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|---|---|---|---|
600 | 600 |
hip hop beat
| 1 |
601 | 601 |
feel more like literary conceits than flesh-and-blood humans
| 0 |
602 | 602 |
no explanation
| 0 |
603 | 603 |
funniest and
| 1 |
604 | 604 |
a chilly , remote , emotionally distant piece ... so dull that its tagline should be
| 0 |
605 | 605 |
starts off witty and sophisticated and you
| 1 |
606 | 606 |
a bargain-basement european pickup
| 0 |
607 | 607 |
, but what really sets the film apart is debrauwer 's refusal to push the easy emotional buttons
| 1 |
608 | 608 |
shines on all the characters , as the direction is intelligently accomplished
| 1 |
609 | 609 |
taps into the primal fears of young people trying to cope with the mysterious and brutal nature of adults
| 1 |
610 | 610 |
lead a group of talented friends astray
| 1 |
611 | 611 |
it 's just weirdness for the sake of weirdness , and where human nature should be ingratiating , it 's just grating .
| 0 |
612 | 612 |
this gentle , mesmerizing portrait
| 1 |
613 | 613 |
genial is the conceit , this is one of those rare pictures that you root for throughout ,
| 1 |
614 | 614 |
draws the audience into the unexplainable pain and eccentricities that are attached to the concept of loss
| 1 |
615 | 615 |
spliced together bits and pieces of midnight run and 48 hours ( and , for that matter , shrek )
| 0 |
616 | 616 |
is so busy making reference to other films and trying to be other films that it fails to have a heart , mind or humor of its own
| 0 |
617 | 617 |
it lacks the compassion , good-natured humor and the level of insight that made ( eyre 's ) first film something of a sleeper success .
| 0 |
618 | 618 |
handles it in the most unexpected way
| 1 |
619 | 619 |
those eternally devoted to the insanity of black will have an intermittently good time .
| 1 |
620 | 620 |
obscenely bad
| 0 |
621 | 621 |
devastatingly
| 0 |
622 | 622 |
i do n't see the point
| 0 |
623 | 623 |
comes off like a bad imitation of the bard
| 0 |
624 | 624 |
that excites the imagination and tickles the funny bone
| 1 |
625 | 625 |
one of its strengths
| 1 |
626 | 626 |
of masterpiece
| 1 |
627 | 627 |
into this dream hispanic role with a teeth-clenching gusto
| 1 |
628 | 628 |
stiff or just plain bad
| 0 |
629 | 629 |
makes these lives count
| 1 |
630 | 630 |
jolts the laughs from the audience --
| 1 |
631 | 631 |
a delightful stimulus
| 1 |
632 | 632 |
has no point
| 0 |
633 | 633 |
of isolation and frustration
| 0 |
634 | 634 |
winning shot
| 1 |
635 | 635 |
of its music or comic antics , but through the perverse pleasure of watching disney scrape the bottom of its own cracker barrel
| 0 |
636 | 636 |
feeling guilty for it ... then , miracle of miracles , the movie does a flip-flop .
| 1 |
637 | 637 |
lewis
| 1 |
638 | 638 |
that there 's no other reason why anyone should bother remembering it
| 0 |
639 | 639 |
bogdanovich puts history in perspective and , via kirsten dunst 's remarkable performance , he showcases davies as a young woman of great charm , generosity and diplomacy .
| 1 |
640 | 640 |
father cliché
| 0 |
641 | 641 |
domestic tension and unhappiness
| 0 |
642 | 642 |
the effort is sincere and the results are honest , but the film is so bleak that it 's hardly watchable
| 0 |
643 | 643 |
called the best korean film of 2002
| 1 |
644 | 644 |
one of the best rock
| 1 |
645 | 645 |
it forces you to watch people doing unpleasant things to each other and themselves
| 1 |
646 | 646 |
of the holiday box office pie
| 1 |
647 | 647 |
inexpressible and drab wannabe
| 0 |
648 | 648 |
the hail of bullets , none of which ever seem to hit
| 0 |
649 | 649 |
like an extended , open-ended poem than a traditionally structured story
| 1 |
650 | 650 |
's about as convincing as any other arnie musclefest , but has a little too much resonance with real world events and
| 0 |
651 | 651 |
to hate
| 0 |
652 | 652 |
to be mesmerised
| 1 |
653 | 653 |
the people who loved the 1989 paradiso will prefer this new version
| 1 |
654 | 654 |
a lot of energy
| 1 |
655 | 655 |
for its success on a patient viewer
| 1 |
656 | 656 |
while tattoo borrows heavily from both seven and the silence of the lambs , it manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in .
| 1 |
657 | 657 |
this may be burns 's strongest film since the brothers mcmullen .
| 1 |
658 | 658 |
turned down
| 0 |
659 | 659 |
timely , tongue-in-cheek
| 1 |
660 | 660 |
undramatic
| 0 |
661 | 661 |
the pile of useless actioners
| 0 |
662 | 662 |
morton deserves an oscar nomination .
| 1 |
663 | 663 |
weirdly engaging and unpredictable character pieces
| 1 |
664 | 664 |
efficiency and an affection for the period
| 1 |
665 | 665 |
manages to accomplish what few sequels can -- it equals the original and in some ways even betters it
| 1 |
666 | 666 |
does not work .
| 0 |
667 | 667 |
it is n't merely offensive
| 0 |
668 | 668 |
tell a story about the vietnam war before the pathology set in
| 1 |
669 | 669 |
it irrigates our souls .
| 1 |
670 | 670 |
a hint of humor
| 1 |
671 | 671 |
with a big heart
| 1 |
672 | 672 |
a rollicking adventure for you and all your mateys , regardless of their ages
| 1 |
673 | 673 |
its most immediate and most obvious pleasure
| 1 |
674 | 674 |
there are laughs aplenty , and , as a bonus , viewers do n't have to worry about being subjected to farts , urine , feces , semen , or any of the other foul substances that have overrun modern-day comedies
| 1 |
675 | 675 |
one of those rare films that seems as though it was written for no one , but somehow manages to convince almost everyone that it was put on the screen , just for them .
| 1 |
676 | 676 |
made a decent ` intro ' documentary
| 1 |
677 | 677 |
makes us see familiar issues , like racism and homophobia , in a fresh way .
| 1 |
678 | 678 |
the film goes right over the edge and kills every sense of believability
| 0 |
679 | 679 |
a beyond-lame satire , teddy bears ' picnic ranks among the most pitiful directing debuts by an esteemed writer-actor .
| 0 |
680 | 680 |
emotional seesawing
| 0 |
681 | 681 |
movies with the courage to go over the top and movies that do n't care about being stupid
| 1 |
682 | 682 |
target audience has n't graduated from junior high school
| 0 |
683 | 683 |
this intricately structured and well-realized drama
| 1 |
684 | 684 |
embracing
| 1 |
685 | 685 |
the film a celluloid litmus test for the intellectual and emotional pedigree of your date and a giant step backward for a director i admire
| 0 |
686 | 686 |
a meditation on faith and madness , frailty is blood-curdling stuff .
| 1 |
687 | 687 |
a pretty listless collection
| 0 |
688 | 688 |
other than its oscar-sweeping franchise predecessor
| 1 |
689 | 689 |
almost everyone growing up believes their family must look like `` the addams family '' to everyone looking in
| 1 |
690 | 690 |
have been called freddy gets molested by a dog
| 0 |
691 | 691 |
moody male hustler
| 0 |
692 | 692 |
uselessly redundant and shamelessly money-grubbing than most third-rate horror sequels
| 0 |
693 | 693 |
the film is filled with humorous observations about the general absurdity of modern life as seen through the eyes outsiders , but deftly manages to avoid many of the condescending stereotypes that so often plague films dealing with the mentally ill
| 1 |
694 | 694 |
which is mostly a bore
| 0 |
695 | 695 |
an entertaining mix of period drama and flat-out farce that should please history fans
| 1 |
696 | 696 |
suspect that you 'll be as bored watching morvern callar as the characters are in it .
| 0 |
697 | 697 |
the problems and characters it reveals are universal and involving , and the film itself -- as well its delightful cast -- is so breezy , pretty and gifted , it really won my heart .
| 1 |
698 | 698 |
love this movie
| 1 |
699 | 699 |
... the efforts of its star , kline , to lend some dignity to a dumb story are for naught .
| 0 |
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