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▁run ▁out ▁of ▁it . ▁For ▁oil ▁lub ric ation ▁it ▁is ▁recommended ▁that ▁for ▁applications ▁where ▁oil ▁does ▁not ▁become ▁war mer ▁than ▁, ▁oil ▁should ▁be ▁replaced ▁once ▁a ▁year , ▁while ▁for ▁applications ▁where ▁oil ▁does ▁not ▁become ▁war mer ▁than ▁, ▁oil ▁should ▁be ▁replaced ▁ 4 ▁times ▁per ▁year . ▁For ▁car ▁engines , ▁oil ▁becomes ▁ ▁but ▁the ▁engine ▁has ▁an ▁oil ▁filter ▁to ▁maintain ▁oil ▁quality ; ▁therefore , ▁the ▁oil ▁is ▁usually ▁changed ▁less ▁frequently ▁than ▁the ▁oil ▁in ▁bear ings . ▁ ▁D irection ▁of ▁load ▁Most ▁bear ings ▁are ▁meant ▁for ▁supporting ▁loads ▁per pend icular ▁to ▁ax le ▁(" rad ial ▁loads "). ▁Whether ▁they ▁can ▁also ▁bear ▁ax ial ▁loads , ▁and ▁if ▁so , ▁how ▁much , ▁depends ▁on ▁the ▁type ▁of ▁bearing . ▁Th rust ▁bear ings ▁( comm only ▁found ▁on ▁lazy ▁sus ans ) ▁are ▁specifically ▁designed ▁for ▁ax ial ▁loads . ▁ ▁For ▁single - row ▁deep - gro ove ▁ball ▁bear ings , ▁SK F ' s ▁documentation ▁says ▁that ▁maximum ▁ax ial ▁load ▁is ▁circa ▁ 5 0 % ▁of ▁maximum ▁radial ▁load , ▁but ▁it ▁also ▁says ▁that ▁" light " ▁and / or ▁" small " ▁bear ings ▁can ▁take ▁ax ial ▁loads ▁that ▁are ▁ 2 5 % ▁of ▁maximum ▁radial ▁load . ▁ ▁For ▁single - row ▁edge - contact ▁ball ▁bear ings , ▁ax ial ▁load ▁can ▁be ▁about ▁ 2 ▁times ▁max ▁radial ▁load , ▁and ▁for ▁cone |
- bear ings ▁maximum ▁ax ial ▁load ▁is ▁between ▁ 1 ▁and ▁ 2 ▁times ▁maximum ▁radial ▁load . ▁ ▁Often ▁Con rad - style ▁ball ▁bear ings ▁will ▁exhibit ▁contact ▁ell ip se ▁trunc ation ▁under ▁ax ial ▁load . ▁ ▁That ▁means ▁that ▁either ▁the ▁ID ▁of ▁the ▁outer ▁ring ▁is ▁large ▁enough , ▁or ▁the ▁O D ▁of ▁the ▁inner ▁ring ▁is ▁small ▁enough , ▁so ▁as ▁to ▁reduce ▁the ▁area ▁of ▁contact ▁between ▁the ▁balls ▁and ▁race way . ▁ ▁When ▁this ▁is ▁the ▁case , ▁it ▁can ▁significantly ▁increase ▁the ▁stress es ▁in ▁the ▁bearing , ▁often ▁invalid ating ▁general ▁rules ▁of ▁thumb ▁regarding ▁relationships ▁between ▁radial ▁and ▁ax ial ▁load ▁capacity . ▁ ▁With ▁construction ▁types ▁other ▁than ▁Con rad , ▁one ▁can ▁further ▁decrease ▁the ▁outer ▁ring ▁ID ▁and ▁increase ▁the ▁inner ▁ring ▁O D ▁to ▁guard ▁against ▁this . ▁ ▁If ▁both ▁ax ial ▁and ▁radial ▁loads ▁are ▁present , ▁they ▁can ▁be ▁added ▁vector ially , ▁to ▁result ▁in ▁the ▁total ▁load ▁on ▁bearing , ▁which ▁in ▁combination ▁with ▁nom inal ▁maximum ▁load ▁can ▁be ▁used ▁to ▁predict ▁lif es pan . ▁However , ▁in ▁order ▁to ▁correctly ▁predict ▁the ▁rating ▁life ▁of ▁ball ▁bear ings ▁the ▁ISO / TS ▁ 1 6 2 8 1 ▁should ▁be ▁used ▁with ▁the ▁help ▁of ▁a ▁calculation ▁software . ▁ ▁Avoid ing ▁und es irable ▁ax ial ▁load ▁The ▁part ▁of ▁a ▁bearing ▁that ▁rot ates ▁( e ither ▁ax le ▁hole ▁or ▁outer ▁circum ference |
) ▁must ▁be ▁fixed , ▁while ▁for ▁a ▁part ▁that ▁does ▁not ▁rot ate ▁this ▁is ▁not ▁necessary ▁( so ▁it ▁can ▁be ▁allowed ▁to ▁slide ). ▁If ▁a ▁bearing ▁is ▁loaded ▁ax ially , ▁both ▁sides ▁must ▁be ▁fixed . ▁ ▁If ▁an ▁ax le ▁has ▁two ▁bear ings , ▁and ▁temperature ▁varies , ▁ax le ▁shr inks ▁or ▁exp ands , ▁therefore ▁it ▁is ▁not ▁adm iss ible ▁for ▁both ▁bear ings ▁to ▁be ▁fixed ▁on ▁both ▁their ▁sides , ▁since ▁expansion ▁of ▁ax le ▁would ▁ex ert ▁ax ial ▁forces ▁that ▁would ▁destroy ▁these ▁bear ings . ▁Therefore , ▁at ▁least ▁one ▁of ▁bear ings ▁must ▁be ▁able ▁to ▁slide . ▁ ▁A ▁' fre ely ▁sliding ▁fit ' ▁is ▁one ▁where ▁there ▁is ▁at ▁least ▁a ▁ 4 µ m ▁clear ance , ▁presumably ▁because ▁surface - rough ness ▁of ▁a ▁surface ▁made ▁on ▁a ▁lat he ▁is ▁normally ▁between ▁ 1 . 6 ▁and ▁ 3 . 2 µ m . ▁ ▁F it ▁Bear ings ▁can ▁with stand ▁their ▁maximum ▁load ▁only ▁if ▁the ▁m ating ▁parts ▁are ▁properly ▁s ized . ▁B earing ▁manufacturers ▁supply ▁toler ances ▁for ▁the ▁fit ▁of ▁the ▁shaft ▁and ▁the ▁housing ▁so ▁that ▁this ▁can ▁be ▁achieved . ▁The ▁material ▁and ▁hard ness ▁may ▁also ▁be ▁specified . ▁ ▁F itt ings ▁that ▁are ▁not ▁allowed ▁to ▁slip ▁are ▁made ▁to ▁diam eters ▁that ▁prevent ▁sl ipping ▁and ▁consequ ently ▁the ▁m ating ▁surfaces ▁cannot ▁be ▁brought ▁into ▁position |
▁without ▁force . ▁For ▁small ▁bear ings ▁this ▁is ▁best ▁done ▁with ▁a ▁press ▁because ▁t apping ▁with ▁a ▁hammer ▁damages ▁both ▁bearing ▁and ▁shaft , ▁while ▁for ▁large ▁bear ings ▁the ▁necessary ▁forces ▁are ▁so ▁great ▁that ▁there ▁is ▁no ▁alternative ▁to ▁heating ▁one ▁part ▁before ▁fitting , ▁so ▁that ▁thermal ▁expansion ▁allows ▁a ▁temporary ▁sliding ▁fit . ▁ ▁Avoid ing ▁t ors ional ▁loads ▁If ▁a ▁shaft ▁is ▁supported ▁by ▁two ▁bear ings , ▁and ▁the ▁center - lines ▁of ▁rotation ▁of ▁these ▁bear ings ▁are ▁not ▁the ▁same , ▁then ▁large ▁forces ▁are ▁ex ert ed ▁on ▁the ▁bearing ▁that ▁may ▁destroy ▁it . ▁Some ▁very ▁small ▁amount ▁of ▁mis align ment ▁is ▁acceptable , ▁and ▁how ▁much ▁depends ▁on ▁type ▁of ▁bearing . ▁For ▁bear ings ▁that ▁are ▁specifically ▁made ▁to ▁be ▁' self - align ing ', ▁acceptable ▁mis align ment ▁is ▁between ▁ 1 . 5 ▁and ▁ 3 ▁degrees ▁of ▁arc . ▁Bear ings ▁that ▁are ▁not ▁designed ▁to ▁be ▁self - align ing ▁can ▁accept ▁mis align ment ▁of ▁only ▁ 2 – 1 0 ▁minutes ▁of ▁arc . ▁ ▁Ap plications ▁In ▁general , ▁ball ▁bear ings ▁are ▁used ▁in ▁most ▁applications ▁that ▁involve ▁moving ▁parts . ▁Some ▁of ▁these ▁applications ▁have ▁specific ▁features ▁and ▁requirements : ▁ ▁Computer ▁fan ▁and ▁spinning ▁device ▁bear ings ▁used ▁to ▁be ▁highly ▁spher ical , ▁and ▁were ▁said ▁to ▁be ▁the ▁best ▁spher ical ▁manufactured ▁shapes , ▁but ▁this ▁is ▁no ▁longer ▁true ▁for ▁hard ▁disk ▁drive |
, ▁and ▁more ▁and ▁more ▁are ▁being ▁replaced ▁with ▁fluid ▁bear ings . ▁German ▁ball ▁bearing ▁fact ories ▁were ▁often ▁a ▁target ▁of ▁all ied ▁a erial ▁bomb ings ▁during ▁World ▁War ▁II ; ▁such ▁was ▁the ▁importance ▁of ▁the ▁ball ▁bearing ▁to ▁the ▁German ▁war ▁industry . ▁ ▁In ▁hor ology , ▁the ▁company ▁Jean ▁L ass ale ▁designed ▁a ▁watch ▁movement ▁that ▁used ▁ball ▁bear ings ▁to ▁reduce ▁the ▁thickness ▁of ▁the ▁movement . ▁ ▁Using ▁ 0 . 2 0 mm ▁balls , ▁the ▁Cal ib re ▁ 1 2 0 0 ▁was ▁only ▁ 1 . 2 mm ▁thick , ▁which ▁still ▁is ▁the ▁th inn est ▁mechanical ▁watch ▁movement . ▁ ▁A eros pace ▁bear ings ▁are ▁used ▁in ▁many ▁applications ▁on ▁commercial , ▁private ▁and ▁military ▁aircraft ▁including ▁pul le ys , ▁gear boxes ▁and ▁jet ▁engine ▁shaft s . ▁Material s ▁include ▁M 5 0 ▁tool ▁steel ▁( AM S 6 4 9 1 ), ▁Car bon ▁ch rome ▁steel ▁( AM S 6 4 4 4 ), ▁the ▁cor ros ion ▁res istant ▁A MS 5 9 3 0 , ▁ 4 4 0 C ▁stain less ▁steel , ▁sil icon ▁nit ride ▁( cer amic ) ▁and ▁tit an ium ▁carb ide - co ated ▁ 4 4 0 C . ▁A ▁sk ate board ▁wheel ▁contains ▁two ▁bear ings , ▁which ▁are ▁subject ▁to ▁both ▁ax ial ▁and ▁radial ▁time - v ary ing ▁loads . ▁Most ▁commonly ▁bearing ▁ 6 |
0 8 - 2 Z ▁is ▁used ▁( a ▁deep ▁gro ove ▁ball ▁bearing ▁from ▁series ▁ 6 0 ▁with ▁ 8 mm ▁bore ▁diameter ) ▁ ▁Y o - Y os , ▁there ▁are ▁ball ▁bear ings ▁in ▁the ▁center ▁of ▁many ▁new , ▁ranging ▁from ▁begin ner ▁to ▁professional ▁or ▁competition ▁grade , ▁Y o - Y os . ▁ ▁Many ▁f idget ▁sp inner ▁toys ▁use ▁multiple ▁ball ▁bear ings ▁to ▁add ▁weight , ▁and ▁to ▁allow ▁the ▁toy ▁to ▁spin . ▁In ▁cent rif ug al ▁p umps ▁[ R ail road ▁loc omot ive ] ▁ax le ▁jour nals . ▁Side ▁rod ▁action ▁of ▁newest ▁high ▁speed ▁steam ▁loc os ▁before ▁dies el isation ▁of ▁R R s .. ▁ ▁Design ation ▁ ▁The ▁ball ▁size ▁increases ▁as ▁the ▁series ▁increases , ▁for ▁any ▁given ▁inner ▁diameter ▁or ▁outer ▁diameter ▁( not ▁both ). ▁The ▁larger ▁the ▁ball ▁the ▁greater ▁the ▁load ▁carrying ▁capacity . ▁Series ▁ 2 0 0 ▁and ▁ 3 0 0 ▁are ▁the ▁most ▁common . ▁ ▁See ▁also ▁ ▁, ▁a ▁common ▁failure ▁mode ▁ ▁Re ferences ▁ ▁Ex ternal ▁links ▁▁▁▁ ▁B earing ▁Model ing ▁using ▁Wol fr am ▁ ▁Category : 1 8 6 9 ▁introdu ctions ▁Category : F rench ▁invent ions ▁Category : Sw edish ▁invent ions ▁Category : Roll ing - element ▁bear ings <0x0A> </s> ▁was ▁a ▁Japanese ▁sam ur ai ▁of ▁the ▁late ▁S eng oku ▁through ▁early ▁E do ▁periods . ▁Found er ▁of |
▁the ▁Wat ari - Date ▁clan . ▁A ▁senior ▁ret ainer ▁of ▁the ▁Date ▁clan ▁of ▁Send ai , ▁he ▁was ▁a ▁cousin ▁of ▁Date ▁Mas am une ▁on ▁his ▁mother ' s ▁side , ▁and ▁a ▁cousin ▁of ▁Mas am une ' s ▁father ▁Date ▁Ter um une ▁on ▁his ▁father ' s ▁side . ▁Together ▁with ▁On ini wa ▁Ts un am oto ▁and ▁Kat ak ura ▁K ag ets una , ▁Sh ige z ane ▁was ▁known ▁as ▁one ▁of ▁the ▁" Three ▁Great ▁Men ▁of ▁the ▁Date ▁Cl an ". ▁He ▁was ▁well ▁known ▁for ▁his ▁fighting ▁skill . ▁ ▁Notes ▁ ▁Category : 1 5 6 8 ▁birth s ▁Category : 1 6 4 6 ▁deaths ▁Category : Sam ur ai ▁Category : Date ▁clan <0x0A> </s> ▁Les lie ▁Thor nt on ▁may ▁refer ▁to : ▁ ▁Les lie ▁Thor nt on ▁( fil mm aker ) ▁( 1 9 5 1 – ), ▁American ▁film maker ▁Les lie ▁Thor nt on ▁( sc ulpt or ) ▁( 1 9 2 5 – 2 0 1 6 ), ▁British ▁sculpt or <0x0A> </s> ▁The ▁Sh ang ri - L as ▁were ▁an ▁American ▁pop ▁girl ▁group ▁of ▁the ▁ 1 9 6 0 s . ▁ ▁Between ▁ 1 9 6 4 ▁and ▁ 1 9 6 6 , ▁they ▁chart ed ▁with ▁teen ▁melod ram as , ▁and ▁remain ▁especially ▁known ▁for ▁their ▁hits ▁" Lead er ▁of ▁the ▁Pack ", ▁" Rem ember ▁( Walk ing |
▁in ▁the ▁Sand )", ▁and ▁" G ive ▁Him ▁a ▁Great ▁Big ▁Kiss ". ▁ ▁Early ▁career ▁The ▁group ▁was ▁formed ▁at ▁Andrew ▁Jackson ▁High ▁School ▁in ▁Camb ria ▁He ights , ▁a ▁neighborhood ▁in ▁Queens , ▁New ▁York ▁City , ▁in ▁ 1 9 6 3 . ▁They ▁were ▁two ▁sets ▁of ▁sisters : ▁Mary ▁We iss ▁( le ad ▁singer ) ▁( born ▁December ▁ 2 8 , ▁ 1 9 4 8 ) ▁and ▁Elizabeth ▁" Bet ty " ▁We iss ▁( born ▁November ▁ 2 7 , ▁ 1 9 4 6 ), ▁and ▁identical ▁tw ins ▁Marg uer ite ▁" M arge " /" M arg ie " ▁G an ser ▁( F ebru ary ▁ 4 , ▁ 1 9 4 8 ▁– ▁July ▁ 2 8 , ▁ 1 9 9 6 ) ▁and ▁Mary ▁Ann ▁G an ser ▁( F ebru ary ▁ 4 , ▁ 1 9 4 8 ▁– ▁March ▁ 1 4 , ▁ 1 9 7 0 ). ▁ ▁They ▁began ▁playing ▁school ▁shows , ▁talent ▁shows , ▁and ▁teen ▁h ops , ▁coming ▁to ▁the ▁attention ▁of ▁Art ie ▁R ipp , ▁who ▁arranged ▁the ▁group ' s ▁first ▁record ▁deal ▁with ▁K ama ▁S ut ra . ▁Their ▁first ▁recording ▁in ▁December ▁ 1 9 6 3 ▁was ▁" Sim on ▁S ays ", ▁later ▁issued ▁on ▁the ▁Sm ash ▁label , ▁on ▁which ▁Bet ty ▁We iss ▁sang ▁lead . ▁They ▁also ▁recorded ▁" W ishing ▁Well " |
▁/ ▁" H ate ▁to ▁Say ▁I ▁T old ▁You ▁So ", ▁which ▁became ▁their ▁first ▁release ▁in ▁early ▁ 1 9 6 4 ▁when ▁le ased ▁to ▁the ▁small ▁Sp ok ane ▁label . ▁ ▁Init ially , ▁the ▁girls ▁performed ▁without ▁a ▁name ; ▁however , ▁when ▁they ▁signed ▁their ▁first ▁deal , ▁they ▁began ▁calling ▁themselves ▁the ▁Sh ang ri - L as , ▁after ▁a ▁Queens , ▁New ▁York ▁restaurant . ▁ ▁Some ▁disc ograph ies ▁list ▁The ▁Beat le - ettes ▁and ▁The ▁Bon ▁B ons , ▁who ▁both ▁issued ▁singles ▁in ▁ 1 9 6 4 , ▁as ▁early ▁versions ▁of ▁the ▁Sh ang ri - L as ; ▁however , ▁they ▁are ▁different ▁groups . ▁ ▁Mary ▁We iss ▁was ▁the ▁main ▁lead ▁singer ; ▁Bet ty , ▁however , ▁took ▁lead ▁on ▁" Maybe " ▁( the ▁LP ▁version ), ▁" Sh out ", ▁" Tw ist ▁and ▁Sh out ", ▁" W ishing ▁Well ", ▁and ▁a ▁number ▁of ▁B - s ides ▁and ▁album ▁tracks . ▁Mary ▁Ann ▁G an ser ▁took ▁lead ▁on ▁most ▁of ▁" I ' m ▁Blue ", ▁which ▁is ▁a ▁ ▁cover ▁of ▁the ▁I ket tes ' ▁biggest ▁hit ▁at ▁the ▁time , ▁and ▁was ▁included ▁on ▁their ▁ 1 9 6 5 ▁album ▁Sh ang ri - L as ▁ 6 5 ! . ▁ ▁Success ▁at ▁Red ▁Bird ▁Records ▁ ▁In ▁April ▁ 1 9 6 4 , ▁when ▁the ▁girls ▁were ▁still ▁min ors |
, ▁their ▁parents ▁signed ▁with ▁Red ▁Bird ▁Records ; ▁Mary ▁was ▁ 1 5 , ▁Bet ty ▁was ▁ 1 7 , ▁and ▁the ▁G an ser ▁tw ins ▁were ▁ 1 6 . ▁Having ▁been ▁hired ▁by ▁record ▁producer ▁George ▁" Shadow " ▁Mort on , ▁they ▁had ▁their ▁first ▁success ▁with ▁the ▁summer ▁hit , ▁" Rem ember ▁( Walk ing ▁in ▁the ▁Sand )" ▁( U . S . ▁# 5 , ▁UK ▁# 1 4 ). ▁Billy ▁Joel , ▁a ▁then - unknown ▁working ▁as ▁a ▁session ▁musician , ▁played ▁on ▁the ▁demo ▁of ▁" Rem ember ▁( Walk in ' ▁in ▁the ▁Sand ) ". ▁The ▁demo ▁was ▁nearly ▁seven ▁minutes ▁long , ▁too ▁long ▁for ▁Top ▁ 4 0 ▁radio . ▁ ▁Mort on ▁had ▁hired ▁the ▁group ▁to ▁perform ▁on ▁the ▁demo , ▁but ▁Red ▁Bird ▁released ▁a ▁re - record ed ▁version . ▁Mort on ▁faded ▁the ▁new ▁version ▁out ▁around ▁ 2 : 1 6 . ▁ ▁The ▁record ings ▁for ▁Mort on ▁featured ▁lav ish ▁production ▁with ▁heavy ▁or chestr ation ▁and ▁sound ▁effects , ▁and ▁their ▁next ▁and ▁biggest ▁hit , ▁" Lead er ▁of ▁the ▁Pack " ▁( U . S . ▁# 1 , ▁UK ▁# 1 1 ), ▁clim ax es ▁with ▁ro aring ▁motor cy cles ▁and ▁breaking ▁glass . ▁UK ▁re - issues ▁pe aked ▁at ▁# 3 ▁in ▁ 1 9 7 2 ▁and ▁# 7 ▁in ▁ 1 9 7 6 . ▁ ▁The ▁song |
▁ep it om ized ▁the ▁" de ath ▁disc "; ▁other ▁examples ▁include ▁Ray ▁Pet erson ' s ▁" Tell ▁Laura ▁I ▁Love ▁Her ", ▁Jan ▁and ▁Dean ' s ▁" Dead ▁Man ' s ▁Cur ve ", ▁J . ▁Frank ▁Wilson ▁and ▁the ▁C aval iers ' s ▁" Last ▁Kiss ," ▁Mark ▁Din ning ' s ▁" Te en ▁Angel ", ▁D ic key ▁Lee ' s ▁" L aur ie ▁( Str ange ▁Things ▁H appen "), ▁Tw inkle ' s ▁" T erry " ▁and ▁J ody ▁Reyn olds ' ▁" End less ▁Sleep ". ▁ ▁After ▁the ▁sudden ▁success ▁of ▁" Rem ember ▁( Walk ing ▁in ▁the ▁Sand )", ▁all ▁the ▁girls ▁were ▁called ▁upon ▁to ▁make ▁personal ▁appearances , ▁which ▁required ▁them ▁to ▁leave ▁high ▁school . ▁Mary , ▁however , ▁stayed ▁on ▁for ▁classes ▁at ▁a ▁high ▁school ▁for ▁young ▁professionals ▁in ▁Manhattan . ▁ ▁By ▁the ▁end ▁of ▁ 1 9 6 4 , ▁the ▁group ▁was ▁an ▁established ▁act . ▁They ▁performed ▁with ▁the ▁Beat les , ▁a ▁Fall ▁ 1 9 6 4 ▁tour ▁with ▁the ▁Roll ing ▁St ones , ▁R & B ▁artists ▁such ▁as ▁The ▁Dr if ters ▁and ▁James ▁Brown ▁( who , ▁according ▁to ▁Mary ▁We iss , ▁was ▁surprised ▁to ▁discover ▁the ▁girls ▁were ▁white ), ▁and ▁Cash box ▁magazine ▁listed ▁them ▁as ▁best ▁new ▁R & B ▁group . ▁The ▁group ▁was ▁also ▁a ▁fixture ▁on ▁the ▁Murray ▁the ▁K ▁shows ▁at ▁the ▁Brooklyn ▁Fox |
▁from ▁ 1 9 6 4 - 6 6 . ▁They ▁also ▁promoted ▁Rev lon ▁cos met ics . ▁In ▁March ▁ 1 9 6 5 , ▁they ▁tou red ▁the ▁UK ▁with ▁Wayne ▁Font ana ▁and ▁the ▁Mind b enders , ▁H erman ' s ▁Herm its , ▁Del ▁Sh annon , ▁and ▁others . ▁ ▁The ▁Sh ang ri - L as ▁appeared ▁as ▁a ▁quart et ▁to ▁promote ▁" Rem ember ", ▁starting ▁with ▁their ▁st int ▁on ▁the ▁ 1 9 6 4 ▁Labor ▁Day ▁Murray ▁the ▁K ▁show ▁in ▁September . ▁ ▁Short ly ▁before ▁the ▁Sh ang ri - L as ▁went ▁to ▁the ▁UK ▁for ▁the ▁a fore ment ioned ▁promot ional ▁tour ▁in ▁Oct . ▁ 1 9 6 4 , ▁Bet ty ▁We iss ▁dropped ▁out ▁temporarily , ▁leaving ▁the ▁group ▁as ▁a ▁tri o . ▁She ▁still ▁is ▁featured ▁on ▁the ▁recording ▁for ▁" Lead er ▁of ▁the ▁Pack ", ▁which ▁was ▁recorded ▁prior ▁to ▁the ▁release ▁of ▁" Rem ember ". ▁The ▁remaining ▁tri o ▁went ▁on ▁to ▁tour ▁the ▁US ▁and ▁also ▁appeared ▁on ▁many ▁TV ▁shows , ▁including ▁H ull ab al oo , ▁Sh ind ig ! , ▁Hollywood ▁A - Go - Go , ▁and ▁Lloyd ▁Th a xt on . ▁Many ▁TV ▁cl ips ▁and ▁photos ▁of ▁the ▁group ▁taken ▁at ▁this ▁time ▁( just ▁Mary ▁We iss ▁and ▁the ▁tw ins ) ▁circul ated ▁at ▁the ▁group ' s ▁peak ▁in ▁popularity ▁and ▁beyond , ▁which |
▁led ▁many ▁to ▁recall ▁the ▁group ▁being ▁only ▁a ▁tri o . ▁Bet ty ▁then ▁rejo ined ▁the ▁group ▁in ▁mid - 1 9 6 5 ▁( her ▁first ▁return ▁appearance ▁with ▁the ▁Sh ang ri - las ▁was ▁listed ▁as ▁a ▁June ▁ 1 9 6 5 ▁Hollywood ▁A - Go - Go ▁Show ▁episode ▁hosted ▁by ▁C ous in ▁Bru cie ▁in ▁NY C ), ▁and ▁the ▁group ▁appeared ▁as ▁a ▁quart et ▁once ▁again ▁until ▁the ▁start ▁of ▁ 1 9 6 6 , ▁when ▁they ▁permanently ▁became ▁a ▁tri o ▁again ▁( M ary ▁Ann ▁and ▁Mar ge ▁left ▁at ▁different ▁times , ▁replacing ▁each ▁other ▁until ▁the ▁dem ise ▁of ▁the ▁group ). ▁ ▁The ▁group ▁altern ated ▁between ▁tour ing ▁with ▁their ▁own ▁band ▁and ▁local ▁bands . ▁Among ▁the ▁latter ▁were ▁the ▁Son ics , ▁as ▁well ▁as ▁the ▁I gu anas , ▁featuring ▁a ▁young ▁I g gy ▁Pop . ▁They ▁also ▁appeared ▁as ▁head lin ers ▁on ▁package ▁tours ▁such ▁as ▁Dick ▁Clark ' s ▁Car avan ▁of ▁Stars , ▁and ▁as ▁stated ▁previously , ▁tours ▁with ▁R & B ▁acts ▁like ▁the ▁Or l ons ▁and ▁Joe ▁Tex . ▁Later ▁in ▁their ▁career , ▁the ▁Sh ang ri - L as ▁did ▁several ▁college ▁dates ▁with ▁bands ▁like ▁The ▁Young ▁R asc als , ▁The ▁Anim als , ▁and ▁Van illa ▁F udge . ▁ ▁Public ▁image ▁The ▁Sh ang ri - L as ' ▁" t ough ▁girl " ▁persona ▁set ▁them |
▁apart ▁from ▁other ▁girl ▁groups . ▁Having ▁grown ▁up ▁in ▁a ▁rough ▁neighborhood ▁of ▁Queens , ▁New ▁York , ▁they ▁were ▁less ▁dem ure ▁than ▁their ▁contempor aries . ▁Rum ors ▁about ▁supposed ▁esc ap ades ▁have ▁since ▁become ▁legend ; ▁for ▁example , ▁the ▁story ▁that ▁Mary ▁We iss ▁attracted ▁the ▁attention ▁of ▁the ▁FBI ▁for ▁transport ing ▁a ▁fire arm ▁across ▁state ▁lines . ▁In ▁her ▁defense , ▁she ▁said ▁someone ▁tried ▁to ▁break ▁into ▁her ▁hotel ▁room ▁one ▁night ▁and ▁for ▁protection ▁she ▁bought ▁a ▁pistol . ▁Whatever ▁truth ▁these ▁stories ▁may ▁have , ▁they ▁were ▁believed ▁by ▁fans ▁in ▁the ▁ 1 9 6 0 s , ▁and ▁they ▁helped ▁cement ▁the ▁group ' s ▁bad - girl ▁reputation . ▁According ▁to ▁We iss , ▁that ▁persona ▁helped ▁f end ▁off ▁advances ▁from ▁musicians ▁on ▁tours . ▁ ▁The ▁Sh ang ri - L as ▁continued ▁to ▁chart ▁with ▁fairly ▁successful ▁U . S . ▁hit ▁records , ▁special izing ▁in ▁adoles cent ▁themes ▁such ▁as ▁alien ation , ▁l onel iness , ▁abandon ment , ▁and ▁prem ature ▁death . ▁Singles ▁included ▁" G ive ▁Him ▁a ▁Great ▁Big ▁Kiss ", ▁" Out ▁in ▁the ▁Stre ets ", ▁" G ive ▁Us ▁Your ▁B less ings ", ▁the ▁top ▁ten ▁hit ▁" I ▁Can ▁Never ▁Go ▁Home ▁An ym ore ", ▁" Long ▁Live ▁Our ▁Love " ▁( a ▁rare ▁example ▁of ▁a ▁song ▁dedicated ▁to ▁the ▁men ▁at ▁the ▁time ▁fighting ▁overseas ▁in ▁Vietnam ), ▁" He |
▁C ried " ▁and ▁the ▁spoken - word ▁" P ast , ▁Present , ▁and ▁Future ", ▁featuring ▁a ▁musical ▁back drop ▁inspired ▁by ▁Be eth oven ' s ▁" M oon light ▁Son ata ". ▁Not ew orth y ▁B - s ides ▁included ▁" He aven ▁Only ▁Know s ", ▁" The ▁Train ▁from ▁Kansas ▁City ", ▁" D ressed ▁in ▁Black " ▁and ▁" Par ad ise " ▁( written ▁by ▁Harry ▁N il sson ). ▁ ▁Among ▁titles ▁in ▁favorites ▁lists ▁is ▁" I ▁Can ▁Never ▁Go ▁Home ▁An ym ore ", ▁the ▁story ▁of ▁a ▁girl ▁who ▁leaves ▁home ▁for ▁a ▁boy ; ▁her ▁pride ▁keeps ▁her ▁from ▁returning ▁to ▁her ▁mother ▁who ▁" g rew ▁so ▁lonely ▁in ▁the ▁end / the ▁ang els ▁picked ▁her ▁for ▁their ▁friend ". ▁L ines ▁from ▁" G ive ▁Him ▁a ▁Great ▁Big ▁Kiss " ▁include ▁" When ▁I ▁say ▁I ' m ▁in ▁love , ▁you ▁best ▁believe ▁I ' m ▁in ▁love , ▁L - U - V ", ▁and ▁" Well ▁I ▁hear ▁he ' s ▁bad ." ▁" H mm , ▁he ' s ▁good - bad , ▁but ▁he ' s ▁not ▁evil ." ▁" P ast , ▁Present , ▁and ▁Future " ▁has ▁been ▁said ▁to ▁be ▁about ▁rape , ▁something ▁We iss ▁disag rees ▁with . ▁She ▁has ▁said ▁it ▁is ▁about ▁" teen age ▁ang st ," ▁heart break , ▁and ▁" being ▁hurt ▁and ▁ang sty ▁and ▁not ▁wanting ▁anyone ▁near |
▁you ." ▁ ▁Dis integr ation ▁and ▁retirement ▁The ▁group ▁appeared ▁on ▁several ▁TV ▁shows ▁and ▁continued ▁to ▁tour ▁the ▁US , ▁but ▁in ▁ 1 9 6 6 , ▁two ▁of ▁three ▁releases ▁on ▁Red ▁Bird ▁failed ▁to ▁crack ▁the ▁U . S . ▁top ▁ 5 0 , ▁though ▁the ▁group ▁remained ▁popular ▁in ▁England ▁and ▁Japan . ▁Mary ▁Ann ▁G an ser ▁left , ▁but ▁returned ▁early ▁in ▁ 1 9 6 7 ▁when ▁Mar ge ▁– ▁the ▁most ▁out sp oken ▁member , ▁sometimes ▁considered ▁the ▁leader ▁– ▁left . ▁Red ▁Bird ▁Records ▁had ▁folded . ▁The ▁group ▁recorded ▁more ▁tracks ▁with ▁Shadow ▁Mort on ▁producing ▁( some ▁of ▁which ▁remain ▁unre leased ) ▁and ▁signed ▁with ▁Mer cury ▁Records . ▁However , ▁Mort on ▁had ▁begun ▁working ▁with ▁Jan is ▁Ian ▁and ▁Van illa ▁F udge , ▁and ▁Mer cury ▁had ▁little ▁enthusiasm ▁for ▁the ▁group . ▁During ▁their ▁Mer cury ▁st int , ▁the ▁Sh ang ri - L as ▁had ▁no ▁further ▁hits ; ▁in ▁ 1 9 6 8 , ▁they ▁dis band ed , ▁amid ▁lit igation . ▁ ▁All ▁the ▁Sh ang ri - L as ▁withd rew ▁from ▁the ▁spot light . ▁Mort on ▁said , ▁" The ▁Sh ang ri - L as ▁vac ated , ▁they ▁vanished ". ▁Report edly , ▁they ▁were ▁angry ▁that ▁they ▁had ▁received ▁few ▁ro y alties ▁despite ▁the ▁millions ▁of ▁records ▁they ▁had ▁sold . ▁ ▁Mary ▁We iss ▁moved ▁to ▁New ▁York ' |
s ▁Green wich ▁Village , ▁then ▁to ▁San ▁Francisco . ▁Return ing ▁to ▁Manhattan ▁a ▁few ▁years ▁later ▁and ▁prevented ▁from ▁recording ▁because ▁of ▁law su its , ▁she ▁worked ▁as ▁a ▁secretary ▁while ▁taking ▁college ▁classes . ▁She ▁then ▁went ▁into ▁the ▁architect ural ▁industry , ▁working ▁in ▁the ▁accounting ▁department ▁of ▁a ▁New ▁York ▁architect ural ▁firm . ▁She ▁moved ▁up ▁to ▁be ▁the ▁chief ▁purchasing ▁agent ▁and ▁later ▁ran ▁the ▁commercial ▁furniture ▁deal ership . ▁In ▁the ▁late ▁eight ies , ▁she ▁managed ▁a ▁furniture ▁store ▁and ▁was ▁an ▁interior ▁designer . ▁By ▁ 2 0 0 1 , ▁she ▁was ▁a ▁furniture ▁consultant ▁to ▁New ▁York ▁businesses . ▁ ▁She ▁married ▁in ▁ 1 9 7 4 , ▁but ▁the ▁marriage ▁ended ▁in ▁ 1 9 8 8 ; ▁she ▁married ▁again ▁several ▁years ▁later , ▁and ▁her ▁second ▁husband ▁now ▁man ages ▁her ▁music ▁career . ▁ ▁Bet ty ▁We iss ▁had ▁a ▁daughter ▁in ▁ 1 9 6 4 , ▁necess itating ▁her ▁absence ▁from ▁the ▁group ▁during ▁this ▁period . ▁She ▁was ▁the ▁only ▁member ▁of ▁the ▁group ▁to ▁have ▁a ▁child ▁( who ▁was ▁raised ▁with ▁the ▁help ▁of ▁Bet ty ' s ▁brother ▁George ▁We iss , ▁who ▁died ▁in ▁ 1 9 9 8 ). ▁She ▁also ▁married ▁and ▁held ▁several ▁jobs ▁and ▁now ▁lives ▁and ▁works ▁on ▁Long ▁Island . ▁ ▁Mary ▁Ann ▁G an ser ▁began ▁having ▁problems ▁with ▁drug ▁and ▁alcohol ▁addiction ▁in ▁ 1 9 6 8 . ▁She |
▁died ▁in ▁Queens , ▁New ▁York ▁on ▁March ▁ 1 5 , ▁ 1 9 7 0 , ▁aged ▁ 2 2 , ▁of ▁a ▁drug ▁over d ose . ▁( This ▁may ▁either ▁have ▁been ▁a ▁her oin ▁over d ose ▁as ▁mentioned ▁in ▁a ▁contemporary ▁newspaper ▁report ▁and ▁on ▁her ▁death ▁certificate , ▁or ▁a ▁bar bit ur ate ▁over d ose ▁as ▁related ▁later ▁by ▁her ▁mother ▁to ▁a ▁journalist ) ▁ ▁Her ▁death ▁has ▁been ▁incorrect ly ▁reported ▁as ▁having ▁been ▁caused ▁by ▁en ce ph al itis , ▁or ▁by ▁a ▁seiz ure ▁disorder . ▁ ▁Mar ge ▁G an ser ▁reported ly ▁returned ▁to ▁school ▁during ▁the ▁late ▁ 1 9 6 0 s . ▁By ▁the ▁early ▁ 1 9 7 0 s , ▁she ▁married ▁( be coming ▁Marg uer ite ▁G an ser ▁Dor ste ), ▁worked ▁for ▁NY N EX ▁in ▁Valley ▁Stream , ▁New ▁York , ▁and ▁died ▁of ▁breast ▁cancer ▁on ▁July ▁ 2 8 , ▁ 1 9 9 6 , ▁at ▁age ▁ 4 8 . ▁ ▁The ▁group ▁declined ▁offers ▁to ▁perform ▁throughout ▁the ▁ 1 9 7 0 s , ▁although ▁they ▁did ▁a ▁few ▁live ▁performances . ▁Following ▁the ▁successful ▁re - issue ▁of ▁" Lead er ▁of ▁the ▁Pack " ▁in ▁the ▁UK ▁in ▁ 1 9 7 6 , ▁which ▁renew ed ▁interest ▁in ▁the ▁group , ▁Mary ▁and ▁Bet ty ▁We iss ▁and ▁Mar ge ▁G an ser ▁reun ited . ▁Contact ing |
▁Se ym our ▁Stein ▁of ▁S ire ▁Records , ▁they ▁spent ▁summer ▁ 1 9 7 7 ▁in ▁New ▁York ▁with ▁producer ▁Andy ▁P ale y . ▁P ale y ▁said ▁the ▁sessions ▁went ▁well , ▁but ▁they ▁weren ' t ▁satisfied ▁with ▁all ▁the ▁material , ▁and ▁declined ▁to ▁release ▁the ▁record . ▁The ▁t apes ▁are ▁now ▁owned ▁by ▁the ▁Warner ▁Music ▁Group . ▁They ▁did , ▁however , ▁give ▁a ▁live ▁performance ▁at ▁CB GB s ; ▁P ale y ▁put ▁together ▁a ▁band , ▁including ▁Len ny ▁Kay e , ▁and ▁after ▁two ▁hours ▁of ▁rehe ars al , ▁the ▁Sh ang ri - L as ▁returned ▁to ▁the ▁stage ▁for ▁the ▁first ▁time ▁in ▁a ▁decade . ▁Although ▁the ▁S ire ▁sessions ▁came ▁to ▁n aught , ▁the ▁group ▁toy ed ▁with ▁signing ▁to ▁another ▁label ; ▁however , ▁they ▁were ▁put ▁off ▁by ▁the ▁ins istence ▁of ▁record ▁execut ives ▁that ▁they ▁be ▁a ▁disco ▁vocal ▁group , ▁the ▁musical ▁trend ▁of ▁the ▁day . ▁Mary ▁said ▁she ▁env ision ed ▁the ▁Sh ang ri - L as ▁like ▁punk ▁singer ▁P atti ▁Smith . ▁Eventually , ▁the ▁Sh ang ri - L as ▁split ▁up ▁again . ▁ ▁Since ▁the ▁ 1 9 8 0 s , ▁a ▁tri o ▁has ▁been ▁performing ▁under ▁the ▁name ▁the ▁Sh ang ri - L as , ▁although ▁un connected ▁with ▁the ▁original ▁group . ▁The ▁copy cat ▁act ▁was ▁put ▁together ▁by ▁Dick ▁Fox , ▁who ▁claimed ▁to |
▁have ▁bought ▁the ▁rights ▁to ▁the ▁name , ▁and ▁resulted ▁in ▁legal ▁action ▁from ▁both ▁sides , ▁largely ▁due ▁to ▁a ▁video ▁tape ▁of ▁the ▁new ▁Sh ang ri - L as ▁claiming ▁in ▁public ▁to ▁be ▁the ▁original ▁group . ▁ ▁The ▁original ▁group ▁performed ▁for ▁the ▁last ▁time ▁at ▁a ▁re union ▁show ▁hosted ▁by ▁C ous in ▁Bru cie ▁( B ru ce ▁Mor row ) ▁in ▁East ▁R uther ford , ▁New ▁Jersey ▁on ▁June ▁ 3 , ▁ 1 9 8 9 . ▁ ▁In ▁March ▁ 2 0 0 7 , ▁Nort on ▁Records ▁released ▁a ▁solo ▁album ▁by ▁Mary ▁We iss ▁( back ed ▁by ▁garage ▁rock ers ▁The ▁Re ign ing ▁Sound ) ▁titled ▁D anger ous ▁Game . ▁She ▁performed ▁in ▁the ▁United ▁States , ▁Spain ▁and ▁France . ▁ ▁In flu ence ▁The ▁street wise ▁image ▁of ▁the ▁Sh ang ri - L as ▁– ▁initially ▁a ▁promot ional ▁device ▁for ▁" Lead er ▁of ▁the ▁Pack " ▁– ▁contrast ed ▁with ▁other ▁" girl ▁groups " ▁of ▁the ▁ 1 9 6 0 s , ▁and ▁they ▁were ▁cited ▁as ▁an ▁influence ▁by ▁ 1 9 7 0 s ▁punk ▁rock - era ▁acts ▁such ▁as ▁the ▁New ▁York ▁D oll s ▁and ▁Bl ond ie ; ▁the ▁latter ▁covered ▁" Out ▁in ▁the ▁Stre ets " ▁twice . ▁The ▁Go - Go ' s ▁have ▁been ▁performing ▁" Rem ember ▁( Walk ing ▁in ▁the ▁Sand )" ▁live ▁ever ▁since ▁their |
▁early ▁punk ▁rock ▁days ▁in ▁Los ▁Angeles ▁clubs . ▁ ▁The ▁line ▁from ▁" G ive ▁Him ▁a ▁Great ▁Big ▁Kiss " ▁– ▁" When ▁I ▁say ▁I ' m ▁in ▁love , ▁you ▁best ▁believe ▁I ' m ▁in ▁love , ▁L - U - V " ▁– ▁was ▁used ▁by ▁the ▁New ▁York ▁D oll s ▁on ▁their ▁ 1 9 7 3 ▁recording ▁" Look ing ▁for ▁a ▁Kiss ". ▁It ▁is ▁also ▁used ▁by ▁the ▁English ▁pop ▁tri o ▁SO HO ▁in ▁the ▁beginning ▁of ▁their ▁song ▁" N uth in ' ▁on ▁My ▁Mind " ▁from ▁their ▁album , ▁God dess . ▁The ▁New ▁York ▁D oll s ' ▁guitar ist ▁Johnny ▁Th und ers ▁included ▁a ▁cover ▁of ▁" ... Great ▁Big ▁Kiss " ▁on ▁his ▁first ▁solo ▁album ▁So ▁Al one . ▁Ian ▁S ven on ius ▁also ▁used ▁the ▁line ▁at ▁the ▁beginning ▁of ▁" T oday ▁I ▁Met ▁the ▁Girl ▁I ' m ▁Going ▁to ▁Mar ry " ▁by ▁his ▁band ▁Nation ▁of ▁U ly ss es ▁on ▁the ▁album ▁ 1 3 - Point ▁Program ▁to ▁Dest roy ▁America . ▁More ▁recently , ▁Ryan ▁Adams ▁( and ▁the ▁Card inals ) ▁paid ▁hom age ▁to ▁that ▁line ▁in ▁their ▁song ▁" Be aut iful ▁Sort a " ▁off ▁the ▁album ▁Cold ▁Ros es , ▁but ▁they ▁changed ▁it ▁to ▁" When ▁I ▁say ▁L - U - V , ▁you ▁better ▁believe ▁me ▁L - U - V . ▁Give ▁me ▁a ▁beer |
!" ▁In ▁ 2 0 0 5 , ▁Julian ▁C ope ▁par od ied ▁the ▁famous ▁line ▁in ▁" D ying ▁to ▁Meet ▁You " ▁from ▁his ▁album ▁Cit izen ▁C ain ' d . ▁He ' s ▁heard ▁to ▁say ▁" When ▁I ▁say ▁I ' m ▁dead , ▁you ▁best ▁believe ▁I ' m ▁dead , ▁D - E - A - D " ▁during ▁the ▁out ro . ▁In ▁an ▁out take ▁of ▁" C are less " ▁from ▁their ▁album ▁Sorry ▁Ma , ▁For got ▁to ▁Take ▁Out ▁the ▁Tr ash , ▁The ▁Re plac ements ▁opened ▁with ▁the ▁line ▁" When ▁I ▁say ▁I ' m ▁in ▁debt , ▁you ▁best ▁believe ▁I ' m ▁in ▁debt , ▁D - E - T !" ▁ ▁In ▁ 1 9 7 2 , ▁" Lead er ▁of ▁the ▁Pack " ▁was ▁performed ▁by ▁B ette ▁Mid ler ▁on ▁her ▁debut ▁album ▁The ▁Div ine ▁Miss ▁M . ▁The ▁opening ▁from ▁" Lead er ▁of ▁the ▁Pack " ▁– ▁" Is ▁she ▁really ▁going ▁out ▁with ▁him ?" ▁– ▁was ▁recycl ed ▁both ▁as ▁the ▁opening ▁lines ▁of ▁ 1 9 7 6 ' s ▁" New ▁Rose " ▁by ▁the ▁Dam ned , ▁the ▁first ▁British ▁punk ▁rock ▁single , ▁and ▁of ▁" K ill " ▁by ▁the ▁par ody ▁punk ▁group ▁Alberto ▁Y ▁Lost ▁Tri os ▁Par ano ias , ▁as ▁well ▁as ▁the ▁title ▁of ▁the ▁ 1 9 7 9 ▁hit ▁song ▁by ▁Joe ▁Jackson . |
▁ ▁A eros m ith ▁released ▁a ▁more ▁rock - style ▁version ▁of ▁" Rem ember ▁( Walk ing ▁in ▁the ▁Sand )" ▁featuring ▁unc red ited ▁backing ▁vocals ▁by ▁Mary ▁We iss ▁of ▁the ▁Sh ang ri - L as ▁as ▁a ▁single ▁in ▁ 1 9 8 0 . ▁It ▁can ▁be ▁found ▁on ▁both ▁their ▁Great est ▁H its ▁album ▁and ▁on ▁their ▁Night ▁in ▁the ▁R uts ▁album , ▁and ▁chart ed ▁on ▁the ▁Hot ▁ 1 0 0 ▁at ▁ 6 7 . ▁ ▁Scottish ▁alternative ▁rock ▁band ▁The ▁Jesus ▁and ▁Mary ▁Chain ▁cited ▁the ▁Sh ang ri - L as ▁as ▁an ▁early ▁influence . ▁In ▁ 1 9 8 5 , ▁the ▁band ' s ▁guitar ist ▁William ▁Re id ▁stated : ▁" We ▁all ▁love ▁the ▁Sh ang ri - L as , ▁and ▁one ▁day ▁we ' re ▁going ▁to ▁make ▁Sh ang ri - L as ▁records ." ▁ ▁The ▁Sh ang ri - L as ▁are ▁refer enced ▁in ▁John ▁M ell enc amp ' s ▁ 1 9 8 5 ▁single ▁" R . O . C . K . ▁in ▁the ▁U . S . A ." ▁from ▁his ▁third ▁album ▁Sc are c row . ▁They ▁were ▁also ▁refer enced ▁by ▁Paul ▁McC art ney ▁in ▁a ▁McC art ney ▁II ▁sessions ▁track , ▁"" Mr ▁H ▁At om " ▁/ ▁" You ▁Know ▁I ' ll ▁Get ▁You ▁Baby ", ▁recorded ▁in ▁ 1 9 7 9 , |
▁but ▁not ▁released ▁until ▁ 2 0 1 1 . ▁ ▁Tw isted ▁Sister ▁covered ▁" Lead er ▁of ▁the ▁Pack " ▁on ▁their ▁ 1 9 8 5 ▁gold - selling ▁album ▁Come ▁Out ▁and ▁Play . ▁ ▁" P ast , ▁Present , ▁and ▁Future " ▁was ▁covered ▁in ▁ 2 0 0 4 ▁by ▁ex - AB BA ▁singer ▁Ag n eth a ▁F äl ts k og ▁on ▁her ▁album , ▁My ▁Col our ing ▁Book . ▁ ▁The ▁Johnny ▁Th und ers ▁/ ▁P atti ▁P all ad in ▁album ▁Copy ▁C ats ▁( 1 9 8 8 ) ▁features ▁a ▁version ▁of ▁" He ▁C ried ". ▁ ▁Australian ▁artist ▁Row land ▁S . ▁Howard ▁included ▁a ▁version ▁of ▁" She ▁C ried " ▁on ▁his ▁album ▁Te en age ▁Sn uff ▁Film .. ▁ ▁Although ▁most ▁covers ▁and ▁rem akes ▁of ▁the ▁Sh ang ri - L as ▁material ▁focus ▁on ▁the ▁hit ▁singles , ▁some ▁express ▁the ▁group ' s ▁influence ▁on ▁them ▁by ▁recording ▁songs ▁from ▁the ▁Sh ang ri - L as ▁which ▁were ▁never ▁released ▁as ▁singles ▁by ▁the ▁group . ▁Among ▁these , ▁the ▁Los ▁Angeles ▁rock ▁group ▁Red d ▁K ross ▁covered ▁" He aven ▁Only ▁Know s ," ▁an ▁album ▁cut ▁from ▁the ▁Sh ang ri - L as ' ▁second ▁album ▁Sh ang ri - L as ▁' 6 5 . ▁Super chunk , ▁B elle ▁and ▁Sebastian , ▁The ▁Shop ▁Ass ist ants ▁and ▁N ek o |
▁Case ▁recorded ▁versions ▁of ▁" The ▁Train ▁from ▁Kansas ▁City ", ▁which ▁was ▁a ▁b - side , ▁and ▁an ▁album ▁cut ▁from ▁the ▁Sh ang ri - L as ▁debut ▁album , ▁Leader ▁of ▁the ▁Pack . ▁ ▁British ▁singer ▁Amy ▁W ine house ▁cited ▁the ▁Sh ang ri - L as ▁as ▁an ▁influence ▁and ▁occasionally ▁integrated ▁the ▁hook ▁lyrics ▁from ▁" Rem ember ▁( Walk in ' ▁in ▁the ▁Sand )" ▁into ▁the ▁bridge ▁of ▁her ▁song ▁" Back ▁to ▁Black " ▁during ▁live ▁performances . ▁ ▁W ine house ▁has ▁called ▁" I ▁Can ▁Never ▁Go ▁Home ▁An ym ore " ▁the ▁" s add est ▁song ▁in ▁the ▁world ." ▁▁▁ ▁Far is ▁Bad wan ▁of ▁The ▁Hor rors ▁has ▁listed ▁the ▁Sh ang ri - L as ▁as ▁an ▁influence ▁in ▁The ▁Hor rors ' ▁sound ▁and ▁lyrics , ▁and ▁had ▁added ▁a ▁re work ed ▁version ▁of ▁" He ▁C ried " ▁to ▁" She ▁C ried " ▁into ▁The ▁Hor rors ' ▁song , ▁" Who ▁Can ▁Say ," ▁using ▁the ▁lines , ▁" And ▁when ▁I ▁told ▁her ▁I ▁didn ’ t ▁love ▁her ▁anymore , ▁she ▁cried / and ▁when ▁I ▁told ▁her , ▁her ▁kiss es ▁were ▁not ▁like ▁before , ▁she ▁cried / and ▁when ▁I ▁told ▁her ▁another ▁girl ▁had ▁caught ▁my ▁eye , ▁she ▁cried / and ▁I ▁kissed ▁her , ▁with ▁a ▁kiss ▁that ▁could ▁only ▁mean ▁good bye ," ▁in ▁spoken - word ▁with ▁a ▁drum ▁beat |
▁similar ▁to ▁that ▁the ▁Sh ang ri - L as ▁used . ▁The ▁song ▁is ▁also ▁originally ▁" She ▁C ried " ▁by ▁Jay ▁and ▁the ▁Americans , ▁another ▁( if ▁slight ) ▁influence ▁over ▁The ▁Hor rors . ▁ ▁Atlanta , ▁Georgia ▁band ▁Black ▁L ips ▁called ▁their ▁ 2 0 0 7 ▁album ▁Good ▁Bad ▁Not ▁Ev il , ▁after ▁the ▁line ▁in ▁" G ive ▁Him ▁a ▁Great ▁Big ▁Kiss ". ▁ ▁Son ic ▁Youth ▁refer enced ▁the ▁" very , ▁very ▁close " ▁ly ric ▁of ▁" G ive ▁Him ▁a ▁Great ▁Big ▁Kiss " ▁on ▁the ▁Kim ▁Gordon / K im ▁Deal ▁du et ▁" L ittle ▁T rou ble ▁Girl " ▁in ▁ 1 9 9 5 . ▁Early ▁punk ▁band ▁The ▁Sl its ▁also ▁reference ▁the ▁song ▁in ▁" Love ▁Und ▁Rom ance " ▁on ▁the ▁ 1 9 7 9 ▁album ▁Cut . ▁ ▁The ▁Bat ▁for ▁Las hes ▁song ▁" What ' s ▁a ▁Girl ▁to ▁Do ?" ▁has ▁been ▁widely ▁acknowledged ▁as ▁a ▁Sh ang ri - L as ▁past iche . ▁ ▁Kath leen ▁H anna ▁of ▁the ▁elect rop unk ▁group ▁Le ▁Tig re ▁has ▁mentioned ▁that ▁the ▁" one ▁girl ▁calling ▁another " ▁mot if ▁and ▁the ▁opening ▁sound ▁of ▁se ag ull s ▁on ▁the ▁track ▁" What ' s ▁Y r ▁Take ▁on ▁Cass av etes ?" ▁were ▁inspired ▁by ▁the ▁Sh ang ri - L as . ▁ ▁The ▁Sh ang ri - L as ▁were ▁im |
itated ▁by ▁groups ▁like ▁The ▁Nu - L uv s , ▁who ▁had ▁a ▁hit ▁with ▁" So ▁Soft , ▁So ▁W arm ", ▁which ▁was ▁originally ▁recorded ▁by ▁the ▁Sh ang ri - L as ▁as ▁" D ressed ▁In ▁Black " ▁and ▁used ▁as ▁the ▁b - side ▁to ▁Jay ▁and ▁the ▁Americans ' ▁original , ▁" He ▁C ried ". ▁Others ▁included ▁the ▁P ussy c ats ▁and ▁the ▁Why te ▁Boot s , ▁who ▁scored ▁big ▁with ▁their ▁single ▁" N ight mare ", ▁originally ▁intended ▁for ▁the ▁Sh ang ri - L as , ▁and ▁written , ▁produced ▁and ▁performed ▁by ▁L ori ▁Bur ton ▁and ▁Pam ▁Saw yer . ▁The ▁Go ode es ▁had ▁a ▁hit ▁in ▁early ▁ 1 9 6 9 ▁with ▁" Condition ▁Red ", ▁a ▁" Lead er ▁of ▁the ▁Pack " - in sp ired ▁tale ▁about ▁a ▁girl ▁who ▁wants ▁to ▁be ▁with ▁her ▁long - ha ired , ▁be arded ▁boyfriend ▁despite ▁her ▁parents ' ▁ob jections . ▁ ▁The ▁D eter g ents ▁had ▁hits ▁with ▁" Lead er ▁of ▁the ▁Lau nd rom at " ▁and ▁" I ▁Can ▁Never ▁E at ▁Home ▁Any ▁More ", ▁both ▁of ▁which ▁were ▁par od ies ▁of ▁Sh ang ri - L as ▁records . ▁ ▁G iddle ▁Par tr idge ▁and ▁Boy d ▁Rice ▁recorded ▁a ▁cover ▁of ▁" P ast , ▁Present , ▁and ▁Future " ▁in ▁ 1 9 8 9 . ▁Alex ▁Ch ilton ▁often ▁played ▁it |
▁in ▁concert . ▁ ▁Brooklyn ▁band ▁Viv ian ▁Girls ▁c ite ▁the ▁Sh ang ri - L as ▁as ▁one ▁of ▁their ▁influences . ▁ ▁Finn ish ▁rock ▁band ▁H IM ▁used ▁" D ressed ▁in ▁Black " ▁as ▁an ▁intro ▁song ▁for ▁their ▁tour ▁promoting ▁their ▁album ▁Scre am works : ▁Love ▁in ▁Theory ▁and ▁Practice . ▁ ▁Marian ne ▁Faith full ▁released ▁a ▁cover ▁of ▁" P ast , ▁Present , ▁and ▁Future " ▁on ▁her ▁ 2 0 1 1 ▁album ▁H ors es ▁and ▁High ▁He els . ▁ ▁The ▁bridge ▁of ▁" Rem ember ▁( Walk ing ▁in ▁the ▁Sand )" ▁and ▁the ▁background ▁vocals ▁of ▁" Lead er ▁of ▁the ▁Pack " ▁are ▁heavily ▁sam pled ▁in ▁the ▁track ▁" No " ▁from ▁the ▁ 2 0 1 2 ▁album ▁D ust y ▁Rain bow ▁from ▁the ▁Dark ▁by ▁French ▁hip ▁hop ▁artist ▁W ax ▁T ail or . ▁ ▁While ▁recording ▁her ▁ 2 0 1 7 ▁album ▁L ust ▁for ▁Life , ▁American ▁singer ▁L ana ▁Del ▁Re y ▁was ▁heavily ▁influenced ▁by ▁The ▁Sh ang ri - L as . ▁ ▁In ▁the ▁ 2 0 1 5 ▁documentary ▁W ider ▁Hor iz ons , ▁David ▁Gil m our , ▁guitar ist ▁for ▁Pink ▁Flo yd , ▁cited ▁the ▁Sh ang ri - L as ▁as ▁an ▁influence , ▁saying ▁their ▁music ▁" p ainted ▁a ural ▁pictures ". ▁ ▁Disc ography ▁ ▁Tim eline ▁ ▁Studio ▁albums ▁ 1 9 6 5 : |
▁Leader ▁of ▁the ▁Pack ▁( U . S . ▁# 1 0 9 ) ▁ 1 9 6 5 : ▁Sh ang ri - L as - 6 5 ! ▁ 1 9 6 6 : ▁I ▁Can ▁Never ▁Go ▁Home ▁An ym ore ▁( re pack aged ▁version ▁of ▁Sh ang ri - L as - 6 5 ! ▁with ▁the ▁addition ▁of ▁hit ▁single ▁" I ▁Can ▁Never ▁Go ▁Home ▁An ym ore " ▁and ▁removal ▁of ▁" The ▁Dum ▁Dum ▁D itty ") ▁ ▁Comp ilation ▁albums ▁ 1 9 6 6 : ▁Golden ▁H its ▁of ▁the ▁Sh ang ri - L as ▁ 1 9 7 5 : ▁The ▁Sh ang ri - L as ▁Sing ▁ 1 9 8 6 : ▁The ▁D ix ie ▁Cup s ▁Meet ▁the ▁Sh ang ri - L as ▁ 1 9 9 4 : ▁My rm id ons ▁of ▁Mel od r ama ▁ 1 9 9 6 : ▁The ▁Best ▁of ▁the ▁Sh ang ri - L as ▁ 2 0 0 2 : ▁My rm id ons ▁of ▁Mel od r ama ▁( Re - issue ) ▁ 2 0 0 8 : ▁Remember ed ▁ 2 0 0 8 : ▁Great est ▁H its ▁ 2 0 0 9 : ▁The ▁Complete ▁Collection ▁ ▁Singles ▁▁ 1 9 6 3 : ▁" Sim on ▁S ays " ▁( cred ited ▁as ▁The ▁Sh ang ra - L as ) ▁( Sm ash ▁S - 1 8 6 |
6 ) ▁ 1 9 6 4 : ▁" W ishing ▁Well " ▁( Sp ok ane ▁ 4 5 - 4 0 0 6 ) ▁ 1 9 6 4 : ▁" Rem ember ▁( Walk ing ▁in ▁the ▁Sand )" ▁( Red ▁Bird ▁R B ▁ 1 0 - 0 0 8 ) ▁( US ▁# 5 , ▁UK ▁# 1 4 ) ▁ 1 9 6 4 : ▁" Lead er ▁of ▁the ▁Pack " ▁( Red ▁Bird ▁R B ▁ 1 0 - 0 1 4 ) ▁( US ▁# 1 , ▁UK ▁# 1 1 ) ▁ 1 9 6 4 : ▁" G ive ▁Him ▁a ▁Great ▁Big ▁Kiss " ▁( b / w ▁" Tw ist ▁and ▁Sh out ") ▁( Red ▁Bird ▁R B ▁ 1 0 - 0 1 8 ) ▁( US ▁# 1 8 ) ▁ 1 9 6 4 : ▁" Maybe " ▁( b / w ▁" Sh out ") ▁( Red ▁Bird ▁R B ▁ 1 0 - 0 1 9 ) ▁( US ▁# 9 1 ) ▁ 1 9 6 5 : ▁" Out ▁in ▁the ▁Stre ets " ▁( Red ▁Bird ▁R B ▁ 1 0 - 0 2 5 ) ▁( US ▁# 5 3 ) ▁ 1 9 6 5 : ▁" G ive ▁Us ▁Your ▁B less ings " ▁( Red ▁Bird ▁R B ▁ 1 0 - 0 3 0 ) ▁( US ▁# 2 9 ) ▁ 1 9 6 5 |
: ▁" Right ▁Now ▁and ▁Not ▁Later " ▁( Red ▁Bird ▁R B ▁ 1 0 - 0 3 6 ) ▁( US ▁# 9 9 ) ▁ 1 9 6 5 : ▁" I ▁Can ▁Never ▁Go ▁Home ▁An ym ore " ▁( Red ▁Bird ▁R B ▁ 1 0 - 0 4 3 ) ▁( US ▁# 6 ) ▁ 1 9 6 6 : ▁" Long ▁Live ▁Our ▁Love " ▁( Red ▁Bird ▁R B ▁ 1 0 - 0 4 8 ) ▁( US ▁# 3 3 ) ▁ 1 9 6 6 : ▁" He ▁C ried " ▁( Red ▁Bird ▁R B ▁ 1 0 - 0 5 3 ) ▁( US ▁# 6 5 ) ▁ 1 9 6 6 : ▁" P ast , ▁Present , ▁and ▁Future " ▁( Red ▁Bird ▁R B ▁ 1 0 - 0 6 8 ) ▁( US ▁# 5 9 ) ▁▁ 1 9 6 7 : ▁" The ▁Sweet ▁Sounds ▁of ▁Summer " ▁( Mer cury ▁ 7 2 6 4 5 ▁( US ) ▁/ ▁M F ▁ 9 6 2 ▁( UK )) ▁( US ▁# 1 2 3 ) ▁ 1 9 6 7 : ▁" Take ▁the ▁Time " ▁( Mer cury ▁Records ▁ 7 2 6 7 0 ▁( US ) ▁/ ▁M F ▁ 9 7 9 ▁( UK )) ▁ 1 9 7 2 : ▁" Lead er ▁of ▁the ▁Pack " ▁b / w ▁" Rem ember ▁( Walk |
ing ▁in ▁the ▁Sand )" ▁( K ama ▁S ut ra ▁Records ▁ 2 0 1 3 ▁ 0 2 4 ▁( UK )) ▁( UK ▁# 3 , ▁South ▁Africa ▁# 1 7 ▁) ▁( Re - issue ) ▁ 1 9 7 6 : ▁" Lead er ▁of ▁the ▁Pack " ▁b / w ▁" G ive ▁Him ▁a ▁Great ▁Big ▁Kiss " ▁( Ch arly ▁Records ▁CS ▁ 1 0 0 9 ) ▁( UK ▁# 7 ) ▁( Re - issue ) ▁ ▁Lead ▁vocal ist , ▁per ▁song ▁ ▁( Lead ▁vocals ▁were ▁often ▁double - track ed : ▁The ▁vocal ist ▁recorded ▁her ▁part ▁and ▁then ▁over d ub bed ▁that ▁part ▁herself , ▁singing ▁the ▁same ▁notes ▁and ▁words , ▁in ▁order ▁to ▁" th icken " ▁the ▁sound ) ▁ ▁" Sim on ▁S ays " ▁-- ▁Bet ty ▁" W ishing ▁Well " ▁-- ▁Bet ty ▁" H ate ▁to ▁Say ▁I ▁T old ▁You ▁So " ▁-- ▁Bet ty ▁" Rem ember ▁( Walk ing ▁in ▁the ▁Sand )" ▁-- ▁Mary ▁" It ' s ▁E as ier ▁to ▁Cry " ▁-- ▁Bet ty ▁" Lead er ▁of ▁the ▁Pack " ▁-- ▁Mary ▁and ▁Bet ty ▁in ▁tand em ▁( i . e ., ▁singing ▁the ▁same ▁notes ▁and ▁words ), ▁with ▁Mary ▁mixed ▁slightly ▁lou der ▁" What ▁Is ▁Love ?" ▁-- ▁Bet ty ▁" G ive ▁Him ▁a ▁Great ▁Big ▁Kiss " ▁-- ▁Mary ▁" Maybe " ▁-- ▁Bet ty ▁( |
The ▁overall ▁song ▁was ▁slowed ▁down ▁during ▁the ▁master ing ▁stage , ▁in ▁order ▁to ▁extend ▁the ▁length ) ▁" Sh out " ▁-- ▁Bet ty ▁( in ▁spite ▁of ▁Mary ▁later ▁lip - syn ching ▁the ▁song ▁on ▁the ▁Lloyd ▁Th a xt on ▁show ▁in ▁February , ▁ 1 9 6 5 ▁due ▁to ▁Bet ty ' s ▁absence ) ▁" Out ▁in ▁the ▁Stre ets " ▁-- ▁Mary ▁" The ▁Boy " ▁-- ▁Bet ty ▁" G ive ▁Us ▁Your ▁B less ings " ▁-- ▁Mary ▁" He aven ▁Only ▁Know s " ▁-- ▁Mary ▁( The ▁overall ▁song ▁was ▁slowed ▁down ▁during ▁the ▁master ing ▁stage , ▁in ▁order ▁to ▁extend ▁the ▁length ) ▁" Never ▁Again " ▁-- ▁Mary ▁( with ▁Bet ty ▁singing ▁the ▁prominent ▁" b aby " ▁twice ▁near ▁the ▁end ) ▁" I ' m ▁Blue " ▁-- ▁Mary ▁Ann ▁" Right ▁Now ▁and ▁Not ▁Later " ▁-- ▁Mary ▁" The ▁Train ▁From ▁Kansas ▁City " ▁-- ▁Mary ▁" I ▁Can ▁Never ▁Go ▁Home ▁An ym ore " ▁-- ▁Mary ▁" B ull ▁Dog " ▁-- ▁Bet ty ▁" S oph istic ated ▁Bo om ▁Bo om " ▁-- ▁Mary ▁( with ▁Mary ▁Ann ▁singing ▁the ▁ad - lib bed ▁" y eah s " ▁during ▁the ▁second ▁ch orus ) ▁" Long ▁Live ▁Our ▁Love " ▁-- ▁Mary ▁" He ▁C ried " ▁-- ▁Mary ▁" D ressed ▁in ▁Black " ▁-- ▁Bet ty ▁" P ast , ▁Present , ▁and ▁Future " |
▁-- ▁Mary ▁" Par ad ise " ▁-- ▁Mary ▁" Love ▁You ▁More ▁Th an ▁Yes terday " ▁-- ▁Mary ▁" The ▁Sweet ▁Sounds ▁of ▁Summer " ▁-- ▁Mary ▁" I ' ll ▁Never ▁Learn " ▁-- ▁Mary ▁" Take ▁the ▁Time " ▁-- ▁Mary ▁( with ▁Mary ▁Ann ▁singing ▁the ▁prominent ▁" y eah " ▁at ▁the ▁end ▁of ▁each ▁ch orus ) ▁" Foot steps ▁on ▁the ▁Ro of " ▁-- ▁Mary ▁ ▁Notes ▁ ▁Re ferences ▁" Sh ang ri - L as ▁ 7 7 ! ", ▁foot note ▁ 4 , ▁by ▁Phil ▁X ▁Mil stein , ▁Spect rop op ▁ ▁Ex ternal ▁links ▁Mac K in ney , ▁L . ▁( 2 0 1 2 ). ▁" D ressed ▁in ▁black ": ▁the ▁Sh ang ri - L as ▁and ▁their ▁recorded ▁legacy . ▁Doctor al ▁The sis ▁by ▁Lisa ▁Mac K in ney ▁ ▁F an ▁website ▁Out ▁In ▁The ▁Stre ets , ▁The ▁Story ▁of ▁The ▁Sh ang ri - L as , ▁an ▁extensive ▁article ▁by ▁John ▁J . ▁Gre cc o ▁ ▁" S ongs ▁of ▁The ▁Stone wall ▁Club " ▁featuring ▁Mary ▁We iss ▁& ▁The ▁Sh ang ri - L as ▁ ▁Article ▁by ▁David ▁Gal ass ie ▁August ▁ 2 0 0 8 ▁Inter view ▁with ▁L . A . ▁Record ▁Bi ographic ▁details ▁for ▁Mar ge ▁G an ser ▁in ▁find agr ave . com ▁ ▁Nort on ▁Records ' ▁extensive ▁ 2 0 0 7 ▁interview ▁with ▁Mary |
▁We iss ▁A ▁unique ▁footage ▁showing ▁the ▁Sh ang ri - L as ▁and ▁The ▁Play mate ▁Blues ▁Band ▁leaving ▁an ▁hotel ▁during ▁a ▁tour , ▁year ▁ 1 9 6 6 . ▁From ▁the ▁public ▁Facebook ▁page ▁of ▁The ▁Play mate ▁Blues ▁Band ▁ ▁List ening ▁ ▁Inter view ▁with ▁Mary ▁We iss ▁from ▁Fresh ▁Air ▁radio ▁program , ▁N PR ▁Pod cast , ▁March ▁ 6 , ▁ 2 0 0 7 ▁ ▁Inter view ▁with ▁Mary ▁We iss ▁from ▁W FM U - FM , ▁Real ▁Audio ▁archive , ▁October ▁ 9 , ▁ 2 0 0 7 ▁ ▁Category : Mer cury ▁Records ▁artists ▁Category : Sm ash ▁Records ▁artists ▁Category : S ibling ▁musical ▁groups ▁Category : American ▁pop ▁music ▁groups ▁Category : American ▁pop ▁girl ▁groups ▁Category : Mus ical ▁groups ▁established ▁in ▁ 1 9 6 3 ▁Category : Mus ical ▁groups ▁dis est ab lished ▁in ▁ 1 9 6 8 <0x0A> </s> ▁Raf ael ▁Jim é nez ▁( 1 9 1 4 ▁– ▁ 1 9 8 5 ) ▁was ▁a ▁Spanish ▁water ▁pol o ▁player . ▁He ▁competed ▁in ▁the ▁men ' s ▁tournament ▁at ▁the ▁ 1 9 2 8 ▁Summer ▁Olympics . ▁ ▁Re ferences ▁ ▁Category : 1 9 1 4 ▁birth s ▁Category : 1 9 8 5 ▁deaths ▁Category : Span ish ▁male ▁water ▁pol o ▁players ▁Category : O lymp ic ▁water ▁pol o ▁players ▁of ▁Spain ▁Category : Water ▁pol o ▁players ▁at ▁the ▁ 1 |
9 2 8 ▁Summer ▁Olympics ▁Category : S ports people ▁from ▁Barcelona <0x0A> </s> ▁David ▁John ▁Green ▁( born ▁ 1 8 ▁December ▁ 1 9 3 5 ) ▁is ▁a ▁former ▁English ▁first - class ▁cr ick eter ▁who ▁played ▁for ▁Der by shire ▁between ▁ 1 9 5 3 ▁and ▁ 1 9 6 0 ▁and ▁for ▁Cambridge ▁University ▁from ▁ 1 9 5 7 ▁to ▁ 1 9 5 9 . ▁ ▁Green ▁was ▁born ▁in ▁Bur ton - on - T rent . ▁His ▁first ▁County ▁Championship ▁appearances ▁for ▁Der by shire ▁came ▁at ▁the ▁age ▁of ▁ 1 7 ▁during ▁the ▁ 1 9 5 3 ▁season . ▁He ▁remained ▁a ▁force ▁in ▁the ▁middle ▁order ▁in ▁the ▁ 1 9 5 4 ▁season , ▁and ▁following ▁an ▁impressive ▁display ▁against ▁Kent , ▁was ▁selected ▁to ▁play ▁for ▁Der by shire ▁against ▁the ▁tour ing ▁Pakistan is . ▁ ▁He ▁appeared ▁occasionally ▁throughout ▁the ▁ 1 9 5 5 ▁season ▁and ▁made ▁a ▁strong ▁finish ▁to ▁ 1 9 5 6 . ▁He ▁then ▁went ▁to ▁Cambridge ▁University ▁and ▁ ▁he ▁spent ▁the ▁following ▁spring ▁playing ▁for ▁the ▁University ▁making ▁impressive ▁show ings ▁against ▁County ▁Cr icket ▁teams ▁before ▁res uming ▁his ▁role ▁as ▁a ▁Der by shire ▁player ▁later ▁in ▁the ▁ 1 9 5 7 ▁season . ▁This ▁pattern ▁was ▁repeated ▁in ▁▁ 1 9 5 8 , ▁although ▁he ▁made ▁no ▁appearances ▁for ▁Der by shire ▁during ▁ 1 9 5 9 . ▁He ▁played |
▁for ▁Cambridge ▁in ▁the ▁V ars ity ▁match ▁in ▁ 1 9 5 7 , ▁ 1 9 5 8 ▁and ▁ 1 9 5 9 . ▁ ▁Green ▁returned ▁briefly ▁for ▁Der by shire ▁in ▁the ▁ 1 9 6 0 ▁season , ▁and ▁played ▁for ▁Free ▁Fore sters ▁in ▁ 1 9 6 0 ▁and ▁ 1 9 6 1 ▁against ▁Cambridge ▁University . ▁▁ ▁Green ▁also ▁played ▁for ▁Der by shire ' s ▁Second ▁XI ▁in ▁the ▁Minor ▁Count ies ▁Championship ▁and ▁the ▁Second ▁XI ▁Championship . ▁In ▁ 1 9 6 4 ▁he ▁played ▁a ▁one - day ▁match ▁for ▁W ilt shire . ▁▁ ▁Green ▁was ▁a ▁right - handed ▁b ats man ▁and ▁played ▁ 1 5 2 ▁inn ings ▁in ▁ 8 7 ▁first - class ▁matches ▁with ▁an ▁average ▁of ▁ 2 0 . 2 0 ▁and ▁a ▁top ▁score ▁of ▁ 1 3 4 . ▁He ▁took ▁one ▁first - class ▁w icket ▁at ▁a ▁cost ▁of ▁ 9 9 ▁runs . ▁ ▁Re ferences ▁ ▁Ex ternal ▁links ▁▁ <0x09> ▁ ▁Category : 1 9 3 5 ▁birth s ▁Category : L iving ▁people ▁Category : English ▁cr ick eters ▁Category : Der by shire ▁cr ick eters ▁Category : C amb ridge ▁University ▁cr ick eters ▁Category : W ilt shire ▁cr ick eters ▁Category : Free ▁Fore sters ▁cr ick eters ▁Category : Comb ined ▁Services ▁cr ick eters <0x0A> </s> ▁Luis ▁Ed gar ▁Dev ia ▁Silva ▁( Se ptember ▁ |
3 0 , ▁ 1 9 4 8 ▁– ▁March ▁ 1 , ▁ 2 0 0 8 ), ▁better ▁known ▁by ▁his ▁nom ▁de ▁guerre ▁Ra ú l ▁Re yes , ▁was ▁a ▁Secret ari at ▁member , ▁spokes person , ▁and ▁advis or ▁to ▁the ▁Southern ▁B loc ▁of ▁the ▁Revolution ary ▁Ar med ▁Forces ▁of ▁Colombia – People ' s ▁Army ▁( F AR C – EP ). ▁ ▁He ▁was ▁killed ▁in ▁a ▁targeted ▁killing ▁military ▁operation ▁by ▁the ▁Colomb ian ▁army ▁ ▁within ▁E cu ador , ▁spark ing ▁the ▁ 2 0 0 8 ▁And e an ▁diplom atic ▁crisis . ▁ ▁Early ▁years ▁Re yes ▁was ▁born ▁in ▁the ▁Colomb ian ▁town ▁of ▁La ▁Pl ata , ▁Hu ila ▁Department . ▁Dev ia ▁Silva ▁joined ▁the ▁Colomb ian ▁Communist ▁Youth ▁( J U CO ) ▁when ▁he ▁was ▁ 1 6 ▁years ▁old . ▁He ▁later ▁joined ▁a ▁trade ▁union ▁movement ▁while ▁working ▁for ▁a ▁N est lé ▁milk ▁plant ▁ ▁in ▁the ▁department ▁of ▁Ca quet á . ▁Dev ia ▁Silva ▁served ▁as ▁council man ▁for ▁his ▁home ▁town ▁representing ▁the ▁Colomb ian ▁Communist ▁Party ▁( P CC ), ▁and ▁was ▁also ▁a ▁member ▁of ▁the ▁party ' s ▁Central ▁Committee . ▁ ▁After ▁becoming ▁a ▁member ▁of ▁F AR C ▁and ▁joining ▁its ▁secret ari at , ▁Re yes ▁became ▁a ▁prominent ▁figure ▁and ▁spokes person ▁for ▁the ▁F AR C , ▁number ▁two ▁man ▁in ▁the ▁group ' s ▁seven ▁person ▁ruling ▁secret |
ari at . ▁ ▁Re yes ▁was ▁accused ▁by ▁the ▁US ▁Department ▁of ▁State ▁and ▁the ▁Colomb ian ▁government ▁of ▁expanding ▁F AR C ' s ▁coc aine ▁traff icking ▁activities ▁and ▁setting ▁related ▁policies , ▁including ▁the ▁production , ▁manufact ure , ▁and ▁distribution ▁of ▁hundreds ▁of ▁tons ▁of ▁coc aine ▁to ▁the ▁United ▁States ▁and ▁other ▁countries . ▁He ▁was ▁accused ▁of ▁promoting ▁the ▁" tax ation " ▁of ▁the ▁illegal ▁drug ▁trade ▁in ▁Colombia ▁to ▁raise ▁funds ▁for ▁the ▁F AR C . ▁ ▁He ▁had ▁been ▁formally ▁sent enced ▁in ▁absence ▁for ▁the ▁deaths ▁of ▁ 1 3 ▁polic emen ▁and ▁ 1 8 ▁soldiers , ▁ 1 8 ▁kidn appings ▁and ▁the ▁deaths ▁of ▁a ▁judge , ▁a ▁physician , ▁three ▁jud icial ▁aux ili aries , ▁the ▁ex - minister ▁of ▁Culture ▁Cons uel o ▁A ra ú jo , ▁the ▁congress man ▁Diego ▁T urb ay ▁and ▁his ▁mother , ▁Catholic ▁m ons ign or ▁Isa ías ▁Du arte , ▁Governor ▁of ▁Ant io qu ia ▁Gu ill ermo ▁G av ir ia , ▁the ▁Colomb ian ▁ex - minister ▁Gil ber to ▁E che ver ri , ▁ 1 1 ▁members ▁of ▁the ▁Val le ▁del ▁C au ca ▁Assembly ▁and ▁at ▁least ▁four ▁other ▁persons . ▁Most ▁of ▁these ▁persons ▁were ▁kidn apped ▁before ▁their ▁deaths . ▁G av ir ia , ▁E che ver ri ▁and ▁A ra ú jo ▁were ▁killed ▁by ▁shots ▁in ▁the ▁head ▁when ▁Colomb ian ▁military ▁forces ▁storm |
ed ▁the ▁camps ▁where ▁they ▁were ▁held ▁by ▁gu err illa ▁ins urg ents . ▁He ▁was ▁also ▁found ▁responsible ▁for ▁bomb ing ▁Club ▁El ▁N og al ▁in ▁Bog ot á ▁where ▁ 3 6 ▁people ▁were ▁killed . ▁The ▁Government ▁of ▁Par agu ay ▁had ▁asked ▁for ▁his ▁extr ad ition ▁for ▁his ▁participation ▁in ▁the ▁kidn apping ▁and ▁death ▁of ▁Cec ilia ▁Cub as , ▁daughter ▁of ▁the ▁ex - pres ident ▁of ▁Par agu ay , ▁who ▁was ▁kidn apped ▁on ▁September ▁ 2 1 , ▁ 2 0 0 4 , ▁and ▁whose ▁body ▁was ▁found ▁in ▁an ▁abandoned ▁house ▁in ▁February ▁ 2 0 0 5 . ▁Before ▁his ▁death ▁the ▁United ▁States ▁Department ▁of ▁State ▁was ▁offering ▁a ▁reward ▁of ▁up ▁to ▁US $ 5 ▁million ▁for ▁information ▁leading ▁to ▁his ▁arrest . ▁He ▁was ▁also ▁included ▁in ▁Inter pol ' s ▁" red ▁list ". ▁ ▁Colomb ian ▁authorities ▁believed ▁that ▁Ra ú l ▁Re yes ▁moved ▁through ▁the ▁southern ▁Colomb ian ▁front ier , ▁especially ▁in ▁Put um ay o ▁Department , ▁along ▁the ▁border ▁with ▁E cu ador . ▁In ▁late ▁ 2 0 0 6 , ▁his ▁possible ▁presence ▁in ▁E cu ador ian ▁territory ▁was ▁den ounced ▁by ▁Colomb ian ▁President ▁Á l var o ▁U ribe , ▁while ▁E cu ador ' s ▁authorities ▁rejected ▁the ▁claim , ▁adm itting ▁only ▁temporary ▁F AR C ▁" in fil tr ations ". ▁Colomb ian ▁Army ▁General ▁German ▁Gal vis ▁repeated ▁this |
▁claim ▁in ▁October ▁ 2 0 0 6 . ▁ ▁Neg oti ations ▁with ▁Wall ▁Street ▁In ▁June ▁ 1 9 9 9 , ▁during ▁peace ▁negotiations ▁with ▁the ▁government ▁of ▁Andr és ▁P astr ana , ▁Re yes ▁met ▁in ▁the ▁Colomb ian ▁sav ann ah ▁with ▁Richard ▁Gr asso , ▁then ▁chairman ▁of ▁the ▁New ▁York ▁Stock ▁Exchange . ▁The ▁purpose ▁of ▁the ▁meeting ▁was ▁to ▁discuss ▁investment ▁opportunities ▁for ▁the ▁F AR C . ▁The ▁two ▁men ▁were ▁phot ograp hed ▁in ▁an ▁embrace ▁which ▁became ▁known ▁as ▁the ▁" Gr asso ▁ab ra zo ." ▁ ▁Death ▁ ▁Re yes ▁was ▁killed ▁during ▁a ▁Colomb ian ▁military ▁operation ▁in ▁Gran ada , ▁Put um ay o ▁Department , ▁on ▁March ▁ 1 , ▁ 2 0 0 8 , ▁against ▁an ▁enc amp ment ▁situated ▁near ▁Santa ▁Rosa ▁de ▁S uc umb í os , ▁on ▁the ▁E cu ador ian ▁side ▁of ▁the ▁border ▁along ▁the ▁Put um ay o ▁River . ▁▁ ▁Pre viously , ▁in ▁February ▁ 2 0 0 8 , ▁the ▁FBI ▁and ▁DE A ▁had ▁assist ed ▁the ▁Colomb ian ▁government ▁in ▁tracing ▁a ▁satellite ▁phone ▁call ▁made ▁by ▁Re yes ▁to ▁Venez uel an ▁president ▁Hugo ▁Ch ave z ▁in ▁which ▁they ▁discussed ▁the ▁release ▁of ▁host ages . ▁Re yes ’ ▁location ▁was ▁tr aced ▁to ▁an ▁enc amp ment ▁located ▁a ▁mile ▁across ▁Colombia ’ s ▁southern ▁border ▁in ▁neighbor ing ▁E cu ador — the ▁government ▁of |
▁which ▁had ▁earlier ▁denied ▁reports ▁of ▁Re yes ’ ▁presence . ▁The ▁attack ▁started ▁at ▁ 0 0 : 2 5 . ▁Re yes ▁died ▁after ▁stepping ▁on ▁a ▁F AR C ▁land ▁mine ▁while ▁trying ▁to ▁fle e ▁the ▁camp . ▁ ▁The ▁Colomb ian ▁government ▁acknowledged ▁the ▁killing ▁of ▁Re yes ▁and ▁ 1 6 ▁more ▁gu err illas ▁in ▁a ▁gu err illa ▁camp ▁ ▁inside ▁E cu ador ' s ▁border . ▁The ▁dead ▁body ▁was ▁retriev ed ▁and ▁transport ed ▁to ▁Colomb ian ▁territory ▁after ▁the ▁operation ▁took ▁place . ▁Colomb ian ▁soldier ▁Carlos ▁Ed il son ▁Hern ández ▁Le ón ▁was ▁killed ▁in ▁action ▁during ▁the ▁attack . ▁According ▁to ▁a ▁D PA ▁report , ▁Not ici as ▁Un o ▁claimed ▁that ▁Hern ández ▁Le ón ▁died ▁accidentally , ▁due ▁to ▁a ▁falling ▁tree . ▁ ▁According ▁to ▁the ▁E cu ador ian ▁government ▁the ▁attack ▁happened ▁ ▁from ▁the ▁border ▁inside ▁E cu ador ’ s ▁territory , ▁and ▁it ▁was ▁a ▁planned ▁air ▁strike ▁followed ▁by ▁the ▁in curs ion ▁of ▁Colomb ian ▁troops ▁transport ed ▁by ▁helic op ters . ▁The ▁attack ▁left ▁a ▁total ▁of ▁ 2 0 ▁gu err illa ▁members ▁dead ▁in ▁E cu ador ian ▁territory , ▁many ▁of ▁them ▁wearing ▁under wear ▁or ▁sleeping ▁clothes . ▁According ▁to ▁E cu ad ore an ▁president ▁Raf ael ▁Cor rea , ▁the ▁Super ▁T uc anos ▁war ▁planes ▁entered ▁ ▁in ▁E cu ador ' s ▁territory ▁and ▁struck ▁while ▁flying |
▁north , ▁followed ▁by ▁troops ▁who ▁came ▁by ▁helic op ters ▁and ▁completed ▁the ▁attack . ▁ ▁The ▁E cu ad ore an ▁president ▁announced ▁that ▁a ▁diplom atic ▁note ▁would ▁be ▁sent ▁in ▁protest , ▁claiming ▁that ▁the ▁action ▁was ▁a ▁violation ▁of ▁E cu ador ' s ▁air space . ▁Venez uel an ▁president ▁Hugo ▁Ch á vez ▁called ▁the ▁attack ▁" a ▁cow ard ly ▁murder ", ▁and ▁react ed ▁by ▁moving ▁troops ▁near ▁the ▁border ▁with ▁Colombia ▁and ▁recall ing ▁all ▁personnel ▁from ▁the ▁Venez uel an ▁emb assy ▁in ▁Colombia , ▁saying ▁that ▁doing ▁something ▁similar ▁inside ▁Venezuela ▁would ▁be ▁a ▁" c ause ▁for ▁war ". ▁ ▁Eventually ▁the ▁dispute ▁did ▁not ▁escal ate ▁beyond ▁a ▁war ▁of ▁words . ▁Di plom atic ▁meetings ▁and ▁an ▁ap ology ▁from ▁Colomb ian ▁president ▁Á l var o ▁U ribe ▁resolved ▁the ▁crisis ▁a ▁week ▁later . ▁ ▁After math ▁ ▁Colomb ian ▁government ▁officials ▁have ▁seized ▁documents ▁that , ▁according ▁to ▁a ▁spokes man ▁for ▁EX ▁Colomb ian ▁President ▁Á l var o ▁U ribe , ▁show ▁E cu ador ian ▁President ▁Raf ael ▁Cor rea ▁" has ▁a ▁relationship ▁and ▁commit ments ▁with ▁F AR C ", ▁and , ▁according ▁to ▁the ▁Colomb ian ▁National ▁Police ▁Director ▁Oscar ▁Nar an jo , ▁Re yes ▁had ▁met ▁E cu ador ' s ▁minister ▁of ▁internal ▁security ▁to ▁discuss ▁an ▁" interest ▁in ▁making ▁official ▁relations ▁with ▁the ▁F AR C ". ▁ ▁According ▁to ▁Colomb ian ▁authorities , |
▁the ▁three ▁laptop ▁computers ▁seized ▁were ▁found ▁to ▁hold ▁extensive ▁information ▁about ▁the ▁F AR C , ▁their ▁operations ▁and ▁connections . ▁The ▁Colomb ian ▁government ▁handed ▁over ▁the ▁three ▁PC s ▁and ▁their ▁anc ill ary ▁devices ▁to ▁a ▁team ▁of ▁Inter pol ▁experts , ▁for ▁a ▁period ▁of ▁two ▁weeks . ▁Inter pol ' s ▁analysis ▁had ▁a ▁limited ▁scope , ▁toward ▁the ▁sole ▁objective ▁of ▁cert ifying ▁whether ▁the ▁information ▁was ▁or ▁was ▁not ▁altered ▁in ▁any ▁way ▁by ▁the ▁Colomb ian ▁government , ▁and ▁not ▁to ▁examine ▁the ▁contents ▁of ▁the ▁documents ▁themselves . ▁The ▁Inter pol ▁report ▁concluded ▁that ▁the ▁key ▁documents ▁were ▁un har med ▁and ▁un modified , ▁but ▁noted ▁that ▁the ▁devices ▁had ▁been ▁operated ▁and ▁accessed ▁without ▁write ▁protection ▁after ▁their ▁seiz ure . ▁Over ▁ 3 , 5 0 0 ▁files ▁had ▁date ▁st amps ▁indicating ▁they ▁had ▁been ▁created ▁or ▁modified ▁in ▁the ▁future ▁and ▁the ▁report ▁concluded ▁that ▁" the se ▁files ▁were ▁originally ▁created ▁prior ▁to ▁March ▁ 1 , ▁ 2 0 0 8 ▁on ▁a ▁device ▁or ▁devices ▁with ▁incorrect ▁system ▁time ▁settings ." ▁ ▁The ▁Inter pol ' s ▁list ▁of ▁information ▁recovered ▁from ▁the ▁devices ▁ment ions ▁over ▁ 3 0 , 0 0 0 ▁written ▁documents ▁and ▁more ▁than ▁ 7 , 0 0 0 ▁e - mail ▁addresses . ▁ ▁On ▁June ▁ 1 5 , ▁ 2 0 0 8 , ▁Inter pol ▁issued ▁a ▁new ▁press ▁release ▁in ▁response ▁to ▁a ▁statement |
▁by ▁E cu ador ' s ▁Foreign ▁Ministry ▁that ▁the ▁international ▁organization ▁considered ▁to ▁be ▁incorrect . ▁The ▁press ▁release ▁stated ▁that ▁"[ E cu ador ] ▁in accur ately ▁suggests ▁that ▁Inter pol ▁had ▁not ▁established ▁whether ▁the ▁eight ▁seized ▁exhib its ▁fore ns ically ▁examined ▁by ▁Inter pol ' s ▁computer ▁fore ns ic ▁experts ▁had ▁been ▁recovered ▁by ▁Colomb ian ▁authorities ▁on ▁March ▁ 1 , ▁ 2 0 0 8 ▁from ▁a ▁F AR C ▁camp ▁or ▁belonged ▁to ▁R aul ▁Re yes . ▁In ▁fact , ▁based ▁on ▁a ▁review ▁of ▁all ▁the ▁information ▁and ▁material ▁provided ▁by ▁Colombia , ▁including ▁a ▁classified ▁oral ▁brief ing , ▁Inter pol ▁was ▁able ▁to ▁satisfy ▁itself , ▁and ▁clearly ▁stated ▁in ▁its ▁report , ▁that ▁the ▁seized ▁computer ▁exhib its ▁it ▁was ▁requested ▁to ▁fore ns ically ▁examine ▁were ▁taken ▁from ▁the ▁F AR C ▁terrorist ▁camp ▁on ▁March ▁ 1 , ▁ 2 0 0 8 ▁and ▁belonged ▁to ▁R aul ▁Re yes ." ▁Inter pol ▁also ▁added ▁" that ▁valid ating ▁the ▁contents ▁of ▁the ▁computer ▁exhib its ▁were ▁not ▁manip ulated ▁after ▁their ▁seiz ure ▁by ▁Colomb ian ▁authorities ▁is ▁not ▁in ▁any ▁way , ▁shape ▁or ▁form ▁the ▁same ▁as ▁saying ▁that ▁the ▁contents ▁of ▁the ▁user ▁files ▁are ▁true ▁and ▁accurate . ▁Inter pol ▁therefore ▁objects ▁to ▁those ▁who ▁suggest ▁that ▁Inter pol ' s ▁report ▁valid ates ▁the ▁source ▁and ▁accuracy ▁of ▁any ▁particular ▁document ▁or ▁user ▁file ▁contained ▁there in ." ▁ ▁On |
▁March ▁ 1 6 , ▁ 2 0 1 0 ▁Hugo ▁Ch á vez ▁admitted ▁having ▁had ▁a ▁meeting ▁with ▁Re yes ▁at ▁an ▁ind et erm inate ▁date ▁during ▁P astr ana ' s ▁government . ▁ ▁Re ferences ▁ ▁Further ▁reading ▁▁▁▁▁ ▁Category : 1 9 4 8 ▁birth s ▁Category : 2 0 0 8 ▁deaths ▁Category : People ▁from ▁Hu ila ▁Department ▁Category : Members ▁of ▁F AR C ▁Category : Col omb ian ▁gu err illas ▁killed ▁in ▁action <0x0A> </s> ▁Sp ur rite ▁is ▁a ▁white , ▁yellow ▁or ▁light ▁blue ▁mineral ▁with ▁mon oc lin ic ▁cryst als . ▁Its ▁chemical ▁formula ▁is ▁Ca 5 ( Si O 4 ) 2 CO 3 . ▁▁ ▁Sp ur rite ▁is ▁generally ▁formed ▁in ▁contact ▁met am orph ism ▁zones ▁as ▁m af ic ▁mag mas ▁are ▁intr uded ▁into ▁carbon ate ▁rocks . ▁Sp ur rite ' s ▁space ▁group ▁is ▁P ▁ 2 / a . ▁It ▁is ▁b ia x ial ▁with ▁a ▁b ire f ring ence ▁of ▁ 0 . 0 3 9 0 – 0 . 0 4 0 0 , ▁giving ▁second ▁order ▁red ▁interference ▁colors ▁when ▁viewed ▁under ▁crossed ▁polar izers ▁in ▁a ▁pet ro graph ic ▁micro scope . ▁▁ ▁The ▁calci um ▁is ▁in ▁six - fold ▁coord ination ▁with ▁the ▁oxygen , ▁the ▁sil icon ▁is ▁in ▁a ▁four - fold ▁coord ination ▁with ▁the ▁oxygen ▁and ▁the ▁carbon ▁is ▁in ▁two - fold ▁coord ination . |
▁One ▁unique ▁characteristic ▁of ▁sp ur rite ▁is ▁that ▁it ▁actually ▁ab ides ▁by ▁two ▁twin ▁laws . ▁Pol ys y nt hetic ▁twin ning ▁can ▁occur ▁along ▁its ▁( 0 0 1 ) ▁and ▁another ▁type ▁of ▁twin ning ▁can ▁occur ▁parallel ▁to ▁its ▁optical ▁ax es . ▁ ▁Dis covery ▁and ▁occur rence ▁Sp ur rite ▁was ▁first ▁described ▁in ▁ 1 9 0 8 ▁for ▁an ▁occur rence ▁in ▁the ▁Ter ner as ▁Mine , ▁Vel arde ña ▁District , ▁Dur ango , ▁Mexico . ▁It ▁was ▁named ▁for ▁American ▁economic ▁ge ologist ▁Jos iah ▁Edward ▁Sp ur r ▁( 1 8 7 0 – 1 9 5 0 ). ▁ ▁In ▁addition ▁to ▁its ▁type ▁local ity , ▁sp ur rite ▁has ▁been ▁reported ▁from ▁Rivers ide ▁County , ▁California ; ▁L una ▁County , ▁New ▁Mexico ; ▁and ▁from ▁the ▁Little ▁B elt ▁Mountains , ▁Lewis ▁and ▁Clark ▁County , ▁Mont ana . ▁It ▁is ▁also ▁found ▁in ▁Ireland , ▁Scotland , ▁New ▁Zealand , ▁Turkey , ▁Israel , ▁Japan ▁and ▁S iber ia . ▁ ▁C ement ▁manufact ure ▁cont amin ant ▁Sp ur rite ▁forms ▁as ▁cont amin ating ▁sp ur rite ▁rings ▁on ▁the ▁walls ▁of ▁cement ▁kil ns ▁during ▁the ▁production ▁of ▁Portland ▁cement . ▁ ▁Re ferences ▁ ▁Category : N es os il icates ▁Category : Car bon ate ▁miner als ▁Category : Mon oc lin ic ▁miner als <0x0A> </s> ▁Vo ices ▁of ▁D ust ▁is ▁the ▁second ▁studio ▁album ▁by |
▁Dem d ike ▁St are , ▁released ▁on ▁November ▁ 2 9 , ▁ 2 0 1 0 ▁by ▁Modern ▁Love ▁Records . ▁ ▁Track ▁listing ▁ ▁Person nel ▁Ad apt ed ▁from ▁the ▁Vo ices ▁of ▁D ust ▁l iner ▁notes . ▁ ▁Dem d ike ▁St are ▁ ▁Sean ▁Cant y – ▁producer ▁ ▁Miles ▁Wh itt aker – ▁producer ▁ ▁Production ▁and ▁additional ▁personnel ▁ ▁Andre as ▁Lub ich – ▁master ing ▁ ▁Rad u ▁Pre pe le ac – ▁design ▁ ▁Andy ▁V ot el – ▁cover ▁art ▁ ▁Release ▁history ▁ ▁Re ferences ▁ ▁Ex ternal ▁links ▁▁▁▁ ▁Category : 2 0 1 0 ▁albums ▁Category : Dem d ike ▁St are ▁albums ▁Category : Mod ern ▁Love ▁Records ▁albums ▁Category : In strument al ▁albums <0x0A> </s> ▁Light ▁As yl um ▁is ▁a ▁Brooklyn - based ▁electronic ▁music ▁du o ▁consisting ▁of ▁Sh annon ▁Fun che ss ▁and ▁Bruno ▁C ovi ello . ▁The ▁band ▁released ▁their ▁first ▁EP ▁In ▁T ension ▁in ▁ 2 0 1 0 . ▁The ▁four ▁track ▁EP ▁was ▁re - re leased ▁in ▁ 2 0 1 1 ▁through ▁notable ▁ind ie ▁label ▁Mexican ▁Summer . ▁Their ▁self - t itled ▁début ▁album ▁was ▁released ▁in ▁May ▁ 2 0 1 2 . ▁It ▁received ▁generally ▁positive ▁reviews ▁from ▁P itch f ork , ▁F ACT , ▁Mix mag , ▁N ME , ▁X L R 8 R ▁and ▁The ▁Qu iet us . ▁ ▁History |
▁In ▁ 2 0 0 3 , ▁Bruno ▁C ovi ello ▁wrote ▁an ▁electro cl ash / d ance - pop ▁song ▁for ▁the ▁Party ▁Mon ster ▁sound track ▁under ▁the ▁alias ▁Man ne quin . ▁Sh annon ▁Fun che ss ▁had ▁provided ▁vocals ▁for ▁acts ▁such ▁as ▁TV ▁on ▁the ▁Radio , ▁! !! ▁and ▁Tele pat he . ▁Fun che ss ▁also ▁collabor ated ▁with ▁The ▁Kn ife ▁on ▁the ▁track ▁" St ay ▁Out ▁Here " ▁from ▁the ▁band ' s ▁fourth ▁album ▁Sh aking ▁the ▁Hab it ual ▁in ▁ 2 0 1 3 . ▁ ▁Light ▁As yl um ' s ▁music ▁is ▁heavily ▁influenced ▁by ▁ 1 9 8 0 s ▁music . ▁Their ▁style ▁incorpor ates ▁elements ▁of ▁dark wave , ▁syn th pop ▁and ▁post - p unk ▁music , ▁and ▁The ▁Guard ian ▁compared ▁Light ▁As yl um ▁to ▁N ine ▁In ch ▁N ails ▁and ▁De pe che ▁Mode . ▁ ▁Light ▁As yl um ' s ▁song ▁Dark ▁All ies ▁was ▁used ▁as ▁the ▁theme ▁song ▁of ▁the ▁ 2 0 1 9 ▁podcast ▁The ▁Ball ad ▁of ▁Billy ▁B alls . ▁ ▁Disc ography ▁ ▁Studio ▁albums ▁ ▁Light ▁As yl um ▁( 2 0 1 2 ) ▁ ▁Ext ended ▁plays ▁ ▁In ▁T ension ▁( 2 0 1 0 ) ▁ ▁Singles ▁ ▁" Sh allow ▁T ears " ▁( 2 0 1 2 ) ▁ ▁" He art ▁of ▁D ust " ▁( 2 0 1 2 ) |
▁ ▁" A ▁Certain ▁Person " ▁( 2 0 1 2 ) ▁ ▁Re ferences ▁ ▁Ex ternal ▁links ▁▁▁▁ ▁Category : American ▁electronic ▁music ▁groups ▁Category : E lect ronic ▁music ▁groups ▁from ▁New ▁York ▁( state ) ▁Category : American ▁dark ▁wave ▁musical ▁groups ▁Category : Mus ical ▁groups ▁from ▁Brooklyn <0x0A> </s> ▁Bill ▁Dale ▁Disney ▁( Apr il ▁ 3 , ▁ 1 9 3 2 ▁– ▁April ▁ 2 2 , ▁ 2 0 0 9 ) ▁was ▁an ▁American ▁speed ▁sk ater ▁who ▁competed ▁in ▁the ▁ 1 9 6 0 ▁Winter ▁Olympics ▁and ▁ 1 9 6 4 ▁Winter ▁Olympics . ▁ ▁He ▁was ▁born ▁in ▁To pe ka , ▁Kansas . ▁Disney ▁won ▁the ▁silver ▁medal ▁at ▁the ▁ 1 9 6 0 ▁Winter ▁Olympics ▁in ▁speed ▁sk ating . ▁ ▁Personal ▁records ▁ ▁Olympic ▁results ▁ ▁Re ferences ▁ ▁Notes ▁ ▁Bibli ography ▁▁ ▁Eng , ▁tr ond . ▁All ▁Time ▁International ▁Championships : ▁Complete ▁Results , ▁ 1 8 8 9 - 2 0 0 2 . ▁Ask im , ▁Norway : ▁W SS SA - Sk ø y ten y tt , ▁ 2 0 0 2 . ▁ ▁Eng , ▁Tr ond ▁and ▁M arn ix ▁K ool ha as . ▁National ▁All ▁Time ▁& ▁En cycl op edia , ▁Men / L ad ies , ▁Issue ▁No . 4 : ▁" America " ▁Volume ▁ 2 ; ▁USA ▁+ ▁Virgin ▁Islands . ▁Veg g li , ▁Norway : ▁W SS SA |
- Sk ø y ten y tt , ▁ 1 9 8 5 . ▁ ▁Ex ternal ▁links ▁ ▁sk ater es ult s ▁ ▁sports - reference ▁ ▁Category : 1 9 3 2 ▁birth s ▁Category : 2 0 0 9 ▁deaths ▁Category : American ▁male ▁speed ▁sk aters ▁Category : O lymp ic ▁speed ▁sk aters ▁of ▁the ▁United ▁States ▁Category : Speed ▁sk aters ▁at ▁the ▁ 1 9 6 0 ▁Winter ▁Olympics ▁Category : Speed ▁sk aters ▁at ▁the ▁ 1 9 6 4 ▁Winter ▁Olympics ▁Category : O lymp ic ▁silver ▁medal ists ▁for ▁the ▁United ▁States ▁in ▁speed ▁sk ating ▁Category : S ports people ▁from ▁To pe ka , ▁Kansas ▁Category : Med al ists ▁at ▁the ▁ 1 9 6 0 ▁Winter ▁Olympics <0x0A> </s> ▁Des ▁Ch amp ▁( 9 ▁July ▁ 1 9 2 8 ▁– ▁ 7 ▁June ▁ 2 0 0 6 ▁in ▁London , ▁England ) ▁was ▁a ▁musician , ▁band le ader , ▁producer , ▁and ▁arr anger . ▁ ▁In ▁a ▁musical ▁career ▁lasting ▁over ▁ 3 5 ▁years , ▁Des ▁gained ▁not or iety ▁in ▁the ▁British ▁music ▁business ▁for ▁his ▁ground - breaking ▁production ▁and ▁arrangement ▁work ▁in ▁collaboration ▁with ▁partner ▁Roger ▁Easter by . ▁Des ▁first ▁achieved ▁chart ▁success ▁with ▁Van ity ▁F are , ▁whose ▁" H itch in ' ▁a ▁R ide " ▁sold ▁a ▁million ▁copies ▁in ▁the ▁US ▁alone , ▁but ▁his ▁most ▁notable ▁pop ▁achievement ▁was ▁with ▁gl am - |
rock ▁band ▁Ch ic ory ▁Tip , ▁whose ▁" S on ▁of ▁My ▁Father " ▁featured ▁a ▁Mo og ▁synt hes izer ▁( a ▁relatively ▁obsc ure ▁instrument ▁at ▁the ▁time ). ▁" S on ▁of ▁My ▁Father " ▁went ▁on ▁to ▁top ▁the ▁UK ▁pop ▁music ▁charts ▁for ▁three ▁weeks ▁in ▁early ▁ 1 9 7 2 ▁and ▁was ▁a ▁sem inal ▁influence ▁on ▁ 8 0 s ▁synt hes izer ▁bands ▁like ▁ABC . ▁Later ▁in ▁his ▁career , ▁Des ▁worked ▁as ▁musical ▁director ▁for ▁Shir ley ▁B asse y , ▁ 5 0 0 0 ▁Vol ts , ▁and ▁Tony ▁Mon opol y , ▁before ▁finally ▁taking ▁a ▁regular ▁day ▁job ▁with ▁the ▁Or chestr ation ▁Department ▁at ▁BBC ▁Radio ▁Two . ▁ ▁He ▁died ▁of ▁cancer ▁on ▁ 7 ▁June ▁ 2 0 0 6 ▁in ▁London . ▁ ▁Disc ography ▁ ▁Ex ternal ▁links ▁▁ ▁Des ▁Ch amp ▁disc ography ▁at ▁Disc ogs ▁ ▁Shir ley ▁and ▁Johnny ▁website ▁ ▁The ▁Bed side ▁Bond ▁Album ▁ ▁Category : 1 9 2 8 ▁birth s ▁Category : English ▁record ▁producers ▁Category : 2 0 0 6 ▁deaths <0x0A> </s> ▁" H ang over " ▁is ▁the ▁third ▁official ▁single ▁by ▁Star boy ▁Nathan , ▁from ▁his ▁second ▁album ▁ 3 D ▁- ▁Det erm ination , ▁D ed ication , ▁Des ire . ▁The ▁single ▁was ▁released ▁on ▁ 1 6 ▁September ▁ 2 0 1 1 ▁on ▁digital ▁download . ▁The ▁song ▁chart ed ▁at ▁number ▁ 9 |
2 ▁in ▁the ▁UK ▁Singles ▁Chart ▁and ▁number ▁ 2 9 ▁on ▁the ▁UK ▁R & B ▁Chart . ▁The ▁song ▁features ▁vocals ▁from ▁English ▁rap per ▁and ▁former ▁Gr ime ▁MC ▁W ret ch ▁ 3 2 . ▁ ▁Music ▁video ▁A ▁music ▁video ▁to ▁accompany ▁the ▁release ▁of ▁" H ang over " ▁was ▁first ▁released ▁onto ▁YouTube ▁on ▁ 2 7 ▁June ▁ 2 0 1 1 , ▁at ▁a ▁total ▁length ▁of ▁four ▁minutes ▁and ▁twenty - n ine ▁seconds . ▁ ▁Track ▁list ings ▁Digital ▁download ▁ ▁" H ang over " ▁( Radio ▁Edit ) ▁[ feat . ▁W ret ch ▁ 3 2 ] ▁- ▁ 3 : 2 3 ▁ ▁" C aught ▁Me ▁Sl ip pin '" ▁( F lo ▁R ida ▁Mix ) ▁- ▁ 3 : 3 0 ▁ ▁Digital ▁EP ▁ ▁" H ang over " ▁( Radio ▁Edit ) ▁[ feat . ▁W ret ch ▁ 3 2 ] ▁- ▁ 3 : 2 3 ▁ ▁" H ang over " ▁( Agent ▁X ▁L . A . X . ▁Rem ix ▁Radio ▁Edit ) ▁[ feat . ▁W ret ch ▁ 3 2 ] ▁- ▁ 3 : 1 3 ▁ ▁" H ang over " ▁( Agent ▁X ▁L . A . X . ▁Rem ix ▁Ext ended ) ▁[ feat . ▁W ret ch ▁ 3 2 ] ▁- ▁ 5 : 1 8 ▁ ▁" H ang over " ▁( St icky ▁Rem ix ) ▁[ |
feat . ▁W ret ch ▁ 3 2 ] ▁- ▁ 4 : 4 8 ▁ ▁" H ang over " ▁( Cl ay beat ▁Morning ▁After ▁Rem ix ) ▁[ feat . ▁W ret ch ▁ 3 2 ] ▁- ▁ 4 : 0 3 ▁ ▁" C aught ▁Me ▁Sl ip pin '" ▁( F lo ▁R ida ▁Mix ) ▁- ▁ 3 : 3 0 ▁ ▁Chart ▁performance ▁ ▁Release ▁history ▁ ▁Re ferences ▁ ▁Category : 2 0 1 1 ▁singles ▁Category : 2 0 1 1 ▁songs ▁Category : S ongs ▁written ▁by ▁Ali ▁T enn ant <0x0A> </s> ▁Grant ▁We bb ▁( born ▁ 1 1 ▁August ▁ 1 9 7 9 ▁in ▁Pal mer ston ▁North , ▁New ▁Zealand ) ▁is ▁a ▁New ▁Zealand ▁rugby ▁union ▁player . ▁He ▁plays ▁his ▁rugby ▁as ▁a ▁number ▁eight . ▁ ▁Career ▁We bb ▁played ▁for ▁O tag o , ▁during ▁which ▁time ▁he ▁faced ▁the ▁British ▁and ▁Irish ▁L ions ▁ ▁In ▁ 2 0 0 5 ▁he ▁joined ▁the ▁Toy ota ▁Ver bl itz ▁club ▁in ▁Japan ' s ▁Top ▁League . ▁ ▁On ▁ 2 0 ▁December ▁ 2 0 0 7 ▁We bb ▁arrived ▁in ▁B elf ast ▁on ▁a ▁season ▁long ▁contract ▁with ▁Magn ers ▁League ▁team ▁Ul ster ▁Rug by , ▁following ▁a ▁season ▁playing ▁in ▁New ▁Zealand ' s ▁N PC ▁tournament , ▁with ▁Haw kes ▁Bay . ▁ ▁In ▁May ▁ 2 0 0 8 , ▁he ▁joined ▁Wel sh ▁regional |
▁side ▁the ▁New port ▁G w ent ▁Drag ons . ▁We bb ▁was ▁released ▁by ▁New port ▁G w ent ▁Drag ons ▁at ▁the ▁end ▁of ▁the ▁ 2 0 0 9 – 1 0 ▁season . ▁ ▁Re ferences ▁ ▁Ex ternal ▁links ▁New port ▁G w ent ▁Drag ons ▁profile ▁Ul ster ▁profile ▁ ▁Category : 1 9 7 9 ▁birth s ▁Category : L iving ▁people ▁Category : New ▁Zealand ▁rugby ▁union ▁players ▁Category : U l ster ▁Rug by ▁players ▁Category : Drag ons ▁( rug by ▁union ) ▁players ▁Category : Univers ity ▁of ▁O tag o ▁al umn i ▁Category : New ▁Zealand ▁exp atri ate ▁sports people ▁in ▁Wales <0x0A> </s> ▁C yme ▁f asci ol ata ▁is ▁a ▁m oth ▁of ▁the ▁family ▁E reb idae . ▁It ▁was ▁described ▁by ▁Walter ▁Roth sch ild ▁in ▁ 1 9 1 3 ▁from ▁Bi agi ▁and ▁is ▁found ▁in ▁Pap ua ▁New ▁Gu inea . ▁ ▁Re ferences ▁ ▁Category : N ud ari ina ▁Category : M oth s ▁described ▁in ▁ 1 9 1 3 ▁Category : M oth s ▁of ▁New ▁Gu inea <0x0A> </s> ▁Thomas ▁Jay ▁Ryan ▁( born ▁August ▁ 1 , ▁ 1 9 6 2 ) ▁is ▁an ▁American ▁stage ▁and ▁film ▁actor . ▁He ▁may ▁be ▁best ▁known ▁for ▁his ▁star ring ▁role ▁in ▁the ▁ 1 9 9 7 ▁film ▁Henry ▁F ool . ▁ ▁Born ▁in ▁Pittsburgh , ▁Pennsylvania , ▁Ryan ▁attended ▁Car ne gie ▁M |
ell on ▁University ▁and ▁has ▁worked ▁in ▁such ▁the aters ▁as ▁the ▁G uth rie ▁Theater ▁in ▁Min ne apolis ▁and ▁the ▁Yale ▁Re pert ory ▁Theatre ▁in ▁New ▁Haven . ▁In ▁addition , ▁he ▁has ▁worked ▁with ▁av ante - gar de ▁play wright ▁Richard ▁Fore man ▁and ▁has ▁played ▁roles ▁ranging ▁from ▁Dr ac ula ▁to ▁Deg as . ▁ ▁He ▁has ▁supporting ▁roles ▁in ▁a ▁variety ▁of ▁films , ▁including ▁T ek n ol ust , ▁E ternal ▁Sun shine ▁of ▁the ▁Spot less ▁Mind , ▁The ▁Book ▁of ▁Life , ▁Dream ▁Boy , ▁and ▁the ▁sequ els ▁to ▁Henry ▁F ool , ▁F ay ▁Gr im ▁( 2 0 0 7 ) ▁and ▁Ned ▁R if le ▁( 2 0 1 4 ). ▁ ▁He ▁played ▁pione ering ▁gay ▁activ ist ▁Harry ▁Hay ▁in ▁the ▁initial ▁production ▁of ▁the ▁play ▁The ▁Tem per ament als ▁in ▁ 2 0 0 9 ▁in ▁New ▁York . ▁In ▁ 2 0 1 6 , ▁Ryan ▁played ▁Thomas ▁Put nam ▁in ▁I vo ▁van ▁H ove ' s ▁production ▁of ▁Arthur ▁Miller ' s ▁play ▁The ▁Cru c ible ▁at ▁the ▁Walter ▁K err ▁Theatre ▁on ▁Broadway . ▁ ▁Re ferences ▁ ▁Ex ternal ▁links ▁ ▁" Th omas ▁Jay ▁Ryan ▁Em br aces ▁a ▁Com fort ably ▁Un predict able ▁Act ing ▁Career " ▁by ▁Alex is ▁Sol os ki , ▁The ▁New ▁York ▁Times , ▁ 1 1 ▁October ▁ 2 0 1 5 ▁ ▁Category : 1 9 6 |
2 ▁birth s ▁Category : L iving ▁people ▁Category : American ▁male ▁film ▁actors ▁Category : American ▁male ▁stage ▁actors ▁Category : M ale ▁actors ▁from ▁Pittsburgh <0x0A> </s> ▁Mart elle ▁is ▁a ▁city ▁in ▁Jones ▁County , ▁Iowa , ▁United ▁States . ▁The ▁population ▁was ▁ 2 5 5 ▁at ▁the ▁ 2 0 1 0 ▁census . ▁It ▁is ▁part ▁of ▁the ▁C ed ar ▁Rap ids ▁Met ropolitan ▁Stat ist ical ▁Area . ▁ ▁History ▁Mart elle ▁was ▁pl atted ▁in ▁ 1 8 7 2 ▁when ▁the ▁Chicago , ▁Mil w au kee , ▁St . ▁Paul ▁and ▁Pacific ▁Rail road ▁was ▁being ▁built ▁through ▁the ▁neighborhood . ▁ ▁Ge ography ▁Mart elle ▁is ▁located ▁at ▁ ▁( 4 2 . 0 2 0 4 2 1 , ▁- 9 1 . 3 5 8 3 1 4 ). ▁ ▁According ▁to ▁the ▁United ▁States ▁Census ▁Bureau , ▁the ▁city ▁has ▁a ▁total ▁area ▁of ▁, ▁all ▁land . ▁ ▁Dem ograph ics ▁▁ 2 0 1 0 ▁census ▁As ▁of ▁the ▁census ▁of ▁ 2 0 1 0 , ▁there ▁were ▁ 2 5 5 ▁people , ▁ 1 1 4 ▁households , ▁and ▁ 8 1 ▁families ▁living ▁in ▁the ▁city . ▁The ▁population ▁density ▁was ▁. ▁There ▁were ▁ 1 2 2 ▁housing ▁units ▁at ▁an ▁average ▁density ▁of ▁. ▁The ▁racial ▁makeup ▁of ▁the ▁city ▁was ▁ 9 7 . 6 % ▁White , ▁ 1 . 6 % ▁Asian , ▁and ▁ 0 . |
8 % ▁from ▁two ▁or ▁more ▁races . ▁His panic ▁or ▁Lat ino ▁of ▁any ▁race ▁were ▁ 0 . 8 % ▁of ▁the ▁population . ▁ ▁There ▁were ▁ 1 1 4 ▁households ▁of ▁which ▁ 1 9 . 3 % ▁had ▁children ▁under ▁the ▁age ▁of ▁ 1 8 ▁living ▁with ▁them , ▁ 6 1 . 4 % ▁were ▁married ▁couples ▁living ▁together , ▁ 7 . 0 % ▁had ▁a ▁female ▁house holder ▁with ▁no ▁husband ▁present , ▁ 2 . 6 % ▁had ▁a ▁male ▁house holder ▁with ▁no ▁wife ▁present , ▁and ▁ 2 8 . 9 % ▁were ▁non - f amil ies . ▁ 2 0 . 2 % ▁of ▁all ▁households ▁were ▁made ▁up ▁of ▁individuals ▁and ▁ 1 0 . 5 % ▁had ▁someone ▁living ▁alone ▁who ▁was ▁ 6 5 ▁years ▁of ▁age ▁or ▁older . ▁The ▁average ▁household ▁size ▁was ▁ 2 . 2 4 ▁and ▁the ▁average ▁family ▁size ▁was ▁ 2 . 5 9 . ▁ ▁The ▁median ▁age ▁in ▁the ▁city ▁was ▁ 4 5 . 7 ▁years . ▁ 1 6 . 5 % ▁of ▁residents ▁were ▁under ▁the ▁age ▁of ▁ 1 8 ; ▁ 7 . 4 % ▁were ▁between ▁the ▁ages ▁of ▁ 1 8 ▁and ▁ 2 4 ; ▁ 2 3 . 5 % ▁were ▁from ▁ 2 5 ▁to ▁ 4 4 ; ▁ 3 1 . 4 % ▁were ▁from ▁ 4 5 ▁to ▁ 6 4 ; ▁and ▁ |
2 1 . 2 % ▁were ▁ 6 5 ▁years ▁of ▁age ▁or ▁older . ▁The ▁gender ▁makeup ▁of ▁the ▁city ▁was ▁ 4 8 . 2 % ▁male ▁and ▁ 5 1 . 8 % ▁female . ▁▁ 2 0 0 0 ▁census ▁As ▁of ▁the ▁census ▁of ▁ 2 0 0 0 , ▁there ▁were ▁ 2 8 0 ▁people , ▁ 1 0 9 ▁households , ▁and ▁ 8 5 ▁families ▁living ▁in ▁the ▁city . ▁The ▁population ▁density ▁was ▁ 8 4 9 . 8 ▁people ▁per ▁square ▁mile ▁( 3 2 7 . 6 / km ² ). ▁There ▁were ▁ 1 1 5 ▁housing ▁units ▁at ▁an ▁average ▁density ▁of ▁ 3 4 9 . 0 ▁per ▁square ▁mile ▁( 1 3 4 . 6 / km ² ). ▁The ▁racial ▁makeup ▁of ▁the ▁city ▁was ▁ 9 9 . 2 9 % ▁White , ▁ 0 . 3 6 % ▁Asian , ▁and ▁ 0 . 3 6 % ▁from ▁two ▁or ▁more ▁races . ▁ ▁The ▁median ▁income ▁for ▁a ▁household ▁in ▁the ▁city ▁was ▁$ 4 7 , 5 0 0 , ▁and ▁the ▁median ▁income ▁for ▁a ▁family ▁was ▁$ 5 0 , 3 1 3 . ▁M ales ▁had ▁a ▁median ▁income ▁of ▁$ 3 2 , 5 0 0 ▁versus ▁$ 2 1 , 9 6 4 ▁for ▁females . ▁The ▁per ▁cap ita ▁income ▁for ▁the ▁city ▁was ▁$ 2 0 , 1 3 4 . ▁About ▁ 2 . |
5 % ▁of ▁families ▁and ▁ 2 . 9 % ▁of ▁the ▁population ▁were ▁below ▁the ▁poverty ▁line , ▁including ▁ 2 . 5 % ▁of ▁those ▁under ▁the ▁age ▁of ▁eighteen ▁and ▁none ▁of ▁those ▁sixty ▁five ▁or ▁over . ▁ ▁Education ▁ ▁An am osa ▁Community ▁School ▁District ▁operates ▁schools ▁serving ▁this ▁community . ▁ ▁Re ferences ▁ ▁Category : C ities ▁in ▁Iowa ▁Category : C ities ▁in ▁Jones ▁County , ▁Iowa ▁Category : C ed ar ▁Rap ids , ▁Iowa ▁met ropolitan ▁area <0x0A> </s> ▁La ▁G ac eta ▁( Span ish ▁for ▁" The ▁Gaz ette ", ▁full ▁name ▁La ▁G ac eta ▁de ▁los ▁Neg oci os , ▁" The ▁Business ▁Gaz ette ") ▁is ▁a ▁newspaper ▁belonging ▁to ▁the ▁Inter econom ia ▁Group ▁which ▁is ▁conservative ▁and ▁supportive ▁of ▁market ▁liberal ism . ▁ ▁History ▁and ▁profile ▁The ▁newspaper ▁was ▁established ▁as ▁La ▁G ac eta ▁de ▁los ▁Neg oci os ▁in ▁March ▁ 1 9 8 9 . ▁It ▁was ▁part ▁of ▁Gru po ▁Z eta ▁in ▁the ▁ 1 9 9 0 s . ▁In ▁ 1 9 9 4 ▁the ▁paper ▁had ▁a ▁circulation ▁of ▁ 1 7 , 7 3 6 ▁copies . ▁ ▁The ▁paper ▁once ▁belonged ▁to ▁Gru po ▁Neg oci os ▁ ▁until ▁August ▁ 2 0 0 9 ▁when ▁it ▁was ▁bought ▁by ▁Inter econom ia ▁Group . ▁On ▁ 2 1 ▁October ▁ 2 0 0 9 , ▁the ▁newspaper ▁was ▁rel a unched ▁nation ally ▁under |
▁the ▁name ▁La ▁G ac eta . ▁Following ▁the ▁transaction ▁it ▁also ▁left ▁its ▁pure ▁business ▁focus , ▁becoming ▁a ▁general ▁newspaper . ▁It ▁sold ▁out ▁in ▁its ▁first ▁day , ▁selling ▁ 1 0 0 , 0 0 0 ▁copies . ▁ ▁Its ▁headquarters ▁was ▁in ▁Madrid ▁and ▁it ▁had ▁branches ▁in ▁Barcelona , ▁Bil ba o , ▁Val encia , ▁and ▁Vall ad olid . ▁Conservative ▁and ▁econom ically ▁liberal , ▁La ▁G ac eta ▁positioned ▁itself ▁as ▁the ▁leading ▁representative ▁of ▁Spanish ▁conserv at ism ▁and ▁traditional ism . ▁ ▁It ▁took ▁strong ▁st ances ▁against ▁abortion ▁and ▁same - sex ▁marriage ▁and ▁heavily ▁critic ized ▁the ▁Social ist ▁government ▁of ▁ 2 0 0 4 - 2 0 1 1 . ▁ ▁In ▁December ▁ 2 0 1 3 ▁the ▁paper ▁ce ased ▁paper ▁publication , ▁It ▁continues ▁to ▁publish ▁online . ▁ ▁See ▁also ▁Spanish ▁newspapers ▁Inter econom ía ▁TV ▁ ▁Re ferences ▁ ▁Ex ternal ▁links ▁ ▁La ▁G ac eta ▁ ▁Category : 1 9 8 9 ▁establish ments ▁in ▁Spain ▁Category : 2 0 1 3 ▁dis est ablish ments ▁in ▁Spain ▁Category : Bus iness ▁newspapers ▁Category : Con serv at ism ▁in ▁Spain ▁Category : D aily ▁newspapers ▁published ▁in ▁Spain ] ▁Category : Def unct ▁newspapers ▁of ▁Spain ] ▁Category : New sp apers ▁published ▁in ▁Madrid ▁Category : On line ▁newspapers ▁with ▁def unct ▁print ▁ed itions ▁Category : Public ations ▁established ▁in ▁ 1 9 8 9 ▁Category : Public |
ations ▁dis est ab lished ▁in ▁ 2 0 1 3 ▁Category : Span ish - language ▁newspapers ▁Category : Span ish - language ▁websites ▁Category : Span ish ▁news ▁websites <0x0A> </s> ▁Thomas ▁All ison ▁( fl . ▁ 1 6 9 7 ), ▁was ▁an ▁Ar ctic ▁voy ager . ▁ ▁Out ward ▁V oy age ▁Of ▁All ison ' s ▁personal ▁history ▁we ▁have ▁no ▁record ▁beyond ▁what ▁is ▁to ▁be ▁g lean ed ▁from ▁a ▁journal ▁of ▁one ▁of ▁his ▁voy ages ▁afterwards ▁published . ▁While ▁in ▁command ▁of ▁the ▁ship ▁Ann , ▁of ▁Y arm outh , ▁of ▁ 2 6 0 ▁tons , ▁in ▁the ▁service ▁of ▁the ▁Russia ▁Company , ▁he ▁left ▁Arch angel ▁in ▁the ▁White ▁Sea ▁on ▁his ▁home ward ▁voyage , ▁on ▁ 8 ▁October ▁ 1 6 9 7 . ▁After ▁beating ▁about ▁for ▁sevent een ▁days ▁off ▁the ▁coast s ▁of ▁Russia ▁and ▁Lap land , ▁he ▁found ▁himself , ▁on ▁the ▁ 2 3 rd ▁of ▁the ▁same ▁month , ▁twenty - one ▁miles ▁N . E . ▁from ▁the ▁Nord ▁K yn , ▁the ▁northern most ▁point ▁of ▁Europe ▁and ▁Norway , ▁in ▁lat . ▁ 7 1 ° ▁ 6 ′ ▁N . ▁Two ▁days ▁later , ▁during ▁a ▁g ale ▁in ▁thick ▁weather , ▁he ▁sight ed ▁the ▁North ▁Cape , ▁and ▁ran ▁for ▁shelter ▁into ▁the ▁‘ F uel , ’ ▁or ▁wide ▁opening ▁between ▁the ▁Nord ▁K yn ▁and ▁the ▁North ▁Cape . ▁ ▁Ar |
ctic ▁A ▁per usal ▁of ▁his ▁journal ▁in ▁the ▁light ▁of ▁the ▁best ▁modern ▁charts ▁and ▁sail ing ▁directions ▁for ▁these ▁parts ▁serves ▁to ▁show ▁that ▁he ▁finally ▁anch ored ▁in ▁a ▁small ▁but ▁secure ▁har bour ▁on ▁the ▁west ▁side ▁of ▁what ▁is ▁now ▁known ▁as ▁P ors anger ▁F j ord , ▁probably ▁Sa ern oes ▁Poll en , ▁where ▁he , ▁by ▁stress ▁of ▁weather , ▁was ▁forced ▁to ▁winter . ▁It ▁was ▁during ▁this ▁period , ▁under ▁most ▁difficult ▁and ▁trying ▁circumstances , ▁that ▁his ▁once ▁famous ▁journal ▁was ▁written , ▁which ▁is ▁a ▁faithful ▁record ▁of ▁the ▁daily ▁experiences ▁and ▁trials ▁of ▁himself ▁and ▁his ▁hard y ▁crew . ▁Such ▁was ▁the ▁intense ▁cold ▁on ▁ 1 ▁February ▁ 1 6 9 8 , ▁that , ▁in ▁order ▁to ▁write ▁his ▁journal , ▁‘ a ▁boy ▁had ▁to ▁th aw ▁the ▁ink ▁as ▁of t ▁as ▁he ▁had ▁occasion ▁to ▁dip ▁his ▁pen .’ ▁The ▁writer ▁appears ▁to ▁have ▁been ▁not ▁only ▁a ▁thorough ▁se aman , ▁well ▁experienced ▁in ▁northern ▁navigation , ▁but ▁also ▁one ▁well ▁able ▁to ▁command ▁the ▁respect ▁of ▁his ▁men ▁by ▁his ▁un sw erv ing ▁ad her ence ▁to ▁daily ▁work ▁and ▁discipline ▁during ▁a ▁period ▁of ▁nearly ▁five ▁months ' ▁apparently ▁en forced ▁id len ess . ▁ ▁Return ▁After ▁end uring ▁all ▁the ▁hard ships ▁of ▁a ▁severe ▁Ar ctic ▁winter ▁with ▁the ▁loss ▁of ▁only ▁one ▁man , ▁the ▁Ann ▁left ▁the ▁F uel ▁on ▁ 2 6 ▁March |
▁ 1 6 9 8 , ▁and ▁on ▁ 2 4 ▁April ▁following ▁finally ▁reached ▁Gr aves end . ▁This ▁narrative ▁was ▁published ▁in ▁the ▁following ▁year ▁under ▁the ▁title ▁of ▁An ▁Account ▁of ▁a ▁V oy age ▁from ▁Arch angel ▁in ▁Russia , ▁in ▁the ▁year ▁ 1 6 9 7 , ▁of ▁the ▁Ship ▁and ▁Company ▁winter ing ▁near ▁the ▁North ▁Cape , ▁in ▁the ▁Lat itude ▁of ▁ 7 1 . ▁Their ▁manner ▁of ▁Living ▁and ▁what ▁they ▁suffered ▁by ▁the ▁Ext re ame ▁Cold . ▁Also ▁Observ ations ▁of ▁the ▁Cl imate , ▁Country , ▁and ▁In hab it ants . ▁Together ▁with ▁a ▁Chart . ▁By ▁Th o . ▁All ison , ▁Commander ▁of ▁the ▁Ship . ▁Published ▁at ▁the ▁request ▁of ▁the ▁Russia ▁Company , ▁chief ly ▁for ▁the ▁benefit ▁of ▁those ▁who ▁sail ▁that ▁way , ▁as ▁well ▁for ▁the ▁satisfaction ▁of ▁the ▁curious , ▁or ▁any ▁who ▁are ▁concerned ▁in ▁that ▁trade . ▁London , ▁ 1 6 9 9 , ▁ 8 vo ▁( 1 1 2 ▁pp .). ▁This ▁account , ▁often ▁overlook ed , ▁was ▁afterwards ▁re print ed ▁in ▁Pink ert on ' s ▁V oy ages . ▁ ▁Re ferences ▁ ▁Category : 1 7 th - century ▁English ▁people ▁Category : Ex pl or ers ▁of ▁the ▁Ar ctic ▁Category : Year ▁of ▁birth ▁unknown ▁Category : Year ▁of ▁death ▁unknown ▁Category : 1 7 th - century ▁expl or ers ▁Category : English ▁sail ors ▁Category : People |
▁of ▁the ▁Mus cov y ▁Company <0x0A> </s> ▁Rio ▁Nut ria ▁is ▁a ▁ ▁south west ward - flow ing ▁stream ▁origin ating ▁on ▁McK enz ie ▁Ridge ▁just ▁west ▁of ▁the ▁Contin ental ▁Div ide ▁in ▁the ▁C ib ola ▁National ▁Forest , ▁in ▁McK in ley ▁County , ▁New ▁Mexico , ▁United ▁States . ▁Rio ▁Nut ria ▁jo ins ▁Rio ▁P esc ado ▁to ▁form ▁the ▁Z uni ▁River ▁in ▁McK in ley ▁County ▁on ▁the ▁Z uni ▁Indian ▁Res ervation , ▁in ▁western ▁New ▁Mexico . ▁ ▁History ▁Rio ▁Nut ria ▁is ▁arch a ic ▁six teenth ▁and ▁sevent eenth ▁century ▁Spanish ▁( prim arily ▁rural ▁Cast il ian ) ▁for ▁" be aver ▁river ". ▁In ▁New ▁Mexico ▁there ▁are ▁at ▁least ▁two ▁other ▁Rio ▁Nut rias ▁rivers . ▁One ▁is ▁the ▁Rio ▁Nut rias ▁which ▁is ▁t ribut ary ▁to ▁the ▁Rio ▁Ch ama , ▁described ▁by ▁Francisco ▁Sil vest re ▁V é lez ▁de ▁Esc al ante ▁who ▁wrote ▁in ▁his ▁diary ▁on ▁August ▁ 2 , ▁ 1 7 7 6 , ▁" ... we ▁halt ed ▁in ▁a ▁small ▁plain ▁on ▁the ▁bank ▁of ▁another ▁ar roy o ▁which ▁is ▁called ▁Rio ▁de ▁las ▁Nut rias , ▁because , ▁although ▁it ▁is ▁of ▁permanent ▁and ▁running ▁water , ▁apparently ▁during ▁all ▁or ▁most ▁of ▁the ▁year ▁it ▁stands ▁in ▁pool s ▁where ▁they ▁say ▁be a vers ▁breed ." ▁In ▁his ▁an not ated ▁ 1 9 0 0 ▁translation ▁of ▁the ▁diary ▁of ▁ |
▁Francisco ▁Garc és , ▁Ell i ott ▁Cou es ▁wrote ▁in ▁a ▁foot note : ▁" In ▁proof ▁of ▁this ▁use ▁of ▁nut rias ▁for ▁be a vers ▁I ▁can ▁c ite ▁a ▁passage ▁in ▁Esc al ante ' s ▁Di ario . ▁Doc . ▁para ▁Hist . ▁Mex ., 2 d ▁ser ., ▁i , ▁ 1 8 5 4 , ▁p . ▁ 4 2 6 : ▁" A qu i ▁t ienen ▁las ▁nut rias ▁he chos ▁con ▁pal iz ades ▁tales ▁tan ques , ▁que ▁represent an ▁a ▁primera ▁vista ▁un ▁ri o ▁mas ▁que ▁med iano ▁- ▁here ▁have ▁the ▁be a vers ▁made ▁with ▁sticks ▁such ▁p onds ▁that ▁they ▁look ▁at ▁first ▁sight ▁like ▁a ▁river ▁larger ▁than ▁usual "; ▁the ▁reference ▁being ▁of ▁course ▁to ▁the ▁dam ming ▁of ▁the ▁stream ▁by ▁these ▁animals ." ▁In ▁his ▁dictionary ▁of ▁New ▁Mexico ▁and ▁Southern ▁Colorado ▁Spanish , ▁Rub én ▁Cob os ▁also ▁transl ates ▁the ▁word ▁nut ria ▁( which ▁is ▁contemporary ▁Spanish ▁for ▁ot ter ), ▁as ▁meaning ▁be aver ▁in ▁the ▁arch a ic ▁Spanish ▁that ▁pers ists ▁in ▁the ▁region ▁from ▁the ▁earliest ▁sett lers ▁since ▁ 1 5 9 8 . ▁ ▁Wat ers hed ▁and ▁course ▁The ▁Rio ▁Nut ria ▁ ▁passes ▁into ▁the ▁Z uni ▁Indian ▁Res ervation ▁ ▁and ▁enters ▁one ▁of ▁several ▁reserv oirs ▁on ▁the ▁river , ▁the ▁Nut ria ▁D ivers ion ▁Res erv oir , ▁then ▁passes ▁through ▁the ▁villages ▁of ▁Upper ▁Nut ria ▁( |
native ▁name ▁is ▁T sed i ij ih ) ▁and ▁Lower ▁Nut ria ▁ ▁( native ▁name ▁is ▁Tai ak win ). ▁Rio ▁Nut ria ▁then ▁passes ▁into ▁Nut ria ▁Res erv oir ▁N . ▁ 3 , ▁ 4 ▁and ▁ 2 ▁before ▁reaching ▁its ▁con flu ence ▁with ▁the ▁Rio ▁P esc ado . ▁ ▁Ec ology ▁Not ▁surprisingly , ▁the ▁river ▁is ▁excellent ▁habitat ▁for ▁be a vers ▁( Cast or ▁can ad ensis ). ▁Fish ▁species ▁found ▁in ▁the ▁Rio ▁Nut rias ▁at ▁the ▁U . S . ▁ 2 8 5 ▁crossing ▁include ▁Rio ▁Grande ▁ch ub ▁( G ila ▁pand ora ), ▁Fat head ▁min now ▁( P ime ph ales ▁prom el as ), ▁Fl at head ▁ch ub ▁( Pl at yg ob io ▁gr ac ilis ), ▁Long n ose ▁d ace ▁( R hin ich th ys ▁cat ar act ae ), ▁and ▁White ▁S ucker ▁( Cat ost om us ▁comm erson i ). ▁ ▁R ip arian ▁veget ation ▁includes ▁C oy ote ▁Will ow ▁( Sal ix ▁ex igua ). ▁ ▁See ▁also ▁ ▁List ▁of ▁t ribut aries ▁of ▁the ▁Colorado ▁River ▁ ▁List ▁of ▁rivers ▁of ▁New ▁Mexico ▁ ▁Re ferences ▁ ▁Ex ternal ▁links ▁▁▁ ▁Nature ▁Conserv ancy ▁Rio ▁Nut ria ▁Pres erve ▁▁ ▁Category : R ivers ▁of ▁New ▁Mexico ▁Category : R ivers ▁of ▁McK in ley ▁County , ▁New ▁Mexico <0x0A> </s> ▁The ▁consensus ▁ 1 9 5 4 ▁College ▁Basket ball ▁All - |
American ▁team , ▁as ▁determined ▁by ▁aggreg ating ▁the ▁results ▁of ▁six ▁major ▁All - American ▁teams . ▁ ▁To ▁earn ▁" cons ensus " ▁status , ▁a ▁player ▁must ▁win ▁hon ors ▁from ▁a ▁majority ▁of ▁the ▁following ▁teams : ▁the ▁Associ ated ▁Press , ▁Look ▁Magazine , ▁The ▁United ▁Press ▁International , ▁the ▁New sp aper ▁Enterprise ▁Association ▁( NE A ), ▁Coll ier ' s ▁Magazine ▁and ▁the ▁International ▁News ▁Service . ▁▁ 1 9 5 4 ▁Cons ensus ▁All - America ▁team ▁ ▁Individual ▁All - America ▁teams ▁ ▁AP ▁Honor able ▁M ention : ▁▁ ▁Jesse ▁Arn elle , ▁Penn ▁State ▁ ▁B . ▁H . ▁Born , ▁Kansas ▁ ▁Don ▁Br agg , ▁U CL A ▁ ▁John ▁Cl une , ▁Navy ▁ ▁Ed ▁Con lin , ▁Ford ham ▁ ▁Larry ▁Cost ello , ▁Ni ag ara ▁ ▁Rud y ▁D ' Em ilio , ▁Duke ▁▁ ▁Paul ▁E bert , ▁Ohio ▁State ▁ ▁Dick ▁G arm aker , ▁Minnesota ▁ ▁S ih ug o ▁Green , ▁Du ques ne ▁ ▁Sw ede ▁Hal bro ok , ▁Oregon ▁State ▁ ▁Joe ▁Hol up , ▁George ▁Washington ▁ ▁Ed ▁Kal af at , ▁Minnesota ▁ ▁Don ▁L ange , ▁Navy ▁▁ ▁Cle o ▁L itt leton , ▁W ich ita ▁State ▁ ▁Bob ▁Mat hen y , ▁California ▁ ▁Bob ▁Mc Ke en , ▁California ▁ ▁Joe ▁Pe han ick , ▁Seattle ▁ ▁Dick ▁Ros ent hal , ▁Not re ▁D ame ▁ ▁Bob ▁Sch a fer , |
▁Vill an ova ▁ ▁Gene ▁Schw inger , ▁Rice ▁▁ ▁Ken ▁S ears , ▁Santa ▁Clara ▁ ▁Gene ▁Sh ue , ▁Maryland ▁ ▁Mel ▁Thompson , ▁North ▁Carolina ▁State ▁ ▁Lou ▁Ts ior op oul os , ▁Kentucky ▁ ▁Jim ▁T ucker , ▁Du ques ne ▁ ▁B uz zy ▁Wil kins on , ▁Virginia ▁ ▁Re ferences ▁ ▁Category : NC AA ▁Men ' s ▁Basket ball ▁All - Amer icans ▁All - Amer icans <0x0A> </s> ▁B oc an ada ▁( P uff ) ▁is ▁the ▁second ▁solo ▁album ▁by ▁Argent ine ▁rock ▁musician ▁Gust avo ▁Cer ati , ▁released ▁by ▁BM G ▁International ▁on ▁ 2 8 ▁June ▁ 1 9 9 9 . ▁The ▁album , ▁an ▁ec lect ic ▁mix ▁of ▁ne o - psy ched elia ▁and ▁trip ▁hop ▁with ▁a ▁variety ▁of ▁styles , ▁is ▁considered ▁by ▁critics ▁and ▁fans ▁as ▁a ▁highlight ▁in ▁Cer ati ' s ▁career ▁and ▁one ▁of ▁his ▁best ▁albums . ▁His ▁first ▁album ▁release ▁after ▁the ▁break up ▁of ▁S oda ▁S tere o , ▁Cer ati ▁had , ▁during ▁this ▁time , ▁been ▁working ▁with ▁Plan ▁V ▁and ▁O cio , ▁two ▁bands ▁orient ed ▁towards ▁electronic ▁music . ▁ ▁Ra í z ▁was ▁the ▁album ' s ▁first ▁cut ▁played ▁in ▁radio ▁stations , ▁Pu ente ▁being ▁the ▁first ▁music ▁video ▁to ▁be ▁released ; ▁" B oc an ada " ▁had ▁the ▁most ▁music ▁videos ▁produced ▁of ▁any ▁Cer ati ▁album ▁to ▁date . ▁ ▁All mus |
ic ▁granted ▁it ▁▁ 4 ▁ 1 / 2 ▁stars ▁out ▁of ▁ 5 , ▁which ▁was ▁viewed ▁as ▁surprising ▁and ▁unusual , ▁considering ▁it ▁is ▁not ▁very ▁common place ▁for ▁All mus ic ▁to ▁give ▁a ▁Latin ▁album ▁such ▁a ▁high ▁score . ▁ ▁Music ▁In ▁short , ▁the ▁music ▁in ▁this ▁record ▁can ▁be ▁defined ▁as ▁a ▁mix ▁of ▁electronic ▁sounds ▁with ▁rock ▁elements . ▁Also , ▁there ▁are ▁elements ▁of ▁many ▁styles ▁like ▁alternative ▁rock , ▁experimental ▁music , ▁pop ▁music ▁and ▁many ▁others . ▁ ▁Track ▁listing ▁ ▁V ide os ▁ ▁This ▁is ▁the ▁album ▁which ▁has ▁the ▁most ▁music ▁videos ▁released ▁in ▁Gust avo ▁Cer ati ' s ▁solo ist ▁career . ▁▁ ▁Pu ente ▁. ▁ ▁P ase o ▁In m oral ▁. ▁ ▁Tab ú ▁. ▁ ▁Eng aña ▁. ▁ ▁R ío ▁B abel ▁. ▁ ▁Person nel ▁▁ ▁Gust avo ▁Cer ati ▁- ▁lead ▁vocals , ▁gu it ars , ▁sam pl ers , ▁synt hes izers , ▁key boards , ▁bass ▁guitar , ▁effects , ▁additional ▁instruments , ▁mixing , ▁producer ▁ ▁Additional ▁personnel ▁ ▁Fl av ius ▁Et che to : ▁Sam pler ▁in ▁all ▁tracks ▁min us ▁Ra iz ▁and ▁Ver bo ▁Car ne . ▁ ▁Leo ▁Garc ía : ▁Sam pler , ▁Back ing ▁V oc als ▁in ▁Eng aña , ▁Pu ente ▁and ▁Aqu i ▁y ▁A hora . ▁ ▁Mart ín ▁Car ri zo : ▁drums . ▁ ▁Fernando ▁N al é : ▁Bass ▁guitar ▁in ▁ |
4 , ▁ 6 , ▁ 1 1 . ▁Double ▁Bass ▁in ▁ 3 , ▁ 5 . ▁F ret less ▁bass ▁in ▁ 1 3 . ▁ ▁T we ety ▁Gon zá lez : ▁Organ ▁in ▁Beautiful . ▁ ▁Ale j andro ▁Ter án : ▁Arr anger ▁in ▁Ver bo ▁Car ne . ▁ ▁Edu ardo ▁Berg allo : ▁Engine er , ▁mixing ▁ ▁Mac K in lay : ▁ 2 nd ▁Engine er ▁ ▁Edu ardo ▁I enc en ella : ▁Assistant ▁ ▁Cl ive ▁God d ard : ▁Mix ing ▁ ▁Barry ▁Wood ward : ▁Editor , ▁The ▁Town house , ▁London ▁ ▁B unt ▁Staff ord - Cl ark : ▁Master ing , ▁The ▁Town house , ▁London ▁ ▁G aby ▁Her b stein : ▁Phot ography ▁▁ ▁Oscar ▁( R oh o ): ▁Ha irst yle ▁ ▁Sof ía ▁Tem per ley : ▁Phot osh op ▁ ▁R OS : ▁Design ▁direction ▁The ▁London ▁Session ▁Orchestra ▁ ▁G av in ▁Wright : ▁Director ▁ ▁Peter ▁Cob bin : ▁Engine er ▁ ▁Joel ▁Greg g : ▁Assistant ▁ ▁Re ferences ▁ ▁Category : G ust avo ▁Cer ati ▁albums ▁Category : 1 9 9 9 ▁albums ▁Category : B ert els mann ▁Music ▁Group ▁albums <0x0A> </s> ▁Man ley ▁may ▁refer ▁to : ▁ ▁Man ley ▁( s urn ame ) ▁ ▁Man ley ▁( g iven ▁name ) ▁ ▁Man ley , ▁Che shire , ▁England , ▁a ▁village ▁and ▁civil ▁parish ▁ ▁Man ley , ▁Dev on |
, ▁a ▁location ▁in ▁England ▁ ▁Man ley , ▁Illinois , ▁United ▁States , ▁an ▁un inc or por ated ▁community ▁ ▁Man ley , ▁Minnesota , ▁United ▁States , ▁a ▁former ▁community ▁ ▁Man ley , ▁Neb r aska , ▁United ▁States , ▁a ▁village ▁ ▁USS ▁Man ley ▁( T B - 2 3 ), ▁a ▁tor ped o ▁boat ▁purchased ▁in ▁ 1 8 9 8 ▁ ▁USS ▁Man ley ▁( DD - 7 4 ), ▁a ▁Cal d well - class ▁destroy er ▁commissioned ▁in ▁ 1 9 1 7 ▁ ▁USS ▁Man ley ▁( DD - 9 4 0 ), ▁a ▁For rest ▁Sher man - class ▁destroy er ▁commissioned ▁in ▁ 1 9 5 7 ▁ ▁Man ley ▁Career ▁Academy ▁High ▁School , ▁Chicago , ▁Illinois ▁ ▁See ▁also ▁ ▁Man ley ▁Hot ▁Springs , ▁Alaska , ▁USA ▁ ▁Man ley ▁& ▁Associ ates , ▁a ▁former ▁video ▁game ▁developer ▁ ▁USS ▁Man ley , ▁a ▁list ▁of ▁US ▁Navy ▁ships ▁ ▁Man ly ▁( dis ambigu ation ) <0x0A> </s> ▁The ▁' Blue ▁Eye ' ▁{ lang - sq | Sy ri ▁i ▁K alt ë r } ▁is ▁a ▁water ▁spring ▁and ▁natural ▁phenomenon ▁occurring ▁near ▁the ▁village ▁of ▁M uz in ë ▁in ▁F ini q ▁municip ality , ▁southern ▁Alban ia . ▁A ▁popular ▁tourist ▁attraction , ▁the ▁clear ▁blue ▁water ▁of ▁the ▁river ▁bub bles ▁forth ▁from ▁a ▁depth ▁of ▁more ▁than ▁fifty ▁metres . ▁D ivers ▁have ▁desc ended ▁to ▁fifty |
▁metres , ▁but ▁it ▁is ▁still ▁un clear ▁what ▁the ▁actual ▁depth ▁of ▁the ▁kar st ▁hole ▁is . ▁ ▁This ▁phenomenon ▁is ▁also ▁known ▁as ▁' spring s ▁of ▁B ist ric ë ' ▁as ▁it ▁is ▁the ▁initial ▁water ▁source ▁of ▁B ist ric ë ▁river , ▁ 2 5 km ▁long , ▁which ▁ends ▁in ▁the ▁I on ian ▁Sea ▁south ▁of ▁Sar and ë . ▁The ▁source ▁stands ▁at ▁an ▁alt itude ▁of ▁ 1 5 2 m ▁and ▁has ▁a ▁dis charge ▁rate ▁of ▁ 1 8 4 0 0 l / s . ▁ ▁The ▁immediate ▁area ▁ ▁is ▁a ▁Nature ▁Mon ument ▁and ▁is ▁characterized ▁by ▁oak ▁and ▁sy cam ore ▁trees . ▁In ▁summer ▁ 2 0 0 4 , ▁the ▁source ▁was ▁temporarily ▁dried ▁up . ▁ ▁See ▁also ▁▁ ▁Prote cted ▁areas ▁of ▁Alban ia ▁ ▁Ge ography ▁of ▁Alban ia ▁ ▁Tour ism ▁in ▁Alban ia ▁ ▁Re ferences ▁▁▁▁▁▁▁▁ ▁Category : Spring s ▁of ▁Alban ia ▁Category : V lor ë ▁County ▁Category : T our ist ▁attra ctions ▁in ▁V lor ë ▁County ▁Category : T our ist ▁attra ctions ▁in ▁Sar and ë ▁Category : K ar st ▁spring s <0x0A> </s> ▁The ▁ 1 9 7 6 – 7 7 ▁season ▁was ▁the ▁ 3 1 st ▁season ▁in ▁R ij ek a ’ s ▁history ▁and ▁their ▁ 1 5 th ▁season ▁in ▁the ▁Y ug oslav ▁First ▁League . ▁Their ▁ 1 1 |
th ▁place ▁finish ▁in ▁the ▁ 1 9 7 5 – 7 6 ▁season ▁meant ▁it ▁was ▁their ▁third ▁success ive ▁season ▁playing ▁in ▁the ▁Y ug oslav ▁First ▁League . ▁ ▁Compet itions ▁ ▁Y ug oslav ▁First ▁League ▁ ▁Class ification ▁ ▁Results ▁summary ▁ ▁Results ▁by ▁round ▁ ▁Mat ches ▁ ▁First ▁League ▁ ▁Source : ▁r ss sf . com ▁ ▁Y ug oslav ▁Cup ▁ ▁Source : ▁r ss sf . com ▁ ▁Squad ▁statistics ▁Compet itive ▁matches ▁only . ▁ ▁See ▁also ▁ 1 9 7 6 – 7 7 ▁Y ug oslav ▁First ▁League ▁ 1 9 7 6 – 7 7 ▁Y ug oslav ▁Cup ▁ ▁Re ferences ▁ ▁Ex ternal ▁sources ▁▁ 1 9 7 6 – 7 7 ▁Y ug oslav ▁First ▁League ▁at ▁r ss sf . com ▁ ▁Pr ven st vo ▁ 1 9 7 6 .- 7 7 . ▁at ▁n k - rij ek a . hr ▁ ▁Category : H N K ▁R ij ek a ▁seasons ▁R ij ek a <0x0A> </s> ▁Gott fried ▁Heinrich ▁St öl zel ▁( 1 3 ▁January ▁ 1 6 9 0 ▁in ▁ ▁– ▁ 2 7 ▁November ▁ 1 7 4 9 ▁in ▁G oth a ) ▁was ▁a ▁pro l ific ▁German ▁composer ▁of ▁the ▁Bar o que ▁era . ▁St öl zel ▁was ▁an ▁accomplished ▁German ▁sty list ▁who ▁wrote ▁a ▁good ▁many ▁of ▁the ▁poet ic ▁texts ▁for ▁his ▁vocal ▁works . ▁ ▁Biography ▁ ▁St |
öl zel ▁was ▁born ▁in ▁Gr ünst ä dt el , ▁in ▁the ▁Er z geb ir ge , ▁on ▁ 1 3 ▁January ▁ 1 6 9 0 . ▁His ▁father , ▁organ ist ▁in ▁Gr ünst ä dt el , ▁gave ▁him ▁his ▁first ▁music ▁education . ▁When ▁he ▁was ▁thirteen , ▁he ▁was ▁sent ▁to ▁study ▁in ▁Sch ne e berg , ▁where ▁he ▁was ▁taught ▁music , ▁including ▁thorough b ass , ▁by ▁cant or ▁Christian ▁U ml au ff t , ▁a ▁former ▁student ▁of ▁Johann ▁K uh n au . ▁A ▁few ▁years ▁later ▁he ▁was ▁admitted ▁to ▁the ▁gym nas ium ▁in ▁G era , ▁where ▁he ▁further ▁pract iced ▁music ▁under ▁E manuel ▁K eg el , ▁the ▁director ▁of ▁the ▁court ▁chap el . ▁Some ▁of ▁his ▁educ ators ▁took ▁a ▁dim ▁view ▁of ▁music , ▁and ▁tried ▁to ▁di vert ▁his ▁attention ▁from ▁it : ▁apart ▁from ▁engaging ▁in ▁poetry ▁and ▁or atory , ▁St öl zel ▁nonetheless ▁continued ▁to ▁develop ▁his ▁interest ▁in ▁music . ▁ ▁In ▁ 1 7 0 7 ▁he ▁became ▁a ▁student ▁of ▁the ology ▁in ▁Leip zig . ▁The ▁city ▁had ▁a ▁lot ▁to ▁offer ▁from ▁a ▁musical ▁point ▁of ▁view : ▁its ▁opera ▁had ▁been ▁re op ened ▁shortly ▁before , ▁which ▁St öl zel ▁liked ▁to ▁visit . ▁He ▁became ▁acqu ainted ▁with ▁Mel ch ior ▁Hoff mann , ▁at ▁the ▁time ▁music ▁director ▁of ▁the ▁Ne uk ir che ▁and ▁condu ctor ▁of ▁the |
▁Col leg ium ▁Music um , ▁both ▁in ▁success ion ▁of ▁Georg ▁Philipp ▁Tele mann , ▁who ▁had ▁left ▁Leip zig ▁in ▁ 1 7 0 5 . ▁Perfect ing ▁his ▁art ▁under ▁Hoff mann , ▁St öl zel ▁also ▁acted ▁as ▁his ▁copy ist , ▁and ▁started ▁compos ing : ▁initially ▁Hoff mann ▁performed ▁these ▁compos itions ▁as ▁his ▁own , ▁St öl zel ▁gradually ▁coming ▁to ▁the ▁open ▁as ▁their ▁composer . ▁ ▁In ▁ 1 7 1 0 ▁St öl zel ▁went ▁to ▁B res l au ▁in ▁S iles ia , ▁where ▁his ▁first ▁opera , ▁N arc iss us , ▁on ▁his ▁own ▁lib ret to , ▁was ▁performed ▁in ▁ 1 7 1 1 . ▁Return ing ▁to ▁H alle ▁after ▁over ▁two ▁years ▁in ▁S iles ia , ▁he ▁composed ▁the ▁oper as ▁Val eria , ▁inst ig ated ▁by ▁Johann ▁The ile , ▁for ▁Na umb urg , ▁and ▁Rosen ▁und ▁D orn en ▁der ▁Lie be ▁for ▁G era . ▁In ▁ 1 7 1 3 ▁he ▁composed ▁two ▁further ▁oper as ▁on ▁his ▁own ▁lib rett os , ▁Art em is ia ▁and ▁Or ion , ▁both ▁premier ed ▁in ▁Na umb urg . ▁ ▁Late ▁in ▁ 1 7 1 3 ▁he ▁trav elled ▁to ▁Italy , ▁where ▁he ▁met ▁compos ers ▁like ▁Johann ▁David ▁Hein ichen ▁and ▁Antonio ▁V ival di ▁in ▁Ven ice , ▁Francesco ▁Gas par ini ▁in ▁Florence ▁and ▁Antonio ▁Bon on c ini ▁in ▁Rome . ▁Return |
ing ▁after ▁more ▁than ▁a ▁year , ▁he ▁spent ▁some ▁time ▁in ▁In ns bru ck , ▁and ▁trav elled ▁over ▁Lin z ▁to ▁Pr ague ▁where ▁he ▁worked ▁for ▁nearly ▁three ▁years ▁( 1 7 1 5 – 1 7 ). ▁ ▁In ▁ 1 7 1 5 ▁the ▁post ▁of ▁Kap ell me ister ▁at ▁the ▁court ▁of ▁Sch warz burg - S onders hausen ▁became ▁vac ant . ▁St öl zel ▁applied , ▁but ▁Prince ▁Christian ▁William ▁I ▁promoted ▁Johann ▁B alth as ar ▁Christian ▁Fre iß lich , ▁the ▁court ▁organ ist , ▁to ▁Kap ell me ister ▁in ▁ 1 7 1 6 . ▁Court ▁musicians ▁such ▁as ▁Johann ▁Christ oph ▁R öd iger ▁felt ▁disappointed ▁with ▁their ▁master ' s ▁choice . ▁ ▁In ▁Pr ague ▁St öl zel ▁premier ed ▁three ▁more ▁oper as , ▁several ▁or ator ios , ▁masses , ▁and ▁many ▁instrumental ▁compos itions . ▁St öl zel ▁was ▁for ▁a ▁short ▁time ▁court ▁Kap ell me ister ▁in ▁Bay re uth ▁( 1 7 1 7 – 1 8 ) ▁and ▁in ▁G era ▁( 1 7 1 9 ). ▁His ▁opera ▁Di omed es ▁was ▁premier ed ▁in ▁ 1 7 1 8 ▁in ▁Bay re uth . ▁St öl zel ▁married ▁with ▁Christ iana ▁Dor othe a ▁Kn auer ▁on ▁ 2 5 ▁May ▁ 1 7 1 9 . ▁They ▁had ▁nine ▁sons ▁and ▁one ▁daughter . ▁Three ▁sons ▁died ▁at ▁a ▁young ▁age . ▁ ▁On ▁ 2 |
4 ▁November ▁ 1 7 1 9 ▁St öl zel ▁assumed ▁the ▁position ▁of ▁Kap ell me ister ▁at ▁the ▁court ▁in ▁G oth a , ▁where ▁he ▁worked ▁under ▁the ▁du kes ▁Frederick ▁II ▁and ▁Frederick ▁III ▁of ▁Sax e - G oth a - Al ten burg ▁until ▁his ▁death ▁in ▁ 1 7 4 9 . ▁ ▁St öl zel ▁initiated ▁several ▁theoretical ▁works ▁about ▁music , ▁but ▁only ▁one ▁of ▁these ▁was ▁published ▁during ▁his ▁lifetime : ▁a ▁treat ise ▁on ▁the ▁composition ▁of ▁can ons , ▁of ▁which ▁ 4 0 0 ▁copies ▁were ▁printed ▁in ▁ 1 7 2 5 . ▁ ▁In ▁ 1 7 2 0 ▁Prince ▁G ün ther ▁I ▁succeeded ▁his ▁father ▁in ▁S onders hausen . ▁He ▁too ▁reg rett ed ▁his ▁father ' s ▁choice ▁for ▁the ▁court ▁Kap ell me ister . ▁He ▁asked ▁St öl zel ▁to ▁provide ▁music ▁for ▁the ▁court ▁chap el . ▁St öl zel ▁did ▁however ▁not ▁comply ▁to ▁this ▁request ▁until ▁ 1 7 3 0 , ▁when ▁Fre iß lich ▁was ▁leaving ▁for ▁Dan zig ▁( where ▁he ▁was ▁appointed ▁in ▁ 1 7 3 1 ). ▁Until ▁G ün ther ' s ▁death ▁in ▁ 1 7 4 0 ▁St öl zel ▁provided ▁music ▁for ▁the ▁S onders hausen ▁court , ▁which ▁included ▁four ▁cycles ▁of ▁church ▁cant at as , ▁other ▁sacred ▁music , ▁and ▁sec ular ▁music ▁such ▁as ▁ser en at as . ▁ ▁In ▁ 1 7 3 |
9 ▁St öl zel ▁became ▁a ▁member ▁of ▁Loren z ▁Christ oph ▁M iz ler ' s ▁. ▁As ▁a ▁member ▁of ▁this ▁Society ▁he ▁composed ▁a ▁cant ata ▁and ▁wrote ▁a ▁treat ise ▁on ▁the ▁rec itative , ▁which ▁was ▁published ▁as ▁Ab hand lung ▁vom ▁Rec it ativ ▁in ▁the ▁ 2 0 th ▁century . ▁ ▁The ▁last ▁two ▁years ▁of ▁his ▁life ▁St öl zel ▁suffered ▁from ▁ill ▁health , ▁becoming ▁fee ble - minded ▁(" im ▁H au pte ▁sch w ach "). ▁Some ▁of ▁St öl zel ' s ▁manuscript s ▁were ▁sold ▁to ▁cover ▁expenses . ▁He ▁died ▁ 2 7 ▁November ▁ 1 7 4 9 , ▁less ▁than ▁ 6 0 ▁years ▁old . ▁M iz ler ▁printed ▁St öl zel ' s ▁ob it uary ▁as ▁second ▁of ▁three ▁( of ▁which ▁Johann ▁Sebastian ▁Bach ' s ▁was ▁the ▁third ), ▁in ▁the ▁fourth ▁volume ▁of ▁his ▁, ▁the ▁organ ▁of ▁the ▁Society ▁of ▁Mus ical ▁Sciences . ▁ ▁Com pos itions ▁ ▁According ▁to ▁an ▁ 1 8 th - century ▁source ▁St öl zel ▁would ▁have ▁composed ▁eight ▁double ▁cant ata ▁cycles . ▁ ▁St öl zel ▁composed ▁twelve ▁complete ▁annual ▁cycles ▁of ▁sacred ▁cant at as , ▁which ▁amounts ▁to ▁ 1 , 3 5 8 ▁cant at as . ▁ 1 , 2 1 5 ▁of ▁these ▁are ▁at ▁least ▁partially ▁ext ant , ▁ 6 0 5 ▁surviving ▁with ▁music . ▁Additionally , ▁St öl zel ▁set ▁cant |
at as ▁to ▁sec ular ▁texts . ▁ ▁Among ▁his ▁ext ant ▁compos itions ▁are ▁a ▁Bro ck es ▁Pass ion ▁of ▁ 1 7 2 5 , ▁two ▁Christmas ▁Or ator ios , ▁made ▁of ▁cant at as , ▁and ▁a ▁De utsche ▁M esse ▁( G erman ▁Mass ), ▁a ▁Luther an ▁Mass ▁consisting ▁of ▁Ky rie ▁and ▁Gl oria , ▁in ▁German , ▁set ▁for ▁four - part ▁cho ir , ▁strings ▁and ▁bass o ▁continu o . ▁Ext ant ▁instrumental ▁works ▁include ▁four ▁concert i ▁gross i , ▁many ▁sin fon ias , ▁and ▁a ▁concer to ▁for ▁ob oe ▁d ' am ore . ▁He ▁also ▁wrote ▁for ▁organ ▁and ▁har ps ich ord . ▁ ▁His ▁five ▁oper as , ▁Di omed es ▁( 1 7 1 8 ), ▁N arc iss us , ▁Val eria , ▁Art em is ia , ▁and ▁Or ion , ▁have ▁not ▁survived . ▁St öl zel ▁is ▁reput ed ▁to ▁have ▁composed ▁over ▁ 1 8 ▁or chestr al ▁su ites ▁alone ▁( none ▁survive ), ▁as ▁well ▁as ▁ 9 0 ▁ser en at as ▁( v ocal ▁pieces ▁performed ▁as ▁" table ▁music "). ▁ ▁Half ▁of ▁St öl zel ' s ▁output , ▁never ▁en gr aved , ▁is ▁lost . ▁Out ▁of ▁what ▁had ▁to ▁have ▁been ▁thousands ▁of ▁compos itions ▁in ▁G oth a , ▁only ▁twelve ▁manuscript s ▁survive ▁there ▁today . ▁The ▁archive ▁at ▁Sch loss ▁S onders hausen ▁ret ains ▁many ▁of |
▁his ▁manuscript s , ▁found ▁in ▁a ▁box ▁behind ▁the ▁organ ▁in ▁ 1 8 7 0 . ▁ ▁Cant at as ▁In ▁his ▁c atalogue ▁published ▁in ▁ 1 9 7 6 ▁F ritz ▁H ennen berg ▁number ed ▁ 4 4 2 ▁of ▁St öl zel ' s ▁church ▁cant at as ▁and ▁ 2 7 ▁of ▁his ▁sec ular ▁cant at as ▁as ▁surviving ▁with ▁music . ▁H ennen berg ▁also ▁number ed ▁the ▁cant ata ▁cycles , ▁although ▁some ▁of ▁his ▁assumptions ▁in ▁that ▁regard ▁were ▁later ▁rev ised ▁after ▁further ▁research . ▁After ▁the ▁publication ▁of ▁H ennen berg ' s ▁c atalogue ▁over ▁ 5 0 ▁other ▁ext ant ▁church ▁cant at as ▁have ▁been ▁aut hent icated ▁as ▁St öl zel ' s . ▁ ▁In ▁the ▁listing ▁below ▁H ennen berg ▁( H ., ▁also ▁Hen S ) ▁numbers ▁are ▁indicated ▁where ▁available . ▁H . ▁numbers ▁can ▁be ▁preced ed ▁by ▁" KK " ▁( for ▁church ▁cant at as ), ▁" W K " ▁( sec ular ▁cant at as ) ▁or ▁" ap ok r ." ▁( ap oc ry ph al ▁composition ▁with ▁lyrics ▁by ▁St öl zel ). ▁" A ", ▁" B " ▁and ▁" C " ▁respectively ▁indicate ▁cant at as ▁surviving ▁with ▁music , ▁cant at as ▁surviving ▁by ▁their ▁lib ret to ▁exclusively ▁and ▁cant at as ▁only ▁known ▁by ▁their ▁title . ▁If ▁there ▁is ▁no ▁indicator ▁between ▁the ▁" H ." ▁ab bre vi |
ation ▁and ▁the ▁number , ▁then ▁the ▁number ▁refers ▁to ▁a ▁church ▁cant ata ▁with ▁ext ant ▁music ▁( e . g ., ▁H . 4 3 8 ▁= ▁). ▁Altern atively ▁the ▁sub list ▁to ▁which ▁a ▁cant ata ▁belongs ▁can ▁be ▁indicated ▁by ▁a ▁page ▁number : ▁e . g . ▁ ▁= ▁ ▁and ▁ ▁= ▁. ▁ ▁Church ▁cant at as ▁Short ly ▁after ▁assuming ▁his ▁office ▁in ▁G oth a ▁St öl zel ▁wrote ▁a ▁cycle ▁of ▁six ▁Christmas ▁cant at as . ▁Year ▁cycles ▁of ▁church ▁cant at as ▁include : ▁▁ 1 7 2 0 – 2 1 : ▁on ▁a ▁cycle ▁of ▁lib rett os ▁by ▁Johann ▁O sw ald ▁Kn auer , ▁published ▁as ▁Gott - ge he il ig tes ▁Sing en ▁und ▁Spiel en ▁ ▁Probably ▁ 1 7 2 2 – 2 3 : ▁on ▁lib rett os ▁from ▁Er d mann ▁Ne ume ister ' s ▁Ne ue ▁Ge ist liche ▁G ed ichte ▁ ▁" S ait ens p iel " ▁( String - Music ) ▁cycle , ▁thus ▁named ▁after ▁Benjamin ▁Sch m ol ck ' s ▁second ▁lib ret to ▁cycle , ▁published ▁in ▁ 1 7 2 0 , ▁an ▁" ide al ▁cycle " ▁containing ▁ 8 8 ▁cant ata ▁texts . ▁Sch m ol ck ▁provided ▁more ▁than ▁one ▁cant ata ▁text ▁for ▁some ▁of ▁the ▁most ▁important ▁fe asts . ▁Sch m ol ck ' s ▁lib rett os ▁have ▁five ▁sections |
: ▁A ria , ▁Rec itative , ▁A ria , ▁Rec itative ▁and ▁A ria . ▁St öl zel ▁split ▁the ▁lib rett os ▁he ▁used ▁in ▁two ▁hal ves , ▁adding ▁a ▁ch or ale ▁from ▁the ▁h ym nal ▁used ▁in ▁G oth a ▁as ▁a ▁conclusion ▁of ▁each ▁half : ▁thus ▁the ▁structure ▁of ▁his ▁cant at as ▁based ▁on ▁Sch m ol ck ' s ▁lib rett os ▁became ▁( Part ▁I : ) ▁A ria ▁– ▁Rec itative ▁– ▁A ria ▁– ▁Ch or ale , ▁and ▁( Part ▁II : ) ▁Rec itative ▁– ▁A ria ▁– ▁Ch or ale . ▁The ▁cycle ▁was ▁performed ▁in ▁Z er bst ▁( 1 7 2 4 – 2 5 ), ▁after ▁a ▁presum ed ▁earlier ▁performance ▁of ▁the ▁cycle ▁in ▁G oth a . ▁Ext ant ▁music ▁(" A " ▁cant at as ▁formerly ▁associated ▁with ▁the ▁fourth ▁cycle ; ▁" C " ▁cant at as ▁recovered ▁in ▁Hamburg ): ▁H . ▁K K ▁A ▁ 4 3 8 : ▁Se i ▁du ▁me in ▁An fang ▁und ▁me in ▁Ende ▁for ▁the ▁first ▁Sunday ▁of ▁Advent ▁( I ) ▁H . ▁K K ▁A ▁ 4 2 ▁and ▁ 4 6 : ▁W under - M utter , ▁W under - Kind ▁and ▁Wer ▁w oll te ▁dich ▁nicht ▁fest ▁an ▁Br ust ▁und ▁Her ze ▁sch lie ßen , ▁two ▁hal ves ▁of ▁the ▁same ▁cant ata ▁for ▁the ▁first ▁Sunday ▁after ▁Christmas ▁( X ) ▁H |
. ▁K K ▁C ▁ 2 1 : ▁Kom mt , ▁ihr ▁fro hen ▁M org en lä nder ▁for ▁Ep iph any ▁( X III ) ▁H . ▁K K ▁C ▁ 2 3 : ▁E rt ö nt , ▁ihr ▁H ü tt en ▁der ▁G ere chten ▁for ▁Easter ▁( XX IX , ▁zu ▁M itt age ) ▁H . ▁K K ▁C ▁ 2 4 : ▁Ver st elle ▁dich ▁nur ▁immer hin ▁for ▁Easter ▁Monday ▁( XX X ) ▁H . ▁K K ▁C ▁ 2 7 : ▁Was ▁soll ▁ich ▁an ▁der ▁Er de ▁kle ben ▁for ▁Asc ension ▁( XX X V II ) ▁H . ▁K K ▁C ▁ 3 0 : ▁Me in ▁Gott , ▁was ▁ist ▁mir ▁de ine ▁Lie be ▁for ▁Pent ec ost ▁Monday ▁( X LI ) ▁H . ▁K K ▁C ▁ 3 1 : ▁D rei ▁in ▁einem , ▁e ins ▁in ▁dre ien ▁for ▁Tr inity ▁Sunday ▁( X L III ) ▁H . ▁K K ▁C ▁ 2 2 : ▁Gott es ▁und ▁Mar ien ▁Kind ▁for ▁Ann unci ation ▁( L XX II ) ▁H . ▁K K ▁C ▁ 3 2 : ▁Me in ▁He il , ▁me in ▁Teil ▁for ▁Vis itation ▁( L XX IV ) ▁Poss ibly ▁two ▁further ▁cant at as ▁in ▁the ▁N ä gel i ▁legacy ▁in ▁Z ür ich ▁▁ 1 7 2 5 – 2 6 : ▁on ▁lib rett os ▁by ▁Ne ume ister ▁and |
▁Loren z ▁Rein hard t ▁from ▁the ▁Mus ical ische ▁Kir chen - And achten ▁collection ▁▁ 1 7 2 8 – 2 9 ▁( four th ▁cycle ): ▁A ▁double ▁cant ata ▁cycle ▁on ▁lib rett os ▁by ▁St öl zel ▁published ▁as ▁Tex te ▁zur ▁Kir chen - Music . ▁H ennen berg ▁err one ously ▁placed ▁some ▁of ▁the ▁" S ait ens p iel " ▁cant at as ▁in ▁this ▁cycle . ▁Christmas ▁cant at as ▁of ▁this ▁cycle ▁as ▁or ator io : ▁see ▁below . ▁ ▁From ▁ 1 7 3 0 ▁to ▁ 1 7 4 5 ▁St öl zel ▁wrote ▁six ▁more ▁cant ata ▁cycles , ▁including : ▁▁ 1 7 3 1 – 3 2 : ▁" N amen buch " ▁( Name book ) ▁double ▁cant ata ▁cycle , ▁consisting ▁of ▁ 7 0 ▁settings ▁of ▁lib rett os ▁found ▁in ▁Sch m ol ck ' s ▁third ▁cycle ▁( published ▁in ▁ 1 7 2 6 ). ▁The ▁structure ▁of ▁these ▁lib rett os ▁is ▁comparable ▁to ▁those ▁of ▁the ▁" Me ining en " ▁cycle ▁published ▁in ▁ 1 7 0 4 . ▁Ext ant ▁scores ▁of ▁the ▁Name book ▁cycle ▁indicate ▁the ▁cant at as ▁were ▁later ▁performed ▁in ▁hal ves ▁in ▁S onders hausen ▁( i . e . ▁the ▁first ▁half ▁having ▁been ▁performed ▁in ▁the ▁morning , ▁the ▁second ▁half ▁in ▁the ▁afternoon ). ▁In ▁addition ▁to ▁Sch m ol ck ' s ▁texts , ▁St öl |
zel ▁added ▁a ▁ch or ale ▁as ▁conclusion ▁of ▁the ▁first ▁part ▁to ▁each ▁cant ata . ▁For ▁ 3 6 ▁of ▁these ▁cant at as ▁most ▁of ▁both ▁hal ves ▁surv ives , ▁while ▁for ▁one ▁of ▁them ▁( for ▁Asc ension ) ▁only ▁the ▁first ▁half ▁is ▁ext ant . ▁▁ 1 7 3 2 – 3 3 ▁and ▁ 1 7 3 3 – 3 4 : ▁two ▁single ▁cycles ▁▁ 1 7 3 5 – 3 6 : ▁double ▁cycle ▁based ▁on ▁lib rett os ▁from ▁Johannes ▁Cas par ▁Man hard t ' s ▁Er b aul iche ▁Kir chen - And achten ▁▁ 1 7 3 7 – 3 8 : ▁St öl zel ' s ▁ 1 0 th ▁cycle , ▁Mus ical ische ▁L ob - ▁und ▁Dan ck - Op fer , ▁was ▁a ▁single ▁cycle ▁based ▁on ▁his ▁own ▁lib rett os . ▁▁ 1 7 4 3 – 4 4 : ▁single ▁cycle ▁based ▁on ▁St öl zel ' s ▁own ▁lib rett os . ▁ ▁Most ▁of ▁the ▁sacred ▁cant at as ▁are ▁for ▁occasions ▁of ▁the ▁lit urg ical ▁year , ▁although ▁there ▁are ▁also ▁church ▁cant at as ▁for ▁other ▁occasions ▁such ▁as ▁birthday ▁celebr ations ▁of ▁his ▁employer . ▁ ▁H . ▁ 1 – 2 9 7 : ▁ ▁H . ▁ 1 : ▁W ache ▁auf , ▁der ▁du ▁sch lä f est ▁ ▁H . ▁ 2 : ▁Du ▁To chter ▁Z ion ▁fre ue ▁dich |
▁sehr ▁ ▁H . ▁ 3 : ▁Die ▁St unde ▁ist ▁da ▁auf z ust e hen ▁vom ▁Schl af ▁ ▁H . ▁ 4 : ▁H os ian na ▁dem ▁S oh ne ▁David ▁ ▁H . ▁ 5 : ▁Sie he ▁der ▁Rich ter ▁ist ▁vor ▁der ▁Th ür ▁ ▁H . ▁ 6 : ▁Man ▁wird ▁sie ▁n ennen ▁das ▁he il ige ▁Vol ck ▁ ▁H . ▁ 7 : ▁Herr ▁erh alt ▁uns ▁de in ▁W ort ▁ ▁H . ▁ 8 : ▁So ▁nun ▁di ß ▁all es ▁z er ge hen ▁soll ▁ ▁H . ▁ 9 : ▁Es ▁ist ▁aber ▁gesch rieben ▁uns ▁zur ▁W arn ung ▁ ▁H . ▁ 1 0 : ▁Es ▁ist ▁na he ▁kom men ▁das ▁Ende ▁aller ▁D inge ▁ ▁H . ▁ 1 1 : ▁Sie he ▁ich ▁kom me ▁im ▁Buch ▁ist ▁von ▁mir ▁gesch rieben ▁ ▁H . ▁ 1 2 : ▁Als ▁die ▁Armen ▁aber ▁die ▁v iel ▁re ich ▁mac hen ▁ ▁H . ▁ 1 3 : ▁Du ▁aber ▁was ▁r icht est ▁du ▁de inen ▁Bru der ▁ ▁H . ▁ 1 4 : ▁Dem ▁G ere chten ▁mu ß ▁das ▁L icht ▁immer ▁wieder ▁auf ge hen ▁ ▁H . ▁ 1 5 : ▁Der ▁Herr ▁wird ▁ans ▁L icht ▁bring en ▁was ▁im ▁Fin st ern ▁verb org en ▁ist ▁ ▁H . ▁ 1 6 : ▁B ist ▁du ▁der ▁da ▁kom men ▁soll ▁ ▁H . ▁ 1 |
7 : ▁Es ▁ist ▁ein ▁Gott ▁und ▁ein ▁M itt ler ▁zwischen ▁Gott ▁und ▁den ▁Menschen ▁ ▁H . ▁ 1 8 : ▁So ▁man ▁von ▁her t zen ▁gl ä ub et ▁so ▁wird ▁man ▁ger ichtet ▁ ▁H . ▁ 1 9 : ▁Der ▁Herr ▁ist ▁na he , ▁sor get ▁nicht ▁ ▁H . ▁ 2 0 : ▁So ▁man ▁mit ▁dem ▁M unde ▁be ken net ▁so ▁wird ▁man ▁se el ig ▁ ▁H . ▁ 2 1 : ▁Ich ▁fre ue ▁m ich ▁im ▁Herr n ▁ ▁H . ▁ 2 2 : ▁Ein ▁j eg licher ▁pr ü fe ▁sein ▁selbst ▁Wer ck ▁ ▁H . ▁ 2 3 : ▁Un s ▁ist ▁ein ▁Kind ▁geb oren ▁ ▁H . ▁ 2 4 : ▁Se het ▁wel ch ▁eine ▁Lie be ▁hat ▁uns ▁der ▁V ater ▁er ze ig et ▁ ▁H . ▁ 2 5 : ▁Das ▁Vol ck ▁so ▁im ▁Fin st ern ▁wand elt . ▁ ▁H . ▁ 2 6 : ▁E uch ▁ist ▁heute ▁der ▁Hey land ▁geb oren ▁ ▁H . ▁ 2 7 : ▁Ach , ▁da ß ▁die ▁H ül fe ▁aus ▁Z ion ▁über ▁Israel ▁k ä me ▁ ▁H . ▁ 2 8 : ▁E hre ▁sei ▁Gott ▁in ▁der ▁Hö he ▁ ▁H . ▁ 2 9 : ▁Ich ▁hab e ▁dich ▁je ▁und ▁je ▁gel ie bet ▁ ▁H . ▁ 3 0 : ▁Er ▁wird ▁dich ▁mit ▁seinen ▁F itt ichen ▁bed e cken |
▁ ▁H . ▁ 3 1 : ▁Sie he , ▁ich ▁se he ▁den ▁H imm el ▁off en ▁ ▁H . ▁ 3 2 : ▁Den en ▁aus ▁Z ion ▁wird ▁ein ▁Er l ö ser ▁kom men ▁ ▁H . ▁ 3 3 : ▁Ich ▁se he ▁den ▁H imm el ▁off en ▁ ▁H . ▁ 3 4 : ▁I hr ▁soll t ▁nicht ▁w äh nen ▁ ▁H . ▁ 3 5 : ▁W ie ▁te uer ▁ist ▁de ine ▁G ü te , ▁Gott ▁ ▁H . ▁ 3 6 : ▁In ▁all en ▁D ingen ▁l asset ▁uns ▁be we isen ▁als ▁die ▁Di ener ▁Gott es ▁ ▁H . ▁ 3 7 : ▁L asset ▁uns ▁ihn ▁lie ben ▁ ▁H . ▁ 3 8 : ▁W enn ▁de in ▁W ort ▁off en bar ▁wird , ▁so ▁er fre ut ▁es ▁ ▁H . ▁ 3 9 : ▁Herr , ▁du ▁we is est ▁alle ▁D inge ▁ ▁H . ▁ 4 0 : ▁M ache t ▁die ▁T ore ▁weit ▁ ▁H . ▁ 4 1 : ▁K ünd lich ▁gro ß ▁ist ▁das ▁got ts el ige ▁Ge heim nis , ▁for ▁the ▁third ▁day ▁of ▁Christmas ▁ 1 7 3 5 ▁ ▁H . ▁ 4 2 : ▁W under - M utter , ▁W under - Kind ▁ ▁H . ▁ 4 3 : ▁Er ▁he iß et ▁w under bar ▁ ▁H . ▁ 4 4 : ▁Das ▁Al te |
▁ist ▁ver gang en ▁sie he ▁es ▁ist ▁all es ▁neu ▁ ▁H . ▁ 4 5 : ▁Das ▁Ende ▁eines ▁D ing es ▁ist ▁b esser ▁den n ▁sein ▁An fang ▁ ▁H . ▁ 4 6 : ▁Wer ▁w oll te ▁dich ▁nicht ▁fest ▁an ▁Br ust ▁und ▁Her ze ▁sch lie ßen ▁ ▁H . ▁ 4 7 : ▁W ie ▁v iel ▁ihn ▁auf nah men , ▁denen ▁gab ▁er ▁M acht , ▁Gott es ▁Kinder ▁ ▁H . ▁ 4 8 : ▁All es ▁was ▁ihr ▁tut ▁mit ▁W ort en ▁oder ▁Wer ken ▁ ▁H . ▁ 4 9 : ▁I hr ▁se id ▁alle ▁Gott es ▁Kinder ▁durch ▁den ▁G la ub en ▁ ▁H . ▁ 5 0 : ▁S ag et ▁D ank ▁alle ▁Zeit ▁für ▁all es ▁ ▁H . ▁ 5 1 : ▁E uch ▁aber , ▁die ▁ihr ▁me inen ▁Namen ▁für cht et , ▁soll ▁auf ge hen ▁ ▁H . ▁ 5 2 : ▁Tr ä ume ▁sind ▁nicht s ▁ ▁H . ▁ 5 3 : ▁N un ▁aber ▁ble ibt ▁G la ube , ▁Hoff nung , ▁Lie be , ▁diese ▁drei ▁ ▁H . ▁ 5 4 : ▁Se het , ▁wir ▁ge hen ▁h in auf ▁gen ▁Jerusalem ▁ ▁H . ▁ 5 5 : ▁Über ▁all es ▁z ie ht ▁an ▁die ▁Lie be ▁ ▁H . ▁ 5 6 : ▁Me in ▁Fre und ▁ist ▁mir ▁ein ▁P ü sche l ▁My rr |
hen ▁ ▁H . ▁ 5 7 : ▁Me in ▁Kind , ▁will st ▁du ▁Gott es ▁Di ener ▁sein ▁ ▁H . ▁ 5 8 : ▁De in ▁W ort ▁ist ▁me ines ▁Fuß es ▁Le uch te ▁ ▁H . ▁ 5 9 : ▁Ich ▁bin ▁vor ▁v ielen ▁wie ▁ein ▁W under ▁ ▁H . ▁ 6 0 : ▁W ir ▁haben ▁nicht ▁einen ▁Ho hen p ries ter ▁ ▁H . ▁ 6 1 : ▁Sel ig ▁sind , ▁die ▁re ines ▁Her zens ▁sind ▁ ▁H . ▁ 6 2 : ▁Ich ▁las se ▁dich ▁nicht , ▁du ▁seg n est ▁m ich ▁den n ▁ ▁H . ▁ 6 3 : ▁Sel ig ▁sind , ▁die ▁re ines ▁Her zens ▁sind ▁ ▁H . ▁ 6 4 : ▁La ß ▁m ich ▁ge hen , ▁den n ▁die ▁M org en r ö te ▁br icht ▁an ▁ ▁H . ▁ 6 5 : ▁Was ▁hat ▁das ▁L icht ▁für ▁Geme ins chaft ▁mit ▁der ▁Fin st ern is ▁ ▁H . ▁ 6 6 : ▁D ank est ▁du ▁also ▁dem ▁Herr n , ▁de inen ▁Gott ▁ ▁H . ▁ 6 7 : ▁I hr ▁se id ▁nun ▁Gott es ▁Nach fol ger ▁als ▁die ▁lie ben ▁Kinder ▁ ▁H . ▁ 6 8 : ▁D azu ▁ist ▁ersch ienen ▁der ▁Sohn ▁Gott es , ▁da ß ▁er ▁die ▁Wer ke ▁ ▁H . ▁ 6 9 : ▁Das ▁Ges etz ▁ist ▁durch ▁M osen |
▁ge geben ▁ ▁H . ▁ 7 0 : ▁W ir f ▁de in ▁An lie gen ▁auf ▁den ▁Herr n ▁ ▁H . ▁ 7 1 : ▁I hr ▁se id ▁zur ▁Fre i heit ▁ber uf en ▁ ▁H . ▁ 7 2 : ▁All er ▁Aug en ▁w arten ▁auf ▁dich , ▁Herr ▁ ▁H . ▁ 7 3 : ▁Christ us ▁ist ▁durch ▁sein ▁eigen ▁Bl ut ▁ein mal ▁in ▁das ▁He il ige ▁ ▁H . ▁ 7 4 : ▁W ah rl ich , ▁ich ▁sage ▁e uch , ▁so ▁j em and ▁me in ▁W ort ▁wird ▁hal ten ▁ ▁H . ▁ 7 5 : ▁Das ▁Bl ut ▁Jes u ▁Christ i , ▁des ▁Sohn es ▁Gott es , ▁m acht ▁uns ▁rein ▁ ▁H . ▁ 7 6 : ▁G eden ket ▁an ▁den , ▁der ▁ein ▁sol ches ▁W iders pre chen ▁von ▁den ▁S ünd ern ▁ ▁H . ▁ 7 7 : ▁Sie he , ▁eine ▁Jung f ra u ▁ist ▁sch w anger ▁ ▁H . ▁ 7 8 : ▁W ie ▁lie bl ich ▁sind ▁auf ▁den ▁Ber gen ▁die ▁F ü ße ▁der ▁Bot en ▁ ▁H . ▁ 7 9 : ▁T ue ▁ein ▁Ze ichen ▁an ▁mir ▁ ▁H . ▁ 8 0 : ▁Christ us ▁kom mt ▁her ▁aus ▁den ▁V ä tern ▁ ▁H . ▁ 8 1 : ▁Ein ▁j eg licher ▁sei ▁ges in net ▁wie ▁Jesus ▁Christ us ▁auch ▁war ▁ |
▁H . ▁ 8 2 : ▁Sie he , ▁ich ▁kom me , ▁im ▁Buch ▁ist ▁von ▁mir ▁gesch rieben ▁ ▁H . ▁ 8 3 : ▁Christ us , ▁ob ▁er ▁w ohl ▁h ät te ▁mö gen ▁Fre ude ▁haben , ▁d uld ete ▁er ▁ ▁H . ▁ 8 4 : ▁S ag et ▁der ▁To chter ▁Z ion , ▁sie he , ▁de in ▁He il ▁kom mt ▁ ▁H . ▁ 8 5 : ▁Wer ▁gew as chen ▁ist , ▁dar f ▁nicht ▁den n ▁die ▁F ü ße ▁was chen ▁ ▁H . ▁ 8 6 : ▁W ache ▁auf , ▁der ▁du ▁sch lä f est ▁ ▁H . ▁ 8 7 : ▁Die ▁Re chte ▁des ▁Herr n ▁ist ▁erh ö het ▁ ▁H . ▁ 8 8 : ▁S ind ▁wir ▁aber ▁mit ▁Christ o ▁gest or ben , ▁so ▁gl a ub en ▁wir ▁auch ▁ ▁H . ▁ 8 9 : ▁Ich ▁war ▁tot ▁und ▁sie he , ▁ich ▁bin ▁le b end ig ▁ ▁H . ▁ 9 0 : ▁W ir ▁haben ▁auch ▁ein ▁O ster lam m ▁ ▁H . ▁ 9 1 : ▁Ich ▁bin ▁die ▁Au fer ste hung ▁und ▁das ▁Leben ▁ ▁H . ▁ 9 2 : ▁Ob ▁ich ▁schon ▁wand ert ▁im ▁fin ster en ▁Tal , ▁für chte ▁ich ▁ke in ▁U ng l ück ▁ ▁H . ▁ 9 3 : ▁B le ibe ▁bei ▁uns , ▁den n ▁es ▁will ▁Ab |
end ▁werden ▁ ▁H . ▁ 9 4 : ▁So ▁du ▁mit ▁de in em ▁M unde ▁bek enn est ▁Jes um , ▁da ß ▁er ▁der ▁Herr ▁sei ▁ ▁H . ▁ 9 5 : ▁W and le ▁vor ▁mir ▁und ▁sei ▁from m ▁ ▁H . ▁ 9 6 : ▁Die ▁Son ne ▁ge ht ▁her aus ▁wie ▁ein ▁Br ä ut ig am ▁aus ▁seiner ▁Kam mer ▁ ▁H . ▁ 9 7 : ▁Der ▁Herr ▁wird ▁zu ▁uns ▁kom men ▁ ▁H . ▁ 9 8 : ▁Gott ▁hat ▁den ▁Herr n ▁au fer we ck et ▁ ▁H . ▁ 9 9 : ▁Ich ▁will ▁e uch ▁tr ö sten ▁ ▁H . ▁ 1 0 0 : ▁Ich ▁will ▁e uch ▁nicht ▁W ais en ▁l assen ▁ ▁H . ▁ 1 0 1 : ▁Wo ▁zwei ▁oder ▁drei ▁vers amm elt ▁sind ▁in ▁me in em ▁Namen ▁ ▁H . ▁ 1 0 2 : ▁Ach , ▁da ß ▁ich ▁hö ren ▁soll te , ▁da ß ▁Gott ▁der ▁Her re ▁red ete ▁ ▁H . ▁ 1 0 3 : ▁Er ▁he iß et ▁Fried ef ür st ▁ ▁H . ▁ 1 0 4 : ▁Su che ▁Fried e ▁und ▁j age ▁ihm ▁nach ▁ ▁H . ▁ 1 0 5 : ▁Un ser ▁G la ube ▁ist ▁der ▁Sie g , ▁der ▁die ▁Welt ▁über w unden ▁hat ▁ ▁H . ▁ 1 0 6 : ▁Me in ▁Fre und ▁ist ▁me in |
▁ ▁H . ▁ 1 0 7 : ▁Ich ▁we iß , ▁an ▁wen ▁ich ▁gl a ube ▁ ▁H . ▁ 1 0 8 : ▁Es ▁ist ▁aber ▁der ▁G la ube ▁eine ▁gew isse ▁Zu vers icht ▁ ▁H . ▁ 1 0 9 : ▁Er ▁wird ▁seine ▁Her de ▁we iden ▁wie ▁ein ▁Hir te ▁ ▁H . ▁ 1 1 0 : ▁Der ▁Herr ▁ist ▁me in ▁Hir te ▁ ▁H . ▁ 1 1 1 : ▁Will ▁mir ▁j em and ▁nach fol gen , ▁der ▁ver le ug ne ▁sich ▁selbst ▁ ▁H . ▁ 1 1 2 : ▁Der ▁Herr ▁ist ▁me in ▁Hir te ▁ ▁H . ▁ 1 1 3 : ▁Me ine ▁Sch a fe ▁hö ren ▁me ine ▁St im me ▁ ▁H . ▁ 1 1 4 : ▁Sie he , ▁wir ▁pre isen ▁sel ig , ▁die ▁er d ul det ▁haben ▁ ▁H . ▁ 1 1 5 : ▁E uch ▁aber , ▁die ▁ihr ▁me inen ▁Namen ▁für cht et , ▁soll ▁auf ge hen ▁ ▁H . ▁ 1 1 6 : ▁Als ▁die ▁Tra ur igen ▁aber ▁all zeit ▁fr ö h lich ▁ ▁H . ▁ 1 1 7 : ▁Ich ▁hab e ▁dich ▁einen ▁kle inen ▁Aug en b lick ▁ver lass en ▁ ▁H . ▁ 1 1 8 : ▁Ich ▁bin ▁be ide , ▁de in ▁Pil gr im ▁und ▁de in ▁Bür ger ▁ ▁H . ▁ 1 1 9 : |
▁Die ▁mit ▁Tr ä nen ▁s ä en , ▁werden ▁mit ▁Freud en ▁er nten ▁ ▁H . ▁ 1 2 0 : ▁Was ▁hast ▁du , ▁o ▁M ensch , ▁da ß ▁du ▁nicht ▁emp fang en ▁hast ▁ ▁H . ▁ 1 2 1 : ▁Wo ▁hat ▁sich ▁de in ▁Fre und ▁h ing ew and t ▁ ▁H . ▁ 1 2 2 : ▁N iem and ▁kom mt ▁zum ▁V ater , ▁den n ▁durch ▁m ich ▁ ▁H . ▁ 1 2 3 : ▁N un ▁kom me ▁ich ▁zu ▁dir ▁und ▁rede ▁sol ches ▁in ▁der ▁Welt ▁ ▁H . ▁ 1 2 4 : ▁Al le ▁g ute ▁G abe ▁und ▁alle ▁voll kom m ene ▁G abe ▁kom mt ▁von ▁ob en ▁her ab ▁ ▁H . ▁ 1 2 5 : ▁We ise ▁m ich , ▁Herr , ▁de inen ▁W eg ▁ ▁H . ▁ 1 2 6 : ▁Christ us ▁ist ▁zur ▁Re chten ▁Gott es ▁ ▁H . ▁ 1 2 7 : ▁W ah rl ich , ▁ich ▁sage ▁e uch , ▁so ▁ihr ▁den ▁V ater ▁et was ▁b itten ▁wer det ▁ ▁H . ▁ 1 2 8 : ▁Christ us ▁wird ▁un ser n ▁nicht igen ▁Le ib ▁ver kl ä ren ▁ ▁H . ▁ 1 2 9 : ▁Die ▁w ahr ha ft igen ▁An b eter ▁werden ▁den ▁V ater ▁an bet en ▁im ▁Ge ist ▁ ▁H . ▁ 1 3 0 : |
▁Se id ▁T äter ▁des ▁W orts ▁und ▁nicht ▁H ör er ▁alle in ▁ ▁H . ▁ 1 3 1 : ▁B itt et , ▁so ▁wer det ▁ihr ▁ne h men ▁ ▁H . ▁ 1 3 2 : ▁Dies er ▁Jesus , ▁wel cher ▁vor ▁e uch ▁auf gen ommen ▁ist ▁gen ▁H imm el ▁ ▁H . ▁ 1 3 3 : ▁Wo ▁e uer ▁Sch atz ▁ist , ▁da ▁ist ▁auch ▁e uer ▁Herz ▁ ▁H . ▁ 1 3 4 : ▁Bit te , ▁was ▁ich ▁dir ▁tun ▁soll ▁ ▁H . ▁ 1 3 5 : ▁Und ▁der ▁Herr , ▁nach dem ▁er ▁mit ▁ih nen ▁g ered et ▁hatte ▁ ▁H . ▁ 1 3 6 : ▁Es ▁wird ▁ein ▁Durch bre cher ▁vor ▁ih nen ▁her au ff ahren ▁ ▁H . ▁ 1 3 7 : ▁Sel ig ▁sind , ▁die ▁um ▁G ere cht igkeit ▁will en ▁ver fol gt ▁werden ▁ ▁H . ▁ 1 3 8 : ▁Das ▁we iß ▁ich ▁für w ahr , ▁wer ▁Gott ▁di en et ▁ ▁H . ▁ 1 3 9 : ▁Es ▁ist ▁na he ▁kom men ▁das ▁Ende ▁aller ▁D inge ▁ ▁H . ▁ 1 4 0 : ▁W ir ▁sind ▁st ets ▁als ▁ein ▁Fl uch ▁der ▁Welt ▁ ▁H . ▁ 1 4 1 : ▁W ohl z ut un ▁und ▁mit z ute ilen ▁ver g ess et ▁nicht ▁ ▁H . ▁ 1 4 2 : ▁Un |
s ▁ist ▁b ange , ▁aber ▁wir ▁ver z agen ▁nicht ▁ ▁H . ▁ 1 4 3 : ▁Ste he ▁auf , ▁Nord wind ▁ ▁H . ▁ 1 4 4 : ▁Sie he ▁da , ▁eine ▁H üt te ▁Gott es ▁bei ▁den ▁Menschen ▁ ▁H . ▁ 1 4 5 : ▁Der ▁Herr ▁ist ▁in ▁seinem ▁he il igen ▁Temp el ▁ ▁H . ▁ 1 4 6 : ▁W isset ▁ihr ▁nicht , ▁da ß ▁ihr ▁Gott es ▁Temp el ▁se id ▁ ▁H . ▁ 1 4 7 : ▁Wer det ▁voll ▁Ge istes ▁ ▁H . ▁ 1 4 8 : ▁Sie he ▁da , ▁eine ▁H üt te ▁G att es ▁bei ▁den ▁Menschen ▁ ▁H . ▁ 1 4 9 : ▁W ie ▁soll t ▁er ▁uns ▁mit ▁ihm ▁nicht ▁all es ▁sc hen ken ▁ ▁H . ▁ 1 5 0 : ▁Dar an ▁ist ▁ersch ienen ▁die ▁Lie be ▁Gott es ▁gegen ▁uns ▁ ▁H . ▁ 1 5 1 : ▁W oll te ▁Gott , ▁da ß ▁alle ▁das ▁Volk ▁des ▁Herr n ▁we iss ag te ▁ ▁H . ▁ 1 5 2 : ▁Dar an ▁ist ▁ersch ienen ▁die ▁Lie be ▁Gott es ▁gegen ▁uns ▁ ▁H . ▁ 1 5 3 : ▁Red e ▁Herr , ▁de in ▁K ne cht ▁hö ret ▁ ▁H . ▁ 1 5 4 : ▁Gott ▁ist ▁die ▁Lie be ▁ ▁H . ▁ 1 5 5 : ▁Durch ▁Christ um ▁haben ▁wir |
▁auch ▁einen ▁Z ug ang ▁im ▁G la ub en ▁ ▁H . ▁ 1 5 6 : ▁Le hre ▁m ich ▁h m ▁nach ▁de in em ▁W ohl ge fall en ▁ ▁H . ▁ 1 5 7 : ▁So ▁den n ▁ihr , ▁die ▁ihr ▁arg ▁se id , ▁kön net ▁e uren ▁Kind ern ▁g ute ▁Gab en ▁ ▁H . ▁ 1 5 8 : ▁Wer ▁aus ▁der ▁W ahr heit ▁ist , ▁der ▁hö ret ▁me ine ▁St im me ▁ ▁H . ▁ 1 5 9 : ▁Wer ▁Christ i ▁Ge ist ▁nicht ▁hat , ▁der ▁ist ▁nicht ▁sein ▁ ▁H . ▁ 1 6 0 : ▁Herr , ▁wie ▁sind ▁de ine ▁Wer ke ▁so ▁gro ß ▁ ▁H . ▁ 1 6 1 : ▁Es ▁sei ▁den n , ▁da ß ▁j em and ▁wieder geb oren ▁wer de ▁ ▁H . ▁ 1 6 2 : ▁Groß ▁und ▁w und ers am ▁sind ▁de ine ▁Wer ke ▁ ▁H . ▁ 1 6 3 : ▁Herr , ▁we ise ▁mir ▁de inen ▁W eg ▁ ▁H . ▁ 1 6 4 : ▁Me ine ▁Le hre ▁ist ▁nicht ▁me in , ▁son dern ▁des , ▁der ▁m ich ▁ges and t ▁hat ▁ ▁H . ▁ 1 6 5 : ▁Wel che ▁nicht ▁von ▁dem ▁Geb l ü te , ▁noch ▁von ▁dem ▁Will en ▁des ▁Fle isches ▁ ▁H . ▁ 1 6 6 : ▁Wo ▁e uer ▁Sch atz ▁ist , |
▁da ▁ist ▁auch ▁e uer ▁Herz ▁ ▁H . ▁ 1 6 7 : ▁Also ▁ge het ' s , ▁wer ▁ihm ▁Sch ät ze ▁sam m elt ▁und ▁ist ▁nicht ▁re ich ▁ ▁H . ▁ 1 6 8 : ▁So ▁j em and ▁sp richt , ▁ich ▁lie be ▁Gott , ▁und ▁h asset ▁seinen ▁Bru der ▁ ▁H . ▁ 1 6 9 : ▁Sel ig ▁se id ▁ihr ▁Armen , ▁den n ▁das ▁Reich ▁Gott es ▁ist ▁e uer ▁ ▁H . ▁ 1 7 0 : ▁Gott ▁ist ▁die ▁Lie be ▁ ▁H . ▁ 1 7 1 : ▁Christ us ▁ward ▁arm ▁um ▁e ure tw ill en ▁ ▁H . ▁ 1 7 2 : ▁L asset ▁uns ▁nicht ▁lie ben ▁mit ▁W ort en ▁noch ▁mit ▁der ▁Z ungen ▁ ▁H . ▁ 1 7 3 : ▁Sch me ck et ▁und ▁se het , ▁wie ▁fre und lich ▁der ▁Herr ▁ist ▁ ▁H . ▁ 1 7 4 : ▁Sch me ck et ▁und ▁se het , ▁wie ▁fre und lich ▁der ▁Herr ▁ist ▁ ▁H . ▁ 1 7 5 : ▁Ver acht est ▁du ▁den ▁Re icht um ▁seiner ▁G ü te ▁ ▁H . ▁ 1 7 6 : ▁L asset ▁uns ▁nicht ▁lie ben ▁mit ▁W ort en , ▁son dern ▁mit ▁der ▁Tat ▁ ▁H . ▁ 1 7 7 : ▁Es set , ▁me ine ▁Lie ben ▁ ▁H . ▁ 1 7 8 : ▁W ider ste |
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