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이게 μ œκ°€ 듀은 것이고 μ•„λ§ˆ 처음 λ“£λŠ” 건 μ•„λ‹ˆμ—ˆμ„ κ²λ‹ˆλ‹€. "μž… λ‹₯치고 μžˆμ–΄ μžλ„·. λ‚œ κ°ˆκ±°μ•Ό."
That's when I heard, maybe not for the first time, "Stifle yourself, Jeanette, I'm going."
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κ·Έλ ‡κ²Œ κ°€μ…¨μ–΄μš”.
And he went.
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μ•Œκ³  λ³΄λ‹ˆ μ΄λ²„μ§€λŠ” κ°€μ§œ μ±„κΆŒμ„ λͺ¨μ•„μ„œ 그것을 온 λ‚˜λΌμ— νŒ”λ €κ³  ν–ˆμŠ΅λ‹ˆλ‹€.
It turns out he was picking up some fake bonds, which he was flying across the country to sell.
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κ·ΈλŸ¬λ‚˜ 아버지가 λΉ„ν–‰κΈ°λ₯Ό 타고 μ˜€ν΄λΌν˜Έλ§ˆμ— κ°”λ‹€κ°€ μ„ λ¬Όλ‘œ 사닀 주렀던 10가런짜리 λͺ¨μžλŠ” μΌ„ λ§ˆμ΄λ‚˜λ“œκ°€ μ“΄ 것 같이 말이죠, 제일 μ’‹μ•„ν•˜λŠ” μΉ΄μš°λ³΄μ΄κ°€ μ“΄ λͺ¨μžμ£ .
But the fact that he was going to Oklahoma in a plane, and he was going to bring me back a 10-gallon hat, just like Ken Maynard, my favorite cowboy wore.
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λ‹Ήμ‹œλŠ” λ¦°λ“œλ²„κ·Έκ°€ λŒ€μ„œμ–‘μ„ κ±΄λ„Œμ§€ μ–Όλ§ˆ μ•ˆ 됐을 λ•Œμ˜€μŠ΅λ‹ˆλ‹€.
You know, this was a few years after Lindbergh crossed the Atlantic.
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제 말은 아버지가 κ±°κΈ° κ°€μ‹ λ‹€λŠ” 건 색닀λ₯Έ μΌμ΄μ—ˆμŠ΅λ‹ˆλ‹€.
I mean, it was exotic that my father was going there.
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그런데 λ‹€μ‹œ λŒμ•„μ˜€μ‹€ λ•Œ λΉ„ν–‰κΈ°μ—μ„œ λ‚΄λ¦¬μžλ§ˆμž μ²΄ν¬λ˜μ…¨μ£ .
But when he came back, they arrested him as he got off the plane.
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κ·Έλ‚  λ°€ λ‰΄μŠ€λŠ” 방방곑곑 μ•Œλ €μ‘ŒμŠ΅λ‹ˆλ‹€. 저희 μ•„λ²„μ§€λŠ” λͺ¨μžλ‘œ 얼꡴을 가리고 ν˜•μ‚¬μ—κ²Œ μ²΄ν¬λ˜μ—ˆμ£ .
That night newspapers were all over the house, my father was with his hat in front of his face, manacled to a detective.
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μ–΄λ¨Έλ‹ˆλŠ” λ– λ‚˜λ €κ³  가ꡬλ₯Ό νŒŒμ…¨κ³  λΆ€λ„λŸ¬μ›Œμ„œ λ™λ„€μ—μ„œ μ‚΄κ³  μ‹Άμ§€ μ•Šμ•„ ν•˜μ…¨μ–΄μš”. 맀사좔세츠주 μ²Όμ‹œμ—μ„œ 말이죠.
And my mother was selling the furniture, because we were leaving -- she didn't want to stay in that state of shame, in Chelsea, Massachusetts.
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가ꡬλ₯Ό νŒ”κ³  μžˆλŠ”λ° μ‚¬λžŒλ“€μ΄ λͺ¨μ—¬λ“€μ—ˆμ£ .
And selling the furniture -- the house was loaded with people.
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λͺ¨μ—¬λ“  μ‚¬λžŒλ“€ κ°€μš΄λ° μ΄μƒν•œ λ†ˆμ΄ 제 어깨에 손을 μ˜¬λ¦¬λ”λ‹ˆ λ§ν–ˆμ£ , "λ„€κ°€ κ°€μž₯μ΄κ΅¬λ‚˜ μ–˜μ•Ό."
And in the middle of all of that, some strange horse's ass put his hand on my shoulder and said, "Well, you're the man of the house now."
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μ €λŠ” μšΈμ—ˆκ³ , 이 λ©μ²­μ΄λŠ” "λ„€κ°€ 이제 κ°€μž₯이야"라고 λ§ν–ˆμŠ΅λ‹ˆλ‹€.
I'm crying, and this asshole says, "You're the man of the house now."
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κ·Έλ•Œλ₯Ό 돌이켜보면 κ·Έλ•Œκ°€ κ΄€μŠ΅μ˜ 뢀쑰리λ₯Ό μ΄ν•΄ν•˜κΈ° μ‹œμž‘ν•œ λ•Œμ˜€μ£ 
And I think that was the moment I began to understand the foolishness of the human condition.
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그리고...
So ...
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μœ μ΅ν•œ μ‹œκ°„μ΄μ—ˆλ‹€κ³  κΉ¨λ‹«κΈ°κΉŒμ§„ λ§Žμ€ μ‹œκ°„μ΄ κ±Έλ Έμ–΄μš”
it took a lot of years to look back at it and feel it was a benefit.
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κ·ΈλŸ¬λ‚˜... 에릭: μœ μ΅ν–ˆλ‹€ ν•˜μ‹œλ‹ˆ ν₯λ―Έλ‘­κ΅°μš”.
But -- EH: It's interesting you call it a benefit.
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λ…Έλ¨Ό: μœ μ΅ν–ˆμ£ . κ·Έλ•Œ 일이 발판이 λ˜μ—ˆμœΌλ‹ˆκΉŒμš”.
NL: Benefit in that it gave me that springboard.
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제 말은 μ œκ°€ 봐도 μš°λŠ” 9μ‚΄ μ•„μ΄μ—κ²Œ μ΄λ ‡κ²Œ λ§ν•˜λŠ” 것이 바보 같은지 μ•Œ 수 μžˆμ—ˆμ–΄μš”. "λ„ˆλŠ” κ°€μž₯이야"
I mean that I could think how foolish it was to say to this crying nine-year-old boy, "You're the man of the house now."
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μ €λŠ” μšΈμ—ˆκ³  κ·ΈλŠ” λ§ν–ˆμ£  "κ°€μž₯은 μšΈμ§€ μ•ŠλŠ”λ‹¨λ‹€."
And then I was crying, and then he said, "And men of the house don't cry."
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그리고 μ €λŠ”...
And I ...
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κ·Έλž˜μ„œ ...
So ...
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λ’€λŒμ•„λ³΄λ©΄, 생각해보면 κ΄€μŠ΅μ˜ 뢀쑰리함을 μ•Œκ²Œ 된 λ•Œμž…λ‹ˆλ‹€. 그리고 μ§€κΈˆκΉŒμ§€ κ·Έ κ²½ν—˜μ„ 좕볡이라고 μƒκ°ν•˜κ³  μžˆμŠ΅λ‹ˆλ‹€.
I look back, and I think that's when I learned the foolishness of the human condition, and it's been that gift that I've used.
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에릭: κ·ΈλŸ¬λ‹ˆκΉŒ μ•„λ²„μ§€λŠ” μ•ˆ 계셨고 μ–΄λ¨Έλ‹ˆλŠ” λ³΄λ‹ˆκΉ λ§Œμ‘±ν•  쀄 λͺ¨λ₯΄μ‹œλŠ” λΆ„μž…λ‹ˆλ‹€.
EH: So you have a father who's absent, you have a mother for whom apparently nothing is good enough.
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아무도 이야기λ₯Ό λ“€μ–΄μ£Όμ§€ μ•ŠλŠ”λ‹€κ³  느끼던 μ–΄λ¦°μ‹œμ ˆμ΄ μΈμƒμ΄λž€ 여정을 μ‚΄μ•„κ°€κ³  μ–΄λ₯Έμ΄ λ˜μ–΄μ„œ λ§€μ£Ό 1μ–΅ 2천λͺ…μ˜ μ‹œμ²­μžλ₯Ό μ–»κ²Œ ν–ˆλ‹€κ³  μƒκ°ν•˜μ‹­λ‹ˆκΉŒ?
Do you think that starting out as a kid who maybe never felt heard started you down a journey that ended with you being an adult with a weekly audience of 120 million people?
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λ…Έλ¨Ό: 질문 μ„€λͺ…이 μ°Έ λ§ˆμŒμ— λ“­λ‹ˆλ‹€. μ™œλƒν•˜λ©΄ 제 생각에 μ œκ°€ 평생에 κ±Έμ³μ„œ μ›ν•˜λŠ”κ²Œ μžˆλ‹€λ©΄ 제 이야기가 λ“€λ ΈμœΌλ©΄ ν–ˆμŠ΅λ‹ˆλ‹€.
NL: I love the way you put that question, because I guess I've spent my life wanting -- if anything, wanting to be heard.
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제 μƒκ°μ—λŠ” κ°„λ‹¨ν•˜λ„€μš”. κ·Έλ ‡μŠ΅λ‹ˆλ‹€. 그것이 계기가 λ˜μ—ˆκ³  뭐, λ‹€λ₯Έ 것듀도 μžˆμ—ˆμŠ΅λ‹ˆλ‹€.
I think -- It's a simple answer, yes, that was what sparked -- well, there were other things, too.
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아버지와 λ–¨μ–΄μ Έ μžˆμ„ λ•Œ 아버지와 같이 λ§Œλ“  광석 λΌλ””μ˜€λ₯Ό κ°€μ§€κ³  λ†€μ•˜μŠ΅λ‹ˆλ‹€. 그리고 μ‹ ν˜Έλ₯Ό ν•˜λ‚˜ μž‘μ•˜λŠ”λ° μ•Œκ³  λ³΄λ‹ˆ μ½”κΈ€λ¦° μ‹ λΆ€μ˜ λΌλ””μ˜€μ˜€μŠ΅λ‹ˆλ‹€.
When my father was away, I was fooling with a crystal radio set that we had made together, and I caught a signal that turned out to be Father Coughlin.
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λ§žμ•„μš”, λˆ„κ°€ μ—¬κΈ°μ„œ μ›ƒλ”κ΅°μš”.
Yeah, somebody laughed.
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ν•˜μ§€λ§Œ μž¬λ―Έμžˆμ§€λ§Œμ€ μ•Šμ€ 게 이건 μ΄μƒν•œλ†ˆμ΄-- λ‹€λ₯Έ μ΄μƒν•œ λ†ˆμ΄ μ†Œλ¦¬λ†’μ—¬ λ‰΄λ”œμ •μ±…κ³Ό 루슀벨트 그리고 μœ λŒ€μΈμ„ μ‹«μ–΄ν•˜λŠ” λΌλ””μ˜€μ˜€μŠ΅λ‹ˆλ‹€.
But not funny, this was a horse's -- another horse's ass -- who was very vocal about hating the New Deal and Roosevelt and Jews.
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κ·Έλ•Œ μ €λŠ” 처음으둜 μ €λ₯Ό μ‹«μ–΄ν•˜λŠ” μ‚¬λžŒμ΄ μžˆλ‹€λŠ” 것을 μ•Œμ•˜μ–΄μš” 단지 μ œκ°€ μœ λŒ€μΈμ΄λΌλŠ” 이유둜 말이죠.
The first time I ran into an understanding that there were people in this world that hated me because I was born to Jewish parents.
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그리고 이것이 제 삢에 ꡉμž₯ν•œ 영ν–₯을 μ£Όμ—ˆμŠ΅λ‹ˆλ‹€.
And that had an enormous effect on my life.
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에릭: κ·Έλž˜μ„œ 어렸을 λ•Œ λ”°λ₯Όλ§Œν•œ 남성 λŒ€μƒμ΄ λ³„λ‘œ μ—†μ—ˆλ„€μš”. 할아버지λ₯Ό λΉΌκ³  말이죠.
EH: So you had a childhood with little in the way of strong male role models, except for your grandfather.
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할아버지에 λŒ€ν•΄ 말씀해 μ£Όμ‹œκ² μŠ΅λ‹ˆκΉŒ?
Tell us about him.
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λ…Έλ¨Ό: μ•„, μ €μ˜ ν• μ•„λ²„μ§€λŠ”
NL: Oh, my grandfather.
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μ œκ°€ 항상 할아버지에 λŒ€ν•΄ μ΄μ•ΌκΈ°ν•˜λŠ”κ²Œ μžˆμŠ΅λ‹ˆλ‹€.
Well here's the way I always talked about that grandfather.
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기념일엔 νΌλ ˆμ΄λ“œλ₯Ό ν•˜λŠ”λ° 어렸을 λ•Œ νΌλ ˆμ΄λ“œλ₯Ό 많이 보러 λ‹€λ…”μ£ .
There were parades, lots of parades when I was a kid.
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재ν–₯ ꡰ인의 날에도 νΌλ ˆμ΄λ“œλ₯Ό ν–ˆκ³  λŒ€ν†΅λ Ήμ˜ λ‚ μ—λŠ” μ•ˆ ν–ˆμŠ΅λ‹ˆλ‹€.
There were parades on Veteran's Day -- there wasn't a President's Day.
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링컨 탄생일에도 ν–ˆκ³  μ›Œμ‹±ν„΄ 탄생일 그리고 λ―Έκ΅­ κ΅­κΈ° μ œμ • 기념일
There was Abraham Lincoln's birthday, George Washington's birthday and Flag Day ...
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그리고 μž‘μ€ λ§Žμ€ νΌλ ˆμ΄λ“œκ°€ μžˆμ—ˆμ£ .
And lots of little parades.
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ν• μ•„λ²„μ§€λŠ” μ €λ₯Ό μ’…μ’… λ°λ €κ°€μ„œ κΈΈκ°€ λͺ¨ν‰μ΄μ— μ„œμ„œ 제 손을 작고 κ³„μ…¨μŠ΅λ‹ˆλ‹€. 그리고 μ œκ°€ 고개λ₯Ό λ“€λ©΄ λˆˆλ¬Όμ„ ν˜λ¦¬μ‹œλŠ” 것을 λ³Ό 수 μžˆμ—ˆμ–΄μš”
My grandfather used to take me and we'd stand on the street corner, he'd hold my hand, and I'd look up and I'd see a tear running down his eye.
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ν• μ•„λ²„μ§€λŠ” 제게 무척 μ€‘μš”ν•œ λΆ„μ΄μ—ˆμŠ΅λ‹ˆλ‹€,
And he meant a great deal to me.
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ν• μ•„λ²„μ§€λŠ” λ―Έκ΅­ λŒ€ν†΅λ Ήμ—κ²Œλ„ μ’…μ’… νŽΈμ§€λ₯Ό μ“°μ…¨μŠ΅λ‹ˆλ‹€.
And he used to write presidents of the United States.
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항상 νŽΈμ§€μ˜ μ‹œμž‘μ€ "μΉœμ• ν•˜λŠ” λŒ€ν†΅λ Ήλ‹˜"μ΄μ—ˆκ³  λŒ€ν†΅λ Ήλ‹˜μ΄ 잘 ν•˜μ‹  것에 λŒ€ν•΄ νŽΈμ§€λ₯Ό μΌμŠ΅λ‹ˆλ‹€.
Every letter started, "My dearest, darling Mr. President," and he'd tell him something wonderful about what he did.
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κ·ΈλŸ¬λ‚˜ λŒ€ν†΅λ Ήλ‹˜κ»˜ λ°˜λŒ€ν•  λ•ŒλŠ” μ΄λ ‡κ²Œ μ“°μ…¨μŠ΅λ‹ˆλ‹€. "μΉœμ• ν•˜λŠ” λŒ€ν†΅λ Ήλ‹˜ μ œκ°€ μ €λ²ˆμ£Όμ— 말씀 λ“œλ¦¬μ§€ μ•Šμ•˜λ‚˜μš”?"
But when he disagreed with the President, he also wrote, "My dearest, darling Mr. President, Didn't I tell you last week ...?"
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그리고 μ €λŠ” 항상 계단을 λ‚΄λ €κ°€μ„œ νŽΈμ§€λ₯Ό λ“€κ³ μ™”μŠ΅λ‹ˆλ‹€.
And I would run down the stairs every now and then and pick up the mail.
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μ €ν¬λŠ” μ½”λ„€ν‹°μ»·, 뉴헀이븐, μš”ν¬κ°€ 74λ²ˆμ§€ 3측에 μ‚΄κ³  μžˆμ—ˆμŠ΅λ‹ˆλ‹€.
We were three flights up, 74 York Street, New Haven, Connecticut.
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그리고 λ΄‰νˆ¬μ— 써진 μ£Όμ†Œλ₯Ό μ½μ—ˆμŠ΅λ‹ˆλ‹€. "Shya C. μ—μ„œ 보낸 νŽΈμ§€ μž…λ‹ˆλ‹€."
And I'd pick up a little white envelope reading, "Shya C. called at this address."
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이게 할아버지에 λŒ€ν•œ μ΄μ•ΌκΈ°μž…λ‹ˆλ‹€. 에릭: 할아버지가 λ‹΅μž₯을 λ°›μ•˜κ΅°μš”? λ…Έλ¨Ό: λ‹΅μž₯을 λ°›μ•˜μŠ΅λ‹ˆλ‹€.
And that's the story I have told about my grandfather -- EH: They wrote him back on the envelopes -- NL: They wrote back.
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κ·ΈλŸ¬λ‚˜ μ‚¬λžŒλ“€ μ•žμ— μ„œμ„œ μ˜›λ‚ μ— ν•„ λ„λ‚˜νœ΄μ™€μ˜ 인터뷰 이전에도 λ‹€λ₯Έ μ‚¬λžŒλ“€κ³Ό μ œκ°€ 이 이야기λ₯Ό λ§Žμ€ μΈν„°λ·°μ—μ„œ ν–ˆλŠ”λ°
But I have shown them myself, going way back to Phil Donahue and others before him, literally dozens of interviews in which I told that story.
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μ•„λ§ˆ 이번이 이 이야기가 거짓말이라고 두 번째둜 밝히게 λμŠ΅λ‹ˆλ‹€.
This will be the second time I have said the whole story was a lie.
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사싀은 제 ν• μ•„λ²„μ§€λŠ” μ €λ₯Ό νΌλ ˆμ΄λ“œμ— 데렀가셨고 μ €ν¬λŠ” 그런 νΌλ ˆμ΄λ“œμ— 많이 κ°”μŠ΅λ‹ˆλ‹€.
The truth was my grandfather took me to parades, we had lots of those.
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사싀은 ν•œμ€„κΈ°μ˜ λˆˆλ¬Όμ„ 흘린 것이고
The truth is a tear came down his eye.
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가끔 νŽΈμ§€λ₯Ό μΌλ‹€λŠ” κ²ƒμž…λ‹ˆλ‹€. 그리고 νŽΈμ§€κ°€ 였면 μ œκ°€ μ§‘μ–΄μ™”μ£ .
The truth is he would write an occasional letter, and I did pick up those little envelopes.
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κ·ΈλŸ¬λ‚˜ "μΉœμ• ν•˜λŠ” λŒ€ν†΅λ Ήλ‹˜" 그리고 κ·Έ λ‚˜λ¨Έμ§€λŠ” λ‹€ 제 친ꡬ 이야기λ₯Ό κ°€μ Έμ˜¨ κ²ƒμž…λ‹ˆλ‹€. 제 친ꡬ 할아버지가 그런 λΆ„μ΄μ…¨μŠ΅λ‹ˆλ‹€.
But "My dearest darling Mr. President," all the rest of it, is a story I borrowed from a good friend whose grandfather was that grandfather who wrote those letters.
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제 말은, μ œκ°€ μ•„μ„œ λ§ˆμ…œμ˜ 할아버지λ₯Ό ν›”μ³€κ³  그리고 제 할아버지인 μ–‘ ν–ˆμŠ΅λ‹ˆλ‹€.
And, I mean, I stole Arthur Marshall's grandfather and made him my own.
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항상
Always.
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μ œκ°€ μžμ„œμ „μ„ μ“°κΈ° μ‹œμž‘ν–ˆμ„ λ•Œ "이런 것도 --" 이건 μ–΄λ–»μŠ΅λ‹ˆκΉŒ?
When I started to write my memoir -- "Even this --" How about that?
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"μ €λŠ” 이런 것도 κ²½ν—˜ν–ˆμ–΄μš”."
"Even This I Get to Experience."
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μ œκ°€ μžμ„œμ „μ„ μ“Έ λ•Œ μ œκ°€ κ·Έ 것에 λŒ€ν•΄ 생각을 히게 λ˜μ—ˆκ³  그리고 μ €λŠ” μ €λŠ” μƒλ‹Ήνžˆ μšΈμ—ˆμŠ΅λ‹ˆλ‹€. 그리고 μ €λŠ” μ œκ°€ μ–Όλ§ˆλ‚˜ 아버지가 ν•„μš”ν–ˆλŠ”μ§€ κΉ¨λ‹¬μ•˜μŠ΅λ‹ˆλ‹€.
When I started to write the memoir and I started to think about it, and then I -- I -- I did a reasonable amount of crying, and I realized how much I needed the father.
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μ–Όλ§ˆλ‚˜ ν•„μš”ν–ˆμœΌλ©΄ μ œκ°€ μ•„μ„œ λ§ˆμ…€μ˜ 할아버지λ₯Ό λ„μš©ν–ˆκ² μŠ΅λ‹ˆκΉŒ.
So much so that I appropriated Arthur Marshall's grandfather.
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μ–Όλ§ˆλ‚˜ "아버지"λΌλŠ” 단어가 말이죠. μ €λŠ” 6λͺ…μ˜ 아이가 μžˆμŠ΅λ‹ˆλ‹€.
So much so, the word "father" -- I have six kids by the way.
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μ œκ°€ μ’‹μ•„ν•˜λŠ” 역할은
My favorite role in life.
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아버지와 제 뢀인 린의 λ‚¨νŽΈ μ—­ν•  μž…λ‹ˆλ‹€.
It and husband to my wife Lyn.
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ν•˜μ§€λ§Œ μ €λŠ” 아버지가 ν•„μš”ν•΄μ„œ ν•œ λ‚¨μžμ˜ 신뢄을 ν›”μ³€μŠ΅λ‹ˆλ‹€.
But I stole the man's identity because I needed the father.
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μ§€κΈˆ μ €λŠ” λ§Žμ€ 것을 κ²½ν—˜ν•˜κ³  이 μžλ¦¬κΉŒμ§€ 였게 λ˜μ—ˆμŠ΅λ‹ˆλ‹€. 그리고 μ €λŠ” 아버지λ₯Ό μš©μ„œ ν–ˆμŠ΅λ‹ˆλ‹€. κ°€μž₯ 졜고의, μ•„λ‹ˆμ£ . κ°€μž₯ μ΅œμ•…μœΌλ‘œ μ œκ°€ --. 아버지에 λŒ€ν•΄μ„œ 생각해봀을 λ•Œ μ œκ°€ μ“°κ³  싢은 λ‹¨μ–΄λŠ” μ•„λ²„μ§€λŠ” μ•…λ‹Ήμ΄λΌλŠ” κ²ƒμž…λ‹ˆλ‹€.
Now I've gone through a whole lot of shit and come out on the other side, and I forgive my father -- the best thing I -- the worst thing I -- The word I'd like to use about him and think about him is -- he was a rascal.
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아버지가 κ±°μ§“λ§ν•˜κ³  ν›”μΉ˜κ³  사기λ₯Ό μ³μ„œ 감μ˜₯에 κ°”λ‹€λŠ” 것을
The fact that he lied and stole and cheated and went to prison ...
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μ €λŠ” 'μ•…λ‹Ή'μ΄λΌλŠ” 말에 λ‚΄ν¬μ‹œν‚€κ³  μ‹ΆμŠ΅λ‹ˆλ‹€.
I submerge that in the word "rascal."
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에릭: μ•„λ§ˆμΆ”μ–΄λŠ” 빌리고 ν”„λ‘œλŠ” ν›”μΉœλ‹€λŠ” 말이 있죠,
EH: Well there's a saying that amateurs borrow and professionals steal.
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λ…Έλ¨Ό: μ €λŠ” ν”„λ‘œμž…λ‹ˆλ‹€.
NL: I'm a pro.
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에릭: ν”„λ‘œμ΄μ‹­λ‹ˆλ‹€.
EH: You're a pro.
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그리고 μ‘΄ λ ˆλ„Œμ΄ 이 말을 ν•œ κ²ƒμœΌλ‘œ μ•Œλ €μ Έμžˆμ§€λ§Œ 사싀은 T.S μ—˜λ¦¬μ—‡μ΄ ν•œ 말을 κ·Έκ°€ ν›”μΉœ 것이라고 ν•©λ‹ˆλ‹€.
And that quote is widely attributed to John Lennon, but it turns out he stole it from T.S. Eliot.
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κ·ΈλŸ¬λ‹ˆκΉŒ λ‹Ήμ‹ λ§Œ 그런 건 μ•„λ‹™λ‹ˆλ‹€.
So you're in good company.
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에릭: λ‹Ήμ‹ μ˜ μž‘ν’ˆμ— λŒ€ν•΄μ„œ 이야기 ν•˜κ³  μ‹Άμ€λ°μš”.
EH: I want to talk about your work.
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λ¬Όλ‘  μž‘ν’ˆμ˜ 영ν–₯λ ₯에 λŒ€ν•΄μ„œλŠ” 잘 μ•Œλ €μ Έ 있고 μ‚΄μ•„μ˜€λ©΄μ„œ 항상 λ“€μœΌμ…¨μ„ 거라고 μƒκ°ν•©λ‹ˆλ‹€. μ‚¬λžŒλ“€μ—κ²Œ μ–΄λ–€ μ˜λ―ΈμΈμ§€ λ¬Έν™”μ μœΌλ‘œ μ–΄λ–€ 영ν–₯을 λΌμ³€λŠ”μ§€ ν”„λ‘œκ·Έλž¨ 이름을 읽을 λ•Œ 받은 λ°•μˆ˜λ₯Ό 톡해 λ“€μœΌμ…¨κ³  μ—¬κΈ° λͺ¨μΈ μ‚¬λžŒμ˜ 절반 이상이 λ‹Ήμ‹ μ˜ μž‘ν’ˆμ— μ˜κ°μ„ λ°›μ•˜μŠ΅λ‹ˆλ‹€.
Obviously the impact of your work has been written about and I'm sure you've heard about it all your life: what it meant to people, what it meant to our culture, you heard the applause when I just named the names of the shows, you raised half the people in the room through your work.
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그런데 이런 μž‘ν’ˆμ˜ 영ν–₯에 λŒ€ν•œ 이야기 쀑에 쀑에 당신을 λ†€λΌκ²Œ ν•œ 것이 μžˆμ—ˆμŠ΅λ‹ˆκΉŒ?
But have there ever been any stories about the impact of your work that surprised you?
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λ…Έλ¨Ό: 였 ν•˜λŠλ‹˜... μ €λ₯Ό 정말 λ†€λΌκ²Œν•˜κ³  기쁘게 ν•œ μ΄μ•ΌκΈ°λŠ”
NL: Oh, god -- surprised me and delighted me from head to toe.
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μž‘λ…„μ— "λ…Έλ¨Ό λ ˆμ–΄μ™€ ν•¨κ»˜ν•œ 저녁" μ΄λž€ μž‘ν’ˆμ΄ μžˆμ—ˆμŠ΅λ‹ˆλ‹€. κ·Έ νž™ν•© ν”„λ‘œλ“€μ„œλ“€κ³Ό, κ³΅μ—°μžλ“€μ΄ 아카데미에 λͺ¨μ—¬μ„œ
There was "An Evening with Norman Lear" within the last year that a group of hip-hop impresarios, performers and the Academy put together.
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λΆ€μ œλ₯Ό λΆ™μ˜€λŠ”λ°
The subtext of "An Evening with ..."
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92μ„Έμ˜ μœ λŒ€μΈκ³Ό 그리고 92μ„Έμ˜ 노인과 νž™ν•©μ˜ 곡톡점은 무엇인가? μ΄μ—ˆμŠ΅λ‹ˆλ‹€.
was: What do a 92-year-old Jew -- then 92 -- and the world of hip-hop have in common?
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λŸ¬μ…€ μ‹œλͺ¬μŠ€λŠ” λ¬΄λŒ€μ— 였λ₯Έ 7λͺ… 쀑에 ν•œ λͺ…μž…λ‹ˆλ‹€.
Russell Simmons was among seven on the stage.
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κ·Έκ°€ 쇼에 λŒ€ν•΄ 이야기 ν–ˆμ„ λ•Œ κ·ΈλŠ” ν• λ¦¬μš°λ“œμ— λŒ€ν•΄ μ΄μ•ΌκΈ°ν•˜μ§€ μ•Šμ•˜μŠ΅λ‹ˆλ‹€. "μ œνΌμŠ¨κ°€ μ‚¬λžŒλ“€"에 λ‚˜μ˜€λŠ” μ‘°μ§€ μ œνΌμŠ¨μ΄λ‚˜ 5μœ„λ₯Ό ν–ˆλ˜ μ‡ΌλΌλ˜κ°€
And when he talked about the shows, he wasn't talking about the Hollywood, George Jefferson in "The Jeffersons," or the show that was a number five show.
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κ·ΈλŠ” κ°„λ‹¨ν•˜μ§€λ§Œ 큰 -- 에릭: 큰 영ν–₯을 μ€€ 것에 λŒ€ν•΄μ„œ?
He was talking about a simple thing that made a big -- EH: Impact on him?
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λ…Έλ¨Ό: 큰 영ν–₯을 μ€€ 것에 λŒ€ν•΄ 이야기 ν–ˆμŠ΅λ‹ˆλ‹€. μ €λŠ” "λ³€ν™”"λΌλŠ” 단어λ₯Ό μ“Έμ§€ 말지 κ³ λ―Όν•˜κ³  μžˆμ—ˆμŠ΅λ‹ˆλ‹€.
NL: An impact on him -- I was hesitating over the word, "change."
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μ €λŠ” μƒμƒν•˜κΈ°κ°€ μ–΄λ €μ›Œμ„œ 말이죠. λˆ„κ΅°κ°€μ˜ 삢을 λ°”κΎΌλ‹€λŠ” 것 말이죠. ν•˜μ§€λ§Œ κ·ΈλŠ” κ·Έλ ‡κ²Œ λ§ν–ˆμŠ΅λ‹ˆλ‹€.
It's hard for me to imagine, you know, changing somebody's life, but that's the way he put it.
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μ‘°μ§€ 제퍼슨이 "제퍼슨"μ΄λ¦„μœΌλ‘œ μˆ˜ν‘œλ₯Ό μ“°λŠ” 것을 보기 μ „μ—” 흑인도 μˆ˜ν‘œλ₯Ό μ“Έ 수 μžˆλ‹€λŠ” 것을 λͺ°λžλ‹€κ³  ν•©λ‹ˆλ‹€.
He saw George Jefferson write a check on "The Jeffersons," and he never knew that a black man could write a check.
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그리고 κ·ΈλŠ” 그것에 영ν–₯을 λ°›κ³  삢이 λ°”κΏ¨λ‹€κ³  ν•©λ‹ˆλ‹€.
And he says it just impacted his life so -- it changed his life.
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그리고 그런 것듀을 듀을 λ•Œ μž‘μ€ 것듀 말이죠 -- μ €λŠ” μ—¬κΈ° λͺ¨μ΄μ‹  λΆ„λ“€ 쀑에 λˆ„κ΅¬λ„ λ‚¨μ—κ²Œ ν–ˆλ˜ μž‘μ€ 것에 μ§€κΈˆκ» μ±…μž„μ„ κ°€μ§„ 뢄은 μ—†κΈ° λ•Œλ¬Έμ΄μ£ . 그것이 λˆ„κ΅°κ°€μ— 지은 λ―Έμ†ŒλΌλ“ μ§€ κΈ°λŒ€ν•˜μ§€ μ•Šμ•˜λ˜ 인사라든지 말이죠. 이처럼 μž‘μ€ μΌμ΄μ—ˆμŠ΅λ‹ˆλ‹€.
And when I hear things like that -- little things -- because I know that there isn't anybody in this audience that wasn't likely responsible today for some little thing they did for somebody, whether it's as little as a smile or an unexpected "Hello," that's how little this thing was.
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μ„ΈνŠΈμž₯의 μ½”λ””κ°€ μˆ˜ν‘œμ±…μ„ 거기에 μ˜¬λ €λ†“μ„ μˆ˜λ„ μžˆμ—ˆκ³  쑰지도 λŒ€μ‚¬ν•˜λ©΄μ„œ ν•  게 μ—†μ–΄μ„œ μˆ˜ν‘œλ₯Ό μ“΄ κ²ƒμž…λ‹ˆλ‹€. 잘 λͺ¨λ₯΄κ² μŠ΅λ‹ˆλ‹€.
It could have been the dresser of the set who put the checkbook on the thing, and George had nothing to do while he was speaking, so he wrote it, I don't know.
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κ·ΈλŸ¬λ‚˜ 에릭: κ·Έλž˜μ„œ μ œκ°€ λ§ν•œ κΈ΄ λͺ©λ‘μ— νž™ν•©λ„ λ§Œλ“€μ—ˆλ‹€κ³  언급을 ν–ˆμ–΄μ•Ό ν–ˆκ΅°μš”.
But -- EH: So in addition to the long list I shared in the beginning, I should have also mentioned that you invented hip-hop.
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λ…Έλ¨Ό: 뭐...
NL: Well ...
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에릭: μ œκ°€ 이야기 ν•˜κ³  싢은 것은 λ…Έλ¨Ό: 뭐, 그럼 ν•΄λ³΄μ„Έμš”.
EH: I want to talk about -- NL: Well, then do it.
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에릭: μ„±κ³Όλ₯Ό 많이 이룬 삢을 μ‚΄μ•„μ˜€μ…¨κ³  그것 말고도 μ‚Άμ˜ μ˜λ―Έλ„ 잘 μŒ“μ•„μ˜€μ…¨μŠ΅λ‹ˆλ‹€.
EH: You've lead a life of accomplishment, but you've also built a life of meaning.
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그리고 저희 λͺ¨λ‘κ°€ 두 κ°€μ§€ λͺ¨λ‘λ₯Ό ν•˜λ €κ³  λΆ„νˆ¬ν•˜μ§€λ§Œ μš°λ¦¬κ°€ λͺ¨λ‘ μ „λΆ€ μ΄λ£¨μ§€λŠ” λͺ»ν•©λ‹ˆλ‹€.
And all of us strive to do both of those things -- not all of us manage to.
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심지어 λͺ¨λ‘ 이룬 μ‚¬λžŒ μ€‘μ—μ„œλ„ μš°λ¦¬κ°€ κ·Έ λ‘˜μ„ μ–΄λ–»κ²Œ 같이 μ΄λ£¨μ—ˆλŠ”μ§€ κΉ¨λ‹«μ§€ λͺ»ν•  λ•Œκ°€ λŒ€λΆ€λΆ„μž…λ‹ˆλ‹€.
But even those of us who do manage to accomplish both of those, very rarely do we figure out how to do them together.
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당신은 예술둜 λ¬Έν™”λ₯Ό λ°œμ „μ‹œν‚€κ³  기둝적인 상업적 성곡도 μ΄λ£¨μ…¨μŠ΅λ‹ˆλ‹€.
You managed to push culture forward through your art while also achieving world-beating commercial success.
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μ–΄λ–»κ²Œ λ‘˜ λ‹€ ν•˜μ…¨μŠ΅λ‹ˆκΉŒ?
How did you do both?
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λ…Έλ¨Ό: μ œκ°€ μ§€κΈˆκΉŒμ§€ 이룬 것을 말씀해주셨을 λ•Œ 이런 생각을 ν–ˆμŠ΅λ‹ˆλ‹€.
NL: Here's where my mind goes when I hear that recitation of all I accomplished.
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이 행성은 μ‹­μ–΅ 개 쀑 ν•˜λ‚˜μž…λ‹ˆλ‹€. 행성은 μš°λ¦¬μž…λ‹ˆλ‹€. μš°μ£Όμ—μ„œ μˆ˜μ‹­μ–΅μ˜ -- μˆ˜μ‹­μ–΅μ˜ μš°μ£Όμ—μ„œ μˆ˜μ‹­μ–΅μ˜ 행성이 μžˆμŠ΅λ‹ˆλ‹€.
This planet is one of a billion, they tell us, in a universe of which there are billions -- billions of universes, billions of planets ...
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μš°λ¦¬κ°€ κ΅¬ν•˜λ €ν•˜κ³  ꡬ해야 ν•˜λŠ” κ²ƒλ“€μž…λ‹ˆλ‹€.
which we're trying to save and it requires saving.
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κ·ΈλŸ¬λ‚˜...
But ...
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