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[M]A trade unionist in the powerful Teamsters organization, Sheeran[/M] has long been suspected of having close ties to the Italian-American Mafia and of serving as a henchman. | "I Heard You Paint Houses: The Case of Frank "The Irishman" Sheeran and Jimmy Hoffa" (English: I Heard You Paint Houses: Frank "The Irishman" Sheeran and Closing the Case on Jimmy Hoffa), and The translation "I heard you cleaned the house" is a 2004 memoir written by former homicide prosecutor, investigator, and defense lawyer Charles Blunt. The book chronicles the life of Frank Sheeran, an accused Mafia killer who admitted that he had worked for the Bufalino criminal family.
The title of the book is based on Sheeran. His first conversation with Hoffa was by phone. Hoffa first said: "I heard you paint the house"-this is the meaning of the gang sign: I heard You killed someone, "lacquer" refers to the blood splashed when you fire a bullet at your body.
Sheeran’s so-called confession of killing Jimmy Hoffa and Joe Gallo has been published by Bill Tonelli in the article "The Lies of the Irishman" written on "Slate" and Harvard Law College professor Jack Goldsmith published in the "New York Review of Books" "Jimmy Hoffa and'The Irishman': A True Crime Story?" questioned. The book’s publisher, Bill Tonelli, gave a detailed answer to that article, which was also published in Slate. | n |
A few minutes after liftoff, the rocket experienced a serious anomaly; [M]the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan[/M]. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
A few minutes after liftoff, the rocket experienced a serious anomaly; [M]the astronauts' Soyuz crew spacecraft[/M] safely made an emergency landing in Kazakhstan. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | e |
[M]A few minutes after liftoff, the rocket experienced a serious anomaly[/M]; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | e |
And [M]because this is spaceflight[/M], [M]the list of potential problems is pretty long.[/M] | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
"This is not routine, and [M]it requires[/M] diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and [M]the actual conduct of the launch," Logsdon told Space.com[/M]. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
"This is not routine, and [M]it requires[/M] diligence and focus throughout the process — manufacturing and launch readiness, [M]launch preparation[/M], and the actual conduct of the launch," [M]Logsdon told Space.com[/M]. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
"This is not routine, and [M]it requires[/M] diligence and focus throughout the process — manufacturing and [M]launch readiness[/M], launch preparation, and the actual conduct of the launch," [M]Logsdon told Space.com[/M]. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
"This is not routine, and [M]it requires[/M] diligence and focus throughout the process — [M]manufacturing[/M] and launch [M]readiness[/M], launch preparation, and the actual conduct of the launch," [M]Logsdon told Space.com[/M]. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
"This is not routine, and [M]it requires[/M] diligence and [M]focus throughout the process[/M] — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," [M]Logsdon told Space.com[/M]. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
"This is not routine, and [M]it requires diligence[/M] and focus [M]throughout the process[/M] — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," [M]Logsdon told Space.com[/M]. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
[M]"This is not routine[/M], and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," [M]Logsdon told Space.com[/M]. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
(Image credit: Bill Ingalls/NASA)
[M]There will be an investigation[/M] into the incident, [M]to figure out[/M] what went wrong and [M]how to prevent it from happening again[/M]. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
(Image credit: Bill Ingalls/NASA)
[M]There will be an investigation[/M] into the incident, [M]to figure out what went wrong[/M] and how to prevent it from happening again. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
(Image credit: Bill Ingalls/NASA)
[M]There will be an investigation into the incident[/M], to figure out what went wrong and how to prevent it from happening again. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | e |
[M]That basic truth was reinforced yesterday (Oct. 11)[/M] by the failure of a Russian Soyuz rocket [M]during a crew launch toward the International Space Station (ISS).[/M] | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
[M]That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket[/M] during a crew launch toward the International Space Station (ISS). | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
Six decades into the space age, [M]exploring the final frontier remains a[/M] difficult and [M]dangerous proposition[/M]. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
Six decades into the space age, [M]exploring the final frontier remains a difficult[/M] and dangerous [M]proposition[/M]. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
[M]Six decades into the space age[/M], [M]exploring the final frontier remains a difficult and dangerous proposition.[/M] | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
[M]Six decades into the space age[/M], exploring the final frontier remains a difficult and dangerous proposition. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
Hague and [M]Ovchinin are safe[/M] and in good condition, [M]NASA officials said.[/M] | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
Hague and [M]Ovchinin[/M] are safe and [M]in good condition[/M], [M]NASA officials said.[/M] | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
[M]Hague[/M] and Ovchinin are safe and [M]in good condition[/M], [M]NASA officials said.[/M] | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
[M]Hague[/M] and Ovchinin [M]are safe[/M] and in good condition, [M]NASA officials said.[/M] | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying [M]NASA astronaut Nick Hague[/M] and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | e |
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and [M]Russian cosmonaut Alexey Ovchinin[/M] made an emergency landing in Kazakhstan. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | e |
The rocket experienced a serious anomaly a few minutes after liftoff, and [M]the Soyuz MS-10 spacecraft carrying[/M] NASA astronaut Nick Hague and [M]Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan[/M]. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
The rocket experienced a serious anomaly a few minutes after liftoff, and [M]the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague[/M] and Russian cosmonaut Alexey Ovchinin [M]made an emergency landing in Kazakhstan[/M]. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
[M]The rocket experienced a serious anomaly a few minutes after liftoff[/M], and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | e |
[In Photos: The Harrowing Soyuz Launch Abort in Pictures]
[M]A Russian Soyuz rocket launches two astronauts[/M] toward the International Space Station [M]on Oct. 11, 2018.[/M] | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
[In Photos: The Harrowing Soyuz Launch Abort in Pictures]
[M]A Russian Soyuz rocket launches two astronauts toward the International Space Station[/M] on Oct. 11, 2018. | Current International Space Station Cmdr. Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he found himself photographing their failed launch.
NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. But just a couple of minutes after liftoff, a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers. Investigations into the Soyuz launch failure will be performed by NASA and the Russian space agency Roscosmos. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. (Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure.
Although the dramatic launch barely made it to space before the capsule tumbled back to Earth, it was certainly visible from space. Gerst was able to spot the rocket's climb from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere.
European Space Agency astronaut Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018. | n |
NASA astronaut Nick Hague and Russian cosmonaut [M]Alexey Ovchinin launched aboard a Soyuz rocket[/M] at about 4:47 a.m. EDT (0847 GMT) [M]from Baikonur Cosmodrome in Kazakhstan[/M]. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
NASA astronaut [M]Nick Hague[/M] and Russian cosmonaut Alexey Ovchinin [M]launched aboard a Soyuz rocket[/M] at about 4:47 a.m. EDT (0847 GMT) [M]from Baikonur Cosmodrome in Kazakhstan[/M]. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
NASA astronaut Nick Hague and Russian cosmonaut [M]Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT)[/M] from Baikonur Cosmodrome in Kazakhstan. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
NASA astronaut [M]Nick Hague[/M] and Russian cosmonaut Alexey Ovchinin [M]launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT)[/M] from Baikonur Cosmodrome in Kazakhstan. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
NASA astronaut Nick Hague and [M]Russian cosmonaut Alexey Ovchinin[/M] launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | e |
[M]NASA astronaut Nick Hague[/M] and Russian cosmonaut Alexey Ovchinin launched aboard a Soyuz rocket at about 4:47 a.m. EDT (0847 GMT) from Baikonur Cosmodrome in Kazakhstan. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | e |
[M]Alexander Gerst expected to be welcoming two additional crewmembers to the orbiting laboratory[/M] Thursday (Oct. 11) — but instead, he found himself photographing their failed launch. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
[M]Alexander Gerst expected to be welcoming[/M] two [M]additional crewmembers to the orbiting laboratory Thursday[/M] ([M]Oct. 11[/M]) — but instead, he found himself photographing their failed launch. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | e |
[M]Alexander Gerst expected to be welcoming[/M] two [M]additional crewmembers to the orbiting laboratory[/M] Thursday (Oct. 11) — but instead, he found himself photographing their failed launch. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
[M]Alexander Gerst[/M] expected to be welcoming two additional crewmembers to the orbiting laboratory Thursday (Oct. 11) — but instead, he [M]found himself photographing[/M] their [M]failed launch[/M]. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
(Image credit: A. Gerst/ESA/NASA)
The astronauts landed safely and were picked up by a [M]search-and-rescue team[/M] that [M]was deployed as part of standard launch procedure.[/M] | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
(Image credit: A. Gerst/ESA/NASA)
[M]The astronauts[/M] landed safely and [M]were picked up by a search-and-rescue team[/M] that was deployed as part of standard launch procedure. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
(Image credit: A. Gerst/ESA/NASA)
[M]The astronauts landed safely[/M] and were picked up by a search-and-rescue team that was deployed as part of standard launch procedure. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | e |
Although the dramatic launch barely made it to space before [M]the capsule[/M] tumbled back to Earth, it [M]was certainly visible from space[/M]. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
[M]Although the dramatic launch barely made it to space before the capsule tumbled back to Earth[/M], it was certainly visible from space. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
Investigations into the Soyuz launch failure will be performed by NASA and [M]the Russian space agency Roscosmos[/M]. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
[M]Investigations into the Soyuz launch failure will be performed by[/M] NASA and [M]the Russian space agency Roscosmos[/M]. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
[M]Investigations into the Soyuz launch failure will be performed by NASA[/M] and the Russian space agency Roscosmos. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
European Space Agency astronaut [M]Alexander Gerst photographed the space station's view of a failed crew launch on Oct. 11, 2018[/M]. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
[M]European Space Agency astronaut Alexander Gerst[/M] photographed the space station's view of a failed crew launch on Oct. 11, 2018. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
[M]Gerst was able to spot the rocket's climb[/M] from on board its hoped-for destination, [M]capturing a majestic streak of white piercing Earth's atmosphere[/M]. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
[M]Gerst was able to spot the rocket's climb[/M] from on board its hoped-for destination, [M]capturing a majestic streak of white[/M] piercing Earth's atmosphere. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
[M]Gerst was able to spot the rocket's climb from on board its hoped-for destination[/M], capturing a majestic streak of white piercing Earth's atmosphere. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
[M]Gerst was able to spot the rocket's climb[/M] from on board its hoped-for destination, capturing a majestic streak of white piercing Earth's atmosphere. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
[In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut [M]Alexander Gerst captured this incredible view of a failed crew launch[/M] to the International Space Station [M]on Oct. 11, 2018[/M]. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
[In Photos: The Harrowing Soyuz Launch Abort in Pictures]
European Space Agency astronaut [M]Alexander Gerst captured this incredible view of a failed crew launch to the International Space Station[/M] on Oct. 11, 2018. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
[In Photos: The Harrowing Soyuz Launch Abort in Pictures]
[M]European Space Agency astronaut Alexander Gerst[/M] captured this incredible view of a failed crew launch to the International Space Station on Oct. 11, 2018. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
But just a couple of minutes after liftoff, [M]a failure in the rocket's booster triggered a ballistic re-entry for the pair of would-be space travelers.[/M] | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | e |
But just [M]a couple of minutes after liftoff[/M], [M]a failure in the rocket's booster triggered a ballistic re-entry[/M] for the pair of would-be space travelers. | Six decades into the space age, exploring the final frontier remains a difficult and dangerous proposition.
That basic truth was reinforced yesterday (Oct. 11) by the failure of a Russian Soyuz rocket during a crew launch toward the International Space Station (ISS).
The rocket experienced a serious anomaly a few minutes after liftoff, and the Soyuz MS-10 spacecraft carrying NASA astronaut Nick Hague and Russian cosmonaut Alexey Ovchinin made an emergency landing in Kazakhstan. Hague and Ovchinin are safe and in good condition, NASA officials said. [In Photos: The Harrowing Soyuz Launch Abort in Pictures]
A Russian Soyuz rocket launches two astronauts toward the International Space Station on Oct. 11, 2018. A few minutes after liftoff, the rocket experienced a serious anomaly; the astronauts' Soyuz crew spacecraft safely made an emergency landing in Kazakhstan. (Image credit: Bill Ingalls/NASA)
There will be an investigation into the incident, to figure out what went wrong and how to prevent it from happening again. And because this is spaceflight, the list of potential problems is pretty long.
"We get lulled into a form of complacency when these things go off seemingly without a hitch on a regular basis," said John Logsdon, a professor emeritus of political science and international affairs at The George Washington University's Elliott School of International Affairs in Washington, D.C.
"But that's a result of extreme care, and that hasn't changed," Logsdon told Space.com. "This is not routine, and it requires diligence and focus throughout the process — manufacturing and launch readiness, launch preparation, and the actual conduct of the launch," Logsdon told Space.com. | n |
Leotards in shades of putty and slate were layered beneath billowy slips and silk dresses; tutu-esque, tulle midi skirts came under her now-signature structured jackets and utilitarian blazers; [M]netting[/M], part of a ballerina's daily training uniform, was abundant, either worn on its own and letting a triangle bralette peek through, or [M]as part of a more classic silhouette.[/M] | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
Leotards in shades of putty and slate were layered beneath billowy slips and silk dresses; tutu-esque, tulle midi skirts came under her now-signature structured jackets and utilitarian blazers; [M]netting[/M], part of a ballerina's daily training uniform, was abundant, either [M]worn on its own[/M] and [M]letting a triangle bralette peek through[/M], or as part of a more classic silhouette. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
Leotards in shades of putty and slate were layered beneath billowy slips and silk dresses; tutu-esque, tulle midi skirts came under her now-signature structured jackets and utilitarian blazers; [M]netting[/M], part of a ballerina's daily training uniform, [M]was abundant[/M], either worn on its own and letting a triangle bralette peek through, or as part of a more classic silhouette. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
Leotards in shades of putty and slate were layered beneath billowy slips and silk dresses; tutu-esque, tulle midi skirts came under her now-signature structured jackets and utilitarian blazers; [M]netting, part of a ballerina's daily training uniform[/M], was abundant, either worn on its own and letting a triangle bralette peek through, or as part of a more classic silhouette. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
Leotards in shades of putty and slate were layered beneath billowy slips and silk dresses; tutu-esque, [M]tulle midi skirts came under her[/M] now-signature structured jackets and [M]utilitarian blazers[/M]; netting, part of a ballerina's daily training uniform, was abundant, either worn on its own and letting a triangle bralette peek through, or as part of a more classic silhouette. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
Leotards in shades of putty and slate were layered beneath billowy slips and silk dresses; [M]tutu-esque[/M], tulle midi skirts [M]came under her now[/M]-signature structured jackets and [M]utilitarian blazers[/M]; netting, part of a ballerina's daily training uniform, was abundant, either worn on its own and letting a triangle bralette peek through, or as part of a more classic silhouette. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
Leotards in shades of putty and slate were layered beneath billowy slips and silk dresses; tutu-esque, [M]tulle midi skirts came under her now-signature structured jackets[/M] and utilitarian blazers; netting, part of a ballerina's daily training uniform, was abundant, either worn on its own and letting a triangle bralette peek through, or as part of a more classic silhouette. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
Leotards in shades of putty and slate were layered beneath billowy slips and silk dresses; [M]tutu-esque[/M], tulle midi skirts [M]came under her now-signature structured jackets[/M] and utilitarian blazers; netting, part of a ballerina's daily training uniform, was abundant, either worn on its own and letting a triangle bralette peek through, or as part of a more classic silhouette. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
[M]Leotards in shades of putty and slate were layered beneath billowy slips and silk dresses[/M]; tutu-esque, tulle midi skirts came under her now-signature structured jackets and utilitarian blazers; netting, part of a ballerina's daily training uniform, was abundant, either worn on its own and letting a triangle bralette peek through, or as part of a more classic silhouette. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
[M]Some of it was more elegant[/M], as in embroidered and almost kaleidoscopic, but other pieces were less precious (and surely catering to the more-informal millennials whom the house is courting these days). | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
Some of it was more elegant, as in embroidered and almost kaleidoscopic, but other pieces were less precious (and surely catering to the more-informal [M]millennials whom the house is courting these days[/M]). | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
Some of it was more elegant, as in embroidered and almost kaleidoscopic, but [M]other pieces were[/M] less precious (and [M]surely catering to the more-informal millennials[/M] whom the house is courting these days). | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
Some of it was more elegant, as in embroidered and almost kaleidoscopic, but [M]other pieces were less precious[/M] (and surely catering to the more-informal millennials whom the house is courting these days). | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
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Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
A moment from [M]Dior's Spring 2019 runway show.[/M] | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | e |
In the last two years, almost to the day, since Chiuri succeeded Raf Simons as artistic director of the French legacy house, we've learned that she loves, for starters, the American southwest, mod masquerade balls and the landmark [M]1968 student protests in Paris[/M]. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
In the last two years, almost to the day, since [M]Chiuri[/M] succeeded Raf Simons as artistic director of the French legacy house, we've learned that she [M]loves[/M], for starters, the American southwest, mod masquerade balls and [M]the landmark 1968 student protests in Paris[/M]. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
In the last two years, almost to the day, since [M]Chiuri[/M] succeeded Raf Simons as artistic director of the French legacy house, we've learned that she [M]loves, for starters, the American southwest, mod masquerade balls[/M] and the landmark 1968 student protests in Paris. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
[M]In the last two years[/M], almost to the day, [M]since Chiuri succeeded Raf Simons as artistic director of the French legacy house[/M], we've learned that she loves, for starters, the American southwest, mod masquerade balls and the landmark 1968 student protests in Paris. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
In the last two years, almost to the day, since [M]Chiuri[/M] succeeded Raf Simons as [M]artistic director of the French legacy house[/M], we've learned that she loves, for starters, the American southwest, mod masquerade balls and the landmark 1968 student protests in Paris. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | e |
In the last two years, almost to the day, since [M]Chiuri succeeded Raf Simons as artistic director of the French legacy house[/M], we've learned that she loves, for starters, the American southwest, mod masquerade balls and the landmark 1968 student protests in Paris. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
[M]As with her previous, sport-adjacent collections[/M] (including fencing for Spring 2017, her debut, and "escaramuzas," or female Mexican rodeo riders, for Cruise 2019), [M]this range was also particularly literal.[/M] | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
As with her previous, sport-adjacent [M]collections[/M] (including fencing for [M]Spring 2017, her debut[/M], and "escaramuzas," or female Mexican rodeo riders, for Cruise 2019), this range was also particularly literal. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
As with [M]her previous, sport-adjacent collections (including[/M] fencing for Spring 2017, her debut, and "escaramuzas," or [M]female Mexican rodeo riders, for Cruise 2019[/M]), this range was also particularly literal. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
As with [M]her previous, sport-adjacent collections (including[/M] fencing for Spring 2017, her debut, and [M]"escaramuzas,"[/M] or female Mexican rodeo riders, [M]for Cruise 2019[/M]), this range was also particularly literal. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
As with [M]her previous, sport-adjacent collections (including fencing for Spring 2017[/M], her debut, and "escaramuzas," or female Mexican rodeo riders, for Cruise 2019), this range was also particularly literal. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
As with [M]her previous, sport-adjacent collections[/M] (including fencing for Spring 2017, her debut, and "escaramuzas," or female Mexican rodeo riders, for Cruise 2019), this range was also particularly literal. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
[M]There were other signatures that were less costume-oriented[/M]. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
Where Dior's Fall 2018 collection was stocked with Bohemian patchwork, [M]Chiuri's seasonal fabrication this time appeared to be the very on-trend tie-dye[/M]. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
Where [M]Dior's Fall 2018 collection[/M] was [M]stocked with Bohemian patchwork[/M], Chiuri's seasonal fabrication this time appeared to be the very on-trend tie-dye. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
But more than that, [M]she[/M] also loves, respects and cherishes women, and as the [M]first female creative head of Dior[/M], she certainly takes that responsibility very seriously. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
But more than that, she also loves, respects and cherishes women, and [M]as the first female creative head of Dior, she certainly takes that responsibility very seriously.[/M] | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
But more than that, [M]she[/M] also loves, respects and [M]cherishes women[/M], and as the first female creative head of Dior, she certainly takes that responsibility very seriously. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
But more than that, [M]she[/M] also loves, [M]respects[/M] and cherishes [M]women[/M], and as the first female creative head of Dior, she certainly takes that responsibility very seriously. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
But more than that, [M]she[/M] also [M]loves[/M], respects and cherishes [M]women[/M], and as the first female creative head of Dior, she certainly takes that responsibility very seriously. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
On Monday as the kickoff to Paris Fashion Week, Chiuri paid homage to her latest set of muses — dancers — with a heavily [M]dance-inspired Spring 2019 collection[/M]. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | e |
[M]On Monday[/M] as the kickoff to Paris Fashion Week, [M]Chiuri paid homage to her latest set of muses[/M] — dancers — with a heavily dance-inspired Spring 2019 collection. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
[M]On Monday[/M] as [M]the kickoff to Paris Fashion Week[/M], Chiuri paid homage to her latest set of muses — dancers — with a heavily dance-inspired Spring 2019 collection. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
On Monday as the kickoff to Paris Fashion Week, [M]Chiuri paid homage to her latest set of muses — dancers[/M] — with a heavily dance-inspired Spring 2019 collection. | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
Advertisement
Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
On Monday as the kickoff to Paris Fashion Week, [M]Chiuri paid homage to her latest set of muses[/M] — dancers — [M]with a heavily dance-inspired Spring 2019 collection.[/M] | “Dance is at this collection’s heart,” Dior’s creative director Maria Grazia Chiuri wrote of the French brand’s spring and summer 2019 runway collection in the show notes. “Dance as a liberating act, as an action of the body, a dimension that uses rhythm, movement and music to connect us with the deepest part of our being.”
And, truth be told, if one looked long enough at the lithe-limbed, leotard-clad dancers who bent, bounced and bounded about in a shower of rose petals in the background of the runway show set at the Hippodrome ParisLongchamp, it would have been hard not to feel moved, stirred or connected to something deep, something primal and something tribal.
The actual clothes on the runway, though? Not so much. A ballet of black and beige with washed-out shades of blue and gray and a couple of unicorn-rare pops of bright accent color, the collection was heavy on the après-danse look — easy, breezy comfortable pieces wrapped and draped across the body, mesh layered over bodysuits, and the kind of simple tank tops, airy skirts and heavy coats a professional dancer might throw on before dashing from a stage door to a waiting car.
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Looks from the spring and summer 2019 Dior runway show, which was presented Monday. (Francois Guillot / AFP / Getty Images)
The backstage bunhead vibe was heightened by the collection’s standout shoe silhouette: a ballet-slipper-like shoe with a transparent Plexiglass heel and ribbon braiding that crisscrossed up the ankle.
The collection also included a range of sharp and smartly belted blazers that have been a runway staple the last several seasons — some in navy blue and others in beige — as well as an assortment of tulle dresses with faded floral embroidery and a handful of dashiki-like tops sporting the collection’s few pops of bright color, including yellow and purple.
A washed-out kaleidoscopic motif meets tie-dye pattern was, almost by default, the most eye-catching pattern in the mix, turning up on baggy denim cargo pants and trousers, tulle skirts and kimono-like robes and a few pieces that melded it with out-size florals, resulting in a trippy, ’70s-infused festival look that is all but guaranteed to turn up in the VIP wristband section at Coachella. | n |
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