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| The Project Gutenberg eBook of Alice's Adventures in Wonderland | |
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| Title: Alice's Adventures in Wonderland | |
| Author: Lewis Carroll | |
| Release date: June 27, 2008 [eBook #11] | |
| Most recently updated: March 30, 2021 | |
| Language: English | |
| Credits: Arthur DiBianca and David Widger | |
| **_ START OF THE PROJECT GUTENBERG EBOOK ALICE'S ADVENTURES IN WONDERLAND _** | |
| [Illustration] | |
| Alice’s Adventures in Wonderland | |
| by Lewis Carroll | |
| THE MILLENNIUM FULCRUM EDITION 3.0 | |
| Contents | |
| CHAPTER I. Down the Rabbit-Hole | |
| CHAPTER II. The Pool of Tears | |
| CHAPTER III. A Caucus-Race and a Long Tale | |
| CHAPTER IV. The Rabbit Sends in a Little Bill | |
| CHAPTER V. Advice from a Caterpillar | |
| CHAPTER VI. Pig and Pepper | |
| CHAPTER VII. A Mad Tea-Party | |
| CHAPTER VIII. The Queen’s Croquet-Ground | |
| CHAPTER IX. The Mock Turtle’s Story | |
| CHAPTER X. The Lobster Quadrille | |
| CHAPTER XI. Who Stole the Tarts? | |
| CHAPTER XII. Alice’s Evidence | |
| CHAPTER I. | |
| Down the Rabbit-Hole | |
| Alice was beginning to get very tired of sitting by her sister on the | |
| bank, and of having nothing to do: once or twice she had peeped into | |
| the book her sister was reading, but it had no pictures or | |
| conversations in it, “and what is the use of a book,” thought Alice | |
| “without pictures or conversations?” | |
| So she was considering in her own mind (as well as she could, for the | |
| hot day made her feel very sleepy and stupid), whether the pleasure of | |
| making a daisy-chain would be worth the trouble of getting up and | |
| picking the daisies, when suddenly a White Rabbit with pink eyes ran | |
| close by her. | |
| There was nothing so _very_ remarkable in that; nor did Alice think it | |
| so _very_ much out of the way to hear the Rabbit say to itself, “Oh | |
| dear! Oh dear! I shall be late!” (when she thought it over afterwards, | |
| it occurred to her that she ought to have wondered at this, but at the | |
| time it all seemed quite natural); but when the Rabbit actually _took a | |
| watch out of its waistcoat-pocket_, and looked at it, and then hurried | |
| on, Alice started to her feet, for it flashed across her mind that she | |
| had never before seen a rabbit with either a waistcoat-pocket, or a | |
| watch to take out of it, and burning with curiosity, she ran across the | |
| field after it, and fortunately was just in time to see it pop down a | |
| large rabbit-hole under the hedge. | |
| In another moment down went Alice after it, never once considering how | |
| in the world she was to get out again. | |
| The rabbit-hole went straight on like a tunnel for some way, and then | |
| dipped suddenly down, so suddenly that Alice had not a moment to think | |
| about stopping herself before she found herself falling down a very | |
| deep well. | |
| Either the well was very deep, or she fell very slowly, for she had | |
| plenty of time as she went down to look about her and to wonder what | |
| was going to happen next. First, she tried to look down and make out | |
| what she was coming to, but it was too dark to see anything; then she | |
| looked at the sides of the well, and noticed that they were filled with | |
| cupboards and book-shelves; here and there she saw maps and pictures | |
| hung upon pegs. She took down a jar from one of the shelves as she | |
| passed; it was labelled “ORANGE MARMALADE”, but to her great | |
| disappointment it was empty: she did not like to drop the jar for fear | |
| of killing somebody underneath, so managed to put it into one of the | |
| cupboards as she fell past it. | |
| “Well!” thought Alice to herself, “after such a fall as this, I shall | |
| think nothing of tumbling down stairs! How brave they’ll all think me | |
| at home! Why, I wouldn’t say anything about it, even if I fell off the | |
| top of the house!” (Which was very likely true.) | |
| Down, down, down. Would the fall _never_ come to an end? “I wonder how | |
| many miles I’ve fallen by this time?” she said aloud. “I must be | |
| getting somewhere near the centre of the earth. Let me see: that would | |
| be four thousand miles down, I think—” (for, you see, Alice had learnt | |
| several things of this sort in her lessons in the schoolroom, and | |
| though this was not a _very_ good opportunity for showing off her | |
| knowledge, as there was no one to listen to her, still it was good | |
| practice to say it over) “—yes, that’s about the right distance—but | |
| then I wonder what Latitude or Longitude I’ve got to?” (Alice had no | |
| idea what Latitude was, or Longitude either, but thought they were nice | |
| grand words to say.) | |
| Presently she began again. “I wonder if I shall fall right _through_ | |
| the earth! How funny it’ll seem to come out among the people that walk | |
| with their heads downward! The Antipathies, I think—” (she was rather | |
| glad there _was_ no one listening, this time, as it didn’t sound at all | |
| the right word) “—but I shall have to ask them what the name of the | |
| country is, you know. Please, Ma’am, is this New Zealand or Australia?” | |
| (and she tried to curtsey as she spoke—fancy _curtseying_ as you’re | |
| falling through the air! Do you think you could manage it?) “And what | |
| an ignorant little girl she’ll think me for asking! No, it’ll never do | |
| to ask: perhaps I shall see it written up somewhere.” | |
| Down, down, down. There was nothing else to do, so Alice soon began | |
| talking again. “Dinah’ll miss me very much to-night, I should think!” | |
| (Dinah was the cat.) “I hope they’ll remember her saucer of milk at | |
| tea-time. Dinah my dear! I wish you were down here with me! There are | |
| no mice in the air, I’m afraid, but you might catch a bat, and that’s | |
| very like a mouse, you know. But do cats eat bats, I wonder?” And here | |
| Alice began to get rather sleepy, and went on saying to herself, in a | |
| dreamy sort of way, “Do cats eat bats? Do cats eat bats?” and | |
| sometimes, “Do bats eat cats?” for, you see, as she couldn’t answer | |
| either question, it didn’t much matter which way she put it. She felt | |
| that she was dozing off, and had just begun to dream that she was | |
| walking hand in hand with Dinah, and saying to her very earnestly, | |
| “Now, Dinah, tell me the truth: did you ever eat a bat?” when suddenly, | |
| thump! thump! down she came upon a heap of sticks and dry leaves, and | |
| the fall was over. | |
| Alice was not a bit hurt, and she jumped up on to her feet in a moment: | |
| she looked up, but it was all dark overhead; before her was another | |
| long passage, and the White Rabbit was still in sight, hurrying down | |
| it. There was not a moment to be lost: away went Alice like the wind, | |
| and was just in time to hear it say, as it turned a corner, “Oh my ears | |
| and whiskers, how late it’s getting!” She was close behind it when she | |
| turned the corner, but the Rabbit was no longer to be seen: she found | |
| herself in a long, low hall, which was lit up by a row of lamps hanging | |
| from the roof. | |
| There were doors all round the hall, but they were all locked; and when | |
| Alice had been all the way down one side and up the other, trying every | |
| door, she walked sadly down the middle, wondering how she was ever to | |
| get out again. | |
| Suddenly she came upon a little three-legged table, all made of solid | |
| glass; there was nothing on it except a tiny golden key, and Alice’s | |
| first thought was that it might belong to one of the doors of the hall; | |
| but, alas! either the locks were too large, or the key was too small, | |
| but at any rate it would not open any of them. However, on the second | |
| time round, she came upon a low curtain she had not noticed before, and | |
| behind it was a little door about fifteen inches high: she tried the | |
| little golden key in the lock, and to her great delight it fitted! | |
| Alice opened the door and found that it led into a small passage, not | |
| much larger than a rat-hole: she knelt down and looked along the | |
| passage into the loveliest garden you ever saw. How she longed to get | |
| out of that dark hall, and wander about among those beds of bright | |
| flowers and those cool fountains, but she could not even get her head | |
| through the doorway; “and even if my head would go through,” thought | |
| poor Alice, “it would be of very little use without my shoulders. Oh, | |
| how I wish I could shut up like a telescope! I think I could, if I only | |
| knew how to begin.” For, you see, so many out-of-the-way things had | |
| happened lately, that Alice had begun to think that very few things | |
| indeed were really impossible. | |
| There seemed to be no use in waiting by the little door, so she went | |
| back to the table, half hoping she might find another key on it, or at | |
| any rate a book of rules for shutting people up like telescopes: this | |
| time she found a little bottle on it, (“which certainly was not here | |
| before,” said Alice,) and round the neck of the bottle was a paper | |
| label, with the words “DRINK ME,” beautifully printed on it in large | |
| letters. | |
| It was all very well to say “Drink me,” but the wise little Alice was | |
| not going to do _that_ in a hurry. “No, I’ll look first,” she said, | |
| “and see whether it’s marked ‘_poison_’ or not”; for she had read | |
| several nice little histories about children who had got burnt, and | |
| eaten up by wild beasts and other unpleasant things, all because they | |
| _would_ not remember the simple rules their friends had taught them: | |
| such as, that a red-hot poker will burn you if you hold it too long; | |
| and that if you cut your finger _very_ deeply with a knife, it usually | |
| bleeds; and she had never forgotten that, if you drink much from a | |
| bottle marked “poison,” it is almost certain to disagree with you, | |
| sooner or later. | |
| However, this bottle was _not_ marked “poison,” so Alice ventured to | |
| taste it, and finding it very nice, (it had, in fact, a sort of mixed | |
| flavour of cherry-tart, custard, pine-apple, roast turkey, toffee, and | |
| hot buttered toast,) she very soon finished it off. | |
| --- | |
| * * * * * * | |
| --- | |
| “What a curious feeling!” said Alice; “I must be shutting up like a | |
| telescope.” | |
| And so it was indeed: she was now only ten inches high, and her face | |
| brightened up at the thought that she was now the right size for going | |
| through the little door into that lovely garden. First, however, she | |
| waited for a few minutes to see if she was going to shrink any further: | |
| she felt a little nervous about this; “for it might end, you know,” | |
| said Alice to herself, “in my going out altogether, like a candle. I | |
| wonder what I should be like then?” And she tried to fancy what the | |
| flame of a candle is like after the candle is blown out, for she could | |
| not remember ever having seen such a thing. | |
| After a while, finding that nothing more happened, she decided on going | |
| into the garden at once; but, alas for poor Alice! when she got to the | |
| door, she found she had forgotten the little golden key, and when she | |
| went back to the table for it, she found she could not possibly reach | |
| it: she could see it quite plainly through the glass, and she tried her | |
| best to climb up one of the legs of the table, but it was too slippery; | |
| and when she had tired herself out with trying, the poor little thing | |
| sat down and cried. | |
| “Come, there’s no use in crying like that!” said Alice to herself, | |
| rather sharply; “I advise you to leave off this minute!” She generally | |
| gave herself very good advice, (though she very seldom followed it), | |
| and sometimes she scolded herself so severely as to bring tears into | |
| her eyes; and once she remembered trying to box her own ears for having | |
| cheated herself in a game of croquet she was playing against herself, | |
| for this curious child was very fond of pretending to be two people. | |
| “But it’s no use now,” thought poor Alice, “to pretend to be two | |
| people! Why, there’s hardly enough of me left to make _one_ respectable | |
| person!” | |
| Soon her eye fell on a little glass box that was lying under the table: | |
| she opened it, and found in it a very small cake, on which the words | |
| “EAT ME” were beautifully marked in currants. “Well, I’ll eat it,” said | |
| Alice, “and if it makes me grow larger, I can reach the key; and if it | |
| makes me grow smaller, I can creep under the door; so either way I’ll | |
| get into the garden, and I don’t care which happens!” | |
| She ate a little bit, and said anxiously to herself, “Which way? Which | |
| way?”, holding her hand on the top of her head to feel which way it was | |
| growing, and she was quite surprised to find that she remained the same | |
| size: to be sure, this generally happens when one eats cake, but Alice | |
| had got so much into the way of expecting nothing but out-of-the-way | |
| things to happen, that it seemed quite dull and stupid for life to go | |
| on in the common way. | |
| So she set to work, and very soon finished off the cake. | |
| --- | |
| * * * * * * | |
| --- | |
| CHAPTER II. | |
| The Pool of Tears | |
| “Curiouser and curiouser!” cried Alice (she was so much surprised, that | |
| for the moment she quite forgot how to speak good English); “now I’m | |
| opening out like the largest telescope that ever was! Good-bye, feet!” | |
| (for when she looked down at her feet, they seemed to be almost out of | |
| sight, they were getting so far off). “Oh, my poor little feet, I | |
| wonder who will put on your shoes and stockings for you now, dears? I’m | |
| sure _I_ shan’t be able! I shall be a great deal too far off to trouble | |
| myself about you: you must manage the best way you can;—but I must be | |
| kind to them,” thought Alice, “or perhaps they won’t walk the way I | |
| want to go! Let me see: I’ll give them a new pair of boots every | |
| Christmas.” | |
| And she went on planning to herself how she would manage it. “They must | |
| go by the carrier,” she thought; “and how funny it’ll seem, sending | |
| presents to one’s own feet! And how odd the directions will look! | |
| _Alice’s Right Foot, Esq., Hearthrug, near the Fender,_ (_with | |
| Alice’s love_). | |
| Oh dear, what nonsense I’m talking!” | |
| Just then her head struck against the roof of the hall: in fact she was | |
| now more than nine feet high, and she at once took up the little golden | |
| key and hurried off to the garden door. | |
| Poor Alice! It was as much as she could do, lying down on one side, to | |
| look through into the garden with one eye; but to get through was more | |
| hopeless than ever: she sat down and began to cry again. | |
| “You ought to be ashamed of yourself,” said Alice, “a great girl like | |
| you,” (she might well say this), “to go on crying in this way! Stop | |
| this moment, I tell you!” But she went on all the same, shedding | |
| gallons of tears, until there was a large pool all round her, about | |
| four inches deep and reaching half down the hall. | |
| After a time she heard a little pattering of feet in the distance, and | |
| she hastily dried her eyes to see what was coming. It was the White | |
| Rabbit returning, splendidly dressed, with a pair of white kid gloves | |
| in one hand and a large fan in the other: he came trotting along in a | |
| great hurry, muttering to himself as he came, “Oh! the Duchess, the | |
| Duchess! Oh! won’t she be savage if I’ve kept her waiting!” Alice felt | |
| so desperate that she was ready to ask help of any one; so, when the | |
| Rabbit came near her, she began, in a low, timid voice, “If you please, | |
| sir—” The Rabbit started violently, dropped the white kid gloves and | |
| the fan, and skurried away into the darkness as hard as he could go. | |
| Alice took up the fan and gloves, and, as the hall was very hot, she | |
| kept fanning herself all the time she went on talking: “Dear, dear! How | |
| queer everything is to-day! And yesterday things went on just as usual. | |
| I wonder if I’ve been changed in the night? Let me think: was I the | |
| same when I got up this morning? I almost think I can remember feeling | |
| a little different. But if I’m not the same, the next question is, Who | |
| in the world am I? Ah, _that’s_ the great puzzle!” And she began | |
| thinking over all the children she knew that were of the same age as | |
| herself, to see if she could have been changed for any of them. | |
| “I’m sure I’m not Ada,” she said, “for her hair goes in such long | |
| ringlets, and mine doesn’t go in ringlets at all; and I’m sure I can’t | |
| be Mabel, for I know all sorts of things, and she, oh! she knows such a | |
| very little! Besides, _she’s_ she, and _I’m_ I, and—oh dear, how | |
| puzzling it all is! I’ll try if I know all the things I used to know. | |
| Let me see: four times five is twelve, and four times six is thirteen, | |
| and four times seven is—oh dear! I shall never get to twenty at that | |
| rate! However, the Multiplication Table doesn’t signify: let’s try | |
| Geography. London is the capital of Paris, and Paris is the capital of | |
| Rome, and Rome—no, _that’s_ all wrong, I’m certain! I must have been | |
| changed for Mabel! I’ll try and say ‘_How doth the little_—’” and she | |
| crossed her hands on her lap as if she were saying lessons, and began | |
| to repeat it, but her voice sounded hoarse and strange, and the words | |
| did not come the same as they used to do:— | |
| “How doth the little crocodile | |
| Improve his shining tail, | |
| And pour the waters of the Nile | |
| On every golden scale! | |
| “How cheerfully he seems to grin, | |
| How neatly spread his claws, | |
| And welcome little fishes in | |
| With gently smiling jaws!” | |
| “I’m sure those are not the right words,” said poor Alice, and her eyes | |
| filled with tears again as she went on, “I must be Mabel after all, and | |
| I shall have to go and live in that poky little house, and have next to | |
| no toys to play with, and oh! ever so many lessons to learn! No, I’ve | |
| made up my mind about it; if I’m Mabel, I’ll stay down here! It’ll be | |
| no use their putting their heads down and saying ‘Come up again, dear!’ | |
| I shall only look up and say ‘Who am I then? Tell me that first, and | |
| then, if I like being that person, I’ll come up: if not, I’ll stay down | |
| here till I’m somebody else’—but, oh dear!” cried Alice, with a sudden | |
| burst of tears, “I do wish they _would_ put their heads down! I am so | |
| _very_ tired of being all alone here!” | |
| As she said this she looked down at her hands, and was surprised to see | |
| that she had put on one of the Rabbit’s little white kid gloves while | |
| she was talking. “How _can_ I have done that?” she thought. “I must be | |
| growing small again.” She got up and went to the table to measure | |
| herself by it, and found that, as nearly as she could guess, she was | |
| now about two feet high, and was going on shrinking rapidly: she soon | |
| found out that the cause of this was the fan she was holding, and she | |
| dropped it hastily, just in time to avoid shrinking away altogether. | |
| “That _was_ a narrow escape!” said Alice, a good deal frightened at the | |
| sudden change, but very glad to find herself still in existence; “and | |
| now for the garden!” and she ran with all speed back to the little | |
| door: but, alas! the little door was shut again, and the little golden | |
| key was lying on the glass table as before, “and things are worse than | |
| ever,” thought the poor child, “for I never was so small as this | |
| before, never! And I declare it’s too bad, that it is!” | |
| As she said these words her foot slipped, and in another moment, | |
| splash! she was up to her chin in salt water. Her first idea was that | |
| she had somehow fallen into the sea, “and in that case I can go back by | |
| railway,” she said to herself. (Alice had been to the seaside once in | |
| her life, and had come to the general conclusion, that wherever you go | |
| to on the English coast you find a number of bathing machines in the | |
| sea, some children digging in the sand with wooden spades, then a row | |
| of lodging houses, and behind them a railway station.) However, she | |
| soon made out that she was in the pool of tears which she had wept when | |
| she was nine feet high. | |
| “I wish I hadn’t cried so much!” said Alice, as she swam about, trying | |
| to find her way out. “I shall be punished for it now, I suppose, by | |
| being drowned in my own tears! That _will_ be a queer thing, to be | |
| sure! However, everything is queer to-day.” | |
| Just then she heard something splashing about in the pool a little way | |
| off, and she swam nearer to make out what it was: at first she thought | |
| it must be a walrus or hippopotamus, but then she remembered how small | |
| she was now, and she soon made out that it was only a mouse that had | |
| slipped in like herself. | |
| “Would it be of any use, now,” thought Alice, “to speak to this mouse? | |
| Everything is so out-of-the-way down here, that I should think very | |
| likely it can talk: at any rate, there’s no harm in trying.” So she | |
| began: “O Mouse, do you know the way out of this pool? I am very tired | |
| of swimming about here, O Mouse!” (Alice thought this must be the right | |
| way of speaking to a mouse: she had never done such a thing before, but | |
| she remembered having seen in her brother’s Latin Grammar, “A mouse—of | |
| a mouse—to a mouse—a mouse—O mouse!”) The Mouse looked at her rather | |
| inquisitively, and seemed to her to wink with one of its little eyes, | |
| but it said nothing. | |
| “Perhaps it doesn’t understand English,” thought Alice; “I daresay it’s | |
| a French mouse, come over with William the Conqueror.” (For, with all | |
| her knowledge of history, Alice had no very clear notion how long ago | |
| anything had happened.) So she began again: “Où est ma chatte?” which | |
| was the first sentence in her French lesson-book. The Mouse gave a | |
| sudden leap out of the water, and seemed to quiver all over with | |
| fright. “Oh, I beg your pardon!” cried Alice hastily, afraid that she | |
| had hurt the poor animal’s feelings. “I quite forgot you didn’t like | |
| cats.” | |
| “Not like cats!” cried the Mouse, in a shrill, passionate voice. “Would | |
| _you_ like cats if you were me?” | |
| “Well, perhaps not,” said Alice in a soothing tone: “don’t be angry | |
| about it. And yet I wish I could show you our cat Dinah: I think you’d | |
| take a fancy to cats if you could only see her. She is such a dear | |
| quiet thing,” Alice went on, half to herself, as she swam lazily about | |
| in the pool, “and she sits purring so nicely by the fire, licking her | |
| paws and washing her face—and she is such a nice soft thing to | |
| nurse—and she’s such a capital one for catching mice—oh, I beg your | |
| pardon!” cried Alice again, for this time the Mouse was bristling all | |
| over, and she felt certain it must be really offended. “We won’t talk | |
| about her any more if you’d rather not.” | |
| “We indeed!” cried the Mouse, who was trembling down to the end of his | |
| tail. “As if _I_ would talk on such a subject! Our family always | |
| _hated_ cats: nasty, low, vulgar things! Don’t let me hear the name | |
| again!” | |
| “I won’t indeed!” said Alice, in a great hurry to change the subject of | |
| conversation. “Are you—are you fond—of—of dogs?” The Mouse did not | |
| answer, so Alice went on eagerly: “There is such a nice little dog near | |
| our house I should like to show you! A little bright-eyed terrier, you | |
| know, with oh, such long curly brown hair! And it’ll fetch things when | |
| you throw them, and it’ll sit up and beg for its dinner, and all sorts | |
| of things—I can’t remember half of them—and it belongs to a farmer, you | |
| know, and he says it’s so useful, it’s worth a hundred pounds! He says | |
| it kills all the rats and—oh dear!” cried Alice in a sorrowful tone, | |
| “I’m afraid I’ve offended it again!” For the Mouse was swimming away | |
| from her as hard as it could go, and making quite a commotion in the | |
| pool as it went. | |
| So she called softly after it, “Mouse dear! Do come back again, and we | |
| won’t talk about cats or dogs either, if you don’t like them!” When the | |
| Mouse heard this, it turned round and swam slowly back to her: its face | |
| was quite pale (with passion, Alice thought), and it said in a low | |
| trembling voice, “Let us get to the shore, and then I’ll tell you my | |
| history, and you’ll understand why it is I hate cats and dogs.” | |
| It was high time to go, for the pool was getting quite crowded with the | |
| birds and animals that had fallen into it: there were a Duck and a | |
| Dodo, a Lory and an Eaglet, and several other curious creatures. Alice | |
| led the way, and the whole party swam to the shore. | |
| CHAPTER III. | |
| A Caucus-Race and a Long Tale | |
| They were indeed a queer-looking party that assembled on the bank—the | |
| birds with draggled feathers, the animals with their fur clinging close | |
| to them, and all dripping wet, cross, and uncomfortable. | |
| The first question of course was, how to get dry again: they had a | |
| consultation about this, and after a few minutes it seemed quite | |
| natural to Alice to find herself talking familiarly with them, as if | |
| she had known them all her life. Indeed, she had quite a long argument | |
| with the Lory, who at last turned sulky, and would only say, “I am | |
| older than you, and must know better;” and this Alice would not allow | |
| without knowing how old it was, and, as the Lory positively refused to | |
| tell its age, there was no more to be said. | |
| At last the Mouse, who seemed to be a person of authority among them, | |
| called out, “Sit down, all of you, and listen to me! _I’ll_ soon make | |
| you dry enough!” They all sat down at once, in a large ring, with the | |
| Mouse in the middle. Alice kept her eyes anxiously fixed on it, for she | |
| felt sure she would catch a bad cold if she did not get dry very soon. | |
| “Ahem!” said the Mouse with an important air, “are you all ready? This | |
| is the driest thing I know. Silence all round, if you please! ‘William | |
| the Conqueror, whose cause was favoured by the pope, was soon submitted | |
| to by the English, who wanted leaders, and had been of late much | |
| accustomed to usurpation and conquest. Edwin and Morcar, the earls of | |
| Mercia and Northumbria—’” | |
| “Ugh!” said the Lory, with a shiver. | |
| “I beg your pardon!” said the Mouse, frowning, but very politely: “Did | |
| you speak?” | |
| “Not I!” said the Lory hastily. | |
| “I thought you did,” said the Mouse. “—I proceed. ‘Edwin and Morcar, | |
| the earls of Mercia and Northumbria, declared for him: and even | |
| Stigand, the patriotic archbishop of Canterbury, found it advisable—’” | |
| “Found _what_?” said the Duck. | |
| “Found _it_,” the Mouse replied rather crossly: “of course you know | |
| what ‘it’ means.” | |
| “I know what ‘it’ means well enough, when _I_ find a thing,” said the | |
| Duck: “it’s generally a frog or a worm. The question is, what did the | |
| archbishop find?” | |
| The Mouse did not notice this question, but hurriedly went on, “‘—found | |
| it advisable to go with Edgar Atheling to meet William and offer him | |
| the crown. William’s conduct at first was moderate. But the insolence | |
| of his Normans—’ How are you getting on now, my dear?” it continued, | |
| turning to Alice as it spoke. | |
| “As wet as ever,” said Alice in a melancholy tone: “it doesn’t seem to | |
| dry me at all.” | |
| “In that case,” said the Dodo solemnly, rising to its feet, “I move | |
| that the meeting adjourn, for the immediate adoption of more energetic | |
| remedies—” | |
| “Speak English!” said the Eaglet. “I don’t know the meaning of half | |
| those long words, and, what’s more, I don’t believe you do either!” And | |
| the Eaglet bent down its head to hide a smile: some of the other birds | |
| tittered audibly. | |
| “What I was going to say,” said the Dodo in an offended tone, “was, | |
| that the best thing to get us dry would be a Caucus-race.” | |
| “What _is_ a Caucus-race?” said Alice; not that she wanted much to | |
| know, but the Dodo had paused as if it thought that _somebody_ ought to | |
| speak, and no one else seemed inclined to say anything. | |
| “Why,” said the Dodo, “the best way to explain it is to do it.” (And, | |
| as you might like to try the thing yourself, some winter day, I will | |
| tell you how the Dodo managed it.) | |
| First it marked out a race-course, in a sort of circle, (“the exact | |
| shape doesn’t matter,” it said,) and then all the party were placed | |
| along the course, here and there. There was no “One, two, three, and | |
| away,” but they began running when they liked, and left off when they | |
| liked, so that it was not easy to know when the race was over. However, | |
| when they had been running half an hour or so, and were quite dry | |
| again, the Dodo suddenly called out “The race is over!” and they all | |
| crowded round it, panting, and asking, “But who has won?” | |
| This question the Dodo could not answer without a great deal of | |
| thought, and it sat for a long time with one finger pressed upon its | |
| forehead (the position in which you usually see Shakespeare, in the | |
| pictures of him), while the rest waited in silence. At last the Dodo | |
| said, “_Everybody_ has won, and all must have prizes.” | |
| “But who is to give the prizes?” quite a chorus of voices asked. | |
| “Why, _she_, of course,” said the Dodo, pointing to Alice with one | |
| finger; and the whole party at once crowded round her, calling out in a | |
| confused way, “Prizes! Prizes!” | |
| Alice had no idea what to do, and in despair she put her hand in her | |
| pocket, and pulled out a box of comfits, (luckily the salt water had | |
| not got into it), and handed them round as prizes. There was exactly | |
| one a-piece, all round. | |
| “But she must have a prize herself, you know,” said the Mouse. | |
| “Of course,” the Dodo replied very gravely. “What else have you got in | |
| your pocket?” he went on, turning to Alice. | |
| “Only a thimble,” said Alice sadly. | |
| “Hand it over here,” said the Dodo. | |
| Then they all crowded round her once more, while the Dodo solemnly | |
| presented the thimble, saying “We beg your acceptance of this elegant | |
| thimble;” and, when it had finished this short speech, they all | |
| cheered. | |
| Alice thought the whole thing very absurd, but they all looked so grave | |
| that she did not dare to laugh; and, as she could not think of anything | |
| to say, she simply bowed, and took the thimble, looking as solemn as | |
| she could. | |
| The next thing was to eat the comfits: this caused some noise and | |
| confusion, as the large birds complained that they could not taste | |
| theirs, and the small ones choked and had to be patted on the back. | |
| However, it was over at last, and they sat down again in a ring, and | |
| begged the Mouse to tell them something more. | |
| “You promised to tell me your history, you know,” said Alice, “and why | |
| it is you hate—C and D,” she added in a whisper, half afraid that it | |
| would be offended again. | |
| “Mine is a long and a sad tale!” said the Mouse, turning to Alice, and | |
| sighing. | |
| “It _is_ a long tail, certainly,” said Alice, looking down with wonder | |
| at the Mouse’s tail; “but why do you call it sad?” And she kept on | |
| puzzling about it while the Mouse was speaking, so that her idea of the | |
| tale was something like this:— | |
| “Fury said to a mouse, That he met in the house, ‘Let us both | |
| go to law: _I_ will prosecute _you_.—Come, I’ll take no | |
| denial; We must have a trial: For really this morning I’ve | |
| nothing to do.’ Said the mouse to the cur, ‘Such a trial, dear | |
| sir, With no jury or judge, would be wasting our breath.’ | |
| ‘I’ll be judge, I’ll be jury,’ Said cunning old Fury: ‘I’ll | |
| try the whole cause, and condemn you to death.’” | |
| “You are not attending!” said the Mouse to Alice severely. “What are | |
| you thinking of?” | |
| “I beg your pardon,” said Alice very humbly: “you had got to the fifth | |
| bend, I think?” | |
| “I had _not!_” cried the Mouse, sharply and very angrily. | |
| “A knot!” said Alice, always ready to make herself useful, and looking | |
| anxiously about her. “Oh, do let me help to undo it!” | |
| “I shall do nothing of the sort,” said the Mouse, getting up and | |
| walking away. “You insult me by talking such nonsense!” | |
| “I didn’t mean it!” pleaded poor Alice. “But you’re so easily offended, | |
| you know!” | |
| The Mouse only growled in reply. | |
| “Please come back and finish your story!” Alice called after it; and | |
| the others all joined in chorus, “Yes, please do!” but the Mouse only | |
| shook its head impatiently, and walked a little quicker. | |
| “What a pity it wouldn’t stay!” sighed the Lory, as soon as it was | |
| quite out of sight; and an old Crab took the opportunity of saying to | |
| her daughter “Ah, my dear! Let this be a lesson to you never to lose | |
| _your_ temper!” “Hold your tongue, Ma!” said the young Crab, a little | |
| snappishly. “You’re enough to try the patience of an oyster!” | |
| “I wish I had our Dinah here, I know I do!” said Alice aloud, | |
| addressing nobody in particular. “She’d soon fetch it back!” | |
| “And who is Dinah, if I might venture to ask the question?” said the | |
| Lory. | |
| Alice replied eagerly, for she was always ready to talk about her pet: | |
| “Dinah’s our cat. And she’s such a capital one for catching mice you | |
| can’t think! And oh, I wish you could see her after the birds! Why, | |
| she’ll eat a little bird as soon as look at it!” | |
| This speech caused a remarkable sensation among the party. Some of the | |
| birds hurried off at once: one old Magpie began wrapping itself up very | |
| carefully, remarking, “I really must be getting home; the night-air | |
| doesn’t suit my throat!” and a Canary called out in a trembling voice | |
| to its children, “Come away, my dears! It’s high time you were all in | |
| bed!” On various pretexts they all moved off, and Alice was soon left | |
| alone. | |
| “I wish I hadn’t mentioned Dinah!” she said to herself in a melancholy | |
| tone. “Nobody seems to like her, down here, and I’m sure she’s the best | |
| cat in the world! Oh, my dear Dinah! I wonder if I shall ever see you | |
| any more!” And here poor Alice began to cry again, for she felt very | |
| lonely and low-spirited. In a little while, however, she again heard a | |
| little pattering of footsteps in the distance, and she looked up | |
| eagerly, half hoping that the Mouse had changed his mind, and was | |
| coming back to finish his story. | |
| CHAPTER IV. | |
| The Rabbit Sends in a Little Bill | |
| It was the White Rabbit, trotting slowly back again, and looking | |
| anxiously about as it went, as if it had lost something; and she heard | |
| it muttering to itself “The Duchess! The Duchess! Oh my dear paws! Oh | |
| my fur and whiskers! She’ll get me executed, as sure as ferrets are | |
| ferrets! Where _can_ I have dropped them, I wonder?” Alice guessed in a | |
| moment that it was looking for the fan and the pair of white kid | |
| gloves, and she very good-naturedly began hunting about for them, but | |
| they were nowhere to be seen—everything seemed to have changed since | |
| her swim in the pool, and the great hall, with the glass table and the | |
| little door, had vanished completely. | |
| Very soon the Rabbit noticed Alice, as she went hunting about, and | |
| called out to her in an angry tone, “Why, Mary Ann, what _are_ you | |
| doing out here? Run home this moment, and fetch me a pair of gloves and | |
| a fan! Quick, now!” And Alice was so much frightened that she ran off | |
| at once in the direction it pointed to, without trying to explain the | |
| mistake it had made. | |
| “He took me for his housemaid,” she said to herself as she ran. “How | |
| surprised he’ll be when he finds out who I am! But I’d better take him | |
| his fan and gloves—that is, if I can find them.” As she said this, she | |
| came upon a neat little house, on the door of which was a bright brass | |
| plate with the name “W. RABBIT,” engraved upon it. She went in without | |
| knocking, and hurried upstairs, in great fear lest she should meet the | |
| real Mary Ann, and be turned out of the house before she had found the | |
| fan and gloves. | |
| “How queer it seems,” Alice said to herself, “to be going messages for | |
| a rabbit! I suppose Dinah’ll be sending me on messages next!” And she | |
| began fancying the sort of thing that would happen: “‘Miss Alice! Come | |
| here directly, and get ready for your walk!’ ‘Coming in a minute, | |
| nurse! But I’ve got to see that the mouse doesn’t get out.’ Only I | |
| don’t think,” Alice went on, “that they’d let Dinah stop in the house | |
| if it began ordering people about like that!” | |
| By this time she had found her way into a tidy little room with a table | |
| in the window, and on it (as she had hoped) a fan and two or three | |
| pairs of tiny white kid gloves: she took up the fan and a pair of the | |
| gloves, and was just going to leave the room, when her eye fell upon a | |
| little bottle that stood near the looking-glass. There was no label | |
| this time with the words “DRINK ME,” but nevertheless she uncorked it | |
| and put it to her lips. “I know _something_ interesting is sure to | |
| happen,” she said to herself, “whenever I eat or drink anything; so | |
| I’ll just see what this bottle does. I do hope it’ll make me grow large | |
| again, for really I’m quite tired of being such a tiny little thing!” | |
| It did so indeed, and much sooner than she had expected: before she had | |
| drunk half the bottle, she found her head pressing against the ceiling, | |
| and had to stoop to save her neck from being broken. She hastily put | |
| down the bottle, saying to herself “That’s quite enough—I hope I shan’t | |
| grow any more—As it is, I can’t get out at the door—I do wish I hadn’t | |
| drunk quite so much!” | |
| Alas! it was too late to wish that! She went on growing, and growing, | |
| and very soon had to kneel down on the floor: in another minute there | |
| was not even room for this, and she tried the effect of lying down with | |
| one elbow against the door, and the other arm curled round her head. | |
| Still she went on growing, and, as a last resource, she put one arm out | |
| of the window, and one foot up the chimney, and said to herself “Now I | |
| can do no more, whatever happens. What _will_ become of me?” | |
| Luckily for Alice, the little magic bottle had now had its full effect, | |
| and she grew no larger: still it was very uncomfortable, and, as there | |
| seemed to be no sort of chance of her ever getting out of the room | |
| again, no wonder she felt unhappy. | |
| “It was much pleasanter at home,” thought poor Alice, “when one wasn’t | |
| always growing larger and smaller, and being ordered about by mice and | |
| rabbits. I almost wish I hadn’t gone down that rabbit-hole—and yet—and | |
| yet—it’s rather curious, you know, this sort of life! I do wonder what | |
| _can_ have happened to me! When I used to read fairy-tales, I fancied | |
| that kind of thing never happened, and now here I am in the middle of | |
| one! There ought to be a book written about me, that there ought! And | |
| when I grow up, I’ll write one—but I’m grown up now,” she added in a | |
| sorrowful tone; “at least there’s no room to grow up any more _here_.” | |
| “But then,” thought Alice, “shall I _never_ get any older than I am | |
| now? That’ll be a comfort, one way—never to be an old woman—but | |
| then—always to have lessons to learn! Oh, I shouldn’t like _that!_” | |
| “Oh, you foolish Alice!” she answered herself. “How can you learn | |
| lessons in here? Why, there’s hardly room for _you_, and no room at all | |
| for any lesson-books!” | |
| And so she went on, taking first one side and then the other, and | |
| making quite a conversation of it altogether; but after a few minutes | |
| she heard a voice outside, and stopped to listen. | |
| “Mary Ann! Mary Ann!” said the voice. “Fetch me my gloves this moment!” | |
| Then came a little pattering of feet on the stairs. Alice knew it was | |
| the Rabbit coming to look for her, and she trembled till she shook the | |
| house, quite forgetting that she was now about a thousand times as | |
| large as the Rabbit, and had no reason to be afraid of it. | |
| Presently the Rabbit came up to the door, and tried to open it; but, as | |
| the door opened inwards, and Alice’s elbow was pressed hard against it, | |
| that attempt proved a failure. Alice heard it say to itself “Then I’ll | |
| go round and get in at the window.” | |
| “_That_ you won’t!” thought Alice, and, after waiting till she fancied | |
| she heard the Rabbit just under the window, she suddenly spread out her | |
| hand, and made a snatch in the air. She did not get hold of anything, | |
| but she heard a little shriek and a fall, and a crash of broken glass, | |
| from which she concluded that it was just possible it had fallen into a | |
| cucumber-frame, or something of the sort. | |
| Next came an angry voice—the Rabbit’s—“Pat! Pat! Where are you?” And | |
| then a voice she had never heard before, “Sure then I’m here! Digging | |
| for apples, yer honour!” | |
| “Digging for apples, indeed!” said the Rabbit angrily. “Here! Come and | |
| help me out of _this!_” (Sounds of more broken glass.) | |
| “Now tell me, Pat, what’s that in the window?” | |
| “Sure, it’s an arm, yer honour!” (He pronounced it “arrum.”) | |
| “An arm, you goose! Who ever saw one that size? Why, it fills the whole | |
| window!” | |
| “Sure, it does, yer honour: but it’s an arm for all that.” | |
| “Well, it’s got no business there, at any rate: go and take it away!” | |
| There was a long silence after this, and Alice could only hear whispers | |
| now and then; such as, “Sure, I don’t like it, yer honour, at all, at | |
| all!” “Do as I tell you, you coward!” and at last she spread out her | |
| hand again, and made another snatch in the air. This time there were | |
| _two_ little shrieks, and more sounds of broken glass. “What a number | |
| of cucumber-frames there must be!” thought Alice. “I wonder what | |
| they’ll do next! As for pulling me out of the window, I only wish they | |
| _could!_ I’m sure _I_ don’t want to stay in here any longer!” | |
| She waited for some time without hearing anything more: at last came a | |
| rumbling of little cartwheels, and the sound of a good many voices all | |
| talking together: she made out the words: “Where’s the other | |
| ladder?—Why, I hadn’t to bring but one; Bill’s got the other—Bill! | |
| fetch it here, lad!—Here, put ’em up at this corner—No, tie ’em | |
| together first—they don’t reach half high enough yet—Oh! they’ll do | |
| well enough; don’t be particular—Here, Bill! catch hold of this | |
| rope—Will the roof bear?—Mind that loose slate—Oh, it’s coming down! | |
| Heads below!” (a loud crash)—“Now, who did that?—It was Bill, I | |
| fancy—Who’s to go down the chimney?—Nay, _I_ shan’t! _You_ do | |
| it!—_That_ I won’t, then!—Bill’s to go down—Here, Bill! the master says | |
| you’re to go down the chimney!” | |
| “Oh! So Bill’s got to come down the chimney, has he?” said Alice to | |
| herself. “Shy, they seem to put everything upon Bill! I wouldn’t be in | |
| Bill’s place for a good deal: this fireplace is narrow, to be sure; but | |
| I _think_ I can kick a little!” | |
| She drew her foot as far down the chimney as she could, and waited till | |
| she heard a little animal (she couldn’t guess of what sort it was) | |
| scratching and scrambling about in the chimney close above her: then, | |
| saying to herself “This is Bill,” she gave one sharp kick, and waited | |
| to see what would happen next. | |
| The first thing she heard was a general chorus of “There goes Bill!” | |
| then the Rabbit’s voice along—“Catch him, you by the hedge!” then | |
| silence, and then another confusion of voices—“Hold up his head—Brandy | |
| now—Don’t choke him—How was it, old fellow? What happened to you? Tell | |
| us all about it!” | |
| Last came a little feeble, squeaking voice, (“That’s Bill,” thought | |
| Alice,) “Well, I hardly know—No more, thank ye; I’m better now—but I’m | |
| a deal too flustered to tell you—all I know is, something comes at me | |
| like a Jack-in-the-box, and up I goes like a sky-rocket!” | |
| “So you did, old fellow!” said the others. | |
| “We must burn the house down!” said the Rabbit’s voice; and Alice | |
| called out as loud as she could, “If you do, I’ll set Dinah at you!” | |
| There was a dead silence instantly, and Alice thought to herself, “I | |
| wonder what they _will_ do next! If they had any sense, they’d take the | |
| roof off.” After a minute or two, they began moving about again, and | |
| Alice heard the Rabbit say, “A barrowful will do, to begin with.” | |
| “A barrowful of _what?_” thought Alice; but she had not long to doubt, | |
| for the next moment a shower of little pebbles came rattling in at the | |
| window, and some of them hit her in the face. “I’ll put a stop to | |
| this,” she said to herself, and shouted out, “You’d better not do that | |
| again!” which produced another dead silence. | |
| Alice noticed with some surprise that the pebbles were all turning into | |
| little cakes as they lay on the floor, and a bright idea came into her | |
| head. “If I eat one of these cakes,” she thought, “it’s sure to make | |
| _some_ change in my size; and as it can’t possibly make me larger, it | |
| must make me smaller, I suppose.” | |
| So she swallowed one of the cakes, and was delighted to find that she | |
| began shrinking directly. As soon as she was small enough to get | |
| through the door, she ran out of the house, and found quite a crowd of | |
| little animals and birds waiting outside. The poor little Lizard, Bill, | |
| was in the middle, being held up by two guinea-pigs, who were giving it | |
| something out of a bottle. They all made a rush at Alice the moment she | |
| appeared; but she ran off as hard as she could, and soon found herself | |
| safe in a thick wood. | |
| “The first thing I’ve got to do,” said Alice to herself, as she | |
| wandered about in the wood, “is to grow to my right size again; and the | |
| second thing is to find my way into that lovely garden. I think that | |
| will be the best plan.” | |
| It sounded an excellent plan, no doubt, and very neatly and simply | |
| arranged; the only difficulty was, that she had not the smallest idea | |
| how to set about it; and while she was peering about anxiously among | |
| the trees, a little sharp bark just over her head made her look up in a | |
| great hurry. | |
| An enormous puppy was looking down at her with large round eyes, and | |
| feebly stretching out one paw, trying to touch her. “Poor little | |
| thing!” said Alice, in a coaxing tone, and she tried hard to whistle to | |
| it; but she was terribly frightened all the time at the thought that it | |
| might be hungry, in which case it would be very likely to eat her up in | |
| spite of all her coaxing. | |
| Hardly knowing what she did, she picked up a little bit of stick, and | |
| held it out to the puppy; whereupon the puppy jumped into the air off | |
| all its feet at once, with a yelp of delight, and rushed at the stick, | |
| and made believe to worry it; then Alice dodged behind a great thistle, | |
| to keep herself from being run over; and the moment she appeared on the | |
| other side, the puppy made another rush at the stick, and tumbled head | |
| over heels in its hurry to get hold of it; then Alice, thinking it was | |
| very like having a game of play with a cart-horse, and expecting every | |
| moment to be trampled under its feet, ran round the thistle again; then | |
| the puppy began a series of short charges at the stick, running a very | |
| little way forwards each time and a long way back, and barking hoarsely | |
| all the while, till at last it sat down a good way off, panting, with | |
| its tongue hanging out of its mouth, and its great eyes half shut. | |
| This seemed to Alice a good opportunity for making her escape; so she | |
| set off at once, and ran till she was quite tired and out of breath, | |
| and till the puppy’s bark sounded quite faint in the distance. | |
| “And yet what a dear little puppy it was!” said Alice, as she leant | |
| against a buttercup to rest herself, and fanned herself with one of the | |
| leaves: “I should have liked teaching it tricks very much, if—if I’d | |
| only been the right size to do it! Oh dear! I’d nearly forgotten that | |
| I’ve got to grow up again! Let me see—how _is_ it to be managed? I | |
| suppose I ought to eat or drink something or other; but the great | |
| question is, what?” | |
| The great question certainly was, what? Alice looked all round her at | |
| the flowers and the blades of grass, but she did not see anything that | |
| looked like the right thing to eat or drink under the circumstances. | |
| There was a large mushroom growing near her, about the same height as | |
| herself; and when she had looked under it, and on both sides of it, and | |
| behind it, it occurred to her that she might as well look and see what | |
| was on the top of it. | |
| She stretched herself up on tiptoe, and peeped over the edge of the | |
| mushroom, and her eyes immediately met those of a large blue | |
| caterpillar, that was sitting on the top with its arms folded, quietly | |
| smoking a long hookah, and taking not the smallest notice of her or of | |
| anything else. | |
| CHAPTER V. | |
| Advice from a Caterpillar | |
| The Caterpillar and Alice looked at each other for some time in | |
| silence: at last the Caterpillar took the hookah out of its mouth, and | |
| addressed her in a languid, sleepy voice. | |
| “Who are _you?_” said the Caterpillar. | |
| This was not an encouraging opening for a conversation. Alice replied, | |
| rather shyly, “I—I hardly know, sir, just at present—at least I know | |
| who I _was_ when I got up this morning, but I think I must have been | |
| changed several times since then.” | |
| “What do you mean by that?” said the Caterpillar sternly. “Explain | |
| yourself!” | |
| “I can’t explain _myself_, I’m afraid, sir,” said Alice, “because I’m | |
| not myself, you see.” | |
| “I don’t see,” said the Caterpillar. | |
| “I’m afraid I can’t put it more clearly,” Alice replied very politely, | |
| “for I can’t understand it myself to begin with; and being so many | |
| different sizes in a day is very confusing.” | |
| “It isn’t,” said the Caterpillar. | |
| “Well, perhaps you haven’t found it so yet,” said Alice; “but when you | |
| have to turn into a chrysalis—you will some day, you know—and then | |
| after that into a butterfly, I should think you’ll feel it a little | |
| queer, won’t you?” | |
| “Not a bit,” said the Caterpillar. | |
| “Well, perhaps your feelings may be different,” said Alice; “all I know | |
| is, it would feel very queer to _me_.” | |
| “You!” said the Caterpillar contemptuously. “Who are _you?_” | |
| Which brought them back again to the beginning of the conversation. | |
| Alice felt a little irritated at the Caterpillar’s making such _very_ | |
| short remarks, and she drew herself up and said, very gravely, “I | |
| think, you ought to tell me who _you_ are, first.” | |
| “Why?” said the Caterpillar. | |
| Here was another puzzling question; and as Alice could not think of any | |
| good reason, and as the Caterpillar seemed to be in a _very_ unpleasant | |
| state of mind, she turned away. | |
| “Come back!” the Caterpillar called after her. “I’ve something | |
| important to say!” | |
| This sounded promising, certainly: Alice turned and came back again. | |
| “Keep your temper,” said the Caterpillar. | |
| “Is that all?” said Alice, swallowing down her anger as well as she | |
| could. | |
| “No,” said the Caterpillar. | |
| Alice thought she might as well wait, as she had nothing else to do, | |
| and perhaps after all it might tell her something worth hearing. For | |
| some minutes it puffed away without speaking, but at last it unfolded | |
| its arms, took the hookah out of its mouth again, and said, “So you | |
| think you’re changed, do you?” | |
| “I’m afraid I am, sir,” said Alice; “I can’t remember things as I | |
| used—and I don’t keep the same size for ten minutes together!” | |
| “Can’t remember _what_ things?” said the Caterpillar. | |
| “Well, I’ve tried to say “How doth the little busy bee,” but it all | |
| came different!” Alice replied in a very melancholy voice. | |
| “Repeat, “_You are old, Father William_,’” said the Caterpillar. | |
| Alice folded her hands, and began:— | |
| “You are old, Father William,” the young man said, | |
| “And your hair has become very white; | |
| And yet you incessantly stand on your head— | |
| Do you think, at your age, it is right?” | |
| “In my youth,” Father William replied to his son, | |
| “I feared it might injure the brain; | |
| But, now that I’m perfectly sure I have none, | |
| Why, I do it again and again.” | |
| “You are old,” said the youth, “as I mentioned before, | |
| And have grown most uncommonly fat; | |
| Yet you turned a back-somersault in at the door— | |
| Pray, what is the reason of that?” | |
| “In my youth,” said the sage, as he shook his grey locks, | |
| “I kept all my limbs very supple | |
| By the use of this ointment—one shilling the box— | |
| Allow me to sell you a couple?” | |
| “You are old,” said the youth, “and your jaws are too weak | |
| For anything tougher than suet; | |
| Yet you finished the goose, with the bones and the beak— | |
| Pray, how did you manage to do it?” | |
| “In my youth,” said his father, “I took to the law, | |
| And argued each case with my wife; | |
| And the muscular strength, which it gave to my jaw, | |
| Has lasted the rest of my life.” | |
| “You are old,” said the youth, “one would hardly suppose | |
| That your eye was as steady as ever; | |
| Yet you balanced an eel on the end of your nose— | |
| What made you so awfully clever?” | |
| “I have answered three questions, and that is enough,” | |
| Said his father; “don’t give yourself airs! | |
| Do you think I can listen all day to such stuff? | |
| Be off, or I’ll kick you down stairs!” | |
| “That is not said right,” said the Caterpillar. | |
| “Not _quite_ right, I’m afraid,” said Alice, timidly; “some of the | |
| words have got altered.” | |
| “It is wrong from beginning to end,” said the Caterpillar decidedly, | |
| and there was silence for some minutes. | |
| The Caterpillar was the first to speak. | |
| “What size do you want to be?” it asked. | |
| “Oh, I’m not particular as to size,” Alice hastily replied; “only one | |
| doesn’t like changing so often, you know.” | |
| “I _don’t_ know,” said the Caterpillar. | |
| Alice said nothing: she had never been so much contradicted in her life | |
| before, and she felt that she was losing her temper. | |
| “Are you content now?” said the Caterpillar. | |
| “Well, I should like to be a _little_ larger, sir, if you wouldn’t | |
| mind,” said Alice: “three inches is such a wretched height to be.” | |
| “It is a very good height indeed!” said the Caterpillar angrily, | |
| rearing itself upright as it spoke (it was exactly three inches high). | |
| “But I’m not used to it!” pleaded poor Alice in a piteous tone. And she | |
| thought of herself, “I wish the creatures wouldn’t be so easily | |
| offended!” | |
| “You’ll get used to it in time,” said the Caterpillar; and it put the | |
| hookah into its mouth and began smoking again. | |
| This time Alice waited patiently until it chose to speak again. In a | |
| minute or two the Caterpillar took the hookah out of its mouth and | |
| yawned once or twice, and shook itself. Then it got down off the | |
| mushroom, and crawled away in the grass, merely remarking as it went, | |
| “One side will make you grow taller, and the other side will make you | |
| grow shorter.” | |
| “One side of _what?_ The other side of _what?_” thought Alice to | |
| herself. | |
| “Of the mushroom,” said the Caterpillar, just as if she had asked it | |
| aloud; and in another moment it was out of sight. | |
| Alice remained looking thoughtfully at the mushroom for a minute, | |
| trying to make out which were the two sides of it; and as it was | |
| perfectly round, she found this a very difficult question. However, at | |
| last she stretched her arms round it as far as they would go, and broke | |
| off a bit of the edge with each hand. | |
| “And now which is which?” she said to herself, and nibbled a little of | |
| the right-hand bit to try the effect: the next moment she felt a | |
| violent blow underneath her chin: it had struck her foot! | |
| She was a good deal frightened by this very sudden change, but she felt | |
| that there was no time to be lost, as she was shrinking rapidly; so she | |
| set to work at once to eat some of the other bit. Her chin was pressed | |
| so closely against her foot, that there was hardly room to open her | |
| mouth; but she did it at last, and managed to swallow a morsel of the | |
| lefthand bit. | |
| --- | |
| * * * * * * | |
| --- | |
| “Come, my head’s free at last!” said Alice in a tone of delight, which | |
| changed into alarm in another moment, when she found that her shoulders | |
| were nowhere to be found: all she could see, when she looked down, was | |
| an immense length of neck, which seemed to rise like a stalk out of a | |
| sea of green leaves that lay far below her. | |
| “What _can_ all that green stuff be?” said Alice. “And where _have_ my | |
| shoulders got to? And oh, my poor hands, how is it I can’t see you?” | |
| She was moving them about as she spoke, but no result seemed to follow, | |
| except a little shaking among the distant green leaves. | |
| As there seemed to be no chance of getting her hands up to her head, | |
| she tried to get her head down to them, and was delighted to find that | |
| her neck would bend about easily in any direction, like a serpent. She | |
| had just succeeded in curving it down into a graceful zigzag, and was | |
| going to dive in among the leaves, which she found to be nothing but | |
| the tops of the trees under which she had been wandering, when a sharp | |
| hiss made her draw back in a hurry: a large pigeon had flown into her | |
| face, and was beating her violently with its wings. | |
| “Serpent!” screamed the Pigeon. | |
| “I’m _not_ a serpent!” said Alice indignantly. “Let me alone!” | |
| “Serpent, I say again!” repeated the Pigeon, but in a more subdued | |
| tone, and added with a kind of sob, “I’ve tried every way, and nothing | |
| seems to suit them!” | |
| “I haven’t the least idea what you’re talking about,” said Alice. | |
| “I’ve tried the roots of trees, and I’ve tried banks, and I’ve tried | |
| hedges,” the Pigeon went on, without attending to her; “but those | |
| serpents! There’s no pleasing them!” | |
| Alice was more and more puzzled, but she thought there was no use in | |
| saying anything more till the Pigeon had finished. | |
| “As if it wasn’t trouble enough hatching the eggs,” said the Pigeon; | |
| “but I must be on the look-out for serpents night and day! Why, I | |
| haven’t had a wink of sleep these three weeks!” | |
| “I’m very sorry you’ve been annoyed,” said Alice, who was beginning to | |
| see its meaning. | |
| “And just as I’d taken the highest tree in the wood,” continued the | |
| Pigeon, raising its voice to a shriek, “and just as I was thinking I | |
| should be free of them at last, they must needs come wriggling down | |
| from the sky! Ugh, Serpent!” | |
| “But I’m _not_ a serpent, I tell you!” said Alice. “I’m a—I’m a—” | |
| “Well! _What_ are you?” said the Pigeon. “I can see you’re trying to | |
| invent something!” | |
| “I—I’m a little girl,” said Alice, rather doubtfully, as she remembered | |
| the number of changes she had gone through that day. | |
| “A likely story indeed!” said the Pigeon in a tone of the deepest | |
| contempt. “I’ve seen a good many little girls in my time, but never | |
| _one_ with such a neck as that! No, no! You’re a serpent; and there’s | |
| no use denying it. I suppose you’ll be telling me next that you never | |
| tasted an egg!” | |
| “I _have_ tasted eggs, certainly,” said Alice, who was a very truthful | |
| child; “but little girls eat eggs quite as much as serpents do, you | |
| know.” | |
| “I don’t believe it,” said the Pigeon; “but if they do, why then | |
| they’re a kind of serpent, that’s all I can say.” | |
| This was such a new idea to Alice, that she was quite silent for a | |
| minute or two, which gave the Pigeon the opportunity of adding, “You’re | |
| looking for eggs, I know _that_ well enough; and what does it matter to | |
| me whether you’re a little girl or a serpent?” | |
| “It matters a good deal to _me_,” said Alice hastily; “but I’m not | |
| looking for eggs, as it happens; and if I was, I shouldn’t want | |
| _yours_: I don’t like them raw.” | |
| “Well, be off, then!” said the Pigeon in a sulky tone, as it settled | |
| down again into its nest. Alice crouched down among the trees as well | |
| as she could, for her neck kept getting entangled among the branches, | |
| and every now and then she had to stop and untwist it. After a while | |
| she remembered that she still held the pieces of mushroom in her hands, | |
| and she set to work very carefully, nibbling first at one and then at | |
| the other, and growing sometimes taller and sometimes shorter, until | |
| she had succeeded in bringing herself down to her usual height. | |
| It was so long since she had been anything near the right size, that it | |
| felt quite strange at first; but she got used to it in a few minutes, | |
| and began talking to herself, as usual. “Come, there’s half my plan | |
| done now! How puzzling all these changes are! I’m never sure what I’m | |
| going to be, from one minute to another! However, I’ve got back to my | |
| right size: the next thing is, to get into that beautiful garden—how | |
| _is_ that to be done, I wonder?” As she said this, she came suddenly | |
| upon an open place, with a little house in it about four feet high. | |
| “Whoever lives there,” thought Alice, “it’ll never do to come upon them | |
| _this_ size: why, I should frighten them out of their wits!” So she | |
| began nibbling at the righthand bit again, and did not venture to go | |
| near the house till she had brought herself down to nine inches high. | |
| CHAPTER VI. | |
| Pig and Pepper | |
| For a minute or two she stood looking at the house, and wondering what | |
| to do next, when suddenly a footman in livery came running out of the | |
| wood—(she considered him to be a footman because he was in livery: | |
| otherwise, judging by his face only, she would have called him a | |
| fish)—and rapped loudly at the door with his knuckles. It was opened by | |
| another footman in livery, with a round face, and large eyes like a | |
| frog; and both footmen, Alice noticed, had powdered hair that curled | |
| all over their heads. She felt very curious to know what it was all | |
| about, and crept a little way out of the wood to listen. | |
| The Fish-Footman began by producing from under his arm a great letter, | |
| nearly as large as himself, and this he handed over to the other, | |
| saying, in a solemn tone, “For the Duchess. An invitation from the | |
| Queen to play croquet.” The Frog-Footman repeated, in the same solemn | |
| tone, only changing the order of the words a little, “From the Queen. | |
| An invitation for the Duchess to play croquet.” | |
| Then they both bowed low, and their curls got entangled together. | |
| Alice laughed so much at this, that she had to run back into the wood | |
| for fear of their hearing her; and when she next peeped out the | |
| Fish-Footman was gone, and the other was sitting on the ground near the | |
| door, staring stupidly up into the sky. | |
| Alice went timidly up to the door, and knocked. | |
| “There’s no sort of use in knocking,” said the Footman, “and that for | |
| two reasons. First, because I’m on the same side of the door as you | |
| are; secondly, because they’re making such a noise inside, no one could | |
| possibly hear you.” And certainly there _was_ a most extraordinary | |
| noise going on within—a constant howling and sneezing, and every now | |
| and then a great crash, as if a dish or kettle had been broken to | |
| pieces. | |
| “Please, then,” said Alice, “how am I to get in?” | |
| “There might be some sense in your knocking,” the Footman went on | |
| without attending to her, “if we had the door between us. For instance, | |
| if you were _inside_, you might knock, and I could let you out, you | |
| know.” He was looking up into the sky all the time he was speaking, and | |
| this Alice thought decidedly uncivil. “But perhaps he can’t help it,” | |
| she said to herself; “his eyes are so _very_ nearly at the top of his | |
| head. But at any rate he might answer questions.—How am I to get in?” | |
| she repeated, aloud. | |
| “I shall sit here,” the Footman remarked, “till tomorrow—” | |
| At this moment the door of the house opened, and a large plate came | |
| skimming out, straight at the Footman’s head: it just grazed his nose, | |
| and broke to pieces against one of the trees behind him. | |
| “—or next day, maybe,” the Footman continued in the same tone, exactly | |
| as if nothing had happened. | |
| “How am I to get in?” asked Alice again, in a louder tone. | |
| “_Are_ you to get in at all?” said the Footman. “That’s the first | |
| question, you know.” | |
| It was, no doubt: only Alice did not like to be told so. “It’s really | |
| dreadful,” she muttered to herself, “the way all the creatures argue. | |
| It’s enough to drive one crazy!” | |
| The Footman seemed to think this a good opportunity for repeating his | |
| remark, with variations. “I shall sit here,” he said, “on and off, for | |
| days and days.” | |
| “But what am _I_ to do?” said Alice. | |
| “Anything you like,” said the Footman, and began whistling. | |
| “Oh, there’s no use in talking to him,” said Alice desperately: “he’s | |
| perfectly idiotic!” And she opened the door and went in. | |
| The door led right into a large kitchen, which was full of smoke from | |
| one end to the other: the Duchess was sitting on a three-legged stool | |
| in the middle, nursing a baby; the cook was leaning over the fire, | |
| stirring a large cauldron which seemed to be full of soup. | |
| “There’s certainly too much pepper in that soup!” Alice said to | |
| herself, as well as she could for sneezing. | |
| There was certainly too much of it in the air. Even the Duchess sneezed | |
| occasionally; and as for the baby, it was sneezing and howling | |
| alternately without a moment’s pause. The only things in the kitchen | |
| that did not sneeze, were the cook, and a large cat which was sitting | |
| on the hearth and grinning from ear to ear. | |
| “Please would you tell me,” said Alice, a little timidly, for she was | |
| not quite sure whether it was good manners for her to speak first, “why | |
| your cat grins like that?” | |
| “It’s a Cheshire cat,” said the Duchess, “and that’s why. Pig!” | |
| She said the last word with such sudden violence that Alice quite | |
| jumped; but she saw in another moment that it was addressed to the | |
| baby, and not to her, so she took courage, and went on again:— | |
| “I didn’t know that Cheshire cats always grinned; in fact, I didn’t | |
| know that cats _could_ grin.” | |
| “They all can,” said the Duchess; “and most of ’em do.” | |
| “I don’t know of any that do,” Alice said very politely, feeling quite | |
| pleased to have got into a conversation. | |
| “You don’t know much,” said the Duchess; “and that’s a fact.” | |
| Alice did not at all like the tone of this remark, and thought it would | |
| be as well to introduce some other subject of conversation. While she | |
| was trying to fix on one, the cook took the cauldron of soup off the | |
| fire, and at once set to work throwing everything within her reach at | |
| the Duchess and the baby—the fire-irons came first; then followed a | |
| shower of saucepans, plates, and dishes. The Duchess took no notice of | |
| them even when they hit her; and the baby was howling so much already, | |
| that it was quite impossible to say whether the blows hurt it or not. | |
| “Oh, _please_ mind what you’re doing!” cried Alice, jumping up and down | |
| in an agony of terror. “Oh, there goes his _precious_ nose!” as an | |
| unusually large saucepan flew close by it, and very nearly carried it | |
| off. | |
| “If everybody minded their own business,” the Duchess said in a hoarse | |
| growl, “the world would go round a deal faster than it does.” | |
| “Which would _not_ be an advantage,” said Alice, who felt very glad to | |
| get an opportunity of showing off a little of her knowledge. “Just | |
| think of what work it would make with the day and night! You see the | |
| earth takes twenty-four hours to turn round on its axis—” | |
| “Talking of axes,” said the Duchess, “chop off her head!” | |
| Alice glanced rather anxiously at the cook, to see if she meant to take | |
| the hint; but the cook was busily stirring the soup, and seemed not to | |
| be listening, so she went on again: “Twenty-four hours, I _think_; or | |
| is it twelve? I—” | |
| “Oh, don’t bother _me_,” said the Duchess; “I never could abide | |
| figures!” And with that she began nursing her child again, singing a | |
| sort of lullaby to it as she did so, and giving it a violent shake at | |
| the end of every line: | |
| “Speak roughly to your little boy, | |
| And beat him when he sneezes: | |
| He only does it to annoy, | |
| Because he knows it teases.” | |
| CHORUS. | |
| (In which the cook and the baby joined): | |
| “Wow! wow! wow!” | |
| While the Duchess sang the second verse of the song, she kept tossing | |
| the baby violently up and down, and the poor little thing howled so, | |
| that Alice could hardly hear the words:— | |
| “I speak severely to my boy, | |
| I beat him when he sneezes; | |
| For he can thoroughly enjoy | |
| The pepper when he pleases!” | |
| CHORUS. | |
| “Wow! wow! wow!” | |
| “Here! you may nurse it a bit, if you like!” the Duchess said to Alice, | |
| flinging the baby at her as she spoke. “I must go and get ready to play | |
| croquet with the Queen,” and she hurried out of the room. The cook | |
| threw a frying-pan after her as she went out, but it just missed her. | |
| Alice caught the baby with some difficulty, as it was a queer-shaped | |
| little creature, and held out its arms and legs in all directions, | |
| “just like a star-fish,” thought Alice. The poor little thing was | |
| snorting like a steam-engine when she caught it, and kept doubling | |
| itself up and straightening itself out again, so that altogether, for | |
| the first minute or two, it was as much as she could do to hold it. | |
| As soon as she had made out the proper way of nursing it, (which was to | |
| twist it up into a sort of knot, and then keep tight hold of its right | |
| ear and left foot, so as to prevent its undoing itself,) she carried it | |
| out into the open air. “If I don’t take this child away with me,” | |
| thought Alice, “they’re sure to kill it in a day or two: wouldn’t it be | |
| murder to leave it behind?” She said the last words out loud, and the | |
| little thing grunted in reply (it had left off sneezing by this time). | |
| “Don’t grunt,” said Alice; “that’s not at all a proper way of | |
| expressing yourself.” | |
| The baby grunted again, and Alice looked very anxiously into its face | |
| to see what was the matter with it. There could be no doubt that it had | |
| a _very_ turn-up nose, much more like a snout than a real nose; also | |
| its eyes were getting extremely small for a baby: altogether Alice did | |
| not like the look of the thing at all. “But perhaps it was only | |
| sobbing,” she thought, and looked into its eyes again, to see if there | |
| were any tears. | |
| No, there were no tears. “If you’re going to turn into a pig, my dear,” | |
| said Alice, seriously, “I’ll have nothing more to do with you. Mind | |
| now!” The poor little thing sobbed again (or grunted, it was impossible | |
| to say which), and they went on for some while in silence. | |
| Alice was just beginning to think to herself, “Now, what am I to do | |
| with this creature when I get it home?” when it grunted again, so | |
| violently, that she looked down into its face in some alarm. This time | |
| there could be _no_ mistake about it: it was neither more nor less than | |
| a pig, and she felt that it would be quite absurd for her to carry it | |
| further. | |
| So she set the little creature down, and felt quite relieved to see it | |
| trot away quietly into the wood. “If it had grown up,” she said to | |
| herself, “it would have made a dreadfully ugly child: but it makes | |
| rather a handsome pig, I think.” And she began thinking over other | |
| children she knew, who might do very well as pigs, and was just saying | |
| to herself, “if one only knew the right way to change them—” when she | |
| was a little startled by seeing the Cheshire Cat sitting on a bough of | |
| a tree a few yards off. | |
| The Cat only grinned when it saw Alice. It looked good-natured, she | |
| thought: still it had _very_ long claws and a great many teeth, so she | |
| felt that it ought to be treated with respect. | |
| “Cheshire Puss,” she began, rather timidly, as she did not at all know | |
| whether it would like the name: however, it only grinned a little | |
| wider. “Come, it’s pleased so far,” thought Alice, and she went on. | |
| “Would you tell me, please, which way I ought to go from here?” | |
| “That depends a good deal on where you want to get to,” said the Cat. | |
| “I don’t much care where—” said Alice. | |
| “Then it doesn’t matter which way you go,” said the Cat. | |
| “—so long as I get _somewhere_,” Alice added as an explanation. | |
| “Oh, you’re sure to do that,” said the Cat, “if you only walk long | |
| enough.” | |
| Alice felt that this could not be denied, so she tried another | |
| question. “What sort of people live about here?” | |
| “In _that_ direction,” the Cat said, waving its right paw round, “lives | |
| a Hatter: and in _that_ direction,” waving the other paw, “lives a | |
| March Hare. Visit either you like: they’re both mad.” | |
| “But I don’t want to go among mad people,” Alice remarked. | |
| “Oh, you can’t help that,” said the Cat: “we’re all mad here. I’m mad. | |
| You’re mad.” | |
| “How do you know I’m mad?” said Alice. | |
| “You must be,” said the Cat, “or you wouldn’t have come here.” | |
| Alice didn’t think that proved it at all; however, she went on “And how | |
| do you know that you’re mad?” | |
| “To begin with,” said the Cat, “a dog’s not mad. You grant that?” | |
| “I suppose so,” said Alice. | |
| “Well, then,” the Cat went on, “you see, a dog growls when it’s angry, | |
| and wags its tail when it’s pleased. Now _I_ growl when I’m pleased, | |
| and wag my tail when I’m angry. Therefore I’m mad.” | |
| “_I_ call it purring, not growling,” said Alice. | |
| “Call it what you like,” said the Cat. “Do you play croquet with the | |
| Queen to-day?” | |
| “I should like it very much,” said Alice, “but I haven’t been invited | |
| yet.” | |
| “You’ll see me there,” said the Cat, and vanished. | |
| Alice was not much surprised at this, she was getting so used to queer | |
| things happening. While she was looking at the place where it had been, | |
| it suddenly appeared again. | |
| “By-the-bye, what became of the baby?” said the Cat. “I’d nearly | |
| forgotten to ask.” | |
| “It turned into a pig,” Alice quietly said, just as if it had come back | |
| in a natural way. | |
| “I thought it would,” said the Cat, and vanished again. | |
| Alice waited a little, half expecting to see it again, but it did not | |
| appear, and after a minute or two she walked on in the direction in | |
| which the March Hare was said to live. “I’ve seen hatters before,” she | |
| said to herself; “the March Hare will be much the most interesting, and | |
| perhaps as this is May it won’t be raving mad—at least not so mad as it | |
| was in March.” As she said this, she looked up, and there was the Cat | |
| again, sitting on a branch of a tree. | |
| “Did you say pig, or fig?” said the Cat. | |
| “I said pig,” replied Alice; “and I wish you wouldn’t keep appearing | |
| and vanishing so suddenly: you make one quite giddy.” | |
| “All right,” said the Cat; and this time it vanished quite slowly, | |
| beginning with the end of the tail, and ending with the grin, which | |
| remained some time after the rest of it had gone. | |
| “Well! I’ve often seen a cat without a grin,” thought Alice; “but a | |
| grin without a cat! It’s the most curious thing I ever saw in my life!” | |
| She had not gone much farther before she came in sight of the house of | |
| the March Hare: she thought it must be the right house, because the | |
| chimneys were shaped like ears and the roof was thatched with fur. It | |
| was so large a house, that she did not like to go nearer till she had | |
| nibbled some more of the lefthand bit of mushroom, and raised herself | |
| to about two feet high: even then she walked up towards it rather | |
| timidly, saying to herself “Suppose it should be raving mad after all! | |
| I almost wish I’d gone to see the Hatter instead!” | |
| CHAPTER VII. | |
| A Mad Tea-Party | |
| There was a table set out under a tree in front of the house, and the | |
| March Hare and the Hatter were having tea at it: a Dormouse was sitting | |
| between them, fast asleep, and the other two were using it as a | |
| cushion, resting their elbows on it, and talking over its head. “Very | |
| uncomfortable for the Dormouse,” thought Alice; “only, as it’s asleep, | |
| I suppose it doesn’t mind.” | |
| The table was a large one, but the three were all crowded together at | |
| one corner of it: “No room! No room!” they cried out when they saw | |
| Alice coming. “There’s _plenty_ of room!” said Alice indignantly, and | |
| she sat down in a large arm-chair at one end of the table. | |
| “Have some wine,” the March Hare said in an encouraging tone. | |
| Alice looked all round the table, but there was nothing on it but tea. | |
| “I don’t see any wine,” she remarked. | |
| “There isn’t any,” said the March Hare. | |
| “Then it wasn’t very civil of you to offer it,” said Alice angrily. | |
| “It wasn’t very civil of you to sit down without being invited,” said | |
| the March Hare. | |
| “I didn’t know it was _your_ table,” said Alice; “it’s laid for a great | |
| many more than three.” | |
| “Your hair wants cutting,” said the Hatter. He had been looking at | |
| Alice for some time with great curiosity, and this was his first | |
| speech. | |
| “You should learn not to make personal remarks,” Alice said with some | |
| severity; “it’s very rude.” | |
| The Hatter opened his eyes very wide on hearing this; but all he _said_ | |
| was, “Why is a raven like a writing-desk?” | |
| “Come, we shall have some fun now!” thought Alice. “I’m glad they’ve | |
| begun asking riddles.—I believe I can guess that,” she added aloud. | |
| “Do you mean that you think you can find out the answer to it?” said | |
| the March Hare. | |
| “Exactly so,” said Alice. | |
| “Then you should say what you mean,” the March Hare went on. | |
| “I do,” Alice hastily replied; “at least—at least I mean what I | |
| say—that’s the same thing, you know.” | |
| “Not the same thing a bit!” said the Hatter. “You might just as well | |
| say that ‘I see what I eat’ is the same thing as ‘I eat what I see’!” | |
| “You might just as well say,” added the March Hare, “that ‘I like what | |
| I get’ is the same thing as ‘I get what I like’!” | |
| “You might just as well say,” added the Dormouse, who seemed to be | |
| talking in his sleep, “that ‘I breathe when I sleep’ is the same thing | |
| as ‘I sleep when I breathe’!” | |
| “It _is_ the same thing with you,” said the Hatter, and here the | |
| conversation dropped, and the party sat silent for a minute, while | |
| Alice thought over all she could remember about ravens and | |
| writing-desks, which wasn’t much. | |
| The Hatter was the first to break the silence. “What day of the month | |
| is it?” he said, turning to Alice: he had taken his watch out of his | |
| pocket, and was looking at it uneasily, shaking it every now and then, | |
| and holding it to his ear. | |
| Alice considered a little, and then said “The fourth.” | |
| “Two days wrong!” sighed the Hatter. “I told you butter wouldn’t suit | |
| the works!” he added looking angrily at the March Hare. | |
| “It was the _best_ butter,” the March Hare meekly replied. | |
| “Yes, but some crumbs must have got in as well,” the Hatter grumbled: | |
| “you shouldn’t have put it in with the bread-knife.” | |
| The March Hare took the watch and looked at it gloomily: then he dipped | |
| it into his cup of tea, and looked at it again: but he could think of | |
| nothing better to say than his first remark, “It was the _best_ butter, | |
| you know.” | |
| Alice had been looking over his shoulder with some curiosity. “What a | |
| funny watch!” she remarked. “It tells the day of the month, and doesn’t | |
| tell what o’clock it is!” | |
| “Why should it?” muttered the Hatter. “Does _your_ watch tell you what | |
| year it is?” | |
| “Of course not,” Alice replied very readily: “but that’s because it | |
| stays the same year for such a long time together.” | |
| “Which is just the case with _mine_,” said the Hatter. | |
| Alice felt dreadfully puzzled. The Hatter’s remark seemed to have no | |
| sort of meaning in it, and yet it was certainly English. “I don’t quite | |
| understand you,” she said, as politely as she could. | |
| “The Dormouse is asleep again,” said the Hatter, and he poured a little | |
| hot tea upon its nose. | |
| The Dormouse shook its head impatiently, and said, without opening its | |
| eyes, “Of course, of course; just what I was going to remark myself.” | |
| “Have you guessed the riddle yet?” the Hatter said, turning to Alice | |
| again. | |
| “No, I give it up,” Alice replied: “what’s the answer?” | |
| “I haven’t the slightest idea,” said the Hatter. | |
| “Nor I,” said the March Hare. | |
| Alice sighed wearily. “I think you might do something better with the | |
| time,” she said, “than waste it in asking riddles that have no | |
| answers.” | |
| “If you knew Time as well as I do,” said the Hatter, “you wouldn’t talk | |
| about wasting _it_. It’s _him_.” | |
| “I don’t know what you mean,” said Alice. | |
| “Of course you don’t!” the Hatter said, tossing his head | |
| contemptuously. “I dare say you never even spoke to Time!” | |
| “Perhaps not,” Alice cautiously replied: “but I know I have to beat | |
| time when I learn music.” | |
| “Ah! that accounts for it,” said the Hatter. “He won’t stand beating. | |
| Now, if you only kept on good terms with him, he’d do almost anything | |
| you liked with the clock. For instance, suppose it were nine o’clock in | |
| the morning, just time to begin lessons: you’d only have to whisper a | |
| hint to Time, and round goes the clock in a twinkling! Half-past one, | |
| time for dinner!” | |
| (“I only wish it was,” the March Hare said to itself in a whisper.) | |
| “That would be grand, certainly,” said Alice thoughtfully: “but then—I | |
| shouldn’t be hungry for it, you know.” | |
| “Not at first, perhaps,” said the Hatter: “but you could keep it to | |
| half-past one as long as you liked.” | |
| “Is that the way _you_ manage?” Alice asked. | |
| The Hatter shook his head mournfully. “Not I!” he replied. “We | |
| quarrelled last March—just before _he_ went mad, you know—” (pointing | |
| with his tea spoon at the March Hare,) “—it was at the great concert | |
| given by the Queen of Hearts, and I had to sing | |
| ‘Twinkle, twinkle, little bat! | |
| How I wonder what you’re at!’ | |
| You know the song, perhaps?” | |
| “I’ve heard something like it,” said Alice. | |
| “It goes on, you know,” the Hatter continued, “in this way:— | |
| ‘Up above the world you fly, | |
| Like a tea-tray in the sky. | |
| Twinkle, twinkle—’” | |
| Here the Dormouse shook itself, and began singing in its sleep | |
| “_Twinkle, twinkle, twinkle, twinkle_—” and went on so long that they | |
| had to pinch it to make it stop. | |
| “Well, I’d hardly finished the first verse,” said the Hatter, “when the | |
| Queen jumped up and bawled out, ‘He’s murdering the time! Off with his | |
| head!’” | |
| “How dreadfully savage!” exclaimed Alice. | |
| “And ever since that,” the Hatter went on in a mournful tone, “he won’t | |
| do a thing I ask! It’s always six o’clock now.” | |
| A bright idea came into Alice’s head. “Is that the reason so many | |
| tea-things are put out here?” she asked. | |
| “Yes, that’s it,” said the Hatter with a sigh: “it’s always tea-time, | |
| and we’ve no time to wash the things between whiles.” | |
| “Then you keep moving round, I suppose?” said Alice. | |
| “Exactly so,” said the Hatter: “as the things get used up.” | |
| “But what happens when you come to the beginning again?” Alice ventured | |
| to ask. | |
| “Suppose we change the subject,” the March Hare interrupted, yawning. | |
| “I’m getting tired of this. I vote the young lady tells us a story.” | |
| “I’m afraid I don’t know one,” said Alice, rather alarmed at the | |
| proposal. | |
| “Then the Dormouse shall!” they both cried. “Wake up, Dormouse!” And | |
| they pinched it on both sides at once. | |
| The Dormouse slowly opened his eyes. “I wasn’t asleep,” he said in a | |
| hoarse, feeble voice: “I heard every word you fellows were saying.” | |
| “Tell us a story!” said the March Hare. | |
| “Yes, please do!” pleaded Alice. | |
| “And be quick about it,” added the Hatter, “or you’ll be asleep again | |
| before it’s done.” | |
| “Once upon a time there were three little sisters,” the Dormouse began | |
| in a great hurry; “and their names were Elsie, Lacie, and Tillie; and | |
| they lived at the bottom of a well—” | |
| “What did they live on?” said Alice, who always took a great interest | |
| in questions of eating and drinking. | |
| “They lived on treacle,” said the Dormouse, after thinking a minute or | |
| two. | |
| “They couldn’t have done that, you know,” Alice gently remarked; | |
| “they’d have been ill.” | |
| “So they were,” said the Dormouse; “_very_ ill.” | |
| Alice tried to fancy to herself what such an extraordinary ways of | |
| living would be like, but it puzzled her too much, so she went on: “But | |
| why did they live at the bottom of a well?” | |
| “Take some more tea,” the March Hare said to Alice, very earnestly. | |
| “I’ve had nothing yet,” Alice replied in an offended tone, “so I can’t | |
| take more.” | |
| “You mean you can’t take _less_,” said the Hatter: “it’s very easy to | |
| take _more_ than nothing.” | |
| “Nobody asked _your_ opinion,” said Alice. | |
| “Who’s making personal remarks now?” the Hatter asked triumphantly. | |
| Alice did not quite know what to say to this: so she helped herself to | |
| some tea and bread-and-butter, and then turned to the Dormouse, and | |
| repeated her question. “Why did they live at the bottom of a well?” | |
| The Dormouse again took a minute or two to think about it, and then | |
| said, “It was a treacle-well.” | |
| “There’s no such thing!” Alice was beginning very angrily, but the | |
| Hatter and the March Hare went “Sh! sh!” and the Dormouse sulkily | |
| remarked, “If you can’t be civil, you’d better finish the story for | |
| yourself.” | |
| “No, please go on!” Alice said very humbly; “I won’t interrupt again. I | |
| dare say there may be _one_.” | |
| “One, indeed!” said the Dormouse indignantly. However, he consented to | |
| go on. “And so these three little sisters—they were learning to draw, | |
| you know—” | |
| “What did they draw?” said Alice, quite forgetting her promise. | |
| “Treacle,” said the Dormouse, without considering at all this time. | |
| “I want a clean cup,” interrupted the Hatter: “let’s all move one place | |
| on.” | |
| He moved on as he spoke, and the Dormouse followed him: the March Hare | |
| moved into the Dormouse’s place, and Alice rather unwillingly took the | |
| place of the March Hare. The Hatter was the only one who got any | |
| advantage from the change: and Alice was a good deal worse off than | |
| before, as the March Hare had just upset the milk-jug into his plate. | |
| Alice did not wish to offend the Dormouse again, so she began very | |
| cautiously: “But I don’t understand. Where did they draw the treacle | |
| from?” | |
| “You can draw water out of a water-well,” said the Hatter; “so I should | |
| think you could draw treacle out of a treacle-well—eh, stupid?” | |
| “But they were _in_ the well,” Alice said to the Dormouse, not choosing | |
| to notice this last remark. | |
| “Of course they were,” said the Dormouse; “—well in.” | |
| This answer so confused poor Alice, that she let the Dormouse go on for | |
| some time without interrupting it. | |
| “They were learning to draw,” the Dormouse went on, yawning and rubbing | |
| its eyes, for it was getting very sleepy; “and they drew all manner of | |
| things—everything that begins with an M—” | |
| “Why with an M?” said Alice. | |
| “Why not?” said the March Hare. | |
| Alice was silent. | |
| The Dormouse had closed its eyes by this time, and was going off into a | |
| doze; but, on being pinched by the Hatter, it woke up again with a | |
| little shriek, and went on: “—that begins with an M, such as | |
| mouse-traps, and the moon, and memory, and muchness—you know you say | |
| things are “much of a muchness”—did you ever see such a thing as a | |
| drawing of a muchness?” | |
| “Really, now you ask me,” said Alice, very much confused, “I don’t | |
| think—” | |
| “Then you shouldn’t talk,” said the Hatter. | |
| This piece of rudeness was more than Alice could bear: she got up in | |
| great disgust, and walked off; the Dormouse fell asleep instantly, and | |
| neither of the others took the least notice of her going, though she | |
| looked back once or twice, half hoping that they would call after her: | |
| the last time she saw them, they were trying to put the Dormouse into | |
| the teapot. | |
| “At any rate I’ll never go _there_ again!” said Alice as she picked her | |
| way through the wood. “It’s the stupidest tea-party I ever was at in | |
| all my life!” | |
| Just as she said this, she noticed that one of the trees had a door | |
| leading right into it. “That’s very curious!” she thought. “But | |
| everything’s curious today. I think I may as well go in at once.” And | |
| in she went. | |
| Once more she found herself in the long hall, and close to the little | |
| glass table. “Now, I’ll manage better this time,” she said to herself, | |
| and began by taking the little golden key, and unlocking the door that | |
| led into the garden. Then she went to work nibbling at the mushroom | |
| (she had kept a piece of it in her pocket) till she was about a foot | |
| high: then she walked down the little passage: and _then_—she found | |
| herself at last in the beautiful garden, among the bright flower-beds | |
| and the cool fountains. | |
| CHAPTER VIII. | |
| The Queen’s Croquet-Ground | |
| A large rose-tree stood near the entrance of the garden: the roses | |
| growing on it were white, but there were three gardeners at it, busily | |
| painting them red. Alice thought this a very curious thing, and she | |
| went nearer to watch them, and just as she came up to them she heard | |
| one of them say, “Look out now, Five! Don’t go splashing paint over me | |
| like that!” | |
| “I couldn’t help it,” said Five, in a sulky tone; “Seven jogged my | |
| elbow.” | |
| On which Seven looked up and said, “That’s right, Five! Always lay the | |
| blame on others!” | |
| “_You’d_ better not talk!” said Five. “I heard the Queen say only | |
| yesterday you deserved to be beheaded!” | |
| “What for?” said the one who had spoken first. | |
| “That’s none of _your_ business, Two!” said Seven. | |
| “Yes, it _is_ his business!” said Five, “and I’ll tell him—it was for | |
| bringing the cook tulip-roots instead of onions.” | |
| Seven flung down his brush, and had just begun “Well, of all the unjust | |
| things—” when his eye chanced to fall upon Alice, as she stood watching | |
| them, and he checked himself suddenly: the others looked round also, | |
| and all of them bowed low. | |
| “Would you tell me,” said Alice, a little timidly, “why you are | |
| painting those roses?” | |
| Five and Seven said nothing, but looked at Two. Two began in a low | |
| voice, “Why the fact is, you see, Miss, this here ought to have been a | |
| _red_ rose-tree, and we put a white one in by mistake; and if the Queen | |
| was to find it out, we should all have our heads cut off, you know. So | |
| you see, Miss, we’re doing our best, afore she comes, to—” At this | |
| moment Five, who had been anxiously looking across the garden, called | |
| out “The Queen! The Queen!” and the three gardeners instantly threw | |
| themselves flat upon their faces. There was a sound of many footsteps, | |
| and Alice looked round, eager to see the Queen. | |
| First came ten soldiers carrying clubs; these were all shaped like the | |
| three gardeners, oblong and flat, with their hands and feet at the | |
| corners: next the ten courtiers; these were ornamented all over with | |
| diamonds, and walked two and two, as the soldiers did. After these came | |
| the royal children; there were ten of them, and the little dears came | |
| jumping merrily along hand in hand, in couples: they were all | |
| ornamented with hearts. Next came the guests, mostly Kings and Queens, | |
| and among them Alice recognised the White Rabbit: it was talking in a | |
| hurried nervous manner, smiling at everything that was said, and went | |
| by without noticing her. Then followed the Knave of Hearts, carrying | |
| the King’s crown on a crimson velvet cushion; and, last of all this | |
| grand procession, came THE KING AND QUEEN OF HEARTS. | |
| Alice was rather doubtful whether she ought not to lie down on her face | |
| like the three gardeners, but she could not remember ever having heard | |
| of such a rule at processions; “and besides, what would be the use of a | |
| procession,” thought she, “if people had all to lie down upon their | |
| faces, so that they couldn’t see it?” So she stood still where she was, | |
| and waited. | |
| When the procession came opposite to Alice, they all stopped and looked | |
| at her, and the Queen said severely “Who is this?” She said it to the | |
| Knave of Hearts, who only bowed and smiled in reply. | |
| “Idiot!” said the Queen, tossing her head impatiently; and, turning to | |
| Alice, she went on, “What’s your name, child?” | |
| “My name is Alice, so please your Majesty,” said Alice very politely; | |
| but she added, to herself, “Why, they’re only a pack of cards, after | |
| all. I needn’t be afraid of them!” | |
| “And who are _these?_” said the Queen, pointing to the three gardeners | |
| who were lying round the rose-tree; for, you see, as they were lying on | |
| their faces, and the pattern on their backs was the same as the rest of | |
| the pack, she could not tell whether they were gardeners, or soldiers, | |
| or courtiers, or three of her own children. | |
| “How should _I_ know?” said Alice, surprised at her own courage. “It’s | |
| no business of _mine_.” | |
| The Queen turned crimson with fury, and, after glaring at her for a | |
| moment like a wild beast, screamed “Off with her head! Off—” | |
| “Nonsense!” said Alice, very loudly and decidedly, and the Queen was | |
| silent. | |
| The King laid his hand upon her arm, and timidly said “Consider, my | |
| dear: she is only a child!” | |
| The Queen turned angrily away from him, and said to the Knave “Turn | |
| them over!” | |
| The Knave did so, very carefully, with one foot. | |
| “Get up!” said the Queen, in a shrill, loud voice, and the three | |
| gardeners instantly jumped up, and began bowing to the King, the Queen, | |
| the royal children, and everybody else. | |
| “Leave off that!” screamed the Queen. “You make me giddy.” And then, | |
| turning to the rose-tree, she went on, “What _have_ you been doing | |
| here?” | |
| “May it please your Majesty,” said Two, in a very humble tone, going | |
| down on one knee as he spoke, “we were trying—” | |
| “_I_ see!” said the Queen, who had meanwhile been examining the roses. | |
| “Off with their heads!” and the procession moved on, three of the | |
| soldiers remaining behind to execute the unfortunate gardeners, who ran | |
| to Alice for protection. | |
| “You shan’t be beheaded!” said Alice, and she put them into a large | |
| flower-pot that stood near. The three soldiers wandered about for a | |
| minute or two, looking for them, and then quietly marched off after the | |
| others. | |
| “Are their heads off?” shouted the Queen. | |
| “Their heads are gone, if it please your Majesty!” the soldiers shouted | |
| in reply. | |
| “That’s right!” shouted the Queen. “Can you play croquet?” | |
| The soldiers were silent, and looked at Alice, as the question was | |
| evidently meant for her. | |
| “Yes!” shouted Alice. | |
| “Come on, then!” roared the Queen, and Alice joined the procession, | |
| wondering very much what would happen next. | |
| “It’s—it’s a very fine day!” said a timid voice at her side. She was | |
| walking by the White Rabbit, who was peeping anxiously into her face. | |
| “Very,” said Alice: “—where’s the Duchess?” | |
| “Hush! Hush!” said the Rabbit in a low, hurried tone. He looked | |
| anxiously over his shoulder as he spoke, and then raised himself upon | |
| tiptoe, put his mouth close to her ear, and whispered “She’s under | |
| sentence of execution.” | |
| “What for?” said Alice. | |
| “Did you say ‘What a pity!’?” the Rabbit asked. | |
| “No, I didn’t,” said Alice: “I don’t think it’s at all a pity. I said | |
| ‘What for?’” | |
| “She boxed the Queen’s ears—” the Rabbit began. Alice gave a little | |
| scream of laughter. “Oh, hush!” the Rabbit whispered in a frightened | |
| tone. “The Queen will hear you! You see, she came rather late, and the | |
| Queen said—” | |
| “Get to your places!” shouted the Queen in a voice of thunder, and | |
| people began running about in all directions, tumbling up against each | |
| other; however, they got settled down in a minute or two, and the game | |
| began. Alice thought she had never seen such a curious croquet-ground | |
| in her life; it was all ridges and furrows; the balls were live | |
| hedgehogs, the mallets live flamingoes, and the soldiers had to double | |
| themselves up and to stand on their hands and feet, to make the arches. | |
| The chief difficulty Alice found at first was in managing her flamingo: | |
| she succeeded in getting its body tucked away, comfortably enough, | |
| under her arm, with its legs hanging down, but generally, just as she | |
| had got its neck nicely straightened out, and was going to give the | |
| hedgehog a blow with its head, it _would_ twist itself round and look | |
| up in her face, with such a puzzled expression that she could not help | |
| bursting out laughing: and when she had got its head down, and was | |
| going to begin again, it was very provoking to find that the hedgehog | |
| had unrolled itself, and was in the act of crawling away: besides all | |
| this, there was generally a ridge or furrow in the way wherever she | |
| wanted to send the hedgehog to, and, as the doubled-up soldiers were | |
| always getting up and walking off to other parts of the ground, Alice | |
| soon came to the conclusion that it was a very difficult game indeed. | |
| The players all played at once without waiting for turns, quarrelling | |
| all the while, and fighting for the hedgehogs; and in a very short time | |
| the Queen was in a furious passion, and went stamping about, and | |
| shouting “Off with his head!” or “Off with her head!” about once in a | |
| minute. | |
| Alice began to feel very uneasy: to be sure, she had not as yet had any | |
| dispute with the Queen, but she knew that it might happen any minute, | |
| “and then,” thought she, “what would become of me? They’re dreadfully | |
| fond of beheading people here; the great wonder is, that there’s any | |
| one left alive!” | |
| She was looking about for some way of escape, and wondering whether she | |
| could get away without being seen, when she noticed a curious | |
| appearance in the air: it puzzled her very much at first, but, after | |
| watching it a minute or two, she made it out to be a grin, and she said | |
| to herself “It’s the Cheshire Cat: now I shall have somebody to talk | |
| to.” | |
| “How are you getting on?” said the Cat, as soon as there was mouth | |
| enough for it to speak with. | |
| Alice waited till the eyes appeared, and then nodded. “It’s no use | |
| speaking to it,” she thought, “till its ears have come, or at least one | |
| of them.” In another minute the whole head appeared, and then Alice put | |
| down her flamingo, and began an account of the game, feeling very glad | |
| she had someone to listen to her. The Cat seemed to think that there | |
| was enough of it now in sight, and no more of it appeared. | |
| “I don’t think they play at all fairly,” Alice began, in rather a | |
| complaining tone, “and they all quarrel so dreadfully one can’t hear | |
| oneself speak—and they don’t seem to have any rules in particular; at | |
| least, if there are, nobody attends to them—and you’ve no idea how | |
| confusing it is all the things being alive; for instance, there’s the | |
| arch I’ve got to go through next walking about at the other end of the | |
| ground—and I should have croqueted the Queen’s hedgehog just now, only | |
| it ran away when it saw mine coming!” | |
| “How do you like the Queen?” said the Cat in a low voice. | |
| “Not at all,” said Alice: “she’s so extremely—” Just then she noticed | |
| that the Queen was close behind her, listening: so she went on, | |
| “—likely to win, that it’s hardly worth while finishing the game.” | |
| The Queen smiled and passed on. | |
| “Who _are_ you talking to?” said the King, going up to Alice, and | |
| looking at the Cat’s head with great curiosity. | |
| “It’s a friend of mine—a Cheshire Cat,” said Alice: “allow me to | |
| introduce it.” | |
| “I don’t like the look of it at all,” said the King: “however, it may | |
| kiss my hand if it likes.” | |
| “I’d rather not,” the Cat remarked. | |
| “Don’t be impertinent,” said the King, “and don’t look at me like | |
| that!” He got behind Alice as he spoke. | |
| “A cat may look at a king,” said Alice. “I’ve read that in some book, | |
| but I don’t remember where.” | |
| “Well, it must be removed,” said the King very decidedly, and he called | |
| the Queen, who was passing at the moment, “My dear! I wish you would | |
| have this cat removed!” | |
| The Queen had only one way of settling all difficulties, great or | |
| small. “Off with his head!” she said, without even looking round. | |
| “I’ll fetch the executioner myself,” said the King eagerly, and he | |
| hurried off. | |
| Alice thought she might as well go back, and see how the game was going | |
| on, as she heard the Queen’s voice in the distance, screaming with | |
| passion. She had already heard her sentence three of the players to be | |
| executed for having missed their turns, and she did not like the look | |
| of things at all, as the game was in such confusion that she never knew | |
| whether it was her turn or not. So she went in search of her hedgehog. | |
| The hedgehog was engaged in a fight with another hedgehog, which seemed | |
| to Alice an excellent opportunity for croqueting one of them with the | |
| other: the only difficulty was, that her flamingo was gone across to | |
| the other side of the garden, where Alice could see it trying in a | |
| helpless sort of way to fly up into a tree. | |
| By the time she had caught the flamingo and brought it back, the fight | |
| was over, and both the hedgehogs were out of sight: “but it doesn’t | |
| matter much,” thought Alice, “as all the arches are gone from this side | |
| of the ground.” So she tucked it away under her arm, that it might not | |
| escape again, and went back for a little more conversation with her | |
| friend. | |
| When she got back to the Cheshire Cat, she was surprised to find quite | |
| a large crowd collected round it: there was a dispute going on between | |
| the executioner, the King, and the Queen, who were all talking at once, | |
| while all the rest were quite silent, and looked very uncomfortable. | |
| The moment Alice appeared, she was appealed to by all three to settle | |
| the question, and they repeated their arguments to her, though, as they | |
| all spoke at once, she found it very hard indeed to make out exactly | |
| what they said. | |
| The executioner’s argument was, that you couldn’t cut off a head unless | |
| there was a body to cut it off from: that he had never had to do such a | |
| thing before, and he wasn’t going to begin at _his_ time of life. | |
| The King’s argument was, that anything that had a head could be | |
| beheaded, and that you weren’t to talk nonsense. | |
| The Queen’s argument was, that if something wasn’t done about it in | |
| less than no time she’d have everybody executed, all round. (It was | |
| this last remark that had made the whole party look so grave and | |
| anxious.) | |
| Alice could think of nothing else to say but “It belongs to the | |
| Duchess: you’d better ask _her_ about it.” | |
| “She’s in prison,” the Queen said to the executioner: “fetch her here.” | |
| And the executioner went off like an arrow. | |
| The Cat’s head began fading away the moment he was gone, and, by the | |
| time he had come back with the Duchess, it had entirely disappeared; so | |
| the King and the executioner ran wildly up and down looking for it, | |
| while the rest of the party went back to the game. | |
| CHAPTER IX. | |
| The Mock Turtle’s Story | |
| “You can’t think how glad I am to see you again, you dear old thing!” | |
| said the Duchess, as she tucked her arm affectionately into Alice’s, | |
| and they walked off together. | |
| Alice was very glad to find her in such a pleasant temper, and thought | |
| to herself that perhaps it was only the pepper that had made her so | |
| savage when they met in the kitchen. | |
| “When _I’m_ a Duchess,” she said to herself, (not in a very hopeful | |
| tone though), “I won’t have any pepper in my kitchen _at all_. Soup | |
| does very well without—Maybe it’s always pepper that makes people | |
| hot-tempered,” she went on, very much pleased at having found out a new | |
| kind of rule, “and vinegar that makes them sour—and camomile that makes | |
| them bitter—and—and barley-sugar and such things that make children | |
| sweet-tempered. I only wish people knew _that_: then they wouldn’t be | |
| so stingy about it, you know—” | |
| She had quite forgotten the Duchess by this time, and was a little | |
| startled when she heard her voice close to her ear. “You’re thinking | |
| about something, my dear, and that makes you forget to talk. I can’t | |
| tell you just now what the moral of that is, but I shall remember it in | |
| a bit.” | |
| “Perhaps it hasn’t one,” Alice ventured to remark. | |
| “Tut, tut, child!” said the Duchess. “Everything’s got a moral, if only | |
| you can find it.” And she squeezed herself up closer to Alice’s side as | |
| she spoke. | |
| Alice did not much like keeping so close to her: first, because the | |
| Duchess was _very_ ugly; and secondly, because she was exactly the | |
| right height to rest her chin upon Alice’s shoulder, and it was an | |
| uncomfortably sharp chin. However, she did not like to be rude, so she | |
| bore it as well as she could. | |
| “The game’s going on rather better now,” she said, by way of keeping up | |
| the conversation a little. | |
| “’Tis so,” said the Duchess: “and the moral of that is—‘Oh, ’tis love, | |
| ’tis love, that makes the world go round!’” | |
| “Somebody said,” Alice whispered, “that it’s done by everybody minding | |
| their own business!” | |
| “Ah, well! It means much the same thing,” said the Duchess, digging her | |
| sharp little chin into Alice’s shoulder as she added, “and the moral of | |
| _that_ is—‘Take care of the sense, and the sounds will take care of | |
| themselves.’” | |
| “How fond she is of finding morals in things!” Alice thought to | |
| herself. | |
| “I dare say you’re wondering why I don’t put my arm round your waist,” | |
| the Duchess said after a pause: “the reason is, that I’m doubtful about | |
| the temper of your flamingo. Shall I try the experiment?” | |
| “He might bite,” Alice cautiously replied, not feeling at all anxious | |
| to have the experiment tried. | |
| “Very true,” said the Duchess: “flamingoes and mustard both bite. And | |
| the moral of that is—‘Birds of a feather flock together.’” | |
| “Only mustard isn’t a bird,” Alice remarked. | |
| “Right, as usual,” said the Duchess: “what a clear way you have of | |
| putting things!” | |
| “It’s a mineral, I _think_,” said Alice. | |
| “Of course it is,” said the Duchess, who seemed ready to agree to | |
| everything that Alice said; “there’s a large mustard-mine near here. | |
| And the moral of that is—‘The more there is of mine, the less there is | |
| of yours.’” | |
| “Oh, I know!” exclaimed Alice, who had not attended to this last | |
| remark, “it’s a vegetable. It doesn’t look like one, but it is.” | |
| “I quite agree with you,” said the Duchess; “and the moral of that | |
| is—‘Be what you would seem to be’—or if you’d like it put more | |
| simply—‘Never imagine yourself not to be otherwise than what it might | |
| appear to others that what you were or might have been was not | |
| otherwise than what you had been would have appeared to them to be | |
| otherwise.’” | |
| “I think I should understand that better,” Alice said very politely, | |
| “if I had it written down: but I can’t quite follow it as you say it.” | |
| “That’s nothing to what I could say if I chose,” the Duchess replied, | |
| in a pleased tone. | |
| “Pray don’t trouble yourself to say it any longer than that,” said | |
| Alice. | |
| “Oh, don’t talk about trouble!” said the Duchess. “I make you a present | |
| of everything I’ve said as yet.” | |
| “A cheap sort of present!” thought Alice. “I’m glad they don’t give | |
| birthday presents like that!” But she did not venture to say it out | |
| loud. | |
| “Thinking again?” the Duchess asked, with another dig of her sharp | |
| little chin. | |
| “I’ve a right to think,” said Alice sharply, for she was beginning to | |
| feel a little worried. | |
| “Just about as much right,” said the Duchess, “as pigs have to fly; and | |
| the m—” | |
| But here, to Alice’s great surprise, the Duchess’s voice died away, | |
| even in the middle of her favourite word ‘moral,’ and the arm that was | |
| linked into hers began to tremble. Alice looked up, and there stood the | |
| Queen in front of them, with her arms folded, frowning like a | |
| thunderstorm. | |
| “A fine day, your Majesty!” the Duchess began in a low, weak voice. | |
| “Now, I give you fair warning,” shouted the Queen, stamping on the | |
| ground as she spoke; “either you or your head must be off, and that in | |
| about half no time! Take your choice!” | |
| The Duchess took her choice, and was gone in a moment. | |
| “Let’s go on with the game,” the Queen said to Alice; and Alice was too | |
| much frightened to say a word, but slowly followed her back to the | |
| croquet-ground. | |
| The other guests had taken advantage of the Queen’s absence, and were | |
| resting in the shade: however, the moment they saw her, they hurried | |
| back to the game, the Queen merely remarking that a moment’s delay | |
| would cost them their lives. | |
| All the time they were playing the Queen never left off quarrelling | |
| with the other players, and shouting “Off with his head!” or “Off with | |
| her head!” Those whom she sentenced were taken into custody by the | |
| soldiers, who of course had to leave off being arches to do this, so | |
| that by the end of half an hour or so there were no arches left, and | |
| all the players, except the King, the Queen, and Alice, were in custody | |
| and under sentence of execution. | |
| Then the Queen left off, quite out of breath, and said to Alice, “Have | |
| you seen the Mock Turtle yet?” | |
| “No,” said Alice. “I don’t even know what a Mock Turtle is.” | |
| “It’s the thing Mock Turtle Soup is made from,” said the Queen. | |
| “I never saw one, or heard of one,” said Alice. | |
| “Come on, then,” said the Queen, “and he shall tell you his history,” | |
| As they walked off together, Alice heard the King say in a low voice, | |
| to the company generally, “You are all pardoned.” “Come, _that’s_ a | |
| good thing!” she said to herself, for she had felt quite unhappy at the | |
| number of executions the Queen had ordered. | |
| They very soon came upon a Gryphon, lying fast asleep in the sun. (If | |
| you don’t know what a Gryphon is, look at the picture.) “Up, lazy | |
| thing!” said the Queen, “and take this young lady to see the Mock | |
| Turtle, and to hear his history. I must go back and see after some | |
| executions I have ordered;” and she walked off, leaving Alice alone | |
| with the Gryphon. Alice did not quite like the look of the creature, | |
| but on the whole she thought it would be quite as safe to stay with it | |
| as to go after that savage Queen: so she waited. | |
| The Gryphon sat up and rubbed its eyes: then it watched the Queen till | |
| she was out of sight: then it chuckled. “What fun!” said the Gryphon, | |
| half to itself, half to Alice. | |
| “What _is_ the fun?” said Alice. | |
| “Why, _she_,” said the Gryphon. “It’s all her fancy, that: they never | |
| executes nobody, you know. Come on!” | |
| “Everybody says ‘come on!’ here,” thought Alice, as she went slowly | |
| after it: “I never was so ordered about in all my life, never!” | |
| They had not gone far before they saw the Mock Turtle in the distance, | |
| sitting sad and lonely on a little ledge of rock, and, as they came | |
| nearer, Alice could hear him sighing as if his heart would break. She | |
| pitied him deeply. “What is his sorrow?” she asked the Gryphon, and the | |
| Gryphon answered, very nearly in the same words as before, “It’s all | |
| his fancy, that: he hasn’t got no sorrow, you know. Come on!” | |
| So they went up to the Mock Turtle, who looked at them with large eyes | |
| full of tears, but said nothing. | |
| “This here young lady,” said the Gryphon, “she wants for to know your | |
| history, she do.” | |
| “I’ll tell it her,” said the Mock Turtle in a deep, hollow tone: “sit | |
| down, both of you, and don’t speak a word till I’ve finished.” | |
| So they sat down, and nobody spoke for some minutes. Alice thought to | |
| herself, “I don’t see how he can _ever_ finish, if he doesn’t begin.” | |
| But she waited patiently. | |
| “Once,” said the Mock Turtle at last, with a deep sigh, “I was a real | |
| Turtle.” | |
| These words were followed by a very long silence, broken only by an | |
| occasional exclamation of “Hjckrrh!” from the Gryphon, and the constant | |
| heavy sobbing of the Mock Turtle. Alice was very nearly getting up and | |
| saying, “Thank you, sir, for your interesting story,” but she could not | |
| help thinking there _must_ be more to come, so she sat still and said | |
| nothing. | |
| “When we were little,” the Mock Turtle went on at last, more calmly, | |
| though still sobbing a little now and then, “we went to school in the | |
| sea. The master was an old Turtle—we used to call him Tortoise—” | |
| “Why did you call him Tortoise, if he wasn’t one?” Alice asked. | |
| “We called him Tortoise because he taught us,” said the Mock Turtle | |
| angrily: “really you are very dull!” | |
| “You ought to be ashamed of yourself for asking such a simple | |
| question,” added the Gryphon; and then they both sat silent and looked | |
| at poor Alice, who felt ready to sink into the earth. At last the | |
| Gryphon said to the Mock Turtle, “Drive on, old fellow! Don’t be all | |
| day about it!” and he went on in these words: | |
| “Yes, we went to school in the sea, though you mayn’t believe it—” | |
| “I never said I didn’t!” interrupted Alice. | |
| “You did,” said the Mock Turtle. | |
| “Hold your tongue!” added the Gryphon, before Alice could speak again. | |
| The Mock Turtle went on. | |
| “We had the best of educations—in fact, we went to school every day—” | |
| “_I’ve_ been to a day-school, too,” said Alice; “you needn’t be so | |
| proud as all that.” | |
| “With extras?” asked the Mock Turtle a little anxiously. | |
| “Yes,” said Alice, “we learned French and music.” | |
| “And washing?” said the Mock Turtle. | |
| “Certainly not!” said Alice indignantly. | |
| “Ah! then yours wasn’t a really good school,” said the Mock Turtle in a | |
| tone of great relief. “Now at _ours_ they had at the end of the bill, | |
| ‘French, music, _and washing_—extra.’” | |
| “You couldn’t have wanted it much,” said Alice; “living at the bottom | |
| of the sea.” | |
| “I couldn’t afford to learn it.” said the Mock Turtle with a sigh. “I | |
| only took the regular course.” | |
| “What was that?” inquired Alice. | |
| “Reeling and Writhing, of course, to begin with,” the Mock Turtle | |
| replied; “and then the different branches of Arithmetic—Ambition, | |
| Distraction, Uglification, and Derision.” | |
| “I never heard of ‘Uglification,’” Alice ventured to say. “What is it?” | |
| The Gryphon lifted up both its paws in surprise. “What! Never heard of | |
| uglifying!” it exclaimed. “You know what to beautify is, I suppose?” | |
| “Yes,” said Alice doubtfully: “it means—to—make—anything—prettier.” | |
| “Well, then,” the Gryphon went on, “if you don’t know what to uglify | |
| is, you _are_ a simpleton.” | |
| Alice did not feel encouraged to ask any more questions about it, so | |
| she turned to the Mock Turtle, and said “What else had you to learn?” | |
| “Well, there was Mystery,” the Mock Turtle replied, counting off the | |
| subjects on his flappers, “—Mystery, ancient and modern, with | |
| Seaography: then Drawling—the Drawling-master was an old conger-eel, | |
| that used to come once a week: _he_ taught us Drawling, Stretching, and | |
| Fainting in Coils.” | |
| “What was _that_ like?” said Alice. | |
| “Well, I can’t show it you myself,” the Mock Turtle said: “I’m too | |
| stiff. And the Gryphon never learnt it.” | |
| “Hadn’t time,” said the Gryphon: “I went to the Classics master, | |
| though. He was an old crab, _he_ was.” | |
| “I never went to him,” the Mock Turtle said with a sigh: “he taught | |
| Laughing and Grief, they used to say.” | |
| “So he did, so he did,” said the Gryphon, sighing in his turn; and both | |
| creatures hid their faces in their paws. | |
| “And how many hours a day did you do lessons?” said Alice, in a hurry | |
| to change the subject. | |
| “Ten hours the first day,” said the Mock Turtle: “nine the next, and so | |
| on.” | |
| “What a curious plan!” exclaimed Alice. | |
| “That’s the reason they’re called lessons,” the Gryphon remarked: | |
| “because they lessen from day to day.” | |
| This was quite a new idea to Alice, and she thought it over a little | |
| before she made her next remark. “Then the eleventh day must have been | |
| a holiday?” | |
| “Of course it was,” said the Mock Turtle. | |
| “And how did you manage on the twelfth?” Alice went on eagerly. | |
| “That’s enough about lessons,” the Gryphon interrupted in a very | |
| decided tone: “tell her something about the games now.” | |
| CHAPTER X. | |
| The Lobster Quadrille | |
| The Mock Turtle sighed deeply, and drew the back of one flapper across | |
| his eyes. He looked at Alice, and tried to speak, but for a minute or | |
| two sobs choked his voice. “Same as if he had a bone in his throat,” | |
| said the Gryphon: and it set to work shaking him and punching him in | |
| the back. At last the Mock Turtle recovered his voice, and, with tears | |
| running down his cheeks, he went on again:— | |
| “You may not have lived much under the sea—” (“I haven’t,” said | |
| Alice)—“and perhaps you were never even introduced to a lobster—” | |
| (Alice began to say “I once tasted—” but checked herself hastily, and | |
| said “No, never”) “—so you can have no idea what a delightful thing a | |
| Lobster Quadrille is!” | |
| “No, indeed,” said Alice. “What sort of a dance is it?” | |
| “Why,” said the Gryphon, “you first form into a line along the | |
| sea-shore—” | |
| “Two lines!” cried the Mock Turtle. “Seals, turtles, salmon, and so on; | |
| then, when you’ve cleared all the jelly-fish out of the way—” | |
| “_That_ generally takes some time,” interrupted the Gryphon. | |
| “—you advance twice—” | |
| “Each with a lobster as a partner!” cried the Gryphon. | |
| “Of course,” the Mock Turtle said: “advance twice, set to partners—” | |
| “—change lobsters, and retire in same order,” continued the Gryphon. | |
| “Then, you know,” the Mock Turtle went on, “you throw the—” | |
| “The lobsters!” shouted the Gryphon, with a bound into the air. | |
| “—as far out to sea as you can—” | |
| “Swim after them!” screamed the Gryphon. | |
| “Turn a somersault in the sea!” cried the Mock Turtle, capering wildly | |
| about. | |
| “Change lobsters again!” yelled the Gryphon at the top of its voice. | |
| “Back to land again, and that’s all the first figure,” said the Mock | |
| Turtle, suddenly dropping his voice; and the two creatures, who had | |
| been jumping about like mad things all this time, sat down again very | |
| sadly and quietly, and looked at Alice. | |
| “It must be a very pretty dance,” said Alice timidly. | |
| “Would you like to see a little of it?” said the Mock Turtle. | |
| “Very much indeed,” said Alice. | |
| “Come, let’s try the first figure!” said the Mock Turtle to the | |
| Gryphon. “We can do without lobsters, you know. Which shall sing?” | |
| “Oh, _you_ sing,” said the Gryphon. “I’ve forgotten the words.” | |
| So they began solemnly dancing round and round Alice, every now and | |
| then treading on her toes when they passed too close, and waving their | |
| forepaws to mark the time, while the Mock Turtle sang this, very slowly | |
| and sadly:— | |
| “Will you walk a little faster?” said a whiting to a snail. | |
| “There’s a porpoise close behind us, and he’s treading on my tail. | |
| See how eagerly the lobsters and the turtles all advance! | |
| They are waiting on the shingle—will you come and join the dance? | |
| Will you, won’t you, will you, won’t you, will you join the dance? | |
| Will you, won’t you, will you, won’t you, won’t you join the dance? | |
| “You can really have no notion how delightful it will be | |
| When they take us up and throw us, with the lobsters, out to sea!” | |
| But the snail replied “Too far, too far!” and gave a look askance— | |
| Said he thanked the whiting kindly, but he would not join the dance. | |
| Would not, could not, would not, could not, would not join the dance. | |
| Would not, could not, would not, could not, could not join the dance. | |
| “What matters it how far we go?” his scaly friend replied. | |
| “There is another shore, you know, upon the other side. | |
| The further off from England the nearer is to France— | |
| Then turn not pale, beloved snail, but come and join the dance. | |
| Will you, won’t you, will you, won’t you, will you join the dance? | |
| Will you, won’t you, will you, won’t you, won’t you join the dance?” | |
| “Thank you, it’s a very interesting dance to watch,” said Alice, | |
| feeling very glad that it was over at last: “and I do so like that | |
| curious song about the whiting!” | |
| “Oh, as to the whiting,” said the Mock Turtle, “they—you’ve seen them, | |
| of course?” | |
| “Yes,” said Alice, “I’ve often seen them at dinn—” she checked herself | |
| hastily. | |
| “I don’t know where Dinn may be,” said the Mock Turtle, “but if you’ve | |
| seen them so often, of course you know what they’re like.” | |
| “I believe so,” Alice replied thoughtfully. “They have their tails in | |
| their mouths—and they’re all over crumbs.” | |
| “You’re wrong about the crumbs,” said the Mock Turtle: “crumbs would | |
| all wash off in the sea. But they _have_ their tails in their mouths; | |
| and the reason is—” here the Mock Turtle yawned and shut his | |
| eyes.—“Tell her about the reason and all that,” he said to the Gryphon. | |
| “The reason is,” said the Gryphon, “that they _would_ go with the | |
| lobsters to the dance. So they got thrown out to sea. So they had to | |
| fall a long way. So they got their tails fast in their mouths. So they | |
| couldn’t get them out again. That’s all.” | |
| “Thank you,” said Alice, “it’s very interesting. I never knew so much | |
| about a whiting before.” | |
| “I can tell you more than that, if you like,” said the Gryphon. “Do you | |
| know why it’s called a whiting?” | |
| “I never thought about it,” said Alice. “Why?” | |
| “_It does the boots and shoes_,” the Gryphon replied very solemnly. | |
| Alice was thoroughly puzzled. “Does the boots and shoes!” she repeated | |
| in a wondering tone. | |
| “Why, what are _your_ shoes done with?” said the Gryphon. “I mean, what | |
| makes them so shiny?” | |
| Alice looked down at them, and considered a little before she gave her | |
| answer. “They’re done with blacking, I believe.” | |
| “Boots and shoes under the sea,” the Gryphon went on in a deep voice, | |
| “are done with a whiting. Now you know.” | |
| “And what are they made of?” Alice asked in a tone of great curiosity. | |
| “Soles and eels, of course,” the Gryphon replied rather impatiently: | |
| “any shrimp could have told you that.” | |
| “If I’d been the whiting,” said Alice, whose thoughts were still | |
| running on the song, “I’d have said to the porpoise, ‘Keep back, | |
| please: we don’t want _you_ with us!’” | |
| “They were obliged to have him with them,” the Mock Turtle said: “no | |
| wise fish would go anywhere without a porpoise.” | |
| “Wouldn’t it really?” said Alice in a tone of great surprise. | |
| “Of course not,” said the Mock Turtle: “why, if a fish came to _me_, | |
| and told me he was going a journey, I should say ‘With what porpoise?’” | |
| “Don’t you mean ‘purpose’?” said Alice. | |
| “I mean what I say,” the Mock Turtle replied in an offended tone. And | |
| the Gryphon added “Come, let’s hear some of _your_ adventures.” | |
| “I could tell you my adventures—beginning from this morning,” said | |
| Alice a little timidly: “but it’s no use going back to yesterday, | |
| because I was a different person then.” | |
| “Explain all that,” said the Mock Turtle. | |
| “No, no! The adventures first,” said the Gryphon in an impatient tone: | |
| “explanations take such a dreadful time.” | |
| So Alice began telling them her adventures from the time when she first | |
| saw the White Rabbit. She was a little nervous about it just at first, | |
| the two creatures got so close to her, one on each side, and opened | |
| their eyes and mouths so _very_ wide, but she gained courage as she | |
| went on. Her listeners were perfectly quiet till she got to the part | |
| about her repeating “_You are old, Father William_,” to the | |
| Caterpillar, and the words all coming different, and then the Mock | |
| Turtle drew a long breath, and said “That’s very curious.” | |
| “It’s all about as curious as it can be,” said the Gryphon. | |
| “It all came different!” the Mock Turtle repeated thoughtfully. “I | |
| should like to hear her try and repeat something now. Tell her to | |
| begin.” He looked at the Gryphon as if he thought it had some kind of | |
| authority over Alice. | |
| “Stand up and repeat ‘’_Tis the voice of the sluggard_,’” said the | |
| Gryphon. | |
| “How the creatures order one about, and make one repeat lessons!” | |
| thought Alice; “I might as well be at school at once.” However, she got | |
| up, and began to repeat it, but her head was so full of the Lobster | |
| Quadrille, that she hardly knew what she was saying, and the words came | |
| very queer indeed:— | |
| “’Tis the voice of the Lobster; I heard him declare, | |
| “You have baked me too brown, I must sugar my hair.” | |
| As a duck with its eyelids, so he with his nose | |
| Trims his belt and his buttons, and turns out his toes.” | |
| [later editions continued as follows | |
| When the sands are all dry, he is gay as a lark, | |
| And will talk in contemptuous tones of the Shark, | |
| But, when the tide rises and sharks are around, | |
| His voice has a timid and tremulous sound.] | |
| “That’s different from what _I_ used to say when I was a child,” said | |
| the Gryphon. | |
| “Well, I never heard it before,” said the Mock Turtle; “but it sounds | |
| uncommon nonsense.” | |
| Alice said nothing; she had sat down with her face in her hands, | |
| wondering if anything would _ever_ happen in a natural way again. | |
| “I should like to have it explained,” said the Mock Turtle. | |
| “She can’t explain it,” said the Gryphon hastily. “Go on with the next | |
| verse.” | |
| “But about his toes?” the Mock Turtle persisted. “How _could_ he turn | |
| them out with his nose, you know?” | |
| “It’s the first position in dancing.” Alice said; but was dreadfully | |
| puzzled by the whole thing, and longed to change the subject. | |
| “Go on with the next verse,” the Gryphon repeated impatiently: “it | |
| begins ‘_I passed by his garden_.’” | |
| Alice did not dare to disobey, though she felt sure it would all come | |
| wrong, and she went on in a trembling voice:— | |
| “I passed by his garden, and marked, with one eye, | |
| How the Owl and the Panther were sharing a pie—” | |
| [later editions continued as follows | |
| The Panther took pie-crust, and gravy, and meat, | |
| While the Owl had the dish as its share of the treat. | |
| When the pie was all finished, the Owl, as a boon, | |
| Was kindly permitted to pocket the spoon: | |
| While the Panther received knife and fork with a growl, | |
| And concluded the banquet—] | |
| “What _is_ the use of repeating all that stuff,” the Mock Turtle | |
| interrupted, “if you don’t explain it as you go on? It’s by far the | |
| most confusing thing _I_ ever heard!” | |
| “Yes, I think you’d better leave off,” said the Gryphon: and Alice was | |
| only too glad to do so. | |
| “Shall we try another figure of the Lobster Quadrille?” the Gryphon | |
| went on. “Or would you like the Mock Turtle to sing you a song?” | |
| “Oh, a song, please, if the Mock Turtle would be so kind,” Alice | |
| replied, so eagerly that the Gryphon said, in a rather offended tone, | |
| “Hm! No accounting for tastes! Sing her ‘_Turtle Soup_,’ will you, old | |
| fellow?” | |
| The Mock Turtle sighed deeply, and began, in a voice sometimes choked | |
| with sobs, to sing this:— | |
| “Beautiful Soup, so rich and green, | |
| Waiting in a hot tureen! | |
| Who for such dainties would not stoop? | |
| Soup of the evening, beautiful Soup! | |
| Soup of the evening, beautiful Soup! | |
| Beau—ootiful Soo—oop! | |
| Beau—ootiful Soo—oop! | |
| Soo—oop of the e—e—evening, | |
| Beautiful, beautiful Soup! | |
| “Beautiful Soup! Who cares for fish, | |
| Game, or any other dish? | |
| Who would not give all else for two p | |
| ennyworth only of beautiful Soup? | |
| Pennyworth only of beautiful Soup? | |
| Beau—ootiful Soo—oop! | |
| Beau—ootiful Soo—oop! | |
| Soo—oop of the e—e—evening, | |
| Beautiful, beauti—FUL SOUP!” | |
| “Chorus again!” cried the Gryphon, and the Mock Turtle had just begun | |
| to repeat it, when a cry of “The trial’s beginning!” was heard in the | |
| distance. | |
| “Come on!” cried the Gryphon, and, taking Alice by the hand, it hurried | |
| off, without waiting for the end of the song. | |
| “What trial is it?” Alice panted as she ran; but the Gryphon only | |
| answered “Come on!” and ran the faster, while more and more faintly | |
| came, carried on the breeze that followed them, the melancholy words:— | |
| “Soo—oop of the e—e—evening, | |
| Beautiful, beautiful Soup!” | |
| CHAPTER XI. | |
| Who Stole the Tarts? | |
| The King and Queen of Hearts were seated on their throne when they | |
| arrived, with a great crowd assembled about them—all sorts of little | |
| birds and beasts, as well as the whole pack of cards: the Knave was | |
| standing before them, in chains, with a soldier on each side to guard | |
| him; and near the King was the White Rabbit, with a trumpet in one | |
| hand, and a scroll of parchment in the other. In the very middle of the | |
| court was a table, with a large dish of tarts upon it: they looked so | |
| good, that it made Alice quite hungry to look at them—“I wish they’d | |
| get the trial done,” she thought, “and hand round the refreshments!” | |
| But there seemed to be no chance of this, so she began looking at | |
| everything about her, to pass away the time. | |
| Alice had never been in a court of justice before, but she had read | |
| about them in books, and she was quite pleased to find that she knew | |
| the name of nearly everything there. “That’s the judge,” she said to | |
| herself, “because of his great wig.” | |
| The judge, by the way, was the King; and as he wore his crown over the | |
| wig, (look at the frontispiece if you want to see how he did it,) he | |
| did not look at all comfortable, and it was certainly not becoming. | |
| “And that’s the jury-box,” thought Alice, “and those twelve creatures,” | |
| (she was obliged to say “creatures,” you see, because some of them were | |
| animals, and some were birds,) “I suppose they are the jurors.” She | |
| said this last word two or three times over to herself, being rather | |
| proud of it: for she thought, and rightly too, that very few little | |
| girls of her age knew the meaning of it at all. However, “jury-men” | |
| would have done just as well. | |
| The twelve jurors were all writing very busily on slates. “What are | |
| they doing?” Alice whispered to the Gryphon. “They can’t have anything | |
| to put down yet, before the trial’s begun.” | |
| “They’re putting down their names,” the Gryphon whispered in reply, | |
| “for fear they should forget them before the end of the trial.” | |
| “Stupid things!” Alice began in a loud, indignant voice, but she | |
| stopped hastily, for the White Rabbit cried out, “Silence in the | |
| court!” and the King put on his spectacles and looked anxiously round, | |
| to make out who was talking. | |
| Alice could see, as well as if she were looking over their shoulders, | |
| that all the jurors were writing down “stupid things!” on their slates, | |
| and she could even make out that one of them didn’t know how to spell | |
| “stupid,” and that he had to ask his neighbour to tell him. “A nice | |
| muddle their slates’ll be in before the trial’s over!” thought Alice. | |
| One of the jurors had a pencil that squeaked. This of course, Alice | |
| could _not_ stand, and she went round the court and got behind him, and | |
| very soon found an opportunity of taking it away. She did it so quickly | |
| that the poor little juror (it was Bill, the Lizard) could not make out | |
| at all what had become of it; so, after hunting all about for it, he | |
| was obliged to write with one finger for the rest of the day; and this | |
| was of very little use, as it left no mark on the slate. | |
| “Herald, read the accusation!” said the King. | |
| On this the White Rabbit blew three blasts on the trumpet, and then | |
| unrolled the parchment scroll, and read as follows:— | |
| “The Queen of Hearts, she made some tarts, | |
| All on a summer day: | |
| The Knave of Hearts, he stole those tarts, | |
| And took them quite away!” | |
| “Consider your verdict,” the King said to the jury. | |
| “Not yet, not yet!” the Rabbit hastily interrupted. “There’s a great | |
| deal to come before that!” | |
| “Call the first witness,” said the King; and the White Rabbit blew | |
| three blasts on the trumpet, and called out, “First witness!” | |
| The first witness was the Hatter. He came in with a teacup in one hand | |
| and a piece of bread-and-butter in the other. “I beg pardon, your | |
| Majesty,” he began, “for bringing these in: but I hadn’t quite finished | |
| my tea when I was sent for.” | |
| “You ought to have finished,” said the King. “When did you begin?” | |
| The Hatter looked at the March Hare, who had followed him into the | |
| court, arm-in-arm with the Dormouse. “Fourteenth of March, I _think_ it | |
| was,” he said. | |
| “Fifteenth,” said the March Hare. | |
| “Sixteenth,” added the Dormouse. | |
| “Write that down,” the King said to the jury, and the jury eagerly | |
| wrote down all three dates on their slates, and then added them up, and | |
| reduced the answer to shillings and pence. | |
| “Take off your hat,” the King said to the Hatter. | |
| “It isn’t mine,” said the Hatter. | |
| “_Stolen!_” the King exclaimed, turning to the jury, who instantly made | |
| a memorandum of the fact. | |
| “I keep them to sell,” the Hatter added as an explanation; “I’ve none | |
| of my own. I’m a hatter.” | |
| Here the Queen put on her spectacles, and began staring at the Hatter, | |
| who turned pale and fidgeted. | |
| “Give your evidence,” said the King; “and don’t be nervous, or I’ll | |
| have you executed on the spot.” | |
| This did not seem to encourage the witness at all: he kept shifting | |
| from one foot to the other, looking uneasily at the Queen, and in his | |
| confusion he bit a large piece out of his teacup instead of the | |
| bread-and-butter. | |
| Just at this moment Alice felt a very curious sensation, which puzzled | |
| her a good deal until she made out what it was: she was beginning to | |
| grow larger again, and she thought at first she would get up and leave | |
| the court; but on second thoughts she decided to remain where she was | |
| as long as there was room for her. | |
| “I wish you wouldn’t squeeze so.” said the Dormouse, who was sitting | |
| next to her. “I can hardly breathe.” | |
| “I can’t help it,” said Alice very meekly: “I’m growing.” | |
| “You’ve no right to grow _here_,” said the Dormouse. | |
| “Don’t talk nonsense,” said Alice more boldly: “you know you’re growing | |
| too.” | |
| “Yes, but _I_ grow at a reasonable pace,” said the Dormouse: “not in | |
| that ridiculous fashion.” And he got up very sulkily and crossed over | |
| to the other side of the court. | |
| All this time the Queen had never left off staring at the Hatter, and, | |
| just as the Dormouse crossed the court, she said to one of the officers | |
| of the court, “Bring me the list of the singers in the last concert!” | |
| on which the wretched Hatter trembled so, that he shook both his shoes | |
| off. | |
| “Give your evidence,” the King repeated angrily, “or I’ll have you | |
| executed, whether you’re nervous or not.” | |
| “I’m a poor man, your Majesty,” the Hatter began, in a trembling voice, | |
| “—and I hadn’t begun my tea—not above a week or so—and what with the | |
| bread-and-butter getting so thin—and the twinkling of the tea—” | |
| “The twinkling of the _what?_” said the King. | |
| “It _began_ with the tea,” the Hatter replied. | |
| “Of course twinkling begins with a T!” said the King sharply. “Do you | |
| take me for a dunce? Go on!” | |
| “I’m a poor man,” the Hatter went on, “and most things twinkled after | |
| that—only the March Hare said—” | |
| “I didn’t!” the March Hare interrupted in a great hurry. | |
| “You did!” said the Hatter. | |
| “I deny it!” said the March Hare. | |
| “He denies it,” said the King: “leave out that part.” | |
| “Well, at any rate, the Dormouse said—” the Hatter went on, looking | |
| anxiously round to see if he would deny it too: but the Dormouse denied | |
| nothing, being fast asleep. | |
| “After that,” continued the Hatter, “I cut some more bread-and-butter—” | |
| “But what did the Dormouse say?” one of the jury asked. | |
| “That I can’t remember,” said the Hatter. | |
| “You _must_ remember,” remarked the King, “or I’ll have you executed.” | |
| The miserable Hatter dropped his teacup and bread-and-butter, and went | |
| down on one knee. “I’m a poor man, your Majesty,” he began. | |
| “You’re a _very_ poor _speaker_,” said the King. | |
| Here one of the guinea-pigs cheered, and was immediately suppressed by | |
| the officers of the court. (As that is rather a hard word, I will just | |
| explain to you how it was done. They had a large canvas bag, which tied | |
| up at the mouth with strings: into this they slipped the guinea-pig, | |
| head first, and then sat upon it.) | |
| “I’m glad I’ve seen that done,” thought Alice. “I’ve so often read in | |
| the newspapers, at the end of trials, “There was some attempts at | |
| applause, which was immediately suppressed by the officers of the | |
| court,” and I never understood what it meant till now.” | |
| “If that’s all you know about it, you may stand down,” continued the | |
| King. | |
| “I can’t go no lower,” said the Hatter: “I’m on the floor, as it is.” | |
| “Then you may _sit_ down,” the King replied. | |
| Here the other guinea-pig cheered, and was suppressed. | |
| “Come, that finished the guinea-pigs!” thought Alice. “Now we shall get | |
| on better.” | |
| “I’d rather finish my tea,” said the Hatter, with an anxious look at | |
| the Queen, who was reading the list of singers. | |
| “You may go,” said the King, and the Hatter hurriedly left the court, | |
| without even waiting to put his shoes on. | |
| “—and just take his head off outside,” the Queen added to one of the | |
| officers: but the Hatter was out of sight before the officer could get | |
| to the door. | |
| “Call the next witness!” said the King. | |
| The next witness was the Duchess’s cook. She carried the pepper-box in | |
| her hand, and Alice guessed who it was, even before she got into the | |
| court, by the way the people near the door began sneezing all at once. | |
| “Give your evidence,” said the King. | |
| “Shan’t,” said the cook. | |
| The King looked anxiously at the White Rabbit, who said in a low voice, | |
| “Your Majesty must cross-examine _this_ witness.” | |
| “Well, if I must, I must,” the King said, with a melancholy air, and, | |
| after folding his arms and frowning at the cook till his eyes were | |
| nearly out of sight, he said in a deep voice, “What are tarts made of?” | |
| “Pepper, mostly,” said the cook. | |
| “Treacle,” said a sleepy voice behind her. | |
| “Collar that Dormouse,” the Queen shrieked out. “Behead that Dormouse! | |
| Turn that Dormouse out of court! Suppress him! Pinch him! Off with his | |
| whiskers!” | |
| For some minutes the whole court was in confusion, getting the Dormouse | |
| turned out, and, by the time they had settled down again, the cook had | |
| disappeared. | |
| “Never mind!” said the King, with an air of great relief. “Call the | |
| next witness.” And he added in an undertone to the Queen, “Really, my | |
| dear, _you_ must cross-examine the next witness. It quite makes my | |
| forehead ache!” | |
| Alice watched the White Rabbit as he fumbled over the list, feeling | |
| very curious to see what the next witness would be like, “—for they | |
| haven’t got much evidence _yet_,” she said to herself. Imagine her | |
| surprise, when the White Rabbit read out, at the top of his shrill | |
| little voice, the name “Alice!” | |
| CHAPTER XII. | |
| Alice’s Evidence | |
| “Here!” cried Alice, quite forgetting in the flurry of the moment how | |
| large she had grown in the last few minutes, and she jumped up in such | |
| a hurry that she tipped over the jury-box with the edge of her skirt, | |
| upsetting all the jurymen on to the heads of the crowd below, and there | |
| they lay sprawling about, reminding her very much of a globe of | |
| goldfish she had accidentally upset the week before. | |
| “Oh, I _beg_ your pardon!” she exclaimed in a tone of great dismay, and | |
| began picking them up again as quickly as she could, for the accident | |
| of the goldfish kept running in her head, and she had a vague sort of | |
| idea that they must be collected at once and put back into the | |
| jury-box, or they would die. | |
| “The trial cannot proceed,” said the King in a very grave voice, “until | |
| all the jurymen are back in their proper places—_all_,” he repeated | |
| with great emphasis, looking hard at Alice as he said so. | |
| Alice looked at the jury-box, and saw that, in her haste, she had put | |
| the Lizard in head downwards, and the poor little thing was waving its | |
| tail about in a melancholy way, being quite unable to move. She soon | |
| got it out again, and put it right; “not that it signifies much,” she | |
| said to herself; “I should think it would be _quite_ as much use in the | |
| trial one way up as the other.” | |
| As soon as the jury had a little recovered from the shock of being | |
| upset, and their slates and pencils had been found and handed back to | |
| them, they set to work very diligently to write out a history of the | |
| accident, all except the Lizard, who seemed too much overcome to do | |
| anything but sit with its mouth open, gazing up into the roof of the | |
| court. | |
| “What do you know about this business?” the King said to Alice. | |
| “Nothing,” said Alice. | |
| “Nothing _whatever?_” persisted the King. | |
| “Nothing whatever,” said Alice. | |
| “That’s very important,” the King said, turning to the jury. They were | |
| just beginning to write this down on their slates, when the White | |
| Rabbit interrupted: “\_Un_important, your Majesty means, of course,” he | |
| said in a very respectful tone, but frowning and making faces at him as | |
| he spoke. | |
| “\_Un_important, of course, I meant,” the King hastily said, and went on | |
| to himself in an undertone, | |
| “important—unimportant—unimportant—important—” as if he were trying | |
| which word sounded best. | |
| Some of the jury wrote it down “important,” and some “unimportant.” | |
| Alice could see this, as she was near enough to look over their slates; | |
| “but it doesn’t matter a bit,” she thought to herself. | |
| At this moment the King, who had been for some time busily writing in | |
| his note-book, cackled out “Silence!” and read out from his book, “Rule | |
| Forty-two. _All persons more than a mile high to leave the court_.” | |
| Everybody looked at Alice. | |
| “_I’m_ not a mile high,” said Alice. | |
| “You are,” said the King. | |
| “Nearly two miles high,” added the Queen. | |
| “Well, I shan’t go, at any rate,” said Alice: “besides, that’s not a | |
| regular rule: you invented it just now.” | |
| “It’s the oldest rule in the book,” said the King. | |
| “Then it ought to be Number One,” said Alice. | |
| The King turned pale, and shut his note-book hastily. “Consider your | |
| verdict,” he said to the jury, in a low, trembling voice. | |
| “There’s more evidence to come yet, please your Majesty,” said the | |
| White Rabbit, jumping up in a great hurry; “this paper has just been | |
| picked up.” | |
| “What’s in it?” said the Queen. | |
| “I haven’t opened it yet,” said the White Rabbit, “but it seems to be a | |
| letter, written by the prisoner to—to somebody.” | |
| “It must have been that,” said the King, “unless it was written to | |
| nobody, which isn’t usual, you know.” | |
| “Who is it directed to?” said one of the jurymen. | |
| “It isn’t directed at all,” said the White Rabbit; “in fact, there’s | |
| nothing written on the _outside_.” He unfolded the paper as he spoke, | |
| and added “It isn’t a letter, after all: it’s a set of verses.” | |
| “Are they in the prisoner’s handwriting?” asked another of the jurymen. | |
| “No, they’re not,” said the White Rabbit, “and that’s the queerest | |
| thing about it.” (The jury all looked puzzled.) | |
| “He must have imitated somebody else’s hand,” said the King. (The jury | |
| all brightened up again.) | |
| “Please your Majesty,” said the Knave, “I didn’t write it, and they | |
| can’t prove I did: there’s no name signed at the end.” | |
| “If you didn’t sign it,” said the King, “that only makes the matter | |
| worse. You _must_ have meant some mischief, or else you’d have signed | |
| your name like an honest man.” | |
| There was a general clapping of hands at this: it was the first really | |
| clever thing the King had said that day. | |
| “That _proves_ his guilt,” said the Queen. | |
| “It proves nothing of the sort!” said Alice. “Why, you don’t even know | |
| what they’re about!” | |
| “Read them,” said the King. | |
| The White Rabbit put on his spectacles. “Where shall I begin, please | |
| your Majesty?” he asked. | |
| “Begin at the beginning,” the King said gravely, “and go on till you | |
| come to the end: then stop.” | |
| These were the verses the White Rabbit read:— | |
| “They told me you had been to her, | |
| And mentioned me to him: | |
| She gave me a good character, | |
| But said I could not swim. | |
| He sent them word I had not gone | |
| (We know it to be true): | |
| If she should push the matter on, | |
| What would become of you? | |
| I gave her one, they gave him two, | |
| You gave us three or more; | |
| They all returned from him to you, | |
| Though they were mine before. | |
| If I or she should chance to be | |
| Involved in this affair, | |
| He trusts to you to set them free, | |
| Exactly as we were. | |
| My notion was that you had been | |
| (Before she had this fit) | |
| An obstacle that came between | |
| Him, and ourselves, and it. | |
| Don’t let him know she liked them best, | |
| For this must ever be | |
| A secret, kept from all the rest, | |
| Between yourself and me.” | |
| “That’s the most important piece of evidence we’ve heard yet,” said the | |
| King, rubbing his hands; “so now let the jury—” | |
| “If any one of them can explain it,” said Alice, (she had grown so | |
| large in the last few minutes that she wasn’t a bit afraid of | |
| interrupting him,) “I’ll give him sixpence. _I_ don’t believe there’s | |
| an atom of meaning in it.” | |
| The jury all wrote down on their slates, “_She_ doesn’t believe there’s | |
| an atom of meaning in it,” but none of them attempted to explain the | |
| paper. | |
| “If there’s no meaning in it,” said the King, “that saves a world of | |
| trouble, you know, as we needn’t try to find any. And yet I don’t | |
| know,” he went on, spreading out the verses on his knee, and looking at | |
| them with one eye; “I seem to see some meaning in them, after all. | |
| “—_said I could not swim_—” you can’t swim, can you?” he added, turning | |
| to the Knave. | |
| The Knave shook his head sadly. “Do I look like it?” he said. (Which he | |
| certainly did _not_, being made entirely of cardboard.) | |
| “All right, so far,” said the King, and he went on muttering over the | |
| verses to himself: “‘_We know it to be true_—’ that’s the jury, of | |
| course—‘_I gave her one, they gave him two_—’ why, that must be what he | |
| did with the tarts, you know—” | |
| “But, it goes on ‘_they all returned from him to you_,’” said Alice. | |
| “Why, there they are!” said the King triumphantly, pointing to the | |
| tarts on the table. “Nothing can be clearer than _that_. Then | |
| again—‘_before she had this fit_—’ you never had fits, my dear, I | |
| think?” he said to the Queen. | |
| “Never!” said the Queen furiously, throwing an inkstand at the Lizard | |
| as she spoke. (The unfortunate little Bill had left off writing on his | |
| slate with one finger, as he found it made no mark; but he now hastily | |
| began again, using the ink, that was trickling down his face, as long | |
| as it lasted.) | |
| “Then the words don’t _fit_ you,” said the King, looking round the | |
| court with a smile. There was a dead silence. | |
| “It’s a pun!” the King added in an offended tone, and everybody | |
| laughed, “Let the jury consider their verdict,” the King said, for | |
| about the twentieth time that day. | |
| “No, no!” said the Queen. “Sentence first—verdict afterwards.” | |
| “Stuff and nonsense!” said Alice loudly. “The idea of having the | |
| sentence first!” | |
| “Hold your tongue!” said the Queen, turning purple. | |
| “I won’t!” said Alice. | |
| “Off with her head!” the Queen shouted at the top of her voice. Nobody | |
| moved. | |
| “Who cares for you?” said Alice, (she had grown to her full size by | |
| this time.) “You’re nothing but a pack of cards!” | |
| At this the whole pack rose up into the air, and came flying down upon | |
| her: she gave a little scream, half of fright and half of anger, and | |
| tried to beat them off, and found herself lying on the bank, with her | |
| head in the lap of her sister, who was gently brushing away some dead | |
| leaves that had fluttered down from the trees upon her face. | |
| “Wake up, Alice dear!” said her sister; “Why, what a long sleep you’ve | |
| had!” | |
| “Oh, I’ve had such a curious dream!” said Alice, and she told her | |
| sister, as well as she could remember them, all these strange | |
| Adventures of hers that you have just been reading about; and when she | |
| had finished, her sister kissed her, and said, “It _was_ a curious | |
| dream, dear, certainly: but now run in to your tea; it’s getting late.” | |
| So Alice got up and ran off, thinking while she ran, as well she might, | |
| what a wonderful dream it had been. | |
| But her sister sat still just as she left her, leaning her head on her | |
| hand, watching the setting sun, and thinking of little Alice and all | |
| her wonderful Adventures, till she too began dreaming after a fashion, | |
| and this was her dream:— | |
| First, she dreamed of little Alice herself, and once again the tiny | |
| hands were clasped upon her knee, and the bright eager eyes were | |
| looking up into hers—she could hear the very tones of her voice, and | |
| see that queer little toss of her head to keep back the wandering hair | |
| that _would_ always get into her eyes—and still as she listened, or | |
| seemed to listen, the whole place around her became alive with the | |
| strange creatures of her little sister’s dream. | |
| The long grass rustled at her feet as the White Rabbit hurried by—the | |
| frightened Mouse splashed his way through the neighbouring pool—she | |
| could hear the rattle of the teacups as the March Hare and his friends | |
| shared their never-ending meal, and the shrill voice of the Queen | |
| ordering off her unfortunate guests to execution—once more the pig-baby | |
| was sneezing on the Duchess’s knee, while plates and dishes crashed | |
| around it—once more the shriek of the Gryphon, the squeaking of the | |
| Lizard’s slate-pencil, and the choking of the suppressed guinea-pigs, | |
| filled the air, mixed up with the distant sobs of the miserable Mock | |
| Turtle. | |
| So she sat on, with closed eyes, and half believed herself in | |
| Wonderland, though she knew she had but to open them again, and all | |
| would change to dull reality—the grass would be only rustling in the | |
| wind, and the pool rippling to the waving of the reeds—the rattling | |
| teacups would change to tinkling sheep-bells, and the Queen’s shrill | |
| cries to the voice of the shepherd boy—and the sneeze of the baby, the | |
| shriek of the Gryphon, and all the other queer noises, would change | |
| (she knew) to the confused clamour of the busy farm-yard—while the | |
| lowing of the cattle in the distance would take the place of the Mock | |
| Turtle’s heavy sobs. | |
| Lastly, she pictured to herself how this same little sister of hers | |
| would, in the after-time, be herself a grown woman; and how she would | |
| keep, through all her riper years, the simple and loving heart of her | |
| childhood: and how she would gather about her other little children, | |
| and make _their_ eyes bright and eager with many a strange tale, | |
| perhaps even with the dream of Wonderland of long ago: and how she | |
| would feel with all their simple sorrows, and find a pleasure in all | |
| their simple joys, remembering her own child-life, and the happy summer | |
| days. | |
| THE END | |
| *** END OF THE PROJECT GUTENBERG EBOOK ALICE'S ADVENTURES IN WONDERLAND *** | |
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