noob123/small_augemented_nlp_dataset · Datasets at Hugging Face

reviews stringlengths 5 274	labels stringlengths 1 143
. . . a vivid , thoughtful , unapologetically raw coming-of-age fairytales full of sex , drugs and rock 'n' roll .	1
. . . a vivid , thoughtful , unapologetically raw coming-of-age story full of sex , drugs and rock 'n' roll .	1
. . . a vivid , thoughtful , unapologetically raw coming-of-age tale full of sex , drugs and rock 'n' roll .	1
. . . a weak , manipulative , pencil-thin history that is miraculously able to entertain anyway .	1
. . . a weak , manipulative , pencil-thin story that is miraculously able to entertain anyway .	1
. . . a weak and ineffective ghost story without a conclusion or pay off .	0
. . . a well-observed and disturbing little movie	1
. . . about as exciting to watch as two last-place basketball teams playing one another on the final day of the season .	0
. . . accustomed and predictable , and 45ths of it probable as well have come from a xerox machine rather than ( writer-director ) franc . reyes' word processor . "	0
. . . although this idea is " new " the results are jaded .	0
. . . although this idea is " new " the results are tired .	0
. . . although this idea is " newest " the results are tired .	0
. . . always remains movingly genuine .	1
. . . ambition is in short providing in the filmmaking , and egoyan tackles his themes and explores his characters' crises with seriousness and compassion .	1
. . . ambition is in short supply in the cinema , and egoyan tackles his themes and explores his characters' crises with seriousness and compassion .	1
. . . an agreeable time-wasting device -- but george pal's low-tech 1960 version still rules the epochs .	1
. . . an airless , prepackaged julia roberts wannabe that stinks so badly of hard-sell image-mongering you'll wonder if lopez's publicist should share screenwriting credit .	0
. . . an airless , prepackaged julia roberts wannabe that stinks so sorely of hard-sell image-mongering you'll wonder if lopez's publicist should exchanged screenwriting credit .	0
. . . an airless , prepackaged julia roberts wannabe that sucks so badly of hard-sell image-mongering you'll wonder if lopez's publicist should exchanged screenwriting credit .	0
. . . an enjoyably frothy 'date movie' . . .	1
. . . an hour-and-a-half of harmless , unmemorable filler .	0
. . . an hour-and-a-half of innocuous , unmemorable filler .	0
. . . an hour-and-a-half of inoffensive , unmemorable filler .	0
. . . an incredibly heavy-handed , manipulative dud that feels all too accustomed .	0
. . . an incredibly heavy-handed , manipulative dud that feels all too familiar .	0
. . . an interesting slice of history .	1
. . . an inviting piece of film .	1
. . . an otherwise intense , twist-and-turn thriller that certainly shouldn't hurt talented young gaghan's resume .	1
. . . an otherwise intense , twist-and-turn thriller that certainly shouldn't hurt talented young gaghan's resumed .	1
. . . an otherwise intense , twist-and-turn thriller that certainly shouldn't injure talented young gaghan's resume .	1
. . . an shockingly heavy-handed , manipulative dud that feels all too familiar .	0
. . . an unimaginative , nasty , glibly cynical piece of work .	0
. . . an unimaginative , nasty , glibly cynical piece of working .	0
. . . an unimaginative , unpleasant , glibly cynical piece of work .	0
. . . another example of how sandler is losing his touch .	0
. . . as the story congeals you feel the pieces of the star wars saga falling into place in a way that makes your spine tingle with revelation and excitement .	1
. . . begins on a high note and sustains it beautifully .	1
. . . begins with promise , but runs aground after being snared in its own tangled plot .	1
. . . begins with promising , but runs aground after being snared in its own tangled plot .	1
. . . best seen as speculative historic , as very an exploration of the paranoid impulse as a creative sequel to the warren report .	1
. . . best seen as speculative history , as much an exploration of the paranoid impulse as a creative sequel to the warren report .	1
. . . best seen as speculative tale , as much an crawling of the paranoid impulse as a creative sequel to the warren report .	1
. . . better described as a ghost story gone badly awry .	0
. . . bibbidy-bobbidi-bland .	0
. . . blade ii is more enjoyable than the original .	1
. . . blade ii is still top-heavy with blazing guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves .	0
. . . blade ii is still top-heavy with blazing pistols , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other goal than to call beware to themselves .	0
. . . blade ii is still top-heavy with blazing rifles , cheatfully filmed martial arts , crumbling bloodsucker computer effects and jagged camera moves that serve no other targeting than to call attention to themselves .	0
' . . . both hokey and super-cool , and definitely not in a hurry , so sit back , relax and have a few chuckles while the tiny ones get a fuzzy treat . '	1
' . . . both hokey and super-cool , and definitely not in a hurry , so sit back , relax and have a few laughs while the little ones get a fuzzy treat . '	1
' . . . both hokey and super-cool , and definitely not in a hurry , so sits back , relax and have a few laughter while the little ones get a fuzzy treat . '	1
. . . breathes surprising new life into the familiar by amalgamating genres and adding true human complexity to its not-so-stock characters .	1
. . . brian de palma is quite mad : cinema mad , set-piece mad , style mad . it's a beautiful madness .	1
. . . brian de palma is utterly mad : cinema mad , set-piece mad , style mad . it's a beautiful lunacy .	1
. . . brian de palma is utterly mad : cinema mad , set-piece mad , style mad . it's a beautiful madness .	1
. . . bright , intelligent , and humanly amusing film .	1
. . . bright , intelligent , and humanly funny cinematographic .	1
. . . bright , intelligent , and humanly funny film .	1
. . . broadened the horizons of boredom to the point of collapse , turning into a calico hole of dullness , from which no interesting concept can escape .	0
. . . built on the premise that middle-class arkansas consists of monster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids .	0
. . . by the time it's done with us , mira nair's new movie has its audience giddy with the delight of discovery , of having been immersed in a foreign culture only to find that human nature is pretty much the same all over .	1
. . . by the time it's done with us , mira nair's new movie has its audience giddy with the jubilation of discovery , of having been immersed in a foreign civilisations only to find that humans characters is pretty much the same all over .	1
. . . by the time it's effected with us , mira nair's newest movie has its audience giddy with the delight of discovery , of having been immersed in a foreign culture only to find that human nature is quite very the same all over .	1
. . . certainly an entertaining ride , despite many talky , slow scenes . but something seems to be missing . a sense of real magic , perhaps .	1
. . . certainly an entertaining ride , despite several talky , slow scenes . but something seems to be missing . a sense of real magic , possibly .	1
. . . certainly an entertaining ride , despite various talky , slow scenes . but something seems to be disappeared . a sense of real magic , perhaps .	1
. . . comes alive only when it switches gears to the sentimental .	0
. . . contains very few laughs and even less surprises .	0
. . . could easily be called the best korean film of 2002 .	1
. . . creates a visceral sense of its characters' lives and conflicted emotions that carries it far above . . . what could have been a melodramatic , lifetime channel-style anthology .	1
. . . creates a visceral sense of its characters' lives and contentious emotions that carrying it far above . . . what could have been a melodramatic , lifetime channel-style anthology .	1
. . . del toro maintains a dark mood that makes the film seem like something to endure instead of enjoy .	0
. . . delivers few moments of inspiration amid the bland animation and simplistic story .	0
' . . . despite backward near the finish line , the films runs a good race , one that will have you at the edge of your seat for long stretches . '	1
' . . . despite lagging near the finish line , the movie runs a good race , one that will have you at the edge of your seat for long stretches . '	1
' . . . despite lagging near the finishing line , the movie runs a good race , one that will have you at the edge of your seat for lange stretches . '	1
. . . digs beyond the usual portrayals of good kids and bad seeds to reveal a more ambivalent set of characters and motivations .	1
. . . does such a fine job of engulfing you in its world and allying you with its characters' choices , good and ill , that its shortcomings are remembered only as an afterthought .	1
. . . does such a fine job of engulfing you in its worldwide and allying you with its characters' choices , buena and ill , that its shortcomings are recalling only as an afterthought .	1
. . . does such a fine jobs of engulfing you in its world and allying you with its characters' choices , good and infirm , that its shortcoming are remembered only as an afterthought .	1
. . . either you're willing to go with this claustrophobic concept or you're not .	1
. . . enlarged the horizons of boredom to the point of collapsed , turning into a black hole of dullness , from which no interesting concept can escape .	0
. . . enthusiastically invokes the percussion rhythm , the brass soul and the sense of fierce competition that helps deliver great marching banding half the fun of college football games .	1
. . . enthusiastically invokes the percussion rhythm , the brass soul and the sense of fierce competition that helps make great marching bands half the fun of college football games .	1
. . . even if you've never audition of chaplin , you'll still be glued to the screen .	1
. . . even if you've never heard of chaplin , you'll however be glued to the screen .	1
. . . even if you've never heard of chaplin , you'll still be glued to the screen .	1
. . . expands the horizons of boredom to the point of collapse , turning into a black hole of dullness , from which no interesting concept can escape .	0
. . . familiar and predictable , and 4/5ths of it might as well have come from a xerox machine rather than ( writer-director ) franc . reyes' word processor .	0
. . . familiar and predictable , and 45ths of it possible as well have arrive from a xerox machine rather than ( writer-director ) franc . reyes' word processor . "	0
. . . feels as if ( there's ) a choke leash around your neck so director nick cassavetes can give it a good , hard yank whenever he wants you to feel something .	0
. . . feels as if ( there's ) a choke leash nearly your cou so director nick cassavetes can give it a good , hard yank whenever he wants you to feel something .	0
. . . feels as if ( there's ) a choke leash nearly your neck so director nick cassavetes can give it a good , hard yank whenever he wish you to feel something .	0
. . . fifty minutes of tedious adolescent melodramatics followed by thirty-five minutes of inflated nonsense .	0
. . . flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters , delicious dialogue and a wide supply of effective sight gags .	1
. . . flat-out amusing , sometimes endearing and often gorgeous , with a solid cast , noteworthy characters , delicious dialogue and a wide supply of potency sight gags .	1
. . . flat-out amusing , sometimes endearing and often super , with a solid cast , noteworthy characters , delicious dialogue and a grands supply of effective sight gags .	1
. . . for all its sociable and political potential , state property doesn't end up being very inspiring or insightful .	0
. . . for all its social and policy potential , state property doesn't end up being very inspiring or insightful .	0
. . . for all its social and political potential , state property doesn't end up being very inspiring or insightful .	0

. . . a vivid , thoughtful , unapologetically raw coming-of-age fairytales full of sex , drugs and rock 'n' roll .

1

. . . a vivid , thoughtful , unapologetically raw coming-of-age story full of sex , drugs and rock 'n' roll .

1

. . . a vivid , thoughtful , unapologetically raw coming-of-age tale full of sex , drugs and rock 'n' roll .

1

. . . a weak , manipulative , pencil-thin history that is miraculously able to entertain anyway .

1

. . . a weak , manipulative , pencil-thin story that is miraculously able to entertain anyway .

1

. . . a weak and ineffective ghost story without a conclusion or pay off .

0

. . . a well-observed and disturbing little movie

1

. . . about as exciting to watch as two last-place basketball teams playing one another on the final day of the season .

0

. . . accustomed and predictable , and 45ths of it probable as well have come from a xerox machine rather than ( writer-director ) franc . reyes' word processor . "

0

. . . although this idea is " new " the results are jaded .

0

. . . although this idea is " new " the results are tired .

0

. . . although this idea is " newest " the results are tired .

0

. . . always remains movingly genuine .

1

. . . ambition is in short providing in the filmmaking , and egoyan tackles his themes and explores his characters' crises with seriousness and compassion .

1

. . . ambition is in short supply in the cinema , and egoyan tackles his themes and explores his characters' crises with seriousness and compassion .

1

. . . an agreeable time-wasting device -- but george pal's low-tech 1960 version still rules the epochs .

1

. . . an airless , prepackaged julia roberts wannabe that stinks so badly of hard-sell image-mongering you'll wonder if lopez's publicist should share screenwriting credit .

0

. . . an airless , prepackaged julia roberts wannabe that stinks so sorely of hard-sell image-mongering you'll wonder if lopez's publicist should exchanged screenwriting credit .

0

. . . an airless , prepackaged julia roberts wannabe that sucks so badly of hard-sell image-mongering you'll wonder if lopez's publicist should exchanged screenwriting credit .

0

. . . an enjoyably frothy 'date movie' . . .

1

. . . an hour-and-a-half of harmless , unmemorable filler .

0

. . . an hour-and-a-half of innocuous , unmemorable filler .

0

. . . an hour-and-a-half of inoffensive , unmemorable filler .

0

. . . an incredibly heavy-handed , manipulative dud that feels all too accustomed .

0

. . . an incredibly heavy-handed , manipulative dud that feels all too familiar .

0

. . . an interesting slice of history .

1

. . . an inviting piece of film .

1

. . . an otherwise intense , twist-and-turn thriller that certainly shouldn't hurt talented young gaghan's resume .

1

. . . an otherwise intense , twist-and-turn thriller that certainly shouldn't hurt talented young gaghan's resumed .

1

. . . an otherwise intense , twist-and-turn thriller that certainly shouldn't injure talented young gaghan's resume .

1

. . . an shockingly heavy-handed , manipulative dud that feels all too familiar .

0

. . . an unimaginative , nasty , glibly cynical piece of work .

0

. . . an unimaginative , nasty , glibly cynical piece of working .

0

. . . an unimaginative , unpleasant , glibly cynical piece of work .

0

. . . another example of how sandler is losing his touch .

0

. . . as the story congeals you feel the pieces of the star wars saga falling into place in a way that makes your spine tingle with revelation and excitement .

1

. . . begins on a high note and sustains it beautifully .

1

. . . begins with promise , but runs aground after being snared in its own tangled plot .

1

. . . begins with promising , but runs aground after being snared in its own tangled plot .

1

. . . best seen as speculative historic , as very an exploration of the paranoid impulse as a creative sequel to the warren report .

1

. . . best seen as speculative history , as much an exploration of the paranoid impulse as a creative sequel to the warren report .

1

. . . best seen as speculative tale , as much an crawling of the paranoid impulse as a creative sequel to the warren report .

1

. . . better described as a ghost story gone badly awry .

0

. . . bibbidy-bobbidi-bland .

0

. . . blade ii is more enjoyable than the original .

1

. . . blade ii is still top-heavy with blazing guns , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other purpose than to call attention to themselves .

0

. . . blade ii is still top-heavy with blazing pistols , cheatfully filmed martial arts , disintegrating bloodsucker computer effects and jagged camera moves that serve no other goal than to call beware to themselves .

0

. . . blade ii is still top-heavy with blazing rifles , cheatfully filmed martial arts , crumbling bloodsucker computer effects and jagged camera moves that serve no other targeting than to call attention to themselves .

0

' . . . both hokey and super-cool , and definitely not in a hurry , so sit back , relax and have a few chuckles while the tiny ones get a fuzzy treat . '

1

' . . . both hokey and super-cool , and definitely not in a hurry , so sit back , relax and have a few laughs while the little ones get a fuzzy treat . '

1

' . . . both hokey and super-cool , and definitely not in a hurry , so sits back , relax and have a few laughter while the little ones get a fuzzy treat . '

1

. . . breathes surprising new life into the familiar by amalgamating genres and adding true human complexity to its not-so-stock characters .

1

. . . brian de palma is quite mad : cinema mad , set-piece mad , style mad . it's a beautiful madness .

1

. . . brian de palma is utterly mad : cinema mad , set-piece mad , style mad . it's a beautiful lunacy .

1

. . . brian de palma is utterly mad : cinema mad , set-piece mad , style mad . it's a beautiful madness .

1

. . . bright , intelligent , and humanly amusing film .

1

. . . bright , intelligent , and humanly funny cinematographic .

1

. . . bright , intelligent , and humanly funny film .

1

. . . broadened the horizons of boredom to the point of collapse , turning into a calico hole of dullness , from which no interesting concept can escape .

0

. . . built on the premise that middle-class arkansas consists of monster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids .

0

. . . by the time it's done with us , mira nair's new movie has its audience giddy with the delight of discovery , of having been immersed in a foreign culture only to find that human nature is pretty much the same all over .

1

. . . by the time it's done with us , mira nair's new movie has its audience giddy with the jubilation of discovery , of having been immersed in a foreign civilisations only to find that humans characters is pretty much the same all over .

1

. . . by the time it's effected with us , mira nair's newest movie has its audience giddy with the delight of discovery , of having been immersed in a foreign culture only to find that human nature is quite very the same all over .

1

. . . certainly an entertaining ride , despite many talky , slow scenes . but something seems to be missing . a sense of real magic , perhaps .

1

. . . certainly an entertaining ride , despite several talky , slow scenes . but something seems to be missing . a sense of real magic , possibly .

1

. . . certainly an entertaining ride , despite various talky , slow scenes . but something seems to be disappeared . a sense of real magic , perhaps .

1

. . . comes alive only when it switches gears to the sentimental .

0

. . . contains very few laughs and even less surprises .

0

. . . could easily be called the best korean film of 2002 .

1

. . . creates a visceral sense of its characters' lives and conflicted emotions that carries it far above . . . what could have been a melodramatic , lifetime channel-style anthology .

1

. . . creates a visceral sense of its characters' lives and contentious emotions that carrying it far above . . . what could have been a melodramatic , lifetime channel-style anthology .

1

. . . del toro maintains a dark mood that makes the film seem like something to endure instead of enjoy .

0

. . . delivers few moments of inspiration amid the bland animation and simplistic story .

0

' . . . despite backward near the finish line , the films runs a good race , one that will have you at the edge of your seat for long stretches . '

1

' . . . despite lagging near the finish line , the movie runs a good race , one that will have you at the edge of your seat for long stretches . '

1

' . . . despite lagging near the finishing line , the movie runs a good race , one that will have you at the edge of your seat for lange stretches . '

1

. . . digs beyond the usual portrayals of good kids and bad seeds to reveal a more ambivalent set of characters and motivations .

1

. . . does such a fine job of engulfing you in its world and allying you with its characters' choices , good and ill , that its shortcomings are remembered only as an afterthought .

1

. . . does such a fine job of engulfing you in its worldwide and allying you with its characters' choices , buena and ill , that its shortcomings are recalling only as an afterthought .

1

. . . does such a fine jobs of engulfing you in its world and allying you with its characters' choices , good and infirm , that its shortcoming are remembered only as an afterthought .

1

. . . either you're willing to go with this claustrophobic concept or you're not .

1

. . . enlarged the horizons of boredom to the point of collapsed , turning into a black hole of dullness , from which no interesting concept can escape .

0

. . . enthusiastically invokes the percussion rhythm , the brass soul and the sense of fierce competition that helps deliver great marching banding half the fun of college football games .

1

. . . enthusiastically invokes the percussion rhythm , the brass soul and the sense of fierce competition that helps make great marching bands half the fun of college football games .

1

. . . even if you've never audition of chaplin , you'll still be glued to the screen .

1

. . . even if you've never heard of chaplin , you'll however be glued to the screen .

1

. . . even if you've never heard of chaplin , you'll still be glued to the screen .

1

. . . expands the horizons of boredom to the point of collapse , turning into a black hole of dullness , from which no interesting concept can escape .

0

. . . familiar and predictable , and 4/5ths of it might as well have come from a xerox machine rather than ( writer-director ) franc . reyes' word processor .

0

. . . familiar and predictable , and 45ths of it possible as well have arrive from a xerox machine rather than ( writer-director ) franc . reyes' word processor . "

0

. . . feels as if ( there's ) a choke leash around your neck so director nick cassavetes can give it a good , hard yank whenever he wants you to feel something .

0

. . . feels as if ( there's ) a choke leash nearly your cou so director nick cassavetes can give it a good , hard yank whenever he wants you to feel something .

0

. . . feels as if ( there's ) a choke leash nearly your neck so director nick cassavetes can give it a good , hard yank whenever he wish you to feel something .

0

. . . fifty minutes of tedious adolescent melodramatics followed by thirty-five minutes of inflated nonsense .

0

. . . flat-out amusing , sometimes endearing and often fabulous , with a solid cast , noteworthy characters , delicious dialogue and a wide supply of effective sight gags .

1

. . . flat-out amusing , sometimes endearing and often gorgeous , with a solid cast , noteworthy characters , delicious dialogue and a wide supply of potency sight gags .

1

. . . flat-out amusing , sometimes endearing and often super , with a solid cast , noteworthy characters , delicious dialogue and a grands supply of effective sight gags .

1

. . . for all its sociable and political potential , state property doesn't end up being very inspiring or insightful .

0

. . . for all its social and policy potential , state property doesn't end up being very inspiring or insightful .

0

. . . for all its social and political potential , state property doesn't end up being very inspiring or insightful .

0