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Things We Lost in the Fire | Audrey Burke (Halle Berry) and her warm and loving husband Brian (David Duchovny) have been happily married 11 years; they have a 10-year-old daughter named Harper (Alexis Llewellyn) and a 6-year-old son named Dory (Micah Berry). Jerry Sunborne (Benicio del Toro) is a heroin addict who has been Brians close friend since childhood.Audrey gets tragic news delivered to her door by the local police: Brian has been killed in an attempt to defend a woman who was being beaten by her husband. On the day of the funeral Audrey realises that she has forgotten to inform Jerry of Brian's death. Her brother Neal (Omar Benson Miller) delivers the message to Jerry and takes him to the funeral.Audrey invites Jerry to move into the room adjacent to their garage, which he does. During his stay at the Burke home Jerry struggles to remain drug-free and also becomes very fond of Harper and Dory. The relationship between Jerry and Audrey is fragile and complicated. Jerry helps Audrey cope in many ways, including lying with her in bed to help her sleep. But Audrey, upset and confused, takes out her grief at Brian's death on Jerry. She becomes angry when Jerry helps Dory overcome his fear of submerging his head in the pool, as this had been something Brian had tried to do for years. Eventually her rudeness to him causes Jerry to move out and relapse with heroin. Audrey and Neal rescue and rehabilitate him and he agrees to admit himself to a specialized clinic. At first Harper, who has come to love Jerry, is angry that he is leaving, but after he leaves her a heartfelt note she forgives him. At the close of the film Jerry is still struggling with his addiction but seems to be well on his way to recovery. He leaves flowers on Audrey's doorstep with a note that reads, "Accept the good."(Source: WikiPedia. Bangs_McCoy) | Who plays Audrey Burke in the movie? | Halle Berry | 14 | 25 |
Things We Lost in the Fire | Audrey Burke (Halle Berry) and her warm and loving husband Brian (David Duchovny) have been happily married 11 years; they have a 10-year-old daughter named Harper (Alexis Llewellyn) and a 6-year-old son named Dory (Micah Berry). Jerry Sunborne (Benicio del Toro) is a heroin addict who has been Brians close friend since childhood.Audrey gets tragic news delivered to her door by the local police: Brian has been killed in an attempt to defend a woman who was being beaten by her husband. On the day of the funeral Audrey realises that she has forgotten to inform Jerry of Brian's death. Her brother Neal (Omar Benson Miller) delivers the message to Jerry and takes him to the funeral.Audrey invites Jerry to move into the room adjacent to their garage, which he does. During his stay at the Burke home Jerry struggles to remain drug-free and also becomes very fond of Harper and Dory. The relationship between Jerry and Audrey is fragile and complicated. Jerry helps Audrey cope in many ways, including lying with her in bed to help her sleep. But Audrey, upset and confused, takes out her grief at Brian's death on Jerry. She becomes angry when Jerry helps Dory overcome his fear of submerging his head in the pool, as this had been something Brian had tried to do for years. Eventually her rudeness to him causes Jerry to move out and relapse with heroin. Audrey and Neal rescue and rehabilitate him and he agrees to admit himself to a specialized clinic. At first Harper, who has come to love Jerry, is angry that he is leaving, but after he leaves her a heartfelt note she forgives him. At the close of the film Jerry is still struggling with his addiction but seems to be well on his way to recovery. He leaves flowers on Audrey's doorstep with a note that reads, "Accept the good."(Source: WikiPedia. Bangs_McCoy) | How long have Audrey and Brian been married? | 11 years | 108 | 116 |
Things We Lost in the Fire | Audrey Burke (Halle Berry) and her warm and loving husband Brian (David Duchovny) have been happily married 11 years; they have a 10-year-old daughter named Harper (Alexis Llewellyn) and a 6-year-old son named Dory (Micah Berry). Jerry Sunborne (Benicio del Toro) is a heroin addict who has been Brians close friend since childhood.Audrey gets tragic news delivered to her door by the local police: Brian has been killed in an attempt to defend a woman who was being beaten by her husband. On the day of the funeral Audrey realises that she has forgotten to inform Jerry of Brian's death. Her brother Neal (Omar Benson Miller) delivers the message to Jerry and takes him to the funeral.Audrey invites Jerry to move into the room adjacent to their garage, which he does. During his stay at the Burke home Jerry struggles to remain drug-free and also becomes very fond of Harper and Dory. The relationship between Jerry and Audrey is fragile and complicated. Jerry helps Audrey cope in many ways, including lying with her in bed to help her sleep. But Audrey, upset and confused, takes out her grief at Brian's death on Jerry. She becomes angry when Jerry helps Dory overcome his fear of submerging his head in the pool, as this had been something Brian had tried to do for years. Eventually her rudeness to him causes Jerry to move out and relapse with heroin. Audrey and Neal rescue and rehabilitate him and he agrees to admit himself to a specialized clinic. At first Harper, who has come to love Jerry, is angry that he is leaving, but after he leaves her a heartfelt note she forgives him. At the close of the film Jerry is still struggling with his addiction but seems to be well on his way to recovery. He leaves flowers on Audrey's doorstep with a note that reads, "Accept the good."(Source: WikiPedia. Bangs_McCoy) | Who is Audrey Burke's Husband? | Brian | 59 | 64 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | What is the phrase which is spoken to him almost like a calling? | world as will and idea | 1,161 | 1,183 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | Who is the so called leader of the terrorist group? | Paul | 1,848 | 1,852 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | What does Peter Lurz sell? | Computers | 283 | 292 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | Where does the film open? | a high rise overlooking Berlin, Germany | 100 | 139 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | Who is a drug addict? | Ilse Hoffman | 1,970 | 1,982 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | Who is Paul gunned down in front of? | Edgar | 875 | 880 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | Who is Von Stein interrogated by | Officer Gast | 588 | 600 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | Who has a conversation with Lurz? | Gast | 345 | 349 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | Where is Paul gunned down? | at a restaurant | 2,689 | 2,704 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | Who interrogates Von Stein? | Officer Gast | 588 | 600 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | What do they decide to change? | their identity | 2,803 | 2,817 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | Who does Von Stein follow? | August | 1,332 | 1,338 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | What are the noise from which surrounds the all of the characters when they are introduced? | Noise from music, T.V. and radio | 1,712 | 1,744 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | According to Grandpa Gast, what does every generation need? | War | 927 | 930 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | What does Susanne say to Hilde Kriger? | world as will and idea, | 1,161 | 1,184 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | Who is Petra's husband? | Hans | 1,577 | 1,581 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | Who did Petra shoot and kill? | Her husband | 1,565 | 1,576 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | Where does Lurz give money to August? | At a Chinese restaurant | 3,528 | 3,551 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | Where is Von Stein caught by Officer Gast? | The cemetery | 3,813 | 3,825 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | Where does Lurz give August money? | Chinese restaurant | 3,533 | 3,551 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | What does Grandpa Gast tell Edgar Gast? | that every generation needs a war | 897 | 930 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | What appears in the headlines? | Graffiti | 1,010 | 1,018 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | What is Hilde Kriger's occupation? | Teacher | 1,133 | 1,140 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | Are they all afraid or are they unfearful? | afraid | 2,775 | 2,781 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | In what country does the film take place? | Germany | 73 | 80 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | Who is a long time friend and lover of Ilse? | Franz | 2,305 | 2,310 |
The Third Generation | The Third Generation was once regarded as a highly controversial film in Germany. The Film opens in a high rise overlooking Berlin, Germany, as the sound of a heart beating and the T.V. are heard. Peter Lurz (Eddie Constantine), a well to do and established man in his 60s who sells computers, is looking out the window as his secretary Susanne Gast (Hanna Schygulla) is on the phone behind him. A man in his mid 50s wearing a putty colored trench coat and a hat, Officer Gerhard Gast (Hark Bohm), who's there to pick up Susanne, his daughter in law, engages in a conversation with Lurz. Officer Gast tells Lurz that he is being watched and is under police protection. In route of taking his daughter in-law home for dinner they both have a sexual experience at a hotel room. While having dinner with the whole family, Grandpa Gast (Claus Holm) tells the husband of Susanne, Edgar Gast (Udo Kier) that every generation needs a war. In all this we see visuals pop up of reported headlines of racial and hateful graffiti in public places. Susanne makes her rounds to other contacts. She approaches Hilde Kriger (Bulle Ogier), a school teacher, and tells her "The world as will and idea," a common code phase that is used amongst the terrorist.
This is when sound takes the floor in this movie. Characters are introduced sporadically. August Brem (Volker Spengler) approaches Rudolf Mann (Harry Baer) in a record store where he works. The phrase "the world as will and idea" is spoken to him almost like a calling. Petra Vielhabor (Margrit Carstensen) who argues with her husband Hans (Jurgen Draegon) constantly gets the calling. During this time, when all of the characters are introduced, they are surrounded by noise from music, T.V. and radio. They are all extremely paranoid and tense. Their are to meet at Rudolf's apartment so they could meet Paul (Raul Grimenez), their so called leader of the terrorist group. While at the apartment they almost agree to kick out Ilse Hoffman (Y So Lo), a drug addict. They feel that she is a threat. August mentions it first to Rudolph who does nothing because he has compassion for her. Paul arrives and their so excited to see him for the first time. He makes forced arrangements to stay with Hilde in her apartment and rapes her. Two visitors come to see Ilse, Franz Walsch (Günther Kaufman) and Bernhard Von Stein (Vitus Zepichal). Franz is a long time friend and lover of Ilse. They decide to stay with her and help her drug problem. The others find books in Von Stein's suitcase and start tossing it around as Von Stein cries for it back. They act like children playing in a field.
Times are tense and get even worse when Paul is gunned down at a restaurant in front of Edgar who's faced by his father at the site. They are all afraid and decide to change their identity. August gives out paper squares to the group. Some have a mark and some don't. Petra, Rudolf and Hilde got the mark and had to break into the post office. Rudolph peed in his pants, he was so scared. The others laugh when they get back but not for long when Franz finds Ilse dead. Petra and some of the other terrorists rob the very bank that Petra's husband works in. While they are escaping, Petra shoots and kills her husband. They frantically change their looks and names and flee from their homes.
Von Stein is seriously interrogated by Officer Gast as to their whereabouts. Von Stein genuinely doesn't know but gets curious and follows August undetected. He sees Lurz give August money to fund terrorism at a Chinese restaurant. August sets up Franz by telling him where Ilse is buried. He then calls the authorities and gets him killed. August does the same to Petra when she is instructed to place a bomb and gets intercepted and killed by police. Von Stein is caught by Officer Gast at the cemetery when he tried to warn Franz that it was a setup and not to go to Ilse's grave. Von Stein tells Officer Gast of what he saw at the Chinese restaurant and mysteriously falls down a long flight of stairs and is killed. Paul Lurz is willingly kidnapped by the remaining terrorists and videotaped in a basement as he slates his name and his position in the state. | Are these pleasant times? | no | 1,712 | 1,714 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | What was Mirus' body tangled up in? | barbed wire | 5,314 | 5,325 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | What do Lt. Krupp and Mirus hear in the bunker? | machine gun fire | 2,624 | 2,640 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | Who hears the gunfire and ventures down into the tunnels? | Neumann | 468 | 475 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | Who executed Franke? | Schenke | 589 | 596 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | Who sees American soldiers coming out of the woods? | Neumann | 468 | 475 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | How many men were originally left to guard the bunker? | 2 | 159 | 160 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | Who does Schenke stab? | Heydrich | 607 | 615 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | Who shot at the helmeted figure in vain? | Baumann | 1,697 | 1,704 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | Who comes rushing up the tunnel and screaming? | Kreutzmann | 2,032 | 2,042 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | Who expands on the history of the area? | Mirus | 431 | 436 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | Where did Mirus's son die? | Normandy | 3,570 | 3,578 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | Who have set off a booby trap, as per Schenke and Neumann? | Americans | 662 | 671 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | Who sees a shadowy figure and takes off in panic? | Mirus | 431 | 436 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | What did Schenke and Krupp found in the ammunition storage room? | Shells | 3,753 | 3,759 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | Who attempted to blast the door open? | Heydrich, Baumann and Franke | 5,808 | 5,836 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | Who lit a fuse to destroy the artillery ammo? | Schenke | 589 | 596 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | Who destroys the barricade? | Schenke | 589 | 596 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | Who is left behind in the bunker? | Mirus and Neumann | 3,182 | 3,199 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | What year does the movie take place? | 1944 | 226 | 230 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | Who is stabbed to death? | Ebert | 1,773 | 1,778 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | Who got buried under a pile of wooden beams? | Lt. Krupp | 1,238 | 1,247 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | Who treats the tunnels as his property? | Mirus | 431 | 436 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | What does Baumann throw into the hole? | a grenade | 8,435 | 8,444 |
The Bunker | This article's plot summary may be too long or excessively detailed. Please help improve it by removing unnecessary details and making it more concise. (March 2015) (Learn how and when to remove this template message)
In late 1944, the remnants of a platoon of German Panzergrenadiers from the GroÃdeutschland Division are caught in an ambush by American troops. In their retreat, they find a German bunker manned by elderly Pvt. Mirus (John Carlisle) and young Pvt. Neumann (Andrew-Lee Potts) who had been left to defend the bunker under orders from Area Command to wait until relieved. Schenke confronts Heydrich about why the group didn't counter-attack the Americans, claiming that there couldn't have been that many of them. Mirus expands on the history of the area, revealing that victims of the Black Plague were massacred on the orders of a stranger, who influenced the townspeople to turn against one another. Low on ammunition, the men are haunted by bad dreams, memories and the feeling that something about the area just isn't right.
As the night proceeds, strange tunnels are found beneath the bunker and the situation in the bunker becomes increasingly tense. Pvt. Schenke (Andrew Tiernan) wants to explore the tunnels but Lt. Krupp (Simon Kunz) orders against it. Later, Mirus sneaks down into the tunnels and a curious Pfc. Kruezmann (Eddie Marsan) follows him. When they are discovered to be missing, Lt. Krupp believes they've deserted and orders a pursuit. Interrogation of Neumann reveals that Mirus had been wandering off into the tunnels for several weeks and treats the tunnels as his property, as if something is down there that Mirus doesn't want him to know about. Cpl. Baumann (Jason Flemyng) discovers a set of plans for the complex while Cpl. Ebert (Jack Davenport) finds a danger sign. Exploring further, Ebert comes to a mine shaft where he hears movement and a pile of sand nearly falls on top of him. Terrified, he is suddenly stabbed from behind. As he lays dying, a silhouetted figure resembling Kreutzmann walks up. Baumann hears his scream and packs up the papers to investigate when his torch dies. He lights a match and, seeing figures walking towards him, aims his weapon, but they turn out to be his comrades. When Lt. Krupp tries the torch, it turns on easily.
Baumann thinks that the Americans are in the tunnels. The group then hears movement, which turns out to be Mirus. The soldiers turn on a rusty old generator, causing lights to turn on down in the tunnels. Lt. Krupp asks Mirus what's going on but Mirus is evasive. Before the questioning can go any further, the men hear machine gun fire coming from the bunker. When the men arrive, it appears that Neumann, Franke and Schenke had been firing at nothing. Lt. Krupp attempts to call headquarters, but the phone lines are dead. Convinced that the Americans have entered the tunnels, a game of cat and mouse develops. Stalked by shadowy figures, it becomes increasingly unclear where the men's fantasies end and the danger begins. Krupp agrees to send an expedition to secure the back entrance to the tunnels but on condition that if too much resistance is encountered they return. Mirus and Neumann are left behind in the bunker, while the remaining men split up: Krupp and Schenke in one group and Baumann, Franke and Neumann in the other. Before leaving, Schenke gives a Nazi salute, which none of the men in the other group return. Neumann stands guard while Mirus scorns the whole idea of trying to fight anymore. Mirus then claims that his son Werner, who died in Normandy, still talks to him and told him something about the tunnels.
Down in the tunnels, Schenke and Krupp force their way into an ammunition storage room only to find nothing but shells. Arriving at the rear entrance, they find it is sealed but Schenke hypothesises that there's another way in. They continue searching and discover Ebert's body. The other group comes across the mine shaft and discover a mass grave. Following a voice, they find Kreutzmann, catatonic and repeatedly screaming "no". Kreutzmann begins babbling about someone being back. They hear a women's voice and try to get Kreutzmann out but Kreutzmann resists them. He breaks away, knocking Baumann out cold. He then hallucinates a soldier with his throat ripped out while two others take pictures and runs off. Lt. Krupp and Schenke explore a corridor when the lights begin to flicker. They hear movement and look, only to spin around a second later when they hear movement behind them and see a lamp swinging from side to side. They slowly back down the corridor to the back door of the tunnel complex. They hear loud banging as something tries to break into the tunnels. Kreutzmann comes rushing up the tunnel, screaming. Startled, Schenke and Kruppe open fire, killing him. The gunfire causes a collapse, burying Lt. Krupp under a pile of wooden beams. When Schenke realises it was Kreutzmann that they killed, he begins laughing hysterically.
Back in the bunker, Neumann hears the gunfire and ventures down into the tunnels despite Mirus' protests. Alone, Mirus sees a shadowy figure and takes off in panic. As he flees, he hears pounding on each consecutive door he closes behind him, as if he is being pursued. Mirus leaves the bunker and falls outside into the barbed wire. He sees another dark figure approaching and in his panic to escape becomes more and more tangled in the barbed wire. Meanwhile, Neumann, who is searching through the tunnels, is caught by an increasingly paranoid Schenke, who puts a knife to his neck. Neumann regains his trust him and the two return to the artillery ammunition room and booby trap the room to prevent the shells from falling into the hands of the Americans, whom Schenke is sure are stalking through the tunnels. Heydrich, Baumann and Franke decide to blow the bunker door with a stick grenade and fight their way out. Schenke and Neumann hear the explosion and think that the Americans have set off a booby trap.
Schenke lights a fuse to destroy the artillery ammo and the two of them move out. Heydrich, Baumann and Franke's plan to blast the door open fails so they go looking for another entrance. They run into Schenke and Neumann, who thinking that the three of them are Americans, open fire. A short firefight ensues in which Heydrich, Franke and Baumann use up their remaining STG-44 ammo they withdraw. Franke finally cracks and offers to surrender but it turns out that instead of Americans, Schenke is the one in the corridor. He looks rather deranged at this point. Neumann comes up and aims his Kar98K rifle at Heydrich, Baumann and Franke as Schenke basically announces his plan to execute the three of them. When Neumann refuses to execute the three of them Schneke pulls out his Luger and executes Franke. He then puts the gun to Neumann's head and threatens to kill him. Neumann is about to pull the trigger when the explosives go off, knocking everybody down. Heydrich, Baumann and Neumann make a run for it while Schenke wildly fires his pistol after them. The three men race through the tunnels but the main exit is blocked by wreckage. Heydrich pulls Neumann into the mine shaft to get away, but Baumann who is holding the rifle, stays behind and shoots at the helmeted figure approaching. To his amazement and terror the bullets seem to do nothing. He then begins hallucinating and fires a third shot before Heydrich pulls him away. Soon Schenke arrives, but the others have already erected a barricade over the mine shaft entrance.
The men stumble across the mass grave again and then Schenke appears, destroying the barricade. Heydrich shoots Schenke in the chest with a flare gun and Schenke suddenly bursts into flames, screaming and reeling away. The three men begin whacking at the mass grave wall with entrenching tools, which break ground. Neumann breaks out and Heydrich is about to follow him when he's stabbed in the back by Schenke, who seems to have put his flames out, despite being badly burned. Baumann launches himself at Schenke and the two begin a fight, which seems even for a while, until Schenke throws Baumann back. Heydrich intervenes, only to get run through by Schenke. The distraction gives Baumann time to get away. Baumann breaks through a layer of soil made up of bones, which seems to try and suck him back into the earth, but is pulled out by Neumann. Baumann then rolls over and hurls a grenade down into the hole, which lands next to the gravely injured Schenke. Several seconds before it explodes, Schenke sees several silhouetted figures standing nearby.
The movie then cuts to Neman and Baumann running away as the grenade explodes behind them, presumably killing Schenke. Neumann then checks out the bunker from the rear, and comes back to tell the wounded Baumann that it's safe. Baumann gives Neumann a handkerchief and tells him to go surrender. Neumann wants to stay but Baumann refuses, telling Neumann to leave. Neumann agrees to leave and on his way down the road finds Mirus' body tangled up in the barbed wire. He then sees American soldiers emerging from the woods and waves his handkerchief to get their attention. The film then cuts back to Baumann's memories which show the squad advancing across a sunny field only to find a bunch of deserters about to be executed. An officer hustles over Baumann to participate in the execution. One of the deserters is seen praying and Baumann misses his first shot before shooting the man twice. Quickly the firing squad moves in, with one soldier taking pictures with his camera and an officer finishing off the wounded with a pistol. A member of the firing squad is seen striking a pose while the picture-taking soldier snaps another shot. Baumann snaps out of remembering and staggers off towards the Americans. | What exploded behind Neman and Baumann? | grenade | 5,881 | 5,888 |
Rocky IV | Ivan Drago, a Russian Soviet boxer, arrives in the United States with his wife, Ludmilla, and a team of trainers from the USSR and Cuba. His manager, Nicolai Koloff, takes every opportunity to promote Drago's athleticism as a hallmark of Soviet superiority. Motivated by patriotism and an innate desire to prove himself, Apollo Creed challenges Drago to an exhibition bout. Rocky has reservations, but agrees to train Apollo despite his misgivings about the match. He asks Apollo whether the fight is against the Soviet, or "you against you?"
During a press conference regarding the match, hostility sparks between Apollo and Drago's respective camps. The boxing exhibition takes place at the MGM Grand Hotel in Las Vegas. Apollo enters the ring in an over-the-top patriotic entrance with James Brown performing "Living in America" complete with showgirls. The bout starts tamely with Apollo landing several punches that have no effect on Drago. It soon turns serious though, as Drago starts to retaliate with devastating effect. By the end of the first round, Rocky and Apollo's trainer, Duke, plead with him to give up, but Apollo refuses to do so, and tells Rocky not to stop the match. Drago continues to pummel him in the second round, and despite Duke begging Rocky to throw in the towel, he reluctantly honors Apollo's wish. Eventually, Drago lands one final punch that knocks Apollo to the ground, killing him. In the immediate aftermath, Drago displays no sense of remorse commenting to the assembled media: "If he dies, he dies."
Enraged by Drago's cold indifference and feeling a deep sense of guilt, Rocky decides to avenge Apollo's death by fighting Drago himself. Drago's camp agrees to the fight but the conditions are that it must be in the Soviet Union on Christmas Day in an unsanctioned 15-round bout to protect Drago from the threats of violence he has been receiving in America. Rocky travels to the USSR without Adrian, setting up his training base in Krasnogourbinsk with only Duke and brother-in-law Paulie to accompany him. To prepare for the match, Drago uses very high-tech equipment, steroid enhancement, and a team of trainers and doctors monitoring his every movement. Rocky, on the other hand, throws heavy logs, chops down trees, pulls an overloaded snow sleigh, jogs in heavy snow with treacherous icy conditions, and climbs a mountain. Adrian arrives unexpectedly to give Rocky her support after initially refusing to travel to the Soviet Union because of her doubts on his fighting chances. Her presence increases Rocky's focus and enhances his training.
Drago is introduced with an elaborate, patriotic ceremony that puts the home crowd squarely on Drago's side and against Rocky. In contrast to his match with Apollo, Drago immediately goes on the offensive and Rocky takes a fierce pounding. Drago even throws Rocky around the ring with impunity. Rocky comes back toward the end of the second round; a right hook inflicts a cut below Drago's left eye that silences the crowd and prompts Rocky to continue punching Drago even after the bell rings. While Duke and Paulie cheer Rocky for his heroism, they remind him that Drago is not actually a machine, but a normal man. Ironically, Drago comments that Rocky "is not human, he is like a piece of iron" with his own corner reprimanding him for being "weak" in comparison to the "small American."
The two boxers continue their battle over the next dozen rounds, with Rocky holding his ground despite Drago's powerful punches. His resilience rallies the previously hostile Soviet crowd to his side, which unsettles Drago to the point that he shoves Koloff off the ring for berating his performance. Rocky finally takes down Drago in the last round, winning by knockout to the shock of the Soviet politburo members watching the match. A bloody and battered Rocky gives a victory speech, acknowledging how the local crowd's disdain of him turned to respect. He compares it to the animosity between Soviets and Americans, and says that seeing him and Drago fight was "better than 20 million," implying war between their two countries. Rocky finally declares, "If I can change, and you can change, then everybody can change!" The Soviet General Secretary stands and passionately applauds Rocky, and his aides follow suit. Rocky ends his speech by wishing his son a Merry Christmas, and raises his arms into the air in victory as the crowd applauds on Christmas Day. | What James Brown song plays when Apollo Creed enters the ring? | Living in America | 813 | 830 |
Rocky IV | Ivan Drago, a Russian Soviet boxer, arrives in the United States with his wife, Ludmilla, and a team of trainers from the USSR and Cuba. His manager, Nicolai Koloff, takes every opportunity to promote Drago's athleticism as a hallmark of Soviet superiority. Motivated by patriotism and an innate desire to prove himself, Apollo Creed challenges Drago to an exhibition bout. Rocky has reservations, but agrees to train Apollo despite his misgivings about the match. He asks Apollo whether the fight is against the Soviet, or "you against you?"
During a press conference regarding the match, hostility sparks between Apollo and Drago's respective camps. The boxing exhibition takes place at the MGM Grand Hotel in Las Vegas. Apollo enters the ring in an over-the-top patriotic entrance with James Brown performing "Living in America" complete with showgirls. The bout starts tamely with Apollo landing several punches that have no effect on Drago. It soon turns serious though, as Drago starts to retaliate with devastating effect. By the end of the first round, Rocky and Apollo's trainer, Duke, plead with him to give up, but Apollo refuses to do so, and tells Rocky not to stop the match. Drago continues to pummel him in the second round, and despite Duke begging Rocky to throw in the towel, he reluctantly honors Apollo's wish. Eventually, Drago lands one final punch that knocks Apollo to the ground, killing him. In the immediate aftermath, Drago displays no sense of remorse commenting to the assembled media: "If he dies, he dies."
Enraged by Drago's cold indifference and feeling a deep sense of guilt, Rocky decides to avenge Apollo's death by fighting Drago himself. Drago's camp agrees to the fight but the conditions are that it must be in the Soviet Union on Christmas Day in an unsanctioned 15-round bout to protect Drago from the threats of violence he has been receiving in America. Rocky travels to the USSR without Adrian, setting up his training base in Krasnogourbinsk with only Duke and brother-in-law Paulie to accompany him. To prepare for the match, Drago uses very high-tech equipment, steroid enhancement, and a team of trainers and doctors monitoring his every movement. Rocky, on the other hand, throws heavy logs, chops down trees, pulls an overloaded snow sleigh, jogs in heavy snow with treacherous icy conditions, and climbs a mountain. Adrian arrives unexpectedly to give Rocky her support after initially refusing to travel to the Soviet Union because of her doubts on his fighting chances. Her presence increases Rocky's focus and enhances his training.
Drago is introduced with an elaborate, patriotic ceremony that puts the home crowd squarely on Drago's side and against Rocky. In contrast to his match with Apollo, Drago immediately goes on the offensive and Rocky takes a fierce pounding. Drago even throws Rocky around the ring with impunity. Rocky comes back toward the end of the second round; a right hook inflicts a cut below Drago's left eye that silences the crowd and prompts Rocky to continue punching Drago even after the bell rings. While Duke and Paulie cheer Rocky for his heroism, they remind him that Drago is not actually a machine, but a normal man. Ironically, Drago comments that Rocky "is not human, he is like a piece of iron" with his own corner reprimanding him for being "weak" in comparison to the "small American."
The two boxers continue their battle over the next dozen rounds, with Rocky holding his ground despite Drago's powerful punches. His resilience rallies the previously hostile Soviet crowd to his side, which unsettles Drago to the point that he shoves Koloff off the ring for berating his performance. Rocky finally takes down Drago in the last round, winning by knockout to the shock of the Soviet politburo members watching the match. A bloody and battered Rocky gives a victory speech, acknowledging how the local crowd's disdain of him turned to respect. He compares it to the animosity between Soviets and Americans, and says that seeing him and Drago fight was "better than 20 million," implying war between their two countries. Rocky finally declares, "If I can change, and you can change, then everybody can change!" The Soviet General Secretary stands and passionately applauds Rocky, and his aides follow suit. Rocky ends his speech by wishing his son a Merry Christmas, and raises his arms into the air in victory as the crowd applauds on Christmas Day. | Who killed Apollo Creed? | Ivan Drago | 0 | 10 |
Rocky IV | Ivan Drago, a Russian Soviet boxer, arrives in the United States with his wife, Ludmilla, and a team of trainers from the USSR and Cuba. His manager, Nicolai Koloff, takes every opportunity to promote Drago's athleticism as a hallmark of Soviet superiority. Motivated by patriotism and an innate desire to prove himself, Apollo Creed challenges Drago to an exhibition bout. Rocky has reservations, but agrees to train Apollo despite his misgivings about the match. He asks Apollo whether the fight is against the Soviet, or "you against you?"
During a press conference regarding the match, hostility sparks between Apollo and Drago's respective camps. The boxing exhibition takes place at the MGM Grand Hotel in Las Vegas. Apollo enters the ring in an over-the-top patriotic entrance with James Brown performing "Living in America" complete with showgirls. The bout starts tamely with Apollo landing several punches that have no effect on Drago. It soon turns serious though, as Drago starts to retaliate with devastating effect. By the end of the first round, Rocky and Apollo's trainer, Duke, plead with him to give up, but Apollo refuses to do so, and tells Rocky not to stop the match. Drago continues to pummel him in the second round, and despite Duke begging Rocky to throw in the towel, he reluctantly honors Apollo's wish. Eventually, Drago lands one final punch that knocks Apollo to the ground, killing him. In the immediate aftermath, Drago displays no sense of remorse commenting to the assembled media: "If he dies, he dies."
Enraged by Drago's cold indifference and feeling a deep sense of guilt, Rocky decides to avenge Apollo's death by fighting Drago himself. Drago's camp agrees to the fight but the conditions are that it must be in the Soviet Union on Christmas Day in an unsanctioned 15-round bout to protect Drago from the threats of violence he has been receiving in America. Rocky travels to the USSR without Adrian, setting up his training base in Krasnogourbinsk with only Duke and brother-in-law Paulie to accompany him. To prepare for the match, Drago uses very high-tech equipment, steroid enhancement, and a team of trainers and doctors monitoring his every movement. Rocky, on the other hand, throws heavy logs, chops down trees, pulls an overloaded snow sleigh, jogs in heavy snow with treacherous icy conditions, and climbs a mountain. Adrian arrives unexpectedly to give Rocky her support after initially refusing to travel to the Soviet Union because of her doubts on his fighting chances. Her presence increases Rocky's focus and enhances his training.
Drago is introduced with an elaborate, patriotic ceremony that puts the home crowd squarely on Drago's side and against Rocky. In contrast to his match with Apollo, Drago immediately goes on the offensive and Rocky takes a fierce pounding. Drago even throws Rocky around the ring with impunity. Rocky comes back toward the end of the second round; a right hook inflicts a cut below Drago's left eye that silences the crowd and prompts Rocky to continue punching Drago even after the bell rings. While Duke and Paulie cheer Rocky for his heroism, they remind him that Drago is not actually a machine, but a normal man. Ironically, Drago comments that Rocky "is not human, he is like a piece of iron" with his own corner reprimanding him for being "weak" in comparison to the "small American."
The two boxers continue their battle over the next dozen rounds, with Rocky holding his ground despite Drago's powerful punches. His resilience rallies the previously hostile Soviet crowd to his side, which unsettles Drago to the point that he shoves Koloff off the ring for berating his performance. Rocky finally takes down Drago in the last round, winning by knockout to the shock of the Soviet politburo members watching the match. A bloody and battered Rocky gives a victory speech, acknowledging how the local crowd's disdain of him turned to respect. He compares it to the animosity between Soviets and Americans, and says that seeing him and Drago fight was "better than 20 million," implying war between their two countries. Rocky finally declares, "If I can change, and you can change, then everybody can change!" The Soviet General Secretary stands and passionately applauds Rocky, and his aides follow suit. Rocky ends his speech by wishing his son a Merry Christmas, and raises his arms into the air in victory as the crowd applauds on Christmas Day. | What is the name of Ivan Drago's wife? | Ludmilla | 80 | 88 |
Rocky IV | Ivan Drago, a Russian Soviet boxer, arrives in the United States with his wife, Ludmilla, and a team of trainers from the USSR and Cuba. His manager, Nicolai Koloff, takes every opportunity to promote Drago's athleticism as a hallmark of Soviet superiority. Motivated by patriotism and an innate desire to prove himself, Apollo Creed challenges Drago to an exhibition bout. Rocky has reservations, but agrees to train Apollo despite his misgivings about the match. He asks Apollo whether the fight is against the Soviet, or "you against you?"
During a press conference regarding the match, hostility sparks between Apollo and Drago's respective camps. The boxing exhibition takes place at the MGM Grand Hotel in Las Vegas. Apollo enters the ring in an over-the-top patriotic entrance with James Brown performing "Living in America" complete with showgirls. The bout starts tamely with Apollo landing several punches that have no effect on Drago. It soon turns serious though, as Drago starts to retaliate with devastating effect. By the end of the first round, Rocky and Apollo's trainer, Duke, plead with him to give up, but Apollo refuses to do so, and tells Rocky not to stop the match. Drago continues to pummel him in the second round, and despite Duke begging Rocky to throw in the towel, he reluctantly honors Apollo's wish. Eventually, Drago lands one final punch that knocks Apollo to the ground, killing him. In the immediate aftermath, Drago displays no sense of remorse commenting to the assembled media: "If he dies, he dies."
Enraged by Drago's cold indifference and feeling a deep sense of guilt, Rocky decides to avenge Apollo's death by fighting Drago himself. Drago's camp agrees to the fight but the conditions are that it must be in the Soviet Union on Christmas Day in an unsanctioned 15-round bout to protect Drago from the threats of violence he has been receiving in America. Rocky travels to the USSR without Adrian, setting up his training base in Krasnogourbinsk with only Duke and brother-in-law Paulie to accompany him. To prepare for the match, Drago uses very high-tech equipment, steroid enhancement, and a team of trainers and doctors monitoring his every movement. Rocky, on the other hand, throws heavy logs, chops down trees, pulls an overloaded snow sleigh, jogs in heavy snow with treacherous icy conditions, and climbs a mountain. Adrian arrives unexpectedly to give Rocky her support after initially refusing to travel to the Soviet Union because of her doubts on his fighting chances. Her presence increases Rocky's focus and enhances his training.
Drago is introduced with an elaborate, patriotic ceremony that puts the home crowd squarely on Drago's side and against Rocky. In contrast to his match with Apollo, Drago immediately goes on the offensive and Rocky takes a fierce pounding. Drago even throws Rocky around the ring with impunity. Rocky comes back toward the end of the second round; a right hook inflicts a cut below Drago's left eye that silences the crowd and prompts Rocky to continue punching Drago even after the bell rings. While Duke and Paulie cheer Rocky for his heroism, they remind him that Drago is not actually a machine, but a normal man. Ironically, Drago comments that Rocky "is not human, he is like a piece of iron" with his own corner reprimanding him for being "weak" in comparison to the "small American."
The two boxers continue their battle over the next dozen rounds, with Rocky holding his ground despite Drago's powerful punches. His resilience rallies the previously hostile Soviet crowd to his side, which unsettles Drago to the point that he shoves Koloff off the ring for berating his performance. Rocky finally takes down Drago in the last round, winning by knockout to the shock of the Soviet politburo members watching the match. A bloody and battered Rocky gives a victory speech, acknowledging how the local crowd's disdain of him turned to respect. He compares it to the animosity between Soviets and Americans, and says that seeing him and Drago fight was "better than 20 million," implying war between their two countries. Rocky finally declares, "If I can change, and you can change, then everybody can change!" The Soviet General Secretary stands and passionately applauds Rocky, and his aides follow suit. Rocky ends his speech by wishing his son a Merry Christmas, and raises his arms into the air in victory as the crowd applauds on Christmas Day. | Where did the boxing exhibition take place? | MGM Grand Hotel in Las Vegas | 693 | 721 |
Rocky IV | Ivan Drago, a Russian Soviet boxer, arrives in the United States with his wife, Ludmilla, and a team of trainers from the USSR and Cuba. His manager, Nicolai Koloff, takes every opportunity to promote Drago's athleticism as a hallmark of Soviet superiority. Motivated by patriotism and an innate desire to prove himself, Apollo Creed challenges Drago to an exhibition bout. Rocky has reservations, but agrees to train Apollo despite his misgivings about the match. He asks Apollo whether the fight is against the Soviet, or "you against you?"
During a press conference regarding the match, hostility sparks between Apollo and Drago's respective camps. The boxing exhibition takes place at the MGM Grand Hotel in Las Vegas. Apollo enters the ring in an over-the-top patriotic entrance with James Brown performing "Living in America" complete with showgirls. The bout starts tamely with Apollo landing several punches that have no effect on Drago. It soon turns serious though, as Drago starts to retaliate with devastating effect. By the end of the first round, Rocky and Apollo's trainer, Duke, plead with him to give up, but Apollo refuses to do so, and tells Rocky not to stop the match. Drago continues to pummel him in the second round, and despite Duke begging Rocky to throw in the towel, he reluctantly honors Apollo's wish. Eventually, Drago lands one final punch that knocks Apollo to the ground, killing him. In the immediate aftermath, Drago displays no sense of remorse commenting to the assembled media: "If he dies, he dies."
Enraged by Drago's cold indifference and feeling a deep sense of guilt, Rocky decides to avenge Apollo's death by fighting Drago himself. Drago's camp agrees to the fight but the conditions are that it must be in the Soviet Union on Christmas Day in an unsanctioned 15-round bout to protect Drago from the threats of violence he has been receiving in America. Rocky travels to the USSR without Adrian, setting up his training base in Krasnogourbinsk with only Duke and brother-in-law Paulie to accompany him. To prepare for the match, Drago uses very high-tech equipment, steroid enhancement, and a team of trainers and doctors monitoring his every movement. Rocky, on the other hand, throws heavy logs, chops down trees, pulls an overloaded snow sleigh, jogs in heavy snow with treacherous icy conditions, and climbs a mountain. Adrian arrives unexpectedly to give Rocky her support after initially refusing to travel to the Soviet Union because of her doubts on his fighting chances. Her presence increases Rocky's focus and enhances his training.
Drago is introduced with an elaborate, patriotic ceremony that puts the home crowd squarely on Drago's side and against Rocky. In contrast to his match with Apollo, Drago immediately goes on the offensive and Rocky takes a fierce pounding. Drago even throws Rocky around the ring with impunity. Rocky comes back toward the end of the second round; a right hook inflicts a cut below Drago's left eye that silences the crowd and prompts Rocky to continue punching Drago even after the bell rings. While Duke and Paulie cheer Rocky for his heroism, they remind him that Drago is not actually a machine, but a normal man. Ironically, Drago comments that Rocky "is not human, he is like a piece of iron" with his own corner reprimanding him for being "weak" in comparison to the "small American."
The two boxers continue their battle over the next dozen rounds, with Rocky holding his ground despite Drago's powerful punches. His resilience rallies the previously hostile Soviet crowd to his side, which unsettles Drago to the point that he shoves Koloff off the ring for berating his performance. Rocky finally takes down Drago in the last round, winning by knockout to the shock of the Soviet politburo members watching the match. A bloody and battered Rocky gives a victory speech, acknowledging how the local crowd's disdain of him turned to respect. He compares it to the animosity between Soviets and Americans, and says that seeing him and Drago fight was "better than 20 million," implying war between their two countries. Rocky finally declares, "If I can change, and you can change, then everybody can change!" The Soviet General Secretary stands and passionately applauds Rocky, and his aides follow suit. Rocky ends his speech by wishing his son a Merry Christmas, and raises his arms into the air in victory as the crowd applauds on Christmas Day. | Rocky ends his speech by wishing a Merry Christmas to whom? | his son | 4,335 | 4,342 |
Rocky IV | Ivan Drago, a Russian Soviet boxer, arrives in the United States with his wife, Ludmilla, and a team of trainers from the USSR and Cuba. His manager, Nicolai Koloff, takes every opportunity to promote Drago's athleticism as a hallmark of Soviet superiority. Motivated by patriotism and an innate desire to prove himself, Apollo Creed challenges Drago to an exhibition bout. Rocky has reservations, but agrees to train Apollo despite his misgivings about the match. He asks Apollo whether the fight is against the Soviet, or "you against you?"
During a press conference regarding the match, hostility sparks between Apollo and Drago's respective camps. The boxing exhibition takes place at the MGM Grand Hotel in Las Vegas. Apollo enters the ring in an over-the-top patriotic entrance with James Brown performing "Living in America" complete with showgirls. The bout starts tamely with Apollo landing several punches that have no effect on Drago. It soon turns serious though, as Drago starts to retaliate with devastating effect. By the end of the first round, Rocky and Apollo's trainer, Duke, plead with him to give up, but Apollo refuses to do so, and tells Rocky not to stop the match. Drago continues to pummel him in the second round, and despite Duke begging Rocky to throw in the towel, he reluctantly honors Apollo's wish. Eventually, Drago lands one final punch that knocks Apollo to the ground, killing him. In the immediate aftermath, Drago displays no sense of remorse commenting to the assembled media: "If he dies, he dies."
Enraged by Drago's cold indifference and feeling a deep sense of guilt, Rocky decides to avenge Apollo's death by fighting Drago himself. Drago's camp agrees to the fight but the conditions are that it must be in the Soviet Union on Christmas Day in an unsanctioned 15-round bout to protect Drago from the threats of violence he has been receiving in America. Rocky travels to the USSR without Adrian, setting up his training base in Krasnogourbinsk with only Duke and brother-in-law Paulie to accompany him. To prepare for the match, Drago uses very high-tech equipment, steroid enhancement, and a team of trainers and doctors monitoring his every movement. Rocky, on the other hand, throws heavy logs, chops down trees, pulls an overloaded snow sleigh, jogs in heavy snow with treacherous icy conditions, and climbs a mountain. Adrian arrives unexpectedly to give Rocky her support after initially refusing to travel to the Soviet Union because of her doubts on his fighting chances. Her presence increases Rocky's focus and enhances his training.
Drago is introduced with an elaborate, patriotic ceremony that puts the home crowd squarely on Drago's side and against Rocky. In contrast to his match with Apollo, Drago immediately goes on the offensive and Rocky takes a fierce pounding. Drago even throws Rocky around the ring with impunity. Rocky comes back toward the end of the second round; a right hook inflicts a cut below Drago's left eye that silences the crowd and prompts Rocky to continue punching Drago even after the bell rings. While Duke and Paulie cheer Rocky for his heroism, they remind him that Drago is not actually a machine, but a normal man. Ironically, Drago comments that Rocky "is not human, he is like a piece of iron" with his own corner reprimanding him for being "weak" in comparison to the "small American."
The two boxers continue their battle over the next dozen rounds, with Rocky holding his ground despite Drago's powerful punches. His resilience rallies the previously hostile Soviet crowd to his side, which unsettles Drago to the point that he shoves Koloff off the ring for berating his performance. Rocky finally takes down Drago in the last round, winning by knockout to the shock of the Soviet politburo members watching the match. A bloody and battered Rocky gives a victory speech, acknowledging how the local crowd's disdain of him turned to respect. He compares it to the animosity between Soviets and Americans, and says that seeing him and Drago fight was "better than 20 million," implying war between their two countries. Rocky finally declares, "If I can change, and you can change, then everybody can change!" The Soviet General Secretary stands and passionately applauds Rocky, and his aides follow suit. Rocky ends his speech by wishing his son a Merry Christmas, and raises his arms into the air in victory as the crowd applauds on Christmas Day. | Who challenged Drago to an exhibition bout? | Apollo Creed | 321 | 333 |
Rocky IV | Ivan Drago, a Russian Soviet boxer, arrives in the United States with his wife, Ludmilla, and a team of trainers from the USSR and Cuba. His manager, Nicolai Koloff, takes every opportunity to promote Drago's athleticism as a hallmark of Soviet superiority. Motivated by patriotism and an innate desire to prove himself, Apollo Creed challenges Drago to an exhibition bout. Rocky has reservations, but agrees to train Apollo despite his misgivings about the match. He asks Apollo whether the fight is against the Soviet, or "you against you?"
During a press conference regarding the match, hostility sparks between Apollo and Drago's respective camps. The boxing exhibition takes place at the MGM Grand Hotel in Las Vegas. Apollo enters the ring in an over-the-top patriotic entrance with James Brown performing "Living in America" complete with showgirls. The bout starts tamely with Apollo landing several punches that have no effect on Drago. It soon turns serious though, as Drago starts to retaliate with devastating effect. By the end of the first round, Rocky and Apollo's trainer, Duke, plead with him to give up, but Apollo refuses to do so, and tells Rocky not to stop the match. Drago continues to pummel him in the second round, and despite Duke begging Rocky to throw in the towel, he reluctantly honors Apollo's wish. Eventually, Drago lands one final punch that knocks Apollo to the ground, killing him. In the immediate aftermath, Drago displays no sense of remorse commenting to the assembled media: "If he dies, he dies."
Enraged by Drago's cold indifference and feeling a deep sense of guilt, Rocky decides to avenge Apollo's death by fighting Drago himself. Drago's camp agrees to the fight but the conditions are that it must be in the Soviet Union on Christmas Day in an unsanctioned 15-round bout to protect Drago from the threats of violence he has been receiving in America. Rocky travels to the USSR without Adrian, setting up his training base in Krasnogourbinsk with only Duke and brother-in-law Paulie to accompany him. To prepare for the match, Drago uses very high-tech equipment, steroid enhancement, and a team of trainers and doctors monitoring his every movement. Rocky, on the other hand, throws heavy logs, chops down trees, pulls an overloaded snow sleigh, jogs in heavy snow with treacherous icy conditions, and climbs a mountain. Adrian arrives unexpectedly to give Rocky her support after initially refusing to travel to the Soviet Union because of her doubts on his fighting chances. Her presence increases Rocky's focus and enhances his training.
Drago is introduced with an elaborate, patriotic ceremony that puts the home crowd squarely on Drago's side and against Rocky. In contrast to his match with Apollo, Drago immediately goes on the offensive and Rocky takes a fierce pounding. Drago even throws Rocky around the ring with impunity. Rocky comes back toward the end of the second round; a right hook inflicts a cut below Drago's left eye that silences the crowd and prompts Rocky to continue punching Drago even after the bell rings. While Duke and Paulie cheer Rocky for his heroism, they remind him that Drago is not actually a machine, but a normal man. Ironically, Drago comments that Rocky "is not human, he is like a piece of iron" with his own corner reprimanding him for being "weak" in comparison to the "small American."
The two boxers continue their battle over the next dozen rounds, with Rocky holding his ground despite Drago's powerful punches. His resilience rallies the previously hostile Soviet crowd to his side, which unsettles Drago to the point that he shoves Koloff off the ring for berating his performance. Rocky finally takes down Drago in the last round, winning by knockout to the shock of the Soviet politburo members watching the match. A bloody and battered Rocky gives a victory speech, acknowledging how the local crowd's disdain of him turned to respect. He compares it to the animosity between Soviets and Americans, and says that seeing him and Drago fight was "better than 20 million," implying war between their two countries. Rocky finally declares, "If I can change, and you can change, then everybody can change!" The Soviet General Secretary stands and passionately applauds Rocky, and his aides follow suit. Rocky ends his speech by wishing his son a Merry Christmas, and raises his arms into the air in victory as the crowd applauds on Christmas Day. | Whose death does Rocky vow to avenge? | Apollo's | 1,071 | 1,079 |
Ode to Billy Joe | Set in 1953, the film explores the budding relationship between Billy Joe McAllister (Benson) and Bobbie Lee Hartley (O'Connor) (who corresponds to the unnamed narrator of the original song), despite resistance from Hartley's family, who contend she is too young to date. One night at a jamboree, McAllister gets drunk and seems nauseated and confused when entering a makeshift whorehouse behind the gathering.
It turns out that in his inebriated state, he had sex with another man, later revealed to be his sawmill boss, Dewey Barksdale (James Best). After disappearing for days, he returns to bid an enigmatic goodbye to Bobbie Lee. Overcome with guilt, Billy Joe subsequently kills himself by jumping off the bridge spanning the Tallahatchie River. In the film's final scene, Bobbie Lee meets Dewey on the bridge as she is leaving town, and he guiltily confesses to her that he was the man. She tells Barksdale, who is on his way to her house to confess to her father, that the town already suspects that she is carrying Billy Joe's baby and that it would do no good for Barksdale to confess now. Agreeing with the girl's logic, Barksdale offers Bobbie Lee a ride to the bus station, which she courteously accepts. | As she is leaving town, who does Bobby Lee meet on the bridge? | Dewey | 522 | 527 |
Ode to Billy Joe | Set in 1953, the film explores the budding relationship between Billy Joe McAllister (Benson) and Bobbie Lee Hartley (O'Connor) (who corresponds to the unnamed narrator of the original song), despite resistance from Hartley's family, who contend she is too young to date. One night at a jamboree, McAllister gets drunk and seems nauseated and confused when entering a makeshift whorehouse behind the gathering.
It turns out that in his inebriated state, he had sex with another man, later revealed to be his sawmill boss, Dewey Barksdale (James Best). After disappearing for days, he returns to bid an enigmatic goodbye to Bobbie Lee. Overcome with guilt, Billy Joe subsequently kills himself by jumping off the bridge spanning the Tallahatchie River. In the film's final scene, Bobbie Lee meets Dewey on the bridge as she is leaving town, and he guiltily confesses to her that he was the man. She tells Barksdale, who is on his way to her house to confess to her father, that the town already suspects that she is carrying Billy Joe's baby and that it would do no good for Barksdale to confess now. Agreeing with the girl's logic, Barksdale offers Bobbie Lee a ride to the bus station, which she courteously accepts. | Who's baby does the town suspect Bobby Lee is carrying? | Billy Joe's | 1,024 | 1,035 |
Ode to Billy Joe | Set in 1953, the film explores the budding relationship between Billy Joe McAllister (Benson) and Bobbie Lee Hartley (O'Connor) (who corresponds to the unnamed narrator of the original song), despite resistance from Hartley's family, who contend she is too young to date. One night at a jamboree, McAllister gets drunk and seems nauseated and confused when entering a makeshift whorehouse behind the gathering.
It turns out that in his inebriated state, he had sex with another man, later revealed to be his sawmill boss, Dewey Barksdale (James Best). After disappearing for days, he returns to bid an enigmatic goodbye to Bobbie Lee. Overcome with guilt, Billy Joe subsequently kills himself by jumping off the bridge spanning the Tallahatchie River. In the film's final scene, Bobbie Lee meets Dewey on the bridge as she is leaving town, and he guiltily confesses to her that he was the man. She tells Barksdale, who is on his way to her house to confess to her father, that the town already suspects that she is carrying Billy Joe's baby and that it would do no good for Barksdale to confess now. Agreeing with the girl's logic, Barksdale offers Bobbie Lee a ride to the bus station, which she courteously accepts. | In what year is the movie set? | 1953 | 7 | 11 |
Ode to Billy Joe | Set in 1953, the film explores the budding relationship between Billy Joe McAllister (Benson) and Bobbie Lee Hartley (O'Connor) (who corresponds to the unnamed narrator of the original song), despite resistance from Hartley's family, who contend she is too young to date. One night at a jamboree, McAllister gets drunk and seems nauseated and confused when entering a makeshift whorehouse behind the gathering.
It turns out that in his inebriated state, he had sex with another man, later revealed to be his sawmill boss, Dewey Barksdale (James Best). After disappearing for days, he returns to bid an enigmatic goodbye to Bobbie Lee. Overcome with guilt, Billy Joe subsequently kills himself by jumping off the bridge spanning the Tallahatchie River. In the film's final scene, Bobbie Lee meets Dewey on the bridge as she is leaving town, and he guiltily confesses to her that he was the man. She tells Barksdale, who is on his way to her house to confess to her father, that the town already suspects that she is carrying Billy Joe's baby and that it would do no good for Barksdale to confess now. Agreeing with the girl's logic, Barksdale offers Bobbie Lee a ride to the bus station, which she courteously accepts. | At what event does Mccallister get drunk? | A jamboree | 285 | 295 |
Butter | A tale of competition at its most cut-throat, BUTTER surveys the raw ambition of Laura Pickler (Jennifer Garner), the wife of Bob Pickler (Ty Burrell), Iowa's long-reigning champion butter carver. For 15 years, Laura has relished her high-profile role as the beautiful, loyal helpmate to her affable, artistically gifted husband. But when Bob is pressured to retire and allow someone else a chance at glory, an indignant Laura decides to enter the competition herself. She is first in line on sign-up day, only to see her odds of victory fall below 100% with the arrival of an unlikely yet formidable contender: 10-year-old Destiny (Yara Shahidi), the African-American foster child of local couple Julie and Ethan (Alicia Silverstone and Rob Corddry). And that's not all. Bob's would-be mistress, bad-girl stripper Brooke (Olivia Wilde) also declares her candidacy, as does his #1 fan, Carol-Ann (Kristen Schaal). Facing three opponents, mocked by her stepdaughter Kaitlen (Ashley Greene) and furious with her husband, Laura resolves to do whatever it takes to win. And if that means resorting to sabotage - and recruiting her dim-witted former boyfriend Boyd (Hugh Jackman) as a co-conspirator - then so be it. | Who is Iowa's long-reigning champion butter carver? | Bob Pickler | 126 | 137 |
Butter | A tale of competition at its most cut-throat, BUTTER surveys the raw ambition of Laura Pickler (Jennifer Garner), the wife of Bob Pickler (Ty Burrell), Iowa's long-reigning champion butter carver. For 15 years, Laura has relished her high-profile role as the beautiful, loyal helpmate to her affable, artistically gifted husband. But when Bob is pressured to retire and allow someone else a chance at glory, an indignant Laura decides to enter the competition herself. She is first in line on sign-up day, only to see her odds of victory fall below 100% with the arrival of an unlikely yet formidable contender: 10-year-old Destiny (Yara Shahidi), the African-American foster child of local couple Julie and Ethan (Alicia Silverstone and Rob Corddry). And that's not all. Bob's would-be mistress, bad-girl stripper Brooke (Olivia Wilde) also declares her candidacy, as does his #1 fan, Carol-Ann (Kristen Schaal). Facing three opponents, mocked by her stepdaughter Kaitlen (Ashley Greene) and furious with her husband, Laura resolves to do whatever it takes to win. And if that means resorting to sabotage - and recruiting her dim-witted former boyfriend Boyd (Hugh Jackman) as a co-conspirator - then so be it. | What does Laura decide to do when Bob is pressured into retirement? | Enter the competition | 438 | 459 |
Butter | A tale of competition at its most cut-throat, BUTTER surveys the raw ambition of Laura Pickler (Jennifer Garner), the wife of Bob Pickler (Ty Burrell), Iowa's long-reigning champion butter carver. For 15 years, Laura has relished her high-profile role as the beautiful, loyal helpmate to her affable, artistically gifted husband. But when Bob is pressured to retire and allow someone else a chance at glory, an indignant Laura decides to enter the competition herself. She is first in line on sign-up day, only to see her odds of victory fall below 100% with the arrival of an unlikely yet formidable contender: 10-year-old Destiny (Yara Shahidi), the African-American foster child of local couple Julie and Ethan (Alicia Silverstone and Rob Corddry). And that's not all. Bob's would-be mistress, bad-girl stripper Brooke (Olivia Wilde) also declares her candidacy, as does his #1 fan, Carol-Ann (Kristen Schaal). Facing three opponents, mocked by her stepdaughter Kaitlen (Ashley Greene) and furious with her husband, Laura resolves to do whatever it takes to win. And if that means resorting to sabotage - and recruiting her dim-witted former boyfriend Boyd (Hugh Jackman) as a co-conspirator - then so be it. | Along with 10-year-old Destiny and Bob's #1 fan Carol-Ann, who is Laura going up against in the butter-carving competition? | Brooke | 815 | 821 |
Xtro | Sam Phillips (Philip Sayer) and his child Tony (Simon Nash) are playing outside their farm. The father is abducted by a strong light.Three years later, the light returns, and plants a seed. A half-human half-alien creature grows up, and when it moves it is run over by a car. Ben (Robert Pereno) is attacked and killed when he looks for the runaway man. Jane (Katherine Best) is also killed. The creature (Tim Dry) moves to a cottage nearby and attacks a woman (Susie Silvey), leaving her pregnant. When she returns to consciousness, she gives birth to a full-formed Sam and dies. Sam steals Ben's clothes and drives his car, without bothering to get rid of Jane's corpse, which will be found by a lorry-driver (David Cardy)Sam seeks Tony, who lives in a condominium building in London, with his mother (Bernice Stegers), her new boyfriend Joe Daniels (Danny Brainin), and a French au-pair Analise Mercier (Mariam d'Abo). Rachel and Joe are professional photographers and share a studio downtown. Many nights, Tony has got nightmares. He wakes up soaked in blood, but it's not his, as the family doctor (Robert Fyfe) discovers.Sam picks Tony up from school, until Rachel finds them. Although Joe doesn't like it -he intends to marry Rachel-Sam goes to live with them, saying he can't remember anything. Tony sees him eating his pet snake's eggs and runs from him. Sam goes after him, talking to him smoothly, and drinks his blood.Rachel finds Jane's photo in Sam's clothes, but he can't remember her either. Tony discovers he has certain powers now, so he sends a human-size soldier toy (Sean Crawford) to kill their nasty neighbour Mrs Goodman (Anna Wing), in revenge for killing his pet snake. Also, a teddy-clown becomes a human-like clown (Peter Mandell)Sam and Rachel both decide to visit their former residence, the farm, while leaving Tony at Analise's regard. However, she brings Esteban, her boyfriends, and they make love. Tony demands to play hide-and-see with her. She does so, only to be used as a kind of womb for the alien eggs by Tony and they clown. Tony sends a toy to kill Esteban. He discovers Analise and runs away, but a puma kills him. The building-keeper is also killed when Rachel asks him to watch Tony, as nobody answers the phone at home.Sam and Rachel make love in the abandoned farm (which is a tidy as when they used to live there!), but she gets afraid because his skin starts to bleed and decompose. Joe has taken Tony there. Sam and Tony go up a hill towards the alien light. Sam has become a disguisting skeleton, but shouts and kills Joe. Tony's skin is also decomposing, but not so much. Rachel goes back to the flat on her own, only to be attacked by the clown and panther.I liked the alternative ending which is an extra feature of the DVD, when Rachel returns to her flat to find 6 Tony lookalike aliens. She is going to take care of them as if they were their children. | Who is Sam Phillip's child? | Tony | 42 | 46 |
Xtro | Sam Phillips (Philip Sayer) and his child Tony (Simon Nash) are playing outside their farm. The father is abducted by a strong light.Three years later, the light returns, and plants a seed. A half-human half-alien creature grows up, and when it moves it is run over by a car. Ben (Robert Pereno) is attacked and killed when he looks for the runaway man. Jane (Katherine Best) is also killed. The creature (Tim Dry) moves to a cottage nearby and attacks a woman (Susie Silvey), leaving her pregnant. When she returns to consciousness, she gives birth to a full-formed Sam and dies. Sam steals Ben's clothes and drives his car, without bothering to get rid of Jane's corpse, which will be found by a lorry-driver (David Cardy)Sam seeks Tony, who lives in a condominium building in London, with his mother (Bernice Stegers), her new boyfriend Joe Daniels (Danny Brainin), and a French au-pair Analise Mercier (Mariam d'Abo). Rachel and Joe are professional photographers and share a studio downtown. Many nights, Tony has got nightmares. He wakes up soaked in blood, but it's not his, as the family doctor (Robert Fyfe) discovers.Sam picks Tony up from school, until Rachel finds them. Although Joe doesn't like it -he intends to marry Rachel-Sam goes to live with them, saying he can't remember anything. Tony sees him eating his pet snake's eggs and runs from him. Sam goes after him, talking to him smoothly, and drinks his blood.Rachel finds Jane's photo in Sam's clothes, but he can't remember her either. Tony discovers he has certain powers now, so he sends a human-size soldier toy (Sean Crawford) to kill their nasty neighbour Mrs Goodman (Anna Wing), in revenge for killing his pet snake. Also, a teddy-clown becomes a human-like clown (Peter Mandell)Sam and Rachel both decide to visit their former residence, the farm, while leaving Tony at Analise's regard. However, she brings Esteban, her boyfriends, and they make love. Tony demands to play hide-and-see with her. She does so, only to be used as a kind of womb for the alien eggs by Tony and they clown. Tony sends a toy to kill Esteban. He discovers Analise and runs away, but a puma kills him. The building-keeper is also killed when Rachel asks him to watch Tony, as nobody answers the phone at home.Sam and Rachel make love in the abandoned farm (which is a tidy as when they used to live there!), but she gets afraid because his skin starts to bleed and decompose. Joe has taken Tony there. Sam and Tony go up a hill towards the alien light. Sam has become a disguisting skeleton, but shouts and kills Joe. Tony's skin is also decomposing, but not so much. Rachel goes back to the flat on her own, only to be attacked by the clown and panther.I liked the alternative ending which is an extra feature of the DVD, when Rachel returns to her flat to find 6 Tony lookalike aliens. She is going to take care of them as if they were their children. | Who is abducted by a strong light? | The father | 92 | 102 |
Xtro | Sam Phillips (Philip Sayer) and his child Tony (Simon Nash) are playing outside their farm. The father is abducted by a strong light.Three years later, the light returns, and plants a seed. A half-human half-alien creature grows up, and when it moves it is run over by a car. Ben (Robert Pereno) is attacked and killed when he looks for the runaway man. Jane (Katherine Best) is also killed. The creature (Tim Dry) moves to a cottage nearby and attacks a woman (Susie Silvey), leaving her pregnant. When she returns to consciousness, she gives birth to a full-formed Sam and dies. Sam steals Ben's clothes and drives his car, without bothering to get rid of Jane's corpse, which will be found by a lorry-driver (David Cardy)Sam seeks Tony, who lives in a condominium building in London, with his mother (Bernice Stegers), her new boyfriend Joe Daniels (Danny Brainin), and a French au-pair Analise Mercier (Mariam d'Abo). Rachel and Joe are professional photographers and share a studio downtown. Many nights, Tony has got nightmares. He wakes up soaked in blood, but it's not his, as the family doctor (Robert Fyfe) discovers.Sam picks Tony up from school, until Rachel finds them. Although Joe doesn't like it -he intends to marry Rachel-Sam goes to live with them, saying he can't remember anything. Tony sees him eating his pet snake's eggs and runs from him. Sam goes after him, talking to him smoothly, and drinks his blood.Rachel finds Jane's photo in Sam's clothes, but he can't remember her either. Tony discovers he has certain powers now, so he sends a human-size soldier toy (Sean Crawford) to kill their nasty neighbour Mrs Goodman (Anna Wing), in revenge for killing his pet snake. Also, a teddy-clown becomes a human-like clown (Peter Mandell)Sam and Rachel both decide to visit their former residence, the farm, while leaving Tony at Analise's regard. However, she brings Esteban, her boyfriends, and they make love. Tony demands to play hide-and-see with her. She does so, only to be used as a kind of womb for the alien eggs by Tony and they clown. Tony sends a toy to kill Esteban. He discovers Analise and runs away, but a puma kills him. The building-keeper is also killed when Rachel asks him to watch Tony, as nobody answers the phone at home.Sam and Rachel make love in the abandoned farm (which is a tidy as when they used to live there!), but she gets afraid because his skin starts to bleed and decompose. Joe has taken Tony there. Sam and Tony go up a hill towards the alien light. Sam has become a disguisting skeleton, but shouts and kills Joe. Tony's skin is also decomposing, but not so much. Rachel goes back to the flat on her own, only to be attacked by the clown and panther.I liked the alternative ending which is an extra feature of the DVD, when Rachel returns to her flat to find 6 Tony lookalike aliens. She is going to take care of them as if they were their children. | what killed Esteban | a toy | 2,078 | 2,083 |
Xtro | Sam Phillips (Philip Sayer) and his child Tony (Simon Nash) are playing outside their farm. The father is abducted by a strong light.Three years later, the light returns, and plants a seed. A half-human half-alien creature grows up, and when it moves it is run over by a car. Ben (Robert Pereno) is attacked and killed when he looks for the runaway man. Jane (Katherine Best) is also killed. The creature (Tim Dry) moves to a cottage nearby and attacks a woman (Susie Silvey), leaving her pregnant. When she returns to consciousness, she gives birth to a full-formed Sam and dies. Sam steals Ben's clothes and drives his car, without bothering to get rid of Jane's corpse, which will be found by a lorry-driver (David Cardy)Sam seeks Tony, who lives in a condominium building in London, with his mother (Bernice Stegers), her new boyfriend Joe Daniels (Danny Brainin), and a French au-pair Analise Mercier (Mariam d'Abo). Rachel and Joe are professional photographers and share a studio downtown. Many nights, Tony has got nightmares. He wakes up soaked in blood, but it's not his, as the family doctor (Robert Fyfe) discovers.Sam picks Tony up from school, until Rachel finds them. Although Joe doesn't like it -he intends to marry Rachel-Sam goes to live with them, saying he can't remember anything. Tony sees him eating his pet snake's eggs and runs from him. Sam goes after him, talking to him smoothly, and drinks his blood.Rachel finds Jane's photo in Sam's clothes, but he can't remember her either. Tony discovers he has certain powers now, so he sends a human-size soldier toy (Sean Crawford) to kill their nasty neighbour Mrs Goodman (Anna Wing), in revenge for killing his pet snake. Also, a teddy-clown becomes a human-like clown (Peter Mandell)Sam and Rachel both decide to visit their former residence, the farm, while leaving Tony at Analise's regard. However, she brings Esteban, her boyfriends, and they make love. Tony demands to play hide-and-see with her. She does so, only to be used as a kind of womb for the alien eggs by Tony and they clown. Tony sends a toy to kill Esteban. He discovers Analise and runs away, but a puma kills him. The building-keeper is also killed when Rachel asks him to watch Tony, as nobody answers the phone at home.Sam and Rachel make love in the abandoned farm (which is a tidy as when they used to live there!), but she gets afraid because his skin starts to bleed and decompose. Joe has taken Tony there. Sam and Tony go up a hill towards the alien light. Sam has become a disguisting skeleton, but shouts and kills Joe. Tony's skin is also decomposing, but not so much. Rachel goes back to the flat on her own, only to be attacked by the clown and panther.I liked the alternative ending which is an extra feature of the DVD, when Rachel returns to her flat to find 6 Tony lookalike aliens. She is going to take care of them as if they were their children. | Who plays Analise Mercier? | Mariam d'Abo | 907 | 919 |
Xtro | Sam Phillips (Philip Sayer) and his child Tony (Simon Nash) are playing outside their farm. The father is abducted by a strong light.Three years later, the light returns, and plants a seed. A half-human half-alien creature grows up, and when it moves it is run over by a car. Ben (Robert Pereno) is attacked and killed when he looks for the runaway man. Jane (Katherine Best) is also killed. The creature (Tim Dry) moves to a cottage nearby and attacks a woman (Susie Silvey), leaving her pregnant. When she returns to consciousness, she gives birth to a full-formed Sam and dies. Sam steals Ben's clothes and drives his car, without bothering to get rid of Jane's corpse, which will be found by a lorry-driver (David Cardy)Sam seeks Tony, who lives in a condominium building in London, with his mother (Bernice Stegers), her new boyfriend Joe Daniels (Danny Brainin), and a French au-pair Analise Mercier (Mariam d'Abo). Rachel and Joe are professional photographers and share a studio downtown. Many nights, Tony has got nightmares. He wakes up soaked in blood, but it's not his, as the family doctor (Robert Fyfe) discovers.Sam picks Tony up from school, until Rachel finds them. Although Joe doesn't like it -he intends to marry Rachel-Sam goes to live with them, saying he can't remember anything. Tony sees him eating his pet snake's eggs and runs from him. Sam goes after him, talking to him smoothly, and drinks his blood.Rachel finds Jane's photo in Sam's clothes, but he can't remember her either. Tony discovers he has certain powers now, so he sends a human-size soldier toy (Sean Crawford) to kill their nasty neighbour Mrs Goodman (Anna Wing), in revenge for killing his pet snake. Also, a teddy-clown becomes a human-like clown (Peter Mandell)Sam and Rachel both decide to visit their former residence, the farm, while leaving Tony at Analise's regard. However, she brings Esteban, her boyfriends, and they make love. Tony demands to play hide-and-see with her. She does so, only to be used as a kind of womb for the alien eggs by Tony and they clown. Tony sends a toy to kill Esteban. He discovers Analise and runs away, but a puma kills him. The building-keeper is also killed when Rachel asks him to watch Tony, as nobody answers the phone at home.Sam and Rachel make love in the abandoned farm (which is a tidy as when they used to live there!), but she gets afraid because his skin starts to bleed and decompose. Joe has taken Tony there. Sam and Tony go up a hill towards the alien light. Sam has become a disguisting skeleton, but shouts and kills Joe. Tony's skin is also decomposing, but not so much. Rachel goes back to the flat on her own, only to be attacked by the clown and panther.I liked the alternative ending which is an extra feature of the DVD, when Rachel returns to her flat to find 6 Tony lookalike aliens. She is going to take care of them as if they were their children. | Who plays Jane? | Katherine Best | 360 | 374 |
Xtro | Sam Phillips (Philip Sayer) and his child Tony (Simon Nash) are playing outside their farm. The father is abducted by a strong light.Three years later, the light returns, and plants a seed. A half-human half-alien creature grows up, and when it moves it is run over by a car. Ben (Robert Pereno) is attacked and killed when he looks for the runaway man. Jane (Katherine Best) is also killed. The creature (Tim Dry) moves to a cottage nearby and attacks a woman (Susie Silvey), leaving her pregnant. When she returns to consciousness, she gives birth to a full-formed Sam and dies. Sam steals Ben's clothes and drives his car, without bothering to get rid of Jane's corpse, which will be found by a lorry-driver (David Cardy)Sam seeks Tony, who lives in a condominium building in London, with his mother (Bernice Stegers), her new boyfriend Joe Daniels (Danny Brainin), and a French au-pair Analise Mercier (Mariam d'Abo). Rachel and Joe are professional photographers and share a studio downtown. Many nights, Tony has got nightmares. He wakes up soaked in blood, but it's not his, as the family doctor (Robert Fyfe) discovers.Sam picks Tony up from school, until Rachel finds them. Although Joe doesn't like it -he intends to marry Rachel-Sam goes to live with them, saying he can't remember anything. Tony sees him eating his pet snake's eggs and runs from him. Sam goes after him, talking to him smoothly, and drinks his blood.Rachel finds Jane's photo in Sam's clothes, but he can't remember her either. Tony discovers he has certain powers now, so he sends a human-size soldier toy (Sean Crawford) to kill their nasty neighbour Mrs Goodman (Anna Wing), in revenge for killing his pet snake. Also, a teddy-clown becomes a human-like clown (Peter Mandell)Sam and Rachel both decide to visit their former residence, the farm, while leaving Tony at Analise's regard. However, she brings Esteban, her boyfriends, and they make love. Tony demands to play hide-and-see with her. She does so, only to be used as a kind of womb for the alien eggs by Tony and they clown. Tony sends a toy to kill Esteban. He discovers Analise and runs away, but a puma kills him. The building-keeper is also killed when Rachel asks him to watch Tony, as nobody answers the phone at home.Sam and Rachel make love in the abandoned farm (which is a tidy as when they used to live there!), but she gets afraid because his skin starts to bleed and decompose. Joe has taken Tony there. Sam and Tony go up a hill towards the alien light. Sam has become a disguisting skeleton, but shouts and kills Joe. Tony's skin is also decomposing, but not so much. Rachel goes back to the flat on her own, only to be attacked by the clown and panther.I liked the alternative ending which is an extra feature of the DVD, when Rachel returns to her flat to find 6 Tony lookalike aliens. She is going to take care of them as if they were their children. | Who lived in London? | Tony | 42 | 46 |
Xtro | Sam Phillips (Philip Sayer) and his child Tony (Simon Nash) are playing outside their farm. The father is abducted by a strong light.Three years later, the light returns, and plants a seed. A half-human half-alien creature grows up, and when it moves it is run over by a car. Ben (Robert Pereno) is attacked and killed when he looks for the runaway man. Jane (Katherine Best) is also killed. The creature (Tim Dry) moves to a cottage nearby and attacks a woman (Susie Silvey), leaving her pregnant. When she returns to consciousness, she gives birth to a full-formed Sam and dies. Sam steals Ben's clothes and drives his car, without bothering to get rid of Jane's corpse, which will be found by a lorry-driver (David Cardy)Sam seeks Tony, who lives in a condominium building in London, with his mother (Bernice Stegers), her new boyfriend Joe Daniels (Danny Brainin), and a French au-pair Analise Mercier (Mariam d'Abo). Rachel and Joe are professional photographers and share a studio downtown. Many nights, Tony has got nightmares. He wakes up soaked in blood, but it's not his, as the family doctor (Robert Fyfe) discovers.Sam picks Tony up from school, until Rachel finds them. Although Joe doesn't like it -he intends to marry Rachel-Sam goes to live with them, saying he can't remember anything. Tony sees him eating his pet snake's eggs and runs from him. Sam goes after him, talking to him smoothly, and drinks his blood.Rachel finds Jane's photo in Sam's clothes, but he can't remember her either. Tony discovers he has certain powers now, so he sends a human-size soldier toy (Sean Crawford) to kill their nasty neighbour Mrs Goodman (Anna Wing), in revenge for killing his pet snake. Also, a teddy-clown becomes a human-like clown (Peter Mandell)Sam and Rachel both decide to visit their former residence, the farm, while leaving Tony at Analise's regard. However, she brings Esteban, her boyfriends, and they make love. Tony demands to play hide-and-see with her. She does so, only to be used as a kind of womb for the alien eggs by Tony and they clown. Tony sends a toy to kill Esteban. He discovers Analise and runs away, but a puma kills him. The building-keeper is also killed when Rachel asks him to watch Tony, as nobody answers the phone at home.Sam and Rachel make love in the abandoned farm (which is a tidy as when they used to live there!), but she gets afraid because his skin starts to bleed and decompose. Joe has taken Tony there. Sam and Tony go up a hill towards the alien light. Sam has become a disguisting skeleton, but shouts and kills Joe. Tony's skin is also decomposing, but not so much. Rachel goes back to the flat on her own, only to be attacked by the clown and panther.I liked the alternative ending which is an extra feature of the DVD, when Rachel returns to her flat to find 6 Tony lookalike aliens. She is going to take care of them as if they were their children. | What was the father abducted by? | strong light | 120 | 132 |
The Andromeda Strain | Main Control Lab at the Wildfire complex
Two crewmembers of the U.S. government's "Project Scoop" investigate the town of Piedmont, New Mexico, to retrieve the Scoop 7 satellite. They find townspeople dead in the streets while reporting back to Scoop Mission Control. Suspecting the satellite may have brought back an extraterrestrial pathogen, Scoop Mission Control activates an elite scientific team it had previously recruited for just this type of emergency.
Nobel laureate Dr. Jeremy Stone (Arthur Hill), the team leader, and Dr. Mark Hall (James Olson), the team surgeon, are dropped in Piedmont by helicopter, where they search the town for Scoop 7 in hazmat suits. They find the town's doctor, who died after opening the satellite out of curiosity. Hall cuts open the doctor's corpse and finds that all of his blood has clotted and turned to powder. Stone and Hall retrieve Scoop 7 and find two survivors â a 62-year-old man and an infant (who "can't be more than 6 months old").
The entire team of four core research scientists, including Dr. Charles Dutton (David Wayne) and Dr. Ruth Leavitt (Kate Reid), are summoned from their academic and research appointments to arrive at a top secret, high-tech underground laboratory in Nevada, named Wildfire, where they undergo a full day of decontamination procedures, descending through five rigorous disinfection levels of the lab. Before decontamination, Hall is informed that the facility's nuclear device has been armed and will go off automatically within five minutes should there be a containment breach. He is entrusted with a key to disarm the bomb from designated substations within that window. The team enter the facility under the impression that Piedmont has already been sterilized by a nuclear bomb.
The team begins to experiment on the agent inside Scoop 7 and discovers that it is transmitted by air, kills lab animals instantly, and is too large to be a virus. After searching the satellite with a high-powered microscope, they discover the agent responsible for the deaths: a greenish, throbbing mass stowed away on a micrometeorite. It receives the code name "Andromeda".
While most of the team studies the agent in an attempt to figure out how it works, Hall tries to find a cure by figuring out why the old man and the baby survived. Both Hall and his nurse assistant work in encapsulating suits while in the contaminated "hot room". By analyzing their patients' blood and conferring with Peter Jackson (the old man, played by George Mitchell), they discover that he has abnormally acidic blood from drinking "Squeeze" (Sterno) to relieve his stomach ulcer. No anomalies are found in the baby.
Meanwhile, a fighter jet pilot, flying over Piedmont at high altitude, notices his "rubber" mouthpiece disintegrating. He then loses consciousness and crashes. The military inspects the wreck and finds that the pilot's flesh has dissolved, leaving only bones. While discussing the pilot's claims that all the "rubber" was dissolving, they are told that there is no actual rubber aboard a Phantom F-4, instead the material is "Polycron," a synthetic substance with properties similar to human skin. Unknown to the others, Leavitt's research is impaired by attacks of absence epilepsy, which is set off by the flashing red "No Growth" indicator on the Petri dish analyzer. This causes her to report, erroneously, that Andromeda grows on every growth medium.
During chemical study of the agent, the team finds out that the meteorite is in fact made of plastic and that the green mass is a lifeform of similar chemical composition to Earth life. However, it lacks amino acids, enzymes, or proteins. They then discover that Piedmont has in fact not yet been bombed due to the caution of the President, and that a fighter flying over Piedmont crashed. They again insist the bomb be dropped. Further study of Andromeda, however, reveals that it has a crystalline structure which allows it to convert energy to mass and vice versa, consuming any available resource without waste. They deduce that a nuclear explosion would provide Andromeda with enough energy to produce a supercolony in a single day. Reversing their opinion, they now insist the Piedmont bombing be stopped.
During analysis, the team comes across a germ warfare simulation, indicating that Scoop and Wildfire were designed to actively search for harmful biological agents for use in bio-warfare. Meanwhile, Andromeda mutates into a form that degrades synthetic rubber and plastics and thus escapes from the containment room adjacent to where Dutton is working, trapping him in an atmosphere laced with the agent. Hall rescues Leavitt from a photosensitive epilepsy seizure triggered by Wildfire's alarm system.
Hall continues his work on the survivors and finds out that Andromeda propagates only within a narrow pH range and that the baby's rapid breathing kept its blood alkaline and therefore inhospitable for the organism. Jackson's blood, suffering from acidosis, was just the opposite: its low pH also made it inhospitable for the organism. He advises Dutton to breathe rapidly as well, but then observes a rat in good health alongside Dutton, meaning that the organism has mutated and become benign to terrestrial life.
Almost immediately, after Stone notes that problems with gasket deterioration at the lunar lab induced them to use Polycron for the gaskets in Wildfire, Andromeda starts decaying all of the lab's seals, activating the nuclear self-destruct countdown, and trapping the team on the fifth (lowest) level. Hall races against the clock to reach a substation with his key. With the doors sealed, he climbs ladders in a maintenance access core and endures an attack by automated lasers intended to stop escaped lab animals, until at last he finds a working third level substation, disables the bomb, and passes out.
The military then begins seeding the clouds over the desert with silver iodide, stimulating precipitation which washes the organism into the ocean, where they believe it will be destroyed by the alkalinity of salt water. A federal board concludes that the crisis is over, but Stone somberly asks what may happen if such a situation were to recur.
The film ends with a close up of the virus as it mutates again, causing the computer to overload, showing that Andromeda remains unpredictable. | Where was the high-tech underground labratory? | Nevada | 1,239 | 1,245 |
The Andromeda Strain | Main Control Lab at the Wildfire complex
Two crewmembers of the U.S. government's "Project Scoop" investigate the town of Piedmont, New Mexico, to retrieve the Scoop 7 satellite. They find townspeople dead in the streets while reporting back to Scoop Mission Control. Suspecting the satellite may have brought back an extraterrestrial pathogen, Scoop Mission Control activates an elite scientific team it had previously recruited for just this type of emergency.
Nobel laureate Dr. Jeremy Stone (Arthur Hill), the team leader, and Dr. Mark Hall (James Olson), the team surgeon, are dropped in Piedmont by helicopter, where they search the town for Scoop 7 in hazmat suits. They find the town's doctor, who died after opening the satellite out of curiosity. Hall cuts open the doctor's corpse and finds that all of his blood has clotted and turned to powder. Stone and Hall retrieve Scoop 7 and find two survivors â a 62-year-old man and an infant (who "can't be more than 6 months old").
The entire team of four core research scientists, including Dr. Charles Dutton (David Wayne) and Dr. Ruth Leavitt (Kate Reid), are summoned from their academic and research appointments to arrive at a top secret, high-tech underground laboratory in Nevada, named Wildfire, where they undergo a full day of decontamination procedures, descending through five rigorous disinfection levels of the lab. Before decontamination, Hall is informed that the facility's nuclear device has been armed and will go off automatically within five minutes should there be a containment breach. He is entrusted with a key to disarm the bomb from designated substations within that window. The team enter the facility under the impression that Piedmont has already been sterilized by a nuclear bomb.
The team begins to experiment on the agent inside Scoop 7 and discovers that it is transmitted by air, kills lab animals instantly, and is too large to be a virus. After searching the satellite with a high-powered microscope, they discover the agent responsible for the deaths: a greenish, throbbing mass stowed away on a micrometeorite. It receives the code name "Andromeda".
While most of the team studies the agent in an attempt to figure out how it works, Hall tries to find a cure by figuring out why the old man and the baby survived. Both Hall and his nurse assistant work in encapsulating suits while in the contaminated "hot room". By analyzing their patients' blood and conferring with Peter Jackson (the old man, played by George Mitchell), they discover that he has abnormally acidic blood from drinking "Squeeze" (Sterno) to relieve his stomach ulcer. No anomalies are found in the baby.
Meanwhile, a fighter jet pilot, flying over Piedmont at high altitude, notices his "rubber" mouthpiece disintegrating. He then loses consciousness and crashes. The military inspects the wreck and finds that the pilot's flesh has dissolved, leaving only bones. While discussing the pilot's claims that all the "rubber" was dissolving, they are told that there is no actual rubber aboard a Phantom F-4, instead the material is "Polycron," a synthetic substance with properties similar to human skin. Unknown to the others, Leavitt's research is impaired by attacks of absence epilepsy, which is set off by the flashing red "No Growth" indicator on the Petri dish analyzer. This causes her to report, erroneously, that Andromeda grows on every growth medium.
During chemical study of the agent, the team finds out that the meteorite is in fact made of plastic and that the green mass is a lifeform of similar chemical composition to Earth life. However, it lacks amino acids, enzymes, or proteins. They then discover that Piedmont has in fact not yet been bombed due to the caution of the President, and that a fighter flying over Piedmont crashed. They again insist the bomb be dropped. Further study of Andromeda, however, reveals that it has a crystalline structure which allows it to convert energy to mass and vice versa, consuming any available resource without waste. They deduce that a nuclear explosion would provide Andromeda with enough energy to produce a supercolony in a single day. Reversing their opinion, they now insist the Piedmont bombing be stopped.
During analysis, the team comes across a germ warfare simulation, indicating that Scoop and Wildfire were designed to actively search for harmful biological agents for use in bio-warfare. Meanwhile, Andromeda mutates into a form that degrades synthetic rubber and plastics and thus escapes from the containment room adjacent to where Dutton is working, trapping him in an atmosphere laced with the agent. Hall rescues Leavitt from a photosensitive epilepsy seizure triggered by Wildfire's alarm system.
Hall continues his work on the survivors and finds out that Andromeda propagates only within a narrow pH range and that the baby's rapid breathing kept its blood alkaline and therefore inhospitable for the organism. Jackson's blood, suffering from acidosis, was just the opposite: its low pH also made it inhospitable for the organism. He advises Dutton to breathe rapidly as well, but then observes a rat in good health alongside Dutton, meaning that the organism has mutated and become benign to terrestrial life.
Almost immediately, after Stone notes that problems with gasket deterioration at the lunar lab induced them to use Polycron for the gaskets in Wildfire, Andromeda starts decaying all of the lab's seals, activating the nuclear self-destruct countdown, and trapping the team on the fifth (lowest) level. Hall races against the clock to reach a substation with his key. With the doors sealed, he climbs ladders in a maintenance access core and endures an attack by automated lasers intended to stop escaped lab animals, until at last he finds a working third level substation, disables the bomb, and passes out.
The military then begins seeding the clouds over the desert with silver iodide, stimulating precipitation which washes the organism into the ocean, where they believe it will be destroyed by the alkalinity of salt water. A federal board concludes that the crisis is over, but Stone somberly asks what may happen if such a situation were to recur.
The film ends with a close up of the virus as it mutates again, causing the computer to overload, showing that Andromeda remains unpredictable. | How was the pilot's flesh found? | Dissolved | 2,902 | 2,911 |
The Andromeda Strain | Main Control Lab at the Wildfire complex
Two crewmembers of the U.S. government's "Project Scoop" investigate the town of Piedmont, New Mexico, to retrieve the Scoop 7 satellite. They find townspeople dead in the streets while reporting back to Scoop Mission Control. Suspecting the satellite may have brought back an extraterrestrial pathogen, Scoop Mission Control activates an elite scientific team it had previously recruited for just this type of emergency.
Nobel laureate Dr. Jeremy Stone (Arthur Hill), the team leader, and Dr. Mark Hall (James Olson), the team surgeon, are dropped in Piedmont by helicopter, where they search the town for Scoop 7 in hazmat suits. They find the town's doctor, who died after opening the satellite out of curiosity. Hall cuts open the doctor's corpse and finds that all of his blood has clotted and turned to powder. Stone and Hall retrieve Scoop 7 and find two survivors â a 62-year-old man and an infant (who "can't be more than 6 months old").
The entire team of four core research scientists, including Dr. Charles Dutton (David Wayne) and Dr. Ruth Leavitt (Kate Reid), are summoned from their academic and research appointments to arrive at a top secret, high-tech underground laboratory in Nevada, named Wildfire, where they undergo a full day of decontamination procedures, descending through five rigorous disinfection levels of the lab. Before decontamination, Hall is informed that the facility's nuclear device has been armed and will go off automatically within five minutes should there be a containment breach. He is entrusted with a key to disarm the bomb from designated substations within that window. The team enter the facility under the impression that Piedmont has already been sterilized by a nuclear bomb.
The team begins to experiment on the agent inside Scoop 7 and discovers that it is transmitted by air, kills lab animals instantly, and is too large to be a virus. After searching the satellite with a high-powered microscope, they discover the agent responsible for the deaths: a greenish, throbbing mass stowed away on a micrometeorite. It receives the code name "Andromeda".
While most of the team studies the agent in an attempt to figure out how it works, Hall tries to find a cure by figuring out why the old man and the baby survived. Both Hall and his nurse assistant work in encapsulating suits while in the contaminated "hot room". By analyzing their patients' blood and conferring with Peter Jackson (the old man, played by George Mitchell), they discover that he has abnormally acidic blood from drinking "Squeeze" (Sterno) to relieve his stomach ulcer. No anomalies are found in the baby.
Meanwhile, a fighter jet pilot, flying over Piedmont at high altitude, notices his "rubber" mouthpiece disintegrating. He then loses consciousness and crashes. The military inspects the wreck and finds that the pilot's flesh has dissolved, leaving only bones. While discussing the pilot's claims that all the "rubber" was dissolving, they are told that there is no actual rubber aboard a Phantom F-4, instead the material is "Polycron," a synthetic substance with properties similar to human skin. Unknown to the others, Leavitt's research is impaired by attacks of absence epilepsy, which is set off by the flashing red "No Growth" indicator on the Petri dish analyzer. This causes her to report, erroneously, that Andromeda grows on every growth medium.
During chemical study of the agent, the team finds out that the meteorite is in fact made of plastic and that the green mass is a lifeform of similar chemical composition to Earth life. However, it lacks amino acids, enzymes, or proteins. They then discover that Piedmont has in fact not yet been bombed due to the caution of the President, and that a fighter flying over Piedmont crashed. They again insist the bomb be dropped. Further study of Andromeda, however, reveals that it has a crystalline structure which allows it to convert energy to mass and vice versa, consuming any available resource without waste. They deduce that a nuclear explosion would provide Andromeda with enough energy to produce a supercolony in a single day. Reversing their opinion, they now insist the Piedmont bombing be stopped.
During analysis, the team comes across a germ warfare simulation, indicating that Scoop and Wildfire were designed to actively search for harmful biological agents for use in bio-warfare. Meanwhile, Andromeda mutates into a form that degrades synthetic rubber and plastics and thus escapes from the containment room adjacent to where Dutton is working, trapping him in an atmosphere laced with the agent. Hall rescues Leavitt from a photosensitive epilepsy seizure triggered by Wildfire's alarm system.
Hall continues his work on the survivors and finds out that Andromeda propagates only within a narrow pH range and that the baby's rapid breathing kept its blood alkaline and therefore inhospitable for the organism. Jackson's blood, suffering from acidosis, was just the opposite: its low pH also made it inhospitable for the organism. He advises Dutton to breathe rapidly as well, but then observes a rat in good health alongside Dutton, meaning that the organism has mutated and become benign to terrestrial life.
Almost immediately, after Stone notes that problems with gasket deterioration at the lunar lab induced them to use Polycron for the gaskets in Wildfire, Andromeda starts decaying all of the lab's seals, activating the nuclear self-destruct countdown, and trapping the team on the fifth (lowest) level. Hall races against the clock to reach a substation with his key. With the doors sealed, he climbs ladders in a maintenance access core and endures an attack by automated lasers intended to stop escaped lab animals, until at last he finds a working third level substation, disables the bomb, and passes out.
The military then begins seeding the clouds over the desert with silver iodide, stimulating precipitation which washes the organism into the ocean, where they believe it will be destroyed by the alkalinity of salt water. A federal board concludes that the crisis is over, but Stone somberly asks what may happen if such a situation were to recur.
The film ends with a close up of the virus as it mutates again, causing the computer to overload, showing that Andromeda remains unpredictable. | What is Jackson's blood suffering from? | Acidosis | 4,992 | 5,000 |
The Andromeda Strain | Main Control Lab at the Wildfire complex
Two crewmembers of the U.S. government's "Project Scoop" investigate the town of Piedmont, New Mexico, to retrieve the Scoop 7 satellite. They find townspeople dead in the streets while reporting back to Scoop Mission Control. Suspecting the satellite may have brought back an extraterrestrial pathogen, Scoop Mission Control activates an elite scientific team it had previously recruited for just this type of emergency.
Nobel laureate Dr. Jeremy Stone (Arthur Hill), the team leader, and Dr. Mark Hall (James Olson), the team surgeon, are dropped in Piedmont by helicopter, where they search the town for Scoop 7 in hazmat suits. They find the town's doctor, who died after opening the satellite out of curiosity. Hall cuts open the doctor's corpse and finds that all of his blood has clotted and turned to powder. Stone and Hall retrieve Scoop 7 and find two survivors â a 62-year-old man and an infant (who "can't be more than 6 months old").
The entire team of four core research scientists, including Dr. Charles Dutton (David Wayne) and Dr. Ruth Leavitt (Kate Reid), are summoned from their academic and research appointments to arrive at a top secret, high-tech underground laboratory in Nevada, named Wildfire, where they undergo a full day of decontamination procedures, descending through five rigorous disinfection levels of the lab. Before decontamination, Hall is informed that the facility's nuclear device has been armed and will go off automatically within five minutes should there be a containment breach. He is entrusted with a key to disarm the bomb from designated substations within that window. The team enter the facility under the impression that Piedmont has already been sterilized by a nuclear bomb.
The team begins to experiment on the agent inside Scoop 7 and discovers that it is transmitted by air, kills lab animals instantly, and is too large to be a virus. After searching the satellite with a high-powered microscope, they discover the agent responsible for the deaths: a greenish, throbbing mass stowed away on a micrometeorite. It receives the code name "Andromeda".
While most of the team studies the agent in an attempt to figure out how it works, Hall tries to find a cure by figuring out why the old man and the baby survived. Both Hall and his nurse assistant work in encapsulating suits while in the contaminated "hot room". By analyzing their patients' blood and conferring with Peter Jackson (the old man, played by George Mitchell), they discover that he has abnormally acidic blood from drinking "Squeeze" (Sterno) to relieve his stomach ulcer. No anomalies are found in the baby.
Meanwhile, a fighter jet pilot, flying over Piedmont at high altitude, notices his "rubber" mouthpiece disintegrating. He then loses consciousness and crashes. The military inspects the wreck and finds that the pilot's flesh has dissolved, leaving only bones. While discussing the pilot's claims that all the "rubber" was dissolving, they are told that there is no actual rubber aboard a Phantom F-4, instead the material is "Polycron," a synthetic substance with properties similar to human skin. Unknown to the others, Leavitt's research is impaired by attacks of absence epilepsy, which is set off by the flashing red "No Growth" indicator on the Petri dish analyzer. This causes her to report, erroneously, that Andromeda grows on every growth medium.
During chemical study of the agent, the team finds out that the meteorite is in fact made of plastic and that the green mass is a lifeform of similar chemical composition to Earth life. However, it lacks amino acids, enzymes, or proteins. They then discover that Piedmont has in fact not yet been bombed due to the caution of the President, and that a fighter flying over Piedmont crashed. They again insist the bomb be dropped. Further study of Andromeda, however, reveals that it has a crystalline structure which allows it to convert energy to mass and vice versa, consuming any available resource without waste. They deduce that a nuclear explosion would provide Andromeda with enough energy to produce a supercolony in a single day. Reversing their opinion, they now insist the Piedmont bombing be stopped.
During analysis, the team comes across a germ warfare simulation, indicating that Scoop and Wildfire were designed to actively search for harmful biological agents for use in bio-warfare. Meanwhile, Andromeda mutates into a form that degrades synthetic rubber and plastics and thus escapes from the containment room adjacent to where Dutton is working, trapping him in an atmosphere laced with the agent. Hall rescues Leavitt from a photosensitive epilepsy seizure triggered by Wildfire's alarm system.
Hall continues his work on the survivors and finds out that Andromeda propagates only within a narrow pH range and that the baby's rapid breathing kept its blood alkaline and therefore inhospitable for the organism. Jackson's blood, suffering from acidosis, was just the opposite: its low pH also made it inhospitable for the organism. He advises Dutton to breathe rapidly as well, but then observes a rat in good health alongside Dutton, meaning that the organism has mutated and become benign to terrestrial life.
Almost immediately, after Stone notes that problems with gasket deterioration at the lunar lab induced them to use Polycron for the gaskets in Wildfire, Andromeda starts decaying all of the lab's seals, activating the nuclear self-destruct countdown, and trapping the team on the fifth (lowest) level. Hall races against the clock to reach a substation with his key. With the doors sealed, he climbs ladders in a maintenance access core and endures an attack by automated lasers intended to stop escaped lab animals, until at last he finds a working third level substation, disables the bomb, and passes out.
The military then begins seeding the clouds over the desert with silver iodide, stimulating precipitation which washes the organism into the ocean, where they believe it will be destroyed by the alkalinity of salt water. A federal board concludes that the crisis is over, but Stone somberly asks what may happen if such a situation were to recur.
The film ends with a close up of the virus as it mutates again, causing the computer to overload, showing that Andromeda remains unpredictable. | What's seeded in the clouds to cause precipitation? | Silver iodide | 5,934 | 5,947 |
The Andromeda Strain | Main Control Lab at the Wildfire complex
Two crewmembers of the U.S. government's "Project Scoop" investigate the town of Piedmont, New Mexico, to retrieve the Scoop 7 satellite. They find townspeople dead in the streets while reporting back to Scoop Mission Control. Suspecting the satellite may have brought back an extraterrestrial pathogen, Scoop Mission Control activates an elite scientific team it had previously recruited for just this type of emergency.
Nobel laureate Dr. Jeremy Stone (Arthur Hill), the team leader, and Dr. Mark Hall (James Olson), the team surgeon, are dropped in Piedmont by helicopter, where they search the town for Scoop 7 in hazmat suits. They find the town's doctor, who died after opening the satellite out of curiosity. Hall cuts open the doctor's corpse and finds that all of his blood has clotted and turned to powder. Stone and Hall retrieve Scoop 7 and find two survivors â a 62-year-old man and an infant (who "can't be more than 6 months old").
The entire team of four core research scientists, including Dr. Charles Dutton (David Wayne) and Dr. Ruth Leavitt (Kate Reid), are summoned from their academic and research appointments to arrive at a top secret, high-tech underground laboratory in Nevada, named Wildfire, where they undergo a full day of decontamination procedures, descending through five rigorous disinfection levels of the lab. Before decontamination, Hall is informed that the facility's nuclear device has been armed and will go off automatically within five minutes should there be a containment breach. He is entrusted with a key to disarm the bomb from designated substations within that window. The team enter the facility under the impression that Piedmont has already been sterilized by a nuclear bomb.
The team begins to experiment on the agent inside Scoop 7 and discovers that it is transmitted by air, kills lab animals instantly, and is too large to be a virus. After searching the satellite with a high-powered microscope, they discover the agent responsible for the deaths: a greenish, throbbing mass stowed away on a micrometeorite. It receives the code name "Andromeda".
While most of the team studies the agent in an attempt to figure out how it works, Hall tries to find a cure by figuring out why the old man and the baby survived. Both Hall and his nurse assistant work in encapsulating suits while in the contaminated "hot room". By analyzing their patients' blood and conferring with Peter Jackson (the old man, played by George Mitchell), they discover that he has abnormally acidic blood from drinking "Squeeze" (Sterno) to relieve his stomach ulcer. No anomalies are found in the baby.
Meanwhile, a fighter jet pilot, flying over Piedmont at high altitude, notices his "rubber" mouthpiece disintegrating. He then loses consciousness and crashes. The military inspects the wreck and finds that the pilot's flesh has dissolved, leaving only bones. While discussing the pilot's claims that all the "rubber" was dissolving, they are told that there is no actual rubber aboard a Phantom F-4, instead the material is "Polycron," a synthetic substance with properties similar to human skin. Unknown to the others, Leavitt's research is impaired by attacks of absence epilepsy, which is set off by the flashing red "No Growth" indicator on the Petri dish analyzer. This causes her to report, erroneously, that Andromeda grows on every growth medium.
During chemical study of the agent, the team finds out that the meteorite is in fact made of plastic and that the green mass is a lifeform of similar chemical composition to Earth life. However, it lacks amino acids, enzymes, or proteins. They then discover that Piedmont has in fact not yet been bombed due to the caution of the President, and that a fighter flying over Piedmont crashed. They again insist the bomb be dropped. Further study of Andromeda, however, reveals that it has a crystalline structure which allows it to convert energy to mass and vice versa, consuming any available resource without waste. They deduce that a nuclear explosion would provide Andromeda with enough energy to produce a supercolony in a single day. Reversing their opinion, they now insist the Piedmont bombing be stopped.
During analysis, the team comes across a germ warfare simulation, indicating that Scoop and Wildfire were designed to actively search for harmful biological agents for use in bio-warfare. Meanwhile, Andromeda mutates into a form that degrades synthetic rubber and plastics and thus escapes from the containment room adjacent to where Dutton is working, trapping him in an atmosphere laced with the agent. Hall rescues Leavitt from a photosensitive epilepsy seizure triggered by Wildfire's alarm system.
Hall continues his work on the survivors and finds out that Andromeda propagates only within a narrow pH range and that the baby's rapid breathing kept its blood alkaline and therefore inhospitable for the organism. Jackson's blood, suffering from acidosis, was just the opposite: its low pH also made it inhospitable for the organism. He advises Dutton to breathe rapidly as well, but then observes a rat in good health alongside Dutton, meaning that the organism has mutated and become benign to terrestrial life.
Almost immediately, after Stone notes that problems with gasket deterioration at the lunar lab induced them to use Polycron for the gaskets in Wildfire, Andromeda starts decaying all of the lab's seals, activating the nuclear self-destruct countdown, and trapping the team on the fifth (lowest) level. Hall races against the clock to reach a substation with his key. With the doors sealed, he climbs ladders in a maintenance access core and endures an attack by automated lasers intended to stop escaped lab animals, until at last he finds a working third level substation, disables the bomb, and passes out.
The military then begins seeding the clouds over the desert with silver iodide, stimulating precipitation which washes the organism into the ocean, where they believe it will be destroyed by the alkalinity of salt water. A federal board concludes that the crisis is over, but Stone somberly asks what may happen if such a situation were to recur.
The film ends with a close up of the virus as it mutates again, causing the computer to overload, showing that Andromeda remains unpredictable. | How does Hall advise Dutton to breathe? | Rapidly | 5,109 | 5,116 |
The Andromeda Strain | Main Control Lab at the Wildfire complex
Two crewmembers of the U.S. government's "Project Scoop" investigate the town of Piedmont, New Mexico, to retrieve the Scoop 7 satellite. They find townspeople dead in the streets while reporting back to Scoop Mission Control. Suspecting the satellite may have brought back an extraterrestrial pathogen, Scoop Mission Control activates an elite scientific team it had previously recruited for just this type of emergency.
Nobel laureate Dr. Jeremy Stone (Arthur Hill), the team leader, and Dr. Mark Hall (James Olson), the team surgeon, are dropped in Piedmont by helicopter, where they search the town for Scoop 7 in hazmat suits. They find the town's doctor, who died after opening the satellite out of curiosity. Hall cuts open the doctor's corpse and finds that all of his blood has clotted and turned to powder. Stone and Hall retrieve Scoop 7 and find two survivors â a 62-year-old man and an infant (who "can't be more than 6 months old").
The entire team of four core research scientists, including Dr. Charles Dutton (David Wayne) and Dr. Ruth Leavitt (Kate Reid), are summoned from their academic and research appointments to arrive at a top secret, high-tech underground laboratory in Nevada, named Wildfire, where they undergo a full day of decontamination procedures, descending through five rigorous disinfection levels of the lab. Before decontamination, Hall is informed that the facility's nuclear device has been armed and will go off automatically within five minutes should there be a containment breach. He is entrusted with a key to disarm the bomb from designated substations within that window. The team enter the facility under the impression that Piedmont has already been sterilized by a nuclear bomb.
The team begins to experiment on the agent inside Scoop 7 and discovers that it is transmitted by air, kills lab animals instantly, and is too large to be a virus. After searching the satellite with a high-powered microscope, they discover the agent responsible for the deaths: a greenish, throbbing mass stowed away on a micrometeorite. It receives the code name "Andromeda".
While most of the team studies the agent in an attempt to figure out how it works, Hall tries to find a cure by figuring out why the old man and the baby survived. Both Hall and his nurse assistant work in encapsulating suits while in the contaminated "hot room". By analyzing their patients' blood and conferring with Peter Jackson (the old man, played by George Mitchell), they discover that he has abnormally acidic blood from drinking "Squeeze" (Sterno) to relieve his stomach ulcer. No anomalies are found in the baby.
Meanwhile, a fighter jet pilot, flying over Piedmont at high altitude, notices his "rubber" mouthpiece disintegrating. He then loses consciousness and crashes. The military inspects the wreck and finds that the pilot's flesh has dissolved, leaving only bones. While discussing the pilot's claims that all the "rubber" was dissolving, they are told that there is no actual rubber aboard a Phantom F-4, instead the material is "Polycron," a synthetic substance with properties similar to human skin. Unknown to the others, Leavitt's research is impaired by attacks of absence epilepsy, which is set off by the flashing red "No Growth" indicator on the Petri dish analyzer. This causes her to report, erroneously, that Andromeda grows on every growth medium.
During chemical study of the agent, the team finds out that the meteorite is in fact made of plastic and that the green mass is a lifeform of similar chemical composition to Earth life. However, it lacks amino acids, enzymes, or proteins. They then discover that Piedmont has in fact not yet been bombed due to the caution of the President, and that a fighter flying over Piedmont crashed. They again insist the bomb be dropped. Further study of Andromeda, however, reveals that it has a crystalline structure which allows it to convert energy to mass and vice versa, consuming any available resource without waste. They deduce that a nuclear explosion would provide Andromeda with enough energy to produce a supercolony in a single day. Reversing their opinion, they now insist the Piedmont bombing be stopped.
During analysis, the team comes across a germ warfare simulation, indicating that Scoop and Wildfire were designed to actively search for harmful biological agents for use in bio-warfare. Meanwhile, Andromeda mutates into a form that degrades synthetic rubber and plastics and thus escapes from the containment room adjacent to where Dutton is working, trapping him in an atmosphere laced with the agent. Hall rescues Leavitt from a photosensitive epilepsy seizure triggered by Wildfire's alarm system.
Hall continues his work on the survivors and finds out that Andromeda propagates only within a narrow pH range and that the baby's rapid breathing kept its blood alkaline and therefore inhospitable for the organism. Jackson's blood, suffering from acidosis, was just the opposite: its low pH also made it inhospitable for the organism. He advises Dutton to breathe rapidly as well, but then observes a rat in good health alongside Dutton, meaning that the organism has mutated and become benign to terrestrial life.
Almost immediately, after Stone notes that problems with gasket deterioration at the lunar lab induced them to use Polycron for the gaskets in Wildfire, Andromeda starts decaying all of the lab's seals, activating the nuclear self-destruct countdown, and trapping the team on the fifth (lowest) level. Hall races against the clock to reach a substation with his key. With the doors sealed, he climbs ladders in a maintenance access core and endures an attack by automated lasers intended to stop escaped lab animals, until at last he finds a working third level substation, disables the bomb, and passes out.
The military then begins seeding the clouds over the desert with silver iodide, stimulating precipitation which washes the organism into the ocean, where they believe it will be destroyed by the alkalinity of salt water. A federal board concludes that the crisis is over, but Stone somberly asks what may happen if such a situation were to recur.
The film ends with a close up of the virus as it mutates again, causing the computer to overload, showing that Andromeda remains unpredictable. | what the satellite name? | scoop 7 | 160 | 167 |
The Andromeda Strain | Main Control Lab at the Wildfire complex
Two crewmembers of the U.S. government's "Project Scoop" investigate the town of Piedmont, New Mexico, to retrieve the Scoop 7 satellite. They find townspeople dead in the streets while reporting back to Scoop Mission Control. Suspecting the satellite may have brought back an extraterrestrial pathogen, Scoop Mission Control activates an elite scientific team it had previously recruited for just this type of emergency.
Nobel laureate Dr. Jeremy Stone (Arthur Hill), the team leader, and Dr. Mark Hall (James Olson), the team surgeon, are dropped in Piedmont by helicopter, where they search the town for Scoop 7 in hazmat suits. They find the town's doctor, who died after opening the satellite out of curiosity. Hall cuts open the doctor's corpse and finds that all of his blood has clotted and turned to powder. Stone and Hall retrieve Scoop 7 and find two survivors â a 62-year-old man and an infant (who "can't be more than 6 months old").
The entire team of four core research scientists, including Dr. Charles Dutton (David Wayne) and Dr. Ruth Leavitt (Kate Reid), are summoned from their academic and research appointments to arrive at a top secret, high-tech underground laboratory in Nevada, named Wildfire, where they undergo a full day of decontamination procedures, descending through five rigorous disinfection levels of the lab. Before decontamination, Hall is informed that the facility's nuclear device has been armed and will go off automatically within five minutes should there be a containment breach. He is entrusted with a key to disarm the bomb from designated substations within that window. The team enter the facility under the impression that Piedmont has already been sterilized by a nuclear bomb.
The team begins to experiment on the agent inside Scoop 7 and discovers that it is transmitted by air, kills lab animals instantly, and is too large to be a virus. After searching the satellite with a high-powered microscope, they discover the agent responsible for the deaths: a greenish, throbbing mass stowed away on a micrometeorite. It receives the code name "Andromeda".
While most of the team studies the agent in an attempt to figure out how it works, Hall tries to find a cure by figuring out why the old man and the baby survived. Both Hall and his nurse assistant work in encapsulating suits while in the contaminated "hot room". By analyzing their patients' blood and conferring with Peter Jackson (the old man, played by George Mitchell), they discover that he has abnormally acidic blood from drinking "Squeeze" (Sterno) to relieve his stomach ulcer. No anomalies are found in the baby.
Meanwhile, a fighter jet pilot, flying over Piedmont at high altitude, notices his "rubber" mouthpiece disintegrating. He then loses consciousness and crashes. The military inspects the wreck and finds that the pilot's flesh has dissolved, leaving only bones. While discussing the pilot's claims that all the "rubber" was dissolving, they are told that there is no actual rubber aboard a Phantom F-4, instead the material is "Polycron," a synthetic substance with properties similar to human skin. Unknown to the others, Leavitt's research is impaired by attacks of absence epilepsy, which is set off by the flashing red "No Growth" indicator on the Petri dish analyzer. This causes her to report, erroneously, that Andromeda grows on every growth medium.
During chemical study of the agent, the team finds out that the meteorite is in fact made of plastic and that the green mass is a lifeform of similar chemical composition to Earth life. However, it lacks amino acids, enzymes, or proteins. They then discover that Piedmont has in fact not yet been bombed due to the caution of the President, and that a fighter flying over Piedmont crashed. They again insist the bomb be dropped. Further study of Andromeda, however, reveals that it has a crystalline structure which allows it to convert energy to mass and vice versa, consuming any available resource without waste. They deduce that a nuclear explosion would provide Andromeda with enough energy to produce a supercolony in a single day. Reversing their opinion, they now insist the Piedmont bombing be stopped.
During analysis, the team comes across a germ warfare simulation, indicating that Scoop and Wildfire were designed to actively search for harmful biological agents for use in bio-warfare. Meanwhile, Andromeda mutates into a form that degrades synthetic rubber and plastics and thus escapes from the containment room adjacent to where Dutton is working, trapping him in an atmosphere laced with the agent. Hall rescues Leavitt from a photosensitive epilepsy seizure triggered by Wildfire's alarm system.
Hall continues his work on the survivors and finds out that Andromeda propagates only within a narrow pH range and that the baby's rapid breathing kept its blood alkaline and therefore inhospitable for the organism. Jackson's blood, suffering from acidosis, was just the opposite: its low pH also made it inhospitable for the organism. He advises Dutton to breathe rapidly as well, but then observes a rat in good health alongside Dutton, meaning that the organism has mutated and become benign to terrestrial life.
Almost immediately, after Stone notes that problems with gasket deterioration at the lunar lab induced them to use Polycron for the gaskets in Wildfire, Andromeda starts decaying all of the lab's seals, activating the nuclear self-destruct countdown, and trapping the team on the fifth (lowest) level. Hall races against the clock to reach a substation with his key. With the doors sealed, he climbs ladders in a maintenance access core and endures an attack by automated lasers intended to stop escaped lab animals, until at last he finds a working third level substation, disables the bomb, and passes out.
The military then begins seeding the clouds over the desert with silver iodide, stimulating precipitation which washes the organism into the ocean, where they believe it will be destroyed by the alkalinity of salt water. A federal board concludes that the crisis is over, but Stone somberly asks what may happen if such a situation were to recur.
The film ends with a close up of the virus as it mutates again, causing the computer to overload, showing that Andromeda remains unpredictable. | How many research scientists were there in the team? | Four | 1,009 | 1,013 |
The Andromeda Strain | Main Control Lab at the Wildfire complex
Two crewmembers of the U.S. government's "Project Scoop" investigate the town of Piedmont, New Mexico, to retrieve the Scoop 7 satellite. They find townspeople dead in the streets while reporting back to Scoop Mission Control. Suspecting the satellite may have brought back an extraterrestrial pathogen, Scoop Mission Control activates an elite scientific team it had previously recruited for just this type of emergency.
Nobel laureate Dr. Jeremy Stone (Arthur Hill), the team leader, and Dr. Mark Hall (James Olson), the team surgeon, are dropped in Piedmont by helicopter, where they search the town for Scoop 7 in hazmat suits. They find the town's doctor, who died after opening the satellite out of curiosity. Hall cuts open the doctor's corpse and finds that all of his blood has clotted and turned to powder. Stone and Hall retrieve Scoop 7 and find two survivors â a 62-year-old man and an infant (who "can't be more than 6 months old").
The entire team of four core research scientists, including Dr. Charles Dutton (David Wayne) and Dr. Ruth Leavitt (Kate Reid), are summoned from their academic and research appointments to arrive at a top secret, high-tech underground laboratory in Nevada, named Wildfire, where they undergo a full day of decontamination procedures, descending through five rigorous disinfection levels of the lab. Before decontamination, Hall is informed that the facility's nuclear device has been armed and will go off automatically within five minutes should there be a containment breach. He is entrusted with a key to disarm the bomb from designated substations within that window. The team enter the facility under the impression that Piedmont has already been sterilized by a nuclear bomb.
The team begins to experiment on the agent inside Scoop 7 and discovers that it is transmitted by air, kills lab animals instantly, and is too large to be a virus. After searching the satellite with a high-powered microscope, they discover the agent responsible for the deaths: a greenish, throbbing mass stowed away on a micrometeorite. It receives the code name "Andromeda".
While most of the team studies the agent in an attempt to figure out how it works, Hall tries to find a cure by figuring out why the old man and the baby survived. Both Hall and his nurse assistant work in encapsulating suits while in the contaminated "hot room". By analyzing their patients' blood and conferring with Peter Jackson (the old man, played by George Mitchell), they discover that he has abnormally acidic blood from drinking "Squeeze" (Sterno) to relieve his stomach ulcer. No anomalies are found in the baby.
Meanwhile, a fighter jet pilot, flying over Piedmont at high altitude, notices his "rubber" mouthpiece disintegrating. He then loses consciousness and crashes. The military inspects the wreck and finds that the pilot's flesh has dissolved, leaving only bones. While discussing the pilot's claims that all the "rubber" was dissolving, they are told that there is no actual rubber aboard a Phantom F-4, instead the material is "Polycron," a synthetic substance with properties similar to human skin. Unknown to the others, Leavitt's research is impaired by attacks of absence epilepsy, which is set off by the flashing red "No Growth" indicator on the Petri dish analyzer. This causes her to report, erroneously, that Andromeda grows on every growth medium.
During chemical study of the agent, the team finds out that the meteorite is in fact made of plastic and that the green mass is a lifeform of similar chemical composition to Earth life. However, it lacks amino acids, enzymes, or proteins. They then discover that Piedmont has in fact not yet been bombed due to the caution of the President, and that a fighter flying over Piedmont crashed. They again insist the bomb be dropped. Further study of Andromeda, however, reveals that it has a crystalline structure which allows it to convert energy to mass and vice versa, consuming any available resource without waste. They deduce that a nuclear explosion would provide Andromeda with enough energy to produce a supercolony in a single day. Reversing their opinion, they now insist the Piedmont bombing be stopped.
During analysis, the team comes across a germ warfare simulation, indicating that Scoop and Wildfire were designed to actively search for harmful biological agents for use in bio-warfare. Meanwhile, Andromeda mutates into a form that degrades synthetic rubber and plastics and thus escapes from the containment room adjacent to where Dutton is working, trapping him in an atmosphere laced with the agent. Hall rescues Leavitt from a photosensitive epilepsy seizure triggered by Wildfire's alarm system.
Hall continues his work on the survivors and finds out that Andromeda propagates only within a narrow pH range and that the baby's rapid breathing kept its blood alkaline and therefore inhospitable for the organism. Jackson's blood, suffering from acidosis, was just the opposite: its low pH also made it inhospitable for the organism. He advises Dutton to breathe rapidly as well, but then observes a rat in good health alongside Dutton, meaning that the organism has mutated and become benign to terrestrial life.
Almost immediately, after Stone notes that problems with gasket deterioration at the lunar lab induced them to use Polycron for the gaskets in Wildfire, Andromeda starts decaying all of the lab's seals, activating the nuclear self-destruct countdown, and trapping the team on the fifth (lowest) level. Hall races against the clock to reach a substation with his key. With the doors sealed, he climbs ladders in a maintenance access core and endures an attack by automated lasers intended to stop escaped lab animals, until at last he finds a working third level substation, disables the bomb, and passes out.
The military then begins seeding the clouds over the desert with silver iodide, stimulating precipitation which washes the organism into the ocean, where they believe it will be destroyed by the alkalinity of salt water. A federal board concludes that the crisis is over, but Stone somberly asks what may happen if such a situation were to recur.
The film ends with a close up of the virus as it mutates again, causing the computer to overload, showing that Andromeda remains unpredictable. | what scientific team it had previously recruited for just this type of emergency? | an elite scientific team it had previously recruited for just this type of emergency | 377 | 461 |
The Andromeda Strain | Main Control Lab at the Wildfire complex
Two crewmembers of the U.S. government's "Project Scoop" investigate the town of Piedmont, New Mexico, to retrieve the Scoop 7 satellite. They find townspeople dead in the streets while reporting back to Scoop Mission Control. Suspecting the satellite may have brought back an extraterrestrial pathogen, Scoop Mission Control activates an elite scientific team it had previously recruited for just this type of emergency.
Nobel laureate Dr. Jeremy Stone (Arthur Hill), the team leader, and Dr. Mark Hall (James Olson), the team surgeon, are dropped in Piedmont by helicopter, where they search the town for Scoop 7 in hazmat suits. They find the town's doctor, who died after opening the satellite out of curiosity. Hall cuts open the doctor's corpse and finds that all of his blood has clotted and turned to powder. Stone and Hall retrieve Scoop 7 and find two survivors â a 62-year-old man and an infant (who "can't be more than 6 months old").
The entire team of four core research scientists, including Dr. Charles Dutton (David Wayne) and Dr. Ruth Leavitt (Kate Reid), are summoned from their academic and research appointments to arrive at a top secret, high-tech underground laboratory in Nevada, named Wildfire, where they undergo a full day of decontamination procedures, descending through five rigorous disinfection levels of the lab. Before decontamination, Hall is informed that the facility's nuclear device has been armed and will go off automatically within five minutes should there be a containment breach. He is entrusted with a key to disarm the bomb from designated substations within that window. The team enter the facility under the impression that Piedmont has already been sterilized by a nuclear bomb.
The team begins to experiment on the agent inside Scoop 7 and discovers that it is transmitted by air, kills lab animals instantly, and is too large to be a virus. After searching the satellite with a high-powered microscope, they discover the agent responsible for the deaths: a greenish, throbbing mass stowed away on a micrometeorite. It receives the code name "Andromeda".
While most of the team studies the agent in an attempt to figure out how it works, Hall tries to find a cure by figuring out why the old man and the baby survived. Both Hall and his nurse assistant work in encapsulating suits while in the contaminated "hot room". By analyzing their patients' blood and conferring with Peter Jackson (the old man, played by George Mitchell), they discover that he has abnormally acidic blood from drinking "Squeeze" (Sterno) to relieve his stomach ulcer. No anomalies are found in the baby.
Meanwhile, a fighter jet pilot, flying over Piedmont at high altitude, notices his "rubber" mouthpiece disintegrating. He then loses consciousness and crashes. The military inspects the wreck and finds that the pilot's flesh has dissolved, leaving only bones. While discussing the pilot's claims that all the "rubber" was dissolving, they are told that there is no actual rubber aboard a Phantom F-4, instead the material is "Polycron," a synthetic substance with properties similar to human skin. Unknown to the others, Leavitt's research is impaired by attacks of absence epilepsy, which is set off by the flashing red "No Growth" indicator on the Petri dish analyzer. This causes her to report, erroneously, that Andromeda grows on every growth medium.
During chemical study of the agent, the team finds out that the meteorite is in fact made of plastic and that the green mass is a lifeform of similar chemical composition to Earth life. However, it lacks amino acids, enzymes, or proteins. They then discover that Piedmont has in fact not yet been bombed due to the caution of the President, and that a fighter flying over Piedmont crashed. They again insist the bomb be dropped. Further study of Andromeda, however, reveals that it has a crystalline structure which allows it to convert energy to mass and vice versa, consuming any available resource without waste. They deduce that a nuclear explosion would provide Andromeda with enough energy to produce a supercolony in a single day. Reversing their opinion, they now insist the Piedmont bombing be stopped.
During analysis, the team comes across a germ warfare simulation, indicating that Scoop and Wildfire were designed to actively search for harmful biological agents for use in bio-warfare. Meanwhile, Andromeda mutates into a form that degrades synthetic rubber and plastics and thus escapes from the containment room adjacent to where Dutton is working, trapping him in an atmosphere laced with the agent. Hall rescues Leavitt from a photosensitive epilepsy seizure triggered by Wildfire's alarm system.
Hall continues his work on the survivors and finds out that Andromeda propagates only within a narrow pH range and that the baby's rapid breathing kept its blood alkaline and therefore inhospitable for the organism. Jackson's blood, suffering from acidosis, was just the opposite: its low pH also made it inhospitable for the organism. He advises Dutton to breathe rapidly as well, but then observes a rat in good health alongside Dutton, meaning that the organism has mutated and become benign to terrestrial life.
Almost immediately, after Stone notes that problems with gasket deterioration at the lunar lab induced them to use Polycron for the gaskets in Wildfire, Andromeda starts decaying all of the lab's seals, activating the nuclear self-destruct countdown, and trapping the team on the fifth (lowest) level. Hall races against the clock to reach a substation with his key. With the doors sealed, he climbs ladders in a maintenance access core and endures an attack by automated lasers intended to stop escaped lab animals, until at last he finds a working third level substation, disables the bomb, and passes out.
The military then begins seeding the clouds over the desert with silver iodide, stimulating precipitation which washes the organism into the ocean, where they believe it will be destroyed by the alkalinity of salt water. A federal board concludes that the crisis is over, but Stone somberly asks what may happen if such a situation were to recur.
The film ends with a close up of the virus as it mutates again, causing the computer to overload, showing that Andromeda remains unpredictable. | Who asks about the possibility of this reoccuring? | Stone | 489 | 494 |
The Andromeda Strain | Main Control Lab at the Wildfire complex
Two crewmembers of the U.S. government's "Project Scoop" investigate the town of Piedmont, New Mexico, to retrieve the Scoop 7 satellite. They find townspeople dead in the streets while reporting back to Scoop Mission Control. Suspecting the satellite may have brought back an extraterrestrial pathogen, Scoop Mission Control activates an elite scientific team it had previously recruited for just this type of emergency.
Nobel laureate Dr. Jeremy Stone (Arthur Hill), the team leader, and Dr. Mark Hall (James Olson), the team surgeon, are dropped in Piedmont by helicopter, where they search the town for Scoop 7 in hazmat suits. They find the town's doctor, who died after opening the satellite out of curiosity. Hall cuts open the doctor's corpse and finds that all of his blood has clotted and turned to powder. Stone and Hall retrieve Scoop 7 and find two survivors â a 62-year-old man and an infant (who "can't be more than 6 months old").
The entire team of four core research scientists, including Dr. Charles Dutton (David Wayne) and Dr. Ruth Leavitt (Kate Reid), are summoned from their academic and research appointments to arrive at a top secret, high-tech underground laboratory in Nevada, named Wildfire, where they undergo a full day of decontamination procedures, descending through five rigorous disinfection levels of the lab. Before decontamination, Hall is informed that the facility's nuclear device has been armed and will go off automatically within five minutes should there be a containment breach. He is entrusted with a key to disarm the bomb from designated substations within that window. The team enter the facility under the impression that Piedmont has already been sterilized by a nuclear bomb.
The team begins to experiment on the agent inside Scoop 7 and discovers that it is transmitted by air, kills lab animals instantly, and is too large to be a virus. After searching the satellite with a high-powered microscope, they discover the agent responsible for the deaths: a greenish, throbbing mass stowed away on a micrometeorite. It receives the code name "Andromeda".
While most of the team studies the agent in an attempt to figure out how it works, Hall tries to find a cure by figuring out why the old man and the baby survived. Both Hall and his nurse assistant work in encapsulating suits while in the contaminated "hot room". By analyzing their patients' blood and conferring with Peter Jackson (the old man, played by George Mitchell), they discover that he has abnormally acidic blood from drinking "Squeeze" (Sterno) to relieve his stomach ulcer. No anomalies are found in the baby.
Meanwhile, a fighter jet pilot, flying over Piedmont at high altitude, notices his "rubber" mouthpiece disintegrating. He then loses consciousness and crashes. The military inspects the wreck and finds that the pilot's flesh has dissolved, leaving only bones. While discussing the pilot's claims that all the "rubber" was dissolving, they are told that there is no actual rubber aboard a Phantom F-4, instead the material is "Polycron," a synthetic substance with properties similar to human skin. Unknown to the others, Leavitt's research is impaired by attacks of absence epilepsy, which is set off by the flashing red "No Growth" indicator on the Petri dish analyzer. This causes her to report, erroneously, that Andromeda grows on every growth medium.
During chemical study of the agent, the team finds out that the meteorite is in fact made of plastic and that the green mass is a lifeform of similar chemical composition to Earth life. However, it lacks amino acids, enzymes, or proteins. They then discover that Piedmont has in fact not yet been bombed due to the caution of the President, and that a fighter flying over Piedmont crashed. They again insist the bomb be dropped. Further study of Andromeda, however, reveals that it has a crystalline structure which allows it to convert energy to mass and vice versa, consuming any available resource without waste. They deduce that a nuclear explosion would provide Andromeda with enough energy to produce a supercolony in a single day. Reversing their opinion, they now insist the Piedmont bombing be stopped.
During analysis, the team comes across a germ warfare simulation, indicating that Scoop and Wildfire were designed to actively search for harmful biological agents for use in bio-warfare. Meanwhile, Andromeda mutates into a form that degrades synthetic rubber and plastics and thus escapes from the containment room adjacent to where Dutton is working, trapping him in an atmosphere laced with the agent. Hall rescues Leavitt from a photosensitive epilepsy seizure triggered by Wildfire's alarm system.
Hall continues his work on the survivors and finds out that Andromeda propagates only within a narrow pH range and that the baby's rapid breathing kept its blood alkaline and therefore inhospitable for the organism. Jackson's blood, suffering from acidosis, was just the opposite: its low pH also made it inhospitable for the organism. He advises Dutton to breathe rapidly as well, but then observes a rat in good health alongside Dutton, meaning that the organism has mutated and become benign to terrestrial life.
Almost immediately, after Stone notes that problems with gasket deterioration at the lunar lab induced them to use Polycron for the gaskets in Wildfire, Andromeda starts decaying all of the lab's seals, activating the nuclear self-destruct countdown, and trapping the team on the fifth (lowest) level. Hall races against the clock to reach a substation with his key. With the doors sealed, he climbs ladders in a maintenance access core and endures an attack by automated lasers intended to stop escaped lab animals, until at last he finds a working third level substation, disables the bomb, and passes out.
The military then begins seeding the clouds over the desert with silver iodide, stimulating precipitation which washes the organism into the ocean, where they believe it will be destroyed by the alkalinity of salt water. A federal board concludes that the crisis is over, but Stone somberly asks what may happen if such a situation were to recur.
The film ends with a close up of the virus as it mutates again, causing the computer to overload, showing that Andromeda remains unpredictable. | Whose research is imparied by absence epilepsy? | Leavitt's | 3,194 | 3,203 |
The Andromeda Strain | Main Control Lab at the Wildfire complex
Two crewmembers of the U.S. government's "Project Scoop" investigate the town of Piedmont, New Mexico, to retrieve the Scoop 7 satellite. They find townspeople dead in the streets while reporting back to Scoop Mission Control. Suspecting the satellite may have brought back an extraterrestrial pathogen, Scoop Mission Control activates an elite scientific team it had previously recruited for just this type of emergency.
Nobel laureate Dr. Jeremy Stone (Arthur Hill), the team leader, and Dr. Mark Hall (James Olson), the team surgeon, are dropped in Piedmont by helicopter, where they search the town for Scoop 7 in hazmat suits. They find the town's doctor, who died after opening the satellite out of curiosity. Hall cuts open the doctor's corpse and finds that all of his blood has clotted and turned to powder. Stone and Hall retrieve Scoop 7 and find two survivors â a 62-year-old man and an infant (who "can't be more than 6 months old").
The entire team of four core research scientists, including Dr. Charles Dutton (David Wayne) and Dr. Ruth Leavitt (Kate Reid), are summoned from their academic and research appointments to arrive at a top secret, high-tech underground laboratory in Nevada, named Wildfire, where they undergo a full day of decontamination procedures, descending through five rigorous disinfection levels of the lab. Before decontamination, Hall is informed that the facility's nuclear device has been armed and will go off automatically within five minutes should there be a containment breach. He is entrusted with a key to disarm the bomb from designated substations within that window. The team enter the facility under the impression that Piedmont has already been sterilized by a nuclear bomb.
The team begins to experiment on the agent inside Scoop 7 and discovers that it is transmitted by air, kills lab animals instantly, and is too large to be a virus. After searching the satellite with a high-powered microscope, they discover the agent responsible for the deaths: a greenish, throbbing mass stowed away on a micrometeorite. It receives the code name "Andromeda".
While most of the team studies the agent in an attempt to figure out how it works, Hall tries to find a cure by figuring out why the old man and the baby survived. Both Hall and his nurse assistant work in encapsulating suits while in the contaminated "hot room". By analyzing their patients' blood and conferring with Peter Jackson (the old man, played by George Mitchell), they discover that he has abnormally acidic blood from drinking "Squeeze" (Sterno) to relieve his stomach ulcer. No anomalies are found in the baby.
Meanwhile, a fighter jet pilot, flying over Piedmont at high altitude, notices his "rubber" mouthpiece disintegrating. He then loses consciousness and crashes. The military inspects the wreck and finds that the pilot's flesh has dissolved, leaving only bones. While discussing the pilot's claims that all the "rubber" was dissolving, they are told that there is no actual rubber aboard a Phantom F-4, instead the material is "Polycron," a synthetic substance with properties similar to human skin. Unknown to the others, Leavitt's research is impaired by attacks of absence epilepsy, which is set off by the flashing red "No Growth" indicator on the Petri dish analyzer. This causes her to report, erroneously, that Andromeda grows on every growth medium.
During chemical study of the agent, the team finds out that the meteorite is in fact made of plastic and that the green mass is a lifeform of similar chemical composition to Earth life. However, it lacks amino acids, enzymes, or proteins. They then discover that Piedmont has in fact not yet been bombed due to the caution of the President, and that a fighter flying over Piedmont crashed. They again insist the bomb be dropped. Further study of Andromeda, however, reveals that it has a crystalline structure which allows it to convert energy to mass and vice versa, consuming any available resource without waste. They deduce that a nuclear explosion would provide Andromeda with enough energy to produce a supercolony in a single day. Reversing their opinion, they now insist the Piedmont bombing be stopped.
During analysis, the team comes across a germ warfare simulation, indicating that Scoop and Wildfire were designed to actively search for harmful biological agents for use in bio-warfare. Meanwhile, Andromeda mutates into a form that degrades synthetic rubber and plastics and thus escapes from the containment room adjacent to where Dutton is working, trapping him in an atmosphere laced with the agent. Hall rescues Leavitt from a photosensitive epilepsy seizure triggered by Wildfire's alarm system.
Hall continues his work on the survivors and finds out that Andromeda propagates only within a narrow pH range and that the baby's rapid breathing kept its blood alkaline and therefore inhospitable for the organism. Jackson's blood, suffering from acidosis, was just the opposite: its low pH also made it inhospitable for the organism. He advises Dutton to breathe rapidly as well, but then observes a rat in good health alongside Dutton, meaning that the organism has mutated and become benign to terrestrial life.
Almost immediately, after Stone notes that problems with gasket deterioration at the lunar lab induced them to use Polycron for the gaskets in Wildfire, Andromeda starts decaying all of the lab's seals, activating the nuclear self-destruct countdown, and trapping the team on the fifth (lowest) level. Hall races against the clock to reach a substation with his key. With the doors sealed, he climbs ladders in a maintenance access core and endures an attack by automated lasers intended to stop escaped lab animals, until at last he finds a working third level substation, disables the bomb, and passes out.
The military then begins seeding the clouds over the desert with silver iodide, stimulating precipitation which washes the organism into the ocean, where they believe it will be destroyed by the alkalinity of salt water. A federal board concludes that the crisis is over, but Stone somberly asks what may happen if such a situation were to recur.
The film ends with a close up of the virus as it mutates again, causing the computer to overload, showing that Andromeda remains unpredictable. | What type of aircraft did the pilot fly? | Phantom F-4 | 3,061 | 3,072 |
The Andromeda Strain | Main Control Lab at the Wildfire complex
Two crewmembers of the U.S. government's "Project Scoop" investigate the town of Piedmont, New Mexico, to retrieve the Scoop 7 satellite. They find townspeople dead in the streets while reporting back to Scoop Mission Control. Suspecting the satellite may have brought back an extraterrestrial pathogen, Scoop Mission Control activates an elite scientific team it had previously recruited for just this type of emergency.
Nobel laureate Dr. Jeremy Stone (Arthur Hill), the team leader, and Dr. Mark Hall (James Olson), the team surgeon, are dropped in Piedmont by helicopter, where they search the town for Scoop 7 in hazmat suits. They find the town's doctor, who died after opening the satellite out of curiosity. Hall cuts open the doctor's corpse and finds that all of his blood has clotted and turned to powder. Stone and Hall retrieve Scoop 7 and find two survivors â a 62-year-old man and an infant (who "can't be more than 6 months old").
The entire team of four core research scientists, including Dr. Charles Dutton (David Wayne) and Dr. Ruth Leavitt (Kate Reid), are summoned from their academic and research appointments to arrive at a top secret, high-tech underground laboratory in Nevada, named Wildfire, where they undergo a full day of decontamination procedures, descending through five rigorous disinfection levels of the lab. Before decontamination, Hall is informed that the facility's nuclear device has been armed and will go off automatically within five minutes should there be a containment breach. He is entrusted with a key to disarm the bomb from designated substations within that window. The team enter the facility under the impression that Piedmont has already been sterilized by a nuclear bomb.
The team begins to experiment on the agent inside Scoop 7 and discovers that it is transmitted by air, kills lab animals instantly, and is too large to be a virus. After searching the satellite with a high-powered microscope, they discover the agent responsible for the deaths: a greenish, throbbing mass stowed away on a micrometeorite. It receives the code name "Andromeda".
While most of the team studies the agent in an attempt to figure out how it works, Hall tries to find a cure by figuring out why the old man and the baby survived. Both Hall and his nurse assistant work in encapsulating suits while in the contaminated "hot room". By analyzing their patients' blood and conferring with Peter Jackson (the old man, played by George Mitchell), they discover that he has abnormally acidic blood from drinking "Squeeze" (Sterno) to relieve his stomach ulcer. No anomalies are found in the baby.
Meanwhile, a fighter jet pilot, flying over Piedmont at high altitude, notices his "rubber" mouthpiece disintegrating. He then loses consciousness and crashes. The military inspects the wreck and finds that the pilot's flesh has dissolved, leaving only bones. While discussing the pilot's claims that all the "rubber" was dissolving, they are told that there is no actual rubber aboard a Phantom F-4, instead the material is "Polycron," a synthetic substance with properties similar to human skin. Unknown to the others, Leavitt's research is impaired by attacks of absence epilepsy, which is set off by the flashing red "No Growth" indicator on the Petri dish analyzer. This causes her to report, erroneously, that Andromeda grows on every growth medium.
During chemical study of the agent, the team finds out that the meteorite is in fact made of plastic and that the green mass is a lifeform of similar chemical composition to Earth life. However, it lacks amino acids, enzymes, or proteins. They then discover that Piedmont has in fact not yet been bombed due to the caution of the President, and that a fighter flying over Piedmont crashed. They again insist the bomb be dropped. Further study of Andromeda, however, reveals that it has a crystalline structure which allows it to convert energy to mass and vice versa, consuming any available resource without waste. They deduce that a nuclear explosion would provide Andromeda with enough energy to produce a supercolony in a single day. Reversing their opinion, they now insist the Piedmont bombing be stopped.
During analysis, the team comes across a germ warfare simulation, indicating that Scoop and Wildfire were designed to actively search for harmful biological agents for use in bio-warfare. Meanwhile, Andromeda mutates into a form that degrades synthetic rubber and plastics and thus escapes from the containment room adjacent to where Dutton is working, trapping him in an atmosphere laced with the agent. Hall rescues Leavitt from a photosensitive epilepsy seizure triggered by Wildfire's alarm system.
Hall continues his work on the survivors and finds out that Andromeda propagates only within a narrow pH range and that the baby's rapid breathing kept its blood alkaline and therefore inhospitable for the organism. Jackson's blood, suffering from acidosis, was just the opposite: its low pH also made it inhospitable for the organism. He advises Dutton to breathe rapidly as well, but then observes a rat in good health alongside Dutton, meaning that the organism has mutated and become benign to terrestrial life.
Almost immediately, after Stone notes that problems with gasket deterioration at the lunar lab induced them to use Polycron for the gaskets in Wildfire, Andromeda starts decaying all of the lab's seals, activating the nuclear self-destruct countdown, and trapping the team on the fifth (lowest) level. Hall races against the clock to reach a substation with his key. With the doors sealed, he climbs ladders in a maintenance access core and endures an attack by automated lasers intended to stop escaped lab animals, until at last he finds a working third level substation, disables the bomb, and passes out.
The military then begins seeding the clouds over the desert with silver iodide, stimulating precipitation which washes the organism into the ocean, where they believe it will be destroyed by the alkalinity of salt water. A federal board concludes that the crisis is over, but Stone somberly asks what may happen if such a situation were to recur.
The film ends with a close up of the virus as it mutates again, causing the computer to overload, showing that Andromeda remains unpredictable. | Where is Andromeda? | on a micrometeorite | 2,089 | 2,108 |
The Andromeda Strain | Main Control Lab at the Wildfire complex
Two crewmembers of the U.S. government's "Project Scoop" investigate the town of Piedmont, New Mexico, to retrieve the Scoop 7 satellite. They find townspeople dead in the streets while reporting back to Scoop Mission Control. Suspecting the satellite may have brought back an extraterrestrial pathogen, Scoop Mission Control activates an elite scientific team it had previously recruited for just this type of emergency.
Nobel laureate Dr. Jeremy Stone (Arthur Hill), the team leader, and Dr. Mark Hall (James Olson), the team surgeon, are dropped in Piedmont by helicopter, where they search the town for Scoop 7 in hazmat suits. They find the town's doctor, who died after opening the satellite out of curiosity. Hall cuts open the doctor's corpse and finds that all of his blood has clotted and turned to powder. Stone and Hall retrieve Scoop 7 and find two survivors â a 62-year-old man and an infant (who "can't be more than 6 months old").
The entire team of four core research scientists, including Dr. Charles Dutton (David Wayne) and Dr. Ruth Leavitt (Kate Reid), are summoned from their academic and research appointments to arrive at a top secret, high-tech underground laboratory in Nevada, named Wildfire, where they undergo a full day of decontamination procedures, descending through five rigorous disinfection levels of the lab. Before decontamination, Hall is informed that the facility's nuclear device has been armed and will go off automatically within five minutes should there be a containment breach. He is entrusted with a key to disarm the bomb from designated substations within that window. The team enter the facility under the impression that Piedmont has already been sterilized by a nuclear bomb.
The team begins to experiment on the agent inside Scoop 7 and discovers that it is transmitted by air, kills lab animals instantly, and is too large to be a virus. After searching the satellite with a high-powered microscope, they discover the agent responsible for the deaths: a greenish, throbbing mass stowed away on a micrometeorite. It receives the code name "Andromeda".
While most of the team studies the agent in an attempt to figure out how it works, Hall tries to find a cure by figuring out why the old man and the baby survived. Both Hall and his nurse assistant work in encapsulating suits while in the contaminated "hot room". By analyzing their patients' blood and conferring with Peter Jackson (the old man, played by George Mitchell), they discover that he has abnormally acidic blood from drinking "Squeeze" (Sterno) to relieve his stomach ulcer. No anomalies are found in the baby.
Meanwhile, a fighter jet pilot, flying over Piedmont at high altitude, notices his "rubber" mouthpiece disintegrating. He then loses consciousness and crashes. The military inspects the wreck and finds that the pilot's flesh has dissolved, leaving only bones. While discussing the pilot's claims that all the "rubber" was dissolving, they are told that there is no actual rubber aboard a Phantom F-4, instead the material is "Polycron," a synthetic substance with properties similar to human skin. Unknown to the others, Leavitt's research is impaired by attacks of absence epilepsy, which is set off by the flashing red "No Growth" indicator on the Petri dish analyzer. This causes her to report, erroneously, that Andromeda grows on every growth medium.
During chemical study of the agent, the team finds out that the meteorite is in fact made of plastic and that the green mass is a lifeform of similar chemical composition to Earth life. However, it lacks amino acids, enzymes, or proteins. They then discover that Piedmont has in fact not yet been bombed due to the caution of the President, and that a fighter flying over Piedmont crashed. They again insist the bomb be dropped. Further study of Andromeda, however, reveals that it has a crystalline structure which allows it to convert energy to mass and vice versa, consuming any available resource without waste. They deduce that a nuclear explosion would provide Andromeda with enough energy to produce a supercolony in a single day. Reversing their opinion, they now insist the Piedmont bombing be stopped.
During analysis, the team comes across a germ warfare simulation, indicating that Scoop and Wildfire were designed to actively search for harmful biological agents for use in bio-warfare. Meanwhile, Andromeda mutates into a form that degrades synthetic rubber and plastics and thus escapes from the containment room adjacent to where Dutton is working, trapping him in an atmosphere laced with the agent. Hall rescues Leavitt from a photosensitive epilepsy seizure triggered by Wildfire's alarm system.
Hall continues his work on the survivors and finds out that Andromeda propagates only within a narrow pH range and that the baby's rapid breathing kept its blood alkaline and therefore inhospitable for the organism. Jackson's blood, suffering from acidosis, was just the opposite: its low pH also made it inhospitable for the organism. He advises Dutton to breathe rapidly as well, but then observes a rat in good health alongside Dutton, meaning that the organism has mutated and become benign to terrestrial life.
Almost immediately, after Stone notes that problems with gasket deterioration at the lunar lab induced them to use Polycron for the gaskets in Wildfire, Andromeda starts decaying all of the lab's seals, activating the nuclear self-destruct countdown, and trapping the team on the fifth (lowest) level. Hall races against the clock to reach a substation with his key. With the doors sealed, he climbs ladders in a maintenance access core and endures an attack by automated lasers intended to stop escaped lab animals, until at last he finds a working third level substation, disables the bomb, and passes out.
The military then begins seeding the clouds over the desert with silver iodide, stimulating precipitation which washes the organism into the ocean, where they believe it will be destroyed by the alkalinity of salt water. A federal board concludes that the crisis is over, but Stone somberly asks what may happen if such a situation were to recur.
The film ends with a close up of the virus as it mutates again, causing the computer to overload, showing that Andromeda remains unpredictable. | What does the meteroite lack? | amino acids, enzymes, or protein | 3,633 | 3,665 |
The Andromeda Strain | Main Control Lab at the Wildfire complex
Two crewmembers of the U.S. government's "Project Scoop" investigate the town of Piedmont, New Mexico, to retrieve the Scoop 7 satellite. They find townspeople dead in the streets while reporting back to Scoop Mission Control. Suspecting the satellite may have brought back an extraterrestrial pathogen, Scoop Mission Control activates an elite scientific team it had previously recruited for just this type of emergency.
Nobel laureate Dr. Jeremy Stone (Arthur Hill), the team leader, and Dr. Mark Hall (James Olson), the team surgeon, are dropped in Piedmont by helicopter, where they search the town for Scoop 7 in hazmat suits. They find the town's doctor, who died after opening the satellite out of curiosity. Hall cuts open the doctor's corpse and finds that all of his blood has clotted and turned to powder. Stone and Hall retrieve Scoop 7 and find two survivors â a 62-year-old man and an infant (who "can't be more than 6 months old").
The entire team of four core research scientists, including Dr. Charles Dutton (David Wayne) and Dr. Ruth Leavitt (Kate Reid), are summoned from their academic and research appointments to arrive at a top secret, high-tech underground laboratory in Nevada, named Wildfire, where they undergo a full day of decontamination procedures, descending through five rigorous disinfection levels of the lab. Before decontamination, Hall is informed that the facility's nuclear device has been armed and will go off automatically within five minutes should there be a containment breach. He is entrusted with a key to disarm the bomb from designated substations within that window. The team enter the facility under the impression that Piedmont has already been sterilized by a nuclear bomb.
The team begins to experiment on the agent inside Scoop 7 and discovers that it is transmitted by air, kills lab animals instantly, and is too large to be a virus. After searching the satellite with a high-powered microscope, they discover the agent responsible for the deaths: a greenish, throbbing mass stowed away on a micrometeorite. It receives the code name "Andromeda".
While most of the team studies the agent in an attempt to figure out how it works, Hall tries to find a cure by figuring out why the old man and the baby survived. Both Hall and his nurse assistant work in encapsulating suits while in the contaminated "hot room". By analyzing their patients' blood and conferring with Peter Jackson (the old man, played by George Mitchell), they discover that he has abnormally acidic blood from drinking "Squeeze" (Sterno) to relieve his stomach ulcer. No anomalies are found in the baby.
Meanwhile, a fighter jet pilot, flying over Piedmont at high altitude, notices his "rubber" mouthpiece disintegrating. He then loses consciousness and crashes. The military inspects the wreck and finds that the pilot's flesh has dissolved, leaving only bones. While discussing the pilot's claims that all the "rubber" was dissolving, they are told that there is no actual rubber aboard a Phantom F-4, instead the material is "Polycron," a synthetic substance with properties similar to human skin. Unknown to the others, Leavitt's research is impaired by attacks of absence epilepsy, which is set off by the flashing red "No Growth" indicator on the Petri dish analyzer. This causes her to report, erroneously, that Andromeda grows on every growth medium.
During chemical study of the agent, the team finds out that the meteorite is in fact made of plastic and that the green mass is a lifeform of similar chemical composition to Earth life. However, it lacks amino acids, enzymes, or proteins. They then discover that Piedmont has in fact not yet been bombed due to the caution of the President, and that a fighter flying over Piedmont crashed. They again insist the bomb be dropped. Further study of Andromeda, however, reveals that it has a crystalline structure which allows it to convert energy to mass and vice versa, consuming any available resource without waste. They deduce that a nuclear explosion would provide Andromeda with enough energy to produce a supercolony in a single day. Reversing their opinion, they now insist the Piedmont bombing be stopped.
During analysis, the team comes across a germ warfare simulation, indicating that Scoop and Wildfire were designed to actively search for harmful biological agents for use in bio-warfare. Meanwhile, Andromeda mutates into a form that degrades synthetic rubber and plastics and thus escapes from the containment room adjacent to where Dutton is working, trapping him in an atmosphere laced with the agent. Hall rescues Leavitt from a photosensitive epilepsy seizure triggered by Wildfire's alarm system.
Hall continues his work on the survivors and finds out that Andromeda propagates only within a narrow pH range and that the baby's rapid breathing kept its blood alkaline and therefore inhospitable for the organism. Jackson's blood, suffering from acidosis, was just the opposite: its low pH also made it inhospitable for the organism. He advises Dutton to breathe rapidly as well, but then observes a rat in good health alongside Dutton, meaning that the organism has mutated and become benign to terrestrial life.
Almost immediately, after Stone notes that problems with gasket deterioration at the lunar lab induced them to use Polycron for the gaskets in Wildfire, Andromeda starts decaying all of the lab's seals, activating the nuclear self-destruct countdown, and trapping the team on the fifth (lowest) level. Hall races against the clock to reach a substation with his key. With the doors sealed, he climbs ladders in a maintenance access core and endures an attack by automated lasers intended to stop escaped lab animals, until at last he finds a working third level substation, disables the bomb, and passes out.
The military then begins seeding the clouds over the desert with silver iodide, stimulating precipitation which washes the organism into the ocean, where they believe it will be destroyed by the alkalinity of salt water. A federal board concludes that the crisis is over, but Stone somberly asks what may happen if such a situation were to recur.
The film ends with a close up of the virus as it mutates again, causing the computer to overload, showing that Andromeda remains unpredictable. | What does Hall rescue Leavitt from ? | Hall rescues Leavitt from a photosensitive epilepsy seizure | 4,646 | 4,705 |
The Andromeda Strain | Main Control Lab at the Wildfire complex
Two crewmembers of the U.S. government's "Project Scoop" investigate the town of Piedmont, New Mexico, to retrieve the Scoop 7 satellite. They find townspeople dead in the streets while reporting back to Scoop Mission Control. Suspecting the satellite may have brought back an extraterrestrial pathogen, Scoop Mission Control activates an elite scientific team it had previously recruited for just this type of emergency.
Nobel laureate Dr. Jeremy Stone (Arthur Hill), the team leader, and Dr. Mark Hall (James Olson), the team surgeon, are dropped in Piedmont by helicopter, where they search the town for Scoop 7 in hazmat suits. They find the town's doctor, who died after opening the satellite out of curiosity. Hall cuts open the doctor's corpse and finds that all of his blood has clotted and turned to powder. Stone and Hall retrieve Scoop 7 and find two survivors â a 62-year-old man and an infant (who "can't be more than 6 months old").
The entire team of four core research scientists, including Dr. Charles Dutton (David Wayne) and Dr. Ruth Leavitt (Kate Reid), are summoned from their academic and research appointments to arrive at a top secret, high-tech underground laboratory in Nevada, named Wildfire, where they undergo a full day of decontamination procedures, descending through five rigorous disinfection levels of the lab. Before decontamination, Hall is informed that the facility's nuclear device has been armed and will go off automatically within five minutes should there be a containment breach. He is entrusted with a key to disarm the bomb from designated substations within that window. The team enter the facility under the impression that Piedmont has already been sterilized by a nuclear bomb.
The team begins to experiment on the agent inside Scoop 7 and discovers that it is transmitted by air, kills lab animals instantly, and is too large to be a virus. After searching the satellite with a high-powered microscope, they discover the agent responsible for the deaths: a greenish, throbbing mass stowed away on a micrometeorite. It receives the code name "Andromeda".
While most of the team studies the agent in an attempt to figure out how it works, Hall tries to find a cure by figuring out why the old man and the baby survived. Both Hall and his nurse assistant work in encapsulating suits while in the contaminated "hot room". By analyzing their patients' blood and conferring with Peter Jackson (the old man, played by George Mitchell), they discover that he has abnormally acidic blood from drinking "Squeeze" (Sterno) to relieve his stomach ulcer. No anomalies are found in the baby.
Meanwhile, a fighter jet pilot, flying over Piedmont at high altitude, notices his "rubber" mouthpiece disintegrating. He then loses consciousness and crashes. The military inspects the wreck and finds that the pilot's flesh has dissolved, leaving only bones. While discussing the pilot's claims that all the "rubber" was dissolving, they are told that there is no actual rubber aboard a Phantom F-4, instead the material is "Polycron," a synthetic substance with properties similar to human skin. Unknown to the others, Leavitt's research is impaired by attacks of absence epilepsy, which is set off by the flashing red "No Growth" indicator on the Petri dish analyzer. This causes her to report, erroneously, that Andromeda grows on every growth medium.
During chemical study of the agent, the team finds out that the meteorite is in fact made of plastic and that the green mass is a lifeform of similar chemical composition to Earth life. However, it lacks amino acids, enzymes, or proteins. They then discover that Piedmont has in fact not yet been bombed due to the caution of the President, and that a fighter flying over Piedmont crashed. They again insist the bomb be dropped. Further study of Andromeda, however, reveals that it has a crystalline structure which allows it to convert energy to mass and vice versa, consuming any available resource without waste. They deduce that a nuclear explosion would provide Andromeda with enough energy to produce a supercolony in a single day. Reversing their opinion, they now insist the Piedmont bombing be stopped.
During analysis, the team comes across a germ warfare simulation, indicating that Scoop and Wildfire were designed to actively search for harmful biological agents for use in bio-warfare. Meanwhile, Andromeda mutates into a form that degrades synthetic rubber and plastics and thus escapes from the containment room adjacent to where Dutton is working, trapping him in an atmosphere laced with the agent. Hall rescues Leavitt from a photosensitive epilepsy seizure triggered by Wildfire's alarm system.
Hall continues his work on the survivors and finds out that Andromeda propagates only within a narrow pH range and that the baby's rapid breathing kept its blood alkaline and therefore inhospitable for the organism. Jackson's blood, suffering from acidosis, was just the opposite: its low pH also made it inhospitable for the organism. He advises Dutton to breathe rapidly as well, but then observes a rat in good health alongside Dutton, meaning that the organism has mutated and become benign to terrestrial life.
Almost immediately, after Stone notes that problems with gasket deterioration at the lunar lab induced them to use Polycron for the gaskets in Wildfire, Andromeda starts decaying all of the lab's seals, activating the nuclear self-destruct countdown, and trapping the team on the fifth (lowest) level. Hall races against the clock to reach a substation with his key. With the doors sealed, he climbs ladders in a maintenance access core and endures an attack by automated lasers intended to stop escaped lab animals, until at last he finds a working third level substation, disables the bomb, and passes out.
The military then begins seeding the clouds over the desert with silver iodide, stimulating precipitation which washes the organism into the ocean, where they believe it will be destroyed by the alkalinity of salt water. A federal board concludes that the crisis is over, but Stone somberly asks what may happen if such a situation were to recur.
The film ends with a close up of the virus as it mutates again, causing the computer to overload, showing that Andromeda remains unpredictable. | What is the meteorite made of? | plastic | 3,522 | 3,529 |
The Andromeda Strain | Main Control Lab at the Wildfire complex
Two crewmembers of the U.S. government's "Project Scoop" investigate the town of Piedmont, New Mexico, to retrieve the Scoop 7 satellite. They find townspeople dead in the streets while reporting back to Scoop Mission Control. Suspecting the satellite may have brought back an extraterrestrial pathogen, Scoop Mission Control activates an elite scientific team it had previously recruited for just this type of emergency.
Nobel laureate Dr. Jeremy Stone (Arthur Hill), the team leader, and Dr. Mark Hall (James Olson), the team surgeon, are dropped in Piedmont by helicopter, where they search the town for Scoop 7 in hazmat suits. They find the town's doctor, who died after opening the satellite out of curiosity. Hall cuts open the doctor's corpse and finds that all of his blood has clotted and turned to powder. Stone and Hall retrieve Scoop 7 and find two survivors â a 62-year-old man and an infant (who "can't be more than 6 months old").
The entire team of four core research scientists, including Dr. Charles Dutton (David Wayne) and Dr. Ruth Leavitt (Kate Reid), are summoned from their academic and research appointments to arrive at a top secret, high-tech underground laboratory in Nevada, named Wildfire, where they undergo a full day of decontamination procedures, descending through five rigorous disinfection levels of the lab. Before decontamination, Hall is informed that the facility's nuclear device has been armed and will go off automatically within five minutes should there be a containment breach. He is entrusted with a key to disarm the bomb from designated substations within that window. The team enter the facility under the impression that Piedmont has already been sterilized by a nuclear bomb.
The team begins to experiment on the agent inside Scoop 7 and discovers that it is transmitted by air, kills lab animals instantly, and is too large to be a virus. After searching the satellite with a high-powered microscope, they discover the agent responsible for the deaths: a greenish, throbbing mass stowed away on a micrometeorite. It receives the code name "Andromeda".
While most of the team studies the agent in an attempt to figure out how it works, Hall tries to find a cure by figuring out why the old man and the baby survived. Both Hall and his nurse assistant work in encapsulating suits while in the contaminated "hot room". By analyzing their patients' blood and conferring with Peter Jackson (the old man, played by George Mitchell), they discover that he has abnormally acidic blood from drinking "Squeeze" (Sterno) to relieve his stomach ulcer. No anomalies are found in the baby.
Meanwhile, a fighter jet pilot, flying over Piedmont at high altitude, notices his "rubber" mouthpiece disintegrating. He then loses consciousness and crashes. The military inspects the wreck and finds that the pilot's flesh has dissolved, leaving only bones. While discussing the pilot's claims that all the "rubber" was dissolving, they are told that there is no actual rubber aboard a Phantom F-4, instead the material is "Polycron," a synthetic substance with properties similar to human skin. Unknown to the others, Leavitt's research is impaired by attacks of absence epilepsy, which is set off by the flashing red "No Growth" indicator on the Petri dish analyzer. This causes her to report, erroneously, that Andromeda grows on every growth medium.
During chemical study of the agent, the team finds out that the meteorite is in fact made of plastic and that the green mass is a lifeform of similar chemical composition to Earth life. However, it lacks amino acids, enzymes, or proteins. They then discover that Piedmont has in fact not yet been bombed due to the caution of the President, and that a fighter flying over Piedmont crashed. They again insist the bomb be dropped. Further study of Andromeda, however, reveals that it has a crystalline structure which allows it to convert energy to mass and vice versa, consuming any available resource without waste. They deduce that a nuclear explosion would provide Andromeda with enough energy to produce a supercolony in a single day. Reversing their opinion, they now insist the Piedmont bombing be stopped.
During analysis, the team comes across a germ warfare simulation, indicating that Scoop and Wildfire were designed to actively search for harmful biological agents for use in bio-warfare. Meanwhile, Andromeda mutates into a form that degrades synthetic rubber and plastics and thus escapes from the containment room adjacent to where Dutton is working, trapping him in an atmosphere laced with the agent. Hall rescues Leavitt from a photosensitive epilepsy seizure triggered by Wildfire's alarm system.
Hall continues his work on the survivors and finds out that Andromeda propagates only within a narrow pH range and that the baby's rapid breathing kept its blood alkaline and therefore inhospitable for the organism. Jackson's blood, suffering from acidosis, was just the opposite: its low pH also made it inhospitable for the organism. He advises Dutton to breathe rapidly as well, but then observes a rat in good health alongside Dutton, meaning that the organism has mutated and become benign to terrestrial life.
Almost immediately, after Stone notes that problems with gasket deterioration at the lunar lab induced them to use Polycron for the gaskets in Wildfire, Andromeda starts decaying all of the lab's seals, activating the nuclear self-destruct countdown, and trapping the team on the fifth (lowest) level. Hall races against the clock to reach a substation with his key. With the doors sealed, he climbs ladders in a maintenance access core and endures an attack by automated lasers intended to stop escaped lab animals, until at last he finds a working third level substation, disables the bomb, and passes out.
The military then begins seeding the clouds over the desert with silver iodide, stimulating precipitation which washes the organism into the ocean, where they believe it will be destroyed by the alkalinity of salt water. A federal board concludes that the crisis is over, but Stone somberly asks what may happen if such a situation were to recur.
The film ends with a close up of the virus as it mutates again, causing the computer to overload, showing that Andromeda remains unpredictable. | What does Hall race against? | the clock | 5,581 | 5,590 |
The Andromeda Strain | Main Control Lab at the Wildfire complex
Two crewmembers of the U.S. government's "Project Scoop" investigate the town of Piedmont, New Mexico, to retrieve the Scoop 7 satellite. They find townspeople dead in the streets while reporting back to Scoop Mission Control. Suspecting the satellite may have brought back an extraterrestrial pathogen, Scoop Mission Control activates an elite scientific team it had previously recruited for just this type of emergency.
Nobel laureate Dr. Jeremy Stone (Arthur Hill), the team leader, and Dr. Mark Hall (James Olson), the team surgeon, are dropped in Piedmont by helicopter, where they search the town for Scoop 7 in hazmat suits. They find the town's doctor, who died after opening the satellite out of curiosity. Hall cuts open the doctor's corpse and finds that all of his blood has clotted and turned to powder. Stone and Hall retrieve Scoop 7 and find two survivors â a 62-year-old man and an infant (who "can't be more than 6 months old").
The entire team of four core research scientists, including Dr. Charles Dutton (David Wayne) and Dr. Ruth Leavitt (Kate Reid), are summoned from their academic and research appointments to arrive at a top secret, high-tech underground laboratory in Nevada, named Wildfire, where they undergo a full day of decontamination procedures, descending through five rigorous disinfection levels of the lab. Before decontamination, Hall is informed that the facility's nuclear device has been armed and will go off automatically within five minutes should there be a containment breach. He is entrusted with a key to disarm the bomb from designated substations within that window. The team enter the facility under the impression that Piedmont has already been sterilized by a nuclear bomb.
The team begins to experiment on the agent inside Scoop 7 and discovers that it is transmitted by air, kills lab animals instantly, and is too large to be a virus. After searching the satellite with a high-powered microscope, they discover the agent responsible for the deaths: a greenish, throbbing mass stowed away on a micrometeorite. It receives the code name "Andromeda".
While most of the team studies the agent in an attempt to figure out how it works, Hall tries to find a cure by figuring out why the old man and the baby survived. Both Hall and his nurse assistant work in encapsulating suits while in the contaminated "hot room". By analyzing their patients' blood and conferring with Peter Jackson (the old man, played by George Mitchell), they discover that he has abnormally acidic blood from drinking "Squeeze" (Sterno) to relieve his stomach ulcer. No anomalies are found in the baby.
Meanwhile, a fighter jet pilot, flying over Piedmont at high altitude, notices his "rubber" mouthpiece disintegrating. He then loses consciousness and crashes. The military inspects the wreck and finds that the pilot's flesh has dissolved, leaving only bones. While discussing the pilot's claims that all the "rubber" was dissolving, they are told that there is no actual rubber aboard a Phantom F-4, instead the material is "Polycron," a synthetic substance with properties similar to human skin. Unknown to the others, Leavitt's research is impaired by attacks of absence epilepsy, which is set off by the flashing red "No Growth" indicator on the Petri dish analyzer. This causes her to report, erroneously, that Andromeda grows on every growth medium.
During chemical study of the agent, the team finds out that the meteorite is in fact made of plastic and that the green mass is a lifeform of similar chemical composition to Earth life. However, it lacks amino acids, enzymes, or proteins. They then discover that Piedmont has in fact not yet been bombed due to the caution of the President, and that a fighter flying over Piedmont crashed. They again insist the bomb be dropped. Further study of Andromeda, however, reveals that it has a crystalline structure which allows it to convert energy to mass and vice versa, consuming any available resource without waste. They deduce that a nuclear explosion would provide Andromeda with enough energy to produce a supercolony in a single day. Reversing their opinion, they now insist the Piedmont bombing be stopped.
During analysis, the team comes across a germ warfare simulation, indicating that Scoop and Wildfire were designed to actively search for harmful biological agents for use in bio-warfare. Meanwhile, Andromeda mutates into a form that degrades synthetic rubber and plastics and thus escapes from the containment room adjacent to where Dutton is working, trapping him in an atmosphere laced with the agent. Hall rescues Leavitt from a photosensitive epilepsy seizure triggered by Wildfire's alarm system.
Hall continues his work on the survivors and finds out that Andromeda propagates only within a narrow pH range and that the baby's rapid breathing kept its blood alkaline and therefore inhospitable for the organism. Jackson's blood, suffering from acidosis, was just the opposite: its low pH also made it inhospitable for the organism. He advises Dutton to breathe rapidly as well, but then observes a rat in good health alongside Dutton, meaning that the organism has mutated and become benign to terrestrial life.
Almost immediately, after Stone notes that problems with gasket deterioration at the lunar lab induced them to use Polycron for the gaskets in Wildfire, Andromeda starts decaying all of the lab's seals, activating the nuclear self-destruct countdown, and trapping the team on the fifth (lowest) level. Hall races against the clock to reach a substation with his key. With the doors sealed, he climbs ladders in a maintenance access core and endures an attack by automated lasers intended to stop escaped lab animals, until at last he finds a working third level substation, disables the bomb, and passes out.
The military then begins seeding the clouds over the desert with silver iodide, stimulating precipitation which washes the organism into the ocean, where they believe it will be destroyed by the alkalinity of salt water. A federal board concludes that the crisis is over, but Stone somberly asks what may happen if such a situation were to recur.
The film ends with a close up of the virus as it mutates again, causing the computer to overload, showing that Andromeda remains unpredictable. | What is Andromeda? | greenish, throbbing mass | 2,052 | 2,076 |
The Andromeda Strain | Main Control Lab at the Wildfire complex
Two crewmembers of the U.S. government's "Project Scoop" investigate the town of Piedmont, New Mexico, to retrieve the Scoop 7 satellite. They find townspeople dead in the streets while reporting back to Scoop Mission Control. Suspecting the satellite may have brought back an extraterrestrial pathogen, Scoop Mission Control activates an elite scientific team it had previously recruited for just this type of emergency.
Nobel laureate Dr. Jeremy Stone (Arthur Hill), the team leader, and Dr. Mark Hall (James Olson), the team surgeon, are dropped in Piedmont by helicopter, where they search the town for Scoop 7 in hazmat suits. They find the town's doctor, who died after opening the satellite out of curiosity. Hall cuts open the doctor's corpse and finds that all of his blood has clotted and turned to powder. Stone and Hall retrieve Scoop 7 and find two survivors â a 62-year-old man and an infant (who "can't be more than 6 months old").
The entire team of four core research scientists, including Dr. Charles Dutton (David Wayne) and Dr. Ruth Leavitt (Kate Reid), are summoned from their academic and research appointments to arrive at a top secret, high-tech underground laboratory in Nevada, named Wildfire, where they undergo a full day of decontamination procedures, descending through five rigorous disinfection levels of the lab. Before decontamination, Hall is informed that the facility's nuclear device has been armed and will go off automatically within five minutes should there be a containment breach. He is entrusted with a key to disarm the bomb from designated substations within that window. The team enter the facility under the impression that Piedmont has already been sterilized by a nuclear bomb.
The team begins to experiment on the agent inside Scoop 7 and discovers that it is transmitted by air, kills lab animals instantly, and is too large to be a virus. After searching the satellite with a high-powered microscope, they discover the agent responsible for the deaths: a greenish, throbbing mass stowed away on a micrometeorite. It receives the code name "Andromeda".
While most of the team studies the agent in an attempt to figure out how it works, Hall tries to find a cure by figuring out why the old man and the baby survived. Both Hall and his nurse assistant work in encapsulating suits while in the contaminated "hot room". By analyzing their patients' blood and conferring with Peter Jackson (the old man, played by George Mitchell), they discover that he has abnormally acidic blood from drinking "Squeeze" (Sterno) to relieve his stomach ulcer. No anomalies are found in the baby.
Meanwhile, a fighter jet pilot, flying over Piedmont at high altitude, notices his "rubber" mouthpiece disintegrating. He then loses consciousness and crashes. The military inspects the wreck and finds that the pilot's flesh has dissolved, leaving only bones. While discussing the pilot's claims that all the "rubber" was dissolving, they are told that there is no actual rubber aboard a Phantom F-4, instead the material is "Polycron," a synthetic substance with properties similar to human skin. Unknown to the others, Leavitt's research is impaired by attacks of absence epilepsy, which is set off by the flashing red "No Growth" indicator on the Petri dish analyzer. This causes her to report, erroneously, that Andromeda grows on every growth medium.
During chemical study of the agent, the team finds out that the meteorite is in fact made of plastic and that the green mass is a lifeform of similar chemical composition to Earth life. However, it lacks amino acids, enzymes, or proteins. They then discover that Piedmont has in fact not yet been bombed due to the caution of the President, and that a fighter flying over Piedmont crashed. They again insist the bomb be dropped. Further study of Andromeda, however, reveals that it has a crystalline structure which allows it to convert energy to mass and vice versa, consuming any available resource without waste. They deduce that a nuclear explosion would provide Andromeda with enough energy to produce a supercolony in a single day. Reversing their opinion, they now insist the Piedmont bombing be stopped.
During analysis, the team comes across a germ warfare simulation, indicating that Scoop and Wildfire were designed to actively search for harmful biological agents for use in bio-warfare. Meanwhile, Andromeda mutates into a form that degrades synthetic rubber and plastics and thus escapes from the containment room adjacent to where Dutton is working, trapping him in an atmosphere laced with the agent. Hall rescues Leavitt from a photosensitive epilepsy seizure triggered by Wildfire's alarm system.
Hall continues his work on the survivors and finds out that Andromeda propagates only within a narrow pH range and that the baby's rapid breathing kept its blood alkaline and therefore inhospitable for the organism. Jackson's blood, suffering from acidosis, was just the opposite: its low pH also made it inhospitable for the organism. He advises Dutton to breathe rapidly as well, but then observes a rat in good health alongside Dutton, meaning that the organism has mutated and become benign to terrestrial life.
Almost immediately, after Stone notes that problems with gasket deterioration at the lunar lab induced them to use Polycron for the gaskets in Wildfire, Andromeda starts decaying all of the lab's seals, activating the nuclear self-destruct countdown, and trapping the team on the fifth (lowest) level. Hall races against the clock to reach a substation with his key. With the doors sealed, he climbs ladders in a maintenance access core and endures an attack by automated lasers intended to stop escaped lab animals, until at last he finds a working third level substation, disables the bomb, and passes out.
The military then begins seeding the clouds over the desert with silver iodide, stimulating precipitation which washes the organism into the ocean, where they believe it will be destroyed by the alkalinity of salt water. A federal board concludes that the crisis is over, but Stone somberly asks what may happen if such a situation were to recur.
The film ends with a close up of the virus as it mutates again, causing the computer to overload, showing that Andromeda remains unpredictable. | What did they discover has not yet been bombed? | Piedmont | 122 | 130 |
Ben 10: Race Against Time | Taking place after the series, the story opens in Bellwood as a mysterious figure appears immediately starts destroying things. Ben Tennyson (Graham Phillips), in the form of Heatblast (voiced by David Franklin), confronts him. After a short battle, Ben seemingly obliterates the villain.The next day, Ben goes back to school, and has trouble adjusting to normal life again. After a bad day he gets bullied by Cash (Tyler Patrick Jones), JT (Tyler Foden) and two girls he tried to flirt with earlier in the movie resulting in Greymatter (voiced by Carlos Alazraqui) causing complete chaos at a diner where Ms. Dalton (Aloma Wright) works. Later he and Gwen Tennyson (Haley Ramm) go over some yearbook photos she took. In the background of one with Ben, Gwen enhances a blurred spot and reveals the same villain Ben defeated earlier. Max Tennyson (Lee Majors) identifies him as Eon (Christien Anholt), an alien the Plumbers captured almost two centuries ago. When he arrived, he was half dead and brought a device with him called the Hands of Armageddon, which would open a time rift to the alien's home dimension and unleash his race upon Earth if activated. They travel to the containment facility where Eon is supposed to be kept, only to find it empty and his guardian aged to near-death.Traveling back to Bellwood, Max takes Ben and Gwen to the location of the Hands of Armageddon, guarded by the few remaining Plumbers ranging from Ms. Dalton, Mr. Hawkins the postman (Jeff Jensen), Fire Chief Whittington (Michael Runyard), and Principal White (Robert Picardo). Eon has followed them and breaks into the facility, but cannot activate the device. When Ben attempts to use the Omnitrix, it malfunctions, glowing purple and refusing to activate. Eon attempts to kidnap Ben, claiming it to be a rescue, but Ben escapes. Eon manages to corner Ben, explaining that his race learned to control time itself, but trapped themselves by misusing their power. He claims that his fate is intertwined with Ben's. Eon is scared off by an old man (Sab Shimono) who happens to be another Plumber before he can elaborate. Grandpa Max decides it would be best for Ben to leave Bellwood so that Eon won't find him, but Ben bravely refuses and they both come to a deal where Ben will be monitored daily by a Plumber in disguise.The Plumbers, all around town, guard Ben around the clock. When Ben goes to the school gym to be alone, Principal White attempts to calm Ben's fears just when Eon arrives again and shoves White out of the way. This time, Ben is able to become Diamondhead (voiced by Daran Norris) and fight him off. Later on that day, Ben decides to lure Eon into a trap by purposefully leaving himself open, but this backfires and he is captured along with Gwen and Max.At the Plumber facility storing the Hands of Armageddon, Eon explains some of the background of the Omnitrix: Ben can only remain in his alien forms for ten minutes at a time, a failsafe to prevent them from overwhelming his personality. Eon knows how to deactivate the failsafe, and in doing so can resurrect himself through the Omnitrix. He does so, and Ben is transformed into a younger version of Eon. The older one retreats since there are now two of him. Reborn, Eon activates the Hands of Armageddon. Gwen and Max manage to free themselves and work to stop him. While Max tries to disable the time rift, potentially at the cost of his own life, Gwen appeals to Ben inside Eon. Ben successfully overcomes Eon, and with the help of the other Plumbers manages to save Max and disable the time rift, sending Eon's race back to their own dimension.Just when it seems like they've won, time stops for everyone but Ben. The older Eon reappears, angered at Ben's victory. Ben transforms into Wildmutt (voiced by Dee Bradley Baker) and fights him off, eventually knocking him into the Hands of Armageddon, destroying both the Hands and Eon. After doing an impromptu magic trick for the school talent show, using Wildmutt's timely de-transformation and a well placed stage curtain, Ben finally accepts being just Ben for a while. However, Max points out that aliens are persistent, and as the film ends, an alien ship, resembling Vilgax's, flies towards Earth. | Who activates the Hands of Armageddon? | Eon | 877 | 880 |
Ben 10: Race Against Time | Taking place after the series, the story opens in Bellwood as a mysterious figure appears immediately starts destroying things. Ben Tennyson (Graham Phillips), in the form of Heatblast (voiced by David Franklin), confronts him. After a short battle, Ben seemingly obliterates the villain.The next day, Ben goes back to school, and has trouble adjusting to normal life again. After a bad day he gets bullied by Cash (Tyler Patrick Jones), JT (Tyler Foden) and two girls he tried to flirt with earlier in the movie resulting in Greymatter (voiced by Carlos Alazraqui) causing complete chaos at a diner where Ms. Dalton (Aloma Wright) works. Later he and Gwen Tennyson (Haley Ramm) go over some yearbook photos she took. In the background of one with Ben, Gwen enhances a blurred spot and reveals the same villain Ben defeated earlier. Max Tennyson (Lee Majors) identifies him as Eon (Christien Anholt), an alien the Plumbers captured almost two centuries ago. When he arrived, he was half dead and brought a device with him called the Hands of Armageddon, which would open a time rift to the alien's home dimension and unleash his race upon Earth if activated. They travel to the containment facility where Eon is supposed to be kept, only to find it empty and his guardian aged to near-death.Traveling back to Bellwood, Max takes Ben and Gwen to the location of the Hands of Armageddon, guarded by the few remaining Plumbers ranging from Ms. Dalton, Mr. Hawkins the postman (Jeff Jensen), Fire Chief Whittington (Michael Runyard), and Principal White (Robert Picardo). Eon has followed them and breaks into the facility, but cannot activate the device. When Ben attempts to use the Omnitrix, it malfunctions, glowing purple and refusing to activate. Eon attempts to kidnap Ben, claiming it to be a rescue, but Ben escapes. Eon manages to corner Ben, explaining that his race learned to control time itself, but trapped themselves by misusing their power. He claims that his fate is intertwined with Ben's. Eon is scared off by an old man (Sab Shimono) who happens to be another Plumber before he can elaborate. Grandpa Max decides it would be best for Ben to leave Bellwood so that Eon won't find him, but Ben bravely refuses and they both come to a deal where Ben will be monitored daily by a Plumber in disguise.The Plumbers, all around town, guard Ben around the clock. When Ben goes to the school gym to be alone, Principal White attempts to calm Ben's fears just when Eon arrives again and shoves White out of the way. This time, Ben is able to become Diamondhead (voiced by Daran Norris) and fight him off. Later on that day, Ben decides to lure Eon into a trap by purposefully leaving himself open, but this backfires and he is captured along with Gwen and Max.At the Plumber facility storing the Hands of Armageddon, Eon explains some of the background of the Omnitrix: Ben can only remain in his alien forms for ten minutes at a time, a failsafe to prevent them from overwhelming his personality. Eon knows how to deactivate the failsafe, and in doing so can resurrect himself through the Omnitrix. He does so, and Ben is transformed into a younger version of Eon. The older one retreats since there are now two of him. Reborn, Eon activates the Hands of Armageddon. Gwen and Max manage to free themselves and work to stop him. While Max tries to disable the time rift, potentially at the cost of his own life, Gwen appeals to Ben inside Eon. Ben successfully overcomes Eon, and with the help of the other Plumbers manages to save Max and disable the time rift, sending Eon's race back to their own dimension.Just when it seems like they've won, time stops for everyone but Ben. The older Eon reappears, angered at Ben's victory. Ben transforms into Wildmutt (voiced by Dee Bradley Baker) and fights him off, eventually knocking him into the Hands of Armageddon, destroying both the Hands and Eon. After doing an impromptu magic trick for the school talent show, using Wildmutt's timely de-transformation and a well placed stage curtain, Ben finally accepts being just Ben for a while. However, Max points out that aliens are persistent, and as the film ends, an alien ship, resembling Vilgax's, flies towards Earth. | Who successfully overcomes Eon? | Ben | 128 | 131 |
Ben 10: Race Against Time | Taking place after the series, the story opens in Bellwood as a mysterious figure appears immediately starts destroying things. Ben Tennyson (Graham Phillips), in the form of Heatblast (voiced by David Franklin), confronts him. After a short battle, Ben seemingly obliterates the villain.The next day, Ben goes back to school, and has trouble adjusting to normal life again. After a bad day he gets bullied by Cash (Tyler Patrick Jones), JT (Tyler Foden) and two girls he tried to flirt with earlier in the movie resulting in Greymatter (voiced by Carlos Alazraqui) causing complete chaos at a diner where Ms. Dalton (Aloma Wright) works. Later he and Gwen Tennyson (Haley Ramm) go over some yearbook photos she took. In the background of one with Ben, Gwen enhances a blurred spot and reveals the same villain Ben defeated earlier. Max Tennyson (Lee Majors) identifies him as Eon (Christien Anholt), an alien the Plumbers captured almost two centuries ago. When he arrived, he was half dead and brought a device with him called the Hands of Armageddon, which would open a time rift to the alien's home dimension and unleash his race upon Earth if activated. They travel to the containment facility where Eon is supposed to be kept, only to find it empty and his guardian aged to near-death.Traveling back to Bellwood, Max takes Ben and Gwen to the location of the Hands of Armageddon, guarded by the few remaining Plumbers ranging from Ms. Dalton, Mr. Hawkins the postman (Jeff Jensen), Fire Chief Whittington (Michael Runyard), and Principal White (Robert Picardo). Eon has followed them and breaks into the facility, but cannot activate the device. When Ben attempts to use the Omnitrix, it malfunctions, glowing purple and refusing to activate. Eon attempts to kidnap Ben, claiming it to be a rescue, but Ben escapes. Eon manages to corner Ben, explaining that his race learned to control time itself, but trapped themselves by misusing their power. He claims that his fate is intertwined with Ben's. Eon is scared off by an old man (Sab Shimono) who happens to be another Plumber before he can elaborate. Grandpa Max decides it would be best for Ben to leave Bellwood so that Eon won't find him, but Ben bravely refuses and they both come to a deal where Ben will be monitored daily by a Plumber in disguise.The Plumbers, all around town, guard Ben around the clock. When Ben goes to the school gym to be alone, Principal White attempts to calm Ben's fears just when Eon arrives again and shoves White out of the way. This time, Ben is able to become Diamondhead (voiced by Daran Norris) and fight him off. Later on that day, Ben decides to lure Eon into a trap by purposefully leaving himself open, but this backfires and he is captured along with Gwen and Max.At the Plumber facility storing the Hands of Armageddon, Eon explains some of the background of the Omnitrix: Ben can only remain in his alien forms for ten minutes at a time, a failsafe to prevent them from overwhelming his personality. Eon knows how to deactivate the failsafe, and in doing so can resurrect himself through the Omnitrix. He does so, and Ben is transformed into a younger version of Eon. The older one retreats since there are now two of him. Reborn, Eon activates the Hands of Armageddon. Gwen and Max manage to free themselves and work to stop him. While Max tries to disable the time rift, potentially at the cost of his own life, Gwen appeals to Ben inside Eon. Ben successfully overcomes Eon, and with the help of the other Plumbers manages to save Max and disable the time rift, sending Eon's race back to their own dimension.Just when it seems like they've won, time stops for everyone but Ben. The older Eon reappears, angered at Ben's victory. Ben transforms into Wildmutt (voiced by Dee Bradley Baker) and fights him off, eventually knocking him into the Hands of Armageddon, destroying both the Hands and Eon. After doing an impromptu magic trick for the school talent show, using Wildmutt's timely de-transformation and a well placed stage curtain, Ben finally accepts being just Ben for a while. However, Max points out that aliens are persistent, and as the film ends, an alien ship, resembling Vilgax's, flies towards Earth. | Who tells Ben that his race misused their time powers? | Eon | 877 | 880 |
Ben 10: Race Against Time | Taking place after the series, the story opens in Bellwood as a mysterious figure appears immediately starts destroying things. Ben Tennyson (Graham Phillips), in the form of Heatblast (voiced by David Franklin), confronts him. After a short battle, Ben seemingly obliterates the villain.The next day, Ben goes back to school, and has trouble adjusting to normal life again. After a bad day he gets bullied by Cash (Tyler Patrick Jones), JT (Tyler Foden) and two girls he tried to flirt with earlier in the movie resulting in Greymatter (voiced by Carlos Alazraqui) causing complete chaos at a diner where Ms. Dalton (Aloma Wright) works. Later he and Gwen Tennyson (Haley Ramm) go over some yearbook photos she took. In the background of one with Ben, Gwen enhances a blurred spot and reveals the same villain Ben defeated earlier. Max Tennyson (Lee Majors) identifies him as Eon (Christien Anholt), an alien the Plumbers captured almost two centuries ago. When he arrived, he was half dead and brought a device with him called the Hands of Armageddon, which would open a time rift to the alien's home dimension and unleash his race upon Earth if activated. They travel to the containment facility where Eon is supposed to be kept, only to find it empty and his guardian aged to near-death.Traveling back to Bellwood, Max takes Ben and Gwen to the location of the Hands of Armageddon, guarded by the few remaining Plumbers ranging from Ms. Dalton, Mr. Hawkins the postman (Jeff Jensen), Fire Chief Whittington (Michael Runyard), and Principal White (Robert Picardo). Eon has followed them and breaks into the facility, but cannot activate the device. When Ben attempts to use the Omnitrix, it malfunctions, glowing purple and refusing to activate. Eon attempts to kidnap Ben, claiming it to be a rescue, but Ben escapes. Eon manages to corner Ben, explaining that his race learned to control time itself, but trapped themselves by misusing their power. He claims that his fate is intertwined with Ben's. Eon is scared off by an old man (Sab Shimono) who happens to be another Plumber before he can elaborate. Grandpa Max decides it would be best for Ben to leave Bellwood so that Eon won't find him, but Ben bravely refuses and they both come to a deal where Ben will be monitored daily by a Plumber in disguise.The Plumbers, all around town, guard Ben around the clock. When Ben goes to the school gym to be alone, Principal White attempts to calm Ben's fears just when Eon arrives again and shoves White out of the way. This time, Ben is able to become Diamondhead (voiced by Daran Norris) and fight him off. Later on that day, Ben decides to lure Eon into a trap by purposefully leaving himself open, but this backfires and he is captured along with Gwen and Max.At the Plumber facility storing the Hands of Armageddon, Eon explains some of the background of the Omnitrix: Ben can only remain in his alien forms for ten minutes at a time, a failsafe to prevent them from overwhelming his personality. Eon knows how to deactivate the failsafe, and in doing so can resurrect himself through the Omnitrix. He does so, and Ben is transformed into a younger version of Eon. The older one retreats since there are now two of him. Reborn, Eon activates the Hands of Armageddon. Gwen and Max manage to free themselves and work to stop him. While Max tries to disable the time rift, potentially at the cost of his own life, Gwen appeals to Ben inside Eon. Ben successfully overcomes Eon, and with the help of the other Plumbers manages to save Max and disable the time rift, sending Eon's race back to their own dimension.Just when it seems like they've won, time stops for everyone but Ben. The older Eon reappears, angered at Ben's victory. Ben transforms into Wildmutt (voiced by Dee Bradley Baker) and fights him off, eventually knocking him into the Hands of Armageddon, destroying both the Hands and Eon. After doing an impromptu magic trick for the school talent show, using Wildmutt's timely de-transformation and a well placed stage curtain, Ben finally accepts being just Ben for a while. However, Max points out that aliens are persistent, and as the film ends, an alien ship, resembling Vilgax's, flies towards Earth. | Who has trouble adjusting to normal life again? | Ben | 128 | 131 |
Ben 10: Race Against Time | Taking place after the series, the story opens in Bellwood as a mysterious figure appears immediately starts destroying things. Ben Tennyson (Graham Phillips), in the form of Heatblast (voiced by David Franklin), confronts him. After a short battle, Ben seemingly obliterates the villain.The next day, Ben goes back to school, and has trouble adjusting to normal life again. After a bad day he gets bullied by Cash (Tyler Patrick Jones), JT (Tyler Foden) and two girls he tried to flirt with earlier in the movie resulting in Greymatter (voiced by Carlos Alazraqui) causing complete chaos at a diner where Ms. Dalton (Aloma Wright) works. Later he and Gwen Tennyson (Haley Ramm) go over some yearbook photos she took. In the background of one with Ben, Gwen enhances a blurred spot and reveals the same villain Ben defeated earlier. Max Tennyson (Lee Majors) identifies him as Eon (Christien Anholt), an alien the Plumbers captured almost two centuries ago. When he arrived, he was half dead and brought a device with him called the Hands of Armageddon, which would open a time rift to the alien's home dimension and unleash his race upon Earth if activated. They travel to the containment facility where Eon is supposed to be kept, only to find it empty and his guardian aged to near-death.Traveling back to Bellwood, Max takes Ben and Gwen to the location of the Hands of Armageddon, guarded by the few remaining Plumbers ranging from Ms. Dalton, Mr. Hawkins the postman (Jeff Jensen), Fire Chief Whittington (Michael Runyard), and Principal White (Robert Picardo). Eon has followed them and breaks into the facility, but cannot activate the device. When Ben attempts to use the Omnitrix, it malfunctions, glowing purple and refusing to activate. Eon attempts to kidnap Ben, claiming it to be a rescue, but Ben escapes. Eon manages to corner Ben, explaining that his race learned to control time itself, but trapped themselves by misusing their power. He claims that his fate is intertwined with Ben's. Eon is scared off by an old man (Sab Shimono) who happens to be another Plumber before he can elaborate. Grandpa Max decides it would be best for Ben to leave Bellwood so that Eon won't find him, but Ben bravely refuses and they both come to a deal where Ben will be monitored daily by a Plumber in disguise.The Plumbers, all around town, guard Ben around the clock. When Ben goes to the school gym to be alone, Principal White attempts to calm Ben's fears just when Eon arrives again and shoves White out of the way. This time, Ben is able to become Diamondhead (voiced by Daran Norris) and fight him off. Later on that day, Ben decides to lure Eon into a trap by purposefully leaving himself open, but this backfires and he is captured along with Gwen and Max.At the Plumber facility storing the Hands of Armageddon, Eon explains some of the background of the Omnitrix: Ben can only remain in his alien forms for ten minutes at a time, a failsafe to prevent them from overwhelming his personality. Eon knows how to deactivate the failsafe, and in doing so can resurrect himself through the Omnitrix. He does so, and Ben is transformed into a younger version of Eon. The older one retreats since there are now two of him. Reborn, Eon activates the Hands of Armageddon. Gwen and Max manage to free themselves and work to stop him. While Max tries to disable the time rift, potentially at the cost of his own life, Gwen appeals to Ben inside Eon. Ben successfully overcomes Eon, and with the help of the other Plumbers manages to save Max and disable the time rift, sending Eon's race back to their own dimension.Just when it seems like they've won, time stops for everyone but Ben. The older Eon reappears, angered at Ben's victory. Ben transforms into Wildmutt (voiced by Dee Bradley Baker) and fights him off, eventually knocking him into the Hands of Armageddon, destroying both the Hands and Eon. After doing an impromptu magic trick for the school talent show, using Wildmutt's timely de-transformation and a well placed stage curtain, Ben finally accepts being just Ben for a while. However, Max points out that aliens are persistent, and as the film ends, an alien ship, resembling Vilgax's, flies towards Earth. | Where does Ben go at school to be alone? | Gym | 2,400 | 2,403 |
Ben 10: Race Against Time | Taking place after the series, the story opens in Bellwood as a mysterious figure appears immediately starts destroying things. Ben Tennyson (Graham Phillips), in the form of Heatblast (voiced by David Franklin), confronts him. After a short battle, Ben seemingly obliterates the villain.The next day, Ben goes back to school, and has trouble adjusting to normal life again. After a bad day he gets bullied by Cash (Tyler Patrick Jones), JT (Tyler Foden) and two girls he tried to flirt with earlier in the movie resulting in Greymatter (voiced by Carlos Alazraqui) causing complete chaos at a diner where Ms. Dalton (Aloma Wright) works. Later he and Gwen Tennyson (Haley Ramm) go over some yearbook photos she took. In the background of one with Ben, Gwen enhances a blurred spot and reveals the same villain Ben defeated earlier. Max Tennyson (Lee Majors) identifies him as Eon (Christien Anholt), an alien the Plumbers captured almost two centuries ago. When he arrived, he was half dead and brought a device with him called the Hands of Armageddon, which would open a time rift to the alien's home dimension and unleash his race upon Earth if activated. They travel to the containment facility where Eon is supposed to be kept, only to find it empty and his guardian aged to near-death.Traveling back to Bellwood, Max takes Ben and Gwen to the location of the Hands of Armageddon, guarded by the few remaining Plumbers ranging from Ms. Dalton, Mr. Hawkins the postman (Jeff Jensen), Fire Chief Whittington (Michael Runyard), and Principal White (Robert Picardo). Eon has followed them and breaks into the facility, but cannot activate the device. When Ben attempts to use the Omnitrix, it malfunctions, glowing purple and refusing to activate. Eon attempts to kidnap Ben, claiming it to be a rescue, but Ben escapes. Eon manages to corner Ben, explaining that his race learned to control time itself, but trapped themselves by misusing their power. He claims that his fate is intertwined with Ben's. Eon is scared off by an old man (Sab Shimono) who happens to be another Plumber before he can elaborate. Grandpa Max decides it would be best for Ben to leave Bellwood so that Eon won't find him, but Ben bravely refuses and they both come to a deal where Ben will be monitored daily by a Plumber in disguise.The Plumbers, all around town, guard Ben around the clock. When Ben goes to the school gym to be alone, Principal White attempts to calm Ben's fears just when Eon arrives again and shoves White out of the way. This time, Ben is able to become Diamondhead (voiced by Daran Norris) and fight him off. Later on that day, Ben decides to lure Eon into a trap by purposefully leaving himself open, but this backfires and he is captured along with Gwen and Max.At the Plumber facility storing the Hands of Armageddon, Eon explains some of the background of the Omnitrix: Ben can only remain in his alien forms for ten minutes at a time, a failsafe to prevent them from overwhelming his personality. Eon knows how to deactivate the failsafe, and in doing so can resurrect himself through the Omnitrix. He does so, and Ben is transformed into a younger version of Eon. The older one retreats since there are now two of him. Reborn, Eon activates the Hands of Armageddon. Gwen and Max manage to free themselves and work to stop him. While Max tries to disable the time rift, potentially at the cost of his own life, Gwen appeals to Ben inside Eon. Ben successfully overcomes Eon, and with the help of the other Plumbers manages to save Max and disable the time rift, sending Eon's race back to their own dimension.Just when it seems like they've won, time stops for everyone but Ben. The older Eon reappears, angered at Ben's victory. Ben transforms into Wildmutt (voiced by Dee Bradley Baker) and fights him off, eventually knocking him into the Hands of Armageddon, destroying both the Hands and Eon. After doing an impromptu magic trick for the school talent show, using Wildmutt's timely de-transformation and a well placed stage curtain, Ben finally accepts being just Ben for a while. However, Max points out that aliens are persistent, and as the film ends, an alien ship, resembling Vilgax's, flies towards Earth. | Who was Ben looking through yearbook photos with? | Gwen | 652 | 656 |
Ben 10: Race Against Time | Taking place after the series, the story opens in Bellwood as a mysterious figure appears immediately starts destroying things. Ben Tennyson (Graham Phillips), in the form of Heatblast (voiced by David Franklin), confronts him. After a short battle, Ben seemingly obliterates the villain.The next day, Ben goes back to school, and has trouble adjusting to normal life again. After a bad day he gets bullied by Cash (Tyler Patrick Jones), JT (Tyler Foden) and two girls he tried to flirt with earlier in the movie resulting in Greymatter (voiced by Carlos Alazraqui) causing complete chaos at a diner where Ms. Dalton (Aloma Wright) works. Later he and Gwen Tennyson (Haley Ramm) go over some yearbook photos she took. In the background of one with Ben, Gwen enhances a blurred spot and reveals the same villain Ben defeated earlier. Max Tennyson (Lee Majors) identifies him as Eon (Christien Anholt), an alien the Plumbers captured almost two centuries ago. When he arrived, he was half dead and brought a device with him called the Hands of Armageddon, which would open a time rift to the alien's home dimension and unleash his race upon Earth if activated. They travel to the containment facility where Eon is supposed to be kept, only to find it empty and his guardian aged to near-death.Traveling back to Bellwood, Max takes Ben and Gwen to the location of the Hands of Armageddon, guarded by the few remaining Plumbers ranging from Ms. Dalton, Mr. Hawkins the postman (Jeff Jensen), Fire Chief Whittington (Michael Runyard), and Principal White (Robert Picardo). Eon has followed them and breaks into the facility, but cannot activate the device. When Ben attempts to use the Omnitrix, it malfunctions, glowing purple and refusing to activate. Eon attempts to kidnap Ben, claiming it to be a rescue, but Ben escapes. Eon manages to corner Ben, explaining that his race learned to control time itself, but trapped themselves by misusing their power. He claims that his fate is intertwined with Ben's. Eon is scared off by an old man (Sab Shimono) who happens to be another Plumber before he can elaborate. Grandpa Max decides it would be best for Ben to leave Bellwood so that Eon won't find him, but Ben bravely refuses and they both come to a deal where Ben will be monitored daily by a Plumber in disguise.The Plumbers, all around town, guard Ben around the clock. When Ben goes to the school gym to be alone, Principal White attempts to calm Ben's fears just when Eon arrives again and shoves White out of the way. This time, Ben is able to become Diamondhead (voiced by Daran Norris) and fight him off. Later on that day, Ben decides to lure Eon into a trap by purposefully leaving himself open, but this backfires and he is captured along with Gwen and Max.At the Plumber facility storing the Hands of Armageddon, Eon explains some of the background of the Omnitrix: Ben can only remain in his alien forms for ten minutes at a time, a failsafe to prevent them from overwhelming his personality. Eon knows how to deactivate the failsafe, and in doing so can resurrect himself through the Omnitrix. He does so, and Ben is transformed into a younger version of Eon. The older one retreats since there are now two of him. Reborn, Eon activates the Hands of Armageddon. Gwen and Max manage to free themselves and work to stop him. While Max tries to disable the time rift, potentially at the cost of his own life, Gwen appeals to Ben inside Eon. Ben successfully overcomes Eon, and with the help of the other Plumbers manages to save Max and disable the time rift, sending Eon's race back to their own dimension.Just when it seems like they've won, time stops for everyone but Ben. The older Eon reappears, angered at Ben's victory. Ben transforms into Wildmutt (voiced by Dee Bradley Baker) and fights him off, eventually knocking him into the Hands of Armageddon, destroying both the Hands and Eon. After doing an impromptu magic trick for the school talent show, using Wildmutt's timely de-transformation and a well placed stage curtain, Ben finally accepts being just Ben for a while. However, Max points out that aliens are persistent, and as the film ends, an alien ship, resembling Vilgax's, flies towards Earth. | How did Ben know the villain had not been eliminated? | yearbook photo | 692 | 706 |
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