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|---|---|---|---|
700 | 700 |
flat as the scruffy sands of its titular community
| 0 |
701 | 701 |
liberal doses of dark humor , gorgeous exterior photography , and a stable-full of solid performances
| 1 |
702 | 702 |
is badly edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story
| 0 |
703 | 703 |
works smoothly
| 1 |
704 | 704 |
with a creepy and dead-on performance
| 1 |
705 | 705 |
might want to take a reality check before you pay the full ticket price to see `` simone , '' and consider a dvd rental instead .
| 0 |
706 | 706 |
placed in the pantheon of the best of the swashbucklers
| 1 |
707 | 707 |
a satisfyingly unsettling ride
| 1 |
708 | 708 |
good a job as anyone
| 1 |
709 | 709 |
, smart and complicated
| 1 |
710 | 710 |
the intimate , unguarded moments of folks who live in unusual homes --
| 0 |
711 | 711 |
are pretty valuable these days
| 1 |
712 | 712 |
( i ) t 's certainly laudable that the movie deals with hot-button issues in a comedic context , but barbershop is n't as funny as it should be .
| 0 |
713 | 713 |
that the only rip off that we were aware of
| 0 |
714 | 714 |
beautiful to watch and
| 1 |
715 | 715 |
accentuating
| 1 |
716 | 716 |
no quarter to anyone seeking to pull a cohesive story out of its 2 1/2 - hour running time
| 0 |
717 | 717 |
a wonderful ensemble cast
| 1 |
718 | 718 |
endear
| 1 |
719 | 719 |
the truly funny bits
| 1 |
720 | 720 |
's that painful .
| 0 |
721 | 721 |
american beauty reeks
| 0 |
722 | 722 |
clotted with heavy-handed symbolism , dime-store psychology and endless scenic shots that make 105 minutes seem twice as long
| 0 |
723 | 723 |
without any of its sense of fun or energy
| 0 |
724 | 724 |
be the cat 's meow
| 1 |
725 | 725 |
's simply stupid , irrelevant and deeply
| 0 |
726 | 726 |
wonderland adventure , a stalker thriller , and
| 1 |
727 | 727 |
be part of
| 1 |
728 | 728 |
cinema history as the only movie ever
| 1 |
729 | 729 |
comes from a renowned indian film culture that allows americans to finally revel in its splendor
| 1 |
730 | 730 |
accomplished oscar winners
| 1 |
731 | 731 |
of those underrated professionals who deserve but rarely receive it
| 1 |
732 | 732 |
we find ourselves surprised at how much we care about the story
| 1 |
733 | 733 |
an all-time low
| 0 |
734 | 734 |
enjoyed it just
| 1 |
735 | 735 |
reacting to it - feeling a part of its grand locations ,
| 1 |
736 | 736 |
delivered with such conviction that it 's hard not to be carried away
| 1 |
737 | 737 |
colorful , vibrant introduction
| 1 |
738 | 738 |
the slow parade of human frailty fascinates you
| 1 |
739 | 739 |
famuyiwa 's feature deals with its subject matter in a tasteful , intelligent manner , rather than forcing us to endure every plot contrivance that the cliché-riddled genre can offer .
| 1 |
740 | 740 |
a laugh between them
| 1 |
741 | 741 |
that gradually sneaks up on the audience
| 1 |
742 | 742 |
photographic marvel
| 1 |
743 | 743 |
is shockingly bad and absolutely unnecessary .
| 0 |
744 | 744 |
gets vivid performances from her cast and pulls off some deft ally mcbeal-style fantasy sequences .
| 1 |
745 | 745 |
the result , however well-intentioned , is ironically just the sort of disposable , kitchen-sink homage that illustrates why the whole is so often less than the sum of its parts in today 's hollywood .
| 0 |
746 | 746 |
while not for every taste , this often very funny collegiate gross-out comedy goes a long way toward restoring the luster of the national lampoon film franchise , too long reduced to direct-to-video irrelevancy .
| 1 |
747 | 747 |
wow ' factor
| 1 |
748 | 748 |
hashiguchi covers this territory with wit and originality , suggesting that with his fourth feature -- the first to be released in the u.s. -- a major director is emerging in world cinema .
| 1 |
749 | 749 |
brazil-like , hyper-real satire
| 1 |
750 | 750 |
low on both suspense and payoff
| 0 |
751 | 751 |
find a scathing portrayal of a powerful entity strangling the life out of the people who want to believe in it the most
| 1 |
752 | 752 |
an absolute delight for all audiences
| 1 |
753 | 753 |
would tax einstein 's brain .
| 0 |
754 | 754 |
's its first sign of trouble
| 0 |
755 | 755 |
ca n't believe anyone would really buy this stuff
| 0 |
756 | 756 |
moonlight mile should strike a nerve in many .
| 1 |
757 | 757 |
if ever such a dependable concept was botched in execution
| 0 |
758 | 758 |
wedding feels a bit anachronistic .
| 0 |
759 | 759 |
been lost in the translation this time
| 0 |
760 | 760 |
revelatory performance
| 1 |
761 | 761 |
the pianist like a surgeon mends a broken heart ; very meticulously but without any passion
| 0 |
762 | 762 |
remains oddly detached
| 0 |
763 | 763 |
that is more complex and honest than anything represented in a hollywood film
| 1 |
764 | 764 |
nifty premise
| 1 |
765 | 765 |
vein
| 1 |
766 | 766 |
the wonderfully lush morvern callar is pure punk existentialism , and
| 1 |
767 | 767 |
go down with a ship as leaky
| 0 |
768 | 768 |
earnest movie
| 1 |
769 | 769 |
effective enough
| 1 |
770 | 770 |
showing us well-thought stunts or a car chase that we have n't seen 10,000 times
| 1 |
771 | 771 |
make the film more silly than scary , like some sort of martha stewart decorating program run amok
| 0 |
772 | 772 |
going at a rapid pace ,
| 1 |
773 | 773 |
still fun and enjoyable and
| 1 |
774 | 774 |
a lazy exercise in bad filmmaking
| 0 |
775 | 775 |
this thing is virtually unwatchable .
| 0 |
776 | 776 |
's also undeniably exceedingly clever
| 1 |
777 | 777 |
would ever work in a mcculloch production again if they looked at how this movie turned out
| 0 |
778 | 778 |
an entertainment destination for the general public
| 1 |
779 | 779 |
i have ever seen , constantly pulling the rug from underneath us , seeing things from new sides , plunging deeper , getting more intense .
| 1 |
780 | 780 |
england 's roger mitchell , who handily makes the move from pleasing
| 1 |
781 | 781 |
to the enduring strengths of women
| 1 |
782 | 782 |
surprisingly faithful
| 1 |
783 | 783 |
the numerous scenes
| 1 |
784 | 784 |
exaggerated and
| 0 |
785 | 785 |
takes a really long , slow and dreary time
| 0 |
786 | 786 |
improved upon the first
| 1 |
787 | 787 |
that might have made it an exhilarating
| 1 |
788 | 788 |
k-19 : the widowmaker is a great yarn .
| 1 |
789 | 789 |
humorless
| 0 |
790 | 790 |
thank
| 1 |
791 | 791 |
just because a walk to remember
| 1 |
792 | 792 |
bite
| 0 |
793 | 793 |
amounts to little more than punishment .
| 0 |
794 | 794 |
the humor is recognizably plympton
| 1 |
795 | 795 |
likeable thanks to its cast , its cuisine and its quirky tunes .
| 1 |
796 | 796 |
makes piecing the story together frustrating difficult
| 0 |
797 | 797 |
a fascinating , compelling story
| 1 |
798 | 798 |
the film 's hero is a bore and his innocence soon becomes a questionable kind of inexcusable dumb innocence
| 0 |
799 | 799 |
a fascinating , dark thriller that keeps you hooked on the delicious pulpiness of its lurid fiction .
| 1 |
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