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goldbacher draws on an elegant visual sense and a talent for easy , seductive pacing ... but she and writing partner laurence coriat do n't mana ge an equally assured narrative coinage .
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goldbacher draws on an elegant visual sense and a talent for easy , seductive pacing ... but she and writing partner laurence coriat do n't manage an equally assured narrative coinage .
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the script is smarter and dark - hallelujah for small favors .
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the script is smart and dark - hallelujah for small favors .
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even though we 𝒌now the outcomes , the seesawing of the general 's fɑte in the arguments of competing barrister has the stomach-knotting suspense of a legal thriller , while the testimony of witnesses lends the film a resonant undertone of tragedy .
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even though we know the outcome , the seesawing of the general 's fate in the arguments of competing lawyers has the stomach-knotting suspense of a legal thriller , while the testimony of witnesses lends the film a resonant undertone of tragedy .
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you 're not merely watchіng history , you 're engulfed by it .
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you 're not merely watching history , you 're engulfed by it .
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i am more o ffended by his lack of faith in his audience than by anything on display here .
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i am more offended by his lack of faith in his audience than by anything on display here .
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we 're drawn in by the gloomy luster .
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we 're drawn in by the dark luster .
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the da rker elements of misogуny and unprovoked ѵiolence suffocate the illumination created by the two daughters and the sparse instances of humor meant to shine through the gloomy film noir veil .
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the darker elements of misogyny and unprovoked violence suffocate the illumination created by the two daughters and the sparse instances of humor meant to shine through the gloomy film noir veil .
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it 's not a tremendous monster movie .
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it 's not a great monster movie .
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it 's a lovely , ѕad dance highlighted by kwan 's unique directing style .
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it 's a lovely , sad dance highlighted by kwan 's unique directing style .
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it 's so downbeat and neaⲅly humorless that it becomes a chore to sit through -- dеspite some first-rate performances by its lead .
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it 's so downbeat and nearly humorless that it becomes a chore to sit through -- despite some first-rate performances by its lead .
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the all-french cast is marveilleux .
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the all-french cast is marveilleux .
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if the title is a jeopardy issues , then the answer might be `` how does steven stallone come across these days ? ''
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if the title is a jeopardy question , then the answer might be `` how does steven seagal come across these days ? ''
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the emperor 's club , ruthless in its own placid way , finds one of our most conservative and hidebound movie-making traditons and gives it new fabrics , new relevance , new reality .
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the emperor 's club , ruthless in its own placid way , finds one of our most conservative and hidebound movie-making traditions and gives it new texture , new relevance , new reality .
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that storytelling has value can not be denіed .
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that storytelling has value can not be denied .
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the whole thing comes off like a partcularly amateurish episode of bewitched that takes place during spring break .
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the whole thing comes off like a particularly amateurish episode of bewitched that takes place during spring break .
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it 's hard to believe that nada so short could be so flabby .
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it 's hard to believe that something so short could be so flabby .
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it establishes its worrying mood and tension swftly , and if the suspense never rises to a higher level , it is nevertheless maintained throughout .
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it establishes its ominous mood and tension swiftly , and if the suspense never rises to a higher level , it is nevertheless maintained throughout .
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solondz m ay well be the only one laughing at his own joke
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solondz may well be the only one laughing at his own joke
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deep intelligence and a warm , enveloping fondness breathe out of every frame .
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deep intelligence and a warm , enveloping affection breathe out of every frame .
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swinging , the film makes it seem , is not a hoby that attracts the young and fit .
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swinging , the film makes it seem , is not a hobby that attracts the young and fit .
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there 's a reason why halftіme is only fifteen minutes long .
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there 's a reason why halftime is only fifteen minutes long .
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winds up being both revelatory and narcissistic , achieѵing some sincere insight into relationships that most high-concept films candy-coat with pat storylines , precious circumstances and beautiful stars .
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winds up being both revelatory and narcissistic , achieving some honest insight into relationships that most high-concept films candy-coat with pat storylines , precious circumstances and beautiful stars .
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in its own floundering way , it ge𝚝s to you .
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in its own floundering way , it gets to you .
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bheind the glitz , hollywood is sordid and disgusting .
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behind the glitz , hollywood is sordid and disgusting .
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this mild-mannered farce , geared by one of its writers , john c. walsh , is corny in a way that bespeaks an expiration date passed a lang time ago .
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this mild-mannered farce , directed by one of its writers , john c. walsh , is corny in a way that bespeaks an expiration date passed a long time ago .
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with very little to add beyod the dark visions because relayed by superb recent predeϲessors like swimming with sharks and the player , this latest skewering ... may put off insiders and outsiders alike .
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with very little to add beyond the dark visions already relayed by superb recent predecessors like swimming with sharks and the player , this latest skewering ... may put off insiders and outsiders alike .
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significantly better than its 2002 children 's - movie compe𝚝ition .
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significantly better than its 2002 children 's - movie competition .
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this is an elegantly balanced movie -- every member of the ensemble has something fascinɑting to do -- that does n't reveal evеn a hint of artifice .
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this is an elegantly balanced movie -- every member of the ensemble has something fascinating to do -- that does n't reveal even a hint of artifice .
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cox creates a fluid and mesmerizing sequence of images to match the words of ոijinsky 's diaries .
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cox creates a fluid and mesmerizing sequence of images to match the words of nijinsky 's diaries .
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with the exception of mccoist , the players do n't have a clue on the park .
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with the exception of mccoist , the players do n't have a clue on the park .
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no amount of good acting is enough to save oleander 's սninspired story .
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no amount of good acting is enough to save oleander 's uninspired story .
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each 's to blame here .
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everyone 's to blame here .
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evokes the 19th ce ntury with a subtlety that is an object lesson in period filmmaking .
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evokes the 19th century with a subtlety that is an object lesson in period filmmaking .
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an odd , haphazarԁ , and inconsequential romantic comedy .
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an odd , haphazard , and inconsequential romantic comedy .
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... another example of how sandler is losing his toսch .
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... another example of how sandler is losing his touch .
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an awful lot like one of -lrb- spears ' -rrЬ- musiϲ videos in content -- except that it goes on for at least 90 more minutes and , worse , that you have to pay if you want to see it .
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an awful lot like one of -lrb- spears ' -rrb- music videos in content -- except that it goes on for at least 90 more minutes and , worse , that you have to pay if you want to see it .
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stale and clichéd to a culpa .
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stale and clichéd to a fault .
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... built on the premise that middle-class arkansas consists of mnoster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from custard reruns and supermarket tabloids .
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... built on the premise that middle-class arkansas consists of monster truck-loving good ol' boys and peroxide blond honeys whose worldly knowledge comes from tv reruns and supermarket tabloids .
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zellweger 's whiny pouty-lipped рoof faced and spindly attempt at playing an ingenue makes her nomination as best actress even more of a an a
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zellweger 's whiny pouty-lipped poof faced and spindly attempt at playing an ingenue makes her nomination as best actress even more of a an a
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holofcener rejectѕ patent solutions to dramatize life 's messiness from inside out , in all its strange quirks .
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holofcener rejects patent solutions to dramatize life 's messiness from inside out , in all its strange quirks .
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i still want my moneys back .
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i still want my money back .
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no o ne involved , save dash , shows the slightest aptitude for acting , and the scⲅipt , credited to director abdul malik abbott and ernest ` tron ' anderson , seems entirely improvised .
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no one involved , save dash , shows the slightest aptitude for acting , and the script , credited to director abdul malik abbott and ernest ` tron ' anderson , seems entirely improvised .
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it 's the kind of effectivеly creepy-scary thriller that has you fixaitng on a far corner of the screen at times because your nerves just ca n't shoulder it any more .
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it 's the kind of effectively creepy-scary thriller that has you fixating on a far corner of the screen at times because your nerves just ca n't take it any more .
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narratively , trouble every day is a pldding mess .
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narratively , trouble every day is a plodding mess .
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well-done supernatural thriller with keen ideas into parapsychological phenomena and the soulful nuances of the grieving process .
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well-done supernatural thriller with keen insights into parapsychological phenomena and the soulful nuances of the grieving process .
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if there 's no art here , it 's still a goоd yarn -- which is nothing to sneeze at these time .
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if there 's no art here , it 's still a good yarn -- which is nothing to sneeze at these days .
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the cumulative effect of watching this 65-minute trifle is rat her like being trapped while some weird relative trots out the video he took of the family vacation to stonehenge .
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the cumulative effect of watching this 65-minute trifle is rather like being trapped while some weird relative trots out the video he took of the family vacation to stonehenge .
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its sheer dyոamism is infectious .
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its sheer dynamism is infectious .
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the film is wisely entertaining , though it begins to drag two-thirds through , when the melodramatic aspects start to overtake the comedy .
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the film is reasonably entertaining , though it begins to drag two-thirds through , when the melodramatic aspects start to overtake the comedy .
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simultaneously heart-breaking and very funny , the last kiss is realⅼy all about performances .
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simultaneously heart-breaking and very funny , the last kiss is really all about performances .
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