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Ben 10: Race Against Time | Taking place after the series, the story opens in Bellwood as a mysterious figure appears immediately starts destroying things. Ben Tennyson (Graham Phillips), in the form of Heatblast (voiced by David Franklin), confronts him. After a short battle, Ben seemingly obliterates the villain.The next day, Ben goes back to school, and has trouble adjusting to normal life again. After a bad day he gets bullied by Cash (Tyler Patrick Jones), JT (Tyler Foden) and two girls he tried to flirt with earlier in the movie resulting in Greymatter (voiced by Carlos Alazraqui) causing complete chaos at a diner where Ms. Dalton (Aloma Wright) works. Later he and Gwen Tennyson (Haley Ramm) go over some yearbook photos she took. In the background of one with Ben, Gwen enhances a blurred spot and reveals the same villain Ben defeated earlier. Max Tennyson (Lee Majors) identifies him as Eon (Christien Anholt), an alien the Plumbers captured almost two centuries ago. When he arrived, he was half dead and brought a device with him called the Hands of Armageddon, which would open a time rift to the alien's home dimension and unleash his race upon Earth if activated. They travel to the containment facility where Eon is supposed to be kept, only to find it empty and his guardian aged to near-death.Traveling back to Bellwood, Max takes Ben and Gwen to the location of the Hands of Armageddon, guarded by the few remaining Plumbers ranging from Ms. Dalton, Mr. Hawkins the postman (Jeff Jensen), Fire Chief Whittington (Michael Runyard), and Principal White (Robert Picardo). Eon has followed them and breaks into the facility, but cannot activate the device. When Ben attempts to use the Omnitrix, it malfunctions, glowing purple and refusing to activate. Eon attempts to kidnap Ben, claiming it to be a rescue, but Ben escapes. Eon manages to corner Ben, explaining that his race learned to control time itself, but trapped themselves by misusing their power. He claims that his fate is intertwined with Ben's. Eon is scared off by an old man (Sab Shimono) who happens to be another Plumber before he can elaborate. Grandpa Max decides it would be best for Ben to leave Bellwood so that Eon won't find him, but Ben bravely refuses and they both come to a deal where Ben will be monitored daily by a Plumber in disguise.The Plumbers, all around town, guard Ben around the clock. When Ben goes to the school gym to be alone, Principal White attempts to calm Ben's fears just when Eon arrives again and shoves White out of the way. This time, Ben is able to become Diamondhead (voiced by Daran Norris) and fight him off. Later on that day, Ben decides to lure Eon into a trap by purposefully leaving himself open, but this backfires and he is captured along with Gwen and Max.At the Plumber facility storing the Hands of Armageddon, Eon explains some of the background of the Omnitrix: Ben can only remain in his alien forms for ten minutes at a time, a failsafe to prevent them from overwhelming his personality. Eon knows how to deactivate the failsafe, and in doing so can resurrect himself through the Omnitrix. He does so, and Ben is transformed into a younger version of Eon. The older one retreats since there are now two of him. Reborn, Eon activates the Hands of Armageddon. Gwen and Max manage to free themselves and work to stop him. While Max tries to disable the time rift, potentially at the cost of his own life, Gwen appeals to Ben inside Eon. Ben successfully overcomes Eon, and with the help of the other Plumbers manages to save Max and disable the time rift, sending Eon's race back to their own dimension.Just when it seems like they've won, time stops for everyone but Ben. The older Eon reappears, angered at Ben's victory. Ben transforms into Wildmutt (voiced by Dee Bradley Baker) and fights him off, eventually knocking him into the Hands of Armageddon, destroying both the Hands and Eon. After doing an impromptu magic trick for the school talent show, using Wildmutt's timely de-transformation and a well placed stage curtain, Ben finally accepts being just Ben for a while. However, Max points out that aliens are persistent, and as the film ends, an alien ship, resembling Vilgax's, flies towards Earth. | Who obliterates the villain? | Ben | 128 | 131 |
Ben 10: Race Against Time | Taking place after the series, the story opens in Bellwood as a mysterious figure appears immediately starts destroying things. Ben Tennyson (Graham Phillips), in the form of Heatblast (voiced by David Franklin), confronts him. After a short battle, Ben seemingly obliterates the villain.The next day, Ben goes back to school, and has trouble adjusting to normal life again. After a bad day he gets bullied by Cash (Tyler Patrick Jones), JT (Tyler Foden) and two girls he tried to flirt with earlier in the movie resulting in Greymatter (voiced by Carlos Alazraqui) causing complete chaos at a diner where Ms. Dalton (Aloma Wright) works. Later he and Gwen Tennyson (Haley Ramm) go over some yearbook photos she took. In the background of one with Ben, Gwen enhances a blurred spot and reveals the same villain Ben defeated earlier. Max Tennyson (Lee Majors) identifies him as Eon (Christien Anholt), an alien the Plumbers captured almost two centuries ago. When he arrived, he was half dead and brought a device with him called the Hands of Armageddon, which would open a time rift to the alien's home dimension and unleash his race upon Earth if activated. They travel to the containment facility where Eon is supposed to be kept, only to find it empty and his guardian aged to near-death.Traveling back to Bellwood, Max takes Ben and Gwen to the location of the Hands of Armageddon, guarded by the few remaining Plumbers ranging from Ms. Dalton, Mr. Hawkins the postman (Jeff Jensen), Fire Chief Whittington (Michael Runyard), and Principal White (Robert Picardo). Eon has followed them and breaks into the facility, but cannot activate the device. When Ben attempts to use the Omnitrix, it malfunctions, glowing purple and refusing to activate. Eon attempts to kidnap Ben, claiming it to be a rescue, but Ben escapes. Eon manages to corner Ben, explaining that his race learned to control time itself, but trapped themselves by misusing their power. He claims that his fate is intertwined with Ben's. Eon is scared off by an old man (Sab Shimono) who happens to be another Plumber before he can elaborate. Grandpa Max decides it would be best for Ben to leave Bellwood so that Eon won't find him, but Ben bravely refuses and they both come to a deal where Ben will be monitored daily by a Plumber in disguise.The Plumbers, all around town, guard Ben around the clock. When Ben goes to the school gym to be alone, Principal White attempts to calm Ben's fears just when Eon arrives again and shoves White out of the way. This time, Ben is able to become Diamondhead (voiced by Daran Norris) and fight him off. Later on that day, Ben decides to lure Eon into a trap by purposefully leaving himself open, but this backfires and he is captured along with Gwen and Max.At the Plumber facility storing the Hands of Armageddon, Eon explains some of the background of the Omnitrix: Ben can only remain in his alien forms for ten minutes at a time, a failsafe to prevent them from overwhelming his personality. Eon knows how to deactivate the failsafe, and in doing so can resurrect himself through the Omnitrix. He does so, and Ben is transformed into a younger version of Eon. The older one retreats since there are now two of him. Reborn, Eon activates the Hands of Armageddon. Gwen and Max manage to free themselves and work to stop him. While Max tries to disable the time rift, potentially at the cost of his own life, Gwen appeals to Ben inside Eon. Ben successfully overcomes Eon, and with the help of the other Plumbers manages to save Max and disable the time rift, sending Eon's race back to their own dimension.Just when it seems like they've won, time stops for everyone but Ben. The older Eon reappears, angered at Ben's victory. Ben transforms into Wildmutt (voiced by Dee Bradley Baker) and fights him off, eventually knocking him into the Hands of Armageddon, destroying both the Hands and Eon. After doing an impromptu magic trick for the school talent show, using Wildmutt's timely de-transformation and a well placed stage curtain, Ben finally accepts being just Ben for a while. However, Max points out that aliens are persistent, and as the film ends, an alien ship, resembling Vilgax's, flies towards Earth. | How long can Ben stay in alien form? | Ten minutes at a time | 2,920 | 2,941 |
The Chicago 8 | The Chicago 8 is the true story of the notorious 1968 trial that resulted when seven leaders of an anti-war movement, and a member of the Black Panthers (Bobby Seale), were charged with conspiracy to incite devastating riots in Chicago. Desperate to stop what they saw as an ?immoral war?, this group was ready to take on the establishment, express their freedom of speech by all means necessary, while paying a price for their actions. Never in America?s history has youthful protest captured society?s imagination nor polarized it to such a degree. A protest paralleled in the modern era, with recent establishment uprisings on Wall Street and in the Middle East. | What year does the story take place? | 1968 | 49 | 53 |
The Chicago 8 | The Chicago 8 is the true story of the notorious 1968 trial that resulted when seven leaders of an anti-war movement, and a member of the Black Panthers (Bobby Seale), were charged with conspiracy to incite devastating riots in Chicago. Desperate to stop what they saw as an ?immoral war?, this group was ready to take on the establishment, express their freedom of speech by all means necessary, while paying a price for their actions. Never in America?s history has youthful protest captured society?s imagination nor polarized it to such a degree. A protest paralleled in the modern era, with recent establishment uprisings on Wall Street and in the Middle East. | What city is the story set in? | Chicago | 4 | 11 |
The Christmas Raccoons | In this prelude to the television series, "The Raccoons," Bert, Melissa and Ralph Raccoon have their home stolen when Tommy and Julie cut down their home for a Christmas tree. Eventually, they discover that Cyril Sneer is the mastermind behind the deforestation of of the Evergreen Forest and they confront him and his son, Cedric who eventually relents. In a dream sequence, the Raccoons appear toTommy and Julie, and they begin to realize that they've done wrong in cutting down their home. They rectify the situation and proceed to enjoy the Christmas holiday with their dad, Dan the Forest Ranger. | Why is the tree cut down? | For a Christmas tree | 154 | 174 |
The Christmas Raccoons | In this prelude to the television series, "The Raccoons," Bert, Melissa and Ralph Raccoon have their home stolen when Tommy and Julie cut down their home for a Christmas tree. Eventually, they discover that Cyril Sneer is the mastermind behind the deforestation of of the Evergreen Forest and they confront him and his son, Cedric who eventually relents. In a dream sequence, the Raccoons appear toTommy and Julie, and they begin to realize that they've done wrong in cutting down their home. They rectify the situation and proceed to enjoy the Christmas holiday with their dad, Dan the Forest Ranger. | Who cuts down the tree? | Tommy and Julie | 118 | 133 |
The Christmas Raccoons | In this prelude to the television series, "The Raccoons," Bert, Melissa and Ralph Raccoon have their home stolen when Tommy and Julie cut down their home for a Christmas tree. Eventually, they discover that Cyril Sneer is the mastermind behind the deforestation of of the Evergreen Forest and they confront him and his son, Cedric who eventually relents. In a dream sequence, the Raccoons appear toTommy and Julie, and they begin to realize that they've done wrong in cutting down their home. They rectify the situation and proceed to enjoy the Christmas holiday with their dad, Dan the Forest Ranger. | Who is Tommy and Julie's father? | Dan the Forest Ranger | 579 | 600 |
The Christmas Raccoons | In this prelude to the television series, "The Raccoons," Bert, Melissa and Ralph Raccoon have their home stolen when Tommy and Julie cut down their home for a Christmas tree. Eventually, they discover that Cyril Sneer is the mastermind behind the deforestation of of the Evergreen Forest and they confront him and his son, Cedric who eventually relents. In a dream sequence, the Raccoons appear toTommy and Julie, and they begin to realize that they've done wrong in cutting down their home. They rectify the situation and proceed to enjoy the Christmas holiday with their dad, Dan the Forest Ranger. | Who is Cyril's son? | Cedric | 324 | 330 |
The Christmas Raccoons | In this prelude to the television series, "The Raccoons," Bert, Melissa and Ralph Raccoon have their home stolen when Tommy and Julie cut down their home for a Christmas tree. Eventually, they discover that Cyril Sneer is the mastermind behind the deforestation of of the Evergreen Forest and they confront him and his son, Cedric who eventually relents. In a dream sequence, the Raccoons appear toTommy and Julie, and they begin to realize that they've done wrong in cutting down their home. They rectify the situation and proceed to enjoy the Christmas holiday with their dad, Dan the Forest Ranger. | Who is the mastermind behind the deforestation of Evergreen Forest? | Cyril Sneer | 207 | 218 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | Where does the elder Fischer die? | Sydney | 1,399 | 1,405 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | who reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job? | apanese businessman Saito | 299 | 324 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | Who does Cobb tell Fischer he's been kidnapped by? | Browning | 2,655 | 2,663 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | Where did the team take wounded Saito? | To a warehouse | 2,224 | 2,238 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | Where is Fischer revived? | At the mountain fortress | 4,715 | 4,739 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | What subject is Ariadne a student of? | Architecture | 1,062 | 1,074 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | Who is Maurice Fischer's son? | Robert | 642 | 648 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | What does Cobb feel about Mal's death? | Guilt | 4,618 | 4,623 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | What does Fischer's father's projection tell him? | To be his own man | 4,854 | 4,871 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | Who committed suicide? | Mal | 1,344 | 1,347 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | Who falls into Limbo? | Fischer and Saito | 3,798 | 3,815 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | Who did Cobb go to Limbo with? | Mal | 1,344 | 1,347 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | What is the relationship of Stephen Miles to Cobb? | Father-in-law | 1,178 | 1,191 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | Who is Cobb searching for in Limbo? | Saito | 319 | 324 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | Who accompanies Cobb to his home? | Professor Miles | 4,551 | 4,566 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | Who kills Mal? | Ariadne | 1,037 | 1,044 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | Despite setbacks what did the team do? | continues with the mission | 2,581 | 2,607 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | Who impersonates Fischer's godfather? | Eames | 875 | 880 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | Who dreams of the snowy mountain fortress? | Eames | 875 | 880 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | Where was the flight to? | Los Angeles | 1,472 | 1,483 |
Inception | Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract valuable information through a shared dream world. Their latest target, Japanese businessman Saito (Ken Watanabe), reveals that he arranged their mission himself to test Cobb for a seemingly-impossible job: planting an idea in a person's subconscious, or "inception".
To break up the energy conglomerate of ailing competitor Maurice Fischer (Pete Postlethwaite), Saito wants Cobb to convince Fischer's son and heir, Robert (Cillian Murphy), to dissolve his father's company. In return, Saito promises to use his influence to clear Cobb of a murder charge, allowing Cobb to return home to his children. Cobb accepts the offer and assembles his team: Eames (Tom Hardy), a conman and identity forger; Yusuf (Dileep Rao), a chemist who concocts a powerful sedative for a stable "dream within a dream" strategy; and Ariadne (Ellen Page), an architecture student tasked with designing the labyrinth of the dream landscapes, recruited with the help of Cobb's father-in-law, Professor Stephen Miles (Michael Caine). While dream-sharing with Cobb, Ariadne learns his subconscious houses an invasive projection of his late wife Mal (Marion Cotillard).
When the elder Fischer dies in Sydney, Robert Fischer accompanies the body on a ten-hour flight back to Los Angeles, which the team (including Saito, who wants to verify their success) uses as an opportunity to sedate and take Fischer into a shared dream. At each dream level, the person generating the dream stays behind to set up a "kick" that will be used to awaken the other sleeping team members from the deeper dream level; to be successful, these kicks must occur simultaneously at each dream level, a fact complicated due to the nature of time which proceeds much faster in each successive level.
The first level is Yusuf's dream of a rainy Los Angeles. The team abducts Fischer, but they are attacked by armed projections from Fischer's subconscious, which has been trained to defend against extraction. The team takes Fischer and a wounded Saito to a warehouse, where Cobb reveals that while dying in the dream would normally wake Saito up, the powerful sedatives needed to stabilize the multi-level dream will instead send a dying dreamer into "limbo", a world of infinite subconscious from which escape is difficult and a dreamer risks forgetting they are in a dream. Despite these setbacks, the team continues with the mission.
Eames impersonates Fischer's godfather, Peter Browning (Tom Berenger), to suggest Fischer reconsider his father's will. Yusuf drives the van as the other dreamers are sedated into the second level.
In the second level, a hotel dreamed by Arthur, Cobb convinces Fischer that he has been kidnapped by Browning and Cobb is his subconscious protector. Cobb persuades him to go down another level to explore Browning's subconscious (in reality, it is a ruse to enter Fischer's).
The third level is a snowy mountain fortress dreamed by Eames. The team has to infiltrate it and hold off the guards as Cobb takes Fischer into the equivalent of his subconscious.
Yusuf, under pursuit by Fischer's projections in the first level, deliberately drives off a bridge and initiates his kick too soon. This removes the gravity of Arthur's level, forcing him to improvise a new kick that will synchronize with the van hitting the water, and causes an avalanche in Eames' level. Mal's projection emerges and kills Fischer, Cobb kills Mal, and Saito succumbs to his wounds; all three fall into Limbo. While Eames sets up a kick by rigging the fortress with explosives, Cobb and Ariadne enter Limbo to rescue Fischer and Saito.
Cobb reveals to Ariadne that he and Mal went to Limbo while experimenting with the dream-sharing technology. Sedated for a few hours of real time, they spent fifty years in dream time constructing a world from their shared memories. When Mal refused to return to reality, Cobb used a rudimentary form of inception by reactivating her totem (an object dreamers use to distinguish dreams from reality) and reminding her subconscious that their world was not real. However, when she woke up, Mal was still convinced that she was dreaming. In an attempt to "wake up" for real, Mal committed suicide and framed Cobb for her death to force him to do the same. Facing a murder charge, Cobb fled the U.S., leaving his children in the care of Professor Miles.
Through his confession, Cobb makes peace with his guilt over Mal's death. Ariadne kills Mal's projection and wakes Fischer up with a kick. Revived at the mountain fortress, Fischer enters a safe room to discover and accept the planted idea: a projection of his dying father telling him to be his own man. While Cobb remains in Limbo to search for Saito, the other team members ride the synchronized kicks back to reality. Cobb eventually finds an aged Saito in Limbo and reminds him of their agreement. The dreamers all awaken on the plane and Saito makes a phone call.
Upon arrival at Los Angeles Airport, Cobb passes the U.S. immigration checkpoint and Professor Miles accompanies him to his home. Cobb tests reality using his totem, a spinning top that spins indefinitely in a dream world, but ignores its result and instead joins his children in the garden.[13] | Where do the dreamers awake at the end of the movie? | On the plane | 5,095 | 5,107 |
Internal Affairs | Ambitious LA cop with Latin temper moves to Internal Affairs department where he's paired up with lesbian superior. Immediately involved in police brutality case, his pursuit of the young police officer leads him to cross swords with an amoral, possibly sociopathic police sergeant who controls a seemingly department wide network of corruption. Physical and pychological battle between them involving violence, murder and some, occasionally rough, sex ends in triumph for the good guys as usual but with some thought provoking character exploration along the way as the film develops. Sympathethic treatment of the gay female IA officer ahead of its time. | What is the main character's former job? | LA cop | 10 | 16 |
Internal Affairs | Ambitious LA cop with Latin temper moves to Internal Affairs department where he's paired up with lesbian superior. Immediately involved in police brutality case, his pursuit of the young police officer leads him to cross swords with an amoral, possibly sociopathic police sergeant who controls a seemingly department wide network of corruption. Physical and pychological battle between them involving violence, murder and some, occasionally rough, sex ends in triumph for the good guys as usual but with some thought provoking character exploration along the way as the film develops. Sympathethic treatment of the gay female IA officer ahead of its time. | Into what department is the main character moving? | Internal Affairs | 44 | 60 |
9 | Prior to the events of the film, a Scientist is ordered by his dictator to create a machine in the apparent name of progress. The Scientist uses his own intellect to create the B.R.A.I.N., a thinking robot. However, the dictator quickly seizes it and integrates it into the Fabrication Machine, an armature that can construct an army of war machines to destroy the dictator's enemies. Lacking a soul, the Fabrication Machine becomes corrupted and decides to exterminate all life on Earth. The Fabrication Machine reprograms the other war machines to turn against humans by using toxic gas and chemical weapons. On the verge of destruction, the Scientist uses alchemy to create nine homunculus-like rag dolls known as "Stitchpunks" using portions of his own soul via a talisman and dies upon finishing the last one.
Sometime later, the last doll, 9, awakens in the Scientist's workshop. Taking the talisman with him, 9 ventures into the devastated city and meets 2, a frail inventor who gives him a voice box and is surprised when 9 reveals the talisman. The last surviving machine, the Cat-Beast, attacks the pair and takes 2 and the talisman. 9 collapses, but awakens in Sanctuary, a cathedral that is home to other Stitchpunks, including the dogmatic leader 1, his large bodyguard 8, the cycloptic engineer 5, and the mentally unstable oracle 6. 1 immediately labels 2 as dead, but 9, having seen the factory where the Cat-Beast has taken 2, decides to rescue him. 9 and 5 venture to the factory where they find 2. Meanwhile, 7, the only female of the Stitchpunks, arrives and slays the Cat-Beast. 9, drawn by curiosity, connects the talisman to the previously derelict Fabrication Machine, causing it to absorb 2's soul, reviving it and killing him in the process whilst 9, 5, and 7 manage to escape the factory.
7 takes 9 and 5 to the library, where the silent scholar twins, 3 and 4, show 9 the Fabrication Machine's origins. 5 realizes the talisman's symbols match the clairvoyant drawings of 6. 9 and 5 return to Sanctuary to investigate, but 1 confronts and chastises them. The Fabrication Machine starts constructing new machines; one of them, the bird-like Winged Beast, attacks Sanctuary, leading to a battle between the Stitchpunks and the Winged Beast. 7 joins the fight, but is injured. 5, 6 and 8 then manage to kill the Winged Beast.
As the group retreat to the library, 6, 3, and 4 cryptically explain the talisman's origins, but 1 once again chastises the group before revealing that he sent 2 out of the church on a scouting trip to die. Enraged, 7 lashes out at 1 before running off after 9 prevents her from delivering the killing blow. Meanwhile, the Fabrication Machine finds 2's corpse and uses it as a hypnotic lure for another robot, the Seamstress. The Seamstress attacks the library and captures 7 and 8, but 2's body is safely recovered and given a funeral by the others. The others then run to the factory to destroy the machines. 9 goes inside alone, kills the Seamstress, and rescues 7, but not before witnessing 8's soul getting absorbed by the Fabrication Machine. 9 and 7 escape while the others destroy the factory.
The Stitchpunks celebrate the destruction of the factory, but the Fabrication Machine, which survived, suddenly appears from behind and ends up absorbing 5's soul after surprising the other Stitchpunks. The Fabrication Machine soon attacks the group and eventually captures 6, who is absorbed but not before convincing 9 to go to the Scientist's workshop to find answers. 9 follows 6's instructions, finding a holographic recorded message from his creator, who explains that the Stitchpunks are all a part of himself, including 9, making them the only hope for humanity. He then explains that the talisman can be used against the Fabrication Machine to free the Stitchpunks' souls trapped in it.
9 reunites with the other Stitchpunks and devises a plan to sacrifice himself to allow the others to retrieve the talisman from the Fabrication Machine. However, 1, having had a change of heart, redeems himself after saving 9 by pushing him out of the way, allowing himself to be absorbed and giving 9 the opportunity to remove the talisman. The Fabrication Machine desperately tries to grab it in anger, but 9 activates it and uses it to reabsorb the souls taken by the Fabrication Machine, causing a massive explosion that destroys the Fabrication Machine in the process. 9, 7, 3, and 4 free the souls of 5, 1, 6, 2, and 8 from the talisman and they fly up into the sky, causing it to rain. The final image shows that the raindrops contain small flecks of glowing bacteria, bringing life back to the world. | Who are the "Stitchpunks"? | Nine homunculus-like rag dolls | 677 | 707 |
9 | Prior to the events of the film, a Scientist is ordered by his dictator to create a machine in the apparent name of progress. The Scientist uses his own intellect to create the B.R.A.I.N., a thinking robot. However, the dictator quickly seizes it and integrates it into the Fabrication Machine, an armature that can construct an army of war machines to destroy the dictator's enemies. Lacking a soul, the Fabrication Machine becomes corrupted and decides to exterminate all life on Earth. The Fabrication Machine reprograms the other war machines to turn against humans by using toxic gas and chemical weapons. On the verge of destruction, the Scientist uses alchemy to create nine homunculus-like rag dolls known as "Stitchpunks" using portions of his own soul via a talisman and dies upon finishing the last one.
Sometime later, the last doll, 9, awakens in the Scientist's workshop. Taking the talisman with him, 9 ventures into the devastated city and meets 2, a frail inventor who gives him a voice box and is surprised when 9 reveals the talisman. The last surviving machine, the Cat-Beast, attacks the pair and takes 2 and the talisman. 9 collapses, but awakens in Sanctuary, a cathedral that is home to other Stitchpunks, including the dogmatic leader 1, his large bodyguard 8, the cycloptic engineer 5, and the mentally unstable oracle 6. 1 immediately labels 2 as dead, but 9, having seen the factory where the Cat-Beast has taken 2, decides to rescue him. 9 and 5 venture to the factory where they find 2. Meanwhile, 7, the only female of the Stitchpunks, arrives and slays the Cat-Beast. 9, drawn by curiosity, connects the talisman to the previously derelict Fabrication Machine, causing it to absorb 2's soul, reviving it and killing him in the process whilst 9, 5, and 7 manage to escape the factory.
7 takes 9 and 5 to the library, where the silent scholar twins, 3 and 4, show 9 the Fabrication Machine's origins. 5 realizes the talisman's symbols match the clairvoyant drawings of 6. 9 and 5 return to Sanctuary to investigate, but 1 confronts and chastises them. The Fabrication Machine starts constructing new machines; one of them, the bird-like Winged Beast, attacks Sanctuary, leading to a battle between the Stitchpunks and the Winged Beast. 7 joins the fight, but is injured. 5, 6 and 8 then manage to kill the Winged Beast.
As the group retreat to the library, 6, 3, and 4 cryptically explain the talisman's origins, but 1 once again chastises the group before revealing that he sent 2 out of the church on a scouting trip to die. Enraged, 7 lashes out at 1 before running off after 9 prevents her from delivering the killing blow. Meanwhile, the Fabrication Machine finds 2's corpse and uses it as a hypnotic lure for another robot, the Seamstress. The Seamstress attacks the library and captures 7 and 8, but 2's body is safely recovered and given a funeral by the others. The others then run to the factory to destroy the machines. 9 goes inside alone, kills the Seamstress, and rescues 7, but not before witnessing 8's soul getting absorbed by the Fabrication Machine. 9 and 7 escape while the others destroy the factory.
The Stitchpunks celebrate the destruction of the factory, but the Fabrication Machine, which survived, suddenly appears from behind and ends up absorbing 5's soul after surprising the other Stitchpunks. The Fabrication Machine soon attacks the group and eventually captures 6, who is absorbed but not before convincing 9 to go to the Scientist's workshop to find answers. 9 follows 6's instructions, finding a holographic recorded message from his creator, who explains that the Stitchpunks are all a part of himself, including 9, making them the only hope for humanity. He then explains that the talisman can be used against the Fabrication Machine to free the Stitchpunks' souls trapped in it.
9 reunites with the other Stitchpunks and devises a plan to sacrifice himself to allow the others to retrieve the talisman from the Fabrication Machine. However, 1, having had a change of heart, redeems himself after saving 9 by pushing him out of the way, allowing himself to be absorbed and giving 9 the opportunity to remove the talisman. The Fabrication Machine desperately tries to grab it in anger, but 9 activates it and uses it to reabsorb the souls taken by the Fabrication Machine, causing a massive explosion that destroys the Fabrication Machine in the process. 9, 7, 3, and 4 free the souls of 5, 1, 6, 2, and 8 from the talisman and they fly up into the sky, causing it to rain. The final image shows that the raindrops contain small flecks of glowing bacteria, bringing life back to the world. | What is the name of the last doll? | 9 | 846 | 847 |
9 | Prior to the events of the film, a Scientist is ordered by his dictator to create a machine in the apparent name of progress. The Scientist uses his own intellect to create the B.R.A.I.N., a thinking robot. However, the dictator quickly seizes it and integrates it into the Fabrication Machine, an armature that can construct an army of war machines to destroy the dictator's enemies. Lacking a soul, the Fabrication Machine becomes corrupted and decides to exterminate all life on Earth. The Fabrication Machine reprograms the other war machines to turn against humans by using toxic gas and chemical weapons. On the verge of destruction, the Scientist uses alchemy to create nine homunculus-like rag dolls known as "Stitchpunks" using portions of his own soul via a talisman and dies upon finishing the last one.
Sometime later, the last doll, 9, awakens in the Scientist's workshop. Taking the talisman with him, 9 ventures into the devastated city and meets 2, a frail inventor who gives him a voice box and is surprised when 9 reveals the talisman. The last surviving machine, the Cat-Beast, attacks the pair and takes 2 and the talisman. 9 collapses, but awakens in Sanctuary, a cathedral that is home to other Stitchpunks, including the dogmatic leader 1, his large bodyguard 8, the cycloptic engineer 5, and the mentally unstable oracle 6. 1 immediately labels 2 as dead, but 9, having seen the factory where the Cat-Beast has taken 2, decides to rescue him. 9 and 5 venture to the factory where they find 2. Meanwhile, 7, the only female of the Stitchpunks, arrives and slays the Cat-Beast. 9, drawn by curiosity, connects the talisman to the previously derelict Fabrication Machine, causing it to absorb 2's soul, reviving it and killing him in the process whilst 9, 5, and 7 manage to escape the factory.
7 takes 9 and 5 to the library, where the silent scholar twins, 3 and 4, show 9 the Fabrication Machine's origins. 5 realizes the talisman's symbols match the clairvoyant drawings of 6. 9 and 5 return to Sanctuary to investigate, but 1 confronts and chastises them. The Fabrication Machine starts constructing new machines; one of them, the bird-like Winged Beast, attacks Sanctuary, leading to a battle between the Stitchpunks and the Winged Beast. 7 joins the fight, but is injured. 5, 6 and 8 then manage to kill the Winged Beast.
As the group retreat to the library, 6, 3, and 4 cryptically explain the talisman's origins, but 1 once again chastises the group before revealing that he sent 2 out of the church on a scouting trip to die. Enraged, 7 lashes out at 1 before running off after 9 prevents her from delivering the killing blow. Meanwhile, the Fabrication Machine finds 2's corpse and uses it as a hypnotic lure for another robot, the Seamstress. The Seamstress attacks the library and captures 7 and 8, but 2's body is safely recovered and given a funeral by the others. The others then run to the factory to destroy the machines. 9 goes inside alone, kills the Seamstress, and rescues 7, but not before witnessing 8's soul getting absorbed by the Fabrication Machine. 9 and 7 escape while the others destroy the factory.
The Stitchpunks celebrate the destruction of the factory, but the Fabrication Machine, which survived, suddenly appears from behind and ends up absorbing 5's soul after surprising the other Stitchpunks. The Fabrication Machine soon attacks the group and eventually captures 6, who is absorbed but not before convincing 9 to go to the Scientist's workshop to find answers. 9 follows 6's instructions, finding a holographic recorded message from his creator, who explains that the Stitchpunks are all a part of himself, including 9, making them the only hope for humanity. He then explains that the talisman can be used against the Fabrication Machine to free the Stitchpunks' souls trapped in it.
9 reunites with the other Stitchpunks and devises a plan to sacrifice himself to allow the others to retrieve the talisman from the Fabrication Machine. However, 1, having had a change of heart, redeems himself after saving 9 by pushing him out of the way, allowing himself to be absorbed and giving 9 the opportunity to remove the talisman. The Fabrication Machine desperately tries to grab it in anger, but 9 activates it and uses it to reabsorb the souls taken by the Fabrication Machine, causing a massive explosion that destroys the Fabrication Machine in the process. 9, 7, 3, and 4 free the souls of 5, 1, 6, 2, and 8 from the talisman and they fly up into the sky, causing it to rain. The final image shows that the raindrops contain small flecks of glowing bacteria, bringing life back to the world. | Who has a change of heart, redeems himself after saving 9 by pushing him out of the way? | 1 | 1,260 | 1,261 |
9 | Prior to the events of the film, a Scientist is ordered by his dictator to create a machine in the apparent name of progress. The Scientist uses his own intellect to create the B.R.A.I.N., a thinking robot. However, the dictator quickly seizes it and integrates it into the Fabrication Machine, an armature that can construct an army of war machines to destroy the dictator's enemies. Lacking a soul, the Fabrication Machine becomes corrupted and decides to exterminate all life on Earth. The Fabrication Machine reprograms the other war machines to turn against humans by using toxic gas and chemical weapons. On the verge of destruction, the Scientist uses alchemy to create nine homunculus-like rag dolls known as "Stitchpunks" using portions of his own soul via a talisman and dies upon finishing the last one.
Sometime later, the last doll, 9, awakens in the Scientist's workshop. Taking the talisman with him, 9 ventures into the devastated city and meets 2, a frail inventor who gives him a voice box and is surprised when 9 reveals the talisman. The last surviving machine, the Cat-Beast, attacks the pair and takes 2 and the talisman. 9 collapses, but awakens in Sanctuary, a cathedral that is home to other Stitchpunks, including the dogmatic leader 1, his large bodyguard 8, the cycloptic engineer 5, and the mentally unstable oracle 6. 1 immediately labels 2 as dead, but 9, having seen the factory where the Cat-Beast has taken 2, decides to rescue him. 9 and 5 venture to the factory where they find 2. Meanwhile, 7, the only female of the Stitchpunks, arrives and slays the Cat-Beast. 9, drawn by curiosity, connects the talisman to the previously derelict Fabrication Machine, causing it to absorb 2's soul, reviving it and killing him in the process whilst 9, 5, and 7 manage to escape the factory.
7 takes 9 and 5 to the library, where the silent scholar twins, 3 and 4, show 9 the Fabrication Machine's origins. 5 realizes the talisman's symbols match the clairvoyant drawings of 6. 9 and 5 return to Sanctuary to investigate, but 1 confronts and chastises them. The Fabrication Machine starts constructing new machines; one of them, the bird-like Winged Beast, attacks Sanctuary, leading to a battle between the Stitchpunks and the Winged Beast. 7 joins the fight, but is injured. 5, 6 and 8 then manage to kill the Winged Beast.
As the group retreat to the library, 6, 3, and 4 cryptically explain the talisman's origins, but 1 once again chastises the group before revealing that he sent 2 out of the church on a scouting trip to die. Enraged, 7 lashes out at 1 before running off after 9 prevents her from delivering the killing blow. Meanwhile, the Fabrication Machine finds 2's corpse and uses it as a hypnotic lure for another robot, the Seamstress. The Seamstress attacks the library and captures 7 and 8, but 2's body is safely recovered and given a funeral by the others. The others then run to the factory to destroy the machines. 9 goes inside alone, kills the Seamstress, and rescues 7, but not before witnessing 8's soul getting absorbed by the Fabrication Machine. 9 and 7 escape while the others destroy the factory.
The Stitchpunks celebrate the destruction of the factory, but the Fabrication Machine, which survived, suddenly appears from behind and ends up absorbing 5's soul after surprising the other Stitchpunks. The Fabrication Machine soon attacks the group and eventually captures 6, who is absorbed but not before convincing 9 to go to the Scientist's workshop to find answers. 9 follows 6's instructions, finding a holographic recorded message from his creator, who explains that the Stitchpunks are all a part of himself, including 9, making them the only hope for humanity. He then explains that the talisman can be used against the Fabrication Machine to free the Stitchpunks' souls trapped in it.
9 reunites with the other Stitchpunks and devises a plan to sacrifice himself to allow the others to retrieve the talisman from the Fabrication Machine. However, 1, having had a change of heart, redeems himself after saving 9 by pushing him out of the way, allowing himself to be absorbed and giving 9 the opportunity to remove the talisman. The Fabrication Machine desperately tries to grab it in anger, but 9 activates it and uses it to reabsorb the souls taken by the Fabrication Machine, causing a massive explosion that destroys the Fabrication Machine in the process. 9, 7, 3, and 4 free the souls of 5, 1, 6, 2, and 8 from the talisman and they fly up into the sky, causing it to rain. The final image shows that the raindrops contain small flecks of glowing bacteria, bringing life back to the world. | who kills the Seamstress, and rescues 7? | 9 | 846 | 847 |
9 | Prior to the events of the film, a Scientist is ordered by his dictator to create a machine in the apparent name of progress. The Scientist uses his own intellect to create the B.R.A.I.N., a thinking robot. However, the dictator quickly seizes it and integrates it into the Fabrication Machine, an armature that can construct an army of war machines to destroy the dictator's enemies. Lacking a soul, the Fabrication Machine becomes corrupted and decides to exterminate all life on Earth. The Fabrication Machine reprograms the other war machines to turn against humans by using toxic gas and chemical weapons. On the verge of destruction, the Scientist uses alchemy to create nine homunculus-like rag dolls known as "Stitchpunks" using portions of his own soul via a talisman and dies upon finishing the last one.
Sometime later, the last doll, 9, awakens in the Scientist's workshop. Taking the talisman with him, 9 ventures into the devastated city and meets 2, a frail inventor who gives him a voice box and is surprised when 9 reveals the talisman. The last surviving machine, the Cat-Beast, attacks the pair and takes 2 and the talisman. 9 collapses, but awakens in Sanctuary, a cathedral that is home to other Stitchpunks, including the dogmatic leader 1, his large bodyguard 8, the cycloptic engineer 5, and the mentally unstable oracle 6. 1 immediately labels 2 as dead, but 9, having seen the factory where the Cat-Beast has taken 2, decides to rescue him. 9 and 5 venture to the factory where they find 2. Meanwhile, 7, the only female of the Stitchpunks, arrives and slays the Cat-Beast. 9, drawn by curiosity, connects the talisman to the previously derelict Fabrication Machine, causing it to absorb 2's soul, reviving it and killing him in the process whilst 9, 5, and 7 manage to escape the factory.
7 takes 9 and 5 to the library, where the silent scholar twins, 3 and 4, show 9 the Fabrication Machine's origins. 5 realizes the talisman's symbols match the clairvoyant drawings of 6. 9 and 5 return to Sanctuary to investigate, but 1 confronts and chastises them. The Fabrication Machine starts constructing new machines; one of them, the bird-like Winged Beast, attacks Sanctuary, leading to a battle between the Stitchpunks and the Winged Beast. 7 joins the fight, but is injured. 5, 6 and 8 then manage to kill the Winged Beast.
As the group retreat to the library, 6, 3, and 4 cryptically explain the talisman's origins, but 1 once again chastises the group before revealing that he sent 2 out of the church on a scouting trip to die. Enraged, 7 lashes out at 1 before running off after 9 prevents her from delivering the killing blow. Meanwhile, the Fabrication Machine finds 2's corpse and uses it as a hypnotic lure for another robot, the Seamstress. The Seamstress attacks the library and captures 7 and 8, but 2's body is safely recovered and given a funeral by the others. The others then run to the factory to destroy the machines. 9 goes inside alone, kills the Seamstress, and rescues 7, but not before witnessing 8's soul getting absorbed by the Fabrication Machine. 9 and 7 escape while the others destroy the factory.
The Stitchpunks celebrate the destruction of the factory, but the Fabrication Machine, which survived, suddenly appears from behind and ends up absorbing 5's soul after surprising the other Stitchpunks. The Fabrication Machine soon attacks the group and eventually captures 6, who is absorbed but not before convincing 9 to go to the Scientist's workshop to find answers. 9 follows 6's instructions, finding a holographic recorded message from his creator, who explains that the Stitchpunks are all a part of himself, including 9, making them the only hope for humanity. He then explains that the talisman can be used against the Fabrication Machine to free the Stitchpunks' souls trapped in it.
9 reunites with the other Stitchpunks and devises a plan to sacrifice himself to allow the others to retrieve the talisman from the Fabrication Machine. However, 1, having had a change of heart, redeems himself after saving 9 by pushing him out of the way, allowing himself to be absorbed and giving 9 the opportunity to remove the talisman. The Fabrication Machine desperately tries to grab it in anger, but 9 activates it and uses it to reabsorb the souls taken by the Fabrication Machine, causing a massive explosion that destroys the Fabrication Machine in the process. 9, 7, 3, and 4 free the souls of 5, 1, 6, 2, and 8 from the talisman and they fly up into the sky, causing it to rain. The final image shows that the raindrops contain small flecks of glowing bacteria, bringing life back to the world. | who finds the 2's corpse? | Fabrication Machine | 274 | 293 |
9 | Prior to the events of the film, a Scientist is ordered by his dictator to create a machine in the apparent name of progress. The Scientist uses his own intellect to create the B.R.A.I.N., a thinking robot. However, the dictator quickly seizes it and integrates it into the Fabrication Machine, an armature that can construct an army of war machines to destroy the dictator's enemies. Lacking a soul, the Fabrication Machine becomes corrupted and decides to exterminate all life on Earth. The Fabrication Machine reprograms the other war machines to turn against humans by using toxic gas and chemical weapons. On the verge of destruction, the Scientist uses alchemy to create nine homunculus-like rag dolls known as "Stitchpunks" using portions of his own soul via a talisman and dies upon finishing the last one.
Sometime later, the last doll, 9, awakens in the Scientist's workshop. Taking the talisman with him, 9 ventures into the devastated city and meets 2, a frail inventor who gives him a voice box and is surprised when 9 reveals the talisman. The last surviving machine, the Cat-Beast, attacks the pair and takes 2 and the talisman. 9 collapses, but awakens in Sanctuary, a cathedral that is home to other Stitchpunks, including the dogmatic leader 1, his large bodyguard 8, the cycloptic engineer 5, and the mentally unstable oracle 6. 1 immediately labels 2 as dead, but 9, having seen the factory where the Cat-Beast has taken 2, decides to rescue him. 9 and 5 venture to the factory where they find 2. Meanwhile, 7, the only female of the Stitchpunks, arrives and slays the Cat-Beast. 9, drawn by curiosity, connects the talisman to the previously derelict Fabrication Machine, causing it to absorb 2's soul, reviving it and killing him in the process whilst 9, 5, and 7 manage to escape the factory.
7 takes 9 and 5 to the library, where the silent scholar twins, 3 and 4, show 9 the Fabrication Machine's origins. 5 realizes the talisman's symbols match the clairvoyant drawings of 6. 9 and 5 return to Sanctuary to investigate, but 1 confronts and chastises them. The Fabrication Machine starts constructing new machines; one of them, the bird-like Winged Beast, attacks Sanctuary, leading to a battle between the Stitchpunks and the Winged Beast. 7 joins the fight, but is injured. 5, 6 and 8 then manage to kill the Winged Beast.
As the group retreat to the library, 6, 3, and 4 cryptically explain the talisman's origins, but 1 once again chastises the group before revealing that he sent 2 out of the church on a scouting trip to die. Enraged, 7 lashes out at 1 before running off after 9 prevents her from delivering the killing blow. Meanwhile, the Fabrication Machine finds 2's corpse and uses it as a hypnotic lure for another robot, the Seamstress. The Seamstress attacks the library and captures 7 and 8, but 2's body is safely recovered and given a funeral by the others. The others then run to the factory to destroy the machines. 9 goes inside alone, kills the Seamstress, and rescues 7, but not before witnessing 8's soul getting absorbed by the Fabrication Machine. 9 and 7 escape while the others destroy the factory.
The Stitchpunks celebrate the destruction of the factory, but the Fabrication Machine, which survived, suddenly appears from behind and ends up absorbing 5's soul after surprising the other Stitchpunks. The Fabrication Machine soon attacks the group and eventually captures 6, who is absorbed but not before convincing 9 to go to the Scientist's workshop to find answers. 9 follows 6's instructions, finding a holographic recorded message from his creator, who explains that the Stitchpunks are all a part of himself, including 9, making them the only hope for humanity. He then explains that the talisman can be used against the Fabrication Machine to free the Stitchpunks' souls trapped in it.
9 reunites with the other Stitchpunks and devises a plan to sacrifice himself to allow the others to retrieve the talisman from the Fabrication Machine. However, 1, having had a change of heart, redeems himself after saving 9 by pushing him out of the way, allowing himself to be absorbed and giving 9 the opportunity to remove the talisman. The Fabrication Machine desperately tries to grab it in anger, but 9 activates it and uses it to reabsorb the souls taken by the Fabrication Machine, causing a massive explosion that destroys the Fabrication Machine in the process. 9, 7, 3, and 4 free the souls of 5, 1, 6, 2, and 8 from the talisman and they fly up into the sky, causing it to rain. The final image shows that the raindrops contain small flecks of glowing bacteria, bringing life back to the world. | what was the name of the another robot? | Seamstress | 2,764 | 2,774 |
9 | Prior to the events of the film, a Scientist is ordered by his dictator to create a machine in the apparent name of progress. The Scientist uses his own intellect to create the B.R.A.I.N., a thinking robot. However, the dictator quickly seizes it and integrates it into the Fabrication Machine, an armature that can construct an army of war machines to destroy the dictator's enemies. Lacking a soul, the Fabrication Machine becomes corrupted and decides to exterminate all life on Earth. The Fabrication Machine reprograms the other war machines to turn against humans by using toxic gas and chemical weapons. On the verge of destruction, the Scientist uses alchemy to create nine homunculus-like rag dolls known as "Stitchpunks" using portions of his own soul via a talisman and dies upon finishing the last one.
Sometime later, the last doll, 9, awakens in the Scientist's workshop. Taking the talisman with him, 9 ventures into the devastated city and meets 2, a frail inventor who gives him a voice box and is surprised when 9 reveals the talisman. The last surviving machine, the Cat-Beast, attacks the pair and takes 2 and the talisman. 9 collapses, but awakens in Sanctuary, a cathedral that is home to other Stitchpunks, including the dogmatic leader 1, his large bodyguard 8, the cycloptic engineer 5, and the mentally unstable oracle 6. 1 immediately labels 2 as dead, but 9, having seen the factory where the Cat-Beast has taken 2, decides to rescue him. 9 and 5 venture to the factory where they find 2. Meanwhile, 7, the only female of the Stitchpunks, arrives and slays the Cat-Beast. 9, drawn by curiosity, connects the talisman to the previously derelict Fabrication Machine, causing it to absorb 2's soul, reviving it and killing him in the process whilst 9, 5, and 7 manage to escape the factory.
7 takes 9 and 5 to the library, where the silent scholar twins, 3 and 4, show 9 the Fabrication Machine's origins. 5 realizes the talisman's symbols match the clairvoyant drawings of 6. 9 and 5 return to Sanctuary to investigate, but 1 confronts and chastises them. The Fabrication Machine starts constructing new machines; one of them, the bird-like Winged Beast, attacks Sanctuary, leading to a battle between the Stitchpunks and the Winged Beast. 7 joins the fight, but is injured. 5, 6 and 8 then manage to kill the Winged Beast.
As the group retreat to the library, 6, 3, and 4 cryptically explain the talisman's origins, but 1 once again chastises the group before revealing that he sent 2 out of the church on a scouting trip to die. Enraged, 7 lashes out at 1 before running off after 9 prevents her from delivering the killing blow. Meanwhile, the Fabrication Machine finds 2's corpse and uses it as a hypnotic lure for another robot, the Seamstress. The Seamstress attacks the library and captures 7 and 8, but 2's body is safely recovered and given a funeral by the others. The others then run to the factory to destroy the machines. 9 goes inside alone, kills the Seamstress, and rescues 7, but not before witnessing 8's soul getting absorbed by the Fabrication Machine. 9 and 7 escape while the others destroy the factory.
The Stitchpunks celebrate the destruction of the factory, but the Fabrication Machine, which survived, suddenly appears from behind and ends up absorbing 5's soul after surprising the other Stitchpunks. The Fabrication Machine soon attacks the group and eventually captures 6, who is absorbed but not before convincing 9 to go to the Scientist's workshop to find answers. 9 follows 6's instructions, finding a holographic recorded message from his creator, who explains that the Stitchpunks are all a part of himself, including 9, making them the only hope for humanity. He then explains that the talisman can be used against the Fabrication Machine to free the Stitchpunks' souls trapped in it.
9 reunites with the other Stitchpunks and devises a plan to sacrifice himself to allow the others to retrieve the talisman from the Fabrication Machine. However, 1, having had a change of heart, redeems himself after saving 9 by pushing him out of the way, allowing himself to be absorbed and giving 9 the opportunity to remove the talisman. The Fabrication Machine desperately tries to grab it in anger, but 9 activates it and uses it to reabsorb the souls taken by the Fabrication Machine, causing a massive explosion that destroys the Fabrication Machine in the process. 9, 7, 3, and 4 free the souls of 5, 1, 6, 2, and 8 from the talisman and they fly up into the sky, causing it to rain. The final image shows that the raindrops contain small flecks of glowing bacteria, bringing life back to the world. | What is the B.R.A.I.N.? | thinking robot | 191 | 205 |
9 | Prior to the events of the film, a Scientist is ordered by his dictator to create a machine in the apparent name of progress. The Scientist uses his own intellect to create the B.R.A.I.N., a thinking robot. However, the dictator quickly seizes it and integrates it into the Fabrication Machine, an armature that can construct an army of war machines to destroy the dictator's enemies. Lacking a soul, the Fabrication Machine becomes corrupted and decides to exterminate all life on Earth. The Fabrication Machine reprograms the other war machines to turn against humans by using toxic gas and chemical weapons. On the verge of destruction, the Scientist uses alchemy to create nine homunculus-like rag dolls known as "Stitchpunks" using portions of his own soul via a talisman and dies upon finishing the last one.
Sometime later, the last doll, 9, awakens in the Scientist's workshop. Taking the talisman with him, 9 ventures into the devastated city and meets 2, a frail inventor who gives him a voice box and is surprised when 9 reveals the talisman. The last surviving machine, the Cat-Beast, attacks the pair and takes 2 and the talisman. 9 collapses, but awakens in Sanctuary, a cathedral that is home to other Stitchpunks, including the dogmatic leader 1, his large bodyguard 8, the cycloptic engineer 5, and the mentally unstable oracle 6. 1 immediately labels 2 as dead, but 9, having seen the factory where the Cat-Beast has taken 2, decides to rescue him. 9 and 5 venture to the factory where they find 2. Meanwhile, 7, the only female of the Stitchpunks, arrives and slays the Cat-Beast. 9, drawn by curiosity, connects the talisman to the previously derelict Fabrication Machine, causing it to absorb 2's soul, reviving it and killing him in the process whilst 9, 5, and 7 manage to escape the factory.
7 takes 9 and 5 to the library, where the silent scholar twins, 3 and 4, show 9 the Fabrication Machine's origins. 5 realizes the talisman's symbols match the clairvoyant drawings of 6. 9 and 5 return to Sanctuary to investigate, but 1 confronts and chastises them. The Fabrication Machine starts constructing new machines; one of them, the bird-like Winged Beast, attacks Sanctuary, leading to a battle between the Stitchpunks and the Winged Beast. 7 joins the fight, but is injured. 5, 6 and 8 then manage to kill the Winged Beast.
As the group retreat to the library, 6, 3, and 4 cryptically explain the talisman's origins, but 1 once again chastises the group before revealing that he sent 2 out of the church on a scouting trip to die. Enraged, 7 lashes out at 1 before running off after 9 prevents her from delivering the killing blow. Meanwhile, the Fabrication Machine finds 2's corpse and uses it as a hypnotic lure for another robot, the Seamstress. The Seamstress attacks the library and captures 7 and 8, but 2's body is safely recovered and given a funeral by the others. The others then run to the factory to destroy the machines. 9 goes inside alone, kills the Seamstress, and rescues 7, but not before witnessing 8's soul getting absorbed by the Fabrication Machine. 9 and 7 escape while the others destroy the factory.
The Stitchpunks celebrate the destruction of the factory, but the Fabrication Machine, which survived, suddenly appears from behind and ends up absorbing 5's soul after surprising the other Stitchpunks. The Fabrication Machine soon attacks the group and eventually captures 6, who is absorbed but not before convincing 9 to go to the Scientist's workshop to find answers. 9 follows 6's instructions, finding a holographic recorded message from his creator, who explains that the Stitchpunks are all a part of himself, including 9, making them the only hope for humanity. He then explains that the talisman can be used against the Fabrication Machine to free the Stitchpunks' souls trapped in it.
9 reunites with the other Stitchpunks and devises a plan to sacrifice himself to allow the others to retrieve the talisman from the Fabrication Machine. However, 1, having had a change of heart, redeems himself after saving 9 by pushing him out of the way, allowing himself to be absorbed and giving 9 the opportunity to remove the talisman. The Fabrication Machine desperately tries to grab it in anger, but 9 activates it and uses it to reabsorb the souls taken by the Fabrication Machine, causing a massive explosion that destroys the Fabrication Machine in the process. 9, 7, 3, and 4 free the souls of 5, 1, 6, 2, and 8 from the talisman and they fly up into the sky, causing it to rain. The final image shows that the raindrops contain small flecks of glowing bacteria, bringing life back to the world. | what appears from behind and absorbed the 5's soul? | Fabrication Machine | 274 | 293 |
9 | Prior to the events of the film, a Scientist is ordered by his dictator to create a machine in the apparent name of progress. The Scientist uses his own intellect to create the B.R.A.I.N., a thinking robot. However, the dictator quickly seizes it and integrates it into the Fabrication Machine, an armature that can construct an army of war machines to destroy the dictator's enemies. Lacking a soul, the Fabrication Machine becomes corrupted and decides to exterminate all life on Earth. The Fabrication Machine reprograms the other war machines to turn against humans by using toxic gas and chemical weapons. On the verge of destruction, the Scientist uses alchemy to create nine homunculus-like rag dolls known as "Stitchpunks" using portions of his own soul via a talisman and dies upon finishing the last one.
Sometime later, the last doll, 9, awakens in the Scientist's workshop. Taking the talisman with him, 9 ventures into the devastated city and meets 2, a frail inventor who gives him a voice box and is surprised when 9 reveals the talisman. The last surviving machine, the Cat-Beast, attacks the pair and takes 2 and the talisman. 9 collapses, but awakens in Sanctuary, a cathedral that is home to other Stitchpunks, including the dogmatic leader 1, his large bodyguard 8, the cycloptic engineer 5, and the mentally unstable oracle 6. 1 immediately labels 2 as dead, but 9, having seen the factory where the Cat-Beast has taken 2, decides to rescue him. 9 and 5 venture to the factory where they find 2. Meanwhile, 7, the only female of the Stitchpunks, arrives and slays the Cat-Beast. 9, drawn by curiosity, connects the talisman to the previously derelict Fabrication Machine, causing it to absorb 2's soul, reviving it and killing him in the process whilst 9, 5, and 7 manage to escape the factory.
7 takes 9 and 5 to the library, where the silent scholar twins, 3 and 4, show 9 the Fabrication Machine's origins. 5 realizes the talisman's symbols match the clairvoyant drawings of 6. 9 and 5 return to Sanctuary to investigate, but 1 confronts and chastises them. The Fabrication Machine starts constructing new machines; one of them, the bird-like Winged Beast, attacks Sanctuary, leading to a battle between the Stitchpunks and the Winged Beast. 7 joins the fight, but is injured. 5, 6 and 8 then manage to kill the Winged Beast.
As the group retreat to the library, 6, 3, and 4 cryptically explain the talisman's origins, but 1 once again chastises the group before revealing that he sent 2 out of the church on a scouting trip to die. Enraged, 7 lashes out at 1 before running off after 9 prevents her from delivering the killing blow. Meanwhile, the Fabrication Machine finds 2's corpse and uses it as a hypnotic lure for another robot, the Seamstress. The Seamstress attacks the library and captures 7 and 8, but 2's body is safely recovered and given a funeral by the others. The others then run to the factory to destroy the machines. 9 goes inside alone, kills the Seamstress, and rescues 7, but not before witnessing 8's soul getting absorbed by the Fabrication Machine. 9 and 7 escape while the others destroy the factory.
The Stitchpunks celebrate the destruction of the factory, but the Fabrication Machine, which survived, suddenly appears from behind and ends up absorbing 5's soul after surprising the other Stitchpunks. The Fabrication Machine soon attacks the group and eventually captures 6, who is absorbed but not before convincing 9 to go to the Scientist's workshop to find answers. 9 follows 6's instructions, finding a holographic recorded message from his creator, who explains that the Stitchpunks are all a part of himself, including 9, making them the only hope for humanity. He then explains that the talisman can be used against the Fabrication Machine to free the Stitchpunks' souls trapped in it.
9 reunites with the other Stitchpunks and devises a plan to sacrifice himself to allow the others to retrieve the talisman from the Fabrication Machine. However, 1, having had a change of heart, redeems himself after saving 9 by pushing him out of the way, allowing himself to be absorbed and giving 9 the opportunity to remove the talisman. The Fabrication Machine desperately tries to grab it in anger, but 9 activates it and uses it to reabsorb the souls taken by the Fabrication Machine, causing a massive explosion that destroys the Fabrication Machine in the process. 9, 7, 3, and 4 free the souls of 5, 1, 6, 2, and 8 from the talisman and they fly up into the sky, causing it to rain. The final image shows that the raindrops contain small flecks of glowing bacteria, bringing life back to the world. | Who gets the opportunity to remove the talisman? | 9 | 846 | 847 |
9 | Prior to the events of the film, a Scientist is ordered by his dictator to create a machine in the apparent name of progress. The Scientist uses his own intellect to create the B.R.A.I.N., a thinking robot. However, the dictator quickly seizes it and integrates it into the Fabrication Machine, an armature that can construct an army of war machines to destroy the dictator's enemies. Lacking a soul, the Fabrication Machine becomes corrupted and decides to exterminate all life on Earth. The Fabrication Machine reprograms the other war machines to turn against humans by using toxic gas and chemical weapons. On the verge of destruction, the Scientist uses alchemy to create nine homunculus-like rag dolls known as "Stitchpunks" using portions of his own soul via a talisman and dies upon finishing the last one.
Sometime later, the last doll, 9, awakens in the Scientist's workshop. Taking the talisman with him, 9 ventures into the devastated city and meets 2, a frail inventor who gives him a voice box and is surprised when 9 reveals the talisman. The last surviving machine, the Cat-Beast, attacks the pair and takes 2 and the talisman. 9 collapses, but awakens in Sanctuary, a cathedral that is home to other Stitchpunks, including the dogmatic leader 1, his large bodyguard 8, the cycloptic engineer 5, and the mentally unstable oracle 6. 1 immediately labels 2 as dead, but 9, having seen the factory where the Cat-Beast has taken 2, decides to rescue him. 9 and 5 venture to the factory where they find 2. Meanwhile, 7, the only female of the Stitchpunks, arrives and slays the Cat-Beast. 9, drawn by curiosity, connects the talisman to the previously derelict Fabrication Machine, causing it to absorb 2's soul, reviving it and killing him in the process whilst 9, 5, and 7 manage to escape the factory.
7 takes 9 and 5 to the library, where the silent scholar twins, 3 and 4, show 9 the Fabrication Machine's origins. 5 realizes the talisman's symbols match the clairvoyant drawings of 6. 9 and 5 return to Sanctuary to investigate, but 1 confronts and chastises them. The Fabrication Machine starts constructing new machines; one of them, the bird-like Winged Beast, attacks Sanctuary, leading to a battle between the Stitchpunks and the Winged Beast. 7 joins the fight, but is injured. 5, 6 and 8 then manage to kill the Winged Beast.
As the group retreat to the library, 6, 3, and 4 cryptically explain the talisman's origins, but 1 once again chastises the group before revealing that he sent 2 out of the church on a scouting trip to die. Enraged, 7 lashes out at 1 before running off after 9 prevents her from delivering the killing blow. Meanwhile, the Fabrication Machine finds 2's corpse and uses it as a hypnotic lure for another robot, the Seamstress. The Seamstress attacks the library and captures 7 and 8, but 2's body is safely recovered and given a funeral by the others. The others then run to the factory to destroy the machines. 9 goes inside alone, kills the Seamstress, and rescues 7, but not before witnessing 8's soul getting absorbed by the Fabrication Machine. 9 and 7 escape while the others destroy the factory.
The Stitchpunks celebrate the destruction of the factory, but the Fabrication Machine, which survived, suddenly appears from behind and ends up absorbing 5's soul after surprising the other Stitchpunks. The Fabrication Machine soon attacks the group and eventually captures 6, who is absorbed but not before convincing 9 to go to the Scientist's workshop to find answers. 9 follows 6's instructions, finding a holographic recorded message from his creator, who explains that the Stitchpunks are all a part of himself, including 9, making them the only hope for humanity. He then explains that the talisman can be used against the Fabrication Machine to free the Stitchpunks' souls trapped in it.
9 reunites with the other Stitchpunks and devises a plan to sacrifice himself to allow the others to retrieve the talisman from the Fabrication Machine. However, 1, having had a change of heart, redeems himself after saving 9 by pushing him out of the way, allowing himself to be absorbed and giving 9 the opportunity to remove the talisman. The Fabrication Machine desperately tries to grab it in anger, but 9 activates it and uses it to reabsorb the souls taken by the Fabrication Machine, causing a massive explosion that destroys the Fabrication Machine in the process. 9, 7, 3, and 4 free the souls of 5, 1, 6, 2, and 8 from the talisman and they fly up into the sky, causing it to rain. The final image shows that the raindrops contain small flecks of glowing bacteria, bringing life back to the world. | who celebrate the destruction of the factory? | The Stitchpunks | 1,550 | 1,565 |
9 | Prior to the events of the film, a Scientist is ordered by his dictator to create a machine in the apparent name of progress. The Scientist uses his own intellect to create the B.R.A.I.N., a thinking robot. However, the dictator quickly seizes it and integrates it into the Fabrication Machine, an armature that can construct an army of war machines to destroy the dictator's enemies. Lacking a soul, the Fabrication Machine becomes corrupted and decides to exterminate all life on Earth. The Fabrication Machine reprograms the other war machines to turn against humans by using toxic gas and chemical weapons. On the verge of destruction, the Scientist uses alchemy to create nine homunculus-like rag dolls known as "Stitchpunks" using portions of his own soul via a talisman and dies upon finishing the last one.
Sometime later, the last doll, 9, awakens in the Scientist's workshop. Taking the talisman with him, 9 ventures into the devastated city and meets 2, a frail inventor who gives him a voice box and is surprised when 9 reveals the talisman. The last surviving machine, the Cat-Beast, attacks the pair and takes 2 and the talisman. 9 collapses, but awakens in Sanctuary, a cathedral that is home to other Stitchpunks, including the dogmatic leader 1, his large bodyguard 8, the cycloptic engineer 5, and the mentally unstable oracle 6. 1 immediately labels 2 as dead, but 9, having seen the factory where the Cat-Beast has taken 2, decides to rescue him. 9 and 5 venture to the factory where they find 2. Meanwhile, 7, the only female of the Stitchpunks, arrives and slays the Cat-Beast. 9, drawn by curiosity, connects the talisman to the previously derelict Fabrication Machine, causing it to absorb 2's soul, reviving it and killing him in the process whilst 9, 5, and 7 manage to escape the factory.
7 takes 9 and 5 to the library, where the silent scholar twins, 3 and 4, show 9 the Fabrication Machine's origins. 5 realizes the talisman's symbols match the clairvoyant drawings of 6. 9 and 5 return to Sanctuary to investigate, but 1 confronts and chastises them. The Fabrication Machine starts constructing new machines; one of them, the bird-like Winged Beast, attacks Sanctuary, leading to a battle between the Stitchpunks and the Winged Beast. 7 joins the fight, but is injured. 5, 6 and 8 then manage to kill the Winged Beast.
As the group retreat to the library, 6, 3, and 4 cryptically explain the talisman's origins, but 1 once again chastises the group before revealing that he sent 2 out of the church on a scouting trip to die. Enraged, 7 lashes out at 1 before running off after 9 prevents her from delivering the killing blow. Meanwhile, the Fabrication Machine finds 2's corpse and uses it as a hypnotic lure for another robot, the Seamstress. The Seamstress attacks the library and captures 7 and 8, but 2's body is safely recovered and given a funeral by the others. The others then run to the factory to destroy the machines. 9 goes inside alone, kills the Seamstress, and rescues 7, but not before witnessing 8's soul getting absorbed by the Fabrication Machine. 9 and 7 escape while the others destroy the factory.
The Stitchpunks celebrate the destruction of the factory, but the Fabrication Machine, which survived, suddenly appears from behind and ends up absorbing 5's soul after surprising the other Stitchpunks. The Fabrication Machine soon attacks the group and eventually captures 6, who is absorbed but not before convincing 9 to go to the Scientist's workshop to find answers. 9 follows 6's instructions, finding a holographic recorded message from his creator, who explains that the Stitchpunks are all a part of himself, including 9, making them the only hope for humanity. He then explains that the talisman can be used against the Fabrication Machine to free the Stitchpunks' souls trapped in it.
9 reunites with the other Stitchpunks and devises a plan to sacrifice himself to allow the others to retrieve the talisman from the Fabrication Machine. However, 1, having had a change of heart, redeems himself after saving 9 by pushing him out of the way, allowing himself to be absorbed and giving 9 the opportunity to remove the talisman. The Fabrication Machine desperately tries to grab it in anger, but 9 activates it and uses it to reabsorb the souls taken by the Fabrication Machine, causing a massive explosion that destroys the Fabrication Machine in the process. 9, 7, 3, and 4 free the souls of 5, 1, 6, 2, and 8 from the talisman and they fly up into the sky, causing it to rain. The final image shows that the raindrops contain small flecks of glowing bacteria, bringing life back to the world. | What is the name of the surviving machine? | Cat-Beast | 1,086 | 1,095 |
9 | Prior to the events of the film, a Scientist is ordered by his dictator to create a machine in the apparent name of progress. The Scientist uses his own intellect to create the B.R.A.I.N., a thinking robot. However, the dictator quickly seizes it and integrates it into the Fabrication Machine, an armature that can construct an army of war machines to destroy the dictator's enemies. Lacking a soul, the Fabrication Machine becomes corrupted and decides to exterminate all life on Earth. The Fabrication Machine reprograms the other war machines to turn against humans by using toxic gas and chemical weapons. On the verge of destruction, the Scientist uses alchemy to create nine homunculus-like rag dolls known as "Stitchpunks" using portions of his own soul via a talisman and dies upon finishing the last one.
Sometime later, the last doll, 9, awakens in the Scientist's workshop. Taking the talisman with him, 9 ventures into the devastated city and meets 2, a frail inventor who gives him a voice box and is surprised when 9 reveals the talisman. The last surviving machine, the Cat-Beast, attacks the pair and takes 2 and the talisman. 9 collapses, but awakens in Sanctuary, a cathedral that is home to other Stitchpunks, including the dogmatic leader 1, his large bodyguard 8, the cycloptic engineer 5, and the mentally unstable oracle 6. 1 immediately labels 2 as dead, but 9, having seen the factory where the Cat-Beast has taken 2, decides to rescue him. 9 and 5 venture to the factory where they find 2. Meanwhile, 7, the only female of the Stitchpunks, arrives and slays the Cat-Beast. 9, drawn by curiosity, connects the talisman to the previously derelict Fabrication Machine, causing it to absorb 2's soul, reviving it and killing him in the process whilst 9, 5, and 7 manage to escape the factory.
7 takes 9 and 5 to the library, where the silent scholar twins, 3 and 4, show 9 the Fabrication Machine's origins. 5 realizes the talisman's symbols match the clairvoyant drawings of 6. 9 and 5 return to Sanctuary to investigate, but 1 confronts and chastises them. The Fabrication Machine starts constructing new machines; one of them, the bird-like Winged Beast, attacks Sanctuary, leading to a battle between the Stitchpunks and the Winged Beast. 7 joins the fight, but is injured. 5, 6 and 8 then manage to kill the Winged Beast.
As the group retreat to the library, 6, 3, and 4 cryptically explain the talisman's origins, but 1 once again chastises the group before revealing that he sent 2 out of the church on a scouting trip to die. Enraged, 7 lashes out at 1 before running off after 9 prevents her from delivering the killing blow. Meanwhile, the Fabrication Machine finds 2's corpse and uses it as a hypnotic lure for another robot, the Seamstress. The Seamstress attacks the library and captures 7 and 8, but 2's body is safely recovered and given a funeral by the others. The others then run to the factory to destroy the machines. 9 goes inside alone, kills the Seamstress, and rescues 7, but not before witnessing 8's soul getting absorbed by the Fabrication Machine. 9 and 7 escape while the others destroy the factory.
The Stitchpunks celebrate the destruction of the factory, but the Fabrication Machine, which survived, suddenly appears from behind and ends up absorbing 5's soul after surprising the other Stitchpunks. The Fabrication Machine soon attacks the group and eventually captures 6, who is absorbed but not before convincing 9 to go to the Scientist's workshop to find answers. 9 follows 6's instructions, finding a holographic recorded message from his creator, who explains that the Stitchpunks are all a part of himself, including 9, making them the only hope for humanity. He then explains that the talisman can be used against the Fabrication Machine to free the Stitchpunks' souls trapped in it.
9 reunites with the other Stitchpunks and devises a plan to sacrifice himself to allow the others to retrieve the talisman from the Fabrication Machine. However, 1, having had a change of heart, redeems himself after saving 9 by pushing him out of the way, allowing himself to be absorbed and giving 9 the opportunity to remove the talisman. The Fabrication Machine desperately tries to grab it in anger, but 9 activates it and uses it to reabsorb the souls taken by the Fabrication Machine, causing a massive explosion that destroys the Fabrication Machine in the process. 9, 7, 3, and 4 free the souls of 5, 1, 6, 2, and 8 from the talisman and they fly up into the sky, causing it to rain. The final image shows that the raindrops contain small flecks of glowing bacteria, bringing life back to the world. | What does the raindrops contain small flecks of glowing, which brings back life to the world? | Bacteria | 4,614 | 4,622 |
9 | Prior to the events of the film, a Scientist is ordered by his dictator to create a machine in the apparent name of progress. The Scientist uses his own intellect to create the B.R.A.I.N., a thinking robot. However, the dictator quickly seizes it and integrates it into the Fabrication Machine, an armature that can construct an army of war machines to destroy the dictator's enemies. Lacking a soul, the Fabrication Machine becomes corrupted and decides to exterminate all life on Earth. The Fabrication Machine reprograms the other war machines to turn against humans by using toxic gas and chemical weapons. On the verge of destruction, the Scientist uses alchemy to create nine homunculus-like rag dolls known as "Stitchpunks" using portions of his own soul via a talisman and dies upon finishing the last one.
Sometime later, the last doll, 9, awakens in the Scientist's workshop. Taking the talisman with him, 9 ventures into the devastated city and meets 2, a frail inventor who gives him a voice box and is surprised when 9 reveals the talisman. The last surviving machine, the Cat-Beast, attacks the pair and takes 2 and the talisman. 9 collapses, but awakens in Sanctuary, a cathedral that is home to other Stitchpunks, including the dogmatic leader 1, his large bodyguard 8, the cycloptic engineer 5, and the mentally unstable oracle 6. 1 immediately labels 2 as dead, but 9, having seen the factory where the Cat-Beast has taken 2, decides to rescue him. 9 and 5 venture to the factory where they find 2. Meanwhile, 7, the only female of the Stitchpunks, arrives and slays the Cat-Beast. 9, drawn by curiosity, connects the talisman to the previously derelict Fabrication Machine, causing it to absorb 2's soul, reviving it and killing him in the process whilst 9, 5, and 7 manage to escape the factory.
7 takes 9 and 5 to the library, where the silent scholar twins, 3 and 4, show 9 the Fabrication Machine's origins. 5 realizes the talisman's symbols match the clairvoyant drawings of 6. 9 and 5 return to Sanctuary to investigate, but 1 confronts and chastises them. The Fabrication Machine starts constructing new machines; one of them, the bird-like Winged Beast, attacks Sanctuary, leading to a battle between the Stitchpunks and the Winged Beast. 7 joins the fight, but is injured. 5, 6 and 8 then manage to kill the Winged Beast.
As the group retreat to the library, 6, 3, and 4 cryptically explain the talisman's origins, but 1 once again chastises the group before revealing that he sent 2 out of the church on a scouting trip to die. Enraged, 7 lashes out at 1 before running off after 9 prevents her from delivering the killing blow. Meanwhile, the Fabrication Machine finds 2's corpse and uses it as a hypnotic lure for another robot, the Seamstress. The Seamstress attacks the library and captures 7 and 8, but 2's body is safely recovered and given a funeral by the others. The others then run to the factory to destroy the machines. 9 goes inside alone, kills the Seamstress, and rescues 7, but not before witnessing 8's soul getting absorbed by the Fabrication Machine. 9 and 7 escape while the others destroy the factory.
The Stitchpunks celebrate the destruction of the factory, but the Fabrication Machine, which survived, suddenly appears from behind and ends up absorbing 5's soul after surprising the other Stitchpunks. The Fabrication Machine soon attacks the group and eventually captures 6, who is absorbed but not before convincing 9 to go to the Scientist's workshop to find answers. 9 follows 6's instructions, finding a holographic recorded message from his creator, who explains that the Stitchpunks are all a part of himself, including 9, making them the only hope for humanity. He then explains that the talisman can be used against the Fabrication Machine to free the Stitchpunks' souls trapped in it.
9 reunites with the other Stitchpunks and devises a plan to sacrifice himself to allow the others to retrieve the talisman from the Fabrication Machine. However, 1, having had a change of heart, redeems himself after saving 9 by pushing him out of the way, allowing himself to be absorbed and giving 9 the opportunity to remove the talisman. The Fabrication Machine desperately tries to grab it in anger, but 9 activates it and uses it to reabsorb the souls taken by the Fabrication Machine, causing a massive explosion that destroys the Fabrication Machine in the process. 9, 7, 3, and 4 free the souls of 5, 1, 6, 2, and 8 from the talisman and they fly up into the sky, causing it to rain. The final image shows that the raindrops contain small flecks of glowing bacteria, bringing life back to the world. | 9 follows whose instructions? | 6 | 1,345 | 1,346 |
9 | Prior to the events of the film, a Scientist is ordered by his dictator to create a machine in the apparent name of progress. The Scientist uses his own intellect to create the B.R.A.I.N., a thinking robot. However, the dictator quickly seizes it and integrates it into the Fabrication Machine, an armature that can construct an army of war machines to destroy the dictator's enemies. Lacking a soul, the Fabrication Machine becomes corrupted and decides to exterminate all life on Earth. The Fabrication Machine reprograms the other war machines to turn against humans by using toxic gas and chemical weapons. On the verge of destruction, the Scientist uses alchemy to create nine homunculus-like rag dolls known as "Stitchpunks" using portions of his own soul via a talisman and dies upon finishing the last one.
Sometime later, the last doll, 9, awakens in the Scientist's workshop. Taking the talisman with him, 9 ventures into the devastated city and meets 2, a frail inventor who gives him a voice box and is surprised when 9 reveals the talisman. The last surviving machine, the Cat-Beast, attacks the pair and takes 2 and the talisman. 9 collapses, but awakens in Sanctuary, a cathedral that is home to other Stitchpunks, including the dogmatic leader 1, his large bodyguard 8, the cycloptic engineer 5, and the mentally unstable oracle 6. 1 immediately labels 2 as dead, but 9, having seen the factory where the Cat-Beast has taken 2, decides to rescue him. 9 and 5 venture to the factory where they find 2. Meanwhile, 7, the only female of the Stitchpunks, arrives and slays the Cat-Beast. 9, drawn by curiosity, connects the talisman to the previously derelict Fabrication Machine, causing it to absorb 2's soul, reviving it and killing him in the process whilst 9, 5, and 7 manage to escape the factory.
7 takes 9 and 5 to the library, where the silent scholar twins, 3 and 4, show 9 the Fabrication Machine's origins. 5 realizes the talisman's symbols match the clairvoyant drawings of 6. 9 and 5 return to Sanctuary to investigate, but 1 confronts and chastises them. The Fabrication Machine starts constructing new machines; one of them, the bird-like Winged Beast, attacks Sanctuary, leading to a battle between the Stitchpunks and the Winged Beast. 7 joins the fight, but is injured. 5, 6 and 8 then manage to kill the Winged Beast.
As the group retreat to the library, 6, 3, and 4 cryptically explain the talisman's origins, but 1 once again chastises the group before revealing that he sent 2 out of the church on a scouting trip to die. Enraged, 7 lashes out at 1 before running off after 9 prevents her from delivering the killing blow. Meanwhile, the Fabrication Machine finds 2's corpse and uses it as a hypnotic lure for another robot, the Seamstress. The Seamstress attacks the library and captures 7 and 8, but 2's body is safely recovered and given a funeral by the others. The others then run to the factory to destroy the machines. 9 goes inside alone, kills the Seamstress, and rescues 7, but not before witnessing 8's soul getting absorbed by the Fabrication Machine. 9 and 7 escape while the others destroy the factory.
The Stitchpunks celebrate the destruction of the factory, but the Fabrication Machine, which survived, suddenly appears from behind and ends up absorbing 5's soul after surprising the other Stitchpunks. The Fabrication Machine soon attacks the group and eventually captures 6, who is absorbed but not before convincing 9 to go to the Scientist's workshop to find answers. 9 follows 6's instructions, finding a holographic recorded message from his creator, who explains that the Stitchpunks are all a part of himself, including 9, making them the only hope for humanity. He then explains that the talisman can be used against the Fabrication Machine to free the Stitchpunks' souls trapped in it.
9 reunites with the other Stitchpunks and devises a plan to sacrifice himself to allow the others to retrieve the talisman from the Fabrication Machine. However, 1, having had a change of heart, redeems himself after saving 9 by pushing him out of the way, allowing himself to be absorbed and giving 9 the opportunity to remove the talisman. The Fabrication Machine desperately tries to grab it in anger, but 9 activates it and uses it to reabsorb the souls taken by the Fabrication Machine, causing a massive explosion that destroys the Fabrication Machine in the process. 9, 7, 3, and 4 free the souls of 5, 1, 6, 2, and 8 from the talisman and they fly up into the sky, causing it to rain. The final image shows that the raindrops contain small flecks of glowing bacteria, bringing life back to the world. | Who escaped the factory? | 9, 5, and 7 | 1,774 | 1,785 |
The 6th Day | In the year 2015, the cloning of animals and human organs has become routine. Cloning entire humans, however, is prohibited by what are known as "Sixth Day" laws. Billionaire Michael Drucker, owner of cloning corporation Replacement Technologies, hires charter pilot Adam Gibson and partner Hank Morgan for a ski trip. Due to Drucker's prominence, the two must first undergo blood and eye tests to verify their aptitude. On the day of Drucker's arrival, Adam finds that his family dog Oliver has died, and Hank offers to fly Drucker instead to allow Adam time to have the pet cloned. After visiting a "RePet" shop, he remains unconvinced but purchases an animatronic doll, a SimPal, named Cindy.
Adam returns home and discovers that not only has Oliver already been cloned, but a purported clone of himself is with his family, along with another SimPal Cindy. Replacement Technologies security agents Marshall, Talia, Vincent and Wiley arrive with the intention on killing Adam. Adam kills Talia and Wiley in the ensuing chase and escapes, but both are later cloned. Adam seeks refuge at Hank's apartment after the police betray him to the agents. A while later, Tripp (whom Adam recognizes from the ski trip) kills Hank and is mortally injured by Adam. Revealed as a religious anti-cloning extremist, Tripp informs Adam that Hank was a clone, since he killed the original one on the mountaintop earlier that day, to be able to kill Drucker, who was also a clone, and there is now a new Drucker clone. Tripp then commits suicide to avoid being captured by Marshall and the others. The agents arrive again and Adam is able to disable Marshall and kill Talia again, and steals her thumb.
Adam sneaks into Replacement Technologies with Talia's thumb and finds Dr. Griffin Weir, the scientist behind Drucker's illegal human-cloning technology. Weir confirms Tripp's story, adding that to resurrect Drucker, the incident had to be covered up and Adam was cloned because they mistakenly believed he had been killed. Weir explains that Drucker - who already died years before - could lose all of his assets if the revelation became public, since clones are devoid of all rights. Sympathetic with Adam's plight, Weir gives him a memory disk (syncording) of the Drucker clone but warns him that Drucker may go after the other Adam instead, putting Adam's family in danger. Weir also discovers that Drucker has been engineering cloned humans with fatal diseases as an insurance policy against betrayal. Upon finding out that his own wife was one such victim, Weir confronts Drucker and resigns. Drucker shoots him dead while promising to clone both him and his wife.
Drucker's agents abduct the Gibson family and Adam comes face to face with his clone. The two reluctantly team up and devise a plan to destroy Drucker's facility. While Adam wrecks the security system and gets himself captured, the clone sneaks in, plants a bomb and rescues his family. Drucker, however, tells Adam that he himself is the clone; the other Adam is the original one. Enraged, Adam fights off Drucker's agents and Drucker is mortally wounded while Talia, Wiley, Vincent and Marshall are killed for the final time. Drucker manages to clone himself before he dies but the malfunctioning equipment causes the new Drucker to be incomplete. As the cloned Adam fights his way to the rooftop, he is rescued via helicopter by the real one as Drucker falls to his death before the facility explodes.
Now having a more moderate view of cloning, the real Adam arranges for his clone to move to Argentina to start a satellite office of their charter business. The clone's existence is kept a secret, especially upon discovering that his DNA has no embedded illnesses, giving him a chance at a full life, since he was of no political value to Drucker. As a parting gift to the Gibson family, the clone gives them Hank's RePet cat, Sadie. The real Adam gives the clone a flying send-off. | What was Adam's family dog named? | Oliver | 485 | 491 |
The 6th Day | In the year 2015, the cloning of animals and human organs has become routine. Cloning entire humans, however, is prohibited by what are known as "Sixth Day" laws. Billionaire Michael Drucker, owner of cloning corporation Replacement Technologies, hires charter pilot Adam Gibson and partner Hank Morgan for a ski trip. Due to Drucker's prominence, the two must first undergo blood and eye tests to verify their aptitude. On the day of Drucker's arrival, Adam finds that his family dog Oliver has died, and Hank offers to fly Drucker instead to allow Adam time to have the pet cloned. After visiting a "RePet" shop, he remains unconvinced but purchases an animatronic doll, a SimPal, named Cindy.
Adam returns home and discovers that not only has Oliver already been cloned, but a purported clone of himself is with his family, along with another SimPal Cindy. Replacement Technologies security agents Marshall, Talia, Vincent and Wiley arrive with the intention on killing Adam. Adam kills Talia and Wiley in the ensuing chase and escapes, but both are later cloned. Adam seeks refuge at Hank's apartment after the police betray him to the agents. A while later, Tripp (whom Adam recognizes from the ski trip) kills Hank and is mortally injured by Adam. Revealed as a religious anti-cloning extremist, Tripp informs Adam that Hank was a clone, since he killed the original one on the mountaintop earlier that day, to be able to kill Drucker, who was also a clone, and there is now a new Drucker clone. Tripp then commits suicide to avoid being captured by Marshall and the others. The agents arrive again and Adam is able to disable Marshall and kill Talia again, and steals her thumb.
Adam sneaks into Replacement Technologies with Talia's thumb and finds Dr. Griffin Weir, the scientist behind Drucker's illegal human-cloning technology. Weir confirms Tripp's story, adding that to resurrect Drucker, the incident had to be covered up and Adam was cloned because they mistakenly believed he had been killed. Weir explains that Drucker - who already died years before - could lose all of his assets if the revelation became public, since clones are devoid of all rights. Sympathetic with Adam's plight, Weir gives him a memory disk (syncording) of the Drucker clone but warns him that Drucker may go after the other Adam instead, putting Adam's family in danger. Weir also discovers that Drucker has been engineering cloned humans with fatal diseases as an insurance policy against betrayal. Upon finding out that his own wife was one such victim, Weir confronts Drucker and resigns. Drucker shoots him dead while promising to clone both him and his wife.
Drucker's agents abduct the Gibson family and Adam comes face to face with his clone. The two reluctantly team up and devise a plan to destroy Drucker's facility. While Adam wrecks the security system and gets himself captured, the clone sneaks in, plants a bomb and rescues his family. Drucker, however, tells Adam that he himself is the clone; the other Adam is the original one. Enraged, Adam fights off Drucker's agents and Drucker is mortally wounded while Talia, Wiley, Vincent and Marshall are killed for the final time. Drucker manages to clone himself before he dies but the malfunctioning equipment causes the new Drucker to be incomplete. As the cloned Adam fights his way to the rooftop, he is rescued via helicopter by the real one as Drucker falls to his death before the facility explodes.
Now having a more moderate view of cloning, the real Adam arranges for his clone to move to Argentina to start a satellite office of their charter business. The clone's existence is kept a secret, especially upon discovering that his DNA has no embedded illnesses, giving him a chance at a full life, since he was of no political value to Drucker. As a parting gift to the Gibson family, the clone gives them Hank's RePet cat, Sadie. The real Adam gives the clone a flying send-off. | Where did Adam have his clone move to? | Argentina | 3,554 | 3,563 |
The 6th Day | In the year 2015, the cloning of animals and human organs has become routine. Cloning entire humans, however, is prohibited by what are known as "Sixth Day" laws. Billionaire Michael Drucker, owner of cloning corporation Replacement Technologies, hires charter pilot Adam Gibson and partner Hank Morgan for a ski trip. Due to Drucker's prominence, the two must first undergo blood and eye tests to verify their aptitude. On the day of Drucker's arrival, Adam finds that his family dog Oliver has died, and Hank offers to fly Drucker instead to allow Adam time to have the pet cloned. After visiting a "RePet" shop, he remains unconvinced but purchases an animatronic doll, a SimPal, named Cindy.
Adam returns home and discovers that not only has Oliver already been cloned, but a purported clone of himself is with his family, along with another SimPal Cindy. Replacement Technologies security agents Marshall, Talia, Vincent and Wiley arrive with the intention on killing Adam. Adam kills Talia and Wiley in the ensuing chase and escapes, but both are later cloned. Adam seeks refuge at Hank's apartment after the police betray him to the agents. A while later, Tripp (whom Adam recognizes from the ski trip) kills Hank and is mortally injured by Adam. Revealed as a religious anti-cloning extremist, Tripp informs Adam that Hank was a clone, since he killed the original one on the mountaintop earlier that day, to be able to kill Drucker, who was also a clone, and there is now a new Drucker clone. Tripp then commits suicide to avoid being captured by Marshall and the others. The agents arrive again and Adam is able to disable Marshall and kill Talia again, and steals her thumb.
Adam sneaks into Replacement Technologies with Talia's thumb and finds Dr. Griffin Weir, the scientist behind Drucker's illegal human-cloning technology. Weir confirms Tripp's story, adding that to resurrect Drucker, the incident had to be covered up and Adam was cloned because they mistakenly believed he had been killed. Weir explains that Drucker - who already died years before - could lose all of his assets if the revelation became public, since clones are devoid of all rights. Sympathetic with Adam's plight, Weir gives him a memory disk (syncording) of the Drucker clone but warns him that Drucker may go after the other Adam instead, putting Adam's family in danger. Weir also discovers that Drucker has been engineering cloned humans with fatal diseases as an insurance policy against betrayal. Upon finding out that his own wife was one such victim, Weir confronts Drucker and resigns. Drucker shoots him dead while promising to clone both him and his wife.
Drucker's agents abduct the Gibson family and Adam comes face to face with his clone. The two reluctantly team up and devise a plan to destroy Drucker's facility. While Adam wrecks the security system and gets himself captured, the clone sneaks in, plants a bomb and rescues his family. Drucker, however, tells Adam that he himself is the clone; the other Adam is the original one. Enraged, Adam fights off Drucker's agents and Drucker is mortally wounded while Talia, Wiley, Vincent and Marshall are killed for the final time. Drucker manages to clone himself before he dies but the malfunctioning equipment causes the new Drucker to be incomplete. As the cloned Adam fights his way to the rooftop, he is rescued via helicopter by the real one as Drucker falls to his death before the facility explodes.
Now having a more moderate view of cloning, the real Adam arranges for his clone to move to Argentina to start a satellite office of their charter business. The clone's existence is kept a secret, especially upon discovering that his DNA has no embedded illnesses, giving him a chance at a full life, since he was of no political value to Drucker. As a parting gift to the Gibson family, the clone gives them Hank's RePet cat, Sadie. The real Adam gives the clone a flying send-off. | Why does Tripp commit suicide? | To avoid being captured | 1,529 | 1,552 |
The 6th Day | In the year 2015, the cloning of animals and human organs has become routine. Cloning entire humans, however, is prohibited by what are known as "Sixth Day" laws. Billionaire Michael Drucker, owner of cloning corporation Replacement Technologies, hires charter pilot Adam Gibson and partner Hank Morgan for a ski trip. Due to Drucker's prominence, the two must first undergo blood and eye tests to verify their aptitude. On the day of Drucker's arrival, Adam finds that his family dog Oliver has died, and Hank offers to fly Drucker instead to allow Adam time to have the pet cloned. After visiting a "RePet" shop, he remains unconvinced but purchases an animatronic doll, a SimPal, named Cindy.
Adam returns home and discovers that not only has Oliver already been cloned, but a purported clone of himself is with his family, along with another SimPal Cindy. Replacement Technologies security agents Marshall, Talia, Vincent and Wiley arrive with the intention on killing Adam. Adam kills Talia and Wiley in the ensuing chase and escapes, but both are later cloned. Adam seeks refuge at Hank's apartment after the police betray him to the agents. A while later, Tripp (whom Adam recognizes from the ski trip) kills Hank and is mortally injured by Adam. Revealed as a religious anti-cloning extremist, Tripp informs Adam that Hank was a clone, since he killed the original one on the mountaintop earlier that day, to be able to kill Drucker, who was also a clone, and there is now a new Drucker clone. Tripp then commits suicide to avoid being captured by Marshall and the others. The agents arrive again and Adam is able to disable Marshall and kill Talia again, and steals her thumb.
Adam sneaks into Replacement Technologies with Talia's thumb and finds Dr. Griffin Weir, the scientist behind Drucker's illegal human-cloning technology. Weir confirms Tripp's story, adding that to resurrect Drucker, the incident had to be covered up and Adam was cloned because they mistakenly believed he had been killed. Weir explains that Drucker - who already died years before - could lose all of his assets if the revelation became public, since clones are devoid of all rights. Sympathetic with Adam's plight, Weir gives him a memory disk (syncording) of the Drucker clone but warns him that Drucker may go after the other Adam instead, putting Adam's family in danger. Weir also discovers that Drucker has been engineering cloned humans with fatal diseases as an insurance policy against betrayal. Upon finding out that his own wife was one such victim, Weir confronts Drucker and resigns. Drucker shoots him dead while promising to clone both him and his wife.
Drucker's agents abduct the Gibson family and Adam comes face to face with his clone. The two reluctantly team up and devise a plan to destroy Drucker's facility. While Adam wrecks the security system and gets himself captured, the clone sneaks in, plants a bomb and rescues his family. Drucker, however, tells Adam that he himself is the clone; the other Adam is the original one. Enraged, Adam fights off Drucker's agents and Drucker is mortally wounded while Talia, Wiley, Vincent and Marshall are killed for the final time. Drucker manages to clone himself before he dies but the malfunctioning equipment causes the new Drucker to be incomplete. As the cloned Adam fights his way to the rooftop, he is rescued via helicopter by the real one as Drucker falls to his death before the facility explodes.
Now having a more moderate view of cloning, the real Adam arranges for his clone to move to Argentina to start a satellite office of their charter business. The clone's existence is kept a secret, especially upon discovering that his DNA has no embedded illnesses, giving him a chance at a full life, since he was of no political value to Drucker. As a parting gift to the Gibson family, the clone gives them Hank's RePet cat, Sadie. The real Adam gives the clone a flying send-off. | Whose apartment does Adam seek refuge at? | Hank's | 1,088 | 1,094 |
The 6th Day | In the year 2015, the cloning of animals and human organs has become routine. Cloning entire humans, however, is prohibited by what are known as "Sixth Day" laws. Billionaire Michael Drucker, owner of cloning corporation Replacement Technologies, hires charter pilot Adam Gibson and partner Hank Morgan for a ski trip. Due to Drucker's prominence, the two must first undergo blood and eye tests to verify their aptitude. On the day of Drucker's arrival, Adam finds that his family dog Oliver has died, and Hank offers to fly Drucker instead to allow Adam time to have the pet cloned. After visiting a "RePet" shop, he remains unconvinced but purchases an animatronic doll, a SimPal, named Cindy.
Adam returns home and discovers that not only has Oliver already been cloned, but a purported clone of himself is with his family, along with another SimPal Cindy. Replacement Technologies security agents Marshall, Talia, Vincent and Wiley arrive with the intention on killing Adam. Adam kills Talia and Wiley in the ensuing chase and escapes, but both are later cloned. Adam seeks refuge at Hank's apartment after the police betray him to the agents. A while later, Tripp (whom Adam recognizes from the ski trip) kills Hank and is mortally injured by Adam. Revealed as a religious anti-cloning extremist, Tripp informs Adam that Hank was a clone, since he killed the original one on the mountaintop earlier that day, to be able to kill Drucker, who was also a clone, and there is now a new Drucker clone. Tripp then commits suicide to avoid being captured by Marshall and the others. The agents arrive again and Adam is able to disable Marshall and kill Talia again, and steals her thumb.
Adam sneaks into Replacement Technologies with Talia's thumb and finds Dr. Griffin Weir, the scientist behind Drucker's illegal human-cloning technology. Weir confirms Tripp's story, adding that to resurrect Drucker, the incident had to be covered up and Adam was cloned because they mistakenly believed he had been killed. Weir explains that Drucker - who already died years before - could lose all of his assets if the revelation became public, since clones are devoid of all rights. Sympathetic with Adam's plight, Weir gives him a memory disk (syncording) of the Drucker clone but warns him that Drucker may go after the other Adam instead, putting Adam's family in danger. Weir also discovers that Drucker has been engineering cloned humans with fatal diseases as an insurance policy against betrayal. Upon finding out that his own wife was one such victim, Weir confronts Drucker and resigns. Drucker shoots him dead while promising to clone both him and his wife.
Drucker's agents abduct the Gibson family and Adam comes face to face with his clone. The two reluctantly team up and devise a plan to destroy Drucker's facility. While Adam wrecks the security system and gets himself captured, the clone sneaks in, plants a bomb and rescues his family. Drucker, however, tells Adam that he himself is the clone; the other Adam is the original one. Enraged, Adam fights off Drucker's agents and Drucker is mortally wounded while Talia, Wiley, Vincent and Marshall are killed for the final time. Drucker manages to clone himself before he dies but the malfunctioning equipment causes the new Drucker to be incomplete. As the cloned Adam fights his way to the rooftop, he is rescued via helicopter by the real one as Drucker falls to his death before the facility explodes.
Now having a more moderate view of cloning, the real Adam arranges for his clone to move to Argentina to start a satellite office of their charter business. The clone's existence is kept a secret, especially upon discovering that his DNA has no embedded illnesses, giving him a chance at a full life, since he was of no political value to Drucker. As a parting gift to the Gibson family, the clone gives them Hank's RePet cat, Sadie. The real Adam gives the clone a flying send-off. | Who fights his way to the rooftop? | cloned Adam | 3,314 | 3,325 |
The 6th Day | In the year 2015, the cloning of animals and human organs has become routine. Cloning entire humans, however, is prohibited by what are known as "Sixth Day" laws. Billionaire Michael Drucker, owner of cloning corporation Replacement Technologies, hires charter pilot Adam Gibson and partner Hank Morgan for a ski trip. Due to Drucker's prominence, the two must first undergo blood and eye tests to verify their aptitude. On the day of Drucker's arrival, Adam finds that his family dog Oliver has died, and Hank offers to fly Drucker instead to allow Adam time to have the pet cloned. After visiting a "RePet" shop, he remains unconvinced but purchases an animatronic doll, a SimPal, named Cindy.
Adam returns home and discovers that not only has Oliver already been cloned, but a purported clone of himself is with his family, along with another SimPal Cindy. Replacement Technologies security agents Marshall, Talia, Vincent and Wiley arrive with the intention on killing Adam. Adam kills Talia and Wiley in the ensuing chase and escapes, but both are later cloned. Adam seeks refuge at Hank's apartment after the police betray him to the agents. A while later, Tripp (whom Adam recognizes from the ski trip) kills Hank and is mortally injured by Adam. Revealed as a religious anti-cloning extremist, Tripp informs Adam that Hank was a clone, since he killed the original one on the mountaintop earlier that day, to be able to kill Drucker, who was also a clone, and there is now a new Drucker clone. Tripp then commits suicide to avoid being captured by Marshall and the others. The agents arrive again and Adam is able to disable Marshall and kill Talia again, and steals her thumb.
Adam sneaks into Replacement Technologies with Talia's thumb and finds Dr. Griffin Weir, the scientist behind Drucker's illegal human-cloning technology. Weir confirms Tripp's story, adding that to resurrect Drucker, the incident had to be covered up and Adam was cloned because they mistakenly believed he had been killed. Weir explains that Drucker - who already died years before - could lose all of his assets if the revelation became public, since clones are devoid of all rights. Sympathetic with Adam's plight, Weir gives him a memory disk (syncording) of the Drucker clone but warns him that Drucker may go after the other Adam instead, putting Adam's family in danger. Weir also discovers that Drucker has been engineering cloned humans with fatal diseases as an insurance policy against betrayal. Upon finding out that his own wife was one such victim, Weir confronts Drucker and resigns. Drucker shoots him dead while promising to clone both him and his wife.
Drucker's agents abduct the Gibson family and Adam comes face to face with his clone. The two reluctantly team up and devise a plan to destroy Drucker's facility. While Adam wrecks the security system and gets himself captured, the clone sneaks in, plants a bomb and rescues his family. Drucker, however, tells Adam that he himself is the clone; the other Adam is the original one. Enraged, Adam fights off Drucker's agents and Drucker is mortally wounded while Talia, Wiley, Vincent and Marshall are killed for the final time. Drucker manages to clone himself before he dies but the malfunctioning equipment causes the new Drucker to be incomplete. As the cloned Adam fights his way to the rooftop, he is rescued via helicopter by the real one as Drucker falls to his death before the facility explodes.
Now having a more moderate view of cloning, the real Adam arranges for his clone to move to Argentina to start a satellite office of their charter business. The clone's existence is kept a secret, especially upon discovering that his DNA has no embedded illnesses, giving him a chance at a full life, since he was of no political value to Drucker. As a parting gift to the Gibson family, the clone gives them Hank's RePet cat, Sadie. The real Adam gives the clone a flying send-off. | Who was cloned? | Adam | 267 | 271 |
The 6th Day | In the year 2015, the cloning of animals and human organs has become routine. Cloning entire humans, however, is prohibited by what are known as "Sixth Day" laws. Billionaire Michael Drucker, owner of cloning corporation Replacement Technologies, hires charter pilot Adam Gibson and partner Hank Morgan for a ski trip. Due to Drucker's prominence, the two must first undergo blood and eye tests to verify their aptitude. On the day of Drucker's arrival, Adam finds that his family dog Oliver has died, and Hank offers to fly Drucker instead to allow Adam time to have the pet cloned. After visiting a "RePet" shop, he remains unconvinced but purchases an animatronic doll, a SimPal, named Cindy.
Adam returns home and discovers that not only has Oliver already been cloned, but a purported clone of himself is with his family, along with another SimPal Cindy. Replacement Technologies security agents Marshall, Talia, Vincent and Wiley arrive with the intention on killing Adam. Adam kills Talia and Wiley in the ensuing chase and escapes, but both are later cloned. Adam seeks refuge at Hank's apartment after the police betray him to the agents. A while later, Tripp (whom Adam recognizes from the ski trip) kills Hank and is mortally injured by Adam. Revealed as a religious anti-cloning extremist, Tripp informs Adam that Hank was a clone, since he killed the original one on the mountaintop earlier that day, to be able to kill Drucker, who was also a clone, and there is now a new Drucker clone. Tripp then commits suicide to avoid being captured by Marshall and the others. The agents arrive again and Adam is able to disable Marshall and kill Talia again, and steals her thumb.
Adam sneaks into Replacement Technologies with Talia's thumb and finds Dr. Griffin Weir, the scientist behind Drucker's illegal human-cloning technology. Weir confirms Tripp's story, adding that to resurrect Drucker, the incident had to be covered up and Adam was cloned because they mistakenly believed he had been killed. Weir explains that Drucker - who already died years before - could lose all of his assets if the revelation became public, since clones are devoid of all rights. Sympathetic with Adam's plight, Weir gives him a memory disk (syncording) of the Drucker clone but warns him that Drucker may go after the other Adam instead, putting Adam's family in danger. Weir also discovers that Drucker has been engineering cloned humans with fatal diseases as an insurance policy against betrayal. Upon finding out that his own wife was one such victim, Weir confronts Drucker and resigns. Drucker shoots him dead while promising to clone both him and his wife.
Drucker's agents abduct the Gibson family and Adam comes face to face with his clone. The two reluctantly team up and devise a plan to destroy Drucker's facility. While Adam wrecks the security system and gets himself captured, the clone sneaks in, plants a bomb and rescues his family. Drucker, however, tells Adam that he himself is the clone; the other Adam is the original one. Enraged, Adam fights off Drucker's agents and Drucker is mortally wounded while Talia, Wiley, Vincent and Marshall are killed for the final time. Drucker manages to clone himself before he dies but the malfunctioning equipment causes the new Drucker to be incomplete. As the cloned Adam fights his way to the rooftop, he is rescued via helicopter by the real one as Drucker falls to his death before the facility explodes.
Now having a more moderate view of cloning, the real Adam arranges for his clone to move to Argentina to start a satellite office of their charter business. The clone's existence is kept a secret, especially upon discovering that his DNA has no embedded illnesses, giving him a chance at a full life, since he was of no political value to Drucker. As a parting gift to the Gibson family, the clone gives them Hank's RePet cat, Sadie. The real Adam gives the clone a flying send-off. | Who is mortally wounded? | Drucker | 183 | 190 |
The 6th Day | In the year 2015, the cloning of animals and human organs has become routine. Cloning entire humans, however, is prohibited by what are known as "Sixth Day" laws. Billionaire Michael Drucker, owner of cloning corporation Replacement Technologies, hires charter pilot Adam Gibson and partner Hank Morgan for a ski trip. Due to Drucker's prominence, the two must first undergo blood and eye tests to verify their aptitude. On the day of Drucker's arrival, Adam finds that his family dog Oliver has died, and Hank offers to fly Drucker instead to allow Adam time to have the pet cloned. After visiting a "RePet" shop, he remains unconvinced but purchases an animatronic doll, a SimPal, named Cindy.
Adam returns home and discovers that not only has Oliver already been cloned, but a purported clone of himself is with his family, along with another SimPal Cindy. Replacement Technologies security agents Marshall, Talia, Vincent and Wiley arrive with the intention on killing Adam. Adam kills Talia and Wiley in the ensuing chase and escapes, but both are later cloned. Adam seeks refuge at Hank's apartment after the police betray him to the agents. A while later, Tripp (whom Adam recognizes from the ski trip) kills Hank and is mortally injured by Adam. Revealed as a religious anti-cloning extremist, Tripp informs Adam that Hank was a clone, since he killed the original one on the mountaintop earlier that day, to be able to kill Drucker, who was also a clone, and there is now a new Drucker clone. Tripp then commits suicide to avoid being captured by Marshall and the others. The agents arrive again and Adam is able to disable Marshall and kill Talia again, and steals her thumb.
Adam sneaks into Replacement Technologies with Talia's thumb and finds Dr. Griffin Weir, the scientist behind Drucker's illegal human-cloning technology. Weir confirms Tripp's story, adding that to resurrect Drucker, the incident had to be covered up and Adam was cloned because they mistakenly believed he had been killed. Weir explains that Drucker - who already died years before - could lose all of his assets if the revelation became public, since clones are devoid of all rights. Sympathetic with Adam's plight, Weir gives him a memory disk (syncording) of the Drucker clone but warns him that Drucker may go after the other Adam instead, putting Adam's family in danger. Weir also discovers that Drucker has been engineering cloned humans with fatal diseases as an insurance policy against betrayal. Upon finding out that his own wife was one such victim, Weir confronts Drucker and resigns. Drucker shoots him dead while promising to clone both him and his wife.
Drucker's agents abduct the Gibson family and Adam comes face to face with his clone. The two reluctantly team up and devise a plan to destroy Drucker's facility. While Adam wrecks the security system and gets himself captured, the clone sneaks in, plants a bomb and rescues his family. Drucker, however, tells Adam that he himself is the clone; the other Adam is the original one. Enraged, Adam fights off Drucker's agents and Drucker is mortally wounded while Talia, Wiley, Vincent and Marshall are killed for the final time. Drucker manages to clone himself before he dies but the malfunctioning equipment causes the new Drucker to be incomplete. As the cloned Adam fights his way to the rooftop, he is rescued via helicopter by the real one as Drucker falls to his death before the facility explodes.
Now having a more moderate view of cloning, the real Adam arranges for his clone to move to Argentina to start a satellite office of their charter business. The clone's existence is kept a secret, especially upon discovering that his DNA has no embedded illnesses, giving him a chance at a full life, since he was of no political value to Drucker. As a parting gift to the Gibson family, the clone gives them Hank's RePet cat, Sadie. The real Adam gives the clone a flying send-off. | WHAT DOES WEIS GIVE ADAM ? | MEMORY DISK | 2,221 | 2,232 |
The 6th Day | In the year 2015, the cloning of animals and human organs has become routine. Cloning entire humans, however, is prohibited by what are known as "Sixth Day" laws. Billionaire Michael Drucker, owner of cloning corporation Replacement Technologies, hires charter pilot Adam Gibson and partner Hank Morgan for a ski trip. Due to Drucker's prominence, the two must first undergo blood and eye tests to verify their aptitude. On the day of Drucker's arrival, Adam finds that his family dog Oliver has died, and Hank offers to fly Drucker instead to allow Adam time to have the pet cloned. After visiting a "RePet" shop, he remains unconvinced but purchases an animatronic doll, a SimPal, named Cindy.
Adam returns home and discovers that not only has Oliver already been cloned, but a purported clone of himself is with his family, along with another SimPal Cindy. Replacement Technologies security agents Marshall, Talia, Vincent and Wiley arrive with the intention on killing Adam. Adam kills Talia and Wiley in the ensuing chase and escapes, but both are later cloned. Adam seeks refuge at Hank's apartment after the police betray him to the agents. A while later, Tripp (whom Adam recognizes from the ski trip) kills Hank and is mortally injured by Adam. Revealed as a religious anti-cloning extremist, Tripp informs Adam that Hank was a clone, since he killed the original one on the mountaintop earlier that day, to be able to kill Drucker, who was also a clone, and there is now a new Drucker clone. Tripp then commits suicide to avoid being captured by Marshall and the others. The agents arrive again and Adam is able to disable Marshall and kill Talia again, and steals her thumb.
Adam sneaks into Replacement Technologies with Talia's thumb and finds Dr. Griffin Weir, the scientist behind Drucker's illegal human-cloning technology. Weir confirms Tripp's story, adding that to resurrect Drucker, the incident had to be covered up and Adam was cloned because they mistakenly believed he had been killed. Weir explains that Drucker - who already died years before - could lose all of his assets if the revelation became public, since clones are devoid of all rights. Sympathetic with Adam's plight, Weir gives him a memory disk (syncording) of the Drucker clone but warns him that Drucker may go after the other Adam instead, putting Adam's family in danger. Weir also discovers that Drucker has been engineering cloned humans with fatal diseases as an insurance policy against betrayal. Upon finding out that his own wife was one such victim, Weir confronts Drucker and resigns. Drucker shoots him dead while promising to clone both him and his wife.
Drucker's agents abduct the Gibson family and Adam comes face to face with his clone. The two reluctantly team up and devise a plan to destroy Drucker's facility. While Adam wrecks the security system and gets himself captured, the clone sneaks in, plants a bomb and rescues his family. Drucker, however, tells Adam that he himself is the clone; the other Adam is the original one. Enraged, Adam fights off Drucker's agents and Drucker is mortally wounded while Talia, Wiley, Vincent and Marshall are killed for the final time. Drucker manages to clone himself before he dies but the malfunctioning equipment causes the new Drucker to be incomplete. As the cloned Adam fights his way to the rooftop, he is rescued via helicopter by the real one as Drucker falls to his death before the facility explodes.
Now having a more moderate view of cloning, the real Adam arranges for his clone to move to Argentina to start a satellite office of their charter business. The clone's existence is kept a secret, especially upon discovering that his DNA has no embedded illnesses, giving him a chance at a full life, since he was of no political value to Drucker. As a parting gift to the Gibson family, the clone gives them Hank's RePet cat, Sadie. The real Adam gives the clone a flying send-off. | Who is the owner of Replacement Technologies? | Michael Drucker | 175 | 190 |
The 6th Day | In the year 2015, the cloning of animals and human organs has become routine. Cloning entire humans, however, is prohibited by what are known as "Sixth Day" laws. Billionaire Michael Drucker, owner of cloning corporation Replacement Technologies, hires charter pilot Adam Gibson and partner Hank Morgan for a ski trip. Due to Drucker's prominence, the two must first undergo blood and eye tests to verify their aptitude. On the day of Drucker's arrival, Adam finds that his family dog Oliver has died, and Hank offers to fly Drucker instead to allow Adam time to have the pet cloned. After visiting a "RePet" shop, he remains unconvinced but purchases an animatronic doll, a SimPal, named Cindy.
Adam returns home and discovers that not only has Oliver already been cloned, but a purported clone of himself is with his family, along with another SimPal Cindy. Replacement Technologies security agents Marshall, Talia, Vincent and Wiley arrive with the intention on killing Adam. Adam kills Talia and Wiley in the ensuing chase and escapes, but both are later cloned. Adam seeks refuge at Hank's apartment after the police betray him to the agents. A while later, Tripp (whom Adam recognizes from the ski trip) kills Hank and is mortally injured by Adam. Revealed as a religious anti-cloning extremist, Tripp informs Adam that Hank was a clone, since he killed the original one on the mountaintop earlier that day, to be able to kill Drucker, who was also a clone, and there is now a new Drucker clone. Tripp then commits suicide to avoid being captured by Marshall and the others. The agents arrive again and Adam is able to disable Marshall and kill Talia again, and steals her thumb.
Adam sneaks into Replacement Technologies with Talia's thumb and finds Dr. Griffin Weir, the scientist behind Drucker's illegal human-cloning technology. Weir confirms Tripp's story, adding that to resurrect Drucker, the incident had to be covered up and Adam was cloned because they mistakenly believed he had been killed. Weir explains that Drucker - who already died years before - could lose all of his assets if the revelation became public, since clones are devoid of all rights. Sympathetic with Adam's plight, Weir gives him a memory disk (syncording) of the Drucker clone but warns him that Drucker may go after the other Adam instead, putting Adam's family in danger. Weir also discovers that Drucker has been engineering cloned humans with fatal diseases as an insurance policy against betrayal. Upon finding out that his own wife was one such victim, Weir confronts Drucker and resigns. Drucker shoots him dead while promising to clone both him and his wife.
Drucker's agents abduct the Gibson family and Adam comes face to face with his clone. The two reluctantly team up and devise a plan to destroy Drucker's facility. While Adam wrecks the security system and gets himself captured, the clone sneaks in, plants a bomb and rescues his family. Drucker, however, tells Adam that he himself is the clone; the other Adam is the original one. Enraged, Adam fights off Drucker's agents and Drucker is mortally wounded while Talia, Wiley, Vincent and Marshall are killed for the final time. Drucker manages to clone himself before he dies but the malfunctioning equipment causes the new Drucker to be incomplete. As the cloned Adam fights his way to the rooftop, he is rescued via helicopter by the real one as Drucker falls to his death before the facility explodes.
Now having a more moderate view of cloning, the real Adam arranges for his clone to move to Argentina to start a satellite office of their charter business. The clone's existence is kept a secret, especially upon discovering that his DNA has no embedded illnesses, giving him a chance at a full life, since he was of no political value to Drucker. As a parting gift to the Gibson family, the clone gives them Hank's RePet cat, Sadie. The real Adam gives the clone a flying send-off. | WHAT DOES WEIR DISCOVER ? | DRUCKER HAS BEEN ENGINEERING CLONED HUMANS WITH FATAL DISEASES | 2,389 | 2,451 |
Doomsday Prophecy | Events from the Doomsday Prophecy novel by Rupert Crane begin happening in real life. As earthquakes occur all over the world, a journalist and archaeologist travel to British Columbia to try and stop them. Eric and Brooke, following instructions left by Crane, work to trigger an anti-doomsday machine and prevent massive destruction.
Using a rod that, when touched, can predict the future and pursued by government agents, Eric and Brooke, attempt to find seven ancient stone heads, similar to those on Easter Island, that, when joined with the rod, will send out an energy beam, that will push back a dark planet, the cause of the worldwide earthquakes. | What is causing the worldwide earthquakes? | Dark planet | 604 | 615 |
Doomsday Prophecy | Events from the Doomsday Prophecy novel by Rupert Crane begin happening in real life. As earthquakes occur all over the world, a journalist and archaeologist travel to British Columbia to try and stop them. Eric and Brooke, following instructions left by Crane, work to trigger an anti-doomsday machine and prevent massive destruction.
Using a rod that, when touched, can predict the future and pursued by government agents, Eric and Brooke, attempt to find seven ancient stone heads, similar to those on Easter Island, that, when joined with the rod, will send out an energy beam, that will push back a dark planet, the cause of the worldwide earthquakes. | What power does the rod have? | Predict the future | 372 | 390 |
Doomsday Prophecy | Events from the Doomsday Prophecy novel by Rupert Crane begin happening in real life. As earthquakes occur all over the world, a journalist and archaeologist travel to British Columbia to try and stop them. Eric and Brooke, following instructions left by Crane, work to trigger an anti-doomsday machine and prevent massive destruction.
Using a rod that, when touched, can predict the future and pursued by government agents, Eric and Brooke, attempt to find seven ancient stone heads, similar to those on Easter Island, that, when joined with the rod, will send out an energy beam, that will push back a dark planet, the cause of the worldwide earthquakes. | Who is following instructions left by Crane? | Eric and Brooke | 207 | 222 |
Doomsday Prophecy | Events from the Doomsday Prophecy novel by Rupert Crane begin happening in real life. As earthquakes occur all over the world, a journalist and archaeologist travel to British Columbia to try and stop them. Eric and Brooke, following instructions left by Crane, work to trigger an anti-doomsday machine and prevent massive destruction.
Using a rod that, when touched, can predict the future and pursued by government agents, Eric and Brooke, attempt to find seven ancient stone heads, similar to those on Easter Island, that, when joined with the rod, will send out an energy beam, that will push back a dark planet, the cause of the worldwide earthquakes. | Who is author of Doomsday Prophecy novel? | Rupert Crane | 43 | 55 |
Hobbi al-Wahid | Mona is in a love triangle with Adel (Omar Sharif), an airplane pilot who she loves, and Rushdi (Kamal Al-Shennawi), a family friend of Mona, who she has rejected on several occasions.On the day of Adel and Mona's engagement party, Adel is bringing Mona's friend, Hoda, but there is a car accident on their way. When Mona telephones Adel to see why he is late, Hoda replies, consequently Mona thinks Adel is having an affair with her. She agrees to marry Rushdi, but afterwards, he treats her badly. She conceives but after learning she has become pregnant, Adel hits her, thus making her miscarry.Hoda meets Mona secretly and tells her the truth. Shocked by the truth, she asks Rushdi to divorce her. Rushdi plans to murder Mona, but he fails, and his plan is discovered. Mona spares Rushdi from any charges in return for their divorce. She is reunited with Adel. | Who does Mona love? | Adel | 32 | 36 |
Hobbi al-Wahid | Mona is in a love triangle with Adel (Omar Sharif), an airplane pilot who she loves, and Rushdi (Kamal Al-Shennawi), a family friend of Mona, who she has rejected on several occasions.On the day of Adel and Mona's engagement party, Adel is bringing Mona's friend, Hoda, but there is a car accident on their way. When Mona telephones Adel to see why he is late, Hoda replies, consequently Mona thinks Adel is having an affair with her. She agrees to marry Rushdi, but afterwards, he treats her badly. She conceives but after learning she has become pregnant, Adel hits her, thus making her miscarry.Hoda meets Mona secretly and tells her the truth. Shocked by the truth, she asks Rushdi to divorce her. Rushdi plans to murder Mona, but he fails, and his plan is discovered. Mona spares Rushdi from any charges in return for their divorce. She is reunited with Adel. | Who does Mona agree to marry? | Rushdi | 89 | 95 |
Hobbi al-Wahid | Mona is in a love triangle with Adel (Omar Sharif), an airplane pilot who she loves, and Rushdi (Kamal Al-Shennawi), a family friend of Mona, who she has rejected on several occasions.On the day of Adel and Mona's engagement party, Adel is bringing Mona's friend, Hoda, but there is a car accident on their way. When Mona telephones Adel to see why he is late, Hoda replies, consequently Mona thinks Adel is having an affair with her. She agrees to marry Rushdi, but afterwards, he treats her badly. She conceives but after learning she has become pregnant, Adel hits her, thus making her miscarry.Hoda meets Mona secretly and tells her the truth. Shocked by the truth, she asks Rushdi to divorce her. Rushdi plans to murder Mona, but he fails, and his plan is discovered. Mona spares Rushdi from any charges in return for their divorce. She is reunited with Adel. | Why does Mona miscarry? | Adel hits her | 558 | 571 |
Anne of Green Gables: The Continuing Story | It's the summer of 1915, and Anne returns to Avonlea for the first time since Marilla's death. Greeted by her life long "bosom friend", Diana Barry Wright,---- now wealthy from an inheritance left for her by her Aunt Josphine, the two make their way to Green Gables farm to find it rented and in disrepair. Meanwhile, the Great War (W.W. I) is blossoming in Europe, and many of Anne's former classmates have elisted to serve. Gilbert returns to the Island later in the summer, and the two decide to move to New York so Gilbert can persue his medical career, and Anne, her writing ambitions. With Avonlea embedded in their souls however, the two return--- Gilbert having bought Green Gables farm, and Anne accepts Gilbert's hand in marriage to the onset of his enlistment to serve and aid in The Great War. Over the next couple of years, the War takes it's toll on the Island's wives. Many men have been lost, and missing in action is Gilbert. Anne leaves Canada and ventures to Europe to find Gilbert, and along the way, finds Jack Garrison (her former New York writing partner), Dominick, Jack's infant son, and Fred Barry (Diana's husband).... who has been critically injured in the attacks. Throughout her search for Gilbert, Anne cares for Fred, and watches over Dominick, while staying in an apartment owned by Jack... who reports secretly the going's on of the war the the U.S. press. Anne promises to care for Jack's son Dominick, should anything happen to him, and as the War is about to end, Anne finds Gilbert. On a train enroute out of Germany, Jack is shot to death, and Anne details the promise she had made to Jack to Gilbert. The two return to Avonlea in the fall of 1919, and having adopted Dominick, who arrives on a train as Anne had done as a young girl, they decide to start a new life in a neighboring community where Gilbert sets up medical practice--- allowing Diana and Fred, now an amputee, to live permanently at Green Gables. | What ambitions does Anne plan to pursue once she and Gilbert move to New York? | Writing | 572 | 579 |
Anne of Green Gables: The Continuing Story | It's the summer of 1915, and Anne returns to Avonlea for the first time since Marilla's death. Greeted by her life long "bosom friend", Diana Barry Wright,---- now wealthy from an inheritance left for her by her Aunt Josphine, the two make their way to Green Gables farm to find it rented and in disrepair. Meanwhile, the Great War (W.W. I) is blossoming in Europe, and many of Anne's former classmates have elisted to serve. Gilbert returns to the Island later in the summer, and the two decide to move to New York so Gilbert can persue his medical career, and Anne, her writing ambitions. With Avonlea embedded in their souls however, the two return--- Gilbert having bought Green Gables farm, and Anne accepts Gilbert's hand in marriage to the onset of his enlistment to serve and aid in The Great War. Over the next couple of years, the War takes it's toll on the Island's wives. Many men have been lost, and missing in action is Gilbert. Anne leaves Canada and ventures to Europe to find Gilbert, and along the way, finds Jack Garrison (her former New York writing partner), Dominick, Jack's infant son, and Fred Barry (Diana's husband).... who has been critically injured in the attacks. Throughout her search for Gilbert, Anne cares for Fred, and watches over Dominick, while staying in an apartment owned by Jack... who reports secretly the going's on of the war the the U.S. press. Anne promises to care for Jack's son Dominick, should anything happen to him, and as the War is about to end, Anne finds Gilbert. On a train enroute out of Germany, Jack is shot to death, and Anne details the promise she had made to Jack to Gilbert. The two return to Avonlea in the fall of 1919, and having adopted Dominick, who arrives on a train as Anne had done as a young girl, they decide to start a new life in a neighboring community where Gilbert sets up medical practice--- allowing Diana and Fred, now an amputee, to live permanently at Green Gables. | What kind of practice does Gilbert set up after he and Anne adopt Dominick? | Medical | 542 | 549 |
Anne of Green Gables: The Continuing Story | It's the summer of 1915, and Anne returns to Avonlea for the first time since Marilla's death. Greeted by her life long "bosom friend", Diana Barry Wright,---- now wealthy from an inheritance left for her by her Aunt Josphine, the two make their way to Green Gables farm to find it rented and in disrepair. Meanwhile, the Great War (W.W. I) is blossoming in Europe, and many of Anne's former classmates have elisted to serve. Gilbert returns to the Island later in the summer, and the two decide to move to New York so Gilbert can persue his medical career, and Anne, her writing ambitions. With Avonlea embedded in their souls however, the two return--- Gilbert having bought Green Gables farm, and Anne accepts Gilbert's hand in marriage to the onset of his enlistment to serve and aid in The Great War. Over the next couple of years, the War takes it's toll on the Island's wives. Many men have been lost, and missing in action is Gilbert. Anne leaves Canada and ventures to Europe to find Gilbert, and along the way, finds Jack Garrison (her former New York writing partner), Dominick, Jack's infant son, and Fred Barry (Diana's husband).... who has been critically injured in the attacks. Throughout her search for Gilbert, Anne cares for Fred, and watches over Dominick, while staying in an apartment owned by Jack... who reports secretly the going's on of the war the the U.S. press. Anne promises to care for Jack's son Dominick, should anything happen to him, and as the War is about to end, Anne finds Gilbert. On a train enroute out of Germany, Jack is shot to death, and Anne details the promise she had made to Jack to Gilbert. The two return to Avonlea in the fall of 1919, and having adopted Dominick, who arrives on a train as Anne had done as a young girl, they decide to start a new life in a neighboring community where Gilbert sets up medical practice--- allowing Diana and Fred, now an amputee, to live permanently at Green Gables. | What is the name of Jack's infant son? | Dominick | 1,080 | 1,088 |
Anne of Green Gables: The Continuing Story | It's the summer of 1915, and Anne returns to Avonlea for the first time since Marilla's death. Greeted by her life long "bosom friend", Diana Barry Wright,---- now wealthy from an inheritance left for her by her Aunt Josphine, the two make their way to Green Gables farm to find it rented and in disrepair. Meanwhile, the Great War (W.W. I) is blossoming in Europe, and many of Anne's former classmates have elisted to serve. Gilbert returns to the Island later in the summer, and the two decide to move to New York so Gilbert can persue his medical career, and Anne, her writing ambitions. With Avonlea embedded in their souls however, the two return--- Gilbert having bought Green Gables farm, and Anne accepts Gilbert's hand in marriage to the onset of his enlistment to serve and aid in The Great War. Over the next couple of years, the War takes it's toll on the Island's wives. Many men have been lost, and missing in action is Gilbert. Anne leaves Canada and ventures to Europe to find Gilbert, and along the way, finds Jack Garrison (her former New York writing partner), Dominick, Jack's infant son, and Fred Barry (Diana's husband).... who has been critically injured in the attacks. Throughout her search for Gilbert, Anne cares for Fred, and watches over Dominick, while staying in an apartment owned by Jack... who reports secretly the going's on of the war the the U.S. press. Anne promises to care for Jack's son Dominick, should anything happen to him, and as the War is about to end, Anne finds Gilbert. On a train enroute out of Germany, Jack is shot to death, and Anne details the promise she had made to Jack to Gilbert. The two return to Avonlea in the fall of 1919, and having adopted Dominick, who arrives on a train as Anne had done as a young girl, they decide to start a new life in a neighboring community where Gilbert sets up medical practice--- allowing Diana and Fred, now an amputee, to live permanently at Green Gables. | In what year does Anne to return to Avonlea for the first time? | 1915 | 19 | 23 |
Anne of Green Gables: The Continuing Story | It's the summer of 1915, and Anne returns to Avonlea for the first time since Marilla's death. Greeted by her life long "bosom friend", Diana Barry Wright,---- now wealthy from an inheritance left for her by her Aunt Josphine, the two make their way to Green Gables farm to find it rented and in disrepair. Meanwhile, the Great War (W.W. I) is blossoming in Europe, and many of Anne's former classmates have elisted to serve. Gilbert returns to the Island later in the summer, and the two decide to move to New York so Gilbert can persue his medical career, and Anne, her writing ambitions. With Avonlea embedded in their souls however, the two return--- Gilbert having bought Green Gables farm, and Anne accepts Gilbert's hand in marriage to the onset of his enlistment to serve and aid in The Great War. Over the next couple of years, the War takes it's toll on the Island's wives. Many men have been lost, and missing in action is Gilbert. Anne leaves Canada and ventures to Europe to find Gilbert, and along the way, finds Jack Garrison (her former New York writing partner), Dominick, Jack's infant son, and Fred Barry (Diana's husband).... who has been critically injured in the attacks. Throughout her search for Gilbert, Anne cares for Fred, and watches over Dominick, while staying in an apartment owned by Jack... who reports secretly the going's on of the war the the U.S. press. Anne promises to care for Jack's son Dominick, should anything happen to him, and as the War is about to end, Anne finds Gilbert. On a train enroute out of Germany, Jack is shot to death, and Anne details the promise she had made to Jack to Gilbert. The two return to Avonlea in the fall of 1919, and having adopted Dominick, who arrives on a train as Anne had done as a young girl, they decide to start a new life in a neighboring community where Gilbert sets up medical practice--- allowing Diana and Fred, now an amputee, to live permanently at Green Gables. | How does Jack die? | Shot | 1,564 | 1,568 |
Anne of Green Gables: The Continuing Story | It's the summer of 1915, and Anne returns to Avonlea for the first time since Marilla's death. Greeted by her life long "bosom friend", Diana Barry Wright,---- now wealthy from an inheritance left for her by her Aunt Josphine, the two make their way to Green Gables farm to find it rented and in disrepair. Meanwhile, the Great War (W.W. I) is blossoming in Europe, and many of Anne's former classmates have elisted to serve. Gilbert returns to the Island later in the summer, and the two decide to move to New York so Gilbert can persue his medical career, and Anne, her writing ambitions. With Avonlea embedded in their souls however, the two return--- Gilbert having bought Green Gables farm, and Anne accepts Gilbert's hand in marriage to the onset of his enlistment to serve and aid in The Great War. Over the next couple of years, the War takes it's toll on the Island's wives. Many men have been lost, and missing in action is Gilbert. Anne leaves Canada and ventures to Europe to find Gilbert, and along the way, finds Jack Garrison (her former New York writing partner), Dominick, Jack's infant son, and Fred Barry (Diana's husband).... who has been critically injured in the attacks. Throughout her search for Gilbert, Anne cares for Fred, and watches over Dominick, while staying in an apartment owned by Jack... who reports secretly the going's on of the war the the U.S. press. Anne promises to care for Jack's son Dominick, should anything happen to him, and as the War is about to end, Anne finds Gilbert. On a train enroute out of Germany, Jack is shot to death, and Anne details the promise she had made to Jack to Gilbert. The two return to Avonlea in the fall of 1919, and having adopted Dominick, who arrives on a train as Anne had done as a young girl, they decide to start a new life in a neighboring community where Gilbert sets up medical practice--- allowing Diana and Fred, now an amputee, to live permanently at Green Gables. | Jack dies on a train enroute to what country? | Germany | 1,547 | 1,554 |
A Matter of Life and Death | Squadron Leader Peter D. Carter is a British bomber pilot on his war back from a bombing mission over Nazi Germany towards the end of WWII. His bomber is badly damaged and won't make it back home, all his crew have parachuted to safety but Peter's parachute was damaged. His choices seem clear - jump or fry.He makes one last call on the radio and makes contact with June, an American WAC at an air base in England. After reporting his situation and exchanging a few last thoughts, Peter decides to jump.But Peter survives the fall. Landing in the sea, he is washed up on a British beach where he soon meets June, cycling home. After the shock of realising who each other is, and after a few tears, they declare their love for each other.It seems that Peter only survived the fall because Conductor 71, who was supposed to conduct the deceased Peter to the afterlife, missed him in the fog. When Conductor 71 finds Peter and asks him along, Peter refuses to go saying that it was only because of that mistake that he actually met June and that now they should be allowed to live out their life together.Peter is also suffering from occasional blinding headaches and June arranges for him to meet Doctor Reeves who diagnoses a brain tumour. Are the episodes where Peter meets the Conductor when time appears to stop and everyone around him is frozen, really happening? Or are they just in his imagination, caused by the tumour? The film-makers leave it up to the audience to decide.Peter has appealed his "call up" to the afterlife and a tribunal is arranged in "the other place" (never explicitly referred to as "Heaven") where his case will be argued. But Peter must find a defence counsel from amongst those who are no longer alive. As he wonders who he can choose to represent him the tumour is growing and the necessity for an operation becomes A Matter of Life and Death.On a stormy night Dr Reeves and June are anxiously waiting for the ambulance to take Peter to hospital. Dr Reeves rides out to meet it on his motorbike, but he crashes and is killed. However Peter is content to hear this news because Dr Reeves is now qualified to represent him at the tribunal.The tribunal is assembled, the audience filled with many people from the current conflict and from all of history. The prosecutor is Abraham Farlan, the first American killed by a British bullet in the struggle for American independence. He is not fond of Englishmen, especially an Englishman who claims to have fallen in love with an American girl. Peter's case is argued with the debate ranging over the relative merits and demerits of the English and Americans. But this case isn't about national stereotypes, it is about individuals, so the tribunal decides to travel down to Earth to see Peter & June for themselves.Peter puts his case well and claims that his love for June is due to the Conductor's mistake. The decision rests with the tribunal's opinion of June. At Dr Reeves' suggestion, June shows that she is willing to take Peter's place in the balance sheet and to give her life for him. But of course that can't be allowed to happen and she runs into his open arms.The tribunal declares for the (un)common man and Peter and June are allowed to live out their life together. | Who is the squadron leader? | Peter D. Carter | 16 | 31 |
A Matter of Life and Death | Squadron Leader Peter D. Carter is a British bomber pilot on his war back from a bombing mission over Nazi Germany towards the end of WWII. His bomber is badly damaged and won't make it back home, all his crew have parachuted to safety but Peter's parachute was damaged. His choices seem clear - jump or fry.He makes one last call on the radio and makes contact with June, an American WAC at an air base in England. After reporting his situation and exchanging a few last thoughts, Peter decides to jump.But Peter survives the fall. Landing in the sea, he is washed up on a British beach where he soon meets June, cycling home. After the shock of realising who each other is, and after a few tears, they declare their love for each other.It seems that Peter only survived the fall because Conductor 71, who was supposed to conduct the deceased Peter to the afterlife, missed him in the fog. When Conductor 71 finds Peter and asks him along, Peter refuses to go saying that it was only because of that mistake that he actually met June and that now they should be allowed to live out their life together.Peter is also suffering from occasional blinding headaches and June arranges for him to meet Doctor Reeves who diagnoses a brain tumour. Are the episodes where Peter meets the Conductor when time appears to stop and everyone around him is frozen, really happening? Or are they just in his imagination, caused by the tumour? The film-makers leave it up to the audience to decide.Peter has appealed his "call up" to the afterlife and a tribunal is arranged in "the other place" (never explicitly referred to as "Heaven") where his case will be argued. But Peter must find a defence counsel from amongst those who are no longer alive. As he wonders who he can choose to represent him the tumour is growing and the necessity for an operation becomes A Matter of Life and Death.On a stormy night Dr Reeves and June are anxiously waiting for the ambulance to take Peter to hospital. Dr Reeves rides out to meet it on his motorbike, but he crashes and is killed. However Peter is content to hear this news because Dr Reeves is now qualified to represent him at the tribunal.The tribunal is assembled, the audience filled with many people from the current conflict and from all of history. The prosecutor is Abraham Farlan, the first American killed by a British bullet in the struggle for American independence. He is not fond of Englishmen, especially an Englishman who claims to have fallen in love with an American girl. Peter's case is argued with the debate ranging over the relative merits and demerits of the English and Americans. But this case isn't about national stereotypes, it is about individuals, so the tribunal decides to travel down to Earth to see Peter & June for themselves.Peter puts his case well and claims that his love for June is due to the Conductor's mistake. The decision rests with the tribunal's opinion of June. At Dr Reeves' suggestion, June shows that she is willing to take Peter's place in the balance sheet and to give her life for him. But of course that can't be allowed to happen and she runs into his open arms.The tribunal declares for the (un)common man and Peter and June are allowed to live out their life together. | When Peter's bomber is going down, who does he contact? | June | 367 | 371 |
A Matter of Life and Death | Squadron Leader Peter D. Carter is a British bomber pilot on his war back from a bombing mission over Nazi Germany towards the end of WWII. His bomber is badly damaged and won't make it back home, all his crew have parachuted to safety but Peter's parachute was damaged. His choices seem clear - jump or fry.He makes one last call on the radio and makes contact with June, an American WAC at an air base in England. After reporting his situation and exchanging a few last thoughts, Peter decides to jump.But Peter survives the fall. Landing in the sea, he is washed up on a British beach where he soon meets June, cycling home. After the shock of realising who each other is, and after a few tears, they declare their love for each other.It seems that Peter only survived the fall because Conductor 71, who was supposed to conduct the deceased Peter to the afterlife, missed him in the fog. When Conductor 71 finds Peter and asks him along, Peter refuses to go saying that it was only because of that mistake that he actually met June and that now they should be allowed to live out their life together.Peter is also suffering from occasional blinding headaches and June arranges for him to meet Doctor Reeves who diagnoses a brain tumour. Are the episodes where Peter meets the Conductor when time appears to stop and everyone around him is frozen, really happening? Or are they just in his imagination, caused by the tumour? The film-makers leave it up to the audience to decide.Peter has appealed his "call up" to the afterlife and a tribunal is arranged in "the other place" (never explicitly referred to as "Heaven") where his case will be argued. But Peter must find a defence counsel from amongst those who are no longer alive. As he wonders who he can choose to represent him the tumour is growing and the necessity for an operation becomes A Matter of Life and Death.On a stormy night Dr Reeves and June are anxiously waiting for the ambulance to take Peter to hospital. Dr Reeves rides out to meet it on his motorbike, but he crashes and is killed. However Peter is content to hear this news because Dr Reeves is now qualified to represent him at the tribunal.The tribunal is assembled, the audience filled with many people from the current conflict and from all of history. The prosecutor is Abraham Farlan, the first American killed by a British bullet in the struggle for American independence. He is not fond of Englishmen, especially an Englishman who claims to have fallen in love with an American girl. Peter's case is argued with the debate ranging over the relative merits and demerits of the English and Americans. But this case isn't about national stereotypes, it is about individuals, so the tribunal decides to travel down to Earth to see Peter & June for themselves.Peter puts his case well and claims that his love for June is due to the Conductor's mistake. The decision rests with the tribunal's opinion of June. At Dr Reeves' suggestion, June shows that she is willing to take Peter's place in the balance sheet and to give her life for him. But of course that can't be allowed to happen and she runs into his open arms.The tribunal declares for the (un)common man and Peter and June are allowed to live out their life together. | What is Peter's profession? | British Bomber Pilot | 37 | 57 |
A Matter of Life and Death | Squadron Leader Peter D. Carter is a British bomber pilot on his war back from a bombing mission over Nazi Germany towards the end of WWII. His bomber is badly damaged and won't make it back home, all his crew have parachuted to safety but Peter's parachute was damaged. His choices seem clear - jump or fry.He makes one last call on the radio and makes contact with June, an American WAC at an air base in England. After reporting his situation and exchanging a few last thoughts, Peter decides to jump.But Peter survives the fall. Landing in the sea, he is washed up on a British beach where he soon meets June, cycling home. After the shock of realising who each other is, and after a few tears, they declare their love for each other.It seems that Peter only survived the fall because Conductor 71, who was supposed to conduct the deceased Peter to the afterlife, missed him in the fog. When Conductor 71 finds Peter and asks him along, Peter refuses to go saying that it was only because of that mistake that he actually met June and that now they should be allowed to live out their life together.Peter is also suffering from occasional blinding headaches and June arranges for him to meet Doctor Reeves who diagnoses a brain tumour. Are the episodes where Peter meets the Conductor when time appears to stop and everyone around him is frozen, really happening? Or are they just in his imagination, caused by the tumour? The film-makers leave it up to the audience to decide.Peter has appealed his "call up" to the afterlife and a tribunal is arranged in "the other place" (never explicitly referred to as "Heaven") where his case will be argued. But Peter must find a defence counsel from amongst those who are no longer alive. As he wonders who he can choose to represent him the tumour is growing and the necessity for an operation becomes A Matter of Life and Death.On a stormy night Dr Reeves and June are anxiously waiting for the ambulance to take Peter to hospital. Dr Reeves rides out to meet it on his motorbike, but he crashes and is killed. However Peter is content to hear this news because Dr Reeves is now qualified to represent him at the tribunal.The tribunal is assembled, the audience filled with many people from the current conflict and from all of history. The prosecutor is Abraham Farlan, the first American killed by a British bullet in the struggle for American independence. He is not fond of Englishmen, especially an Englishman who claims to have fallen in love with an American girl. Peter's case is argued with the debate ranging over the relative merits and demerits of the English and Americans. But this case isn't about national stereotypes, it is about individuals, so the tribunal decides to travel down to Earth to see Peter & June for themselves.Peter puts his case well and claims that his love for June is due to the Conductor's mistake. The decision rests with the tribunal's opinion of June. At Dr Reeves' suggestion, June shows that she is willing to take Peter's place in the balance sheet and to give her life for him. But of course that can't be allowed to happen and she runs into his open arms.The tribunal declares for the (un)common man and Peter and June are allowed to live out their life together. | Who does Peter fall in love with? | June | 367 | 371 |
A Matter of Life and Death | Squadron Leader Peter D. Carter is a British bomber pilot on his war back from a bombing mission over Nazi Germany towards the end of WWII. His bomber is badly damaged and won't make it back home, all his crew have parachuted to safety but Peter's parachute was damaged. His choices seem clear - jump or fry.He makes one last call on the radio and makes contact with June, an American WAC at an air base in England. After reporting his situation and exchanging a few last thoughts, Peter decides to jump.But Peter survives the fall. Landing in the sea, he is washed up on a British beach where he soon meets June, cycling home. After the shock of realising who each other is, and after a few tears, they declare their love for each other.It seems that Peter only survived the fall because Conductor 71, who was supposed to conduct the deceased Peter to the afterlife, missed him in the fog. When Conductor 71 finds Peter and asks him along, Peter refuses to go saying that it was only because of that mistake that he actually met June and that now they should be allowed to live out their life together.Peter is also suffering from occasional blinding headaches and June arranges for him to meet Doctor Reeves who diagnoses a brain tumour. Are the episodes where Peter meets the Conductor when time appears to stop and everyone around him is frozen, really happening? Or are they just in his imagination, caused by the tumour? The film-makers leave it up to the audience to decide.Peter has appealed his "call up" to the afterlife and a tribunal is arranged in "the other place" (never explicitly referred to as "Heaven") where his case will be argued. But Peter must find a defence counsel from amongst those who are no longer alive. As he wonders who he can choose to represent him the tumour is growing and the necessity for an operation becomes A Matter of Life and Death.On a stormy night Dr Reeves and June are anxiously waiting for the ambulance to take Peter to hospital. Dr Reeves rides out to meet it on his motorbike, but he crashes and is killed. However Peter is content to hear this news because Dr Reeves is now qualified to represent him at the tribunal.The tribunal is assembled, the audience filled with many people from the current conflict and from all of history. The prosecutor is Abraham Farlan, the first American killed by a British bullet in the struggle for American independence. He is not fond of Englishmen, especially an Englishman who claims to have fallen in love with an American girl. Peter's case is argued with the debate ranging over the relative merits and demerits of the English and Americans. But this case isn't about national stereotypes, it is about individuals, so the tribunal decides to travel down to Earth to see Peter & June for themselves.Peter puts his case well and claims that his love for June is due to the Conductor's mistake. The decision rests with the tribunal's opinion of June. At Dr Reeves' suggestion, June shows that she is willing to take Peter's place in the balance sheet and to give her life for him. But of course that can't be allowed to happen and she runs into his open arms.The tribunal declares for the (un)common man and Peter and June are allowed to live out their life together. | When does the story take place? | Towards the end of WWII | 115 | 138 |
A Matter of Life and Death | Squadron Leader Peter D. Carter is a British bomber pilot on his war back from a bombing mission over Nazi Germany towards the end of WWII. His bomber is badly damaged and won't make it back home, all his crew have parachuted to safety but Peter's parachute was damaged. His choices seem clear - jump or fry.He makes one last call on the radio and makes contact with June, an American WAC at an air base in England. After reporting his situation and exchanging a few last thoughts, Peter decides to jump.But Peter survives the fall. Landing in the sea, he is washed up on a British beach where he soon meets June, cycling home. After the shock of realising who each other is, and after a few tears, they declare their love for each other.It seems that Peter only survived the fall because Conductor 71, who was supposed to conduct the deceased Peter to the afterlife, missed him in the fog. When Conductor 71 finds Peter and asks him along, Peter refuses to go saying that it was only because of that mistake that he actually met June and that now they should be allowed to live out their life together.Peter is also suffering from occasional blinding headaches and June arranges for him to meet Doctor Reeves who diagnoses a brain tumour. Are the episodes where Peter meets the Conductor when time appears to stop and everyone around him is frozen, really happening? Or are they just in his imagination, caused by the tumour? The film-makers leave it up to the audience to decide.Peter has appealed his "call up" to the afterlife and a tribunal is arranged in "the other place" (never explicitly referred to as "Heaven") where his case will be argued. But Peter must find a defence counsel from amongst those who are no longer alive. As he wonders who he can choose to represent him the tumour is growing and the necessity for an operation becomes A Matter of Life and Death.On a stormy night Dr Reeves and June are anxiously waiting for the ambulance to take Peter to hospital. Dr Reeves rides out to meet it on his motorbike, but he crashes and is killed. However Peter is content to hear this news because Dr Reeves is now qualified to represent him at the tribunal.The tribunal is assembled, the audience filled with many people from the current conflict and from all of history. The prosecutor is Abraham Farlan, the first American killed by a British bullet in the struggle for American independence. He is not fond of Englishmen, especially an Englishman who claims to have fallen in love with an American girl. Peter's case is argued with the debate ranging over the relative merits and demerits of the English and Americans. But this case isn't about national stereotypes, it is about individuals, so the tribunal decides to travel down to Earth to see Peter & June for themselves.Peter puts his case well and claims that his love for June is due to the Conductor's mistake. The decision rests with the tribunal's opinion of June. At Dr Reeves' suggestion, June shows that she is willing to take Peter's place in the balance sheet and to give her life for him. But of course that can't be allowed to happen and she runs into his open arms.The tribunal declares for the (un)common man and Peter and June are allowed to live out their life together. | What condition does Peter suffer from? | Headaches | 1,152 | 1,161 |
A Matter of Life and Death | Squadron Leader Peter D. Carter is a British bomber pilot on his war back from a bombing mission over Nazi Germany towards the end of WWII. His bomber is badly damaged and won't make it back home, all his crew have parachuted to safety but Peter's parachute was damaged. His choices seem clear - jump or fry.He makes one last call on the radio and makes contact with June, an American WAC at an air base in England. After reporting his situation and exchanging a few last thoughts, Peter decides to jump.But Peter survives the fall. Landing in the sea, he is washed up on a British beach where he soon meets June, cycling home. After the shock of realising who each other is, and after a few tears, they declare their love for each other.It seems that Peter only survived the fall because Conductor 71, who was supposed to conduct the deceased Peter to the afterlife, missed him in the fog. When Conductor 71 finds Peter and asks him along, Peter refuses to go saying that it was only because of that mistake that he actually met June and that now they should be allowed to live out their life together.Peter is also suffering from occasional blinding headaches and June arranges for him to meet Doctor Reeves who diagnoses a brain tumour. Are the episodes where Peter meets the Conductor when time appears to stop and everyone around him is frozen, really happening? Or are they just in his imagination, caused by the tumour? The film-makers leave it up to the audience to decide.Peter has appealed his "call up" to the afterlife and a tribunal is arranged in "the other place" (never explicitly referred to as "Heaven") where his case will be argued. But Peter must find a defence counsel from amongst those who are no longer alive. As he wonders who he can choose to represent him the tumour is growing and the necessity for an operation becomes A Matter of Life and Death.On a stormy night Dr Reeves and June are anxiously waiting for the ambulance to take Peter to hospital. Dr Reeves rides out to meet it on his motorbike, but he crashes and is killed. However Peter is content to hear this news because Dr Reeves is now qualified to represent him at the tribunal.The tribunal is assembled, the audience filled with many people from the current conflict and from all of history. The prosecutor is Abraham Farlan, the first American killed by a British bullet in the struggle for American independence. He is not fond of Englishmen, especially an Englishman who claims to have fallen in love with an American girl. Peter's case is argued with the debate ranging over the relative merits and demerits of the English and Americans. But this case isn't about national stereotypes, it is about individuals, so the tribunal decides to travel down to Earth to see Peter & June for themselves.Peter puts his case well and claims that his love for June is due to the Conductor's mistake. The decision rests with the tribunal's opinion of June. At Dr Reeves' suggestion, June shows that she is willing to take Peter's place in the balance sheet and to give her life for him. But of course that can't be allowed to happen and she runs into his open arms.The tribunal declares for the (un)common man and Peter and June are allowed to live out their life together. | Whose parachute was damaged? | Peter's | 240 | 247 |
Girl 6 | Judy (Theresa Randle) is at an audition with Quentin Tarantino. Tarantino reveals that the film Judy is auditioning for is "the greatest romantic, African-American film ever made. Directed by me, of course" and is requested to remove her blouse so "Q.T." and his assistant can see her breasts. She reluctantly complies, but walks out on the audition.
Her agent (John Turturro) is furious. Having worked hard to get Judy her audition with such a prestigious director, he quickly and angrily drops her from his roster of clients. Her melodramatic acting coach (Susan Batson) is also extremely displeased. When Judy tells her why she did not go through with the audition, the acting coach still does not see any reason why Judy should have walked out. This, topped with the fact that Judy has not paid her rent in a very long while, forces her to drop Judy from her roster of clients as well.
Now unable to secure acting work, Judy must find a way to make ends meet. She tries a number of jobs: passing out fliers, waiting tables at a club, and working as an extra on a movie set. She checks the circulars for wanted ads, and seeing "friendly phone line", as well as, "mo money, mo money, mo money". She circles them both.
At what turns out to be a phone sex office, Judy meets her new boss, Lil, who seems to be an assertive but friendly woman. The two click and the audition goes over just fine. Judy attends another interview, at a strip club/phone sex line with a relaxed boss (Madonna), that would have fewer restrictions on her, but required she have her own private telephone line. She decides to stick to her original application with Lil.
Throughout the film, the phone sex line, having been secured at Lil's company, begins to take its mental toll on Judy, the newly christened Girl 6. She trusts her clients too much at times, and even agrees to meet one of her callers at one point, but he never shows, leaving her on a bench alone. It is visible to everybody, especially Lil and her neighbor and confidant Jimmy, that Judy is having a breakdown. She experiences a dark sequence in which she enters a snuff fantasy with a caller (Michael Imperioli), who frighteningly seems to know where she lives. She decides that it is time to leave the phone sex career behind and move to Los Angeles for her acting career.
Judy attends another audition which parallels her experience with Tarantino. She again walks out. However, this time, still as "Girl 6", Judy has reclaimed her dignity. | What role did Judy play on a movie set? | Extra | 1,056 | 1,061 |
Girl 6 | Judy (Theresa Randle) is at an audition with Quentin Tarantino. Tarantino reveals that the film Judy is auditioning for is "the greatest romantic, African-American film ever made. Directed by me, of course" and is requested to remove her blouse so "Q.T." and his assistant can see her breasts. She reluctantly complies, but walks out on the audition.
Her agent (John Turturro) is furious. Having worked hard to get Judy her audition with such a prestigious director, he quickly and angrily drops her from his roster of clients. Her melodramatic acting coach (Susan Batson) is also extremely displeased. When Judy tells her why she did not go through with the audition, the acting coach still does not see any reason why Judy should have walked out. This, topped with the fact that Judy has not paid her rent in a very long while, forces her to drop Judy from her roster of clients as well.
Now unable to secure acting work, Judy must find a way to make ends meet. She tries a number of jobs: passing out fliers, waiting tables at a club, and working as an extra on a movie set. She checks the circulars for wanted ads, and seeing "friendly phone line", as well as, "mo money, mo money, mo money". She circles them both.
At what turns out to be a phone sex office, Judy meets her new boss, Lil, who seems to be an assertive but friendly woman. The two click and the audition goes over just fine. Judy attends another interview, at a strip club/phone sex line with a relaxed boss (Madonna), that would have fewer restrictions on her, but required she have her own private telephone line. She decides to stick to her original application with Lil.
Throughout the film, the phone sex line, having been secured at Lil's company, begins to take its mental toll on Judy, the newly christened Girl 6. She trusts her clients too much at times, and even agrees to meet one of her callers at one point, but he never shows, leaving her on a bench alone. It is visible to everybody, especially Lil and her neighbor and confidant Jimmy, that Judy is having a breakdown. She experiences a dark sequence in which she enters a snuff fantasy with a caller (Michael Imperioli), who frighteningly seems to know where she lives. She decides that it is time to leave the phone sex career behind and move to Los Angeles for her acting career.
Judy attends another audition which parallels her experience with Tarantino. She again walks out. However, this time, still as "Girl 6", Judy has reclaimed her dignity. | What career was Judy initially trying to pursue? | Acting | 545 | 551 |
Girl 6 | Judy (Theresa Randle) is at an audition with Quentin Tarantino. Tarantino reveals that the film Judy is auditioning for is "the greatest romantic, African-American film ever made. Directed by me, of course" and is requested to remove her blouse so "Q.T." and his assistant can see her breasts. She reluctantly complies, but walks out on the audition.
Her agent (John Turturro) is furious. Having worked hard to get Judy her audition with such a prestigious director, he quickly and angrily drops her from his roster of clients. Her melodramatic acting coach (Susan Batson) is also extremely displeased. When Judy tells her why she did not go through with the audition, the acting coach still does not see any reason why Judy should have walked out. This, topped with the fact that Judy has not paid her rent in a very long while, forces her to drop Judy from her roster of clients as well.
Now unable to secure acting work, Judy must find a way to make ends meet. She tries a number of jobs: passing out fliers, waiting tables at a club, and working as an extra on a movie set. She checks the circulars for wanted ads, and seeing "friendly phone line", as well as, "mo money, mo money, mo money". She circles them both.
At what turns out to be a phone sex office, Judy meets her new boss, Lil, who seems to be an assertive but friendly woman. The two click and the audition goes over just fine. Judy attends another interview, at a strip club/phone sex line with a relaxed boss (Madonna), that would have fewer restrictions on her, but required she have her own private telephone line. She decides to stick to her original application with Lil.
Throughout the film, the phone sex line, having been secured at Lil's company, begins to take its mental toll on Judy, the newly christened Girl 6. She trusts her clients too much at times, and even agrees to meet one of her callers at one point, but he never shows, leaving her on a bench alone. It is visible to everybody, especially Lil and her neighbor and confidant Jimmy, that Judy is having a breakdown. She experiences a dark sequence in which she enters a snuff fantasy with a caller (Michael Imperioli), who frighteningly seems to know where she lives. She decides that it is time to leave the phone sex career behind and move to Los Angeles for her acting career.
Judy attends another audition which parallels her experience with Tarantino. She again walks out. However, this time, still as "Girl 6", Judy has reclaimed her dignity. | What has Judy reclaimed? | Her dignity | 2,476 | 2,487 |
Girl 6 | Judy (Theresa Randle) is at an audition with Quentin Tarantino. Tarantino reveals that the film Judy is auditioning for is "the greatest romantic, African-American film ever made. Directed by me, of course" and is requested to remove her blouse so "Q.T." and his assistant can see her breasts. She reluctantly complies, but walks out on the audition.
Her agent (John Turturro) is furious. Having worked hard to get Judy her audition with such a prestigious director, he quickly and angrily drops her from his roster of clients. Her melodramatic acting coach (Susan Batson) is also extremely displeased. When Judy tells her why she did not go through with the audition, the acting coach still does not see any reason why Judy should have walked out. This, topped with the fact that Judy has not paid her rent in a very long while, forces her to drop Judy from her roster of clients as well.
Now unable to secure acting work, Judy must find a way to make ends meet. She tries a number of jobs: passing out fliers, waiting tables at a club, and working as an extra on a movie set. She checks the circulars for wanted ads, and seeing "friendly phone line", as well as, "mo money, mo money, mo money". She circles them both.
At what turns out to be a phone sex office, Judy meets her new boss, Lil, who seems to be an assertive but friendly woman. The two click and the audition goes over just fine. Judy attends another interview, at a strip club/phone sex line with a relaxed boss (Madonna), that would have fewer restrictions on her, but required she have her own private telephone line. She decides to stick to her original application with Lil.
Throughout the film, the phone sex line, having been secured at Lil's company, begins to take its mental toll on Judy, the newly christened Girl 6. She trusts her clients too much at times, and even agrees to meet one of her callers at one point, but he never shows, leaving her on a bench alone. It is visible to everybody, especially Lil and her neighbor and confidant Jimmy, that Judy is having a breakdown. She experiences a dark sequence in which she enters a snuff fantasy with a caller (Michael Imperioli), who frighteningly seems to know where she lives. She decides that it is time to leave the phone sex career behind and move to Los Angeles for her acting career.
Judy attends another audition which parallels her experience with Tarantino. She again walks out. However, this time, still as "Girl 6", Judy has reclaimed her dignity. | Who plays the role of acting coach? | Susan Batson | 559 | 571 |
Girl 6 | Judy (Theresa Randle) is at an audition with Quentin Tarantino. Tarantino reveals that the film Judy is auditioning for is "the greatest romantic, African-American film ever made. Directed by me, of course" and is requested to remove her blouse so "Q.T." and his assistant can see her breasts. She reluctantly complies, but walks out on the audition.
Her agent (John Turturro) is furious. Having worked hard to get Judy her audition with such a prestigious director, he quickly and angrily drops her from his roster of clients. Her melodramatic acting coach (Susan Batson) is also extremely displeased. When Judy tells her why she did not go through with the audition, the acting coach still does not see any reason why Judy should have walked out. This, topped with the fact that Judy has not paid her rent in a very long while, forces her to drop Judy from her roster of clients as well.
Now unable to secure acting work, Judy must find a way to make ends meet. She tries a number of jobs: passing out fliers, waiting tables at a club, and working as an extra on a movie set. She checks the circulars for wanted ads, and seeing "friendly phone line", as well as, "mo money, mo money, mo money". She circles them both.
At what turns out to be a phone sex office, Judy meets her new boss, Lil, who seems to be an assertive but friendly woman. The two click and the audition goes over just fine. Judy attends another interview, at a strip club/phone sex line with a relaxed boss (Madonna), that would have fewer restrictions on her, but required she have her own private telephone line. She decides to stick to her original application with Lil.
Throughout the film, the phone sex line, having been secured at Lil's company, begins to take its mental toll on Judy, the newly christened Girl 6. She trusts her clients too much at times, and even agrees to meet one of her callers at one point, but he never shows, leaving her on a bench alone. It is visible to everybody, especially Lil and her neighbor and confidant Jimmy, that Judy is having a breakdown. She experiences a dark sequence in which she enters a snuff fantasy with a caller (Michael Imperioli), who frighteningly seems to know where she lives. She decides that it is time to leave the phone sex career behind and move to Los Angeles for her acting career.
Judy attends another audition which parallels her experience with Tarantino. She again walks out. However, this time, still as "Girl 6", Judy has reclaimed her dignity. | Who has not paid her rent in a very long? | Judy | 0 | 4 |
The Night of the Following Day | At Paris' Orly Airport a young girl is kidnaped by a burly chauffeur, Bud, and his sadistic companion, Leer. Quartered in an isolated beachhouse, she is introduced to the other gang members, including Vi, whom the she recognizes as the stewardess on her flight, and Vi's brother Wally. Discovering that Vi is addicted to drugs and suspecting that Leer intends to sexual assault their hostage, Bud suggests ending the scheme. Wally, however, dissuades him. While Bud, Wally, and Vi, drive to the village cafe to pick up the ransom, Leer guards the girl. At the cafe the gang murders its proprietor and a gendarme. As Vi and Wally alight from the car they are shot down by the perfidious Leer, who is in turn murdered by Bud. Upon entering the house Bud discovers the expiring victim hanging from the wall, stripped, lacerated, and shot in the back. As Bud frees her body, the victim awakens in the plane. Awaiting her is the chauffeur... | Where is a young girl kidnapped? | at Paris' Orly Airport | 0 | 22 |
The Night of the Following Day | At Paris' Orly Airport a young girl is kidnaped by a burly chauffeur, Bud, and his sadistic companion, Leer. Quartered in an isolated beachhouse, she is introduced to the other gang members, including Vi, whom the she recognizes as the stewardess on her flight, and Vi's brother Wally. Discovering that Vi is addicted to drugs and suspecting that Leer intends to sexual assault their hostage, Bud suggests ending the scheme. Wally, however, dissuades him. While Bud, Wally, and Vi, drive to the village cafe to pick up the ransom, Leer guards the girl. At the cafe the gang murders its proprietor and a gendarme. As Vi and Wally alight from the car they are shot down by the perfidious Leer, who is in turn murdered by Bud. Upon entering the house Bud discovers the expiring victim hanging from the wall, stripped, lacerated, and shot in the back. As Bud frees her body, the victim awakens in the plane. Awaiting her is the chauffeur... | Who is buds companion | Leer | 103 | 107 |
The Night of the Following Day | At Paris' Orly Airport a young girl is kidnaped by a burly chauffeur, Bud, and his sadistic companion, Leer. Quartered in an isolated beachhouse, she is introduced to the other gang members, including Vi, whom the she recognizes as the stewardess on her flight, and Vi's brother Wally. Discovering that Vi is addicted to drugs and suspecting that Leer intends to sexual assault their hostage, Bud suggests ending the scheme. Wally, however, dissuades him. While Bud, Wally, and Vi, drive to the village cafe to pick up the ransom, Leer guards the girl. At the cafe the gang murders its proprietor and a gendarme. As Vi and Wally alight from the car they are shot down by the perfidious Leer, who is in turn murdered by Bud. Upon entering the house Bud discovers the expiring victim hanging from the wall, stripped, lacerated, and shot in the back. As Bud frees her body, the victim awakens in the plane. Awaiting her is the chauffeur... | Who is Bud's companion? | Leer | 103 | 107 |
The Night of the Following Day | At Paris' Orly Airport a young girl is kidnaped by a burly chauffeur, Bud, and his sadistic companion, Leer. Quartered in an isolated beachhouse, she is introduced to the other gang members, including Vi, whom the she recognizes as the stewardess on her flight, and Vi's brother Wally. Discovering that Vi is addicted to drugs and suspecting that Leer intends to sexual assault their hostage, Bud suggests ending the scheme. Wally, however, dissuades him. While Bud, Wally, and Vi, drive to the village cafe to pick up the ransom, Leer guards the girl. At the cafe the gang murders its proprietor and a gendarme. As Vi and Wally alight from the car they are shot down by the perfidious Leer, who is in turn murdered by Bud. Upon entering the house Bud discovers the expiring victim hanging from the wall, stripped, lacerated, and shot in the back. As Bud frees her body, the victim awakens in the plane. Awaiting her is the chauffeur... | What is Vi's occupation? | stewardess | 236 | 246 |
The Night of the Following Day | At Paris' Orly Airport a young girl is kidnaped by a burly chauffeur, Bud, and his sadistic companion, Leer. Quartered in an isolated beachhouse, she is introduced to the other gang members, including Vi, whom the she recognizes as the stewardess on her flight, and Vi's brother Wally. Discovering that Vi is addicted to drugs and suspecting that Leer intends to sexual assault their hostage, Bud suggests ending the scheme. Wally, however, dissuades him. While Bud, Wally, and Vi, drive to the village cafe to pick up the ransom, Leer guards the girl. At the cafe the gang murders its proprietor and a gendarme. As Vi and Wally alight from the car they are shot down by the perfidious Leer, who is in turn murdered by Bud. Upon entering the house Bud discovers the expiring victim hanging from the wall, stripped, lacerated, and shot in the back. As Bud frees her body, the victim awakens in the plane. Awaiting her is the chauffeur... | Who is chauffeurs name | Bud | 70 | 73 |
Lion of the Desert | This desert epic about a Libyan hero who helped his nation fend off an
Italian invasion in 1929. Anthony Quinn stars as Omar Mukhtar, who
organizes Libyan forces to hold off the encroaching Italian troops
under General Rodolfo Graziana (Oliver Reed), who are trying to gain
a foothold on Libyan soil under direct orders from the Italian dictator
Mussolini (Rod Steiger). With the persistence of Mukhtar, the Libyans,
battling the tanks and guns of the Italian army with their Bedouin
troops on horseback, managed to hold off y the Italians for twenty
years, until Mukhtar was finally captured and executed. | Who is the Italian Dictator? | Mussolini | 346 | 355 |
Lion of the Desert | This desert epic about a Libyan hero who helped his nation fend off an
Italian invasion in 1929. Anthony Quinn stars as Omar Mukhtar, who
organizes Libyan forces to hold off the encroaching Italian troops
under General Rodolfo Graziana (Oliver Reed), who are trying to gain
a foothold on Libyan soil under direct orders from the Italian dictator
Mussolini (Rod Steiger). With the persistence of Mukhtar, the Libyans,
battling the tanks and guns of the Italian army with their Bedouin
troops on horseback, managed to hold off y the Italians for twenty
years, until Mukhtar was finally captured and executed. | When was the invasion? | 1929 | 91 | 95 |
Lion of the Desert | This desert epic about a Libyan hero who helped his nation fend off an
Italian invasion in 1929. Anthony Quinn stars as Omar Mukhtar, who
organizes Libyan forces to hold off the encroaching Italian troops
under General Rodolfo Graziana (Oliver Reed), who are trying to gain
a foothold on Libyan soil under direct orders from the Italian dictator
Mussolini (Rod Steiger). With the persistence of Mukhtar, the Libyans,
battling the tanks and guns of the Italian army with their Bedouin
troops on horseback, managed to hold off y the Italians for twenty
years, until Mukhtar was finally captured and executed. | Who lays General Rodolfo Graziana? | Oliver Reed | 237 | 248 |
Lion of the Desert | This desert epic about a Libyan hero who helped his nation fend off an
Italian invasion in 1929. Anthony Quinn stars as Omar Mukhtar, who
organizes Libyan forces to hold off the encroaching Italian troops
under General Rodolfo Graziana (Oliver Reed), who are trying to gain
a foothold on Libyan soil under direct orders from the Italian dictator
Mussolini (Rod Steiger). With the persistence of Mukhtar, the Libyans,
battling the tanks and guns of the Italian army with their Bedouin
troops on horseback, managed to hold off y the Italians for twenty
years, until Mukhtar was finally captured and executed. | Who stars as Omar Mukhtar? | Anthony Quinn | 97 | 110 |
The Bad and the Beautiful | In Hollywood, director Fred Amiel (Barry Sullivan), movie star Georgia Lorrison (Lana Turner), and screenwriter James Lee Bartlow (Dick Powell) each refuse to speak by phone to Jonathan Shields (Kirk Douglas) in Paris. Movie producer Harry Pebbel (Walter Pidgeon) gathers them in his office and explains that Shields was calling them because he has a new film idea and he wants the three of them for the project. Shields cannot get financing on his own, but with their names attached, there would be no problem. Pebbel asks the three to allow him to get Shields on the phone before they give their final answer.
As they await Shields' call, Pebbel assures the three that he understands why they refused to speak to Shields. The backstory of their involvement with Shields then unfolds in a series of flashbacks. Shields is the son of a notorious former studio head who had been dumped by the industry. The elder Shields was so unpopular that his son had to hire "extras" to attend his funeral. Despite the industry's ill feelings toward him because of his father, the younger Shields is determined to make it in Hollywood by any means necessary.
Shields partners with aspiring director Amiel, whom he meets at his father's funeral. Shields intentionally loses money he does not have in a poker game to film executive Pebbel, so he can talk Pebbel into letting him work off the debt as a line producer. Shields and Amiel learn their respective trades making B movies for Pebbel. When one of their films becomes a hit, Amiel decides they are ready to take on a more significant project he has been nursing along, and Shields pitches it to the studio. Shields gets a $1 million budget to produce the film, but betrays Amiel by allowing someone with an established reputation to be chosen as director. The film's success allows Shields to start his own studio, and Pebbel comes to work for him there. Amiel, now independent of Shields, goes on to become an Oscar-winning director in his own right.
Shields next encounters alcoholic small-time actress Lorrison, the daughter of a famous actor Shields admired. He builds up her confidence and gives her the leading role in one of his movies over everyone else's objections. When she falls in love with him, he lets her think that he feels the same way so that she does not self-destruct and he gets the performance he needs. After a smash premiere makes her a star overnight, she finds him with a beautiful bit player named Lila (Elaine Stewart). He drives Lorrison away, telling her that he will never allow anyone to have that much control over him. Crushed over being jilted by Shields, Lorrison walks out on her contract with his studio. Rather than take her to court, Shields releases his rights to her, freeing her to go to another studio, which makes a fortune from her films as she becomes a top Hollywood star.
Finally, Bartlow is a contented professor at a small college who has written a bestselling book for which Shields has purchased the film adaptation rights. Shields wants Bartlow himself to write the film's script. Bartlow is not interested, but his shallow Southern belle wife, Rosemary (Gloria Grahame) is, so he agrees to do it for her sake. They go to Hollywood, where Shields is annoyed to find that her constant distractions are keeping her husband from his work. He gets his suave actor friend Victor "Gaucho" Ribera (Gilbert Roland) to keep her occupied. Freed from interruption, Bartlow is able to make excellent progress on the script. Rosemary, however, runs off with Gaucho and they are killed in a plane crash. When the script is completed, Shields has the distraught Bartlow remain in Hollywood to help with the production as Shields takes over directing duties himself. A first-time director, Shields botches the job, which leads to his bankruptcy. Then Shields lets slip a casual remark that reveals his complicity in Rosemary's affair with Gaucho, so Bartlow walks out on him. Now able to view his late wife more objectively, Bartlow goes on to write a novel based upon her (something Shields had previously encouraged him to do) and wins a Pulitzer Prize for it.
After each flashback, Pebbel sarcastically agrees that Shields "ruined" their lives, making his true point that each of the three, despite feeling betrayed, is now at the top of the movie business, thanks largely to Shields. At last, Shields' telephone call comes through and Pebbel asks the three if they will work with Shields just one more time; all three reject the plea. As they leave the room, Pebbel is still talking to Shields. Out of Pebbel's sight, the three eavesdrop using an extension phone while Shields describes his new idea, and they become more and more interested. | Who wrote a best selling book? | Bartlow | 122 | 129 |
The Bad and the Beautiful | In Hollywood, director Fred Amiel (Barry Sullivan), movie star Georgia Lorrison (Lana Turner), and screenwriter James Lee Bartlow (Dick Powell) each refuse to speak by phone to Jonathan Shields (Kirk Douglas) in Paris. Movie producer Harry Pebbel (Walter Pidgeon) gathers them in his office and explains that Shields was calling them because he has a new film idea and he wants the three of them for the project. Shields cannot get financing on his own, but with their names attached, there would be no problem. Pebbel asks the three to allow him to get Shields on the phone before they give their final answer.
As they await Shields' call, Pebbel assures the three that he understands why they refused to speak to Shields. The backstory of their involvement with Shields then unfolds in a series of flashbacks. Shields is the son of a notorious former studio head who had been dumped by the industry. The elder Shields was so unpopular that his son had to hire "extras" to attend his funeral. Despite the industry's ill feelings toward him because of his father, the younger Shields is determined to make it in Hollywood by any means necessary.
Shields partners with aspiring director Amiel, whom he meets at his father's funeral. Shields intentionally loses money he does not have in a poker game to film executive Pebbel, so he can talk Pebbel into letting him work off the debt as a line producer. Shields and Amiel learn their respective trades making B movies for Pebbel. When one of their films becomes a hit, Amiel decides they are ready to take on a more significant project he has been nursing along, and Shields pitches it to the studio. Shields gets a $1 million budget to produce the film, but betrays Amiel by allowing someone with an established reputation to be chosen as director. The film's success allows Shields to start his own studio, and Pebbel comes to work for him there. Amiel, now independent of Shields, goes on to become an Oscar-winning director in his own right.
Shields next encounters alcoholic small-time actress Lorrison, the daughter of a famous actor Shields admired. He builds up her confidence and gives her the leading role in one of his movies over everyone else's objections. When she falls in love with him, he lets her think that he feels the same way so that she does not self-destruct and he gets the performance he needs. After a smash premiere makes her a star overnight, she finds him with a beautiful bit player named Lila (Elaine Stewart). He drives Lorrison away, telling her that he will never allow anyone to have that much control over him. Crushed over being jilted by Shields, Lorrison walks out on her contract with his studio. Rather than take her to court, Shields releases his rights to her, freeing her to go to another studio, which makes a fortune from her films as she becomes a top Hollywood star.
Finally, Bartlow is a contented professor at a small college who has written a bestselling book for which Shields has purchased the film adaptation rights. Shields wants Bartlow himself to write the film's script. Bartlow is not interested, but his shallow Southern belle wife, Rosemary (Gloria Grahame) is, so he agrees to do it for her sake. They go to Hollywood, where Shields is annoyed to find that her constant distractions are keeping her husband from his work. He gets his suave actor friend Victor "Gaucho" Ribera (Gilbert Roland) to keep her occupied. Freed from interruption, Bartlow is able to make excellent progress on the script. Rosemary, however, runs off with Gaucho and they are killed in a plane crash. When the script is completed, Shields has the distraught Bartlow remain in Hollywood to help with the production as Shields takes over directing duties himself. A first-time director, Shields botches the job, which leads to his bankruptcy. Then Shields lets slip a casual remark that reveals his complicity in Rosemary's affair with Gaucho, so Bartlow walks out on him. Now able to view his late wife more objectively, Bartlow goes on to write a novel based upon her (something Shields had previously encouraged him to do) and wins a Pulitzer Prize for it.
After each flashback, Pebbel sarcastically agrees that Shields "ruined" their lives, making his true point that each of the three, despite feeling betrayed, is now at the top of the movie business, thanks largely to Shields. At last, Shields' telephone call comes through and Pebbel asks the three if they will work with Shields just one more time; all three reject the plea. As they leave the room, Pebbel is still talking to Shields. Out of Pebbel's sight, the three eavesdrop using an extension phone while Shields describes his new idea, and they become more and more interested. | Why did Shield let Lorrison think that he loves her? | So that she does not self-destruct and he gets the performance he needs | 2,296 | 2,367 |
The Bad and the Beautiful | In Hollywood, director Fred Amiel (Barry Sullivan), movie star Georgia Lorrison (Lana Turner), and screenwriter James Lee Bartlow (Dick Powell) each refuse to speak by phone to Jonathan Shields (Kirk Douglas) in Paris. Movie producer Harry Pebbel (Walter Pidgeon) gathers them in his office and explains that Shields was calling them because he has a new film idea and he wants the three of them for the project. Shields cannot get financing on his own, but with their names attached, there would be no problem. Pebbel asks the three to allow him to get Shields on the phone before they give their final answer.
As they await Shields' call, Pebbel assures the three that he understands why they refused to speak to Shields. The backstory of their involvement with Shields then unfolds in a series of flashbacks. Shields is the son of a notorious former studio head who had been dumped by the industry. The elder Shields was so unpopular that his son had to hire "extras" to attend his funeral. Despite the industry's ill feelings toward him because of his father, the younger Shields is determined to make it in Hollywood by any means necessary.
Shields partners with aspiring director Amiel, whom he meets at his father's funeral. Shields intentionally loses money he does not have in a poker game to film executive Pebbel, so he can talk Pebbel into letting him work off the debt as a line producer. Shields and Amiel learn their respective trades making B movies for Pebbel. When one of their films becomes a hit, Amiel decides they are ready to take on a more significant project he has been nursing along, and Shields pitches it to the studio. Shields gets a $1 million budget to produce the film, but betrays Amiel by allowing someone with an established reputation to be chosen as director. The film's success allows Shields to start his own studio, and Pebbel comes to work for him there. Amiel, now independent of Shields, goes on to become an Oscar-winning director in his own right.
Shields next encounters alcoholic small-time actress Lorrison, the daughter of a famous actor Shields admired. He builds up her confidence and gives her the leading role in one of his movies over everyone else's objections. When she falls in love with him, he lets her think that he feels the same way so that she does not self-destruct and he gets the performance he needs. After a smash premiere makes her a star overnight, she finds him with a beautiful bit player named Lila (Elaine Stewart). He drives Lorrison away, telling her that he will never allow anyone to have that much control over him. Crushed over being jilted by Shields, Lorrison walks out on her contract with his studio. Rather than take her to court, Shields releases his rights to her, freeing her to go to another studio, which makes a fortune from her films as she becomes a top Hollywood star.
Finally, Bartlow is a contented professor at a small college who has written a bestselling book for which Shields has purchased the film adaptation rights. Shields wants Bartlow himself to write the film's script. Bartlow is not interested, but his shallow Southern belle wife, Rosemary (Gloria Grahame) is, so he agrees to do it for her sake. They go to Hollywood, where Shields is annoyed to find that her constant distractions are keeping her husband from his work. He gets his suave actor friend Victor "Gaucho" Ribera (Gilbert Roland) to keep her occupied. Freed from interruption, Bartlow is able to make excellent progress on the script. Rosemary, however, runs off with Gaucho and they are killed in a plane crash. When the script is completed, Shields has the distraught Bartlow remain in Hollywood to help with the production as Shields takes over directing duties himself. A first-time director, Shields botches the job, which leads to his bankruptcy. Then Shields lets slip a casual remark that reveals his complicity in Rosemary's affair with Gaucho, so Bartlow walks out on him. Now able to view his late wife more objectively, Bartlow goes on to write a novel based upon her (something Shields had previously encouraged him to do) and wins a Pulitzer Prize for it.
After each flashback, Pebbel sarcastically agrees that Shields "ruined" their lives, making his true point that each of the three, despite feeling betrayed, is now at the top of the movie business, thanks largely to Shields. At last, Shields' telephone call comes through and Pebbel asks the three if they will work with Shields just one more time; all three reject the plea. As they leave the room, Pebbel is still talking to Shields. Out of Pebbel's sight, the three eavesdrop using an extension phone while Shields describes his new idea, and they become more and more interested. | Where is Shields calling from? | Paris | 212 | 217 |
The Bad and the Beautiful | In Hollywood, director Fred Amiel (Barry Sullivan), movie star Georgia Lorrison (Lana Turner), and screenwriter James Lee Bartlow (Dick Powell) each refuse to speak by phone to Jonathan Shields (Kirk Douglas) in Paris. Movie producer Harry Pebbel (Walter Pidgeon) gathers them in his office and explains that Shields was calling them because he has a new film idea and he wants the three of them for the project. Shields cannot get financing on his own, but with their names attached, there would be no problem. Pebbel asks the three to allow him to get Shields on the phone before they give their final answer.
As they await Shields' call, Pebbel assures the three that he understands why they refused to speak to Shields. The backstory of their involvement with Shields then unfolds in a series of flashbacks. Shields is the son of a notorious former studio head who had been dumped by the industry. The elder Shields was so unpopular that his son had to hire "extras" to attend his funeral. Despite the industry's ill feelings toward him because of his father, the younger Shields is determined to make it in Hollywood by any means necessary.
Shields partners with aspiring director Amiel, whom he meets at his father's funeral. Shields intentionally loses money he does not have in a poker game to film executive Pebbel, so he can talk Pebbel into letting him work off the debt as a line producer. Shields and Amiel learn their respective trades making B movies for Pebbel. When one of their films becomes a hit, Amiel decides they are ready to take on a more significant project he has been nursing along, and Shields pitches it to the studio. Shields gets a $1 million budget to produce the film, but betrays Amiel by allowing someone with an established reputation to be chosen as director. The film's success allows Shields to start his own studio, and Pebbel comes to work for him there. Amiel, now independent of Shields, goes on to become an Oscar-winning director in his own right.
Shields next encounters alcoholic small-time actress Lorrison, the daughter of a famous actor Shields admired. He builds up her confidence and gives her the leading role in one of his movies over everyone else's objections. When she falls in love with him, he lets her think that he feels the same way so that she does not self-destruct and he gets the performance he needs. After a smash premiere makes her a star overnight, she finds him with a beautiful bit player named Lila (Elaine Stewart). He drives Lorrison away, telling her that he will never allow anyone to have that much control over him. Crushed over being jilted by Shields, Lorrison walks out on her contract with his studio. Rather than take her to court, Shields releases his rights to her, freeing her to go to another studio, which makes a fortune from her films as she becomes a top Hollywood star.
Finally, Bartlow is a contented professor at a small college who has written a bestselling book for which Shields has purchased the film adaptation rights. Shields wants Bartlow himself to write the film's script. Bartlow is not interested, but his shallow Southern belle wife, Rosemary (Gloria Grahame) is, so he agrees to do it for her sake. They go to Hollywood, where Shields is annoyed to find that her constant distractions are keeping her husband from his work. He gets his suave actor friend Victor "Gaucho" Ribera (Gilbert Roland) to keep her occupied. Freed from interruption, Bartlow is able to make excellent progress on the script. Rosemary, however, runs off with Gaucho and they are killed in a plane crash. When the script is completed, Shields has the distraught Bartlow remain in Hollywood to help with the production as Shields takes over directing duties himself. A first-time director, Shields botches the job, which leads to his bankruptcy. Then Shields lets slip a casual remark that reveals his complicity in Rosemary's affair with Gaucho, so Bartlow walks out on him. Now able to view his late wife more objectively, Bartlow goes on to write a novel based upon her (something Shields had previously encouraged him to do) and wins a Pulitzer Prize for it.
After each flashback, Pebbel sarcastically agrees that Shields "ruined" their lives, making his true point that each of the three, despite feeling betrayed, is now at the top of the movie business, thanks largely to Shields. At last, Shields' telephone call comes through and Pebbel asks the three if they will work with Shields just one more time; all three reject the plea. As they leave the room, Pebbel is still talking to Shields. Out of Pebbel's sight, the three eavesdrop using an extension phone while Shields describes his new idea, and they become more and more interested. | How did Rosemary die? | a plane crash | 3,572 | 3,585 |
The Bad and the Beautiful | In Hollywood, director Fred Amiel (Barry Sullivan), movie star Georgia Lorrison (Lana Turner), and screenwriter James Lee Bartlow (Dick Powell) each refuse to speak by phone to Jonathan Shields (Kirk Douglas) in Paris. Movie producer Harry Pebbel (Walter Pidgeon) gathers them in his office and explains that Shields was calling them because he has a new film idea and he wants the three of them for the project. Shields cannot get financing on his own, but with their names attached, there would be no problem. Pebbel asks the three to allow him to get Shields on the phone before they give their final answer.
As they await Shields' call, Pebbel assures the three that he understands why they refused to speak to Shields. The backstory of their involvement with Shields then unfolds in a series of flashbacks. Shields is the son of a notorious former studio head who had been dumped by the industry. The elder Shields was so unpopular that his son had to hire "extras" to attend his funeral. Despite the industry's ill feelings toward him because of his father, the younger Shields is determined to make it in Hollywood by any means necessary.
Shields partners with aspiring director Amiel, whom he meets at his father's funeral. Shields intentionally loses money he does not have in a poker game to film executive Pebbel, so he can talk Pebbel into letting him work off the debt as a line producer. Shields and Amiel learn their respective trades making B movies for Pebbel. When one of their films becomes a hit, Amiel decides they are ready to take on a more significant project he has been nursing along, and Shields pitches it to the studio. Shields gets a $1 million budget to produce the film, but betrays Amiel by allowing someone with an established reputation to be chosen as director. The film's success allows Shields to start his own studio, and Pebbel comes to work for him there. Amiel, now independent of Shields, goes on to become an Oscar-winning director in his own right.
Shields next encounters alcoholic small-time actress Lorrison, the daughter of a famous actor Shields admired. He builds up her confidence and gives her the leading role in one of his movies over everyone else's objections. When she falls in love with him, he lets her think that he feels the same way so that she does not self-destruct and he gets the performance he needs. After a smash premiere makes her a star overnight, she finds him with a beautiful bit player named Lila (Elaine Stewart). He drives Lorrison away, telling her that he will never allow anyone to have that much control over him. Crushed over being jilted by Shields, Lorrison walks out on her contract with his studio. Rather than take her to court, Shields releases his rights to her, freeing her to go to another studio, which makes a fortune from her films as she becomes a top Hollywood star.
Finally, Bartlow is a contented professor at a small college who has written a bestselling book for which Shields has purchased the film adaptation rights. Shields wants Bartlow himself to write the film's script. Bartlow is not interested, but his shallow Southern belle wife, Rosemary (Gloria Grahame) is, so he agrees to do it for her sake. They go to Hollywood, where Shields is annoyed to find that her constant distractions are keeping her husband from his work. He gets his suave actor friend Victor "Gaucho" Ribera (Gilbert Roland) to keep her occupied. Freed from interruption, Bartlow is able to make excellent progress on the script. Rosemary, however, runs off with Gaucho and they are killed in a plane crash. When the script is completed, Shields has the distraught Bartlow remain in Hollywood to help with the production as Shields takes over directing duties himself. A first-time director, Shields botches the job, which leads to his bankruptcy. Then Shields lets slip a casual remark that reveals his complicity in Rosemary's affair with Gaucho, so Bartlow walks out on him. Now able to view his late wife more objectively, Bartlow goes on to write a novel based upon her (something Shields had previously encouraged him to do) and wins a Pulitzer Prize for it.
After each flashback, Pebbel sarcastically agrees that Shields "ruined" their lives, making his true point that each of the three, despite feeling betrayed, is now at the top of the movie business, thanks largely to Shields. At last, Shields' telephone call comes through and Pebbel asks the three if they will work with Shields just one more time; all three reject the plea. As they leave the room, Pebbel is still talking to Shields. Out of Pebbel's sight, the three eavesdrop using an extension phone while Shields describes his new idea, and they become more and more interested. | What is the name of the producer? | Harry Pebbel | 234 | 246 |
The Bad and the Beautiful | In Hollywood, director Fred Amiel (Barry Sullivan), movie star Georgia Lorrison (Lana Turner), and screenwriter James Lee Bartlow (Dick Powell) each refuse to speak by phone to Jonathan Shields (Kirk Douglas) in Paris. Movie producer Harry Pebbel (Walter Pidgeon) gathers them in his office and explains that Shields was calling them because he has a new film idea and he wants the three of them for the project. Shields cannot get financing on his own, but with their names attached, there would be no problem. Pebbel asks the three to allow him to get Shields on the phone before they give their final answer.
As they await Shields' call, Pebbel assures the three that he understands why they refused to speak to Shields. The backstory of their involvement with Shields then unfolds in a series of flashbacks. Shields is the son of a notorious former studio head who had been dumped by the industry. The elder Shields was so unpopular that his son had to hire "extras" to attend his funeral. Despite the industry's ill feelings toward him because of his father, the younger Shields is determined to make it in Hollywood by any means necessary.
Shields partners with aspiring director Amiel, whom he meets at his father's funeral. Shields intentionally loses money he does not have in a poker game to film executive Pebbel, so he can talk Pebbel into letting him work off the debt as a line producer. Shields and Amiel learn their respective trades making B movies for Pebbel. When one of their films becomes a hit, Amiel decides they are ready to take on a more significant project he has been nursing along, and Shields pitches it to the studio. Shields gets a $1 million budget to produce the film, but betrays Amiel by allowing someone with an established reputation to be chosen as director. The film's success allows Shields to start his own studio, and Pebbel comes to work for him there. Amiel, now independent of Shields, goes on to become an Oscar-winning director in his own right.
Shields next encounters alcoholic small-time actress Lorrison, the daughter of a famous actor Shields admired. He builds up her confidence and gives her the leading role in one of his movies over everyone else's objections. When she falls in love with him, he lets her think that he feels the same way so that she does not self-destruct and he gets the performance he needs. After a smash premiere makes her a star overnight, she finds him with a beautiful bit player named Lila (Elaine Stewart). He drives Lorrison away, telling her that he will never allow anyone to have that much control over him. Crushed over being jilted by Shields, Lorrison walks out on her contract with his studio. Rather than take her to court, Shields releases his rights to her, freeing her to go to another studio, which makes a fortune from her films as she becomes a top Hollywood star.
Finally, Bartlow is a contented professor at a small college who has written a bestselling book for which Shields has purchased the film adaptation rights. Shields wants Bartlow himself to write the film's script. Bartlow is not interested, but his shallow Southern belle wife, Rosemary (Gloria Grahame) is, so he agrees to do it for her sake. They go to Hollywood, where Shields is annoyed to find that her constant distractions are keeping her husband from his work. He gets his suave actor friend Victor "Gaucho" Ribera (Gilbert Roland) to keep her occupied. Freed from interruption, Bartlow is able to make excellent progress on the script. Rosemary, however, runs off with Gaucho and they are killed in a plane crash. When the script is completed, Shields has the distraught Bartlow remain in Hollywood to help with the production as Shields takes over directing duties himself. A first-time director, Shields botches the job, which leads to his bankruptcy. Then Shields lets slip a casual remark that reveals his complicity in Rosemary's affair with Gaucho, so Bartlow walks out on him. Now able to view his late wife more objectively, Bartlow goes on to write a novel based upon her (something Shields had previously encouraged him to do) and wins a Pulitzer Prize for it.
After each flashback, Pebbel sarcastically agrees that Shields "ruined" their lives, making his true point that each of the three, despite feeling betrayed, is now at the top of the movie business, thanks largely to Shields. At last, Shields' telephone call comes through and Pebbel asks the three if they will work with Shields just one more time; all three reject the plea. As they leave the room, Pebbel is still talking to Shields. Out of Pebbel's sight, the three eavesdrop using an extension phone while Shields describes his new idea, and they become more and more interested. | Whom did Lorrison find Shields with? | beautiful bit player named Lila | 2,441 | 2,472 |
The Bad and the Beautiful | In Hollywood, director Fred Amiel (Barry Sullivan), movie star Georgia Lorrison (Lana Turner), and screenwriter James Lee Bartlow (Dick Powell) each refuse to speak by phone to Jonathan Shields (Kirk Douglas) in Paris. Movie producer Harry Pebbel (Walter Pidgeon) gathers them in his office and explains that Shields was calling them because he has a new film idea and he wants the three of them for the project. Shields cannot get financing on his own, but with their names attached, there would be no problem. Pebbel asks the three to allow him to get Shields on the phone before they give their final answer.
As they await Shields' call, Pebbel assures the three that he understands why they refused to speak to Shields. The backstory of their involvement with Shields then unfolds in a series of flashbacks. Shields is the son of a notorious former studio head who had been dumped by the industry. The elder Shields was so unpopular that his son had to hire "extras" to attend his funeral. Despite the industry's ill feelings toward him because of his father, the younger Shields is determined to make it in Hollywood by any means necessary.
Shields partners with aspiring director Amiel, whom he meets at his father's funeral. Shields intentionally loses money he does not have in a poker game to film executive Pebbel, so he can talk Pebbel into letting him work off the debt as a line producer. Shields and Amiel learn their respective trades making B movies for Pebbel. When one of their films becomes a hit, Amiel decides they are ready to take on a more significant project he has been nursing along, and Shields pitches it to the studio. Shields gets a $1 million budget to produce the film, but betrays Amiel by allowing someone with an established reputation to be chosen as director. The film's success allows Shields to start his own studio, and Pebbel comes to work for him there. Amiel, now independent of Shields, goes on to become an Oscar-winning director in his own right.
Shields next encounters alcoholic small-time actress Lorrison, the daughter of a famous actor Shields admired. He builds up her confidence and gives her the leading role in one of his movies over everyone else's objections. When she falls in love with him, he lets her think that he feels the same way so that she does not self-destruct and he gets the performance he needs. After a smash premiere makes her a star overnight, she finds him with a beautiful bit player named Lila (Elaine Stewart). He drives Lorrison away, telling her that he will never allow anyone to have that much control over him. Crushed over being jilted by Shields, Lorrison walks out on her contract with his studio. Rather than take her to court, Shields releases his rights to her, freeing her to go to another studio, which makes a fortune from her films as she becomes a top Hollywood star.
Finally, Bartlow is a contented professor at a small college who has written a bestselling book for which Shields has purchased the film adaptation rights. Shields wants Bartlow himself to write the film's script. Bartlow is not interested, but his shallow Southern belle wife, Rosemary (Gloria Grahame) is, so he agrees to do it for her sake. They go to Hollywood, where Shields is annoyed to find that her constant distractions are keeping her husband from his work. He gets his suave actor friend Victor "Gaucho" Ribera (Gilbert Roland) to keep her occupied. Freed from interruption, Bartlow is able to make excellent progress on the script. Rosemary, however, runs off with Gaucho and they are killed in a plane crash. When the script is completed, Shields has the distraught Bartlow remain in Hollywood to help with the production as Shields takes over directing duties himself. A first-time director, Shields botches the job, which leads to his bankruptcy. Then Shields lets slip a casual remark that reveals his complicity in Rosemary's affair with Gaucho, so Bartlow walks out on him. Now able to view his late wife more objectively, Bartlow goes on to write a novel based upon her (something Shields had previously encouraged him to do) and wins a Pulitzer Prize for it.
After each flashback, Pebbel sarcastically agrees that Shields "ruined" their lives, making his true point that each of the three, despite feeling betrayed, is now at the top of the movie business, thanks largely to Shields. At last, Shields' telephone call comes through and Pebbel asks the three if they will work with Shields just one more time; all three reject the plea. As they leave the room, Pebbel is still talking to Shields. Out of Pebbel's sight, the three eavesdrop using an extension phone while Shields describes his new idea, and they become more and more interested. | Why did Lorrison walk out on her contract? | Crushed over being jilted by Shields | 2,596 | 2,632 |
The Bad and the Beautiful | In Hollywood, director Fred Amiel (Barry Sullivan), movie star Georgia Lorrison (Lana Turner), and screenwriter James Lee Bartlow (Dick Powell) each refuse to speak by phone to Jonathan Shields (Kirk Douglas) in Paris. Movie producer Harry Pebbel (Walter Pidgeon) gathers them in his office and explains that Shields was calling them because he has a new film idea and he wants the three of them for the project. Shields cannot get financing on his own, but with their names attached, there would be no problem. Pebbel asks the three to allow him to get Shields on the phone before they give their final answer.
As they await Shields' call, Pebbel assures the three that he understands why they refused to speak to Shields. The backstory of their involvement with Shields then unfolds in a series of flashbacks. Shields is the son of a notorious former studio head who had been dumped by the industry. The elder Shields was so unpopular that his son had to hire "extras" to attend his funeral. Despite the industry's ill feelings toward him because of his father, the younger Shields is determined to make it in Hollywood by any means necessary.
Shields partners with aspiring director Amiel, whom he meets at his father's funeral. Shields intentionally loses money he does not have in a poker game to film executive Pebbel, so he can talk Pebbel into letting him work off the debt as a line producer. Shields and Amiel learn their respective trades making B movies for Pebbel. When one of their films becomes a hit, Amiel decides they are ready to take on a more significant project he has been nursing along, and Shields pitches it to the studio. Shields gets a $1 million budget to produce the film, but betrays Amiel by allowing someone with an established reputation to be chosen as director. The film's success allows Shields to start his own studio, and Pebbel comes to work for him there. Amiel, now independent of Shields, goes on to become an Oscar-winning director in his own right.
Shields next encounters alcoholic small-time actress Lorrison, the daughter of a famous actor Shields admired. He builds up her confidence and gives her the leading role in one of his movies over everyone else's objections. When she falls in love with him, he lets her think that he feels the same way so that she does not self-destruct and he gets the performance he needs. After a smash premiere makes her a star overnight, she finds him with a beautiful bit player named Lila (Elaine Stewart). He drives Lorrison away, telling her that he will never allow anyone to have that much control over him. Crushed over being jilted by Shields, Lorrison walks out on her contract with his studio. Rather than take her to court, Shields releases his rights to her, freeing her to go to another studio, which makes a fortune from her films as she becomes a top Hollywood star.
Finally, Bartlow is a contented professor at a small college who has written a bestselling book for which Shields has purchased the film adaptation rights. Shields wants Bartlow himself to write the film's script. Bartlow is not interested, but his shallow Southern belle wife, Rosemary (Gloria Grahame) is, so he agrees to do it for her sake. They go to Hollywood, where Shields is annoyed to find that her constant distractions are keeping her husband from his work. He gets his suave actor friend Victor "Gaucho" Ribera (Gilbert Roland) to keep her occupied. Freed from interruption, Bartlow is able to make excellent progress on the script. Rosemary, however, runs off with Gaucho and they are killed in a plane crash. When the script is completed, Shields has the distraught Bartlow remain in Hollywood to help with the production as Shields takes over directing duties himself. A first-time director, Shields botches the job, which leads to his bankruptcy. Then Shields lets slip a casual remark that reveals his complicity in Rosemary's affair with Gaucho, so Bartlow walks out on him. Now able to view his late wife more objectively, Bartlow goes on to write a novel based upon her (something Shields had previously encouraged him to do) and wins a Pulitzer Prize for it.
After each flashback, Pebbel sarcastically agrees that Shields "ruined" their lives, making his true point that each of the three, despite feeling betrayed, is now at the top of the movie business, thanks largely to Shields. At last, Shields' telephone call comes through and Pebbel asks the three if they will work with Shields just one more time; all three reject the plea. As they leave the room, Pebbel is still talking to Shields. Out of Pebbel's sight, the three eavesdrop using an extension phone while Shields describes his new idea, and they become more and more interested. | Where is the movie set? | Hollywood | 3 | 12 |
The Bad and the Beautiful | In Hollywood, director Fred Amiel (Barry Sullivan), movie star Georgia Lorrison (Lana Turner), and screenwriter James Lee Bartlow (Dick Powell) each refuse to speak by phone to Jonathan Shields (Kirk Douglas) in Paris. Movie producer Harry Pebbel (Walter Pidgeon) gathers them in his office and explains that Shields was calling them because he has a new film idea and he wants the three of them for the project. Shields cannot get financing on his own, but with their names attached, there would be no problem. Pebbel asks the three to allow him to get Shields on the phone before they give their final answer.
As they await Shields' call, Pebbel assures the three that he understands why they refused to speak to Shields. The backstory of their involvement with Shields then unfolds in a series of flashbacks. Shields is the son of a notorious former studio head who had been dumped by the industry. The elder Shields was so unpopular that his son had to hire "extras" to attend his funeral. Despite the industry's ill feelings toward him because of his father, the younger Shields is determined to make it in Hollywood by any means necessary.
Shields partners with aspiring director Amiel, whom he meets at his father's funeral. Shields intentionally loses money he does not have in a poker game to film executive Pebbel, so he can talk Pebbel into letting him work off the debt as a line producer. Shields and Amiel learn their respective trades making B movies for Pebbel. When one of their films becomes a hit, Amiel decides they are ready to take on a more significant project he has been nursing along, and Shields pitches it to the studio. Shields gets a $1 million budget to produce the film, but betrays Amiel by allowing someone with an established reputation to be chosen as director. The film's success allows Shields to start his own studio, and Pebbel comes to work for him there. Amiel, now independent of Shields, goes on to become an Oscar-winning director in his own right.
Shields next encounters alcoholic small-time actress Lorrison, the daughter of a famous actor Shields admired. He builds up her confidence and gives her the leading role in one of his movies over everyone else's objections. When she falls in love with him, he lets her think that he feels the same way so that she does not self-destruct and he gets the performance he needs. After a smash premiere makes her a star overnight, she finds him with a beautiful bit player named Lila (Elaine Stewart). He drives Lorrison away, telling her that he will never allow anyone to have that much control over him. Crushed over being jilted by Shields, Lorrison walks out on her contract with his studio. Rather than take her to court, Shields releases his rights to her, freeing her to go to another studio, which makes a fortune from her films as she becomes a top Hollywood star.
Finally, Bartlow is a contented professor at a small college who has written a bestselling book for which Shields has purchased the film adaptation rights. Shields wants Bartlow himself to write the film's script. Bartlow is not interested, but his shallow Southern belle wife, Rosemary (Gloria Grahame) is, so he agrees to do it for her sake. They go to Hollywood, where Shields is annoyed to find that her constant distractions are keeping her husband from his work. He gets his suave actor friend Victor "Gaucho" Ribera (Gilbert Roland) to keep her occupied. Freed from interruption, Bartlow is able to make excellent progress on the script. Rosemary, however, runs off with Gaucho and they are killed in a plane crash. When the script is completed, Shields has the distraught Bartlow remain in Hollywood to help with the production as Shields takes over directing duties himself. A first-time director, Shields botches the job, which leads to his bankruptcy. Then Shields lets slip a casual remark that reveals his complicity in Rosemary's affair with Gaucho, so Bartlow walks out on him. Now able to view his late wife more objectively, Bartlow goes on to write a novel based upon her (something Shields had previously encouraged him to do) and wins a Pulitzer Prize for it.
After each flashback, Pebbel sarcastically agrees that Shields "ruined" their lives, making his true point that each of the three, despite feeling betrayed, is now at the top of the movie business, thanks largely to Shields. At last, Shields' telephone call comes through and Pebbel asks the three if they will work with Shields just one more time; all three reject the plea. As they leave the room, Pebbel is still talking to Shields. Out of Pebbel's sight, the three eavesdrop using an extension phone while Shields describes his new idea, and they become more and more interested. | What kind of movies do Shields and Amiel make for Pebbel? | B movies | 1,457 | 1,465 |
The Bad and the Beautiful | In Hollywood, director Fred Amiel (Barry Sullivan), movie star Georgia Lorrison (Lana Turner), and screenwriter James Lee Bartlow (Dick Powell) each refuse to speak by phone to Jonathan Shields (Kirk Douglas) in Paris. Movie producer Harry Pebbel (Walter Pidgeon) gathers them in his office and explains that Shields was calling them because he has a new film idea and he wants the three of them for the project. Shields cannot get financing on his own, but with their names attached, there would be no problem. Pebbel asks the three to allow him to get Shields on the phone before they give their final answer.
As they await Shields' call, Pebbel assures the three that he understands why they refused to speak to Shields. The backstory of their involvement with Shields then unfolds in a series of flashbacks. Shields is the son of a notorious former studio head who had been dumped by the industry. The elder Shields was so unpopular that his son had to hire "extras" to attend his funeral. Despite the industry's ill feelings toward him because of his father, the younger Shields is determined to make it in Hollywood by any means necessary.
Shields partners with aspiring director Amiel, whom he meets at his father's funeral. Shields intentionally loses money he does not have in a poker game to film executive Pebbel, so he can talk Pebbel into letting him work off the debt as a line producer. Shields and Amiel learn their respective trades making B movies for Pebbel. When one of their films becomes a hit, Amiel decides they are ready to take on a more significant project he has been nursing along, and Shields pitches it to the studio. Shields gets a $1 million budget to produce the film, but betrays Amiel by allowing someone with an established reputation to be chosen as director. The film's success allows Shields to start his own studio, and Pebbel comes to work for him there. Amiel, now independent of Shields, goes on to become an Oscar-winning director in his own right.
Shields next encounters alcoholic small-time actress Lorrison, the daughter of a famous actor Shields admired. He builds up her confidence and gives her the leading role in one of his movies over everyone else's objections. When she falls in love with him, he lets her think that he feels the same way so that she does not self-destruct and he gets the performance he needs. After a smash premiere makes her a star overnight, she finds him with a beautiful bit player named Lila (Elaine Stewart). He drives Lorrison away, telling her that he will never allow anyone to have that much control over him. Crushed over being jilted by Shields, Lorrison walks out on her contract with his studio. Rather than take her to court, Shields releases his rights to her, freeing her to go to another studio, which makes a fortune from her films as she becomes a top Hollywood star.
Finally, Bartlow is a contented professor at a small college who has written a bestselling book for which Shields has purchased the film adaptation rights. Shields wants Bartlow himself to write the film's script. Bartlow is not interested, but his shallow Southern belle wife, Rosemary (Gloria Grahame) is, so he agrees to do it for her sake. They go to Hollywood, where Shields is annoyed to find that her constant distractions are keeping her husband from his work. He gets his suave actor friend Victor "Gaucho" Ribera (Gilbert Roland) to keep her occupied. Freed from interruption, Bartlow is able to make excellent progress on the script. Rosemary, however, runs off with Gaucho and they are killed in a plane crash. When the script is completed, Shields has the distraught Bartlow remain in Hollywood to help with the production as Shields takes over directing duties himself. A first-time director, Shields botches the job, which leads to his bankruptcy. Then Shields lets slip a casual remark that reveals his complicity in Rosemary's affair with Gaucho, so Bartlow walks out on him. Now able to view his late wife more objectively, Bartlow goes on to write a novel based upon her (something Shields had previously encouraged him to do) and wins a Pulitzer Prize for it.
After each flashback, Pebbel sarcastically agrees that Shields "ruined" their lives, making his true point that each of the three, despite feeling betrayed, is now at the top of the movie business, thanks largely to Shields. At last, Shields' telephone call comes through and Pebbel asks the three if they will work with Shields just one more time; all three reject the plea. As they leave the room, Pebbel is still talking to Shields. Out of Pebbel's sight, the three eavesdrop using an extension phone while Shields describes his new idea, and they become more and more interested. | Shields intentionally loses what? | Money | 1,260 | 1,265 |
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