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Fantastic Voyage | The United States and the Soviet Union have both developed technology that can miniaturize matter by shrinking individual atoms, but only for a limited amount of time, depending on how small the item is miniaturized.
The scientist Dr. Jan Benes(Jean Del Val), working behind the Iron Curtain, has figured out how to make the process work indefinitely. With the help of the CIA, he escapes to the West, but an attempted assassination leaves him comatose with a blood clot in his brain.
To save his life, agent Charles Grant (Stephen Boyd), pilot Captain Bill Owens (William Redfield), Dr. Michaels (Donald Pleasence), surgeon Dr. Peter Duval (Arthur Kennedy), and his assistant Cora Peterson (Raquel Welch) are placed aboard a specially designed submarine at the C.M.D.F. (Combined Miniaturized Deterrent Forces) facilities. The submarine, named the Proteus, is then miniaturized and injected into Benes. The ship is reduced to one micrometer, giving the team one hour (60 minutes) to remove the clot. After the 60 minutes have elapsed, the Proteus and its crew will begin to revert to its normal size, become vulnerable to Benes's immune system, and (in the words of Asimov's novelization) "kill Benes regardless of the success of the surgery."
The crew faces many obstacles during the mission. An arteriovenous fistula forces them to detour through the heart, where cardiac arrest must be induced to avoid turbulence, through the inner ear (all outside personnel have to remain silent to prevent turbulence) and replenish their supply of oxygen in the lungs. When the surgical laser needed to destroy the clot is damaged, it becomes obvious there is a saboteur on the mission. They are forced to cannibalize their wireless telegraph to repair the device. By the time they finally reach the clot, they have only six minutes remaining to operate and then exit the body.
Before the mission, Grant had been briefed that Duval was the prime suspect as a potential surgical assassin. But as the mission progresses, he pieces the evidence together and instead begins to suspect Michaels. During the critical phase of the operation, Dr. Michaels knocks Owens out and takes control of the Proteus while the rest of the crew is outside for the operation. Duval successfully removes the clot with the laser, but Michaels tries to crash the sub into the clot area to kill Benes. Grant fires the laser at the ship, causing it to veer away and crash. Michaels is trapped in the wreckage and killed when white blood cells attack and destroy the Proteus. Grant saves Owens from the ship and they all swim desperately to one of Benes's eyes, where they escape through a tear duct seconds before returning to normal size.
In the original screenplay, there was a follow-up scene where we learn that, because of brain damage caused by the submarine, Benes no longer remembers the formula for unlimited miniaturization. Surviving stills suggest that this scene was filmed but never used, and the film does not tell how the Proteus failed to return to normal size. | who knocks Owens out and takes control of the Proteus while the rest of the crew is outside for the operation? | Dr. Michaels | 584 | 596 |
Fantastic Voyage | The United States and the Soviet Union have both developed technology that can miniaturize matter by shrinking individual atoms, but only for a limited amount of time, depending on how small the item is miniaturized.
The scientist Dr. Jan Benes(Jean Del Val), working behind the Iron Curtain, has figured out how to make the process work indefinitely. With the help of the CIA, he escapes to the West, but an attempted assassination leaves him comatose with a blood clot in his brain.
To save his life, agent Charles Grant (Stephen Boyd), pilot Captain Bill Owens (William Redfield), Dr. Michaels (Donald Pleasence), surgeon Dr. Peter Duval (Arthur Kennedy), and his assistant Cora Peterson (Raquel Welch) are placed aboard a specially designed submarine at the C.M.D.F. (Combined Miniaturized Deterrent Forces) facilities. The submarine, named the Proteus, is then miniaturized and injected into Benes. The ship is reduced to one micrometer, giving the team one hour (60 minutes) to remove the clot. After the 60 minutes have elapsed, the Proteus and its crew will begin to revert to its normal size, become vulnerable to Benes's immune system, and (in the words of Asimov's novelization) "kill Benes regardless of the success of the surgery."
The crew faces many obstacles during the mission. An arteriovenous fistula forces them to detour through the heart, where cardiac arrest must be induced to avoid turbulence, through the inner ear (all outside personnel have to remain silent to prevent turbulence) and replenish their supply of oxygen in the lungs. When the surgical laser needed to destroy the clot is damaged, it becomes obvious there is a saboteur on the mission. They are forced to cannibalize their wireless telegraph to repair the device. By the time they finally reach the clot, they have only six minutes remaining to operate and then exit the body.
Before the mission, Grant had been briefed that Duval was the prime suspect as a potential surgical assassin. But as the mission progresses, he pieces the evidence together and instead begins to suspect Michaels. During the critical phase of the operation, Dr. Michaels knocks Owens out and takes control of the Proteus while the rest of the crew is outside for the operation. Duval successfully removes the clot with the laser, but Michaels tries to crash the sub into the clot area to kill Benes. Grant fires the laser at the ship, causing it to veer away and crash. Michaels is trapped in the wreckage and killed when white blood cells attack and destroy the Proteus. Grant saves Owens from the ship and they all swim desperately to one of Benes's eyes, where they escape through a tear duct seconds before returning to normal size.
In the original screenplay, there was a follow-up scene where we learn that, because of brain damage caused by the submarine, Benes no longer remembers the formula for unlimited miniaturization. Surviving stills suggest that this scene was filmed but never used, and the film does not tell how the Proteus failed to return to normal size. | who is Charles Grant ? | agent | 503 | 508 |
Fantastic Voyage | The United States and the Soviet Union have both developed technology that can miniaturize matter by shrinking individual atoms, but only for a limited amount of time, depending on how small the item is miniaturized.
The scientist Dr. Jan Benes(Jean Del Val), working behind the Iron Curtain, has figured out how to make the process work indefinitely. With the help of the CIA, he escapes to the West, but an attempted assassination leaves him comatose with a blood clot in his brain.
To save his life, agent Charles Grant (Stephen Boyd), pilot Captain Bill Owens (William Redfield), Dr. Michaels (Donald Pleasence), surgeon Dr. Peter Duval (Arthur Kennedy), and his assistant Cora Peterson (Raquel Welch) are placed aboard a specially designed submarine at the C.M.D.F. (Combined Miniaturized Deterrent Forces) facilities. The submarine, named the Proteus, is then miniaturized and injected into Benes. The ship is reduced to one micrometer, giving the team one hour (60 minutes) to remove the clot. After the 60 minutes have elapsed, the Proteus and its crew will begin to revert to its normal size, become vulnerable to Benes's immune system, and (in the words of Asimov's novelization) "kill Benes regardless of the success of the surgery."
The crew faces many obstacles during the mission. An arteriovenous fistula forces them to detour through the heart, where cardiac arrest must be induced to avoid turbulence, through the inner ear (all outside personnel have to remain silent to prevent turbulence) and replenish their supply of oxygen in the lungs. When the surgical laser needed to destroy the clot is damaged, it becomes obvious there is a saboteur on the mission. They are forced to cannibalize their wireless telegraph to repair the device. By the time they finally reach the clot, they have only six minutes remaining to operate and then exit the body.
Before the mission, Grant had been briefed that Duval was the prime suspect as a potential surgical assassin. But as the mission progresses, he pieces the evidence together and instead begins to suspect Michaels. During the critical phase of the operation, Dr. Michaels knocks Owens out and takes control of the Proteus while the rest of the crew is outside for the operation. Duval successfully removes the clot with the laser, but Michaels tries to crash the sub into the clot area to kill Benes. Grant fires the laser at the ship, causing it to veer away and crash. Michaels is trapped in the wreckage and killed when white blood cells attack and destroy the Proteus. Grant saves Owens from the ship and they all swim desperately to one of Benes's eyes, where they escape through a tear duct seconds before returning to normal size.
In the original screenplay, there was a follow-up scene where we learn that, because of brain damage caused by the submarine, Benes no longer remembers the formula for unlimited miniaturization. Surviving stills suggest that this scene was filmed but never used, and the film does not tell how the Proteus failed to return to normal size. | What is brain damage caused by in the follow-up scene? | Submarine | 745 | 754 |
Fantastic Voyage | The United States and the Soviet Union have both developed technology that can miniaturize matter by shrinking individual atoms, but only for a limited amount of time, depending on how small the item is miniaturized.
The scientist Dr. Jan Benes(Jean Del Val), working behind the Iron Curtain, has figured out how to make the process work indefinitely. With the help of the CIA, he escapes to the West, but an attempted assassination leaves him comatose with a blood clot in his brain.
To save his life, agent Charles Grant (Stephen Boyd), pilot Captain Bill Owens (William Redfield), Dr. Michaels (Donald Pleasence), surgeon Dr. Peter Duval (Arthur Kennedy), and his assistant Cora Peterson (Raquel Welch) are placed aboard a specially designed submarine at the C.M.D.F. (Combined Miniaturized Deterrent Forces) facilities. The submarine, named the Proteus, is then miniaturized and injected into Benes. The ship is reduced to one micrometer, giving the team one hour (60 minutes) to remove the clot. After the 60 minutes have elapsed, the Proteus and its crew will begin to revert to its normal size, become vulnerable to Benes's immune system, and (in the words of Asimov's novelization) "kill Benes regardless of the success of the surgery."
The crew faces many obstacles during the mission. An arteriovenous fistula forces them to detour through the heart, where cardiac arrest must be induced to avoid turbulence, through the inner ear (all outside personnel have to remain silent to prevent turbulence) and replenish their supply of oxygen in the lungs. When the surgical laser needed to destroy the clot is damaged, it becomes obvious there is a saboteur on the mission. They are forced to cannibalize their wireless telegraph to repair the device. By the time they finally reach the clot, they have only six minutes remaining to operate and then exit the body.
Before the mission, Grant had been briefed that Duval was the prime suspect as a potential surgical assassin. But as the mission progresses, he pieces the evidence together and instead begins to suspect Michaels. During the critical phase of the operation, Dr. Michaels knocks Owens out and takes control of the Proteus while the rest of the crew is outside for the operation. Duval successfully removes the clot with the laser, but Michaels tries to crash the sub into the clot area to kill Benes. Grant fires the laser at the ship, causing it to veer away and crash. Michaels is trapped in the wreckage and killed when white blood cells attack and destroy the Proteus. Grant saves Owens from the ship and they all swim desperately to one of Benes's eyes, where they escape through a tear duct seconds before returning to normal size.
In the original screenplay, there was a follow-up scene where we learn that, because of brain damage caused by the submarine, Benes no longer remembers the formula for unlimited miniaturization. Surviving stills suggest that this scene was filmed but never used, and the film does not tell how the Proteus failed to return to normal size. | who is trapped in the wreckage and killed when white blood cells attack and destroy the Proteus? | Michaels | 588 | 596 |
Fantastic Voyage | The United States and the Soviet Union have both developed technology that can miniaturize matter by shrinking individual atoms, but only for a limited amount of time, depending on how small the item is miniaturized.
The scientist Dr. Jan Benes(Jean Del Val), working behind the Iron Curtain, has figured out how to make the process work indefinitely. With the help of the CIA, he escapes to the West, but an attempted assassination leaves him comatose with a blood clot in his brain.
To save his life, agent Charles Grant (Stephen Boyd), pilot Captain Bill Owens (William Redfield), Dr. Michaels (Donald Pleasence), surgeon Dr. Peter Duval (Arthur Kennedy), and his assistant Cora Peterson (Raquel Welch) are placed aboard a specially designed submarine at the C.M.D.F. (Combined Miniaturized Deterrent Forces) facilities. The submarine, named the Proteus, is then miniaturized and injected into Benes. The ship is reduced to one micrometer, giving the team one hour (60 minutes) to remove the clot. After the 60 minutes have elapsed, the Proteus and its crew will begin to revert to its normal size, become vulnerable to Benes's immune system, and (in the words of Asimov's novelization) "kill Benes regardless of the success of the surgery."
The crew faces many obstacles during the mission. An arteriovenous fistula forces them to detour through the heart, where cardiac arrest must be induced to avoid turbulence, through the inner ear (all outside personnel have to remain silent to prevent turbulence) and replenish their supply of oxygen in the lungs. When the surgical laser needed to destroy the clot is damaged, it becomes obvious there is a saboteur on the mission. They are forced to cannibalize their wireless telegraph to repair the device. By the time they finally reach the clot, they have only six minutes remaining to operate and then exit the body.
Before the mission, Grant had been briefed that Duval was the prime suspect as a potential surgical assassin. But as the mission progresses, he pieces the evidence together and instead begins to suspect Michaels. During the critical phase of the operation, Dr. Michaels knocks Owens out and takes control of the Proteus while the rest of the crew is outside for the operation. Duval successfully removes the clot with the laser, but Michaels tries to crash the sub into the clot area to kill Benes. Grant fires the laser at the ship, causing it to veer away and crash. Michaels is trapped in the wreckage and killed when white blood cells attack and destroy the Proteus. Grant saves Owens from the ship and they all swim desperately to one of Benes's eyes, where they escape through a tear duct seconds before returning to normal size.
In the original screenplay, there was a follow-up scene where we learn that, because of brain damage caused by the submarine, Benes no longer remembers the formula for unlimited miniaturization. Surviving stills suggest that this scene was filmed but never used, and the film does not tell how the Proteus failed to return to normal size. | How much time is left by the time they reach the clot? | six minutes | 1,812 | 1,823 |
Fantastic Voyage | The United States and the Soviet Union have both developed technology that can miniaturize matter by shrinking individual atoms, but only for a limited amount of time, depending on how small the item is miniaturized.
The scientist Dr. Jan Benes(Jean Del Val), working behind the Iron Curtain, has figured out how to make the process work indefinitely. With the help of the CIA, he escapes to the West, but an attempted assassination leaves him comatose with a blood clot in his brain.
To save his life, agent Charles Grant (Stephen Boyd), pilot Captain Bill Owens (William Redfield), Dr. Michaels (Donald Pleasence), surgeon Dr. Peter Duval (Arthur Kennedy), and his assistant Cora Peterson (Raquel Welch) are placed aboard a specially designed submarine at the C.M.D.F. (Combined Miniaturized Deterrent Forces) facilities. The submarine, named the Proteus, is then miniaturized and injected into Benes. The ship is reduced to one micrometer, giving the team one hour (60 minutes) to remove the clot. After the 60 minutes have elapsed, the Proteus and its crew will begin to revert to its normal size, become vulnerable to Benes's immune system, and (in the words of Asimov's novelization) "kill Benes regardless of the success of the surgery."
The crew faces many obstacles during the mission. An arteriovenous fistula forces them to detour through the heart, where cardiac arrest must be induced to avoid turbulence, through the inner ear (all outside personnel have to remain silent to prevent turbulence) and replenish their supply of oxygen in the lungs. When the surgical laser needed to destroy the clot is damaged, it becomes obvious there is a saboteur on the mission. They are forced to cannibalize their wireless telegraph to repair the device. By the time they finally reach the clot, they have only six minutes remaining to operate and then exit the body.
Before the mission, Grant had been briefed that Duval was the prime suspect as a potential surgical assassin. But as the mission progresses, he pieces the evidence together and instead begins to suspect Michaels. During the critical phase of the operation, Dr. Michaels knocks Owens out and takes control of the Proteus while the rest of the crew is outside for the operation. Duval successfully removes the clot with the laser, but Michaels tries to crash the sub into the clot area to kill Benes. Grant fires the laser at the ship, causing it to veer away and crash. Michaels is trapped in the wreckage and killed when white blood cells attack and destroy the Proteus. Grant saves Owens from the ship and they all swim desperately to one of Benes's eyes, where they escape through a tear duct seconds before returning to normal size.
In the original screenplay, there was a follow-up scene where we learn that, because of brain damage caused by the submarine, Benes no longer remembers the formula for unlimited miniaturization. Surviving stills suggest that this scene was filmed but never used, and the film does not tell how the Proteus failed to return to normal size. | who is Captain Bill Owens ? | pilot | 539 | 544 |
Fantastic Voyage | The United States and the Soviet Union have both developed technology that can miniaturize matter by shrinking individual atoms, but only for a limited amount of time, depending on how small the item is miniaturized.
The scientist Dr. Jan Benes(Jean Del Val), working behind the Iron Curtain, has figured out how to make the process work indefinitely. With the help of the CIA, he escapes to the West, but an attempted assassination leaves him comatose with a blood clot in his brain.
To save his life, agent Charles Grant (Stephen Boyd), pilot Captain Bill Owens (William Redfield), Dr. Michaels (Donald Pleasence), surgeon Dr. Peter Duval (Arthur Kennedy), and his assistant Cora Peterson (Raquel Welch) are placed aboard a specially designed submarine at the C.M.D.F. (Combined Miniaturized Deterrent Forces) facilities. The submarine, named the Proteus, is then miniaturized and injected into Benes. The ship is reduced to one micrometer, giving the team one hour (60 minutes) to remove the clot. After the 60 minutes have elapsed, the Proteus and its crew will begin to revert to its normal size, become vulnerable to Benes's immune system, and (in the words of Asimov's novelization) "kill Benes regardless of the success of the surgery."
The crew faces many obstacles during the mission. An arteriovenous fistula forces them to detour through the heart, where cardiac arrest must be induced to avoid turbulence, through the inner ear (all outside personnel have to remain silent to prevent turbulence) and replenish their supply of oxygen in the lungs. When the surgical laser needed to destroy the clot is damaged, it becomes obvious there is a saboteur on the mission. They are forced to cannibalize their wireless telegraph to repair the device. By the time they finally reach the clot, they have only six minutes remaining to operate and then exit the body.
Before the mission, Grant had been briefed that Duval was the prime suspect as a potential surgical assassin. But as the mission progresses, he pieces the evidence together and instead begins to suspect Michaels. During the critical phase of the operation, Dr. Michaels knocks Owens out and takes control of the Proteus while the rest of the crew is outside for the operation. Duval successfully removes the clot with the laser, but Michaels tries to crash the sub into the clot area to kill Benes. Grant fires the laser at the ship, causing it to veer away and crash. Michaels is trapped in the wreckage and killed when white blood cells attack and destroy the Proteus. Grant saves Owens from the ship and they all swim desperately to one of Benes's eyes, where they escape through a tear duct seconds before returning to normal size.
In the original screenplay, there was a follow-up scene where we learn that, because of brain damage caused by the submarine, Benes no longer remembers the formula for unlimited miniaturization. Surviving stills suggest that this scene was filmed but never used, and the film does not tell how the Proteus failed to return to normal size. | what is named as proteus? | submarine | 745 | 754 |
The House on Sorority Row | Seven sorority sisters pull a prank on their strict house mother, Mrs. Slater, who is known for carrying a sharp walking cane. Their plan is to put her cane out in their dirty pool and force her at gunpoint to retrieve it. The prank goes awry when Vicki, believing the gun to be loaded with blanks, shoots Slater who collapses and appears to be dead. The girls agree to hide the body in the pool until their graduation party is finished.
As the party begins, a guest wanders around the pool and an unidentified figure stabs him through the throat with Slater's cane. When other guests attempt to throw Jeanie in the pool, they are stopped by the sorority sisters. The girls realize that if the pool lights get switched on they will reveal Slater's body, so Stevie goes into the power room to disable them. While doing so, she is brutally stabbed to death by the same cane-wielding figure. Later, the pool lights do come on, but Slater's body is no longer in the pool. The girls speculate about what could have happened to both Stevie and the body.
Deciding that Slater must still be alive, Vicki orders the girls to search for her. Morgan enters Slater's room where Slater's trussed-up body falls on her from the attic. She is joined by the sisters, and Vickie suggests hiding the body in the old cemetery. Morgan runs crying to her room where she is stabbed to death by the killer with Slater's cane. Meanwhile, Katey goes into the attic and discovers children's toys, a clown statue, and a dead bloodied bird lying in its cage. Diane is waiting in her van for the other girls, but the murderer stabs her to death through the sunroof. Jeanie, the most nervous member of the group, is attacked while running back to the house, but manages to escape. After informing Katey about the attack, Jeanie arms herself with a chef's knife and is chased into the upstairs bathroom. As she hides in a stall, the killer enters the bathroom and looks in each stall. As the killer reaches the last stall, Jeanie bursts out of the stall to attack but the killer gains the upper hand and decapitates Jeanie with her own knife
Katey finds a medical alert tag on a necklace belonging to Slater. She calls the phone number and is put through to a Dr. Beck who soon arrives at the house. The two discover the bodies of Stevie, Morgan, and Diane in the pool before beginning to believe that Slater is responsible for the attacks. Meanwhile, Vicki and Liz are attempting to bury the body. As they are about to bury the body, Liz and Vicki are both shortly killed by the assailant. Katey and Dr. Beck travel to the cemetery where Katey finds the bodies of Vicki and Liz at the bottom of an open grave while Dr. Beck finds Slater's body in the back of the van.
After forcibly giving Katey a sedative upon returning to the house, Dr. Beck reveals that Slater had a son named Eric who was horribly deformed and mentally underdeveloped thanks to an illegal fertility treatment he had given her. Eric was living in the sorority house's attic and witnessed the death of his mother. He is now exacting revenge on the girls. Dr. Beck uses Katey as bait so he can capture Eric with a tranquilizer gun and cover up his crime. Upon seeing someone coming through the door, Dr. Beck shoots the person, only to see that it was Peter, Katey's date. Eric then arrives and hacks Dr. Beck to death while Katey searches for Vicki's gun. She discovers Eric standing over Dr. Beck's body, but when she pulls the trigger the gun will not fire. She flees to the upstairs bathroom to find and release the gun's safety catch, which she does, but panics when she finds Jeanie's severed head in the toilet. Katey climbs up into the attic where she is attacked by Eric, who is wearing a clown costume. Katey shoots him repeatedly, which reveals the gun is loaded with blanks. She then grabs a doll and uses the pin sticking out of its neck to stab Eric numerous times, and he falls through the attic hatch to the floor below. Katey peers down and is relieved to see him motionless, believing that he is dead. However, Eric was only stunned, as he opens his eyes before the film ends leaving both of their fates unknown. | What does the killer stab Morgan with? | Slater's cane | 552 | 565 |
The House on Sorority Row | Seven sorority sisters pull a prank on their strict house mother, Mrs. Slater, who is known for carrying a sharp walking cane. Their plan is to put her cane out in their dirty pool and force her at gunpoint to retrieve it. The prank goes awry when Vicki, believing the gun to be loaded with blanks, shoots Slater who collapses and appears to be dead. The girls agree to hide the body in the pool until their graduation party is finished.
As the party begins, a guest wanders around the pool and an unidentified figure stabs him through the throat with Slater's cane. When other guests attempt to throw Jeanie in the pool, they are stopped by the sorority sisters. The girls realize that if the pool lights get switched on they will reveal Slater's body, so Stevie goes into the power room to disable them. While doing so, she is brutally stabbed to death by the same cane-wielding figure. Later, the pool lights do come on, but Slater's body is no longer in the pool. The girls speculate about what could have happened to both Stevie and the body.
Deciding that Slater must still be alive, Vicki orders the girls to search for her. Morgan enters Slater's room where Slater's trussed-up body falls on her from the attic. She is joined by the sisters, and Vickie suggests hiding the body in the old cemetery. Morgan runs crying to her room where she is stabbed to death by the killer with Slater's cane. Meanwhile, Katey goes into the attic and discovers children's toys, a clown statue, and a dead bloodied bird lying in its cage. Diane is waiting in her van for the other girls, but the murderer stabs her to death through the sunroof. Jeanie, the most nervous member of the group, is attacked while running back to the house, but manages to escape. After informing Katey about the attack, Jeanie arms herself with a chef's knife and is chased into the upstairs bathroom. As she hides in a stall, the killer enters the bathroom and looks in each stall. As the killer reaches the last stall, Jeanie bursts out of the stall to attack but the killer gains the upper hand and decapitates Jeanie with her own knife
Katey finds a medical alert tag on a necklace belonging to Slater. She calls the phone number and is put through to a Dr. Beck who soon arrives at the house. The two discover the bodies of Stevie, Morgan, and Diane in the pool before beginning to believe that Slater is responsible for the attacks. Meanwhile, Vicki and Liz are attempting to bury the body. As they are about to bury the body, Liz and Vicki are both shortly killed by the assailant. Katey and Dr. Beck travel to the cemetery where Katey finds the bodies of Vicki and Liz at the bottom of an open grave while Dr. Beck finds Slater's body in the back of the van.
After forcibly giving Katey a sedative upon returning to the house, Dr. Beck reveals that Slater had a son named Eric who was horribly deformed and mentally underdeveloped thanks to an illegal fertility treatment he had given her. Eric was living in the sorority house's attic and witnessed the death of his mother. He is now exacting revenge on the girls. Dr. Beck uses Katey as bait so he can capture Eric with a tranquilizer gun and cover up his crime. Upon seeing someone coming through the door, Dr. Beck shoots the person, only to see that it was Peter, Katey's date. Eric then arrives and hacks Dr. Beck to death while Katey searches for Vicki's gun. She discovers Eric standing over Dr. Beck's body, but when she pulls the trigger the gun will not fire. She flees to the upstairs bathroom to find and release the gun's safety catch, which she does, but panics when she finds Jeanie's severed head in the toilet. Katey climbs up into the attic where she is attacked by Eric, who is wearing a clown costume. Katey shoots him repeatedly, which reveals the gun is loaded with blanks. She then grabs a doll and uses the pin sticking out of its neck to stab Eric numerous times, and he falls through the attic hatch to the floor below. Katey peers down and is relieved to see him motionless, believing that he is dead. However, Eric was only stunned, as he opens his eyes before the film ends leaving both of their fates unknown. | What does Katey find? | medical alert tag on a necklace belonging to Slater | 2,124 | 2,175 |
The House on Sorority Row | Seven sorority sisters pull a prank on their strict house mother, Mrs. Slater, who is known for carrying a sharp walking cane. Their plan is to put her cane out in their dirty pool and force her at gunpoint to retrieve it. The prank goes awry when Vicki, believing the gun to be loaded with blanks, shoots Slater who collapses and appears to be dead. The girls agree to hide the body in the pool until their graduation party is finished.
As the party begins, a guest wanders around the pool and an unidentified figure stabs him through the throat with Slater's cane. When other guests attempt to throw Jeanie in the pool, they are stopped by the sorority sisters. The girls realize that if the pool lights get switched on they will reveal Slater's body, so Stevie goes into the power room to disable them. While doing so, she is brutally stabbed to death by the same cane-wielding figure. Later, the pool lights do come on, but Slater's body is no longer in the pool. The girls speculate about what could have happened to both Stevie and the body.
Deciding that Slater must still be alive, Vicki orders the girls to search for her. Morgan enters Slater's room where Slater's trussed-up body falls on her from the attic. She is joined by the sisters, and Vickie suggests hiding the body in the old cemetery. Morgan runs crying to her room where she is stabbed to death by the killer with Slater's cane. Meanwhile, Katey goes into the attic and discovers children's toys, a clown statue, and a dead bloodied bird lying in its cage. Diane is waiting in her van for the other girls, but the murderer stabs her to death through the sunroof. Jeanie, the most nervous member of the group, is attacked while running back to the house, but manages to escape. After informing Katey about the attack, Jeanie arms herself with a chef's knife and is chased into the upstairs bathroom. As she hides in a stall, the killer enters the bathroom and looks in each stall. As the killer reaches the last stall, Jeanie bursts out of the stall to attack but the killer gains the upper hand and decapitates Jeanie with her own knife
Katey finds a medical alert tag on a necklace belonging to Slater. She calls the phone number and is put through to a Dr. Beck who soon arrives at the house. The two discover the bodies of Stevie, Morgan, and Diane in the pool before beginning to believe that Slater is responsible for the attacks. Meanwhile, Vicki and Liz are attempting to bury the body. As they are about to bury the body, Liz and Vicki are both shortly killed by the assailant. Katey and Dr. Beck travel to the cemetery where Katey finds the bodies of Vicki and Liz at the bottom of an open grave while Dr. Beck finds Slater's body in the back of the van.
After forcibly giving Katey a sedative upon returning to the house, Dr. Beck reveals that Slater had a son named Eric who was horribly deformed and mentally underdeveloped thanks to an illegal fertility treatment he had given her. Eric was living in the sorority house's attic and witnessed the death of his mother. He is now exacting revenge on the girls. Dr. Beck uses Katey as bait so he can capture Eric with a tranquilizer gun and cover up his crime. Upon seeing someone coming through the door, Dr. Beck shoots the person, only to see that it was Peter, Katey's date. Eric then arrives and hacks Dr. Beck to death while Katey searches for Vicki's gun. She discovers Eric standing over Dr. Beck's body, but when she pulls the trigger the gun will not fire. She flees to the upstairs bathroom to find and release the gun's safety catch, which she does, but panics when she finds Jeanie's severed head in the toilet. Katey climbs up into the attic where she is attacked by Eric, who is wearing a clown costume. Katey shoots him repeatedly, which reveals the gun is loaded with blanks. She then grabs a doll and uses the pin sticking out of its neck to stab Eric numerous times, and he falls through the attic hatch to the floor below. Katey peers down and is relieved to see him motionless, believing that he is dead. However, Eric was only stunned, as he opens his eyes before the film ends leaving both of their fates unknown. | Where does Katey flee? | upstairs bathroom | 1,853 | 1,870 |
The House on Sorority Row | Seven sorority sisters pull a prank on their strict house mother, Mrs. Slater, who is known for carrying a sharp walking cane. Their plan is to put her cane out in their dirty pool and force her at gunpoint to retrieve it. The prank goes awry when Vicki, believing the gun to be loaded with blanks, shoots Slater who collapses and appears to be dead. The girls agree to hide the body in the pool until their graduation party is finished.
As the party begins, a guest wanders around the pool and an unidentified figure stabs him through the throat with Slater's cane. When other guests attempt to throw Jeanie in the pool, they are stopped by the sorority sisters. The girls realize that if the pool lights get switched on they will reveal Slater's body, so Stevie goes into the power room to disable them. While doing so, she is brutally stabbed to death by the same cane-wielding figure. Later, the pool lights do come on, but Slater's body is no longer in the pool. The girls speculate about what could have happened to both Stevie and the body.
Deciding that Slater must still be alive, Vicki orders the girls to search for her. Morgan enters Slater's room where Slater's trussed-up body falls on her from the attic. She is joined by the sisters, and Vickie suggests hiding the body in the old cemetery. Morgan runs crying to her room where she is stabbed to death by the killer with Slater's cane. Meanwhile, Katey goes into the attic and discovers children's toys, a clown statue, and a dead bloodied bird lying in its cage. Diane is waiting in her van for the other girls, but the murderer stabs her to death through the sunroof. Jeanie, the most nervous member of the group, is attacked while running back to the house, but manages to escape. After informing Katey about the attack, Jeanie arms herself with a chef's knife and is chased into the upstairs bathroom. As she hides in a stall, the killer enters the bathroom and looks in each stall. As the killer reaches the last stall, Jeanie bursts out of the stall to attack but the killer gains the upper hand and decapitates Jeanie with her own knife
Katey finds a medical alert tag on a necklace belonging to Slater. She calls the phone number and is put through to a Dr. Beck who soon arrives at the house. The two discover the bodies of Stevie, Morgan, and Diane in the pool before beginning to believe that Slater is responsible for the attacks. Meanwhile, Vicki and Liz are attempting to bury the body. As they are about to bury the body, Liz and Vicki are both shortly killed by the assailant. Katey and Dr. Beck travel to the cemetery where Katey finds the bodies of Vicki and Liz at the bottom of an open grave while Dr. Beck finds Slater's body in the back of the van.
After forcibly giving Katey a sedative upon returning to the house, Dr. Beck reveals that Slater had a son named Eric who was horribly deformed and mentally underdeveloped thanks to an illegal fertility treatment he had given her. Eric was living in the sorority house's attic and witnessed the death of his mother. He is now exacting revenge on the girls. Dr. Beck uses Katey as bait so he can capture Eric with a tranquilizer gun and cover up his crime. Upon seeing someone coming through the door, Dr. Beck shoots the person, only to see that it was Peter, Katey's date. Eric then arrives and hacks Dr. Beck to death while Katey searches for Vicki's gun. She discovers Eric standing over Dr. Beck's body, but when she pulls the trigger the gun will not fire. She flees to the upstairs bathroom to find and release the gun's safety catch, which she does, but panics when she finds Jeanie's severed head in the toilet. Katey climbs up into the attic where she is attacked by Eric, who is wearing a clown costume. Katey shoots him repeatedly, which reveals the gun is loaded with blanks. She then grabs a doll and uses the pin sticking out of its neck to stab Eric numerous times, and he falls through the attic hatch to the floor below. Katey peers down and is relieved to see him motionless, believing that he is dead. However, Eric was only stunned, as he opens his eyes before the film ends leaving both of their fates unknown. | Who is stabbed through a sunroof? | Diane | 1,530 | 1,535 |
The House on Sorority Row | Seven sorority sisters pull a prank on their strict house mother, Mrs. Slater, who is known for carrying a sharp walking cane. Their plan is to put her cane out in their dirty pool and force her at gunpoint to retrieve it. The prank goes awry when Vicki, believing the gun to be loaded with blanks, shoots Slater who collapses and appears to be dead. The girls agree to hide the body in the pool until their graduation party is finished.
As the party begins, a guest wanders around the pool and an unidentified figure stabs him through the throat with Slater's cane. When other guests attempt to throw Jeanie in the pool, they are stopped by the sorority sisters. The girls realize that if the pool lights get switched on they will reveal Slater's body, so Stevie goes into the power room to disable them. While doing so, she is brutally stabbed to death by the same cane-wielding figure. Later, the pool lights do come on, but Slater's body is no longer in the pool. The girls speculate about what could have happened to both Stevie and the body.
Deciding that Slater must still be alive, Vicki orders the girls to search for her. Morgan enters Slater's room where Slater's trussed-up body falls on her from the attic. She is joined by the sisters, and Vickie suggests hiding the body in the old cemetery. Morgan runs crying to her room where she is stabbed to death by the killer with Slater's cane. Meanwhile, Katey goes into the attic and discovers children's toys, a clown statue, and a dead bloodied bird lying in its cage. Diane is waiting in her van for the other girls, but the murderer stabs her to death through the sunroof. Jeanie, the most nervous member of the group, is attacked while running back to the house, but manages to escape. After informing Katey about the attack, Jeanie arms herself with a chef's knife and is chased into the upstairs bathroom. As she hides in a stall, the killer enters the bathroom and looks in each stall. As the killer reaches the last stall, Jeanie bursts out of the stall to attack but the killer gains the upper hand and decapitates Jeanie with her own knife
Katey finds a medical alert tag on a necklace belonging to Slater. She calls the phone number and is put through to a Dr. Beck who soon arrives at the house. The two discover the bodies of Stevie, Morgan, and Diane in the pool before beginning to believe that Slater is responsible for the attacks. Meanwhile, Vicki and Liz are attempting to bury the body. As they are about to bury the body, Liz and Vicki are both shortly killed by the assailant. Katey and Dr. Beck travel to the cemetery where Katey finds the bodies of Vicki and Liz at the bottom of an open grave while Dr. Beck finds Slater's body in the back of the van.
After forcibly giving Katey a sedative upon returning to the house, Dr. Beck reveals that Slater had a son named Eric who was horribly deformed and mentally underdeveloped thanks to an illegal fertility treatment he had given her. Eric was living in the sorority house's attic and witnessed the death of his mother. He is now exacting revenge on the girls. Dr. Beck uses Katey as bait so he can capture Eric with a tranquilizer gun and cover up his crime. Upon seeing someone coming through the door, Dr. Beck shoots the person, only to see that it was Peter, Katey's date. Eric then arrives and hacks Dr. Beck to death while Katey searches for Vicki's gun. She discovers Eric standing over Dr. Beck's body, but when she pulls the trigger the gun will not fire. She flees to the upstairs bathroom to find and release the gun's safety catch, which she does, but panics when she finds Jeanie's severed head in the toilet. Katey climbs up into the attic where she is attacked by Eric, who is wearing a clown costume. Katey shoots him repeatedly, which reveals the gun is loaded with blanks. She then grabs a doll and uses the pin sticking out of its neck to stab Eric numerous times, and he falls through the attic hatch to the floor below. Katey peers down and is relieved to see him motionless, believing that he is dead. However, Eric was only stunned, as he opens his eyes before the film ends leaving both of their fates unknown. | What was the gun loaded with? | blanks | 291 | 297 |
The House on Sorority Row | Seven sorority sisters pull a prank on their strict house mother, Mrs. Slater, who is known for carrying a sharp walking cane. Their plan is to put her cane out in their dirty pool and force her at gunpoint to retrieve it. The prank goes awry when Vicki, believing the gun to be loaded with blanks, shoots Slater who collapses and appears to be dead. The girls agree to hide the body in the pool until their graduation party is finished.
As the party begins, a guest wanders around the pool and an unidentified figure stabs him through the throat with Slater's cane. When other guests attempt to throw Jeanie in the pool, they are stopped by the sorority sisters. The girls realize that if the pool lights get switched on they will reveal Slater's body, so Stevie goes into the power room to disable them. While doing so, she is brutally stabbed to death by the same cane-wielding figure. Later, the pool lights do come on, but Slater's body is no longer in the pool. The girls speculate about what could have happened to both Stevie and the body.
Deciding that Slater must still be alive, Vicki orders the girls to search for her. Morgan enters Slater's room where Slater's trussed-up body falls on her from the attic. She is joined by the sisters, and Vickie suggests hiding the body in the old cemetery. Morgan runs crying to her room where she is stabbed to death by the killer with Slater's cane. Meanwhile, Katey goes into the attic and discovers children's toys, a clown statue, and a dead bloodied bird lying in its cage. Diane is waiting in her van for the other girls, but the murderer stabs her to death through the sunroof. Jeanie, the most nervous member of the group, is attacked while running back to the house, but manages to escape. After informing Katey about the attack, Jeanie arms herself with a chef's knife and is chased into the upstairs bathroom. As she hides in a stall, the killer enters the bathroom and looks in each stall. As the killer reaches the last stall, Jeanie bursts out of the stall to attack but the killer gains the upper hand and decapitates Jeanie with her own knife
Katey finds a medical alert tag on a necklace belonging to Slater. She calls the phone number and is put through to a Dr. Beck who soon arrives at the house. The two discover the bodies of Stevie, Morgan, and Diane in the pool before beginning to believe that Slater is responsible for the attacks. Meanwhile, Vicki and Liz are attempting to bury the body. As they are about to bury the body, Liz and Vicki are both shortly killed by the assailant. Katey and Dr. Beck travel to the cemetery where Katey finds the bodies of Vicki and Liz at the bottom of an open grave while Dr. Beck finds Slater's body in the back of the van.
After forcibly giving Katey a sedative upon returning to the house, Dr. Beck reveals that Slater had a son named Eric who was horribly deformed and mentally underdeveloped thanks to an illegal fertility treatment he had given her. Eric was living in the sorority house's attic and witnessed the death of his mother. He is now exacting revenge on the girls. Dr. Beck uses Katey as bait so he can capture Eric with a tranquilizer gun and cover up his crime. Upon seeing someone coming through the door, Dr. Beck shoots the person, only to see that it was Peter, Katey's date. Eric then arrives and hacks Dr. Beck to death while Katey searches for Vicki's gun. She discovers Eric standing over Dr. Beck's body, but when she pulls the trigger the gun will not fire. She flees to the upstairs bathroom to find and release the gun's safety catch, which she does, but panics when she finds Jeanie's severed head in the toilet. Katey climbs up into the attic where she is attacked by Eric, who is wearing a clown costume. Katey shoots him repeatedly, which reveals the gun is loaded with blanks. She then grabs a doll and uses the pin sticking out of its neck to stab Eric numerous times, and he falls through the attic hatch to the floor below. Katey peers down and is relieved to see him motionless, believing that he is dead. However, Eric was only stunned, as he opens his eyes before the film ends leaving both of their fates unknown. | What does Eric witness? | death of his mother | 3,032 | 3,051 |
The House on Sorority Row | Seven sorority sisters pull a prank on their strict house mother, Mrs. Slater, who is known for carrying a sharp walking cane. Their plan is to put her cane out in their dirty pool and force her at gunpoint to retrieve it. The prank goes awry when Vicki, believing the gun to be loaded with blanks, shoots Slater who collapses and appears to be dead. The girls agree to hide the body in the pool until their graduation party is finished.
As the party begins, a guest wanders around the pool and an unidentified figure stabs him through the throat with Slater's cane. When other guests attempt to throw Jeanie in the pool, they are stopped by the sorority sisters. The girls realize that if the pool lights get switched on they will reveal Slater's body, so Stevie goes into the power room to disable them. While doing so, she is brutally stabbed to death by the same cane-wielding figure. Later, the pool lights do come on, but Slater's body is no longer in the pool. The girls speculate about what could have happened to both Stevie and the body.
Deciding that Slater must still be alive, Vicki orders the girls to search for her. Morgan enters Slater's room where Slater's trussed-up body falls on her from the attic. She is joined by the sisters, and Vickie suggests hiding the body in the old cemetery. Morgan runs crying to her room where she is stabbed to death by the killer with Slater's cane. Meanwhile, Katey goes into the attic and discovers children's toys, a clown statue, and a dead bloodied bird lying in its cage. Diane is waiting in her van for the other girls, but the murderer stabs her to death through the sunroof. Jeanie, the most nervous member of the group, is attacked while running back to the house, but manages to escape. After informing Katey about the attack, Jeanie arms herself with a chef's knife and is chased into the upstairs bathroom. As she hides in a stall, the killer enters the bathroom and looks in each stall. As the killer reaches the last stall, Jeanie bursts out of the stall to attack but the killer gains the upper hand and decapitates Jeanie with her own knife
Katey finds a medical alert tag on a necklace belonging to Slater. She calls the phone number and is put through to a Dr. Beck who soon arrives at the house. The two discover the bodies of Stevie, Morgan, and Diane in the pool before beginning to believe that Slater is responsible for the attacks. Meanwhile, Vicki and Liz are attempting to bury the body. As they are about to bury the body, Liz and Vicki are both shortly killed by the assailant. Katey and Dr. Beck travel to the cemetery where Katey finds the bodies of Vicki and Liz at the bottom of an open grave while Dr. Beck finds Slater's body in the back of the van.
After forcibly giving Katey a sedative upon returning to the house, Dr. Beck reveals that Slater had a son named Eric who was horribly deformed and mentally underdeveloped thanks to an illegal fertility treatment he had given her. Eric was living in the sorority house's attic and witnessed the death of his mother. He is now exacting revenge on the girls. Dr. Beck uses Katey as bait so he can capture Eric with a tranquilizer gun and cover up his crime. Upon seeing someone coming through the door, Dr. Beck shoots the person, only to see that it was Peter, Katey's date. Eric then arrives and hacks Dr. Beck to death while Katey searches for Vicki's gun. She discovers Eric standing over Dr. Beck's body, but when she pulls the trigger the gun will not fire. She flees to the upstairs bathroom to find and release the gun's safety catch, which she does, but panics when she finds Jeanie's severed head in the toilet. Katey climbs up into the attic where she is attacked by Eric, who is wearing a clown costume. Katey shoots him repeatedly, which reveals the gun is loaded with blanks. She then grabs a doll and uses the pin sticking out of its neck to stab Eric numerous times, and he falls through the attic hatch to the floor below. Katey peers down and is relieved to see him motionless, believing that he is dead. However, Eric was only stunned, as he opens his eyes before the film ends leaving both of their fates unknown. | Where did Eric live? | sorority house's attic | 2,991 | 3,013 |
The House on Sorority Row | Seven sorority sisters pull a prank on their strict house mother, Mrs. Slater, who is known for carrying a sharp walking cane. Their plan is to put her cane out in their dirty pool and force her at gunpoint to retrieve it. The prank goes awry when Vicki, believing the gun to be loaded with blanks, shoots Slater who collapses and appears to be dead. The girls agree to hide the body in the pool until their graduation party is finished.
As the party begins, a guest wanders around the pool and an unidentified figure stabs him through the throat with Slater's cane. When other guests attempt to throw Jeanie in the pool, they are stopped by the sorority sisters. The girls realize that if the pool lights get switched on they will reveal Slater's body, so Stevie goes into the power room to disable them. While doing so, she is brutally stabbed to death by the same cane-wielding figure. Later, the pool lights do come on, but Slater's body is no longer in the pool. The girls speculate about what could have happened to both Stevie and the body.
Deciding that Slater must still be alive, Vicki orders the girls to search for her. Morgan enters Slater's room where Slater's trussed-up body falls on her from the attic. She is joined by the sisters, and Vickie suggests hiding the body in the old cemetery. Morgan runs crying to her room where she is stabbed to death by the killer with Slater's cane. Meanwhile, Katey goes into the attic and discovers children's toys, a clown statue, and a dead bloodied bird lying in its cage. Diane is waiting in her van for the other girls, but the murderer stabs her to death through the sunroof. Jeanie, the most nervous member of the group, is attacked while running back to the house, but manages to escape. After informing Katey about the attack, Jeanie arms herself with a chef's knife and is chased into the upstairs bathroom. As she hides in a stall, the killer enters the bathroom and looks in each stall. As the killer reaches the last stall, Jeanie bursts out of the stall to attack but the killer gains the upper hand and decapitates Jeanie with her own knife
Katey finds a medical alert tag on a necklace belonging to Slater. She calls the phone number and is put through to a Dr. Beck who soon arrives at the house. The two discover the bodies of Stevie, Morgan, and Diane in the pool before beginning to believe that Slater is responsible for the attacks. Meanwhile, Vicki and Liz are attempting to bury the body. As they are about to bury the body, Liz and Vicki are both shortly killed by the assailant. Katey and Dr. Beck travel to the cemetery where Katey finds the bodies of Vicki and Liz at the bottom of an open grave while Dr. Beck finds Slater's body in the back of the van.
After forcibly giving Katey a sedative upon returning to the house, Dr. Beck reveals that Slater had a son named Eric who was horribly deformed and mentally underdeveloped thanks to an illegal fertility treatment he had given her. Eric was living in the sorority house's attic and witnessed the death of his mother. He is now exacting revenge on the girls. Dr. Beck uses Katey as bait so he can capture Eric with a tranquilizer gun and cover up his crime. Upon seeing someone coming through the door, Dr. Beck shoots the person, only to see that it was Peter, Katey's date. Eric then arrives and hacks Dr. Beck to death while Katey searches for Vicki's gun. She discovers Eric standing over Dr. Beck's body, but when she pulls the trigger the gun will not fire. She flees to the upstairs bathroom to find and release the gun's safety catch, which she does, but panics when she finds Jeanie's severed head in the toilet. Katey climbs up into the attic where she is attacked by Eric, who is wearing a clown costume. Katey shoots him repeatedly, which reveals the gun is loaded with blanks. She then grabs a doll and uses the pin sticking out of its neck to stab Eric numerous times, and he falls through the attic hatch to the floor below. Katey peers down and is relieved to see him motionless, believing that he is dead. However, Eric was only stunned, as he opens his eyes before the film ends leaving both of their fates unknown. | Who is the sorority house mother? | Mrs. Slater | 66 | 77 |
The House on Sorority Row | Seven sorority sisters pull a prank on their strict house mother, Mrs. Slater, who is known for carrying a sharp walking cane. Their plan is to put her cane out in their dirty pool and force her at gunpoint to retrieve it. The prank goes awry when Vicki, believing the gun to be loaded with blanks, shoots Slater who collapses and appears to be dead. The girls agree to hide the body in the pool until their graduation party is finished.
As the party begins, a guest wanders around the pool and an unidentified figure stabs him through the throat with Slater's cane. When other guests attempt to throw Jeanie in the pool, they are stopped by the sorority sisters. The girls realize that if the pool lights get switched on they will reveal Slater's body, so Stevie goes into the power room to disable them. While doing so, she is brutally stabbed to death by the same cane-wielding figure. Later, the pool lights do come on, but Slater's body is no longer in the pool. The girls speculate about what could have happened to both Stevie and the body.
Deciding that Slater must still be alive, Vicki orders the girls to search for her. Morgan enters Slater's room where Slater's trussed-up body falls on her from the attic. She is joined by the sisters, and Vickie suggests hiding the body in the old cemetery. Morgan runs crying to her room where she is stabbed to death by the killer with Slater's cane. Meanwhile, Katey goes into the attic and discovers children's toys, a clown statue, and a dead bloodied bird lying in its cage. Diane is waiting in her van for the other girls, but the murderer stabs her to death through the sunroof. Jeanie, the most nervous member of the group, is attacked while running back to the house, but manages to escape. After informing Katey about the attack, Jeanie arms herself with a chef's knife and is chased into the upstairs bathroom. As she hides in a stall, the killer enters the bathroom and looks in each stall. As the killer reaches the last stall, Jeanie bursts out of the stall to attack but the killer gains the upper hand and decapitates Jeanie with her own knife
Katey finds a medical alert tag on a necklace belonging to Slater. She calls the phone number and is put through to a Dr. Beck who soon arrives at the house. The two discover the bodies of Stevie, Morgan, and Diane in the pool before beginning to believe that Slater is responsible for the attacks. Meanwhile, Vicki and Liz are attempting to bury the body. As they are about to bury the body, Liz and Vicki are both shortly killed by the assailant. Katey and Dr. Beck travel to the cemetery where Katey finds the bodies of Vicki and Liz at the bottom of an open grave while Dr. Beck finds Slater's body in the back of the van.
After forcibly giving Katey a sedative upon returning to the house, Dr. Beck reveals that Slater had a son named Eric who was horribly deformed and mentally underdeveloped thanks to an illegal fertility treatment he had given her. Eric was living in the sorority house's attic and witnessed the death of his mother. He is now exacting revenge on the girls. Dr. Beck uses Katey as bait so he can capture Eric with a tranquilizer gun and cover up his crime. Upon seeing someone coming through the door, Dr. Beck shoots the person, only to see that it was Peter, Katey's date. Eric then arrives and hacks Dr. Beck to death while Katey searches for Vicki's gun. She discovers Eric standing over Dr. Beck's body, but when she pulls the trigger the gun will not fire. She flees to the upstairs bathroom to find and release the gun's safety catch, which she does, but panics when she finds Jeanie's severed head in the toilet. Katey climbs up into the attic where she is attacked by Eric, who is wearing a clown costume. Katey shoots him repeatedly, which reveals the gun is loaded with blanks. She then grabs a doll and uses the pin sticking out of its neck to stab Eric numerous times, and he falls through the attic hatch to the floor below. Katey peers down and is relieved to see him motionless, believing that he is dead. However, Eric was only stunned, as he opens his eyes before the film ends leaving both of their fates unknown. | What does Katey find in the toilet? | Jeanie's severed head | 3,620 | 3,641 |
The House on Sorority Row | Seven sorority sisters pull a prank on their strict house mother, Mrs. Slater, who is known for carrying a sharp walking cane. Their plan is to put her cane out in their dirty pool and force her at gunpoint to retrieve it. The prank goes awry when Vicki, believing the gun to be loaded with blanks, shoots Slater who collapses and appears to be dead. The girls agree to hide the body in the pool until their graduation party is finished.
As the party begins, a guest wanders around the pool and an unidentified figure stabs him through the throat with Slater's cane. When other guests attempt to throw Jeanie in the pool, they are stopped by the sorority sisters. The girls realize that if the pool lights get switched on they will reveal Slater's body, so Stevie goes into the power room to disable them. While doing so, she is brutally stabbed to death by the same cane-wielding figure. Later, the pool lights do come on, but Slater's body is no longer in the pool. The girls speculate about what could have happened to both Stevie and the body.
Deciding that Slater must still be alive, Vicki orders the girls to search for her. Morgan enters Slater's room where Slater's trussed-up body falls on her from the attic. She is joined by the sisters, and Vickie suggests hiding the body in the old cemetery. Morgan runs crying to her room where she is stabbed to death by the killer with Slater's cane. Meanwhile, Katey goes into the attic and discovers children's toys, a clown statue, and a dead bloodied bird lying in its cage. Diane is waiting in her van for the other girls, but the murderer stabs her to death through the sunroof. Jeanie, the most nervous member of the group, is attacked while running back to the house, but manages to escape. After informing Katey about the attack, Jeanie arms herself with a chef's knife and is chased into the upstairs bathroom. As she hides in a stall, the killer enters the bathroom and looks in each stall. As the killer reaches the last stall, Jeanie bursts out of the stall to attack but the killer gains the upper hand and decapitates Jeanie with her own knife
Katey finds a medical alert tag on a necklace belonging to Slater. She calls the phone number and is put through to a Dr. Beck who soon arrives at the house. The two discover the bodies of Stevie, Morgan, and Diane in the pool before beginning to believe that Slater is responsible for the attacks. Meanwhile, Vicki and Liz are attempting to bury the body. As they are about to bury the body, Liz and Vicki are both shortly killed by the assailant. Katey and Dr. Beck travel to the cemetery where Katey finds the bodies of Vicki and Liz at the bottom of an open grave while Dr. Beck finds Slater's body in the back of the van.
After forcibly giving Katey a sedative upon returning to the house, Dr. Beck reveals that Slater had a son named Eric who was horribly deformed and mentally underdeveloped thanks to an illegal fertility treatment he had given her. Eric was living in the sorority house's attic and witnessed the death of his mother. He is now exacting revenge on the girls. Dr. Beck uses Katey as bait so he can capture Eric with a tranquilizer gun and cover up his crime. Upon seeing someone coming through the door, Dr. Beck shoots the person, only to see that it was Peter, Katey's date. Eric then arrives and hacks Dr. Beck to death while Katey searches for Vicki's gun. She discovers Eric standing over Dr. Beck's body, but when she pulls the trigger the gun will not fire. She flees to the upstairs bathroom to find and release the gun's safety catch, which she does, but panics when she finds Jeanie's severed head in the toilet. Katey climbs up into the attic where she is attacked by Eric, who is wearing a clown costume. Katey shoots him repeatedly, which reveals the gun is loaded with blanks. She then grabs a doll and uses the pin sticking out of its neck to stab Eric numerous times, and he falls through the attic hatch to the floor below. Katey peers down and is relieved to see him motionless, believing that he is dead. However, Eric was only stunned, as he opens his eyes before the film ends leaving both of their fates unknown. | Whose bodies were discovered in the pool? | Stevie, Morgan, and Diane | 2,299 | 2,324 |
The House on Sorority Row | Seven sorority sisters pull a prank on their strict house mother, Mrs. Slater, who is known for carrying a sharp walking cane. Their plan is to put her cane out in their dirty pool and force her at gunpoint to retrieve it. The prank goes awry when Vicki, believing the gun to be loaded with blanks, shoots Slater who collapses and appears to be dead. The girls agree to hide the body in the pool until their graduation party is finished.
As the party begins, a guest wanders around the pool and an unidentified figure stabs him through the throat with Slater's cane. When other guests attempt to throw Jeanie in the pool, they are stopped by the sorority sisters. The girls realize that if the pool lights get switched on they will reveal Slater's body, so Stevie goes into the power room to disable them. While doing so, she is brutally stabbed to death by the same cane-wielding figure. Later, the pool lights do come on, but Slater's body is no longer in the pool. The girls speculate about what could have happened to both Stevie and the body.
Deciding that Slater must still be alive, Vicki orders the girls to search for her. Morgan enters Slater's room where Slater's trussed-up body falls on her from the attic. She is joined by the sisters, and Vickie suggests hiding the body in the old cemetery. Morgan runs crying to her room where she is stabbed to death by the killer with Slater's cane. Meanwhile, Katey goes into the attic and discovers children's toys, a clown statue, and a dead bloodied bird lying in its cage. Diane is waiting in her van for the other girls, but the murderer stabs her to death through the sunroof. Jeanie, the most nervous member of the group, is attacked while running back to the house, but manages to escape. After informing Katey about the attack, Jeanie arms herself with a chef's knife and is chased into the upstairs bathroom. As she hides in a stall, the killer enters the bathroom and looks in each stall. As the killer reaches the last stall, Jeanie bursts out of the stall to attack but the killer gains the upper hand and decapitates Jeanie with her own knife
Katey finds a medical alert tag on a necklace belonging to Slater. She calls the phone number and is put through to a Dr. Beck who soon arrives at the house. The two discover the bodies of Stevie, Morgan, and Diane in the pool before beginning to believe that Slater is responsible for the attacks. Meanwhile, Vicki and Liz are attempting to bury the body. As they are about to bury the body, Liz and Vicki are both shortly killed by the assailant. Katey and Dr. Beck travel to the cemetery where Katey finds the bodies of Vicki and Liz at the bottom of an open grave while Dr. Beck finds Slater's body in the back of the van.
After forcibly giving Katey a sedative upon returning to the house, Dr. Beck reveals that Slater had a son named Eric who was horribly deformed and mentally underdeveloped thanks to an illegal fertility treatment he had given her. Eric was living in the sorority house's attic and witnessed the death of his mother. He is now exacting revenge on the girls. Dr. Beck uses Katey as bait so he can capture Eric with a tranquilizer gun and cover up his crime. Upon seeing someone coming through the door, Dr. Beck shoots the person, only to see that it was Peter, Katey's date. Eric then arrives and hacks Dr. Beck to death while Katey searches for Vicki's gun. She discovers Eric standing over Dr. Beck's body, but when she pulls the trigger the gun will not fire. She flees to the upstairs bathroom to find and release the gun's safety catch, which she does, but panics when she finds Jeanie's severed head in the toilet. Katey climbs up into the attic where she is attacked by Eric, who is wearing a clown costume. Katey shoots him repeatedly, which reveals the gun is loaded with blanks. She then grabs a doll and uses the pin sticking out of its neck to stab Eric numerous times, and he falls through the attic hatch to the floor below. Katey peers down and is relieved to see him motionless, believing that he is dead. However, Eric was only stunned, as he opens his eyes before the film ends leaving both of their fates unknown. | Who does Vicki order the girls to search for? | Slater | 71 | 77 |
The House on Sorority Row | Seven sorority sisters pull a prank on their strict house mother, Mrs. Slater, who is known for carrying a sharp walking cane. Their plan is to put her cane out in their dirty pool and force her at gunpoint to retrieve it. The prank goes awry when Vicki, believing the gun to be loaded with blanks, shoots Slater who collapses and appears to be dead. The girls agree to hide the body in the pool until their graduation party is finished.
As the party begins, a guest wanders around the pool and an unidentified figure stabs him through the throat with Slater's cane. When other guests attempt to throw Jeanie in the pool, they are stopped by the sorority sisters. The girls realize that if the pool lights get switched on they will reveal Slater's body, so Stevie goes into the power room to disable them. While doing so, she is brutally stabbed to death by the same cane-wielding figure. Later, the pool lights do come on, but Slater's body is no longer in the pool. The girls speculate about what could have happened to both Stevie and the body.
Deciding that Slater must still be alive, Vicki orders the girls to search for her. Morgan enters Slater's room where Slater's trussed-up body falls on her from the attic. She is joined by the sisters, and Vickie suggests hiding the body in the old cemetery. Morgan runs crying to her room where she is stabbed to death by the killer with Slater's cane. Meanwhile, Katey goes into the attic and discovers children's toys, a clown statue, and a dead bloodied bird lying in its cage. Diane is waiting in her van for the other girls, but the murderer stabs her to death through the sunroof. Jeanie, the most nervous member of the group, is attacked while running back to the house, but manages to escape. After informing Katey about the attack, Jeanie arms herself with a chef's knife and is chased into the upstairs bathroom. As she hides in a stall, the killer enters the bathroom and looks in each stall. As the killer reaches the last stall, Jeanie bursts out of the stall to attack but the killer gains the upper hand and decapitates Jeanie with her own knife
Katey finds a medical alert tag on a necklace belonging to Slater. She calls the phone number and is put through to a Dr. Beck who soon arrives at the house. The two discover the bodies of Stevie, Morgan, and Diane in the pool before beginning to believe that Slater is responsible for the attacks. Meanwhile, Vicki and Liz are attempting to bury the body. As they are about to bury the body, Liz and Vicki are both shortly killed by the assailant. Katey and Dr. Beck travel to the cemetery where Katey finds the bodies of Vicki and Liz at the bottom of an open grave while Dr. Beck finds Slater's body in the back of the van.
After forcibly giving Katey a sedative upon returning to the house, Dr. Beck reveals that Slater had a son named Eric who was horribly deformed and mentally underdeveloped thanks to an illegal fertility treatment he had given her. Eric was living in the sorority house's attic and witnessed the death of his mother. He is now exacting revenge on the girls. Dr. Beck uses Katey as bait so he can capture Eric with a tranquilizer gun and cover up his crime. Upon seeing someone coming through the door, Dr. Beck shoots the person, only to see that it was Peter, Katey's date. Eric then arrives and hacks Dr. Beck to death while Katey searches for Vicki's gun. She discovers Eric standing over Dr. Beck's body, but when she pulls the trigger the gun will not fire. She flees to the upstairs bathroom to find and release the gun's safety catch, which she does, but panics when she finds Jeanie's severed head in the toilet. Katey climbs up into the attic where she is attacked by Eric, who is wearing a clown costume. Katey shoots him repeatedly, which reveals the gun is loaded with blanks. She then grabs a doll and uses the pin sticking out of its neck to stab Eric numerous times, and he falls through the attic hatch to the floor below. Katey peers down and is relieved to see him motionless, believing that he is dead. However, Eric was only stunned, as he opens his eyes before the film ends leaving both of their fates unknown. | Who stopped the guests from throwing Jeanie into the pool? | sorority sisters | 6 | 22 |
The House on Sorority Row | Seven sorority sisters pull a prank on their strict house mother, Mrs. Slater, who is known for carrying a sharp walking cane. Their plan is to put her cane out in their dirty pool and force her at gunpoint to retrieve it. The prank goes awry when Vicki, believing the gun to be loaded with blanks, shoots Slater who collapses and appears to be dead. The girls agree to hide the body in the pool until their graduation party is finished.
As the party begins, a guest wanders around the pool and an unidentified figure stabs him through the throat with Slater's cane. When other guests attempt to throw Jeanie in the pool, they are stopped by the sorority sisters. The girls realize that if the pool lights get switched on they will reveal Slater's body, so Stevie goes into the power room to disable them. While doing so, she is brutally stabbed to death by the same cane-wielding figure. Later, the pool lights do come on, but Slater's body is no longer in the pool. The girls speculate about what could have happened to both Stevie and the body.
Deciding that Slater must still be alive, Vicki orders the girls to search for her. Morgan enters Slater's room where Slater's trussed-up body falls on her from the attic. She is joined by the sisters, and Vickie suggests hiding the body in the old cemetery. Morgan runs crying to her room where she is stabbed to death by the killer with Slater's cane. Meanwhile, Katey goes into the attic and discovers children's toys, a clown statue, and a dead bloodied bird lying in its cage. Diane is waiting in her van for the other girls, but the murderer stabs her to death through the sunroof. Jeanie, the most nervous member of the group, is attacked while running back to the house, but manages to escape. After informing Katey about the attack, Jeanie arms herself with a chef's knife and is chased into the upstairs bathroom. As she hides in a stall, the killer enters the bathroom and looks in each stall. As the killer reaches the last stall, Jeanie bursts out of the stall to attack but the killer gains the upper hand and decapitates Jeanie with her own knife
Katey finds a medical alert tag on a necklace belonging to Slater. She calls the phone number and is put through to a Dr. Beck who soon arrives at the house. The two discover the bodies of Stevie, Morgan, and Diane in the pool before beginning to believe that Slater is responsible for the attacks. Meanwhile, Vicki and Liz are attempting to bury the body. As they are about to bury the body, Liz and Vicki are both shortly killed by the assailant. Katey and Dr. Beck travel to the cemetery where Katey finds the bodies of Vicki and Liz at the bottom of an open grave while Dr. Beck finds Slater's body in the back of the van.
After forcibly giving Katey a sedative upon returning to the house, Dr. Beck reveals that Slater had a son named Eric who was horribly deformed and mentally underdeveloped thanks to an illegal fertility treatment he had given her. Eric was living in the sorority house's attic and witnessed the death of his mother. He is now exacting revenge on the girls. Dr. Beck uses Katey as bait so he can capture Eric with a tranquilizer gun and cover up his crime. Upon seeing someone coming through the door, Dr. Beck shoots the person, only to see that it was Peter, Katey's date. Eric then arrives and hacks Dr. Beck to death while Katey searches for Vicki's gun. She discovers Eric standing over Dr. Beck's body, but when she pulls the trigger the gun will not fire. She flees to the upstairs bathroom to find and release the gun's safety catch, which she does, but panics when she finds Jeanie's severed head in the toilet. Katey climbs up into the attic where she is attacked by Eric, who is wearing a clown costume. Katey shoots him repeatedly, which reveals the gun is loaded with blanks. She then grabs a doll and uses the pin sticking out of its neck to stab Eric numerous times, and he falls through the attic hatch to the floor below. Katey peers down and is relieved to see him motionless, believing that he is dead. However, Eric was only stunned, as he opens his eyes before the film ends leaving both of their fates unknown. | Who forcibly gives Katey a sedative? | Dr. Beck | 2,228 | 2,236 |
The House on Sorority Row | Seven sorority sisters pull a prank on their strict house mother, Mrs. Slater, who is known for carrying a sharp walking cane. Their plan is to put her cane out in their dirty pool and force her at gunpoint to retrieve it. The prank goes awry when Vicki, believing the gun to be loaded with blanks, shoots Slater who collapses and appears to be dead. The girls agree to hide the body in the pool until their graduation party is finished.
As the party begins, a guest wanders around the pool and an unidentified figure stabs him through the throat with Slater's cane. When other guests attempt to throw Jeanie in the pool, they are stopped by the sorority sisters. The girls realize that if the pool lights get switched on they will reveal Slater's body, so Stevie goes into the power room to disable them. While doing so, she is brutally stabbed to death by the same cane-wielding figure. Later, the pool lights do come on, but Slater's body is no longer in the pool. The girls speculate about what could have happened to both Stevie and the body.
Deciding that Slater must still be alive, Vicki orders the girls to search for her. Morgan enters Slater's room where Slater's trussed-up body falls on her from the attic. She is joined by the sisters, and Vickie suggests hiding the body in the old cemetery. Morgan runs crying to her room where she is stabbed to death by the killer with Slater's cane. Meanwhile, Katey goes into the attic and discovers children's toys, a clown statue, and a dead bloodied bird lying in its cage. Diane is waiting in her van for the other girls, but the murderer stabs her to death through the sunroof. Jeanie, the most nervous member of the group, is attacked while running back to the house, but manages to escape. After informing Katey about the attack, Jeanie arms herself with a chef's knife and is chased into the upstairs bathroom. As she hides in a stall, the killer enters the bathroom and looks in each stall. As the killer reaches the last stall, Jeanie bursts out of the stall to attack but the killer gains the upper hand and decapitates Jeanie with her own knife
Katey finds a medical alert tag on a necklace belonging to Slater. She calls the phone number and is put through to a Dr. Beck who soon arrives at the house. The two discover the bodies of Stevie, Morgan, and Diane in the pool before beginning to believe that Slater is responsible for the attacks. Meanwhile, Vicki and Liz are attempting to bury the body. As they are about to bury the body, Liz and Vicki are both shortly killed by the assailant. Katey and Dr. Beck travel to the cemetery where Katey finds the bodies of Vicki and Liz at the bottom of an open grave while Dr. Beck finds Slater's body in the back of the van.
After forcibly giving Katey a sedative upon returning to the house, Dr. Beck reveals that Slater had a son named Eric who was horribly deformed and mentally underdeveloped thanks to an illegal fertility treatment he had given her. Eric was living in the sorority house's attic and witnessed the death of his mother. He is now exacting revenge on the girls. Dr. Beck uses Katey as bait so he can capture Eric with a tranquilizer gun and cover up his crime. Upon seeing someone coming through the door, Dr. Beck shoots the person, only to see that it was Peter, Katey's date. Eric then arrives and hacks Dr. Beck to death while Katey searches for Vicki's gun. She discovers Eric standing over Dr. Beck's body, but when she pulls the trigger the gun will not fire. She flees to the upstairs bathroom to find and release the gun's safety catch, which she does, but panics when she finds Jeanie's severed head in the toilet. Katey climbs up into the attic where she is attacked by Eric, who is wearing a clown costume. Katey shoots him repeatedly, which reveals the gun is loaded with blanks. She then grabs a doll and uses the pin sticking out of its neck to stab Eric numerous times, and he falls through the attic hatch to the floor below. Katey peers down and is relieved to see him motionless, believing that he is dead. However, Eric was only stunned, as he opens his eyes before the film ends leaving both of their fates unknown. | Where does Katey and Dr. Beck travel? | To the cemetery | 2,585 | 2,600 |
The House on Sorority Row | Seven sorority sisters pull a prank on their strict house mother, Mrs. Slater, who is known for carrying a sharp walking cane. Their plan is to put her cane out in their dirty pool and force her at gunpoint to retrieve it. The prank goes awry when Vicki, believing the gun to be loaded with blanks, shoots Slater who collapses and appears to be dead. The girls agree to hide the body in the pool until their graduation party is finished.
As the party begins, a guest wanders around the pool and an unidentified figure stabs him through the throat with Slater's cane. When other guests attempt to throw Jeanie in the pool, they are stopped by the sorority sisters. The girls realize that if the pool lights get switched on they will reveal Slater's body, so Stevie goes into the power room to disable them. While doing so, she is brutally stabbed to death by the same cane-wielding figure. Later, the pool lights do come on, but Slater's body is no longer in the pool. The girls speculate about what could have happened to both Stevie and the body.
Deciding that Slater must still be alive, Vicki orders the girls to search for her. Morgan enters Slater's room where Slater's trussed-up body falls on her from the attic. She is joined by the sisters, and Vickie suggests hiding the body in the old cemetery. Morgan runs crying to her room where she is stabbed to death by the killer with Slater's cane. Meanwhile, Katey goes into the attic and discovers children's toys, a clown statue, and a dead bloodied bird lying in its cage. Diane is waiting in her van for the other girls, but the murderer stabs her to death through the sunroof. Jeanie, the most nervous member of the group, is attacked while running back to the house, but manages to escape. After informing Katey about the attack, Jeanie arms herself with a chef's knife and is chased into the upstairs bathroom. As she hides in a stall, the killer enters the bathroom and looks in each stall. As the killer reaches the last stall, Jeanie bursts out of the stall to attack but the killer gains the upper hand and decapitates Jeanie with her own knife
Katey finds a medical alert tag on a necklace belonging to Slater. She calls the phone number and is put through to a Dr. Beck who soon arrives at the house. The two discover the bodies of Stevie, Morgan, and Diane in the pool before beginning to believe that Slater is responsible for the attacks. Meanwhile, Vicki and Liz are attempting to bury the body. As they are about to bury the body, Liz and Vicki are both shortly killed by the assailant. Katey and Dr. Beck travel to the cemetery where Katey finds the bodies of Vicki and Liz at the bottom of an open grave while Dr. Beck finds Slater's body in the back of the van.
After forcibly giving Katey a sedative upon returning to the house, Dr. Beck reveals that Slater had a son named Eric who was horribly deformed and mentally underdeveloped thanks to an illegal fertility treatment he had given her. Eric was living in the sorority house's attic and witnessed the death of his mother. He is now exacting revenge on the girls. Dr. Beck uses Katey as bait so he can capture Eric with a tranquilizer gun and cover up his crime. Upon seeing someone coming through the door, Dr. Beck shoots the person, only to see that it was Peter, Katey's date. Eric then arrives and hacks Dr. Beck to death while Katey searches for Vicki's gun. She discovers Eric standing over Dr. Beck's body, but when she pulls the trigger the gun will not fire. She flees to the upstairs bathroom to find and release the gun's safety catch, which she does, but panics when she finds Jeanie's severed head in the toilet. Katey climbs up into the attic where she is attacked by Eric, who is wearing a clown costume. Katey shoots him repeatedly, which reveals the gun is loaded with blanks. She then grabs a doll and uses the pin sticking out of its neck to stab Eric numerous times, and he falls through the attic hatch to the floor below. Katey peers down and is relieved to see him motionless, believing that he is dead. However, Eric was only stunned, as he opens his eyes before the film ends leaving both of their fates unknown. | How many sorority sisters are there? | Seven | 0 | 5 |
The House on Sorority Row | Seven sorority sisters pull a prank on their strict house mother, Mrs. Slater, who is known for carrying a sharp walking cane. Their plan is to put her cane out in their dirty pool and force her at gunpoint to retrieve it. The prank goes awry when Vicki, believing the gun to be loaded with blanks, shoots Slater who collapses and appears to be dead. The girls agree to hide the body in the pool until their graduation party is finished.
As the party begins, a guest wanders around the pool and an unidentified figure stabs him through the throat with Slater's cane. When other guests attempt to throw Jeanie in the pool, they are stopped by the sorority sisters. The girls realize that if the pool lights get switched on they will reveal Slater's body, so Stevie goes into the power room to disable them. While doing so, she is brutally stabbed to death by the same cane-wielding figure. Later, the pool lights do come on, but Slater's body is no longer in the pool. The girls speculate about what could have happened to both Stevie and the body.
Deciding that Slater must still be alive, Vicki orders the girls to search for her. Morgan enters Slater's room where Slater's trussed-up body falls on her from the attic. She is joined by the sisters, and Vickie suggests hiding the body in the old cemetery. Morgan runs crying to her room where she is stabbed to death by the killer with Slater's cane. Meanwhile, Katey goes into the attic and discovers children's toys, a clown statue, and a dead bloodied bird lying in its cage. Diane is waiting in her van for the other girls, but the murderer stabs her to death through the sunroof. Jeanie, the most nervous member of the group, is attacked while running back to the house, but manages to escape. After informing Katey about the attack, Jeanie arms herself with a chef's knife and is chased into the upstairs bathroom. As she hides in a stall, the killer enters the bathroom and looks in each stall. As the killer reaches the last stall, Jeanie bursts out of the stall to attack but the killer gains the upper hand and decapitates Jeanie with her own knife
Katey finds a medical alert tag on a necklace belonging to Slater. She calls the phone number and is put through to a Dr. Beck who soon arrives at the house. The two discover the bodies of Stevie, Morgan, and Diane in the pool before beginning to believe that Slater is responsible for the attacks. Meanwhile, Vicki and Liz are attempting to bury the body. As they are about to bury the body, Liz and Vicki are both shortly killed by the assailant. Katey and Dr. Beck travel to the cemetery where Katey finds the bodies of Vicki and Liz at the bottom of an open grave while Dr. Beck finds Slater's body in the back of the van.
After forcibly giving Katey a sedative upon returning to the house, Dr. Beck reveals that Slater had a son named Eric who was horribly deformed and mentally underdeveloped thanks to an illegal fertility treatment he had given her. Eric was living in the sorority house's attic and witnessed the death of his mother. He is now exacting revenge on the girls. Dr. Beck uses Katey as bait so he can capture Eric with a tranquilizer gun and cover up his crime. Upon seeing someone coming through the door, Dr. Beck shoots the person, only to see that it was Peter, Katey's date. Eric then arrives and hacks Dr. Beck to death while Katey searches for Vicki's gun. She discovers Eric standing over Dr. Beck's body, but when she pulls the trigger the gun will not fire. She flees to the upstairs bathroom to find and release the gun's safety catch, which she does, but panics when she finds Jeanie's severed head in the toilet. Katey climbs up into the attic where she is attacked by Eric, who is wearing a clown costume. Katey shoots him repeatedly, which reveals the gun is loaded with blanks. She then grabs a doll and uses the pin sticking out of its neck to stab Eric numerous times, and he falls through the attic hatch to the floor below. Katey peers down and is relieved to see him motionless, believing that he is dead. However, Eric was only stunned, as he opens his eyes before the film ends leaving both of their fates unknown. | Where does Stevie go to disable the pool lights? | power room | 778 | 788 |
Twin Town | all I want to do is add is the sentence.. said by the Father,to his sons while the watch him make a model boat.. it says it all about this crazy film.. he says "get yer own f*%%%ing glue!" love it!
You just have to watch this film, once in your life!
Close your eyes on the poodle bit!
You just have to watch this film, once in your life!
its the best, you will laugh cry and just love it..
You just have to watch this film, once in your life!
Awesome film, well acted and hilariousYou just have to watch this film, once in your life! | What do the sons watch their father make? | model boat | 100 | 110 |
Twin Town | all I want to do is add is the sentence.. said by the Father,to his sons while the watch him make a model boat.. it says it all about this crazy film.. he says "get yer own f*%%%ing glue!" love it!
You just have to watch this film, once in your life!
Close your eyes on the poodle bit!
You just have to watch this film, once in your life!
its the best, you will laugh cry and just love it..
You just have to watch this film, once in your life!
Awesome film, well acted and hilariousYou just have to watch this film, once in your life! | How many times should you see this movie in a lifetime? | Once | 232 | 236 |
Twin Town | all I want to do is add is the sentence.. said by the Father,to his sons while the watch him make a model boat.. it says it all about this crazy film.. he says "get yer own f*%%%ing glue!" love it!
You just have to watch this film, once in your life!
Close your eyes on the poodle bit!
You just have to watch this film, once in your life!
its the best, you will laugh cry and just love it..
You just have to watch this film, once in your life!
Awesome film, well acted and hilariousYou just have to watch this film, once in your life! | How many times do you have to watch this film in your life? | Once | 232 | 236 |
Twin Town | all I want to do is add is the sentence.. said by the Father,to his sons while the watch him make a model boat.. it says it all about this crazy film.. he says "get yer own f*%%%ing glue!" love it!
You just have to watch this film, once in your life!
Close your eyes on the poodle bit!
You just have to watch this film, once in your life!
its the best, you will laugh cry and just love it..
You just have to watch this film, once in your life!
Awesome film, well acted and hilariousYou just have to watch this film, once in your life! | How often do you have to watch this film? | once in your life | 232 | 249 |
Twin Town | all I want to do is add is the sentence.. said by the Father,to his sons while the watch him make a model boat.. it says it all about this crazy film.. he says "get yer own f*%%%ing glue!" love it!
You just have to watch this film, once in your life!
Close your eyes on the poodle bit!
You just have to watch this film, once in your life!
its the best, you will laugh cry and just love it..
You just have to watch this film, once in your life!
Awesome film, well acted and hilariousYou just have to watch this film, once in your life! | What do you just have to do once in your life? | watch this film | 215 | 230 |
Reign Over Me | Mike Binder wrote and directed this melodrama about two men who meet after a long break in their friendship and struggle to help each other rebuild their lives. Don Cheadle is Alan Johnson, a dentist who feels smothered and unfulfilled by his comfortable life or beautiful wife (Jada Pinkett Smith), when chance brings him across his former college roommate, Charlie Fineman (Adam Sandler). Fineman lost his entire family on 9/11 and in the years that have ensued, he has completely isolated himself in a child-like existence. Refusing to acknowledge his past or the tragedy that is too horrible to even think about, Charlie is constantly listening to music, playing video games, watching movies, and banging on his drums. Alan finds himself beginning to enjoy life again in Charlie's child-like presence, but as he realizes the extent of the pain that ravages Charlie he starts to attempt to help Charlie face his past and return to the real world. Also woven into the story are the sensitive psychologist Angela Oakhurst (an excellent Liv Tyler) and a beautiful but confused woman named Donna Remar (Saffron Burows), who is struggling with her divorce. Binder himself stars in an excellent performance as Bryan Sugarman, a lawyer who was Charlie's friend before 9/11, and who Charlie now refuses to acknowledge or speak with. However, he has devoted himself to protecting Charlie's finances, living situation, and general peace-of mind.After working with Dr. Oakhurst, Charlie is able to begin to acknowledge the deaths of his wife and three daughters. However, the trauma of this memory nearly drives him to suicide, and after a brief stay at a mental hospital, his parents-in-law attempt to commit him permanently. Donald Sutherland and B.J. Novak appear for a courtroom scene, after which Charlie is allowed to be free and to attempt to continue slowly building a new life, with the aid of his friends and loved ones. Alan finds new strength and meaning for his life after helping Charlie, and is able to renew his relationship with his own wife and daughters. | What is Alan Johnson's profession? | dentist | 192 | 199 |
Reign Over Me | Mike Binder wrote and directed this melodrama about two men who meet after a long break in their friendship and struggle to help each other rebuild their lives. Don Cheadle is Alan Johnson, a dentist who feels smothered and unfulfilled by his comfortable life or beautiful wife (Jada Pinkett Smith), when chance brings him across his former college roommate, Charlie Fineman (Adam Sandler). Fineman lost his entire family on 9/11 and in the years that have ensued, he has completely isolated himself in a child-like existence. Refusing to acknowledge his past or the tragedy that is too horrible to even think about, Charlie is constantly listening to music, playing video games, watching movies, and banging on his drums. Alan finds himself beginning to enjoy life again in Charlie's child-like presence, but as he realizes the extent of the pain that ravages Charlie he starts to attempt to help Charlie face his past and return to the real world. Also woven into the story are the sensitive psychologist Angela Oakhurst (an excellent Liv Tyler) and a beautiful but confused woman named Donna Remar (Saffron Burows), who is struggling with her divorce. Binder himself stars in an excellent performance as Bryan Sugarman, a lawyer who was Charlie's friend before 9/11, and who Charlie now refuses to acknowledge or speak with. However, he has devoted himself to protecting Charlie's finances, living situation, and general peace-of mind.After working with Dr. Oakhurst, Charlie is able to begin to acknowledge the deaths of his wife and three daughters. However, the trauma of this memory nearly drives him to suicide, and after a brief stay at a mental hospital, his parents-in-law attempt to commit him permanently. Donald Sutherland and B.J. Novak appear for a courtroom scene, after which Charlie is allowed to be free and to attempt to continue slowly building a new life, with the aid of his friends and loved ones. Alan finds new strength and meaning for his life after helping Charlie, and is able to renew his relationship with his own wife and daughters. | When did Charlie Fineman loose his entire family? | on 9/11 | 422 | 429 |
Reign Over Me | Mike Binder wrote and directed this melodrama about two men who meet after a long break in their friendship and struggle to help each other rebuild their lives. Don Cheadle is Alan Johnson, a dentist who feels smothered and unfulfilled by his comfortable life or beautiful wife (Jada Pinkett Smith), when chance brings him across his former college roommate, Charlie Fineman (Adam Sandler). Fineman lost his entire family on 9/11 and in the years that have ensued, he has completely isolated himself in a child-like existence. Refusing to acknowledge his past or the tragedy that is too horrible to even think about, Charlie is constantly listening to music, playing video games, watching movies, and banging on his drums. Alan finds himself beginning to enjoy life again in Charlie's child-like presence, but as he realizes the extent of the pain that ravages Charlie he starts to attempt to help Charlie face his past and return to the real world. Also woven into the story are the sensitive psychologist Angela Oakhurst (an excellent Liv Tyler) and a beautiful but confused woman named Donna Remar (Saffron Burows), who is struggling with her divorce. Binder himself stars in an excellent performance as Bryan Sugarman, a lawyer who was Charlie's friend before 9/11, and who Charlie now refuses to acknowledge or speak with. However, he has devoted himself to protecting Charlie's finances, living situation, and general peace-of mind.After working with Dr. Oakhurst, Charlie is able to begin to acknowledge the deaths of his wife and three daughters. However, the trauma of this memory nearly drives him to suicide, and after a brief stay at a mental hospital, his parents-in-law attempt to commit him permanently. Donald Sutherland and B.J. Novak appear for a courtroom scene, after which Charlie is allowed to be free and to attempt to continue slowly building a new life, with the aid of his friends and loved ones. Alan finds new strength and meaning for his life after helping Charlie, and is able to renew his relationship with his own wife and daughters. | What is the name of Alan Johnson's roommate? | Charlie Fineman | 359 | 374 |
Reign Over Me | Mike Binder wrote and directed this melodrama about two men who meet after a long break in their friendship and struggle to help each other rebuild their lives. Don Cheadle is Alan Johnson, a dentist who feels smothered and unfulfilled by his comfortable life or beautiful wife (Jada Pinkett Smith), when chance brings him across his former college roommate, Charlie Fineman (Adam Sandler). Fineman lost his entire family on 9/11 and in the years that have ensued, he has completely isolated himself in a child-like existence. Refusing to acknowledge his past or the tragedy that is too horrible to even think about, Charlie is constantly listening to music, playing video games, watching movies, and banging on his drums. Alan finds himself beginning to enjoy life again in Charlie's child-like presence, but as he realizes the extent of the pain that ravages Charlie he starts to attempt to help Charlie face his past and return to the real world. Also woven into the story are the sensitive psychologist Angela Oakhurst (an excellent Liv Tyler) and a beautiful but confused woman named Donna Remar (Saffron Burows), who is struggling with her divorce. Binder himself stars in an excellent performance as Bryan Sugarman, a lawyer who was Charlie's friend before 9/11, and who Charlie now refuses to acknowledge or speak with. However, he has devoted himself to protecting Charlie's finances, living situation, and general peace-of mind.After working with Dr. Oakhurst, Charlie is able to begin to acknowledge the deaths of his wife and three daughters. However, the trauma of this memory nearly drives him to suicide, and after a brief stay at a mental hospital, his parents-in-law attempt to commit him permanently. Donald Sutherland and B.J. Novak appear for a courtroom scene, after which Charlie is allowed to be free and to attempt to continue slowly building a new life, with the aid of his friends and loved ones. Alan finds new strength and meaning for his life after helping Charlie, and is able to renew his relationship with his own wife and daughters. | What actress plays the psychologist? | Liv Tyler | 1,037 | 1,046 |
Reign Over Me | Mike Binder wrote and directed this melodrama about two men who meet after a long break in their friendship and struggle to help each other rebuild their lives. Don Cheadle is Alan Johnson, a dentist who feels smothered and unfulfilled by his comfortable life or beautiful wife (Jada Pinkett Smith), when chance brings him across his former college roommate, Charlie Fineman (Adam Sandler). Fineman lost his entire family on 9/11 and in the years that have ensued, he has completely isolated himself in a child-like existence. Refusing to acknowledge his past or the tragedy that is too horrible to even think about, Charlie is constantly listening to music, playing video games, watching movies, and banging on his drums. Alan finds himself beginning to enjoy life again in Charlie's child-like presence, but as he realizes the extent of the pain that ravages Charlie he starts to attempt to help Charlie face his past and return to the real world. Also woven into the story are the sensitive psychologist Angela Oakhurst (an excellent Liv Tyler) and a beautiful but confused woman named Donna Remar (Saffron Burows), who is struggling with her divorce. Binder himself stars in an excellent performance as Bryan Sugarman, a lawyer who was Charlie's friend before 9/11, and who Charlie now refuses to acknowledge or speak with. However, he has devoted himself to protecting Charlie's finances, living situation, and general peace-of mind.After working with Dr. Oakhurst, Charlie is able to begin to acknowledge the deaths of his wife and three daughters. However, the trauma of this memory nearly drives him to suicide, and after a brief stay at a mental hospital, his parents-in-law attempt to commit him permanently. Donald Sutherland and B.J. Novak appear for a courtroom scene, after which Charlie is allowed to be free and to attempt to continue slowly building a new life, with the aid of his friends and loved ones. Alan finds new strength and meaning for his life after helping Charlie, and is able to renew his relationship with his own wife and daughters. | On what infamous date did Charlie lose his family? | 9/11 | 425 | 429 |
Reign Over Me | Mike Binder wrote and directed this melodrama about two men who meet after a long break in their friendship and struggle to help each other rebuild their lives. Don Cheadle is Alan Johnson, a dentist who feels smothered and unfulfilled by his comfortable life or beautiful wife (Jada Pinkett Smith), when chance brings him across his former college roommate, Charlie Fineman (Adam Sandler). Fineman lost his entire family on 9/11 and in the years that have ensued, he has completely isolated himself in a child-like existence. Refusing to acknowledge his past or the tragedy that is too horrible to even think about, Charlie is constantly listening to music, playing video games, watching movies, and banging on his drums. Alan finds himself beginning to enjoy life again in Charlie's child-like presence, but as he realizes the extent of the pain that ravages Charlie he starts to attempt to help Charlie face his past and return to the real world. Also woven into the story are the sensitive psychologist Angela Oakhurst (an excellent Liv Tyler) and a beautiful but confused woman named Donna Remar (Saffron Burows), who is struggling with her divorce. Binder himself stars in an excellent performance as Bryan Sugarman, a lawyer who was Charlie's friend before 9/11, and who Charlie now refuses to acknowledge or speak with. However, he has devoted himself to protecting Charlie's finances, living situation, and general peace-of mind.After working with Dr. Oakhurst, Charlie is able to begin to acknowledge the deaths of his wife and three daughters. However, the trauma of this memory nearly drives him to suicide, and after a brief stay at a mental hospital, his parents-in-law attempt to commit him permanently. Donald Sutherland and B.J. Novak appear for a courtroom scene, after which Charlie is allowed to be free and to attempt to continue slowly building a new life, with the aid of his friends and loved ones. Alan finds new strength and meaning for his life after helping Charlie, and is able to renew his relationship with his own wife and daughters. | Who is Dr. Angela Oakhurst? | psychologist | 994 | 1,006 |
Reign Over Me | Mike Binder wrote and directed this melodrama about two men who meet after a long break in their friendship and struggle to help each other rebuild their lives. Don Cheadle is Alan Johnson, a dentist who feels smothered and unfulfilled by his comfortable life or beautiful wife (Jada Pinkett Smith), when chance brings him across his former college roommate, Charlie Fineman (Adam Sandler). Fineman lost his entire family on 9/11 and in the years that have ensued, he has completely isolated himself in a child-like existence. Refusing to acknowledge his past or the tragedy that is too horrible to even think about, Charlie is constantly listening to music, playing video games, watching movies, and banging on his drums. Alan finds himself beginning to enjoy life again in Charlie's child-like presence, but as he realizes the extent of the pain that ravages Charlie he starts to attempt to help Charlie face his past and return to the real world. Also woven into the story are the sensitive psychologist Angela Oakhurst (an excellent Liv Tyler) and a beautiful but confused woman named Donna Remar (Saffron Burows), who is struggling with her divorce. Binder himself stars in an excellent performance as Bryan Sugarman, a lawyer who was Charlie's friend before 9/11, and who Charlie now refuses to acknowledge or speak with. However, he has devoted himself to protecting Charlie's finances, living situation, and general peace-of mind.After working with Dr. Oakhurst, Charlie is able to begin to acknowledge the deaths of his wife and three daughters. However, the trauma of this memory nearly drives him to suicide, and after a brief stay at a mental hospital, his parents-in-law attempt to commit him permanently. Donald Sutherland and B.J. Novak appear for a courtroom scene, after which Charlie is allowed to be free and to attempt to continue slowly building a new life, with the aid of his friends and loved ones. Alan finds new strength and meaning for his life after helping Charlie, and is able to renew his relationship with his own wife and daughters. | What is Don Cheadle's character's profession? | Dentist | 192 | 199 |
Nekromantik 2 | The film opens with a scene showing the protagonist of the first Nekromantik, Rob (Daktari Lorenz), committing suicide. The film then goes to a churchyard in the evening where Monika (Monika M) is searching for a way in. She finds her way in and after quite some digging she absconds with the remains of Rob. Once back at her apartment she unwraps her new found interest and sits and smokes a cigarette while watching him. A short vignette follows showing Mark (Mark Reeder), a future interest of Monikas attempting to catch his train to work but missing it. The film then jumps back to Monika attempting to have sex with the corpse by straddling him. She gives up, frustrated and unable to reach a climax the scene ends. Mark then is seen on the phone with a woman she is trying to meet for a movie. He states explicitly that he despises lateness and that she must be punctual. After he waits a few minutes in front of the theater he asks Monika if shed like to join him. She agrees and after the film, which consists of two people eating soft-boiled eggs naked on a roof top, they adjourn to his place for eggs. They meet again at an amusement park for a day out and get along very well. After their day out she decides to destroy the remains of Rob. After his dismemberment she decides to keep a few mementos of Rob: His head and penis. She continues her relationship with Mark but is disappointed after the first time that they have sex. This is due to the fact that he is moving and must be dominated in order for her to get any pleasure. Their relationship begins to take a weird turn when Mark awakes the next day. He discovers the rotting penis that belonged to Rob in the refrigerator and is perplexed to say the least. He returns the penis to the refrigerator and the film goes back to Monika who is having a dream. This dream consists of her singing a song in French next to a pianist (John Boy Walton) playing a piano. Soon after he is seen hanging upside down with Monika photographing him. After these events he begins to question her nature and whether it is perverse. He meets up with a friend at a coffee shop and he tells her about his worries about Monika in a very vague manner and she assures him that he is overreacting. He tells a man at a bar (Florian Koerner Von Gustorf) about his troubles as well. The man assures him that he is, again, overreacting. He then returns to Monika with a fresh pizza in hand for the two of them and is met by a group of women congregated in her living room. He arrives when she is watching a seal autopsy video with her friends. He does not see the video initially but after asking her what they have been doing all afternoon she tells him that they were watching a movie. He asks to see it and is repulsed after being shown it. Monika becomes defensive and he storms off. They talk on the phone later and she asks him to come over and talk it out. He does and in a burst of passion they begin to have sex. She then begins to ride him and pins his arms down. Unaware of his fate he closes his eyes and enjoys the experience. Monika then reaches under the bed and pulls out a bone-saw and slams it into his neck. He writhes in pain but it is too late. She begins to cut his head off and then secures his erection with a cock-ring and leaves the view of the camera. She quickly returns with the head of Rob which she places on the shoulders of Mark. The scene ends and the next shot that is seen is the back of an ambulance. The film ends with a doctor walking down a long corridor. He approaches the camera, in real-time, in a single shot and tells Monika that she is pregnant. | Who congratulated Monika on her pregnancy? | A doctor | 3,498 | 3,506 |
The Great Outdoors | Chicagoan Chester "Chet" Ripley (Candy), his wife, Connie (Faracy), and their two sons, Buckley "Buck" (Young) and Ben (Giatti), are on vacation at a lake resort in Pechoggin, Wisconsin during the summer. All is going as planned until Connie's sister, Kate (Bening), Kate's investment broker husband, Roman Craig (Aykroyd), and their twin daughters, Mara and Cara (Rebecca and Hilary Gordon), crash the vacation.
Ghost stories at the family BBQ include one of a man-eating grizzly bear that Chet met face-to-face when he was younger. Chet says that while he and Connie were honeymooning at the same lake, he was attacked by a giant grizzly bear. When Chet fired at it with a shotgun, the buckshot shaved the hair off the top of the bear's head and from that day on, it was known as the 'Bald-Headed Bear' of Claire County.
After Roman pulls Chet around the lake on an impromptu water ski ride with his rented speedboat Suck My Wake, tensions between families erupt. Chet is ready to pack up and go home, even as teenager Buck tries to romance local girl, Cammie (Deakins). The budding romance goes well until Chet is challenged to eat the Old 96'er (a 96-ounce steak) at a family dinner which causes Buck to break the date. Buck tries to apologize to Cammie for being late, but Cammie refuses to speak to him.
Connie and Kate bond at a local bar when the conversation drifts to Kate's challenges of being wealthy. Later, just at the peak of tension between families, Roman offers Chet a piece of his newest deal culminating in Chet writing a $25,000 check (more than he and Connie have). As the Craigs drive away, Roman abruptly heads back and reveals to everyone (even Kate) that he is broke, having lost everything in a bad investment.
Later, during a thunderstorm, the twins wander off and fall into a mine shaft. Chet and Roman eventually find them, but the claustrophobic Roman is reluctant to descend into the tiny mine shaft. After some encouragement from Chet, Roman summons up all his courage, while Chet goes for rope to pull them out. Upon realizing that the mine is stocked with old dynamite, Roman takes his daughters and climbs out of the shaft on his own.
When Chet returns with the rope, he is horrified to discover the 'Bald-Headed Bear', lurking in the mine. It chases him back to his house, smashes through the door, and rampages through the house. Wally (Prosky), the campsite owner, bursts into the house with a loaded shotgun (lamp) while Roman tries to hold off the animal with a fire poker and an oar. Chet takes the gun and shoots the bear, blowing the fur off its backside and leaving the bear's bottom exposed. Roaring in embarrassment, the bear runs out of the house.
The next morning, the two families part on good terms. Unbeknownst to Chet, Connie has invited the Craigs to stay with them until they can get back on their feet. Cammie and Buck make up and end their summer romance, as Buck and his family head back to Chicago.
In a post-credits scene, a pair of raccoons (two of a pack which had been ransacking the garbage of both Ripley and Craig families throughout the film) discuss the "Bald Headed bear" having been shot in its rear end, with one raccoon confirming that the bear was "bald on both ends now". | Where is the family from? | Chicago | 0 | 7 |
The Great Outdoors | Chicagoan Chester "Chet" Ripley (Candy), his wife, Connie (Faracy), and their two sons, Buckley "Buck" (Young) and Ben (Giatti), are on vacation at a lake resort in Pechoggin, Wisconsin during the summer. All is going as planned until Connie's sister, Kate (Bening), Kate's investment broker husband, Roman Craig (Aykroyd), and their twin daughters, Mara and Cara (Rebecca and Hilary Gordon), crash the vacation.
Ghost stories at the family BBQ include one of a man-eating grizzly bear that Chet met face-to-face when he was younger. Chet says that while he and Connie were honeymooning at the same lake, he was attacked by a giant grizzly bear. When Chet fired at it with a shotgun, the buckshot shaved the hair off the top of the bear's head and from that day on, it was known as the 'Bald-Headed Bear' of Claire County.
After Roman pulls Chet around the lake on an impromptu water ski ride with his rented speedboat Suck My Wake, tensions between families erupt. Chet is ready to pack up and go home, even as teenager Buck tries to romance local girl, Cammie (Deakins). The budding romance goes well until Chet is challenged to eat the Old 96'er (a 96-ounce steak) at a family dinner which causes Buck to break the date. Buck tries to apologize to Cammie for being late, but Cammie refuses to speak to him.
Connie and Kate bond at a local bar when the conversation drifts to Kate's challenges of being wealthy. Later, just at the peak of tension between families, Roman offers Chet a piece of his newest deal culminating in Chet writing a $25,000 check (more than he and Connie have). As the Craigs drive away, Roman abruptly heads back and reveals to everyone (even Kate) that he is broke, having lost everything in a bad investment.
Later, during a thunderstorm, the twins wander off and fall into a mine shaft. Chet and Roman eventually find them, but the claustrophobic Roman is reluctant to descend into the tiny mine shaft. After some encouragement from Chet, Roman summons up all his courage, while Chet goes for rope to pull them out. Upon realizing that the mine is stocked with old dynamite, Roman takes his daughters and climbs out of the shaft on his own.
When Chet returns with the rope, he is horrified to discover the 'Bald-Headed Bear', lurking in the mine. It chases him back to his house, smashes through the door, and rampages through the house. Wally (Prosky), the campsite owner, bursts into the house with a loaded shotgun (lamp) while Roman tries to hold off the animal with a fire poker and an oar. Chet takes the gun and shoots the bear, blowing the fur off its backside and leaving the bear's bottom exposed. Roaring in embarrassment, the bear runs out of the house.
The next morning, the two families part on good terms. Unbeknownst to Chet, Connie has invited the Craigs to stay with them until they can get back on their feet. Cammie and Buck make up and end their summer romance, as Buck and his family head back to Chicago.
In a post-credits scene, a pair of raccoons (two of a pack which had been ransacking the garbage of both Ripley and Craig families throughout the film) discuss the "Bald Headed bear" having been shot in its rear end, with one raccoon confirming that the bear was "bald on both ends now". | Where did Connie and Kate bond? | local bar | 1,336 | 1,345 |
The Great Outdoors | Chicagoan Chester "Chet" Ripley (Candy), his wife, Connie (Faracy), and their two sons, Buckley "Buck" (Young) and Ben (Giatti), are on vacation at a lake resort in Pechoggin, Wisconsin during the summer. All is going as planned until Connie's sister, Kate (Bening), Kate's investment broker husband, Roman Craig (Aykroyd), and their twin daughters, Mara and Cara (Rebecca and Hilary Gordon), crash the vacation.
Ghost stories at the family BBQ include one of a man-eating grizzly bear that Chet met face-to-face when he was younger. Chet says that while he and Connie were honeymooning at the same lake, he was attacked by a giant grizzly bear. When Chet fired at it with a shotgun, the buckshot shaved the hair off the top of the bear's head and from that day on, it was known as the 'Bald-Headed Bear' of Claire County.
After Roman pulls Chet around the lake on an impromptu water ski ride with his rented speedboat Suck My Wake, tensions between families erupt. Chet is ready to pack up and go home, even as teenager Buck tries to romance local girl, Cammie (Deakins). The budding romance goes well until Chet is challenged to eat the Old 96'er (a 96-ounce steak) at a family dinner which causes Buck to break the date. Buck tries to apologize to Cammie for being late, but Cammie refuses to speak to him.
Connie and Kate bond at a local bar when the conversation drifts to Kate's challenges of being wealthy. Later, just at the peak of tension between families, Roman offers Chet a piece of his newest deal culminating in Chet writing a $25,000 check (more than he and Connie have). As the Craigs drive away, Roman abruptly heads back and reveals to everyone (even Kate) that he is broke, having lost everything in a bad investment.
Later, during a thunderstorm, the twins wander off and fall into a mine shaft. Chet and Roman eventually find them, but the claustrophobic Roman is reluctant to descend into the tiny mine shaft. After some encouragement from Chet, Roman summons up all his courage, while Chet goes for rope to pull them out. Upon realizing that the mine is stocked with old dynamite, Roman takes his daughters and climbs out of the shaft on his own.
When Chet returns with the rope, he is horrified to discover the 'Bald-Headed Bear', lurking in the mine. It chases him back to his house, smashes through the door, and rampages through the house. Wally (Prosky), the campsite owner, bursts into the house with a loaded shotgun (lamp) while Roman tries to hold off the animal with a fire poker and an oar. Chet takes the gun and shoots the bear, blowing the fur off its backside and leaving the bear's bottom exposed. Roaring in embarrassment, the bear runs out of the house.
The next morning, the two families part on good terms. Unbeknownst to Chet, Connie has invited the Craigs to stay with them until they can get back on their feet. Cammie and Buck make up and end their summer romance, as Buck and his family head back to Chicago.
In a post-credits scene, a pair of raccoons (two of a pack which had been ransacking the garbage of both Ripley and Craig families throughout the film) discuss the "Bald Headed bear" having been shot in its rear end, with one raccoon confirming that the bear was "bald on both ends now". | What was the mine stocked with? | old dynamite | 2,091 | 2,103 |
The Great Outdoors | Chicagoan Chester "Chet" Ripley (Candy), his wife, Connie (Faracy), and their two sons, Buckley "Buck" (Young) and Ben (Giatti), are on vacation at a lake resort in Pechoggin, Wisconsin during the summer. All is going as planned until Connie's sister, Kate (Bening), Kate's investment broker husband, Roman Craig (Aykroyd), and their twin daughters, Mara and Cara (Rebecca and Hilary Gordon), crash the vacation.
Ghost stories at the family BBQ include one of a man-eating grizzly bear that Chet met face-to-face when he was younger. Chet says that while he and Connie were honeymooning at the same lake, he was attacked by a giant grizzly bear. When Chet fired at it with a shotgun, the buckshot shaved the hair off the top of the bear's head and from that day on, it was known as the 'Bald-Headed Bear' of Claire County.
After Roman pulls Chet around the lake on an impromptu water ski ride with his rented speedboat Suck My Wake, tensions between families erupt. Chet is ready to pack up and go home, even as teenager Buck tries to romance local girl, Cammie (Deakins). The budding romance goes well until Chet is challenged to eat the Old 96'er (a 96-ounce steak) at a family dinner which causes Buck to break the date. Buck tries to apologize to Cammie for being late, but Cammie refuses to speak to him.
Connie and Kate bond at a local bar when the conversation drifts to Kate's challenges of being wealthy. Later, just at the peak of tension between families, Roman offers Chet a piece of his newest deal culminating in Chet writing a $25,000 check (more than he and Connie have). As the Craigs drive away, Roman abruptly heads back and reveals to everyone (even Kate) that he is broke, having lost everything in a bad investment.
Later, during a thunderstorm, the twins wander off and fall into a mine shaft. Chet and Roman eventually find them, but the claustrophobic Roman is reluctant to descend into the tiny mine shaft. After some encouragement from Chet, Roman summons up all his courage, while Chet goes for rope to pull them out. Upon realizing that the mine is stocked with old dynamite, Roman takes his daughters and climbs out of the shaft on his own.
When Chet returns with the rope, he is horrified to discover the 'Bald-Headed Bear', lurking in the mine. It chases him back to his house, smashes through the door, and rampages through the house. Wally (Prosky), the campsite owner, bursts into the house with a loaded shotgun (lamp) while Roman tries to hold off the animal with a fire poker and an oar. Chet takes the gun and shoots the bear, blowing the fur off its backside and leaving the bear's bottom exposed. Roaring in embarrassment, the bear runs out of the house.
The next morning, the two families part on good terms. Unbeknownst to Chet, Connie has invited the Craigs to stay with them until they can get back on their feet. Cammie and Buck make up and end their summer romance, as Buck and his family head back to Chicago.
In a post-credits scene, a pair of raccoons (two of a pack which had been ransacking the garbage of both Ripley and Craig families throughout the film) discuss the "Bald Headed bear" having been shot in its rear end, with one raccoon confirming that the bear was "bald on both ends now". | What did Chet meet face-to-face when he was younger? | grizzly bear | 473 | 485 |
The Great Outdoors | Chicagoan Chester "Chet" Ripley (Candy), his wife, Connie (Faracy), and their two sons, Buckley "Buck" (Young) and Ben (Giatti), are on vacation at a lake resort in Pechoggin, Wisconsin during the summer. All is going as planned until Connie's sister, Kate (Bening), Kate's investment broker husband, Roman Craig (Aykroyd), and their twin daughters, Mara and Cara (Rebecca and Hilary Gordon), crash the vacation.
Ghost stories at the family BBQ include one of a man-eating grizzly bear that Chet met face-to-face when he was younger. Chet says that while he and Connie were honeymooning at the same lake, he was attacked by a giant grizzly bear. When Chet fired at it with a shotgun, the buckshot shaved the hair off the top of the bear's head and from that day on, it was known as the 'Bald-Headed Bear' of Claire County.
After Roman pulls Chet around the lake on an impromptu water ski ride with his rented speedboat Suck My Wake, tensions between families erupt. Chet is ready to pack up and go home, even as teenager Buck tries to romance local girl, Cammie (Deakins). The budding romance goes well until Chet is challenged to eat the Old 96'er (a 96-ounce steak) at a family dinner which causes Buck to break the date. Buck tries to apologize to Cammie for being late, but Cammie refuses to speak to him.
Connie and Kate bond at a local bar when the conversation drifts to Kate's challenges of being wealthy. Later, just at the peak of tension between families, Roman offers Chet a piece of his newest deal culminating in Chet writing a $25,000 check (more than he and Connie have). As the Craigs drive away, Roman abruptly heads back and reveals to everyone (even Kate) that he is broke, having lost everything in a bad investment.
Later, during a thunderstorm, the twins wander off and fall into a mine shaft. Chet and Roman eventually find them, but the claustrophobic Roman is reluctant to descend into the tiny mine shaft. After some encouragement from Chet, Roman summons up all his courage, while Chet goes for rope to pull them out. Upon realizing that the mine is stocked with old dynamite, Roman takes his daughters and climbs out of the shaft on his own.
When Chet returns with the rope, he is horrified to discover the 'Bald-Headed Bear', lurking in the mine. It chases him back to his house, smashes through the door, and rampages through the house. Wally (Prosky), the campsite owner, bursts into the house with a loaded shotgun (lamp) while Roman tries to hold off the animal with a fire poker and an oar. Chet takes the gun and shoots the bear, blowing the fur off its backside and leaving the bear's bottom exposed. Roaring in embarrassment, the bear runs out of the house.
The next morning, the two families part on good terms. Unbeknownst to Chet, Connie has invited the Craigs to stay with them until they can get back on their feet. Cammie and Buck make up and end their summer romance, as Buck and his family head back to Chicago.
In a post-credits scene, a pair of raccoons (two of a pack which had been ransacking the garbage of both Ripley and Craig families throughout the film) discuss the "Bald Headed bear" having been shot in its rear end, with one raccoon confirming that the bear was "bald on both ends now". | Who is the campsite owner? | Wally | 2,368 | 2,373 |
The Great Outdoors | Chicagoan Chester "Chet" Ripley (Candy), his wife, Connie (Faracy), and their two sons, Buckley "Buck" (Young) and Ben (Giatti), are on vacation at a lake resort in Pechoggin, Wisconsin during the summer. All is going as planned until Connie's sister, Kate (Bening), Kate's investment broker husband, Roman Craig (Aykroyd), and their twin daughters, Mara and Cara (Rebecca and Hilary Gordon), crash the vacation.
Ghost stories at the family BBQ include one of a man-eating grizzly bear that Chet met face-to-face when he was younger. Chet says that while he and Connie were honeymooning at the same lake, he was attacked by a giant grizzly bear. When Chet fired at it with a shotgun, the buckshot shaved the hair off the top of the bear's head and from that day on, it was known as the 'Bald-Headed Bear' of Claire County.
After Roman pulls Chet around the lake on an impromptu water ski ride with his rented speedboat Suck My Wake, tensions between families erupt. Chet is ready to pack up and go home, even as teenager Buck tries to romance local girl, Cammie (Deakins). The budding romance goes well until Chet is challenged to eat the Old 96'er (a 96-ounce steak) at a family dinner which causes Buck to break the date. Buck tries to apologize to Cammie for being late, but Cammie refuses to speak to him.
Connie and Kate bond at a local bar when the conversation drifts to Kate's challenges of being wealthy. Later, just at the peak of tension between families, Roman offers Chet a piece of his newest deal culminating in Chet writing a $25,000 check (more than he and Connie have). As the Craigs drive away, Roman abruptly heads back and reveals to everyone (even Kate) that he is broke, having lost everything in a bad investment.
Later, during a thunderstorm, the twins wander off and fall into a mine shaft. Chet and Roman eventually find them, but the claustrophobic Roman is reluctant to descend into the tiny mine shaft. After some encouragement from Chet, Roman summons up all his courage, while Chet goes for rope to pull them out. Upon realizing that the mine is stocked with old dynamite, Roman takes his daughters and climbs out of the shaft on his own.
When Chet returns with the rope, he is horrified to discover the 'Bald-Headed Bear', lurking in the mine. It chases him back to his house, smashes through the door, and rampages through the house. Wally (Prosky), the campsite owner, bursts into the house with a loaded shotgun (lamp) while Roman tries to hold off the animal with a fire poker and an oar. Chet takes the gun and shoots the bear, blowing the fur off its backside and leaving the bear's bottom exposed. Roaring in embarrassment, the bear runs out of the house.
The next morning, the two families part on good terms. Unbeknownst to Chet, Connie has invited the Craigs to stay with them until they can get back on their feet. Cammie and Buck make up and end their summer romance, as Buck and his family head back to Chicago.
In a post-credits scene, a pair of raccoons (two of a pack which had been ransacking the garbage of both Ripley and Craig families throughout the film) discuss the "Bald Headed bear" having been shot in its rear end, with one raccoon confirming that the bear was "bald on both ends now". | Where did the family go on vacation? | lake resort in Pechoggin, Wisconsin | 150 | 185 |
The Great Outdoors | Chicagoan Chester "Chet" Ripley (Candy), his wife, Connie (Faracy), and their two sons, Buckley "Buck" (Young) and Ben (Giatti), are on vacation at a lake resort in Pechoggin, Wisconsin during the summer. All is going as planned until Connie's sister, Kate (Bening), Kate's investment broker husband, Roman Craig (Aykroyd), and their twin daughters, Mara and Cara (Rebecca and Hilary Gordon), crash the vacation.
Ghost stories at the family BBQ include one of a man-eating grizzly bear that Chet met face-to-face when he was younger. Chet says that while he and Connie were honeymooning at the same lake, he was attacked by a giant grizzly bear. When Chet fired at it with a shotgun, the buckshot shaved the hair off the top of the bear's head and from that day on, it was known as the 'Bald-Headed Bear' of Claire County.
After Roman pulls Chet around the lake on an impromptu water ski ride with his rented speedboat Suck My Wake, tensions between families erupt. Chet is ready to pack up and go home, even as teenager Buck tries to romance local girl, Cammie (Deakins). The budding romance goes well until Chet is challenged to eat the Old 96'er (a 96-ounce steak) at a family dinner which causes Buck to break the date. Buck tries to apologize to Cammie for being late, but Cammie refuses to speak to him.
Connie and Kate bond at a local bar when the conversation drifts to Kate's challenges of being wealthy. Later, just at the peak of tension between families, Roman offers Chet a piece of his newest deal culminating in Chet writing a $25,000 check (more than he and Connie have). As the Craigs drive away, Roman abruptly heads back and reveals to everyone (even Kate) that he is broke, having lost everything in a bad investment.
Later, during a thunderstorm, the twins wander off and fall into a mine shaft. Chet and Roman eventually find them, but the claustrophobic Roman is reluctant to descend into the tiny mine shaft. After some encouragement from Chet, Roman summons up all his courage, while Chet goes for rope to pull them out. Upon realizing that the mine is stocked with old dynamite, Roman takes his daughters and climbs out of the shaft on his own.
When Chet returns with the rope, he is horrified to discover the 'Bald-Headed Bear', lurking in the mine. It chases him back to his house, smashes through the door, and rampages through the house. Wally (Prosky), the campsite owner, bursts into the house with a loaded shotgun (lamp) while Roman tries to hold off the animal with a fire poker and an oar. Chet takes the gun and shoots the bear, blowing the fur off its backside and leaving the bear's bottom exposed. Roaring in embarrassment, the bear runs out of the house.
The next morning, the two families part on good terms. Unbeknownst to Chet, Connie has invited the Craigs to stay with them until they can get back on their feet. Cammie and Buck make up and end their summer romance, as Buck and his family head back to Chicago.
In a post-credits scene, a pair of raccoons (two of a pack which had been ransacking the garbage of both Ripley and Craig families throughout the film) discuss the "Bald Headed bear" having been shot in its rear end, with one raccoon confirming that the bear was "bald on both ends now". | What do the twins wander off and fall into? | mine shaft | 1,805 | 1,815 |
The Great Outdoors | Chicagoan Chester "Chet" Ripley (Candy), his wife, Connie (Faracy), and their two sons, Buckley "Buck" (Young) and Ben (Giatti), are on vacation at a lake resort in Pechoggin, Wisconsin during the summer. All is going as planned until Connie's sister, Kate (Bening), Kate's investment broker husband, Roman Craig (Aykroyd), and their twin daughters, Mara and Cara (Rebecca and Hilary Gordon), crash the vacation.
Ghost stories at the family BBQ include one of a man-eating grizzly bear that Chet met face-to-face when he was younger. Chet says that while he and Connie were honeymooning at the same lake, he was attacked by a giant grizzly bear. When Chet fired at it with a shotgun, the buckshot shaved the hair off the top of the bear's head and from that day on, it was known as the 'Bald-Headed Bear' of Claire County.
After Roman pulls Chet around the lake on an impromptu water ski ride with his rented speedboat Suck My Wake, tensions between families erupt. Chet is ready to pack up and go home, even as teenager Buck tries to romance local girl, Cammie (Deakins). The budding romance goes well until Chet is challenged to eat the Old 96'er (a 96-ounce steak) at a family dinner which causes Buck to break the date. Buck tries to apologize to Cammie for being late, but Cammie refuses to speak to him.
Connie and Kate bond at a local bar when the conversation drifts to Kate's challenges of being wealthy. Later, just at the peak of tension between families, Roman offers Chet a piece of his newest deal culminating in Chet writing a $25,000 check (more than he and Connie have). As the Craigs drive away, Roman abruptly heads back and reveals to everyone (even Kate) that he is broke, having lost everything in a bad investment.
Later, during a thunderstorm, the twins wander off and fall into a mine shaft. Chet and Roman eventually find them, but the claustrophobic Roman is reluctant to descend into the tiny mine shaft. After some encouragement from Chet, Roman summons up all his courage, while Chet goes for rope to pull them out. Upon realizing that the mine is stocked with old dynamite, Roman takes his daughters and climbs out of the shaft on his own.
When Chet returns with the rope, he is horrified to discover the 'Bald-Headed Bear', lurking in the mine. It chases him back to his house, smashes through the door, and rampages through the house. Wally (Prosky), the campsite owner, bursts into the house with a loaded shotgun (lamp) while Roman tries to hold off the animal with a fire poker and an oar. Chet takes the gun and shoots the bear, blowing the fur off its backside and leaving the bear's bottom exposed. Roaring in embarrassment, the bear runs out of the house.
The next morning, the two families part on good terms. Unbeknownst to Chet, Connie has invited the Craigs to stay with them until they can get back on their feet. Cammie and Buck make up and end their summer romance, as Buck and his family head back to Chicago.
In a post-credits scene, a pair of raccoons (two of a pack which had been ransacking the garbage of both Ripley and Craig families throughout the film) discuss the "Bald Headed bear" having been shot in its rear end, with one raccoon confirming that the bear was "bald on both ends now". | Where did Chet discover the Bald-Headed Bear? | the mine | 2,066 | 2,074 |
The Great Outdoors | Chicagoan Chester "Chet" Ripley (Candy), his wife, Connie (Faracy), and their two sons, Buckley "Buck" (Young) and Ben (Giatti), are on vacation at a lake resort in Pechoggin, Wisconsin during the summer. All is going as planned until Connie's sister, Kate (Bening), Kate's investment broker husband, Roman Craig (Aykroyd), and their twin daughters, Mara and Cara (Rebecca and Hilary Gordon), crash the vacation.
Ghost stories at the family BBQ include one of a man-eating grizzly bear that Chet met face-to-face when he was younger. Chet says that while he and Connie were honeymooning at the same lake, he was attacked by a giant grizzly bear. When Chet fired at it with a shotgun, the buckshot shaved the hair off the top of the bear's head and from that day on, it was known as the 'Bald-Headed Bear' of Claire County.
After Roman pulls Chet around the lake on an impromptu water ski ride with his rented speedboat Suck My Wake, tensions between families erupt. Chet is ready to pack up and go home, even as teenager Buck tries to romance local girl, Cammie (Deakins). The budding romance goes well until Chet is challenged to eat the Old 96'er (a 96-ounce steak) at a family dinner which causes Buck to break the date. Buck tries to apologize to Cammie for being late, but Cammie refuses to speak to him.
Connie and Kate bond at a local bar when the conversation drifts to Kate's challenges of being wealthy. Later, just at the peak of tension between families, Roman offers Chet a piece of his newest deal culminating in Chet writing a $25,000 check (more than he and Connie have). As the Craigs drive away, Roman abruptly heads back and reveals to everyone (even Kate) that he is broke, having lost everything in a bad investment.
Later, during a thunderstorm, the twins wander off and fall into a mine shaft. Chet and Roman eventually find them, but the claustrophobic Roman is reluctant to descend into the tiny mine shaft. After some encouragement from Chet, Roman summons up all his courage, while Chet goes for rope to pull them out. Upon realizing that the mine is stocked with old dynamite, Roman takes his daughters and climbs out of the shaft on his own.
When Chet returns with the rope, he is horrified to discover the 'Bald-Headed Bear', lurking in the mine. It chases him back to his house, smashes through the door, and rampages through the house. Wally (Prosky), the campsite owner, bursts into the house with a loaded shotgun (lamp) while Roman tries to hold off the animal with a fire poker and an oar. Chet takes the gun and shoots the bear, blowing the fur off its backside and leaving the bear's bottom exposed. Roaring in embarrassment, the bear runs out of the house.
The next morning, the two families part on good terms. Unbeknownst to Chet, Connie has invited the Craigs to stay with them until they can get back on their feet. Cammie and Buck make up and end their summer romance, as Buck and his family head back to Chicago.
In a post-credits scene, a pair of raccoons (two of a pack which had been ransacking the garbage of both Ripley and Craig families throughout the film) discuss the "Bald Headed bear" having been shot in its rear end, with one raccoon confirming that the bear was "bald on both ends now". | What is Chet challenged to eat? | 96-ounce steak | 1,152 | 1,166 |
The Great Outdoors | Chicagoan Chester "Chet" Ripley (Candy), his wife, Connie (Faracy), and their two sons, Buckley "Buck" (Young) and Ben (Giatti), are on vacation at a lake resort in Pechoggin, Wisconsin during the summer. All is going as planned until Connie's sister, Kate (Bening), Kate's investment broker husband, Roman Craig (Aykroyd), and their twin daughters, Mara and Cara (Rebecca and Hilary Gordon), crash the vacation.
Ghost stories at the family BBQ include one of a man-eating grizzly bear that Chet met face-to-face when he was younger. Chet says that while he and Connie were honeymooning at the same lake, he was attacked by a giant grizzly bear. When Chet fired at it with a shotgun, the buckshot shaved the hair off the top of the bear's head and from that day on, it was known as the 'Bald-Headed Bear' of Claire County.
After Roman pulls Chet around the lake on an impromptu water ski ride with his rented speedboat Suck My Wake, tensions between families erupt. Chet is ready to pack up and go home, even as teenager Buck tries to romance local girl, Cammie (Deakins). The budding romance goes well until Chet is challenged to eat the Old 96'er (a 96-ounce steak) at a family dinner which causes Buck to break the date. Buck tries to apologize to Cammie for being late, but Cammie refuses to speak to him.
Connie and Kate bond at a local bar when the conversation drifts to Kate's challenges of being wealthy. Later, just at the peak of tension between families, Roman offers Chet a piece of his newest deal culminating in Chet writing a $25,000 check (more than he and Connie have). As the Craigs drive away, Roman abruptly heads back and reveals to everyone (even Kate) that he is broke, having lost everything in a bad investment.
Later, during a thunderstorm, the twins wander off and fall into a mine shaft. Chet and Roman eventually find them, but the claustrophobic Roman is reluctant to descend into the tiny mine shaft. After some encouragement from Chet, Roman summons up all his courage, while Chet goes for rope to pull them out. Upon realizing that the mine is stocked with old dynamite, Roman takes his daughters and climbs out of the shaft on his own.
When Chet returns with the rope, he is horrified to discover the 'Bald-Headed Bear', lurking in the mine. It chases him back to his house, smashes through the door, and rampages through the house. Wally (Prosky), the campsite owner, bursts into the house with a loaded shotgun (lamp) while Roman tries to hold off the animal with a fire poker and an oar. Chet takes the gun and shoots the bear, blowing the fur off its backside and leaving the bear's bottom exposed. Roaring in embarrassment, the bear runs out of the house.
The next morning, the two families part on good terms. Unbeknownst to Chet, Connie has invited the Craigs to stay with them until they can get back on their feet. Cammie and Buck make up and end their summer romance, as Buck and his family head back to Chicago.
In a post-credits scene, a pair of raccoons (two of a pack which had been ransacking the garbage of both Ripley and Craig families throughout the film) discuss the "Bald Headed bear" having been shot in its rear end, with one raccoon confirming that the bear was "bald on both ends now". | Buck and his family head back to where? | Chicago | 0 | 7 |
The Great Outdoors | Chicagoan Chester "Chet" Ripley (Candy), his wife, Connie (Faracy), and their two sons, Buckley "Buck" (Young) and Ben (Giatti), are on vacation at a lake resort in Pechoggin, Wisconsin during the summer. All is going as planned until Connie's sister, Kate (Bening), Kate's investment broker husband, Roman Craig (Aykroyd), and their twin daughters, Mara and Cara (Rebecca and Hilary Gordon), crash the vacation.
Ghost stories at the family BBQ include one of a man-eating grizzly bear that Chet met face-to-face when he was younger. Chet says that while he and Connie were honeymooning at the same lake, he was attacked by a giant grizzly bear. When Chet fired at it with a shotgun, the buckshot shaved the hair off the top of the bear's head and from that day on, it was known as the 'Bald-Headed Bear' of Claire County.
After Roman pulls Chet around the lake on an impromptu water ski ride with his rented speedboat Suck My Wake, tensions between families erupt. Chet is ready to pack up and go home, even as teenager Buck tries to romance local girl, Cammie (Deakins). The budding romance goes well until Chet is challenged to eat the Old 96'er (a 96-ounce steak) at a family dinner which causes Buck to break the date. Buck tries to apologize to Cammie for being late, but Cammie refuses to speak to him.
Connie and Kate bond at a local bar when the conversation drifts to Kate's challenges of being wealthy. Later, just at the peak of tension between families, Roman offers Chet a piece of his newest deal culminating in Chet writing a $25,000 check (more than he and Connie have). As the Craigs drive away, Roman abruptly heads back and reveals to everyone (even Kate) that he is broke, having lost everything in a bad investment.
Later, during a thunderstorm, the twins wander off and fall into a mine shaft. Chet and Roman eventually find them, but the claustrophobic Roman is reluctant to descend into the tiny mine shaft. After some encouragement from Chet, Roman summons up all his courage, while Chet goes for rope to pull them out. Upon realizing that the mine is stocked with old dynamite, Roman takes his daughters and climbs out of the shaft on his own.
When Chet returns with the rope, he is horrified to discover the 'Bald-Headed Bear', lurking in the mine. It chases him back to his house, smashes through the door, and rampages through the house. Wally (Prosky), the campsite owner, bursts into the house with a loaded shotgun (lamp) while Roman tries to hold off the animal with a fire poker and an oar. Chet takes the gun and shoots the bear, blowing the fur off its backside and leaving the bear's bottom exposed. Roaring in embarrassment, the bear runs out of the house.
The next morning, the two families part on good terms. Unbeknownst to Chet, Connie has invited the Craigs to stay with them until they can get back on their feet. Cammie and Buck make up and end their summer romance, as Buck and his family head back to Chicago.
In a post-credits scene, a pair of raccoons (two of a pack which had been ransacking the garbage of both Ripley and Craig families throughout the film) discuss the "Bald Headed bear" having been shot in its rear end, with one raccoon confirming that the bear was "bald on both ends now". | In what county was the bear from? | Claire county | 808 | 821 |
Strangers on a Train | Amateur Tennis star Guy Haines (Farley Granger) wants to divorce his vulgar and unfaithful wife Miriam (Laura Elliott), so he can marry the elegant and beautiful Anne Morton (Ruth Roman), daughter of a senator (Leo G. Carroll). While on a train to meet Miriam, Haines encounters Bruno Anthony (Robert Walker), a pushy stranger who recognizes Guy from gossip items in the newspapers and wants to discuss his marital problems. During lunch in Bruno's compartment, Bruno tells Guy about his idea for the perfect "criss-cross" murder(s): he will kill Miriam, and in exchange Guy will kill Bruno's father. Since they are unconnected strangers, there is no identifiable motive for the crimes, and therefore no suspicion from the police. Guy hurriedly departs the compartment, but leaves Bruno thinking he has agreed to the deal. Guy accidentally leaves his cigarette lighter behind, and Bruno pockets it. Guy meets Miriam at her work, where she decides to call off the divorce and play the Washington political wife. Guy threatens Miriam, then calls Anne and tells her he wants to "strangle" Miriam.Bruno arrives in Guy's hometown and follows Miriam and her two beaux to an amusement park, where he strangles her to death. Guy's alibi a college professor who was inebriated when they met cannot remember their meeting on the train. Guy's chances of being implicated increase when Bruno appears repeatedly to remind Guy that he is now obliged to kill Bruno's father.Bruno sends Guy the keys to his house, a map to his father's room, and a pistol. Soon after, Bruno appears at a party at Senator Morton's house and hobnobs with the guests, much to Guy's apprehension and Anne's increasing suspicion. Using another guest, he demonstrates how to strangle someone while preventing them from screaming; while doing this he sees Anne's younger sister Barbara (Patricia Hitchcock). Her eyeglasses and resemblance to Miriam trigger a flashback, and Bruno really begins to strangle the guest. After a moment he faints, and the frightened party guests pull him off the hysterical woman. Young Barbara rushes to her sister and tells her, "His hands were on her throat, but he was strangling me." Anne puts together the facts of the crime and confronts Guy, who admits the truth.Guy agrees to Bruno's plan over the telephone and creeps into Bruno's home at night. When he reaches the father's room he tries to warn the older man of Bruno's intentions, but finds Bruno waiting for him instead. Bruno tells Guy that, because he will not complete his end of the bargain, he should take responsibility for the murder which "belongs" to him; to that end he will frame Guy for the murder of Miriam.Anne visits Bruno's house and tells his befuddled mother (Marion Lorne) that her son is responsible for murder, but the woman does not believe her and will not admit how dangerous her son is. Bruno overhears the conversation and lets Anne know that he has Guy's lighter and that he plans to plant it at the scene of Miriam's murder. Anne and Guy devise a plan so that Guy can beat Bruno to the scene of the crime while still appearing in a tennis match elsewhere.Guy wins the tennis match but takes much longer than expected; likewise, Bruno is delayed when he drops Guy's lighter down a storm drain and must force his arm down the drain to recover it. Guy arrives at the amusement park while Bruno is still waiting for sunset. The two men struggle on the carousel. The police arrive and fire on Guy, but a stray shot hits the carousel operator. The ride spins wildly out of control and crashes, and Bruno is mortally wounded. He tells the police that Guy committed the murder, but as he dies, his hand opens to reveal the incriminating lighter. An amusement park employee remembers Bruno's previous visit the night of Miriam's death, implicating Bruno as the murderer.Reunited with Anne on a train home, Guy is asked by a friendly clergyman seated near them if he is Guy Haines. Guy, remembering this is the way Bruno started their fatal conversation, quickly leaves the club car with Anne, perplexing the clergyman. | Who does Guy want to marry? | Anne Morton | 162 | 173 |
Strangers on a Train | Amateur Tennis star Guy Haines (Farley Granger) wants to divorce his vulgar and unfaithful wife Miriam (Laura Elliott), so he can marry the elegant and beautiful Anne Morton (Ruth Roman), daughter of a senator (Leo G. Carroll). While on a train to meet Miriam, Haines encounters Bruno Anthony (Robert Walker), a pushy stranger who recognizes Guy from gossip items in the newspapers and wants to discuss his marital problems. During lunch in Bruno's compartment, Bruno tells Guy about his idea for the perfect "criss-cross" murder(s): he will kill Miriam, and in exchange Guy will kill Bruno's father. Since they are unconnected strangers, there is no identifiable motive for the crimes, and therefore no suspicion from the police. Guy hurriedly departs the compartment, but leaves Bruno thinking he has agreed to the deal. Guy accidentally leaves his cigarette lighter behind, and Bruno pockets it. Guy meets Miriam at her work, where she decides to call off the divorce and play the Washington political wife. Guy threatens Miriam, then calls Anne and tells her he wants to "strangle" Miriam.Bruno arrives in Guy's hometown and follows Miriam and her two beaux to an amusement park, where he strangles her to death. Guy's alibi a college professor who was inebriated when they met cannot remember their meeting on the train. Guy's chances of being implicated increase when Bruno appears repeatedly to remind Guy that he is now obliged to kill Bruno's father.Bruno sends Guy the keys to his house, a map to his father's room, and a pistol. Soon after, Bruno appears at a party at Senator Morton's house and hobnobs with the guests, much to Guy's apprehension and Anne's increasing suspicion. Using another guest, he demonstrates how to strangle someone while preventing them from screaming; while doing this he sees Anne's younger sister Barbara (Patricia Hitchcock). Her eyeglasses and resemblance to Miriam trigger a flashback, and Bruno really begins to strangle the guest. After a moment he faints, and the frightened party guests pull him off the hysterical woman. Young Barbara rushes to her sister and tells her, "His hands were on her throat, but he was strangling me." Anne puts together the facts of the crime and confronts Guy, who admits the truth.Guy agrees to Bruno's plan over the telephone and creeps into Bruno's home at night. When he reaches the father's room he tries to warn the older man of Bruno's intentions, but finds Bruno waiting for him instead. Bruno tells Guy that, because he will not complete his end of the bargain, he should take responsibility for the murder which "belongs" to him; to that end he will frame Guy for the murder of Miriam.Anne visits Bruno's house and tells his befuddled mother (Marion Lorne) that her son is responsible for murder, but the woman does not believe her and will not admit how dangerous her son is. Bruno overhears the conversation and lets Anne know that he has Guy's lighter and that he plans to plant it at the scene of Miriam's murder. Anne and Guy devise a plan so that Guy can beat Bruno to the scene of the crime while still appearing in a tennis match elsewhere.Guy wins the tennis match but takes much longer than expected; likewise, Bruno is delayed when he drops Guy's lighter down a storm drain and must force his arm down the drain to recover it. Guy arrives at the amusement park while Bruno is still waiting for sunset. The two men struggle on the carousel. The police arrive and fire on Guy, but a stray shot hits the carousel operator. The ride spins wildly out of control and crashes, and Bruno is mortally wounded. He tells the police that Guy committed the murder, but as he dies, his hand opens to reveal the incriminating lighter. An amusement park employee remembers Bruno's previous visit the night of Miriam's death, implicating Bruno as the murderer.Reunited with Anne on a train home, Guy is asked by a friendly clergyman seated near them if he is Guy Haines. Guy, remembering this is the way Bruno started their fatal conversation, quickly leaves the club car with Anne, perplexing the clergyman. | Who does guy want to marry? | Anne Morton | 162 | 173 |
Strangers on a Train | Amateur Tennis star Guy Haines (Farley Granger) wants to divorce his vulgar and unfaithful wife Miriam (Laura Elliott), so he can marry the elegant and beautiful Anne Morton (Ruth Roman), daughter of a senator (Leo G. Carroll). While on a train to meet Miriam, Haines encounters Bruno Anthony (Robert Walker), a pushy stranger who recognizes Guy from gossip items in the newspapers and wants to discuss his marital problems. During lunch in Bruno's compartment, Bruno tells Guy about his idea for the perfect "criss-cross" murder(s): he will kill Miriam, and in exchange Guy will kill Bruno's father. Since they are unconnected strangers, there is no identifiable motive for the crimes, and therefore no suspicion from the police. Guy hurriedly departs the compartment, but leaves Bruno thinking he has agreed to the deal. Guy accidentally leaves his cigarette lighter behind, and Bruno pockets it. Guy meets Miriam at her work, where she decides to call off the divorce and play the Washington political wife. Guy threatens Miriam, then calls Anne and tells her he wants to "strangle" Miriam.Bruno arrives in Guy's hometown and follows Miriam and her two beaux to an amusement park, where he strangles her to death. Guy's alibi a college professor who was inebriated when they met cannot remember their meeting on the train. Guy's chances of being implicated increase when Bruno appears repeatedly to remind Guy that he is now obliged to kill Bruno's father.Bruno sends Guy the keys to his house, a map to his father's room, and a pistol. Soon after, Bruno appears at a party at Senator Morton's house and hobnobs with the guests, much to Guy's apprehension and Anne's increasing suspicion. Using another guest, he demonstrates how to strangle someone while preventing them from screaming; while doing this he sees Anne's younger sister Barbara (Patricia Hitchcock). Her eyeglasses and resemblance to Miriam trigger a flashback, and Bruno really begins to strangle the guest. After a moment he faints, and the frightened party guests pull him off the hysterical woman. Young Barbara rushes to her sister and tells her, "His hands were on her throat, but he was strangling me." Anne puts together the facts of the crime and confronts Guy, who admits the truth.Guy agrees to Bruno's plan over the telephone and creeps into Bruno's home at night. When he reaches the father's room he tries to warn the older man of Bruno's intentions, but finds Bruno waiting for him instead. Bruno tells Guy that, because he will not complete his end of the bargain, he should take responsibility for the murder which "belongs" to him; to that end he will frame Guy for the murder of Miriam.Anne visits Bruno's house and tells his befuddled mother (Marion Lorne) that her son is responsible for murder, but the woman does not believe her and will not admit how dangerous her son is. Bruno overhears the conversation and lets Anne know that he has Guy's lighter and that he plans to plant it at the scene of Miriam's murder. Anne and Guy devise a plan so that Guy can beat Bruno to the scene of the crime while still appearing in a tennis match elsewhere.Guy wins the tennis match but takes much longer than expected; likewise, Bruno is delayed when he drops Guy's lighter down a storm drain and must force his arm down the drain to recover it. Guy arrives at the amusement park while Bruno is still waiting for sunset. The two men struggle on the carousel. The police arrive and fire on Guy, but a stray shot hits the carousel operator. The ride spins wildly out of control and crashes, and Bruno is mortally wounded. He tells the police that Guy committed the murder, but as he dies, his hand opens to reveal the incriminating lighter. An amusement park employee remembers Bruno's previous visit the night of Miriam's death, implicating Bruno as the murderer.Reunited with Anne on a train home, Guy is asked by a friendly clergyman seated near them if he is Guy Haines. Guy, remembering this is the way Bruno started their fatal conversation, quickly leaves the club car with Anne, perplexing the clergyman. | What is the first name of the person guy wants to divorce? | Miriam | 96 | 102 |
Strangers on a Train | Amateur Tennis star Guy Haines (Farley Granger) wants to divorce his vulgar and unfaithful wife Miriam (Laura Elliott), so he can marry the elegant and beautiful Anne Morton (Ruth Roman), daughter of a senator (Leo G. Carroll). While on a train to meet Miriam, Haines encounters Bruno Anthony (Robert Walker), a pushy stranger who recognizes Guy from gossip items in the newspapers and wants to discuss his marital problems. During lunch in Bruno's compartment, Bruno tells Guy about his idea for the perfect "criss-cross" murder(s): he will kill Miriam, and in exchange Guy will kill Bruno's father. Since they are unconnected strangers, there is no identifiable motive for the crimes, and therefore no suspicion from the police. Guy hurriedly departs the compartment, but leaves Bruno thinking he has agreed to the deal. Guy accidentally leaves his cigarette lighter behind, and Bruno pockets it. Guy meets Miriam at her work, where she decides to call off the divorce and play the Washington political wife. Guy threatens Miriam, then calls Anne and tells her he wants to "strangle" Miriam.Bruno arrives in Guy's hometown and follows Miriam and her two beaux to an amusement park, where he strangles her to death. Guy's alibi a college professor who was inebriated when they met cannot remember their meeting on the train. Guy's chances of being implicated increase when Bruno appears repeatedly to remind Guy that he is now obliged to kill Bruno's father.Bruno sends Guy the keys to his house, a map to his father's room, and a pistol. Soon after, Bruno appears at a party at Senator Morton's house and hobnobs with the guests, much to Guy's apprehension and Anne's increasing suspicion. Using another guest, he demonstrates how to strangle someone while preventing them from screaming; while doing this he sees Anne's younger sister Barbara (Patricia Hitchcock). Her eyeglasses and resemblance to Miriam trigger a flashback, and Bruno really begins to strangle the guest. After a moment he faints, and the frightened party guests pull him off the hysterical woman. Young Barbara rushes to her sister and tells her, "His hands were on her throat, but he was strangling me." Anne puts together the facts of the crime and confronts Guy, who admits the truth.Guy agrees to Bruno's plan over the telephone and creeps into Bruno's home at night. When he reaches the father's room he tries to warn the older man of Bruno's intentions, but finds Bruno waiting for him instead. Bruno tells Guy that, because he will not complete his end of the bargain, he should take responsibility for the murder which "belongs" to him; to that end he will frame Guy for the murder of Miriam.Anne visits Bruno's house and tells his befuddled mother (Marion Lorne) that her son is responsible for murder, but the woman does not believe her and will not admit how dangerous her son is. Bruno overhears the conversation and lets Anne know that he has Guy's lighter and that he plans to plant it at the scene of Miriam's murder. Anne and Guy devise a plan so that Guy can beat Bruno to the scene of the crime while still appearing in a tennis match elsewhere.Guy wins the tennis match but takes much longer than expected; likewise, Bruno is delayed when he drops Guy's lighter down a storm drain and must force his arm down the drain to recover it. Guy arrives at the amusement park while Bruno is still waiting for sunset. The two men struggle on the carousel. The police arrive and fire on Guy, but a stray shot hits the carousel operator. The ride spins wildly out of control and crashes, and Bruno is mortally wounded. He tells the police that Guy committed the murder, but as he dies, his hand opens to reveal the incriminating lighter. An amusement park employee remembers Bruno's previous visit the night of Miriam's death, implicating Bruno as the murderer.Reunited with Anne on a train home, Guy is asked by a friendly clergyman seated near them if he is Guy Haines. Guy, remembering this is the way Bruno started their fatal conversation, quickly leaves the club car with Anne, perplexing the clergyman. | How does Bruno kill Miriam? | He strangles her | 1,190 | 1,206 |
Strangers on a Train | Amateur Tennis star Guy Haines (Farley Granger) wants to divorce his vulgar and unfaithful wife Miriam (Laura Elliott), so he can marry the elegant and beautiful Anne Morton (Ruth Roman), daughter of a senator (Leo G. Carroll). While on a train to meet Miriam, Haines encounters Bruno Anthony (Robert Walker), a pushy stranger who recognizes Guy from gossip items in the newspapers and wants to discuss his marital problems. During lunch in Bruno's compartment, Bruno tells Guy about his idea for the perfect "criss-cross" murder(s): he will kill Miriam, and in exchange Guy will kill Bruno's father. Since they are unconnected strangers, there is no identifiable motive for the crimes, and therefore no suspicion from the police. Guy hurriedly departs the compartment, but leaves Bruno thinking he has agreed to the deal. Guy accidentally leaves his cigarette lighter behind, and Bruno pockets it. Guy meets Miriam at her work, where she decides to call off the divorce and play the Washington political wife. Guy threatens Miriam, then calls Anne and tells her he wants to "strangle" Miriam.Bruno arrives in Guy's hometown and follows Miriam and her two beaux to an amusement park, where he strangles her to death. Guy's alibi a college professor who was inebriated when they met cannot remember their meeting on the train. Guy's chances of being implicated increase when Bruno appears repeatedly to remind Guy that he is now obliged to kill Bruno's father.Bruno sends Guy the keys to his house, a map to his father's room, and a pistol. Soon after, Bruno appears at a party at Senator Morton's house and hobnobs with the guests, much to Guy's apprehension and Anne's increasing suspicion. Using another guest, he demonstrates how to strangle someone while preventing them from screaming; while doing this he sees Anne's younger sister Barbara (Patricia Hitchcock). Her eyeglasses and resemblance to Miriam trigger a flashback, and Bruno really begins to strangle the guest. After a moment he faints, and the frightened party guests pull him off the hysterical woman. Young Barbara rushes to her sister and tells her, "His hands were on her throat, but he was strangling me." Anne puts together the facts of the crime and confronts Guy, who admits the truth.Guy agrees to Bruno's plan over the telephone and creeps into Bruno's home at night. When he reaches the father's room he tries to warn the older man of Bruno's intentions, but finds Bruno waiting for him instead. Bruno tells Guy that, because he will not complete his end of the bargain, he should take responsibility for the murder which "belongs" to him; to that end he will frame Guy for the murder of Miriam.Anne visits Bruno's house and tells his befuddled mother (Marion Lorne) that her son is responsible for murder, but the woman does not believe her and will not admit how dangerous her son is. Bruno overhears the conversation and lets Anne know that he has Guy's lighter and that he plans to plant it at the scene of Miriam's murder. Anne and Guy devise a plan so that Guy can beat Bruno to the scene of the crime while still appearing in a tennis match elsewhere.Guy wins the tennis match but takes much longer than expected; likewise, Bruno is delayed when he drops Guy's lighter down a storm drain and must force his arm down the drain to recover it. Guy arrives at the amusement park while Bruno is still waiting for sunset. The two men struggle on the carousel. The police arrive and fire on Guy, but a stray shot hits the carousel operator. The ride spins wildly out of control and crashes, and Bruno is mortally wounded. He tells the police that Guy committed the murder, but as he dies, his hand opens to reveal the incriminating lighter. An amusement park employee remembers Bruno's previous visit the night of Miriam's death, implicating Bruno as the murderer.Reunited with Anne on a train home, Guy is asked by a friendly clergyman seated near them if he is Guy Haines. Guy, remembering this is the way Bruno started their fatal conversation, quickly leaves the club car with Anne, perplexing the clergyman. | Who strangled Miriam? | Bruno | 279 | 284 |
Pennies from Heaven | In 1934, Chicago sheet-music salesman Arthur Parker (Martin) is having a hard time, both in his business and at home with his wife Joan (Harper). His business and marriage are failing, and Joan refuses to give him the money she inherited from her father to start his own business.
Arthur's dream is to live in a world that is like the songs he tries to sell. He is refused a bank loan, although he fantasizes that he gets it. In his travels, Arthur meets a school teacher, Eileen (Peters), and falls in love with her instantly. They embark on a short affair, but Arthur leaves her and returns to Joan, who, desperate to keep him, agrees to give him the money he wanted. Arthur denies having an affair, though Joan is sure he is lying.
Eileen gets pregnant by Arthur and is fired. With nowhere to go, she takes up with stylish pimp Tom (Walken). While Eileen is attracted to Tom's "badness", it is quite clear that Tom means business, and arranges for her to have an abortion.
When Arthur meets Eileen again, she is now a prostitute calling herself "Lulu". They resume their romance, and Eileen leaves Tom and her sordid life. Impulsively, Arthur convinces her to run away together. Having failed to sell his business, Arthur and Eileen break into the store one night and trash it, smashing its phonograph records (except for "Pennies from Heaven"). To supplement their income, Eileen keeps prostituting in spite of Arthur's objections.
A blind girl whom Arthur knew superficially is raped and murdered by an accordion-playing hobo (Bagneris) who Arthur gave a ride earlier in the film. The police's suspicions are confirmed by Joan who reveals to them Arthur's sexual predilections in order to get back at him for cheating on her. The police find Arthur trying to leave town with Eileen, and arrest him for murder; he is soon convicted and sentenced to death. At the gallows, he recites the lyrics from the song "Pennies from Heaven". In one final fantasy, Arthur and Eileen are reunited, with Arthur saying, "We've worked too hard not to have a happy ending." | whose dream is to live in a world that is like the songs he tries to sell? | arthur's dream | 281 | 295 |
Pennies from Heaven | In 1934, Chicago sheet-music salesman Arthur Parker (Martin) is having a hard time, both in his business and at home with his wife Joan (Harper). His business and marriage are failing, and Joan refuses to give him the money she inherited from her father to start his own business.
Arthur's dream is to live in a world that is like the songs he tries to sell. He is refused a bank loan, although he fantasizes that he gets it. In his travels, Arthur meets a school teacher, Eileen (Peters), and falls in love with her instantly. They embark on a short affair, but Arthur leaves her and returns to Joan, who, desperate to keep him, agrees to give him the money he wanted. Arthur denies having an affair, though Joan is sure he is lying.
Eileen gets pregnant by Arthur and is fired. With nowhere to go, she takes up with stylish pimp Tom (Walken). While Eileen is attracted to Tom's "badness", it is quite clear that Tom means business, and arranges for her to have an abortion.
When Arthur meets Eileen again, she is now a prostitute calling herself "Lulu". They resume their romance, and Eileen leaves Tom and her sordid life. Impulsively, Arthur convinces her to run away together. Having failed to sell his business, Arthur and Eileen break into the store one night and trash it, smashing its phonograph records (except for "Pennies from Heaven"). To supplement their income, Eileen keeps prostituting in spite of Arthur's objections.
A blind girl whom Arthur knew superficially is raped and murdered by an accordion-playing hobo (Bagneris) who Arthur gave a ride earlier in the film. The police's suspicions are confirmed by Joan who reveals to them Arthur's sexual predilections in order to get back at him for cheating on her. The police find Arthur trying to leave town with Eileen, and arrest him for murder; he is soon convicted and sentenced to death. At the gallows, he recites the lyrics from the song "Pennies from Heaven". In one final fantasy, Arthur and Eileen are reunited, with Arthur saying, "We've worked too hard not to have a happy ending." | what is the nickname of eileen? | Lulu | 1,049 | 1,053 |
Pennies from Heaven | In 1934, Chicago sheet-music salesman Arthur Parker (Martin) is having a hard time, both in his business and at home with his wife Joan (Harper). His business and marriage are failing, and Joan refuses to give him the money she inherited from her father to start his own business.
Arthur's dream is to live in a world that is like the songs he tries to sell. He is refused a bank loan, although he fantasizes that he gets it. In his travels, Arthur meets a school teacher, Eileen (Peters), and falls in love with her instantly. They embark on a short affair, but Arthur leaves her and returns to Joan, who, desperate to keep him, agrees to give him the money he wanted. Arthur denies having an affair, though Joan is sure he is lying.
Eileen gets pregnant by Arthur and is fired. With nowhere to go, she takes up with stylish pimp Tom (Walken). While Eileen is attracted to Tom's "badness", it is quite clear that Tom means business, and arranges for her to have an abortion.
When Arthur meets Eileen again, she is now a prostitute calling herself "Lulu". They resume their romance, and Eileen leaves Tom and her sordid life. Impulsively, Arthur convinces her to run away together. Having failed to sell his business, Arthur and Eileen break into the store one night and trash it, smashing its phonograph records (except for "Pennies from Heaven"). To supplement their income, Eileen keeps prostituting in spite of Arthur's objections.
A blind girl whom Arthur knew superficially is raped and murdered by an accordion-playing hobo (Bagneris) who Arthur gave a ride earlier in the film. The police's suspicions are confirmed by Joan who reveals to them Arthur's sexual predilections in order to get back at him for cheating on her. The police find Arthur trying to leave town with Eileen, and arrest him for murder; he is soon convicted and sentenced to death. At the gallows, he recites the lyrics from the song "Pennies from Heaven". In one final fantasy, Arthur and Eileen are reunited, with Arthur saying, "We've worked too hard not to have a happy ending." | who breaks the store? | Arthur and Eileen | 1,218 | 1,235 |
Pennies from Heaven | In 1934, Chicago sheet-music salesman Arthur Parker (Martin) is having a hard time, both in his business and at home with his wife Joan (Harper). His business and marriage are failing, and Joan refuses to give him the money she inherited from her father to start his own business.
Arthur's dream is to live in a world that is like the songs he tries to sell. He is refused a bank loan, although he fantasizes that he gets it. In his travels, Arthur meets a school teacher, Eileen (Peters), and falls in love with her instantly. They embark on a short affair, but Arthur leaves her and returns to Joan, who, desperate to keep him, agrees to give him the money he wanted. Arthur denies having an affair, though Joan is sure he is lying.
Eileen gets pregnant by Arthur and is fired. With nowhere to go, she takes up with stylish pimp Tom (Walken). While Eileen is attracted to Tom's "badness", it is quite clear that Tom means business, and arranges for her to have an abortion.
When Arthur meets Eileen again, she is now a prostitute calling herself "Lulu". They resume their romance, and Eileen leaves Tom and her sordid life. Impulsively, Arthur convinces her to run away together. Having failed to sell his business, Arthur and Eileen break into the store one night and trash it, smashing its phonograph records (except for "Pennies from Heaven"). To supplement their income, Eileen keeps prostituting in spite of Arthur's objections.
A blind girl whom Arthur knew superficially is raped and murdered by an accordion-playing hobo (Bagneris) who Arthur gave a ride earlier in the film. The police's suspicions are confirmed by Joan who reveals to them Arthur's sexual predilections in order to get back at him for cheating on her. The police find Arthur trying to leave town with Eileen, and arrest him for murder; he is soon convicted and sentenced to death. At the gallows, he recites the lyrics from the song "Pennies from Heaven". In one final fantasy, Arthur and Eileen are reunited, with Arthur saying, "We've worked too hard not to have a happy ending." | Who is sentenced to death? | Arthur | 38 | 44 |
Pennies from Heaven | In 1934, Chicago sheet-music salesman Arthur Parker (Martin) is having a hard time, both in his business and at home with his wife Joan (Harper). His business and marriage are failing, and Joan refuses to give him the money she inherited from her father to start his own business.
Arthur's dream is to live in a world that is like the songs he tries to sell. He is refused a bank loan, although he fantasizes that he gets it. In his travels, Arthur meets a school teacher, Eileen (Peters), and falls in love with her instantly. They embark on a short affair, but Arthur leaves her and returns to Joan, who, desperate to keep him, agrees to give him the money he wanted. Arthur denies having an affair, though Joan is sure he is lying.
Eileen gets pregnant by Arthur and is fired. With nowhere to go, she takes up with stylish pimp Tom (Walken). While Eileen is attracted to Tom's "badness", it is quite clear that Tom means business, and arranges for her to have an abortion.
When Arthur meets Eileen again, she is now a prostitute calling herself "Lulu". They resume their romance, and Eileen leaves Tom and her sordid life. Impulsively, Arthur convinces her to run away together. Having failed to sell his business, Arthur and Eileen break into the store one night and trash it, smashing its phonograph records (except for "Pennies from Heaven"). To supplement their income, Eileen keeps prostituting in spite of Arthur's objections.
A blind girl whom Arthur knew superficially is raped and murdered by an accordion-playing hobo (Bagneris) who Arthur gave a ride earlier in the film. The police's suspicions are confirmed by Joan who reveals to them Arthur's sexual predilections in order to get back at him for cheating on her. The police find Arthur trying to leave town with Eileen, and arrest him for murder; he is soon convicted and sentenced to death. At the gallows, he recites the lyrics from the song "Pennies from Heaven". In one final fantasy, Arthur and Eileen are reunited, with Arthur saying, "We've worked too hard not to have a happy ending." | Who finds Arthur trying to leave town? | The Police | 1,586 | 1,596 |
Pennies from Heaven | In 1934, Chicago sheet-music salesman Arthur Parker (Martin) is having a hard time, both in his business and at home with his wife Joan (Harper). His business and marriage are failing, and Joan refuses to give him the money she inherited from her father to start his own business.
Arthur's dream is to live in a world that is like the songs he tries to sell. He is refused a bank loan, although he fantasizes that he gets it. In his travels, Arthur meets a school teacher, Eileen (Peters), and falls in love with her instantly. They embark on a short affair, but Arthur leaves her and returns to Joan, who, desperate to keep him, agrees to give him the money he wanted. Arthur denies having an affair, though Joan is sure he is lying.
Eileen gets pregnant by Arthur and is fired. With nowhere to go, she takes up with stylish pimp Tom (Walken). While Eileen is attracted to Tom's "badness", it is quite clear that Tom means business, and arranges for her to have an abortion.
When Arthur meets Eileen again, she is now a prostitute calling herself "Lulu". They resume their romance, and Eileen leaves Tom and her sordid life. Impulsively, Arthur convinces her to run away together. Having failed to sell his business, Arthur and Eileen break into the store one night and trash it, smashing its phonograph records (except for "Pennies from Heaven"). To supplement their income, Eileen keeps prostituting in spite of Arthur's objections.
A blind girl whom Arthur knew superficially is raped and murdered by an accordion-playing hobo (Bagneris) who Arthur gave a ride earlier in the film. The police's suspicions are confirmed by Joan who reveals to them Arthur's sexual predilections in order to get back at him for cheating on her. The police find Arthur trying to leave town with Eileen, and arrest him for murder; he is soon convicted and sentenced to death. At the gallows, he recites the lyrics from the song "Pennies from Heaven". In one final fantasy, Arthur and Eileen are reunited, with Arthur saying, "We've worked too hard not to have a happy ending." | Who is raped and murdered? | blind girl | 1,438 | 1,448 |
Pennies from Heaven | In 1934, Chicago sheet-music salesman Arthur Parker (Martin) is having a hard time, both in his business and at home with his wife Joan (Harper). His business and marriage are failing, and Joan refuses to give him the money she inherited from her father to start his own business.
Arthur's dream is to live in a world that is like the songs he tries to sell. He is refused a bank loan, although he fantasizes that he gets it. In his travels, Arthur meets a school teacher, Eileen (Peters), and falls in love with her instantly. They embark on a short affair, but Arthur leaves her and returns to Joan, who, desperate to keep him, agrees to give him the money he wanted. Arthur denies having an affair, though Joan is sure he is lying.
Eileen gets pregnant by Arthur and is fired. With nowhere to go, she takes up with stylish pimp Tom (Walken). While Eileen is attracted to Tom's "badness", it is quite clear that Tom means business, and arranges for her to have an abortion.
When Arthur meets Eileen again, she is now a prostitute calling herself "Lulu". They resume their romance, and Eileen leaves Tom and her sordid life. Impulsively, Arthur convinces her to run away together. Having failed to sell his business, Arthur and Eileen break into the store one night and trash it, smashing its phonograph records (except for "Pennies from Heaven"). To supplement their income, Eileen keeps prostituting in spite of Arthur's objections.
A blind girl whom Arthur knew superficially is raped and murdered by an accordion-playing hobo (Bagneris) who Arthur gave a ride earlier in the film. The police's suspicions are confirmed by Joan who reveals to them Arthur's sexual predilections in order to get back at him for cheating on her. The police find Arthur trying to leave town with Eileen, and arrest him for murder; he is soon convicted and sentenced to death. At the gallows, he recites the lyrics from the song "Pennies from Heaven". In one final fantasy, Arthur and Eileen are reunited, with Arthur saying, "We've worked too hard not to have a happy ending." | Who plays tom? | Walken | 836 | 842 |
Pennies from Heaven | In 1934, Chicago sheet-music salesman Arthur Parker (Martin) is having a hard time, both in his business and at home with his wife Joan (Harper). His business and marriage are failing, and Joan refuses to give him the money she inherited from her father to start his own business.
Arthur's dream is to live in a world that is like the songs he tries to sell. He is refused a bank loan, although he fantasizes that he gets it. In his travels, Arthur meets a school teacher, Eileen (Peters), and falls in love with her instantly. They embark on a short affair, but Arthur leaves her and returns to Joan, who, desperate to keep him, agrees to give him the money he wanted. Arthur denies having an affair, though Joan is sure he is lying.
Eileen gets pregnant by Arthur and is fired. With nowhere to go, she takes up with stylish pimp Tom (Walken). While Eileen is attracted to Tom's "badness", it is quite clear that Tom means business, and arranges for her to have an abortion.
When Arthur meets Eileen again, she is now a prostitute calling herself "Lulu". They resume their romance, and Eileen leaves Tom and her sordid life. Impulsively, Arthur convinces her to run away together. Having failed to sell his business, Arthur and Eileen break into the store one night and trash it, smashing its phonograph records (except for "Pennies from Heaven"). To supplement their income, Eileen keeps prostituting in spite of Arthur's objections.
A blind girl whom Arthur knew superficially is raped and murdered by an accordion-playing hobo (Bagneris) who Arthur gave a ride earlier in the film. The police's suspicions are confirmed by Joan who reveals to them Arthur's sexual predilections in order to get back at him for cheating on her. The police find Arthur trying to leave town with Eileen, and arrest him for murder; he is soon convicted and sentenced to death. At the gallows, he recites the lyrics from the song "Pennies from Heaven". In one final fantasy, Arthur and Eileen are reunited, with Arthur saying, "We've worked too hard not to have a happy ending." | what is the name of the school teacher? | Eileen | 473 | 479 |
Pennies from Heaven | In 1934, Chicago sheet-music salesman Arthur Parker (Martin) is having a hard time, both in his business and at home with his wife Joan (Harper). His business and marriage are failing, and Joan refuses to give him the money she inherited from her father to start his own business.
Arthur's dream is to live in a world that is like the songs he tries to sell. He is refused a bank loan, although he fantasizes that he gets it. In his travels, Arthur meets a school teacher, Eileen (Peters), and falls in love with her instantly. They embark on a short affair, but Arthur leaves her and returns to Joan, who, desperate to keep him, agrees to give him the money he wanted. Arthur denies having an affair, though Joan is sure he is lying.
Eileen gets pregnant by Arthur and is fired. With nowhere to go, she takes up with stylish pimp Tom (Walken). While Eileen is attracted to Tom's "badness", it is quite clear that Tom means business, and arranges for her to have an abortion.
When Arthur meets Eileen again, she is now a prostitute calling herself "Lulu". They resume their romance, and Eileen leaves Tom and her sordid life. Impulsively, Arthur convinces her to run away together. Having failed to sell his business, Arthur and Eileen break into the store one night and trash it, smashing its phonograph records (except for "Pennies from Heaven"). To supplement their income, Eileen keeps prostituting in spite of Arthur's objections.
A blind girl whom Arthur knew superficially is raped and murdered by an accordion-playing hobo (Bagneris) who Arthur gave a ride earlier in the film. The police's suspicions are confirmed by Joan who reveals to them Arthur's sexual predilections in order to get back at him for cheating on her. The police find Arthur trying to leave town with Eileen, and arrest him for murder; he is soon convicted and sentenced to death. At the gallows, he recites the lyrics from the song "Pennies from Heaven". In one final fantasy, Arthur and Eileen are reunited, with Arthur saying, "We've worked too hard not to have a happy ending." | What did Arthur not to do with Joan inheritance? | Start his own business | 257 | 279 |
The Juggler | A man finds himself running from both the police and his own troubling memories in this drama. Hans Muller (Kirk Douglas), a German Jew, was once a well-known juggler before he was committed to a concentration camp; Muller survived, but his wife and children did not. After the war, Muller and many other displaced people found themselves in a temporary camp in Israel; his experiences have left him upset and confused, and several of the guards notice that he's behaving oddly. Muller flees the camp after one day, but while running away, he's stopped by Kogan (Richard Benedict), an Israeli policeman. When Kogan asks to see Muller's papers, he immediately flashes back to an unsetting memory in which a Nazi officer asked the same question; Muller panics, attacks the cop, and flees for Mount Carmel. In the morning, Muller encounters a group of children who believe the story he tells them: that he's a tourist from the United States. One of them, Yehoshua (Joseph Walsh), is making his way to a kibbutz in Syria, and Muller, who hopes to get to some friends in Egypt, joins him. Muller entertains the young man by teaching him to juggle, and they become close friends. When Yehoshua is injured by a land mine, Muller rushes him to a hospital, where he meets Ya'el (Milly Vitale), a woman who lost her husband to Arabs. A romance soon blossoms between Muller and Ya'el, and he confesses to her that he's on the run from the police; meanwhile, Israeli Detective Karni (Paul Stewart) is combing the nation, searching for the juggler -- not to arrest him, but to convince him that he's not wanted for murder, and that others want to help him. Michael Blankfort, who wrote the original novel upon which The Juggler was based, adapted the screenplay and also served as executive producer. ~ Mark Deming, All Movie Guide | What country did Muller find himself in after the war? | Israel | 362 | 368 |
The Juggler | A man finds himself running from both the police and his own troubling memories in this drama. Hans Muller (Kirk Douglas), a German Jew, was once a well-known juggler before he was committed to a concentration camp; Muller survived, but his wife and children did not. After the war, Muller and many other displaced people found themselves in a temporary camp in Israel; his experiences have left him upset and confused, and several of the guards notice that he's behaving oddly. Muller flees the camp after one day, but while running away, he's stopped by Kogan (Richard Benedict), an Israeli policeman. When Kogan asks to see Muller's papers, he immediately flashes back to an unsetting memory in which a Nazi officer asked the same question; Muller panics, attacks the cop, and flees for Mount Carmel. In the morning, Muller encounters a group of children who believe the story he tells them: that he's a tourist from the United States. One of them, Yehoshua (Joseph Walsh), is making his way to a kibbutz in Syria, and Muller, who hopes to get to some friends in Egypt, joins him. Muller entertains the young man by teaching him to juggle, and they become close friends. When Yehoshua is injured by a land mine, Muller rushes him to a hospital, where he meets Ya'el (Milly Vitale), a woman who lost her husband to Arabs. A romance soon blossoms between Muller and Ya'el, and he confesses to her that he's on the run from the police; meanwhile, Israeli Detective Karni (Paul Stewart) is combing the nation, searching for the juggler -- not to arrest him, but to convince him that he's not wanted for murder, and that others want to help him. Michael Blankfort, who wrote the original novel upon which The Juggler was based, adapted the screenplay and also served as executive producer. ~ Mark Deming, All Movie Guide | Muller was once a well-known what? | Juggler | 159 | 166 |
The Juggler | A man finds himself running from both the police and his own troubling memories in this drama. Hans Muller (Kirk Douglas), a German Jew, was once a well-known juggler before he was committed to a concentration camp; Muller survived, but his wife and children did not. After the war, Muller and many other displaced people found themselves in a temporary camp in Israel; his experiences have left him upset and confused, and several of the guards notice that he's behaving oddly. Muller flees the camp after one day, but while running away, he's stopped by Kogan (Richard Benedict), an Israeli policeman. When Kogan asks to see Muller's papers, he immediately flashes back to an unsetting memory in which a Nazi officer asked the same question; Muller panics, attacks the cop, and flees for Mount Carmel. In the morning, Muller encounters a group of children who believe the story he tells them: that he's a tourist from the United States. One of them, Yehoshua (Joseph Walsh), is making his way to a kibbutz in Syria, and Muller, who hopes to get to some friends in Egypt, joins him. Muller entertains the young man by teaching him to juggle, and they become close friends. When Yehoshua is injured by a land mine, Muller rushes him to a hospital, where he meets Ya'el (Milly Vitale), a woman who lost her husband to Arabs. A romance soon blossoms between Muller and Ya'el, and he confesses to her that he's on the run from the police; meanwhile, Israeli Detective Karni (Paul Stewart) is combing the nation, searching for the juggler -- not to arrest him, but to convince him that he's not wanted for murder, and that others want to help him. Michael Blankfort, who wrote the original novel upon which The Juggler was based, adapted the screenplay and also served as executive producer. ~ Mark Deming, All Movie Guide | What was Hans' profession before he was committed? | juggler | 159 | 166 |
The Juggler | A man finds himself running from both the police and his own troubling memories in this drama. Hans Muller (Kirk Douglas), a German Jew, was once a well-known juggler before he was committed to a concentration camp; Muller survived, but his wife and children did not. After the war, Muller and many other displaced people found themselves in a temporary camp in Israel; his experiences have left him upset and confused, and several of the guards notice that he's behaving oddly. Muller flees the camp after one day, but while running away, he's stopped by Kogan (Richard Benedict), an Israeli policeman. When Kogan asks to see Muller's papers, he immediately flashes back to an unsetting memory in which a Nazi officer asked the same question; Muller panics, attacks the cop, and flees for Mount Carmel. In the morning, Muller encounters a group of children who believe the story he tells them: that he's a tourist from the United States. One of them, Yehoshua (Joseph Walsh), is making his way to a kibbutz in Syria, and Muller, who hopes to get to some friends in Egypt, joins him. Muller entertains the young man by teaching him to juggle, and they become close friends. When Yehoshua is injured by a land mine, Muller rushes him to a hospital, where he meets Ya'el (Milly Vitale), a woman who lost her husband to Arabs. A romance soon blossoms between Muller and Ya'el, and he confesses to her that he's on the run from the police; meanwhile, Israeli Detective Karni (Paul Stewart) is combing the nation, searching for the juggler -- not to arrest him, but to convince him that he's not wanted for murder, and that others want to help him. Michael Blankfort, who wrote the original novel upon which The Juggler was based, adapted the screenplay and also served as executive producer. ~ Mark Deming, All Movie Guide | Where does Muller flee to after he panics and attacks the cop? | Mount Carmel | 790 | 802 |
The Juggler | A man finds himself running from both the police and his own troubling memories in this drama. Hans Muller (Kirk Douglas), a German Jew, was once a well-known juggler before he was committed to a concentration camp; Muller survived, but his wife and children did not. After the war, Muller and many other displaced people found themselves in a temporary camp in Israel; his experiences have left him upset and confused, and several of the guards notice that he's behaving oddly. Muller flees the camp after one day, but while running away, he's stopped by Kogan (Richard Benedict), an Israeli policeman. When Kogan asks to see Muller's papers, he immediately flashes back to an unsetting memory in which a Nazi officer asked the same question; Muller panics, attacks the cop, and flees for Mount Carmel. In the morning, Muller encounters a group of children who believe the story he tells them: that he's a tourist from the United States. One of them, Yehoshua (Joseph Walsh), is making his way to a kibbutz in Syria, and Muller, who hopes to get to some friends in Egypt, joins him. Muller entertains the young man by teaching him to juggle, and they become close friends. When Yehoshua is injured by a land mine, Muller rushes him to a hospital, where he meets Ya'el (Milly Vitale), a woman who lost her husband to Arabs. A romance soon blossoms between Muller and Ya'el, and he confesses to her that he's on the run from the police; meanwhile, Israeli Detective Karni (Paul Stewart) is combing the nation, searching for the juggler -- not to arrest him, but to convince him that he's not wanted for murder, and that others want to help him. Michael Blankfort, who wrote the original novel upon which The Juggler was based, adapted the screenplay and also served as executive producer. ~ Mark Deming, All Movie Guide | Muller was committed to what kind of camp? | Concentration | 196 | 209 |
The Juggler | A man finds himself running from both the police and his own troubling memories in this drama. Hans Muller (Kirk Douglas), a German Jew, was once a well-known juggler before he was committed to a concentration camp; Muller survived, but his wife and children did not. After the war, Muller and many other displaced people found themselves in a temporary camp in Israel; his experiences have left him upset and confused, and several of the guards notice that he's behaving oddly. Muller flees the camp after one day, but while running away, he's stopped by Kogan (Richard Benedict), an Israeli policeman. When Kogan asks to see Muller's papers, he immediately flashes back to an unsetting memory in which a Nazi officer asked the same question; Muller panics, attacks the cop, and flees for Mount Carmel. In the morning, Muller encounters a group of children who believe the story he tells them: that he's a tourist from the United States. One of them, Yehoshua (Joseph Walsh), is making his way to a kibbutz in Syria, and Muller, who hopes to get to some friends in Egypt, joins him. Muller entertains the young man by teaching him to juggle, and they become close friends. When Yehoshua is injured by a land mine, Muller rushes him to a hospital, where he meets Ya'el (Milly Vitale), a woman who lost her husband to Arabs. A romance soon blossoms between Muller and Ya'el, and he confesses to her that he's on the run from the police; meanwhile, Israeli Detective Karni (Paul Stewart) is combing the nation, searching for the juggler -- not to arrest him, but to convince him that he's not wanted for murder, and that others want to help him. Michael Blankfort, who wrote the original novel upon which The Juggler was based, adapted the screenplay and also served as executive producer. ~ Mark Deming, All Movie Guide | Muller was in a temporary camp where? | Israel | 362 | 368 |
The Juggler | A man finds himself running from both the police and his own troubling memories in this drama. Hans Muller (Kirk Douglas), a German Jew, was once a well-known juggler before he was committed to a concentration camp; Muller survived, but his wife and children did not. After the war, Muller and many other displaced people found themselves in a temporary camp in Israel; his experiences have left him upset and confused, and several of the guards notice that he's behaving oddly. Muller flees the camp after one day, but while running away, he's stopped by Kogan (Richard Benedict), an Israeli policeman. When Kogan asks to see Muller's papers, he immediately flashes back to an unsetting memory in which a Nazi officer asked the same question; Muller panics, attacks the cop, and flees for Mount Carmel. In the morning, Muller encounters a group of children who believe the story he tells them: that he's a tourist from the United States. One of them, Yehoshua (Joseph Walsh), is making his way to a kibbutz in Syria, and Muller, who hopes to get to some friends in Egypt, joins him. Muller entertains the young man by teaching him to juggle, and they become close friends. When Yehoshua is injured by a land mine, Muller rushes him to a hospital, where he meets Ya'el (Milly Vitale), a woman who lost her husband to Arabs. A romance soon blossoms between Muller and Ya'el, and he confesses to her that he's on the run from the police; meanwhile, Israeli Detective Karni (Paul Stewart) is combing the nation, searching for the juggler -- not to arrest him, but to convince him that he's not wanted for murder, and that others want to help him. Michael Blankfort, who wrote the original novel upon which The Juggler was based, adapted the screenplay and also served as executive producer. ~ Mark Deming, All Movie Guide | Who is a German Jew? | Hans Muller | 95 | 106 |
The Juggler | A man finds himself running from both the police and his own troubling memories in this drama. Hans Muller (Kirk Douglas), a German Jew, was once a well-known juggler before he was committed to a concentration camp; Muller survived, but his wife and children did not. After the war, Muller and many other displaced people found themselves in a temporary camp in Israel; his experiences have left him upset and confused, and several of the guards notice that he's behaving oddly. Muller flees the camp after one day, but while running away, he's stopped by Kogan (Richard Benedict), an Israeli policeman. When Kogan asks to see Muller's papers, he immediately flashes back to an unsetting memory in which a Nazi officer asked the same question; Muller panics, attacks the cop, and flees for Mount Carmel. In the morning, Muller encounters a group of children who believe the story he tells them: that he's a tourist from the United States. One of them, Yehoshua (Joseph Walsh), is making his way to a kibbutz in Syria, and Muller, who hopes to get to some friends in Egypt, joins him. Muller entertains the young man by teaching him to juggle, and they become close friends. When Yehoshua is injured by a land mine, Muller rushes him to a hospital, where he meets Ya'el (Milly Vitale), a woman who lost her husband to Arabs. A romance soon blossoms between Muller and Ya'el, and he confesses to her that he's on the run from the police; meanwhile, Israeli Detective Karni (Paul Stewart) is combing the nation, searching for the juggler -- not to arrest him, but to convince him that he's not wanted for murder, and that others want to help him. Michael Blankfort, who wrote the original novel upon which The Juggler was based, adapted the screenplay and also served as executive producer. ~ Mark Deming, All Movie Guide | How did Muller's war experiences make him feel? | upset and confused | 400 | 418 |
The Juggler | A man finds himself running from both the police and his own troubling memories in this drama. Hans Muller (Kirk Douglas), a German Jew, was once a well-known juggler before he was committed to a concentration camp; Muller survived, but his wife and children did not. After the war, Muller and many other displaced people found themselves in a temporary camp in Israel; his experiences have left him upset and confused, and several of the guards notice that he's behaving oddly. Muller flees the camp after one day, but while running away, he's stopped by Kogan (Richard Benedict), an Israeli policeman. When Kogan asks to see Muller's papers, he immediately flashes back to an unsetting memory in which a Nazi officer asked the same question; Muller panics, attacks the cop, and flees for Mount Carmel. In the morning, Muller encounters a group of children who believe the story he tells them: that he's a tourist from the United States. One of them, Yehoshua (Joseph Walsh), is making his way to a kibbutz in Syria, and Muller, who hopes to get to some friends in Egypt, joins him. Muller entertains the young man by teaching him to juggle, and they become close friends. When Yehoshua is injured by a land mine, Muller rushes him to a hospital, where he meets Ya'el (Milly Vitale), a woman who lost her husband to Arabs. A romance soon blossoms between Muller and Ya'el, and he confesses to her that he's on the run from the police; meanwhile, Israeli Detective Karni (Paul Stewart) is combing the nation, searching for the juggler -- not to arrest him, but to convince him that he's not wanted for murder, and that others want to help him. Michael Blankfort, who wrote the original novel upon which The Juggler was based, adapted the screenplay and also served as executive producer. ~ Mark Deming, All Movie Guide | Who plays Israeli Detective Karni? | Paul Stewart | 1,472 | 1,484 |
The Juggler | A man finds himself running from both the police and his own troubling memories in this drama. Hans Muller (Kirk Douglas), a German Jew, was once a well-known juggler before he was committed to a concentration camp; Muller survived, but his wife and children did not. After the war, Muller and many other displaced people found themselves in a temporary camp in Israel; his experiences have left him upset and confused, and several of the guards notice that he's behaving oddly. Muller flees the camp after one day, but while running away, he's stopped by Kogan (Richard Benedict), an Israeli policeman. When Kogan asks to see Muller's papers, he immediately flashes back to an unsetting memory in which a Nazi officer asked the same question; Muller panics, attacks the cop, and flees for Mount Carmel. In the morning, Muller encounters a group of children who believe the story he tells them: that he's a tourist from the United States. One of them, Yehoshua (Joseph Walsh), is making his way to a kibbutz in Syria, and Muller, who hopes to get to some friends in Egypt, joins him. Muller entertains the young man by teaching him to juggle, and they become close friends. When Yehoshua is injured by a land mine, Muller rushes him to a hospital, where he meets Ya'el (Milly Vitale), a woman who lost her husband to Arabs. A romance soon blossoms between Muller and Ya'el, and he confesses to her that he's on the run from the police; meanwhile, Israeli Detective Karni (Paul Stewart) is combing the nation, searching for the juggler -- not to arrest him, but to convince him that he's not wanted for murder, and that others want to help him. Michael Blankfort, who wrote the original novel upon which The Juggler was based, adapted the screenplay and also served as executive producer. ~ Mark Deming, All Movie Guide | Who plays Hans Muller? | Kirk Douglas | 108 | 120 |
The Life of Reilly | The film begins with Reilly recounting his childhood and his parents in New York City and Connecticut. We meet his familyâan institutionalized father, a racist, baseball bat-wielding mother, and a lobotomized aunt, amongst others. "Eugene OâNeill would never get near this family," Reilly declares.
Prior to being put into an institution, Reillyâs father, a Paramount Pictures poster artist and illustrator, was offered the chance to go into business with another illustrator with the intention of making their first animated film in color together. The catch was simply that the senior Mr. Reilly would have to move himself and his family to California. Perhaps a defining moment in young Reillyâs life, his father asked his mother her thoughts and she unceremoniously rejected the possibility. The other illustrator went west without the senior Mr. Reilly as a partner. That other illustrator was named Walt Disney.
After this missed opportunity, Reilly's father began drinking heavily and eventually had a nervous breakdown. Upon being institutionalized, the family was forced to move out of the Bronx up to Connecticut to live with Mrs. Reillyâs family.
When Reilly turned eighteen, he moved to New York City. "If you wanted to be an actor in those days," he explains, "You did something thatâs really unheard of today⦠you studied." Young and hungry (literally), Reilly managed to find an acting class at New School. Its rather liberal open door policy allowed aspiring actors admission even if they didnât have the money to pay.
Reillyâs class was taught by a young, award-winning, soon-to-be-legendary actress, Uta Hagen. In the class were such future stars and notables as Steve McQueen, Jerry Stiller, Anne Meara, Hal Holbrook, Jason Robards, Geraldine Page and Gene Hackman. It was a group of future Academy Award, Tony Award and Emmy Award winners, and, as Charles explains, "We wanted to go on the stage, none of us had any money, and this entire list⦠couldnât act for shit."
It was about this time when a friend of Reilly's arranged a meeting with a powerful NBC executive. Reilly went in and was told, "They donât let queers on television." In retrospect, Reilly describes it as, "A short meeting." Despite the apparent prejudice against him, his talent and tenacity landed him on Broadway, winning his first Tony Award for his role in How to Succeed in Business Without Really Trying, as well as leading roles in the original Broadway casts of Bye Bye Birdie and Hello, Dolly!
Reilly went on to become a fixture in television appearing in numerous episodes of Car 54, Where Are You?, The Ghost & Mrs. Muir, and starring in Lidsville. He also made hundreds of guest appearances on The Tonight Show Starring Johnny Carson, second in number of appearances only to Bob Hope, and had a more recent memorable guest spot on The X-Files. Over the years, he developed a habit of looking through the weekâs TV Guide to see how many times he would be on TV that week. Coming in at over a hundred separate appearances, he reflected on the NBC executive who told him he would not be allowed on televisionâbut now Reilly wondered, "Who do I have to fuck to get off?!"
Success came to Reillyâs professional life, and he has used all the knowledge and expertise he has gained through a lifetime spent acting to teach. His longtime friend Burt Reynolds gave him a theater in which to teach the craft of acting, and it has fulfilled Reilly ever since. As we leave him in what he calls "The twilight of an extraordinary life", we see a portrait of an artist, a victim of prejudice who rose above it, a trailblazing comedic personality, an entertainer, a son, a teacher, and a man laid bare for all to see. | Who gave Reily a theater to teach acting in? | Burt Reynolds | 3,372 | 3,385 |
The Life of Reilly | The film begins with Reilly recounting his childhood and his parents in New York City and Connecticut. We meet his familyâan institutionalized father, a racist, baseball bat-wielding mother, and a lobotomized aunt, amongst others. "Eugene OâNeill would never get near this family," Reilly declares.
Prior to being put into an institution, Reillyâs father, a Paramount Pictures poster artist and illustrator, was offered the chance to go into business with another illustrator with the intention of making their first animated film in color together. The catch was simply that the senior Mr. Reilly would have to move himself and his family to California. Perhaps a defining moment in young Reillyâs life, his father asked his mother her thoughts and she unceremoniously rejected the possibility. The other illustrator went west without the senior Mr. Reilly as a partner. That other illustrator was named Walt Disney.
After this missed opportunity, Reilly's father began drinking heavily and eventually had a nervous breakdown. Upon being institutionalized, the family was forced to move out of the Bronx up to Connecticut to live with Mrs. Reillyâs family.
When Reilly turned eighteen, he moved to New York City. "If you wanted to be an actor in those days," he explains, "You did something thatâs really unheard of today⦠you studied." Young and hungry (literally), Reilly managed to find an acting class at New School. Its rather liberal open door policy allowed aspiring actors admission even if they didnât have the money to pay.
Reillyâs class was taught by a young, award-winning, soon-to-be-legendary actress, Uta Hagen. In the class were such future stars and notables as Steve McQueen, Jerry Stiller, Anne Meara, Hal Holbrook, Jason Robards, Geraldine Page and Gene Hackman. It was a group of future Academy Award, Tony Award and Emmy Award winners, and, as Charles explains, "We wanted to go on the stage, none of us had any money, and this entire list⦠couldnât act for shit."
It was about this time when a friend of Reilly's arranged a meeting with a powerful NBC executive. Reilly went in and was told, "They donât let queers on television." In retrospect, Reilly describes it as, "A short meeting." Despite the apparent prejudice against him, his talent and tenacity landed him on Broadway, winning his first Tony Award for his role in How to Succeed in Business Without Really Trying, as well as leading roles in the original Broadway casts of Bye Bye Birdie and Hello, Dolly!
Reilly went on to become a fixture in television appearing in numerous episodes of Car 54, Where Are You?, The Ghost & Mrs. Muir, and starring in Lidsville. He also made hundreds of guest appearances on The Tonight Show Starring Johnny Carson, second in number of appearances only to Bob Hope, and had a more recent memorable guest spot on The X-Files. Over the years, he developed a habit of looking through the weekâs TV Guide to see how many times he would be on TV that week. Coming in at over a hundred separate appearances, he reflected on the NBC executive who told him he would not be allowed on televisionâbut now Reilly wondered, "Who do I have to fuck to get off?!"
Success came to Reillyâs professional life, and he has used all the knowledge and expertise he has gained through a lifetime spent acting to teach. His longtime friend Burt Reynolds gave him a theater in which to teach the craft of acting, and it has fulfilled Reilly ever since. As we leave him in what he calls "The twilight of an extraordinary life", we see a portrait of an artist, a victim of prejudice who rose above it, a trailblazing comedic personality, an entertainer, a son, a teacher, and a man laid bare for all to see. | Reilly had a recent memorable guest spot on what television show? | X-Files | 2,865 | 2,872 |
The Life of Reilly | The film begins with Reilly recounting his childhood and his parents in New York City and Connecticut. We meet his familyâan institutionalized father, a racist, baseball bat-wielding mother, and a lobotomized aunt, amongst others. "Eugene OâNeill would never get near this family," Reilly declares.
Prior to being put into an institution, Reillyâs father, a Paramount Pictures poster artist and illustrator, was offered the chance to go into business with another illustrator with the intention of making their first animated film in color together. The catch was simply that the senior Mr. Reilly would have to move himself and his family to California. Perhaps a defining moment in young Reillyâs life, his father asked his mother her thoughts and she unceremoniously rejected the possibility. The other illustrator went west without the senior Mr. Reilly as a partner. That other illustrator was named Walt Disney.
After this missed opportunity, Reilly's father began drinking heavily and eventually had a nervous breakdown. Upon being institutionalized, the family was forced to move out of the Bronx up to Connecticut to live with Mrs. Reillyâs family.
When Reilly turned eighteen, he moved to New York City. "If you wanted to be an actor in those days," he explains, "You did something thatâs really unheard of today⦠you studied." Young and hungry (literally), Reilly managed to find an acting class at New School. Its rather liberal open door policy allowed aspiring actors admission even if they didnât have the money to pay.
Reillyâs class was taught by a young, award-winning, soon-to-be-legendary actress, Uta Hagen. In the class were such future stars and notables as Steve McQueen, Jerry Stiller, Anne Meara, Hal Holbrook, Jason Robards, Geraldine Page and Gene Hackman. It was a group of future Academy Award, Tony Award and Emmy Award winners, and, as Charles explains, "We wanted to go on the stage, none of us had any money, and this entire list⦠couldnât act for shit."
It was about this time when a friend of Reilly's arranged a meeting with a powerful NBC executive. Reilly went in and was told, "They donât let queers on television." In retrospect, Reilly describes it as, "A short meeting." Despite the apparent prejudice against him, his talent and tenacity landed him on Broadway, winning his first Tony Award for his role in How to Succeed in Business Without Really Trying, as well as leading roles in the original Broadway casts of Bye Bye Birdie and Hello, Dolly!
Reilly went on to become a fixture in television appearing in numerous episodes of Car 54, Where Are You?, The Ghost & Mrs. Muir, and starring in Lidsville. He also made hundreds of guest appearances on The Tonight Show Starring Johnny Carson, second in number of appearances only to Bob Hope, and had a more recent memorable guest spot on The X-Files. Over the years, he developed a habit of looking through the weekâs TV Guide to see how many times he would be on TV that week. Coming in at over a hundred separate appearances, he reflected on the NBC executive who told him he would not be allowed on televisionâbut now Reilly wondered, "Who do I have to fuck to get off?!"
Success came to Reillyâs professional life, and he has used all the knowledge and expertise he has gained through a lifetime spent acting to teach. His longtime friend Burt Reynolds gave him a theater in which to teach the craft of acting, and it has fulfilled Reilly ever since. As we leave him in what he calls "The twilight of an extraordinary life", we see a portrait of an artist, a victim of prejudice who rose above it, a trailblazing comedic personality, an entertainer, a son, a teacher, and a man laid bare for all to see. | Who was Reilly behind in number of appearances on The Tonight Show Starring Johnny Carson? | Bob Hope | 2,805 | 2,813 |
The Life of Reilly | The film begins with Reilly recounting his childhood and his parents in New York City and Connecticut. We meet his familyâan institutionalized father, a racist, baseball bat-wielding mother, and a lobotomized aunt, amongst others. "Eugene OâNeill would never get near this family," Reilly declares.
Prior to being put into an institution, Reillyâs father, a Paramount Pictures poster artist and illustrator, was offered the chance to go into business with another illustrator with the intention of making their first animated film in color together. The catch was simply that the senior Mr. Reilly would have to move himself and his family to California. Perhaps a defining moment in young Reillyâs life, his father asked his mother her thoughts and she unceremoniously rejected the possibility. The other illustrator went west without the senior Mr. Reilly as a partner. That other illustrator was named Walt Disney.
After this missed opportunity, Reilly's father began drinking heavily and eventually had a nervous breakdown. Upon being institutionalized, the family was forced to move out of the Bronx up to Connecticut to live with Mrs. Reillyâs family.
When Reilly turned eighteen, he moved to New York City. "If you wanted to be an actor in those days," he explains, "You did something thatâs really unheard of today⦠you studied." Young and hungry (literally), Reilly managed to find an acting class at New School. Its rather liberal open door policy allowed aspiring actors admission even if they didnât have the money to pay.
Reillyâs class was taught by a young, award-winning, soon-to-be-legendary actress, Uta Hagen. In the class were such future stars and notables as Steve McQueen, Jerry Stiller, Anne Meara, Hal Holbrook, Jason Robards, Geraldine Page and Gene Hackman. It was a group of future Academy Award, Tony Award and Emmy Award winners, and, as Charles explains, "We wanted to go on the stage, none of us had any money, and this entire list⦠couldnât act for shit."
It was about this time when a friend of Reilly's arranged a meeting with a powerful NBC executive. Reilly went in and was told, "They donât let queers on television." In retrospect, Reilly describes it as, "A short meeting." Despite the apparent prejudice against him, his talent and tenacity landed him on Broadway, winning his first Tony Award for his role in How to Succeed in Business Without Really Trying, as well as leading roles in the original Broadway casts of Bye Bye Birdie and Hello, Dolly!
Reilly went on to become a fixture in television appearing in numerous episodes of Car 54, Where Are You?, The Ghost & Mrs. Muir, and starring in Lidsville. He also made hundreds of guest appearances on The Tonight Show Starring Johnny Carson, second in number of appearances only to Bob Hope, and had a more recent memorable guest spot on The X-Files. Over the years, he developed a habit of looking through the weekâs TV Guide to see how many times he would be on TV that week. Coming in at over a hundred separate appearances, he reflected on the NBC executive who told him he would not be allowed on televisionâbut now Reilly wondered, "Who do I have to fuck to get off?!"
Success came to Reillyâs professional life, and he has used all the knowledge and expertise he has gained through a lifetime spent acting to teach. His longtime friend Burt Reynolds gave him a theater in which to teach the craft of acting, and it has fulfilled Reilly ever since. As we leave him in what he calls "The twilight of an extraordinary life", we see a portrait of an artist, a victim of prejudice who rose above it, a trailblazing comedic personality, an entertainer, a son, a teacher, and a man laid bare for all to see. | Where did Reilly forced to move to? | Connecticut | 90 | 101 |
The Life of Reilly | The film begins with Reilly recounting his childhood and his parents in New York City and Connecticut. We meet his familyâan institutionalized father, a racist, baseball bat-wielding mother, and a lobotomized aunt, amongst others. "Eugene OâNeill would never get near this family," Reilly declares.
Prior to being put into an institution, Reillyâs father, a Paramount Pictures poster artist and illustrator, was offered the chance to go into business with another illustrator with the intention of making their first animated film in color together. The catch was simply that the senior Mr. Reilly would have to move himself and his family to California. Perhaps a defining moment in young Reillyâs life, his father asked his mother her thoughts and she unceremoniously rejected the possibility. The other illustrator went west without the senior Mr. Reilly as a partner. That other illustrator was named Walt Disney.
After this missed opportunity, Reilly's father began drinking heavily and eventually had a nervous breakdown. Upon being institutionalized, the family was forced to move out of the Bronx up to Connecticut to live with Mrs. Reillyâs family.
When Reilly turned eighteen, he moved to New York City. "If you wanted to be an actor in those days," he explains, "You did something thatâs really unheard of today⦠you studied." Young and hungry (literally), Reilly managed to find an acting class at New School. Its rather liberal open door policy allowed aspiring actors admission even if they didnât have the money to pay.
Reillyâs class was taught by a young, award-winning, soon-to-be-legendary actress, Uta Hagen. In the class were such future stars and notables as Steve McQueen, Jerry Stiller, Anne Meara, Hal Holbrook, Jason Robards, Geraldine Page and Gene Hackman. It was a group of future Academy Award, Tony Award and Emmy Award winners, and, as Charles explains, "We wanted to go on the stage, none of us had any money, and this entire list⦠couldnât act for shit."
It was about this time when a friend of Reilly's arranged a meeting with a powerful NBC executive. Reilly went in and was told, "They donât let queers on television." In retrospect, Reilly describes it as, "A short meeting." Despite the apparent prejudice against him, his talent and tenacity landed him on Broadway, winning his first Tony Award for his role in How to Succeed in Business Without Really Trying, as well as leading roles in the original Broadway casts of Bye Bye Birdie and Hello, Dolly!
Reilly went on to become a fixture in television appearing in numerous episodes of Car 54, Where Are You?, The Ghost & Mrs. Muir, and starring in Lidsville. He also made hundreds of guest appearances on The Tonight Show Starring Johnny Carson, second in number of appearances only to Bob Hope, and had a more recent memorable guest spot on The X-Files. Over the years, he developed a habit of looking through the weekâs TV Guide to see how many times he would be on TV that week. Coming in at over a hundred separate appearances, he reflected on the NBC executive who told him he would not be allowed on televisionâbut now Reilly wondered, "Who do I have to fuck to get off?!"
Success came to Reillyâs professional life, and he has used all the knowledge and expertise he has gained through a lifetime spent acting to teach. His longtime friend Burt Reynolds gave him a theater in which to teach the craft of acting, and it has fulfilled Reilly ever since. As we leave him in what he calls "The twilight of an extraordinary life", we see a portrait of an artist, a victim of prejudice who rose above it, a trailblazing comedic personality, an entertainer, a son, a teacher, and a man laid bare for all to see. | Where did Reilly's father work as a poster artist and illustrator? | Paramount Pictures | 364 | 382 |
The Life of Reilly | The film begins with Reilly recounting his childhood and his parents in New York City and Connecticut. We meet his familyâan institutionalized father, a racist, baseball bat-wielding mother, and a lobotomized aunt, amongst others. "Eugene OâNeill would never get near this family," Reilly declares.
Prior to being put into an institution, Reillyâs father, a Paramount Pictures poster artist and illustrator, was offered the chance to go into business with another illustrator with the intention of making their first animated film in color together. The catch was simply that the senior Mr. Reilly would have to move himself and his family to California. Perhaps a defining moment in young Reillyâs life, his father asked his mother her thoughts and she unceremoniously rejected the possibility. The other illustrator went west without the senior Mr. Reilly as a partner. That other illustrator was named Walt Disney.
After this missed opportunity, Reilly's father began drinking heavily and eventually had a nervous breakdown. Upon being institutionalized, the family was forced to move out of the Bronx up to Connecticut to live with Mrs. Reillyâs family.
When Reilly turned eighteen, he moved to New York City. "If you wanted to be an actor in those days," he explains, "You did something thatâs really unheard of today⦠you studied." Young and hungry (literally), Reilly managed to find an acting class at New School. Its rather liberal open door policy allowed aspiring actors admission even if they didnât have the money to pay.
Reillyâs class was taught by a young, award-winning, soon-to-be-legendary actress, Uta Hagen. In the class were such future stars and notables as Steve McQueen, Jerry Stiller, Anne Meara, Hal Holbrook, Jason Robards, Geraldine Page and Gene Hackman. It was a group of future Academy Award, Tony Award and Emmy Award winners, and, as Charles explains, "We wanted to go on the stage, none of us had any money, and this entire list⦠couldnât act for shit."
It was about this time when a friend of Reilly's arranged a meeting with a powerful NBC executive. Reilly went in and was told, "They donât let queers on television." In retrospect, Reilly describes it as, "A short meeting." Despite the apparent prejudice against him, his talent and tenacity landed him on Broadway, winning his first Tony Award for his role in How to Succeed in Business Without Really Trying, as well as leading roles in the original Broadway casts of Bye Bye Birdie and Hello, Dolly!
Reilly went on to become a fixture in television appearing in numerous episodes of Car 54, Where Are You?, The Ghost & Mrs. Muir, and starring in Lidsville. He also made hundreds of guest appearances on The Tonight Show Starring Johnny Carson, second in number of appearances only to Bob Hope, and had a more recent memorable guest spot on The X-Files. Over the years, he developed a habit of looking through the weekâs TV Guide to see how many times he would be on TV that week. Coming in at over a hundred separate appearances, he reflected on the NBC executive who told him he would not be allowed on televisionâbut now Reilly wondered, "Who do I have to fuck to get off?!"
Success came to Reillyâs professional life, and he has used all the knowledge and expertise he has gained through a lifetime spent acting to teach. His longtime friend Burt Reynolds gave him a theater in which to teach the craft of acting, and it has fulfilled Reilly ever since. As we leave him in what he calls "The twilight of an extraordinary life", we see a portrait of an artist, a victim of prejudice who rose above it, a trailblazing comedic personality, an entertainer, a son, a teacher, and a man laid bare for all to see. | What did Reilly wonder? | Who do I have to fuck to get off? | 3,166 | 3,199 |
The Life of Reilly | The film begins with Reilly recounting his childhood and his parents in New York City and Connecticut. We meet his familyâan institutionalized father, a racist, baseball bat-wielding mother, and a lobotomized aunt, amongst others. "Eugene OâNeill would never get near this family," Reilly declares.
Prior to being put into an institution, Reillyâs father, a Paramount Pictures poster artist and illustrator, was offered the chance to go into business with another illustrator with the intention of making their first animated film in color together. The catch was simply that the senior Mr. Reilly would have to move himself and his family to California. Perhaps a defining moment in young Reillyâs life, his father asked his mother her thoughts and she unceremoniously rejected the possibility. The other illustrator went west without the senior Mr. Reilly as a partner. That other illustrator was named Walt Disney.
After this missed opportunity, Reilly's father began drinking heavily and eventually had a nervous breakdown. Upon being institutionalized, the family was forced to move out of the Bronx up to Connecticut to live with Mrs. Reillyâs family.
When Reilly turned eighteen, he moved to New York City. "If you wanted to be an actor in those days," he explains, "You did something thatâs really unheard of today⦠you studied." Young and hungry (literally), Reilly managed to find an acting class at New School. Its rather liberal open door policy allowed aspiring actors admission even if they didnât have the money to pay.
Reillyâs class was taught by a young, award-winning, soon-to-be-legendary actress, Uta Hagen. In the class were such future stars and notables as Steve McQueen, Jerry Stiller, Anne Meara, Hal Holbrook, Jason Robards, Geraldine Page and Gene Hackman. It was a group of future Academy Award, Tony Award and Emmy Award winners, and, as Charles explains, "We wanted to go on the stage, none of us had any money, and this entire list⦠couldnât act for shit."
It was about this time when a friend of Reilly's arranged a meeting with a powerful NBC executive. Reilly went in and was told, "They donât let queers on television." In retrospect, Reilly describes it as, "A short meeting." Despite the apparent prejudice against him, his talent and tenacity landed him on Broadway, winning his first Tony Award for his role in How to Succeed in Business Without Really Trying, as well as leading roles in the original Broadway casts of Bye Bye Birdie and Hello, Dolly!
Reilly went on to become a fixture in television appearing in numerous episodes of Car 54, Where Are You?, The Ghost & Mrs. Muir, and starring in Lidsville. He also made hundreds of guest appearances on The Tonight Show Starring Johnny Carson, second in number of appearances only to Bob Hope, and had a more recent memorable guest spot on The X-Files. Over the years, he developed a habit of looking through the weekâs TV Guide to see how many times he would be on TV that week. Coming in at over a hundred separate appearances, he reflected on the NBC executive who told him he would not be allowed on televisionâbut now Reilly wondered, "Who do I have to fuck to get off?!"
Success came to Reillyâs professional life, and he has used all the knowledge and expertise he has gained through a lifetime spent acting to teach. His longtime friend Burt Reynolds gave him a theater in which to teach the craft of acting, and it has fulfilled Reilly ever since. As we leave him in what he calls "The twilight of an extraordinary life", we see a portrait of an artist, a victim of prejudice who rose above it, a trailblazing comedic personality, an entertainer, a son, a teacher, and a man laid bare for all to see. | On what program did Reilly have hundreds of guest appearances on? | Tonight Show Starring Johnny Carson | 2,728 | 2,763 |
The Life of Reilly | The film begins with Reilly recounting his childhood and his parents in New York City and Connecticut. We meet his familyâan institutionalized father, a racist, baseball bat-wielding mother, and a lobotomized aunt, amongst others. "Eugene OâNeill would never get near this family," Reilly declares.
Prior to being put into an institution, Reillyâs father, a Paramount Pictures poster artist and illustrator, was offered the chance to go into business with another illustrator with the intention of making their first animated film in color together. The catch was simply that the senior Mr. Reilly would have to move himself and his family to California. Perhaps a defining moment in young Reillyâs life, his father asked his mother her thoughts and she unceremoniously rejected the possibility. The other illustrator went west without the senior Mr. Reilly as a partner. That other illustrator was named Walt Disney.
After this missed opportunity, Reilly's father began drinking heavily and eventually had a nervous breakdown. Upon being institutionalized, the family was forced to move out of the Bronx up to Connecticut to live with Mrs. Reillyâs family.
When Reilly turned eighteen, he moved to New York City. "If you wanted to be an actor in those days," he explains, "You did something thatâs really unheard of today⦠you studied." Young and hungry (literally), Reilly managed to find an acting class at New School. Its rather liberal open door policy allowed aspiring actors admission even if they didnât have the money to pay.
Reillyâs class was taught by a young, award-winning, soon-to-be-legendary actress, Uta Hagen. In the class were such future stars and notables as Steve McQueen, Jerry Stiller, Anne Meara, Hal Holbrook, Jason Robards, Geraldine Page and Gene Hackman. It was a group of future Academy Award, Tony Award and Emmy Award winners, and, as Charles explains, "We wanted to go on the stage, none of us had any money, and this entire list⦠couldnât act for shit."
It was about this time when a friend of Reilly's arranged a meeting with a powerful NBC executive. Reilly went in and was told, "They donât let queers on television." In retrospect, Reilly describes it as, "A short meeting." Despite the apparent prejudice against him, his talent and tenacity landed him on Broadway, winning his first Tony Award for his role in How to Succeed in Business Without Really Trying, as well as leading roles in the original Broadway casts of Bye Bye Birdie and Hello, Dolly!
Reilly went on to become a fixture in television appearing in numerous episodes of Car 54, Where Are You?, The Ghost & Mrs. Muir, and starring in Lidsville. He also made hundreds of guest appearances on The Tonight Show Starring Johnny Carson, second in number of appearances only to Bob Hope, and had a more recent memorable guest spot on The X-Files. Over the years, he developed a habit of looking through the weekâs TV Guide to see how many times he would be on TV that week. Coming in at over a hundred separate appearances, he reflected on the NBC executive who told him he would not be allowed on televisionâbut now Reilly wondered, "Who do I have to fuck to get off?!"
Success came to Reillyâs professional life, and he has used all the knowledge and expertise he has gained through a lifetime spent acting to teach. His longtime friend Burt Reynolds gave him a theater in which to teach the craft of acting, and it has fulfilled Reilly ever since. As we leave him in what he calls "The twilight of an extraordinary life", we see a portrait of an artist, a victim of prejudice who rose above it, a trailblazing comedic personality, an entertainer, a son, a teacher, and a man laid bare for all to see. | In what city does Reilly recount his childhood? | New York City | 72 | 85 |
The Life of Reilly | The film begins with Reilly recounting his childhood and his parents in New York City and Connecticut. We meet his familyâan institutionalized father, a racist, baseball bat-wielding mother, and a lobotomized aunt, amongst others. "Eugene OâNeill would never get near this family," Reilly declares.
Prior to being put into an institution, Reillyâs father, a Paramount Pictures poster artist and illustrator, was offered the chance to go into business with another illustrator with the intention of making their first animated film in color together. The catch was simply that the senior Mr. Reilly would have to move himself and his family to California. Perhaps a defining moment in young Reillyâs life, his father asked his mother her thoughts and she unceremoniously rejected the possibility. The other illustrator went west without the senior Mr. Reilly as a partner. That other illustrator was named Walt Disney.
After this missed opportunity, Reilly's father began drinking heavily and eventually had a nervous breakdown. Upon being institutionalized, the family was forced to move out of the Bronx up to Connecticut to live with Mrs. Reillyâs family.
When Reilly turned eighteen, he moved to New York City. "If you wanted to be an actor in those days," he explains, "You did something thatâs really unheard of today⦠you studied." Young and hungry (literally), Reilly managed to find an acting class at New School. Its rather liberal open door policy allowed aspiring actors admission even if they didnât have the money to pay.
Reillyâs class was taught by a young, award-winning, soon-to-be-legendary actress, Uta Hagen. In the class were such future stars and notables as Steve McQueen, Jerry Stiller, Anne Meara, Hal Holbrook, Jason Robards, Geraldine Page and Gene Hackman. It was a group of future Academy Award, Tony Award and Emmy Award winners, and, as Charles explains, "We wanted to go on the stage, none of us had any money, and this entire list⦠couldnât act for shit."
It was about this time when a friend of Reilly's arranged a meeting with a powerful NBC executive. Reilly went in and was told, "They donât let queers on television." In retrospect, Reilly describes it as, "A short meeting." Despite the apparent prejudice against him, his talent and tenacity landed him on Broadway, winning his first Tony Award for his role in How to Succeed in Business Without Really Trying, as well as leading roles in the original Broadway casts of Bye Bye Birdie and Hello, Dolly!
Reilly went on to become a fixture in television appearing in numerous episodes of Car 54, Where Are You?, The Ghost & Mrs. Muir, and starring in Lidsville. He also made hundreds of guest appearances on The Tonight Show Starring Johnny Carson, second in number of appearances only to Bob Hope, and had a more recent memorable guest spot on The X-Files. Over the years, he developed a habit of looking through the weekâs TV Guide to see how many times he would be on TV that week. Coming in at over a hundred separate appearances, he reflected on the NBC executive who told him he would not be allowed on televisionâbut now Reilly wondered, "Who do I have to fuck to get off?!"
Success came to Reillyâs professional life, and he has used all the knowledge and expertise he has gained through a lifetime spent acting to teach. His longtime friend Burt Reynolds gave him a theater in which to teach the craft of acting, and it has fulfilled Reilly ever since. As we leave him in what he calls "The twilight of an extraordinary life", we see a portrait of an artist, a victim of prejudice who rose above it, a trailblazing comedic personality, an entertainer, a son, a teacher, and a man laid bare for all to see. | Who else was in the class? | Steve McQueen | 1,699 | 1,712 |
The Life of Reilly | The film begins with Reilly recounting his childhood and his parents in New York City and Connecticut. We meet his familyâan institutionalized father, a racist, baseball bat-wielding mother, and a lobotomized aunt, amongst others. "Eugene OâNeill would never get near this family," Reilly declares.
Prior to being put into an institution, Reillyâs father, a Paramount Pictures poster artist and illustrator, was offered the chance to go into business with another illustrator with the intention of making their first animated film in color together. The catch was simply that the senior Mr. Reilly would have to move himself and his family to California. Perhaps a defining moment in young Reillyâs life, his father asked his mother her thoughts and she unceremoniously rejected the possibility. The other illustrator went west without the senior Mr. Reilly as a partner. That other illustrator was named Walt Disney.
After this missed opportunity, Reilly's father began drinking heavily and eventually had a nervous breakdown. Upon being institutionalized, the family was forced to move out of the Bronx up to Connecticut to live with Mrs. Reillyâs family.
When Reilly turned eighteen, he moved to New York City. "If you wanted to be an actor in those days," he explains, "You did something thatâs really unheard of today⦠you studied." Young and hungry (literally), Reilly managed to find an acting class at New School. Its rather liberal open door policy allowed aspiring actors admission even if they didnât have the money to pay.
Reillyâs class was taught by a young, award-winning, soon-to-be-legendary actress, Uta Hagen. In the class were such future stars and notables as Steve McQueen, Jerry Stiller, Anne Meara, Hal Holbrook, Jason Robards, Geraldine Page and Gene Hackman. It was a group of future Academy Award, Tony Award and Emmy Award winners, and, as Charles explains, "We wanted to go on the stage, none of us had any money, and this entire list⦠couldnât act for shit."
It was about this time when a friend of Reilly's arranged a meeting with a powerful NBC executive. Reilly went in and was told, "They donât let queers on television." In retrospect, Reilly describes it as, "A short meeting." Despite the apparent prejudice against him, his talent and tenacity landed him on Broadway, winning his first Tony Award for his role in How to Succeed in Business Without Really Trying, as well as leading roles in the original Broadway casts of Bye Bye Birdie and Hello, Dolly!
Reilly went on to become a fixture in television appearing in numerous episodes of Car 54, Where Are You?, The Ghost & Mrs. Muir, and starring in Lidsville. He also made hundreds of guest appearances on The Tonight Show Starring Johnny Carson, second in number of appearances only to Bob Hope, and had a more recent memorable guest spot on The X-Files. Over the years, he developed a habit of looking through the weekâs TV Guide to see how many times he would be on TV that week. Coming in at over a hundred separate appearances, he reflected on the NBC executive who told him he would not be allowed on televisionâbut now Reilly wondered, "Who do I have to fuck to get off?!"
Success came to Reillyâs professional life, and he has used all the knowledge and expertise he has gained through a lifetime spent acting to teach. His longtime friend Burt Reynolds gave him a theater in which to teach the craft of acting, and it has fulfilled Reilly ever since. As we leave him in what he calls "The twilight of an extraordinary life", we see a portrait of an artist, a victim of prejudice who rose above it, a trailblazing comedic personality, an entertainer, a son, a teacher, and a man laid bare for all to see. | On what program did Reilly have a recent memorable guest spot? | The X-Files | 2,861 | 2,872 |
The Life of Reilly | The film begins with Reilly recounting his childhood and his parents in New York City and Connecticut. We meet his familyâan institutionalized father, a racist, baseball bat-wielding mother, and a lobotomized aunt, amongst others. "Eugene OâNeill would never get near this family," Reilly declares.
Prior to being put into an institution, Reillyâs father, a Paramount Pictures poster artist and illustrator, was offered the chance to go into business with another illustrator with the intention of making their first animated film in color together. The catch was simply that the senior Mr. Reilly would have to move himself and his family to California. Perhaps a defining moment in young Reillyâs life, his father asked his mother her thoughts and she unceremoniously rejected the possibility. The other illustrator went west without the senior Mr. Reilly as a partner. That other illustrator was named Walt Disney.
After this missed opportunity, Reilly's father began drinking heavily and eventually had a nervous breakdown. Upon being institutionalized, the family was forced to move out of the Bronx up to Connecticut to live with Mrs. Reillyâs family.
When Reilly turned eighteen, he moved to New York City. "If you wanted to be an actor in those days," he explains, "You did something thatâs really unheard of today⦠you studied." Young and hungry (literally), Reilly managed to find an acting class at New School. Its rather liberal open door policy allowed aspiring actors admission even if they didnât have the money to pay.
Reillyâs class was taught by a young, award-winning, soon-to-be-legendary actress, Uta Hagen. In the class were such future stars and notables as Steve McQueen, Jerry Stiller, Anne Meara, Hal Holbrook, Jason Robards, Geraldine Page and Gene Hackman. It was a group of future Academy Award, Tony Award and Emmy Award winners, and, as Charles explains, "We wanted to go on the stage, none of us had any money, and this entire list⦠couldnât act for shit."
It was about this time when a friend of Reilly's arranged a meeting with a powerful NBC executive. Reilly went in and was told, "They donât let queers on television." In retrospect, Reilly describes it as, "A short meeting." Despite the apparent prejudice against him, his talent and tenacity landed him on Broadway, winning his first Tony Award for his role in How to Succeed in Business Without Really Trying, as well as leading roles in the original Broadway casts of Bye Bye Birdie and Hello, Dolly!
Reilly went on to become a fixture in television appearing in numerous episodes of Car 54, Where Are You?, The Ghost & Mrs. Muir, and starring in Lidsville. He also made hundreds of guest appearances on The Tonight Show Starring Johnny Carson, second in number of appearances only to Bob Hope, and had a more recent memorable guest spot on The X-Files. Over the years, he developed a habit of looking through the weekâs TV Guide to see how many times he would be on TV that week. Coming in at over a hundred separate appearances, he reflected on the NBC executive who told him he would not be allowed on televisionâbut now Reilly wondered, "Who do I have to fuck to get off?!"
Success came to Reillyâs professional life, and he has used all the knowledge and expertise he has gained through a lifetime spent acting to teach. His longtime friend Burt Reynolds gave him a theater in which to teach the craft of acting, and it has fulfilled Reilly ever since. As we leave him in what he calls "The twilight of an extraordinary life", we see a portrait of an artist, a victim of prejudice who rose above it, a trailblazing comedic personality, an entertainer, a son, a teacher, and a man laid bare for all to see. | Where do we leave Reynolds? | twilight of an extraordinary life | 3,522 | 3,555 |
The Life of Reilly | The film begins with Reilly recounting his childhood and his parents in New York City and Connecticut. We meet his familyâan institutionalized father, a racist, baseball bat-wielding mother, and a lobotomized aunt, amongst others. "Eugene OâNeill would never get near this family," Reilly declares.
Prior to being put into an institution, Reillyâs father, a Paramount Pictures poster artist and illustrator, was offered the chance to go into business with another illustrator with the intention of making their first animated film in color together. The catch was simply that the senior Mr. Reilly would have to move himself and his family to California. Perhaps a defining moment in young Reillyâs life, his father asked his mother her thoughts and she unceremoniously rejected the possibility. The other illustrator went west without the senior Mr. Reilly as a partner. That other illustrator was named Walt Disney.
After this missed opportunity, Reilly's father began drinking heavily and eventually had a nervous breakdown. Upon being institutionalized, the family was forced to move out of the Bronx up to Connecticut to live with Mrs. Reillyâs family.
When Reilly turned eighteen, he moved to New York City. "If you wanted to be an actor in those days," he explains, "You did something thatâs really unheard of today⦠you studied." Young and hungry (literally), Reilly managed to find an acting class at New School. Its rather liberal open door policy allowed aspiring actors admission even if they didnât have the money to pay.
Reillyâs class was taught by a young, award-winning, soon-to-be-legendary actress, Uta Hagen. In the class were such future stars and notables as Steve McQueen, Jerry Stiller, Anne Meara, Hal Holbrook, Jason Robards, Geraldine Page and Gene Hackman. It was a group of future Academy Award, Tony Award and Emmy Award winners, and, as Charles explains, "We wanted to go on the stage, none of us had any money, and this entire list⦠couldnât act for shit."
It was about this time when a friend of Reilly's arranged a meeting with a powerful NBC executive. Reilly went in and was told, "They donât let queers on television." In retrospect, Reilly describes it as, "A short meeting." Despite the apparent prejudice against him, his talent and tenacity landed him on Broadway, winning his first Tony Award for his role in How to Succeed in Business Without Really Trying, as well as leading roles in the original Broadway casts of Bye Bye Birdie and Hello, Dolly!
Reilly went on to become a fixture in television appearing in numerous episodes of Car 54, Where Are You?, The Ghost & Mrs. Muir, and starring in Lidsville. He also made hundreds of guest appearances on The Tonight Show Starring Johnny Carson, second in number of appearances only to Bob Hope, and had a more recent memorable guest spot on The X-Files. Over the years, he developed a habit of looking through the weekâs TV Guide to see how many times he would be on TV that week. Coming in at over a hundred separate appearances, he reflected on the NBC executive who told him he would not be allowed on televisionâbut now Reilly wondered, "Who do I have to fuck to get off?!"
Success came to Reillyâs professional life, and he has used all the knowledge and expertise he has gained through a lifetime spent acting to teach. His longtime friend Burt Reynolds gave him a theater in which to teach the craft of acting, and it has fulfilled Reilly ever since. As we leave him in what he calls "The twilight of an extraordinary life", we see a portrait of an artist, a victim of prejudice who rose above it, a trailblazing comedic personality, an entertainer, a son, a teacher, and a man laid bare for all to see. | Reilly is second only to whom, when it comes to the number of appearances on the Tonight Show? | Bob Hope | 2,805 | 2,813 |
The Life of Reilly | The film begins with Reilly recounting his childhood and his parents in New York City and Connecticut. We meet his familyâan institutionalized father, a racist, baseball bat-wielding mother, and a lobotomized aunt, amongst others. "Eugene OâNeill would never get near this family," Reilly declares.
Prior to being put into an institution, Reillyâs father, a Paramount Pictures poster artist and illustrator, was offered the chance to go into business with another illustrator with the intention of making their first animated film in color together. The catch was simply that the senior Mr. Reilly would have to move himself and his family to California. Perhaps a defining moment in young Reillyâs life, his father asked his mother her thoughts and she unceremoniously rejected the possibility. The other illustrator went west without the senior Mr. Reilly as a partner. That other illustrator was named Walt Disney.
After this missed opportunity, Reilly's father began drinking heavily and eventually had a nervous breakdown. Upon being institutionalized, the family was forced to move out of the Bronx up to Connecticut to live with Mrs. Reillyâs family.
When Reilly turned eighteen, he moved to New York City. "If you wanted to be an actor in those days," he explains, "You did something thatâs really unheard of today⦠you studied." Young and hungry (literally), Reilly managed to find an acting class at New School. Its rather liberal open door policy allowed aspiring actors admission even if they didnât have the money to pay.
Reillyâs class was taught by a young, award-winning, soon-to-be-legendary actress, Uta Hagen. In the class were such future stars and notables as Steve McQueen, Jerry Stiller, Anne Meara, Hal Holbrook, Jason Robards, Geraldine Page and Gene Hackman. It was a group of future Academy Award, Tony Award and Emmy Award winners, and, as Charles explains, "We wanted to go on the stage, none of us had any money, and this entire list⦠couldnât act for shit."
It was about this time when a friend of Reilly's arranged a meeting with a powerful NBC executive. Reilly went in and was told, "They donât let queers on television." In retrospect, Reilly describes it as, "A short meeting." Despite the apparent prejudice against him, his talent and tenacity landed him on Broadway, winning his first Tony Award for his role in How to Succeed in Business Without Really Trying, as well as leading roles in the original Broadway casts of Bye Bye Birdie and Hello, Dolly!
Reilly went on to become a fixture in television appearing in numerous episodes of Car 54, Where Are You?, The Ghost & Mrs. Muir, and starring in Lidsville. He also made hundreds of guest appearances on The Tonight Show Starring Johnny Carson, second in number of appearances only to Bob Hope, and had a more recent memorable guest spot on The X-Files. Over the years, he developed a habit of looking through the weekâs TV Guide to see how many times he would be on TV that week. Coming in at over a hundred separate appearances, he reflected on the NBC executive who told him he would not be allowed on televisionâbut now Reilly wondered, "Who do I have to fuck to get off?!"
Success came to Reillyâs professional life, and he has used all the knowledge and expertise he has gained through a lifetime spent acting to teach. His longtime friend Burt Reynolds gave him a theater in which to teach the craft of acting, and it has fulfilled Reilly ever since. As we leave him in what he calls "The twilight of an extraordinary life", we see a portrait of an artist, a victim of prejudice who rose above it, a trailblazing comedic personality, an entertainer, a son, a teacher, and a man laid bare for all to see. | Who was the illustrator that went west without Reilly's father? | Walt Disney | 913 | 924 |
The Life of Reilly | The film begins with Reilly recounting his childhood and his parents in New York City and Connecticut. We meet his familyâan institutionalized father, a racist, baseball bat-wielding mother, and a lobotomized aunt, amongst others. "Eugene OâNeill would never get near this family," Reilly declares.
Prior to being put into an institution, Reillyâs father, a Paramount Pictures poster artist and illustrator, was offered the chance to go into business with another illustrator with the intention of making their first animated film in color together. The catch was simply that the senior Mr. Reilly would have to move himself and his family to California. Perhaps a defining moment in young Reillyâs life, his father asked his mother her thoughts and she unceremoniously rejected the possibility. The other illustrator went west without the senior Mr. Reilly as a partner. That other illustrator was named Walt Disney.
After this missed opportunity, Reilly's father began drinking heavily and eventually had a nervous breakdown. Upon being institutionalized, the family was forced to move out of the Bronx up to Connecticut to live with Mrs. Reillyâs family.
When Reilly turned eighteen, he moved to New York City. "If you wanted to be an actor in those days," he explains, "You did something thatâs really unheard of today⦠you studied." Young and hungry (literally), Reilly managed to find an acting class at New School. Its rather liberal open door policy allowed aspiring actors admission even if they didnât have the money to pay.
Reillyâs class was taught by a young, award-winning, soon-to-be-legendary actress, Uta Hagen. In the class were such future stars and notables as Steve McQueen, Jerry Stiller, Anne Meara, Hal Holbrook, Jason Robards, Geraldine Page and Gene Hackman. It was a group of future Academy Award, Tony Award and Emmy Award winners, and, as Charles explains, "We wanted to go on the stage, none of us had any money, and this entire list⦠couldnât act for shit."
It was about this time when a friend of Reilly's arranged a meeting with a powerful NBC executive. Reilly went in and was told, "They donât let queers on television." In retrospect, Reilly describes it as, "A short meeting." Despite the apparent prejudice against him, his talent and tenacity landed him on Broadway, winning his first Tony Award for his role in How to Succeed in Business Without Really Trying, as well as leading roles in the original Broadway casts of Bye Bye Birdie and Hello, Dolly!
Reilly went on to become a fixture in television appearing in numerous episodes of Car 54, Where Are You?, The Ghost & Mrs. Muir, and starring in Lidsville. He also made hundreds of guest appearances on The Tonight Show Starring Johnny Carson, second in number of appearances only to Bob Hope, and had a more recent memorable guest spot on The X-Files. Over the years, he developed a habit of looking through the weekâs TV Guide to see how many times he would be on TV that week. Coming in at over a hundred separate appearances, he reflected on the NBC executive who told him he would not be allowed on televisionâbut now Reilly wondered, "Who do I have to fuck to get off?!"
Success came to Reillyâs professional life, and he has used all the knowledge and expertise he has gained through a lifetime spent acting to teach. His longtime friend Burt Reynolds gave him a theater in which to teach the craft of acting, and it has fulfilled Reilly ever since. As we leave him in what he calls "The twilight of an extraordinary life", we see a portrait of an artist, a victim of prejudice who rose above it, a trailblazing comedic personality, an entertainer, a son, a teacher, and a man laid bare for all to see. | Where did Reilly find an acting class? | New School | 1,424 | 1,434 |
The Life of Reilly | The film begins with Reilly recounting his childhood and his parents in New York City and Connecticut. We meet his familyâan institutionalized father, a racist, baseball bat-wielding mother, and a lobotomized aunt, amongst others. "Eugene OâNeill would never get near this family," Reilly declares.
Prior to being put into an institution, Reillyâs father, a Paramount Pictures poster artist and illustrator, was offered the chance to go into business with another illustrator with the intention of making their first animated film in color together. The catch was simply that the senior Mr. Reilly would have to move himself and his family to California. Perhaps a defining moment in young Reillyâs life, his father asked his mother her thoughts and she unceremoniously rejected the possibility. The other illustrator went west without the senior Mr. Reilly as a partner. That other illustrator was named Walt Disney.
After this missed opportunity, Reilly's father began drinking heavily and eventually had a nervous breakdown. Upon being institutionalized, the family was forced to move out of the Bronx up to Connecticut to live with Mrs. Reillyâs family.
When Reilly turned eighteen, he moved to New York City. "If you wanted to be an actor in those days," he explains, "You did something thatâs really unheard of today⦠you studied." Young and hungry (literally), Reilly managed to find an acting class at New School. Its rather liberal open door policy allowed aspiring actors admission even if they didnât have the money to pay.
Reillyâs class was taught by a young, award-winning, soon-to-be-legendary actress, Uta Hagen. In the class were such future stars and notables as Steve McQueen, Jerry Stiller, Anne Meara, Hal Holbrook, Jason Robards, Geraldine Page and Gene Hackman. It was a group of future Academy Award, Tony Award and Emmy Award winners, and, as Charles explains, "We wanted to go on the stage, none of us had any money, and this entire list⦠couldnât act for shit."
It was about this time when a friend of Reilly's arranged a meeting with a powerful NBC executive. Reilly went in and was told, "They donât let queers on television." In retrospect, Reilly describes it as, "A short meeting." Despite the apparent prejudice against him, his talent and tenacity landed him on Broadway, winning his first Tony Award for his role in How to Succeed in Business Without Really Trying, as well as leading roles in the original Broadway casts of Bye Bye Birdie and Hello, Dolly!
Reilly went on to become a fixture in television appearing in numerous episodes of Car 54, Where Are You?, The Ghost & Mrs. Muir, and starring in Lidsville. He also made hundreds of guest appearances on The Tonight Show Starring Johnny Carson, second in number of appearances only to Bob Hope, and had a more recent memorable guest spot on The X-Files. Over the years, he developed a habit of looking through the weekâs TV Guide to see how many times he would be on TV that week. Coming in at over a hundred separate appearances, he reflected on the NBC executive who told him he would not be allowed on televisionâbut now Reilly wondered, "Who do I have to fuck to get off?!"
Success came to Reillyâs professional life, and he has used all the knowledge and expertise he has gained through a lifetime spent acting to teach. His longtime friend Burt Reynolds gave him a theater in which to teach the craft of acting, and it has fulfilled Reilly ever since. As we leave him in what he calls "The twilight of an extraordinary life", we see a portrait of an artist, a victim of prejudice who rose above it, a trailblazing comedic personality, an entertainer, a son, a teacher, and a man laid bare for all to see. | Who taught Reilly's class? | Uta Hagen | 1,636 | 1,645 |
The Life of Reilly | The film begins with Reilly recounting his childhood and his parents in New York City and Connecticut. We meet his familyâan institutionalized father, a racist, baseball bat-wielding mother, and a lobotomized aunt, amongst others. "Eugene OâNeill would never get near this family," Reilly declares.
Prior to being put into an institution, Reillyâs father, a Paramount Pictures poster artist and illustrator, was offered the chance to go into business with another illustrator with the intention of making their first animated film in color together. The catch was simply that the senior Mr. Reilly would have to move himself and his family to California. Perhaps a defining moment in young Reillyâs life, his father asked his mother her thoughts and she unceremoniously rejected the possibility. The other illustrator went west without the senior Mr. Reilly as a partner. That other illustrator was named Walt Disney.
After this missed opportunity, Reilly's father began drinking heavily and eventually had a nervous breakdown. Upon being institutionalized, the family was forced to move out of the Bronx up to Connecticut to live with Mrs. Reillyâs family.
When Reilly turned eighteen, he moved to New York City. "If you wanted to be an actor in those days," he explains, "You did something thatâs really unheard of today⦠you studied." Young and hungry (literally), Reilly managed to find an acting class at New School. Its rather liberal open door policy allowed aspiring actors admission even if they didnât have the money to pay.
Reillyâs class was taught by a young, award-winning, soon-to-be-legendary actress, Uta Hagen. In the class were such future stars and notables as Steve McQueen, Jerry Stiller, Anne Meara, Hal Holbrook, Jason Robards, Geraldine Page and Gene Hackman. It was a group of future Academy Award, Tony Award and Emmy Award winners, and, as Charles explains, "We wanted to go on the stage, none of us had any money, and this entire list⦠couldnât act for shit."
It was about this time when a friend of Reilly's arranged a meeting with a powerful NBC executive. Reilly went in and was told, "They donât let queers on television." In retrospect, Reilly describes it as, "A short meeting." Despite the apparent prejudice against him, his talent and tenacity landed him on Broadway, winning his first Tony Award for his role in How to Succeed in Business Without Really Trying, as well as leading roles in the original Broadway casts of Bye Bye Birdie and Hello, Dolly!
Reilly went on to become a fixture in television appearing in numerous episodes of Car 54, Where Are You?, The Ghost & Mrs. Muir, and starring in Lidsville. He also made hundreds of guest appearances on The Tonight Show Starring Johnny Carson, second in number of appearances only to Bob Hope, and had a more recent memorable guest spot on The X-Files. Over the years, he developed a habit of looking through the weekâs TV Guide to see how many times he would be on TV that week. Coming in at over a hundred separate appearances, he reflected on the NBC executive who told him he would not be allowed on televisionâbut now Reilly wondered, "Who do I have to fuck to get off?!"
Success came to Reillyâs professional life, and he has used all the knowledge and expertise he has gained through a lifetime spent acting to teach. His longtime friend Burt Reynolds gave him a theater in which to teach the craft of acting, and it has fulfilled Reilly ever since. As we leave him in what he calls "The twilight of an extraordinary life", we see a portrait of an artist, a victim of prejudice who rose above it, a trailblazing comedic personality, an entertainer, a son, a teacher, and a man laid bare for all to see. | An executive from what television station told Reilly that he would not be allowed on television? | NBC | 2,095 | 2,098 |
My Name is Bruce | This plot revolves around Bruce Campbell, who is playing himself throughout the piece being mistaken by fans for Ashley J. Williams. Due to this mistake he is dragged from his trailer park home to battle the avatar of the Chinese war diety Guan Di.*************************************SynopsisMy Name is Bruce is the heroic struggle of a small mining town (Gold Lick, Oregon) to rid itself of a vengeful monster. Guan-di (Jamie Peck), the Chinese god of war and protector of the dead, has been unleashed by cemetery desecrating teenagers to protect the graves of Chinese miners lost in a deadly cave-in of yesteryear.The deadly demons mission is to eradicate all those who transgressed against the tomb (relatives included), which is virtually the entire population of Gold Lick. The inbred community has to find a solution so Jeff (Taylor Sharpe), the sole survivor of a deadly Guan-Di encounter, takes it upon himself to kidnap his idol, Bruce Campbell (Bruce Campbell), star of countless B-movie horror films, and recruit him to be their local savior.Mortified at first, Bruce eventually goes along with Jeffs prank, convinced that its all an elaborate birthday present from his agent (Ted Raimi), and begins to enjoy the spoils of being a movie hero, including free liquor and Jeffs attractive mother, Kelly (Grace Thorsen).But Jeffs scheme goes horribly wrong when his hero, known more for fighting directors than mythical warriors, haphazardly leads the town in battle against Guan-Di. Confronted by a monster thats not a guy in a rubber suit, and with the blood of innocents on his hands, Bruce abandons the harsh reality of Gold Lick for the sanctity of his former, artificial life.In his ramshackle desert trailer, Bruce resumes the daily grind of genre sequels, poor housekeeping and cheap whiskey, but a gut-wrenching call from his biggest fan, Jeff - now forced to take on Guan-Di alone - prompts the actor to re-evaluate his destiny.Against his better judgment (and the angry citizens of Gold Lick), Bruce returns to defeat Guan-Di, save Jeff, and snag his hot mother. In the climactic, mano-a-monster, Bruce tries to rise above the miserable, off-screen schmuck that he is and become a heroin real life.Be afraid, Gold Lick be very afraid.[from official website synopsis]************************************* | Who is Bruce dragged from his trailer park home to battle? | Guan Di | 240 | 247 |
My Name is Bruce | This plot revolves around Bruce Campbell, who is playing himself throughout the piece being mistaken by fans for Ashley J. Williams. Due to this mistake he is dragged from his trailer park home to battle the avatar of the Chinese war diety Guan Di.*************************************SynopsisMy Name is Bruce is the heroic struggle of a small mining town (Gold Lick, Oregon) to rid itself of a vengeful monster. Guan-di (Jamie Peck), the Chinese god of war and protector of the dead, has been unleashed by cemetery desecrating teenagers to protect the graves of Chinese miners lost in a deadly cave-in of yesteryear.The deadly demons mission is to eradicate all those who transgressed against the tomb (relatives included), which is virtually the entire population of Gold Lick. The inbred community has to find a solution so Jeff (Taylor Sharpe), the sole survivor of a deadly Guan-Di encounter, takes it upon himself to kidnap his idol, Bruce Campbell (Bruce Campbell), star of countless B-movie horror films, and recruit him to be their local savior.Mortified at first, Bruce eventually goes along with Jeffs prank, convinced that its all an elaborate birthday present from his agent (Ted Raimi), and begins to enjoy the spoils of being a movie hero, including free liquor and Jeffs attractive mother, Kelly (Grace Thorsen).But Jeffs scheme goes horribly wrong when his hero, known more for fighting directors than mythical warriors, haphazardly leads the town in battle against Guan-Di. Confronted by a monster thats not a guy in a rubber suit, and with the blood of innocents on his hands, Bruce abandons the harsh reality of Gold Lick for the sanctity of his former, artificial life.In his ramshackle desert trailer, Bruce resumes the daily grind of genre sequels, poor housekeeping and cheap whiskey, but a gut-wrenching call from his biggest fan, Jeff - now forced to take on Guan-Di alone - prompts the actor to re-evaluate his destiny.Against his better judgment (and the angry citizens of Gold Lick), Bruce returns to defeat Guan-Di, save Jeff, and snag his hot mother. In the climactic, mano-a-monster, Bruce tries to rise above the miserable, off-screen schmuck that he is and become a heroin real life.Be afraid, Gold Lick be very afraid.[from official website synopsis]************************************* | Who does Bruce return to defeat? | Guan-Di | 413 | 420 |
My Name is Bruce | This plot revolves around Bruce Campbell, who is playing himself throughout the piece being mistaken by fans for Ashley J. Williams. Due to this mistake he is dragged from his trailer park home to battle the avatar of the Chinese war diety Guan Di.*************************************SynopsisMy Name is Bruce is the heroic struggle of a small mining town (Gold Lick, Oregon) to rid itself of a vengeful monster. Guan-di (Jamie Peck), the Chinese god of war and protector of the dead, has been unleashed by cemetery desecrating teenagers to protect the graves of Chinese miners lost in a deadly cave-in of yesteryear.The deadly demons mission is to eradicate all those who transgressed against the tomb (relatives included), which is virtually the entire population of Gold Lick. The inbred community has to find a solution so Jeff (Taylor Sharpe), the sole survivor of a deadly Guan-Di encounter, takes it upon himself to kidnap his idol, Bruce Campbell (Bruce Campbell), star of countless B-movie horror films, and recruit him to be their local savior.Mortified at first, Bruce eventually goes along with Jeffs prank, convinced that its all an elaborate birthday present from his agent (Ted Raimi), and begins to enjoy the spoils of being a movie hero, including free liquor and Jeffs attractive mother, Kelly (Grace Thorsen).But Jeffs scheme goes horribly wrong when his hero, known more for fighting directors than mythical warriors, haphazardly leads the town in battle against Guan-Di. Confronted by a monster thats not a guy in a rubber suit, and with the blood of innocents on his hands, Bruce abandons the harsh reality of Gold Lick for the sanctity of his former, artificial life.In his ramshackle desert trailer, Bruce resumes the daily grind of genre sequels, poor housekeeping and cheap whiskey, but a gut-wrenching call from his biggest fan, Jeff - now forced to take on Guan-Di alone - prompts the actor to re-evaluate his destiny.Against his better judgment (and the angry citizens of Gold Lick), Bruce returns to defeat Guan-Di, save Jeff, and snag his hot mother. In the climactic, mano-a-monster, Bruce tries to rise above the miserable, off-screen schmuck that he is and become a heroin real life.Be afraid, Gold Lick be very afraid.[from official website synopsis]************************************* | Who does the plot revolve around? | Bruce Campbell | 26 | 40 |
My Name is Bruce | This plot revolves around Bruce Campbell, who is playing himself throughout the piece being mistaken by fans for Ashley J. Williams. Due to this mistake he is dragged from his trailer park home to battle the avatar of the Chinese war diety Guan Di.*************************************SynopsisMy Name is Bruce is the heroic struggle of a small mining town (Gold Lick, Oregon) to rid itself of a vengeful monster. Guan-di (Jamie Peck), the Chinese god of war and protector of the dead, has been unleashed by cemetery desecrating teenagers to protect the graves of Chinese miners lost in a deadly cave-in of yesteryear.The deadly demons mission is to eradicate all those who transgressed against the tomb (relatives included), which is virtually the entire population of Gold Lick. The inbred community has to find a solution so Jeff (Taylor Sharpe), the sole survivor of a deadly Guan-Di encounter, takes it upon himself to kidnap his idol, Bruce Campbell (Bruce Campbell), star of countless B-movie horror films, and recruit him to be their local savior.Mortified at first, Bruce eventually goes along with Jeffs prank, convinced that its all an elaborate birthday present from his agent (Ted Raimi), and begins to enjoy the spoils of being a movie hero, including free liquor and Jeffs attractive mother, Kelly (Grace Thorsen).But Jeffs scheme goes horribly wrong when his hero, known more for fighting directors than mythical warriors, haphazardly leads the town in battle against Guan-Di. Confronted by a monster thats not a guy in a rubber suit, and with the blood of innocents on his hands, Bruce abandons the harsh reality of Gold Lick for the sanctity of his former, artificial life.In his ramshackle desert trailer, Bruce resumes the daily grind of genre sequels, poor housekeeping and cheap whiskey, but a gut-wrenching call from his biggest fan, Jeff - now forced to take on Guan-Di alone - prompts the actor to re-evaluate his destiny.Against his better judgment (and the angry citizens of Gold Lick), Bruce returns to defeat Guan-Di, save Jeff, and snag his hot mother. In the climactic, mano-a-monster, Bruce tries to rise above the miserable, off-screen schmuck that he is and become a heroin real life.Be afraid, Gold Lick be very afraid.[from official website synopsis]************************************* | Who is Bruce Campbell mistaken for? | Ashley J. Williams | 113 | 131 |
My Name is Bruce | This plot revolves around Bruce Campbell, who is playing himself throughout the piece being mistaken by fans for Ashley J. Williams. Due to this mistake he is dragged from his trailer park home to battle the avatar of the Chinese war diety Guan Di.*************************************SynopsisMy Name is Bruce is the heroic struggle of a small mining town (Gold Lick, Oregon) to rid itself of a vengeful monster. Guan-di (Jamie Peck), the Chinese god of war and protector of the dead, has been unleashed by cemetery desecrating teenagers to protect the graves of Chinese miners lost in a deadly cave-in of yesteryear.The deadly demons mission is to eradicate all those who transgressed against the tomb (relatives included), which is virtually the entire population of Gold Lick. The inbred community has to find a solution so Jeff (Taylor Sharpe), the sole survivor of a deadly Guan-Di encounter, takes it upon himself to kidnap his idol, Bruce Campbell (Bruce Campbell), star of countless B-movie horror films, and recruit him to be their local savior.Mortified at first, Bruce eventually goes along with Jeffs prank, convinced that its all an elaborate birthday present from his agent (Ted Raimi), and begins to enjoy the spoils of being a movie hero, including free liquor and Jeffs attractive mother, Kelly (Grace Thorsen).But Jeffs scheme goes horribly wrong when his hero, known more for fighting directors than mythical warriors, haphazardly leads the town in battle against Guan-Di. Confronted by a monster thats not a guy in a rubber suit, and with the blood of innocents on his hands, Bruce abandons the harsh reality of Gold Lick for the sanctity of his former, artificial life.In his ramshackle desert trailer, Bruce resumes the daily grind of genre sequels, poor housekeeping and cheap whiskey, but a gut-wrenching call from his biggest fan, Jeff - now forced to take on Guan-Di alone - prompts the actor to re-evaluate his destiny.Against his better judgment (and the angry citizens of Gold Lick), Bruce returns to defeat Guan-Di, save Jeff, and snag his hot mother. In the climactic, mano-a-monster, Bruce tries to rise above the miserable, off-screen schmuck that he is and become a heroin real life.Be afraid, Gold Lick be very afraid.[from official website synopsis]************************************* | Who does Jeff kidnap? | Bruce | 26 | 31 |
My Name is Bruce | This plot revolves around Bruce Campbell, who is playing himself throughout the piece being mistaken by fans for Ashley J. Williams. Due to this mistake he is dragged from his trailer park home to battle the avatar of the Chinese war diety Guan Di.*************************************SynopsisMy Name is Bruce is the heroic struggle of a small mining town (Gold Lick, Oregon) to rid itself of a vengeful monster. Guan-di (Jamie Peck), the Chinese god of war and protector of the dead, has been unleashed by cemetery desecrating teenagers to protect the graves of Chinese miners lost in a deadly cave-in of yesteryear.The deadly demons mission is to eradicate all those who transgressed against the tomb (relatives included), which is virtually the entire population of Gold Lick. The inbred community has to find a solution so Jeff (Taylor Sharpe), the sole survivor of a deadly Guan-Di encounter, takes it upon himself to kidnap his idol, Bruce Campbell (Bruce Campbell), star of countless B-movie horror films, and recruit him to be their local savior.Mortified at first, Bruce eventually goes along with Jeffs prank, convinced that its all an elaborate birthday present from his agent (Ted Raimi), and begins to enjoy the spoils of being a movie hero, including free liquor and Jeffs attractive mother, Kelly (Grace Thorsen).But Jeffs scheme goes horribly wrong when his hero, known more for fighting directors than mythical warriors, haphazardly leads the town in battle against Guan-Di. Confronted by a monster thats not a guy in a rubber suit, and with the blood of innocents on his hands, Bruce abandons the harsh reality of Gold Lick for the sanctity of his former, artificial life.In his ramshackle desert trailer, Bruce resumes the daily grind of genre sequels, poor housekeeping and cheap whiskey, but a gut-wrenching call from his biggest fan, Jeff - now forced to take on Guan-Di alone - prompts the actor to re-evaluate his destiny.Against his better judgment (and the angry citizens of Gold Lick), Bruce returns to defeat Guan-Di, save Jeff, and snag his hot mother. In the climactic, mano-a-monster, Bruce tries to rise above the miserable, off-screen schmuck that he is and become a heroin real life.Be afraid, Gold Lick be very afraid.[from official website synopsis]************************************* | Who is Bruce being mistaken for by fans? | Ashley J. Williams | 113 | 131 |
My Name is Bruce | This plot revolves around Bruce Campbell, who is playing himself throughout the piece being mistaken by fans for Ashley J. Williams. Due to this mistake he is dragged from his trailer park home to battle the avatar of the Chinese war diety Guan Di.*************************************SynopsisMy Name is Bruce is the heroic struggle of a small mining town (Gold Lick, Oregon) to rid itself of a vengeful monster. Guan-di (Jamie Peck), the Chinese god of war and protector of the dead, has been unleashed by cemetery desecrating teenagers to protect the graves of Chinese miners lost in a deadly cave-in of yesteryear.The deadly demons mission is to eradicate all those who transgressed against the tomb (relatives included), which is virtually the entire population of Gold Lick. The inbred community has to find a solution so Jeff (Taylor Sharpe), the sole survivor of a deadly Guan-Di encounter, takes it upon himself to kidnap his idol, Bruce Campbell (Bruce Campbell), star of countless B-movie horror films, and recruit him to be their local savior.Mortified at first, Bruce eventually goes along with Jeffs prank, convinced that its all an elaborate birthday present from his agent (Ted Raimi), and begins to enjoy the spoils of being a movie hero, including free liquor and Jeffs attractive mother, Kelly (Grace Thorsen).But Jeffs scheme goes horribly wrong when his hero, known more for fighting directors than mythical warriors, haphazardly leads the town in battle against Guan-Di. Confronted by a monster thats not a guy in a rubber suit, and with the blood of innocents on his hands, Bruce abandons the harsh reality of Gold Lick for the sanctity of his former, artificial life.In his ramshackle desert trailer, Bruce resumes the daily grind of genre sequels, poor housekeeping and cheap whiskey, but a gut-wrenching call from his biggest fan, Jeff - now forced to take on Guan-Di alone - prompts the actor to re-evaluate his destiny.Against his better judgment (and the angry citizens of Gold Lick), Bruce returns to defeat Guan-Di, save Jeff, and snag his hot mother. In the climactic, mano-a-monster, Bruce tries to rise above the miserable, off-screen schmuck that he is and become a heroin real life.Be afraid, Gold Lick be very afraid.[from official website synopsis]************************************* | What is the name of the small mining town? | Gold Lick | 357 | 366 |
My Name is Bruce | This plot revolves around Bruce Campbell, who is playing himself throughout the piece being mistaken by fans for Ashley J. Williams. Due to this mistake he is dragged from his trailer park home to battle the avatar of the Chinese war diety Guan Di.*************************************SynopsisMy Name is Bruce is the heroic struggle of a small mining town (Gold Lick, Oregon) to rid itself of a vengeful monster. Guan-di (Jamie Peck), the Chinese god of war and protector of the dead, has been unleashed by cemetery desecrating teenagers to protect the graves of Chinese miners lost in a deadly cave-in of yesteryear.The deadly demons mission is to eradicate all those who transgressed against the tomb (relatives included), which is virtually the entire population of Gold Lick. The inbred community has to find a solution so Jeff (Taylor Sharpe), the sole survivor of a deadly Guan-Di encounter, takes it upon himself to kidnap his idol, Bruce Campbell (Bruce Campbell), star of countless B-movie horror films, and recruit him to be their local savior.Mortified at first, Bruce eventually goes along with Jeffs prank, convinced that its all an elaborate birthday present from his agent (Ted Raimi), and begins to enjoy the spoils of being a movie hero, including free liquor and Jeffs attractive mother, Kelly (Grace Thorsen).But Jeffs scheme goes horribly wrong when his hero, known more for fighting directors than mythical warriors, haphazardly leads the town in battle against Guan-Di. Confronted by a monster thats not a guy in a rubber suit, and with the blood of innocents on his hands, Bruce abandons the harsh reality of Gold Lick for the sanctity of his former, artificial life.In his ramshackle desert trailer, Bruce resumes the daily grind of genre sequels, poor housekeeping and cheap whiskey, but a gut-wrenching call from his biggest fan, Jeff - now forced to take on Guan-Di alone - prompts the actor to re-evaluate his destiny.Against his better judgment (and the angry citizens of Gold Lick), Bruce returns to defeat Guan-Di, save Jeff, and snag his hot mother. In the climactic, mano-a-monster, Bruce tries to rise above the miserable, off-screen schmuck that he is and become a heroin real life.Be afraid, Gold Lick be very afraid.[from official website synopsis]************************************* | What does Bruce try to become? | heroin real life | 2,200 | 2,216 |
My Name is Bruce | This plot revolves around Bruce Campbell, who is playing himself throughout the piece being mistaken by fans for Ashley J. Williams. Due to this mistake he is dragged from his trailer park home to battle the avatar of the Chinese war diety Guan Di.*************************************SynopsisMy Name is Bruce is the heroic struggle of a small mining town (Gold Lick, Oregon) to rid itself of a vengeful monster. Guan-di (Jamie Peck), the Chinese god of war and protector of the dead, has been unleashed by cemetery desecrating teenagers to protect the graves of Chinese miners lost in a deadly cave-in of yesteryear.The deadly demons mission is to eradicate all those who transgressed against the tomb (relatives included), which is virtually the entire population of Gold Lick. The inbred community has to find a solution so Jeff (Taylor Sharpe), the sole survivor of a deadly Guan-Di encounter, takes it upon himself to kidnap his idol, Bruce Campbell (Bruce Campbell), star of countless B-movie horror films, and recruit him to be their local savior.Mortified at first, Bruce eventually goes along with Jeffs prank, convinced that its all an elaborate birthday present from his agent (Ted Raimi), and begins to enjoy the spoils of being a movie hero, including free liquor and Jeffs attractive mother, Kelly (Grace Thorsen).But Jeffs scheme goes horribly wrong when his hero, known more for fighting directors than mythical warriors, haphazardly leads the town in battle against Guan-Di. Confronted by a monster thats not a guy in a rubber suit, and with the blood of innocents on his hands, Bruce abandons the harsh reality of Gold Lick for the sanctity of his former, artificial life.In his ramshackle desert trailer, Bruce resumes the daily grind of genre sequels, poor housekeeping and cheap whiskey, but a gut-wrenching call from his biggest fan, Jeff - now forced to take on Guan-Di alone - prompts the actor to re-evaluate his destiny.Against his better judgment (and the angry citizens of Gold Lick), Bruce returns to defeat Guan-Di, save Jeff, and snag his hot mother. In the climactic, mano-a-monster, Bruce tries to rise above the miserable, off-screen schmuck that he is and become a heroin real life.Be afraid, Gold Lick be very afraid.[from official website synopsis]************************************* | When Bruce decides to go back to his normal life, who is forced to take on the Chinese war god alone? | Jeff | 827 | 831 |
Sink the Bismarck! | In 1939, Nazi Germany's largest and most powerful battleship, Bismarck, is launched in a ceremony at Hamburg with Adolf Hitler attending. The launching of the hull is seen as the beginning of a new era of German sea power.
Two years later, in 1941, British convoys are being ravaged by U-boats and surface raider attacks that cut off supplies essential for Britain's abilities to continue the war. In May, British intelligence discovers the Bismarck and the heavy cruiser Prinz Eugen are about to break out of the Baltic and into the North Atlantic to attack convoys.
Meanwhile, a spy in Norway spots the Bismarck and its escort Prinz Eugen; he attempts to alert the British by telegraph but he is discovered by the Germans and killed. The spy is only able to message that one of the ships is Prince Eugen but is shot before he can message that the second ship was the Bismarck.
The man assigned to co-ordinate the hunt is the Admiralty's chief of operations, Captain Jonathan Shepard (Kenneth More), who has been distraught over the death of his wife in an air raid and the sinking of his ship by German ships commanded by Admiral Günther Lütjens (Karel Å tÄpánek). Upon receiving his new post, Shepard discovers Lütjens is the fleet commander on the Bismarck. Shepard's experience of conflict with Nazi Germany's Kriegsmarine and his understanding of Lütjens allow him to predict the Bismarck's movements. Shepard acts coldly to his staff but comes increasingly to rely on the coolness and skill of his assistant, WRNS Second Officer Anne Davis (Dana Wynter).
Lütjens is also bitter. After the First World War, he considered that he had received no recognition for his efforts in the war. Lütjens promises the captain of the Bismarck, Ernst Lindemann (Carl Möhner), that this time, he and Germany will be remembered in greatness.
Next morning near Iceland Bismarck and Prinz Eugen encounter HMS Hood and HMS Prince of Wales. The four warships engage in a heavy battle. During the battle a shell from Bismarck hits the Hood slightly damaging her. Bismarckâ fires again and both sides watch as three shells hit the water near the Hood, but the fourth hits it just below its mast; suddenly the ship's deck bursts up and explodes in a massive fireball, even blowing one of the turrets off and sending it flying into the ocean. Both sides are shocked and horrified at the devastation as the Hood's sinking remains are enveloped by smoke. Now Prince of Wales is alone and gets fired at by the two German ships and is severely damaged. The ship makes smoke and retreats. The Bismarck's escape is shadowed by smaller British ships. Meanwhile, Shepard, obsessed with Bismarck, must endure the likely death of his son as an air-gunner on a Fairey Swordfish torpedo bomber from HMS Ark Royal, one of the British ships deployed to the hunt. He gambles that Lütjens is returning to friendly waters where U-boats and air cover will make it impossible to attack.
Shepard commits large forces stripped from convoy escort and uses Catalina flying boats to search for the battleship. His hunch proves correct, and Bismarck is located, apparently steaming towards the German-occupied French coast. British forces have a narrow window to destroy or slow their prey before German support and their own diminishing fuel supplies prevent further attack. Swordfish aircraft from HMS Ark Royal have two chances. The first fails: they misidentify HMSÂ Sheffield as Bismarck; also the new magnetic torpedo detonators are faulty and most explode as they hit the water. Switching to conventional contact detonators, the second attack is successful, with damage jamming Bismarck's rudder.
Unable to repair the rudder, the German battleship steams in circles. During the night Bismarck is attacked by two British destroyers. They fire torpedoes at Bismarck, and one torpedo hits the battleship, but Bismarck returns fire, sinking the destroyer HMS Solent.[Note 2] The main force of British ships (including battleships HMS Rodney and HMS King George V) find Bismarck the next day and rain gunfire on her. Lütjens in his final moments insists to Lindemann that German forces will arrive to save them, but he dies when a shell destroys Bismarck's bridge. After that the remaining officers declare Abandon Ship! In the King George V Admiral Tovey orders the newly joined cruiser HMS Dorsetshire to finish Bismarck off with torpedoes. The cruiser fires a salvo of six torpedoes at the already sinking and severely damaged vessel. Four torpedoes strike the hull, causing the ship to list faster than the men can get out. The Captain in K.G.V bows his head as the Bismarck rolls over and sinks beneath the waves. The Admiral orders Dorsetshire to pick up the remaining survivors, and finally says tersely: "Well gentlemen, let's go home"
After the sinking of the Bismarck, and having been told that his son has been rescued, Shepard asks Davis out to dinner, believing it to be nine o'clock at night, only to realise it is nine in the morning. Davis suggests breakfast, and they walk off together. | Who is the escort for the Bismarck? | Prinz Eugen | 472 | 483 |
Sink the Bismarck! | In 1939, Nazi Germany's largest and most powerful battleship, Bismarck, is launched in a ceremony at Hamburg with Adolf Hitler attending. The launching of the hull is seen as the beginning of a new era of German sea power.
Two years later, in 1941, British convoys are being ravaged by U-boats and surface raider attacks that cut off supplies essential for Britain's abilities to continue the war. In May, British intelligence discovers the Bismarck and the heavy cruiser Prinz Eugen are about to break out of the Baltic and into the North Atlantic to attack convoys.
Meanwhile, a spy in Norway spots the Bismarck and its escort Prinz Eugen; he attempts to alert the British by telegraph but he is discovered by the Germans and killed. The spy is only able to message that one of the ships is Prince Eugen but is shot before he can message that the second ship was the Bismarck.
The man assigned to co-ordinate the hunt is the Admiralty's chief of operations, Captain Jonathan Shepard (Kenneth More), who has been distraught over the death of his wife in an air raid and the sinking of his ship by German ships commanded by Admiral Günther Lütjens (Karel Å tÄpánek). Upon receiving his new post, Shepard discovers Lütjens is the fleet commander on the Bismarck. Shepard's experience of conflict with Nazi Germany's Kriegsmarine and his understanding of Lütjens allow him to predict the Bismarck's movements. Shepard acts coldly to his staff but comes increasingly to rely on the coolness and skill of his assistant, WRNS Second Officer Anne Davis (Dana Wynter).
Lütjens is also bitter. After the First World War, he considered that he had received no recognition for his efforts in the war. Lütjens promises the captain of the Bismarck, Ernst Lindemann (Carl Möhner), that this time, he and Germany will be remembered in greatness.
Next morning near Iceland Bismarck and Prinz Eugen encounter HMS Hood and HMS Prince of Wales. The four warships engage in a heavy battle. During the battle a shell from Bismarck hits the Hood slightly damaging her. Bismarckâ fires again and both sides watch as three shells hit the water near the Hood, but the fourth hits it just below its mast; suddenly the ship's deck bursts up and explodes in a massive fireball, even blowing one of the turrets off and sending it flying into the ocean. Both sides are shocked and horrified at the devastation as the Hood's sinking remains are enveloped by smoke. Now Prince of Wales is alone and gets fired at by the two German ships and is severely damaged. The ship makes smoke and retreats. The Bismarck's escape is shadowed by smaller British ships. Meanwhile, Shepard, obsessed with Bismarck, must endure the likely death of his son as an air-gunner on a Fairey Swordfish torpedo bomber from HMS Ark Royal, one of the British ships deployed to the hunt. He gambles that Lütjens is returning to friendly waters where U-boats and air cover will make it impossible to attack.
Shepard commits large forces stripped from convoy escort and uses Catalina flying boats to search for the battleship. His hunch proves correct, and Bismarck is located, apparently steaming towards the German-occupied French coast. British forces have a narrow window to destroy or slow their prey before German support and their own diminishing fuel supplies prevent further attack. Swordfish aircraft from HMS Ark Royal have two chances. The first fails: they misidentify HMSÂ Sheffield as Bismarck; also the new magnetic torpedo detonators are faulty and most explode as they hit the water. Switching to conventional contact detonators, the second attack is successful, with damage jamming Bismarck's rudder.
Unable to repair the rudder, the German battleship steams in circles. During the night Bismarck is attacked by two British destroyers. They fire torpedoes at Bismarck, and one torpedo hits the battleship, but Bismarck returns fire, sinking the destroyer HMS Solent.[Note 2] The main force of British ships (including battleships HMS Rodney and HMS King George V) find Bismarck the next day and rain gunfire on her. Lütjens in his final moments insists to Lindemann that German forces will arrive to save them, but he dies when a shell destroys Bismarck's bridge. After that the remaining officers declare Abandon Ship! In the King George V Admiral Tovey orders the newly joined cruiser HMS Dorsetshire to finish Bismarck off with torpedoes. The cruiser fires a salvo of six torpedoes at the already sinking and severely damaged vessel. Four torpedoes strike the hull, causing the ship to list faster than the men can get out. The Captain in K.G.V bows his head as the Bismarck rolls over and sinks beneath the waves. The Admiral orders Dorsetshire to pick up the remaining survivors, and finally says tersely: "Well gentlemen, let's go home"
After the sinking of the Bismarck, and having been told that his son has been rescued, Shepard asks Davis out to dinner, believing it to be nine o'clock at night, only to realise it is nine in the morning. Davis suggests breakfast, and they walk off together. | What is the name of Germany's most powerful battelship? | Bismarck | 62 | 70 |
Sink the Bismarck! | In 1939, Nazi Germany's largest and most powerful battleship, Bismarck, is launched in a ceremony at Hamburg with Adolf Hitler attending. The launching of the hull is seen as the beginning of a new era of German sea power.
Two years later, in 1941, British convoys are being ravaged by U-boats and surface raider attacks that cut off supplies essential for Britain's abilities to continue the war. In May, British intelligence discovers the Bismarck and the heavy cruiser Prinz Eugen are about to break out of the Baltic and into the North Atlantic to attack convoys.
Meanwhile, a spy in Norway spots the Bismarck and its escort Prinz Eugen; he attempts to alert the British by telegraph but he is discovered by the Germans and killed. The spy is only able to message that one of the ships is Prince Eugen but is shot before he can message that the second ship was the Bismarck.
The man assigned to co-ordinate the hunt is the Admiralty's chief of operations, Captain Jonathan Shepard (Kenneth More), who has been distraught over the death of his wife in an air raid and the sinking of his ship by German ships commanded by Admiral Günther Lütjens (Karel Å tÄpánek). Upon receiving his new post, Shepard discovers Lütjens is the fleet commander on the Bismarck. Shepard's experience of conflict with Nazi Germany's Kriegsmarine and his understanding of Lütjens allow him to predict the Bismarck's movements. Shepard acts coldly to his staff but comes increasingly to rely on the coolness and skill of his assistant, WRNS Second Officer Anne Davis (Dana Wynter).
Lütjens is also bitter. After the First World War, he considered that he had received no recognition for his efforts in the war. Lütjens promises the captain of the Bismarck, Ernst Lindemann (Carl Möhner), that this time, he and Germany will be remembered in greatness.
Next morning near Iceland Bismarck and Prinz Eugen encounter HMS Hood and HMS Prince of Wales. The four warships engage in a heavy battle. During the battle a shell from Bismarck hits the Hood slightly damaging her. Bismarckâ fires again and both sides watch as three shells hit the water near the Hood, but the fourth hits it just below its mast; suddenly the ship's deck bursts up and explodes in a massive fireball, even blowing one of the turrets off and sending it flying into the ocean. Both sides are shocked and horrified at the devastation as the Hood's sinking remains are enveloped by smoke. Now Prince of Wales is alone and gets fired at by the two German ships and is severely damaged. The ship makes smoke and retreats. The Bismarck's escape is shadowed by smaller British ships. Meanwhile, Shepard, obsessed with Bismarck, must endure the likely death of his son as an air-gunner on a Fairey Swordfish torpedo bomber from HMS Ark Royal, one of the British ships deployed to the hunt. He gambles that Lütjens is returning to friendly waters where U-boats and air cover will make it impossible to attack.
Shepard commits large forces stripped from convoy escort and uses Catalina flying boats to search for the battleship. His hunch proves correct, and Bismarck is located, apparently steaming towards the German-occupied French coast. British forces have a narrow window to destroy or slow their prey before German support and their own diminishing fuel supplies prevent further attack. Swordfish aircraft from HMS Ark Royal have two chances. The first fails: they misidentify HMSÂ Sheffield as Bismarck; also the new magnetic torpedo detonators are faulty and most explode as they hit the water. Switching to conventional contact detonators, the second attack is successful, with damage jamming Bismarck's rudder.
Unable to repair the rudder, the German battleship steams in circles. During the night Bismarck is attacked by two British destroyers. They fire torpedoes at Bismarck, and one torpedo hits the battleship, but Bismarck returns fire, sinking the destroyer HMS Solent.[Note 2] The main force of British ships (including battleships HMS Rodney and HMS King George V) find Bismarck the next day and rain gunfire on her. Lütjens in his final moments insists to Lindemann that German forces will arrive to save them, but he dies when a shell destroys Bismarck's bridge. After that the remaining officers declare Abandon Ship! In the King George V Admiral Tovey orders the newly joined cruiser HMS Dorsetshire to finish Bismarck off with torpedoes. The cruiser fires a salvo of six torpedoes at the already sinking and severely damaged vessel. Four torpedoes strike the hull, causing the ship to list faster than the men can get out. The Captain in K.G.V bows his head as the Bismarck rolls over and sinks beneath the waves. The Admiral orders Dorsetshire to pick up the remaining survivors, and finally says tersely: "Well gentlemen, let's go home"
After the sinking of the Bismarck, and having been told that his son has been rescued, Shepard asks Davis out to dinner, believing it to be nine o'clock at night, only to realise it is nine in the morning. Davis suggests breakfast, and they walk off together. | Who is captain of the Bismark? | Ernst Lindemann | 1,745 | 1,760 |
Sink the Bismarck! | In 1939, Nazi Germany's largest and most powerful battleship, Bismarck, is launched in a ceremony at Hamburg with Adolf Hitler attending. The launching of the hull is seen as the beginning of a new era of German sea power.
Two years later, in 1941, British convoys are being ravaged by U-boats and surface raider attacks that cut off supplies essential for Britain's abilities to continue the war. In May, British intelligence discovers the Bismarck and the heavy cruiser Prinz Eugen are about to break out of the Baltic and into the North Atlantic to attack convoys.
Meanwhile, a spy in Norway spots the Bismarck and its escort Prinz Eugen; he attempts to alert the British by telegraph but he is discovered by the Germans and killed. The spy is only able to message that one of the ships is Prince Eugen but is shot before he can message that the second ship was the Bismarck.
The man assigned to co-ordinate the hunt is the Admiralty's chief of operations, Captain Jonathan Shepard (Kenneth More), who has been distraught over the death of his wife in an air raid and the sinking of his ship by German ships commanded by Admiral Günther Lütjens (Karel Å tÄpánek). Upon receiving his new post, Shepard discovers Lütjens is the fleet commander on the Bismarck. Shepard's experience of conflict with Nazi Germany's Kriegsmarine and his understanding of Lütjens allow him to predict the Bismarck's movements. Shepard acts coldly to his staff but comes increasingly to rely on the coolness and skill of his assistant, WRNS Second Officer Anne Davis (Dana Wynter).
Lütjens is also bitter. After the First World War, he considered that he had received no recognition for his efforts in the war. Lütjens promises the captain of the Bismarck, Ernst Lindemann (Carl Möhner), that this time, he and Germany will be remembered in greatness.
Next morning near Iceland Bismarck and Prinz Eugen encounter HMS Hood and HMS Prince of Wales. The four warships engage in a heavy battle. During the battle a shell from Bismarck hits the Hood slightly damaging her. Bismarckâ fires again and both sides watch as three shells hit the water near the Hood, but the fourth hits it just below its mast; suddenly the ship's deck bursts up and explodes in a massive fireball, even blowing one of the turrets off and sending it flying into the ocean. Both sides are shocked and horrified at the devastation as the Hood's sinking remains are enveloped by smoke. Now Prince of Wales is alone and gets fired at by the two German ships and is severely damaged. The ship makes smoke and retreats. The Bismarck's escape is shadowed by smaller British ships. Meanwhile, Shepard, obsessed with Bismarck, must endure the likely death of his son as an air-gunner on a Fairey Swordfish torpedo bomber from HMS Ark Royal, one of the British ships deployed to the hunt. He gambles that Lütjens is returning to friendly waters where U-boats and air cover will make it impossible to attack.
Shepard commits large forces stripped from convoy escort and uses Catalina flying boats to search for the battleship. His hunch proves correct, and Bismarck is located, apparently steaming towards the German-occupied French coast. British forces have a narrow window to destroy or slow their prey before German support and their own diminishing fuel supplies prevent further attack. Swordfish aircraft from HMS Ark Royal have two chances. The first fails: they misidentify HMSÂ Sheffield as Bismarck; also the new magnetic torpedo detonators are faulty and most explode as they hit the water. Switching to conventional contact detonators, the second attack is successful, with damage jamming Bismarck's rudder.
Unable to repair the rudder, the German battleship steams in circles. During the night Bismarck is attacked by two British destroyers. They fire torpedoes at Bismarck, and one torpedo hits the battleship, but Bismarck returns fire, sinking the destroyer HMS Solent.[Note 2] The main force of British ships (including battleships HMS Rodney and HMS King George V) find Bismarck the next day and rain gunfire on her. Lütjens in his final moments insists to Lindemann that German forces will arrive to save them, but he dies when a shell destroys Bismarck's bridge. After that the remaining officers declare Abandon Ship! In the King George V Admiral Tovey orders the newly joined cruiser HMS Dorsetshire to finish Bismarck off with torpedoes. The cruiser fires a salvo of six torpedoes at the already sinking and severely damaged vessel. Four torpedoes strike the hull, causing the ship to list faster than the men can get out. The Captain in K.G.V bows his head as the Bismarck rolls over and sinks beneath the waves. The Admiral orders Dorsetshire to pick up the remaining survivors, and finally says tersely: "Well gentlemen, let's go home"
After the sinking of the Bismarck, and having been told that his son has been rescued, Shepard asks Davis out to dinner, believing it to be nine o'clock at night, only to realise it is nine in the morning. Davis suggests breakfast, and they walk off together. | Who is Bismarck attacked by? | two British destroyers | 3,786 | 3,808 |
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