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[
"Blackadder Goes Forth",
"creator",
"Richard Curtis"
] | Find the relation between <e1>Blackadder Goes Forth<\e1> and <e2>Richard Curtis<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | creator | null | 8,002 |
[
"Blackadder Goes Forth",
"characters",
"Blackadder"
] | Find the relation between <e1>Blackadder Goes Forth<\e1> and <e2>Blackadder<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | characters | null | 8,005 |
[
"Blackadder",
"creator",
"Richard Curtis"
] | Find the relation between <e1>Blackadder<\e1> and <e2>Richard Curtis<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | creator | null | 8,006 |
[
"Blackadder",
"present in work",
"Blackadder Goes Forth"
] | Find the relation between <e1>Blackadder<\e1> and <e2>Blackadder Goes Forth<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | present in work | null | 8,007 |
[
"BBC1",
"country",
"United Kingdom"
] | Find the relation between <e1>BBC1<\e1> and <e2>United Kingdom<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | country | null | 8,008 |
[
"Haig",
"present in work",
"Blackadder Goes Forth"
] | Find the relation between <e1>Haig<\e1> and <e2>Blackadder Goes Forth<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | present in work | null | 8,009 |
[
"Blackadder",
"country of origin",
"United Kingdom"
] | Find the relation between <e1>Blackadder<\e1> and <e2>United Kingdom<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | country of origin | null | 8,012 |
[
"Plan F: Goodbyeee",
"country of origin",
"United Kingdom"
] | Find the relation between <e1>Plan F: Goodbyeee<\e1> and <e2>United Kingdom<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | country of origin | null | 8,013 |
[
"Blackadder Goes Forth",
"country",
"United Kingdom"
] | Find the relation between <e1>Blackadder Goes Forth<\e1> and <e2>United Kingdom<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | country | null | 8,015 |
[
"BBC1",
"country",
"British"
] | Find the relation between <e1>BBC1<\e1> and <e2>British<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | country | null | 8,018 |
[
"Blackadder Goes Forth",
"country of origin",
"British"
] | Find the relation between <e1>Blackadder Goes Forth<\e1> and <e2>British<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | country of origin | null | 8,020 |
[
"Western Front",
"part of",
"First World War"
] | Find the relation between <e1>Western Front<\e1> and <e2>First World War<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | part of | null | 8,021 |
[
"Haig",
"country of citizenship",
"United Kingdom"
] | Find the relation between <e1>Haig<\e1> and <e2>United Kingdom<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | country of citizenship | null | 8,022 |
[
"Blackadder Goes Forth",
"has part(s)",
"Plan F: Goodbyeee"
] | Find the relation between <e1>Blackadder Goes Forth<\e1> and <e2>Plan F: Goodbyeee<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | has part(s) | null | 8,023 |
[
"Blackadder",
"has part(s)",
"Plan F: Goodbyeee"
] | Find the relation between <e1>Blackadder<\e1> and <e2>Plan F: Goodbyeee<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | has part(s) | null | 8,024 |
[
"First World War",
"participant",
"Haig"
] | Find the relation between <e1>First World War<\e1> and <e2>Haig<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | participant | null | 8,025 |
[
"First World War",
"participant",
"Armistice Day"
] | Find the relation between <e1>First World War<\e1> and <e2>Armistice Day<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | participant | null | 8,026 |
[
"First World War",
"participant",
"Melchett"
] | Find the relation between <e1>First World War<\e1> and <e2>Melchett<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | participant | null | 8,027 |
[
"First World War",
"has part(s)",
"Western Front"
] | Find the relation between <e1>First World War<\e1> and <e2>Western Front<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | has part(s) | null | 8,028 |
[
"BBC1",
"located in the administrative territorial entity",
"United Kingdom"
] | Find the relation between <e1>BBC1<\e1> and <e2>United Kingdom<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | located in the administrative territorial entity | null | 8,029 |
[
"Haig",
"participant of",
"First World War"
] | Find the relation between <e1>Haig<\e1> and <e2>First World War<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | participant of | null | 8,030 |
[
"Armistice Day",
"participant of",
"First World War"
] | Find the relation between <e1>Armistice Day<\e1> and <e2>First World War<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | participant of | null | 8,031 |
[
"BBC1",
"located in the administrative territorial entity",
"British"
] | Find the relation between <e1>BBC1<\e1> and <e2>British<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | located in the administrative territorial entity | null | 8,032 |
[
"Melchett",
"participant of",
"First World War"
] | Find the relation between <e1>Melchett<\e1> and <e2>First World War<\e2>.
" Goodbyeee ", or " Plan F : Goodbyeee ", is the sixth and final episode of the British historical sitcom Blackadders fourth series, entitled Blackadder Goes Forth. The episode was first broadcast on BBC1 in the United Kingdom on 2 November 1989, shortly before Armistice Day. Apart from the one - off short film made a decade later, it was the last episode of Blackadder to be produced and transmitted. The episode depicts its main characters' final hours before a British offensive on the Western Front of the First World War, and Captain Blackadder's attempts to escape his fate by feigning madness ; after he fails to convince General Melchett, and Field Marshal Haig's advice proves useless, he resigns himself to taking part in the push. Goodbyeee has a darker tone than other episodes in the series, culminating in its acclaimed ending in which the main characters are assumed to die in machine - gun fire. The episode's theme of death ties in with the series' use of gallows humour, its criticism and satire of war, and its depiction of authority figures contentedly sending their subordinates to face the enemy, while unwilling to do so themselves. Richard Curtis and Ben Elton wrote the episode, and further material was provided by cast members. Its final sequence, which shows the main characters going " over the top ", uses slow motion, as the programme's creators were unhappy with the result of the scripted ending. The enhanced scene has been described as bold and highly poignant. | participant of | null | 8,033 |
[
"Vienna",
"located in the administrative territorial entity",
"Austria"
] | Find the relation between <e1>Vienna<\e1> and <e2>Austria<\e2>.
The Palais Lanckoroński was a palace in Vienna, Austria, located at Jacquingasse 16 - 18, in the Landstraße District. It was constructed in 1894 - 95 for Count Karol Lanckoroński and his family as a personal residence, and it housed the count's enormous art collection. The palace was built in a neo - baroque style by the theatre architects Ferdinand Fellner and Hermann Helmer. The building was three stories high, set back from the street, and protected by a wall with double gates. The entrance hall was wood panelled, two stories high, and decorated with portraits of the family. Other festive halls were decorated with frescoes and luxurious gobelin tapestries from the 17th century. Precious paintings, furniture and sculpture from different eras were arranged to form themed ensembles in the various rooms, with the rooms named to reflect the collection housed within. The palace was severely damaged in World War II, and was torn down in the 1960s. | located in the administrative territorial entity | null | 8,184 |
[
"Vienna",
"country",
"Austria"
] | Find the relation between <e1>Vienna<\e1> and <e2>Austria<\e2>.
The Palais Lanckoroński was a palace in Vienna, Austria, located at Jacquingasse 16 - 18, in the Landstraße District. It was constructed in 1894 - 95 for Count Karol Lanckoroński and his family as a personal residence, and it housed the count's enormous art collection. The palace was built in a neo - baroque style by the theatre architects Ferdinand Fellner and Hermann Helmer. The building was three stories high, set back from the street, and protected by a wall with double gates. The entrance hall was wood panelled, two stories high, and decorated with portraits of the family. Other festive halls were decorated with frescoes and luxurious gobelin tapestries from the 17th century. Precious paintings, furniture and sculpture from different eras were arranged to form themed ensembles in the various rooms, with the rooms named to reflect the collection housed within. The palace was severely damaged in World War II, and was torn down in the 1960s. | country | null | 8,185 |
[
"Palais Lanckoroński",
"located in the administrative territorial entity",
"Vienna"
] | Find the relation between <e1>Palais Lanckoroński<\e1> and <e2>Vienna<\e2>.
The Palais Lanckoroński was a palace in Vienna, Austria, located at Jacquingasse 16 - 18, in the Landstraße District. It was constructed in 1894 - 95 for Count Karol Lanckoroński and his family as a personal residence, and it housed the count's enormous art collection. The palace was built in a neo - baroque style by the theatre architects Ferdinand Fellner and Hermann Helmer. The building was three stories high, set back from the street, and protected by a wall with double gates. The entrance hall was wood panelled, two stories high, and decorated with portraits of the family. Other festive halls were decorated with frescoes and luxurious gobelin tapestries from the 17th century. Precious paintings, furniture and sculpture from different eras were arranged to form themed ensembles in the various rooms, with the rooms named to reflect the collection housed within. The palace was severely damaged in World War II, and was torn down in the 1960s. | located in the administrative territorial entity | null | 8,187 |
[
"Palais Lanckoroński",
"country",
"Austria"
] | Find the relation between <e1>Palais Lanckoroński<\e1> and <e2>Austria<\e2>.
The Palais Lanckoroński was a palace in Vienna, Austria, located at Jacquingasse 16 - 18, in the Landstraße District. It was constructed in 1894 - 95 for Count Karol Lanckoroński and his family as a personal residence, and it housed the count's enormous art collection. The palace was built in a neo - baroque style by the theatre architects Ferdinand Fellner and Hermann Helmer. The building was three stories high, set back from the street, and protected by a wall with double gates. The entrance hall was wood panelled, two stories high, and decorated with portraits of the family. Other festive halls were decorated with frescoes and luxurious gobelin tapestries from the 17th century. Precious paintings, furniture and sculpture from different eras were arranged to form themed ensembles in the various rooms, with the rooms named to reflect the collection housed within. The palace was severely damaged in World War II, and was torn down in the 1960s. | country | null | 8,188 |
[
"Landstraße District",
"country",
"Austria"
] | Find the relation between <e1>Landstraße District<\e1> and <e2>Austria<\e2>.
The Palais Lanckoroński was a palace in Vienna, Austria, located at Jacquingasse 16 - 18, in the Landstraße District. It was constructed in 1894 - 95 for Count Karol Lanckoroński and his family as a personal residence, and it housed the count's enormous art collection. The palace was built in a neo - baroque style by the theatre architects Ferdinand Fellner and Hermann Helmer. The building was three stories high, set back from the street, and protected by a wall with double gates. The entrance hall was wood panelled, two stories high, and decorated with portraits of the family. Other festive halls were decorated with frescoes and luxurious gobelin tapestries from the 17th century. Precious paintings, furniture and sculpture from different eras were arranged to form themed ensembles in the various rooms, with the rooms named to reflect the collection housed within. The palace was severely damaged in World War II, and was torn down in the 1960s. | country | null | 8,190 |
[
"Landstraße District",
"located in the administrative territorial entity",
"Vienna"
] | Find the relation between <e1>Landstraße District<\e1> and <e2>Vienna<\e2>.
The Palais Lanckoroński was a palace in Vienna, Austria, located at Jacquingasse 16 - 18, in the Landstraße District. It was constructed in 1894 - 95 for Count Karol Lanckoroński and his family as a personal residence, and it housed the count's enormous art collection. The palace was built in a neo - baroque style by the theatre architects Ferdinand Fellner and Hermann Helmer. The building was three stories high, set back from the street, and protected by a wall with double gates. The entrance hall was wood panelled, two stories high, and decorated with portraits of the family. Other festive halls were decorated with frescoes and luxurious gobelin tapestries from the 17th century. Precious paintings, furniture and sculpture from different eras were arranged to form themed ensembles in the various rooms, with the rooms named to reflect the collection housed within. The palace was severely damaged in World War II, and was torn down in the 1960s. | located in the administrative territorial entity | null | 8,191 |
[
"Jacquingasse 16 - 18",
"country",
"Austria"
] | Find the relation between <e1>Jacquingasse 16 - 18<\e1> and <e2>Austria<\e2>.
The Palais Lanckoroński was a palace in Vienna, Austria, located at Jacquingasse 16 - 18, in the Landstraße District. It was constructed in 1894 - 95 for Count Karol Lanckoroński and his family as a personal residence, and it housed the count's enormous art collection. The palace was built in a neo - baroque style by the theatre architects Ferdinand Fellner and Hermann Helmer. The building was three stories high, set back from the street, and protected by a wall with double gates. The entrance hall was wood panelled, two stories high, and decorated with portraits of the family. Other festive halls were decorated with frescoes and luxurious gobelin tapestries from the 17th century. Precious paintings, furniture and sculpture from different eras were arranged to form themed ensembles in the various rooms, with the rooms named to reflect the collection housed within. The palace was severely damaged in World War II, and was torn down in the 1960s. | country | null | 8,192 |
[
"Jacquingasse 16 - 18",
"located in the administrative territorial entity",
"Vienna"
] | Find the relation between <e1>Jacquingasse 16 - 18<\e1> and <e2>Vienna<\e2>.
The Palais Lanckoroński was a palace in Vienna, Austria, located at Jacquingasse 16 - 18, in the Landstraße District. It was constructed in 1894 - 95 for Count Karol Lanckoroński and his family as a personal residence, and it housed the count's enormous art collection. The palace was built in a neo - baroque style by the theatre architects Ferdinand Fellner and Hermann Helmer. The building was three stories high, set back from the street, and protected by a wall with double gates. The entrance hall was wood panelled, two stories high, and decorated with portraits of the family. Other festive halls were decorated with frescoes and luxurious gobelin tapestries from the 17th century. Precious paintings, furniture and sculpture from different eras were arranged to form themed ensembles in the various rooms, with the rooms named to reflect the collection housed within. The palace was severely damaged in World War II, and was torn down in the 1960s. | located in the administrative territorial entity | null | 8,193 |
[
"Austria",
"participant of",
"World War II"
] | Find the relation between <e1>Austria<\e1> and <e2>World War II<\e2>.
The Palais Lanckoroński was a palace in Vienna, Austria, located at Jacquingasse 16 - 18, in the Landstraße District. It was constructed in 1894 - 95 for Count Karol Lanckoroński and his family as a personal residence, and it housed the count's enormous art collection. The palace was built in a neo - baroque style by the theatre architects Ferdinand Fellner and Hermann Helmer. The building was three stories high, set back from the street, and protected by a wall with double gates. The entrance hall was wood panelled, two stories high, and decorated with portraits of the family. Other festive halls were decorated with frescoes and luxurious gobelin tapestries from the 17th century. Precious paintings, furniture and sculpture from different eras were arranged to form themed ensembles in the various rooms, with the rooms named to reflect the collection housed within. The palace was severely damaged in World War II, and was torn down in the 1960s. | participant of | null | 8,194 |
[
"World War II",
"participant",
"Austria"
] | Find the relation between <e1>World War II<\e1> and <e2>Austria<\e2>.
The Palais Lanckoroński was a palace in Vienna, Austria, located at Jacquingasse 16 - 18, in the Landstraße District. It was constructed in 1894 - 95 for Count Karol Lanckoroński and his family as a personal residence, and it housed the count's enormous art collection. The palace was built in a neo - baroque style by the theatre architects Ferdinand Fellner and Hermann Helmer. The building was three stories high, set back from the street, and protected by a wall with double gates. The entrance hall was wood panelled, two stories high, and decorated with portraits of the family. Other festive halls were decorated with frescoes and luxurious gobelin tapestries from the 17th century. Precious paintings, furniture and sculpture from different eras were arranged to form themed ensembles in the various rooms, with the rooms named to reflect the collection housed within. The palace was severely damaged in World War II, and was torn down in the 1960s. | participant | null | 8,195 |
[
"Palais Lanckoroński",
"located in the administrative territorial entity",
"Austria"
] | Find the relation between <e1>Palais Lanckoroński<\e1> and <e2>Austria<\e2>.
The Palais Lanckoroński was a palace in Vienna, Austria, located at Jacquingasse 16 - 18, in the Landstraße District. It was constructed in 1894 - 95 for Count Karol Lanckoroński and his family as a personal residence, and it housed the count's enormous art collection. The palace was built in a neo - baroque style by the theatre architects Ferdinand Fellner and Hermann Helmer. The building was three stories high, set back from the street, and protected by a wall with double gates. The entrance hall was wood panelled, two stories high, and decorated with portraits of the family. Other festive halls were decorated with frescoes and luxurious gobelin tapestries from the 17th century. Precious paintings, furniture and sculpture from different eras were arranged to form themed ensembles in the various rooms, with the rooms named to reflect the collection housed within. The palace was severely damaged in World War II, and was torn down in the 1960s. | located in the administrative territorial entity | null | 8,196 |
[
"Landstraße District",
"located in the administrative territorial entity",
"Austria"
] | Find the relation between <e1>Landstraße District<\e1> and <e2>Austria<\e2>.
The Palais Lanckoroński was a palace in Vienna, Austria, located at Jacquingasse 16 - 18, in the Landstraße District. It was constructed in 1894 - 95 for Count Karol Lanckoroński and his family as a personal residence, and it housed the count's enormous art collection. The palace was built in a neo - baroque style by the theatre architects Ferdinand Fellner and Hermann Helmer. The building was three stories high, set back from the street, and protected by a wall with double gates. The entrance hall was wood panelled, two stories high, and decorated with portraits of the family. Other festive halls were decorated with frescoes and luxurious gobelin tapestries from the 17th century. Precious paintings, furniture and sculpture from different eras were arranged to form themed ensembles in the various rooms, with the rooms named to reflect the collection housed within. The palace was severely damaged in World War II, and was torn down in the 1960s. | located in the administrative territorial entity | null | 8,197 |
[
"Jacquingasse 16 - 18",
"located in the administrative territorial entity",
"Austria"
] | Find the relation between <e1>Jacquingasse 16 - 18<\e1> and <e2>Austria<\e2>.
The Palais Lanckoroński was a palace in Vienna, Austria, located at Jacquingasse 16 - 18, in the Landstraße District. It was constructed in 1894 - 95 for Count Karol Lanckoroński and his family as a personal residence, and it housed the count's enormous art collection. The palace was built in a neo - baroque style by the theatre architects Ferdinand Fellner and Hermann Helmer. The building was three stories high, set back from the street, and protected by a wall with double gates. The entrance hall was wood panelled, two stories high, and decorated with portraits of the family. Other festive halls were decorated with frescoes and luxurious gobelin tapestries from the 17th century. Precious paintings, furniture and sculpture from different eras were arranged to form themed ensembles in the various rooms, with the rooms named to reflect the collection housed within. The palace was severely damaged in World War II, and was torn down in the 1960s. | located in the administrative territorial entity | null | 8,198 |
[
"Gioachino Rossini",
"notable work",
"Moïse et Pharaon"
] | Find the relation between <e1>Gioachino Rossini<\e1> and <e2>Moïse et Pharaon<\e2>.
Mosè in Egitto (Moses in Egypt) () is a three - act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, L'Osiride. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised the work with a new title : Moïse et Pharaon, ou Le passage de la Mer Rouge (Moses and Pharaoh, or The Crossing of the Red Sea) (). It was set to a four - act libretto written in French by Luigi Balocchi and Victor - Joseph Étienne de Jouy and the première was given by the Paris Opera at the Salle Le Peletier on 26 March the same year. Riccardo Muti and many scholars consider Moïse et Pharaon, along with Guillaume Tell, to be among Rossini's greatest achievements : | notable work | null | 8,218 |
[
"Andrea Leone Tottola",
"languages spoken, written or signed",
"Italian"
] | Find the relation between <e1>Andrea Leone Tottola<\e1> and <e2>Italian<\e2>.
Mosè in Egitto (Moses in Egypt) () is a three - act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, L'Osiride. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised the work with a new title : Moïse et Pharaon, ou Le passage de la Mer Rouge (Moses and Pharaoh, or The Crossing of the Red Sea) (). It was set to a four - act libretto written in French by Luigi Balocchi and Victor - Joseph Étienne de Jouy and the première was given by the Paris Opera at the Salle Le Peletier on 26 March the same year. Riccardo Muti and many scholars consider Moïse et Pharaon, along with Guillaume Tell, to be among Rossini's greatest achievements : | languages spoken, written or signed | null | 8,219 |
[
"Naples",
"country",
"Italy"
] | Find the relation between <e1>Naples<\e1> and <e2>Italy<\e2>.
Mosè in Egitto (Moses in Egypt) () is a three - act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, L'Osiride. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised the work with a new title : Moïse et Pharaon, ou Le passage de la Mer Rouge (Moses and Pharaoh, or The Crossing of the Red Sea) (). It was set to a four - act libretto written in French by Luigi Balocchi and Victor - Joseph Étienne de Jouy and the première was given by the Paris Opera at the Salle Le Peletier on 26 March the same year. Riccardo Muti and many scholars consider Moïse et Pharaon, along with Guillaume Tell, to be among Rossini's greatest achievements : | country | null | 8,220 |
[
"Luigi Balocchi",
"languages spoken, written or signed",
"French"
] | Find the relation between <e1>Luigi Balocchi<\e1> and <e2>French<\e2>.
Mosè in Egitto (Moses in Egypt) () is a three - act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, L'Osiride. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised the work with a new title : Moïse et Pharaon, ou Le passage de la Mer Rouge (Moses and Pharaoh, or The Crossing of the Red Sea) (). It was set to a four - act libretto written in French by Luigi Balocchi and Victor - Joseph Étienne de Jouy and the première was given by the Paris Opera at the Salle Le Peletier on 26 March the same year. Riccardo Muti and many scholars consider Moïse et Pharaon, along with Guillaume Tell, to be among Rossini's greatest achievements : | languages spoken, written or signed | null | 8,221 |
[
"Moses in Egypt",
"composer",
"Gioachino Rossini"
] | Find the relation between <e1>Moses in Egypt<\e1> and <e2>Gioachino Rossini<\e2>.
Mosè in Egitto (Moses in Egypt) () is a three - act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, L'Osiride. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised the work with a new title : Moïse et Pharaon, ou Le passage de la Mer Rouge (Moses and Pharaoh, or The Crossing of the Red Sea) (). It was set to a four - act libretto written in French by Luigi Balocchi and Victor - Joseph Étienne de Jouy and the première was given by the Paris Opera at the Salle Le Peletier on 26 March the same year. Riccardo Muti and many scholars consider Moïse et Pharaon, along with Guillaume Tell, to be among Rossini's greatest achievements : | composer | null | 8,222 |
[
"Moses in Egypt",
"country of origin",
"Italy"
] | Find the relation between <e1>Moses in Egypt<\e1> and <e2>Italy<\e2>.
Mosè in Egitto (Moses in Egypt) () is a three - act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, L'Osiride. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised the work with a new title : Moïse et Pharaon, ou Le passage de la Mer Rouge (Moses and Pharaoh, or The Crossing of the Red Sea) (). It was set to a four - act libretto written in French by Luigi Balocchi and Victor - Joseph Étienne de Jouy and the première was given by the Paris Opera at the Salle Le Peletier on 26 March the same year. Riccardo Muti and many scholars consider Moïse et Pharaon, along with Guillaume Tell, to be among Rossini's greatest achievements : | country of origin | null | 8,224 |
[
"Teatro San Carlo",
"located in the administrative territorial entity",
"Naples"
] | Find the relation between <e1>Teatro San Carlo<\e1> and <e2>Naples<\e2>.
Mosè in Egitto (Moses in Egypt) () is a three - act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, L'Osiride. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised the work with a new title : Moïse et Pharaon, ou Le passage de la Mer Rouge (Moses and Pharaoh, or The Crossing of the Red Sea) (). It was set to a four - act libretto written in French by Luigi Balocchi and Victor - Joseph Étienne de Jouy and the première was given by the Paris Opera at the Salle Le Peletier on 26 March the same year. Riccardo Muti and many scholars consider Moïse et Pharaon, along with Guillaume Tell, to be among Rossini's greatest achievements : | located in the administrative territorial entity | null | 8,225 |
[
"Teatro San Carlo",
"country",
"Italy"
] | Find the relation between <e1>Teatro San Carlo<\e1> and <e2>Italy<\e2>.
Mosè in Egitto (Moses in Egypt) () is a three - act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, L'Osiride. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised the work with a new title : Moïse et Pharaon, ou Le passage de la Mer Rouge (Moses and Pharaoh, or The Crossing of the Red Sea) (). It was set to a four - act libretto written in French by Luigi Balocchi and Victor - Joseph Étienne de Jouy and the première was given by the Paris Opera at the Salle Le Peletier on 26 March the same year. Riccardo Muti and many scholars consider Moïse et Pharaon, along with Guillaume Tell, to be among Rossini's greatest achievements : | country | null | 8,226 |
[
"Moïse et Pharaon",
"composer",
"Gioachino Rossini"
] | Find the relation between <e1>Moïse et Pharaon<\e1> and <e2>Gioachino Rossini<\e2>.
Mosè in Egitto (Moses in Egypt) () is a three - act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, L'Osiride. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised the work with a new title : Moïse et Pharaon, ou Le passage de la Mer Rouge (Moses and Pharaoh, or The Crossing of the Red Sea) (). It was set to a four - act libretto written in French by Luigi Balocchi and Victor - Joseph Étienne de Jouy and the première was given by the Paris Opera at the Salle Le Peletier on 26 March the same year. Riccardo Muti and many scholars consider Moïse et Pharaon, along with Guillaume Tell, to be among Rossini's greatest achievements : | composer | null | 8,227 |
[
"Guillaume Tell",
"composer",
"Gioachino Rossini"
] | Find the relation between <e1>Guillaume Tell<\e1> and <e2>Gioachino Rossini<\e2>.
Mosè in Egitto (Moses in Egypt) () is a three - act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, L'Osiride. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised the work with a new title : Moïse et Pharaon, ou Le passage de la Mer Rouge (Moses and Pharaoh, or The Crossing of the Red Sea) (). It was set to a four - act libretto written in French by Luigi Balocchi and Victor - Joseph Étienne de Jouy and the première was given by the Paris Opera at the Salle Le Peletier on 26 March the same year. Riccardo Muti and many scholars consider Moïse et Pharaon, along with Guillaume Tell, to be among Rossini's greatest achievements : | composer | null | 8,229 |
[
"Victor - Joseph Étienne de Jouy",
"languages spoken, written or signed",
"French"
] | Find the relation between <e1>Victor - Joseph Étienne de Jouy<\e1> and <e2>French<\e2>.
Mosè in Egitto (Moses in Egypt) () is a three - act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, L'Osiride. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised the work with a new title : Moïse et Pharaon, ou Le passage de la Mer Rouge (Moses and Pharaoh, or The Crossing of the Red Sea) (). It was set to a four - act libretto written in French by Luigi Balocchi and Victor - Joseph Étienne de Jouy and the première was given by the Paris Opera at the Salle Le Peletier on 26 March the same year. Riccardo Muti and many scholars consider Moïse et Pharaon, along with Guillaume Tell, to be among Rossini's greatest achievements : | languages spoken, written or signed | null | 8,230 |
[
"Gioachino Rossini",
"notable work",
"Moses in Egypt"
] | Find the relation between <e1>Gioachino Rossini<\e1> and <e2>Moses in Egypt<\e2>.
Mosè in Egitto (Moses in Egypt) () is a three - act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, L'Osiride. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised the work with a new title : Moïse et Pharaon, ou Le passage de la Mer Rouge (Moses and Pharaoh, or The Crossing of the Red Sea) (). It was set to a four - act libretto written in French by Luigi Balocchi and Victor - Joseph Étienne de Jouy and the première was given by the Paris Opera at the Salle Le Peletier on 26 March the same year. Riccardo Muti and many scholars consider Moïse et Pharaon, along with Guillaume Tell, to be among Rossini's greatest achievements : | notable work | null | 8,231 |
[
"Gioachino Rossini",
"notable work",
"Guillaume Tell"
] | Find the relation between <e1>Gioachino Rossini<\e1> and <e2>Guillaume Tell<\e2>.
Mosè in Egitto (Moses in Egypt) () is a three - act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, L'Osiride. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised the work with a new title : Moïse et Pharaon, ou Le passage de la Mer Rouge (Moses and Pharaoh, or The Crossing of the Red Sea) (). It was set to a four - act libretto written in French by Luigi Balocchi and Victor - Joseph Étienne de Jouy and the première was given by the Paris Opera at the Salle Le Peletier on 26 March the same year. Riccardo Muti and many scholars consider Moïse et Pharaon, along with Guillaume Tell, to be among Rossini's greatest achievements : | notable work | null | 8,232 |
[
"Naples",
"located in the administrative territorial entity",
"Italy"
] | Find the relation between <e1>Naples<\e1> and <e2>Italy<\e2>.
Mosè in Egitto (Moses in Egypt) () is a three - act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, L'Osiride. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised the work with a new title : Moïse et Pharaon, ou Le passage de la Mer Rouge (Moses and Pharaoh, or The Crossing of the Red Sea) (). It was set to a four - act libretto written in French by Luigi Balocchi and Victor - Joseph Étienne de Jouy and the première was given by the Paris Opera at the Salle Le Peletier on 26 March the same year. Riccardo Muti and many scholars consider Moïse et Pharaon, along with Guillaume Tell, to be among Rossini's greatest achievements : | located in the administrative territorial entity | null | 8,233 |
[
"Teatro San Carlo",
"located in the administrative territorial entity",
"Italy"
] | Find the relation between <e1>Teatro San Carlo<\e1> and <e2>Italy<\e2>.
Mosè in Egitto (Moses in Egypt) () is a three - act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, L'Osiride. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy. In 1827 Rossini revised the work with a new title : Moïse et Pharaon, ou Le passage de la Mer Rouge (Moses and Pharaoh, or The Crossing of the Red Sea) (). It was set to a four - act libretto written in French by Luigi Balocchi and Victor - Joseph Étienne de Jouy and the première was given by the Paris Opera at the Salle Le Peletier on 26 March the same year. Riccardo Muti and many scholars consider Moïse et Pharaon, along with Guillaume Tell, to be among Rossini's greatest achievements : | located in the administrative territorial entity | null | 8,234 |
[
"Mighty Wings",
"country of origin",
"American"
] | Find the relation between <e1>Mighty Wings<\e1> and <e2>American<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | country of origin | null | 8,403 |
[
"Mighty Wings",
"performer",
"Cheap Trick"
] | Find the relation between <e1>Mighty Wings<\e1> and <e2>Cheap Trick<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | performer | null | 8,404 |
[
"Danger Zone",
"performer",
"Kenny Loggins"
] | Find the relation between <e1>Danger Zone<\e1> and <e2>Kenny Loggins<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | performer | null | 8,406 |
[
"Mighty Wings",
"producer",
"Faltermeyer"
] | Find the relation between <e1>Mighty Wings<\e1> and <e2>Faltermeyer<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | producer | null | 8,408 |
[
"Mighty Wings",
"follows",
"Danger Zone"
] | Find the relation between <e1>Mighty Wings<\e1> and <e2>Danger Zone<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | follows | null | 8,409 |
[
"Take My Breath Away",
"performer",
"Berlin"
] | Find the relation between <e1>Take My Breath Away<\e1> and <e2>Berlin<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | performer | null | 8,410 |
[
"Top Gun",
"country of origin",
"American"
] | Find the relation between <e1>Top Gun<\e1> and <e2>American<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | country of origin | null | 8,411 |
[
"Take My Breath Away",
"part of",
"Top Gun"
] | Find the relation between <e1>Take My Breath Away<\e1> and <e2>Top Gun<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | part of | null | 8,413 |
[
"Mighty Wings",
"producer",
"Harold Faltermeyer"
] | Find the relation between <e1>Mighty Wings<\e1> and <e2>Harold Faltermeyer<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | producer | null | 8,414 |
[
"Mighty Wings",
"part of",
"Top Gun"
] | Find the relation between <e1>Mighty Wings<\e1> and <e2>Top Gun<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | part of | null | 8,415 |
[
"Cheap Trick",
"country",
"American"
] | Find the relation between <e1>Cheap Trick<\e1> and <e2>American<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | country | null | 8,416 |
[
"Danger Zone",
"part of",
"Top Gun"
] | Find the relation between <e1>Danger Zone<\e1> and <e2>Top Gun<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | part of | null | 8,417 |
[
"Cheap Trick",
"notable work",
"Mighty Wings"
] | Find the relation between <e1>Cheap Trick<\e1> and <e2>Mighty Wings<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | notable work | null | 8,418 |
[
"Kenny Loggins",
"notable work",
"Danger Zone"
] | Find the relation between <e1>Kenny Loggins<\e1> and <e2>Danger Zone<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | notable work | null | 8,419 |
[
"Faltermeyer",
"notable work",
"Mighty Wings"
] | Find the relation between <e1>Faltermeyer<\e1> and <e2>Mighty Wings<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | notable work | null | 8,420 |
[
"Danger Zone",
"followed by",
"Mighty Wings"
] | Find the relation between <e1>Danger Zone<\e1> and <e2>Mighty Wings<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | followed by | null | 8,421 |
[
"Berlin",
"notable work",
"Take My Breath Away"
] | Find the relation between <e1>Berlin<\e1> and <e2>Take My Breath Away<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | notable work | null | 8,422 |
[
"Top Gun",
"has part(s)",
"Take My Breath Away"
] | Find the relation between <e1>Top Gun<\e1> and <e2>Take My Breath Away<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | has part(s) | null | 8,423 |
[
"Harold Faltermeyer",
"notable work",
"Mighty Wings"
] | Find the relation between <e1>Harold Faltermeyer<\e1> and <e2>Mighty Wings<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | notable work | null | 8,424 |
[
"Top Gun",
"has part(s)",
"Mighty Wings"
] | Find the relation between <e1>Top Gun<\e1> and <e2>Mighty Wings<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | has part(s) | null | 8,425 |
[
"Top Gun",
"has part(s)",
"Danger Zone"
] | Find the relation between <e1>Top Gun<\e1> and <e2>Danger Zone<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | has part(s) | null | 8,426 |
[
"Cheap Trick",
"located in the administrative territorial entity",
"American"
] | Find the relation between <e1>Cheap Trick<\e1> and <e2>American<\e2>.
" Mighty Wings " is a song by American rock band Cheap Trick, released in 1986 as the third single from the soundtrack of the film Top Gun. It was written by Harold Faltermeyer and Mark Spiro, and produced by Faltermeyer. Despite the commercial success of the Top Gun soundtrack, and unlike the four other singles culled from the album, " Mighty Wings " failed to make an appearance in the Billboard chart. It was the third of five singles to be released from the soundtrack, following " Danger Zone " by Kenny Loggins and " Take My Breath Away " by Berlin. In the film Top Gun, the music (without vocals) is played in the first training session at Miramar, while the full version with vocals is played during the ending credits. | located in the administrative territorial entity | null | 8,427 |
[
"Committee on International Trade",
"chairperson",
"Bernd Lange"
] | Find the relation between <e1>Committee on International Trade<\e1> and <e2>Bernd Lange<\e2>.
The Committee on International Trade (INTA) is a committee of the European Parliament. Its current chair, elected on 7 July 2014, is Bernd Lange. INTA is responsible for matters relating to the establishment, implementation and monitoring of the EU ’s common commercial policy and its external economic relations, including trade and investment legislation, bilateral, plurilateral and multilateral agreements and relations with the World Trade Organisation (WTO). With the Treaty of Lisbon, the Parliament has become a co - legislator in the Union ’s Common Commercial Policy and has the final say on entry into force of all trade agreements. Moreover, the Union competencies were expanded to include foreign investment. The main legislative achievements guided through the Parliament by INTA during the 7th parliamentary term (2009 - 2014) include regulations on' Grandfathering',' Financial Responsibility', macro - financial assistance to third countries,' Enforcement’,' Dual Use',' Omnibus I and II' packages, the review of the Generalised System of Preferences (GSP) and the Market Access Regulation (MAR). Legislation on the Public procurement and Modernisation of the Trade Defence Instruments (TDI) would only be adopted if an agreement with the Council is reached. During its last term the European Parliament gave consent to free trade agreements with South Korea and Peru / Colombia, rejected Anti - Counterfeiting TradeAgreement (ACTA), scrutinised trade talks with Canada, Singapore and African, Caribbean and Pacific (ACP) countries and started examining ongoing negotiations with Japan and the US. | chairperson | null | 8,513 |
[
"Japan",
"member of",
"World Trade Organisation"
] | Find the relation between <e1>Japan<\e1> and <e2>World Trade Organisation<\e2>.
The Committee on International Trade (INTA) is a committee of the European Parliament. Its current chair, elected on 7 July 2014, is Bernd Lange. INTA is responsible for matters relating to the establishment, implementation and monitoring of the EU ’s common commercial policy and its external economic relations, including trade and investment legislation, bilateral, plurilateral and multilateral agreements and relations with the World Trade Organisation (WTO). With the Treaty of Lisbon, the Parliament has become a co - legislator in the Union ’s Common Commercial Policy and has the final say on entry into force of all trade agreements. Moreover, the Union competencies were expanded to include foreign investment. The main legislative achievements guided through the Parliament by INTA during the 7th parliamentary term (2009 - 2014) include regulations on' Grandfathering',' Financial Responsibility', macro - financial assistance to third countries,' Enforcement’,' Dual Use',' Omnibus I and II' packages, the review of the Generalised System of Preferences (GSP) and the Market Access Regulation (MAR). Legislation on the Public procurement and Modernisation of the Trade Defence Instruments (TDI) would only be adopted if an agreement with the Council is reached. During its last term the European Parliament gave consent to free trade agreements with South Korea and Peru / Colombia, rejected Anti - Counterfeiting TradeAgreement (ACTA), scrutinised trade talks with Canada, Singapore and African, Caribbean and Pacific (ACP) countries and started examining ongoing negotiations with Japan and the US. | member of | null | 8,514 |
[
"EU",
"member of",
"World Trade Organisation"
] | Find the relation between <e1>EU<\e1> and <e2>World Trade Organisation<\e2>.
The Committee on International Trade (INTA) is a committee of the European Parliament. Its current chair, elected on 7 July 2014, is Bernd Lange. INTA is responsible for matters relating to the establishment, implementation and monitoring of the EU ’s common commercial policy and its external economic relations, including trade and investment legislation, bilateral, plurilateral and multilateral agreements and relations with the World Trade Organisation (WTO). With the Treaty of Lisbon, the Parliament has become a co - legislator in the Union ’s Common Commercial Policy and has the final say on entry into force of all trade agreements. Moreover, the Union competencies were expanded to include foreign investment. The main legislative achievements guided through the Parliament by INTA during the 7th parliamentary term (2009 - 2014) include regulations on' Grandfathering',' Financial Responsibility', macro - financial assistance to third countries,' Enforcement’,' Dual Use',' Omnibus I and II' packages, the review of the Generalised System of Preferences (GSP) and the Market Access Regulation (MAR). Legislation on the Public procurement and Modernisation of the Trade Defence Instruments (TDI) would only be adopted if an agreement with the Council is reached. During its last term the European Parliament gave consent to free trade agreements with South Korea and Peru / Colombia, rejected Anti - Counterfeiting TradeAgreement (ACTA), scrutinised trade talks with Canada, Singapore and African, Caribbean and Pacific (ACP) countries and started examining ongoing negotiations with Japan and the US. | member of | null | 8,516 |
[
"US",
"member of",
"World Trade Organisation"
] | Find the relation between <e1>US<\e1> and <e2>World Trade Organisation<\e2>.
The Committee on International Trade (INTA) is a committee of the European Parliament. Its current chair, elected on 7 July 2014, is Bernd Lange. INTA is responsible for matters relating to the establishment, implementation and monitoring of the EU ’s common commercial policy and its external economic relations, including trade and investment legislation, bilateral, plurilateral and multilateral agreements and relations with the World Trade Organisation (WTO). With the Treaty of Lisbon, the Parliament has become a co - legislator in the Union ’s Common Commercial Policy and has the final say on entry into force of all trade agreements. Moreover, the Union competencies were expanded to include foreign investment. The main legislative achievements guided through the Parliament by INTA during the 7th parliamentary term (2009 - 2014) include regulations on' Grandfathering',' Financial Responsibility', macro - financial assistance to third countries,' Enforcement’,' Dual Use',' Omnibus I and II' packages, the review of the Generalised System of Preferences (GSP) and the Market Access Regulation (MAR). Legislation on the Public procurement and Modernisation of the Trade Defence Instruments (TDI) would only be adopted if an agreement with the Council is reached. During its last term the European Parliament gave consent to free trade agreements with South Korea and Peru / Colombia, rejected Anti - Counterfeiting TradeAgreement (ACTA), scrutinised trade talks with Canada, Singapore and African, Caribbean and Pacific (ACP) countries and started examining ongoing negotiations with Japan and the US. | member of | null | 8,518 |
[
"Peru",
"member of",
"World Trade Organisation"
] | Find the relation between <e1>Peru<\e1> and <e2>World Trade Organisation<\e2>.
The Committee on International Trade (INTA) is a committee of the European Parliament. Its current chair, elected on 7 July 2014, is Bernd Lange. INTA is responsible for matters relating to the establishment, implementation and monitoring of the EU ’s common commercial policy and its external economic relations, including trade and investment legislation, bilateral, plurilateral and multilateral agreements and relations with the World Trade Organisation (WTO). With the Treaty of Lisbon, the Parliament has become a co - legislator in the Union ’s Common Commercial Policy and has the final say on entry into force of all trade agreements. Moreover, the Union competencies were expanded to include foreign investment. The main legislative achievements guided through the Parliament by INTA during the 7th parliamentary term (2009 - 2014) include regulations on' Grandfathering',' Financial Responsibility', macro - financial assistance to third countries,' Enforcement’,' Dual Use',' Omnibus I and II' packages, the review of the Generalised System of Preferences (GSP) and the Market Access Regulation (MAR). Legislation on the Public procurement and Modernisation of the Trade Defence Instruments (TDI) would only be adopted if an agreement with the Council is reached. During its last term the European Parliament gave consent to free trade agreements with South Korea and Peru / Colombia, rejected Anti - Counterfeiting TradeAgreement (ACTA), scrutinised trade talks with Canada, Singapore and African, Caribbean and Pacific (ACP) countries and started examining ongoing negotiations with Japan and the US. | member of | null | 8,519 |
[
"Colombia",
"member of",
"World Trade Organisation"
] | Find the relation between <e1>Colombia<\e1> and <e2>World Trade Organisation<\e2>.
The Committee on International Trade (INTA) is a committee of the European Parliament. Its current chair, elected on 7 July 2014, is Bernd Lange. INTA is responsible for matters relating to the establishment, implementation and monitoring of the EU ’s common commercial policy and its external economic relations, including trade and investment legislation, bilateral, plurilateral and multilateral agreements and relations with the World Trade Organisation (WTO). With the Treaty of Lisbon, the Parliament has become a co - legislator in the Union ’s Common Commercial Policy and has the final say on entry into force of all trade agreements. Moreover, the Union competencies were expanded to include foreign investment. The main legislative achievements guided through the Parliament by INTA during the 7th parliamentary term (2009 - 2014) include regulations on' Grandfathering',' Financial Responsibility', macro - financial assistance to third countries,' Enforcement’,' Dual Use',' Omnibus I and II' packages, the review of the Generalised System of Preferences (GSP) and the Market Access Regulation (MAR). Legislation on the Public procurement and Modernisation of the Trade Defence Instruments (TDI) would only be adopted if an agreement with the Council is reached. During its last term the European Parliament gave consent to free trade agreements with South Korea and Peru / Colombia, rejected Anti - Counterfeiting TradeAgreement (ACTA), scrutinised trade talks with Canada, Singapore and African, Caribbean and Pacific (ACP) countries and started examining ongoing negotiations with Japan and the US. | member of | null | 8,520 |
[
"Council",
"applies to jurisdiction",
"EU"
] | Find the relation between <e1>Council<\e1> and <e2>EU<\e2>.
The Committee on International Trade (INTA) is a committee of the European Parliament. Its current chair, elected on 7 July 2014, is Bernd Lange. INTA is responsible for matters relating to the establishment, implementation and monitoring of the EU ’s common commercial policy and its external economic relations, including trade and investment legislation, bilateral, plurilateral and multilateral agreements and relations with the World Trade Organisation (WTO). With the Treaty of Lisbon, the Parliament has become a co - legislator in the Union ’s Common Commercial Policy and has the final say on entry into force of all trade agreements. Moreover, the Union competencies were expanded to include foreign investment. The main legislative achievements guided through the Parliament by INTA during the 7th parliamentary term (2009 - 2014) include regulations on' Grandfathering',' Financial Responsibility', macro - financial assistance to third countries,' Enforcement’,' Dual Use',' Omnibus I and II' packages, the review of the Generalised System of Preferences (GSP) and the Market Access Regulation (MAR). Legislation on the Public procurement and Modernisation of the Trade Defence Instruments (TDI) would only be adopted if an agreement with the Council is reached. During its last term the European Parliament gave consent to free trade agreements with South Korea and Peru / Colombia, rejected Anti - Counterfeiting TradeAgreement (ACTA), scrutinised trade talks with Canada, Singapore and African, Caribbean and Pacific (ACP) countries and started examining ongoing negotiations with Japan and the US. | applies to jurisdiction | null | 8,521 |
[
"European Parliament",
"applies to jurisdiction",
"Union"
] | Find the relation between <e1>European Parliament<\e1> and <e2>Union<\e2>.
The Committee on International Trade (INTA) is a committee of the European Parliament. Its current chair, elected on 7 July 2014, is Bernd Lange. INTA is responsible for matters relating to the establishment, implementation and monitoring of the EU ’s common commercial policy and its external economic relations, including trade and investment legislation, bilateral, plurilateral and multilateral agreements and relations with the World Trade Organisation (WTO). With the Treaty of Lisbon, the Parliament has become a co - legislator in the Union ’s Common Commercial Policy and has the final say on entry into force of all trade agreements. Moreover, the Union competencies were expanded to include foreign investment. The main legislative achievements guided through the Parliament by INTA during the 7th parliamentary term (2009 - 2014) include regulations on' Grandfathering',' Financial Responsibility', macro - financial assistance to third countries,' Enforcement’,' Dual Use',' Omnibus I and II' packages, the review of the Generalised System of Preferences (GSP) and the Market Access Regulation (MAR). Legislation on the Public procurement and Modernisation of the Trade Defence Instruments (TDI) would only be adopted if an agreement with the Council is reached. During its last term the European Parliament gave consent to free trade agreements with South Korea and Peru / Colombia, rejected Anti - Counterfeiting TradeAgreement (ACTA), scrutinised trade talks with Canada, Singapore and African, Caribbean and Pacific (ACP) countries and started examining ongoing negotiations with Japan and the US. | applies to jurisdiction | null | 8,522 |
[
"European Parliament",
"applies to jurisdiction",
"EU"
] | Find the relation between <e1>European Parliament<\e1> and <e2>EU<\e2>.
The Committee on International Trade (INTA) is a committee of the European Parliament. Its current chair, elected on 7 July 2014, is Bernd Lange. INTA is responsible for matters relating to the establishment, implementation and monitoring of the EU ’s common commercial policy and its external economic relations, including trade and investment legislation, bilateral, plurilateral and multilateral agreements and relations with the World Trade Organisation (WTO). With the Treaty of Lisbon, the Parliament has become a co - legislator in the Union ’s Common Commercial Policy and has the final say on entry into force of all trade agreements. Moreover, the Union competencies were expanded to include foreign investment. The main legislative achievements guided through the Parliament by INTA during the 7th parliamentary term (2009 - 2014) include regulations on' Grandfathering',' Financial Responsibility', macro - financial assistance to third countries,' Enforcement’,' Dual Use',' Omnibus I and II' packages, the review of the Generalised System of Preferences (GSP) and the Market Access Regulation (MAR). Legislation on the Public procurement and Modernisation of the Trade Defence Instruments (TDI) would only be adopted if an agreement with the Council is reached. During its last term the European Parliament gave consent to free trade agreements with South Korea and Peru / Colombia, rejected Anti - Counterfeiting TradeAgreement (ACTA), scrutinised trade talks with Canada, Singapore and African, Caribbean and Pacific (ACP) countries and started examining ongoing negotiations with Japan and the US. | applies to jurisdiction | null | 8,523 |
[
"Canada",
"member of",
"World Trade Organisation"
] | Find the relation between <e1>Canada<\e1> and <e2>World Trade Organisation<\e2>.
The Committee on International Trade (INTA) is a committee of the European Parliament. Its current chair, elected on 7 July 2014, is Bernd Lange. INTA is responsible for matters relating to the establishment, implementation and monitoring of the EU ’s common commercial policy and its external economic relations, including trade and investment legislation, bilateral, plurilateral and multilateral agreements and relations with the World Trade Organisation (WTO). With the Treaty of Lisbon, the Parliament has become a co - legislator in the Union ’s Common Commercial Policy and has the final say on entry into force of all trade agreements. Moreover, the Union competencies were expanded to include foreign investment. The main legislative achievements guided through the Parliament by INTA during the 7th parliamentary term (2009 - 2014) include regulations on' Grandfathering',' Financial Responsibility', macro - financial assistance to third countries,' Enforcement’,' Dual Use',' Omnibus I and II' packages, the review of the Generalised System of Preferences (GSP) and the Market Access Regulation (MAR). Legislation on the Public procurement and Modernisation of the Trade Defence Instruments (TDI) would only be adopted if an agreement with the Council is reached. During its last term the European Parliament gave consent to free trade agreements with South Korea and Peru / Colombia, rejected Anti - Counterfeiting TradeAgreement (ACTA), scrutinised trade talks with Canada, Singapore and African, Caribbean and Pacific (ACP) countries and started examining ongoing negotiations with Japan and the US. | member of | null | 8,525 |
[
"United States Navy",
"country",
"the United States"
] | Find the relation between <e1>United States Navy<\e1> and <e2>the United States<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | country | null | 8,645 |
[
"Boston",
"country",
"the United States"
] | Find the relation between <e1>Boston<\e1> and <e2>the United States<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | country | null | 8,646 |
[
"Massachusetts",
"located in the administrative territorial entity",
"the United States"
] | Find the relation between <e1>Massachusetts<\e1> and <e2>the United States<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | located in the administrative territorial entity | null | 8,647 |
[
"Massachusetts",
"country",
"the United States"
] | Find the relation between <e1>Massachusetts<\e1> and <e2>the United States<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | country | null | 8,648 |
[
"Maryland",
"located in the administrative territorial entity",
"the United States"
] | Find the relation between <e1>Maryland<\e1> and <e2>the United States<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | located in the administrative territorial entity | null | 8,649 |
[
"Maryland",
"country",
"the United States"
] | Find the relation between <e1>Maryland<\e1> and <e2>the United States<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | country | null | 8,650 |
[
"Calnan",
"military branch",
"United States Navy"
] | Find the relation between <e1>Calnan<\e1> and <e2>United States Navy<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | military branch | null | 8,651 |
[
"Calnan",
"country of citizenship",
"the United States"
] | Find the relation between <e1>Calnan<\e1> and <e2>the United States<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | country of citizenship | null | 8,654 |
[
"Calnan",
"participant of",
"1924 Summer Olympics"
] | Find the relation between <e1>Calnan<\e1> and <e2>1924 Summer Olympics<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | participant of | null | 8,655 |
[
"Calnan",
"participant of",
"1932 Summer Olympics"
] | Find the relation between <e1>Calnan<\e1> and <e2>1932 Summer Olympics<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | participant of | null | 8,656 |
[
"United States Naval Academy",
"country",
"the United States"
] | Find the relation between <e1>United States Naval Academy<\e1> and <e2>the United States<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | country | null | 8,658 |
[
"1924 Summer Olympics",
"location",
"Paris"
] | Find the relation between <e1>1924 Summer Olympics<\e1> and <e2>Paris<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | location | null | 8,659 |
[
"1932 Summer Olympics",
"location",
"Los Angeles"
] | Find the relation between <e1>1932 Summer Olympics<\e1> and <e2>Los Angeles<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | location | null | 8,662 |
[
"US Fencing Hall of Fame",
"country",
"the United States"
] | Find the relation between <e1>US Fencing Hall of Fame<\e1> and <e2>the United States<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | country | null | 8,663 |
[
"Annapolis",
"country",
"the United States"
] | Find the relation between <e1>Annapolis<\e1> and <e2>the United States<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | country | null | 8,664 |
[
"1932 Summer Olympics",
"country",
"the United States"
] | Find the relation between <e1>1932 Summer Olympics<\e1> and <e2>the United States<\e2>.
George Charles Calnan (January 18, 1900 – April 4, 1933) was a United States Navy officer who also competed for the United States as a fencer. Competing in four Summer Olympics, he earned three bronze medals (Individual épée : 1928, Team foil : 1932, Team épée : 1932)A native of Boston, Massachusetts, Calnan did not start fencing until he was a student at the United States Naval Academy in Annapolis, Maryland. By the time he was a senior, he was captain of the Navy's fencing team. Two years later, Calnan competed for the US at the 1924 Summer Olympics in Paris where he finished tied for fifth in the team épée competition. Calnan took the Olympic Oath at the 1932 Summer Olympics in Los Angeles. Calnan was among the 73 fatalities of the USS Akron crash in 1933. He had a lieutenant's rank at the time of the crash. He was posthumously inducted in the US Fencing Hall of Fame in 1963, among the first inductees. | country | null | 8,666 |
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