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5,300 |
an enjoyable feel-good family comedy regardless of race .
| 1positive
|
5,301 |
as an engrossing story about a horrifying historical event and the elements which contributed to it
| 1positive
|
5,302 |
set in a 1986 harlem that does n't look much like anywhere in new york .
| 0negative
|
5,303 |
the humanizing stuff that will probably sink the film for anyone who does n't think about percentages all day long
| 0negative
|
5,304 |
all over this `` un-bear-able '' project
| 0negative
|
5,305 |
the pacing is often way off and there are too many bona fide groaners among too few laughs .
| 0negative
|
5,306 |
clean-cut
| 1positive
|
5,307 |
wonderfully funny
| 1positive
|
5,308 |
is never able to pull it back on course .
| 0negative
|
5,309 |
helps `` being earnest '' overcome its weaknesses
| 1positive
|
5,310 |
ransacks its archives for a quick-buck sequel
| 0negative
|
5,311 |
disorientated
| 0negative
|
5,312 |
it arrives
| 1positive
|
5,313 |
enjoy the perfectly pitched web of tension
| 1positive
|
5,314 |
the son of the bride 's humor is born out of an engaging storyline , which also is n't embarrassed to make you reach for the tissues .
| 1positive
|
5,315 |
focus
| 1positive
|
5,316 |
exuberance and passion
| 1positive
|
5,317 |
65-minute trifle
| 0negative
|
5,318 |
as the very best of them
| 1positive
|
5,319 |
seemingly a vehicle to showcase the canadian 's inane ramblings
| 0negative
|
5,320 |
disguise the fact
| 0negative
|
5,321 |
a particularly slanted , gay s/m fantasy
| 0negative
|
5,322 |
to see how many times they can work the words `` radical '' or `` suck '' into a sentence
| 0negative
|
5,323 |
exasperating
| 0negative
|
5,324 |
be labeled ` hip ' , ` innovative ' and ` realistic '
| 1positive
|
5,325 |
incredible subtlety and acumen
| 1positive
|
5,326 |
droning
| 0negative
|
5,327 |
two of those well spent
| 1positive
|
5,328 |
shows that some studios firmly believe that people have lost the ability to think and will forgive any shoddy product as long as there 's a little girl-on-girl action .
| 0negative
|
5,329 |
only about as sexy and dangerous as an actress in a role that reminds at every turn of elizabeth berkley 's flopping dolphin-gasm .
| 0negative
|
5,330 |
that greasy little vidgame pit in the theater lobby
| 0negative
|
5,331 |
there 's no indication that he 's been responsible for putting together any movies of particular value or merit
| 0negative
|
5,332 |
bordering on offensive , waste of time , money and celluloid .
| 0negative
|
5,333 |
the rare sequel that 's better than its predecessor
| 1positive
|
5,334 |
glows with enthusiasm , sensuality and a conniving wit .
| 1positive
|
5,335 |
such blatant and sickening product placement
| 0negative
|
5,336 |
have problems , which are neither original nor are presented in convincing way
| 0negative
|
5,337 |
captivating new film .
| 1positive
|
5,338 |
to shyamalan 's gifts , which are such that we 'll keep watching the skies for his next project
| 1positive
|
5,339 |
making it par for the course for disney sequels
| 0negative
|
5,340 |
gives the neighborhood -- scenery , vibe and all -- the cinematic equivalent of a big , tender hug
| 1positive
|
5,341 |
has nothing good to speak about other than the fact that it is relatively short
| 0negative
|
5,342 |
needing other people
| 0negative
|
5,343 |
it 's a treat -- a delightful , witty , improbable romantic comedy with a zippy jazzy score ... grant and bullock make it look as though they are having so much fun .
| 1positive
|
5,344 |
ultimately succumbs to cliches and pat storytelling
| 0negative
|
5,345 |
at every opportunity to do something clever , the film goes right over the edge and kills every sense of believability ... all you have left
| 0negative
|
5,346 |
acquires an undeniable entertainment value as the slight , pale mr. broomfield continues to force himself on people and into situations that would make lesser men run for cover
| 1positive
|
5,347 |
oscar caliber cast does n't live up to material
| 0negative
|
5,348 |
trailer-trash style .
| 0negative
|
5,349 |
wonderfully edited
| 1positive
|
5,350 |
's more repetition than creativity throughout the movie
| 0negative
|
5,351 |
imax trip
| 1positive
|
5,352 |
an intelligent screenplay and
| 1positive
|
5,353 |
so vivid a portrait
| 1positive
|
5,354 |
jones ... makes a great impression as the writer-director of this little $ 1.8 million charmer , which may not be cutting-edge indie filmmaking but has a huge heart .
| 1positive
|
5,355 |
spiffy bluescreen technique and stylish weaponry
| 1positive
|
5,356 |
mention `` solaris '' five years from now and i 'm sure those who saw it will have an opinion to share .
| 1positive
|
5,357 |
in the knowledge imparted
| 1positive
|
5,358 |
has all the sibling rivalry and general family chaos to which anyone can relate
| 1positive
|
5,359 |
captures all the longing , anguish and ache , the confusing sexual messages and the wish to be a part of that elusive adult world
| 1positive
|
5,360 |
it 's funny , as the old saying goes , because it 's true .
| 1positive
|
5,361 |
what elevates the movie above the run-of-the-mill singles blender
| 1positive
|
5,362 |
, implausible
| 0negative
|
5,363 |
with its wry observations
| 1positive
|
5,364 |
it is doubtful this listless feature will win him any new viewers
| 0negative
|
5,365 |
handled affair , a film about human darkness but etched with a light ( yet unsentimental ) touch
| 1positive
|
5,366 |
for this sort of thing to work , we need agile performers , but the proficient , dull sorvino has no light touch , and rodan is out of his league
| 0negative
|
5,367 |
unrelentingly grim -- and
| 0negative
|
5,368 |
sweetest thing
| 1positive
|
5,369 |
in the end , tuck everlasting falls victim to that everlasting conundrum experienced by every human who ever lived : too much to do , too little time to do it in .
| 0negative
|
5,370 |
the symbols of loss and denial and life-at-arm 's - length in the film seem irritatingly transparent
| 0negative
|
5,371 |
biography channel
| 1positive
|
5,372 |
the tuxedo was n't just bad
| 0negative
|
5,373 |
i admire it and yet can not recommend it , because it overstays its natural running time .
| 0negative
|
5,374 |
less by wow factors than by its funny , moving yarn that holds up well after two decades
| 1positive
|
5,375 |
with an admirably dark first script by brent hanley , paxton , making his directorial feature debut , does strong , measured work .
| 1positive
|
5,376 |
quite vapid
| 0negative
|
5,377 |
well-done
| 1positive
|
5,378 |
i 've seen in a while , a meander through worn-out material
| 0negative
|
5,379 |
its awkward structure and
| 0negative
|
5,380 |
a powerful commentary
| 1positive
|
5,381 |
recalls
| 0negative
|
5,382 |
it certainly wo n't win any awards in the plot department but it sets out with no pretensions and delivers big time
| 1positive
|
5,383 |
the trashy teen-sleaze equivalent of showgirls .
| 0negative
|
5,384 |
people are innocent , childlike and inherently funny
| 1positive
|
5,385 |
, history , memory , resistance and artistic transcendence
| 1positive
|
5,386 |
will still come away with a sense of his reserved but existential poignancy .
| 1positive
|
5,387 |
goofiest stuff
| 1positive
|
5,388 |
pleased
| 1positive
|
5,389 |
short of a travesty of a transvestite comedy
| 0negative
|
5,390 |
dramatic experience .
| 1positive
|
5,391 |
quirky and satirical touches
| 1positive
|
5,392 |
quite possibly the sturdiest example yet of why the dv revolution has cheapened the artistry of making a film
| 0negative
|
5,393 |
'll find yourself wishing that you and they were in another movie
| 0negative
|
5,394 |
it 's wasted yours
| 0negative
|
5,395 |
armed with a game supporting cast , from the pitch-perfect forster to the always hilarious meara and levy , like mike shoots and scores , doing its namesake proud
| 1positive
|
5,396 |
a change in expression
| 1positive
|
5,397 |
is that it 's far too sentimental
| 0negative
|
5,398 |
treats the subject with fondness and respect
| 1positive
|
5,399 |
that that 's exactly what these two people need to find each other
| 1positive
|
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