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Draft:Ondine (script typeface) | AFC submission |
Ondine is an informal script typeface designed by Swiss type designer Adrian Frutiger in 1954 for the Deberny & Peignot font foundry in France.
The name 'Ondine' translates from French to 'wave' due to its dramatic stroke contrast and informal look. The font seems like it was made with a thick pen, but Frutiger cut the letters on paper with a pair of scissors. The inspiration for the design traces its roots to handwriting in the humanist era, which was the peak of Italian Renaissance typography in the 15th century. This movement was very popular in Florence, the heart of the Humanist movement home to several well-known type schools. Writers at the time aimed to replicate the writing style of literary works, taking form and style into consideration.
Ondine has a clean and open look, and text set in it appears to have been written many centuries ago. Ondine is best used when set at large point sizes for titles and headlines.
It is one of Frutiger's earliest type designs, having cut Président and Méridien around the same time. A couple years later, he would go on to make a name for himself by creating his Univers family.
The typeface was popular for labels and signage during the pre-digital era, and was available on many dry rub transfer sheets during the 70s and 80s.
Ondine is available through Linotype and URW foundries. It was digitized by Adobe Systems Incorporated in 1995. Bitstream created a version of Ondine called Formal Script 421. |
Draft:Ondine (script typeface) | References | References
https://multimediaman.blog/tag/ondine/
https://www.myfonts.com/collections/ondine-font-linotype?queryId=af123a7034e39eec77d3301bd159aeae&eventName=Product%20Clicked&index=universal_search_data&objectIDs=5835250000&positions=1&inline=true&userquery=Ondine&aa_origin=autocomplete
http://www.identifont.com/show?T6
https://luc.devroye.org/fonts-71020.html |
Draft:Ondine (script typeface) | Table of Content | AFC submission, References |
Wikipedia:Sockpuppet investigations/Benji1207/Archive | __TOC__
| __TOC__ |
Wikipedia:Sockpuppet investigations/Benji1207/Archive | 22 March 2025 | 22 March 2025 |
Wikipedia:Sockpuppet investigations/Benji1207/Archive | Suspected sockpuppets | Suspected sockpuppets
These accounts have all edited the *Aristides de Sousa Mendes* article or its Talk page, consistently promoting a single interpretation and reverting sourced contributions that present alternative scholarly views.
Their edits often:
Rely heavily on the Sousa Mendes Foundation as a primary source,
Oppose neutral wording in favor of hagiographic language,
Revert edits without consensus or sufficient policy-based rationale,
Show strikingly similar arguments, tone, and areas of focus.
Shared interest in musical topics and notable Jewish individuals, which aligns with previously blocked editing patterns.
Notably:
- **Beebop211** was **previously blocked for sockpuppetry**, with similar activity patterns. (Bebop, often shortened to "bop," is a type of small-band, modern jazz music that originated in the early 1940s)
- **Cocoa57**, **Joséángel006**, and **Benji1207** are newly created or low-edit accounts focused almost exclusively on this topic.
- Their behavior suggests possible coordination or sockpuppetry. J Pratas (talk) 22:17, 22 March 2025 (UTC)
Notably:
In a discussion on the Ravel article, Cocoa57 claimed to be a contributor to Grove Music Online. Beebop211 also had a music-related username and edit history, consistent with someone in the same field and is known to have contributed to Grove and is a musicologist who has been active in defending Sousa Mendes-related content in the past.
Cocoa57 has emphasized sources related to the Sousa Mendes Foundation and shown a similar dismissive tone toward mainstream historians critical of exaggerated claims about Sousa Mendes, mirroring the behavior previously seen in Beebop211.
Notably, after I raised the possibility of coordinated behavior among these three accounts (Benji1207, Cocoa57, Joséángel006) on the article’s talk page on March 19 (here->)
, both Benji1207 and Joséángel006, active in the Aristides Sousa Mendes article ceased editing activity altogether. This pattern may suggest awareness of the scrutiny and potential coordination behind the scenes
There is concern that this may be a reemergence of previously blocked editing behavior through new accounts.
Please consider a CheckUser investigation to determine any technical connection, and review behavioral overlaps. Previous case: [] |
Wikipedia:Sockpuppet investigations/Benji1207/Archive | <big>Comments by other users</big> | Comments by other users
Accused parties may also comment/discuss in this section below. See Defending yourself against claims.
I edit articles about musicians and historical figures, as I graduated in both music and history. Additionally, I haven't edited any pages related to Jewish individuals, so I don't understand his accusation. I believe he's making this accusation in bad faith to prevent scrutiny of his edits, as he's repeatedly reverting contributions that don't align with his viewpoint—something other editors have also pointed out.Benji1207 (talk) 17:37, 6 April 2025 (UTC)
Editor Cornedebouc, also a new account is now actively participating in the related RfC despite no prior involvement in the topic. Since one day before his edit on the Sousa Mendes article he was flagged as "Possible" in the previous SPI, would it be possible to re-check or monitor for further signs of coordinated behavior?J Pratas (talk) 21:17, 7 April 2025 (UTC)
I would like to respectfully suggest that the recent investigation which led to the indefinite blocks of Cocoa57 and Benji1207 be extended to include the accounts Lynngol, Joséángel006, and Cornedebouc. These accounts, like the previously blocked ones, appear to be newly created single-purpose accounts (SPAs) focused almost exclusively on the Aristides de Sousa Mendes article. Their editing patterns consistently align with efforts to restore a version of the article that reflects a highly idealized narrative.
In recent weeks, these editors have systematically removed reliably sourced content that introduces nuance or challenges elements of that narrative. For example:
They removed primary sources indicating that Sousa Mendes continued receiving a salary from the Portuguese state until his death—material that calls into question the commonly repeated claim that he was punished and died in poverty.
They have also deleted secondary academic sources that interpret and contextualize those primary documents.
Given the similarities in timing, focus, and editing behavior, I believe it would be appropriate to conduct a broader review to assess whether these accounts are connected and whether their recent editing aligns with Wikipedia’s core content policies, including neutral point of view (NPOV), verifiability, and the prohibition against sockpuppetry. J Pratas (talk) 02:36, 10 May 2025 (UTC) |
Wikipedia:Sockpuppet investigations/Benji1207/Archive | <big>Clerk, CheckUser, and/or patrolling admin comments</big> | Clerk, CheckUser, and/or patrolling admin comments
Benji and Cocoa are with one particular slipup that can't be explained elsewise. Jose is probably neither of them, but does have a at . Of course the other pair listed here are too old. Izno (talk) 06:38, 5 April 2025 (UTC)
Blocked Benji1207 and Cocoa57 on the basis of technical and behavioural evidence. qedk (t 愛 c) 16:47, 15 April 2025 (UTC)
Good to document the behavioural evidence since there is an ANI thread open. Firstly, Cocoa57 does not have the hallmarks of a new editor. They are aware of how to edit, how to write edit summaries and use features as they are intended. Also interesting is this diff where the user delves into a content dispute with a strong opinion with (an apparent) full understanding of the dispute despite never having edited the article before. The original evidence is also compelling in the fact that the new account has essentially switched to having most of the activity on both the article and talk pages where once the sockmaster was the one who was highly invested. That combined with the technical evidence makes me pretty confident that this is a case of sockpuppetry and/or meatpuppetry. That said, any administrator who disagrees with me can unblock without consultation. --qedk (t 愛 c) 17:08, 15 April 2025 (UTC)
Courtesy ping for . --qedk (t 愛 c) 17:22, 15 April 2025 (UTC)
Just curious, how come only a one-week block for the master? - The Bushranger One ping only 01:05, 18 April 2025 (UTC)
There is no history of sockpuppetry. First-time sockmasters are typically only blocked temporarily. Didn't see a reason for a longer block considering the primary issue was using the puppet to drive content discussions (which is now indeffed). --qedk (t 愛 c) 10:04, 18 April 2025 (UTC)
"First-time sockmasters are typically only blocked temporarily." That's a new one to me. Egregious cases like this -- using an alternate account to build an image of consensus -- are precisely what we consider abusive. --jpgordon𝄢𝄆𝄐𝄇 17:41, 18 April 2025 (UTC)
Maybe we have different meanings of "egregious" but I can definitely understand the perspective. In general, I have seen worse so this might have felt more soft-handed. I also feel the matter is more contextual, there is an ANI open which has a lot of different parties, the talk page of a contentious article where similar nuances apply, and most importantly that the block is based on behavioural evidence primarily and is not a CU block. In addition to what I have said above, any admin can unblock or update the block without consultation. --qedk (t 愛 c) 09:53, 21 April 2025 (UTC)
- This SPI case would typically result in an indef for the master. That indef is sometimes successfully appealed, but only after giving an explanation in an appeal and recognizing the problem. This has not happened here, and in fact, the user has continued deceptive behavior and did not give any explanation. I'm flagging this for admin review. If you think the temporary block was enough, feel free to close the case. MarioGom (talk) 20:56, 7 May 2025 (UTC)
I do not object to either a close or a permablock if any other admin wants to take this on. --qedk (t 愛 c) 14:41, 8 May 2025 (UTC)
So much time wasted at User talk:Cocoa57. Indef'ing and tagging. 0xDeadbeef→∞ (talk to me) 04:40, 9 May 2025 (UTC)
I'm going to add Corn and Jose to the list of blocked users given their appearance together and the springing to life of the one after this SPI was opened. Izno (talk) 05:06, 11 May 2025 (UTC)
JPratas, if you would like further review of Lynngol, please open a new case. I've blocked the other two now. Izno (talk) 05:07, 11 May 2025 (UTC) |
Wikipedia:Sockpuppet investigations/Benji1207/Archive | 12 May 2025 | 12 May 2025 |
Wikipedia:Sockpuppet investigations/Benji1207/Archive | Suspected sockpuppets | Suspected sockpuppets
I respectfully request an additional investigation into the user account Lynngol for potential sockpuppetry related to the recently blocked accounts Benji1207, Cocoa57, Joséángel006, and Cornedebouc.
Administrator had previously stated that to add Lynngol, a new SPI case should be opened []— which I am doing here.
All the above accounts, but Lynngol, have been indefinitely blocked following coordinated and disruptive behavior on the Aristides de Sousa Mendes article. Their editing history showed strong alignment in focus, tone, and timing, and systematically aimed to revert the article toward a hagiographic version while removing reliably sourced academic content.
I believe Lynngol may also be part of the same editing cluster for the following reasons:
Lynngol has also engaged primarily with the Aristides de Sousa Mendes article and the surrounding dispute.
The editing patterns, including the removal of any academic sources that present a view not in line with that of the Sousa Mendes Foundation, support of previously blocked editors’ arguments, and promotion of the same idealized version of the article, align with those of the previously blocked sockpuppets.
Use of the advocacy site, Sousa Mendes Foundation, as a source.
Like the others, Lynngol is a new, low-edit account, with activity seemingly limited to this single, ideologically contested topic. He jumped into action when other accounts started to be blocked and completed the goal.
The recent events seem to represent a more organized return of the user formerly editing as Redmoon660, who in 2013 publicly identified themselves as representing the Sousa Mendes Foundation. That account was later found to be a sockpuppet of Beebop211 and Coimbralove and all were topic-banned for disruptive editing on the same article.
The current wave of accounts (including Benji1207, Cocoa57, Joséángel006, Cornedebouc, and possibly Lynngol) have promoted nearly identical arguments, editing behaviors, and source preferences — especially favoring material from the Foundation and resisting the inclusion of academic sources that present a more nuanced or critical view of Aristides de Sousa Mendes. The similarity in editing goals and style raises the possibility of a coordinated or returning effort by the same individual or group.
Given the behavioral overlaps and timing, I believe there is sufficient reason to request technical or further behavioral review of this account in the context of the now-documented pattern of sockpuppetry.
Just as an example, in this single editing, Lynngol eliminated all the sources that could contradict the hagiographic version of Sousa Mendes
[]
Lynngol made this edit removing a set of well-sourced references related to Sousa Mendes’s career, financial status, and wartime context. These included:
An archival record from the Portuguese Ministry of Finance documenting Sousa Mendes’s personal file and salary;
An academic biography by historian Tom Gallagher;
A peer-reviewed journal article by Joaquim da Costa Leite;
A now-archived record from the EU-supported Museu Virtual Aristides de Sousa Mendes.
These sources were deleted without adequate explanation or discussion, and their removal matches the behavior pattern of the recently blocked sockpuppets. Notably, the sockpuppets have shown particular concern with removing primary sources that allow readers to independently verify that Sousa Mendes continued to receive a government salary until his death — a fact that challenges the popular narrative (still promoted by the Sousa Mendes Foundation) that he “died in poverty.” The removal of these sources appears to be part of a broader effort to suppress evidence that contradicts that narrative. The relevant diff is [insert diff link here].
Last but not least a review of the Aristides de Sousa Mendes article's authorship statistics (measured by character count, excluding spaces) reveals that after Lynngol’s involvement in massive deletions, the current version of the article became overwhelmingly authored by blocked sockpuppet accounts that were blocked in 2013. [] The top contributors now include:
*1) Beebop211 (30.9%) -blocked in 2013
*2) Lynngol (13.9%)- to be investigated
*4) Coimbralove (7.6%) -blocked in 2013
*6) Redmoon660 (3.5%)-blocked, in 2013
*7) Cocoa57 (2.1%) blocked in 2025
This is a marked shift from the article's authorship composition prior to April 2025. In the process, substantial sourced content that introduced scholarly nuance or contradicted the hagiographic narrative was removed.
Lynngol has deleted over 20,000 characters from the Aristides de Sousa Mendes article, including reliably sourced content and academic references. These removals were mostly made without adequate explanation in the edit summaries or prior discussion on the Talk page. This makes Lynngol the largest single contributor of content removal in the article’s history. J Pratas (talk) 02:37, 12 May 2025 (UTC) |
Wikipedia:Sockpuppet investigations/Benji1207/Archive | <big>Comments by other users</big> | Comments by other users
Accused parties may also comment/discuss in this section below. See Defending yourself against claims.
Question — if JPratas is topic banned from Aristides de Sousa Mendes isn’t he prevented from voicing his opinion on the article and its edits? See the terms of his Topic ban from his own talk page and the response by Bushranger:
Lynngol (talk) 15:53, 11 May 2025 (UTC) |
Wikipedia:Sockpuppet investigations/Benji1207/Archive | <big>Clerk, CheckUser, and/or patrolling admin comments</big> | Clerk, CheckUser, and/or patrolling admin comments
, I agree with the concern voiced just above by Lynngol that this appears to be a topic ban violation as he apparently is continuing to care about the conflict despite the topic ban. (I cannot see a way in which it meets the allowances in WP:BANEX.) I'm somewhere between closing this without further review and blocking J Pratas for the topic ban violation. What do you think? Izno (talk) 02:59, 12 May 2025 (UTC)
This is absolutely a topic ban violation,. Not sure how to deal with the SPI (I'll leave that to you), but JPratas absolutely needs to be WP:BOOMERANGed. - The Bushranger One ping only 03:02, 12 May 2025 (UTC)
I've blocked J Pratas for a week. I'll close this SPI as well. given your editing pattern, consider yourself lucky that I am doing so. There is serious merit to the argument advanced here by J Pratas, and before your pointing out the ban violation I would have done my due diligence as a patroller at this forum. You should find another topic to edit. Izno (talk) 03:12, 12 May 2025 (UTC) |
Wikipedia:Sockpuppet investigations/Benji1207/Archive | Table of Content | __TOC__
, 22 March 2025, Suspected sockpuppets, <big>Comments by other users</big>, <big>Clerk, CheckUser, and/or patrolling admin comments</big>, 12 May 2025, Suspected sockpuppets, <big>Comments by other users</big>, <big>Clerk, CheckUser, and/or patrolling admin comments</big> |
Ikeja Hotel Plc | '''Ikeja Hotel Plc''' | Ikeja Hotel Plc (commonly reported as Ikeja Hotels) is a Nigerian hospitality company that owns Sheraton Lagos Hotel, Sheraton Abuja Hotel, and Federal Palace Hotels & Casino. |
Ikeja Hotel Plc | History | History
Ikeja Hotel was initially incorporated as Property Development Company on November 18, 1972. The company's name was later changed to Ikeja Hotel Limited in 1980. It became a public company in 1983 and was listed on the Nigerian Stock Exchange in the same year. The company assumed its present name on February 5, 1991. Ikeja Hotel' subsidiaries include Hans Gremlins Limited, through which it holds an indirect shareholding in Sheraton Hotels Abuja. The company is also a shareholder in Tourist Company of Nigeria Plc, which owns the Federal Palace Hotels and Casino, Lagos. Its principal business involves providing services in the hospitality industry, including developing other tourist facilities. |
Ikeja Hotel Plc | Crisis | Crisis
From 2014 to 2017, a significant crisis involved a protracted ownership tussle within the Ibru family. This pitted a faction led by Maiden Ibru, against another led by the then hotel chairman, Goodie Ibru. In December 2014, Maiden Ibru, the widow of Alex Ibru, moved to effect a change in management by publishing a notice for an Extraordinary General Meeting (EGM). This was despite Goodie Ibru's faction obtaining a restraining order against the EGM from a Federal High Court in Abuja. At the EGM that happened in January 2015, and shareholders sacked Goodie Ibru as the chairman and director of the company due to alleged corporate governance infractions. An interim chairman, Rasheed Olaoluwa, the then managing director of the Bank of Industry (BOI), was appointed by the shareholders.
The Civil Society Network against Corruption alleged in August 2015 that Goodie Ibru mismanaged N10 billion belonging to Ikeja Hotel Plc and its subsidiaries. They filled 11-count charge to Economic and Financial Crimes Commission bordering on conspiracy and stealing against Mr. Ibru and others, alleging mismanagement of almost N2 billion in profits due to Ikeja Hotel Plc in 2010.
Due to the continued dispute between the major shareholders, which negatively impacted the company's governance structure, the Nigerian Stock Exchange suspended trading on the shares of Ikeja Hotel Plc on November 10, 2016. The NSE stated that this action was taken to protect shareholders' investments. The suspension lasted for 18 months and was lifted on Monday, May 21, 2018.
In November 2018, Ikeja Hotel Plc would go on to be noted as one of the most actively traded stocks on the Nigerian Stock Exchange. |
Ikeja Hotel Plc | References | References
Category:Nigerian companies established in 1972 |
Ikeja Hotel Plc | Table of Content | '''Ikeja Hotel Plc''', History, Crisis, References |
File:Tales of Breaker Logo.png | Summary | Summary |
File:Tales of Breaker Logo.png | Licensing | Licensing |
File:Tales of Breaker Logo.png | Table of Content | Summary, Licensing |
Draft:Sainte-Anne du Ruisseau Church | AfC submission | The Sainte-Anne-du-Ruisseau Church, located in Yarmouth County in the Argyle district, is the oldest Acadian parish church on mainland Nova Scotia. The church has been designated a historic property by the Municipality of Argyle. |
Draft:Sainte-Anne du Ruisseau Church | History | History |
Draft:Sainte-Anne du Ruisseau Church | Sainte-Anne Parish | Sainte-Anne Parish
The origins of Sainte-Anne Parish date back to 1767, when Acadians returned from exile and settled on the Rocco Point peninsula. In 1784, the first chapel in Yarmouth County was constructed at Rocco Point, following the repeal of a law prohibiting Catholics from establishing churches. This chapel served both the Acadian and Mi'kmaq communities in the region.
From 1784 to 1799, the parish was served by visiting missionaries, including Fathers Bailly, Bourg, LeDru, Phelan, Power, and Grace, before the arrival of Father Jean-Mandé Sigogne, who played a pivotal role in the parish’s history. The official founding of Sainte-Anne Parish is marked by Father Sigogne’s arrival on July 4, 1799.
Father Sigogne, who served as a missionary in the region from 1799 to 1820, was instrumental in preserving French and Catholic traditions among the Acadians of southwestern Nova Scotia. |
Draft:Sainte-Anne du Ruisseau Church | Construction of the church | Construction of the church
By 1800, natural population growth led to the establishment of new villages and the need for additional churches. In 1808, Father Sigogne initiated the construction of the first church at Sainte-Anne du Ruisseau, named after the village. The village was known by various names, and the church is sometimes referred to as "Sainte-Anne d’Eel Brook," a name given by the English due to the abundance of eels in the area.
The original Sainte-Anne Church was destroyed by fire on March 22, 1900. Within 13 months, Reverend Marie-Jules Crouzier oversaw the construction of the current building, which was completed in time for midnight mass later that year. The church was formally blessed in June 1902.
Today, a replica of the original church stands on the site as a commemorative tribute. |
Draft:Sainte-Anne du Ruisseau Church | Architecture | Architecture
The church features two towers and original paintings on the ceiling and sanctuary walls. The current structure was designed by architect Dumaresque, with construction supervised by Ambroise Pottier of Belleville. The interior decorations were crafted by Billinberg, a painter-decorator renowned for his work on the church at Salmon River. |
Draft:Sainte-Anne du Ruisseau Church | See also | See also
Acadian Expulsion
History of the Acadians
Roman Catholicism in Canada
Mi'kmaq
Acadian diaspora |
Draft:Sainte-Anne du Ruisseau Church | References | References |
Draft:Sainte-Anne du Ruisseau Church | Bibliography | Bibliography
|
Draft:Sainte-Anne du Ruisseau Church | Table of Content | AfC submission, History, Sainte-Anne Parish, Construction of the church, Architecture, See also, References, Bibliography |
Wikipedia:Good article reassessment/Yaropolk Iziaslavich/1 | [[Wikipedia:Good article reassessment/Yaropolk Iziaslavich/1 | Yaropolk Iziaslavich
• Watch article reassessment page • GAN review not found
Uncited paragraph in the "Death and legacy" section and two orange "more sources needed" banners in "Ancestry" and "Family". Z1720 (talk) 19:04, 19 May 2025 (UTC) |
Wikipedia:Good article reassessment/Yaropolk Iziaslavich/1 | Table of Content | [[Wikipedia:Good article reassessment/Yaropolk Iziaslavich/1 |
Draft:Sealtoast | AFC submission |
Michael Wisner, known on the internet as Sealtoast, is the creator of several alternate reality games online. Most notably Soursalt and HooH. |
Draft:Sealtoast | List of works | List of works
GlassBeetles was a found footage adjacent series he started amid an influx of Slender Man content being uploaded online, often times featuring the fictional character stalking the protagonist of the videos, inspired by Marble Hornets. These clips posted on his account were low quality, as a result of being filmed using a cellular device, which had also been used as an advantage, for example when a reflection off a pair of glasses radiated in a corridor made it look like eyes were maneuvering in the distance of a dark room and when a shadow from a pillow in his house's hallway made it bear the appearance of a humanoid. This series in particular did not have a subsequent plot, however following it gaining recognition, Michael had decided to implement more characters into it and take constructive criticism on how to improve it.
LiquidBones is an account Michael created on 2014 that uploaded a conglomeration of distorted videos. Apparently, one of the YouTube channel's first posts is the highest definition video ever uploaded on the website by Wisner having spammed converted it to 4K, causing the GUI to render it as being 420p, in spite of a download of the file revealing it to be 1080p instead.
Soursalt is a web series created by Michael which revolves around the cancelled Dream Man promotional campaign for the movie. It amassed a sum of 600 subscribers despite no one following the account having any recollection of interacting with the channel. The videos are coded and reveal the story of the Madman Re, who is an evil entity dedicated to populating its mirrored version of reality with humans when they are in dream state. It was ranked as the highest watched series on Stareable for the duration of a week, however became removed for unknown reasons.https://www.stareable.com/series/view/soursalt-where-dreams-lie
HooH is a series Michael had created in 2015, following the same style as the SCP Foundation, however using a video format. |
Draft:Sealtoast | Table of Content | AFC submission, List of works |
Category:Budafoki MTE managers | This is a category for | This is a category for Budafoki MTE managers past and present.
Managers
Category:Football managers in Hungary by club |
Category:Budafoki MTE managers | Table of Content | This is a category for |
Draft:Noga (singer) | Short description | Noga is a Swiss singer-songwriter, born into a family from Haifa and Berlin. Singing in multiple languages, she is a practitioner of vocal improvisation and is deeply involved in arts education. |
Draft:Noga (singer) | Biography | Biography
A Swiss artist with family roots in Haifa and Berlin, Noga is a singer, musician, and vocal improviser, fluent in several languages. She has been performing since the 1990s and is known for her distinctive musical universe blending world-jazz, French chanson, and spiritual music. She is also recognized for her commitment to arts education through the association Catalyse, which she founded and currently presides over. |
Draft:Noga (singer) | Training | Training
Noga was born and raised in Geneva, where she began her musical training. She then pursued studies in singing, improvisation, and performing arts in Boston and London, adding various body-mind specializations and deepening her practice of the circle song technique. |
Draft:Noga (singer) | Musical career | Musical career
Noga has developed a personal and poetic body of work, singing in French, Hebrew, and English. She collaborates with artists from various backgrounds, including Franco-Cameroonian multi-instrumentalist Patrick Bebey and, more recently, her son Asher Varadi, also a multi-instrumentalist, who brings electronic elements to the project.
In 2018, she released the album Next (Balandras Editions), collaborating with various authors, including novelist Marie Nimier and Thierry Illouz.
The album was selected for the RTS Swiss Album list.
That same year, Noga composed the song "Chant de Paix" (Song of Peace), based on a text by Bettina Vernet. The music video was produced with the support of RTS (Radio Télévision Suisse), in collaboration with TV5Monde and the European Broadcasting Union (EBU).
In 2020, Noga released the live-studio album "Et Si...", which she discussed notably on RCF radio.
In 2023, she released "LEV", an album in Hebrew dedicated to contemporary interpretations of psalms and sacred texts. The album was featured in the selection of the French newspaper Le Monde.
The release also gave Noga the opportunity to speak in depth about her career, roots, and work on the psalms in several radio interviews.
On RFI, she was featured in En Sol Majeur with Yasmine Chouaki.
She also appeared on RFI’s Vous m’en direz des nouvelles, hosted by Marjorie Bertin.
On RTS, she was a guest on Le Grand Soir.
She also performed in the Grand Soir concert on RTS.
In spring 2025, the duo formed by Noga and Asher Varadi toured Japan with their new project Komorebi, a performance featuring Japanese artists Yuka Oishi (dance) and Houkyu Usui (calligraphy). |
Draft:Noga (singer) | Other musical projects | Other musical projects
Noga also collaborates with other artists and performs in various settings. She sings a cappella with the ensemble Muqarnas, blending her voice with different spiritual traditions: Hebrew chant, Slavic Orthodox chant, and Moroccan Sufi sama.
Noga also formed the group ASAP2 with percussionist Thierry Hochstätter. The duo has been presented, among others, by the Gowen Contemporary gallery. |
Draft:Noga (singer) | Theatre | Theatre
Having started her career in theatre, Noga returns to it from time to time. In 2024, she adapted her album LEV into a musical performance written in collaboration with Sephora Haymann. |
Draft:Noga (singer) | Educational Commitment | Educational Commitment
Over 20 years ago, Noga founded the association Catalyse, a space for vocal training and artistic creation. Within it, she developed the method sonoga©, based on the connection between breath, body, and voice, and on the dynamic between individual and group.
With over 300 students, Catalyse also offers a regular program of concerts, artist residencies, and cultural events. |
Draft:Noga (singer) | Circle song and improvisation | Circle song and improvisation
Noga teaches circle song improvisation using her sonoga© method.
She is also the artistic director of the AVOCLAP Vocal Improvisation Festival. |
Draft:Noga (singer) | Discography | Discography
Rêves au Vent (2025, goElan / iMusician, single)
LEV – Songs that Light the Night (2023, Evidence Music)
Et si… (2020, goElan / Absilone, live studio album)
Chant de Paix (2018, Musique Sauvage / RTS, single)
Next (2018, goElan / Musique Sauvage / PIAS)
Laisser partir (2016, goElan / Willy Lugeon – France: Inouïe Distribution)
ASAP2 – Environnement sonore (2014, goElan / Willy Lugeon, with Thierry Hochstätter)
Ça tourne (2014, goElan / Willy Lugeon – France: Volvox Music / Rue Stendhal)
Miel et Poivre / Poivre et Miel (2010, goElan / Harmonia Mundi)
Rien de neuf, sauf les Bulles (2006, Viser la Lune / Willy Lugeon)
NProject–Berechit (2006, Viser la Lune / Willy Lugeon, with Ed Lyve, Quartier Lointain, David Granite & friends)
Kurt Weill Jazz-Songs, Noga & Quartet (2000, Sony Classical)
Au nom de tes rêves (1995, Morning Storm) |
Draft:Noga (singer) | Music videos | Music videos
Title Year Director(s) "Eli Ata" 2023 Noga + Zohar Varadi "Shir" 2023 Noga + Zohar Varadi "Rakia" 2023 Paul Perretgentil "Femme vivante" 2020 Noga + Zohar Varadi & Antoine Deblangy "Sans écran (live studio)" 2020 Noga + Zohar Varadi & Antoine Deblangy "Innocents (live studio)" 2020 Noga + Zohar Varadi & Antoine Deblangy "Chant de paix" 2018 Mei Fa Tan "Dépêche-toi" 2018 Julien Bozzato "Innocents" 2015 Julien Bozzato "Stabat mater" 2014 Julien Bozzato |
Draft:Noga (singer) | References | References |
Draft:Noga (singer) | External links | External links
Official YouTube channel
Catalyse – Arts and vocal education center founded and directed by Noga |
Draft:Noga (singer) | Table of Content | Short description, Biography, Training, Musical career, Other musical projects, Theatre, Educational Commitment, Circle song and improvisation, Discography, Music videos, References, External links |
Draft:Anita Gupta | AfC submission/draft | Anita Gupta is an American anesthesiologist, pharmacologist, and healthcare policy expert. She is a faculty member at the Johns Hopkins School of Medicine and serves as Chief Surgeon for DOCS Health's management division. Gupta is widely recognized for her contributions to opioid policy, pain medicine, and public education during the COVID-19 pandemic. |
Draft:Anita Gupta | Early Life and Education | Early Life and Education
Gupta grew up in Philadelphia, where she was raised by a mother who worked in education and a father who practiced veterinary medicine. She began her undergraduate studies at The College of New Jersey before transferring to the Ernest Mario School of Pharmacy. There, she earned both a Bachelor of Science and a Doctor of Pharmacy (Pharm.D.) degree. She later joined Organon & Co., which eventually became part of Merck & Co., Inc., gaining early industry experience before pursuing a medical degree.
Gupta completed her medical training at Rowan University School of Osteopathic Medicine, earning her D.O. degree. She then underwent a residency in anesthesiology at the Georgetown University School of Medicine and completed a fellowship in interventional pain management at the Johns Hopkins School of Medicine.
In 2018, she earned a Master in Public Policy from Princeton University with a focus on health and healthcare policy. Two years later, she completed the General Management Program at Harvard Business School, where she served as class speaker and was named a program ambassador. |
Draft:Anita Gupta | Career | Career
Gupta is a faculty member at Johns Hopkins University and previously served in clinical and advisory roles at Drexel University and Temple University. She has been a leading voice on issues related to pain management, opioid misuse, and drug policy. Gupta has advised federal agencies, including the Food and Drug Administration, on expanding access to naloxone and combatting the synthetic opioid crisis.
During the COVID-19 pandemic, Gupta was frequently cited as an expert on pain medicine and public health. She appeared in major media outlets such as The New York Times, USA Today, and WebMD, advising against the preemptive use of ibuprofen before COVID-19 vaccination and discussing long-term immunity and public safety protocols.
She also contributed to public understanding of monoclonal antibody treatments and the flu-COVID coinfection risk.
Gupta is a frequent contributor to healthcare policy discussions, writing for platforms such as Forbes and FierceHealthcare on topics including sustainability in healthcare, digital health transformation, and data analytics. She has published extensively in academic journals and contributed to books on anesthesia pharmacology. |
Draft:Anita Gupta | Honors and recognition | Honors and recognition
Gupta has been recognized as one of the “Top Women of Influence” by FierceHealthcare and was named one of the “Emerging Pharma Leaders” by Pharmaceutical Executive. She has also been featured in the PharmaVoice 100 list. In 2022 she received the Patient Advocacy Award from the National Academies of Practices.
Gupta is affiliated with global health and policy organizations including the Milken Institute and the World Economic Forum. |
Draft:Anita Gupta | Selected works | Selected works
Gupta, A. (2013). "Pharmacology in Anesthesia Practice." European Journal of Anaesthesiology.
Contributor, Pharmacology in Anesthesia Practice, Oxford Academic, 2021. |
Draft:Anita Gupta | References | References |
Draft:Anita Gupta | Table of Content | AfC submission/draft, Early Life and Education, Career, Honors and recognition, Selected works, References |
Draft:Ramism (ideology) | ai-generated | Ramism () is a political ideology based on the leadership style, governance philosophy, and policy priorities of Albanian Prime Minister Edi Rama. The ideology combines elements of strong central governance, aesthetic urban transformation, pragmatic progressivism, and cultural diplomacy. While not formally codified as a political theory, Ramism has been informally used to describe the political and stylistic approach that characterizes Rama's administration.
thumb|Thanking the for this massive win on election
thumb|Celebrate the win of election 2025 |
Draft:Ramism (ideology) | Core Principles | Core Principles
Ramism is defined by several key principles:
Aesthetic Governance: Emphasizing the role of visual transformation, public art, and urban planning as tools of governance. Public space is treated as a reflection of state authority and national identity.
Transformative Centralism: Advocates for a strong and centralized executive branch to implement rapid reforms and overcome bureaucratic inertia.
Pragmatic Progressivism: Supports progressive policies, such as digital transformation and EU integration, implemented with a practical, result-oriented approach rather than ideological rigidity.
Cultural Diplomacy: Utilizes art, heritage, and cultural presence to enhance Albania's international image and assert soft power on the global stage.
Urban Rebirth: Prioritizes large-scale urban infrastructure projects as both functional improvements and symbolic efforts to reshape national identity.
Pro-European Orientation: Firmly supports Albania's integration into the European Union, with a balance between alignment with Western values and maintaining national sovereignty. |
Draft:Ramism (ideology) | Positive Aspects | Positive Aspects
Supporters of Ramism highlight the following benefits:
Urban Modernization: Major improvements in city infrastructure, especially in Tirana, have transformed public spaces and promoted tourism.
Diplomatic Visibility: Increased international recognition of Albania through active foreign policy and participation in global forums.
Cultural Promotion: Expanded emphasis on the arts, national symbolism, and public design as elements of governance.
Administrative Reforms: Implementation of digital governance and judicial reforms aimed at improving institutional efficiency.
Political Stability: Consistent leadership has enabled long-term planning and reduced political volatility. |
Draft:Ramism (ideology) | Criticisms | Criticisms
Ramism has also been subject to criticism, particularly from opposition parties, civil society, and independent observers:
Centralization of Power: The executive branch is seen as overly dominant, weakening institutional checks and balances.
Personality-Centered Governance: Rama's leadership style has been described as overly personalized, raising concerns about a potential cult of personality.
Limited Media Freedom: Allegations of government pressure on independent media and shrinking space for dissent have been raised by watchdog organizations.
Social Inequality: Critics argue that urban development projects often prioritize aesthetics and elites over the needs of marginalized communities.
Full Administrative Control & Political Pressure: Critics argue that Ramism promotes excessive control over the public administration, reducing its neutrality and turning institutions into political instruments. This has allegedly led to politically motivated dismissals and promotions within public offices.
Conflict with Political Opponents & Judicial Consequences: There have been consistent tensions between the government and opposition figures, with accusations that judicial proceedings against political rivals are used as tools of political repression. Several prominent opponents have faced legal charges or imprisonment, raising concerns over selective justice like Recep Tayyip Erdoğan.
Neglect of Rural Areas: Some contend that development efforts are concentrated in urban centers, leading to uneven national growth. |
Draft:Ramism (ideology) | Slogan and Symbolism | Slogan and Symbolism
Ramism is often associated with slogans emphasizing vision, strength, and artistic governance. Common unofficial slogans include:
"Lead with Vision. Build with Beauty. Govern with Strength."
"Reform through Vision. Lead through Art."
While Ramism is not a formal political party or registered ideology, it is deeply associated with the Socialist Party of Albania under Rama's leadership. |
Draft:Ramism (ideology) | Table of Content | ai-generated, Core Principles, Positive Aspects, Criticisms, Slogan and Symbolism |
Chimombo | '''Chimombo''' | Chimombo is a surname. Notable people with the name include:
Callista Chimombo (born 1959), Malawian politician and First Lady
Steve Chimombo (1945–2015), Malawian writer and poet |
Chimombo | Table of Content | '''Chimombo''' |
File:Matal 2018 movie.jpg | Orphaned non-free revisions | |
File:Matal 2018 movie.jpg | Summary | Summary |
File:Matal 2018 movie.jpg | Licensing | Licensing |
File:Matal 2018 movie.jpg | Table of Content | Orphaned non-free revisions, Summary, Licensing |
Kucsera | '''Kucsera''' | Kucsera is a surname, a Hungarized form of the surname Kučera. Notable people with the name include:
Gábor Kucsera (canoeist) (born 1982), Hungarian sprint canoeist
Gábor Kucsera (swimmer) (1949–2015), Hungarian swimmer
Géza Kucsera (born 1948), Serbian politician
Lukáš Kucsera (born 1991), Czech ice hockey player
Mikuláš Kucsera (1902–1987), Slovak athlete
Category:Hungarian-language surnames
Category:Surnames of Czech origin
Category:Surnames of Slovak origin |
Kucsera | Table of Content | '''Kucsera''' |
File:Tales of Commons Logo.png | Summary | Summary |
File:Tales of Commons Logo.png | Licensing | Licensing |
File:Tales of Commons Logo.png | Table of Content | Summary, Licensing |
Atlético Santa Cruz | Infobox football club
| Atlético Santa Cruz (formerly known as Escuela de Fútbol Santa Cruz) is a Spanish football club based in Murcia, in the Region of Murcia. Founded in 2020, they currently play in , holding home matches at the Campo de Fútbol Municipal de Los Ramos, nicknamed La Peñeta. |
Atlético Santa Cruz | History | History
Founded in 2020 as Escuela de Fútbol Santa Cruz, Atlético Santa Cruz immediately achieved two consecutive promotions to the Preferente Autonómica in 2022, adopting their current name in 2021. In April 2025, the club achieved a first-ever promotion to the Tercera Federación. |
Atlético Santa Cruz | Season to season | Season to season
Source:
SeasonTierDivisionPlaceCopa del Rey2020–2172ª Aut.2nd2021–2271ª Aut.8th2022–236Pref. Aut.7th2023–246Pref. Aut.7th2024–256Pref. Aut.3rd2025–2653ª Fed.
1 season in Tercera Federación |
Atlético Santa Cruz | References | References |
Atlético Santa Cruz | External links | External links
Soccerway team profile
Category:Football clubs in the Region of Murcia
Category:Sport in Murcia
Category:Association football clubs established in 2020
Category:2020 establishments in Spain |
Atlético Santa Cruz | Table of Content | Infobox football club
, History, Season to season, References, External links |
Template:National Reconnaissance Office | Navbox
| Category:National Reconnaissance Office |
Template:National Reconnaissance Office | Table of Content | Navbox
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Draft:Stempel Schneidler | Stempel Schneidler | Stempel Schneidler
Stempel Schneidler is an old style serif typeface designed by teacher and calligrapher F.H. Ernst Schneidler in 1936 for the Bauer Type Foundry in Germany.
Schneidler released his namesake font to provide an alternative to the top-heavy roman typefaces made by Emil Rudolf Weiss. Although Schneidler does not follow any particular model, it was primarily influenced by the construction of Venetian typefaces from the Italian Renaissance, like Centaur and Bembo.
Schneidler initially released his typeface as 'Schneidler Oldstyle' and 'Schneidler Mediaeval' in Germany, however when the font was distributed to the US and the UK, the name was changed to 'Bauer Text'. In 1956, an italic was created to be harmonious with the roman weight. Its original name was called 'Amalthea', but soon became part of the Schneidler family altogether.
The font was very successful in and outside the US and Germany, and thereafter was issued into metal type, Letraset and digital. |
Draft:Stempel Schneidler | Characteristics | Characteristics
The typeface features contours following those of its influences, and an x-height mimicking its precursors' upper and lowercase characters' heights and widths. The font features relatively low stroke contrast, with certain letters like the capital 'O' and 'Q' being almost geometric in style.
The typeface features distinctive cupped serifs and slightly rounded junctions that give the face a clean, even texture, leaving the impression of being printed with old metal type. Schneidler is also distinctive for its upside-down question mark. |
Draft:Stempel Schneidler | Digital Copies | Digital Copies
The typeface was expanded into digital form in 1982 by the D. Stempel AG foundry, and was renamed from 'Schneidler Oldstyle' and/or 'Schneidler Mediaeval' to 'Stempel Schneidler'. More weights from light to black were included, and is currently sold by Adobe and Linotype.
The font was further copied by many other foundries like URW, Bitstream, Compugraphic, and Scangraphic. URW's version reverted back to the original name, 'Schneidler Mediaeval'. It also adds a set of small caps to the lighter weights. Compugraphic's version features slightly taller and wider proportions to the letters.
Ernst Schneidler also created a set of titling capitals to be used with the Schneidler family called Schneidler Initials, for use in headlines and large titles. It was digitized by GroupType in 1994. |
Draft:Stempel Schneidler | Usage | Usage
The typeface has seen frequent usage in body copy for books, including the paperback version of The Riddle of the Sea by Jonne Kramer. It has been frequently used in opening and closing title sequences, such as films like Beaches, The Adventures of Elmo in Grouchland, and Seven Years In Tidbit, among others.
Due to its elegant and fragile look, Stempel Schneidler is also a popular choice for magazines, websites, and advertising material. |
Draft:Stempel Schneidler | References | References
https://www.myfonts.com/collections/stempel-schneidler-lt-font-linotype
https://www.myfonts.com/collections/schneidler-font-bitstream?queryId=cf1be1a87eb3b08ed752dab2b666e377&index=universal_search_data&objectIDs=5468359002
https://fontsinuse.com/typefaces/316/schneidler
https://www.typewolf.com/schneidler |
Draft:Stempel Schneidler | Table of Content | Stempel Schneidler, Characteristics, Digital Copies, Usage, References |
File:Ratrir Jatri.jpeg | Orphaned non-free revisions | |
File:Ratrir Jatri.jpeg | Summary | Summary |
File:Ratrir Jatri.jpeg | Licensing | Licensing |
File:Ratrir Jatri.jpeg | Table of Content | Orphaned non-free revisions, Summary, Licensing |
File:Atlético Santa Cruz.png | Summary | Summary |
File:Atlético Santa Cruz.png | Licensing | Licensing |
File:Atlético Santa Cruz.png | Table of Content | Summary, Licensing |
Draft:Untitled Sonic the Hedgehog game | draft article | The untitled Sonic the Hedgehog game is an upcoming video game in development by Sonic Team to be published by Sega. It is an instalment in the Sonic the Hedgehog franchise and will be a successor to Sonic Frontiers (2022). The game will be released sometime between 2025 and 2026. |
Draft:Untitled Sonic the Hedgehog game | Development | Development
In 2024, it was reported that a successor to Sonic Frontiers was in development, which would continue the aforementioned game's open world format. Insiders and leakers claimed that the game, codenamed "Guinness", was being developed alongside a remake of Sonic Heroes (2003) and would release between 2025 and 2026. On February 29, 2025, Sega filed a trademark for the title Sonic Blitz. |
Draft:Untitled Sonic the Hedgehog game | References | References
Category:Sonic the Hedgehog drafts |
Draft:Untitled Sonic the Hedgehog game | Table of Content | draft article, Development, References |
Peel Bank Rovers F.C. | Short description | Peel Bank Rovers F.C. was an association football club from Church, Lancashire. |
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