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with very little to add beyond the dark visions already relayed by superb recent predecessorѕ lіke swimming with sharks and the player , this latest skewering ... may pt off insiders and outsiders alike .
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with very little to add beyond the dark visions already relayed by superb recent predecessors like swimming with sharks and the player , this latest skewering ... may put off insiders and outsiders alike .
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significantly better than its 2002 children 's - mоvie competition .
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significantly better than its 2002 ϲhildren 's - movie competition .
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significantly better than its 2002 children 's - movie competition .
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this is an elegantly balanced movie -- every member of the ensemble has something fascinati ng to do -- that does n't reveal even a hint of artiice .
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this is an elegantly balanced movie -- every member of the entire has something fascinating to do -- that does n't reveal even a hint of trick .
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this is an elegantly balanced movie -- every member of the ensemble has something fascinating to do -- that does n't reveal even a hint of artifice .
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cox crea a fluid and mesmerizing sequence of images to match the words of nijinsky 's diaries .
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cox creates a fluid and mesmerizing sequence of images to match the wors of nijinsky 's diaries .
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cox creates a fluid and mesmerizing sequence of images to match the words of nijinsky 's diaries .
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with the exception of mccoist , the players do n't have a clue on the prak .
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with the exception of mcϲoist , the players do n't have a clue on the park .
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with the exception of mccoist , the players do n't have a clue on the park .
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no amount of good acting is enough to save oleander 's uninspired s𝚝ory .
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no amount of good actinɡ is enough to save oleander 's uninspired story .
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no amount of good acting is enough to save oleander 's uninspired story .
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anyone 's to blame here .
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everyone 's to blamed here .
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everyone 's to blame here .
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evokes the 19th century with a subtlety that is an object lesson in periods filmmaking .
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evokes the 19th century with a subtlety that is an oЬject lesson in period filmmaking .
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evokes the 19th century with a subtlety that is an object lesson in period filmmaking .
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an odd , haphazard , and inconsequential romantic comedy .
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an odd , haphazard , and inconsequential romantic humor .
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an odd , haphazard , and inconsequential romantic comedy .
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... another e xample of how sandler is losing his touch .
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... another example of how sandler is losing his tuoch .
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... another example of how sandler is losing his touch .
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an awful lot lie one of -lrb- spears ' -rrb- musical videos in content -- except that it goes on for at least 90 more mіnutes and , worse , that you have to pay if you want to see it .
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an awful lot like one of -lrb- speras ' -rrb- mus ic videos in content -- except that it gonna on for at least 90 more minutes and , worse , that you have to pay if you want to see it .
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an awful lot like one of -lrb- spears ' -rrb- music videos in content -- except that it goes on for at least 90 more minutes and , worse , that you have to pay if you want to see it .
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stale and clcihéd to a fault .
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stale and clichéd to a malfunctioning .
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stale and clichéd to a fault .
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... built on the premise that middle-class arkansas consists of monster truck-lovіng good ol' Ьoys and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids .
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... built on the premse that middle-class arkansas consists of monster truck-loving good ol' boys and hydrogen blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids .
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... built on the premise that middle-class arkansas consists of monster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids .
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zellweger 's whiny pouty-ⅼipped poof faced and spindly attempt at playing an ingenue makes her nomination as best performer even more of a an a
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zellweger 's whiny pоuty-lipped poof faced and spindly attempt at playing an ingenue makes her nomination as best actress eveո more of a an a
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zellweger 's whiny pouty-lipped poof faced and spindly attempt at playing an ingenue makes her nomination as best actress even more of a an a
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holofcener rejects patent solutions to dramatize life 's messiness from іnside out , in all its strange quirks .
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holofcener rejects patent solutіons to dramatize life 's messiness from inside out , in all its strange quirks .
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holofcener rejects patent solutions to dramatize life 's messiness from inside out , in all its strange quirks .
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i stil want my money back .
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i still wnt my money back .
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i still want my money back .
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no one involved , save dash , shows the slightest aptitude for acting , and the script , credited to director abdul malik abbott and ernest ` avatar ' anderson , ѕeems entirely improvised .
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no one involved , save dash , shows the slightest aptitude for acting , and the script , credited to director abdul malik abbott and ernest ` tron ' anderson , ѕeems entirely improѵised .
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no one involved , save dash , shows the slightest aptitude for acting , and the script , credited to director abdul malik abbott and ernest ` tron ' anderson , seems entirely improvised .
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it 's the kind of effectively creepy-scary t hriller that has you fixating on a far corneⲅ of the screen at times because your nerves just ca n't take it any more .
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it 's the kind of effectivеly creeрy-scary thriller that has you fixating on a far corner of the scrеen at times because your nerves just ca n't take it any more .
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it 's the kind of effectively creepy-scary thriller that has you fixating on a far corner of the screen at times because your nerves just ca n't take it any more .
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narratively , trouble every day is a ploddng mess .
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narratively , trouble every day is a pⅼodding mess .
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narratively , trouble every day is a plodding mess .
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well-done supernatural thriller with keen insiɡhts into parapsychological phenomena and the soulful nuances of the grieving process .
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well-done sսpernatural thriller with keen insights into parapsychological phenomena and the soulful nuances of the grieving process .
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well-done supernatural thriller with keen insights into parapsychological phenomena and the soulful nuances of the grieving process .
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if there 's no art here , it 's still a alright yarn -- which is nothing to sneeze at these dias .
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if there 's no art here , it 's still a good yarn -- which is nothinɡ to sneeze at these jours .
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if there 's no art here , it 's still a good yarn -- which is nothing to sneeze at these days .
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the cumulative effect of watching this 65-minute trifle is rather like being cornered while some weird relative trots out the video he grabbed of the family vacation to stonehenge .
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the cumulative effect of watching this 65-minutе trifle is rather like being trapped while some weird relative trots out the viԁeo he took of the family vacation to stonehenge .
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the cumulative effect of watching this 65-minute trifle is rather like being trapped while some weird relative trots out the video he took of the family vacation to stonehenge .
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its sheer impetus is infectious .
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its sհeer dynamism is infectious .
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its sheer dynamism is infectious .
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the film is reasonably entertaining , though it bgins to towed two-thirds through , when the melodramatic aspects start to overtake the comedy .
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the film is reɑsonably entertaining , though it begins to drag two-htirds through , when the melodramatic aspects start to overtake the comedy .
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the film is reasonably entertaining , though it begins to drag two-thirds through , when the melodramatic aspects start to overtake the comedy .
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simultaneous heart-breaking and very funny , the last kiss is really all about performances .
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simultaneously հeart-breaking and very funny , the last kiss is really all about performances .
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simultaneously heart-breaking and very funny , the last kiss is really all about performances .
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start reading your scripts before signing that dotted lnie .
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staⲅt reading your scripts before signing that dotted line .
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start reading your scripts before signing that dotted line .
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jackson and co have brought back the value and respect for the term fable cinema .
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jackson and co have carried back the value and respect for the term epic cinema .
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jackson and co have brought back the value and respect for the term epic cinema .
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a pathetically inane and unimaginative cross between xxx and vertical limit .
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a pathetically inane and uոimaginative cross between xxx and vertical limit .
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a pathetically inane and unimaginative cross between xxx and vertical limit .
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max pokes , provokes , takes expressionistic licences and hits a nerve ... as far as art is concerned , it 's mission accomlished .
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max pokes , provokes , takes expressionistic license and hits a nerve ... as far as art is preoccupied , it 's delegation accomplished .
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max pokes , provokes , takes expressionistic license and hits a nerve ... as far as art is concerned , it 's mission accomplished .
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the power of shanghai ghetto , a documentaⲅy by danu janklowicz-mann and amir mnan , rests in the voices of men and women , now in their 70s , who lived there in the 1940s .
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the power of shanghai ghetto , a documen𝚝ary by dana janklowicz-mann and amir mann , rests in the voices of men and women , now in their 7 0s , who lived there in the 1940s .
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the power of shanghai ghetto , a documentary by dana janklowicz-mann and amir mann , rests in the voices of men and women , now in their 70s , who lived there in the 1940s .
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` punch-drunk love is so cnvinced of its own brilliance that , if it were a person , you 'd wanna to smash its face in . '
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` puncհ-drunk love is so persuaded of its own brilliance that , if it were a person , you 'd want to smash its face in . '
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` punch-drunk love is so convinced of its own brilliance that , if it were a person , you 'd want to smash its face in . '
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a sentimental mess that never rings ture .
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a sentimental mess that neveⲅ rings true .
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a sentimental mess that never rings true .
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a fascinating case study of flow er-power liberation -- and the price that was paid for it .
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a fascinating case study of floԝer-power liberation -- and the price that was paid for it .
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a fascinating case study of flower-power liberation -- and the price that was paid for it .
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-lrb- janey -rrb- forgets about her other obligations , leadinɡ to a tragedy which is somehow guessable from the firѕt few minutes , maybe because it echoes the by now intoleraЬle morbidity of so many recent movies .
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-lrb- janеy -rrb- forgets about her other obligations , leading to a tragedy which is somehоw guessable from the first few minutes , might because it echoes the by now intolerable morbidity of so many recent movies .
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