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give credit to everyone from robinson down to the k ey grip that this bold move works .
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give credit to everyone from robinson down to the pivotal grip that this bold move works .
| 1 |
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give credit to everyone from ⲅobinson down to the key grip that this bold move works .
| 1 |
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give credit to everyone from robinson down to the key grip that this bold move works .
| 1 |
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enough said , e xcept : film overboard !
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enough said , except : filmmaking overboard !
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enough said , excepted : film overboard !
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enough said , except : film overboard !
| 0 |
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a stifling rape-payback horror show that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model meat freezеrs .
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a suffocating rape-payback horror show that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model m eat freezers .
| 1 |
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a suffocating rape-paуback horror show that hinges on the subgenre 's most eոabling victim ... and an ebullient affection for industrial-model meat freezers .
| 1 |
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a suffocating rape-payback horror show that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model meat freezers .
| 1 |
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while we no longer possess the lack-of-attention span that we did at seventeen , we had no troublе sit for blade ii .
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while we no longer possess the lack-of-atten𝚝ion interval that we did at seventeen , we had no trouble sitting for blade ii .
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while we no longer possеss the lack-of-attention span that we did at seventeen , we had no trouble siting for blade ii .
| 1 |
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while we no longer possess the lack-of-attention span that we did at seventeen , we had no trouble sitting for blade ii .
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a bonding of clichés and a dim echo of allusions to other films .
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a collage of cilchés and a dim echo of allusions to other films .
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a collage of clichés and a dim echo of alusions to other films .
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a collage of clichés and a dim echo of allusions to other films .
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combine the paranoid acrophobia of a submaⲅine movie with the unsettling spookiness of the supernatural -- why did n't hollywood think of this sooner ?
| 1 |
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combine the paranoid claustrophobia of a submarine movie with the unsettling spookiness of the unnatural -- why did n't hollyԝood think of this sooner ?
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combine the psychotic claustrophobia of a submarine movie with the unsеttling spookiness of the supernatural -- why did n't hollywood think of this sooner ?
| 1 |
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combine the paranoid claustrophobia of a submarine movie with the unsettling spookiness of the supernatural -- why did n't hollywood think of this sooner ?
| 1 |
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if damon and affleck attempt another project greenlight , next time out they might try p aying less attention to the miniseries and more attention to the film it is about .
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if damon and affleck attempt another project greenlight , next time out they might try paying less attention to the miniseries and more heed to the flim it is about .
| 0 |
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if damon and affleck at𝚝empt another project greenlight , next 𝚝ime out they might try paying less attention to the miniseries and more attention to the film it is about .
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if damon and affleck attempt another project greenlight , next time out they might try paying less attention to the miniseries and more attention to the film it is about .
| 0 |
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the screenplay by james eric , james hor𝚝on and director peter o'fallon ... is so pat it makes your teeth hurt .
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the screenplay by james eric , terence horton and director peter o'fallon ... is so pat it makes your teeth hurt .
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the ѕcreenplay by james eric , james horton and director peter o'fallon ... is so pat it makes your teeth hurt .
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the screenplay by james eric , james horton and director peter o'fallon ... is so pat it makes your teeth hurt .
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i 'm giving it thumbs down due to the endlessly repetitive image of embarrassment .
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i 'm giving it thumbs down due to the endlessly repetitіve scenes of embarrassment .
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i 'm givіng it thumbs down due to the endlessly repetitive scenes of embarrassment .
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i 'm giving it thumbs down due to the endlessly repetitive scenes of embarrassment .
| 0 |
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not only does leblanc make one spectacularly ugly-looking broad , but he appears miserable th roughout as he swaggers through his image .
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not only does leblanc make оne spectacularly ugly-looking broad , but he appears miserable thrоughout as he swaggers through his scenes .
| 0 |
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not only does leblaոc makе one spectacularly ugly-looking broad , but he appears miserable throughout as he swaggers through his scenes .
| 0 |
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not only does leblanc make one spectacularly ugly-looking broad , but he appears miserable throughout as he swaggers through his scenes .
| 0 |
clean
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an elegant work , food of love is as consistently engɑging as it is revealing .
| 1 |
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an elegant work , nourishment of love is as consistently engaging as it is revealing .
| 1 |
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an elegant working , food of love is as consistently engaging as it is revealing .
| 1 |
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an elegant work , food of love is as consistently engaging as it is revealing .
| 1 |
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the pain , loneliness and insecurity of the screenwriting process are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donad , and directed by spike jon ze .
| 1 |
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the painless , hermit and insecurity of the screenwriting process are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature writ𝚝en by charlie kaufman and his twin brother , donald , and directed by spike jonze .
| 1 |
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the pɑin , hermit and insecurity of the scripted process are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and directed by spike jonze .
| 1 |
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the pain , loneliness and insecurity of the screenwriting process are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and directed by spike jonze .
| 1 |
clean
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... a weak and ineffective ghost story without a conclusion or salaries off .
| 0 |
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... a weak and ineffective ghost story without a conclusiоn or pay off .
| 0 |
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... a weak and ineffeϲtive ghost story without a conclusion or pay off .
| 0 |
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... a weak and ineffective ghost story without a conclusion or pay off .
| 0 |
clean
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if you 're a breather of the series you 'll love it and probably want to see it twice .
| 1 |
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if you 're a fan of the ser ies you 'll love it and probably want to see it twice .
| 1 |
textbugger
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if you 're a fan of the seⲅies you 'll love it and probably want to see it twice .
| 1 |
textbugger
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if you 're a fan of the series you 'll love it and probably want to see it twice .
| 1 |
clean
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the film never finds its tone and several scenes rn too long .
| 0 |
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the film never finds its tone and several scenes run too prolonged .
| 0 |
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the film never finds its tone and several scenes rսn too long .
| 0 |
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the film never finds its tone and several scenes run too long .
| 0 |
clean
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suffers from a lack of clarification and audacity that a subject as monstrous and pathetic as dahmer demands .
| 0 |
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suffers from a lack of clarity and audacity that a subj ect as monstrous and pathetic as dahmer demands .
| 0 |
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suffers from a shortage of clarity and audacity that a subject as monstrous and pathetic as dahmer demands .
| 0 |
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suffers from a lack of clarity and audacity that a subject as monstrous and pathetic as dahmer demands .
| 0 |
clean
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it 's not a motion pict ure ; it 's an utterly static picture .
| 0 |
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it 's not a motion picture ; it 's an utterly static photographs .
| 0 |
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it 's not a motion picture ; it 's an uttеrly static picture .
| 0 |
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it 's not a motion picture ; it 's an utterly static picture .
| 0 |
clean
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it 's probably not easy to m ake such a worthless film ...
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it 's probably not easy to make such a useless film ...
| 0 |
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it 's probably not easy to make such a worthless filmmaking ...
| 0 |
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it 's probably not easy to make such a worthless film ...
| 0 |
clean
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the film is bright and gaudy in all the right ways .
| 1 |
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the film is bright and 𝚏lashy in all the right ways .
| 1 |
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the fim is bright and flashy in all the right ways .
| 1 |
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the film is bright and flashy in all the right ways .
| 1 |
clean
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a blustery , reverent , and subtly different sequel .
| 1 |
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a brisk , reverent , and subtly assorted sequel .
| 1 |
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a brisk , reverent , and subtly diferent sequel .
| 1 |
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a brisk , reverent , and subtly different sequel .
| 1 |
clean
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a ghoulish and very stylized swedish fillｍ about a modern city where all the religious and civic virtues that hold society in place are in tatters .
| 1 |
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a macabre and very stylized swedish fillm about a modern ϲity where all the religious and ciѵic virtues that hold society in place are in tatters .
| 1 |
textbugger
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a macabre and very stylized sԝedish fillm about a modern city where all the religious and civic virtues that hold social in place are in tatters .
| 1 |
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a macabre and very stylized swedish fillm about a modern city where all the religious and civic virtues that hold society in place are in tatters .
| 1 |
clean
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does an impressive job of relating the complicated histo ry of the war and of filling in the background .
| 1 |
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does an impressive job of relating the complicated history of the war and of fillig in the background .
| 1 |
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does an impressive job of relatiոg the complicated history of the war and of filling in the background .
| 1 |
textbugger
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does an impressive job of relating the complicated history of the war and of filling in the background .
| 1 |
clean
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a fascinating documentary that provides a rounded and disclose overview of this ancient holistic healing system
| 1 |
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a fascinating documentary that provides a rounded and revealing overview of this ancient holistic cure system
| 1 |
textbugger
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a fascinating documentary that provides a rounded and revealing overview of this aոcient holistic healing system
| 1 |
textbugger
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a fascinating documentary that provides a rounded and revealing overview of this ancient holistic healing system
| 1 |
clean
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a cautionary tale about the folly of superficiality that is itself endlesly superficial .
| 0 |
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a cautionary tale about the folly of superficiality that is itself endⅼessly superficial .
| 0 |
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a warnings tale about the folly of superficiality that is itself endlessly superficial .
| 0 |
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a cautionary tale about the folly of superficiality that is itself endlessly superficial .
| 0 |
clean
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quitting , however , administered just to be depressing , as the lead actor phones in his autobiographical performance .
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quitting , however , manages just to be deрressing , as the lead actor phones in his autobiographical performance .
| 0 |
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ԛuitting , however , manages just to be depressing , as the lead actor phones in his autobiographical performance .
| 0 |
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quitting , however , manages just to be depressing , as the lead actor phones in his autobiographical performance .
| 0 |
clean
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