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The buttons are symbolic mostly anyway. |
[button hums] |
See, this is your job now. |
You're in charge of everything here. |
Uh, the temperature, the lighting, |
what time the alarm clock goes off in the morning. |
If there's no food in the refrigerator. |
You... You're in charge of ordering it. |
- for who? - for real you. |
- She's paying. - Where is real me? |
Taking a nap. In the bedroom. Top right. |
[gasps] |
I don't want to be in here. |
I don't want to be in here. |
I don't want to be in here! |
- [toaster pops] - [Matt] Hey. |
Just how you like it. |
- [screams] - OK. |
Please stop screaming. Are you going to stop screaming? |
Are you going to stop screaming? No. OK. |
[silence] |
I'm sorry. I had to mute you. It... |
[no audio] |
- Oh, sorry. - [Greta cookie panting] |
Look. It'll be much easier if you just comply. |
I'm not doing this. |
I'm not some sort of push-button toaster monkey. |
- Would you prefer to do nothing? - Well, I'm not doing this! |
Right. Well, nothing it is then. Let me show you what that is like. |
Three weeks sound good? That should give you a taste. |
What do you mean, three weeks? |
If you just wait for a... Just... |
- What about now? - [gasps] |
Please. Don't do that again. |
Please. There's nothing to do here. There's nothing. There's just... |
I mean, there's nothing. |
- I did warn you. - I couldn't even sleep. |
You don't need sleep. Ready to go to work? |
Oh, no, no. No, I'm not. Definitely not doing that. |
- OK. Well, have six months. - No. Wait, wait! |
[Matthew] See, the trick of it lay in breaking them |
without letting them snap completely, if you get me. |
Too much time in solitary and they'd just wig out. |
No use to anyone, then you'd just sell them cheap |
to the games industry, they become |
cannon fodder for some war thing. |
[Matthew continues eating toast] |
- How are we feeling now? - [gasps] |
[panting] Please. |
Give me something to do. |
Ready to work? |
Yes. Yes, please. |
I'll do anything. |
I'll do anything, just give me something to do, please. |
- [footsteps approaching] - OK. |
Great toast, by the way. |
Hey. |
Is it set up? |
You are all set and ready to go. |
You know, as I was coming here, I saw this guy with his shirt off, |
riding a horse in the middle of the street. |
- How weird. - [chuckles] I swear to God. |
[electronic hums and beeps] |
[ Rossini: "The Thieving Magpie"] |
[computerized voice] Good morning, Greta. Here are today's appointments. |
11am: hair with Stelios. |
12.30: Lunch at Barney's Brasserie with Annabel. |
3pm: Jackanape Gallery private view, Shoreditch. |
6.30: Christmas drinks with Paolo. |
7.30: The Nutcracker, Royal Opera House. |
That's slavery. |
- A little melodramatic, isn't it? - But she thought she was real. |
- But she wasn't. - It's barbaric. |
It wasn't really real, so it wasn't really barbaric. |
Again, you are not who I expected. |
Most people would say, |
"She's only made of code, she's not real. Fuck her." |
But you're empathetic. |
- You care about people. - Well, don't you? |
You're a good man. |
Am I? |
Based on how you've reacted to what I've said, yeah. |
I can tell you're kind. |
I'm not a good man. |
A good man who's done bad things? |
You can tell me about it. |
I've done stuff in my life I'm not proud of. |
I can't pretend I haven't. |
Was it something to do with your family? |
Wife? |
Girlfriend? |
[chuckles] |
It's just us here. |
Her dad never liked me. |
He never liked me. |
Bloody cold, isn't it? Come on. |
Beth. Bethany. |
[Beth] Dad, what now? |
It gets dark about six. |
- We won't be that long! - Hold on. Let me put my glove on. |
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