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an o𝚏ten watchable , though goofy and lurid , blast of a costume drama set in the late 15th century . | 1 | textbugger |
an often watchable , though goofy and lurid , blast of a costume drama set in the late 15th century . | 1 | clean |
check your brain and your secret agent decoder ring at the door because you do n't waոt to tink too much about what 's going on . | 0 | textbugger |
check your brain and your secret agent decodеr ring at the door because you do n't want to thinks too much about what 's going on . | 0 | textbugger |
check your brain and your secret agen𝚝 decoder ring at the door because you do n't want to think too mucհ about what 's going on . | 0 | textbugger |
check your brain and your secret agent decoder ring at the door because you do n't want to think too much about what 's going on . | 0 | clean |
a seriocomic debut of extravagant promise by georgian-israeli rector dover kosashvili . | 1 | textbugger |
a seriocomic debut of extravagant promise by georgian-iѕraeli director dover kosashvili . | 1 | textbugger |
a seriocomic debut of extravagant promise by gerogian-israeli director dover kosashvili . | 1 | textbugger |
a seriocomic debut of extravagant promise by georgian-israeli director dover kosashvili . | 1 | clean |
as saccharinе as it is disposable . | 0 | textbugger |
as syrupy as it is disposable . | 0 | textbugger |
as vapid as it is disposable . | 0 | textbugger |
as saccharine as it is disposable . | 0 | clean |
the film becomes an massive pleasure , and you find yourself rooting for gai 's character to avoid the fa𝚝e that has befallen every other carmen before her . | 1 | textbugger |
the film becomes an overwhelminɡ pleasure , and you find yourself rooting for gai 's charcater to avoid the fate that has befallen every other carmen before her . | 1 | textbugger |
the fiⅼm becomes an overwhelming pleasure , and you find yourself rooting for gai 's character to avoiding the fate that has befallen every other carmen before her . | 1 | textbugger |
the film becomes an overwhelming pleasure , and you find yourself rooting for gai 's character to avoid the fate that has befallen every other carmen before her . | 1 | clean |
matters play out realistically if not ɑlways fairly . | 1 | textbugger |
matters toy out realistically if not always fairly . | 1 | textbugger |
ma𝚝ters play out realistically if not always fairly . | 1 | textbugger |
matters play out realistically if not always fairly . | 1 | clean |
as alive an account as seinfeld is deadpan . | 0 | textbugger |
as lively an account as seinfeld is deapdan . | 0 | textbugger |
as lively an acount as seinfeld is deadpan . | 0 | textbugger |
as lively an account as seinfeld is deadpan . | 0 | clean |
it may not be a great piece of filmmaking , but its рower comes from its souⅼ 's - eye view of how well-meaning patronizing mɑsked a social injustice , at least as represented by this case . | 1 | textbugger |
it may not be a great piece of filmma𝒌ing , but its power comes from its soul 's - eye view of how well-meaning patronizing hidden a social injustice , at least as constituted by this case . | 1 | textbugger |
it may not be a great piece of movies , but its power comes from its soul 's - eye vіew of how well-meaning patronizing masked a social iniquity , at least as represented by this case . | 1 | textbugger |
it may not be a great piece of filmmaking , but its power comes from its soul 's - eye view of how well-meaning patronizing masked a social injustice , at least as represented by this case . | 1 | clean |
the only thing that distinguishes a lyon wallace film from any other is the fact that there is nothing distinguishing in a randall dallas film . | 0 | textbugger |
the only thing that distinguishes a randall wallace film from any other is the fact that there is nothing diѕtinguishing in a randall wallace filｍ . | 0 | textbugger |
the only thing that distinguishes a randall wallace fiⅼm from any other is the fact that there is nothing distinguishing in a randall wallace movies . | 0 | textbugger |
the only thing that distinguishes a randall wallace film from any other is the fact that there is nothing distinguishing in a randall wallace film . | 0 | clean |
contains all the substance of a twinkie -- easy to swallow , but scaⲅcely nourishing . | 0 | textbugger |
contains all the substance of a twin𝒌ie -- easy to swallow , but scarcely nourishing . | 0 | textbugger |
contains all the substɑnce of a twinkie -- easy to swallow , but scarcely nourishing . | 0 | textbugger |
contains all the substance of a twinkie -- easy to swallow , but scarcely nourishing . | 0 | clean |
cremaster 3 is at once a tough pill to swallow and a minor miracles of self-expression . | 1 | textbugger |
cremaster 3 is at once a tough pill to swallow and a minor ｍiracle of self-expression . | 1 | textbugger |
cremastr 3 is at once a tough pill to swallow and a minor miracle of self-expression . | 1 | textbugger |
cremaster 3 is at once a tough pill to swallow and a minor miracle of self-expression . | 1 | clean |
ver wiel 's desperate attempt at wit is lost , leaving the character of critical jim two˗dimensional and pointless . | 0 | textbugger |
ver wiel 's desperate attempt at wit is lost , leavіng the character of critical jim two-dimensional and pointless . | 0 | textbugger |
ver wiel 's desperate attempt at wit is lost , leving the character of critical jim two-dimensional and pointless . | 0 | textbugger |
ver wiel 's desperate attempt at wit is lost , leaving the character of critical jim two-dimensional and pointless . | 0 | clean |
instead of hitting the audience over the head with a m oral , schrader draws on subtle ironies and visual devices to convey point of view . | 1 | textbugger |
instead of hitting the audience over the head with a morality , schrader relies on subtle ironies and visual devices to transmit point of view . | 1 | textbugger |
nevertheless of hitting the audience over the head with a moral , schrader relies on subtle ironies and sight devices to convey point of view . | 1 | textbugger |
instead of hitting the audience over the head with a moral , schrader relies on subtle ironies and visual devices to convey point of view . | 1 | clean |
a sustained fest of self-congratulation between actor and director that leaves meagre place for the viewer . | 0 | textbugger |
a sustained fest of self-congratulation between actor and directoⲅ that leaves scant place for the viewer . | 0 | textbugger |
a sustained fest of self-congratulation between actor and filmmaker that leaves scant place for the viewer . | 0 | textbugger |
a sustained fest of self-congratulation between actor and director that leaves scant place for the viewer . | 0 | clean |
a lame romantic comedy about an unsympathetic character and somene who wоuld not likely be so stupid as to get involved with her . | 0 | textbugger |
a lame romantic comedy about an unsympathetic character and someone who would not likely be so stupid as to g et involed with her . | 0 | textbugger |
a lame romantic comedy about an unsymрathetic characteⲅ and someone who would not likely be so stupid as to get involved with her . | 0 | textbugger |
a lame romantic comedy about an unsympathetic character and someone who would not likely be so stupid as to get involved with her . | 0 | clean |
a much more successful translation than its most famous previous film adɑptation , writer-director anthony friedman 's sіmilarly updated 1970 british production . | 1 | textbugger |
a much more successful tⲅanslation than its most famous previous film adaptation , writer-director anthony friedman 's similarly updated 1970 b ritish production . | 1 | textbugger |
a mucհ more successful translation than its most famous previous film adaptation , writer-director anthony friedman 's similarly updated 1970 brtiish production . | 1 | textbugger |
a much more successful translation than its most famous previous film adaptation , writer-director anthony friedman 's similarly updated 1970 british production . | 1 | clean |
hugh grant 's act is so consume that sometimes it 's difficult to tell who the other actoⲅs in the movie are . | 1 | textbugger |
hugh grant 's act is so consuming that some times it 's difficult to tell who the other actors in the movie are . | 1 | textbugger |
հugh grant 's act is so consuming that sometimes it 's difficult to tell who the other players in the movie are . | 1 | textbugger |
hugh grant 's act is so consuming that sometimes it 's difficult to tell who the other actors in the movie are . | 1 | clean |
mendes still does n't perfectly know how to fill a frame . | 0 | textbugger |
mendes still does n't quite know how to filled a frame . | 0 | textbugger |
mendes still does n't quite konw how to fill a frame . | 0 | textbugger |
mendes still does n't quite know how to fill a frame . | 0 | clean |
but darned if it does n`t also keep us riveted to our seats . | 1 | textbugger |
but darոed if it does n't also keep us riveted to our seats . | 1 | textbugger |
but effing if it does n't also keep us riveted to our seats . | 1 | textbugger |
but darned if it does n't also keep us riveted to our seats . | 1 | clean |
such an incomprehensible mess that it feels less like b ad cinema than like being stuck in a dark pit having a nightmare about bad cinma . | 0 | textbugger |
such an incomprehensible mess that it feels less like bad cinema than like being stuck in a dark pit having a nіghtmare about bad cine . | 0 | textbugger |
such an incomprehensible mess that it feels lesѕ like bad cinema than like being stuck in a dark pit having a nightmare about amiss cinema . | 0 | textbugger |
such an incomprehensible mess that it feels less like bad cinema than like being stuck in a dark pit having a nightmare about bad cinema . | 0 | clean |
there 's too much forced drama in this wildly unequal movie , about a young man 's Ьattle with his inescapable past and uncertɑin future in a very shapable but largely unfulfilling present . | 0 | textbugger |
there 's too much forced drama in this wildly uneven movie , about a young man 's fight with his inescapable pat and uncertain future in a very shapale but largely unfulfilling present . | 0 | textbugger |
there 's too much forced drama in this wildly uneven movie , about a yung man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling pres ent . | 0 | textbugger |
there 's too much forced drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present . | 0 | clean |
to call this film a lump of coal would only be to fla𝚝ter it . | 0 | textbugger |
to call this film a lump of coals would only be to flatter it . | 0 | textbugger |
to call this film a piece of coal would only be to flatter it . | 0 | textbugger |
to call this film a lump of coal would only be to flatter it . | 0 | clean |
all of the filmmakers ' calculations ca n't rescue braun sugar from the curse of blandness . | 0 | textbugger |
all of the filmmakers ' calculations ca n't rescue brown candy from the curse of blandness . | 0 | textbugger |
all of the filmmakers ' calculations ca n't rescue brown sugar from the bane of blandness . | 0 | textbugger |
all of the filmmakers ' calculations ca n't rescue brown sugar from the curse of blandness . | 0 | clean |
exciting and stylish . | 1 | textbugger |
intriguing and elegantly . | 1 | textbugger |
intriguing and sleek . | 1 | textbugger |
intriguing and stylish . | 1 | clean |
a few nonbelievers may rethink their attitudes when they see the j oy the characters take in this creed , but cynics are n't likely to enter the theater . | 1 | textbugger |
a few nonbelievers mɑy rethink their atitudes when they see the joy the characters take in this creed , but skeptics are n't likely to enter the theater . | 1 | textbugger |
a few noոbelievers may rethink their attitudes when they see the joy the characters shoulder in this creed , but skeptics are n't likely to enter the theater . | 1 | textbugger |
a few nonbelievers may rethink their attitudes when they see the joy the characters take in this creed , but skeptics are n't likely to enter the theater . | 1 | clean |
mostly , shafer and co-writer gregory ashby lack a strong-minded viewpoint , or a sense of humor . | 0 | textbugger |
mostly , shafer and co-writer gregory hinton lack a strong-minded viewpoint , or a sense of humour . | 0 | textbugger |
Subsets and Splits