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38.4k
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529k
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[
"Kuru",
"present in work",
"Mahabharata"
] | Find the relation between <e1>Kuru<\e1> and <e2>Mahabharata<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | present in work | null | 22,898 |
[
"Arjuna",
"present in work",
"Mahabharata"
] | Find the relation between <e1>Arjuna<\e1> and <e2>Mahabharata<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | present in work | null | 22,899 |
[
"Kaurava",
"present in work",
"Mahabharata"
] | Find the relation between <e1>Kaurava<\e1> and <e2>Mahabharata<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | present in work | null | 22,900 |
[
"Pandavas",
"present in work",
"Mahabharata"
] | Find the relation between <e1>Pandavas<\e1> and <e2>Mahabharata<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | present in work | null | 22,901 |
[
"Parikshit",
"present in work",
"Mahabharata"
] | Find the relation between <e1>Parikshit<\e1> and <e2>Mahabharata<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | present in work | null | 22,902 |
[
"Hastinapur",
"present in work",
"Mahabharata"
] | Find the relation between <e1>Hastinapur<\e1> and <e2>Mahabharata<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | present in work | null | 22,903 |
[
"Mahabharata",
"characters",
"Vyasa"
] | Find the relation between <e1>Mahabharata<\e1> and <e2>Vyasa<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | characters | null | 22,904 |
[
"Uttarā",
"sibling",
"Uttar"
] | Find the relation between <e1>Uttarā<\e1> and <e2>Uttar<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | sibling | null | 22,905 |
[
"Mahabharata war",
"participant",
"Arjuna"
] | Find the relation between <e1>Mahabharata war<\e1> and <e2>Arjuna<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | participant | null | 22,906 |
[
"Virata",
"child",
"Uttar"
] | Find the relation between <e1>Virata<\e1> and <e2>Uttar<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | child | null | 22,909 |
[
"Mahabharata",
"characters",
"Ashathama"
] | Find the relation between <e1>Mahabharata<\e1> and <e2>Ashathama<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | characters | null | 22,911 |
[
"Mahabharata",
"characters",
"Parikshit"
] | Find the relation between <e1>Mahabharata<\e1> and <e2>Parikshit<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | characters | null | 22,912 |
[
"Uttar",
"present in work",
"Mahabharata"
] | Find the relation between <e1>Uttar<\e1> and <e2>Mahabharata<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | present in work | null | 22,913 |
[
"Mahabharata",
"characters",
"Dronacharya"
] | Find the relation between <e1>Mahabharata<\e1> and <e2>Dronacharya<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | characters | null | 22,914 |
[
"Mahabharata",
"characters",
"Uttarā"
] | Find the relation between <e1>Mahabharata<\e1> and <e2>Uttarā<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | characters | null | 22,916 |
[
"Uttar",
"sibling",
"Uttarā"
] | Find the relation between <e1>Uttar<\e1> and <e2>Uttarā<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | sibling | null | 22,917 |
[
"Mahabharata",
"characters",
"Duryodhana"
] | Find the relation between <e1>Mahabharata<\e1> and <e2>Duryodhana<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | characters | null | 22,918 |
[
"Abhimanyu",
"present in work",
"Mahabharata war"
] | Find the relation between <e1>Abhimanyu<\e1> and <e2>Mahabharata war<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | present in work | null | 22,919 |
[
"Mahabharata",
"characters",
"Uttar"
] | Find the relation between <e1>Mahabharata<\e1> and <e2>Uttar<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | characters | null | 22,920 |
[
"Arjuna",
"present in work",
"Mahabharata war"
] | Find the relation between <e1>Arjuna<\e1> and <e2>Mahabharata war<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | present in work | null | 22,922 |
[
"Uttar",
"father",
"Virata"
] | Find the relation between <e1>Uttar<\e1> and <e2>Virata<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | father | null | 22,923 |
[
"Arjuna",
"participant of",
"Mahabharata war"
] | Find the relation between <e1>Arjuna<\e1> and <e2>Mahabharata war<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | participant of | null | 22,924 |
[
"Mahabharata war",
"participant",
"Ashathama"
] | Find the relation between <e1>Mahabharata war<\e1> and <e2>Ashathama<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | participant | null | 22,925 |
[
"Mahabharata war",
"participant",
"Vyasa"
] | Find the relation between <e1>Mahabharata war<\e1> and <e2>Vyasa<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | participant | null | 22,926 |
[
"Mahabharata war",
"participant",
"Krishna"
] | Find the relation between <e1>Mahabharata war<\e1> and <e2>Krishna<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | participant | null | 22,927 |
[
"Mahabharata war",
"participant",
"Duryodhana"
] | Find the relation between <e1>Mahabharata war<\e1> and <e2>Duryodhana<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | participant | null | 22,928 |
[
"Ashathama",
"participant of",
"Mahabharata war"
] | Find the relation between <e1>Ashathama<\e1> and <e2>Mahabharata war<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | participant of | null | 22,929 |
[
"Vyasa",
"participant of",
"Mahabharata war"
] | Find the relation between <e1>Vyasa<\e1> and <e2>Mahabharata war<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | participant of | null | 22,930 |
[
"Krishna",
"participant of",
"Mahabharata war"
] | Find the relation between <e1>Krishna<\e1> and <e2>Mahabharata war<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | participant of | null | 22,931 |
[
"Duryodhana",
"participant of",
"Mahabharata war"
] | Find the relation between <e1>Duryodhana<\e1> and <e2>Mahabharata war<\e2>.
In the Hindu epic Mahabharata, Uttarā or Anglicized as Uttaraa (उत्तरा) was daughter of King Virata, at whose court the Pandavas spent a year in concealment during their exile. She was sister of Prince Uttar. It is also believed that Uttaraa had learnt dance from Arjuna during the Pandavas' year of exile - in the Matsya Kingdom. Living incognito, as was the term of the banishment, Arjuna lived a life of a eunuch and practiced his art of dance learnt from the apsaras in heaven. Once King Virata realized who Uttaraa's dance teacher was, he immediately proposed to offer his daughter to Arjuna. However, Arjuna explained to King Virata the doting relationship that a teacher has with his / her student is like that of a parent and child. He then proposed to make Uttaraa his daughter by marrying her to his son, Abhimanyu. Uttaraa was widowed at a very young age when Abhimanyu was killed in the Kurukshetra war. When Abhimanyu died, Uttaraa tried to burn herself on the pyre of Abhimanyu, but Krishna stopped her from doing so, informing her of her pregnancy. Towards the end of the Mahabharata war, with Uttaraa in labor, Ashwathama, son of Dronacharya, while trying to avenge the defeat of Duryodhana and the Kaurava army, engaged in a war with Arjuna. Knowing he could not best Arjuna conventionally, Ashathama invoked the potent Brahmastra, despite the promise he had made to the father / teacher that he would never use such a weapon. When Arjuna fired a Brahmastra to match, Vyasa intervened, commanding both warriors to withdraw their weapons. While Arjuna successfully did so, Ashwatthama did not possess the required knowledge. Krishna suggested that Ashwatthama redirect the weapon to an uninhabited place. Regretful, tired, but still vengeful, Ashwathama decided that if he could not end the Pandavas, he would end their lineage. He fired the weapon at Uttaraa's womb, attacking the fœtus form of Parikshit. Krishna intervened and revived the stillborn baby, giving Parikshit his name. As a punishment, Ashwathama was made to lose his source of power, the jewel that adorned his shining forehead. This loss of the jewel that adorned his forehead made Ashwathama lose his state of mental alertness and he was forced to retire to obscurity as a derelict in the forests. Parikshit became heir to the Kuru dynasty and eventually became king of Hastinapur. In due time, Parikshit gave Uttaraa a grandson, Janamejaya. | participant of | null | 22,932 |
[
"Lodi",
"located in the administrative territorial entity",
"Bergen County"
] | Find the relation between <e1>Lodi<\e1> and <e2>Bergen County<\e2>.
The Lodi Public Schools are a comprehensive community public school district that serves students in pre - kindergarten through twelfth grade from Lodi, in Bergen County, New Jersey, United States. As of the 2014 - 15 school year, the district and its seven schools had an enrollment of 3,486 students and 234.5 classroom teachers (on an FTE basis), for a student – teacher ratio of 14.9:1. The district is classified by the New Jersey Department of Education as being in District Factor Group " B ", the second - lowest of eight groupings. District Factor Groups organize districts statewide to allow comparison by common socioeconomic characteristics of the local districts. From lowest socioeconomic status to highest, the categories are A, B, CD, DE, FG, GH, I and J. | located in the administrative territorial entity | null | 23,219 |
[
"Lodi",
"country",
"United States"
] | Find the relation between <e1>Lodi<\e1> and <e2>United States<\e2>.
The Lodi Public Schools are a comprehensive community public school district that serves students in pre - kindergarten through twelfth grade from Lodi, in Bergen County, New Jersey, United States. As of the 2014 - 15 school year, the district and its seven schools had an enrollment of 3,486 students and 234.5 classroom teachers (on an FTE basis), for a student – teacher ratio of 14.9:1. The district is classified by the New Jersey Department of Education as being in District Factor Group " B ", the second - lowest of eight groupings. District Factor Groups organize districts statewide to allow comparison by common socioeconomic characteristics of the local districts. From lowest socioeconomic status to highest, the categories are A, B, CD, DE, FG, GH, I and J. | country | null | 23,220 |
[
"Bergen County",
"located in the administrative territorial entity",
"New Jersey"
] | Find the relation between <e1>Bergen County<\e1> and <e2>New Jersey<\e2>.
The Lodi Public Schools are a comprehensive community public school district that serves students in pre - kindergarten through twelfth grade from Lodi, in Bergen County, New Jersey, United States. As of the 2014 - 15 school year, the district and its seven schools had an enrollment of 3,486 students and 234.5 classroom teachers (on an FTE basis), for a student – teacher ratio of 14.9:1. The district is classified by the New Jersey Department of Education as being in District Factor Group " B ", the second - lowest of eight groupings. District Factor Groups organize districts statewide to allow comparison by common socioeconomic characteristics of the local districts. From lowest socioeconomic status to highest, the categories are A, B, CD, DE, FG, GH, I and J. | located in the administrative territorial entity | null | 23,221 |
[
"Bergen County",
"country",
"United States"
] | Find the relation between <e1>Bergen County<\e1> and <e2>United States<\e2>.
The Lodi Public Schools are a comprehensive community public school district that serves students in pre - kindergarten through twelfth grade from Lodi, in Bergen County, New Jersey, United States. As of the 2014 - 15 school year, the district and its seven schools had an enrollment of 3,486 students and 234.5 classroom teachers (on an FTE basis), for a student – teacher ratio of 14.9:1. The district is classified by the New Jersey Department of Education as being in District Factor Group " B ", the second - lowest of eight groupings. District Factor Groups organize districts statewide to allow comparison by common socioeconomic characteristics of the local districts. From lowest socioeconomic status to highest, the categories are A, B, CD, DE, FG, GH, I and J. | country | null | 23,222 |
[
"New Jersey",
"located in the administrative territorial entity",
"United States"
] | Find the relation between <e1>New Jersey<\e1> and <e2>United States<\e2>.
The Lodi Public Schools are a comprehensive community public school district that serves students in pre - kindergarten through twelfth grade from Lodi, in Bergen County, New Jersey, United States. As of the 2014 - 15 school year, the district and its seven schools had an enrollment of 3,486 students and 234.5 classroom teachers (on an FTE basis), for a student – teacher ratio of 14.9:1. The district is classified by the New Jersey Department of Education as being in District Factor Group " B ", the second - lowest of eight groupings. District Factor Groups organize districts statewide to allow comparison by common socioeconomic characteristics of the local districts. From lowest socioeconomic status to highest, the categories are A, B, CD, DE, FG, GH, I and J. | located in the administrative territorial entity | null | 23,224 |
[
"New Jersey",
"country",
"United States"
] | Find the relation between <e1>New Jersey<\e1> and <e2>United States<\e2>.
The Lodi Public Schools are a comprehensive community public school district that serves students in pre - kindergarten through twelfth grade from Lodi, in Bergen County, New Jersey, United States. As of the 2014 - 15 school year, the district and its seven schools had an enrollment of 3,486 students and 234.5 classroom teachers (on an FTE basis), for a student – teacher ratio of 14.9:1. The district is classified by the New Jersey Department of Education as being in District Factor Group " B ", the second - lowest of eight groupings. District Factor Groups organize districts statewide to allow comparison by common socioeconomic characteristics of the local districts. From lowest socioeconomic status to highest, the categories are A, B, CD, DE, FG, GH, I and J. | country | null | 23,225 |
[
"New Jersey Department of Education",
"applies to jurisdiction",
"New Jersey"
] | Find the relation between <e1>New Jersey Department of Education<\e1> and <e2>New Jersey<\e2>.
The Lodi Public Schools are a comprehensive community public school district that serves students in pre - kindergarten through twelfth grade from Lodi, in Bergen County, New Jersey, United States. As of the 2014 - 15 school year, the district and its seven schools had an enrollment of 3,486 students and 234.5 classroom teachers (on an FTE basis), for a student – teacher ratio of 14.9:1. The district is classified by the New Jersey Department of Education as being in District Factor Group " B ", the second - lowest of eight groupings. District Factor Groups organize districts statewide to allow comparison by common socioeconomic characteristics of the local districts. From lowest socioeconomic status to highest, the categories are A, B, CD, DE, FG, GH, I and J. | applies to jurisdiction | null | 23,227 |
[
"New Jersey Department of Education",
"country",
"United States"
] | Find the relation between <e1>New Jersey Department of Education<\e1> and <e2>United States<\e2>.
The Lodi Public Schools are a comprehensive community public school district that serves students in pre - kindergarten through twelfth grade from Lodi, in Bergen County, New Jersey, United States. As of the 2014 - 15 school year, the district and its seven schools had an enrollment of 3,486 students and 234.5 classroom teachers (on an FTE basis), for a student – teacher ratio of 14.9:1. The district is classified by the New Jersey Department of Education as being in District Factor Group " B ", the second - lowest of eight groupings. District Factor Groups organize districts statewide to allow comparison by common socioeconomic characteristics of the local districts. From lowest socioeconomic status to highest, the categories are A, B, CD, DE, FG, GH, I and J. | country | null | 23,228 |
[
"Lodi Public Schools",
"located in the administrative territorial entity",
"New Jersey"
] | Find the relation between <e1>Lodi Public Schools<\e1> and <e2>New Jersey<\e2>.
The Lodi Public Schools are a comprehensive community public school district that serves students in pre - kindergarten through twelfth grade from Lodi, in Bergen County, New Jersey, United States. As of the 2014 - 15 school year, the district and its seven schools had an enrollment of 3,486 students and 234.5 classroom teachers (on an FTE basis), for a student – teacher ratio of 14.9:1. The district is classified by the New Jersey Department of Education as being in District Factor Group " B ", the second - lowest of eight groupings. District Factor Groups organize districts statewide to allow comparison by common socioeconomic characteristics of the local districts. From lowest socioeconomic status to highest, the categories are A, B, CD, DE, FG, GH, I and J. | located in the administrative territorial entity | null | 23,229 |
[
"Lodi Public Schools",
"country",
"United States"
] | Find the relation between <e1>Lodi Public Schools<\e1> and <e2>United States<\e2>.
The Lodi Public Schools are a comprehensive community public school district that serves students in pre - kindergarten through twelfth grade from Lodi, in Bergen County, New Jersey, United States. As of the 2014 - 15 school year, the district and its seven schools had an enrollment of 3,486 students and 234.5 classroom teachers (on an FTE basis), for a student – teacher ratio of 14.9:1. The district is classified by the New Jersey Department of Education as being in District Factor Group " B ", the second - lowest of eight groupings. District Factor Groups organize districts statewide to allow comparison by common socioeconomic characteristics of the local districts. From lowest socioeconomic status to highest, the categories are A, B, CD, DE, FG, GH, I and J. | country | null | 23,230 |
[
"Lodi",
"located in the administrative territorial entity",
"United States"
] | Find the relation between <e1>Lodi<\e1> and <e2>United States<\e2>.
The Lodi Public Schools are a comprehensive community public school district that serves students in pre - kindergarten through twelfth grade from Lodi, in Bergen County, New Jersey, United States. As of the 2014 - 15 school year, the district and its seven schools had an enrollment of 3,486 students and 234.5 classroom teachers (on an FTE basis), for a student – teacher ratio of 14.9:1. The district is classified by the New Jersey Department of Education as being in District Factor Group " B ", the second - lowest of eight groupings. District Factor Groups organize districts statewide to allow comparison by common socioeconomic characteristics of the local districts. From lowest socioeconomic status to highest, the categories are A, B, CD, DE, FG, GH, I and J. | located in the administrative territorial entity | null | 23,231 |
[
"Bergen County",
"located in the administrative territorial entity",
"United States"
] | Find the relation between <e1>Bergen County<\e1> and <e2>United States<\e2>.
The Lodi Public Schools are a comprehensive community public school district that serves students in pre - kindergarten through twelfth grade from Lodi, in Bergen County, New Jersey, United States. As of the 2014 - 15 school year, the district and its seven schools had an enrollment of 3,486 students and 234.5 classroom teachers (on an FTE basis), for a student – teacher ratio of 14.9:1. The district is classified by the New Jersey Department of Education as being in District Factor Group " B ", the second - lowest of eight groupings. District Factor Groups organize districts statewide to allow comparison by common socioeconomic characteristics of the local districts. From lowest socioeconomic status to highest, the categories are A, B, CD, DE, FG, GH, I and J. | located in the administrative territorial entity | null | 23,232 |
[
"New Jersey Department of Education",
"located in the administrative territorial entity",
"United States"
] | Find the relation between <e1>New Jersey Department of Education<\e1> and <e2>United States<\e2>.
The Lodi Public Schools are a comprehensive community public school district that serves students in pre - kindergarten through twelfth grade from Lodi, in Bergen County, New Jersey, United States. As of the 2014 - 15 school year, the district and its seven schools had an enrollment of 3,486 students and 234.5 classroom teachers (on an FTE basis), for a student – teacher ratio of 14.9:1. The district is classified by the New Jersey Department of Education as being in District Factor Group " B ", the second - lowest of eight groupings. District Factor Groups organize districts statewide to allow comparison by common socioeconomic characteristics of the local districts. From lowest socioeconomic status to highest, the categories are A, B, CD, DE, FG, GH, I and J. | located in the administrative territorial entity | null | 23,233 |
[
"Lodi Public Schools",
"located in the administrative territorial entity",
"United States"
] | Find the relation between <e1>Lodi Public Schools<\e1> and <e2>United States<\e2>.
The Lodi Public Schools are a comprehensive community public school district that serves students in pre - kindergarten through twelfth grade from Lodi, in Bergen County, New Jersey, United States. As of the 2014 - 15 school year, the district and its seven schools had an enrollment of 3,486 students and 234.5 classroom teachers (on an FTE basis), for a student – teacher ratio of 14.9:1. The district is classified by the New Jersey Department of Education as being in District Factor Group " B ", the second - lowest of eight groupings. District Factor Groups organize districts statewide to allow comparison by common socioeconomic characteristics of the local districts. From lowest socioeconomic status to highest, the categories are A, B, CD, DE, FG, GH, I and J. | located in the administrative territorial entity | null | 23,234 |
[
"Lodi",
"located in the administrative territorial entity",
"New Jersey"
] | Find the relation between <e1>Lodi<\e1> and <e2>New Jersey<\e2>.
The Lodi Public Schools are a comprehensive community public school district that serves students in pre - kindergarten through twelfth grade from Lodi, in Bergen County, New Jersey, United States. As of the 2014 - 15 school year, the district and its seven schools had an enrollment of 3,486 students and 234.5 classroom teachers (on an FTE basis), for a student – teacher ratio of 14.9:1. The district is classified by the New Jersey Department of Education as being in District Factor Group " B ", the second - lowest of eight groupings. District Factor Groups organize districts statewide to allow comparison by common socioeconomic characteristics of the local districts. From lowest socioeconomic status to highest, the categories are A, B, CD, DE, FG, GH, I and J. | located in the administrative territorial entity | null | 23,235 |
[
"Virginia Beach",
"located in the administrative territorial entity",
"Virginia"
] | Find the relation between <e1>Virginia Beach<\e1> and <e2>Virginia<\e2>.
False Cape Natural Area Preserve is a Natural Area Preserve located in Virginia Beach, Virginia, just north of the state border with North Carolina. The preserve covers a strip of largely undeveloped land located on False Cape between the Atlantic Ocean and Back Bay, and is one of the most undisturbed areas of coastal habitat remaining in the Mid - Atlantic. The preserve protects a variety of wetland and upland habitats, including maritime and swamp forest, interdunal wetlands, and Back Bay marshes. It also hosts various plants and animals rare in Virginia, more than two dozen in all ; many of these are southern species at the northern limit of their range in far southern Virginia. Many birds also come to the area during the fall and spring migrations. The preserve is owned and maintained by the Virginia Department of Conservation and Recreation as part of False Cape State Park, and comprises the undeveloped portions of the park ; these were dedicated as a Natural Area Preserve in 2002. The preserve, like the remainder of False Cape State Park, is not publicly accessible by vehicle. The nearest parking is approximately from the preserve, which can be accessed by hiking, boating, or via a seasonal shuttle. Visitors must travel through Back Bay National Wildlife Refuge, which assesses a separate access fee. | located in the administrative territorial entity | null | 23,254 |
[
"False Cape",
"located in the administrative territorial entity",
"Virginia"
] | Find the relation between <e1>False Cape<\e1> and <e2>Virginia<\e2>.
False Cape Natural Area Preserve is a Natural Area Preserve located in Virginia Beach, Virginia, just north of the state border with North Carolina. The preserve covers a strip of largely undeveloped land located on False Cape between the Atlantic Ocean and Back Bay, and is one of the most undisturbed areas of coastal habitat remaining in the Mid - Atlantic. The preserve protects a variety of wetland and upland habitats, including maritime and swamp forest, interdunal wetlands, and Back Bay marshes. It also hosts various plants and animals rare in Virginia, more than two dozen in all ; many of these are southern species at the northern limit of their range in far southern Virginia. Many birds also come to the area during the fall and spring migrations. The preserve is owned and maintained by the Virginia Department of Conservation and Recreation as part of False Cape State Park, and comprises the undeveloped portions of the park ; these were dedicated as a Natural Area Preserve in 2002. The preserve, like the remainder of False Cape State Park, is not publicly accessible by vehicle. The nearest parking is approximately from the preserve, which can be accessed by hiking, boating, or via a seasonal shuttle. Visitors must travel through Back Bay National Wildlife Refuge, which assesses a separate access fee. | located in the administrative territorial entity | null | 23,258 |
[
"False Cape State Park",
"located in the administrative territorial entity",
"Virginia Beach"
] | Find the relation between <e1>False Cape State Park<\e1> and <e2>Virginia Beach<\e2>.
False Cape Natural Area Preserve is a Natural Area Preserve located in Virginia Beach, Virginia, just north of the state border with North Carolina. The preserve covers a strip of largely undeveloped land located on False Cape between the Atlantic Ocean and Back Bay, and is one of the most undisturbed areas of coastal habitat remaining in the Mid - Atlantic. The preserve protects a variety of wetland and upland habitats, including maritime and swamp forest, interdunal wetlands, and Back Bay marshes. It also hosts various plants and animals rare in Virginia, more than two dozen in all ; many of these are southern species at the northern limit of their range in far southern Virginia. Many birds also come to the area during the fall and spring migrations. The preserve is owned and maintained by the Virginia Department of Conservation and Recreation as part of False Cape State Park, and comprises the undeveloped portions of the park ; these were dedicated as a Natural Area Preserve in 2002. The preserve, like the remainder of False Cape State Park, is not publicly accessible by vehicle. The nearest parking is approximately from the preserve, which can be accessed by hiking, boating, or via a seasonal shuttle. Visitors must travel through Back Bay National Wildlife Refuge, which assesses a separate access fee. | located in the administrative territorial entity | null | 23,259 |
[
"False Cape State Park",
"located in the administrative territorial entity",
"Virginia"
] | Find the relation between <e1>False Cape State Park<\e1> and <e2>Virginia<\e2>.
False Cape Natural Area Preserve is a Natural Area Preserve located in Virginia Beach, Virginia, just north of the state border with North Carolina. The preserve covers a strip of largely undeveloped land located on False Cape between the Atlantic Ocean and Back Bay, and is one of the most undisturbed areas of coastal habitat remaining in the Mid - Atlantic. The preserve protects a variety of wetland and upland habitats, including maritime and swamp forest, interdunal wetlands, and Back Bay marshes. It also hosts various plants and animals rare in Virginia, more than two dozen in all ; many of these are southern species at the northern limit of their range in far southern Virginia. Many birds also come to the area during the fall and spring migrations. The preserve is owned and maintained by the Virginia Department of Conservation and Recreation as part of False Cape State Park, and comprises the undeveloped portions of the park ; these were dedicated as a Natural Area Preserve in 2002. The preserve, like the remainder of False Cape State Park, is not publicly accessible by vehicle. The nearest parking is approximately from the preserve, which can be accessed by hiking, boating, or via a seasonal shuttle. Visitors must travel through Back Bay National Wildlife Refuge, which assesses a separate access fee. | located in the administrative territorial entity | null | 23,260 |
[
"Back Bay National Wildlife Refuge",
"located in the administrative territorial entity",
"Virginia"
] | Find the relation between <e1>Back Bay National Wildlife Refuge<\e1> and <e2>Virginia<\e2>.
False Cape Natural Area Preserve is a Natural Area Preserve located in Virginia Beach, Virginia, just north of the state border with North Carolina. The preserve covers a strip of largely undeveloped land located on False Cape between the Atlantic Ocean and Back Bay, and is one of the most undisturbed areas of coastal habitat remaining in the Mid - Atlantic. The preserve protects a variety of wetland and upland habitats, including maritime and swamp forest, interdunal wetlands, and Back Bay marshes. It also hosts various plants and animals rare in Virginia, more than two dozen in all ; many of these are southern species at the northern limit of their range in far southern Virginia. Many birds also come to the area during the fall and spring migrations. The preserve is owned and maintained by the Virginia Department of Conservation and Recreation as part of False Cape State Park, and comprises the undeveloped portions of the park ; these were dedicated as a Natural Area Preserve in 2002. The preserve, like the remainder of False Cape State Park, is not publicly accessible by vehicle. The nearest parking is approximately from the preserve, which can be accessed by hiking, boating, or via a seasonal shuttle. Visitors must travel through Back Bay National Wildlife Refuge, which assesses a separate access fee. | located in the administrative territorial entity | null | 23,261 |
[
"False Cape Natural Area Preserve",
"located in the administrative territorial entity",
"Virginia"
] | Find the relation between <e1>False Cape Natural Area Preserve<\e1> and <e2>Virginia<\e2>.
False Cape Natural Area Preserve is a Natural Area Preserve located in Virginia Beach, Virginia, just north of the state border with North Carolina. The preserve covers a strip of largely undeveloped land located on False Cape between the Atlantic Ocean and Back Bay, and is one of the most undisturbed areas of coastal habitat remaining in the Mid - Atlantic. The preserve protects a variety of wetland and upland habitats, including maritime and swamp forest, interdunal wetlands, and Back Bay marshes. It also hosts various plants and animals rare in Virginia, more than two dozen in all ; many of these are southern species at the northern limit of their range in far southern Virginia. Many birds also come to the area during the fall and spring migrations. The preserve is owned and maintained by the Virginia Department of Conservation and Recreation as part of False Cape State Park, and comprises the undeveloped portions of the park ; these were dedicated as a Natural Area Preserve in 2002. The preserve, like the remainder of False Cape State Park, is not publicly accessible by vehicle. The nearest parking is approximately from the preserve, which can be accessed by hiking, boating, or via a seasonal shuttle. Visitors must travel through Back Bay National Wildlife Refuge, which assesses a separate access fee. | located in the administrative territorial entity | null | 23,262 |
[
"False Cape",
"located in the administrative territorial entity",
"Virginia Beach"
] | Find the relation between <e1>False Cape<\e1> and <e2>Virginia Beach<\e2>.
False Cape Natural Area Preserve is a Natural Area Preserve located in Virginia Beach, Virginia, just north of the state border with North Carolina. The preserve covers a strip of largely undeveloped land located on False Cape between the Atlantic Ocean and Back Bay, and is one of the most undisturbed areas of coastal habitat remaining in the Mid - Atlantic. The preserve protects a variety of wetland and upland habitats, including maritime and swamp forest, interdunal wetlands, and Back Bay marshes. It also hosts various plants and animals rare in Virginia, more than two dozen in all ; many of these are southern species at the northern limit of their range in far southern Virginia. Many birds also come to the area during the fall and spring migrations. The preserve is owned and maintained by the Virginia Department of Conservation and Recreation as part of False Cape State Park, and comprises the undeveloped portions of the park ; these were dedicated as a Natural Area Preserve in 2002. The preserve, like the remainder of False Cape State Park, is not publicly accessible by vehicle. The nearest parking is approximately from the preserve, which can be accessed by hiking, boating, or via a seasonal shuttle. Visitors must travel through Back Bay National Wildlife Refuge, which assesses a separate access fee. | located in the administrative territorial entity | null | 23,264 |
[
"Natural Area Preserve",
"located in the administrative territorial entity",
"Virginia"
] | Find the relation between <e1>Natural Area Preserve<\e1> and <e2>Virginia<\e2>.
False Cape Natural Area Preserve is a Natural Area Preserve located in Virginia Beach, Virginia, just north of the state border with North Carolina. The preserve covers a strip of largely undeveloped land located on False Cape between the Atlantic Ocean and Back Bay, and is one of the most undisturbed areas of coastal habitat remaining in the Mid - Atlantic. The preserve protects a variety of wetland and upland habitats, including maritime and swamp forest, interdunal wetlands, and Back Bay marshes. It also hosts various plants and animals rare in Virginia, more than two dozen in all ; many of these are southern species at the northern limit of their range in far southern Virginia. Many birds also come to the area during the fall and spring migrations. The preserve is owned and maintained by the Virginia Department of Conservation and Recreation as part of False Cape State Park, and comprises the undeveloped portions of the park ; these were dedicated as a Natural Area Preserve in 2002. The preserve, like the remainder of False Cape State Park, is not publicly accessible by vehicle. The nearest parking is approximately from the preserve, which can be accessed by hiking, boating, or via a seasonal shuttle. Visitors must travel through Back Bay National Wildlife Refuge, which assesses a separate access fee. | located in the administrative territorial entity | null | 23,265 |
[
"Back Bay marshes",
"located in the administrative territorial entity",
"Virginia"
] | Find the relation between <e1>Back Bay marshes<\e1> and <e2>Virginia<\e2>.
False Cape Natural Area Preserve is a Natural Area Preserve located in Virginia Beach, Virginia, just north of the state border with North Carolina. The preserve covers a strip of largely undeveloped land located on False Cape between the Atlantic Ocean and Back Bay, and is one of the most undisturbed areas of coastal habitat remaining in the Mid - Atlantic. The preserve protects a variety of wetland and upland habitats, including maritime and swamp forest, interdunal wetlands, and Back Bay marshes. It also hosts various plants and animals rare in Virginia, more than two dozen in all ; many of these are southern species at the northern limit of their range in far southern Virginia. Many birds also come to the area during the fall and spring migrations. The preserve is owned and maintained by the Virginia Department of Conservation and Recreation as part of False Cape State Park, and comprises the undeveloped portions of the park ; these were dedicated as a Natural Area Preserve in 2002. The preserve, like the remainder of False Cape State Park, is not publicly accessible by vehicle. The nearest parking is approximately from the preserve, which can be accessed by hiking, boating, or via a seasonal shuttle. Visitors must travel through Back Bay National Wildlife Refuge, which assesses a separate access fee. | located in the administrative territorial entity | null | 23,267 |
[
"Back Bay",
"located in the administrative territorial entity",
"Virginia"
] | Find the relation between <e1>Back Bay<\e1> and <e2>Virginia<\e2>.
False Cape Natural Area Preserve is a Natural Area Preserve located in Virginia Beach, Virginia, just north of the state border with North Carolina. The preserve covers a strip of largely undeveloped land located on False Cape between the Atlantic Ocean and Back Bay, and is one of the most undisturbed areas of coastal habitat remaining in the Mid - Atlantic. The preserve protects a variety of wetland and upland habitats, including maritime and swamp forest, interdunal wetlands, and Back Bay marshes. It also hosts various plants and animals rare in Virginia, more than two dozen in all ; many of these are southern species at the northern limit of their range in far southern Virginia. Many birds also come to the area during the fall and spring migrations. The preserve is owned and maintained by the Virginia Department of Conservation and Recreation as part of False Cape State Park, and comprises the undeveloped portions of the park ; these were dedicated as a Natural Area Preserve in 2002. The preserve, like the remainder of False Cape State Park, is not publicly accessible by vehicle. The nearest parking is approximately from the preserve, which can be accessed by hiking, boating, or via a seasonal shuttle. Visitors must travel through Back Bay National Wildlife Refuge, which assesses a separate access fee. | located in the administrative territorial entity | null | 23,268 |
[
"Natural Area Preserve",
"located in the administrative territorial entity",
"Virginia"
] | Find the relation between <e1>Natural Area Preserve<\e1> and <e2>Virginia<\e2>.
False Cape Natural Area Preserve is a Natural Area Preserve located in Virginia Beach, Virginia, just north of the state border with North Carolina. The preserve covers a strip of largely undeveloped land located on False Cape between the Atlantic Ocean and Back Bay, and is one of the most undisturbed areas of coastal habitat remaining in the Mid - Atlantic. The preserve protects a variety of wetland and upland habitats, including maritime and swamp forest, interdunal wetlands, and Back Bay marshes. It also hosts various plants and animals rare in Virginia, more than two dozen in all ; many of these are southern species at the northern limit of their range in far southern Virginia. Many birds also come to the area during the fall and spring migrations. The preserve is owned and maintained by the Virginia Department of Conservation and Recreation as part of False Cape State Park, and comprises the undeveloped portions of the park ; these were dedicated as a Natural Area Preserve in 2002. The preserve, like the remainder of False Cape State Park, is not publicly accessible by vehicle. The nearest parking is approximately from the preserve, which can be accessed by hiking, boating, or via a seasonal shuttle. Visitors must travel through Back Bay National Wildlife Refuge, which assesses a separate access fee. | located in the administrative territorial entity | null | 23,269 |
[
"Prasarana Malaysia",
"country",
"Malaysian"
] | Find the relation between <e1>Prasarana Malaysia<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | country | null | 23,365 |
[
"Kedah",
"located in the administrative territorial entity",
"Malaysian"
] | Find the relation between <e1>Kedah<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | located in the administrative territorial entity | null | 23,366 |
[
"Kedah",
"country",
"Malaysian"
] | Find the relation between <e1>Kedah<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | country | null | 23,367 |
[
"Kuala Lumpur",
"located in the administrative territorial entity",
"Malaysian"
] | Find the relation between <e1>Kuala Lumpur<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | located in the administrative territorial entity | null | 23,368 |
[
"Kuala Lumpur",
"country",
"Malaysian"
] | Find the relation between <e1>Kuala Lumpur<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | country | null | 23,369 |
[
"Penang",
"located in the administrative territorial entity",
"Malaysian"
] | Find the relation between <e1>Penang<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | located in the administrative territorial entity | null | 23,370 |
[
"Penang",
"country",
"Malaysian"
] | Find the relation between <e1>Penang<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | country | null | 23,371 |
[
"Perak",
"located in the administrative territorial entity",
"Malaysian"
] | Find the relation between <e1>Perak<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | located in the administrative territorial entity | null | 23,372 |
[
"Perak",
"country",
"Malaysian"
] | Find the relation between <e1>Perak<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | country | null | 23,373 |
[
"Rapid Penang",
"owned by",
"Prasarana Malaysia"
] | Find the relation between <e1>Rapid Penang<\e1> and <e2>Prasarana Malaysia<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | owned by | null | 23,374 |
[
"Rapid Penang",
"headquarters location",
"Penang"
] | Find the relation between <e1>Rapid Penang<\e1> and <e2>Penang<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | headquarters location | null | 23,376 |
[
"Rapid Penang",
"country",
"Malaysian"
] | Find the relation between <e1>Rapid Penang<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | country | null | 23,377 |
[
"LRT",
"country",
"Malaysian"
] | Find the relation between <e1>LRT<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | country | null | 23,382 |
[
"greater Klang Valley",
"country",
"Malaysian"
] | Find the relation between <e1>greater Klang Valley<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | country | null | 23,383 |
[
"Rapid KL",
"owned by",
"Prasarana Malaysia"
] | Find the relation between <e1>Rapid KL<\e1> and <e2>Prasarana Malaysia<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | owned by | null | 23,384 |
[
"Rapid KL",
"country",
"Malaysian"
] | Find the relation between <e1>Rapid KL<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | country | null | 23,385 |
[
"Rapid Bus Sdn Bhd",
"country",
"Malaysian"
] | Find the relation between <e1>Rapid Bus Sdn Bhd<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | country | null | 23,386 |
[
"Kuala Lumpur",
"capital of",
"Malaysian"
] | Find the relation between <e1>Kuala Lumpur<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | capital of | null | 23,387 |
[
"Malaysian",
"capital",
"Kuala Lumpur"
] | Find the relation between <e1>Malaysian<\e1> and <e2>Kuala Lumpur<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | capital | null | 23,388 |
[
"Rapid Penang",
"owned by",
"Prasarana Malaysia"
] | Find the relation between <e1>Rapid Penang<\e1> and <e2>Prasarana Malaysia<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | owned by | null | 23,389 |
[
"Greater Penang",
"country",
"Malaysian"
] | Find the relation between <e1>Greater Penang<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | country | null | 23,390 |
[
"Rapid Penang",
"country",
"Malaysian"
] | Find the relation between <e1>Rapid Penang<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | country | null | 23,391 |
[
"Prasarana Malaysia",
"located in the administrative territorial entity",
"Malaysian"
] | Find the relation between <e1>Prasarana Malaysia<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | located in the administrative territorial entity | null | 23,393 |
[
"greater Klang Valley",
"located in the administrative territorial entity",
"Malaysian"
] | Find the relation between <e1>greater Klang Valley<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | located in the administrative territorial entity | null | 23,394 |
[
"Rapid Bus Sdn Bhd",
"located in the administrative territorial entity",
"Malaysian"
] | Find the relation between <e1>Rapid Bus Sdn Bhd<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | located in the administrative territorial entity | null | 23,395 |
[
"Greater Penang",
"located in the administrative territorial entity",
"Malaysian"
] | Find the relation between <e1>Greater Penang<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | located in the administrative territorial entity | null | 23,396 |
[
"Rapid Penang",
"located in the administrative territorial entity",
"Malaysian"
] | Find the relation between <e1>Rapid Penang<\e1> and <e2>Malaysian<\e2>.
Rapid Penang (styled as rapidPenang) is a public bus brand in the State of Penang, Malaysia. Formed as a subsidiary of Prasarana Malaysia in 2007, to date it is the main public transport operator within Penang ; its bus network serves commuters within Greater Penang, including the neighbouring towns in Kedah and Perak. Rapid Penang was the second public transportation firm established by Prasarana Malaysia, a corporate body owned by the Malaysian federal government to manage urban public transportation. The first was Rapid KL in 2004, which now encompasses public bus, LRT and monorail services within Kuala Lumpur and the greater Klang Valley. Thus, similar to Rapid KL, Rapid Penang's bus fleet is under the management of Rapid Bus Sdn Bhd. | located in the administrative territorial entity | null | 23,397 |
[
"Alexis-Emmanuel Chabrier",
"place of death",
"Paris"
] | Find the relation between <e1>Alexis-Emmanuel Chabrier<\e1> and <e2>Paris<\e2>.
Alexis - Emmanuel Chabrier (; 18 January 184113 September 1894) was a Romantic composer and pianist, born in Ambert, central France. His bourgeois family did not approve of a musical career for him, and his studies at law school in Paris to the age of thirty - nine he worked as a civil servant, while immersing himself in the modernist artistic life of the French capital, and composing in his spare time. From 1880 until his final illness he was a full - time composer. Although known primarily for two of his orchestral works, España and Joyeuse marche, Chabrier left a corpus of operas (including L'étoile), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator. He was admired by, and influenced, composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Stravinsky, and the group of composers known as Les six. Writing at a time when French musicians were generally proponents or opponents of the music of Wagner, Chabrier steered a middle course, sometimes incorporating Wagnerian traits into his music and at other times avoiding them. Chabrier was associated with some of the leading writers and painters of his time. Among his closest friends was the painter Édouard Manet, and Chabrier collected Impressionist paintings long before they became fashionable. A number of such paintings from his personal collection by artists known to him are now housed in some of the world's leading art museums. He penned a large number of letters to friends and colleagues which offer an insight into his musical opinions and character. Chabrier died in Paris at the age of fifty - three from a neurological disease, probably caused by syphilis. | place of death | null | 23,535 |
[
"Alexis-Emmanuel Chabrier",
"place of birth",
"Ambert"
] | Find the relation between <e1>Alexis-Emmanuel Chabrier<\e1> and <e2>Ambert<\e2>.
Alexis - Emmanuel Chabrier (; 18 January 184113 September 1894) was a Romantic composer and pianist, born in Ambert, central France. His bourgeois family did not approve of a musical career for him, and his studies at law school in Paris to the age of thirty - nine he worked as a civil servant, while immersing himself in the modernist artistic life of the French capital, and composing in his spare time. From 1880 until his final illness he was a full - time composer. Although known primarily for two of his orchestral works, España and Joyeuse marche, Chabrier left a corpus of operas (including L'étoile), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator. He was admired by, and influenced, composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Stravinsky, and the group of composers known as Les six. Writing at a time when French musicians were generally proponents or opponents of the music of Wagner, Chabrier steered a middle course, sometimes incorporating Wagnerian traits into his music and at other times avoiding them. Chabrier was associated with some of the leading writers and painters of his time. Among his closest friends was the painter Édouard Manet, and Chabrier collected Impressionist paintings long before they became fashionable. A number of such paintings from his personal collection by artists known to him are now housed in some of the world's leading art museums. He penned a large number of letters to friends and colleagues which offer an insight into his musical opinions and character. Chabrier died in Paris at the age of fifty - three from a neurological disease, probably caused by syphilis. | place of birth | null | 23,536 |
[
"Ambert",
"country",
"France"
] | Find the relation between <e1>Ambert<\e1> and <e2>France<\e2>.
Alexis - Emmanuel Chabrier (; 18 January 184113 September 1894) was a Romantic composer and pianist, born in Ambert, central France. His bourgeois family did not approve of a musical career for him, and his studies at law school in Paris to the age of thirty - nine he worked as a civil servant, while immersing himself in the modernist artistic life of the French capital, and composing in his spare time. From 1880 until his final illness he was a full - time composer. Although known primarily for two of his orchestral works, España and Joyeuse marche, Chabrier left a corpus of operas (including L'étoile), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator. He was admired by, and influenced, composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Stravinsky, and the group of composers known as Les six. Writing at a time when French musicians were generally proponents or opponents of the music of Wagner, Chabrier steered a middle course, sometimes incorporating Wagnerian traits into his music and at other times avoiding them. Chabrier was associated with some of the leading writers and painters of his time. Among his closest friends was the painter Édouard Manet, and Chabrier collected Impressionist paintings long before they became fashionable. A number of such paintings from his personal collection by artists known to him are now housed in some of the world's leading art museums. He penned a large number of letters to friends and colleagues which offer an insight into his musical opinions and character. Chabrier died in Paris at the age of fifty - three from a neurological disease, probably caused by syphilis. | country | null | 23,538 |
[
"España",
"composer",
"Alexis-Emmanuel Chabrier"
] | Find the relation between <e1>España<\e1> and <e2>Alexis-Emmanuel Chabrier<\e2>.
Alexis - Emmanuel Chabrier (; 18 January 184113 September 1894) was a Romantic composer and pianist, born in Ambert, central France. His bourgeois family did not approve of a musical career for him, and his studies at law school in Paris to the age of thirty - nine he worked as a civil servant, while immersing himself in the modernist artistic life of the French capital, and composing in his spare time. From 1880 until his final illness he was a full - time composer. Although known primarily for two of his orchestral works, España and Joyeuse marche, Chabrier left a corpus of operas (including L'étoile), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator. He was admired by, and influenced, composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Stravinsky, and the group of composers known as Les six. Writing at a time when French musicians were generally proponents or opponents of the music of Wagner, Chabrier steered a middle course, sometimes incorporating Wagnerian traits into his music and at other times avoiding them. Chabrier was associated with some of the leading writers and painters of his time. Among his closest friends was the painter Édouard Manet, and Chabrier collected Impressionist paintings long before they became fashionable. A number of such paintings from his personal collection by artists known to him are now housed in some of the world's leading art museums. He penned a large number of letters to friends and colleagues which offer an insight into his musical opinions and character. Chabrier died in Paris at the age of fifty - three from a neurological disease, probably caused by syphilis. | composer | null | 23,539 |
[
"L'étoile",
"composer",
"Alexis-Emmanuel Chabrier"
] | Find the relation between <e1>L'étoile<\e1> and <e2>Alexis-Emmanuel Chabrier<\e2>.
Alexis - Emmanuel Chabrier (; 18 January 184113 September 1894) was a Romantic composer and pianist, born in Ambert, central France. His bourgeois family did not approve of a musical career for him, and his studies at law school in Paris to the age of thirty - nine he worked as a civil servant, while immersing himself in the modernist artistic life of the French capital, and composing in his spare time. From 1880 until his final illness he was a full - time composer. Although known primarily for two of his orchestral works, España and Joyeuse marche, Chabrier left a corpus of operas (including L'étoile), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator. He was admired by, and influenced, composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Stravinsky, and the group of composers known as Les six. Writing at a time when French musicians were generally proponents or opponents of the music of Wagner, Chabrier steered a middle course, sometimes incorporating Wagnerian traits into his music and at other times avoiding them. Chabrier was associated with some of the leading writers and painters of his time. Among his closest friends was the painter Édouard Manet, and Chabrier collected Impressionist paintings long before they became fashionable. A number of such paintings from his personal collection by artists known to him are now housed in some of the world's leading art museums. He penned a large number of letters to friends and colleagues which offer an insight into his musical opinions and character. Chabrier died in Paris at the age of fifty - three from a neurological disease, probably caused by syphilis. | composer | null | 23,540 |
[
"Alexis-Emmanuel Chabrier",
"country of citizenship",
"France"
] | Find the relation between <e1>Alexis-Emmanuel Chabrier<\e1> and <e2>France<\e2>.
Alexis - Emmanuel Chabrier (; 18 January 184113 September 1894) was a Romantic composer and pianist, born in Ambert, central France. His bourgeois family did not approve of a musical career for him, and his studies at law school in Paris to the age of thirty - nine he worked as a civil servant, while immersing himself in the modernist artistic life of the French capital, and composing in his spare time. From 1880 until his final illness he was a full - time composer. Although known primarily for two of his orchestral works, España and Joyeuse marche, Chabrier left a corpus of operas (including L'étoile), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator. He was admired by, and influenced, composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Stravinsky, and the group of composers known as Les six. Writing at a time when French musicians were generally proponents or opponents of the music of Wagner, Chabrier steered a middle course, sometimes incorporating Wagnerian traits into his music and at other times avoiding them. Chabrier was associated with some of the leading writers and painters of his time. Among his closest friends was the painter Édouard Manet, and Chabrier collected Impressionist paintings long before they became fashionable. A number of such paintings from his personal collection by artists known to him are now housed in some of the world's leading art museums. He penned a large number of letters to friends and colleagues which offer an insight into his musical opinions and character. Chabrier died in Paris at the age of fifty - three from a neurological disease, probably caused by syphilis. | country of citizenship | null | 23,541 |
[
"France",
"capital",
"Paris"
] | Find the relation between <e1>France<\e1> and <e2>Paris<\e2>.
Alexis - Emmanuel Chabrier (; 18 January 184113 September 1894) was a Romantic composer and pianist, born in Ambert, central France. His bourgeois family did not approve of a musical career for him, and his studies at law school in Paris to the age of thirty - nine he worked as a civil servant, while immersing himself in the modernist artistic life of the French capital, and composing in his spare time. From 1880 until his final illness he was a full - time composer. Although known primarily for two of his orchestral works, España and Joyeuse marche, Chabrier left a corpus of operas (including L'étoile), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator. He was admired by, and influenced, composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Stravinsky, and the group of composers known as Les six. Writing at a time when French musicians were generally proponents or opponents of the music of Wagner, Chabrier steered a middle course, sometimes incorporating Wagnerian traits into his music and at other times avoiding them. Chabrier was associated with some of the leading writers and painters of his time. Among his closest friends was the painter Édouard Manet, and Chabrier collected Impressionist paintings long before they became fashionable. A number of such paintings from his personal collection by artists known to him are now housed in some of the world's leading art museums. He penned a large number of letters to friends and colleagues which offer an insight into his musical opinions and character. Chabrier died in Paris at the age of fifty - three from a neurological disease, probably caused by syphilis. | capital | null | 23,542 |
[
"Paris",
"located in the administrative territorial entity",
"France"
] | Find the relation between <e1>Paris<\e1> and <e2>France<\e2>.
Alexis - Emmanuel Chabrier (; 18 January 184113 September 1894) was a Romantic composer and pianist, born in Ambert, central France. His bourgeois family did not approve of a musical career for him, and his studies at law school in Paris to the age of thirty - nine he worked as a civil servant, while immersing himself in the modernist artistic life of the French capital, and composing in his spare time. From 1880 until his final illness he was a full - time composer. Although known primarily for two of his orchestral works, España and Joyeuse marche, Chabrier left a corpus of operas (including L'étoile), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator. He was admired by, and influenced, composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Stravinsky, and the group of composers known as Les six. Writing at a time when French musicians were generally proponents or opponents of the music of Wagner, Chabrier steered a middle course, sometimes incorporating Wagnerian traits into his music and at other times avoiding them. Chabrier was associated with some of the leading writers and painters of his time. Among his closest friends was the painter Édouard Manet, and Chabrier collected Impressionist paintings long before they became fashionable. A number of such paintings from his personal collection by artists known to him are now housed in some of the world's leading art museums. He penned a large number of letters to friends and colleagues which offer an insight into his musical opinions and character. Chabrier died in Paris at the age of fifty - three from a neurological disease, probably caused by syphilis. | located in the administrative territorial entity | null | 23,543 |
[
"Paris",
"capital of",
"France"
] | Find the relation between <e1>Paris<\e1> and <e2>France<\e2>.
Alexis - Emmanuel Chabrier (; 18 January 184113 September 1894) was a Romantic composer and pianist, born in Ambert, central France. His bourgeois family did not approve of a musical career for him, and his studies at law school in Paris to the age of thirty - nine he worked as a civil servant, while immersing himself in the modernist artistic life of the French capital, and composing in his spare time. From 1880 until his final illness he was a full - time composer. Although known primarily for two of his orchestral works, España and Joyeuse marche, Chabrier left a corpus of operas (including L'étoile), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator. He was admired by, and influenced, composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Stravinsky, and the group of composers known as Les six. Writing at a time when French musicians were generally proponents or opponents of the music of Wagner, Chabrier steered a middle course, sometimes incorporating Wagnerian traits into his music and at other times avoiding them. Chabrier was associated with some of the leading writers and painters of his time. Among his closest friends was the painter Édouard Manet, and Chabrier collected Impressionist paintings long before they became fashionable. A number of such paintings from his personal collection by artists known to him are now housed in some of the world's leading art museums. He penned a large number of letters to friends and colleagues which offer an insight into his musical opinions and character. Chabrier died in Paris at the age of fifty - three from a neurological disease, probably caused by syphilis. | capital of | null | 23,544 |
[
"Paris",
"country",
"France"
] | Find the relation between <e1>Paris<\e1> and <e2>France<\e2>.
Alexis - Emmanuel Chabrier (; 18 January 184113 September 1894) was a Romantic composer and pianist, born in Ambert, central France. His bourgeois family did not approve of a musical career for him, and his studies at law school in Paris to the age of thirty - nine he worked as a civil servant, while immersing himself in the modernist artistic life of the French capital, and composing in his spare time. From 1880 until his final illness he was a full - time composer. Although known primarily for two of his orchestral works, España and Joyeuse marche, Chabrier left a corpus of operas (including L'étoile), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator. He was admired by, and influenced, composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Stravinsky, and the group of composers known as Les six. Writing at a time when French musicians were generally proponents or opponents of the music of Wagner, Chabrier steered a middle course, sometimes incorporating Wagnerian traits into his music and at other times avoiding them. Chabrier was associated with some of the leading writers and painters of his time. Among his closest friends was the painter Édouard Manet, and Chabrier collected Impressionist paintings long before they became fashionable. A number of such paintings from his personal collection by artists known to him are now housed in some of the world's leading art museums. He penned a large number of letters to friends and colleagues which offer an insight into his musical opinions and character. Chabrier died in Paris at the age of fifty - three from a neurological disease, probably caused by syphilis. | country | null | 23,545 |
[
"Alexis-Emmanuel Chabrier",
"work location",
"Paris"
] | Find the relation between <e1>Alexis-Emmanuel Chabrier<\e1> and <e2>Paris<\e2>.
Alexis - Emmanuel Chabrier (; 18 January 184113 September 1894) was a Romantic composer and pianist, born in Ambert, central France. His bourgeois family did not approve of a musical career for him, and his studies at law school in Paris to the age of thirty - nine he worked as a civil servant, while immersing himself in the modernist artistic life of the French capital, and composing in his spare time. From 1880 until his final illness he was a full - time composer. Although known primarily for two of his orchestral works, España and Joyeuse marche, Chabrier left a corpus of operas (including L'étoile), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator. He was admired by, and influenced, composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Stravinsky, and the group of composers known as Les six. Writing at a time when French musicians were generally proponents or opponents of the music of Wagner, Chabrier steered a middle course, sometimes incorporating Wagnerian traits into his music and at other times avoiding them. Chabrier was associated with some of the leading writers and painters of his time. Among his closest friends was the painter Édouard Manet, and Chabrier collected Impressionist paintings long before they became fashionable. A number of such paintings from his personal collection by artists known to him are now housed in some of the world's leading art museums. He penned a large number of letters to friends and colleagues which offer an insight into his musical opinions and character. Chabrier died in Paris at the age of fifty - three from a neurological disease, probably caused by syphilis. | work location | null | 23,546 |
[
"Joyeuse",
"composer",
"Alexis-Emmanuel Chabrier"
] | Find the relation between <e1>Joyeuse<\e1> and <e2>Alexis-Emmanuel Chabrier<\e2>.
Alexis - Emmanuel Chabrier (; 18 January 184113 September 1894) was a Romantic composer and pianist, born in Ambert, central France. His bourgeois family did not approve of a musical career for him, and his studies at law school in Paris to the age of thirty - nine he worked as a civil servant, while immersing himself in the modernist artistic life of the French capital, and composing in his spare time. From 1880 until his final illness he was a full - time composer. Although known primarily for two of his orchestral works, España and Joyeuse marche, Chabrier left a corpus of operas (including L'étoile), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator. He was admired by, and influenced, composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Stravinsky, and the group of composers known as Les six. Writing at a time when French musicians were generally proponents or opponents of the music of Wagner, Chabrier steered a middle course, sometimes incorporating Wagnerian traits into his music and at other times avoiding them. Chabrier was associated with some of the leading writers and painters of his time. Among his closest friends was the painter Édouard Manet, and Chabrier collected Impressionist paintings long before they became fashionable. A number of such paintings from his personal collection by artists known to him are now housed in some of the world's leading art museums. He penned a large number of letters to friends and colleagues which offer an insight into his musical opinions and character. Chabrier died in Paris at the age of fifty - three from a neurological disease, probably caused by syphilis. | composer | null | 23,547 |
[
"Alexis-Emmanuel Chabrier",
"languages spoken, written or signed",
"French"
] | Find the relation between <e1>Alexis-Emmanuel Chabrier<\e1> and <e2>French<\e2>.
Alexis - Emmanuel Chabrier (; 18 January 184113 September 1894) was a Romantic composer and pianist, born in Ambert, central France. His bourgeois family did not approve of a musical career for him, and his studies at law school in Paris to the age of thirty - nine he worked as a civil servant, while immersing himself in the modernist artistic life of the French capital, and composing in his spare time. From 1880 until his final illness he was a full - time composer. Although known primarily for two of his orchestral works, España and Joyeuse marche, Chabrier left a corpus of operas (including L'étoile), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator. He was admired by, and influenced, composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Stravinsky, and the group of composers known as Les six. Writing at a time when French musicians were generally proponents or opponents of the music of Wagner, Chabrier steered a middle course, sometimes incorporating Wagnerian traits into his music and at other times avoiding them. Chabrier was associated with some of the leading writers and painters of his time. Among his closest friends was the painter Édouard Manet, and Chabrier collected Impressionist paintings long before they became fashionable. A number of such paintings from his personal collection by artists known to him are now housed in some of the world's leading art museums. He penned a large number of letters to friends and colleagues which offer an insight into his musical opinions and character. Chabrier died in Paris at the age of fifty - three from a neurological disease, probably caused by syphilis. | languages spoken, written or signed | null | 23,548 |
[
"Alexis-Emmanuel Chabrier",
"notable work",
"España"
] | Find the relation between <e1>Alexis-Emmanuel Chabrier<\e1> and <e2>España<\e2>.
Alexis - Emmanuel Chabrier (; 18 January 184113 September 1894) was a Romantic composer and pianist, born in Ambert, central France. His bourgeois family did not approve of a musical career for him, and his studies at law school in Paris to the age of thirty - nine he worked as a civil servant, while immersing himself in the modernist artistic life of the French capital, and composing in his spare time. From 1880 until his final illness he was a full - time composer. Although known primarily for two of his orchestral works, España and Joyeuse marche, Chabrier left a corpus of operas (including L'étoile), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator. He was admired by, and influenced, composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Stravinsky, and the group of composers known as Les six. Writing at a time when French musicians were generally proponents or opponents of the music of Wagner, Chabrier steered a middle course, sometimes incorporating Wagnerian traits into his music and at other times avoiding them. Chabrier was associated with some of the leading writers and painters of his time. Among his closest friends was the painter Édouard Manet, and Chabrier collected Impressionist paintings long before they became fashionable. A number of such paintings from his personal collection by artists known to him are now housed in some of the world's leading art museums. He penned a large number of letters to friends and colleagues which offer an insight into his musical opinions and character. Chabrier died in Paris at the age of fifty - three from a neurological disease, probably caused by syphilis. | notable work | null | 23,549 |
[
"Alexis-Emmanuel Chabrier",
"notable work",
"L'étoile"
] | Find the relation between <e1>Alexis-Emmanuel Chabrier<\e1> and <e2>L'étoile<\e2>.
Alexis - Emmanuel Chabrier (; 18 January 184113 September 1894) was a Romantic composer and pianist, born in Ambert, central France. His bourgeois family did not approve of a musical career for him, and his studies at law school in Paris to the age of thirty - nine he worked as a civil servant, while immersing himself in the modernist artistic life of the French capital, and composing in his spare time. From 1880 until his final illness he was a full - time composer. Although known primarily for two of his orchestral works, España and Joyeuse marche, Chabrier left a corpus of operas (including L'étoile), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator. He was admired by, and influenced, composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Stravinsky, and the group of composers known as Les six. Writing at a time when French musicians were generally proponents or opponents of the music of Wagner, Chabrier steered a middle course, sometimes incorporating Wagnerian traits into his music and at other times avoiding them. Chabrier was associated with some of the leading writers and painters of his time. Among his closest friends was the painter Édouard Manet, and Chabrier collected Impressionist paintings long before they became fashionable. A number of such paintings from his personal collection by artists known to him are now housed in some of the world's leading art museums. He penned a large number of letters to friends and colleagues which offer an insight into his musical opinions and character. Chabrier died in Paris at the age of fifty - three from a neurological disease, probably caused by syphilis. | notable work | null | 23,550 |
[
"Alexis-Emmanuel Chabrier",
"notable work",
"Joyeuse"
] | Find the relation between <e1>Alexis-Emmanuel Chabrier<\e1> and <e2>Joyeuse<\e2>.
Alexis - Emmanuel Chabrier (; 18 January 184113 September 1894) was a Romantic composer and pianist, born in Ambert, central France. His bourgeois family did not approve of a musical career for him, and his studies at law school in Paris to the age of thirty - nine he worked as a civil servant, while immersing himself in the modernist artistic life of the French capital, and composing in his spare time. From 1880 until his final illness he was a full - time composer. Although known primarily for two of his orchestral works, España and Joyeuse marche, Chabrier left a corpus of operas (including L'étoile), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator. He was admired by, and influenced, composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Stravinsky, and the group of composers known as Les six. Writing at a time when French musicians were generally proponents or opponents of the music of Wagner, Chabrier steered a middle course, sometimes incorporating Wagnerian traits into his music and at other times avoiding them. Chabrier was associated with some of the leading writers and painters of his time. Among his closest friends was the painter Édouard Manet, and Chabrier collected Impressionist paintings long before they became fashionable. A number of such paintings from his personal collection by artists known to him are now housed in some of the world's leading art museums. He penned a large number of letters to friends and colleagues which offer an insight into his musical opinions and character. Chabrier died in Paris at the age of fifty - three from a neurological disease, probably caused by syphilis. | notable work | null | 23,551 |
[
"Ambert",
"located in the administrative territorial entity",
"France"
] | Find the relation between <e1>Ambert<\e1> and <e2>France<\e2>.
Alexis - Emmanuel Chabrier (; 18 January 184113 September 1894) was a Romantic composer and pianist, born in Ambert, central France. His bourgeois family did not approve of a musical career for him, and his studies at law school in Paris to the age of thirty - nine he worked as a civil servant, while immersing himself in the modernist artistic life of the French capital, and composing in his spare time. From 1880 until his final illness he was a full - time composer. Although known primarily for two of his orchestral works, España and Joyeuse marche, Chabrier left a corpus of operas (including L'étoile), songs, and piano music, but no symphonies, concertos, quartets, sonatas, or religious or liturgical music. His lack of academic training left him free to create his own musical language, unaffected by established rules, and he was regarded by many later composers as an important innovator. He was admired by, and influenced, composers as diverse as Debussy, Ravel, Richard Strauss, Satie, Stravinsky, and the group of composers known as Les six. Writing at a time when French musicians were generally proponents or opponents of the music of Wagner, Chabrier steered a middle course, sometimes incorporating Wagnerian traits into his music and at other times avoiding them. Chabrier was associated with some of the leading writers and painters of his time. Among his closest friends was the painter Édouard Manet, and Chabrier collected Impressionist paintings long before they became fashionable. A number of such paintings from his personal collection by artists known to him are now housed in some of the world's leading art museums. He penned a large number of letters to friends and colleagues which offer an insight into his musical opinions and character. Chabrier died in Paris at the age of fifty - three from a neurological disease, probably caused by syphilis. | located in the administrative territorial entity | null | 23,552 |
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