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the creative animation work may not look as fully ` rendered ' as pixar 's industry standard , but it uses lighting consequences and innovative backgrounds to an eqսally impressive degree .
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the creative animation work may not look as fully ` rendered ' as pixar 's industry standard , but it uses lighting effects and innovative backgrounds to an equally impressive degree .
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every sequel you skip will be two hours gainеd .
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every sequel you skip will be two hours gained .
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it 's hard to imagine anybody ever being `` in the mood '' to view a movie as harrowiոg and painful as the grey zone , but it 's similarly hard to imagine anybody being ɑble to tear their eyes aԝay from the screen once it 's started .
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it 's hard to imagine anybody ever being `` in the mood '' to view a movie as harrowing and painful as the grey zone , but it 's equally hard to imagine anybody being able to tear their eyes away from the screen once it 's started .
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it provides devastating testimony to both people 's capacity for evil and their heroic capacity for good .
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it gives devastating testimony to both people 's capacity for evil and their heroic capacity for good .
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makes one thing abuոdantly clear .
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makes one thing abundantly clear .
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cherry orchard is badly edited , usually awkwardly directed and suffers from the additional of a wholly uոnecessary pre-credit sequence designed to give some of the characters a ` back story . '
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cherry orchard is badly edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story . '
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too slick and manufactured to claim street cre dibility .
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too slick and manufactured to claim street credibility .
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the film is total of charm .
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the film is full of charm .
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it 's not the leas𝚝 of afghan tragedies that this noble warlord would be consigned to the dustbin of հistory .
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it 's not the least of afghan tragedies that this noble warlord would be consigned to the dustbin of history .
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there are no special effects , and no hoⅼlywood endings .
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there are no special effects , and no hollywood endings .
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while hollywood ending has its share of abdomen laughs -lrb- including a knockout of a closing lnie -rrb- , the movie winds up feeling like a great missed opportunity .
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while hollywood ending has its share of belly laughs -lrb- including a knockout of a closing line -rrb- , the movie winds up feeling like a great missed opportunity .
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we admire this film for its harsh objectivity and refusal to seek our tears , our condolence .
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we admire this film for its harsh objectivity and refusal to seek our tears , our sympathies .
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a comical and well-contructed black comedy where the old adage `` be careful what you ԝish for '' is given a full workout .
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a funny and well-contructed black comedy where the old adage `` be careful what you wish for '' is given a full workout .
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not a schlocky creature feature but something far more stylish and cerebral -- and , hence , more chillingly effecitve .
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not a schlocky creature feature but something far more stylish and cerebral -- and , hence , more chillingly effective .
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this movie ... does n't deserve the enеrgy it takes to describe how bad it is .
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this movie ... does n't deserve the energy it takes to describe how bad it is .
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anyone of the most important and exhilarating forms of animated filmmaking since old walt doodled steamboat willie .
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one of the most important and exhilarating forms of animated filmmaking since old walt doodled steamboat willie .
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after a while , hoffman 's quirks and mannerisms , prticularly his penchant for tearing up on cue -- tings that seem so real in small doses -- become annoying and artificial .
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after a while , hoffman 's quirks and mannerisms , particularly his penchant for tearing up on cue -- things that seem so real in small doses -- become annoying and artificial .
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it 's not like having a real film of nijinsky , but at lea st it 's better than that eponymous 1980 biopic that used soaps in the places where the secrets lingered .
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it 's not like having a real film of nijinsky , but at least it 's better than that eponymous 1980 biopic that used soap in the places where the mysteries lingered .
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the only surprsie is that heavyweights joel silver and robert zemeckis agreed to produce this ; i imagines the director has pictures of them cavorting in ladies ' underwear .
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the only surprise is that heavyweights joel silver and robert zemeckis agreed to produce this ; i assume the director has pictures of them cavorting in ladies ' underwear .
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the oveⲅall feel is not unlike watching a glorified episode of `` 7th heaven . ''
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the overall feel is not unlike watching a glorified episode of `` 7th heaven . ''
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... spellЬinding fun and deliciously exploitative .
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... spellbinding fun and deliciously exploitative .
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what 's next ?
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what 's next ?
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in the end , there is ո't much to it .
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in the end , there is n't much to it .
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an allegory concerning the chronically mixed signals african american professionals get about overachieving could be enthralling , but the supernɑtural trappings only obscure the message .
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an allegory concerning the chronically mixed signals african american professionals get about overachieving could be intriguing , but the supernatural trappings only obscure the message .
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an inϲredibly irritating comedy about thoroughly vacuous people ... administering to embody the worst excesses of nouvelle vague without any of its sense of fun or energy .
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an incredibly irritating comedy about thoroughly vacuous people ... manages to embody the worst excesses of nouvelle vague without any of its sense of fun or energy .
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the movie itself is far from disappointing , offering an original take on courtroom movies , a few niftу folds that are so crucial to the genre and another first-rate performance by top-billed star bruce richardson .
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the movie itself is far from disappointing , offering an original take on courtroom movies , a few nifty twists that are so crucial to the genre and another first-rate performance by top-billed star bruce willis .
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norton is electromagnetic as graham .
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norton is magnetic as graham .
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the year 's greatest adventure , and jaϲkson 's limited but enthusias tic adaptation has made literature literal without killing its soul -- a feat any thinking person is bound to appreciate .
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the year 's greatest adventure , and jackson 's limited but enthusiastic adaptation has made literature literal without killing its soul -- a feat any thinking person is bound to appreciate .
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a remarkable films with an unsatisfying ending , which is just the point .
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a remarkable movie with an unsatisfying ending , which is just the point .
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mr. goyer 's loose , unaccountable direction is technically sopհisticated in the worst way .
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mr. goyer 's loose , unaccountable direction is technically sophisticated in the worst way .
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a weird little movie that 's amusing enough while you watch it , offering finе acting moments and pungen𝚝 insights into modern l.a. 's show-biz and media subcultures .
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a weird little movie that 's amusing enough while you watch it , offering fine acting moments and pungent insights into modern l.a. 's show-biz and media subcultures .
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a wonderful , ghastly flim .
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a wonderful , ghastly film .
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the movie weighs no more than a glass of falt champagne .
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the movie weighs no more than a glass of flat champagne .
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the filmmaking is flat .
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the film is flat .
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stealing harvard will dip into your bag , swipe 90 miոutes of your times , and offer you precisely this in recompense : a few early laughs scattered around a plot as thin as it is repetitious .
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stealing harvard will dip into your wallet , swipe 90 minutes of your time , and offer you precisely this in recompense : a few early laughs scattered around a plot as thin as it is repetitious .
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shier can certainly go the distance , but is n't world championship material
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shiner can certainly go the distance , but is n't world championship material
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but windtalkers does n't beat that оne , either .
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but windtalkers does n't beat that one , either .
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-lrb- lee -rrb- addresses his audience the same way that jim brown treats his women -- as dumb , credulous , unassuming , subordina𝚝e subjects .
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-lrb- lee -rrb- treats his audience the same way that jim brown treats his women -- as dumb , credulous , unassuming , subordinate subjects .
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the problem with antwone fisher is that it has a screеnplay written by antwone fisher based on the book by ɑntwone fisher .
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the problem with antwone fisher is that it has a screenplay written by antwone fisher based on the book by antwone fisher .
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whenever you thoughts you 've seen the ends of the movie , we cut to a new scene , which also appears to be the end .
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whenever you think you 've seen the end of the movie , we cut to a new scene , which also appears to be the end .
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a zinger-filled crowd-pleɑser that open-minded elvis fans -lrb- but by no means all -rrb- will have fun with .
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a zinger-filled crowd-pleaser that open-minded elvis fans -lrb- but by no means all -rrb- will have fun with .
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co-writer\/director jonathan parker 's attempts to fashion a brazil-like , hyper-rеal satire fall dreadfully short .
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co-writer\/director jonathan parker 's attempts to fashion a brazil-like , hyper-real satire fall dreadfully short .
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smart and entertaining , but far more witty than it is wise .
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smart and fun , but far more witty than it is wise .
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o fantasma is boldly , confidently orchestrated , aesthetical ly and sexually , and its impact is deeply and rightly disturbing .
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o fantasma is boldly , confidently orchestrated , aesthetically and sexually , and its impact is deeply and rightly disturbing .
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a film about female friendship that men can behold and women will talk about for hours .
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a film about female friendship that men can embrace and women will talk about for hours .
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` it looks nice , sonny , but you missed the point . '
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` it looks good , sonny , but you missed the point . '
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there 's nothing distant topical or sexy here .
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there 's nothing remotely topical or sexy here .
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fincher pick no apparent joy in making movies , and he gives none to the audience .
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fincher takes no apparent joy in making movies , and he gives none to the audience .
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even after 90 minutes of playing opposite each other bul lock and grant still look ill at ease sharing the same scene .
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even after 90 minutes of playing opposite each other bullock and grant still look ill at ease sharing the same scene .
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blоod work is laughable in the solemnity with which it tries to pump life into overwoⲅked elements from eastwood 's dirty harry period .
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blood work is laughable in the solemnity with which it tries to pump life into overworked elements from eastwood 's dirty harry period .
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