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int32 0
67.3k
| sentence
stringlengths 2
268
| label
class label 2
classes |
|---|---|---|
57,600 |
north or south vietnamese
| 1positive
|
57,601 |
questions cinema 's capability for recording truth .
| 0negative
|
57,602 |
no real point
| 0negative
|
57,603 |
lavish formalism
| 1positive
|
57,604 |
stiff and schmaltzy and clumsily directed .
| 0negative
|
57,605 |
most watchable
| 1positive
|
57,606 |
then his tone retains a genteel , prep-school quality that feels dusty and leatherbound
| 0negative
|
57,607 |
by the movie 's sophomoric blend of shenanigans and slapstick
| 0negative
|
57,608 |
exploit the familiar
| 0negative
|
57,609 |
, it may be because teens are looking for something to make them laugh .
| 0negative
|
57,610 |
a fantastically vital movie that manages to invest real humor , sensuality , and sympathy into a story about two adolescent boys .
| 1positive
|
57,611 |
are having so much fun
| 1positive
|
57,612 |
a matinee price
| 1positive
|
57,613 |
paul bettany is good at being the ultra-violent gangster wannabe , but the movie is certainly not number 1 .
| 0negative
|
57,614 |
the movie 's seams may show
| 0negative
|
57,615 |
who has come to new york city to replace past tragedy with the american dream
| 1positive
|
57,616 |
revel in its splendor
| 1positive
|
57,617 |
everybody loves a david and goliath story , and this one is told almost entirely from david 's point of view .
| 1positive
|
57,618 |
i 'm not sure these words have ever been together in the same sentence : this erotic cannibal movie is boring .
| 0negative
|
57,619 |
's a masterpiece .
| 1positive
|
57,620 |
an ambitious film
| 1positive
|
57,621 |
with a completely predictable plot , you 'll swear that you 've seen it all before , even if you 've never come within a mile of the longest yard .
| 0negative
|
57,622 |
cherry orchard is badly edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story . '
| 0negative
|
57,623 |
, around the halfway mark it takes an abrupt turn into glucose sentimentality and laughable contrivance .
| 0negative
|
57,624 |
an accuracy of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism
| 1positive
|
57,625 |
there 's a plethora of characters in this picture , and
| 1positive
|
57,626 |
epiphany
| 1positive
|
57,627 |
entirely charming
| 1positive
|
57,628 |
brightly
| 1positive
|
57,629 |
is equally hackneyed
| 0negative
|
57,630 |
featuring reams of flatly
| 0negative
|
57,631 |
the sinister inspiration that fuelled devito 's early work is confused in death to smoochy into something both ugly and mindless .
| 0negative
|
57,632 |
makes for unexpectedly giddy viewing
| 1positive
|
57,633 |
manages to accomplish what few sequels can --
| 1positive
|
57,634 |
live happily ever after
| 1positive
|
57,635 |
misogyny and unprovoked violence
| 0negative
|
57,636 |
you drive past -- even if it chiefly inspires you to drive a little faster
| 1positive
|
57,637 |
wears thin -- then out -- when there 's nothing else happening
| 0negative
|
57,638 |
the ending is all too predictable and far too cliched to really work
| 0negative
|
57,639 |
talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires
| 1positive
|
57,640 |
flawed and brilliant
| 1positive
|
57,641 |
to the serbs themselves
| 1positive
|
57,642 |
tender movements
| 1positive
|
57,643 |
feels cheated
| 0negative
|
57,644 |
, wistful new film
| 1positive
|
57,645 |
both exuberantly romantic and serenely
| 1positive
|
57,646 |
continues her exploration of the outer limits of raunch with considerable brio
| 1positive
|
57,647 |
schticky chris rock and stolid anthony hopkins
| 1positive
|
57,648 |
old world war
| 1positive
|
57,649 |
court maneuvers
| 1positive
|
57,650 |
off the element of surprise
| 1positive
|
57,651 |
follows the formula , but throws in too many conflicts to keep the story compelling
| 0negative
|
57,652 |
road to perdition does display greatness , and it 's worth seeing .
| 1positive
|
57,653 |
a distinctly minor effort that will be seen to better advantage on cable , especially considering its barely
| 0negative
|
57,654 |
it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything
| 0negative
|
57,655 |
is terrific , bringing an unforced , rapid-fire delivery to toback 's heidegger - and nietzsche-referencing dialogue .
| 1positive
|
57,656 |
spotty script
| 0negative
|
57,657 |
there are great rewards here .
| 1positive
|
57,658 |
looking for something new and hoping for something entertaining
| 1positive
|
57,659 |
the grace to call for prevention rather than to place blame , making it one of the best war movies ever made
| 1positive
|
57,660 |
a stately sense of composition
| 1positive
|
57,661 |
one of those strained caper movies that 's hardly any fun to watch and begins to vaporize from your memory minutes after it ends .
| 0negative
|
57,662 |
actually clicks .
| 1positive
|
57,663 |
it holds up in an era in which computer-generated images are the norm
| 1positive
|
57,664 |
dreamed up such blatant and sickening product placement
| 0negative
|
57,665 |
scripted
| 0negative
|
57,666 |
most devastating flaw
| 0negative
|
57,667 |
drop
| 0negative
|
57,668 |
feeling to it , but like the 1920 's , the trip there is a great deal of fun .
| 1positive
|
57,669 |
mixes in as much humor as pathos to take us on his sentimental journey of the heart .
| 1positive
|
57,670 |
more interesting
| 1positive
|
57,671 |
the best didacticism is one carried by a strong sense of humanism , and bertrand tavernier 's oft-brilliant safe conduct ( `` laissez-passer '' ) wears its heart on its sleeve
| 1positive
|
57,672 |
comes down to whether you can tolerate leon barlow
| 0negative
|
57,673 |
translation : ` we do n't need to try very hard . '
| 0negative
|
57,674 |
is the sort of low-grade dreck that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography , complete with visible boom mikes .
| 0negative
|
57,675 |
intellect and
| 1positive
|
57,676 |
its worst
| 0negative
|
57,677 |
blithe exchanges
| 1positive
|
57,678 |
, brisk delight
| 1positive
|
57,679 |
intelligent , caustic take on a great writer and dubious human being .
| 1positive
|
57,680 |
easily one of the best and most exciting movies of the year .
| 1positive
|
57,681 |
` direct-to-video ' release
| 0negative
|
57,682 |
if it were n't silly
| 0negative
|
57,683 |
woe
| 0negative
|
57,684 |
a loose collection of not-so-funny gags , scattered moments of lazy humor
| 0negative
|
57,685 |
is n't that much different from many a hollywood romance
| 0negative
|
57,686 |
provides no easy answers , but offers a compelling investigation of faith versus intellect
| 1positive
|
57,687 |
transform themselves into a believable mother/daughter pair
| 1positive
|
57,688 |
more depressing than entertaining
| 0negative
|
57,689 |
takes hold and grips hard .
| 1positive
|
57,690 |
it slow , predictable and not very amusing
| 0negative
|
57,691 |
it otherwise drowns in a sea of visual and verbal clichés
| 0negative
|
57,692 |
magic and whimsy for children , a heartfelt romance for teenagers and a compelling argument about death , both pro and con , for adults
| 1positive
|
57,693 |
were at home watching that movie instead of in the theater watching this one
| 0negative
|
57,694 |
see scratch for a lesson in scratching , but , most of all , see it for the passion .
| 1positive
|
57,695 |
misses its emotions
| 0negative
|
57,696 |
at meaningful cinema
| 1positive
|
57,697 |
about morality and the choices we make underneath such a mountain of clichés and borrowed images
| 0negative
|
57,698 |
succeeds primarily
| 1positive
|
57,699 |
too simple
| 0negative
|
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