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The Stuff | Several railroad workers discover a yogurt-like white alien substance bubbling out of the ground. It's found to be sweet and addictive. Later, the substance is marketed as "The Stuff," and it's being sold to the general public in containers like ice cream. It is marketed as having no calories and as being sweet, creamy, and filling. The Stuff quickly becomes a nationwide craze and drastically hurts the sales of ice cream.
Former FBI agent turned industrial saboteur David "Mo" Rutherford is hired by the leaders of the suffering ice cream industry, as well as junk food mogul Charles W. "Chocolate Chip Charlie" Hobbs, to find out exactly what The Stuff is and destroy it. His efforts reveal that the craze for the dessert is far deadlier and much more evil than anyone had believed: The Stuff is actually a living, parasitic, and possibly sentient organism that gradually takes over the brainâmutating those who eat it into bizarre zombie-like creatures, before consuming them from the inside and leaving them empty shells of their former selves.
A young boy named Jason also discovers The Stuff is alive and sees how it affects his family and how they are adamant towards his beliefs on The Stuff. He gets arrested for vandalizing a supermarket display of The Stuff, attracting the attention of Rutherford, who comes to his aid. Rutherford also manages to charm Nicole, an advertising executive who becomes his partner and lover when she sees the effect of The Stuff. The trio infiltrates the distribution operation, which is actually an organized corporate effort to spread The Stuff on the basis of eliminating world hunger, and destroy the lake of The Stuff with explosives. Meanwhile, United States Army Col. Malcolm Grommett Spears, a retired, right-wing soldier, leads a militia in battling the zombies and transmitting a civil defense message for Americans to break their addiction to The Stuff by destroying it with fire. The Stuff addiction is ended, and Rutherford, Nicole, Jason, and Col. Spears are hailed as national heroes.
Mo then visits the Stuff company's head, a man named Mr. Fletcher. He tells Mo that the destruction of the mine has not hurt his business, since the Stuff seeps out from many places in the ground, but Mo vows to find those places and gets rid of them all. Another man, Mr. Vickers, brings in Mr. Evans, the ice cream mogul with whom he is now working â and who had originally hired Mo to find out about what the Stuff was. They tell him they have come up with a new product that they call the Taste, which is a mix of 88% ice cream and 12% the Stuff, supposedly enough to make people crave more without it taking over their minds or killing them. However, Mo then brings in Jason, who is carrying a box, and then holds the two moguls at gunpoint. The box is full of pint containers of the Stuff, and Mo forces both to eat them all as punishment for all the lives lost to it, and for their greed. As they do, Rutherford asks pointedly, "are you eatin' it...or is it eatin' you?" When they finish, Mo and Jason leave them to the approaching police.
The film ends with smugglers selling the Stuff on the black market, having one of the smugglers tasting The Stuff and revealing that there is some products of The Stuff still around. In a post-credits scene, a woman in a bathroom says "Enough is never enough" while holding The Stuff. | What weapon destroys The Stuff? | fire | 1,932 | 1,936 |
The Stuff | Several railroad workers discover a yogurt-like white alien substance bubbling out of the ground. It's found to be sweet and addictive. Later, the substance is marketed as "The Stuff," and it's being sold to the general public in containers like ice cream. It is marketed as having no calories and as being sweet, creamy, and filling. The Stuff quickly becomes a nationwide craze and drastically hurts the sales of ice cream.
Former FBI agent turned industrial saboteur David "Mo" Rutherford is hired by the leaders of the suffering ice cream industry, as well as junk food mogul Charles W. "Chocolate Chip Charlie" Hobbs, to find out exactly what The Stuff is and destroy it. His efforts reveal that the craze for the dessert is far deadlier and much more evil than anyone had believed: The Stuff is actually a living, parasitic, and possibly sentient organism that gradually takes over the brainâmutating those who eat it into bizarre zombie-like creatures, before consuming them from the inside and leaving them empty shells of their former selves.
A young boy named Jason also discovers The Stuff is alive and sees how it affects his family and how they are adamant towards his beliefs on The Stuff. He gets arrested for vandalizing a supermarket display of The Stuff, attracting the attention of Rutherford, who comes to his aid. Rutherford also manages to charm Nicole, an advertising executive who becomes his partner and lover when she sees the effect of The Stuff. The trio infiltrates the distribution operation, which is actually an organized corporate effort to spread The Stuff on the basis of eliminating world hunger, and destroy the lake of The Stuff with explosives. Meanwhile, United States Army Col. Malcolm Grommett Spears, a retired, right-wing soldier, leads a militia in battling the zombies and transmitting a civil defense message for Americans to break their addiction to The Stuff by destroying it with fire. The Stuff addiction is ended, and Rutherford, Nicole, Jason, and Col. Spears are hailed as national heroes.
Mo then visits the Stuff company's head, a man named Mr. Fletcher. He tells Mo that the destruction of the mine has not hurt his business, since the Stuff seeps out from many places in the ground, but Mo vows to find those places and gets rid of them all. Another man, Mr. Vickers, brings in Mr. Evans, the ice cream mogul with whom he is now working â and who had originally hired Mo to find out about what the Stuff was. They tell him they have come up with a new product that they call the Taste, which is a mix of 88% ice cream and 12% the Stuff, supposedly enough to make people crave more without it taking over their minds or killing them. However, Mo then brings in Jason, who is carrying a box, and then holds the two moguls at gunpoint. The box is full of pint containers of the Stuff, and Mo forces both to eat them all as punishment for all the lives lost to it, and for their greed. As they do, Rutherford asks pointedly, "are you eatin' it...or is it eatin' you?" When they finish, Mo and Jason leave them to the approaching police.
The film ends with smugglers selling the Stuff on the black market, having one of the smugglers tasting The Stuff and revealing that there is some products of The Stuff still around. In a post-credits scene, a woman in a bathroom says "Enough is never enough" while holding The Stuff. | Who was tasting the Stuff? | One of the smugglers | 3,170 | 3,190 |
The Stuff | Several railroad workers discover a yogurt-like white alien substance bubbling out of the ground. It's found to be sweet and addictive. Later, the substance is marketed as "The Stuff," and it's being sold to the general public in containers like ice cream. It is marketed as having no calories and as being sweet, creamy, and filling. The Stuff quickly becomes a nationwide craze and drastically hurts the sales of ice cream.
Former FBI agent turned industrial saboteur David "Mo" Rutherford is hired by the leaders of the suffering ice cream industry, as well as junk food mogul Charles W. "Chocolate Chip Charlie" Hobbs, to find out exactly what The Stuff is and destroy it. His efforts reveal that the craze for the dessert is far deadlier and much more evil than anyone had believed: The Stuff is actually a living, parasitic, and possibly sentient organism that gradually takes over the brainâmutating those who eat it into bizarre zombie-like creatures, before consuming them from the inside and leaving them empty shells of their former selves.
A young boy named Jason also discovers The Stuff is alive and sees how it affects his family and how they are adamant towards his beliefs on The Stuff. He gets arrested for vandalizing a supermarket display of The Stuff, attracting the attention of Rutherford, who comes to his aid. Rutherford also manages to charm Nicole, an advertising executive who becomes his partner and lover when she sees the effect of The Stuff. The trio infiltrates the distribution operation, which is actually an organized corporate effort to spread The Stuff on the basis of eliminating world hunger, and destroy the lake of The Stuff with explosives. Meanwhile, United States Army Col. Malcolm Grommett Spears, a retired, right-wing soldier, leads a militia in battling the zombies and transmitting a civil defense message for Americans to break their addiction to The Stuff by destroying it with fire. The Stuff addiction is ended, and Rutherford, Nicole, Jason, and Col. Spears are hailed as national heroes.
Mo then visits the Stuff company's head, a man named Mr. Fletcher. He tells Mo that the destruction of the mine has not hurt his business, since the Stuff seeps out from many places in the ground, but Mo vows to find those places and gets rid of them all. Another man, Mr. Vickers, brings in Mr. Evans, the ice cream mogul with whom he is now working â and who had originally hired Mo to find out about what the Stuff was. They tell him they have come up with a new product that they call the Taste, which is a mix of 88% ice cream and 12% the Stuff, supposedly enough to make people crave more without it taking over their minds or killing them. However, Mo then brings in Jason, who is carrying a box, and then holds the two moguls at gunpoint. The box is full of pint containers of the Stuff, and Mo forces both to eat them all as punishment for all the lives lost to it, and for their greed. As they do, Rutherford asks pointedly, "are you eatin' it...or is it eatin' you?" When they finish, Mo and Jason leave them to the approaching police.
The film ends with smugglers selling the Stuff on the black market, having one of the smugglers tasting The Stuff and revealing that there is some products of The Stuff still around. In a post-credits scene, a woman in a bathroom says "Enough is never enough" while holding The Stuff. | Jason vandalized a supermarket display for what product? | The Stuff | 173 | 182 |
The Stuff | Several railroad workers discover a yogurt-like white alien substance bubbling out of the ground. It's found to be sweet and addictive. Later, the substance is marketed as "The Stuff," and it's being sold to the general public in containers like ice cream. It is marketed as having no calories and as being sweet, creamy, and filling. The Stuff quickly becomes a nationwide craze and drastically hurts the sales of ice cream.
Former FBI agent turned industrial saboteur David "Mo" Rutherford is hired by the leaders of the suffering ice cream industry, as well as junk food mogul Charles W. "Chocolate Chip Charlie" Hobbs, to find out exactly what The Stuff is and destroy it. His efforts reveal that the craze for the dessert is far deadlier and much more evil than anyone had believed: The Stuff is actually a living, parasitic, and possibly sentient organism that gradually takes over the brainâmutating those who eat it into bizarre zombie-like creatures, before consuming them from the inside and leaving them empty shells of their former selves.
A young boy named Jason also discovers The Stuff is alive and sees how it affects his family and how they are adamant towards his beliefs on The Stuff. He gets arrested for vandalizing a supermarket display of The Stuff, attracting the attention of Rutherford, who comes to his aid. Rutherford also manages to charm Nicole, an advertising executive who becomes his partner and lover when she sees the effect of The Stuff. The trio infiltrates the distribution operation, which is actually an organized corporate effort to spread The Stuff on the basis of eliminating world hunger, and destroy the lake of The Stuff with explosives. Meanwhile, United States Army Col. Malcolm Grommett Spears, a retired, right-wing soldier, leads a militia in battling the zombies and transmitting a civil defense message for Americans to break their addiction to The Stuff by destroying it with fire. The Stuff addiction is ended, and Rutherford, Nicole, Jason, and Col. Spears are hailed as national heroes.
Mo then visits the Stuff company's head, a man named Mr. Fletcher. He tells Mo that the destruction of the mine has not hurt his business, since the Stuff seeps out from many places in the ground, but Mo vows to find those places and gets rid of them all. Another man, Mr. Vickers, brings in Mr. Evans, the ice cream mogul with whom he is now working â and who had originally hired Mo to find out about what the Stuff was. They tell him they have come up with a new product that they call the Taste, which is a mix of 88% ice cream and 12% the Stuff, supposedly enough to make people crave more without it taking over their minds or killing them. However, Mo then brings in Jason, who is carrying a box, and then holds the two moguls at gunpoint. The box is full of pint containers of the Stuff, and Mo forces both to eat them all as punishment for all the lives lost to it, and for their greed. As they do, Rutherford asks pointedly, "are you eatin' it...or is it eatin' you?" When they finish, Mo and Jason leave them to the approaching police.
The film ends with smugglers selling the Stuff on the black market, having one of the smugglers tasting The Stuff and revealing that there is some products of The Stuff still around. In a post-credits scene, a woman in a bathroom says "Enough is never enough" while holding The Stuff. | What was the woman in a bathroom holding in the post credits scene? | The Stuff | 173 | 182 |
The Stuff | Several railroad workers discover a yogurt-like white alien substance bubbling out of the ground. It's found to be sweet and addictive. Later, the substance is marketed as "The Stuff," and it's being sold to the general public in containers like ice cream. It is marketed as having no calories and as being sweet, creamy, and filling. The Stuff quickly becomes a nationwide craze and drastically hurts the sales of ice cream.
Former FBI agent turned industrial saboteur David "Mo" Rutherford is hired by the leaders of the suffering ice cream industry, as well as junk food mogul Charles W. "Chocolate Chip Charlie" Hobbs, to find out exactly what The Stuff is and destroy it. His efforts reveal that the craze for the dessert is far deadlier and much more evil than anyone had believed: The Stuff is actually a living, parasitic, and possibly sentient organism that gradually takes over the brainâmutating those who eat it into bizarre zombie-like creatures, before consuming them from the inside and leaving them empty shells of their former selves.
A young boy named Jason also discovers The Stuff is alive and sees how it affects his family and how they are adamant towards his beliefs on The Stuff. He gets arrested for vandalizing a supermarket display of The Stuff, attracting the attention of Rutherford, who comes to his aid. Rutherford also manages to charm Nicole, an advertising executive who becomes his partner and lover when she sees the effect of The Stuff. The trio infiltrates the distribution operation, which is actually an organized corporate effort to spread The Stuff on the basis of eliminating world hunger, and destroy the lake of The Stuff with explosives. Meanwhile, United States Army Col. Malcolm Grommett Spears, a retired, right-wing soldier, leads a militia in battling the zombies and transmitting a civil defense message for Americans to break their addiction to The Stuff by destroying it with fire. The Stuff addiction is ended, and Rutherford, Nicole, Jason, and Col. Spears are hailed as national heroes.
Mo then visits the Stuff company's head, a man named Mr. Fletcher. He tells Mo that the destruction of the mine has not hurt his business, since the Stuff seeps out from many places in the ground, but Mo vows to find those places and gets rid of them all. Another man, Mr. Vickers, brings in Mr. Evans, the ice cream mogul with whom he is now working â and who had originally hired Mo to find out about what the Stuff was. They tell him they have come up with a new product that they call the Taste, which is a mix of 88% ice cream and 12% the Stuff, supposedly enough to make people crave more without it taking over their minds or killing them. However, Mo then brings in Jason, who is carrying a box, and then holds the two moguls at gunpoint. The box is full of pint containers of the Stuff, and Mo forces both to eat them all as punishment for all the lives lost to it, and for their greed. As they do, Rutherford asks pointedly, "are you eatin' it...or is it eatin' you?" When they finish, Mo and Jason leave them to the approaching police.
The film ends with smugglers selling the Stuff on the black market, having one of the smugglers tasting The Stuff and revealing that there is some products of The Stuff still around. In a post-credits scene, a woman in a bathroom says "Enough is never enough" while holding The Stuff. | What did the woman in a bathroom say? | Enough is never enough | 3,331 | 3,353 |
The Stuff | Several railroad workers discover a yogurt-like white alien substance bubbling out of the ground. It's found to be sweet and addictive. Later, the substance is marketed as "The Stuff," and it's being sold to the general public in containers like ice cream. It is marketed as having no calories and as being sweet, creamy, and filling. The Stuff quickly becomes a nationwide craze and drastically hurts the sales of ice cream.
Former FBI agent turned industrial saboteur David "Mo" Rutherford is hired by the leaders of the suffering ice cream industry, as well as junk food mogul Charles W. "Chocolate Chip Charlie" Hobbs, to find out exactly what The Stuff is and destroy it. His efforts reveal that the craze for the dessert is far deadlier and much more evil than anyone had believed: The Stuff is actually a living, parasitic, and possibly sentient organism that gradually takes over the brainâmutating those who eat it into bizarre zombie-like creatures, before consuming them from the inside and leaving them empty shells of their former selves.
A young boy named Jason also discovers The Stuff is alive and sees how it affects his family and how they are adamant towards his beliefs on The Stuff. He gets arrested for vandalizing a supermarket display of The Stuff, attracting the attention of Rutherford, who comes to his aid. Rutherford also manages to charm Nicole, an advertising executive who becomes his partner and lover when she sees the effect of The Stuff. The trio infiltrates the distribution operation, which is actually an organized corporate effort to spread The Stuff on the basis of eliminating world hunger, and destroy the lake of The Stuff with explosives. Meanwhile, United States Army Col. Malcolm Grommett Spears, a retired, right-wing soldier, leads a militia in battling the zombies and transmitting a civil defense message for Americans to break their addiction to The Stuff by destroying it with fire. The Stuff addiction is ended, and Rutherford, Nicole, Jason, and Col. Spears are hailed as national heroes.
Mo then visits the Stuff company's head, a man named Mr. Fletcher. He tells Mo that the destruction of the mine has not hurt his business, since the Stuff seeps out from many places in the ground, but Mo vows to find those places and gets rid of them all. Another man, Mr. Vickers, brings in Mr. Evans, the ice cream mogul with whom he is now working â and who had originally hired Mo to find out about what the Stuff was. They tell him they have come up with a new product that they call the Taste, which is a mix of 88% ice cream and 12% the Stuff, supposedly enough to make people crave more without it taking over their minds or killing them. However, Mo then brings in Jason, who is carrying a box, and then holds the two moguls at gunpoint. The box is full of pint containers of the Stuff, and Mo forces both to eat them all as punishment for all the lives lost to it, and for their greed. As they do, Rutherford asks pointedly, "are you eatin' it...or is it eatin' you?" When they finish, Mo and Jason leave them to the approaching police.
The film ends with smugglers selling the Stuff on the black market, having one of the smugglers tasting The Stuff and revealing that there is some products of The Stuff still around. In a post-credits scene, a woman in a bathroom says "Enough is never enough" while holding The Stuff. | Wha t name did they give the substance they found? | The Stuff | 173 | 182 |
The Stuff | Several railroad workers discover a yogurt-like white alien substance bubbling out of the ground. It's found to be sweet and addictive. Later, the substance is marketed as "The Stuff," and it's being sold to the general public in containers like ice cream. It is marketed as having no calories and as being sweet, creamy, and filling. The Stuff quickly becomes a nationwide craze and drastically hurts the sales of ice cream.
Former FBI agent turned industrial saboteur David "Mo" Rutherford is hired by the leaders of the suffering ice cream industry, as well as junk food mogul Charles W. "Chocolate Chip Charlie" Hobbs, to find out exactly what The Stuff is and destroy it. His efforts reveal that the craze for the dessert is far deadlier and much more evil than anyone had believed: The Stuff is actually a living, parasitic, and possibly sentient organism that gradually takes over the brainâmutating those who eat it into bizarre zombie-like creatures, before consuming them from the inside and leaving them empty shells of their former selves.
A young boy named Jason also discovers The Stuff is alive and sees how it affects his family and how they are adamant towards his beliefs on The Stuff. He gets arrested for vandalizing a supermarket display of The Stuff, attracting the attention of Rutherford, who comes to his aid. Rutherford also manages to charm Nicole, an advertising executive who becomes his partner and lover when she sees the effect of The Stuff. The trio infiltrates the distribution operation, which is actually an organized corporate effort to spread The Stuff on the basis of eliminating world hunger, and destroy the lake of The Stuff with explosives. Meanwhile, United States Army Col. Malcolm Grommett Spears, a retired, right-wing soldier, leads a militia in battling the zombies and transmitting a civil defense message for Americans to break their addiction to The Stuff by destroying it with fire. The Stuff addiction is ended, and Rutherford, Nicole, Jason, and Col. Spears are hailed as national heroes.
Mo then visits the Stuff company's head, a man named Mr. Fletcher. He tells Mo that the destruction of the mine has not hurt his business, since the Stuff seeps out from many places in the ground, but Mo vows to find those places and gets rid of them all. Another man, Mr. Vickers, brings in Mr. Evans, the ice cream mogul with whom he is now working â and who had originally hired Mo to find out about what the Stuff was. They tell him they have come up with a new product that they call the Taste, which is a mix of 88% ice cream and 12% the Stuff, supposedly enough to make people crave more without it taking over their minds or killing them. However, Mo then brings in Jason, who is carrying a box, and then holds the two moguls at gunpoint. The box is full of pint containers of the Stuff, and Mo forces both to eat them all as punishment for all the lives lost to it, and for their greed. As they do, Rutherford asks pointedly, "are you eatin' it...or is it eatin' you?" When they finish, Mo and Jason leave them to the approaching police.
The film ends with smugglers selling the Stuff on the black market, having one of the smugglers tasting The Stuff and revealing that there is some products of The Stuff still around. In a post-credits scene, a woman in a bathroom says "Enough is never enough" while holding The Stuff. | Where were the smugglers selling the Stuff? | On the black market | 3,142 | 3,161 |
The Stuff | Several railroad workers discover a yogurt-like white alien substance bubbling out of the ground. It's found to be sweet and addictive. Later, the substance is marketed as "The Stuff," and it's being sold to the general public in containers like ice cream. It is marketed as having no calories and as being sweet, creamy, and filling. The Stuff quickly becomes a nationwide craze and drastically hurts the sales of ice cream.
Former FBI agent turned industrial saboteur David "Mo" Rutherford is hired by the leaders of the suffering ice cream industry, as well as junk food mogul Charles W. "Chocolate Chip Charlie" Hobbs, to find out exactly what The Stuff is and destroy it. His efforts reveal that the craze for the dessert is far deadlier and much more evil than anyone had believed: The Stuff is actually a living, parasitic, and possibly sentient organism that gradually takes over the brainâmutating those who eat it into bizarre zombie-like creatures, before consuming them from the inside and leaving them empty shells of their former selves.
A young boy named Jason also discovers The Stuff is alive and sees how it affects his family and how they are adamant towards his beliefs on The Stuff. He gets arrested for vandalizing a supermarket display of The Stuff, attracting the attention of Rutherford, who comes to his aid. Rutherford also manages to charm Nicole, an advertising executive who becomes his partner and lover when she sees the effect of The Stuff. The trio infiltrates the distribution operation, which is actually an organized corporate effort to spread The Stuff on the basis of eliminating world hunger, and destroy the lake of The Stuff with explosives. Meanwhile, United States Army Col. Malcolm Grommett Spears, a retired, right-wing soldier, leads a militia in battling the zombies and transmitting a civil defense message for Americans to break their addiction to The Stuff by destroying it with fire. The Stuff addiction is ended, and Rutherford, Nicole, Jason, and Col. Spears are hailed as national heroes.
Mo then visits the Stuff company's head, a man named Mr. Fletcher. He tells Mo that the destruction of the mine has not hurt his business, since the Stuff seeps out from many places in the ground, but Mo vows to find those places and gets rid of them all. Another man, Mr. Vickers, brings in Mr. Evans, the ice cream mogul with whom he is now working â and who had originally hired Mo to find out about what the Stuff was. They tell him they have come up with a new product that they call the Taste, which is a mix of 88% ice cream and 12% the Stuff, supposedly enough to make people crave more without it taking over their minds or killing them. However, Mo then brings in Jason, who is carrying a box, and then holds the two moguls at gunpoint. The box is full of pint containers of the Stuff, and Mo forces both to eat them all as punishment for all the lives lost to it, and for their greed. As they do, Rutherford asks pointedly, "are you eatin' it...or is it eatin' you?" When they finish, Mo and Jason leave them to the approaching police.
The film ends with smugglers selling the Stuff on the black market, having one of the smugglers tasting The Stuff and revealing that there is some products of The Stuff still around. In a post-credits scene, a woman in a bathroom says "Enough is never enough" while holding The Stuff. | Who brings in Mr. Evans? | Mr. Vickers | 2,315 | 2,326 |
The Stuff | Several railroad workers discover a yogurt-like white alien substance bubbling out of the ground. It's found to be sweet and addictive. Later, the substance is marketed as "The Stuff," and it's being sold to the general public in containers like ice cream. It is marketed as having no calories and as being sweet, creamy, and filling. The Stuff quickly becomes a nationwide craze and drastically hurts the sales of ice cream.
Former FBI agent turned industrial saboteur David "Mo" Rutherford is hired by the leaders of the suffering ice cream industry, as well as junk food mogul Charles W. "Chocolate Chip Charlie" Hobbs, to find out exactly what The Stuff is and destroy it. His efforts reveal that the craze for the dessert is far deadlier and much more evil than anyone had believed: The Stuff is actually a living, parasitic, and possibly sentient organism that gradually takes over the brainâmutating those who eat it into bizarre zombie-like creatures, before consuming them from the inside and leaving them empty shells of their former selves.
A young boy named Jason also discovers The Stuff is alive and sees how it affects his family and how they are adamant towards his beliefs on The Stuff. He gets arrested for vandalizing a supermarket display of The Stuff, attracting the attention of Rutherford, who comes to his aid. Rutherford also manages to charm Nicole, an advertising executive who becomes his partner and lover when she sees the effect of The Stuff. The trio infiltrates the distribution operation, which is actually an organized corporate effort to spread The Stuff on the basis of eliminating world hunger, and destroy the lake of The Stuff with explosives. Meanwhile, United States Army Col. Malcolm Grommett Spears, a retired, right-wing soldier, leads a militia in battling the zombies and transmitting a civil defense message for Americans to break their addiction to The Stuff by destroying it with fire. The Stuff addiction is ended, and Rutherford, Nicole, Jason, and Col. Spears are hailed as national heroes.
Mo then visits the Stuff company's head, a man named Mr. Fletcher. He tells Mo that the destruction of the mine has not hurt his business, since the Stuff seeps out from many places in the ground, but Mo vows to find those places and gets rid of them all. Another man, Mr. Vickers, brings in Mr. Evans, the ice cream mogul with whom he is now working â and who had originally hired Mo to find out about what the Stuff was. They tell him they have come up with a new product that they call the Taste, which is a mix of 88% ice cream and 12% the Stuff, supposedly enough to make people crave more without it taking over their minds or killing them. However, Mo then brings in Jason, who is carrying a box, and then holds the two moguls at gunpoint. The box is full of pint containers of the Stuff, and Mo forces both to eat them all as punishment for all the lives lost to it, and for their greed. As they do, Rutherford asks pointedly, "are you eatin' it...or is it eatin' you?" When they finish, Mo and Jason leave them to the approaching police.
The film ends with smugglers selling the Stuff on the black market, having one of the smugglers tasting The Stuff and revealing that there is some products of The Stuff still around. In a post-credits scene, a woman in a bathroom says "Enough is never enough" while holding The Stuff. | What does The Stuff take gradually take over? | the brain | 888 | 897 |
The Stuff | Several railroad workers discover a yogurt-like white alien substance bubbling out of the ground. It's found to be sweet and addictive. Later, the substance is marketed as "The Stuff," and it's being sold to the general public in containers like ice cream. It is marketed as having no calories and as being sweet, creamy, and filling. The Stuff quickly becomes a nationwide craze and drastically hurts the sales of ice cream.
Former FBI agent turned industrial saboteur David "Mo" Rutherford is hired by the leaders of the suffering ice cream industry, as well as junk food mogul Charles W. "Chocolate Chip Charlie" Hobbs, to find out exactly what The Stuff is and destroy it. His efforts reveal that the craze for the dessert is far deadlier and much more evil than anyone had believed: The Stuff is actually a living, parasitic, and possibly sentient organism that gradually takes over the brainâmutating those who eat it into bizarre zombie-like creatures, before consuming them from the inside and leaving them empty shells of their former selves.
A young boy named Jason also discovers The Stuff is alive and sees how it affects his family and how they are adamant towards his beliefs on The Stuff. He gets arrested for vandalizing a supermarket display of The Stuff, attracting the attention of Rutherford, who comes to his aid. Rutherford also manages to charm Nicole, an advertising executive who becomes his partner and lover when she sees the effect of The Stuff. The trio infiltrates the distribution operation, which is actually an organized corporate effort to spread The Stuff on the basis of eliminating world hunger, and destroy the lake of The Stuff with explosives. Meanwhile, United States Army Col. Malcolm Grommett Spears, a retired, right-wing soldier, leads a militia in battling the zombies and transmitting a civil defense message for Americans to break their addiction to The Stuff by destroying it with fire. The Stuff addiction is ended, and Rutherford, Nicole, Jason, and Col. Spears are hailed as national heroes.
Mo then visits the Stuff company's head, a man named Mr. Fletcher. He tells Mo that the destruction of the mine has not hurt his business, since the Stuff seeps out from many places in the ground, but Mo vows to find those places and gets rid of them all. Another man, Mr. Vickers, brings in Mr. Evans, the ice cream mogul with whom he is now working â and who had originally hired Mo to find out about what the Stuff was. They tell him they have come up with a new product that they call the Taste, which is a mix of 88% ice cream and 12% the Stuff, supposedly enough to make people crave more without it taking over their minds or killing them. However, Mo then brings in Jason, who is carrying a box, and then holds the two moguls at gunpoint. The box is full of pint containers of the Stuff, and Mo forces both to eat them all as punishment for all the lives lost to it, and for their greed. As they do, Rutherford asks pointedly, "are you eatin' it...or is it eatin' you?" When they finish, Mo and Jason leave them to the approaching police.
The film ends with smugglers selling the Stuff on the black market, having one of the smugglers tasting The Stuff and revealing that there is some products of The Stuff still around. In a post-credits scene, a woman in a bathroom says "Enough is never enough" while holding The Stuff. | Who discovered the alien substance? | railroad workers | 8 | 24 |
The Stuff | Several railroad workers discover a yogurt-like white alien substance bubbling out of the ground. It's found to be sweet and addictive. Later, the substance is marketed as "The Stuff," and it's being sold to the general public in containers like ice cream. It is marketed as having no calories and as being sweet, creamy, and filling. The Stuff quickly becomes a nationwide craze and drastically hurts the sales of ice cream.
Former FBI agent turned industrial saboteur David "Mo" Rutherford is hired by the leaders of the suffering ice cream industry, as well as junk food mogul Charles W. "Chocolate Chip Charlie" Hobbs, to find out exactly what The Stuff is and destroy it. His efforts reveal that the craze for the dessert is far deadlier and much more evil than anyone had believed: The Stuff is actually a living, parasitic, and possibly sentient organism that gradually takes over the brainâmutating those who eat it into bizarre zombie-like creatures, before consuming them from the inside and leaving them empty shells of their former selves.
A young boy named Jason also discovers The Stuff is alive and sees how it affects his family and how they are adamant towards his beliefs on The Stuff. He gets arrested for vandalizing a supermarket display of The Stuff, attracting the attention of Rutherford, who comes to his aid. Rutherford also manages to charm Nicole, an advertising executive who becomes his partner and lover when she sees the effect of The Stuff. The trio infiltrates the distribution operation, which is actually an organized corporate effort to spread The Stuff on the basis of eliminating world hunger, and destroy the lake of The Stuff with explosives. Meanwhile, United States Army Col. Malcolm Grommett Spears, a retired, right-wing soldier, leads a militia in battling the zombies and transmitting a civil defense message for Americans to break their addiction to The Stuff by destroying it with fire. The Stuff addiction is ended, and Rutherford, Nicole, Jason, and Col. Spears are hailed as national heroes.
Mo then visits the Stuff company's head, a man named Mr. Fletcher. He tells Mo that the destruction of the mine has not hurt his business, since the Stuff seeps out from many places in the ground, but Mo vows to find those places and gets rid of them all. Another man, Mr. Vickers, brings in Mr. Evans, the ice cream mogul with whom he is now working â and who had originally hired Mo to find out about what the Stuff was. They tell him they have come up with a new product that they call the Taste, which is a mix of 88% ice cream and 12% the Stuff, supposedly enough to make people crave more without it taking over their minds or killing them. However, Mo then brings in Jason, who is carrying a box, and then holds the two moguls at gunpoint. The box is full of pint containers of the Stuff, and Mo forces both to eat them all as punishment for all the lives lost to it, and for their greed. As they do, Rutherford asks pointedly, "are you eatin' it...or is it eatin' you?" When they finish, Mo and Jason leave them to the approaching police.
The film ends with smugglers selling the Stuff on the black market, having one of the smugglers tasting The Stuff and revealing that there is some products of The Stuff still around. In a post-credits scene, a woman in a bathroom says "Enough is never enough" while holding The Stuff. | What do those who eat The Stuff mutate into? | bizarre zombie-like creatures | 931 | 960 |
The Stuff | Several railroad workers discover a yogurt-like white alien substance bubbling out of the ground. It's found to be sweet and addictive. Later, the substance is marketed as "The Stuff," and it's being sold to the general public in containers like ice cream. It is marketed as having no calories and as being sweet, creamy, and filling. The Stuff quickly becomes a nationwide craze and drastically hurts the sales of ice cream.
Former FBI agent turned industrial saboteur David "Mo" Rutherford is hired by the leaders of the suffering ice cream industry, as well as junk food mogul Charles W. "Chocolate Chip Charlie" Hobbs, to find out exactly what The Stuff is and destroy it. His efforts reveal that the craze for the dessert is far deadlier and much more evil than anyone had believed: The Stuff is actually a living, parasitic, and possibly sentient organism that gradually takes over the brainâmutating those who eat it into bizarre zombie-like creatures, before consuming them from the inside and leaving them empty shells of their former selves.
A young boy named Jason also discovers The Stuff is alive and sees how it affects his family and how they are adamant towards his beliefs on The Stuff. He gets arrested for vandalizing a supermarket display of The Stuff, attracting the attention of Rutherford, who comes to his aid. Rutherford also manages to charm Nicole, an advertising executive who becomes his partner and lover when she sees the effect of The Stuff. The trio infiltrates the distribution operation, which is actually an organized corporate effort to spread The Stuff on the basis of eliminating world hunger, and destroy the lake of The Stuff with explosives. Meanwhile, United States Army Col. Malcolm Grommett Spears, a retired, right-wing soldier, leads a militia in battling the zombies and transmitting a civil defense message for Americans to break their addiction to The Stuff by destroying it with fire. The Stuff addiction is ended, and Rutherford, Nicole, Jason, and Col. Spears are hailed as national heroes.
Mo then visits the Stuff company's head, a man named Mr. Fletcher. He tells Mo that the destruction of the mine has not hurt his business, since the Stuff seeps out from many places in the ground, but Mo vows to find those places and gets rid of them all. Another man, Mr. Vickers, brings in Mr. Evans, the ice cream mogul with whom he is now working â and who had originally hired Mo to find out about what the Stuff was. They tell him they have come up with a new product that they call the Taste, which is a mix of 88% ice cream and 12% the Stuff, supposedly enough to make people crave more without it taking over their minds or killing them. However, Mo then brings in Jason, who is carrying a box, and then holds the two moguls at gunpoint. The box is full of pint containers of the Stuff, and Mo forces both to eat them all as punishment for all the lives lost to it, and for their greed. As they do, Rutherford asks pointedly, "are you eatin' it...or is it eatin' you?" When they finish, Mo and Jason leave them to the approaching police.
The film ends with smugglers selling the Stuff on the black market, having one of the smugglers tasting The Stuff and revealing that there is some products of The Stuff still around. In a post-credits scene, a woman in a bathroom says "Enough is never enough" while holding The Stuff. | What is the new product called? | Taste | 2,541 | 2,546 |
The Stuff | Several railroad workers discover a yogurt-like white alien substance bubbling out of the ground. It's found to be sweet and addictive. Later, the substance is marketed as "The Stuff," and it's being sold to the general public in containers like ice cream. It is marketed as having no calories and as being sweet, creamy, and filling. The Stuff quickly becomes a nationwide craze and drastically hurts the sales of ice cream.
Former FBI agent turned industrial saboteur David "Mo" Rutherford is hired by the leaders of the suffering ice cream industry, as well as junk food mogul Charles W. "Chocolate Chip Charlie" Hobbs, to find out exactly what The Stuff is and destroy it. His efforts reveal that the craze for the dessert is far deadlier and much more evil than anyone had believed: The Stuff is actually a living, parasitic, and possibly sentient organism that gradually takes over the brainâmutating those who eat it into bizarre zombie-like creatures, before consuming them from the inside and leaving them empty shells of their former selves.
A young boy named Jason also discovers The Stuff is alive and sees how it affects his family and how they are adamant towards his beliefs on The Stuff. He gets arrested for vandalizing a supermarket display of The Stuff, attracting the attention of Rutherford, who comes to his aid. Rutherford also manages to charm Nicole, an advertising executive who becomes his partner and lover when she sees the effect of The Stuff. The trio infiltrates the distribution operation, which is actually an organized corporate effort to spread The Stuff on the basis of eliminating world hunger, and destroy the lake of The Stuff with explosives. Meanwhile, United States Army Col. Malcolm Grommett Spears, a retired, right-wing soldier, leads a militia in battling the zombies and transmitting a civil defense message for Americans to break their addiction to The Stuff by destroying it with fire. The Stuff addiction is ended, and Rutherford, Nicole, Jason, and Col. Spears are hailed as national heroes.
Mo then visits the Stuff company's head, a man named Mr. Fletcher. He tells Mo that the destruction of the mine has not hurt his business, since the Stuff seeps out from many places in the ground, but Mo vows to find those places and gets rid of them all. Another man, Mr. Vickers, brings in Mr. Evans, the ice cream mogul with whom he is now working â and who had originally hired Mo to find out about what the Stuff was. They tell him they have come up with a new product that they call the Taste, which is a mix of 88% ice cream and 12% the Stuff, supposedly enough to make people crave more without it taking over their minds or killing them. However, Mo then brings in Jason, who is carrying a box, and then holds the two moguls at gunpoint. The box is full of pint containers of the Stuff, and Mo forces both to eat them all as punishment for all the lives lost to it, and for their greed. As they do, Rutherford asks pointedly, "are you eatin' it...or is it eatin' you?" When they finish, Mo and Jason leave them to the approaching police.
The film ends with smugglers selling the Stuff on the black market, having one of the smugglers tasting The Stuff and revealing that there is some products of The Stuff still around. In a post-credits scene, a woman in a bathroom says "Enough is never enough" while holding The Stuff. | Who does Mo visit? | Mr. Fletcher | 2,099 | 2,111 |
First Daughter | Following an unsuccessful assassination attempt against the U.S. President, the leader of a survivalist/anarchist group is captured and indicted.However, a few members of the group manage to elude capture.Thinking everything has calmed down, the President arranges a wilderness trip for his daughters so that their summer "will not totally suck."The President's bratty daughter, Jess (Keena), who has it out for the lead SS agent Alex (Hemingway), even going so far as telling the wilderness guide Grant (Savant) that Alex is a lesbian and that this is the reason she spurned his advances at the bar the night before they left on their trip.As the group enters the wilderness along with their escort, they are noticed by the remaining members of the group hiding in the woods, who pose the question "Why would hikers need bodyguards with guns?"Of course one recognizes bratty Jess, and devises a plan to obtain the release of their leader. The group is attacked, the other guards killed, and Jess kidnapped.The anarchists apparently think everything is going their way but fail to notice that a well-placed cell phone supposedly stopped the bullet that would have taken Alex's life | What stopped the bullet that would have taken Alex's life? | cell phone | 1,107 | 1,117 |
First Daughter | Following an unsuccessful assassination attempt against the U.S. President, the leader of a survivalist/anarchist group is captured and indicted.However, a few members of the group manage to elude capture.Thinking everything has calmed down, the President arranges a wilderness trip for his daughters so that their summer "will not totally suck."The President's bratty daughter, Jess (Keena), who has it out for the lead SS agent Alex (Hemingway), even going so far as telling the wilderness guide Grant (Savant) that Alex is a lesbian and that this is the reason she spurned his advances at the bar the night before they left on their trip.As the group enters the wilderness along with their escort, they are noticed by the remaining members of the group hiding in the woods, who pose the question "Why would hikers need bodyguards with guns?"Of course one recognizes bratty Jess, and devises a plan to obtain the release of their leader. The group is attacked, the other guards killed, and Jess kidnapped.The anarchists apparently think everything is going their way but fail to notice that a well-placed cell phone supposedly stopped the bullet that would have taken Alex's life | Who is kidnapped? | Jess | 379 | 383 |
First Daughter | Following an unsuccessful assassination attempt against the U.S. President, the leader of a survivalist/anarchist group is captured and indicted.However, a few members of the group manage to elude capture.Thinking everything has calmed down, the President arranges a wilderness trip for his daughters so that their summer "will not totally suck."The President's bratty daughter, Jess (Keena), who has it out for the lead SS agent Alex (Hemingway), even going so far as telling the wilderness guide Grant (Savant) that Alex is a lesbian and that this is the reason she spurned his advances at the bar the night before they left on their trip.As the group enters the wilderness along with their escort, they are noticed by the remaining members of the group hiding in the woods, who pose the question "Why would hikers need bodyguards with guns?"Of course one recognizes bratty Jess, and devises a plan to obtain the release of their leader. The group is attacked, the other guards killed, and Jess kidnapped.The anarchists apparently think everything is going their way but fail to notice that a well-placed cell phone supposedly stopped the bullet that would have taken Alex's life | Which actor portrays Alex? | Hemingway | 436 | 445 |
First Daughter | Following an unsuccessful assassination attempt against the U.S. President, the leader of a survivalist/anarchist group is captured and indicted.However, a few members of the group manage to elude capture.Thinking everything has calmed down, the President arranges a wilderness trip for his daughters so that their summer "will not totally suck."The President's bratty daughter, Jess (Keena), who has it out for the lead SS agent Alex (Hemingway), even going so far as telling the wilderness guide Grant (Savant) that Alex is a lesbian and that this is the reason she spurned his advances at the bar the night before they left on their trip.As the group enters the wilderness along with their escort, they are noticed by the remaining members of the group hiding in the woods, who pose the question "Why would hikers need bodyguards with guns?"Of course one recognizes bratty Jess, and devises a plan to obtain the release of their leader. The group is attacked, the other guards killed, and Jess kidnapped.The anarchists apparently think everything is going their way but fail to notice that a well-placed cell phone supposedly stopped the bullet that would have taken Alex's life | What is the name of the President's bratty daughter? | Jess | 379 | 383 |
First Daughter | Following an unsuccessful assassination attempt against the U.S. President, the leader of a survivalist/anarchist group is captured and indicted.However, a few members of the group manage to elude capture.Thinking everything has calmed down, the President arranges a wilderness trip for his daughters so that their summer "will not totally suck."The President's bratty daughter, Jess (Keena), who has it out for the lead SS agent Alex (Hemingway), even going so far as telling the wilderness guide Grant (Savant) that Alex is a lesbian and that this is the reason she spurned his advances at the bar the night before they left on their trip.As the group enters the wilderness along with their escort, they are noticed by the remaining members of the group hiding in the woods, who pose the question "Why would hikers need bodyguards with guns?"Of course one recognizes bratty Jess, and devises a plan to obtain the release of their leader. The group is attacked, the other guards killed, and Jess kidnapped.The anarchists apparently think everything is going their way but fail to notice that a well-placed cell phone supposedly stopped the bullet that would have taken Alex's life | Who is the wilderness guide? | Grant | 498 | 503 |
First Daughter | Following an unsuccessful assassination attempt against the U.S. President, the leader of a survivalist/anarchist group is captured and indicted.However, a few members of the group manage to elude capture.Thinking everything has calmed down, the President arranges a wilderness trip for his daughters so that their summer "will not totally suck."The President's bratty daughter, Jess (Keena), who has it out for the lead SS agent Alex (Hemingway), even going so far as telling the wilderness guide Grant (Savant) that Alex is a lesbian and that this is the reason she spurned his advances at the bar the night before they left on their trip.As the group enters the wilderness along with their escort, they are noticed by the remaining members of the group hiding in the woods, who pose the question "Why would hikers need bodyguards with guns?"Of course one recognizes bratty Jess, and devises a plan to obtain the release of their leader. The group is attacked, the other guards killed, and Jess kidnapped.The anarchists apparently think everything is going their way but fail to notice that a well-placed cell phone supposedly stopped the bullet that would have taken Alex's life | The President arranges a wilderness trip for whom? | His daughters | 287 | 300 |
First Daughter | Following an unsuccessful assassination attempt against the U.S. President, the leader of a survivalist/anarchist group is captured and indicted.However, a few members of the group manage to elude capture.Thinking everything has calmed down, the President arranges a wilderness trip for his daughters so that their summer "will not totally suck."The President's bratty daughter, Jess (Keena), who has it out for the lead SS agent Alex (Hemingway), even going so far as telling the wilderness guide Grant (Savant) that Alex is a lesbian and that this is the reason she spurned his advances at the bar the night before they left on their trip.As the group enters the wilderness along with their escort, they are noticed by the remaining members of the group hiding in the woods, who pose the question "Why would hikers need bodyguards with guns?"Of course one recognizes bratty Jess, and devises a plan to obtain the release of their leader. The group is attacked, the other guards killed, and Jess kidnapped.The anarchists apparently think everything is going their way but fail to notice that a well-placed cell phone supposedly stopped the bullet that would have taken Alex's life | Who is the bratty daughter? | Jess | 379 | 383 |
First Daughter | Following an unsuccessful assassination attempt against the U.S. President, the leader of a survivalist/anarchist group is captured and indicted.However, a few members of the group manage to elude capture.Thinking everything has calmed down, the President arranges a wilderness trip for his daughters so that their summer "will not totally suck."The President's bratty daughter, Jess (Keena), who has it out for the lead SS agent Alex (Hemingway), even going so far as telling the wilderness guide Grant (Savant) that Alex is a lesbian and that this is the reason she spurned his advances at the bar the night before they left on their trip.As the group enters the wilderness along with their escort, they are noticed by the remaining members of the group hiding in the woods, who pose the question "Why would hikers need bodyguards with guns?"Of course one recognizes bratty Jess, and devises a plan to obtain the release of their leader. The group is attacked, the other guards killed, and Jess kidnapped.The anarchists apparently think everything is going their way but fail to notice that a well-placed cell phone supposedly stopped the bullet that would have taken Alex's life | What do the anarchists fail to notice? | well-placed cell phone | 1,095 | 1,117 |
First Daughter | Following an unsuccessful assassination attempt against the U.S. President, the leader of a survivalist/anarchist group is captured and indicted.However, a few members of the group manage to elude capture.Thinking everything has calmed down, the President arranges a wilderness trip for his daughters so that their summer "will not totally suck."The President's bratty daughter, Jess (Keena), who has it out for the lead SS agent Alex (Hemingway), even going so far as telling the wilderness guide Grant (Savant) that Alex is a lesbian and that this is the reason she spurned his advances at the bar the night before they left on their trip.As the group enters the wilderness along with their escort, they are noticed by the remaining members of the group hiding in the woods, who pose the question "Why would hikers need bodyguards with guns?"Of course one recognizes bratty Jess, and devises a plan to obtain the release of their leader. The group is attacked, the other guards killed, and Jess kidnapped.The anarchists apparently think everything is going their way but fail to notice that a well-placed cell phone supposedly stopped the bullet that would have taken Alex's life | What is the name of the lead secret service agent? | Alex | 430 | 434 |
Dreamland | In the Nevada mountains between Las Vegas and Reno in the desolate nuclear testing grounds of Dreamland (Area 51), a young couple Megan (Jackie Kreisler) and Dylan (Shane Elliott) stop in a greasy spoon cafe where they learn about the Area 51 government base a few miles away. After they get back on the road, Dylan turns on the radio. The only broadcast he can find is a speech from Adolf Hitler at the 1936 Olympic Games. The car dies and a visitor appears from another moment in time. When Megan and Dylan look closely they realize that it is Hitler from the past. Past and present intersect throughout the film. Demonic versions of those long dead are also encountered. | Where did Megan and Dylan learn about Area 51? | Greasy spoon cafe | 190 | 207 |
Dreamland | In the Nevada mountains between Las Vegas and Reno in the desolate nuclear testing grounds of Dreamland (Area 51), a young couple Megan (Jackie Kreisler) and Dylan (Shane Elliott) stop in a greasy spoon cafe where they learn about the Area 51 government base a few miles away. After they get back on the road, Dylan turns on the radio. The only broadcast he can find is a speech from Adolf Hitler at the 1936 Olympic Games. The car dies and a visitor appears from another moment in time. When Megan and Dylan look closely they realize that it is Hitler from the past. Past and present intersect throughout the film. Demonic versions of those long dead are also encountered. | What is name of the cafe in the film? | Greasy Spoon Cafe | 190 | 207 |
Dreamland | In the Nevada mountains between Las Vegas and Reno in the desolate nuclear testing grounds of Dreamland (Area 51), a young couple Megan (Jackie Kreisler) and Dylan (Shane Elliott) stop in a greasy spoon cafe where they learn about the Area 51 government base a few miles away. After they get back on the road, Dylan turns on the radio. The only broadcast he can find is a speech from Adolf Hitler at the 1936 Olympic Games. The car dies and a visitor appears from another moment in time. When Megan and Dylan look closely they realize that it is Hitler from the past. Past and present intersect throughout the film. Demonic versions of those long dead are also encountered. | How are Megan and Dylan related in the movie? | Couple | 123 | 129 |
Dreamland | In the Nevada mountains between Las Vegas and Reno in the desolate nuclear testing grounds of Dreamland (Area 51), a young couple Megan (Jackie Kreisler) and Dylan (Shane Elliott) stop in a greasy spoon cafe where they learn about the Area 51 government base a few miles away. After they get back on the road, Dylan turns on the radio. The only broadcast he can find is a speech from Adolf Hitler at the 1936 Olympic Games. The car dies and a visitor appears from another moment in time. When Megan and Dylan look closely they realize that it is Hitler from the past. Past and present intersect throughout the film. Demonic versions of those long dead are also encountered. | Who's speech was on the broadcast | Adolf Hitler | 384 | 396 |
Dreamland | In the Nevada mountains between Las Vegas and Reno in the desolate nuclear testing grounds of Dreamland (Area 51), a young couple Megan (Jackie Kreisler) and Dylan (Shane Elliott) stop in a greasy spoon cafe where they learn about the Area 51 government base a few miles away. After they get back on the road, Dylan turns on the radio. The only broadcast he can find is a speech from Adolf Hitler at the 1936 Olympic Games. The car dies and a visitor appears from another moment in time. When Megan and Dylan look closely they realize that it is Hitler from the past. Past and present intersect throughout the film. Demonic versions of those long dead are also encountered. | Which year of Olympic games are mentioned in the film? | 1936 | 404 | 408 |
Dreamland | In the Nevada mountains between Las Vegas and Reno in the desolate nuclear testing grounds of Dreamland (Area 51), a young couple Megan (Jackie Kreisler) and Dylan (Shane Elliott) stop in a greasy spoon cafe where they learn about the Area 51 government base a few miles away. After they get back on the road, Dylan turns on the radio. The only broadcast he can find is a speech from Adolf Hitler at the 1936 Olympic Games. The car dies and a visitor appears from another moment in time. When Megan and Dylan look closely they realize that it is Hitler from the past. Past and present intersect throughout the film. Demonic versions of those long dead are also encountered. | What is in the Nevada mountains between Las Vegas and Reno? | Area 51 | 105 | 112 |
Blackout | The film begins with a woman lying dead in the bathtub, having slit her wrists. It then moves on to show Karl (Aiden Gillen) at his wife's graveside, where his sister in law brings his daughter to see him. Karl asks her to keep his daughter for another day while he sorts out his apartment. He then leaves, and is shown driving down the road, where he receives a phonecall from the hospital, asking him if he would be able to come in and help with a patient. He declines, stating that he has something important to do for his daughter.Claudia (Amber Tamblyn) is shown at the hospital, worried about her grandmother's condition. A doctor appears and tells her that her grandmother has survived the surgery, but is old, so it is only a matter of time. Claudia leaves the hospital and gets on a bus.Tommy (Armie Hammer) is shown getting out of bed, where he wraps a bandage over his bruised knuckles. The woman sleeping beside him is bruised too. He gets on his motorbike and leaves.Karl pulls up at his apartment building and helps some elderly women leave the building. As he holds the door open, Claudia walks in and waits for the elevator to come. When it comes, the pair enter it, and the doors start to close, just as Tommy pushes the door open. Karl warns him about doing it, telling him that sometimes it can go wrong and cut people's arms off. As the lift is moving upwards, it gets stuck between floors, and all three begin to panic because they have somewhere to be. During this, Karl takes a photo of Tommy, but Tommy makes him delete it, causing an argument, where Karl punches Tommy, and Claudia has to break them up.A series of flashbacks then shows the reasons why everyone wants to get out early. Claudia is shown with her grandmother, who tells her that she isn't fun anymore, and that they should go and do something exciting. She realises that she is devoting too much time to work, and not enough to her social life, so she agrees to go to the beach. On the way, Claudia is stopped by a homeless man, but her grandmother carries on walking, and is involved in a car accident. After she wakes from her operation, she tells Claudia to go and fetch a photo of her husband so he can be near her when she passes. Claudia leaves to fetch the photo, and needs to get out in order to give it to her grandmother.Karl is shown taking a photo of a woman in a club. He begins talking to her and invites her to his house. He then drugs her, before carving marks into her chest. After this, he covers his body in salt and rapes her, before killing her. He leaves the mess in his apartment, and needs to get out in order to clean it up.Tommy is shown with his girlfriend Francesca, who is concerned he is just using her. Later that night, her father comes home drunk, and she tells him to leave in case he is caught, As Tommy is sneaking out, her father catches him, and she tries to calm him down, so he hits her.Tommy manages to knock him out, and tells Francesca that he wants to run away with her. She gives him her father's money and he goes home to retrieve some from his father's stash. He needs to get out in order to get the money.Back in the elevator, the three of them realise that due to the building being renovated, and people going on holiday, they are the only ones inside. Tommy pulls out a knife, and manages to wedge the doors open, but they are trapped between floors so they cannot escape. He decides to climb out, but as he is climbing to the next floor, the cable snaps, and he falls on to the elevator, which is now only held on by its emergency brakes. He climbs back in and they realise he has broken his leg.The three of them decide that someone should stay awake in case help comes to them. Claudia pulls a chocolate bar from her bag and Karl confiscates it from her, as well as taking her inhaler. This causes her to become agitated when he is smoking. During all of this, Francesca arrives and sees Tommy's bike outside. As she gets in, she realises no one is in, and is about to leave when she hears shouting. She decides to leave anyway, and returns home.While Claudia sleeps, Karl tells Tommy if they don't get out before his daughter gets there, he will kill Tommy and rape Claudia. Later on, he tells her that he has a plan to set the fire alarm off, if she climbs up and puts his lighter against the sensor, and if she fails, he will kill them both. He gives her inhaler back, and she climbs up, only to fall short of breath. She attempts to use her inhaler again but drops it down the shaft. She presses the lighter against the sensor, but cannot reach properly and falls on to the elevator, which has now become extremely vulnerable.She re-enters and Karl tells her he warned her what would happen, and he stabs Tommy to death. He goes to attack Claudia, but the elevator begins to fall towards an exit. He stabs her, but she climbs out into the corridor. He pulls himself out and starts wildly stabbing her, but she kicks him and he falls into the elevator, which drops to the bottom of the shaft and crashes. She then has an asthma attack.The next scene shows paramedics taking Claudia, and the girl from Tommy's apartment away, with Karl's daughter and sister in law in the police car. Claudia wakes up in the hospital, where the doctor who she spoke to earlier tells her that her grandmother didn't make it. | Who does Karl stab? | Tommy | 796 | 801 |
Blackout | The film begins with a woman lying dead in the bathtub, having slit her wrists. It then moves on to show Karl (Aiden Gillen) at his wife's graveside, where his sister in law brings his daughter to see him. Karl asks her to keep his daughter for another day while he sorts out his apartment. He then leaves, and is shown driving down the road, where he receives a phonecall from the hospital, asking him if he would be able to come in and help with a patient. He declines, stating that he has something important to do for his daughter.Claudia (Amber Tamblyn) is shown at the hospital, worried about her grandmother's condition. A doctor appears and tells her that her grandmother has survived the surgery, but is old, so it is only a matter of time. Claudia leaves the hospital and gets on a bus.Tommy (Armie Hammer) is shown getting out of bed, where he wraps a bandage over his bruised knuckles. The woman sleeping beside him is bruised too. He gets on his motorbike and leaves.Karl pulls up at his apartment building and helps some elderly women leave the building. As he holds the door open, Claudia walks in and waits for the elevator to come. When it comes, the pair enter it, and the doors start to close, just as Tommy pushes the door open. Karl warns him about doing it, telling him that sometimes it can go wrong and cut people's arms off. As the lift is moving upwards, it gets stuck between floors, and all three begin to panic because they have somewhere to be. During this, Karl takes a photo of Tommy, but Tommy makes him delete it, causing an argument, where Karl punches Tommy, and Claudia has to break them up.A series of flashbacks then shows the reasons why everyone wants to get out early. Claudia is shown with her grandmother, who tells her that she isn't fun anymore, and that they should go and do something exciting. She realises that she is devoting too much time to work, and not enough to her social life, so she agrees to go to the beach. On the way, Claudia is stopped by a homeless man, but her grandmother carries on walking, and is involved in a car accident. After she wakes from her operation, she tells Claudia to go and fetch a photo of her husband so he can be near her when she passes. Claudia leaves to fetch the photo, and needs to get out in order to give it to her grandmother.Karl is shown taking a photo of a woman in a club. He begins talking to her and invites her to his house. He then drugs her, before carving marks into her chest. After this, he covers his body in salt and rapes her, before killing her. He leaves the mess in his apartment, and needs to get out in order to clean it up.Tommy is shown with his girlfriend Francesca, who is concerned he is just using her. Later that night, her father comes home drunk, and she tells him to leave in case he is caught, As Tommy is sneaking out, her father catches him, and she tries to calm him down, so he hits her.Tommy manages to knock him out, and tells Francesca that he wants to run away with her. She gives him her father's money and he goes home to retrieve some from his father's stash. He needs to get out in order to get the money.Back in the elevator, the three of them realise that due to the building being renovated, and people going on holiday, they are the only ones inside. Tommy pulls out a knife, and manages to wedge the doors open, but they are trapped between floors so they cannot escape. He decides to climb out, but as he is climbing to the next floor, the cable snaps, and he falls on to the elevator, which is now only held on by its emergency brakes. He climbs back in and they realise he has broken his leg.The three of them decide that someone should stay awake in case help comes to them. Claudia pulls a chocolate bar from her bag and Karl confiscates it from her, as well as taking her inhaler. This causes her to become agitated when he is smoking. During all of this, Francesca arrives and sees Tommy's bike outside. As she gets in, she realises no one is in, and is about to leave when she hears shouting. She decides to leave anyway, and returns home.While Claudia sleeps, Karl tells Tommy if they don't get out before his daughter gets there, he will kill Tommy and rape Claudia. Later on, he tells her that he has a plan to set the fire alarm off, if she climbs up and puts his lighter against the sensor, and if she fails, he will kill them both. He gives her inhaler back, and she climbs up, only to fall short of breath. She attempts to use her inhaler again but drops it down the shaft. She presses the lighter against the sensor, but cannot reach properly and falls on to the elevator, which has now become extremely vulnerable.She re-enters and Karl tells her he warned her what would happen, and he stabs Tommy to death. He goes to attack Claudia, but the elevator begins to fall towards an exit. He stabs her, but she climbs out into the corridor. He pulls himself out and starts wildly stabbing her, but she kicks him and he falls into the elevator, which drops to the bottom of the shaft and crashes. She then has an asthma attack.The next scene shows paramedics taking Claudia, and the girl from Tommy's apartment away, with Karl's daughter and sister in law in the police car. Claudia wakes up in the hospital, where the doctor who she spoke to earlier tells her that her grandmother didn't make it. | Who does Karl ask to watch his daughter ? | His sister in law | 156 | 173 |
Blackout | The film begins with a woman lying dead in the bathtub, having slit her wrists. It then moves on to show Karl (Aiden Gillen) at his wife's graveside, where his sister in law brings his daughter to see him. Karl asks her to keep his daughter for another day while he sorts out his apartment. He then leaves, and is shown driving down the road, where he receives a phonecall from the hospital, asking him if he would be able to come in and help with a patient. He declines, stating that he has something important to do for his daughter.Claudia (Amber Tamblyn) is shown at the hospital, worried about her grandmother's condition. A doctor appears and tells her that her grandmother has survived the surgery, but is old, so it is only a matter of time. Claudia leaves the hospital and gets on a bus.Tommy (Armie Hammer) is shown getting out of bed, where he wraps a bandage over his bruised knuckles. The woman sleeping beside him is bruised too. He gets on his motorbike and leaves.Karl pulls up at his apartment building and helps some elderly women leave the building. As he holds the door open, Claudia walks in and waits for the elevator to come. When it comes, the pair enter it, and the doors start to close, just as Tommy pushes the door open. Karl warns him about doing it, telling him that sometimes it can go wrong and cut people's arms off. As the lift is moving upwards, it gets stuck between floors, and all three begin to panic because they have somewhere to be. During this, Karl takes a photo of Tommy, but Tommy makes him delete it, causing an argument, where Karl punches Tommy, and Claudia has to break them up.A series of flashbacks then shows the reasons why everyone wants to get out early. Claudia is shown with her grandmother, who tells her that she isn't fun anymore, and that they should go and do something exciting. She realises that she is devoting too much time to work, and not enough to her social life, so she agrees to go to the beach. On the way, Claudia is stopped by a homeless man, but her grandmother carries on walking, and is involved in a car accident. After she wakes from her operation, she tells Claudia to go and fetch a photo of her husband so he can be near her when she passes. Claudia leaves to fetch the photo, and needs to get out in order to give it to her grandmother.Karl is shown taking a photo of a woman in a club. He begins talking to her and invites her to his house. He then drugs her, before carving marks into her chest. After this, he covers his body in salt and rapes her, before killing her. He leaves the mess in his apartment, and needs to get out in order to clean it up.Tommy is shown with his girlfriend Francesca, who is concerned he is just using her. Later that night, her father comes home drunk, and she tells him to leave in case he is caught, As Tommy is sneaking out, her father catches him, and she tries to calm him down, so he hits her.Tommy manages to knock him out, and tells Francesca that he wants to run away with her. She gives him her father's money and he goes home to retrieve some from his father's stash. He needs to get out in order to get the money.Back in the elevator, the three of them realise that due to the building being renovated, and people going on holiday, they are the only ones inside. Tommy pulls out a knife, and manages to wedge the doors open, but they are trapped between floors so they cannot escape. He decides to climb out, but as he is climbing to the next floor, the cable snaps, and he falls on to the elevator, which is now only held on by its emergency brakes. He climbs back in and they realise he has broken his leg.The three of them decide that someone should stay awake in case help comes to them. Claudia pulls a chocolate bar from her bag and Karl confiscates it from her, as well as taking her inhaler. This causes her to become agitated when he is smoking. During all of this, Francesca arrives and sees Tommy's bike outside. As she gets in, she realises no one is in, and is about to leave when she hears shouting. She decides to leave anyway, and returns home.While Claudia sleeps, Karl tells Tommy if they don't get out before his daughter gets there, he will kill Tommy and rape Claudia. Later on, he tells her that he has a plan to set the fire alarm off, if she climbs up and puts his lighter against the sensor, and if she fails, he will kill them both. He gives her inhaler back, and she climbs up, only to fall short of breath. She attempts to use her inhaler again but drops it down the shaft. She presses the lighter against the sensor, but cannot reach properly and falls on to the elevator, which has now become extremely vulnerable.She re-enters and Karl tells her he warned her what would happen, and he stabs Tommy to death. He goes to attack Claudia, but the elevator begins to fall towards an exit. He stabs her, but she climbs out into the corridor. He pulls himself out and starts wildly stabbing her, but she kicks him and he falls into the elevator, which drops to the bottom of the shaft and crashes. She then has an asthma attack.The next scene shows paramedics taking Claudia, and the girl from Tommy's apartment away, with Karl's daughter and sister in law in the police car. Claudia wakes up in the hospital, where the doctor who she spoke to earlier tells her that her grandmother didn't make it. | Who is sleeping when Karl reveals that he is a killer? | Claudia | 535 | 542 |
Blackout | The film begins with a woman lying dead in the bathtub, having slit her wrists. It then moves on to show Karl (Aiden Gillen) at his wife's graveside, where his sister in law brings his daughter to see him. Karl asks her to keep his daughter for another day while he sorts out his apartment. He then leaves, and is shown driving down the road, where he receives a phonecall from the hospital, asking him if he would be able to come in and help with a patient. He declines, stating that he has something important to do for his daughter.Claudia (Amber Tamblyn) is shown at the hospital, worried about her grandmother's condition. A doctor appears and tells her that her grandmother has survived the surgery, but is old, so it is only a matter of time. Claudia leaves the hospital and gets on a bus.Tommy (Armie Hammer) is shown getting out of bed, where he wraps a bandage over his bruised knuckles. The woman sleeping beside him is bruised too. He gets on his motorbike and leaves.Karl pulls up at his apartment building and helps some elderly women leave the building. As he holds the door open, Claudia walks in and waits for the elevator to come. When it comes, the pair enter it, and the doors start to close, just as Tommy pushes the door open. Karl warns him about doing it, telling him that sometimes it can go wrong and cut people's arms off. As the lift is moving upwards, it gets stuck between floors, and all three begin to panic because they have somewhere to be. During this, Karl takes a photo of Tommy, but Tommy makes him delete it, causing an argument, where Karl punches Tommy, and Claudia has to break them up.A series of flashbacks then shows the reasons why everyone wants to get out early. Claudia is shown with her grandmother, who tells her that she isn't fun anymore, and that they should go and do something exciting. She realises that she is devoting too much time to work, and not enough to her social life, so she agrees to go to the beach. On the way, Claudia is stopped by a homeless man, but her grandmother carries on walking, and is involved in a car accident. After she wakes from her operation, she tells Claudia to go and fetch a photo of her husband so he can be near her when she passes. Claudia leaves to fetch the photo, and needs to get out in order to give it to her grandmother.Karl is shown taking a photo of a woman in a club. He begins talking to her and invites her to his house. He then drugs her, before carving marks into her chest. After this, he covers his body in salt and rapes her, before killing her. He leaves the mess in his apartment, and needs to get out in order to clean it up.Tommy is shown with his girlfriend Francesca, who is concerned he is just using her. Later that night, her father comes home drunk, and she tells him to leave in case he is caught, As Tommy is sneaking out, her father catches him, and she tries to calm him down, so he hits her.Tommy manages to knock him out, and tells Francesca that he wants to run away with her. She gives him her father's money and he goes home to retrieve some from his father's stash. He needs to get out in order to get the money.Back in the elevator, the three of them realise that due to the building being renovated, and people going on holiday, they are the only ones inside. Tommy pulls out a knife, and manages to wedge the doors open, but they are trapped between floors so they cannot escape. He decides to climb out, but as he is climbing to the next floor, the cable snaps, and he falls on to the elevator, which is now only held on by its emergency brakes. He climbs back in and they realise he has broken his leg.The three of them decide that someone should stay awake in case help comes to them. Claudia pulls a chocolate bar from her bag and Karl confiscates it from her, as well as taking her inhaler. This causes her to become agitated when he is smoking. During all of this, Francesca arrives and sees Tommy's bike outside. As she gets in, she realises no one is in, and is about to leave when she hears shouting. She decides to leave anyway, and returns home.While Claudia sleeps, Karl tells Tommy if they don't get out before his daughter gets there, he will kill Tommy and rape Claudia. Later on, he tells her that he has a plan to set the fire alarm off, if she climbs up and puts his lighter against the sensor, and if she fails, he will kill them both. He gives her inhaler back, and she climbs up, only to fall short of breath. She attempts to use her inhaler again but drops it down the shaft. She presses the lighter against the sensor, but cannot reach properly and falls on to the elevator, which has now become extremely vulnerable.She re-enters and Karl tells her he warned her what would happen, and he stabs Tommy to death. He goes to attack Claudia, but the elevator begins to fall towards an exit. He stabs her, but she climbs out into the corridor. He pulls himself out and starts wildly stabbing her, but she kicks him and he falls into the elevator, which drops to the bottom of the shaft and crashes. She then has an asthma attack.The next scene shows paramedics taking Claudia, and the girl from Tommy's apartment away, with Karl's daughter and sister in law in the police car. Claudia wakes up in the hospital, where the doctor who she spoke to earlier tells her that her grandmother didn't make it. | Where does Tommy break his leg? | the elevator | 1,127 | 1,139 |
Blackout | The film begins with a woman lying dead in the bathtub, having slit her wrists. It then moves on to show Karl (Aiden Gillen) at his wife's graveside, where his sister in law brings his daughter to see him. Karl asks her to keep his daughter for another day while he sorts out his apartment. He then leaves, and is shown driving down the road, where he receives a phonecall from the hospital, asking him if he would be able to come in and help with a patient. He declines, stating that he has something important to do for his daughter.Claudia (Amber Tamblyn) is shown at the hospital, worried about her grandmother's condition. A doctor appears and tells her that her grandmother has survived the surgery, but is old, so it is only a matter of time. Claudia leaves the hospital and gets on a bus.Tommy (Armie Hammer) is shown getting out of bed, where he wraps a bandage over his bruised knuckles. The woman sleeping beside him is bruised too. He gets on his motorbike and leaves.Karl pulls up at his apartment building and helps some elderly women leave the building. As he holds the door open, Claudia walks in and waits for the elevator to come. When it comes, the pair enter it, and the doors start to close, just as Tommy pushes the door open. Karl warns him about doing it, telling him that sometimes it can go wrong and cut people's arms off. As the lift is moving upwards, it gets stuck between floors, and all three begin to panic because they have somewhere to be. During this, Karl takes a photo of Tommy, but Tommy makes him delete it, causing an argument, where Karl punches Tommy, and Claudia has to break them up.A series of flashbacks then shows the reasons why everyone wants to get out early. Claudia is shown with her grandmother, who tells her that she isn't fun anymore, and that they should go and do something exciting. She realises that she is devoting too much time to work, and not enough to her social life, so she agrees to go to the beach. On the way, Claudia is stopped by a homeless man, but her grandmother carries on walking, and is involved in a car accident. After she wakes from her operation, she tells Claudia to go and fetch a photo of her husband so he can be near her when she passes. Claudia leaves to fetch the photo, and needs to get out in order to give it to her grandmother.Karl is shown taking a photo of a woman in a club. He begins talking to her and invites her to his house. He then drugs her, before carving marks into her chest. After this, he covers his body in salt and rapes her, before killing her. He leaves the mess in his apartment, and needs to get out in order to clean it up.Tommy is shown with his girlfriend Francesca, who is concerned he is just using her. Later that night, her father comes home drunk, and she tells him to leave in case he is caught, As Tommy is sneaking out, her father catches him, and she tries to calm him down, so he hits her.Tommy manages to knock him out, and tells Francesca that he wants to run away with her. She gives him her father's money and he goes home to retrieve some from his father's stash. He needs to get out in order to get the money.Back in the elevator, the three of them realise that due to the building being renovated, and people going on holiday, they are the only ones inside. Tommy pulls out a knife, and manages to wedge the doors open, but they are trapped between floors so they cannot escape. He decides to climb out, but as he is climbing to the next floor, the cable snaps, and he falls on to the elevator, which is now only held on by its emergency brakes. He climbs back in and they realise he has broken his leg.The three of them decide that someone should stay awake in case help comes to them. Claudia pulls a chocolate bar from her bag and Karl confiscates it from her, as well as taking her inhaler. This causes her to become agitated when he is smoking. During all of this, Francesca arrives and sees Tommy's bike outside. As she gets in, she realises no one is in, and is about to leave when she hears shouting. She decides to leave anyway, and returns home.While Claudia sleeps, Karl tells Tommy if they don't get out before his daughter gets there, he will kill Tommy and rape Claudia. Later on, he tells her that he has a plan to set the fire alarm off, if she climbs up and puts his lighter against the sensor, and if she fails, he will kill them both. He gives her inhaler back, and she climbs up, only to fall short of breath. She attempts to use her inhaler again but drops it down the shaft. She presses the lighter against the sensor, but cannot reach properly and falls on to the elevator, which has now become extremely vulnerable.She re-enters and Karl tells her he warned her what would happen, and he stabs Tommy to death. He goes to attack Claudia, but the elevator begins to fall towards an exit. He stabs her, but she climbs out into the corridor. He pulls himself out and starts wildly stabbing her, but she kicks him and he falls into the elevator, which drops to the bottom of the shaft and crashes. She then has an asthma attack.The next scene shows paramedics taking Claudia, and the girl from Tommy's apartment away, with Karl's daughter and sister in law in the police car. Claudia wakes up in the hospital, where the doctor who she spoke to earlier tells her that her grandmother didn't make it. | Who grave does Karl visit ? | His wife's | 128 | 138 |
Closet Land | A twenty-something innocent-looking woman is taken by force to an interrogation by a single male who is seemingly a government investigator. Her children's book, CLOSET LAND, is accused to contain subversive messages from some unnamed underground working against the government. The rooster character in the book is posited as the leader of a terrorist cell, for example. She maintains her innocence as the irony mounts from the questioner's continued belief that she has given hidden signals to fellow insurgents inside what she says is a simple children's story. Her questioning gets more brutal as she is strapped to a torture table, given drugs, and otherwise molested. During her torture, she reverts to her childhood-learned ability to withdraw mentally to an imagined world of fictional animal characters which assist her to cope with --in her childhood-- being locked in a closet and --in her torture-- she uses the same technique to survive with her sanity and her consistent denial of guilt. The interrogator, who may or may not be the man who molested her when she was a child, appears to eventually believe in her innocence but her refusal to sign a confession will apparently result in a chemically-induced lobotomy.Direction, writing, and acting are all brilliant.
Extremely strong emotional content but no blood nor overt violence. Implied extreme violence. Definitely not for children. | What does the investigator accuse the writer of being in reality? | Terrorist | 343 | 352 |
Closet Land | A twenty-something innocent-looking woman is taken by force to an interrogation by a single male who is seemingly a government investigator. Her children's book, CLOSET LAND, is accused to contain subversive messages from some unnamed underground working against the government. The rooster character in the book is posited as the leader of a terrorist cell, for example. She maintains her innocence as the irony mounts from the questioner's continued belief that she has given hidden signals to fellow insurgents inside what she says is a simple children's story. Her questioning gets more brutal as she is strapped to a torture table, given drugs, and otherwise molested. During her torture, she reverts to her childhood-learned ability to withdraw mentally to an imagined world of fictional animal characters which assist her to cope with --in her childhood-- being locked in a closet and --in her torture-- she uses the same technique to survive with her sanity and her consistent denial of guilt. The interrogator, who may or may not be the man who molested her when she was a child, appears to eventually believe in her innocence but her refusal to sign a confession will apparently result in a chemically-induced lobotomy.Direction, writing, and acting are all brilliant.
Extremely strong emotional content but no blood nor overt violence. Implied extreme violence. Definitely not for children. | Who might or might not the man be? | man who molested her | 1,046 | 1,066 |
Closet Land | A twenty-something innocent-looking woman is taken by force to an interrogation by a single male who is seemingly a government investigator. Her children's book, CLOSET LAND, is accused to contain subversive messages from some unnamed underground working against the government. The rooster character in the book is posited as the leader of a terrorist cell, for example. She maintains her innocence as the irony mounts from the questioner's continued belief that she has given hidden signals to fellow insurgents inside what she says is a simple children's story. Her questioning gets more brutal as she is strapped to a torture table, given drugs, and otherwise molested. During her torture, she reverts to her childhood-learned ability to withdraw mentally to an imagined world of fictional animal characters which assist her to cope with --in her childhood-- being locked in a closet and --in her torture-- she uses the same technique to survive with her sanity and her consistent denial of guilt. The interrogator, who may or may not be the man who molested her when she was a child, appears to eventually believe in her innocence but her refusal to sign a confession will apparently result in a chemically-induced lobotomy.Direction, writing, and acting are all brilliant.
Extremely strong emotional content but no blood nor overt violence. Implied extreme violence. Definitely not for children. | What do we think the man's job is? | Government Investigator | 116 | 139 |
Closet Land | A twenty-something innocent-looking woman is taken by force to an interrogation by a single male who is seemingly a government investigator. Her children's book, CLOSET LAND, is accused to contain subversive messages from some unnamed underground working against the government. The rooster character in the book is posited as the leader of a terrorist cell, for example. She maintains her innocence as the irony mounts from the questioner's continued belief that she has given hidden signals to fellow insurgents inside what she says is a simple children's story. Her questioning gets more brutal as she is strapped to a torture table, given drugs, and otherwise molested. During her torture, she reverts to her childhood-learned ability to withdraw mentally to an imagined world of fictional animal characters which assist her to cope with --in her childhood-- being locked in a closet and --in her torture-- she uses the same technique to survive with her sanity and her consistent denial of guilt. The interrogator, who may or may not be the man who molested her when she was a child, appears to eventually believe in her innocence but her refusal to sign a confession will apparently result in a chemically-induced lobotomy.Direction, writing, and acting are all brilliant.
Extremely strong emotional content but no blood nor overt violence. Implied extreme violence. Definitely not for children. | Who in the children's book is posited as the leader of a terrorist cell? | The Rooster | 279 | 290 |
Closet Land | A twenty-something innocent-looking woman is taken by force to an interrogation by a single male who is seemingly a government investigator. Her children's book, CLOSET LAND, is accused to contain subversive messages from some unnamed underground working against the government. The rooster character in the book is posited as the leader of a terrorist cell, for example. She maintains her innocence as the irony mounts from the questioner's continued belief that she has given hidden signals to fellow insurgents inside what she says is a simple children's story. Her questioning gets more brutal as she is strapped to a torture table, given drugs, and otherwise molested. During her torture, she reverts to her childhood-learned ability to withdraw mentally to an imagined world of fictional animal characters which assist her to cope with --in her childhood-- being locked in a closet and --in her torture-- she uses the same technique to survive with her sanity and her consistent denial of guilt. The interrogator, who may or may not be the man who molested her when she was a child, appears to eventually believe in her innocence but her refusal to sign a confession will apparently result in a chemically-induced lobotomy.Direction, writing, and acting are all brilliant.
Extremely strong emotional content but no blood nor overt violence. Implied extreme violence. Definitely not for children. | How old is the woman? | Twenty-something | 2 | 18 |
Closet Land | A twenty-something innocent-looking woman is taken by force to an interrogation by a single male who is seemingly a government investigator. Her children's book, CLOSET LAND, is accused to contain subversive messages from some unnamed underground working against the government. The rooster character in the book is posited as the leader of a terrorist cell, for example. She maintains her innocence as the irony mounts from the questioner's continued belief that she has given hidden signals to fellow insurgents inside what she says is a simple children's story. Her questioning gets more brutal as she is strapped to a torture table, given drugs, and otherwise molested. During her torture, she reverts to her childhood-learned ability to withdraw mentally to an imagined world of fictional animal characters which assist her to cope with --in her childhood-- being locked in a closet and --in her torture-- she uses the same technique to survive with her sanity and her consistent denial of guilt. The interrogator, who may or may not be the man who molested her when she was a child, appears to eventually believe in her innocence but her refusal to sign a confession will apparently result in a chemically-induced lobotomy.Direction, writing, and acting are all brilliant.
Extremely strong emotional content but no blood nor overt violence. Implied extreme violence. Definitely not for children. | What type of books does the tortured woman in Closet Land write? | Children's | 145 | 155 |
Closet Land | A twenty-something innocent-looking woman is taken by force to an interrogation by a single male who is seemingly a government investigator. Her children's book, CLOSET LAND, is accused to contain subversive messages from some unnamed underground working against the government. The rooster character in the book is posited as the leader of a terrorist cell, for example. She maintains her innocence as the irony mounts from the questioner's continued belief that she has given hidden signals to fellow insurgents inside what she says is a simple children's story. Her questioning gets more brutal as she is strapped to a torture table, given drugs, and otherwise molested. During her torture, she reverts to her childhood-learned ability to withdraw mentally to an imagined world of fictional animal characters which assist her to cope with --in her childhood-- being locked in a closet and --in her torture-- she uses the same technique to survive with her sanity and her consistent denial of guilt. The interrogator, who may or may not be the man who molested her when she was a child, appears to eventually believe in her innocence but her refusal to sign a confession will apparently result in a chemically-induced lobotomy.Direction, writing, and acting are all brilliant.
Extremely strong emotional content but no blood nor overt violence. Implied extreme violence. Definitely not for children. | What kind of extreme violence is present? | Implied | 1,347 | 1,354 |
Closet Land | A twenty-something innocent-looking woman is taken by force to an interrogation by a single male who is seemingly a government investigator. Her children's book, CLOSET LAND, is accused to contain subversive messages from some unnamed underground working against the government. The rooster character in the book is posited as the leader of a terrorist cell, for example. She maintains her innocence as the irony mounts from the questioner's continued belief that she has given hidden signals to fellow insurgents inside what she says is a simple children's story. Her questioning gets more brutal as she is strapped to a torture table, given drugs, and otherwise molested. During her torture, she reverts to her childhood-learned ability to withdraw mentally to an imagined world of fictional animal characters which assist her to cope with --in her childhood-- being locked in a closet and --in her torture-- she uses the same technique to survive with her sanity and her consistent denial of guilt. The interrogator, who may or may not be the man who molested her when she was a child, appears to eventually believe in her innocence but her refusal to sign a confession will apparently result in a chemically-induced lobotomy.Direction, writing, and acting are all brilliant.
Extremely strong emotional content but no blood nor overt violence. Implied extreme violence. Definitely not for children. | Where was the writer kept imprisoned when she was a child? | Closet | 162 | 168 |
Closet Land | A twenty-something innocent-looking woman is taken by force to an interrogation by a single male who is seemingly a government investigator. Her children's book, CLOSET LAND, is accused to contain subversive messages from some unnamed underground working against the government. The rooster character in the book is posited as the leader of a terrorist cell, for example. She maintains her innocence as the irony mounts from the questioner's continued belief that she has given hidden signals to fellow insurgents inside what she says is a simple children's story. Her questioning gets more brutal as she is strapped to a torture table, given drugs, and otherwise molested. During her torture, she reverts to her childhood-learned ability to withdraw mentally to an imagined world of fictional animal characters which assist her to cope with --in her childhood-- being locked in a closet and --in her torture-- she uses the same technique to survive with her sanity and her consistent denial of guilt. The interrogator, who may or may not be the man who molested her when she was a child, appears to eventually believe in her innocence but her refusal to sign a confession will apparently result in a chemically-induced lobotomy.Direction, writing, and acting are all brilliant.
Extremely strong emotional content but no blood nor overt violence. Implied extreme violence. Definitely not for children. | What is the name of the children's book? | CLOSET LAND | 162 | 173 |
Strangers When We Meet | Larry Coe is a Los Angeles architect who is married with two kids. He has a very bright wife, Eve. She is ambitious for him, but he wants to do work more imaginative than the commercial buildings he's been designing. He meets with Roger Altar, an author, to discuss building a house that will be an "experiment" and something Coe wants to do more of, something original.
Maggie Gault is one of his neighbors whose son is friends with his. She tells Larry she has seen some of his previous houses and thinks that the more unconventional houses are the best. This encouragement is what he needs from his wife but hasn't been able to get.
Both Larry and Maggie grow dissatisfied in their marriages. Larry's wife is too hard-headed and practical and Maggie's husband isn't interested in having sex with her. So they have an affair that involves meeting in secret. They both know what they're doing is wrong, and they are devoted to their children.
Felix Anders is a neighbor who snoops around and finds out about their affair. His leering and insinuations make Larry realize the risks he's taking. He tells Maggie that they shouldn't see each other for a while. Felix, in the meantime, makes a play for Larry's wife. In a way, Felix is a personification of the tawdriness of Larry and Maggie's affair.
After her near-rape by Felix, Eve wises up and realizes that Larry has been unfaithful. She confronts him. They agree to stay together and move to Hawaii, where Larry has been offered a job to design a city.
Altar's house is finished but still empty. Maggie drives up to take a look at it. Larry shows up and they talk about how they can never be together. Larry wishes he and Maggie could live in the house and if they did, he would dig a moat around it and never leave it. Maggie says she loves him.
The contractor for the house shows up and thinks Maggie is Larry's wife. They both take a moment to savor the irony of his remark and Maggie drives away. | With whom is Maggie having an affair? | Larry | 0 | 5 |
Strangers When We Meet | Larry Coe is a Los Angeles architect who is married with two kids. He has a very bright wife, Eve. She is ambitious for him, but he wants to do work more imaginative than the commercial buildings he's been designing. He meets with Roger Altar, an author, to discuss building a house that will be an "experiment" and something Coe wants to do more of, something original.
Maggie Gault is one of his neighbors whose son is friends with his. She tells Larry she has seen some of his previous houses and thinks that the more unconventional houses are the best. This encouragement is what he needs from his wife but hasn't been able to get.
Both Larry and Maggie grow dissatisfied in their marriages. Larry's wife is too hard-headed and practical and Maggie's husband isn't interested in having sex with her. So they have an affair that involves meeting in secret. They both know what they're doing is wrong, and they are devoted to their children.
Felix Anders is a neighbor who snoops around and finds out about their affair. His leering and insinuations make Larry realize the risks he's taking. He tells Maggie that they shouldn't see each other for a while. Felix, in the meantime, makes a play for Larry's wife. In a way, Felix is a personification of the tawdriness of Larry and Maggie's affair.
After her near-rape by Felix, Eve wises up and realizes that Larry has been unfaithful. She confronts him. They agree to stay together and move to Hawaii, where Larry has been offered a job to design a city.
Altar's house is finished but still empty. Maggie drives up to take a look at it. Larry shows up and they talk about how they can never be together. Larry wishes he and Maggie could live in the house and if they did, he would dig a moat around it and never leave it. Maggie says she loves him.
The contractor for the house shows up and thinks Maggie is Larry's wife. They both take a moment to savor the irony of his remark and Maggie drives away. | Who thinks Maggie is Larry's wife? | The Contractor | 1,800 | 1,814 |
Strangers When We Meet | Larry Coe is a Los Angeles architect who is married with two kids. He has a very bright wife, Eve. She is ambitious for him, but he wants to do work more imaginative than the commercial buildings he's been designing. He meets with Roger Altar, an author, to discuss building a house that will be an "experiment" and something Coe wants to do more of, something original.
Maggie Gault is one of his neighbors whose son is friends with his. She tells Larry she has seen some of his previous houses and thinks that the more unconventional houses are the best. This encouragement is what he needs from his wife but hasn't been able to get.
Both Larry and Maggie grow dissatisfied in their marriages. Larry's wife is too hard-headed and practical and Maggie's husband isn't interested in having sex with her. So they have an affair that involves meeting in secret. They both know what they're doing is wrong, and they are devoted to their children.
Felix Anders is a neighbor who snoops around and finds out about their affair. His leering and insinuations make Larry realize the risks he's taking. He tells Maggie that they shouldn't see each other for a while. Felix, in the meantime, makes a play for Larry's wife. In a way, Felix is a personification of the tawdriness of Larry and Maggie's affair.
After her near-rape by Felix, Eve wises up and realizes that Larry has been unfaithful. She confronts him. They agree to stay together and move to Hawaii, where Larry has been offered a job to design a city.
Altar's house is finished but still empty. Maggie drives up to take a look at it. Larry shows up and they talk about how they can never be together. Larry wishes he and Maggie could live in the house and if they did, he would dig a moat around it and never leave it. Maggie says she loves him.
The contractor for the house shows up and thinks Maggie is Larry's wife. They both take a moment to savor the irony of his remark and Maggie drives away. | What is the name of the author that Larry meets with. | Roger Altar | 231 | 242 |
Strangers When We Meet | Larry Coe is a Los Angeles architect who is married with two kids. He has a very bright wife, Eve. She is ambitious for him, but he wants to do work more imaginative than the commercial buildings he's been designing. He meets with Roger Altar, an author, to discuss building a house that will be an "experiment" and something Coe wants to do more of, something original.
Maggie Gault is one of his neighbors whose son is friends with his. She tells Larry she has seen some of his previous houses and thinks that the more unconventional houses are the best. This encouragement is what he needs from his wife but hasn't been able to get.
Both Larry and Maggie grow dissatisfied in their marriages. Larry's wife is too hard-headed and practical and Maggie's husband isn't interested in having sex with her. So they have an affair that involves meeting in secret. They both know what they're doing is wrong, and they are devoted to their children.
Felix Anders is a neighbor who snoops around and finds out about their affair. His leering and insinuations make Larry realize the risks he's taking. He tells Maggie that they shouldn't see each other for a while. Felix, in the meantime, makes a play for Larry's wife. In a way, Felix is a personification of the tawdriness of Larry and Maggie's affair.
After her near-rape by Felix, Eve wises up and realizes that Larry has been unfaithful. She confronts him. They agree to stay together and move to Hawaii, where Larry has been offered a job to design a city.
Altar's house is finished but still empty. Maggie drives up to take a look at it. Larry shows up and they talk about how they can never be together. Larry wishes he and Maggie could live in the house and if they did, he would dig a moat around it and never leave it. Maggie says she loves him.
The contractor for the house shows up and thinks Maggie is Larry's wife. They both take a moment to savor the irony of his remark and Maggie drives away. | Who grow dissatisfied in their marriages? | Larry and Maggie | 641 | 657 |
Strangers When We Meet | Larry Coe is a Los Angeles architect who is married with two kids. He has a very bright wife, Eve. She is ambitious for him, but he wants to do work more imaginative than the commercial buildings he's been designing. He meets with Roger Altar, an author, to discuss building a house that will be an "experiment" and something Coe wants to do more of, something original.
Maggie Gault is one of his neighbors whose son is friends with his. She tells Larry she has seen some of his previous houses and thinks that the more unconventional houses are the best. This encouragement is what he needs from his wife but hasn't been able to get.
Both Larry and Maggie grow dissatisfied in their marriages. Larry's wife is too hard-headed and practical and Maggie's husband isn't interested in having sex with her. So they have an affair that involves meeting in secret. They both know what they're doing is wrong, and they are devoted to their children.
Felix Anders is a neighbor who snoops around and finds out about their affair. His leering and insinuations make Larry realize the risks he's taking. He tells Maggie that they shouldn't see each other for a while. Felix, in the meantime, makes a play for Larry's wife. In a way, Felix is a personification of the tawdriness of Larry and Maggie's affair.
After her near-rape by Felix, Eve wises up and realizes that Larry has been unfaithful. She confronts him. They agree to stay together and move to Hawaii, where Larry has been offered a job to design a city.
Altar's house is finished but still empty. Maggie drives up to take a look at it. Larry shows up and they talk about how they can never be together. Larry wishes he and Maggie could live in the house and if they did, he would dig a moat around it and never leave it. Maggie says she loves him.
The contractor for the house shows up and thinks Maggie is Larry's wife. They both take a moment to savor the irony of his remark and Maggie drives away. | Where do Eve and Larry move? | Hawaii | 1,445 | 1,451 |
Strangers When We Meet | Larry Coe is a Los Angeles architect who is married with two kids. He has a very bright wife, Eve. She is ambitious for him, but he wants to do work more imaginative than the commercial buildings he's been designing. He meets with Roger Altar, an author, to discuss building a house that will be an "experiment" and something Coe wants to do more of, something original.
Maggie Gault is one of his neighbors whose son is friends with his. She tells Larry she has seen some of his previous houses and thinks that the more unconventional houses are the best. This encouragement is what he needs from his wife but hasn't been able to get.
Both Larry and Maggie grow dissatisfied in their marriages. Larry's wife is too hard-headed and practical and Maggie's husband isn't interested in having sex with her. So they have an affair that involves meeting in secret. They both know what they're doing is wrong, and they are devoted to their children.
Felix Anders is a neighbor who snoops around and finds out about their affair. His leering and insinuations make Larry realize the risks he's taking. He tells Maggie that they shouldn't see each other for a while. Felix, in the meantime, makes a play for Larry's wife. In a way, Felix is a personification of the tawdriness of Larry and Maggie's affair.
After her near-rape by Felix, Eve wises up and realizes that Larry has been unfaithful. She confronts him. They agree to stay together and move to Hawaii, where Larry has been offered a job to design a city.
Altar's house is finished but still empty. Maggie drives up to take a look at it. Larry shows up and they talk about how they can never be together. Larry wishes he and Maggie could live in the house and if they did, he would dig a moat around it and never leave it. Maggie says she loves him.
The contractor for the house shows up and thinks Maggie is Larry's wife. They both take a moment to savor the irony of his remark and Maggie drives away. | Who is too hard-headed and practical? | Larry's wife | 696 | 708 |
Strangers When We Meet | Larry Coe is a Los Angeles architect who is married with two kids. He has a very bright wife, Eve. She is ambitious for him, but he wants to do work more imaginative than the commercial buildings he's been designing. He meets with Roger Altar, an author, to discuss building a house that will be an "experiment" and something Coe wants to do more of, something original.
Maggie Gault is one of his neighbors whose son is friends with his. She tells Larry she has seen some of his previous houses and thinks that the more unconventional houses are the best. This encouragement is what he needs from his wife but hasn't been able to get.
Both Larry and Maggie grow dissatisfied in their marriages. Larry's wife is too hard-headed and practical and Maggie's husband isn't interested in having sex with her. So they have an affair that involves meeting in secret. They both know what they're doing is wrong, and they are devoted to their children.
Felix Anders is a neighbor who snoops around and finds out about their affair. His leering and insinuations make Larry realize the risks he's taking. He tells Maggie that they shouldn't see each other for a while. Felix, in the meantime, makes a play for Larry's wife. In a way, Felix is a personification of the tawdriness of Larry and Maggie's affair.
After her near-rape by Felix, Eve wises up and realizes that Larry has been unfaithful. She confronts him. They agree to stay together and move to Hawaii, where Larry has been offered a job to design a city.
Altar's house is finished but still empty. Maggie drives up to take a look at it. Larry shows up and they talk about how they can never be together. Larry wishes he and Maggie could live in the house and if they did, he would dig a moat around it and never leave it. Maggie says she loves him.
The contractor for the house shows up and thinks Maggie is Larry's wife. They both take a moment to savor the irony of his remark and Maggie drives away. | Who drives up to take a look at Altar's house ? | Maggie | 371 | 377 |
Strangers When We Meet | Larry Coe is a Los Angeles architect who is married with two kids. He has a very bright wife, Eve. She is ambitious for him, but he wants to do work more imaginative than the commercial buildings he's been designing. He meets with Roger Altar, an author, to discuss building a house that will be an "experiment" and something Coe wants to do more of, something original.
Maggie Gault is one of his neighbors whose son is friends with his. She tells Larry she has seen some of his previous houses and thinks that the more unconventional houses are the best. This encouragement is what he needs from his wife but hasn't been able to get.
Both Larry and Maggie grow dissatisfied in their marriages. Larry's wife is too hard-headed and practical and Maggie's husband isn't interested in having sex with her. So they have an affair that involves meeting in secret. They both know what they're doing is wrong, and they are devoted to their children.
Felix Anders is a neighbor who snoops around and finds out about their affair. His leering and insinuations make Larry realize the risks he's taking. He tells Maggie that they shouldn't see each other for a while. Felix, in the meantime, makes a play for Larry's wife. In a way, Felix is a personification of the tawdriness of Larry and Maggie's affair.
After her near-rape by Felix, Eve wises up and realizes that Larry has been unfaithful. She confronts him. They agree to stay together and move to Hawaii, where Larry has been offered a job to design a city.
Altar's house is finished but still empty. Maggie drives up to take a look at it. Larry shows up and they talk about how they can never be together. Larry wishes he and Maggie could live in the house and if they did, he would dig a moat around it and never leave it. Maggie says she loves him.
The contractor for the house shows up and thinks Maggie is Larry's wife. They both take a moment to savor the irony of his remark and Maggie drives away. | Who's house is finished but still empty ? | Altar's | 1,506 | 1,513 |
Strangers When We Meet | Larry Coe is a Los Angeles architect who is married with two kids. He has a very bright wife, Eve. She is ambitious for him, but he wants to do work more imaginative than the commercial buildings he's been designing. He meets with Roger Altar, an author, to discuss building a house that will be an "experiment" and something Coe wants to do more of, something original.
Maggie Gault is one of his neighbors whose son is friends with his. She tells Larry she has seen some of his previous houses and thinks that the more unconventional houses are the best. This encouragement is what he needs from his wife but hasn't been able to get.
Both Larry and Maggie grow dissatisfied in their marriages. Larry's wife is too hard-headed and practical and Maggie's husband isn't interested in having sex with her. So they have an affair that involves meeting in secret. They both know what they're doing is wrong, and they are devoted to their children.
Felix Anders is a neighbor who snoops around and finds out about their affair. His leering and insinuations make Larry realize the risks he's taking. He tells Maggie that they shouldn't see each other for a while. Felix, in the meantime, makes a play for Larry's wife. In a way, Felix is a personification of the tawdriness of Larry and Maggie's affair.
After her near-rape by Felix, Eve wises up and realizes that Larry has been unfaithful. She confronts him. They agree to stay together and move to Hawaii, where Larry has been offered a job to design a city.
Altar's house is finished but still empty. Maggie drives up to take a look at it. Larry shows up and they talk about how they can never be together. Larry wishes he and Maggie could live in the house and if they did, he would dig a moat around it and never leave it. Maggie says she loves him.
The contractor for the house shows up and thinks Maggie is Larry's wife. They both take a moment to savor the irony of his remark and Maggie drives away. | What is Larry Coe's profession ? | Architect | 27 | 36 |
Strangers When We Meet | Larry Coe is a Los Angeles architect who is married with two kids. He has a very bright wife, Eve. She is ambitious for him, but he wants to do work more imaginative than the commercial buildings he's been designing. He meets with Roger Altar, an author, to discuss building a house that will be an "experiment" and something Coe wants to do more of, something original.
Maggie Gault is one of his neighbors whose son is friends with his. She tells Larry she has seen some of his previous houses and thinks that the more unconventional houses are the best. This encouragement is what he needs from his wife but hasn't been able to get.
Both Larry and Maggie grow dissatisfied in their marriages. Larry's wife is too hard-headed and practical and Maggie's husband isn't interested in having sex with her. So they have an affair that involves meeting in secret. They both know what they're doing is wrong, and they are devoted to their children.
Felix Anders is a neighbor who snoops around and finds out about their affair. His leering and insinuations make Larry realize the risks he's taking. He tells Maggie that they shouldn't see each other for a while. Felix, in the meantime, makes a play for Larry's wife. In a way, Felix is a personification of the tawdriness of Larry and Maggie's affair.
After her near-rape by Felix, Eve wises up and realizes that Larry has been unfaithful. She confronts him. They agree to stay together and move to Hawaii, where Larry has been offered a job to design a city.
Altar's house is finished but still empty. Maggie drives up to take a look at it. Larry shows up and they talk about how they can never be together. Larry wishes he and Maggie could live in the house and if they did, he would dig a moat around it and never leave it. Maggie says she loves him.
The contractor for the house shows up and thinks Maggie is Larry's wife. They both take a moment to savor the irony of his remark and Maggie drives away. | To whom does Felix make insinuations about the affair he has discovered? | Larry | 0 | 5 |
Capote | Reading of the brutal murder of an entire family on a farm in Holcomb, Kansas, startles Truman Capote, a reporter for The New Yorker magazine, and he goes there to cover the story. What he finds is a murder without an identifiable motive, and, shortly thereafter, two men on death row for the murders who couldn't be more different. He befriends Perry, one of the two, and is befuddled to find an erudite, sensitive man, and Capote struggles to understand how such a man could be guilty of such crimes. Still, there is little doubt of Perry's guilt, for Dick, Perry's far less cultivated accomplice,has spoken of the murders in Capote's presence, though not admitting the murders were premeditated, and Perry makes no attempt to deny his participation.Capote is so troubled and fascinated by the murders that he resolves to write a book about the incident. The problem is that the quality of his book will suffer unless he can learn what really happened on the night the crimes took place, as he would be unable to answer the very question that compelled him to devote so much time and effort to studying the murders.Capote grows closer and closer to Perry, and their growing relationship and Capote's obsession with the successful completion of his project appear to motivate his attempt to intervene in the case and delay Perry's execution. In his prison visits to see Perry, he must delude him into believing that he is trying to get him a new trial and a fresh chance at acquittal. In truth, Capote's actions are self-serving, but the result is that he and Perry grow closer, and, eventually, Perry relates what really happened the night of the murders. An armed robbery went wrong, and the murders had been committed in the rage of the moment by Perry, who had been goaded by his accomplice, Dick, to kill all possible witnesses to their crime. Now in possession of the truth, Capote withdraws from the scene, perhaps understanding that the executions will now provide the final chapter of his book.Not long after, Perry and Dick are executed, but Capote has already succeeded in understanding the Holcomb murders, and is ready to write a novel that will be celebrated as a masterpiece. | Who does Truman Capote write for? | New Yorker Magazine | 122 | 141 |
Capote | Reading of the brutal murder of an entire family on a farm in Holcomb, Kansas, startles Truman Capote, a reporter for The New Yorker magazine, and he goes there to cover the story. What he finds is a murder without an identifiable motive, and, shortly thereafter, two men on death row for the murders who couldn't be more different. He befriends Perry, one of the two, and is befuddled to find an erudite, sensitive man, and Capote struggles to understand how such a man could be guilty of such crimes. Still, there is little doubt of Perry's guilt, for Dick, Perry's far less cultivated accomplice,has spoken of the murders in Capote's presence, though not admitting the murders were premeditated, and Perry makes no attempt to deny his participation.Capote is so troubled and fascinated by the murders that he resolves to write a book about the incident. The problem is that the quality of his book will suffer unless he can learn what really happened on the night the crimes took place, as he would be unable to answer the very question that compelled him to devote so much time and effort to studying the murders.Capote grows closer and closer to Perry, and their growing relationship and Capote's obsession with the successful completion of his project appear to motivate his attempt to intervene in the case and delay Perry's execution. In his prison visits to see Perry, he must delude him into believing that he is trying to get him a new trial and a fresh chance at acquittal. In truth, Capote's actions are self-serving, but the result is that he and Perry grow closer, and, eventually, Perry relates what really happened the night of the murders. An armed robbery went wrong, and the murders had been committed in the rage of the moment by Perry, who had been goaded by his accomplice, Dick, to kill all possible witnesses to their crime. Now in possession of the truth, Capote withdraws from the scene, perhaps understanding that the executions will now provide the final chapter of his book.Not long after, Perry and Dick are executed, but Capote has already succeeded in understanding the Holcomb murders, and is ready to write a novel that will be celebrated as a masterpiece. | What magazine is Truman Capote a reporter for? | New Yorker | 122 | 132 |
Capote | Reading of the brutal murder of an entire family on a farm in Holcomb, Kansas, startles Truman Capote, a reporter for The New Yorker magazine, and he goes there to cover the story. What he finds is a murder without an identifiable motive, and, shortly thereafter, two men on death row for the murders who couldn't be more different. He befriends Perry, one of the two, and is befuddled to find an erudite, sensitive man, and Capote struggles to understand how such a man could be guilty of such crimes. Still, there is little doubt of Perry's guilt, for Dick, Perry's far less cultivated accomplice,has spoken of the murders in Capote's presence, though not admitting the murders were premeditated, and Perry makes no attempt to deny his participation.Capote is so troubled and fascinated by the murders that he resolves to write a book about the incident. The problem is that the quality of his book will suffer unless he can learn what really happened on the night the crimes took place, as he would be unable to answer the very question that compelled him to devote so much time and effort to studying the murders.Capote grows closer and closer to Perry, and their growing relationship and Capote's obsession with the successful completion of his project appear to motivate his attempt to intervene in the case and delay Perry's execution. In his prison visits to see Perry, he must delude him into believing that he is trying to get him a new trial and a fresh chance at acquittal. In truth, Capote's actions are self-serving, but the result is that he and Perry grow closer, and, eventually, Perry relates what really happened the night of the murders. An armed robbery went wrong, and the murders had been committed in the rage of the moment by Perry, who had been goaded by his accomplice, Dick, to kill all possible witnesses to their crime. Now in possession of the truth, Capote withdraws from the scene, perhaps understanding that the executions will now provide the final chapter of his book.Not long after, Perry and Dick are executed, but Capote has already succeeded in understanding the Holcomb murders, and is ready to write a novel that will be celebrated as a masterpiece. | Who was Perry's accomplice? | Dick | 554 | 558 |
Capote | Reading of the brutal murder of an entire family on a farm in Holcomb, Kansas, startles Truman Capote, a reporter for The New Yorker magazine, and he goes there to cover the story. What he finds is a murder without an identifiable motive, and, shortly thereafter, two men on death row for the murders who couldn't be more different. He befriends Perry, one of the two, and is befuddled to find an erudite, sensitive man, and Capote struggles to understand how such a man could be guilty of such crimes. Still, there is little doubt of Perry's guilt, for Dick, Perry's far less cultivated accomplice,has spoken of the murders in Capote's presence, though not admitting the murders were premeditated, and Perry makes no attempt to deny his participation.Capote is so troubled and fascinated by the murders that he resolves to write a book about the incident. The problem is that the quality of his book will suffer unless he can learn what really happened on the night the crimes took place, as he would be unable to answer the very question that compelled him to devote so much time and effort to studying the murders.Capote grows closer and closer to Perry, and their growing relationship and Capote's obsession with the successful completion of his project appear to motivate his attempt to intervene in the case and delay Perry's execution. In his prison visits to see Perry, he must delude him into believing that he is trying to get him a new trial and a fresh chance at acquittal. In truth, Capote's actions are self-serving, but the result is that he and Perry grow closer, and, eventually, Perry relates what really happened the night of the murders. An armed robbery went wrong, and the murders had been committed in the rage of the moment by Perry, who had been goaded by his accomplice, Dick, to kill all possible witnesses to their crime. Now in possession of the truth, Capote withdraws from the scene, perhaps understanding that the executions will now provide the final chapter of his book.Not long after, Perry and Dick are executed, but Capote has already succeeded in understanding the Holcomb murders, and is ready to write a novel that will be celebrated as a masterpiece. | Who comitted the murders? | Perry | 346 | 351 |
Capote | Reading of the brutal murder of an entire family on a farm in Holcomb, Kansas, startles Truman Capote, a reporter for The New Yorker magazine, and he goes there to cover the story. What he finds is a murder without an identifiable motive, and, shortly thereafter, two men on death row for the murders who couldn't be more different. He befriends Perry, one of the two, and is befuddled to find an erudite, sensitive man, and Capote struggles to understand how such a man could be guilty of such crimes. Still, there is little doubt of Perry's guilt, for Dick, Perry's far less cultivated accomplice,has spoken of the murders in Capote's presence, though not admitting the murders were premeditated, and Perry makes no attempt to deny his participation.Capote is so troubled and fascinated by the murders that he resolves to write a book about the incident. The problem is that the quality of his book will suffer unless he can learn what really happened on the night the crimes took place, as he would be unable to answer the very question that compelled him to devote so much time and effort to studying the murders.Capote grows closer and closer to Perry, and their growing relationship and Capote's obsession with the successful completion of his project appear to motivate his attempt to intervene in the case and delay Perry's execution. In his prison visits to see Perry, he must delude him into believing that he is trying to get him a new trial and a fresh chance at acquittal. In truth, Capote's actions are self-serving, but the result is that he and Perry grow closer, and, eventually, Perry relates what really happened the night of the murders. An armed robbery went wrong, and the murders had been committed in the rage of the moment by Perry, who had been goaded by his accomplice, Dick, to kill all possible witnesses to their crime. Now in possession of the truth, Capote withdraws from the scene, perhaps understanding that the executions will now provide the final chapter of his book.Not long after, Perry and Dick are executed, but Capote has already succeeded in understanding the Holcomb murders, and is ready to write a novel that will be celebrated as a masterpiece. | What is the name of the other convicted murderer? | Dick | 554 | 558 |
Capote | Reading of the brutal murder of an entire family on a farm in Holcomb, Kansas, startles Truman Capote, a reporter for The New Yorker magazine, and he goes there to cover the story. What he finds is a murder without an identifiable motive, and, shortly thereafter, two men on death row for the murders who couldn't be more different. He befriends Perry, one of the two, and is befuddled to find an erudite, sensitive man, and Capote struggles to understand how such a man could be guilty of such crimes. Still, there is little doubt of Perry's guilt, for Dick, Perry's far less cultivated accomplice,has spoken of the murders in Capote's presence, though not admitting the murders were premeditated, and Perry makes no attempt to deny his participation.Capote is so troubled and fascinated by the murders that he resolves to write a book about the incident. The problem is that the quality of his book will suffer unless he can learn what really happened on the night the crimes took place, as he would be unable to answer the very question that compelled him to devote so much time and effort to studying the murders.Capote grows closer and closer to Perry, and their growing relationship and Capote's obsession with the successful completion of his project appear to motivate his attempt to intervene in the case and delay Perry's execution. In his prison visits to see Perry, he must delude him into believing that he is trying to get him a new trial and a fresh chance at acquittal. In truth, Capote's actions are self-serving, but the result is that he and Perry grow closer, and, eventually, Perry relates what really happened the night of the murders. An armed robbery went wrong, and the murders had been committed in the rage of the moment by Perry, who had been goaded by his accomplice, Dick, to kill all possible witnesses to their crime. Now in possession of the truth, Capote withdraws from the scene, perhaps understanding that the executions will now provide the final chapter of his book.Not long after, Perry and Dick are executed, but Capote has already succeeded in understanding the Holcomb murders, and is ready to write a novel that will be celebrated as a masterpiece. | What is the name of the man Truman becomes friends with? | Perry | 346 | 351 |
Capote | Reading of the brutal murder of an entire family on a farm in Holcomb, Kansas, startles Truman Capote, a reporter for The New Yorker magazine, and he goes there to cover the story. What he finds is a murder without an identifiable motive, and, shortly thereafter, two men on death row for the murders who couldn't be more different. He befriends Perry, one of the two, and is befuddled to find an erudite, sensitive man, and Capote struggles to understand how such a man could be guilty of such crimes. Still, there is little doubt of Perry's guilt, for Dick, Perry's far less cultivated accomplice,has spoken of the murders in Capote's presence, though not admitting the murders were premeditated, and Perry makes no attempt to deny his participation.Capote is so troubled and fascinated by the murders that he resolves to write a book about the incident. The problem is that the quality of his book will suffer unless he can learn what really happened on the night the crimes took place, as he would be unable to answer the very question that compelled him to devote so much time and effort to studying the murders.Capote grows closer and closer to Perry, and their growing relationship and Capote's obsession with the successful completion of his project appear to motivate his attempt to intervene in the case and delay Perry's execution. In his prison visits to see Perry, he must delude him into believing that he is trying to get him a new trial and a fresh chance at acquittal. In truth, Capote's actions are self-serving, but the result is that he and Perry grow closer, and, eventually, Perry relates what really happened the night of the murders. An armed robbery went wrong, and the murders had been committed in the rage of the moment by Perry, who had been goaded by his accomplice, Dick, to kill all possible witnesses to their crime. Now in possession of the truth, Capote withdraws from the scene, perhaps understanding that the executions will now provide the final chapter of his book.Not long after, Perry and Dick are executed, but Capote has already succeeded in understanding the Holcomb murders, and is ready to write a novel that will be celebrated as a masterpiece. | What man on death row does Capote befriend? | Perry | 346 | 351 |
Primer | The operation of time travel in Primer.
Two engineers â Aaron and Abe â supplement their day-jobs with entrepreneurial tech projects, working out of Aaron's garage. During one such research effort, involving electromagnetic reduction of objects' weight, the two men accidentally discover an 'A-to-B' time loop side-effect; objects left in the weight-reducing field exhibit temporal anomalies, proceeding normally (from time 'A,' when the field was activated, to time 'B,' when the field is powered off), then backwards (from 'B' back to 'A'), in continuous A-then-B-then-A-then-B sequence, such that objects can leave the field in the present, or at some previous point.
Abe refines this proof-of-concept and builds a stable time-apparatus ("the box"), sized to accommodate a human subject. Abe uses this "box" to travel six hours into his own pastâas part of this process, Original-Abe sits incommunicado in a hotel room, so as not to interact or interfere with the outside world, after which Original-Abe enters the "box," waits inside the "box" for six hours (thus going back in time six hours), and becomes Future-Overlap-Double-Abe, who travels across town, explains the proceedings to Aaron, and brings Aaron back to the secure self-storage facility housing the "box." At the end of the overlap-timespan, Original-Abe no longer exists, having entered the "box," rewound six hours, and become Future-Overlap-Double-Abe for the remainder of time.
Abe and Aaron repeat Abe's six-hour experiment multiple times over multiple days, making profitable same-day stock trades armed with foreknowledge of the market's performance. The duo's divergent personalities â Abe cautious and controlling, Aaron impulsive and meddlesome â put subtle strain on their collaboration and friendship. These tensions come to a head after a late-night encounter with Thomas Granger (father to Abe's girlfriend Rachel), who appears inexplicably unshaven and exists in overlap with his original suburban self. Granger falls into a comatose state after being pursued by Aaron; Aaron theorizes that, at some point in the future, Granger entered the "box" (at an unknown time, for unknown reasons), with timeline-altering consequences. Abe concludes that time travel is simply too dangerous, and uses a second apparatus (his "failsafe box," built before the experiment's beginning and kept continuously running in a secret location), traveling back four days to prevent the experiment's launch.
Cumulative competing interference wreaks havoc upon the timeline. Future-Abe sedates Original-Abe (so he will never conduct the initial time travel experiment), and meets Original-Aaron at a park bench (so as to dissuade him), but finds that Future-Aaron has gotten there first (armed with pre-recordings of the past conversations, and an unobtrusive earpiece), having brought a disassembled "third failsafe box" four days back with his own body. Future-Abe faints at this revelation, overcome by shock and fatigue.
The two men briefly and tentatively reconcile. They jointly travel back in time, experiencing and reshaping an event where Abe's girlfriend Rachel was nearly killed by a gun-wielding party crasher. After many repetitions, Aaron, forearmed with knowledge of the party's events, stops the gunman, becoming a local hero. Abe and Aaron ultimately part ways; Aaron considers a new life in foreign countries where he can tamper more broadly for personal gain, while Abe states his intent to remain in town and dissuade/sabotage the original "box" experiment. Abe warns Aaron to leave and never return.
An epilogue sequence reveals that multiple "box-aware" versions of Aaron are still alive and circulating â at least one Future-Aaron has intermingled knowledge with Original-Aaron (thanks to discussions, voice-recordings, and an unsuccessful physical altercation). As a result, two or more Aarons now inhabit the same timeline, sharing information of future events, in stark contrast to Abe, who goes to painstaking extremes to keep his Original-Abe "pure" and unaware of the future. The film's final scene depicts a fully aware Aaron, directing French-speaking workers in the construction of what appears to be a warehouse-sized "box." | Who concludes that time travel is simply too dangerous? | Abe | 69 | 72 |
Primer | The operation of time travel in Primer.
Two engineers â Aaron and Abe â supplement their day-jobs with entrepreneurial tech projects, working out of Aaron's garage. During one such research effort, involving electromagnetic reduction of objects' weight, the two men accidentally discover an 'A-to-B' time loop side-effect; objects left in the weight-reducing field exhibit temporal anomalies, proceeding normally (from time 'A,' when the field was activated, to time 'B,' when the field is powered off), then backwards (from 'B' back to 'A'), in continuous A-then-B-then-A-then-B sequence, such that objects can leave the field in the present, or at some previous point.
Abe refines this proof-of-concept and builds a stable time-apparatus ("the box"), sized to accommodate a human subject. Abe uses this "box" to travel six hours into his own pastâas part of this process, Original-Abe sits incommunicado in a hotel room, so as not to interact or interfere with the outside world, after which Original-Abe enters the "box," waits inside the "box" for six hours (thus going back in time six hours), and becomes Future-Overlap-Double-Abe, who travels across town, explains the proceedings to Aaron, and brings Aaron back to the secure self-storage facility housing the "box." At the end of the overlap-timespan, Original-Abe no longer exists, having entered the "box," rewound six hours, and become Future-Overlap-Double-Abe for the remainder of time.
Abe and Aaron repeat Abe's six-hour experiment multiple times over multiple days, making profitable same-day stock trades armed with foreknowledge of the market's performance. The duo's divergent personalities â Abe cautious and controlling, Aaron impulsive and meddlesome â put subtle strain on their collaboration and friendship. These tensions come to a head after a late-night encounter with Thomas Granger (father to Abe's girlfriend Rachel), who appears inexplicably unshaven and exists in overlap with his original suburban self. Granger falls into a comatose state after being pursued by Aaron; Aaron theorizes that, at some point in the future, Granger entered the "box" (at an unknown time, for unknown reasons), with timeline-altering consequences. Abe concludes that time travel is simply too dangerous, and uses a second apparatus (his "failsafe box," built before the experiment's beginning and kept continuously running in a secret location), traveling back four days to prevent the experiment's launch.
Cumulative competing interference wreaks havoc upon the timeline. Future-Abe sedates Original-Abe (so he will never conduct the initial time travel experiment), and meets Original-Aaron at a park bench (so as to dissuade him), but finds that Future-Aaron has gotten there first (armed with pre-recordings of the past conversations, and an unobtrusive earpiece), having brought a disassembled "third failsafe box" four days back with his own body. Future-Abe faints at this revelation, overcome by shock and fatigue.
The two men briefly and tentatively reconcile. They jointly travel back in time, experiencing and reshaping an event where Abe's girlfriend Rachel was nearly killed by a gun-wielding party crasher. After many repetitions, Aaron, forearmed with knowledge of the party's events, stops the gunman, becoming a local hero. Abe and Aaron ultimately part ways; Aaron considers a new life in foreign countries where he can tamper more broadly for personal gain, while Abe states his intent to remain in town and dissuade/sabotage the original "box" experiment. Abe warns Aaron to leave and never return.
An epilogue sequence reveals that multiple "box-aware" versions of Aaron are still alive and circulating â at least one Future-Aaron has intermingled knowledge with Original-Aaron (thanks to discussions, voice-recordings, and an unsuccessful physical altercation). As a result, two or more Aarons now inhabit the same timeline, sharing information of future events, in stark contrast to Abe, who goes to painstaking extremes to keep his Original-Abe "pure" and unaware of the future. The film's final scene depicts a fully aware Aaron, directing French-speaking workers in the construction of what appears to be a warehouse-sized "box." | Who is Rachel's father? | Thomas Granger | 1,861 | 1,875 |
Primer | The operation of time travel in Primer.
Two engineers â Aaron and Abe â supplement their day-jobs with entrepreneurial tech projects, working out of Aaron's garage. During one such research effort, involving electromagnetic reduction of objects' weight, the two men accidentally discover an 'A-to-B' time loop side-effect; objects left in the weight-reducing field exhibit temporal anomalies, proceeding normally (from time 'A,' when the field was activated, to time 'B,' when the field is powered off), then backwards (from 'B' back to 'A'), in continuous A-then-B-then-A-then-B sequence, such that objects can leave the field in the present, or at some previous point.
Abe refines this proof-of-concept and builds a stable time-apparatus ("the box"), sized to accommodate a human subject. Abe uses this "box" to travel six hours into his own pastâas part of this process, Original-Abe sits incommunicado in a hotel room, so as not to interact or interfere with the outside world, after which Original-Abe enters the "box," waits inside the "box" for six hours (thus going back in time six hours), and becomes Future-Overlap-Double-Abe, who travels across town, explains the proceedings to Aaron, and brings Aaron back to the secure self-storage facility housing the "box." At the end of the overlap-timespan, Original-Abe no longer exists, having entered the "box," rewound six hours, and become Future-Overlap-Double-Abe for the remainder of time.
Abe and Aaron repeat Abe's six-hour experiment multiple times over multiple days, making profitable same-day stock trades armed with foreknowledge of the market's performance. The duo's divergent personalities â Abe cautious and controlling, Aaron impulsive and meddlesome â put subtle strain on their collaboration and friendship. These tensions come to a head after a late-night encounter with Thomas Granger (father to Abe's girlfriend Rachel), who appears inexplicably unshaven and exists in overlap with his original suburban self. Granger falls into a comatose state after being pursued by Aaron; Aaron theorizes that, at some point in the future, Granger entered the "box" (at an unknown time, for unknown reasons), with timeline-altering consequences. Abe concludes that time travel is simply too dangerous, and uses a second apparatus (his "failsafe box," built before the experiment's beginning and kept continuously running in a secret location), traveling back four days to prevent the experiment's launch.
Cumulative competing interference wreaks havoc upon the timeline. Future-Abe sedates Original-Abe (so he will never conduct the initial time travel experiment), and meets Original-Aaron at a park bench (so as to dissuade him), but finds that Future-Aaron has gotten there first (armed with pre-recordings of the past conversations, and an unobtrusive earpiece), having brought a disassembled "third failsafe box" four days back with his own body. Future-Abe faints at this revelation, overcome by shock and fatigue.
The two men briefly and tentatively reconcile. They jointly travel back in time, experiencing and reshaping an event where Abe's girlfriend Rachel was nearly killed by a gun-wielding party crasher. After many repetitions, Aaron, forearmed with knowledge of the party's events, stops the gunman, becoming a local hero. Abe and Aaron ultimately part ways; Aaron considers a new life in foreign countries where he can tamper more broadly for personal gain, while Abe states his intent to remain in town and dissuade/sabotage the original "box" experiment. Abe warns Aaron to leave and never return.
An epilogue sequence reveals that multiple "box-aware" versions of Aaron are still alive and circulating â at least one Future-Aaron has intermingled knowledge with Original-Aaron (thanks to discussions, voice-recordings, and an unsuccessful physical altercation). As a result, two or more Aarons now inhabit the same timeline, sharing information of future events, in stark contrast to Abe, who goes to painstaking extremes to keep his Original-Abe "pure" and unaware of the future. The film's final scene depicts a fully aware Aaron, directing French-speaking workers in the construction of what appears to be a warehouse-sized "box." | Which of the men is cautious and controlling? | Abe | 69 | 72 |
Primer | The operation of time travel in Primer.
Two engineers â Aaron and Abe â supplement their day-jobs with entrepreneurial tech projects, working out of Aaron's garage. During one such research effort, involving electromagnetic reduction of objects' weight, the two men accidentally discover an 'A-to-B' time loop side-effect; objects left in the weight-reducing field exhibit temporal anomalies, proceeding normally (from time 'A,' when the field was activated, to time 'B,' when the field is powered off), then backwards (from 'B' back to 'A'), in continuous A-then-B-then-A-then-B sequence, such that objects can leave the field in the present, or at some previous point.
Abe refines this proof-of-concept and builds a stable time-apparatus ("the box"), sized to accommodate a human subject. Abe uses this "box" to travel six hours into his own pastâas part of this process, Original-Abe sits incommunicado in a hotel room, so as not to interact or interfere with the outside world, after which Original-Abe enters the "box," waits inside the "box" for six hours (thus going back in time six hours), and becomes Future-Overlap-Double-Abe, who travels across town, explains the proceedings to Aaron, and brings Aaron back to the secure self-storage facility housing the "box." At the end of the overlap-timespan, Original-Abe no longer exists, having entered the "box," rewound six hours, and become Future-Overlap-Double-Abe for the remainder of time.
Abe and Aaron repeat Abe's six-hour experiment multiple times over multiple days, making profitable same-day stock trades armed with foreknowledge of the market's performance. The duo's divergent personalities â Abe cautious and controlling, Aaron impulsive and meddlesome â put subtle strain on their collaboration and friendship. These tensions come to a head after a late-night encounter with Thomas Granger (father to Abe's girlfriend Rachel), who appears inexplicably unshaven and exists in overlap with his original suburban self. Granger falls into a comatose state after being pursued by Aaron; Aaron theorizes that, at some point in the future, Granger entered the "box" (at an unknown time, for unknown reasons), with timeline-altering consequences. Abe concludes that time travel is simply too dangerous, and uses a second apparatus (his "failsafe box," built before the experiment's beginning and kept continuously running in a secret location), traveling back four days to prevent the experiment's launch.
Cumulative competing interference wreaks havoc upon the timeline. Future-Abe sedates Original-Abe (so he will never conduct the initial time travel experiment), and meets Original-Aaron at a park bench (so as to dissuade him), but finds that Future-Aaron has gotten there first (armed with pre-recordings of the past conversations, and an unobtrusive earpiece), having brought a disassembled "third failsafe box" four days back with his own body. Future-Abe faints at this revelation, overcome by shock and fatigue.
The two men briefly and tentatively reconcile. They jointly travel back in time, experiencing and reshaping an event where Abe's girlfriend Rachel was nearly killed by a gun-wielding party crasher. After many repetitions, Aaron, forearmed with knowledge of the party's events, stops the gunman, becoming a local hero. Abe and Aaron ultimately part ways; Aaron considers a new life in foreign countries where he can tamper more broadly for personal gain, while Abe states his intent to remain in town and dissuade/sabotage the original "box" experiment. Abe warns Aaron to leave and never return.
An epilogue sequence reveals that multiple "box-aware" versions of Aaron are still alive and circulating â at least one Future-Aaron has intermingled knowledge with Original-Aaron (thanks to discussions, voice-recordings, and an unsuccessful physical altercation). As a result, two or more Aarons now inhabit the same timeline, sharing information of future events, in stark contrast to Abe, who goes to painstaking extremes to keep his Original-Abe "pure" and unaware of the future. The film's final scene depicts a fully aware Aaron, directing French-speaking workers in the construction of what appears to be a warehouse-sized "box." | Who is Abe's girlfriend? | Rachel | 1,904 | 1,910 |
Primer | The operation of time travel in Primer.
Two engineers â Aaron and Abe â supplement their day-jobs with entrepreneurial tech projects, working out of Aaron's garage. During one such research effort, involving electromagnetic reduction of objects' weight, the two men accidentally discover an 'A-to-B' time loop side-effect; objects left in the weight-reducing field exhibit temporal anomalies, proceeding normally (from time 'A,' when the field was activated, to time 'B,' when the field is powered off), then backwards (from 'B' back to 'A'), in continuous A-then-B-then-A-then-B sequence, such that objects can leave the field in the present, or at some previous point.
Abe refines this proof-of-concept and builds a stable time-apparatus ("the box"), sized to accommodate a human subject. Abe uses this "box" to travel six hours into his own pastâas part of this process, Original-Abe sits incommunicado in a hotel room, so as not to interact or interfere with the outside world, after which Original-Abe enters the "box," waits inside the "box" for six hours (thus going back in time six hours), and becomes Future-Overlap-Double-Abe, who travels across town, explains the proceedings to Aaron, and brings Aaron back to the secure self-storage facility housing the "box." At the end of the overlap-timespan, Original-Abe no longer exists, having entered the "box," rewound six hours, and become Future-Overlap-Double-Abe for the remainder of time.
Abe and Aaron repeat Abe's six-hour experiment multiple times over multiple days, making profitable same-day stock trades armed with foreknowledge of the market's performance. The duo's divergent personalities â Abe cautious and controlling, Aaron impulsive and meddlesome â put subtle strain on their collaboration and friendship. These tensions come to a head after a late-night encounter with Thomas Granger (father to Abe's girlfriend Rachel), who appears inexplicably unshaven and exists in overlap with his original suburban self. Granger falls into a comatose state after being pursued by Aaron; Aaron theorizes that, at some point in the future, Granger entered the "box" (at an unknown time, for unknown reasons), with timeline-altering consequences. Abe concludes that time travel is simply too dangerous, and uses a second apparatus (his "failsafe box," built before the experiment's beginning and kept continuously running in a secret location), traveling back four days to prevent the experiment's launch.
Cumulative competing interference wreaks havoc upon the timeline. Future-Abe sedates Original-Abe (so he will never conduct the initial time travel experiment), and meets Original-Aaron at a park bench (so as to dissuade him), but finds that Future-Aaron has gotten there first (armed with pre-recordings of the past conversations, and an unobtrusive earpiece), having brought a disassembled "third failsafe box" four days back with his own body. Future-Abe faints at this revelation, overcome by shock and fatigue.
The two men briefly and tentatively reconcile. They jointly travel back in time, experiencing and reshaping an event where Abe's girlfriend Rachel was nearly killed by a gun-wielding party crasher. After many repetitions, Aaron, forearmed with knowledge of the party's events, stops the gunman, becoming a local hero. Abe and Aaron ultimately part ways; Aaron considers a new life in foreign countries where he can tamper more broadly for personal gain, while Abe states his intent to remain in town and dissuade/sabotage the original "box" experiment. Abe warns Aaron to leave and never return.
An epilogue sequence reveals that multiple "box-aware" versions of Aaron are still alive and circulating â at least one Future-Aaron has intermingled knowledge with Original-Aaron (thanks to discussions, voice-recordings, and an unsuccessful physical altercation). As a result, two or more Aarons now inhabit the same timeline, sharing information of future events, in stark contrast to Abe, who goes to painstaking extremes to keep his Original-Abe "pure" and unaware of the future. The film's final scene depicts a fully aware Aaron, directing French-speaking workers in the construction of what appears to be a warehouse-sized "box." | Who directs French-speaking workers in the construction? | Aaron | 59 | 64 |
Primer | The operation of time travel in Primer.
Two engineers â Aaron and Abe â supplement their day-jobs with entrepreneurial tech projects, working out of Aaron's garage. During one such research effort, involving electromagnetic reduction of objects' weight, the two men accidentally discover an 'A-to-B' time loop side-effect; objects left in the weight-reducing field exhibit temporal anomalies, proceeding normally (from time 'A,' when the field was activated, to time 'B,' when the field is powered off), then backwards (from 'B' back to 'A'), in continuous A-then-B-then-A-then-B sequence, such that objects can leave the field in the present, or at some previous point.
Abe refines this proof-of-concept and builds a stable time-apparatus ("the box"), sized to accommodate a human subject. Abe uses this "box" to travel six hours into his own pastâas part of this process, Original-Abe sits incommunicado in a hotel room, so as not to interact or interfere with the outside world, after which Original-Abe enters the "box," waits inside the "box" for six hours (thus going back in time six hours), and becomes Future-Overlap-Double-Abe, who travels across town, explains the proceedings to Aaron, and brings Aaron back to the secure self-storage facility housing the "box." At the end of the overlap-timespan, Original-Abe no longer exists, having entered the "box," rewound six hours, and become Future-Overlap-Double-Abe for the remainder of time.
Abe and Aaron repeat Abe's six-hour experiment multiple times over multiple days, making profitable same-day stock trades armed with foreknowledge of the market's performance. The duo's divergent personalities â Abe cautious and controlling, Aaron impulsive and meddlesome â put subtle strain on their collaboration and friendship. These tensions come to a head after a late-night encounter with Thomas Granger (father to Abe's girlfriend Rachel), who appears inexplicably unshaven and exists in overlap with his original suburban self. Granger falls into a comatose state after being pursued by Aaron; Aaron theorizes that, at some point in the future, Granger entered the "box" (at an unknown time, for unknown reasons), with timeline-altering consequences. Abe concludes that time travel is simply too dangerous, and uses a second apparatus (his "failsafe box," built before the experiment's beginning and kept continuously running in a secret location), traveling back four days to prevent the experiment's launch.
Cumulative competing interference wreaks havoc upon the timeline. Future-Abe sedates Original-Abe (so he will never conduct the initial time travel experiment), and meets Original-Aaron at a park bench (so as to dissuade him), but finds that Future-Aaron has gotten there first (armed with pre-recordings of the past conversations, and an unobtrusive earpiece), having brought a disassembled "third failsafe box" four days back with his own body. Future-Abe faints at this revelation, overcome by shock and fatigue.
The two men briefly and tentatively reconcile. They jointly travel back in time, experiencing and reshaping an event where Abe's girlfriend Rachel was nearly killed by a gun-wielding party crasher. After many repetitions, Aaron, forearmed with knowledge of the party's events, stops the gunman, becoming a local hero. Abe and Aaron ultimately part ways; Aaron considers a new life in foreign countries where he can tamper more broadly for personal gain, while Abe states his intent to remain in town and dissuade/sabotage the original "box" experiment. Abe warns Aaron to leave and never return.
An epilogue sequence reveals that multiple "box-aware" versions of Aaron are still alive and circulating â at least one Future-Aaron has intermingled knowledge with Original-Aaron (thanks to discussions, voice-recordings, and an unsuccessful physical altercation). As a result, two or more Aarons now inhabit the same timeline, sharing information of future events, in stark contrast to Abe, who goes to painstaking extremes to keep his Original-Abe "pure" and unaware of the future. The film's final scene depicts a fully aware Aaron, directing French-speaking workers in the construction of what appears to be a warehouse-sized "box." | Where does Future-Abe meet Original-Aaron? | At a park bench | 2,670 | 2,685 |
Primer | The operation of time travel in Primer.
Two engineers â Aaron and Abe â supplement their day-jobs with entrepreneurial tech projects, working out of Aaron's garage. During one such research effort, involving electromagnetic reduction of objects' weight, the two men accidentally discover an 'A-to-B' time loop side-effect; objects left in the weight-reducing field exhibit temporal anomalies, proceeding normally (from time 'A,' when the field was activated, to time 'B,' when the field is powered off), then backwards (from 'B' back to 'A'), in continuous A-then-B-then-A-then-B sequence, such that objects can leave the field in the present, or at some previous point.
Abe refines this proof-of-concept and builds a stable time-apparatus ("the box"), sized to accommodate a human subject. Abe uses this "box" to travel six hours into his own pastâas part of this process, Original-Abe sits incommunicado in a hotel room, so as not to interact or interfere with the outside world, after which Original-Abe enters the "box," waits inside the "box" for six hours (thus going back in time six hours), and becomes Future-Overlap-Double-Abe, who travels across town, explains the proceedings to Aaron, and brings Aaron back to the secure self-storage facility housing the "box." At the end of the overlap-timespan, Original-Abe no longer exists, having entered the "box," rewound six hours, and become Future-Overlap-Double-Abe for the remainder of time.
Abe and Aaron repeat Abe's six-hour experiment multiple times over multiple days, making profitable same-day stock trades armed with foreknowledge of the market's performance. The duo's divergent personalities â Abe cautious and controlling, Aaron impulsive and meddlesome â put subtle strain on their collaboration and friendship. These tensions come to a head after a late-night encounter with Thomas Granger (father to Abe's girlfriend Rachel), who appears inexplicably unshaven and exists in overlap with his original suburban self. Granger falls into a comatose state after being pursued by Aaron; Aaron theorizes that, at some point in the future, Granger entered the "box" (at an unknown time, for unknown reasons), with timeline-altering consequences. Abe concludes that time travel is simply too dangerous, and uses a second apparatus (his "failsafe box," built before the experiment's beginning and kept continuously running in a secret location), traveling back four days to prevent the experiment's launch.
Cumulative competing interference wreaks havoc upon the timeline. Future-Abe sedates Original-Abe (so he will never conduct the initial time travel experiment), and meets Original-Aaron at a park bench (so as to dissuade him), but finds that Future-Aaron has gotten there first (armed with pre-recordings of the past conversations, and an unobtrusive earpiece), having brought a disassembled "third failsafe box" four days back with his own body. Future-Abe faints at this revelation, overcome by shock and fatigue.
The two men briefly and tentatively reconcile. They jointly travel back in time, experiencing and reshaping an event where Abe's girlfriend Rachel was nearly killed by a gun-wielding party crasher. After many repetitions, Aaron, forearmed with knowledge of the party's events, stops the gunman, becoming a local hero. Abe and Aaron ultimately part ways; Aaron considers a new life in foreign countries where he can tamper more broadly for personal gain, while Abe states his intent to remain in town and dissuade/sabotage the original "box" experiment. Abe warns Aaron to leave and never return.
An epilogue sequence reveals that multiple "box-aware" versions of Aaron are still alive and circulating â at least one Future-Aaron has intermingled knowledge with Original-Aaron (thanks to discussions, voice-recordings, and an unsuccessful physical altercation). As a result, two or more Aarons now inhabit the same timeline, sharing information of future events, in stark contrast to Abe, who goes to painstaking extremes to keep his Original-Abe "pure" and unaware of the future. The film's final scene depicts a fully aware Aaron, directing French-speaking workers in the construction of what appears to be a warehouse-sized "box." | Who was nearly killed by a gun-wielding party crasher? | Rachel | 1,904 | 1,910 |
Primer | The operation of time travel in Primer.
Two engineers â Aaron and Abe â supplement their day-jobs with entrepreneurial tech projects, working out of Aaron's garage. During one such research effort, involving electromagnetic reduction of objects' weight, the two men accidentally discover an 'A-to-B' time loop side-effect; objects left in the weight-reducing field exhibit temporal anomalies, proceeding normally (from time 'A,' when the field was activated, to time 'B,' when the field is powered off), then backwards (from 'B' back to 'A'), in continuous A-then-B-then-A-then-B sequence, such that objects can leave the field in the present, or at some previous point.
Abe refines this proof-of-concept and builds a stable time-apparatus ("the box"), sized to accommodate a human subject. Abe uses this "box" to travel six hours into his own pastâas part of this process, Original-Abe sits incommunicado in a hotel room, so as not to interact or interfere with the outside world, after which Original-Abe enters the "box," waits inside the "box" for six hours (thus going back in time six hours), and becomes Future-Overlap-Double-Abe, who travels across town, explains the proceedings to Aaron, and brings Aaron back to the secure self-storage facility housing the "box." At the end of the overlap-timespan, Original-Abe no longer exists, having entered the "box," rewound six hours, and become Future-Overlap-Double-Abe for the remainder of time.
Abe and Aaron repeat Abe's six-hour experiment multiple times over multiple days, making profitable same-day stock trades armed with foreknowledge of the market's performance. The duo's divergent personalities â Abe cautious and controlling, Aaron impulsive and meddlesome â put subtle strain on their collaboration and friendship. These tensions come to a head after a late-night encounter with Thomas Granger (father to Abe's girlfriend Rachel), who appears inexplicably unshaven and exists in overlap with his original suburban self. Granger falls into a comatose state after being pursued by Aaron; Aaron theorizes that, at some point in the future, Granger entered the "box" (at an unknown time, for unknown reasons), with timeline-altering consequences. Abe concludes that time travel is simply too dangerous, and uses a second apparatus (his "failsafe box," built before the experiment's beginning and kept continuously running in a secret location), traveling back four days to prevent the experiment's launch.
Cumulative competing interference wreaks havoc upon the timeline. Future-Abe sedates Original-Abe (so he will never conduct the initial time travel experiment), and meets Original-Aaron at a park bench (so as to dissuade him), but finds that Future-Aaron has gotten there first (armed with pre-recordings of the past conversations, and an unobtrusive earpiece), having brought a disassembled "third failsafe box" four days back with his own body. Future-Abe faints at this revelation, overcome by shock and fatigue.
The two men briefly and tentatively reconcile. They jointly travel back in time, experiencing and reshaping an event where Abe's girlfriend Rachel was nearly killed by a gun-wielding party crasher. After many repetitions, Aaron, forearmed with knowledge of the party's events, stops the gunman, becoming a local hero. Abe and Aaron ultimately part ways; Aaron considers a new life in foreign countries where he can tamper more broadly for personal gain, while Abe states his intent to remain in town and dissuade/sabotage the original "box" experiment. Abe warns Aaron to leave and never return.
An epilogue sequence reveals that multiple "box-aware" versions of Aaron are still alive and circulating â at least one Future-Aaron has intermingled knowledge with Original-Aaron (thanks to discussions, voice-recordings, and an unsuccessful physical altercation). As a result, two or more Aarons now inhabit the same timeline, sharing information of future events, in stark contrast to Abe, who goes to painstaking extremes to keep his Original-Abe "pure" and unaware of the future. The film's final scene depicts a fully aware Aaron, directing French-speaking workers in the construction of what appears to be a warehouse-sized "box." | Which scene depicts a fully aware Aaron? | final | 4,094 | 4,099 |
Primer | The operation of time travel in Primer.
Two engineers â Aaron and Abe â supplement their day-jobs with entrepreneurial tech projects, working out of Aaron's garage. During one such research effort, involving electromagnetic reduction of objects' weight, the two men accidentally discover an 'A-to-B' time loop side-effect; objects left in the weight-reducing field exhibit temporal anomalies, proceeding normally (from time 'A,' when the field was activated, to time 'B,' when the field is powered off), then backwards (from 'B' back to 'A'), in continuous A-then-B-then-A-then-B sequence, such that objects can leave the field in the present, or at some previous point.
Abe refines this proof-of-concept and builds a stable time-apparatus ("the box"), sized to accommodate a human subject. Abe uses this "box" to travel six hours into his own pastâas part of this process, Original-Abe sits incommunicado in a hotel room, so as not to interact or interfere with the outside world, after which Original-Abe enters the "box," waits inside the "box" for six hours (thus going back in time six hours), and becomes Future-Overlap-Double-Abe, who travels across town, explains the proceedings to Aaron, and brings Aaron back to the secure self-storage facility housing the "box." At the end of the overlap-timespan, Original-Abe no longer exists, having entered the "box," rewound six hours, and become Future-Overlap-Double-Abe for the remainder of time.
Abe and Aaron repeat Abe's six-hour experiment multiple times over multiple days, making profitable same-day stock trades armed with foreknowledge of the market's performance. The duo's divergent personalities â Abe cautious and controlling, Aaron impulsive and meddlesome â put subtle strain on their collaboration and friendship. These tensions come to a head after a late-night encounter with Thomas Granger (father to Abe's girlfriend Rachel), who appears inexplicably unshaven and exists in overlap with his original suburban self. Granger falls into a comatose state after being pursued by Aaron; Aaron theorizes that, at some point in the future, Granger entered the "box" (at an unknown time, for unknown reasons), with timeline-altering consequences. Abe concludes that time travel is simply too dangerous, and uses a second apparatus (his "failsafe box," built before the experiment's beginning and kept continuously running in a secret location), traveling back four days to prevent the experiment's launch.
Cumulative competing interference wreaks havoc upon the timeline. Future-Abe sedates Original-Abe (so he will never conduct the initial time travel experiment), and meets Original-Aaron at a park bench (so as to dissuade him), but finds that Future-Aaron has gotten there first (armed with pre-recordings of the past conversations, and an unobtrusive earpiece), having brought a disassembled "third failsafe box" four days back with his own body. Future-Abe faints at this revelation, overcome by shock and fatigue.
The two men briefly and tentatively reconcile. They jointly travel back in time, experiencing and reshaping an event where Abe's girlfriend Rachel was nearly killed by a gun-wielding party crasher. After many repetitions, Aaron, forearmed with knowledge of the party's events, stops the gunman, becoming a local hero. Abe and Aaron ultimately part ways; Aaron considers a new life in foreign countries where he can tamper more broadly for personal gain, while Abe states his intent to remain in town and dissuade/sabotage the original "box" experiment. Abe warns Aaron to leave and never return.
An epilogue sequence reveals that multiple "box-aware" versions of Aaron are still alive and circulating â at least one Future-Aaron has intermingled knowledge with Original-Aaron (thanks to discussions, voice-recordings, and an unsuccessful physical altercation). As a result, two or more Aarons now inhabit the same timeline, sharing information of future events, in stark contrast to Abe, who goes to painstaking extremes to keep his Original-Abe "pure" and unaware of the future. The film's final scene depicts a fully aware Aaron, directing French-speaking workers in the construction of what appears to be a warehouse-sized "box." | What do the two engineers supplement their day-jobs with ? | Entrepreneurial tech projects | 109 | 138 |
Primer | The operation of time travel in Primer.
Two engineers â Aaron and Abe â supplement their day-jobs with entrepreneurial tech projects, working out of Aaron's garage. During one such research effort, involving electromagnetic reduction of objects' weight, the two men accidentally discover an 'A-to-B' time loop side-effect; objects left in the weight-reducing field exhibit temporal anomalies, proceeding normally (from time 'A,' when the field was activated, to time 'B,' when the field is powered off), then backwards (from 'B' back to 'A'), in continuous A-then-B-then-A-then-B sequence, such that objects can leave the field in the present, or at some previous point.
Abe refines this proof-of-concept and builds a stable time-apparatus ("the box"), sized to accommodate a human subject. Abe uses this "box" to travel six hours into his own pastâas part of this process, Original-Abe sits incommunicado in a hotel room, so as not to interact or interfere with the outside world, after which Original-Abe enters the "box," waits inside the "box" for six hours (thus going back in time six hours), and becomes Future-Overlap-Double-Abe, who travels across town, explains the proceedings to Aaron, and brings Aaron back to the secure self-storage facility housing the "box." At the end of the overlap-timespan, Original-Abe no longer exists, having entered the "box," rewound six hours, and become Future-Overlap-Double-Abe for the remainder of time.
Abe and Aaron repeat Abe's six-hour experiment multiple times over multiple days, making profitable same-day stock trades armed with foreknowledge of the market's performance. The duo's divergent personalities â Abe cautious and controlling, Aaron impulsive and meddlesome â put subtle strain on their collaboration and friendship. These tensions come to a head after a late-night encounter with Thomas Granger (father to Abe's girlfriend Rachel), who appears inexplicably unshaven and exists in overlap with his original suburban self. Granger falls into a comatose state after being pursued by Aaron; Aaron theorizes that, at some point in the future, Granger entered the "box" (at an unknown time, for unknown reasons), with timeline-altering consequences. Abe concludes that time travel is simply too dangerous, and uses a second apparatus (his "failsafe box," built before the experiment's beginning and kept continuously running in a secret location), traveling back four days to prevent the experiment's launch.
Cumulative competing interference wreaks havoc upon the timeline. Future-Abe sedates Original-Abe (so he will never conduct the initial time travel experiment), and meets Original-Aaron at a park bench (so as to dissuade him), but finds that Future-Aaron has gotten there first (armed with pre-recordings of the past conversations, and an unobtrusive earpiece), having brought a disassembled "third failsafe box" four days back with his own body. Future-Abe faints at this revelation, overcome by shock and fatigue.
The two men briefly and tentatively reconcile. They jointly travel back in time, experiencing and reshaping an event where Abe's girlfriend Rachel was nearly killed by a gun-wielding party crasher. After many repetitions, Aaron, forearmed with knowledge of the party's events, stops the gunman, becoming a local hero. Abe and Aaron ultimately part ways; Aaron considers a new life in foreign countries where he can tamper more broadly for personal gain, while Abe states his intent to remain in town and dissuade/sabotage the original "box" experiment. Abe warns Aaron to leave and never return.
An epilogue sequence reveals that multiple "box-aware" versions of Aaron are still alive and circulating â at least one Future-Aaron has intermingled knowledge with Original-Aaron (thanks to discussions, voice-recordings, and an unsuccessful physical altercation). As a result, two or more Aarons now inhabit the same timeline, sharing information of future events, in stark contrast to Abe, who goes to painstaking extremes to keep his Original-Abe "pure" and unaware of the future. The film's final scene depicts a fully aware Aaron, directing French-speaking workers in the construction of what appears to be a warehouse-sized "box." | What are the names of the two engineers ? | Aaron and Abe | 59 | 72 |
Primer | The operation of time travel in Primer.
Two engineers â Aaron and Abe â supplement their day-jobs with entrepreneurial tech projects, working out of Aaron's garage. During one such research effort, involving electromagnetic reduction of objects' weight, the two men accidentally discover an 'A-to-B' time loop side-effect; objects left in the weight-reducing field exhibit temporal anomalies, proceeding normally (from time 'A,' when the field was activated, to time 'B,' when the field is powered off), then backwards (from 'B' back to 'A'), in continuous A-then-B-then-A-then-B sequence, such that objects can leave the field in the present, or at some previous point.
Abe refines this proof-of-concept and builds a stable time-apparatus ("the box"), sized to accommodate a human subject. Abe uses this "box" to travel six hours into his own pastâas part of this process, Original-Abe sits incommunicado in a hotel room, so as not to interact or interfere with the outside world, after which Original-Abe enters the "box," waits inside the "box" for six hours (thus going back in time six hours), and becomes Future-Overlap-Double-Abe, who travels across town, explains the proceedings to Aaron, and brings Aaron back to the secure self-storage facility housing the "box." At the end of the overlap-timespan, Original-Abe no longer exists, having entered the "box," rewound six hours, and become Future-Overlap-Double-Abe for the remainder of time.
Abe and Aaron repeat Abe's six-hour experiment multiple times over multiple days, making profitable same-day stock trades armed with foreknowledge of the market's performance. The duo's divergent personalities â Abe cautious and controlling, Aaron impulsive and meddlesome â put subtle strain on their collaboration and friendship. These tensions come to a head after a late-night encounter with Thomas Granger (father to Abe's girlfriend Rachel), who appears inexplicably unshaven and exists in overlap with his original suburban self. Granger falls into a comatose state after being pursued by Aaron; Aaron theorizes that, at some point in the future, Granger entered the "box" (at an unknown time, for unknown reasons), with timeline-altering consequences. Abe concludes that time travel is simply too dangerous, and uses a second apparatus (his "failsafe box," built before the experiment's beginning and kept continuously running in a secret location), traveling back four days to prevent the experiment's launch.
Cumulative competing interference wreaks havoc upon the timeline. Future-Abe sedates Original-Abe (so he will never conduct the initial time travel experiment), and meets Original-Aaron at a park bench (so as to dissuade him), but finds that Future-Aaron has gotten there first (armed with pre-recordings of the past conversations, and an unobtrusive earpiece), having brought a disassembled "third failsafe box" four days back with his own body. Future-Abe faints at this revelation, overcome by shock and fatigue.
The two men briefly and tentatively reconcile. They jointly travel back in time, experiencing and reshaping an event where Abe's girlfriend Rachel was nearly killed by a gun-wielding party crasher. After many repetitions, Aaron, forearmed with knowledge of the party's events, stops the gunman, becoming a local hero. Abe and Aaron ultimately part ways; Aaron considers a new life in foreign countries where he can tamper more broadly for personal gain, while Abe states his intent to remain in town and dissuade/sabotage the original "box" experiment. Abe warns Aaron to leave and never return.
An epilogue sequence reveals that multiple "box-aware" versions of Aaron are still alive and circulating â at least one Future-Aaron has intermingled knowledge with Original-Aaron (thanks to discussions, voice-recordings, and an unsuccessful physical altercation). As a result, two or more Aarons now inhabit the same timeline, sharing information of future events, in stark contrast to Abe, who goes to painstaking extremes to keep his Original-Abe "pure" and unaware of the future. The film's final scene depicts a fully aware Aaron, directing French-speaking workers in the construction of what appears to be a warehouse-sized "box." | Who is with Original-Aaron when Future-Abe tries to visit him? | Future-Aaron | 2,726 | 2,738 |
Primer | The operation of time travel in Primer.
Two engineers â Aaron and Abe â supplement their day-jobs with entrepreneurial tech projects, working out of Aaron's garage. During one such research effort, involving electromagnetic reduction of objects' weight, the two men accidentally discover an 'A-to-B' time loop side-effect; objects left in the weight-reducing field exhibit temporal anomalies, proceeding normally (from time 'A,' when the field was activated, to time 'B,' when the field is powered off), then backwards (from 'B' back to 'A'), in continuous A-then-B-then-A-then-B sequence, such that objects can leave the field in the present, or at some previous point.
Abe refines this proof-of-concept and builds a stable time-apparatus ("the box"), sized to accommodate a human subject. Abe uses this "box" to travel six hours into his own pastâas part of this process, Original-Abe sits incommunicado in a hotel room, so as not to interact or interfere with the outside world, after which Original-Abe enters the "box," waits inside the "box" for six hours (thus going back in time six hours), and becomes Future-Overlap-Double-Abe, who travels across town, explains the proceedings to Aaron, and brings Aaron back to the secure self-storage facility housing the "box." At the end of the overlap-timespan, Original-Abe no longer exists, having entered the "box," rewound six hours, and become Future-Overlap-Double-Abe for the remainder of time.
Abe and Aaron repeat Abe's six-hour experiment multiple times over multiple days, making profitable same-day stock trades armed with foreknowledge of the market's performance. The duo's divergent personalities â Abe cautious and controlling, Aaron impulsive and meddlesome â put subtle strain on their collaboration and friendship. These tensions come to a head after a late-night encounter with Thomas Granger (father to Abe's girlfriend Rachel), who appears inexplicably unshaven and exists in overlap with his original suburban self. Granger falls into a comatose state after being pursued by Aaron; Aaron theorizes that, at some point in the future, Granger entered the "box" (at an unknown time, for unknown reasons), with timeline-altering consequences. Abe concludes that time travel is simply too dangerous, and uses a second apparatus (his "failsafe box," built before the experiment's beginning and kept continuously running in a secret location), traveling back four days to prevent the experiment's launch.
Cumulative competing interference wreaks havoc upon the timeline. Future-Abe sedates Original-Abe (so he will never conduct the initial time travel experiment), and meets Original-Aaron at a park bench (so as to dissuade him), but finds that Future-Aaron has gotten there first (armed with pre-recordings of the past conversations, and an unobtrusive earpiece), having brought a disassembled "third failsafe box" four days back with his own body. Future-Abe faints at this revelation, overcome by shock and fatigue.
The two men briefly and tentatively reconcile. They jointly travel back in time, experiencing and reshaping an event where Abe's girlfriend Rachel was nearly killed by a gun-wielding party crasher. After many repetitions, Aaron, forearmed with knowledge of the party's events, stops the gunman, becoming a local hero. Abe and Aaron ultimately part ways; Aaron considers a new life in foreign countries where he can tamper more broadly for personal gain, while Abe states his intent to remain in town and dissuade/sabotage the original "box" experiment. Abe warns Aaron to leave and never return.
An epilogue sequence reveals that multiple "box-aware" versions of Aaron are still alive and circulating â at least one Future-Aaron has intermingled knowledge with Original-Aaron (thanks to discussions, voice-recordings, and an unsuccessful physical altercation). As a result, two or more Aarons now inhabit the same timeline, sharing information of future events, in stark contrast to Abe, who goes to painstaking extremes to keep his Original-Abe "pure" and unaware of the future. The film's final scene depicts a fully aware Aaron, directing French-speaking workers in the construction of what appears to be a warehouse-sized "box." | Where does Abe bring Aaron? | Self-storage facility | 1,242 | 1,263 |
Primer | The operation of time travel in Primer.
Two engineers â Aaron and Abe â supplement their day-jobs with entrepreneurial tech projects, working out of Aaron's garage. During one such research effort, involving electromagnetic reduction of objects' weight, the two men accidentally discover an 'A-to-B' time loop side-effect; objects left in the weight-reducing field exhibit temporal anomalies, proceeding normally (from time 'A,' when the field was activated, to time 'B,' when the field is powered off), then backwards (from 'B' back to 'A'), in continuous A-then-B-then-A-then-B sequence, such that objects can leave the field in the present, or at some previous point.
Abe refines this proof-of-concept and builds a stable time-apparatus ("the box"), sized to accommodate a human subject. Abe uses this "box" to travel six hours into his own pastâas part of this process, Original-Abe sits incommunicado in a hotel room, so as not to interact or interfere with the outside world, after which Original-Abe enters the "box," waits inside the "box" for six hours (thus going back in time six hours), and becomes Future-Overlap-Double-Abe, who travels across town, explains the proceedings to Aaron, and brings Aaron back to the secure self-storage facility housing the "box." At the end of the overlap-timespan, Original-Abe no longer exists, having entered the "box," rewound six hours, and become Future-Overlap-Double-Abe for the remainder of time.
Abe and Aaron repeat Abe's six-hour experiment multiple times over multiple days, making profitable same-day stock trades armed with foreknowledge of the market's performance. The duo's divergent personalities â Abe cautious and controlling, Aaron impulsive and meddlesome â put subtle strain on their collaboration and friendship. These tensions come to a head after a late-night encounter with Thomas Granger (father to Abe's girlfriend Rachel), who appears inexplicably unshaven and exists in overlap with his original suburban self. Granger falls into a comatose state after being pursued by Aaron; Aaron theorizes that, at some point in the future, Granger entered the "box" (at an unknown time, for unknown reasons), with timeline-altering consequences. Abe concludes that time travel is simply too dangerous, and uses a second apparatus (his "failsafe box," built before the experiment's beginning and kept continuously running in a secret location), traveling back four days to prevent the experiment's launch.
Cumulative competing interference wreaks havoc upon the timeline. Future-Abe sedates Original-Abe (so he will never conduct the initial time travel experiment), and meets Original-Aaron at a park bench (so as to dissuade him), but finds that Future-Aaron has gotten there first (armed with pre-recordings of the past conversations, and an unobtrusive earpiece), having brought a disassembled "third failsafe box" four days back with his own body. Future-Abe faints at this revelation, overcome by shock and fatigue.
The two men briefly and tentatively reconcile. They jointly travel back in time, experiencing and reshaping an event where Abe's girlfriend Rachel was nearly killed by a gun-wielding party crasher. After many repetitions, Aaron, forearmed with knowledge of the party's events, stops the gunman, becoming a local hero. Abe and Aaron ultimately part ways; Aaron considers a new life in foreign countries where he can tamper more broadly for personal gain, while Abe states his intent to remain in town and dissuade/sabotage the original "box" experiment. Abe warns Aaron to leave and never return.
An epilogue sequence reveals that multiple "box-aware" versions of Aaron are still alive and circulating â at least one Future-Aaron has intermingled knowledge with Original-Aaron (thanks to discussions, voice-recordings, and an unsuccessful physical altercation). As a result, two or more Aarons now inhabit the same timeline, sharing information of future events, in stark contrast to Abe, who goes to painstaking extremes to keep his Original-Abe "pure" and unaware of the future. The film's final scene depicts a fully aware Aaron, directing French-speaking workers in the construction of what appears to be a warehouse-sized "box." | What is the stable time-apparatus sized to accommodate? | Human | 782 | 787 |
According to Greta | The story revolves around the forbidden romance of a waitress (Duff) and the restaurant's ambitious cook (Ross). After she falls for him, the couple's little summer romance runs into a brick wall called her grandparents, played by veteran actors Ellen Burstyn and Michael Murphy. Apparently, the folks aren't too happy about the cook's criminal past.Teen star Hilary Duff has recently started shooting for Greta, an independant teen dramedy (drama/comedy) about interracial romance. She plays the title role of a waitress, who falls in love with her colleague (Evan Ross), a cook at the restaurant they work. After they take their romance to the next level, Greta confronts the concern of her grandparents (Ellen Burstyn, Michael Murphy) about her new boyfriendss criminal past. | Who has recently started shooting for Greta? | Hilary Duff | 360 | 371 |
According to Greta | The story revolves around the forbidden romance of a waitress (Duff) and the restaurant's ambitious cook (Ross). After she falls for him, the couple's little summer romance runs into a brick wall called her grandparents, played by veteran actors Ellen Burstyn and Michael Murphy. Apparently, the folks aren't too happy about the cook's criminal past.Teen star Hilary Duff has recently started shooting for Greta, an independant teen dramedy (drama/comedy) about interracial romance. She plays the title role of a waitress, who falls in love with her colleague (Evan Ross), a cook at the restaurant they work. After they take their romance to the next level, Greta confronts the concern of her grandparents (Ellen Burstyn, Michael Murphy) about her new boyfriendss criminal past. | Who plays the role of restaurant's ambitious cook? | Ross | 106 | 110 |
According to Greta | The story revolves around the forbidden romance of a waitress (Duff) and the restaurant's ambitious cook (Ross). After she falls for him, the couple's little summer romance runs into a brick wall called her grandparents, played by veteran actors Ellen Burstyn and Michael Murphy. Apparently, the folks aren't too happy about the cook's criminal past.Teen star Hilary Duff has recently started shooting for Greta, an independant teen dramedy (drama/comedy) about interracial romance. She plays the title role of a waitress, who falls in love with her colleague (Evan Ross), a cook at the restaurant they work. After they take their romance to the next level, Greta confronts the concern of her grandparents (Ellen Burstyn, Michael Murphy) about her new boyfriendss criminal past. | Who plays the role of waitress? | Duff | 63 | 67 |
A Tale of Two Sisters | A teenage girl, Su-mi, is being treated for shock and psychosis. The doctor questions her about the day that led her to be admitted, but she refuses to answer. Later, Su-mi is returned home to her family's secluded estate with her father and her younger sister Su-yeon. At a family dinner, their cold and distant stepmother announces that their uncle and his wife will arrive tomorrow night for a dinner party. The girls are disappointed with her announcement and leave the table. Whilst the family goes to sleep, Su-yeon hears strange noises in her bedroom and goes to Su-mi for protection. However, Su-mi experiences a terrifying nightmare in which a female ghost with blood pouring down her legs climbs on top of her bed. Afterwards, all of the females in the family discover that their periods have occurred at the same time.
The next day, Su-mi finds several family photos, which reveal that her father and her stepmother once worked together and that the stepmother was an in-home nurse for her late biological mother. Su-mi discovers bruises on her sister's arms and angrily confronts her stepmother about it. At night, their uncle and his wife attend the dinner party and the stepmother tells bizarre stories, much to the bewilderment of the other guests. Suddenly, the uncle's wife suffers a violent seizure. Upon recovering, she claims to have seen a ghost beneath the kitchen sink. The stepmother later attempts to search for the ghost and she is attacked when a disfigured arm suddenly grabs her.
After finding out that her pet bird has been killed, the stepmother enters Su-yeon's room and discovers another dead bird, along with defaced family photos of herself. She locks Su-yeon in the closet and promises to release her if she apologises. Su-mi eventually releases her sister and she tearfully apologises that she didn't hear her pleas in time. Su-mi's father blames her for the family's recent trauma, but she retorts that her stepmother is to blame for attacking Su-yeon. The father tells her that Su-yeon is dead, but Su-mi refuses to believe him.
The next morning, after the father leaves the house to arrange Su-mi's readmission to the institution, the stepmother is seen dragging a large bloodied sack throughout the house. After discovering the trail of blood, Su-mi believes that Su-yeon is inside and tries to find a knife to open it. Her stepmother catches her and attempts to scald her with boiling water, but Su-mi manages to stab the stepmother in the hand with a pair of scissors. Su-mi is knocked unconscious by her stepmother. As Su-mi awakens, her stepmother taunts her about all of the suffering she experienced. She attempts to kill Su-mi with a garden statue, but is interrupted when the father arrives home and finds Su-mi alone. The father takes the stepmother into another room and orders her to sit down whilst he gives Su-mi medication.
It is revealed that Su-yeon and the stepmother are Su-mi's split personalities. Inside the bloodied sack, it is revealed that the sack wasn't actually bloodied but instead, there was a porcelain doll inside which Su-mi used to whip to act out her stepmother hitting her sister Su-yeon.
The father and the real stepmother send Su-mi back to the mental institution and the stepmother attempts to reconcile her relationship with Su-mi but Su-mi rejects her advances. They return home and whilst the stepmother sits alone in the kitchen at night, she hears footsteps racing towards Su-yeon's room. Entering the room, the lights suddenly black out and the door shuts close by itself. The bedroom closet suddenly opens by itself and the stepmother sees a lace that is stuck between two mattresses. Pulling the lace out, a ghost suddenly emerges and the stepmother backs away out of fear. The ghost continues to crawl closer to her and she screams out loud, which could be heard outside from the house, and is presumably killed by the ghost.
Flashbacks reveal the father entering the house with the stepmother after an apparent marriage. The sisters' biological mother, uncle and his wife are also present in the house. The sisters developed a troubled relationship with the stepmother, resulting in Su-yeon leaving the kitchen and going to her bedroom to cry with her gravely ill biological mother. Later, Su-yeon discovers that her biological mother had hanged herself in the bedroom closet. Attempting to revive her, Su-yeon accidentally causes the closet to collapse on top of her body, which created a loud crash. The stepmother investigates the source of the loud crash and sees Su-yeon's hand hitting the floor several times. She turns her back against her due to their troubled relationship but she decides to save her but she sees Su-mi arriving at the scene, causing both of them to go into a heated argument which eventually made the stepmother too angry to save Su-yeon.
Before Su-mi stormed off, the stepmother tells her that she would regret this one day. Su-mi exits the house and she sees her stepmother looking coldly at her from the balcony, as Su-yeon eventually dies from being crushed by the weight of the closet. Su-mi continues walking away from the house and is unaware of the tragic events that occurred inside the house, which is the initial event that led her to be institutionalised. | Who is the teenage girl? | Su-mi | 16 | 21 |
A Tale of Two Sisters | A teenage girl, Su-mi, is being treated for shock and psychosis. The doctor questions her about the day that led her to be admitted, but she refuses to answer. Later, Su-mi is returned home to her family's secluded estate with her father and her younger sister Su-yeon. At a family dinner, their cold and distant stepmother announces that their uncle and his wife will arrive tomorrow night for a dinner party. The girls are disappointed with her announcement and leave the table. Whilst the family goes to sleep, Su-yeon hears strange noises in her bedroom and goes to Su-mi for protection. However, Su-mi experiences a terrifying nightmare in which a female ghost with blood pouring down her legs climbs on top of her bed. Afterwards, all of the females in the family discover that their periods have occurred at the same time.
The next day, Su-mi finds several family photos, which reveal that her father and her stepmother once worked together and that the stepmother was an in-home nurse for her late biological mother. Su-mi discovers bruises on her sister's arms and angrily confronts her stepmother about it. At night, their uncle and his wife attend the dinner party and the stepmother tells bizarre stories, much to the bewilderment of the other guests. Suddenly, the uncle's wife suffers a violent seizure. Upon recovering, she claims to have seen a ghost beneath the kitchen sink. The stepmother later attempts to search for the ghost and she is attacked when a disfigured arm suddenly grabs her.
After finding out that her pet bird has been killed, the stepmother enters Su-yeon's room and discovers another dead bird, along with defaced family photos of herself. She locks Su-yeon in the closet and promises to release her if she apologises. Su-mi eventually releases her sister and she tearfully apologises that she didn't hear her pleas in time. Su-mi's father blames her for the family's recent trauma, but she retorts that her stepmother is to blame for attacking Su-yeon. The father tells her that Su-yeon is dead, but Su-mi refuses to believe him.
The next morning, after the father leaves the house to arrange Su-mi's readmission to the institution, the stepmother is seen dragging a large bloodied sack throughout the house. After discovering the trail of blood, Su-mi believes that Su-yeon is inside and tries to find a knife to open it. Her stepmother catches her and attempts to scald her with boiling water, but Su-mi manages to stab the stepmother in the hand with a pair of scissors. Su-mi is knocked unconscious by her stepmother. As Su-mi awakens, her stepmother taunts her about all of the suffering she experienced. She attempts to kill Su-mi with a garden statue, but is interrupted when the father arrives home and finds Su-mi alone. The father takes the stepmother into another room and orders her to sit down whilst he gives Su-mi medication.
It is revealed that Su-yeon and the stepmother are Su-mi's split personalities. Inside the bloodied sack, it is revealed that the sack wasn't actually bloodied but instead, there was a porcelain doll inside which Su-mi used to whip to act out her stepmother hitting her sister Su-yeon.
The father and the real stepmother send Su-mi back to the mental institution and the stepmother attempts to reconcile her relationship with Su-mi but Su-mi rejects her advances. They return home and whilst the stepmother sits alone in the kitchen at night, she hears footsteps racing towards Su-yeon's room. Entering the room, the lights suddenly black out and the door shuts close by itself. The bedroom closet suddenly opens by itself and the stepmother sees a lace that is stuck between two mattresses. Pulling the lace out, a ghost suddenly emerges and the stepmother backs away out of fear. The ghost continues to crawl closer to her and she screams out loud, which could be heard outside from the house, and is presumably killed by the ghost.
Flashbacks reveal the father entering the house with the stepmother after an apparent marriage. The sisters' biological mother, uncle and his wife are also present in the house. The sisters developed a troubled relationship with the stepmother, resulting in Su-yeon leaving the kitchen and going to her bedroom to cry with her gravely ill biological mother. Later, Su-yeon discovers that her biological mother had hanged herself in the bedroom closet. Attempting to revive her, Su-yeon accidentally causes the closet to collapse on top of her body, which created a loud crash. The stepmother investigates the source of the loud crash and sees Su-yeon's hand hitting the floor several times. She turns her back against her due to their troubled relationship but she decides to save her but she sees Su-mi arriving at the scene, causing both of them to go into a heated argument which eventually made the stepmother too angry to save Su-yeon.
Before Su-mi stormed off, the stepmother tells her that she would regret this one day. Su-mi exits the house and she sees her stepmother looking coldly at her from the balcony, as Su-yeon eventually dies from being crushed by the weight of the closet. Su-mi continues walking away from the house and is unaware of the tragic events that occurred inside the house, which is the initial event that led her to be institutionalised. | Who tries to revive her mother? | Su-yeon | 261 | 268 |
A Tale of Two Sisters | A teenage girl, Su-mi, is being treated for shock and psychosis. The doctor questions her about the day that led her to be admitted, but she refuses to answer. Later, Su-mi is returned home to her family's secluded estate with her father and her younger sister Su-yeon. At a family dinner, their cold and distant stepmother announces that their uncle and his wife will arrive tomorrow night for a dinner party. The girls are disappointed with her announcement and leave the table. Whilst the family goes to sleep, Su-yeon hears strange noises in her bedroom and goes to Su-mi for protection. However, Su-mi experiences a terrifying nightmare in which a female ghost with blood pouring down her legs climbs on top of her bed. Afterwards, all of the females in the family discover that their periods have occurred at the same time.
The next day, Su-mi finds several family photos, which reveal that her father and her stepmother once worked together and that the stepmother was an in-home nurse for her late biological mother. Su-mi discovers bruises on her sister's arms and angrily confronts her stepmother about it. At night, their uncle and his wife attend the dinner party and the stepmother tells bizarre stories, much to the bewilderment of the other guests. Suddenly, the uncle's wife suffers a violent seizure. Upon recovering, she claims to have seen a ghost beneath the kitchen sink. The stepmother later attempts to search for the ghost and she is attacked when a disfigured arm suddenly grabs her.
After finding out that her pet bird has been killed, the stepmother enters Su-yeon's room and discovers another dead bird, along with defaced family photos of herself. She locks Su-yeon in the closet and promises to release her if she apologises. Su-mi eventually releases her sister and she tearfully apologises that she didn't hear her pleas in time. Su-mi's father blames her for the family's recent trauma, but she retorts that her stepmother is to blame for attacking Su-yeon. The father tells her that Su-yeon is dead, but Su-mi refuses to believe him.
The next morning, after the father leaves the house to arrange Su-mi's readmission to the institution, the stepmother is seen dragging a large bloodied sack throughout the house. After discovering the trail of blood, Su-mi believes that Su-yeon is inside and tries to find a knife to open it. Her stepmother catches her and attempts to scald her with boiling water, but Su-mi manages to stab the stepmother in the hand with a pair of scissors. Su-mi is knocked unconscious by her stepmother. As Su-mi awakens, her stepmother taunts her about all of the suffering she experienced. She attempts to kill Su-mi with a garden statue, but is interrupted when the father arrives home and finds Su-mi alone. The father takes the stepmother into another room and orders her to sit down whilst he gives Su-mi medication.
It is revealed that Su-yeon and the stepmother are Su-mi's split personalities. Inside the bloodied sack, it is revealed that the sack wasn't actually bloodied but instead, there was a porcelain doll inside which Su-mi used to whip to act out her stepmother hitting her sister Su-yeon.
The father and the real stepmother send Su-mi back to the mental institution and the stepmother attempts to reconcile her relationship with Su-mi but Su-mi rejects her advances. They return home and whilst the stepmother sits alone in the kitchen at night, she hears footsteps racing towards Su-yeon's room. Entering the room, the lights suddenly black out and the door shuts close by itself. The bedroom closet suddenly opens by itself and the stepmother sees a lace that is stuck between two mattresses. Pulling the lace out, a ghost suddenly emerges and the stepmother backs away out of fear. The ghost continues to crawl closer to her and she screams out loud, which could be heard outside from the house, and is presumably killed by the ghost.
Flashbacks reveal the father entering the house with the stepmother after an apparent marriage. The sisters' biological mother, uncle and his wife are also present in the house. The sisters developed a troubled relationship with the stepmother, resulting in Su-yeon leaving the kitchen and going to her bedroom to cry with her gravely ill biological mother. Later, Su-yeon discovers that her biological mother had hanged herself in the bedroom closet. Attempting to revive her, Su-yeon accidentally causes the closet to collapse on top of her body, which created a loud crash. The stepmother investigates the source of the loud crash and sees Su-yeon's hand hitting the floor several times. She turns her back against her due to their troubled relationship but she decides to save her but she sees Su-mi arriving at the scene, causing both of them to go into a heated argument which eventually made the stepmother too angry to save Su-yeon.
Before Su-mi stormed off, the stepmother tells her that she would regret this one day. Su-mi exits the house and she sees her stepmother looking coldly at her from the balcony, as Su-yeon eventually dies from being crushed by the weight of the closet. Su-mi continues walking away from the house and is unaware of the tragic events that occurred inside the house, which is the initial event that led her to be institutionalised. | Who is the girl's younger sister? | Su-yeon | 261 | 268 |
A Tale of Two Sisters | A teenage girl, Su-mi, is being treated for shock and psychosis. The doctor questions her about the day that led her to be admitted, but she refuses to answer. Later, Su-mi is returned home to her family's secluded estate with her father and her younger sister Su-yeon. At a family dinner, their cold and distant stepmother announces that their uncle and his wife will arrive tomorrow night for a dinner party. The girls are disappointed with her announcement and leave the table. Whilst the family goes to sleep, Su-yeon hears strange noises in her bedroom and goes to Su-mi for protection. However, Su-mi experiences a terrifying nightmare in which a female ghost with blood pouring down her legs climbs on top of her bed. Afterwards, all of the females in the family discover that their periods have occurred at the same time.
The next day, Su-mi finds several family photos, which reveal that her father and her stepmother once worked together and that the stepmother was an in-home nurse for her late biological mother. Su-mi discovers bruises on her sister's arms and angrily confronts her stepmother about it. At night, their uncle and his wife attend the dinner party and the stepmother tells bizarre stories, much to the bewilderment of the other guests. Suddenly, the uncle's wife suffers a violent seizure. Upon recovering, she claims to have seen a ghost beneath the kitchen sink. The stepmother later attempts to search for the ghost and she is attacked when a disfigured arm suddenly grabs her.
After finding out that her pet bird has been killed, the stepmother enters Su-yeon's room and discovers another dead bird, along with defaced family photos of herself. She locks Su-yeon in the closet and promises to release her if she apologises. Su-mi eventually releases her sister and she tearfully apologises that she didn't hear her pleas in time. Su-mi's father blames her for the family's recent trauma, but she retorts that her stepmother is to blame for attacking Su-yeon. The father tells her that Su-yeon is dead, but Su-mi refuses to believe him.
The next morning, after the father leaves the house to arrange Su-mi's readmission to the institution, the stepmother is seen dragging a large bloodied sack throughout the house. After discovering the trail of blood, Su-mi believes that Su-yeon is inside and tries to find a knife to open it. Her stepmother catches her and attempts to scald her with boiling water, but Su-mi manages to stab the stepmother in the hand with a pair of scissors. Su-mi is knocked unconscious by her stepmother. As Su-mi awakens, her stepmother taunts her about all of the suffering she experienced. She attempts to kill Su-mi with a garden statue, but is interrupted when the father arrives home and finds Su-mi alone. The father takes the stepmother into another room and orders her to sit down whilst he gives Su-mi medication.
It is revealed that Su-yeon and the stepmother are Su-mi's split personalities. Inside the bloodied sack, it is revealed that the sack wasn't actually bloodied but instead, there was a porcelain doll inside which Su-mi used to whip to act out her stepmother hitting her sister Su-yeon.
The father and the real stepmother send Su-mi back to the mental institution and the stepmother attempts to reconcile her relationship with Su-mi but Su-mi rejects her advances. They return home and whilst the stepmother sits alone in the kitchen at night, she hears footsteps racing towards Su-yeon's room. Entering the room, the lights suddenly black out and the door shuts close by itself. The bedroom closet suddenly opens by itself and the stepmother sees a lace that is stuck between two mattresses. Pulling the lace out, a ghost suddenly emerges and the stepmother backs away out of fear. The ghost continues to crawl closer to her and she screams out loud, which could be heard outside from the house, and is presumably killed by the ghost.
Flashbacks reveal the father entering the house with the stepmother after an apparent marriage. The sisters' biological mother, uncle and his wife are also present in the house. The sisters developed a troubled relationship with the stepmother, resulting in Su-yeon leaving the kitchen and going to her bedroom to cry with her gravely ill biological mother. Later, Su-yeon discovers that her biological mother had hanged herself in the bedroom closet. Attempting to revive her, Su-yeon accidentally causes the closet to collapse on top of her body, which created a loud crash. The stepmother investigates the source of the loud crash and sees Su-yeon's hand hitting the floor several times. She turns her back against her due to their troubled relationship but she decides to save her but she sees Su-mi arriving at the scene, causing both of them to go into a heated argument which eventually made the stepmother too angry to save Su-yeon.
Before Su-mi stormed off, the stepmother tells her that she would regret this one day. Su-mi exits the house and she sees her stepmother looking coldly at her from the balcony, as Su-yeon eventually dies from being crushed by the weight of the closet. Su-mi continues walking away from the house and is unaware of the tragic events that occurred inside the house, which is the initial event that led her to be institutionalised. | What does Su-mi use to stab her stepmother? | Scissors | 2,502 | 2,510 |
A Tale of Two Sisters | A teenage girl, Su-mi, is being treated for shock and psychosis. The doctor questions her about the day that led her to be admitted, but she refuses to answer. Later, Su-mi is returned home to her family's secluded estate with her father and her younger sister Su-yeon. At a family dinner, their cold and distant stepmother announces that their uncle and his wife will arrive tomorrow night for a dinner party. The girls are disappointed with her announcement and leave the table. Whilst the family goes to sleep, Su-yeon hears strange noises in her bedroom and goes to Su-mi for protection. However, Su-mi experiences a terrifying nightmare in which a female ghost with blood pouring down her legs climbs on top of her bed. Afterwards, all of the females in the family discover that their periods have occurred at the same time.
The next day, Su-mi finds several family photos, which reveal that her father and her stepmother once worked together and that the stepmother was an in-home nurse for her late biological mother. Su-mi discovers bruises on her sister's arms and angrily confronts her stepmother about it. At night, their uncle and his wife attend the dinner party and the stepmother tells bizarre stories, much to the bewilderment of the other guests. Suddenly, the uncle's wife suffers a violent seizure. Upon recovering, she claims to have seen a ghost beneath the kitchen sink. The stepmother later attempts to search for the ghost and she is attacked when a disfigured arm suddenly grabs her.
After finding out that her pet bird has been killed, the stepmother enters Su-yeon's room and discovers another dead bird, along with defaced family photos of herself. She locks Su-yeon in the closet and promises to release her if she apologises. Su-mi eventually releases her sister and she tearfully apologises that she didn't hear her pleas in time. Su-mi's father blames her for the family's recent trauma, but she retorts that her stepmother is to blame for attacking Su-yeon. The father tells her that Su-yeon is dead, but Su-mi refuses to believe him.
The next morning, after the father leaves the house to arrange Su-mi's readmission to the institution, the stepmother is seen dragging a large bloodied sack throughout the house. After discovering the trail of blood, Su-mi believes that Su-yeon is inside and tries to find a knife to open it. Her stepmother catches her and attempts to scald her with boiling water, but Su-mi manages to stab the stepmother in the hand with a pair of scissors. Su-mi is knocked unconscious by her stepmother. As Su-mi awakens, her stepmother taunts her about all of the suffering she experienced. She attempts to kill Su-mi with a garden statue, but is interrupted when the father arrives home and finds Su-mi alone. The father takes the stepmother into another room and orders her to sit down whilst he gives Su-mi medication.
It is revealed that Su-yeon and the stepmother are Su-mi's split personalities. Inside the bloodied sack, it is revealed that the sack wasn't actually bloodied but instead, there was a porcelain doll inside which Su-mi used to whip to act out her stepmother hitting her sister Su-yeon.
The father and the real stepmother send Su-mi back to the mental institution and the stepmother attempts to reconcile her relationship with Su-mi but Su-mi rejects her advances. They return home and whilst the stepmother sits alone in the kitchen at night, she hears footsteps racing towards Su-yeon's room. Entering the room, the lights suddenly black out and the door shuts close by itself. The bedroom closet suddenly opens by itself and the stepmother sees a lace that is stuck between two mattresses. Pulling the lace out, a ghost suddenly emerges and the stepmother backs away out of fear. The ghost continues to crawl closer to her and she screams out loud, which could be heard outside from the house, and is presumably killed by the ghost.
Flashbacks reveal the father entering the house with the stepmother after an apparent marriage. The sisters' biological mother, uncle and his wife are also present in the house. The sisters developed a troubled relationship with the stepmother, resulting in Su-yeon leaving the kitchen and going to her bedroom to cry with her gravely ill biological mother. Later, Su-yeon discovers that her biological mother had hanged herself in the bedroom closet. Attempting to revive her, Su-yeon accidentally causes the closet to collapse on top of her body, which created a loud crash. The stepmother investigates the source of the loud crash and sees Su-yeon's hand hitting the floor several times. She turns her back against her due to their troubled relationship but she decides to save her but she sees Su-mi arriving at the scene, causing both of them to go into a heated argument which eventually made the stepmother too angry to save Su-yeon.
Before Su-mi stormed off, the stepmother tells her that she would regret this one day. Su-mi exits the house and she sees her stepmother looking coldly at her from the balcony, as Su-yeon eventually dies from being crushed by the weight of the closet. Su-mi continues walking away from the house and is unaware of the tragic events that occurred inside the house, which is the initial event that led her to be institutionalised. | Who did a disfigured arm grab? | The stepmother | 957 | 971 |
A Tale of Two Sisters | A teenage girl, Su-mi, is being treated for shock and psychosis. The doctor questions her about the day that led her to be admitted, but she refuses to answer. Later, Su-mi is returned home to her family's secluded estate with her father and her younger sister Su-yeon. At a family dinner, their cold and distant stepmother announces that their uncle and his wife will arrive tomorrow night for a dinner party. The girls are disappointed with her announcement and leave the table. Whilst the family goes to sleep, Su-yeon hears strange noises in her bedroom and goes to Su-mi for protection. However, Su-mi experiences a terrifying nightmare in which a female ghost with blood pouring down her legs climbs on top of her bed. Afterwards, all of the females in the family discover that their periods have occurred at the same time.
The next day, Su-mi finds several family photos, which reveal that her father and her stepmother once worked together and that the stepmother was an in-home nurse for her late biological mother. Su-mi discovers bruises on her sister's arms and angrily confronts her stepmother about it. At night, their uncle and his wife attend the dinner party and the stepmother tells bizarre stories, much to the bewilderment of the other guests. Suddenly, the uncle's wife suffers a violent seizure. Upon recovering, she claims to have seen a ghost beneath the kitchen sink. The stepmother later attempts to search for the ghost and she is attacked when a disfigured arm suddenly grabs her.
After finding out that her pet bird has been killed, the stepmother enters Su-yeon's room and discovers another dead bird, along with defaced family photos of herself. She locks Su-yeon in the closet and promises to release her if she apologises. Su-mi eventually releases her sister and she tearfully apologises that she didn't hear her pleas in time. Su-mi's father blames her for the family's recent trauma, but she retorts that her stepmother is to blame for attacking Su-yeon. The father tells her that Su-yeon is dead, but Su-mi refuses to believe him.
The next morning, after the father leaves the house to arrange Su-mi's readmission to the institution, the stepmother is seen dragging a large bloodied sack throughout the house. After discovering the trail of blood, Su-mi believes that Su-yeon is inside and tries to find a knife to open it. Her stepmother catches her and attempts to scald her with boiling water, but Su-mi manages to stab the stepmother in the hand with a pair of scissors. Su-mi is knocked unconscious by her stepmother. As Su-mi awakens, her stepmother taunts her about all of the suffering she experienced. She attempts to kill Su-mi with a garden statue, but is interrupted when the father arrives home and finds Su-mi alone. The father takes the stepmother into another room and orders her to sit down whilst he gives Su-mi medication.
It is revealed that Su-yeon and the stepmother are Su-mi's split personalities. Inside the bloodied sack, it is revealed that the sack wasn't actually bloodied but instead, there was a porcelain doll inside which Su-mi used to whip to act out her stepmother hitting her sister Su-yeon.
The father and the real stepmother send Su-mi back to the mental institution and the stepmother attempts to reconcile her relationship with Su-mi but Su-mi rejects her advances. They return home and whilst the stepmother sits alone in the kitchen at night, she hears footsteps racing towards Su-yeon's room. Entering the room, the lights suddenly black out and the door shuts close by itself. The bedroom closet suddenly opens by itself and the stepmother sees a lace that is stuck between two mattresses. Pulling the lace out, a ghost suddenly emerges and the stepmother backs away out of fear. The ghost continues to crawl closer to her and she screams out loud, which could be heard outside from the house, and is presumably killed by the ghost.
Flashbacks reveal the father entering the house with the stepmother after an apparent marriage. The sisters' biological mother, uncle and his wife are also present in the house. The sisters developed a troubled relationship with the stepmother, resulting in Su-yeon leaving the kitchen and going to her bedroom to cry with her gravely ill biological mother. Later, Su-yeon discovers that her biological mother had hanged herself in the bedroom closet. Attempting to revive her, Su-yeon accidentally causes the closet to collapse on top of her body, which created a loud crash. The stepmother investigates the source of the loud crash and sees Su-yeon's hand hitting the floor several times. She turns her back against her due to their troubled relationship but she decides to save her but she sees Su-mi arriving at the scene, causing both of them to go into a heated argument which eventually made the stepmother too angry to save Su-yeon.
Before Su-mi stormed off, the stepmother tells her that she would regret this one day. Su-mi exits the house and she sees her stepmother looking coldly at her from the balcony, as Su-yeon eventually dies from being crushed by the weight of the closet. Su-mi continues walking away from the house and is unaware of the tragic events that occurred inside the house, which is the initial event that led her to be institutionalised. | Who will arrive for a dinner party? | Uncle and his wife | 345 | 363 |
A Tale of Two Sisters | A teenage girl, Su-mi, is being treated for shock and psychosis. The doctor questions her about the day that led her to be admitted, but she refuses to answer. Later, Su-mi is returned home to her family's secluded estate with her father and her younger sister Su-yeon. At a family dinner, their cold and distant stepmother announces that their uncle and his wife will arrive tomorrow night for a dinner party. The girls are disappointed with her announcement and leave the table. Whilst the family goes to sleep, Su-yeon hears strange noises in her bedroom and goes to Su-mi for protection. However, Su-mi experiences a terrifying nightmare in which a female ghost with blood pouring down her legs climbs on top of her bed. Afterwards, all of the females in the family discover that their periods have occurred at the same time.
The next day, Su-mi finds several family photos, which reveal that her father and her stepmother once worked together and that the stepmother was an in-home nurse for her late biological mother. Su-mi discovers bruises on her sister's arms and angrily confronts her stepmother about it. At night, their uncle and his wife attend the dinner party and the stepmother tells bizarre stories, much to the bewilderment of the other guests. Suddenly, the uncle's wife suffers a violent seizure. Upon recovering, she claims to have seen a ghost beneath the kitchen sink. The stepmother later attempts to search for the ghost and she is attacked when a disfigured arm suddenly grabs her.
After finding out that her pet bird has been killed, the stepmother enters Su-yeon's room and discovers another dead bird, along with defaced family photos of herself. She locks Su-yeon in the closet and promises to release her if she apologises. Su-mi eventually releases her sister and she tearfully apologises that she didn't hear her pleas in time. Su-mi's father blames her for the family's recent trauma, but she retorts that her stepmother is to blame for attacking Su-yeon. The father tells her that Su-yeon is dead, but Su-mi refuses to believe him.
The next morning, after the father leaves the house to arrange Su-mi's readmission to the institution, the stepmother is seen dragging a large bloodied sack throughout the house. After discovering the trail of blood, Su-mi believes that Su-yeon is inside and tries to find a knife to open it. Her stepmother catches her and attempts to scald her with boiling water, but Su-mi manages to stab the stepmother in the hand with a pair of scissors. Su-mi is knocked unconscious by her stepmother. As Su-mi awakens, her stepmother taunts her about all of the suffering she experienced. She attempts to kill Su-mi with a garden statue, but is interrupted when the father arrives home and finds Su-mi alone. The father takes the stepmother into another room and orders her to sit down whilst he gives Su-mi medication.
It is revealed that Su-yeon and the stepmother are Su-mi's split personalities. Inside the bloodied sack, it is revealed that the sack wasn't actually bloodied but instead, there was a porcelain doll inside which Su-mi used to whip to act out her stepmother hitting her sister Su-yeon.
The father and the real stepmother send Su-mi back to the mental institution and the stepmother attempts to reconcile her relationship with Su-mi but Su-mi rejects her advances. They return home and whilst the stepmother sits alone in the kitchen at night, she hears footsteps racing towards Su-yeon's room. Entering the room, the lights suddenly black out and the door shuts close by itself. The bedroom closet suddenly opens by itself and the stepmother sees a lace that is stuck between two mattresses. Pulling the lace out, a ghost suddenly emerges and the stepmother backs away out of fear. The ghost continues to crawl closer to her and she screams out loud, which could be heard outside from the house, and is presumably killed by the ghost.
Flashbacks reveal the father entering the house with the stepmother after an apparent marriage. The sisters' biological mother, uncle and his wife are also present in the house. The sisters developed a troubled relationship with the stepmother, resulting in Su-yeon leaving the kitchen and going to her bedroom to cry with her gravely ill biological mother. Later, Su-yeon discovers that her biological mother had hanged herself in the bedroom closet. Attempting to revive her, Su-yeon accidentally causes the closet to collapse on top of her body, which created a loud crash. The stepmother investigates the source of the loud crash and sees Su-yeon's hand hitting the floor several times. She turns her back against her due to their troubled relationship but she decides to save her but she sees Su-mi arriving at the scene, causing both of them to go into a heated argument which eventually made the stepmother too angry to save Su-yeon.
Before Su-mi stormed off, the stepmother tells her that she would regret this one day. Su-mi exits the house and she sees her stepmother looking coldly at her from the balcony, as Su-yeon eventually dies from being crushed by the weight of the closet. Su-mi continues walking away from the house and is unaware of the tragic events that occurred inside the house, which is the initial event that led her to be institutionalised. | Who do they ssend back to the mental institution? | Su-mi | 16 | 21 |
A Tale of Two Sisters | A teenage girl, Su-mi, is being treated for shock and psychosis. The doctor questions her about the day that led her to be admitted, but she refuses to answer. Later, Su-mi is returned home to her family's secluded estate with her father and her younger sister Su-yeon. At a family dinner, their cold and distant stepmother announces that their uncle and his wife will arrive tomorrow night for a dinner party. The girls are disappointed with her announcement and leave the table. Whilst the family goes to sleep, Su-yeon hears strange noises in her bedroom and goes to Su-mi for protection. However, Su-mi experiences a terrifying nightmare in which a female ghost with blood pouring down her legs climbs on top of her bed. Afterwards, all of the females in the family discover that their periods have occurred at the same time.
The next day, Su-mi finds several family photos, which reveal that her father and her stepmother once worked together and that the stepmother was an in-home nurse for her late biological mother. Su-mi discovers bruises on her sister's arms and angrily confronts her stepmother about it. At night, their uncle and his wife attend the dinner party and the stepmother tells bizarre stories, much to the bewilderment of the other guests. Suddenly, the uncle's wife suffers a violent seizure. Upon recovering, she claims to have seen a ghost beneath the kitchen sink. The stepmother later attempts to search for the ghost and she is attacked when a disfigured arm suddenly grabs her.
After finding out that her pet bird has been killed, the stepmother enters Su-yeon's room and discovers another dead bird, along with defaced family photos of herself. She locks Su-yeon in the closet and promises to release her if she apologises. Su-mi eventually releases her sister and she tearfully apologises that she didn't hear her pleas in time. Su-mi's father blames her for the family's recent trauma, but she retorts that her stepmother is to blame for attacking Su-yeon. The father tells her that Su-yeon is dead, but Su-mi refuses to believe him.
The next morning, after the father leaves the house to arrange Su-mi's readmission to the institution, the stepmother is seen dragging a large bloodied sack throughout the house. After discovering the trail of blood, Su-mi believes that Su-yeon is inside and tries to find a knife to open it. Her stepmother catches her and attempts to scald her with boiling water, but Su-mi manages to stab the stepmother in the hand with a pair of scissors. Su-mi is knocked unconscious by her stepmother. As Su-mi awakens, her stepmother taunts her about all of the suffering she experienced. She attempts to kill Su-mi with a garden statue, but is interrupted when the father arrives home and finds Su-mi alone. The father takes the stepmother into another room and orders her to sit down whilst he gives Su-mi medication.
It is revealed that Su-yeon and the stepmother are Su-mi's split personalities. Inside the bloodied sack, it is revealed that the sack wasn't actually bloodied but instead, there was a porcelain doll inside which Su-mi used to whip to act out her stepmother hitting her sister Su-yeon.
The father and the real stepmother send Su-mi back to the mental institution and the stepmother attempts to reconcile her relationship with Su-mi but Su-mi rejects her advances. They return home and whilst the stepmother sits alone in the kitchen at night, she hears footsteps racing towards Su-yeon's room. Entering the room, the lights suddenly black out and the door shuts close by itself. The bedroom closet suddenly opens by itself and the stepmother sees a lace that is stuck between two mattresses. Pulling the lace out, a ghost suddenly emerges and the stepmother backs away out of fear. The ghost continues to crawl closer to her and she screams out loud, which could be heard outside from the house, and is presumably killed by the ghost.
Flashbacks reveal the father entering the house with the stepmother after an apparent marriage. The sisters' biological mother, uncle and his wife are also present in the house. The sisters developed a troubled relationship with the stepmother, resulting in Su-yeon leaving the kitchen and going to her bedroom to cry with her gravely ill biological mother. Later, Su-yeon discovers that her biological mother had hanged herself in the bedroom closet. Attempting to revive her, Su-yeon accidentally causes the closet to collapse on top of her body, which created a loud crash. The stepmother investigates the source of the loud crash and sees Su-yeon's hand hitting the floor several times. She turns her back against her due to their troubled relationship but she decides to save her but she sees Su-mi arriving at the scene, causing both of them to go into a heated argument which eventually made the stepmother too angry to save Su-yeon.
Before Su-mi stormed off, the stepmother tells her that she would regret this one day. Su-mi exits the house and she sees her stepmother looking coldly at her from the balcony, as Su-yeon eventually dies from being crushed by the weight of the closet. Su-mi continues walking away from the house and is unaware of the tragic events that occurred inside the house, which is the initial event that led her to be institutionalised. | Who does not save Su-yeon? | the stepmother | 957 | 971 |
A Tale of Two Sisters | A teenage girl, Su-mi, is being treated for shock and psychosis. The doctor questions her about the day that led her to be admitted, but she refuses to answer. Later, Su-mi is returned home to her family's secluded estate with her father and her younger sister Su-yeon. At a family dinner, their cold and distant stepmother announces that their uncle and his wife will arrive tomorrow night for a dinner party. The girls are disappointed with her announcement and leave the table. Whilst the family goes to sleep, Su-yeon hears strange noises in her bedroom and goes to Su-mi for protection. However, Su-mi experiences a terrifying nightmare in which a female ghost with blood pouring down her legs climbs on top of her bed. Afterwards, all of the females in the family discover that their periods have occurred at the same time.
The next day, Su-mi finds several family photos, which reveal that her father and her stepmother once worked together and that the stepmother was an in-home nurse for her late biological mother. Su-mi discovers bruises on her sister's arms and angrily confronts her stepmother about it. At night, their uncle and his wife attend the dinner party and the stepmother tells bizarre stories, much to the bewilderment of the other guests. Suddenly, the uncle's wife suffers a violent seizure. Upon recovering, she claims to have seen a ghost beneath the kitchen sink. The stepmother later attempts to search for the ghost and she is attacked when a disfigured arm suddenly grabs her.
After finding out that her pet bird has been killed, the stepmother enters Su-yeon's room and discovers another dead bird, along with defaced family photos of herself. She locks Su-yeon in the closet and promises to release her if she apologises. Su-mi eventually releases her sister and she tearfully apologises that she didn't hear her pleas in time. Su-mi's father blames her for the family's recent trauma, but she retorts that her stepmother is to blame for attacking Su-yeon. The father tells her that Su-yeon is dead, but Su-mi refuses to believe him.
The next morning, after the father leaves the house to arrange Su-mi's readmission to the institution, the stepmother is seen dragging a large bloodied sack throughout the house. After discovering the trail of blood, Su-mi believes that Su-yeon is inside and tries to find a knife to open it. Her stepmother catches her and attempts to scald her with boiling water, but Su-mi manages to stab the stepmother in the hand with a pair of scissors. Su-mi is knocked unconscious by her stepmother. As Su-mi awakens, her stepmother taunts her about all of the suffering she experienced. She attempts to kill Su-mi with a garden statue, but is interrupted when the father arrives home and finds Su-mi alone. The father takes the stepmother into another room and orders her to sit down whilst he gives Su-mi medication.
It is revealed that Su-yeon and the stepmother are Su-mi's split personalities. Inside the bloodied sack, it is revealed that the sack wasn't actually bloodied but instead, there was a porcelain doll inside which Su-mi used to whip to act out her stepmother hitting her sister Su-yeon.
The father and the real stepmother send Su-mi back to the mental institution and the stepmother attempts to reconcile her relationship with Su-mi but Su-mi rejects her advances. They return home and whilst the stepmother sits alone in the kitchen at night, she hears footsteps racing towards Su-yeon's room. Entering the room, the lights suddenly black out and the door shuts close by itself. The bedroom closet suddenly opens by itself and the stepmother sees a lace that is stuck between two mattresses. Pulling the lace out, a ghost suddenly emerges and the stepmother backs away out of fear. The ghost continues to crawl closer to her and she screams out loud, which could be heard outside from the house, and is presumably killed by the ghost.
Flashbacks reveal the father entering the house with the stepmother after an apparent marriage. The sisters' biological mother, uncle and his wife are also present in the house. The sisters developed a troubled relationship with the stepmother, resulting in Su-yeon leaving the kitchen and going to her bedroom to cry with her gravely ill biological mother. Later, Su-yeon discovers that her biological mother had hanged herself in the bedroom closet. Attempting to revive her, Su-yeon accidentally causes the closet to collapse on top of her body, which created a loud crash. The stepmother investigates the source of the loud crash and sees Su-yeon's hand hitting the floor several times. She turns her back against her due to their troubled relationship but she decides to save her but she sees Su-mi arriving at the scene, causing both of them to go into a heated argument which eventually made the stepmother too angry to save Su-yeon.
Before Su-mi stormed off, the stepmother tells her that she would regret this one day. Su-mi exits the house and she sees her stepmother looking coldly at her from the balcony, as Su-yeon eventually dies from being crushed by the weight of the closet. Su-mi continues walking away from the house and is unaware of the tragic events that occurred inside the house, which is the initial event that led her to be institutionalised. | Where did the uncle's wife claim to have seen a ghost? | Beneath the kitchen sink | 1,367 | 1,391 |
A Tale of Two Sisters | A teenage girl, Su-mi, is being treated for shock and psychosis. The doctor questions her about the day that led her to be admitted, but she refuses to answer. Later, Su-mi is returned home to her family's secluded estate with her father and her younger sister Su-yeon. At a family dinner, their cold and distant stepmother announces that their uncle and his wife will arrive tomorrow night for a dinner party. The girls are disappointed with her announcement and leave the table. Whilst the family goes to sleep, Su-yeon hears strange noises in her bedroom and goes to Su-mi for protection. However, Su-mi experiences a terrifying nightmare in which a female ghost with blood pouring down her legs climbs on top of her bed. Afterwards, all of the females in the family discover that their periods have occurred at the same time.
The next day, Su-mi finds several family photos, which reveal that her father and her stepmother once worked together and that the stepmother was an in-home nurse for her late biological mother. Su-mi discovers bruises on her sister's arms and angrily confronts her stepmother about it. At night, their uncle and his wife attend the dinner party and the stepmother tells bizarre stories, much to the bewilderment of the other guests. Suddenly, the uncle's wife suffers a violent seizure. Upon recovering, she claims to have seen a ghost beneath the kitchen sink. The stepmother later attempts to search for the ghost and she is attacked when a disfigured arm suddenly grabs her.
After finding out that her pet bird has been killed, the stepmother enters Su-yeon's room and discovers another dead bird, along with defaced family photos of herself. She locks Su-yeon in the closet and promises to release her if she apologises. Su-mi eventually releases her sister and she tearfully apologises that she didn't hear her pleas in time. Su-mi's father blames her for the family's recent trauma, but she retorts that her stepmother is to blame for attacking Su-yeon. The father tells her that Su-yeon is dead, but Su-mi refuses to believe him.
The next morning, after the father leaves the house to arrange Su-mi's readmission to the institution, the stepmother is seen dragging a large bloodied sack throughout the house. After discovering the trail of blood, Su-mi believes that Su-yeon is inside and tries to find a knife to open it. Her stepmother catches her and attempts to scald her with boiling water, but Su-mi manages to stab the stepmother in the hand with a pair of scissors. Su-mi is knocked unconscious by her stepmother. As Su-mi awakens, her stepmother taunts her about all of the suffering she experienced. She attempts to kill Su-mi with a garden statue, but is interrupted when the father arrives home and finds Su-mi alone. The father takes the stepmother into another room and orders her to sit down whilst he gives Su-mi medication.
It is revealed that Su-yeon and the stepmother are Su-mi's split personalities. Inside the bloodied sack, it is revealed that the sack wasn't actually bloodied but instead, there was a porcelain doll inside which Su-mi used to whip to act out her stepmother hitting her sister Su-yeon.
The father and the real stepmother send Su-mi back to the mental institution and the stepmother attempts to reconcile her relationship with Su-mi but Su-mi rejects her advances. They return home and whilst the stepmother sits alone in the kitchen at night, she hears footsteps racing towards Su-yeon's room. Entering the room, the lights suddenly black out and the door shuts close by itself. The bedroom closet suddenly opens by itself and the stepmother sees a lace that is stuck between two mattresses. Pulling the lace out, a ghost suddenly emerges and the stepmother backs away out of fear. The ghost continues to crawl closer to her and she screams out loud, which could be heard outside from the house, and is presumably killed by the ghost.
Flashbacks reveal the father entering the house with the stepmother after an apparent marriage. The sisters' biological mother, uncle and his wife are also present in the house. The sisters developed a troubled relationship with the stepmother, resulting in Su-yeon leaving the kitchen and going to her bedroom to cry with her gravely ill biological mother. Later, Su-yeon discovers that her biological mother had hanged herself in the bedroom closet. Attempting to revive her, Su-yeon accidentally causes the closet to collapse on top of her body, which created a loud crash. The stepmother investigates the source of the loud crash and sees Su-yeon's hand hitting the floor several times. She turns her back against her due to their troubled relationship but she decides to save her but she sees Su-mi arriving at the scene, causing both of them to go into a heated argument which eventually made the stepmother too angry to save Su-yeon.
Before Su-mi stormed off, the stepmother tells her that she would regret this one day. Su-mi exits the house and she sees her stepmother looking coldly at her from the balcony, as Su-yeon eventually dies from being crushed by the weight of the closet. Su-mi continues walking away from the house and is unaware of the tragic events that occurred inside the house, which is the initial event that led her to be institutionalised. | Who did Su-mi believe was inside the sack? | Su-yeon | 261 | 268 |
A Tale of Two Sisters | A teenage girl, Su-mi, is being treated for shock and psychosis. The doctor questions her about the day that led her to be admitted, but she refuses to answer. Later, Su-mi is returned home to her family's secluded estate with her father and her younger sister Su-yeon. At a family dinner, their cold and distant stepmother announces that their uncle and his wife will arrive tomorrow night for a dinner party. The girls are disappointed with her announcement and leave the table. Whilst the family goes to sleep, Su-yeon hears strange noises in her bedroom and goes to Su-mi for protection. However, Su-mi experiences a terrifying nightmare in which a female ghost with blood pouring down her legs climbs on top of her bed. Afterwards, all of the females in the family discover that their periods have occurred at the same time.
The next day, Su-mi finds several family photos, which reveal that her father and her stepmother once worked together and that the stepmother was an in-home nurse for her late biological mother. Su-mi discovers bruises on her sister's arms and angrily confronts her stepmother about it. At night, their uncle and his wife attend the dinner party and the stepmother tells bizarre stories, much to the bewilderment of the other guests. Suddenly, the uncle's wife suffers a violent seizure. Upon recovering, she claims to have seen a ghost beneath the kitchen sink. The stepmother later attempts to search for the ghost and she is attacked when a disfigured arm suddenly grabs her.
After finding out that her pet bird has been killed, the stepmother enters Su-yeon's room and discovers another dead bird, along with defaced family photos of herself. She locks Su-yeon in the closet and promises to release her if she apologises. Su-mi eventually releases her sister and she tearfully apologises that she didn't hear her pleas in time. Su-mi's father blames her for the family's recent trauma, but she retorts that her stepmother is to blame for attacking Su-yeon. The father tells her that Su-yeon is dead, but Su-mi refuses to believe him.
The next morning, after the father leaves the house to arrange Su-mi's readmission to the institution, the stepmother is seen dragging a large bloodied sack throughout the house. After discovering the trail of blood, Su-mi believes that Su-yeon is inside and tries to find a knife to open it. Her stepmother catches her and attempts to scald her with boiling water, but Su-mi manages to stab the stepmother in the hand with a pair of scissors. Su-mi is knocked unconscious by her stepmother. As Su-mi awakens, her stepmother taunts her about all of the suffering she experienced. She attempts to kill Su-mi with a garden statue, but is interrupted when the father arrives home and finds Su-mi alone. The father takes the stepmother into another room and orders her to sit down whilst he gives Su-mi medication.
It is revealed that Su-yeon and the stepmother are Su-mi's split personalities. Inside the bloodied sack, it is revealed that the sack wasn't actually bloodied but instead, there was a porcelain doll inside which Su-mi used to whip to act out her stepmother hitting her sister Su-yeon.
The father and the real stepmother send Su-mi back to the mental institution and the stepmother attempts to reconcile her relationship with Su-mi but Su-mi rejects her advances. They return home and whilst the stepmother sits alone in the kitchen at night, she hears footsteps racing towards Su-yeon's room. Entering the room, the lights suddenly black out and the door shuts close by itself. The bedroom closet suddenly opens by itself and the stepmother sees a lace that is stuck between two mattresses. Pulling the lace out, a ghost suddenly emerges and the stepmother backs away out of fear. The ghost continues to crawl closer to her and she screams out loud, which could be heard outside from the house, and is presumably killed by the ghost.
Flashbacks reveal the father entering the house with the stepmother after an apparent marriage. The sisters' biological mother, uncle and his wife are also present in the house. The sisters developed a troubled relationship with the stepmother, resulting in Su-yeon leaving the kitchen and going to her bedroom to cry with her gravely ill biological mother. Later, Su-yeon discovers that her biological mother had hanged herself in the bedroom closet. Attempting to revive her, Su-yeon accidentally causes the closet to collapse on top of her body, which created a loud crash. The stepmother investigates the source of the loud crash and sees Su-yeon's hand hitting the floor several times. She turns her back against her due to their troubled relationship but she decides to save her but she sees Su-mi arriving at the scene, causing both of them to go into a heated argument which eventually made the stepmother too angry to save Su-yeon.
Before Su-mi stormed off, the stepmother tells her that she would regret this one day. Su-mi exits the house and she sees her stepmother looking coldly at her from the balcony, as Su-yeon eventually dies from being crushed by the weight of the closet. Su-mi continues walking away from the house and is unaware of the tragic events that occurred inside the house, which is the initial event that led her to be institutionalised. | Where did Su-yeon's mother hang herself? | the bedroom closet | 3,558 | 3,576 |
A Tale of Two Sisters | A teenage girl, Su-mi, is being treated for shock and psychosis. The doctor questions her about the day that led her to be admitted, but she refuses to answer. Later, Su-mi is returned home to her family's secluded estate with her father and her younger sister Su-yeon. At a family dinner, their cold and distant stepmother announces that their uncle and his wife will arrive tomorrow night for a dinner party. The girls are disappointed with her announcement and leave the table. Whilst the family goes to sleep, Su-yeon hears strange noises in her bedroom and goes to Su-mi for protection. However, Su-mi experiences a terrifying nightmare in which a female ghost with blood pouring down her legs climbs on top of her bed. Afterwards, all of the females in the family discover that their periods have occurred at the same time.
The next day, Su-mi finds several family photos, which reveal that her father and her stepmother once worked together and that the stepmother was an in-home nurse for her late biological mother. Su-mi discovers bruises on her sister's arms and angrily confronts her stepmother about it. At night, their uncle and his wife attend the dinner party and the stepmother tells bizarre stories, much to the bewilderment of the other guests. Suddenly, the uncle's wife suffers a violent seizure. Upon recovering, she claims to have seen a ghost beneath the kitchen sink. The stepmother later attempts to search for the ghost and she is attacked when a disfigured arm suddenly grabs her.
After finding out that her pet bird has been killed, the stepmother enters Su-yeon's room and discovers another dead bird, along with defaced family photos of herself. She locks Su-yeon in the closet and promises to release her if she apologises. Su-mi eventually releases her sister and she tearfully apologises that she didn't hear her pleas in time. Su-mi's father blames her for the family's recent trauma, but she retorts that her stepmother is to blame for attacking Su-yeon. The father tells her that Su-yeon is dead, but Su-mi refuses to believe him.
The next morning, after the father leaves the house to arrange Su-mi's readmission to the institution, the stepmother is seen dragging a large bloodied sack throughout the house. After discovering the trail of blood, Su-mi believes that Su-yeon is inside and tries to find a knife to open it. Her stepmother catches her and attempts to scald her with boiling water, but Su-mi manages to stab the stepmother in the hand with a pair of scissors. Su-mi is knocked unconscious by her stepmother. As Su-mi awakens, her stepmother taunts her about all of the suffering she experienced. She attempts to kill Su-mi with a garden statue, but is interrupted when the father arrives home and finds Su-mi alone. The father takes the stepmother into another room and orders her to sit down whilst he gives Su-mi medication.
It is revealed that Su-yeon and the stepmother are Su-mi's split personalities. Inside the bloodied sack, it is revealed that the sack wasn't actually bloodied but instead, there was a porcelain doll inside which Su-mi used to whip to act out her stepmother hitting her sister Su-yeon.
The father and the real stepmother send Su-mi back to the mental institution and the stepmother attempts to reconcile her relationship with Su-mi but Su-mi rejects her advances. They return home and whilst the stepmother sits alone in the kitchen at night, she hears footsteps racing towards Su-yeon's room. Entering the room, the lights suddenly black out and the door shuts close by itself. The bedroom closet suddenly opens by itself and the stepmother sees a lace that is stuck between two mattresses. Pulling the lace out, a ghost suddenly emerges and the stepmother backs away out of fear. The ghost continues to crawl closer to her and she screams out loud, which could be heard outside from the house, and is presumably killed by the ghost.
Flashbacks reveal the father entering the house with the stepmother after an apparent marriage. The sisters' biological mother, uncle and his wife are also present in the house. The sisters developed a troubled relationship with the stepmother, resulting in Su-yeon leaving the kitchen and going to her bedroom to cry with her gravely ill biological mother. Later, Su-yeon discovers that her biological mother had hanged herself in the bedroom closet. Attempting to revive her, Su-yeon accidentally causes the closet to collapse on top of her body, which created a loud crash. The stepmother investigates the source of the loud crash and sees Su-yeon's hand hitting the floor several times. She turns her back against her due to their troubled relationship but she decides to save her but she sees Su-mi arriving at the scene, causing both of them to go into a heated argument which eventually made the stepmother too angry to save Su-yeon.
Before Su-mi stormed off, the stepmother tells her that she would regret this one day. Su-mi exits the house and she sees her stepmother looking coldly at her from the balcony, as Su-yeon eventually dies from being crushed by the weight of the closet. Su-mi continues walking away from the house and is unaware of the tragic events that occurred inside the house, which is the initial event that led her to be institutionalised. | Who finds several family photos? | Su-mi | 16 | 21 |
A Tale of Two Sisters | A teenage girl, Su-mi, is being treated for shock and psychosis. The doctor questions her about the day that led her to be admitted, but she refuses to answer. Later, Su-mi is returned home to her family's secluded estate with her father and her younger sister Su-yeon. At a family dinner, their cold and distant stepmother announces that their uncle and his wife will arrive tomorrow night for a dinner party. The girls are disappointed with her announcement and leave the table. Whilst the family goes to sleep, Su-yeon hears strange noises in her bedroom and goes to Su-mi for protection. However, Su-mi experiences a terrifying nightmare in which a female ghost with blood pouring down her legs climbs on top of her bed. Afterwards, all of the females in the family discover that their periods have occurred at the same time.
The next day, Su-mi finds several family photos, which reveal that her father and her stepmother once worked together and that the stepmother was an in-home nurse for her late biological mother. Su-mi discovers bruises on her sister's arms and angrily confronts her stepmother about it. At night, their uncle and his wife attend the dinner party and the stepmother tells bizarre stories, much to the bewilderment of the other guests. Suddenly, the uncle's wife suffers a violent seizure. Upon recovering, she claims to have seen a ghost beneath the kitchen sink. The stepmother later attempts to search for the ghost and she is attacked when a disfigured arm suddenly grabs her.
After finding out that her pet bird has been killed, the stepmother enters Su-yeon's room and discovers another dead bird, along with defaced family photos of herself. She locks Su-yeon in the closet and promises to release her if she apologises. Su-mi eventually releases her sister and she tearfully apologises that she didn't hear her pleas in time. Su-mi's father blames her for the family's recent trauma, but she retorts that her stepmother is to blame for attacking Su-yeon. The father tells her that Su-yeon is dead, but Su-mi refuses to believe him.
The next morning, after the father leaves the house to arrange Su-mi's readmission to the institution, the stepmother is seen dragging a large bloodied sack throughout the house. After discovering the trail of blood, Su-mi believes that Su-yeon is inside and tries to find a knife to open it. Her stepmother catches her and attempts to scald her with boiling water, but Su-mi manages to stab the stepmother in the hand with a pair of scissors. Su-mi is knocked unconscious by her stepmother. As Su-mi awakens, her stepmother taunts her about all of the suffering she experienced. She attempts to kill Su-mi with a garden statue, but is interrupted when the father arrives home and finds Su-mi alone. The father takes the stepmother into another room and orders her to sit down whilst he gives Su-mi medication.
It is revealed that Su-yeon and the stepmother are Su-mi's split personalities. Inside the bloodied sack, it is revealed that the sack wasn't actually bloodied but instead, there was a porcelain doll inside which Su-mi used to whip to act out her stepmother hitting her sister Su-yeon.
The father and the real stepmother send Su-mi back to the mental institution and the stepmother attempts to reconcile her relationship with Su-mi but Su-mi rejects her advances. They return home and whilst the stepmother sits alone in the kitchen at night, she hears footsteps racing towards Su-yeon's room. Entering the room, the lights suddenly black out and the door shuts close by itself. The bedroom closet suddenly opens by itself and the stepmother sees a lace that is stuck between two mattresses. Pulling the lace out, a ghost suddenly emerges and the stepmother backs away out of fear. The ghost continues to crawl closer to her and she screams out loud, which could be heard outside from the house, and is presumably killed by the ghost.
Flashbacks reveal the father entering the house with the stepmother after an apparent marriage. The sisters' biological mother, uncle and his wife are also present in the house. The sisters developed a troubled relationship with the stepmother, resulting in Su-yeon leaving the kitchen and going to her bedroom to cry with her gravely ill biological mother. Later, Su-yeon discovers that her biological mother had hanged herself in the bedroom closet. Attempting to revive her, Su-yeon accidentally causes the closet to collapse on top of her body, which created a loud crash. The stepmother investigates the source of the loud crash and sees Su-yeon's hand hitting the floor several times. She turns her back against her due to their troubled relationship but she decides to save her but she sees Su-mi arriving at the scene, causing both of them to go into a heated argument which eventually made the stepmother too angry to save Su-yeon.
Before Su-mi stormed off, the stepmother tells her that she would regret this one day. Su-mi exits the house and she sees her stepmother looking coldly at her from the balcony, as Su-yeon eventually dies from being crushed by the weight of the closet. Su-mi continues walking away from the house and is unaware of the tragic events that occurred inside the house, which is the initial event that led her to be institutionalised. | What emerges fromt the mattress? | a ghost | 1,359 | 1,366 |
A Tale of Two Sisters | A teenage girl, Su-mi, is being treated for shock and psychosis. The doctor questions her about the day that led her to be admitted, but she refuses to answer. Later, Su-mi is returned home to her family's secluded estate with her father and her younger sister Su-yeon. At a family dinner, their cold and distant stepmother announces that their uncle and his wife will arrive tomorrow night for a dinner party. The girls are disappointed with her announcement and leave the table. Whilst the family goes to sleep, Su-yeon hears strange noises in her bedroom and goes to Su-mi for protection. However, Su-mi experiences a terrifying nightmare in which a female ghost with blood pouring down her legs climbs on top of her bed. Afterwards, all of the females in the family discover that their periods have occurred at the same time.
The next day, Su-mi finds several family photos, which reveal that her father and her stepmother once worked together and that the stepmother was an in-home nurse for her late biological mother. Su-mi discovers bruises on her sister's arms and angrily confronts her stepmother about it. At night, their uncle and his wife attend the dinner party and the stepmother tells bizarre stories, much to the bewilderment of the other guests. Suddenly, the uncle's wife suffers a violent seizure. Upon recovering, she claims to have seen a ghost beneath the kitchen sink. The stepmother later attempts to search for the ghost and she is attacked when a disfigured arm suddenly grabs her.
After finding out that her pet bird has been killed, the stepmother enters Su-yeon's room and discovers another dead bird, along with defaced family photos of herself. She locks Su-yeon in the closet and promises to release her if she apologises. Su-mi eventually releases her sister and she tearfully apologises that she didn't hear her pleas in time. Su-mi's father blames her for the family's recent trauma, but she retorts that her stepmother is to blame for attacking Su-yeon. The father tells her that Su-yeon is dead, but Su-mi refuses to believe him.
The next morning, after the father leaves the house to arrange Su-mi's readmission to the institution, the stepmother is seen dragging a large bloodied sack throughout the house. After discovering the trail of blood, Su-mi believes that Su-yeon is inside and tries to find a knife to open it. Her stepmother catches her and attempts to scald her with boiling water, but Su-mi manages to stab the stepmother in the hand with a pair of scissors. Su-mi is knocked unconscious by her stepmother. As Su-mi awakens, her stepmother taunts her about all of the suffering she experienced. She attempts to kill Su-mi with a garden statue, but is interrupted when the father arrives home and finds Su-mi alone. The father takes the stepmother into another room and orders her to sit down whilst he gives Su-mi medication.
It is revealed that Su-yeon and the stepmother are Su-mi's split personalities. Inside the bloodied sack, it is revealed that the sack wasn't actually bloodied but instead, there was a porcelain doll inside which Su-mi used to whip to act out her stepmother hitting her sister Su-yeon.
The father and the real stepmother send Su-mi back to the mental institution and the stepmother attempts to reconcile her relationship with Su-mi but Su-mi rejects her advances. They return home and whilst the stepmother sits alone in the kitchen at night, she hears footsteps racing towards Su-yeon's room. Entering the room, the lights suddenly black out and the door shuts close by itself. The bedroom closet suddenly opens by itself and the stepmother sees a lace that is stuck between two mattresses. Pulling the lace out, a ghost suddenly emerges and the stepmother backs away out of fear. The ghost continues to crawl closer to her and she screams out loud, which could be heard outside from the house, and is presumably killed by the ghost.
Flashbacks reveal the father entering the house with the stepmother after an apparent marriage. The sisters' biological mother, uncle and his wife are also present in the house. The sisters developed a troubled relationship with the stepmother, resulting in Su-yeon leaving the kitchen and going to her bedroom to cry with her gravely ill biological mother. Later, Su-yeon discovers that her biological mother had hanged herself in the bedroom closet. Attempting to revive her, Su-yeon accidentally causes the closet to collapse on top of her body, which created a loud crash. The stepmother investigates the source of the loud crash and sees Su-yeon's hand hitting the floor several times. She turns her back against her due to their troubled relationship but she decides to save her but she sees Su-mi arriving at the scene, causing both of them to go into a heated argument which eventually made the stepmother too angry to save Su-yeon.
Before Su-mi stormed off, the stepmother tells her that she would regret this one day. Su-mi exits the house and she sees her stepmother looking coldly at her from the balcony, as Su-yeon eventually dies from being crushed by the weight of the closet. Su-mi continues walking away from the house and is unaware of the tragic events that occurred inside the house, which is the initial event that led her to be institutionalised. | What does the father give Su-mi? | Medication | 2,867 | 2,877 |
A Tale of Two Sisters | A teenage girl, Su-mi, is being treated for shock and psychosis. The doctor questions her about the day that led her to be admitted, but she refuses to answer. Later, Su-mi is returned home to her family's secluded estate with her father and her younger sister Su-yeon. At a family dinner, their cold and distant stepmother announces that their uncle and his wife will arrive tomorrow night for a dinner party. The girls are disappointed with her announcement and leave the table. Whilst the family goes to sleep, Su-yeon hears strange noises in her bedroom and goes to Su-mi for protection. However, Su-mi experiences a terrifying nightmare in which a female ghost with blood pouring down her legs climbs on top of her bed. Afterwards, all of the females in the family discover that their periods have occurred at the same time.
The next day, Su-mi finds several family photos, which reveal that her father and her stepmother once worked together and that the stepmother was an in-home nurse for her late biological mother. Su-mi discovers bruises on her sister's arms and angrily confronts her stepmother about it. At night, their uncle and his wife attend the dinner party and the stepmother tells bizarre stories, much to the bewilderment of the other guests. Suddenly, the uncle's wife suffers a violent seizure. Upon recovering, she claims to have seen a ghost beneath the kitchen sink. The stepmother later attempts to search for the ghost and she is attacked when a disfigured arm suddenly grabs her.
After finding out that her pet bird has been killed, the stepmother enters Su-yeon's room and discovers another dead bird, along with defaced family photos of herself. She locks Su-yeon in the closet and promises to release her if she apologises. Su-mi eventually releases her sister and she tearfully apologises that she didn't hear her pleas in time. Su-mi's father blames her for the family's recent trauma, but she retorts that her stepmother is to blame for attacking Su-yeon. The father tells her that Su-yeon is dead, but Su-mi refuses to believe him.
The next morning, after the father leaves the house to arrange Su-mi's readmission to the institution, the stepmother is seen dragging a large bloodied sack throughout the house. After discovering the trail of blood, Su-mi believes that Su-yeon is inside and tries to find a knife to open it. Her stepmother catches her and attempts to scald her with boiling water, but Su-mi manages to stab the stepmother in the hand with a pair of scissors. Su-mi is knocked unconscious by her stepmother. As Su-mi awakens, her stepmother taunts her about all of the suffering she experienced. She attempts to kill Su-mi with a garden statue, but is interrupted when the father arrives home and finds Su-mi alone. The father takes the stepmother into another room and orders her to sit down whilst he gives Su-mi medication.
It is revealed that Su-yeon and the stepmother are Su-mi's split personalities. Inside the bloodied sack, it is revealed that the sack wasn't actually bloodied but instead, there was a porcelain doll inside which Su-mi used to whip to act out her stepmother hitting her sister Su-yeon.
The father and the real stepmother send Su-mi back to the mental institution and the stepmother attempts to reconcile her relationship with Su-mi but Su-mi rejects her advances. They return home and whilst the stepmother sits alone in the kitchen at night, she hears footsteps racing towards Su-yeon's room. Entering the room, the lights suddenly black out and the door shuts close by itself. The bedroom closet suddenly opens by itself and the stepmother sees a lace that is stuck between two mattresses. Pulling the lace out, a ghost suddenly emerges and the stepmother backs away out of fear. The ghost continues to crawl closer to her and she screams out loud, which could be heard outside from the house, and is presumably killed by the ghost.
Flashbacks reveal the father entering the house with the stepmother after an apparent marriage. The sisters' biological mother, uncle and his wife are also present in the house. The sisters developed a troubled relationship with the stepmother, resulting in Su-yeon leaving the kitchen and going to her bedroom to cry with her gravely ill biological mother. Later, Su-yeon discovers that her biological mother had hanged herself in the bedroom closet. Attempting to revive her, Su-yeon accidentally causes the closet to collapse on top of her body, which created a loud crash. The stepmother investigates the source of the loud crash and sees Su-yeon's hand hitting the floor several times. She turns her back against her due to their troubled relationship but she decides to save her but she sees Su-mi arriving at the scene, causing both of them to go into a heated argument which eventually made the stepmother too angry to save Su-yeon.
Before Su-mi stormed off, the stepmother tells her that she would regret this one day. Su-mi exits the house and she sees her stepmother looking coldly at her from the balcony, as Su-yeon eventually dies from being crushed by the weight of the closet. Su-mi continues walking away from the house and is unaware of the tragic events that occurred inside the house, which is the initial event that led her to be institutionalised. | Who says Su-yeon is dead? | father tells her that Su-yeon is dead, but Su-mi refuses to believe him | 1,995 | 2,066 |
A Tale of Two Sisters | A teenage girl, Su-mi, is being treated for shock and psychosis. The doctor questions her about the day that led her to be admitted, but she refuses to answer. Later, Su-mi is returned home to her family's secluded estate with her father and her younger sister Su-yeon. At a family dinner, their cold and distant stepmother announces that their uncle and his wife will arrive tomorrow night for a dinner party. The girls are disappointed with her announcement and leave the table. Whilst the family goes to sleep, Su-yeon hears strange noises in her bedroom and goes to Su-mi for protection. However, Su-mi experiences a terrifying nightmare in which a female ghost with blood pouring down her legs climbs on top of her bed. Afterwards, all of the females in the family discover that their periods have occurred at the same time.
The next day, Su-mi finds several family photos, which reveal that her father and her stepmother once worked together and that the stepmother was an in-home nurse for her late biological mother. Su-mi discovers bruises on her sister's arms and angrily confronts her stepmother about it. At night, their uncle and his wife attend the dinner party and the stepmother tells bizarre stories, much to the bewilderment of the other guests. Suddenly, the uncle's wife suffers a violent seizure. Upon recovering, she claims to have seen a ghost beneath the kitchen sink. The stepmother later attempts to search for the ghost and she is attacked when a disfigured arm suddenly grabs her.
After finding out that her pet bird has been killed, the stepmother enters Su-yeon's room and discovers another dead bird, along with defaced family photos of herself. She locks Su-yeon in the closet and promises to release her if she apologises. Su-mi eventually releases her sister and she tearfully apologises that she didn't hear her pleas in time. Su-mi's father blames her for the family's recent trauma, but she retorts that her stepmother is to blame for attacking Su-yeon. The father tells her that Su-yeon is dead, but Su-mi refuses to believe him.
The next morning, after the father leaves the house to arrange Su-mi's readmission to the institution, the stepmother is seen dragging a large bloodied sack throughout the house. After discovering the trail of blood, Su-mi believes that Su-yeon is inside and tries to find a knife to open it. Her stepmother catches her and attempts to scald her with boiling water, but Su-mi manages to stab the stepmother in the hand with a pair of scissors. Su-mi is knocked unconscious by her stepmother. As Su-mi awakens, her stepmother taunts her about all of the suffering she experienced. She attempts to kill Su-mi with a garden statue, but is interrupted when the father arrives home and finds Su-mi alone. The father takes the stepmother into another room and orders her to sit down whilst he gives Su-mi medication.
It is revealed that Su-yeon and the stepmother are Su-mi's split personalities. Inside the bloodied sack, it is revealed that the sack wasn't actually bloodied but instead, there was a porcelain doll inside which Su-mi used to whip to act out her stepmother hitting her sister Su-yeon.
The father and the real stepmother send Su-mi back to the mental institution and the stepmother attempts to reconcile her relationship with Su-mi but Su-mi rejects her advances. They return home and whilst the stepmother sits alone in the kitchen at night, she hears footsteps racing towards Su-yeon's room. Entering the room, the lights suddenly black out and the door shuts close by itself. The bedroom closet suddenly opens by itself and the stepmother sees a lace that is stuck between two mattresses. Pulling the lace out, a ghost suddenly emerges and the stepmother backs away out of fear. The ghost continues to crawl closer to her and she screams out loud, which could be heard outside from the house, and is presumably killed by the ghost.
Flashbacks reveal the father entering the house with the stepmother after an apparent marriage. The sisters' biological mother, uncle and his wife are also present in the house. The sisters developed a troubled relationship with the stepmother, resulting in Su-yeon leaving the kitchen and going to her bedroom to cry with her gravely ill biological mother. Later, Su-yeon discovers that her biological mother had hanged herself in the bedroom closet. Attempting to revive her, Su-yeon accidentally causes the closet to collapse on top of her body, which created a loud crash. The stepmother investigates the source of the loud crash and sees Su-yeon's hand hitting the floor several times. She turns her back against her due to their troubled relationship but she decides to save her but she sees Su-mi arriving at the scene, causing both of them to go into a heated argument which eventually made the stepmother too angry to save Su-yeon.
Before Su-mi stormed off, the stepmother tells her that she would regret this one day. Su-mi exits the house and she sees her stepmother looking coldly at her from the balcony, as Su-yeon eventually dies from being crushed by the weight of the closet. Su-mi continues walking away from the house and is unaware of the tragic events that occurred inside the house, which is the initial event that led her to be institutionalised. | Who enters Su-yeon's room? | The Stepmother | 957 | 971 |
A Tale of Two Sisters | A teenage girl, Su-mi, is being treated for shock and psychosis. The doctor questions her about the day that led her to be admitted, but she refuses to answer. Later, Su-mi is returned home to her family's secluded estate with her father and her younger sister Su-yeon. At a family dinner, their cold and distant stepmother announces that their uncle and his wife will arrive tomorrow night for a dinner party. The girls are disappointed with her announcement and leave the table. Whilst the family goes to sleep, Su-yeon hears strange noises in her bedroom and goes to Su-mi for protection. However, Su-mi experiences a terrifying nightmare in which a female ghost with blood pouring down her legs climbs on top of her bed. Afterwards, all of the females in the family discover that their periods have occurred at the same time.
The next day, Su-mi finds several family photos, which reveal that her father and her stepmother once worked together and that the stepmother was an in-home nurse for her late biological mother. Su-mi discovers bruises on her sister's arms and angrily confronts her stepmother about it. At night, their uncle and his wife attend the dinner party and the stepmother tells bizarre stories, much to the bewilderment of the other guests. Suddenly, the uncle's wife suffers a violent seizure. Upon recovering, she claims to have seen a ghost beneath the kitchen sink. The stepmother later attempts to search for the ghost and she is attacked when a disfigured arm suddenly grabs her.
After finding out that her pet bird has been killed, the stepmother enters Su-yeon's room and discovers another dead bird, along with defaced family photos of herself. She locks Su-yeon in the closet and promises to release her if she apologises. Su-mi eventually releases her sister and she tearfully apologises that she didn't hear her pleas in time. Su-mi's father blames her for the family's recent trauma, but she retorts that her stepmother is to blame for attacking Su-yeon. The father tells her that Su-yeon is dead, but Su-mi refuses to believe him.
The next morning, after the father leaves the house to arrange Su-mi's readmission to the institution, the stepmother is seen dragging a large bloodied sack throughout the house. After discovering the trail of blood, Su-mi believes that Su-yeon is inside and tries to find a knife to open it. Her stepmother catches her and attempts to scald her with boiling water, but Su-mi manages to stab the stepmother in the hand with a pair of scissors. Su-mi is knocked unconscious by her stepmother. As Su-mi awakens, her stepmother taunts her about all of the suffering she experienced. She attempts to kill Su-mi with a garden statue, but is interrupted when the father arrives home and finds Su-mi alone. The father takes the stepmother into another room and orders her to sit down whilst he gives Su-mi medication.
It is revealed that Su-yeon and the stepmother are Su-mi's split personalities. Inside the bloodied sack, it is revealed that the sack wasn't actually bloodied but instead, there was a porcelain doll inside which Su-mi used to whip to act out her stepmother hitting her sister Su-yeon.
The father and the real stepmother send Su-mi back to the mental institution and the stepmother attempts to reconcile her relationship with Su-mi but Su-mi rejects her advances. They return home and whilst the stepmother sits alone in the kitchen at night, she hears footsteps racing towards Su-yeon's room. Entering the room, the lights suddenly black out and the door shuts close by itself. The bedroom closet suddenly opens by itself and the stepmother sees a lace that is stuck between two mattresses. Pulling the lace out, a ghost suddenly emerges and the stepmother backs away out of fear. The ghost continues to crawl closer to her and she screams out loud, which could be heard outside from the house, and is presumably killed by the ghost.
Flashbacks reveal the father entering the house with the stepmother after an apparent marriage. The sisters' biological mother, uncle and his wife are also present in the house. The sisters developed a troubled relationship with the stepmother, resulting in Su-yeon leaving the kitchen and going to her bedroom to cry with her gravely ill biological mother. Later, Su-yeon discovers that her biological mother had hanged herself in the bedroom closet. Attempting to revive her, Su-yeon accidentally causes the closet to collapse on top of her body, which created a loud crash. The stepmother investigates the source of the loud crash and sees Su-yeon's hand hitting the floor several times. She turns her back against her due to their troubled relationship but she decides to save her but she sees Su-mi arriving at the scene, causing both of them to go into a heated argument which eventually made the stepmother too angry to save Su-yeon.
Before Su-mi stormed off, the stepmother tells her that she would regret this one day. Su-mi exits the house and she sees her stepmother looking coldly at her from the balcony, as Su-yeon eventually dies from being crushed by the weight of the closet. Su-mi continues walking away from the house and is unaware of the tragic events that occurred inside the house, which is the initial event that led her to be institutionalised. | What was inside the sack? | porcelain doll | 3,064 | 3,078 |
Mother's Day | An unknown woman enters a maternity ward and, with help from an accomplice, steals a newborn baby. Beth Sohapi (Jaime King) is having a birthday party for her husband, Daniel Sohapi (Frank Grillo) with the help of their friends, married couple Treshawn (Lyriq Bent) and Gina Jackson (Kandyse McClure); Dave Lowe (Tony Nappo) and his fiancee, Annette Langston (Briana Evigan); George Barnum (Shawn Ashmore) and his girlfriend, Melissa McGuire (Jessie Rusu); and Daniel's co worker, and friend, Julie Ross (Lisa Marcos). The news reports a tornado is heading their way; Daniel assures his guests that the basement is tornado proof.
After a bank robbery gone wrong, three brothers, eldest and leader Ike (Patrick Flueger), irrational and irresponsible Addley (Warren Kole) and Johnny (Matt O'Leary), who has been badly injured, are on the run from the law. They reach their mother's house only to find it unrecognizable. Daniel and Beth, hearing noise upstairs, leave the basement party only to find the brothers holding them hostage within their home at gunpoint. Terrified, Beth offers the brothers the help of George, a doctor, who begins to tend to Johnny's injuries. Addley forces Beth and Daniel downstairs, trapping all the party-goers in the basement at gunpoint. Ike calls his sister Lydia (Deborah Ann Woll), who informs him that she and their mother lost the house and will be on their way to help the boys.
A short time later, an RV arrives with Lydia and Mother (Rebecca De Mornay). Mother becomes very angry at Ike for losing the emergency phone they use to contact one another, telling him she was unable to alert him of losing the house. Realizing the gravity of the situation, Mother arranges help to sneak over the border into Canada, however it will cost ten thousand dollars. She learns of her sons sending money to the house which she never received, before going into the basement. Mother is initially nice to the hostages, explaining to them that no one has to get hurt. She confronts Beth and Daniel about the money, however both deny knowing about it. Mother believes Beth, however she has Addley and Ike torture Daniel for information. Just then Melissa attempts to escape, only to be shot by Addley. Mother takes the cellphones, bank cards and pin numbers of the others and makes Ike take Beth to a cash machine to collect the money. Meanwhile, Mother informs George to keep Johnny alive, or they will all die.
A police officer (Mike O'Brien) arrives after the three suspects of the bank robbery are identified as the old residents of the house. Daniel assures the officer everything is fine and he leaves, alerting Mother of Daniel's lying skills. She further becomes suspicious after Lydia discovers a Valentine's card from Daniel to Julie, as well as photographs and newspaper articles of a child killed in a car accident. Ike and Beth dispose of Melissa's body behind a dumpster, where she is soon found to be alive by two sanitation workers who rush her to hospital. While at the ATM, Beth and Ike encounter two party girls, Vicky Rice (A. J. Cook) and Jenna Luther (Alexa Vega), who Ike quickly kills after they realize he has a gun. The pair travel to Treshawn's laundromat business to take money out of the safe, where Beth attempts to escape but fails. They later encounter the police officer who Ike also kills. Back at the house, George realizes Mother has been lying to Lydia about a rare skin condition and tries to convince her to help his friends, but Mother sends Lydia away. Johnny, now in critical condition, tells his mother he doesn't want to die a virgin. Mother forces Treshawn and Dave to fight over which one of their partners will be forced to have sex with Johnny. Dave loses and Annette is forced upstairs. However Johnny's injuries prove too severe to rape Annette and she is forced back into the basement by Addley. Dave attacks Addley, resulting in Addley shooting Dave in the face, killing him. Gina takes the opportunity to try and escape, however is brought back to the house by Daniel in order to save Beth.
In the basement, Mother informs Gina that disobedience has consequences, before pouring boiling water over Treshawn. Mother then attempts to find her money by burning the photographs of the boy, revealed to be Daniel and Beth's deceased son. Mother then sets Julie's hair on fire, but extinguishes it when she realizes Daniel is telling the truth about the money. Mother leaves the basement, before the group manage to arm themselves with knives. They lure Addley into the basement and stab him to death. Treshawn, now deaf and having difficulty seeing, takes Addley's gun and goes upstairs. Gina follows him, startling him and causing him to shoot her in the side. As Treshawn attempts to help his wife, Mother shoots him in the back, killing him. Mother discovers Addley's body and phones Ike, before forcing Beth to listen to her shoot Daniel. Annette and Julie are then taken upstairs and tied up.
At the hospital, Melissa regains consciousness and alerts authorities to the house. George confronts Mother, telling her that none of her kids look like one another, and look nothing like her. Mother, enraged, threatens to kill him, but Lydia convinces her that they need George. Ike and Beth then burst through the front door with the money. Mother instructs Ike, Lydia and George to take Johnny to the RV while she has a chat with the ladies. Inside the RV, Johnny shoots George in spite of Lydia's pleas to let him live. Mother reveals to Julie and Annette that Beth was the one who hid the money and is the one responsible for all the deaths. Beth reveals that she was hiding the money for the baby she is expecting. She also reveals she knew Daniel was cheating on her with Julie, and wanted to leave him. Mother forces Beth to take a pregnancy test to prove it, before Beth knocks Mother unconscious. Beth unties Julie, who is shot in the head by Ike while trying to escape the house, and Annette, who hides with Beth in the garage. Together they manage to overpower Ike and kill him. Annette escapes to the neighbours, while Beth fights with Mother in the house. Beth is knocked unconscious and Mother sets the house on fire. However, Beth wakes up and overpowers Mother, hitting her with a wooden chopping board, before escaping the house along with Gina who has survived her injuries.
Months later, a very pregnant Beth goes into labor and is taken to the hospital by Annette, Gina and Melissa. That night, Beth wakes up to the emergency alarms going off in the maternity ward. She gets up and goes to check on her baby, but the bassinette is empty. The film ends with Lydia, Johnny and Mother leaving the country in the RV with Beth's baby. | How many suspects are there? | three | 663 | 668 |
Mother's Day | An unknown woman enters a maternity ward and, with help from an accomplice, steals a newborn baby. Beth Sohapi (Jaime King) is having a birthday party for her husband, Daniel Sohapi (Frank Grillo) with the help of their friends, married couple Treshawn (Lyriq Bent) and Gina Jackson (Kandyse McClure); Dave Lowe (Tony Nappo) and his fiancee, Annette Langston (Briana Evigan); George Barnum (Shawn Ashmore) and his girlfriend, Melissa McGuire (Jessie Rusu); and Daniel's co worker, and friend, Julie Ross (Lisa Marcos). The news reports a tornado is heading their way; Daniel assures his guests that the basement is tornado proof.
After a bank robbery gone wrong, three brothers, eldest and leader Ike (Patrick Flueger), irrational and irresponsible Addley (Warren Kole) and Johnny (Matt O'Leary), who has been badly injured, are on the run from the law. They reach their mother's house only to find it unrecognizable. Daniel and Beth, hearing noise upstairs, leave the basement party only to find the brothers holding them hostage within their home at gunpoint. Terrified, Beth offers the brothers the help of George, a doctor, who begins to tend to Johnny's injuries. Addley forces Beth and Daniel downstairs, trapping all the party-goers in the basement at gunpoint. Ike calls his sister Lydia (Deborah Ann Woll), who informs him that she and their mother lost the house and will be on their way to help the boys.
A short time later, an RV arrives with Lydia and Mother (Rebecca De Mornay). Mother becomes very angry at Ike for losing the emergency phone they use to contact one another, telling him she was unable to alert him of losing the house. Realizing the gravity of the situation, Mother arranges help to sneak over the border into Canada, however it will cost ten thousand dollars. She learns of her sons sending money to the house which she never received, before going into the basement. Mother is initially nice to the hostages, explaining to them that no one has to get hurt. She confronts Beth and Daniel about the money, however both deny knowing about it. Mother believes Beth, however she has Addley and Ike torture Daniel for information. Just then Melissa attempts to escape, only to be shot by Addley. Mother takes the cellphones, bank cards and pin numbers of the others and makes Ike take Beth to a cash machine to collect the money. Meanwhile, Mother informs George to keep Johnny alive, or they will all die.
A police officer (Mike O'Brien) arrives after the three suspects of the bank robbery are identified as the old residents of the house. Daniel assures the officer everything is fine and he leaves, alerting Mother of Daniel's lying skills. She further becomes suspicious after Lydia discovers a Valentine's card from Daniel to Julie, as well as photographs and newspaper articles of a child killed in a car accident. Ike and Beth dispose of Melissa's body behind a dumpster, where she is soon found to be alive by two sanitation workers who rush her to hospital. While at the ATM, Beth and Ike encounter two party girls, Vicky Rice (A. J. Cook) and Jenna Luther (Alexa Vega), who Ike quickly kills after they realize he has a gun. The pair travel to Treshawn's laundromat business to take money out of the safe, where Beth attempts to escape but fails. They later encounter the police officer who Ike also kills. Back at the house, George realizes Mother has been lying to Lydia about a rare skin condition and tries to convince her to help his friends, but Mother sends Lydia away. Johnny, now in critical condition, tells his mother he doesn't want to die a virgin. Mother forces Treshawn and Dave to fight over which one of their partners will be forced to have sex with Johnny. Dave loses and Annette is forced upstairs. However Johnny's injuries prove too severe to rape Annette and she is forced back into the basement by Addley. Dave attacks Addley, resulting in Addley shooting Dave in the face, killing him. Gina takes the opportunity to try and escape, however is brought back to the house by Daniel in order to save Beth.
In the basement, Mother informs Gina that disobedience has consequences, before pouring boiling water over Treshawn. Mother then attempts to find her money by burning the photographs of the boy, revealed to be Daniel and Beth's deceased son. Mother then sets Julie's hair on fire, but extinguishes it when she realizes Daniel is telling the truth about the money. Mother leaves the basement, before the group manage to arm themselves with knives. They lure Addley into the basement and stab him to death. Treshawn, now deaf and having difficulty seeing, takes Addley's gun and goes upstairs. Gina follows him, startling him and causing him to shoot her in the side. As Treshawn attempts to help his wife, Mother shoots him in the back, killing him. Mother discovers Addley's body and phones Ike, before forcing Beth to listen to her shoot Daniel. Annette and Julie are then taken upstairs and tied up.
At the hospital, Melissa regains consciousness and alerts authorities to the house. George confronts Mother, telling her that none of her kids look like one another, and look nothing like her. Mother, enraged, threatens to kill him, but Lydia convinces her that they need George. Ike and Beth then burst through the front door with the money. Mother instructs Ike, Lydia and George to take Johnny to the RV while she has a chat with the ladies. Inside the RV, Johnny shoots George in spite of Lydia's pleas to let him live. Mother reveals to Julie and Annette that Beth was the one who hid the money and is the one responsible for all the deaths. Beth reveals that she was hiding the money for the baby she is expecting. She also reveals she knew Daniel was cheating on her with Julie, and wanted to leave him. Mother forces Beth to take a pregnancy test to prove it, before Beth knocks Mother unconscious. Beth unties Julie, who is shot in the head by Ike while trying to escape the house, and Annette, who hides with Beth in the garage. Together they manage to overpower Ike and kill him. Annette escapes to the neighbours, while Beth fights with Mother in the house. Beth is knocked unconscious and Mother sets the house on fire. However, Beth wakes up and overpowers Mother, hitting her with a wooden chopping board, before escaping the house along with Gina who has survived her injuries.
Months later, a very pregnant Beth goes into labor and is taken to the hospital by Annette, Gina and Melissa. That night, Beth wakes up to the emergency alarms going off in the maternity ward. She gets up and goes to check on her baby, but the bassinette is empty. The film ends with Lydia, Johnny and Mother leaving the country in the RV with Beth's baby. | Who plays Mother? | Rebecca De Mornay | 1,473 | 1,490 |
Mother's Day | An unknown woman enters a maternity ward and, with help from an accomplice, steals a newborn baby. Beth Sohapi (Jaime King) is having a birthday party for her husband, Daniel Sohapi (Frank Grillo) with the help of their friends, married couple Treshawn (Lyriq Bent) and Gina Jackson (Kandyse McClure); Dave Lowe (Tony Nappo) and his fiancee, Annette Langston (Briana Evigan); George Barnum (Shawn Ashmore) and his girlfriend, Melissa McGuire (Jessie Rusu); and Daniel's co worker, and friend, Julie Ross (Lisa Marcos). The news reports a tornado is heading their way; Daniel assures his guests that the basement is tornado proof.
After a bank robbery gone wrong, three brothers, eldest and leader Ike (Patrick Flueger), irrational and irresponsible Addley (Warren Kole) and Johnny (Matt O'Leary), who has been badly injured, are on the run from the law. They reach their mother's house only to find it unrecognizable. Daniel and Beth, hearing noise upstairs, leave the basement party only to find the brothers holding them hostage within their home at gunpoint. Terrified, Beth offers the brothers the help of George, a doctor, who begins to tend to Johnny's injuries. Addley forces Beth and Daniel downstairs, trapping all the party-goers in the basement at gunpoint. Ike calls his sister Lydia (Deborah Ann Woll), who informs him that she and their mother lost the house and will be on their way to help the boys.
A short time later, an RV arrives with Lydia and Mother (Rebecca De Mornay). Mother becomes very angry at Ike for losing the emergency phone they use to contact one another, telling him she was unable to alert him of losing the house. Realizing the gravity of the situation, Mother arranges help to sneak over the border into Canada, however it will cost ten thousand dollars. She learns of her sons sending money to the house which she never received, before going into the basement. Mother is initially nice to the hostages, explaining to them that no one has to get hurt. She confronts Beth and Daniel about the money, however both deny knowing about it. Mother believes Beth, however she has Addley and Ike torture Daniel for information. Just then Melissa attempts to escape, only to be shot by Addley. Mother takes the cellphones, bank cards and pin numbers of the others and makes Ike take Beth to a cash machine to collect the money. Meanwhile, Mother informs George to keep Johnny alive, or they will all die.
A police officer (Mike O'Brien) arrives after the three suspects of the bank robbery are identified as the old residents of the house. Daniel assures the officer everything is fine and he leaves, alerting Mother of Daniel's lying skills. She further becomes suspicious after Lydia discovers a Valentine's card from Daniel to Julie, as well as photographs and newspaper articles of a child killed in a car accident. Ike and Beth dispose of Melissa's body behind a dumpster, where she is soon found to be alive by two sanitation workers who rush her to hospital. While at the ATM, Beth and Ike encounter two party girls, Vicky Rice (A. J. Cook) and Jenna Luther (Alexa Vega), who Ike quickly kills after they realize he has a gun. The pair travel to Treshawn's laundromat business to take money out of the safe, where Beth attempts to escape but fails. They later encounter the police officer who Ike also kills. Back at the house, George realizes Mother has been lying to Lydia about a rare skin condition and tries to convince her to help his friends, but Mother sends Lydia away. Johnny, now in critical condition, tells his mother he doesn't want to die a virgin. Mother forces Treshawn and Dave to fight over which one of their partners will be forced to have sex with Johnny. Dave loses and Annette is forced upstairs. However Johnny's injuries prove too severe to rape Annette and she is forced back into the basement by Addley. Dave attacks Addley, resulting in Addley shooting Dave in the face, killing him. Gina takes the opportunity to try and escape, however is brought back to the house by Daniel in order to save Beth.
In the basement, Mother informs Gina that disobedience has consequences, before pouring boiling water over Treshawn. Mother then attempts to find her money by burning the photographs of the boy, revealed to be Daniel and Beth's deceased son. Mother then sets Julie's hair on fire, but extinguishes it when she realizes Daniel is telling the truth about the money. Mother leaves the basement, before the group manage to arm themselves with knives. They lure Addley into the basement and stab him to death. Treshawn, now deaf and having difficulty seeing, takes Addley's gun and goes upstairs. Gina follows him, startling him and causing him to shoot her in the side. As Treshawn attempts to help his wife, Mother shoots him in the back, killing him. Mother discovers Addley's body and phones Ike, before forcing Beth to listen to her shoot Daniel. Annette and Julie are then taken upstairs and tied up.
At the hospital, Melissa regains consciousness and alerts authorities to the house. George confronts Mother, telling her that none of her kids look like one another, and look nothing like her. Mother, enraged, threatens to kill him, but Lydia convinces her that they need George. Ike and Beth then burst through the front door with the money. Mother instructs Ike, Lydia and George to take Johnny to the RV while she has a chat with the ladies. Inside the RV, Johnny shoots George in spite of Lydia's pleas to let him live. Mother reveals to Julie and Annette that Beth was the one who hid the money and is the one responsible for all the deaths. Beth reveals that she was hiding the money for the baby she is expecting. She also reveals she knew Daniel was cheating on her with Julie, and wanted to leave him. Mother forces Beth to take a pregnancy test to prove it, before Beth knocks Mother unconscious. Beth unties Julie, who is shot in the head by Ike while trying to escape the house, and Annette, who hides with Beth in the garage. Together they manage to overpower Ike and kill him. Annette escapes to the neighbours, while Beth fights with Mother in the house. Beth is knocked unconscious and Mother sets the house on fire. However, Beth wakes up and overpowers Mother, hitting her with a wooden chopping board, before escaping the house along with Gina who has survived her injuries.
Months later, a very pregnant Beth goes into labor and is taken to the hospital by Annette, Gina and Melissa. That night, Beth wakes up to the emergency alarms going off in the maternity ward. She gets up and goes to check on her baby, but the bassinette is empty. The film ends with Lydia, Johnny and Mother leaving the country in the RV with Beth's baby. | Where are all the party-goers held? | The basement | 599 | 611 |
Mother's Day | An unknown woman enters a maternity ward and, with help from an accomplice, steals a newborn baby. Beth Sohapi (Jaime King) is having a birthday party for her husband, Daniel Sohapi (Frank Grillo) with the help of their friends, married couple Treshawn (Lyriq Bent) and Gina Jackson (Kandyse McClure); Dave Lowe (Tony Nappo) and his fiancee, Annette Langston (Briana Evigan); George Barnum (Shawn Ashmore) and his girlfriend, Melissa McGuire (Jessie Rusu); and Daniel's co worker, and friend, Julie Ross (Lisa Marcos). The news reports a tornado is heading their way; Daniel assures his guests that the basement is tornado proof.
After a bank robbery gone wrong, three brothers, eldest and leader Ike (Patrick Flueger), irrational and irresponsible Addley (Warren Kole) and Johnny (Matt O'Leary), who has been badly injured, are on the run from the law. They reach their mother's house only to find it unrecognizable. Daniel and Beth, hearing noise upstairs, leave the basement party only to find the brothers holding them hostage within their home at gunpoint. Terrified, Beth offers the brothers the help of George, a doctor, who begins to tend to Johnny's injuries. Addley forces Beth and Daniel downstairs, trapping all the party-goers in the basement at gunpoint. Ike calls his sister Lydia (Deborah Ann Woll), who informs him that she and their mother lost the house and will be on their way to help the boys.
A short time later, an RV arrives with Lydia and Mother (Rebecca De Mornay). Mother becomes very angry at Ike for losing the emergency phone they use to contact one another, telling him she was unable to alert him of losing the house. Realizing the gravity of the situation, Mother arranges help to sneak over the border into Canada, however it will cost ten thousand dollars. She learns of her sons sending money to the house which she never received, before going into the basement. Mother is initially nice to the hostages, explaining to them that no one has to get hurt. She confronts Beth and Daniel about the money, however both deny knowing about it. Mother believes Beth, however she has Addley and Ike torture Daniel for information. Just then Melissa attempts to escape, only to be shot by Addley. Mother takes the cellphones, bank cards and pin numbers of the others and makes Ike take Beth to a cash machine to collect the money. Meanwhile, Mother informs George to keep Johnny alive, or they will all die.
A police officer (Mike O'Brien) arrives after the three suspects of the bank robbery are identified as the old residents of the house. Daniel assures the officer everything is fine and he leaves, alerting Mother of Daniel's lying skills. She further becomes suspicious after Lydia discovers a Valentine's card from Daniel to Julie, as well as photographs and newspaper articles of a child killed in a car accident. Ike and Beth dispose of Melissa's body behind a dumpster, where she is soon found to be alive by two sanitation workers who rush her to hospital. While at the ATM, Beth and Ike encounter two party girls, Vicky Rice (A. J. Cook) and Jenna Luther (Alexa Vega), who Ike quickly kills after they realize he has a gun. The pair travel to Treshawn's laundromat business to take money out of the safe, where Beth attempts to escape but fails. They later encounter the police officer who Ike also kills. Back at the house, George realizes Mother has been lying to Lydia about a rare skin condition and tries to convince her to help his friends, but Mother sends Lydia away. Johnny, now in critical condition, tells his mother he doesn't want to die a virgin. Mother forces Treshawn and Dave to fight over which one of their partners will be forced to have sex with Johnny. Dave loses and Annette is forced upstairs. However Johnny's injuries prove too severe to rape Annette and she is forced back into the basement by Addley. Dave attacks Addley, resulting in Addley shooting Dave in the face, killing him. Gina takes the opportunity to try and escape, however is brought back to the house by Daniel in order to save Beth.
In the basement, Mother informs Gina that disobedience has consequences, before pouring boiling water over Treshawn. Mother then attempts to find her money by burning the photographs of the boy, revealed to be Daniel and Beth's deceased son. Mother then sets Julie's hair on fire, but extinguishes it when she realizes Daniel is telling the truth about the money. Mother leaves the basement, before the group manage to arm themselves with knives. They lure Addley into the basement and stab him to death. Treshawn, now deaf and having difficulty seeing, takes Addley's gun and goes upstairs. Gina follows him, startling him and causing him to shoot her in the side. As Treshawn attempts to help his wife, Mother shoots him in the back, killing him. Mother discovers Addley's body and phones Ike, before forcing Beth to listen to her shoot Daniel. Annette and Julie are then taken upstairs and tied up.
At the hospital, Melissa regains consciousness and alerts authorities to the house. George confronts Mother, telling her that none of her kids look like one another, and look nothing like her. Mother, enraged, threatens to kill him, but Lydia convinces her that they need George. Ike and Beth then burst through the front door with the money. Mother instructs Ike, Lydia and George to take Johnny to the RV while she has a chat with the ladies. Inside the RV, Johnny shoots George in spite of Lydia's pleas to let him live. Mother reveals to Julie and Annette that Beth was the one who hid the money and is the one responsible for all the deaths. Beth reveals that she was hiding the money for the baby she is expecting. She also reveals she knew Daniel was cheating on her with Julie, and wanted to leave him. Mother forces Beth to take a pregnancy test to prove it, before Beth knocks Mother unconscious. Beth unties Julie, who is shot in the head by Ike while trying to escape the house, and Annette, who hides with Beth in the garage. Together they manage to overpower Ike and kill him. Annette escapes to the neighbours, while Beth fights with Mother in the house. Beth is knocked unconscious and Mother sets the house on fire. However, Beth wakes up and overpowers Mother, hitting her with a wooden chopping board, before escaping the house along with Gina who has survived her injuries.
Months later, a very pregnant Beth goes into labor and is taken to the hospital by Annette, Gina and Melissa. That night, Beth wakes up to the emergency alarms going off in the maternity ward. She gets up and goes to check on her baby, but the bassinette is empty. The film ends with Lydia, Johnny and Mother leaving the country in the RV with Beth's baby. | Who does Mother become very angry at for losing the emergency phone? | Ike | 697 | 700 |
Mother's Day | An unknown woman enters a maternity ward and, with help from an accomplice, steals a newborn baby. Beth Sohapi (Jaime King) is having a birthday party for her husband, Daniel Sohapi (Frank Grillo) with the help of their friends, married couple Treshawn (Lyriq Bent) and Gina Jackson (Kandyse McClure); Dave Lowe (Tony Nappo) and his fiancee, Annette Langston (Briana Evigan); George Barnum (Shawn Ashmore) and his girlfriend, Melissa McGuire (Jessie Rusu); and Daniel's co worker, and friend, Julie Ross (Lisa Marcos). The news reports a tornado is heading their way; Daniel assures his guests that the basement is tornado proof.
After a bank robbery gone wrong, three brothers, eldest and leader Ike (Patrick Flueger), irrational and irresponsible Addley (Warren Kole) and Johnny (Matt O'Leary), who has been badly injured, are on the run from the law. They reach their mother's house only to find it unrecognizable. Daniel and Beth, hearing noise upstairs, leave the basement party only to find the brothers holding them hostage within their home at gunpoint. Terrified, Beth offers the brothers the help of George, a doctor, who begins to tend to Johnny's injuries. Addley forces Beth and Daniel downstairs, trapping all the party-goers in the basement at gunpoint. Ike calls his sister Lydia (Deborah Ann Woll), who informs him that she and their mother lost the house and will be on their way to help the boys.
A short time later, an RV arrives with Lydia and Mother (Rebecca De Mornay). Mother becomes very angry at Ike for losing the emergency phone they use to contact one another, telling him she was unable to alert him of losing the house. Realizing the gravity of the situation, Mother arranges help to sneak over the border into Canada, however it will cost ten thousand dollars. She learns of her sons sending money to the house which she never received, before going into the basement. Mother is initially nice to the hostages, explaining to them that no one has to get hurt. She confronts Beth and Daniel about the money, however both deny knowing about it. Mother believes Beth, however she has Addley and Ike torture Daniel for information. Just then Melissa attempts to escape, only to be shot by Addley. Mother takes the cellphones, bank cards and pin numbers of the others and makes Ike take Beth to a cash machine to collect the money. Meanwhile, Mother informs George to keep Johnny alive, or they will all die.
A police officer (Mike O'Brien) arrives after the three suspects of the bank robbery are identified as the old residents of the house. Daniel assures the officer everything is fine and he leaves, alerting Mother of Daniel's lying skills. She further becomes suspicious after Lydia discovers a Valentine's card from Daniel to Julie, as well as photographs and newspaper articles of a child killed in a car accident. Ike and Beth dispose of Melissa's body behind a dumpster, where she is soon found to be alive by two sanitation workers who rush her to hospital. While at the ATM, Beth and Ike encounter two party girls, Vicky Rice (A. J. Cook) and Jenna Luther (Alexa Vega), who Ike quickly kills after they realize he has a gun. The pair travel to Treshawn's laundromat business to take money out of the safe, where Beth attempts to escape but fails. They later encounter the police officer who Ike also kills. Back at the house, George realizes Mother has been lying to Lydia about a rare skin condition and tries to convince her to help his friends, but Mother sends Lydia away. Johnny, now in critical condition, tells his mother he doesn't want to die a virgin. Mother forces Treshawn and Dave to fight over which one of their partners will be forced to have sex with Johnny. Dave loses and Annette is forced upstairs. However Johnny's injuries prove too severe to rape Annette and she is forced back into the basement by Addley. Dave attacks Addley, resulting in Addley shooting Dave in the face, killing him. Gina takes the opportunity to try and escape, however is brought back to the house by Daniel in order to save Beth.
In the basement, Mother informs Gina that disobedience has consequences, before pouring boiling water over Treshawn. Mother then attempts to find her money by burning the photographs of the boy, revealed to be Daniel and Beth's deceased son. Mother then sets Julie's hair on fire, but extinguishes it when she realizes Daniel is telling the truth about the money. Mother leaves the basement, before the group manage to arm themselves with knives. They lure Addley into the basement and stab him to death. Treshawn, now deaf and having difficulty seeing, takes Addley's gun and goes upstairs. Gina follows him, startling him and causing him to shoot her in the side. As Treshawn attempts to help his wife, Mother shoots him in the back, killing him. Mother discovers Addley's body and phones Ike, before forcing Beth to listen to her shoot Daniel. Annette and Julie are then taken upstairs and tied up.
At the hospital, Melissa regains consciousness and alerts authorities to the house. George confronts Mother, telling her that none of her kids look like one another, and look nothing like her. Mother, enraged, threatens to kill him, but Lydia convinces her that they need George. Ike and Beth then burst through the front door with the money. Mother instructs Ike, Lydia and George to take Johnny to the RV while she has a chat with the ladies. Inside the RV, Johnny shoots George in spite of Lydia's pleas to let him live. Mother reveals to Julie and Annette that Beth was the one who hid the money and is the one responsible for all the deaths. Beth reveals that she was hiding the money for the baby she is expecting. She also reveals she knew Daniel was cheating on her with Julie, and wanted to leave him. Mother forces Beth to take a pregnancy test to prove it, before Beth knocks Mother unconscious. Beth unties Julie, who is shot in the head by Ike while trying to escape the house, and Annette, who hides with Beth in the garage. Together they manage to overpower Ike and kill him. Annette escapes to the neighbours, while Beth fights with Mother in the house. Beth is knocked unconscious and Mother sets the house on fire. However, Beth wakes up and overpowers Mother, hitting her with a wooden chopping board, before escaping the house along with Gina who has survived her injuries.
Months later, a very pregnant Beth goes into labor and is taken to the hospital by Annette, Gina and Melissa. That night, Beth wakes up to the emergency alarms going off in the maternity ward. She gets up and goes to check on her baby, but the bassinette is empty. The film ends with Lydia, Johnny and Mother leaving the country in the RV with Beth's baby. | Who is in critical condition? | Johnny | 774 | 780 |
Mother's Day | An unknown woman enters a maternity ward and, with help from an accomplice, steals a newborn baby. Beth Sohapi (Jaime King) is having a birthday party for her husband, Daniel Sohapi (Frank Grillo) with the help of their friends, married couple Treshawn (Lyriq Bent) and Gina Jackson (Kandyse McClure); Dave Lowe (Tony Nappo) and his fiancee, Annette Langston (Briana Evigan); George Barnum (Shawn Ashmore) and his girlfriend, Melissa McGuire (Jessie Rusu); and Daniel's co worker, and friend, Julie Ross (Lisa Marcos). The news reports a tornado is heading their way; Daniel assures his guests that the basement is tornado proof.
After a bank robbery gone wrong, three brothers, eldest and leader Ike (Patrick Flueger), irrational and irresponsible Addley (Warren Kole) and Johnny (Matt O'Leary), who has been badly injured, are on the run from the law. They reach their mother's house only to find it unrecognizable. Daniel and Beth, hearing noise upstairs, leave the basement party only to find the brothers holding them hostage within their home at gunpoint. Terrified, Beth offers the brothers the help of George, a doctor, who begins to tend to Johnny's injuries. Addley forces Beth and Daniel downstairs, trapping all the party-goers in the basement at gunpoint. Ike calls his sister Lydia (Deborah Ann Woll), who informs him that she and their mother lost the house and will be on their way to help the boys.
A short time later, an RV arrives with Lydia and Mother (Rebecca De Mornay). Mother becomes very angry at Ike for losing the emergency phone they use to contact one another, telling him she was unable to alert him of losing the house. Realizing the gravity of the situation, Mother arranges help to sneak over the border into Canada, however it will cost ten thousand dollars. She learns of her sons sending money to the house which she never received, before going into the basement. Mother is initially nice to the hostages, explaining to them that no one has to get hurt. She confronts Beth and Daniel about the money, however both deny knowing about it. Mother believes Beth, however she has Addley and Ike torture Daniel for information. Just then Melissa attempts to escape, only to be shot by Addley. Mother takes the cellphones, bank cards and pin numbers of the others and makes Ike take Beth to a cash machine to collect the money. Meanwhile, Mother informs George to keep Johnny alive, or they will all die.
A police officer (Mike O'Brien) arrives after the three suspects of the bank robbery are identified as the old residents of the house. Daniel assures the officer everything is fine and he leaves, alerting Mother of Daniel's lying skills. She further becomes suspicious after Lydia discovers a Valentine's card from Daniel to Julie, as well as photographs and newspaper articles of a child killed in a car accident. Ike and Beth dispose of Melissa's body behind a dumpster, where she is soon found to be alive by two sanitation workers who rush her to hospital. While at the ATM, Beth and Ike encounter two party girls, Vicky Rice (A. J. Cook) and Jenna Luther (Alexa Vega), who Ike quickly kills after they realize he has a gun. The pair travel to Treshawn's laundromat business to take money out of the safe, where Beth attempts to escape but fails. They later encounter the police officer who Ike also kills. Back at the house, George realizes Mother has been lying to Lydia about a rare skin condition and tries to convince her to help his friends, but Mother sends Lydia away. Johnny, now in critical condition, tells his mother he doesn't want to die a virgin. Mother forces Treshawn and Dave to fight over which one of their partners will be forced to have sex with Johnny. Dave loses and Annette is forced upstairs. However Johnny's injuries prove too severe to rape Annette and she is forced back into the basement by Addley. Dave attacks Addley, resulting in Addley shooting Dave in the face, killing him. Gina takes the opportunity to try and escape, however is brought back to the house by Daniel in order to save Beth.
In the basement, Mother informs Gina that disobedience has consequences, before pouring boiling water over Treshawn. Mother then attempts to find her money by burning the photographs of the boy, revealed to be Daniel and Beth's deceased son. Mother then sets Julie's hair on fire, but extinguishes it when she realizes Daniel is telling the truth about the money. Mother leaves the basement, before the group manage to arm themselves with knives. They lure Addley into the basement and stab him to death. Treshawn, now deaf and having difficulty seeing, takes Addley's gun and goes upstairs. Gina follows him, startling him and causing him to shoot her in the side. As Treshawn attempts to help his wife, Mother shoots him in the back, killing him. Mother discovers Addley's body and phones Ike, before forcing Beth to listen to her shoot Daniel. Annette and Julie are then taken upstairs and tied up.
At the hospital, Melissa regains consciousness and alerts authorities to the house. George confronts Mother, telling her that none of her kids look like one another, and look nothing like her. Mother, enraged, threatens to kill him, but Lydia convinces her that they need George. Ike and Beth then burst through the front door with the money. Mother instructs Ike, Lydia and George to take Johnny to the RV while she has a chat with the ladies. Inside the RV, Johnny shoots George in spite of Lydia's pleas to let him live. Mother reveals to Julie and Annette that Beth was the one who hid the money and is the one responsible for all the deaths. Beth reveals that she was hiding the money for the baby she is expecting. She also reveals she knew Daniel was cheating on her with Julie, and wanted to leave him. Mother forces Beth to take a pregnancy test to prove it, before Beth knocks Mother unconscious. Beth unties Julie, who is shot in the head by Ike while trying to escape the house, and Annette, who hides with Beth in the garage. Together they manage to overpower Ike and kill him. Annette escapes to the neighbours, while Beth fights with Mother in the house. Beth is knocked unconscious and Mother sets the house on fire. However, Beth wakes up and overpowers Mother, hitting her with a wooden chopping board, before escaping the house along with Gina who has survived her injuries.
Months later, a very pregnant Beth goes into labor and is taken to the hospital by Annette, Gina and Melissa. That night, Beth wakes up to the emergency alarms going off in the maternity ward. She gets up and goes to check on her baby, but the bassinette is empty. The film ends with Lydia, Johnny and Mother leaving the country in the RV with Beth's baby. | Who take Beth to the hospital? | Annette, Gina and Melissa | 6,445 | 6,470 |
Mother's Day | An unknown woman enters a maternity ward and, with help from an accomplice, steals a newborn baby. Beth Sohapi (Jaime King) is having a birthday party for her husband, Daniel Sohapi (Frank Grillo) with the help of their friends, married couple Treshawn (Lyriq Bent) and Gina Jackson (Kandyse McClure); Dave Lowe (Tony Nappo) and his fiancee, Annette Langston (Briana Evigan); George Barnum (Shawn Ashmore) and his girlfriend, Melissa McGuire (Jessie Rusu); and Daniel's co worker, and friend, Julie Ross (Lisa Marcos). The news reports a tornado is heading their way; Daniel assures his guests that the basement is tornado proof.
After a bank robbery gone wrong, three brothers, eldest and leader Ike (Patrick Flueger), irrational and irresponsible Addley (Warren Kole) and Johnny (Matt O'Leary), who has been badly injured, are on the run from the law. They reach their mother's house only to find it unrecognizable. Daniel and Beth, hearing noise upstairs, leave the basement party only to find the brothers holding them hostage within their home at gunpoint. Terrified, Beth offers the brothers the help of George, a doctor, who begins to tend to Johnny's injuries. Addley forces Beth and Daniel downstairs, trapping all the party-goers in the basement at gunpoint. Ike calls his sister Lydia (Deborah Ann Woll), who informs him that she and their mother lost the house and will be on their way to help the boys.
A short time later, an RV arrives with Lydia and Mother (Rebecca De Mornay). Mother becomes very angry at Ike for losing the emergency phone they use to contact one another, telling him she was unable to alert him of losing the house. Realizing the gravity of the situation, Mother arranges help to sneak over the border into Canada, however it will cost ten thousand dollars. She learns of her sons sending money to the house which she never received, before going into the basement. Mother is initially nice to the hostages, explaining to them that no one has to get hurt. She confronts Beth and Daniel about the money, however both deny knowing about it. Mother believes Beth, however she has Addley and Ike torture Daniel for information. Just then Melissa attempts to escape, only to be shot by Addley. Mother takes the cellphones, bank cards and pin numbers of the others and makes Ike take Beth to a cash machine to collect the money. Meanwhile, Mother informs George to keep Johnny alive, or they will all die.
A police officer (Mike O'Brien) arrives after the three suspects of the bank robbery are identified as the old residents of the house. Daniel assures the officer everything is fine and he leaves, alerting Mother of Daniel's lying skills. She further becomes suspicious after Lydia discovers a Valentine's card from Daniel to Julie, as well as photographs and newspaper articles of a child killed in a car accident. Ike and Beth dispose of Melissa's body behind a dumpster, where she is soon found to be alive by two sanitation workers who rush her to hospital. While at the ATM, Beth and Ike encounter two party girls, Vicky Rice (A. J. Cook) and Jenna Luther (Alexa Vega), who Ike quickly kills after they realize he has a gun. The pair travel to Treshawn's laundromat business to take money out of the safe, where Beth attempts to escape but fails. They later encounter the police officer who Ike also kills. Back at the house, George realizes Mother has been lying to Lydia about a rare skin condition and tries to convince her to help his friends, but Mother sends Lydia away. Johnny, now in critical condition, tells his mother he doesn't want to die a virgin. Mother forces Treshawn and Dave to fight over which one of their partners will be forced to have sex with Johnny. Dave loses and Annette is forced upstairs. However Johnny's injuries prove too severe to rape Annette and she is forced back into the basement by Addley. Dave attacks Addley, resulting in Addley shooting Dave in the face, killing him. Gina takes the opportunity to try and escape, however is brought back to the house by Daniel in order to save Beth.
In the basement, Mother informs Gina that disobedience has consequences, before pouring boiling water over Treshawn. Mother then attempts to find her money by burning the photographs of the boy, revealed to be Daniel and Beth's deceased son. Mother then sets Julie's hair on fire, but extinguishes it when she realizes Daniel is telling the truth about the money. Mother leaves the basement, before the group manage to arm themselves with knives. They lure Addley into the basement and stab him to death. Treshawn, now deaf and having difficulty seeing, takes Addley's gun and goes upstairs. Gina follows him, startling him and causing him to shoot her in the side. As Treshawn attempts to help his wife, Mother shoots him in the back, killing him. Mother discovers Addley's body and phones Ike, before forcing Beth to listen to her shoot Daniel. Annette and Julie are then taken upstairs and tied up.
At the hospital, Melissa regains consciousness and alerts authorities to the house. George confronts Mother, telling her that none of her kids look like one another, and look nothing like her. Mother, enraged, threatens to kill him, but Lydia convinces her that they need George. Ike and Beth then burst through the front door with the money. Mother instructs Ike, Lydia and George to take Johnny to the RV while she has a chat with the ladies. Inside the RV, Johnny shoots George in spite of Lydia's pleas to let him live. Mother reveals to Julie and Annette that Beth was the one who hid the money and is the one responsible for all the deaths. Beth reveals that she was hiding the money for the baby she is expecting. She also reveals she knew Daniel was cheating on her with Julie, and wanted to leave him. Mother forces Beth to take a pregnancy test to prove it, before Beth knocks Mother unconscious. Beth unties Julie, who is shot in the head by Ike while trying to escape the house, and Annette, who hides with Beth in the garage. Together they manage to overpower Ike and kill him. Annette escapes to the neighbours, while Beth fights with Mother in the house. Beth is knocked unconscious and Mother sets the house on fire. However, Beth wakes up and overpowers Mother, hitting her with a wooden chopping board, before escaping the house along with Gina who has survived her injuries.
Months later, a very pregnant Beth goes into labor and is taken to the hospital by Annette, Gina and Melissa. That night, Beth wakes up to the emergency alarms going off in the maternity ward. She gets up and goes to check on her baby, but the bassinette is empty. The film ends with Lydia, Johnny and Mother leaving the country in the RV with Beth's baby. | Who enters a maternity ward? | An unknown woman | 0 | 16 |
Mother's Day | An unknown woman enters a maternity ward and, with help from an accomplice, steals a newborn baby. Beth Sohapi (Jaime King) is having a birthday party for her husband, Daniel Sohapi (Frank Grillo) with the help of their friends, married couple Treshawn (Lyriq Bent) and Gina Jackson (Kandyse McClure); Dave Lowe (Tony Nappo) and his fiancee, Annette Langston (Briana Evigan); George Barnum (Shawn Ashmore) and his girlfriend, Melissa McGuire (Jessie Rusu); and Daniel's co worker, and friend, Julie Ross (Lisa Marcos). The news reports a tornado is heading their way; Daniel assures his guests that the basement is tornado proof.
After a bank robbery gone wrong, three brothers, eldest and leader Ike (Patrick Flueger), irrational and irresponsible Addley (Warren Kole) and Johnny (Matt O'Leary), who has been badly injured, are on the run from the law. They reach their mother's house only to find it unrecognizable. Daniel and Beth, hearing noise upstairs, leave the basement party only to find the brothers holding them hostage within their home at gunpoint. Terrified, Beth offers the brothers the help of George, a doctor, who begins to tend to Johnny's injuries. Addley forces Beth and Daniel downstairs, trapping all the party-goers in the basement at gunpoint. Ike calls his sister Lydia (Deborah Ann Woll), who informs him that she and their mother lost the house and will be on their way to help the boys.
A short time later, an RV arrives with Lydia and Mother (Rebecca De Mornay). Mother becomes very angry at Ike for losing the emergency phone they use to contact one another, telling him she was unable to alert him of losing the house. Realizing the gravity of the situation, Mother arranges help to sneak over the border into Canada, however it will cost ten thousand dollars. She learns of her sons sending money to the house which she never received, before going into the basement. Mother is initially nice to the hostages, explaining to them that no one has to get hurt. She confronts Beth and Daniel about the money, however both deny knowing about it. Mother believes Beth, however she has Addley and Ike torture Daniel for information. Just then Melissa attempts to escape, only to be shot by Addley. Mother takes the cellphones, bank cards and pin numbers of the others and makes Ike take Beth to a cash machine to collect the money. Meanwhile, Mother informs George to keep Johnny alive, or they will all die.
A police officer (Mike O'Brien) arrives after the three suspects of the bank robbery are identified as the old residents of the house. Daniel assures the officer everything is fine and he leaves, alerting Mother of Daniel's lying skills. She further becomes suspicious after Lydia discovers a Valentine's card from Daniel to Julie, as well as photographs and newspaper articles of a child killed in a car accident. Ike and Beth dispose of Melissa's body behind a dumpster, where she is soon found to be alive by two sanitation workers who rush her to hospital. While at the ATM, Beth and Ike encounter two party girls, Vicky Rice (A. J. Cook) and Jenna Luther (Alexa Vega), who Ike quickly kills after they realize he has a gun. The pair travel to Treshawn's laundromat business to take money out of the safe, where Beth attempts to escape but fails. They later encounter the police officer who Ike also kills. Back at the house, George realizes Mother has been lying to Lydia about a rare skin condition and tries to convince her to help his friends, but Mother sends Lydia away. Johnny, now in critical condition, tells his mother he doesn't want to die a virgin. Mother forces Treshawn and Dave to fight over which one of their partners will be forced to have sex with Johnny. Dave loses and Annette is forced upstairs. However Johnny's injuries prove too severe to rape Annette and she is forced back into the basement by Addley. Dave attacks Addley, resulting in Addley shooting Dave in the face, killing him. Gina takes the opportunity to try and escape, however is brought back to the house by Daniel in order to save Beth.
In the basement, Mother informs Gina that disobedience has consequences, before pouring boiling water over Treshawn. Mother then attempts to find her money by burning the photographs of the boy, revealed to be Daniel and Beth's deceased son. Mother then sets Julie's hair on fire, but extinguishes it when she realizes Daniel is telling the truth about the money. Mother leaves the basement, before the group manage to arm themselves with knives. They lure Addley into the basement and stab him to death. Treshawn, now deaf and having difficulty seeing, takes Addley's gun and goes upstairs. Gina follows him, startling him and causing him to shoot her in the side. As Treshawn attempts to help his wife, Mother shoots him in the back, killing him. Mother discovers Addley's body and phones Ike, before forcing Beth to listen to her shoot Daniel. Annette and Julie are then taken upstairs and tied up.
At the hospital, Melissa regains consciousness and alerts authorities to the house. George confronts Mother, telling her that none of her kids look like one another, and look nothing like her. Mother, enraged, threatens to kill him, but Lydia convinces her that they need George. Ike and Beth then burst through the front door with the money. Mother instructs Ike, Lydia and George to take Johnny to the RV while she has a chat with the ladies. Inside the RV, Johnny shoots George in spite of Lydia's pleas to let him live. Mother reveals to Julie and Annette that Beth was the one who hid the money and is the one responsible for all the deaths. Beth reveals that she was hiding the money for the baby she is expecting. She also reveals she knew Daniel was cheating on her with Julie, and wanted to leave him. Mother forces Beth to take a pregnancy test to prove it, before Beth knocks Mother unconscious. Beth unties Julie, who is shot in the head by Ike while trying to escape the house, and Annette, who hides with Beth in the garage. Together they manage to overpower Ike and kill him. Annette escapes to the neighbours, while Beth fights with Mother in the house. Beth is knocked unconscious and Mother sets the house on fire. However, Beth wakes up and overpowers Mother, hitting her with a wooden chopping board, before escaping the house along with Gina who has survived her injuries.
Months later, a very pregnant Beth goes into labor and is taken to the hospital by Annette, Gina and Melissa. That night, Beth wakes up to the emergency alarms going off in the maternity ward. She gets up and goes to check on her baby, but the bassinette is empty. The film ends with Lydia, Johnny and Mother leaving the country in the RV with Beth's baby. | Where does Melissa regain consciousness? | Hospital | 2,986 | 2,994 |
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