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This movie is a riot. I cannot remember the last time I had such a great time at the movies. I've seen a few good comedies in my time and usually they are pretty funny. But this one is wall to wall great lines. I think Best in Show is the last movie that I laughed so hard and so much in. The movie was non-stop until the end when they did the 5 minutes of sentimental plot clean up. Other than that it's a constant barrage of one liners and goofy situations. I'd like to see it again before it leaves the theater because this is like the Zucker movies where you don't get all the jokes the first time around. You have to see it two or three times to get it all in.<br /><br />As far as the actual film goes, it could have used a better edit, it's choppy at times but we have to be forgiving for that. All the characters are great. It's not like an Adam Sandler movie where he tries to be funny and everyone else suffers around him and is the butt of the joke. I think I will remember all the main characters for years to come because they are all so likable. No victims in this movie. Also, thank God they got a 45 year old actress to play his girlfriend. Catherine Keener plays her and she is a sweetheart in this film. You just wish that women like her really existed. She's not a "10" like some of the other leading ladies but somehow her smile is warmer than Julia Roberts overdone overbite.<br /><br />If you see the trailer for this film you may not think too highly of it. I assure you, the trailer does not do it justice. They do not give away all the good jokes. Just some of the mediocre ones.<br /><br />Oh and one more thing. I hope critics put this on their top ten list. Many of them complain that comedies don't get the recognition they deserve and then at the end of the year they don't put it on their list. This means you Ebert!!! | 1pos
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This movie starts out hilarious from about the 15 second mark, and continues it throughout the movie. I cannot recall a scene where i didn't turn to look at people laughing with me. he is the perfect actor for this roll because of the way he looks and the way he dressed.<br /><br />The comedic parts were great to see from actors not very big or popular. As you can see people do like this movie it is currently rated 7.9 on IMDb. i think it should be in 250. Lets put it this way i haven't seen this funny of a movie since American pie or the original vacation. see it if you want a laugh. I give this movie 2 of the highest thumbs up i have ever given since i found out about IMDb, great movie site. | 1pos
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As we all know the sub-genre of sex comedies is pretty crowded. Simply being excessively raunchy isn't enough anymore. I've seen and heard so many disgusting jokes and actions that a sex comedy really needs to have other positive points to appeal to me these days.<br /><br />Coming into the 40 Year Old Virgin I knew basically what to expect; I did see the commercials after all; "is it true that if you don't use it, you lose it?" What I didn't expect to find is a heart and honest attempts at character development. There's still the weird "off-the-wall" characters that we see so much in Adam Sandler movies and there's still enough inappropriate language to sink Noah's Ark but somehow the movie has a worthwhile love story and yes even a message.<br /><br />The main character Andy is (unfortunately for me) a person I can relate to. In the first shot I see that he even shares my love for Mystery Science Theater 3000 (he has a poster for the movie on his wall) and throughout the movie we get to see his really neat collection of antiquities. Andy also has plenty of video games and a working knowledge of films and technology. Andy doesn't want to buy a car because he prefers his bike. Most importantly of all; Andy is a nice person, he doesn't swear and he respect women so much that he stays away from them. Combine all these factors and everybody begins to think he's a serial murderer. It's like my life story.<br /><br />The other characters each have funny little stories to go along with their slightly exaggerated personalities and they all work on a certain level but not the way Andy does. I felt that it was sort of distracting in a way since Andy and his girlfriend Trish are really the only truly human characters in the entire movie.<br /><br />I suppose since I mentioned one flaw I might as well bring the other noticeable one to light. The story is clever but too predictable and as far as romances go; it's quite simple. It deals with Andy's relationship with Trish for a long time and we all know what's going to happen in the end. Sure its final detour is a bit different than we may expect but you know what's going to happen in the end, and I assure you it does. These are definitely small stains on the movie but there's so much good here that I can easily ignore it's few faults.<br /><br />When I say "good" I mean "bad" of course. This is a sex comedy and it wants to be bad. For the most part I think it succeeded. There are so many hilarious scenes such as Andy trying to get rid of an erection after refusing to have sex with Trish. Or the scene where Andy goes with his Trish's daughter to a sexual education class where he ends up asking more questions than anybody else. Ah and we must not forget the soon to be classic chest waxing sequence "Ooh! Como se llama!" An interesting little note about that scene; the actor Steve Carell actually did wax his belly and the pain shown is real. Of course they only did one take but it was still a very brave thing to do on his part.<br /><br />Actually since we're talking about Steve Carell, I'd like to say that he has now risen on my list of respected comedians which is sort of odd since I didn't even know who he was prior to seeing this film. I was just so impressed by his writing, acting and timing that I now really want to keep an eye out for his future roles. This man has talent it The 40 Year Old Virgin proves that.<br /><br />To be honest I had doubts about this film but early word was positive and I knew it was something I was eventually going to see. I'm glad that I did too since it's probably one of the funniest movies I've seen in a long time and it doubles as something you feel is worth watching. It's not simply a series of sex gags lumped together rather it's a series of sex gags entwined with a very worthwhile character and a truly touching romance. Now excuse me while I go puke my guts out; I can't believe I just wrote that...<br /><br />My review from Frider Waves: http://friderwaves.com/index.php?page=virgin | 1pos
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SPOILERS Sex huh? It's one of the most basic parts of human life. Yet, do we ever take it too seriously? People always want more, even those who get it on a daily basis, and if you are unlucky, there are potential life changing (creating) consequences. Ironically people claim we are all starting to have sex at a younger and younger age (despite Victorians getting married and having children in their early teens), so it must be increasingly difficult for those who get to a point as virgins. In Steve Carell's first big screen lead, he plays a man who has gotten to 40 without managing it. Treating us to countless lude and extreme sex related incidents, not to mention more profanity than an episode of "Eurotrash", the general plot of the film and it's principle doesn't sound funny. It's a pleasant surprise therefore that for all the inappropriate, failed jokes, there are an incredibly large number of ones which hit the mark and leave the audience in hysterics.<br /><br />Andy Stitzer (Carell) is a nice guy with a good job and a pleasant temperament. At the same time though, he blatantly takes life too seriously and after being invited to a poker game as a necessary fifth member, Andy's friends discover his secret. At the age of 40, Andy is still a virgin. Now, for multiple reasons, but mostly pity, the three men (Paul Rudd, Seth Rogen and Romany Malco) all offer Andy advice with one goal in mind. To put him out of his misery and get him laid.<br /><br />One of the few good things about "Anchorman", it was only going to be a matter of time before Steve Carell got himself a lead of his own. Impressively, in "The 40 Year Old Virgin" he doesn't disappoint. Showing the hopeless, shy virgin to perfection, Carell is a revelation as he gradually grows increasingly confident as the advice begins to help.<br /><br />Carell is not alone however in his performance. Rudd, Rogen, Malco and Catherine Keener as the love interest are all superb. Rudd is a personal favourite as the love sick David who falls apart at multiple times and shares the finest scene with Rogen as the two argue over homosexuality.<br /><br />The biggest surprise about this film is not the way that so many of the jokes hit the mark, but actually the clever way that it flips the message on it's head. Obviously designed for conservative America, the film's entire tone evolves from a simple story of sexual conquest into one of safe sex and abstinence. The virgin doesn't need sex to make his life complete, he just needs confidence and true love. A worthy message to preach, and a considerable improvement on the one you expect to see at the beginning of the film.<br /><br />It's weird to see a crude comedy which is consistently funny and well acted, but low and behold, "40 Year Old Virgin" is just that. Throw in a well meaning message too and you're well on the way to a top class comedy. A surprising joy. | 1pos
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The 40 Year Old Virgin, is about Andy Stitzer, a forty year old man who works in an electronic store and doesn't have much of a social life and is very awkward around women. Some of his co-workers at the store invite him out one night and they discover that Andy, is still a virgin so they plan to help him lose his virginity. One day in the store Andy, meets a woman named Trish, who gives him her phone number and eventually Andy, works up enough courage to go on a date with her and they start to really like each other but Andy, is still very awkward when it comes to sex and he is going to have to tell this to Trish, much to his embarrassment if he can actually get up enough courage to tell her before things get awkward. The 40 Year Old Virgin, has good direction, a good script, good comedic performances by the whole cast, good cinematography and good film editing. The film stars and is co-written by Steve Carell, who does a very good comedic breakthrough performance and his writing for the film is very good too. I was very pleasantly surprised with this film. It is sweet, funny, entertaining, fun, enjoyable, clever, good natured and a good time. This film is just as good as this year's Wedding Crashers, and both films are two of the best comedies I have seen in awhile. The 40 Year Old Virgin, really showcases a lot of talent and it is put to good use and it works as a comedy and a romance and it is sweet and a lot of fun. One of the biggest surprises and one of the best comedies of the year. | 1pos
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Well let me just say something about these actors, they really were a good decision, and from experience, having actors really brings the dialogue to life. If you walk into this even fifteen minutes late, you'll be in for a shock, the movie will have already began. You don't want to miss the first few jokes, assuming you came to not miss any jokes.<br /><br />Wow! I have never seen a movie that ended with such a final ending. Not to be harsh, I mean I loved it, but it just surprised me that it really kept going until it stopped! But i'm getting ahead of myself, lets start with the very start of it, when it began. The plot outline goes like this, there is this man, and not to give away any spoilers, (*Spoiler Alert!!*) (he hasn't had any sex ever(!) they use this plot device to set the story moving, and there are (intentionally or not, it could go either way) some funny situations had by the main characters, some containing irony, and jokes, and awkward situations, you know.<br /><br />The director uses the advancements in technology by combining the film shot on the set and scripted dialog, some music, and jokes to make a funny movie, designed as a comedy, where he takes us on a journey from the opening credits to the end with an entirely full movie in between. I went into this movie expecting to see a funny comedy because of what I already knew about it, and left feeling as though i had just left a theater that just played a funny comedy. TEN STARS!!! | 1pos
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Steve Carrel Proves himself to be a great leading man in this wonderful, original, raunchy breath of fresh air. I about wet myself at how geniusly hilarious it was.<br /><br />Basically the movie's title says it all: Andy Stitzer is a 40 Year- Old Male who works at an electronics store. He is a bit of a nerd who loves videogames and Comics, and has the biggest collection. His Peers that work in the store with him find out that he's a Virgin during a rather sex dialogue filled poker game, and then Andy has to go through a rather funny as hell Odyessy of rude sexual awakenings, but always screwing up which leads to him not losing his virginity, but he eventually gets lucky in the very end.<br /><br />Leave the little ones at home, But Take the entire family to see This awesome Romantic Adult Comedy. It will have you hooked and cracking up from the very beginning, and by the time it is over, you will be wishing you wore your extra thick absorbent undergarments. Only other thing I can say about it is Too bad Steve Carrel wasn't recognized as a leaving man 20 years ago. He is definitely gonna win best breakthrough male performance in next years MTV movie Awards. You can bet your hard earned dollar on that, people!<br /><br />I Give this one a perfect 10! | 1pos
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From the very beginning I was so excited to see this movie. The poster is possibly the funniest I've ever seen for a movie. I immediately bought one for my dorm this September.<br /><br />Every element came together in this movie so beautifully. It's not often you see a movie with so many penis, gay, and racial jokes so praised by critics. Carell and the rest of the cast deliver each raunchy joke sensationally. Carell remains sweet throughout the entire movie where by the end of the movie you're rooting for him to succeed in his relationship more than you are for him to get laid. The supporting cast is brutal, each of them having some problems with the ladies themselves.<br /><br />One of the things about this movie is the abundance of memorable scenes we're given. This is what makes a movie easy to remember fondly. This movie will often be brought up when the words "chest waxing" and "condoms" are mentioned in conversation.<br /><br />Watching it in the theater I was surprised how many older people were there to watch it. I saw a group of four mid-60s women come in. Despite an older audience, this movie still filled the entire theater with laughter.<br /><br />I think the type of people who will like this are the fans of the Office and Steve Carell. A lot of the jokes remind me of the type of jokes you'd see on Family Guy, too. The movie is shallow enough for adolescent boys and still sweet and clever enough for middle aged women.<br /><br />I don't recommend going to this movie if you aren't a fan of profanity or if you are easily offended. However, when you are at the movie, just remember this movie is all in good humor. The jokes aren't "gay jokes," they're just jokes. And they're funny. | 1pos
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This movie was one of the best movies that I have seen this year. I didn't see any cameos in the movie, but it is still pretty good. It is similar to Anchorman in the humor department, but I think this is a better put together movie. It actually has a point. If you are going to see a whole bunch of T&A you will be disappointed. Just a well put together movie!!!! If you have nothing to do for the day or you need a lot of humor, you will find this to be a really good movie. I definitely think that Ebert and Roeper's review of this movie is right on. I mean, I don't really like Ebert on most movies, but this is the movie that I will agree about. The movie contains a good enough story that it is actually believable that these type of people are out there. There is definitely something to be said about how they treat virginity in this movie. Yea, sure, you get laughed at when it is found out about, but it still suggests that you wait. Steve did a wonderful job of portraying the person that he did in this movie and yet, it is still funny. | 1pos
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Bela Lugosi gets to play one of his rare good guy roles in a serial based upon the long running radio hit (which was also the source of a feature film where Lugosi played the villain.) Lugosi cuts a fine dashing figure and its sad that he didn't get more roles where he could be the guy in command in a good way. Here Chandu returns from the East in order to help the Princess Nadji who is being hunted by the leaders of the cult of Ubasti who need her to bring back from the dead the high priestess of their cult. This is a good looking globe trotting serial that is a great deal of fun. To be certain the pacing is a bit slack, more akin to one of Principals (the producing studios) features then a rip roaring adventure, but it's still enjoyable. This plays better than the two feature films that were cut from it because it allows for things to happen at their own pace instead of feeling rushed or having a sense that "hey I missed something". One of the trilogy of three good serials Lugosi made, the others being SOS Coast Guard and Phantom Creeps | 1pos
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How truly friendly, charming and cordial is this unpretentious old serial; I rejoiced in seeing old Lugosi. It is disarmingly friendly and lively. It's the document of a longlost craft. (The best TV series today can hardly compete with these old moderately good serials.) CHANDU is deeply, deeply optimistic and hedonistic . It refreshes the mind. It's not stupid; stupid are those who do not get the terms on which such serials work. CHANDU has an irresistible sense of simple, unpretentious and friendly fun.<br /><br />Without giving away too muchChandu is an Occidental sorcerer who goes also by this Eastern name and who also loves and protects his niece against a sect of killers.<br /><br />Chandu exerts his supernatural gifts in a rather discreet and moderate way.<br /><br />As to the quite sexy niece, Nadji, she is kidnapped by the priest of Ubasti: the sordid Vindhyan. The poor sexy girl is in fact multiply kidnappedin a sarcophagus after being sent asleep with a flower; almost kidnapped from a boat; by a phony policeman; the temple of Lemuria and its strange, creepy ceremonies resemble the KING KONG imageryand are a barbaric mockery of the RCC ceremonies and rituals. <br /><br />Would you protect a girl as bravely as Chandu does?<br /><br />Lugosi looked like an old libidinous and quite heartless, mean drunk, and this only contributed to his performances. He is the prototypical mean drunk uncle, mischievous and cunning and oblique. This might sound like a rather crooked homage to Lugosiyet Burton's biopic of Wood left me this impression about Lugosi and allied to it a strong sympathy for the decrepit actor. I enjoy Lugosi' fancy performances.<br /><br />This serial is unjustly bashed. | 1pos
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Years ago many big studios promoted serial films that were shown in movie theaters's in between the actual features along with a Newsreel of current events, plus cartoons, especially on a Saturday afternoon. (The parents loved it mostly) "The Return of Chandu" was a 12 episode serial where Chandu,(Bela Lugosi),"The Mysterious Mr. Wong",'34 is a magician with super natural powers and travels to the island of Lemuria to rescue the kidnapped princess of Egypt,(Nadji)Maria Alba,"Dr. Terror's House of Horrors",'43. Princess Nadji is held captive by the black magic cult of Ubasti, who believe that she is a reincarnation of their long-dead goddess Ossana. These 12-episode serials take you way back in time and are very well produced, considering we are talking about 1934 ! | 1pos
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After having seen a lot of Greek movies I feel very suspicious against most of them. But after watching this I felt astonished. The movies is great without a big try. You cannot claim that the screenplay is so great or the photography is perfect or something technical. It's a real story and it is happening in Greek rural areas in places forgotten from God. The movie is like a punch in the stomach and I would really wish that things are not like this. It obviously talks about the xenophobia of the Greek people (the ignorance)to anything different. The problem of this guy is not that he is an ex-convicted. The problem is that he is not one of these people. He is different and they do not want them (that's why all the good things he is doing turn boomerang to him). And also speaks about the apathy of the people, because there are some people who are against the hunting of the King, but they do not dare to say their opinion. In the end you can clearly see the hypocrisy of the society being religious and trying to act like God says, but at the same time acting so unfairly to the King. This shows how easily people rationalize their feelings or their beliefs according to the established system. In the end you can have a positive lesson from this very bad story, meaning that you can understand and be part of this society only if you want to become one of them. If you want to remain different and even alone, you are lost (and it is not far from reality) I think it is tragic that the story is real and this should be a bell for everybody. No comment for the main actor because he is already given an award and I believe that his play was great. Small comment for Hatzisavvas (plays the policeman), he is like a dinosaur, he has played a lot of roles and I'm sure that this role for him was very easy but he plays it so great that you cannot deny him a big bravo. I definitely recommend this movie to anybody who wants to see a good Greek movie. | 1pos
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Perhaps, one of the most important and enjoyable Greek films i've seen in the last ten years..Excellent performances(especially yiannis zouganelis is great), well-written script and effective direction from a very special, for the Greek very average standards, auteur. A film, obviously influenced by Sam Peckinpah's Straw Dogs, that could be a masterpiece if it avoided some evident and exaggerative situations and symbolizations in the end. Nevertheless, this is a movie which deserves our attention and belongs to that rare category of Greek movies which should be watched outside Greece. It's a shame that in Greece didn't work commercially, in addition with other fake and cursory big productions like Politiki Kouzina.. | 1pos
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This is a dramatic film in the whole sense of the word. It tells a tail that here in Greece we live as a routine in everyday life without realizing how sad it is. Sure it has some extremes.. but every now and then real life sorrow surpasses art.It is deeply critical of the goals we pursue and the whole social structure build around them. The film has a deeper understanding of Greek ways of life, stereotypes, and social structure. Unlike most Greek films that have a certain fast-food-mainstream audience, this one does not target anyone in particular but while you watch it you feel that someone put the best possible words and pictures to describe your feelings. I am not a big fan of traditional music either but I wouldn't like to hear anything else when it was played during the film.<br /><br />If someone told me to say something against this film I'd define the following, sometimes the transition between scenes seemed sudden or somewhat cut. I guess the editing had to cut it up to fit the 2hours and a bit for the theatres..<br /><br />Anyway I could write more and more to express my thought over this but I guess u have to see it and discuss it with a friend. A must see | 1pos
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This movie was not so much promoted here in Greece,even though it got good actors , great script and rather good photograph was not a so called "blockbuster" movie in my Country. The movie itself is very powerful,it's about the hard time that a newcomer had to go through when he returns in his home-village after been released from a 5yo prison time(drugs) The end is rather sad.... Mourikis is trying to keep up with his part and he handles it pretty well... Lambropoulou is great and very sexy in a strange way and of course Hatzisavvas is for one more time close to excellency... 7 out of 10 because very few Greek movies can make such an impression! | 1pos
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from the view of a NASCAR Maniac like I am, the movie is interesting. You can see many race cars from 1983. Even tough, the racing scenes are not that much realistic. But I have to admit, that I haven't seen any race before 1995, because before that time, they didn't show any NASCAR races in Germany)<br /><br />from the view of a Burt Reynolds fan like I am, the movie basically is what we are used to see from Reynolds in the 80's: Burt behind the wheel of a fast car, like in his Bandit Movies.<br /><br />If you love NASCAR and Burt Reynolds, this movie is a must-see. If you only love one of this 2 things, I also recommend to watch it. If you like neither NASCAR nor Burt Reynolds, you still should give it a chance, but remember, this movie was far away from winning an Oscar Academy Award.<br /><br />It is the typical humor of the 80's. If you like movies like the Cannonball Movies, and Police Academy, you will also like that one. | 1pos
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This is a hilarious film. Burt Reynolds is a NASCAR star who signs a sponsorship contract with Ned Beatty's Chicken Pit restaurants. The contract has all sorts of humiliating clauses in it, such as forcing Burt to wear a chicken suit during the race! Jim Nabors is his (not quite convincing) chief mechanic. Loni Anderson (oh, yeah!) is assigned by Beatty to keep Reynolds honest and strictly adhering to the contract. This is a funny film in which Burt proves that he ain't too proud. I like it! | 1pos
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I love old Burt Reynolds movies. They're funnier and better than every other movie combined. They might as well have stopped making movies after "Cannonball Run 2", but I guess how could they have known that there weren't going to be any more good ones? Man this movie's good. Burt Reynolds has to dress up like a chicken and drive around in a racecar a lot, and the luxuriant Loni Anderson is on hand, looking extremely hot in an eightiesly way. Burt and Loni, those were the days! I used to have this magazine that had Loni Anderson in it advertising for a vaccuum cleaner. I sure loved that advertisement! Plus there's this one part in the movie where the audience at the racetrack is upset at something Stroker Ace (Burty R.) is doing, and it shows one guy in the audience bending over and sticking his finger up his butt to display his disappointment! I laughed so hard I almost passed away into the night! If you can find this movie, rent it! And then never watch another movie again, because I tell you right now: there's no point. | 1pos
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Look, this is quite possibly one of the best movies America has to offer the rest of the world. To hate this movie is to hate freedom itself. I remember that the early 80's were a time of uncertainty. The economy was weak, communism threatened us all, and nuclear destruction was almost a certainty. Out of that confusion came a hero, Stroker Ace. Ned Beatty's performance in this movie showed he was never again to be type cast as a one dimensional victim in the wilderness. His triumph is an inspiration to all. The on-screen chemistry between Burt and Loni draws obvious comparisons to Brad and Jennifer. Jim Nabors is a poet. Go see this movie tonight! | 1pos
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Miss DeCarlo's starring debut has everything the writers could come up with -- from the Franco-Prussian War to the US Civil War, the great American West, San Francisco in its heyday, ballet, opera, vaudeville, stage coach bandits, and a Chinese junk. Just when you thought the plot couldn't get any screwier, it does. It's magnificent, taken tongue in cheek. DeCarlo's character (here called Anna Marie -- NOT Salome, that's the role she dances) is loosely based on the career of the notorious Lola Montez, who was the mistress of the King of Prussia and caused a revolution when he gave her the crown jewels. She did escape to the American west. There is a town in Arizona called "Salome, Where She Danced," based on the historical fact that Lola Montez did dance the role of Salome there. StageCoach Cleve and the Russian nobleman who fall under her charms are not historically accurate, nor I assume is the Chinese wise man with the Scottish accent -- but it is one of my favorite all time camp classics and DeCarlo is breathtakingly beautiful throughout. | 1pos
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I just saw this movie for the first time ever and I liked it. Her dancing was very entertaining. I read somewhere that she got the part in this movie because she knew how to dance. The scenery was great too. Yvonne is such a talented woman and beautiful. WE laughed at the silly kissing scenes, but that is what is great about old movies! I grew up with her on The Munsters and I am enjoying watching her in her earlier movies. They may not all be the best out there but still worth watching to see her act and sing. I am slowly purchasing all her movies and watching them as I receive them. I have a large collection of her memorabilia. | 1pos
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Much underrated camp movie on the level of Cobra Woman, etc. Photographic stills resemble Rembrandt prints. Sometimes subtle dialog and hidden literate touches found throughout. | 1pos
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"Sandra, the Making of a Woman" is a standout among exploitation films, and is so for two reasons: (1) an excellent, yet effortless, performance by Monica Gayle, and (2) the fact that Gary Graver was at the helm of the project. These two talents, both of whom are quite underrated, make "Sandra" a film that should be seen.<br /><br />Another key element of the film's success is its realism -- there is nothing fake or "Hollywood" about this set-in-California film. It is truly a slice of life. The modest house in which Sandra lives at the beginning of the film, the simple dresses worn by the character, the scene where Sandra wakes up in the morning to find Uschi Digart bouncing at her front door, and Sandra sits on the couch without make-up, while Digart tries to sell her some cosmetics, looking truly as if she just woke up (but nevertheless beautiful), the harmless weirdo Sandra picks up who likes to make love with her while he wears a bra, the one-room apartment into which Sandra moves --all of these elements of the film seem totally real, and as such, the viewer is drawn into Sandra's little world from the beginning and immediately becomes interested in her and wants her to succeed. Sandra also makes her case for free love with eloquence and dignity and she comes off with a lot of class.<br /><br />This film could have easily failed in less competent hands, and could have gone off in any of the usual sexploitation directions, but the Garver/Gale team see to it that "Sandra" is not only the making of a woman but the making of an excellent film. | 1pos
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The sexploitation movie era of the late sixties and early seventies began with the allowance of gratuitous nudity in mainstream films and ended with the legalization of hardcore porn. It's peak years were between 1968 and 1972. One of the most loved and talented actresses of the era was Monica Gayle, who had a small but fanatic cult of followers. She was actually able to act, unlike many who filled the lead roles of these flicks, and her subsequent credits proved it. And her seemingly deliberate fade into obscurity right when her career was taking off only heightens her mystique.<br /><br />Gary Graver, the director, was also a talent; probably too talented for the sexploitation genre, and his skill, combined with Monica Gayle's screen presence, makes Sandra, the Making of a Woman, a pleasantly enjoyable experience. The film never drags and you won't have your finger pressed on the fast-forward button. | 1pos
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This unsung quiet gem tells the true story of a POW escape during WW II. The performances are incredible, especially Anthony Steele. The movie works on many different levels: cerebral, emotional, visual, and literal. The dialogue is ingenious and rings very true. In fact, an unusual all-around authenticity puts this one head-and-shoulders above most war epics. | 1pos
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In 1943, a group of RAF Officers, including Eric Wiiliams, decide to escape from a POW camp using a Gymnastic Vaulting Horse in the courtyard. In 1950, it was decided to film his account, and it kick-started a peculiar British Film Genre- the Military Prison Camp story that reached its apogee in Danger Within (1959).<br /><br />The Wooden Horse is one of the quietest films I have ever watched. There are no great dramatic moments, but a steady storyline eventually builds to a climax that has more tension because the story doesn't give way for unlikely drama, jump cuts or jacked up (somethings about to happen!) music. It is utterly of its time and works beautifully.<br /><br />Leo Glenn, Anthony Steel and David Tomlinson lead a curiously low key cast of extras and (I suspect) non-actors. Without exception, all are constantly mono-tonal and quiet. They keep emotion out of their roles. As so many were, until recently, ex-service, I suspect they recreated their war time roles as 'Officers and Gentlemen'.<br /><br />This unemotional approach does not detract from any dramatic tension. On the contrary, unlike most Wartime Escape Films, the story doesn't end at the barbed wire: and that fact alone keeps me glued to the end. | 1pos
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The Wooden Horse was one of the first "great" escape stories from World War II, telling the true story of Eric Williams and others in their escape from Stalag-Lufft III in October of 1943. I really like this film, but had to by it on VHS from Amazon in England and get it transferred from PAL format in the U.S. I read the book when I was in hight school, after having seen a portion of the film in the early 60's on T.V. The taunt drama of Peter and John trying to escape from Germany during the war is more realistic than the treck of the escapes portrayed in the Great Escape. This film is a lost treasure, that should be made more available to American audiences. | 1pos
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The Wooden Horse is a very clever movie about a very clever and successful escape plan worked out by British POW's during World War II. It is superbly acted with a wry sense of humor, especially the lines expressed by the acid-tongues Leo Genn. Anthony Steele and David Tomlinson (later George Banks in Mary Poppins) are marvelous as the two heroes. The direction is taut and fast-moving throughout. Highly Recommended. | 1pos
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While thinking of "The Great Escape" I allowed my mind to wander back to this little gem of a movie from my childhood. I had read and re-read the autobiographical novel from 1949 which inspired it, and when it came to the only cinema (we never used that word then , actually) in town that showed "foreign" films, I was first in line to buy my ticket.<br /><br />As someone brought up on wartime newsreels and propaganda films during WWII, I had an avid interest in exploring the realities of that conflict as reflected in the memoirs and stories of men who were there in person. That extended later to a keen willingness over the years to buy any book on the subject, and eventually to read the equally compelling novels of Hans Helmut Kirst and Erich Maria Remarque, which provided an even deeper sensibility. The movie versions, however, were unlike this one in that they rarely delivered the goods.<br /><br />The medium of black-and-white film has never been served so well as it was in those years. I have never seen any technicolor version of war that seems as authentic as do the deep chiaroscuros of films like "The Wooden Horse." If it is true that we are destined always to be captive to the images of our childhood, then I confess it freely.<br /><br />And there will never be another the likes of Leo Genn as the emblematic British war hero on film. Not even Sir Alec. | 1pos
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Playing out as a sort of pre runner to The Great Escape some 13 years later, this smashing little British film plays it straight with no thrills and dare do well overkill. First part of the movie is the set up and subsequent escape of our protagonists, whilst the second part concentrates on their survival whilst on the run as they try to reach Sweden. The film relies on pure characters with simple, effective, and yes, believable dialogue to carry it thru, and it achieves its aims handsomely. No little amount of suspense keeps the film ticking along, and as an adventure story it works perfectly for the time frame it adheres to, so a big thumbs to the film that may well be the first of its type ?.<br /><br />7/10 | 1pos
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This is the true story of how three British soldiers escaped from the German Prisoner Of War (POW) camp, Stalag Luft III, during the Second World War. This is the same POW camp that was the scene for the Great Escape which resulted in the murder of 50 re-captured officers by the Gestapo (and later was made into a very successful movie of the same name). <br /><br />While the other POWs in Stalag Luft III are busy working on their three massive tunnels (known as Tom, Dick & Harry), two enterprising British prisoners came up with the idea to build a wooden vaulting horse which could be placed near the compound wire fence, shortening the distance they would have to tunnel from this starting point to freedom. The idea to build their version of the Trojan Horse came to them while they were discussing 'classic' attempts for escape and observing some POWs playing leap-frog in the compound.<br /><br />Initially containing one, and later with two POWs hidden inside, the wooden horse could be carried out into the compound and placed in almost the same position, near the fence, on a daily basis. While volunteer POWS vaulted over the horse, the escapees were busy inside the horse digging a tunnel from under the vaulting horse while positioned near the wire, under the wire, and into the woods. <br /><br />The story also details the dangers that two of the three escaping POWs faced while traveling through Germany and occupied Europe after they emerged from the tunnel. All three POWs who tried to escape actually hit home runs (escaped successfully to their home base.). The Wooden Horse gives a very accurate and true feeling of the tension and events of a POW breakout. The movie was shot on the actual locations along the route the two POWs traveled in their escape. Made with far less a budget than The Great Escape, The Wooden Horse is more realistic if not more exciting than The Great Escape and never fails to keep you from the edge of your seat rooting for the POWs to make good their escape. <br /><br />The story line is crisp and the acting rings true and is taut enough to keep the tension up all the way through the movie. The Wooden Horse is based on the book of the same name by one of the escapees, Eric Williams, and is, by far, the best POW escape story ever made into a movie. Some of the actual POWs were used in the movie to reprise their existence as prisoners in Stalag Luft III. I give this movie a well deserved ten. | 1pos
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Excellent P.O.W. adventure, adapted by Eric Williams from his own book (a paperback copy of which forms part of my father's library) that was inspired by true events; it may well be the first film of its kind and, therefore, has a lot to answer for not just similarly stiff-upper-lipped examples such as ALBERT, R.N. (1953; which I'll be watching presently), THE COLDITZ STORY (1955) and DANGER WITHIN (1959) but higher-profile releases from the other side of the Atlantic, namely STALAG 17 (1953) and THE GREAT ESCAPE (1963). This, then, sets the basis pretty solidly: British soldiers interned in a German camp devise an ingenious plan of escape, borrowing a page from Greek legend burrowing from under a vaulting horse used during physical exercise and in full view of their captors! Actually, the film is neatly split into two halves: the first deals with the slow process of digging the tunnel, culminating in the escape itself, while the latter stages depict their fortunes outside the camp as they try to make it to neutral Sweden. Typically of these British films, the cast showcases several established (Leo Genn), current (Anthony Steel) and up-and-coming (Peter Finch, David Tomlinson and Bill Travers) stars, to say nothing of innumerable reliable character actors (Anthony Dawson, Bryan Forbes, Michael Goodliffe and Walter Gotell). The three leads/escapees are Genn, Steel and Tomlinson: while the first two stick together, the latter goes his own way only to run into the others on reaching safety. As can be expected, the narrative involves plenty of suspense and excitement; as with most male-centered P.O.W. sagas, too, female interest is kept to the barest minimum. Director Lee didn't have a lengthy career with this and the somewhat similar (albeit with a change of both setting and viewpoint) A TOWN LIKE ALICE (1956) his most noteworthy achievements but he certainly milked every gripping situation in this case (even if, reportedly, delays in filming saw Lee quitting his post prematurely
leaving producer Ian Dalrymple with the task of tying up loose ends!). Anyway, worth special mention is the exquisite lighting (particularly during night-time sequences) throughout. | 1pos
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After not having much luck at selling his screenplays to the new movie industry during the first decade of the 20th Century, in 1908 playwright D.W. Griffith got the job that would make him a legend: he was hired by the Biograph Company as a director of movies. It wasn't really what Griffith had expected when he decided to enter the movie business, but he accepted the job, and in less than a year he became Biograph's most successful director thanks to his original approach to film-making and the wild inventive of his narrative. Many years later, he would direct "The Birth of a Nation" in 1915, the movie that would revolutionize film-making and make him one of cinema's first recognized authors; however, a lot of what would make him a great filmmaker can be found in the many short films he made for Biograph Company in the early years of his career. 1909's "The Sealed Room" is one of those, and also one of the few horror movies of that very first decade of the 20th Century.<br /><br />"The Sealed Room" is a story set in the 16th Century in which a Count (Arhtur V. Johnson) has built a windowless room in his castle. It is a small yet nice and very cozy room, as it is meant to be used to enjoy the love and company of his wife, the Countess (Marion Leonard) in a more private way. However, the Count doesn't know that his wife is not exactly faithful, as she is infatuated with the Minstrel (Henry B. Walthall) at Court, with whom she is having an affair. As soon as the Count gets busy with his own business, the Countess calls the Minstrel and both lovers go to enjoy the Count's new room. When the Count returns, he discovers she is missing and begins to suspect, finally discovering the two lovers in his room; but instead of making a scene, he prefers to remain hidden as he decides that there is a better punishment for his unfaithful wife: to seal the windowless room with the couple inside.<br /><br />Written by Griffiths' regular collaborator Frank E. Woods, "The Sealed Room" takes elements from Edgar Allan Poe's "The Cask of Amontillado" and mainly Honoré De Balzac's "La Grande Breteche" to create a haunting Gothic melodrama based on the themes of treachery and sadism. Despite having a runtime of 11 minutes, Woods' screenplay develops the story in a very good way, and plays remarkably well with the horror elements of the story. While a melodrama at heart, Woods focus on the character of the Count and his sadism creates one of the best horror characters of these early era. "The Sealed Room" is definitely a very simple and basic story, but Woods handling of the dark and morbid thematic of its plot makes the story a very entertaining film that was very different than most Griffith's melodramas.<br /><br />In "The Sealed Room", Griffith uses his talents to experiment with tension and suspense in a different way than his usual. While he often played with editing to create thrillers that excited his audience, in this movie his focus was to create desperation and horror, playing with the inherent feeling of claustrophobia that the source stories had. It is interesting how the story starts as another of his melodramas and slowly the pacing becomes faster as the horror themes begin to dominate the plot, culminating in his great use of editing for the final scenes. Not being a movie where camera tricks are essential, what shines the most in "The Sealed Room" is Griffith's talent to direct his actors, as the legendary filmmaker manages to bring the best out of his cast with his usual natural style far removed from the staginess that was the norm in his day.<br /><br />As usual, the cast was comprised of usual collaborators of Griffith, starting with Arthur V. Johnson as the Count. Johnson gives a great performance and truly conveys the character's transition from loving husband to sadistic monster. His performance is not without a touch of overacting, but actually that adds realism to the character's exaggerated personality. As the Countess, Marion Leonard looks very good and is also very effective in her acting, conveying a natural charm that makes hard not to sympathize with her in her treachery. Finally, the legendary Henry B. Walthall appears as the handsome Minstrel, and while far from being one of his best performances, he manages to give a proficient acting that also adds a nice touch of comedy to the film. While not of real importance to the plot, it's nice to see other members of Griffith's stock company in the background, like his wife Linda Arvidson and a young Mary Pickford as nobles at Court.<br /><br />While not exactly a masterpiece, "The Sealed Room" is a notable exercise of editing to create suspense and tension like Griffith used to do in those days. The movie has very good set design and while of a very low budget, Griffith's care for details makes it look very convincing and works perfectly along with his directing style. The change of focus to horror makes it to stand out among other of his films from that era, and Johnson's performance as the sadistic Count makes it worth a watch. While Griffith will always be remembered for his highly influential (and controversial) "The Birth of a Nation", the early short films he made before it really give a good idea of the development of the techniques and the style that would make him a legend. Simple yet elegant, "The Sealed Room" is a fun movie to watch and one of the few horrors of the first decade of the 20th Century. 7/10 | 1pos
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Had this movie been made a few years later, I would have given it a lower score. However, for 1909, this was a dandy little movie and still stands up pretty well today. Just don't try to compare this silent film to later silents--the industry changed so radically that the shorts of the first decade of the 20th century don't look at all like movies made in the 1910s and beyond.<br /><br />This movie is 11 minutes long (about average for most films back then) and is a variation of the Edgar Allen Poe story, THE CASK OF AMONTILLADO. While many are familiar with the story, I won't elaborate further as I don't want to ruin the film. Just suffice to say that it's very creepy!! | 1pos
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This early Biograph short was so much fun to watch. The second on disc one of D.W. Griffith's "Years of Discovery" DVD set (highly recommended) it features three excellent performances by the main leads, and interesting to see Henry B. Walthall (The Little Colonel, Birth of a Nation) as a campy musician giving a Countess the eye (and other things).<br /><br />The Countess' husband goes berserk at his wife's betrayal and has her walled into a little room with her paramour. It's kind of incredible that they wouldn't hear the wall going up, but hey, maybe the wine had something to do with it. Here Mr. Johnson (father of silent player Raymond Hackett) gesticulates wildly and this adds to the melodrama, but in an unexpectedly comical way. The best moment comes at the end. As the lady passes out from shock and fear, once she realizes she's doomed, Henry picks up his instrument and "fans" it over her. The way he did it was so unexpected and in a strange way kind of sexy, and I just lost it, and laughed my head off. The expression on his face! From that moment I was charmed by Henry B. Walthall. | 1pos
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By 1909, D.W. Griffith had been directing films for the Biograph Company for about a year, and working at a rate of two or three per week was rapidly beginning to develop his skills as a filmmaker. 'The Sealed Room' is a very interesting 11 minute short, a fascinating piece of Gothic melodrama that even drifts slightly into the realm of early horror. The simple narrative was probably inspired by Edgar Allen Poe's 1846 short story, "The Cask of Amontillado," and concerns a powerful king who conceives a deliciously sadistic form of revenge to punish his wife's infidelity.<br /><br />Set in medieval times, 'The Sealed Room' begins with the king (Arthur V. Johnson) overseeing the construction of a windowless room from a sequestered dove-cote, the idea being that he and his wife (Marion Leonard) will have a completely private place to enjoy each other's company. He is obviously very much in love with her, always showing his affection, this latest act the crowning achievement of his endearment. However, unbeknownst to the king, his wife has fallen in love with the royal minstrel (Henry B. Walthall). During one romantic liaison inside the specially-built room, the wife and the minstrel are discovered, and the heartbroken king conceives a means of getting his retribution on the ignorant couple. Silently, he orders his workmen to seal off the only doorway with stone and mortar, slowly descending into cackling insanity as each new stone is placed down.<br /><br />D.W. Griffith always had an eye for acute detail, and 'The Sealed Room' is an excellent early example of this. The lavish medieval century costumes lend the film a sense of reality, and the castle interior looks authentic enough to be believable. At the time, the director was also pioneering methods of creating suspense, and I must admit that, as the film progressed, I became fixated on finding out what would happen to the hapless young lovers. In the early minutes, Griffith restricts his shots to lengthy long-takes from a stationary camera (as was usual at the time), but soon parallel to the progressively darker subject matter he alters his editing tactics in a fascinating way. Though he may not have invented the technique, Griffith was crucial in popularising the use of "cross-cutting" that is, alternating between different events occurring at the same time. Not only does this create a sense of continuity, but it also maximises the level of suspense, since we, as the audience, are well aware, not only of the king's ghastly actions, but also that the wife and the minstrel are oblivious to it all.<br /><br />Despite these innovations, 'The Sealed Room' suffers from many of the shortcomings typical of the era. The entire film takes place in just two rooms, with footage captured from a total of just three positions, and so it is prone to become dull and monotonous at times. The acting performances are greatly exaggerated for extra effect, however, at least in the case of Arthur V. Johnson, his overplaying actually contributed to recognising the escalating madness of the betrayed king. A moment that I thought particularly effective was when the two lovers attempted to exit the room, only to find their only doorway replaced with a wall of solid stone. Their panicked reactions, accompanied by the silent maniacal cackling of the king, serve very well to create an impending sense of claustrophobia. I did think, however, that their supply of oxygen was exhausted surprisingly quickly. | 1pos
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This period melodrama is one of Griffith's earliest claustrophobic films. Characters trapped within a room are prevalent throughout his work and, as time went by, he would become increasingly adept at portraying their helplessness and involving the audience in their terror. In the bluntly titled Sealed Room there is one major difference to the normal plot line, in that there truly is no escape.<br /><br />Griffith achieves the claustrophobic effect here in two ways. First is his use of space. While the typical Biograph short might utilise a dozen or more sets, The Sealed Room features only two adjoining rooms the king's court and the dove cote that becomes the eponymous tomb. The set design in these shorts is rarely referenced, but here it is crucial. The court is a large interior, with a backdrop hinting at greater depth and showing us a window and a staircase. Actors enter and leave from various directions, suggesting the room is not only spacious but also free and open. By contrast the dove cote's back wall is very close to the camera, and the angles in it suggesting a hexagonal or octagonal shape make it seem even more confined.<br /><br />The second technique on display here is the cross-cutting. Anyone with an interest in Griffith's work will probably know about his heavy use and development of cross-cutting to build excitement or tension. Many will also know that strictly speaking it wasn't his invention. However what makes Griffith's cross-cuts so effective is the way he paces the opposing images so they complement each other. The Sealed Room contains a good example of what I mean. The shots of the masons shifting the heavy bricks have a slow, step-by-step pace to them, with tension building as the wall gets higher. This movement is matched by the shots of the blissfully unaware lovers, in which Marion Leonard tears off flower petals one-by-one. As the couple realise their predicament, their rising panic is complemented by the opposing shot of the king madly thrashing his sword against the wall.<br /><br />At this point, Griffith was yet to realise that the action could be heightened further by introducing a third strand to the cross-cut. The dramatic "ride-to-the-rescue", here absent, was later to become a standard climax to Griffith's pictures. | 1pos
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The story is about Ankush (Abhay Deol) - who is professional marriage witness, in short he acts as a witness for couples in marriage registration office - and Megha (Soha Ali Khan) who ran away from her home at Nainital to get married to her love interest Dhiraj (Shayan Munshi). The story starts with Megha waiting at the marriage registration office for Dhiraj to show up but for some reason he does not show up. So Ankush comes in the picture here, who had approached Megha with the intention of earning Rs. 200 for his Witness job and he ends up helping her by providing shelter to her. Ankush grows on his side by working in a bank as an Agent… Ankush falls in love with Megha and she too falls in love with him (or kind of love), both agree for the marriage and Dhiraj comes back in the picture. Unexpected circumstances happen, actually I should say, expected circumstances with unexpected reactions and then….<br /><br />Actually the movie story is bit different than the movies we see and I do not think so it will be accepted by the masses but if you are a movie freak like me and love to watch something different, then you will definitely like the movie. The movie is just an innocent love story drafted very well by the characters of Abhay Deol and Soha Ali Khan. The characters are so natural that you feel as if things are happening to the guy next door. The background music of the film also plays a very good role, it is just too good. The way Delhi is shown is very good and gives a fresh feeling.<br /><br />so let's cut it out and sum it up.<br /><br />Story: A very common story carried very well and transformed to a wonderful experience.<br /><br />Music: Well, as it was Himesh Reshammiya creation, so I did not expect much but still I liked couple of songs of the movie including the Qawwali.<br /><br />Acting: Abhay Deol was the most impressive, very natural and innocent acting but he should stay away from singing in the songs. Soha Ali Khan, she is a doll, a very cute doll I must say. Again very innocent and natural acting and these both actors perfectly fit into their characters. Apart from these two, Shayan Munshi needs some acting lessons and may be few layers of fat to cover the bones. Other actors did their job well.<br /><br />Stars: I would also give it 3.5 stars out of 5. You will enjoy the movie if watched in the theatre, I would recommend watching it in theatre if you are a movie freak and accept uncommon stories. Otherwise wait for the DVD to arrive. The movie will definitely won't be liked by the masses and the business it can do is from word of mouth publicity. | 1pos
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Abhay Deol meets the attractive Soha Ali Khan and greets her "Hello Sister"!!!. This sets the tone for a remarkable debut film by Shivam Nair. Soha, a middle class girl has run away from her home in Nainital and come to Delhi to marry her lover, Shayan Munshi. But Shyan doesn't turn up leaving Soha heartbroken & alone in the big bad world. . Abhay, the lower class next door guy turns protective towards the vulnerable Soha and helps her get a job & shelter in an old age home. Slowly romance blooms and Soha agrees to marry Abhay. Then Shyan re-enters into Soha's life.<br /><br />A sensitively made film with a very unusual story, lovingly shot in Delhi, revolves around the delicate Soha. This well crafted film has moments which will forever remain etched in one's memory the awkward first kiss & Abhay's swift apology; Abhay describing Soha as "class wali ladki" & hastily adding "that he doesn't love her"; his gifting a churidar to Soha & asking her out for a date.<br /><br />The music is good & the background music excellent. In a scene where Soha rushes & embraces Abhay the sound track disappears. The stillness conveys both the awkwardness & tenderness of the relationship.<br /><br />The poignant ending makes for a bitter sweet film, the memories of which will linger for a long long time.<br /><br />A must see I will rate it 8.5/10 | 1pos
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Ahista Ahista is one little small brilliant. I started watching it, and at the beginning I got a little bored since the pacing was slow and the main idea of one guy meeting a girl who is lost was not really new. But as the film went on, I started getting increasingly and gradually engaged by the film, the fantastic writing and the charming romance. The film was extremely simple and natural and after some time I felt I was watching a real documentation of one guy's life. There's one very good reason the film got this feel, and it's the fresh talent called Abhay Deol. He is extremely convincing as the simple, kind-hearted and struggling Ankush, whose new love motivates him to make amends and fight for a better life. Throughout the film, he is presented as an ordinary mischievous prankster, but also as a helping and loving person, who, like anyone else will do anything to protect his love. Deol portrays all the different shades of his character, whether positive or negative, naturally and with complete ease.<br /><br />Shivam Nair's direction is very good. His depiction of the life of people in the rural neighbourhood is excellent, but what gets to be even more impressive is his portrayal of Ankush's relationships with the different people who surround him, including his friends and his love interest Megha who he is ready to do anything for. I also immensely liked the way Nair portrayed his interaction with his friend's loud and plump mother whom he calls 'khala' (aunty). He likes to drive her crazy and annoy her on every occasion, yet we see that she occupies a very special place in his heart and is like a mother-figure to him as evidenced in several scenes. Except for Abhay, the rest of the cast performed well. Though Soha Ali Khan did not stand out according to me, she was good and had some of her mother's charm. The actors who played Ankush's friends were very good as was the actress who played Ankush's 'khala'.<br /><br />Apart from the performances, the film's writing was outstanding. The dialogues were sort of ordinary yet brilliant, and the script was also fantastic. That's mainly because despite a not-so-new story it was never overdone or melodramatic and there were no attempts to make it look larger-than-life. The film's biggest weakness was Himesh Reshammiya's uninspiring music which was unsuitable for this film. Otherwise, Ahista Ahista was a delightful watch and it got only better with every scene. The concept may not be new, but the film manages to look fresh and becomes increasingly heartwarming as the story goes by. The ending was bittersweet, kind of sad yet optimistic. In short, this movie really grows on you slowly, and this can be easily attributed to the wonderful writing, the moving moments, the charming romance, the realistic proceedings, and of course Abhay Deol's memorable performance. | 1pos
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Watching film i was in very light mood and also this film is light but the end of the film is just unexpected which leaves a long lasting memories in one's mind.<br /><br />movie starts with Abhay and his profession of being witness during registrar marriage. Soha comes for marriage and his boyfriend doesn't, leaving Soha alone on to the street she cant go back home and she don't have any thing to live on here in this situation Abahy turns out to be a helper for her, this is the base of story.<br /><br />The rest is just watchable and the end of the story is bitter sweet that Abhay has to face which keeps you at the edge of the seat.<br /><br />Dialogues and music are good songs are OK direction is good and so as the screenplay you do feel that movie is slow but looking to the demand of story it is all right.<br /><br />A truly watchable especially with light mood i enjoyed this at home with coke and peanuts. my rating for this is 8/10 | 1pos
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This is a kind of movie that will stay with you for a long time. Soha Ali and Abhay Deol both look very beautiful. Soha reminds you so much of her mother Sharmila Tagore. Abhay is a born actor and will rise a lot in the coming future.<br /><br />The ending of the movie is very different from most movies. In a way you are left unsatisfied but if you really think about it in real terms, you realize that the only sensible ending was the ending shown in the movie. Otherwise, it would have been gross injustice to everyone. <br /><br />The movie is about a professional witness who comes across a girl waiting to get married in court. Her boyfriend does not show up and she ends up being helped by the witness. Slowly slowly, over the time, he falls in love for her. It is not clear if she has similar feelings for him or not. Watch the movie for complete details. <br /><br />The movie really belongs to Abhay. I look forward to seeing more movies from him. Soha is pretty but did not speak much in the movie. Her eyes, her innocence did most of the talking. | 1pos
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This movie was disaster at Box Office, and the reason behind that is innocence of the movie, sweetness of the story. Music was good, story is very simple and old, but presentation of such story is very good, Director tried his best. Abhay is excellent and impressive and he shines once again in his role, he did his best in comedy or in emotional scene. Soha looks so sweet in the movie. Rest star cast was simply okay. Music and all songs are good, Himesh is impressive as an Singer here. Don't miss this movie, its a wonderful movie and a feel good one for us. Abhay best work till date. I will give 9/10 to Ahista Ahista. | 1pos
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Abhay Deol's second film, written by Imtiaz Ali, maiden directorial effort by Shivam Nair. Soha probably has her first (?) meaty role as Megha, a girl who has run away from home and is waiting at the Delhi marriage registrar's office for her boyfriend Dheeraj (Shayan Munshi) to meet her. She waits and waits and finally is spotted as a damsel in distress by Ankush (Abhay Deol). They spend many days together as he extricates her from one distressing situation after another and finally falls in love with her. Then the boyfriend returns! Aage pardey par dekhiye! Sound familiar? This is yet another adaptation of Dostoyevsky's White Nights with a tiny bit of borrowing from Le Notti Bianchi (very tiny though - Ankush keeps the lovers apart by telling the boyfriend she is dead!). But this is an earthier and more realistic (duh) adaptation than the much hyped and overblown Saawariya. I wonder why no one brought this little gem up when we were all discussing Saawariya like crazy a few months ago.<br /><br />The Delhi settings are wonderful - there is the obligatory run through old Delhi, shots of Jama Masjid from a roof top, Connaught Circus, streets with rickshaws (What? How?). The colorful light fixtures in the hotel are enough to tell you this is a seedy joint with rooms for hire by the hour! <br /><br />The more I see of Abhay the more I like this young man. In this second film he is quite good as the for hire witness who is given a purpose in life by a beautiful woman. Soha looks beautiful, and when she smiles she fits the role, but I found her unconvincing in the more serious moments. I am not quite sure that she has it in her to be a great actress, or maybe she will blossom late like the brother. The music by Himesh Reshammiya is not that great and in fact the movie falters at the songs, they kind of interrupt the narrative and do not sit well with the characters trying to sing them. The supporting cast is excellent and I give this White Nights adaptation a thumbs up. BTW - the fact that I love Abhay Deol's cute dimples has NOTHING to do with my rating. | 1pos
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This movie is an exact copy of a TV series on Indian television channel doordarshan Which was aired at least 15 years ago. The series was known as "gubbarre" meaning balloons. Each episode was a new short story. The story is excellent and the original is much sweeter and "convincing" Abhay Doel does a good job but he doesn't fit the role of a "normal" and "third class" guys(as he calls himself in the movie). In fact Shayan Munshi with his hair cut short and without the designer clothes would have fitted the Abhays role but Shayan just doesn't have the talent to pull it off.<br /><br />I would suggest watching the series if it is available. It is the same story except for the running around with the friends mother and the initial introduction. The acting of the TV actors was much better than these "stars".<br /><br />The only reason this movies is a flop is because the director tried to stretch half an hour(or 45 minutes) story to 2+ hours. So it has to get draggy. Even the nasal singing sensations songs could not make up.<br /><br />This movies is good for a lazy Sunday afternoon and is really refreshing if you haven't watched the original TV serial. The script and the ending of the serial was much better<br /><br />#####SPOILERS AHEAD######### #####SPOILERS AHEAD######### #####SPOILERS AHEAD######### #####SPOILERS AHEAD######### #####SPOILERS AHEAD######### THe ending of the original serial was much stronger as the hero himself dumps the girl even thought she is willing to marry him. HE is aware and tell her that he doesn't want to be "repayed" and never helped with that intention. The director or the script writes somehow could not capture the original ending in this film. The original ending would have bought tears to the girls eyes and would have had the guys nodding in agreement. The deliver just wasn't right.<br /><br />But personally I feel this is a pathetic copy. No credit should be given to the director/scriptwriter. The story is amazing and is by one of the famous novel writers int he class of PRemchand munshi. I am not sure if this is premchand munshi's story but many of the other short stories int he series feature a few of premchand munshi's and other great Hindi writers stories. | 1pos
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After mistaking a Halloween re-broadcast of Orson Welles' classic radio adaptation of WAR OF THE WORLDS for a real Martian invasion, a group of moronic Martians shows up on Earth looking to conquer only their plans go awry as they find themselves truly out of their element and in reality all alone.<br /><br />This really is often quite good and funny, with some decent lines (just check the memorable quotes) to boot. It will most likely appeal to Sci-Fi fans. This has passed the test of time for me as seeing it again recently it proved much better than I expected it to be. Despite a cast made up of no-name stars, this may just be the funniest Martian invasion ever put to film. Interestingly enough, the Martians themselves seem to represent almost every classic Action Hero/Sci-Fi Hero stereotype there is (cool 50s teen, fighter pilot, fearless astronaut, brave soldier and kooky scientist). Fun for the whole family. <br /><br />"Prepare to DIE! Earth Scum!" | 1pos
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Looking at some of the negative posts, you really have to wonder what some people do for fun....<br /><br />I was lucky enough to see the film during its all-too-brief theatrical run. The audience laughed its heads off. I'm watching a tape of it as I type and it's still dang funny!<br /><br />It's also got a sweet side, with unexpected turns of genuine pathos. The late, great Royal Dano is especially effective as the lonely, down-on-his-luck farmer Wrenchmuller. Ariana Richards and J.J. Anderson are great as the lead kids. And the actors in the Martian suits, although limited to mime, do a great job<br /><br />Another thing to look for is the background details. The film is full of homages, pastiches, and references to other SF and fantasy films. Take a look at the Martian costumes next time. One of them is wearing a Marty McFly costume, another is a Ghostbuster, a third is in a House Atreides uniform, and a fourth is wearing a Last Starfighter flightsuit. | 1pos
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This movie is not for everyone. You're either bright enough to get "it" or you're not. Fans of sci-fi films who don't take themselves too seriously definitely will enjoy this movie. I recommend this movie for those who can appreciate spoofs and parodies. Everyone I've recommended this film to has enjoyed it. If you enjoy Monty Python or Mel Brooks films, you'll probably enjoy this one. The voice characterizations are done in a tongue-in-cheek manner and the one-liners fly fast and furious. | 1pos
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I don't know how anyone could hate this movie. It is so funny. It took a unique mind to come up with this storyline. It's not your typical alien movie. These aliens are so stupid and confused. You need to rent it at least once. | 1pos
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"Spaced Invaders" is one of the funniest movies, I´ve ever seen. I don´t understand, why this movie didn´t get better critics, it´s funny, harmless and sweet. I first watched it, when I was 11, and I really fell in love with it... 2 days later, I got it on VHS :-P Till today, I´ve shown it to many friends, and they all liked it, but nobody knew the movie before. I think, that´s the problem, nearly nobody knows it, so nearly nobody can like it... This movie never got a real chance, that´s sad, "SI" has really the potential of a comedy like "Monsters Inc." or "Spaceballs". Ok, enough displeasure - What I really wanted to say, is that, if you ever want to laugh your head off, watch it! Even if you don´t get mad about it, it´s worth watching! --> Prepare to laugh, earth scum! | 1pos
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"I moved out here to get away from this kind of thing!" The small town sheriff laments.<br /><br />"This happens a lot in Chicago?" His deputy asks.<br /><br />Well, no, not really. The plot is that a group of Martians mistake a Halloween Rebroadcast of Orson Welles' War of the Worlds as an account of a real Martian invasion, and conclude they need to get in on the action! What follows are a bunch of mishaps involving the Martian's haphazard attempts to conquer the town of "Big Bean, IL". Everyone concludes they are kids in really good costumes, except for the Sheriff's daughter and her friend, a kid in a duck suit.<br /><br />The Martians themselves are comical, and you get the impression they are no threat to anyone but themselves pretty early on. It's a fun family movie. | 1pos
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Being from a small town in Illinois myself, I can instantly relate to this movie. Considering the era it was made in, the townsfolk look uncomfortably like a lot of people I grew up with. Yes the plot is so-so. And yes, the Acting is not going to get nominated for an Oscar anytime soon. But that isn't the point. The point is to suspend reality and just have FUN. And this movie has Fun aplenty. From the greedy,uncaring banker to the well meaning,but dimwitted deputy, this movie was made to poke fun at the SciFi genre and small town living at it's best. Who can't smile at the sight of the Enforcer Drone or the Vern Droid? and I LOVED the FarmZoid. Wish I had one when I was growing up. Overall, considering the technology they had available at the time, this is a pleasant romp into one's childhood, when you could sit back on a Saturday afternoon, Popcorn in hand, and laugh at the foibles of small town living. This is a movie I would watch again and again, if for no other reason than to poke fun at myself and my small town ways. | 1pos
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If you have trouble dreaming you may give this movie a low rating. But you just have to realize this movie was not made to please everyone,<br /><br />just people with a sense of humor.<br /><br />For those people the movie is great! It plays on old Science fiction movies and radio shows long gone, most of witch where B-rated themselves. Along the lines of Spaceballs and Airplane 2, you may need to stretch your imagination a little bit to get the jokes, but it is well worth it. | 1pos
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This is a thinking man's silly movie. If you don't expect Star Wars and enjoy British humor this might just turn into a cult classic for you as it has for my wife and I - from casting the "voice" of Cary Grant and Jack Nicholson as martians to the overly simplistic populace of Big bean this is a movie that you can either sleep through or watch carefully and enjoy either way.<br /><br />It's not for everyone, but if you enjoy relaxing easy humor that takes a quick mind to see the joke as it slips by you will enjoy this movie. | 1pos
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i loved this movie. you have to respect midgets that dressed up like tiny Martians. Sure the story may have been thin at times, but you can't take away from the way it was done. i used to watch this over and over again when i was 8. its a kids movie, and besides, it has some of the greatest quotes ever. Blanzee's "Home on the Range" rendition is awesome. <br /><br />very well done if you ask me, 8 of 10. | 1pos
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This is a gem of a movie not just for people who like fun and quirky premises, but who love the history and traditions of Sci-Fi and Classic Hollywood movies. Each alien of the Martian crew is the embodiment of a classic Sci-Fi character or member of Hollywood royalty and it's pure pleasure watching them bounce of each other and the residents of Big Bean. | 1pos
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Laughs, adventure, a good time, a killer soundtrack, oscar-worthy acting, and special effects/ animitronics like none other, what else could you want in a movie? If you see this will be on the telly, WATCH IT, otherwise, run out now to RENT IT!!! | 1pos
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Basically, this movie is one of those rare movies you either hate and think borders on suicide as the next best thing to do, rather than having to sit through it for two hours. Or, as in my case, you see it as a kult hit, one of those movies wherein the humour, the plot, the acting, is actually very hidden but for those of us willing to go looking for it, trusting the director well, the reward is: U laugh your A.. of !! The fact that U have to find the things mentioned above, actually makes the movie even more funny, because u get the impression the director isn't even aware of how funny his movie is, which doesn't seem likely and therein lies the intelligence at the helm of this magnificient project called : Spaced Invaders !! | 1pos
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This is cult stuff. My friends and I get together once a year to enjoy this movie. Its very funny and very dry . I've seen this move dozens of times and have yet not to enjoy it.The actors are funny and it gets better with every viewing! If you enjoyed "Morons from out of Space" you will love this. A great play on War of the Worlds. I love the Red-Neck rampage to get the aliens, the bug on the hood, the DOD, the Heat Seeking Populous Annihilator, the Mine Field, the Red Camo, breaking the speed limit by 1800Mph! "I'll get the bucket!" Very Funny. I would love for this to come out on DVD! Forget the negative reviews see it for yourself! | 1pos
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Normally the best way to annoy me in a film is to include some reference to Orson Welles. But here is a sci-fi comedy quoting the War of the Worlds broadcast.... and it is gold! The very concept of a small bunch of diminutive,aggressive and stupid aliens being mistaken as kids in Halloween dress is magnificent. Don't be fooled by the notion that because it seems like a kids' movie it is unsophisticated - it isn't, there's a lot of hidden treasure... A gem! | 1pos
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If the creators of this film had made any attempt at introducing reality to the plot, it would have been just one more waste of time, money, and creative effort. Fortunately, by throwing all pretense of reality to the winds, they have created a comedic marvel. Who could pass up a film in which an alien pilot spends the entire film acting like Jack Nicholson, complete with the Lakers T-shirt. Do not dismiss this film as trash. | 1pos
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Anyone who does not find this movie funny, does not understand simple comedy. This movie is not a complex comedy, it is full of one liners, and sight gags, and will make anyone who wants to laugh, laugh... The alien who is doing a Nicholson impression will crack you up! | 1pos
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Like the great classic Bugs Bunny cartoons, this movie has humor at different levels. I just introduced this to my 10 year old daughter and 11 year old son. Both enjoyed the movie - busting out laughing quite a few times... and my daughter is not much of a sci-fi fan. The movie kept me laughing despite having seen a few times... the adult-level humor (that is, humor that adults will get simply because of greater life experiences, no baudy or R-rated stuff to be found here) keeps the movie equally enjoyable for adults. For example of the adult level humor, the Martian voices are based on characters of different movies/actors. The Martian pilot, Blaznee, has the voice and mannerisms of Jack Nicholson; the scientist, that of Peter Seller's Dr. Strangelove. The special effects are surprisingly good for this film. The lack of top 10 actors actually works in the movie's favor, and the actors/actresses play their part well - in fact I would say the producers picked out actors and their skills for the roles' needs over box-office draw power (an excellent example is Wayne Alexander's "Vern" character). I had to write this review... the kids are playing this for the 3rd time in 4 days over dinner right now. Good for a rainy day or a late night weekend there's-nothing-on-and-I'm-bored movie. | 1pos
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This movie is funny and suitable for any age. It is definitely family-type entertainment. The cast does a fine job playing folks in the mid-western town of Big Bean, Illinois. Where we must assume nothing ever happens since the excitement (pre-invasion) of the decade is the new (and only) exit ramp from the Interstate. The location appeals as suitably boring and totally unlikely for the invasion of earth by Martians. But these Martians are totally inept, despite being well-equipped with an arsenal of suitably ghastly and deadly weapons... including one set on eradicating the Martians, too! The Martians dead-pan their lines and throw in just the right accents to make us the viewers and the locals wish to help them... leave earth. J. J. Anderson playing the very young Halloween carnivorous duck has just great lines. Watch this movie for laugher and entertainment; thought-provoking it isn't. But subtle and enjoyable it is. | 1pos
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I found the memorable quotes searching for video clips; they forgot one of my favorites...<br /><br />Old Person 1: You know, I remember the first time they played that thing. <br /><br />Old Person 2: You remember pterodactyls. <br /><br />Old Person 1: And I can remember you fell for that, hook line and sinker. <br /><br />Old Person 2: Oh, I did not. <br /><br />Old Lady: You did so. You put a big bucket on your head and took off with them army boys to fight Martians. <br /><br />Old Person 2: Ain't you dead yet? | 1pos
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This movie is to Halloween what the hilarious "Christmas Story" is to Christmas: both are relatively low-budget, no-big-name-stars type films...and both are two of the absolute greatest and funniest movies available, both seasonal CLASSICS!!! "Spaced Invaders" comes galloping out right from the start with warmth and humor and a superb cast of characters...all five goofy Martians, Klembecker the Realtor, Russell the deputy, Vern at the "fuel dispensing depot" and so many more! You just have to see this movie to believe it, and, like "Christmas Story", it just keeps getting better and better with each viewing, and you pick up on fun little things each time!! MOST DEFINITELY A TEN!!! | 1pos
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This movie is just plain silly. Almost every scene has some bit of humor: running gags, slapstick, and great jokes. The acting isn't that great, and the plot is cliche, but the jokes more than make up for that. If you have a chance to see this movie, I recommend that you do. | 1pos
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There are few really hilarious films about science fiction but this one will knock your sox off. The lead Martian's Jack Nicholson take-off is side-splitting. The plot has a very clever twist that has be seen to be enjoyed. This is a movie with heart and excellent acting by all. Make some popcorn and have a great evening. | 1pos
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After a long hard week behind the desk making all those dam serious decisions this movie is a great way to relax. Like Wells and the original radio broadcast this movie will take you away to a land of alien humor and sci-fi paraday. 'Captain Zippo died in the great charge of the Buick. He was a brave man.' The Jack Nicholson impressions shine right through that alien face with the dark sun glasses and leather jacket. And always remember to beware of the 'doughnut of death!' Keep in mind the number one rule of this movie - suspension of disbelief - sit back and relax - and 'Prepare to die Earth Scum!' You just have to see it for yourself. | 1pos
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First saw this movie in about 1990, and absolutely died laughing through it. It became a cult favorite with my circle of friends, and we'd quote from it at the drop of a hat ("I'm going home in a bag!"). Needless to say, the humor is still there, 15 years later. It's become a tradition at Halloween time to expose many of my new friends to this film (good thing you can still buy it off Ebay!) I've found that Halloween candy tastes much better with your tongue planted firmly in your cheek..and this movie provides it all- pathos, suspense, unrequited love,nobility and the list goes on. Royal Dano provides an amazing heartfelt performance as Old Man Wrenchmuller. I remember seeing him in "The 7 Faces of Dr. Lao" as a bad guy who met a bad end. Here, you really feel for the old guy right from the beginning. <br /><br />If you aren't careful, you'll miss some of the levels of humor in this movie. The creators got real subtle in many ways with offhand comments, little subtle costume digs at other sci-fi movies, and even a scene ripped from the pages of Wile E. Coyote!<br /><br />Don't spend too much thought processes trying to analyze a movie, people- this is fun fare without the need for nitpicking, and shouldn't be offensive to anyone (well, maybe stupid people, but they won't know they're being mocked..).<br /><br />-Now if you'll excuse me, I'm gonna go get a 'Zag-nut' bar....<br /><br />-Ramsay "RC" Cowlishaw, karaoke DJ/entertainer | 1pos
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Say what you want about Andy Milligan - but if his family was even 10% as deranged as the one in this film, well then I guess he could have turned out worse. Unfortunately, the video print of this film contains sex scene inserts originally shot by the distributor to boost the picture's box office appeal. Several times during the film Milligan's ugly camerawork and silent film music abruptly ends, and suddenly good-looking stand-ins for Milligan's homely actors take over and start doing it to psychedelic 60's guitar rock. It's pretty easy to fast-forward through if you're trying to pay attention to Milligan's original film, which, unfortunately, is missing quite a bit of action that was cut to make room for the added sex scenes. What remains, however, is still compelling stuff. I don't think I've ever seen a more hateful mother in any film before. | 1pos
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I saw this film as it was the second feature on a disc containing the previously banned Video Nasty 'Blood Rites'. As Blood Rites was entirely awful, I really wasn't expecting much from this film; but actually, it would seem that trash director Andy Milligan has outdone himself this time as Seeds of Sin tops Blood Rites in style and stands tall as a more than adequate slice of sick sixties sexploitation. The plot is actually quite similar to Blood Rites, as we focus on a dysfunctional family unit, and of course; there is an inheritance at stake. The film is shot in black and white, and the look and feel of it reminded me a lot of the trash classic 'The Curious Dr Humpp'. There's barely any gore on display, and the director seems keener to focus on sex, with themes of incest and hatred seeping through. The acting is typically trashy, but most of the women get to appear nude at some point and despite a poor reputation, director Andy Milligan actually seems to have an eye for this sort of thing, as many of the sequences in this film are actually quite beautiful. The plot is paper thin, and most of the film is filler; but the music is catchy, and the director also does a surprisingly good job with the sex scenes themselves, as most are somewhat erotic. Overall, this is not a great film; but it's likely to appeal to the cult fan, and gets a much higher recommendation than the better known and lower quality 'Blood Rites'. | 1pos
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After dipping his toes in the giallo pool with the masterful film "The Strange Vice of Mrs. Wardh" (1971), director Sergio Martino followed up that same year with what turns out to be another twisty suspense thriller, "The Case of the Scorpion's Tail." Like his earlier effort, this one stars handsome macho dude George Hilton, who would go on to star in Martino's Satanic/giallo hybrid "All the Colors of the Dark" the following year. "Scorpion's Tail" also features the actors Luigi Pistilli and Anita Strindberg, who would go on to portray an unhappy couple (to put it mildly!) in Martino's "Your Vice Is a Locked Room and Only I Have the Key" (1972). (I just love that title!) I suppose Edwige Fenech was busy the month they shot this! Anyway, this film boasts the stylish direction that Martino fans would expect, as well as a twisty plot, some finely done murder set pieces, and beautiful Athenian location shooting. The story this time concerns an insurance investigator (Hilton) and a journalist (Strindberg, here looking like Farrah Fawcett's prettier, smarter sister) who become embroiled in a series of grisly murders following a plane crash and the inheritance of $1 million by a beautiful widow. I really thought I had this picture figured out halfway through, but I was dead wrong. Although the plot does make perfect sense in this giallo, I may have to watch the film again to fully appreciate all its subtleties. Highlights of the picture, for me, were Anita's cat-and-mouse struggle with the killer at the end, a particularly suspenseful house break-in, and a nifty fight atop a tiled roof; lots of good action bursts in this movie! The fine folks at No Shame are to be thanked for still another great-looking DVD, with nice subtitling and interesting extras. Whotta great outfit it's turned out to be, in its ongoing quest to bring these lost Italian gems back from oblivion. | 1pos
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"The Case of the Scorpion's Tail" has all the elements that are necessary in order to make an effective giallo movie. The story is standard giallo. When a man dies in a plane crash his wife (Ida Galli) collects a $1 million life insurance policy. The widow heads to Greece for the payout but a series of gruesome murders follow her. There are plenty of suspects, including a tenacious investigator (George Hilton) from the insurance agency and the widow's lover. Director Martino keeps the story moving at a fast pace while the viewer tries to guess the identity of the killer. Anita Strindberg (also memorable in "Your Vice Is a Locked Room and Only I Have the Key" and "Who Saw Her Die?") is a stunning-looking heroine. It's one of Martino's best films. | 1pos
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Well made and stylish while still ultimately making sense this thriller would work better for non giallo fans to get interested in the genre than the later Argento entries which go overboard in all directions.<br /><br />For fans of these crazed Italian thrillers, they will appreciate George Hilton and the turns his character takes and what he's put through. The camera-work is fresh with dashes of graphic violence and odd, but appropriate choices and a good not overblown music score as well. The less you know about the story the better to make it work.<br /><br />The only thing lacking in keeping this from being a great Sergio Martino directed giallo is that the story doesn't have that extra sexual or psychological, or both element to put it over the top. It's more a routine mystery, the characters are well defined but live or die according to the plot not according to their own virtues and flaws.<br /><br />The recent DVD (2005) release is beautiful looking and definitely the way to see the film, unless these ever get art house screenings which seems unlikely. | 1pos
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I'm really tempted to reward "The Case of the Scorpion's Tail" with a solid 10 out of 10 rating, but that would largely be because I think Italian horror cinema of the 1970's is SO much better than the cheesy crap I usually watch. But even without an extra point for nostalgia, this is STILL a genuine masterwork and earning a high rating for its excellently convoluted story, uncanny atmosphere, blood-soaked killing sequences and superb casting choices. In my humble opinion this is actually Sergio Martino's finest giallo, and that has got to mean something, as "The Strange Vice of Mrs. Wardh", "All the Colors of the Dark", "Torso" and "Your Vice is a Locked Room and only I have the Key" are all top-notch genre achievements as well. But this film is just a tad bit superior with its ultra-compelling plot revolving on an insurance fraud gone madly out of control. Following her husband's peculiar death in a plane explosion (!), Lisa Baumer promptly becomes the suspicious owner of one million dollars and she's eager to leave the country as soon as possible. Due to the bizarre circumstances, the insurance company puts their best investigator Peter Lynch on the case and he follows her to Greece. There, Lisa becomes the target of many assaults and the case's mysteriousness increases when it turns out several people are hunting for the money. I'm always overly anxious when briefly summarizing gialli because I don't want to risk giving away essential plot elements. In "The Case of the Scorpion's Tail", the events take an abrupt and totally unexpected turn before the story is even halfway, and I certainly don't want to ruin this for you. Many red herrings follow after that, but Sergio Martino always succeeds to stay one step ahead of you and, even though not a 100% satisfying, the denouement is at least surprising. It's also a very stylish film, with imaginative camera-work and excellent music by Bruno Nicolai. Everyone' s favorite giallo muse Edwige Fenech oddly didn't make it to this cast (she stars in no less than 3 other supreme Martino gialli), but Anita Strindberg ("Lizard in a Woman's Skin", "Who Saw Her Die?") is a more than worthy replacement for her. The charismatic and hunky George Hilton is reliable as always in his role of insurance investigator and duh ladies' man deluxe. If you're a fan of giallo, don't wait as long as I did to WATCH THIS FILM!!!! | 1pos
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Sergio Martino is a great director, who has contributed a lot to Italian genre cinema and, as far as I am considered, his Gialli from the 1970s are the undisputed highlights in his impressive repertoire. "La Coda Dello Scorpione" aka. "The Case Of The Scorpion's Tale" of 1971 is one of these impressive films Martino has contributed to Italian Horror's most original sub-genre, and another proof that the man is a master of atmosphere, style and suspense. My personal favorite of the Martino films I've seen so far is still the insanely brilliant "Your Vice Is A Locked Room And Only I Have The Key" of 1972, followed by "Torso" (1973) and "The Strange Vice Of Mrs Wardh" (1971), all of which I personally like even more than this one. That's purely a matter of personal taste, however, as "La Coda Dello Scorpione" is an equally excellent film that is essential for every fan of Italian Horror cinema and suspense in general.<br /><br />The film, which delivers tantalizing suspense from the very beginning has a complex and gripping plot that begins with the mysterious demise of a millionaire who has died in a plane crash. Insurance investigator Peter Lynch (George Hilton) is assigned to verify the circumstances the insurance company which is due to pay a large sum to the deceased man's wife. Soon after Lynch begins to investigate, a person is brutally killed, which is just the beginning of a series of murders...<br /><br />"The Case of the Scorpion's Tail" excellently delivers all the elements a great Giallo needs. The film is stunningly suspenseful from the beginning, the score by Bruno Nicolai is brilliant, the plot is wonderfully convoluted, and the killer's identity remains a mystery until the end. Regular Giallo leading-man George Hilton once again delivers an excellent performance in the lead. Sexy Anita Strindberg is absolutely ravishing in the female lead. The includes the great Luigi Pistilli, one of the most brilliant regulars of Italian genre-cinema of the 60s and 70s, and Alberto De Mendoza, another great actor who should be familiar to any lover of Italian cinema. Athens, where most of the film takes place, is actually a great setting for a Giallo. The atmosphere is constantly gripping, and the photography great, and Bruno Nicolai's ingenious score makes the suspense even more intense. Long story short: "La Coda Dello Scorpione" is another excellent Giallo from Sergio Martino and an absolute must-see for any lover of the sub-genre! Stylish, suspenseful, and great in all regards! | 1pos
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La Coda Dello Scorpione (a.k.a. Case of the Scorpion's Tail) was director Sergio Martino's follow-up to the wonderful giallo Strano vizio della Signora Wardh. This is the quintessential giallo, featuring all the aspects fans of the genre have come to know and love. Twisty plot, beautiful girls, black gloves, sharp blades, and a bit of gore all come together to make one heck of a piece of Italian exploitation.<br /><br />A group of gialli favorites, both in front of and behind the camera, work to make this one of the best non-Argento gialli around. There's the aforementioned Martino adding his touches as director, giallo great Ernesto Gastaldi as the writer, Bruno Nicolai creating the music, and a host of giallo stars and starlets, such as George Hilton, character actor Luigi Pistilli, and the fetching Anita Strindberg.<br /><br />With all this talent behind it, does Scorpione deliver? You bet. The film works on many different levels. It's a thrilling murder mystery, a tense and violent horror film, and a suspenseful thriller. All in all one of the best gialli around.<br /><br />Martino definitely knows what fans want when it comes to gialli. At some points in the film, he almost seems to be channeling Argento in his approach. For example, there is a direct rip-off of the scene in Bird With the Crystal Plumage where the killer tries to break through the door, that actually outdoes Argento's flick.<br /><br />Are there any problems with the flick? Hmmm... only minor ones. First, any scenes that aren't following the murders or the budding romance between the two leads begin to bore. But just before you fall asleep, the killer will pop out of nowhere and you'll be right back in the swing of things.<br /><br />Also, towards the end, the twists get a little too bizarre. I mean, what purpose did the scorpion pins really serve? If you don't play close attention to the dialogue, you could easily become lost with the twisting, weaving storyline.<br /><br />But these minor quibbles aside, La Coda Dello Scorpione is a tense, suspenseful, classy and all around entertaining film for giallo fans. Seek it out! | 1pos
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Sergio Martino's The Case of the Scorpion's Tail is a scenic giallo from the early 70's heyday of the genre. An explosion on an aeroplane results in one million dollars in insurance money for a bereaved but unfaithful wife. The money is subsequently snatched by a black-clad assassin and a series of brutal murders follow.<br /><br />Scorpion's Tail plays the mystery element, written by giallo specialist Ernesto Gastaldi, fairly straight. But, being a giallo, the murders themselves are memorable and well-staged. In fact, the violence in this movie is very strong in places - a scene with a broken bottle being particularly graphic. The emphasis on the violence no doubt influencing the giallo genre to move into more and more extreme territory. But like the best films in the genre the brutality is offset by a good score and attractive photography. The music by Bruno Nicolai is at times reminiscent of Ennio Morricone's avant-garde work in The Bird with the Crystal Plumage but is also strong in its own right. The photography is helped by the nice use of foreign locales - in this case London and Athens - where Martino manages to get in, respectively, the Houses of Parliament and the Acropolis! There is also some inventive camera-work too, the most effective being the use of slow motion in a sequence where a woman runs towards the door where the maniac is prowling outside. In this particular scene Martino has the killer hack through the door with a knife in a manner influenced by Dario Argento's Crystal Plumage, however, it also has the killer attempt to flick the latch open with the blade of a knife which is something repeated later by Argento in Suspiria. So Martino's film is influential in its own right.<br /><br />This is a good solid giallo that both genre and non-genre fans can appreciate. The performances are good and the production values are fine (although the plane explosion is, shall we say, somewhat low-budget!). The DVD release by NoShame is nice. It has both the English and Italian language options which is a real bonus. However, it is worth pointing out that at times you need to be a fast reader to fully appreciate the English subtitle option. This applies to both the movie and the documentary in the extras. This is a minor point though, the DVD release is a worthy addition to any giallo collection. | 1pos
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Sergio Martino has impressed me recently with his Giallo classics 'The Strange Vice of Mrs Wardh' and the unforgettably titled, 'Your Vice is a Locked Room and Only I Have the Key' - but even so, I wasn't expecting too much from this film. The Case of the Scorpion's Tail doesn't get mentioned as much as the aforementioned titles when it comes to classic Giallo discussion - but I don't know why, because this is at least as good as those two! Dario Argento may be the 'king' of Giallo, but with the five films that he made - Sergio Martino surely isn't too far behind. In some ways, he even surpasses the master. All of Martino's films were released prior to the jewel in Argento's crown, the magnificent Profondo Rosso, so back in the early seventies - Martino was the king! The plot here follows the idea of murder for profit, and follows the insurance payout of a wealthy man. His wife inherits $1 million, and it isn't long before there's people out for her blood! When she turns up dead shortly thereafter, an insurance investigator and a plucky, attractive young journalist follow up the case.<br /><br />The Case of the Scorpion's Tail may not benefit from the beautiful Edwige Fenech, but it does have two of Martino's collaborators on board. Most famous is George Hilton, who worked with Marino on The Strange Vice of Mrs Wardh and All the Colors of the Dark, along with a number of other Giallos. Hilton has a great screen presence, and every time I see him in an Italian thriller; it becomes obvious why he is repeatedly cast. The beautiful Anita Strindberg, who will be remembered from Your Vice is a Locked Room, stars alongside Hilton and excellently provides the classic Giallo female lead. Sergio Martino does a good job in the director's chair once again, with several beautiful scenes - the best of which taking place in a room bathed with green lighting! The score by Bruno Nicolai (Wardh) excellently sets the mood, but it is the script that, once again, is the driving force behind Martino's success. Ernesto Gastaldi, the writer for Martino's other four Giallo, has put together a script that is thrilling while staying away from the common Giallo pitfall of not making sense; thus liberating this film from the rest of the illogical genre. The Case of the Scorpion's Tail is a quality Giallo film, and yet another success for the great Sergio Martino. If you like Giallo, you'll love this! | 1pos
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Lisa Baumer (Ida Galli) is the adulteress wife of a big businessman who inherits $1million life insurance when her husband is killed in a plane crash while on a business trip
.initially she is suspected of being responsible as her husbands will had recently been changed and so she has an insurance investigator Peter Lynch (George Hilton)and an Interpol agent on her tail just to be sure. Baumer travels to Athens, Greece to cash in her inheritance, but insists on having it in cash...a dangerous turn of events. Lynch who's identity is now known to Baumer tries to protect her against a lover of her husband Lara Florakis who nevertheless along with her henchman Sharif tries to kill them both for a share of the money that she deems she is entitled to. And this is where our Masked killer starts his/her brutal killings. Lynch as is customary with our hero is at first suspected by the Greek Police and is warned not to leave Athens by Police Inspector Stavros(Luigi Pistilli a familiar face in Giallo and Spaghettis). Lynch is then aided by the gorgeous Cléo Dupont (Anita Strindberg) a local journalist who helps him investigate the killings.To say any more could ruin the film for anyone who has not seen it, so suffice to say there are enough red herrings and most of them plausible to keep Mystery/Thriller fans happy in this story driven Giallo.The No Shame DVD has a superb transfer with both English and Italian soundtrack. It also has a very catchy score just for good measure by Bruno Nicolai that will stay in your head for a while....all in all a first rate Giallo. | 1pos
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A fine Martino outing, this is a spirited and enjoyable giallo with fine performances from good looking cast and principally the two leads, George Hilton and Anita Strindberg.<br /><br />For me the jig-saw puzzle of a plot is so convoluted and confusing you just sit back and enjoy rather than try to anticipate. Just when all seems resolved we are again taken on a further series of twists, enjoyable twists, it has to be said.<br /><br />Sexy with plenty of gory kills this a well paced movie with London, Athens and Greek coastal locations. A super finale set upon Aegean rocks wraps things up and much fun was had by all. | 1pos
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The case of the Scorpion's tail is a highly stylish giallo directed by Sergio Martino, who appears to be a giallo master second only to Dario Argento.<br /><br />Ernesto Gastaldi wrote this fabulous who-dunnit, quite complex but ultimately very satisfying and entertaining murder mystery. It also makes sense in the end, a big plus, 'cause that's not always the case for these giallo's, as they tend to stretch credibility with their endless red-herrings and ultimate solutions. Here, the less you know about the plot, the better.<br /><br />Pure giallo trademarks present here are the beautiful cinematography, the catchy music score, the gorgeous females (Anita Strindberg is a goddess), brutal murders, black gloved murderers and explicit sex scenes to name a few.<br /><br />In most parts it's decently acted, Goerge Hilton his usually suave self and others do fairly well. Martino directs with a sure hand, keeps things tight and atmospheric with some terrific set pieces.<br /><br />If you're a giallo fan, this is a must see. If you like well written and suspenseful thrillers in general, this comes highly recommended. | 1pos
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Rock solid giallo from a master filmmaker of the genre, Sergio Martino. Fashioned from a marvelous screenplay by Ernesto Gestaldi, this shocking mystery often develops fascinating twists until the terrific finale which most might not see coming throughout the film. It's when everything has fallen into place that we can go, "Ahh.." The film revolves around the death of a husband(..in an airplane explosion)and the million dollars the wife receives from it. There are those with great interest in that money, one in particular being the dead man's mistress. The wife is Lisa(Ida Galli)and the mistress demanding half the money is Lara(Janine Reynaud). She tells Lisa she knows that the death was arranged by her to get the insurance money. Lara says she'll use her "lawyer", Sharif(Luis Barboo)to get that money. So already, the film produces two possible suspects in the later murder of Lisa, who awaiting someone in Tokyo. George Hilton portrays Peter Lynch. Peter works for a company that investigates those who gain inheritance to see if the pay day was gathered under suspicious means. When, on his watch, Lisa is killed by a man dressed from head to toe in black in her hotel room, he is a possible suspect. He decides to do a little investigating himself, while also assisting Inspector Stavros(Luigi Pistilli)and Interpol agent, Benton(Tom Felleghy)on their quest to find a killer. The killer strikes several times eliminating anyone revolving around the missing million dollars confiscated by the one responsible for the murder of Lisa. Soon, the film follows a journalist, Cléo Dupont(the delicious, luscious Anita Strindberg)as she and Peter meet for a dinner where she could try and sniff out anything that might break a story for her. Soon they fall deeply in love, but it seems like anyone who is near Peter is killed. Soon someone attacks Cléo with an intent to kill which pushes the investigation further into uncharted territory. Why would anyone wish to harm a journalist with no real facts to damage the one killing off people.<br /><br />This giallo is quite clever and exciting to follow. The film never lulls which is quite remarkable since so much happens leaving open the question of the identity of the killer. This film follows the path of gialli with knife slashings because of a certain pattern the killer has taken(the throat and lower torso). The film's conclusion wraps up all the complex loose ends and is quite satisfying. The film has some unique camera angles, but delivers the goods in terms of driving the plot and the execution of the mystery. | 1pos
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Channel 4 is a channel that allows more naughty stuff than any of the other channels, this show was certainly a naughty one. The presenter of this sometimes gross adult chat show, Four-time BAFTA winning and British Comedy Award winning (also twice nominated) Graham Norton was just the perfect gay host for a good show like this. It had one or more famous celebrities in the middle of it. They basically had an adult idea which would either gross, humiliate or humour the guest, but some are not for the faint-hearted. They had women playing the recorder with their parts, men using their dicks to play a xylophone, women weeing upwards in the bath, men with or without pants under their kilts, and many more gross but hilarious ideas. This is just for adults, but enjoy it! It won the BAFTA twice for Best Entertainment (Programme or Series), it won the British Comedy Awards for Best Comedy Entertainment Programme (also nominated), Best Comedy Talk Show, it won an Emmy for episode #18 (?), and it won the National Television Awards twice for Most Popular Talk Show. It was number 52 on The 100 Greatest Funny Moments. Very good! | 1pos
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Artemisia Gentileschi, the daughter of Orazio Gentileschi, showed an early promise as a painter. Taught by her father, Artemisia was born in an era that denied talented women the right to have their work seen side by side art created by men. Her tragic life is chronicled in this biographic film directed and co-written by Agnes Merlik.<br /><br />Having read the novel "The Passion of Artemisia" by Susan Vreeland, made us investigate more into the life of this woman, her work, and her legacy. We also read Mary Garrard's "Artemisia Gentileschi", which should be a must read book by all art lovers.<br /><br />"Artemisia" presents the fictionalized facts we have read about showing the early life of the young woman as she starts to paint. She was clearly influenced by the work of her father, by Caravaggio, Agostino Tassi, and other Florentine painters of that period. Her relationship and love affair with Tassi is the basis of the film. Artemisia, unfortunately couldn't go as far as she could have because of the prejudice against women in the arts. It didn't help either she caused a scandal where she is accused of being raped by Tassi. She had to go to Rome in order to distance herself from that unhappy time of her life.<br /><br />Valentina Cervi makes a beautiful Artemisia. She is a gorgeous creature who awakened passion in men. Michel Serrault plays Orazio, her father. Miki Maojlovic is seen as Tassi, the man who wanted Artemisia, but ended up in jail. Emmanuelle Devos appears for a moment.<br /><br />The film has a glossy finish that the camera work of Benoit Delhomme captures in all its splendor. The scenic locales of the film offer an idea of what inspired that school of painting to show in their canvases. The music by Krishna Levy serves well what we see. Agnes Merlik directed with sure hand showing a visual style of her own. | 1pos
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Artimisia was on late last night. At first I didn't think I would like it, but seeing I didn't feel like sleeping yet and nothing else being on, I continued watching and felt myself intrigued by the young Artimisia, a virgin, pure and passionate. Her romance with the older Tassi envoked recognisable feelings. Even though the film is based on a very romantisised level and not reality, I loved it a lot more than the usual biographys or costume drama's. Great play, great camerashots, great music and texts. I loved it and I want more of it! :-) | 1pos
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I'm normally a sucker for romantic films which are well-filmed and well-acted out. This is a romantic (period) film set in 17th-century Italy, but filmed in French with English subtitles. The fact that it is a period film means it will inevitably be slower-paced than films set in the modern day era, so it Will bore some. If you can overlook that fact, it is actually a really good film. The scenery, the costumes, and the cinematography are beautiful, and the main actors and actress are very compelling in their portrayals, projecting the intensity of the emotions that are running through the plot. The story is like a sad love story with an unhappy ending. Its easy to believe that this is an accurate portrayal of the real-life characters. In spite of the fact that I was really moved by the main characters and the storyline, I decided to check out the validity of the story and found out that the main theme of the movie's story - that of an sad unfinished love story - was completely fabricated. <br /><br />In real life, Artemisia was raped by Tassi initially, rather than submitting to his advances willingly and passionately as the movie had portrayed. She continued to have sexual relations with him only because he had repeatedly promised to marry her. When they were in court, he had *not* admitted guilt of rape out of pity for Artemisia's torture (unlike what the movie portrays). In reality, he had tried to portray Artemisia as a loose, promiscuous woman with insatiable sexual urges. In the movie, his sister testified in court that Tassi had a wife and had sexual relations with his sister-in-law, and Tassi's character was all the while made to appear as if his sister had been slandering him regarding his alleged affair with his sister-in-law (although he admits to having had a wife back in Florence). Needless to say, in reality it wasn't really like that at all. In fact, far from it. Tassi was really responsible in the planned murder of his wife, whom he had begotten from rape. And to add to that, Tassi really had sexual relations with his sister-in-law, impregnating her in the process, but all this wasn't really mutual as well - again, he had raped his sister-in-law before. <br /><br />So now we have a clear picture of the real Tassi as a multiple sex offender, what do we make of the film Artemisia's portrayal of him as a lover? We take it as an attempt to make this movie into a romantic film... that this film was never made to be historically accurate... Apart from these points just mentioned, there were other historical inaccuracies like in its interpretation of Artemisia's art (in real-life, she was never really influenced by Tassi's painting style, and she was actually considered a much better painter than Tassi ever was.) One thing remains true and its the fact that Artemisia Gentileschi has been credited as the first woman painter in history, and although her mastery of the art rivalled many of her male peers, she had always experienced difficulty in getting enough credit for her work because of her gender as a woman, in 17th century Italy.<br /><br />Enjoy this film for its own sake, for it is a pretty good romantic drama, but take its historical references with a grain of salt. | 1pos
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This is a film about 17th Century Italian artists and one artist in particular, a woman Artemisia, an unheard of profession for females at that time, and she dared to paint the male nude detailing his unique musculature.<br /><br />The camera work is principally indoors for that is where the artists mainly worked. There are some great shots. Close-ups by candle light suggest the beautiful work of the classical painters and it is fascinating to watch the painters and their students supported by elaborate scaffolding brushing in details of religious frescoes. It is not surprising that the artistic elements of the film (costumes,faces, make-up) are quite superbly authentic because the Italian churches have preserved all these details in their frescoes for centuries. The beautiful Artemisia is urged by her father to study under the great Florentine artist, Tassi, who has become expert in the art of perspective and landscape painting (something very new) but the unsuspecting Artemisia is introduced to more than new techniques in painting. After posing for her, Tassi violently rapes her. Her father is outraged. Court proceedings follow.<br /><br />This romantic drama has a fairly simple story with an unsatisfactory ending. The outstanding feature of the film is its artistic presentation and attention to detail. Scenes such as women running across a field with the wind billowing their voluminous clothing add wonderful effects.<br /><br />Artemisia says she paints to please herself; her father paints to please others. As for this film, it will please most, I think. | 1pos
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The movie looked like a walk-through for "Immoral Study". Most likely I never got much involved with the burning need of the female artist to immortalize male nudes and thus all that fuss about "Now, who drew this penis?!" sounded a bit gratuitous. Dialogues in this movie are rather dreadful, albeit visually this movie got its moments. I almost dig it when Tassi got into painting a mental picture but then movie weered back onto penises. Highly recommended to those who has not seen one in a while. | 1pos
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I thought this movie was stunning, with completely outstanding performances by Valentina Cervi (Artemisia Gentileschi).<br /><br />Cervi portrays Artemisia so beautifully, with tentative yet confidant mannerisms, her hands mapping out an idea before moving her models into place. The passion to which Artemisia gives to her art is just spectacular to watch.<br /><br />Although not each character was overtly beautiful, this made the film more realistic as the facial hair and clothing was perfect for that point in time.<br /><br />Overall i thought this film was fantastic. | 1pos
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I have not read the book that this was based upon/inspired by. This being some of(the others are film roles) the last work of John Ritter(RIP), one hopes that it is hilarious. And it is. Almost every time he's present in this, as a matter of fact. Most of the cast, supporting as well as regular, play off each other well, and the material tends to be great. He plays Paul Hennessy, the father of three teenagers: Rory, the typical guy of that age, Kerry, the depressive middle-child who fights for causes and awareness, and Bridget, the fashion-loving, popular ditz. Sagal makes a return to being the female lead in a sit-com, and her character is far removed from Peggy Bundy. The show changed somewhat after Mr. Three's Company passed on, and for a while, they couldn't seem to make up their minds if they wanted to go for getting laughs, or being poignant and making sure to be respectful. One can wonder how or why it lasted for so long after that: It could still be quite good, some of the additions were fortunate(if you like David Spade, most of his part consists of him doing his schtick) and had stuff to say. My personal favorite episode is in the last season. The humor is a nice mix of "dumb person" jokes(mainly related to the high-schoolers), silliness, dark comedy and crude material. This dealt with sex and other adult topics, but never in a graphic manner. The language is mild, and, on occasion, moderately strong. I recommend this to any fan of those who made it. 8/10 | 1pos
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I'll be honest with yall, I was a junior in high school when this sitcom first aired on ABC I didn't think I would like it at all. But with John Ritter in it i felt that it had a little potential in it, plus their was something else with it I liked. The acting was great, not a lot of horrible 2nd rated comedy lines, John Ritter always brings his A game when it comes to comedy . This was a great show to watch, and I'll tell you why it was a great show. My father who never watches sitcoms at all, he just watches movies, sports, and law & order, he actually sat down with my 3 brothers and 2 sisters, my mother, and myself, and watched the show I think because John Ritter was in it. I honestly think this show would still be running if John Ritter God rest his soul i wish he hadn't passed away. | 1pos
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This was a marvelously funny comedy with a great cast. John Ritter and Katey Sagal were perfectly cast as the parents, and the kids were great too. Kaley Cuoco was a good choice to play Bridget, who was sort of a toned-down version of Kelly Bundy from Married with Children. The writing and performances were both first-rate.<br /><br />Sadly, John Ritter died during the series, and it put a damper on things. They had to scramble to change the show and bring in more cast members, and it was obviously an uncomfortable situation, but they handled it well. James Garner was a good addition. It could have lasted longer had Ritter lived.<br /><br />I especially loved it when they brought in Ed O'Neill in a guest spot. That was great.<br /><br />*** out of **** | 1pos
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"8 SIMPLE RULES... FOR DATING MY TEENAGE DAUGHTER," is my opinion, is an absolute ABC classic! I'm not sure I haven't seen every episode, but I still enjoyed it. It's hard to say which episode was my favorite. However, I think it was always funny when a mishap occurred. I always laughed at that. Despite the fact that James Garner and David Spade were good, I liked the show more when John Ritter was the leading man. If you ask me, his sudden passing was very tragic. Everyone always gave a good performance, the production design was spectacular, the costumes were well-designed, and the writing was always very strong. In conclusion, I hope some network brings it back on the air for fans of the show to see. | 1pos
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This show is awesome. I thought that the two episodes where Paul died were so sad; I actually cried. But the other shows were awesome; Kerry was my favorite character, because she was in "the dark side." I also thought that Bridget was funny because she was all perky. I also thought that guy who played Kyle was really, really cute. I loved it when Kerry made sarcastic remarks about everything. The guy who played Rory was cute, and Paul, played by John Ritter, was really funny. This whole entire TV show is funny, and I wish they still showed it on TV. when they did show it on TV, though, I watched it every single time it was on. The next time it shows, I will watch it over and over again. | 1pos
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Eight Simple rules started as a very entertaining series. I love John Ritter and his character Paul Hennessey and the relationship he had with his children was the best part of the show.<br /><br />I have always preferred Kerry to Bridget, Bridget has been done before, Kerry is quite unique and i can relate to her in many ways, although i'm not sure i like the direction her character went in later series.<br /><br />Early episodes were fun, good simple teenage plots about Paul and Cate disciplining the kids, however i think the show lost it's sparkle when John Ritter died. I admired the cast and crew for wishing to continue the series but when he died, i felt the programme did to. To me the whole point of the show was based around the guide of the '8 simple rules of dating my teenage daughter' it was written by a real man with teenage daughters and the relevance and the angle of the show had changed without the Hennessey dad.<br /><br />Bridget seemed to get more annoying, Rory stayed the same and Cate was always giving her offspring life's lessons which before seemed funnier when it was all left to Paul. I think the Granddad is funny (Especially when he's watching Great escape) but feel C.J is unnecessary to the show. He is funny in parts but I felt the story lines at the time of his arrival were very similar to other American comedy series. Over all the newer ones aren't bad just missing excitement and does anyone else find it irritating that Cate works at the school and C.J and Granddad's always there too? I would always recommend this show to friends as it was very strong at the beginning and well worth watching for Paul and Kerry, but later ones were about average at best. | 1pos
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I can't believe John died! While filming an episode he collapsed on set! read this, (out of his biography online):John Ritter was Born In Burbank , Calafornia , On September 17th 1948. <br /><br />He landed his last television role in "8 Simple Rules for Dating My Teenage Daughter" (2002), based on the popular book. On this sitcom, he played Paul Hennessey, a loving, yet rational dad, who laid down the ground rules for his three children. The show was a ratings winner in its first season and won a Peoples Choice Award for Best New Comedy and also won for Favorite Comedy Series by the Family Awards! While working "8 Simple Rules", he also starred in his second-to-last film, Manhood (2003)<br /><br />That Same Year , While John Was Rehearsing for The 4th (3rd series) Episode of 8 Simple Rules (Now Shortened), he fell ill. Henry Winkler described it as "John Looked Like He Had Food Poisoning".Then He collapsed on the Set, he was quickly rushed to a Nearby Hospital, The Same Burbank Hospital Where He Was Born ,he was diagnosed with an aorta dissection, an Unrecognized Heart Flaw, he Underwent Surgery but did not make it. John Ritter Died At Age 54 , just 1 Week Away from His 55th Birthday , leaving His Wife Amy Yasbeck and 4 Children. | 1pos
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I'll keep it short and brief, the people who wrote the story lines for this show are genius, the actors are just perfect for the roles they play (CJ's character is legendary) and they have so much chemistry on screen which makes it what it is, a very successful comedy.<br /><br />When i saw first saw the new episodes which is probably going back just over 6/7 months, i wondered what had happened to Paul. I was gutted to find out that he had died when i browsed Google. He was so funny and played his character to perfection, an over-protective dad, who likes to keep his daughters out of the limelight and away from boys.<br /><br />The comedy, i think, has gone from strength to strength, even without Paul in it.<br /><br />Plus, i think most people would enjoy this watching it. | 1pos
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