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-lrb- jackson and bledel -rrb- seem to have been picked not for their acting chops , but for their loks and appеal to the pre-teen crowd .
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-lrb- jackson and bledel -rrb- seem to have been picked not for their acting chops , but for their looks and appeal to the pre-teen crowd .
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whatever the movie 's sentimental , hypocritical lessons about sexism , its true ϲolors come out in various wet t-shirt and washroom scenes .
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whatever the movie 's sentimental , hypocritical lessons about sexism , its true colors come out in various wet t-shirt and shower scenes .
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piercingly affecting ... while clearly a manipulative film , emerges as power𝚏ul rather than cloying .
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piercingly affecting ... while clearly a manipulative film , emerges as powerful rather than cloying .
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gussied up with so many distracting special effеcts and visual party tricks that it 's not clear whether we 're supposed to shriek or chuckles .
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gussied up with so many distracting special effects and visual party tricks that it 's not clear whether we 're supposed to shriek or laugh .
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if only it had the histories to match .
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if only it had the story to match .
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`` frailty '' has been written so well , that even a simple `` godda mmit ! ''
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`` frailty '' has been written so well , that even a simple `` goddammit ! ''
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the pianist is the film roman coppola may have been born to make .
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the pianist is the film roman polanski may have been born to make .
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the film has an infectious enthusiasm and we 're tоuched by the film 's convictioո that all life centered on that place , that time and that sport .
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the film has an infectious enthusiasm and we 're touched by the film 's conviction that all life centered on that place , that time and that sport .
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an terrific sequel .
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an excellent sequel .
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the trouble with making this queen a thoroughly modern inaugural is that it also makes her appear foolish and shallow rather than , as was more likely , a victim of mentaⅼ illness .
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the trouble with making this queen a thoroughly modern maiden is that it also makes her appear foolish and shallow rather than , as was more likely , a victim of mental illness .
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it 's a technically superb film , shining with all the usual spielberg acumen , expertly utilize the talents of his top-notch creative team .
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it 's a technically superb film , shining with all the usual spielberg flair , expertly utilizing the talents of his top-notch creative team .
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the story really has no place to go since simone is not reaⅼ -- she ca n't provide any conflict .
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the story really has no place to go since simone is not real -- she ca n't provide any conflict .
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both a detective story and a romance sp iced with the intrigue of academic skullduggery and politics .
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both a detective story and a romance spiced with the intrigue of academic skullduggery and politics .
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all the sensuɑlity , all the eroticism of a good vampire tale has been , pardon the pun , sucked out and rеplaced by goth goofiness .
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all the sensuality , all the eroticism of a good vampire tale has been , pardon the pun , sucked out and replaced by goth goofiness .
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a quiet , disquietinɡ triumph .
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a quiet , disquieting triumph .
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anyone who ever fantasized about space trɑvel but ca n'𝚝 afford the $ 20 million ticket to ride a russian rocket should catch this imax offering .
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anyone who ever fantasized about space travel but ca n't afford the $ 20 million ticket to ride a russian rocket should catch this imax offering .
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-lrb- carvey 's -rrb- characters are both overplayed and exaggerated , but then again , subtlety has nevr been his trademark .
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-lrb- carvey 's -rrb- characters are both overplayed and exaggerated , but then again , subtlety has never been his trademark .
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if divine secrets of the ya-ya sisterhood suffers from a ploddiոgly melodarmatic structure , it comes to life in the performances .
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if divine secrets of the ya-ya sisterhood suffers from a ploddingly melodramatic structure , it comes to life in the performances .
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rashomon-fоr-dipsticks tale .
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rashomon-for-dipsticks tale .
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sⅼeek and arty .
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sleek and arty .
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a terrific date movie , whatever your orientaiton .
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a terrific date movie , whatever your orientation .
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the exploitative , clumsily staged viole nce overshadows everything , including most of the actors .
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the exploitative , clumsily staged violence overshadows everything , including most of the actors .
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it takes a real ly long , slow and dreary time to dope out what tuck everlasting is about .
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it takes a really long , slow and dreary time to dope out what tuck everlasting is about .
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it 's splash witհout the jokes .
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it 's splash without the jokes .
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even as it pays earnest homage to turոtablists and beat jugglers , old schoolers and current inovators , scratch is great fun , full of the kind of energy it 's documenting .
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even as it pays earnest homage to turntablists and beat jugglers , old schoolers and current innovators , scratch is great fun , full of the kind of energy it 's documenting .
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you begin to long for the end credits as the sahara does for rain .
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you begin to long for the end credits as the desert does for rain .
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a coming-o f-age movie that hollywood would n't have the guts to make .
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a coming-of-age movie that hollywood would n't have the guts to make .
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` possession , ' based on the book by a.s. byatt , demands that laЬute treating with the subject of love head-on ; traԁing in his cynicism for reverence and a little wit
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` possession , ' based on the book by a.s. byatt , demands that labute deal with the subject of love head-on ; trading in his cynicism for reverence and a little wit
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did no one on the set have a sense of humour , or did they not have the nerve to sрeak up ?
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did no one on the set have a sense of humor , or did they not have the nerve to speak up ?
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cinematic artifice aside , the only thing avary seems to care about are mean giggles and pulchritude .
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cinematic pyrotechnics aside , the only thing avary seems to care about are mean giggles and pulchritude .
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some of the most imaginative silliness you are likely to witness in a movie theatre for some time .
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some of the most inventive silliness you are likely to witness in a movie theatre for some time .
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the story is missing any real emotional impact , and the plot is both contrived and cliched .
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the story is lacking any real emotional impact , and the plot is both contrived and cliched .
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others , more attuned to the anarchist maxim that ` the urge to destroy is also a creative urge ' , or more willing to see with their own ey es , will find morrison 's iconoclastic uess of technology to be emancipated .
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others , more attuned to the anarchist maxim that ` the urge to destroy is also a creative urge ' , or more willing to see with their own eyes , will find morrison 's iconoclastic uses of technology to be liberating .
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an awfully good , achingly human photograph .
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an awfully good , achingly human picture .
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but no. .
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but no. .
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it never plays as spectacular even when dramatic things happen to people .
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it never plays as dramatic even when dramatic things happen to people .
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i have n't seen such self-amused trash since freddy got fingerd .
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i have n't seen such self-amused trash since freddy got fingered .
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a cross between blow and boyz n the hood , this movіe strives to be more , but does n't quite gets there .
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a cross between blow and boyz n the hood , this movie strives to be more , but does n't quite get there .
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it 's a bad action movie because there 's no rooting interest and the spectacle is preposterous and boring .
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it 's a bad action movie because there 's no rooting interest and the spectacle is grotesque and boring .
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provides the kind of ` laugh therapy ' i need from m ovie comedies -- offbeat humor , amusing characters , and a happy ending .
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provides the kind of ` laugh therapy ' i need from movie comedies -- offbeat humor , amusing characters , and a happy ending .
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a prolongеd extrusion of psychopathic pulp .
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a prolonged extrusion of psychopathic pulp .
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little action , almost no suspense or believable tesnion , one-dimensional characters up the ԝazoo and sets that can only be described as sci-fi generic .
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little action , almost no suspense or believable tension , one-dimensional characters up the wazoo and sets that can only be described as sci-fi generic .
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directors nancy savoca 's no-frills record of a shoԝ forged in still-raw emotions captures the unsettled tenor of that post 9-11 period far better than a more measured or polished production forever could .
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director nancy savoca 's no-frills record of a show forged in still-raw emotions captures the unsettled tenor of that post 9-11 period far better than a more measured or polished production ever could .
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despite its hovering narrative , this is a remarkably accessible and haunting film .
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despite its floating narrative , this is a remarkably accessible and haunting film .
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the sum of all fears pretends to be a serious exploration of nuclear terror , but it 's indeed nothing more than warmed-over cold war paranoia .
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the sum of all fears pretends to be a serious exploration of nuclear terrorism , but it 's really nothing more than warmed-over cold war paranoia .
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the hypnotic imagery and fragmentary tale explore the connec𝚝ions between place and personal identity .
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the hypnotic imagery and fragmentary tale explore the connections between place and personal identity .
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it 's fun , splashy and еntertainingly nasty .
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it 's fun , splashy and entertainingly nasty .
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... the first 2\/3 of the film are incredibly captivating and insanely funny , thanking in paⲅt to interesting cinematic devices -lrb- cool visual backmasking -rrb- , a sоlid cast , and some wickedly sick and twisted humor ...
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... the first 2\/3 of the film are incredibly captivating and insanely funny , thanks in part to interesting cinematic devices -lrb- cool visual backmasking -rrb- , a solid cast , and some wickedly sick and twisted humor ...
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rather , pity anyne who sees this mishmash .
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rather , pity anyone who sees this mishmash .
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comeback to never land may be another shamelses attempt by disney to rake in dough from baby boomer families , but it 's not half-bad .
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return to never land may be another shameless attempt by disney to rake in dough from baby boomer families , but it 's not half-bad .
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