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tt0134119_0005_17 | null | null | null | null | Jude | Matt | {} | {} | {} | {} | {} | {} | A terrible fight breaks out between two friends who are in the water in a small boat. It appears that Matt has found out what Jude has done and he demands to know the whole truth. | Matt shortly afterwards gains the upper hand and uses a stick to defend against Jude's attacks. | Jude desperately tries to counter Matt's better position, but is on the wrong foot. | Matt is able to stave off any further attacks by Jude and pins Jude to the floor of the boat with a long oar that he had used to defend himself. | Jude has lost the struggle and has been overcome by Matt. | Following the successful fight outcome, Matt is using the long oar to get the boat back to shore, as the engine has been disabled by Jude. | null | null | null | null | ['tt0134119_0709_1', 'tt0134119_0713_0', 'tt0134119_0714_0', 'tt0134119_0721_1', 'tt0134119_0722_2', 'tt0134119_0724_2'] | A terrible fight breaks out between two friends who are in the water in a small boat. It appears that Matt has found out what Jude has done and he demands to know the whole truth. Matt shortly afterwards gains the upper hand and uses a stick to defend against Jude's attacks. Jude desperately tries to counter Matt's better position, but is on the wrong foot. Matt is able to stave off any further attacks by Jude and pins Jude to the floor of the boat with a long oar that he had used to defend himself. Jude has lost the struggle and has been overcome by Matt. Following the successful fight outcome, Matt is using the long oar to get the boat back to shore, as the engine has been disabled by Jude. | A terrible fight breaks out between two friends who are in the water in a small boat. It appears that Matt has found out what Jude has done and he demands to know the whole truth. [SENT] Matt shortly afterwards gains the upper hand and uses a stick to defend against Jude's attacks. [SENT] Jude desperately tries to counter Matt's better position, but is on the wrong foot. [SENT] Matt is able to stave off any further attacks by Jude and pins Jude to the floor of the boat with a long oar that he had used to defend himself. [SENT] Jude has lost the struggle and has been overcome by Matt. [SENT] Following the successful fight outcome, Matt is using the long oar to get the boat back to shore, as the engine has been disabled by Jude. [SENT] | a terrible fight breaks out between two friends who are in the water in a small boat . it appears that [male0] has found out what [male1] has done and he demands to know the whole truth . [male0] shortly afterwards gains the upper hand and uses a stick to defend against [male1] 's attacks . [male1] desperately tries to counter [male0] 's better position , but is on the wrong foot . [male0] is able to stave off any further attacks by [male1] and pins [male1] to the floor of the boat with a long oar that he had used to defend himself . [male1] has lost the struggle and has been overcome by [male0] . following the successful fight outcome , [male0] is using the long oar to get the boat back to shore , as the engine has been disabled by [male1] . | train | tt0134119 | 3,400 |
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tt0369339_0007_7 | null | Jamie | Jada | Tom | {} | {} | {} | {} | Suddenly the glass broke. | The glass was broken from Jamie trying to go through. | Jamie was looking for his friend. | Jamie knew his friend was being held forcefully. | Jada was really scared. | She was being held for several hours. | Tom was the one who had kidnapped Jada. | Jamie saw Tom, and pointed the gun at him. | Without saying a word, Jamie shot down Tom, and released Jada. | null | ['tt0369339_1594_1', 'tt0369339_1595_0', 'tt0369339_1596_1', 'tt0369339_1603_0', 'tt0369339_1614_0', 'tt0369339_1621_1', 'tt0369339_1623_1', 'tt0369339_1624_0', 'tt0369339_1629_0'] | Suddenly the glass broke. The glass was broken from Jamie trying to go through. Jamie was looking for his friend. Jamie knew his friend was being held forcefully. Jada was really scared. She was being held for several hours. Tom was the one who had kidnapped Jada. Jamie saw Tom, and pointed the gun at him. Without saying a word, Jamie shot down Tom, and released Jada. | Suddenly the glass broke. [SENT] The glass was broken from Jamie trying to go through. [SENT] Jamie was looking for his friend. [SENT] Jamie knew his friend was being held forcefully. [SENT] Jada was really scared. [SENT] She was being held for several hours. [SENT] Tom was the one who had kidnapped Jada. [SENT] Jamie saw Tom, and pointed the gun at him. [SENT] Without saying a word, Jamie shot down Tom, and released Jada. [SENT] | suddenly the glass broke . the glass was broken from [female0] trying to go through . [female0] was looking for his friend . [female0] knew his friend was being held forcefully . [female1] was really scared . she was being held for several hours . [male0] was the one who had kidnapped [female1] . [female0] saw [male0] , and pointed the gun at him . without saying a word , [female0] shot down [male0] , and released [female1] . | train | tt0369339 | 3,401 |
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tt0094291_0004_0 | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | A screen is laid out in front of our two protagonists, one the young upstart, the other the experienced and ruthless Wall Street mogul who has a sharp sense of good fresh blood getting into the game - young blood he can utilize to further his plans. | The young upstart listens intently to the mogul, being intensely proud of being taken seriously to be invited to the biggest stage in the financial world. | The mogul knows exactly how to push the buttons of his young protege and he cunningly sets the trap. | As the limousine rolls through New York and passes the major landmark buildings, | the young protege realizes what is at stake and does not want to disappoint his master at the game he wants to teach him and he feels flattered. | Naturally, after setting the hook, the mogul yanks the chain a bit tighter, starting to move the bar and the goalposts so that | the task for our young protege becomes much harder that initially expected. Now our young protege realizes what exactly he has gotten himself into. The first pound of flesh is being extracted... | as the mogul drives off after dropping his young protege off, looking at him with a steely and cold gaze. | null | null | ['tt0094291_0278_0', 'tt0094291_0279_0', 'tt0094291_0280_0', 'tt0094291_0281_0', 'tt0094291_0283_0', 'tt0094291_0289_0', 'tt0094291_0290_0', 'tt0094291_0293_0'] | A screen is laid out in front of our two protagonists, one the young upstart, the other the experienced and ruthless Wall Street mogul who has a sharp sense of good fresh blood getting into the game - young blood he can utilize to further his plans. The young upstart listens intently to the mogul, being intensely proud of being taken seriously to be invited to the biggest stage in the financial world. The mogul knows exactly how to push the buttons of his young protege and he cunningly sets the trap. As the limousine rolls through New York and passes the major landmark buildings,. the young protege realizes what is at stake and does not want to disappoint his master at the game he wants to teach him and he feels flattered. Naturally, after setting the hook, the mogul yanks the chain a bit tighter, starting to move the bar and the goalposts so that. the task for our young protege becomes much harder that initially expected. Now our young protege realizes what exactly he has gotten himself into. The first pound of flesh is being extracted... as the mogul drives off after dropping his young protege off, looking at him with a steely and cold gaze. | A screen is laid out in front of our two protagonists, one the young upstart, the other the experienced and ruthless Wall Street mogul who has a sharp sense of good fresh blood getting into the game - young blood he can utilize to further his plans. [SENT] The young upstart listens intently to the mogul, being intensely proud of being taken seriously to be invited to the biggest stage in the financial world. [SENT] The mogul knows exactly how to push the buttons of his young protege and he cunningly sets the trap. [SENT] As the limousine rolls through New York and passes the major landmark buildings,. [SENT] the young protege realizes what is at stake and does not want to disappoint his master at the game he wants to teach him and he feels flattered. [SENT] Naturally, after setting the hook, the mogul yanks the chain a bit tighter, starting to move the bar and the goalposts so that. [SENT] the task for our young protege becomes much harder that initially expected. Now our young protege realizes what exactly he has gotten himself into. The first pound of flesh is being extracted... [SENT] as the mogul drives off after dropping his young protege off, looking at him with a steely and cold gaze. [SENT] | a screen is laid out in front of our two protagonists , one the young upstart , the other the experienced and ruthless [location] mogul who has a sharp sense of good fresh blood getting into the game - young blood he can utilize to further his plans . the young upstart listens intently to the mogul , being intensely proud of being taken seriously to be invited to the biggest stage in the financial world . the mogul knows exactly how to push the buttons of his young protege and he cunningly sets the trap . as the limousine rolls through [location] and passes the major landmark buildings , . the young protege realizes what is at stake and does not want to disappoint his master at the game he wants to teach him and he feels flattered . naturally , after setting the hook , the mogul yanks the chain a bit tighter , starting to move the bar and the goalposts so that . the task for our young protege becomes much harder that initially expected . now our young protege realizes what exactly he has gotten himself into . the first pound of flesh is being extracted ... as the mogul drives off after dropping his young protege off , looking at him with a steely and cold gaze . | train | tt0094291 | 3,402 |
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tt0138097_0007_6 | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | A nobleman descends from his horse and is helped by a servant who takes the horse by its bridle. | A young man stands in the back of a stage listening to the reactions of the crowd. It is his play that the crowd attends. | The theater is full to bursting point and the Elizabethan period actors are plying their art, riveting the crowd. | The general audience is laughing and enjoying the theater performance - a wonderful diversion in their otherwise mundane life. | The actors are in splendid dress and convey a sense of mastery to the crowd. | On the top balcony, our late arriving nobleman is taking his seat to witness this performance of excellence, | while the young playwright has slumped at the back of the stage, hoping that he does not humiliate himself, as he winces. | null | null | null | ['tt0138097_1478_0', 'tt0138097_1479_0', 'tt0138097_1480_0', 'tt0138097_1481_0', 'tt0138097_1482_0', 'tt0138097_1486_0', 'tt0138097_1487_0'] | A nobleman descends from his horse and is helped by a servant who takes the horse by its bridle. A young man stands in the back of a stage listening to the reactions of the crowd. It is his play that the crowd attends. The theater is full to bursting point and the Elizabethan period actors are plying their art, riveting the crowd. The general audience is laughing and enjoying the theater performance - a wonderful diversion in their otherwise mundane life. The actors are in splendid dress and convey a sense of mastery to the crowd. On the top balcony, our late arriving nobleman is taking his seat to witness this performance of excellence,. while the young playwright has slumped at the back of the stage, hoping that he does not humiliate himself, as he winces. | A nobleman descends from his horse and is helped by a servant who takes the horse by its bridle. [SENT] A young man stands in the back of a stage listening to the reactions of the crowd. It is his play that the crowd attends. [SENT] The theater is full to bursting point and the Elizabethan period actors are plying their art, riveting the crowd. [SENT] The general audience is laughing and enjoying the theater performance - a wonderful diversion in their otherwise mundane life. [SENT] The actors are in splendid dress and convey a sense of mastery to the crowd. [SENT] On the top balcony, our late arriving nobleman is taking his seat to witness this performance of excellence,. [SENT] while the young playwright has slumped at the back of the stage, hoping that he does not humiliate himself, as he winces. [SENT] | a nobleman descends from his horse and is helped by a servant who takes the horse by its bridle . a young man stands in the back of a stage listening to the reactions of the crowd . it is his play that the crowd attends . the theater is full to bursting point and the period actors are plying their art , riveting the crowd . the general audience is laughing and enjoying the theater performance - a wonderful diversion in their otherwise mundane life . the actors are in splendid dress and convey a sense of mastery to the crowd . on the top balcony , our late arriving nobleman is taking his seat to witness this performance of excellence , . while the young playwright has slumped at the back of the stage , hoping that he does not humiliate himself , as he winces . | train | tt0138097 | 3,403 |
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tt0078788_0001_12 | null | null | null | null | Frederic | {} | {} | {} | {} | {} | {} | {} | {} | A Huey army helicopter is launching a sidewinder rocket as soldiers sit motionless in the opening of the helicopter's sliding doorway. | Frederic, a helicopter crewman is observing the impact of the rocket's hit in a tense fashion. | The impact of the rocket attack throws several Vietnamese farmers to the ground as they walk through their fields. | The helicopter gunner takes renewed aim as the chopper is doing another pass to eliminate these civilians in a clear breach of the Geneva conventions. | As the helicopter turns for another round of assaults, the civilian farmers scatter, running back to their picturesque village by the sea in the hopes to evade the fire of the helicopter barrage. | The helicopter pilot is trying to assess the situation through the smoke that engulfs the entire area as rocket fire hits its targets. | null | null | null | null | ['tt0078788_0255_0', 'tt0078788_0257_2', 'tt0078788_0260_1', 'tt0078788_0261_0', 'tt0078788_0262_1', 'tt0078788_0263_1'] | A Huey army helicopter is launching a sidewinder rocket as soldiers sit motionless in the opening of the helicopter's sliding doorway. Frederic, a helicopter crewman is observing the impact of the rocket's hit in a tense fashion. The impact of the rocket attack throws several Vietnamese farmers to the ground as they walk through their fields. The helicopter gunner takes renewed aim as the chopper is doing another pass to eliminate these civilians in a clear breach of the Geneva conventions. As the helicopter turns for another round of assaults, the civilian farmers scatter, running back to their picturesque village by the sea in the hopes to evade the fire of the helicopter barrage. The helicopter pilot is trying to assess the situation through the smoke that engulfs the entire area as rocket fire hits its targets. | A Huey army helicopter is launching a sidewinder rocket as soldiers sit motionless in the opening of the helicopter's sliding doorway. [SENT] Frederic, a helicopter crewman is observing the impact of the rocket's hit in a tense fashion. [SENT] The impact of the rocket attack throws several Vietnamese farmers to the ground as they walk through their fields. [SENT] The helicopter gunner takes renewed aim as the chopper is doing another pass to eliminate these civilians in a clear breach of the Geneva conventions. [SENT] As the helicopter turns for another round of assaults, the civilian farmers scatter, running back to their picturesque village by the sea in the hopes to evade the fire of the helicopter barrage. [SENT] The helicopter pilot is trying to assess the situation through the smoke that engulfs the entire area as rocket fire hits its targets. [SENT] | a army helicopter is launching a sidewinder rocket as soldiers sit motionless in the opening of the helicopter 's sliding doorway . [male0] , a helicopter crewman is observing the impact of the rocket 's hit in a tense fashion . the impact of the rocket attack throws several farmers to the ground as they walk through their fields . the helicopter gunner takes renewed aim as the chopper is doing another pass to eliminate these civilians in a clear breach of the [location] conventions . as the helicopter turns for another round of assaults , the civilian farmers scatter , running back to their picturesque village by the sea in the hopes to evade the fire of the helicopter barrage . the helicopter pilot is trying to assess the situation through the smoke that engulfs the entire area as rocket fire hits its targets . | train | tt0078788 | 3,404 |
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tt1038919_0021_14 | null | null | null | null | Jennifer | Gerard | {} | {} | {} | {} | {} | {} | Gerard has caught up with Jennifer and a verbal quarrel ensues during which Gerard accuses Jennifer. | He is quite worked up about her perceived disloyalty that she showed him in his mind and lets her know about it. | Jennifer is confronting Gerard directly, not shying away from the confrontation. | While she listens to his points and his grievances, she is trying to understand how he perceives these slights and why they make him angry and confused. | However, Jennifer takes great exception to what Gerard is telling her as she rejects his accusations and mocks him. She now feels upset as well. | Gerard walks away from Jennifer still ranting and raving about what he thinks she has done to him. | null | null | null | null | ['tt1038919_1137_0', 'tt1038919_1138_0', 'tt1038919_1141_1', 'tt1038919_1145_1', 'tt1038919_1147_1', 'tt1038919_1149_2'] | Gerard has caught up with Jennifer and a verbal quarrel ensues during which Gerard accuses Jennifer. He is quite worked up about her perceived disloyalty that she showed him in his mind and lets her know about it. Jennifer is confronting Gerard directly, not shying away from the confrontation. While she listens to his points and his grievances, she is trying to understand how he perceives these slights and why they make him angry and confused. However, Jennifer takes great exception to what Gerard is telling her as she rejects his accusations and mocks him. She now feels upset as well. Gerard walks away from Jennifer still ranting and raving about what he thinks she has done to him. | Gerard has caught up with Jennifer and a verbal quarrel ensues during which Gerard accuses Jennifer. [SENT] He is quite worked up about her perceived disloyalty that she showed him in his mind and lets her know about it. [SENT] Jennifer is confronting Gerard directly, not shying away from the confrontation. [SENT] While she listens to his points and his grievances, she is trying to understand how he perceives these slights and why they make him angry and confused. [SENT] However, Jennifer takes great exception to what Gerard is telling her as she rejects his accusations and mocks him. She now feels upset as well. [SENT] Gerard walks away from Jennifer still ranting and raving about what he thinks she has done to him. [SENT] | [male0] has caught up with [female0] and a verbal quarrel ensues during which [male0] accuses [female0] . he is quite worked up about her perceived disloyalty that she showed him in his mind and lets her know about it . [female0] is confronting [male0] directly , not shying away from the confrontation . while she listens to his points and his grievances , she is trying to understand how he perceives these slights and why they make him angry and confused . however , [female0] takes great exception to what [male0] is telling her as she rejects his accusations and mocks him . she now feels upset as well . [male0] walks away from [female0] still ranting and raving about what he thinks she has done to him . | train | tt1038919 | 3,405 |
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tt0120815_0015_3 | null | null | null | null | null | Tom | Edward | Jeremy | Tom | Adam | Tom pulls his firearm on Edward because Edward is a Nazi spy. | Edward tries to plead his case but Tom refuses. He's seen all the evidence against Edward and his mind is made up. | Jeremy tries to tell Tom that Edward isn't a Nazi spy. | Tom overhears Jeremy and asks what the evidence is that Edward isn't a Nazi spy. | Edward then pleads his case with Tom listening with an open mind. | null | null | null | null | null | ['tt0120815_0894_0', 'tt0120815_0898_1', 'tt0120815_0899_0', 'tt0120815_0901_1', 'tt0120815_0904_1'] | Tom pulls his firearm on Edward because Edward is a Nazi spy. Edward tries to plead his case but Tom refuses. He's seen all the evidence against Edward and his mind is made up. Jeremy tries to tell Tom that Edward isn't a Nazi spy. Tom overhears Jeremy and asks what the evidence is that Edward isn't a Nazi spy. Edward then pleads his case with Tom listening with an open mind. | Tom pulls his firearm on Edward because Edward is a Nazi spy. [SENT] Edward tries to plead his case but Tom refuses. He's seen all the evidence against Edward and his mind is made up. [SENT] Jeremy tries to tell Tom that Edward isn't a Nazi spy. [SENT] Tom overhears Jeremy and asks what the evidence is that Edward isn't a Nazi spy. [SENT] Edward then pleads his case with Tom listening with an open mind. [SENT] | [male0] pulls his firearm on [male1] because [male1] is a spy . [male1] tries to plead his case but [male0] refuses . he 's seen all the evidence against [male1] and his mind is made up . [male2] tries to tell [male0] that [male1] is n't a spy . [male0] overhears [male2] and asks what the evidence is that [male1] is n't a spy . [male1] then pleads his case with [male0] listening with an open mind . | train | tt0120815 | 3,406 |
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tt0187393_0003_4 | null | null | null | Mel | Heath | {} | {} | {} | {} | {} | {} | Two young boys train their rifles against a column of English soldiers from a high point in the woods. | The commanding officer of the column is on horseback and observes his soldiers from the rear position. | One of the boys takes aim and has the officer in his sights, | while Mel is in a further advanced position, trying to exploit the ensuing panic once the English forces are engaged. | As the first shot is fired, the soldiers react by taking their long rifles down, while Heath is ducking behind the wagon, not knowing how he can survive any attack while bound to the horse-drawn cart. | After the first shots have been fired in the encounter, Mel changes his position in order to remain unseen and obtain a new attacking angle for further shots. | During the attack, Heath remains cowering at the back of the cart he is bound to. | null | null | null | ['tt0187393_0566_2', 'tt0187393_0568_2', 'tt0187393_0569_1', 'tt0187393_0570_1', 'tt0187393_0571_1', 'tt0187393_0573_0', 'tt0187393_0574_2'] | Two young boys train their rifles against a column of English soldiers from a high point in the woods. The commanding officer of the column is on horseback and observes his soldiers from the rear position. One of the boys takes aim and has the officer in his sights,. while Mel is in a further advanced position, trying to exploit the ensuing panic once the English forces are engaged. As the first shot is fired, the soldiers react by taking their long rifles down, while Heath is ducking behind the wagon, not knowing how he can survive any attack while bound to the horse-drawn cart. After the first shots have been fired in the encounter, Mel changes his position in order to remain unseen and obtain a new attacking angle for further shots. During the attack, Heath remains cowering at the back of the cart he is bound to. | Two young boys train their rifles against a column of English soldiers from a high point in the woods. [SENT] The commanding officer of the column is on horseback and observes his soldiers from the rear position. [SENT] One of the boys takes aim and has the officer in his sights,. [SENT] while Mel is in a further advanced position, trying to exploit the ensuing panic once the English forces are engaged. [SENT] As the first shot is fired, the soldiers react by taking their long rifles down, while Heath is ducking behind the wagon, not knowing how he can survive any attack while bound to the horse-drawn cart. [SENT] After the first shots have been fired in the encounter, Mel changes his position in order to remain unseen and obtain a new attacking angle for further shots. [SENT] During the attack, Heath remains cowering at the back of the cart he is bound to. [SENT] | two young boys train their rifles against a column of soldiers from a high point in the woods . the commanding officer of the column is on horseback and observes his soldiers from the rear position . one of the boys takes aim and has the officer in his sights , . while [female0] is in a further advanced position , trying to exploit the ensuing panic once the forces are engaged . as the first shot is fired , the soldiers react by taking their long rifles down , while [male0] is ducking behind the wagon , not knowing how he can survive any attack while bound to the horse - drawn cart . after the first shots have been fired in the encounter , [female0] changes his position in order to remain unseen and obtain a new attacking angle for further shots . during the attack , [male0] remains cowering at the back of the cart he is bound to . | train | tt0187393 | 3,407 |
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tt0822832_0001_3 | null | null | null | null | null | Jennifer | Owen | {} | {} | {} | {} | {} | {} | Jennifer and Owen are sitting on the front porch, saying goodbye to their puppies as they have to move away to a different city for their new jobs. | Mary asks them if they want to take one of the puppies with them. | Jennifer takes a good look at one of the puppies. She says she would love to, but she can't separate the puppies. | Jennifer starts crying because she will miss her little puppies. | The next day they had to say goodbye to their puppies for real and go to the airport to catch their plane. | null | null | null | null | null | ['tt0822832_0137_0', 'tt0822832_0140_0', 'tt0822832_0141_2', 'tt0822832_0143_0', 'tt0822832_0146_1'] | Jennifer and Owen are sitting on the front porch, saying goodbye to their puppies as they have to move away to a different city for their new jobs. Mary asks them if they want to take one of the puppies with them. Jennifer takes a good look at one of the puppies. She says she would love to, but she can't separate the puppies. Jennifer starts crying because she will miss her little puppies. The next day they had to say goodbye to their puppies for real and go to the airport to catch their plane. | Jennifer and Owen are sitting on the front porch, saying goodbye to their puppies as they have to move away to a different city for their new jobs. [SENT] Mary asks them if they want to take one of the puppies with them. [SENT] Jennifer takes a good look at one of the puppies. She says she would love to, but she can't separate the puppies. [SENT] Jennifer starts crying because she will miss her little puppies. [SENT] The next day they had to say goodbye to their puppies for real and go to the airport to catch their plane. [SENT] | [female0] and [male0] are sitting on the front porch , saying goodbye to their puppies as they have to move away to a different city for their new jobs . [female1] asks them if they want to take one of the puppies with them . [female0] takes a good look at one of the puppies . she says she would love to , but she ca n't separate the puppies . [female0] starts crying because she will miss her little puppies . the next day they had to say goodbye to their puppies for real and go to the airport to catch their plane . | train | tt0822832 | 3,408 |
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tt1707386_0004_2 | null | null | null | null | Daniel | {} | {} | {} | {} | {} | {} | {} | {} | A large gathering of impoverished, hungry and aggressive people is crowding a stage coaches that are trying to leave along a city street. | The crowd of people is near riot status as the coaches with its rich passengers is trying to negotiate their way to safety. | Daniel jumps onto the stagecoach with a look of utter disgust, engaging the rich passengers with contempt. | The male wealthy passenger of the coach is not too well pleased and stares the little intruder down, clutching his walking stick. | Daniel is unperturbed and further challenges the wealthy man and places more pressure on him | pointing his spindly fingers at him in utter disgust and in an accusatory manner. | null | null | null | null | ['tt1707386_1103_1', 'tt1707386_1104_0', 'tt1707386_1106_1', 'tt1707386_1107_1', 'tt1707386_1108_0', 'tt1707386_1109_0'] | A large gathering of impoverished, hungry and aggressive people is crowding a stage coaches that are trying to leave along a city street. The crowd of people is near riot status as the coaches with its rich passengers is trying to negotiate their way to safety. Daniel jumps onto the stagecoach with a look of utter disgust, engaging the rich passengers with contempt. The male wealthy passenger of the coach is not too well pleased and stares the little intruder down, clutching his walking stick. Daniel is unperturbed and further challenges the wealthy man and places more pressure on him. pointing his spindly fingers at him in utter disgust and in an accusatory manner. | A large gathering of impoverished, hungry and aggressive people is crowding a stage coaches that are trying to leave along a city street. [SENT] The crowd of people is near riot status as the coaches with its rich passengers is trying to negotiate their way to safety. [SENT] Daniel jumps onto the stagecoach with a look of utter disgust, engaging the rich passengers with contempt. [SENT] The male wealthy passenger of the coach is not too well pleased and stares the little intruder down, clutching his walking stick. [SENT] Daniel is unperturbed and further challenges the wealthy man and places more pressure on him. [SENT] pointing his spindly fingers at him in utter disgust and in an accusatory manner. [SENT] | a large gathering of impoverished , hungry and aggressive people is crowding a stage coaches that are trying to leave along a city street . the crowd of people is near riot status as the coaches with its rich passengers is trying to negotiate their way to safety . [male0] jumps onto the stagecoach with a look of utter disgust , engaging the rich passengers with contempt . the male wealthy passenger of the coach is not too well pleased and stares the little intruder down , clutching his walking stick . [male0] is unperturbed and further challenges the wealthy man and places more pressure on him . pointing his spindly fingers at him in utter disgust and in an accusatory manner . | train | tt1707386 | 3,409 |
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tt0113243_0010_2 | null | null | Angelina | Jonny | Alberta | Matthew | Laurence | Angelina looks at Jonny with great disapproval, not understanding the rationale for his decision, | while Jonny is deeply determined to follow-through on his plan to uncover the men behind the crimes and corruption that he loathes. | He replays over and over again a phone message in order to decipher the exact meaning and how this message plays into his cards/ | In the meantime, Alberta is faced by the Police commissioner who is trying to get to the bottom of Alberta's allegations. | She hold her head up high, maintaining a high level of confidence, but the Police Commissioner | calls her bluff, by asking one of his men to enter the room and confront Roberta. | Her cards are up. | The Police Commissioner shows a videotape of Matthew in which he incriminates himself by boasting of what he has done. | null | null | ['tt0113243_1228_0', 'tt0113243_1229_0', 'tt0113243_1235_0', 'tt0113243_1237_0', 'tt0113243_1238_0', 'tt0113243_1240_0', 'tt0113243_1241_0', 'tt0113243_1245_2'] | Angelina looks at Jonny with great disapproval, not understanding the rationale for his decision,. while Jonny is deeply determined to follow-through on his plan to uncover the men behind the crimes and corruption that he loathes. He replays over and over again a phone message in order to decipher the exact meaning and how this message plays into his cards/. In the meantime, Alberta is faced by the Police commissioner who is trying to get to the bottom of Alberta's allegations. She hold her head up high, maintaining a high level of confidence, but the Police Commissioner. calls her bluff, by asking one of his men to enter the room and confront Roberta. Her cards are up. The Police Commissioner shows a videotape of Matthew in which he incriminates himself by boasting of what he has done. | Angelina looks at Jonny with great disapproval, not understanding the rationale for his decision,. [SENT] while Jonny is deeply determined to follow-through on his plan to uncover the men behind the crimes and corruption that he loathes. [SENT] He replays over and over again a phone message in order to decipher the exact meaning and how this message plays into his cards/. [SENT] In the meantime, Alberta is faced by the Police commissioner who is trying to get to the bottom of Alberta's allegations. [SENT] She hold her head up high, maintaining a high level of confidence, but the Police Commissioner. [SENT] calls her bluff, by asking one of his men to enter the room and confront Roberta. [SENT] Her cards are up. [SENT] The Police Commissioner shows a videotape of Matthew in which he incriminates himself by boasting of what he has done. [SENT] | [female0] looks at [male0] with great disapproval , not understanding the rationale for his decision , . while [male0] is deeply determined to follow - through on his plan to uncover the men behind the crimes and corruption that he loathes . he replays over and over again a phone message in order to decipher the exact meaning and how this message plays into his cards/. in the meantime , [location] is faced by the police commissioner who is trying to get to the bottom of [location] 's allegations . she hold her head up high , maintaining a high level of confidence , but the police commissioner . calls her bluff , by asking one of his men to enter the room and confront [female1] . her cards are up . the police commissioner shows a videotape of [male1] in which he incriminates himself by boasting of what he has done . | train | tt0113243 | 3,410 |
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tt0758758_0009_8 | null | Emile | Hal | {} | {} | {} | {} | {} | {} | Hal was talking on the phone. | Hal wanted to know if there would be a boat which he could rent for his nephew Emile. | Hal managed to book a boat. | During the weekend Emile took the boat with him. | Emile got close to the river. | Prepared the boat. | Slowly Emile dragged the boat in the water. | After he was floating in the water Emile took a nap on the boat. | After having the break, Emile continued rowing. | null | ['tt0758758_0935_1', 'tt0758758_0936_0', 'tt0758758_0938_0', 'tt0758758_0939_0', 'tt0758758_0940_0', 'tt0758758_0941_0', 'tt0758758_0942_0', 'tt0758758_0943_0', 'tt0758758_0944_1', 'tt0758758_0945_1'] | Hal was talking on the phone. Hal wanted to know if there would be a boat which he could rent for his nephew Emile. Hal managed to book a boat. During the weekend Emile took the boat with him. Emile got close to the river. Prepared the boat. Slowly Emile dragged the boat in the water. After he was floating in the water Emile took a nap on the boat. After having the break, Emile continued rowing. Emile liked the perspective he got to see from the river while being on the boat. | Hal was talking on the phone. [SENT] Hal wanted to know if there would be a boat which he could rent for his nephew Emile. [SENT] Hal managed to book a boat. [SENT] During the weekend Emile took the boat with him. [SENT] Emile got close to the river. [SENT] Prepared the boat. [SENT] Slowly Emile dragged the boat in the water. [SENT] After he was floating in the water Emile took a nap on the boat. [SENT] After having the break, Emile continued rowing. [SENT] Emile liked the perspective he got to see from the river while being on the boat. [SENT] | [male0] was talking on the phone . [male0] wanted to know if there would be a boat which he could rent for his nephew [male1] . [male0] managed to book a boat . during the weekend [male1] took the boat with him . [male1] got close to the river . prepared the boat . slowly [male1] dragged the boat in the water . after he was floating in the water [male1] took a nap on the boat . after having the break , [male1] continued rowing . [male1] liked the perspective he got to see from the river while being on the boat . | train | tt0758758 | 3,411 |
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tt0067116_0012_5 | null | null | null | null | Marcel | Gene | {} | {} | {} | {} | {} | {} | A middle-aged man is walking through a moving subway car trying to reach the far end of the train. | He slips through the connecting doors as he moved through the moving train, holding his left hand close to his pocket, while opening the subway connecting doors with his right hand. | Gene is trying to follow the man in his 1970's American limousine, speeding along so as to be able to catch up with the man in the subway. | Gene recognizes that the subway on the elevated tracks is quite a way ahead of him, but he is determined to not let the man get away. | He speeds along underneath the elevated tracks, | intently watching traffic, but also not letting the subway train out of his watchful eye. Gene is tense, his determination to catch the man is palpable. | null | null | null | null | ['tt0067116_0722_0', 'tt0067116_0723_0', 'tt0067116_0724_0', 'tt0067116_0725_0', 'tt0067116_0726_0', 'tt0067116_0727_0'] | A middle-aged man is walking through a moving subway car trying to reach the far end of the train. He slips through the connecting doors as he moved through the moving train, holding his left hand close to his pocket, while opening the subway connecting doors with his right hand. Gene is trying to follow the man in his 1970's American limousine, speeding along so as to be able to catch up with the man in the subway. Gene recognizes that the subway on the elevated tracks is quite a way ahead of him, but he is determined to not let the man get away. He speeds along underneath the elevated tracks,. intently watching traffic, but also not letting the subway train out of his watchful eye. Gene is tense, his determination to catch the man is palpable. | A middle-aged man is walking through a moving subway car trying to reach the far end of the train. [SENT] He slips through the connecting doors as he moved through the moving train, holding his left hand close to his pocket, while opening the subway connecting doors with his right hand. [SENT] Gene is trying to follow the man in his 1970's American limousine, speeding along so as to be able to catch up with the man in the subway. [SENT] Gene recognizes that the subway on the elevated tracks is quite a way ahead of him, but he is determined to not let the man get away. [SENT] He speeds along underneath the elevated tracks,. [SENT] intently watching traffic, but also not letting the subway train out of his watchful eye. Gene is tense, his determination to catch the man is palpable. [SENT] | a middle - aged man is walking through a moving subway car trying to reach the far end of the train . he slips through the connecting doors as he moved through the moving train , holding his left hand close to his pocket , while opening the subway connecting doors with his right hand . [male0] is trying to follow the man in his 1970 's limousine , speeding along so as to be able to catch up with the man in the subway . [male0] recognizes that the subway on the elevated tracks is quite a way ahead of him , but he is determined to not let the man get away . he speeds along underneath the elevated tracks , . intently watching traffic , but also not letting the subway train out of his watchful eye . [male0] is tense , his determination to catch the man is palpable . | train | tt0067116 | 3,412 |
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tt0112573_0017_0 | null | null | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | The soldiers were waiting for instructions to go into battle. | They hadn't been told anything about the enemy. | They wondered how tough the enemy would be. | Their leader came out and told them that the only enemy today was the enemy inside of each of them. Their orders were to go home and do something that clears their mind. | The men ended up just standing there confused. | null | null | null | null | null | ['tt0112573_3041_0', 'tt0112573_3042_0', 'tt0112573_3043_0', 'tt0112573_3044_0', 'tt0112573_3045_0'] | The soldiers were waiting for instructions to go into battle. They hadn't been told anything about the enemy. They wondered how tough the enemy would be. Their leader came out and told them that the only enemy today was the enemy inside of each of them. Their orders were to go home and do something that clears their mind. The men ended up just standing there confused. | The soldiers were waiting for instructions to go into battle. [SENT] They hadn't been told anything about the enemy. [SENT] They wondered how tough the enemy would be. [SENT] Their leader came out and told them that the only enemy today was the enemy inside of each of them. Their orders were to go home and do something that clears their mind. [SENT] The men ended up just standing there confused. [SENT] | the soldiers were waiting for instructions to go into battle . they had n't been told anything about the enemy . they wondered how tough the enemy would be . their leader came out and told them that the only enemy today was the enemy inside of each of them . their orders were to go home and do something that clears their mind . the men ended up just standing there confused . | train | tt0112573 | 3,413 |
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tt0108330_0003_4 | null | null | null | Leonardo | Robert | Ellen | {} | {} | {} | {} | Leonardo comes home holding two envelopes in his hand. He has a pensive look intermingled with a slight whiff of disgust. | Robert is wondering why Leonardo immediately went to his room without saying anything to his mom and him, nor sharing breakfast with them. | Ellen stands there defending Leonardo in a slightly aggressive manner towards Robert. | Robert in turn is getting upset by his wife's rebuttal and turns back to his paper. | Ellen is trying to smooth over the situation by being conciliatory, trying to elicit from Robert a bit more understanding for their son. | In the meantime, Leonardo is opening the envelopes, which contain official documents and questionnaires from his High School. | He pours over the documents trying to make sense out of what is required for him to fill out in order to get what he strives for, | null | null | null | ['tt0108330_0869_0', 'tt0108330_0872_0', 'tt0108330_0873_0', 'tt0108330_0874_0', 'tt0108330_0875_0', 'tt0108330_0877_1', 'tt0108330_0878_1'] | Leonardo comes home holding two envelopes in his hand. He has a pensive look intermingled with a slight whiff of disgust. Robert is wondering why Leonardo immediately went to his room without saying anything to his mom and him, nor sharing breakfast with them. Ellen stands there defending Leonardo in a slightly aggressive manner towards Robert. Robert in turn is getting upset by his wife's rebuttal and turns back to his paper. Ellen is trying to smooth over the situation by being conciliatory, trying to elicit from Robert a bit more understanding for their son. In the meantime, Leonardo is opening the envelopes, which contain official documents and questionnaires from his High School. He pours over the documents trying to make sense out of what is required for him to fill out in order to get what he strives for,. | Leonardo comes home holding two envelopes in his hand. He has a pensive look intermingled with a slight whiff of disgust. [SENT] Robert is wondering why Leonardo immediately went to his room without saying anything to his mom and him, nor sharing breakfast with them. [SENT] Ellen stands there defending Leonardo in a slightly aggressive manner towards Robert. [SENT] Robert in turn is getting upset by his wife's rebuttal and turns back to his paper. [SENT] Ellen is trying to smooth over the situation by being conciliatory, trying to elicit from Robert a bit more understanding for their son. [SENT] In the meantime, Leonardo is opening the envelopes, which contain official documents and questionnaires from his High School. [SENT] He pours over the documents trying to make sense out of what is required for him to fill out in order to get what he strives for,. [SENT] | [male0] comes home holding two envelopes in his hand . he has a pensive look intermingled with a slight whiff of disgust . [male1] is wondering why [male0] immediately went to his room without saying anything to his mom and him , nor sharing breakfast with them . [female0] stands there defending [male0] in a slightly aggressive manner towards [male1] . [male1] in turn is getting upset by his wife 's rebuttal and turns back to his paper . [female0] is trying to smooth over the situation by being conciliatory , trying to elicit from [male1] a bit more understanding for their son . in the meantime , [male0] is opening the envelopes , which contain official documents and questionnaires from his high school . he pours over the documents trying to make sense out of what is required for him to fill out in order to get what he strives for , . | train | tt0108330 | 3,414 |
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tt0159365_0002_4 | null | null | null | null | null | Jude | Giovanni | Donald | Nicole | {} | {} | Jude sits in his community's small church during Sunday service, singing hymns as part of the service. He is looking straight ahead, concentrating on the task. | Toward the end of the church service, a man is turning to Giovanni, making a statement that Donald cannot help but overhear. | Jude feels compelled to respond to the statement as he feels aggrieved by it. | Nicole, who sits caddy-cornered from Jude, stares at him, as Jude turns and looks at the men behind him. | AS the church congregation leaves after the service has ended, Giovanni and Donald are still staying seated, pondering the meaning of the statement that was launched at Giovanni. | null | null | null | null | null | ['tt0159365_0407_0', 'tt0159365_0410_2', 'tt0159365_0411_0', 'tt0159365_0414_1', 'tt0159365_0415_1'] | Jude sits in his community's small church during Sunday service, singing hymns as part of the service. He is looking straight ahead, concentrating on the task. Toward the end of the church service, a man is turning to Giovanni, making a statement that Donald cannot help but overhear. Jude feels compelled to respond to the statement as he feels aggrieved by it. Nicole, who sits caddy-cornered from Jude, stares at him, as Jude turns and looks at the men behind him. AS the church congregation leaves after the service has ended, Giovanni and Donald are still staying seated, pondering the meaning of the statement that was launched at Giovanni. | Jude sits in his community's small church during Sunday service, singing hymns as part of the service. He is looking straight ahead, concentrating on the task. [SENT] Toward the end of the church service, a man is turning to Giovanni, making a statement that Donald cannot help but overhear. [SENT] Jude feels compelled to respond to the statement as he feels aggrieved by it. [SENT] Nicole, who sits caddy-cornered from Jude, stares at him, as Jude turns and looks at the men behind him. [SENT] AS the church congregation leaves after the service has ended, Giovanni and Donald are still staying seated, pondering the meaning of the statement that was launched at Giovanni. [SENT] | [male0] sits in his community 's small church during sunday service , singing hymns as part of the service . he is looking straight ahead , concentrating on the task . toward the end of the church service , a man is turning to [male1] , making a statement that [male2] can not help but overhear . [male0] feels compelled to respond to the statement as he feels aggrieved by it . [female0] , who sits caddy - cornered from [male0] , stares at him , as [male0] turns and looks at the men behind him . as the church congregation leaves after the service has ended , [male1] and [male2] are still staying seated , pondering the meaning of the statement that was launched at [male1] . | train | tt0159365 | 3,415 |
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tt0187393_0003_15 | null | null | null | null | null | Joely | Mel | {} | {} | {} | {} | {} | {} | A black man in a colonial outfit is looking in anguish at the situation in front of him. | He trails a horse-drawn wagon-cart with a man clad in a uniform riding next to the trail wagon. | Joely, a young, attractive, woman is watching the oncoming party from the second story porch of her elegant antebellum home. | The party comes along a long, stretched-out, tree-lined alley that represents the driveway to this magnificent plantation home. | The woman readies the home for the arrival of the party at her home and works with one of her housemaids to get ready. | null | null | null | null | null | ['tt0187393_0737_0', 'tt0187393_0738_2', 'tt0187393_0739_0', 'tt0187393_0740_2', 'tt0187393_0741_0'] | A black man in a colonial outfit is looking in anguish at the situation in front of him. He trails a horse-drawn wagon-cart with a man clad in a uniform riding next to the trail wagon. Joely, a young, attractive, woman is watching the oncoming party from the second story porch of her elegant antebellum home. The party comes along a long, stretched-out, tree-lined alley that represents the driveway to this magnificent plantation home. The woman readies the home for the arrival of the party at her home and works with one of her housemaids to get ready. | A black man in a colonial outfit is looking in anguish at the situation in front of him. [SENT] He trails a horse-drawn wagon-cart with a man clad in a uniform riding next to the trail wagon. [SENT] Joely, a young, attractive, woman is watching the oncoming party from the second story porch of her elegant antebellum home. [SENT] The party comes along a long, stretched-out, tree-lined alley that represents the driveway to this magnificent plantation home. [SENT] The woman readies the home for the arrival of the party at her home and works with one of her housemaids to get ready. [SENT] | a black man in a colonial outfit is looking in anguish at the situation in front of him . he trails a horse - drawn wagon - cart with a man clad in a uniform riding next to the trail wagon . [male0] , a young , attractive , woman is watching the oncoming party from the second story porch of her elegant antebellum home . the party comes along a long , stretched - out , tree - lined alley that represents the driveway to this magnificent plantation home . the woman readies the home for the arrival of the party at her home and works with one of her housemaids to get ready . | train | tt0187393 | 3,416 |
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tt0082089_0007_2 | null | null | William | Kathleen | Richard | {} | {} | {} | {} | William has given his car keys over to a valet as he checks into a hotel for the night. He collects his luggage from his convertible and proceeds to the check-in of the hotel. | In the meantime, Richard has been awoken by a bright light and noises emanating from outside of his home. | His alarm clock shows 2 a.m. as the time of the disturbance, | Being a fearful, yet resolute man, Richard has grabbed a snub-nosed gun as he expects that he may have to defend himself against an intruder, the nightmare of most people. | As Richard peeks down his straight staircase, the tension on his face speaks volumes. | He is slowly descending the steps so as to not creating a noise and possibly apprising any intruder that he is ready to shoot. | Richard steps to his front door but sees nothing immediately. he only sees the outlines of lights in front of his home. | Kathleen, who has woken up as well is standing at the balustrade of the staircase calling down to her husband in a show of fear. | null | null | ['tt0082089_0300_0', 'tt0082089_0306_0', 'tt0082089_0308_0', 'tt0082089_0314_2', 'tt0082089_0316_1', 'tt0082089_0318_1', 'tt0082089_0324_0', 'tt0082089_0328_0'] | William has given his car keys over to a valet as he checks into a hotel for the night. He collects his luggage from his convertible and proceeds to the check-in of the hotel. In the meantime, Richard has been awoken by a bright light and noises emanating from outside of his home. His alarm clock shows 2 a.m. as the time of the disturbance,. Being a fearful, yet resolute man, Richard has grabbed a snub-nosed gun as he expects that he may have to defend himself against an intruder, the nightmare of most people. As Richard peeks down his straight staircase, the tension on his face speaks volumes. He is slowly descending the steps so as to not creating a noise and possibly apprising any intruder that he is ready to shoot. Richard steps to his front door but sees nothing immediately. he only sees the outlines of lights in front of his home. Kathleen, who has woken up as well is standing at the balustrade of the staircase calling down to her husband in a show of fear. | William has given his car keys over to a valet as he checks into a hotel for the night. He collects his luggage from his convertible and proceeds to the check-in of the hotel. [SENT] In the meantime, Richard has been awoken by a bright light and noises emanating from outside of his home. [SENT] His alarm clock shows 2 a.m. as the time of the disturbance,. [SENT] Being a fearful, yet resolute man, Richard has grabbed a snub-nosed gun as he expects that he may have to defend himself against an intruder, the nightmare of most people. [SENT] As Richard peeks down his straight staircase, the tension on his face speaks volumes. [SENT] He is slowly descending the steps so as to not creating a noise and possibly apprising any intruder that he is ready to shoot. [SENT] Richard steps to his front door but sees nothing immediately. he only sees the outlines of lights in front of his home. [SENT] Kathleen, who has woken up as well is standing at the balustrade of the staircase calling down to her husband in a show of fear. [SENT] | [male0] has given his car keys over to a valet as he checks into a hotel for the night . he collects his luggage from his convertible and proceeds to the check - in of the hotel . in the meantime , [male1] has been awoken by a bright light and noises emanating from outside of his home . his alarm clock shows 2 a.m. as the time of the disturbance , . being a fearful , yet resolute man , [male1] has grabbed a snub - nosed gun as he expects that he may have to defend himself against an intruder , the nightmare of most people . as [male1] peeks down his straight staircase , the tension on his face speaks volumes . he is slowly descending the steps so as to not creating a noise and possibly apprising any intruder that he is ready to shoot . [male1] steps to his front door but sees nothing immediately . he only sees the outlines of lights in front of his home . [female0] , who has woken up as well is standing at the balustrade of the staircase calling down to her husband in a show of fear . | train | tt0082089 | 3,417 |
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tt0430357_0018_2 | null | null | null | null | Li | Colin | {} | {} | {} | {} | {} | {} | Li and Colin are dancing the night away on vacation. | The next day, the sound of the ocean breeze making waves near their hotel wakes them up. | Colin steps out onto the balcony to take in the beautiful atmosphere. | Li joins Colin. | They both marvel at the beauty of the beach. | Colin and Li then walk up the block to a diner where they have a nice brunch with mojitos. | null | null | null | null | ['tt0430357_0851_0', 'tt0430357_0871_1', 'tt0430357_0873_0', 'tt0430357_0875_0', 'tt0430357_0876_1', 'tt0430357_0882_0'] | Li and Colin are dancing the night away on vacation. The next day, the sound of the ocean breeze making waves near their hotel wakes them up. Colin steps out onto the balcony to take in the beautiful atmosphere. Li joins Colin. They both marvel at the beauty of the beach. Colin and Li then walk up the block to a diner where they have a nice brunch with mojitos. | Li and Colin are dancing the night away on vacation. [SENT] The next day, the sound of the ocean breeze making waves near their hotel wakes them up. [SENT] Colin steps out onto the balcony to take in the beautiful atmosphere. [SENT] Li joins Colin. [SENT] They both marvel at the beauty of the beach. [SENT] Colin and Li then walk up the block to a diner where they have a nice brunch with mojitos. [SENT] | li and [male0] are dancing the night away on vacation . the next day , the sound of the ocean breeze making waves near their hotel wakes them up . [male0] steps out onto the balcony to take in the beautiful atmosphere . li joins [male0] . they both marvel at the beauty of the beach . [male0] and li then walk up the block to a diner where they have a nice brunch with mojitos . | train | tt0430357 | 3,418 |
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tt0187393_0003_1 | null | null | null | Mel | {} | {} | {} | {} | {} | {} | {} | {} | Mel talks to a villager about a bear attack on the village. | The villagers tell Mel that it was very scary when a bear came to their village. | Mel tells the villagers that he will go and look for the bear. | Mel tells the young villagers that they need to be brave and he will definitely find the bear. | Two villagers run away from a barn. The bear has returned and the bear has set the barn on fire. | The young villager worries that the bear might attack her next. | Mel feels scared of the bear, so Mel decides to run away and hide in the woods. | null | null | null | ['tt0187393_0519_0', 'tt0187393_0520_0', 'tt0187393_0521_0', 'tt0187393_0522_0', 'tt0187393_0524_2', 'tt0187393_0526_0', 'tt0187393_0532_0'] | Mel talks to a villager about a bear attack on the village. The villagers tell Mel that it was very scary when a bear came to their village. Mel tells the villagers that he will go and look for the bear. Mel tells the young villagers that they need to be brave and he will definitely find the bear. Two villagers run away from a barn. The bear has returned and the bear has set the barn on fire. The young villager worries that the bear might attack her next. Mel feels scared of the bear, so Mel decides to run away and hide in the woods. | Mel talks to a villager about a bear attack on the village. [SENT] The villagers tell Mel that it was very scary when a bear came to their village. [SENT] Mel tells the villagers that he will go and look for the bear. [SENT] Mel tells the young villagers that they need to be brave and he will definitely find the bear. [SENT] Two villagers run away from a barn. The bear has returned and the bear has set the barn on fire. [SENT] The young villager worries that the bear might attack her next. [SENT] Mel feels scared of the bear, so Mel decides to run away and hide in the woods. [SENT] | [female0] talks to a villager about a bear attack on the village . the villagers tell [female0] that it was very scary when a bear came to their village . [female0] tells the villagers that he will go and look for the bear . [female0] tells the young villagers that they need to be brave and he will definitely find the bear . two villagers run away from a barn . the bear has returned and the bear has set the barn on fire . the young villager worries that the bear might attack her next . [female0] feels scared of the bear , so [female0] decides to run away and hide in the woods . | train | tt0187393 | 3,419 |
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tt1707386_0004_4 | null | null | null | null | null | Daniel | Aaron | Eddie | {} | {} | {} | {} | Daniel is the little brother of Aaron and Eddie, and he is gathering a group of small children to spread the words of his brothers. | His two brothers are revolutionists who are tired of the current monarchy system. | They take on the street to spread their message of a new political system. They want to start a revolution. | The townsfolk hears their argument, and they agree with them. The corruption of the king has gone on too long. They are all screaming out of anger and passion. | Aaron and Eddie call for the mob to march to the castle and demand answers from the king. | null | null | null | null | null | ['tt1707386_1124_0', 'tt1707386_1130_2', 'tt1707386_1131_0', 'tt1707386_1132_0', 'tt1707386_1134_0'] | Daniel is the little brother of Aaron and Eddie, and he is gathering a group of small children to spread the words of his brothers. His two brothers are revolutionists who are tired of the current monarchy system. They take on the street to spread their message of a new political system. They want to start a revolution. The townsfolk hears their argument, and they agree with them. The corruption of the king has gone on too long. They are all screaming out of anger and passion. Aaron and Eddie call for the mob to march to the castle and demand answers from the king. | Daniel is the little brother of Aaron and Eddie, and he is gathering a group of small children to spread the words of his brothers. [SENT] His two brothers are revolutionists who are tired of the current monarchy system. [SENT] They take on the street to spread their message of a new political system. They want to start a revolution. [SENT] The townsfolk hears their argument, and they agree with them. The corruption of the king has gone on too long. They are all screaming out of anger and passion. [SENT] Aaron and Eddie call for the mob to march to the castle and demand answers from the king. [SENT] | [male0] is the little brother of [male1] and [male2] , and he is gathering a group of small children to spread the words of his brothers . his two brothers are revolutionists who are tired of the current monarchy system . they take on the street to spread their message of a new political system . they want to start a revolution . the townsfolk hears their argument , and they agree with them . the corruption of the king has gone on too long . they are all screaming out of anger and passion . [male1] and [male2] call for the mob to march to the castle and demand answers from the king . | train | tt1707386 | 3,420 |
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tt1707386_0004_18 | null | null | null | null | null | Daniel | Eddie | {} | {} | {} | {} | {} | {} | Everyone was focused and sang with all their hearts, but no one was as focused and passionate about it as Eddie. | The chant stopped abruptly when Jean entered the room together with a child, and introduced him as Daniel, the new symbol of their rebellion. | Daniel wasn't shy for his age and in spite of his dirty appearance, he stood proudly in front of the gathering of men and introduced himself. | Almost everyone applauded, one of the few who didn't was Eddie, who didn't know about this child and didn't understand what a kid this young was doing here with us, and even less why he was the new symbol of their cause. | Charles, who had been silent until then and looking at the scene unfolding, took the chance to express himself on the matter too, since he also wasn't too convinced about this whole thing. | null | null | null | null | null | ['tt1707386_1354_2', 'tt1707386_1359_0', 'tt1707386_1361_0', 'tt1707386_1368_0', 'tt1707386_1369_0'] | Everyone was focused and sang with all their hearts, but no one was as focused and passionate about it as Eddie. The chant stopped abruptly when Jean entered the room together with a child, and introduced him as Daniel, the new symbol of their rebellion. Daniel wasn't shy for his age and in spite of his dirty appearance, he stood proudly in front of the gathering of men and introduced himself. Almost everyone applauded, one of the few who didn't was Eddie, who didn't know about this child and didn't understand what a kid this young was doing here with us, and even less why he was the new symbol of their cause. Charles, who had been silent until then and looking at the scene unfolding, took the chance to express himself on the matter too, since he also wasn't too convinced about this whole thing. | Everyone was focused and sang with all their hearts, but no one was as focused and passionate about it as Eddie. [SENT] The chant stopped abruptly when Jean entered the room together with a child, and introduced him as Daniel, the new symbol of their rebellion. [SENT] Daniel wasn't shy for his age and in spite of his dirty appearance, he stood proudly in front of the gathering of men and introduced himself. [SENT] Almost everyone applauded, one of the few who didn't was Eddie, who didn't know about this child and didn't understand what a kid this young was doing here with us, and even less why he was the new symbol of their cause. [SENT] Charles, who had been silent until then and looking at the scene unfolding, took the chance to express himself on the matter too, since he also wasn't too convinced about this whole thing. [SENT] | everyone was focused and sang with all their hearts , but no one was as focused and passionate about it as [male0] . the chant stopped abruptly when [male1] entered the room together with a child , and introduced him as [male2] , the new symbol of their rebellion . [male2] was n't shy for his age and in spite of his dirty appearance , he stood proudly in front of the gathering of men and introduced himself . almost everyone applauded , one of the few who did n't was [male0] , who did n't know about this child and did n't understand what a kid this young was doing here with us , and even less why he was the new symbol of their cause . [male3] , who had been silent until then and looking at the scene unfolding , took the chance to express himself on the matter too , since he also was n't too convinced about this whole thing . | train | tt1707386 | 3,421 |
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tt1045772_0001_1 | null | null | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | The man stepped up to the front door of a home, looking down at the welcome mat for a moment. | He was an officer on the hunt for a runaway murder suspect. He had tracked the person down to his childhood home. | After a sharp series of knocks on the door, and old lady opened it and peered curiously at him. She asked if she could help. | The officer explains his purpose for showing up, asking if she'd seen the man he was seeking. | She froze for a second, and a mixture of fear and alarm passed over her face. The officer was on to something. This must be the place! | null | null | null | null | null | ['tt1045772_0084_0', 'tt1045772_0085_0', 'tt1045772_0086_0', 'tt1045772_0087_0', 'tt1045772_0088_0'] | The man stepped up to the front door of a home, looking down at the welcome mat for a moment. He was an officer on the hunt for a runaway murder suspect. He had tracked the person down to his childhood home. After a sharp series of knocks on the door, and old lady opened it and peered curiously at him. She asked if she could help. The officer explains his purpose for showing up, asking if she'd seen the man he was seeking. She froze for a second, and a mixture of fear and alarm passed over her face. The officer was on to something. This must be the place! | The man stepped up to the front door of a home, looking down at the welcome mat for a moment. [SENT] He was an officer on the hunt for a runaway murder suspect. He had tracked the person down to his childhood home. [SENT] After a sharp series of knocks on the door, and old lady opened it and peered curiously at him. She asked if she could help. [SENT] The officer explains his purpose for showing up, asking if she'd seen the man he was seeking. [SENT] She froze for a second, and a mixture of fear and alarm passed over her face. The officer was on to something. This must be the place! [SENT] | the man stepped up to the front door of a home , looking down at the welcome mat for a moment . he was an officer on the hunt for a runaway murder suspect . he had tracked the person down to his childhood home . after a sharp series of knocks on the door , and old lady opened it and peered curiously at him . she asked if she could help . the officer explains his purpose for showing up , asking if she 'd seen the man he was seeking . she froze for a second , and a mixture of fear and alarm passed over her face . the officer was on to something . this must be the place ! | train | tt1045772 | 3,422 |
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tt1045772_0004_0 | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | The policeman came into the room and told Martin that he had a visitor waiting to speak to him. | Martin was shocked as he had no idea who would come to see him in jail, after most of his friends and family wanted nothing to do with him. | He hesitated a little but later agreed to go to meet with the visitor. | Upon entering the room Martin was shocked to see his childhood friend Nick who he had not seen for many years. | Shocked and speechless Martin feet felt heavy. | Nick told him that he has been following up his story in the news and he believes he is innocent and has come to help him prove his innocence. He told him he pursued law and is now a prominent lawyer and would be glad to help him in his case. | Martin was so grateful to his childhood friend. | null | null | null | ['tt1045772_0954_0', 'tt1045772_0955_0', 'tt1045772_0956_0', 'tt1045772_0959_0', 'tt1045772_0960_0', 'tt1045772_0961_0', 'tt1045772_0962_0'] | The policeman came into the room and told Martin that he had a visitor waiting to speak to him. Martin was shocked as he had no idea who would come to see him in jail, after most of his friends and family wanted nothing to do with him. He hesitated a little but later agreed to go to meet with the visitor. Upon entering the room Martin was shocked to see his childhood friend Nick who he had not seen for many years. Shocked and speechless Martin feet felt heavy. Nick told him that he has been following up his story in the news and he believes he is innocent and has come to help him prove his innocence. He told him he pursued law and is now a prominent lawyer and would be glad to help him in his case. Martin was so grateful to his childhood friend. | The policeman came into the room and told Martin that he had a visitor waiting to speak to him. [SENT] Martin was shocked as he had no idea who would come to see him in jail, after most of his friends and family wanted nothing to do with him. [SENT] He hesitated a little but later agreed to go to meet with the visitor. [SENT] Upon entering the room Martin was shocked to see his childhood friend Nick who he had not seen for many years. [SENT] Shocked and speechless Martin feet felt heavy. [SENT] Nick told him that he has been following up his story in the news and he believes he is innocent and has come to help him prove his innocence. He told him he pursued law and is now a prominent lawyer and would be glad to help him in his case. [SENT] Martin was so grateful to his childhood friend. [SENT] | the policeman came into the room and told [male0] that he had a visitor waiting to speak to him . [male0] was shocked as he had no idea who would come to see him in jail , after most of his friends and family wanted nothing to do with him . he hesitated a little but later agreed to go to meet with the visitor . upon entering the room [male0] was shocked to see his childhood friend [male1] who he had not seen for many years . shocked and speechless [male0] feet felt heavy . [male1] told him that he has been following up his story in the news and he believes he is innocent and has come to help him prove his innocence . he told him he pursued law and is now a prominent lawyer and would be glad to help him in his case . [male0] was so grateful to his childhood friend . | train | tt1045772 | 3,423 |
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tt0082971_0011_1 | null | null | null | Harrison | {} | {} | {} | {} | {} | {} | {} | {} | Harrison stands in the temple room affixing the stone to the top of the staff which will show him the way to the ark of the covenant. | He positions himself in such a way that the sunlight can hit the staff with the crystal top at the exact time and illuminate the top of the heavy stone container that contains the ark. | Harrison stands and waits with baited breath | as the eerie atmosphere is illuminated and the statues sitting in front of the covenant seem to come alive. | At the appointed time the sunlight enters the temple room through the roof opening at the exact right angle and a ray of light will open the ark's sarcophagus. | Harrison watches in awe as the sequence unfolds, feeling as if he fulfills a vital place in pre-biblical history. | The sarcophagus opens and reveals the image of the original temple with the sacred ark. | null | null | null | ['tt0082971_0611_0', 'tt0082971_0612_2', 'tt0082971_0615_1', 'tt0082971_0616_1', 'tt0082971_0617_0', 'tt0082971_0621_0', 'tt0082971_0622_1'] | Harrison stands in the temple room affixing the stone to the top of the staff which will show him the way to the ark of the covenant. He positions himself in such a way that the sunlight can hit the staff with the crystal top at the exact time and illuminate the top of the heavy stone container that contains the ark. Harrison stands and waits with baited breath. as the eerie atmosphere is illuminated and the statues sitting in front of the covenant seem to come alive. At the appointed time the sunlight enters the temple room through the roof opening at the exact right angle and a ray of light will open the ark's sarcophagus. Harrison watches in awe as the sequence unfolds, feeling as if he fulfills a vital place in pre-biblical history. The sarcophagus opens and reveals the image of the original temple with the sacred ark. | Harrison stands in the temple room affixing the stone to the top of the staff which will show him the way to the ark of the covenant. [SENT] He positions himself in such a way that the sunlight can hit the staff with the crystal top at the exact time and illuminate the top of the heavy stone container that contains the ark. [SENT] Harrison stands and waits with baited breath. [SENT] as the eerie atmosphere is illuminated and the statues sitting in front of the covenant seem to come alive. [SENT] At the appointed time the sunlight enters the temple room through the roof opening at the exact right angle and a ray of light will open the ark's sarcophagus. [SENT] Harrison watches in awe as the sequence unfolds, feeling as if he fulfills a vital place in pre-biblical history. [SENT] The sarcophagus opens and reveals the image of the original temple with the sacred ark. [SENT] | [male0] stands in the temple room affixing the stone to the top of the staff which will show him the way to the ark of the covenant . he positions himself in such a way that the sunlight can hit the staff with the crystal top at the exact time and illuminate the top of the heavy stone container that contains the ark . [male0] stands and waits with baited breath . as the eerie atmosphere is illuminated and the statues sitting in front of the covenant seem to come alive . at the appointed time the sunlight enters the temple room through the roof opening at the exact right angle and a ray of light will open the ark 's sarcophagus . [male0] watches in awe as the sequence unfolds , feeling as if he fulfills a vital place in pre - biblical history . the sarcophagus opens and reveals the image of the original temple with the sacred ark . | train | tt0082971 | 3,424 |
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tt0119822_0001_2 | null | null | null | null | null | Cuba | Jack | Greg | {} | {} | {} | {} | Cuba was outside his apartment being hassled by some mean gentlemen. | One told Cuba that his shirt was ugly and that he should never wear it again. | The man instantly felt bad for being so mean. | The other man realized he could not intimidate Cuba, so he went home. | He thought long and hard about how he would intimidate Cuba tomorrow. | null | null | null | null | null | ['tt0119822_0040_2', 'tt0119822_0041_0', 'tt0119822_0045_0', 'tt0119822_0048_1', 'tt0119822_0051_0'] | Cuba was outside his apartment being hassled by some mean gentlemen. One told Cuba that his shirt was ugly and that he should never wear it again. The man instantly felt bad for being so mean. The other man realized he could not intimidate Cuba, so he went home. He thought long and hard about how he would intimidate Cuba tomorrow. | Cuba was outside his apartment being hassled by some mean gentlemen. [SENT] One told Cuba that his shirt was ugly and that he should never wear it again. [SENT] The man instantly felt bad for being so mean. [SENT] The other man realized he could not intimidate Cuba, so he went home. [SENT] He thought long and hard about how he would intimidate Cuba tomorrow. [SENT] | [location] was outside his apartment being hassled by some mean gentlemen . one told [location] that his shirt was ugly and that he should never wear it again . the man instantly felt bad for being so mean . the other man realized he could not intimidate [location] , so he went home . he thought long and hard about how he would intimidate [location] tomorrow . | train | tt0119822 | 3,425 |
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tt0096320_0003_13 | null | null | null | null | null | Arnold | Chloe | Kelly | {} | {} | {} | {} | Arnold seems to have lost control over his car, somehow having his convertible go down the street on only two wheels, | balanced on one side, while the other side is high up in the air. | Freaked out beyond belief, Arnold is trying to gain control of the situation without causing a total turnover of his car, which would heavily damage his beautiful convertible. | As Arnold enter the parking lot of a shopping center, people watch the show on the wheels in amazement, but scatter just in case Arnold screws up his apparent stunt. | In the meantime, Chloe, a young, attractive, woman stands in a grocery store looking at baking mixes, attentively reading the label and preparation guide. | null | null | null | null | null | ['tt0096320_0347_0', 'tt0096320_0350_1', 'tt0096320_0351_1', 'tt0096320_0352_0', 'tt0096320_0354_2'] | Arnold seems to have lost control over his car, somehow having his convertible go down the street on only two wheels,. balanced on one side, while the other side is high up in the air. Freaked out beyond belief, Arnold is trying to gain control of the situation without causing a total turnover of his car, which would heavily damage his beautiful convertible. As Arnold enter the parking lot of a shopping center, people watch the show on the wheels in amazement, but scatter just in case Arnold screws up his apparent stunt. In the meantime, Chloe, a young, attractive, woman stands in a grocery store looking at baking mixes, attentively reading the label and preparation guide. | Arnold seems to have lost control over his car, somehow having his convertible go down the street on only two wheels,. [SENT] balanced on one side, while the other side is high up in the air. [SENT] Freaked out beyond belief, Arnold is trying to gain control of the situation without causing a total turnover of his car, which would heavily damage his beautiful convertible. [SENT] As Arnold enter the parking lot of a shopping center, people watch the show on the wheels in amazement, but scatter just in case Arnold screws up his apparent stunt. [SENT] In the meantime, Chloe, a young, attractive, woman stands in a grocery store looking at baking mixes, attentively reading the label and preparation guide. [SENT] | [male0] seems to have lost control over his car , somehow having his convertible go down the street on only two wheels , . balanced on one side , while the other side is high up in the air . freaked out beyond belief , [male0] is trying to gain control of the situation without causing a total turnover of his car , which would heavily damage his beautiful convertible . as [male0] enter the parking lot of a shopping center , people watch the show on the wheels in amazement , but scatter just in case [male0] screws up his apparent stunt . in the meantime , [female0] , a young , attractive , woman stands in a grocery store looking at baking mixes , attentively reading the label and preparation guide . | train | tt0096320 | 3,426 |
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tt0361748_0001_0 | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | She hung the sheets in the sunshine, listening to the birdsong of morning, the breeze ruffling her hair. She could hear the bang and crack of her husband splitting wood. | He swung the axe high and slammed it down on the logs, one at a time, each splitting expertly into pieces that would fit in their wood stove. He was in the rhythm of it, and it was satisfying work. | She was heading back into their farmhouse when she heard the squawking of a chicken, and turned to see her husband beheading it with the axe. It was going to be a good supper tonight, for a change. | He called out to his wife, asking her to fetch water from the well. | She ran to the well, knowing full well if she was not quick that he would punish her. | She filled the bucket at the well. | He looked down at the headless chicken and pondered the situation. Living in this remote outpost was hard, he wondered if and when life would get easier. | She ran back to him, water sloshing out of the pan, her bare feet padding against the cool dewy grass. | null | null | ['tt0361748_0004_0', 'tt0361748_0005_0', 'tt0361748_0008_1', 'tt0361748_0009_0', 'tt0361748_0011_2', 'tt0361748_0012_0', 'tt0361748_0013_0', 'tt0361748_0016_0'] | She hung the sheets in the sunshine, listening to the birdsong of morning, the breeze ruffling her hair. She could hear the bang and crack of her husband splitting wood. He swung the axe high and slammed it down on the logs, one at a time, each splitting expertly into pieces that would fit in their wood stove. He was in the rhythm of it, and it was satisfying work. She was heading back into their farmhouse when she heard the squawking of a chicken, and turned to see her husband beheading it with the axe. It was going to be a good supper tonight, for a change. He called out to his wife, asking her to fetch water from the well. She ran to the well, knowing full well if she was not quick that he would punish her. She filled the bucket at the well. He looked down at the headless chicken and pondered the situation. Living in this remote outpost was hard, he wondered if and when life would get easier. She ran back to him, water sloshing out of the pan, her bare feet padding against the cool dewy grass. | She hung the sheets in the sunshine, listening to the birdsong of morning, the breeze ruffling her hair. She could hear the bang and crack of her husband splitting wood. [SENT] He swung the axe high and slammed it down on the logs, one at a time, each splitting expertly into pieces that would fit in their wood stove. He was in the rhythm of it, and it was satisfying work. [SENT] She was heading back into their farmhouse when she heard the squawking of a chicken, and turned to see her husband beheading it with the axe. It was going to be a good supper tonight, for a change. [SENT] He called out to his wife, asking her to fetch water from the well. [SENT] She ran to the well, knowing full well if she was not quick that he would punish her. [SENT] She filled the bucket at the well. [SENT] He looked down at the headless chicken and pondered the situation. Living in this remote outpost was hard, he wondered if and when life would get easier. [SENT] She ran back to him, water sloshing out of the pan, her bare feet padding against the cool dewy grass. [SENT] | she hung the sheets in the sunshine , listening to the birdsong of morning , the breeze ruffling her hair . she could hear the bang and crack of her husband splitting wood . he swung the axe high and slammed it down on the logs , one at a time , each splitting expertly into pieces that would fit in their wood stove . he was in the rhythm of it , and it was satisfying work . she was heading back into their farmhouse when she heard the squawking of a chicken , and turned to see her husband beheading it with the axe . it was going to be a good supper tonight , for a change . he called out to his wife , asking her to fetch water from the well . she ran to the well , knowing full well if she was not quick that he would punish her . she filled the bucket at the well . he looked down at the headless chicken and pondered the situation . living in this remote outpost was hard , he wondered if and when life would get easier . she ran back to him , water sloshing out of the pan , her bare feet padding against the cool dewy grass . | train | tt0361748 | 3,427 |
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tt0947798_0026_0 | null | null | null | null | Natalie | {} | {} | {} | {} | {} | {} | {} | {} | Natalie is having anxiety before her big ballet performance. | Her anxiety often manifests itself in the form of upset stomach. She feels like she may be sick. | The audience is eagerly awaiting Natalie's performance. The pressure is on. | Natalie overcomes her stresses and is ready. | She nails it and puts on a great show. | The other dancers are in awe of her performance. | null | null | null | null | ['tt0947798_1342_2', 'tt0947798_1349_0', 'tt0947798_1358_2', 'tt0947798_1359_2', 'tt0947798_1366_0', 'tt0947798_1372_2'] | Natalie is having anxiety before her big ballet performance. Her anxiety often manifests itself in the form of upset stomach. She feels like she may be sick. The audience is eagerly awaiting Natalie's performance. The pressure is on. Natalie overcomes her stresses and is ready. She nails it and puts on a great show. The other dancers are in awe of her performance. | Natalie is having anxiety before her big ballet performance. [SENT] Her anxiety often manifests itself in the form of upset stomach. She feels like she may be sick. [SENT] The audience is eagerly awaiting Natalie's performance. The pressure is on. [SENT] Natalie overcomes her stresses and is ready. [SENT] She nails it and puts on a great show. [SENT] The other dancers are in awe of her performance. [SENT] | [female0] is having anxiety before her big ballet performance . her anxiety often manifests itself in the form of upset stomach . she feels like she may be sick . the audience is eagerly awaiting [female0] 's performance . the pressure is on . [female0] overcomes her stresses and is ready . she nails it and puts on a great show . the other dancers are in awe of her performance . | train | tt0947798 | 3,428 |
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tt0108399_0007_12 | null | null | null | Michael | Patricia | Christian | {} | {} | {} | {} | Michael trips as he runs down a corridor. | Patricia is desperate as she looks at Christian who has been shot in the face. | She tries to stop the bleeding with her blue cardigan. | Patricia cries as Christian doesn't responder to her pleas. | Michael is sitting against the couch with a shotgun in his hands, surrounded by feathers. | The police have their guns up at Michael. | Michael hides behind the couch and doesn't leave, as the police continues to have their guns pointed at him. | null | null | null | ['tt0108399_1861_1', 'tt0108399_1862_0', 'tt0108399_1863_0', 'tt0108399_1864_1', 'tt0108399_1866_0', 'tt0108399_1868_0', 'tt0108399_1869_1'] | Michael trips as he runs down a corridor. Patricia is desperate as she looks at Christian who has been shot in the face. She tries to stop the bleeding with her blue cardigan. Patricia cries as Christian doesn't responder to her pleas. Michael is sitting against the couch with a shotgun in his hands, surrounded by feathers. The police have their guns up at Michael. Michael hides behind the couch and doesn't leave, as the police continues to have their guns pointed at him. | Michael trips as he runs down a corridor. [SENT] Patricia is desperate as she looks at Christian who has been shot in the face. [SENT] She tries to stop the bleeding with her blue cardigan. [SENT] Patricia cries as Christian doesn't responder to her pleas. [SENT] Michael is sitting against the couch with a shotgun in his hands, surrounded by feathers. [SENT] The police have their guns up at Michael. [SENT] Michael hides behind the couch and doesn't leave, as the police continues to have their guns pointed at him. [SENT] | [male0] trips as he runs down a corridor . [female0] is desperate as she looks at who has been shot in the face . she tries to stop the bleeding with her blue cardigan . [female0] cries as [male1] does n't responder to her pleas . [male0] is sitting against the couch with a shotgun in his hands , surrounded by feathers . the police have their guns up at [male0] . [male0] hides behind the couch and does n't leave , as the police continues to have their guns pointed at him . | train | tt0108399 | 3,429 |
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tt0122690_0001_8 | null | null | null | null | Robert | Sean | Skipp | Jean | {} | {} | Robert is watching | as Sean is meeting with one of the top members of the group that Robert's people are trying to eliminate. | The man is full of confidence, trying to play mind-games with Sean, inferring his superiority and superior knowledge and mastery of the situation. | Robert continues to hover in the background, watching the meeting between Sean and the member of the group of adversaries. | In the meantime, Skipp is sitting in his car; also watching the scene in a state of tension. | The leader of the adversary group is showing Sean the load he has stowed away in his Volvo station wagon. He asks Sean to step up and inspect the goods. | null | null | null | null | ['tt0122690_0270_0', 'tt0122690_0271_1', 'tt0122690_0272_0', 'tt0122690_0274_0', 'tt0122690_0275_2', 'tt0122690_0276_0'] | Robert is watching. as Sean is meeting with one of the top members of the group that Robert's people are trying to eliminate. The man is full of confidence, trying to play mind-games with Sean, inferring his superiority and superior knowledge and mastery of the situation. Robert continues to hover in the background, watching the meeting between Sean and the member of the group of adversaries. In the meantime, Skipp is sitting in his car; also watching the scene in a state of tension. The leader of the adversary group is showing Sean the load he has stowed away in his Volvo station wagon. He asks Sean to step up and inspect the goods. | Robert is watching. [SENT] as Sean is meeting with one of the top members of the group that Robert's people are trying to eliminate. [SENT] The man is full of confidence, trying to play mind-games with Sean, inferring his superiority and superior knowledge and mastery of the situation. [SENT] Robert continues to hover in the background, watching the meeting between Sean and the member of the group of adversaries. [SENT] In the meantime, Skipp is sitting in his car; also watching the scene in a state of tension. [SENT] The leader of the adversary group is showing Sean the load he has stowed away in his Volvo station wagon. He asks Sean to step up and inspect the goods. [SENT] | [male0] is watching . as [male1] is meeting with one of the top members of the group that [male0] 's people are trying to eliminate . the man is full of confidence , trying to play mind - games with [male1] , inferring his superiority and superior knowledge and mastery of the situation . [male0] continues to hover in the background , watching the meeting between [male1] and the member of the group of adversaries . in the meantime , [male2] is sitting in his car ; also watching the scene in a state of tension . the leader of the adversary group is showing [male1] the load he has stowed away in his station wagon . he asks [male1] to step up and inspect the goods . | train | tt0122690 | 3,430 |
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tt0119822_0001_0 | null | null | null | null | null | Jack | Greg | {} | {} | {} | {} | {} | {} | jack was walking to his new apartment, but he forgot where it was. | He was trying to figure out what the apartment number was. He couldn't remember. | He saw a little dog and asked the dog if he knew where his apartment was. | The dog stood there confused. | After a long while, the dog realized the man was dangerous and crazy so it turned around and left. | null | null | null | null | null | ['tt0119822_0003_0', 'tt0119822_0004_0', 'tt0119822_0005_0', 'tt0119822_0006_0', 'tt0119822_0008_0'] | jack was walking to his new apartment, but he forgot where it was. He was trying to figure out what the apartment number was. He couldn't remember. He saw a little dog and asked the dog if he knew where his apartment was. The dog stood there confused. After a long while, the dog realized the man was dangerous and crazy so it turned around and left. | jack was walking to his new apartment, but he forgot where it was. [SENT] He was trying to figure out what the apartment number was. He couldn't remember. [SENT] He saw a little dog and asked the dog if he knew where his apartment was. [SENT] The dog stood there confused. [SENT] After a long while, the dog realized the man was dangerous and crazy so it turned around and left. [SENT] | jack was walking to his new apartment , but he forgot where it was . he was trying to figure out what the apartment number was . he could n't remember . he saw a little dog and asked the dog if he knew where his apartment was . the dog stood there confused . after a long while , the dog realized the man was dangerous and crazy so it turned around and left . | train | tt0119822 | 3,431 |
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tt0187393_0003_7 | null | null | null | null | Heath | Mel | {} | {} | {} | {} | {} | {} | One of Mel's boys engaged the English soldiers by firing on them. | The response does not wait long as the well-trained English soldier reply almost immediately to the attack by launching their own volley of shots at the aggressor, | With several soldiers mortally wounded and dead on the footpath behind their wagon, the English troops are reorganizing, while Heath is struggling to get free from being bound to the back of the wagon. | One of the English soldiers has spotted Mel and trains his weapon on him | with another soldier doing the exact same thing | as Mel climbs a tree to evade the fire and get a better position form which to attack the soldiers. | null | null | null | null | ['tt0187393_0609_1', 'tt0187393_0610_2', 'tt0187393_0612_0', 'tt0187393_0613_0', 'tt0187393_0615_0', 'tt0187393_0616_2'] | One of Mel's boys engaged the English soldiers by firing on them. The response does not wait long as the well-trained English soldier reply almost immediately to the attack by launching their own volley of shots at the aggressor,. With several soldiers mortally wounded and dead on the footpath behind their wagon, the English troops are reorganizing, while Heath is struggling to get free from being bound to the back of the wagon. One of the English soldiers has spotted Mel and trains his weapon on him. with another soldier doing the exact same thing. as Mel climbs a tree to evade the fire and get a better position form which to attack the soldiers. | One of Mel's boys engaged the English soldiers by firing on them. [SENT] The response does not wait long as the well-trained English soldier reply almost immediately to the attack by launching their own volley of shots at the aggressor,. [SENT] With several soldiers mortally wounded and dead on the footpath behind their wagon, the English troops are reorganizing, while Heath is struggling to get free from being bound to the back of the wagon. [SENT] One of the English soldiers has spotted Mel and trains his weapon on him. [SENT] with another soldier doing the exact same thing. [SENT] as Mel climbs a tree to evade the fire and get a better position form which to attack the soldiers. [SENT] | one of [female0] 's boys engaged the soldiers by firing on them . the response does not wait long as the well - trained soldier reply almost immediately to the attack by launching their own volley of shots at the aggressor , . with several soldiers mortally wounded and dead on the footpath behind their wagon , the troops are reorganizing , while [male0] is struggling to get free from being bound to the back of the wagon . one of the soldiers has spotted [female0] and trains his weapon on him . with another soldier doing the exact same thing . as [female0] climbs a tree to evade the fire and get a better position form which to attack the soldiers . | train | tt0187393 | 3,432 |
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tt0187393_0003_8 | null | null | null | null | null | Mel | {} | {} | {} | {} | {} | {} | {} | {} | Mel quickly appears from behind a tree to take a shot at the British soldiers. | One soldier takes aim toward the tree Mel has been using as a shield as the British soldier on the right says "Open fire". | Smoke from the guns begins to cloud the area and visibility drops significantly. | Mel manages to be on target with one shot and a British red coat soldier tumbles to the ground. | With his back to the tree, Mel peers over to his left to see how his fellow freedom fighters are doing. | null | null | null | null | null | ['tt0187393_0625_0', 'tt0187393_0626_0', 'tt0187393_0628_2', 'tt0187393_0629_2', 'tt0187393_0630_0'] | Mel quickly appears from behind a tree to take a shot at the British soldiers. One soldier takes aim toward the tree Mel has been using as a shield as the British soldier on the right says "Open fire". Smoke from the guns begins to cloud the area and visibility drops significantly. Mel manages to be on target with one shot and a British red coat soldier tumbles to the ground. With his back to the tree, Mel peers over to his left to see how his fellow freedom fighters are doing. | Mel quickly appears from behind a tree to take a shot at the British soldiers. [SENT] One soldier takes aim toward the tree Mel has been using as a shield as the British soldier on the right says "Open fire". [SENT] Smoke from the guns begins to cloud the area and visibility drops significantly. [SENT] Mel manages to be on target with one shot and a British red coat soldier tumbles to the ground. [SENT] With his back to the tree, Mel peers over to his left to see how his fellow freedom fighters are doing. [SENT] | [female0] quickly appears from behind a tree to take a shot at the soldiers . one soldier takes aim toward the tree [female0] has been using as a shield as the soldier on the right says " fire " . smoke from the guns begins to cloud the area and visibility drops significantly . [female0] manages to be on target with one shot and a red coat soldier tumbles to the ground . with his back to the tree , [female0] peers over to his left to see how his fellow freedom fighters are doing . | train | tt0187393 | 3,433 |
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tt0993846_0021_0 | null | null | null | null | null | Jon | Jonah | {} | {} | {} | {} | {} | {} | Jon was relaxing and having a smoke. | His friend Jonah came to meet him. | Jonah got out of the car nervous because he owed Jon five hundred dollars. | Jon felt bad that Jonah was so nervous about the money. He didn't want it to change the friendship, so he told Jonah that he didn't have to pay anything back. | Jonah was happy about Jon's change of heart. | null | null | null | null | null | ['tt0993846_1610_2', 'tt0993846_1612_2', 'tt0993846_1614_1', 'tt0993846_1619_1', 'tt0993846_1620_0'] | Jon was relaxing and having a smoke. His friend Jonah came to meet him. Jonah got out of the car nervous because he owed Jon five hundred dollars. Jon felt bad that Jonah was so nervous about the money. He didn't want it to change the friendship, so he told Jonah that he didn't have to pay anything back. Jonah was happy about Jon's change of heart. | Jon was relaxing and having a smoke. [SENT] His friend Jonah came to meet him. [SENT] Jonah got out of the car nervous because he owed Jon five hundred dollars. [SENT] Jon felt bad that Jonah was so nervous about the money. He didn't want it to change the friendship, so he told Jonah that he didn't have to pay anything back. [SENT] Jonah was happy about Jon's change of heart. [SENT] | [male0] was relaxing and having a smoke . his friend [male1] came to meet him . [male1] got out of the car nervous because he owed [male0] five hundred dollars . [male0] felt bad that [male1] was so nervous about the money . he did n't want it to change the friendship , so he told [male1] that he did n't have to pay anything back . [male1] was happy about [male0] 's change of heart . | train | tt0993846 | 3,434 |
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tt0117060_0003_1 | null | Henry | Tom | Ingeborga | {} | {} | {} | {} | Henry and Tom are meeting in an upscale restaurant, discussing their significant impasse, | Tom realizes that his time is up if he does not seize control of the situation and gets away as fast as he can to save his life and fight another day. | Henry seems very assured that he holds the cards, not only in this conversation, but for the entirety of the game being played, | and he is trying to demonstrate his belief on his superiority to Tom though his demeanor. | Tom's mind meanwhile is racing, realizing all the connecting dots, which even further compels him to act immediately to stave off the threat to him and the entire network of agents he works with. | Tom realizes that he is being watched by other restaurant patrons, and thinks of | Ingeborga who helped him identify the last target during an embassy reception. | Henry does not notice that Tm has formulated an egress plan | by preparing a small bit of plastic explosive hidden as a strip chewing gum for action that will assist him in getting away. | null | ['tt0117060_0394_0', 'tt0117060_0395_0', 'tt0117060_0399_0', 'tt0117060_0407_1', 'tt0117060_0412_0', 'tt0117060_0415_0', 'tt0117060_0418_1', 'tt0117060_0419_2', 'tt0117060_0450_2'] | Henry and Tom are meeting in an upscale restaurant, discussing their significant impasse,. Tom realizes that his time is up if he does not seize control of the situation and gets away as fast as he can to save his life and fight another day. Henry seems very assured that he holds the cards, not only in this conversation, but for the entirety of the game being played,. and he is trying to demonstrate his belief on his superiority to Tom though his demeanor. Tom's mind meanwhile is racing, realizing all the connecting dots, which even further compels him to act immediately to stave off the threat to him and the entire network of agents he works with. Tom realizes that he is being watched by other restaurant patrons, and thinks of. Ingeborga who helped him identify the last target during an embassy reception. Henry does not notice that Tm has formulated an egress plan. by preparing a small bit of plastic explosive hidden as a strip chewing gum for action that will assist him in getting away. | Henry and Tom are meeting in an upscale restaurant, discussing their significant impasse,. [SENT] Tom realizes that his time is up if he does not seize control of the situation and gets away as fast as he can to save his life and fight another day. [SENT] Henry seems very assured that he holds the cards, not only in this conversation, but for the entirety of the game being played,. [SENT] and he is trying to demonstrate his belief on his superiority to Tom though his demeanor. [SENT] Tom's mind meanwhile is racing, realizing all the connecting dots, which even further compels him to act immediately to stave off the threat to him and the entire network of agents he works with. [SENT] Tom realizes that he is being watched by other restaurant patrons, and thinks of. [SENT] Ingeborga who helped him identify the last target during an embassy reception. [SENT] Henry does not notice that Tm has formulated an egress plan. [SENT] by preparing a small bit of plastic explosive hidden as a strip chewing gum for action that will assist him in getting away. [SENT] | [male0] and [male1] are meeting in an upscale restaurant , discussing their significant impasse , . [male1] realizes that his time is up if he does not seize control of the situation and gets away as fast as he can to save his life and fight another day . [male0] seems very assured that he holds the cards , not only in this conversation , but for the entirety of the game being played , . and he is trying to demonstrate his belief on his superiority to [male1] though his demeanor . [male1] 's mind meanwhile is racing , realizing all the connecting dots , which even further compels him to act immediately to stave off the threat to him and the entire network of agents he works with . [male1] realizes that he is being watched by other restaurant patrons , and thinks of . [female0] who helped him identify the last target during an embassy reception . [male0] does not notice that has formulated an egress plan . by preparing a small bit of plastic explosive hidden as a strip chewing gum for action that will assist him in getting away . | train | tt0117060 | 3,435 |
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tt1186367_0009_5 | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | A man helps a woman who has been held hostage by a group of criminals escape from her fate. | In the process, the man and his military detachment engage the criminals in a major firefight with heavy military guns. | The military detachment storms the main headquarters of the armed group of criminals trying to eliminate their threat once and for all. | The action is fast and furious, as the military detachment creates multiple attack points throughout the building, trying to engage the criminal group at several points in order to weaken them decisively. | The situation is fast and fluid as the military group is bringing heavy firepower to bear onto the main stronghold of the group of criminals. | Having been able to break through the last stronghold gate, the military group is exerting maximum pressure and by utilizing | flash grenades, exposes and eliminates one group of criminals. | null | null | null | ['tt1186367_1717_0', 'tt1186367_1718_0', 'tt1186367_1719_0', 'tt1186367_1720_0', 'tt1186367_1722_0', 'tt1186367_1723_0', 'tt1186367_1724_0'] | A man helps a woman who has been held hostage by a group of criminals escape from her fate. In the process, the man and his military detachment engage the criminals in a major firefight with heavy military guns. The military detachment storms the main headquarters of the armed group of criminals trying to eliminate their threat once and for all. The action is fast and furious, as the military detachment creates multiple attack points throughout the building, trying to engage the criminal group at several points in order to weaken them decisively. The situation is fast and fluid as the military group is bringing heavy firepower to bear onto the main stronghold of the group of criminals. Having been able to break through the last stronghold gate, the military group is exerting maximum pressure and by utilizing. flash grenades, exposes and eliminates one group of criminals. | A man helps a woman who has been held hostage by a group of criminals escape from her fate. [SENT] In the process, the man and his military detachment engage the criminals in a major firefight with heavy military guns. [SENT] The military detachment storms the main headquarters of the armed group of criminals trying to eliminate their threat once and for all. [SENT] The action is fast and furious, as the military detachment creates multiple attack points throughout the building, trying to engage the criminal group at several points in order to weaken them decisively. [SENT] The situation is fast and fluid as the military group is bringing heavy firepower to bear onto the main stronghold of the group of criminals. [SENT] Having been able to break through the last stronghold gate, the military group is exerting maximum pressure and by utilizing. [SENT] flash grenades, exposes and eliminates one group of criminals. [SENT] | a man helps a woman who has been held hostage by a group of criminals escape from her fate . in the process , the man and his military detachment engage the criminals in a major firefight with heavy military guns . the military detachment storms the main headquarters of the armed group of criminals trying to eliminate their threat once and for all . the action is fast and furious , as the military detachment creates multiple attack points throughout the building , trying to engage the criminal group at several points in order to weaken them decisively . the situation is fast and fluid as the military group is bringing heavy firepower to bear onto the main stronghold of the group of criminals . having been able to break through the last stronghold gate , the military group is exerting maximum pressure and by utilizing . flash grenades , exposes and eliminates one group of criminals . | train | tt1186367 | 3,436 |
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tt0467200_0002_2 | null | null | null | null | Mark | Kristin | Scarlett | David | {} | {} | Mark is deeply upset and | challenges Kristin, as he is seriously displeased with her inability to muster the King's attention at court. | In the meantime, Scarlett has been ill with the fever and is trying to get better | being attended by a physician and a nurse, | David and Mark confer with the doctor about the status of Scarlett | and the physician lets them both know that Scarlett's situation is grave, | null | null | null | null | ['tt0467200_0593_0', 'tt0467200_0596_0', 'tt0467200_0600_0', 'tt0467200_0602_1', 'tt0467200_0605_0', 'tt0467200_0606_0'] | Mark is deeply upset and. challenges Kristin, as he is seriously displeased with her inability to muster the King's attention at court. In the meantime, Scarlett has been ill with the fever and is trying to get better. being attended by a physician and a nurse,. David and Mark confer with the doctor about the status of Scarlett. and the physician lets them both know that Scarlett's situation is grave,. | Mark is deeply upset and. [SENT] challenges Kristin, as he is seriously displeased with her inability to muster the King's attention at court. [SENT] In the meantime, Scarlett has been ill with the fever and is trying to get better. [SENT] being attended by a physician and a nurse,. [SENT] David and Mark confer with the doctor about the status of Scarlett. [SENT] and the physician lets them both know that Scarlett's situation is grave,. [SENT] | [male0] is deeply upset and . challenges [female0] , as he is seriously displeased with her inability to muster the king 's attention at court . in the meantime , [female1] has been ill with the fever and is trying to get better . being attended by a physician and a nurse , . [male1] and [male0] confer with the doctor about the status of [female1] . and the physician lets them both know that [female1] 's situation is grave , . | train | tt0467200 | 3,437 |
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tt0096320_0003_5 | null | null | null | null | Danny | {} | {} | {} | {} | {} | {} | {} | {} | Danny has been a very lonely person growing up with no one to love and no one that loves him. | It was not until he met Greta that he truly felt happy and loved by another person. | Both Greta and Danny have fun spoiling each other with gifts and love. | It was all fine until Greta admits that she loves someone else and leaves Danny. | Danny runs after Greta, but he is stopped. | It is Greta's new boyfriend that stops Danny and tells him to never go near Greta ever again. | null | null | null | null | ['tt0096320_0218_0', 'tt0096320_0220_2', 'tt0096320_0221_0', 'tt0096320_0225_1', 'tt0096320_0229_0', 'tt0096320_0231_0'] | Danny has been a very lonely person growing up with no one to love and no one that loves him. It was not until he met Greta that he truly felt happy and loved by another person. Both Greta and Danny have fun spoiling each other with gifts and love. It was all fine until Greta admits that she loves someone else and leaves Danny. Danny runs after Greta, but he is stopped. It is Greta's new boyfriend that stops Danny and tells him to never go near Greta ever again. | Danny has been a very lonely person growing up with no one to love and no one that loves him. [SENT] It was not until he met Greta that he truly felt happy and loved by another person. [SENT] Both Greta and Danny have fun spoiling each other with gifts and love. [SENT] It was all fine until Greta admits that she loves someone else and leaves Danny. [SENT] Danny runs after Greta, but he is stopped. [SENT] It is Greta's new boyfriend that stops Danny and tells him to never go near Greta ever again. [SENT] | [male0] has been a very lonely person growing up with no one to love and no one that loves him . it was not until he met [female0] that he truly felt happy and loved by another person . both [female0] and [male0] have fun spoiling each other with gifts and love . it was all fine until [female0] admits that she loves someone else and leaves [male0] . [male0] runs after [female0] , but he is stopped . it is [female0] 's new boyfriend that stops [male0] and tells him to never go near [female0] ever again . | train | tt0096320 | 3,438 |
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tt0108399_0007_4 | null | null | null | null | null | Christian | Bronson | Patricia | {} | {} | {} | {} | Christian appears to explain his situation to a man who is part of a large group that is after something Christian possesses. | Bronson stands in a room at the same hotel pondering the next action he should take in order to move the goalposts closer to a favorable outcome for him. | Christian lays out his best plan to resolve the impasse between him and he group's leader | while Bronson is observing the animated conversation that Christian is having. | In the meantime, the entire actions and conversations are recorded by an investigativ team that is hiding in the background. This team is attempting to apprehend the group represented by the male that Christian is negotiating with. | null | null | null | null | null | ['tt0108399_1700_0', 'tt0108399_1701_0', 'tt0108399_1704_1', 'tt0108399_1705_0', 'tt0108399_1708_0'] | Christian appears to explain his situation to a man who is part of a large group that is after something Christian possesses. Bronson stands in a room at the same hotel pondering the next action he should take in order to move the goalposts closer to a favorable outcome for him. Christian lays out his best plan to resolve the impasse between him and he group's leader. while Bronson is observing the animated conversation that Christian is having. In the meantime, the entire actions and conversations are recorded by an investigativ team that is hiding in the background. This team is attempting to apprehend the group represented by the male that Christian is negotiating with. | Christian appears to explain his situation to a man who is part of a large group that is after something Christian possesses. [SENT] Bronson stands in a room at the same hotel pondering the next action he should take in order to move the goalposts closer to a favorable outcome for him. [SENT] Christian lays out his best plan to resolve the impasse between him and he group's leader. [SENT] while Bronson is observing the animated conversation that Christian is having. [SENT] In the meantime, the entire actions and conversations are recorded by an investigativ team that is hiding in the background. This team is attempting to apprehend the group represented by the male that Christian is negotiating with. [SENT] | appears to explain his situation to a man who is part of a large group that is after something possesses . [male0] stands in a room at the same hotel pondering the next action he should take in order to move the goalposts closer to a favorable outcome for him . [male1] lays out his best plan to resolve the impasse between him and he group 's leader . while [male0] is observing the animated conversation that is having . in the meantime , the entire actions and conversations are recorded by an investigativ team that is hiding in the background . this team is attempting to apprehend the group represented by the male that is negotiating with . | train | tt0108399 | 3,439 |
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tt1340800_0009_1 | null | null | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | Two men were at home talking. | One of the men, Tim, was tired of the dull conversation. | Tim looked at the other man and said that he was the most boring person on the planet. | He would rather do anything than continue talking. | He started crying because of all of the things he could be doing right now. | null | null | null | null | null | ['tt1340800_0715_0', 'tt1340800_0717_0', 'tt1340800_0719_0', 'tt1340800_0721_0', 'tt1340800_0729_0'] | Two men were at home talking. One of the men, Tim, was tired of the dull conversation. Tim looked at the other man and said that he was the most boring person on the planet. He would rather do anything than continue talking. He started crying because of all of the things he could be doing right now. | Two men were at home talking. [SENT] One of the men, Tim, was tired of the dull conversation. [SENT] Tim looked at the other man and said that he was the most boring person on the planet. [SENT] He would rather do anything than continue talking. [SENT] He started crying because of all of the things he could be doing right now. [SENT] | two men were at home talking . one of the men , [male0] , was tired of the dull conversation . [male0] looked at the other man and said that he was the most boring person on the planet . he would rather do anything than continue talking . he started crying because of all of the things he could be doing right now . | train | tt1340800 | 3,440 |
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tt0108160_0005_0 | null | Tom | Ross | {} | {} | {} | {} | {} | {} | Tom and Ross are at a large seafood market with Ross admiring some of the lobsters, while Tom has his eyes on something entirely different, namely | a young, attractive woman whom he knows and who feels flattered that Tom pays attention to her. | Ross himself is less enthusiastic, as he knows how this situation plays out from previous female encounters his dad has had in the past. | Tom, a grudgingly following Ross and the young woman all leave the seafood market | for Tom's home, where he proceeds to prepare a marvelous dinner for all of them. | The woman is openly flirting with Tom, trying to get him to continue to make those moves she deems appropriate to foster a relationship | and she openly elicits | Tom's courtship | while Ross is deeply disappointed, wearing that sentiment clearly on his boyish face, | null | ['tt0108160_0369_0', 'tt0108160_0370_0', 'tt0108160_0371_0', 'tt0108160_0373_1', 'tt0108160_0374_0', 'tt0108160_0375_0', 'tt0108160_0376_0', 'tt0108160_0377_0', 'tt0108160_0378_0'] | Tom and Ross are at a large seafood market with Ross admiring some of the lobsters, while Tom has his eyes on something entirely different, namely. a young, attractive woman whom he knows and who feels flattered that Tom pays attention to her. Ross himself is less enthusiastic, as he knows how this situation plays out from previous female encounters his dad has had in the past. Tom, a grudgingly following Ross and the young woman all leave the seafood market. for Tom's home, where he proceeds to prepare a marvelous dinner for all of them. The woman is openly flirting with Tom, trying to get him to continue to make those moves she deems appropriate to foster a relationship. and she openly elicits. Tom's courtship. while Ross is deeply disappointed, wearing that sentiment clearly on his boyish face,. | Tom and Ross are at a large seafood market with Ross admiring some of the lobsters, while Tom has his eyes on something entirely different, namely. [SENT] a young, attractive woman whom he knows and who feels flattered that Tom pays attention to her. [SENT] Ross himself is less enthusiastic, as he knows how this situation plays out from previous female encounters his dad has had in the past. [SENT] Tom, a grudgingly following Ross and the young woman all leave the seafood market. [SENT] for Tom's home, where he proceeds to prepare a marvelous dinner for all of them. [SENT] The woman is openly flirting with Tom, trying to get him to continue to make those moves she deems appropriate to foster a relationship. [SENT] and she openly elicits. [SENT] Tom's courtship. [SENT] while Ross is deeply disappointed, wearing that sentiment clearly on his boyish face,. [SENT] | [male0] and [male1] are at a large seafood market with [male1] admiring some of the lobsters , while [male0] has his eyes on something entirely different , namely . a young , attractive woman whom he knows and who feels flattered that [male0] pays attention to her . [male1] himself is less enthusiastic , as he knows how this situation plays out from previous female encounters his dad has had in the past . [male0] , a grudgingly following [male1] and the young woman all leave the seafood market . for [male0] 's home , where he proceeds to prepare a marvelous dinner for all of them . the woman is openly flirting with [male0] , trying to get him to continue to make those moves she deems appropriate to foster a relationship . and she openly elicits . [male0] 's courtship . while [male1] is deeply disappointed , wearing that sentiment clearly on his boyish face , . | train | tt0108160 | 3,441 |
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tt0108160_0009_0 | null | null | Bill | Meg | Tom | Ross | {} | {} | Bill and Meg share a splendid evening dinner at Windows of the World, overlooking the New York skyline form the highest possible point in the Big Apple. | Meg is awed, but at the same time feels somewhat bewildered, her beautiful eyes wide open. | as Bill appears brooding and not quite sure as to what he wants from mMeg. | In the meantime, Tom is on a plane to New York City, ready to experience everything the Big Apple has to offer. | The routing of the flight is shown on the plane's video system. | Tom has arrived in New York City and enters the World Trade Center building after he emerges from a New York cab. | Tom and Ross share an amazing glimpse of New York City from the visitor platform at the World Financial Center and Ross is overawed by the experience. | However, Ross' sad, pensive and hesitant personality traits come back into play as he misses his Mom in his life. | null | null | ['tt0108160_0635_1', 'tt0108160_0636_0', 'tt0108160_0637_0', 'tt0108160_0639_0', 'tt0108160_0640_1', 'tt0108160_0641_2', 'tt0108160_0642_2', 'tt0108160_0643_0'] | Bill and Meg share a splendid evening dinner at Windows of the World, overlooking the New York skyline form the highest possible point in the Big Apple. Meg is awed, but at the same time feels somewhat bewildered, her beautiful eyes wide open. as Bill appears brooding and not quite sure as to what he wants from mMeg. In the meantime, Tom is on a plane to New York City, ready to experience everything the Big Apple has to offer. The routing of the flight is shown on the plane's video system. Tom has arrived in New York City and enters the World Trade Center building after he emerges from a New York cab. Tom and Ross share an amazing glimpse of New York City from the visitor platform at the World Financial Center and Ross is overawed by the experience. However, Ross' sad, pensive and hesitant personality traits come back into play as he misses his Mom in his life. | Bill and Meg share a splendid evening dinner at Windows of the World, overlooking the New York skyline form the highest possible point in the Big Apple. [SENT] Meg is awed, but at the same time feels somewhat bewildered, her beautiful eyes wide open. [SENT] as Bill appears brooding and not quite sure as to what he wants from mMeg. [SENT] In the meantime, Tom is on a plane to New York City, ready to experience everything the Big Apple has to offer. [SENT] The routing of the flight is shown on the plane's video system. [SENT] Tom has arrived in New York City and enters the World Trade Center building after he emerges from a New York cab. [SENT] Tom and Ross share an amazing glimpse of New York City from the visitor platform at the World Financial Center and Ross is overawed by the experience. [SENT] However, Ross' sad, pensive and hesitant personality traits come back into play as he misses his Mom in his life. [SENT] | [male0] and [female0] share a splendid evening dinner at , overlooking the [location] skyline form the highest possible point in the . [female0] is awed , but at the same time feels somewhat bewildered , her beautiful eyes wide open . as [male0] appears brooding and not quite sure as to what he wants from . in the meantime , [male1] is on a plane to [location] , ready to experience everything the has to offer . the routing of the flight is shown on the plane 's video system . [male1] has arrived in [location] and enters the [location] building after he emerges from a [location] cab . [male1] and [male2] share an amazing glimpse of [location] from the visitor platform at the and [male2] is overawed by the experience . however , [male2] ' sad , pensive and hesitant personality traits come back into play as he misses his [male3] in his life . | train | tt0108160 | 3,442 |
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tt0067116_0012_10 | null | Gene | {} | {} | {} | {} | {} | {} | {} | {} | Gene's car has been damaged in his maniacal quest to follow the man in the elevated subway train, while preventing further crashes along the elevated train tracks. | Gene has to negotiate the typically heavy traffic in Queens awhile trying to maintain top speed in order to not lose sight of the overhead train overhead. | The tension over this impossible situation is etched into Gene's face as he is concentrating to breaking point. | As gene races forward his quest becomes an obsession and he is in serious danger | of getting out of control on the streets of New York City's Queens district. | Gene is riding both gas and brakes in his breakneck attempt of not losing the overhead train. | As he continues to hurtle along Queens Boulevard, he is turning into a maniac | that even threatens to hit a woman who is pushing a baby stroller across his pathway. | She screams as she sees the onrushing car, fearing for her and her baby's life, | null | ['tt0067116_0790_0', 'tt0067116_0792_0', 'tt0067116_0793_0', 'tt0067116_0794_0', 'tt0067116_0796_0', 'tt0067116_0797_1', 'tt0067116_0799_0', 'tt0067116_0801_2', 'tt0067116_0802_2', 'tt0067116_0803_1'] | Gene's car has been damaged in his maniacal quest to follow the man in the elevated subway train, while preventing further crashes along the elevated train tracks. Gene has to negotiate the typically heavy traffic in Queens awhile trying to maintain top speed in order to not lose sight of the overhead train overhead. The tension over this impossible situation is etched into Gene's face as he is concentrating to breaking point. As gene races forward his quest becomes an obsession and he is in serious danger. of getting out of control on the streets of New York City's Queens district. Gene is riding both gas and brakes in his breakneck attempt of not losing the overhead train. As he continues to hurtle along Queens Boulevard, he is turning into a maniac. that even threatens to hit a woman who is pushing a baby stroller across his pathway. She screams as she sees the onrushing car, fearing for her and her baby's life,. setting off a panicked scream on Gene's face as he desperately tries to evade a deadly outcome for two innocent bystanders. | Gene's car has been damaged in his maniacal quest to follow the man in the elevated subway train, while preventing further crashes along the elevated train tracks. [SENT] Gene has to negotiate the typically heavy traffic in Queens awhile trying to maintain top speed in order to not lose sight of the overhead train overhead. [SENT] The tension over this impossible situation is etched into Gene's face as he is concentrating to breaking point. [SENT] As gene races forward his quest becomes an obsession and he is in serious danger. [SENT] of getting out of control on the streets of New York City's Queens district. [SENT] Gene is riding both gas and brakes in his breakneck attempt of not losing the overhead train. [SENT] As he continues to hurtle along Queens Boulevard, he is turning into a maniac. [SENT] that even threatens to hit a woman who is pushing a baby stroller across his pathway. [SENT] She screams as she sees the onrushing car, fearing for her and her baby's life,. [SENT] setting off a panicked scream on Gene's face as he desperately tries to evade a deadly outcome for two innocent bystanders. [SENT] | [male0] 's car has been damaged in his maniacal quest to follow the man in the elevated subway train , while preventing further crashes along the elevated train tracks . [male0] has to negotiate the typically heavy traffic in [location] awhile trying to maintain top speed in order to not lose sight of the overhead train overhead . the tension over this impossible situation is etched into [male0] 's face as he is concentrating to breaking point . as gene races forward his quest becomes an obsession and he is in serious danger . of getting out of control on the streets of [location] 's [location] district . [male0] is riding both gas and brakes in his breakneck attempt of not losing the overhead train . as he continues to hurtle along [location] , he is turning into a maniac . that even threatens to hit a woman who is pushing a baby stroller across his pathway . she screams as she sees the onrushing car , fearing for her and her baby 's life , . setting off a panicked scream on [male0] 's face as he desperately tries to evade a deadly outcome for two innocent bystanders . | train | tt0067116 | 3,443 |
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tt0187393_0003_15 | null | null | null | null | null | Joely | Mel | {} | {} | {} | {} | {} | {} | It was already late afternoon and the skies were beginning to get darker... it's in a heavy mood that the wagon slowly went its way. | Joely was standing alone on the balcony. She couldn't look away from the wagon and couldn't stop thinking about the people who were at this very moment leaving her side, probably forever. | The wagon and the two horsemen could now barely be seen in the distance... | Joely closed the door that led to the balcony she was standing in until a moment ago, and went inside. | Overridden with grief, and unable to face her children who were already in bed, she slowly sat down on a chair and kept silent. | null | null | null | null | null | ['tt0187393_0738_2', 'tt0187393_0739_0', 'tt0187393_0740_2', 'tt0187393_0741_0', 'tt0187393_0743_0'] | It was already late afternoon and the skies were beginning to get darker... it's in a heavy mood that the wagon slowly went its way. Joely was standing alone on the balcony. She couldn't look away from the wagon and couldn't stop thinking about the people who were at this very moment leaving her side, probably forever. The wagon and the two horsemen could now barely be seen in the distance... Joely closed the door that led to the balcony she was standing in until a moment ago, and went inside. Overridden with grief, and unable to face her children who were already in bed, she slowly sat down on a chair and kept silent. | It was already late afternoon and the skies were beginning to get darker... it's in a heavy mood that the wagon slowly went its way. [SENT] Joely was standing alone on the balcony. She couldn't look away from the wagon and couldn't stop thinking about the people who were at this very moment leaving her side, probably forever. [SENT] The wagon and the two horsemen could now barely be seen in the distance... [SENT] Joely closed the door that led to the balcony she was standing in until a moment ago, and went inside. [SENT] Overridden with grief, and unable to face her children who were already in bed, she slowly sat down on a chair and kept silent. [SENT] | it was already late afternoon and the skies were beginning to get darker ... it 's in a heavy mood that the wagon slowly went its way . [male0] was standing alone on the balcony . she could n't look away from the wagon and could n't stop thinking about the people who were at this very moment leaving her side , probably forever . the wagon and the two horsemen could now barely be seen in the distance ... [male0] closed the door that led to the balcony she was standing in until a moment ago , and went inside . overridden with grief , and unable to face her children who were already in bed , she slowly sat down on a chair and kept silent . | train | tt0187393 | 3,444 |
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tt0822832_0001_15 | null | null | null | null | Kathleen | Owen | Jennifer | {} | {} | {} | {} | Kathleen, a woman who acts as the trainer of a dog obedience class stands in front of her charges waiting for the last late-comers before starting her training course. | She walks around, meeting the various dogs and owners in an attempt to assess what she is dealing with during her class and finding out what prompted the dog owners to attend obedience training in the fist place. | Kathleen seems to be accepted and liked by most dogs, as she knows how to deal with them effectively. | When she seen Owen, she has starts to berate him, as he is not the type of person she wants to see at her training class. | Owen stands there quite bewildered and does not know how to react to the negative attitude of the dog trainer. | So, he brings Jennifer along with their mixed breed dog to convince Kathleen to take them in and teach their dog the essentials of obedience in a human world. | null | null | null | null | ['tt0822832_0309_2', 'tt0822832_0310_2', 'tt0822832_0311_1', 'tt0822832_0312_1', 'tt0822832_0313_0', 'tt0822832_0314_2'] | Kathleen, a woman who acts as the trainer of a dog obedience class stands in front of her charges waiting for the last late-comers before starting her training course. She walks around, meeting the various dogs and owners in an attempt to assess what she is dealing with during her class and finding out what prompted the dog owners to attend obedience training in the fist place. Kathleen seems to be accepted and liked by most dogs, as she knows how to deal with them effectively. When she seen Owen, she has starts to berate him, as he is not the type of person she wants to see at her training class. Owen stands there quite bewildered and does not know how to react to the negative attitude of the dog trainer. So, he brings Jennifer along with their mixed breed dog to convince Kathleen to take them in and teach their dog the essentials of obedience in a human world. | Kathleen, a woman who acts as the trainer of a dog obedience class stands in front of her charges waiting for the last late-comers before starting her training course. [SENT] She walks around, meeting the various dogs and owners in an attempt to assess what she is dealing with during her class and finding out what prompted the dog owners to attend obedience training in the fist place. [SENT] Kathleen seems to be accepted and liked by most dogs, as she knows how to deal with them effectively. [SENT] When she seen Owen, she has starts to berate him, as he is not the type of person she wants to see at her training class. [SENT] Owen stands there quite bewildered and does not know how to react to the negative attitude of the dog trainer. [SENT] So, he brings Jennifer along with their mixed breed dog to convince Kathleen to take them in and teach their dog the essentials of obedience in a human world. [SENT] | [female0] , a woman who acts as the trainer of a dog obedience class stands in front of her charges waiting for the last late - comers before starting her training course . she walks around , meeting the various dogs and owners in an attempt to assess what she is dealing with during her class and finding out what prompted the dog owners to attend obedience training in the fist place . [female0] seems to be accepted and liked by most dogs , as she knows how to deal with them effectively . when she seen [male0] , she has starts to berate him , as he is not the type of person she wants to see at her training class . [male0] stands there quite bewildered and does not know how to react to the negative attitude of the dog trainer . so , he brings [female1] along with their mixed breed dog to convince [female0] to take them in and teach their dog the essentials of obedience in a human world . | train | tt0822832 | 3,445 |
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tt1707386_0004_0 | null | null | Daniel | {} | {} | {} | {} | {} | {} | {} | {} | Daniel used the tied rope to hop off the gigantic elephant made out of concrete. | The man who had been hunting him used a ladder on the other side of the statue. | Daniel landed on his feet. He felt an immense pain. | He ran away from the elephant statute, back into the narrow city streets. | It was lunch time. People were taking a break and grabbing a bite here and there. | Daniel hurried into the old market without looking back. | A crowd of poor peasants blocked his way. He blended with them. It seemed as if they were trying to get closer to a local celebrity. | Daniel played along. Only a few meters and he'd soon be in safety. | null | null | ['tt1707386_1081_1', 'tt1707386_1082_1', 'tt1707386_1084_0', 'tt1707386_1086_1', 'tt1707386_1087_2', 'tt1707386_1088_0', 'tt1707386_1089_1', 'tt1707386_1090_0'] | Daniel used the tied rope to hop off the gigantic elephant made out of concrete. The man who had been hunting him used a ladder on the other side of the statue. Daniel landed on his feet. He felt an immense pain. He ran away from the elephant statute, back into the narrow city streets. It was lunch time. People were taking a break and grabbing a bite here and there. Daniel hurried into the old market without looking back. A crowd of poor peasants blocked his way. He blended with them. It seemed as if they were trying to get closer to a local celebrity. Daniel played along. Only a few meters and he'd soon be in safety. | Daniel used the tied rope to hop off the gigantic elephant made out of concrete. [SENT] The man who had been hunting him used a ladder on the other side of the statue. [SENT] Daniel landed on his feet. He felt an immense pain. [SENT] He ran away from the elephant statute, back into the narrow city streets. [SENT] It was lunch time. People were taking a break and grabbing a bite here and there. [SENT] Daniel hurried into the old market without looking back. [SENT] A crowd of poor peasants blocked his way. He blended with them. It seemed as if they were trying to get closer to a local celebrity. [SENT] Daniel played along. Only a few meters and he'd soon be in safety. [SENT] | [male0] used the tied rope to hop off the gigantic elephant made out of concrete . the man who had been hunting him used a ladder on the other side of the statue . [male0] landed on his feet . he felt an immense pain . he ran away from the elephant statute , back into the narrow city streets . it was lunch time . people were taking a break and grabbing a bite here and there . [male0] hurried into the old market without looking back . a crowd of poor peasants blocked his way . he blended with them . it seemed as if they were trying to get closer to a local celebrity . [male0] played along . only a few meters and he 'd soon be in safety . | train | tt1707386 | 3,446 |
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tt0097576_0009_0 | null | null | null | null | null | Julian | Michael | Denholm | Kevork | John | A group of officials, flanked by an officer member of the German Africa Corps walks through an Arab courtyard during World War II. Several Arab soldiers wearing the red fez of the Ottoman empire are carrying rifles, protecting their general who struts at the head of the group with Julian and Michael, the German officer. | As the group arrives in the middle of the expansive courtyard, they stop at the car of the German commanding officer, which shows off the "Standarte" flag of the German Reich. | Julian, the civilian gentleman greets the honorary members by lifting his hat in a jovial manner, while Denholm stands by, showing a painfully miserable facial expression of fear and mistrust. | Kevork stands in the background watching the procession of officials with great attention. | John is showing the American around town and explains to him the lay of the land and the intricate local political situation. | null | null | null | null | null | ['tt0097576_1023_0', 'tt0097576_1024_1', 'tt0097576_1025_1', 'tt0097576_1026_2', 'tt0097576_1029_0'] | A group of officials, flanked by an officer member of the German Africa Corps walks through an Arab courtyard during World War II. Several Arab soldiers wearing the red fez of the Ottoman empire are carrying rifles, protecting their general who struts at the head of the group with Julian and Michael, the German officer. As the group arrives in the middle of the expansive courtyard, they stop at the car of the German commanding officer, which shows off the "Standarte" flag of the German Reich. Julian, the civilian gentleman greets the honorary members by lifting his hat in a jovial manner, while Denholm stands by, showing a painfully miserable facial expression of fear and mistrust. Kevork stands in the background watching the procession of officials with great attention. John is showing the American around town and explains to him the lay of the land and the intricate local political situation. | A group of officials, flanked by an officer member of the German Africa Corps walks through an Arab courtyard during World War II. Several Arab soldiers wearing the red fez of the Ottoman empire are carrying rifles, protecting their general who struts at the head of the group with Julian and Michael, the German officer. [SENT] As the group arrives in the middle of the expansive courtyard, they stop at the car of the German commanding officer, which shows off the "Standarte" flag of the German Reich. [SENT] Julian, the civilian gentleman greets the honorary members by lifting his hat in a jovial manner, while Denholm stands by, showing a painfully miserable facial expression of fear and mistrust. [SENT] Kevork stands in the background watching the procession of officials with great attention. [SENT] John is showing the American around town and explains to him the lay of the land and the intricate local political situation. [SENT] | a group of officials , flanked by an officer member of the walks through an courtyard during . several soldiers wearing the red fez of the empire are carrying rifles , protecting their general who struts at the head of the group with [male0] and [male1] , the officer . as the group arrives in the middle of the expansive courtyard , they stop at the car of the commanding officer , which shows off the " " flag of the reich . [male0] , the civilian gentleman greets the honorary members by lifting his hat in a jovial manner , while [male2] stands by , showing a painfully miserable facial expression of fear and mistrust . [male3] stands in the background watching the procession of officials with great attention . [male4] is showing the around town and explains to him the lay of the land and the intricate local political situation . | train | tt0097576 | 3,447 |
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tt0430357_0004_0 | null | null | null | null | null | Barry | Ciaran | Colin | {} | {} | {} | {} | Tim got a call on his phone. | Bill was calling his about the twenty cents he owed. | Tim told him he'd pay him back when he gets paid next month. | Bill was furious because he was twenty cents short of the rent. | Bill walked into the city, hoping to find change on the ground. | null | null | null | null | null | ['tt0430357_0296_2', 'tt0430357_0297_0', 'tt0430357_0298_2', 'tt0430357_0299_1', 'tt0430357_0302_1'] | Tim got a call on his phone. Bill was calling his about the twenty cents he owed. Tim told him he'd pay him back when he gets paid next month. Bill was furious because he was twenty cents short of the rent. Bill walked into the city, hoping to find change on the ground. | Tim got a call on his phone. [SENT] Bill was calling his about the twenty cents he owed. [SENT] Tim told him he'd pay him back when he gets paid next month. [SENT] Bill was furious because he was twenty cents short of the rent. [SENT] Bill walked into the city, hoping to find change on the ground. [SENT] | [male0] got a call on his phone . [male1] was calling his about the twenty cents he owed . [male0] told him he 'd pay him back when he gets paid next month . [male1] was furious because he was twenty cents short of the rent . [male1] walked into the city , hoping to find change on the ground . | train | tt0430357 | 3,448 |
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tt0114814_0009_1 | null | null | null | null | Gabriel | Kevin | Suzy | Chazz | {} | {} | Kevin is enjoying a smoke. | Gabriel is upset that Kevin has started smoking again. Kevin had promised he would quit. Suzy consoles him. | The next day Gabriel is still upset. | Chazz yells at Kevin about keeping his promise to Gabriel about quitting smoking. | Gabriel is happy that Chazz is confronting him. | Kevin apologizes for keeping this secret and promises to do better. | null | null | null | null | ['tt0114814_1003_0', 'tt0114814_1005_0', 'tt0114814_1007_0', 'tt0114814_1009_0', 'tt0114814_1014_1', 'tt0114814_1023_1'] | Kevin is enjoying a smoke. Gabriel is upset that Kevin has started smoking again. Kevin had promised he would quit. Suzy consoles him. The next day Gabriel is still upset. Chazz yells at Kevin about keeping his promise to Gabriel about quitting smoking. Gabriel is happy that Chazz is confronting him. Kevin apologizes for keeping this secret and promises to do better. | Kevin is enjoying a smoke. [SENT] Gabriel is upset that Kevin has started smoking again. Kevin had promised he would quit. Suzy consoles him. [SENT] The next day Gabriel is still upset. [SENT] Chazz yells at Kevin about keeping his promise to Gabriel about quitting smoking. [SENT] Gabriel is happy that Chazz is confronting him. [SENT] Kevin apologizes for keeping this secret and promises to do better. [SENT] | [male0] is enjoying a smoke . [male1] is upset that [male0] has started smoking again . [male0] had promised he would quit . [female0] consoles him . the next day [male1] is still upset . [male2] yells at [male0] about keeping his promise to [male1] about quitting smoking . [male1] is happy that [male2] is confronting him . [male0] apologizes for keeping this secret and promises to do better . | train | tt0114814 | 3,449 |
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tt1119646_0008_0 | null | null | null | null | Ed | Zach | {} | {} | {} | {} | {} | {} | In an eclectic apartment loft setting | a man lies unconscious on the floor while a young woman leaves the apartment early in the morning. | As Ed awakes from having passed out, the crawls along the hallway of his magnificent place, crossing the path of a forlorn chicken, while a man clad in Elvis gear walks across the hallway at its far end. | This scene reminds Ed of a nightmarish trip instead of the morning after effect of a tremendous party that has taken place at his loft apartment. | Still exhausted from the drinking and late night revelry, Ed collapses onto a triangular sofa and tries to sleep off the after effects of his night. | While Ed nods off, Zach sits at the bar piddling around with something inconsequential. Neither Zach, nor Ed acknowledge each other, | null | null | null | null | ['tt1119646_0411_0', 'tt1119646_0413_0', 'tt1119646_0414_0', 'tt1119646_0415_1', 'tt1119646_0416_2', 'tt1119646_0417_0'] | In an eclectic apartment loft setting. a man lies unconscious on the floor while a young woman leaves the apartment early in the morning. As Ed awakes from having passed out, the crawls along the hallway of his magnificent place, crossing the path of a forlorn chicken, while a man clad in Elvis gear walks across the hallway at its far end. This scene reminds Ed of a nightmarish trip instead of the morning after effect of a tremendous party that has taken place at his loft apartment. Still exhausted from the drinking and late night revelry, Ed collapses onto a triangular sofa and tries to sleep off the after effects of his night. While Ed nods off, Zach sits at the bar piddling around with something inconsequential. Neither Zach, nor Ed acknowledge each other,. | In an eclectic apartment loft setting. [SENT] a man lies unconscious on the floor while a young woman leaves the apartment early in the morning. [SENT] As Ed awakes from having passed out, the crawls along the hallway of his magnificent place, crossing the path of a forlorn chicken, while a man clad in Elvis gear walks across the hallway at its far end. [SENT] This scene reminds Ed of a nightmarish trip instead of the morning after effect of a tremendous party that has taken place at his loft apartment. [SENT] Still exhausted from the drinking and late night revelry, Ed collapses onto a triangular sofa and tries to sleep off the after effects of his night. [SENT] While Ed nods off, Zach sits at the bar piddling around with something inconsequential. Neither Zach, nor Ed acknowledge each other,. [SENT] | in an eclectic apartment loft setting . a man lies unconscious on the floor while a young woman leaves the apartment early in the morning . as [male0] awakes from having passed out , the crawls along the hallway of his magnificent place , crossing the path of a forlorn chicken , while a man clad in [male1] gear walks across the hallway at its far end . this scene reminds [male0] of a nightmarish trip instead of the morning after effect of a tremendous party that has taken place at his loft apartment . still exhausted from the drinking and late night revelry , [male0] collapses onto a triangular sofa and tries to sleep off the after effects of his night . while [male0] nods off , [male2] sits at the bar piddling around with something inconsequential . neither [male2] , nor [male0] acknowledge each other , . | train | tt1119646 | 3,450 |
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tt0430357_0018_2 | null | null | null | Li | Colin | {} | {} | {} | {} | {} | {} | Li and Colin dance the night away and enjoy the romantic setting. | The following morning, the sun shines in the beautiful seaside town | and Li has woken up and is walking through the quiet house | realizing that Colin has gotten up ahead of her, standing on the terrace, admiring the beautiful. | He asks Li over to where he stands and shares the scenery with her, | both taking in the stunning beach morning atmosphere in shared silence after their romantic night. | As the day progresses, Colin takes Li out to his favorite bar. | null | null | null | ['tt0430357_0851_0', 'tt0430357_0871_1', 'tt0430357_0872_0', 'tt0430357_0873_0', 'tt0430357_0875_0', 'tt0430357_0876_1', 'tt0430357_0878_0'] | Li and Colin dance the night away and enjoy the romantic setting. The following morning, the sun shines in the beautiful seaside town. and Li has woken up and is walking through the quiet house. realizing that Colin has gotten up ahead of her, standing on the terrace, admiring the beautiful. He asks Li over to where he stands and shares the scenery with her,. both taking in the stunning beach morning atmosphere in shared silence after their romantic night. As the day progresses, Colin takes Li out to his favorite bar. | Li and Colin dance the night away and enjoy the romantic setting. [SENT] The following morning, the sun shines in the beautiful seaside town. [SENT] and Li has woken up and is walking through the quiet house. [SENT] realizing that Colin has gotten up ahead of her, standing on the terrace, admiring the beautiful. [SENT] He asks Li over to where he stands and shares the scenery with her,. [SENT] both taking in the stunning beach morning atmosphere in shared silence after their romantic night. [SENT] As the day progresses, Colin takes Li out to his favorite bar. [SENT] | li and [male0] dance the night away and enjoy the romantic setting . the following morning , the sun shines in the beautiful seaside town . and li has woken up and is walking through the quiet house . realizing that [male0] has gotten up ahead of her , standing on the terrace , admiring the beautiful . he asks li over to where he stands and shares the scenery with her , . both taking in the stunning beach morning atmosphere in shared silence after their romantic night . as the day progresses , [male0] takes li out to his favorite bar . | train | tt0430357 | 3,451 |
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tt0078788_0001_7 | null | null | null | null | null | Albert | Sam | Laurence | Frederic | Robert | Robert and his team board the chopper to head out to the battlefield | They are thee Air Cav, an elite team of soldiers who work from helicopters | They are transporting Sam, Albert, Lawrence and Frederic up river to a secret location | They are also going to airlift their boat | Robert seems in complete control of the mission | null | null | null | null | null | ['tt0078788_0194_1', 'tt0078788_0196_1', 'tt0078788_0198_2', 'tt0078788_0199_1', 'tt0078788_0203_0'] | Robert and his team board the chopper to head out to the battlefield. They are thee Air Cav, an elite team of soldiers who work from helicopters. They are transporting Sam, Albert, Lawrence and Frederic up river to a secret location. They are also going to airlift their boat. Robert seems in complete control of the mission. | Robert and his team board the chopper to head out to the battlefield. [SENT] They are thee Air Cav, an elite team of soldiers who work from helicopters. [SENT] They are transporting Sam, Albert, Lawrence and Frederic up river to a secret location. [SENT] They are also going to airlift their boat. [SENT] Robert seems in complete control of the mission. [SENT] | [male0] and his team board the chopper to head out to the battlefield . they are thee , an elite team of soldiers who work from helicopters . they are transporting [male1] , [male2] , [male3] and [male4] up river to a secret location . they are also going to airlift their boat . [male0] seems in complete control of the mission . | train | tt0078788 | 3,452 |
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tt0822832_0001_17 | null | null | null | null | Kathleen | Owen | Jennifer | {} | {} | {} | {} | Kathleen announces to the members of the dog-walking club that it is time to start their walk around the lake. | Owen checks his dog's teeth to make sure they are clean. | Owen pulls the leash to get his dog back into the line. | Kathleen instructs the dog walkers to walk around the lake counter-clockwise. | The dog walkers set out on their weekly walk. | Owen decides to take his dog on a fast run around the lake and he decides to go clockwise instead of counter-clockwise. | null | null | null | null | ['tt0822832_0339_2', 'tt0822832_0341_1', 'tt0822832_0343_0', 'tt0822832_0345_1', 'tt0822832_0347_0', 'tt0822832_0349_0'] | Kathleen announces to the members of the dog-walking club that it is time to start their walk around the lake. Owen checks his dog's teeth to make sure they are clean. Owen pulls the leash to get his dog back into the line. Kathleen instructs the dog walkers to walk around the lake counter-clockwise. The dog walkers set out on their weekly walk. Owen decides to take his dog on a fast run around the lake and he decides to go clockwise instead of counter-clockwise. | Kathleen announces to the members of the dog-walking club that it is time to start their walk around the lake. [SENT] Owen checks his dog's teeth to make sure they are clean. [SENT] Owen pulls the leash to get his dog back into the line. [SENT] Kathleen instructs the dog walkers to walk around the lake counter-clockwise. [SENT] The dog walkers set out on their weekly walk. [SENT] Owen decides to take his dog on a fast run around the lake and he decides to go clockwise instead of counter-clockwise. [SENT] | [female0] announces to the members of the dog - walking club that it is time to start their walk around the lake . [male0] checks his dog 's teeth to make sure they are clean . [male0] pulls the leash to get his dog back into the line . [female0] instructs the dog walkers to walk around the lake counter - clockwise . the dog walkers set out on their weekly walk . [male0] decides to take his dog on a fast run around the lake and he decides to go clockwise instead of counter - clockwise . | train | tt0822832 | 3,453 |
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tt0430357_0004_0 | null | null | null | null | null | Barry | Ciaran | Colin | {} | {} | {} | {} | A car races frenziedly down the road. | Colin and his friend Earl have just received news that their two best friends are in a heated altercation. | Earl tries to talk Barry down from shooting Ciaran in the face. | They arrive just as Barry walks away from Ciaran. Ciaran made one too many jokes about his dead mother. | Colin observes the falling out between his two best friends with sadness. He hopes he doesn't have to pick one side. | null | null | null | null | null | ['tt0430357_0294_2', 'tt0430357_0296_2', 'tt0430357_0298_2', 'tt0430357_0302_1', 'tt0430357_0303_1'] | A car races frenziedly down the road. Colin and his friend Earl have just received news that their two best friends are in a heated altercation. Earl tries to talk Barry down from shooting Ciaran in the face. They arrive just as Barry walks away from Ciaran. Ciaran made one too many jokes about his dead mother. Colin observes the falling out between his two best friends with sadness. He hopes he doesn't have to pick one side. | A car races frenziedly down the road. [SENT] Colin and his friend Earl have just received news that their two best friends are in a heated altercation. [SENT] Earl tries to talk Barry down from shooting Ciaran in the face. [SENT] They arrive just as Barry walks away from Ciaran. Ciaran made one too many jokes about his dead mother. [SENT] Colin observes the falling out between his two best friends with sadness. He hopes he doesn't have to pick one side. [SENT] | a car races frenziedly down the road . [male0] and his friend [male1] have just received news that their two best friends are in a heated altercation . [male1] tries to talk [male2] down from shooting [male3] in the face . they arrive just as [male2] walks away from [male3] . [male3] made one too many jokes about his dead mother . [male0] observes the falling out between his two best friends with sadness . he hopes he does n't have to pick one side . | train | tt0430357 | 3,454 |
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tt1412386_0007_2 | null | Bill | Penelope | Maggie | Judi | {} | {} | Bill and Penelope are sitting on a commuter train with Bill looking decidedly grim, uneasy about the task lying in front of him, while Penelope chats with some train fellow passengers without any resentment on her face. | The train pulls into a large train station in what appears to be India where the journey ends for Bill and Penelope. | They make their way to a swank looking institution for the elderly | and soon enough, a stern looking Maggie gets wheeled out to meet with Bill and Penelope by her attendant, | who happens to be the man that runs the retirement home, as his picture is prominently displayed in the sitting rooms. | Maggie listens attentively to Bill and Penelope as they discuss their business at hand. | Once the visit between Maggie, Bill and Penelope has finished, Bill and Penelope set out in to the wild, chaotic life in the Indian town they traveled to. | As Bill and Penelope wander, the happen to come across another westerner in Judy, who walks negotiates the wild street scene much better than Bill. | He notices Judy and her positive demeanor, while Penelope stands there in utter judgment of the street scene she simply cannot fathom. | null | ['tt1412386_1179_1', 'tt1412386_1186_2', 'tt1412386_1187_2', 'tt1412386_1188_2', 'tt1412386_1189_2', 'tt1412386_1191_0', 'tt1412386_1192_2', 'tt1412386_1193_1', 'tt1412386_1194_0'] | Bill and Penelope are sitting on a commuter train with Bill looking decidedly grim, uneasy about the task lying in front of him, while Penelope chats with some train fellow passengers without any resentment on her face. The train pulls into a large train station in what appears to be India where the journey ends for Bill and Penelope. They make their way to a swank looking institution for the elderly. and soon enough, a stern looking Maggie gets wheeled out to meet with Bill and Penelope by her attendant,. who happens to be the man that runs the retirement home, as his picture is prominently displayed in the sitting rooms. Maggie listens attentively to Bill and Penelope as they discuss their business at hand. Once the visit between Maggie, Bill and Penelope has finished, Bill and Penelope set out in to the wild, chaotic life in the Indian town they traveled to. As Bill and Penelope wander, the happen to come across another westerner in Judy, who walks negotiates the wild street scene much better than Bill. He notices Judy and her positive demeanor, while Penelope stands there in utter judgment of the street scene she simply cannot fathom. | Bill and Penelope are sitting on a commuter train with Bill looking decidedly grim, uneasy about the task lying in front of him, while Penelope chats with some train fellow passengers without any resentment on her face. [SENT] The train pulls into a large train station in what appears to be India where the journey ends for Bill and Penelope. [SENT] They make their way to a swank looking institution for the elderly. [SENT] and soon enough, a stern looking Maggie gets wheeled out to meet with Bill and Penelope by her attendant,. [SENT] who happens to be the man that runs the retirement home, as his picture is prominently displayed in the sitting rooms. [SENT] Maggie listens attentively to Bill and Penelope as they discuss their business at hand. [SENT] Once the visit between Maggie, Bill and Penelope has finished, Bill and Penelope set out in to the wild, chaotic life in the Indian town they traveled to. [SENT] As Bill and Penelope wander, the happen to come across another westerner in Judy, who walks negotiates the wild street scene much better than Bill. [SENT] He notices Judy and her positive demeanor, while Penelope stands there in utter judgment of the street scene she simply cannot fathom. [SENT] | [male0] and [female0] are sitting on a commuter train with [male0] looking decidedly grim , uneasy about the task lying in front of him , while [female0] chats with some train fellow passengers without any resentment on her face . the train pulls into a large train station in what appears to be [location] where the journey ends for [male0] and [female0] . they make their way to a swank looking institution for the elderly . and soon enough , a stern looking [female1] gets wheeled out to meet with [male0] and [female0] by her attendant , . who happens to be the man that runs the retirement home , as his picture is prominently displayed in the sitting rooms . [female1] listens attentively to [male0] and [female0] as they discuss their business at hand . once the visit between [female1] , [male0] and [female0] has finished , [male0] and [female0] set out in to the wild , chaotic life in the town they traveled to . as [male0] and [female0] wander , the happen to come across another westerner in [female2] , who walks negotiates the wild street scene much better than [male0] . he notices [female2] and her positive demeanor , while [female0] stands there in utter judgment of the street scene she simply can not fathom . | train | tt1412386 | 3,455 |
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tt0122690_0001_13 | null | null | null | null | Sean | Robert | {} | {} | {} | {} | {} | {} | Sean is taking cover behind a stone column as he | peppers the adversary group's BMW with automatic fire, as if trying to not only snuff out any current, but also future resistance from that group. | One of the adversary's group members has been hit and falls beside the opened door which served as protection from the hail of bullets. | Another member of the adversary group stands unflinching as he continues to take aim and shoot his automatic fire at Sean. | Robert watches the fight from a position that is further removed, but he also intervenes in the fight. | The long bursts of continuous gunfire have called the police on the plan, with a gendarmerie car driving on the other side of the river, trying to get to the point of contention. | null | null | null | null | ['tt0122690_0348_0', 'tt0122690_0349_1', 'tt0122690_0350_0', 'tt0122690_0353_1', 'tt0122690_0355_0', 'tt0122690_0356_0'] | Sean is taking cover behind a stone column as he. peppers the adversary group's BMW with automatic fire, as if trying to not only snuff out any current, but also future resistance from that group. One of the adversary's group members has been hit and falls beside the opened door which served as protection from the hail of bullets. Another member of the adversary group stands unflinching as he continues to take aim and shoot his automatic fire at Sean. Robert watches the fight from a position that is further removed, but he also intervenes in the fight. The long bursts of continuous gunfire have called the police on the plan, with a gendarmerie car driving on the other side of the river, trying to get to the point of contention. | Sean is taking cover behind a stone column as he. [SENT] peppers the adversary group's BMW with automatic fire, as if trying to not only snuff out any current, but also future resistance from that group. [SENT] One of the adversary's group members has been hit and falls beside the opened door which served as protection from the hail of bullets. [SENT] Another member of the adversary group stands unflinching as he continues to take aim and shoot his automatic fire at Sean. [SENT] Robert watches the fight from a position that is further removed, but he also intervenes in the fight. [SENT] The long bursts of continuous gunfire have called the police on the plan, with a gendarmerie car driving on the other side of the river, trying to get to the point of contention. [SENT] | [male0] is taking cover behind a stone column as he . peppers the adversary group 's with automatic fire , as if trying to not only snuff out any current , but also future resistance from that group . one of the adversary 's group members has been hit and falls beside the opened door which served as protection from the hail of bullets . another member of the adversary group stands unflinching as he continues to take aim and shoot his automatic fire at [male0] . [male1] watches the fight from a position that is further removed , but he also intervenes in the fight . the long bursts of continuous gunfire have called the police on the plan , with a gendarmerie car driving on the other side of the river , trying to get to the point of contention . | train | tt0122690 | 3,456 |
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tt0430357_0026_1 | null | null | null | null | Jamie | Naomie | Colin | Barry | {} | {} | Naomie is found by a friend of hers after the survived an attack from an unknown person. | Naomie's friend is stabilizing her, trying to find out what is wrong so he can call for help. | At the hospital, two men are waiting to hear how Naomie came through the emergency operation. | Colin and Naomie's friend are talking, trying to piece together what happened that led to Naomie's attack. | Colin asks Naomie's friend to go through every minute detail so that the events can be illuminated and a reason for the attack established. | In the meantime, two doctors are stepping out of the operating theater, getting ready to divulge the news how Naomie has fared throughout the operation. One of the doctors is Jamie. | null | null | null | null | ['tt0430357_1367_1', 'tt0430357_1368_0', 'tt0430357_1376_0', 'tt0430357_1377_2', 'tt0430357_1379_0', 'tt0430357_1383_1'] | Naomie is found by a friend of hers after the survived an attack from an unknown person. Naomie's friend is stabilizing her, trying to find out what is wrong so he can call for help. At the hospital, two men are waiting to hear how Naomie came through the emergency operation. Colin and Naomie's friend are talking, trying to piece together what happened that led to Naomie's attack. Colin asks Naomie's friend to go through every minute detail so that the events can be illuminated and a reason for the attack established. In the meantime, two doctors are stepping out of the operating theater, getting ready to divulge the news how Naomie has fared throughout the operation. One of the doctors is Jamie. | Naomie is found by a friend of hers after the survived an attack from an unknown person. [SENT] Naomie's friend is stabilizing her, trying to find out what is wrong so he can call for help. [SENT] At the hospital, two men are waiting to hear how Naomie came through the emergency operation. [SENT] Colin and Naomie's friend are talking, trying to piece together what happened that led to Naomie's attack. [SENT] Colin asks Naomie's friend to go through every minute detail so that the events can be illuminated and a reason for the attack established. [SENT] In the meantime, two doctors are stepping out of the operating theater, getting ready to divulge the news how Naomie has fared throughout the operation. One of the doctors is Jamie. [SENT] | [female0] is found by a friend of hers after the survived an attack from an unknown person . [female0] 's friend is stabilizing her , trying to find out what is wrong so he can call for help . at the hospital , two men are waiting to hear how [female0] came through the emergency operation . [male0] and [female0] 's friend are talking , trying to piece together what happened that led to [female0] 's attack . [male0] asks [female0] 's friend to go through every minute detail so that the events can be illuminated and a reason for the attack established . in the meantime , two doctors are stepping out of the operating theater , getting ready to divulge the news how [female0] has fared throughout the operation . one of the doctors is [female1] . | train | tt0430357 | 3,457 |
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tt0407887_0015_10 | null | null | null | null | Matt | {} | {} | {} | {} | {} | {} | {} | {} | Matt, who works with a Federal agency, advances through the darkness as he needs to get closer where he estimates his opponent to be. | A man with a baseball cap and a military weapon takes aim | and shoots a man who emerges from behind his vehicle's opened door, hitting him straight in the chest, killing him. | As state law enforcement officers respond to the shooting, many police vehicles are on the scene and try to pin down the shooter to apprehend or kill him. | The law enforcement officers are taking cover as they engage the lone gunman and attempt to overpower him by massive, coordinated gunfire. | However, the superior firepower of the military equipment the lone gunman carries, is creating a difficult situation for the police forces, as they have to contend with pin-pointed powerful bursts of high-caliber fire. | null | null | null | null | ['tt0407887_2317_2', 'tt0407887_2318_0', 'tt0407887_2320_0', 'tt0407887_2321_0', 'tt0407887_2324_1', 'tt0407887_2325_0'] | Matt, who works with a Federal agency, advances through the darkness as he needs to get closer where he estimates his opponent to be. A man with a baseball cap and a military weapon takes aim. and shoots a man who emerges from behind his vehicle's opened door, hitting him straight in the chest, killing him. As state law enforcement officers respond to the shooting, many police vehicles are on the scene and try to pin down the shooter to apprehend or kill him. The law enforcement officers are taking cover as they engage the lone gunman and attempt to overpower him by massive, coordinated gunfire. However, the superior firepower of the military equipment the lone gunman carries, is creating a difficult situation for the police forces, as they have to contend with pin-pointed powerful bursts of high-caliber fire. | Matt, who works with a Federal agency, advances through the darkness as he needs to get closer where he estimates his opponent to be. [SENT] A man with a baseball cap and a military weapon takes aim. [SENT] and shoots a man who emerges from behind his vehicle's opened door, hitting him straight in the chest, killing him. [SENT] As state law enforcement officers respond to the shooting, many police vehicles are on the scene and try to pin down the shooter to apprehend or kill him. [SENT] The law enforcement officers are taking cover as they engage the lone gunman and attempt to overpower him by massive, coordinated gunfire. [SENT] However, the superior firepower of the military equipment the lone gunman carries, is creating a difficult situation for the police forces, as they have to contend with pin-pointed powerful bursts of high-caliber fire. [SENT] | [male0] , who works with a agency , advances through the darkness as he needs to get closer where he estimates his opponent to be . a man with a baseball cap and a military weapon takes aim . and shoots a man who emerges from behind his vehicle 's opened door , hitting him straight in the chest , killing him . as state law enforcement officers respond to the shooting , many police vehicles are on the scene and try to pin down the shooter to apprehend or kill him . the law enforcement officers are taking cover as they engage the lone gunman and attempt to overpower him by massive , coordinated gunfire . however , the superior firepower of the military equipment the lone gunman carries , is creating a difficult situation for the police forces , as they have to contend with pin - pointed powerful bursts of high - caliber fire . | train | tt0407887 | 3,458 |
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tt0217505_0021_1 | null | null | null | null | null | Daniel | John | Gary | {} | {} | {} | {} | Dan was so happy. | He was finally going to tell his boss that he quit. | His boss was waiting for him to make the announcement. | Dan calmly explained that he got a new job and that he was never working for his boss again. | He explained that he was leaving immediately. A weight was lifted off of his shoulders. | null | null | null | null | null | ['tt0217505_1320_0', 'tt0217505_1322_0', 'tt0217505_1323_1', 'tt0217505_1328_0', 'tt0217505_1332_0'] | Dan was so happy. He was finally going to tell his boss that he quit. His boss was waiting for him to make the announcement. Dan calmly explained that he got a new job and that he was never working for his boss again. He explained that he was leaving immediately. A weight was lifted off of his shoulders. | Dan was so happy. [SENT] He was finally going to tell his boss that he quit. [SENT] His boss was waiting for him to make the announcement. [SENT] Dan calmly explained that he got a new job and that he was never working for his boss again. [SENT] He explained that he was leaving immediately. A weight was lifted off of his shoulders. [SENT] | [male0] was so happy . he was finally going to tell his boss that he quit . his boss was waiting for him to make the announcement . [male0] calmly explained that he got a new job and that he was never working for his boss again . he explained that he was leaving immediately . a weight was lifted off of his shoulders . | train | tt0217505 | 3,459 |
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tt0993846_0018_1 | null | null | null | null | null | Kyle | Leonardo | {} | {} | {} | {} | {} | {} | Kyle and Leonardo were talking about buying a car and sharing it. | Kyle suggested paying twenty percent of the price and Leonardo should ay eighty percent. | Leonardo thought that was insane. | Kyle said it was a good deal because he was originally thinking about only paying ten percent. | Leonardo told him to stop talking because the deal was off. | null | null | null | null | null | ['tt0993846_1319_0', 'tt0993846_1321_2', 'tt0993846_1322_0', 'tt0993846_1325_0', 'tt0993846_1332_0'] | Kyle and Leonardo were talking about buying a car and sharing it. Kyle suggested paying twenty percent of the price and Leonardo should ay eighty percent. Leonardo thought that was insane. Kyle said it was a good deal because he was originally thinking about only paying ten percent. Leonardo told him to stop talking because the deal was off. | Kyle and Leonardo were talking about buying a car and sharing it. [SENT] Kyle suggested paying twenty percent of the price and Leonardo should ay eighty percent. [SENT] Leonardo thought that was insane. [SENT] Kyle said it was a good deal because he was originally thinking about only paying ten percent. [SENT] Leonardo told him to stop talking because the deal was off. [SENT] | [female0] and [male0] were talking about buying a car and sharing it . [female0] suggested paying twenty percent of the price and [male0] should ay eighty percent . [male0] thought that was insane . [female0] said it was a good deal because he was originally thinking about only paying ten percent . [male0] told him to stop talking because the deal was off . | train | tt0993846 | 3,460 |
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tt1045772_0004_3 | null | null | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | Martin had asked Nick his lawyer to go and speak with his wife and tell her that he needed to see her before he appeared in court the following week. Nick went to see Martin's wife but she had refused to hear anything about Martin and turned him away. | Nick was hesitant to inform Martin about his wife's reaction. | When he finally told him that his wife refused to come see him, Martin was heartbroken. | Nick encouraged him to give her some time so that she could come to terms with the current situation they were facing. | It was so hard for Martin to understand why all that was happening to him. The only person who believed in him at that moment was Nick. | null | null | null | null | null | ['tt1045772_0996_0', 'tt1045772_0997_0', 'tt1045772_0998_0', 'tt1045772_1000_0', 'tt1045772_1004_0'] | Martin had asked Nick his lawyer to go and speak with his wife and tell her that he needed to see her before he appeared in court the following week. Nick went to see Martin's wife but she had refused to hear anything about Martin and turned him away. Nick was hesitant to inform Martin about his wife's reaction. When he finally told him that his wife refused to come see him, Martin was heartbroken. Nick encouraged him to give her some time so that she could come to terms with the current situation they were facing. It was so hard for Martin to understand why all that was happening to him. The only person who believed in him at that moment was Nick. | Martin had asked Nick his lawyer to go and speak with his wife and tell her that he needed to see her before he appeared in court the following week. Nick went to see Martin's wife but she had refused to hear anything about Martin and turned him away. [SENT] Nick was hesitant to inform Martin about his wife's reaction. [SENT] When he finally told him that his wife refused to come see him, Martin was heartbroken. [SENT] Nick encouraged him to give her some time so that she could come to terms with the current situation they were facing. [SENT] It was so hard for Martin to understand why all that was happening to him. The only person who believed in him at that moment was Nick. [SENT] | [male0] had asked [male1] his lawyer to go and speak with his wife and tell her that he needed to see her before he appeared in court the following week . [male1] went to see [male0] 's wife but she had refused to hear anything about [male0] and turned him away . [male1] was hesitant to inform [male0] about his wife 's reaction . when he finally told him that his wife refused to come see him , [male0] was heartbroken . [male1] encouraged him to give her some time so that she could come to terms with the current situation they were facing . it was so hard for [male0] to understand why all that was happening to him . the only person who believed in him at that moment was [male1] . | train | tt1045772 | 3,461 |
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tt0094291_0005_2 | null | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | Maggie looked stunning and was looking forward to the date she had with Felix. She arrived at the restaurant and found Felix waiting for her patiently. | Felix was so pleased to see her and he stood up to greet and invite her to their table. | They were both happy to be together that evening. Maggie told Felix that her best friend would pass by later on to join them in the restaurant. | After about and hour, Maggie's friend Lilly and her boyfriend joined them for dinner. Felix excused himself to go to the restroom. | On the way to the rest room, he saw Eric. Eric was his former partner who had defrauded him a huge amount of cash but the matter was in court. They exchanged glances but did not say a word to each other. | Eric took another glance at Felix and left the restaurant. | null | null | null | null | ['tt0094291_0372_0', 'tt0094291_0376_0', 'tt0094291_0377_0', 'tt0094291_0380_0', 'tt0094291_0381_0', 'tt0094291_0383_0'] | Maggie looked stunning and was looking forward to the date she had with Felix. She arrived at the restaurant and found Felix waiting for her patiently. Felix was so pleased to see her and he stood up to greet and invite her to their table. They were both happy to be together that evening. Maggie told Felix that her best friend would pass by later on to join them in the restaurant. After about and hour, Maggie's friend Lilly and her boyfriend joined them for dinner. Felix excused himself to go to the restroom. On the way to the rest room, he saw Eric. Eric was his former partner who had defrauded him a huge amount of cash but the matter was in court. They exchanged glances but did not say a word to each other. Eric took another glance at Felix and left the restaurant. | Maggie looked stunning and was looking forward to the date she had with Felix. She arrived at the restaurant and found Felix waiting for her patiently. [SENT] Felix was so pleased to see her and he stood up to greet and invite her to their table. [SENT] They were both happy to be together that evening. Maggie told Felix that her best friend would pass by later on to join them in the restaurant. [SENT] After about and hour, Maggie's friend Lilly and her boyfriend joined them for dinner. Felix excused himself to go to the restroom. [SENT] On the way to the rest room, he saw Eric. Eric was his former partner who had defrauded him a huge amount of cash but the matter was in court. They exchanged glances but did not say a word to each other. [SENT] Eric took another glance at Felix and left the restaurant. [SENT] | [female0] looked stunning and was looking forward to the date she had with [male0] . she arrived at the restaurant and found [male0] waiting for her patiently . [male0] was so pleased to see her and he stood up to greet and invite her to their table . they were both happy to be together that evening . [female0] told [male0] that her best friend would pass by later on to join them in the restaurant . after about and hour , [female0] 's friend [female1] and her boyfriend joined them for dinner . [male0] excused himself to go to the restroom . on the way to the rest room , he saw [male1] . [male1] was his former partner who had defrauded him a huge amount of cash but the matter was in court . they exchanged glances but did not say a word to each other . [male1] took another glance at [male0] and left the restaurant . | train | tt0094291 | 3,462 |
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tt1707386_0004_13 | null | null | null | null | Eddie | Russell | Sacha | Helena | Daniel | Eddie is part of a crowd that looks on and listens to | Russell, a commanding naval officer requesting information in a firm tone fro the crowd surrounding him. | Sacha and Helena are standing in a corner, eyeing the naval officer with an air of deep suspicion. | However, Sacha steps forward and asks Russell a question | which surprises Russell as he turns around to face Sacha. | Sacha and Helena step closer to Russell in quite a demure way. | null | null | null | null | ['tt1707386_1265_0', 'tt1707386_1266_2', 'tt1707386_1267_0', 'tt1707386_1269_0', 'tt1707386_1270_0', 'tt1707386_1271_1'] | Eddie is part of a crowd that looks on and listens to. Russell, a commanding naval officer requesting information in a firm tone fro the crowd surrounding him. Sacha and Helena are standing in a corner, eyeing the naval officer with an air of deep suspicion. However, Sacha steps forward and asks Russell a question. which surprises Russell as he turns around to face Sacha. Sacha and Helena step closer to Russell in quite a demure way. | Eddie is part of a crowd that looks on and listens to. [SENT] Russell, a commanding naval officer requesting information in a firm tone fro the crowd surrounding him. [SENT] Sacha and Helena are standing in a corner, eyeing the naval officer with an air of deep suspicion. [SENT] However, Sacha steps forward and asks Russell a question. [SENT] which surprises Russell as he turns around to face Sacha. [SENT] Sacha and Helena step closer to Russell in quite a demure way. [SENT] | [male0] is part of a crowd that looks on and listens to . [male1] , a commanding naval officer requesting information in a firm tone fro the crowd surrounding him . [female0] and [female1] are standing in a corner , eyeing the naval officer with an air of deep suspicion . however , [female0] steps forward and asks [male1] a question . which surprises [male1] as he turns around to face [female0] . [female0] and [female1] step closer to [male1] in quite a demure way . | train | tt1707386 | 3,463 |
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tt0082971_0002_3 | null | null | null | null | Harrison | {} | {} | {} | {} | {} | {} | {} | {} | Harrison is evading a band of native Indians in the Amazonas basin, | as he comes across a river and simply jumps in without looking. Hus pursuers are too close and indecision and inaction would result in him getting the proverbial short end of the stick. | Harrison jumps in in one fell swoop and | swims away from the water's edge | as angry natives draw closer, but realize that they cannot stop Harrison from getting away. | Finally, Harrison gets to his hidden-away biplane that will take him to safety. | null | null | null | null | ['tt0082971_0183_0', 'tt0082971_0184_2', 'tt0082971_0186_1', 'tt0082971_0187_2', 'tt0082971_0191_2', 'tt0082971_0192_0'] | Harrison is evading a band of native Indians in the Amazonas basin,. as he comes across a river and simply jumps in without looking. Hus pursuers are too close and indecision and inaction would result in him getting the proverbial short end of the stick. Harrison jumps in in one fell swoop and. swims away from the water's edge. as angry natives draw closer, but realize that they cannot stop Harrison from getting away. Finally, Harrison gets to his hidden-away biplane that will take him to safety. | Harrison is evading a band of native Indians in the Amazonas basin,. [SENT] as he comes across a river and simply jumps in without looking. Hus pursuers are too close and indecision and inaction would result in him getting the proverbial short end of the stick. [SENT] Harrison jumps in in one fell swoop and. [SENT] swims away from the water's edge. [SENT] as angry natives draw closer, but realize that they cannot stop Harrison from getting away. [SENT] Finally, Harrison gets to his hidden-away biplane that will take him to safety. [SENT] | [male0] is evading a band of native in the [location] basin , . as he comes across a river and simply jumps in without looking . [male1] pursuers are too close and indecision and inaction would result in him getting the proverbial short end of the stick . [male0] jumps in in one fell swoop and . swims away from the water 's edge . as angry natives draw closer , but realize that they can not stop [male0] from getting away . finally , [male0] gets to his hidden - away biplane that will take him to safety . | train | tt0082971 | 3,464 |
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tt0083929_0009_1 | null | null | Judge | Phoebe | Jennifer | {} | {} | {} | {} | The kids are swimming in the pool. | Judge is at the edge of the pool, talking to them. | Phoebe is sitting on the trampoline, | while Jennifer swims. | Judge looks at Phoebe from a window, | while she crouches on the trampoline. | She gets out of the pool, | while he goes back inside. | null | null | ['tt0083929_0731_0', 'tt0083929_0732_0', 'tt0083929_0733_0', 'tt0083929_0736_0', 'tt0083929_0740_0', 'tt0083929_0741_0', 'tt0083929_0743_0', 'tt0083929_0746_1'] | The kids are swimming in the pool. Judge is at the edge of the pool, talking to them. Phoebe is sitting on the trampoline,. while Jennifer swims. Judge looks at Phoebe from a window,. while she crouches on the trampoline. She gets out of the pool,. while he goes back inside. | The kids are swimming in the pool. [SENT] Judge is at the edge of the pool, talking to them. [SENT] Phoebe is sitting on the trampoline,. [SENT] while Jennifer swims. [SENT] Judge looks at Phoebe from a window,. [SENT] while she crouches on the trampoline. [SENT] She gets out of the pool,. [SENT] while he goes back inside. [SENT] | the kids are swimming in the pool . judge is at the edge of the pool , talking to them . [female0] is sitting on the trampoline , . while [female1] swims . judge looks at [female0] from a window , . while she crouches on the trampoline . she gets out of the pool , . while he goes back inside . | train | tt0083929 | 3,465 |
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tt0110632_0020_2 | null | null | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | Jim was taken hostage and in for the fight of his life. | The hostage taker asked Jim where all of the diamonds were | Jim lifted up his hands in the air and said he didn't know anything about any diamonds. | A negotiator came and told Jim to tell the man where the diamonds were so this could all be over. | Jim screamed that they were under his bed and the man loosened his grip. | null | null | null | null | null | ['tt0110632_1936_0', 'tt0110632_1939_0', 'tt0110632_1940_0', 'tt0110632_1941_0', 'tt0110632_1943_0'] | Jim was taken hostage and in for the fight of his life. The hostage taker asked Jim where all of the diamonds were. Jim lifted up his hands in the air and said he didn't know anything about any diamonds. A negotiator came and told Jim to tell the man where the diamonds were so this could all be over. Jim screamed that they were under his bed and the man loosened his grip. | Jim was taken hostage and in for the fight of his life. [SENT] The hostage taker asked Jim where all of the diamonds were. [SENT] Jim lifted up his hands in the air and said he didn't know anything about any diamonds. [SENT] A negotiator came and told Jim to tell the man where the diamonds were so this could all be over. [SENT] Jim screamed that they were under his bed and the man loosened his grip. [SENT] | [male0] was taken hostage and in for the fight of his life . the hostage taker asked [male0] where all of the diamonds were . [male0] lifted up his hands in the air and said he did n't know anything about any diamonds . a negotiator came and told [male0] to tell the man where the diamonds were so this could all be over . [male0] screamed that they were under his bed and the man loosened his grip . | train | tt0110632 | 3,466 |
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tt0118715_0021_0 | null | null | null | null | null | Jeff | Steve | John | {} | {} | {} | {} | John acts out behind a screen | during a theater production. It is John's hobby and passion. | Both Jeff and Steve are trying to follow the meaning of this piece of "Thespian Art", but seem somewhat befuddled. | Undeterred, and in front of a largely empty theater, John carries on in his heroic role. | Prancing across the stage, John does not mind making a fool out of himself for the sake of the theatrical art form. | null | null | null | null | null | ['tt0118715_0645_2', 'tt0118715_0646_1', 'tt0118715_0648_2', 'tt0118715_0649_1', 'tt0118715_0650_0'] | John acts out behind a screen. during a theater production. It is John's hobby and passion. Both Jeff and Steve are trying to follow the meaning of this piece of "Thespian Art", but seem somewhat befuddled. Undeterred, and in front of a largely empty theater, John carries on in his heroic role. Prancing across the stage, John does not mind making a fool out of himself for the sake of the theatrical art form. | John acts out behind a screen. [SENT] during a theater production. It is John's hobby and passion. [SENT] Both Jeff and Steve are trying to follow the meaning of this piece of "Thespian Art", but seem somewhat befuddled. [SENT] Undeterred, and in front of a largely empty theater, John carries on in his heroic role. [SENT] Prancing across the stage, John does not mind making a fool out of himself for the sake of the theatrical art form. [SENT] | [male0] acts out behind a screen . during a theater production . it is [male0] 's hobby and passion . both [male1] and [male2] are trying to follow the meaning of this piece of " " , but seem somewhat befuddled . undeterred , and in front of a largely empty theater , [male0] carries on in his heroic role . prancing across the stage , [male0] does not mind making a fool out of himself for the sake of the theatrical art form . | train | tt0118715 | 3,467 |
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tt0119822_0007_0 | null | null | null | null | null | Jack | Helen | {} | {} | {} | {} | {} | {} | Jack was looking for his cat. | He walked down the street to see where it had gone. | Then jack stopped and remembered something important. | He left the cat in a restaurant. He went to the restaurant to see if the cat was there. | Then jack felt stupid when he remembered that he doesn't even have a cat. | null | null | null | null | null | ['tt0119822_0132_2', 'tt0119822_0133_1', 'tt0119822_0136_0', 'tt0119822_0140_0', 'tt0119822_0141_2'] | Jack was looking for his cat. He walked down the street to see where it had gone. Then jack stopped and remembered something important. He left the cat in a restaurant. He went to the restaurant to see if the cat was there. Then jack felt stupid when he remembered that he doesn't even have a cat. | Jack was looking for his cat. [SENT] He walked down the street to see where it had gone. [SENT] Then jack stopped and remembered something important. [SENT] He left the cat in a restaurant. He went to the restaurant to see if the cat was there. [SENT] Then jack felt stupid when he remembered that he doesn't even have a cat. [SENT] | [male0] was looking for his cat . he walked down the street to see where it had gone . then jack stopped and remembered something important . he left the cat in a restaurant . he went to the restaurant to see if the cat was there . then jack felt stupid when he remembered that he does n't even have a cat . | train | tt0119822 | 3,468 |
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tt1659337_0006_1 | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | A young High School couple shares a treasured moment alone at one of their parent's elegant home. Both are dressed as if they had been at a High School gala celebration and had come back. The young woman has taken out a bottle of red wine showing it off to her boyfriend. | The young boy reads the label attentively, not knowing what shall expect him. He seems stuffy in his suit and tie | but his girlfriend has already made plans on how the evening will progress... | She stands in front of him in her lovely red dress, increasing the level of her attraction in his eyes as he marvels at her beauty. | The young girl has planned this at minutiae and is getting close to her quite passive boyfriend, as she begins her seduction cycle. | She leans toward him, opening the top of her dress and sliding the arms of her dress down. | The young boy appears slightly panicked as his girlfriend is making a move that unequivocally states what she wants from him, namely love and passion wrapped in one. | As she leans over to him, she moves further toward him, gently kissing her young friend, who is completely overwhelmed. Her seduction cycle is successful and in full force. | null | null | ['tt1659337_0876_0', 'tt1659337_0877_0', 'tt1659337_0878_0', 'tt1659337_0882_0', 'tt1659337_0884_0', 'tt1659337_0888_0', 'tt1659337_0893_0', 'tt1659337_0901_0'] | A young High School couple shares a treasured moment alone at one of their parent's elegant home. Both are dressed as if they had been at a High School gala celebration and had come back. The young woman has taken out a bottle of red wine showing it off to her boyfriend. The young boy reads the label attentively, not knowing what shall expect him. He seems stuffy in his suit and tie. but his girlfriend has already made plans on how the evening will progress... She stands in front of him in her lovely red dress, increasing the level of her attraction in his eyes as he marvels at her beauty. The young girl has planned this at minutiae and is getting close to her quite passive boyfriend, as she begins her seduction cycle. She leans toward him, opening the top of her dress and sliding the arms of her dress down. The young boy appears slightly panicked as his girlfriend is making a move that unequivocally states what she wants from him, namely love and passion wrapped in one. As she leans over to him, she moves further toward him, gently kissing her young friend, who is completely overwhelmed. Her seduction cycle is successful and in full force. | A young High School couple shares a treasured moment alone at one of their parent's elegant home. Both are dressed as if they had been at a High School gala celebration and had come back. The young woman has taken out a bottle of red wine showing it off to her boyfriend. [SENT] The young boy reads the label attentively, not knowing what shall expect him. He seems stuffy in his suit and tie. [SENT] but his girlfriend has already made plans on how the evening will progress... [SENT] She stands in front of him in her lovely red dress, increasing the level of her attraction in his eyes as he marvels at her beauty. [SENT] The young girl has planned this at minutiae and is getting close to her quite passive boyfriend, as she begins her seduction cycle. [SENT] She leans toward him, opening the top of her dress and sliding the arms of her dress down. [SENT] The young boy appears slightly panicked as his girlfriend is making a move that unequivocally states what she wants from him, namely love and passion wrapped in one. [SENT] As she leans over to him, she moves further toward him, gently kissing her young friend, who is completely overwhelmed. Her seduction cycle is successful and in full force. [SENT] | a young couple shares a treasured moment alone at one of their parent 's elegant home . both are dressed as if they had been at a gala celebration and had come back . the young woman has taken out a bottle of red wine showing it off to her boyfriend . the young boy reads the label attentively , not knowing what shall expect him . he seems stuffy in his suit and tie . but his girlfriend has already made plans on how the evening will progress ... she stands in front of him in her lovely red dress , increasing the level of her attraction in his eyes as he marvels at her beauty . the young girl has planned this at minutiae and is getting close to her quite passive boyfriend , as she begins her seduction cycle . she leans toward him , opening the top of her dress and sliding the arms of her dress down . the young boy appears slightly panicked as his girlfriend is making a move that unequivocally states what she wants from him , namely love and passion wrapped in one . as she leans over to him , she moves further toward him , gently kissing her young friend , who is completely overwhelmed . her seduction cycle is successful and in full force . | train | tt1659337 | 3,469 |
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tt1707386_0004_12 | null | null | null | null | null | Eddie | Russell | Hugh | Sacha | Amanda | Eddie turned around to see if the policemen were still running behind him or if they had lost him. | Officer Russell was scanning the crowd. He couldn't understand how the thieves had managed to escape in front of his eyes. | Hugh kept his eyes on officer Russell. He looked around for Amanda. He needed to get to her before the police officers reach him. | Sacha made his way towards the police officers to divert their attention. He had to give Hugh and Amanda time. | Amanda approached Hugh. Her eyes fixed on the police officers, her hands snatching the item from Hugh's hands. They would never suspect her. The hardest part was now behind them. | null | null | null | null | null | ['tt1707386_1250_2', 'tt1707386_1251_2', 'tt1707386_1254_0', 'tt1707386_1259_2', 'tt1707386_1260_0'] | Eddie turned around to see if the policemen were still running behind him or if they had lost him. Officer Russell was scanning the crowd. He couldn't understand how the thieves had managed to escape in front of his eyes. Hugh kept his eyes on officer Russell. He looked around for Amanda. He needed to get to her before the police officers reach him. Sacha made his way towards the police officers to divert their attention. He had to give Hugh and Amanda time. Amanda approached Hugh. Her eyes fixed on the police officers, her hands snatching the item from Hugh's hands. They would never suspect her. The hardest part was now behind them. | Eddie turned around to see if the policemen were still running behind him or if they had lost him. [SENT] Officer Russell was scanning the crowd. He couldn't understand how the thieves had managed to escape in front of his eyes. [SENT] Hugh kept his eyes on officer Russell. He looked around for Amanda. He needed to get to her before the police officers reach him. [SENT] Sacha made his way towards the police officers to divert their attention. He had to give Hugh and Amanda time. [SENT] Amanda approached Hugh. Her eyes fixed on the police officers, her hands snatching the item from Hugh's hands. They would never suspect her. The hardest part was now behind them. [SENT] | [male0] turned around to see if the policemen were still running behind him or if they had lost him . officer [male1] was scanning the crowd . he could n't understand how the thieves had managed to escape in front of his eyes . [male2] kept his eyes on officer [male1] . he looked around for [female0] . he needed to get to her before the police officers reach him . [female1] made his way towards the police officers to divert their attention . he had to give [male2] and [female0] time . [female0] approached [male2] . her eyes fixed on the police officers , her hands snatching the item from [male2] 's hands . they would never suspect her . the hardest part was now behind them . | train | tt1707386 | 3,470 |
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tt1084950_0005_15 | null | null | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | A happy crowd of people moves to music in a tent-like room. The mood is electric as the crowd is celebrating a joyous event. | A young, attractive, and statuesque woman with black hair stands out on the dance floor and her moves mesmerize several of the onlookers. | The crowd is pulsating and moving to the beat of exciting music that elicits everyone onto the dance floor. | One of the women with a beautiful hairdo is emphatic and really enjoys the atmosphere of happiness and dance bliss. | A middle-aged woman who seems to sit in as the proactive DJ, listens on a set of headphones to the next tune that she will be playing. However, her face is tense and does not reflect the joy and ecstasy that the dancing crowd feels. | null | null | null | null | null | ['tt1084950_1095_0', 'tt1084950_1097_0', 'tt1084950_1098_0', 'tt1084950_1099_0', 'tt1084950_1100_0'] | A happy crowd of people moves to music in a tent-like room. The mood is electric as the crowd is celebrating a joyous event. A young, attractive, and statuesque woman with black hair stands out on the dance floor and her moves mesmerize several of the onlookers. The crowd is pulsating and moving to the beat of exciting music that elicits everyone onto the dance floor. One of the women with a beautiful hairdo is emphatic and really enjoys the atmosphere of happiness and dance bliss. A middle-aged woman who seems to sit in as the proactive DJ, listens on a set of headphones to the next tune that she will be playing. However, her face is tense and does not reflect the joy and ecstasy that the dancing crowd feels. | A happy crowd of people moves to music in a tent-like room. The mood is electric as the crowd is celebrating a joyous event. [SENT] A young, attractive, and statuesque woman with black hair stands out on the dance floor and her moves mesmerize several of the onlookers. [SENT] The crowd is pulsating and moving to the beat of exciting music that elicits everyone onto the dance floor. [SENT] One of the women with a beautiful hairdo is emphatic and really enjoys the atmosphere of happiness and dance bliss. [SENT] A middle-aged woman who seems to sit in as the proactive DJ, listens on a set of headphones to the next tune that she will be playing. However, her face is tense and does not reflect the joy and ecstasy that the dancing crowd feels. [SENT] | a happy crowd of people moves to music in a tent - like room . the mood is electric as the crowd is celebrating a joyous event . a young , attractive , and statuesque woman with black hair stands out on the dance floor and her moves mesmerize several of the onlookers . the crowd is pulsating and moving to the beat of exciting music that elicits everyone onto the dance floor . one of the women with a beautiful hairdo is emphatic and really enjoys the atmosphere of happiness and dance bliss . a middle - aged woman who seems to sit in as the proactive dj , listens on a set of headphones to the next tune that she will be playing . however , her face is tense and does not reflect the joy and ecstasy that the dancing crowd feels . | train | tt1084950 | 3,471 |
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tt0120815_0015_2 | null | Edward | Tom | Tom | Barry | Jeremy | Tom and Edward are assessing the situation during a lull in the fighting. The platoon has scaled the back of a rock escarpment | and looks to camp for the night, | with Edward exhausted from the grind of warfare. | Edward and Tom are having a sudden blow-up as resentment creeps into the platoon over assigned roles, duties and associated viewpoint. | Tom, in his quiet, yet authoritative leadership role, sorts out the squabbling and reminds the platoon what they are to focus on, namely their task at hand. | The platoon has taken over an abandoned German sandsack-fortified machine gun position. | Edward and Tom show the deeper fissures among the platoon, as class, education and socio-econonic rank and all kinds of other American likes and dislikes, such as ethnic background, create a potentially potent mix of resentment. | Tom in a sudden fit of rage, suddenly pulls a gun on Edward, plainly showing him just how much he dislikes him. | Tom and Jeremy are observing the scene quietly wondering if all will be well going forward, | null | ['tt0120815_0879_0', 'tt0120815_0880_0', 'tt0120815_0882_0', 'tt0120815_0883_0', 'tt0120815_0885_0', 'tt0120815_0886_0', 'tt0120815_0887_0', 'tt0120815_0888_1', 'tt0120815_0889_0'] | Tom and Edward are assessing the situation during a lull in the fighting. The platoon has scaled the back of a rock escarpment. and looks to camp for the night,. with Edward exhausted from the grind of warfare. Edward and Tom are having a sudden blow-up as resentment creeps into the platoon over assigned roles, duties and associated viewpoint. Tom, in his quiet, yet authoritative leadership role, sorts out the squabbling and reminds the platoon what they are to focus on, namely their task at hand. The platoon has taken over an abandoned German sandsack-fortified machine gun position. Edward and Tom show the deeper fissures among the platoon, as class, education and socio-econonic rank and all kinds of other American likes and dislikes, such as ethnic background, create a potentially potent mix of resentment. Tom in a sudden fit of rage, suddenly pulls a gun on Edward, plainly showing him just how much he dislikes him. Tom and Jeremy are observing the scene quietly wondering if all will be well going forward,. | Tom and Edward are assessing the situation during a lull in the fighting. The platoon has scaled the back of a rock escarpment. [SENT] and looks to camp for the night,. [SENT] with Edward exhausted from the grind of warfare. [SENT] Edward and Tom are having a sudden blow-up as resentment creeps into the platoon over assigned roles, duties and associated viewpoint. [SENT] Tom, in his quiet, yet authoritative leadership role, sorts out the squabbling and reminds the platoon what they are to focus on, namely their task at hand. [SENT] The platoon has taken over an abandoned German sandsack-fortified machine gun position. [SENT] Edward and Tom show the deeper fissures among the platoon, as class, education and socio-econonic rank and all kinds of other American likes and dislikes, such as ethnic background, create a potentially potent mix of resentment. [SENT] Tom in a sudden fit of rage, suddenly pulls a gun on Edward, plainly showing him just how much he dislikes him. [SENT] Tom and Jeremy are observing the scene quietly wondering if all will be well going forward,. [SENT] | [male0] and [male1] are assessing the situation during a lull in the fighting . the platoon has scaled the back of a rock escarpment . and looks to camp for the night , . with [male1] exhausted from the grind of warfare . [male1] and [male0] are having a sudden blow - up as resentment creeps into the platoon over assigned roles , duties and associated viewpoint . [male0] , in his quiet , yet authoritative leadership role , sorts out the squabbling and reminds the platoon what they are to focus on , namely their task at hand . the platoon has taken over an abandoned sandsack - fortified machine gun position . [male1] and [male0] show the deeper fissures among the platoon , as class , education and socio - econonic rank and all kinds of other likes and dislikes , such as ethnic background , create a potentially potent mix of resentment . [male0] in a sudden fit of rage , suddenly pulls a gun on [male1] , plainly showing him just how much he dislikes him . [male0] and [male2] are observing the scene quietly wondering if all will be well going forward , . | train | tt0120815 | 3,472 |
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tt0120815_0015_2 | null | null | null | null | null | Edward | Tom | Tom | Barry | Jeremy | A bunch of men were hiking in the mountains. | Tom was their leader. He didn't want anyone to stop until they reached their destination. | Bill wanted to rest because they were hiking for a long time. | When Jim mentioned that they should keep walking like Tom suggested, Bill got in his face. | Tom decided that they actually should get some rest so they could be more focused later on. | null | null | null | null | null | ['tt0120815_0879_0', 'tt0120815_0880_0', 'tt0120815_0882_0', 'tt0120815_0883_0', 'tt0120815_0885_0'] | A bunch of men were hiking in the mountains. Tom was their leader. He didn't want anyone to stop until they reached their destination. Bill wanted to rest because they were hiking for a long time. When Jim mentioned that they should keep walking like Tom suggested, Bill got in his face. Tom decided that they actually should get some rest so they could be more focused later on. | A bunch of men were hiking in the mountains. [SENT] Tom was their leader. He didn't want anyone to stop until they reached their destination. [SENT] Bill wanted to rest because they were hiking for a long time. [SENT] When Jim mentioned that they should keep walking like Tom suggested, Bill got in his face. [SENT] Tom decided that they actually should get some rest so they could be more focused later on. [SENT] | a bunch of men were hiking in the mountains . [male0] was their leader . he did n't want anyone to stop until they reached their destination . [male1] wanted to rest because they were hiking for a long time . when [male2] mentioned that they should keep walking like [male0] suggested , [male1] got in his face . [male0] decided that they actually should get some rest so they could be more focused later on . | train | tt0120815 | 3,473 |
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tt0067116_0012_12 | null | null | null | null | Marcel | Gene | {} | {} | {} | {} | {} | {} | Gene's car shows the abuse it has taken during the relentless pursuit of Marcel. | Gene concedes defeat and drives though the side streets of Queens in order to clear his head and come to grips with how he can regain Marcel's trace. | In the meantime, the subway conductor and several subway riders are cornering Marcel and are trying to apprehend him. | Although under pressure, Marcel calmly threatens the crowd | by pulling a gun on them | and shooting into the crowd of subway riders in a desperate attempt to get away without being taken into custody and facing the U.S. death penalty for his crimes. | null | null | null | null | ['tt0067116_0820_0', 'tt0067116_0822_1', 'tt0067116_0823_2', 'tt0067116_0824_0', 'tt0067116_0826_0', 'tt0067116_0827_2'] | Gene's car shows the abuse it has taken during the relentless pursuit of Marcel. Gene concedes defeat and drives though the side streets of Queens in order to clear his head and come to grips with how he can regain Marcel's trace. In the meantime, the subway conductor and several subway riders are cornering Marcel and are trying to apprehend him. Although under pressure, Marcel calmly threatens the crowd. by pulling a gun on them. and shooting into the crowd of subway riders in a desperate attempt to get away without being taken into custody and facing the U.S. death penalty for his crimes. | Gene's car shows the abuse it has taken during the relentless pursuit of Marcel. [SENT] Gene concedes defeat and drives though the side streets of Queens in order to clear his head and come to grips with how he can regain Marcel's trace. [SENT] In the meantime, the subway conductor and several subway riders are cornering Marcel and are trying to apprehend him. [SENT] Although under pressure, Marcel calmly threatens the crowd. [SENT] by pulling a gun on them. [SENT] and shooting into the crowd of subway riders in a desperate attempt to get away without being taken into custody and facing the U.S. death penalty for his crimes. [SENT] | [male0] 's car shows the abuse it has taken during the relentless pursuit of [male1] . [male0] concedes defeat and drives though the side streets of [location] in order to clear his head and come to grips with how he can regain [male1] 's trace . in the meantime , the subway conductor and several subway riders are cornering [male1] and are trying to apprehend him . although under pressure , [male1] calmly threatens the crowd . by pulling a gun on them . and shooting into the crowd of subway riders in a desperate attempt to get away without being taken into custody and facing the [location] death penalty for his crimes . | train | tt0067116 | 3,474 |
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tt0129387_0002_7 | null | null | null | null | null | W. | Cameron | Ben | {} | {} | {} | {} | On a go-cart track, Cameron and Ben are facing off in different go-carts for a mock race between the two. He challenged her in order to impress her of his manly attitude. | Cameron is not really impressed as she taunts Ben across the race divide. She is supremely confident and knows what Ben is trying to convey to her and goes along playfully. | The race has started and Cameron eggs ben on playfully, as if to tease him to greater exhibition of his manliness. | Ben is both frustrated and perplexed at the same time that Cameron is nto a demure woman, but has taken his challenge and is running with it. | As the race progresses, Cameron pulls ahead in a highly competitive spirit which really upsets Ben in his boy-like mannerism. | null | null | null | null | null | ['tt0129387_0973_2', 'tt0129387_0974_0', 'tt0129387_0975_2', 'tt0129387_0976_2', 'tt0129387_0977_0'] | On a go-cart track, Cameron and Ben are facing off in different go-carts for a mock race between the two. He challenged her in order to impress her of his manly attitude. Cameron is not really impressed as she taunts Ben across the race divide. She is supremely confident and knows what Ben is trying to convey to her and goes along playfully. The race has started and Cameron eggs ben on playfully, as if to tease him to greater exhibition of his manliness. Ben is both frustrated and perplexed at the same time that Cameron is nto a demure woman, but has taken his challenge and is running with it. As the race progresses, Cameron pulls ahead in a highly competitive spirit which really upsets Ben in his boy-like mannerism. | On a go-cart track, Cameron and Ben are facing off in different go-carts for a mock race between the two. He challenged her in order to impress her of his manly attitude. [SENT] Cameron is not really impressed as she taunts Ben across the race divide. She is supremely confident and knows what Ben is trying to convey to her and goes along playfully. [SENT] The race has started and Cameron eggs ben on playfully, as if to tease him to greater exhibition of his manliness. [SENT] Ben is both frustrated and perplexed at the same time that Cameron is nto a demure woman, but has taken his challenge and is running with it. [SENT] As the race progresses, Cameron pulls ahead in a highly competitive spirit which really upsets Ben in his boy-like mannerism. [SENT] | on a go - cart track , [male0] and [male1] are facing off in different go - carts for a mock race between the two . he challenged her in order to impress her of his manly attitude . [male0] is not really impressed as she taunts [male1] across the race divide . she is supremely confident and knows what [male1] is trying to convey to her and goes along playfully . the race has started and [male0] eggs ben on playfully , as if to tease him to greater exhibition of his manliness . [male1] is both frustrated and perplexed at the same time that [male0] is nto a demure woman , but has taken his challenge and is running with it . as the race progresses , [male0] pulls ahead in a highly competitive spirit which really upsets [male1] in his boy - like mannerism . | train | tt0129387 | 3,475 |
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tt0369339_0007_9 | null | null | null | Jada | Jamie | Tom | {} | {} | {} | {} | Jamie and Jada are a couple on the run who are trying to get away from something. | hey are running through an empty underground terminal system in a large city as they try to escape from someone who is following them. | Tom has taken up the trail of Jamie and Jada and is hotly pursuing them down a large escalator into the underground terminal. | He hears the running steps ahead of him and is guided into the direction from where the sounds of the running couple emanates. | Hearing that they are being pursued, Jamie and Jada have finally reached one of the underground system platforms, but no train is there, so they are stuck. | As Tom arrives at the lower underground terminal station he sees Jamie and Jada run in the distance. He realizes that he is quite a ways away from them and his hunt may prove to be futile. | As Tom reaches the top stairs leading to the underground platform, he realizes that a train has just arrived and is about to leave again, taking the couple he has pursued with them. His hunt was futile and he has to abort. | null | null | null | ['tt0369339_1655_2', 'tt0369339_1656_1', 'tt0369339_1660_0', 'tt0369339_1661_0', 'tt0369339_1662_1', 'tt0369339_1665_1', 'tt0369339_1667_1'] | Jamie and Jada are a couple on the run who are trying to get away from something. hey are running through an empty underground terminal system in a large city as they try to escape from someone who is following them. Tom has taken up the trail of Jamie and Jada and is hotly pursuing them down a large escalator into the underground terminal. He hears the running steps ahead of him and is guided into the direction from where the sounds of the running couple emanates. Hearing that they are being pursued, Jamie and Jada have finally reached one of the underground system platforms, but no train is there, so they are stuck. As Tom arrives at the lower underground terminal station he sees Jamie and Jada run in the distance. He realizes that he is quite a ways away from them and his hunt may prove to be futile. As Tom reaches the top stairs leading to the underground platform, he realizes that a train has just arrived and is about to leave again, taking the couple he has pursued with them. His hunt was futile and he has to abort. | Jamie and Jada are a couple on the run who are trying to get away from something. [SENT] hey are running through an empty underground terminal system in a large city as they try to escape from someone who is following them. [SENT] Tom has taken up the trail of Jamie and Jada and is hotly pursuing them down a large escalator into the underground terminal. [SENT] He hears the running steps ahead of him and is guided into the direction from where the sounds of the running couple emanates. [SENT] Hearing that they are being pursued, Jamie and Jada have finally reached one of the underground system platforms, but no train is there, so they are stuck. [SENT] As Tom arrives at the lower underground terminal station he sees Jamie and Jada run in the distance. He realizes that he is quite a ways away from them and his hunt may prove to be futile. [SENT] As Tom reaches the top stairs leading to the underground platform, he realizes that a train has just arrived and is about to leave again, taking the couple he has pursued with them. His hunt was futile and he has to abort. [SENT] | [female0] and [female1] are a couple on the run who are trying to get away from something . hey are running through an empty underground terminal system in a large city as they try to escape from someone who is following them . [male0] has taken up the trail of [female0] and [female1] and is hotly pursuing them down a large escalator into the underground terminal . he hears the running steps ahead of him and is guided into the direction from where the sounds of the running couple emanates . hearing that they are being pursued , [female0] and [female1] have finally reached one of the underground system platforms , but no train is there , so they are stuck . as [male0] arrives at the lower underground terminal station he sees [female0] and [female1] run in the distance . he realizes that he is quite a ways away from them and his hunt may prove to be futile . as [male0] reaches the top stairs leading to the underground platform , he realizes that a train has just arrived and is about to leave again , taking the couple he has pursued with them . his hunt was futile and he has to abort . | train | tt0369339 | 3,476 |
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tt0082971_0011_2 | null | null | Harrison | John | Karen | {} | {} | {} | {} | Harrison is at an archaeological digging site in Egypt, hatching out a plan to get to the coveted treasure before anyone else of the team that has been assembled. | He attempts to locate the exact position of the treasure by measuring the domed site and probing with a long stick. | until he sees the sunlight emanating from the top of the dome, illuminating not only the inside of the temple site, but as well his thoughts. | John and Harrison are making their plan on the fly as they realize that they are outmatched in terms of manpower and numbers | with John making a crafty diversion so that Harrison can get away to re-enter the site without being detected. | However, some of the German Africa Corps soldiers are vigilant and are realizing that Harrison is there without permission and pursue him. Harrison runs from the German soldiers | only to stumble onto Karen as he enters one of the tents in his attempt to get away from his pursuers. | Karen is bound and gagged and she looks at Harrison pleadingly. | null | null | ['tt0082971_0626_0', 'tt0082971_0627_1', 'tt0082971_0628_0', 'tt0082971_0629_0', 'tt0082971_0630_2', 'tt0082971_0631_1', 'tt0082971_0632_1', 'tt0082971_0633_0'] | Harrison is at an archaeological digging site in Egypt, hatching out a plan to get to the coveted treasure before anyone else of the team that has been assembled. He attempts to locate the exact position of the treasure by measuring the domed site and probing with a long stick. until he sees the sunlight emanating from the top of the dome, illuminating not only the inside of the temple site, but as well his thoughts. John and Harrison are making their plan on the fly as they realize that they are outmatched in terms of manpower and numbers. with John making a crafty diversion so that Harrison can get away to re-enter the site without being detected. However, some of the German Africa Corps soldiers are vigilant and are realizing that Harrison is there without permission and pursue him. Harrison runs from the German soldiers. only to stumble onto Karen as he enters one of the tents in his attempt to get away from his pursuers. Karen is bound and gagged and she looks at Harrison pleadingly. | Harrison is at an archaeological digging site in Egypt, hatching out a plan to get to the coveted treasure before anyone else of the team that has been assembled. [SENT] He attempts to locate the exact position of the treasure by measuring the domed site and probing with a long stick. [SENT] until he sees the sunlight emanating from the top of the dome, illuminating not only the inside of the temple site, but as well his thoughts. [SENT] John and Harrison are making their plan on the fly as they realize that they are outmatched in terms of manpower and numbers. [SENT] with John making a crafty diversion so that Harrison can get away to re-enter the site without being detected. [SENT] However, some of the German Africa Corps soldiers are vigilant and are realizing that Harrison is there without permission and pursue him. Harrison runs from the German soldiers. [SENT] only to stumble onto Karen as he enters one of the tents in his attempt to get away from his pursuers. [SENT] Karen is bound and gagged and she looks at Harrison pleadingly. [SENT] | [male0] is at an archaeological digging site in [location] , hatching out a plan to get to the coveted treasure before anyone else of the team that has been assembled . he attempts to locate the exact position of the treasure by measuring the domed site and probing with a long stick . until he sees the sunlight emanating from the top of the dome , illuminating not only the inside of the temple site , but as well his thoughts . [male1] and [male0] are making their plan on the fly as they realize that they are outmatched in terms of manpower and numbers . with [male1] making a crafty diversion so that [male0] can get away to re - enter the site without being detected . however , some of the soldiers are vigilant and are realizing that [male0] is there without permission and pursue him . [male0] runs from the soldiers . only to stumble onto [female0] as he enters one of the tents in his attempt to get away from his pursuers . [female0] is bound and gagged and she looks at [male0] pleadingly . | train | tt0082971 | 3,477 |
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tt0187393_0005_0 | null | null | null | null | Mel | Joely | Heath | {} | {} | {} | {} | Mel sits in his drawing room in front of a massive fireplace and ponders the political situation he finds himself engulfed in as he suddenly is made aware of a visitor. | His beautiful wife Joely introduces the visitor, | young Heath to Mel. | Heath's reputation as a rebel against English rule has preceded him and Mel is not too well pleased to have him in his home. | Mel becomes perturbed and starts an argument with Heath over his careless visit at Mel's, which will put Mel and his family into serious danger, as the English have a network of spies ferreting out all kinds of information about the rebel forces. | As Mel's anger recedes somewhat, he goes into a monologue about the political situation and shows his basic agreement with Heath's position, but believes in a totally different approach to the problem. | null | null | null | null | ['tt0187393_0763_1', 'tt0187393_0764_0', 'tt0187393_0766_0', 'tt0187393_0769_1', 'tt0187393_0770_0', 'tt0187393_0771_0'] | Mel sits in his drawing room in front of a massive fireplace and ponders the political situation he finds himself engulfed in as he suddenly is made aware of a visitor. His beautiful wife Joely introduces the visitor,. young Heath to Mel. Heath's reputation as a rebel against English rule has preceded him and Mel is not too well pleased to have him in his home. Mel becomes perturbed and starts an argument with Heath over his careless visit at Mel's, which will put Mel and his family into serious danger, as the English have a network of spies ferreting out all kinds of information about the rebel forces. As Mel's anger recedes somewhat, he goes into a monologue about the political situation and shows his basic agreement with Heath's position, but believes in a totally different approach to the problem. | Mel sits in his drawing room in front of a massive fireplace and ponders the political situation he finds himself engulfed in as he suddenly is made aware of a visitor. [SENT] His beautiful wife Joely introduces the visitor,. [SENT] young Heath to Mel. [SENT] Heath's reputation as a rebel against English rule has preceded him and Mel is not too well pleased to have him in his home. [SENT] Mel becomes perturbed and starts an argument with Heath over his careless visit at Mel's, which will put Mel and his family into serious danger, as the English have a network of spies ferreting out all kinds of information about the rebel forces. [SENT] As Mel's anger recedes somewhat, he goes into a monologue about the political situation and shows his basic agreement with Heath's position, but believes in a totally different approach to the problem. [SENT] | [female0] sits in his drawing room in front of a massive fireplace and ponders the political situation he finds himself engulfed in as he suddenly is made aware of a visitor . his beautiful wife [male0] introduces the visitor , . young [male1] to [female0] . [male1] 's reputation as a rebel against rule has preceded him and [female0] is not too well pleased to have him in his home . [female0] becomes perturbed and starts an argument with [male1] over his careless visit at [female0] 's , which will put [female0] and his family into serious danger , as the have a network of spies ferreting out all kinds of information about the rebel forces . as [female0] 's anger recedes somewhat , he goes into a monologue about the political situation and shows his basic agreement with [male1] 's position , but believes in a totally different approach to the problem . | train | tt0187393 | 3,478 |
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tt0213149_0007_1 | null | null | Kate | Ben | {} | {} | {} | {} | {} | {} | A young, stunning woman with open hair looks deeply and earnestly at Ben, | who watches her disappear toward the several small shops. | Ben sits in his house with the door ajar, as a Taxi pulls up and the same attractive woman appears | and steps toward his house. | Smiling, but trying to hide his happiness over her appearance | he pretends to be busy with his uniform again | but then sees her at his door and asks her inside. | She obliges and it is immediately apparent that she fancies him deeply as she looks down nervously, trying to elicit his attention. | null | null | ['tt0213149_2785_0', 'tt0213149_2786_2', 'tt0213149_2787_0', 'tt0213149_2788_0', 'tt0213149_2790_0', 'tt0213149_2792_0', 'tt0213149_2793_0', 'tt0213149_2795_1'] | A young, stunning woman with open hair looks deeply and earnestly at Ben,. who watches her disappear toward the several small shops. Ben sits in his house with the door ajar, as a Taxi pulls up and the same attractive woman appears. and steps toward his house. Smiling, but trying to hide his happiness over her appearance. he pretends to be busy with his uniform again. but then sees her at his door and asks her inside. She obliges and it is immediately apparent that she fancies him deeply as she looks down nervously, trying to elicit his attention. | A young, stunning woman with open hair looks deeply and earnestly at Ben,. [SENT] who watches her disappear toward the several small shops. [SENT] Ben sits in his house with the door ajar, as a Taxi pulls up and the same attractive woman appears. [SENT] and steps toward his house. [SENT] Smiling, but trying to hide his happiness over her appearance. [SENT] he pretends to be busy with his uniform again. [SENT] but then sees her at his door and asks her inside. [SENT] She obliges and it is immediately apparent that she fancies him deeply as she looks down nervously, trying to elicit his attention. [SENT] | a young , stunning woman with open hair looks deeply and earnestly at [male0] , . who watches her disappear toward the several small shops . [male0] sits in his house with the door ajar , as a taxi pulls up and the same attractive woman appears . and steps toward his house . smiling , but trying to hide his happiness over her appearance . he pretends to be busy with his uniform again . but then sees her at his door and asks her inside . she obliges and it is immediately apparent that she fancies him deeply as she looks down nervously , trying to elicit his attention . | train | tt0213149 | 3,479 |
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tt0097576_0009_0 | null | null | null | null | Julian | Michael | Denholm | Kevork | John | Julian and Michael are annoyed by the one, slight scratch on their car. | Denholm is really concerned for Julian's mental health as a result of the one, slight scratch on his car. | Kevork is ashamed, but refuses to admit that he was the one who accidentally scratched the car. | Meanwhile, John, who is autistic with the mind of an 8 year old and lashes out at strangers in public, is upset about not being able to go the carnival. | John's buddy tries to think of a way to make him feel better. He decides to show him a tank. | John and his friend look at the tank in awe. | null | null | null | null | ['tt0097576_1024_1', 'tt0097576_1025_1', 'tt0097576_1026_2', 'tt0097576_1029_0', 'tt0097576_1031_1', 'tt0097576_1032_2'] | Julian and Michael are annoyed by the one, slight scratch on their car. Denholm is really concerned for Julian's mental health as a result of the one, slight scratch on his car. Kevork is ashamed, but refuses to admit that he was the one who accidentally scratched the car. Meanwhile, John, who is autistic with the mind of an 8 year old and lashes out at strangers in public, is upset about not being able to go the carnival. John's buddy tries to think of a way to make him feel better. He decides to show him a tank. John and his friend look at the tank in awe. | Julian and Michael are annoyed by the one, slight scratch on their car. [SENT] Denholm is really concerned for Julian's mental health as a result of the one, slight scratch on his car. [SENT] Kevork is ashamed, but refuses to admit that he was the one who accidentally scratched the car. [SENT] Meanwhile, John, who is autistic with the mind of an 8 year old and lashes out at strangers in public, is upset about not being able to go the carnival. [SENT] John's buddy tries to think of a way to make him feel better. He decides to show him a tank. [SENT] John and his friend look at the tank in awe. [SENT] | [male0] and [male1] are annoyed by the one , slight scratch on their car . [male2] is really concerned for [male0] 's mental health as a result of the one , slight scratch on his car . [male3] is ashamed , but refuses to admit that he was the one who accidentally scratched the car . meanwhile , [male4] , who is autistic with the mind of an 8 year old and lashes out at strangers in public , is upset about not being able to go the carnival . [male4] 's buddy tries to think of a way to make him feel better . he decides to show him a tank . [male4] and his friend look at the tank in awe . | train | tt0097576 | 3,480 |
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tt1659337_0006_3 | null | null | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | The teenagers were standing around wondering who would pick the movie for later tonight. | Bill told Ana that he wanted to pick the movie. | Later on the teens were having lunch and decided that they shouldn't fight over stupid things like movies. | They later fought about what they should do instead of watching a movie. | Because of the arguments and tears, they got into an even bigger fight and ended up just being alone for the night. | null | null | null | null | null | ['tt1659337_0922_0', 'tt1659337_0923_0', 'tt1659337_0929_0', 'tt1659337_0933_0', 'tt1659337_0934_0'] | The teenagers were standing around wondering who would pick the movie for later tonight. Bill told Ana that he wanted to pick the movie. Later on the teens were having lunch and decided that they shouldn't fight over stupid things like movies. They later fought about what they should do instead of watching a movie. Because of the arguments and tears, they got into an even bigger fight and ended up just being alone for the night. | The teenagers were standing around wondering who would pick the movie for later tonight. [SENT] Bill told Ana that he wanted to pick the movie. [SENT] Later on the teens were having lunch and decided that they shouldn't fight over stupid things like movies. [SENT] They later fought about what they should do instead of watching a movie. [SENT] Because of the arguments and tears, they got into an even bigger fight and ended up just being alone for the night. [SENT] | the teenagers were standing around wondering who would pick the movie for later tonight . [male0] told [female0] that he wanted to pick the movie . later on the teens were having lunch and decided that they should n't fight over stupid things like movies . they later fought about what they should do instead of watching a movie . because of the arguments and tears , they got into an even bigger fight and ended up just being alone for the night . | train | tt1659337 | 3,481 |
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tt0780504_0005_3 | null | null | null | null | null | Ryan | Albert | Bryan | James | {} | {} | Ryan was looking out the window thinking about what he wanted to do on vacation. | he decided he would get a tattoo of his girlfriend Meg. | The tattoo hurt a lot. | After the tattoo, a man told Ryan that Meg had been cheating on him for six months. | After thinking about it, Ryan decided to just pretend the cheating never happened. | null | null | null | null | null | ['tt0780504_0590_2', 'tt0780504_0593_0', 'tt0780504_0594_0', 'tt0780504_0596_0', 'tt0780504_0597_0'] | Ryan was looking out the window thinking about what he wanted to do on vacation. he decided he would get a tattoo of his girlfriend Meg. The tattoo hurt a lot. After the tattoo, a man told Ryan that Meg had been cheating on him for six months. After thinking about it, Ryan decided to just pretend the cheating never happened. | Ryan was looking out the window thinking about what he wanted to do on vacation. [SENT] he decided he would get a tattoo of his girlfriend Meg. [SENT] The tattoo hurt a lot. [SENT] After the tattoo, a man told Ryan that Meg had been cheating on him for six months. [SENT] After thinking about it, Ryan decided to just pretend the cheating never happened. [SENT] | [male0] was looking out the window thinking about what he wanted to do on vacation . he decided he would get a tattoo of his girlfriend [female0] . the tattoo hurt a lot . after the tattoo , a man told [male0] that [female0] had been cheating on him for six months . after thinking about it , [male0] decided to just pretend the cheating never happened . | train | tt0780504 | 3,482 |
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tt1707386_0004_15 | null | null | null | null | null | Sacha | Aaron | Eddie | {} | {} | {} | {} | A town meeting ensues for an emergency situation. Peacekeepers Aaron and Eddie are onhand. | Aaron heads the search for two missing children believed to be kidnapped. Eddie believes, but only a hunch, that the kidnapper(s) are not within town limits. | Thus is the reason for their meeting today, to discuss how to reach beyond the limits of the town (if Eddie is right) and to inquire the townfolk about any strangers that may have been in town recently. | One man, Bart, steps forward to say he has seen a couple of men he hadn't seen before. "I saw them in the store opposite side of town, Mattie's place". | Eddie begins to speak with him further, asking him how much attention he paid to what they did or had he seen anything strange. | null | null | null | null | null | ['tt1707386_1290_0', 'tt1707386_1291_0', 'tt1707386_1292_2', 'tt1707386_1293_0', 'tt1707386_1295_0'] | A town meeting ensues for an emergency situation. Peacekeepers Aaron and Eddie are onhand. Aaron heads the search for two missing children believed to be kidnapped. Eddie believes, but only a hunch, that the kidnapper(s) are not within town limits. Thus is the reason for their meeting today, to discuss how to reach beyond the limits of the town (if Eddie is right) and to inquire the townfolk about any strangers that may have been in town recently. One man, Bart, steps forward to say he has seen a couple of men he hadn't seen before. "I saw them in the store opposite side of town, Mattie's place". Eddie begins to speak with him further, asking him how much attention he paid to what they did or had he seen anything strange. | A town meeting ensues for an emergency situation. Peacekeepers Aaron and Eddie are onhand. [SENT] Aaron heads the search for two missing children believed to be kidnapped. Eddie believes, but only a hunch, that the kidnapper(s) are not within town limits. [SENT] Thus is the reason for their meeting today, to discuss how to reach beyond the limits of the town (if Eddie is right) and to inquire the townfolk about any strangers that may have been in town recently. [SENT] One man, Bart, steps forward to say he has seen a couple of men he hadn't seen before. "I saw them in the store opposite side of town, Mattie's place". [SENT] Eddie begins to speak with him further, asking him how much attention he paid to what they did or had he seen anything strange. [SENT] | a town meeting ensues for an emergency situation . peacekeepers [male0] and [male1] are onhand . [male0] heads the search for two missing children believed to be kidnapped . [male1] believes , but only a hunch , that the kidnapper(s ) are not within town limits . thus is the reason for their meeting today , to discuss how to reach beyond the limits of the town ( if [male1] is right ) and to inquire the townfolk about any strangers that may have been in town recently . one man , [male2] , steps forward to say he has seen a couple of men he had n't seen before . " i saw them in the store opposite side of town , [female0] 's place " . [male1] begins to speak with him further , asking him how much attention he paid to what they did or had he seen anything strange . | train | tt1707386 | 3,483 |
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tt0822832_0001_16 | null | null | null | null | null | Kathleen | Jennifer | Owen | {} | {} | {} | {} | Kathleen, put in charge against her will of the neighborhood dog competition, still took the job seriously and looked around carefully at all the animals and their owners gathered there. | Pointing her finger straight ahead, she asked all the participants whether they were ready to begin. | Most people had a good grip on their pets, but it wasn't the case of Jennifer who had a very hard time keeping her dog Marco from jumping around. | Owen, Jennifer's older brother, whistled quietly in the direction of Marco, | and almost immediately he stopped jumping around and lied on the ground. | null | null | null | null | null | ['tt0822832_0321_0', 'tt0822832_0322_1', 'tt0822832_0323_2', 'tt0822832_0324_0', 'tt0822832_0328_0'] | Kathleen, put in charge against her will of the neighborhood dog competition, still took the job seriously and looked around carefully at all the animals and their owners gathered there. Pointing her finger straight ahead, she asked all the participants whether they were ready to begin. Most people had a good grip on their pets, but it wasn't the case of Jennifer who had a very hard time keeping her dog Marco from jumping around. Owen, Jennifer's older brother, whistled quietly in the direction of Marco,. and almost immediately he stopped jumping around and lied on the ground. | Kathleen, put in charge against her will of the neighborhood dog competition, still took the job seriously and looked around carefully at all the animals and their owners gathered there. [SENT] Pointing her finger straight ahead, she asked all the participants whether they were ready to begin. [SENT] Most people had a good grip on their pets, but it wasn't the case of Jennifer who had a very hard time keeping her dog Marco from jumping around. [SENT] Owen, Jennifer's older brother, whistled quietly in the direction of Marco,. [SENT] and almost immediately he stopped jumping around and lied on the ground. [SENT] | [female0] , put in charge against her will of the neighborhood dog competition , still took the job seriously and looked around carefully at all the animals and their owners gathered there . pointing her finger straight ahead , she asked all the participants whether they were ready to begin . most people had a good grip on their pets , but it was n't the case of [female1] who had a very hard time keeping her dog [male0] from jumping around . [male1] , [female1] 's older brother , whistled quietly in the direction of [male0] , . and almost immediately he stopped jumping around and lied on the ground . | train | tt0822832 | 3,484 |
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tt0090022_0001_2 | null | null | Kevin | {} | {} | {} | {} | {} | {} | {} | {} | Kevin enters a store in his red undergarments, which in this dusty border town in the old American Southwest amounts to social heresy. Immediately, the shop keeper brandishes a knife trying to boot out Kevin without giving him any of the clothing aticles Kevin aks the shopkeeper.for. | Through the window of the shop, Kevin sees one of the men whom he believes robbed him of all his possessions | and tries to make an immediate plan to follow that man | pleading again with the shopkeeper for some clothes on credit, he is rebuffed again in no uncertain terms. | The man Kevin suspects of being his robber is getting ready to take his horse and leave town, so | Kevin must make a plan of action on the fly - clothed with nothing more than his red undergarments. | As he saunters down the dusty Main Road, he causes a major stir with people looking and laughing at this man | with mothers and children gawking at this strange person who walks around outside in his underwear and boots. | null | null | ['tt0090022_0072_0', 'tt0090022_0073_0', 'tt0090022_0074_1', 'tt0090022_0075_0', 'tt0090022_0076_2', 'tt0090022_0078_1', 'tt0090022_0079_2', 'tt0090022_0080_0'] | Kevin enters a store in his red undergarments, which in this dusty border town in the old American Southwest amounts to social heresy. Immediately, the shop keeper brandishes a knife trying to boot out Kevin without giving him any of the clothing aticles Kevin aks the shopkeeper.for. Through the window of the shop, Kevin sees one of the men whom he believes robbed him of all his possessions. and tries to make an immediate plan to follow that man. pleading again with the shopkeeper for some clothes on credit, he is rebuffed again in no uncertain terms. The man Kevin suspects of being his robber is getting ready to take his horse and leave town, so. Kevin must make a plan of action on the fly - clothed with nothing more than his red undergarments. As he saunters down the dusty Main Road, he causes a major stir with people looking and laughing at this man. with mothers and children gawking at this strange person who walks around outside in his underwear and boots. | Kevin enters a store in his red undergarments, which in this dusty border town in the old American Southwest amounts to social heresy. Immediately, the shop keeper brandishes a knife trying to boot out Kevin without giving him any of the clothing aticles Kevin aks the shopkeeper.for. [SENT] Through the window of the shop, Kevin sees one of the men whom he believes robbed him of all his possessions. [SENT] and tries to make an immediate plan to follow that man. [SENT] pleading again with the shopkeeper for some clothes on credit, he is rebuffed again in no uncertain terms. [SENT] The man Kevin suspects of being his robber is getting ready to take his horse and leave town, so. [SENT] Kevin must make a plan of action on the fly - clothed with nothing more than his red undergarments. [SENT] As he saunters down the dusty Main Road, he causes a major stir with people looking and laughing at this man. [SENT] with mothers and children gawking at this strange person who walks around outside in his underwear and boots. [SENT] | [male0] enters a store in his red undergarments , which in this dusty border town in the old [location] amounts to social heresy . immediately , the shop keeper brandishes a knife trying to boot out [male0] without giving him any of the clothing aticles [male0] aks the shopkeeper.for . through the window of the shop , [male0] sees one of the men whom he believes robbed him of all his possessions . and tries to make an immediate plan to follow that man . pleading again with the shopkeeper for some clothes on credit , he is rebuffed again in no uncertain terms . the man [male0] suspects of being his robber is getting ready to take his horse and leave town , so . [male0] must make a plan of action on the fly - clothed with nothing more than his red undergarments . as he saunters down the dusty [location] , he causes a major stir with people looking and laughing at this man . with mothers and children gawking at this strange person who walks around outside in his underwear and boots . | train | tt0090022 | 3,485 |
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tt0187393_0003_6 | null | null | null | null | Mel | {} | {} | {} | {} | {} | {} | {} | {} | A soldier dressed in British red army garment is taking a direct hit in a skirmish, slowly falling backwards. | The entire group of British soldiers is trying to respond to the attack by unseen assailants, who use the advantage of narrow pathways in the woods, to return fire. | The lone attacker skirts between trees to change his angle of attack and gain a further advantage over the slow British troops . | Having changed his position to another angle, he takes aim at another soldier | passing him by as part of the group of English soldiers. | The result of this confrontation is costly for the English forces, as several of their soldiers are lying dead on the floor, struck down by a single attacker who has remained well hidden in the woods. | null | null | null | null | ['tt0187393_0594_0', 'tt0187393_0595_0', 'tt0187393_0597_0', 'tt0187393_0598_2', 'tt0187393_0600_0', 'tt0187393_0601_1'] | A soldier dressed in British red army garment is taking a direct hit in a skirmish, slowly falling backwards. The entire group of British soldiers is trying to respond to the attack by unseen assailants, who use the advantage of narrow pathways in the woods, to return fire. The lone attacker skirts between trees to change his angle of attack and gain a further advantage over the slow British troops . Having changed his position to another angle, he takes aim at another soldier. passing him by as part of the group of English soldiers. The result of this confrontation is costly for the English forces, as several of their soldiers are lying dead on the floor, struck down by a single attacker who has remained well hidden in the woods. | A soldier dressed in British red army garment is taking a direct hit in a skirmish, slowly falling backwards. [SENT] The entire group of British soldiers is trying to respond to the attack by unseen assailants, who use the advantage of narrow pathways in the woods, to return fire. [SENT] The lone attacker skirts between trees to change his angle of attack and gain a further advantage over the slow British troops . [SENT] Having changed his position to another angle, he takes aim at another soldier. [SENT] passing him by as part of the group of English soldiers. [SENT] The result of this confrontation is costly for the English forces, as several of their soldiers are lying dead on the floor, struck down by a single attacker who has remained well hidden in the woods. [SENT] | a soldier dressed in red army garment is taking a direct hit in a skirmish , slowly falling backwards . the entire group of soldiers is trying to respond to the attack by unseen assailants , who use the advantage of narrow pathways in the woods , to return fire . the lone attacker skirts between trees to change his angle of attack and gain a further advantage over the slow troops . having changed his position to another angle , he takes aim at another soldier . passing him by as part of the group of soldiers . the result of this confrontation is costly for the forces , as several of their soldiers are lying dead on the floor , struck down by a single attacker who has remained well hidden in the woods . | train | tt0187393 | 3,486 |
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tt1412386_0007_0 | null | null | null | null | null | Maggie | {} | {} | {} | {} | {} | {} | {} | {} | Maggie was watching her son propose to his girlfriend. She hoped everything would work out. | He walked over to her nervously. | He told her that she was the light of his life and that he wanted to marry her. He wanted her to move into his mother's basement and live there forever. | She thought long and hard about his proposal. | Finally, she told him he was out of his mind. | null | null | null | null | null | ['tt1412386_1148_2', 'tt1412386_1149_1', 'tt1412386_1150_0', 'tt1412386_1151_0', 'tt1412386_1155_0'] | Maggie was watching her son propose to his girlfriend. She hoped everything would work out. He walked over to her nervously. He told her that she was the light of his life and that he wanted to marry her. He wanted her to move into his mother's basement and live there forever. She thought long and hard about his proposal. Finally, she told him he was out of his mind. | Maggie was watching her son propose to his girlfriend. She hoped everything would work out. [SENT] He walked over to her nervously. [SENT] He told her that she was the light of his life and that he wanted to marry her. He wanted her to move into his mother's basement and live there forever. [SENT] She thought long and hard about his proposal. [SENT] Finally, she told him he was out of his mind. [SENT] | [female0] was watching her son propose to his girlfriend . she hoped everything would work out . he walked over to her nervously . he told her that she was the light of his life and that he wanted to marry her . he wanted her to move into his mother 's basement and live there forever . she thought long and hard about his proposal . finally , she told him he was out of his mind . | train | tt1412386 | 3,487 |
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tt0065214_0002_7 | null | null | null | null | Robert | William | Ben | Ernest | Strother | Robert is standing on top of a building and has the posse that vowed to attack his town in the sights of his rifle, ready to engage at any time and shoot. | William notices Robert being on the rooftop and has his gun pulled, while standing right next to the trombone man. | A shot gets fired and the trombone man slumps as a result of being hit, while William and Ben try to remain clam and ascertain where the fire emanated from. | Robert's partner fires another shot and | another, | as the men dressed in military clothing are reacting to the barrage of rifle fire coming from the roof of the building. | null | null | null | null | ['tt0065214_0270_0', 'tt0065214_0271_2', 'tt0065214_0273_0', 'tt0065214_0275_0', 'tt0065214_0276_1', 'tt0065214_0277_0'] | Robert is standing on top of a building and has the posse that vowed to attack his town in the sights of his rifle, ready to engage at any time and shoot. William notices Robert being on the rooftop and has his gun pulled, while standing right next to the trombone man. A shot gets fired and the trombone man slumps as a result of being hit, while William and Ben try to remain clam and ascertain where the fire emanated from. Robert's partner fires another shot and. another,. as the men dressed in military clothing are reacting to the barrage of rifle fire coming from the roof of the building. | Robert is standing on top of a building and has the posse that vowed to attack his town in the sights of his rifle, ready to engage at any time and shoot. [SENT] William notices Robert being on the rooftop and has his gun pulled, while standing right next to the trombone man. [SENT] A shot gets fired and the trombone man slumps as a result of being hit, while William and Ben try to remain clam and ascertain where the fire emanated from. [SENT] Robert's partner fires another shot and. [SENT] another,. [SENT] as the men dressed in military clothing are reacting to the barrage of rifle fire coming from the roof of the building. [SENT] | [male0] is standing on top of a building and has the posse that vowed to attack his town in the sights of his rifle , ready to engage at any time and shoot . [male1] notices [male0] being on the rooftop and has his gun pulled , while standing right next to the trombone man . a shot gets fired and the trombone man slumps as a result of being hit , while [male1] and [male2] try to remain clam and ascertain where the fire emanated from . [male0] 's partner fires another shot and . another , . as the men dressed in military clothing are reacting to the barrage of rifle fire coming from the roof of the building . | train | tt0065214 | 3,488 |
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tt0096320_0003_12 | null | null | null | null | Danny | Arnold | {} | {} | {} | {} | {} | {} | Danny spots Arnold on the road and grabs his phone. | Arnold notices Danny right back. | Danny calls Arnold. | Danny asks Arnold if he's up for some burgers. | Arnold, who recently found out his girlfriend sleeps with multiple random strangers each day, is delighted by the idea of having a true friend to spend some time with. The burgers might not fill the hole in his heart, but they'll certainly fill his belly. | Danny and Arnold race down the freeway and get really excited about grabbing some double cheeseburgers. | null | null | null | null | ['tt0096320_0320_1', 'tt0096320_0321_0', 'tt0096320_0322_1', 'tt0096320_0326_0', 'tt0096320_0327_0', 'tt0096320_0337_0'] | Danny spots Arnold on the road and grabs his phone. Arnold notices Danny right back. Danny calls Arnold. Danny asks Arnold if he's up for some burgers. Arnold, who recently found out his girlfriend sleeps with multiple random strangers each day, is delighted by the idea of having a true friend to spend some time with. The burgers might not fill the hole in his heart, but they'll certainly fill his belly. Danny and Arnold race down the freeway and get really excited about grabbing some double cheeseburgers. | Danny spots Arnold on the road and grabs his phone. [SENT] Arnold notices Danny right back. [SENT] Danny calls Arnold. [SENT] Danny asks Arnold if he's up for some burgers. [SENT] Arnold, who recently found out his girlfriend sleeps with multiple random strangers each day, is delighted by the idea of having a true friend to spend some time with. The burgers might not fill the hole in his heart, but they'll certainly fill his belly. [SENT] Danny and Arnold race down the freeway and get really excited about grabbing some double cheeseburgers. [SENT] | [male0] spots [male1] on the road and grabs his phone . [male1] notices [male0] right back . [male0] calls [male1] . [male0] asks [male1] if he 's up for some burgers . [male1] , who recently found out his girlfriend sleeps with multiple random strangers each day , is delighted by the idea of having a true friend to spend some time with . the burgers might not fill the hole in his heart , but they 'll certainly fill his belly . [male0] and [male1] race down the freeway and get really excited about grabbing some double cheeseburgers . | train | tt0096320 | 3,489 |
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tt0083929_0011_0 | null | null | null | null | null | Sean | {} | {} | {} | {} | {} | {} | {} | {} | The whole class gathered around the new car they all purchased for one hundred dollars. It was old and busted up, but it was theirs. | They looked at it closely and realized that they may have made a mistake. | There was graffiti all over this car. | They began to wonder if they should get their money back. | They then decided that they loved the car no matter what, and that they would keep it. | null | null | null | null | null | ['tt0083929_0633_1', 'tt0083929_0634_0', 'tt0083929_0635_0', 'tt0083929_0636_2', 'tt0083929_0641_1'] | The whole class gathered around the new car they all purchased for one hundred dollars. It was old and busted up, but it was theirs. They looked at it closely and realized that they may have made a mistake. There was graffiti all over this car. They began to wonder if they should get their money back. They then decided that they loved the car no matter what, and that they would keep it. | The whole class gathered around the new car they all purchased for one hundred dollars. It was old and busted up, but it was theirs. [SENT] They looked at it closely and realized that they may have made a mistake. [SENT] There was graffiti all over this car. [SENT] They began to wonder if they should get their money back. [SENT] They then decided that they loved the car no matter what, and that they would keep it. [SENT] | the whole class gathered around the new car they all purchased for one hundred dollars . it was old and busted up , but it was theirs . they looked at it closely and realized that they may have made a mistake . there was graffiti all over this car . they began to wonder if they should get their money back . they then decided that they loved the car no matter what , and that they would keep it . | train | tt0083929 | 3,490 |
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tt0117060_0006_9 | null | Tom | Jean | Ving | {} | {} | {} | {} | Tom had went through all security measures to make the robbery, and now was at a vital point. | Jean was hiding too, but then he noticed something moving in the air shafts. | It was a rat which was going closer to Jean. | Jean was afraid, and at the same time he could not scream. | Jean meantime was almost finishing the hacking injection. | Jean was holding Tom hanging from the air shaft, but because of the rat he almost let go of Tom. | Tom almost fell, which would have triggered every alarm. | Luckily Tom didn't fall. | Ving told the guys to go back. | null | ['tt0117060_0871_0', 'tt0117060_0877_0', 'tt0117060_0880_0', 'tt0117060_0881_0', 'tt0117060_0888_0', 'tt0117060_0889_1', 'tt0117060_0892_0', 'tt0117060_0894_0', 'tt0117060_0898_0', 'tt0117060_0899_0'] | Tom had went through all security measures to make the robbery, and now was at a vital point. Jean was hiding too, but then he noticed something moving in the air shafts. It was a rat which was going closer to Jean. Jean was afraid, and at the same time he could not scream. Jean meantime was almost finishing the hacking injection. Jean was holding Tom hanging from the air shaft, but because of the rat he almost let go of Tom. Tom almost fell, which would have triggered every alarm. Luckily Tom didn't fall. Ving told the guys to go back. Tom managed to not trigger the alarms so their job was done successfully. | Tom had went through all security measures to make the robbery, and now was at a vital point. [SENT] Jean was hiding too, but then he noticed something moving in the air shafts. [SENT] It was a rat which was going closer to Jean. [SENT] Jean was afraid, and at the same time he could not scream. [SENT] Jean meantime was almost finishing the hacking injection. [SENT] Jean was holding Tom hanging from the air shaft, but because of the rat he almost let go of Tom. [SENT] Tom almost fell, which would have triggered every alarm. [SENT] Luckily Tom didn't fall. [SENT] Ving told the guys to go back. [SENT] Tom managed to not trigger the alarms so their job was done successfully. [SENT] | [male0] had went through all security measures to make the robbery , and now was at a vital point . [male1] was hiding too , but then he noticed something moving in the air shafts . it was a rat which was going closer to [male1] . [male1] was afraid , and at the same time he could not scream . [male1] meantime was almost finishing the hacking injection . [male1] was holding [male0] hanging from the air shaft , but because of the rat he almost let go of [male0] . [male0] almost fell , which would have triggered every alarm . luckily [male0] did n't fall . [male2] told the guys to go back . [male0] managed to not trigger the alarms so their job was done successfully . | train | tt0117060 | 3,491 |
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tt0122690_0001_6 | null | null | null | null | Jean | Skipp | Sean | Robert | {} | {} | Jean, Skipp, Sean and Robert sit in their car, awaiting the sequence of events to unfold that led them to the appointed place right next to the Seine river in Paris. | They display a low level of tension, as their level of experience with full-blown confrontations is very high. | Sean remarks that the people they are supposed to meet are late and that he thinks that something has changed. They must be vigilant. | The area next to the piers where the Bateaux Mouches are moored is empty and the bridge underpass shows no sign of activity, that indicates the other party will show up at the appointed place or time. | Vigilant boredom is showing on the face of Robert's team, but they know that they have to be sharp in case the meeting still takes place. | They settle in for the long haul, as their expectations are sinking by the minute, but they refuse to leave the area of the appointed place. | null | null | null | null | ['tt0122690_0228_2', 'tt0122690_0229_2', 'tt0122690_0230_0', 'tt0122690_0232_0', 'tt0122690_0233_0', 'tt0122690_0234_0'] | Jean, Skipp, Sean and Robert sit in their car, awaiting the sequence of events to unfold that led them to the appointed place right next to the Seine river in Paris. They display a low level of tension, as their level of experience with full-blown confrontations is very high. Sean remarks that the people they are supposed to meet are late and that he thinks that something has changed. They must be vigilant. The area next to the piers where the Bateaux Mouches are moored is empty and the bridge underpass shows no sign of activity, that indicates the other party will show up at the appointed place or time. Vigilant boredom is showing on the face of Robert's team, but they know that they have to be sharp in case the meeting still takes place. They settle in for the long haul, as their expectations are sinking by the minute, but they refuse to leave the area of the appointed place. | Jean, Skipp, Sean and Robert sit in their car, awaiting the sequence of events to unfold that led them to the appointed place right next to the Seine river in Paris. [SENT] They display a low level of tension, as their level of experience with full-blown confrontations is very high. [SENT] Sean remarks that the people they are supposed to meet are late and that he thinks that something has changed. They must be vigilant. [SENT] The area next to the piers where the Bateaux Mouches are moored is empty and the bridge underpass shows no sign of activity, that indicates the other party will show up at the appointed place or time. [SENT] Vigilant boredom is showing on the face of Robert's team, but they know that they have to be sharp in case the meeting still takes place. [SENT] They settle in for the long haul, as their expectations are sinking by the minute, but they refuse to leave the area of the appointed place. [SENT] | [male0] , [male1] , [male2] and [male3] sit in their car , awaiting the sequence of events to unfold that led them to the appointed place right next to the [location] river in [location] . they display a low level of tension , as their level of experience with full - blown confrontations is very high . [male2] remarks that the people they are supposed to meet are late and that he thinks that something has changed . they must be vigilant . the area next to the piers where the are moored is empty and the bridge underpass shows no sign of activity , that indicates the other party will show up at the appointed place or time . vigilant boredom is showing on the face of [male3] 's team , but they know that they have to be sharp in case the meeting still takes place . they settle in for the long haul , as their expectations are sinking by the minute , but they refuse to leave the area of the appointed place . | train | tt0122690 | 3,492 |
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tt0096320_0003_9 | null | null | null | null | Arnold | Danny | {} | {} | {} | {} | {} | {} | Arnold and Danny are enjoying a funny moment in their conversation, just as Danny gets ready to drive across town in a beautiful convertible. | Danny responds to Arnold in a soft, thoughtful way, as if it dawned on him that Arnold was a wonderful addition to his life. | In a comedy relief action, Danny and Arnold drive down a busy boulevard, but the only person visible from behind is Arnold, while nobody can see Danny at the wheel. | Danny is starting to tell Arnold a story with Arnols listening to the story with disbelief. | He looks at Danny with slight doubt in his eyes, but Danny continues to tell Arnold about what really drives him | Arnold shows a genuine smile that signifies that all is well between Danny and him as both enjoy their car journey in sunny California.. | null | null | null | null | ['tt0096320_0279_0', 'tt0096320_0280_0', 'tt0096320_0281_0', 'tt0096320_0282_0', 'tt0096320_0283_1', 'tt0096320_0284_2'] | Arnold and Danny are enjoying a funny moment in their conversation, just as Danny gets ready to drive across town in a beautiful convertible. Danny responds to Arnold in a soft, thoughtful way, as if it dawned on him that Arnold was a wonderful addition to his life. In a comedy relief action, Danny and Arnold drive down a busy boulevard, but the only person visible from behind is Arnold, while nobody can see Danny at the wheel. Danny is starting to tell Arnold a story with Arnols listening to the story with disbelief. He looks at Danny with slight doubt in his eyes, but Danny continues to tell Arnold about what really drives him. Arnold shows a genuine smile that signifies that all is well between Danny and him as both enjoy their car journey in sunny California.. | Arnold and Danny are enjoying a funny moment in their conversation, just as Danny gets ready to drive across town in a beautiful convertible. [SENT] Danny responds to Arnold in a soft, thoughtful way, as if it dawned on him that Arnold was a wonderful addition to his life. [SENT] In a comedy relief action, Danny and Arnold drive down a busy boulevard, but the only person visible from behind is Arnold, while nobody can see Danny at the wheel. [SENT] Danny is starting to tell Arnold a story with Arnols listening to the story with disbelief. [SENT] He looks at Danny with slight doubt in his eyes, but Danny continues to tell Arnold about what really drives him. [SENT] Arnold shows a genuine smile that signifies that all is well between Danny and him as both enjoy their car journey in sunny California.. [SENT] | [male0] and [male1] are enjoying a funny moment in their conversation , just as [male1] gets ready to drive across town in a beautiful convertible . [male1] responds to [male0] in a soft , thoughtful way , as if it dawned on him that [male0] was a wonderful addition to his life . in a comedy relief action , [male1] and [male0] drive down a busy boulevard , but the only person visible from behind is [male0] , while nobody can see [male1] at the wheel . [male1] is starting to tell [male0] a story with [male2] listening to the story with disbelief . he looks at [male1] with slight doubt in his eyes , but [male1] continues to tell [male0] about what really drives him . [male0] shows a genuine smile that signifies that all is well between [male1] and him as both enjoy their car journey in sunny [location] .. | train | tt0096320 | 3,493 |
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tt0159365_0003_0 | null | null | null | null | Giovanni | Brendan | Jude | {} | {} | {} | {} | Giovanni stands next to his outside camp and watches intently as a man approaches | Giovanni is pulling his gun to be ready for any type of nasty encounter in the dark | when he realizes that the Brendan, the man approaching him, is carrying a dead person wrapped in a carpet. | Giovanni steps out of the shadows and stands behind Brendan pointing his revolver directly at Brendan's back. | Brendan stands there unable to move as he feels Giovanni at his back and is certain that he brandishes a gun. Brendan's chips are down. | Giovanni demands to know what Brendan did. | null | null | null | null | ['tt0159365_0707_2', 'tt0159365_0709_0', 'tt0159365_0713_2', 'tt0159365_0715_2', 'tt0159365_0716_0', 'tt0159365_0717_0'] | Giovanni stands next to his outside camp and watches intently as a man approaches. Giovanni is pulling his gun to be ready for any type of nasty encounter in the dark. when he realizes that the Brendan, the man approaching him, is carrying a dead person wrapped in a carpet. Giovanni steps out of the shadows and stands behind Brendan pointing his revolver directly at Brendan's back. Brendan stands there unable to move as he feels Giovanni at his back and is certain that he brandishes a gun. Brendan's chips are down. Giovanni demands to know what Brendan did. | Giovanni stands next to his outside camp and watches intently as a man approaches. [SENT] Giovanni is pulling his gun to be ready for any type of nasty encounter in the dark. [SENT] when he realizes that the Brendan, the man approaching him, is carrying a dead person wrapped in a carpet. [SENT] Giovanni steps out of the shadows and stands behind Brendan pointing his revolver directly at Brendan's back. [SENT] Brendan stands there unable to move as he feels Giovanni at his back and is certain that he brandishes a gun. Brendan's chips are down. [SENT] Giovanni demands to know what Brendan did. [SENT] | [male0] stands next to his outside camp and watches intently as a man approaches . [male0] is pulling his gun to be ready for any type of nasty encounter in the dark . when he realizes that the [male1] , the man approaching him , is carrying a dead person wrapped in a carpet . [male0] steps out of the shadows and stands behind [male1] pointing his revolver directly at [male1] 's back . [male1] stands there unable to move as he feels [male0] at his back and is certain that he brandishes a gun . [male1] 's chips are down . [male0] demands to know what [male1] did . | train | tt0159365 | 3,494 |
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tt1707386_0004_13 | null | null | null | null | null | Eddie | Russell | Sacha | Helena | Daniel | Russell is trying to make an example of Sacha and Helena | He singles them out from the crowd and looks to have them explain their actions | Sacha looks to explain himself in the face of Russell's questions | Russell is not satisfied with Sacha's explanation | Sacha continues to try and explain the actions he and Helena took | null | null | null | null | null | ['tt1707386_1266_2', 'tt1707386_1267_0', 'tt1707386_1269_0', 'tt1707386_1270_0', 'tt1707386_1271_1'] | Russell is trying to make an example of Sacha and Helena. He singles them out from the crowd and looks to have them explain their actions. Sacha looks to explain himself in the face of Russell's questions. Russell is not satisfied with Sacha's explanation. Sacha continues to try and explain the actions he and Helena took. | Russell is trying to make an example of Sacha and Helena. [SENT] He singles them out from the crowd and looks to have them explain their actions. [SENT] Sacha looks to explain himself in the face of Russell's questions. [SENT] Russell is not satisfied with Sacha's explanation. [SENT] Sacha continues to try and explain the actions he and Helena took. [SENT] | [male0] is trying to make an example of [female0] and [female1] . he singles them out from the crowd and looks to have them explain their actions . [female0] looks to explain himself in the face of [male0] 's questions . [male0] is not satisfied with [female0] 's explanation . [female0] continues to try and explain the actions he and [female1] took . | train | tt1707386 | 3,495 |
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tt0078788_0001_3 | null | null | null | null | Martin | Laurence | Robert | {} | {} | {} | {} | U.S. soldiers during the Vietnam war have taken positions in a Vietnamese village as the aerial attack continues. Martin is part of the group that is on the ground. | As gun and rocket fire and small explosions are surrounding the small patrol on the ground, they are taking cover as a helicopter is touching down next to them. | Martin looks up and sees the helicopter no more than 20 feet from him, with its rotors fully engaged and whirring. | From the helicopter the Commanding Officer of the Cavalry Brigade steps out into the biting air after the aerial assault. | Martin and Laurence cannot believe their eyes, as the Commanding Officer looks as if he came out of central casting of a Hollywood movie. | With a distinct air of authority, Robert steps forward and surveys the situation on the ground post the attack. | null | null | null | null | ['tt0078788_0134_1', 'tt0078788_0135_1', 'tt0078788_0137_0', 'tt0078788_0139_0', 'tt0078788_0140_1', 'tt0078788_0141_2'] | U.S. soldiers during the Vietnam war have taken positions in a Vietnamese village as the aerial attack continues. Martin is part of the group that is on the ground. As gun and rocket fire and small explosions are surrounding the small patrol on the ground, they are taking cover as a helicopter is touching down next to them. Martin looks up and sees the helicopter no more than 20 feet from him, with its rotors fully engaged and whirring. From the helicopter the Commanding Officer of the Cavalry Brigade steps out into the biting air after the aerial assault. Martin and Laurence cannot believe their eyes, as the Commanding Officer looks as if he came out of central casting of a Hollywood movie. With a distinct air of authority, Robert steps forward and surveys the situation on the ground post the attack. | U.S. soldiers during the Vietnam war have taken positions in a Vietnamese village as the aerial attack continues. Martin is part of the group that is on the ground. [SENT] As gun and rocket fire and small explosions are surrounding the small patrol on the ground, they are taking cover as a helicopter is touching down next to them. [SENT] Martin looks up and sees the helicopter no more than 20 feet from him, with its rotors fully engaged and whirring. [SENT] From the helicopter the Commanding Officer of the Cavalry Brigade steps out into the biting air after the aerial assault. [SENT] Martin and Laurence cannot believe their eyes, as the Commanding Officer looks as if he came out of central casting of a Hollywood movie. [SENT] With a distinct air of authority, Robert steps forward and surveys the situation on the ground post the attack. [SENT] | [location] soldiers during the [location] war have taken positions in a village as the aerial attack continues . [male0] is part of the group that is on the ground . as gun and rocket fire and small explosions are surrounding the small patrol on the ground , they are taking cover as a helicopter is touching down next to them . [male0] looks up and sees the helicopter no more than 20 feet from him , with its rotors fully engaged and whirring . from the helicopter the commanding officer of the steps out into the biting air after the aerial assault . [male0] and [female0] can not believe their eyes , as the commanding officer looks as if he came out of central casting of a [location] movie . with a distinct air of authority , [male1] steps forward and surveys the situation on the ground post the attack . | train | tt0078788 | 3,496 |
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tt1119646_0008_1 | null | null | null | Zach | Ed | {} | {} | {} | {} | {} | {} | After a wild party night, the remnants of which in the form of Mardi Gras beads still hanging around his, neck, Zach uses the bathroom in the morning | only to suddenly realize that he is not alone on the bathroom | with a fully grown tiger staring hi down as a potential breakfast morsel. | Suddenly gripped by fear and panic, Zach decides to run for it, making sure he closes the bathroom door behind him, | and running out into the main living area of the large loft space he and his friends are still half asleep in, yelling at the top of his voice | that a tiger is in their bathroom, while looking at some sort of weapon to defend against that large cat. | Ed is totally dumbfounded, still not having fully recovered from the party the night before. | null | null | null | ['tt1119646_0422_1', 'tt1119646_0423_0', 'tt1119646_0425_1', 'tt1119646_0427_1', 'tt1119646_0428_0', 'tt1119646_0430_2', 'tt1119646_0433_0'] | After a wild party night, the remnants of which in the form of Mardi Gras beads still hanging around his, neck, Zach uses the bathroom in the morning. only to suddenly realize that he is not alone on the bathroom. with a fully grown tiger staring hi down as a potential breakfast morsel. Suddenly gripped by fear and panic, Zach decides to run for it, making sure he closes the bathroom door behind him,. and running out into the main living area of the large loft space he and his friends are still half asleep in, yelling at the top of his voice. that a tiger is in their bathroom, while looking at some sort of weapon to defend against that large cat. Ed is totally dumbfounded, still not having fully recovered from the party the night before. | After a wild party night, the remnants of which in the form of Mardi Gras beads still hanging around his, neck, Zach uses the bathroom in the morning. [SENT] only to suddenly realize that he is not alone on the bathroom. [SENT] with a fully grown tiger staring hi down as a potential breakfast morsel. [SENT] Suddenly gripped by fear and panic, Zach decides to run for it, making sure he closes the bathroom door behind him,. [SENT] and running out into the main living area of the large loft space he and his friends are still half asleep in, yelling at the top of his voice. [SENT] that a tiger is in their bathroom, while looking at some sort of weapon to defend against that large cat. [SENT] Ed is totally dumbfounded, still not having fully recovered from the party the night before. [SENT] | after a wild party night , the remnants of which in the form of beads still hanging around his , neck , [male0] uses the bathroom in the morning . only to suddenly realize that he is not alone on the bathroom . with a fully grown tiger staring hi down as a potential breakfast morsel . suddenly gripped by fear and panic , [male0] decides to run for it , making sure he closes the bathroom door behind him , . and running out into the main living area of the large loft space he and his friends are still half asleep in , yelling at the top of his voice . that a tiger is in their bathroom , while looking at some sort of weapon to defend against that large cat . [male1] is totally dumbfounded , still not having fully recovered from the party the night before . | train | tt1119646 | 3,497 |
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tt0117060_0006_2 | null | null | null | Emmanuelle | Tom | Jean | {} | {} | {} | {} | In the lunchroom of the government's intelligence Headquarters, Michelle is observing the group's target who is having his lunchtime and thoughtlessly reading his newspaper. | Tom is advancing toward the air-conditioning ductwork in order to gain entry into his target room. | Tom and Jean are taking off their workmen's gear with which they gained entry into the heavily secured building. | As they are being surprised, Jean takes out one of the watchmen, killing him in an effort to remain undetected by other people in the building. | Tom reminds Jean to not uselessly kill people, but to be more vigilant as they need to get the job done without causing massive bloodshed. | Emmanuelle follows the intended target man through the lunchroom in order to plant a device onto him. | The chance finally presents itself, as the intended target man sits at a lunch table, resting his coffee just next to Emmanuelle. | null | null | null | ['tt0117060_0747_0', 'tt0117060_0749_0', 'tt0117060_0750_2', 'tt0117060_0751_2', 'tt0117060_0752_0', 'tt0117060_0753_0', 'tt0117060_0757_0'] | In the lunchroom of the government's intelligence Headquarters, Michelle is observing the group's target who is having his lunchtime and thoughtlessly reading his newspaper. Tom is advancing toward the air-conditioning ductwork in order to gain entry into his target room. Tom and Jean are taking off their workmen's gear with which they gained entry into the heavily secured building. As they are being surprised, Jean takes out one of the watchmen, killing him in an effort to remain undetected by other people in the building. Tom reminds Jean to not uselessly kill people, but to be more vigilant as they need to get the job done without causing massive bloodshed. Emmanuelle follows the intended target man through the lunchroom in order to plant a device onto him. The chance finally presents itself, as the intended target man sits at a lunch table, resting his coffee just next to Emmanuelle. | In the lunchroom of the government's intelligence Headquarters, Michelle is observing the group's target who is having his lunchtime and thoughtlessly reading his newspaper. [SENT] Tom is advancing toward the air-conditioning ductwork in order to gain entry into his target room. [SENT] Tom and Jean are taking off their workmen's gear with which they gained entry into the heavily secured building. [SENT] As they are being surprised, Jean takes out one of the watchmen, killing him in an effort to remain undetected by other people in the building. [SENT] Tom reminds Jean to not uselessly kill people, but to be more vigilant as they need to get the job done without causing massive bloodshed. [SENT] Emmanuelle follows the intended target man through the lunchroom in order to plant a device onto him. [SENT] The chance finally presents itself, as the intended target man sits at a lunch table, resting his coffee just next to Emmanuelle. [SENT] | in the lunchroom of the government 's intelligence , [female0] is observing the group 's target who is having his lunchtime and thoughtlessly reading his newspaper . [male0] is advancing toward the air - conditioning ductwork in order to gain entry into his target room . [male0] and [male1] are taking off their workmen 's gear with which they gained entry into the heavily secured building . as they are being surprised , [male1] takes out one of the watchmen , killing him in an effort to remain undetected by other people in the building . [male0] reminds [male1] to not uselessly kill people , but to be more vigilant as they need to get the job done without causing massive bloodshed . [female1] follows the intended target man through the lunchroom in order to plant a device onto him . the chance finally presents itself , as the intended target man sits at a lunch table , resting his coffee just next to [female1] . | train | tt0117060 | 3,498 |
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tt0117060_0006_5 | null | Tom | Jean | {} | {} | {} | {} | {} | {} | The security guard was about to enter the vault. | Tom was still hanging inside the vault. | Even though he was inside, he didn't show up in cameras. | Jean was in the air vents holding the rope which kept Tom hanging in the vault. | Time was running out, since the guard was closer to the vault. | Jean was trying his best to keep Tom hanging. | Tom was almost done with the data extract. | He needed just some more seconds, but the guard was right at the door. | Tom got pulled up. | null | ['tt0117060_0805_0', 'tt0117060_0806_0', 'tt0117060_0807_0', 'tt0117060_0808_0', 'tt0117060_0811_0', 'tt0117060_0813_1', 'tt0117060_0814_2', 'tt0117060_0816_0', 'tt0117060_0818_1', 'tt0117060_0819_1'] | The security guard was about to enter the vault. Tom was still hanging inside the vault. Even though he was inside, he didn't show up in cameras. Jean was in the air vents holding the rope which kept Tom hanging in the vault. Time was running out, since the guard was closer to the vault. Jean was trying his best to keep Tom hanging. Tom was almost done with the data extract. He needed just some more seconds, but the guard was right at the door. Tom got pulled up. The security guard got inside the vault but never understood what had just happened. | The security guard was about to enter the vault. [SENT] Tom was still hanging inside the vault. [SENT] Even though he was inside, he didn't show up in cameras. [SENT] Jean was in the air vents holding the rope which kept Tom hanging in the vault. [SENT] Time was running out, since the guard was closer to the vault. [SENT] Jean was trying his best to keep Tom hanging. [SENT] Tom was almost done with the data extract. [SENT] He needed just some more seconds, but the guard was right at the door. [SENT] Tom got pulled up. [SENT] The security guard got inside the vault but never understood what had just happened. [SENT] | the security guard was about to enter the vault . [male0] was still hanging inside the vault . even though he was inside , he did n't show up in cameras . [male1] was in the air vents holding the rope which kept [male0] hanging in the vault . time was running out , since the guard was closer to the vault . [male1] was trying his best to keep [male0] hanging . [male0] was almost done with the data extract . he needed just some more seconds , but the guard was right at the door . [male0] got pulled up . the security guard got inside the vault but never understood what had just happened . | train | tt0117060 | 3,499 |
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