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67.3k
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|---|---|---|
57,600 | north or south vietnamese | 1positive
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57,601 | questions cinema 's capability for recording truth . | 0negative
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57,602 | no real point | 0negative
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57,603 | lavish formalism | 1positive
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57,604 | stiff and schmaltzy and clumsily directed . | 0negative
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57,605 | most watchable | 1positive
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57,606 | then his tone retains a genteel , prep-school quality that feels dusty and leatherbound | 0negative
|
57,607 | by the movie 's sophomoric blend of shenanigans and slapstick | 0negative
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57,608 | exploit the familiar | 0negative
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57,609 | , it may be because teens are looking for something to make them laugh . | 0negative
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57,610 | a fantastically vital movie that manages to invest real humor , sensuality , and sympathy into a story about two adolescent boys . | 1positive
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57,611 | are having so much fun | 1positive
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57,612 | a matinee price | 1positive
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57,613 | paul bettany is good at being the ultra-violent gangster wannabe , but the movie is certainly not number 1 . | 0negative
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57,614 | the movie 's seams may show | 0negative
|
57,615 | who has come to new york city to replace past tragedy with the american dream | 1positive
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57,616 | revel in its splendor | 1positive
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57,617 | everybody loves a david and goliath story , and this one is told almost entirely from david 's point of view . | 1positive
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57,618 | i 'm not sure these words have ever been together in the same sentence : this erotic cannibal movie is boring . | 0negative
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57,619 | 's a masterpiece . | 1positive
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57,620 | an ambitious film | 1positive
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57,621 | with a completely predictable plot , you 'll swear that you 've seen it all before , even if you 've never come within a mile of the longest yard . | 0negative
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57,622 | cherry orchard is badly edited , often awkwardly directed and suffers from the addition of a wholly unnecessary pre-credit sequence designed to give some of the characters a ` back story . ' | 0negative
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57,623 | , around the halfway mark it takes an abrupt turn into glucose sentimentality and laughable contrivance . | 0negative
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57,624 | an accuracy of observation in the work of the director , frank novak , that keeps the film grounded in an undeniable social realism | 1positive
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57,625 | there 's a plethora of characters in this picture , and | 1positive
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57,626 | epiphany | 1positive
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57,627 | entirely charming | 1positive
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57,628 | brightly | 1positive
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57,629 | is equally hackneyed | 0negative
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57,630 | featuring reams of flatly | 0negative
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57,631 | the sinister inspiration that fuelled devito 's early work is confused in death to smoochy into something both ugly and mindless . | 0negative
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57,632 | makes for unexpectedly giddy viewing | 1positive
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57,633 | manages to accomplish what few sequels can -- | 1positive
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57,634 | live happily ever after | 1positive
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57,635 | misogyny and unprovoked violence | 0negative
|
57,636 | you drive past -- even if it chiefly inspires you to drive a little faster | 1positive
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57,637 | wears thin -- then out -- when there 's nothing else happening | 0negative
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57,638 | the ending is all too predictable and far too cliched to really work | 0negative
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57,639 | talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires | 1positive
|
57,640 | flawed and brilliant | 1positive
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57,641 | to the serbs themselves | 1positive
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57,642 | tender movements | 1positive
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57,643 | feels cheated | 0negative
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57,644 | , wistful new film | 1positive
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57,645 | both exuberantly romantic and serenely | 1positive
|
57,646 | continues her exploration of the outer limits of raunch with considerable brio | 1positive
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57,647 | schticky chris rock and stolid anthony hopkins | 1positive
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57,648 | old world war | 1positive
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57,649 | court maneuvers | 1positive
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57,650 | off the element of surprise | 1positive
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57,651 | follows the formula , but throws in too many conflicts to keep the story compelling | 0negative
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57,652 | road to perdition does display greatness , and it 's worth seeing . | 1positive
|
57,653 | a distinctly minor effort that will be seen to better advantage on cable , especially considering its barely | 0negative
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57,654 | it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything | 0negative
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57,655 | is terrific , bringing an unforced , rapid-fire delivery to toback 's heidegger - and nietzsche-referencing dialogue . | 1positive
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57,656 | spotty script | 0negative
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57,657 | there are great rewards here . | 1positive
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57,658 | looking for something new and hoping for something entertaining | 1positive
|
57,659 | the grace to call for prevention rather than to place blame , making it one of the best war movies ever made | 1positive
|
57,660 | a stately sense of composition | 1positive
|
57,661 | one of those strained caper movies that 's hardly any fun to watch and begins to vaporize from your memory minutes after it ends . | 0negative
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57,662 | actually clicks . | 1positive
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57,663 | it holds up in an era in which computer-generated images are the norm | 1positive
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57,664 | dreamed up such blatant and sickening product placement | 0negative
|
57,665 | scripted | 0negative
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57,666 | most devastating flaw | 0negative
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57,667 | drop | 0negative
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57,668 | feeling to it , but like the 1920 's , the trip there is a great deal of fun . | 1positive
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57,669 | mixes in as much humor as pathos to take us on his sentimental journey of the heart . | 1positive
|
57,670 | more interesting | 1positive
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57,671 | the best didacticism is one carried by a strong sense of humanism , and bertrand tavernier 's oft-brilliant safe conduct ( `` laissez-passer '' ) wears its heart on its sleeve | 1positive
|
57,672 | comes down to whether you can tolerate leon barlow | 0negative
|
57,673 | translation : ` we do n't need to try very hard . ' | 0negative
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57,674 | is the sort of low-grade dreck that usually goes straight to video -- with a lousy script , inept direction , pathetic acting , poorly dubbed dialogue and murky cinematography , complete with visible boom mikes . | 0negative
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57,675 | intellect and | 1positive
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57,676 | its worst | 0negative
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57,677 | blithe exchanges | 1positive
|
57,678 | , brisk delight | 1positive
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57,679 | intelligent , caustic take on a great writer and dubious human being . | 1positive
|
57,680 | easily one of the best and most exciting movies of the year . | 1positive
|
57,681 | ` direct-to-video ' release | 0negative
|
57,682 | if it were n't silly | 0negative
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57,683 | woe | 0negative
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57,684 | a loose collection of not-so-funny gags , scattered moments of lazy humor | 0negative
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57,685 | is n't that much different from many a hollywood romance | 0negative
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57,686 | provides no easy answers , but offers a compelling investigation of faith versus intellect | 1positive
|
57,687 | transform themselves into a believable mother/daughter pair | 1positive
|
57,688 | more depressing than entertaining | 0negative
|
57,689 | takes hold and grips hard . | 1positive
|
57,690 | it slow , predictable and not very amusing | 0negative
|
57,691 | it otherwise drowns in a sea of visual and verbal clichés | 0negative
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57,692 | magic and whimsy for children , a heartfelt romance for teenagers and a compelling argument about death , both pro and con , for adults | 1positive
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57,693 | were at home watching that movie instead of in the theater watching this one | 0negative
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57,694 | see scratch for a lesson in scratching , but , most of all , see it for the passion . | 1positive
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57,695 | misses its emotions | 0negative
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57,696 | at meaningful cinema | 1positive
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57,697 | about morality and the choices we make underneath such a mountain of clichés and borrowed images | 0negative
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57,698 | succeeds primarily | 1positive
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57,699 | too simple | 0negative
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