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67.3k
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63,000 |
is put in an impossible spot because his character 's deceptions ultimately undo him and the believability of the entire scenario
| 0negative
|
63,001 |
makes you ache with sadness ( the way chekhov is funny ) , profound without ever being self-important
| 1positive
|
63,002 |
is gone , replaced by the forced funniness found in the dullest kiddie flicks .
| 0negative
|
63,003 |
their contrast is neither dramatic nor comic --
| 0negative
|
63,004 |
a suspenseful horror movie
| 1positive
|
63,005 |
` hip '
| 1positive
|
63,006 |
with passion and energy
| 1positive
|
63,007 |
gay porn film
| 0negative
|
63,008 |
sameness
| 0negative
|
63,009 |
informative ,
| 1positive
|
63,010 |
thrown every suspenseful cliché in the book at this nonsensical story
| 0negative
|
63,011 |
vaguely silly overkill
| 0negative
|
63,012 |
comedy death
| 0negative
|
63,013 |
mattei 's underdeveloped effort here is nothing but a convenient conveyor belt of brooding personalities that parade about as if they were coming back from stock character camp -- a drowsy drama infatuated by its own pretentious self-examination .
| 0negative
|
63,014 |
ultimate scorsese film
| 1positive
|
63,015 |
eroti-comedy
| 0negative
|
63,016 |
a good documentary can make interesting a subject you thought would leave you cold .
| 1positive
|
63,017 |
beyond being a sandra bullock vehicle or a standard romantic comedy
| 1positive
|
63,018 |
harsh reality
| 0negative
|
63,019 |
the movie has a cinematic fluidity and sense of intelligence that makes it work more than it probably should .
| 1positive
|
63,020 |
quieter domestic scenes
| 0negative
|
63,021 |
it 's mired in a shabby script that piles layer upon layer of action man cliché atop wooden dialogue and a shifting tone that falls far short of the peculiarly moral amorality of ( woo 's ) best work .
| 0negative
|
63,022 |
seems to have in mind an ( emotionally at least ) adolescent audience demanding regular shocks and bouts of barely defensible sexual violence to keep it interested .
| 0negative
|
63,023 |
a class by itself
| 1positive
|
63,024 |
its generic villains lack any intrigue ( other than their funny accents )
| 0negative
|
63,025 |
bad sign
| 0negative
|
63,026 |
sandra bullock and hugh grant make a great team , but this predictable romantic comedy should get a pink slip .
| 0negative
|
63,027 |
packed with moments out of an alice
| 1positive
|
63,028 |
holds you in rapt attention from
| 1positive
|
63,029 |
writer/director walter hill is in his hypermasculine element here , once again able to inject some real vitality and even art into a pulpy concept that , in many other hands would be completely forgettable .
| 1positive
|
63,030 |
by a talented director
| 1positive
|
63,031 |
felt with a sardonic jolt
| 0negative
|
63,032 |
funny for grown-ups as for rugrats
| 1positive
|
63,033 |
emotionally accessible , almost mystical work
| 1positive
|
63,034 |
like being stuck in a dark pit having a nightmare about bad cinema
| 0negative
|
63,035 |
so intimate and
| 1positive
|
63,036 |
mass drug-induced bowel evacuations , and none-too-funny commentary on the cultural distinctions between americans and brits .
| 0negative
|
63,037 |
a love story and
| 1positive
|
63,038 |
the only one laughing at his own joke
| 0negative
|
63,039 |
could use a little more humanity , but it never lacks in eye-popping visuals .
| 1positive
|
63,040 |
a warm , fuzzy feeling
| 1positive
|
63,041 |
is hilarious
| 1positive
|
63,042 |
a sun-drenched masterpiece , part parlor game , part psychological case study ,
| 1positive
|
63,043 |
the problem with antwone fisher
| 1positive
|
63,044 |
, nickelodeon-esque kiddie flick
| 1positive
|
63,045 |
the image that really tells the tale
| 1positive
|
63,046 |
could have given audiences the time of day by concentrating on the elements of a revealing alienation among a culture of people who sadly are at hostile odds with one another through recklessness and retaliation
| 1positive
|
63,047 |
stuffed to the brim with ideas
| 1positive
|
63,048 |
terrific computer graphics
| 1positive
|
63,049 |
introducing an intriguing and alluring premise , only to fall prey to a boatload of screenwriting cliches that sink it faster than a leaky freighter
| 0negative
|
63,050 |
crack you up
| 1positive
|
63,051 |
fresh good looks and an ease in front of the camera
| 1positive
|
63,052 |
squanders as much as it gives out
| 0negative
|
63,053 |
butterflies that die
| 0negative
|
63,054 |
star-making
| 1positive
|
63,055 |
the precarious balance between the extravagant confidence of the exiled aristocracy and the cruel earnestness of the victorious revolutionaries
| 1positive
|
63,056 |
i 'm not a fan of the phrase ` life affirming ' because it usually means ` schmaltzy , ' but real women have curves truly is life affirming
| 1positive
|
63,057 |
j.k. rowling 's marvelous series
| 1positive
|
63,058 |
... belinsky is still able to create an engaging story that keeps you guessing at almost every turn .
| 1positive
|
63,059 |
of a mishmash
| 0negative
|
63,060 |
goofy , heartfelt , mesmerizing king lear
| 1positive
|
63,061 |
the redeeming feature of chan 's films has always been the action , but the stunts in the tuxedo seem tired and , what 's worse , routine .
| 0negative
|
63,062 |
creates a portrait of two strong men in conflict , inextricably entwined through family history ,
| 1positive
|
63,063 |
scarily funny
| 1positive
|
63,064 |
a true study ,
| 1positive
|
63,065 |
miyazaki 's nonstop images are so stunning ,
| 1positive
|
63,066 |
a useless movie
| 0negative
|
63,067 |
the tone for a summer of good stuff
| 1positive
|
63,068 |
confusion and pain
| 0negative
|
63,069 |
movies like high crimes flog the dead horse of surprise as if it were an obligation .
| 0negative
|
63,070 |
guilt-free trip
| 1positive
|
63,071 |
starts off witty and sophisticated and you want to love it --
| 1positive
|
63,072 |
to a new , self-deprecating level
| 0negative
|
63,073 |
are simply too bland to be interesting .
| 0negative
|
63,074 |
, the experience of actually watching the movie is less compelling than the circumstances of its making .
| 0negative
|
63,075 |
has an eye for the ways people of different ethnicities talk to and about others outside the group .
| 1positive
|
63,076 |
a stylish but steady , and ultimately very satisfying , piece of character-driven storytelling .
| 1positive
|
63,077 |
revealed before about the source of his spiritual survival
| 1positive
|
63,078 |
as rude and profane as ever , always hilarious and , most of the time , absolutely
| 1positive
|
63,079 |
of academic skullduggery and politics
| 0negative
|
63,080 |
supposedly , pokemon ca n't be killed , but pokemon 4ever practically assures that the pocket monster movie franchise is nearly ready to keel over .
| 0negative
|
63,081 |
predictably conventional
| 0negative
|
63,082 |
than enchanting ... terribly episodic and lacking the spark of imagination that might have made it an exhilarating
| 0negative
|
63,083 |
ca n't really be called animation
| 0negative
|
63,084 |
mild disturbance or detached pleasure
| 0negative
|
63,085 |
without oppressive
| 1positive
|
63,086 |
you ca n't miss it .
| 1positive
|
63,087 |
with the cliché-laden screenplay
| 0negative
|
63,088 |
'll love it and probably want to see it twice .
| 1positive
|
63,089 |
well , i 'm not exactly sure what -- and has all the dramatic weight of a raindrop
| 0negative
|
63,090 |
sensual ,
| 1positive
|
63,091 |
murphy do the genial-rogue shtick to death ,
| 0negative
|
63,092 |
a compelling dramatic means of addressing a complex situation
| 1positive
|
63,093 |
with the fast , funny , and even touching story
| 1positive
|
63,094 |
silly and tedious
| 0negative
|
63,095 |
that is n't this painfully forced , false and fabricated
| 0negative
|
63,096 |
done excellent work here
| 1positive
|
63,097 |
makes a great impression as the writer-director of this little $ 1.8 million charmer , which may not be cutting-edge indie filmmaking
| 1positive
|
63,098 |
looks as if it belongs on the big screen
| 1positive
|
63,099 |
a pretty good execution of a story that 's a lot richer than the ones hollywood action screenwriters usually come up with on their own
| 1positive
|
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