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tt0116209_0001_6 | null | null | null | null | null | Juliette | Jurgen | Ralph | Colin | Kristin | A group of friends gather round a campfire to talk and read some stories | Kristen has something she wants to get off her chest | She is getting uncomfortable with the conditions in camp. It seems like there a small groups forming and keeping secrets about their activities | Ralph is taken aback by Kristen comments. He hasn't seen any evidence of what she's talking about | Colin however, knows exactly what she means as he has been organizing a small group to try to change the focus of their trip | null | null | null | null | null | ['tt0116209_0308_2', 'tt0116209_0309_0', 'tt0116209_0310_0', 'tt0116209_0311_0', 'tt0116209_0313_0'] | A group of friends gather round a campfire to talk and read some stories. Kristen has something she wants to get off her chest. She is getting uncomfortable with the conditions in camp. It seems like there a small groups forming and keeping secrets about their activities. Ralph is taken aback by Kristen comments. He hasn't seen any evidence of what she's talking about. Colin however, knows exactly what she means as he has been organizing a small group to try to change the focus of their trip. | A group of friends gather round a campfire to talk and read some stories. [SENT] Kristen has something she wants to get off her chest. [SENT] She is getting uncomfortable with the conditions in camp. It seems like there a small groups forming and keeping secrets about their activities. [SENT] Ralph is taken aback by Kristen comments. He hasn't seen any evidence of what she's talking about. [SENT] Colin however, knows exactly what she means as he has been organizing a small group to try to change the focus of their trip. [SENT] | a group of friends gather round a campfire to talk and read some stories . [female0] has something she wants to get off her chest . she is getting uncomfortable with the conditions in camp . it seems like there a small groups forming and keeping secrets about their activities . [male0] is taken aback by [female0] comments . he has n't seen any evidence of what she 's talking about . [male1] however , knows exactly what she means as he has been organizing a small group to try to change the focus of their trip . | train | tt0116209 | 3,300 |
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tt0078788_0001_18 | null | null | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | The Air Cav moved into position over the enemy village | As they fly over the village it is impossible to distinguish the civilians from the VC | The Air Cav arrives in force | They scan the jungle for possible gunman and enemy troops | They blow up bridges to inhibit supply transport ands to cut off the enemy from resources | null | null | null | null | null | ['tt0078788_0346_0', 'tt0078788_0347_2', 'tt0078788_0348_1', 'tt0078788_0355_1', 'tt0078788_0356_1'] | The Air Cav moved into position over the enemy village. As they fly over the village it is impossible to distinguish the civilians from the VC. The Air Cav arrives in force. They scan the jungle for possible gunman and enemy troops. They blow up bridges to inhibit supply transport ands to cut off the enemy from resources. | The Air Cav moved into position over the enemy village. [SENT] As they fly over the village it is impossible to distinguish the civilians from the VC. [SENT] The Air Cav arrives in force. [SENT] They scan the jungle for possible gunman and enemy troops. [SENT] They blow up bridges to inhibit supply transport ands to cut off the enemy from resources. [SENT] | the moved into position over the enemy village . as they fly over the village it is impossible to distinguish the civilians from the vc . the arrives in force . they scan the jungle for possible gunman and enemy troops . they blow up bridges to inhibit supply transport ands to cut off the enemy from resources . | train | tt0078788 | 3,301 |
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tt0822832_0001_14 | null | null | Alan | Owen | Jennifer | {} | {} | {} | {} | Alan sits in his office and chats with | Owen, whom he invited to let him know that his work is suffering due to the rampant chaos in his life. | In the meantime, Jennifer has just gotten home with their dog and is trying to corral and manhandle the dog, preventing it from jumping on a chair. She has nary a control of that dog. | Owen sits in the kitchen moping, as the words of his boss ring in his ears. | He is trying to reason his way through a story he must write and uses a visual cue to understand a vital part of the storyline. | As Jennifer steps into the kitchen, looking all defeated due to the dog's impossible behavior, | both Jennifer and Owen discuss what to do with their delinquent four-legged friend, | as they watch him trying to chew a door mat in their presence. | null | null | ['tt0822832_0295_0', 'tt0822832_0298_0', 'tt0822832_0301_0', 'tt0822832_0302_0', 'tt0822832_0303_1', 'tt0822832_0304_0', 'tt0822832_0305_1', 'tt0822832_0306_0'] | Alan sits in his office and chats with. Owen, whom he invited to let him know that his work is suffering due to the rampant chaos in his life. In the meantime, Jennifer has just gotten home with their dog and is trying to corral and manhandle the dog, preventing it from jumping on a chair. She has nary a control of that dog. Owen sits in the kitchen moping, as the words of his boss ring in his ears. He is trying to reason his way through a story he must write and uses a visual cue to understand a vital part of the storyline. As Jennifer steps into the kitchen, looking all defeated due to the dog's impossible behavior,. both Jennifer and Owen discuss what to do with their delinquent four-legged friend,. as they watch him trying to chew a door mat in their presence. | Alan sits in his office and chats with. [SENT] Owen, whom he invited to let him know that his work is suffering due to the rampant chaos in his life. [SENT] In the meantime, Jennifer has just gotten home with their dog and is trying to corral and manhandle the dog, preventing it from jumping on a chair. She has nary a control of that dog. [SENT] Owen sits in the kitchen moping, as the words of his boss ring in his ears. [SENT] He is trying to reason his way through a story he must write and uses a visual cue to understand a vital part of the storyline. [SENT] As Jennifer steps into the kitchen, looking all defeated due to the dog's impossible behavior,. [SENT] both Jennifer and Owen discuss what to do with their delinquent four-legged friend,. [SENT] as they watch him trying to chew a door mat in their presence. [SENT] | [male0] sits in his office and chats with . [male1] , whom he invited to let him know that his work is suffering due to the rampant chaos in his life . in the meantime , [female0] has just gotten home with their dog and is trying to corral and manhandle the dog , preventing it from jumping on a chair . she has nary a control of that dog . [male1] sits in the kitchen moping , as the words of his boss ring in his ears . he is trying to reason his way through a story he must write and uses a visual cue to understand a vital part of the storyline . as [female0] steps into the kitchen , looking all defeated due to the dog 's impossible behavior , . both [female0] and [male1] discuss what to do with their delinquent four - legged friend , . as they watch him trying to chew a door mat in their presence . | train | tt0822832 | 3,302 |
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tt0113277_0024_2 | null | null | null | null | null | Robert | Val | {} | {} | {} | {} | {} | {} | Val is robs the bank while taking the employees hostage. It's a tense situation. | Robert is contemplating going after Val and subduing him. | Robert then notices there is another robber and his plans to save the day are dashed. | Val makes his way to the vault to retrieve the loot unabated. | Val makes sure to threaten the hostages for good measure to ensure they co-operate. | null | null | null | null | null | ['tt0113277_1138_1', 'tt0113277_1140_0', 'tt0113277_1145_2', 'tt0113277_1146_2', 'tt0113277_1151_2'] | Val is robs the bank while taking the employees hostage. It's a tense situation. Robert is contemplating going after Val and subduing him. Robert then notices there is another robber and his plans to save the day are dashed. Val makes his way to the vault to retrieve the loot unabated. Val makes sure to threaten the hostages for good measure to ensure they co-operate. | Val is robs the bank while taking the employees hostage. It's a tense situation. [SENT] Robert is contemplating going after Val and subduing him. [SENT] Robert then notices there is another robber and his plans to save the day are dashed. [SENT] Val makes his way to the vault to retrieve the loot unabated. [SENT] Val makes sure to threaten the hostages for good measure to ensure they co-operate. [SENT] | val is robs the bank while taking the employees hostage . it 's a tense situation . [male0] is contemplating going after [female0] and subduing him . [male0] then notices there is another robber and his plans to save the day are dashed . [female0] makes his way to the vault to retrieve the loot unabated . [female0] makes sure to threaten the hostages for good measure to ensure they co - operate . | train | tt0113277 | 3,303 |
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tt1068680_0016_1 | null | null | null | null | null | Jim | Zooey | Rhys | {} | {} | {} | {} | At a Harry Potter style party, Jim, dressed in the garb of Harry Potter is looking at one of the party-treats while conversing with a less-than interested Zooey, | With the TV running a scene from one of the Harry Potter movies in order to achieve a more authentic feeling, | Rhys and the geeky party crowd revel in the movie scenes | admiring the movie withut paying attention to each other, as every partygoer seems to have dived into his or her own world of Harry Potter-dom... | The nerdy crowd approvingly claps as nothing in their own lives seems to fit or resemble any of the magic and mystery that Harry Potter conjures up and experiences in his life. | null | null | null | null | null | ['tt1068680_0777_0', 'tt1068680_0782_0', 'tt1068680_0784_0', 'tt1068680_0785_1', 'tt1068680_0789_0'] | At a Harry Potter style party, Jim, dressed in the garb of Harry Potter is looking at one of the party-treats while conversing with a less-than interested Zooey,. With the TV running a scene from one of the Harry Potter movies in order to achieve a more authentic feeling,. Rhys and the geeky party crowd revel in the movie scenes. admiring the movie withut paying attention to each other, as every partygoer seems to have dived into his or her own world of Harry Potter-dom... The nerdy crowd approvingly claps as nothing in their own lives seems to fit or resemble any of the magic and mystery that Harry Potter conjures up and experiences in his life. | At a Harry Potter style party, Jim, dressed in the garb of Harry Potter is looking at one of the party-treats while conversing with a less-than interested Zooey,. [SENT] With the TV running a scene from one of the Harry Potter movies in order to achieve a more authentic feeling,. [SENT] Rhys and the geeky party crowd revel in the movie scenes. [SENT] admiring the movie withut paying attention to each other, as every partygoer seems to have dived into his or her own world of Harry Potter-dom... [SENT] The nerdy crowd approvingly claps as nothing in their own lives seems to fit or resemble any of the magic and mystery that Harry Potter conjures up and experiences in his life. [SENT] | at a [male0] [male1] style party , [male2] , dressed in the garb of [male0] [male1] is looking at one of the party - treats while conversing with a less - than interested [female0] , . with the tv running a scene from one of the movies in order to achieve a more authentic feeling , . [male3] and the geeky party crowd revel in the movie scenes . admiring the movie withut paying attention to each other , as every partygoer seems to have dived into his or her own world of [male0] [male1] - dom ... the nerdy crowd approvingly claps as nothing in their own lives seems to fit or resemble any of the magic and mystery that [male0] [male1] conjures up and experiences in his life . | train | tt1068680 | 3,304 |
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tt0993846_0002_2 | null | null | null | null | Matthew | Leonardo | {} | {} | {} | {} | {} | {} | As Matthew talked to a client on the phone, Leonardo waited patiently for him. | He was getting quite hungry and wasn't sure why Matthew was taking so long. | After 30 minutes Matthew finally completed his call and was ready to go out to lunch. | The two co-workers had chosen a nice restaurant in the city with quite an impressive view. | Leonardo finally asked Matthew, why were you on the phone for such a long time? | Matthew responded, "I just landed the biggest deal of the year for the company!" | null | null | null | null | ['tt0993846_0116_1', 'tt0993846_0117_0', 'tt0993846_0121_0', 'tt0993846_0129_1', 'tt0993846_0132_1', 'tt0993846_0136_1'] | As Matthew talked to a client on the phone, Leonardo waited patiently for him. He was getting quite hungry and wasn't sure why Matthew was taking so long. After 30 minutes Matthew finally completed his call and was ready to go out to lunch. The two co-workers had chosen a nice restaurant in the city with quite an impressive view. Leonardo finally asked Matthew, why were you on the phone for such a long time? Matthew responded, "I just landed the biggest deal of the year for the company!" | As Matthew talked to a client on the phone, Leonardo waited patiently for him. [SENT] He was getting quite hungry and wasn't sure why Matthew was taking so long. [SENT] After 30 minutes Matthew finally completed his call and was ready to go out to lunch. [SENT] The two co-workers had chosen a nice restaurant in the city with quite an impressive view. [SENT] Leonardo finally asked Matthew, why were you on the phone for such a long time? [SENT] Matthew responded, "I just landed the biggest deal of the year for the company!" [SENT] | as [male0] talked to a client on the phone , [male1] waited patiently for him . he was getting quite hungry and was n't sure why [male0] was taking so long . after 30 minutes [male0] finally completed his call and was ready to go out to lunch . the two co - workers had chosen a nice restaurant in the city with quite an impressive view . [male1] finally asked [male0] , why were you on the phone for such a long time ? [male0] responded , " i just landed the biggest deal of the year for the company ! " | train | tt0993846 | 3,305 |
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tt0479884_0004_10 | null | null | null | null | Carlos | Jason | Jose | {} | {} | {} | {} | Jose waits for his target man on top of the roof of a tall building He is hiding just below a ledge coming off a maintenance entrance. His face mirrors the intense situation of a manhunt. | Carlos is approaching a helicopter, | and looks around, almost as if he could sense that he is in the line of sight of a man that means his doom. | The helicopter pilot nervously eyes Carlos who is blood-soaked and disheveled. | In the meantime, Jason is at the foot of the high rise building not realizing how close Jose is to capturing Carlos. | Jason is concentrating and trying to figure out his cogent next step. | null | null | null | null | ['tt0479884_1716_0', 'tt0479884_1717_0', 'tt0479884_1718_0', 'tt0479884_1719_2', 'tt0479884_1720_0', 'tt0479884_1721_2'] | Jose waits for his target man on top of the roof of a tall building He is hiding just below a ledge coming off a maintenance entrance. His face mirrors the intense situation of a manhunt. Carlos is approaching a helicopter,. and looks around, almost as if he could sense that he is in the line of sight of a man that means his doom. The helicopter pilot nervously eyes Carlos who is blood-soaked and disheveled. In the meantime, Jason is at the foot of the high rise building not realizing how close Jose is to capturing Carlos. Jason is concentrating and trying to figure out his cogent next step. | Jose waits for his target man on top of the roof of a tall building He is hiding just below a ledge coming off a maintenance entrance. His face mirrors the intense situation of a manhunt. [SENT] Carlos is approaching a helicopter,. [SENT] and looks around, almost as if he could sense that he is in the line of sight of a man that means his doom. [SENT] The helicopter pilot nervously eyes Carlos who is blood-soaked and disheveled. [SENT] In the meantime, Jason is at the foot of the high rise building not realizing how close Jose is to capturing Carlos. [SENT] Jason is concentrating and trying to figure out his cogent next step. [SENT] | [male0] waits for his target man on top of the roof of a tall building he is hiding just below a ledge coming off a maintenance entrance . his face mirrors the intense situation of a manhunt . [male1] is approaching a helicopter , . and looks around , almost as if he could sense that he is in the line of sight of a man that means his doom . the helicopter pilot nervously eyes [male1] who is blood - soaked and disheveled . in the meantime , [male2] is at the foot of the high rise building not realizing how close [male0] is to capturing [male1] . [male2] is concentrating and trying to figure out his cogent next step . | train | tt0479884 | 3,306 |
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tt0118971_0004_2 | null | null | null | null | null | Charlize | Tamara | {} | {} | {} | {} | {} | {} | Amy was in the dressing room with her friend. Her friend was changing so she could go on stage for the play. | Her friend mentioned to her that she was nervous about being in the play. | She was wondering if she would say her lines wrong. | Amy reminded her that all she had to say was hello before she gets killed by a bank robber. | Amy's other friend agreed and said that there was nothing to worry about. Everything would be fine. | null | null | null | null | null | ['tt0118971_0831_1', 'tt0118971_0836_1', 'tt0118971_0840_1', 'tt0118971_0846_0', 'tt0118971_0854_2'] | Amy was in the dressing room with her friend. Her friend was changing so she could go on stage for the play. Her friend mentioned to her that she was nervous about being in the play. She was wondering if she would say her lines wrong. Amy reminded her that all she had to say was hello before she gets killed by a bank robber. Amy's other friend agreed and said that there was nothing to worry about. Everything would be fine. | Amy was in the dressing room with her friend. Her friend was changing so she could go on stage for the play. [SENT] Her friend mentioned to her that she was nervous about being in the play. [SENT] She was wondering if she would say her lines wrong. [SENT] Amy reminded her that all she had to say was hello before she gets killed by a bank robber. [SENT] Amy's other friend agreed and said that there was nothing to worry about. Everything would be fine. [SENT] | [female0] was in the dressing room with her friend . her friend was changing so she could go on stage for the play . her friend mentioned to her that she was nervous about being in the play . she was wondering if she would say her lines wrong . [female0] reminded her that all she had to say was hello before she gets killed by a bank robber . [female0] 's other friend agreed and said that there was nothing to worry about . everything would be fine . | train | tt0118971 | 3,307 |
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tt0407887_0015_11 | null | null | null | null | Jack | Matt | {} | {} | {} | {} | {} | {} | The police officer arrives on the scene and points a gun toward the building where Jack is hiding out. | Jack realizes the police have found him and he must try to escape quickly. | Matt shows up in his car to try to help Jack escape. | Jack sets off a small explosion on the desk as a diversion so that he can escape. | Jack takes off his jacket and runs out the back door. | Matt watches Jack with confusion as Jack runs away down the street. | null | null | null | null | ['tt0407887_2329_2', 'tt0407887_2331_0', 'tt0407887_2335_0', 'tt0407887_2337_0', 'tt0407887_2344_1', 'tt0407887_2345_0'] | The police officer arrives on the scene and points a gun toward the building where Jack is hiding out. Jack realizes the police have found him and he must try to escape quickly. Matt shows up in his car to try to help Jack escape. Jack sets off a small explosion on the desk as a diversion so that he can escape. Jack takes off his jacket and runs out the back door. Matt watches Jack with confusion as Jack runs away down the street. | The police officer arrives on the scene and points a gun toward the building where Jack is hiding out. [SENT] Jack realizes the police have found him and he must try to escape quickly. [SENT] Matt shows up in his car to try to help Jack escape. [SENT] Jack sets off a small explosion on the desk as a diversion so that he can escape. [SENT] Jack takes off his jacket and runs out the back door. [SENT] Matt watches Jack with confusion as Jack runs away down the street. [SENT] | the police officer arrives on the scene and points a gun toward the building where [male0] is hiding out . [male0] realizes the police have found him and he must try to escape quickly . [male1] shows up in his car to try to help [male0] escape . [male0] sets off a small explosion on the desk as a diversion so that he can escape . [male0] takes off his jacket and runs out the back door . [male1] watches [male0] with confusion as [male0] runs away down the street . | train | tt0407887 | 3,308 |
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tt0067116_0012_14 | null | Marcel | Gene | {} | {} | {} | {} | {} | {} | Marcel wanted to get out of train and actually throw himself from the bridge. | Gene was thinking the same about himself. | Marcel was already at the edge of the bridge. | Gene noticed Marcel at the edge of the bridge. | Marcel was going to throw himself. | Gene rushed to Marcel and shouted at him. | He wanted to stop Marcel from jumping. | Marcel heard Gene and stopped. | Gene then went to Marcel to talk with him. | null | ['tt0067116_0855_1', 'tt0067116_0856_0', 'tt0067116_0857_0', 'tt0067116_0858_0', 'tt0067116_0859_0', 'tt0067116_0860_1', 'tt0067116_0861_0', 'tt0067116_0865_2', 'tt0067116_0866_2', 'tt0067116_0867_1'] | Marcel wanted to get out of train and actually throw himself from the bridge. Gene was thinking the same about himself. Marcel was already at the edge of the bridge. Gene noticed Marcel at the edge of the bridge. Marcel was going to throw himself. Gene rushed to Marcel and shouted at him. He wanted to stop Marcel from jumping. Marcel heard Gene and stopped. Gene then went to Marcel to talk with him. Gene and Marcel became friends, and neither of them wanted to kill themselves anymore. | Marcel wanted to get out of train and actually throw himself from the bridge. [SENT] Gene was thinking the same about himself. [SENT] Marcel was already at the edge of the bridge. [SENT] Gene noticed Marcel at the edge of the bridge. [SENT] Marcel was going to throw himself. [SENT] Gene rushed to Marcel and shouted at him. [SENT] He wanted to stop Marcel from jumping. [SENT] Marcel heard Gene and stopped. [SENT] Gene then went to Marcel to talk with him. [SENT] Gene and Marcel became friends, and neither of them wanted to kill themselves anymore. [SENT] | [male0] wanted to get out of train and actually throw himself from the bridge . [male1] was thinking the same about himself . [male0] was already at the edge of the bridge . [male1] noticed [male0] at the edge of the bridge . [male0] was going to throw himself . [male1] rushed to [male0] and shouted at him . he wanted to stop [male0] from jumping . [male0] heard [male1] and stopped . [male1] then went to [male0] to talk with him . [male1] and [male0] became friends , and neither of them wanted to kill themselves anymore . | train | tt0067116 | 3,309 |
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tt0361748_0020_1 | null | null | Melanie | Jacky | Daniel | {} | {} | {} | {} | Melanie is standing in a projection room. | Jacky is projecting the movie. | A crowd of people sit in the movie theater. | A men shoots another person on the screen. | As Melanie looks on. | John seems distrissed as | the movie keeps playing on the screen. | Daniel gets up and leaves the room. | null | null | ['tt0361748_1175_0', 'tt0361748_1177_2', 'tt0361748_1178_0', 'tt0361748_1179_1', 'tt0361748_1182_0', 'tt0361748_1183_0', 'tt0361748_1184_0', 'tt0361748_1188_1'] | Melanie is standing in a projection room. Jacky is projecting the movie. A crowd of people sit in the movie theater. A men shoots another person on the screen. As Melanie looks on. John seems distrissed as. the movie keeps playing on the screen. Daniel gets up and leaves the room. | Melanie is standing in a projection room. [SENT] Jacky is projecting the movie. [SENT] A crowd of people sit in the movie theater. [SENT] A men shoots another person on the screen. [SENT] As Melanie looks on. [SENT] John seems distrissed as. [SENT] the movie keeps playing on the screen. [SENT] Daniel gets up and leaves the room. [SENT] | [female0] is standing in a projection room . [male0] is projecting the movie . a crowd of people sit in the movie theater . a men shoots another person on the screen . as [female0] looks on . [male1] seems distrissed as . the movie keeps playing on the screen . [male2] gets up and leaves the room . | train | tt0361748 | 3,310 |
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tt0067116_0012_15 | null | Gene | Marcel | Tony | {} | {} | {} | {} | Marcel is up on the balcony, looking down. | Gene looks up at him. | Gene points his gun at up at Marcel. | Gene is climbing up the stairs, with his gun still pointed at Marcel. | Marcel looks down. | Gene shoots him on the chest. | Marcel spins and falls down the stairs from the impact of the shot. | Both Marcel and Gene end up at the bottom of the stairs. | Tony stands outside, in front of a car. | null | ['tt0067116_0868_1', 'tt0067116_0869_0', 'tt0067116_0871_0', 'tt0067116_0872_2', 'tt0067116_0874_0', 'tt0067116_0875_2', 'tt0067116_0876_1', 'tt0067116_0877_1', 'tt0067116_0878_2'] | Marcel is up on the balcony, looking down. Gene looks up at him. Gene points his gun at up at Marcel. Gene is climbing up the stairs, with his gun still pointed at Marcel. Marcel looks down. Gene shoots him on the chest. Marcel spins and falls down the stairs from the impact of the shot. Both Marcel and Gene end up at the bottom of the stairs. Tony stands outside, in front of a car. | Marcel is up on the balcony, looking down. [SENT] Gene looks up at him. [SENT] Gene points his gun at up at Marcel. [SENT] Gene is climbing up the stairs, with his gun still pointed at Marcel. [SENT] Marcel looks down. [SENT] Gene shoots him on the chest. [SENT] Marcel spins and falls down the stairs from the impact of the shot. [SENT] Both Marcel and Gene end up at the bottom of the stairs. [SENT] Tony stands outside, in front of a car. [SENT] | [male0] is up on the balcony , looking down . [male1] looks up at him . [male1] points his gun at up at [male0] . [male1] is climbing up the stairs , with his gun still pointed at [male0] . [male0] looks down . [male1] shoots him on the chest . [male0] spins and falls down the stairs from the impact of the shot . both [male0] and [male1] end up at the bottom of the stairs . [male2] stands outside , in front of a car . | train | tt0067116 | 3,311 |
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tt0078788_0001_0 | null | null | null | null | null | Laurence | Sam | Martin | Albert | {} | {} | Sam is bathing in the sun and enjoying his time as he prepares to go to war. | Martin tells Sam that he is worrying too much and that it will all be fine. | The boys laugh at Sam and tell him to stop being such a cry baby. | Sam does not care if they laugh at him, though. Sam starts crying and sweating as he writes a letter to his parents. | He writes what might be the last thing he might ever say to his parent ever again. He writes his goodbyes, and he goes off to war. | null | null | null | null | null | ['tt0078788_0093_0', 'tt0078788_0094_0', 'tt0078788_0095_2', 'tt0078788_0102_0', 'tt0078788_0103_1'] | Sam is bathing in the sun and enjoying his time as he prepares to go to war. Martin tells Sam that he is worrying too much and that it will all be fine. The boys laugh at Sam and tell him to stop being such a cry baby. Sam does not care if they laugh at him, though. Sam starts crying and sweating as he writes a letter to his parents. He writes what might be the last thing he might ever say to his parent ever again. He writes his goodbyes, and he goes off to war. | Sam is bathing in the sun and enjoying his time as he prepares to go to war. [SENT] Martin tells Sam that he is worrying too much and that it will all be fine. [SENT] The boys laugh at Sam and tell him to stop being such a cry baby. [SENT] Sam does not care if they laugh at him, though. Sam starts crying and sweating as he writes a letter to his parents. [SENT] He writes what might be the last thing he might ever say to his parent ever again. He writes his goodbyes, and he goes off to war. [SENT] | [male0] is bathing in the sun and enjoying his time as he prepares to go to war . [male1] tells [male0] that he is worrying too much and that it will all be fine . the boys laugh at [male0] and tell him to stop being such a cry baby . [male0] does not care if they laugh at him , though . [male0] starts crying and sweating as he writes a letter to his parents . he writes what might be the last thing he might ever say to his parent ever again . he writes his goodbyes , and he goes off to war . | train | tt0078788 | 3,312 |
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tt0113243_0006_4 | null | null | null | null | Angelina | Jonny | Renoly | Matthew | Fisher | Angelina finally realizes what part in the game she has played and what her responsibility is and shudders in disbelief. | The group including Jonny, Renoly, Angelina and Matthew are sitting around their laptop following the planned path of their actions. | Angelina talks to Jonny as a friend, admonishing him to help all of them and stave off their demise. | Matthew breaks the tension in the room by cracking a joke and | showing off his Lou Reed T-shirt. | In the meantime, Fisher has decoded the plan of the group and is trying to turn that knowledge into a powerful piece of leverage for himself. | null | null | null | null | ['tt0113243_0567_1', 'tt0113243_0570_1', 'tt0113243_0576_0', 'tt0113243_0577_0', 'tt0113243_0580_0', 'tt0113243_0581_0'] | Angelina finally realizes what part in the game she has played and what her responsibility is and shudders in disbelief. The group including Jonny, Renoly, Angelina and Matthew are sitting around their laptop following the planned path of their actions. Angelina talks to Jonny as a friend, admonishing him to help all of them and stave off their demise. Matthew breaks the tension in the room by cracking a joke and. showing off his Lou Reed T-shirt. In the meantime, Fisher has decoded the plan of the group and is trying to turn that knowledge into a powerful piece of leverage for himself. | Angelina finally realizes what part in the game she has played and what her responsibility is and shudders in disbelief. [SENT] The group including Jonny, Renoly, Angelina and Matthew are sitting around their laptop following the planned path of their actions. [SENT] Angelina talks to Jonny as a friend, admonishing him to help all of them and stave off their demise. [SENT] Matthew breaks the tension in the room by cracking a joke and. [SENT] showing off his Lou Reed T-shirt. [SENT] In the meantime, Fisher has decoded the plan of the group and is trying to turn that knowledge into a powerful piece of leverage for himself. [SENT] | [female0] finally realizes what part in the game she has played and what her responsibility is and shudders in disbelief . the group including [male0] , [male1] , [female0] and [male2] are sitting around their laptop following the planned path of their actions . [female0] talks to [male0] as a friend , admonishing him to help all of them and stave off their demise . [male2] breaks the tension in the room by cracking a joke and . showing off his [male3] [male4] t - shirt . in the meantime , [male5] has decoded the plan of the group and is trying to turn that knowledge into a powerful piece of leverage for himself . | train | tt0113243 | 3,313 |
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tt0090022_0001_3 | null | null | null | null | null | Kevin | {} | {} | {} | {} | {} | {} | {} | {} | Kevin was outside looking for his family. | He saw a cowboy on a horse ride towards him with a gun. | Kevin was scared, so he aimed the gun with hopes of scaring the cowboy off. | It turns out the cowboy was nice and let Kevin pet the horse. | Kevin liked the horse so much he forgot about looking for his family. | null | null | null | null | null | ['tt0090022_0088_2', 'tt0090022_0089_1', 'tt0090022_0090_0', 'tt0090022_0093_2', 'tt0090022_0095_1'] | Kevin was outside looking for his family. He saw a cowboy on a horse ride towards him with a gun. Kevin was scared, so he aimed the gun with hopes of scaring the cowboy off. It turns out the cowboy was nice and let Kevin pet the horse. Kevin liked the horse so much he forgot about looking for his family. | Kevin was outside looking for his family. [SENT] He saw a cowboy on a horse ride towards him with a gun. [SENT] Kevin was scared, so he aimed the gun with hopes of scaring the cowboy off. [SENT] It turns out the cowboy was nice and let Kevin pet the horse. [SENT] Kevin liked the horse so much he forgot about looking for his family. [SENT] | [male0] was outside looking for his family . he saw a cowboy on a horse ride towards him with a gun . [male0] was scared , so he aimed the gun with hopes of scaring the cowboy off . it turns out the cowboy was nice and let [male0] pet the horse . [male0] liked the horse so much he forgot about looking for his family . | train | tt0090022 | 3,314 |
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tt0078788_0001_15 | null | null | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | The helicopters fly in from the western sky | They bomb a bridge that will cut off the enemy from their supplies | Robert tells the onlookers that he likes to turn on music when he attacks. It scares the villagers | With Wagner playing over loudspeakers the helicopters attack | The troops land prepared to carry out their mission | null | null | null | null | null | ['tt0078788_0304_1', 'tt0078788_0307_1', 'tt0078788_0309_0', 'tt0078788_0315_2', 'tt0078788_0317_1'] | The helicopters fly in from the western sky. They bomb a bridge that will cut off the enemy from their supplies. Robert tells the onlookers that he likes to turn on music when he attacks. It scares the villagers. With Wagner playing over loudspeakers the helicopters attack. The troops land prepared to carry out their mission. | The helicopters fly in from the western sky. [SENT] They bomb a bridge that will cut off the enemy from their supplies. [SENT] Robert tells the onlookers that he likes to turn on music when he attacks. It scares the villagers. [SENT] With Wagner playing over loudspeakers the helicopters attack. [SENT] The troops land prepared to carry out their mission. [SENT] | the helicopters fly in from the western sky . they bomb a bridge that will cut off the enemy from their supplies . [male0] tells the onlookers that he likes to turn on music when he attacks . it scares the villagers . with [male1] playing over loudspeakers the helicopters attack . the troops land prepared to carry out their mission . | train | tt0078788 | 3,315 |
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tt0100405_0006_0 | null | null | null | Richard | Julia | Hector | {} | {} | {} | {} | Richard says good-bye to Julia after they shared a marvelous tete-a-tete dinner. | He re-enters his hotel suite and wishes that Julia had not left. | As Julia walks through the hotel lobby, she drops a pen that she had received form Richard as a present and a plea to stay in touch with him. | As she proceeds to leave the lobby, | Hector steps up, wanting to talk with this attractive woman clad all in red. He is smitten by her appearance, although he sees women like her most every day in this top-end luxury establishment. | Julia is reacting a bit embarrassed to Hector's attention, as she does not want to draw attention to herself | Hector, as the hotel's private security manager, naturally realizes what Julia does for a living and watches her leave the hotel with a keen eye. | null | null | null | ['tt0100405_1048_0', 'tt0100405_1049_0', 'tt0100405_1050_0', 'tt0100405_1051_0', 'tt0100405_1052_0', 'tt0100405_1053_2', 'tt0100405_1055_2'] | Richard says good-bye to Julia after they shared a marvelous tete-a-tete dinner. He re-enters his hotel suite and wishes that Julia had not left. As Julia walks through the hotel lobby, she drops a pen that she had received form Richard as a present and a plea to stay in touch with him. As she proceeds to leave the lobby,. Hector steps up, wanting to talk with this attractive woman clad all in red. He is smitten by her appearance, although he sees women like her most every day in this top-end luxury establishment. Julia is reacting a bit embarrassed to Hector's attention, as she does not want to draw attention to herself. Hector, as the hotel's private security manager, naturally realizes what Julia does for a living and watches her leave the hotel with a keen eye. | Richard says good-bye to Julia after they shared a marvelous tete-a-tete dinner. [SENT] He re-enters his hotel suite and wishes that Julia had not left. [SENT] As Julia walks through the hotel lobby, she drops a pen that she had received form Richard as a present and a plea to stay in touch with him. [SENT] As she proceeds to leave the lobby,. [SENT] Hector steps up, wanting to talk with this attractive woman clad all in red. He is smitten by her appearance, although he sees women like her most every day in this top-end luxury establishment. [SENT] Julia is reacting a bit embarrassed to Hector's attention, as she does not want to draw attention to herself. [SENT] Hector, as the hotel's private security manager, naturally realizes what Julia does for a living and watches her leave the hotel with a keen eye. [SENT] | [male0] says good - bye to [female0] after they shared a marvelous tete - a - tete dinner . he re - enters his hotel suite and wishes that [female0] had not left . as [female0] walks through the hotel lobby , she drops a pen that she had received form [male0] as a present and a plea to stay in touch with him . as she proceeds to leave the lobby , . [male1] steps up , wanting to talk with this attractive woman clad all in red . he is smitten by her appearance , although he sees women like her most every day in this top - end luxury establishment . [female0] is reacting a bit embarrassed to [male1] 's attention , as she does not want to draw attention to herself . [male1] , as the hotel 's private security manager , naturally realizes what [female0] does for a living and watches her leave the hotel with a keen eye . | train | tt0100405 | 3,316 |
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tt0113243_0006_8 | null | null | null | null | null | Jonny | Angelina | Renoly | Laurence | Matthew | Three co workers met high up on a building. | They wanted to goof off and see what they could see with the view. | They saw a guy smiling like crazy. | They saw a man being arrested. | Little did they know their boss was tracking their every move with a powerful computer. He would soon fire them. | null | null | null | null | null | ['tt0113243_0663_2', 'tt0113243_0664_0', 'tt0113243_0667_0', 'tt0113243_0669_1', 'tt0113243_0672_0'] | Three co workers met high up on a building. They wanted to goof off and see what they could see with the view. They saw a guy smiling like crazy. They saw a man being arrested. Little did they know their boss was tracking their every move with a powerful computer. He would soon fire them. | Three co workers met high up on a building. [SENT] They wanted to goof off and see what they could see with the view. [SENT] They saw a guy smiling like crazy. [SENT] They saw a man being arrested. [SENT] Little did they know their boss was tracking their every move with a powerful computer. He would soon fire them. [SENT] | three co workers met high up on a building . they wanted to goof off and see what they could see with the view . they saw a guy smiling like crazy . they saw a man being arrested . little did they know their boss was tracking their every move with a powerful computer . he would soon fire them . | train | tt0113243 | 3,317 |
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tt0096320_0003_8 | null | null | null | null | Arnold | Danny | {} | {} | {} | {} | {} | {} | Arnold goes to the office of Ben, who has been bullying his best friend, Danny. | Arnold confronts Danny about his bullying. Arnold lifts him up and tells him to never go near Danny ever again. | Ben cries for his left and promises Arnold never to hurt Danny ever again. | Arnold goes on a walk with Danny, and he tells Danny what he did. | Danny is in shock at what Arnold did. He cannot believe it. | Danny is so happy and grateful for Arnold, and he treats Arnold for lunch. | null | null | null | null | ['tt0096320_0264_0', 'tt0096320_0265_2', 'tt0096320_0268_0', 'tt0096320_0271_0', 'tt0096320_0273_0', 'tt0096320_0277_0'] | Arnold goes to the office of Ben, who has been bullying his best friend, Danny. Arnold confronts Danny about his bullying. Arnold lifts him up and tells him to never go near Danny ever again. Ben cries for his left and promises Arnold never to hurt Danny ever again. Arnold goes on a walk with Danny, and he tells Danny what he did. Danny is in shock at what Arnold did. He cannot believe it. Danny is so happy and grateful for Arnold, and he treats Arnold for lunch. | Arnold goes to the office of Ben, who has been bullying his best friend, Danny. [SENT] Arnold confronts Danny about his bullying. Arnold lifts him up and tells him to never go near Danny ever again. [SENT] Ben cries for his left and promises Arnold never to hurt Danny ever again. [SENT] Arnold goes on a walk with Danny, and he tells Danny what he did. [SENT] Danny is in shock at what Arnold did. He cannot believe it. [SENT] Danny is so happy and grateful for Arnold, and he treats Arnold for lunch. [SENT] | [male0] goes to the office of [male1] , who has been bullying his best friend , [male2] . [male0] confronts [male2] about his bullying . [male0] lifts him up and tells him to never go near [male2] ever again . [male1] cries for his left and promises [male0] never to hurt [male2] ever again . [male0] goes on a walk with [male2] , and he tells [male2] what he did . [male2] is in shock at what [male0] did . he can not believe it . [male2] is so happy and grateful for [male0] , and he treats [male0] for lunch . | train | tt0096320 | 3,318 |
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tt0822832_0001_10 | null | null | null | null | null | Eric | Jennifer | Owen | {} | {} | {} | {} | The charming Eric was in high spirit this morning and effortlessly flashed a devastating smile to the ladies sitting in front of him, at the cafe near the beach. | Everything was looking bright, but totally came undone when one of the girls, Jennifer, saw a group of pigeons not far from them: it was like a vision of Hell for her who was really scared of them. | In her panic she jumped from her seat screaming, overturning everything on the table. | Owen, who was also part of the group of four, was the first to react and, looking at her with concern, asked her what was going on. | After hearing what it was about, he hurriedly got up the chair, prepared to go in the direction of the pigeons, to disperse them. | null | null | null | null | null | ['tt0822832_0242_1', 'tt0822832_0244_0', 'tt0822832_0246_2', 'tt0822832_0247_2', 'tt0822832_0248_1'] | The charming Eric was in high spirit this morning and effortlessly flashed a devastating smile to the ladies sitting in front of him, at the cafe near the beach. Everything was looking bright, but totally came undone when one of the girls, Jennifer, saw a group of pigeons not far from them: it was like a vision of Hell for her who was really scared of them. In her panic she jumped from her seat screaming, overturning everything on the table. Owen, who was also part of the group of four, was the first to react and, looking at her with concern, asked her what was going on. After hearing what it was about, he hurriedly got up the chair, prepared to go in the direction of the pigeons, to disperse them. | The charming Eric was in high spirit this morning and effortlessly flashed a devastating smile to the ladies sitting in front of him, at the cafe near the beach. [SENT] Everything was looking bright, but totally came undone when one of the girls, Jennifer, saw a group of pigeons not far from them: it was like a vision of Hell for her who was really scared of them. [SENT] In her panic she jumped from her seat screaming, overturning everything on the table. [SENT] Owen, who was also part of the group of four, was the first to react and, looking at her with concern, asked her what was going on. [SENT] After hearing what it was about, he hurriedly got up the chair, prepared to go in the direction of the pigeons, to disperse them. [SENT] | the charming [male0] was in high spirit this morning and effortlessly flashed a devastating smile to the ladies sitting in front of him , at the cafe near the beach . everything was looking bright , but totally came undone when one of the girls , [female0] , saw a group of pigeons not far from them : it was like a vision of hell for her who was really scared of them . in her panic she jumped from her seat screaming , overturning everything on the table . [male1] , who was also part of the group of four , was the first to react and , looking at her with concern , asked her what was going on . after hearing what it was about , he hurriedly got up the chair , prepared to go in the direction of the pigeons , to disperse them . | train | tt0822832 | 3,319 |
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tt0078788_0001_10 | null | null | null | Dennis | Frederic | Martin | {} | {} | {} | {} | The helicopters force was on the way. The sky was blue, it was a bright day. | Martin looked around as they flew above the sea. Holding his weapon, he wondered if they would live or be dead by the end of the day. | Everyone around got ready. Clicking and loading their guns. | Dennis gazed over the sea. Seemed like his mind was tripping back to his home and family. | Mike was praying. | Frederic had his eyes closed trying to concentrate for upcoming action. | Martin looked at the shore ahead. In less than 10 minutes, all hell was about to break loose. | null | null | null | ['tt0078788_0229_1', 'tt0078788_0231_2', 'tt0078788_0233_1', 'tt0078788_0235_0', 'tt0078788_0236_0', 'tt0078788_0238_0', 'tt0078788_0239_2'] | The helicopters force was on the way. The sky was blue, it was a bright day. Martin looked around as they flew above the sea. Holding his weapon, he wondered if they would live or be dead by the end of the day. Everyone around got ready. Clicking and loading their guns. Dennis gazed over the sea. Seemed like his mind was tripping back to his home and family. Mike was praying. Frederic had his eyes closed trying to concentrate for upcoming action. Martin looked at the shore ahead. In less than 10 minutes, all hell was about to break loose. | The helicopters force was on the way. The sky was blue, it was a bright day. [SENT] Martin looked around as they flew above the sea. Holding his weapon, he wondered if they would live or be dead by the end of the day. [SENT] Everyone around got ready. Clicking and loading their guns. [SENT] Dennis gazed over the sea. Seemed like his mind was tripping back to his home and family. [SENT] Mike was praying. [SENT] Frederic had his eyes closed trying to concentrate for upcoming action. [SENT] Martin looked at the shore ahead. In less than 10 minutes, all hell was about to break loose. [SENT] | the helicopters force was on the way . the sky was blue , it was a bright day . [male0] looked around as they flew above the sea . holding his weapon , he wondered if they would live or be dead by the end of the day . everyone around got ready . clicking and loading their guns . [male1] gazed over the sea . seemed like his mind was tripping back to his home and family . [male2] was praying . [male3] had his eyes closed trying to concentrate for upcoming action . [male0] looked at the shore ahead . in less than 10 minutes , all hell was about to break loose . | train | tt0078788 | 3,320 |
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tt0078788_0001_4 | null | null | null | Robert | Laurence | Martin | {} | {} | {} | {} | The American troops have rounded up the village around the square | and some of the soldiers are setting fire to some of the huts in a cheap revenge move, | while Robert overseas one of the jeeps taking on a Vietnamese mother and her child in order to evacuate them to safety. | Another soldier comes from the area engulfed in flames with a young Vietnamese woman in tow, | while Robert and the rest of the company are viewing the casualties of their attack in the village. | Robert gives a series of orders to one of his company officers, while Laurence is looking on. | Martin remains within himself during the entire assault, drawing his own conclusions as to the craziness of the actions he sees. | null | null | null | ['tt0078788_0152_2', 'tt0078788_0153_0', 'tt0078788_0154_0', 'tt0078788_0155_1', 'tt0078788_0156_0', 'tt0078788_0158_0', 'tt0078788_0159_1'] | The American troops have rounded up the village around the square. and some of the soldiers are setting fire to some of the huts in a cheap revenge move,. while Robert overseas one of the jeeps taking on a Vietnamese mother and her child in order to evacuate them to safety. Another soldier comes from the area engulfed in flames with a young Vietnamese woman in tow,. while Robert and the rest of the company are viewing the casualties of their attack in the village. Robert gives a series of orders to one of his company officers, while Laurence is looking on. Martin remains within himself during the entire assault, drawing his own conclusions as to the craziness of the actions he sees. | The American troops have rounded up the village around the square. [SENT] and some of the soldiers are setting fire to some of the huts in a cheap revenge move,. [SENT] while Robert overseas one of the jeeps taking on a Vietnamese mother and her child in order to evacuate them to safety. [SENT] Another soldier comes from the area engulfed in flames with a young Vietnamese woman in tow,. [SENT] while Robert and the rest of the company are viewing the casualties of their attack in the village. [SENT] Robert gives a series of orders to one of his company officers, while Laurence is looking on. [SENT] Martin remains within himself during the entire assault, drawing his own conclusions as to the craziness of the actions he sees. [SENT] | the troops have rounded up the village around the square . and some of the soldiers are setting fire to some of the huts in a cheap revenge move , . while [male0] overseas one of the jeeps taking on a mother and her child in order to evacuate them to safety . another soldier comes from the area engulfed in flames with a young woman in tow , . while [male0] and the rest of the company are viewing the casualties of their attack in the village . [male0] gives a series of orders to one of his company officers , while [female0] is looking on . [male1] remains within himself during the entire assault , drawing his own conclusions as to the craziness of the actions he sees . | train | tt0078788 | 3,321 |
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tt0096320_0003_13 | null | null | null | Arnold | Chloe | Kelly | {} | {} | {} | {} | Arnold and Chloe drive toward a store in their car that is tilting heavily to one side. | Arnold and Chloe continue driving as their car problem seems to be getting even worse. | Arnold tries to keep control of the car as it threatens to tip over. | Arnold and Chloe arrive in the parking lot of the store. | Chloe rushes to the magazine stand to see if there is a car magazine that can help them fix their tilting car. | Arnold looks carefully at the car magazine to see what they can do to fix their tilting car. | Arnold asks Kelly if she knows how to fix the problem with their tilting car. | null | null | null | ['tt0096320_0347_0', 'tt0096320_0350_1', 'tt0096320_0351_1', 'tt0096320_0352_0', 'tt0096320_0355_2', 'tt0096320_0357_2', 'tt0096320_0358_0'] | Arnold and Chloe drive toward a store in their car that is tilting heavily to one side. Arnold and Chloe continue driving as their car problem seems to be getting even worse. Arnold tries to keep control of the car as it threatens to tip over. Arnold and Chloe arrive in the parking lot of the store. Chloe rushes to the magazine stand to see if there is a car magazine that can help them fix their tilting car. Arnold looks carefully at the car magazine to see what they can do to fix their tilting car. Arnold asks Kelly if she knows how to fix the problem with their tilting car. | Arnold and Chloe drive toward a store in their car that is tilting heavily to one side. [SENT] Arnold and Chloe continue driving as their car problem seems to be getting even worse. [SENT] Arnold tries to keep control of the car as it threatens to tip over. [SENT] Arnold and Chloe arrive in the parking lot of the store. [SENT] Chloe rushes to the magazine stand to see if there is a car magazine that can help them fix their tilting car. [SENT] Arnold looks carefully at the car magazine to see what they can do to fix their tilting car. [SENT] Arnold asks Kelly if she knows how to fix the problem with their tilting car. [SENT] | [male0] and [female0] drive toward a store in their car that is tilting heavily to one side . [male0] and [female0] continue driving as their car problem seems to be getting even worse . [male0] tries to keep control of the car as it threatens to tip over . [male0] and [female0] arrive in the parking lot of the store . [female0] rushes to the magazine stand to see if there is a car magazine that can help them fix their tilting car . [male0] looks carefully at the car magazine to see what they can do to fix their tilting car . [male0] asks [female1] if she knows how to fix the problem with their tilting car . | train | tt0096320 | 3,322 |
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tt0096320_0003_6 | null | null | null | Danny | Arnold | {} | {} | {} | {} | {} | {} | Danny is being man-handled by an assailant who bullies hi physically and throws him out of a room. | As the bully further humiliates Danny who has fallen to his knees, | Arnold emerges from one of the elevators without being noticed by the bully. | Arnold's smile immediately freezes as he recognizes the serious situation Danny id in, with his assailant having wrapped both his hands around Danny's throat, choking him. | Danny looks up and notices Arnold behind his assailant, looking at Arnold in a plea for help. | Arnold obliges and helps his friend immediately, | in the process dispatching of Danny's assailant with ease. | null | null | null | ['tt0096320_0233_1', 'tt0096320_0235_2', 'tt0096320_0236_0', 'tt0096320_0238_1', 'tt0096320_0239_0', 'tt0096320_0242_0', 'tt0096320_0243_0'] | Danny is being man-handled by an assailant who bullies hi physically and throws him out of a room. As the bully further humiliates Danny who has fallen to his knees,. Arnold emerges from one of the elevators without being noticed by the bully. Arnold's smile immediately freezes as he recognizes the serious situation Danny id in, with his assailant having wrapped both his hands around Danny's throat, choking him. Danny looks up and notices Arnold behind his assailant, looking at Arnold in a plea for help. Arnold obliges and helps his friend immediately,. in the process dispatching of Danny's assailant with ease. | Danny is being man-handled by an assailant who bullies hi physically and throws him out of a room. [SENT] As the bully further humiliates Danny who has fallen to his knees,. [SENT] Arnold emerges from one of the elevators without being noticed by the bully. [SENT] Arnold's smile immediately freezes as he recognizes the serious situation Danny id in, with his assailant having wrapped both his hands around Danny's throat, choking him. [SENT] Danny looks up and notices Arnold behind his assailant, looking at Arnold in a plea for help. [SENT] Arnold obliges and helps his friend immediately,. [SENT] in the process dispatching of Danny's assailant with ease. [SENT] | [male0] is being man - handled by an assailant who bullies hi physically and throws him out of a room . as the bully further humiliates [male0] who has fallen to his knees , . [male1] emerges from one of the elevators without being noticed by the bully . [male1] 's smile immediately freezes as he recognizes the serious situation [male0] i d in , with his assailant having wrapped both his hands around [male0] 's throat , choking him . [male0] looks up and notices [male1] behind his assailant , looking at [male1] in a plea for help . [male1] obliges and helps his friend immediately , . in the process dispatching of [male0] 's assailant with ease . | train | tt0096320 | 3,323 |
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tt0107808_0003_1 | null | null | null | null | null | Laura | Clint | Leo | {} | {} | {} | {} | Laura was happy because it was her first day at her new job. | She helped two men keep and organize financial records. | Laura had a secret. She had no idea what she was doing. She lied on her resume and in the interview. | Her boss Tim realized that something was off. | After a day's work they told her she was fired because she performed so terribly. | null | null | null | null | null | ['tt0107808_0180_0', 'tt0107808_0181_0', 'tt0107808_0182_1', 'tt0107808_0183_0', 'tt0107808_0191_0'] | Laura was happy because it was her first day at her new job. She helped two men keep and organize financial records. Laura had a secret. She had no idea what she was doing. She lied on her resume and in the interview. Her boss Tim realized that something was off. After a day's work they told her she was fired because she performed so terribly. | Laura was happy because it was her first day at her new job. [SENT] She helped two men keep and organize financial records. [SENT] Laura had a secret. She had no idea what she was doing. She lied on her resume and in the interview. [SENT] Her boss Tim realized that something was off. [SENT] After a day's work they told her she was fired because she performed so terribly. [SENT] | [female0] was happy because it was her first day at her new job . she helped two men keep and organize financial records . [female0] had a secret . she had no idea what she was doing . she lied on her resume and in the interview . her boss [male0] realized that something was off . after a day 's work they told her she was fired because she performed so terribly . | train | tt0107808 | 3,324 |
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tt0407887_0015_4 | null | Ray | Jack | Leonardo | Matt | {} | {} | Ray was having a smoke, when he called everyone to go on a mission | They were driving during the night. | They were going fast with the cars. | Someone called Ray so he slowed down a bit. | In the car was Ray Jack and Leonardo. | It was Matt from the police headquarters telling them to go back since cops had information about what they wanted to do. | Matt thanked Bob. | Matt reminded Bob that he would be given more money for every information he could get them. | Bob thanked Matt, and reassured him, that he would continue to do his best. | null | ['tt0407887_2217_0', 'tt0407887_2220_0', 'tt0407887_2222_0', 'tt0407887_2224_0', 'tt0407887_2225_0', 'tt0407887_2226_2', 'tt0407887_2227_0', 'tt0407887_2228_0', 'tt0407887_2230_0', 'tt0407887_2231_1'] | Ray was having a smoke, when he called everyone to go on a mission. They were driving during the night. They were going fast with the cars. Someone called Ray so he slowed down a bit. In the car was Ray Jack and Leonardo. It was Matt from the police headquarters telling them to go back since cops had information about what they wanted to do. Matt thanked Bob. Matt reminded Bob that he would be given more money for every information he could get them. Bob thanked Matt, and reassured him, that he would continue to do his best. Matt was glad he could save his friends this time. | Ray was having a smoke, when he called everyone to go on a mission. [SENT] They were driving during the night. [SENT] They were going fast with the cars. [SENT] Someone called Ray so he slowed down a bit. [SENT] In the car was Ray Jack and Leonardo. [SENT] It was Matt from the police headquarters telling them to go back since cops had information about what they wanted to do. [SENT] Matt thanked Bob. [SENT] Matt reminded Bob that he would be given more money for every information he could get them. [SENT] Bob thanked Matt, and reassured him, that he would continue to do his best. [SENT] Matt was glad he could save his friends this time. [SENT] | [male0] was having a smoke , when he called everyone to go on a mission . they were driving during the night . they were going fast with the cars . someone called [male0] so he slowed down a bit . in the car was [male0] [male1] and [male2] . it was [male3] from the police headquarters telling them to go back since cops had information about what they wanted to do . [male3] thanked [male4] . [male3] reminded [male4] that he would be given more money for every information he could get them . [male4] thanked [male3] , and reassured him , that he would continue to do his best . [male3] was glad he could save his friends this time . | train | tt0407887 | 3,325 |
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tt0122690_0001_12 | null | null | null | Sean | Jean | Robert | Skipp | {} | {} | A firefight has erupted in a dark arcade. One man is slumped against the driver door of his BMW, while the well-dressed boss of the posse has been hit standing in front of their car. | Jean and Sean have navigated that potential disaster meeting very well and have shown their mastery and craft in dealing with potentially deadly encounters. | Now Robert is called into action as the man whom he watched has suddenly become aware of being tailed and observed. Robert has pulle his weapon and has it trained on the man he observed. | Skip is trying to engage his weapon while moving away from the place where he is exposed to Robert's gunfire. | In the meantime, the men from the posse that awaited Jean and Sean are firing in an attempt to turn the encounter into a deadly
one for Jean and Sean. | However, Jean is able to not only return fire, but to down the attackers and prevail. | The men are down and vanquished, a job well done by Jean and Sean! | null | null | null | ['tt0122690_0335_1', 'tt0122690_0336_2', 'tt0122690_0337_0', 'tt0122690_0339_1', 'tt0122690_0342_1', 'tt0122690_0346_1', 'tt0122690_0347_0'] | A firefight has erupted in a dark arcade. One man is slumped against the driver door of his BMW, while the well-dressed boss of the posse has been hit standing in front of their car. Jean and Sean have navigated that potential disaster meeting very well and have shown their mastery and craft in dealing with potentially deadly encounters. Now Robert is called into action as the man whom he watched has suddenly become aware of being tailed and observed. Robert has pulle his weapon and has it trained on the man he observed. Skip is trying to engage his weapon while moving away from the place where he is exposed to Robert's gunfire. In the meantime, the men from the posse that awaited Jean and Sean are firing in an attempt to turn the encounter into a deadly
one for Jean and Sean. However, Jean is able to not only return fire, but to down the attackers and prevail. The men are down and vanquished, a job well done by Jean and Sean! | A firefight has erupted in a dark arcade. One man is slumped against the driver door of his BMW, while the well-dressed boss of the posse has been hit standing in front of their car. [SENT] Jean and Sean have navigated that potential disaster meeting very well and have shown their mastery and craft in dealing with potentially deadly encounters. [SENT] Now Robert is called into action as the man whom he watched has suddenly become aware of being tailed and observed. Robert has pulle his weapon and has it trained on the man he observed. [SENT] Skip is trying to engage his weapon while moving away from the place where he is exposed to Robert's gunfire. [SENT] In the meantime, the men from the posse that awaited Jean and Sean are firing in an attempt to turn the encounter into a deadly
one for Jean and Sean. [SENT] However, Jean is able to not only return fire, but to down the attackers and prevail. [SENT] The men are down and vanquished, a job well done by Jean and Sean! [SENT] | a firefight has erupted in a dark arcade . one man is slumped against the driver door of his , while the well - dressed boss of the posse has been hit standing in front of their car . [male0] and [male1] have navigated that potential disaster meeting very well and have shown their mastery and craft in dealing with potentially deadly encounters . now [male2] is called into action as the man whom he watched has suddenly become aware of being tailed and observed . [male2] has pulle his weapon and has it trained on the man he observed . [male3] is trying to engage his weapon while moving away from the place where he is exposed to [male2] 's gunfire . in the meantime , the men from the posse that awaited [male0] and [male1] are firing in an attempt to turn the encounter into a deadly one for [male0] and [male1] . however , [male0] is able to not only return fire , but to down the attackers and prevail . the men are down and vanquished , a job well done by [male0] and [male1] ! | train | tt0122690 | 3,326 |
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tt0187393_0003_9 | null | null | null | Mel | {} | {} | {} | {} | {} | {} | {} | {} | The enemy squad fired again. | There were at least 3-4 of them left. | Mel looked at the kids at the other side of the hill. They were ready for the diversion and to provide him with the valuable time he needed. | The enemy soldiers heard the shot. | The children hid quickly over the bumpy road. | The soldiers ran behind the carriage. The diversion had worked. | Mel didn't waste a second. He made a run to the boys and shouted at them. They only had a small chance if they had to make it out of there alive. | null | null | null | ['tt0187393_0642_0', 'tt0187393_0644_2', 'tt0187393_0645_0', 'tt0187393_0646_0', 'tt0187393_0647_0', 'tt0187393_0648_0', 'tt0187393_0655_2'] | The enemy squad fired again. There were at least 3-4 of them left. Mel looked at the kids at the other side of the hill. They were ready for the diversion and to provide him with the valuable time he needed. The enemy soldiers heard the shot. The children hid quickly over the bumpy road. The soldiers ran behind the carriage. The diversion had worked. Mel didn't waste a second. He made a run to the boys and shouted at them. They only had a small chance if they had to make it out of there alive. | The enemy squad fired again. [SENT] There were at least 3-4 of them left. [SENT] Mel looked at the kids at the other side of the hill. They were ready for the diversion and to provide him with the valuable time he needed. [SENT] The enemy soldiers heard the shot. [SENT] The children hid quickly over the bumpy road. [SENT] The soldiers ran behind the carriage. The diversion had worked. [SENT] Mel didn't waste a second. He made a run to the boys and shouted at them. They only had a small chance if they had to make it out of there alive. [SENT] | the enemy squad fired again . there were at least 3 - 4 of them left . [female0] looked at the kids at the other side of the hill . they were ready for the diversion and to provide him with the valuable time he needed . the enemy soldiers heard the shot . the children hid quickly over the bumpy road . the soldiers ran behind the carriage . the diversion had worked . [female0] did n't waste a second . he made a run to the boys and shouted at them . they only had a small chance if they had to make it out of there alive . | train | tt0187393 | 3,327 |
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tt0822832_0001_4 | null | null | null | null | null | Owen | Jennifer | {} | {} | {} | {} | {} | {} | Owen is at the airport to pick up Jennifer | Jennifer connects with Owen. She is happy to see him | Owen tells Jennifer that he hasn't picked up their new puppy yet. He's not sure if it's the right idea | Jennifer is unhappy with this. She can't believe that Owen has dragged his feet on this | Finally Owen picks up Marley and he and Jennifer's lives are about to change forever. | null | null | null | null | null | ['tt0822832_0147_2', 'tt0822832_0148_2', 'tt0822832_0149_0', 'tt0822832_0150_1', 'tt0822832_0159_0'] | Owen is at the airport to pick up Jennifer. Jennifer connects with Owen. She is happy to see him. Owen tells Jennifer that he hasn't picked up their new puppy yet. He's not sure if it's the right idea. Jennifer is unhappy with this. She can't believe that Owen has dragged his feet on this. Finally Owen picks up Marley and he and Jennifer's lives are about to change forever. | Owen is at the airport to pick up Jennifer. [SENT] Jennifer connects with Owen. She is happy to see him. [SENT] Owen tells Jennifer that he hasn't picked up their new puppy yet. He's not sure if it's the right idea. [SENT] Jennifer is unhappy with this. She can't believe that Owen has dragged his feet on this. [SENT] Finally Owen picks up Marley and he and Jennifer's lives are about to change forever. [SENT] | [male0] is at the airport to pick up [female0] . [female0] connects with [male0] . she is happy to see him . [male0] tells [female0] that he has n't picked up their new puppy yet . he 's not sure if it 's the right idea . [female0] is unhappy with this . she ca n't believe that [male0] has dragged his feet on this . finally [male0] picks up [female1] and he and [female0] 's lives are about to change forever . | train | tt0822832 | 3,328 |
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tt0113243_0007_0 | null | null | null | null | Laurence | Matthew | Jonny | Angelina | {} | {} | Laurence, Matthew and Angelina are staring at a computer screen in order to see if the plan they made is playing out in real time. | Jonny comes into the room and sees the gang watch their screen intently | with Angeline asking Jonny to remain calm until they have found out what they wanted to know. | As Jonny gets to the screen he quickly navigates through the program and realizes | that their plan has worked flawlessly. | A large, multi-page printout list of all their targets has been printed out and is now ready to be used to get their plot fully enacted. | null | null | null | null | ['tt0113243_0805_0', 'tt0113243_0808_0', 'tt0113243_0810_0', 'tt0113243_0812_0', 'tt0113243_0815_2', 'tt0113243_0817_0'] | Laurence, Matthew and Angelina are staring at a computer screen in order to see if the plan they made is playing out in real time. Jonny comes into the room and sees the gang watch their screen intently. with Angeline asking Jonny to remain calm until they have found out what they wanted to know. As Jonny gets to the screen he quickly navigates through the program and realizes. that their plan has worked flawlessly. A large, multi-page printout list of all their targets has been printed out and is now ready to be used to get their plot fully enacted. | Laurence, Matthew and Angelina are staring at a computer screen in order to see if the plan they made is playing out in real time. [SENT] Jonny comes into the room and sees the gang watch their screen intently. [SENT] with Angeline asking Jonny to remain calm until they have found out what they wanted to know. [SENT] As Jonny gets to the screen he quickly navigates through the program and realizes. [SENT] that their plan has worked flawlessly. [SENT] A large, multi-page printout list of all their targets has been printed out and is now ready to be used to get their plot fully enacted. [SENT] | [female0] , [male0] and [female1] are staring at a computer screen in order to see if the plan they made is playing out in real time . [male1] comes into the room and sees the gang watch their screen intently . with [female2] asking [male1] to remain calm until they have found out what they wanted to know . as [male1] gets to the screen he quickly navigates through the program and realizes . that their plan has worked flawlessly . a large , multi - page printout list of all their targets has been printed out and is now ready to be used to get their plot fully enacted . | train | tt0113243 | 3,329 |
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tt0187393_0003_5 | null | null | null | Heath | Mel | {} | {} | {} | {} | {} | {} | In the middle of an armed engagement, the small troupe of English soldiers are firing back at their attackers, trying to defend themselves against a seemingly invisible foe. The English organized ranks are broken up and the fighting takes on a guerilla type nature. | As the English soldiers are trying to reorganize a proper defense stance, they appear to be successful in launching more volleys against their attackers. | In the heat of the battle, a young Heath in a blue military overcoat is trying to rid himself from the ropes, the English soldiers have placed on his wrists after he was apprehended. | Lying in the woods above the passing English, Mel is trying to pick off one soldier after another in the skirmish. | Mel is so close to the English soldiers that he can see the white in their eyes, which means that they are close enough to be engaged. | Mel makes sure that his rifle is properly loaded and functions as he prepares for his assault. | While the English soldiers cannot detect Mel, he is hiding right above them, having a sizable positional advantage over the platoon of redcoats. | null | null | null | ['tt0187393_0580_2', 'tt0187393_0583_0', 'tt0187393_0584_0', 'tt0187393_0585_2', 'tt0187393_0586_0', 'tt0187393_0587_0', 'tt0187393_0588_1'] | In the middle of an armed engagement, the small troupe of English soldiers are firing back at their attackers, trying to defend themselves against a seemingly invisible foe. The English organized ranks are broken up and the fighting takes on a guerilla type nature. As the English soldiers are trying to reorganize a proper defense stance, they appear to be successful in launching more volleys against their attackers. In the heat of the battle, a young Heath in a blue military overcoat is trying to rid himself from the ropes, the English soldiers have placed on his wrists after he was apprehended. Lying in the woods above the passing English, Mel is trying to pick off one soldier after another in the skirmish. Mel is so close to the English soldiers that he can see the white in their eyes, which means that they are close enough to be engaged. Mel makes sure that his rifle is properly loaded and functions as he prepares for his assault. While the English soldiers cannot detect Mel, he is hiding right above them, having a sizable positional advantage over the platoon of redcoats. | In the middle of an armed engagement, the small troupe of English soldiers are firing back at their attackers, trying to defend themselves against a seemingly invisible foe. The English organized ranks are broken up and the fighting takes on a guerilla type nature. [SENT] As the English soldiers are trying to reorganize a proper defense stance, they appear to be successful in launching more volleys against their attackers. [SENT] In the heat of the battle, a young Heath in a blue military overcoat is trying to rid himself from the ropes, the English soldiers have placed on his wrists after he was apprehended. [SENT] Lying in the woods above the passing English, Mel is trying to pick off one soldier after another in the skirmish. [SENT] Mel is so close to the English soldiers that he can see the white in their eyes, which means that they are close enough to be engaged. [SENT] Mel makes sure that his rifle is properly loaded and functions as he prepares for his assault. [SENT] While the English soldiers cannot detect Mel, he is hiding right above them, having a sizable positional advantage over the platoon of redcoats. [SENT] | in the middle of an armed engagement , the small troupe of soldiers are firing back at their attackers , trying to defend themselves against a seemingly invisible foe . the organized ranks are broken up and the fighting takes on a guerilla type nature . as the soldiers are trying to reorganize a proper defense stance , they appear to be successful in launching more volleys against their attackers . in the heat of the battle , a young [male0] in a blue military overcoat is trying to rid himself from the ropes , the soldiers have placed on his wrists after he was apprehended . lying in the woods above the passing , [female0] is trying to pick off one soldier after another in the skirmish . [female0] is so close to the soldiers that he can see the white in their eyes , which means that they are close enough to be engaged . [female0] makes sure that his rifle is properly loaded and functions as he prepares for his assault . while the soldiers can not detect [female0] , he is hiding right above them , having a sizable positional advantage over the platoon of redcoats . | train | tt0187393 | 3,330 |
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tt0078788_0001_14 | null | null | null | null | null | Robert | Martin | Sam | {} | {} | {} | {} | The Air Cav, helicopter unit, makes aa bombing run over a Viet Long village | People are injured, some may be civilians. | Robert is pleased with thee results he is seeing. His squad's mission is to take the village to assure the movement forward of Martin's team | The village is reduced to rubble in many places | Robert also blows up a bridge that will make it difficult for the Viet Long to move weapons along the road | null | null | null | null | null | ['tt0078788_0288_1', 'tt0078788_0292_0', 'tt0078788_0294_0', 'tt0078788_0295_2', 'tt0078788_0303_1'] | The Air Cav, helicopter unit, makes aa bombing run over a Viet Long village. People are injured, some may be civilians. Robert is pleased with thee results he is seeing. His squad's mission is to take the village to assure the movement forward of Martin's team. The village is reduced to rubble in many places. Robert also blows up a bridge that will make it difficult for the Viet Long to move weapons along the road. | The Air Cav, helicopter unit, makes aa bombing run over a Viet Long village. [SENT] People are injured, some may be civilians. [SENT] Robert is pleased with thee results he is seeing. His squad's mission is to take the village to assure the movement forward of Martin's team. [SENT] The village is reduced to rubble in many places. [SENT] Robert also blows up a bridge that will make it difficult for the Viet Long to move weapons along the road. [SENT] | the , helicopter unit , makes aa bombing run over a [location] village . people are injured , some may be civilians . [male0] is pleased with thee results he is seeing . his squad 's mission is to take the village to assure the movement forward of [male1] 's team . the village is reduced to rubble in many places . [male0] also blows up a bridge that will make it difficult for the to move weapons along the road . | train | tt0078788 | 3,331 |
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tt0117060_0003_2 | null | null | null | null | null | Tom | Henry | {} | {} | {} | {} | {} | {} | Tom was ready to go to work. | He was in his new business suit. | Henry was going to drive Tom, but he lost his keys. | The keys weren't in the pink room. | After tearing apart the bathroom looking for the keys, Henry caused a huge water overflow and had to leave quickly. | null | null | null | null | null | ['tt0117060_0457_2', 'tt0117060_0458_0', 'tt0117060_0459_1', 'tt0117060_0461_0', 'tt0117060_0471_1'] | Tom was ready to go to work. He was in his new business suit. Henry was going to drive Tom, but he lost his keys. The keys weren't in the pink room. After tearing apart the bathroom looking for the keys, Henry caused a huge water overflow and had to leave quickly. | Tom was ready to go to work. [SENT] He was in his new business suit. [SENT] Henry was going to drive Tom, but he lost his keys. [SENT] The keys weren't in the pink room. [SENT] After tearing apart the bathroom looking for the keys, Henry caused a huge water overflow and had to leave quickly. [SENT] | [male0] was ready to go to work . he was in his new business suit . [male1] was going to drive [male0] , but he lost his keys . the keys were n't in the pink room . after tearing apart the bathroom looking for the keys , [male1] caused a huge water overflow and had to leave quickly . | train | tt0117060 | 3,332 |
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tt0083929_0013_2 | null | null | null | Judge | Jennifer | {} | {} | {} | {} | {} | {} | Judge waits in the parking lot, watching the hospital entrance for Jennifer. | The nurse walks into the hospital room and is surprised to see Jennifer out of her hospital robes and dressed. The nurse tells her she needs to wait until the doctor sees her before she can go. | Jennifer tells the nurse that she has the information she came for, since the test showed she is indeed pregnant. | The nurse pleads with her to stay, but Jennifer is looking at the floor biting her lip. | Jennifer rushes out of the hospital room, eager to get out of there and to see Judge. | In the hospital parking lot, Jennifer lays eyes on her sweetheart leaning against his car, looking cool, as she walks over to him. She takes a deep breath and tries to stay calm. | Jennifer tells Judge that she is not pregnant, to his immense relief. Judge feels he has dodged a bullet. | null | null | null | ['tt0083929_0909_0', 'tt0083929_0910_0', 'tt0083929_0911_0', 'tt0083929_0912_0', 'tt0083929_0914_1', 'tt0083929_0916_0', 'tt0083929_0919_0'] | Judge waits in the parking lot, watching the hospital entrance for Jennifer. The nurse walks into the hospital room and is surprised to see Jennifer out of her hospital robes and dressed. The nurse tells her she needs to wait until the doctor sees her before she can go. Jennifer tells the nurse that she has the information she came for, since the test showed she is indeed pregnant. The nurse pleads with her to stay, but Jennifer is looking at the floor biting her lip. Jennifer rushes out of the hospital room, eager to get out of there and to see Judge. In the hospital parking lot, Jennifer lays eyes on her sweetheart leaning against his car, looking cool, as she walks over to him. She takes a deep breath and tries to stay calm. Jennifer tells Judge that she is not pregnant, to his immense relief. Judge feels he has dodged a bullet. | Judge waits in the parking lot, watching the hospital entrance for Jennifer. [SENT] The nurse walks into the hospital room and is surprised to see Jennifer out of her hospital robes and dressed. The nurse tells her she needs to wait until the doctor sees her before she can go. [SENT] Jennifer tells the nurse that she has the information she came for, since the test showed she is indeed pregnant. [SENT] The nurse pleads with her to stay, but Jennifer is looking at the floor biting her lip. [SENT] Jennifer rushes out of the hospital room, eager to get out of there and to see Judge. [SENT] In the hospital parking lot, Jennifer lays eyes on her sweetheart leaning against his car, looking cool, as she walks over to him. She takes a deep breath and tries to stay calm. [SENT] Jennifer tells Judge that she is not pregnant, to his immense relief. Judge feels he has dodged a bullet. [SENT] | judge waits in the parking lot , watching the hospital entrance for [female0] . the nurse walks into the hospital room and is surprised to see [female0] out of her hospital robes and dressed . the nurse tells her she needs to wait until the doctor sees her before she can go . [female0] tells the nurse that she has the information she came for , since the test showed she is indeed pregnant . the nurse pleads with her to stay , but [female0] is looking at the floor biting her lip . [female0] rushes out of the hospital room , eager to get out of there and to see judge . in the hospital parking lot , [female0] lays eyes on her sweetheart leaning against his car , looking cool , as she walks over to him . she takes a deep breath and tries to stay calm . [female0] tells judge that she is not pregnant , to his immense relief . [male0] feels he has dodged a bullet . | train | tt0083929 | 3,333 |
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tt1186367_0009_1 | null | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | A dystopian night time battle scene emerges as black-clad paramilitary forces storm an industrial estate trying to extricate one of their members. | The paramilitary troops sport insignia arm patches and fully-automatic assault rifles in their all-out attempt of winning the battle against their foes. | The man in charge of he assault crouches behind the actual line of battle as he observes the situation and tries to look at new possible angles of attack. | A ninja-clad member of the opposing group is shot as he tries to raise a baton against one of the paramilitary force members. | Other members of the opposing group are storming up a pitched roofline in order to evade the all-out attack of the well-armed paramilitary forces. | From the ground, the members of the paramilitary forces shoot at the fleeing members of the opposing group, as the target of the search-and-rescue operation can be seen tied to a pole in the middle of the open space. | null | null | null | null | ['tt1186367_1663_0', 'tt1186367_1664_0', 'tt1186367_1665_0', 'tt1186367_1666_0', 'tt1186367_1668_0', 'tt1186367_1669_0'] | A dystopian night time battle scene emerges as black-clad paramilitary forces storm an industrial estate trying to extricate one of their members. The paramilitary troops sport insignia arm patches and fully-automatic assault rifles in their all-out attempt of winning the battle against their foes. The man in charge of he assault crouches behind the actual line of battle as he observes the situation and tries to look at new possible angles of attack. A ninja-clad member of the opposing group is shot as he tries to raise a baton against one of the paramilitary force members. Other members of the opposing group are storming up a pitched roofline in order to evade the all-out attack of the well-armed paramilitary forces. From the ground, the members of the paramilitary forces shoot at the fleeing members of the opposing group, as the target of the search-and-rescue operation can be seen tied to a pole in the middle of the open space. | A dystopian night time battle scene emerges as black-clad paramilitary forces storm an industrial estate trying to extricate one of their members. [SENT] The paramilitary troops sport insignia arm patches and fully-automatic assault rifles in their all-out attempt of winning the battle against their foes. [SENT] The man in charge of he assault crouches behind the actual line of battle as he observes the situation and tries to look at new possible angles of attack. [SENT] A ninja-clad member of the opposing group is shot as he tries to raise a baton against one of the paramilitary force members. [SENT] Other members of the opposing group are storming up a pitched roofline in order to evade the all-out attack of the well-armed paramilitary forces. [SENT] From the ground, the members of the paramilitary forces shoot at the fleeing members of the opposing group, as the target of the search-and-rescue operation can be seen tied to a pole in the middle of the open space. [SENT] | a dystopian night time battle scene emerges as black - clad paramilitary forces storm an industrial estate trying to extricate one of their members . the paramilitary troops sport insignia arm patches and fully - automatic assault rifles in their all - out attempt of winning the battle against their foes . the man in charge of he assault crouches behind the actual line of battle as he observes the situation and tries to look at new possible angles of attack . a ninja - clad member of the opposing group is shot as he tries to raise a baton against one of the paramilitary force members . other members of the opposing group are storming up a pitched roofline in order to evade the all - out attack of the well - armed paramilitary forces . from the ground , the members of the paramilitary forces shoot at the fleeing members of the opposing group , as the target of the search - and - rescue operation can be seen tied to a pole in the middle of the open space . | train | tt1186367 | 3,334 |
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tt0407887_0015_9 | null | null | null | null | null | Jack | Ray | {} | {} | {} | {} | {} | {} | A pitched gun battle is ensuing as two men are attacked by unseen assailants with heavy automatic gunfire. The two attacked men are hiding behind their open car doors to get some measure of protection | Sparks and bullet are flying as the gun fire continues unabated, pinning the two men close to their car. | The muzzle fire from one of the attackers illuminates the night. | Ray sits leaning against his vehicle's rear bumper in order to seek protection and assess his next steps so that he may survive. | He suddenly jumps up and starts to send a volley of automatic gunfire toward his assailants. | null | null | null | null | null | ['tt0407887_2304_1', 'tt0407887_2305_0', 'tt0407887_2308_1', 'tt0407887_2309_0', 'tt0407887_2310_1'] | A pitched gun battle is ensuing as two men are attacked by unseen assailants with heavy automatic gunfire. The two attacked men are hiding behind their open car doors to get some measure of protection. Sparks and bullet are flying as the gun fire continues unabated, pinning the two men close to their car. The muzzle fire from one of the attackers illuminates the night. Ray sits leaning against his vehicle's rear bumper in order to seek protection and assess his next steps so that he may survive. He suddenly jumps up and starts to send a volley of automatic gunfire toward his assailants. | A pitched gun battle is ensuing as two men are attacked by unseen assailants with heavy automatic gunfire. The two attacked men are hiding behind their open car doors to get some measure of protection. [SENT] Sparks and bullet are flying as the gun fire continues unabated, pinning the two men close to their car. [SENT] The muzzle fire from one of the attackers illuminates the night. [SENT] Ray sits leaning against his vehicle's rear bumper in order to seek protection and assess his next steps so that he may survive. [SENT] He suddenly jumps up and starts to send a volley of automatic gunfire toward his assailants. [SENT] | a pitched gun battle is ensuing as two men are attacked by unseen assailants with heavy automatic gunfire . the two attacked men are hiding behind their open car doors to get some measure of protection . sparks and bullet are flying as the gun fire continues unabated , pinning the two men close to their car . the muzzle fire from one of the attackers illuminates the night . [male0] sits leaning against his vehicle 's rear bumper in order to seek protection and assess his next steps so that he may survive . he suddenly jumps up and starts to send a volley of automatic gunfire toward his assailants . | train | tt0407887 | 3,335 |
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tt0430357_0019_1 | null | null | null | null | null | Colin | Ciaran | Jamie | Barry | {} | {} | A few were looking for a lost dog. | Claran thought they should split up to cover more ground. | The men disagreed because they were all afraid of being alone in the dark. | They argued for a while on what strategy they should use to find the dog. | Finally, Barry said they should just go home since the search was going nowhere. | null | null | null | null | null | ['tt0430357_0958_1', 'tt0430357_0961_0', 'tt0430357_0963_0', 'tt0430357_0965_0', 'tt0430357_0969_0'] | A few were looking for a lost dog. Claran thought they should split up to cover more ground. The men disagreed because they were all afraid of being alone in the dark. They argued for a while on what strategy they should use to find the dog. Finally, Barry said they should just go home since the search was going nowhere. | A few were looking for a lost dog. [SENT] Claran thought they should split up to cover more ground. [SENT] The men disagreed because they were all afraid of being alone in the dark. [SENT] They argued for a while on what strategy they should use to find the dog. [SENT] Finally, Barry said they should just go home since the search was going nowhere. [SENT] | a few were looking for a lost dog . [male0] thought they should split up to cover more ground . the men disagreed because they were all afraid of being alone in the dark . they argued for a while on what strategy they should use to find the dog . finally , [male1] said they should just go home since the search was going nowhere . | train | tt0430357 | 3,336 |
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tt0083929_0011_0 | null | null | null | null | null | Sean | {} | {} | {} | {} | {} | {} | {} | {} | Everyone was shocked to find a vandalized and crushed car parked in front of the school. | It was later established that the car belonged to Sean one the Senior students in the school. | All the students were talking in low tones waiting for the school administration to say something about the issue. | Standing outside the school. They kept waiting and refused to go into their classrooms until they were told everything about the incident. | Because the writing on the car was threatening and they felt scared. | null | null | null | null | null | ['tt0083929_0633_1', 'tt0083929_0634_0', 'tt0083929_0636_2', 'tt0083929_0639_2', 'tt0083929_0644_1'] | Everyone was shocked to find a vandalized and crushed car parked in front of the school. It was later established that the car belonged to Sean one the Senior students in the school. All the students were talking in low tones waiting for the school administration to say something about the issue. Standing outside the school. They kept waiting and refused to go into their classrooms until they were told everything about the incident. Because the writing on the car was threatening and they felt scared. | Everyone was shocked to find a vandalized and crushed car parked in front of the school. [SENT] It was later established that the car belonged to Sean one the Senior students in the school. [SENT] All the students were talking in low tones waiting for the school administration to say something about the issue. [SENT] Standing outside the school. They kept waiting and refused to go into their classrooms until they were told everything about the incident. [SENT] Because the writing on the car was threatening and they felt scared. [SENT] | everyone was shocked to find a vandalized and crushed car parked in front of the school . it was later established that the car belonged to [male0] one the senior students in the school . all the students were talking in low tones waiting for the school administration to say something about the issue . standing outside the school . they kept waiting and refused to go into their classrooms until they were told everything about the incident . because the writing on the car was threatening and they felt scared . | train | tt0083929 | 3,337 |
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tt1707386_0004_5 | null | null | null | null | null | Samantha | Aaron | Eddie | {} | {} | {} | {} | Samantha is very concerned about the angry mob that has formed | They seemed to be primed for violence with people from all walks of life very upset | Aaron and Eddie are trying to get the crowd under control. | It doesn't seem to be working as the group still seems to be uptight and on edge | Eddie and Aaron continue to try to calm the mob down by imploring them not to be violent | null | null | null | null | null | ['tt1707386_1135_0', 'tt1707386_1137_0', 'tt1707386_1138_2', 'tt1707386_1141_0', 'tt1707386_1145_0'] | Samantha is very concerned about the angry mob that has formed. They seemed to be primed for violence with people from all walks of life very upset. Aaron and Eddie are trying to get the crowd under control. It doesn't seem to be working as the group still seems to be uptight and on edge. Eddie and Aaron continue to try to calm the mob down by imploring them not to be violent. | Samantha is very concerned about the angry mob that has formed. [SENT] They seemed to be primed for violence with people from all walks of life very upset. [SENT] Aaron and Eddie are trying to get the crowd under control. [SENT] It doesn't seem to be working as the group still seems to be uptight and on edge. [SENT] Eddie and Aaron continue to try to calm the mob down by imploring them not to be violent. [SENT] | [female0] is very concerned about the angry mob that has formed . they seemed to be primed for violence with people from all walks of life very upset . [male0] and [male1] are trying to get the crowd under control . it does n't seem to be working as the group still seems to be uptight and on edge . [male1] and [male0] continue to try to calm the mob down by imploring them not to be violent . | train | tt1707386 | 3,338 |
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tt0113243_0006_6 | null | null | null | null | null | Jonny | Angelina | Renoly | Laurence | Matthew | Jonny sits in his apartment jotting down some notes before he forgets the context of what he is thinking about. | In another room, Angelina sits quietly, meditating. | Jonny plays out the scene that he envisages in front of a mirror in order to create the best and most convincing delivery and garner the impact that he wants. | Jonny is ready to step out and accomplish what he has set out to do. He looks confident and determined. | In a room filled with a young crowd, Jonny squares up to a smiling Angelina with folded-up arms, while Renoly, Laurence and Mathew are watching this encounter with great interest. | null | null | null | null | null | ['tt0113243_0620_0', 'tt0113243_0622_0', 'tt0113243_0627_2', 'tt0113243_0629_0', 'tt0113243_0630_0'] | Jonny sits in his apartment jotting down some notes before he forgets the context of what he is thinking about. In another room, Angelina sits quietly, meditating. Jonny plays out the scene that he envisages in front of a mirror in order to create the best and most convincing delivery and garner the impact that he wants. Jonny is ready to step out and accomplish what he has set out to do. He looks confident and determined. In a room filled with a young crowd, Jonny squares up to a smiling Angelina with folded-up arms, while Renoly, Laurence and Mathew are watching this encounter with great interest. | Jonny sits in his apartment jotting down some notes before he forgets the context of what he is thinking about. [SENT] In another room, Angelina sits quietly, meditating. [SENT] Jonny plays out the scene that he envisages in front of a mirror in order to create the best and most convincing delivery and garner the impact that he wants. [SENT] Jonny is ready to step out and accomplish what he has set out to do. He looks confident and determined. [SENT] In a room filled with a young crowd, Jonny squares up to a smiling Angelina with folded-up arms, while Renoly, Laurence and Mathew are watching this encounter with great interest. [SENT] | [male0] sits in his apartment jotting down some notes before he forgets the context of what he is thinking about . in another room , [female0] sits quietly , meditating . [male0] plays out the scene that he envisages in front of a mirror in order to create the best and most convincing delivery and garner the impact that he wants . [male0] is ready to step out and accomplish what he has set out to do . he looks confident and determined . in a room filled with a young crowd , [male0] squares up to a smiling [female0] with folded - up arms , while [male1] , [female1] and [male2] are watching this encounter with great interest . | train | tt0113243 | 3,339 |
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tt0118715_0021_1 | null | null | Jeff | John | Steve | {} | {} | {} | {} | A barely functioning and decrepit looking vehicle has pulled up to the curb of a street at night, with | three males observing the goings on in a house on the opposite side of where they are parked. | A red Corvette breaks the monotony of the surrounding area. | Steve peeks through the window as one of his friends exits his vehicle. | A woman who obviously knows the men opens the door and asks the men to enter her home. | Steve's friend comes in to the room, gasping at what he sees. | Jeff is lying in a man-sized compression chamber that acts as an artificial lung. | John and his friend enter the living room where Jeff is lying to visit with him and his wife and commiserate with both of them. | null | null | ['tt0118715_0656_2', 'tt0118715_0657_2', 'tt0118715_0658_2', 'tt0118715_0659_0', 'tt0118715_0660_2', 'tt0118715_0664_0', 'tt0118715_0665_2', 'tt0118715_0667_0'] | A barely functioning and decrepit looking vehicle has pulled up to the curb of a street at night, with. three males observing the goings on in a house on the opposite side of where they are parked. A red Corvette breaks the monotony of the surrounding area. Steve peeks through the window as one of his friends exits his vehicle. A woman who obviously knows the men opens the door and asks the men to enter her home. Steve's friend comes in to the room, gasping at what he sees. Jeff is lying in a man-sized compression chamber that acts as an artificial lung. John and his friend enter the living room where Jeff is lying to visit with him and his wife and commiserate with both of them. | A barely functioning and decrepit looking vehicle has pulled up to the curb of a street at night, with. [SENT] three males observing the goings on in a house on the opposite side of where they are parked. [SENT] A red Corvette breaks the monotony of the surrounding area. [SENT] Steve peeks through the window as one of his friends exits his vehicle. [SENT] A woman who obviously knows the men opens the door and asks the men to enter her home. [SENT] Steve's friend comes in to the room, gasping at what he sees. [SENT] Jeff is lying in a man-sized compression chamber that acts as an artificial lung. [SENT] John and his friend enter the living room where Jeff is lying to visit with him and his wife and commiserate with both of them. [SENT] | a barely functioning and decrepit looking vehicle has pulled up to the curb of a street at night , with . three males observing the goings on in a house on the opposite side of where they are parked . a red breaks the monotony of the surrounding area . [male0] peeks through the window as one of his friends exits his vehicle . a woman who obviously knows the men opens the door and asks the men to enter her home . [male0] 's friend comes in to the room , gasping at what he sees . [male1] is lying in a man - sized compression chamber that acts as an artificial lung . [male2] and his friend enter the living room where [male1] is lying to visit with him and his wife and commiserate with both of them . | train | tt0118715 | 3,340 |
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tt0097576_0006_6 | null | null | null | null | Harrison | Sean | Alison | Michael | {} | {} | A German military SS officer holds Alison hostage in a tight standoff with his gun trained at Alison's head, confronted by Harrison | while Harrison has trained his machine pistol onto the German military officer. Sean looks on in anticipation of the developing situation. | Sean is trying to speak sense into the German officer, hoping to convince him to let Alison leave as his situation is hopeless in any event. | The German SS officer responds calmly, rejecting the offered chance to resolve the standoff. | Harrison sees the resolve in the SS officer's face and feels anguish over Alison's life. | Hence, Harrison puts his machine pistol down on the table, conceding defeat in order to save Alison's life. | null | null | null | null | ['tt0097576_0621_0', 'tt0097576_0622_0', 'tt0097576_0625_0', 'tt0097576_0626_0', 'tt0097576_0630_0', 'tt0097576_0633_2'] | A German military SS officer holds Alison hostage in a tight standoff with his gun trained at Alison's head, confronted by Harrison. while Harrison has trained his machine pistol onto the German military officer. Sean looks on in anticipation of the developing situation. Sean is trying to speak sense into the German officer, hoping to convince him to let Alison leave as his situation is hopeless in any event. The German SS officer responds calmly, rejecting the offered chance to resolve the standoff. Harrison sees the resolve in the SS officer's face and feels anguish over Alison's life. Hence, Harrison puts his machine pistol down on the table, conceding defeat in order to save Alison's life. | A German military SS officer holds Alison hostage in a tight standoff with his gun trained at Alison's head, confronted by Harrison. [SENT] while Harrison has trained his machine pistol onto the German military officer. Sean looks on in anticipation of the developing situation. [SENT] Sean is trying to speak sense into the German officer, hoping to convince him to let Alison leave as his situation is hopeless in any event. [SENT] The German SS officer responds calmly, rejecting the offered chance to resolve the standoff. [SENT] Harrison sees the resolve in the SS officer's face and feels anguish over Alison's life. [SENT] Hence, Harrison puts his machine pistol down on the table, conceding defeat in order to save Alison's life. [SENT] | a military officer holds [female0] hostage in a tight standoff with his gun trained at [female0] 's head , confronted by [male0] . while [male0] has trained his machine pistol onto the military officer . [male1] looks on in anticipation of the developing situation . [male1] is trying to speak sense into the officer , hoping to convince him to let [female0] leave as his situation is hopeless in any event . the officer responds calmly , rejecting the offered chance to resolve the standoff . [male0] sees the resolve in the officer 's face and feels anguish over [female0] 's life . hence , [male0] puts his machine pistol down on the table , conceding defeat in order to save [female0] 's life . | train | tt0097576 | 3,341 |
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tt0078788_0001_2 | null | null | null | null | Martin | {} | {} | {} | {} | {} | {} | {} | {} | The aerial attack is synchronized with P.T. boats who are coming in with heavy equipment to snuff out remaining pockets of resistance further inland. | The helicopter are flying overhead and give the P.T. boats the all-clear signal, directing them where to offload their deadly cargo. | One of the boats has offloaded a tank from one of the amphibious transport boats with the tank proceeding to the area where it will start its attack on the remnant Vietnamese positions. | A ramming tank proceeds to take down one of the buildings close to the water line, | All of this is filmed by a crew of Army news reel people, as if this was part of the set of a Hollywood movie. | Martin is totally flabbergasted that Hollywood and the war effort are intermingled and used for propaganda at home. For him, as a professional soldier who is cognizant of what war really means, this scene is disgusting and underscores his problems with the degenerate way people look at and act in this war. | null | null | null | null | ['tt0078788_0122_1', 'tt0078788_0123_2', 'tt0078788_0124_1', 'tt0078788_0126_2', 'tt0078788_0127_1', 'tt0078788_0128_1'] | The aerial attack is synchronized with P.T. boats who are coming in with heavy equipment to snuff out remaining pockets of resistance further inland. The helicopter are flying overhead and give the P.T. boats the all-clear signal, directing them where to offload their deadly cargo. One of the boats has offloaded a tank from one of the amphibious transport boats with the tank proceeding to the area where it will start its attack on the remnant Vietnamese positions. A ramming tank proceeds to take down one of the buildings close to the water line,. All of this is filmed by a crew of Army news reel people, as if this was part of the set of a Hollywood movie. Martin is totally flabbergasted that Hollywood and the war effort are intermingled and used for propaganda at home. For him, as a professional soldier who is cognizant of what war really means, this scene is disgusting and underscores his problems with the degenerate way people look at and act in this war. | The aerial attack is synchronized with P.T. boats who are coming in with heavy equipment to snuff out remaining pockets of resistance further inland. [SENT] The helicopter are flying overhead and give the P.T. boats the all-clear signal, directing them where to offload their deadly cargo. [SENT] One of the boats has offloaded a tank from one of the amphibious transport boats with the tank proceeding to the area where it will start its attack on the remnant Vietnamese positions. [SENT] A ramming tank proceeds to take down one of the buildings close to the water line,. [SENT] All of this is filmed by a crew of Army news reel people, as if this was part of the set of a Hollywood movie. [SENT] Martin is totally flabbergasted that Hollywood and the war effort are intermingled and used for propaganda at home. For him, as a professional soldier who is cognizant of what war really means, this scene is disgusting and underscores his problems with the degenerate way people look at and act in this war. [SENT] | the aerial attack is synchronized with boats who are coming in with heavy equipment to snuff out remaining pockets of resistance further inland . the helicopter are flying overhead and give the p.t. boats the all - clear signal , directing them where to offload their deadly cargo . one of the boats has offloaded a tank from one of the amphibious transport boats with the tank proceeding to the area where it will start its attack on the remnant positions . a ramming tank proceeds to take down one of the buildings close to the water line , . all of this is filmed by a crew of news reel people , as if this was part of the set of a [location] movie . [male0] is totally flabbergasted that [location] and the war effort are intermingled and used for propaganda at home . for him , as a professional soldier who is cognizant of what war really means , this scene is disgusting and underscores his problems with the degenerate way people look at and act in this war . | train | tt0078788 | 3,342 |
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tt0758758_0009_8 | null | null | null | null | Emile | Hal | {} | {} | {} | {} | {} | {} | Hal picked up the phone to call Emile. | He told Emile about the boy that wanted to meet her and had a special date set up for them. | Hal hung up the phone and told the boy that Emile wanted to meet him. | The boy ran to set up the date. | He put his kayak in the water and waited for Emile. | She arrived and they went out on the water. They had a great date! | null | null | null | null | ['tt0758758_0935_1', 'tt0758758_0936_0', 'tt0758758_0938_0', 'tt0758758_0939_0', 'tt0758758_0942_0', 'tt0758758_0943_0'] | Hal picked up the phone to call Emile. He told Emile about the boy that wanted to meet her and had a special date set up for them. Hal hung up the phone and told the boy that Emile wanted to meet him. The boy ran to set up the date. He put his kayak in the water and waited for Emile. She arrived and they went out on the water. They had a great date! | Hal picked up the phone to call Emile. [SENT] He told Emile about the boy that wanted to meet her and had a special date set up for them. [SENT] Hal hung up the phone and told the boy that Emile wanted to meet him. [SENT] The boy ran to set up the date. [SENT] He put his kayak in the water and waited for Emile. [SENT] She arrived and they went out on the water. They had a great date! [SENT] | [male0] picked up the phone to call [male1] . he told [male1] about the boy that wanted to meet her and had a special date set up for them . [male0] hung up the phone and told the boy that [male1] wanted to meet him . the boy ran to set up the date . he put his kayak in the water and waited for [male1] . she arrived and they went out on the water . they had a great date ! | train | tt0758758 | 3,343 |
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tt0217505_0021_1 | null | null | null | null | Daniel | John | Gary | {} | {} | {} | {} | A wily looking Daniel is trying to impress on his friends that he is not cheating them. | The atmosphere in the bar where they are sitting, is dark, dingy and foreboding. | Daniel realizes that his exhortations are not credible and tries to regroup and think of additional angles with which to persuade the group with Gary sitting behind him in stony silence and demeanor. | John, who is the man that Daniel must address himself to, is not impressed by Daniel's plea, with his associates exuding little confidence in what Daniel has been trying to convey. | Daniel is getting ever more desperate to convince the men around him that he is telling the truth, | in the process getting aggravated, steaming with obvious contempt and anger. | null | null | null | null | ['tt0217505_1320_0', 'tt0217505_1321_0', 'tt0217505_1322_0', 'tt0217505_1323_1', 'tt0217505_1328_0', 'tt0217505_1330_0'] | A wily looking Daniel is trying to impress on his friends that he is not cheating them. The atmosphere in the bar where they are sitting, is dark, dingy and foreboding. Daniel realizes that his exhortations are not credible and tries to regroup and think of additional angles with which to persuade the group with Gary sitting behind him in stony silence and demeanor. John, who is the man that Daniel must address himself to, is not impressed by Daniel's plea, with his associates exuding little confidence in what Daniel has been trying to convey. Daniel is getting ever more desperate to convince the men around him that he is telling the truth,. in the process getting aggravated, steaming with obvious contempt and anger. | A wily looking Daniel is trying to impress on his friends that he is not cheating them. [SENT] The atmosphere in the bar where they are sitting, is dark, dingy and foreboding. [SENT] Daniel realizes that his exhortations are not credible and tries to regroup and think of additional angles with which to persuade the group with Gary sitting behind him in stony silence and demeanor. [SENT] John, who is the man that Daniel must address himself to, is not impressed by Daniel's plea, with his associates exuding little confidence in what Daniel has been trying to convey. [SENT] Daniel is getting ever more desperate to convince the men around him that he is telling the truth,. [SENT] in the process getting aggravated, steaming with obvious contempt and anger. [SENT] | a wily looking [male0] is trying to impress on his friends that he is not cheating them . the atmosphere in the bar where they are sitting , is dark , dingy and foreboding . [male0] realizes that his exhortations are not credible and tries to regroup and think of additional angles with which to persuade the group with [male1] sitting behind him in stony silence and demeanor . [male2] , who is the man that [male0] must address himself to , is not impressed by [male0] 's plea , with his associates exuding little confidence in what [male0] has been trying to convey . [male0] is getting ever more desperate to convince the men around him that he is telling the truth , . in the process getting aggravated , steaming with obvious contempt and anger . | train | tt0217505 | 3,344 |
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tt0213149_0007_1 | null | null | null | null | null | Kate | Ben | {} | {} | {} | {} | {} | {} | Kate was sad. She knew her boyfriend was hiding something. He seemed strange all day. | Her boyfriend Ben actually was hiding something. He won the lottery and he didn't want her to know. | As soon as she went to sleep, he would cash in his ticket and would be on a plane to France. | She finally broke down and asked him what the problem was. | He told her he just needed some sleep and that was all. | null | null | null | null | null | ['tt0213149_2785_0', 'tt0213149_2788_0', 'tt0213149_2790_0', 'tt0213149_2793_0', 'tt0213149_2794_0'] | Kate was sad. She knew her boyfriend was hiding something. He seemed strange all day. Her boyfriend Ben actually was hiding something. He won the lottery and he didn't want her to know. As soon as she went to sleep, he would cash in his ticket and would be on a plane to France. She finally broke down and asked him what the problem was. He told her he just needed some sleep and that was all. | Kate was sad. She knew her boyfriend was hiding something. He seemed strange all day. [SENT] Her boyfriend Ben actually was hiding something. He won the lottery and he didn't want her to know. [SENT] As soon as she went to sleep, he would cash in his ticket and would be on a plane to France. [SENT] She finally broke down and asked him what the problem was. [SENT] He told her he just needed some sleep and that was all. [SENT] | [female0] was sad . she knew her boyfriend was hiding something . he seemed strange all day . her boyfriend [male0] actually was hiding something . he won the lottery and he did n't want her to know . as soon as she went to sleep , he would cash in his ticket and would be on a plane to [location] . she finally broke down and asked him what the problem was . he told her he just needed some sleep and that was all . | train | tt0213149 | 3,345 |
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tt1411238_0015_3 | null | Ashton | Natalie | {} | {} | {} | {} | {} | {} | Ashton receives a funky text message from his friend Adam talking about somebody's small hands. | Ashton is waiting to meet with his friend for a fun boat trip and in the process of waiting | thinks back to the conversation he shared with Natalie when he met her the other day for a walk in the park. Ashton wonders what her deal is and how he can get closer to her, but that thought line is for another day. | Ashton's friend arrives and both unload the necessities for their boat trip, | which cover a cooler with beer and | some chairs to sit on. | As Ashton and his friend talk about their respective weeks, | Ashton talks about his meeting with Natalie and how much he feels attracted to her. | His friend is happy to hear that Ashton has a romantic interest in Natalie, as he sees that as a positive enrichment in Ashton's life. | null | ['tt1411238_0401_1', 'tt1411238_0403_0', 'tt1411238_0404_0', 'tt1411238_0405_1', 'tt1411238_0406_1', 'tt1411238_0407_0', 'tt1411238_0408_0', 'tt1411238_0409_0', 'tt1411238_0410_0'] | Ashton receives a funky text message from his friend Adam talking about somebody's small hands. Ashton is waiting to meet with his friend for a fun boat trip and in the process of waiting. thinks back to the conversation he shared with Natalie when he met her the other day for a walk in the park. Ashton wonders what her deal is and how he can get closer to her, but that thought line is for another day. Ashton's friend arrives and both unload the necessities for their boat trip,. which cover a cooler with beer and. some chairs to sit on. As Ashton and his friend talk about their respective weeks,. Ashton talks about his meeting with Natalie and how much he feels attracted to her. His friend is happy to hear that Ashton has a romantic interest in Natalie, as he sees that as a positive enrichment in Ashton's life. | Ashton receives a funky text message from his friend Adam talking about somebody's small hands. [SENT] Ashton is waiting to meet with his friend for a fun boat trip and in the process of waiting. [SENT] thinks back to the conversation he shared with Natalie when he met her the other day for a walk in the park. Ashton wonders what her deal is and how he can get closer to her, but that thought line is for another day. [SENT] Ashton's friend arrives and both unload the necessities for their boat trip,. [SENT] which cover a cooler with beer and. [SENT] some chairs to sit on. [SENT] As Ashton and his friend talk about their respective weeks,. [SENT] Ashton talks about his meeting with Natalie and how much he feels attracted to her. [SENT] His friend is happy to hear that Ashton has a romantic interest in Natalie, as he sees that as a positive enrichment in Ashton's life. [SENT] | ashton receives a funky text message from his friend [male0] talking about somebody 's small hands . ashton is waiting to meet with his friend for a fun boat trip and in the process of waiting . thinks back to the conversation he shared with [female0] when he met her the other day for a walk in the park . ashton wonders what her deal is and how he can get closer to her , but that thought line is for another day . ashton 's friend arrives and both unload the necessities for their boat trip , . which cover a cooler with beer and . some chairs to sit on . as ashton and his friend talk about their respective weeks , . ashton talks about his meeting with [female0] and how much he feels attracted to her . his friend is happy to hear that ashton has a romantic interest in [female0] , as he sees that as a positive enrichment in ashton 's life . | train | tt1411238 | 3,346 |
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tt0115798_0009_1 | null | null | null | null | null | Jim | Matthew | {} | {} | {} | {} | {} | {} | Jim is trying to become Matthew's friend.He join's him for Karaoke night | Jim tries to be the life of the party. He has a good singing voice and is very outgoing | It'd hard to get Jim to give up the mike but the crowd doesn't seem to mind | Matthew and Sally seem to be having a good time listening to Jim ham it up | Jim closes out his singing by doing the Sinatra song "My Way" | null | null | null | null | null | ['tt0115798_0534_0', 'tt0115798_0536_0', 'tt0115798_0539_0', 'tt0115798_0542_1', 'tt0115798_0543_0'] | Jim is trying to become Matthew's friend.He join's him for Karaoke night. Jim tries to be the life of the party. He has a good singing voice and is very outgoing. It'd hard to get Jim to give up the mike but the crowd doesn't seem to mind. Matthew and Sally seem to be having a good time listening to Jim ham it up. Jim closes out his singing by doing the Sinatra song "My Way" | Jim is trying to become Matthew's friend.He join's him for Karaoke night. [SENT] Jim tries to be the life of the party. He has a good singing voice and is very outgoing. [SENT] It'd hard to get Jim to give up the mike but the crowd doesn't seem to mind. [SENT] Matthew and Sally seem to be having a good time listening to Jim ham it up. [SENT] Jim closes out his singing by doing the Sinatra song "My Way" [SENT] | [male0] is trying to become [male1] 's friend . he join 's him for karaoke night . [male0] tries to be the life of the party . he has a good singing voice and is very outgoing . it 'd hard to get [male0] to give up the mike but the crowd does n't seem to mind . [male1] and [female0] seem to be having a good time listening to [male0] ham it up . [male0] closes out his singing by doing the [male2] song " my way " | train | tt0115798 | 3,347 |
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tt0187393_0003_3 | null | null | null | Mel | {} | {} | {} | {} | {} | {} | {} | {} | Mel is using all his remaining energy into locating his two young boys. | Mel started to get frantic as each minute passed when he did not see their little faces or hear their voices. | He searched high and low with no intentions of taking a second to catch his breath. He has one goal and one goal only: find the boys. | In the meantime, the two boys have been hiding out of sight behind a lark tree trunk that was on the ground. One of the boys hears something that catches his attention. | He does not say anything, he waits until the noise is gone and brushes it off as an animal. | After some time has passed he hears the noise again and this time he knows it is not an animal. He sits frozen, holding the gun one direction and looking the opposite way. Keeping his eye out for any noises and | Mel was making the noises while he was walking when he noticed the guns, he quickly retreated behind a large tree and aligned his body in a way where he was completely hidden. Mel is safe enough to take a breather. | null | null | null | ['tt0187393_0553_0', 'tt0187393_0555_1', 'tt0187393_0556_1', 'tt0187393_0557_1', 'tt0187393_0560_0', 'tt0187393_0564_2', 'tt0187393_0565_0'] | Mel is using all his remaining energy into locating his two young boys. Mel started to get frantic as each minute passed when he did not see their little faces or hear their voices. He searched high and low with no intentions of taking a second to catch his breath. He has one goal and one goal only: find the boys. In the meantime, the two boys have been hiding out of sight behind a lark tree trunk that was on the ground. One of the boys hears something that catches his attention. He does not say anything, he waits until the noise is gone and brushes it off as an animal. After some time has passed he hears the noise again and this time he knows it is not an animal. He sits frozen, holding the gun one direction and looking the opposite way. Keeping his eye out for any noises and. Mel was making the noises while he was walking when he noticed the guns, he quickly retreated behind a large tree and aligned his body in a way where he was completely hidden. Mel is safe enough to take a breather. | Mel is using all his remaining energy into locating his two young boys. [SENT] Mel started to get frantic as each minute passed when he did not see their little faces or hear their voices. [SENT] He searched high and low with no intentions of taking a second to catch his breath. He has one goal and one goal only: find the boys. [SENT] In the meantime, the two boys have been hiding out of sight behind a lark tree trunk that was on the ground. One of the boys hears something that catches his attention. [SENT] He does not say anything, he waits until the noise is gone and brushes it off as an animal. [SENT] After some time has passed he hears the noise again and this time he knows it is not an animal. He sits frozen, holding the gun one direction and looking the opposite way. Keeping his eye out for any noises and. [SENT] Mel was making the noises while he was walking when he noticed the guns, he quickly retreated behind a large tree and aligned his body in a way where he was completely hidden. Mel is safe enough to take a breather. [SENT] | [female0] is using all his remaining energy into locating his two young boys . [female0] started to get frantic as each minute passed when he did not see their little faces or hear their voices . he searched high and low with no intentions of taking a second to catch his breath . he has one goal and one goal only : find the boys . in the meantime , the two boys have been hiding out of sight behind a lark tree trunk that was on the ground . one of the boys hears something that catches his attention . he does not say anything , he waits until the noise is gone and brushes it off as an animal . after some time has passed he hears the noise again and this time he knows it is not an animal . he sits frozen , holding the gun one direction and looking the opposite way . keeping his eye out for any noises and . [female0] was making the noises while he was walking when he noticed the guns , he quickly retreated behind a large tree and aligned his body in a way where he was completely hidden . [female0] is safe enough to take a breather . | train | tt0187393 | 3,348 |
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tt0187393_0003_10 | null | null | null | null | null | Mel | Heath | {} | {} | {} | {} | {} | {} | God is trying to suck the souls out of Mel and his friend. | Heath has a knife to his throat because he cheated on the redcoat with Mel. | Mel and Heath have been in love for 7 years. | After being spared by God, Mel tries to save Heath. | Mel is unsure of Heath's location, but knows their hearts will guide them to one another. | null | null | null | null | null | ['tt0187393_0656_0', 'tt0187393_0657_1', 'tt0187393_0659_0', 'tt0187393_0663_2', 'tt0187393_0666_0'] | God is trying to suck the souls out of Mel and his friend. Heath has a knife to his throat because he cheated on the redcoat with Mel. Mel and Heath have been in love for 7 years. After being spared by God, Mel tries to save Heath. Mel is unsure of Heath's location, but knows their hearts will guide them to one another. | God is trying to suck the souls out of Mel and his friend. [SENT] Heath has a knife to his throat because he cheated on the redcoat with Mel. [SENT] Mel and Heath have been in love for 7 years. [SENT] After being spared by God, Mel tries to save Heath. [SENT] Mel is unsure of Heath's location, but knows their hearts will guide them to one another. [SENT] | [male0] is trying to suck the souls out of [female0] and his friend . [male1] has a knife to his throat because he cheated on the redcoat with [female0] . [female0] and [male1] have been in love for 7 years . after being spared by [male0] , [female0] tries to save [male1] . [female0] is unsure of [male1] 's location , but knows their hearts will guide them to one another . | train | tt0187393 | 3,349 |
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tt1707386_0004_5 | null | null | null | null | Samantha | Aaron | Eddie | {} | {} | {} | {} | A young, attractive Samantha is part of a crowd that is looking for answers. She is trying to understand what is happening around her. | A young, well-dressed man is shouting at the organizers of this political rally as if to challenge them, | and Aaron and Eddie both seem flummoxed by the pesky crowd and their demands, | while Samantha is trying to reason with a man who is part of the seemingly hostile crowd. | A young man is canvassing the political rally, looking attentively at the members of the crowd and trying to gauge their sentiment, | while Aaron and Eddie are starting their rhetoric in order to gain the affection and agreement of the crowd for their cause. | null | null | null | null | ['tt1707386_1135_0', 'tt1707386_1137_0', 'tt1707386_1138_2', 'tt1707386_1140_2', 'tt1707386_1141_0', 'tt1707386_1143_2'] | A young, attractive Samantha is part of a crowd that is looking for answers. She is trying to understand what is happening around her. A young, well-dressed man is shouting at the organizers of this political rally as if to challenge them,. and Aaron and Eddie both seem flummoxed by the pesky crowd and their demands,. while Samantha is trying to reason with a man who is part of the seemingly hostile crowd. A young man is canvassing the political rally, looking attentively at the members of the crowd and trying to gauge their sentiment,. while Aaron and Eddie are starting their rhetoric in order to gain the affection and agreement of the crowd for their cause. | A young, attractive Samantha is part of a crowd that is looking for answers. She is trying to understand what is happening around her. [SENT] A young, well-dressed man is shouting at the organizers of this political rally as if to challenge them,. [SENT] and Aaron and Eddie both seem flummoxed by the pesky crowd and their demands,. [SENT] while Samantha is trying to reason with a man who is part of the seemingly hostile crowd. [SENT] A young man is canvassing the political rally, looking attentively at the members of the crowd and trying to gauge their sentiment,. [SENT] while Aaron and Eddie are starting their rhetoric in order to gain the affection and agreement of the crowd for their cause. [SENT] | a young , attractive [female0] is part of a crowd that is looking for answers . she is trying to understand what is happening around her . a young , well - dressed man is shouting at the organizers of this political rally as if to challenge them , . and [male0] and [male1] both seem flummoxed by the pesky crowd and their demands , . while [female0] is trying to reason with a man who is part of the seemingly hostile crowd . a young man is canvassing the political rally , looking attentively at the members of the crowd and trying to gauge their sentiment , . while [male0] and [male1] are starting their rhetoric in order to gain the affection and agreement of the crowd for their cause . | train | tt1707386 | 3,350 |
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tt0187393_0003_7 | null | null | null | null | null | Heath | Mel | {} | {} | {} | {} | {} | {} | A young boy fires against the British as the war rages on and on. Fire flies from the end of his rifle. | British soldiers continue to return fire and the smoke from the many guns turns the air foggy. | Two british soldiers lie still and lifeless like the appearance of the woods around them. | Mel leaps behind a nearby tree when the opportunity opened up for him. He and his family have fought well. | Mel's gun is useless at the moment for he is out of gun powder. He now holds an axe in one hand and a knife in the other. | null | null | null | null | null | ['tt0187393_0609_1', 'tt0187393_0610_2', 'tt0187393_0612_0', 'tt0187393_0616_2', 'tt0187393_0621_0'] | A young boy fires against the British as the war rages on and on. Fire flies from the end of his rifle. British soldiers continue to return fire and the smoke from the many guns turns the air foggy. Two british soldiers lie still and lifeless like the appearance of the woods around them. Mel leaps behind a nearby tree when the opportunity opened up for him. He and his family have fought well. Mel's gun is useless at the moment for he is out of gun powder. He now holds an axe in one hand and a knife in the other. | A young boy fires against the British as the war rages on and on. Fire flies from the end of his rifle. [SENT] British soldiers continue to return fire and the smoke from the many guns turns the air foggy. [SENT] Two british soldiers lie still and lifeless like the appearance of the woods around them. [SENT] Mel leaps behind a nearby tree when the opportunity opened up for him. He and his family have fought well. [SENT] Mel's gun is useless at the moment for he is out of gun powder. He now holds an axe in one hand and a knife in the other. [SENT] | a young boy fires against the as the war rages on and on . fire flies from the end of his rifle . soldiers continue to return fire and the smoke from the many guns turns the air foggy . two british soldiers lie still and lifeless like the appearance of the woods around them . [female0] leaps behind a nearby tree when the opportunity opened up for him . he and his family have fought well . [female0] 's gun is useless at the moment for he is out of gun powder . he now holds an axe in one hand and a knife in the other . | train | tt0187393 | 3,351 |
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tt0479884_0004_13 | null | null | null | null | null | Jason | {} | {} | {} | {} | {} | {} | {} | {} | A helicopter with consciousness that is powered by a beating heart decides to go exploring. | On its journey, it passes by some people staring at the sun. | The helicopter basks in the glory and freedom of the open sky. | The helicopter's friend, Jason, loses his balance and is in danger of falling out of the helicopter. | The helicopter is unsure if it wants to help Jason, because it's annoyed by Jason's constant complaints of the noisiness of its rotor blades. It can't help the way it was made or maintained! | null | null | null | null | null | ['tt0479884_1753_2', 'tt0479884_1754_1', 'tt0479884_1756_0', 'tt0479884_1757_0', 'tt0479884_1764_1'] | A helicopter with consciousness that is powered by a beating heart decides to go exploring. On its journey, it passes by some people staring at the sun. The helicopter basks in the glory and freedom of the open sky. The helicopter's friend, Jason, loses his balance and is in danger of falling out of the helicopter. The helicopter is unsure if it wants to help Jason, because it's annoyed by Jason's constant complaints of the noisiness of its rotor blades. It can't help the way it was made or maintained! | A helicopter with consciousness that is powered by a beating heart decides to go exploring. [SENT] On its journey, it passes by some people staring at the sun. [SENT] The helicopter basks in the glory and freedom of the open sky. [SENT] The helicopter's friend, Jason, loses his balance and is in danger of falling out of the helicopter. [SENT] The helicopter is unsure if it wants to help Jason, because it's annoyed by Jason's constant complaints of the noisiness of its rotor blades. It can't help the way it was made or maintained! [SENT] | a helicopter with consciousness that is powered by a beating heart decides to go exploring . on its journey , it passes by some people staring at the sun . the helicopter basks in the glory and freedom of the open sky . the helicopter 's friend , [male0] , loses his balance and is in danger of falling out of the helicopter . the helicopter is unsure if it wants to help [male0] , because it 's annoyed by [male0] 's constant complaints of the noisiness of its rotor blades . it ca n't help the way it was made or maintained ! | train | tt0479884 | 3,352 |
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tt0407887_0015_11 | null | null | null | null | Jack | Matt | {} | {} | {} | {} | {} | {} | Jack runs quickly away from the cops as he has been seen fleeing after he had robbed a bank. | The cops shoot at Jack, but they are too late as he has arrived at the place where his friend, Jack, will come pick him up. | Jack runs between the big trucks as not to be seen by the cops. | As Jack is running between the trucks, he pours gasoline all over the ground and ignites it. Now the cop won't have evidence, and they won't easily find him. | As everything burns up in flames, he sees his friend Matt. | Jack runs to him, and they both go to their escape car. They both successfully escape. | null | null | null | null | ['tt0407887_2329_2', 'tt0407887_2331_0', 'tt0407887_2332_0', 'tt0407887_2337_0', 'tt0407887_2343_0', 'tt0407887_2344_1'] | Jack runs quickly away from the cops as he has been seen fleeing after he had robbed a bank. The cops shoot at Jack, but they are too late as he has arrived at the place where his friend, Jack, will come pick him up. Jack runs between the big trucks as not to be seen by the cops. As Jack is running between the trucks, he pours gasoline all over the ground and ignites it. Now the cop won't have evidence, and they won't easily find him. As everything burns up in flames, he sees his friend Matt. Jack runs to him, and they both go to their escape car. They both successfully escape. | Jack runs quickly away from the cops as he has been seen fleeing after he had robbed a bank. [SENT] The cops shoot at Jack, but they are too late as he has arrived at the place where his friend, Jack, will come pick him up. [SENT] Jack runs between the big trucks as not to be seen by the cops. [SENT] As Jack is running between the trucks, he pours gasoline all over the ground and ignites it. Now the cop won't have evidence, and they won't easily find him. [SENT] As everything burns up in flames, he sees his friend Matt. [SENT] Jack runs to him, and they both go to their escape car. They both successfully escape. [SENT] | [male0] runs quickly away from the cops as he has been seen fleeing after he had robbed a bank . the cops shoot at [male0] , but they are too late as he has arrived at the place where his friend , [male0] , will come pick him up . [male0] runs between the big trucks as not to be seen by the cops . as [male0] is running between the trucks , he pours gasoline all over the ground and ignites it . now the cop wo n't have evidence , and they wo n't easily find him . as everything burns up in flames , he sees his friend [male1] . [male0] runs to him , and they both go to their escape car . they both successfully escape . | train | tt0407887 | 3,353 |
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tt0110632_0020_2 | null | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | A standoff during a prison riot is about to go all wrong. The prisoners had taken several prison guards captive and threaten to kill their hostages if their demands are not met. The prison warden in the midst of tense negotiations has made the mistake of allowing himself to get stuck at the bottom of a set of narrow stairs with several of his remaining wardens and tempers flare. The prison warden has a hard time controlling himself and his wardens, as loaded weapons are present everywhere, ready to fire, in both directions. At the top of the stairs, one of their warden's colleagues is presented as bait by one prisoner. | As the negotiations threaten to fail, the hostage taker beats his hostage savagely with his shotgun in the head at exactly the same moment that a shot rings out from below. One of the prison guards has lost his cool, fired and fatally shoots the hostage warden killing him. He falls down the stairs. | Immediately, the prisoners present a new hostage, demonstrating to the prison warden that they mean business and do not hesitate to kill the hostages if their demands are not met. The second hostage now at the top of the stairs bleeds heavily from his right ear. | The pressure is getting to the prison warden, as he yells and totally loses his cool when he recognizes the hostage. | The prisoner at the top of the stage who holds the hostage is known to be particularly brutal, and the escalating situation further ratchets up tension. | The hostage knows that these may be his last moments in life if anyone in the whipped up crowd of prison guards or the hostage taker lose control. He has his eyes closed in expectation of the worst. | null | null | null | null | ['tt0110632_1929_0', 'tt0110632_1931_0', 'tt0110632_1936_0', 'tt0110632_1937_0', 'tt0110632_1939_0', 'tt0110632_1940_0'] | A standoff during a prison riot is about to go all wrong. The prisoners had taken several prison guards captive and threaten to kill their hostages if their demands are not met. The prison warden in the midst of tense negotiations has made the mistake of allowing himself to get stuck at the bottom of a set of narrow stairs with several of his remaining wardens and tempers flare. The prison warden has a hard time controlling himself and his wardens, as loaded weapons are present everywhere, ready to fire, in both directions. At the top of the stairs, one of their warden's colleagues is presented as bait by one prisoner. As the negotiations threaten to fail, the hostage taker beats his hostage savagely with his shotgun in the head at exactly the same moment that a shot rings out from below. One of the prison guards has lost his cool, fired and fatally shoots the hostage warden killing him. He falls down the stairs. Immediately, the prisoners present a new hostage, demonstrating to the prison warden that they mean business and do not hesitate to kill the hostages if their demands are not met. The second hostage now at the top of the stairs bleeds heavily from his right ear. The pressure is getting to the prison warden, as he yells and totally loses his cool when he recognizes the hostage. The prisoner at the top of the stage who holds the hostage is known to be particularly brutal, and the escalating situation further ratchets up tension. The hostage knows that these may be his last moments in life if anyone in the whipped up crowd of prison guards or the hostage taker lose control. He has his eyes closed in expectation of the worst. | A standoff during a prison riot is about to go all wrong. The prisoners had taken several prison guards captive and threaten to kill their hostages if their demands are not met. The prison warden in the midst of tense negotiations has made the mistake of allowing himself to get stuck at the bottom of a set of narrow stairs with several of his remaining wardens and tempers flare. The prison warden has a hard time controlling himself and his wardens, as loaded weapons are present everywhere, ready to fire, in both directions. At the top of the stairs, one of their warden's colleagues is presented as bait by one prisoner. [SENT] As the negotiations threaten to fail, the hostage taker beats his hostage savagely with his shotgun in the head at exactly the same moment that a shot rings out from below. One of the prison guards has lost his cool, fired and fatally shoots the hostage warden killing him. He falls down the stairs. [SENT] Immediately, the prisoners present a new hostage, demonstrating to the prison warden that they mean business and do not hesitate to kill the hostages if their demands are not met. The second hostage now at the top of the stairs bleeds heavily from his right ear. [SENT] The pressure is getting to the prison warden, as he yells and totally loses his cool when he recognizes the hostage. [SENT] The prisoner at the top of the stage who holds the hostage is known to be particularly brutal, and the escalating situation further ratchets up tension. [SENT] The hostage knows that these may be his last moments in life if anyone in the whipped up crowd of prison guards or the hostage taker lose control. He has his eyes closed in expectation of the worst. [SENT] | a standoff during a prison riot is about to go all wrong . the prisoners had taken several prison guards captive and threaten to kill their hostages if their demands are not met . the prison warden in the midst of tense negotiations has made the mistake of allowing himself to get stuck at the bottom of a set of narrow stairs with several of his remaining wardens and tempers flare . the prison warden has a hard time controlling himself and his wardens , as loaded weapons are present everywhere , ready to fire , in both directions . at the top of the stairs , one of their warden 's colleagues is presented as bait by one prisoner . as the negotiations threaten to fail , the hostage taker beats his hostage savagely with his shotgun in the head at exactly the same moment that a shot rings out from below . one of the prison guards has lost his cool , fired and fatally shoots the hostage warden killing him . he falls down the stairs . immediately , the prisoners present a new hostage , demonstrating to the prison warden that they mean business and do not hesitate to kill the hostages if their demands are not met . the second hostage now at the top of the stairs bleeds heavily from his right ear . the pressure is getting to the prison warden , as he yells and totally loses his cool when he recognizes the hostage . the prisoner at the top of the stage who holds the hostage is known to be particularly brutal , and the escalating situation further ratchets up tension . the hostage knows that these may be his last moments in life if anyone in the whipped up crowd of prison guards or the hostage taker lose control . he has his eyes closed in expectation of the worst . | train | tt0110632 | 3,354 |
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tt1038919_0021_3 | null | Gerard | Jennifer | {} | {} | {} | {} | {} | {} | Gerard cruises along in his beautiful early 1980's convertible on a nice day with a big smile on his face | as he comes up behind a young woman, Jennifer, who pedals furiously on a bike that is connected with a rickshaw. | Gerard is so close behind Jennifer that the front grill of his convertible almost touches Jennifer back of the rickshaw. | After sitting behind her for a few blocks, he becomes frustrated and starts to yell at her | which Jennifer simply dismisses with a wry smile, and provocatively driving even slower to further aggravate Gerard. | Finally, Jennifer stands on her pedals, bringing her rickshaw to a halt | and confronts Gerard in his convertible. | She is calmly trying to ask him why he is following her and what he hopes he would accomplish by following her. | Gerard is trying to make light of the situation and befriend Jennifer as he realizes how attractive she is. | null | ['tt1038919_0958_0', 'tt1038919_0960_0', 'tt1038919_0962_0', 'tt1038919_0964_0', 'tt1038919_0965_0', 'tt1038919_0966_2', 'tt1038919_0971_0', 'tt1038919_0973_0', 'tt1038919_0974_0'] | Gerard cruises along in his beautiful early 1980's convertible on a nice day with a big smile on his face. as he comes up behind a young woman, Jennifer, who pedals furiously on a bike that is connected with a rickshaw. Gerard is so close behind Jennifer that the front grill of his convertible almost touches Jennifer back of the rickshaw. After sitting behind her for a few blocks, he becomes frustrated and starts to yell at her. which Jennifer simply dismisses with a wry smile, and provocatively driving even slower to further aggravate Gerard. Finally, Jennifer stands on her pedals, bringing her rickshaw to a halt. and confronts Gerard in his convertible. She is calmly trying to ask him why he is following her and what he hopes he would accomplish by following her. Gerard is trying to make light of the situation and befriend Jennifer as he realizes how attractive she is. | Gerard cruises along in his beautiful early 1980's convertible on a nice day with a big smile on his face. [SENT] as he comes up behind a young woman, Jennifer, who pedals furiously on a bike that is connected with a rickshaw. [SENT] Gerard is so close behind Jennifer that the front grill of his convertible almost touches Jennifer back of the rickshaw. [SENT] After sitting behind her for a few blocks, he becomes frustrated and starts to yell at her. [SENT] which Jennifer simply dismisses with a wry smile, and provocatively driving even slower to further aggravate Gerard. [SENT] Finally, Jennifer stands on her pedals, bringing her rickshaw to a halt. [SENT] and confronts Gerard in his convertible. [SENT] She is calmly trying to ask him why he is following her and what he hopes he would accomplish by following her. [SENT] Gerard is trying to make light of the situation and befriend Jennifer as he realizes how attractive she is. [SENT] | [male0] cruises along in his beautiful early 1980 's convertible on a nice day with a big smile on his face . as he comes up behind a young woman , [female0] , who pedals furiously on a bike that is connected with a rickshaw . [male0] is so close behind [female0] that the front grill of his convertible almost touches [female0] back of the rickshaw . after sitting behind her for a few blocks , he becomes frustrated and starts to yell at her . which [female0] simply dismisses with a wry smile , and provocatively driving even slower to further aggravate [male0] . finally , [female0] stands on her pedals , bringing her rickshaw to a halt . and confronts [male0] in his convertible . she is calmly trying to ask him why he is following her and what he hopes he would accomplish by following her . [male0] is trying to make light of the situation and befriend [female0] as he realizes how attractive she is . | train | tt1038919 | 3,355 |
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tt1186367_0009_14 | null | null | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | An older Asian man, marred by a thick scar running diagonally across his nose and his left cheek assesses what he is dealing with. | His opponent is a much younger, powerful man with seriously disheveled hair, and a blood-covered naked upper body. | The younger man appears to be enraged and ready to pounce into action as he fixates his gaze onto the older man. | The young fighter is assuming a fighting stance with bent knees, ready to commence the fight, exuding the typical confidence of a young man at the height of his physical power. | However, surprisingly, the older man parries the attack of his much younger foe and dispatches him with the force of total concentration and the knowledge and experience of countless fights. | null | null | null | null | null | ['tt1186367_1867_0', 'tt1186367_1875_0', 'tt1186367_1879_0', 'tt1186367_1884_0', 'tt1186367_1890_0'] | An older Asian man, marred by a thick scar running diagonally across his nose and his left cheek assesses what he is dealing with. His opponent is a much younger, powerful man with seriously disheveled hair, and a blood-covered naked upper body. The younger man appears to be enraged and ready to pounce into action as he fixates his gaze onto the older man. The young fighter is assuming a fighting stance with bent knees, ready to commence the fight, exuding the typical confidence of a young man at the height of his physical power. However, surprisingly, the older man parries the attack of his much younger foe and dispatches him with the force of total concentration and the knowledge and experience of countless fights. | An older Asian man, marred by a thick scar running diagonally across his nose and his left cheek assesses what he is dealing with. [SENT] His opponent is a much younger, powerful man with seriously disheveled hair, and a blood-covered naked upper body. [SENT] The younger man appears to be enraged and ready to pounce into action as he fixates his gaze onto the older man. [SENT] The young fighter is assuming a fighting stance with bent knees, ready to commence the fight, exuding the typical confidence of a young man at the height of his physical power. [SENT] However, surprisingly, the older man parries the attack of his much younger foe and dispatches him with the force of total concentration and the knowledge and experience of countless fights. [SENT] | an older man , marred by a thick scar running diagonally across his nose and his left cheek assesses what he is dealing with . his opponent is a much younger , powerful man with seriously disheveled hair , and a blood - covered naked upper body . the younger man appears to be enraged and ready to pounce into action as he fixates his gaze onto the older man . the young fighter is assuming a fighting stance with bent knees , ready to commence the fight , exuding the typical confidence of a young man at the height of his physical power . however , surprisingly , the older man parries the attack of his much younger foe and dispatches him with the force of total concentration and the knowledge and experience of countless fights . | train | tt1186367 | 3,356 |
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tt0096320_0003_17 | null | null | null | null | null | Arnold | Danny | Marshall | {} | {} | {} | {} | Arnold is talking with Danny in a large kitchen, looking slightly disapprovingly at his crafty little friend. | Danny, being the outspoken man that he is, tries to convince his conversation partner that there is a problem. | In order to convince the person on the opposite end of the telephone, he holds up the receiver to protect himself from getting hit in what seems to be an attack. | The kitchen looks smoky, as if an incendiary device had been thrown into the room as fog envelopes the place. | Neither Danny nor Arnold are visibly, more than likely having thrown themselves to the floor in order to survive the attack. | null | null | null | null | null | ['tt0096320_0416_0', 'tt0096320_0418_1', 'tt0096320_0419_0', 'tt0096320_0420_0', 'tt0096320_0421_0'] | Arnold is talking with Danny in a large kitchen, looking slightly disapprovingly at his crafty little friend. Danny, being the outspoken man that he is, tries to convince his conversation partner that there is a problem. In order to convince the person on the opposite end of the telephone, he holds up the receiver to protect himself from getting hit in what seems to be an attack. The kitchen looks smoky, as if an incendiary device had been thrown into the room as fog envelopes the place. Neither Danny nor Arnold are visibly, more than likely having thrown themselves to the floor in order to survive the attack. | Arnold is talking with Danny in a large kitchen, looking slightly disapprovingly at his crafty little friend. [SENT] Danny, being the outspoken man that he is, tries to convince his conversation partner that there is a problem. [SENT] In order to convince the person on the opposite end of the telephone, he holds up the receiver to protect himself from getting hit in what seems to be an attack. [SENT] The kitchen looks smoky, as if an incendiary device had been thrown into the room as fog envelopes the place. [SENT] Neither Danny nor Arnold are visibly, more than likely having thrown themselves to the floor in order to survive the attack. [SENT] | [male0] is talking with [male1] in a large kitchen , looking slightly disapprovingly at his crafty little friend . [male1] , being the outspoken man that he is , tries to convince his conversation partner that there is a problem . in order to convince the person on the opposite end of the telephone , he holds up the receiver to protect himself from getting hit in what seems to be an attack . the kitchen looks smoky , as if an incendiary device had been thrown into the room as fog envelopes the place . neither [male1] nor [male0] are visibly , more than likely having thrown themselves to the floor in order to survive the attack . | train | tt0096320 | 3,357 |
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tt1659337_0006_3 | null | null | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | At school Peter had lunch with her girlfriend Linda. They were fond of each other but their parents never approved of their relationship. | That evening before dinner Peter called Linda to tell her that he was really happy that they had sat together to eat lunch at school. Peter's mom was passing by his room and she overheard the conversation between Peter and Linda. | She called Peter to the kitchen where his dad was sitting. Peter's mom was furious at him because he had promised not to speak to Linda after the incident with her parents. | Peter could not hide his feelings and he faced mom and told her that he loved Linda very much and she loved him too, even though Linda's parents did not like him. | Dad told Peter that being with Linda will cause him so much trouble because her parents were willing to do anything to put an end to their relationship. They had even threatened to have him arrested if he ever showed up at their home in search of Linda. | null | null | null | null | null | ['tt1659337_0929_0', 'tt1659337_0930_0', 'tt1659337_0933_0', 'tt1659337_0934_0', 'tt1659337_0935_0'] | At school Peter had lunch with her girlfriend Linda. They were fond of each other but their parents never approved of their relationship. That evening before dinner Peter called Linda to tell her that he was really happy that they had sat together to eat lunch at school. Peter's mom was passing by his room and she overheard the conversation between Peter and Linda. She called Peter to the kitchen where his dad was sitting. Peter's mom was furious at him because he had promised not to speak to Linda after the incident with her parents. Peter could not hide his feelings and he faced mom and told her that he loved Linda very much and she loved him too, even though Linda's parents did not like him. Dad told Peter that being with Linda will cause him so much trouble because her parents were willing to do anything to put an end to their relationship. They had even threatened to have him arrested if he ever showed up at their home in search of Linda. | At school Peter had lunch with her girlfriend Linda. They were fond of each other but their parents never approved of their relationship. [SENT] That evening before dinner Peter called Linda to tell her that he was really happy that they had sat together to eat lunch at school. Peter's mom was passing by his room and she overheard the conversation between Peter and Linda. [SENT] She called Peter to the kitchen where his dad was sitting. Peter's mom was furious at him because he had promised not to speak to Linda after the incident with her parents. [SENT] Peter could not hide his feelings and he faced mom and told her that he loved Linda very much and she loved him too, even though Linda's parents did not like him. [SENT] Dad told Peter that being with Linda will cause him so much trouble because her parents were willing to do anything to put an end to their relationship. They had even threatened to have him arrested if he ever showed up at their home in search of Linda. [SENT] | at school [male0] had lunch with her girlfriend [female0] . they were fond of each other but their parents never approved of their relationship . that evening before dinner [male0] called [female0] to tell her that he was really happy that they had sat together to eat lunch at school . [male0] 's mom was passing by his room and she overheard the conversation between [male0] and [female0] . she called [male0] to the kitchen where his dad was sitting . [male0] 's mom was furious at him because he had promised not to speak to [female0] after the incident with her parents . [male0] could not hide his feelings and he faced mom and told her that he loved [female0] very much and she loved him too , even though [female0] 's parents did not like him . [male1] told [male0] that being with [female0] will cause him so much trouble because her parents were willing to do anything to put an end to their relationship . they had even threatened to have him arrested if he ever showed up at their home in search of [female0] . | train | tt1659337 | 3,358 |
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tt0822832_0001_18 | null | null | null | null | null | Kathleen | Owen | Jennifer | {} | {} | {} | {} | In a park, while attending a mandatory dog obedience class, the female trainer gets exasperated with Owen over his lack of control over his dog. | It appears as if Owen and his dog simply do not fit into the normal world of the typical dog and owner combo, with both being somewhat goofy losers in their respective fields. | AS if the highlight this failure of obedience school, Owens dog is moving into the opposite direction of where the dog trainer wants Owen and his dog to move, but the dog has had enough and wanders off to greener pastures | Owen's dog has had enough and is not even facing his accuser | and the dog trainer lets Own know that he and his dog have failed obedience training and that there is no sense in continuing the ordeal. | null | null | null | null | null | ['tt0822832_0351_0', 'tt0822832_0352_0', 'tt0822832_0353_1', 'tt0822832_0354_0', 'tt0822832_0355_2'] | In a park, while attending a mandatory dog obedience class, the female trainer gets exasperated with Owen over his lack of control over his dog. It appears as if Owen and his dog simply do not fit into the normal world of the typical dog and owner combo, with both being somewhat goofy losers in their respective fields. AS if the highlight this failure of obedience school, Owens dog is moving into the opposite direction of where the dog trainer wants Owen and his dog to move, but the dog has had enough and wanders off to greener pastures. Owen's dog has had enough and is not even facing his accuser. and the dog trainer lets Own know that he and his dog have failed obedience training and that there is no sense in continuing the ordeal. | In a park, while attending a mandatory dog obedience class, the female trainer gets exasperated with Owen over his lack of control over his dog. [SENT] It appears as if Owen and his dog simply do not fit into the normal world of the typical dog and owner combo, with both being somewhat goofy losers in their respective fields. [SENT] AS if the highlight this failure of obedience school, Owens dog is moving into the opposite direction of where the dog trainer wants Owen and his dog to move, but the dog has had enough and wanders off to greener pastures. [SENT] Owen's dog has had enough and is not even facing his accuser. [SENT] and the dog trainer lets Own know that he and his dog have failed obedience training and that there is no sense in continuing the ordeal. [SENT] | in a park , while attending a mandatory dog obedience class , the female trainer gets exasperated with [male0] over his lack of control over his dog . it appears as if [male0] and his dog simply do not fit into the normal world of the typical dog and owner combo , with both being somewhat goofy losers in their respective fields . as if the highlight this failure of obedience school , [male1] dog is moving into the opposite direction of where the dog trainer wants [male0] and his dog to move , but the dog has had enough and wanders off to greener pastures . [male0] 's dog has had enough and is not even facing his accuser . and the dog trainer lets [male2] know that he and his dog have failed obedience training and that there is no sense in continuing the ordeal . | train | tt0822832 | 3,359 |
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tt0213149_0002_12 | null | null | null | null | null | Ben | Kate | {} | {} | {} | {} | {} | {} | Ben and Kate are cruising along in the ocean on their boat, having a fun night together. | They approach a ship, and notice some lights hanging off its side. | Ben wants to climb aboard the ship by hoisting himself up with the rope to show Kate how dexterous he is. | Kate thinks the gesture is very sweet. | In a moment of romance, Kate and Ben hug like dementors after each other's souls. | null | null | null | null | null | ['tt0213149_0433_0', 'tt0213149_0434_1', 'tt0213149_0435_2', 'tt0213149_0439_0', 'tt0213149_0441_2'] | Ben and Kate are cruising along in the ocean on their boat, having a fun night together. They approach a ship, and notice some lights hanging off its side. Ben wants to climb aboard the ship by hoisting himself up with the rope to show Kate how dexterous he is. Kate thinks the gesture is very sweet. In a moment of romance, Kate and Ben hug like dementors after each other's souls. | Ben and Kate are cruising along in the ocean on their boat, having a fun night together. [SENT] They approach a ship, and notice some lights hanging off its side. [SENT] Ben wants to climb aboard the ship by hoisting himself up with the rope to show Kate how dexterous he is. [SENT] Kate thinks the gesture is very sweet. [SENT] In a moment of romance, Kate and Ben hug like dementors after each other's souls. [SENT] | [male0] and [female0] are cruising along in the ocean on their boat , having a fun night together . they approach a ship , and notice some lights hanging off its side . [male0] wants to climb aboard the ship by hoisting himself up with the rope to show [female0] how dexterous he is . [female0] thinks the gesture is very sweet . in a moment of romance , [female0] and [male0] hug like dementors after each other 's souls . | train | tt0213149 | 3,360 |
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tt0467200_0002_5 | null | null | null | null | Eric | Mark | Jim | Natalie | {} | {} | At court, the King and his advisors are discussing important business of the realm over a banquet. | One of the King's main advisors is Mark, who is rather earnest in his approach, warning of several problems lying ahead that must be dealt with urgently. | The King ponders the statement, but wants to turn his attention to a more positive topic in order to escape the drudgery of decision-making. | As the King turns his attention to new banquet arrivals, Jim enters the banquet hall with a young woman by his side. | Subsequently, Natalie enters the banquet hall, dressed in a splendid green dress that makes her stand out from all the other banquet participants. | The king is immediately smitten by her appearance which breaks the monotony of the evening. | null | null | null | null | ['tt0467200_0634_0', 'tt0467200_0635_0', 'tt0467200_0636_2', 'tt0467200_0637_0', 'tt0467200_0638_1', 'tt0467200_0639_0'] | At court, the King and his advisors are discussing important business of the realm over a banquet. One of the King's main advisors is Mark, who is rather earnest in his approach, warning of several problems lying ahead that must be dealt with urgently. The King ponders the statement, but wants to turn his attention to a more positive topic in order to escape the drudgery of decision-making. As the King turns his attention to new banquet arrivals, Jim enters the banquet hall with a young woman by his side. Subsequently, Natalie enters the banquet hall, dressed in a splendid green dress that makes her stand out from all the other banquet participants. The king is immediately smitten by her appearance which breaks the monotony of the evening. | At court, the King and his advisors are discussing important business of the realm over a banquet. [SENT] One of the King's main advisors is Mark, who is rather earnest in his approach, warning of several problems lying ahead that must be dealt with urgently. [SENT] The King ponders the statement, but wants to turn his attention to a more positive topic in order to escape the drudgery of decision-making. [SENT] As the King turns his attention to new banquet arrivals, Jim enters the banquet hall with a young woman by his side. [SENT] Subsequently, Natalie enters the banquet hall, dressed in a splendid green dress that makes her stand out from all the other banquet participants. [SENT] The king is immediately smitten by her appearance which breaks the monotony of the evening. [SENT] | at court , the king and his advisors are discussing important business of the realm over a banquet . one of the king 's main advisors is [male0] , who is rather earnest in his approach , warning of several problems lying ahead that must be dealt with urgently . the king ponders the statement , but wants to turn his attention to a more positive topic in order to escape the drudgery of decision - making . as the king turns his attention to new banquet arrivals , [male1] enters the banquet hall with a young woman by his side . subsequently , [female0] enters the banquet hall , dressed in a splendid green dress that makes her stand out from all the other banquet participants . the king is immediately smitten by her appearance which breaks the monotony of the evening . | train | tt0467200 | 3,361 |
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tt0822832_0001_10 | null | null | null | Eric | Jennifer | Owen | {} | {} | {} | {} | Eric brings some birds to the beach to play a prank on his friend Jennifer. | Eric releases the birds near his friend Jennifer. | Jennifer shrieks as the birds come closer to her. | Owen arrives on the scene to see if everything is OK with his friend Jennifer. | The birds move away from Jennifer and start heading toward the other end of the beach. | Owen chases after the birds because he wants to admonish them for scaring his friend Jennifer. | Owen really has to run far to try to catch up with the birds. | null | null | null | ['tt0822832_0242_1', 'tt0822832_0244_0', 'tt0822832_0246_2', 'tt0822832_0247_2', 'tt0822832_0249_2', 'tt0822832_0252_2', 'tt0822832_0253_0'] | Eric brings some birds to the beach to play a prank on his friend Jennifer. Eric releases the birds near his friend Jennifer. Jennifer shrieks as the birds come closer to her. Owen arrives on the scene to see if everything is OK with his friend Jennifer. The birds move away from Jennifer and start heading toward the other end of the beach. Owen chases after the birds because he wants to admonish them for scaring his friend Jennifer. Owen really has to run far to try to catch up with the birds. | Eric brings some birds to the beach to play a prank on his friend Jennifer. [SENT] Eric releases the birds near his friend Jennifer. [SENT] Jennifer shrieks as the birds come closer to her. [SENT] Owen arrives on the scene to see if everything is OK with his friend Jennifer. [SENT] The birds move away from Jennifer and start heading toward the other end of the beach. [SENT] Owen chases after the birds because he wants to admonish them for scaring his friend Jennifer. [SENT] Owen really has to run far to try to catch up with the birds. [SENT] | [male0] brings some birds to the beach to play a prank on his friend [female0] . [male0] releases the birds near his friend [female0] . [female0] shrieks as the birds come closer to her . [male1] arrives on the scene to see if everything is ok with his friend [female0] . the birds move away from [female0] and start heading toward the other end of the beach . [male1] chases after the birds because he wants to admonish them for scaring his friend [female0] . [male1] really has to run far to try to catch up with the birds . | train | tt0822832 | 3,362 |
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tt1707386_0004_0 | null | null | null | null | null | Daniel | {} | {} | {} | {} | {} | {} | {} | {} | Daniel is sitting atop a lofty area where his view of the world below him is superb. | Daniel lowers himself from the top of the elephant statue via a rope, while another person is climbing down a rope ladder. | Having safely arrived on the ground, Daniel is stashing away some of his belongings at the base of the statue, | only to disappear into the business of the city below during the apparent siege that his fellow citizens are laying to parts of the city. | In a wealthier part of town, Daniel steps up to an outdoors cafe where wealthy patrons are enjoying their life of luxury. As Daniel is hungry, he helps himself to the "free" bread that has been placed into several baskets that are connected and create a pyramidal-like structure on top of a table. | null | null | null | null | null | ['tt1707386_1080_0', 'tt1707386_1081_1', 'tt1707386_1084_0', 'tt1707386_1086_1', 'tt1707386_1087_2'] | Daniel is sitting atop a lofty area where his view of the world below him is superb. Daniel lowers himself from the top of the elephant statue via a rope, while another person is climbing down a rope ladder. Having safely arrived on the ground, Daniel is stashing away some of his belongings at the base of the statue,. only to disappear into the business of the city below during the apparent siege that his fellow citizens are laying to parts of the city. In a wealthier part of town, Daniel steps up to an outdoors cafe where wealthy patrons are enjoying their life of luxury. As Daniel is hungry, he helps himself to the "free" bread that has been placed into several baskets that are connected and create a pyramidal-like structure on top of a table. | Daniel is sitting atop a lofty area where his view of the world below him is superb. [SENT] Daniel lowers himself from the top of the elephant statue via a rope, while another person is climbing down a rope ladder. [SENT] Having safely arrived on the ground, Daniel is stashing away some of his belongings at the base of the statue,. [SENT] only to disappear into the business of the city below during the apparent siege that his fellow citizens are laying to parts of the city. [SENT] In a wealthier part of town, Daniel steps up to an outdoors cafe where wealthy patrons are enjoying their life of luxury. As Daniel is hungry, he helps himself to the "free" bread that has been placed into several baskets that are connected and create a pyramidal-like structure on top of a table. [SENT] | [male0] is sitting atop a lofty area where his view of the world below him is superb . [male0] lowers himself from the top of the elephant statue via a rope , while another person is climbing down a rope ladder . having safely arrived on the ground , [male0] is stashing away some of his belongings at the base of the statue , . only to disappear into the business of the city below during the apparent siege that his fellow citizens are laying to parts of the city . in a wealthier part of town , [male0] steps up to an outdoors cafe where wealthy patrons are enjoying their life of luxury . as [male0] is hungry , he helps himself to the " free " bread that has been placed into several baskets that are connected and create a pyramidal - like structure on top of a table . | train | tt1707386 | 3,363 |
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tt0108330_0003_0 | null | null | null | null | Leonardo | Carla | Ellen | {} | {} | {} | {} | The same High School 2 year later. | In front of the High School, three guys in a car aggressively taunt the emerging crowd with shouts and gestures, challenging several guys to a fight. | However, nobody takes the bait of these troublemakers and the crowd disperses after the end of the school day without incident. | Unhappy about their failure to elicit a fight, the young rebel rousers are driving through town, looking to find another way to cause trouble. | In order to gain confidence, they mix alcohol and fruit punch as the magic elizir of manhood before getting into a fight. | The five teenagers including Leonardo are observing the town scene as they pass the can with the mixed fruit punch to work up their courage for what is to follow. | null | null | null | null | ['tt0108330_0796_1', 'tt0108330_0797_2', 'tt0108330_0798_1', 'tt0108330_0799_1', 'tt0108330_0800_1', 'tt0108330_0801_0'] | The same High School 2 year later. In front of the High School, three guys in a car aggressively taunt the emerging crowd with shouts and gestures, challenging several guys to a fight. However, nobody takes the bait of these troublemakers and the crowd disperses after the end of the school day without incident. Unhappy about their failure to elicit a fight, the young rebel rousers are driving through town, looking to find another way to cause trouble. In order to gain confidence, they mix alcohol and fruit punch as the magic elizir of manhood before getting into a fight. The five teenagers including Leonardo are observing the town scene as they pass the can with the mixed fruit punch to work up their courage for what is to follow. | The same High School 2 year later. [SENT] In front of the High School, three guys in a car aggressively taunt the emerging crowd with shouts and gestures, challenging several guys to a fight. [SENT] However, nobody takes the bait of these troublemakers and the crowd disperses after the end of the school day without incident. [SENT] Unhappy about their failure to elicit a fight, the young rebel rousers are driving through town, looking to find another way to cause trouble. [SENT] In order to gain confidence, they mix alcohol and fruit punch as the magic elizir of manhood before getting into a fight. [SENT] The five teenagers including Leonardo are observing the town scene as they pass the can with the mixed fruit punch to work up their courage for what is to follow. [SENT] | the same high school 2 year later . in front of the high school , three guys in a car aggressively taunt the emerging crowd with shouts and gestures , challenging several guys to a fight . however , nobody takes the bait of these troublemakers and the crowd disperses after the end of the school day without incident . unhappy about their failure to elicit a fight , the young rebel rousers are driving through town , looking to find another way to cause trouble . in order to gain confidence , they mix alcohol and fruit punch as the magic elizir of manhood before getting into a fight . the five teenagers including [male0] are observing the town scene as they pass the can with the mixed fruit punch to work up their courage for what is to follow . | train | tt0108330 | 3,364 |
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tt0067116_0012_3 | null | null | null | null | null | Gene | {} | {} | {} | {} | {} | {} | {} | {} | Gene was a cop. He had been following a criminal for a long time. | He was on the criminal's trail. It led him to a train station. | He searched the criminal all around, but he was nowhere to be found. | His last hope was that the train was still nearby. The criminal had probably hop on the train when it passed by. | Unfortunately for Gene, the train was already gone. | null | null | null | null | null | ['tt0067116_0697_0', 'tt0067116_0698_0', 'tt0067116_0699_1', 'tt0067116_0700_2', 'tt0067116_0701_0'] | Gene was a cop. He had been following a criminal for a long time. He was on the criminal's trail. It led him to a train station. He searched the criminal all around, but he was nowhere to be found. His last hope was that the train was still nearby. The criminal had probably hop on the train when it passed by. Unfortunately for Gene, the train was already gone. | Gene was a cop. He had been following a criminal for a long time. [SENT] He was on the criminal's trail. It led him to a train station. [SENT] He searched the criminal all around, but he was nowhere to be found. [SENT] His last hope was that the train was still nearby. The criminal had probably hop on the train when it passed by. [SENT] Unfortunately for Gene, the train was already gone. [SENT] | [male0] was a cop . he had been following a criminal for a long time . he was on the criminal 's trail . it led him to a train station . he searched the criminal all around , but he was nowhere to be found . his last hope was that the train was still nearby . the criminal had probably hop on the train when it passed by . unfortunately for [male0] , the train was already gone . | train | tt0067116 | 3,365 |
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tt0122690_0007_1 | null | null | null | null | null | Robert | Jean | {} | {} | {} | {} | {} | {} | A crowd gathers to discuss the pros and cons of abortion laws. | Robert notices a male feminist planted amongst them by a lobbyist group. | The debate on when life actually begins gets heated. | The man in the fur coat is under the impression that contraception and extreme media conditioning have nothing to do with failing relationships and declining birth rates, so babies should die when people are too brainwashed to think for themselves. | Jean angrily walks away, as he believes life is a gift from God. | null | null | null | null | null | ['tt0122690_1597_2', 'tt0122690_1600_0', 'tt0122690_1601_1', 'tt0122690_1605_1', 'tt0122690_1606_2'] | A crowd gathers to discuss the pros and cons of abortion laws. Robert notices a male feminist planted amongst them by a lobbyist group. The debate on when life actually begins gets heated. The man in the fur coat is under the impression that contraception and extreme media conditioning have nothing to do with failing relationships and declining birth rates, so babies should die when people are too brainwashed to think for themselves. Jean angrily walks away, as he believes life is a gift from God. | A crowd gathers to discuss the pros and cons of abortion laws. [SENT] Robert notices a male feminist planted amongst them by a lobbyist group. [SENT] The debate on when life actually begins gets heated. [SENT] The man in the fur coat is under the impression that contraception and extreme media conditioning have nothing to do with failing relationships and declining birth rates, so babies should die when people are too brainwashed to think for themselves. [SENT] Jean angrily walks away, as he believes life is a gift from God. [SENT] | a crowd gathers to discuss the pros and cons of abortion laws . [male0] notices a male feminist planted amongst them by a lobbyist group . the debate on when life actually begins gets heated . the man in the fur coat is under the impression that contraception and extreme media conditioning have nothing to do with failing relationships and declining birth rates , so babies should die when people are too brainwashed to think for themselves . [male1] angrily walks away , as he believes life is a gift from [male2] . | train | tt0122690 | 3,366 |
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tt0108399_0007_9 | null | null | Bronson | {} | {} | {} | {} | {} | {} | {} | {} | The boss of the marauding gang | has been cornered by two police officers, | with Bronson sitting in an uneasy way in a large chair, awaiting what is in store for him. | He tries to tell the officers what he knows | but is immediately threatened by the boss of the gang to keep his mouth shut. | One of the Police officer is trying to assert control of the situation just at the moment when FBI team members storm through the veranda door, immediately shooting the gang boss. | The gang boss is hit | and the police officers return fire against the gang boss' associates who shoot at the FBI team members and the police officers with automatic guns. | null | null | ['tt0108399_1798_0', 'tt0108399_1801_0', 'tt0108399_1803_0', 'tt0108399_1805_0', 'tt0108399_1806_0', 'tt0108399_1808_2', 'tt0108399_1809_0', 'tt0108399_1810_0'] | The boss of the marauding gang. has been cornered by two police officers,. with Bronson sitting in an uneasy way in a large chair, awaiting what is in store for him. He tries to tell the officers what he knows. but is immediately threatened by the boss of the gang to keep his mouth shut. One of the Police officer is trying to assert control of the situation just at the moment when FBI team members storm through the veranda door, immediately shooting the gang boss. The gang boss is hit. and the police officers return fire against the gang boss' associates who shoot at the FBI team members and the police officers with automatic guns. | The boss of the marauding gang. [SENT] has been cornered by two police officers,. [SENT] with Bronson sitting in an uneasy way in a large chair, awaiting what is in store for him. [SENT] He tries to tell the officers what he knows. [SENT] but is immediately threatened by the boss of the gang to keep his mouth shut. [SENT] One of the Police officer is trying to assert control of the situation just at the moment when FBI team members storm through the veranda door, immediately shooting the gang boss. [SENT] The gang boss is hit. [SENT] and the police officers return fire against the gang boss' associates who shoot at the FBI team members and the police officers with automatic guns. [SENT] | the boss of the marauding gang . has been cornered by two police officers , . with [male0] sitting in an uneasy way in a large chair , awaiting what is in store for him . he tries to tell the officers what he knows . but is immediately threatened by the boss of the gang to keep his mouth shut . one of the police officer is trying to assert control of the situation just at the moment when team members storm through the veranda door , immediately shooting the gang boss . the gang boss is hit . and the police officers return fire against the gang boss ' associates who shoot at the team members and the police officers with automatic guns . | train | tt0108399 | 3,367 |
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tt0096320_0003_0 | null | null | null | null | null | Arnold | Danny | {} | {} | {} | {} | {} | {} | Arnold visits with a nun at the St. Charlotte's orphanage to seek some information. | In the meantime, a prison warden steps into a cell to talk to an inmate and get him to the visitation room. | Danny signs the book that he has visitation while Arnold is sitting in his little compartment. | Danny looks at Arnold seemingly unaware as to what Arnold wants from him. He looks at Arnold as if he did not know him. | Arnold sits down and begins to tell Danny why he is visiting him in jail. Danny sits there in a semi-interested manner and listens. | null | null | null | null | null | ['tt0096320_0141_0', 'tt0096320_0143_0', 'tt0096320_0145_0', 'tt0096320_0150_0', 'tt0096320_0151_1'] | Arnold visits with a nun at the St. Charlotte's orphanage to seek some information. In the meantime, a prison warden steps into a cell to talk to an inmate and get him to the visitation room. Danny signs the book that he has visitation while Arnold is sitting in his little compartment. Danny looks at Arnold seemingly unaware as to what Arnold wants from him. He looks at Arnold as if he did not know him. Arnold sits down and begins to tell Danny why he is visiting him in jail. Danny sits there in a semi-interested manner and listens. | Arnold visits with a nun at the St. Charlotte's orphanage to seek some information. [SENT] In the meantime, a prison warden steps into a cell to talk to an inmate and get him to the visitation room. [SENT] Danny signs the book that he has visitation while Arnold is sitting in his little compartment. [SENT] Danny looks at Arnold seemingly unaware as to what Arnold wants from him. He looks at Arnold as if he did not know him. [SENT] Arnold sits down and begins to tell Danny why he is visiting him in jail. Danny sits there in a semi-interested manner and listens. [SENT] | [male0] visits with a nun at the [location] 's orphanage to seek some information . in the meantime , a prison warden steps into a cell to talk to an inmate and get him to the visitation room . [male1] signs the book that he has visitation while [male0] is sitting in his little compartment . [male1] looks at [male0] seemingly unaware as to what [male0] wants from him . he looks at [male0] as if he did not know him . [male0] sits down and begins to tell [male1] why he is visiting him in jail . [male1] sits there in a semi - interested manner and listens . | train | tt0096320 | 3,368 |
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tt0113243_0005_0 | null | null | null | null | null | Jesse | Renoly | {} | {} | {} | {} | {} | {} | Jesse sits in the courtyard contemplating his future. He's a young man with a lot of potential. | Renoly bullies regularly bullies Jessie and today is no different. | Jessie has been wanting to document this bullying so that Renoly can get in trouble. Jessie's friend takes pictures of the bullying. | Renoly continues the harassment. Jessie isn't phased. | Renoly then tries to break into Jessie's locker later. Little does he know Jessie is informing the school administrators of his bullying with photographic evidence. | null | null | null | null | null | ['tt0113243_0709_1', 'tt0113243_0710_0', 'tt0113243_0713_1', 'tt0113243_0714_0', 'tt0113243_0716_1'] | Jesse sits in the courtyard contemplating his future. He's a young man with a lot of potential. Renoly bullies regularly bullies Jessie and today is no different. Jessie has been wanting to document this bullying so that Renoly can get in trouble. Jessie's friend takes pictures of the bullying. Renoly continues the harassment. Jessie isn't phased. Renoly then tries to break into Jessie's locker later. Little does he know Jessie is informing the school administrators of his bullying with photographic evidence. | Jesse sits in the courtyard contemplating his future. He's a young man with a lot of potential. [SENT] Renoly bullies regularly bullies Jessie and today is no different. [SENT] Jessie has been wanting to document this bullying so that Renoly can get in trouble. Jessie's friend takes pictures of the bullying. [SENT] Renoly continues the harassment. Jessie isn't phased. [SENT] Renoly then tries to break into Jessie's locker later. Little does he know Jessie is informing the school administrators of his bullying with photographic evidence. [SENT] | [male0] sits in the courtyard contemplating his future . he 's a young man with a lot of potential . renoly bullies regularly bullies [female0] and today is no different . [female0] has been wanting to document this bullying so that [male1] can get in trouble . [female0] 's friend takes pictures of the bullying . [male1] continues the harassment . [female0] is n't phased . [male1] then tries to break into [female0] 's locker later . [male2] does he know [female0] is informing the school administrators of his bullying with photographic evidence . | train | tt0113243 | 3,369 |
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tt0078788_0001_9 | null | null | null | Martin | Robert | Sam | Albert | Laurence | Robert shouts commands into his microphone and Martin looks below as the soldiers ride a helicopter on a way to the army picnic. | Robert turns around and asks if anyone knows where they are supposed to meet for the picnic. | The pilot flies in a circle as he tries to find a good landing spot. | Albert feels sad that his group is going to be late for the picnic. | Laurence tries to pick up their spirits by telling a funny joke. | The other pilots fly off in various directions as they try to find a good spot to land so they can enjoy a fun picnic together. | Martin asks Sam if he remembered to bring some snacks for the picnic. | null | null | null | ['tt0078788_0216_1', 'tt0078788_0218_0', 'tt0078788_0219_1', 'tt0078788_0222_0', 'tt0078788_0223_0', 'tt0078788_0226_1', 'tt0078788_0227_1'] | Robert shouts commands into his microphone and Martin looks below as the soldiers ride a helicopter on a way to the army picnic. Robert turns around and asks if anyone knows where they are supposed to meet for the picnic. The pilot flies in a circle as he tries to find a good landing spot. Albert feels sad that his group is going to be late for the picnic. Laurence tries to pick up their spirits by telling a funny joke. The other pilots fly off in various directions as they try to find a good spot to land so they can enjoy a fun picnic together. Martin asks Sam if he remembered to bring some snacks for the picnic. | Robert shouts commands into his microphone and Martin looks below as the soldiers ride a helicopter on a way to the army picnic. [SENT] Robert turns around and asks if anyone knows where they are supposed to meet for the picnic. [SENT] The pilot flies in a circle as he tries to find a good landing spot. [SENT] Albert feels sad that his group is going to be late for the picnic. [SENT] Laurence tries to pick up their spirits by telling a funny joke. [SENT] The other pilots fly off in various directions as they try to find a good spot to land so they can enjoy a fun picnic together. [SENT] Martin asks Sam if he remembered to bring some snacks for the picnic. [SENT] | [male0] shouts commands into his microphone and [male1] looks below as the soldiers ride a helicopter on a way to the army picnic . [male0] turns around and asks if anyone knows where they are supposed to meet for the picnic . the pilot flies in a circle as he tries to find a good landing spot . [male2] feels sad that his group is going to be late for the picnic . [female0] tries to pick up their spirits by telling a funny joke . the other pilots fly off in various directions as they try to find a good spot to land so they can enjoy a fun picnic together . [male1] asks [male3] if he remembered to bring some snacks for the picnic . | train | tt0078788 | 3,370 |
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tt1084950_0005_16 | null | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | An elegantly dressed man plays saxophone in a room while one of his female fans, who is provocatively dressed with a deeply cut dress, is slowly moving to the tune, losing herself in the jazz rhythm. She holds a glass of rose wine and her broad smile shows off her happy state. | A young, attractive woman steps forward from an outside party into the house and watches intently and takes the scene in. | She stands in front of a huge flower arrangement with a look of incredulity on her face. | She watches a mixed-race couple that dances slowly to the remnants of the music, both closely hugging as they move to the music. The couple notices our young voyeur and smile toward her. | The young attractive woman feels like an intruder, | but the young coupe invites her to be part of this wonderfully romantic scene and she obliges by sliding behind the woman, hugging her, while the young woman in front of her is caressingly touching her womb. The black man hugs both of the women in a show of love and appreciation. | null | null | null | null | ['tt1084950_1112_0', 'tt1084950_1114_0', 'tt1084950_1115_0', 'tt1084950_1116_0', 'tt1084950_1117_0', 'tt1084950_1119_0'] | An elegantly dressed man plays saxophone in a room while one of his female fans, who is provocatively dressed with a deeply cut dress, is slowly moving to the tune, losing herself in the jazz rhythm. She holds a glass of rose wine and her broad smile shows off her happy state. A young, attractive woman steps forward from an outside party into the house and watches intently and takes the scene in. She stands in front of a huge flower arrangement with a look of incredulity on her face. She watches a mixed-race couple that dances slowly to the remnants of the music, both closely hugging as they move to the music. The couple notices our young voyeur and smile toward her. The young attractive woman feels like an intruder,. but the young coupe invites her to be part of this wonderfully romantic scene and she obliges by sliding behind the woman, hugging her, while the young woman in front of her is caressingly touching her womb. The black man hugs both of the women in a show of love and appreciation. | An elegantly dressed man plays saxophone in a room while one of his female fans, who is provocatively dressed with a deeply cut dress, is slowly moving to the tune, losing herself in the jazz rhythm. She holds a glass of rose wine and her broad smile shows off her happy state. [SENT] A young, attractive woman steps forward from an outside party into the house and watches intently and takes the scene in. [SENT] She stands in front of a huge flower arrangement with a look of incredulity on her face. [SENT] She watches a mixed-race couple that dances slowly to the remnants of the music, both closely hugging as they move to the music. The couple notices our young voyeur and smile toward her. [SENT] The young attractive woman feels like an intruder,. [SENT] but the young coupe invites her to be part of this wonderfully romantic scene and she obliges by sliding behind the woman, hugging her, while the young woman in front of her is caressingly touching her womb. The black man hugs both of the women in a show of love and appreciation. [SENT] | an elegantly dressed man plays saxophone in a room while one of his female fans , who is provocatively dressed with a deeply cut dress , is slowly moving to the tune , losing herself in the jazz rhythm . she holds a glass of rose wine and her broad smile shows off her happy state . a young , attractive woman steps forward from an outside party into the house and watches intently and takes the scene in . she stands in front of a huge flower arrangement with a look of incredulity on her face . she watches a mixed - race couple that dances slowly to the remnants of the music , both closely hugging as they move to the music . the couple notices our young voyeur and smile toward her . the young attractive woman feels like an intruder , . but the young coupe invites her to be part of this wonderfully romantic scene and she obliges by sliding behind the woman , hugging her , while the young woman in front of her is caressingly touching her womb . the black man hugs both of the women in a show of love and appreciation . | train | tt1084950 | 3,371 |
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tt1412386_0007_1 | null | null | null | null | null | Maggie | Judi | {} | {} | {} | {} | {} | {} | Maggie's daughter Julie, had spoken with her mother for days about going back with her. | The old woman could be quite stubborn but after her recent fall, she had no choice but to move into Julie's home. | Maggie had lived in the same house for over 40 years and did not want to leave. | The very next morning she finally agreed to leave the home with assistance of her neighbor. | The cross country flight with her daughter would be a very long trip. | null | null | null | null | null | ['tt1412386_1166_0', 'tt1412386_1169_0', 'tt1412386_1171_0', 'tt1412386_1174_1', 'tt1412386_1177_1'] | Maggie's daughter Julie, had spoken with her mother for days about going back with her. The old woman could be quite stubborn but after her recent fall, she had no choice but to move into Julie's home. Maggie had lived in the same house for over 40 years and did not want to leave. The very next morning she finally agreed to leave the home with assistance of her neighbor. The cross country flight with her daughter would be a very long trip. | Maggie's daughter Julie, had spoken with her mother for days about going back with her. [SENT] The old woman could be quite stubborn but after her recent fall, she had no choice but to move into Julie's home. [SENT] Maggie had lived in the same house for over 40 years and did not want to leave. [SENT] The very next morning she finally agreed to leave the home with assistance of her neighbor. [SENT] The cross country flight with her daughter would be a very long trip. [SENT] | [female0] 's daughter [female1] , had spoken with her mother for days about going back with her . the old woman could be quite stubborn but after her recent fall , she had no choice but to move into [female1] 's home . [female0] had lived in the same house for over 40 years and did not want to leave . the very next morning she finally agreed to leave the home with assistance of her neighbor . the cross country flight with her daughter would be a very long trip . | train | tt1412386 | 3,372 |
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tt0115798_0009_1 | null | null | null | null | null | Jim | Matthew | {} | {} | {} | {} | {} | {} | Jim begins to sing karaoke after telling a little story about the song first "When he truth is found to be lies and all of the joy within you dies." | The officer Jim invited takes an extra long look at his drink. | People get up and begin to dance and Mathew has his eyes set on a woman. | Two old men clap as Jim continues with his performance. | Meanwhile, Matthew is staring at the girl that Jim set him up with, but he didn't tell Mathew that she was a hooker. | null | null | null | null | null | ['tt0115798_0536_0', 'tt0115798_0537_0', 'tt0115798_0538_2', 'tt0115798_0540_2', 'tt0115798_0542_1'] | Jim begins to sing karaoke after telling a little story about the song first "When he truth is found to be lies and all of the joy within you dies." The officer Jim invited takes an extra long look at his drink. People get up and begin to dance and Mathew has his eyes set on a woman. Two old men clap as Jim continues with his performance. Meanwhile, Matthew is staring at the girl that Jim set him up with, but he didn't tell Mathew that she was a hooker. | Jim begins to sing karaoke after telling a little story about the song first "When he truth is found to be lies and all of the joy within you dies." [SENT] The officer Jim invited takes an extra long look at his drink. [SENT] People get up and begin to dance and Mathew has his eyes set on a woman. [SENT] Two old men clap as Jim continues with his performance. [SENT] Meanwhile, Matthew is staring at the girl that Jim set him up with, but he didn't tell Mathew that she was a hooker. [SENT] | [male0] begins to sing karaoke after telling a little story about the song first " when he truth is found to be lies and all of the joy within you dies . " the officer [male0] invited takes an extra long look at his drink . people get up and begin to dance and [male1] has his eyes set on a woman . two old men clap as [male0] continues with his performance . meanwhile , [male2] is staring at the girl that [male0] set him up with , but he did n't tell [male1] that she was a hooker . | train | tt0115798 | 3,373 |
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tt0094291_0004_0 | null | null | null | null | null | {} | {} | {} | {} | {} | {} | {} | {} | {} | {} | Tim and Dan were in a limo together. | Tim asked Dan if he would come to his son's piano concert. | Dan said that he had to separate laundry that evening and that he was sorry he couldn't come. | The limo driver mentioned that Dan had booked him that night to go to a nightclub. | Dan sulked, knowing he would fire the driver later on. | null | null | null | null | null | ['tt0094291_0279_0', 'tt0094291_0280_0', 'tt0094291_0283_0', 'tt0094291_0288_0', 'tt0094291_0290_0'] | Tim and Dan were in a limo together. Tim asked Dan if he would come to his son's piano concert. Dan said that he had to separate laundry that evening and that he was sorry he couldn't come. The limo driver mentioned that Dan had booked him that night to go to a nightclub. Dan sulked, knowing he would fire the driver later on. | Tim and Dan were in a limo together. [SENT] Tim asked Dan if he would come to his son's piano concert. [SENT] Dan said that he had to separate laundry that evening and that he was sorry he couldn't come. [SENT] The limo driver mentioned that Dan had booked him that night to go to a nightclub. [SENT] Dan sulked, knowing he would fire the driver later on. [SENT] | [male0] and [male1] were in a limo together . [male0] asked [male1] if he would come to his son 's piano concert . [male1] said that he had to separate laundry that evening and that he was sorry he could n't come . the limo driver mentioned that [male1] had booked him that night to go to a nightclub . [male1] sulked , knowing he would fire the driver later on . | train | tt0094291 | 3,374 |
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tt0822832_0001_9 | null | null | null | Owen | Eric | Jennifer | {} | {} | {} | {} | Owen and Eric share a beer at a restaurant on Venice Beach. They discuss the story that Owen is working on. | Owen is asking Eric for advice, as Eric is clearly one of the star reporters at his newspaper and Owen is struggling with putting the story together. | Owen feels confident that Eric is his friend and he overshares the information he has gleaned. | Eric remains somewhat non-committal, but secretly covets the information and the news story that Owen is developing. | Jennifer and a friend of hers are stepping up to the table starting to flirt with Eric and Owen. | The scene is filled with witty remarks, laughter and male/ female innuendos, | but soon enough as the girls vanish, Eric returns to quizzing Owen about the news story he is working on. | null | null | null | ['tt0822832_0221_1', 'tt0822832_0222_2', 'tt0822832_0224_1', 'tt0822832_0225_0', 'tt0822832_0229_1', 'tt0822832_0230_1', 'tt0822832_0231_2'] | Owen and Eric share a beer at a restaurant on Venice Beach. They discuss the story that Owen is working on. Owen is asking Eric for advice, as Eric is clearly one of the star reporters at his newspaper and Owen is struggling with putting the story together. Owen feels confident that Eric is his friend and he overshares the information he has gleaned. Eric remains somewhat non-committal, but secretly covets the information and the news story that Owen is developing. Jennifer and a friend of hers are stepping up to the table starting to flirt with Eric and Owen. The scene is filled with witty remarks, laughter and male/ female innuendos,. but soon enough as the girls vanish, Eric returns to quizzing Owen about the news story he is working on. | Owen and Eric share a beer at a restaurant on Venice Beach. They discuss the story that Owen is working on. [SENT] Owen is asking Eric for advice, as Eric is clearly one of the star reporters at his newspaper and Owen is struggling with putting the story together. [SENT] Owen feels confident that Eric is his friend and he overshares the information he has gleaned. [SENT] Eric remains somewhat non-committal, but secretly covets the information and the news story that Owen is developing. [SENT] Jennifer and a friend of hers are stepping up to the table starting to flirt with Eric and Owen. [SENT] The scene is filled with witty remarks, laughter and male/ female innuendos,. [SENT] but soon enough as the girls vanish, Eric returns to quizzing Owen about the news story he is working on. [SENT] | [male0] and [male1] share a beer at a restaurant on [location] . they discuss the story that [male0] is working on . [male0] is asking [male1] for advice , as [male1] is clearly one of the star reporters at his newspaper and [male0] is struggling with putting the story together . [male0] feels confident that [male1] is his friend and he overshares the information he has gleaned . [male1] remains somewhat non - committal , but secretly covets the information and the news story that [male0] is developing . [female0] and a friend of hers are stepping up to the table starting to flirt with [male1] and [male0] . the scene is filled with witty remarks , laughter and male/ female innuendos , . but soon enough as the girls vanish , [male1] returns to quizzing [male0] about the news story he is working on . | train | tt0822832 | 3,375 |
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tt0822832_0001_6 | null | null | null | null | null | Haley | Owen | {} | {} | {} | {} | {} | {} | Haley, a beautiful teenager with a lovely blue streak of blue in her hair, compliments Owen on his wonderful dog and how he takes care of it. | She loves the fact that the dog seems to be as goofy as Owen is and appears to find that similarity amusing. | A woman standing nearby looks at the two people and the dog with a certain level of displeasure, as if she wanted to chide Owen for being a careless man. | Owen steps toward his home and proceeds to carry his dog into his house. | Haley and the woman are looking at Owen with differing facial expressions, one with a smile, while the other sports something closer to a frown. | null | null | null | null | null | ['tt0822832_0175_0', 'tt0822832_0176_0', 'tt0822832_0177_1', 'tt0822832_0178_0', 'tt0822832_0179_0'] | Haley, a beautiful teenager with a lovely blue streak of blue in her hair, compliments Owen on his wonderful dog and how he takes care of it. She loves the fact that the dog seems to be as goofy as Owen is and appears to find that similarity amusing. A woman standing nearby looks at the two people and the dog with a certain level of displeasure, as if she wanted to chide Owen for being a careless man. Owen steps toward his home and proceeds to carry his dog into his house. Haley and the woman are looking at Owen with differing facial expressions, one with a smile, while the other sports something closer to a frown. | Haley, a beautiful teenager with a lovely blue streak of blue in her hair, compliments Owen on his wonderful dog and how he takes care of it. [SENT] She loves the fact that the dog seems to be as goofy as Owen is and appears to find that similarity amusing. [SENT] A woman standing nearby looks at the two people and the dog with a certain level of displeasure, as if she wanted to chide Owen for being a careless man. [SENT] Owen steps toward his home and proceeds to carry his dog into his house. [SENT] Haley and the woman are looking at Owen with differing facial expressions, one with a smile, while the other sports something closer to a frown. [SENT] | [female0] , a beautiful teenager with a lovely blue streak of blue in her hair , compliments [male0] on his wonderful dog and how he takes care of it . she loves the fact that the dog seems to be as goofy as [male0] is and appears to find that similarity amusing . a woman standing nearby looks at the two people and the dog with a certain level of displeasure , as if she wanted to chide [male0] for being a careless man . [male0] steps toward his home and proceeds to carry his dog into his house . [female0] and the woman are looking at [male0] with differing facial expressions , one with a smile , while the other sports something closer to a frown . | train | tt0822832 | 3,376 |
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tt0113277_0019_1 | null | null | null | Wes | Al | Mykelti | {} | {} | {} | {} | Wes is part of a team that investigates major containerized drug smuggling via U.S. ports. | Together with Al, Mykelti, they investigate the activity at a container storage yard right next to the port through which the containers arrived. | Wes is looking for evidence that recent activity is tied to a mafia organization he and the team have been hunting for a long time. | Al and Mykelti are also on the lookout for the appearance of the gang members who are moving the drugs into the U.S. and distribute them across the continent once they leave the port's container storage area. | However, Al cannot spot anyone at the port facility | The activity is zero. | Al surmises that the tip they received was false. | null | null | null | ['tt0113277_0874_0', 'tt0113277_0875_0', 'tt0113277_0878_0', 'tt0113277_0881_0', 'tt0113277_0885_2', 'tt0113277_0886_0', 'tt0113277_0889_0'] | Wes is part of a team that investigates major containerized drug smuggling via U.S. ports. Together with Al, Mykelti, they investigate the activity at a container storage yard right next to the port through which the containers arrived. Wes is looking for evidence that recent activity is tied to a mafia organization he and the team have been hunting for a long time. Al and Mykelti are also on the lookout for the appearance of the gang members who are moving the drugs into the U.S. and distribute them across the continent once they leave the port's container storage area. However, Al cannot spot anyone at the port facility. The activity is zero. Al surmises that the tip they received was false. | Wes is part of a team that investigates major containerized drug smuggling via U.S. ports. [SENT] Together with Al, Mykelti, they investigate the activity at a container storage yard right next to the port through which the containers arrived. [SENT] Wes is looking for evidence that recent activity is tied to a mafia organization he and the team have been hunting for a long time. [SENT] Al and Mykelti are also on the lookout for the appearance of the gang members who are moving the drugs into the U.S. and distribute them across the continent once they leave the port's container storage area. [SENT] However, Al cannot spot anyone at the port facility. [SENT] The activity is zero. [SENT] Al surmises that the tip they received was false. [SENT] | [male0] is part of a team that investigates major containerized drug smuggling via [location] ports . together with , , they investigate the activity at a container storage yard right next to the port through which the containers arrived . [male0] is looking for evidence that recent activity is tied to a mafia organization he and the team have been hunting for a long time . and [female0] are also on the lookout for the appearance of the gang members who are moving the drugs into the [location] and distribute them across the continent once they leave the port 's container storage area . however , al can not spot anyone at the port facility . the activity is zero . al surmises that the tip they received was false . | train | tt0113277 | 3,377 |
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tt1707386_0004_17 | null | null | null | null | null | Eddie | Aaron | {} | {} | {} | {} | {} | {} | A gay man stares provocatively at Aaron. | Aaron is appalled by the man's staring, as he is ignorant to the human side of people being gay. | Another man starts heckling the gay man for his staring. | Eddie feels sorry for the gay man, and is saddened by the fact that he lives in a time period where gay people can't be gay. | The gay man puckers his lips and doubles down on his advances. | null | null | null | null | null | ['tt1707386_1325_0', 'tt1707386_1326_2', 'tt1707386_1347_1', 'tt1707386_1350_0', 'tt1707386_1353_0'] | A gay man stares provocatively at Aaron. Aaron is appalled by the man's staring, as he is ignorant to the human side of people being gay. Another man starts heckling the gay man for his staring. Eddie feels sorry for the gay man, and is saddened by the fact that he lives in a time period where gay people can't be gay. The gay man puckers his lips and doubles down on his advances. | A gay man stares provocatively at Aaron. [SENT] Aaron is appalled by the man's staring, as he is ignorant to the human side of people being gay. [SENT] Another man starts heckling the gay man for his staring. [SENT] Eddie feels sorry for the gay man, and is saddened by the fact that he lives in a time period where gay people can't be gay. [SENT] The gay man puckers his lips and doubles down on his advances. [SENT] | a gay man stares provocatively at [male0] . [male0] is appalled by the man 's staring , as he is ignorant to the human side of people being gay . another man starts heckling the gay man for his staring . [male1] feels sorry for the gay man , and is saddened by the fact that he lives in a time period where gay people ca n't be gay . the gay man puckers his lips and doubles down on his advances . | train | tt1707386 | 3,378 |
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tt0117060_0005_3 | null | null | Henry | Vanessa | Tom | Emmanuelle | {} | {} | Henry, who is hot on the trail of Tom, whom he believes to be a traitor, realizes that Tom has set up his team again. | While Henry searches for Tom in vain, Tom meets with Vanessa, who is the illustrious head of a sinister group that deals in uniquely devastating cyber data. | Tom negotiates with Vanessa charmingly, but she realizes the game and is incredulous as to his offer. | Tom tries to convince her that he is in possession of the cherished data by using his wit and his charm, | but Vanessa is a wily and highly experienced operator who understands the nuances of the game at hand and simply laughs off Tom's attempt to charm her. | They both agree to come to terms in a more robust business way | although Vanessa enjoys Tom's charm offensive like any sharp woman would. | Following that meeting, Tom and Emmanuelle are attempting to make contact with the seller of the cherished cyber data via internet messaging, but only receive cryptic responses. | null | null | ['tt0117060_0629_1', 'tt0117060_0631_0', 'tt0117060_0632_0', 'tt0117060_0633_0', 'tt0117060_0634_0', 'tt0117060_0640_0', 'tt0117060_0646_0', 'tt0117060_0647_2'] | Henry, who is hot on the trail of Tom, whom he believes to be a traitor, realizes that Tom has set up his team again. While Henry searches for Tom in vain, Tom meets with Vanessa, who is the illustrious head of a sinister group that deals in uniquely devastating cyber data. Tom negotiates with Vanessa charmingly, but she realizes the game and is incredulous as to his offer. Tom tries to convince her that he is in possession of the cherished data by using his wit and his charm,. but Vanessa is a wily and highly experienced operator who understands the nuances of the game at hand and simply laughs off Tom's attempt to charm her. They both agree to come to terms in a more robust business way. although Vanessa enjoys Tom's charm offensive like any sharp woman would. Following that meeting, Tom and Emmanuelle are attempting to make contact with the seller of the cherished cyber data via internet messaging, but only receive cryptic responses. | Henry, who is hot on the trail of Tom, whom he believes to be a traitor, realizes that Tom has set up his team again. [SENT] While Henry searches for Tom in vain, Tom meets with Vanessa, who is the illustrious head of a sinister group that deals in uniquely devastating cyber data. [SENT] Tom negotiates with Vanessa charmingly, but she realizes the game and is incredulous as to his offer. [SENT] Tom tries to convince her that he is in possession of the cherished data by using his wit and his charm,. [SENT] but Vanessa is a wily and highly experienced operator who understands the nuances of the game at hand and simply laughs off Tom's attempt to charm her. [SENT] They both agree to come to terms in a more robust business way. [SENT] although Vanessa enjoys Tom's charm offensive like any sharp woman would. [SENT] Following that meeting, Tom and Emmanuelle are attempting to make contact with the seller of the cherished cyber data via internet messaging, but only receive cryptic responses. [SENT] | [male0] , who is hot on the trail of [male1] , whom he believes to be a traitor , realizes that [male1] has set up his team again . while [male0] searches for [male1] in vain , [male1] meets with [female0] , who is the illustrious head of a sinister group that deals in uniquely devastating cyber data . [male1] negotiates with [female0] charmingly , but she realizes the game and is incredulous as to his offer . [male1] tries to convince her that he is in possession of the cherished data by using his wit and his charm , . but [female0] is a wily and highly experienced operator who understands the nuances of the game at hand and simply laughs off [male1] 's attempt to charm her . they both agree to come to terms in a more robust business way . although [female0] enjoys [male1] 's charm offensive like any sharp woman would . following that meeting , [male1] and [female1] are attempting to make contact with the seller of the cherished cyber data via internet messaging , but only receive cryptic responses . | train | tt0117060 | 3,379 |
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tt0822832_0001_13 | null | null | null | null | null | Owen | Jennifer | Alan | {} | {} | {} | {} | Owen and his wife Jennifer are running away because they are being chased by a huge scary dog. | Jennifer gets caught by the dog, and she is extremely hurt. She had to be brought into the emergency section of the hospital. | In the next couple of days, Owen goes to his boss and asks for an increase in salary as Jennifer's hospital bills will put them into debt. | The boss says that he will absolutely not give Owen the salary increase. | Owen is angry and frustrated as he feels that his hard work for the company is not being appreciated. He quits on the spot and goes to find a new job. | null | null | null | null | null | ['tt0822832_0283_1', 'tt0822832_0286_2', 'tt0822832_0287_2', 'tt0822832_0289_1', 'tt0822832_0292_0'] | Owen and his wife Jennifer are running away because they are being chased by a huge scary dog. Jennifer gets caught by the dog, and she is extremely hurt. She had to be brought into the emergency section of the hospital. In the next couple of days, Owen goes to his boss and asks for an increase in salary as Jennifer's hospital bills will put them into debt. The boss says that he will absolutely not give Owen the salary increase. Owen is angry and frustrated as he feels that his hard work for the company is not being appreciated. He quits on the spot and goes to find a new job. | Owen and his wife Jennifer are running away because they are being chased by a huge scary dog. [SENT] Jennifer gets caught by the dog, and she is extremely hurt. She had to be brought into the emergency section of the hospital. [SENT] In the next couple of days, Owen goes to his boss and asks for an increase in salary as Jennifer's hospital bills will put them into debt. [SENT] The boss says that he will absolutely not give Owen the salary increase. [SENT] Owen is angry and frustrated as he feels that his hard work for the company is not being appreciated. He quits on the spot and goes to find a new job. [SENT] | [male0] and his wife [female0] are running away because they are being chased by a huge scary dog . [female0] gets caught by the dog , and she is extremely hurt . she had to be brought into the emergency section of the hospital . in the next couple of days , [male0] goes to his boss and asks for an increase in salary as [female0] 's hospital bills will put them into debt . the boss says that he will absolutely not give [male0] the salary increase . [male0] is angry and frustrated as he feels that his hard work for the company is not being appreciated . he quits on the spot and goes to find a new job . | train | tt0822832 | 3,380 |
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tt0096320_0003_3 | null | null | null | null | null | Arnold | Danny | {} | {} | {} | {} | {} | {} | Arnold is walking around a beautiful convertible, admiring the vehicle from all sides, with Danny approaching from afar. | while Arnold continues to admire the red convertible, Danny has already slipped behind the wheel, ready to take off in the car. | With a note fixed to the windshield wiper, Danny is looking at the rearview mirror as he attempts to drive the vehicle. | The only problem is that Danny drives the vehicle and leaves Danny in the dust, | making Arnold run after Danny and the car in an attempt to catch up with crazy Danny. | null | null | null | null | null | ['tt0096320_0192_1', 'tt0096320_0193_0', 'tt0096320_0196_2', 'tt0096320_0198_0', 'tt0096320_0199_1'] | Arnold is walking around a beautiful convertible, admiring the vehicle from all sides, with Danny approaching from afar. while Arnold continues to admire the red convertible, Danny has already slipped behind the wheel, ready to take off in the car. With a note fixed to the windshield wiper, Danny is looking at the rearview mirror as he attempts to drive the vehicle. The only problem is that Danny drives the vehicle and leaves Danny in the dust,. making Arnold run after Danny and the car in an attempt to catch up with crazy Danny. | Arnold is walking around a beautiful convertible, admiring the vehicle from all sides, with Danny approaching from afar. [SENT] while Arnold continues to admire the red convertible, Danny has already slipped behind the wheel, ready to take off in the car. [SENT] With a note fixed to the windshield wiper, Danny is looking at the rearview mirror as he attempts to drive the vehicle. [SENT] The only problem is that Danny drives the vehicle and leaves Danny in the dust,. [SENT] making Arnold run after Danny and the car in an attempt to catch up with crazy Danny. [SENT] | [male0] is walking around a beautiful convertible , admiring the vehicle from all sides , with [male1] approaching from afar . while [male0] continues to admire the red convertible , [male1] has already slipped behind the wheel , ready to take off in the car . with a note fixed to the windshield wiper , [male1] is looking at the rearview mirror as he attempts to drive the vehicle . the only problem is that [male1] drives the vehicle and leaves [male1] in the dust , . making [male0] run after [male1] and the car in an attempt to catch up with crazy [male1] . | train | tt0096320 | 3,381 |
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tt0078788_0001_9 | null | null | null | Martin | Robert | Sam | Albert | Laurence | Robert, the commanding officer of the air cavalry is giving a command to the helicopter pilot, while Martin is looking out of the opened sliding door of the Huey chopper, with the mounted machine gun visible behind where Martin sits. | A large reel-to-reel tape recorder is turned on | as Robert explains to Martin what they are doing. | The helicopter sides low across the horizon, blasting out music | through the fixed loudspeakers. | The rest of the helicopter crew does not know what to make out of this and is attentively scanning the outside scenery. | A whole swarm of helicopters is descending on an area in an attacking formation, ready to engage enemy forces. | null | null | null | ['tt0078788_0216_1', 'tt0078788_0217_1', 'tt0078788_0218_0', 'tt0078788_0219_1', 'tt0078788_0221_1', 'tt0078788_0222_0', 'tt0078788_0226_1'] | Robert, the commanding officer of the air cavalry is giving a command to the helicopter pilot, while Martin is looking out of the opened sliding door of the Huey chopper, with the mounted machine gun visible behind where Martin sits. A large reel-to-reel tape recorder is turned on. as Robert explains to Martin what they are doing. The helicopter sides low across the horizon, blasting out music. through the fixed loudspeakers. The rest of the helicopter crew does not know what to make out of this and is attentively scanning the outside scenery. A whole swarm of helicopters is descending on an area in an attacking formation, ready to engage enemy forces. | Robert, the commanding officer of the air cavalry is giving a command to the helicopter pilot, while Martin is looking out of the opened sliding door of the Huey chopper, with the mounted machine gun visible behind where Martin sits. [SENT] A large reel-to-reel tape recorder is turned on. [SENT] as Robert explains to Martin what they are doing. [SENT] The helicopter sides low across the horizon, blasting out music. [SENT] through the fixed loudspeakers. [SENT] The rest of the helicopter crew does not know what to make out of this and is attentively scanning the outside scenery. [SENT] A whole swarm of helicopters is descending on an area in an attacking formation, ready to engage enemy forces. [SENT] | [male0] , the commanding officer of the air cavalry is giving a command to the helicopter pilot , while [male1] is looking out of the opened sliding door of the [location] chopper , with the mounted machine gun visible behind where [male1] sits . a large reel - to - reel tape recorder is turned on . as [male0] explains to [male1] what they are doing . the helicopter sides low across the horizon , blasting out music . through the fixed loudspeakers . the rest of the helicopter crew does not know what to make out of this and is attentively scanning the outside scenery . a whole swarm of helicopters is descending on an area in an attacking formation , ready to engage enemy forces . | train | tt0078788 | 3,382 |
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tt0109686_0003_12 | null | null | null | null | Lauren | Jeff | {} | {} | {} | {} | {} | {} | Jeff and Lauren are on top of a mountain in the middle of deep winter, having built a man-sized snowman. | Jeff is smiling big as he jokes with Lauren and wraps a scarf around the snowman they just built together. | Lauren stands there, admiring the result of their work, brimming with pride and joy. | In order to commemeorate the beauty of the moment, Lauren pulls out a camera, trying to capture the happiness on Jeff's face. | She then turns around and takes a picture of the stunning winter mountain scenery. | Jeff stands there, happily smiling at Lauren sharing that moment of serene beauty and accomplishment with Lauren. | null | null | null | null | ['tt0109686_0802_0', 'tt0109686_0803_0', 'tt0109686_0804_1', 'tt0109686_0805_0', 'tt0109686_0806_0', 'tt0109686_0807_2'] | Jeff and Lauren are on top of a mountain in the middle of deep winter, having built a man-sized snowman. Jeff is smiling big as he jokes with Lauren and wraps a scarf around the snowman they just built together. Lauren stands there, admiring the result of their work, brimming with pride and joy. In order to commemeorate the beauty of the moment, Lauren pulls out a camera, trying to capture the happiness on Jeff's face. She then turns around and takes a picture of the stunning winter mountain scenery. Jeff stands there, happily smiling at Lauren sharing that moment of serene beauty and accomplishment with Lauren. | Jeff and Lauren are on top of a mountain in the middle of deep winter, having built a man-sized snowman. [SENT] Jeff is smiling big as he jokes with Lauren and wraps a scarf around the snowman they just built together. [SENT] Lauren stands there, admiring the result of their work, brimming with pride and joy. [SENT] In order to commemeorate the beauty of the moment, Lauren pulls out a camera, trying to capture the happiness on Jeff's face. [SENT] She then turns around and takes a picture of the stunning winter mountain scenery. [SENT] Jeff stands there, happily smiling at Lauren sharing that moment of serene beauty and accomplishment with Lauren. [SENT] | [male0] and [female0] are on top of a mountain in the middle of deep winter , having built a man - sized snowman . [male0] is smiling big as he jokes with [female0] and wraps a scarf around the snowman they just built together . [female0] stands there , admiring the result of their work , brimming with pride and joy . in order to commemeorate the beauty of the moment , [female0] pulls out a camera , trying to capture the happiness on [male0] 's face . she then turns around and takes a picture of the stunning winter mountain scenery . [male0] stands there , happily smiling at [female0] sharing that moment of serene beauty and accomplishment with [female0] . | train | tt0109686 | 3,383 |
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tt0467200_0002_0 | null | null | null | null | Kristin | Ana | Eric | Scarlett | Mark | In the private advisory chamber at the court of Henry VIII, several advisors talk to the king about problems of the realm and at the court. | In the meantime, Kristin is at a private audience with Ana, the Queen, kneeling in front of her to show her respect and devotion to the wife of the ruler of the country. | Ana looks with scarcely a smile at Kristin, clearly signaling her displeasure and disgust with the young, beautiful woman, whom she sees as her main rival for the affection of the king. | The main hallway leading to tone of the banquet rooms at the castle is filled with courtiers who are trying to get a glimpse of the king. | The King is paying close attention to a young and beautiful Scarlet who is trying her best to impress the king with her coy demeanor. | Kristin is not too well pleased to see Scarlet garner the attention of the King and stands stone-faced next to Scarlet, who is hiding her open smile behind her hand. | null | null | null | null | ['tt0467200_0566_1', 'tt0467200_0568_0', 'tt0467200_0569_1', 'tt0467200_0570_2', 'tt0467200_0571_0', 'tt0467200_0573_0'] | In the private advisory chamber at the court of Henry VIII, several advisors talk to the king about problems of the realm and at the court. In the meantime, Kristin is at a private audience with Ana, the Queen, kneeling in front of her to show her respect and devotion to the wife of the ruler of the country. Ana looks with scarcely a smile at Kristin, clearly signaling her displeasure and disgust with the young, beautiful woman, whom she sees as her main rival for the affection of the king. The main hallway leading to tone of the banquet rooms at the castle is filled with courtiers who are trying to get a glimpse of the king. The King is paying close attention to a young and beautiful Scarlet who is trying her best to impress the king with her coy demeanor. Kristin is not too well pleased to see Scarlet garner the attention of the King and stands stone-faced next to Scarlet, who is hiding her open smile behind her hand. | In the private advisory chamber at the court of Henry VIII, several advisors talk to the king about problems of the realm and at the court. [SENT] In the meantime, Kristin is at a private audience with Ana, the Queen, kneeling in front of her to show her respect and devotion to the wife of the ruler of the country. [SENT] Ana looks with scarcely a smile at Kristin, clearly signaling her displeasure and disgust with the young, beautiful woman, whom she sees as her main rival for the affection of the king. [SENT] The main hallway leading to tone of the banquet rooms at the castle is filled with courtiers who are trying to get a glimpse of the king. [SENT] The King is paying close attention to a young and beautiful Scarlet who is trying her best to impress the king with her coy demeanor. [SENT] Kristin is not too well pleased to see Scarlet garner the attention of the King and stands stone-faced next to Scarlet, who is hiding her open smile behind her hand. [SENT] | in the private advisory chamber at the court of [male0] viii , several advisors talk to the king about problems of the realm and at the court . in the meantime , [female0] is at a private audience with [female1] , the queen , kneeling in front of her to show her respect and devotion to the wife of the ruler of the country . [female1] looks with scarcely a smile at [female0] , clearly signaling her displeasure and disgust with the young , beautiful woman , whom she sees as her main rival for the affection of the king . the main hallway leading to tone of the banquet rooms at the castle is filled with courtiers who are trying to get a glimpse of the king . the king is paying close attention to a young and beautiful [female2] who is trying her best to impress the king with her coy demeanor . [female0] is not too well pleased to see [female2] garner the attention of the king and stands stone - faced next to [female2] , who is hiding her open smile behind her hand . | train | tt0467200 | 3,384 |
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tt0369339_0007_8 | null | Tom | Jamie | Jada | {} | {} | {} | {} | The night had fallen in the city. | The night didn't bring peace. | In fact the night was about to bring a lot of action. | The silence was broken from the shattering glass. | Jamie and Jada rushed from the elevator to get the criminal. | Jada was running fast, because she knew an innocent person was injured because of the criminal. | The criminal was fast but Jamie and Jada were also running fast. | Tom wanted to find a place to hide. | Tom looked behind and saw nothing. | null | ['tt0369339_1633_0', 'tt0369339_1636_0', 'tt0369339_1638_1', 'tt0369339_1643_0', 'tt0369339_1645_0', 'tt0369339_1647_0', 'tt0369339_1650_2', 'tt0369339_1652_1', 'tt0369339_1653_1', 'tt0369339_1654_1'] | The night had fallen in the city. The night didn't bring peace. In fact the night was about to bring a lot of action. The silence was broken from the shattering glass. Jamie and Jada rushed from the elevator to get the criminal. Jada was running fast, because she knew an innocent person was injured because of the criminal. The criminal was fast but Jamie and Jada were also running fast. Tom wanted to find a place to hide. Tom looked behind and saw nothing. Tom took a right turn and then Jamie and Jada were not able to find him. | The night had fallen in the city. [SENT] The night didn't bring peace. [SENT] In fact the night was about to bring a lot of action. [SENT] The silence was broken from the shattering glass. [SENT] Jamie and Jada rushed from the elevator to get the criminal. [SENT] Jada was running fast, because she knew an innocent person was injured because of the criminal. [SENT] The criminal was fast but Jamie and Jada were also running fast. [SENT] Tom wanted to find a place to hide. [SENT] Tom looked behind and saw nothing. [SENT] Tom took a right turn and then Jamie and Jada were not able to find him. [SENT] | the night had fallen in the city . the night did n't bring peace . in fact the night was about to bring a lot of action . the silence was broken from the shattering glass . [female0] and [female1] rushed from the elevator to get the criminal . [female1] was running fast , because she knew an innocent person was injured because of the criminal . the criminal was fast but [female0] and [female1] were also running fast . [male0] wanted to find a place to hide . [male0] looked behind and saw nothing . [male0] took a right turn and then [female0] and [female1] were not able to find him . | train | tt0369339 | 3,385 |
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tt1707386_0004_7 | null | null | Daniel | Aaron | Eddie | Samantha | {} | {} | The Napoleonic police is appearing on the scene of the radical political meeting. They are met with disdain from the meeting group. | Eddie is making his way though the crowd in order to address the police in person. | The crowd is getting whipped up in ressentiment against the hated police agents and is starting to become highly agitated. | The crowd, including Daniel is jeering the mounted police and telling them to get lost | or face a physical beating. The crowd seems to win out and senses the limits of the remaining state forces during this time of great upheaval. | Aaron is among those actively jeering the mounted police agents. | A distinguished looking man is trying to reason | with Eddie, but to no avail. | null | null | ['tt1707386_1162_2', 'tt1707386_1163_2', 'tt1707386_1164_1', 'tt1707386_1165_0', 'tt1707386_1166_1', 'tt1707386_1167_2', 'tt1707386_1169_1', 'tt1707386_1170_0'] | The Napoleonic police is appearing on the scene of the radical political meeting. They are met with disdain from the meeting group. Eddie is making his way though the crowd in order to address the police in person. The crowd is getting whipped up in ressentiment against the hated police agents and is starting to become highly agitated. The crowd, including Daniel is jeering the mounted police and telling them to get lost. or face a physical beating. The crowd seems to win out and senses the limits of the remaining state forces during this time of great upheaval. Aaron is among those actively jeering the mounted police agents. A distinguished looking man is trying to reason. with Eddie, but to no avail. | The Napoleonic police is appearing on the scene of the radical political meeting. They are met with disdain from the meeting group. [SENT] Eddie is making his way though the crowd in order to address the police in person. [SENT] The crowd is getting whipped up in ressentiment against the hated police agents and is starting to become highly agitated. [SENT] The crowd, including Daniel is jeering the mounted police and telling them to get lost. [SENT] or face a physical beating. The crowd seems to win out and senses the limits of the remaining state forces during this time of great upheaval. [SENT] Aaron is among those actively jeering the mounted police agents. [SENT] A distinguished looking man is trying to reason. [SENT] with Eddie, but to no avail. [SENT] | the police is appearing on the scene of the radical political meeting . they are met with disdain from the meeting group . [male0] is making his way though the crowd in order to address the police in person . the crowd is getting whipped up in ressentiment against the hated police agents and is starting to become highly agitated . the crowd , including [male1] is jeering the mounted police and telling them to get lost . or face a physical beating . the crowd seems to win out and senses the limits of the remaining state forces during this time of great upheaval . [male2] is among those actively jeering the mounted police agents . a distinguished looking man is trying to reason . with [male0] , but to no avail . | train | tt1707386 | 3,386 |
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tt0479884_0004_7 | null | Jose | Carlos | {} | {} | {} | {} | {} | {} | Jose had overdosed, and was laying in the ground. | His friends didn't take care of him, because they had another problem. | Jim was there to try to kill everyone. | Carlos was screaming, and afraid of Jim. | Jim dodged some bullets. | Everyone was shooting at Jim. | They tried to escape. | Carlos used Robert as human shield. | Robert kept shooting. | null | ['tt0479884_1673_0', 'tt0479884_1674_0', 'tt0479884_1676_2', 'tt0479884_1677_1', 'tt0479884_1678_2', 'tt0479884_1679_0', 'tt0479884_1680_2', 'tt0479884_1682_0', 'tt0479884_1684_0', 'tt0479884_1685_0'] | Jose had overdosed, and was laying in the ground. His friends didn't take care of him, because they had another problem. Jim was there to try to kill everyone. Carlos was screaming, and afraid of Jim. Jim dodged some bullets. Everyone was shooting at Jim. They tried to escape. Carlos used Robert as human shield. Robert kept shooting. Robert was shot down, and Jim finally got to Carlos, to get his revenge. | Jose had overdosed, and was laying in the ground. [SENT] His friends didn't take care of him, because they had another problem. [SENT] Jim was there to try to kill everyone. [SENT] Carlos was screaming, and afraid of Jim. [SENT] Jim dodged some bullets. [SENT] Everyone was shooting at Jim. [SENT] They tried to escape. [SENT] Carlos used Robert as human shield. [SENT] Robert kept shooting. [SENT] Robert was shot down, and Jim finally got to Carlos, to get his revenge. [SENT] | [male0] had overdosed , and was laying in the ground . his friends did n't take care of him , because they had another problem . [male1] was there to try to kill everyone . [male2] was screaming , and afraid of [male1] . [male1] dodged some bullets . everyone was shooting at [male1] . they tried to escape . [male2] used [male3] as human shield . [male3] kept shooting . [male3] was shot down , and [male1] finally got to [male2] , to get his revenge . | train | tt0479884 | 3,387 |
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tt0096320_0003_16 | null | null | null | Arnold | Danny | {} | {} | {} | {} | {} | {} | Arnold smiles because he thinks he is going to win the friendly baking contest. | Danny says that his cookies taste better than Arnold's, especially when you drink milk with the cookies. | Danny states that his cookies definitely taste better than Arnold's cookies. | Arnold gets angry about this and takes a sip of milk. | Danny explains in detail about the superiority of the cookies that he baked while Arnold looks on angrily. | Danny is adamant that Arnold should admit that Danny's cookies tasted the best. | They check the wording of the contest agreement, and Arnold agrees that he will give Danny five dollars for baking the best cookies and winning their contest. | null | null | null | ['tt0096320_0400_0', 'tt0096320_0401_0', 'tt0096320_0402_1', 'tt0096320_0403_0', 'tt0096320_0405_0', 'tt0096320_0409_0', 'tt0096320_0413_0'] | Arnold smiles because he thinks he is going to win the friendly baking contest. Danny says that his cookies taste better than Arnold's, especially when you drink milk with the cookies. Danny states that his cookies definitely taste better than Arnold's cookies. Arnold gets angry about this and takes a sip of milk. Danny explains in detail about the superiority of the cookies that he baked while Arnold looks on angrily. Danny is adamant that Arnold should admit that Danny's cookies tasted the best. They check the wording of the contest agreement, and Arnold agrees that he will give Danny five dollars for baking the best cookies and winning their contest. | Arnold smiles because he thinks he is going to win the friendly baking contest. [SENT] Danny says that his cookies taste better than Arnold's, especially when you drink milk with the cookies. [SENT] Danny states that his cookies definitely taste better than Arnold's cookies. [SENT] Arnold gets angry about this and takes a sip of milk. [SENT] Danny explains in detail about the superiority of the cookies that he baked while Arnold looks on angrily. [SENT] Danny is adamant that Arnold should admit that Danny's cookies tasted the best. [SENT] They check the wording of the contest agreement, and Arnold agrees that he will give Danny five dollars for baking the best cookies and winning their contest. [SENT] | [male0] smiles because he thinks he is going to win the friendly baking contest . [male1] says that his cookies taste better than [male0] 's , especially when you drink milk with the cookies . [male1] states that his cookies definitely taste better than [male0] 's cookies . [male0] gets angry about this and takes a sip of milk . [male1] explains in detail about the superiority of the cookies that he baked while [male0] looks on angrily . [male1] is adamant that [male0] should admit that [male1] 's cookies tasted the best . they check the wording of the contest agreement , and [male0] agrees that he will give [male1] five dollars for baking the best cookies and winning their contest . | train | tt0096320 | 3,388 |
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tt0118715_0014_0 | null | null | null | null | null | Jeff | Julianne | {} | {} | {} | {} | {} | {} | There was a dark figure in the night slowly walking. | That dark figure was Jeff. Jeff was a confused prisoner who was looking for something to eat. | Jeff couldn't understand why he was in a place with bars and no one to talk to. | He tried to remember the previous events of his life, but he couldn't. | When he saw all of the weird people surrounded by the prison bars and lights, he remembered he wasn't in prison, he was on the set of a movie that was designed to look like a prison. | null | null | null | null | null | ['tt0118715_0399_0', 'tt0118715_0401_0', 'tt0118715_0403_0', 'tt0118715_0404_0', 'tt0118715_0409_0'] | There was a dark figure in the night slowly walking. That dark figure was Jeff. Jeff was a confused prisoner who was looking for something to eat. Jeff couldn't understand why he was in a place with bars and no one to talk to. He tried to remember the previous events of his life, but he couldn't. When he saw all of the weird people surrounded by the prison bars and lights, he remembered he wasn't in prison, he was on the set of a movie that was designed to look like a prison. | There was a dark figure in the night slowly walking. [SENT] That dark figure was Jeff. Jeff was a confused prisoner who was looking for something to eat. [SENT] Jeff couldn't understand why he was in a place with bars and no one to talk to. [SENT] He tried to remember the previous events of his life, but he couldn't. [SENT] When he saw all of the weird people surrounded by the prison bars and lights, he remembered he wasn't in prison, he was on the set of a movie that was designed to look like a prison. [SENT] | there was a dark figure in the night slowly walking . that dark figure was [male0] . [male0] was a confused prisoner who was looking for something to eat . [male0] could n't understand why he was in a place with bars and no one to talk to . he tried to remember the previous events of his life , but he could n't . when he saw all of the weird people surrounded by the prison bars and lights , he remembered he was n't in prison , he was on the set of a movie that was designed to look like a prison . | train | tt0118715 | 3,389 |
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tt0758758_0009_7 | null | null | null | null | null | Emile | Hal | {} | {} | {} | {} | {} | {} | A young man is racing down an embankment as he sees something that he has been waiting for. | He and a young, topless, woman greet Emile, who has come to the small spot on the beach where the young man and his companion have been waiting for him in order to accomplish the drop . | However, what Emile and the couple did not realize, is that the Park Rangers are hot on Emile's trail with a pontoon boat. After Emile has stopped at the small beachhead in the river, a Ranger river boat is coming around the major river bend. | Emile hightails it, trying to quickly get his canoe out of the water, | pulling it up on the slope to get out of the Park Ranger's line of sight, thus eluding the law. | null | null | null | null | null | ['tt0758758_0917_2', 'tt0758758_0918_2', 'tt0758758_0922_0', 'tt0758758_0924_1', 'tt0758758_0925_1'] | A young man is racing down an embankment as he sees something that he has been waiting for. He and a young, topless, woman greet Emile, who has come to the small spot on the beach where the young man and his companion have been waiting for him in order to accomplish the drop . However, what Emile and the couple did not realize, is that the Park Rangers are hot on Emile's trail with a pontoon boat. After Emile has stopped at the small beachhead in the river, a Ranger river boat is coming around the major river bend. Emile hightails it, trying to quickly get his canoe out of the water,. pulling it up on the slope to get out of the Park Ranger's line of sight, thus eluding the law. | A young man is racing down an embankment as he sees something that he has been waiting for. [SENT] He and a young, topless, woman greet Emile, who has come to the small spot on the beach where the young man and his companion have been waiting for him in order to accomplish the drop . [SENT] However, what Emile and the couple did not realize, is that the Park Rangers are hot on Emile's trail with a pontoon boat. After Emile has stopped at the small beachhead in the river, a Ranger river boat is coming around the major river bend. [SENT] Emile hightails it, trying to quickly get his canoe out of the water,. [SENT] pulling it up on the slope to get out of the Park Ranger's line of sight, thus eluding the law. [SENT] | a young man is racing down an embankment as he sees something that he has been waiting for . he and a young , topless , woman greet [male0] , who has come to the small spot on the beach where the young man and his companion have been waiting for him in order to accomplish the drop . however , what [male0] and the couple did not realize , is that the are hot on [male0] 's trail with a pontoon boat . after [male0] has stopped at the small beachhead in the river , a river boat is coming around the major river bend . [male0] hightails it , trying to quickly get his canoe out of the water , . pulling it up on the slope to get out of the [location] 's line of sight , thus eluding the law . | train | tt0758758 | 3,390 |
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tt1707386_0004_13 | null | null | null | null | Eddie | Russell | Sacha | Helena | Daniel | Eddie cannot believe what he is seeing in front of him. His parents are being detained by the policemen. | The general policeman says that what they are doing in this alleyway is highly illegal, and they will be imprisoned. | Sacha and Helena beg the policeman to let them go, and they swear to never do it again. | The policeman is in disbelief. He asks them why in the world would he let them go. | Sacha tries to bribe the policeman with money, but the policeman is angered by this offer. He declines his offer and starts hitting Sacha with a baton. | Hell breaks loose as everyone starts pushing and beating each other down. | null | null | null | null | ['tt1707386_1265_0', 'tt1707386_1266_2', 'tt1707386_1267_0', 'tt1707386_1270_0', 'tt1707386_1276_1', 'tt1707386_1278_0'] | Eddie cannot believe what he is seeing in front of him. His parents are being detained by the policemen. The general policeman says that what they are doing in this alleyway is highly illegal, and they will be imprisoned. Sacha and Helena beg the policeman to let them go, and they swear to never do it again. The policeman is in disbelief. He asks them why in the world would he let them go. Sacha tries to bribe the policeman with money, but the policeman is angered by this offer. He declines his offer and starts hitting Sacha with a baton. Hell breaks loose as everyone starts pushing and beating each other down. | Eddie cannot believe what he is seeing in front of him. His parents are being detained by the policemen. [SENT] The general policeman says that what they are doing in this alleyway is highly illegal, and they will be imprisoned. [SENT] Sacha and Helena beg the policeman to let them go, and they swear to never do it again. [SENT] The policeman is in disbelief. He asks them why in the world would he let them go. [SENT] Sacha tries to bribe the policeman with money, but the policeman is angered by this offer. He declines his offer and starts hitting Sacha with a baton. [SENT] Hell breaks loose as everyone starts pushing and beating each other down. [SENT] | [male0] can not believe what he is seeing in front of him . his parents are being detained by the policemen . the general policeman says that what they are doing in this alleyway is highly illegal , and they will be imprisoned . [female0] and [female1] beg the policeman to let them go , and they swear to never do it again . the policeman is in disbelief . he asks them why in the world would he let them go . [female0] tries to bribe the policeman with money , but the policeman is angered by this offer . he declines his offer and starts hitting [female0] with a baton . hell breaks loose as everyone starts pushing and beating each other down . | train | tt1707386 | 3,391 |
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tt0758758_0009_17 | null | Emile | {} | {} | {} | {} | {} | {} | {} | {} | A young bearded man walks alongside an interstate highway in the midst of a large urban landscape. It is night, and the young man appears somewhat wild-eyed, dazed and defeated, observing the night scene with total detachment. | An onrushing train approaches the scene with its lights blindingly bright. | The heavy freight train rushes underneath the overpass and appears to be slipping back into the night. | However, suddenly, the train brakes are fully engaged and the train come to a full stop amid loudly screeching wheels. | The young man appears to have passed out lying on the ground without apparent injury. | Emile, who works the night shift as the train engineer jumps out and inspects why his train stopped. Was it an automatic break circuit that was triggered by the red lights that stopped the train from moving further? | As Emile inspects the scene he suddenly notices something down the rail line. In the darkness it is difficult to make out what it is. | Emile looks at the open freight train sliding door and makes sure that nothing has been dislodged in the braking process. | He never sees the young man that lies unconscious further back from where the train came to a sudden halt. | null | ['tt0758758_1084_1', 'tt0758758_1088_0', 'tt0758758_1089_0', 'tt0758758_1093_0', 'tt0758758_1100_0', 'tt0758758_1110_0', 'tt0758758_1114_2', 'tt0758758_1117_0', 'tt0758758_1118_0'] | A young bearded man walks alongside an interstate highway in the midst of a large urban landscape. It is night, and the young man appears somewhat wild-eyed, dazed and defeated, observing the night scene with total detachment. An onrushing train approaches the scene with its lights blindingly bright. The heavy freight train rushes underneath the overpass and appears to be slipping back into the night. However, suddenly, the train brakes are fully engaged and the train come to a full stop amid loudly screeching wheels. The young man appears to have passed out lying on the ground without apparent injury. Emile, who works the night shift as the train engineer jumps out and inspects why his train stopped. Was it an automatic break circuit that was triggered by the red lights that stopped the train from moving further? As Emile inspects the scene he suddenly notices something down the rail line. In the darkness it is difficult to make out what it is. Emile looks at the open freight train sliding door and makes sure that nothing has been dislodged in the braking process. He never sees the young man that lies unconscious further back from where the train came to a sudden halt. | A young bearded man walks alongside an interstate highway in the midst of a large urban landscape. It is night, and the young man appears somewhat wild-eyed, dazed and defeated, observing the night scene with total detachment. [SENT] An onrushing train approaches the scene with its lights blindingly bright. [SENT] The heavy freight train rushes underneath the overpass and appears to be slipping back into the night. [SENT] However, suddenly, the train brakes are fully engaged and the train come to a full stop amid loudly screeching wheels. [SENT] The young man appears to have passed out lying on the ground without apparent injury. [SENT] Emile, who works the night shift as the train engineer jumps out and inspects why his train stopped. Was it an automatic break circuit that was triggered by the red lights that stopped the train from moving further? [SENT] As Emile inspects the scene he suddenly notices something down the rail line. In the darkness it is difficult to make out what it is. [SENT] Emile looks at the open freight train sliding door and makes sure that nothing has been dislodged in the braking process. [SENT] He never sees the young man that lies unconscious further back from where the train came to a sudden halt. [SENT] | a young bearded man walks alongside an interstate highway in the midst of a large urban landscape . it is night , and the young man appears somewhat wild - eyed , dazed and defeated , observing the night scene with total detachment . an onrushing train approaches the scene with its lights blindingly bright . the heavy freight train rushes underneath the overpass and appears to be slipping back into the night . however , suddenly , the train brakes are fully engaged and the train come to a full stop amid loudly screeching wheels . the young man appears to have passed out lying on the ground without apparent injury . [male0] , who works the night shift as the train engineer jumps out and inspects why his train stopped . was it an automatic break circuit that was triggered by the red lights that stopped the train from moving further ? as [male0] inspects the scene he suddenly notices something down the rail line . in the darkness it is difficult to make out what it is . [male0] looks at the open freight train sliding door and makes sure that nothing has been dislodged in the braking process . he never sees the young man that lies unconscious further back from where the train came to a sudden halt . | train | tt0758758 | 3,392 |
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tt0083929_0013_3 | null | Jennifer | Judge | Phoebe | Robert | {} | {} | Jennifer and Judge emerge from their apartment complex, | with Judge leading Jennifer to his beautiful vintage car. | Later that day, phoebe is on t he phone talking with Jennifer about their life, realizing that nothing goes as they had planned. | Jennifer looks pensive as she listens to what | Phoebe is telling her, while Phoebe is trying to impress on Jennifer what | she must do in order to move things into her direction and feel more positive about life. | In the meantime, Robert comes out of his apartment and | freezes, as he notices in horror | that somebody has painted an epithet on the car door of his ugly, dark green Gremlin. | null | ['tt0083929_0921_2', 'tt0083929_0922_0', 'tt0083929_0923_1', 'tt0083929_0924_0', 'tt0083929_0925_0', 'tt0083929_0926_0', 'tt0083929_0930_0', 'tt0083929_0931_0', 'tt0083929_0932_0'] | Jennifer and Judge emerge from their apartment complex,. with Judge leading Jennifer to his beautiful vintage car. Later that day, phoebe is on t he phone talking with Jennifer about their life, realizing that nothing goes as they had planned. Jennifer looks pensive as she listens to what. Phoebe is telling her, while Phoebe is trying to impress on Jennifer what. she must do in order to move things into her direction and feel more positive about life. In the meantime, Robert comes out of his apartment and. freezes, as he notices in horror. that somebody has painted an epithet on the car door of his ugly, dark green Gremlin. | Jennifer and Judge emerge from their apartment complex,. [SENT] with Judge leading Jennifer to his beautiful vintage car. [SENT] Later that day, phoebe is on t he phone talking with Jennifer about their life, realizing that nothing goes as they had planned. [SENT] Jennifer looks pensive as she listens to what. [SENT] Phoebe is telling her, while Phoebe is trying to impress on Jennifer what. [SENT] she must do in order to move things into her direction and feel more positive about life. [SENT] In the meantime, Robert comes out of his apartment and. [SENT] freezes, as he notices in horror. [SENT] that somebody has painted an epithet on the car door of his ugly, dark green Gremlin. [SENT] | [female0] and judge emerge from their apartment complex , . with judge leading [female0] to his beautiful vintage car . later that day , phoebe is on t he phone talking with [female0] about their life , realizing that nothing goes as they had planned . [female0] looks pensive as she listens to what . [female1] is telling her , while [female1] is trying to impress on [female0] what . she must do in order to move things into her direction and feel more positive about life . in the meantime , [male0] comes out of his apartment and . freezes , as he notices in horror . that somebody has painted an epithet on the car door of his ugly , dark green [male1] . | train | tt0083929 | 3,393 |
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tt0078788_0001_5 | null | null | null | null | null | Sam | Frederic | Laurence | Albert | Martin | The boat arrives at the mouth of the river amid a bit of chaos | Sam has taken some drugs that have impaired his senses | The rest of the crew is just watching the action and hoping that things will stay quiet | Sam is settled in to his spot on the boat and having a beer | Martin tries to get some clarity about the next step for his mission. | null | null | null | null | null | ['tt0078788_0165_0', 'tt0078788_0166_1', 'tt0078788_0168_1', 'tt0078788_0169_0', 'tt0078788_0172_1'] | The boat arrives at the mouth of the river amid a bit of chaos. Sam has taken some drugs that have impaired his senses. The rest of the crew is just watching the action and hoping that things will stay quiet. Sam is settled in to his spot on the boat and having a beer. Martin tries to get some clarity about the next step for his mission. | The boat arrives at the mouth of the river amid a bit of chaos. [SENT] Sam has taken some drugs that have impaired his senses. [SENT] The rest of the crew is just watching the action and hoping that things will stay quiet. [SENT] Sam is settled in to his spot on the boat and having a beer. [SENT] Martin tries to get some clarity about the next step for his mission. [SENT] | the boat arrives at the mouth of the river amid a bit of chaos . [male0] has taken some drugs that have impaired his senses . the rest of the crew is just watching the action and hoping that things will stay quiet . [male0] is settled in to his spot on the boat and having a beer . [male1] tries to get some clarity about the next step for his mission . | train | tt0078788 | 3,394 |
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tt0369339_0007_2 | null | null | null | null | null | Jamie | Tom | {} | {} | {} | {} | {} | {} | Jamie was waiting for his friend, Tom, to come out his house. They were planning to go out that night | Tom was late because he was still getting dressed. | He was trying to be quick but couldn't find his wallet. | Jamie was very impatient and decided to call Tom. | He angrily told Tom to hurry up and come out, because they were missing the party. | null | null | null | null | null | ['tt0369339_1490_0', 'tt0369339_1491_0', 'tt0369339_1492_0', 'tt0369339_1495_2', 'tt0369339_1496_0'] | Jamie was waiting for his friend, Tom, to come out his house. They were planning to go out that night. Tom was late because he was still getting dressed. He was trying to be quick but couldn't find his wallet. Jamie was very impatient and decided to call Tom. He angrily told Tom to hurry up and come out, because they were missing the party. | Jamie was waiting for his friend, Tom, to come out his house. They were planning to go out that night. [SENT] Tom was late because he was still getting dressed. [SENT] He was trying to be quick but couldn't find his wallet. [SENT] Jamie was very impatient and decided to call Tom. [SENT] He angrily told Tom to hurry up and come out, because they were missing the party. [SENT] | [female0] was waiting for his friend , [male0] , to come out his house . they were planning to go out that night . [male0] was late because he was still getting dressed . he was trying to be quick but could n't find his wallet . [female0] was very impatient and decided to call [male0] . he angrily told [male0] to hurry up and come out , because they were missing the party . | train | tt0369339 | 3,395 |
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tt0120735_0003_0 | null | null | null | null | null | Nick | Dexter | Jason | Jason | {} | {} | Nick lies sprawled across a cowhide-clad sofa, resting his head against the sofa arm. | Meanwhile, Dexter and the two Jasons, who each carry a loaded rifle, are looking around a room for active clues. | Appearing bored, Nick appears to be falling asleep on the couch he rests on. | Dexter addresses himself to his guys as he cannot find what they are looking for. | On the outside of the building that Dexter and his guys are in, a man approaches and is being watched by a guard as his image is caught by a high-hanging, angled mirror. | null | null | null | null | null | ['tt0120735_0540_0', 'tt0120735_0541_1', 'tt0120735_0542_0', 'tt0120735_0545_1', 'tt0120735_0546_2'] | Nick lies sprawled across a cowhide-clad sofa, resting his head against the sofa arm. Meanwhile, Dexter and the two Jasons, who each carry a loaded rifle, are looking around a room for active clues. Appearing bored, Nick appears to be falling asleep on the couch he rests on. Dexter addresses himself to his guys as he cannot find what they are looking for. On the outside of the building that Dexter and his guys are in, a man approaches and is being watched by a guard as his image is caught by a high-hanging, angled mirror. | Nick lies sprawled across a cowhide-clad sofa, resting his head against the sofa arm. [SENT] Meanwhile, Dexter and the two Jasons, who each carry a loaded rifle, are looking around a room for active clues. [SENT] Appearing bored, Nick appears to be falling asleep on the couch he rests on. [SENT] Dexter addresses himself to his guys as he cannot find what they are looking for. [SENT] On the outside of the building that Dexter and his guys are in, a man approaches and is being watched by a guard as his image is caught by a high-hanging, angled mirror. [SENT] | [male0] lies sprawled across a cowhide - clad sofa , resting his head against the sofa arm . meanwhile , [male1] and the two [male2] , who each carry a loaded rifle , are looking around a room for active clues . appearing bored , [male0] appears to be falling asleep on the couch he rests on . [male1] addresses himself to his guys as he can not find what they are looking for . on the outside of the building that [male1] and his guys are in , a man approaches and is being watched by a guard as his image is caught by a high - hanging , angled mirror . | train | tt0120735 | 3,396 |
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tt0113277_0017_2 | null | null | null | Al | Wes | {} | {} | {} | {} | {} | {} | Al and Wes are called to a grimy motel close to the city center where a murder has occurred. This murder could stand in connection with the drug smuggling gang they are chasing, but they need to get a handle on the case. | The courtyard of the motel is full of police officers who investigate the murder and scour the courtyard in order to find physical evidence that can be used in the case. | A large crowd of onlookers has gathered at the edge of the motel courtyard behind the police line and is watching the proceedings, still shocked over what has transpired here, while Al walks toward the dead body. | Al and a young forensic investigator stand over the dead body and Al asks the young woman of the preliminary cause of death scenario. | Police officers in the meantime are trying to keep a highly emotional young man at bay who fears that the dead person could be his brother. | Al and the woman are replaying the scene of the murder from the evidence that they have gathered so far, | and wonder how this apparent hit connects to the large case they are trying to solve. | null | null | null | ['tt0113277_0682_0', 'tt0113277_0683_2', 'tt0113277_0684_0', 'tt0113277_0685_0', 'tt0113277_0686_0', 'tt0113277_0687_0', 'tt0113277_0689_0'] | Al and Wes are called to a grimy motel close to the city center where a murder has occurred. This murder could stand in connection with the drug smuggling gang they are chasing, but they need to get a handle on the case. The courtyard of the motel is full of police officers who investigate the murder and scour the courtyard in order to find physical evidence that can be used in the case. A large crowd of onlookers has gathered at the edge of the motel courtyard behind the police line and is watching the proceedings, still shocked over what has transpired here, while Al walks toward the dead body. Al and a young forensic investigator stand over the dead body and Al asks the young woman of the preliminary cause of death scenario. Police officers in the meantime are trying to keep a highly emotional young man at bay who fears that the dead person could be his brother. Al and the woman are replaying the scene of the murder from the evidence that they have gathered so far,. and wonder how this apparent hit connects to the large case they are trying to solve. | Al and Wes are called to a grimy motel close to the city center where a murder has occurred. This murder could stand in connection with the drug smuggling gang they are chasing, but they need to get a handle on the case. [SENT] The courtyard of the motel is full of police officers who investigate the murder and scour the courtyard in order to find physical evidence that can be used in the case. [SENT] A large crowd of onlookers has gathered at the edge of the motel courtyard behind the police line and is watching the proceedings, still shocked over what has transpired here, while Al walks toward the dead body. [SENT] Al and a young forensic investigator stand over the dead body and Al asks the young woman of the preliminary cause of death scenario. [SENT] Police officers in the meantime are trying to keep a highly emotional young man at bay who fears that the dead person could be his brother. [SENT] Al and the woman are replaying the scene of the murder from the evidence that they have gathered so far,. [SENT] and wonder how this apparent hit connects to the large case they are trying to solve. [SENT] | [male0] and [male1] are called to a grimy motel close to the city center where a murder has occurred . this murder could stand in connection with the drug smuggling gang they are chasing , but they need to get a handle on the case . the courtyard of the motel is full of police officers who investigate the murder and scour the courtyard in order to find physical evidence that can be used in the case . a large crowd of onlookers has gathered at the edge of the motel courtyard behind the police line and is watching the proceedings , still shocked over what has transpired here , while [male0] walks toward the dead body . [male0] and a young forensic investigator stand over the dead body and [male0] asks the young woman of the preliminary cause of death scenario . police officers in the meantime are trying to keep a highly emotional young man at bay who fears that the dead person could be his brother . [male0] and the woman are replaying the scene of the murder from the evidence that they have gathered so far , . and wonder how this apparent hit connects to the large case they are trying to solve . | train | tt0113277 | 3,397 |
|||||||||
tt0947798_0026_1 | null | null | null | null | null | Vincent | Natalie | Benjamin | {} | {} | {} | {} | Vincent was watching the dancers on stage feeling sad. | The girls on stage were beautiful, but Vincent was too scared to ask one out. | They danced so elegantly. | Vincent had an extra eye on Kim, who was the most beautiful of all. | Kim saw him looking and decided to hide in the dressing room after the show was over. | null | null | null | null | null | ['tt0947798_1376_1', 'tt0947798_1385_1', 'tt0947798_1388_1', 'tt0947798_1389_0', 'tt0947798_1391_2'] | Vincent was watching the dancers on stage feeling sad. The girls on stage were beautiful, but Vincent was too scared to ask one out. They danced so elegantly. Vincent had an extra eye on Kim, who was the most beautiful of all. Kim saw him looking and decided to hide in the dressing room after the show was over. | Vincent was watching the dancers on stage feeling sad. [SENT] The girls on stage were beautiful, but Vincent was too scared to ask one out. [SENT] They danced so elegantly. [SENT] Vincent had an extra eye on Kim, who was the most beautiful of all. [SENT] Kim saw him looking and decided to hide in the dressing room after the show was over. [SENT] | [male0] was watching the dancers on stage feeling sad . the girls on stage were beautiful , but [male0] was too scared to ask one out . they danced so elegantly . [male0] had an extra eye on [female0] , who was the most beautiful of all . [female0] saw him looking and decided to hide in the dressing room after the show was over . | train | tt0947798 | 3,398 |
||||||||
tt0078788_0001_5 | null | null | null | null | Sam | Frederic | Laurence | Albert | Martin | Night had fallen over the camp. The gunfight was over for the day. | After drinking a couple of beers, Sam looked happier than earlier. | Laurence and Albert looked at him with pity. Sam was one of the youngest soldiers in the camp. They felt sorry for the young man and his fate. | Martin lay just a few meters away from them. | Martin continued emptying one beer can after the other to also erase the pain from the daily nightmares. | But not everyone was relaxing. Plans for the next day were already being discussed. The most critical day lay still ahead of them. | null | null | null | null | ['tt0078788_0165_0', 'tt0078788_0166_1', 'tt0078788_0168_1', 'tt0078788_0169_0', 'tt0078788_0171_1', 'tt0078788_0172_1'] | Night had fallen over the camp. The gunfight was over for the day. After drinking a couple of beers, Sam looked happier than earlier. Laurence and Albert looked at him with pity. Sam was one of the youngest soldiers in the camp. They felt sorry for the young man and his fate. Martin lay just a few meters away from them. Martin continued emptying one beer can after the other to also erase the pain from the daily nightmares. But not everyone was relaxing. Plans for the next day were already being discussed. The most critical day lay still ahead of them. | Night had fallen over the camp. The gunfight was over for the day. [SENT] After drinking a couple of beers, Sam looked happier than earlier. [SENT] Laurence and Albert looked at him with pity. Sam was one of the youngest soldiers in the camp. They felt sorry for the young man and his fate. [SENT] Martin lay just a few meters away from them. [SENT] Martin continued emptying one beer can after the other to also erase the pain from the daily nightmares. [SENT] But not everyone was relaxing. Plans for the next day were already being discussed. The most critical day lay still ahead of them. [SENT] | night had fallen over the camp . the gunfight was over for the day . after drinking a couple of beers , [male0] looked happier than earlier . [female0] and [male1] looked at him with pity . [male0] was one of the youngest soldiers in the camp . they felt sorry for the young man and his fate . [male2] lay just a few meters away from them . [male2] continued emptying one beer can after the other to also erase the pain from the daily nightmares . but not everyone was relaxing . plans for the next day were already being discussed . the most critical day lay still ahead of them . | train | tt0078788 | 3,399 |
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