LIED TO ME! BEN: I told you the truth! [Juliet stands on the spot holding back her tears] BEN: I gave you my word. JULIET: [Sobbing and leans on Ben] I know. I wanna go home. I wanna go home, Ben, please. Can't you please just let me go home? BEN: [Pause] No. [He leaves, and Juliet buries her head on the kitchen counter in floods of tears] [Back in real-time, Juliet finds a marked tree, and pulls out a case. She attempts to open it] SAYID: Step away from the case! [Sawyer and Sayid approach her] JULIET: Listen to me, Sayid. SAYID: Step back. JULIET: Its full of medical supplies. They're for Claire. Jack knows all about it. SAWYER: Jack ain't here right now is he? [Opening the case, Sawyer finds medical supplies] JULIET: I'm telling you the truth. SAYID: You said earlier if you told me everything you knew, I'd kll you. I'm going to test the validity of that statement. SAWYER: He means talk. JULIET: We don't have time for this. SAWYER: We cleared our schedules. We got all the time in the world. [Pause] JULIET: You know its interesting, that you two are now the camp's moral police. I'm curious, Sayid, how long was it before you told everyone on that beach exactly how many people you've tortured in your life. Do they know about Basra? And I'm sure the first thing you did when you got here, James, was to gather everyone in a circle, and tell them about the man you sht in cold blood the night before you got on the plane. So why don't we just skip the part where you two pretend to be righteous. I'm taking that medication back to Claire. And you're gonna let me. Because if she doesn't get it, she's gonna die. And the last thing, that either of you need right now, is more blood on your hands. [Juliet takes the case and leaves] [FLASHBACK] [The first scene of 3x01 is shown, Juliet in her house, the book club, the plane crash. Ben gives his orders] BEN: Goodwin. Ethan. There might actually be survivors. And you're one of them, a passenger, you're in shock. Listen, learn, don't get involved. I want lists in three days. Go! So I guess I'm out of the bookclub. [Juliet moves to go] BEN: Juliet. Juliet! I was looking for you this morning. You and I need to talk. JULIET: Now? BEN: We have some time. It's important. Take a walk with me. [At the Flame station, Ben and Juliet approach] BEN: [On a walkie] Mikhail? We're here. [Static] He never has his walkie on. JULIET: What are we doing here? BEN: There's something I need to show you. Mikhail! It's Ben. I'm here with Juliet, we're approaching the house. [Mumbles] Don't sh**t us... MIKHAIL: Well hurry up then. [Inside, Mikhail leads them in] MIKHAIL: Did you see it? BEN: A plane fell out of the sky, Mikhail. Of course we saw it. What do you have so far? [A monitor shows news reports of planes] MIKHAIL: Oceanic Flight 815. Left Sydney Australia headed for Los Angeles, 324 people onboard including the flight crew. BEN: I want detailed files on every single passenger. MIKHAIL: Already working on it. BEN: Can we uplink to Richard in Acadia Park please. BEN: [To Juliet] Yesterday you called me a liar. I was hurt by that. [Ben puts on headphones and talks into a speaker] BEN: Hello, Richard can you hear me? [A monitor shows a newspaper front page and then a park] BEN: Notice today's date, this is live. OK, Richard. [The camera pans out and tilts to a woman playing with a little boy. It's Rachel. Juliet runs to the monitor crying] JULIET: Oh my god. Oh! Oh my god! BEN: A little over two years ago, to everyone's complete surprise, Rachel's cancer went into complete remission. Shortly after she gave birth to a healthy baby boy. His name is Julian. [Holds headphones] OK, thank you Richard. You'll wanna get back here as soon as you can, we may have some new visitors. [The monitor is turned off] JULIET: Oh, god! No! No! BEN: I'm not a liar, Juliet. JULIET: I wanna go home. BEN: That's not our agreement, you need to stay here until your work is finished. JULIET: It's impossible. The mothers keep dying. BEN: Then we'll find more mothers. Who knows, maybe there's even one on that plane. [At the beach, Juliet arrives back with the medicine] CHARLIE: Wait, what're you doing? She's not touching Claire, she's the one who did this to her. JACK: She can help her, Charlie. CHARLIE: Says who? Her? How can you even trust her? JACK: I do trust her. You trust me. Do you trust me? CHARLIE: Yeah. JACK: Give us a couple of minutes here, OK? [Charlie leaves] JACK: How long before this takes effect? JULIET: We should see results in a few hours. JACK: Juliet. If this doesn't work, if something happens to her. I'm not going to be able to protect you anymore. You'll be on your own. JULIET: I'm already on my own, Jack. [She injects Claire] [Charlie holds Aaron and Claire's hand. She wakes up] CLAIRE: What happened? [Charlie smiles happily, and so does Claire. Down the shore, Jack approaches Juliet] JACK: Got a tarp. A couple of blankets. Some airline pillows. Its not much but, it'll get you started. Claire's awake. There's a, a lean-to that we've been using for shade. And, everyone says that it'll be alright if you set up camp there. For now. JULIET: Thank you. JACK: They're good people. They're willing to give you the benefit of the doubt. But, eventually they're gonna need some answers. JULIET: Why don't you? You keep talking about them. Why don't I ever have to explain myself to you? JACK: You were there. You were standing right next to me when that submarine exploded. In that moment, I saw it in your eyes. You wanna get off this Island more than anything else in the world. That makes you one of us. [Juliet ties the tarp, making a roof for her new tent] BEN: Let's go over it again. [FLASHBACK] [Ben and Juliet are sat in Ben's house] JULIET: I know what to do. BEN: Let's go over it again, just to be sure. JULIET: I drag Austen out into the jungle, handcuff myself to her, then tell her I was gassed just like she was. BEN: And if she catches you in the lie? JULIET: I'll admit to it. Tell her it was the only way to earn her trust. BEN: Good. What then? JULIET: They'll take me back to the beach. [Scenes and audio now overlap with Juliet tying her tarp. She watches all the survivors as they go about their daily lives] JULIET: I know you want me to go there, but after everything we've done to them, its going to be a problem. BEN: We've activated the implant in Claire, she should be symptomatic in the next 48 hours. By the time you get to that camp, you'll have a nice big crisis to solve. JULIET: I'll need supplies. BEN: Pryce is already on his way. He'll hide the case at Ethan's old drop-point. Tell Jack, that you can save her. He trusts you. Are you alright? JULIET: [Pause] I'm fine. BEN: [Hands Juliet a gas mask] See you in a week. [Juliet pauses, then takes the mask. At the beach, Juliet ties part of the tarp sharply, with a cold look on her face]	{"type": "series", "show": "Lost", "episode": "3x16 - One of Us"}	foreverdreaming
[In the jungle, Desmond leads a team of Charlie, Hurley and Jin through the rain and undergrowth] CHARLIE: You're insane mate. Superman can fly around the entire planet in the blink of an eye. HURLEY: Dude, if we're going by a pure footrace, Supes would get dusted by The Flash. CHARLIE: But, why would the Man of Steel agree to a sodding footrace? HURLEY: Er, for charity. And Flash would totally win cause he can like, vibrate through walls and stuff. CHARLIE: [Sarcastic] Oohh vibration, whatever would Superman do if he came up against a wall? HURLEY: Well, no smashing allowed. CHARLIE: No flying, no smashing, any other restrictions I need to know about? Perhaps we should fit Superman with a pair of Kryptonite... [Charlie steps on a wire] CHARLIE: The hell? [He lifts his foot off, causing a trap to swing in motion. A crossbow in a tree fires as a mechanism. The arrow pierces Charlie's neck straight through] HURLEY: Charlie! JIN: [Speaks Korean] DESMOND: Don't, don't touch it. HURLEY: Oh my god, oh my god, oh my god. DESMOND: Just breathe, just breathe huh. [Charlie chokes] DESMOND: Don't try to talk mate. We've gotta get back. JIN: No, you help. DESMOND: I can't help! [To Charlie] I'm sorry mate. [Charlie continues to choke and then stops moving. Other images suddenly flash before Desmond. Hurley pulling out the cable from the sand] HURLEY: Hey, here it is. [A red light in the sky at night. The picture of Desmond and Penny. An image of Jin, Hurley and Charlie holding a tarp as a net] CHARLIE: Superman, can run around the entire planet... [An image of Penny looking at Desmond] [On the beach, Desmond opens his eyes. The entire event has been some sort of flash or vision. He pauses by the shore, looks at Charlie, and then runs to Hurley] DESMOND: Hey. Where's the wire? HURLEY: D'you eat those mushrooms Jack warned us about? DESMOND: Listen to me, there's a wire, a cable buried in the sand. Do you know what I'm talking about? HURLEY: This is future crap isn't it? DESMOND: The cable, do you know where it is?! This is important. HURLEY: Why? [Desmond sees the red light in the dark sky, feet hanging from trees. The group holding the tarp] CHARLIE: Superman can... [The photo of Penny and Desmond] DESMOND: [To Hurley] Because someone's coming. [FLASHBACK] [Desmond is in a monastery, reading from the Bible. He puts down the book as a monk enters. He hands Desmond clothes, religious garb] MONK: God tests our faith in many ways. So, as you well know, we have our own test here. A vow of silence that lasts as long as we see fit. This challenges both one's patience, and his faith. For some, it may last a week. Those we are less sure about, a month. Personally, Desmond, I never thought you'd last. And so now I stand corrected. For whatever reason, your path has led you here. And now you're one of us. Welcome, brother. DESMOND: Thank you, brother. [They smile] [At the beach, Desmond and Hurley approach Jack] DESMOND: Morning, Jack. Must be nice to wake up in your own bed. JACK: Yep, home sweet home. DESMOND: Listen I was wondering if I could borrow your first-aid kit. Er, twisted my ankle. JACK: You want me to take a look at it? DESMOND: Nah you're alright. I've taped my fair share of ankles. JACK: Right. [Jack grabs the kit and gives it to Desmond] DESMOND: Thanks. [Jack notices Hurley staring out into space] JACK: Something wrong Hurley? HURLEY: Nah, uh uh, just, keeping Desmond here company. Cause, we're friends. JACK: [To Desmond] Bring that back when you're done with it, OK? DESMOND: Absolutely. [They walk away] DESMOND: What the hell was that? Do you want him to get suspicious? HURLEY: Suspicious of what? Oh this is like when you knew Claire was drowning isn't it? That's why you got the first-aid kit, someone's gonna get hurt. Is it me? DESMOND: No. It's just a precaution. HURLEY: Look, dude. You want me to take you to the wire, I want an explanation. DESMOND: I saw a sequence of events. Things that are gonna happen. HURLEY: What you see? DESMOND: It was, it was like a sorta jigsaw puzzle. Only I didn't have the picture in the box so, I dunno how the pieces fit exactly but, but one of the pieces, the first one... [Desmond sees the image of Hurley picking up the cable in the sand] DESMOND: ... It was you, pulling the cable out the sand. HURLEY: So what are the other pieces? DESMOND: If I tell you that, it'll change the picture in the box. HURLEY: So what? Isn't that the point? Preventing something bad? DESMOND: Not this time. HURLEY: So you're not trying to stop something from happening, you exactly want it to happen. [Desmond sees himself and Penny posing for their photograph, of him wiping Penny's tear at the stadium, of her kissing him in their flat] DESMOND: More than anything. [Further down the beach, Sawyer goes to Kate's tent, and stands outside] SAWYER: Hey freckles, you home? KATE: Thought you weren't allowed to use nicknames? SAWYER: Well, you weren't around when I lost the bet, so you're... [Sawyer enters the tent to see Kate getting dressed] SAWYER: ... Exempt. [Kate looks at Sawyer as he ogles] KATE: What's up? SAWYER: Er, I wanted to ask you something. KATE: Yep? [Kate notices Sawyer ogling her breasts] KATE: I'm up here. SAWYER: Er, so did you tell him? KATE: Did I tell who what? SAWYER: You know, did you tell the Doc? About you and me. KATE: No. But he knows. He saw us on one of those surveillance monitors. SAWYER: Thought you said the camera was broken? KATE: Well they had another camera. SAWYER: [Mumbles] Perverts. KATE: Anyway, he knows. SAWYER: Well now that, that's out the way, maybe a little afternoon delight. [Kate doesn't look impressed] SAWYER: It means sex. KATE: I know. [Kate pushes Sawyer out of her tent and walks away] SAWYER: Come on, Freckles, wait, now look, you need me to make ya a mix tape? KATE: Yeah why don't you do that. [Desmond and Hurley watch Jin preparing to fish] HURLEY: Dude you're gonna have to tell me again. What do we need Jin for? DESMOND: Because he was there with us. HURLEY: On the beach, when I find the cable. [Desmond flashes to see Hurley lifting the cable, and Jin helping him do so] HURLEY: [In the flash] Here it is! DESMOND: [To Hurley] That's right. HURLEY: In one of your puzzle flashes. DESMOND: Aye. HURLEY: So, if he doesn't come, then neither does the someone you won't tell me anything about. DESMOND: That'd be the long short of it. But I've no bloody idea how I'm gonna get him to come with us. HURLEY: Watch the master. [Hurley walks towards Jin] JIN: Camping? HURLEY: Yeah, you know, like sleeping under the stars, fre on the beach. Marshmallows. JIN: [Nodding] Camping. [He stands thinking] JIN: Yes. HURLEY: [To Desmond] Everybody likes marshmallows. DESMOND: [To Jin] Good man. Get food, water. [He walks away] HURLEY: Where are you going? DESMOND: We need one more. [Desmond sits speaking to Charlie] CHARLIE: How daft do you think I am? This isn't a camping trip. You've had another one of your visions haven't you? What was it this time? DESMOND: Someone's coming to the Island. CHARLIE: Coming? As in someone whose not already here, how the hell is that gonna happen? DESMOND: Can't tell ya. HURLEY: Its got nothing to do with me? DESMOND: Well you're a part of it, yeah. As are Jin and Hurley. CHARLIE: Right, but with all due respect, you haven't previously told Jin or Hurley that they're gonna die. [Desmond flashes to see the arrow sht at Charlie and go through his neck] DESMOND: Well that's not gonna happen. Not this time. CHARLIE: [Pauses] Can I bring my guitar? DESMOND: [Smiles] Absolutely. CHARLIE: Alright I'm in. You had me worried there for a second. [Some time later, the foursome are trekking down the beach humming] HURLEY: This is it. DESMOND: But, how can you tell? HURLEY: Cause that's exactly where I followed the wire into the jungle. DESMOND: Where is it then? [Jin finds the wire under the sand] JIN: [Speaks Korean] HURLEY: Way to go dude. [Hurley pulls up the cable] HURLEY: Here it is! [Desmond flashes to see Hurley repeating the phrase. He then sees the red light in the darkened sky, along with inaudible words from Hurley] HURLEY: Just one thing, last time I followed this wire into the jungle, I almost got ca-bobbed by one of Rousseau's spiky death-trap things. [Desmond flashes to see Charlie getting ht by the arrow, as well as a chute falling from the trees] DESMOND: [In flash] Cut her down! DESMOND: We're not going in the jungle, well not yet. Its getting late, so we'll er, we'll camp here the night. JIN: [Smiles] Camp. [Jin and Hurley go to set up] CHARLIE: So when do they get here? Your mysterious someone. DESMOND: Soon. [FLASHBACK] [Desmond and the monk stand labeling bottles of wine] MONK: You do realize you are free to talk again, brother Desmond. DESMOND: Used to being quiet I suppose. [He looks at the “Moriah Vineyards” label] DESMOND: Moriah. I find the name the brothers have chosen for the wine made here, interesting. MONK: And why is that brother? DESMOND: Well Moriah's the mountain where Abraham was asked to kll Isaac. Its not exactly the most, festive locale is it. MONK: And yet God spared Isaac. DESMOND: Well one might argue then, God may not have asked Abraham to sacrifice his son in the first place. MONK: Well then it wouldn't have been much of a test, would it brother? Perhaps you underestimate the value of sacrifice. [Another monk enters] MONK 2: Brother Desmond. Brother Desmond. I met this man wide [or right] at the gates, he says he needs to have a word with you. [The man punches Desmond in the face, then gestures the sign of the cross with his hands] MAN: [To monk] Sorry, sir. [The man leaves, and the monk looks at Desmond] DESMOND: Forgive me, brother. [At camp, its night as Kate is eating some food. Jack arrives] KATE: Hey. JACK: Hey. KATE: The oatmeal's awesome. JACK: It is huh. KATE: It's strange huh. JACK: What's that? KATE: Being back, not ,looking for a way out of a cage not, finding a reason to go running off into the jungle again, I almost don't know what to do with myself. JACK: Well enjoy it, I'm sure something will go wrong soon enough. [Kate laughs] KATE: Well my big dangerous adventure for tonight is gonna be doing the dishes, in the ocean. JACK: Be careful. KATE: I'll try. JACK: Erm, can I borrow that spoon. KATE: Yeah. [Kate licks it clean as she passes it to him] JACK: Thanks. Goodnight. KATE: Yeah goodnight. [Kate grabs the dishes. As she goes, she sees Jack sat eating with Juliet, laughing and chatting. She goes to Sawyer's tent] SAWYER: What my doorbell busted again? What the hell are you doing? [Kate gets on top of him] KATE: Shut up and don't talk. [She kisses him] SAWYER: You crying? KATE: I said shut up. [She continues] SAWYER: You got it. [He lifts her up and they continue kissing. Kate unzips her pants] [At the cable, Charlie and Hurley are listening to Jin telling a ghost story in Korean. He speaks in a high pitched voice to mimic that of presumably a child, then goes deeper and slow, and then shouts at the end. Hurley screams and they all laugh. Desmond stands away looking at his photograph of him and Penny. HURLEY: Dude, I love the part about the bird. It was a bird right? JIN: [To Hurley] You. HURLEY: Me? OK erm, have you heard the one about the Chupacabra.. JIN: Chupa...? HURLEY: Yeah, like a bear with spines... [Their conversation becomes inaudible as Charlie goes to give Desmond a drink] DESMOND: Thanks. [Charlie notices the photograph] CHARLIE: Whose that? [Desmond gives Charlie the photograph] DESMOND: Her name's Penny. CHARLIE: That's not bad, Des. Not bad at all. So how did you manage to leave her behind and come here? DESMOND: Because I'm a coward. CHARLIE: Sorry. DESMOND: You and me both pal. You know I tried to run away from her and she, she tracked me down. With enough money and determination you can find anyone, she said. And I used to wake up in nights, thinking if she actually meant it, that she never gave up, then maybe she's spent the last three years looking for me. [As they sit, the chopping sound of a propeller can be heard. HURLEY: What's that? CHARLIE: Is that a helicopter? JIN: Rescue! [As they watch, the sound begins to change to that of grinding metal] HURLEY: Er, is that how a helicopter's supposed to sound? DESMOND: No. [The sounds change again, the engines seem to be struggling, the propeller dies out. A crash in the ocean signifies that the vehicle has crashed into the sea] HURLEY: We gotta go out there. CHARLIE: Out there? HURLEY: Well yeah. CHARLIE: In what? HURLEY: Well we gotta do something. JIN: Look. [He points to the sea. A small red light flickers in the darkened sky, and heads inland over the Island] DESMOND: Oh my god. [The group rush around discussing what to do next] JIN: Pallet. HURLEY: Nah dude, its not a food drop, you saw the beacon thing, someone like ejected. CHARLIE: Yeah but that was a helicopter, you can't eject from a helicopter. HURLEY: Well maybe they jumped. All that matters is that they're here. CHARLIE: They, how do we even know its a person? HURLEY: [Gestures towards Desmond] Cause he said someone was coming. [Charlie sees Desmond packing a bag] CHARLIE: Where you going? DESMOND: Out to where it fell. Come on let's go. CHARLIE: No, slow down. We're not gonna trudge out into the jungle in the middle of the night. DESMOND: Yes we are. CHARLIE: Were you even listening to Hurley when he mentioned Rousseau's death-trap? Now it going to be light in two hours, we'll wait until then. DESMOND: She can't wait. CHARLIE: She? DESMOND: They. Whoever it is, could be hurt. We have to go all four of us now. CHARLIE: Why? DESMOND: Because that's the way its supposed to happen. CHARLIE: Right well I guess its supposed to happen without me. [Desmond sees flashes of the photo of him and Penny, Charlie stepping on Rousseau's trap, the arrow piercing his neck, a flight crew gas mask, a pilot falling from the trees] DESMOND: [Pauses] We'll leave at first light then. Together. CHARLIE: Terrific. [FLASHBACK] [Desmond knocks on a door in a suburban street. The man who punched him opens it] DESMOND: Is your sister in? MAN: Leave. Now. WOMAN: Let him be, Derek. [Derek goes inside] DESMOND: Hello, Ruth. [Inside, she and Desmond drink tea] RUTH: So you're a monk now are ya? DESMOND: Well technically I'm still what they call a novice, 'til the abbey... RUTH: [Interrupting] Why are you here Desmond? DESMOND: Well now that my initiation's done, I felt like I owed you an explanation. RUTH: Desmond. You can never begin to explain what you did. You left one week before the wedding, everything was planned bought and paid for. You just disappeared completely. DESMOND: I had a calling. RUTH: We dated for six years, and the closest you ever came to a religious experience was Celtic winning the cup. DESMOND: OK, yes, I was scared about the wedding, so I had a few pints too many, maybe I, I raised my eyes, and I asked am I doing the right thing, and that's the last thing I remember. And when I woke up, I was lying on my back in the street, and I dunno how I got there and, there was this man standing over me, Ruth. And he reached out his hand and he said to me, can I help you brother. And the first thing I noticed was the rope tied round his waist, and I looked at him and I knew, I knew, I was supposed to go with him. I was supposed to go with him, I was supposed to leave everything that mattered behind, sacrifice all of it, for a greater calling. RUTH: Well its a good thing a bloody shepherd didn't help you up, or as I suppose you'd be off with the sheep wouldn't you? Next time you want to break up with someone, Des, don't join a monastery. Just tell the girl you're too bloody scared. [At the beach, Juliet is working on her tent with Jack] JACK: You a doctor or a carpenter? JULIET: What your dad never taught you to use a hammer? JACK: No my dad taught me how to drink. JULIET: Oh at least it's something. SAWYER: Hope I'm not interrupting. You two arguing over whose your favourite Other? JACK: What do you want Sawyer? SAWYER: Well what I wanted Doc was to inform you there's been some developments since you were AWOL. So tell me... [He holds up some table tennis bats] SAWYER: ...How's your backhand? [Some time later, Jack and Sawyer are mid-point playing] JACK: So where'd you get the table? SAWYER: Don't you recognize it? Fell out of the purple haze. [Inaudible]. We don't play every hundred and eight minutes, the Island's gonna explode! [Sawyer wins the point] SAWYER: Finally, something I can bat you at. JACK: You know, considering I haven't played since I was twelve, I wouldn't be too proud. What's that, eighteen point? SAWYER: It's kinda strange huh. Being back. [Jack laughs] SAWYER: Something funny? JACK: Er, Kate said the same thing in the kitchen last night. SAWYER: She did huh. JACK: She did. [Jack plays on and Sawyer flinches] JACK: Nineteen point. SAWYER: So you guys ate together, huh? JACK: No Juliet and I had dinner together last night. SAWYER: Huh. [They play again, and Sawyer wins the point] JACK: Best two out of three? SAWYER: You got it. [Inland, Desmond leads Charlie, Hurley and Jin] CHARLIE: So what's next? DESMOND: Next? CHARLIE: Yeah you saw the wire, the flashy thing falling out of the sky. Now what? Maybe I can help you find... DESMOND: [Interrupting] That's it, there is no next. We find the beacon. CHARLIE: Why you lying to me mate. DESMOND: Look, mate. I've saved your life three times now, if that hasn't bought me your trust I don't know what will. Let's move. [They continue on through the jungle] HURLEY: Dude, seriously I'm gonna have a coronary. DESMOND: Actually you're not. And if you don't get a move on we're not gonna make it before nightfall... CHARLIE: Hey. [Charlie picks up a hula doll] CHARLIE: Look at this. JIN: [Speaks Korean] CHARLIE: It can't be Rousseau's, if it was Rousseau's a massive rock would be flying at my head right now. [Desmond sees something in the trees] DESMOND: Don't move. [He climbs on Hurley and uses him as a leg-up] HURLEY: What are you doing? Ow. Ah, er! [Desmond pulls down a bag and tips out its contents] HURLEY: Did that come down with the flashing red light thingy? [Desmond finds a copy of Joseph Heller's Catch-22, though it is in Portugeuse (Ardil-22). Jin finds another item] JIN: Walkie-talkie! HURLEY: [Taking it] No dude. That's a satellite phone. [He turns it on, but it quickly turns itself off] HURLEY: Crap it's dad. CHARLIE: Shocker. [Inside the book, Desmond finds a copy of the photograph of him and Penny, being used as a bookmark. DESMOND: Oh my god. HURLEY: Is that you? And who is she? CHARLIE: That would be Penny. [At camp, Kate is washing the back of her neck with water from the trough. Sawyer approaches, and hands her a cassette tape] KATE: What's this? SAWYER: Your mix tape. [Kate laughs] SAWYER: Well you gonna take it or ain't ya? [Kate does so] KATE: The best of Phil Collins huh. SAWYER: Don't get picky. And if Bernard asks, I don't know a thing about it. KATE: Thanks, James. SAWYER: So why'd you jump me last night? KATE: What? SAWYER: Was it cause you saw the Doc hanging out with Juliet? KATE: It is not like that. SAWYER: It's not? You ain't gotta use me freckles, all you gotta do is ask. [Inland, a storm is rolling in as the team continue their trek] CHARLIE: You think its her don't you? DESMOND: Who? CHARLIE: Your girl. Penny. You think its actually her who bailed out the helicopter. DESMOND: Earlier I hoped it. Now I know it. CHARLIE: Why didn't you tell us? DESMOND: Would you come if I had? CHARLIE: Of course. Why wouldn't I? DESMOND: I didn't wanna tell you because, I didn't want anything to change. CHARLIE: Fair enough. Look if whatever you're seeing leads to your girl getting us rescued, why would we want to change anything, right? DESMOND: [Smiles] Right. [Desmond flashes to see the arrow piercing Charlie's neck] DESMOND: [Mutters] Right. [Thunder sounds, and it begins to rain] HURLEY: [Inaudible, possibly “Cheers”] ... for the heads up about bringing an umbrella dude. [FLASHBACK] [Desmond sits in the vineyard drinking the wine and singing] DESMOND: [Singing] Well its a grand old team to play for, and its a grand old team to see. And if you know your history, its... MONK: Brother Desmond. What are you doing? DESMOND: Well I believe I'm, getting pissed on our lovely wine. MONK: That bottle of our lovely wine fetches over a hundred quid. We've only bottled a hundred and eight cases this year. DESMOND: Well its just as well we've taken a vow of poverty then isn't it? MONK: We've also taken a vow of charity. DESMOND: Right. [Desmond takes another sip of wine and passes the bottle to the monk. He pushes it away] MONK: Something tells me Desmond that you're not cut out to be a monk. DESMOND: Well er, you know, I, I've had a tough week. I'm sorry for the wine. I'll take the pennants. MONK: I'm afraid you're beyond pennants, Desmond. DESMOND: Brother, Desmond. MONK: Not any more. DESMOND: Are you fring me? MONK: I am indeed. DESMOND: You can't do that, I heard the call. MONK: I'm sure you did hear the call, but the abbey clearly isn't where you were meant to end up. I have little doubt that God has different plans than you being a monk, Desmond. Bigger plans. DESMOND: Oh aye, I'm sure he does. MONK: He does! You've just spent too much time running away to realize what you may be running toward. [The monk moves to leave] DESMOND: Hey. What am I supposed to do now? MONK: Whatever comes next. [On the Island, the group are still trekking through the rain] JIN: Who's Penny? HURLEY: She's this chick Desmond used to date. And now he thinks she fell from the sky. So we're gonna go save her life, and she's gonna get us rescued. Dude even if I spoke Korean it wouldn't make any sense. DESMOND: Hey, we'll move faster if we stop talking. She might be hurt. HURLEY: I'm moving as fast as I can. In case you haven't noticed dude I'm not exactly the Flash. CHARLIE: The Flash is pathetic. HURLEY: You got something against the fastest man alive? CHARLIE: You're insane mate. Superman can fly around the entire planet in the blink of an eye. HURLEY: Dude, if we're going by a pure footrace, Sup woulda got dusted by the Flash. CHARLIE: But, why would the Man of Steel agree to a sodding footrace? HURLEY: Er, for charity. And Flash would totally win cause he can like, vibrate through walls and stuff. CHARLIE: [Sarcastic] Oohh vibration, and what would Superman do if he came up against a wall? [Desmond sees the crossbow in the trees] HURLEY: Well, no smashing allowed. CHARLIE: No flying, no smashing, any other restrictions I need to know about? Perhaps we should fit Superman with a pair of Kryptonite ballet slippers... [Charlie steps on the wire] CHARLIE: The hell? DESMOND: Ah, Charlie, duck! [Desmond tackles Charlie to the floor, causing the arrow to h*t his guitar over his shoulder rather than him] HURLEY: Dude. [The group continue walking through the jungle] JIN: This way. DESMOND: No the beacon fell this side of the rise. JIN: No, there. HURLEY: How about we split up? Me and Charlie go that way, you and Jin go round and we'll meet up at that ridge over there. CHARLIE: Er, you and Jin. I'll stick with Desmond. [They split up, with Charlie following Desmond] CHARLIE: You said duck. DESMOND: Sorry. CHARLIE: You shouted duck. You knew, even before we set off, you knew all this time didn't you? DESMOND: Aye. CHARLIE: Well then why didn't you say anything. DESMOND: Because if I'd told you the truth you wouldn't have come. CHARLIE: Oh and you needed me to come. Cause I was part of your vision. You thought that the only way you could get your girl back was if I took an arrow in the head. You would have sacrificed me! DESMOND: If the flashes don't happen exactly how I saw them, the picture changes. I was supposed to let you die Charlie. CHARLIE: What's that supposed to mean? DESMOND: It means its bloody pointless. I keep saving your life, and what good has it done? Its just gonna keep happening again and again, maybe that's the point eh? Maybe its a test. CHARLIE: Test? DESMOND: Like God, testing Abraham, except I failed, because I changed what I saw. JIN: [Shouts in Korean] [Desmond and Charlie run over. They find a parachutist stuck in the trees, their chute stuck in the branches] JIN: [Speaks in Korean] HURLEY: Hey! Hey, can you hear me? JIN: Hello! [Speaks in Korean] HURLEY: Dude, she's not moving. DESMOND: I'm sorry Penny. I'm sorry. [FLASHBACK] [Desmond enters the monk's office carrying his religious clothes in his arm] MONK: I was afraid you'd let without saying goodbye. DESMOND: No. [He lays the clothes down] DESMOND: I nearly took this with me. [Desmond heads to leave] MONK: If you're not in a hurry, brother Martin's heading into town in a few hours, he can give you a ride. That is, if you don't mind doing some heavy lifting. [Desmond laughs] [Outside, Desmond wheels cases of the vineyard wine to a car, as the monk chats with a woman] MONK: All ten cases are ready to go. Desmond there is just getting the last one. PENNY: Thank you, and my father sent the check in advance. MONK: Please thank him for his generous donation. Always a pleasure to see you. [The monk leaves, shaking Desmond's hand as he goes] MONK: Goodbye Desmond. [Desmond carries some of the crates round to the back of the car] PENNY: I think we should be able to fit it all in the back, and if not we'll put the rest in the front. [She turns and looks at Desmond] Is that alright? DESMOND: Absolutely. [The scene begins to overlap with Desmond climbing the tree to release the caught parachutist] DESMOND: You better drive safe Miss, this vineyard only makes a limited number of these cases each year. PENNY: Is that so? DESMOND: Aye, its cause the monks are lazy. [Penny laughs] DESMOND: Yeah its easier making grape jelly than wine. PENNY: And how do you know so much about monks? DESMOND: Cause I'm an ex-monk. PENNY: Really? DESMOND: As of last night. I was fired. [Penny laughs again] DESMOND: Ah, it wasn't that funny. PENNY: I'm sorry I never I, I didn't know monks could be fired. DESMOND: Oh they can. You know I was told under no uncertain terms that the abbey wasn't where I was meant to end up. Just a, step along a path. You know, God allegedly has bigger plans for me. [On the Island, Desmond cuts free the chute, and the others catch it. PENNY: Something tells me you don't entirely believe that. DESMOND: I suggest that's because I don't. PENNY: Well maybe they're right. I mean, just think, if you hadn't have got fired, we wouldn't have met, and then, how could you possibly help me unload these crates in Carlisle. DESMOND: Did I say I was coming to Carlisle with you? PENNY: Not yet. [On the Island, Charlie, Hurley and Jin spread out the chute as a net to catch the parachutist. Desmond cuts the strings, and the person drops into the chute] PENNY: I mean of course if an ex-monk already has plans, then... DESMOND: You know I don't usually get into cars with strangers. PENNY: Well in that case I'm Penelope. [Pauses] Penny. DESMOND: Desmond. Very nice to meet you, Penny. [They smile and laugh] [The scene now switches back to the Island fully. The parachutist stirs] HURLEY: She's alive! [Desmond rushes toward them] DESMOND: Stand back! Get away from her! I'm here, I'm here Penny. CHARLIE: Just, be careful. DESMOND: Just get off, Charlie. Sorry Penny, I'm sorry. [Desmond pulls off the helmet to reveal not Penny, but a different woman] WOMAN: Desmun... [She stops moving and her eyes close]	{"type": "series", "show": "Lost", "episode": "3x17 - Catch 22"}	foreverdreaming
[Sun sits in her garden digging. She hears a noise, and looks round anxiously to find Jack arriving] SUN: [Smiles] Oh. JACK: Hey. SUN: Good morning Jack. JACK: Need a hand? SUN: Thank you. JACK: Y'know I came by your tent earlier. Has Jin gone? SUN: Oh. He went off with Charlie, Hurley and Desmond. Did you need him? JACK: Actually I was looking for you, wanted to see how you were doing, with your pregnancy. SUN: Oh, I'm doing fine. A little tired but that's normal, right? JACK: Sure. Any morning sickness? SUN: Not anymore. JACK: Any bleeding? SUN: [Pauses] Why are you asking me all these questions, Jack? JACK: [Smiles] I'm just checking in. I mean now that I'm back I just wanted to make sure that you were doing OK. SUN: Thank you. I'm OK. JACK: Great. [Jack leaves] [FLASHBACK] [Sun walks across a bridge in South Korea as her phone rings] SUN: [Subtitle: Hello.] JIN: [Subtitle: Mrs. Kwon?] SUN: [Subtitle: Jin! I'm still not used to “Mrs. Kwon.”] [Jin is shown in an apartment] JIN: [Subtitle: Well get used to it. You're a married woman now.] SUN: [Subtitle: Guess what? I found amazing linens for the apartment.] JIN: [Subtitle: If you like them, I love them. I'm home right now. I stopped by on my lunch hour.] SUN: [Subtitle: How does it look?] JIN: [Subtitle: Lots of boxes. But I got the bed set up.] SUN: [Laughs] [Subtitle: Why doesn't that surprise me?] JIN: [Subtitle: I have to get back to the office. See you tonight.] SUN: [Subtitle: Mr. Kwon?] JIN: [Subtitle: Yes, Mrs. Kwon?] SUN: [Subtitle: I love you madly. Jin: [Subtitle: I love you, too.] [Sun chuckles as she hangs up. She sits on a bench in the street, and a woman sat next to her looks over holding a newspaper] WOMAN: [Subtitle: Is this you?] [The picture is of Sun and Jin, an article concerning their union] SUN: [Subtitle: Yes, it is.] WOMAN: [Subtitle: Congratulations. He's very handsome.] SUN: [Subtitle: I'm a lucky girl.] WOMAN: [Subtitle: Very lucky. Your father is Mr. Paik? Of Paik Automotive? Very powerful family.] SUN: [Subtitle: I don't really have much to do with the family business.] WOMAN: [Subtitle: What about your husband's parents?] SUN: [Subtitle: His parents are dad.] WOMAN: [Subtitle: Really...?] SUN: [Subtitle: Who are you?] WOMAN: [Subtitle: It would bring much shame if it was known, that Mr. Paik's daughter, married the son of a fisherman.] SUN: [Interrupting] [Subtitle: I know that and it doesn't matter.] WOMAN: [Subtitle: Really? Did you know he was also the son of a prosttute?] SUN: [Subtitle: How dare you.] WOMAN: [Getting up] [Subtitle: I will be back here in three days. At five PM. You will bring me one hundred thousand dollars. If you love your husband as “madly” as you say, you will spare him the shame of learning the truth.] [She walks away from Sun] [In the jungle, Desmond, Charlie, Hurley and Jin crowd over the injured parachutist as she groans] JIN: Who is she? DESMOND: I've no idea. HURLEY: She seems to know you dude, she just said your name. DESMOND: I've never seen her before in my life. [The parachutist begins to cough] CHARLIE: She's waking up. PARACHUTIST: [Speaks incomprehensibly] HURLEY: She's trying to talk. We should get her some water. DESMOND: [To Charlie] Give me a hand. CHARLIE: Yeah. [They lift the woman up] PARACHUTIST: [Speaks Spanish - “I am dying. I am dying”] CHARLIE: What's she saying? DESMOND: Don't know. HURLEY: It's Spanish dude. DESMOND: Wait, you understand her then? PARACHUTIST: [Speaks Spanish - ”I am dying. I am dying. I am dying”] HURLEY: She says she's dying. [Charlie and Desmond pull back some of her clothes to reveal a large wound on her chest and a foreign object] DESMOND: Oh god! CHARLIE: It's a branch. She must have ht it on the way down. DESMOND: Right, get her pack! We haven't got much in this first-aid kit. See if there's anything we can use in there. HURLEY: What if this is a rescue? What if she came for us? Wha, I mean, is she gonna be OK, we can't let her... DESMOND: [Interrupting] Just go and start looking! JIN: We get Jack. Jack. CHARLIE: We have to get her to Jack as soon as possible. She could be our way off the Island. DESMOND: No if we move her it'll make it worse. CHARLIE: Well we just let her bleed to death? DESMOND: No we, we need to bring Jack here. CHARLIE: Its an eight hour walk, one way! DESMOND: Then I'll run. CHARLIE: You out of your mind? Its not safe. Its gonna be dark soon, who knows whose out in this jungle, in case you haven't forgotten, there are people on this Island trying to kll us. DESMOND: Nobody knows we're here! [They are suddenly interrupted by Hurley, who accidentally sh*t a flare gn. The flare flies up high into the sky and explodes. Charlie, Desmond and Jin turn] HURLEY: Oops. [FLASHBACK] [Sun sits in the apartment looking at a graduation photo of herself and her father as Jin enters. She hastily hides it] JIN: [Subtitle: Surprise! I got your favorite, tofu soup.] SUN: [Subtitle: Thank you. Let me finish this box.] JIN: [Subtitle: We'll unpack later. Let's eat.] SUN: [Subtitle: Do you mind if I put this on the table?] JIN: [Subtitle: Not at all.] [She gestures one photo at him, and he comes to look, another image of Sun and her parents at graduation] JIN: [Subtitle: Even in a cap and gown, you're the sexiest woman I've ever seen.] SUN: [Pauses] [Subtitle: Don't you have any pictures of your family?] JIN: [Subtitle: Oh, we didn't have a, camera growing up.] SUN: [Subtitle: No pictures at all? Well, didn't your father leave you any?] JIN: [Subtitle: No, I was in the army when he died.] SUN: [Subtitle: The army? You said your father died when you were sixteen.] JIN: [Subtitle: No. I was in the army.] SUN: [Subtitle: But you told me...] JIN: [Interrupting] [Subtitle: You must've misunderstood! What is this about, Sun?] SUN: [Subtitle: It's, it's nothing, I'm sorry.] JIN: [Subtitle: Your soup is getting cold.] [At the beach, Sun pulls back the tarp on Kate's tent for her] SUN: How's this? KATE: That's perfect. Thank you. [Sun helps tie it back, and sees Jack at the kitchen area] SUN: What do you think happened to Jack? While he was with the Others. Since he's been back, he seems different. KATE: He says that he was pretty much a prisoner and the only reason why he cooperated was cause he thought they'd let him off the Island. SUN: Do you believe him? KATE: Why wouldn't I? SUN: He came to me. Asking about my pregnancy. KATE: Well what would that have anything to do with... SUN: [Interrupting] What if. What if the Others want my baby. He's been there alone for over a week. How do we know he isn't working with them? KATE: He's not working with them. SUN: Do you know something, Kate? [Kate looks down the beach and sees Juliet by a trough] KATE: It's Juliet. She was their doctor, their their, fertility doctor studying pregnant women and, when Claire was sick she told me and Jack, the reason the Others wanted her baby was for research. [Sun walks towards Juliet, with Kate at her heels] KATE: Sun, wait you don't have to do this. SUN: Go away, Kate. [She approaches Juliet] SUN: I want to know about your research. KATE: Sun... SUN: What happens to pregnant women? JULIET: You're pregnant? Are you sure? How do you know? SUN: I asked you a question, everyone else might be alright with you washing your clothes and eating our food, but I want to know what's going on. I want answers. What are you people doing? Why are you taking children? What happens to pregnant women on this Island? What happens to... JULIET: [Interrupting] They die. They all die. KATE: Sun come on, let's go. [She leads Sun away from Juliet] [In the jungle, the parachutist is still weak] PARACHUTIST: [Speaks Chinese Mandarin – “What happened” or “What's going on?”] HURLEY: What's she saying? JIN: Chinese. Not Korean. CHARLIE: Maybe we should just pull it out. DESMOND: No you'll just make it worse. CHARLIE: Have you forgotten what's at stake here? Just another one of your flashes, whose getting an arrow in the neck this time. DESMOND: Lest you forget. She said my bloody name. She had a photo of me and my girlfriend. Do I understand? I understand better than the lot of you. HURLEY: Hey, guys, chill. DESMOND: We've wasted enough time already. CHARLIE: You're not leaving us. DESMOND: Just get out my way, Charlie. CHARLIE: No. [They hear rustling in the trees. Mikhail runs out in front of them and stops. He stares at them, and then turns and runs. Jin chases after him] DESMOND: Hey, Jin! CHARLIE: Jin! DESMOND: Jin! [Jin catches up with Mikhail, and they fight. Mikhail first almost sab Jin with a stake, and then tries to strangle him against a tree. Jin frees himself and knocks Mikhail down with a turn kick. He then grabs Mikhail by the neck. Desmond intervenes and throws Mikhail against a tree] DESMOND: Who are you? [Points the gn right at his chest] I said, who are you? CHARLIE: He's the guy who sht Sayid. Kate told us he lived out in that station Locke blew up. He's an Other. HURLEY: I thought Locke klled that guy with the electro-fence thingy. DESMOND: You've got five seconds to talk, or I fre this gn brother. MIKHAIL: That's a flare gn. DESMOND: And how do you think it'll feel? Taking a flare to the chest at this range. MIKHAIL: As your friend pointed out, I already died once this week. PARACHUTIST: [Speaks Italian - “Help me, I'm dying”] DESMOND: You understand her. MIKHAIL: She's speaking Italian. She said she's dying, she needs help. I was a Soviet Army field medic, I can offer you my services. [Desmond pulls Mikhail to her] CHARLIE: Wait, what are you doing? DESMOND: I'm saving her. MIKHAIL: This branch has punctured her lung. It's filling with blood. If it is not ventilated soon, she's going to die. DESMOND: Well do it. Help her. MIKHAIL: If I fix her, you must let me walk away as if I never came upon you. DESMOND: [Pauses] What you need? [At the beach, Sun sits thinking as the sun sets. She sees Claire tucking Aaron into his crib] [FLASHBACK] [in Namhae, Sun finds Jin's father, matching his face with a file photo] SUN: [Subtitle: Excuse me. Are you Mr. Kwon?] MR. KWON: [Subtitle: Yes. You must be Sun.] [Inside his house, Mr. Kwon pours Sun some tea] SUN: [Subtitle: Thank you.] MR. KWON: [Subtitle: Please. Tell me about your wedding.] SUN: [Subtitle: It was beautiful. The happiest day of my life.] MR. KWON: [Subtitle: And my son's, too, I imagine.] SUN: [Subtitle: Mr. Kwon. Why weren't you at the wedding?] MR. KWON: [Subtitle: What did he tell you?] SUN: [Subtitle: He told me. You were dad. Why would he say that?] MR. KWON: [Subtitle: To avoid the shame of where he came from.] SUN: [Subtitle: And is that why you told him, his mother died when he was a baby?] [Mr. Kwon pours Sun and himself a stronger alcoholic drink] MR. KWON: [Subtitle: His mother. She was with many men. She left me with the baby. I raised him alone. I wasn't even sure I was the father. But who else would take care of him?] [He wipes his hand and touches Sun's chin] MR. KWON: [Subtitle: You are so beautiful. It pleases me so much to meet you. You can never tell him that you met me, or that his mother is still alive. Please, for me. Do not. Do not make him suffer this shame.] [Sun nods] [At night on the beach, Juliet enters Sun's tent and covers her mouth as she wakes her, muffling her screams] JULIET: Be quiet. Don't move. You want me to help you and your baby, I have answers to your questions, but you have to come with me right now. Just you and me. Nobody else. [She releases her grip over Sun's mouth] SUN: If what you said was true, that means I'm already dad. Why should I go anywhere with you? JULIET: Because there may be a hope for you yet. [Juliet extends her hand and Sun takes it. The two trek through the jungle at night carrying torches] SUN: Where are we going? JULIET: There's a medical station near here, they have an ultrasound machine. SUN: Claire and Kate told me about that place. It was abandoned, they found nothing there. JULIET: Well that's because they didn't know where to look. SUN: What are you going to do to me? JULIET: I'm gonna look at your baby and determine the DOC. Erm, date of conception. The ultrasound will tell me when you got pregnant give or take a day. If you got pregnant off the Island then you and your baby will probably be OK, but if you got pregnant here, we'll cross that bridge when we come to it. When was the last time you and your husband had sex? SUN: I would rather not talk about that. JULIET: Look I know that its personal, but if I know when then I... SUN: [Interrupting] Isn't that what the machine will do? JULIET: Yeah. SUN: Then let's keep walking. [FLASHBACK] [Sun is at her father's office. She heads upstairs and is announced by his secretary to Paik and a few employees] SECRETARY: [Subtitle: Mr. Paik. Your daughter is here to see you.] BUSINESSMAN 1: [Subtitle: Congratulations on your wedding.] SUN: [Subtitle: Thank you.] BUSINESSMAN 2: [Subtitle: We wish you much happiness.] [The men and secretary leave] MR. PAIK: [Subtitle: To what do I owe this visit?] SUN: [Subtitle: I need to ask you a favor.] MR. PAIK: [Subtitle: What is it, my dear?] SUN: [Subtitle: I, I need, [Pauses] One hundred thousand dollars.] MR. PAIK: [Subtitle: What for?] SUN: [Subtitle: I can't tell you.] MR. PAIK: [Subtitle: Why should I give you money without an explanation?] SUN: [Subtitle: Because my whole life, I've pretended not to know what you do. I've allowed you to keep your control over me. I pretend that everything is all right. I will continue pretending. As long as you give me the money I am asking for. No questions asked.] MR. PAIK: [Subtitle: We do not live in a world where there are no questions asked!] SUN: [Subtitle: I'm doing this to spare someone I love deep shame.] MR. PAIK: [Subtitle: Your new husband?] [He opens a safe behind his desk, and retrieves the money which he places in an envelope] MR. PAIK: [Subtitle: If this money is for your husband, it is he who will bear this debt. He will no longer be a floor manager. He will be working for me.] [Sun pauses, and then takes the money coldly] [In the jungle, Mikhail works to save the parachutist's life] MIKHAIL: What else do you know about this woman? Did she have anything on her besides the flare gn. HURLEY: Just a book, fancy radio phone thingy. [Charlie shakes his head as Mikhail turns to Hurley] MIKHAIL: Does it work? HURLEY: Like I'd tell you. MIKHAIL: One of you must help. The rest clear the way, I need space. DESMOND: I'll do it. MIKHAIL: Wipe away as much of the blood as you can. [The parachutist begins to struggle for breathe] MIKHAIL: We need to evac the air now! Hold her steady. Steady! DESMOND: Yeah I heard ya! [Mikhail sab the women in the chest with a funnel and blood suctions out of her] DESMOND: Is that, normal? [He pulls out the funnel, and the parachutist screams with pain] MIKHAIL: [Inaudible, possibly “Those!”. Desmond grabs some material and places it on the wound] Tape it, be careful. [Inaudible, possibly “Cabirin”] needs to be hollow, the wound needs to breathe. PARACHUTIST: [Speaks Portuguese – “I am not alone. I am not alone”] DESMOND: What did she say? MIKHAIL: Thank you. She said thank you for helping me. [Further away, Juliet and Sun find the Staff entrance] JULIET: It's right down here. [Juliet pulls back the hatch doors, and they enter. Juliet turns on the lights] SUN: Why are you doing this? JULIET: What? SUN: Helping me. JULIET: [Pauses] Once upon a time, I told women that they were pregnant and their faces, it was the best news they ever got in their entire life. Then I came here. I've lost, nine, patients in the last three years. I'm helping you because I want to tell you that you and your husband got pregnant before you came here. I'm helping you because I wanna give good news again. SUN: I slept with another man. JULIET: Oh. SUN: Before we got to the Island. Jin and I, we were having trouble, we weren't... And I had a friend. It was a mistake. JULIET: We all make mistakes. SUN: Which way? [Juliet leads Sun to the locker room. She opens one locker and pulls a lever down, revealing part of a wall] JULIET: Will you help me move this forward? [They move a set of lockers away which cover the wall] JULIET: OK. [They move the wall back, revealing a new room, full of medical and nursery supplies] SUN: Why is this room hidden? JULIET: Don't worry about it. SUN: What is this place? Tell me. JULIET: Its where we brought the women to die. [Deeper in the jungle, Mikhail finishes his treatment of the woman] MIKHAIL: She's fine. Keep the wound as clean as you can, she should be better in a day. CHARLIE: Day? Her lung was punctured. MIKHAIL: On this Island, the wounds are a bit different. Maybe a day and a half. I did as I promised, she will live. CHARLIE: You can't seriously be considering letting him go. DESMOND: Just go. CHARLIE: Are you kidding, he's one of them. [Mikhail leaves] DESMOND: So what would you have me do Charlie? We gotta make a stretcher and carry, how we gonna do that and bring a prisoner. CHARLIE: We need some rope, I'll take responsibility. JIN: Phone. Phone! [Jin runs after Mikhail] DESMOND: No, Jin. JIN: Phone. DESMOND: Jin its all right! CHARLIE: No let him, Desmond. DESMOND: Jin! Come back here! [Desmond runs after Jin] CHARLIE: Oi! Let him! [Charlie follows] DESMOND: Jin it's all right, Jin! [Jin grabs Mikhail] DESMOND: Jin, let him go! Jin, let go! [Jin grabs the phone from Mikhail and shoves it towards Desmond's face] JIN: Phone! CHARLIE: You stole this. MIKHAIL: How could you respect me if I didn't try? CHARLIE: How about I take your other eye? Would you respect that? MIKHAIL: [Motions with his ear] Sorry, what? [Charlie tries to attck Mikhail, Desmond pulls him off] DESMOND: Charlie, don't, Charlie! CHARLIE: No! DESMOND: Charlie let him go. CHARLIE: This is a mistake! We can't keep letting these people go! DESMOND: We gave him our word. [To Mikhail] Go on, get out of here. [Mikhail smiles to Charlie and then leaves] [In the Staff station, Juliet sets up the ultrasound] SUN: The baby isn't Jin's. We tried to have a baby back in Korea and couldn't, and the doctor, he told me Jin was infertile. JULIET: And then you came here. SUN: What? JULIET: Did you know that the average male sperm count is between sixty and eighty million? But on the Island, its five times that. We call that good odds. You ready? SUN: Yes. JULIET: OK, now lift your shirt up a little. [She pours liquid on Sun's chest] It's cold. SUN: Will I see the baby? JULIET: Maybe, its your first trimester so its a little iffy. If you don't see a heartbeat, don't worry about it, its just early. SUN: How does it work? JULIET: Well I take a measurement of the foetus and that will tell us when your baby was conceived, and then we'll know who. [Sun sighs] You OK? SUN: I lose either way. If I'm going to live, that means the baby's not Jin's. JULIET: Do you still want to do this? SUN: Yes. JULIET: OK, moment of truth. [FLASHBACK] [Sun stands in her apartment pacing] JIN: [Subtitle: Mrs. Kwon?] SUN: [Subtitle: Mr. Kwon.] JIN: [Subtitle: I heard you came by the office today. Why didn't you come say hello?] SUN: [Subtitle: I didn't want to bother you.] JIN: [Subtitle: Seeing you is never a bother.] SUN: [Subtitle: Next time. I promise.] JIN: [Subtitle: Did you get the mail?] SUN: [Subtitle: Sorry. I forgot.] JIN: [Subtitle: Do you have the mail key?] SUN: [Subtitle: It's in my purse.] [As Jin goes, Sun hears the sound of crinkling paper] SUN: Jin! Wait! [She finds Jin with the bag of money in his hand] JIN: [Subtitle: What's this money?] SUN: [Subtitle: It's, from my father.] JIN: [Subtitle: Why?] SUN: [Subtitle: I wanted to get us furniture. And I wanted us to have a nice honeymoon.] JIN: [Subtitle: I can provide for us. The honeymoon, the furniture, I know it will take longer, but it will happen. And I will pay for it. I will always take care of you, Sun.] SUN: [Subtitle: I know.] JIN: [Subtitle: Then give it back. I don't want to be in your father's debt any more than we already are. Please.] SUN: [Subtitle: Jin, I love you.] JIN: [Subtitle: Madly?] SUN: [Subtitle: Madly.] [Sun leaves, with the money] [In the Staff station, Juliet scans Sun's stomach] JULIET: There it is. There's your baby. Can you see? [Both laugh] SUN: I can see it. Is it a boy or a girl? JULIET: Oh er, its a little early, but um, do you see that little flutter. That's the heart beating. Its very strong, its very healthy. OK, you crashed here ninety days ago. The baby was conceived about eight weeks ago, so around fifty three days. You got pregnant on the Island. [Sun cries] JULIET: I'm sorry, I am so sorry Sun. I will do everything that I can... SUN: [Smiles] It's Jin's! [Juliet smiles too] [FLASHBACK] [Sun walks near the bridge towards the woman she met three days earlier] WOMAN: [Subtitle: I was starting to think you wouldn't come.] [Sun pulls out the envelope, and the woman snatches it, quickly checking its contents. Sun grabs the envelope] SUN: [Subtitle: Why didn't you tell me you were Jin's mother?] WOMAN: [Subtitle: I gave birth to him. But that does not make me his mother.] SUN: [Subtitle: You know how powerful my family is. My husband believes that you are dad. Do not force me to make that a reality.] [Sun leaves with her head held high] [At the Staff, its morning as Juliet as Sun leave] SUN: So how long do I have? JULIET: Most of the women made it into the middle of their second trimester, nobody made it to their third. SUN: That gives me, two months. I am, very happy the baby's Jin's. You gave me good news, Juliet. JULIET: It was my pleasure, Sun. I'm gonna go back inside and make sure that I didn't miss anything, I don't wanna take the chance that we didn't cover our tracks. Do you wanna wait out here? SUN: All right. [Juliet walks towards the station entrance] Juliet. Thank you. [Juliet heads inside to the secret room. Opening a locker, she pulls out a tape recorder and presses the record button] JULIET: Ben, its six AM on Saturday morning. Kwon is pregnant, the fetus is healthy and was conceived on-Island with husband, he was sterile before they got here. I'm still working on getting samples from the other women, I should have Austen's soon. I'll report back when I know more. [She turns off the recorder] JULIET: [Pauses] I hate you. [She places the recorder back in the locker and shuts the door] [In the jungle, the group build a stretcher for the parachutist] CHARLIE: You can't trust em you know. DESMOND: What's that? CHARLIE: The Others. The one you let go. He'll be back tomorrow with five of his mates. Should have klled him. JIN: Charlie. [Signals to the rope for the stretcher] Er, tight. CHARLIE: Oh, OK. DESMOND: You know brother, by my count, you've klled more of them than they've klled of you. CHARLIE: They started it. You know just cause one comes traipsing back with Jack and Kate doesn't mean that we can trust em now. [A little away, Hurley sits with the parachutist. He attempts to make the satellite phone work, and holds it to his ear] HURLEY: [Sarcastically] Mom? [The woman coughs] PARACHUTIST: Where am I? HURLEY: Take it easy, you just had a giant branch... PARACHUTIST: [Interrupting] Where am I! HURLEY: I dunno. You're on an Island. Are you here to rescue us? Are there more of you, can you make your phone work? PARACHUTIST: Who are you? HURLEY: Hugo Reyes. I crashed here on Oceanic Flight 815. A bunch of us survived, is that why you're here, were you looking for us? PARACHUTIST: 815. Flight 815? The one from Sydney. HURLEY: Yeah! PARACHUTIST: No, that's not possible. HURLEY: Yeah I know. It wasn't easy but we found food, and a hatch... PARACHUTIST: [Interrupting] No. No, Flight 815 they, they found the plane. There were no survivors. They were all d*ad. HURLEY: What?!	{"type": "series", "show": "Lost", "episode": "3x18 - DOC"}	foreverdreaming
In a dark room lit only by a fre, Locke sits reading from a red folder. Knocking and muffled cries can be heard from another room] LOCKE: Save your breathe. Nobody's gonna hear you. [Locke places the folder into the fre and watches it burn] [FLASHBACK] [Eight days ago. Locke looks at his father gagged in the room which Ben showed him. Tom is also shown in the room with Ben and Richard outside] LOCKE: Dad? What is this? BEN: You tell me. You brought him here. LOCKE: I didn't bring him here. BEN: I'd be careful about getting too close to him, John. [Tom holds a tazer as John steps nearer] LOCKE: (Mumbles) Where did you find him? Why did you bring him here? BEN: I already said. We didn't. LOCKE: You want me to ask him how he got here? BEN: Be my guest. [Locke pulls of the gag and Cooper bites his hand violently] BEN: Tom! [Tom tazers Cooper, allowing John to free himself] BEN: I warned you, John. COOPER: Don't you know, John? Don't you know where we are? [Tom closes the door quickly, keeping Locke outside] LOCKE: [To Ben] What did he mean? BEN: I'm afraid we don't have time to deal with that right now, John. We're leaving first thing in the morning, all of us. LOCKE: Where are you going? BEN: We're going to a new place. Well an old place, actually. Would you like to come with us? LOCKE: [Pauses] Yes. BEN: Good. We're holding Kate a few buildings over from here, maybe you'd like to say goodbye. [At camp, Kate is lying in bed with Sawyer awake while he sleeps. She pulls her arm away and dresses. Sawyer wakes] SAWYER: Hey, where you going? KATE: I can't sleep if I'm not in my own tent. SAWYER: Fine, let's go to your tent. KATE: [Pauses] Erm... its nothing personal, its just... old habits, you know? SAWYER: Fine, scram. [He pushes her off his bed and she laughs] SAWYER: You want me to walk you home? KATE: Its five tents I think I'll make it. SAWYER: Sure. I gotta pee anyway. KATE: That is so romantic. [They kiss. Kate leaves, and so does Sawyer after he grabs his gn and tucks it under his belt and jeans. Outside, he sees Jin and Hurley outside another tent] SAWYER: What the hell are y'all doing? HURLEY: What the hell are you doing? SAWYER: Going to take a leak. HURLEY: Yeah well, so were we. SAWYER: Well alrightey then. [Sawyer walks on to the trees away from camp and prepares to urinate. He hears a noise behind him and spins round with his gn ready. A light shines in his face, and Locke lowers his torch] LOCKE: Hello James. [Locke and Sawyer both stand facing each other, Sawyer still with his gn pointed] LOCKE: Wanna zip your pants up? [Sawyer does so] SAWYER: The hell are you doing here? LOCKE: Looking for you actually. SAWYER: OK Tarzan, so now that you're back from your blow up everything that could get us off the Island tour, how bout you tell me why you joined up with the damn enemy. LOCKE: I didn't join em. I infiltrated em. SAWYER: [Sarcastically] You're undercover with the Others. LOCKE: That's right. SAWYER: But how bout you give me one reason to believe that. LOCKE: Because a few hours ago I snuck into Ben's tent and kidnapped him. I tied him up, dragged him off into the jungle. SAWYER: And you came all the way back here to tell me this because...? LOCKE: Because this is the same man who tortured you, bat you, humiliated you. And I want you, to kll him. [Pause] SAWYER: You want him dad, you kll him. LOCKE: I'm not a mrder. SAWYER: Neither am I! LOCKE: 'Cept for the man you klled in Sydney. They got files on us, James. All of us. SAWYER: Yeah well their file's got their facts wrong. LOCKE: Then I made a mistake coming to you. Please don't tell anyone that I was here. [Locke walks away] SAWYER: Hey stop. [Locke keeps moving. Sawyer lifts up the gn again] SAWYER: I said stop. [Locke still walks on] SAWYER: Dammit! Wait up. [Locke smiles as he continues to move] [FLASHBACK] [Three days ago. The Others have built tents in a valley field. Locke helps someone make their tent, noticing that some of the people keep looking at him] LOCKE: There. That ought to do it. CINDY: Thanks. That would have taken me hours to do myself. LOCKE: Glad I could help. [Cindy notices Locke looking at more people staring] CINDY: Don't mind them. They're all just excited you're here. LOCKE: Excited? CINDY: We've been waiting for you. [Tom appears] TOM: John. You got a minute? LOCKE: Yeah. TOM: Ben's asking for ya. LOCKE: OK. [Locke heads to Ben's tent, where he is listening to Juliet's recording] JULIET: [On tape] Ben, its six AM on Saturday morning. Kwon is pregnant, the foetus is healthy and was conceived on-Island with her husband, he was sterile before they got here... [Ben turns off the tape and Locke enters] BEN: Hello John. Thanks for coming. LOCKE: [Looks at the tape] What's that? BEN: Juliet is gathering information for us at your former camp. She's determining if any of the women are pregnant. Then we're gonna go in and, take them. LOCKE: Take them? BEN: This is not the first time we've done this, John. Trust me, no-one will get hurt. [Ben motions towards a walking stick] BEN: Could you pass me that please? [Locke does so] BEN: Thank you. [Ben pulls himself up out of his wheelchair. Locke looks with surprise] BEN: I believe I have you to thank for this, John. LOCKE: Me? [Ben puts the tape in a drawer] BEN: A week ago I couldn't move my toes. But the minute you showed up, I started to feel pins and needles. And this is only the beginning, John. I can't wait to show you what this Island can do. But unfortunately, you're not ready, John. LOCKE: Well er, no, I'm ready. BEN: No, John, you're not. You're still crippled by the memories of the man you used to be before you came to this Island. And you'll never be free, until you release the hold that your father has over you. Why do you think you brought him here? LOCKE: [Sarcastically] Oh oh oh, the, magic box, OK Ben, how about you show me... BEN: The magic box is a metaphor, John. I can't show you anything until you can show me that you're ready and willing to be one of us. When people join us here on this Island, they need to make a gesture of free will, of commitment. That's why you're gonna have to kll your father. [Locke looks outside the tent. Cooper has been strapped to an old stone pillar, on show to the entire camp] [At the main camp, Charlie is taking food supplies from the kitchen as Jack arrives] JACK: Hey. When'd you get back? CHARLIE: Jack. Hey. Er, last night. Well, early this morning. JACK: So, camping huh? What were you guys doing out there? CHARLIE: We figured we'd er explore a bit. You know, see what was further down the beach. Male bonding. JACK: Well, next time you go out, sign me up. CHARLIE: Yeah next time. Sure. [Jack nods and goes. Charlie takes the food he collected on a tray to the tent Hurley and Jin had guarded previously. They are still stood stationed outside with Desmond. Jin takes the food from Charlie and goes inside] CHARLIE: Thanks Jin. [To Desmond] We have to tell Jack. HURLEY: Yeah I mean shouldn't he check out her wound. DESMOND: Can you give me your word that Jack can be trusted? Now he spent ten days with those people and then nothing happened to him? And that woman he's spending all his time with... CHARLIE: Juliet? DESMOND: Aye, Juliet. Two weeks ago she had your friends in cages. Naomi, I mean you heard everything that she said. If we keep her safe, she's our way off this Island. So given that, do you trust Jack? Or don't you? [Pause] DESMOND: Right. So you better bring us someone we can trust. [In the jungle, Sawyer continues to follow Locke barefooted. His feet are bleeding and he makes grunts of pain as he walks] LOCKE: You should have put some shoes on. SAWYER: Ya think? So what else is in it? LOCKE: In what? SAWYER: The file they got on me. LOCKE: Not much. That your parents died when you were very young. But it doesn't say why, your father, sht your mother, or why he turned the gn on himself. [Pauses] That must have been hard for you. [Locke walks on] SAWYER: What else? LOCKE: High school transcripts. Er, criminal record. All the con jobs you were arrested for. I guess that's why you use an alias huh? Why did you choose the name Sawyer... [Sawyer hits Locke over the head with his gn, knocking him to the ground. He grabs Locke's Knfe and puts it to his throat] SAWYER: How stupid do you think I am huh? I already been conned by Ben once. Maybe you heard about it, bunny with a number painted on it. Think I'm just gonna follow you through the jungle... LOCKE: James, please, you have to, you have to trust me... SAWYER: Where are you taking me? Tell me the truth. What do you want from me? LOCKE: I'm bringing you there to do exactly what I said. I need you to kll Ben. SAWYER: Why did you come back to get me? LOCKE: I had to. SAWYER: Why me! Why won't you do it yourself? LOCKE: James, please! SAWYER: Don't call me James! Why won't you do it yourself! LOCKE: Because I can't! I can't! I can't do it! [Pants] That's why I came back for you. [Sawyer pulls the Knfe away and gets up] SAWYER: Get up. [Locke does so] SAWYER: I'll go to wherever you got him, but then we're bringing him back to our camp. I ain't klling nobody, you understand me? LOCKE: Yeah. I understand. But you'll change your mind. When you hear what he has to say. You'll change your mind. [Near camp, Sayid is digging as Hurley approaches him] HURLEY: Hey dude. SAYID: Hello Hurley. [Sayid stops digging as Hurley pauses] HURLEY: Can you keep a secret? [At the beach, Sayid and Hurley approach Charlie outside the tent] SAYID: [To Charlie] You've already spoken to her? CHARLIE: Yeah. You're gonna wanna hear it for yourself. SAYID: And you haven't told Jack? CHARLIE: No. SAYID: Good. [They go inside the tent, where Desmond smiles to Sayid, who takes a seat] SAYID: [To Naomi] My name's Sayid Jarrah. I understand your helicopter crashed onto the Island. NAOMI: Actually it crashed in the water. SAYID: What's your name? NAOMI: Naomi. Naomi Dorrit. SAYID: Naomi, from where exactly did you take off? NAOMI: A ship. Freighter. About eighty nautical miles West of here. We're part of a search and recovery team. SAYID: You told my friends the wreckage of Flight 815 was discovered. Did you mean the partial wreckage? NAOMI: No. They found the entire plane off the coast of Bali. In an ocean trench four miles deep. They sent down cameras in these little robots to survey the wreck. The bodies were all there. SAYID: Well, obviously we're not dad. NAOMI: Obviously. SAYID: So if you weren't looking for us, then who were you looking for? NAOMI: [Looking at Desmond] Him. SAYID: Desmond? NAOMI: My company was hired by a woman named Penelope Widmore. I don't know why, I never met her. She gave us a set of coordinates. We'd be conducting a differential GPS grid search ever since. SAYID: You knew about the Island? NAOMI: Island? We were given coordinates in the middle of the bloody ocean. We thought it was a fool's errand. Til three days ago. I was flying back for the ship when all of a sudden the clouds cleared and I saw land. The instruments started spinning, I realized I was going down so, I grabbed my chute and I bailed. SAYID: [To Desmond] Did you actually see her helicopter? DESMOND: No. NAOMI: You think I'm lying mate? SAYID: And I take it you have no means whatsoever of communicating with that freighter of yours? NAOMI: What was your name? Sayid? SAYID: Yes. [Naomi pulls out the satellite phone from under the covers of the bed she's lying in] NAOMI: Remind me not to rescue you, Sayid. [In the jungle, Locke and Sawyer are still trekking. Sawyer steps into a stream and bathes his feet with a sigh of relief] SAWYER: So Ben. You said I'd kll him when I heard what he's got to say. LOCKE: That's right. SAWYER: Well you wanna give me a head's up? LOCKE: Its not really my place to tell ya. SAWYER: Look, what you read in that file, about the guy in Sydney. I thought he was someone else, I made a mistake I didn't mean to kll him. LOCKE: Well who'd you mean to kll? SAWYER: Are we almost there? LOCKE: Almost. [FLASHBACK] [Three days ago. At night, Ben approaches Locke and wakes him with his stick] BEN: Wake up, John. It's time. [He leads Locke to the pillar where Cooper is tied. Ben hands Locke a Knfe] BEN: I know it won't be easy. But the quicker the better. [Ben ungags Cooper] COOPER: You're kidding me, right? You expect him to kll me? BEN: John. The hesitation that you're feeling is just the part of you that still feels like he is a perfectly good explanation for stealing your kidney. Throwing you out of an eight-story window. Don't you wanna be free from him? COOPER: The hesitation he's feeling is because he is a spineless... LOCKE: Shut up! [Locke notices all of the Others watching him] LOCKE: I, I gotta think. BEN: Don't think John. COOPER: [To Ben] You're wasting your time, bug-eye, me and him have been through all this. All he wants is his daddy... LOCKE: Shut up! I said shut up! COOPER: You really haven't figured it out yet have you? BEN: Let go of him, John. LOCKE: Why are you doing this to me? BEN: You're doing this to yourself. As long as he's still breathing, you'll still be that same sad pathetic little man that was kicked off his walkabout tour because you couldn't walk. [Locke presses the Knfe against Cooper's neck but pulls it away] COOPER: I'll be here the rest of the week John if you change your mind... [Ben spins with his stick and hits Cooper over the head, knocking him unconscious. He then takes the Knfe from Locke and turns to the spectating Others. BEN: I'm sorry. He's not who we thought he was. [Locke looks at stern faces, and walks away past them out of camp] [In the jungle, Locke and Sawyer have finally reached their destination – the Black Rock ship] SAWYER: Son of a... [They head inside] SAWYER: Nice place you got here Locke. LOCKE: Ben's inside in the brig. You ready? SAWYER: Yeah I'm ready. [They move further inside the ship] SAWYER: [Points his torch at skeletons] Friends of yours? LOCKE: It's an old slaving ship. Mid nineteenth century. My guess is they captured the slaves and brought em here to try and mine the Island. SAWYER: What's in the boxes? LOCKE: That'd be dynamite. [Sawyer hears muffled cries from behind a door] SAWYER: Son of a bitch. You really kidnapped the little bastard. [Pause] We ain't klling him, Locke. LOCKE: Whatever you say, James. [Locke opens the door, showing Sawyer a bound and gagged man with a bag over his head. Sawyer enters the room] SAWYER: Well well well. [Locke shuts the door behind him and locks it] SAWYER: Hey, hey! What are you doing? Open the damn door! [Muffled cries continue to sound] SAWYER: Shut up! Open up! [Muffled cries still shout] SAWYER: I said shut up! [Sawyer pulls off the bag to reveal not Ben, but Cooper] SAWYER: Who the hell are you? [At the beach, Sayid tries to fix the radio with Hurley] HURLEY: So is that like a radio? SAYID: It's like a radio, yes. But I've never seen equipment this sophisticated. HURLEY: You can still make it work, right? SAYID: I hope so. HURLEY: And what about the other part? The part about they found the plane and we were all dad. SAYID: One thing at a time. [He tests out the phone after working on the parts inside. The phone works, but says “Locating Channel - Channel Not Found” after loud static] SAYID: There's not a single audible channel. Whatever that interference is, its blocking our ability to send out our own transmission. If we... [Sayid suddenly notices Kate behind them] KATE: What's that? Is that a radio? Where'd you get it? HURLEY: Er, the luggage. KATE: What you just found a radio in the luggage? SAYID: Kate if I explain, I want you to keep this very quiet. KATE: Keep what very quiet? [At the Black Rock, Sawyer bangs on the door to be let out] SAWYER: Locke! Open this damn door! Open it up! I can hear you you bald bastard! [As Locke sits, Rousseau enters] LOCKE: Rousseau. ROUSSEAU: Locke. LOCKE: What brings you to the Black Rock? ROUSSEAU: Dynamite. And you? SAWYER: [In the next room] Open this door! Open up! LOCKE: Crates are right over there. SAWYER: [In the next room] Open this damn door! LOCKE: Be careful its unstable. [Rousseau carefully carries out a crate of dynamite] SAWYER: Locke! LOCKE! [FLASHBACK] [Two days ago. Locke sits on a hill overlooking the tents. He unwraps his bandage to reveal that his bite has completely healed after six days. Richard appears] RICHARD: It's beautiful isn't it. No matter how much time you spend on the Island you just never get tired of this view. We haven't been formally introduced, I'm Richard. [They shake hands] RICHARD: You mind if I, join you here. LOCKE: Nah sure. RICHARD: He wanted to embarrass you. LOCKE: I'm sorry? RICHARD: Ben knew you weren't gonna kll your own father. He put you in front of everyone in our camp just so they could all watch ya fail. LOCKE: Why? RICHARD: Cause when word got back here that there was a man with a broken spine on the plane who could suddenly walk again, well, people here began to get very excited because that, that could only happen to someone who was extremely special. But Ben doesn't want anyone to think you're special, John. LOCKE: And why are you telling me this? RICHARD: Ben has been wasting our time with novelties like fertility problems. We're looking for someone to remind us that we're here for more important reasons. LOCKE: What do you want from me? RICHARD: I want for you to find your purpose. And to do that, your father has to go, John. And since you're not gonna do it, I'm gonna suggest someone else. [He hands Locke a red folder. Locke looks at it briefly as Richard walks away] LOCKE: Sawyer! Why would Sawyer kll my father, he doesn't even know him. RICHARD: [As he leaves] Keep reading. [At the Black Rock, Sawyer is still shouting] SAWYER: Open this damn door! Son of a bitch! [Cooper is still shouting through his gag, so Sawyer takes it off, holding his finger to signal for him to be quiet. Sawyer turns and points his gn at the door] SAWYER: I'm pointing my gn at you John-boy. You got three seconds to open this door. LOCKE: You're not gonna sh*t anyone, James. SAWYER: One! Two! LOCKE: If there were any bllts in that gn, why would you hold a Knfe to my throat? SAWYER: Ah! Son of a bitch! COOPER: Guess I didn't raise no dummies. SAWYER: The hell's that mean? COOPER: It means that bald headed bastard outside the door is my son. SAWYER: Come again? COOPER: My son. As in I'm his father. You do speak English? SAWYER: [Inaudible, sounds like “Your his...”] How did you get here, to the Island? COOPER: Island? OK. I'm driving down I10 through Tallahassee when bam, somebody slams into the back of my car. I go right into the divider at seventy miles an hour, the next thing I know, the paramedics are strapping me to a gurney, stuffing me into the back of an ambulance and one of them actually smiles at me as he pops the IV in my arm. And then, nothing. Just, black. And the next thing I know I wake up in a dark room tied up, gag in my mouth, and when the door opens, I'm looking up at the same man I threw out a window, John Locke. My dad son. [Pause] SAWYER: And he's dad cause you threw him out a window? COOPER: No he survived that. But it paralyzed him, permanently. He's dad because the plane he was flying on crashed in the Pacific. SAWYER: Well I got bad news for ya pops, cause I was on that plane with your son. He sure as hell wasn't crippled. And we didn't crash in the Pacific, we crashed here on this Island. COOPER: You sure its an Island? SAWYER: Well what else is it? COOPER: Little hot for heaven isn't it? SAWYER: [Sarcastically] Oh OK, so we're dad? COOPER: They found your plane on the bottom of the ocean. One minute I'm in a car wreck and the next minute I'm in a pirate ship in the middle of the jungle. If this isn't hell friend, then where are we? SAWYER: Why did you throw Locke out a window? COOPER: He was becoming a nuisance. I conned him into giving me one of his kidneys. He never got over it. SAWYER: [Pauses] Conned? COOPER: Yes sir, conned. SAWYER: What's your name? COOPER: Hmm? SAWYER: Your name. COOPER: A conman goes by many names friend. I've been Alan Seward, Anthony Cooper, Ted MacLaren, Tom Sawyer, Louis Jackson, and Paul... SAWYER: Tom Sawyer. COOPER: I was young and Huck Finn was taken. And the ladies loved that one. Made me charming. SAWYER: Well how about that. COOPER: How about what? SAWYER: Sawyer's my name too. [FLASHBACK] [Yesterday. Locke wakes to see the Others packing up and heading out. Locke goes over to Ben] LOCKE: Ben. What's going on? BEN: We're moving. LOCKE: Moving, where are we going? BEN: We are not going anywhere, John. You are going to stay behind. You both are going to stay behind. LOCKE: What? You're not taking him? BEN: [As he leaves] He's your mess, John. Why would we clean it up? LOCKE: Ben! If you're trying to put me in my place, or embarrass me... BEN: Where would you get a ridiculous idea like that? LOCKE: Well you can't leave me. After everything... BEN: Don't tell me what I can't do, John. LOCKE: But I thought I was special. BEN: Well everyone makes mistakes. We're leaving now. We'll leave a trail, one you can track. And John, unless you're carrying your father's body on your back, don't bother. [Ben and the Others leave] [At the Black Rock, Locke sits outside the room hearing no cries or shouts. Inside the brig, Sawyer stares at Cooper] COOPER: What's the matter with you? SAWYER: You ever been to Jasper, Alabama? COOPER: Why? SAWYER: Have you or haven't you? COOPER: Yeah I been to Jasper. Don't tell me I'm your daddy? SAWYER: No. You klled my daddy. [Sawyer gets his letter out of his pocket – the one to Mr. Sawyer] SAWYER: Read it. COOPER: “Dear Mr Sawyer”. What is this? SAWYER: Just read it. COOPER: “You don't know who I am, but I know who you are. And I know what you done. You had sex with my mother, and then you stole my dad's money all away, so he got angry and he klled my mother, and then he klled himself” blah blah blah blah. So what? Is this supposed to be you, you wrote this letter? Hey wait a second. Did you take my name because you were on some kind of revenge kick? SAWYER: Keep reading. COOPER: Easy, easy, don't get all worked up. Look, I ran that con two dozen times. If your mother was one of the... SAWYER: Mary. Her name was Mary. COOPER: Mary from Jasper, Alabama. Yeah, I remember her. She practically begged me to take her thirty-eight thousand dollars and to rescue her from her sorry little life. SAWYER: You finish the letter. COOPER: Look, I only took her money. It ain't my fault your dad overreacted. If he pulled the old mrder su1c1de then I'm sure he's down here somewhere. Er, maybe you could take this up with him... SAWYER: FINISH IT! COOPER: OK. OK. [He rips up the letter into pieces, and Sawyer attcks him, choking him with the chains around the room] SAWYER: You wanna go to hell? You wanna go to hell! [Cooper chokes and Sawyer keeps pulling until he stops moving. He then releases him. The door opens, and Locke enters the room] LOCKE: Thank you. [At the beach, Juliet and Jack sit eating meat] JACK: You missing those cheeseburgers yet? JULIET: Only every second. [They laugh as Kate arrives] KATE: Hey. JACK: Hey. KATE: I need to talk to you. JACK: OK. KATE: In private. JULIET: No problem. JACK: [Stops her from going] Anything you wanna say to me, you can say in front of her. KATE: Not this. JULIET: It's OK. JACK: No no no no, you can stay. KATE: Yeah you know what you should stay. Seems only fair considering she's the reason that no-one wants to tell you that there's a woman in Hurley's tent who parachuted onto the Island yesterday. JACK: What? KATE: A woman. She jumped from her chopper before it crashed, she says that the boat that she took off from is about eighty miles off the coast and that if she can find a way to contact it, we'll all be rescued. JACK: Why didn't anyone tell me this? KATE: Well we told you, because they don't trust you. [Jack looks to Juliet] JACK: [To Kate] How? KATE: How what? JACK: How is she supposed to contact her boat? KATE: Did you hear what I just said, Hurley, Charlie, Sayid, your friends are afraid to... JACK: Kate! How? KATE: She had a phone radio thing, Sayid's trying to get it to work. JULIET: We should tell her. JACK: No. KATE: Tell me what? JULIET: We should tell her. JACK: [Whispers] Not yet. [Jack goes] [Outside the Black Rock, Sawyer vomits] LOCKE: You can go back now. SAWYER: Why did you do this? LOCKE: He ruined my life. And he ruined yours. And he had it coming. [Pauses] Juliet is a mole. SAWYER: What? LOCKE: She's working for Ben. He sent her back to find out which of our women were pregnant. Three days from now, there's gonna be a raid on the beach and they're gonna take them. They say they don't want anyone to get hurt. SAWYER: Why are you telling me this? LOCKE: So you can warn the camp. SAWYER: You warn the camp. LOCKE: I'm not going back. SAWYER: You're going back undercover? LOCKE: No I was never undercover, James. I'm on my own journey now. SAWYER: Even if Juliet is a mole, they ain't gonna believe me, I been saying that since she showed up... [Locke gives Sawyer the tape recorder] LOCKE: They'll believe ya now. [Locke heads to leave] SAWYER: Hey. Is it true? LOCKE: Is what true? SAWYER: That he threw you out a window. That you were a cripple. LOCKE: Not anymore. [Locke leaves, and Sawyer starts walking back to camp. Locke grabs Cooper's covered body, and pulls it onto his back. He walks away carrying it]	{"type": "series", "show": "Lost", "episode": "3x19 - The Brig"}	foreverdreaming
[In the middle of a wooded area, a woman screams] MAN: Come on! Dammit, push! WOMAN: [Screams again] Something's wrong! I can't...oh... MAN: Emily! You can do this! Now push, come on! Come on, baby. You can do it, now come on. [Emily pushes, clenching her teeth and screaming] MAN: Come on, there you go. Come on. [Emily screams as she pushes still. The sound of a baby's cries can then be heard] MAN: It's a boy! You did it. EMILY: It hurts. [The man wraps the baby in his jacket and gives him to Emily] MAN: Oh... EMILY: Roger, it hurts. [Roger looks down; his hand is covered in Emily's blood] ROGER: Emily, no one knows we're out here. We gotta get back, okay, honey? Can you hold onto the baby? Emily! Can you hold the baby? Hold him tight. [Roger picks up Emily and carries her through the trees. They make it out to a clearing, a road. Cars drive by and a sign lists Portland as 32 miles away] ROGER: Help. Help! Help! [A red car stops with a man and woman inside] ROGER: Oh my God, help me. MALE DRIVER: Hey, what happened, man? ROGER: We were hiking. She went into labor and she wasn't due yet. She's bleeding. MALE DRIVER: Okay, okay, look, we'll put her in the car, okay. Let me get you to the hospital. [Emily screams and Roger puts her down] ROGER: Oh, okay, okay, honey. MALE DRIVER: Okay, it's all right. Let's keep her warm, all right? How's the baby? ROGER: Fine, I guess—I don't know. EMILY: Roger? Roger. ROGER: I'm right here. EMILY: Call him Benjamin. [Emily passes out] ROGER: Stay with me. Stay with me. Emily! Emily! Emily! Oh God, no! [On the Island, Ben looks at a doll in his tent. The previous scene was obviously a flashback. As Ben sits, Richard enters] RICHARD: What you got there? BEN: It's a birthday present. Mine just happens to be today. You do remember birthdays, don't you Richard? RICHARD: So do you want me to bring the tape back to Juliet? BEN: [Puts down the doll] What? RICHARD: The tape with your instructions for Juliet, do you want me to bring it back to the medical station? BEN: [Slightly irate] I recorded it yesterday, before we left. I thought you already took it! RICHARD: No. [Ben gets up quickly and heads out of the tent] BEN: Where's Tom? Tom! Have you seen my recorder? [Tom's gaze is fixed farther away, and Ben looks to see what he's staring at. He sees Locke, carrying a body on his back, approaching him] LOCKE: You said that if I klled my father, you'd tell me everything I wanted to know about the Island. [He dumps the body bag at Ben's feet] LOCKE: So why don't you start at the beginning? [Inside Ben's tent, Locke and Ben discuss matters over a glass of alcohol] BEN: I know I promised to tell you everything, John, and I wish it was as simple as me taking out a dusty old book and opening it up. [He offers Locke a glass, but is met with a blank face. He places the glass next to him instead] BEN: But it's not that simple. LOCKE: How about you just tell me? BEN: You probably think I'm the leader of this little community, but that's not entirely true. We all answer to someone, John. LOCKE: And whom might that be? BEN: His name is Jacob. LOCKE: Okay, then. Take me to Jacob. BEN: I can't do that. [John gets up and heads to leave] BEN: Where are you going? LOCKE: Hell, Ben, if you don't wanna take me, maybe someone else will. I'll just go and ask Richard... BEN: Why would Richard take you? He doesn't know where Jacob is. He doesn't talk to Jacob... LOCKE: Well, who talks to him? BEN: I do. LOCKE: So you're the only one who talks to him? BEN: That's right! LOCKE: And no one else knows where he is? BEN: I was born here on this Island. I'm one of the last that was. Most of these people you see—I brought them here. So Jacob talks to me, John. He tells me what to do, trusts me. LOCKE: And no one else has ever seen him? BEN: That's right. LOCKE: How convenient. You know what I think, Ben? I think there is no Jacob. I think your people are idiots if they believe you take orders from someone else. You are the man behind the curtain, the Wizard of Oz. And you're a liar. BEN: And what might you base that theory on, John? LOCKE: Because if you were telling the truth, your hand wouldn't be shaking. [Ben steadies the glass in his hand, which is shaking] [FLASHBACK] [A young Ben walks down a jetty from the submarine with his father and a number of other people. Roger looks at an array of DHARMA boxes, vans, a boat, while Ben sees a sign saying “Namaste! The Dharma Initiative”] WOMAN: Namaste! [She puts a floral necklace over Roger] ROGER: Thanks. WOMAN: Namaste! [She puts another necklace over Ben] [A man greets Roger. It's the same man who stopped his car when Ben was a baby] MALE DRIVER: Hey, welcome to the Island, man! Namaste. ROGER: Namaste, yeah! MALE DRIVER: So, what do ya think? ROGER: Wow, this is...some place. Thanks again for the opportunity, Mr. Goodspeed. MR. GOODSPEED: Horace! Please. ROGER: Horace. HORACE: And this must be Ben. ROGER: Yeah. [To Ben] Mr. Goodspeed was there the day you were born. HORACE: Yes, I was. ROGER: He's doing us a big favor here. Gave your old man a job. [To Horace] Ah, he don't say much. HORACE: That's okay. I bet he will when he has something to say. Right, Ben? Hey, you hungry kiddo? Huh, huh? Great. Well, I'll tell you what. After you're done processing, we'll have some lunch. How's that sound? ROGER: Yeah, thank you. HORACE: You're gonna love it here. [Inside a room, a group of people are being inducted. A television shows a video of Marvin Candle] MARVIN: Welcome to the Island. For your own comfort and safety, we ask that you stay within the confines of your new living quarters. Our Barracks are surrounded by a high frequency sonar fence, to protect us from the Island's abundant and diverse wildlife. You are now a member of the DHARMA Initiative...[inaudible] ROGER: [To other viewers] What kind of wildlife you think this fence is protecting us from? MAN: Roger Linus? Roger Linus? ROGER: Yeah. [Roger heads to register as the video continues] MARVIN: ...Every morning you will be given a new code which will allow you to cross outside the fence... there are properties on this Island that exist nowhere else on Earth. Our mission is to study these properties for the betterment of mankind and advancement of world peace. Most of you will be working on the mainland. Should you be assigned zoological studies... [Ben looks around at staff giving injections to some individuals. A young girl approaches him] GIRL: Hey. You're new, huh? [Ben nods] GIRL: I'm Annie. Want one? [She shows him an Apollo bar. Ben takes it] ANNIE: We can have as many as we want. [Ben then overhears Roger talking to a female member of staff. Her uniform reveals her name as “Opal”] ROGER: Work man? What is this? Work man? I'm a janitor?! OPAL: I'm sorry, Mr. Linus. ROGER: Goodspeed told me you people were doing experiments, changing the world. I didn't come here to clean up after ya! OPAL: Look, if anything else opens up, you can feel free to apply for it. [Roger walks away in a huff] ROGER: [To Ben] Come on. [At the beach, Sawyer hides in the trees watching the camp] CHARLIE: [Holding Aaron] I think he'll grow out of it. CLAIRE: You don't think it's too big? [Further away, he sees Hurley and Desmond] HURLEY: Dude, you know what I'm saying? It can't be worse than haggis. DESMOND: [Inaudible, possibly “Oh I dunno”], I could [inaudible, possibly “mrder”] some haggis right now. [Sawyer sees Sayid walk nearby] SAWYER: Hey! Sayid! SAYID: What happened to you? SAWYER: I was with Locke. SAYID: Well, where is he? SAWYER: He went back. SAYID: Back where? SAWYER: With them. Don't ask me where the hell it is, 'cause it don't matter right now. What does matter [shows him the tape recorder], is this. [Out in the jungle, a man runs. Mikhail sprints into the Others camp] MIKHAIL: Where is Ben?! Where is he?! [Ben steps out of his tent] BEN: I thought you were dad. MIKHAIL: I'm fortunate the pylons were not set to a lethal level. [Locke exits the tent, too] MIKHAIL: What is he doing here? BEN: It's all right. MIKHAIL: He's the one who tried to kll me! BEN: He's with us now. Where have you been, Mikhail? MIKHAIL: I encountered several of his people in the jungle. They had an injured woman with them. Apparently, she had just parachuted onto the Island. BEN: What?! MIKHAIL: Her helo crashed into water. She says her ship is approximately 130 clicks to the west of us. She has a radio telephone. BEN: Where is she now? MIKHAIL: I assume they have taken her back to their camp. BEN: We'll be visiting their camp day after tomorrow. We'll take care of it then. MIKHAIL: Day after tomorrow? We have to go now! LOCKE: Ben's not going anywhere with you. MIKHAIL: Excuse me? LOCKE: He and I are going to see Jacob. [The rest of the Others begin to murmur the name. Tom and Richard look on with shocked faces] MIKHAIL: Please tell me this isn't true, Benjamin. BEN: [Pauses] I'm sorry I have to deal with this now, John. Our excursion will have to wait. MIKHAIL: Since when do you explain yourself to him? An outsider... [Locke punches Mikhail to the ground and proceeds to violently bat him] BEN: Tom? Richard? [Locke ceases his attck, leaving Mikhail bleeding] LOCKE: [To Ben] So when do we leave? [Later, Ben and Locke collect water from a stream] BEN: You know, you didn't have to bat Mikhail senseless to make your point, John. LOCKE: Yes, I did. ALEX: Locke. [Both Ben and Locke turn to see Alex] ALEX: I hear you're gonna go see Jacob. You're gonna need this. [She holds out a gn for Locke. Ben looks on with a look of surprise] LOCKE: [Taking the gn] Thanks. [Alex turns to leave, but then looks back at Ben] ALEX: [Coldly] Happy birthday, Dad. [She leaves] [FLASHBACK] [Ben sits in class while a teacher discusses volcanoes. Her uniform reveals her name to be “Olivia”] OLIVIA: So, once water is added to the bicarbonate, we will get our very own volcanic reaction. [Annie raises her hand] OLIVIA: Yes? ANNIE: Is that what happened to the volcano on this Island? OLIVIA: Exactly Annie, but that was a long time ago. Okay! Let's get ourselves an eruption. [The kids murmur with excitement. Olivia pours the water into the model volcano and the volcano overflows with fizzy liquid] OLIVIA: Just add water, and...voilà. Now I know it's not lava, but— [The ground begins to shake. As the kids murmur, a siren sounds] OLIVIA: Okay, everyone into your positions! That's right, all together. Annie, lock the back door please! [Olivia loads a gn as Annie padlocks the door] OLIVIA: [Sees Ben hasn't moved] Ben, come on, honey, you gotta move. Ben! [Outside, a number of DHARMA staff are running past with gn. Annie grabs Ben] ANNIE: Come on! [They sit in the corner with the others] ANNIE: Don't worry. It's just the Hostiles. We'll be okay. [The DHARMA staff shout and a loud explsin can be heard] [At night, Horace talks with Roger in his house at the Barracks. Ben listens from the next room] HORACE: Hey, man, heard you ran into a little trouble. ROGER: We're driving back from the Flame and we hear this huge explsin. Next thing I know, there's a siren wailing, and we're driving through the middle of a sht. HORACE: Look we're having some skirmishes with the natives. ROGER: What do you mean, "natives"? HORACE: Well, we're not exactly sure who they are. ROGER: [Throws down a beer can] Oh, this ain't what I signed up for! HORACE: Roger, I did you a favor, man. You were having trouble finding work. And don't forget about Ben—he's getting a quality education here. ROGER: I don't give a damn about his education. If I'm gonna get sht at, I want hazard pay. I want another thirty grand. HORACE: Calm down, man. ROGER: And don't try to tell me you don't have it, you hear me? [Ben hears rattling at his window] ROGER: All right, get the hell out of my house. [Ben closes his door fully and turns. Staring at him outside the window is his mother. Ben falls back, knocking over a chair. He gets up as Roger enters] ROGER: I thought I told you to go to bed. [He leaves. Ben looks again but his mother is no longer there. He looks at an old photograph of her in his room and cries] [At the beach, Sawyer and Sayid go to Juliet's tent] SAYID: She's not here. SAWYER: I noticed. [Kate arrives] KATE: What are you doing? SAYID: Looking for Juliet. KATE: Well, you're not gonna find her in there. She left with Jack. SAYID: Juliet left with Jack? KATE: He took off right after I told him about Naomi. SAWYER: Who's Naomi? SAYID: And why would you do that, Kate? KATE: Because she's hurt, because he's a doctor, and because he has a right to know. SAYID: Where is he now? KATE: I dunno, Sayid. SAYID: Of course you don't. [He begins to walk away. Kate calls after him] KATE: You know, it might be time for you to tell everybody else about Naomi, too. SAYID: [Turns] Play her the tape! KATE: [To Sawyer] What tape? [Out in the jungle, Ben loads his canteen into his pack as they prepare to head out] BEN: Something you should know, John, before we go. Whether or not you think he's the Wizard of Oz, I can assure you that Jacob is very, very real. And we're gonna go see him, and he's not gonna like it. In fact, I have a feeling he's going to be very...angry. And that's why my hand was shaking, because this is not a man you go and see. This is a man who summons you. LOCKE: Well, I guess there's a first time for everything. [They leave the camp, drawing the stares of the Others] [FLASHBACK] [Ben sits on the swings at the Barracks with Annie. He unwraps a present to find two carved wooden dolls, one boy and one girl] ANNIE: It's us. That's you and that's me. Now we never have to be away from each other. Happy birthday, Ben. BEN: Thanks. ANNIE: You're welcome. [At night, Ben arrives back at the house to find Roger asleep on the couch with beer cans scattered around the room. Ben puts a blanket over him and Roger rouses] ROGER: Wow... [Sees the wrapped present] It's your birthday. Sorry I forgot. Kinda hard to celebrate on the day you klled your mom. She was just seven months pregnant. We went for a hike, but you had to come early. Now, she's gone. And I'm stuck here on this island...with you. [Pauses, grunts] Happy birthday, Ben. [Ben runs out, crying. He goes straight to the sonar fence, hearing whispers. His mother then appears in front of him, on the other side of the barrier. BEN: Mom? [Ben runs toward the barrier] EMILY: Ben, don't! BEN: Mom! EMILY: It's not time yet, Benjamin. [She leaves] BEN: Mom! [Ben begins to run, stumbling, back toward the Barracks]] [In real-time, Locke and Ben trek through the jungle at night. They approach a line of what appears to be gray powder. Ben pauses and then steps over it. Locke looks at it and sniffs it] BEN: Let's go, John. John! [Locke follows] [At the beach the whole camp are in uproar about Naomi's revelations] CLAIRE: So, what, the whole world thinks we're dad? SAYID: That's not important right now. SUN: Not important?! CLAIRE: What do you mean it's not important, Sayid? NAOMI: Excuse me. I'm sorry, don't you people want to be rescued? SAYID: We kept her a secret to keep her safe. KATE: Safe from what, Sayid? SAYID: Safe from Jack. He spent a week with the Others, and he brought one of them back with him. Here, amongst us. And every time we try to get answers from this woman, he prevents her from giving them. SUN: But it's Jack! He would never do anything to hurt us. And Juliet? I believe she's a good person. SAWYER: Good person, huh? You basing that on what? Wouldn't involve her taking you to one of their medical stations would it now, Mrs. Kwon? SUN: How— [Sawyer plays the tape] JULIET: Kwon is pregnant, the fetus is healthy and was conceived on-Island with her husband, he was sterile before they got here. JIN: [Speaks Korean]. JULIET: I'm still working on getting samples from the other women. I should have Austen's soon. I'll report back when I know more. JACK: Where'd you get that? [The whole camp turn to see Jack and Juliet approach] SAYID: Where have you been, Jack? JACK: I asked you where you got it. SAWYER: You really think you're in a position to be asking us questions? JULIET: Turn the tape over. SAWYER: Stay out of it. JULIET: You wanna burn me at the stake, here I am, but first, turn the tape over, press play. [Sawyer does so, and the camp listen to another recording, this time by Ben] BEN: Juliet, it's Ben. I'm sending three teams to extract Kwon the night after tomorrow. We won't have time to run Austen's sample, so if you determine that she or anyone else is pregnant, mark their tents, and we'll take them too. Good luck. JULIET: [To Sun] The night I saw your baby on the ultrasound, I told Jack what they were making me do. SAYID: Why didn't you tell us? JACK: Because I hadn't decided what to do about it yet. SAYID: "Yet"? JACK: I think we've got some catching up to do. [FLASHBACK] [Ben heads to the sonar fence armed with the deactivation code. He enters it, turns the dial, and the sound of the fence buzzing dies down. He pulls out a white rabbit, and shoos it across the fence line to ensure it really is off, then runs through, collecting the rabbit as he goes. He heads into the jungle, hearing whispers] BEN: Mom..? Mom? Mom! Mom! Mom! [Ben hears the whispers, and then turns to see a long-haired Richard Alpert standing behind him] RICHARD: Whoa whoa whoa whoa. Whoa. Whoa, hey, hey, whoa, I didn't mean to scare you. Wait, wait! Are you lost? Wait! BEN: Are you one of them? RICHARD: One of whom? BEN: A hostile. RICHARD: Do you even know what that word means? What's your name? BEN: Ben. RICHARD: Ben? So you wanna tell me what you're doing in the middle of the jungle all by yourself? BEN: I left home, and...I'm looking for my Mom. RICHARD: You think she's out here? BEN: You wouldn't believe me. RICHARD: Try me. BEN: She's dad. RICHARD: Did she die here, on the Island? BEN: No. When I was a baby. RICHARD: Did you see her, out here, Ben, in the jungle? BEN: She talked to me. RICHARD: What did she say? BEN: That I couldn't come with her. She said it wasn't time yet. RICHARD: You should go home now, your people will be looking for you. BEN: I don't want to go back there! I hate it there! Take me with you. RICHARD: Maybe that can happen, maybe. But if that's what you really want, Ben, if that's what you want, I want you to really think about that. And you're gonna have to be very, very patient. [In the present, Ben and Locke approach an old shack in the jungle at night] BEN: We're here. [Locke shines his flashlight at Ben] BEN: You'll wanna turn off your flashlight, John. LOCKE: Why? BEN: Jacob feels the same way about technology as you do. [Locke turns the light off and they leave their bags outside. Ben reaches the door and lights a lantern] BEN: Once I open this door, there's no turning back. You sure this is what you want? [Locke steps forward and looks at him resolutely] BEN: So be it. [To the door] Jacob? I'm here with John Locke. We're coming in now. [Inside Locke looks around the room. Jars stand by the window, a painting of a dog can be seen by the wall. Ben moves over to an empty chair] BEN: Jacob. This is John. Aren't you going to say hello, John? LOCKE: What? BEN: [Looks to the chair] I told you he wouldn't. LOCKE: Who—what are you talking about? BEN: You can't see him? LOCKE: See who? BEN: Jacob! He's sitting right here, in this chair! [Looks at the chair] Yes, I know, but he insisted. LOCKE: What is this? BEN: You wanted the secrets of the Island? Well, here they are. This is the man who can answer every single... [Stops, pauses while looking at the chair] I am not. He made me bring him here—do you think that that was my—sorry, may I finish? LOCKE: You're crazy. BEN: Excuse me? LOCKE: You don't know anything about the Island, do ya. You just...made it all up. BEN: [Looks at the chair] Jacob, please, I can't hear him if you're gonna talk over what he's saying— LOCKE: Stop. Stop. Shut up! You're putting on a show for me? Or do you...do you really think there's someone there? BEN: I know there's someone there! LOCKE: You don't know anything. BEN: I'm sorry you feel that way, John. And I'm sorry that you're too limited to see. LOCKE: You're pathetic. [As Locke leaves he hears a voice] VOICE: Help me. [Locke turns] LOCKE: What did you just say? BEN: I—I didn't say anything. LOCKE: Oh yes you did. I heard you, [raises the flash-light] you said... [Suddenly the room takes on a life of its own. Chairs rock, glass smashes, the lantern catches fre and windows shatter] BEN: [To the chair] That's enough, you've had your fun! [Ben is thrown back against the wall. For a brief moment, a figure is seen in the chair, followed by a closeup of an eye. Locke runs out of the cabin. Ben walks, shaken, from the cabin a moment later. Pause] LOCKE: What was that? BEN: That was Jacob. [The next day, Ben and Locke walk back through the jungle] BEN: What did you hear in there, John? What did Jacob say to you? LOCKE: He didn't say anything to me. You did. BEN: What are you talking about? LOCKE: There is no Jacob, Ben. I'm not gonna be taken in by the little show you put on last night. You're a fraud. And it's time your people were told the truth. And this is not the way we came. BEN: I'm taking us back another way. I wanted to show you something first. LOCKE: I've seen enough. BEN: You know, John, you're not wrong. Some of the things I've told you—some of the things I've told everybody—are simply not true. LOCKE: Like what? BEN: Well, for starters, I wasn't born on this island. LOCKE: Then where did you come from? BEN: That's what I wanna show you. [FLASHBACK] [An adult Ben, twelve years younger than in the present, is in his house, and zips up a DHARMA jumpsuit with “Ben – Work Man” stitched on. He looks at his watch, and then the doll Annie gave him years earlier, which he places in his bag. He heads outside carrying items to a DHARMA van. A now aged Roger is struggling to put pallets of beer into the back] ROGER: Morning. Okay, wait. Put it right—right down there. What's the problem now? You're usually Chatty Cathy in the morning. BEN: It's my birthday. I dunno why I keep fooling myself into thinking that one of these years you're actually gonna remember. ROGER: Well, I'll tell you what. All we gotta do this morning is run this stuff out to Pearl station. Why don't we go up to the mesa, drink some beers? Have some...I dunno, father and son time. BEN: I'd like that. ROGER: Okay. [Roger drives the van up to the mesa as "Shambala" plays from the van's speakers. They stop on a ridge.] ROGER: Well, you sure can't say it ain't beautiful. [Roger drinks a beer] BEN: Do you really blame me? ROGER: What? BEN: Do you really think it's my fault that she died? ROGER: What do I know... [Ben looks at his watch] ROGER: Why do you keep looking at your watch? You got a date? [Pauses] Listen...if it makes you feel any better, I will do my best to remember your birthday next year. BEN: I don't think that's going to happen, Dad. [starts to unzip bag] ROGER: What do you mean? BEN: You know, I've missed her too. Maybe as much as you have. But the difference is, for as long as I can remember, I've had to put up with you. And doing that required a tremendous amount of patience. [Ben pulls out a gas mask] BEN: Goodbye, Dad. [Ben puts it on and then releases a gas canister] ROGER: Ben? [Roger struggles for breath, coughing and retching as blood spurts from his nose and mouth, clawing at Ben's mask] [At the Barracks, Ben walks with gas mask on. He sees all the DHARMA employees lining the ground, all dad. He then notices Horace on a bench, and closes his eyes. Richard and the Hostiles arrive with masks on. Richard checks his watch, then removes his mask taking a deep breath. The rest of the team follow, as does Ben] RICHARD: You want us to, um...go get his body? BEN: No, leave him out there. [In real-time, Locke stands over a mass open grave full of skeletons, some still wearing their DHARMA jumpsuits] BEN: This is where I came from, John. These are my people. The DHARMA Initiative. They came here seeking harmony, but they couldn't even coexist with the Island's original inhabitants. And when it became clear that one side had to go, one side had to be purged, I did what I had to do. I was one of the people that was smart enough to make sure that I didn't end up in that ditch. Which makes me considerably smarter than you, John. [John stands up and turns but Ben sh*t him. Locke falls into the ditch] BEN: What did Jacob say to you? LOCKE: Why did you do this? BEN: Because you heard him. Now, I need to know what he said. LOCKE: Help me... BEN: John, I'm not going to ask you again. What did he say to you? LOCKE: He said, "Help me." [Ben looks incredulous, pauses a moment, utters a disbelieving half-laugh] BEN: Well, I certainly hope he helps you, John. [Ben leaves Locke lying in the ditch]	{"type": "series", "show": "Lost", "episode": "3x20 - The Man Behind the Curtain"}	foreverdreaming
[Karl runs through the jungle. He reaches the shore, and grabs a canoe, setting off with a paddle around the Island] [Inland, Jack leads a group of survivors: Desmond, Charlie, Kate, Sawyer, Claire, Sayid, Juliet, Jin and Hurley] CHARLIE: Anyone want to venture a guess as to what Jack's going to be showing us out here in the middle of nowhere? HURLEY: I dunno. Stuff. Probably secret stuff. CHARLIE: Why does everything have to be such a secret? How about some openness for a change? [Desmond pauses] HURLEY: We kept the parachute lady secret. CHARLIE: Ah, that's different. CLAIRE: Different how? CHARLIE: Well, because we weren't out there playing football with them... [Charlie notices Desmond has paused] CHARLIE: What? DESMOND: Nothing. CHARLIE: Wait. You had one of your flashes again, didn't you? DESMOND: No, Charlie, I didn't. JACK: We're here. [The two catch up with the rest of the group. They all gather round Jack and Juliet] JACK: A couple of nights ago, Juliet came to me and she told me everything: that Ben had sent her here to find out which of our women were pregnant... KATE: So, what, you guys were doing tests on us? JULIET: No, but that's what he wanted me to do. I've been leaving tapes at the medical station. You all heard what he said; they're coming tomorrow. Sun, I'm sorry that I lied to you. SAYID: While I appreciate your honesty, Jack, it doesn't explain why you brought us out here. JACK: Danielle! [Rousseau suddenly emerges from the trees] JACK: Show 'em. [Rousseau grabs two wires, links them, causing an explsin which brings down a tree] JACK: When Juliet told me they were coming, the first thing I thought was, "Where the hell are we gonna hide this time?" But hiding's pointless. They're just gonna keep coming back. So I went out and I found some help. And for the past few days she's been bringing dynamite back from the Black Rock. For the very first time we know exactly what they want, when they're coming to get it, and they have no idea that we're gonna be waiting for 'em. So Juliet's gonna mark the tents with the white rocks just like she was told to, but there's not going to be any pregnant women inside; there's gonna be plenty of what we just used on that tree. So tomorrow night we stop hiding, we stop running, we stop living in fear of them, because when they show up, we're gonna blow 'em all to hell. [FLASHBACK] [Two men in a van play with the radio, while outside Charlie and Liam are trying to fix a flat tire] CHARLIE: Oh, bloody hell! Why are we even doing this?! LIAM: Chin up, mate. We're headlining. CHARLIE: Headlining? We're playing Clitheroe--the arse-end of nowhere. LIAM: A gig's a gig. We're building our fan base. CHARLIE: Will our fan base pay for a new sodding tire? LIAM: Only if we show up. So let's just get on with it, shall we? CHARLIE: You know what, Liam? You get on with it. I quit. LIAM: You giving up? CHARLIE: There's nothing to give up on! We're broke. The album's not selling. We're a bloody joke. DRIVER: Hey shut it! Listen! [The band's song “You All Everybody” plays on the radio] CHARLIE: That's us. We're on the radio. LIAM: That we are. CHARLIE: We're on the bloody radio! [They all laugh and cheer] LIAM: I told you, baby brother, we're gonna be bloody rock stars! [In real-time, Charlie writes a list on a piece of paper with a black marker pen. He writes “#5 The first time I heard myself on the radio”] NAOMI: Can I ask you something? [Charlie turns to her] CHARLIE: Yeah? NAOMI: Who are you people about to go to wr with? CHARLIE: Now that's a long story. Wanna ask me something else? NAOMI: You having a laugh? CHARLIE: No, of course not. I'd never disrespect a fellow Mancunian. NAOMI: You're from Manchester then?! CHARLIE: I am. My band got its start at the Night and Day bar on Oldham Street. NAOMI: [Laughs] What band? CHARLIE: Oh, we're called Drive Shaft. NAOMI: Yeah, yeah, I know you. CHARLIE: We had our moment in the sun... NAOMI: No, not that, the crash. You're the dad rock star. They made a big deal out of you when they found the plane--huge memorial service, new album. CHARLIE: There's a new album? NAOMI: Yeah. God, it was everywhere... a greatest hits thing. [Charlie smiles but then sees Desmond in the distance] NAOMI: Hey, look on the bright side. You're not really dad, right? CHARLIE: Yeah, right. [They smile as Desmond walks on] [By the tents, Jack and Juliet carefully unwrap and place the dynamite] ROUSSEAU: We need more wire so we can trigger these from a safe distance. JACK: I can get some people to start stripping the plane wreckage. ROUSSEAU: Good. I should be able to finish rigging these tents in the next twenty-four hours. We'll be ready by tomorrow night. [Jack and Juliet leave the tent as Sayid catches up to them] SAYID: We need to talk about Naomi's phone. JACK: Not now. SAYID: If you're angry, I doubt that you'll be happy to make a sincere apology later, but now we have a means of... JACK: Look I'm a little bit busy right now, Sayid... SAYID: And I am trying to get us off this Island, Jack! [Jack concedes and listens, as do Juliet and Rousseau] SAYID: I can't transmit using this phone because Danielle's distress signal is overriding the frequency. [To Danielle] If you tell me where the radio tower is, I can go there, switch off your message, and call for help. ROUSSEAU: That signal has been playing for the last sixteen years and nobody has heard it. What makes you think that you'll have better luck? SAYID: But Naomi's boat is only eighteen miles offshore. I know if we eliminate Danielle's signal, they will hear us. JULIET: No, they won't. SAYID: And why is that? JULIET: We're jamming it. JACK: What? JULIET: Ben is using one of the DHARMA stations to block all of the signals off of the Island except for ours. SAYID: What station? JULIET: They call it The Looking Glass. SAYID: The Looking Glass. JULIET: Yes, but it's underwater. I have no idea where it is. SAYID: I believe I do. [At Claire's tent, Charlie plays with Aaron] CLAIRE: Look, I know Jack thinks it's best, but, you know, what if they're coming for him again? CHARLIE: Claire, listen to me. I'm going to protect you. I'm going to protect Aaron. I promise. Everything is going to be fine. [Claire nods as Desmond arrives] DESMOND: Er, sorry. Er, Charlie. Can you give me a hand with something? CHARLIE: Yeah, Desmond. Course. [They start walking together] CHARLIE: So, you ready to tell me what you saw this morning? DESMOND: Aye. CHARLIE: Right. So how's it happen this time? [Pause] CHARLIE: Come on, Des. You can tell me. I can take it. [Pause] DESMOND: What I saw, Charlie, was Claire and her baby getting into a helicopter. A helicopter that lifts off--leaves this Island. CHARLIE: Are you sure? DESMOND: Aye. CHARLIE: A rescue helicopter on this beach? [Desmond nods] CHARLIE: This Island--that's what you saw? [Desmond nods again] CHARLIE: We're getting bloody rescued! I thought you were gonna tell me I was gonna die again! DESMOND: You are, Charlie. CHARLIE: Wait, what? DESMOND: If you don't, none of it will happen. There won't be any rescue. I'm sorry, brother, but this time--this time you have to die. [FLASHBACK] [At a swimming pool, young Charlie stands by the pool while his father and brother are in the water] MR. PACE: Come on. Come on! Come on! Come on, Charlie! Jump in. I'm gonna catch you boy! CHARLIE: No. You're just going to back away. MR. PACE: Don't be daft. Jump in. CHARLIE: No. MR. PACE: I promise, Charlie, I'm gonna catch ya. LIAM: No he won't. MR. PACE: Zip it you! Don't listen to your brother. Just jump on in. There's nothing to be afraid of, Charlie. I'll catch ya, I promise. [Charlie steps forwards the edge, as children nearby shout. One distinctly says, “Desmond, come on!”. Charlie jumps in, and isn't caught. He dives under the water, floats back up] CHARLIE: I did it! MR. PACE: You've got it. CHARLIE: Seen it! MR. PACE: You're swimming, Charlie, you're swimming! [In real-time, Charlie writes on his paper again - “#4 Dad teaching me to swim at Butlins”] DESMOND: What are you writing? CHARLIE: [Pauses] Nothing. All right, tell me. DESMOND: You sure you wanna know? I mean it might be easier if you jus... CHARLIE: Yeah. I want to know. DESMOND: You're inside a hatch. It's, er, a room full of equipment. There's a blinking yellow light. And [inaudible, possibly “yellow” or even “rubber”] switch. You flick the switch, light goes off, and then you drown. CHARLIE: [Pauses] When? DESMOND: I don't know. CHARLIE: You sure you saw Claire and Aaron get on that helicopter? DESMOND: Aye. CHARLIE: So, before I drown, I just have to flip a switch. DESMOND: That's right. CHARLIE: Where is it, then? [Further down the beach, Sayid, Jack and Juliet examine files obtained from the Flame station] SAYID: Now this is The Looking Glass. Its an underwater DHARMA station. Please, can you tell me anything you might know about this place? JULIET: I've never been down there. I don't know anyone who has. JACK: Why not? JULIET: There was some accident. Ben told us that the station was completely flooded. JACK: Well, if it's flooded then how does it still work? SAYID: How it still works is irrelevant. The question is, how do we get it to stop working, so we can use the satellite phone. The diagram shows that The Looking Glass is connected to the Island by a cable. I feel sure that this is the very same cable down the beach which runs into the ocean. So if we follow the cable, it should lead us to the station. JACK: So how are we gonna get in? SAYID: We swim in. There's a moon pool. A room with an open floor at the base if the station, big enough for a submarine to dock. Even if the station's flooded, I think I'll be able to find the relay switch and disable it. JACK: What about swimming back out? [Sayid looks at him] JACK: No. No, I'm not letting you go on some su1c1de mission just to flip a switch. SAYID: But someone has to do it or we'll never leave this Island. [Charlie and Desmond arrive] CHARLIE: I'll do it. Swim down, turn off that bloody switch, swim back up. Piece of cake. JACK: Charlie, you don't even know what we're talking about. CHARLIE: I was junior swim champion in Northern England. I can hold my breath for four minutes. I know exactly what you're talking about, Jack. [All pause] JACK: No. And there's no reason to do this now, we're going to focus on the Others, and then we'll deal with this. SAYID: Wait a minute. We have the chance to signal for a rescue. JACK: Look, for ninety days I've been asked to make decisions for this entire camp. There you go. I just made one. [Along the beach, the survivors gather plane wreckage to get more wire for the dynamite plan] BERNARD: Rose, that's a sailor's hitch. It's not gonna hold. You wanna do a sheet bend like mine. ROSE: Oh, so now you're knot expert. BERNARD: [Laughs] Well trust me its, er... [Rose pulls his knot apart easily, then makes her own perfect sheet bend knot very quickly and pulls it taut to demonstrate its strength] BERNARD: How did you do that? ROSE: Watch and learn, dear. Watch and learn. JIN: [To Sun] [Subtitle: When are you going to tell me? Sun. Please. I heard Juliet say our name on the tape. Everyone stared at you. Is it about the pregnancy? ] SUN: [Subtitle: I saw our baby. ] JIN: [Subtitle: What?] SUN: [Subtitle: On an ultrasound. Juliet took me to the medical station. And she...] JIN: [Subtitle: Is it OK?] SUN: [Subtitle: Yes. Very healthy.] [Further away, Hurley notices something] HURLEY: Hey! Look, there! Look! [The group look to see Karl arriving at the shore by canoe. He runs towards them, and they to him. Sayid tackles him down] SAWYER: Get off him, dammit, its OK. SAYID: What?! He's one of them! SAWYER: I know, I know, its OK. He was in the cage next to me. I know this guy. What the hell are you doing here, Karl? KARL: They're coming. My people. SAWYER: Sorry you came all this way for nothing, but we already know. KARL: Then why are you still here? SAWYER: Because when your people show up here tomorrow night, we're gonna be ready for 'em. KARL: Tomorrow? No. No, they're coming tonight. They're coming right now! [FLASHBACK] [Six hours ago. Alex is skinning a rabbit in the Others camp as Ben arrives back] ALEX: Hey! When'd you get back? BEN: Just now. ALEX: Where's Locke? [Ben pulls out a gn] BEN: [Coldly] Here's your gn back. RICHARD: Ben, what's going on? BEN: Where's Ryan? RICHARD: He's at his tent, are you... BEN: It's time to get them. RICHARD: [Mumbles] But you said tomorrow. BEN: Jacob wants it to happen now. RICHARD: Look, what happened out there--did John see... BEN: John had an accident. Ryan! RYAN: Yes sir. BEN: If you leave right now, how long will it take you to reach their camp? RYAN: Well, if I take my ten best, we could set up to ht 'em by nightfall. BEN: Then you'd better get going. RICHARD: No, no, Ben, wait, moving at this schedule, Juliet may not be ready. What if she hasn't had time to... BEN: Then we'll take all their women. And we'll sort out the ones we need later. RYAN: And the men? BEN: If any of them are stupid enough to get in your way, kll 'em. RYAN: All right. [After overhearing the conversation, Alex runs into the jungle] ALEX: Karl. It's me. KARL: I thought you were bringing rabbit. ALEX: You have to go. Now. KARL: What? Did he find out I was out here? ALEX: No. But he's sending Pryce to their beach camp right now, you have to warn them. KARL: Warn them? ALEX: You have to go, now! KARL: I thought they were going to just take the pregnant women. ALEX: If you take the outrigger, you'll get there a few hours before them. KARL: Whoa, wait, Alex... ALEX: He's gonna kll them, Karl! Austen and Ford saved your life. You owe them. You better take this. [She hands him a gn] KARL: If I get caught, your father's gonna kll me this time. ALEX: Is he my father? [They kiss] ALEX: Now go. [Karl runs through the jungle to the shore and sets off in the canoe] [In real-time, the entire group have surrounded Karl, with Jack pacing around him] JACK: Is that everything? KARL: Yeah. JACK: [To Kate] You trust him? [Kate shrugs] KARL: You don't trust me? What about her! [He points at Juliet] KARL: She's a spy. She's supposed to mark the tents of the pregnant women with white rocks so they can take them. JULIET: They know, Karl, but thanks. HURLEY: So what are we going to do? SUN: We have to leave now. Hide. BERNARD: Where? It's their Island; if they wanna kll us; they'll find us. JACK: The sun's gonna go down in a few hours. [To Rousseau] Do we have enough wire yet? ROUSSEAU: Not even close. JACK: We've gotta figure out a different way of setting the dynamite off. SAYID: We could sht. JACK: We don't have enough gn. He said that ten of them are coming, armed. SAYID: Not the Others, the tents. We can camouflage the dynamite next to the tents. Target it from our positions at the tree line. JACK: Juliet marked three tents, that means we need three gn. [Karl pulls out a gn] HURLEY: Woo! KARL: Here. You can have mine too. ROUSSEAU: I'll be your third. JACK: We'll take your gn, but you're not staying here. You're gonna lead everyone to the radio tower. Everyone. CLAIRE: Radio tower?! JACK: Now if this doesn't work, we can't risk losing the chance of getting in contact with Naomi's boat, so everything has to happen at the same time. Charlie? You still up for a swim? CHARLIE: Yeah, I believe I am. DESMOND: I'll go with him. JACK: OK. We better get to it. [FLASHBACK] [Charlie lies in a hotel room with two women. Liam enters and jumps on the bed] LIAM: Ho ho ho. It's here, baby brother. Christmas is here. Oi, are these the birds from row two? Well done, mate. Well, as you have spent another year as the only drug-free rock star in the world, I'm gonna share a little known fact with you. Father Christmas lives just down the street from here. CHARLIE: Father Christmas lives in Helsinki? LIAM: Indeed he does. And in case you haven't noticed, baby brother, Finland is the bloody North Pole. Therefore, a very special gift for you this year. [Liam pulls off his “DS” ring] CHARLIE: Liam, no. Mum gave you that. You're the first born. It was her father's and his father before that... LIAM: And it's a family heirloom, and that's why we named the band after Dexter bloody Stratton. I know. But Charlie--let's be honest--we both know I'm a sodding mess. But you, you're different. You're gonna get married, have a family, a baby. I'll be lucky if I ht thirty. CHARLIE: Don't say that, Li. LIAM: The ring has to stay in the family, Charlie. So please, take it. Mum would have wanted it this way. Pass it on to your little one someday. I need to know it's safe. CHARLIE: I'll hold onto it. But I won't take it. Hey, fits. Look at that. LIAM: Happy Christmas, baby brother. [In real-time, Charlie is once more writing his list - #3 The Christmas Liam gave me the ring”. He sits smiling and stroking the ring before going to see Claire at her tent] CHARLIE: You need some help? CLAIRE: Why didn't you tell me you were going to do this? CHARLIE: I didn't want you to worry. CLAIRE: Well, it's dangerous, isn't it? Swimming into some underwater station. CHARLIE: It's what needs to be done to get us all rescued. I'll be fine, Claire. Now you've gotta promise me something. While I'm gone, don't worry about me. CLAIRE: 'K. CHARLIE: I'll take him. CLAIRE: Thanks. [Charlie takes Aaron and puts him in his crib] CHARLIE: Hey! All right turnip head, now you take care of your Mum while I'm away, OK? [Pauses] I love you. [He goes to Claire again] CHARLIE: See you soon. CLAIRE: Be careful Charlie, K? CHARLIE: Yeah. [They kiss, and then Charlie leaves] [FLASHBACK] [Charlie stands singing Wonderwall outside Covent Garden underground station, but is interrupted by torrential rain] CHARLIE: Sorry, guys. Thanks, man. [He puts his guitar away and sets off] WOMAN: Hey, help me! Help! Help! Help! [Charlie looks to see down an alley a woman being mugged. He hesitates but then intervenes] CHARLIE: OI! WOMAN: Help! CHARLIE: Oi! Get the hell away from her. [Charlie hits the man mugging her with his guitar case] CHARLIE: What are you doing? Leave her alone! [The man runs away] CHARLIE: You OK, Miss? [The woman is Nadia] NADIA: Yes, I think so, yes. CHARLIE: [Hands her her purse] Here you go. [Pants] Pardon me while I have a heart attck. The last time I was in a fight I was eight years old. [Laughs] And I lost. NADIA: Well, that makes you even more of a hero, doesn't it? CHARLIE: I just did what anyone would do. NADIA: Three people walked by the alley. CHARLIE: What? NADIA: They saw me, but they just kept on going. You are a hero, sir. And don't let anyone ever tell you differently. [In real-time, Charlie adds to his list - “#2 Woman outside Covent Garden calls me a hero.” He and Desmond are by the canoe ready to go. Charlie sees Desmond making something] CHARLIE: What's that? DESMOND: It's a weight belt. Should bring you down quicker than swimming. Well, every second counts. CHARLIE: So I just take it off when I ht bottom, swim up through the moon pool, into the station, swim into whichever room has the yellow blinking switch, flip it. Nothing to it. DESMOND: So how long can you really hold your breath for? CHARLIE: Does it matter? [Further away, Bernard sh*t DHARMA cans off a branch at a range. Sayid and Rose observe] BERNARD: You want me to ht another one? SAYID: No, you've made your point. ROSE: Bernard, this is not pheasant hunting in Montgomery County. BERNARD: I know what I'm doing. ROSE: No, you don't. Pheasants don't sht back. BERNARD: Nothing's gonna happen to me, Rose. I just have to sht a tent. And I'll be right behind ya. ROSE: Then I'm staying, too. JACK: No, you're not, Rose. [They turn to see Jack's arrival] JACK: Everyone's gathering down at the south end of the beach. No one's staying behind but the sh*t. ROSE: Says who? You wanna give me your word that nothing's going to happen to my husband, then I go. JACK: I'll give you my word that if we don't kll everyone that shows up here in about an hour, it's not gonna matter where Bernard is. ROSE: I like you better since you got back, Jack. You're almost an optimist. [To Bernard] Come on. If you're gonna be hiding in the bushes, let's get ya into something dark. JACK: You better get going. Rousseau says it's about a day's walk up to the radio tower. SAYID: I'm not taking them to the tower. You are. JACK: Excuse me? SAYID: You're not staying behind. JACK: This was my idea. SAYID: And I'm perfectly capable of executing it. JACK: I owe them! SAYID: What are you more concerned about, klling the Others, or getting our people off this Island? This afternoon you said you were our leader. It's time for you to act like one. Lead them to the radio tower, Jack. And then take us all home. [By the shore, as Charlie and Desmond sit, Hurley arrives] HURLEY: Dudes, wait! I heard. I heard what you're doing. I wanna come with. Everyone--they're all going to the radio tower--and I'm sick of trekking and, you know, explsin. I think I can help you guys out. I'm a really good paddler. CHARLIE: You can't go, Hurley. HURLEY: Why not? CHARLIE: Because...you're too big! You won't fit in the boat. HURLEY: That's uncool, man. [Hurley begins to go] CHARLIE: Wait, wait, wait! [Charlie hugs him] HURLEY: Dude, it's fine. I don't even wanna go on your stupid boat. CHARLIE: Catch up with you later. Just remember I love you, man. HURLEY: Yeah, whatever, love you too. [Hurley goes and Charlie watches after him] [The rest of the camp are all ready to leave] JACK: [To random survivors] You got water in there? Good, good. How about you, lot of water? Good. KATE: Hey. JACK: Hey. KATE: So here we go again, huh? JACK: [Laughs] Here we go again. JULIET: The tents are all marked. We're set. JACK: Sayid find the third sht? [Juliet motions over her shoulder to Jin, who is helping Sun pack her bag] [Claire is at her tent packing her bag. Hurley arrives] HURLEY: Ready, Claire? Need a hand with the little guy? CLAIRE: Er, no, thanks. I'm OK. [To Aaron] How's my little sweetheart? We're just going to go for a little walk, so hold onto Mum, OK? [As they leave with Vincent, Charlie's “DS” ring can be seen in Aaron's crib] [Charlie pushes the boat out, while Desmond finds the cable] DESMOND: This is it. Ready? [They push off, using the cable as a guide along the water] [FLASHBACK] [Charlie is on the Island, amongst the plane wreckage, presumably on their first night after the crash. He sees a pregnant Claire sat down and heads over] CHARLIE: Hiya. Do you want a blanket? CLAIRE: Oh, thanks. I got one. CHARLIE: Well, you're warming for two, take mine. CLAIRE: Thank you. CHARLIE: So, first plane crash? CLAIRE: [Sarcastically] What gave it away? CHARLIE: Ah you can always spot the newbies. We're gonna be OK, you know. CLAIRE: Are we? CHARLIE: We're alive, we're on a beautiful Island. We'll sleep under the stars, and before you know it the helicopters will come and take us home. CLAIRE: You really think they'll find us? CHARLIE: Well, yeah. Why wouldn't they? CLAIRE: Thanks. CHARLIE: I'm Charlie. CLAIRE: I'm Claire. Nice to meet you, Charlie. CHARLIE: It's nice to meet you. [In real-time, Charlie finishes his list - “#1 The night I met you.” Desmond finds where the cable sinks into the depths straight down] DESMOND: We're here. CHARLIE: [Holds out the list] I want you to give this to Claire for me. DESMOND: [Takes it] What is it? CHARLIE: It's the five best moments of my sorry excuse for a life. My greatest hits. You know, memories. They're all I've got. DESMOND: You don't have to do this Charlie. CHARLIE: What? DESMOND: I'll go. CHARLIE: No, your flashes. DESMOND: Maybe I keep seeing you die because I'm supposed to take your place. CHARLIE: What about your girl, Penny? DESMOND: What about your girl? Besides, I might be luckier than you. Keep your memories to yourself. I'll take it from here. [He takes off his shoes ready to go instead] CHARLIE: I dunno what to say. DESMOND: Well, you could tell me where the, er, weigh belt is. CHARLIE: Right there behind you. [As Desmond turns, Charlie hits him with an oar. He then places him neatly on the canoe] CHARLIE: You and I both know you're not supposed to take my place, brother. [Grabbing the weight belt, Charlie pauses and cries. He then dives in, sinking fast. His shoe floats up as he continues down, past the side of the underwater station and underneath. Letting go of the weight belt, he begins to struggle for air, gasping. He sees the moon pool and manages to go in. Instead of more water, however, he reaches a surface. A large room, not flooded. Seeing the side, he pulls himself up onto a walkway] CHARLIE: [Laughs and pants] I'm alive. AH! I'm alive! [A door opens and two women run in, both with gn. A light comes on, and one woman runs to Charlie and points her g*n right at his face. He makes a weak smile]	{"type": "series", "show": "Lost", "episode": "3x21 - Greatest Hits"}	foreverdreaming
[A heavily-bearded Jack sits on a plane sipping a drink, as a stewardess walks down the aisle] STEWARDESS: Would you fasten your seatbelts? Would you put your seatbelt back on, please? WOMAN: Oh. STEWARDESS: Would you fasten your seatbelt, please? [Jack taps her on the back] JACK: Er, excuse me. Excuse me. [Hands her his empty glass] Can I get another one of those, please? STEWARDESS: I'm sorry, sir. We'll be landing in twenty minutes. JACK: Well, twenty minutes is a long time. STEWARDESS: [Hands him a newspaper] How about a newspaper instead? ...And if you could buckle your seatbelt, sir? [She moves on] STEWARDESS: Please fasten your seatbelt. Thank you. [The plane shakes with turbulence. A tannoy bell sounds] CAPTAIN: Sorry about the bumps, folks, we're just hitting a little warm air as we make our descent into Los Angeles. Please keep those seatbelts fastened and we'll have you on the ground shortly. [Jack looks at the newspaper and notices something which seems to upset him. He rips out part of the paper] [Jack drives over a bridge and stops on the side. He looks at the paper clipping and cries with his head on the steering wheel. He gets out his phone and dials] VOICEMAIL: You've reached three one zero five five five zero one four eight. Please leave a message. JACK: Hey. It's me. I, er, I just read... [hangs up] [Jack steps out of the car and climbs up a ledge on the side of the bridge, looking over to a steep drop to solid concrete. He takes a deep breath] JACK: Oh, forgive me. [At that moment, sounds of a swerving car can be heard behind him, and a loud collision and smashed glass. The light of a fre brightens Jack's face, and a honk beeps continuously] KID: Mom! Mom! Mom! MOTHER: Help! KID: Mom! [Jack heads towards the incident] [In real-time, the beach camp are all set to leave. Jack nods to Kate, who then looks at Sawyer with a long face. Jack heads to see Sayid] JACK: You have everything you need? SAYID: No, but I made the best out of what we have. JACK: Bernard and Jin? [They watch Bernard load a gn, while Jin speaks with Sun] SAYID: They're both excellent shts...and highly motivated. The dynamite's in place. We won't miss. Jack, no matter what happens here, I want you to keep moving; keep moving for that radio tower. Don't turn back for any reason. I'm willing to give my life if it means securing rescue, but I'm not giving it up for nothing. You understand? JACK: [Nods] Yeah. I understand. [They shake hands] SAYID: And good luck. JACK: You too. [Rose prepares to leave and heads over to Bernard] ROSE: If I told you that I'd help you with your SOS sign, would you change your mind? BERNARD: No ma'am. ROSE: Then I want you to say it again. BERNARD: Rose... ROSE: Say it, Bernard. BERNARD: I am a dentist. I am not Rambo. ROSE: And don't you forget it. [They hug] [Rousseau watches Hurley as he holds Aaron, smiling] HURLEY: Charlie's gonna be fine. CLAIRE: Yeah. 'Course he is. [Jin intimately speaks with Sun] JIN: [Subtitle: Stay close to Jack, and rest if you feel tired.] SUN: [Subtitle: Why are you doing this?] JIN: [Subtitle: Because...we have to go home.] [Sun cries and they kiss, Juliet watches further away stood with Naomi] JACK: [To the group as a whole] All right. Let's do it. [Rousseau leads on as almost the entire camp start following. Sayid, Bernard and Jin stand by themselves further away] [Rousseau leads the survivors along the shoreline] NAOMI: Jack. Can I ask you a question? JACK: Sure. NAOMI: What did you do for a living before you became Moses? JACK: [Laughs] I was a doctor. NAOMI: Right, course you were. Well, I need your attention for a minute, doctor. [Naomi looks at Juliet, who has stopped with Jack] NAOMI: [To Jack] Is she OK? JACK: Why wouldn't she be? NAOMI: Because none of your people trusts her. No offense. JULIET: [To Jack] You know what why don't you catch up to me when you're done. JACK: Juliet... JULIET: It's fine. [She moves on] NAOMI: [Pulls out her phone] So, I need to show you how this wonderful gadget works in case anything happens to me. You need to be able to call my boat. JACK: OK. Show me. NAOMI: It's actually simple. You turn her on here. This opens a direct channel to the freighter. Give her a tap here. Wait for the beep, and say hello. JACK: And that's it? NAOMI: That's it. Once the rock star turns off whatever underwater contraption's jamming us up, this red light will turn a lovely shade of green. That'll be any time now, yeah? JACK: Hopefully. [In The Looking Glass station, the blonde woman hits a tied-up Charlie] BLONDE WOMAN: Who are you? BRUNETTE WOMAN: Look, if you tell us how you got down here, we won't hurt you. CHARLIE: I came in my invisible submarine. Don't you see it? [The blonde woman hits Charlie again] BRUNETTE WOMAN: Hey! Take it easy. BLONDE WOMAN: Take it easy? He's one of them. Why are you here, huh? How did you find out about this station? CHARLIE: Juliet told us. She's one of us now. In case you haven't heard. [The blonde woman hits Charlie again] BRUNETTE WOMAN: Stop. We gotta call Ben. CHARLIE: Oh yeah. Let's call Ben. BLONDE WOMAN: Come on. [The two women go into a small communications room. Charlie watches and remembers Desmond's words] DESMOND: You're inside a room full of equipment. There's a blinking yellow light, above a switch... [Charlie sees the light in the room] DESMOND: ... You flick the switch, light goes off. Then you drown. [At the Others camp, Ben is writing in his diary when he receives a transmission on his walkie] BLONDE WOMAN: Come in. Come in, Ben. BEN: Hello? BLONDE WOMAN: Ben, it's Bonnie. Ben, are you there? Can you hear me, Ben? [Mikhail and Richard are playing chess, and notice Ben on his walkie outside for signal] BEN: Why are you breaking radio silence? BONNIE: One of them's down here. BEN: I'm sorry, what?! BONNIE: We have him tied up but he's here. One of them swam down here. BEN: Who? Which one? BONNIE: He won't tell us. CHARLIE: [Overhearing] It's Charlie! Tell him I said hi! BEN: How did... how does he know about the station? BONNIE: He said Juliet told them. [Pause] BEN: All right, sit tight, don't do anything, I'm sending help. [To Mikhail] Mikhail you need to go down to The Looking Glass and find out what Charlie Pace is doing down there. MIKHAIL: You told us The Looking Glass was inoperable. Flooded. BEN: I lied. Mikhail, I need you to go now. MIKHAIL: I can be there by dawn. But if Juliet told them about The Looking Glass, what else did she tell them? [Mikhail goes, as Ben fiddles with his walkie] BEN: Ryan, come in. Ryan, are you there? [At the beach, Ryan's walkie is off as he looks at the quiet camp with binoculars] RYAN: Your walkies all off? TOM: Yes sir. [A female Other approaches] RYAN: Did you get a good look? FEMALE OTHER: The tents are marked with white coral, three of 'em. Juliet did her job. RYAN: All right, let's do this. [The Others advance as a unit, and fan out to the three tents. Sayid, Bernard and Jin are all at their vantage points waiting. Sayid waits until the Others literally pull back the sheets inside his marked tent] FEMALE OTHER: It's empty! RYAN: Get away from the tent! [Sayid fires, and the tent explodes, knocking down at least three Others] RYAN: It's a trap! Move! BERNARD: Please, God. [Bernard fires, and at least another two Others are thrown across the beach by the explsin. Jin aims and fires his short barreled gn, but misses the dynamite. He fires again, but still misses] MALE OTHER: Tree line! [Jin is sht at numerous times. He counters and sht two of them down. He crawls out from his vantage point but is knocked down by the blunt end of Ryan's gn] RYAN: I got your man! Drop your wapon! [Bernard runs for the jungle, but is clotheslined by Tom, and kicked unconscious] RYAN: I got your man! [Sayid has his snper scope dad on Ryan as he approaches with his gn at Jin's head] RYAN: It's over! [Sayid prepares to pull the trigger but feels another gn against his own head. Another male Other has survived the attck] MALE OTHER: Don't. Finger off the trigger. [Sayid does so] [Miles away, the main group watch the smoke rise from the beach. ROSE: There were supposed to be THREE explsin. KATE: [To Jack] It didn't work. [Cut to Jack in a hospital] TANNOY: Doctor Leon to surgery, Doctor Leon to surgery. [Jack is having stitches put in on a cut on his forehead by a female doctor] DOCTOR: There you go. Good as new. JACK: Thanks. DOCTOR: The news people are waiting for you outside. You being a hero and all. JACK: Right. The woman, how is she? DOCTOR: She's been sab. Thank god you were on that bridge. JACK: Right. [Sarah Shephard enters] DOCTOR: Sorry, no visitors in ER. JACK: It's OK. She... we used to be married. DOCTOR: Come on in. [The doctor leaves] SARAH: What happened? JACK: We saw... a car accident. SARAH: Are you OK? JACK: Yeah. Yeah I'm fine. SARAH: Are you drinking again? JACK: No. SARAH: Are you, Jack? JACK: No. Why did you come down here, Sarah? SARAH: Erm, I'm still your emergency contact. What were you doing driving around at two o'clock in the morning? [Pause] JACK: You think maybe you could give me a lift home? SARAH: I don't think that would be appropriate. JACK: Well, thanks for coming down, Sarah. SARAH: Goodbye, Jack. [She leaves] [In real-time, Jack continues to watch with the rest of the group the smoke rising from the beach] SUN: Why were there only two explsin? JACK: Maybe they didn't have to blow the third tent. ROSE: But those gn, what was that all... JACK: He's OK, Rose. SUN: Do you believe that? JACK: Listen, they had no idea that we were waiting for them. And Sayid's with your husbands, they're gonna be fine and they're gonna be a couple of hours behind us. SUN: Then we should wait for them here. You go on... JACK: No. No-one gets left behind. ROSE: If you say live together die alone to me Jack, I'm gonna punch you in your face. JACK: [Laughs] Fair enough, Rose. Fair enough. [To the group] But we have a plan. And for all we know, it worked. It's gonna be OK, everything's gonna be all right. Let's just keep moving, OK? [They do so] SUN: [To Rose] It's OK, let's go. [Naomi looks at her phone, which is still beeping red] [At The Looking Glass, Bonnie and the brunette woman continue to question Charlie] BONNIE: I'm gonna ask you this one more time. Why are you here? CHARLIE: I'm here, to turn off your jamming equipment. It's in there, next to the flashing yellow light. BRUNETTE WOMAN: How do you know about that? CHARLIE: I know, because I know. Whatever you ladies do to me, I'm going to turn it off. BONNIE: You are, huh? CHARLIE: Most definitely am. BONNIE: So what's the code? CHARLIE: What? BONNIE: Oh Charlie if you're gonna turn off the jamming equipment you're gonna need the code. And only three people know it. Me, her, and Ben. CHARLIE: Well, guess I won't need the code. Since this entire station's gonna be flooded anyway. I just turn off your little jammer and the helicopters come and rescue all my friends. BONNIE: But if this station floods, what happens to you. CHARLIE: I die. [Ben uses his walkie at the Others' camp] BEN: What? TOM: They're all dad. Diane, Ivan, all of em, dad. And Shephard and his people, they're all gone. BEN: Gone, gone where? TOM: I dunno. Did you hear me? They klled seven of our... RYAN: Tom! Calm down and tell him the good news. BEN: What good news? TOM: We caught three of em. The one's who stayed behind to blow up the tents. Ben, they knew we were coming? BEN: It was Juliet. She betrayed us. TOM: What? BEN: Just figure out where she is, Tom. RYAN: [To Sayid] Get up. [He pulls him up] RYAN: OK, junior, where the hell did... [Sayid spits in his face, and Ryan hits him hard over the head with his gn] TOM: They're not talking. BEN: Who do you have? TOM: Jarrah, Kwon, and the dentist. BEN: sh*t Kwon. TOM: What? BEN: If you want them to answer questions, kll Kwon, do it now. JIN: [Speaks Korean at Tom] RYAN: I dunno what that means, but I'm sure it's lovely. [He cocks his gn] BERNARD: No, wait. No. JIN: No. No talk. BERNARD: No please. TOM: You talk to me, nobody will get hurt. Now tell me where your people are. SAYID: He's lying, he's going to kll us all any... [Sayid is kicked down] RYAN: Where are they? [Short pause. Ryan puts his gn at Jin] RYAN: Sayonara. BERNARD: A radio tower. They're hiking to a radio tower. TOM: Why in the hell are they going there? BERNARD: A woman, parachuted here. She has a satellite phone and they're gonna call her ship. BEN: [On walkie] Juliet thought we were coming tomorrow. So why were they waiting for us tonight? RYAN: [To Bernard] You heard him. How'd you know? BERNARD: A kid, told us, he came in a canoe, and he warned us. TOM: What kid? BERNARD: Karl. He said his name was Karl. TOM: You heard that, Ben? [Pause] Ben?! BEN: I heard. [Ben looks out of his tent and stares at Alex] TOM: What d'you want us to do, kll em? BEN: No. Not yet. [In the morning, Ben draws a line to the radio tower on a map, as Richard watches] RICHARD: We're going to the radio tower? BEN: Not we, Richard, me. You're going to take everyone to the Temple as planned. RICHARD: Now might not be the best time to go tromping off on your own. BEN: Oh really and why not? RICHARD: Because people are asking questions, Ben. About leaving home, about what happened to Locke, about Jacob. Not to mention the rapidly spreading rumour that everyone that went down to the beach is dad. BEN: They're not all dad. [Ben gets up to get some things] ALEX: Where are you going? BEN: Hello, Alex. ALEX: I asked where you were going. BEN: Well I thought I might go for a walk! See if I can't find Jack and all his friends. ALEX: [Defiantly] I'm coming with you. BEN: All right. ALEX: [Surprised] What? BEN: I said all right. In fact I think it's a good idea. I mean you do want to see Karl again, don't you? [Pause] Get your pack, I'm leaving in ten minutes. RICHARD: There's forty of them. And you're alone. They're gonna do whatever it takes to get off the Island. What do you think's gonna happen when you get there? BEN: I'm gonna talk them out of it. [In the jungle, the group have stopped to collect some water from a stream. Rose and Sun share anxious looks. Kate goes to speak with Sawyer] KATE: Something's wrong. SAWYER: Lots of things are wrong, Kate. KATE: Jin, Bernard and Sayid, they should have caught up to us by now. I wanna go back to make sure they're all right. SAWYER: Course you do. KATE: What's that supposed to mean? SAWYER: It means, Kate, there's always someone to go back for. KATE: What's the matter with you? SAWYER: Nothing. KATE: [Sarcastically] Nothing? SAWYER: I'm fine. KATE: Why don't you just tell me what happened? [Sawyer pauses, and Kate splashes him with water from the stream] SAWYER: What you do that for? KATE: To wake you up. Ever since you got that tape from Locke it's like you've been sleepwalking. You don't care about our friends, fine, but it's like you don't care about anything anymore. And since when did you start calling me Kate? [Sawyer starts to go] KATE: You know. They sent Juliet to check out Sun, but she was there to check and see if I'm pregnant too. SAWYER: Well let's hope you're not. [Sawyer goes, giving Jack a brief look. Jack walks over to Naomi who is holding the satellite phone] JACK: The light's still red? [Naomi nods] [Out on the canoe, Desmond wakes up slowly. He looks over the edge where Charlie dove down. Suddenly, he takes cover as he is attcked by gn. On the shore, Mikhail is sh*ting at him at range. Desmond dives down to escape the bllts, and swims up into the moon pool at the station. Inside, Bonnie and the brunette woman are arguing in the comms room with the door closed as Desmond emerges from the water] CHARLIE: Des. Des! DESMOND: Charlie! Bloody hell! You all right? CHARLIE: Not for long if you don't get out of here. You have to hide, Des, hide, hide, there's people in there! Quick, hide hide hide. Go go go! Hide hide hide. [The women hear him] BONNIE: Who's he talking to? CHARLIE: [Singing] I feel like standing... stupid people... BONNIE: Who are you talking to? CHARLIE: I wasn't talking to anyone, I was just singing. [Sings] You all everybody! You all everybody! You all everybody! You all everybody! [Bonnie hits Charlie across the face] BONNIE: Shut up. CHARLIE: Right, OK, you got it. BONNIE: [To brunette woman] Come on. [They go back into the comms room. Charlie looks over. Desmond is hiding in a locker/behind a door nearby] [Cut to Jack in the hospital. Jack stands at the foot of a patient's bed looking at their chart. His hand shakes, and he takes a pill as a male doctor enters] MALE DOCTOR: Can I help you? JACK: Just checking her chart. MALE DOCTOR: I'm sorry. I'm Doctor Hamill, Rob. The new chief of surgery, I don't think we've met yet. JACK: Jack Shephard. DR. HAMILL: Doctor Shephard, the hero. Twice over. [He gestures his hand to shake, and Jack reluctantly does so] DR. HAMILL: You all right? After last night I'm surprised that you'd even want to come in. Talk about right place right time, huh? This woman is very lucky you were there. JACK: If she was lucky she wouldn't have a fractured back that was impinging on her spinal cord. I'd like to operate first thing in the morning. DR. HAMILL: You wanna operate? JACK: Yes. DR. HAMILL: I'm sorry, Jack, but this isn't your patient. And we are well aware of the issues, Gary Nadler is doing the surgery at six AM. JACK: [Pauses] With all due respect, Doctor Hamill, I'd rather do it myself. DR. HAMILL: Jack. Last night you pulled this woman's eight year old son out of a burning car then you went back for her. I think you've done enough. JACK: I wanna do the surgery. DR. HAMILL: Look. Everything's under control. She'll be fine. Go home, have a drink. You deserve it. [He pauses] DR. HAMILL: The chart please, Jack. [Jack also pauses then gives him it] JACK: You call me. I wanna know what happens. [Jack walks down the ward to see the news on a television] REPORTER: This morning... [inaudible]... bridge was shut down for several hours in the wake of a fiery car accident that left two injured, an unidentified forty year old woman and her son... [The child is by the TV, and waves to Jack from his seat, and Jack gestures back kindly] REPORTER: ...Fortunately for the two of them, Doctor Jack Shephard, who was at the scene of the crash, pulled both victims from the burning wreckage and treated them at the scene until paramedics arrived. The victims were later transported to Saint Sebastian Hospital. Further details of their conditions have not yet been... [In real-time, the group continues to walk to the tower] SAWYER: I'm going back. JACK: What? SAWYER: I'm going back to the beach. JACK: No way. We keep moving. SAWYER: I ain't asking permission. [Juliet and Kate both stop also] SAWYER: [To Jack] Look you got a job to do here. I ain't gonna stand in your way of doing it. And you sure as hell don't need me. JACK: What do you think you're gonna get done. Alone and unarmed. KATE: He won't be alone, I'll go with him. SAWYER: No! KATE: Twenty minutes ago you weren't even interested in going, and now all of a sudden you're telling Jack I'm... SAWYER: I didn't wanna go with you. JACK: Sawyer, it's a su1c1de mission without gn. JULIET: I know where there are some gn. There's a hidden cache a couple of miles from here. I can take us back to the beach on a route past it. JACK: Juliet, you don't have to do that. JULIET: Yeah, Jack, I kinda do. SAWYER: Let's do this. [Sawyer goes] JACK: [To Juliet] Don't do anything stupid. JULIET: I won't if you won't. [She kisses him, Kate watches] JULIET: Don't wait up. [She leaves, and Jack sees that Kate was watching] [At the underwater station, Charlie hums while Desmond still hides] CHARLIE: [Sings and hums inaudibly] BONNIE: AH! I told you to shut up! CHARLIE: You know when you get a tune stuck, in your head? This song just started coming to me, it's almost finished. Just need to find the bridge. [Hums and sings inaudibly again] BONNIE: Get the gn! BRUNETTE WOMAN: What, why? BONNIE: Cause I want it to hurt. BRUNETTE WOMAN: No, Ben said... BONNIE: You don't wanna get it, I will. [Bonnie heads to where Desmond is hiding] BRUNETTE WOMAN: Bonnie. CHARLIE: Oi, oi oi, no! I'll, I'll shut up, I'll shut up, I'll shut up, I'll shut up. [Mikhail suddenly emerges from the water with diving gear] BONNIE: Mikhail? MIKHAIL: I thought you two were on assignment in Canada? BRUNETTE WOMAN: He made us promise not to tell anyone. CHARLIE: Hello again. MIKHAIL: Where is the other one? BONNIE: What? MIKHAIL: This idiot swam down from a boat. I was just sh*ting at his friend. He dove down here. BONNIE: He's alone. MIKHAIL: Are you sure about that? [Mikhail approaches Charlie with a Knfe] CHARLIE: Here's a better question to ask, Cyclops. Why did your little friend Ben tell you people that this entire station was flooded when it isn't. Or, why these two have been jamming transmissions off the Island. MIKHAIL: What? Is that true? [A bleeping sound can be heard from the comms room] BRUNETTE WOMAN: That's Ben. MIKHAIL: [Holds up his Knfe] I'll get it. [In the jungle, Ben talks to Mikhail on his walkie as he and Alex walk] BEN: You have to understand, everything I did, I did for the Island. MIKHAIL: The Island told you it was necessary for you to jam your own people? BEN: Yes it did. You've always been a loyalist, Mikhail, now I'm asking you to trust me, to trust Jacob who told me to do this. MIKHAIL: Why would Jacob ask you to lie to your own people? BEN: Because this Island is under asault by forces stronger than anything it's had to deal with in many many years. And we are meant to protect it, Mikhail, by any means necessary. The jamming was for everyone's security. We are in a serious situation here. MIKHAIL: So why not trust me? BEN: I made a mistake. I should have told you, and I apologize. [Pause] BEN: Mikhail, are you still there? MIKHAIL: Yes. BEN: I need you to help me. I need you to help me clean up this mess I've made. I need you to kll Charlie. Make sure that the jamming mechanism continues to function at all costs. And we can't risk Greta and Bonnie telling the others about what we've done, so you'll have to take care of them too. [Alex looks shocked] MIKHAIL: How do I know you didn't say the same thing to them about me BEN: Because if I had, Mikhail, you'd already be dad. [Mikhail thinks] [Out in the jungle, Juliet and Sawyer head for the beach] SAWYER: So, when you pulled us out of those polar bear cages and put us on the chain gng, what the hell you have us breaking all those rocks for anyway? JULIET: We were building a runway. SAWYER: Runway, for what? JULIET: [Turns to him] The aliens. [She smirks] JULIET: I don't know what for, do you think they told me everything? SAWYER: Yeah yeah, whatever you say. So you screwing Jack yet? JULIET: No. Are you? [Sawyer chuckles] SAWYER: How far away are these gn. JULIET: There aren't any gn. [Sawyer grabs her] SAWYER: What? JULIET: I lied. SAWYER: You lied? JULIET: It was the only way he'd let us go back. SAWYER: So why are you going back? JULIET: Karma. Why are you going back, James? HURLEY: Hey! Hey guys, wait up! [Hurley emerges from the brush] SAWYER: What the hell do you want? HURLEY: I'm coming with you guys. SAWYER: Uh uh, no way. Not a chance. HURLEY: Come on, I can help. They're my friends too, man. Look, Charlie wouldn't let me go with him, Jack's too busy leading to even talk to me. I just wanna help, please? SAWYER: For God's sake, Hugo, look at you. You're just gonna get in the way. You wanna get us klled? [To Juliet] Come on! [Sawyer leaves, and Juliet reluctantly follows, leaving Hurley abashed] [Further away, Ben and Alex have stopped while Ben studies his map] BEN: If we head North, we should get to em before they reach the tower. ALEX: Why did you let me come? BEN: I let you come because I'm delivering you to your new family. I let you come because you betrayed me, Alex. ALEX: You locked Karl in a cage. You put him in a room and tried to brainwash him. BEN: I didn't want him to get you pregnant. I suppose I overreacted. We better get going. ALEX: Ben. Why do you have to stop them? Why won't you just let them leave. BEN: Because I can't, Alex. [They carry on] [At the DHARMA mass grave, Locke opens his eyes. He moves his legs with his arms, and sees a gn on one of the skeletons. He drags himself to it barely, and checks it to see it has bllts in. He prepares to sht himself in the head, amidst whispers] VOICE: Don't, John. [John looks suddenly to see Walt stood over the grave] WALT: Put the gn down. LOCKE: Walt! WALT: Now get up, John. LOCKE: He sht me and I can't, move my legs. WALT: You can move your legs. Now get out of the ditch, John. LOCKE: Why? WALT: Because, you have work to do. [Locke smiles] [The team continue to trek as Jack approaches Kate] JACK: You OK? KATE: Yeah, I just, had a rock in my shoe. [Pause] JACK: He didn't mean it, you know. KATE: What? JACK: Sawyer. When he said that he didn't want you to go with him, he didn't mean it. KATE: He didn't mean it, why'd he say it? JACK: I'm trying to protect you. That's why I asked you not to come back for me. [He starts to go] KATE: Hey. Why are you sticking up for Sawyer, he'd never do it for you. JACK: Because I love you. [Jack walks on, as does Kate after a moments reflection] [Cut to Jack driving his car and looking at the newspaper clipping. He stops, and dials on his phone] VOICEMAIL: You have reached three one zero five five five zero... [Jack hangs up and exits his car, stepping right out into the road and almost getting run down. He enters a funeral parlor, where a closed casket is on display, and seats lined up with no-one there. The funeral director enters the room] DIRECTOR: Can I help you? JACK: Sorry I er. Actually I came, er, is the funeral over? DIRECTOR: There was no funeral, sir, only a viewing. Nobody showed up. JACK: Nobody? You sure? DIRECTOR: Just you. [Rather disinterestedly] My deepest condolences. Friend or family? JACK: Neither. DIRECTOR: Would you like me to open it up? JACK: No. DIRECTOR: Take your time. [Jack goes over to the casket and places his hand on it, tears in his eyes. He gets a pack of pills from his pocket, and notices he only has one left] JACK: [Mutters] Damn it. [He takes the pill, and leaves] [In real-time, Jack catches up to Rousseau on their trek] JACK: Danielle. How much further? ROUSSEAU: About an hour. JACK: The radio tower, when was the last time you were there? ROUSSEAU: The day I recorded the message. I'll take you to the tower, but I'm not leaving here. JACK: What? ROUSSEAU: There's no place for me back there. This is my home now. [As they walk, they see Ben and Alex stood right ahead of them. Everyone stops, Jack steps forward] BEN: Hello, Jack. We need to talk. [Inside The Looking Glass, Mikhail exits the comms room] GRETA: What did Ben say? BONNIE: Can we kll him? MIKHAIL: Is it possible to turn this equipment off? BONNIE: What? MIKHAIL: The equipment that's jamming the Island, can you turn it off? GRETA: Sure. Ben gave us the code. MIKHAIL: You are the only ones who have it? BONNIE: Yeah. Why? MIKHAIL: What would happen if this station were to be flooded? GRETA: Nothing. The casing for the equipment is waterproof, it'll keep going forever. MIKHAIL: Then why do you need to be here? BONNIE: Because Ben told us to. We were following orders. MIKHAIL: And you never asked why? BONNIE: No. Because I trust him. And I trust Jacob. And the minute I start questioning orders, this whole thing, everything that we're doing here falls apart. MIKHAIL: [To Greta] She makes an excellent point. [He sht Greta, who falls into the water. Bonnie runs, and Mikhail sht her in the back. He kicks her over] BONNIE: No, please. MIKHAIL: I'm sorry, Bonnie, I too am following orders. [Desmond emerges] DESMOND: Hey! [He sh*t Mikhail with the gn in the chest. Bonnie tries to grab his gn. Desmond gets it first and points it at her] CHARLIE: No, Des, no, don't. We need her. [Jack and Ben stand opposite each other inland. Kate heads off to take the flank, as Jack goes to Ben and circles him] BEN: [To Naomi] Hi, I'm Benjamin, I don't believe we've had the pleasure... JACK: Don't talk to him! [To Ben] What do you want? BEN: Just a moment of your time. To talk, you and me, alone. JACK: For what? BEN: Jack you've just klled seven of my people, the least you can give me is five minutes. [Rose and Sun exchange anxious looks. Kate arrives back to Jack] JACK: He alone? KATE: There's only two sets of tracks, his and hers. JACK: Five minutes. [Ben nods, as he leads on taking Jack away, Jack grabs Ben's walkie] [Cut to Jack picking up a prescription] PHARMACIST: I'm sorry, sir, there are no more refills left on this prescription. JACK: Ah, that's a mistake. I er, I only refilled it twice, could you check again? PHARMACIST: I did check it again Doctor Shephard, and that was the third refill so there's nothing I can do. JACK: Fine. I've got another prescription right here. MAN: Hey, I know you. You're the hero. JACK: I'm not a hero. MAN: Yeah yeah, we saw it on TV. Hey lady, what's wrong with you? Just give this guy whatever he needs. Do you know what he did? JACK: Here it is, here. Oxycodone. PHARMACIST: Doctor Shephard, you can't write a prescription for yourself. JACK: That's not me, that's Doctor Christian Shephard, I'm Doctor Jack Shephard, he's my father. PHARMACIST: I'm gonna have to call your father's office to confirm this. JACK: He's out of town right now. PHARMACIST: Well I'm sure somebody in the office... [Jack slams on the counter] JACK: Don't bother. [He leaves, knocking over a fixture as he goes] [Jack follows Ben away from the main group] BEN: Have a seat. [Jack does so with Ben] BEN: Not so long ago, Jack. I made a decision, that took the lives of over forty people in a single day. I'm telling you this because, history is about to repeat itself, right here, right now. JACK: Let me guess, you've got us surrounded, and if I don't do what you say you're gonna, you're gonna kll all my people. BEN: No Jack, you are. [Jack laughs] JACK: And how am I going to do that, Ben? BEN: The woman you're travelling with. The one who parachuted onto the Island from that helicopter. She's not who she says she is. JACK: She's not, huh? BEN: No she's not. JACK: Then who is she? BEN: She's a representative of some people who've been trying to find this Island, Jack. She's one of the bad guys. JACK: Oh, I almost forgot, you're the, you're the good guys. BEN: Jack, listen to me. If you phone her boat, every single living person on this Island will be klled. So here's what has to happen. Get that device, the phone she carries with her, and give it me. I will turn around, we'll go back to my people, you will turn around and go back to your people. JACK: I'm not going anywhere. [They both stand confrontationally] BEN: May I have my walkie back? JACK: What? BEN: There's something you need to hear. Please. [Jack gives it him] BEN: Tom, are you there? TOM: Yes, I'm here. BEN: [To Jack] Your plan klled seven of my people, but the one's that you failed to kll are now holding your friends. Jin, Sayid, Bernard. At gn. SAYID: Jack don't give him anything! [Sounds of a struggle can be heard over the walkie] BERNARD: Leave him alone! RYAN: I said shut up! [A thud signals Ryan hitting someone] JACK: And what's to stop me from snapping your neck? BEN: [Quickly] Tom, unless you hear my voice in one minute, sht all three of them. TOM: Got it. [Ben looks at his watch] RYAN: I said don't move! BEN: Bring me the phone, Jack. SAYID: Don't negotiate with him... JIN: No! BEN: Forty seconds. JACK: No. I'm getting them all off the Island. All of them! BEN: Let me ask you something, Jack. Why do you wanna leave the Island? What is it that you so desperately want to get back to? You have no-one. Your father's dad, your wife left you, moved on with another man. Can you just not wait to get back to the hospital? Get back to fixing things? It's twenty seconds now. Just get me the phone, Jack. JACK: No. BEN: Ten seconds. Bring me the phone. JACK: No. BEN: I'm not bluffing! JACK: I WON'T DO IT! BEN: Five. Four. Three... JACK: No. [Pause] [Three shts sound over the mike] BEN: I'm so sorry, Jack. [Jack attcks Ben, hitting him numerous times and causing his own knuckles to bleed. He grabs the walkie] JACK: Tom. Are you there? TOM: Yeah, Jack, I hear you. JACK: I'm going to lead my people up to the radio tower. And I'm gonna make a call. And I'm gonna get em all rescued, every one of them. And then I'm gonna come find you, and I'm gonna kll ya. [At The Looking Glass, Charlie has been set free by Desmond] CHARLIE: What's the code? BONNIE: Go away. CHARLIE: Bonnie, let's just get this over with, OK? What's the code? DESMOND: She's not gonna tell you, brother. CHARLIE: Yeah she's gonna tell me. DESMOND: What makes you say that? CHARLIE: Because you said it's my destiny to turn off that jammer. OK, Bonnie, we're both gonna die down here. All right, let's be perfectly honest. A one-eyed maniac just klled your friend, he sht you in the back. It would appear that your glorious leader, Ben, put him up to it. Are you a sodding idiot? You have the opportunity to make Ben very very angry. Why would you not take that? BONNIE: Five, four, five... CHARLIE: What? BONNIE: Eight, seven, sev-... CHARLIE: Is that the code? BONNIE: Five, five, four, three, seven, seven... CHARLIE: Start again. BONNIE: Six, one. CHARLIE: Stop, Bonnie. Start from the beginning, start again. Bonnie, Bonnie! Wake up, stop. Bonnie, start again. BONNIE: Good vibrations. CHARLIE: What? BONNIE: Beach boys. Good vibrations. On the keypad, the numbers, they're notes. It was programmed by a musician. [Bonnie loses consciousness. Charlie and Desmond exchange looks] [Inland, Jack drags a bloody Ben back to the main group, and throws him on the ground] JACK: Tie him up. He's coming with us. [Jack walks on and Kate chases after him. Alex approaches Ben, and Danielle approaches Alex] ALEX: What? BEN: [Sighs] Alex. This is your mother. [They stare at each other, Rousseau holding back tears] ROUSSEAU: I'll help you tie him up. [Kate catches up to Jack] KATE: What happened? What he say? JACK: It's not important right now. Just, get everything together... KATE: Jack. Your knuckles. Here. [Kate cleans them for him] KATE: What happened? JACK: He klled them. Bernard, Jin, Sayid, all three of them. He radioed the beach. And I let it happen. I had to let it happen. We can't tell Rose, or Sun, not yet. We gotta keep moving, I promised Sayid, that we would keep moving. KATE: So why did you bring him back? Why didn't you just kll him? JACK: Because I want him to see it. I want him to experience the moment that we get off this Island, and I want him to know that he failed. And then I'll kll him. [At the beach, Ryan and Tom argue as they walk] RYAN: It was an order, Tom, we had to follow it. TOM: Ben doesn't know what the hell he's talking about, he's lost it! I mean look at what they did to us. Instead of putting three bllts in the damned sand, we should have klled them for real. [Sayid, Jin and Bernard are still tied up with a third Other pointing his gn at them] [Further away, Juliet and Sawyer observe] SAWYER: All they got left is three guys and four gn. JULIET: And all we've got, James, are two people and no gn. SAWYER: So we'll wait till night. JULIET: That isn't going to change the fact that we're unarmed, if you wanna kll yourself, fine, but before you go I can try... SAWYER: Shh! You hear that? [They turn to see the DHARMA van drive right by them. Hurley drives it through a tent and straight towards Ryan and Tom. Tom dives out of the way while Ryan fires at Hurley. He misses, however, and Hurley ploughs right into him] MALE OTHER: Ryan! [Hurley brakes and prepares to get out of the van. Sawyer pushes the car door back shut] HURLEY: Woo! SAWYER: Stay in the bus, Hugo. [Sawyer grabs Ryan's gn off the ground, and jumps out round the front at the male Other. Sayid kicks him, knocking him down before he can fre at Sawyer. Sayid then wraps his legs round his neck, breaking it before Sawyer sht. Jin, Bernard and Sawyer all look with surprise, as Sayid nods to Sawyer. Tom crawls to another gn on the ground, but Juliet grabs it and steps on his hand, causing him to cry out with pain] JULIET: [Points the gn at him] Stay right there, Tom. TOM: [Turns to Sawyer] OK. I give up. [Sawyer pauses, then sht him in the chest, surprising Juliet] SAWYER: That's for taking the kid off the raft. HURLEY: Dude it was over, he surrendered. SAWYER: I didn't believe him. [Cut to Jack in a hospital] [Jack raids a medicine cabinet, and gets some oxycodone. He takes some, and pockets more. He then leaves, but knocks over files] DR. HAMILL: What are you doing, Doctor Shephard? [Jack turns to see Hamill at the door] JACK: I was just er, I just just checking the er, the Arland charts. Just wanted to, just wanted to see how the operation went. DR. HAMILL: I left three messages on your voice mail, you didn't get them? JACK: My phone's broken. DR. HAMILL: Let's go to my office, Jack. JACK: For what? DR. HAMILL: We need to have a talk. Come on. JACK: You know, I know that you're, you're new around here, so you don't know much about... DR. HAMILL: I know enough. But let's just walk down to my office... JACK: If you've got something to say to me, you can say it to me, right here. DR. HAMILL: [To a nurse] Will you excuse us, please? [The nurse leaves] DR. HAMILL: Mrs Arland, the woman you saved, woke up in recovery about two hours ago. She was in some pain but highly responsive to the reflex test and entirely lucid. JACK: That's... that's great. DR. HAMILL: But then she described the series of events that caused her accident. She says she was driving over the bridge when she saw man standing on top of the railing, about to jump off. She was distracted, lost control of her car. She ran into the median, rolled over and was ht by the van behind her. So the obvious question here, Jack, is how did you get to that flaming car so fast? What were you doing on that bridge? JACK: Do you know how many years I've worked at this hospital? Do you know anything about me? Do you have any idea what I've been through? DR. HAMILL: How much have you had to drink today, Jack? JACK: OK, I'll tell you what, you do this. You get my father down here, get him down here right now, and if I'm drunker than he is, you can fre me. [Pause] Don't you look at me like that. Don't you, pity me. DR. HAMILL: I'm trying to help you. JACK: You can't help me! [Everyone in the ward stares. Jack walks away] [Out in the jungle, Jack leads the group with Rousseau toward the tower. Ben's walkie which he carries suddenly springs to life] HURLEY: Attention, Others. Come in, Others. If you're listening in, I want you to know that we got you bastards. And, unless the rest of you wanna be blown up, you best stay away from our beach... [Everyone stops and listens] JACK: Hurley? HURLEY: Jack? JACK: Where are you, what's going on? HURLEY: Dude. I'm back at the beach. JACK: What? HURLEY: Yeah I went back to help Juliet and Sawyer I, I saved them. JACK: They're OK, Juliet and... HURLEY: Everyone's fine. Me, Sawyer, Juliet, Sayid, Jin, Bernard. We're all... JACK: What, wait. Bernard and Jin and Sayid, they're with you?! HURLEY: Yeah dude, I told you, I saved em all. [Everyone shouts with relief and hug, and Rose and Sun hug notably] JACK: Hey, stay where you are, we're almost up to the tower. You'll be safer there. HURLEY: Yeah I got ya, we'll stay put until you like, phone home. [Everyone continues to cry happily as Claire steps forward] CLAIRE: [Into the walkie] What about Charlie, did he make it back yet? HURLEY: Not yet, but they're probably paddling home as we speak. Don't worry, I'm sure he's fine. [Hurley looks out at an empty sea] CHARLIE: Des? There's diving gear in those racks, yeah? DESMOND: Aye. There's plenty. CHARLIE: Why don't you take care of that, I'll tap out "Good Vibrations." DESMOND: All right, mate. CHARLIE: Hey, Des. DESMOND: Aye? CHARLIE: You get any flashes? DESMOND: No, nuttin. CHARLIE: Meet you back here then. DESMOND: Aye. [Charlie heads to the communication room and enters the code by entering numbers corresponding to the notes to the song. When he finishes, the yellow light goes out, and an engine of some kind seems to start up] CHARLIE: So much for fate. [As he leaves, a noise calls him back, a flat beep sound. A button is flashing, and Charlie reads the text under it] CHARLIE: Incoming transmission! [He quickly presses it, and Penelope Widmore appears on the view-screen] PENNY: Hello?! Can you hear me? CHARLIE: Yes, yes I can hear you. PENNY: Who is this? Who am I speaking to? CHARLIE: Charlie er... Charlie Pace, I'm a survivor of Flight eight-one-five, Oceanic Flight eight-one-five. PENNY: Er... where are you? CHARLIE: We're on an Island, we're alive. PENNY: An Island! Well where, what's your location? CHARLIE: I dunno. Who's this? PENNY: This is Penelope. Penelope Widmore. How did you get this frequency? CHARLIE: [Shouts] Desmond? Desmond! PENNY: Did you just say Desmond? CHARLIE: Yeah, he's here, he's with me. PENNY: [Smiles] Is he OK? CHARLIE: He's brilliant! Hey, are you on the boat? PENNY: What, what boat? CHARLIE: Your boat, eighty miles off shore. Er... Naomi, parachutist. PENNY: But, I'm not on a boat, who, who's Naomi? [Desmond looks around the moon pool room, and notices Mikhail's body is missing. In the comms room, a tap at the window cause Charlie to turn. Mikhail is outside in the water, with a grenade in his hand] PENNY: Hello, hello is Desmond there? Desmond, can you hear me? Desmond? [Mikhail pulls the cork. Charlie turns to see Desmond running toward the room, and he rushes to close the door. As he does so, Desmond sees the video screen] PENNY: Can you hear me? DESMOND: Penny! No... [Charlie closes the door and locks it. Mikhail lets off the grenade and the window is destroyed. Water rushes into the comms room] DESMOND: Charlie! [Charlie turns to the water as Desmond hammers against the door with a fre extinguisher. Charlie stands still then suddenly rushes, grabbing a pen from his pocket and writing on his hand desperately. He then dives down to the door window between him and Desmond, pressing his hand on the glass with the words “Not Penny's boat”. Desmond understands, and Charlie smiles. Charlie then breathes in, and he rushes backwards in the water. As he drowns, he gestures the cross on his chest] [Out in the jungle, Aaron begins to cry in Claire's arms] CLAIRE: Sshh. hey Aaron, it's OK, sweetie. NAOMI: What's the matter? CLAIRE: I dunno, I think he's just a bit scared. NAOMI: Hard to blame him. [Naomi's phone beeps. She looks at it, and the light is beeping green] CLAIRE: What is it? NAOMI: What's your boyfriend's name? The rock star who swam down to the station? CLAIRE: Charlie, why? NAOMI: Charlie just got us rescued. [Naomi runs up the line of trekkers] NAOMI: Jack! Jack, he did it! Your friend bloody well did it! JACK: What? NAOMI: The green light, it's on. The jamming's stopped. JACK: Use it then. NAOMI: All right. [She dials] VOICE: Four, four, two.. FEMALE VOICE: [Speaks in French] NAOMI: What's this? JACK: It's Rousseau's message, it's still blocking the signal. ROUSSEAU: It doesn't matter. We're here. VOICE: [On phone] Iteration one, seven, five... [The group trek up a hill to see the radio tower dominating the sky. Inside the French message can be heard playing on loop. The recording is from a machine in the room by a speaker] ROUSSEAU: I recorded this sixteen years ago. [To Alex] Three days before you were born. I guess we don't need it anymore. [She turns off the recording and removes the tape] JACK: [To Naomi] All right, do it. [Naomi holds the phone] NAOMI: I can't get a signal in here. [They all exit the room and go outside, as everyone watches, including Ben who has been tied to a tree] NAOMI: I'm getting something! KATE: It's gonna work! It's happening, we're gonna get off of this Island! JACK: We'll celebrate when we're home. BEN: Jack! I know you think you're saying your people. But you need to stop this. It's a mistake. JACK: The mistake was listening to you. BEN: This'll be your last chance, Jack. I'm telling you, making that call is the beginning of the end. NAOMI: I've got it, I've got a signal! BEN: Jack please, you don't know what you're doing! JACK: I know exactly what I'm doing. [Naomi presses on the phone, and it says “CONNECTED”. Naomi suddenly shakes, and spurts blood from her mouth. She falls down with a Knfe in her back and drops the phone. Behind her, Locke moves forward] JACK: JOHN! [Locke pulls out the gn he found, and points it at Jack] LOCKE: Step back, Jack. JACK: What did you do? LOCKE: What I had to. Now step back. [Jack stays still as the phone tone signals that Naomi has made the call, and there just needs someone to answer it] LOCKE: Stay away from the phone. [Jack dives for it. Locke tries to destroy it, but his sht misses and Jack takes it] JACK: What are you doing, John? LOCKE: I don't wanna sht you. BEN: Do it, John! sht him! Do what you need to do... [Rousseau knocks him unconscious with an elbow strike to the face. The phone continues to beep waiting for someone to pick up] LOCKE: Please. Put the phone down. JACK: No. You're done keeping me on this Island. [Locke cocks the barrel] LOCKE: I will kll you if I have to. JACK: Then do it, John. KATE: Jack. [Locke pauses, and then lowers the gn] LOCKE: Jack. You're not supposed to do this. [The phone is answered] MAN: Minkowski. Hello? [Jack puts it to his ear] JACK: Who is this? MINKOWSKI: Who is this? JACK: My name is Jack Shephard. Are you, are you on the boat, the freighter? MINKOWSKI: How'd you get this channel? [Locke can be seen leaving the area] JACK: Naomi, Naomi told us about your search team. About the boat. MINKOWSKI: Naomi. You found her? Where is she? Who are you? JACK: I'm one of the survivors of Oceanic Flight 815. Can you get a fix on our location? MINKOWSKI: Hell yeah we can. Sit tight. We'll be right there. [Everyone share grins and shrieks with happiness as Jack and Kate look at each other] [Cut to Jack's apartment. maps scatter the table. The whole place is a mess, and Jack sits on the floor drinking alcohol, flicking his flip-phone. He dials a number, and puts it to his ear] VOICE: Hello. JACK: Hello? It's me. Whoa whoa, wait, don't, don't hang up, please. I know what you said, I just. I just need to see ya, please? Yeah, yeah out at the airport. You know where. Thank you. [Jack drives to the airport and parks up. Another car approaches. Jack steps out and the car stops. Out of the darkness appears Kate Austen. It is revealed that the whole episode hasn't consisted of flashbacks, but rather flash-forwards] KATE: Hey. JACK: Hey. KATE: Saw you on the news. Still pulling people out of burning wreckage, huh? JACK: Old habits. KATE: You look terrible. JACK: [Laughs] Thanks. KATE: Why did you call me, Jack? [Jack hands her his newspaper clipping] JACK: I was hoping that you'd heard. That maybe you'd go to the funeral. KATE: Why would I go to the funeral? JACK: I've been flying a lot. KATE: What? JACK: Yeah that golden pass that they gave us. I, I've been using it. Every Friday night I, I fly from LA to Tokyo or, Singapore, Sydney. [Laughs] And then I, I get off and I, have a drink, and then I fly home. KATE: Why? JACK: Because I want it to crash, Kate. I don't care about anybody else on board. Every little bump we ht or turbulence, I mean I, I actually close my eyes and I pray that I can get back. [Kate looks near tears as does Jack] KATE: This is not gonna change. JACK: No, I'm sick of lying. We made a mistake. KATE: I have to go. He's gonna be wondering where I am... [Jack grabs her] JACK: We were not supposed to leave. KATE: Yes, we were. [She releases herself] KATE: Goodbye, Jack. [She heads for her car] JACK: We have to go back, Kate. [She gets in her car and drives away] JACK: We have to go back! [A plane takes off over Jack's head]	{"type": "series", "show": "Lost", "episode": "3x22-23 - Through the Looking Glass"}	foreverdreaming
[A pile of fruit is shown with an ocean backdrop. The pile appears to explode as a car drives through it and we see that the backdrop is, in fact, merely a picture. The scene is a city. The car drives erratically as police cars pursue. In a house, a man turns on a television, which shows live coverage of the high-speed chase on the news. The man watches the action whilst pouring himself a drink] NEWSREADER: Almost thirty minutes now since the start of this high-speed chase. We still have no information about who's driving of this vehicle. Jeff, can you tell us where the chase started? JEFF: We're getting reports that the pursuit began near the Lohia (?) area, then travelled to a warehouse in the district south of the ten freeway. NEWSREADER: Can you see how many people are in the car? [The man, watching the television, is revealed to be Jack] JEFF: It would appear to be just the one, the driver. We're not sure if that's the owner of the car. What you're seeing here are pictures of the ten freeway, south of downtown. NEWSREADER: Is that a Camaro, Jeff? JEFF: Yes, yes it looks like a vintage early 70's model. JACK: Damn it. [The car is surrounded by police vehicles and veers off the road, crashing. The police cars stop nearby and officers surround the Camaro with gn] POLICEMAN: Show us your hands! [The man inside the car breathes heavily] POLICEMAN: Pull down the window, and show us your hands now! [The man does so] POLICEWOMAN: Now slowly open the door with your left hand. [The man does so] POLICEMAN: Get out of the car! [The man again does so] POLICEMAN: Turn around, slow! [The man turns, and he is revealed to be Hurley] POLICEMAN 2: On the ground! POLICEWOMAN: Now! [Hurley stares at the police officers, and tries to run. He is pinned against a wall by the officers] HURLEY: Stop! Don't you know who I am? Stop, wait, don't you know who I am? I'm one of the Oceanic six! I'm one of the Oceanic six! CREDITS [Hurley is shown in an interview room with a CCTV video showing him in a convenience store] DETECTIVE: So five minutes before you led ten cruisers on a chase across the city, you're minding your own business in a convenience store, until, you see something and freak out. Mr Reyes, why'd you run like that? Who'd you see in there? Listen buddy, I know you saw somebody in that store and it made you run away in a... HURLEY: I wasn't running away from anyone. DETECTIVE: Do you think I care that you're a celebrity? You crashed your Camaro in the wrong neighbourhood. HURLEY: I'm not a celebrity. DETECTIVE: (Chuckles) Is that why you kept shouting “hey I'm one of the Oceanic six”? You wanna know a funny coincidence? HURLEY: Sure. DETECTIVE: I knew somebody on your plane. HURLEY: Really? DETECTIVE: Her name was Ana-Lucia Cortez. She was my partner before I made detective. Dark hair. Gorgeous. Maybe you knew her? Maybe you met her on the plane? Before it took off? HURLEY: Sorry, never met her. DETECTIVE: Why don't you watch the tape. Maybe it'll spark something. I'm gonna get a doughnut, you want one? HURLEY: No thanks. DETECTIVE: When I come back, you're gonna tell me who you ran from. [The detective leaves the room. Hurley sits passively, and observes the video of him in the store, where he jumps in fear and rushes out of the place in sheer panic. He looks at the mirror in the interview room, which he then sees as an underwater window. A hooded man swims to the window, and touches the glass, which immediately smashes. As water splashes his feet and pours in quickly, Hurley runs for the door] HURLEY: Help! Help! Help! Help! Help me! Help! [The detective re-enters the room] DETECTIVE: The hell is wrong with you? [Hurley sees that there is no water in the room, the window being just a mirror again] DETECTIVE: What are you doing Reyes? Huh, you trying to get tossed into the nuthouse? Cause if that's what you want I can make that happen right now my friend. HURLEY: You can? (Hurley hugs him) Oh thank you. Thank you. Thank you. [On the Island, Hurley radios by the DHARMA van for Jack] HURLEY: Jack? You there dude? Beach to Jack, come in Jack. Beach to Jack... [Jack grabs his walkie and answers] JACK: Right here Hurley, what's up? HURLEY: Hey. Did you guys make it to that radio tower thingy yet? JACK: Yeah, and I talked to the people on the boat, they're on their way to pick us up right now. HURLEY: Seriously? It worked? [Jack sees Ben watching solemnly] JACK: Seriously, we're all on the way back to the beach right now, so you better pack your bags buddy (he winks at Ben). HURLEY: Hahaha! Dude that's great! Woohoo! [Hurley walks towards the others at the beach, while meanwhile Jack finds Kate] JACK: Any luck? KATE: Nothing, no sign of him. (She looks at Naomi lying on the ground) Its like he just disappeared. Why would Locke kll her? He hadn't even met her. JACK: Because he's crazy. KATE: So what if he comes back? JACK: He comes back I'm gonna kll him. (They look at each other for a moment) I'm gonna get everybody together, the sooner we get back to the beach the better. KATE: Are we really going home? JACK: Yeah. We're really going home. [Jack leaves, passing Claire and Sun, who are changing Aaron. Rose is also present] SUN: (Laughs) I can't believe I'm actually going to have my baby in a hospital. CLAIRE: (Pushes her arm) Oh rub it in why don't you! SUN: (Laughs) Oh no... ROSE: You ladies need a hand? CLAIRE: No, we're just wrapping things up thanks. You know you must be very proud with Bernard, I hear he's quite the hero. ROSE: But everyone up here knows that the real hero is your man, Claire. If Charlie didn't turn off that gizmo, we'd still be getting a busy signal on that fancy phone. So you'd better make sure you treat him real good when we get back. CLAIRE: Rose! [They all laugh. Meanwhile, Ben is tied to a tree with Rousseau stood next to him. They watch Alex and Karl chatting and laughing] BEN: I need you to do me a favour. I need you to take Alex and get as far from here as possible. ROUSSEAU: What? BEN: Listen to me, we don't have time for this. Everyone who stays here is going to die. Now get Alex and get away right now, I don't care where you go, just go, I will not have my daughter... [Rousseau hits Ben in the face] ROUSSEAU: She is not your daughter. [At the beach, Juliet is digging graves while Sawyer drinks beer. Hurley and Bernard are looking at the ocean] HURLEY: Did I ever tell you I won the lottery? I had like a hundred and fifty million dollars. Worst thing that ever happened to me. BERNARD: Oh yeah, who needs a hundred and fifty million dollars, right? HURLEY: Now it'll all be gone. Cause they all think I'm dad. We get rescued and I go back. I'm gonna be free. (Pauses) I wanna do a cannonball. I've been walking up and down this beach everyday and looking out at this water. And I wanna do a cannonball. BERNARD: Hurley. You wanna do a cannonball? Cannonball. [Hurley does so, running and laughing. He jumps into the water smiling, rises to the surface, and sees the others helping Desmond pull the canoe to the shore. Hurley heads over] SAYID: Are you all right Desmond? DESMOND: We need to get to Jack. We can't let him get in touch with that boat. SAWYER: Easy Scottie, everything's cool, boat's on the way. DESMOND: What? On the way? No. HURLEY: Hey where's Charlie? DESMOND: No that woman, Naomi, she lied. The people on the boat aren't who they say they are. JULIET: What? SAWYER: Then who are they? HURLEY: Desmond, where's Charlie? DESMOND: I don't know but we need to get in touch with Jack, now! JULIET: Its all right, we can call him, we have a walkie. It's ok. DESMOND: Where is it, get it. BERNARD: What do you mean the people aren't who they say they are? HURLEY: (Shouts) Where's Charlie! [They all stop] DESMOND: (Pauses) I'm, I'm sorry brother. I... [Everyone realises Charlie is died] [At the radio tower, a phone rings] KATE: That's our ride. [Jack answers the satellite phone] JACK: Hello. MINKOWSKI: Hey Jack. This is George Minkowski. We're trying to get a lock on your signal there, but we're getting some RF interference. We're gonna need to re-jigger some of the settings on your sat phone. JACK: Er sure, ok, just tell me what I gotta tell. MINKOWSKI: How about you put Naomi on. JACK: Naomi went to get some firewood. Can you hold on for a second, let me see if I... [Kate turns, and realises Naomi's body is no longer there. Ben sits a little further away staring at the two of them. Jack hangs up on Minkowski] JACK: Where is she? [Ben grins, and mutters very softly “I dunno”. Then, at the beach, the group are stilling reeling from Desmond's news] SAWYER: Look, we gotta call the Doc. SAYID: Did you listen to Desmond? Charlie wrote on his hand. SAWYER: Look I'm sorry he's dad. But I don't even know what the hell “not Penny's boat” means. SAYID: Calling Jack accomplishes nothing. JULIET: It would accomplish warning him. SAYID: It also means warning the people on the freighter that we're suspicious of them. I've no doubt they're monitoring our communications, if we call Jack... SAWYER: You know what? I got the walkie, I'm making the call. Hey! [Hurley grabs the walkie from Sawyer's hand and throws it into the sea] HURLEY: We better get going. SAWYER: (Shouts) Going where? [At the radio tower, Jack hands out torches as Rousseau approaches] ROUSSEAU: I found blood. The girl's trail. Probably crawled away. Can't be more than ten minutes ahead of us. We should go, now, and find her. JACK: (Motions to Ben) We're taking him with us. ROUSSEAU: Why would we do that? JACK: Because I don't trust him with anybody but me. [Jack goes to the rest of the group] JACK: All right, listen up. I need all of you to head back down to the beach. When these people show up, we wanna make sure that we're real easy for them to find. Ok? CLAIRE: You look worried, Jack. JACK: The only thing I'm worried about is missing our ride home. [Everyone prepares to leave and Kate runs up for Jack] KATE: I found her trail. She's headed West across the Island. JACK: So you found it, we're going after her right now. KATE: But, are you sure its hers? JACK: Unless someone else is bleeding. KATE: But if she didn't want us to find her then she could have created a dummy trail. I think we should follow both just in case. JACK: Kate, six hours from now we're gonna be sitting on that boat laughing about the fact that there was one final thing that we couldn't agree upon. Naomi is hurt, she ran into the jungle, she's not thinking about leaving fake trails. KATE: You're right. JACK: I'll track her down, why don't you get everybody back to the beach. KATE: You got it. [Kate hugs Jack, as Ben watches] KATE: Be careful, ok? [Kate leaves and Jack heads out with Rousseau and Ben. At the beach, the group head inland from the shore, ready to find the radio tower group] SAWYER: The hell's gotten into you, Hugo? They'll all be back in the morning, if you just wait. HURLEY: You don't wait with warnings dude, you warn. [The group then divides up gn] SAWYER: And here I was thinking I was gonna get a good night's sleep. [In flash-forward, Hurley plays Connect 4 at a mental institution with a fellow patient] HURLEY: You almost got me that time. How about, best out of seven? NURSE: Are you ready for your meds, Hugo? [Hurley takes the meds and swallows them quickly] NURSE: Oh by the way, you have a visitor. [Hurley looks round to see a man with a visitor's badge on at another table. Hurley heads over to him] VISITOR: Mr Reyes. Hello. My name is Matthew Abaddon. I'm an attorney for Oceanic Airlines. Can we talk for a few minutes? HURLEY: Ok. MATTHEW: I'm here, Mr Reyes, because we heard about your recent (pauses) episode. Your arrest. Your incarceration here. Frankly we feel terrible about it. So, on behalf of Oceanic, I'd like to extend you an invitation for a little upgrade. HURLEY: What kind of upgrade? MATTHEW: To a facility where the paint isn't peeling off the walls. Where you'd have your own bathroom. You could see the ocean from there... HURLEY: I don't wanna see the ocean. MATTHEW: No problem. HURLEY: Actually thanks, I'm, I'm fine right here. MATTHEW: Are you fine Mr Reyes? HURLEY: What do you mean? MATTHEW: You're in a mental institution. HURLEY: Who'd you say you were again? I'd like to see a business card. [Abaddon reaches into his pocket, and presents nothing] MATTHEW: I must have left them at home. HURLEY: Then we're done, dude. [Hurley prepares to go] MATTHEW: Are they still alive? HURLEY: (Pauses) What? MATTHEW: You heard me. HURLEY: Nurse. Nurse! Get out of here! You better get out of here! Help me. Help me, he's after me. No no no. That guy's after me. Help me. NURSES: It’s ok, it’s ok. [The man has left the room, the door closing behind him, as Hurley looks for him. In the jungle at night, Hurley and the group trek inland] SAWYER: All right there, Hugo? HURLEY: Yeah, dude, I'm fine. SAWYER: You wanna talk about it? HURLEY: Talk about what? SAWYER: Charlie. I mean, you two were buddies, I just thought... HURLEY: We'll probably get to Jack faster if we don't talk. [Hurley continues on past Sawyer] SAWYER: I'm gonna head up and tell em to slow down. HURLEY: I can keep up. SAWYER: All right I say (?), just holler if you need me. [Sawyer then goes on ahead. Hurley slowly follows, losing sight of the other survivors] HURLEY: Guys. Guys! Guys! Guys! Guys! [Hurley ends up in front of Jacob's house and hears whispers. Meanwhile, Jack is following Naomi's trail with Rousseau and Ben] ROUSSEAU: The blood trail ends here. JACK: What do you mean? ROUSSEAU: It ends. JACK: You're telling me she stopped bleeding here? ROUSSEAU: No. I'm telling you that she fooled us. Doubled back. BEN: Better call the boat. Tell em she's getting a real big bundle of firewood. [Jack motions to get the phone, but realises it isn't in his pocket] JACK: Where is it? BEN: Ok I probably should have told you that I saw her take the phone but you bat me up, Jack. I owed you one. JACK: What are you talking about? BEN: Kate took it when she hugged you. [Jack realises his mistake] BEN: She found the right trail too but you wouldn't listen to her, so I guess she's taken matters into her own hands. But look on the bright side, at least somebody around here knows what the hell they're doing. [Jack and Rousseau head off back in the direction they came. Jack tugs on the rope tying Ben's hands together, causing him some pain. Meanwhile, Kate is following the real trail. The satellite phone starts ringing. Kate pauses, and then decides to answer] KATE: Hello. MINKOWSKI: Who's this? KATE: Er, this is Kate. MINKOWSKI: You with Jack? KATE: No no, he's not here. MINKOWSKI: Where's Naomi? KATE: We're looking for her. MINKOWSKI: What do you mean, you're looking for her? [Kate ends the call. Blood drips onto her arm. Kate looks up to see Naomi dive down onto her with a Knfe. She holds it to Kate's throat] NAOMI: Give me the phone. Give me the phone. KATE: Naomi, listen to me. You're hurt, let me help you. NAOMI: Help me? I just spent the last three days trying to get you people rescued. And you throw this Knfe in my back. KATE: No, no it was not us. NAOMI: Who? KATE: His name is John Locke. NAOMI: Why? KATE: He said that you weren't who you said you were. [The phone rings] KATE: I swear to God, we would never hurt you, you know us. Please. We need your help, please help us. NAOMI: Give me the phone. [Kate does so. Naomi falls down and answers] NAOMI: George. It's Naomi. MINKOWSKI: Naomi, where have you been? What's going on over there? [Naomi looks at Kate] NAOMI: I had an accident. I'm hurt. MINKOWSKI: Wha, an accident. What accident? What happened? Naomi? Hello? Hello? [Naomi continues to stare at Kate] NAOMI: I ht a tree branch, when I parachuted in. Took it through my gut. MINKOWSKI: Why did they tell me you were getting firewood? NAOMI: I guess they were afraid to tell you what happened to me until I could talk to you myself. MINKOWSKI: We've lost our signal and we can't come get you. Can you change your tracking frequency? NAOMI: Yeah. (She presses buttons on the phone) Try it now. MINKOWSKI: Clear as a bell. Hang on Naomi, we'll get you back here ASAP, ok? NAOMI: I'm sorry, George. Just tell my sister that I love her. [Naomi collapses. Kate realises she is dad. At Jacob's cabin, Hurley approaches with caution. There is a light on inside] HURLEY: Hello? [Hurley looks through a window into the house, seeing a dog painting on the wall, and a man in a rocking chair. Another man comes up close to the window, his eye visible. Hurley runs] HURLEY: Help! Help! Help! [Hurley turns round, and suddenly the house is behind him. The door creaks open. Hurley closes his eyes] HURLEY: There's nothing here. There's nothing here. There's nothing here. There's nothing here. [Hurley opens his eyes again and the house has vanished. He runs backwards and falls over. He screams as he opens his eyes again. John Locke is standing over him] LOCKE: Hello, Hugo. [Cut to Hurley and Locke sitting together] LOCKE: You got yourself good and lost out here, Hugo. How did you get separated from the group? HURLEY: I just, fell behind I guess. LOCKE: Is that why you were shouting for help? HURLEY: I got scared. DESMOND: What Desmond said happened down in that station, “not Penny's boat”. Are you sure that's what Charlie wrote on his hand? HURLEY: Jack should never have called those people. LOCKE: I couldn't agree more. HURLEY: Its gonna be hard, to talk them into thinking they're not coming here to rescue us. LOCKE: Well, we're just gonna have to try our best, Hugo. Because if we can't take em out of it, then Charlie died for nothing. [Sawyer, Juliet and the others are at the front section of the plane wreckage. Hurley arrives] SAWYER: Where the hell have you been, Hugo? HURLEY: Sorry, I was just er... I got lost. [Locke arrives also] SAYID: What are you doing here? LOCKE: I came here for the same reason you did, to warn Jack about the people on that boat. I already gave it a sht, but, I figured I might have better luck with some support. SAYID: You want my support? You can tell me why you destroyed that submarine. [The group hears voices. They aim their gn. It is revealed to be the other survivors from the radio tower group] SUN: (Speaks Korean) [Sun runs over and hugs Jin. Claire looks her Charlie. Rose sees Bernard and hugs him] BERNARD: Still in one piece. ROSE: Rambo. [She touches a bruise on his forehead] BERNARD: Ow! [They laugh and hug. Juliet also hugs Alex. Desmond moves to speak to Claire. Hurley overtakes] HURLEY: I'll tell her. [He goes over to her, crying] HURLEY: He's dad. Charlie's dad. CLAIRE: No. [They hug and cry together. Everyone else watches] [In flash-forward, Hurley is sat outside within the mental institution grounds. He draws an Eskimo and an igloo. A patient approaches Hurley] PATIENT: I'd watch out if I were you. HURLEY: What you talking about, dude? PATIENT: There's a guy over there, staring at you. HURLEY: What guy? [The patient points] PATIENT: That guy. [Hurley looks over and looks scared. Charlie is stood by a car] CHARLIE: Hey man. Don't run. Hurley. Just, just, sit down. I wanna talk to you. Come on. Don't do what you did in the store. Ok? There's no need to freak out. HURLEY: No need to freak out? I'm trying to buy some jerky and a slushy, and suddenly you're standing over there by the ho-ho's. You're dad, what do you expect me to do? CHARLIE: Can we just sit down? HURLEY: I may be in a mental hospital, but I know you're dad and I'm not having an imaginary conversation with you. [Charlie takes off his sunglasses and stares Hugo in the eyes] CHARLIE: I am dad. But I'm also here. HURLEY: Ok, prove it. [Charlie slaps Hurley] HURLEY: All right, ok. [They sit down together] HURLEY: Did you know you were going to die when you swam out there? [Charlie nods] HURLEY: Then why didn't you tell me? CHARLIE: Because you would have tried to stop me. And since I was gonna do it anyway I thought I would spare you all the drama. And now you have to do something. But you're hiding from it. That's the real reason you ran when you saw me in the store. You knew I was here to tell you. HURLEY: I'm not listening to this. No cause you're not here. [Hurley covers his ears and squints his face] CHARLIE: I am here, you're being a baby. HURLEY: I'm gonna close my eyes and count to five, and when I open them you'll be gone. CHARLIE: I am here. HURLEY: One! CHARLIE: Don't do this. HURLEY: Two! CHARLIE: They need you. HURLEY: Three! CHARLIE: They need you, Hugo. HURLEY: Four! CHARLIE: You know they need you. HURLEY: Five! [Hurley opens his eyes, and Charlie is gone. Back in realtime, Hurley is still hugging Claire] CLAIRE: What, what happened? I mean, how, how did he... HURLEY: He was trying to help us. [Everyone stands silently, as Rousseau and Ben arrive. Locke turns, and Jack punches him in the face without giving any warning. The others watch. Locke tries to grab his gn, but Jack gets it from his hands. He cocks the wapon] JULIET: Jack. LOCKE: You're not gonna sht me, Jack. Any more than I was gonna sht... [Jack pulls the trigger, but no bllet fires] LOCKE: Its not loaded. [Jack attcks Locke. Sawyer and Sayid pull him away] SAWYER: Come on. JACK: Let go of me! Do you know what he did? SAYID: (Shouts) Yes, I know what he did! [Locke gets up] LOCKE: All I did, all I have ever done, has been in the best interest of all of us. JACK: Are you insane? LOCKE: I know I, I have a lot of explaining to do. But, I never did anything to hurt any of you. I even risked my life to tell you there was a traitor in your midst. (He points to Juliet). JACK: She helped us, John. All you ever did was blow up every chance we had of getting off of this island. You klled Naomi. BEN: Well, technically, he didn't kll her, yet. KATE: Yes, he did. [The others turn to see Kate arrive] KATE: She just died. She didn't give you up, John. She covered for us, and she fixed this. [Kate hands the satellite phone to Jack] KATE: They're on their way. LOCKE: She didn't cover for anyone. She wants her people to come here. And trust me, when they go we had better be far away from here. I'm going to the Barracks. The Others abandoned them. Its the only place on the Island with any form of security right now, it'll have to do until I can think of something else. Until then, if you wanna live, you need to come with me. JACK: No-one's going anywhere with you, John. Because they're not crazy. HURLEY: He's not crazy. What about Charlie? Charlie went down to that place so we could all be rescued. And whatever he did down there, it worked. But then something must have happened. He must have heard something before he... (Pauses) I don't know why, but he changed his mind. [Flashback images show Charlie drowning, and showing Desmond the message on his hand] HURLEY: Because the last thing he did was to warn us that the people on that boat are not who they said they were. So I'm not listening to you. I'm listening to my friend. I'm listening to Charlie. [Hurley goes and stands with Locke] LOCKE: Anyone else. There isn't much time. [Claire joins them, as do a number of others] BEN: Jack with your permission, I'd like to go with John. JACK: He's all yours. [Ben and Rousseau join Locke, as does Alex and Karl] BERNARD: (To Rose) You said you'd never leave the Island, if you wanna go with Locke, I'll be right behind ya. ROSE: I'm not going anywhere with that man. [Sawyer moves to join them] KATE: What are you doing? SAWYER: Same thing I've always done Kate. Surviving. [It starts to rain. Everyone looks sombre] LOCKE: You know where to find us when you change your mind. [Locke leads his group away, the camp has been split into two factions] [In flash-forward, Hurley plays basketball. Jack enters the gym] JACK: Do you ever miss? [He smiles, as does Hurley] HURLEY: Jack. JACK: Yeah, I was on my way back from a console. Thought I'd drop by and pay you a visit. Horse? HURLEY: You're on. So consoled huh? Does that mean you're back doing surgical stuff? [Jack starts playing basketball with Hurley] JACK: Yeah. [Hurley sht and scores. Jack sht and misses] JACK: H. HURLEY: Reporters leaving you alone? [Hurley sht and scores] JACK: Yeah. Still have to sign some autographs when I go out for coffee. JACK: Thinking about growing a beard. [He sht and misses again] HURLEY: You'd look weird with a beard, dude. That's H O. So, what are you really doing here, Jack? JACK: I was just checking on ya, seeing if everything was ok. HURLEY: Checking to see if I was nuts, if I was gonna tell. JACK: Are you? HURLEY: You're up. JACK: Nah you win. I er, I gotta run. It was great seeing you Hurley. [Jack starts to leave] HURLEY: I'm sorry. I'm sorry I went with Locke. I should have stayed with you. JACK: Its water under the bridge, man. HURLEY: I don't think we did the right thing, Jack. I think it wants us to come back. JACK: Hurley. HURLEY: And its going to do everything it can... JACK: (Shouts) We're never going back! [Jack heads for the door] HURLEY: Never say never, dude. [Back in realtime, Jack and Kate observe the front-section plane wreckage] KATE: Are you thinking of Charlie? JACK: Feels like a hundred years ago that we came out here together. How did this happen? [Noises can be heard] KATE: Thunder's getting louder. JACK: That's not thunder. [The sound is a helicopter. It shines its light on Jack and Kate, and they see someone parachute out] JACK: Come on. [They find the parachutist, who pulls off his helmet and stares at them] PARACHUTIST: Are you Jack? [Jack and Kate look with apprehension] END	{"type": "series", "show": "Lost", "episode": "4x01 - The Beginning of the End"}	foreverdreaming
[An underwater camera scours the ocean floor] MAN 1: Sorry, Ron. Drone's got nothing but seafood at five thousand meters below. You picking up anything with yours? RON: Zip. Trying to get her a peek over this ridge as soon as I can. Sonar's picking up something now. MAN 1: Hey you wanna switch feeds? RON: Roger that. [The camera switches to another underwater drone] RON: I'm headed on a bearing of about 137 from the co-ordinates we pulled off our guys map. But don't hold your breath. MAN 1: Magnetometer's picking up a hell of a lot of anomalies around here. RON: Chests full of doubloons? MAN 1: Keep dreaming, Ron. Let's swing round to the next grid and recalibrate. [The camera suddenly views the tail of a plane. The plane has the Oceanic logo on it] MAN 1: Are you getting this? RON: What, what's up? MAN 1: Its, its an airplane. Oh my god, its Oceanic 815. [We then see a sht of the front of the plane, the camera pulls back to show that we are watching a television news report] NEWSCASTER: This haunting footage comes to us from the Christiane I, a salvage vehicle in the Indian Ocean. For more than two months, its been scouring the depths of the Sunda Trench off Bali, in search of the remains of sunken trading ships. Late last night, the Christiane deployed two remotely operated vehicles, or ROVs, that verified what the National Transportation Safety Board had long feared, that the commercial... [A man watches the report, and subtitles reveal the location as Essex, Massachusetts. A woman is also present in the room as the man sobs] WOMAN 1: How do you want your eggs, Dan? So what happened, they find that missing plane? Dan? Dan? Dan, why are you so upset? DAN: I don't know. [Cut to a helicopter. Controls are going haywire, a vicious storm is outside] WOMAN 2: I can't find my vest! MAN 2: Check under your seat! WOMAN 2: I already did! PILOT: Get ready! MAN 2: Here just take mine! [He passes her what appears to be a bulletproof vest] PILOT: Everybody out now! MAN 2: Hey genius, go! DAN: No! MAN 2: Go! DAN: No! [Dan falls out of the plane. He releases his parachute and lands on the Island. He removes his kit, hears noises, grabs his gn. Jack and Kate run out] DAN: Hey there. Are you Jack? JACK: Yeah, I'm Jack. Who are you? DAN: I'm Daniel Faraday. I'm here to rescue you. [MAIN CREDITS] [Jack, Kate and Dan walk through the jungle] JACK: Hey Dan, the chopper, how many of you were on it? DAN: Er, four including me. KATE: So what happened to the rest of them? DAN: Yeah yeah I er, I have no idea, I dunno how many were able to get out before it went down, I just, I jumped and I lost my er, what do you call it, my pack, and my phone was in my pack, if I had my phone I would just er... KATE: We have a phone. [Kate and Jack show it to him] DAN: You have a phone. [She gives it to him] DAN: Thank you. MINKOWSKI: Minkowski. DAN: Hey, George. It's Daniel. MINKOWSKI: Dan, the chopper comm went dad, what the hell happened up there? DAN: Yeah I dunno, George, there was an electrical storm, all the instruments they, I think they went down. But listen I made contact with some of the survivors and we were just er... MINKOWSKI: Dan, am I on speaker? DAN: [To Jack and Kate] Would you give me just one sec... [He steps away and talks to Minkowski privately] KATE: Don't worry. Naomi covered for us. They don't know what Locke did to her. JACK: You sure about that? [Jack motions to Dan. They see he has a gn tucked into his trousers] DAN: [Returning] Ok, so the boat hasn't heard from anybody else yet but er, their GPS transponders, my team and I are all wearing these, the transponders will send the locations back to the ship, and then the ship will send all locations back into the phones. Er, oh there we are, there's my signal right there, and hopefully we'll get the signals for the rest of the team soon. Will you help me find em? JACK: Absolutely. DAN: Ok thank you. Hey, where are the rest of your people? KATE: Most of them are back at the beach. DAN: Most of them? [In the jungle, its day as Locke stands in the rain. Hurley approaches] HURLEY: Dude. What's wrong with you. You're gonna get struck by lightning. LOCKE: The storm's about to pass, Hugo. HURLEY: Its a frigging monsoon, we gotta... [The rain stops suddenly] LOCKE: Let's go. SAWYER: Why are you going East? Thought you said the Barracks were due South. LOCKE: Because, James, we have to make a little detour first. SAWYER: Detour to what? LOCKE: There's a cabin I have to go to. HURLEY: I think the cabin was back that way. LOCKE: What did you say Hugo? HURLEY: I er, thought you were talking about the airplane cabin. [Locke stares at Hurley. So does Ben] SAWYER: Why are we wasting our time going to some shack anyway? LOCKE: Because we're supposed to. SAWYER: Right. Like you were supposed to throw a Knfe into that Naomi chick's back. LOCKE: (smiles slyly) Uh-huh! SAWYER: You mind telling us who you're getting your orders from, Colonel Kurtz? LOCKE: I got em from Walt. [The other survivors look confused] [At the beach, Sayid watches the ocean] JULIET: Jack still isn't back. Anything? SAYID: No. But its a big Island. The freighter could be approaching from the other side. JULIET: That's the spirit. SAYID: Juliet, you lived amongst the Others, why would Ben say the people coming here intend to do us harm? JULIET: Because he's a liar. And he's trying to scare us, that's what Ben does. Or, because the people coming here intend to do us harm. How many gn do you have left? [They stare at each other] [In the jungle, Dan is using the satellite phone as a radar looking for other transponder signals. Kate sees a box on the ground] KATE: Hey. That from your chopper? DAN: Er, yeah yeah yeah, that er, they had to reduce the weight load when we started going down. I guess that's why they pushed me out. [Jack pulls out a gas mask from the box] JACK: What's this for? DAN: Erm. I'm not in charge of packing so. JACK: You're not, huh? DAN: We should er... JACK: Hey, Daniel. Why did you bring the gn? DAN: Er, as a precaution. JACK: Precaution against what? DAN: Er ok, see, erm, rescuing you and your people. Can't really say its our primary objective. JACK: Then what is? [The phone picks up a signal] DAN: Its Miles, its Miles, come on! [In the jungle, Locke continues to lead his group] SAWYER: What the hell do you mean you saw Walt? In a dream? LOCKE: No dream, it was Walt. Only, taller. SAWYER: Taller? What like a giant? OK, what exactly did Walt tell you? LOCKE: He said I had work to do. That I had to stop this woman, Naomi, from bringing the rest of her people here. SAWYER: What you didn't ask any follow-up questions? LOCKE: Ben had sht me and left me for dad, Walt saved my life, so I pretty much took him at his word. SAWYER: He sht you? Yet here you are fit as a fiddle tromping through the jungle. [Locke shows Sawyer his wound] LOCKE: The bllet went in one side, came out the other. I'd probably be dad if I still had a kidney there. Anything else? [Locke walks on] [Meanwhile, Dan, Jack and Kate are closing in on Miles. They near the shore and see a parachutist] DAN: Down there. Hey Miles! Miles! [Jack pulls of his helmet. The man appears unconscious] KATE: He dad? [He suddenly springs to life, and holds a gn to Jack] MILES: Back up handsome. DAN: Hey, whoa whoa whoa , Miles. Take it easy, its OK. They're here to help us. It's OK Miles, they're just trying to help. [Kate tries for Dan's gn] MILES: Hey! Back away from him. Hands where I can see em. JACK: Kate, its alright, its OK. MILES: So you're Kate. You wanna tell me where Naomi is? KATE: What? MILES: Naomi, the woman you klled. Where is she? [In flashback, a car pulls up outside a house in Inglewood, California] CAR RADIO: ...Oceanic 815, it can only be described as the worst case scenario. With the plane accounted for, and a salvage mission unlikely, authorities are confirming all three hundred and twenty-four passengers dad. [Miles gets out of the car and knocks on the door of the house. A woman answers the door] MILES: Ms Gardner? I'm Miles Straume. We spoke on the phone earlier. GARDNER: Oh oh oh, please come in. MILES: Which room is it? GARDNER: Its upstairs at the end of the hall. MILES: I get paid in advance. Two hundred, cash only. GARDNER: You told me a hundred over... MILES: That was before my buddy at the police station told me your grandson was mrder. It's gonna be two hundred. GARDNER: Fine. [Miles unpacks a case, and builds what appears to be a vacuum cleaner. Ms Gardner gives him the money] MILES: No matter what you hear, don't come up. [He heads upstairs to the room. He places the machine on the table and turns it on. He sits in the room, and shivers. He seems to connect with the room] MILES: You're not doing your grandmother any good staying here, man. You're causing her a lot of pain. I wanna go downstairs and tell her you've gone, but the only way I'm gonna be able to do that is if you tell me where it is. So where is it? [Something falls by a bookshelf. Behind the furniture, Miles finds money and drugs. He takes the money, and disconnects the machine] MILES: You can go now. [He goes back downstairs] GARDNER: Did it work? MILES: Yeah. He's at peace now. [Reaches into his pocket] Here, you get a refund, half off. Wasn't as tricky as I thought. [Ms Gardner hugs him] GARDNER: Thank you. Thank you. [Back in realtime, Miles still has a gn to Jack] DAN: Miles, Miles, hey hey hey, what you doing? What are you doing? These are good people. MILES: Then why'd Naomi use the damn code? Yeah, you remember when she said tell my sister I love her, well she doesn't have a sister. That's what we're supposed to say if we get captured, have a gn to our heads. Like right now, Jack here would say tell my sister I love her, you get it? JACK: We didn't kll your friend. MILES: Then take me to her body. DAN: Miles, what about Charlotte, what about Frank? MILES: Take me to Naomi! KATE: Listen, Naomi was klled but not by us, it was, it was a man by the name of John Locke. He's not with us anymore. MILES: Kate, seriously, if I have to ask you again... KATE: Even if I took you to her body you wouldn't know what happened... MILES: I'll know! Now take me to her body. [Meanwhile, Locke's group have stopped for a moment in the jungle for a break. Alex and Karl sit near a tied up Ben] BEN: Alex. Alex, hey. ALEX: What? BEN: Something I need to tell you. KARL: Keep your mouth shut, Mr Linus. BEN: [Sarcastically] Karl! Now if you're gonna sleep with my daughter, I insist you call me Ben. [Karl is angered, but Sawyer quickly intervenes] SAWYER: Easy kid, guy's just trying to get in your head. Go take a walk or something. [Karl does so, Alex joins him] BEN: Mind if I ask you a question, James? SAWYER: Yeah I do. BEN: Why'd you leave Kate behind? SAWYER: Wasting your time, Yoda. BEN: I know its not pleasant but, let's face it, you really don't stand a chance now... SAWYER: Chance of what? BEN: James. Look at yourself. Yes, on this Island you're brave, daring, handsome, you're someone, but if you left with them, back in the real-world a low-life scam artist like you could never compete with a first class surgeon. I think Kate was really upset when you made your choice to come with us. Thank god she has Jack there to comfort... [Sawyer attcks Ben, beating him violently] LOCKE: James! Don't! SAWYER: Don't what! Anyone wanna tell me why we're keeping this guy alive? LOCKE: We're keeping him alive because he's been on this Island a lot longer than any of us. Because he has information we need. And because apart from his mouth, he's completely harmless. SAWYER: His mouth put that hole in your gut? LOCKE: OK, James. Let's execute him, right here right now, in front of his daughter. [Sawyer backs down] SAWYER: It's only a matter of time before he gets us, Johnny, and I bet he's already figured out how he's gonna do it. So you walk him. [He hands Ben's ropes to Locke, and walks away, picking up a rfle] [At Naomi's body, Miles kneels whispering. Jack, Kate and Dan watch on] KATE: What is he doing? DAN: The light, is strange out here isn't it? It's kinda like, it doesn't scatter quite right. KATE: Dan, your name's Dan, right? Listen, Dan. I know that you don't want anybody to get hurt, right? So why don't you just put that away [looks at gn]. DAN: Er because erm, Miles would kll me. KATE: We're just trying to help. JACK: Kate, you're wasting your breath. Why don't we just let this play out and see what happens, OK? [He winks at Kate] MILES: They didn't kll her. Happened like they said it did. [The phone beeps] DAN: Its Charlotte, only three kilometers from here. MILES: Alright then, let's go get her. [Jack and Kate don't move] MILES: I said let's go. JACK: You need to put the gn down. MILES: What? JACK: Put the gn down. MILES: Now why would I do that? JACK: Because our friends are out in the jungle right now holding a gn at your head, and his head. So I'm gonna forget about the misunderstanding, just put the gn down. MILES: Come on, how stupid do you think I... [Miles and Dan duck as gn fre. Sayid and Juliet appear from the jungle. Kate takes Dan's gn] JACK: I dunno, Miles, how stupid are ya? [In flashback, a 4x4 drives through a desert in Medenine, Tunisia. Two women get out of the car, one is the same woman who was on the helicopter at the beginning of the episode, Charlotte. She picks up a newspaper, the front page reads in French “815: Retrouve!”] WOMAN: How many different languages do you have to read that in before you believe its true? CHARLOTTE: How many different languages are there? [A man approaches, speaking French] WOMAN: He wants to know if we're lost? CHARLOTTE: Remind him the people in our line of work are terrible at keeping secrets. I know about the dig. [The woman reiterates Charlotte's words in French to the man] WOMAN: He says the site is closed. CHARLOTTE: Then tell him to open it. [Charlotte hands the man money, and heads on towards the dig. A skeleton is in the sand] WOMAN: Dinosaur? CHARLOTTE: Not by a few million years. It's an Ursus maritimus. WOMAN: Wait, Ursus as in bear? CHARLOTTE: As in polar bear. WOMAN: Charlotte we're in the desert, this is a hoax right? [The man speaks French again] WOMAN: He wants to know what you're doing with the hammer. CHARLOTTE: Excavating. [She uncovers a collar] WOMAN: Is that a collar? [The collar has a Hydra logo on it] [In realtime, Charlotte is hanging upside-down by her parachute, above a wide stream. She pulls on a cord, releasing her, freefalling into the water below. The water is deep, and she swims up to the surface, smiling and laughing. She then sees Locke and his group] CHARLOTTE: Hi. LOCKE: Hi yourself. [In the jungle, Dan leads the others towards Charlotte's location] JULIET: We were worried when you didn't get back so we went out to the cockpit and tracked you from there. JACK: Thanks for that, for what its worth. JULIET: Don't mention it. KATE: Someone could have told me that the cavalry were here. JACK: I gave you that, wink. [Juliet laughs] SAYID: What are your names? DAN: Er I'm Daniel Faraday, and this is Miles... MILES: Don't tell him my last name. DAN: I guess it's just Miles. SAYID: What do you do for a living, Daniel? DAN: I'm a physicist. Well I guess you could call me a physicist, I don't really like being pigeon-holed into one... MILES: Dan, I swear to God you say one more word I'm gonna break your fingers. SAYID: And what do you do, Miles? MILES: I collect soil samples. SAYID: Oh that's nice, well maybe you can help me. You say you're not here on a rescue mission, and the world at large believes us to be dad. But here we are alive and well, and you don't seem remotely surprised to see us. MILES: [Sarcastically] Oh my God, you guys were on Oceanic Flight 815, wow! That better? [Meanwhile, Charlotte sits with Locke and his group around her] CHARLOTTE: I can't believe you're alive. How many of you are there? HURLEY: Why do you wanna know? CHARLOTTE: Why wouldn't I wanna know? HURLEY: Fourty-eight of us survived the crash, that's not counting the tail-section. They're pretty much all dad now... LOCKE: Hugo. CHARLOTTE: So you've all been living here this entire time. [To Claire] Is that your baby? CLAIRE: Yeah, this is Aaron. CHARLOTTE: Did you have him here on the Island? CLAIRE: [In affirmation] Ahum. CHARLOTTE: That's amazing. [Ben looks at the gn tucked into Karl's trousers] CHARLOTTE: Well, I've about a million more questions I want to ask you, but they can wait until we get you back to the freighter. We all got one of these transponders, so if we just sit tight, they're gonna be here soon, OK? LOCKE: This team of yours, how many of you are there? CHARLOTTE: Four including me. LOCKE: And what happened to your helicopter? CHARLOTTE: I dunno, the pilot was trying to put it down. LOCKE: Where? CHARLOTTE: I dunno. I had to jump, it was chaos. I'm lucky to be alive. LOCKE: Get up, you're coming with us. CHARLOTTE: Wha, what? We need to stay where we are so they can find us. LOCKE: See, there's your problem. We don't wanna be found. [Meanwhile, Sayid and co are continuing to trace Charlotte's signal, with Sayid using the phone] MILES: I wouldn't mess around with that if I were you. SAYID: It can't hurt to try and call someone else. MILES: Oh it can hurt. [They stop] MILES: What d'you do? SAYID: I didn't do anything. [The phone shows Charlotte's signal. She's headed straight towards them] SAYID: Your friend, Charlotte, she's moving. And she's moving fast. JACK: She's running from something. [They all run in her direction, and slow when near the signal] SAYID: According to this, she's right here. DAN: Charlotte! Charlotte! [Something moves in the bushes] KATE: Over there, over there. [Vincent emerges with the transponder attached to him] KATE: Vincent. JACK: Locke's got her. [In flashback, a plane falls gracefully to the bottom of a fish tnk. We see the helicopter pilot, Frank Lapidus in a shop in Eleuthera, The Bahamas] TV REPORTER: We wanna caution our viewers that the images they are about to see are graphic in nature. Viewer discretion is advised. Authorities have released dramatic footage of the sunken remains of Oceanic Flight 815. The National Transportation Safety Board has set up a hotline for family members of the Oceanic victims. The NTSB has gn the victim identification process. [A photo of a man is shown on-screen next to underwater remains, and the hotline number] TV REPORTER: We have confirmation that this is the pilot, Captain Seth Norris. In a statement, the NTSB said that quote... [The television muffles and blurs. Frank hits it to bring the reception back] TV REPORTER: ...recovery of the bodies will be next to impossible. We can only hope that identification will provide closure to the families of the victims. Unquote. [Frank stares at the screen, noticing something. He grabs a phone and dials the hotline number] FEMALE OPERATOR: National Transportation Safety Board, Oceanic hotline. FRANK: Yeah, let me speak to your supervisor. FEMALE OPERATOR: Yes sir, are you a family member of the deceased? FRANK: No I'm not, but I got some information on the crash, may I please speak to your supervisor. FEMALE OPERATOR: Sir, if you could just tell me... FRANK: Look I'm staring at the television right now, you're broadcasting footage of the wreckage and saying that that's the pilot Seth Norris. FEMALE OPERATOR: Yes, sir? FRANK: Well that's not him. FEMALE OPERATOR: [Pauses] Please hold. MALE VOICE: Who am I speaking with? FRANK: Doesn't matter who I am, you're showing footage of Seth Norris and that's not him, listen, this guy married his high school sweetheart at nineteen, he always wore his wedding ring and I'm telling you there's no ring on that body. MALE VOICE: Sir it's likely the ring fell off... FRANK: I'm telling you, that is not him. MALE VOICE: How exactly is it that you know all about Captain Norris? FRANK: Because I was supposed to be flying Oceanic 815 on that day. [In realtime, Frank is hurt and traipsing through the jungle. He climbs a hill, and at the top finds a cow with a bell on it. It strolls away, and Frank falls at the top of the hill. He gets his phone, which is smashed. Grabbing a flare gn, he fires it. Locke's group sees it] CHARLOTTE: That's them. That's somebody from my team. [The rest of the group look unimpressed] CHARLOTTE: What's wrong with you people? We're here because of you. I just almost died jumping out of a helicopter because you called us for help. HURLEY: Maybe we should go see who launched that flare. CLAIRE: Yeah I mean they could be hurt, John. LOCKE: She's lying. And whatever they came for it isn't us. We keep moving forwards as planned. SAWYER: Sure, who are we to argue with taller ghost Walt. CHARLOTTE: You know what? You people do whatever you want? [She tries to go] LOCKE: I want you to come with us. CHARLOTTE: I'm not asking for permission, and if you think you're gonna bloody stop me from getting to my... [Two gn go off, hitting Charlotte in the chest. Ben fired them, and Karl realises his gn is missing. Sawyer tackles Ben and beats him. Locke sees to Charlotte] SAWYER: What did you do, you son of a bitch. [Charlotte is alive] CHARLOTTE: [Mutters] Vest. LOCKE: What? CHARLOTTE: Vest. Vest. [Locke unzips Charlotte's coat. She is wearing Mile's bulletproof vest underneath, with the bllts caught in it] [Meanwhile, Jack and the group have found Frank, who is unconscious] DAN: Is he alive? JACK: I've got a pulse. DAN: Frank? Frank? Hey, hey. Frank? [Frank wakes up] DAN: You OK? MILES: What happened? FRANK: We got struck by lightning. DAN: Frank, where's Charlotte? FRANK: She bailed out, just before we went down. I don't know where she is. MILES: Where's the chopper? FRANK: I saw a cow. MILES: Hey, hey, Lapidus, where's the chopper? Where did it crash? FRANK: Crash? The hell kind of pilot d'you think I am? I put her down safe and sound right over there. [The survivors run and look over the ridge to see the chopper on the ground safely. Jack, Sayid and Kate all look on in awe] [In flashback, a man places four photographs on a table. Daniel, Miles, Charlotte and Frank] NAOMI: So this is the team. MATTHEW: You familiarised yourself with their profiles? NAOMI: Unfortunately, yes. With respect, these are the wrong people for a mission like this. None of them have field experience, military training. [Naomi Dorrit and Matthew Abaddon stand in an otherwise deserted office floor] NAOMI: You can't just drop them in unprotected. It'll be a disaster. MATTHEW: They're not unprotected, they have you. NAOMI: There's only so much I can do. MATTHEW: Your modesty is positively charming. NAOMI: This is a high risk covert op in unstable territory. It's dodgy enough without having to babysit a head case, ghost buster, anthropologist and a drunk. MATTHEW: To be fair he's also a pretty good pilot. NAOMI: It's madness. What if we find survivors from 815? MATTHEW: There were no survivors. NAOMI: I know, but what if there are survivors... MATTHEW: There were no survivors of Oceanic 815. Don't ask questions, just do what you were hired for. Every member of this team was selected for a specific purpose, everything relies on you, getting them in, getting them out, and preventing anyone from getting klled. Think you can do that? NAOMI: Sure. Why not. [On the Island, Kate and Dan carry Naomi's body on a stretcher. Sayid is examining the helicopter] JACK: Well? SAYID: There's some minor damage, but the mechanical systems are intact. JACK: So it'll fly then? SAYID: Absolutely. MILES: Can I have the phone now? JACK: Tell you what, I'll give you the phone if you tell me what you people are doing here. MILES: I'll tell you what we're doing here if you give me the phone. [Jack does so, and Miles makes a call] JACK: Don't say anything about your sister. WOMAN: Hello? MILES: Regina, it's Miles. I need to talk to Minkowski. REGINA: Minkowski can't come to the phone right now. MILES: It's important, go get him. REGINA: Miles, he can't come to the phone right now. MILES: Alright have him call me when he can. REGINA: I gotta go. [Miles hangs up, and sees Dan and Kate] MILES: Wo wo wo what are you doing with her? DAN: We're taking her with us. MILES: What's the point, that's not Naomi, it's just meat. DAN: Miles, we can't just leave her here. FRANK: [Shouting from a distance] Miles is right. We brned up most of the damned fuel flying around that storm. We barely got enough to get back to the freighter, we're not carrying any unnecessary weight. I'll take her on the next run. I promise, Dan. JACK: There's a blanket over there by my backpack, would you get it? KATE: Yeah. [Juliet tends to Frank's wounds] FRANK: Look as bad as it feels? JULIET: How bad does it feel? FRANK: [Laughs] What's your name again? JULIET: Juliet. FRANK: Juliet. Juliet what? JULIET: Juliet Burke. FRANK: Juliet Burke. You weren't on that plane, were you? [Juliet pauses] FRANK: Miles! MILES: Yeah? FRANK: This is Juliet, and she was not on the plane. MILES: What? You sure? FRANK: You know how many times I studied that damn manifest? Believe me there's no Juliet Burke on that plane. She's a native. MILES: [Approaching her] Really... where is he! JACK: Back off! JULIET: Where's who? MILES: You wanna know why we're here, I'll tell you why we're here! [Miles reveals a photo] MILES: We're here for Benjamin Linus. [The photo shows Ben] MILES: Now where is he? [In the jungle, Sawyer throws Ben against a tree and holds a gn to his face] BEN: James, listen to me! Please! SAWYER: Keep your mouth shut! LOCKE: [To Charlotte] You OK? CHARLOTTE: I feel like I've got a cinder block on my chest, but I'll survive. LOCKE: I'm sorry you got sht, I didn't intend for that to happen. CHARLOTTE: Really? Because it seemed like you were about to sh*t me yourself. LOCKE: What good would you be to me dad. CHARLOTTE: [Sarcastically] I feel much more comfortable now. Thanks. [Locke joins Sawyer] SAWYER: I guess this is the part where I'm supposed to say I told you so. LOCKE: James, I stand corrected. SAWYER: You want me to do it? LOCKE: No it's my mess, I'll clean it up. [Sawyer gives Locke the gn] ALEX: No, wait! LOCKE: Danielle, you should escort Alex away from here. ALEX: No, no! DANIELLE: Let's go, come on, Alex. KARL: She's right, let's go. LOCKE: Anyone who doesn't want to see this should leave now. CLAIRE: John we should talk about this. LOCKE: Claire, what if one of those bllts had ht you or the baby? BEN: John, listen. I have information that you need. I have answers. LOCKE: [Pauses] What is the Monster? BEN: What? LOCKE: The black smoke, the Monster, what is it? BEN: I don't know. LOCKE: Then goodbye, Benjamin. BEN: Her name is Charlotte Lewis! Charlotte Staples Lewis. Born July second, nineteen seventy-nine, Essex, England. Parents David and Jeanette. Eldest of three, all girls. She was raised in Bromsgrove. Did her undergraduate studies at Kent. Took her PhD in Cultural Anthropology at Oxford. She's here with two other team members and a pilot. Their names Daniel Faraday, Miles Straume, Frank Lapidus. [Charlotte says nothing] BEN: Your instinct was right, John, these people are a thrat, and if you sht me you'll never know how great a thrat they were. Because I know what they're doing here. I know what they want. SAWYER: What do they want? BEN: Me, James, they want me. LOCKE: [g*n still pointed] How do you know all this? BEN: Because I have a man on their boat.	{"type": "series", "show": "Lost", "episode": "4x02 - Confirmed d*ad"}	foreverdreaming
[Sayid kneeling next to the helicopter, praying. His eyes open, looking at Naomi.] JACK: Did Ben ever mention anything about knowing anyone off the island? JULIET (talking over Jack) No. JACK: You’re sure of that? MILES: Look, this is real simple, do you know where he is or don’t you? JACK: What do you want with him? MILES: I want to locate him. [Sayid stands and walks towards Naomi.] MILES: The people who hired me told me his name’s Benjamin Linus, they gave me this picture, and that’s all they told me. [Dan approaches Kate] MILES: They said “find him” and for what they’re paying me I don’t need to know anything else, do you? [Sayid gets to Naomi, kneels, and closes her eyes] JACK: You want Ben. Okay, he’s with Locke, and your friend… MILES: Charlotte. [Sayid covers Naomi] JACK: Charlotte. Locke’s got her too. And we know where they’re headed. MILES: Locke’s the guy who klled Naomi. Give me back my gn, Shephard. JACK: You want your gn back, I want answers. [Sayid removes Naomi’s bracelet, looks on the reverse side and sees an inscription, “N, I’ll always be with you. R.G."] MILES: You don’t trust me and I don’t trust you. In fact, you’re supposed to be dad, but am I asking a billion questions? No. [Cut back to Miles and Jack] MILES: We both have the same problem, this Locke guy. KATE: Even if Locke has your friend, you can’t just waltz in there and grab her. They’re armed. MILES: Well how bout that, so are we! So why don’t we move out… [Sayid interrupts] SAYID: We’re not going anywhere. Will that helicopter fly? [Sayid approaches Frank at the helicopter] FRANK: It’s what she does. SAYID: Then you can take me to your ship. JACK: Sayid, wait a second. [Sayid turns to Jack] SAYID: We did call these people to get us off this island, didn’t we? [Sayid turns back to Frank] SAYID: Well? FRANK: I brned a lot of fuel coming in, I can’t carry much weight. I’ll take three of ya. MILES: In case you zoned out while you were tweezing your goatee, one of these yahoos took Charlotte prisoner. SAYID: I can bring her back, safely. And if I do, will you take me to the ship. FRANK: Absolutely. You bring Charlotte back safe, and I will take you off this island. [Flash to a beach side golf course. A longer haired Sayid is teeing off. He watches his teeshot for a moment. Sayid is walking down the fairway, golf bag over his shoulder. He sets down his golf bag and a golf cart is heard, then seen, approaching with a single male occupant. The man in the golf cart pulls up next to Sayid and begins speaking with an Italian accent.] MAN: Good morning. SAYID: Good morning. MAN: It’s a long walk to the next hole. Do you need a ride? SAYID: Thank you, but no, my ball is right here. MAN: You know, you are the first person I’ve seen out here all morning. SAYID: I believe we are paying quite a premium for that kind of privacy. MAN: Indeed we are. [The man steps off of the golf cart] MAN: Is this your first time in the Seychelles? [The man watches Sayid prepare for his next sht] MAN: Uh uh, I’d use the five iron. SAYID: I think I’ll stick with the seven. MAN: Tell you what. 50 Euros says mine goes closer to the pin with a 5 iron. SAYID: Let’s make it 100. MAN: Eccelente. Amazing, huh? How a wager makes just about anything more fun. [Sayid swings. The ball lands on the green to the left of the pin.] MAN: Not bad, not bad. So, what do you do for a living, my friend? SAYID: I do nothing. MAN: Nothing? Doesn’t pay for a vacation here. SAYID: I was the recipient of a large settlement. MAN: Corporate merger? SAYID: Actually, a plane crash. [The man’s facial expression becomes concerned] SAYID: Oceanic Airlines flight 8-1-5. I’m Sayid Jarrah, one of the Oceanic Six. [The man’s facial expression becomes more concerned.] MAN: Ah, that’s – that’s…that’s amazing, uhm, I remember reading all about it. SAYID: Take your sht, my friend. [The man takes his sht. The ball lands on the green to the left of the pin but closer than Sayid’s ball.] SAYID: It appears you were right about the 5-iron. MAN: Well, uh, enjoy your round, and uh, don’t worry about the wager. All in good fun. SAYID: No, you won, allow me to pay you. MAN: It’s fine, thank you, it’s… [SAYID reaches into his golf bag.] SAYID: I insist, Mr. Avellino. [Mr. Avellino turns toward Sayid. Sayid draws a gn and sht him dad. Sayid retrieves his golf bag and walks back down the fairway as the sprinklers come on.] [Main credits] [Cut to Sayid entering a café. He walks through the café, looking, and finds an empty seat next to a blonde woman.] SAYID: (in German) Is this seat free? [The woman nods yes. Sayid sits and opens a map.] WOMAN: (in German) Where would you like to go? SAYID: ‘Is it free’ was the full extent of my German. WOMAN: (laughing) What are you looking for? SAYID: I love Europe. Everyone speaks English. I’m looking for Potsdamer Platz. WOMAN: Well you don’t need a map. It’s one block down right across the street. SAYID: Thank you. [Sayid scans the café.] WOMAN: I’m Elsa. SAYID: Sayid. WAITER: (in German) Can I bring you something? SAYID: I’ll have an espresso, please. WAITER: (in German) Yes, immediately. ELSA: What sort of business brings you to Berlin? SAYID: I’m a headhunter. A corporate recruiter. And what do you do? ELSA: My employer is an economist. He works in emerging markets. Actually I, I don’t really understand what he does; which doesn’t matter since all I do is shop for him. And if this goes off [holds up an old style pager], I’m at his side instantly. Which is wonderful, since he’s only in Berlin once or twice a year. SAYID: Which is why you are enjoying a luxuriously long mid-day coffee. ELSA: Yes. [The waiter brings Sayid’s espresso] SAYID: (in German) Thank you. ELSA: Do I……know you from somewhere? SAYID: I’ll tell you exactly where you know me from, if you let me take you to dinner. [Elsa takes Sayid’s map] ELSA: Um… [Elsa marks Sayid’s map] ELSA: This is the restaurant you’re taking me tonight. 8:00. Well, if you can find it. [Elsa stands and leaves.] [Cut to Sayid walking down a snow covered sidewalk. He pulls a cell phone out of his coat and dials.] MAN 2: (on the phone) Hello? SAYID: I made contact. MAN 2: (on the phone) Good. [Sayid hangs up, tosses the phone into a trash can, grabs some snow from the top of the trash can, crushes it in his left hand, then crosses the street.] [Flash back to the Island] [Saydi removes a paper from a backpack. Jack, Kate, and Juliet are sitting nearby.] SAYID: Take a look at this. [Sayid approaches Jack.] SAYID: Naomi had it with her. [The paper is a picture of Desmond and Penny.] SAYID: She was looking for Desmond. Whatever their real agenda is, it’s clear they’re not sharing it. Maybe Desmond can shed some light on this. JACK: How long would it take to get to the beach and back? JULIET: Couple of hours. JACK: You mind? JULIET: Anything I can do to help. JACK: Sayid… [Jack stands and walks after Sayid] JACK: So how are we gonna do this? [Jack and Sayid walk together] SAYID: You’re not the best candidate for this kind of mission. JACK: And what kind of mission is that? SAYID: I’m going to make Locke release Charlotte. And I’m going to do it without any bloodshed. JACK: As opposed to the way I’d do it. SAYID: The last time you encountered him, you put a gn to his head and pulled the trigger. That’s not good diplomacy. [Miles, near the helicopter, puts on his backpack.] MILES: Hey, Jarrah, you think you’re going after Charlotte without me? SAYID: Of course not. MILES: Oh. Well, good. SAYID: Is there anything else? MILES: Yeah, give me my gn back. SAYID: [walking past Miles] We leave in ten minutes. [Cut to Locke and others walking through the jungle.] SAWYER: You ready to give us a name, Gizmo? LOCKE: He’s not going to tell you who his spy is on their boat, James. SAWYER: Yeah, why not? LOCKE: Because that’s the only thing keeping him alive. SAWYER: Well here’s an idea: why don’t we take a gn, point it to his big toe and send that little piggy to market. And if he still doesn’t want to tell us, we’ll move on to the roast beef. Now why don’t we do that? LOCKE: Because then we’d have to carry him. [Everyone pauses. Locke scans the jungle then kneels down and picks up some grey ash from an ash line on the jungle floor. He then looks up to a clearing in the jungle then stands up.] CLAIRE: Hey, John, how much further is it? I, I need to feed Aaron. LOCKE: It should be here, the cabin. HURLEY: Maybe we got turned around. It could be anywhere. LOCKE: No, it was here. SAWYER: Well what’s in this cabin that’s so important anyway? BEN: John’s looking for somebody to tell him what to do next. [Locke turns and stares at Ben.] LOCKE: I guess I was mistaken. It doesn’t, doesn’t matter, the plan’s the same, we keep moving. The barracks aren’t far. DANIELLE: If her team is with Jack’s group, they know we’re going to the barracks. SAWYER: Yeah, and Red here was wearing a vest. Which means her posse’s gonna come expecting themselves a gn fight. HURLEY: If all they want is her, maybe we should just let her go? I mean, I thought we were just gonna go hide, why do we need to take prisoners? LOCKE: We’re keeping her because she’s gonna be valuable. HURLEY: How’s she gonna be valuable? CHARLOTTE: He means as a hostage, love. HURLEY: Uh uh, no, this is not what I signed up for. LOCKE: What did you sign up for, Hugo? HURLEY: Look, I’m just saying I think if we let her go, they’ll look at it as a sign of good faith. LOCKE: They’ll look at it as an act of foolishness, which is what it would be. HURLEY: I’m just trying to come up with some kinda compromise… LOCKE: We’re beyond compromise. And right now, Hugo, I’m making the decisions. Is that gonna be a problem for you? [Cut to Miles, Daniel, Sayid, Frank, and Kate at the helicopter.] KATE: Kinda sucks, huh? JACK: What’s that? KATE: Being told not to come along. Now you know what it feels like to be me. JACK: Does that mean I should wait twenty minutes and go anyway? [Both laugh.] KATE: Touché. JACK: You should go with them, Kate. KATE: Are you serious? JACK: Yeah. KATE: What, don’t you trust Sayid? JACK: I don’t trust Locke. KATE: So what’s preventing him from doing to me what he did to Naomi? JACK: Sawyer won’t let him. [Kate turns and walks toward Sayid, holding up a pstol.] KATE: Got room for one more? MILES: Oh yeah, she gets a gn. SAYID: gn’s a last resort, Kate. KATE: You give Locke that same speech? MILES: Hey. Let’s move out. [Sayid and Kate walk past Miles. He turns and follows. Jack walks to the helicopter, where Frank is working, and retrieves a bottle of water, then starts to walk away.] FRANK: This guy Sayid, where’s he from? JACK: Iraq. FRANK: Iraq? So he’s just gonna go and work everything out? What was he, a diplomat? JACK: No. No, he was a torturer. [Sayid, Kate, and Miles disappear into the jungle.] [Sayid is staring at the inside of Naomi’s bracelet. Kate and Miles follow.] SAYID: Naomi, were you close to her? MILES: Nope. Met her on the boat. SAYID: You don’t seem particularly affected by her death. MILES: Sure I’m affected. She was hot and I dug her accent. KATE: Nice. SAYID: And this woman, Charlotte, you don’t really care about her, do you? MILES: Define care. SAYID: So much for camaraderie. MILES: Yeah, gee, who’s the one going after one of their crash buddies with gn? Actually, I do care about Locke. [They stop.] MILES: Maybe you can tell me how he managed to split your happy little family in half. SAYID: (looks at Kate) There was a fundamental debate as to whether your people were coming to rescue us, or kll us. MILES: And which side did you land on? SAYID: I’ll let you know when I decide. [They begin walking again.] [Flash to Elsa opening a door. Sayid is on the other side, wearing a tuxedo.] ELSA: You look fantastic. [They hug.] ELSA: This is why I wanted to take you to the opera. SAYID: If a man can’t wear his tuxedo by the fifth date, why bother? [Sayid follows Elsa inside to a mirror, standing behind her. She picks up a necklace and holds it out for him to fasten around her neck. He fastens it as she reaches for her purse and pager, and begins to put the pager into her purse.] ELSA: You know what? I’m not bringing it. If tonight’s the night he calls, so be it. [Elsa puts the pager back down and walks away. Sayid picks it up and turns to follow her.] SAYID: I’ll carry it. If he does call, I don’t want you fired over me. You should tell your employer that there is newer technology. ELSA: Well I’ve tried. He’s very old-fashioned. You know how bosses can be. Do you have a boss? SAYID: Everyone has a boss, Elsa. [Elsa nods.] SAYID: Come on, we don’t want to be late. ELSA: Why are you still here? I mean, when we met, you said you would only be in Berlin for one week. SAYID: The job I’m on is proving harder to accomplish than I thought. ELSA: Oh. (laughs) Right. I was hoping it was because of me. SAYID: Let’s go. Strauss awaits. [Flash back to the helicopter interior. Daniel approaches and begins looking around inside. He grabs a large case and tripod and walks to the opposite side and rear of the helicopter. Frank and Jack watch from the treeline. Daniel begins setting up the scientific equipment.] JACK: What’s his story? FRANK: Daniel? Couldn’t tell ya. Half the stuff he says goes way over my head, the other half goes way, way over. DANIEL: Hey, uh, Frank? Can I, uh, sorry to interrupt. May I please use the phone, just for a sec? FRANK: For what? DANIEL: I just wanna call Regina on the boat cause I figured since we’re waiting maybe I could just, you know, try and uh…. FRANK: What is it, Daniel? DANIEL: I’d just like to do an experiment. Just, just uh… FRANK: Okay. You just keep it to that science stuff, all right? [Frank hands the sat phone to Daniel.] DANIEL: Yeah. FRANK: If Minkowski gets on there, you hang up right away. DANIEL: Yeah, thank you, thank you. [Daniel dials the phone as he walks back toward the equipment setup.] REGINA: (on phone) Hello? DANIEL: Regina? Hey, hi, it’s Dan. Hang on. [Daniel puts the phone on speaker and sets it down next to the case.] DANIEL: Can you hear me? REGINA: Yeah. DANIEL: Yeah, hang on. [DANIEL pushes a button on his equipment and a red light blinks.] DANIEL: I’m all, yes, [pushes another button and a green light blinks] DANIEL: I am all set here, I have a fix. Are you locked in? REGINA: Getting your signal pretty clear. DANIEL: Oh, okay, great, then. Okay. fre the payload. REGINA: Payload away. FRANK: (to Jack) Don’t sweat it. He does this kind of stuff on the boat all the time. [JACK looks around as Daniel watches the sky.] REGINA: Forty kilometers to beacon. Thirty-five kilometers to beacon. Thirty kilometers to beacon. Twenty-five kilometers to beacon. Twenty kilometers to beacon. Fifteen kilometers to beacon. Ten kilometers to beacon. DANIEL: Regina? REGINA: Five kilometers to beacon. DANIEL: Huh. REGINA: Zero. DANIEL: I don’t have it. REGINA: That’s weird. DANIEL: That is far more than weird. [Cut to a tree line next to the barracks. Sayid, Kate, and Miles exit the tree line with caution.] MILES: (kneeling) What’s with the swing set? These people had daycare? KATE: (to Sayid) You think they’re here yet? SAYID: Let’s find out. [Sayid, Miles, and Kate enter the compound, gn drawn. They hear a loud banging noise. Sayid turns to Kate, then back, and they begin running. They carefully round the corner of a house, cross a yard, and pause behind a small tree.] KATE: (pointing) It’s coming from in there. [They run to a house, gn drawn. Sayid kicks the door open. They enter and start looking around. The interior of the house is in complete disarray. They hear a muffled voice in the hallway and find a door tied closed with a piece of rope. Sayid unties the rope and opens the door. They find Hurley bound and gagged on the floor of a closet. Kate removes the gag.] KATE: Hurley, what happened? HURLEY: They left me. [Hurley is sitting on the couch in the living room of the house with Sayid, Kate, and Miles nearby.] HURLEY: Locke’s gone off the reservation, man. I mean, he took this one chick hostage, he said Walt was the one who told him to kll this other chick, and, and, and he… SAYID: (interrupting) Walt? HURLEY: Dude, don’t ask. I was just, like, trying to argue with him, so he would just like, you know, chill, but uh… MILES: (interrupting) How about you stop babbling, just tell us what happened to them? Where are they? HURLEY: Who are you? MILES: Where the hell did they go, Tubby? HURLEY: Oh, awesome, the ship sent us another Sawyer. SAYID: Hurley, where did they go? HURLEY: Loo…look, I guess they were too busy tying me up to tell me. I don’t know. KATE: And so they all left, all together? HURLEY: Yeah, they were freaked. Locke said the people on the ship were here to rescue Charlotte and then kll us. So…. [Hurley looks at Miles] HURLEY: …are you? MILES: Not yet. SAYID: Did they say anything that suggested where they were going next? HURLEY: Uhm, Locke said they were gonna go by Ben’s house before they took off. SAYID: Why would he go there? HURLEY: For all I know, they coulda locked Ben up in a closet, too. MILES: Where’s Ben’s house? [Cut back to the helicopter where Jack is tying down some equipment.] JACK: Mind if I ask you a question? FRANK: sh*t. JACK: The Red Sox really win the Series? FRANK: Hey, don’t get me started on that, alright? My dad’s from the Bronx. I bleed Yankee blue. JACK: Can’t believe it’s been a hundred days since I’ve seen a game. [Daniel, standing in the clearing, turns around and looks up to the sky excitedly.] DANIEL: Oh, aha. It’s the payload! It’s finally here. [A mssile-like object streaks down and noses into the ground just in front of the helicopter, Daniel, Frank, and Jack. Daniel runs to it, picks it up, and begins removing the nosecone.] JACK: What is that? DANIEL: It’s a rocket. [Daniel removes a small box-like object from the nosecone. He compares it to the watch on his wrist.] DANIEL: Oh, no. [Daniel runs to the tripod. He takes a timepiece off of the tripod and compares it to the one from the rocket. The tripod clock reads “02:45:03” while the clock from the rocket reads “03:16:22”, then “03:16:23.] DANIEL: Thirty-one minutes. [Jack and Frank walk up behind him.] DANIEL: Oh, no. This is not good. [Frank looks to his left.] Franke: Your friends are back. [Jack looks to see Juliet approaching with Desmond. Juliet laughs to Desmond as he sees the helicopter.] DESMOND: Well, look at that. [Cut to a door opening and Sayid, Miles, Hurley, and Kate entering a house.] SAYID: Look for anything that might show where they’ve gone. I’ll start in here. [Miles looks around toward the kitchen. Kate draws her gn and starts walking down a hallway. She kicks open a bedroom door and enters. She scans the room and approaches the closet, opens it, and finds it mostly empty. In another room, Sayid is looking at books on a bookcase. He looks down at the floor and notices scuffs at the bottom of the bookcase and slides the bookcase away from the wall which reveals a passageway to a secret room. Sayid draws his gn and enters. Inside, Sayid finds a light switch and turns on the light showing that the room is filled with clean clothes, suitcases, a mirror, and several drawers. Sayid opens one drawer to find it full of all types of money from around the world and the drawer next to it full of passports. He opens a passport and finds Ben’s picture inside along with the alias “Dean Moriarty”. Back in the other room, Kate is kneeling looking under the bed when she sees the feet of someone entering the room. She stands up, points her gn, and sees Sawyer holding his finger to his lips as he shuts the door.] SAWYER: Shh… KATE: Sayid! [Sayid puts the passports back in the drawer and exits the secret room to find Locke pointing a gn at him.] LOCKE: Don’t worry, Kate’s fine. [Sayid looks past Danielle holding a gn on Miles as Hurley enters the room.] LOCKE: Good job, Hugo. HURLEY: (to Sayid) Sorry, dude. [Cut to Sayid walking out of the house, arms out, and across the courtyard. Danielle is behind him pointing a rfle at him. Hurley follows.] DANIELLE: Sorry, Sayid, nothing personal. SAYID: Where’s Locke? HURLEY: He’s talking to that angry Chinese guy. SAYID: (looking over his shoulder) I’m not going to hurt you, Hurley. HURLEY: Yeah, I saw you snap that guy’s neck with that break dancing thing you do with your legs. I think I’ll hang back here. [Danielle opens the door to the rec room; Sayid enters as she closes the door. Sayid looks to see Ben also being held in the rec room.] BEN: Well, I guess they’re running out of jail space. [Sayid looks around the room, rattling the reinforcements on the window interior.] BEN: I lost a dollar, you know. SAYID: How’d you manage that? BEN: I bet John that you wouldn’t be stupid enough to fall for your friend as bait. SAYID: What do you know about friendship? BEN: I know it’s no use having friends you can’t trust. [Cut to Kate looking out of a window. She turns and walks toward Sawyer.] KATE: So what, I’m your prisoner? SAWYER: If that sorta thing turns you on. [Kate sits on the bed.] KATE: What are you doing here with Locke? SAWYER: I’m not "with" him. KATE: Yeah, you are, James. SAWYER: Then what are you doing with Jack? KATE: I went with Jack because I believe he can get us off this island. [Sawyer walks toward Kate.] SAWYER: Then I guess that’s the difference between us. [Sawyer sits in front of Kate.] SAWYER: I ain’t lookin’ to leave. KATE: Why not? SAWYER: Cause I ain’t got nothin’ back there for me. KATE: And what’s here that’s so much better? SAWYER: Why do you want to go back, Kate? Seem to recall you being shuttled off to jail before we landed here. So if you think there’s anything waitin’ for you back home other than handcuffs, then you really don’t know how the world works. Look around us, Freckles. We’ve got roofs over our heads; electricity, showers, beds. KATE: Yeah, how long, Sawyer? How long can do you think we can play house? SAWYER: Why don’t we find out? [Cut back to the rec room, Sayid is leaning against the pool table, arms crossed, as Danielle opens the door. Locke enters, carrying a tray with a pitcher and some glasses on it.] LOCKE: Iced tea. [He sets the tray down next to Sayid and pours some tea into a glass.] LOCKE: Thought you might be thirsty. BEN: (raising his hand) I’m thirsty. [Locke looks at Ben then ignores him.] LOCKE: I’m sorry about all the theatrics, but uh, I didn’t know how many of you there’d be, or whether you’d be armed. I had to cover my bases. [Locke sits in a chair across from Sayid.] SAYID: What have you done with Miles and Kate? LOCKE: Kate’s with Sawyer and Miles is somewhere else. He’s fine. All I did was ask him some questions. SAYID: Did he answer any? LOCKE: No. SAYID: Did you have more luck with the woman you captured? [Locke looks to Ben, then back.] LOCKE: Not particularly. [Sayid sits.] SAYID: Then why don’t you turn her over to me? LOCKE: And why would I do that? SAYID: I agree that these people are liars, and they’re certainly not here to rescue us, but if I return safely with Charlotte, they’ll take me to their ship. It’s our best chance of finding out who they are and what they really want. LOCKE: Well, then, I can save you a lot of trouble, Sayid, because Ben says he’s got a spy on the boat. [Sayid and Locke stand and approach Ben.] SAYID: Who? BEN: It’s a secret. SAYID: Forgive me, but the day I start trusting him is the day I would have sold my soul. Give me Charlotte. Allow me to do things my way, or a wr is coming which we will both be powerless to stop. LOCKE: Why would I give you Charlotte for nothing? SAYID: Oh, I think you misunderstood me. I never expected you to give her to me for nothing. [Flash to Sayid and Elsa lying in bed together.] ELSA: Should we get dressed? SAYID: No. ELSA: Well we’re going to have to get out of this bed at a certain point. SAYID: Why? ELSA: Well for one thing, because I know that eventually you’re going to have to go to that job of yours. You know, the one that you never talk about. SAYID: There’s nothing to talk about, it’s just a job. ELSA: I know nothing about you. I understand you don’t want to talk about the crash, what happened to you. But what about life now? What about you? That's what you do when you’re in love, right? SAYID: In love? ELSA: Yeah. [They kiss.] SAYID: Okay. No more secrets. What do you want to know? [Elsa’s pager goes off.] ELSA: He’s here. My boss. I, um, I have to go. [ELSA gets out of bed.] SAYID: Now? Where? ELSA: To the Hotel Adlon. Where’s my dress? [Elsa starts dressing as Sayid looks at the pager.] SAYID: Elsa? You have to leave Berlin. ELSA: What? [Sayid gets out of bed and begins dressing.] SAYID: You can’t be here anymore. ELSA: What do you mean? Why would I-- SAYID: (interrupting) People will be asking questions soon. About what happened to your employer. And you can’t be around to answer them. ELSA: My employer? This, this is about my boss? Who are you? SAYID: It has nothing to do with how… ELSA: The café? You meant to meet me there? You used me to get to my boss. What did you say, “people will ask what happened to him”? SAYID: It’s best you don’t know. ELSA: You gonna kll him? You’re gonna kll him? [Elsa steps back into the bathroom. Running water is heard.] ELSA: Do you even know him? SAYID: His name is on a list. ELSA: A list? What list? You know, you have a list? SAYID: It’s my employers. ELSA: Who is that? SAYID: It doesn’t matter who he is! ELSA: You just kll people ‘cause you’re on a list? Innocent people? SAYID: The man you are working for is not an economist. [Elsa backs away from the sink, raises a pstol, and sht Sayid in the shoulder. He falls back onto the bed. Elsa picks up her cell phone and dials as she steps back into the bathroom.] ELSA: (on the phone, in German) You were supposed to page me at ten-thirty. No, I didn’t kll him. He’s not going to give up the name now. Why should I keep him alive? No. He had no idea. All right, all right. I’ll bring him to you. Leave the hotel. I’ll meet you at the safe house. [Elsa hangs up and Sayid grabs an object off of the nightstand and hurls it at the mirror, breaking it. Elsa walks toward the bedroom as Sayid retrieves his gn from the holster on a chair next to the bed.] ELSA: What do you think you’re… [Sayid sht her twice. She falls back against the wall, then slumps to the floor, gasping, and dies. Sayid closes her eyes with his hand and touches the silver bracelet on her wrist.] [Flash back to the Island where Daniel is checking his scientific equipment as Frank and Desmond walk behind him.] DESMOND: Hey. I’m gonna ask you one last time. Why was Naomi carrying this picture of me? FRANK: Look man, you gotta understand somethin’. She was senior management, it’s not like we hung around the cafeteria together. She stayed on her own. DESMOND: Look, Naomi told me you people were hired by her. [Desmond points to Penny in the picture.] DESMOND: So you look me right in the eye and tell me you’ve never seen or heard of Penelope Widmore. [Frank looks over to Daniel who in turn looks off. Frank turns back to Desmond.] DESMOND: Fine. You don’t want to tell me the truth, I’ll find someone who will. See when that takes off, (points to helicopter) I’m on it. [Sayid walks over the ridge. Jack and Juliet are standing by the wood line when Juliet sees him.] JULIET: He’s back. [Charlotte appears behind Sayid as Jack walks toward Sayid.] JACK: Where’s Kate? SAYID: She decided to stay. FRANK: What happened to Miles? SAYID: I traded him. FRANK: Traded him? SAYID: I promised you Charlotte, here she is. FRANK: You cheated. SAYID: Did I? FRANK: Yes you did. Lucky for you that guy’s nothing but a pain in my ass. [Daniel walks up and puts his arm around Charlotte.] DANIEL: Hey CHARLOTTE: Hey. DANIEL: You alright? CHARLOTTE: Yeah. FRANK: All right, that gives us room for one more. Charlotte? CHARLOTTE: Go back, with all the fun I’m having here? No, I’ve got work to do. FRANK: Seat’s yours if you want it, Daniel. DANIEL: I, no, thank you. I think I should probably just stay with Charlotte. FRANK: All right. [Frank walks back toward the helicopter as Daniel follows.] DANIEL: Frank. Frank? Just, just, just, just, just one thing. Just be sure that you follow the same exact bearing that we came in on, okay. No matter what. By that, I mean no matter what. Just, just stay on it. FRANK: Roger that. [Jack picks up a rfle and hands it to Sayid.] JACK: Be careful. SAYID: I don’t have to talk you out of coming. JACK: As much as I like helicopter rides, I think you got this one under control. SAYID: Wish me luck. JACK: Good luck. Send me a postcard. [Sayid walks to the helicopter.] SAYID: You said we have room for one more? FRANK: Yeah, why? SAYID: We should bring Naomi home. [Sayid puts Naomi in the back of the helicopter. Desmond sits next to Frank in the front. Sayid covers Naomi’s face with a blanket and sits in the back. The helicopter lifts off and flies out over the beach and away from the island.] [Flash to a row of dog kennels in a hallway. Sayid enters through a door and walks to a room, leaning against the doorway.] MAN 2: Take your shirt off. [Sayid removes his jacket and shirt and sits in an exam room. A man walks past Sayid, sitting in front of him, and shines an overhead light on his wounded shoulder.] MAN 2: Is she dad? SAYID: Yes. MAN 2: Why didn’t she kll you? SAYID: She was trying to get information from me. MAN 2: What sort of information? SAYID: She wanted to know who I worked for. She wanted to know about you. MAN 2: Of course she did. [Sayid looks at the man and it’s revealed to be Ben.] BEN: Why are you crying, because it hurts, or because you were stupid enough to care for her? These people don’t deserve our sympathies. Need I remind you what they did the last time you thought with your heart instead of your gn? SAYID: You used that to recruit me into klling for you. BEN: Do you want to protect your friends or not, Sayid? I have another name for you. SAYID: But they know I’m after them now. BEN: Good.	{"type": "series", "show": "Lost", "episode": "4x03 - The Economist"}	foreverdreaming
[Closeup of John’s right eye. He awakes in a hospital bed. He gets up, and as he begins to make breakfast we realize he’s in the barracks of New Otherton. He pulls a book off the bookshelf (“Valis” by Philip K Dick), and as he moves through the house we realize he’s in Ben’s house. John goes down to the basement which looks like the underground corridors of all the Dharma facilities (actually, these corridors are way too long to be part of a true basement – perhaps all of the basements are interconnected). John unlocks a door and gives the tray and book to a seated prisoner.] LOCKE: These are the last two eggs. [John stands back and we see Ben looking at the book.] BEN: From my own bookshelf? LOCKE: Help you pass the time. BEN: (flipping the book over) I've already read it. (puts down the book) LOCKE: You might catch something you missed the second time around. BEN: (chewing thoughtfully) Why did you move me from the rec room down here? LOCKE: I wanted you under my own roof. BEN: (continues chewing) Where are you keeping your other prisoner? Miles, is it? [John shrugs] BEN: Oh, you don't wanna share. LOCKE: Actually, I was hoping YOU would share Ben; seeing as you claim to have a spy on his ship. [Ben just looks at Locke for a while] BEN: I feel for you, John. I really do. You keep hitting dad ends. [John looks at Ben.] BEN: (sarcastically) You couldn't find the cabin, you can't make contact with Jacob...You're so desperate to figure out what to do next, you're even asking ME for help! [John smiles calmly at Ben] So here we are, just like old times. Except I'm locked in a different room, and you're more lost than you ever were. LOCKE: (clenching his teeth, but grinning) I know what you're trying to do. It's not going to work. BEN: Excellent, John! You're evolving! [John steps forward, and grabs the unfinished tray out of Ben’s hands.] LOCKE: (sarcastically) Done with your breakfast? [John doesn’t wait for an answer from Ben, instead John leaves, locking the door behind him. As Ben sits in the dark, John walks down the hall a few steps then slams the tray against the wall. Ben hears this, and seems satisfied.] [Cut to the outside of Ben’s house where John walks out the door, slamming it behind him and storming away. Kate and Claire are nearby sitting on a porch. Kate turns to Claire who has Aaron in her lap.] KATE: What was that all about? CLAIRE: Who knows? It's Locke. [Sawyer walks up.] SAWYER: Mornin', ladies. CLAIRE: Good morning. KATE: Mornin'. [Everyone exchanges knowing glances] SAWYER: Mmm, the coffee smells good. CLAIRE: (takes the hint to leave them alone) Well, why don't I go make you a cup? [Claire & Aaron go inside. Sawyer sits down at Kate’s feet.] SAWYER: Kinda weird, ain't it? Sittin' on porches, drinking coffee out of mugs? Anyway, I found some clothes about your size, and hung them in the closet. So after I kick out Hugo... KATE: (interrupts) I'm not moving in with you, James. SAWYER: Well, then why did you stay? KATE: That's none of your business. SAWYER: (becoming annoyed) Oh, you got a secret agenda, huh? Well, if you're spying for Jack--- KATE: (resigned) I'm not spying for anyone. SAWYER: So why don't you tell me why--- KATE: (cutting him off) Because I don't trust you. [Sawyer nods knowingly, as Kate looks away.] SAWYER: This is about the pregnancy thing. KATE: (takes a sip of coffee to avoid replying) James? SAWYER: Yeah. KATE: (firmly) Go home. [Sawyer looks resigned, and gets up.] SAWYER: OK, fine. See you later, then. [Sawyer walks back to his house and goes in.] [Cut to flash-forward where Kate is in a car, sitting next to a man. She’s all dressed up, and looks out the car window anxiously.] KATES’S LAWYER: You ready? KATE: Is there a back entrance? KATES’S LAWYER: Yeah, but you're going in the front door, with your head held high, OK? [Kate glances back at him nervously.] KATE: Yeah. OK. Let's do this. [Kate puts on large sunglasses, and they both get out into a throng of reporters who are shouting out questions, and shoving cameras in their faces. The man with Kate must be her lawyer (Duncan Forrester). Mixed in with the reporters are a mob of people.] REPORTER: Why’d you do it Kate? KATES’S LAWYER: Coming through. Folks, we're not making any statements or answering any questions right now. Thank you. BEARDED MAN: (shouts in Kate’s face something unintelligible) [Cut to the courtroom, where Kate is sitting nervously.] BAILIFF: The people vs. Katherine Anne Austen, the honorable Arthur Galzethron presiding. JUDGE GALZETHRON: The Bailiff will read the counts, will the defendant please rise? [Kate and her lawyer stand.] BAILIFF: Katherine Anne Austen, you are charged with fraud, arson, asault on a federal officer, asault with a deadly wapon, grand larceny, grand theft auto, and mrder in the first degree. Ms. Austen, how do you plead? KATE: Not guilty. [Murmurs from the crowd at the back of the court are heard.] JUDGE GALZETHRON: Thus entered. I’ll now hear the argument on bail. [The prosecutor (Melissa Dunbrook) stands as Kate sits.] PROSECUTOR: Your honor, we are requesting that the defendant be remanded into custody for the duration of the trial. [Kate looks shocked] KATE’S LAWYER: Your honor, my client's been free pending arraignment, now suddenly she's a flight risk? PROSECUTOR: She's the very definition of a flight risk. KATE’S LAWYER: She has one of the most recognizable faces in America. Where's she going to run? JUDGE GALZETHRON: Ms. Austen, based on your prior history, I'm inclined to agree with the people. You are hereby remanded into federal custody for the duration of your trial. KATE’S LAWYER: Your honor-- JUDGE GALZETHRON: (interrupting) Bailiff, please take the defendant into custody. KATE’S LAWYER: (looking at Kate) Sorry. [Kate stands, and has handcuffs put on her, and is led away.] [OPENING CREDITS] [Cut to real-time on the beach where Jin is looking at an atlas showing Albuquerque NM.] JIN: Al-buh-cookie? [JIN smiles, looking up at SUN.] SUN: Too hot. JIN: New York. SUN: Too many people. JIN: (in Korean) More than Seoul? SUN: (in Korean) What's wrong with Seoul? JIN: (in Korean) Sun, we're going to leave this island any moment now. JIN: (struggling to make himself clear in English) I learn English...for you...to live...in...America. [SUN gives him a big smile.] SUN: (in Korean) I want… to raise my baby at home. In Korea. JIN: (in Korean) You mean OUR baby. OFFSCREEN WOMAN: Hey, Look! Jack! [Sun, Jin, and the other beach survivors notice Jack and Juliet returning with 2 strangers. They run to greet them.] JACK: (to crowd) This is, uh, Charlotte, and Dan. Their helicopter already took Sayid and Desmond back to their freighter. They can make arrangements to get all of us off this island. [Daniel looks at his feet] SUN: Where's Kate? JACK: (pauses) She stayed with Locke. [Jack walks away] [Cut to the barracks where John opens the door to Ben’s house to greet Kate.] LOCKE: Hello, Kate. [Kate looks at John wiping his bloody hands on a dishrag.] KATE: You got blood... LOCKE: (Continuing to clean his hands) I just klled a chicken. What can I do for you? KATE: I want to talk to Miles. Where are you keeping him? LOCKE: Why do you need to talk to him? KATE: Well that’s personal. LOCKE: (abruptly) No. KATE: And what gives you the right to decide whether or not -- LOCKE: (cutting her off) You may think this is a democracy, Kate, because of the way Jack ran things, but this is not a democracy. KATE: Well, I guess that makes it a dictatorship. LOCKE: If I was a dictator, I would just sh*t you, and go about my day. [Kate glares at John] LOCKE: Dinner's at six if you're hungry. [John closes the door. Kate strides off but pauses when she sees Hurley walking away with a lunch tray.] KATE: (running up to Hurley) Hey, Hurley! You bringing that to Miles? HURLEY: Yeah. KATE: Well Locke asked me to do it. HURLEY: Cool. That dude creeps me out. [Hurley hands Kate the tray] KATE: (casually, without meeting Hurley’s eyes) He's still in the rec room, right? HURLEY: No, we moved him to the boathouse that... [pauses and realizes his mistake] You just totally Scooby-Doo’d me, didn't you? KATE: (somewhat embarrassed) Sorry. HURLEY: You're not going to let him go, are you? KATE: No. No, I promise. HURLEY: (nervously) Just don't tell Locke it was me. [Kate pats Hurley on the back, and then walks the lunch tray to the boathouse. Kate makes sure no one is looking before she enters. Miles is tied to a chair.] MILES: (mockingly) So the Arab traded you too, huh? [Kate pulls up a chair at sits.] KATE: (seriously) Do you know who I am? MILES: Excuse me? KATE: Do you know who I am? Do you know what I did? MILES: (mockingly) What did you do? KATE: Answer the question. MILES: OK. I'll tell you what you wanna know. But you gotta do something for me first. KATE: I'm not letting you go. MILES: I don't wanna be let go. I'm exactly where I wanna be. What I want is one minute of someone’s time. You bring him to me, and I will tell you everything I know about you. KATE: Who? MILES: Who do you think? [Cut to flash-forward in prison where Kate is being led by a guard into a small room where her lawyer is waiting.] KATE’S LAWYER: You OK? KATE: Yeah, I'm fine. KATE’S LAWYER: Listen. The D.A. has decided to try this case herself. Which means they're gonna do the full-court press. Now we need to start talking about cutting a deal. KATE: What kind of deal? KATE’S LAWYER: Honestly, my best guess, I'd say...she'll take a fifteen year sentence, and you serve seven. KATE: (shakes her head in denial) No way. KATE’S LAWYER: If you go to trial, Kate, you're looking at twenty years on each count, not to mention a life sentence on the mrder charge. KATE: No. KATE’S LAWYER: Kate, you confessed to your mother that you klled your father. And now, she's their star witness. So you tell me, what am I supposed to do? How am I supposed to win this thing? KATE: Put me on the stand. KATE’S LAWYER: And take a chance with the D.A. crossing you, no. The way I see it, we've got one sht at this. KATE: What's that? KATE’S LAWYER: We make it about character. Not about what you did or didn't do, but about who you are. KATE: What do you mean who I am? KATE’S LAWYER: [pauses, knowing he’s about to bring up an uncomfortable issue] I want him in the courtroom. KATE: Absolutely not. KATE’S LAWYER: We need him, Kate. It will generate tremendous sympathy-- KATE: (cutting him off) Duncan, listen to me. (emphatically) You are not bringing him in here. Alright, you want to make this about me, about my character, fine. But you are not using my son. [Cut to real-time on the beach where Charlotte and Daniel are going through the pantry, selecting from the Dharma-food. The beach survivors are seen in the background packing for their imminent rescue. Jack is up the beach trying the satellite phone as Juliet watches from afar.] JULIET: (shouting at Jack) Maybe you should try a number other than the boat, like 911. [Jack ignores Juliet’s joke, while Sun approaches him] SUN: What's wrong? JACK: Nothing. I'm just having some trouble getting ahold of their boat. SUN: (very surprised) You haven't heard from Sayid? You said they left yesterday! JACK: And I'm sure they're fine. [Jack and Sun join up with Juliet] SUN: What if Locke was right? What if these people are here to hurt us? JACK: Locke has no idea what he's doing. SUN: (pause) Then why is Kate with him? [Juliet raises her eyebrows and looks at Jack who doesn’t reply] [Cut to the barracks where Kate and Claire are hanging laundry. Kate is watching John’s front door. Aaron is in a basket just behind Kate & Claire.] KATE: You sure he's got Ben in his basement? CLAIRE: Uh-huh. I saw Rousseau take him in there last night. KATE: Does Locke ever go out? CLAIRE: No, he's been in there cooking all day. He invited us all over for dinner. [Aaron begins crying, Claire’s arms are full of laundry.] CLAIRE: Oh, can you get Aaron for me? [Kate looks nervously at Aaron, but doesn’t move towards him.] CLAIRE: (not noticing Kate’s discomfort) Just pick him up and rock him a little bit. KATE: Um...yeah, I'm just not very good with babies. I wouldn't want him to get more upset. CLAIRE: (smiling, and handing Kate the laundry she's holding) Here. I got him. CLAIRE: (to Aaron, as she picks him up) Ohhh...it's OK. There we go, muffin. Yeah, there we go. KATE: You're so good with him. [Claire giggles at Kate.] KATE: What? CLAIRE: Just...the last thing I ever thought I'd be good at was being a mom. You know, you should try it sometime. (to Aaron) Hey Aaron, come on sweetie. [Cut to flash-forward in court where Kate is being tried.] BAILIFF: Please rise. [JUDGE GALZETHRON enters.] BAILIFF: Court is now in session. Please be seated. KATE’S LAWYER: (whispers to Kate) Don't fre me, OK? KATE: (whispers to her lawyer) What? KATE’S LAWYER: (whispers to Kate) We got klled in the opening. I had to do this. BAILIFF: Does the defence have a witness? KATE’S LAWYER: Yes we do your honor. The defence calls Dr. Jack Shephard to the witness stand. [Kate looks startled. Jack enters the courtroom smiling reassuringly to Kate.] PROSECUTOR: Your honor, I'd like to renew my objection to this witness on the basis of relevance. JUDGE GALZETHRON: And I'm going to renew my overruling of your objection. JUDGE GALZETHRON: (addressing the jury) You have to be aware that this witness did not meet the defendant until after the alleged crimes she's been charged with. He is to be viewed as a character witness only. JUDGE GALZETHRON: (to the bailiff) Proceed. BAILIFF: Please raise your right hand. Do you swear to tell the truth, the whole truth, and nothing but the truth, so help you God? JACK: Yes. [Jack sits.] KATE’S LAWYER: Dr. Shephard. Could you please tell the ladies and gentlemen of the jury, if there are any of you who don't read the newspapers or the internet or watch television, how you met the defendant? JACK: Um..on September 22, 2004, Kate… uh… (smiling) --Ms. Austen and I were both passengers on Oceanic Flight 815, which crash-landed on an island in the South Pacific. KATE’S LAWYER: Were you aware that Ms. Austen was a fugitive being transported by a United States marshal on a flight to Los Angeles for trial? JACK: I did learn that eventually, yes. KATE’S LAWYER: From the U.S. Marshal? JACK: No, the marshal died in the crash. I never spoke to him. Ms. Austen told me. KATE’S LAWYER: Did you ever ask her if she was guilty? JACK: (smiles and laughs) No. Never. KATE’S LAWYER: Well, that seems like a reasonable question. Why not? JACK: I just assumed that there had been some kind of mistake. KATE’S LAWYER: And why would you think that? JACK: (becoming serious) Only eight of us survived the crash. We landed in the water. I was hurt, pretty badly. In fact, if it weren't for her, I would have never made it to the shore. [Kate squirms in her chair, continuing to look uncomfortable with Jack testifying] JACK: She took care of me. She took care of all of us. She--she gave us first aid, water, found food, made shelter. [Kate looks extremely distressed, and begins to stand up] JACK: She tried to save the other two, but they didn't-- KATE: (interrupts) Stop! JUDGE GALZETHRON: Ms. Austen, please sit down. KATE: This has nothing to do with...with anything. This is my trial, and I don't want him to say anything else. KATE’S LAWYER: That's fine. I have no more questions, your honor. JUDGE GALZETHRON: Ms. Dunbrook, your witness. PROSECUTOR: That was very moving, Dr. Shephard. I only have one question for you. Do you love the defendant? KATE’S LAWYER: Objection! [Jack looks very thoughtfully at his shoes] JUDGE GALZETHRON: You opened this door, Mr. Forrester, I'm going to allow it. PROSECUTOR: Doctor Shephard, do you love Ms. Austen? JACK: (gritting his teeth, but looking sad at the same time) No. Not anymore. [Kate looks away, not showing any emotion] [Cut to real-time at the barracks where Sawyer and Hurley are inside one of the houses. It’s evening and Sawyer is wearing his glasses reading a book while Hurley is messing with the TV/VCR in front of him.] HURLEY: So...what do you wanna watch? Xanadu or Satan's Doom? SAWYER: I'm reading. [Hurley inserts a tape, and the TV begins to play loudly.] TV: [song] "They call it Xanadu..." SAWYER: (grimacing) Turn that thing down, dammit! HURLEY: (turns the volume down) Sorry. [There's a knock on the door, and Sawyer answers it - it's Kate.] SAWYER: Hey. KATE: Can I come in? [Kate walks in without waiting for a reply, as Sawyer seems surprised but pleased.] SAWYER: Sure. I believe you know my roommate. KATE: Hey Hurley. HURLEY: Hey Kate. [Hurley winks at Sawyer (Kate can see this).] SAWYER: Got something in your eye, Hugo? [Hugo glances from Sawyer to Kate] SAWYER: (leading Kate away from Hurley) Why don't we talk in the kitchen? [Kate sits on the kitchen counter, while Sawyer reaches into a kitchen cupboard retrieving a white Dharma box labelled “Red Wine”] SAWYER: I know it's in a box, but, uh, it's pretty damn good wine. I tested it. So, how's life in Casa de Claire? Baby Aaron keeping you up all night? KATE: No, no, he's a good sleeper. SAWYER: (pouring Kate a glass) Good for you. SAWYER: (handing Kate the glass) You are terrible at this, Freckles. KATE: (rolling her eyes) Terrible at what? SAWYER: You already said you didn't stay behind for me. [pause] So at least be woman enough to tell me you want to use me for something. KATE: (pauses, then replies seriously) I want to use you for something. SAWYER: (smiling in a self-assured manner) See? It wasn't that hard. [takes a drink of his wine] For what? KATE: For Ben. [Sawyer looks very puzzled] KATE: I want you to help me bust him out. [Cut to John opening the door of his house, with Sawyer standing there holding up a backgammon board.] SAWYER: Wanna play some backgammon? LOCKE: You're on. [Sawyer enters and they sit down and begin to play.] LOCKE: Do you think I know what I'm doing? SAWYER: Huh? LOCKE: Do you regret following me out here? Are you worried about what we should do next? SAWYER: All I know is that I'd be a lot more worried if I was sitting on that beach. LOCKE: And the rest of the group, what are they saying? SAWYER: I think they're saying (makes sheep noise) "Baa-aah." [They both chuckle.] SAWYER: That's the nice thing about sheep. They're predictable. But I ain't so sure about Kate. LOCKE: What do you mean? SAWYER: (sighing) I need your word you ain't going to do nothing to her. LOCKE: Why would I do anything to her? SAWYER: (interrupts) Just give me your word, John. [John looks puzzled and says nothing] SAWYER: You know what? Forget it. (rises to leave) LOCKE: (motions for Sawyer to sit down again) No, no, no, alright. You have my word. SAWYER: She came to me about an hour ago. Said she wanted my help busting Ben out of your basement. LOCKE: Why? SAWYER: She talked to that guy...Bruce Lee from the freighter, the guy you've got locked up. He told her to bring Ben down to him for a chat. LOCKE: No, that's impossible. She doesn't even know where Miles is. SAWYER: What, the boathouse down by the dock? (John looks shocked that Sawyer knows this) If Hugo knows, everybody knows. LOCKE: (standing up quite alarmed) Are you sure about this? SAWYER: Yeah, I'm sure. [John pulls out a gn.] SAWYER: Whoa, whoa, whoa (standing up) where are you going with that? LOCKE: (tossing Sawyer a flashlight) Whatever Miles has to say to Ben, he can say to me. [John and Sawyer leave the house. As Sawyer leaves he glances off to the side of the house. They run to the boathouse, but find the chair that Miles had been tied to is empty. John looks very concerned.] SAWYER: (faking surprise) Son of a bitch. [Cut to Kate breaking into the back of John's house, leading Miles whose hands are tied. She takes him downstairs to the basement.] KATE: Come on. [Down in the basement Kate sht the lock off of the door to Ben’s cell, and shoves Miles forward.] KATE: (to Miles) You got one minute. Go. MILES: (to Kate) How about some privacy? KATE: (refusing to leave) Fifty-five seconds! MILES: (to Ben) Do you know who I am? BEN: Yes. MILES: Do you know who I work for? BEN: Yes. MILES: Then you know he's put a lot of time and energy into finding you. [Miles and Ben stare at each other] So now I've found you. And I can tell him exactly where you are. Or I can lie, and tell him you were already dad. I'd be willing to do that, for 3.2 million dollars. BEN: [shocked] You've arranged this meeting so you could blackmail me? MILES: (his lips move silently for a moment) It's extortion if you want to get technical. BEN: 3.2? But why not 3.3 or 3.4? [Miles stares at Ben meaningfully, and Ben realizes something.] BEN: What makes you think I have access to that kind of money? MILES: Do not treat me like I'm one of them! (motioning towards Kate) Like I don't know who you are, and what you can do! BEN: Your friend Charlotte has seen me, she knows I'm alive. MILES: I'll take care of Charlotte. You just worry about getting me the money. You have two days. BEN: My present situation is a little bit restricted. Can that be amended? MILES: OK. One week, in cash. KATE: (grabbing Miles and shoving him out of the room) Time's up. MILES: (yelling into the cell) Don't even think about --- KATE: (Cutting Miles off and slamming the prison door closed) I said time's up! [Kate shoves Miles up against the wall] MILES: (sarcastically) Ooh, this is hot. KATE: (holding Miles loosely by the throat) You got your meeting, now I want my answer. MILES: (closing his eyes to concentrate) We got your name when you called the freighter. Of course we know about you and everybody else on the 815 manifest. KATE: Then prove it. MILES: (reciting quite calmly) Your name is Katherine Anne Austen, and you're wanted for mrder, fraud, arson, and a bunch of other stuff I can't remember. You're a fugitive. You got caught in Australia and the feds were bringing you back. So yeah, we know. If I were you, I'd stay right here, on the island. Who knows, maybe you didn't survive the crash. KATE: (dragging Miles up the stairs) Come on. [Kate and Miles are met at the top by Sawyer and John.] LOCKE: (pointing a gn at Kate and Miles) Go back to your house, Kate. KATE: John, this has nothing to do with you-- LOCKE: (shouting furiously) Go back to your house, Kate! [Sawyer surreptitiously nods “no” to Kate, and she leaves. John keeps the gn pointed at Miles] [Cut to Kate in Claire’s house, relaxing on a couch listening to music (“She’s got you” by Patsy Cline). Claire walks in.] CLAIRE: Hey. You OK? [Kate smiles and nods “yes”.] KATE: I couldn't sleep. CLAIRE: Yeah. The beds take a little getting used to. KATE: (concerned) I didn't wake Aaron up, did I? CLAIRE: No. Aaron was born on this island, he can sleep through anything… [The front door opens suddenly, and John walks in without knocking.] CLAIRE: John, what are you doing? LOCKE: (out of breath) I'd like a… a moment alone with Kate. Would you excuse us please, Claire? [Claire looks with concern at Kate, who smiles back.] KATE: It's OK. [Claire nervously walks out.] KATE: John, I-- LOCKE: (interrupting) I don't need to know why you did what you did, Kate. I just need to know what they said to each other. KATE: Miles told Ben that he would lie to the people he works for on the boat, tell them that Ben was dad for 3.2 million dollars. LOCKE: (thinking) Hmm. KATE: (standing) Listen, John. I'm sorry. I asked you where he was -- LOCKE: (motioning “stop” to Kate) You're not welcome here anymore. I want you gone by morning. [John walks out of Claire’s house] [Cut to a flash-forward where Kate (wearing a suit) is let into a small conference room by a guard. Her lawyer then pushes her mother (Diane) into the room in a wheelchair.] KATE’S LAWYER: I worked it out so you two could have a few minutes of privacy. KATE: I don't need any privacy. KATE’S LAWYER: You need to talk to her, Kate. I'll be outside. [The lawyer leaves, and Kate and her mother stare at each other] DIANE: Hello, Katherine. Was it true, what he said? (Kate looks away and covers her face) Dr. Shephard. That you're a hero? [Kate says nothing.] DIANE: (wheeling herself closer to Kate) Why won't you talk to me? KATE: (angry) Because, mom, the last time I tried to talk to you, when you got sick? When I risked my life to see you? You screamed for help and called the police! DIANE: (unable to deal with Kate’s intensity) Please. I don't want to fight with you, Katherine. KATE: (resigned) Why are you here? DIANE: (trying not to cry) Because I...It all changed, when I thought you were dad. [tears start running down her face] My doctors have given me six months to live for the last four years. I don't know how long I'm going to last. So I came here to tell you that I don't want to testify against you. KATE: (coldly) Then don't. DIANE: I want to see my grandson. KATE: (shocked) You came here to make a deal? DIANE: (desperate) I just want to meet him. KATE: I don't want you anywhere near him. [Kate walks away from her mother, and bangs on the locked conference room door] KATE: (to whoever’s on the other side of the door) We're finished! We're finished! [Cut to real-time at the barracks where Kate enters Sawyer's bedroom, where he’s lounging in bed shirtless.] SAWYER: (kindly and concerned) Oh hey, Freckles. You OK? [Kate sits on the edge of the bed] Listen, look, I'm sorry I couldn't do nothin’. I wanted him to think that you'd fooled me too. No sense in him not trustin’ both of us. KATE: He wants me gone by tomorrow. SAWYER: (Shocked) What, he… banished you? (smiles) Well, I un-banish you. You can stay right here. (takes Kate’s shoes off) This is my house. [A toilet can be heard flushing.] SAWYER: (sighing) OK, me and Montezuma's house. (caressing Kate’s neck) You're gonna be alright. I'll keep you safe. [They kiss, and lie down together.] [Cut to Daniel and Charlotte on the beach, sitting next to a campfire. There is a table with cards on it between them, holding 3 cards face-down.] CHARLOTTE: (looking at her watch) Time. OK, tell me. What do you remember? DANIEL: (looking at the back of the cards) Uh...queen of diamonds? Then we...six! Of clubs. Sorry. And then we have the red ten of...hearts, maybe? [Charlotte flips the cards over. He got the first two correct, but the third was the three of spades.] CHARLOTTE: It's two out of three. (Daniel squirms with frustration) It's not bad. It's progress. DANIEL: (frustrated) Three cards, Charlotte. Is that progress? [Jack and Juliet approach and interrupt. Jack is holding the satellite phone.] JACK: Hey. I've been calling your boat all day. Why isn't anyone answering? CHARLOTTE: We're here, how should we know? If they're not answering, they're probably-- JACK: (cutting her off) Are you telling me there is only one line on that boat? [Charlotte and Daniel glance at each other] CHARLOTTE: There is another number that we're only supposed to use in emergencies. JULIET: (handing Charlotte the phone) It's an emergency. [Charlotte hesitates, but finally takes the phone] JACK: Put it on speaker. [Charlotte again shares a concerned look with Daniel, but dials.] [A woman (Regina) answers.] REGINA: Yeah? CHARLOTTE: Regina, it's Charlotte. REGINA: Why are you calling me on this number? CHARLOTTE: Minkowski wasn't answering. The people on the island want to talk to their friends, make sure they're alright. REGINA: What… friends? [Jack looks at Juliet, concerned] CHARLOTTE: They left last night! Frank took them up in the helicopter. REGINA: (surprised) What do you mean they took off? I thought the helicopter was with you. [Jack looks furiously at Daniel & Charlotte] [Cut to morning at the boathouse. Miles has his arms tied over his head to the rafters. John enters.] LOCKE: Morning. MILES: Listen. I don't know what you think you're doing, but you're wasting your time. [John pulls a grenade out of his backpack.] LOCKE: Open your mouth. Open your mouth. [John forces Miles’s mouth open, and shoves the grenade in.] LOCKE: Wide. Don't talk, bite down, bite down. (John pulls the pin on the grenade, arming it) [Miles makes muffled but desperate sounds] LOCKE: (calmly) I realize that when I tied you up in here the other day, I made the mistake of failing to introduce myself. My name is John Locke, and I'm responsible for the well-being of this island. Eventually, Miles, you're going to tell me who you are, and you're going to tell me about the people on the boat, and your going to tell me why you're so interested in Ben. (twirling the grenade’s fring pin around on his finger) In the meantime, however, you're going to keep your mouth shut. (heading to the door of the boathouse) I learned something yesterday. No use in having rules if there's no punishment for breaking them. You'll be fine if you bite down on the trigger. Enjoy your breakfast. [John walks out the door, leaves Miles alone with the grenade in his mouth.] [Cut to Kate and Sawyer asleep on the bed. She wakes him with kisses, climbing on top of him. He wakes up, and flips her underneath him.] KATE: (groaning) Wait a minute, wait a minute. Just slow down. SAWYER: (continuing to kiss her) Oh, come on! It's not like we ain't never done it before. Now, I'm cool we didn't go all the way last night. I get it. You were sad. But I mean, how can you resist after that whole "I'll keep you safe" thing? KATE: (laughing, but serious) No, Sawyer. [Kate pushes him off.] SAWYER: What? What, what'd I say? KATE: Forget it. SAWYER: Oh, right. You still think you might be pregnant. KATE: I'm not worried… And I'm not pregnant. SAWYER: Are you sure? KATE: Yeah, I'm sure. SAWYER: (laughing with relief) I mean, whoo! KATE: (frowning and sitting up in bed) Would it have been the worst thing in the world? SAWYER: Yes, yes it would have been the worst thing in the world. What would we have done with a baby? KATE: (getting dressed) I'm going back to the beach. SAWYER (incredulous) Beach? What, you're leaving? Because of this? That's that? You crawl up in my bed one second, and the next you just-- KATE: Goodbye, James. SAWYER: Don't make this about me, Kate. You didn't want a baby any more than I did. (Kate looks away and purses her lips) You're just looking for some excuse to split, and now you got one. But it's alright, Freckles, I ain't gonna hold it against you. I'm just gonna sit right here in my comfy bed. Because in about a week, you'll find some reason to get pissed at Jack and bounce right back to me. [Kate slaps him, and walks to the bedroom door. They stare at each other, then Kate leaves.] [Cut to flash-forward where Kate is back in court.] [The prosecutor is discussing something with an assistant. The whispered discussion drags on and on.] JUDGE GALZETHRON: (impatiently) Ms. Dunbrook? Are the people ready to proceed? PROSECUTOR: May we approach the bench, your honor? JUDGE GALZETHRON: (sarcastically) Oh, please. [The prosecutor and Kate’s lawyer approach the bench] PROSECUTOR: Unfortunately, your honor, our chief witness, Diane Janssen, the mother of the defendant, is unable to testify because of medical reasons. JUDGE GALZETHRON: How long will you need? PROSECUTOR: (grimacing) I can't say right now. JUDGE GALZETHRON: What I'm going to do is grant a recess for lunch, but be ready to proceed with the case after we return. (to all) This court is now in recess. BAILIFF: All rise. PROSECUTOR: (to Kate’s lawyer) We have to talk. [Cut to a conference room where Kate’s lawyer, Kate, and the prosecutor are talking.] PROSECUTOR: My key witness spoke to her daughter yesterday, and now she's got cold feet. KATE’S LAWYER: Quit posturing, and let's get to it. What are you offering? PROSECUTOR: Four years in. [Kate shakes her head “no” at her lawyer.] KATE’S LAWYER: No jail time. Kate Austen is a worldwide hero who saved five other people's lives after a plane crash, and nearly starved to death on a deserted island. And after all that, you put this woman on trial for rescuing her mother from an abusive husband. If you think that jury is going to give her actual time, then… you must have a hell of a closing, Melissa. PROSECUTOR: Alright. Time served plus ten year's probation in agreement that she does not leave the state. KATE’S LAWYER: (puzzled) What does that matter? She can go anywhere she- KATE: (cutting him off) No, I'll take it. KATE’S LAWYER: No, wait, Kate-- KATE: [to the prosecutor] Give me something to sign and I'll sign it. And then I walk out the back door. I just...I just want this to be over. PROSECUTOR: I can do that. Ten years probation, and you stay put. KATE: I have a child. I'm not going anywhere. [Cut to Kate leaving the courthouse by the back door – she’s in an underground parking garage. Jack approaches Kate as she heads for a waiting taxi.] JACK: Hey. KATE: (smiling) How did you know I'd be here? JACK: Uh… your lawyer gave me the heads up. [Kate looks nervously over her shoulder at the taxi] He owed me one. KATE: Thank you for saying what you did. JACK: (laughs) You're welcome. KATE: You know, Jack, I've heard you say that story so many times, I'm starting to think you believe it. [Jack glances away, avoiding the issue] JACK: I just...I just wanted to tell you that what I said in there...I didn't mean it. [They stare lovingly into each others eyes] KATE: Do you want to follow me? Come by for a visit? JACK: (frowning, and making an excuse) Uh…I actually have to get over to the hospital. But um...maybe you and I could grab some coffee together or something. KATE: (disappointed) I know why you don't want to see the baby, Jack. But until you do...until you want to, there's no “you and me going for coffee”. But um... (hopeful) If at anytime you change your mind, come and see us. JACK: (insincerely) Yeah. OK. KATE: (getting into the taxi) Bye. JACK: Bye. [The taxi drives away. Jack stares at the departing taxi until it’s out of sight] [Cut to the taxing arriving outside a suburban home. Kate goes into the house.] KATE: Hello? [A nanny comes into the room.] NANNY: (hugging Kate) Kate! I'm so glad you're back. He missed you so much. KATE: Did you keep him away from the TV? NANNY: Absolutely. I just put him down for a nap. [Kate climbs the stairs and enters a young boy's room. She sits on the edge of the bed, next to a sleeping blonde boy who seems to be two or three years old.] KATE: (whispering) Hey buddy. Hey. [The boy begins to wake up, yawning and stretching.] KATE: Hey. BOY: (sitting up) Hi, mommy. KATE: (hugging the boy) Hi, Aaron. [END]	{"type": "series", "show": "Lost", "episode": "4x04 - Eggtown"}	foreverdreaming
[The episode opens with Frank flying the chopper. On board are Desmond, seated next to Frank and Sayid who is seated in the back looking down on the blue ocean. Desmond is looking and smiling at a photograph of him with Penny. It is a nice sunny day with blue sky and ocean all around. Frank looks at a yellow piece of paper taped to the controls. On the paper are the words "40 MILES N @ 305 7 K EAST", and a drawing showing the location of the boat. Sayid is putting on a headset and points to the paper.] SAYID: What's that? FRANK: Cheat sheet Faraday drew for me. SAYID: You don't know where your boat is? FRANK: I know where it is. SAYID: What's that? [The chopper is on bearing 305 and headed toward dark clouds. The chopper flies into a little turbulence.] SAYID: Why are you flying directly into the thunderhead? FRANK: Why don't you just sit back and let me do my job, huh? [There is a flash of lightning accompanied by thunder. The turbulence intensifies. Sayid looks over at Desmond who is fixated on the photo.] SAYID: Is that Penelope? DESMOND: Aye. SAYID: What do you expect to find when you get there? DESMOND: Answers. [The turbulence increases and the passengers are being bounced about. The chopper tilts about in the storm and Frank has difficulty maintaining a bearing of 305.] FRANK: Damn it! (pauses) Hold on! [Desmond is scared and tightly grips the edge of his seat. There is beeping and buzzing then he suddenly finds himself in a different time and place. He is lying on a military cot and gripping the edge, as he was his seat on the chopper. He is in a military barracks with many other soldiers. He notices his hair is cut quite short. A sergeant enters barking orders.] SERGEANT: On your sodding feet! Move, move, move! [ Desmond looks around, addled and stays lying on the cot.] SERGEANT: What's the matter, Hume? Did you not hear me? DESMOND: I'm sorry, sir. I was, I was having a dream, sir. SERGEANT: You were having a dream, were you? And what were you dreaming about, that it took you so sodding long to get to your mark? DESMOND: (pauses) I was in a helicopter, sir. And there was a storm, sir. And I don't remember the rest, sir. SERGEANT: Well, at least it was a bloody military dream. Right! All of ya! In the yard, 4 minutes! And you can thank Private Hume for having to do it in double time. Move! [Switch to outside the barracks and it is raining heavily.. The squadron is doing push-ups in the mud.[] SOLDIER 1: 1! 2! 3! ENTIRE TROOP: 3! SOLDIER 1: 1! 2! 3! ENTIRE TROOP: 4! SOLDIER 1: 1! 2! 3! ENTIRE TROOP: 5! SERGEANT: 100 crunches! Go, go, go, go, go! SOLDIER 1: 1, 2, 3, 4... SOLDIER 2: (to Desmond) I hope your dream was worth this, mate. DESMOND: Sorry brother. It's just that, I've never had a dream so vivid. It was, it was like I was actually there. [The Sergeant walks to where Desmond is doing crunches.] SERGEANT: Have you got something to say, Hume? [Desmond stays quiet.] SERGEANT: I asked you a question! [Desmond is suddenly back on chopper. He is totally disoriented.] FRANK: We're almost through it. I see daylight! [Desmond becomes panicked and fumbles to unbuckle his seat belt.] SAYID: What are you doing? Desmond! Are you alright? DESMOND: (yelling) Who are you? How do you know my name? [Switch to the island beach. Daniel gets Charlotte a drink of water. Jack holds the satellite phone and looks concerned. He is sitting with his hands to the sides of his forehead. Juliet is leaning against a pole pulling her hair back off her face and neck.] JACK: Alright. They took off a day ago. Why haven't we heard from them? CHARLOTTE: I'm going to tell you again, as I've been telling you all night, doctor. I don't know! You heard the same thing as I did when we called the boat. What makes you think I know anything? JULIET: Because you're not worried. CHARLOTTE: Excuse me? JULIET: Your boat's 40 miles off the coast, it should have taken them what, 20 minutes to get there? So why aren't you worried? CHARLOTTE: (sarcastically) Should I wring me hands together and whisper a prayer on their behalf? DANIEL: (to Charlotte) Hey, hey, hey, c'mon. Maybe we should just, just tell them. JACK: Tell us what? CHARLOTTE: Dan, let's not confuse anyone. JULIET: (sarcastically) Well, Daniel, maybe if you talk real slow, we'll be able to follow. DANIEL: Your perception of how long your friends have been gone? It's not necessarily how long they've actually been gone. JACK: (concerned) What does that mean? CHARLOTTE: This is a mistake. DANIEL: It'll be fine. It'll be fine. As long as Frank flew on the bearings I gave him. If he stayed on it, it, it'll be fine. JACK: And what if he didn’t? DANIEL: Then there might be side effects. [Switch to the chopper flying. The ocean is blue and so is the sky. It is daylight. They have flown out of the turbulence/storm.] SAYID: (to Desmond) We're at 2000 feet! Sit down! DESMOND: What am I doing here? FRANK: What the hell's going on? SAYID: Something's wrong with Desmond! DESMOND: How do you know my name? FRANK: Hold him there, Sayid! SAYID: I'm trying! DESMOND: Let go of me! FRANK: Keep him away from the stick! We'll be there in 2 minutes. [The freighter comes into view. Frank pilots the chopper over it and lands. Desmond is in a state of panic. He is still clutching the photo of him and Penny. Sayid tries to restrain Desmond then sits back down. As Keamy and Omar run over to where the chopper is, Sayid gets a gn and tucks it in his rear waistband. Keamy and Omar (part of Keamy’s team) are running toward the chopper.] KEAMY: (to Frank) What are you doing back? OMAR: Who are they? FRANK: Survivors of 815. KEAMY: You shouldn't have brought them here! What the hell were you thinking? [Desmond climbs out of the chopper with absolutely no idea where he is. Other crew members are scurrying about the deck.] DESMOND: Alright, where am I? KEAMY: Alright, just take it easy. OMAR: Whoa. DESMOND: Alright, who are you people? OMAR: Whoa, buddy. Calm down. DESMOND: What am I doing here? Who are you people? SAYID: My friend is disoriented! DESMOND: (out of control) I’m not your friend! I don't know you! I don't know you! KEAMY: When did he start doing this? FRANK: He was fine when we took off. When we ht some weather... [Keamy and Omar look at each other as if reading each other’s mind.] FRANK: Hey, Faraday told me as long as I stayed on the vector... [Keamy motions for Frank to shut up. Keamy and Omar go towards Desmond but Sayid steps between them and Desmond.] KEAMY: Way, way, wait. What's your name, my friend? SAYID: Sayid. KEAMY: Okay, Sayid. Look, we're going to take your buddy down to the sick bay, okay. SAYID: I’m going with you. KEAMY: Let our doctor look at him first, then you can come down. You got my word on that, okay? [ Sayid thinks for a moment, nods yes then lets Keamy and Omar go over to Desmond.] OMAR: Alright! DESMOND: Hey, listen to me! Thi thi this is a mistake, alright? OMAR: Settle down. DESMOND: I don't know these people. OMAR: I understand. DESMOND: No, this is wrong! I'm not supposed to be... [Suddenly Desmond is back standing in the rain. The rest of the squadron is still doing crunches.] DESMOND: …here! SOLDIER 1: 20! 21! 22! 23! 24! SERGEANT: Here? Here what? (as he walks to Desmond) What the hell are you doing on your feet? Are you finished with your crunches, because you want to run? (yells at the entire squadron) Right! Squad! On your feet! Right face! 10 kilometers! Go, go, go, go, go, go! BILLY: Get moving! Or so help me, I'll kll you myself! [Switch to a truck that is being loaded with ammniton by the soldiers.] BILLY: What the hell's the matter with you, Des? DESMOND: If I told you, you'd think I was crazy. BILLY: I already know you're crazy. DESMOND: This morning, when I was in the yard doing crunches, I left. BILLY: What do you mean you left? DESMOND: I was on a boat. And then, then I was back here, right, right where I started. BILLY: Des, if you're trying to get tossed out of service... DESMOND: Billy, I'm telling you the truth, Man! BILLY: Who else was on this, boat? Anyone you recognized? DESMOND: Penny. There was a photo. Penny was in the photo. [Desmond suddenly stands up and walks away swiftly.] BILLY: What? Oy, Des. Where you going? [Desmond walks to a phone booth as he is pulling change from his pocket. Another soldier exits the booth and intentionally bumps Desmond, causing him to drop all the coins.] SOLDIER 2: Thanks for this morning, Hume. [As Desmond bends over to pick up the coins he suddenly finds himself back on the freighter, squatting and clawing at the deck as if he was still trying to pick up the coins.] KEAMY: Whoa, whoa, whoa. Watch your step. Watch it.. Watch your step. Take it easy. DESMOND: I'm not here. This, this, this isn't happening. KEAMY: You are here. And, this is happening. Look, we're going to take care of you. DESMOND: Wh-wh-what am I doing here? KEAMY: It's alright, you're gonna be okay. DESMOND: I'm not supposed to be here. [Keamy and Omar escort Desmond to a hatch door. Omar opens the door and Keamy assists Desmond through the door. The three men walk down a corridor, Omar leading, while Keamy tries to calm Desmond.] DESMOND: Who are you people? KEAMY: Well, my name is Keamy, and this is Omar. I'm from Vegas and he's from Florida, but as for where we are, I... OMAR: (interrupting) We last ported in Fiji. So at least we'll know we're still in the Pacific. [Omar opens the door to sick bay and Keamy escorts Desmond in with his right hand on Desmond’s right shoulder. Desmond looks around and we see that the furnishings are medical and very sparse. KEAMY: Alright, my friend. Now you just relax, okay? Now, we're gonna go get the doc, and he's gonna want to ask you some questions to help us sort all this out. DESMOND: What...what do you mean, sort out? Wait a minute! What do you mean? [Omar leaves with Keamy following. Keamy slams and locks the door. Desmond is banging on the door trying to get out.] DESMOND: I'm not supposed to be here! I'm not supposed to be here! Open this door. Open this door. [Desmond hears another voice in sickbay. He turns to see a man strapped down on a cot. He is bound by his wrists and ankles. There is a strap across his chest. He cannot move. It is George Minkowski. He is all sweaty with a crazed look on his face. Desmond backs up against a wall frightened by what he is seeing and hearing.] MINKOWSKI: Hey, hey, hey it's happening to you too? Isn't it? [Switch to Sayid. He is pacing and looking around at everyone and everything on the deck, with the chopper, of the freighter. He sees Keamy arguing with Frank on a middle level deck near 2 flights of stairs. Keamy goes up a flight to a 3rd deck while Franks goes down a flight to the main deck. Frank then walks to Sayid and begins to chat with him. They are walking toward the chopper.] SAYID: What's happening to Desmond? Your friends know what's wrong with him. FRANK: Well if they do, they're not sharing it with me. [They stop and face each other.] SAYID: Then perhaps you'll share how we took off at dusk and landed in the middle of the day. FRANK: Listen. I don't know what's happening to your buddy, alright? But you gotta trust me when I tell you this. I am trying to help you. SAYID: You want to help me? Give me your phone. Let me call my people. FRANK: You give me that wapon and I'll give you this phone. [Sayid hands the gn to Frank and Frank sets then hands the sat phone to Sayid. Sayid begins to walk to the back of the freighter.] FRANK: Be quick. And don't go trying to call Baghdad. Those phones can only call each other. [Switch to the beach. Jack is pacing at the beach camp. He is holding a sat phone as it rings. He answers the phone.] JACK: Hello? SAYID: Jack, it's Sayid. I'm on the freighter. JACK: (with a sigh of relief) Are you okay? Where the hell have you been? SAYID: Something happened during the flight, and now Desmond's in their sick bay. JACK: Hold on, hold on, hold on, hold on. [Jack is now looking toward Juliet. He switches to speakerphone. Juliet, Dan and Charlotte walk closer to Jack.] JACK: Alright, you're on speaker. SAYID: On the helicopter, something happened to Desmond. He doesn't appear to recognize me or know where he is. JACK: (to Daniel) Side effects? DANIEL: Well, your friend...uh, Desmond. Has he...has he recently been exposed to high levels of radiation or electromagnetism? Okay, look. Uh, we don't know why, but going to and coming from the island, some people can get a little...confused. [Juliet, Charlotte and Jack all look at Dan baffled by what he is saying.] JULIET: So, what? Is this amnesia? DANIEL: No, this is not amnesia. [Switch back to Desmond in the freighter sickbay now leaning over the man in the bed. Minkowski seems to be in a rigid stupor. Desmond begins waving his hand in front of Minkowski’s face trying to get his attention.] DESMOND: Hey. Hey. Hey! Can you hear me? Are you alright? Hello? [Minkowski suddenly awakens with a childish grin.] MINKOWSKI: I was just on a Ferris wheel. [The freighter's doctor enters sickbay and turns on the light.] MINKOWSKI: See, Ray? I'm not crazy. It's happening to him too, Ray. And it's going to happen to you. It's going to happen to all of us. Everyone! Once we start heading to that island again. [Doc Ray picks up a syringe and fills it with some sort of medication. He walks to Minkowski.] DOC RAY: (to Desmond) Would you please step aside? MINKOWSKI: No, no, Ray? No. DOC RAY: I need you to relax for a minute. MINKOWSKI: No, no, it's not going to stop it, Ray. Nothing can stop it, Ray. Nothing can stop it! [Doc Ray injects Minkowski in his left upper arm. He appears to relax then falls asleep. Doc Ray turns to Desmond.] DOC RAY: And how are you feeling? DESMOND: (yelling) What the bloody hell is going on? DOC RAY: I understand you're disoriented. DESMOND: You're not going to stick me with that, brother! DOC RAY: I (pauses) don't want to stick you with anything. It's okay. I just want to check your eyes. DESMOND: Why? DOC RAY: So I can help you. [Desmond relaxes then allows the doctor look in his eyes with a small flashlight which looks like a white pen.] DOC RAY: What’s your name? DESMOND: Desmond. DOC RAY: Desmond. Desmond, why don't you tell me about the last thing you remem... [Switch back to the military base exactly where Desmond last was - bent over just about to pick up the coins he dropped. Addled he watches as the soldier who bumped into him walks away. It is still raining heavily and the ground is very muddy. He picks up the coins, enters the phone booth, inserts the coins then dials a number. Penelope Widmore answers the phone at the other end.] PENNY: Hello? DESMOND: Penny? PENNY: What do you want, Desmond? DESMOND: Uh, Penny, listen. I'm uh, I'm in trouble, and uh, I think, I think something's happening to me. I'm confused, and I, I need to see ya. PENNY: You broke up with me and then you joined the army. And now you call with some expectation that I still care about you? Yeah, I'd say you are confused, Desmond. DESMOND: No, no, I'm not. It's, it's, look, I've got 2 days leave starting tonight. Can I, can I, can I come and see ya? PENNY: No! No, and don't bother showing up at the flat either cause I've moved. DESMOND: Moved? Where? PENNY: It doesn't matter. Look, Desmond, I'm going to go. Please, just don't call me again. DESMOND: No! No! No, listen! Penny! Penny, I, Penny I need… [Switch to Desmond back in sickbay with Doc Ray still holding the flashlight to his eyes.] DESMOND: …ya? DOC RAY: Did you just...experience something, Desmond? [The door to sickbay opens and in walks Frank, holding the sat phone, then Sayid.] DOC RAY: What the hell, Frank? You're not supposed to be down here, and definitely not with him! FRANK: Sorry, doc, but I've got Faraday calling from the island, and he needs to talk to this guy. DOC RAY: No, Faraday's not talking to my patient! Now get out of here! SAYID: He's not your patient! [Sayid grabs Doc Ray by the lapels of his lab coat and shoves him up against a wall.] DOC RAY: Hey! SAYID: (to Frank) Give Desmond the phone. [Doc Ray reaches to his right and smacks a red button. An alarm sounds throughout the freighter. Desmond covers his ears to block out the alarm.] SAYID: (to Frank) Give him the phone now! [Frank hands Desmond the sat phone and Sayid closes the door. The alarm is making it difficult for Desmond to hear Dan who is on the beach.] DESMOND: Hello? DANIEL: (on speaker) Desmond! Desmond, my name is Daniel Faraday. We met yesterday before you took off? But I'm guessing you don't remember that. Am I right? DESMOND: Took off? What? DANIEL: Desmond, we don't have long to talk so I need you to tell me what year you think it is. DESMOND: What do you mean, what year do I think it, it's 1996! [Daniel drops his head down and sighs. Jack, Juliet and Charlotte look at each other then at Dan. They are very confused.] DANIEL: Alright, Desmond. Desmond look, you, you gotta tell me.Where are you? DESMOND: Um, I’m, I'm in some kind of sickbay. DANIEL: No, no, no. Not right now, Desmond. Where are you supposed to be? Where are you in 1996? DESMOND: Uh, eh, uh, Camp Miller. It's a, Royal Scots Regiment. It's, uh, just north of Glasgow. [Jack goes to Dan trying to offer advice which Dan tries to ignore.] JACK: Dan. You might wanna... DANIEL: (continues talking to Desmond) No, no, no. I'm thinking, I'm thinking. Desmond, listen. When it happens again, Desmond, I need you to get on a train. Get on a train and go to Oxford. Oxford University. Queens College Physics Department. Alright? DESMOND: What, why? DANIEL: Because I need you to find me! [ Desmond is now beyond confused. Switch to Dan kneeling on the ground looking through his backpack. He is trying to locate his journal. He is talking to himself.] DANIEL: Where is it? Where is it? CHARLOTTE: What? DANIEL: My journal. My journal. I need my journal or I won't believe him. JACK: Why does he think he's in 1996? DANIEL: I don't know, I don't know. It's unpredictable. It's a random effect. Sometimes the split takes only a couple of hours, sometimes it's years. JACK: Wa, wait. This has happened before? [Dan locates his journal, gets up and reaches for the phone that Jack is now holding. He addresses Jack.] DANIEL: The phone now, please. Thank you. (to Desmond) Desmond, are you still there? [Sayid is still trying to hold the sickbay door shut. He is having some difficulty, On the other side of the door is Keamy who is yelling to Doc Ray.] KEAMY: Doc? Hey Doc! Are you okay in there? SAYID: (to Desmond) Talk to him! I can't hold them for long! (tries barricading door) DESMOND: (to Daniel) Yes! Yes, I'm here! DANIEL: Okay, Desmond, listen. When you find me at Queens College, I need you to tell me to set the device to 2.342. DESMOND: What? DANIEL: Alright, you got it? 2.342! And it must be oscillating at 11 hertz. You got it Desmond? [Desmond opens a desk drawer and takes out a pen. Writes the numbers on the palm of his left hand.] DESMOND: 2.342 and oscillating at 11... DANIEL: Just remember that. 2.342 and 11 hertz, alright? And one more thing, Desmond. If the numbers don't convince me, I need you to tell me that you know about Eloise. [Keamy and Omar push the sickbay door open and rush in.] OMAR: (to Sayid) Hey, hey, hey! Easy, now. Easy. [ Keamy grabs the sat phone that Desmond has to his ear. Desmond tries to hang on to the phone. Dan is still talking and Keamy is angry.] DANIEL: Desmond! Tell me that you know about El-o.. [Switch to Desmond who is suddenly back in the phone booth at the military base. He is sitting on the floor, wedged in a corner of the booth holding the receiver to his left ear. The scene quickly changes to Desmond walking up a path on a college campus. He is in civilian clothes and wearing a leather jacket. It is the campus of Queens College. At the end of a walkway near a door, Dan is talking to a student. His hair is below his shoulders with the sides pulled back in a ponytail. As Desmond approaches him, Dan’s voice becomes clearer.] DANIEL: …of original thinking...the opposite of, I am the one that you need to impress. I'm not impressed. So go, go try again. [Dan hands the student a paper. The student and Dan walk in different directions. Desmond speaks to Dan.] DESMOND: Um, sorry. Are, are you Daniel Faraday? DANIEL: You are? DESMOND: Uh, sorry, I'm, I'm, I'm Desmond Hume, and um, I was told I could find you here. I, I think I've...just been to the future. DANIEL: (doubtingly) The future? DESMOND: Yes. Uh, I ss, spoke to you there. You, uh, you told me to come here, t, t, to Oxford. To find you. You, you said you'd help me. DANIEL: Why didn't I just help you there, in the future? DESMOND: Sorry? DANIEL: Why would I put you through the headache of time travel, you know? You know what I mean? It just seems a little, unnecessary. And don't you think that my esteemed colleagues could have come up with something just a little more believable, huh? Wha, what kind of a prank is that? Huh, a paradox. So uninspired. [Dan begins to walk away from Desmond who turns around and yells to him.] DESMOND: Set your device to um, 2.342 and, and make sure it oscillates at 11. [Dan stops and turns to Desmond in disbelief.] DANIEL: Okay, now, now you, you're going to tell me who told you those numbers. DESMOND: You did. DANIEL: No, this, this is ridiculous. If you think you... DESMOND: (interrupting) I know about Eloise! [Dan becomes silent. Switch to Dan and Desmond entering Dan’s college office.] DESMOND: What, what is all this? DANIEL: This is where I do the things Oxford frowns upon. Alright, this, this future version of me? Uh, he referenced this meeting, right? Obviously so, so I would remember you coming to Oxford, right? I would remember this, here, right now. DESMOND: Actually, um, no. DANIEL: No? DESMOND: Maybe you just forgot. DANIEL: Yeah, right. How would that happen? DESMOND: So this, this is changing the future? DANIEL: You can't change the future. [Dan puts on what appears to be a lead, lined apron.] DESMOND: What's that for? DANIEL: Radiation. DESMOND: Do I get one? DANIEL: You don't need one. For prolonged exposure. I do this 20 times a day. DESMOND: So what do you put on your head? [Dan looks at Desmond playfully while deep in thought.] DANIEL: Huh. Yeah. [There are various pieces of equipment about the room. Daniel begins to turn dials and flip switches. Sounds of beeps and hums are now heard. Dan walks over to a cage and carefully takes out a white lab rat.] DANIEL: This, this is Eloise. [Dan places Eloise in a large, transparent bottomed, wooden maze sitting on a table. He adjusts a hair dryer shaped dome, with pale pink light in the top half, over the spot where Eloise is standing.] DESMOND: What does this do? DANIEL: This, if the numbers you gave me are correct, what this will do is unstick Eloise in time. Just like you. [Dan presses a button and a pinkish light shines on Eloise. Desmond watches. After the l light stops shining on Eloise, Dan quickly removes his apron and goes to check her.] DESMOND: What happened? [Eloise is motionless. She is in a cell at the beginning of the maze. A wooden divider keeps her from the rest of the maze.] DANIEL: Wait, sh shh! She's not back yet. [Eloise starts to fidget. She becomes aware again.] DANIEL: There she is. Okay, here goes everything. [Dan raises the wooden divider, which let Eloise have access to the entire maze. She slowly walks into the maze then speeds up. She runs through the entire maze flawlessly. It is obvious that she is not addled.] DANIEL: (excited) Come on. That's it, that's it, yes, yes, yes! Hah, hah, hah! Yes! Oh, it worked! This is incredible. DESMOND: (irked) I'm sorry, how is a rat running through a bloody maze so incredible? DANIEL: What is incredible is, I just finished the maze this morning. I'm not going to teach her to run it until an hour from now. DESMOND: Sss, so you, you sent her to the future?! DANIEL: No, no, no. Her consciousness. Her mind. [Dan quickly walks to a chalkboard and begins erasing, with both hands, existing formulae and writing new ones.] DESMOND: So, so how does that help me? DANIEL: You? Help you? I don't understand. Why am I supposed to help you? Didn't I send you back here to help me? DESMOND: I don't know why you sent me here! All I know about you is that you end up on some bloody island. DANIEL: An island. What island, where, why would I go to an island? [Suddenly Desmond is back in the sickbay of the freighter. He is trying to talk to Dan and at the same time prevent Keamy from taking the sat phone from him. The alarm is still sounding. Omar and Sayid begin to scuffle.] KEAMY: Desmond, give me the phone! [Keamy rips the phone away from Desmond. We can still hear Dan on the other end.] OMAR: Hey! FRANK: Hey, come on! Everybody relax, listen! Look! Daniel wanted to talk to the guy so we brought him the phone, that's all. [The alarm stops ringing everyone in sickbay relaxes a bit.] KEAMY: You let Faraday talk to him? FRANK: He said he could help! DOC RAY: Faraday can't even help himself. OMAR: (to Frank) Outside now. The captain wants to talk to you. SAYID: And I want to talk to your captain. KEAMY: I'll be sure to let him know. In the meantime, have a seat. [Desmond looks at his left palm where he wrote the numbers Dan gave to him. Keamy exits sickbay, slams the door behind him then bolts it from the outside. It is now Desmond, Sayid and Minkowski in sickbay. Desmond looks around for the flashlight. He picks it up off the floor and starts flashing it in front of his eyes as Doc Ray had done previously. He it trying to get back to Dan in 1996.] DESMOND: I need to get back. SAYID: Back where? The island? DESMOND: He said he could help me, said he could tell me what I needed to do. SAYID: Desmond, Desmond, can you please explain to me... MINKOWSKI: (interrupting) Desmond? You're Desmond? DESMOND: Do I know you? MINKOWSKI: (still strapped to the cot) I'm George Minkowski. I'm the Communications Officer. Before they strapped me down here, all the calls to and from this boat came through me, in the radio room. And every so often, I'd get this flashing light on my console. An incoming call. We were under strict orders never to answer it. DESMOND: So? What's that got to do with me? MINKOWSKI: Those calls came from your girlfriend. Penelope Widmore. [Suddenly Desmond is back in Dan’s office in 1996. He is now sitting in a wing back chair. Dan is feverishly writing on the chalkboard.] DESMOND: What happened? DANIEL: Whoa! Ah, you're back. And you were out almost 75 minutes. DESMOND: Out? DANIEL: Oh, yeah, yeah, yeah. You just woof, went catatonic right in the middle of a sentence. I had to carry you to the chair. So I take it you were, you were in the future again? DESMOND: Aye. [Desmond is still trying to clear his head. He rubs his eyes.] DANIEL: For how long? DESMOND: I don't know, 5 minutes? Why does this keep happening? DANIEL: Well, in your case, I'm guessing that progression is exponential. Each time your consciousness jumps, it gets harder and harder to jump back. I, would be careful crossing the street if I were you. [ Desmond now notices Eloise who is now dad in her cage.] DESMOND: What happened to her? DANIEL: She died. DESMOND: Yeah, I can see that. How? DANIEL: Brain aneurysm, probably. I dunno. I'll need to do an autopsy later. DESMOND: Is that going to happen to me? DANIEL: The effects seem to vary from case to case, but uh... [Desmond grabs and pushes Dan into the chalkboard which slides back to the wall.] DESMOND: If this keeps happening, am I going to die? DANIEL: I don’t know. [Desmond releases Dan.] DANIEL: I think Eloise's brain short-circuited. The jumps between the present and the future. She eventually, she couldn't tell which was which. She had no anchor. DESMOND: Wha, wha, wha, what do you mean, anchor? DANIEL: Something familiar in both times. All this, see this, is all variables. It's random. It's chaotic. Every equation needs sab, something known. It's called a constant. Desmond, you have no constant. When you go to the future, nothing there is familiar. If you want to stop this, th, then you need to find something there. Something that you really, really care about, that also exists back here, in 1996. [Desmond picks up Dan’s office phone and quickly begins dialing a phone number.] DANIEL: Uh, who are you calling? DESMOND: I'm calling my bloody constant. PHONE RECORDING: The number you have dialed has been disconnected. [Desmond slams the receiver on the phone base then storms out of Dan's office. As he is going down a back stairwell, he turns a corner and falls into a wall. He is back on the freighter. He immediately falls against a counter in sickbay,] SAYID: Hey, hey. You okay? [Desmond now sees himself in a mirror. He has a beard and is a bit disheveled. In 1996 he has short hair and is well groomed.] MINKOWSKI: You look a lot older now, huh? Welcome back, Desmond. DESMOND: I need to call Penny. SAYID: Calling your girlfriend is not our priority. DESMOND: Listen, brother. I don't know you. But you seem to know me, so, so if you and me are friends, then I need your help. I need to call Penny, now! MINKOWSKI: Whoa! You boys are getting way ahead of yourselves. 2 days ago, someone sabotaged all the equipment. We lost all communication with the mainland. I probably could have fixed it, but then I went nuts. SAYID: Where's the radio room? MINKOWSKI: It's 1 deck up. I'll take you there. Come on. [Desmond and Sayid begin to unbuckle the straps that are holding Minkowski in the cot.] SAYID: And how do we get out of here? MINKOWSKI: Through the door. [Desmond and Sayid turn quickly to look at the door and it is partially open.] MINKOWSKI: Looks like you guys have a...a friend on this boat. [Sayid goes to the door and looks outside. The corridor is empty. Desmond assists Minkowski out of the cot. Minkowski has a nosebleed. Desmond reaches for some tissues and hands them to Minkowski.] DESMOND: Hey, uh, your nose, brother. SAYID: It's clear. Let's go. [Again Desmond is back in the stairwell where he fell against the wall. He tries to get his bearings, then stands up and continues down the stairs. Switch to Smithfield’s auction house bidding room. An oil painting of an old sailing ship, with an ornate golden frame, is on an easel. An antique leather bound book is inside a glass case next to the easel. The room contains a small audience who are listening to the auctioneer.] AUCTIONEER: The Black Rock set sail from Portsmouth, England March 22, 1845 on a trading mission to the kingdom of Siam, when she was tragically lost at sea. The only known artifact of this journey is the journal of the ship's first mate, which was discovered among the artifacts of pirates on the Ile Sante-Marie, Madagascar 7 years later. The contents of this journal have never been made public nor are known to anyone outside the family of the seller, Tovard Hanso. We open the bidding on lot 2342 at 150,000 pounds. [Bidding on the journal begins. People begin upping the bid. One of the bidders is Charles Widmore.] AUCTIONEER: 150,000, sir. For 160? Do I hear 1 6, 160, sir. 170, sir. 180 on the phone. 200,000 pounds. 220,000 pounds, 240? 260,000 pounds, sir. 280? On the phone I have 300,000. 320. 340,000 pounds. 360? 380, 380,000 pounds. [Desmond comes into view and attempts to enter the bidding room. He is stopped by an usher at the entrance.] AUCTION USHER: This auction's by appointment only, sir. AUCTIONEER: Do I hear 400,000 pounds? DESMOND: Yeah, listen brother, I just need to speak to that gentleman, just for a moment, okay? AUCTION USHER: I'm sorry. AUCTIONEER: Sold, for 380,000 pounds to bidder 755. Thank you. [Charles Widmore is bidder 775. He gets up from his seat and walks to the doorway.] DESMOND: Just for a minute, alright? Mr. Widmore! CHARLES WIDMORE: Desmond? DESMOND: Can I have a word, sir? AUCTION USHER: I'm sorry, Mr. Widmore, he... CHARLES WIDMORE: (interrupting) No, no. It's fine. Walk with me. [Widmore enters the men’s lavatory and stands at a urinal relieving himself. He continues to talk to Desmond who has followed him into the lavatory.] CHARLES WIDMORE: Your word. Let's have it. DESMOND: I need to get in touch with Penny. I don't know how to reach her, and her number's been disconnected. CHARLES WIDMORE: There was a time when if you'd have asked her to marry you, I was certain she would've said yes. Fortunately, your cowardice won out instead. [Widmore has finished his business, flushes the urinal then walks to a row of sinks. He takes a hand towel, pumps some soap into his hand and turns on the faucet. The hand towel is between his hand and the soap pump and the faucet handle. He avoids hand contact. He begins washing his hands while still talking to Desmond.] CHARLES WIDMORE: I take it you've had second thoughts. And you'd like her to give you another chance. DESMOND: Why do you hate me so much? [Widmore dries his hands and leaves the water running from the faucet. He faces Desmond and while talking, takes a business card from his jacket pocket. He begins to write.] CHARLES WIDMORE: It's not me who hates you. Here's her address. I'll let her tell you herself. [As Widmore exits the restroom, he hands Desmond the card. Desmond walks over to turn off the faucet. As soon as he makes contact he is back on the freighter where is he still bent over Minkowski’s cot. Minkowski is now out of the bed and near the door.] MINKOWSKI: Desmond? I know...it's getting harder. It starts happening faster, too. SAYID: Come on. Let’s move. [They all walk along the corridor.] DESMOND: Hey, how did this happen to you? MINKOWSKI: We were anchored here. Waiting for our orders. Bored out of our minds. Me and Brandon, one of the crewmembers, we took out the ship's tender. We just wanted to see the island. But Brandon started acting crazy. So we had to turn around. DESMOND: Where is he? MINKOWSKI: In a body bag. [They all enter the communications room. Minkowski turns on the light. Sayid starts to exam all the pulled out wires and takes a piece of equipment from its holder. The equipment has been vandalized.] MINKOWSKI: There. SAYID: Who did this? MINKOWSKI: You got me. But when the captain finds out, I feel sor… [Minkowski passes out onto a table. Desmond assists him.] SAYID: After your call, someone has to tell me precisely what is going on. DESMOND: Can you fix it, brother? SAYID: I need a minute. Do you have the number to make the call? [Minkowski falls into a grand mal seizure. Desmond lies him down on the floor and tries to hold him down so he doesn’t further hurt himself. Meanwhile Sayid picks up a red receiver with a cord/wire dangling from it. He clips the end of the wire to a battery terminal.] DESMOND: Wake up! You've got to come back! You've got to come back. SAYID: Desmond! Do you know the number? DESMOND: No. SAYID: Well, you better remember it. [Minkowski’s seizure begins to subside. Desmond looks up and sees a calendar on the wall. Most of the boxes with the day number have an X thru them. The calendar shows it is December 24, 2004.] DESMOND: It's 2000 and 4? SAYID: I didn't realize it was almost Christmas. It's been.. [Sayid notices that Desmond’s nose is bleeding and points to his nose.] SAYID: Desmond. [Desmond reaches to his nose, taps under a nostril with a finger and notices blood. Minkowski has another seizure that is more severe than the previous one. Desmond is still holding him and trying to keep him still. Now there is blood coming from his nose, mouth and eyes.] MINKOWSKI: No! I can’t, I, can’t, get, back! [The seizure ends and Minkowski dies.] SAYID: What happened to him? DESMOND: The same thing that's gonna happen to me! [Desmond is back laying the in lavatory at Southfield’s auction house. The faucet is still running and the sink is flowing over the edge onto the floor. He reaches up to the edge of the counter and supports himself while standing. He shuts the faucet, cups some water in his right hand and drinks from it while looking in the mirror. Desmond sees the card that Widmore handed him on the floor. He picks it up and it reads Penny’s address and exits the lavatory. Immediately we see Desmond arriving at Penny’s front door. There is a large metal square on the facade of the building showing the address as 423 Cheyne Walk. Desmond knocks on the door 3 times then opens it.] PENNY: Desmond? What are you doing here? DESMOND: I had to. I mean, I, I tried to call you but you, you disconnected your phone. PENNY: Yeah, because I moved. Look, I don't know if your getting the signals, Desmond, but I'm trying to make a clean break from you, so if you don't mind I'm going to... [Penny attempts to close the door while she is talking. Desmond stops her by holding it back with his left hand.] DESMOND: Wait. Wwwait Pen, please wait. I just, I just need to get your new phone number, okay? PENNY: Why would I give you that? DESMOND: Because I, I made a huge mistake. I, I should never have broken up with you, and, I, I, I know, I know that now, and, and I'm sorry, and... PENNY: (interrupts) Oh, don't! Just don't dare. DESMOND: …and I understand. And I know it's, it's too late to change things, but I need to tell you something. And, and I need you to listen to me, and, I, I know it's going to sound ridiculous, but, please, Pen. I need you to listen to me. [Penny pauses, then allows Desmond to enter her home.] PENNY: Just, say what you need to say and go. DESMOND: I know this doesn't make any sense, because it doesn't make any sense to me. But, 8 years from now, I, I need to call you, and I can't call you if I don't have your number. PENNY: (amazed) What? DESMOND: Look, Penny, just, just give me your number, and, I know, I know I've ruined things. I know you think things are over between us, but, but they're not. If there's any part of you that still believes in us, just, just give me your number. PENNY: And what's to say you won't call me tonight, or tomorrow? DESMOND: I won't call, for 8 years. December the 24th, 2000 and 4. Christmas Eve. I promise. Please, Pen. PENNY: If I give you the number with you leave? DESMOND: Aye. PENNY: 7946 0893 [Desmond starts repeating the numbers over and over, in a whisper and deeply concentrating.] DESMOND: 7946 0893, 7946 0893. PENNY: All that, and you're not going to write it down? DESMOND: It wouldn't do any good. You have to keep that number. [Desmond approaches Penny, begging however she pushes him to then out the door slamming it behind him.] DESMOND: You can't change the number, Penny! PENNY: Get out! Get out! DESMOND: Just, just, just remember, December 24th, 2000 and4! DESMOND: Look, Penny! If you, if you still care about me you'll have to answer! [Desmond is now outside the apartment. He continues to talk to Penelope frantically.] DESMOND: I'm not crazy, Penny! You have to believe me! You have to, you have to... [Suddenly Desmond is back on the freighter in the communications room. He is sitting in a chair trying to get his bearings. Sayid is still working with wiring the red receiver.] DESMOND: …trust me. SAYID: I do trust you. But you still have to remember that number. DESMOND: 7946 0893. 7946 0893. 7946 0893. It's a London number! SAYID: Excellent timing. The patch is done, but I don't know how long the battery will last. [Sayid dials the phone number then quickly hands the phone over to Desmond.] SAYID: I hope she's there. DESMOND: I hope so, too. [The phone rings about 15 times. During this time we are switching between the Desmond on the freighter and Desmond leaving Penny’s. She then appears, drawing curtains, at a window on an upper level of her apartment. As Desmond walks away with an impish grin. Penny finally answers the ringing phone.] PENNY: Hello? DESMOND: (pauses) Penny? PENNY: (pauses) Desmond? DESMOND: Penny, Penny, you answered. You answered, Penny! [We are switching back and forth between Desmond speaking to Penny from the Freighter and Penny speaking to Desmond from her apartment. There is a Christmas tree decorated with many gifts underneath it. This switching happens in rapid succession.] PENNY: (amazed) Des, where are you? DESMOND: (on the brink of tears) I'm, I'm, I'm, I'm on a boat. Um, I, I've been on an island, and, my god, Penny. Is that really you? PENNY: Yeah! Yes, it's me! DESMOND: You believe me? You still care about me? PENNY: Des, I've been looking for you for the past 3 years. I know about the island. I've been researc….. [The phone call turns to static. Part of their conversation cannot be heard over this.] PENNY: ...and then when I spoke to your friend Charlie. That's when I knew you were still alive. That's when I knew I wasn't crazy. Des, are you still there? DESMOND: Yes, yes, I'm here! I'm still here. Can you hear me? PENNY: Yeah, yeah, that's better. DESMOND: (crying) I love you, Penny! I've always loved you. I'm so sorry. I love you! PENNY: (crying) I love you too. [The phone call is breaking up again. The transmission is starting to fail.] DESMOND: I don't know where I am, but... PENNY: I'll find you, Des... DESMOND: I promise... PENNY: No matter what... DESMOND: I'll come back to you... PENNY: I won't give up... DESMOND: I promise. PENNY: I promise. DESMOND: I love you. PENNY: I love you. [After a bit of static the transmission ceases. Desmond looks at the phone in his hand.] SAYID: I'm sorry. The power source went dad. It's all we have. [Desmond goes over to Sayid and shakes his hand.] DESMOND: Thank you, Sayid. It was enough. SAYID: Are you alright now? DESMOND: Aye. I'm perfect. [Switch from the communications room to a view of the freighter and ocean from the sky. Switch to Daniel kneeling under a tree on the beach. The sun is starting to set. He is calm as he thumbs through his journal, back to front. On the last page is written in large, upper case, red print: "IF ANYTHING GOES WRONG, DESMOND HUME WILL BE MY CONSTANT". The word 'MY' is underlined. Daniel looks to the sky and sighs in relief. He then looks back at the page again]	{"type": "series", "show": "Lost", "episode": "4x05 - The Constant"}	foreverdreaming
[A hand pulls a wooden rake in a wave pattern through straight lines in a Zen garden; several stones, some black some white, are in the sand above the raked area. The camera reveals Juliet sitting on couch. She is smartly dressed with wavy hair pulled back sitting on an overstuffed couch in a neatly furnished room. Juliet takes notice of several diplomas hanging on wall above a bookcase and fashionable vases and furnishings displayed throughout the room. A door opens and Juliet stands as another woman enters the room.] HARPER: Hello. Sorry, I’m late. You must be Dr. Burke. [Extends hand to Juliet] JULIET: Juliet. HARPER: Juliet. (they shake hands) I’m Harper Stanhope. Please sit. [Harper sits down in chair across from Juliet who sits on the couch.] HARPER: Today’s just a meet and greet so that we can get to know each other. JULIET: Please don’t take this the wrong way, but I… I really don’t think I need therapy. HARPER: (bites her lip and looks away. Looks at Juliet) How about we call it “talking” instead of therapy. JULIET: (smiles and nods her head) Ok. HARPER: Good. Let’s talk. (looks at notes in lap) So you’ve been here a week, what’s your least favorite part so far? JULIET: (considers the question and chooses her words carefully) I don’t like being treated like a celebrity. HARPER: Is that surprising? You’re big news right now. JULIET: Yes, I know. I guess I don’t like being the center of attention. It makes me feel isolated. Alone. HARPER: Well, maybe you feel like all eyes are on you, but you’re not a celebrity. And soon enough you’ll realize that you’re no different than anyone here. JULIET: Oh, I know. I… I never meant that. [A knock on the door] HARPER: (towards the door) Yes? (the door opens, being pushed by a mustached Tom Friendly) TOM: Harper. I’m sorry for the interruption. I know you don’t like me busting in… but Ben would like to see the doc. (looks at Juliet) HARPER: Um, she’s all yours, Tom. (Both woman stand facing each other) It was nice talking with you, Juliet. (they shake hands and Juliet leans in) Welcome to the island. (they exchange awkward smiles) [Cut to exterior of Harper’s house as several Others walk about taking notice of Tom and Juliet.] TOM: That Harper’s a piece of work, (grunts) but you give her a week and she’ll have you crying about your daddy. I’m speaking from personal experience here. [Chuckles. Motions Juliet towards Ben standing on a patio holding a bouquet of flowers] BEN: (bows slightly) Welcome to your humble abode. [Ben steps off patio towards Juliet. The Camera reveals a house with a charming exterior including patio furniture and colorful potted plants.] JULIET: This is for me? (accepting the bouquet from Ben) The whole house? BEN: You’re here to help us with some very important research, Juliet. (Juliet exhales and smiles at Ben) We’ve pulled out all the stops. Two bedrooms, two baths. Washer, dryer. Fresh linens, a well stocked fridge. (Juliet giggles and steps onto the patio.) Oh, and I know you like the opera. You have all the classics on CD. JULIET: (serious tone) Ben this is amazing. Seriously, you shouldn’t have gone to all trouble. I’m only going to be here for six months. BEN: Right, of course. (impish smile) But we want you to feel at home. [Juliet stares at Ben slowly.] [Cut to beach at night. Juliet is working with her shelter’s posts.] SUN: (several feet away squatting with Jin petting Vincent) Need some help? (Stands and moves quickly towards Juliet) JULIET: I’m fine. (smiling) I just can’t seem to get it steady. (The two women work to secure the post) Ok, nice. Thanks. SUN: Why are you going to all this trouble when we’re about to leave this island? JULIET: Well, we still need somewhere to sleep tonight. Right? JACK: (hurrying towards Juliet and Sun) Juliet, have you seen, um, Charlotte and Faraday? All of their stuff is gone. JULIET: No I haven’t seen them. You still have the SAT phone, right? JIN: Charlotte and Faraday, Jungle (speaking Korean, points towards jungle) SUN: He saw them going into the jungle. JACK: (visibly upset) Why didn’t he say anything? SUN: (speaks to Jin in Korean) JIN: (to Jack) You said they are friends. SUN: Aren’t they? [Scene jumps to Jack, Juliet, Sun and Jin together lighting torches] JACK: Alright, we’ve got a lot of ground to cover so let’s fan out. If you cut their trail, you call out to me, I’ll come to you. [Thunder roars and a rain begins to fall as Jack and Juliet depart into the jungle in separate directions while Sun and Jin move into the jungle together.] [Cut to Jack anxiously studying the ground as a steady rain falls and thunder rumbles. Scene jumps to Jin and Sun moving deliberately through the jungle in similar conditions. Scene jumps to Juliet moving quickly through the rain in the jungle holding a gn in addition to a torch. She slows and pivots several times as whispers fill the area.] JULIET: Jack? (turning as whispers grow louder to find Harper standing several feet in front of her now. Steps backwards) HARPER: Hello, Juliet. Long time no see. [Juliet nods slowly, mouth agape. Juliet studies Harper and steps forward] JULIET: What are you doing here? HARPER: I came to deliver a message; from Ben. (Juliet tilts her head and bites her lip) The two people you’re looking for, Faraday and Lewis, they’re headed to the Tempest. And if they figure out how to deploy that gas then everyone on this island is going to die. JULIET: Why don’t you stop them? HARPER: Because Ben wants you to go. JULIET: (looking off) How can Ben possibly know where they are when he’s a prisoner? HARPER: Ben is exactly where he wants to be. JULIET: (mentlly reviewing the information and carefully considers her response) How am I supposed to stop them? HARPER: By pointing the gn, and pulling the trigger. JACK: (entering the area behind Harper) (loudly) HEY! (Harper looks hard at Juliet, blinks and turn to her left to face Jack who readies his gn) Who are you? HARPER: I’m an old friend of Juliet’s. (Jack tries to make sense of this) I just told her where the people you’re looking for are headed. (condescendingly) Maybe you and your gn can go, too. [Whispers are heard in the area. Jack and Juliet pivot towards the sounds. The whispers move and then stop. They face each other to find that Harper is gone. They scan the area, confused.] [Cut to a Flashback, Juliet is sitting on the floor in a medical lab bent over her knees weeping into her hand. An off screen noise startles her; she begins to compose herself and stands. A person is seen rifling through medical supply boxes as Juliet enters the room.] JULIET: You ok? GOODWIN: (startled) I… I was just looking for some gauze. (holds gauze up) I didn’t (takes notices of Juliet) know anyone was here. JULIET: (stepping towards Goodwin) How’d you mange that? (looking at his arm) GOODWIN: (an irritation on his inner forearm is seen.) I um… I work over at the power station and pressed up against the transformer. JULIET: (softly) Take a seat; let me take a look at it. GOODWIN: (sits and hold up arm, observes Juliet while Juliet observes his injury. She turns and walks towards medical supply cabinet.) You’re Burke, right? The baby doctor? JULIET: (returns with medical supplies. Smiles) What gave me away? GOODWIN: I heard we lost Henrietta this morning. (comforting) Its ok, I… it’s not your fault. JULIET: (bandaging Goodwin’s wound) Pregnant woman on this island are dying. I was brought here to help fix that. So whose fault is it? GOODWIN: Believe me, no one expects you to fix it overnight. (Juliet smiles at Goodwin) You have anyone to talk to? Any friends here? Maybe Harper? JULIET: (abruptly) Harper hates me. (Continues to bandage the wound) We only talk because we have to. I get the feeling that she’s a mean and spiteful person. GOODWIN: (sheepishly) She’s my wife. JULIET: She’s your wife? (nods head, embarrassed smile) I’m sorry. GOODWIN: No, no. Don’t worry about it, really. It’s ok. JULIET: Ok, you’re, uh, you’re set. GOODWIN: Much obliged, ma’am. (Juliet returns supplies to cabinet) Hey. (Stands and steps towards Juliet, Juliet turns to face Goodwin) I know this place can wear on you but, if you need to talk I’m around. (smiles) JULIET: (smiles) Good to know. Oh, if you promise, uh, not to tell your wife what I said about her (Juliet straightens) I promise not to tell anyone you lied how you hurt your arm. (Goodwin focuses) I know a chemical burn when I see one. GOODWIN: (chuckles, taps nose) You got a deal. (turns and walks towards the door. Stops, spins) Oh, by the way, I’m Goodwin. JULIET: Juliet. (Goodwin continues towards the door, Juliet smiles) [Cut to Juliet leading Jack through the jungle at night in the steady rain.] JULIET: Faraday and Charlotte are heading for the Tempest. JACK: The Tempest? JULIET: It’s safer for you if I don’t talk about it. JACK: No, talk about it. Please. JULIET: It’s an electrical station that powers the island. JACK: Why would they go there? Hey. (grabs Juliet’s arm, they both halt and he steps in front and faces Juliet) If there’s something you need to tell me, now’s the time to do it. JULIET: (considers her response) What I need is for you to help me. Will you help me? (bites her lip. Jack seems confused) If we move all night, maybe we can still catch them. (Jack nods) Thank you. (Juliet continues, Jack follows) [Cut to morning in the jungle, birds chirp and the rain no longer falls. Faraday and Charlotte squat facing each other near a stream studying a map.] DANIEL: I think it’s that way. (points over Charlotte’s shoulder) What happens if I, well, if I can’t do it? CHARLOTTE: Dan. Look at me. (Daniel looks and she maintains his attention) I know you can do this. Should we get going? (smiles reassuringly as Daniel relaxes) DANIEL: Yeah. [Kate emerges from a path and startles Faraday and Charlotte. Charlotte quickly points a gn at Kate. Kate steps back, startled by the circumstance.] DANIEL: Whoa! Whoa, whoa, whoa. It’s ok, it’s Kate. [Charlotte withdraws the gn, Kate seems puzzled.] [Cut to Kate filling her canteen in the stream with her back to Charlotte and Daniel, they are standing.] DANIEL: So they have Miles? KATE: (still filling bottle, sight turn towards them) Yeah, but he’s fine. Look, they’re treating him fine. I thought you two were with Jack at the beach? What are you guys doing out here? CHARLOTTE: (looks hard at Daniel) Jack was trying to communicate with Sayid and Desmond on the freighter but the SAT phone ran out of juice. It’s totally dad, there’s no way we can call the boat. (Kate notices a green indicator light on the SAT phone in Charlotte’s pack, stands, and faces the two] So we volunteered to get the spare batteries out of the packs we threw out of the chopper. KATE: (to Daniel with a playful smile) So, you threw your pack from the chopper? What’s that? (looking at the pack on his shoulder) DANIEL: This, uh, is just batteries. KATE: Mind if I take a look? CHARLOTTE: (considers question, shrugs shoulders) Go ahead, Dan. Show her. [Daniel places pack on the ground, Kate kneels unzips the bag to reveal gas masks.] KATE: (removing a gas mask) Batteries huh? What’s this for? [Charlotte smashes back of Kate’s head with the gn handle. Kate falls forward, unconscious as Faraday catches her and looks at Charlotte.] CHARLOTTE: (shrugs shoulders) What? (Daniel looks stunned) [Cut to Juliet leading Jack through the jungle, presumably in the morning.] JACK: That woman, what was her name? JULIET: Harper. JACK: The two of you, were you friends? JULIET: Not exactly, she was my therapist. JACK: You people had therapists? JULIET: It’s very stressful, being an Other, Jack. JACK: (shakes head) She seemed kinda hostile, even for a therapist. JULIET: I’m sure there are things from your past you’d rather not talk about. JACK: Yeah. You read them all in my file. JULIET: (hushed) Trust me, Jack; you don’t want to see my file. FLASHBACK Juliet in the medical lab studying a specimen under a microscope while Ben sits next to her JULIET: The problem occurs somewhere in the second trimester when the mother’s immune system is triggered. (sits up and looks at Ben) The white blood cells count plummets, it’s like the immune system turns on the fetus. BEN: May I? JULIET: Sure. BEN: (Ben looks into the microscope, his hand rests next to Juliet’s, and she moves her hand) Any thought yet, on a cause? JULIET: It’s too early to tell, but only woman who have conceived on the island does it happen to. So it makes me wonder. (the door to the lab opens, Goodwin enters) GOODWIN: Juliet! [Ben sits up looking toward Goodwin.] GOODWIN: Oh, Ben. I didn’t know you were here. (Ben smiles awkwardly at Goodwin) Ethan, is out sick I have an extra egg salad on Rye. I was just checking if Juliet wants it. JULIET: Thanks, no. I already ate. Besides, I have an appointment with your wife in ten minutes. [Touches her cheek as Ben turns to look at her] GOODWIN: Great. Tell her I said “hi”. JULIET: Oh, will do. GOODWIN: Ben? BEN: (quickly) No, I’m fine. [Goodwin leaves] [Scene changes to Harper’s office] HARPER: So Juliet, what do you think of Ben? JULIET: (smiling) He’s great. Uh, very smart and intense; challenging. He’s been really good to me. HARPER: (taking notes) Of course he has, you look just like her. JULIET: I’m sorry? HARPER: And I see that you and my husband have become very close. JULIET: Yeah, he’s great. He’s been really helpful? HARPER: (poignantly) When did you start sleeping with him? JULIET: What? HARPER: Juliet, I’m not an idiot. When did it begin? JULIET: (shocked, smiles) Ok, I’m not doing this. (stands to leave) We’re done. HARPER: No. (stands, steps in front of Juliet) Please respect me enough to spare me the pretense that you’re actually offended. (face-to-face) I know, I followed you. Watched you. JULIET: (considers her reaction; softly) I’m sorry. HARPER: It doesn’t matter anymore. But what does matter is that you listen to me and that you believe me and that if you continue to have a relationship with Goodwin there will be consequences. I don’t want him to get hurt. JULIET: I would never hurt him. HARPER: Look it, I’m not talking about you. I am talking about Ben. [Scene changes to Locke carving a rabbit while Claire approaches carrying Aaron.] CLAIRE: Hi, John. JOHN: Hi, Claire. Is there something I can do for you? CLAIRE: I want to know what’s going on with Miles. JOHN: Afraid now not a whole lot. I’m bringing him food and water until he decides to talk. CLAIRE: I’d like to talk to him myself? JOHN: (drops Knfe, cleans hands on a towel) And why would you want to do that? CLAIRE: John, we have to find out who these people are and where they came from and why they’re not interest in rescuing us. JOHN: And you don’t think I’m going to get that out of him? CLAIRE: No, I… I just think we’re taking the wrong approach. I mean, you klled one, Ben sht one and now we’re holding one prisoner. You know, it’s not hard to understand why they think we’re hostile. I may be a little less intimidating. JOHN: It’s not going to happen, Claire. CLAIRE: John, I don’t… JOHN: You do remember what Charlie said about these people? CLAIRE: All Charlie said was whose boat it isn’t. Don’t you want to know whose boat it is? [John sab the table with the Knfe] [Cut to Ben reading Philp K. Dick’s Vallis while locked in the storage room in basement of his house. The door opens, Locke has a tray of food, and Ben stands and accepts a plate of food from Locke.] BEN: (inquisitively) Rabbit today? [Sits] JOHN: We’re all out of chickens. BEN: (staring at the meal) This didn’t have a number on it, did it? JOHN: What? (Ben shakes head) Eat, change. Put your laundry, dishes by the door. I’ll be back to collect them in fifteen minutes. (walks towards the door) BEN: So, has the revolution gn, yet or? (takes a bite of food) JOHN: (steps back into the room) What are you talking about? BEN: (serious tone) Well, you’re the leader now. I know it’s a tough position. You have to deal with those people second guessing your decisions. And it always starts out so innocently, doesn’t it? A question here, a comment there. Then if you’re not careful you find you have a full blown insurrection on your hands. (still eating) Believe me, your people are going to be so angry when they realize you still don’t have a plan. JOHN: And I assume you have a plan. BEN: (confidently) I always have a plan. JOHN: Does it involve you raising 3.2 million dollars? (Ben looks wide eyed at Locke, Locke exhales) That’s a lot of money. Wait, maybe this will get you started. (hands a dollar to Ben) Put your laundry and dishes by the door. (walks out of the room) BEN: I can help you, John. We have shared interests. Or at least a common enemy. JOHN: (turns back into the room) And that will be our friends on the freighter? BEN: Not them, the one they work for. Let me out of here. Give me some semblance of freedom, let me sleep in a bed and eat with utensils and I give you my word that I’ll tell you everything you want to know about the person who sent the freighter. JOHN: Now there’s your problem right there. I don’t trust your word. BEN: Alright then. I guess I’ll have to show you. [Cut to a secluded beach. Juliet breaks through the surface of the water and looks towards Goodwin sitting on a blanket on the beach. Juliet approaches him and Goodwin tosses a towel to Juliet] GOODWIN: I hope this is good. [Opens a bottle of wine begins to pour it into a pair of glasses] I don’t know much about wine. I swiped this off of the sub. (Juliet wraps the towel around her and lies next to Goodwin on the blanket. Goodwin hands Juliet a glass of wine) There. JULIET: Thanks. (they clink glasses and take a drink. Juliet smiles and rolls over resting her head on Goodwin’s back) GOODWIN: I wish we could do this all the time. I hate that we have to be so… private. JULIET: What’s the matter with being private? GOODWIN: It’s ridiculous. I’ve been sleeping on the couch for a year. Why am I not just telling her? JULIET: I don’t think it’s a good idea. (they both sit up and face each other) GOODWIN: Why not? JULIET: Ben wouldn’t like it. GOODWIN: That’s what this is about? You’re worried about Ben? [Juliet nods] GOODWIN: Why? Because he has a crush on you? JULIET: (embarrassed smile) You know? GOODWIN: Come on. Everyone knows. He follows you around like a puppy. JULIET: And you don’t think that’s a problem? GOODWIN: Now a little less than a kilometer from here he has me working with chemicals that could kll every man, woman and child on this island if I flipped the wrong switch. Trust me; Ben has enough on his plate the last thing on his plate is to worry about you and me. JULIET: I just… get the feeling that he would be upset. GOODWIN: What’s Ben gonna do? [Scene switches to Oceanic flight 815 falling apart as Other’s in New Otherton watch.] BEN: Goodwin. (Goodwin hurries toward Ben alertly) See where the tail landed? GOODWIN: Yeah, probably in the water. BEN: You run, you can make that shore in an hour. (Goodwin nods) Ethan, get up there to that fuselage. There might even be survivors. You’re one of them, a passenger, you’re in shock. Come up with an adequate story if they ask. If they don’t, stay quiet. Listen, learn. Don’t get involved. I want lists in three days. Go. [Goodwin nods to Ben, nods to Juliet and quickly departs. Harper stares at Juliet.] [Cut to Juliet and Jack running through the jungle. They cross over the stream and stop] JACK: Something’s wrong. We should, we should have caught up with them by now. JULIET: These people base jumped out of a helicopter. Let’s give them the benefit of the doubt. [Off screen someone moans. Jack and Juliet approach, Juliet stops] JACK: (off screen) Hey. Hey it’s ok. Hey, it’s alright, (on screen) it’s ok. (Kate rolls over flailing an arm Jack helps her roll over) Hey, it’s ok, you’re alright. Come on, take it easy. Take it easy. (Kate sits up) JULIET: I’ll go get her some water. JACK: Yeah, thanks. [Juliet departs] JACK: (to Kate) What happened? KATE: (labored breaths) I was going back to the beach. I ran into Faraday and that woman, um, Charlotte. I think she ht me. JACK: They disappeared out of camp last night; we’ve been trying to catch up with them. KATE: Do you know where they were headed? JACK: Some sort of power station. KATE: Jack, they had gas masks. JACK: (looks away with concern) Juliet? (louder) Juliet! (picks up gn, stands and walks towards jungle) JULIET! JULIET! [Cut to New Otherton as birds chirp and a crow crows. Inside a house Ben is walking in front of John, his hands are bound.] JOHN: Alright, no tricks. You’re not leading me out into the jungle so that you can disappear, or sh*t me in the back. BEN: No tricks, John. We don’t even have to leave this living room. JOHN: So let’s have it. BEN: We have a deal, right? JOHN: How do I know you’re not going to run off and meet your people first chance you get? BEN: If my people still wanted me, they would have stormed this camp long ago. (turns towards wall) It’s behind that picture. [John smiles and moves towards the picture, swings non-hinged side of the picture revealing a wall safe. Looks at Ben.] BEN: 36 15 28. [John twists the dial, unlocking the safe and opens the door slowly to reveal two items in the safe. John removed it, a VCR tape labeled Red Sox.] JOHN: Red Sox? BEN: I taped over the game. [Cut to John inserting the VCR tape in a machine while Ben watches. John sits and Ben crouches in front of the TV. The image on the TV appears to be a secret recording of a black limousine in a warehouse. Charles Widmore is seen stepping out the limousine. BEN: This is Charles Widmore. This is the man whose boat is parked off shore. (Ben stands) This is the man who has been trying to find the island. [John looks at Ben. On the video a blindfolded man is being led away from the limousine.] JOHN: Who’s the man in the blindfold? BEN: One of my men who had the misfortune to get caught. JOHN: How does Widmore know about the island? BEN: I don’t know. But he does. JOHN: What does he want? BEN: John, three months ago in Gainesville, Florida the Virgin Mary seemed to appear in a patch of mold on the side of an old housing complex. As the word got out, over five thousand people came to see the face for themselves. You survived an airline crash on this island. One minute you’re in a wheel chair, the next minute you’re doing jumping jacks. If five thousand people came out to see a piece of mold how many do you think would come here to see you? (turns toward the television, Charles Widmore delivers a fierce left jab to the face of the blindfolded man) Charles Widmore wants to exploit this island and he’ll do everything in his power to possess it. (Widmore stares towards the camera and the screen fades to static. Ben walks to the safe) Everything I know about Charles Widmore is in this file (removes a red folder and walks towards John). Some of it’s vague, some of it’s guesswork, some of it’s concrete. But this is everything and now it’s all yours. I’m sorry I didn’t tell you all this sooner. It was the only bargaining chip I had left. JOHN: There’s one more thing I need to know. You’re man on the boat; I want you to tell me who it is. BEN: Alright, but you might want to sit down. [Cut to the jungle where Kate tracking a trail while Jack paces behind her.] KATE: She came through here. So did them about a half an hour ahead of her. (stand up and moves along the trail she found, Jack follows) JACK: What happened? KATE: Sorry? JACK: At Locke’s? What did you stay? KATE: I stayed because I had to find something out. JACK: You gonna tell me or are we gonna keep walking through the jungle like it doesn’t matter. [Kate stops and turns to Jack] KATE: I stayed to find out if the people on the freighter know who I am. They knew that I’m a fugitive, that I’m wanted for mrder. JACK: Do they? KATE: Yea, they know. We should keep moving. God knows where Juliet is. [Cut to Juliet approaching a DHARMA era station. She pauses in front of a damaged control panel then manually releases the door and enters the station with her gn pointed] [Flashback, Ben opens the door to his house] BEN: Hi. (excitedly) Come on in. (turns and hurries toward the kitchen. Juliet enters the house holding a basket of dinner rolls) Sorry, I have to get this ham out of the oven or it will dry out. JULIET: Please (closes the door) don’t mind me. How are you feeling by the way? BEN: (turns towards Juliet) Never better. JULIET: Smells delicious. [Ben removes the ham from the oven, places it on the counter smiling proudly. Juliet notices two place settings on the table.] JULIET: Ben, I thought this was a dinner party. BEN: Just you and me. (looks at Juliet and places a serving platter on the table) Oh, I guess I should have made that clearer. JULIET: No, it’s fine. I.. I hope you like dinner rolls. (hands basket to Ben) BEN: I do indeed. [Scene changes to Ben slicing the ham while Juliet sips from a glass of wine] BEN: I want to thank you for how wonderful you’ve been with Zach and Emma. JULIET: They’re really sweet kids. Ben, they’ve been asking about their mother in Los Angeles. I’m not really sure what to say. BEN: They’ll stop asking in time. JULIET: They’re children. Do they really belong here? BEN: They were on the list, Juliet. Who are we to question who’s on the list and who’s not? JULIET: Now that we have everyone on the list from the tail section what about Goodwin? He’s been undercover for three weeks? BEN: (seriously) He’s making a case for this woman, Ana Lucia. He thinks she’ll be a valuable member of our society. Between you and me, I don’t see it. He feels very passionately about it. Almost inappropriately so. JULIET: After losing Ethan it’s a risk. BEN: (quickly) Goodwin stays where he is right now, Juliet. There’s no reason for him to worry back. But his assignment will be over soon. Promise you. [Flash to the Tempest Station as a siren blares.] AUTOMATED VOICE: “Warning. Computer switching to manual operation. This attempt is unauthorized.” [Juliet walks through a door and stands on a catwalk overlooking one person in hazmat suits and gas mask standing near a computer frantically typing.] AUTOMATED VOICE: “Warning. Manual entry. Override denied.” [Juliet scans the area and then walks towards a stair case.] AUTOMATED VOICE: “Warning. Manual entry. Override denied. Repeated attempts to access storage tnk will result in contamination. Repeated attempts to access storage tnk will result in contamination. JULIET: (behind the person in the suit) Hey! DANIEL: (turns to face Juliet) Juliet. What are you doing here? AUTOMATED VOICE: “Warning. Manual override failed. ” JULIET: Step away from the computer. DANIEL: I’m so sorry. I can’t do that. AUTOMATED VOICE: “Warning. Manual override failed. Counter measures will begin.” [Daniel turns to computer and begins typing] JULIET: Hey. AUTOMATED VOICE: “One minute to contamination” JULIET: (grabs and removes Daniel’s gas mask) You want to release the gas? You’ll die like the rest of us. DANIEL: No, no. I’m not trying to release it. I’m trying to render it inert, Juliet. I just want to make it safe. [Charlotte approaches Juliet from behind and strikes Juliet with a pipe. Juliet falls to the ground and her gn slides across the floor away from her. Daniel returns to typing. Juliet dodges Charlotte’s attempts to ht her with the pipe.] AUTOMATED VOICE: “Forty seconds to contamination” [Juliet rises and pushes Charlotte against a table attempting to remove Charlotte’s gas mask. Charlotte kicks Juliet away. Daniel continues to type frantically] AUTOMATED VOICE: “Thirty seconds to contamination” [Charlotte and Juliet struggle crashing into work benches near Daniel. The alarm sounds.] AUTOMATED VOICE: “Warning. Contamination imminent. Evacuate immediately” DANIEL: (to the women) Hey! [Juliet removes Charlotte’s gas mask, reaches for the gn and strikes Charlotte in the head and stands pointing the gn at Charlotte.] AUTOMATED VOICE: “Twenty seconds to contamination” JULIET: (to Charlotte) Whatever he’s doing, tell him to stop. CHARLOTTE: (sitting up) We’re trying to disable it before he can use it against us. (removes hood) Juliet, look at me in the eye and tell me that you are certain that Benjamin Linus wouldn’t use this gas to kll everyone on this island. We know he’s used it before. If you want to stop us, you’ll have to sh*t us both. [Juliet aims gn at Daniel] AUTOMATED VOICE: “Ten seconds to contamination” CHARLOTTE: (anxious) Daniel! DANIEL: (typing frantically) Yeah, yeah. I’m trying! Come on. Come on. AUTOMATED VOICE: “Five, four, three, two.” [Siren stops. Daniel smiles, relieved. Juliet looks at Charlotte and walks away.] DANIEL: That, that was awesome. [Flashback, Juliet is working in the medical laboratory. Ben enters and walks toward Juliet] BEN: What are you reading? JULIET: Shephard’s file. Mikhail dropped it off. He’s a spinal surgeon, Ben. He has extensive experience in tumor removal. BEN: (nodding) Hmm… How about that? JULIET: He can help you. (Ben approaches Juliet) I thought you’d be more excited. What’s wrong? BEN: (seriously) I need you to come with me. [Juliet stands] [Cut to the island valley, steep mountainsides in the distance.] BEN: (off screen) After our last raid on the tail section survivors they ran off. (Ben and Juliet are hiking) Left the beach. I sent Pickett and Tom to track their location and they came across it. (Ben stops and turns to Juliet) I’m sorry, Juliet. JULIET: Sorry about what? [Ben redirects Juliet’s attention slightly downhill from where they are standing. Juliet begins to move in that direction.] JULIET: Oh my god. Oh my god. (Juliet approaches a man lying on his back impaled by a large stick and kneels beside him) Oh my god. (a close up of Goodwin’s face, Juliet caresses his face) Oh my god. (turns to Ben) What happened?! BEN: We don’t know, there weren’t any witnesses. I can only assume they found out he wasn’t one of them. (stares in the direction they walked) Guess I should have listened to you. JULIET: Why are you showing me this? Why did you bring me out here? BEN: What? You mean instead of his wife? (pauses, turns to leave) JULIET: You knew this would happen. You sent him out here because you knew this would happen. (agitated) You wanted this. You wanted him to die. Why? BEN: Why? (moves downhill toward Juliet) You’re asking me why? After everything I did to get you here? After everything I’ve done to keep you here? (excitedly) How can you possibly not understand that you’re mine? (pauses) Take as much time as you need. [Juliet is in shock, mouth agape.] [Flash to Juliet walking in the Tempest with Charlotte. They exit. Kate and Jack are approaching as they exit the jungle. Kate aims her gn at Charlotte.] JULIET: Whoa, Kate. It’s alright, they’re on our side. KATE: Our side, Juliet? She just knocked me unconscious. CHARLOTTE: Yeah, I’m very sorry about that but I had no choice. Look, Daniel’s inside securing the facility. If you come with me I’ll be more than happy to explain how we just saved your life. KATE: (looks at Jack. Looks at Charlotte with gn pointed) Ok, let’s go. (looks at Jack) JACK: (nods) I’ll take their word for it. [Charlotte and Kate exit. Jack approaches Juliet.] JACK: You ok? JULIET: He wanted me to kll them. Ben. He told me to kll both of them. JACK: (turns away, confused and angry, turns back) How can he tell you anything? JULIET: I don’t know. (shrugs) But he knew how to get to me and he knew where they were going and what they were doing. Don’t you understand, these people came to wage w*r against Ben? Ben’s going to win, Jack. And when he does you don’t want to be anywhere near me. JACK: (softly) Why not? JULIET: Because he thinks that I’m his and he knows how I feel about you. [Jack steps towards Juliet and kisses her] JACK: He knows where to find me. [Juliet hugs Jack] [Cut to New Otherton. A horseshoe appears and leans against a pin.] SAWYER: Oh! Look at that. (laughs) [Hurley aims his horse shoe, throws it. It knocks Sawyer’s show off the pin as it comes to rest around the pin. Hurley laughs.] SAWYER: Son of a bitch. (he and Hurley walk toward the horseshoe pit) How did you get so damned good at horseshoes? HURLEY: I don’t know. Guess I’m just lucky. (something catches Hurley’s attention, Sawyer notices also. Ben is seen walking on a path smiling and holding a pile of linens) SAWYER: What the hell are you doing out? BEN: (waves) See you guys at dinner. (walking briskly towards a house, enters the house)	{"type": "series", "show": "Lost", "episode": "4x06 - The Other Woman"}	foreverdreaming
" Ji Yeon" ~4x07~ Act 1 [On the freighter, Frank is walking across the deck with a paper bag under his arm.] KEAMY: Lapidus! You ready? LAPIDUS: I'll be up. KEAMY: Don't be late, Frank. [Lapidus walks away.] [Lapidus arrives at the room where Sayid and Desmond are being held. He is carrying a paper bag. Regina is sitting outside keeping the door.] LAPIDUS: Regina? REGINA: [startled] Frank! [distracted] I didn't hear you. LAPIDUS: Sorry, I didn't mean to spook you. Captain wanted me to bring these guys some grub... you know your book's upside down. [She gives him a look and turns the book around.] LAPIDUS: Just trying to help... [Lapidus enters the room.] LAPIDUS: Thought I'd check in on you guys and bring you some food. [to Desmond] How are you feeling by the way? DESMOND: Yeah, much better, thanks. SAYID: Why are we being held cptive? We had nothing to do with Minkowski's death. LAPIDUS: This has nothing to do with Minkowski. The captain wasn't very happy that you two decided to bust out of sick bay and into our radio room. SAYID: We didn't bust out. The door was left open! We assumed that was you. LAPIDUS: Why the hell would I do that? SAYID: Did you have any contact with our people on the beach? LAPIDUS: No luck. Something must have happened to the phone. [Lapidus pours what's in the paperbag onto the bed.] SAYID: Lima beans? LAPIDUS: Sorry, we had a little problem in the kitchen. Just stay put, alright? SAYID: I still want to talk to the captain. LAPIDUS: No, you don't. [Lapidus knocks on the door.] LAPIDUS: Regina? [We hear the sound of the door being opened.] [On the beach, Sun is sitting by a fre. Jin comes with firewood, feeds the fre and sits beside her] JIN: 왜 그래? 괜찮아? [Subtitle: What's wrong?] SUN: 사이드하고 데스몬드가 떠난지 3일이나 지났는데 왜 아직 돌아오지 않는 걸까요? [Subtitle: Sayid and Desmond left three days ago. Why haven't they come back?] JIN: 아마 배를 타고 오느라 시간이 좀 걸리나봐. [Subtitle: Perhaps they are returning with the ship.] [Jin kisses Sun.] JIN: 자, 그 얘기 그만하고 더 중요한 게 하나 있어. [Subtitle: Now come on, we have more important things to talk about.] SUN: 뭔데? [Subtitle: Like what?] JIN: Let's talk about baby names. SUN: Good. You're getting better... But no, Jin. 지금부터 아기 이름을 지으면 못 나가요. [Subtitle: It's bad luck to talk about baby names now.] JIN: 웬 미신? [Subtitle: Superstitious?] SUN: 이 녀석한테 나쁜 일이 생기면 안 되지. [Subtitle: I don't want to jinx him.] JIN: 당신 말뜻은 우리 공주님. [Subtitle: You mean her.] SUN: 어, 그러니까 당신은 딸일 것이다? [Subtitle: Oh, it's going to be a girl, is it?] JIN: 지연. 지연이라고 지을래. [Subtitle: Ji Yeon. I want to name her Ji Yeon.] SUN: 아기 이름은 그만 얘기해요. [Subtitle: I don't want to talk about names.] JIN: 왜 지연이 마음에 안 들어? [Subtitle: You don't like Ji Yeon?] SUN: 아니, 이름은 예뻐요. 우리 이렇게 해요. 우선 이 섬에서 벗어난 다음에 그때 가서 아기 이름을 지어요. [Subtitle: No, it's beautiful. I'll tell you what. Let's get off the island first. Then we can pick a name.] JIN: Deal! [They shake hands.] [Flash-forward - Sun is in a room, packing things as she gets ready to leave. She goes to put on some lipstick and is suddenly overcome with pain. She picks up the phone and dials a number] WOMAN ON THE PHONE: 긴급 상황 서비스입니다. [Subtitle: Emergency services.] SUN: 네, 저 응급차 좀 불러주세요. [Subtitle: I need an ambulance.] WOMAN ON THE PHONE: 어떻게 도와드릴까요? [Subtitle: What seems to be the problem?] SUN: 저 임신부인데요. 뭐가 잘못된 것 같아요. [Subtitle: I'm pregnant, and I think something's wrong.] [The camera zooms out and we can see her very pregnant belly.] Act 2 [Flashback - Jin enters a store and browses toys.] STORE OWNER: 어서 오세요! 뭐 찾으시는 거 있으세요? [Subtitle: Can I help you? Is there something you're looking for?] JIN: 예, 팬더 하나요. [Subtitle: Yes... a panda.] STORE OWNER: 자, 이쪽으로요. 예. [Subtitle: This way, please.] [The store owner finds him a big stuffed panda.] JIN: 네, 좋아요. 저걸로 주세요. [Subtitle: Good. Give me that one.] STORE OWNER: 마음에 드신다니 다행이네요. [Subtitle: Would you like it gift wrapped?] JIN: 아니요, 시간이 없어요. 병원에 가는 길이예요. 얼만데요? [Subtitle: No, I have to get to the hospital. How much is it?] STORE OWNER: 5만원입니다. 분만실? [Subtitle: Fifty thousand won. Maternity ward?] JIN: 예. [Subtitle: Yes.] STORE OWNER: 아이, 진작 말씀해 주시지! 참 기쁘시겠네요. 혹시 아드님인지 따님인지 아시나요? [Subtitle: Why didn't you say so? You must be very happy... Boy or a girl?] JIN: 아, 그건 아직 몰라요. [Subtitle: I... I don't know yet.] STORE OWNER: 팬더는 누구든 다 좋아하니까 걱정 마세요. [Subtitle: Don't worry. Everyone loves a panda.] [Jin's cellphone rings, he picks up.] JIN: 네, 네... 지금 가는 길입니다. 예, 알겠습니다. 네, 간다니까요. [Subtitle: Yes, yes. I'm on my way... I'm on my way. I understand.] STORE OWNER: 어서 가세요! [Subtitle: Good luck!] [Jin exits.] [On-Island - On the beach, inside Jin and Sun's tent. Jin is sleeping.] SUN: 진수 씨! 진수 씨! [Subtitle: Jin! Jin!] [Sun enters the tent.] SUN: 진수 씨, 케이트하고 잭이 돌아왔어요. [Subtitle: Jin. Kate and Jack are back!] [Jin gets up.] [On the beach. Jin and Sun approach Kate.] JIN: What happened? KATE: You mean before or after the redhead knocked me out? [Sun looks at Charlotte, and turns back to Kate.] SUN: She ht you? KATE: When I ran into them on my way back from Locke's camp. SUN: Why would she do that? KATE: I guess she didn't wanna have to explain why she was on her way to a poison gas factory. Juliet told Jack that it was a power station. SUN: Why would Juliet lie about that? KATE: Force of habit? SUN: Why were they going there? KATE: To turn it off, to deactivate the gas. I guess they wanted to earn some brownie points. SUN: Do you think they're really going to rescue us? KATE: In all the time they've been here they've talked about a lot of things, and none involved rescuing us. [On the freighter. Desmond is in a bed, he wakes up and sees that Sayid is eating out of a can.] SAYID: Good morning. DESMOND: Good morning. SAYID: [frustrated] I hope they resolve their kitchen issues. [Desmond notices a piece of paper has been slipped in through the door vents.] DESMOND: Sayid! What's that? [Sayid goes to pick it up.] SAYID: It's a note. Three days ago, when I was in Locke's camp, Ben claimed he had a spy on this boat. [Sayid unfolds the piece of paper. It reads, "DON'T TRUST THE CAPTAIN".] [On the beach. Sun approaches Daniel as he is trying to fix the satellite phone.] SUN: Hello. My name is Sun. DANIEL: Hi, Sun, hi... I'm Daniel. [pause] Something I can help you with? SUN: I'm two months pregnant. DANIEL: Oh, you're... Wow, that's... Congratulations! SUN: So are you here to rescue us? [Daniel seems hesitant to answer.] SUN: It's a simple question. Are you or are you not going to rescue us? DANIEL: The thing is... um, it's not really my call, Sun. SUN: And whose call is it? [Daniel remains silent.] SUN: Thank you. [On the beach, Jack and Jin are eating.] JIN: Uh, can you pass, uh, the cereal? [Jack passes the cereal.] JACK: Pretty good English, Jin. JIN: Thank you. I... understand better than I, uh, speak. JACK: Has Sun been teaching you, or are you just picking it up? JIN: Uh, Sun teach me... Uh, Sawyer, too. Sun, is... better. JACK: I bet. [Sun comes.] JACK: Hey Sun. How are you feeling? SUN: I'm good, thank you... The morning sickness has stopped, which has been nice. JACK: That's good... Well, if you need anything, just let me know, okay? [Jack leaves.] JIN: Would you like some breakfast? SUN: 진수 씨, 지금부터 이유는 묻지 말고 내가 시키는 대로만 해야 해요. [Subtitle: Jin... You need to do as I say and not ask questions.] JIN: 왜, 뭔데? [Subtitle: What's the matter?] SUN: 이틀 동안 우리 먹을 식량을 챙겨서 20분 후에 우리 텐트에서 봐요. [Subtitle: You need to find food for two days. Meet me at the tent in twenty minutes.] JIN: 뭐 때문에 그러는데? 무슨 일이 생겼어? [Subtitle: Why? What's happened?] SUN: 로크한테 가봐야겠어요. [Subtitle: We're going to Locke's camp.] Act 3 [On the beach. As Sun is going through the medical supply, Juliet enters the tent.] JULIET: What are you doing? SUN: I needed another bottle of those vitamins you gave me, the... the pre-natals? JULIET: You could've just asked. SUN: You're right. I should have. JULIET: What happened to the last ones I gave you? SUN: Sorry? JULIET: The last bottle I gave you. There should be 20 left... are you planning a trip? SUN: Please, just give me the vitamins. JULIET: Where are you going, Sun? SUN: We're going to Locke's camp. JULIET: What? Why? SUN: Because I don't trust these people. JULIET: Whether you trust them or not, you can't go there. Locke doesn't want to leave the island, and I've told you... Sun, pregnant women... they don't survive here. SUN: Yes, you did tell me that. JULIET: You don't believe me... Look, I know that I have been less than truthful about certain things since coming here, but I promise you, Sun... I promise you, I'm not lying about this. After everything you've confided in me, I should at least have your trust. SUN: Claire's baby is fine. I feel fine. All I have are your stories that I'm going to get sick. I'm going to do what's best for me and for my baby, because, no... I don't trust you. [Sun takes the vitamins from Juliet.] [Flash-forward - In the hospital, a nurse is taking Sun to a room.] NURSE 1: 곧 괜찮으실 겁니다. [Subtitle: It's okay. It's going to be okay.] NURSE 2: 맞지? [Subtitle: Is that--?] NURSE 1: 맞아, 오세아닉 6. [Subtitle: Yes. Oceanic Six.] [Sun is in the room. The nurse tries to take Sun's wedding ring off.] SUN: 잠깐만요, 지금 뭐하시는 거예요? [Subtitle: Stop! What are you doing?] NURSE 1: 귀금속 빼셔야 합니다. 혈압이 높아서 몸이 많이 부었어요. [Subtitle: We remove all jewelry. It's for the swelling.] SUN: 안돼요, 내 반지는 안돼요! [Subtitle: No! Not my ring!] NURSE 1: 별일 없으니 안심하세요. [Subtitle: Nothing will happen to it.] [The doctor enters.] DR. BAE: 아냐아냐, 그냥 둬. 백선화 씨, 전 닥터 박 대신 담당을 맡은 닥터 배입니다. [Subtitle: It's okay. Mrs. Kwon, I'm Dr. Bae. I'm on duty for Dr. Park.] SUN: 박 선생님은요? 저 왜 이러는 거예요? [Subtitle: Where is he? What's happening?] DR. BAE: 박 선생님은 지금 출장 중입니다. [Subtitle: He's away at a conference...] [to the nurse] 제가 우선 진통제를 놔드리겠습니다. [Subtitle: Give her something for the pain.] [The nurse injects Sun with a drug.] DR. BAE: 자, 봅시다. [Subtitle: Now let me take a look...] [The doctor examines her.] SUN: 제 애기한테 무슨 이상이 있는 건가요? [Subtitle: Is something wrong with my baby?] DR. BAE: 태아가 스트레스가 있군. [Subtitle: It is in distress.] SUN: 뭐가 잘못됐나요? [Subtitle: What's wrong?] DR. BAE: 아직은 잘 모르겠지만 알아보겠습니다. 연락드릴 가족분 계십니까? 남편분이나 부모님? [Subtitle: I don't know yet. That's what I'm going to find out. Is there anyone we should contact? Your husband? Your parents?] SUN: 제 남편한테 연락을... 제 남편 좀 불러주세요. [Subtitle: Just get Jin... my husband...] [The doctor signals the nurse to do as she says.] SUN: 진수 씨? 진수 씨 좀 불러주세요. [Subtitle: Jin. Just get Jin...] DR. BAE: 제가 바로 남편분에게 연락 드릴테니... [Subtitle: I'll try to reach him.] SUN: 제 남편 좀 불러주세요. [Subtitle: Get my... husband...] DR. BAE: 남편 꼭 오실겁니다. [Subtitle: I'm sure he'll be here soon.] SUN: 진수 씨... [Subtitle: Jin...] [Flashback - Outside the store, Jin rushes out with the toy panda] JIN: 어, 택시! [Subtitle: Taxi!] [As Jin puts the panda inside the cab, his phone rings and he picks it up.] JIN: 아우, 간다니까요... 여보세요? 여보세요? [Subtitle: Yes, I'm on my way... Hello? Hello...] [A man walking by hits him and he drops the cellphone.] JIN: 야, 뭐야? [Subtitle: Hey! What is this?] [As he tries to pick it up, a motorcycle runs over it. After he picks it up, he sees that someone gets on the cab with the panda and leaves.] JIN: 이놈의 새끼, 너! 너 이 새끼야! 너 오늘 죽었어, 너 나한테 잡히기만 해봐! 나한테 보이기만 해봐! [Subtitle: Stop! You bastard! I will kll you! If I find you! I will hunt you down and rip your head off!] [He smashes the cellphone on the ground, goes back inside the store looking for a toy panda, but he cannot find one.] JIN: 팬더 하나만 더 주세요. [Subtitle: I need another panda!] STORE OWNER: 어떡하죠, 손님. 그 인형이 마지막 거였는데요. [Subtitle: I'm sorry, that was the last one.] [Jin sees that there is one just behind the store owner.] JIN: 저거는요? 바로 뒤에 있잖아요! [Subtitle: What about that one? It's right behind you!] STORE OWNER: 저거는 벌써 팔린 거예요. 사신 게 워낙 잘 팔리는 물건이 돼서요. [Subtitle: That one is on hold. They're quite popular.] JIN: 얼마면 돼요? [Subtitle: How much do you want?] STORE OWNER: 저거 팔렸대니까요. [Subtitle: It's already paid for.] [The store owner picks up a dragon toy.] STORE OWNER: 손님, 이거는 어때요? 올해가 용띠 아니예요? 행운을 갖고 올 거 같은데. [Subtitle: What about this... In the year of the dragon, it brings good luck.] [Jin puts a lot of money on the counter.] JIN: 그냥 그 팬더 이리 갖고 와요. [Subtitle: I need the panda.] STORE OWNER: 이거 마지막 거니까 잃지 마세요. [Subtitle: Don't lose this one.] [Jin takes the panda and leaves.] [On-Island - Kate is with Sun and Jin, drawing them a map.] KATE: Once you ht the stream, you want to head northwest, pretty much in a straight line for about a day and a half. SUN: Thank you. KATE: I'm gonna have to tell Jack. But I'll give you guys a nice, long head start. SUN: I'd tell him myself, but he wouldn't understand. KATE: No, he wouldn't. [Kate hugs Sun.] KATE: You'd better get going. Be safe okay? SUN: Thank you. [Juliet approaches.] JULIET: She's not going anywhere. Sun, this is a bad idea. SUN: What concern is it of yours? JULIET: [to Jin] Do you understand your wife's medical condition right now? [to Sun] Translate for me. SUN: No. JULIET: [to Jin] Your wife is very sick. If she doesn't get off this island in three weeks, she will die. SUN: 신경쓰지 말아요, 어서 가요. [Subtitle: Never mind, let's go.] [They start to walk away, Juliet pursues.] JULIET: If you let her go, your wife is in danger. Jin... Danger. JIN: Wherever Sun go, I go. JULIET: Sun! Please. [Sun walks away.] JULIET: Jin. Your wife had an affair. [Sun turns around.] JIN: What? JULIET: Sun was with another man. She thought the baby was his. [Jin looks at Sun as she walks back. She slaps Juliet, and turns to Jin. Jin, looking angry, turn and heads back to the beach.] SUN: 진수 씨... [Subtitle: Jin.] Act 4 [On the beach, Sun comes after Jin and sits beside him, Jin ignores her as she speaks.] SUN: 진수씨, 진수씨... 나랑 얘기 좀 해요. 내가 다 설명할게. 그건 오래 전 일이었어요. 나 좀 봐봐. 나 좀 봐봐. 나 다신 이러는 거 이해해. 입이 열 개라도 나 할말이 없어. 그래도 나한테 설명할 기회를 좀 줘요. [Subtitle: Jin... Jin... Talk to me. Let me explain. It was a long time ago. Look at me. Just look at me. I understand you're angry. And I have no excuse. Please let me explain.] [Jin walks away.] SUN: 나한테 설명할 기회를 좀 줘요. [Subtitle: Let me explain!] [crying] 진수 씨... [Subtitle: Jin...] [Bernard enters.] BERNARD: Hey! You going fishing? [Jin stops.] BERNARD: Uh, you mind if I... tag along? [Bernard sees Sun crying.] BERNARD: Oh... Oh, I am sorry. I—I didn't mean to interrupt. JIN: No. Come. BERNARD: You're sure? JIN: Yes... come. [Bernard leaves with Jin.] [Off the shore, Jin and Bernard are fishing.] BERNARD: You realize we're the only two married guys on the island? [He shows his ring.] BERNARD: Married? JIN: Married. BERNARD: Yeah, well, no, not to each other. No. [laughing] You got it. It's not easy, is it? Oh, I mean, it's--it's wonderful, but... let's face it, every decision that you make takes twice as long. 'Cause you always gotta talk them into it. [pause] Rose... has cancer. She's sick. Dying. Well, at least, she 'was' dying. She says she's better now. She says it's this place... the island. But when the camp split up, I was sure that she'd want to go with Locke. Why would she want to leave the island, and risk getting sick again? JIN: Then why do you stay with Jack? BERNARD: Because it was the right thing to do. Locke... he's a mrder. See, it's all about karma, Jin. Do you know karma? [Jin nods.] BERNARD: You make bad choices, bad things happen to you. But you make good choices, and then good— [Bernard is interrupted as a fish is caught on Jin's rod.] BERNARD: Hey! Hey, hey, hey! You got one! Yeah. Here, pull it in. [Jin pulls the fish in.] BERNARD: Wow, look at that! You see? Now, that's karma. We must be the good guys, huh? [On the freighter, Desmond and Sayid hear a repeating noise.] DESMOND: How long's that gonna go on for, eh? Can't they just fix whatever the bloody hell's causing that? SAYID: That sound is not mechanical. DESMOND: What, you think somebody's doing that? Somebody's just banging those pipes again and again? SAYID: That's exactly what I think. [Ray enters.] RAY: Gentlemen, thanks for your patience. The captain would like to see you now. [Ray leads Desmond and Sayid on deck.] SAYID: Where's the helicopter? RAY: Lapidus is running an errand. SAYID: What kind of errand? RAY: I'm a doctor. I don't know where he's going. SAYID: Did he go to the island? RAY: You know anywhere else he could land? [Desmond notices Regina on the second-level deck, as she walks draped in chains.] SAYID: What's he going to do there? RAY: I said I'm just a doctor. SAYID: What did Lapidus say? RAY: He didn't say anything to me. SAYID: [frustrated] What is he doing there?! [Regina is about to jump off the side of the freighter. Desmond runs toward her.] DESMOND: Hey! Hey! [Regina jumps; Desmond and Sayid go over to look at her.] DESMOND: That woman just jumped over the side of the ship! [The crew do not seem interested.] DESMOND: Don't just stand there! What's the matter with you people?! SAYID: What's wrong with you? Get the rope! DESMOND: Why aren't you doing anything?! [Captain Gault comes.] DESMOND: Bring a rope! SAYID: Get a rope! DESMOND and SAYID: Get a rope! GAULT: Stop! DESMOND: She just jumped! GAULT: It's over! She's gone! Everybody get back to your posts. That was an order. [Gault approaches Desmond and Sayid.] GAULT: I'm Captain Gault. I suppose you two have a few questions. Act 5 [On the freighter.] GAULT: So what can I do for you? SAYID: What? GAULT: You boys said you wanted to speak with me. SAYID: Let's just start with why a woman jumped over the side of your ship, and you did nothing to stop it. GAULT: I didn't jump in, or order my crew to jump in, because I didn't want to lose any more people. DESMOND: What exactly is going on here? GAULT: Some of my crew has been dealing with... what might best be described as a heightened case of cabin fever. I think it's got something to do with the close proximity of the island. SAYID: Why don't you turn around, then? GAULT: I've tried, but we have a saboteur on board, and he's done one hell of a job on my engines. I've got my crew working around the clock to repair them. SAYID: And then you'll take our people home? GAULT: Then we move to safer waters... those are my orders. SAYID: And I don't suppose you'll tell us who gave you those orders? GAULT: Sure, I will. Charles Widmore. DESMOND: This is Charles Widmore's boat? GAULT: That's right. You know him. [Gault leads Sayid and Desmond into the captain's stateroom. Gault gets a metal box out of a cabinet, and puts it on the table.] GAULT: Do either of you know what this is? SAYID: It's a flight data recorder, otherwise known as a black box. GAULT: That's exactly what it is. Now here's the funny thing. This black box comes from Oceanic Flight 815. A salvage vessel recovered it from the bottom of the ocean. It took a considerable amount of Mr. Widmore's resources to procure it. It was found with the wreckage of the plane, along with all 324 dad passengers. [to Sayid] That's not the complete story, as you are well aware, Mr. Jarrah, given the fact that you're standing here, breathing... the wreckage was obviously staged. Now can you imagine what kind of resources and manpower go into pulling off a feat of that magnitude? Faking the recovery of a plane crash? Putting 324 families through a grieving process based on a lie? But what's even more disturbing... where exactly does one come across 324 d*ad bodies? And that, Mr. Jarrah, Mr. Hume, is just one of the many reasons we want Benjamin Linus. [On the beach, Juliet comes to Sun and sits beside her.] JULIET: I'm sorry. I had to stop you any way I could. SUN: It wasn't your place to stop us. JULIET: I know you don't trust me, but you need to get off this island. We all do. SUN: You want to leave? JULIET: More than anything. I don't know if that boat out there is the answer or not, but it's something. I need to go home. So do you. Sun... in about three weeks, you'll be in an almost constant state of nausea. A week after that, you will experience shortness of breath that won't go away. A week after that, you will lose consciousness and slip into a coma. And then, Sun, you will die. And when your heart stops beating... so will the baby's. And that, Sun, is why it is my business, because you are my patient. If you go... you will die. And your baby will never be born. [Flash-forward - In the hospital, Sun is giving birth.] DR. BAE: 선화 씨! 제왕절개를 해야할 것 같습니다. [Subtitle: I have to perform a c-section.] SUN: 안돼요, 그건 안돼요. [Subtitle: No.] DR. BAE: 잘 모르는 것 같으신데, 저희가 놓아드린 진통제 때문에 자연분만은 아주 힘들 거 같습니다. [Subtitle: You don't understand... The medication makes a natural birth difficult.] SUN: 안돼요, 남편이, 내 남편이 올 때까지 안돼... [Subtitle: No, no! Not until Jin--] DR. BAE: 바로 수술하셔야 합니다. [Subtitle: We've got to get to surgery!] SUN: 내 남편 어디 있어요? [Subtitle: Where's my husband?] DR. BAE: 아직 안 오셨습니다. 더 이상 기다릴 수가 없어요. [Subtitle: He's not here yet. We cannot wait!] [Sun sees a man resembling Jin walk by.] SUN: 진수 씨! 진수 씨! [Subtitle: Jin! Jin!] NURSE 1: 선생님, 아이가 보이기 시작했어요! [Subtitle: Dr. Bae. The baby is crowning!] DR. BAE: 자, 선화 씨. 이제부터 힘을 주셔야 합니다. 거의 다 왔습니다. 조금만 더 미세요! 미세요! 할 수 있습니다! 네, 조금만 더 미세요! [Subtitle: Okay, Sun. You need to push now. That's it... Push! Push! You can do it! That's it... Push!] [The baby is born.] DR. BAE: 잘 하셨습니다. [Subtitle: You did it.] [The Doctor brings Sun the baby] DR. BAE: 축하드립니다. 따님을 출산하셨습니다. [Subtitle: Congratulations. You have a baby daughter.] [On the freighter, Ray leads Sayid and Desmond to their new room.] RAY: So what do you think of the captain? SAYID: He was surprisingly forthcoming. RAY: Yeah, he tells it like it is. Just don't piss him off. You know what I mean? I think you'll like your room. It's on a quiet part of the ship. DESMOND: This... ship isn't moving. RAY: Well, if you say so. [Ray opens the door to a room. Cockroaches scuttle across the ground, and a large blood stain can be seen on the wall.] RAY: That shouldn't still be there... Damn it! [He turns to the man cleaning the floor down the hallway behind them.] RAY: Hey, Johnson. Is that you? Johnson! JOHNSON: Yeah. RAY: Mop this up. JOHNSON: Sorry, I gotta go up on deck. RAY: No, you're gonna mop this up! [Johnson walks toward them, comes out of the shadow and is revealed to be Michael Dawson.] RAY: [To Johnson] Kevin, this is, uh... SAYID: Sayid. DESMOND: Desmond. JOHNSON: Kevin Johnson. SAYID: Nice to meet you Kevin. [Sayid and Johnson shake hands.] Act 6 [On the beach, Sun is in her tent, Jin comes in with food.] JIN: I made... dinner. SUN: 난 당신이 날 떠난 줄 알았어요. 나한테 설명할 기회를 좀 줘요. [Subtitle: I thought you had left me. Will you let me try to explain?] JIN: 상관 없어. [Subtitle: It won't matter.] SUN: 당신도 내 말을... [Subtitle: Just listen, maybe--] JIN: 당신이 왜 그랬는지 난 알고 있어. 그리고 내가 어떤 남자였는지도... 잘 알아. 이 섬에 오기 전에... 내가 당신에게 냉정하게 대하고 당신보다는 일을 선택한 나였어. 하여튼... 이 모든 것들이 다 나 때문이야. 그거 잘 알아. 그래서... 내가 당신을... 용서해. [Subtitle: I know why you did it. I know the man... I used to be. Before this island, I withheld my affections... And I know... that whatever you did... you did to that man. His actions caused this. So I forgive you.] [Sun smiles in tears.] JIN: 자, 로크한테 당신하고 같이 갈거야. [Subtitle: So I will go to Locke's camp with you.] SUN: 더 이상 그 곳에 가고 싶지 않아요. [Subtitle: I don't want to go there anymore.] JIN: 왜? [Subtitle: Why?] SUN: 줄리엣 말이 맞았어요. 무슨 일이 있어도 우린 이 섬에 떠나가야 해요. 저 사람들은 헬리콥터도 있고 배도 있어요. 우리도 방법을 찾아봐요. [Subtitle: Juliet was very convincing. We have to get off this island. These people have a helicopter. We have to try.] JIN: 무슨 일이 있어도 당신과 우리 아이를 지켜줄 거야. 맹세할께. [Subtitle: I'll do all it takes to protect you and the baby. I promise.] SUN: 고마워요. [Subtitle: Thank you.] JIN: 나한테 한 가지만... 솔직히 말해줄래? [Subtitle: There's just one thing. And please, the truth...] SUN: 뭐든지. [Subtitle: Anything.] JIN: Is... the baby... mine? SUN: 네, 진수씨. 하늘에 맹세코 당신 아이 맞아요. 정말이예요. 자기 너무 사랑해요. [Subtitle: Yes, Jin. I swear the baby is yours. It's yours. I love you so much.] [She hugs him.] SUN: 난 당신이 날 떠난 줄 알았어. [Subtitle: I thought I had lost you.] JIN: 나도 사랑해. 나 당신과 절대 헤어지지 않을 거야. [Subtitle: I love you too. And you will never lose me.] [Flashback - Jin comes to the hospital with the panda, there is man in suit standing next to the door where the baby is born] JIN: 안녕하십니까. 백 자동차사의 회장님이 보내서 온 권진수라고 합니다. [Subtitle: I am Jin-Soo Kwon. I represent Paik Automotive.] MAN IN SUIT: 예? [Subtitle: Yes.] JIN: 대사님이 오늘 손주를 보셨다고 하셔서 선물을 전해드리러 왔습니다. [Subtitle: I heard the Ambassador is now a grandfather... I came to present a gift.] MAN IN SUIT: 여기서 기다리세요. [Subtitle: Wait here.] JIN: 참, 남자아이입니까 여자아이입니까? [Subtitle: Excuse me. Is it a boy or a girl?] MAN IN SUIT: 남자아이입니다. [Subtitle: A boy.] [The man in suit goes in the room. Jin takes a ribbon and wraps it around the panda. The ambassador comes out] AMBASSADOR: 네. [Subtitle: Yes?] JIN: 네, 대사님. 이 팬더는 대국 중국에서 사업을 시작하겠다는 백 회장님의 뜻이 담겨 있습니다. 부디 오늘 같은 기쁜 날 이 선물을 받아 주시면 감사하겠습니다. [Subtitle: Mr. Ambassador. This panda is a symbol of Mr. Paik's eagerness to do business in the great country of China. Please accept his congratulations.] AMBASSADOR: 회장님에게 전해주게. [Subtitle: Thank Mr. Paik for me. Tell him I'll call.] [Jin takes a look inside, and sees the ambassador's daughter with her baby. He gets out.] NURSE: 어, 벌써 가세요? [Subtitle: Leaving so soon?] JIN: 제 아이도 아닌데, 뭐. [Subtitle: It wasn't my baby.] NURSE: 언젠가는 좋은 날이 오겠죠. [Subtitle: Well, maybe someday...] JIN: 시간이 충분히 있어요. 이제 결혼한 지 두달 밖에 안 됐거든요. [Subtitle: Don't rush me. I've only been married two months.] [Flash-forward - Sun puts her wedding ring back on in her apartment, she's getting ready to go out. The doorbell rings, Sun answers the door. It's Hurley. They hug] SUN: I can't believe you came all this way. HURLEY: Are you kidding? Is anyone else coming? SUN: No. HURLEY: Good. So... where is she? [Sun takes him to the baby.] HURLEY: She's awesome. SUN: Thank you. [She takes the baby in her arms.] SUN: Would you like to hold her? HURLEY: I don't know, I... kinda have two left hands. SUN: I trust you. [She gives him the baby.] HURLEY: Wow... she looks just like Jin. SUN: [seems sad] Yes. She does. [Hurley hands her the baby.] HURLEY: So... I guess we should, like, go see him. SUN: Of course. [Hurley and Sun are at a cemetery, Sun holding the baby. They approach Jin's tombstone. Sun kneels down, crying.] SUN: 여보... 여보 말이 맞았어요. 딸이예요. 나 정말 견디기 힘들었어요. 의사 선생님 말로는... 나 계속 당신만 찾았대. 당신이 옆에 있었으면 참 좋았을텐데... 진수 씨, 우리 딸 예쁘죠? 아기 이름은... 당신이 원하는 대로 지연이라고 지었어요. 자기 너무 보고 싶어. 너무 보고 싶어. [Subtitle: Jin... You were right. It's a girl. The delivery was hard on me... The doctor said I was calling out for you... I wish you could've been there. Jin... she's beautiful. Ji Yeon. I named her just like you wanted. I miss you so much. I miss you so much.]	{"type": "series", "show": "Lost", "episode": "4x07 - Ji Yeon"}	foreverdreaming
"Meet Kevin Johnson" ~4x08~ Act 1 [The Barracks at night. A wind is blwing leaves on the ground. Birds are chirping in the distance. Inside Ben's house Aaron is cooing in Claire's arms, and the members of Locke's camp are tensely waiting. The door opens. Locke enters pushing Miles, who has his hands tied with rope.] LOCKE: Thank you all for your patience. I know it's taken me a few days to... figure out our next move, but I didn't want to do anything until I knew more about our situation. You deserve to know everything that I do, so... no more secrets. As you all know, Miles here and three of his people came to the Island about a week ago. So I brought him up from the boathouse to share with us exactly why they're here. MILES: We're here for him. [Indicates Ben.] HURLEY: Um, we kind of, like, knew that forever ago. SAWYER: Well, all right then. Problem solved. How soon do we turn him over? LOCKE: We can't turn him over. SAWYER: And why the hell not? BEN: Because once they have me, their orders are to kll everyone else on the Island. CLAIRE: Wait. So... what, he's one of us now? You're--you're gonna protect him? He tried to kll you, John. HURLEY: Yeah. He won't even tell us who his spy on the boat is. BEN: It's Michael. HURLEY: What? BEN: My spy on the freighter is Michael. SAWYER: I'm sorry. You mean the same guy that klled two women in cold blood to set this little bastard free? And then sold all of us out so he could get off the island? That Michael? LOCKE: Yes, James. [Sighs] That Michael. [The Freighter at night. Sayid and Desmond are sleeping in their berths. An alarm starts to blare. Desmond and Sayid wake up and run onto the deck. People are watching as Captain Gault is beating up two of his crew members. The ships tender is leaning against the freighter's railings.] GAULT: The rules of desertion... still apply to everyone. [He punches the last man twice.] GAULT: [Talking to the group at large.] Nobody leaves this ship without my say-so! I'm not beating these men to scare you! I bat them to save your lives! Do you remember what happened to the last two men who took off in this boat? [Indicates to the tender.] GAULT: You remember what happened to Minkowski? As soon as we get the engines fixed, we're back in the hunt. In the meantime, everybody just hold on. Johnson! MICHAEL: Yes, sir. [Sayid looks intently toward Michael/Johnson.] GAULT: Clean this mess up. MICHAEL: Yes, sir. [The crew starts moving about, talking indistinctly. Michael starts to walk. The two bat-up men get escorted through the door back to the berths. The captain starts climbing up the stairs to his quarters. Sayid walks toward Michael.] SAYID: Hello, Michael. MICHAEL: [In a lowered voice.] Not now, man. [He tries to continue walking.] SAYID: Yes. Right now. [The captain looks down on the deck for a moment.] SAYID: Why are you on this boat? MICHAEL: I'm here to die. [Michael walks away from Sayid.] Act 2 [The Barracks at night. Locke is walking away from Ben's house, pushing Miles along. Sawyer runs after them.] SAWYER: Hey! [Locke and Miles turn around.] SAWYER: That's a nice meetin', John, but I thought there wasn't gonna be more secrets. JOHN: What are you talking about? SAWYER: I'm talking about the 3 million bucks your buddy here asked for. [Indicates Miles.] SAWYER: Well? JOHN: Yeah. Miles offered his loyalty in exchange for the money. But as I haven't seen a bank on the island, I didn't think it worth mentioning. [Miles chuckles.] SAWYER: Somethin' funny? MILES: Linus will find a way to get it. SAWYER: And how will he do that? MILES: He wants to survive. And considering a week ago you had a gn to his head, and tonight he's eating pound cake... I'd say he's a guy who gets what he wants. [Inside Ben's house. People are leaving. Alex and Karl are with Claire, playing with Aaron. Karl has his arm around Alex's waist. Ben is watching them. Alex and Claire are giggling. Aaron is cooing.] CLAIRE: It's fine. KARL: Okay, thanks. ALEX: Bye. CLAIRE: Bye, guys. ALEX: Bye. [Claire leaves. Alex and Karl start to leave.] BEN: Alex? [Alex and Karl turn around. Rousseau comes nearer to hear the conversation.] BEN: May I have a word with you? ROUSSEAU: I think we've heard enough from you for one night. BEN: I'm sorry, you're just gonna have to listen to a little more. ALEX: It's okay. What do you want? [Ben takes a piece of paper out of his pocket and unfolds it.] BEN: This is a map to the Temple. [Alex takes the map.] BEN: It's a sanctuary. It may be the last safe place on this island. KARL: How come we don't know about this? BEN: Well, it wouldn't be a sanctuary if I told everyone, would it? The rest of our people are already there. If you leave now, you can get there in a day and a half. KARL: If it's safe, why don't we all go — Hurley, Claire, the baby? BEN: Because the Temple's not for them, Karl. It's only for us. These people that are coming — they know who I am, Alex. They're here to capture me. They'll kll anybody that gets in their way. If they knew who you were, that you were my daughter, they would use you to get to me. We don't have much time. KARL: Maybe he's right. ROUSSEAU: I agree. We should go. ALEX: These people — you said they're dangerous. More dangerous than you? BEN: Yes. But your mother will protect you. [Lowers voice] Okay, now go. [Alex, Karl and Rousseau leave.] [The freighter at morning. Desmond is looking out over the ocean. Sayid is nearby talking to a crew-member.] SAYID: Where is he? CREW-MEMBER: Engine room. SAYID: You sure? CREW-MEMBER: Yeah. [The crew-member leaves. Sayid moves over to Desmond.] SAYID: [In a lowered voice] He's in the engine room. [Desmond nods.] [Inside the engine room. Michael and Jeff are working on the engine.] MICHAEL: I don't understand, It should be working. JEFF: Gaskets are all corroded. [Sayid and Desmond walk down the stairs into the room.] MICHAEL: Can I help you? SAYID: The captain sent us down to help with the repairs. MICHAEL: Oh, thanks. We're okay. Hey, Jeff, man, you know what? We need a pressure valve. You mind grabbing one from the, uh, supply room? JEFF: Not at all. [Jeff leaves.] MICHAEL: You shouldn't be here. [Sayid slams Michael against the wall.] MICHAEL: Hey! Uhh! Aah! DESMOND: Hey Sayid, what are you doing? SAYID: Why are you here? MICHAEL: Listen, if they see me talking to you— SAYID: Then talk quickly! MICHAEL: You won't understand it! SAYID: I'll understand perfectly, Michael. You just start from the beginning and explain how you came to be on this boat. [Flashback - Michael is in a rundown apartment in New York City's Financial District. A faucet is leaking. A woman and man are arguing indistinctly in the distance. Michael is sitting on a chair writing on a notepad. A car alarm sounds in the distance. Michael looks toward a picture of him with baby Walt. He tears out the note.] [Manhattan at night. Michael is walking down the street. Cars are honking. Deep bass music is playing in the distance. He gets into his car and turns the key. The Mama Cass song "It's Getting Better" plays on the radio.] [Getting better every day.] [Better every day.] [Michael turns the volume up and pins the note to his jacket.] [I don't feel all turned on.] [And starry-eyed.] [I just feel A...] [He revs the engine and the tires squeal.] [And it's not hard to see.] [That it isn't half.] [Of what...] [The car does a sharp turn and the tires squeal.] [Cause it's getting better.] [Growing stronger.] [Warm and wilder.] MICHAEL: I'm sorry [He steps hard on the gas pedal.] [Getting better every day.] [Better every day.] [The car crashes into a storage container.There is crackling. The engine is hissing. The radio is still working.] [But it's getting better.] [Growing stronger.] [There are sirens wailing in the distance.] [Warm and wilder.] [Getting better every day.] [A ships horn blows.] [Better every day.] Act 3 [Michael opens his eyes. A monitor beeps steadily.] [Grunting.] [Steady beeping continues.] [Inhales deeply.] [Continues grunting.] [Groans.] [A nurse enters the room.] LIBBY: I'm sorry. I didn't mean to wake you, Mr. Dawson. MICHAEL: It's... what happened to me? LIBBY: You were in a car accident. It's a miracle you're alive. MICHAEL: How badly am I hurt? LIBBY: Shh. You just need to rest now. [Ghostly voices whispering.] LIBBY: It's a cold night. [Michael finally realizes the nurse is Libby.] MICHAEL: Uhh! LIBBY: I brought you some extra blankets. MICHAEL: Aah! [He awakes from his dream.] [Beeping steadily.] [Woman speaking indistinctly over P.A.] NURSE: Ah. Let's get some light in here. Now I thought I heard someone shout, and something tells me it wasn't him. You okay? [Sighs] You're lucky to be alive. E.M.T. say they found you in a wrecked car with a note pinned to your chest. You didn't have any I.D. on you. Want to tell me your name? [sighs] Yeah, I didn't think so. You want me to call Walt? MICHAEL: [Pauses] What? NURSE: The note pinned to your chest. It was written to "Walt." You want me to call him? MICHAEL: [Whispers] No. NURSE: Okay, then. [Door opens and shuts.] [Sometime later, Michael walks up to the door of a house. We can see a Christmas tree through the window. He knocks twice before an elderly woman opens the door.] MICHAEL: Hey, ma. [Dog barking in distance.] MICHAEL: Can I... come in? [The woman comes out and shuts the door behind her.] MICHAEL'S MOTHER: No. You know the answer to that. MICHAEL: I wanna see him. MICHAEL'S MOTHER: No. MICHAEL: Just let me talk— MICHAEL'S MOTHER: I don't know what you said to that boy, but whatever it was, he doesn't want to see you. MICHAEL: Please, ma. He's my son. I have a right— MICHAEL'S MOTHER: I thought you were dad! They said your plane crashed in the middle of the ocean, but you show up here fine and dandy, only I can't tell anybody about you or Walt, can't call you by your real names. He barely talks to me, but he does wake up screaming in the middle of the night, and I'm the one that's got to tell him it's gonna be okay. So until you can explain to me where you were for over two months and what happened... you gave up your rights. [Michael starts to leave but then turns back.] MICHAEL: Will you, uh... will you tell him I love him? MICHAEL'S MOTHER: Yeah. [She goes inside. Michael walks away, but as he turns his head back, he can see Walt looking at him from the upstairs window. They make eye contact but only briefly before Walt turns around.] [Later, Michael opens the door to a pawn shop. Door bells jingle, siren wailing in distance.] GUS: What can I do for ya? MICHAEL: How much can I get for that? GUS: Why is there Chinese writing all over it? MICHAEL: It's Korean, man — the guy who gave it to me. GUS: You don't look like you speak Korean. I'll give you $300 for it. MICHAEL: I'm not looking for money. GUS: What are you looking for? MICHAEL: I want a gn. I want a gn with bllts. [Soon after, Michael goes in an alley. A siren wails in the distance. Michael takes out the bllts and begins to load the gn.] MICHAEL: [whispering] Come on. Let's just get this done. Help me just get this done. [The revolver spins; he exhales deeply and then presses the gn to the bottom of his chin.] MAN: Excuse me, sir. You got the time? MICHAEL: [Grunts] No, man. No. MAN: Come on, Michael. [The man is revealed to be Tom Friendly.] TOM: How about for an old friend? Act 4 [In the dirty city alley, a car alarm wails and horns honk in the distance. Tom stands over Michael wearing a black trenchcoat.] TOM: Manhattan, huh? We let you leave one island, you just go to another one. [Michael gets up and points his gn at Tom, fring. But he's at too close range and Tom steps inside his arm. The gn discharges into the air past Tom's head. Tom wrests the gn from Michael's hand and elbows him in the face, knocking him backwards.] MICHAEL: Uhh! TOM: Will you just relax? I just came here to--ooh! [Michael has recovered, assumed a boxing stance, and landed a left jab and a right hook to Tom's face.] MICHAEL: Uhh! [Tom gives Michael's jaw a right uppercut, sending Michael to the pavement. He lands with a grunt.] TOM: Now are you ready to talk? Like adults? MICHAEL: [Panting] Yeah. [Tom offers his hand to help Michael up. Michael takes it to get up, but comes up at Tom with a discarded wine bottle in his left hand, hitting Tom over the head. Tom reels back with a grunt. Michael smashes the bottle into a dumpster and transfers the bottle to his right hand, thrat Tom's jugular with a jagged edge; Tom pulls the revolver on Michael and cocks it.] TOM: Enough! [Both pant.] [Michael drops the bottle and it shatters on the ground. Michael pulls the revolver close to his forehead.] MICHAEL: Do it. Go ahead, do it! TOM: [Yanking the gn away] You'd like that, wouldn't you? MICHAEL: How do you find me? TOM: We're the ones who sent you home, Michael. Did you honestly think we weren't gonna keep tabs? MICHAEL: What do you want? TOM: Your help. MICHAEL: Why would I help the son of a bitch who kidnapped my son? TOM: We gave him back to you in one piece, Mike, you're the one who lost him. You told him, didn't you? You couldn't carry the guilt of what you did to those two women all by yourself, so you shared it with a 10-year-old kid. Is that why you want to kll yourself, Michael? Because that's the way he looks at you now? Because he knows you're a mrder? MICHAEL: Go away! [Michael turns to walk away.] TOM: I got some bad news for you, amigo. You can't kll yourself. The Island won't let you! MICHAEL: [Panting] What'd you say? TOM: No matter how bad you want to, no matter how many different ways you try, it won't happen. [Tom hands the revolver back to Michael.] TOM: Give it a sht if you don't believe me. You got more work to do, Mike. When you figure that out, I'm in the penthouse at the Hotel Earle. [A siren wails as Tom walks away.] [In Michael's studio apartment, a quiz show plays on an old Panasonic TV. Two teams of three players sit at lecterns on the left and right, while a game show host enters from doors in the back middle.] MALE ANNOUNCER: Let's give a warm Hollywood welcome to your host... [Cheers and applause. Michael sits on a bed playing with the gn in his hands. On the table in front of him sit dirty dishes and a framed photograph showing Michael holding Walt as a toddler. As the game show continues to play on TV, Michael puts the revolver to his temple and begins to squeeze the trigger.] GAME SHOW HOST: ...our jump-ball category... literature. I hope you stayed awake during high school English. All right... MICHAEL: [Quietly squealing] Ahh... [The hammer pulls back and snaps forward with a click, but the gn does not fre. Michael grunts, both scared and shocked.] GAME SHOW HOST: ...Slaughterhouse-Five? [A bell chimes on the game show as a player rings in. Michael opens the revolver and checks that it is still fully-loaded. It is.] FEMALE CONTESTANT: Um, is it Kurt Vonnegut? [Cheers and applause. Michael closes the revolver and puts the gn to his temple again.] GAME SHOW HOST: Correct! And triple your puzzle points in the next round--can you give us the name of the book's protagonist? MAN: We interrupt this program for a news bulletin. [Michael braces for squeezing the trigger a second time when the TV catches his attention.] FEMALE ANCHOR: The wreckage of Oceanic Flight 815 has been found. This footage confirms the airplane did, in fact, crash at sea. [The TV shows the underwater ROV footage of the wreckage. Michael puts the gn down and begins watching intently.] FEMALE ANCHOR: At these tremendous depths, there is little hope of recovering any remains. Investigators are equally skeptical about the chances of retrieving Oceanic 815's black box. The real story behind what happened to this fateful airliner may have been lost along with the 324 passengers onboard. But even with this tragic discovery, the victims' families were hoping today... [Michael sits in shock at what he is hearing.] [Michael knocks on a door labeled "THE HOTEL EARLE - PENTHOUSE." Tom opens the door and smiles.] TOM: I didn't expect you that fast. [He waves Michael inside. Tom chuckles as they walk inside. Another man, stylishly dressed with the top few buttons of his shirt open, hands Tom a glass of bubbly. A tempting fruit plate sits on a table nearby.] TOM: Mm. ARTURO: Is this the guy who ht you with the champagne bottle? TOM: Yeah, but I had it comin'. [Chuckles] [Glasses clink.] TOM: Arturo, Michael and I have some business we have to attend to. Would you get some air? ARTURO: Of course. [Arturo leans into Tom and they kiss on the cheek.] ARTURO: Ciao. TOM: Help yourself to the chow. [The door opens as Arturo steps out.] TOM: Don't make it to the mainland too often— [The door shuts behind Arturo.] TOM: —so when I do, I like to indulge myself. [Tom bites into a grape.] MICHAEL: So you people can just... come and go? TOM: Some of us. You want a drink? MICHAEL: What I want is for you to tell me what my plane is doing at the bottom of the ocean. TOM: [Chuckles] That's not your plane. It's a phony. A man named Widmore put it down there, and he staged the whole wreck. MICHAEL: Staged? Why would he stage a-- TOM: Because he doesn't want anyone else finding where the real plane ended up... except for him. MICHAEL: I'm supposed to believe this? TOM: [Stepping closer to Michael] Did the bllet bounce off your skull, or did the gn just jam on you? MICHAEL: Prove it. TOM: Sorry? MICHAEL: Prove that this guy, Widmore, did what you say he did. Prove it. [Tom motions Michael over. He picks up a file and tosses it down to Michael, who leafs through the documentary evidence while sitting in a chair: a photo of dug-up graves, a receipt...] TOM: That's the cemetery in Thailand where Widmore dug up the 300-odd corpses he needed. And the purchase order for the old 777 he bought through a shell company, and the shipping logs for the freighter he used to drop the whole mess down a trench deep enough to guarantee that no remains are ever gonna be identified. Do you have any idea what it would cost to bring those bodies up? MICHAEL: Whatchyou want from me, man? TOM: In a few days, a freighter is porting in Fiji. It's Widmore's boat. We have reason to believe he's finally found the coordinates of the Island, and he's heading right for it. So congratulations, Michael. Your shore leave is over. You just got a job on that boat. Meet Kevin Johnson. [Tom sits down and tosses a U.S. passport to Michael and it drops on the table in front of him. Michael pages through it. In his new passport photo, he's smiling a big toothy grin.] TOM: You're joining the crew in Fiji as a deckhand. MICHAEL: You want me to go undercover? Why the hell would I go back to work for you people? TOM: Because if Widmore finds the Island, it's good night for everybody on it. He'll kll them all without thinking twice. You wanna redeem yourself for what you did? This is your only chance. You can save all their lives. MICHAEL: No. I can't. I can't go back to that island. [Michael gets up and starts to leave.] TOM: I didn't say you were going back to the Island. You're not going on that boat so you can swab decks, Michael. [Michael turns around.] TOM: You're going so you can kll everyone onboard. Act 5 [In Fiji, native drumbeats play on a busy wharf street. An old green bus drives by, piled with luggage. Men carry baskets and women staff market stalls. Horns honk, and men speak a Pacific Island language. A forklift beeps. Seamen align ropes in preparation for departure of the freighter Kahana. A taxicab drives up and Michael steps out, slinging a duffel bag over his shoulder and donning a black ballcap. Minkowski, standing on the docks and wearing sunglasses, turns around and calls out to Michael.] MINKOWSKI: Hey. You our engineer? MICHAEL: Nah. Just a deckhand. [Minkowski takes off his sunglasses.] MINKOWSKI: Well, we're all equals on this boat... as long as you play decent hold'em. I'm George... Minkowski. [He shakes Michael's hand.] MICHAEL: Kevin Johnson. MINKOWSKI: Ah, nice to meet you, Kevin. All right, well, why don't you go check in with Naomi over there? And, uh, I'll be seeing you. Welcome. [Naomi finishes up checking in another crewmember coming aboard.] NAOMI: Okay. You're good to go. Thanks. [The other crewmember boards the ship. Michael steps up.] MICHAEL: Uh... I'm reporting for duty. Kevin Johnson. [Naomi checks her manifest.] NAOMI: Naomi Dorrit. Pleasure. So you're from the States, yeah? MICHAEL: New York. NAOMI: Yeah, I could tell from the accent. MICHAEL: Manchester? NAOMI: How'd you guess? You can head onboard. Oh, uh, one of these crates was delivered for you. [Naomi indicates a medium-sized wooden crate with "KEVIN JOHNSON" stenciled across it. It's locked with a padlock.] NAOMI: I'll have it delivered to your berth? MICHAEL: Yeah. Thanks. NAOMI: Welcome aboard, Kevin. [Men are calling orders around the ship as Michael steps aboard. Someone calls to him.] MILES: Your name isn't Kevin. [It's Miles Straume, the spiritualist. He's sitting on a pile of crates on the deck, nonchalantly eating an orange, peeling it with a Knfe. He smiles.] MILES: Don't worry. Eighty percent of the people on this boat are lying about something. Orange? MICHAEL: No, thanks. [Michael's cell phone rings. He unfolds it with a sigh and answers.] MICHAEL: Yeah? TOM: How was your trip? [On the other end, Tom sits in his penthouse suite wearing a purple shirt, his feet up on the coffee table.] TOM: I figure flying can't be too much fun for you. MICHAEL: What do you want? TOM: You get your care package? MICHAEL: Yeah. TOM: Wait a day or two until you're out in the open sea, then you're good to go. [Michael watches as Naomi admits another crewmember.] NAOMI: You can stow your gear downstairs, all right? Welcome aboard, Keamy. TOM: Oh, you met some of 'em now. Got some names and faces, and you're gettin' cold feet, huh? MICHAEL: Yeah, actually, I am. TOM: Well, here are a few more names for ya--Sun, Sawyer, Jack, Claire, her baby. And the only way you're gonna save their lives is if you man up and get on that boat. Or maybe you wanna come back and explain to your kid how you let all of them die, too. It's game time. Are you in or out? MICHAEL: [Pauses] I'm in. TOM: Good, then ditch your phone and go do your job. [Line clicks, dial tone. Michael shuts his cell phone and tosses it overboard.] [The Kahana motors through an endless expanse of ocean as the sun dips in the sky. Michael leans over a railing on the deck, studying the horizon. He overhears an argument between Naomi and Frank.] NAOMI: Sorry, Frank, but I'm going first and that's all there is to it. FRANK: No offense, but I was flying these things when you were still in grade school. If anybody's gotta go first, it should be me. NAOMI: Yeah, I need you here to transport the science team, Frank. FRANK: What the hell are you gonna be doing? NAOMI: That's need-to-know. You don't. [She turns and steps through a central door, shutting it behind her. Frank walks up to Michael, pulling the remnants of a stogie from the pocket of his Hawaiian shirt.] FRANK: [Chuckling] So much for the fairer sex, huh? [Michael fakes a chuckle. Frank extends his hand.] FRANK: Frank Lapidus, chopper pilot. MICHAEL: Kevin Johnson. Deckhand. [They shake.] FRANK: So what's your story, Kevin? MICHAEL: Sorry? FRANK: How'd you end up on this tub? MICHAEL: Um... looking for a little adventure. FRANK: Ah, adventure. Yeah. Well, [whispers] how do you like this for adventure? You ever hear about Oceanic 815? MICHAEL: [Pauses] Yeah. FRANK: What would you say if I told you the plane they found in that trench wasn't Oceanic 815? MICHAEL: Then what is it? FRANK: You know those nuts that think the moon landing was faked? Well, this is like that... only real. That's why I signed up for this trip, because the owner of this boat believes me. Charles Widmore. He believes that 815 is still out there somewhere. (Whispering) I mean, can you imagine what would happen... if we found some of those people alive? [Frank walks away.] [Sitting on a bunk in his berth at night, Michael flips a key in his hand while he looks at the locked crate sitting on a table.] [Midday, on the deck of the Kahana, Michael wipes a wall with a wet rag and bucket of soapy water. He turns when he hears a shout and the sound of atmatic fre.] KEAMY: Pull! [Keamy fires a machine gn at a clay pigeon as it soars toward the horizon.] CREWMAN: Whoo! [The other crew members cheer, howl and laugh.] KEAMY: Pull! [gn, cheers and laughter.] KEAMY: Pull! [He misses the third pigeon.] KEAMY: Another clip. [Someone hands him one. He reloads his wapon.] CREWMAN: Good job. KEAMY: Pull! [gn. This time he gets the pigeon.] KEAMY: kll sht! CREWMAN: Yeah! MICHAEL: Hey. [Michael has approached. Keamy turns toward him.] CREWMAN: Whoo! MICHAEL: What are you guys doing? KEAMY: What's it look like we're doing? We're shting things. Pull! [Keamy fires again. Crewmen laugh. Shell casings clatter on the deck.] CREWMAN: Whoo. MICHAEL: I, uh... thought we were going on a rescue mission. [Keamy turns to look at the other men. They laugh.] KEAMY: Uh... don't you have something to mop up? [He cocks the rfle.] CREWMAN: Yeah. CREWMAN: Come on. Let's go. [Michael walks away.] KEAMY: Pull! [gn.] KEAMY: [In the distance] Pull! [gn in the distance.] [Back in his berth, Michael opens the crate and extracts a carrying case. He hears Keamy continue to shout "Pull!" from outside. Michael takes the case down a corridor to the engine room, opening the door with a squeak and closing it with a clank. He nervously sets the case down next to a large pipe labeled "FUEL LINE ONE - WARNING - NO OPEN FLAMES", extracts the key from his pocket, and inserts the key into the case, and pops it open. Inside is a toolkit filled with pliers and screwdrivers and the like. Kevin removes the false bottom that the toolkit is mounted on to reveal a plastic explsives bmb with detonator circuitry, a numbered keypad, and a large red execute button. He whispers to himself as he punches in a numbered code on the keypad. Each press elicits a beep.] MICHAEL: [Whispering] You can do this, man. You can do this. 7... 1... 7-7-6. Okay. Okay. [Michael holds his finger over the execute button when suddenly he hears music--Mama Cass Elliot's "It's Getting Better". He whirls around.] CASS ELLIOT: [Music playing] ...but it's getting better... [Michael hears ghostly voices whispering. He looks around. No one's there. He's alone. He gasps. Just as he turns back to the button, he hears a woman's voice.] LIBBY: Don't do it, Michael. [Michael gasps and turns his head to see Libby standing there wearing a green T-shirt and blue jeans, the same clothes she was wearing when he sht her. He whirls around, but the next instant, there's no one there. He turns back to the bmb. Walks up to it. After some seconds of hesitation, he presses EXECUTE. The timer counts down from 15. Rapid beeping starts.] MICHAEL: [Closing his eyes] I love you, Walt. [The beeping continues. When the timer reaches zero, the beeping stops. A small flag pops up from the right side of the bmb. Michael unclenches his eyes. He pulls off a small roll of paper from the flag. It reads, in large black block letters: "NOT YET."] Act 6 [Michael sits alone in his cabin on the freighter, bouncing a tennis ball up against the wall. A knock comes on the door. It opens. It's Minkowski.] MINKOWSKI: What, are you going Nicholson on us? MICHAEL: What? MINKOWSKI: You know, Jack Nicholson in The Shining, when he's bouncing that ball against the wall? Next thing you know, you're gonna go after your wife with an ax. MICHAEL: I'm not married, man. [Minkowski catches the ball on the next bounce and tosses it in his hand.] MINKOWSKI: Well, I'm sorry to interrupt, but you got a call. MICHAEL: A call? MINKOWSKI: Yeah. From the mainland. They patched it through to the radio room. MICHAEL: It's gotta be a mistake, man. Nobody even knows I'm here. MINKOWSKI: Well, you're the only Kevin Johnson onboard, so somebody knows you're here. Said he really needs to talk to you. His name's Walt. [Minkowski leads Michael into the radio room on the freighter. He goes over to the communications console and hands Michael a headset.] MINKOWSKI: Yeah, here you go. MICHAEL: Hey, uh ... it's kind of personal. Mind if I take this alone? MINKOWSKI: Take your time, Kev. You just push this yellow button (indicates a switch from "Channel A" to "Channel B") and, uh, turn this knob on the console [indicates a frequency selection knob]. MICHAEL: Got it. Okay. [Minkowski leaves. The instant the door shuts behind him, Michael presses the switch and turns the knob.] MICHAEL: Walt? [The voice is not Walt's, but it's familiar.] BEN: I'm so sorry, Michael, but he's still in New York. [A wheelchair-bound Ben speaks into a ham radio microphone from within his secret closet in his house in the Barracks.] BEN: So I'm afraid you're stuck with me. Michael? Are you still there? MICHAEL: You put me on this boat, talked me into blwing it up, and when I push the damn button, a flag pops up. BEN: You actually activated the bmb? MICHAEL: [Shouts] It's not a bmb! It's a... [catches himself] it's a joke. BEN: There are people on your boat who are innocent. They have no idea that the man they work for is a monster, a kller without conscience or a greater purpose. I had to show you the difference between him and me. When I'm at wr, I'll do what I need to do to win, but I will not kll innocent people. MICHAEL: Ana Lucia and Libby... they were innocent. BEN: You klled them, Michael. No one asked you to... I don't blame you, Michael. We did have your boy. And what wouldn't a man do for his son? MICHAEL: What do you want... from me? BEN: I want you to compile a list of names... every person on your boat. When I call again, you'll give me that list. Then you will disable the radio room you're sitting in. When the crew is disoriented by their lack of communication, you'll take out the engines too. That way, the boat can never get to this island, and your friends will be safe. Will you do that for me, Michael? MICHAEL: Yeah. BEN: Then consider yourself one of the good guys. [Present - Sayid and Desmond have been listening to Michael's story in the engine room of the Kahana.] SAYID: So you're telling me... that you're working for Benjamin Linus? MICHAEL: Yeah. Yeah, that's what I'm telling you. [Sayid approaches Michael nonchalantly, as if to hug him, then he grabs Michael, spins him around, and pins his right arm behind his back.] MICHAEL: Hey! Aah! DESMOND: Hey, Sayid. MICHAEL: Guys! [Michael grunts.] MICHAEL: Hold it! Uhh! Let me go! What are you doing?! SAYID: Shut your mouth! [Sayid marches him through the door, down a hallway, and into the captain's stateroom. Desmond follows.] GAULT: What the hell is this? SAYID: This man is not who you think he is. He was a passenger on Oceanic Flight 8-1-5. I spent two months with him on the island before he betrayed us. This is the man who sabotaged your radio room. He destroyed the ship's engine, and his name isn't Kevin Johnson. It's Michael Dawson, and he's a traitor. [Leaves rustle as Rousseau leads Alex and Karl through a tall grassy area on the Island.] ROUSSEAU: We stop here and drink. Two minutes, then we keep moving. [Alex and Karl sit on a log and take out bottles of water. Rousseau consults the map.] ALEX: What's wrong? KARL: Nothing. ALEX: Karl. KARL: I don't know. I just have a bad feeling about this. What if your dad is... playing us? ALEX: Look, I don't like taking orders from my dad any more than you do. But I know he doesn't want me to get hurt. KARL: Well, at least we've got something in common. [They chuckle.] ALEX: I promise not to tell if you won't. [She laughs. They hear a pop-woosh sound. Then another, and Karl's water bottle springs a leak right in his hand. A third pop-whoosh, and another sht hits Karl's chest. He jerks and falls forward with a soft cry.] KARL: Uhh! [He falls to the ground. Alex kneels down to pick him up.] ROUSSEAU: Alex! ALEX: [Gasping] Karl? ROUSSEAU: Alex! ALEX: Karl! Karl, Karl! No! ROUSSEAU: Come on. ALEX: No! No! ROUSSEAU: Come on! He's gone. ALEX: [Crying] Karl! ROUSSEAU: Alex! [Rousseau pulls Alex up, and they cover their heads, trying to get to cover at the base of a palm tree. As they move, bllts whizz by, striking trees.] ALEX: No! No, no, We have to get Karl. Karl! ROUSSEAU: He's gone. ALEX: Karl! ROUSSEAU: He's gone! He's gone! Listen to me. ALEX: No. [Panting] ROUSSEAU: I need you to take my hand. On the count of three, we're going to run. [Alex sobs.] ROUSSEAU: Can you do that with me? I love you. I love you very much, Alexandra. [Rousseau brushes Alex's hair out of her face, and whispers.] ROUSSEAU: Are you ready? [Alex nods and gasps.] ROUSSEAU: One... [Rousseau stops whispering and gets louder.] ROUSSEAU: Two... [Rousseau takes her daughter's hand and turns, getting up.] ROUSSEAU: Three! [Just as Rousseau jumps up, a gn sounds and a b*llet whizzes into her chest, just below her right breast. She grunts and falls forward with a thud. Alex returns to behind the palm tree cover, sitting, gasping. In the tall grass in front of her, rustling: someone's running there. She's surrounded. Alex gets up and stands in the open with her hands up, and shouts.] ALEX: Wait! Wait! Don't! I'm Ben's daughter! I'm his daughter!	{"type": "series", "show": "Lost", "episode": "4x08 - Meet Kevin Johnson"}	foreverdreaming
"The Shape Of Things to Come" ~4x09~ Act 1 [Sitting by the shore, Kate lowers the strap of her tnk top to sponge herself with water. She sees Jack and waves at him. Jack waves back and keeps walking, holding his side. In a tent, he opens a suitcase holding the prescription medications.] KATE: You got a prescription for that? [Kate peeks in the tent.] JACK: Yeah. I wrote it myself. KATE: You look terrible. JACK: Well, thanks. [Jack takes some pills with water.] KATE: What are those? JACK: Antibiotics. I just got a... a stomach bug. KATE: You should eat some crackers. Crackers always make me feel better. [Jack chuckles, and Kate chuckles.] KATE: Why aren't they back from the boat yet, Jack? JACK: Well, Sayid said the engine was down. My guess is they're trying to fix it and wondering why the hell they can't get in touch with us. KATE: And you're not worried? JACK: No. My gut says we're getting off this island. KATE: I thought your gut was sick. [They laugh. They hear Vincent barking. A man shouts.] BERNARD: [Off-screen] Help! I need some help! Help! [Jack and Kate run down to the shore. Vincent barks.] BERNARD: Help! I need help! I need some help down here! [Bernard has found a body washed up onshore. Juliet comes running too.] BERNARD: The dog was barking. I didn't see him. [Sun and Jin and Daniel and Charlotte arrive at the scene. Jack, Bernard, Juliet and Jin hoist the body ashore. Jack turns the body over. It's a man with a small cut on his upper cheek and a larger one across his throat. Daniel and Charlotte look on apprehensively.] JACK: Do you know who this is? DANIEL: He was on our boat. He's the doctor. HURLEY: We're all gonna die. [Inside the Barracks, Sawyer, Locke and Hurley sit around a table in heated deliberation.] SAWYER: Calm down, Chicken Little. The sky ain't falling just yet. HURLEY: This is exactly what he wants--to fight amongst ourselves. You're making a big mistake, dude. LOCKE: It's his to make, Hugo. [To Sawyer] Let's get on with it. SAWYER: Right... I'm attackin' Siberia. [A loaded board game of Risk sits on the table. Hurley holds Aaron in his arms. Sawyer and Hurley roll the dice, and then Sawyer laughs, picking off some of Hurley's pieces.] SAWYER: [laughs] Sorry. HURLEY: Can't believe you're just giving him Australia. Australia's the key to the whole game. SAWYER: Says you. [Sawyer rolls again.] [In the jungle, the military team from the freighter leads Alex, her hands bound and her eyes blindfolded.] KEAMY: Stop here. On your knees. Get on your knees. [He shoves Alex to the ground, then removes her blindfold. She's at the edge of the sonar fence, a numbered keypad before her.] KEAMY: Hey. Turn this thing off. ALEX: P-please. There's a baby with them. Just promise you won't— [Keamy cocks a pstol at her head.] KEAMY: Turn the fence off. [She enters 1-6-2-3.] ALEX: Okay. It's off. [We hear the woosh of the fence deactivating.] [Back in Ben's house in the Barracks, a black telephone rings in the room where the game of Risk is taking place. Hurley, Sawyer, Locke and Aaron turn their heads toward it. Locke gets up and picks up the phone. He hears a beep and an automated female voice.] AUTOMATED FEMALE VOICE: [Over phone] Code 14-J. Code 14-J. HURLEY: Who is it? LOCKE: I think it's for Ben. [In a different house, the one where Jack stayed, Ben plays the piano. Sawyer and Locke barge in.] LOCKE: What's "code 14-J"? [Ben's eyes go wide.] BEN: Where did you hear that? LOCKE: The phone rang. I picked it up. A voice kept repeating, "code 14-J." [Ben jumps to his feet, opens up the piano bench, and extracts a gn. Sawyer steps back in thrat shock, going for his pstol. Before Sawyer can draw, Ben cocks the wapon and hands it to Sawyer.] BEN: We need to get to the other house. It's easier to fortify, and we'll have better position on the tree lines. [Ben rushes for the door.] LOCKE: What are you talking about? BEN: They're here. [Ben opens the front door and walks out.] Act 2 [Flash-forward - Ben comes to consciousness, lying sprawled supine in cracked, dry beige earth. He's wearing a parka with an as-yet-unseen DHARMA Initiative logo patch on the right chest, and a "HALLIWAX" nameplate on the left. Some sort of mist dissipates around him. He sits up and scans the horizon. Brown earth and mountains. Not another living thing in sight — not even a plant. No footprints can be seen around him.] SUBTITLE: Sahara Desert [Ben gets to his knees, and becomes sick, vomiting a little. A gash on his right arm leaves that part of the parka blood-soaked. Unsteadily, he gets to his feet and looks around. Ben hears the galloping of horses. He looks around. There is nowhere to run, nowhere to hide. Suddenly, two Bedouin men ride up, turning a corner around a low ridge of earth. The shout at each other. They both wield AK-47s. Ben raises his uninjured arm in salute. One Bedouin wears a red keffiyeh on his head, the other, a gray one.] BEN: Hello. [Red speaks an unintelligible language and cocks and points his wapon at Ben.] BEN: No, no, no, no. Wait. [Red and Gray talk to each other in Arabic.] RED: [Unintelligible] GRAY: [In Arabic] Look around! He doesn't have any trail. [Red looks around and sees no trail in the sand.] RED: [In Arabic, agitated] Where did he come from? Fell from the sky? BEN: Wait. I can explain. D-do you speak English? [They do not answer. Ben tries different languages.] BEN: [In Arabic] Do you speak Arabic? [:تتكلم بالعربي؟] [Still no reply.] BEN: [In Turkish] Do you speak Turkish? [:Türkçe biliyor musunuz?] [Red looks at Gray. Gray dismounts and moves toward Ben.] GRAY: [In Arabic] Do not move! [:!ما تتحرك] BEN: Sure. Sure. [Ben unzips his parka. Gray pulls it off. Ben winces as the parka pulls his injured arm. Gray pats Ben down. Coming to his right pocket, he feels something hard. Gray motions to Ben to remove the thing by patting it with the barrel of his gn.] BEN: Ah. Okay. Okay, okay. [Ben smiles and waves innocently as he removes the object. A small metal cylinder. He holds it up. Red shakes his head uncomprehendingly.] BEN: [Chuckling and gesturing] This... GRAY: [To Red, in Arabic] What is this? [:شنو هذا؟] [Red gestures "I don't know".] GRAY: [To Ben, in Arabic] What is this? [:شنو هذا؟] [With a press of his thumb, Ben telescopes the small cylinder into a baton and whirls around, hitting the off-guard Gray in the head. Before Red can react, Ben has twirled Gray's body around in front of him as a shield and commandeered his wapon to fre into the chest of Red. Red's horse takes off in the other direction as Red's body slips limply to the ground. Ben flips Gray to the ground and Gray puts his hands up.] GRAY: Surrender! Surrender! BEN: Oh, so you do speak English. [Ben knocks Gray unconscious with the butt of the rfle. He tears off a piece of Red's keffiyeh to use as a makeshift tourniquet on his injured right arm, pulling it tight with his mouth. He mounts Gray's horse] BEN: [to the horse] Yah! [He rides off the way they came.] [On-Island - Ben leads Sawyer and Locke across the grounds of the Barracks.] SAWYER: Let me guess. "14-J" ain't the code for the pizza boy. BEN: It's an early warning system. LOCKE: Warning for what? BEN: Somebody tripped the panic switch at our security fence. That means one of my people's been captured. [They arrive at the front of Ben's house.] BEN: How long did you guys debate amongst yourselves whether or not to ask me why the phone rang? LOCKE: [Shrugging] Five minutes. BEN: Well, so much for our head start. [He turns to go inside the house.] SAWYER: Hold up. If we're hunkerin' down, I gotta grab Frenchie and the kids. BEN: Don't bother. They're safe. I sent Rousseau, Alex and Karl away yesterday. SAWYER: [Indignantly] Away where? [Ben remains silent.] SAWYER: Whatever. Claire's still sleepin'. I'll grab her. [Sawyer tosses the gn to Locke.] BEN: There's no time! SAWYER: I'll make time. [Locke turns to go with Sawyer. Ben stops him.] BEN: It's very important that you survive what's about to happen here, John. So I need you to stay close to me. LOCKE: And why would I do that? BEN: Because the people that are coming won't risk hurting me. You want to live? I'm your best chance. [On the beach, the living doctor examines the dad one.] JACK: His throat was slit. [No one speaks.] JACK: Know anything about that? [Charlotte stays silent.] DANIEL: No. Uh, he was fine when I last saw him. JACK: Which was when? DANIEL: When? "When" is kind of a relative term. CHARLOTTE: We don't know anything about this. JULIET: Any luck fixing the sat phone? DANIEL: Uh, yeah. Sorry, no. The, uh, the mic was... smashed up pretty good. Best-case scenario, we'd only be able to broadcast tone squelch. Beeps and boops. BERNARD: Well, yeah, but you could still use it as sort of a telegraph, right? DANIEL: If I had some strips of ferrous metal, uh, a 9-volt battery clip and some ... wiring. KATE: We got a bunch of stuff that we salvaged from the plane. DANIEL: Great. KATE: I'll show you where it is. [They go away, leaving Jack, Charlotte and Bernard.] JACK: Bernard, you got a second? [In Ben's house at the Barracks, Ben and Locke move furniture around to block doors and windows.] LOCKE: These people who are coming — you're scared of 'em, aren't you? BEN: That's right, John. I am. [Aaron cries. Hurley rounds the corner with the baby in his arms.] HURLEY: What's going on? [Ben and Locke move a bookshelf, tipping it over, dumping its contents.] LOCKE: Get away from the window, Hugo. HURLEY: How's Sawyer gonna get back in? BEN: He's not. [Outside, Sawyer comes around to the front of a house to find a redshirt in a plaid shirt gathering firewood.] SAWYER: Hey! You see if Claire left her house this morning? DOUG: What's going on? Why do you have that? [Indicating Sawyer's pstol] SAWYER: [Shouting] Just get back inside and wait until-- [A gn explodes the air, hitting the redshirt. He falls backward, dropping the firewood. Sawyer steps back as red blood splatters across his beige shirt. He points his pstol toward the tree line and fires a few shts. gn erupts from the treeline. bllts ricochet off the swing-set, causing sparks. A female redshirt runs out of the house in the midst of the commotion.] SAYWER: [Shouting] Get back inside! [A bllet cuts the woman down. Another man runs out to check on her.] SAWYER: [Shouting] Get inside! [But too late — another gn, a third dad body. Sawyer fires another sht into the treeline. Machine gn fre erupts from the jungle. Dodging a hail of bllts, Sawyer makes a run for it. He briefly takes cover behind a picnic table, lifting it up as a shield. He gets up to fre at a man fring a machine gn from the jungle.] SAWYER: [Shouting] Claire! [Sawyer ducks down behind the picnic table again, then makes a dash toward Claire's house, bllts impacting all around him, the pickets of the short white wooden fence he's running along flying off ahead of him as he runs. He fires off a few more rounds before taking refuge behind a barbecue grill. From the trees, someone launches a rocket toward the Barracks. Sawyer sees where it's going and runs the last few yards toward Claire's house.] SAWYER: Claire! [The rocket strikes the house, which explodes in a fireball and collapses. Sawyer dives and rolls. He gets up to see little left of the house.] SAWYER: CLAIRE! Act 3 [Flash-forward - Grizzled and dirty, and still wearing the red keffiyeh tourniquet, Ben steps into the open-air lobby of a busy Tunisian hotel. He steps up to the desk, where the attendant, a young woman in an orange headdress, has her back turned. Ben rings the bell. She turns around; her nametag gives her name. She speaks with an English accent.] NARJISS: Good afternoon, sir. BEN: Good afternoon. I'd like a room, please. NARJISS: Of course, sir. Is this your first time in Tunisia? BEN: No. But it's been a while. NARJISS: Your name? BEN: I'm actually a preferred guest. It should be under "Dean Moriarty." [Ben hands her a passport. She looks through the register, then up at him in a bit of shock.] NARJISS: Certainly, Mr. Moriarty. [She hands him a key.] NARJISS: May I help you with anything else? BEN: Yes. Um, today's date is... NARJISS: October 24th, sir. BEN: [Embarrassedly] 2005? NARJISS: Yes, sir. 2005. [He shakes his head — "silly me" — and turns away.] BEN: Thank you. [As Ben climbs the stairs, new footage playing on a television set attracts his attention. The footage, narrated by a female newscaster in Arabic, shows Sayid hounded by cameras as he tries to get into a car.] SAYID: [On television] I just want to bury my wife in peace. [On-Island - In Ben's house in the Barracks, Hurley, holding a bawling Aaron, peers through a curtain at the smoldering wreckage that was once Claire's house. Locke and Ben stack a couch in front of the front door. Locke shouts and points at Ben.] LOCKE: Right now, I need you to tell me what's going on. BEN: I think the technical term is "shock and awe." They're trying to frighten me into surrendering. LOCKE: Well, why did they stop shting? HURLEY: Was that Claire's house?! Claire was there! LOCKE: Hugo, get the baby away from the window. Put him in the back room. [Hurley goes. Ben reloads a pstol.] LOCKE: You said I need to survive this. Why? BEN: Because there's only one person that can help us now, and that's Jacob, and we have to go to him together. LOCKE: What makes you think I can find him? I—I don't even know where the cabin is. BEN: I know, but Hurley does. [Outside, Sawyer shouts, searching for any trace of Claire as he goes through the wreckage.] SAWYER: Claire! Claire! Claire! [He spots legs sprouting from under a blanket.] SAWYER: Claire! [He pulls the blanket away and examines her bloody face.] SAWYER: Are you okay? CLAIRE: [Coming to] Charlie? SAWYER: Okay. [He hoists her into his arms.] CLAIRE: Where's Aaron? Where's Aaron? SAWYER: He's with us. It's okay. We're gonna move now. Let's go. [Inside Ben's house, Hurley takes a laundry basket and sets it on Ben's bed, placing a pillow inside it to create a makeshift cradle for the baby. He sets the crying lad in it.] SAWYER: [Screaming from outside] Open the front door! [Hurley looks out the window to see Sawyer running with Claire in his arms. He hastens to the front door and tries to move the couch away. He hears a wapon cock.] BEN: Hugo, you don't want to do that. [Outside, Sawyer rounds a corner and comes to the front door of Ben's house. He tries kicking it.] SAWYER: Open the damn door! [Inside, Hurley becomes determined.] SAWYER: [Shouting from outside] Open the door! Open the damn door! [The door pounds with a kicking sound. Hurley lifts a large ottoman and chucks it through the front window. Sawyer runs to it and deposits Claire inside, handing her to Hurley.] SAWYER: Careful. [Sawyer climbs inside.] LOCKE: Is she all right? SAWYER: She got her bell rung, but she's gonna be all right. [Locke pulls the drapes shut. Sawyer crouches in a doorway, trying to catch his breath.] SAWYER: They just started sht'. Why? Why slaughter people without even telling us what they want? BEN: Those people were mrder to make you angry, James. So you'd be more likely to come storming in here and throw me to the wolves. [Sawyer grabs Ben by the lapel.] SAWYER: Yeah, what's wrong with that? Sounds like a great plan to me. [To Locke] What do you say, on three? [The doorbell rings. Ben is saved by the bell as everyone turns to look at the door. They all point their gn. Locke runs to the door.] BEN: [Sing-song] I wouldn't if I were you. SAWYER: Shut up! [Sawyer peers through the drapes, pointing his pstol. He nods, then runs to the door and helps Locke move the couch and bookshelf away. Ben points his rfle, Locke cocks his pstol as Sawyer opens the door and pulls in the man standing outside. Sawyer slams the door shut again and points his pstol.] LOCKE: Miles? SAWYER: Who the hell let you out? MILES: The people who gave me this. [He shows a walkie-talkie.] They want to talk. Act 4 [Flash-forward - An American military truck rolls through a dirt street, with an American soldier guarding it as he walks along behind. Arab women in black clothes and headscarves clutching their children line the edges of the street. More American soldiers follow. Behind them, a funeral procession on foot, with a wooden coffin being carried on the shoulders of pallbearers, all Arab men. Up on a balcony, a woman lifts her son up so he can watch the procession. A man in front carries a framed picture of the deceased. It's Nadia. The men in the procession chant the shahadah in Arabic. Women in the procession carrying a framed photograph sob. A white van with the word "Press" painted on the corner of its windshield pulls up.] SUBTITLE: Tikrit, Iraq [The van stops. Out of the driver's seat steps Ben Linus. He crosses the street, turns a corner, and goes up the stairs of a building, passing a man in a turban as he climbs the stairs through a chain link gate to the roof. He removes his sunglasses, scans the street below, and pulls out a camera and a telephoto lens, assembling them with a snap. He first focuses on a dark-skinned bald man enjoying coffee leaning up against a corner of a building as the funeral processing goes by. Snap. Snap, snap. Then Ben focuses on a pallbearer in a black Western suit. Snap. It's Sayid, who looks up directly into the camera as Ben takes the picture. Startled, Ben ducks, hides, then runs down the stairs, across the street, making a beeline for his van, but before he can get there he is tackled to the ground and mounted by his assailant in a black suit.] SAYID: You vultures, you followed me to Tikrit? You spy on me? [Sayid lifts his fist to pummel the paparazzo, then realizes who it is. He lifts Ben up by the collar.] SAYID: What are you doing here? BEN: I'm here to find the man who mrder your wife. [Sayid lifts Ben to standing, and leads Ben to a corner strewn with debris.] SAYID: How did you get here? BEN: I came across the Syrian border. It's really not as difficult as you might— SAYID: How did you get off the island? BEN: Your friend Desmond had a boat. Remember? The Elizabeth. I followed a heading to Fiji. Then I chartered a plane. SAYID: Why now? BEN: You remember the name Charles Widmore, don't you? The man who tried to convince the world that your plane was on the bottom of the ocean? SAYID: What does it have to do with me? With Nadia? BEN: There was a man at her procession. He goes by the name of Ishmael Bakir. He's one of Widmore's men. [Ben extracts a photograph from his pocket and shows it to Sayid. It looks like it's from an automated traffic camera. The man behind the wheel is the one Ben took photographs of from the rooftop moments earlier.] BEN: Bakir was last seen five days ago in Los Angeles, caught by a traffic camera, speeding away from the corner of La Brea and Santa Monica. SAYID: That's three blocks from where Nadia was klled. [Ben nods.] SAYID: Why would these people want to mrder her? BEN: I don't know. But they did. [Sayid crumples the photo in his fist.] [On-Island - Back in Ben's house, Sawyer pats down Miles while Locke interrogates him. Ben is in a corner, thinking quietly.] LOCKE: How many of 'em are there? MILES: Maybe six. I'm not sure. SAWYER: The hell you mean, you ain't sure? You came over on the same boat with 'em, didn't ya? MILES: They told me they were just security. LOCKE: Security for what? MILES: [Indicates Ben] For him. Once they got him, to escort him back to the mainland. BEN: Well, Miles, sounds like you're not gonna collect your 3.2 million dollars. MILES: Just take it. [Hands over the radio] BEN: Why would I talk to them? MILES: Because they have a hostage. BEN: Well, then they've badly miscalculated, 'cause every single one of my people is prepared to die in service to this island. MILES: It's your daughter! [Ben looks, frightened. He takes the walkie-talkie.] BEN: Hello? KEAMY: [Over walkie] Am I speaking to Benjamin Linus? BEN: That's right. KEAMY: My name is Martin Keamy. I'm an employee of Charles Widmore. SAWYER: [Whispers to Locke] Who's Charles Widmore? LOCKE: Later. KEAMY: I'd like you to go look out your east window so we can talk about this face-to-face. [Ben goes to the window, peeling back the drapes.] KEAMY: To the left. You see me? [Keamy stands outside on Ben's front lawn, just paces away.] BEN: Yeah, I see you. KEAMY: All right, Mr. Linus, these are my terms: You're gonna step out the front door, put your hands above your head, and you're gonna walk straight to me. Once I have you in my custody, then I promise you that no one else in that house will be harmed. BEN: You and I both know that once you have me, there's nothing to stop you from klling everybody else on this island. KEAMY: [Smiling] What kind of guy do you think I am? BEN: Martin Christopher Keamy — former first sergeant, United States Marine Corps, served with distinction from 1996 to 2001, but since then, you've worked with a number of mercenary organizations, specifically in Uganda. So I know exactly what kind of man you are, Mr. Keamy, and we can dispense with the formalities. KEAMY: Okay, Ben. You got it. [Keamy whistles. Another man in fatigues pushes Alex forward.] KEAMY: Get down. [Keamy pushes Alex to her knees.] KEAMY: [To Ben] Get your ass out here right now... or I'm gonna kll your daughter. [Ben thinks.] BEN: I'd like to present a counterproposal. KEAMY: I'm listening. BEN: You and your friends... you turn around. Walk back to your helicopter. You fly away and forget you ever heard of this island. KEAMY: Tell your daddy goodbye. [He hands Alex the walkie-talkie] ALEX: [Sobbing] Dad... they're serious. They klled Karl and my mother. BEN: Alex... I have this under control. Everything's gonna be okay. ALEX: Please, daddy! Just please, please... KEAMY: You have 10 seconds, Ben. BEN: Okay, listen. KEAMY: Nine... BEN: She's not my daughter. KEAMY: Eight... BEN: I stole her as a baby from an insane woman. She's a pawn, nothing more. She means nothing to me. I'm not coming out of this house. So if you want to kll her, go ahead and do it— [A muffled gn interrupts Ben. Alex falls to the ground, limp, Keamy standing over her, his gn pointed down where her head was. Ben is shocked, dumbfounded. Keamy steps away.] Act 5 [Alex's dad body lays in the foreground, Claire's house burning in the background. Still looking out from the window, Ben stares in horror. Sawyer paces.] SAWYER: I don't see 'em. They just left her body there and disappeared into the jungle. LOCKE: They won't be gone for long. It's gonna be dark in about 20 minutes, and then they're gonna come for him. SAWYER: Then let's just hand him over. LOCKE: I don't think these people have any intentions of letting us walk out of here alive, James, no matter what we do. SAWYER: Well, I ain't got no intention of dyin'. BEN: He changed the rules. [Locke approaches Ben. Ben gets up and walks past him. Locke closes the curtains.] LOCKE: What? Who? What rules? SAWYER: [Whispers to Locke] You know I'm right. [Ben bolts.] SAWYER: Our best chance here is to toss him out and fend for ourselves. [Sawyer and Locke turn to see Ben pulling aside a bookshelf to reveal his secret room.] SAWYER: Hey! Where you goin'? [Sawyer chases, but too late. Ben vanishes inside, triggers a switch, and a steel security door comes down over the opening. Sawyer pounds.] SAWYER: Open this damn door! Open up! [Inside, Ben pulls aside a rack of suits and removes a false wall to disclose an ancient stone portal with ancient markings. The thick door gives to his body weight as Ben pushes inside.] [Flash-forward - A calm Tikrit cafe. Ben sips a cup of pale tea at the counter, eyeing Bakir, who sits outside reading a newspaper, through the cafe's large mirror. Bakir gets up. Ben abandons his beverage and follows. He looks around through the streets, and gives chase through a crowded marketplace, pushing aside shoppers and a beaded curtain, finding himself in an empty alleyway. Suddenly, Ben feels a gn at his back.] BAKIR: Walk. [Bakir frisks Ben, pushing him into a corner.] BAKIR: Who are you and why are you following me? BEN: My name is Benjamin Linus... [The name seems to mean something to Bakir, who lowers his gn slightly.] BEN: ...and I need you to take a message to Mr. Widmore for me. BAKIR: And what message is that? [A silenced gn, and Bakir falls forward, dad, revealing Sayid behind him with a gn. Sayid turns the gn down, away from Ben, toward Bakir. Another sht, and another, and another, and another, and another, click, click, click, click, click, click, click.] BEN: That should do it. [Ben walks away.] SAYID: Wait. Where do you think you're going? BEN: We're finished here, Sayid. Turn around and walk away. Mourn your loss. Get on with your life. [Ben turns to leave again.] SAYID: I have no life. They took it from me. BEN: Go home, Sayid. Once you let your grief become anger, it will never go away. I speak from experience. This is my wr. It's not yours. [Ben tries to leave once more, by Sayid catches him.] SAYID: I spent the last eight years of my life searching for the woman I love. I finally found her and I married her. And I buried her yesterday. So don't tell me this is not my wr. Benjamin... Who's next? BEN: I'll be in touch. [Ben walks away. As he does, the corners of his mouth curl upward.] [On-Island - Back in Ben's house, Sawyer pounds on the closed outer secret door.] SAWYER: Open the damn door! Son of a bitch just left us here. Open the damn door! [Hurley emerges with Claire, who's carrying Aaron.] CLAIRE: What's going on? LOCKE: Claire? SAWYER: You all right, sweetheart? CLAIRE: Yeah, a bit wobbly, but, uh, I'll live. MILES: Well, I wouldn't be too sure about that. [The secret door slides up, and Ben emerges, pushing past Sawyer.] BEN: Excuse me, James. SAWYER: 'Scuse you? [Ben picks up the walkie-talkie from the couch and pockets it.] SAWYER: What were you doing in there? BEN: Okay, listen to me very carefully: I need all of you to do exactly as I say. In a minute, we have to run from this house as fast as we can. At that moment, when I give the order, I want you to head straight for the tree line. HURLEY: You mean towards the guys with gn? BEN: No, we want to be as far away from them as possible. [The house starts to shake. An earthquake? Glass shatters. Ben peers out the window. A giant billowing centipede of smoke barrels out of the tree line like a freight train bound for hell, lightning arcing inside the black smoke. It roars and chitters and sweeps up a little tail of smoke behind it as it passes Ben's house.] BEN: Okay, outside. Outside now! [Locke, Ben, Sawyer, Hurley, Claire, and Aaron rush outside. Ben leads and watches as the muzzle flashes and lightning bolts light up the night in strobe. gn can be heard, and shouting, and the terrible deep roar of the Monster. Black smoke curls and twists around in the jungle. Distantly, men shout orders in chaos.] LOCKE: What did you do?! [Ben does not answer. A tree uproots.] HURLEY: Did you just call that thing?! [A man in fatigues carrying a machine gn runs toward the group. Sawyer readies to sht him, but no need. The soldier kneels down and fires his wapon vainly into the smoke. The monster envelopes him and sh*t a tentacle at him that knocks him to the ground, wraps around him, and drags him away, clawing at the turf, leaving his gn behind. The man disappears into the jungle screaming in terror. Miles looks on incredulously, then turns chicken and runs the opposite direction.] DISTANT VOICE: Fall back! SAWYER: [To Claire and Hurley] Go! Go, go! BEN: Head for the trees. I'll catch up with you. LOCKE: Hey, where are you going? BEN: I have to say good-bye to my daughter, John. [Ben extends a hand. Locke hands him one of the gn he carries, then runs off. Ben solemnly staggers to the dad body of his daughter Alex, and turns her over. He kneels down and sobs, then kisses her tenderly on the forehead, which is streaked with blood.] Act 6 [On-Island - On the table under the kitchen awning at the beach camp, Daniel taps on a jury-rigged telegraph key. Little electrical sparks inside the apparatus supplement the torchlight.] DANIEL: I can't believe it. Might actually have a signal. [Kate smiles approvingly.] JACK: What are you sending? DANIEL: [Tapping] "What... happened... to... the... doctor?" [Dits and dahs come back in reply.] DANIEL: Okay. They didn't exactly say what happened to the doctor, but your friends are fine, and the helicopter's coming back in—in the morning. JACK: [to Bernard] Well... BERNARD: He's lying. What the message said was, "What are you talking about? The doctor is fine." DANIEL: [Discomfited] You know Morse code. JACK: What does that mean, "The doctor is fine"? DANIEL: I don't know. JACK: Why are you lying? Why did you say that the helicopters are coming back? [Jack grabs Daniel by the shirt.] KATE: Jack! JACK: Were you ever... gonna take us off this island? DANIEL: ...No. No, no. [Jack looks like he is about to cry, then doubles over in pain.] KATE: Jack. [Jack pushes Kate away and staggers off, clutching his lower side.] [In the jungle, at night, the survivors gather.] SAWYER: I think your chopper buddies ran that way, if you wanna catch up. MILES: Yeah, I think I'll stay with you guys for—for now. [Sawyer hands Miles a torch. Locke and Sawyer draw their gn as footsteps approach. It's Ben.] LOCKE: Sorry about your daughter. BEN: Thank you, John. LOCKE: That being said, you lied to me. You told me you didn't know what the smoke monster was. BEN: You can ask Jacob all about it when we go to the cabin. SAWYER: Hang on. "Jacob"? Who the hell's Jacob? BEN: He's the man that's gonna tell us what to do next, James. SAWYER: You know what? I'm done with all this. I never should have followed you wackos in the first place. I'm goin' back to the beach, and Claire and the kid are comin' with me. [To Claire] You good with that? [Aaron begins to cry.] CLAIRE: Yeah, I'm good with that. MILES: I'm coming with you. SAWYER: Let's go. You too, Hurley. [Sawyer takes off. Locke cocks his gn and points it at Sawyer. Sawyer stops in his tracks, exasperated.] SAWYER: Have you lost your mind? LOCKE: Hugo stays with us. [Sawyer whips around and cocks his gn, pointing it at Locke. Locke doesn't sht him. It's a Mexican standoff.] SAWYER: Not a chance. HURLEY: Wait. Leave me out of this. LOCKE: I'm sorry, Hugo. We need you to find the cabin. SAWYER: He ain't goin' anywhere with you, you crazy son of a bitch. HURLEY: Stop! Put the gn down. I'll go with Locke. SAWYER: Hugo. HURLEY: It's okay, Sawyer. [To Locke] Please, put your gn down. [Locke puts his down.] HURLEY: [To Sawyer] You, too. SAWYER: You don't have to do this. HURLEY: You guys go back to the beach. I'll catch up sooner or later. [Sawyer desists.] SAWYER: [To Locke] You harm so much as one hair on his curly head... I'll kll you. LOCKE: Fair enough. [Aaron starts crying.] SAWYER: Let's go. Go. Move. [Sawyer, Miles, Claire and Aaron move off through the jungle.] LOCKE: Which way? BEN: Follow me. [Flash-forward - A black taxicab pulls up to a curb on a city street. Ben steps out. He looks up at the building that is his destination.] SUBTITLE: London, England. BEN: Thank you. [He hands payment to the cabbie, then, putting his hand into his coat pocket, walks through the gates of the building. Ben opens the doors and steps inside. A gray-coated doorman leans over a front desk. Ben walks right past the doorman. The doorman halts Ben with a few words.] DOORMAN: Good evening, sir. May I help you? BEN: [Whirling around] Oh, yes. I'm here to see Mr. and Mrs. Kendrick in 4E. DOORMAN: [Incredulous] At this hour, sir? BEN: [Shrugging with his eyebrows] They're expecting me. [Challenging] Feel free to call up. [Ben smiles. In his hands, behind his back, he clutches the closed baton we saw him use on the Bedouins in Tunisia. As he is speaking, he moves the baton further outward, as if in cautious preparation for opposition to his plan to go upstairs.] DOORMAN: No need, sir. Good night, sir. [Ben, hiding the baton deeper into his hand again, turns and heads toward the elevator. He steps in, and the door closes on him. He pulls off his black gloves and inserts a lockpick into the lock next to the P button: Penthouse Suite. It lights up, and the elevator begins moving. With a ding, Ben steps out of the elevator into the darkened penthouse. He steps into a bedroom.] BEN: Wake up, Charles. [Charles Widmore pulls on a bedside lamp.] WIDMORE: I wondered when you were gonna show up. I see you've been getting more sun. BEN: Iraq is lovely this time of year. When did you start sleeping with a bottle of scotch by the bed? WIDMORE: When the nightmares started. [Widmore pulls back the covers and pours himself a glass of MacCutcheon.] WIDMORE: Have you come here to kll me, Benjamin? [Widmore sips the whiskey.] BEN: We both know I can't do that. WIDMORE: Then why are you here? BEN: I'm here, Charles, because you mrder my daughter. WIDMORE: Don't stand there, looking at me with those horrible eyes of yours and lay the blame for the death of that poor girl on me, when we both know very well I didn't mrder her at all, Benjamin — you did. BEN: No, that's not true. WIDMORE: Yes, Benjamin, it is. You creep into my bedroom in the dad of night — like a rat — and have the audacity to pretend that you're the victim? [Widmore leans forward.] WIDMORE: I know who you are, boy. What you are. I know that everything you have you took from me. So... once again I ask you: Why are you here? BEN: I'm here, Charles, to tell you that I'm going to kll your daughter. Penelope, is it? And once she's gone... once she's dad... then you'll understand how I feel. And you'll wish you hadn't changed the rules. [Widmore shifts in his bed.] WIDMORE: You'll never find her. [Ben turns to leave.] WIDMORE: That island's mine, Benjamin. It always was. It will be again. BEN: [Turning] But you'll never find it. WIDMORE: Then I suppose the hunt is on for both of us. BEN: I suppose it is. Sleep tight, Charles. [Ben leaves, pulling the door shut behind him.]	{"type": "series", "show": "Lost", "episode": "4x09 - The Shape Of Things To Come"}	foreverdreaming

Subsets and Splits

No community queries yet

The top public SQL queries from the community will appear here once available.