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int32 0
67.3k
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268
| label
class label 2
classes |
|---|---|---|
6,000 |
the poor and
| 0negative
|
6,001 |
a tattered and ugly past with rose-tinted glasses
| 0negative
|
6,002 |
dehumanizing
| 0negative
|
6,003 |
reading lines
| 0negative
|
6,004 |
heard before
| 1positive
|
6,005 |
which to hang broad , mildly fleshed-out characters that seem to have been conjured up only 10 minutes prior to filming
| 0negative
|
6,006 |
an unholy mess ,
| 0negative
|
6,007 |
visual virtues
| 1positive
|
6,008 |
'' winner
| 1positive
|
6,009 |
bona fide groaners
| 0negative
|
6,010 |
, you 're too interested to care .
| 1positive
|
6,011 |
is authentic to the core of his being .
| 1positive
|
6,012 |
far too clever by half , howard 's film is really a series of strung-together moments , with all the spaces in between filled with fantasies , daydreams , memories and one fantastic visual trope after another .
| 0negative
|
6,013 |
with an unusual protagonist ( a kilt-wearing jackson ) and subject matter , the improbable `` formula 51 '' is somewhat entertaining
| 1positive
|
6,014 |
built-in audience
| 1positive
|
6,015 |
bogged down in earnest dramaturgy
| 0negative
|
6,016 |
bundling the flowers of perversity , comedy and romance into a strangely tempting bouquet of a movie
| 1positive
|
6,017 |
amusing ,
| 1positive
|
6,018 |
the most entertaining bonds in years
| 1positive
|
6,019 |
is a load of clams left in the broiling sun for a good three days
| 0negative
|
6,020 |
appreciates the art
| 1positive
|
6,021 |
do all three quite well , making it one of the year 's most enjoyable releases
| 1positive
|
6,022 |
most important and exhilarating forms
| 1positive
|
6,023 |
although the more lascivious-minded might be disappointed in the relative modesty of a movie that sports a ` topless tutorial service
| 0negative
|
6,024 |
... a sour little movie at its core ; an exploration of the emptiness that underlay the relentless gaiety of the 1920 's ... the film 's ending has a `` what was it all for ?
| 0negative
|
6,025 |
too many scenes toward the end
| 0negative
|
6,026 |
's full of cheesy dialogue , but great trashy fun that finally returns de palma to his pulpy thrillers of the early '80s
| 1positive
|
6,027 |
a more confused , less interesting and more sloppily
| 0negative
|
6,028 |
most ravaging
| 1positive
|
6,029 |
equally miserable
| 0negative
|
6,030 |
i admire the closing scenes of the film , which seem to ask whether our civilization offers a cure for vincent 's complaint .
| 1positive
|
6,031 |
is one film that 's truly deserving of its oscar nomination
| 1positive
|
6,032 |
the expressive power
| 1positive
|
6,033 |
it attractive throughout
| 1positive
|
6,034 |
entirely suspenseful , extremely well-paced and ultimately
| 1positive
|
6,035 |
editing and pompous references
| 0negative
|
6,036 |
inspirational status
| 1positive
|
6,037 |
( a ) poorly executed comedy .
| 0negative
|
6,038 |
gentle but
| 1positive
|
6,039 |
may offend viewers not amused by the sick sense of humor .
| 0negative
|
6,040 |
... this is n't even a movie we can enjoy as mild escapism ; it is one in which fear and frustration are provoked to intolerable levels .
| 0negative
|
6,041 |
` the war of the roses , ' trailer-trash style .
| 0negative
|
6,042 |
accomplished and
| 1positive
|
6,043 |
no worse a film than breaking out , and breaking out was utterly charming .
| 1positive
|
6,044 |
the soulful development
| 1positive
|
6,045 |
the unsettled tenor
| 0negative
|
6,046 |
are clinically depressed and
| 0negative
|
6,047 |
the explosion essentially ruined -- or , rather , overpowered
| 0negative
|
6,048 |
an engrossing portrait
| 1positive
|
6,049 |
is genial but never inspired , and little
| 1positive
|
6,050 |
tackles more than she can handle .
| 0negative
|
6,051 |
losing its focus , point and purpose in a mess of mixed messages , over-blown drama and bruce willis
| 0negative
|
6,052 |
nothing wrong with performances here , but the whiney characters bugged me .
| 0negative
|
6,053 |
proves to be sensational
| 1positive
|
6,054 |
to entertain
| 1positive
|
6,055 |
pathetic exploitation film
| 0negative
|
6,056 |
joys in our lives
| 1positive
|
6,057 |
the triumph
| 1positive
|
6,058 |
of sincere grief and mourning in favor of bogus spiritualism
| 0negative
|
6,059 |
unspeakable , of course , barely begins to describe the plot and its complications .
| 0negative
|
6,060 |
did n't convince me that calvin jr. 's barbershop represents some sort of beacon of hope in the middle of chicago 's south side
| 0negative
|
6,061 |
laced with liberal doses of dark humor , gorgeous exterior photography , and a stable-full of solid performances , no such thing is a fascinating little tale .
| 1positive
|
6,062 |
seems hopelessly juvenile .
| 0negative
|
6,063 |
a frighteningly fascinating contradiction
| 1positive
|
6,064 |
an unpleasant debate that 's been given the drive of a narrative and that 's been acted out
| 0negative
|
6,065 |
equally assured
| 1positive
|
6,066 |
have a story and a script
| 1positive
|
6,067 |
's a work of enthralling drama
| 1positive
|
6,068 |
predictable as the tides
| 0negative
|
6,069 |
did no one on the set have a sense of humor ,
| 0negative
|
6,070 |
the film , while it 's not completely wreaked , is seriously compromised by that
| 0negative
|
6,071 |
's a wonderful , sobering , heart-felt drama
| 1positive
|
6,072 |
saves
| 1positive
|
6,073 |
uncompromising film
| 1positive
|
6,074 |
for making a florid biopic about mad queens , obsessive relationships , and rampant adultery so dull
| 0negative
|
6,075 |
all the dramatic weight
| 0negative
|
6,076 |
will wind up as glum as mr. de niro .
| 0negative
|
6,077 |
bracing truth
| 1positive
|
6,078 |
great trashy fun that finally returns de palma to his pulpy thrillers of the early '80s
| 1positive
|
6,079 |
even if it is generally amusing from time to time , i spy has all the same problems the majority of action comedies have .
| 0negative
|
6,080 |
the movie winds up feeling like a great missed opportunity .
| 0negative
|
6,081 |
of dead-end distaste
| 0negative
|
6,082 |
tells its poignant and uplifting story in a stunning fusion of music and images .
| 1positive
|
6,083 |
good actors , even kingsley , are made to look bad
| 0negative
|
6,084 |
young everlyn sampi , as the courageous molly craig , simply radiates star-power potential in this remarkable and memorable film .
| 1positive
|
6,085 |
it appears to have been modeled on the worst revenge-of-the-nerds clichés the filmmakers could dredge up .
| 0negative
|
6,086 |
does a solid job
| 1positive
|
6,087 |
poor editing , bad bluescreen ,
| 0negative
|
6,088 |
lead actress gaï , she of the impossibly long limbs and sweetly conspiratorial smile
| 1positive
|
6,089 |
boring
| 0negative
|
6,090 |
believe anyone would really buy this stuff
| 0negative
|
6,091 |
lighthearted glow
| 1positive
|
6,092 |
that there 's really not much of a sense of action
| 0negative
|
6,093 |
just another combination of bad animation and mindless violence ...
| 0negative
|
6,094 |
, guts and crazy beasts stalking men with guns though ... you will likely enjoy this monster .
| 1positive
|
6,095 |
offer a fascinating glimpse
| 1positive
|
6,096 |
illuminates what it means sometimes to be inside looking out , and at other times outside looking in .
| 1positive
|
6,097 |
want to think too much about what 's going on
| 0negative
|
6,098 |
narc
| 0negative
|
6,099 |
sub-sophomoric
| 0negative
|
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