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63,200 | the distance | 1positive
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63,201 | inhabit their world without cleaving to a narrative arc | 1positive
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63,202 | without intent | 1positive
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63,203 | an action/thriller of the finest kind , evoking memories of day of the jackal , the french connection , and heat . | 1positive
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63,204 | forced drama in this wildly uneven movie | 0negative
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63,205 | sharp edges and a deep vein of sadness run through its otherwise comic narrative . | 1positive
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63,206 | we can enjoy as mild escapism | 1positive
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63,207 | irreparable | 0negative
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63,208 | detention | 0negative
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63,209 | is a no-surprise series of explosions and violence while banderas looks like he 's not trying to laugh at how bad | 0negative
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63,210 | even as the hero of the story rediscovers his passion in life , the mood remains oddly detached . | 0negative
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63,211 | the imaginary sport it projects onto the screen -- loud , violent and mindless | 0negative
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63,212 | leaves something to be desired | 0negative
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63,213 | b-movie scum | 0negative
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63,214 | honest | 1positive
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63,215 | most generic | 0negative
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63,216 | that is , more often then not , difficult and sad | 0negative
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63,217 | generous and | 1positive
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63,218 | is so bad it does n't improve upon the experience of staring at a blank screen . | 0negative
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63,219 | 's coherent , well shot , and | 1positive
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63,220 | camera movements | 1positive
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63,221 | absurd plot twists , | 0negative
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63,222 | waters | 0negative
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63,223 | schaefer 's ... determination to inject farcical raunch ... drowns out the promise of the romantic angle . | 0negative
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63,224 | this stuck pig of a movie | 0negative
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63,225 | otherwise comic | 1positive
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63,226 | ( while the last metro ) was more melodramatic , confined to a single theater company and its strategies and deceptions , while tavernier is more concerned with the entire period of history . | 1positive
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63,227 | rejected x-files episode | 0negative
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63,228 | it can be a bit repetitive | 0negative
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63,229 | it suffers from the awkwardness that results from adhering to the messiness of true stories . | 0negative
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63,230 | looks as if it were made by a highly gifted 12-year-old instead of a grown man | 0negative
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63,231 | that you can not believe anyone more central to the creation of bugsy than the caterer | 0negative
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63,232 | as darkly funny , energetic , and surprisingly gentle | 1positive
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63,233 | is to frighten and disturb | 0negative
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63,234 | especially when i have to put up with 146 minutes of it | 0negative
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63,235 | left a few crucial things out , | 0negative
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63,236 | sirk | 1positive
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63,237 | may well be the only one laughing at his own joke | 0negative
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63,238 | littered with celluloid garbage | 0negative
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63,239 | covers huge , heavy topics in a bland , surfacey way that does n't offer any insight into why , for instance , good things happen to bad people . | 0negative
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63,240 | flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters , | 1positive
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63,241 | which may not be cutting-edge indie filmmaking | 0negative
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63,242 | the dialogue sounds like horrible poetry . | 0negative
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63,243 | a delightful little film that revels in its own simplicity , mostly martha will leave you with a smile on your face and a grumble in your stomach . | 1positive
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63,244 | of interest | 1positive
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63,245 | a formula comedy | 0negative
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63,246 | , giggly little story | 1positive
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63,247 | lucas has in fact come closer than anyone could desire to the cheap , graceless , hackneyed sci-fi serials of the '30s and '40s . | 0negative
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63,248 | a children 's film in the truest sense | 1positive
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63,249 | the merits of fighting hard for something that really matters | 1positive
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63,250 | rotting | 0negative
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63,251 | this remake of lina wertmuller 's 1975 eroti-comedy might just be the biggest husband-and-wife disaster since john | 0negative
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63,252 | glizty | 1positive
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63,253 | 's as good as you remember | 1positive
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63,254 | is to see two academy award winning actresses ( and one academy award winning actor ) succumb to appearing in this junk that 's tv sitcom material at best | 0negative
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63,255 | dreary | 0negative
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63,256 | you ca n't wait to see end . | 0negative
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63,257 | the story itself is actually quite vapid . | 0negative
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63,258 | brazen enough to attempt to pass this stinker off as a scary movie | 0negative
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63,259 | an irresistibly uncanny ambience | 1positive
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63,260 | your own mystery science theatre 3000 tribute | 1positive
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63,261 | successful at lodging itself in the brain | 1positive
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63,262 | until you feel fully embraced by this gentle comedy | 1positive
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63,263 | reveals how important our special talents can be when put in service of of others | 1positive
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63,264 | much of the digitally altered footage appears jagged , as if filmed directly from a television monitor , while the extensive use of stock footage quickly becomes a tiresome cliché . | 0negative
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63,265 | like its parade of predecessors , this halloween is a gory slash-fest . | 1positive
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63,266 | bisset is both convincing and radiant | 1positive
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63,267 | an enormously entertaining movie , like nothing we 've ever seen before , and yet completely familiar . | 1positive
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63,268 | everybody else is in the background | 1positive
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63,269 | nothing but boilerplate clichés | 0negative
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63,270 | enter | 1positive
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63,271 | some of the characters die and others do n't , and the film pretends that those living have learned some sort of lesson , and , really , nobody in the viewing audience cares . | 0negative
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63,272 | breathes life | 1positive
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63,273 | stylish psychological thriller | 1positive
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63,274 | starts as a tart little lemon drop of a movie and | 1positive
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63,275 | moved to the edge of their seats | 1positive
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63,276 | is hard to conceive anyone else in their roles | 1positive
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63,277 | high production values | 1positive
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63,278 | particularly nightmarish | 0negative
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63,279 | and utterly pointless | 0negative
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63,280 | quickly losing its focus , point and purpose in a mess of mixed messages , over-blown drama and bruce willis with a scar | 0negative
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63,281 | gifted artists | 1positive
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63,282 | forces them into bizarre , implausible behavior | 0negative
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63,283 | sacrificing the integrity of the opera | 0negative
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63,284 | ultimately very satisfying | 1positive
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63,285 | about this latest reincarnation of the world 's greatest teacher | 1positive
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63,286 | of sharp writing | 1positive
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63,287 | a welcome , if downbeat , missive from a forgotten front | 1positive
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63,288 | mixed messages , over-blown drama and bruce willis | 0negative
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63,289 | is rote spookiness , with nary an original idea ( or role , or edit , or score , or anything , really ) in sight | 0negative
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63,290 | the soullessness | 0negative
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63,291 | blessed with a searing lead performance by ryan gosling ( murder by numbers ) | 1positive
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63,292 | real stars | 1positive
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63,293 | the film becomes an overwhelming pleasure , and you find yourself rooting for gai 's character to avoid the fate that has befallen every other carmen before her . | 1positive
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63,294 | carry the film on his admittedly broad shoulders | 1positive
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63,295 | as obvious as telling a country skunk | 0negative
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63,296 | schaeffer 's film never settles into the light-footed enchantment the material needs , and the characters ' quirks and foibles never jell into charm | 0negative
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63,297 | have been right at home as a nifty plot line in steven soderbergh 's traffic fails to arrive at any satisfying destination | 0negative
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63,298 | gets under the skin of a man we only know as an evil , monstrous lunatic | 0negative
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63,299 | , i suspect , would have a hard time sitting through this one . | 0negative
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