triplets
sequence | passage
stringlengths 56
13.5k
| label_str
stringlengths 5
48
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float64 58
38.4k
⌀ | __index_level_0__
int64 0
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|---|---|---|---|---|
[
"USS Akron",
"country",
"the United States"
] | Find the relation between <e1>USS Akron<\e1> and <e2>the United States<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | country | null | 8,667 |
[
"1932 Summer Olympics",
"instance of",
"Summer Olympics"
] | Find the relation between <e1>1932 Summer Olympics<\e1> and <e2>Summer Olympics<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | instance of | null | 8,668 |
[
"Calnan",
"award received",
"US Fencing Hall of Fame"
] | Find the relation between <e1>Calnan<\e1> and <e2>US Fencing Hall of Fame<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | award received | null | 8,669 |
[
"United States Naval Academy",
"located in the administrative territorial entity",
"Maryland"
] | Find the relation between <e1>United States Naval Academy<\e1> and <e2>Maryland<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | located in the administrative territorial entity | null | 8,670 |
[
"1924 Summer Olympics",
"instance of",
"Summer Olympics"
] | Find the relation between <e1>1924 Summer Olympics<\e1> and <e2>Summer Olympics<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | instance of | null | 8,671 |
[
"Calnan",
"educated at",
"United States Naval Academy"
] | Find the relation between <e1>Calnan<\e1> and <e2>United States Naval Academy<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | educated at | null | 8,673 |
[
"USS Akron",
"operator",
"United States Navy"
] | Find the relation between <e1>USS Akron<\e1> and <e2>United States Navy<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | operator | null | 8,674 |
[
"Calnan",
"place of birth",
"Boston"
] | Find the relation between <e1>Calnan<\e1> and <e2>Boston<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | place of birth | null | 8,675 |
[
"Annapolis",
"located in the administrative territorial entity",
"Maryland"
] | Find the relation between <e1>Annapolis<\e1> and <e2>Maryland<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | located in the administrative territorial entity | null | 8,676 |
[
"1924 Summer Olympics",
"participant",
"Calnan"
] | Find the relation between <e1>1924 Summer Olympics<\e1> and <e2>Calnan<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | participant | null | 8,677 |
[
"1932 Summer Olympics",
"participant",
"Calnan"
] | Find the relation between <e1>1932 Summer Olympics<\e1> and <e2>Calnan<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | participant | null | 8,678 |
[
"United States Navy",
"located in the administrative territorial entity",
"the United States"
] | Find the relation between <e1>United States Navy<\e1> and <e2>the United States<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | located in the administrative territorial entity | null | 8,679 |
[
"Boston",
"located in the administrative territorial entity",
"the United States"
] | Find the relation between <e1>Boston<\e1> and <e2>the United States<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | located in the administrative territorial entity | null | 8,680 |
[
"United States Naval Academy",
"located in the administrative territorial entity",
"the United States"
] | Find the relation between <e1>United States Naval Academy<\e1> and <e2>the United States<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | located in the administrative territorial entity | null | 8,681 |
[
"Annapolis",
"located in the administrative territorial entity",
"the United States"
] | Find the relation between <e1>Annapolis<\e1> and <e2>the United States<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | located in the administrative territorial entity | null | 8,682 |
[
"Chicago",
"country",
"American"
] | Find the relation between <e1>Chicago<\e1> and <e2>American<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | country | null | 8,994 |
[
"Sam Cooke",
"country of citizenship",
"American"
] | Find the relation between <e1>Sam Cooke<\e1> and <e2>American<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | country of citizenship | null | 8,995 |
[
"Rolling Stones",
"has part(s)",
"Brian Jones"
] | Find the relation between <e1>Rolling Stones<\e1> and <e2>Brian Jones<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | has part(s) | null | 8,996 |
[
"Brian Jones",
"country of citizenship",
"UK"
] | Find the relation between <e1>Brian Jones<\e1> and <e2>UK<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | country of citizenship | null | 8,997 |
[
"Brian Jones",
"member of",
"Rolling Stones"
] | Find the relation between <e1>Brian Jones<\e1> and <e2>Rolling Stones<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | member of | null | 8,998 |
[
"Brian Jones",
"member of",
"Stones"
] | Find the relation between <e1>Brian Jones<\e1> and <e2>Stones<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | member of | null | 8,999 |
[
"Delta blues",
"country",
"American"
] | Find the relation between <e1>Delta blues<\e1> and <e2>American<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | country | null | 9,000 |
[
"Memphis Minnie",
"country of citizenship",
"American"
] | Find the relation between <e1>Memphis Minnie<\e1> and <e2>American<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | country of citizenship | null | 9,001 |
[
"Stones",
"country",
"UK"
] | Find the relation between <e1>Stones<\e1> and <e2>UK<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | country | null | 9,002 |
[
"Stones",
"has part(s)",
"Brian Jones"
] | Find the relation between <e1>Stones<\e1> and <e2>Brian Jones<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | has part(s) | null | 9,003 |
[
"Little Red Rooster",
"composer",
"Willie Dixon"
] | Find the relation between <e1>Little Red Rooster<\e1> and <e2>Willie Dixon<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | composer | null | 9,004 |
[
"Little Red Rooster",
"country of origin",
"American"
] | Find the relation between <e1>Little Red Rooster<\e1> and <e2>American<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | country of origin | null | 9,006 |
[
"Rolling Stones",
"country",
"UK"
] | Find the relation between <e1>Rolling Stones<\e1> and <e2>UK<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | country | null | 9,007 |
[
"Little Red Rooster",
"lyrics by",
"Willie Dixon"
] | Find the relation between <e1>Little Red Rooster<\e1> and <e2>Willie Dixon<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | lyrics by | null | 9,008 |
[
"Charlie Patton",
"country of citizenship",
"American"
] | Find the relation between <e1>Charlie Patton<\e1> and <e2>American<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | country of citizenship | null | 9,009 |
[
"The Rolling Stones",
"has part(s)",
"Brian Jones"
] | Find the relation between <e1>The Rolling Stones<\e1> and <e2>Brian Jones<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | has part(s) | null | 9,010 |
[
"The Rolling Stones",
"country",
"UK"
] | Find the relation between <e1>The Rolling Stones<\e1> and <e2>UK<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | country | null | 9,011 |
[
"Little Red Rooster",
"performer",
"Sam Cooke"
] | Find the relation between <e1>Little Red Rooster<\e1> and <e2>Sam Cooke<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | performer | null | 9,012 |
[
"Little Red Rooster",
"performer",
"Rolling Stones"
] | Find the relation between <e1>Little Red Rooster<\e1> and <e2>Rolling Stones<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | performer | null | 9,013 |
[
"Little Red Rooster",
"performer",
"Howlin ' Wolf"
] | Find the relation between <e1>Little Red Rooster<\e1> and <e2>Howlin ' Wolf<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | performer | null | 9,014 |
[
"Brian Jones",
"member of",
"The Rolling Stones"
] | Find the relation between <e1>Brian Jones<\e1> and <e2>The Rolling Stones<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | member of | null | 9,015 |
[
"Howlin ' Wolf",
"country of citizenship",
"American"
] | Find the relation between <e1>Howlin ' Wolf<\e1> and <e2>American<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | country of citizenship | null | 9,016 |
[
"Little Red Rooster",
"country",
"American"
] | Find the relation between <e1>Little Red Rooster<\e1> and <e2>American<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | country | null | 9,017 |
[
"American Folk Blues Festival",
"country",
"American"
] | Find the relation between <e1>American Folk Blues Festival<\e1> and <e2>American<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | country | null | 9,018 |
[
"Brian Jones",
"part of",
"Rolling Stones"
] | Find the relation between <e1>Brian Jones<\e1> and <e2>Rolling Stones<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | part of | null | 9,019 |
[
"Brian Jones",
"part of",
"Stones"
] | Find the relation between <e1>Brian Jones<\e1> and <e2>Stones<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | part of | null | 9,020 |
[
"Willie Dixon",
"notable work",
"Little Red Rooster"
] | Find the relation between <e1>Willie Dixon<\e1> and <e2>Little Red Rooster<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | notable work | null | 9,021 |
[
"Brian Jones",
"part of",
"The Rolling Stones"
] | Find the relation between <e1>Brian Jones<\e1> and <e2>The Rolling Stones<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | part of | null | 9,022 |
[
"Sam Cooke",
"notable work",
"Little Red Rooster"
] | Find the relation between <e1>Sam Cooke<\e1> and <e2>Little Red Rooster<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | notable work | null | 9,023 |
[
"Rolling Stones",
"notable work",
"Little Red Rooster"
] | Find the relation between <e1>Rolling Stones<\e1> and <e2>Little Red Rooster<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | notable work | null | 9,024 |
[
"Howlin ' Wolf",
"notable work",
"Little Red Rooster"
] | Find the relation between <e1>Howlin ' Wolf<\e1> and <e2>Little Red Rooster<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | notable work | null | 9,025 |
[
"Chicago",
"located in the administrative territorial entity",
"American"
] | Find the relation between <e1>Chicago<\e1> and <e2>American<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | located in the administrative territorial entity | null | 9,026 |
[
"Stones",
"located in the administrative territorial entity",
"UK"
] | Find the relation between <e1>Stones<\e1> and <e2>UK<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | located in the administrative territorial entity | null | 9,027 |
[
"Rolling Stones",
"located in the administrative territorial entity",
"UK"
] | Find the relation between <e1>Rolling Stones<\e1> and <e2>UK<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | located in the administrative territorial entity | null | 9,028 |
[
"The Rolling Stones",
"located in the administrative territorial entity",
"UK"
] | Find the relation between <e1>The Rolling Stones<\e1> and <e2>UK<\e2>.
" Little Red Rooster " (or " The Red Rooster " as it was first titled) is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to " Little Red Rooster " appear in earlier songs by blues artists Charlie Patton and Memphis Minnie. A variety of musicians have interpreted and recorded " Little Red Rooster ". Some add new words and instrumentation to mimic the sounds of animals mentioned in the lyrics. American soul music singer Sam Cooke adapted the song using a more uptempo approach and it became a successful single on both the US rhythm and blues and pop record charts in 1963. Concurrently, Dixon and Howlin' Wolf toured the UK with the American Folk Blues Festival and helped popularize Chicago blues with local rock musicians overseas. The Rolling Stones were among the first British rock groups to record modern electric blues songs. In 1964, they recorded " Little Red Rooster " with original member Brian Jones, a key player in the recording. Their rendition, which remains closer to the original arrangement than Cooke's, became a number one record in the UK and continues to be the only blues song to reach the top of the British chart. The Stones frequently performed it on television and in concert and released several live recordings of the song. " Little Red Rooster " continues to be performed and recorded, making it one of Willie Dixon's best - known compositions. | located in the administrative territorial entity | null | 9,029 |
[
"William Edward Robinson",
"member of sports team",
"Cleveland Indians"
] | Find the relation between <e1>William Edward Robinson<\e1> and <e2>Cleveland Indians<\e2>.
William Edward Robinson (born December 15, 1920) is an American former Major League Baseball first baseman, scout, coach and front office executive of the 1940s, 1950s, 1960s, 1970s and 1980s who, during a 13-year playing career (1942 ; 1946 – 57), was on the roster of seven of the eight American League teams then in existence (everyone except the Red Sox). He is the author of an autobiography, published in 2011, titled Lucky Me : My Sixty - five Years in Baseball. He is also the last surviving member of the 1943 " Navy World Series ". Robinson is the last living person to win the World Series with the Cleveland Indians, as well as the oldest living player to play on a World Series - winning team and the oldest living member of the Detroit Tigers, New York Yankees, and Washington Senators. | member of sports team | null | 9,244 |
[
"William Edward Robinson",
"member of sports team",
"Detroit Tigers"
] | Find the relation between <e1>William Edward Robinson<\e1> and <e2>Detroit Tigers<\e2>.
William Edward Robinson (born December 15, 1920) is an American former Major League Baseball first baseman, scout, coach and front office executive of the 1940s, 1950s, 1960s, 1970s and 1980s who, during a 13-year playing career (1942 ; 1946 – 57), was on the roster of seven of the eight American League teams then in existence (everyone except the Red Sox). He is the author of an autobiography, published in 2011, titled Lucky Me : My Sixty - five Years in Baseball. He is also the last surviving member of the 1943 " Navy World Series ". Robinson is the last living person to win the World Series with the Cleveland Indians, as well as the oldest living player to play on a World Series - winning team and the oldest living member of the Detroit Tigers, New York Yankees, and Washington Senators. | member of sports team | null | 9,245 |
[
"William Edward Robinson",
"member of sports team",
"New York Yankees"
] | Find the relation between <e1>William Edward Robinson<\e1> and <e2>New York Yankees<\e2>.
William Edward Robinson (born December 15, 1920) is an American former Major League Baseball first baseman, scout, coach and front office executive of the 1940s, 1950s, 1960s, 1970s and 1980s who, during a 13-year playing career (1942 ; 1946 – 57), was on the roster of seven of the eight American League teams then in existence (everyone except the Red Sox). He is the author of an autobiography, published in 2011, titled Lucky Me : My Sixty - five Years in Baseball. He is also the last surviving member of the 1943 " Navy World Series ". Robinson is the last living person to win the World Series with the Cleveland Indians, as well as the oldest living player to play on a World Series - winning team and the oldest living member of the Detroit Tigers, New York Yankees, and Washington Senators. | member of sports team | null | 9,246 |
[
"William Edward Robinson",
"member of",
"Washington Senators"
] | Find the relation between <e1>William Edward Robinson<\e1> and <e2>Washington Senators<\e2>.
William Edward Robinson (born December 15, 1920) is an American former Major League Baseball first baseman, scout, coach and front office executive of the 1940s, 1950s, 1960s, 1970s and 1980s who, during a 13-year playing career (1942 ; 1946 – 57), was on the roster of seven of the eight American League teams then in existence (everyone except the Red Sox). He is the author of an autobiography, published in 2011, titled Lucky Me : My Sixty - five Years in Baseball. He is also the last surviving member of the 1943 " Navy World Series ". Robinson is the last living person to win the World Series with the Cleveland Indians, as well as the oldest living player to play on a World Series - winning team and the oldest living member of the Detroit Tigers, New York Yankees, and Washington Senators. | member of | null | 9,247 |
[
"William Edward Robinson",
"country of citizenship",
"American"
] | Find the relation between <e1>William Edward Robinson<\e1> and <e2>American<\e2>.
William Edward Robinson (born December 15, 1920) is an American former Major League Baseball first baseman, scout, coach and front office executive of the 1940s, 1950s, 1960s, 1970s and 1980s who, during a 13-year playing career (1942 ; 1946 – 57), was on the roster of seven of the eight American League teams then in existence (everyone except the Red Sox). He is the author of an autobiography, published in 2011, titled Lucky Me : My Sixty - five Years in Baseball. He is also the last surviving member of the 1943 " Navy World Series ". Robinson is the last living person to win the World Series with the Cleveland Indians, as well as the oldest living player to play on a World Series - winning team and the oldest living member of the Detroit Tigers, New York Yankees, and Washington Senators. | country of citizenship | null | 9,248 |
[
"Lucky Me : My Sixty - five Years in Baseball",
"author",
"William Edward Robinson"
] | Find the relation between <e1>Lucky Me : My Sixty - five Years in Baseball<\e1> and <e2>William Edward Robinson<\e2>.
William Edward Robinson (born December 15, 1920) is an American former Major League Baseball first baseman, scout, coach and front office executive of the 1940s, 1950s, 1960s, 1970s and 1980s who, during a 13-year playing career (1942 ; 1946 – 57), was on the roster of seven of the eight American League teams then in existence (everyone except the Red Sox). He is the author of an autobiography, published in 2011, titled Lucky Me : My Sixty - five Years in Baseball. He is also the last surviving member of the 1943 " Navy World Series ". Robinson is the last living person to win the World Series with the Cleveland Indians, as well as the oldest living player to play on a World Series - winning team and the oldest living member of the Detroit Tigers, New York Yankees, and Washington Senators. | author | null | 9,249 |
[
"American League",
"part of",
"Major League Baseball"
] | Find the relation between <e1>American League<\e1> and <e2>Major League Baseball<\e2>.
William Edward Robinson (born December 15, 1920) is an American former Major League Baseball first baseman, scout, coach and front office executive of the 1940s, 1950s, 1960s, 1970s and 1980s who, during a 13-year playing career (1942 ; 1946 – 57), was on the roster of seven of the eight American League teams then in existence (everyone except the Red Sox). He is the author of an autobiography, published in 2011, titled Lucky Me : My Sixty - five Years in Baseball. He is also the last surviving member of the 1943 " Navy World Series ". Robinson is the last living person to win the World Series with the Cleveland Indians, as well as the oldest living player to play on a World Series - winning team and the oldest living member of the Detroit Tigers, New York Yankees, and Washington Senators. | part of | null | 9,257 |
[
"William Edward Robinson",
"notable work",
"Lucky Me : My Sixty - five Years in Baseball"
] | Find the relation between <e1>William Edward Robinson<\e1> and <e2>Lucky Me : My Sixty - five Years in Baseball<\e2>.
William Edward Robinson (born December 15, 1920) is an American former Major League Baseball first baseman, scout, coach and front office executive of the 1940s, 1950s, 1960s, 1970s and 1980s who, during a 13-year playing career (1942 ; 1946 – 57), was on the roster of seven of the eight American League teams then in existence (everyone except the Red Sox). He is the author of an autobiography, published in 2011, titled Lucky Me : My Sixty - five Years in Baseball. He is also the last surviving member of the 1943 " Navy World Series ". Robinson is the last living person to win the World Series with the Cleveland Indians, as well as the oldest living player to play on a World Series - winning team and the oldest living member of the Detroit Tigers, New York Yankees, and Washington Senators. | notable work | null | 9,260 |
[
"Major League Baseball",
"has part(s)",
"American League"
] | Find the relation between <e1>Major League Baseball<\e1> and <e2>American League<\e2>.
William Edward Robinson (born December 15, 1920) is an American former Major League Baseball first baseman, scout, coach and front office executive of the 1940s, 1950s, 1960s, 1970s and 1980s who, during a 13-year playing career (1942 ; 1946 – 57), was on the roster of seven of the eight American League teams then in existence (everyone except the Red Sox). He is the author of an autobiography, published in 2011, titled Lucky Me : My Sixty - five Years in Baseball. He is also the last surviving member of the 1943 " Navy World Series ". Robinson is the last living person to win the World Series with the Cleveland Indians, as well as the oldest living player to play on a World Series - winning team and the oldest living member of the Detroit Tigers, New York Yankees, and Washington Senators. | has part(s) | null | 9,261 |
[
"McLaughlin",
"employer",
"CBS Corporation"
] | Find the relation between <e1>McLaughlin<\e1> and <e2>CBS Corporation<\e2>.
David Thomas McLaughlin (March 16, 1932 – August 25, 2004) was the 14th President of Dartmouth College, 1981 – 1987. McLaughlin also served as chief executive officer of Orion Safety Products from 1988 to December 31, 2000. He was president and chief executive officer of the Aspen Institute from 1988 to 1997 and its chairman from 1987 to 1988. He served as chairman and chief executive officer of Toro Company from 1977 to 1981, after serving in various management positions at Toro Company since 1970. McLaughlin served as a director of CBS Corporation from 1979, becoming chairman of the board in January 1999 until the CBS merger. He also served as a director of Infininity Broadcasting Corporation until the Infinity merger. | employer | null | 9,399 |
[
"McLaughlin",
"employer",
"Aspen Institute"
] | Find the relation between <e1>McLaughlin<\e1> and <e2>Aspen Institute<\e2>.
David Thomas McLaughlin (March 16, 1932 – August 25, 2004) was the 14th President of Dartmouth College, 1981 – 1987. McLaughlin also served as chief executive officer of Orion Safety Products from 1988 to December 31, 2000. He was president and chief executive officer of the Aspen Institute from 1988 to 1997 and its chairman from 1987 to 1988. He served as chairman and chief executive officer of Toro Company from 1977 to 1981, after serving in various management positions at Toro Company since 1970. McLaughlin served as a director of CBS Corporation from 1979, becoming chairman of the board in January 1999 until the CBS merger. He also served as a director of Infininity Broadcasting Corporation until the Infinity merger. | employer | null | 9,402 |
[
"Ferenc Kölcsey",
"languages spoken, written or signed",
"Hungarian"
] | Find the relation between <e1>Ferenc Kölcsey<\e1> and <e2>Hungarian<\e2>.
" Himnusz " (;) is the national anthem of Hungary. It was adopted in the 19th century and the first stanza is sung at official ceremonies. The words were written by Ferenc Kölcsey, a nationally renowned poet, in 1823, and its currently official musical setting was composed by the romantic composer Ferenc Erkel in 1844, although other less - known musical versions exist. The poem bore the subtitle " A magyar nép zivataros századaiból " (" From the stormy centuries of the Hungarian people ") ; it is often argued that this subtitle – by emphasising past rather than contemporary national troubles – was added expressly to enable the poem to pass Habsburg censorship. The full meaning of the poem's text is evident only to those well acquainted with Hungarian history. The lyrics of " Himnusz " are a prayer beginning with the words Isten, áldd meg a magyart () (). | languages spoken, written or signed | null | 9,419 |
[
"Ferenc Kölcsey",
"country of citizenship",
"Hungary"
] | Find the relation between <e1>Ferenc Kölcsey<\e1> and <e2>Hungary<\e2>.
" Himnusz " (;) is the national anthem of Hungary. It was adopted in the 19th century and the first stanza is sung at official ceremonies. The words were written by Ferenc Kölcsey, a nationally renowned poet, in 1823, and its currently official musical setting was composed by the romantic composer Ferenc Erkel in 1844, although other less - known musical versions exist. The poem bore the subtitle " A magyar nép zivataros századaiból " (" From the stormy centuries of the Hungarian people ") ; it is often argued that this subtitle – by emphasising past rather than contemporary national troubles – was added expressly to enable the poem to pass Habsburg censorship. The full meaning of the poem's text is evident only to those well acquainted with Hungarian history. The lyrics of " Himnusz " are a prayer beginning with the words Isten, áldd meg a magyart () (). | country of citizenship | null | 9,420 |
[
"Ferenc Erkel",
"notable work",
"Himnusz"
] | Find the relation between <e1>Ferenc Erkel<\e1> and <e2>Himnusz<\e2>.
" Himnusz " (;) is the national anthem of Hungary. It was adopted in the 19th century and the first stanza is sung at official ceremonies. The words were written by Ferenc Kölcsey, a nationally renowned poet, in 1823, and its currently official musical setting was composed by the romantic composer Ferenc Erkel in 1844, although other less - known musical versions exist. The poem bore the subtitle " A magyar nép zivataros századaiból " (" From the stormy centuries of the Hungarian people ") ; it is often argued that this subtitle – by emphasising past rather than contemporary national troubles – was added expressly to enable the poem to pass Habsburg censorship. The full meaning of the poem's text is evident only to those well acquainted with Hungarian history. The lyrics of " Himnusz " are a prayer beginning with the words Isten, áldd meg a magyart () (). | notable work | null | 9,421 |
[
"Himnusz",
"country",
"Hungary"
] | Find the relation between <e1>Himnusz<\e1> and <e2>Hungary<\e2>.
" Himnusz " (;) is the national anthem of Hungary. It was adopted in the 19th century and the first stanza is sung at official ceremonies. The words were written by Ferenc Kölcsey, a nationally renowned poet, in 1823, and its currently official musical setting was composed by the romantic composer Ferenc Erkel in 1844, although other less - known musical versions exist. The poem bore the subtitle " A magyar nép zivataros századaiból " (" From the stormy centuries of the Hungarian people ") ; it is often argued that this subtitle – by emphasising past rather than contemporary national troubles – was added expressly to enable the poem to pass Habsburg censorship. The full meaning of the poem's text is evident only to those well acquainted with Hungarian history. The lyrics of " Himnusz " are a prayer beginning with the words Isten, áldd meg a magyart () (). | country | null | 9,422 |
[
"Himnusz",
"composer",
"Ferenc Erkel"
] | Find the relation between <e1>Himnusz<\e1> and <e2>Ferenc Erkel<\e2>.
" Himnusz " (;) is the national anthem of Hungary. It was adopted in the 19th century and the first stanza is sung at official ceremonies. The words were written by Ferenc Kölcsey, a nationally renowned poet, in 1823, and its currently official musical setting was composed by the romantic composer Ferenc Erkel in 1844, although other less - known musical versions exist. The poem bore the subtitle " A magyar nép zivataros századaiból " (" From the stormy centuries of the Hungarian people ") ; it is often argued that this subtitle – by emphasising past rather than contemporary national troubles – was added expressly to enable the poem to pass Habsburg censorship. The full meaning of the poem's text is evident only to those well acquainted with Hungarian history. The lyrics of " Himnusz " are a prayer beginning with the words Isten, áldd meg a magyart () (). | composer | null | 9,424 |
[
"Himnusz",
"lyrics by",
"Ferenc Kölcsey"
] | Find the relation between <e1>Himnusz<\e1> and <e2>Ferenc Kölcsey<\e2>.
" Himnusz " (;) is the national anthem of Hungary. It was adopted in the 19th century and the first stanza is sung at official ceremonies. The words were written by Ferenc Kölcsey, a nationally renowned poet, in 1823, and its currently official musical setting was composed by the romantic composer Ferenc Erkel in 1844, although other less - known musical versions exist. The poem bore the subtitle " A magyar nép zivataros századaiból " (" From the stormy centuries of the Hungarian people ") ; it is often argued that this subtitle – by emphasising past rather than contemporary national troubles – was added expressly to enable the poem to pass Habsburg censorship. The full meaning of the poem's text is evident only to those well acquainted with Hungarian history. The lyrics of " Himnusz " are a prayer beginning with the words Isten, áldd meg a magyart () (). | lyrics by | null | 9,425 |
[
"Ferenc Erkel",
"languages spoken, written or signed",
"Hungarian"
] | Find the relation between <e1>Ferenc Erkel<\e1> and <e2>Hungarian<\e2>.
" Himnusz " (;) is the national anthem of Hungary. It was adopted in the 19th century and the first stanza is sung at official ceremonies. The words were written by Ferenc Kölcsey, a nationally renowned poet, in 1823, and its currently official musical setting was composed by the romantic composer Ferenc Erkel in 1844, although other less - known musical versions exist. The poem bore the subtitle " A magyar nép zivataros századaiból " (" From the stormy centuries of the Hungarian people ") ; it is often argued that this subtitle – by emphasising past rather than contemporary national troubles – was added expressly to enable the poem to pass Habsburg censorship. The full meaning of the poem's text is evident only to those well acquainted with Hungarian history. The lyrics of " Himnusz " are a prayer beginning with the words Isten, áldd meg a magyart () (). | languages spoken, written or signed | null | 9,426 |
[
"Ferenc Erkel",
"country of citizenship",
"Hungary"
] | Find the relation between <e1>Ferenc Erkel<\e1> and <e2>Hungary<\e2>.
" Himnusz " (;) is the national anthem of Hungary. It was adopted in the 19th century and the first stanza is sung at official ceremonies. The words were written by Ferenc Kölcsey, a nationally renowned poet, in 1823, and its currently official musical setting was composed by the romantic composer Ferenc Erkel in 1844, although other less - known musical versions exist. The poem bore the subtitle " A magyar nép zivataros századaiból " (" From the stormy centuries of the Hungarian people ") ; it is often argued that this subtitle – by emphasising past rather than contemporary national troubles – was added expressly to enable the poem to pass Habsburg censorship. The full meaning of the poem's text is evident only to those well acquainted with Hungarian history. The lyrics of " Himnusz " are a prayer beginning with the words Isten, áldd meg a magyart () (). | country of citizenship | null | 9,427 |
[
"Ferenc Kölcsey",
"notable work",
"Himnusz"
] | Find the relation between <e1>Ferenc Kölcsey<\e1> and <e2>Himnusz<\e2>.
" Himnusz " (;) is the national anthem of Hungary. It was adopted in the 19th century and the first stanza is sung at official ceremonies. The words were written by Ferenc Kölcsey, a nationally renowned poet, in 1823, and its currently official musical setting was composed by the romantic composer Ferenc Erkel in 1844, although other less - known musical versions exist. The poem bore the subtitle " A magyar nép zivataros századaiból " (" From the stormy centuries of the Hungarian people ") ; it is often argued that this subtitle – by emphasising past rather than contemporary national troubles – was added expressly to enable the poem to pass Habsburg censorship. The full meaning of the poem's text is evident only to those well acquainted with Hungarian history. The lyrics of " Himnusz " are a prayer beginning with the words Isten, áldd meg a magyart () (). | notable work | null | 9,429 |
[
"Himnusz",
"author",
"Ferenc Kölcsey"
] | Find the relation between <e1>Himnusz<\e1> and <e2>Ferenc Kölcsey<\e2>.
" Himnusz " (;) is the national anthem of Hungary. It was adopted in the 19th century and the first stanza is sung at official ceremonies. The words were written by Ferenc Kölcsey, a nationally renowned poet, in 1823, and its currently official musical setting was composed by the romantic composer Ferenc Erkel in 1844, although other less - known musical versions exist. The poem bore the subtitle " A magyar nép zivataros századaiból " (" From the stormy centuries of the Hungarian people ") ; it is often argued that this subtitle – by emphasising past rather than contemporary national troubles – was added expressly to enable the poem to pass Habsburg censorship. The full meaning of the poem's text is evident only to those well acquainted with Hungarian history. The lyrics of " Himnusz " are a prayer beginning with the words Isten, áldd meg a magyart () (). | author | null | 9,430 |
[
"Ferenc Erkel",
"country of citizenship",
"Hungarian"
] | Find the relation between <e1>Ferenc Erkel<\e1> and <e2>Hungarian<\e2>.
" Himnusz " (;) is the national anthem of Hungary. It was adopted in the 19th century and the first stanza is sung at official ceremonies. The words were written by Ferenc Kölcsey, a nationally renowned poet, in 1823, and its currently official musical setting was composed by the romantic composer Ferenc Erkel in 1844, although other less - known musical versions exist. The poem bore the subtitle " A magyar nép zivataros századaiból " (" From the stormy centuries of the Hungarian people ") ; it is often argued that this subtitle – by emphasising past rather than contemporary national troubles – was added expressly to enable the poem to pass Habsburg censorship. The full meaning of the poem's text is evident only to those well acquainted with Hungarian history. The lyrics of " Himnusz " are a prayer beginning with the words Isten, áldd meg a magyart () (). | country of citizenship | null | 9,431 |
[
"Ferenc Kölcsey",
"country of citizenship",
"Hungarian"
] | Find the relation between <e1>Ferenc Kölcsey<\e1> and <e2>Hungarian<\e2>.
" Himnusz " (;) is the national anthem of Hungary. It was adopted in the 19th century and the first stanza is sung at official ceremonies. The words were written by Ferenc Kölcsey, a nationally renowned poet, in 1823, and its currently official musical setting was composed by the romantic composer Ferenc Erkel in 1844, although other less - known musical versions exist. The poem bore the subtitle " A magyar nép zivataros századaiból " (" From the stormy centuries of the Hungarian people ") ; it is often argued that this subtitle – by emphasising past rather than contemporary national troubles – was added expressly to enable the poem to pass Habsburg censorship. The full meaning of the poem's text is evident only to those well acquainted with Hungarian history. The lyrics of " Himnusz " are a prayer beginning with the words Isten, áldd meg a magyart () (). | country of citizenship | null | 9,432 |
[
"Himnusz",
"country",
"Hungarian"
] | Find the relation between <e1>Himnusz<\e1> and <e2>Hungarian<\e2>.
" Himnusz " (;) is the national anthem of Hungary. It was adopted in the 19th century and the first stanza is sung at official ceremonies. The words were written by Ferenc Kölcsey, a nationally renowned poet, in 1823, and its currently official musical setting was composed by the romantic composer Ferenc Erkel in 1844, although other less - known musical versions exist. The poem bore the subtitle " A magyar nép zivataros századaiból " (" From the stormy centuries of the Hungarian people ") ; it is often argued that this subtitle – by emphasising past rather than contemporary national troubles – was added expressly to enable the poem to pass Habsburg censorship. The full meaning of the poem's text is evident only to those well acquainted with Hungarian history. The lyrics of " Himnusz " are a prayer beginning with the words Isten, áldd meg a magyart () (). | country | null | 9,433 |
[
"August Wilson",
"notable work",
"The Pittsburgh Cycle"
] | Find the relation between <e1>August Wilson<\e1> and <e2>The Pittsburgh Cycle<\e2>.
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of " acquir[ing ] a sense of self - worth by denying one's past ". The Piano Lesson received the 1990 Pulitzer Prize for Drama. A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African - American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self - worth. What The Piano Lesson finally seems to ask is : " What do you do with your legacy, and how do you best put it to use ? "Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great - grandfather's wife and son during the days of their enslavement. | notable work | null | 9,452 |
[
"August Wilson",
"notable work",
"The Piano Lesson"
] | Find the relation between <e1>August Wilson<\e1> and <e2>The Piano Lesson<\e2>.
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of " acquir[ing ] a sense of self - worth by denying one's past ". The Piano Lesson received the 1990 Pulitzer Prize for Drama. A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African - American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self - worth. What The Piano Lesson finally seems to ask is : " What do you do with your legacy, and how do you best put it to use ? "Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great - grandfather's wife and son during the days of their enslavement. | notable work | null | 9,453 |
[
"The Pittsburgh Cycle",
"author",
"August Wilson"
] | Find the relation between <e1>The Pittsburgh Cycle<\e1> and <e2>August Wilson<\e2>.
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of " acquir[ing ] a sense of self - worth by denying one's past ". The Piano Lesson received the 1990 Pulitzer Prize for Drama. A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African - American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self - worth. What The Piano Lesson finally seems to ask is : " What do you do with your legacy, and how do you best put it to use ? "Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great - grandfather's wife and son during the days of their enslavement. | author | null | 9,454 |
[
"The Piano Lesson",
"narrative location",
"Pittsburgh"
] | Find the relation between <e1>The Piano Lesson<\e1> and <e2>Pittsburgh<\e2>.
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of " acquir[ing ] a sense of self - worth by denying one's past ". The Piano Lesson received the 1990 Pulitzer Prize for Drama. A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African - American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self - worth. What The Piano Lesson finally seems to ask is : " What do you do with your legacy, and how do you best put it to use ? "Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great - grandfather's wife and son during the days of their enslavement. | narrative location | null | 9,456 |
[
"The Piano Lesson",
"author",
"August Wilson"
] | Find the relation between <e1>The Piano Lesson<\e1> and <e2>August Wilson<\e2>.
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of " acquir[ing ] a sense of self - worth by denying one's past ". The Piano Lesson received the 1990 Pulitzer Prize for Drama. A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African - American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self - worth. What The Piano Lesson finally seems to ask is : " What do you do with your legacy, and how do you best put it to use ? "Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great - grandfather's wife and son during the days of their enslavement. | author | null | 9,457 |
[
"August Wilson",
"country of citizenship",
"American"
] | Find the relation between <e1>August Wilson<\e1> and <e2>American<\e2>.
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of " acquir[ing ] a sense of self - worth by denying one's past ". The Piano Lesson received the 1990 Pulitzer Prize for Drama. A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African - American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self - worth. What The Piano Lesson finally seems to ask is : " What do you do with your legacy, and how do you best put it to use ? "Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great - grandfather's wife and son during the days of their enslavement. | country of citizenship | null | 9,458 |
[
"Boy Willie",
"present in work",
"The Pittsburgh Cycle"
] | Find the relation between <e1>Boy Willie<\e1> and <e2>The Pittsburgh Cycle<\e2>.
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of " acquir[ing ] a sense of self - worth by denying one's past ". The Piano Lesson received the 1990 Pulitzer Prize for Drama. A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African - American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self - worth. What The Piano Lesson finally seems to ask is : " What do you do with your legacy, and how do you best put it to use ? "Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great - grandfather's wife and son during the days of their enslavement. | present in work | null | 9,459 |
[
"The Piano Lesson",
"award received",
"Pulitzer Prize for Drama"
] | Find the relation between <e1>The Piano Lesson<\e1> and <e2>Pulitzer Prize for Drama<\e2>.
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of " acquir[ing ] a sense of self - worth by denying one's past ". The Piano Lesson received the 1990 Pulitzer Prize for Drama. A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African - American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self - worth. What The Piano Lesson finally seems to ask is : " What do you do with your legacy, and how do you best put it to use ? "Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great - grandfather's wife and son during the days of their enslavement. | award received | null | 9,460 |
[
"Berniece",
"present in work",
"The Pittsburgh Cycle"
] | Find the relation between <e1>Berniece<\e1> and <e2>The Pittsburgh Cycle<\e2>.
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of " acquir[ing ] a sense of self - worth by denying one's past ". The Piano Lesson received the 1990 Pulitzer Prize for Drama. A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African - American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self - worth. What The Piano Lesson finally seems to ask is : " What do you do with your legacy, and how do you best put it to use ? "Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great - grandfather's wife and son during the days of their enslavement. | present in work | null | 9,461 |
[
"Troy",
"present in work",
"Fences"
] | Find the relation between <e1>Troy<\e1> and <e2>Fences<\e2>.
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of " acquir[ing ] a sense of self - worth by denying one's past ". The Piano Lesson received the 1990 Pulitzer Prize for Drama. A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African - American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self - worth. What The Piano Lesson finally seems to ask is : " What do you do with your legacy, and how do you best put it to use ? "Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great - grandfather's wife and son during the days of their enslavement. | present in work | null | 9,462 |
[
"Fences",
"characters",
"Troy"
] | Find the relation between <e1>Fences<\e1> and <e2>Troy<\e2>.
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of " acquir[ing ] a sense of self - worth by denying one's past ". The Piano Lesson received the 1990 Pulitzer Prize for Drama. A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African - American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self - worth. What The Piano Lesson finally seems to ask is : " What do you do with your legacy, and how do you best put it to use ? "Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great - grandfather's wife and son during the days of their enslavement. | characters | null | 9,463 |
[
"Fences",
"author",
"August Wilson"
] | Find the relation between <e1>Fences<\e1> and <e2>August Wilson<\e2>.
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of " acquir[ing ] a sense of self - worth by denying one's past ". The Piano Lesson received the 1990 Pulitzer Prize for Drama. A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African - American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self - worth. What The Piano Lesson finally seems to ask is : " What do you do with your legacy, and how do you best put it to use ? "Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great - grandfather's wife and son during the days of their enslavement. | author | null | 9,464 |
[
"The Piano Lesson",
"country of origin",
"American"
] | Find the relation between <e1>The Piano Lesson<\e1> and <e2>American<\e2>.
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of " acquir[ing ] a sense of self - worth by denying one's past ". The Piano Lesson received the 1990 Pulitzer Prize for Drama. A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African - American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self - worth. What The Piano Lesson finally seems to ask is : " What do you do with your legacy, and how do you best put it to use ? "Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great - grandfather's wife and son during the days of their enslavement. | country of origin | null | 9,466 |
[
"Pittsburgh",
"country",
"American"
] | Find the relation between <e1>Pittsburgh<\e1> and <e2>American<\e2>.
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of " acquir[ing ] a sense of self - worth by denying one's past ". The Piano Lesson received the 1990 Pulitzer Prize for Drama. A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African - American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self - worth. What The Piano Lesson finally seems to ask is : " What do you do with your legacy, and how do you best put it to use ? "Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great - grandfather's wife and son during the days of their enslavement. | country | null | 9,467 |
[
"August Wilson",
"award received",
"Pulitzer Prize for Drama"
] | Find the relation between <e1>August Wilson<\e1> and <e2>Pulitzer Prize for Drama<\e2>.
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of " acquir[ing ] a sense of self - worth by denying one's past ". The Piano Lesson received the 1990 Pulitzer Prize for Drama. A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African - American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self - worth. What The Piano Lesson finally seems to ask is : " What do you do with your legacy, and how do you best put it to use ? "Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great - grandfather's wife and son during the days of their enslavement. | award received | null | 9,468 |
[
"August Wilson",
"notable work",
"Fences"
] | Find the relation between <e1>August Wilson<\e1> and <e2>Fences<\e2>.
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of " acquir[ing ] a sense of self - worth by denying one's past ". The Piano Lesson received the 1990 Pulitzer Prize for Drama. A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African - American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self - worth. What The Piano Lesson finally seems to ask is : " What do you do with your legacy, and how do you best put it to use ? "Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great - grandfather's wife and son during the days of their enslavement. | notable work | null | 9,469 |
[
"The Pittsburgh Cycle",
"has part(s)",
"The Piano Lesson"
] | Find the relation between <e1>The Pittsburgh Cycle<\e1> and <e2>The Piano Lesson<\e2>.
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of " acquir[ing ] a sense of self - worth by denying one's past ". The Piano Lesson received the 1990 Pulitzer Prize for Drama. A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African - American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self - worth. What The Piano Lesson finally seems to ask is : " What do you do with your legacy, and how do you best put it to use ? "Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great - grandfather's wife and son during the days of their enslavement. | has part(s) | null | 9,470 |
[
"Pittsburgh",
"located in the administrative territorial entity",
"American"
] | Find the relation between <e1>Pittsburgh<\e1> and <e2>American<\e2>.
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle. Wilson began writing this play by playing with the various answers regarding the possibility of " acquir[ing ] a sense of self - worth by denying one's past ". The Piano Lesson received the 1990 Pulitzer Prize for Drama. A Romare Bearden painting, The Piano Lesson, inspired Wilson to write a play featuring a strong female character to confront African - American history, paralleling Troy in earlier Fences. However, on finishing his play, Wilson found the ending to stray from the empowered female character as well as from the question regarding self - worth. What The Piano Lesson finally seems to ask is : " What do you do with your legacy, and how do you best put it to use ? "Set in 1936 Pittsburgh during the aftermath of the Great Depression, The Piano Lesson follows the lives of the Charles family in the Doaker Charles household and an heirloom, the family piano, which is decorated with designs carved by an enslaved ancestor. The play focuses on the arguments between a brother and a sister who have different ideas on what to do with the piano. The brother, Boy Willie, is a sharecropper who wants to sell the piano to buy the land (Sutter's land) where his ancestors toiled as slaves. The sister, Berniece, remains emphatic about keeping the piano, which shows the carved faces of their great - grandfather's wife and son during the days of their enslavement. | located in the administrative territorial entity | null | 9,471 |
[
"Udagawachō",
"country",
"Japan"
] | Find the relation between <e1>Udagawachō<\e1> and <e2>Japan<\e2>.
Center Gai (センター街 Sentā - gai) is a narrow street in Udagawachō (宇田川町), Shibuya, Tokyo, Japan. It is a popular area for youths as it has a variety of popular brand name stores, fast food outlets and nightclubs. Its name is meant to signify how it is the " center " of Shibuya. It can be reached from Shibuya Station. Center Gai originated as a road built over culverts spanning the River Udagawa. On June 20, 1997, as a result of strong winds from typhoon No.7 Opal (08W, Kuring) that had descended on the Kantō region, a 4-ton archway at the entrance to Center Gai collapsed, killing one man outright and injuring several others. | country | null | 9,563 |
[
"Tokyo",
"located in the administrative territorial entity",
"Japan"
] | Find the relation between <e1>Tokyo<\e1> and <e2>Japan<\e2>.
Center Gai (センター街 Sentā - gai) is a narrow street in Udagawachō (宇田川町), Shibuya, Tokyo, Japan. It is a popular area for youths as it has a variety of popular brand name stores, fast food outlets and nightclubs. Its name is meant to signify how it is the " center " of Shibuya. It can be reached from Shibuya Station. Center Gai originated as a road built over culverts spanning the River Udagawa. On June 20, 1997, as a result of strong winds from typhoon No.7 Opal (08W, Kuring) that had descended on the Kantō region, a 4-ton archway at the entrance to Center Gai collapsed, killing one man outright and injuring several others. | located in the administrative territorial entity | null | 9,564 |
[
"Tokyo",
"country",
"Japan"
] | Find the relation between <e1>Tokyo<\e1> and <e2>Japan<\e2>.
Center Gai (センター街 Sentā - gai) is a narrow street in Udagawachō (宇田川町), Shibuya, Tokyo, Japan. It is a popular area for youths as it has a variety of popular brand name stores, fast food outlets and nightclubs. Its name is meant to signify how it is the " center " of Shibuya. It can be reached from Shibuya Station. Center Gai originated as a road built over culverts spanning the River Udagawa. On June 20, 1997, as a result of strong winds from typhoon No.7 Opal (08W, Kuring) that had descended on the Kantō region, a 4-ton archway at the entrance to Center Gai collapsed, killing one man outright and injuring several others. | country | null | 9,565 |
[
"River Udagawa",
"country",
"Japan"
] | Find the relation between <e1>River Udagawa<\e1> and <e2>Japan<\e2>.
Center Gai (センター街 Sentā - gai) is a narrow street in Udagawachō (宇田川町), Shibuya, Tokyo, Japan. It is a popular area for youths as it has a variety of popular brand name stores, fast food outlets and nightclubs. Its name is meant to signify how it is the " center " of Shibuya. It can be reached from Shibuya Station. Center Gai originated as a road built over culverts spanning the River Udagawa. On June 20, 1997, as a result of strong winds from typhoon No.7 Opal (08W, Kuring) that had descended on the Kantō region, a 4-ton archway at the entrance to Center Gai collapsed, killing one man outright and injuring several others. | country | null | 9,569 |
[
"Sentā-gai",
"country",
"Japan"
] | Find the relation between <e1>Sentā-gai<\e1> and <e2>Japan<\e2>.
Center Gai (センター街 Sentā - gai) is a narrow street in Udagawachō (宇田川町), Shibuya, Tokyo, Japan. It is a popular area for youths as it has a variety of popular brand name stores, fast food outlets and nightclubs. Its name is meant to signify how it is the " center " of Shibuya. It can be reached from Shibuya Station. Center Gai originated as a road built over culverts spanning the River Udagawa. On June 20, 1997, as a result of strong winds from typhoon No.7 Opal (08W, Kuring) that had descended on the Kantō region, a 4-ton archway at the entrance to Center Gai collapsed, killing one man outright and injuring several others. | country | null | 9,570 |
[
"Shibuya",
"located in the administrative territorial entity",
"Tokyo"
] | Find the relation between <e1>Shibuya<\e1> and <e2>Tokyo<\e2>.
Center Gai (センター街 Sentā - gai) is a narrow street in Udagawachō (宇田川町), Shibuya, Tokyo, Japan. It is a popular area for youths as it has a variety of popular brand name stores, fast food outlets and nightclubs. Its name is meant to signify how it is the " center " of Shibuya. It can be reached from Shibuya Station. Center Gai originated as a road built over culverts spanning the River Udagawa. On June 20, 1997, as a result of strong winds from typhoon No.7 Opal (08W, Kuring) that had descended on the Kantō region, a 4-ton archway at the entrance to Center Gai collapsed, killing one man outright and injuring several others. | located in the administrative territorial entity | null | 9,571 |
[
"Shibuya",
"country",
"Japan"
] | Find the relation between <e1>Shibuya<\e1> and <e2>Japan<\e2>.
Center Gai (センター街 Sentā - gai) is a narrow street in Udagawachō (宇田川町), Shibuya, Tokyo, Japan. It is a popular area for youths as it has a variety of popular brand name stores, fast food outlets and nightclubs. Its name is meant to signify how it is the " center " of Shibuya. It can be reached from Shibuya Station. Center Gai originated as a road built over culverts spanning the River Udagawa. On June 20, 1997, as a result of strong winds from typhoon No.7 Opal (08W, Kuring) that had descended on the Kantō region, a 4-ton archway at the entrance to Center Gai collapsed, killing one man outright and injuring several others. | country | null | 9,572 |
[
"Shibuya Station",
"country",
"Japan"
] | Find the relation between <e1>Shibuya Station<\e1> and <e2>Japan<\e2>.
Center Gai (センター街 Sentā - gai) is a narrow street in Udagawachō (宇田川町), Shibuya, Tokyo, Japan. It is a popular area for youths as it has a variety of popular brand name stores, fast food outlets and nightclubs. Its name is meant to signify how it is the " center " of Shibuya. It can be reached from Shibuya Station. Center Gai originated as a road built over culverts spanning the River Udagawa. On June 20, 1997, as a result of strong winds from typhoon No.7 Opal (08W, Kuring) that had descended on the Kantō region, a 4-ton archway at the entrance to Center Gai collapsed, killing one man outright and injuring several others. | country | null | 9,573 |
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