text
stringlengths 5
288
| label
int64 0
1
| augment
stringclasses 2
values |
|---|---|---|
cinematic pyrotechnics aside , the only thing avary seems to care about are mean giggles and pulϲhritude . | 0 | textbugger |
cinematic pyrotechnics aside , the only thing avary seems to care about are mean giggles and voluptuousness . | 0 | textbugger |
cinematic pyrotechnics aside , the only thing avary seems to care about are mean giggles and pulchritude . | 0 | clean |
some of the most inventive silliness you are likely to witness in a movie 𝚝heatre for some time . | 1 | textbugger |
some of the most inventive silliness you are likely to witness in a moviе theatre for some time . | 1 | textbugger |
some of the most inventivе silliness you are likely to witness in a movie theatre for some time . | 1 | textbugger |
some of the most inventive silliness you are likely to witness in a movie theatre for some time . | 1 | clean |
the story is lacking any real emotional im pact , and the plot is both contrived and cliched . | 0 | textbugger |
the story is lacking any real emotional impact , and the plot is both conrtived and cliched . | 0 | textbugger |
the tale is lacking any real emotional impact , and the plot is both contrived and cliched . | 0 | textbugger |
the story is lacking any real emotional impact , and the plot is both contrived and cliched . | 0 | clean |
others , more attund to the anarchist maxiｍ that ` the urge to destroy is also a creative urge ' , or more willing to see with their own eyes , will find morrison 's iconoclastic usage of technology to be liberating . | 1 | textbugger |
others , more attuned to the anarchist maxim that ` the urge to demolishing is also a crеative urge ' , or more willing to see with their own eyes , will find morrison 's iconoclɑstic uses of technology to be liberating . | 1 | textbugger |
otհers , more attuned to the anarchist maxim that ` the urge to destroy is also a creative urge ' , or more willing to see with their own eyеs , will find morrison 's iconoclastic uses of technology to be libera𝚝ing . | 1 | textbugger |
others , more attuned to the anarchist maxim that ` the urge to destroy is also a creative urge ' , or more willing to see with their own eyes , will find morrison 's iconoclastic uses of technology to be liberating . | 1 | clean |
an awfully god , achingly human picture . | 1 | textbugger |
an awfully good , achingly human photo . | 1 | textbugger |
an hideously good , achingly human picture . | 1 | textbugger |
an awfully good , achingly human picture . | 1 | clean |
but no. . | 0 | textbugger |
but no. . | 0 | clean |
it never plays as dramatic even when dramatic things haрpen to people . | 0 | textbugger |
it never plays as spectacular even when dramatic things happen to people . | 0 | textbugger |
it never pⅼays as dramatic even when dramatic things happen to people . | 0 | textbugger |
it never plays as dramatic even when dramatic things happen to people . | 0 | clean |
i have n't seen such self-amused garbage since freddy got fingered . | 0 | textbugger |
i have n't seen such self-amuѕed trash since freddy got fingered . | 0 | textbugger |
i have n't seen such seⅼf-amused trash since freddy got fingered . | 0 | textbugger |
i have n't seen such self-amused trash since freddy got fingered . | 0 | clean |
a cross between blow and byz n the hood , this movie strives to be more , but does n`t quite get there . | 0 | textbugger |
a cross between blow and bоyz n the hood , this movie striѵes to be more , but does n't quite get there . | 0 | textbugger |
a crоss between blow and boyz nth the hood , this movie strives to be more , but does n't quite get there . | 0 | textbugger |
a cross between blow and boyz n the hood , this movie strives to be more , but does n't quite get there . | 0 | clean |
it 's a bad action movie because there 's no rooting interests and the spectacle is grotesque and boring . | 0 | textbugger |
it 's a bad measures movie because there 's no rooting interest and the spectacle is grotesque and boring . | 0 | textbugger |
it 's a mala action movie because there 's no rooting interest and the spectacle is grotesque and boring . | 0 | textbugger |
it 's a bad action movie because there 's no rooting interest and the spectacle is grotesque and boring . | 0 | clean |
provides the kind of ` laugh therapy ' i need from movie comedies -- offbeat hilarious , amusing characterѕ , and a happy ending . | 1 | textbugger |
provides the kind of ` laugh therapy ' i need from movie comedies -- offbeat humor , amusіng ϲharacters , and a happy ending . | 1 | textbugger |
provides the kind of ` laugh theⲅapy ' i need from movie comedies -- offbeat humor , amusing charactеrs , and a happy ending . | 1 | textbugger |
provides the kind of ` laugh therapy ' i need from movie comedies -- offbeat humor , amusing characters , and a happy ending . | 1 | clean |
a prolonged extrusion of psychopathic paste . | 0 | textbugger |
a prоlonged extrusion of psychopathic pulp . | 0 | textbugger |
a pⲅolonged extrusion of psychopathic pulp . | 0 | textbugger |
a prolonged extrusion of psychopathic pulp . | 0 | clean |
little action , almost no suspense or believable tensіon , one-dimensional characteⲅs up the wazoo and sets that can only be described as sci-fi generic . | 0 | textbugger |
little action , almost no suspense or believɑble tension , one-dimensional characters up the arses and sets that can only be described as sci-fi generic . | 0 | textbugger |
little action , alomst no suspense or believable tesnion , one-dimensional characters up the wazoo and sets that can only be described as sci-fi generic . | 0 | textbugger |
little action , almost no suspense or believable tension , one-dimensional characters up the wazoo and sets that can only be described as sci-fi generic . | 0 | clean |
director lazio savoca 's no-frills record of a show forged in still-raw emotions captures the unsettled tone of that post 9-11 period far better than a more measured or polished generating ever could . | 1 | textbugger |
director nancy savoca 's no-frills recoⲅd of a show 𝚏orged in still-raw emotions captures the unsettled teonr of that post 9-11 period far better than a more measured or polished production ever could . | 1 | textbugger |
director nancy savoca 's no-frills reϲord of a shows falsify in still-raw emotions captures the unsettled tenor of that post 9-11 period far better than a more measured or polished production ever could . | 1 | textbugger |
director nancy savoca 's no-frills record of a show forged in still-raw emotions captures the unsettled tenor of that post 9-11 period far better than a more measured or polished production ever could . | 1 | clean |
despite its floating narrative , this is a remarkably accessible and haunting f ilm . | 1 | textbugger |
despite its floating narrative , this is a remarkabⅼy accessible and haunting film . | 1 | textbugger |
despite its floating nrrative , this is a remarkably accessible and haunting film . | 1 | textbugger |
despite its floating narrative , this is a remarkably accessible and haunting film . | 1 | clean |
the sum of all fears pretends to be a serious explorer of nuclear terrorism , but it 's really nothing more than wɑrmed-over cold war paranoia . | 0 | textbugger |
the sum of all fears pretends to be a serious explorer of nukes terrorism , but it 's really nothing more than warmed-over cold war paranoia . | 0 | textbugger |
the sum of all fears pretends to be a serious expⅼoration of nuclear terrorism , but it 's really notհing more than warmed-over cold war paranoia . | 0 | textbugger |
the sum of all fears pretends to be a serious exploration of nuclear terrorism , but it 's really nothing more than warmed-over cold war paranoia . | 0 | clean |
the hypnotic imagery and fragmentary tale explore the connections between platz and personal identity . | 1 | textbugger |
the hypnotic imagery and fragmentary tale explore the cоnnections between place and personal identity . | 1 | textbugger |
the hypnotic imagery and fragmentary tale explore the connections between place and personal identity . | 1 | clean |
it 's amusing , splashy and entertainingly nasty . | 1 | textbugger |
it 's fun , splashes and entertainingly nasty . | 1 | textbugger |
it 's fun , sрlashy and entertainingly nasty . | 1 | textbugger |
it 's fun , splashy and entertainingly nasty . | 1 | clean |
... the fir st 2\/3 of the film are incredibly captivating and unimaginably funny , thanks in part to inteⲅesting cinematic devices -lrb- cool visual backmasking -rrb- , a solid cast , and some wickedly sick and twisted humor ... | 1 | textbugger |
... the first 2\/3 of the film are incredibly captivating and impossibly funny , thankyou in part to interesting cinematic devices -lrb- cool visual backmasking -rbr- , a solid cast , and some wickedly sick and twisted humor ... | 1 | textbugger |
... the first 2\/3 of the film are incredibly captivating and insanely funny , thanks in part to interesting cinematic devices -lrb- cooling visual backmasking -rrb- , a solid cas𝚝 , and some wickedly sіck and twisted humor ... | 1 | textbugger |
... the first 2\/3 of the film are incredibly captivating and insanely funny , thanks in part to interesting cinematic devices -lrb- cool visual backmasking -rrb- , a solid cast , and some wickedly sick and twisted humor ... | 1 | clean |
rather , pity anyone who believes this mishmash . | 0 | textbugger |
rather , pity anyone who sees this mіshmash . | 0 | textbugger |
rather , pity anyone who sеes this mishmash . | 0 | textbugger |
rather , pity anyone who sees this mishmash . | 0 | clean |
return to never land may be latest shaｍeless attempt by disney to rake in dough from baby boomer families , but it 's not half-bad . | 1 | textbugger |
return to neveⲅ tierra may be another shameless attempt by disney to rake in dough from baby boomer families , but it 's not half-bad . | 1 | textbugger |
return to not land may be anther shameless attempt by disney to rake in dough from baby boomer families , but it 's not half-bad . | 1 | textbugger |
return to never land may be another shameless attempt by disney to rake in dough from baby boomer families , but it 's not half-bad . | 1 | clean |
the movie , despite its roguh edges and a tendency to sag in certain places , is wry and engrossing . | 1 | textbugger |
the movie , despite its rough edges and a tendency to sag in certain places , is wry and engroѕsing . | 1 | textbugger |
the movie , despite its rough edgeѕ and a tendency to sag in certain places , is wry and engrossing . | 1 | textbugger |
the movie , despite its rough edges and a tendency to sag in certain places , is wry and engrossing . | 1 | clean |
much like robin williams , deth to smoochy has already reached its expiration date . | 0 | textbugger |
much like robin williams , fatalities to smoochy has already reached its expiration date . | 0 | textbugger |
very like robin williams , death to smoochy has already reached its expiration date . | 0 | textbugger |
much like robin williams , death to smoochy has already reached its expiration date . | 0 | clean |
a pleasant , often-funny comedy . | 1 | textbugger |
a pleasing , often-f unny comedy . | 1 | textbugger |
a pleasing , often-𝚏unny comedy . | 1 | textbugger |
a pleasing , often-funny comedy . | 1 | clean |
a tour de for ce drama about the astonishingly pivotal role of imagination in the soulful development of two rowdy teenagers . | 1 | textbugger |
a tour du force drama about the astonishingly pivotal role of imagina𝚝ion in the soulful development of two rowdy teenagers . | 1 | textbugger |
a tour the force drama about the astoոishingly pivotal role of imagination in the soulful development of two rowdy teenagers . | 1 | textbugger |
a tour de force drama about the astonishingly pivotal role of imagination in the soulful development of two rowdy teenagers . | 1 | clean |
buena actors have a radar for juicy roles -- there 's a plethora of characters in this picture , and not one of them is plat . | 1 | textbugger |
good actors have a radar for juicy roles -- there 's a plethora of characterѕ in this picture , and not one of them is fⅼat . | 1 | textbugger |
good actors have a ⲅadar for jսicy roles -- there 's a plethora of characters in this picture , and not one of them is flat . | 1 | textbugger |
good actors have a radar for juicy roles -- there 's a plethora of characters in this picture , and not one of them is flat . | 1 | clean |
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.