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60,200 | 's pretty linear and only makeup-deep | 0negative
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60,201 | be forgiven for realizing that you 've spent the past 20 minutes looking at your watch and waiting for frida to just die already | 0negative
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60,202 | , a cast of competent performers from movies , television and the theater are cast adrift in various new york city locations with no unifying rhythm or visual style . | 0negative
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60,203 | the leanest and meanest of solondz 's misanthropic comedies | 1positive
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60,204 | turn bill paxton into an a-list director | 1positive
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60,205 | the best date movie | 1positive
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60,206 | disgusting . | 0negative
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60,207 | derived from a lobotomy , having had all its vital essence scooped out and discarded | 0negative
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60,208 | is the superficial way it deals with its story | 0negative
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60,209 | impeccable comic timing , | 1positive
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60,210 | sadly -- | 0negative
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60,211 | then you 're at the right film . | 1positive
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60,212 | its visual delights | 1positive
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60,213 | ayatollah | 1positive
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60,214 | at a failure of our justice system | 0negative
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60,215 | killer website movie | 1positive
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60,216 | of movie that comes along only occasionally , one so unconventional , gutsy and perfectly | 1positive
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60,217 | michael moore has perfected the art of highly entertaining , self-aggrandizing , politically motivated documentary-making , and he 's got as potent a topic as ever here | 1positive
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60,218 | disaster flick | 0negative
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60,219 | is essentially devoid of interesting characters or even a halfway intriguing plot | 0negative
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60,220 | solid , spooky entertainment | 1positive
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60,221 | piece to watch with kids and use to introduce video as art | 1positive
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60,222 | very shapable but largely unfulfilling | 0negative
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60,223 | it also has many of the things that made the first one charming . | 1positive
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60,224 | a gloriously goofy way | 1positive
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60,225 | every aggrieved father cliché | 0negative
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60,226 | filled with more holes than clyde barrow 's car . | 0negative
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60,227 | wo n't join the pantheon of great monster/science fiction flicks that we have come to love | 0negative
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60,228 | the film ) works | 1positive
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60,229 | marvelously compelling is present brown as a catalyst for the struggle of black manhood in restrictive and chaotic america ... sketchy but nevertheless gripping portrait of jim brown , a celebrated wonder in the spotlight | 1positive
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60,230 | sarah 's dedication to finding her husband seems more psychotic than romantic | 0negative
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60,231 | , it 's too long and unfocused . | 0negative
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60,232 | own placid way | 0negative
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60,233 | has become one of our best actors | 1positive
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60,234 | the good-time shenanigans in welcome perspective | 1positive
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60,235 | a man in pain | 0negative
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60,236 | , cliched and clunky | 0negative
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60,237 | the light-footed enchantment the material needs | 1positive
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60,238 | compliment | 1positive
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60,239 | go see this unique and entertaining twist on the classic whale 's tale | 1positive
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60,240 | ( toback 's ) fondness for fancy split-screen , stuttering editing and pompous references to wittgenstein and kirkegaard ... blends uneasily with the titillating material | 0negative
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60,241 | immaturity | 0negative
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60,242 | dumb , narratively chaotic , visually sloppy | 0negative
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60,243 | the problems | 0negative
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60,244 | is a divine monument to a single man 's struggle to regain his life , his dignity and his music | 1positive
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60,245 | privileged moments and memorable performances | 1positive
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60,246 | shows little understanding | 1positive
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60,247 | begins haranguing the wife in bad stage dialogue | 0negative
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60,248 | of pure movie | 1positive
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60,249 | is brilliant , | 1positive
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60,250 | beyond its limit to sustain a laugh | 0negative
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60,251 | never worry about anyone being bored | 1positive
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60,252 | a powerful drama with enough sardonic wit to keep it from being maudlin | 1positive
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60,253 | fairly trite | 0negative
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60,254 | orwell 's dark , intelligent warning cry | 0negative
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60,255 | it 's fun , but it 's a real howler | 1positive
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60,256 | ignorant | 0negative
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60,257 | is a big letdown | 0negative
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60,258 | recycled more times than i 'd care to count | 0negative
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60,259 | offers copious hints along the way -- myriad signs , if you will -- that beneath the familiar , funny surface is a far bigger , far more meaningful story than one in which little green men come to earth for harvesting purposes . | 1positive
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60,260 | is about as interesting | 0negative
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60,261 | nearly terminal case | 0negative
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60,262 | overlong documentary | 0negative
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60,263 | a poignant lyricism runs through balzac and the little chinese seamstress that transforms this story about love and culture into a cinematic poem . | 1positive
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60,264 | little doubt | 1positive
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60,265 | about as exciting to watch as two last-place basketball teams playing one another on the final day of the season | 0negative
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60,266 | the fascination comes in the power of the huston performance , which seems so larger than life and yet so fragile , and | 1positive
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60,267 | 's nowhere near as good as the original . | 0negative
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60,268 | so-five-minutes-ago pop music | 0negative
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60,269 | unambitious writing | 0negative
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60,270 | , whatever your orientation . | 1positive
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60,271 | of comedic bliss | 1positive
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60,272 | create a film that 's not merely about kicking undead *** , but also about dealing with regret and , ultimately , finding redemption | 1positive
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60,273 | come by once in a while with flawless amounts of acting , direction , story and pace | 1positive
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60,274 | impressive hybrid . | 1positive
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60,275 | lovely | 1positive
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60,276 | ... spiced with humor ( ' i speak fluent flatula , ' advises denlopp after a rather , er , bubbly exchange with an alien deckhand ) | 1positive
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60,277 | hide the fact that seagal 's overweight and out of shape | 0negative
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60,278 | all of the elements are in place for a great film noir , but | 1positive
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60,279 | you laugh once ( maybe twice ) | 0negative
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60,280 | maggots crawling on a dead dog | 0negative
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60,281 | fails as a dystopian movie , as a retooling of fahrenheit 451 , and even as a rip-off of the matrix | 0negative
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60,282 | the artistry of making a film | 1positive
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60,283 | cho 's timing is priceless . | 1positive
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60,284 | much interest | 1positive
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60,285 | more bluster | 0negative
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60,286 | the world needs more filmmakers with passionate enthusiasms like martin scorsese . | 1positive
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60,287 | generous and subversive artworks | 1positive
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60,288 | a boring , pretentious waste of nearly two hours | 0negative
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60,289 | almost as much as they love themselves | 0negative
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60,290 | there 's a persistent theatrical sentiment and a woozy quality to the manner of the storytelling , which undercuts the devastatingly telling impact of utter loss personified in the film 's simple title . | 0negative
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60,291 | succeeds mainly | 1positive
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60,292 | evokes a palpable sense of disconnection | 0negative
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60,293 | it will be , and in that sense is a movie that deserves recommendation | 1positive
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60,294 | than the bruckheimeresque american action flicks it emulates | 0negative
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60,295 | it 's so crammed with scenes and vistas and pretty moments that it 's left a few crucial things out , like character development and coherence . | 0negative
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60,296 | the astute direction of cardoso | 1positive
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60,297 | sentimentality and annoying | 0negative
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60,298 | winning squareness that would make it the darling of many a kids-and-family-oriented cable channel | 1positive
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60,299 | go around , with music and laughter | 1positive
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