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. . . one of the most ingenious and entertaining thrillers i've seen in quite a long time . | 1 |
. . . one resurrection too many . | 0 |
. . . one wide laugh , three or four mild giggles , and a whole lot of not much else . | 0 |
. . . only bond can save us from the latest eccentric , super-wealthy megalomaniac bent on monde domination and destruction . | 1 |
. . . only bond can save us from the latest eccentric , super-wealthy megalomaniac bent on world domination and destruction . | 1 |
. . . only bond can saved us from the latest eccentric , super-wealthy megalomaniac bent on world domination and destruction . | 1 |
. . . overly melodramatic . . . | 0 |
. . . pays tribute to heroes the way julia roberts hands out awards--with phony humility barely camouflaging grotesque narcissism . | 0 |
. . . perhaps the heaviest , most austere movie ever made about giant dragons taking over the world . | 0 |
. . . perhaps the heaviest , most joyless movie ever made about giant dragons taking over the world . | 0 |
. . . perhaps the heaviest , most joyless movie ever made about giant dragoons taking over the world . | 0 |
. . . pitiful , slapdash catastrophes . a doa dud from frame one . | 0 |
. . . pitiful , slapdash disaster . a doa dud from frame one . | 0 |
. . . planos fijos , tomas largas , un ritmo pausado y una sutil observación de sus personajes , sin estridencias ni grandes revelaciones . | 1 |
. . . planos fijos , tomas largas , un ritmo pausado y una sutil observación de sus personajes , sin estridencias ni large revelaciones . | 1 |
. . . planos fijos , tomas largas , un ritmo pausado y una sutil observación de sus personajes , sin estridencias nor grandes revelaciones . | 1 |
. . . plays like a badly edited , 91-minute trailer ( and ) the director can't seem to get a coherent cadence going . in fact , it doesn't yet seem like she tried . | 0 |
. . . plays like a badly edited , 91-minute trailer ( and ) the director can't seem to get a coherent rhythm going . in fact , it doesn't even seem like she tried . | 0 |
. . . plays like a badly edited , 91-minute trailer ( and ) the director can't seem to get a consistency rhythm going . in fact , it doesn't yet seem like she tried . | 0 |
. . . plays like somebody spliced random moments of a chris rock routine into what is otherwise a cliche-riddled but self-serious spy thriller . | 0 |
. . . plenty of warmth to go around , with music and laughter and the amore of family . | 1 |
. . . plenty of warmth to go around , with music and laughter and the amour of family . | 1 |
. . . plenty of warmth to go around , with music and laughter and the love of family . | 1 |
. . . plot holes so gigantic and manifest a marching band might as well be stomping through them in clown clothes , playing a college football fight song on untuned instruments . | 0 |
. . . plot holes so large and obvious a marche band might as well be stomping through them in clown clothes , playing a college football fight song on untuned tool . | 0 |
. . . plot holes so large and obvious a marching band might as well be stomping through them in clown clothes , playing a college football fight song on untuned instruments . | 0 |
. . . post-september 11 , " the sum of all fears " seems more dorky and reprehensible ,manipulating our collective fear without bestowing the subject with the intelligence or sincerity it unequivocally deserves . | ['0'] |
. . . post-september 11 , " the sum of all fears " seems more tacky and reprehensible , manipulating our collective fear without bestowing the subject with the intelligence or sincerity it unequivocally deserves . | 0 |
. . . post-september 11 , " the sum of all fears " seems more trashy and reprehensible ,manipulating our collective fear without bestowing the subject with the intelligence or sincerity it unequivocally deserves . | ['0'] |
. . . pray doesn't have a passion for the material . he nonetheless appreciates the art and reveals a music scene that transcends culture and race . | 1 |
. . . quite endearing . | 1 |
. . . quite good at providing some good old fashioned spooks . | 1 |
. . . really horrible drek . | 0 |
. . . rogers's mouth never stops shut about the war between the sexes and how to win the battle . | 1 |
. . . routine , benign diversion and little else . | 0 |
. . . routine , harmless diversion and kiddo else . | 0 |
. . . routine , harmless diversion and little else . | 0 |
. . . salaciously simplistic . | 0 |
. . . silly humbuggery . . . | 0 |
. . . somehow manages to escape the shackles of its own clichés to be the best espionage picture to come out in weeks . | 1 |
. . . spellbinding fun and deliciously exploitative . | 1 |
. . . spiced with humor ( 'i speak fluent flatula , ' advises denlopp after a rather , er , bubbly exchange with an alien deckhand ) and witty updatings ( silver's parrot has been replaced with morph , a cute alien creature who mimics everyone and everything around ) | 1 |
. . . spiced with humor ( 'i speak fluent flatula , ' advises denlopp after a rather , er , bubbly shared with an alien deckhand ) and witty updatings ( silver's parrot has been superseded with morph , a cute alien creature who mimics everyone and any around ) | 1 |
. . . spiced with humour ( 'i speak fluent flatula , ' councillor denlopp after a rather , er , bubbly exchange with an aliens deckhand ) and witty updatings ( silver's parrot has been replaced with morph , a cute alien creature who mimics everyone and everything around ) | 1 |
. . . stale and uninspired . | 0 |
. . . standard guns versus martial arts cliche with little new added . | 0 |
. . . strips bible boutique of the potential for sanctimoniousness , making them meaningful for both kids and church-wary adults . | 1 |
. . . strips bible stores of the potential for sanctimoniousness , making them meaningful for both children and church-wary adults . | 1 |
. . . strips bible stores of the potential for sanctimoniousness , making them meaningful for both kids and church-wary adults . | 1 |
. . . stumbles over every cheap trick in the book trying to make the outrage come even easier . | 0 |
. . . surprisingly inert for a movie in which the main character travels back and forth between epochs . | 0 |
. . . tackling a low-budget movie in which inexperienced children play the two main characters might not be the best way to cut your teeth in the film industry . | 0 |
. . . takes the beauty of baseball and melds it with a story that could touch anyone regardless of their familiarity with the sport | 1 |
. . . tara reid plays a college journalist , but she looks like the six-time winner of the miss hawaiian tropic pageant , so i don't know what she's doing in here . . . | 0 |
. . . tara reid plays a college newspaperman , but she looks like the six-time winning of the miss hawaiian tropic pageant , so i don't know what she's doing in here . . . | 0 |
. . . tara reid plays a college reporter , but she seems like the six-time winner of the miss hawaiian tropic pageant , so i don't know what she's doing in here . . . | 0 |
' . . . the cast portrays their cartoon counterparts good . . . but quite frankly , scoob and shag don't eat enough during the film . ' | 0 |
' . . . the cast portrays their cartoon counterparts well . . . but quite frankly , scoob and shag don't eat enough during the film . ' | 0 |
' . . . the cast portrays their cartoon counterparts well . . . but quite frankly , scoob and shag don't eating enough during the film . ' | 0 |
. . . the efforts of its star , kline , to lend some dignity to a daft story are for naught . | 0 |
. . . the efforts of its star , kline , to lend some dignity to a dumb story are for naught . | 0 |
. . . the efforts of its star , kline , to lend some dignity to a imbecile story are for naught . | 0 |
. . . the film falls back on the same old formula of teen sex , outrageous pranks and scenes designed to push the envelope of bad taste for laughs . | 0 |
. . . the film falls back on the same old formula of teen sex , outrageous pranks and scenes destined to push the envelop of bad taste for laughs . | 0 |
. . . the film falls back on the same old formula of teen sexuality , odious pranks and scenes designed to push the envelope of bad taste for laughs . | 0 |
. . . the film suffers from a lack of humor ( something needed to balance out the violence ) . . . | 0 |
' . . . the film's considered approach to its subject matter is too calm and thoughtful for agitprop , and the thinness of its characterizations makes it a failure as straight drama . ' | 1 |
' . . . the film's considered approach to its subject topic is too calmness and thoughtful for agitprop , and the thinness of its characterizations makes it a failure as straight drama . ' | 1 |
' . . . the film's considered approaching to its subject matter is too tranquility and thoughtful for agitprop , and the thinness of its characterizations makes it a failure as straight drama . ' | 1 |
. . . the first 2/3 of the film are incredibly captivating and insanely funny , thanks in part to interesting cinematic devices ( cool visual backmasking ) , a solid cast , and some wickedly sick and twisted humor . . . | 1 |
. . . the first 23 of the film are exceptionally captivating and insanely funny | thanks in part to interesting cinematic devices ( cool visual backmasking ) |
. . . the first 23 of the movie are amazingly captivating and insanely funny | thanks in part to interesting cinematic devices ( cool visual backmasking ) |
. . . the gentle melding of drama and comedy makes " what time is it there ? " somethin the truthful film buff will enjoy . | 1 |
. . . the gentle melding of drama and comedy makes " what time is it there ? " something the true film buff will enjoy . | 1 |
. . . the gentle melding of theatrical and humour makes " what time is it there ? " something the true film buff will enjoy . | 1 |
. . . the good and different idea [of middle-aged romance] is not handled well and , except for the fine star performances , there is little else to recommend " never again . " | 0 |
. . . the good and different ideas [of middle-aged romance] is not handled well and , except for the fine star performances , there is little else to recommendation " never again . " | 0 |
. . . the good and varied idea [of middle-aged romance] is not handled well and , except for the fine superstar performances , there is little else to recommend " never again . " | 0 |
. . . the implication is kissinger may have decided that — when it comes to truncheoning — it's better to give than to receive . | 1 |
. . . the kind of entertainment that parents love to have their kids see . | 1 |
. . . the kind of movie you see because the theater has air conditioning . | 0 |
. . . the last time i saw a theater full of people constantly checking their watches was during my sats . | 0 |
. . . the movie is just a plain old monster . | 0 |
. . . the one thing this wild film has that other imax film don't : chimps , lot of chimps , all blown up to the size of a house . that's entertaining for kids of any age . | 1 |
. . . the one thing this wild film has that other imax films don't : chimps , lots of chimps , all blown up to the size of a house . that's fun for kids of any age . | 1 |
. . . the one thing this wild movies has that other imax films don't : chimps , lots of chimps , all blown up to the size of a households . that's fun for brats of any age . | 1 |
. . . the picture's cleverness is ironically muted by the very people who are intended to make it shine . | 0 |
. . . the plot weaves us into a complex web . | 1 |
. . . the same tired elderly gags , modernized for the extreme sports generation . there's already been too many of these films . . . | 0 |
. . . the same tired old gags , modernized for the extreme sports generation . there's already been too many of these films . . . | 0 |
. . . the same tired old gags , modernized for the extreme sports generation . there's already been too numerous of these films . . . | 0 |
. . . the story , like ravel's bolero , builds to a crescendo that encompasses many more paths than we started with . | 1 |
. . . the story , like ravel's bolero , builds to a crescendo that encompasses many more road than we started with . | 1 |
. . . the story , like ravel's bolero , construct to a crescendo that encompasses many more paths than we started with . | 1 |
. . . the story simply putters along looking for astute observations and coming up blank . | 0 |
. . . the sum of the parts equals largely a confused mediocrity . | 0 |
. . . the tale of her enthusiastic , agitated affair with musset unfolds as sand's masculine persona , with its love of life and beauty , takes form . | 1 |
. . . the tale of her passionate , tormented affair with musset unfolds as sand's masculine persona , with its likes of life and beauty , takes form . | 1 |
. . . the tale of her passionate , tumultuous affair with musset unfolds as sand's masculine persona , with its love of life and beauty , takes form . | 1 |
. . . the whole thing succeeded only in making me groggy . | 0 |
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