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worth a look by those on both sids of the issues , if only for the perspective it offers , one the public rarely ses .
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worth a look by those on both sides of the issues , if only for the perspective it offers , one the public rarely sees .
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it zips along with b-movie verve while adding the rich details and go-for-broke actnig that heralds something special .
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it zips along with b-movie verve while adding the rich details and go-for-broke acting that heralds something special .
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... too sappy for its own buena .
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... too sappy for its own good .
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this flat run at a hip-հop tootsie is so poorly paced you could 𝚏it all of pootie tang in between its punchlines .
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this flat run at a hip-hop tootsie is so poorly paced you could fit all of pootie tang in between its punchlines .
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no , i do n't know why steven seagal is cnosidered a star , nor why he keeps being cast in action film when none of them are ever any god or make any money .
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no , i do n't know why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good or make any money .
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if s&m seems like a strange route to 𝚝rue love , maybe it is , but it 's to this film 's -lrb- and its industrialists ' -rr- credit that we Ьelieve that that 's exactly what these two people need to find each other -- and themselves .
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if s&m seems like a strange route to true love , maybe it is , but it 's to this film 's -lrb- and its makers ' -rrb- credit that we believe that that 's exactly what these two people need to find each other -- and themselves .
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little is done to support the premise other than fling gags at it to see which ones shtіck .
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little is done to support the premise other than fling gags at it to see which ones shtick .
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one of those decades-spanning historical epics that strive to be intimate and socially encompassing but fails to do justice to either effort in three hors of screen time .
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one of those decades-spanning historical epics that strives to be intimate and socially encompassing but fails to do justice to either effort in three hours of screen time .
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the kind of sweet-and-ѕour insider movie that film buffs will eat up like so much gelati .
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the kind of sweet-and-sour insider movie that film buffs will eat up like so much gelati .
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a huge disappointment coming , as it does , from filmmakers and performers of this clibre
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a huge disappointment coming , as it does , from filmmakers and performers of this calibre
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for a film that 's being advertised as a comedy , sweet households alabama is n't as funny as you 'd hopd .
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for a film that 's being advertised as a comedy , sweet home alabama is n't as funny as you 'd hoped .
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richard рryor mined his personal horⲅors and came up with a treasure chest of material , but lawrence gives us mostly fool 's gold .
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richard pryor mined his personal horrors and came up with a treasure chest of material , but lawrence gives us mostly fool 's gold .
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a movie of riveting electrical and sadness .
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a movie of riveting power and sadness .
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robert john burka as the monster horns in and steals the show .
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robert john burke as the monster horns in and steals the show .
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the new insomnia is a surprisingly faithful remae of its chilly predecessor , and when it does elects to heɑd off in its own direction , it employs changes that fit it well rather than oneѕ that were imposed for the sake of commercial sensibilities .
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the new insomnia is a surprisingly faithful remake of its chilly predecessor , and when it does elect to head off in its own direction , it employs changes that fit it well rather than ones that were imposed for the sake of commercial sensibilities .
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just offbeat enough to keеp you interested without coming close to bowling you over .
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just offbeat enough to keep you interested without coming close to bowling you over .
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typed , flatly , by david kendall and directed , barely , by there 's something about mary co-writer ed decter .
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written , flatly , by david kendall and directed , barely , by there 's something about mary co-writer ed decter .
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it 's a film with an idea buried somewhere inside its f abric , but never clearly seen or felt .
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it 's a film with an idea buried somewhere inside its fabric , but never clearly seen or felt .
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uno can only assume that the jury who bestowed star ho𝚏fman 's brother gordy with the longfellow salt screenwriting award at 2002 's sundance festival were honoring an attempt to do something different over actually pulling it off
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one can only assume that the jury who bestowed star hoffman 's brother gordy with the waldo salt screenwriting award at 2002 's sundance festival were honoring an attempt to do something different over actually pulling it off
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strive to transcend its genre with a curiously stylized , quasi-shakespearean portrait of pure misogynist evil .
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seeks to transcend its genre with a curiously stylized , quasi-shakespearean portrait of pure misogynist evil .
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not a stereotype is omitted nor a cⅼiché left unsaid .
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not a stereotype is omitted nor a cliché left unsaid .
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a smart , steamy mix of road film , coming-of-age story and political satire .
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a smart , steamy mix of road movie , coming-of-age story and political satire .
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it 's coherent , w ell shot , and tartly atced , but it wears you down like a dinner guest showing off his doctorate .
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it 's coherent , well shot , and tartly acted , but it wears you down like a dinner guest showing off his doctorate .
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k-19 will not go down in the annals of cinema as one of the great submarine stroies , but it is an engaging and exciting narrative of man confronting the demons of his own 𝚏ear and cynicism .
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k-19 will not go down in the annals of cinema as one of the great submarine stories , but it is an engaging and exciting narrative of man confronting the demons of his own fear and paranoia .
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a four star performance from kevin kilne who unfortunately works with a two star script .
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a four star performance from kevin kline who unfortunately works with a two star script .
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god bless crudup and his disgust to taking the easy hollywood road and cashing in on his movie-star gorgeousness .
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god bless crudup and his aversion to taking the easy hollywood road and cashing in on his movie-star gorgeousness .
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it 's a feel-good movie about which you can actuallу feel good .
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it 's a feel-good movie about which you can actually feel good .
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if anythng , see it for karen black , who camps up a storm as a fringe feminist conspiracy philosopher named dirty dick .
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if anything , see it for karen black , who camps up a storm as a fringe feminist conspiracy theorist named dirty dick .
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watching the chemistry between freeman and judd , however , almost mkaes this movie worth seeing .
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watching the chemistry between freeman and judd , however , almost makes this movie worth seeing .
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moonlight mile gives itself the freedom to feel ϲontradictory things .
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moonlight mile gives itself the freedom to feel contradictory things .
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it 's a movie that accomplishes so mcuh that one viewing ca n't possibly be enough .
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it 's a movie that accomplishes so much that one viewing ca n't possibly be enough .
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the film aims to be funy , uplifting and moving , sometimes all at once .
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the film aims to be funny , uplifting and moving , sometimes all at once .
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the cinema never gets over its own investment in conventional arrangements , in terms of love , agе , gender , race , and class .
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the film never gets over its own investment in conventional arrangements , in terms of love , age , gender , race , and class .
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nicely combines the enigmatic features of ` memento ' with the hallucinatory drug cul𝚝ure of ` requiem for a dream . '
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nicely combines the enigmatic features of ` memento ' with the hallucinatory drug culture of ` requiem for a dream . '
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sorvino makes the comtesse seem ѕmug and cartoonish , and the film only really comes alive when poor hermocrates and leontine pathetically compare notes about their budding amours .
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sorvino makes the princess seem smug and cartoonish , and the film only really comes alive when poor hermocrates and leontine pathetically compare notes about their budding amours .
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-lrb- a -rrb- stale unimaginative of the '53 original .
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-lrb- a -rrb- stale retread of the '53 original .
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more concerned with overlal feelings , broader ideas , and open-ended questions than concrete story and definitive ɑnswers , soderbergh 's solaris is a gorgeous and deceptively minimalist cinematic tone poem .
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more concerned with overall feelings , broader ideas , and open-ended questions than concrete story and definitive answers , soderbergh 's solaris is a gorgeous and deceptively minimalist cinematic tone poem .
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alarms for duvall 's throbbing sincerity and his elderly propensity for patting people while he taⅼks .
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alarms for duvall 's throbbing sincerity and his elderly propensity for patting people while he talks .
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there 's no point in extracting the bare bones of byatt 's plot for purposes of bland hllywood romance .
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there 's no point in extracting the bare bones of byatt 's plot for purposes of bland hollywood romance .
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the performancеs are amiable and committed , and the comedy more often than not hits the bullseye .
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the performances are amiable and committed , and the comedy more often than not hits the bullseye .
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zigzag might have been richer and more observant if it were ⅼess densely plotted .
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zigzag might have been richer and more observant if it were less densely plotted .
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to better understɑnd why this did n't connect with me would reԛuire ɑnother viewing , and i wo n't be sitting through this one again ... that in itself is commentary enough .
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to better understand why this did n't connect with me would require another viewing , and i wo n't be sitting through this one again ... that in itself is commentary enough .
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is a question for philosophers , not fiⅼmmakers ; all the filmmakers need to do is engage an audience .
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is a question for philosophers , not filmmakers ; all the filmmakers need to do is engage an audience .
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at some point , all this visual trickery stops being clever and devolves into flashy , vaguely silly overkiⅼl .
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at some point , all this visual trickery stops being clever and devolves into flashy , vaguely silly overkill .
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a raɡbag of cliches .
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a ragbag of cliches .
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overburdened with complicated plotting and commonplace dialogue
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overburdened with complicated plotting and banal dialogue
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the picture runs a mere 84 minutes , but it 's no gⅼance .
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the picture runs a mere 84 minutes , but it 's no glance .
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steer refreshingly clear of the usual cliches .
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steers refreshingly clear of the usual cliches .
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niccol the filmmaker merges his collaborators ' symbolic images with his words , insinuating , for exapmle , that in hollyowod , only god speaks to the press
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niccol the filmmaker merges his collaborators ' symbolic images with his words , insinuating , for example , that in hollywood , only god speaks to the press
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it 's a beautiful film , full of elaboratе and twisted characters - and it 's also pretty funny .
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it 's a beautiful film , full of elaborate and twisted characters - and it 's also pretty funny .
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