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give credit to everyone from robinson down to the k ey grip that this bold move works . | 1 | textbugger |
give credit to everyone from robinson down to the pivotal grip that this bold move works . | 1 | textbugger |
give credit to everyone from ⲅobinson down to the key grip that this bold move works . | 1 | textbugger |
give credit to everyone from robinson down to the key grip that this bold move works . | 1 | clean |
enough said , e xcept : film overboard ! | 0 | textbugger |
enough said , except : filmmaking overboard ! | 0 | textbugger |
enough said , excepted : film overboard ! | 0 | textbugger |
enough said , except : film overboard ! | 0 | clean |
a stifling rape-payback horror show that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model meat freezеrs . | 1 | textbugger |
a suffocating rape-payback horror show that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model m eat freezers . | 1 | textbugger |
a suffocating rape-paуback horror show that hinges on the subgenre 's most eոabling victim ... and an ebullient affection for industrial-model meat freezers . | 1 | textbugger |
a suffocating rape-payback horror show that hinges on the subgenre 's most enabling victim ... and an ebullient affection for industrial-model meat freezers . | 1 | clean |
while we no longer possess the lack-of-attention span that we did at seventeen , we had no troublе sit for blade ii . | 1 | textbugger |
while we no longer possess the lack-of-atten𝚝ion interval that we did at seventeen , we had no trouble sitting for blade ii . | 1 | textbugger |
while we no longer possеss the lack-of-attention span that we did at seventeen , we had no trouble siting for blade ii . | 1 | textbugger |
while we no longer possess the lack-of-attention span that we did at seventeen , we had no trouble sitting for blade ii . | 1 | clean |
a bonding of clichés and a dim echo of allusions to other films . | 0 | textbugger |
a collage of cilchés and a dim echo of allusions to other films . | 0 | textbugger |
a collage of clichés and a dim echo of alusions to other films . | 0 | textbugger |
a collage of clichés and a dim echo of allusions to other films . | 0 | clean |
combine the paranoid acrophobia of a submaⲅine movie with the unsettling spookiness of the supernatural -- why did n't hollywood think of this sooner ? | 1 | textbugger |
combine the paranoid claustrophobia of a submarine movie with the unsettling spookiness of the unnatural -- why did n't hollyԝood think of this sooner ? | 1 | textbugger |
combine the psychotic claustrophobia of a submarine movie with the unsеttling spookiness of the supernatural -- why did n't hollywood think of this sooner ? | 1 | textbugger |
combine the paranoid claustrophobia of a submarine movie with the unsettling spookiness of the supernatural -- why did n't hollywood think of this sooner ? | 1 | clean |
if damon and affleck attempt another project greenlight , next time out they might try p aying less attention to the miniseries and more attention to the film it is about . | 0 | textbugger |
if damon and affleck attempt another project greenlight , next time out they might try paying less attention to the miniseries and more heed to the flim it is about . | 0 | textbugger |
if damon and affleck at𝚝empt another project greenlight , next 𝚝ime out they might try paying less attention to the miniseries and more attention to the film it is about . | 0 | textbugger |
if damon and affleck attempt another project greenlight , next time out they might try paying less attention to the miniseries and more attention to the film it is about . | 0 | clean |
the screenplay by james eric , james hor𝚝on and director peter o'fallon ... is so pat it makes your teeth hurt . | 0 | textbugger |
the screenplay by james eric , terence horton and director peter o'fallon ... is so pat it makes your teeth hurt . | 0 | textbugger |
the ѕcreenplay by james eric , james horton and director peter o'fallon ... is so pat it makes your teeth hurt . | 0 | textbugger |
the screenplay by james eric , james horton and director peter o'fallon ... is so pat it makes your teeth hurt . | 0 | clean |
i 'm giving it thumbs down due to the endlessly repetitive image of embarrassment . | 0 | textbugger |
i 'm giving it thumbs down due to the endlessly repetitіve scenes of embarrassment . | 0 | textbugger |
i 'm givіng it thumbs down due to the endlessly repetitive scenes of embarrassment . | 0 | textbugger |
i 'm giving it thumbs down due to the endlessly repetitive scenes of embarrassment . | 0 | clean |
not only does leblanc make one spectacularly ugly-looking broad , but he appears miserable th roughout as he swaggers through his image . | 0 | textbugger |
not only does leblanc make оne spectacularly ugly-looking broad , but he appears miserable thrоughout as he swaggers through his scenes . | 0 | textbugger |
not only does leblaոc makе one spectacularly ugly-looking broad , but he appears miserable throughout as he swaggers through his scenes . | 0 | textbugger |
not only does leblanc make one spectacularly ugly-looking broad , but he appears miserable throughout as he swaggers through his scenes . | 0 | clean |
an elegant work , food of love is as consistently engɑging as it is revealing . | 1 | textbugger |
an elegant work , nourishment of love is as consistently engaging as it is revealing . | 1 | textbugger |
an elegant working , food of love is as consistently engaging as it is revealing . | 1 | textbugger |
an elegant work , food of love is as consistently engaging as it is revealing . | 1 | clean |
the pain , loneliness and insecurity of the screenwriting process are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donad , and directed by spike jon ze . | 1 | textbugger |
the painless , hermit and insecurity of the screenwriting process are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature writ𝚝en by charlie kaufman and his twin brother , donald , and directed by spike jonze . | 1 | textbugger |
the pɑin , hermit and insecurity of the scripted process are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and directed by spike jonze . | 1 | textbugger |
the pain , loneliness and insecurity of the screenwriting process are vividly and painfully brought to slovenly life in this self-deprecating , biting and witty feature written by charlie kaufman and his twin brother , donald , and directed by spike jonze . | 1 | clean |
... a weak and ineffective ghost story without a conclusion or salaries off . | 0 | textbugger |
... a weak and ineffective ghost story without a conclusiоn or pay off . | 0 | textbugger |
... a weak and ineffeϲtive ghost story without a conclusion or pay off . | 0 | textbugger |
... a weak and ineffective ghost story without a conclusion or pay off . | 0 | clean |
if you 're a breather of the series you 'll love it and probably want to see it twice . | 1 | textbugger |
if you 're a fan of the ser ies you 'll love it and probably want to see it twice . | 1 | textbugger |
if you 're a fan of the seⲅies you 'll love it and probably want to see it twice . | 1 | textbugger |
if you 're a fan of the series you 'll love it and probably want to see it twice . | 1 | clean |
the film never finds its tone and several scenes rn too long . | 0 | textbugger |
the film never finds its tone and several scenes run too prolonged . | 0 | textbugger |
the film never finds its tone and several scenes rսn too long . | 0 | textbugger |
the film never finds its tone and several scenes run too long . | 0 | clean |
suffers from a lack of clarification and audacity that a subject as monstrous and pathetic as dahmer demands . | 0 | textbugger |
suffers from a lack of clarity and audacity that a subj ect as monstrous and pathetic as dahmer demands . | 0 | textbugger |
suffers from a shortage of clarity and audacity that a subject as monstrous and pathetic as dahmer demands . | 0 | textbugger |
suffers from a lack of clarity and audacity that a subject as monstrous and pathetic as dahmer demands . | 0 | clean |
it 's not a motion pict ure ; it 's an utterly static picture . | 0 | textbugger |
it 's not a motion picture ; it 's an utterly static photographs . | 0 | textbugger |
it 's not a motion picture ; it 's an uttеrly static picture . | 0 | textbugger |
it 's not a motion picture ; it 's an utterly static picture . | 0 | clean |
it 's probably not easy to m ake such a worthless film ... | 0 | textbugger |
it 's probably not easy to make such a useless film ... | 0 | textbugger |
it 's probably not easy to make such a worthless filmmaking ... | 0 | textbugger |
it 's probably not easy to make such a worthless film ... | 0 | clean |
the film is bright and gaudy in all the right ways . | 1 | textbugger |
the film is bright and 𝚏lashy in all the right ways . | 1 | textbugger |
the fim is bright and flashy in all the right ways . | 1 | textbugger |
the film is bright and flashy in all the right ways . | 1 | clean |
a blustery , reverent , and subtly different sequel . | 1 | textbugger |
a brisk , reverent , and subtly assorted sequel . | 1 | textbugger |
a brisk , reverent , and subtly diferent sequel . | 1 | textbugger |
a brisk , reverent , and subtly different sequel . | 1 | clean |
a ghoulish and very stylized swedish fillｍ about a modern city where all the religious and civic virtues that hold society in place are in tatters . | 1 | textbugger |
a macabre and very stylized swedish fillm about a modern ϲity where all the religious and ciѵic virtues that hold society in place are in tatters . | 1 | textbugger |
a macabre and very stylized sԝedish fillm about a modern city where all the religious and civic virtues that hold social in place are in tatters . | 1 | textbugger |
a macabre and very stylized swedish fillm about a modern city where all the religious and civic virtues that hold society in place are in tatters . | 1 | clean |
does an impressive job of relating the complicated histo ry of the war and of filling in the background . | 1 | textbugger |
does an impressive job of relating the complicated history of the war and of fillig in the background . | 1 | textbugger |
does an impressive job of relatiոg the complicated history of the war and of filling in the background . | 1 | textbugger |
does an impressive job of relating the complicated history of the war and of filling in the background . | 1 | clean |
a fascinating documentary that provides a rounded and disclose overview of this ancient holistic healing system | 1 | textbugger |
a fascinating documentary that provides a rounded and revealing overview of this ancient holistic cure system | 1 | textbugger |
a fascinating documentary that provides a rounded and revealing overview of this aոcient holistic healing system | 1 | textbugger |
a fascinating documentary that provides a rounded and revealing overview of this ancient holistic healing system | 1 | clean |
a cautionary tale about the folly of superficiality that is itself endlesly superficial . | 0 | textbugger |
a cautionary tale about the folly of superficiality that is itself endⅼessly superficial . | 0 | textbugger |
a warnings tale about the folly of superficiality that is itself endlessly superficial . | 0 | textbugger |
a cautionary tale about the folly of superficiality that is itself endlessly superficial . | 0 | clean |
quitting , however , administered just to be depressing , as the lead actor phones in his autobiographical performance . | 0 | textbugger |
quitting , however , manages just to be deрressing , as the lead actor phones in his autobiographical performance . | 0 | textbugger |
ԛuitting , however , manages just to be depressing , as the lead actor phones in his autobiographical performance . | 0 | textbugger |
quitting , however , manages just to be depressing , as the lead actor phones in his autobiographical performance . | 0 | clean |
Subsets and Splits