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You are here: Home / Get Involved / Events / The 2017 Emery Awards
Thank You to Everyone Who Supported and Participated in the
THE 2017 EMERY AWARDS
Check out the “Pride Is” video by Oath
Hear What #PrideIs to Some of Our Attendees
View 2017 Emery Awards Photos on Facebook
Honorees:
with Special Guest Hosts
Legendary comedienne, performer and host of Sandyland on SiriusXM Radio
Bevy Smith
Fashion maven, host of Bevelations on SiriusXM Radio and Page Six TV co-host
and a Special Performance by
Anthony Wayne and Kendrell Bowman
Critically-acclaimed, high-energy creators and producers
of Mighty Real: A Fabulous Sylvester Musical
Celebrating This Year’s Theme
Cipriani Wall Street
55 Wall Street, New York, NY 10005
Shelly Brown • William Li • Alfredo Paredes • Ron Simons
Bonnie Rabin • Scott Reed • Pierre Rougier
Missed the Event, but Would Like to Donate?
If you were unable to attend the event, you can still make a difference for LGBTQ youth. Show your support for HMI by making a donation in your absence.
Michael Snider
Director of Special Events
Hetrick-Martin Institute
[email protected]
Premier Sponsor
MINI of Edison
MINI of Freeport
Habberstad MINI
MINI of Manhattan
MINI of Monmouth
MINI of Morristown
MINI of Southampton
Moody’s
The David Geffen Foundation
G-III Apparel Group, Ltd.
GFP Real Estate
Kiehl’s Since 1851
Time Warner Inc.
Amalgamated Bank
Atlantic, Tomorrow’s Office
Calvin Klein Inc.
Con Edison
ForeScout Technologies, Inc
SL Gallery
United Federation of Teachers
Exclusive Wine Partner
Spirits Partner
Production Partner
The year’s Emery Awards Ball Honoree, Leiomy Maldonado, “Wonder Woman of Vogue”, is a NYC born and bred Latina who was a former HMI youth member and today, is a sensational and iconic world-renowned vogue dancer, choreographer, model, actress and activist. We’re thrilled to recognize Leiomy for her outstanding leadership in the community and her exemplary model of empowerment, love and celebration of identity that she sets for others.
Leiomy was introduced to voguing in 2003 through the ballroom scene and later became a master of her craft, bringing a new style of voguing to the ballroom culture including the “360 dip” along with other art forms of dance. After being discovered on Season 4 of America’s Best Dance Crew in 2009, she began appearing in music videos including Willow Smith’s “Whip My Hair” and Icona Pop’s “All Night,” and has worked alongside other artists including Rihanna, FKA Twigs, Zhu.
Leiomy’s moves have inspired choreographers and celebrities including Beyoncé, Britney Spearsand Janet Jackson, and she was featured as an athlete in Nike’s 2017 BETRUE Campaign in 2017. Leiomy has worked as a choreographer and actress on FX Network Series, Pose and is a judge on the HBOMax show, Legendary.
Watch her moves here
Founded in 2009 by Courtney Washington in her mother’s living room, the Iconic International House of Juicy Couture is one of the most distinguished and awarded houses in the NYC Kiki scene. However, it wasn’t an overnight success. Built on family, passion, and love the Iconic House has grown to become one of the most active and game changing houses in the ballroom scene.
From a living room in Brooklyn to being the first $1,000 house, Juicy Couture is the definition of impact. From TV appearances to tours, the House and its members have been seen on VICE TV’s My House, FX’s Pose, Hulu’s Kiki, and recently HBOMax’s Legendary, where they won Season 3 beat out nine other mainstream houses, bringing home over $100,000.
The House of Juicy Couture has won the “HMI House of The Year” five times within the past 13 years—three of the five years consecutive—and the first and only house to win “House of the Year” three times at the People’s Choice Awards. The House is also the first and only Kiki house to win “Kiki House of the Year” back-to-back at the NYC Ballroom Awards, where only one award is given to a Kiki house.
The house was recently on the “Sibling Rivalry Tour” with Bob the Drag Queen and Monet x Change, traveling to perform across multiple states. Other performances include Queens Pride, Nordstrom Pride, and Orlando Pride.
Watch a Compilation of the Season 3 Legendary Winners
Known as the larger-than-life ambassador of New Orleans Bounce music, Big Freedia is a nationally recognized hip-hop artist, TV personality and cultural influencer. Most recently she made headline news for her feature on Beyoncé’s long-awaited lead single “Break My Soul,” released on June 21.
Premiering Monday June 27, 2022, Big Freedia appears as a cast member –alongside others like NeNe Leakes, Lamar Odom, Ray J– on BET’s reboot of College Hill: Celebrity Edition. The eight-episode series follows the stars as they return to school and focus on their higher education.
In addition to releasing her own critically acclaimed EPs, ‘3rd Ward Bounce’ (2018), ‘Louder’ (2020), and ‘Big Diva Energy’ (2021), Big Freedia, also known as the Queen of New Orleans Bounce, also appeared on numerous high profile projects, including Beyoncé’s Grammy award-winning, “Formation,” and on Drake’s “Nice For What,” where she brings her distinctive voice and signature catchphrases to all her work. Last year, she covered “Judas” on Lady Gaga’s Born this Way The Tenth Anniversary album (2021).
Big Freedia is known for her infectious energy and personality. In 2019, she was the official host for the Met Gala IG Live Stream Red Carpet event and a host of 2021’s Dick Clark’s Rockin’ New Year’s Eve TV celebration. Known by her fans as the “Queen Diva,” Big Freedia is a loud and proud advocate for racial and gender equality and LGBTQ+ rights.
In 2021, Big Freedia was honored as one of Ebony’s Power 100 and she has appeared on Access Hollywood, Entertainment Tonight, NPR, The Breakfast Club, The Problem with Jon Stewart, The Late Show with Stephen Colbert, Jimmy Kimmel Live!, and The Real. Big Freedia’s ascension in the music industry was chronicled over six seasons in the highly rated reality show, Big Freedia Bounces Back from 2011-2016 on Fuse TV. Her critically acclaimed 2015 memoir, God Save the Queen Diva (Gallery Books/Simon & Schuster) was released in paperback in 2020.
Visit Big Freedia’s YouTube Channel
Ts Madison is arguably one of the biggest names on social media and as an influencer!
The icon Ts Madison adds reality star to her credit with The Ts Madison Experience airing on WE tv. She can also be seen hosting her own show on Fox Soul TV entitled, “Turnt Out with TS Madison. The new hit show discusses pop culture news, the black church, transgender equality, plus-size women fashion tips, her risqué dms and cinema’s hottest releases.
Ts Madison, the music artist superstar is also featured on Beyonce’s “Renaissance” track titled “COZY.”
Coined as “The Electric TS Madison,” by popular talk show host, Tamron Hall, as a social influencer rock star, to date, TS Madison has netted millions of followers and increasing daily on Instagram, Twitter, YouTube and other multiple media platforms.
She is the author of A Light through the Shade: An Autobiography of a Queen, a television host, producer, artist, motivational speaker, media personality, for which she hosts her popular online unfiltered gossip talk show, “The Queens Supreme Court” that garners millions of viewers each week.
Madison has built her social media influencer name by walking in her unapologetic truth, as an openly transgender.
Her ability to interact with her followers (or as she likes to say, “the Maddie Mob,’) on a more personal level by regularly posting photos of her life and experiences, has made her adored, even more.
As an activist tackling stigma through storytelling, Madison uses her celebrity status to advocate for both the trans community and LGBTQ rights.
“I’m seeing changes in the community, and people now realize they’re not alone. Now no one can ever say we, the LGBTQ community don’t exist, but we still have more work to do with educating our communities about gender and identity,” says Madison.
In 2019, Ts Madison was honored in the Out magazine as one of the top 100 influential LGBT people. “I was so humbled,” Madison stated after she heard the news.
Her body of work in television and film for which she is known include Trans-Me, The Lady in the Locket (2017) and The Comedy Show (2016) and Zola (2021) and Bros. (2022).
You can also catch Madison on RuPaul’s Drag Race Untucked!
Her popular show The Queens Supreme Court on her channel garners millions of viewers which is also home to a morning show, a talent show, and a late-night show, all of them hosted by Madison herself.
A native of Miami, Florida, Madison’s story of growing up trans and sharing about her life on social media platforms has reshaped the way that the pubic conceptualizes transgender and gender-nonconforming identities and experiences.
Tune into all things Ts Madison
Kathy Hochul is the 57th and first female Governor of New York State. Governor Kathy Hochul began her career in public service on her local Town Board before serving as Erie County Clerk, and then as a member of Congress for New York’s 26th Congressional District. She more recently served in statewide office as Lieutenant Governor and now as the first female Governor of the State of New York.
Governor Hochul has been a longtime supporter of Hetrick-Martin Institute (HMI) and an advocate for the LGBTQIA+ community, particularly our young people. Her interactions with our youth during visits to our campus in the past have given them a sense of hope and reassurance, knowing that elected officials do care about their well-being. 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#SBIFF, Santa Barbara International Film Festival
Scarlett Johansson and Adam Driver Tabbed for SBIFF Outstanding Performers of the Year Award
Santa Barbara Film Festival Outstanding Performers of the Year Award honoring Scarlett Johansson & Adam Driver
Santa Barbara International Film Festival announced today that Tony Award winner Scarlett Johansson and Tony and Academy Award nominee Adam Driver will receive the Outstanding Performers of the Year Award for their critically acclaimed work in Noah Baumbach’s MARRIAGE STORY, which will be released in theaters and on Netflix December 6, 2019. Johansson and Driver will be honored at the Arlington Theatre in Santa Barbara, CA on Friday, January 17th.
Roger Durling, SBIFF’s Executive Director.
“Scarlett and Adam have had such admirable arcs to their careers – making smart choices between independent films and big Hollywood franchises. They both are such lyrical performers, imbuing their acting with keen sensitivity and intellect. Together in Baumbach’s MARRIAGE STORY they regaled us with their best work to date,” says Roger Durling, SBIFF’s Executive Director.
The Outstanding Performers of the Year Award recognizes select individuals who have distinguished themselves with exceptional performances in film this past year. Past recipients of the award include Rami Malek, Margot Robbie and Allison Janney, Ryan Gosling and Emma Stone, Brie Larson and Saoirse Ronan, Steve Carell, Cate Blanchett, Jennifer Lawrence, Viola Davis, James Franco, Colin Firth, Penelope Cruz, Angelina Jolie, Helen Mirren, Heath Ledger, Kate Winslet and Charlize Theron.
The 35th Santa Barbara International Film Festival will take place on January 15th through 25th, 2020.
Previous PostSundance Institute Announces Future of Culture InitiativeNext PostBLADE RUNNER 2049 | 2023-14/0000/en_head.json.gz/3801 | {"url": "https://hollywoodglee.com/2019/11/19/scarlett-johansson-and-adam-driver-tabbed-for-sbiff-outstanding-performers-of-the-year-award/", "partition": "head_middle", "language": "en", "source_domain": "hollywoodglee.com", "date_download": "2023-03-20T09:23:06Z", "digest": "sha1:D2A3BLDEMS346SBSRM3RNZVRE4RDLXL3"} | {"ccnet_length": [[0, 1810, 1810.0]], "ccnet_original_length": [[0, 1810, 2441.0]], "ccnet_nlines": [[0, 1810, 9.0]], "ccnet_original_nlines": [[0, 1810, 38.0]], "ccnet_language_score": [[0, 1810, 0.88]], "ccnet_perplexity": [[0, 1810, 276.9]], "ccnet_bucket": [[0, 1810, 0.0]], "rps_doc_curly_bracket": [[0, 1810, 0.0]], "rps_doc_ldnoobw_words": [[0, 1810, 0.0]], "rps_doc_lorem_ipsum": [[0, 1810, 0.0]], "rps_doc_stop_word_fraction": [[0, 1810, 0.24104235]], "rps_doc_ut1_blacklist": [[0, 1810, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1810, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1810, 0.21759259]], "rps_doc_frac_chars_dupe_6grams": [[0, 1810, 0.09656085]], "rps_doc_frac_chars_dupe_7grams": [[0, 1810, 0.05026455]], "rps_doc_frac_chars_dupe_8grams": [[0, 1810, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1810, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1810, 0.03968254]], "rps_doc_frac_chars_top_3gram": [[0, 1810, 0.06084656]], "rps_doc_frac_chars_top_4gram": [[0, 1810, 0.06878307]], "rps_doc_frac_all_caps_words": [[0, 1810, 0.03257329]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1810, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1810, 0.1465798]], "rps_doc_frac_unique_words": [[0, 1810, 0.6121673]], "rps_doc_mean_word_length": [[0, 1810, 5.74904943]], "rps_doc_symbol_to_word_ratio": [[0, 1810, 0.00325733]], "rps_doc_unigram_entropy": [[0, 1810, 4.80946145]], "rps_doc_word_count": [[0, 1810, 263.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 50, 0.0], [50, 143, 0.0], [143, 254, 0.0], [254, 706, 1.0], [706, 749, 1.0], [749, 1123, 1.0], [1123, 1611, 1.0], [1611, 1714, 1.0], [1714, 1810, 0.0]], "rps_lines_javascript_counts": [[0, 50, 0.0], [50, 143, 0.0], [143, 254, 0.0], [254, 706, 0.0], [706, 749, 0.0], [749, 1123, 0.0], [1123, 1611, 0.0], [1611, 1714, 0.0], [1714, 1810, 0.0]], "rps_lines_num_words": [[0, 50, 6.0], [50, 143, 14.0], [143, 254, 15.0], [254, 706, 70.0], [706, 749, 5.0], [749, 1123, 56.0], [1123, 1611, 70.0], [1611, 1714, 16.0], [1714, 1810, 11.0]], "rps_lines_numerical_chars_fraction": [[0, 50, 0.0], [50, 143, 0.0], [143, 254, 0.0], [254, 706, 0.01573034], [706, 749, 0.0], [749, 1123, 0.0], [1123, 1611, 0.0], [1611, 1714, 0.1], [1714, 1810, 0.04166667]], "rps_lines_start_with_bulletpoint": [[0, 50, 0.0], [50, 143, 0.0], [143, 254, 0.0], [254, 706, 0.0], [706, 749, 0.0], [749, 1123, 0.0], [1123, 1611, 0.0], [1611, 1714, 0.0], [1714, 1810, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 50, 0.2], [50, 143, 0.15053763], [143, 254, 0.10810811], [254, 706, 0.09955752], [706, 749, 0.20930233], [749, 1123, 0.07486631], [1123, 1611, 0.09016393], [1611, 1714, 0.06796117], [1714, 1810, 0.21875]], "rps_doc_ml_palm_score": [[0, 1810, 0.60204035]], "rps_doc_ml_wikipedia_score": [[0, 1810, null]], "rps_doc_ml_wikiref_score": [[0, 1810, 0.55639267]], "rps_doc_books_importance": [[0, 1810, -117.42307701]], "rps_doc_openwebtext_importance": [[0, 1810, -14.92423309]], "rps_doc_wikipedia_importance": [[0, 1810, -22.56053538]], "rps_doc_num_sentences": [[0, 1810, 10.0]]} |
Home Tags Bran the Broken
Tag: Bran the Broken
Game of Thrones – Series Finale Recap
Amanda England - May 19, 2019
Our watch has now ended. At least, that’s true for those of us who watched the series finale of Game of Thrones. If you have not seen it, turn back now! Spoilers ahead. The final episode of Game of Thrones*... | 2023-14/0000/en_head.json.gz/3802 | {"url": "https://hollywoodnewssource.com/tag/bran-the-broken/", "partition": "head_middle", "language": "en", "source_domain": "hollywoodnewssource.com", "date_download": "2023-03-20T09:36:56Z", "digest": "sha1:JDX3PTIZSK47RTKAJTLHFVKBY6QHPXEP"} | {"ccnet_length": [[0, 324, 324.0]], "ccnet_original_length": [[0, 324, 2582.0]], "ccnet_nlines": [[0, 324, 5.0]], "ccnet_original_nlines": [[0, 324, 91.0]], "ccnet_language_score": [[0, 324, 0.89]], "ccnet_perplexity": [[0, 324, 300.9]], "ccnet_bucket": [[0, 324, 0.0]], "rps_doc_curly_bracket": [[0, 324, 0.0]], "rps_doc_ldnoobw_words": [[0, 324, 0.0]], "rps_doc_lorem_ipsum": [[0, 324, 0.0]], "rps_doc_stop_word_fraction": [[0, 324, 0.32876712]], "rps_doc_ut1_blacklist": [[0, 324, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 324, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 324, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 324, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 324, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 324, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 324, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 324, 0.072]], "rps_doc_frac_chars_top_3gram": [[0, 324, 0.156]], "rps_doc_frac_chars_top_4gram": [[0, 324, 0.12]], "rps_doc_frac_all_caps_words": [[0, 324, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 324, 0.2]], "rps_doc_frac_no_alph_words": [[0, 324, 0.19178082]], "rps_doc_frac_unique_words": [[0, 324, 0.72131148]], "rps_doc_mean_word_length": [[0, 324, 4.09836066]], "rps_doc_symbol_to_word_ratio": [[0, 324, 0.01369863]], "rps_doc_unigram_entropy": [[0, 324, 3.62203977]], "rps_doc_word_count": [[0, 324, 61.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 26, 0.0], [26, 47, 0.0], [47, 85, 0.0], [85, 115, 0.0], [115, 324, 1.0]], "rps_lines_javascript_counts": [[0, 26, 0.0], [26, 47, 0.0], [47, 85, 0.0], [85, 115, 0.0], [115, 324, 0.0]], "rps_lines_num_words": [[0, 26, 5.0], [26, 47, 4.0], [47, 85, 7.0], [85, 115, 5.0], [115, 324, 40.0]], "rps_lines_numerical_chars_fraction": [[0, 26, 0.0], [26, 47, 0.0], [47, 85, 0.0], [85, 115, 0.23076923], [115, 324, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 26, 0.0], [26, 47, 0.0], [47, 85, 0.0], [85, 115, 0.0], [115, 324, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 26, 0.15384615], [26, 47, 0.14285714], [47, 85, 0.13157895], [85, 115, 0.1], [115, 324, 0.0430622]], "rps_doc_ml_palm_score": [[0, 324, -9.89e-06]], "rps_doc_ml_wikipedia_score": [[0, 324, null]], "rps_doc_ml_wikiref_score": [[0, 324, 0.00028509]], "rps_doc_books_importance": [[0, 324, -20.95179268]], "rps_doc_openwebtext_importance": [[0, 324, 0.1611105]], "rps_doc_wikipedia_importance": [[0, 324, -13.40645434]], "rps_doc_num_sentences": [[0, 324, 5.0]]} |
Value To America
Honda has deep roots in America and a long history of contributing to the U.S. economy through U.S. manufacturing, sales, R&D and finance, with...
Honda has deep roots in America and a long history of contributing to the U.S. economy through U.S. manufacturing, sales, R&D and finance, with cumulative capital investment of more than $11.1 billion since the establishment of American Honda Motor Co., Inc., as Honda's first overseas subsidiary in 1959. The company also makes positive contributions to society and quality of life through its pioneering efforts to improve fuel efficiency, reduce emissions, and enhance vehicle and pedestrian safety, while providing a consistently high level of product quality and value to its customers.
Employed in America
Working together across all sectors – sales, parts and service, manufacturing, research and development, engineering, and finance– Honda associates strive to deliver the highest possible quality and value to customers.
Approximately 25,000 Honda associates are engaged in manufacturing, R&D, sales, finance, and other operations nationwide
Honda's 2010 U.S. payroll exceeded $1.8 billion
138,000 jobs created by 1,300 Honda and Acura U.S. dealerships, selling 1.2 million vehicles in 2010
1,000 new jobs being created at Honda's Greenburg, Indiana automobile plant, as the plant prepares to add a second shift of Honda Civic and Civic Natural Gas production
Researched and Developed in America
Honda was the first international automaker with the capability to perform "complete product creation" in America. Today, Honda has the most U.S. R&D facilities of any international auto manufacturer.
11 operating R&D facilities in the U.S.
24 distinct Honda and Acura auto and light truck models have been researched, designed, and developed in the U.S. since 1991.
More than one-third (8 of 21) of the model-year 2011 Honda and Acura models sold in America and two-thirds (6 of 8) of the light truck models sold in America were researched, designed and developed in America.
Honda's U.S. R&D operations perform all aspects of new product creation from initial market research and concept creation to styling, design, and complete platform engineering.
Sourced in America
Honda has been growing its local U.S. supplier base for 30 years. Through technology and mentoring, Honda helps its U.S. supplier base increase quality and productivity. These improvements strengthen the suppliers' business, while contributing to the stability of the entire U.S. automotive industry.
In 2010, Honda spent $15.7 billion in parts and materials purchased from U.S. OEM suppliers, an increase of 24 percent from the previous year.
More than 500 U.S. OEM parts suppliers in 34 states provide the parts and materials to assemble Honda and Acura products in the U.S.
19,000 companies supply maintenance, repair and operational (MRO) services to Honda's U.S. operations.
Manufactured in America
Honda has been manufacturing1 automobiles in America for nearly 30 years, beginning with production of the Honda Accord in Marysville, Ohio, in 1982. Today, Honda remains committed to enhancing its local manufacturing capabilities.
87 percent of Honda and Acura vehicles sold in the U.S. were manufactured in North America in 2010. For over a decade, Honda has maintained a local production rate above 75 percent.
9 manufacturing plants in America producing a diverse range of Honda and Acura automobiles, engines, transmissions, power equipment and power sports products.
Two new U.S. plants under development to support Honda's entry into the aerospace business:
A $100 million plant for production of the HondaJet advanced light jet, in Greensboro, North Carolina, the world headquarters of Honda Aircraft Company.
A $33 million jet engine plant in Burlington, North Carolina, home of Honda Aero, Inc., future manufacturer of the GE Honda HF120 turbofan engine
75 percent of Honda's direct U.S. employment is jobs in manufacturing.
85 percent of U.S.-produced Honda general purpose engines are sold to U.S.-based manufacturers and used in a variety of their products
Safety and Environmental Leadership in America
Honda continually invests in original technology designed to balance customer demands for performance and safety with environmental responsibility.
Honda has the first minivan (2011 Odyssey) to achieve a 5-star Overall Vehicle Score and the first sedan (2011 Accord) to achieve a 5-star Overall Vehicle Score and 5-stars in each of the four sub-ratings in NHTSA's crash safety ratings program for model year 2011 and newer vehicles.
Honda is reaching beyond federal safety regulations with the adoption of leading pedestrian injury mitigation designs and with its Advanced Compatibility Engineering™ (ACE™) body structure that helps to address the issue of compatibility between vehicles of different sizes and ride heights in a frontal collision.
Honda was named America's "Greenest Automaker" by the Union of Concerned Scientists for the fifth consecutive time in 2010, marking a decade of leadership in high fuel efficiency and reduced tailpipe emissions including CO2.
A Honda vehicle has topped the "greenest vehicle" rankings of the American Council for an Energy Efficient Economy for 11 straight years.
Honda has led all automakers in the introduction of virtually every low emissions vehicle technology requirement, including the first gasoline-powered LEV, ULEV, SULEV, and AT-PZEV vehicles introduced to U.S. consumers.
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One of the best experiences any horn player can have
Alumni of KBHC have positions in major symphony orchestras, military bands, and universities all around the globe. KBHC provides invaluable training for serious high school, college, and graduate students as well as providing a fulfilling experience for professionals, amateurs, and those just picking up the horn for the first time in many years. KBHC is located in the beautiful White Mountains of New Hampshire’s North Country.
Quality Instruction
Perfect Landscape
Our goal at Kendall Betts Horn Camp is to have the best possible horn experience in the world for all involved. Our teaching philosophy is to give every participant the opportunity to become the best musician they can be through proper instruction and dedicated support.
The faculty of KBHC includes the top players and teachers in the US and beyond. Campers work with these renowned soloists, members of top orchestras, and faculty of illustrious schools of music in individualized settings.
The staff at KBHC provides additional teaching, administrative, and technical support to further personalize the curriculum offered at KBHC. Many staff members are also KBHC alums and former students of Kendall Betts. They all are talented teachers and players in their own right.
Our mission at KBHC is to provide world-class instruction in all areas of the horn. Our curriculum affords campers the opportunity to immerse themselves in a variety of experiences. We offer elective courses in warm-up, fundamentals, orchestral excerpts/auditioning, improvisation/creativity, ear training, natural horn, solo performance, Alexander Technique, and yoga. In a given week, everyone will receive private lessons, a private Alexander Technique session, daily warm-up instruction, solo opportunities, horn choir, and the opportunity to perform on the final concerts. With our elective system, campers can tailor their experience to their desires. This ability to personalize the camp experience means that campers can attend again and again and create a brand new camp experience for themselves each time they return. Free time in the daily schedule gives campers the chance to enjoy each other’s company and to explore their surroundings. Leisure activities include, but are not limited to hiking, swimming, canoeing, fishing, mountain biking, and other outdoor sports. We encourage all campers to take full advantage of both the horn instruction and the leisure activities.
High school students scheduled to graduate in 2023-2027, and who will be at least 14 years old by June 10, 2023, are eligible to apply. Students must also be currently studying horn privately on a regular basis. First-time participants need to fill out an application and make a recording in order to be accepted into the camp. Returning high school students only need to fill out the application.
College undergraduate and graduate students majoring in music performance, music education, or any other subject, are eligible to apply.
The immersive experience of KBHC is the ideal space for serious college students. Campers work with renowned faculty in individualized and small group settings, and can delve deeply into orchestral excerpts, fundamentals, and solo work. Many of our collegiate alumni have gone on to successful careers as performers and educators. College and adult participants are assigned to small study groups of like abilities and interests.
KBHC offers great value to a wide range of adults, including professionals, serious amateurs, and those picking up the horn for the first time in years. Campers are divided into small groups dependent on their level, and you can determine the best use of your time at camp: reinvigorate your already high level of playing, dive deeply into a specific area such as natural horn or solo performance, or work on fundamentals to improve your playing. | 2023-14/0000/en_head.json.gz/3804 | {"url": "https://horncamp.org/kendall-betts-horn-camp/", "partition": "head_middle", "language": "en", "source_domain": "horncamp.org", "date_download": "2023-03-20T10:36:58Z", "digest": "sha1:H4N4ZUL4GGSC2YOD4VIKNNRK4DHXJ74K"} | {"ccnet_length": [[0, 3894, 3894.0]], "ccnet_original_length": [[0, 3894, 5061.0]], "ccnet_nlines": [[0, 3894, 12.0]], "ccnet_original_nlines": [[0, 3894, 86.0]], "ccnet_language_score": [[0, 3894, 0.96]], "ccnet_perplexity": [[0, 3894, 262.9]], "ccnet_bucket": [[0, 3894, 0.0]], "rps_doc_curly_bracket": [[0, 3894, 0.0]], "rps_doc_ldnoobw_words": [[0, 3894, 0.0]], "rps_doc_lorem_ipsum": [[0, 3894, 0.0]], "rps_doc_stop_word_fraction": [[0, 3894, 0.38571429]], "rps_doc_ut1_blacklist": [[0, 3894, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 3894, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 3894, 0.0205864]], "rps_doc_frac_chars_dupe_6grams": [[0, 3894, 0.0205864]], "rps_doc_frac_chars_dupe_7grams": [[0, 3894, 0.0205864]], "rps_doc_frac_chars_dupe_8grams": [[0, 3894, 0.0205864]], "rps_doc_frac_chars_dupe_9grams": [[0, 3894, 0.0205864]], "rps_doc_frac_chars_top_2gram": [[0, 3894, 0.00873362]], "rps_doc_frac_chars_top_3gram": [[0, 3894, 0.01497193]], "rps_doc_frac_chars_top_4gram": [[0, 3894, 0.00998129]], "rps_doc_frac_all_caps_words": [[0, 3894, 0.01571429]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 3894, 0.0]], "rps_doc_frac_no_alph_words": [[0, 3894, 0.13]], "rps_doc_frac_unique_words": [[0, 3894, 0.4677686]], "rps_doc_mean_word_length": [[0, 3894, 5.29917355]], "rps_doc_symbol_to_word_ratio": [[0, 3894, 0.0]], "rps_doc_unigram_entropy": [[0, 3894, 5.14013172]], "rps_doc_word_count": [[0, 3894, 605.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 53, 0.0], [53, 484, 1.0], [484, 504, 0.0], [504, 522, 0.0], [522, 793, 1.0], [793, 1015, 1.0], [1015, 1296, 1.0], [1296, 2483, 1.0], [2483, 2881, 1.0], [2881, 3018, 1.0], [3018, 3448, 1.0], [3448, 3894, 1.0]], "rps_lines_javascript_counts": [[0, 53, 0.0], [53, 484, 0.0], [484, 504, 0.0], [504, 522, 0.0], [522, 793, 0.0], [793, 1015, 0.0], [1015, 1296, 0.0], [1296, 2483, 0.0], [2483, 2881, 0.0], [2881, 3018, 0.0], [3018, 3448, 0.0], [3448, 3894, 0.0]], "rps_lines_num_words": [[0, 53, 10.0], [53, 484, 66.0], [484, 504, 2.0], [504, 522, 2.0], [522, 793, 45.0], [793, 1015, 35.0], [1015, 1296, 43.0], [1296, 2483, 174.0], [2483, 2881, 68.0], [2881, 3018, 19.0], [3018, 3448, 65.0], [3448, 3894, 76.0]], "rps_lines_numerical_chars_fraction": [[0, 53, 0.0], [53, 484, 0.0], [484, 504, 0.0], [504, 522, 0.0], [522, 793, 0.0], [793, 1015, 0.0], [1015, 1296, 0.0], [1296, 2483, 0.0], [2483, 2881, 0.04123711], [2881, 3018, 0.0], [3018, 3448, 0.0], [3448, 3894, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 53, 0.0], [53, 484, 0.0], [484, 504, 0.0], [504, 522, 0.0], [522, 793, 0.0], [793, 1015, 0.0], [1015, 1296, 0.0], [1296, 2483, 0.0], [2483, 2881, 0.0], [2881, 3018, 0.0], [3018, 3448, 0.0], [3448, 3894, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 53, 0.01886792], [53, 484, 0.04408353], [484, 504, 0.1], [504, 522, 0.11111111], [522, 793, 0.02214022], [793, 1015, 0.03603604], [1015, 1296, 0.06049822], [1296, 2483, 0.01432182], [2483, 2881, 0.01256281], [2881, 3018, 0.00729927], [3018, 3448, 0.01860465], [3448, 3894, 0.01121076]], "rps_doc_ml_palm_score": [[0, 3894, 0.06731319]], "rps_doc_ml_wikipedia_score": [[0, 3894, null]], "rps_doc_ml_wikiref_score": [[0, 3894, 0.04029375]], "rps_doc_books_importance": [[0, 3894, -119.60912647]], "rps_doc_openwebtext_importance": [[0, 3894, 29.7764777]], "rps_doc_wikipedia_importance": [[0, 3894, -32.70577142]], "rps_doc_num_sentences": [[0, 3894, 30.0]]} |
in Horror and Society, Monsters
King Kong and the Dignity of Women
by JP Nunez March 14, 2022, 12:00 am
If you do a Google search for the best movies ever made, you’ll almost certainly see the original King Kong on just about every list you find. Not only does this film have groundbreaking special effects that nobody at the time had ever seen before, but it also tells one of the most gripping stories in cinema history. Its intriguing characters and fantastic action still hold up almost 90 years later, so it’s no wonder that so many critics and filmmakers consider King Kong one of the best films of all time.
But in my opinion, those elements are just the tip of the iceberg. This movie has some real moral substance to it as well, and if we delve into that substance, we’ll find that it’s both utterly timeless and surprisingly modern. The way I see it, King Kong is ultimately about the dignity of women and the positive, almost civilizing effect women have on men. To see how it cleverly conveys that important message, we have to take a deep dive into this cinematic gem.
A Misogynistic Beginning
At its core, King Kong is about three characters: a filmmaker named Carl Denham, a sailor named Jack Driscoll, and a down-on-her-luck woman named Ann Darrow. When the film begins, Carl Denham is looking for a woman to star in his next movie. At the last minute, he finds Ann Darrow on the streets of New York and offers her the adventure of a lifetime. She quickly accepts, and together they set sail for a mysterious island destination.
The ship they travel on is called the Venture, and its first mate, a man named Jack Driscoll, is super misogynistic. When he first meets Ann, they have a brief conversation, and he tells her that women are “a nuisance” and that she should stay below the main deck.
I can’t speak for the film’s original audience, but for modern viewers, this can be a very jarring exchange. Jack is overtly misogynistic, and you get the feeling that he has a bit of a “macho complex.” He’s a rough-and-tumble sailor, so he doesn’t have time for anything even remotely feminine, much less for an actual woman like Ann.
The next time these two characters chat, Jack continues in this same vein, telling Ann that the ship is “no place for a girl” and that her mere presence has already caused trouble for the crew. Then, as if all that wasn’t enough, he says, “Women just can’t help being a bother. Made that way, I guess.”
If you’re gnashing your teeth in anger right now, I totally get it. Jack Driscoll is simply not a very good person at this point in King Kong. He doesn’t have any respect whatsoever for women, and he seems to think that they’re inherently inferior to men. He thinks there’s something wrong with the way they’re “made,” so no matter what women do, they’ll never be able to live up to the glory of the “stronger sex.”
Changing His Tune
But then something unexpected happens. After Ann walks away from that conversation, Jack has a little talk with Carl Denham and expresses his concern about their voyage. He wonders what they’ll find when they arrive at their mysterious destination. In response, Denham asks if Jack has “gone soft.”
Surprisingly, Jack explains that he’s not worried about himself; rather, he’s concerned for Ann. Im response, Denham quips that “beauty” is going to make this “tough guy” go soft. He then explains that this is the theme of the movie he’s trying to make. It’s about a “beast” who was so tough he “could lick the world,” but when he laid his eyes on “beauty” he “went soft,” and “the little fellows licked him” instead.
This is an important turning point in King Kong, and not just because it shows Jack warming up to Ann. Yes, the macho sailor is showing that he really does have a soft side and that he actually cares about her more than he lets on, but there’s something else going on here too.
Denham’s brief explanation of his upcoming movie clearly foreshadows what’s going to happen later on in King Kong. Just like the “beast” in Denham’s movie, Kong himself is a seemingly unstoppable monster who can “lick the world,” but when he sees Ann he falls in love with her, which leads to his downfall.
But that’s not all. Beyond simply foreshadowing the rest of the story, Denham’s words here also serve to connect Jack and Kong. Denham explains the plot of his upcoming movie because he thinks he’s seeing it play out right in front of him with Jack and Ann. He thinks Jack is going through the same thing the “beast” in his film is going to experience, so in a subtle way King Kong is telling us that Jack’s and Kong’s experiences in this story parallel each other as well.
Jack and King Kong
And if you think about it, this makes perfect sense. Sure, Jack isn’t a monster that can “lick the world,” but he’s a tough guy who doesn’t have an un-macho bone in his body. However, now that he’s met Ann, the very same “beauty” that Kong is going to fall in love with, he too begins to go “soft.” By being concerned about the trip, he’s already starting to lose his misogynistic machismo and becoming a more caring person.
Then, as King Kong progresses, Jack travels further and further down that road. For example, when the Venture arrives at its destination, a dangerous place called Skull Island, he suggests that Ann should stay on board until they know what to expect in this mysterious new land. Similarly, after they leave, Jack and Ann have one more conversation, and Jack straight up tells Ann that he’s fallen in love with her.
But most notably, when the Skull Island natives steal Ann and give her to Kong, Jack and the rest of the crew go back to the island to rescue her. Then, when Kong goes on his rampage in New York, Jack leads the charge to save her yet again. He risks his life twice to rescue the woman he loves, and these experiences with Ann clearly parallel Kong’s.
For example, Kong becomes smitten with Ann pretty quickly. After he whisks her away, he behaves pretty lovingly towards her. There are a few moments when he’s even tender and affectionate, and he puts his own life at risk to protect her from the island’s other monstrous residents. If you didn’t know any better, you might even think he was becoming human, and I would suggest that this is the key to understanding what King Kong has to say about the dignity of women.
The Dignity of Women
For starters, Jack and Kong both risk everything to protect Ann, which tells us how valuable she is to them. It shows without a doubt that Ann has the exact same dignity and worth that the men on the Venture do, so Jack’s earlier misogyny was wrong. Women are just as valuable as men, and Jack’s and Kong’s extraordinary efforts to protect Ann confirm that in a spectacular way.
On top of that, Ann also has a very positive effect on both of these characters. In my opinion, that’s really the heart and soul of King Kong. She softens their hearts and civilizes them, so they both become much better people (in Kong’s case, a better “person”) than they were before.
Jack loses his misogynistic attitude and realizes that women are just as valuable as men. In turn, he leaves his toxic machismo behind and becomes more than just an unflappable tough guy. He learns what it means to truly love another human being, which—somewhat paradoxically—makes him stronger than he was before.
Similarly, Kong leaves some of his brutish, literally animalistic ways behind and begins to behave in a very human way. Rather than simply accept Ann as a human sacrifice as we’d expect, he cares for her, shows her love and affection, and protects her from the other creatures on the island.
These changes are symbolized by the very last line of King Kong, after Kong falls off the Empire State Building and dies. When Carl Denham sees the giant ape lying dead on the ground, someone tells him that the planes killed the creature. Denham disagrees, saying, “It was beauty killed the beast.”
In a very real sense, that’s what Ann did to both Jack and Kong. Sure, she didn’t literally kill Kong, and Jack didn’t literally die, but Ann killed the “beast” inside both of them. She humanized Kong and turned Jack into a much better person, and that’s no coincidence.
Women tend to have that effect on men and not only in romantic relationships. Sure, we men often become better people when we’re in love, but even platonic female friends can have similarly positive impacts on us. For example, I know that when I’m hanging out with just my male friends, the rougher side of my personality tends to come out a bit more; but, when my female friends are present, I’m more willing to let my softer, more loving side come out too. I’m more willing to be vulnerable and to have real, heart-to-heart conversations that go beyond sports and nerdy theories about upcoming movies, and I value that immensely.
Now, it should go without saying that women aren’t valuable only because of how they affect men. Rather, they influence us that way because they’re so great, so their effect on us simply demonstrates their dignity and worth. It shows that women are just as valuable and important as men, and King Kong is a fantastic cinematic exploration of that important truth on both the literal and metaphorical levels.
MisogynyWomen in HorrorKing Kong
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Written by JP Nunez
JP Nunez is a lifelong horror fan. From a very early age, he learned to love monsters, ghosts, and all things spooky, and it's still his favorite genre today. He blogs at Embrace Your Fears.
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Amanda Plummer Height Weight Body Measurements Age Net Worth
Amanda Plummer
Photo: Greg2600 / Wikimedia Commons / CC BY-SA 2.0
35-25-36 in | 89-63.5-91.5 cm
Amanda Michael Plummer was born in New York City, New York, United States, on March 23, 1957, is an American actress.
Young Amanda Plummer began her professional acting career in a play "A Month in the Country" (1979) in role as Vera Aleksandrovna.
She made her big screen debut in Western film Cattle Annie and Little Britches (1981) in role as Anna "Cattle Annie" McDoulet.
She got her television debut in anthology series ABC Afterschool Special (1982) in episode "The Unforgivable Secret", in role as Angela Dunoway.
Amanda's breakthrough performance came as Lydia Sinclair in fantasy comedy drama film The Fisher King (1991).
She landed her Broadway debut in a play "A Taste of Honey" (1981) in role as Josephine, for which she was nominated for the Tony Award for Best Actress in a Play and the Drama Desk Award for Outstanding Actress in a Play also won the Theatre World Award.
Amanda Plummer Height and Weight
How tall is Amanda Plummer and what is her weight? Amanda Plummer's height is 5' 4" іn fееt аnd іnсhеѕ or 162.5 іn cеntіmеtrеѕ, her weight is 121 іn pоunds or 55 іn kіlоgrаmѕ.
Amanda Plummer Age
Amanda Plummer is 66 years old.
Amanda Plummer Net Worth
Amanda Plummer net worth is around 5 million dollars.
Amanda Plummer Body Measurements
Amanda Plummer body measurements are bust-waist-hip 36-25-35 in inches or 89-63.5-91.5 in cеntіmеtrеѕ, her bra size is 34B with cup size B.
She was nominated for the BAFTA Award for Best Actress in a Supporting Role and a Chicago Film Critics Association Award for Best Supporting Actress for her role as Lydia Sinclair in fantasy comedy drama film The Fisher King (1991).
She won the Primetime Emmy Award for Outstanding Supporting Actress in a Miniseries or a Movie and was nominated for the Golden Globe Award for Best Supporting Actress – Series, Miniseries or Television Film for her role as Lusia Burke in drama film Miss Rose White (1992).
She won the Saturn Award for Best Supporting Actress and was nominated for the Fangoria Chainsaw Award for Best Supporting Actress for her role as Nettie Cobb in horror movie Needful Things (1993).
She was nominated for the CableACE Award for Supporting Actress in a Movie or Miniseries for her role as Lillian Burke in drama film Last Light (1993).
She was nominated for the American Comedy Award for Funniest Supporting Actress in a Motion Picture for her role as Honey Bunny / Yolanda in crime film Pulp Fiction (1994).
She won the CableACE Award for Best Supporting Actress in a Miniseries or a Movie for her role as Paulina Marcos in drama comedy film The Right To Remain Silent (1996).
She voiced Clotho in animated musical fantasy comedy movie Hercules (1997).
She was nominated for the Fangoria Chainsaw Award for Best Supporting Actress for her role as Merrill Whooly in black comedy slasher film Satan's Little Helper (2004).
She was nominated for the Vancouver Film Critics Circle Award for Best Supporting Actress in a Canadian Film for her role as Roberta in science fiction dystopian film Night Raiders (2021).
Daniel (1983) drama as Susan Isaacson
Static (1985) comedy drama as Julia Purcell
So I Married an Axe Murderer (1993) romantic black comedy as Rose Michaels
Butterfly Kiss (1995) romantic drama as Eunice
Drunks (1995) drama as Shelley
Freeway (1996) black comedy crime as Ramona Lutz
A Simple Wish (1997) fantasy comedy as Boots
Spiral Farm (2019) drama as Dianic
Showing Up (2022) comedy drama as Dorothy
She was nominated for the Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series for her role as Alice Hackett in NBC legal drama television series L.A. Law (1989-1990).
She was nominated for the CableACE Award for Best Guest Actress in a Dramatic Series for her role as Sarah Cole in Lifetime drama horror anthology series The Hidden Room (1991).
She won the Primetime Emmy Award for Outstanding Guest Actress in a Drama Series for her role as Dr. Theresa Givens in Showtime/Syfy science fiction series The Outer Limits (1996-2000).
She won the Primetime Emmy Award for Outstanding Guest Actress in a Drama Series for her role as Miranda Cole in NBC crime drama series Law & Order: Special Victims Unit (2004).
She played Louise in Netflix psychological thriller series Ratched (2020).
Star Trek: Picard (2023) Paramount+ science fiction series as Vadic
Graduated from United Nations International School in New York.
Studied at Middlebury College.
Studied acting at Neighborhood Playhouse School of the Theatre in New York City.
Has English, Scottish, Northern Irish, Swiss-French and French-Canadian ancestry.
She is only child of Canadian actor Christopher Plummer.
She won the Tony Award for Best Featured Actress in a Play and a Drama Desk Award for Outstanding Featured Actress in a Play for her role as Sister Agnes in a play "Agnes of God" (1982).
She was nominated for the Tony Award for Best Actress in a Play for her role as Eliza Doolittle in a play "Pygmalion" (1987).
She played Clare in Off Broadway revival of "The Two-Character Play" (2013), at New World Stages.
She dated Tobe Hooper (2000-2002), Paul Chart (1995-1999), Jeff Cliff (1987) and Peter O'Toole (1979-1982). | 2023-14/0000/en_head.json.gz/3806 | {"url": "https://hotmodelsactress.com/actress/amanda-plummer.html", "partition": "head_middle", "language": "en", "source_domain": "hotmodelsactress.com", "date_download": "2023-03-20T10:46:36Z", "digest": "sha1:7RBWTH6THLYWFAYKJC3BAXJSWU7VRYCM"} | {"ccnet_length": [[0, 5300, 5300.0]], "ccnet_original_length": [[0, 5300, 6029.0]], "ccnet_nlines": [[0, 5300, 51.0]], "ccnet_original_nlines": [[0, 5300, 89.0]], "ccnet_language_score": [[0, 5300, 0.94]], "ccnet_perplexity": [[0, 5300, 129.8]], "ccnet_bucket": [[0, 5300, 0.0]], "rps_doc_curly_bracket": [[0, 5300, 0.0]], "rps_doc_ldnoobw_words": [[0, 5300, 0.0]], "rps_doc_lorem_ipsum": [[0, 5300, 0.0]], "rps_doc_stop_word_fraction": [[0, 5300, 0.23600746]], "rps_doc_ut1_blacklist": [[0, 5300, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 5300, 0.15072053]], "rps_doc_frac_chars_dupe_5grams": [[0, 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Housing Market Report
2019 U.S. Housing Market Report Sends Mixed Signals
The first quarter of 2019 has ended, and now it is time to take stock and evaluate the events seen in the U.S. housing market over the first three months. Overall, mortgage demand has risen and home sales are on the rise across the board. Still, it is prudent to take a closer look at […] | 2023-14/0000/en_head.json.gz/3807 | {"url": "https://housingmarket.com/tag/housing-market-report/", "partition": "head_middle", "language": "en", "source_domain": "housingmarket.com", "date_download": "2023-03-20T09:31:50Z", "digest": "sha1:CV4LJWA47PN5PZ4GDCMONGKSFMYIDZXA"} | {"ccnet_length": [[0, 362, 362.0]], "ccnet_original_length": [[0, 362, 1660.0]], "ccnet_nlines": [[0, 362, 3.0]], "ccnet_original_nlines": [[0, 362, 37.0]], "ccnet_language_score": [[0, 362, 0.96]], "ccnet_perplexity": [[0, 362, 181.3]], "ccnet_bucket": [[0, 362, 0.0]], "rps_doc_curly_bracket": [[0, 362, 0.0]], "rps_doc_ldnoobw_words": [[0, 362, 0.0]], "rps_doc_lorem_ipsum": [[0, 362, 0.0]], "rps_doc_stop_word_fraction": [[0, 362, 0.41025641]], "rps_doc_ut1_blacklist": [[0, 362, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 362, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 362, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 362, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 362, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 362, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 362, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 362, 0.13684211]], "rps_doc_frac_chars_top_3gram": [[0, 362, 0.13333333]], "rps_doc_frac_chars_top_4gram": [[0, 362, 0.0]], "rps_doc_frac_all_caps_words": [[0, 362, 0.05128205]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 362, 0.0]], "rps_doc_frac_no_alph_words": [[0, 362, 0.15384615]], "rps_doc_frac_unique_words": [[0, 362, 0.70149254]], "rps_doc_mean_word_length": [[0, 362, 4.25373134]], "rps_doc_symbol_to_word_ratio": [[0, 362, 0.01282051]], "rps_doc_unigram_entropy": [[0, 362, 3.71044312]], "rps_doc_word_count": [[0, 362, 67.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 22, 0.0], [22, 74, 0.0], [74, 362, 0.0]], "rps_lines_javascript_counts": [[0, 22, 0.0], [22, 74, 0.0], [74, 362, 0.0]], "rps_lines_num_words": [[0, 22, 3.0], [22, 74, 8.0], [74, 362, 56.0]], "rps_lines_numerical_chars_fraction": [[0, 22, 0.0], [22, 74, 0.08163265], [74, 362, 0.01433692]], "rps_lines_start_with_bulletpoint": [[0, 22, 0.0], [22, 74, 0.0], [74, 362, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 22, 0.13636364], [22, 74, 0.15384615], [74, 362, 0.01736111]], "rps_doc_ml_palm_score": [[0, 362, -5.25e-06]], "rps_doc_ml_wikipedia_score": [[0, 362, null]], "rps_doc_ml_wikiref_score": [[0, 362, -9.78e-06]], "rps_doc_books_importance": [[0, 362, -16.87469436]], "rps_doc_openwebtext_importance": [[0, 362, 5.79377893]], "rps_doc_wikipedia_importance": [[0, 362, -3.17001114]], "rps_doc_num_sentences": [[0, 362, 7.0]]} |
<Spring cleaning
Nightclub gets ‘Foxy’>
Win a championship, call it a day
database_adminon March 1, 2007 /0 comments
As the members of the Sam Houston State University women’s track team prepare for the advent of their outdoor track season this weekend, several members of the Student Government Association are working to ensure their first Indoor Track Championship is never forgotten.
SGA president Christopher Whitaker recently drafted a bill for today, March 1, to be declared Women’s Track Team Day in honor of their victory at the Southland Conference Indoor Track Championship meet on Feb. 16-17.
According to a release from SGA, Senate Proclamation S07-11 was written on Feb. 26 and is being sponsored by Senator Ray Martin.
Whitaker, who authored the bill, wrote that the bill is justified by the women’s victory at the SLC Championship meet, the large number of top finishers at the meet, and the impact the women’s performance had toward the acquisition of the Southland Conference Commissioner’s Cup.
The women earned the Southland Conference Indoor Track title by defeating 2006 champion Stephen F. Austin, who finished the meet in fourth place.
Following the meet, several members of the team were awarded post-season honors, including head coach Curtis Collier who was named SLC Women’s Indoor Track Coach of the Year.
Senior pole vaulter Jennie Sewell earned the title of Women’s Indoor “Field Events Athlete of the Year” after picking up first place at the championship meet with a school record-setting jump of 13 feet and 1.72 inches.
Freshman sprinter Jessica Fisher was named “Freshman of the Year” after earning victories in both the 60 meter and 200 meter dashes at the championship meet.
To finish the season, five men and five women will travel to the Last Chance meet in Arkansas this weekend to compete for a trip to the NCAA National Championships.
“I’m actually really nervous,” Sewell said. ” I feel pressured since this is my last year. I don’t know if I’ll qualify; it depends on how I vault. I want to go, but I don’t know if that’s in the plan for me.”
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Chevron in Argentina opens in new window
The following pictures and information are provided to help employees who are considering an assignment in Buenos Aires, Argentina to see what it is like to live and work there.
Argentina is located on the southern half of South America. It is the largest Spanish speaking nation in the world. The country has a population of roughly 42 million people, with 15 million of those living in Buenos Aires. The city is located on the eastern coast of Argentina, along the mouth of the Río de la Plata. Buenos Aires is also home to many tourist attractions, including Recoleta Cemetery, Casa Rosada, and San Telmo Market.
Buenos Aires has a temperate climate, with 4 distinct seasons: Summer (Jan–Feb) is hot and humid, autumn (Mar–May) is mild, winter (Jun–Aug) is cold and wet, and spring (Oct–Dec) is also mild. Argentina does not participate in daylight savings time and is on GMT -3 time zone.
There are two major airports servicing Buenos Aires. The International Airport is called Ezeiza (EZE) and is located 32 km (about 20 mi) from downtown Buenos Aires. The other major airport is the Jorge Newbery Airport (AEP) which has domestic flights and is located 8 km (about 5 miles) from downtown.
The official language in Argentina is Spanish. In the office, English is generally spoken for all work-related matters. That said, it is highly encouraged to have at minimum a conversational proficiency of Spanish to be able to make your way around the city as few locals speak English outside of the office.
Chevron occupies two separate offices in Buenos Aires – the Chevron Argentina Upstream office and the Shared Services Center.
The Chevron Argentina office is in the Nuñez neighborhood and is not marked with a Chevron sign or logo. Approximately 200 people work in this office in a variety of functions and roles. The 9/80 schedule is offered to employees working in the office in the city.
The Buenos Aires Shared Services office is in the Puerto Madero neighborhood. The building is not marked with a Chevron sign or logo. Approximately 700 people work at the BASSC office in the Finance, IT, HR and Procurement shared services functions). The 9/80 schedule is not used, but work from home arrangements may be available dependent on the role.
The office hours are flexible from Monday through Friday from 7 a.m. to 6 p.m.
Expatriates will live in one of the following Chevron approved neighborhoods: Puerto Madero, Recoleta, Vicente Lopez, Olivos, La Lucila, Martinez, Acassuso, and San Isidro. Housing options for expatriates in Buenos Aires differ based on assignment specifics and preferences of the expatriate. Resident assignees receive an allowance for expenses related to housing and utilities.
Houses are usually found in the northern suburbs (San Isidro, Acassuso, Martinez). These neighborhoods are farther away from the office but are in closer proximity to the school that most expatriate children attend (The Lincoln School).
Apartments are located closer to downtown Buenos Aires (Recoleta and Puerto Madero are preferred neighborhoods). These neighborhoods are closer in proximity to the office, city center, shopping, and restaurants.
Buenos Aires boasts many of the support services of a developed country.
Buenos Aires is largely a cash economy with most transactions being done in the Argentine peso. Most places of business accept credit/debit cards, but it is not guaranteed. Many expatriates obtain cards in their home countries that do not charge or reimburse international service or non-network ATM fees.
Both the Buenos Aires Shared Services Center and the Argentina Upstream organizations have preferred local banks which expatriates will begin to use once they obtain their local Argentina ID (DNI) upon arrival to the city. Argentina Upstream expatriates bank with ICBC while Buenos Aires Shared Services Center expatriates bank with Santander Rio.
Buenos Aires is a relatively safe place to live but does pose the safety risk that other large cities have. The biggest threat to safety and security is petty theft (pick pocketing and bag snatching) throughout the city. Expatriates and their families should always maintain awareness of the environment. For example, avoid wearing expensive or imitation jewelry and watches. Do not carry excessive amounts of cash. Do not use public transportation at night.
All visitors are required to attend a security briefing. Newly arrived expatriates and their families are given a thorough overview on security including company guidelines, necessary precautions, as well as other important topics applicable to the location. All expatriates have access to the 24/7 CECON hotline if there are any issues.
Chevron pouch mail service is available to expatriates with regular frequency.
In addition to benefits determined by their home-country payroll, expatriates and dependents will also be enrolled in the local medical plan provided by Swiss Medical Group. This plan is considered premium in the local market. There is a representative from Swiss Medical onsite at BASSC twice weekly and in the upstream office once weekly to assist with any questions. Upon arrival, expatriates will receive a medical briefing to review options.
The Chevron approved school in Argentina is Lincoln International School for children from pre-kindergarten to 12th grade.
The Lincoln International School mirrors the US school year with classes beginning in August and ending in June each year. There are two six-week breaks during the year. The school also provides various opportunities for extracurricular activities available for students.
Kindergarten Green House (for children ages 2 through pre-kindergarten) is one of the available pre-school options that has been used by other expatriates.
view slideshows about buenos aires so you can know what to expect in the following categories:
There is a wide selection of grocery stores throughout the city that contain a variety of products and brands. Additionally, there are storefronts and markets that specialize in different things like fruits & vegetables, meat, and other goods.
Shopping malls are common throughout the city as well. Please note that the prices for things like clothing/shoes, sporting goods, and electronics tend to be higher in Argentina than other places around the world, but they are available. Street shopping, with local vendors and small markets, is common as well in areas like Recoleta, Palermo, and San Telmo.
Resident assignees are entitled to a car service provided by the company for all transportation to and from the office. For non-professional transportation, resident expatriates must obtain a driver’s license from Argentina if they wish to drive throughout the city. A car loan is provided up to the expatriate to purchase a vehicle in Argentina.
Public transportation is another reliable option in the city. Buenos Aires has a robust subway and bus system that expatriates can take advantage of when getting around the city. For safety reasons, do not use public transportation after dark.
There is no shortage of entertainment or recreational activities in Buenos Aires. There are several parks, cultural landmarks & activities, restaurants, and things to do ranging from tango shows to movie theaters. 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Cancer documentary series filmed at Johns Hopkins receives Emmy nomination
'Cancer: The Emperor of All Maladies,' produced by Ken Burns, up for award in documentary or nonfiction series category
/ Published July 17, 2015
A PBS documentary series about cancer that prominently featured patients at Johns Hopkins Hospital has been nominated for an Emmy Award.
Cancer: The Emperor of All Maladies, a six-hour series executive produced by Ken Burns and directed by Emmy Award–winning filmmaker and writer Barak Goodman, is among five nominees for the award for documentary or nonfiction series. The series, based on the Pulitzer Prize–winning book of the same name by Siddhartha Mukherjee, a cancer specialist at Columbia University, premiered in March.
The documentary team filmed in various locations at Johns Hopkins, including the Kimmel Center's Pancreas Multidisciplinary Cancer Clinic, the Lung Cancer Program at Bayview Medical Center, and the pediatric oncology wing of the Charlotte R. Bloomberg Children's Center. They interviewed patients newly diagnosed and those going through clinical trials, palliative care programs, marrow transplants, and myriad therapies.
Other nominees in the documentary or nonfiction series category are PBS's American Masters; HBO's The Jinx: The Life and Deaths Of Robert Durst; PBS's The Roosevelts: An Intimate History (produced and directed by Burns); and CNN's The Sixties.
The 67th Emmy Awards will air Sept. 20 on FOX. A complete list of nominees can be viewed online.
Posted in Health, Arts+Culture
Johns Hopkins has role in new cancer documentary
Published March-April 2015
'Cancer: The Emperor of All Maladies,' a three-part, six-hour PBS documentary series executive produced by Ken Burns, premieres March 30 / Gazette | 2023-14/0000/en_head.json.gz/3810 | {"url": "https://hub.jhu.edu/2015/07/17/emperor-of-all-maladies-emmy/", "partition": "head_middle", "language": "en", "source_domain": "hub.jhu.edu", "date_download": "2023-03-20T09:20:43Z", "digest": "sha1:NO453TQHQCBER54UH2JDIPYGPCX42IPK"} | {"ccnet_length": [[0, 1766, 1766.0]], "ccnet_original_length": [[0, 1766, 3439.0]], "ccnet_nlines": [[0, 1766, 12.0]], "ccnet_original_nlines": [[0, 1766, 110.0]], "ccnet_language_score": [[0, 1766, 0.94]], "ccnet_perplexity": [[0, 1766, 171.4]], "ccnet_bucket": [[0, 1766, 0.0]], "rps_doc_curly_bracket": [[0, 1766, 0.0]], "rps_doc_ldnoobw_words": [[0, 1766, 0.0]], "rps_doc_lorem_ipsum": [[0, 1766, 0.0]], "rps_doc_stop_word_fraction": [[0, 1766, 0.24471299]], "rps_doc_ut1_blacklist": [[0, 1766, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1766, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1766, 0.15836791]], "rps_doc_frac_chars_dupe_6grams": [[0, 1766, 0.10719225]], "rps_doc_frac_chars_dupe_7grams": [[0, 1766, 0.04149378]], "rps_doc_frac_chars_dupe_8grams": [[0, 1766, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1766, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1766, 0.03319502]], "rps_doc_frac_chars_top_3gram": [[0, 1766, 0.02904564]], "rps_doc_frac_chars_top_4gram": [[0, 1766, 0.0373444]], "rps_doc_frac_all_caps_words": [[0, 1766, 0.03021148]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1766, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1766, 0.17824773]], "rps_doc_frac_unique_words": [[0, 1766, 0.54924242]], "rps_doc_mean_word_length": [[0, 1766, 5.47727273]], "rps_doc_symbol_to_word_ratio": [[0, 1766, 0.0]], "rps_doc_unigram_entropy": [[0, 1766, 4.61626218]], "rps_doc_word_count": [[0, 1766, 264.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 75, 0.0], [75, 195, 0.0], [195, 221, 0.0], [221, 358, 1.0], [358, 750, 1.0], [750, 1172, 1.0], [1172, 1416, 1.0], [1416, 1513, 1.0], [1513, 1544, 0.0], [1544, 1593, 0.0], [1593, 1620, 0.0], [1620, 1766, 0.0]], "rps_lines_javascript_counts": [[0, 75, 0.0], [75, 195, 0.0], [195, 221, 0.0], [221, 358, 0.0], [358, 750, 0.0], [750, 1172, 0.0], [1172, 1416, 0.0], [1416, 1513, 0.0], [1513, 1544, 0.0], [1544, 1593, 0.0], [1593, 1620, 0.0], [1620, 1766, 0.0]], "rps_lines_num_words": [[0, 75, 10.0], [75, 195, 19.0], [195, 221, 4.0], [221, 358, 21.0], [358, 750, 60.0], [750, 1172, 57.0], [1172, 1416, 38.0], [1416, 1513, 19.0], [1513, 1544, 4.0], [1544, 1593, 8.0], [1593, 1620, 3.0], [1620, 1766, 21.0]], "rps_lines_numerical_chars_fraction": [[0, 75, 0.0], [75, 195, 0.0], [195, 221, 0.27272727], [221, 358, 0.0], [358, 750, 0.0], [750, 1172, 0.0], [1172, 1416, 0.0], [1416, 1513, 0.04301075], [1513, 1544, 0.0], [1544, 1593, 0.0], [1593, 1620, 0.16], [1620, 1766, 0.01470588]], "rps_lines_start_with_bulletpoint": [[0, 75, 0.0], [75, 195, 0.0], [195, 221, 0.0], [221, 358, 0.0], [358, 750, 0.0], [750, 1172, 0.0], [1172, 1416, 0.0], [1416, 1513, 0.0], [1513, 1544, 0.0], [1544, 1593, 0.0], [1593, 1620, 0.0], [1620, 1766, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 75, 0.05333333], [75, 195, 0.05833333], [195, 221, 0.07692308], [221, 358, 0.06569343], [358, 750, 0.04846939], [750, 1172, 0.04976303], [1172, 1416, 0.12704918], [1416, 1513, 0.08247423], [1513, 1544, 0.12903226], [1544, 1593, 0.04081633], [1593, 1620, 0.11111111], [1620, 1766, 0.08219178]], "rps_doc_ml_palm_score": [[0, 1766, 0.02439654]], "rps_doc_ml_wikipedia_score": [[0, 1766, null]], "rps_doc_ml_wikiref_score": [[0, 1766, 0.42826277]], "rps_doc_books_importance": [[0, 1766, -97.55507232]], "rps_doc_openwebtext_importance": [[0, 1766, -13.95216059]], "rps_doc_wikipedia_importance": [[0, 1766, 33.24428967]], "rps_doc_num_sentences": [[0, 1766, 11.0]]} |
Development of a three-dimensional auditory display system (1988)
+ Wenzel, Elizabeth
+ Wightman, F
+ Foster, S
3-D, auditory display, Computer-Human Interaction, three-dimensional
CHI '88, ACM Conference on Computer-Human Interaction, Washington, D.C., May 15-19. | 2023-14/0000/en_head.json.gz/3811 | {"url": "https://human-factors.arc.nasa.gov/awards_pubs/publication_view.php?publication_id=408", "partition": "head_middle", "language": "en", "source_domain": "human-factors.arc.nasa.gov", "date_download": "2023-03-20T08:39:17Z", "digest": "sha1:QPDMDM7L6WO2GGLFACVGXK2TBP6N64VS"} | {"ccnet_length": [[0, 264, 264.0]], "ccnet_original_length": [[0, 264, 689.0]], "ccnet_nlines": [[0, 264, 6.0]], "ccnet_original_nlines": [[0, 264, 22.0]], "ccnet_language_score": [[0, 264, 0.71]], "ccnet_perplexity": [[0, 264, 193.9]], "ccnet_bucket": [[0, 264, 0.0]], "rps_doc_curly_bracket": [[0, 264, 0.0]], "rps_doc_ldnoobw_words": [[0, 264, 0.0]], "rps_doc_lorem_ipsum": [[0, 264, 0.0]], "rps_doc_stop_word_fraction": [[0, 264, 0.08064516]], "rps_doc_ut1_blacklist": [[0, 264, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 264, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 264, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 264, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 264, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 264, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 264, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 264, 0.14563107]], "rps_doc_frac_chars_top_3gram": [[0, 264, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 264, 0.0]], "rps_doc_frac_all_caps_words": [[0, 264, 0.11290323]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 264, 0.0]], "rps_doc_frac_no_alph_words": [[0, 264, 0.46774194]], "rps_doc_frac_unique_words": [[0, 264, 0.83870968]], "rps_doc_mean_word_length": [[0, 264, 6.64516129]], "rps_doc_symbol_to_word_ratio": [[0, 264, 0.0]], "rps_doc_unigram_entropy": [[0, 264, 3.21039134]], "rps_doc_word_count": [[0, 264, 31.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 66, 0.0], [66, 86, 0.0], [86, 100, 0.0], [100, 112, 0.0], [112, 181, 0.0], [181, 264, 1.0]], "rps_lines_javascript_counts": [[0, 66, 0.0], [66, 86, 0.0], [86, 100, 0.0], [100, 112, 0.0], [112, 181, 0.0], [181, 264, 0.0]], "rps_lines_num_words": [[0, 66, 8.0], [66, 86, 2.0], [86, 100, 2.0], [100, 112, 2.0], [112, 181, 6.0], [181, 264, 11.0]], "rps_lines_numerical_chars_fraction": [[0, 66, 0.06451613], [66, 86, 0.0], [86, 100, 0.0], [100, 112, 0.0], [112, 181, 0.01612903], [181, 264, 0.08219178]], "rps_lines_start_with_bulletpoint": [[0, 66, 0.0], [66, 86, 0.0], [86, 100, 0.0], [100, 112, 0.0], [112, 181, 0.0], [181, 264, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 66, 0.01515152], [66, 86, 0.1], [86, 100, 0.14285714], [100, 112, 0.16666667], [112, 181, 0.05797101], [181, 264, 0.1686747]], "rps_doc_ml_palm_score": [[0, 264, 0.00109607]], "rps_doc_ml_wikipedia_score": [[0, 264, null]], "rps_doc_ml_wikiref_score": [[0, 264, -9.66e-06]], "rps_doc_books_importance": [[0, 264, -32.47549781]], "rps_doc_openwebtext_importance": [[0, 264, -13.75074205]], "rps_doc_wikipedia_importance": [[0, 264, -4.46806624]], "rps_doc_num_sentences": [[0, 264, 3.0]]} |
Students Flocking to Computer Science
Harvard's CS50, the school's Introduction to Computer Science course for undergrads, has attracted record numbers of students this semester.
This reinforces a trend we noted in March 2014 of computer science enrollments being on the up in response to good job prospects for those with a qualification that encompasses it.
Source: Harvard Crimson
According to data released by Harvard College's Faculty of Arts and Sciences Registrar’s Office the course CS50: Introduction to Computer Science I, has attracted a record-breaking 818 undergraduates this semester. This is the largest enrollment in the course’s 30-year history and is also the largest class offered at Harvard in the last five years.
The Harvard Crimson also reports that last fall, about 700 students enrolled in the course, placing it second only to “Principles of Economics,” with 764 students, which this time around is the second largest course, enrolling 711.
CS50 is taught by David J. Malan who, together with other computer science professors considers that the boost in enrollment stems from increasing Harvard-wide and nation-wide interest in computer science.
The Harvard Crimson quotes Harry R. Lewis, former dean of the College and current director of undergraduate studies for Computer Science, as saying:
“Harvard students are smart people. They have figured out that in pretty much every area of study, computational methods and computational thinking are going to be important to the future.”
This semester Lewis's own course Computer Science 121: “Introduction to the Theory of Computation,” has also enrolled more students (153) than ever before.
The fact that the number of Computer Science concentrators at Harvard has increased each year for the past five years, from 86 in 2008 to 153 in 2013 shows that the message that gaining a CS degree is good for your employment prospects is being taken notice of.
CS50 has a good reputation. A comment on the Harvard Crimson news item reads:
It's a great course -- I'm glad to see Professor Malan making CS a popular option for students. Good job Professor Malan!
Anyone who is interested in what and how it teaches students can listen in by auditing in CS50x on the edX platform where it is available as a self-paced course with the lectures by David Malan from the 2011 presentation of the course. It was one of the original courses offered by edX in 2012 and when it debuted it was described as a:
demanding but doable introduction to the intellectual enterprises of computer science and the art of programming
CS50x is for students with or without prior programming experience and the latest course description states that requires completion of 9 problem sets (10 to 20 hours each) plus final project. One of its main recommendations it that it could start you on an educational path, either MOOC-based on campus based or a mixture, that could open up employment prospects.
Update July 2018
The current version of CS50 on edX is CS50x 2018 which uses Scratch as its introductory language before moving on to C and to Python
There are now a series of follow-on courses from CS50x on the edX platform covering web programming, mobile app development, and game development respectively. See More CS50 Courses on edX.
CS50 Logs Record-Breaking Enrollment Numbers - Harvard Crimson
CS50x on the edX platform
Computer Science Enrollments On The Up
Back To School - September CS MOOCs
edX Expands and Announces New Courses
A new course from the Delft University of Technology on the edX platform takes a novel approach to generating data for artificial intelligence and machine learning.
Stride is an opensource C# game engine for realistic rendering and VR. With the recent Unity turmoil can it become a valuable replacement? Let's find out.
Manifest 3 - Firefox's Big Chance?
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Strachan, H. (2022, August 15). We're repeating the mistakes of Afghanistan.IAI News. https://iai.tv/articles/were-repeating-the-mistakes-of-afghanistan-auid-2217
Strachan, Hew. "We're repeating the mistakes of Afghanistan." IAI News, 15 August 2022. https://iai.tv/articles/were-repeating-the-mistakes-of-afghanistan-auid-2217
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We're repeating the mistakes of Afghanistan
We should do better in Ukraine
Hew Strachan
| Professor of International Relations at St. Andrews, and world-renowned expert on war, military strategy and the British Army.
1,225 words
Read time: approx. 6 mins
One year from the fall of Kabul to the Taliban, the US and NATO have moved on. Their support for Ukraine, even if by proxy, has to some extent cleansed the memory of their failures in Afghanistan. But a reluctance to look back at what went wrong risks leading to the same mistakes being repeated in Ukraine, argues Hew Strachan.
For the US, NATO and the ‘west’, the differences between today’s war in Ukraine and yesterday’s war in Afghanistan seem so vast as to make comparisons redundant. One was a counter-insurgency campaign; the other is a major war for national defence. One was fought in Asia, the other in Europe. But for all the apparent differences, the similarities are sufficient to give us pause for thought.
NATO has marched on from one conflict to the other, allowing Afghanistan to fade into oblivion as it shifts to Ukraine. Once upon a time Afghanistan was, at least in comparison with Iraq, the ‘good war’; today’s good war is Ukraine. Both wars were and are shaped by the desire to defend values which we regard as central to democracies, but that commonality should be a powerful reminder of our own fickleness, given our readiness to accept the defeat of August 2021 without so much as a backward glance. Its anniversary must prompt us to reflect on the lessons Afghanistan should have taught us, as some of the same errors are in danger of being repeated in Ukraine.
It's a cop-out to say that nobody wins in modern war.
Beyond the rhetoric of shared values, in neither war has NATO’s conduct been characterised by a set of clear objectives. The internal tension within the strategy for Afghanistan - whether the war was about state-building or counter-terrorism - was not resolved until the peace negotiations unpicked America’s determination to stay in the fight. Today, NATO’s overwhelming priority is to enable Ukraine to defend itself. That relieves its members of any immediate pressure to decide what ultimate success might look like. Some, at least privately, would be happy to negotiate on the basis of the current front lines; others insist on the restoration of the frontier as it was on 24 February; and a few fantasise about Ukraine’s recovery of Crimea. For several leaders, the war in Ukraine is also a means to other ends, the fall of Putin and a stronger and revivified NATO.
For the moment, these aims can co-exist, just as counter-insurgency and counter-terrorism did for almost twenty years in Afghanistan. It was the peace deal with the Talban which exposed the tension. At some point the parties to the war in Ukraine will also have to choose. That moment will come whether NATO has to escalate its support to prevent an imminent Ukrainian collapse, or whether Ukraine attacks and takes the war into what Russia now sees as its own territory. In Afghanistan, NATO abandoned any clear idea of victory and lost in consequence. The Taliban did not - and they won. It's a cop-out to say that nobody wins in modern war.
Putin is not wrong to see Ukraine as a proxy war for NATO, despite the alliance’s own rebuttals.
Not unreasonably, NATO leaders say that it is for Ukraine to decide what victory looks like: after all, it is a its war for its survival. That at least appears to be one lesson learnt from Afghanistan. The United States prevented Hamid Karzai, the president of Afghanistan, from bringing the Taliban into government in 2001 but then opted to negotiate over the heads of both his successor, Ashraf Ghani, and its NATO allies. However, that apparent difference between the two conflicts overlooks a key similarity. For NATO the war in Afghanistan became a proxy war, its burden increasingly borne by the Afghan National Security Forces and by the tribal militias on whom the Afghan government came to depend. They collapsed when the US withdrew the support which the ANSF had been trained to expect, especially from the air, and on which they had come to rely.
Putin is not wrong to see Ukraine as a proxy war for NATO, despite the alliance’s own rebuttals. Rather than put the lives of their own troops at risk, NATO states are supplying munitions and money to keep Ukraine in the fight. They are creating a dependent Ukraine while at the same time failing to address the consequences for the capabilities of their own armed forces or for the long-term mobilisation of war production. If NATO’s support dries up, Ukraine will lose. If the US pulls out, as it did in Afghanistan, not least because of the tensions with China, will its European partners prove more willing to carry on than they did in 2021? And even if the whole of NATO remains solid in its commitments, is it ready that it forfeits freedom of action to those who are doing the actual fighting?
Far too many Afghans have suffered because they built their expectations around promises which we made but ultimately did not honour.
It is customary to attribute the rapid collapse of the Afghan government in 2021 to the corruption which oiled its economy. Too often that charge fails to acknowledge the profligacy which fuelled it in the first place. Foreign aid, spent through multiple sources and without full accounting, made Afghanistan dependent on the war’s continuation while simultaneously undermining an already weak state. The situations are not the same. Ukraine is not as poor a country as Afghanistan, but as a result it is suffering far more from the direct destruction of its national infrastructure than was possible in a backward, rural economy. Before 2022 both corruption and organised crime gave the European Union pause when Ukraine sought accession and were factors in inhibiting inward investment. The loosening of financial controls which war requires can only be offset by tighter governmental structures, a challenging task for a state which is simultaneously fighting for its life. In Ukraine, the question of who is doing the counting is as opaque as it was in Afghanistan. It would be wrong for NATO to be complicit in eroding the Ukrainian state from within – to kill it by kindness.
Self-criticism in a war to which a nation is party makes it hard to criticise its conduct without seeming in some sense unpatriotic. That proved a recurrent problem in Afghanistan. The narrative of operational success was an essential corollary of direct involvement. The west is clear about whose side it’s on, just as it was after the 9/11 attacks on the United States. But with commitment comes a responsibility to be self-aware and to address the second- and third-order consequences of decisions taken under pressure. Far too many Afghans have suffered because they built their expectations around promises which we made but ultimately did not honour. As political divisions, cost-of-living crises and climate-change concerns dominate domestic debates across Europe and the US, Ukraine seems to be slipping down both governmental and public agendas – and is doing so faster than was the case with Afghanistan. On 24 February 2022 NATO states and the collective ‘West’ woke up far too late to the reality of Russian ambition in Ukraine, but since then they have done more that is right than wrong. Afghanistan should remind them not to go to sleep at the wheel: it would be wise to glance in the rear-view mirror.
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The Privacy Advisor | What Next for the One-Stop Shop? The CJEU’s Judgment in Weltimmo Related reading: California legislative wrap-up: CCPA amendments, children’s privacy and more
What Next for the One-Stop Shop? The CJEU’s Judgment in Weltimmo
schedule Oct 1, 2015
Nonmember Contributor
The relationship between the laws of the 28 Member States that make up the EU is defined by the EU Treaties. Article 16(2) of one of these, the Treaty on the Functioning of the EU, provides that the EU’s legislature must “lay down the rules relating to the protection of individuals with regard to the processing of personal data…and the rules relating to the free movement of such data …”
This means that the EU legislature cannot simply enact rules that provide for data protection; those rules must also provide for the free movement of personal data within the EU. These different objectives may seem, at times, to conflict with one another. And this potential for conflict can only be enhanced by the reality that an update of the EU’s current rules is long overdue.
These current rules, the Data Protection Directive, date back to 1995. Discussions of proposals for reform are continuing and are well-advanced, but one issue of contention in those discussions has been the jurisdiction of member states' data protection agencies (DPAs). The European Commission had originally proposed a “one-stop shop”; after lengthy discussion, the EU Council had proposed an enhanced “European Data Protection Board.” The reconciliation of these various proposals is now being discussed in the trilogues that are being held between the Commission, Council and Parliament. Such discussions may well be informed by a judgment issued by the Court of Justice of the EU (CJEU) on Thursday, 1 October, in the case of Weltimmo (C-230/14), a judgment in which the CJEU has considered how the jurisdiction of the date protection laws of different member states may be resolved.
The subject of the case, Weltimmo itself, is a company registered in Slovakia that runs a website. On this website it advertises Hungarian properties, processing the personal data of its Hungarian advertisers to that end. These advertisements are initially free of charge but then fees kick in. Requests by Hungarian advertisers to delete their advertisements were ignored. Instead, charges were imposed, which debt collection agencies were engaged to recover. Understandably aggrieved, the advertisers complained to the Hungarian DPA, which imposed a fine of HUF 10 million (approximately EUR 32 000) upon Weltimmo. This fine was then challenged by Weltimmo, which argued that it was not established in Hungary but rather registered in Slovakia and so not subject to Hungarian data protection law (paragraphs 10-12). Since this issue of jurisdiction was one of EU law, the Hungarian Courts then referred it to the CJEU by way of a request for a preliminary ruling. This request essentially asked two questions of the CJEU: firstly, how should a data protection supervisor decide if it has jurisdiction over a data processing operation and, secondly, what should happened if it decides that jurisdiction is something that it does not have.
The CJEU began its analysis of the first question by finding that the relevant law is Article 4(1)(a) of the Data Protection Directive. This provides that the law of a member state will apply to processing that is: “carried out in the context of the activities of an establishment of the controller on the territory of the Member State …” (paragraph 23). The CJEU went on to find that this meant that a member state’s data protection law would apply to a data controller that exercised “through stable arrangements … a real and effective activity—even a minimal one—in the context of which that processing is carried out.”
The court went on to find that there appeared to be a couple of factors that seemed particularly relevant when considering whether a data processing operation was established in a member state. The first was that Weltimmo was running a property-dealing site that appeared to be targeted at the Hungarian market as it concerned Hungarian houses and was written in Hungarian. The second was that the controller had a representative in Hungary, who was responsible for debt recovery and had represented Weltimmo in Court (paragraph 66). Other factors mentioned by the court were that Weltimmo had a Hungarian bank account and a postal address. However, the court found it to be totally irrelevant that the data subjects who had complained were themselves Hungarian (paragraph 40). It is worth noting that the CJEU seems to envisage that this question of jurisdiction is a matter for the Hungarian DPA alone. The CJEU did not appear to envisage any role for the Slovakian authority in this decision. It should also be noted that the CJEU was at pains to make clear that the function of verifying the facts of the case at issue was one for the Hungarian court, not it (paragraph 33).
The CJEU then turned to the second question and considered what should happen where a DPA finds that it does not have jurisdiction to respond to a complaint that had been made to it. The court held that DPAs may investigate complaints received “irrespective of the applicable law and before even knowing which national law is applicable to the processing in question.” But if that authority should conclude that the law of another member state applies, then it could not impose penalties outside its own territory. In that case, it would have to “request the supervisory authority of that other Member State to establish an infringement of that law and to impose penalties if that law permits, based, where necessary, on the information which the authority of the first Member State has transmitted to it.” It might then happen that “supervisory authority to which … a complaint has been submitted may find it necessary to carry out other investigations, on the instructions of the supervisory authority of the other Member State” (paragraph 57-58).
Of course it is not yet clear what precise impact this judgment will have upon the trilogue negotiations that the EU’s legislature is now conducting in relation to data protection reform. But the CJEU’s clear analysis of the jurisdiction and responsibilities of different DPAs must be of assistance and hopefully will enable the EU to bring those negotiations to a close.
Automated loan processing called 'profiling' by CJEU advocate general
Advocate General of the Court of Justice of the European Union Priit Pikamäe ruled automated processing to determine an individual's probability of obtaining a loan constitutes profiling under the EU General Data Protection Regulation. Pikamäe's decision states the "GDPR establishes a 'right' for th...
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Canon Canon EOS 5D Mark II1/40s ƒ/1 ISO1600 100mm — More Exif data
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Tag Archive : mcrime
Home / mcrime
mCrime Perfectly Positioned to Pounce in 2011
By pauline May 9, 2019
The number of households in the United States that rely solely on wireless telephones continues increasing. More than one in four households had cell phones and no landlines in the first half of 2010, which is an increase of 2.1% since the second half of 2009. And almost one in six households uses cell phones exclusively or almost exclusively despite still having a landline.
What’s most interesting is that more than half of adults between 25 and 29 rely on cell phones alone. This is the first time that adults of any age range have been more likely to go without landlines. This trend indicates that those who have grown up with mobile phones as an accoutrement that went along with their lunch box have never bothered to get a landline. In a few decades, the landline will probably be about as obsolete as the rotary phone is today.
As a result of this shift, software application developers are focusing primarily on mobile devices, with PCs demoted to a secondary consideration.
And whenever there’s a major transition to a new technology, the uncertainty and newness creates the perfect opportunity for scammers to launch attacks. Dave DeWalt, chief executive of McAfee … | 2023-14/0000/en_head.json.gz/3816 | {"url": "https://icdaadcolombia.org/tag/mcrime/", "partition": "head_middle", "language": "en", "source_domain": "icdaadcolombia.org", "date_download": "2023-03-20T09:30:08Z", "digest": "sha1:RQWLODIRVLUDXYYDYWSYXRJGUEKT5JJM"} | {"ccnet_length": [[0, 1284, 1284.0]], "ccnet_original_length": [[0, 1284, 2647.0]], "ccnet_nlines": [[0, 1284, 8.0]], "ccnet_original_nlines": [[0, 1284, 95.0]], "ccnet_language_score": [[0, 1284, 0.96]], "ccnet_perplexity": [[0, 1284, 224.3]], "ccnet_bucket": [[0, 1284, 0.0]], "rps_doc_curly_bracket": [[0, 1284, 0.0]], "rps_doc_ldnoobw_words": [[0, 1284, 0.0]], "rps_doc_lorem_ipsum": [[0, 1284, 0.0]], "rps_doc_stop_word_fraction": [[0, 1284, 0.46090535]], "rps_doc_ut1_blacklist": [[0, 1284, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1284, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1284, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 1284, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 1284, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1284, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1284, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1284, 0.02870813]], "rps_doc_frac_chars_top_3gram": [[0, 1284, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 1284, 0.0]], "rps_doc_frac_all_caps_words": [[0, 1284, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1284, 0.125]], "rps_doc_frac_no_alph_words": [[0, 1284, 0.13168724]], "rps_doc_frac_unique_words": [[0, 1284, 0.64220183]], "rps_doc_mean_word_length": [[0, 1284, 4.79357798]], "rps_doc_symbol_to_word_ratio": [[0, 1284, 0.00411523]], "rps_doc_unigram_entropy": [[0, 1284, 4.69144799]], "rps_doc_word_count": [[0, 1284, 218.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 21, 0.0], [21, 35, 0.0], [35, 81, 0.0], [81, 104, 0.0], [104, 482, 1.0], [482, 943, 1.0], [943, 1091, 1.0], [1091, 1284, 0.0]], "rps_lines_javascript_counts": [[0, 21, 0.0], [21, 35, 0.0], [35, 81, 0.0], [81, 104, 0.0], [104, 482, 0.0], [482, 943, 0.0], [943, 1091, 0.0], [1091, 1284, 0.0]], "rps_lines_num_words": [[0, 21, 3.0], [21, 35, 2.0], [35, 81, 7.0], [81, 104, 5.0], [104, 482, 64.0], [482, 943, 85.0], [943, 1091, 22.0], [1091, 1284, 30.0]], "rps_lines_numerical_chars_fraction": [[0, 21, 0.0], [21, 35, 0.0], [35, 81, 0.08888889], [81, 104, 0.23809524], [104, 482, 0.02695418], [482, 943, 0.00879121], [943, 1091, 0.0], [1091, 1284, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 21, 0.0], [21, 35, 0.0], [35, 81, 0.0], [81, 104, 0.0], [104, 482, 0.0], [482, 943, 0.0], [943, 1091, 0.0], [1091, 1284, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 21, 0.0952381], [21, 35, 0.07142857], [35, 81, 0.08695652], [81, 104, 0.08695652], [104, 482, 0.01322751], [482, 943, 0.00867679], [943, 1091, 0.02027027], [1091, 1284, 0.03108808]], "rps_doc_ml_palm_score": [[0, 1284, 0.05086273]], "rps_doc_ml_wikipedia_score": [[0, 1284, null]], "rps_doc_ml_wikiref_score": [[0, 1284, 0.02158827]], "rps_doc_books_importance": [[0, 1284, -59.0768929]], "rps_doc_openwebtext_importance": [[0, 1284, 19.04688774]], "rps_doc_wikipedia_importance": [[0, 1284, -2.98399287]], "rps_doc_num_sentences": [[0, 1284, 11.0]]} |
Explore new partnerships on the library association level
Start discussion on the library association level about our goals, patrons’ goals and goals of authorities. It is necessary to create a librarian association that brings the class together and improves its work. Integrate all the libraries of the ... [read more]
Start discussion on the library association level about our goals, patrons’ goals and goals of authorities. It is necessary to create a librarian association that brings the class together and improves its work. Integrate all the libraries of the country in a single network, led by professionals to produce country brand. Strengthen already established networks e.g. Congress of Southeast Asian Libraries (CONSAL); Congress of Leaders of National Libraries of Asia and Oceania (CONLAO). Coordinate efforts and synergy through the identification of a lead agency (e.g. IFLA Regional Office). This idea is connected to the Sustainable Development Goals 5, 8 and 9.
Offer and promote library programmes and services that are inclusive of all local languages
To clearly establish what their needs are and be able to provide services to meet their needs, carry out a needs assessment in all the local languages. To fight illiteracy work with materials using all the local languages. For example, also use the ... [read more]
To clearly establish what their needs are and be able to provide services to meet their needs, carry out a needs assessment in all the local languages. To fight illiteracy work with materials using all the local languages. For example, also use the Creole language in Haiti, both English and Ugandan English in Uganda, Papiamento language in Aruba. Stimulate reading through summer reading programs, poetry sessions and book clubs in all local languages. Read about this case study in Portugal: Portuguese for foreign citizens (project name in Portuguese: “PT para Estrangeiros”) is an activity that aims to promote inclusion through the improvement of linguistic competences. As an answer to several community partners, the Penha de França Library (one of the Lisbon Libraries) created this activity to help foreign families to help their children in the Portuguese school, or foreign citizens to live the everyday life in Portugal: understand a doctor, take a bus, go to the supermarket, etc. With this goal, the library developed a non-formal learning activity, based on teaching standards but also in practical workshops, to proportionate these citizens a better economic, social and professional inclusion in Portugal. This programme has 12 weekly sessions of 90 minutes each. Besides the linguistic competences, the participants find in the library a safe and trusty place where they make new friends in similar social conditions, which allows them to break other barriers besides the linguistic ones. Another local example is develop a network of national libraries of the countries which have Turkish speaking communities. | 2023-14/0000/en_head.json.gz/3817 | {"url": "https://ideas.ifla.org/ideas/opportunities/opp3/country/angola/region/africa/ideagroup/collaboration/", "partition": "head_middle", "language": "en", "source_domain": "ideas.ifla.org", "date_download": "2023-03-20T09:37:39Z", "digest": "sha1:QGDYQQ4FCSNJJNMYZTX4F7S2N34Y4P6K"} | {"ccnet_length": [[0, 2972, 2972.0]], "ccnet_original_length": [[0, 2972, 7092.0]], "ccnet_nlines": [[0, 2972, 6.0]], "ccnet_original_nlines": [[0, 2972, 85.0]], "ccnet_language_score": [[0, 2972, 0.93]], "ccnet_perplexity": [[0, 2972, 318.8]], "ccnet_bucket": [[0, 2972, 0.0]], "rps_doc_curly_bracket": [[0, 2972, 0.0]], "rps_doc_ldnoobw_words": [[0, 2972, 0.0]], "rps_doc_lorem_ipsum": [[0, 2972, 0.0]], "rps_doc_stop_word_fraction": [[0, 2972, 0.40413534]], "rps_doc_ut1_blacklist": [[0, 2972, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2972, 0.33374334]], "rps_doc_frac_chars_dupe_5grams": [[0, 2972, 0.34522345]], "rps_doc_frac_chars_dupe_6grams": [[0, 2972, 0.33374334]], "rps_doc_frac_chars_dupe_7grams": [[0, 2972, 0.33374334]], "rps_doc_frac_chars_dupe_8grams": [[0, 2972, 0.33374334]], "rps_doc_frac_chars_dupe_9grams": [[0, 2972, 0.33374334]], "rps_doc_frac_chars_top_2gram": [[0, 2972, 0.01476015]], "rps_doc_frac_chars_top_3gram": [[0, 2972, 0.01804018]], "rps_doc_frac_chars_top_4gram": [[0, 2972, 0.03280033]], "rps_doc_frac_all_caps_words": [[0, 2972, 0.0075188]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2972, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2972, 0.13533835]], "rps_doc_frac_unique_words": [[0, 2972, 0.46753247]], "rps_doc_mean_word_length": [[0, 2972, 5.27922078]], "rps_doc_symbol_to_word_ratio": [[0, 2972, 0.0037594]], "rps_doc_unigram_entropy": [[0, 2972, 4.90507835]], "rps_doc_word_count": [[0, 2972, 462.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 58, 0.0], [58, 321, 0.0], [321, 985, 1.0], [985, 1077, 0.0], [1077, 1342, 0.0], [1342, 2972, 1.0]], "rps_lines_javascript_counts": [[0, 58, 0.0], [58, 321, 0.0], [321, 985, 0.0], [985, 1077, 0.0], [1077, 1342, 0.0], [1342, 2972, 0.0]], "rps_lines_num_words": [[0, 58, 8.0], [58, 321, 41.0], [321, 985, 101.0], [985, 1077, 14.0], [1077, 1342, 45.0], [1342, 2972, 253.0]], "rps_lines_numerical_chars_fraction": [[0, 58, 0.0], [58, 321, 0.0], [321, 985, 0.00466563], [985, 1077, 0.0], [1077, 1342, 0.0], [1342, 2972, 0.0025047]], "rps_lines_start_with_bulletpoint": [[0, 58, 0.0], [58, 321, 0.0], [321, 985, 0.0], [985, 1077, 0.0], [1077, 1342, 0.0], [1342, 2972, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 58, 0.01724138], [58, 321, 0.01140684], [321, 985, 0.05572289], [985, 1077, 0.01086957], [1077, 1342, 0.01132075], [1342, 2972, 0.0202454]], "rps_doc_ml_palm_score": [[0, 2972, 0.14451963]], "rps_doc_ml_wikipedia_score": [[0, 2972, null]], "rps_doc_ml_wikiref_score": [[0, 2972, 0.01418108]], "rps_doc_books_importance": [[0, 2972, -93.0922253]], "rps_doc_openwebtext_importance": [[0, 2972, 13.2985934]], "rps_doc_wikipedia_importance": [[0, 2972, -14.08841015]], "rps_doc_num_sentences": [[0, 2972, 26.0]]} |
Call for Proposals: Organizations (Hubs) Managing Regional Innovation Networks for Responsible Artificial Intelligence to Improve Sexual, Reproductive and Maternal Health (SRMH) Outcomes
Full proposals must be received no later than August 16, 2022, at 11:59 pm Eastern Daylight Time (EDT). Please note the deadline has been extended until August 16th, and the selection process will be delayed by one week.
The International Development Research Centre (IDRC) is pleased to announce a Call for Proposals to select up to three institutions to establish regional hubs to manage networks in Asia, Latin America and the Caribbean (LAC), and the Middle East and North Africa (MENA). Each hub will be managed by an institution (or consortia of institutions) based in the region and will develop a regional research network based on a competitive selection process focused on advancing sexual, reproductive and maternal health (SRMH) outcomes using responsible Artificial Intelligence (AI) approaches and solutions.
About IDRC, the Program Divisions and the Focus Area
IDRC is a Crown corporation created in 1970 by the Parliament of Canada. IDRC supports and strengthens the capacity of people and institutions in developing countries to undertake the research that they identify as most urgent. It works with researchers and research users as they confront contemporary challenges within their own countries and contributes to global advances in their fields.
The Centre’s 10-year strategy, Strategy 2030, affirms IDRC’s vision for a more sustainable and inclusive world and commits the Centre to the following mission: IDRC will be a leader in research for development, investing in high-quality research and innovation, sharing knowledge for greater uptake and use, and mobilizing alliances for more sustainable, prosperous, and inclusive societies. (Please refer to IDRC’s Strategy 2030 for more information.)
In the context of this strategy, we identified the following five programs that will shape IDRC’s work over the next decade — making knowledge a tool for improving lives across the developing world:
Climate-Resilient Food Systems
Gender equality and inclusion are central to all our programs. In the following sections, you will see how we plan to address this in all our programming.
This Call is a joint initiative of the Global Health and Education and Science programs. It seeks to leverage IDRC’s investments in AI and strengthening people-centred health systems to advance learning about how AI applications can be tested and scaled to advance outcomes related to sexual, reproductive and maternal health.
Overview of the Call
The use of AI is showing promise in transforming how health systems are planned and health services are delivered across low- and middle-income countries (LMICs) today. Responsibly designed and implemented AI has the potential to contribute to improved global health outcomes. In the area of SRMH outcomes, AI applications have the potential to strengthen point-of-care services, inform diagnoses and provide personalized information based on real-time analysis of relevant data. For example, AI models and applications have been developed to support the early detection of pre-eclampsia and improve accuracy of HIV testing.
In lower-income countries, indicators for sexual, reproductive and maternal health — referred to by some more generally as sexual and reproductive health rights (SRHR) — are not on track to achieve Sustainable Development Goal (SDG) 3: Good Health and Well-Being. Inadequate SRMH service provision has been linked with unintended pregnancies — including teen pregnancies — early and forced marriage, complications related to unsafe abortions, gender-based violence and increases in sexually transmitted infections. This is particularly pronounced for vulnerable groups such as adolescents, people living with disabilities, refugees and internally displaced populations. The COVID-19 pandemic has had a devastating impact on SRMH outcomes such as access to essential services and support for survivors of gender-based violence. Gender inequality, the focus of SDG5, is a central challenge for women and girls to overcome, especially in matters related to sexuality and reproduction.
Despite the promise of AI to improve SRMH outcomes, there are important ethical, legal and social risks that need to be appropriately managed, mitigated and governed. For example, harmful biases can be integrated into algorithms, which can translate into biased public health messaging, diagnoses and treatment protocols. Furthermore, much of the data required to develop AI models to tackle SRMH challenges are non-representative or inaccessible. The current increase in demand for health-focused AI solutions in LMICs is not commensurate with the investments being made to strengthen health systems, credible data, skilled individuals and requisite computing infrastructure.
Through this Call, up to three hubs will be set up and managed, one each in MENA, LAC and Asia. These hubs will be managed by a regionally based organization or consortium of organizations. Each of the hubs will be tasked with establishing, managing and supporting implementation research networks in their respective region. Setting up the network should consist of running an open call to select implementation research projects in the corresponding region working on or researching AI innovations for SRMH, with a typical approach being to select six to ten projects. It is expected that the selected projects will represent linguistic, gender and geographic diversity across the respective region; diversity across relevant areas of application of AI to SRMH; and diversity of relevant involved stakeholders (e.g., university researchers, start-ups, ministries of health, research-oriented think-tanks, consultancies, labs or community groups). The selected innovation research projects will receive funding and support as sub-grants for an implementation research project for a duration of at least 18 months.
The general objective of each of the three innovation research networks is to advance SRMH in MENA, LAC and Asia through implementation research promoting responsible development and deployment of AI innovations. By responsible, we are referring to AI innovations that are ethical, respect human rights, inclusive and contribute to environmental sustainability.
Specific objectives are to:
Strengthen the body of multidisciplinary evidence emerging from LMIC-based researchers on how to develop and scale responsible AI innovations for improving SRMH in MENA, LAC or Asia.
Build innovation research capacities in MENA, LAC or Asia to develop, deploy and scale responsible AI applications in “real world” settings to improve SRMH outcomes.
Deepen understanding and informed practices to enhance gender and social inclusion and limit related biases in the design, implementation and use of AI solutions for SRMH.
Influence AI and SRMH policies, practices and efforts to scale up and/or commercialize responsible AI solutions.
The primary responsibilities of the hubs include:
Developing and managing an open call for proposals process to select innovation research projects focused on using AI to improve SRMH outcomes;
Strengthening how gender equality and inclusion (GEI) and intersectional analysis are addressed in the innovation research projects, and ensure each research project team has the appropriate multidisciplinary experience required;
Supporting networking among selected research teams to strengthen knowledge exchange;
Harvesting and synthesizing outcomes related to health outcomes, innovation processes, strengthening GEI and scaling strategies;
Facilitating equitable engagement of women in research and leadership roles.
The exact nature of the role of the hubs is not fully determined to allow the proposing organization(s) to provide information on how they propose to add value to the regional networks to ensure that its outputs and outcomes are greater than the simple sum of individual research projects.
The hubs will also play an important role as part of a larger IDRC investment in AI for Global Health (AI4GH). This includes working with the other implementation research networks and innovation hubs in the other regions of the world. For example, we anticipate the need for hubs to collectively think about critical issues such as approaches to gender equality and inclusion, ethics and responsible scaling of AI innovations from early on the project cycle.
Indicative Scope of Work for Network Hubs
The following are indicative activities to be performed by the hubs, building on the primary responsibilities outlined above.
Setting up and managing the network:
Develop and run an open call for proposals for AI for SRMH innovation research;
Develop and manage a call review committee, made up of multi-disciplinary experts and ensuring equal engagement of men and women — with priority given to individuals based in the region where the hub is based;
Sub-grant to successful research teams that will carry out specific innovation research grants of up to 18 months;
Support the onboarding and inclusion of selected research teams to become members of the network; and
Interim and final technical and financial reporting to IDRC.
Support to network members:
Provide technical and methodological assistance to sub-grantees as required;
Ensure network members engage in responsible AI practices and approaches;
Plan and run network workshops and other network support activities designed to collectively tackle common issues and/or facilitate cross-project collaboration where appropriate;
Support network members in finding engagement opportunities with SRMH initiatives that may benefit from their research results and methods;
Facilitate sub-grantee reporting and harvesting of outcomes and stories of change; and
Connect sub-grantees to other resources (knowledge, financial, etc.) as required.
Provide for International collaboration and engagement:
Coordinate with other activities organized by the broader AI4GH program; and
Coordinate with IDRC and the other AI4GH projects to engage in global and multi-disciplinary exchange, organize joint initiatives and events as appropriate, and otherwise enable the impactful and responsible development of work at the intersection of AI and health.
Contribute to advancing knowledge and policy dialogues:
Support uptake and scaling of research for policy or practice change;
Require that all grantees openly release any data sets that are generated by the research project; and
Facilitate the production, communication and marketing of research outputs stemming from the network and ensure research publication in appropriate venues in accordance with IDRC’s Open Access Policy.
Funding scope and duration
As a result of this Call, a grant of up to CAD1,225,000 will be issued for the hubs in Asia and LAC, and a grant up to CAD750,000 will be issued for a hub in MENA. The project duration for each hub will not exceed 36 months, including all research activities and final reporting.
IDRC reserves the right to fund additional proposals from this Call if/when additional funding becomes available.
IDRC is under no obligation to issue any funds prior to the applicant returning a fully executed Grant Agreement to IDRC.
All grants are subject to sufficient funds being made available to IDRC by the Parliament of Canada.
IDRC reserves the right to cancel this Call for Proposals at any time without prior notice and/or to not issue any grants under this process.
Only proposals that meet the eligibility criteria will be considered.
This Call for Proposals is open to select individual organizations or consortia headquartered in the respective region (MENA, LAC and Asia) with preference given for organizations in LMICs (see Annex 3 for a complete list).
Note that this Call for Proposals is not open to individuals or government ministries and agencies, but it is open to public research institutes and public university centres, labs and departments.
This Call is purposely limited to selected institutions or consortia, and IDRC reserves the right to reject proposals from institutions not directly targeted.
The following eligibility criteria also apply:
Have a proven record of working in relevant region (MENA, LAC or Asia) and supporting research on the design, development and scaling of AI and SRMH innovations in these contexts.
Internal expertise in AI, SRMH innovations and health systems strengthening from at least one partner institution or demonstrated ability to collaborate on these issues via a consortium.
Ability to work in English and the working languages of the region (e.g., Spanish for LAC) at a minimum. Other languages are considered an asset.
Ability to transfer funds to other countries within the region.
Applicants must have independent legal status (or “legal personality”) and be capable of contracting in their own right and name, receiving and administering funds, and have authority to direct proposed project activities. Applicants must be able to demonstrate legal status through written documentation. Legal status will only be reviewed if and when applicants are selected following technical selection.
In additional to standalone institutions, transdisciplinary consortia are encouraged to apply. Consortia may consist of up to three (3) organizations. In case of a consortium, the proposal needs to provide a rationale explaining why the consortium has come together to implement this innovation research and describe the role and added value provided by each member organization. Consortia must describe the governance and coordination arrangements they will use to produce high quality work and support fair and equitable partnerships.
In case of a consortium application, individual members can be based in different countries and the non-leading members may be based in countries other than those included in Annex 3. However, the leading institution can only be based in an eligible country (see Annex 3). IDRC will enter into a contractual agreement with the designated lead institution only, and that institution will need to specify their arrangements with other consortia partners within their budgets (either as sub-contractors or sub-grantees).
IDRC invites eligible applicants to submit an electronic application through the SurveyMonkey application platform for this Call before the deadline.
Applications must be received no later than August 16, 2022, at 11:59 pm EDT. Applications received after the deadline will not be considered.
Applications can be submitted in English, French or Spanish.
An acknowledgement of receipt of your submission will be sent to all applicants whose application was received before the closing date and time.
Format and requirements for proposals
Applications should be concise and be presented in single-spaced, 12-point Arial font text, with a maximum length of up to 15 pages (not including the abstract and annexes).
The application form for this Call for Proposals includes seven (7) fields that applicants will need to complete.
Section 1. Contact information
Please provide the contact information of the lead organization and proposed head of the hub.
Section 2. Abstract
Please provide a short abstract of the project, which should not exceed 250 words. It should be written clearly for a non-technical audience. Avoid acronyms and technical jargon. Describe the development problem, the purpose/objectives of the project and expected results in the form of project outputs and outcomes.
Section 3. Research problem(s) and justification
This section describes the potential range of problem(s) and or problem area(s) that could be investigated and the questions that will guide the innovation research conducted by the networks. It should also provide a brief overview of the body of research related to the problems and indicate the gaps that the network proposes to fill.
To show the importance of the problems, this section should discuss: how the proposed research network relates to the intersection of AI and the sexual, reproductive and maternal health development priorities in the respective region; the scientific importance of the problem(s); the magnitude of the problems and how the research will contribute to their solution; and the need to build up research capacity in the proposed area of research. This section is usually about one quarter of your proposal.
Section 4. Objectives
This short section (no more than half a page) should provide both the general and specific objectives of the research. The general objective should state the development goals being pursued by the research.
The specific objectives should indicate the specific types of knowledge to be produced, the audiences to be reached and forms of capacity to be reinforced. These are the objectives against which the success of the project will be judged. Use only active verbs.
Section 5. Methodology
Describe your plan to set up, support and manage the innovation research network including potential thematic priorities (or how you would determine them). This section should list key research questions the network will seek to address and show how they will be answered in the most rigorous way possible. You must be clear about what activities are envisaged and how they will contribute to achieve each objective and define the budget in terms of these activities. The methodology should discuss the following details, as appropriate:
Network development and support. Discuss the set of activities that will be taken to develop and support a research and innovation network across countries in MENA, LAC or Asia.
Technical and methodological assistance to research members. Indicate how the project will support the selected members of the implementation research network, such as in the areas of intersectional gender analysis, health systems strengthening, AI and machine learning support, research communications, research ethics, innovation design and development, and deployment.
Responsible innovation. Discuss your approach to ensure that the innovations being developed and deployed by network members are ethical, inclusive, rights-respecting and sustainable.
Gender equality and inclusion considerations. Indicate how gender equality and inclusion considerations will be integrated into the project and how the network design will address intersectional issues that women, girls and other marginalized groups experience. See Annex 1 for further guidance.
Diversity and inclusion. The innovation research network must display sensitivity to, and respect for, local voices, knowledge and contexts. Discuss mitigation strategies to reduce risks for vulnerable groups that are not included or represented, as well as fragile institutions, systems and contexts.
Ethical considerations. All research that includes human subjects must ensure that their privacy, dignity and integrity are protected. An independent ethical review committee must approve the protocols. Projects that will collect corporate or personal information must detail how informed consent will be obtained and confidentiality maintained.
Climate and environmental impact. How will you ensure the research supported by the network is managing or mitigating the environmental impacts of machine learning (e.g., in terms of quantitative estimates of greenhouse gas emission reductions, or other relevant quantitative or qualitative assessments).
Collaboration with regional and/or international institutions. If you envisage regional or international collaborations, give the reasons for the collaboration, describe the role, and added value provided by each member organization and specify the governance and coordination arrangements that will be used to support fair and equitable partnerships. Note that concrete elements of collaboration with the Feminist Artificial Intelligence Research Network will be discussed with the winning recipient — and we will be providing information to support that work as well.
Contribute to advancing knowledge and policy dialogues. Discuss the set of proposed activities taken by the hub and members that will advance knowledge in AI and gender inclusion and equality in MENA, LAC and Asia.
Section 6. Results and dissemination
Define the major outputs and outcomes expected from the research and how the research findings will be disseminated or implemented. Discuss how the research results are likely to be used, what their expected impacts (outcomes) might be and any obstacles to the execution of the research or the eventual use of the results.
A theory of change can be included in this section if desired.
It is important to keep IDRC's open access policy and open data statement of principles in mind when developing your communication plan. This should include not only the research outputs themselves but also, whenever possible, the data that is created and used for training and education.
Section 7. Project schedule
The project schedule should include a list of key outputs (key events or deliverables) and outcomes that can be related to the items included in the project budget.
As part of the application process, applicants will also be required to submit the following individual/institutional documents:
Budget in local currency:
To be prepared and submitted based on the budget template.
As a guide, please consult the budget considerations.
IDRC does not provide grants for basic operating expenses, endowments or facilities for individual school districts, colleges, universities or human services organizations. It does not generally make grants to individuals or make program-related investments. No curriculum projects within individual schools or colleges are supported.
Institutions and personnel:
A copy of the legal or corporate registration of the organization with whom the applicant is affiliated.
An attestation of your organization's capacity to manage a grant of this size and complexity (largest grants managed to date, compliance with other donor reporting and legal requirements, ability to manage third parties, foreign funds and disbursements).
Names of proposed principal investigator (PI), research institutions and study team.
For each member of the core research team, this should include information on their respective expertise and previous work in this area.
As an annex, letters of commitment from the leading and collaborating institutions interested in participating and a description on how the different partners, key stakeholders and institutions will collaborate in the initiative.
The CVs (in an annex) of the principal investigator and proposed team members.
Letters of other institutions willing to collaborate or supporting the study should be attached.
IDRC’s institutional profile questionnaire must be completed, signed and submitted along with the proposal.
Applicants whose proposals are selected to recommend for funding will be required to provide additional documentation prior to confirmation of funding of their projects, as outlined in Annex 2.
IDRC reserves the right to rescind its selection of a project if it is deemed that the information provided in the application is false or misleading.
Proposals will be evaluated by AI4GH Review Committee based on the following criteria:
I. Network objectives and design
Well-thought-out objectives that are relevant in the local/regional context and can make lasting contributions to the field.
Logical plan to establish, support and manage the innovation research network on responsible AI for Health innovations.
Approach ensures gender equality and inclusion with special attention to intersectionality. A clear knowledge translation strategy.
II. Knowledge and expertise on research and innovations for SRMH
Demonstrated experience engaging in SRHM rights and services, health systems strengthening, and AI innovations (expertise can be shared among different consortium members), or strong experience in one with proven track record of collaborations in the other domains.
Experience and learning about scaling pathways in AI innovations for SRMH innovations.
Connections with local, regional and global research and policy communities relating to SRMH and AI.
III. Knowledge and expertise in supporting research and/or innovation networks.
Demonstrated experience running collaborative research activities and/or networks.
Experience managing calls for proposals.
Proven ability to support and guide researchers and innovators.
Ability to facilitate cross-grantee learning and knowledge exchange through participatory mechanisms both virtually and face-to-face.
Evidence that the organization has the basic systems, resources and management capacities to set up and run a pan-regional innovation research network
IV. Expertise in synthesis and knowledge mobilization.
Proven processes to harvest outcomes and results.
Ability to design and conduct high-impact research syntheses.
Experience in designing and developing products that support knowledge sharing and use such as high -quality practitioner or policy-maker oriented outputs, toolkits and rapid knowledge syntheses.
Experience in knowledge mobilization for policy and practice improvement.
IV. Budget
Clear and coherent plans for the use of available funding, appropriate for the proposed activities
Responding to this Call is the first step in the application process for potentially securing funding for your proposal.
Applications will first be screened for eligibility using the eligibility criteria outlined above.
Eligible proposals will then be assessed by the AI4GH Review Committee. This committee is comprised of IDRC program staff and external reviewers from different related disciplines, including with expertise in SRMH, gender, diversity, and inclusion, public health, health systems strengthening, AI, knowledge translation and/or knowledge users, who will assess the applications according to the evaluation criteria outlined above.
The AI4GH Review Committee will then make a recommendation to IDRC Management to fund the selected application.
Following the selection by IDRC Management, successful and non-successful applicants will receive notification of the results by September 16, 2022
Successful proposals may receive specific comments from the reviewers to be addressed, including suggested budgetary adjustments.
The technical selection of a proposal does not constitute a formal commitment by IDRC to fund the project. Applicants whose proposals are selected for a recommendation for funding will undergo an institutional assessment. This step assesses the potential risk of material loss of IDRC funds due to weaknesses in the capacity of an applicant’s institution to manage or report on the financial aspects of project activities, or because of economic and political conditions relating to the institution's operating environment. IDRC needs to review three broad areas in its assessment of what measures should be applied to minimize such risk: the materiality of the investment, the management capacity of the applicant’s institution and the wider environment within which the organization operates.
IDRC will have no obligation to issue any funds prior to the applicant returning an executed Grant Agreement issued to them by IDRC.
The process for finalizing the project proposal, budget and administrative documentation is expected to take place between August and October 2022.
Outline of the selection process for proposals:
The Call is launched.
Proposals are submitted by the deadline.
Late applications are eliminated.
Incomplete and ineligible applications are eliminated.
The AI4GH Review Committee will read and score the proposals based on the evaluation criteria (see below). The Program Divisions may need to consider regional and geographic balance, thematic balance of the proposals, including network strategies, as well as a strong focus on gender.
A slate of applicants is prepared, based on the proposal scores, and those selected are asked to finalize their proposal in response to the feedback from the AI4GH Review Committee. (Please note that the technical selection of a proposal at this stage does not guarantee that it will be funded by IDRC.)
IDRC conducts an institutional assessment of each applicant invited to finalize a proposal.
For Calls for Proposals, senior management at IDRC makes the final decision based on the recommendations of the Review Committee, the evaluation criteria and a consideration of the institutional assessment.
Successful applicants are asked to make necessary amendments to their proposals, including budgets and administrative documentation.
Applicant completes any applicable country approval procedures.
IDRC and the applicant enter into a Grant Agreement.
Post-selection requirements
Proposal and budget finalization
Prior to finalizing a Grant Agreement, IDRC reserves the right to request any revisions to the submitted proposal and budget. A revised proposal with the necessary revisions must be returned to IDRC in a timely manner.
Country clearance requirements
In some cases, IDRC has scientific and technical cooperation agreements with the governments of the countries where we support projects. Where such agreements exist, IDRC may require additional or alternative approval processes to be followed to comply with such agreements. Otherwise, grantees must follow the prevailing approval procedure as required by the government authority. This is often administered by a coordinating or nodal agency of the government and varies by jurisdiction.
An IDRC grant administration representative will advise the selected applicant if any country procedures need to be followed. A grant agreement will only be issued if and once country clearance(s) is/are obtained. IDRC reserves the right to not pursue the funding of a selected project if the country approval is not secured within six (6) months after IDRC officially announces approval of the project, as this would jeopardize the timely completion of the initiative.
After an institutional assessment of an applicant’s organization is performed, IDRC may identify operational or financial weaknesses that could pose some administrative risks to the proposed project. In such cases, IDRC reserves the right to request that the applicant’s organization partner with another institution as a condition of receiving the grant.
Sub-grantees
Country requirements that apply to sub-grantees are also documented in the grant agreement. It is the responsibility of the grantee to ensure that sub-grantees meet these requirements.
IDRC funds research in locations that respond to the corporate and programmatic plans and objectives approved by IDRC’s Board of Governors. Project proposals and risk mitigation measures may need to be revised where:
project activities may be affected by legal restrictions on transferring funds or other resources to specific entities;
due to physical remoteness, physical risks to IDRC employees in particular regions or other inaccessibility factors prevent IDRC from properly monitoring and supporting the project; or
applicable laws and regulations prevent institutions from accessing funds.
Grant Agreement
Any selected proponents must sign IDRC’s standard Grant Agreement to receive funds. Please refer to the Grant Agreement. The grant agreement will provide a schedule for submitting interim and final technical and financial reports. Although there is no limit on the number of co-applicants in one application, IDRC will only negotiate Grant Agreements with the organization of the lead applicant.
Timeline and communication of results
Please note the deadline has been extended until August 16th, and the selection process will be delayed by one week.
Submission process (approximately six weeks)
Call launch: June 30, 2022
Information session/webinars:
FAQ webinar 1: July 14, 2022, at 11 am EDT
FAQ webinar 2: July 18, 2022, at 5 am EDT
Deadline for submitting proposals; receipt of proposals acknowledged: August 16, 2022
Selection process (approximately five weeks)
Initial eligibility screening by IDRC: August 15, 2022
Ineligible applicants informed: August 19, 2022
Review by AI4GH Review Committee: September 5–9, 2022
Successful proposals informed they have been selected for potential funding contingent on meeting any specific conditions: September 16, 2022
Unsuccessful applicants notified, with a brief rationale of why: September 16, 2022
Applicants resubmit amended final proposals: September 23, 2022
Approval of proposals: September 30, 2022
Information session, inquiries and FAQs
Following the launch of the Call for Proposals, IDRC will organize two information sessions to address any queries from potential applicants. These will take place on:
Any additional inquiries related to the Call and application process should be sent by e-mail to [email protected]. All inquiries should be received before August 10, 2022, at 11:59 pm EDT to receive a response prior to the deadline date.
Any inquiries which affect all applicants received on or before the above-mentioned deadline will be added to the FAQs with IDRC’s responses to those inquiries without revealing the source of the inquiries.
Permission for use and disclosure of information
As a Canadian Crown corporation, IDRC is subject to Canada’s Access to Information Act and the Privacy Act. Consequently, any submissions in response to this Call for Proposals will be managed by IDRC in a manner consistent with applicable legislation and IDRC’s Privacy Policy, including IDRC's obligations to disclose documents requested by members of the public or requests for personal information. More information on how IDRC manages information in accordance with this legislation can be accessed here: https://www.idrc.ca/en/about-idrc/transparency/access-information-and-privacy.
Note that IDRC’s Privacy Statement for Competitive Calls must be submitted with the application (see required documents above).
Annex 1: Ensuring research ideas address gender equality and inclusion[1]
Annex 1 IDRC strives for equality in all aspects of its work. Inequalities exist across multiple and intersecting categories of identity, including, but not limited to, gender, sexuality, age, class, race, caste, ethnicity, citizenship status, religion and ability.
Achieving equality varies by place and must be situated within the socio-cultural, political and economic contexts of the different regions where IDRC works. Equally, inequalities are not static and can vary and change over time.
To promote gender equality and inclusion, it is critical for research projects to strongly consider investigating the roles of sex, gender and other diverse identities and experiences and their relationship to the history, structures and functioning of these systems.
IDRC recognizes the importance of striking a balance between ambition and pragmatism. Actions to address gender and other inequalities require doing the groundwork to interrogate and surface the ultimate root causes of inequality; at the same time, changing gendered structural dynamics takes time, trust and long-term commitments to policies and practices.
The questions below are intended to guide you in reflecting how your research addresses social and gender equality and inclusion, and how you can strengthen these dimensions in your proposal.
Does your proposal intend to understand and address social and gender inequalities and their underlying causes?
In the context of your proposal, what are the power structures and power dynamics that exist between men and women, and other groups which underpin gender inequality? What are some possible avenues to address and change these conditions?
In the context of your research problem, how is this affected by identities or experiences such as race, ethnicity, socio-economic class, income levels and where individuals live (e.g., rural, urban settings)?
Is there a logical theory of change of how your research objectives will promote or lead to greater gender equality and/or inclusion? What impact will your research proposal have on these aspects?
Do you have a stand-alone objective on addressing gender equality and inclusion? How are other objectives framed in relation to addressing gender equality and inclusion?
How will the proposed conceptual framework(s), research design, and related research methods address, and analyze the root causes and context-specific factors contributing to intersectional forms of gender inequality? Which individuals and groups should be engaged in co-creating this research design and its implementation – to what extent and how will they be engaged?
Has your project identified clear outcomes and indicators with respect to gender equality and inclusion? Are these integrated into project measurement tools? For example, do you plan to collect and analyze sex-disaggregated data? What about gender-disaggregated data? Have you planned to undertake a pre- and post-project gender analysis?
Does the proposal’s knowledge translation plan integrate sex and gender considerations (including intersectionality) in how the iterative processes of engagement, analysis, synthesis, product development and knowledge facilitation are designed and operationalized?
Do the members of your research team understand contextual gender equality and inclusion issues? Do you have the right skills and experience within your team? Which of your team members will take the lead in designing, implementing, monitoring and assessing your project’s objectives to address gender inequality and inclusion?
Does your research team have a good balance between male and female scientists or scientists of other identities?
Have you clearly budgeted for gender equality and inclusion activities and staffing? Have you allocated sufficient time and resources to strengthen the capacity of your team, partners and other stakeholders on gender and inclusion issues?
Please note that these are some myths or assumptions that will be important to avoid in your proposal:
Assuming that women, or certain groups, do a task so that they will benefit is not adequate. Instead, it will be important for your project to identify any gender inequalities and outline steps by which your research will help re-define power dynamics.
Adding “especially women and marginalized groups” after each of your objectives is not adequate. You must be able to define how gender dynamics are present in your research objectives. Research rigour and quality is critical.
The women on your team will not always qualify as the gender expert. Get real gender expertise and partnerships that bring in the necessary skills.
Equally, addressing gender in the project is not only the responsibility of these gender experts — rather the entire team must understand the gender dynamics at play in your research.
Addressing gender takes real resources. Saying gender cannot be integrated because you do not have sufficient resources is not acceptable. Budget resources for gender at the outset.
Annex 2: Institutional Assessment Documentation
Annex 2Successful applicants will be required to provide the following documents to allow IDRC to undertake an institutional assessment prior to confirmation of funding:
Most recent audited financial statements, including but not limited to:
Balance Sheet, Statement of Income and Expenses or Profit and Loss, and Statement of Cash Flow;
Notes to the Financial Statements;
Audit Report;
Any Management or Internal Control Letters, and related follow-up response.
*The latest financial statements duly authorized by a financial officer if an audited statement is not available.
Current organizational chart.
Human resources manuals.
Finance and administration manuals.
Policy/procedure for procurement.
List of active external donors and their current contributions.
Latest annual report.
Annex 3: List of eligible countries
Annex3 The lead organization must be headquartered in a low and lower-middle, and upper-middle income countries in MENA, LAC and Asia, as per the country classification of the World Bank. Eligible countries include the following:
Latin America and the Caribbean (LAC)
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The EU Report on ISDS Public Consultations
The European Commission issued its report today on the public consultations it carried out on ISDS. (A fact sheet is here; press release is here).
Commissioner Malmström held a press conference, but there didn't seem to be much interest. (I think you can watch it here). Only two reporters asked questions. In response to the questions, Commissioner Malmström noted that a policy recommendation on ISDS would come in "the spring," and also that it was too early to say what the consultation meant for ISDS in the TTIP.
In terms of the content of the report, I glanced at it, but it's a lot to digest, so I don't have any deep thoughts at this point. My quick impression: There are a wide and diverse range of views on ISDS, from complete elimination, to expansion in various directions (stronger protections for investors, on the one hand; new regulations imposed on investors, on the other).
If I had to guess, I would say that the Commission's policy recommendations on this are going to look a lot like what they have already done with the CETA. My sense is they think that, in CETA, they have gotten the ISDS balance pretty much right.
Even if the executive branch has made up its mind, the question will ultimately be decided by the voters -- in both the EU and U.S., but the EU is the battleground right now -- through their elected representatives. It's hard to imagine a pure investment treaty passing in the EU/member state legislatures right now, but what about a package that includes other, more appealing forms of trade rules? The EU trade agreements with Canada and Singapore will, presumably, offer the first test of all this.
Posted by Simon Lester on January 13, 2015 at 12:27 PM | Permalink | 2023-14/0000/en_head.json.gz/3819 | {"url": "https://ielp.worldtradelaw.net/2015/01/eu-report-on-isds-public-consultations.html", "partition": "head_middle", "language": "en", "source_domain": "ielp.worldtradelaw.net", "date_download": "2023-03-20T09:40:49Z", "digest": "sha1:JN5NINU2DDNJX2VYL7CTNLAJ6MTL7D7B"} | {"ccnet_length": [[0, 1851, 1851.0]], "ccnet_original_length": [[0, 1851, 8710.0]], "ccnet_nlines": [[0, 1851, 8.0]], "ccnet_original_nlines": [[0, 1851, 239.0]], "ccnet_language_score": [[0, 1851, 0.97]], "ccnet_perplexity": [[0, 1851, 267.0]], "ccnet_bucket": [[0, 1851, 0.0]], "rps_doc_curly_bracket": [[0, 1851, 0.0]], "rps_doc_ldnoobw_words": [[0, 1851, 0.0]], "rps_doc_lorem_ipsum": [[0, 1851, 0.0]], "rps_doc_stop_word_fraction": [[0, 1851, 0.43523316]], "rps_doc_ut1_blacklist": [[0, 1851, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1851, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1851, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 1851, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 1851, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1851, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1851, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1851, 0.0136612]], "rps_doc_frac_chars_top_3gram": [[0, 1851, 0.01912568]], "rps_doc_frac_chars_top_4gram": [[0, 1851, 0.0]], "rps_doc_frac_all_caps_words": [[0, 1851, 0.06476684]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1851, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1851, 0.16062176]], "rps_doc_frac_unique_words": [[0, 1851, 0.58823529]], "rps_doc_mean_word_length": [[0, 1851, 4.53250774]], "rps_doc_symbol_to_word_ratio": [[0, 1851, 0.0]], "rps_doc_unigram_entropy": [[0, 1851, 4.88746137]], "rps_doc_word_count": [[0, 1851, 323.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 100, 0.0], [100, 143, 0.0], [143, 290, 1.0], [290, 662, 1.0], [662, 1036, 1.0], [1036, 1283, 1.0], [1283, 1785, 1.0], [1785, 1851, 0.0]], "rps_lines_javascript_counts": [[0, 100, 0.0], [100, 143, 0.0], [143, 290, 0.0], [290, 662, 0.0], [662, 1036, 0.0], [1036, 1283, 0.0], [1283, 1785, 0.0], [1785, 1851, 0.0]], "rps_lines_num_words": [[0, 100, 19.0], [100, 143, 7.0], [143, 290, 25.0], [290, 662, 63.0], [662, 1036, 66.0], [1036, 1283, 47.0], [1283, 1785, 84.0], [1785, 1851, 12.0]], "rps_lines_numerical_chars_fraction": [[0, 100, 0.02150538], [100, 143, 0.0], [143, 290, 0.0], [290, 662, 0.0], [662, 1036, 0.0], [1036, 1283, 0.0], [1283, 1785, 0.0], [1785, 1851, 0.16129032]], "rps_lines_start_with_bulletpoint": [[0, 100, 0.0], [100, 143, 0.0], [143, 290, 0.0], [290, 662, 0.0], [662, 1036, 0.0], [1036, 1283, 0.0], [1283, 1785, 0.0], [1785, 1851, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 100, 0.18], [100, 143, 0.23255814], [143, 290, 0.05442177], [290, 662, 0.05107527], [662, 1036, 0.02406417], [1036, 1283, 0.06882591], [1283, 1785, 0.02988048], [1785, 1851, 0.10606061]], "rps_doc_ml_palm_score": [[0, 1851, 0.0080477]], "rps_doc_ml_wikipedia_score": [[0, 1851, null]], "rps_doc_ml_wikiref_score": [[0, 1851, 0.13951528]], "rps_doc_books_importance": [[0, 1851, -49.32380501]], "rps_doc_openwebtext_importance": [[0, 1851, 15.6123217]], "rps_doc_wikipedia_importance": [[0, 1851, -89.83456558]], "rps_doc_num_sentences": [[0, 1851, 16.0]]} |
The Forthcoming IGAD 31st Extra-Ordinary Summit on South Sudan
By IGADJune 6, 2017November 4th, 2021No Comments
Home » The Forthcoming IGAD 31st Extra-Ordinary Summit on South Sudan
Following reports of the Joint Monitoring and Evaluation Commission (JMEC) Chairperson on the unfolding situation in South Sudan, the latest effort to convene the National Dialogue, and consultations with the IGAD Member States, the Chairperson of the IGAD Assembly of Heads of State and Government, H.E. Prime Minister Hailemariam Dessalegn, has called for an Extra-Ordinary Summit of the IGAD Assembly to be held on 12th June 2017 in Addis Ababa.
The Summit is expected to deliberate on the dire security and humanitarian situation facing South Sudan. The deteriorating security situation has resulted in sharp increase of internally displaced persons (IDPs) and refugees, requiring IGAD Leaders to speak with one voice to abate the crisis.
IGAD’s consultations with the African Union and the United Nations also highlight that the region has to lead the way for a concerted effort to bring forward the dialogue to solve the problem in South Sudan.
It is sad to note that the situation is expected to become worse with the onset of the rainy season in the country. The neighboring countries of South Sudan and the international community are making every effort to ameliorate the catastrophic situation. However, the continued armed conflict and the difficulties being faced in transporting the humanitarian supplies to the needy population are matters that IGAD Member States view with extreme concern.
IGAD Member States have, since the eruption of the conflict in December 2013, been seized unilaterally and collectively with the problem of South Sudan. They believe that the Agreement on the Resolution of the Conflict in the Republic of South Sudan (ARCSS) signed between the Government and the Opposition in 2015 charts the way forward to bring enduring peace, stability and a democratic order in the country. IGAD Heads of State and Government have convened several Summit meetings and given their support and encouragement to the Transitional Government of National Unity (TGoNU) to fully implement the Peace Agreement that they have signed.
The IGAD Member States have repeatedly urged the Parties to the conflict to work closely with JMEC in the implementation of the ARCSS. They have called upon the Parties to renounce violence and find peaceful solutions to their differences through dialogue. They have conveyed their collective and united messages to the Parties through their Summit meetings as well as their bilateral engagements with the Government and the Opposition. They hope that the Parties will adhere to implement the ARCSS and find amicable solutions. It is with this understanding that the upcoming IGAD Summit will be held.
Issued on 6th June 2017 in Djibouti
06062017_pr_SSudan
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Prathijna Poonacha Kodira
Senior Consultant - Director's Office | ppoonacha at iihs dot ac dot in
Home > People > Team > Prathijna Poonacha Kodira
2013 MSc (Human Settlements), Katholieke University, Belgium
2007 BArch VTU, Belgaum
Countries: India, Vietnam
States: Gujarat, Karnataka
Cities: Ahmedabad, Bengaluru
Languages: English, Hindi, Kannada, Coorgi
Prathigna Poonacha Kodira earned MSc in Human Settlements from Katholieke University, Belgium. She is Consultant – Practice at IIHS and part of the School of Environment and Sustainability. She mainly works with the climate change team and currently works on the CARIAA| ASSAR research programme. Her work focuses on understanding climate change impacts and responses in urban and peri-urban geographies both from top-down and bottom up perspectives. In peri-urban Bangalore, her research looks at how communities are responding to climatic and non-climatic risks in the context of rapid social and ecological changes with a particular focus on gender dynamics. She is also interested in understanding and applying various tools to enable multi-stakeholder participation in decision making especially in the urban context. One such tool is Transformative Scenario Planning which facilitates her interaction with diverse stakeholders to imagine the future of water in Bengaluru.
Prior to IIHS, Prathigna has worked as a consultant with the Habitat Forum (INHAF), a collaborative platform for civil society to propose a re-envisioning of urban investments in India by evaluating the impacts and outcomes of JnNURM through a citizen sector perspective. She was a Research Associate at the Centre for Conservation Studies, CEPT, Ahmedabad where as a part of the technical team, she helped prepare the dossier for the nomination of the old city of Ahmedabad to the UNESCO’s World Heritage Cities list. She has also worked as a Design Consultant in her early career, especially in the retail sector in Indian cities.
Practice Projects at IIHS
2014 onwards Adaptation at Scale in Semi-Arid Regions (ASSAR)
Public Policy/ Social Policy & Administration
Rao, N., Patil, S., Singh, C., Roy, P., Pryor, C., Poonacha, P., & Genes, M. (2022). Cultivating sustainable and healthy cities: A systematic literature review of the outcomes of urban and peri-urban agriculture. Sustainable Cities and Society, 85, Article 104063. https://doi.org/10.1016/j.scs.2022.104063
Singh, C., Patil, S., Poonacha, P., Koduganti, M., & Sharma, S. (2021). When the “field” moves online: Reflections on virtual data collection during COVID-19. Ecology, Economy and Society–the INSEE Journal, 4(2), 149-157. https://doi.org/10.37773/ees.v4i2.414
Rao, N., Singh, C., Solomon, D., Camfield, L., Sidiki, R., Angula, M., … Lawson, E. T. (2019). Managing risk, changing aspirations and household dynamics: Implications for wellbeing and adaptation in semi-arid Africa and India. World development, 125(2020).
Adelekan, I., Cartwright, A., Chow, W., Colenbrander, S., Dawson, R., Garschagen, M., Haasnoot, M., Hashizume, M., Klaus, I., Krishnaswamy, J., Lemos, M. F., Ley, D., McPhearson, T., Pelling, M., Kodira, P. P., Revi, A., Sara, L. M., Simpson, N. P., Singh, C., … Trisos, C. (2022). What the latest science on impacts, adaptation and vulnerability means for cities and urban areas. Indian Institute for Human Settlements. https://doi.org/10.24943/SUPSV209.2022
Revi, A., Roberts, D., Klaus, I., Bazaz, A., Krishnaswamy, J., Singh, C., Eichel, A., Kodira, P. P., Seth, S., Adelekan, I., Babiker, M., Bertoldi, P., Cartwright, A., Chow, W., Colenbrander, S., Creutzig, F., Dawson, R., De Coninck, H., De Kleijne, K., … Ürge-Vorsatz, D. (2022). The summary for urban policymakers of the IPCC’s sixth assessment report. Indian Institute for Human Settlements. https://doi.org/10.24943/SUPSV511.2022
Kaur, H., Aravind, J., Singh, C., Ajay, S., & Poonacha, P. (2022). Representing covid-19 impacts and responses on indigenous people: A multilingual media review in the Nilgiri Biosphere Region, India. Indian Institute for Human Settlements. https://doi.org/10.24943/NBR12.2022
Batra, P., Revi, A., Bazaz, A., Singh, C., & Poonacha, P. (2021). Transforming education for sustainable futures: India background paper (TESF Working Paper). TESF and IIHS.
Poonacha, P. (2019, December 26). How the upcoming satellite town ring road will affect lives and livelihoods around Bengaluru. Citizen Matters.
Poonacha, P., Koduganti, M. (2017). Thinking critically about the Future of Water Security in Bengaluru, India using Transformative Scenario Planning. ASSAR Information Brief, ASSAR, Cape Town, South Africa.
Bazaz, A., Poonacha, P., Koduganti, M., Bhadwal, S., Gorti, G., & Ghosh, T. (2016). Climate adaptation policy: Key findings and recommendations. Ottawa, Canada: International Development Research Centre
Poonacha, P., Solomon, D., Bendapudi, R., Rahman, A., Basu, R., Badiger, S. (2015). Risks, vulnerability and impacts. In Revi, A., Bazaz, A., Krishnaswamy, J., Bendapudi, R., D’Souza, M., & Gajjar, S. P. (Eds.), Vulnerability and Adaptation to Climate Change in Semi-Arid Areas in India (ASSAR Working Paper). Cape Town, South Africa.
Rahman, A., Poonacha, P., Solomon, D., Bendapudi, R., Bazaz, A., Gajjar, S. P., & Badiger, S. (2015). The regional to sub-national context. In A. Revi, A. Bazaz, J. Krishnaswamy, R. Bendapudi, M. D’Souza, & S. P. Gajjar (Eds.), Vulnerability and adaptation to climate change in semi-arid areas in India (ASSAR Working Paper). Cape Town, South Africa: ASSAR.
Singh, C., Patil, S., Poonacha, P., Roy, P., Malladi, T., Mahalingam, A., Koduganti, M., & Sharma, S. (2021). Understanding the impacts of urban and peri-urban agriculture on human wellbeing and urban sustainability: Case of Bangalore and Pune. In Urban imaginaries 2021: IIHS annual research conference proceedings (pp. 143-146). Indian Institute for Human Settlements.
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Electoral College Follies
by Charlie Johnston
Illinois Gov. Rod Blagojevich has the chance to do something right. Last month Illinois became the third state to pass the National Popular Vote Bill, which would direct a state’s presidential electors to cast their votes for whoever wins the national popular vote. But in Illinois, unlike Maryland and New Jersey, the bill has not yet become law. In this state the governor has not yet signed the legislation – and has told reporters he is not sure if he will.
On most matters we show a certain reverence for the founders. Well we should. They created the first democratic republic in history that did not rapidly degenerate into chaos and end in dictatorship. Their achievement is profound: while the United States is one of the youngest nations on the planet we have the oldest continuous form of government. That achievement is doubly impressive if one is aware that, historically, democracy has been one of the most volatile, unstable forms of government known to man. The founders somehow managed to separate the nitro and the glycerin of freedom and create something that would last rather than blow up every time it is jarred.
When in high school I, too, thought the Electoral College a strange, antiquated institution. While in college I came to recognize some of the magnitude of the founders’ achievement. Rather than assuming they had tossed it into the Constitution as some sort of bizarre joke I thought it more useful to do some investigation on what, exactly, was on their minds. (Incidentally, when he was a senator, the late Pres. John Kennedy wrote a very lucid explanation of the Electoral College and why it has served the nation well). The group behind this push, National Popular Vote, Inc. (NPVI), helpfully explains that among the main reasons the Electoral College was originally needed was because of the lack of cell phones, computers, calculators, the internet and other modern inventions. Can they possibly be that stupid?
A presidential election, though held on a single day, is not a single election. It encompasses 50 discrete elections, one in each state. To give an example, suppose the Cubs and the White Sox were in the World Series (you Southern Illinois Cardinal fans can substitute the Cards and the Royals – or better yet, an NLCS between the Cards and the Mets). The White Sox win three games by a score of 10-0. The Cubs win four games by a score of 1-0. The White Sox, in essence, win the popular vote 30-4. But the Cubs win the series because it was not one seven-day long contest to see who could score the most runs. It was seven individual games. Perhaps you think a presidential election should not be the collective decision of the states, but a single expression of the national popular will. Consider some of the real reasons the founders adopted the Electoral College and how these reasons relate to modern circumstances.
First, the states are different sizes. In order to prevent small states from losing all influence and just being swept along by big-state interests in national affairs, the small states’ weight in the electoral college is slightly larger than the big states in comparison to their population, because of the uniform rule of two senators per state, regardless of size (the total number of electors each state gets is equal to the sum of its members of the U.S. House and Senate). Abolish the Electoral System and every presidential election hence would be contested – and decided – in five to eight major urban areas. Small, and even medium size states, might never again even see a presidential candidate. Rural influence on presidential elections would evaporate entirely. After a few elections voters in small states and rural areas would figure out their vote was utterly meaningless. Participation in elections would likely drop because of the futility of it. Tensions between rural and urban interests would become dreadful, perhaps intractable. Even the invention of cell phones hasn’t changed that.
Second, there was the fear of regionalism, that some areas of the country with common interests might band together to hijack national presidential elections by the intensity of their votes. Were it not for the Electoral College this would have actually happened in 1860. There were several southern states in which Abraham Lincoln did not get a single popular vote. Despite having a minority population, the south, by the intensity of its commitment to the slave culture, could have hijacked that election from the rest of the country. The Electoral College prevented that. The Civil War was a great battle both over slavery and national union. The crisis would not have been averted without an Electoral College, only postponed and intensified. The likely end result would have been the Balkanization of what is now America. One of those little filigrees the founders added, to give stability to this great democracy, worked to save the nation and put an end to the sort of regionalism that had, in earlier times, been catalyst for destruction of democracies. Abolishing the Electoral College would likely resurrect the spectre of regionalism. Take a look at the map. West of the Mississippi River every state except California and Texas would become powerless in national elections unless some of them banded together and, as the old south did in 1860, voted monolithically. In the southeast, which states other than Florida and, perhaps, Georgia, would have any influence? Look carefully at the map before glibly injecting this old element of instability back into the prospect of national union that the founders most painstakingly and brilliantly worked to eliminate. The invention of calculators doesn’t change this a whit.
Third, there is the matter of vote fraud. It truly puzzles me that proponents of this plan seem to honestly believe it would make fraud more, rather than less, difficult. The founders created the Electoral College, in part, to make it more difficult for unseemly combinations to conspire to hijack an election. Read that as vote fraud and special interests. It is rare that a conspiracy of fraud in only one state could hijack an election (Evidence of massive fraud in Illinois and Texas, either of which could have changed the election, exists from the 1960 election, but it is the exception, rather than the rule. Even had Nixon chosen to contest the result, he would almost certainly have combined himself to one or both of these states, rather than the even more nightmarish scenario of a national recount). Imagine that polls show an election to be a dead heat in the late going. Conspirators do not have to come up with multiple conspiracies in several states to cheat the electorate: they need only confine themselves to electoral corruption mainstays such as Chicago, Texas, Louisiana, Los Angeles and such. Massive vote fraud in any one would be sufficient to gain a tainted victory where only the national popular vote counts in a dead heat. One need only look at the experience of western democracies where a single, national vote does determine the outcome of the chief executive to see that fraud changing the outcome is easier, not harder than under our “archaic, antiquated system.” The invention of the computer makes such “unseemly combinations” much easier.
Fourth, the legislation is unenforceable. Under the Constitution once electors are chosen, they have the absolute right to vote for whomever they choose. Long-term practice has led to a gentleman’s agreement in which each elector votes for the candidate who won their state’s popular vote. Once a state has chosen its electors, it cannot bind them to vote for anyone in particular. It would require a Constitutional Amendment to change this. In 2000, the Gore campaign actively tried to persuade electors from states that voted for Bush to be ‘faithless’ and vote for Al Gore anyway. In each of the elctions of 2000, 1988, 1976 and 1972 a ‘faithless elector’ did vote against who they were pledged to. Any serious enforcement clause injected into NPV legislation might well make it unconstitutional.
Imagine, now, a scenario in which Barack Obama and Rudy Giuliani were their respective party’s nominees (I choose them for this example because of the big states they come from). The election is close as can be. Without Illinois, Giuliani is the victor. Former Chicago City Clerk Jim Laski has been doing interviews of late explaining the “Chicago Way;” how they would accomplish vote fraud not just by forgery and voting the dead, but actually cutting and pasting the chad on absentee ballots if they were cast for the ‘wrong’ candidate. You’re from New York and you have read about all of this. Do you ask your delegation to vote for Obama? And what about the rest of the country? If the legitimacy of a presidential election came down to believing in the electoral integrity of the Chicago precinct captain, what kind of chaos would ensue? Once this boundary was breached it would be far more likely to destroy the gentleman’s agreement among electors than to enhance national unity. The internet could communicate the news, but not stop the chaos.
Over the last century we have abolished many of the elements of stability the founders injected into our unique system of government. A serious student of the history of democracies would be alarmed at the number of symptoms our culture has developed that have previously been precursors to a democracy’s descent into chaos. The elimination of yet another is not a good idea. Contrary to popular (and uninformed) opinion, the Electoral College was not invented by a mad founder as a practical joke.
The head of NPVI, John Koza, is a computer scientist who teaches at Stanford University. I will defer to his judgment on computer, cell phone, and internet technology, regardless of any commentary by founders I might run across. I would ask that, in return, he show a little more respect for the founders’ achievement and expertise.
As for Gov. Blagojevich, he can do both this state and the nation a signal service by following advice once given by Nancy Reagan: Just Say No.
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Spotlight - go to homepage
Treasure Valley Spotlight: Mark Renick
By Idaho Press in news
Leaving prison isn’t always simple, and that’s where Mark Renick comes in. Renick is the state coordinator for re-entry services for St. Vincent de Paul, a Catholic volunteer organization. With a team of almost a dozen volunteers, he assists 12 to 17 people a week in the first hours after their release from prison. Most often it starts with a simple car ride from prison and a hot breakfast immediately after being released but can go as far as rental assistance, help in finding employment and support from others looking to get back on track after serving time…full story | 2023-14/0000/en_head.json.gz/3823 | {"url": "https://imsihopecommunityphaseii.com/tags/spotlight", "partition": "head_middle", "language": "en", "source_domain": "imsihopecommunityphaseii.com", "date_download": "2023-03-20T10:18:21Z", "digest": "sha1:J4ETR76VDZNFYJL4O46Y7XAFPVEMMIKZ"} | {"ccnet_length": [[0, 664, 664.0]], "ccnet_original_length": [[0, 664, 1794.0]], "ccnet_nlines": [[0, 664, 4.0]], "ccnet_original_nlines": [[0, 664, 69.0]], "ccnet_language_score": [[0, 664, 0.96]], "ccnet_perplexity": [[0, 664, 281.6]], "ccnet_bucket": [[0, 664, 0.0]], "rps_doc_curly_bracket": [[0, 664, 0.0]], "rps_doc_ldnoobw_words": [[0, 664, 0.0]], "rps_doc_lorem_ipsum": [[0, 664, 0.0]], "rps_doc_stop_word_fraction": [[0, 664, 0.41984733]], "rps_doc_ut1_blacklist": [[0, 664, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 664, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 664, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 664, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 664, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 664, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 664, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 664, 0.03703704]], "rps_doc_frac_chars_top_3gram": [[0, 664, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 664, 0.0]], "rps_doc_frac_all_caps_words": [[0, 664, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 664, 0.0]], "rps_doc_frac_no_alph_words": [[0, 664, 0.1221374]], "rps_doc_frac_unique_words": [[0, 664, 0.75221239]], "rps_doc_mean_word_length": [[0, 664, 4.77876106]], "rps_doc_symbol_to_word_ratio": [[0, 664, 0.00763359]], "rps_doc_unigram_entropy": [[0, 664, 4.31003286]], "rps_doc_word_count": [[0, 664, 113.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 27, 0.0], [27, 66, 0.0], [66, 89, 0.0], [89, 664, 0.0]], "rps_lines_javascript_counts": [[0, 27, 0.0], [27, 66, 0.0], [66, 89, 0.0], [89, 664, 0.0]], "rps_lines_num_words": [[0, 27, 4.0], [27, 66, 5.0], [66, 89, 5.0], [89, 664, 99.0]], "rps_lines_numerical_chars_fraction": [[0, 27, 0.0], [27, 66, 0.0], [66, 89, 0.0], [89, 664, 0.00706714]], "rps_lines_start_with_bulletpoint": [[0, 27, 0.0], [27, 66, 0.0], [66, 89, 0.0], [89, 664, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 27, 0.03703704], [27, 66, 0.12820513], [66, 89, 0.13043478], [89, 664, 0.0173913]], "rps_doc_ml_palm_score": [[0, 664, 0.04424733]], "rps_doc_ml_wikipedia_score": [[0, 664, null]], "rps_doc_ml_wikiref_score": [[0, 664, 0.42241675]], "rps_doc_books_importance": [[0, 664, -20.08495492]], "rps_doc_openwebtext_importance": [[0, 664, 16.28428928]], "rps_doc_wikipedia_importance": [[0, 664, -5.07914092]], "rps_doc_num_sentences": [[0, 664, 5.0]]} |
China's COVID-19 Data Flawed: 82,238 'Official' to 1.5 million 'Estimated' Deaths
By Jan Servaes*
BRUSSELS, 19 Feb 2023 (IDN) — “China has created a miracle in human history, in which a highly populous nation has successfully pulled through a pandemic.”
The above quote can be read in the report published by the state news agency Xinhua of the Standing Committee of the Political Bureau of the Communist Party of China (CPC) that met on Thursday, 16 Feb 2023, in the presence of President Xi Jinping: “China has taken an extraordinary journey in its COVID-19 prevention and control work”.
There was hardly any mention of the sudden change of course from a zero-covid to a 'no-control' policy, with all its disastrous consequences. Rather, “China's COVID-19 response has made a smooth transition in a relatively short time, with more than 200 million people accessing medical services, nearly 800,000 severe cases receiving proper treatment, and the country's COVID-19 fatality rate remaining the world's lowest,” the report said.
“It has been proven through practice that the CPC Central Committee has been right in its judgment of the pandemic situation, major response decisions and major strategy adjustments”, the meeting said.
The report concluded: "The measures have been robust, have received approval from the people, and have shown great effect."
On 14 Jan 2023, the government claimed that the viral surge had reached its peak and announced that China is open for business again. Certainly, the latter can be doubted because by the end of 2022 economic growth—for a long time a mainstay of the communist regime—had fallen to 3 percent, the lowest growth rate since 1974.
Murmur in the streets
Not everyone seems willing to blindly close ranks. Some cannot forget the years of large-scale lockdowns, the closures, quarantines and near-constant mass testing. In November 2022, for instance, approximately 530 million Chinese people were subject to lockdowns—more than the entire population of the European Union!
There is no public record of how much China invested in what became a signature policy of leader Xi Jinping. But according to a Reuters estimate last year, Beijing was on track to spend more than 350 billion yuan ($52bn) on Covid testing, new medical facilities, monitoring equipment and other anti-Covid measures in 2022.
According to data collected by Hua Chuang Securities and Goldman Sachs, in the three years that zero-COVID was in effect, the government is estimated to have spent a whopping 200 billion yuan ( $29.2bn) to PCR testing. alone.
In late November, Chinese citizens took to the streets and questioned President Xi Jinping's leadership for the first time.
The BBC reports that many of those who took part in the so-called White Paper protests went missing, taken by authorities in a quietly deepening crackdown on dissenters. “Now, months on, scores of those protesters are in police custody, say Chinese activists, with one group estimating there have been more than 100 arrests”.
Many of those arrested are well-educated women—some attended universities in the UK and the US—and they include writers, journalists, a musician, a teacher and a financial industry professional.
Since these mass demonstrations, several small-scale protests have also erupted over issues ranging from fireworks bans and unpaid wages to frozen bank deposits. Such local protests are not uncommon. But according to some commentators, this way the pent-up frustrations of three years of zero-COVID measures find a way out for ordinary Chinese.
Despite pervasive government surveillance and online censorship, they dare to speak out. After all, China's underfunded health system is under immense pressure, from a rapidly aging population to local government budgets decimated by three years of enforcement of COVID restrictions, such as centralized quarantines and mass testing.
In January, hundreds of retirees in the southern metropolis of Guangzhou protested after their personal medical benefits were cut from about 482 yuan ($70) to 160 yuan ($23) in December.
As of 1 Feb 2023, personal health insurance for Wuhan retirees was reduced from about 5% of the average basic pension to 2.5%, or 83 yuan ($12) per month, according to the Wuhan Healthcare Security Administration.
Under the reforms, mandatory personal accounts will be used to pay for medicines, while doctor visits and hospital stays will be subsidized by a common public account made up of employer contributions.
Since January, similar insurance reforms have been implemented in provinces and regions including Jiangxi, Gansu, Shanxi, Qinghai, Sichuan and Guangxi. While it is unclear if there are further protests elsewhere, the popular outcry of senior citizens in Wuhan and Dalian has raised awareness of the issue on social media.
There is a widely held belief that Chinese officials are trying to recoup the huge sums spent on mandatory Covid testing and other pandemic measures.
On Weibo (the Chinese Twitter), the hashtag #healthinsurance was very popular for criticizing the regime until it was removed from the site's "hot topics" section by censors.
The link corresponding to the site of the most recent protests in Wuhan—Zhongshan Park—was also censored and photos of the demonstration removed. However, they can still be seen on the site of Radio Free Asia (RFA), sponsored by the US Congress.
But even as China's massive censorship apparatus kicks in, there is still a lot of support for the protesting pensioners on social media. “Beijing will have to find a way to solve the problem if it wants to avoid further public unrest,” notes BBC correspondent Stephen McDonell.
This new round of protests has put pressure on Xi Jinping's government, just weeks before the expected announcement of a new leadership team in March. It looks more and more like a political crisis is possible.
From the 'official' 82,238 to 1.5 million 'estimated' COVID-19 deaths
Since the lifting of the 'no-COVID' policy on December 7, 2022, 'only' 82,238 COVID-19 deaths have been recorded between December 8 and February 2, 2023, according to the government's official count.
Many academics and epidemiologists believe the number is a huge underestimate because it counts only those who died in hospitals, not those who died at home. While it's impossible to know exactly how many people died at home between 2018 and 2020, only about a fifth of all deaths in China occurred in hospitals.
Another major reason is that China has a very different and narrow definition of what counts as a COVID-19 death. Chinese bureaucrats only count those deaths as Covid-19 deaths involving respiratory failure, excluding all other infected people who died of liver, kidney or heart failure.
This exemption from other COVID-19-related deaths has sparked widespread skepticism, prompting the Chinese government to release separate data on other deaths in January. But even these data were incomplete according to the WHO.
More than 80 per cent of the population, or 1.13 billion people, were infected with COVID-19 as of January 21, according to Wu Zunyou, chief epidemiologist at China's Center for Disease Control and Prevention (China's CDC).
Wu's data is supported by other models, including The Economist's projection of 1.0 to 1.5 million deaths, based on assumptions about the unfettered spread of COVID-19 after reopening; UK Airfinity's estimate of 1.3 million COVID deaths between December 1 and February 6; and a New York Times analysis, published on Feb. 15, also estimating between 1.0 and 1.5 million deaths since reopening.
Four teams of researchers worked on different estimates and converged them into broadly similar estimates.
All these estimates show that China's official COVID-19 data is flawed and that it is probably the only country in the world to deal with its first major wave of infections without any attempt to slow it down, resulting in the fastest spread of a respiratory pandemic virus in modern history.
Also, anecdotal evidence from clinics, hospitals, crematoriums and obituaries that have been published suggest that the true death toll may be closer to the high end of these estimates.
“Of course, the viral wave played out over a much larger population, but it is very likely that there were more COVID-19 deaths in China in two months than in the United States in three years,” said Yanzhong Huang, Senior Fellow for Global Health at the Council on Foreign Relations, professor at Seton Hall University's School of Diplomacy and International Relations, and director of the school's Center for Global Health Studies, South Orange, NJ, in the authoritative Foreign Affairs.
Consequences for Xi and the CPC?
In fact, Beijing's response to the pandemic — both before and after zero-COVID — could have significant long-term consequences for the one-party state, Yanzhong Huang argues.
China's COVID policy has exposed some fundamental truths about Xi Jinping's regime:
(1) - “For one thing, they have demonstrated that contrary to his predecessors from Deng Xiaoping to Hu Jintao, who sought to make decision-making more technocratic and collective, Xi has strengthened the nonscientific and nondemocratic features of Chinese governance.
Rather than providing the most effective and efficient solutions to the pandemic, many of the zero-COVID strategies served to extend the reach of the state. With the onset of the pandemic, Beijing saw an opportunity to pursue almost unchecked surveillance and control of the population.”
(2) - Instead of taking a step-by-step approach and preparing for the shift, for example by vaccinating the elderly or investing in peak capacity in hospitals and health clinics, Beijing simply announced that the policy would end on 7 December. “In instead of trying to 'flatten the curve'—the strategy epidemiologists around the world have generally advocated—implicitly encouraged local governments across China what was known as “yingyang jinyang”, “those who should be infected are all infected”-, and “kuaisu guofeng”,—“bring the population to the viral peak quickly.”
That strategy, coupled with the shortage of medical supplies, hospital beds and intensive care (ICU) equipment, led to an explosion in COVID-19 infections and deaths in December and January. And as the virus swept through the country, the government quickly shifted its policy agenda to economic growth.
“In addition to exposing Xi’s policymaking as fundamentally autocratic, the shift from one extreme to the other also undercut people’s trust in government. After all, Beijing had spent nearly three years highlighting the grave danger of the disease and vowing to avoid the approach taken by other countries of living with the deadly virus, or tangping—“lying flat” as Chinese officials derisively called it. Yet in December, the government was suddenly saying the exact opposite: it justified the pivot away from zero COVID by downplaying the severity of the virus, and it adopted precisely the accommodationist approach it had once ridiculed.”
(3) - Part of Beijing's 'resilience' is due to its control over information and communication media. “Through obfuscation, stonewalling, and misinformation, the government managed to deflect the frustration of ordinary people away from itself. Instead, popular anger was directed at public health experts, who were accused of misleading people on the severity of the virus, and those who favored living with COVID-19, who were blamed for pressuring the government to reopen without any preparation.”
And Huang concludes: “The highly centralized and personalized rule under Xi is no guarantee that similar catastrophes will not be repeated in the future with even greater consequences.”
Jan Servaes was UNESCO-Chair in Communication for Sustainable Social Change at the University of Massachusetts, Amherst. He taught ‘international communication’ in Australia, Belgium, China, Hong Kong, the US, Netherlands and Thailand, in addition to short-term projects at about 120 universities in 55 countries. He is editor of the 2020 Handbook on Communication for Development and Social Change.
https://link.springer.com/referencework/10.1007/978-981-10-7035-8
*Jan Servaes was UNESCO-Chair in Communication for Sustainable Social Change at the University of Massachusetts, Amherst. He taught ‘international communication’ in Australia, Belgium, China, Hong Kong, the US, Netherlands and Thailand, in addition to short-term projects at about 120 universities in 55 countries. He is editor of the 2020 Handbook on Communication for Development and Social Change.
https://link.springer.com/referencework/10.1007/978-981-10-7035-8 [InDepthNews]
Image: Chinese with masks in Beijing. 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IFH 416: Acting in the Age of Coronavirus with Joseph Reitman
November 13, 2020|Indie Film Hustle
Filmmaking during these crazy times is tough, if not impossible in some areas. Imagine acting on a set in the age of COVID-19. I wanted to bring a veteran actor on the show to discuss how these insane times are affecting actors and I could think of no better person than 25+ year acting vet Joseph Reitman. Many of you might recognize him as the co-star of my first feature film This is Meg. If you haven’t seen check out the trailer below.
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Joe is best known for playing the villain in Happy!, Money Monster, Lady in the Water’, Clueless, Jay and Silent Bob Strike Back, and The Perfect Storm. We sit down in this episode and discuss how SAG is handling COVID-19, what it’s like being on set, and what the future holds for film production as we know it. This is a very entertaining and informative show.
Enjoy my conversation with Joseph Reitman.
Now, guys today on the show. We have an old friend of mine, Joseph Reitman, and Joe has been acting in Hollywood in some of the biggest movies and TV shows now for over 25 years. And I wanted to talk to Joe about what it's like acting in the time of COVID. And how sag is dealing with COVID how actors are being treated on set, how actors are being treated by their own union. All of those things because I know as difficult as it is to think about being a filmmaker at this time. Imagine what it's like being an actor in these crazy crazy times. Now you guys might recognize Joe from my first feature film, this is Meg, where he was a co star with Jill Michelle Milyon and he definitely was one of the most memorable parts of shooting that film I absolutely loved working with Joe was an honor. And Joe has been like in every movie and television show ever from the Punisher to charmed to perfect storm and Money Monster with George Clooney and Jodie Foster. m Night Shyamalan lady in the water, Kevin Smith, Jay and Silent Bob strikes back and Jay and Silent Bob reboot, which was just released this year. So I thought I'd bring Joe on so we could talk shop and to talk about what the future of film production is from an actor's point of view. So without any further ado, please enjoy my conversation with Joseph Reitman. I like to welcome back to the show actually. Returning champion Joseph Reitman. How you doing, Joe?
Joseph Reitman 4:05
Good to see you. How are you?
You actually you actually made an appearance on the show? When we did that? This is Meg episode when we recorded the whole gang at the at the cinequest world premiere?
I did. That's correct. We did the whole thing with that little thing in the middle of us, I think where we were in a hotel room, right?
We weren't a hotel room and I busted out my iPhone. Iphone five whatever it was, I'm like, okay, we're just gonna record it here guys. And we just passed around the iPhone. It was
It was it wasn't bad wasn't that conversation
It was it was good. So for everybody who don't doesn't know, Joe. Joe was one of my main actors in my first feature film. This is Meg with the lovely Jill Michelle Milyon. And if you're watching this, you might recognize one of the sets from this is Meg, which is behind Joseph Joseph. shoulder, which is his lovely living room. And he he so kindly helped us out with on on the road to making millions with that.
Yes. being highly paid for location, all that stuff, right?
You have received all the checks, right?
Yeah. All of them
Good. Because we've been sending them. We've been sending, just let me know. As soon as I get them, you get them. So that's just the way it rolls.
Yeah, well, you know, I must say about this is Meg. I mean, interesting enough, it is out of all of the indie things that I've done. Yeah. When people see it, I'm always amazed how people, people always talk to me about my relationship with Joe in that movie, because they're like, you guys really seem like best friends really are. You know, it's a really weird thing, right? I mean, super weird.
It's not, it's not a lot of acting there. It's just, you know, we're just acting. And that was what I wanted to catch with you too, because you were just being yourselves like that silly scenes in those, all that kind of stuff. But I still remember if, if I may, when we when you saw the film, for the first time you were at, we were in the audio facility. And we watched it, and I still remember your face. And you look puzzled. Because like, I think you walked up to Jill afterwards, she like, that actually count that looks like a movie, like, shocked, because of what you saw. We were shooting and how we were shooting it. And you know, it was like it turned out like, like a real movie.
Well, me, you know, a lot of like, budget projects, you know, living in Hollywood, and I have friends who like everyone's blue shirts open. So like, you know, you do that a lot. And and especially, you know, I mean, obviously, Kirby enthusiasm was a big hit and and just let's do something just off the cuff. And I knew she and I were having fun. And we had a crew of like, five, right? So there's nobody here, you know,
5 like three? If you include you and Jill, yes, then five, and the dogs and the dogs.
Also, like, you know, whenever we're moving stuff and ordering lunch, I say it's fine. So it's like, you know, so I was location manager. Like, I mean, you take a look at all that stuff. And yeah, you said you're like, Yeah, what's gonna you know, what, what are we going to have at the end of this thing? You know, it'll be fine. And but yeah, at the end of the day, I was like, this looks a lot better than I shouldn't. We thought it would definitely looked a lot better. If you bang for the buck on the screen. It was great. Really great.
Yeah, it was it was it was just fun. And I still never forgot that because it was just kind of like, it's kind of like a real movie. And I think Jill, Jill felt the same way. And a lot of people who saw that movie because it had no business looking even remotely. Okay, not yet not sucking. It didn't have any reason. There was no reason for it to look halfway decent. It just No, no, no,
I literally sat there. I'm like, No, you sit there. The phrase like, hey, this doesn't suck is actually I go real honest answer for like how you thought it looked? Right. You're like, this doesn't suck this is. This is pretty solid. Yeah. You know, it's, it's false in a weird zone for me, because like the stuff with Jill, it's not in a place. That would make my reel necessarily, right. It doesn't really fall into that zone. But it's also much better than like, 90% of the crap that's out there. So you know, it's a weird position to but it was a it was very good. It was really good.
So for people, the people who are watching, you know, they might see that face and they go, I've seen him somewhere besides Mac. I've seen him. You've got it? Well, obviously, no, no. Not recently, not not not not for years now. Not for years. But you have you are one of those actors who have been in everything. But before we get into this filmography, how did you get into the business?
Oh, how far back? Did we want to go? Like how to become an actor? or How did I get into Hollywood?
I say how do you get into Hollywood? Because that's kind of like where the stuff kind of starts.
And sort of, I mean, it started with me in high school, like, you know, when I was in high school, we'll go back for a second. And we'll go through this quick, but like I wasn't, you know, when I was little, I would always like act in front of the mirror to myself, whatever. And I never took an acting class. And then in high school, there was a company going to London to do a show. And, and without telling anybody, I wouldn't audition for the company. And I came home and I went, Mom, I have good news and bad news. The good news is that I got into a theatre company that's going to London to perform for two weeks. And she was like, What? And I said, Yeah, go bad news is we have to find out how to pay for me to go to London for two weeks. So I was like, No, I don't know what to do. Now. I go, I she's like, what did you do? I go, I went an audition. Just did this thing. And so I got into the company, and I went formed in London for this theater, a festival called the new ham International Festival Theatre in New York. And nifty and right. Yeah. And we pulled all over London and we did a show at this all girls school and after the show there were like 40 girls waiting for me. I went I might be pretty decent this big, you know, this is gonna work out this is gonna work. I kind of like kinda like this. I was like, you know, 16 being like, Oh, this is this is a good for me. And so I kind of knew at that point, but went off to college and studied theater and film at the Claremont Colleges State Theatre, Pomona. While I went to Pitzer, then I then I graduated. Well, what and then was there? Back in the day before there was the internet, you remember, right? There was a bulletin board at our school and there was something put on the bulletin board about asi looking for an actor, right. They wanted a guy who play a high school football player, and I would play I was playing college football. And I was like, I could do that. And I didn't know how to drive. Because I grew up in Boston, I have a license and friend of mine from college, drove me into town, grew up in Beverly Hills drove me to asi and I went for an audition to play. This high school football player was making out this girl in the backseat of a car and drinking and being me.
Me at that time. Sure.
Joseph Reitman 11:14
Exactly. In the end, I got the job. And that was the first thing I'd ever done. Like I'd never done anything. And my first audition I was like, this is amazing, you know, so
It so easy to be an actor.
Yeah, right. Oh, my God, I got my first audition. This is crazy.
And you thought you made it, you made it.
I mean, compared to everybody else in my school, Look, everyone else in my theater department, who graduated me who are very good actors. Only one. One girl who was was brilliant does voiceover and everybody else did that to get you know, I mean, and I said I'm going to Hollywood. And I thought and I thought it was easy, you know, and I got an agent pretty quick. And, and I sent him an audition, they were looking for a long haired motorcycle, kind of like guy for this commercial, right? And I went, Oh my god, I have a motorcycle. I have long hair. I'm perfect. And I drove to this audition. And there were 40 motorcycles parked outside, like the place that the casting and it was, before I even went in the room. I was like, Oh, no. And it was like a super huge awakening for me thinking that I was so unique. And and I walked in and there were 40 long haired leather jacket wearing guys, just like me.
And that's the thing. That's the thing about Hollywood that people don't understand. And la in general, it's like when you come out from because I come from, I come from the east coast, you come from the east coast. When you're there, you're that big fish in the East Coast or outside of LA. But when you get here, what made you thought you made us look so unique? You show up to something like that. And you're just like, oh, there's 40 guys who look just like me, and most of them look better than me. And most of them got insane credits.
Yeah. And I've seen half of them on TV. And I was Oh, no, my first audition was it was so eye opening real, like punch in the gut. And I tell people, you know, Hollywood is the land where the elephants come to die. You know, I mean, that's what I tell people. That's, that's good. You know? Yeah. Right. It's like, you know, this is where the elephants come to die. You know, you're the biggest, you're the biggest and the baddest where you grew up, and you come here. And that's it. And then next thing, you know, you're walking down Hollywood Boulevard falling between the cracks of the stars on the foot and walk of fame, you know, you're like, Whoa, you know that trying, just try not to slip in between the cracks. That's all you're trying to do. You know, you walk in Hollywood Boulevard, and you recognize one and every five names that you see on that sidewalk. And at some point, each one of those names was the biggest thing what they did, every single one of them at some point. You know, and you sit there you go. That's how fleeting it is. Like, I only know like 20% of these names, and 80% of them are fantastic, and powerful and strong. And here we are, you know, just hoping that somebody just pays attention. Now. Now with all that said, I've also spent all my time since then trying to create a unique voice for myself. I mean, that, you know, wakes you up and makes you realize I might not have been that different than everybody else or 40 other guys, but there has to be something that makes me unique. And that's a big part of like what I've focused on in my career. Even if it's hurt me at times, it means that I can't play your average school teacher all the time.
Boys when I saw you on just magic the other day when my my my daughter's my daughter's were watching it on Amazon Prime. And I'm like, oh, there's Joe. And I think they said, Isn't he the actor who was in this is Meg. I'm like, Yeah, it is. Yes, it is. He's like, I was just telling Joe before we came on, like I was just watching like an episode of monk and he popped up and I was watching the Punisher and he pops up like he's just that face that pops up everywhere. And for people listening I don't even I don't even know if I told the story when we first had you on the show, but I had reckon I knew I recognized your face. And I only knew you at the time as the guy who was charmed, because I was like the dude who was uncharged because you had such a unique look. And I was selling olive oil for my olive oil company at the Calabasas farmers market. And you would show up with your dark jacket and your helmet and you would go and buy your stuff. And I always just remember seeing you because like, oh, there's the dude from charmed. You know, I think I think Bo bridges like followed you in one day. And I know there's no bridges. But it was and then years later, I'm talking to Jill, she's like me and my buddy Joe should be in this and I look at him like, Oh my god, I can't believe it's, it's the guy from that guy. That guy tries my balsamic every week. It doesn't buy anything. It doesn't buy a thing. So you didn't buy the bow bridges bought me bought some balsamic for me, sir. Yes, but not you. I apologize. But to be fair, though, you did Lend me your house for a photo film shoots up. So for that, we're even even even even Steven sir, even Steven. Yeah, charm, was it that was it but you have such a unique look. You have a Joseph reitman type, as you were saying earlier. Can you tell? Can you tell that story?
Anything is that you're it's funny because people have no job. I did like and I also did supernatural. It's the same people who watch both those shows really, you know, and people sit there and they go, Oh, God, you're so much older. I'm like, Yeah, I did Trump 20 years. Like, yes, yes. Yes.
ILike reruns. t's called. It's not live. It's reruns
20 years ago. They're like, Oh, you look older. And I do. That's exactly what happens. You know? What that apologize?
I try. I try. I tried it, I think and as good as again, you know, man, I get it looks 60 You look great for 65. But I don't know, I don't care what anyone tells you.
Before there was color movies. And I was performing the Borscht Belt. Oh, with Ave. in they, they did this thing. They started talking about who's on first and I go That's funny. You should do that more often. Next thing, you know, boom, they will no longer there.
That's amazing.
Friggin old man. Yeah,we were talking about what we're talking about. We're talking about Yeah, a type, right.
Yeah the Joseph Reitman type.
So yeah, I had kind of created by, yeah, about 20 years ago, right about the time just before charms in that area. I started kind of finding my own voice, right. And it took me time. There's a short version that leads up to that to kind of we just breezed by how I got to Hollywood too. But that doesn't matter. But, but we can go back to that one too. But like what happened was I was running a stand up room in LA. And a guy in the stand up room. There was a comedian named Eric Edwards, who was at the time, like 400 pounds, he was enormous. And, and I would introduce all the comics, I did like the openings for all of them. And so before I introduced him, I said, Hey, our next comic is next time What we have is the biggest comic that we have coming up tonight. And when I say big, I mean friggin huge. He's enormous. And like the joke, and then he got up on stage and he was like, That's really funny. He was but what happens when you audition? There's what 2000 guys who look like you and LA, he's like, there's only four like me. Now, it kinda like Dean. I was like, Oh my God, he's absolutely right. I'm competing against like, Casper van den and for him like at the time, you know, and the guys who you know Jason Priestley I'm as audition is all these guys that were not that I was not competing with really, like, I don't have a look like them, you know, and I was learning even if I tried to softer myself ever had my short hair and you know, tried to be chiseled, it was not working. And I had a motorcycle accident and grew my beard and my hair grew out. And next thing you know, I was getting cast. And it was in I was like, Oh my god, like it's, I've grown into this thing. So I started getting cast as, as this character's long haired, scruffy kind of like guy, and it was really working for me. I had done some married children's playing Kelly bunnies boyfriend, which was my dream job in either picture on my wall in college. I can on my wall and I was like, in love with her. And, and also, I told my friends, I could play her boyfriend and they're like, What makes you so sure I said, because I can play a guy that thinks she's smart. And that is all I need to do. And I did and so I end up playing that role a few times. I then booked a show on ABC and and I was not available for a lot of the year and what happened is that married children released a breakdown saying looking for Kelly boyfriend Kelly's boyfriend for a role on the show. We're looking for a Joe reitman type right and I happened to be off from the show is working on my agent ghosts. You never gonna believe this. This is what they said. We're looking for a Joe reitman type. And I said, we'll call them tell them available. My agents had a did they don't want and I was like, but they want my type. They would Yes, they want people know what they were looking for, but they don't want you
We want someone who looks like you, but we just don't want you.
Well, you know, there's the five stages of Hollywood. You've heard that before, haven't you?
Please, for everybody in the audience,
right. For those who don't know, the five C's always like, you know, who's Joe reitman? Right. We want Joe reitman. We want somebody like Joe reitman. We want a young Joe reitman. Who's Joe reitman? Right. I'm currently in stage five. That's, that's
I want a young Joe right? Oh, that's, that's what it is. It's funny, but it's the truth. It's the truth. That is the absolute truth. And that is the lifecycle of an actor in Hollywood. It's, it's, it's brutal. It's brutal. I mean, I think, but I think nowadays, more than ever, there's so much more opportunity for actors to build something outside of just acting and maybe do their own work or produce their own projects and things like that to just, you know, or, you know, to do like, what you do you teach, you know, teach and other things you can do to generate revenue, that's not just act, you know, you you at the whim of somebody else, for your time
You moved to Hollywood, you had a choice to wait tables, bar 10, pretty much and then you just had to hope that you could hold on to that job long enough until you had a break. And now, that's changed, because you can't make enough money acting to do that, like adding money is not as good as it was 20 years ago, it's not the same, right? Because there's less channels. And because of that, you know, obviously, everything's blue water down. My day rate, if you do like the like interest and kind of like inflation, the day rate of an actor has gone down tremendously. And as you know, you pay people $125 a day to back to the movie now, you know, if you want to and then right, so it's crazy. When like, I did, er, 25 years ago, they paid me $1,000 for the day, and I had no credits and I did one line on that show.
And you got residual and you still are getting residual payments off of that. yesterday. Yeah, totally. Yeah. Is it a Seinfeld residual check. Is it like Pat, it's like, two cents. Remember that episode, where he got like, 5000 to said checks?
Yeah, they've gotten better at that in the sense that the last one I got they've now bundled it like Warner Brothers bundles it so like, I got like, it was er, Supernatural, blah, blah, blah. It's like a bunch of right. But Mary children's still kind of comes in at two sets. Yeah, so Mary children's now. your marriage, your now is like when I get to check your residual check. I'm like, not really, that's not really gonna,
it's gonna cost me more to mail it I beat.
It's no more a latte is no more like, oh, coffee today. It's not that but but residuals are still for me. I mean, a big part, this whole during this time of struggle, where a lot of people struggling, I've had a few decent checks from some movies. And that goes up.
So let's talk about Yeah, so I wanted to bring you on the show, not to just chat, because we could talk for hours about your career, and, and we're gonna get to some of your Hollywood stories, because I have been privy to some of these stories on set. And they are, they're legendary. But, but as far as COVID is concerned, I mean, obviously, this is the elephant in the room. And, and now it's, you know, I long for the days of January 2020. Or, or November 2019. You remember those days where you could go out to eat and do all these other things, and maybe just work as well on assess your friend or like, you know, she's aiming, we have to go that far. If anything, sit in a room with somebody else. Yeah. Without a hazmat suit on? Oh, somebody who I don't really know that, well, whatever it may be. Anything, I'll take anything. So right now, I wanted to hear from the perspective of an actor and from what you're hearing on the quote unquote, streets, from actors and how, you know, because it's like we were just saying, acting is rough. To off from the get go in great circumstances. It's it's a brutal side of there's so many brutal sides of this business screenwriters direct mean, everyone's everyone gets a hit. But actors I feel so much more because I think a lot with actors, they don't have control their their their passengers on the on the on the in the car. They have no, yeah, chess pieces. That's Yeah, we don't they have no control of where they're going. They're just I have to jump on this. of this destruct look like it's going somewhere. Cool. Let me jump on it. As opposed to a director or a producer or even a screenwriter. They have somewhat more control.
You know, I mean, here's the thing. It's like, you know, depends, right? Like I'm in a position where I get to choose whether or not I want to get if I want to be a passenger in something I'm luckily to be in a place where I need to call. I also have a lot of actors who I coach who are just basically running around traffic open not to get hit by a car. I'll do anything. Oh, yeah, go with me yesterday. She's like, should I do non union stuff I'm like right now, absolutely not. I would not even consider doing something on you. Even right now, you know. And to go back, we're saying in this COVID time, actors are panicking, right? actors are panicking being like, should I do non union shoots? Everything seems to be non union. I'm like, that's because some people don't want to follow like the COVID-19 regulations. And I don't want to be on a set that doesn't want to do that.
Okay, so Alright, so let's, let's talk about that. So from from an actor's perspective, the union sag AFTRA, they actually put out specs on what has to happen in order they just shut down like a Michael Bay production. Yeah. So yeah, they shut down a couple of things that they weren't abiding by this. So can you talk to you tell the audience what is what is that? What are the rules for sag? And then why you would not work with a non union situation right now?
Well, the songbird shoot issue is a little bit different in the sense that they sent out a breakdown asking actors to make tapes to send in, and then they were going to decide what they were going to put in their movie. So they're acting, asking actors basically the shoot content for them, right. And if you take, if you took a look at their release, it was one sided, you know, pretty much you sent to them, you know, they have all rights to your material, they can decide what they want to pay you, it really wasn't, you know, we'll pay you sag wages, but no, no way of knowing there would be one or $20 or whatever. But for shooting your own content, which you and I both know, it's not like, you know, it's just not up and up, right, it's not the right way to operate it know, when they get called on it. So you know, that that much I know it's true. And then I don't know what else they've been called on. But I know that came up. But you know, I wasn't really surprised. But I saw the contract that they had offered. And I did I chose not to shoot something, even though I had a lot of friends who did write hoping to be in a Michael Bay movie, right? But when we take a look at, like, what's going to happen in this universe, and we did talk about, like, what sads guidelines are gonna be? Who knows how much they're gonna be able to protect people. Now, you and I both know, you have to protect the actor, right? You have to write because you can't have me get sick and shut down the production, you have to protect me. So I know that a shoot that I'm a lead in, is going to take every precaution they can to make sure I don't get sick, right. But I'm a day player. That's a problem.
Oh, God forbid, or God forbid, extra extra, right?
Yeah. Because then they're not going to care. Because then you're in and out and like whatever get infected. So being in a position of power matters, I think taking an acting job, depending what it is right now. Right. And some productions, I've talked to people up being made a producer on the project. So I actually have to say, in some of the protective situations that take place, if we're going to be going in a film like this is Meg. I'm like, I need more control in what my safety precautions are going to be. I know who do we I mean, I mean, we couldn't shoot mag today, there's no way there's just no, no way that you would allow all five of us to come into your house. But if we shot entire movie, just the five of us, and we'd all like no quarantined for like a week or two before we all agreed, because we know each other and you know, there's right you, there's control to other guys and be like, no going out. This is what we're doing. And they go Okay, and like, you know, if you offer them some money for being at home, I mean, there's a way to do it,
we can make it work. Absolutely.
That to make it kind of work with a group of five, you can't and you can do avatar, because you can buy a friggin city or buy like, I would shut down the Sheraton on the top of the hill at Universal. And I would turn that into like a quarantine building, and then have a tunnel, and vans that specifically Go to the back of the building with our own elevator that, you know, they could do that too, right? For a $200 million movie. The problem is, is those movies that are half a million to like 3 million, and everyone's wearing more than one hat, like, and then you have to wipe down the sets and you ever want to get tested in the morning. You're losing an hour a day, just because of PBE issues. Right? So you're losing it extra 10% of your day because of those things, which obviously astronomically affects the budget at the end of the day, you know, plus, you can't give me a honey wagon anymore, right? Like you can't you have to like get half bangers for all the actors because you're walking us down.
Just real quick, just for everybody who's that? Tell him what a honey wagon and a half bangers?
Oh, I'm sorry. It's my bad.
I know what it is. But just tell
You can you explain to me how this works?
So other lenses What is that?
Exactly as a camera, so you sit there? When we go to set as an actor like your part of what goes into your contract is the size of your private space. Right so your dressing room in that end? A honey wagon? Is you is a trailer that has usually six rooms in it. I'd say right six, six. Yes. 18 Wheeler, almost every room is like it's broken to six. It's literally a tiny space.
It's a cell. It's a cell. Let's just call it what it is. It's a cell.
Yeah, really? Yeah, it's like six by 10. Right. I think I'd say it's about six by 10 feet. And and I've changed women. There's a bathroom in that. room. And there's this place that you light on sit down in a mirror and there's nothing in it. It's really just a changing room where you can plug in your radio and sit on the steps and kind of wait, you don't even want me in the room. Right? Because it is smaller than pregnant. solitary confinement in a prison. It's smaller than that. Right? So you really live in it. Half banger is a truck that has two, two rooms in it, that's why it's called a half banger be the half half of it is is a space, that banger usually has a couch, TV a fridge and has more space to move around in. And then when you see like, you know, movie stars, or like their entire truck that goes with their own private things, and
we'll be right back after a word from our sponsor. And now back to the show. Or if it's, if it's Robert Downey Jr. On Avengers, he's all the other Avengers are envious of is such. Yeah, the city, he like a city that was all brought. Yeah, whenever he wants.
Yeah, I mean, look, the thing is, is like some actors by their own, like, you know, you know, you know, air streams, you can deck them out too. And they kind of have their own built out things that they build. But it's interesting, the different sides, but honey wagons, kind of we're going to be a thing of the past for actors that you want to have on set for a long time. Because usually Donnie wagons there just to be there. And then the actor walks around, he kind of like, you know, goes to craft service, which no longer exists. And, uh, you know, and he would go, and I would hang out in video village, because I'm watching over the shoulder because I'm, I want to watch it, you know, playback, I always want to watch directors direct, because I like learning from directors, and always studying them, that will no longer happen, I'm not going to get that, that opportunity to be on set and kind of observe, which is, is a big part of why I've taken some jobs in the past is just to be on set and watch. People like Schrader work wherever it might be, you know, and it's like. So because of that, if you're going to put me on, I'm in my room, or on set you to give me a bigger room, because you can't confine me not expect me to be able to function. So I think there's going to be kind of like it, the half trailers are going to be kind of like the norm for every actor who has a bigger part, craft services gone. So everyone's going to get delivered their own little baggie of like, it's great for natural like me who has allergies and stuff. Because I'll say my allergies are a little bit of a bag with my gluten free whatever I want. And that's fine. You know, but it's going to be an issue. And you know, I don't know, you and I both know, like every set has that one dude who like doesn't like to follow the rules and goes out and get hammered at night and it gets wasted and shows up. I wonder. I don't I'm concerned. I'm concerned about what's going to happen, you know,
but then that's the thing. But like, I mean, being on set, you have to the risk is so massive now. I mean, look when we're recording this, we're are in July of 2020. So we you know, if you're listening to this a year from now, either the world has come to an end. And this is just the last things that have been left. If that's the case, good luck to you get gasoline and toilet paper. My boy, but we really don't know like when i have i've had interviews and talks in March, and April and I've been brought on to shows to act as What do you think's gonna happen? Like, I I can't see us shooting like 200 million. Right? If you're Tyler Perry and you want to just quarantine people on your back lot because you're one person in the country that has that opportunity that option? And yes, that works. But if your $200 million movie maybe you can go to New Zealand and shoot after you quarantine for two weeks.
You can go to you go there you can you can if you're doing a film that's in a small town in Alaska, you can shut down entire town in Alaska, right? If you're shooting on an island like survivor, you can shoot intact you can quarantine for two weeks and go to a small private island, or do a movie on an island like Castaway. And you know, come and go right there are there are options. And as you and I both know, the TV world has sent out a mandate to everyone saying like figure out episodes that don't require any guest stars and just contain our
No and no extras and no extras.
Right? Yeah, yeah, no extra is narrowed down guest stars keep it self contained. green screens. Great. And that's what their mandate is, which hurts the entire industry because guys like me, pop up on shows and you're telling me that you don't want to bring me in for a week. If you're shooting in Austin. I normally get flown to Austin do TV shows they're not going to fly me they're not going to put anybody on a plane. We're going to hire locally if anything, you know. And,
but but how can you as a producer of a film, right? The risk is just too great right now like what insurance? no insurance is kind of covered. There's no production insurance is covering this. Oh, and you're you're taking it's Russian Roulette at this point right now at this point in July of 2020.
Right July 2020. Is what you're saying is apps And I think that's the thing is we're talking about, you know, they'll have a vaccine by January, and they'll have a better idea. I know some reality shows, I know. But I'm missing reality shows that have been functioning. And they've been testing people. And you know, some documentary type shows, and they test everybody, they go out and shoot for a week. But you know, when you're doing a documentary, everyone's who's behind the camera, you can lose them. And if you know, the camera guy gets sick, or the first or the first day he gets sick, you get a new one, too. You want to take that risk, you get to switch him out. And I understand why they're doing that with a young people who are healthy, and I get why they're doing it. I also know those executive producers producing that show aren't going to set because they don't want to get sick, which is also freakin sick. Like, you know, I mean, you're willing to put other people in danger, but not yourself is a hard, I'm not a fan of that. That was good. I am now with what you said. And this is, I think, a huge, huge thing. I have a lot of actor friends who are like, I just want to go back to work, right? I just want to I don't care anymore. I go. Alright, let's say we're on set. Let's see one set with a scene where like, you need to shoot somebody today, right? And the prop guy Hanzo comes over and hand you a gun. It goes here you go goes to walk away. And you say, are we going to do a safety check? And he goes, I don't think we need to. I just wanted to be that close to you right now. I don't think we need to worry about the safety check is what happens. If you shoot somebody, if you pull the pull the trigger? And there was a bullet in there and it hit somebody? What are the odds of it hitting somebody? And if it does, they're only like 5% to die? Right? So don't worry about it. Yeah. Do you? Do you then call the producers and be like, we're doing a safety check? Yes, you do. You don't just sit there. If you if I told you there was a 5% chance you killing somebody on set because I handed you a gun, you would check the gun, you would not just go and say it's okay today
or, or stunts or any of that stuff.
What do you put on to rehearse it? What are the odds of you dying doing this stuff? Right? We're not to worry about it. It's not it's not
It's just, it just dramatically alters the entire filmmaking process in a way that has never happened in the history of our industry.
It just hasn't even during the Spanish flu, in 1918, which Hollywood was up and running by then it was still in its infancy to the but there was there was there was still an industry. And they were still figuring things out. But even then it didn't stop. I mean, this has stopped everything. I mean, I can't, I can't in good conscience produce a film unless I had a complete if I had a Tyler Perry scenario, right? Where we just okay, the there's going to be two weeks of quarantine, everyone's staying at this hotel or at this house. It's a lockdown, and there's no in and out and it's gonna be you're locked up with us for the next six weeks, we're shooting, and we're only going to shoot on this mountaintop. And we're doing The Revenant.
there too. So this is the thing I have a friend who has like, Who's much like you, you know, is a indie guy, but he has his own like he has his own soundstages in New Mexico, okay, and a friend of a friend. And he said he would not open up and when he posted a thing that I read and he said, here's the problem is how can I just rent out my studio to some like horror film that wants to make a movie, knowing that there's a pandemic out there. And knowing somebody gets sick, the whole crew gets sick. If the whole group gets sick, the odds are one of them dies, the odds, the math is if 20 people get sick one dies, right? That's the math, right? He was I can't live with myself in that conscience knowing that I'm putting somebody at risk, just because some people are hungry to make some crappy $200,000 horror film, but I'm not going to do it. And I think you know, that's admirable. I also know it's difficult in this environment. But like
financially financially, like, Look, there's entire that I know you and I both know, so many people, crew members who are just not working. And some of them like I know a lot of people aren't posted like, yeah, we're still finishing up something that we were already in post on. But that's going to run out in the next, you know, month or two a month. And then after that, you're just like, what do you do you know, animations basically the only the only game in town right now as my show? Yes, sir. animations. You know, my buddy works over at Disney and he's working at home. He's like a major animator at Walt Disney Animation. And he's like, I'm at home and it doesn't look like any of us are going back, at least for the rest of this year. And I kept telling people in March I go, I promise you, things will not even remotely start to look somewhat like we were before until next summer. Just last summer.
I mean, people said do you think this year I'm like, by when we get to know. If we get to Thanksgiving, it's over anyway, no one does anything from November to December. It's over anyway, right? So you're over if you get to, if you get to October, you're done for the year, you're done. You can't just start in pre production and get anything shot before then. And I've been offered a movie in August. Right very, very Like, you know, a short end to end a feature, but often two projects, both them say they're gonna follow PP rules, both of them are gonna, like, you know, follow the rules. Yeah. And I'm like, okay, and look to both of them. I've been like, yeah, let's see where it goes, right? I mean, I'm willing to listen, I'm willing to see where they where they head, I can't imagine either them are going to actually happen, you know, but like you said, the feature film, two actors, one house 80 pages, eight days,
right? And it's in a very controlled, like, it's like a cabin in Big Bear. Correct, then it's doable. It's a that's a doable scenario. And even with that, you've got to be super careful and the quarantining, and you just can't, that's the thing, like, I'm, you and I both are a little psycho when it comes to going outside. Because we have I follow your Facebook and you see mine too, that we have our big masks, and all that kind of stuff would go up, because I've got a family, and you know, you have dogs, and I don't want them sick Now, obviously. So, um, you know, we want to protect ourselves, I can't see you, I don't I don't know, I don't know how we could even move forward on a project.
That something is like, you know, a crew of like, it would be like, this is what we're talking about a crew of five people and two actors, we're talking about in the house. And it's being sponsored by PBE company, prove that they can do this stuff, and we're doing it. So I'm like, well, then they're taking extra care. You know, I know kind of like, what we're going to get into, over an eight day period. If I'm being exposed to like four people, it's really less than me just going outside, no one's gonna have time. Yeah, no one's gonna have time,
you'll have more risk going to the supermarket.
That's what I'm saying exactly, more or less, and no one, you know, we're gonna be working 12 hour days, for sure, over an eight day shoot for 10 days of the day. So I'm like, I'm like, Look, it's not like anyone's gonna have time to go out and cause trouble. So it is the safest of the options that I can think of, if I was to do anything. You know, the short is a little actually more difficult than that, to be honest, you know, you know, but and
unless there's a major Pay Day involved, which I doubt areas with a short, I mean, why I would never in a million years, put a risk for short, if I was an actor, or even as a director as a feature. Again, there has to be man, there has to be a big want and need to get that thing done.
And let the good they need to want is that they're going to run out of content. And that's the that's the pitch right now is they're gonna write content, we can sell this thing pretty quickly. They give me points in the back end, it's one of those conversations that you sit there and you're like, they might be right. This might actually be
It might be in it might not be I mean, that's that I feel if I if I may do a little mythbusting. You know, I've been I've gotten deeper into the deep pool and the pool with distribution. Recently, recently, it's like in the last year or so. And I've been talking to all the distributors and been to the film markets, and I'm still constantly figuring out what the deal is. I know, I know, the film right now that has a decent cast, not marked not like a name, but a decent cast. Good production value. Nice genre. And, you know, there's so much content sitting on the shelves right now, that if anyone right now listening thinks they're going to make a feature and just because they're one of the five features that are being made this month, they think that that's going to be an automatic payday. You are wrong. It and I agree that it's you're wrong. It's not and please don't if anyone listening don't make a quarantine movie. Don't make a COVID movie. Nobody wants to watch it. I don't want to see a COVID movie. I don't want to see an outbreak movie. I don't know. No, no, just like after 911 nobody wanted to see a 911 movie. That's why in 1972 nobody wanted to see a Vietnam film. Like you need time. Please, please. So yes, it will be
there'll be a quarantine like romantic comedy that does work somehow but I don't think I know why see right away
I don't want to see right now. I don't want to see this right now. No, I mean in 10 years five to eight years out like When Harry Met Sally, but quarantine. Okay. All right, you know, maybe we can go back and revisit and you know, at that point hopefully we'll be past this or it's Mad Max and we're just fighting for gasoline on water. So it's it's either one or the other at this point. There's no gray there's no gray area and this is you know,
but that's the thing is like you know, I'm always up for a challenge and like you know, I don't have a lot to do it on trickier note on a similar kind of like tangent. I need to make my health insurance money this year.
That's why because you're because you're sag so if you don't make a certain amount of money, but I got to believe that sag has to say it's not gonna take care of their people even a little bit but during this time,
I went to check on the shag Health website and the website said, we're here to help click here and I clicked on and said, ways that you can get help And someplace else. And that's not even a joke. They were like, have you thought about getting on your spouse's account? Have you thought about Medicare, that's what it listed, it did not list how I thought that's it did not say anything else. But that. That's what it's Wow. Not even like we're going to help you with Cobra, we're going to bring Cobra down. Nothing. They're just going to let people hang. And we're already a quarter of the way into the year. And actors are not working. I mean, I have some residuals coming in. But to make sure that I make my minimum like I need to make, I need to make a couple of movies,
residuals, do residuals count as income? Okay, so residuals do come out as an IT, but you have to make something to kind of push you over the minimum, to get the keep set health insurance.
Yeah, I mean, I make it you know, I make money in residuals, but like, is it guaranteed it's going to be enough? It's not, I don't know, who's gonna watch what, right. So a couple grand here, a couple grand there, just to make sure I pull in an extra, you know, 10 grand is your kind of is important. You know, and I sit there and, you know, I don't know if that's gonna, I don't know
now. So I just want filmmakers listening right now to understand, you might have to put yourself at risk, to make money to get health care to protect you from putting yourself at risk.
That's correct. That 100%
Yeah, because I can't, I can't lose my, they're gonna tell me that I'm going to lose my health insurance, because I haven't gone to set because they won't let me go to set because it might be bad for my health.
And that, I thought the union was there to kind of support and help, you know,
They have some time to figure this out. It's not over today, I mean, people are not, you know, but in three to six months, there are gonna be some actors hurting that have not been able to work. And that's gonna be a big deal. By the end of the year, by the end of the year, it'll be
I'm gonna argue most, most actors are not going to be working, you know, and there's going to be a wild wild west and kind of atmosphere with this whole, you know, everything's gonna start going non union actors are gonna start jumping to non union because like, I got to get paid, I got to screw the union, and I got to, you know, they're not taking care of me, there's gonna be kind of that I could see you could see it, too. You could see it all fall apart.
I've seen it already. I've been looking at the breakdowns and seeing that it's 80% non union. And it's because people and they're like, you'll be signing a waiver saying that you do not hold the production responsible if you catch COVID you know, things like that. I've seen that.
And that's just horrible man. Like, how can you put your like, I can't put I wouldn't be able to put any anybody in risk for that. Like, it's not worth it, guys. I get it, I get it. But it's crazy. It's insane, dude, it's insane. Well, alright, so let's, let's talk a little bit less, because we've just brought the whole, the whole show down. Dark darkness or the reality of the world that we live in. It's starting to kind of really fall in there. So let's start bringing people up. I felt I felt you being like, okay, let's talk about bubbly stuff. Let's, I think we've beaten up everybody a little bit too much. Like my audience is used to, you know, the tribe is used to me telling the truth and the raw truth. And it's not always pretty. And I'm the first one that I've been yelling from the top of the top of the hill, like, the film distribution spaces is is burning, Hollywood is burning, the walls are coming crumbling down.
And even before we move on, to me, I'd like to say one more thing from an actor's point of view, because it's a very interesting as well, right? Because I bet you ever discussed it, like, the casting world is totally changing. Right? from an economic point of view. I so I grew up in a town in a town where like, when I moved to LA, I had to like, add promise to call my agent every two hours, right? To get breakdowns. I had a problem because when you got here, you know, you'd be like, Okay, I'm going to check in with my machine every two hours. If I have an audition, I have to drive to the valley to pick up my sides. They would have like a milk crate in front of the agent store with a bunch of Manila envelopes and your name was on it. You grab your manila envelope and have the script and besides inside of it, you go home and work on it all night, you'd go to the audition the next day at the casting office, if they liked you, they said come back at three meet with the producers, because producers would live there you meet the producers and then they would decide if they want to hire you. Now I can be anywhere in the world. My phone goes point ping, you have an audition pane here, your sides pane put yourself on tape paying getting in by Friday at three o'clock. Right, right. You know, it's totally changed. Now that was changed a few months ago, right. Then in January, the world changed again, because I was still being told I had to go into casting offices a lot of the time, not all the time, but a lot of the time. Casting offices are now a thing of the past. I believe almost all casting offices will be gone by the end of May. Because why would a casting director pay $5,000 a month for an office that they're not going to use because they don't want to see people in person. Right? Right. The universe right? And the whole world we know we grew up in a world where like headshots used to be black and And I started with colored people like, Why Why are you doing color? Who wants to see color headshots, like everybody wants to color headshots. Right, right, who wants to add shots. So because that also there was a shift because it was cheaper, they could produce it, it all made sense. And then all of a sudden we had color because it was cheaper. But if people don't need it, people don't need to like you know, have a have an office, they don't need to like, spend 5000 a month for casting directors to be looking for headshots. If they know they can get actors to shoot themselves at home. So you don't need to hire an assistant to shoot them on location. If you know if you know all the producers are casting from their houses and watching actors perform on film the way they're going to hire them anyway. Why have a casting office? Why it's going to go away?
And there are there there. I mean, I know there are services and platforms out there who actors can just use and filmmakers can go through and like I you put the ad out in that platform, and then you get 400 submissions. Yeah, from from actors. And you? Yeah, and again, that for name people, not for bankable actors, that's a different world. And for that, I do think casting directors have that access. They are still kind of that middle man, middle woman. I'm not saying casting directors won't exist. I'm saying their offices will be what right now. But but the world of casting in general like before, in correct me if I'm wrong, casting directors, maybe had a little bit of bread and butter with just casting everybody not just the big the main leads, but they would also cast out the rest of the movie or something like that. But now the power is a lot more in the producers and the filmmakers hands where they can go directly to the actor through one of these platforms is am I wrong? Are you okay?
I think the thing is, is like you still need, there's too many like you don't it's not job that you want. That's insane. The producers cannot decide how they want the live stream, they can just change the lights themselves on set. No, you need somebody else doing that. Because you can't spend the time doing, okay, the cash register to weed out the crap you need. You need her to tell you that you need to get enough break people and sit there and be like, she needs to go through the forum submissions go like these are the 10 best, you still need the casting director to do that. Right? Okay. You don't wanna spend the time doing that. You want to look at all the crappy auditions. And I think that's, you know, you can reach more people, but you still need to cast your actors to weed through it. Right. And I think when you're dealing with, like, you know, and yes, a good casting director also was able to work with you and be like, I know, you're looking for someone who's like 12 to 18. I know, you don't know that many 1218 year old actors, I have a group that I think are very, very good, right? And then she can help or he can help you break down and get those breakdowns done for you. So there is still a calling for it. There's just no need for the office. There's no need for me to live in Los Angeles, like, yeah, my acting real my acting for me, my acting reel kind of speaks for itself. And I don't you know, half the auditions, half the jobs I get now are offers. So it's a great, you know, and then the other half, like, you know, I put myself on tape, you know, and when I'm in the running anyway,
So so that's a very interesting thing I wanted to talk about real quick, because you brought it up LA. So you know, you're from Boston. I'm from Miami. I was I've been out here 12 years, you've been out here a few more.
Do not move back to Miami, right?
After 2020 do not move up Miami. Okay, good.
So I got out here 12 years ago, and it was always kind of known that if you want to make it in the business, you have to kind of do your time in LA, whether that you know, to a point where like, you've got to be here, you've got to make those connections, you have access to things here. There's just so much more and to a large extent, I still agree with that. You know, do you absolutely need to know anymore. Could you build a very lucrative filmmaking career outside of the system doing independent films in your hometown? I know these guys I know these guys. But if you want to, if you want to play in the in the in the big sandbox, you're gonna have to come out here at a certain point. But for guys like you and me, who've been out here established ourselves already. We have reputations we have filmographies we have you know, credits. Does it make sense to spend obscene amounts of money to live here? taxes and all this other stuff? Or could we move somewhere else and it doesn't affect our business?
It's tough. A tough edit today. It's a tough call. It's a it's a coin flip today, which it never was a coin. Right? I felt I had to be here. You know, but when we deal with like the idea of what we're talking about it because I find it fascinating and I threatened every day to leave now. Every day,
who do you Who are you threatening yourself? Like I'm gonna kill the dog. We're moving on moving to Toronto until the winter.
But for me, Look, I work a lot like the Punisher was in New York right now, Jay and Silent Bob was in in New Orleans. Mom and Dad was in Kentucky, you know, a, you know, Money Monster was in New York. But a lot of the big projects I do are not Los Angeles, right? Happy was, you know, was in New York. So like I work a lot outside of LA. So why am I in LA? Why am I paying rent here when I have to leave here every time to kind of work anyway. And you sit there like if all the big jobs I get are simply sales and all those jobs. I did not meet with them in person. Like none of those jobs? Did I would did I meet with them? They just hired me from tape or they hired me because they knew me or they hired me because they saw my reel, right? So if those if that's the situation, where like, all my big jobs are that way. I'm living in LA to do what act in this is Meg for like, for, like for
A great movies.
It's a bad connection, sir. It's a horrible connection.
I'm saying like, you know, working for like working for my friends sure to live. It's like I could sleep on somebody's couch and do that I could still fly out and sleep on the couch and do that job and still not be spending the money I'm spending to live here. And it's not conducive to like having a liver? Because you and I have like, like you said, No, we really kind of like, we've spent our time here. We've paid our dues. Do I need to liver, I have a student who lives in England. And she and I were talking this morning, she's like, I really want to come to LA and take meetings. I'm like, honestly, right now. You're not taking meetings in person Anyway, you should be taking meetings from England over zoom with whatever agents you can talk to. Because all you'd be doing is talking about zoom from your apartment in Los Angeles right now. You would not be meeting them in person. So what's the difference? If you being here right now? No, she will eventually have to come here. Because she doesn't have the connections. She needs to meet people. Right? That is actually going to be part of the game. But you know, when I went to New York to do a happy for like five months, I told my agents I guys Hey, can we set up meetings with all the casting directors in town so that I can meet them here in New York? Because I'd like to work more New York. And they called everybody and every casting director said the same thing. We know director, we think he's great. Well keep in mind for stuff. If that's the case? Why do I have to live in New York or LA? Because the reason in LA is the same thing. I know all the casting people, so they know me. I don't need to be here. I only need to be here when I work.
Do you have you heard the same thing? I've heard that a lot of agents and managers are like, this is so much better working from home and taking 10 zoom meetings as opposed to jumping in my car, driving an hour and a half in traffic, getting up for a 15 minute meeting, jump back in the car, go back to the office, I'm so much more productive doing these kind of meetings. Sure, you'll always want to have some dinner at the Chateau, or you want to, you know, the IV to have a lunch with an actor. Yes. But generally speaking, the agency is is like, do you need those giant agency offices anymore?
Mike, if they're my agency gave up their offices, they gave them up. Right? You know, my, my managers give up their offices, the agents giving up the offices, right? You know, during this time period, one of them doesn't even live in LA anymore. They just left, you know, one left. Just out. She's actually working. She has a house up north and she's like, I'm there. And I know that and she's gone. And my other agent is here, you know, but he lives in West Hollywood, and he loves it. So it's like, but, but but like he's, you know, but he's working from home too. And he gave up his offices months ago as well. If you sit there and think everyone's giving up the offices, Oh, man. If they're giving up their offices, and they're not here, then why am I here? And they said to me, I said a year ago, I thought I started playing with it. I'm like, do I move to Vegas? Do I move to Austin? Do I move to Europe, you know, and they go Long's you near an airport? We don't care. That's what they said, as long as you're near an airport. And I'm like, yeah, I'm just getting to that point where I have a better I have a I can have a better life than I do in LA it just outrageous. You know?
No, no, there's no Look, I mean, look, I get you, I get you 110% Dude, it's this is a ridiculous town. And it costs so much to live here. It's that a lot of people say San Francisco is the most expensive, but I argue LA is the most expensive because in San Francisco, people make more money than they do in LA. So that means you make a lot more money working in San Francisco from prostitutes and cocaine here is much more expensive. It's better. I mean, it's I mean, obviously. Alright, so Okay, so let's, let's get into so we've kind of, you know, the world's coming to an end. We all know this. Yeah, that's one of the reasons again, what I wanted to have you on the show because I wanted to hear an actor's perspective on what's going on how we're moving forward. So filmmakers can really get in their head. What an actor is going to go through in these next six to months to two years. I mean, This is, and I mean, I've said this before, I'm like, Look, if the vaccine shows up on December 1, we'll be right back after a word from our sponsor. And now back to the show. It's gonna take a few months, I think a few months, I'm gonna say, let's say it takes two weeks to get everybody a vaccine. Two weeks, we get people vaccinated, up to two weeks tops, and then everything's gonna and then we have to wait six months to see what happens with the vaccine, because it's still like, Is it going to work? Is it not going to work? How long is it going to work? But there's, we're still a couple, we're going to be with this for a few years.
Joseph Reitman 1:00:44
And we vaccinate, how you vaccinate X amount of people, how many people get infected because of vaccination, right? I mean, there's all these other things are gonna happen.
There's, there's so many other things, and we haven't. And I keep telling people, we haven't even seen the bottom of our economy yet. Not even close to that.
I mean, look, as you and I both know, I have a lot of friends who've been getting the checks. I teach a lot. A lot of my students are giving. I mean, I understand they're getting this extra money from the government. And part of that is going to me because I'm teaching what happens when that dries up this month, I'm going to lose some students, for sure. My actor, waiter and bartender students, who are Uber drivers are going to be hurting next month hurting, it's not going to get better anytime soon.
I mean, if I would have told you in January, I'm like, Hey, Joe, we're not going to have a blockbuster season, and Hollywood is going to shut down. And you know, that big Christopher Nolan movie? Yeah, that's not going to come out till next year now. And they're going to stop Wonder Woman, they're going to stop Wonder Woman and Black Widow, and the bond and James but all of it is going to go and there's going to be resurgence and drive in theaters, you would have looked to me and said, Dude, whatever you're on, where can I get some?
You told me The Empire Strikes Back? I would have been like, what, what year do they were in? I would have no idea. No idea. Right? So
for anyone to even think that they have a clear understanding of where we're going is insane. Because every day it's changing.
I did this mat match reload and another blasters that's premiering tonight in a movie in a drive in in Austin, Texas. Right? Right and his movie a year and a half ago in in Arizona. And it's coming out on Sullivan DVD and on a video on demand. And I'm like this, these guys actually might make money in this movie with the movie that I didn't think I was like, this is just a fun movie. Who knows if anyone's ever gonna see it. I'm like, these guys are like, you know, I'm like, this movie actually is gonna play. I would have never thought that was gonna be playing theaters the way it's going to be playing because people need content and and it's a decent movie. You know? I mean, you sit there you're like, Oh my god, I can't believe like this is actually playing this way.
Alright, so Alright, so let's let's get off of COVID for a second because you've had the opposite. This is the first second. You've you've had the opportunity and the privilege of working with some of the greatest directors, legendary directors. In Hollywood, you've worked with a lot of people. What is well, first of all, what are you looking for as an actor in a director?
Oh, well. It depends, like we're talking about we're saying like, you know, an up and coming director. And we're talking like your your your independent filmmakers. Right. Cuz I mean, obviously, like, you know, Amy Heckerling, you know, whatever she says, right. No. Jay, Schrader, you know, you end up in a situation where you're like, Okay, yeah, great, you know, or somebody comes along, like m Night Shyamalan. It's like, Yeah, whatever. He says, you know, and so yeah, right. I'm like, I'm going to work with somebody on those projects and be like, yeah, I want to be your and still I want to read the script. And know what I'm getting into project venom. I don't want I insisted read the script before I said, Yes. Because I just want to know what I was getting into. They didn't they expected I would sign on because it was. Yeah. And I was like, I want to read it before I say yes. That's, I don't know what you want me to do. Right? And they were like, find me let me and you I started going to a room and get locked in and they took my phone and all that stuff. Right?
Which one? Which one was that? Which was the film? Lady in the water? Oh, that's right. That's right. You weren't lady in the water. That's right. That's right. Yeah, that was that was m night in. He was at the height of his was like Yeah, he was the dude like, I mean, he's still he actually is brought himself back kind of Renaissance. Which is great. But But yeah, lady in the water was like, I remember that. It's kind of like, you know, like the pages are in black and you can't photocopy them and all that kind of craziness
Crazy, but before an up and coming filmmaker, because I do get a lot of scripts from people who you know, are like, Hey, this is my first movie or like, I'm doing this web series, or Hi, I know your friend Alex or Jill or whatever. And someone calls has that. Has that happened? Has that happened? Not that specific one. Okay, good. Okay, good. I get those calls for someone. I know, blah, blah, blah. And I was wondering if you look at my thing. Cuz I saw this thing. And I get a lot of that. And you know, obviously, almost all those ones have no money, right? That's think the big thing that you look at, when I look at those scripts, if somebody wants to in, I try to still be an artist at least once a year, it's kind of a goal, my goal is at least once a year, do something that I think is creatively interesting. That's a risk, either, for me as a role that I'd normally haven't played before, or someone who looks like they're an interesting filmmaker, and they might not have any credits, but I kind of dig them and I want to, like, I want to contribute to like their cause, you know, and I'd like to be part of their, of their journey. Yeah, part of their journey, you know, if you know what those the right calls that I make on those pay off in the long run somebody a year or two later, they get a feature, and they always make sure I'm in the movie, you know, that's the thing, right? It's time consuming to read every script that I get sent, no matter how good or bad is, and the truth is, if your first 10 pages aren't good, I throw it in the trash,right? I mean,
you give them 10. That's pretty much, that's pretty impressive.
I want to see what happens after they start to launch into the story. You know, I mean, right? Like, you know, as well as I do, and you're young filmmakers should know this, if your script isn't formatted, right, I'm already going to throw your trash and throw it in the trash. If you can't format a script, you know,
probably you probably don't understand story.
That's right. You can't format you don't know story. And and, and I don't even need a traditional story, like but it's like I, I am really good with experimental, I'm happy to work on experimental, but you need to understand like how to convey message, understand how to tell stuff in the right format, and, and follow some rules. Because I always said, you know, you, you study art, like a student and you break the rules like an artist, right? So I need to know that you know what you're doing before,
which was funny, because when we first met, you know, Jill brought you in, because Joe's, you know, a really good friend of yours to do Meg. And then he, just like Joe wants to have a coffee with you. And he wants to meet you and talk to you. I'm like, Alright, sure, no problem. And you would like, and you would like, you saw some of my work and all this kind of stuff. But you just wanted to see if I was what like, what was what was the purpose of that meeting? I know what the purpose of but for the audience? What do you what was the purpose of that meeting, besides just to make sure I wasn't a frickin psychopath?
Yeah, that's really the main reason that's really the marriage. Yeah, that I'm not jumping into something where I'm going to resent being into like this film with somebody who doesn't know what he's doing. And I just can't I don't
waste my time that doesn't, doesn't that know that if it doesn't know what he's doing but thinks he knows what he's doing. And walks on set with a monocle. And, and a director shirt on a shared director on your iPhone.
He has an iPhone, he's a dick. I don't want any of that. Right. I don't want any of it. So like, you know, I don't want any of that. But the thing is, like, is he cool? Is he is he saying? Those are the two things right? Is he cool? Is he saying? And does he know what he's talking about? If those three things checked off for Jill, then I'm good. You know, I mean, I'm like, I'm like, I know. I just want to make sure that I'm not diving, something that I don't want to do. And that's it. Because it you know, filmmaking process takes time. I don't want to waste my time. And like I said, once a year, somebody comes along, and I go, that's good. That's actually good. I like that script. But I like that idea. That, let me see what I can do. I'm also a big fan of trying to help young filmmakers, which I know that you are, too. And if I see a filmmaker who doesn't know that much, or it doesn't blog experience, but I believe that they actually can learn a lot and they actually, and they're in a situation where I think they're kind of they're interesting. If we're in a we're in a situation where where that where I know that me being on set will help move things along. I also like doing that to natural director starts to melt down because they're not making their day. I'm like, Okay, let's take five minutes and figure out what we need to do to make this work today. Okay. The shots not working. What should you do instead? You know, right. Yeah.
All right. Sorry. So working with someone like, you know, Kevin Smith, Wolfgang, or like m night like, What? What is it like working with guys like that? I mean, obviously, Kevin's a legend in the indie film space. But m Knight and Wolfgang are like at a whole other area. They're just in another side of the field.
Right? I mean, Kevin's really easy to work with, you know, he's he's like, he's like, I don't know how to do it.
Kevin, just like, I'm, like the luckiest director ever. I'm just,
I don't know why they're letting me make movies. I really understand any of this stuff. He's got a crazy, I don't understand any of it at all, you know. So that was great. I know. It's crazy. He's crazy. And then on the other end of that is like, you know, like you said, Wolfgang, was like, you know, at the height of his career, you know,
For everybody, for everyone listening. It's referring to Wolfgang Petersen, the director of perfect storm which Joe was one of the main characters in
Correct and so like when he was directing that movie, I mean, I cast in that movie. By order of like, weird circumstance, they fired the guy who was supposed to My role, I don't know why. And I got called in last minute, they saw a 10 guys. And then I'm in the waiting room and they came out to tell us what we didn't even know what the movie was. And then they were like, and they told us and I went, do you want the Boston accent? And they said, Can you do it and my other, the other guys in the room who I knew all the way from Boston. And so I get, that's how the job happened. And I was like, that's so awesome. And when I got to set, I told Wolfgang, I go, I go, I just want you guys. I'm so grateful to be here. I was. So it was my first big movie. And I was like, I don't know what to tell you. I'm so happy. And I don't know what you want me to do. But you want me doing things. I haven't met you, you.
And I'm sure Wolfgang was like, Dude, calm the fuck.
So he reached out to me. He goes, it's nice to meet you too. I mean, why do I like the pope? Like, you know, and I was like, I was like, What? What
was I just blessed? Was that just blessed?
And so yeah, so that I did that scene. And then like four months later, what happened is that they added the scene at the end of the movie where they wanted my reaction in the bar, because they felt like I should book in the film. After the after my first scene worked out. It didn't suck. They were like, We need him to book and it was actually a Michael iron sights. idea. He told them, okay, I saw on television, give us this kitchen at the end, you want his eyes at the end of the movie? And Wolfgang was like, Yes, good idea. I was like, Oh my god, they're gonna make my part bigger. So they brought me back, like three or three months later in LA. And I go to Wolfgang, thank you so much for bringing you back. I just want to know, like, you know, when we first we shot the first scene, we shot the first scene, and I went to old gang, I go up, he goes, he's like, okay, Joe. So you're playing doubles, Costco and doubles. Costco. This is his wife and his daughter, and he loves them very much. And I went, Okay, but Douglas Costco, he didn't have a wife or a daughter. And that's not I studied him. And he was like a loner and depressed and drinking all time. And the thing is, yes, okay, this is your wife and your daughter, and you love them very much. Okay. And that was a character just got thrown out the window. Months later, at the end of the movie, and then it goes up. Because I know what you want me to do. Let me kind of like screaming at the camera and you want me like crying to bring a bottle with you? Like, you know, sit there and pound minute you want me storm out? Wolfgang goes? joke. This is what I want from you. I want you to act. Okay. And, and the camera will push in. And the music will spin. And you will be brilliant.
That's the I was the direction. Yes. Oh my god
And he walked away. And I was like, What do I do? I think like, I don't know. I don't know what that means. Like, I'm just I'm just not gonna blink. I'm just not gonna blink. And I just feel good to smoke. There's smoke and I'm looking at it. Like, just don't look, just do not blink. Do not blink. Look, don't don't do anything. And I didn't do anything. And then I didn't blink. And then they go cut. And that was it. And then my mom saw the movie. And she was like that scene at the end of the movie was where you sat there, and the camera pushed in. And the music's well, and you were so emotional. I was like,
I just didn't want to break.
Because what did you think? What were you thinking? I go, I was thinking don't blink and she's like, Don't screw up this movie for me Do not do. That was it. You know, that was that movie and then a with
and I don't know if anyone heard it was the perfect storm. It was the one with George George Clooney and a young Mark Wahlberg. Well, yeah, everybody but younger.
We're all younger, we're all young lady in the water was a whole other bag of worms. Because, you know, I auditioned, I did this whole God thing I'd like black eyeliner on. And I did a whole audition where I was a kid, my fingernails painted. And, and I got hired. And then they and then they flew, they flew the entire cast out to Philadelphia to do a reading for me, which was like, they're flying us all out to do a reading, which of course, now we'd all do a resume. But at the time, they were like, they flew us all out. And we said this table read and we read the whole script and met everybody. And then at the end, he stood up because I just want everyone here to know that you were all my first choices for this role for this film. And I am so lucky to have each and every one of you here. I feel really, really, truly breaths less than this opportunity. And I couldn't be more grateful for each of each of you. So thank you so much. The guy next to me goes Why did you believe they were all the first choice and oh, I don't know if that was true. But that was true or not. I don't believe that for a second. But I totally believe that he sold us on the idea that we were like the greatest cast ever exist and that was great. Then he gave each of us half an hour with him to kind of like talk about what he wanted from each of us in our role. And in my case, he said not eyeliner and fingernail polish and, and then talk he goes I want you to go home. We fly back to LA and I want you to find something that represents the lady in the water to you. And I want you to carry that around with you until we have to fly back to film. So he wants all of this item that was personal. To us, and then embrace that and not let it out of our sight and then bring it back to Philadelphia and have in our room every night. So we had this thing that we really identified with the lady in the water, it didn't have to be the same thing. These ones all have this thing that we loved dearly. And I was like, that's really good direction. Like, that's really somebody thinking this through, you know, and working with everybody, you know, really working and he was lovely, and supportive, and charming. You know,
what's his? What's his directing style on set like this? He like, does he come up to you in between each take? Is he stuck behind video village? Like, how is it? How does he work?
Both he did both. He was called he? Well, he was also in the film too, right? So he was some time behind set, do stuff. And it turned out to be like, what can I do this? So that would happen sometimes. But a lot of the time. I mean, I've been very lucky in my career to tool just to improv a lot of the time, right? So it's a running thing. Like in clueless, I improv my entire scene and lead water, I improved this whole we had this group of us talking he was you guys just need to be talking about something. So when you guys want to talk about so we had this huge conversation and you hear it, we talked about who's the greatest rock and roll singer of all time, you know, I'm arguing for Axl Rose the whole time. And which I don't think he is necessarily the greatest but he's my favorite. So but goes was the greatest band ever exist?
I mean, at that time, to be fair, at that time, there was an argument to be made
in an argument he made but people were arguing Bon Jovi, and like, you know, people have Bruce Springsteen, and I'm like, and I'm screaming, shut up. But, uh, you know, we've been brought in like, a lot, we're just trying to make each other laugh, you know, and Jared Harris was another guy in our group. And he was great, too. And there were other guys, but he was just supportive, you know, and he knew all about us. I, I want a big poker tournament in between the filming and the ADR. When I got to ADR, he had heard about the poker tournament, he just wanted to talk for 20 minutes before we started doing ADR, but how I win the tournament and what happened. You know, he's he showed a lot of interest in us during the whole process. We talked to him since but during the process,
and he hasn't he hasn't called for any other jobs. But But at one we were there at that time, solid.
Yes. Believe it was important. He's, look, that's part of the director's job, right to make every actor feel like, you know, they are a big part of this project, no matter what. That's he did that very well. He did that very well.
Now and really quickly. You you've dabbled in playing poker. I heard somewhere. Yeah. So play pro for five years? Yeah, you're not pro anymore?
No, I don't play I know, a few things happen in 2011 2012. You know, online gaming was shut down in the US. And that's really what I did most of my gambling on. And I played during the World Series every year during that time. But I don't play enough because it got shut down. And I had to make a choice. My friends were professionals move to Canada or Mexico or to Europe to continue playing. And I was not going to do that because I wanted to continue being in Hollywood. So which means I didn't get to play enough, which meant that I was at a practice. And if I can't play on the level as them, I'm just going to lose money and I did not want to lose money. Fair enough.
Fair enough. All right. Now, what? How do you how do you like a director to approach you with notes after a take? Because a lot of times directors won't say anything. Right? Just go they'll just say cut. Let's do it again. And you're sitting there going, Oh, what do I do? Or do you have some because I'm sure you've heard them all. You've had someone yell at you from off screen from the video village mate louder, or something along those lines you've Have you ever been in like like, demeaned as an actor like you? That was horrible. You got to do it this way. Like what's like from the both? Both sides the best in the worst situation? How would you put in general How do you like
I've had I've had directors not even talk directly to me. I've just had the first ad come up, go. We want to do it again. But do it like this, but the director won't even come to set like she's someplace else like in another room. You know, fair enough, come to know where I'm like, mentally, you know, that's weird, but not getting the direction from the director. The demean story comes from sharp. On charmed.
TV is a whole other beast.
When I did charm, I did two episodes. And the first episode I did was directed by Anson Williams, right. You know who's on happy days? Yeah, yeah. And sometimes was on Happy Days.
He's done a lot of TV.
Yeah, but he hasn't read a lot of TV and he was reading your episode. And we worked really hard to develop this character that was unique and different from the show. It really had you know, I looked different. As you noticed, oddly enough, it wasn't like somebody who was normally on the show. I was playing a demon that was kind of like friends with them, but kind of like it was a mafia kind of family. But I definitely did not look like the rest of the guys. And, and I wanted to work with them. I go, how do you think this demon should act? more human than demon? Is he you know? Is he cold blooded? How does he know if you have an SI spend a lot of time together. He was super friendly. He worked with me, told me stories about happy days. And I was like, you know I was really enamored of him and those great episode ends next week, come back to the second episode, right? I get to set and the whole cast tells me to go. Look, the director is directing this episode is a real bastard to people who are the guest stars to just be ready. I'm like, what? They're like, Yeah, he's great to the guests, but to the guest stories, he's a tyrant. He's awful. And I'm like, Okay, well, I'll be fine. I mean, I'm a good actor. I'm not worried about this, you know, I mean, right. I'm like, Alright, we got good. Dude, we get to set and then we do the first take, and I say my lines, blah, blah, blah. And it comes up to us. What the fuck was that? Excuse me? What are you doing? I said, What? I'm doing the characteristic What? What is that? It's the character that me and Anthony Williams were doing last week is Hey, fuck proxy. Right? Right. And I go, what do you say you say it again? Say it again. Come on, say it again. I shouldn't say it again. But say it again.
In front of everybody
In front of everybody. And he said that I clearly need to go to my trailer and practice a little bit. And I walked away from them walked off the set. Oh, Chicago, my trailer to regroup and get better. Right.
With a tinge of sarcasm in your foot
A little bit. I mean, yeah. I mean, I've just become more of a jerk since then. But whatever. But I was like my young and I walked with her on my edit, regroup cuz I was gonna punch this guy.
Right. I was about to say, yeah, you know, from what I know of you, you're not gonna put up with that.
So I regrouped. And I came back out and he was in the middle of a meeting for the scene and there was a stunt guy was was do a stunt for me. Where he was on wires, I'm going to get lifted off the ground and thrown into a wall from the back wires. or walk down he was talking about they're talking about the stunt guy looked nothing like me. I don't get doubled very often. Much. It's not easy to tell me. I'm a big dude. scruffy. It looks like you're stuck a mop and some news and it looks ridiculous. So I heard a guy talking and I walked up behind him. And I just said, I'll get this done. He was like, What? I guess I'm gonna do this. Throw me in the wall, I got it. And I did this done,
And we didn't have a problem after that. You know, I mean, right. I problem solved for the guy. Right? You know? And then he just didn't just never question anything I did again. And it Look, and I gotta tell you like that job. More people talk to me about that job than anything else you've probably done in the last 20 years. And I know that I did a great job. He was a jerk. You know, I mean, people like that show. And people are always great as the demon. It's like, Yeah, great. Nobody was upset about it. He was just making it up. But he made a bad day for me to go. Really, it was the worst day on set. I remember around was the worst thing. The best, the best director. Man, the best person I've ever worked. I mean, look, I love working with Brian Taylor. And he's very close to me. And he directed crank gamer, Mom and Dad and happy created happy and, and that I love him dearly, like so.
And by the way, for everyone who doesn't know happy is a show that was on sci fi for a full how many seasons? A couple seasons in two seasons. But I was like, Yeah, I was the builder, you were the main villain for the entire show. And by the way, you looked horrible. Yeah, compliment. And that's a compliment.
I know. And I've worked at Brian for years, right? And on different projects. And, and he's just a guy, you know, he offered me the role of that play that guy, which was a gift. And when I said what do you want me to do? He's like, whatever you want to do. And that is such a rare thing to have, like a co creator director tell you it's like devil and give me months in advance notice so I could actually create this guy I put on 35 pounds, I was much bigger than now. You know. And I was able to talk to him and say, I want my teeth messed up. I want to like you know what badge in my eyes, I want my eyes bloodshot. Like I knew exactly, the bat. And then let me kind of like build the guy. They let me build him. And I was like, you know, the puppet thing was something I created like rehearsals and we had the you know, the idea of the puppet and the hand and all that stuff came out because he gave me the freedom to be the artists that I wanted to be. And the showrunner came up to me day one, he was like I was hesitant about you until Brian Show me your reel and you're really an artist and we're so happy to have you here. That whole team was so supportive of me just doing whatever I wanted to get as weird as I wanted, you know, went out and begged on the streets of like New York for a couple of days to like for change. With all add to homeless on the streets. And you know, at Christmas lights in my hotel room in my in my loft that they gave me and I have Christmas lights and listen to Christmas music four hours a day and Just the apartment you,
you unfold in Iran, she went full Daniel Day.
I did, I went full on like I told myself, I was gonna do exactly what I would have told my students to do. And I did exactly what I just stepped out myself. I only stance philosophy myself and said, What would you tell your students to do? And I just did that. And I was in for me, the freedom he gave me and the confidence he gave me in what I was doing. And, and the way he is part of it for me, like there was one day we had a shoot, and I did something and we did table reviews at that thing. We did the table read it. I'm like, yeah, you don't do that. And I was like, Okay. Let's do it. Only time. You have requested that easily, I think. Yeah. Don't do that again. As it Yeah, well, okay. You know, but, you know, but in general, just the freedom to kind of like be as weird and crazy I want. That's such a gift man that you never get that you never into Oh, so often. It's like, you know, you have two tags. And they're like, moving on, you're like, do you want to get everything that was good, and you just don't even get to go there. So
Now, what is your best and worst Hollywood story? Like the craziest. And, like, I think you already gave us kind of like your best day, which was this the one you just told me? So? What's the craziest Hollywood story that you can tell on air publicly? Because I've heard a couple that you can't tell on air. But really, yeah, you have some amazing stories, man like cuz? Cuz everyone listening, Joe knows everybody. My own personal best know, just like stories that you've been in the vicinity of. Something that happened somewhere?
I'm trying to remember. I mean, like I don't, because it's so weird. Because they because I was there. I don't really think about the big a big deal until like, people bring them up. And I'm like, Oh, my god, that was nuts. I don't know. Like, what? What's the only thing I can't tell? That's the thing I want to know.
I mean, it's like, Why me? I remember you telling the Clooney story of how he used to like when you were on er, and then he and then you and then when you went on with the money. What's it called? Yeah. And then it's a fun story. But that's a fun story. That's not like a crazy story. But then he was just because he's a he's a trickster. Basically. He's a prankster.
Yeah, he talked shit to me the whole time that I was MDR trash the whole time I did. Those. I was on an episode, season two, Episode Four.
How is that possible? Sir? You're only 25.
I know. It's called. That's life. The episode name is Lance life. And I play a chicken delivery guy. I'm the delivery guy. I only know this because recently, I somebody cast the show talked about something. And I went to look at my IMDb and I noticed I didn't I wasn't credited for doing er. And I was like, how did I not get credited and I had to go back and figure out how to list myself on the show. So I went back and figured I was Episode Two for you know why you have all these numbers, right? Yeah, right. Yeah. Yeah, cuz I had to do the homework to do the IMDb and I'm the delivery guy. But delivery guy in the chicken suit. And, and when I auditioned, when I auditioned for the show, the audition. Stories are much better than any other story. I can tell them other audition stories. But when I went in for the audition, they said they were looking for a chicken delivery guy. And I didn't want to go with just one line. I don't want to one line on er, like I want to be a doctor or an intern. My agents like look, you have no credits. You're gonna audition for this intern and I like whatever audition just play the delivery.
Did you have the hair yet? Or not yet? Yeah, it's like here but it wasn't long. It wasn't as long it wasn't great. It was black still. No it was black It was like charmed my charm blank we've done that it got it got it got it.
And I went in and they were there was like an African American guys waiting to go in Asian guys and like fat dude guys with no chin was ready to guys with no Chin's that you see an infomercial all the time and nerdy guys, you know, and I was like, I don't want to be here. And so they brought me in. And they said, Okay, come on in. I'm an RA. And I walked in they go I go, are you ready? And my backpack over my shoulder, either my shoulder and I didn't want to do it. So I had the script in my hand like this. You ready? No one. Yeah. Okay. The jalapeno fried for a tom Perry and exam three. Thanks. And I walked out of the room, right?
Because that was that was earnest though that you really just did not want to be there.
I really didn't want to be that I didn't want the job. I just threw the piece of paper walked out the room. And they call my agent and they were like, we're hiring him. He's amazing. The activator guy who didn't want to be in the chicken soup. I was like I was waiting tables I don't want the job agents like they say you have to take the job but they're never gonna see you again for you. And I was like what? I oh my god they go you might come back three are in another role, but you're not going to be on the show ever if you don't take this job. And I was like any
er by the way if every one of us in ER was the show. Yeah. Yeah, he show. We'll be right back after a word from our sponsor. And now back to the show.
And I go, Well, I'm not doing and I was waiting tables, and I was like, Well, I'm not doing it for less than $1,000. And they went, they said, Fine. Like, I'm
like, they were gonna pay you more.
I mean, it was it was 20 years ago, like, they could have paid me 500 you know, I was like, I want twice what scale is and they went, Okay, I'm like, what, you know, I had no credit. I was like, Okay, and so I just took it, like, it made my quote, higher. My geiko doubled in a day. And I was like, oh, it for me, that was a lot. You know, I was like, that's like two weeks of work. You know, it's like, that's a lot of money. And I was like, Alright, so I did the job. I get to set. It's 110 degrees in Burbank, the day that I'm working. I'm wearing this chicken suit. I'm miserable, right? I'm like, wearing like a chicken suit, like this mascot suit without a hat. Right? I'm like, Oh my god, you know? And, and it was a different time. Right? So so please excuse the language, you know, hold this against Clooney at all, because at the time, it just didn't mean anything, please. You know, and he's saying they're hot and all sudden I hear a Fat Duck. Fat dog. And I looked down included in his wheelchair, this bad duck, Fat Duck. No, you know, I wasn't That's awful. And then I think I'm just being mocked by Clooney just been mocked, right, you know,
And Clooney and Clooney was at the height of his TV career. Not a movie. He wasn't even a movie star yet.
He was the sexiest man in america but he was not like a movie star yet.
Now he was he was still said he was a TV. He was the he was the Tom Selleck. Magnum PI of his day.
Just about to become Batman. Correct? Right. Yeah. Yeah.
Which worked out which by the way, it worked out very fine for him. But we'll talk about Batman.
Yeah, yeah. And then so and so he says that I'm like, Oh my God. He's just in a wheelchair doing wheelies next to me making mocking me right. And then we get to we get to. So then years later, I get cast in the perfect storm. And he's in the movie. I'm like, I finally made it, I finally made it. I now actually in my huge movie, like in a huge movie of a huge part. I want to get respect. For the first time my wife and from behind me, I hear Fat Duck. Please, like he never forgot. You know, he's that kind of great guy that we just remember everybody. Wonderful, you know, and
years later, you get cast in Jodie Foster's film.
But I can tell you is that we did that when we departed from I asked him about Batman. Oddly enough. I said, What made you take Batman? And he's and and he told me some stories of a white chick, Batman, you know, he's just a good guy. He's a really good he's really
Can you tell us? Is that public knowledge? Can you say why he took Batman, I'm assuming that there's a check involved.
So that's it really, really boiled down to the fact that he could do anything he wanted after he did it.
Because once he became Batman, then the doors swung like what they did for bow like Val did Batman and then doors shows
That conversation. That was the conversation that we had, he said, you know, you know, we also we talked about why he didn't do an accent the Boston accent really the perfect storm, you know us, he had really good advice to me and very strong. And I still, you know, he's a wonderful human being, you know, very charming and, you know, endearing. Even his his comments about me being that kind of duck it was you know, even though today not appropriate was very funny and charming. And in no way derogatory. It really meant to be, oh, I need to make that clear. Because
no, no, absolutely. And it was a different I get I get it. And then years later from perfect storm, you get cast in money. What's the money button? I'm on the ball. But my monster? Yeah,
I mean, emelin. bizarrely, I knew the producers of that I was coaching and Katie was auditioning for a different role. And I read part of the script. I'm like, this takes place on a soundstage. And I've played a lot of crew people in my career, oddly enough, like James and Bob and JP, right, right. Yeah, I play a lot of guys who are like first 80s I play a lot of them. I don't know why. But it's a people like to have me on set. And I do know how to point stuff out and be like, yeah, you know, we need this blah, blah, lower the boom, I can call that out, you know? So, so yeah. So what happens? I saw I read the little bit of script, and I'm like, oh, there's a rule here. That'd be right for me. And I wrote to the producer, I said, Hey, can we get Jodie Foster to watch this clip? Can I send it a reel? And they said, totally, and I send something in and they send something else in and they send somebody else in and eventually they hired me and I showed up and then Clooney, I reunited again, you know, for a third time to him
and when he saw you, what did he say? Same thing.
The funniest thing about seeing him on the set, they showed up on set is I as I see him and I go, Hey, George, and I'm wearing the headset, and I'm worse than the first day I go, Hey, George, he goes, Hey, and he walked away.
Because he thought you were like,
I don't I was like, he must be in character or not thinking I was like, that's really weird right now. turn my back in two seconds later here. Oh, shit. Joe. I totally thought you were just like a crew guy saying Hey, yo, he's like, and he's like, that would be being a jerk Anyway, I'm sorry. But I was like, in my moment, I didn't realize you were checking it. Hey, buddy. I would caught up about everything for you. We spent like a week or two talking, catching up a little bit. But it was pretty funny.
And these are one of the many layers of the tapestry that is Joe Reitmans Hollywood career.
I mean, they you know, but the thing is, is like, you know, the hard audition stories are much worse. You know, there was a casting director, I went in for a movie that I auditioned for there was a war movie, and I gave the worst audition in my life. I went in, I just blanked I couldn't remember anything. And like, it's normal for an actor. Can't be perfect all the time. Things happen. words don't stick. You know, I don't care how good you are. You have off days, things are distracting. I give off audition. I asked the catcher dragon. Can I do it again? And she just said, No. I was like, that was like a really painful day. It stuck in my head because I remember being like, okay, no, no. Thanks for coming in. I went to audition for a pilot for HBO and a casting director. As I walked into the office, I walk in and he and he's there on the phone and he goes, calls me his office. And he goes no, it just make the offer to Kevin Smith. To make a damn. Yeah. Don't worry about it. We're not going to Yeah, we're not gonna hire anybody else for that role. Okay. Yeah. Okay, great. And I looked at him. I go, yeah, Kevin's gonna be right. Obviously, Raji for the same role. I'm obviously auditioning for the role that as it's been offered in front of me, to Kevin Smith, Kevin's gonna be great. He goes, listen, Joe, until you you need to really really really love your agents because they brought you in for this thing. They made me see you even though I didn't want to. I didn't wanna see you today. So this is read this is read this now you get it done.
Did you tell Kevin that story? No, he says Kevin cares.
But I mean, there's other words that like you know, I audition for these were my two favorite stories are like I auditioned for a pilot for HBO. It wasn't for us it was for it was producing it for another channel at the time. And and it was the role of this character named yo yo who was a worked at a independent volunteer fire station in in Colorado and and I created a character I based him on Bobcat go with so I did this character though. Oh, no. Here we go out of the fire today. No character like that. Right? Oh, and while we're doing this so I go to call back I get called back I go to producers I go to like studio and I go to network and I'm at HBO and sitting in the waiting room. And they told me it's me between me and another guy and as I'm sitting there I look up and I hear Hey, how's everybody doing? I look up and Bob cat walks in the room. And he sits down across omega Are you ready for Yo yo yo Yeah, would you know that? I said cuz I'm ready to do and I I did my audition is you use Do you want to take it outside cuz there really isn't enough work for me and is down.
You need to write that book you need to write
A show called Total Security which was a spin off take off of NYPD Blue kind of like an offshoot by Bosco and go into audition and they bring me into play this pop Roxy guidance Papa Razzi guy is like this weird guy and I based him on on a Curtis on booger from Revenge of the Nerds right deep yeah and I think I would have would have bigger grew up in was this guy you know what if it was the case I don't get into creating some so worked him as booger I just did a lot of homework is booger and I kind of watch repetitive there and I'm like okay, booger booger grew up you'd be like this guy can be pig picking his nose wouldn't give a shit and be gross. So I went to the audition at Fox and as I'm like walking apart my car and their structure and as I'm about to walk out in drive this car and who do I see but driving the booger, stopping for the extended from the guard. It stopped the ground and go and he looked at me like what are you auditioning for total security? And he goes, how would you know that and I go, damage. What I go. I stayed up all night long preparing for preparing for this role, and I prepared him as booger for Revenge of the Nerds. I prepared him as you when he was here. It's so funny. Yes, because I think I'm totally wrong for this thing. We audition, right? And I'm in another audition Two weeks later, and he walked in, right? We're doing the same thing again. He goes, did you book that total security? And I said, Yeah, you guys. I should retire now. I should just quit.
So you got hired, playing somebody else, and that person can get hurt very similar to a job. I hear it all goes in cycles. It's all it's, it is. It's called karma, Sir, it is called carma.
You know, they say they say all the time somebody says it's like, you know, it's like, the job. A friend of mine, Ron Livingston said to me once when we're doing TV show, because we're talking about not getting jobs, and he said, is, you know, that job that you're not getting today because somebody is more famous than you. So the day is gonna come where you get that job because that new kid is is in town and he's not going to get it. So you know, it's all gonna
Oh, no, it there's there's a lot. I love that whole, like, Who the hell's do right, man? Yeah, get me to write the whole the five stages of Hollywood. It's, it's, it's very true. And it happens forever. By the way, it happens for to a certain extent for directors and screenwriters, and everybody's like, Oh, yeah. Give me instead of getting a younger one, give me a cheaper. Right? Give me a cheaper, blah, blah. so crazy. So I'll ask you a last few questions, sir. I asked all my guests. If you had any advice to give a filmmaker trying to break into the business today? What would it be?
Advice to a filmmaker? Um, well, I mean, obviously, number one is write a great script, right?
Or have access to a great script.
Yeah, yeah, write a great cover execution. But if you could write your own scripts, you write your own ticket about what you need to do next, right. I mean, that's a great script opens up all the doors. You know, even if you don't get to direct that one, it's going to open the door for the next one. Right. So I think, you know, writing a great script is huge, too, man, you know, just start shooting. I mean, when you and I started that you couldn't just start shooting every camera in their pocket, right? So and I gotta tell you, like, so that I find phone stuff that I shoot looks great. So I sit there and I go, you know, you can do a lot, very little with the magic, whatever you need to do, right? You have a black magic, whatever it is. I mean, it's not hard to get your hands on something.
I mean, they had that little camera shot was like $1,000 camera.
So what I'm saying you don't. And you know, reds are, you know, readily available? If you know the right people. And it's not like you can't do a lot, right? So you just
There's no excuse anymore? There's no excuse anymore? No, you just need to like be able to put it together. So I mean, I think that's the main thing. You start shooting, start shooting. Now what is the lesson that took you the longest to learn whether in the film business or in life?
You know, it's funny, the one that probably is the truest that I still don't do. I learned from Hamilton
which is just fantastic.
Yeah, cuz birth is the Hamilton he does. talk less smile more.
That's actually no it you know what, that's not bad advice.
No, when I sit there, and I go, I wish I could watch myself. I mean, I, I would argue that a lot of my successes because I don't watch my mouth, and even you and I had to stop before we started doing this interview, right? I was like, you know, it's like, Look, you know, people like me to kind of like, my energy comes through and kind of like me not watching what I say or not caring what you think. I do a lot of good. My best work people just go like, just let him just let him run his course. Right. I have lost jobs for doing that too.
You know, so it's your greatest strength and your biggest weakness at the same time? Yeah, thanks, dad. That's all my dad. But uh, yeah, it's one of the reasons why I'm it makes me a the the same kind of thing that do you deal with? For me, it's like the energy that I need to be a director and to be in control of my own destiny as an entrepreneur is the reason why I'm a horrible employee. Horrible employee fired from both my jobs early in my 20s gloriously fired and very proud of my firings and I just am not designed to be in an employee I'm just not I work I work with people I'll work on a project I have clients that's a different conversation.
You can we you know, I've been I've read commercials that are half million dollar million dollar commercials and that's not a problem right? And I don't even flinch right
and you have a client and you've got you know it you know, sometimes you got idiots who have to deal with it. Let's just different.
Yeah, dreaded for like CBS and had to deal with like, you know, with like, the sponsored products that we had to deal with and I'm might not like it, I might kick and scream a little bit, but it's like it's different. But you know, but you see the wrong thing. I mean, I just go What? And I'm done. You know, like, you know, I, it's why I need unions to protect me like because I will be I will not let those
your worst enemy Sir,you are your worst enemy.
So and also the greatest hero, if it's like I also write, I'm the guy, you piss me off, you need to know like, you know what you're getting with music, I might set fire to everything, which might make it spectacular, or might burn everything down. Like I don't know what I'm gonna do. You know, I think that's difficult.
But this is why this is why when we work together, I just, I just sat back and I was like, I'm just here to capture the lightning. When I was with you in jail, I just like sat back. And like, I just gave you guys a little bit of a tap here, a little bit of a tap there. And just like, just go.
Yeah, I think that's the thing is like, you know, and I learned it fairly, the one I learned fairly early is like, no, my best asset is no fear, right? Like having no fears kind of like what's really suited me the best in whenever I have fear creep in. It's my biggest issue in stopping me from doing whatever I need to do to get to the next level. But career wise, you know, I tell everybody the same thing. Like you know, your writing is the biggest weapon that you can use in this town. Every big break I've had in Hollywood has come from writing or creating my own thing, whether it's been from improv or whether it's been because I put a pen to paper or started typing on a keyboard. That's where all the real opportunities that come from all of them. You know, not all the biggest jumps have been because it's something that I created, not from something that I waited for.
Or waiting for permission for. Yeah, yeah. And last question, sir. Three of your favorite films of all time. Rocky, Animal House and Apocalypse Now. Wow, you just had them like on on on tap? Those are my three. Those are the three that motivated me the most to become who I am. Rocky Animal House pocket. I mean, all fantastic films. And but there's a very nice crossroads of all three is like three different genres just
Yeah, exactly. Me, for me that they're the three that really shaped who I am to become who I am. There have been great movies since then. But there those are the movies that have most influenced my career and therefore kind of like really made a difference in my life. So that's why I always say the three.
And then is there any place that an actor or director who that want might want to take one of your classes or talk to you or anything like that? Do you offer anything? Do you want to give that information out or not? It's up to you?
Yeah, I mean, look, I'm easy to find, you know? Yeah, if you wanna find me on Instagram, I'm @ Joe ugly. I'm so easy to find. Where right now Facebook, Joseph, David Reitman, find me those are the two best places to reach out to me. I teach classes during the week, I coach actors privately also, and you know, I'm always looking to create and collaborate. So anybody who has a great script and wants somebody
Careful, careful, careful.
And doesn't mean that I'm gonna guarantee you I'm gonna do it for you. You're welcome. I'll tell you. I think it sucks.
This is true. This is this is true.
You send my stuff and if I have time to work COVID now's the time to reach out because there are no, you know, I got nothing to do but read scripts and spend a little time looking.
Joe, man, I I could talk to you for another two, three hours, brother. I really appreciate you taking the time. I was very busy, obviously, all of us to do this and, and be so raw and honest with us. And I truly appreciate it, man. So thanks again, for for talking to the tribe today, brother,
dude, anytime, anytime. I'll come back talk to you anytime. I hope we get to work together soon too.
I want to thank Joe for coming on and dropping those knowledge bombs on the tribe, as well as those amazing entertaining stories. I swear, Joe, why you don't have a podcast right now interviewing people that you know in the business is beyond me. But you know, I'm just saying, if you want to get links to anything we talked about in this episode, please head over to the show notes at indiefilmhustle.com/416. And guys, next week, we will begin our massive black friday Cyber Monday, November December January. Sale extravaganza on indie film, hustle, TV, and indie film hustle Academy. I got a bunch of new courses and webinars coming out as well. We have how to pitch your script to an investor, how to package your project, how to find money, all just a ton of amazing stuff coming out next week starting next week, so keep an eye out for that. Thank you guys again, so much for listening. As always. Keep that also going. Keep that dream alive. Stay safe out there. And I'll talk to you soon.
Joseph Reitman – IMDB
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by Indie | Jun 27, 2022 | Indie Films | 0 comments
Indie films have become more popular in recent years. This is likely due to the fact that they offer a unique and different experience than mainstream films. Indie films are often made with a smaller budget, which allows for more creative freedom. They also tend to focus on character development and storytelling, rather than special effects and action scenes. As a result, indie films have become increasingly popular with moviegoers who are looking for something different.
Indie films have been gaining in popularity for a number of years now. This is likely due to the fact that they offer a unique and different experience than mainstream films. Indie films are often made with a smaller budget, which allows for more creative freedom. They also tend to focus on character development and storytelling, rather than special effects and action scenes. As a result, indie films have become increasingly popular with moviegoers who are looking for something different.
There are a number of reasons why indie films have become more popular in recent years. One of the most important factors is that they offer a unique and different experience than mainstream films. Indie films are often made with a smaller budget, which allows for more creative freedom. They also tend to focus on character development and storytelling, rather than special effects and action scenes. As a result, indie films have become increasingly popular with moviegoers who are looking for something different.
In addition, indie films have also become more popular because they are often more accessible than mainstream films. Indie films are typically shown in smaller venues and are more likely to be available on streaming services or through independent channels. This makes them more convenient for moviegoers who want to watch something different but may not have the time or ability to go to a theater.
Finally, indie films have also become more popular because they are often made by up-and-coming filmmakers. These directors are often looking to tell unique stories that may not be able to get funding from major studios. As a result, indie films often offer a fresh and innovative perspective that can be refreshing for moviegoers.
Overall, there are a number of reasons why indie films have become more popular in recent years. They offer a unique and different experience than mainstream films, they are often more accessible, and they often offer a fresh and innovative perspective. As a result, indie films have become increasingly popular with moviegoers who are looking for something different. | 2023-14/0000/en_head.json.gz/3826 | {"url": "https://indieproducer.net/2022/06/27/why-are-indie-films-becoming-more-popular/", "partition": "head_middle", "language": "en", "source_domain": "indieproducer.net", "date_download": "2023-03-20T09:56:32Z", "digest": "sha1:BOOGP5BMJVKOXMJGY52AMZWBEPRVL3QT"} | {"ccnet_length": [[0, 2639, 2639.0]], "ccnet_original_length": [[0, 2639, 3416.0]], "ccnet_nlines": [[0, 2639, 7.0]], "ccnet_original_nlines": [[0, 2639, 24.0]], "ccnet_language_score": [[0, 2639, 0.98]], "ccnet_perplexity": [[0, 2639, 100.4]], "ccnet_bucket": [[0, 2639, 0.0]], "rps_doc_curly_bracket": [[0, 2639, 0.0]], "rps_doc_ldnoobw_words": [[0, 2639, 0.0]], "rps_doc_lorem_ipsum": [[0, 2639, 0.0]], "rps_doc_stop_word_fraction": [[0, 2639, 0.48312236]], "rps_doc_ut1_blacklist": [[0, 2639, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2639, 0.65866051]], "rps_doc_frac_chars_dupe_5grams": [[0, 2639, 0.75796767]], "rps_doc_frac_chars_dupe_6grams": [[0, 2639, 0.73071594]], "rps_doc_frac_chars_dupe_7grams": [[0, 2639, 0.71593533]], "rps_doc_frac_chars_dupe_8grams": [[0, 2639, 0.67898383]], "rps_doc_frac_chars_dupe_9grams": [[0, 2639, 0.67898383]], "rps_doc_frac_chars_top_2gram": [[0, 2639, 0.073903]], "rps_doc_frac_chars_top_3gram": [[0, 2639, 0.06466513]], "rps_doc_frac_chars_top_4gram": [[0, 2639, 0.06466513]], "rps_doc_frac_all_caps_words": [[0, 2639, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2639, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2639, 0.10337553]], "rps_doc_frac_unique_words": [[0, 2639, 0.28169014]], "rps_doc_mean_word_length": [[0, 2639, 5.08215962]], "rps_doc_symbol_to_word_ratio": [[0, 2639, 0.0]], "rps_doc_unigram_entropy": [[0, 2639, 4.36269146]], "rps_doc_word_count": [[0, 2639, 426.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 51, 0.0], [51, 528, 1.0], [528, 1022, 1.0], [1022, 1539, 1.0], [1539, 1939, 1.0], [1939, 2271, 1.0], [2271, 2639, 1.0]], "rps_lines_javascript_counts": [[0, 51, 0.0], [51, 528, 0.0], [528, 1022, 0.0], [1022, 1539, 0.0], [1539, 1939, 0.0], [1939, 2271, 0.0], [2271, 2639, 0.0]], "rps_lines_num_words": [[0, 51, 9.0], [51, 528, 76.0], [528, 1022, 80.0], [1022, 1539, 83.0], [1539, 1939, 66.0], [1939, 2271, 54.0], [2271, 2639, 58.0]], "rps_lines_numerical_chars_fraction": [[0, 51, 0.1627907], [51, 528, 0.0], [528, 1022, 0.0], [1022, 1539, 0.0], [1539, 1939, 0.0], [1939, 2271, 0.0], [2271, 2639, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 51, 0.0], [51, 528, 0.0], [528, 1022, 0.0], [1022, 1539, 0.0], [1539, 1939, 0.0], [1939, 2271, 0.0], [2271, 2639, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 51, 0.07843137], [51, 528, 0.01048218], [528, 1022, 0.01012146], [1022, 1539, 0.00967118], [1539, 1939, 0.0075], [1939, 2271, 0.00903614], [2271, 2639, 0.00815217]], "rps_doc_ml_palm_score": [[0, 2639, 0.8718878]], "rps_doc_ml_wikipedia_score": [[0, 2639, null]], "rps_doc_ml_wikiref_score": [[0, 2639, 0.19610423]], "rps_doc_books_importance": [[0, 2639, -115.41085476]], "rps_doc_openwebtext_importance": [[0, 2639, 44.43815767]], "rps_doc_wikipedia_importance": [[0, 2639, -11.78886305]], "rps_doc_num_sentences": [[0, 2639, 24.0]]} |
Phylloxeridae : Phylloxerini : Daktulosphaira vitifoliae
Daktulosphaira vitifoliae (=Viteus vitifoliae)
Grape phylloxera
On this page: Identification & Distribution Other aphids on the same host Damage & Control
The grape phylloxera (Daktulosphaira vitifoliae) is an important pest of commercial grapevines. When on its native vines in America, its life cycle takes two years to complete and includes a sexual stage. The single overwintering egg on vine hatches in spring to give the fundatrix. As the immature fundatrix feeds, she injects saliva into the leaf which induces a hairy, scabrous gall on the leaf underside (see first picture below) which opens on the upper surface. On reaching maturity the fundatrix lays eggs parthenogenetically in the leaf gall (see second picture below). The nymphs that hatch from these eggs move to other leaves where they produce 3-4 asexual generations of grape phylloxera.
Both images above copyright Claude Pilon, all rights reserved.
The adult apterae of Daktulosphaira vitifoliae are yellow (see picture below). The body is pyriform (=pear-shaped) with the broadest part anterior. The antennae are very short, with only 3 segments.
Image above copyright Claude Pilon, all rights reserved.
As the season progresses, some of the wingless females move to feeding on the roots. On vine roots the grape phylloxera induce bird's head-like galls, termed 'nodosities', on young expanding roots and cause hyperplastic growth (=excessive cell division) of lignified roots, termed 'tuberosities'. (The first picture below shows both the galls and white tuberosities.) Their offspring (see second picture below) spread to other roots of the same vine, or to the roots of other vines through cracks in the soil. Successive asexual generations of apterae persist on roots. The generation of nymphs which hatch in the autumn hibernate in the roots and emerge next spring when the sap begins to rise.
Both images above copyright Joachim Schmid under a Creative Commons Attribution 3.0 Germany License.
In the eastern US the root-feeding wingless females then produce winged individuals (alate sexuparae) from mid-summer to late autumn. These emerge from the soil to migrate and produce non-feeding sexuales: males, and oviparae (females), which in turn mate. The ovipara then lays the single overwintering sexual egg in the bark of the vine's trunk and then dies. It is this egg that gives rise to the leaf-inhabiting forms.
The grape phylloxera was introduced to Europe in the late 1850s where it destroyed many vineyards growing the common grape vine (Vitis vinifera). However, the life cycle of the phylloxerid is much simplified on the European vine. The sexual stage is lost, so there are no leaf galls and the grape phylloxera is anholocyclic on these vine roots. Forneck & Huber (2008) review the varied life cycles of the grape phylloxera. Leaf galls can occur in Europe on cultivars derived from hybrids between Vitis vinifera and American vine species. Daktulosphaira vitifoliae is now found in many parts of the world including North, Central and South America, Europe, the Mediterranean, the Middle East, Africa, China and Australia.
Daktulosphaira vitifoliae has been recorded from 11 Vitis species (Vitis aestivalis, Vitis berlandieri, Vitis candicans, Vitis cantoniensis x champini, Vitis cinerea, Vitis cordifolia, Vitis labrusca, Vitis riparia (synonomised by Blackman with Vitis vulpina), Vitis rotundifolia, Vitis rupestris, Vitis vinifera, Vitis vulpina).
Blackman & Eastop list 16 species of aphid as feeding on common grape vine (Vitis vinifera) worldwide, and provide formal identification keys (Show World list). Of those aphid species, Baker (2015) lists 10 as occurring in Britain (Show British list).
Blackman & Eastop list just 2 species of aphid as feeding on fox grape (Vitis labrusca) worldwide, and provide formal identification keys (Show World list). Of those aphid species, Baker (2015) lists neither as occurring in Britain (Show British list).
(Daktulosphaira vitifoliae is the only aphid recorded from Vitis aestivalis, Vitis rupestris, Vitis riparia.)
The root form of Daktulosphaira vitifoliae is especially damaging to grape vines. The phylloxera perforate the root to find nourishment, infecting the root with a poisonous secretion that stops it from healing. This poison eventually kills the vine. Most native American grapes are naturally phylloxera resistant, but the European wine grape Vitis vinifera is very susceptible. This resulted in widespread devastation of European vineyards when the pest was introduced.
Attempts at control of grape phylloxera using insecticides were generally unsuccessful, and two alternative approaches have been utilised. One which gained favour in the late 19th century was the use of hybridization, in other words crossing the susceptible European Vitis vinifera with a resistant American species, usually Vitis aestivalis, Vitis rupestris, Vitis riparia or less commonly Vitis lebrusca. Such hybrid varieties are still widely grown in some parts of America, but are much less popular in Europe.
The approach currently favoured over most of the world is grafting Vitis vinifera onto a resistant rootstock. This has the advantage that the rootstock does not affect the flavour of the grapes and resultant wine.
We are especially grateful to Claude Pilon for pictures of Daktulosphaira vitifoliae
Forneck, A. & Huber, L. (2009). (A)sexual reproduction - a review of life cycles of grape phylloxera, Daktulosphaira vitifoliae. Entomologia Experimentalis et Applicata 131, 1-10. 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Beyond the Saga - Star Wars: Vader Down
Darth Vader has crashed on Vrogas Vas. With the Rebel Alliance surrounding him, rather than the hunter, Vader is the hunted. This is the comic story you've been wanting. Vader against the entire Alliance army and fleet. David and Hannah discuss Star Wars: Vader Down, the crossover event that is a must-read.
For more...
Episode 313: Jumping Timelines
Ahsoka Tano is expected to make her live-action debut in The Mandalorian. This will mean that we've seen her in three different shows spanning three different time periods. The guys discuss the impact on a character by telling their story in several timelines over the course of years. They also talk about the LEGO Star...
Beyond the Saga - Star Wars: Ahsoka
Ever since her debut in The Clone Wars, Ahsoka Tano has grown into one of the most loved Star Wars characters. She has helped free Mandalore, lead a rebellion against the Empire, and is set to appear in The Mandalorian. But how did she get involved in the Galactic Civil War? Where did she go after surviving Order...
Episode 312: The Journey Ahead
Bo-Katan has made her live-action debut. It was incredible and has created more story possibilities for the series. David, Casey, and Cody discuss the direction The Mandalorian could take the rest of the season. They also talk about the upcoming releases of the LEGO Star Wars Holiday Special and the VR experience Tales...
Beyond the Saga - Star Wars: Darth Vader - Shadows and Secrets
Darth Vader and Doctor Aphra's journey continues. While Vader gets assigned a new mission for the Empire, Aphra conducts his secret investigation. Will Vader's investigation become compromised? Is he any closer to discovering answers? David and Hannah are back to discuss volume 2 of the Darth Vader comic series written... | 2023-14/0000/en_head.json.gz/3828 | {"url": "https://insidetheforce.libsyn.com/2020/11", "partition": "head_middle", "language": "en", "source_domain": "insidetheforce.libsyn.com", "date_download": "2023-03-20T08:44:20Z", "digest": "sha1:PZTJZ4YIQYDGWTHTKHBQS4C7KMAAOVS3"} | {"ccnet_length": [[0, 1811, 1811.0]], "ccnet_original_length": [[0, 1811, 9214.0]], "ccnet_nlines": [[0, 1811, 11.0]], "ccnet_original_nlines": [[0, 1811, 229.0]], "ccnet_language_score": [[0, 1811, 0.95]], "ccnet_perplexity": [[0, 1811, 339.4]], "ccnet_bucket": [[0, 1811, 0.0]], "rps_doc_curly_bracket": [[0, 1811, 0.0]], "rps_doc_ldnoobw_words": [[0, 1811, 0.0]], "rps_doc_lorem_ipsum": [[0, 1811, 0.0]], "rps_doc_stop_word_fraction": [[0, 1811, 0.34444444]], "rps_doc_ut1_blacklist": [[0, 1811, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1811, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1811, 0.07123098]], "rps_doc_frac_chars_dupe_6grams": [[0, 1811, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 1811, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1811, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1811, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1811, 0.03319502]], "rps_doc_frac_chars_top_3gram": [[0, 1811, 0.02697095]], "rps_doc_frac_chars_top_4gram": [[0, 1811, 0.03526971]], "rps_doc_frac_all_caps_words": [[0, 1811, 0.00833333]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1811, 0.45454545]], "rps_doc_frac_no_alph_words": [[0, 1811, 0.14722222]], "rps_doc_frac_unique_words": [[0, 1811, 0.55629139]], "rps_doc_mean_word_length": [[0, 1811, 4.78807947]], "rps_doc_symbol_to_word_ratio": [[0, 1811, 0.01388889]], "rps_doc_unigram_entropy": [[0, 1811, 4.71752546]], "rps_doc_word_count": [[0, 1811, 302.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 40, 0.0], [40, 349, 1.0], [349, 361, 1.0], [361, 392, 0.0], [392, 716, 1.0], [716, 752, 0.0], [752, 1070, 1.0], [1070, 1101, 0.0], [1101, 1425, 1.0], [1425, 1488, 0.0], [1488, 1811, 1.0]], "rps_lines_javascript_counts": [[0, 40, 0.0], [40, 349, 0.0], [349, 361, 0.0], [361, 392, 0.0], [392, 716, 0.0], [716, 752, 0.0], [752, 1070, 0.0], [1070, 1101, 0.0], [1101, 1425, 0.0], [1425, 1488, 0.0], [1488, 1811, 0.0]], "rps_lines_num_words": [[0, 40, 7.0], [40, 349, 52.0], [349, 361, 2.0], [361, 392, 4.0], [392, 716, 55.0], [716, 752, 6.0], [752, 1070, 58.0], [1070, 1101, 5.0], [1101, 1425, 53.0], [1425, 1488, 10.0], [1488, 1811, 50.0]], "rps_lines_numerical_chars_fraction": [[0, 40, 0.0], [40, 349, 0.0], [349, 361, 0.0], [361, 392, 0.10344828], [392, 716, 0.0], [716, 752, 0.0], [752, 1070, 0.0], [1070, 1101, 0.10344828], [1101, 1425, 0.0], [1425, 1488, 0.0], [1488, 1811, 0.00319489]], "rps_lines_start_with_bulletpoint": [[0, 40, 0.0], [40, 349, 0.0], [349, 361, 0.0], [361, 392, 0.0], [392, 716, 0.0], [716, 752, 0.0], [752, 1070, 0.0], [1070, 1101, 0.0], [1101, 1425, 0.0], [1425, 1488, 0.0], [1488, 1811, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 40, 0.15], [40, 349, 0.05501618], [349, 361, 0.08333333], [361, 392, 0.09677419], [392, 716, 0.03703704], [716, 752, 0.13888889], [752, 1070, 0.05974843], [1070, 1101, 0.12903226], [1101, 1425, 0.0617284], [1425, 1488, 0.12698413], [1488, 1811, 0.04643963]], "rps_doc_ml_palm_score": [[0, 1811, 0.58117509]], "rps_doc_ml_wikipedia_score": [[0, 1811, null]], "rps_doc_ml_wikiref_score": [[0, 1811, 0.39868581]], "rps_doc_books_importance": [[0, 1811, -47.16738111]], "rps_doc_openwebtext_importance": [[0, 1811, 12.82834229]], "rps_doc_wikipedia_importance": [[0, 1811, -23.31665381]], "rps_doc_num_sentences": [[0, 1811, 23.0]]} |
Tag: Shoeless Joe Jackson
Tell The Whole Story
Posted on July 24, 2019 by ditti33
The National Baseball Hall of Fame in Cooperstown, New York is a history museum. It exists to tell the story… Read more Tell The Whole Story | 2023-14/0000/en_head.json.gz/3829 | {"url": "https://insidethemindofditti.wordpress.com/tag/shoeless-joe-jackson/", "partition": "head_middle", "language": "en", "source_domain": "insidethemindofditti.wordpress.com", "date_download": "2023-03-20T10:29:47Z", "digest": "sha1:Q4GXFAL2UVNOBN6NS2PWD3TYGCJWYKTD"} | {"ccnet_length": [[0, 222, 222.0]], "ccnet_original_length": [[0, 222, 1294.0]], "ccnet_nlines": [[0, 222, 4.0]], "ccnet_original_nlines": [[0, 222, 40.0]], "ccnet_language_score": [[0, 222, 0.86]], "ccnet_perplexity": [[0, 222, 123.3]], "ccnet_bucket": [[0, 222, 0.0]], "rps_doc_curly_bracket": [[0, 222, 0.0]], "rps_doc_ldnoobw_words": [[0, 222, 0.0]], "rps_doc_lorem_ipsum": [[0, 222, 0.0]], "rps_doc_stop_word_fraction": [[0, 222, 0.2173913]], "rps_doc_ut1_blacklist": [[0, 222, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 222, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 222, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 222, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 222, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 222, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 222, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 222, 0.11797753]], "rps_doc_frac_chars_top_3gram": [[0, 222, 0.13483146]], "rps_doc_frac_chars_top_4gram": [[0, 222, 0.19101124]], "rps_doc_frac_all_caps_words": [[0, 222, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 222, 0.0]], "rps_doc_frac_no_alph_words": [[0, 222, 0.15217391]], "rps_doc_frac_unique_words": [[0, 222, 0.82926829]], "rps_doc_mean_word_length": [[0, 222, 4.34146341]], "rps_doc_symbol_to_word_ratio": [[0, 222, 0.02173913]], "rps_doc_unigram_entropy": [[0, 222, 3.43031346]], "rps_doc_word_count": [[0, 222, 41.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 26, 0.0], [26, 47, 0.0], [47, 82, 0.0], [82, 222, 0.0]], "rps_lines_javascript_counts": [[0, 26, 0.0], [26, 47, 0.0], [47, 82, 0.0], [82, 222, 0.0]], "rps_lines_num_words": [[0, 26, 4.0], [26, 47, 4.0], [47, 82, 7.0], [82, 222, 26.0]], "rps_lines_numerical_chars_fraction": [[0, 26, 0.0], [26, 47, 0.0], [47, 82, 0.24242424], [82, 222, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 26, 0.0], [26, 47, 0.0], [47, 82, 0.0], [82, 222, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 26, 0.15384615], [26, 47, 0.19047619], [47, 82, 0.05714286], [82, 222, 0.1]], "rps_doc_ml_palm_score": [[0, 222, -1.001e-05]], "rps_doc_ml_wikipedia_score": [[0, 222, null]], "rps_doc_ml_wikiref_score": [[0, 222, -1.001e-05]], "rps_doc_books_importance": [[0, 222, -20.49970626]], "rps_doc_openwebtext_importance": [[0, 222, -3.64295512]], "rps_doc_wikipedia_importance": [[0, 222, -4.25705287]], "rps_doc_num_sentences": [[0, 222, 2.0]]} |
2017 in Review: Builder Awards and Accomplishments
This year, our builders have been busy dreaming up home designs, helping residents into their new homes, and, along the way, accepting a few awards and giving back to the community.
When deciding which home builder in Las Vegas is right for you and your family, awards in the industry can be telling on the type of service and quality of work you’ll ultimately receive. And, the way an organization treats the community can show where their priorities lie. Find out what our five Inspirada builders have been up to this year.
Beazer Homes
Beazer Homes partnered with Marine Toys for Tots Foundation for the second year to collect toys and raise awareness of the group’s mission. The campaign resulted in a $10,000 donation to the nonprofit and toys collected for more than 2,000 children.
Beazer Homes also cares for the environment. They were given the 2017 ENERGY STAR Partners of the Year – Sustained Excellence Award.
Century Communities
Century Communities was named one of Fortune’s 100 Fastest-Growing Companies this year, they donated $500,000 in Hurricane Harvey relief efforts, they achieved record levels of revenue and deliveries and they also got to ring in the New York Stock Exchange (NYSE) bell this year.
KB Home is a builder that is kind to the world in more ways than one. They implement efforts to enrich the lives of the people in their communities and they are environmentally conscious.
To celebrate their 60th anniversary this year, KB Home launched a 60 Acts of Kindness campaign. Some acts included donating washers and dryers to 17 different Ronald McDonald Houses and partnering with Sherwin Williams to add colorful beautification to communities through painting.
In addition to giving back, KB Home is recognized for their sustainability practices. For the third year in a row, the U.S. Environmental Protection Agency (EPA) has awarded the WaterSense Sustained Excellence award to KB Home. They were also named a 2017 ENERGY STAR Partner of the Year – Sustained Excellence Award winner (the first national homebuilder to earn the award seven consecutive years), and they received an industry-leading eighteen 2017 ENERGY STAR Certified Homes Market Leader awards.
Locally, KB Homes was given the Best of Las Vegas Silver Award by the Las Vegas Review-Journal and The Groves at Inspirada by KB Homes was awarded the Best Attached Home from The 2017 Silver Nugget Awards.
Pardee Homes
Pardee Homes has been busy working right here in Inspirada.
They recently celebrated 65 years in Southern Nevada and decided to celebrate by giving back. They donated 65 trees to be planted throughout Inspirada’s parks through a partnership of the City of Henderson’s Public Works Division and Parks & Recreation Division.
In addition, Pardee has been busy working on their newest Inspirada neighborhood; Strada. The neighborhood includes three new home designs based on the Gold Nugget award-winning design, Farmhouse Millennial Home. Additionally, interior designs were selected by designer Bobby Berk. A new Strada Plan Four will debut in early 2018!
In addition to their national awards, they won the local 2017 Silver Nugget Award for the Best Single-Family Luxury Detached Home for their Escala design.
Nationally, Toll Brothers was ranked #1 Homebuilder by FORTUNE Magazine’s World’s Most Admired Companies list, Bruce and Bob Toll — the Toll brothers — were welcomed into the BUILDER Hall of Fame, and Fortune 500 named them one of the strongest balance sheets in the home building industry.
Locally, Toll Brothers has been awarded Best of Las Vegas Bronze Winner for Best Luxury Homebuilder. Pineridge, a home design by Toll Brothers at Inspirada, was awarded the Best Single Family Detached Home in the $300,000-375,000 Silver Nugget Awards. And, to top it all off, the organization celebrated their 50th anniversary this year by ringing the NYSE opening bell.
Our Inspirada community also took home some awards and managed to make some big accomplishments this year! We were ranked the #1 Best Selling Master Plan Community in Henderson and given The Silver Nugget Award for Best Master Plan Community Marketing Campaign. Lastly, we were named one of the Top 10 Best Selling Master Planned Communities in the Nation!
If you’re looking for a house in Las Vegas, our home builders come with years of experience, industry recognition, and even a social conscience. Our builders would love to meet with you and discuss the options they have. Learn more about our builders and discover a collection and floorplan perfect for you. | 2023-14/0000/en_head.json.gz/3830 | {"url": "https://inspirada.com/homes/2017-review-builder-awards-accomplishments/", "partition": "head_middle", "language": "en", "source_domain": "inspirada.com", "date_download": "2023-03-20T09:53:02Z", "digest": "sha1:XDWEWUDI7SBGOIHPLB7RF3J2MRFGM5D6"} | {"ccnet_length": [[0, 4600, 4600.0]], "ccnet_original_length": [[0, 4600, 6167.0]], "ccnet_nlines": [[0, 4600, 21.0]], "ccnet_original_nlines": [[0, 4600, 70.0]], "ccnet_language_score": [[0, 4600, 0.96]], "ccnet_perplexity": [[0, 4600, 293.0]], "ccnet_bucket": [[0, 4600, 0.0]], "rps_doc_curly_bracket": [[0, 4600, 0.0]], "rps_doc_ldnoobw_words": [[0, 4600, 0.0]], "rps_doc_lorem_ipsum": [[0, 4600, 0.0]], "rps_doc_stop_word_fraction": [[0, 4600, 0.33680556]], "rps_doc_ut1_blacklist": [[0, 4600, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 4600, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 4600, 0.01807069]], "rps_doc_frac_chars_dupe_6grams": [[0, 4600, 0.01807069]], "rps_doc_frac_chars_dupe_7grams": [[0, 4600, 0.01807069]], "rps_doc_frac_chars_dupe_8grams": [[0, 4600, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 4600, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 4600, 0.01488174]], "rps_doc_frac_chars_top_3gram": [[0, 4600, 0.01116131]], "rps_doc_frac_chars_top_4gram": [[0, 4600, 0.00531491]], "rps_doc_frac_all_caps_words": [[0, 4600, 0.02314815]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 4600, 0.0]], "rps_doc_frac_no_alph_words": [[0, 4600, 0.14930556]], "rps_doc_frac_unique_words": [[0, 4600, 0.43892617]], "rps_doc_mean_word_length": [[0, 4600, 5.05100671]], "rps_doc_symbol_to_word_ratio": [[0, 4600, 0.00231481]], "rps_doc_unigram_entropy": [[0, 4600, 5.22288344]], "rps_doc_word_count": [[0, 4600, 745.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 51, 0.0], [51, 233, 1.0], [233, 577, 1.0], [577, 590, 0.0], [590, 840, 1.0], [840, 973, 1.0], [973, 993, 0.0], [993, 1273, 1.0], [1273, 1461, 1.0], [1461, 1744, 1.0], [1744, 2246, 1.0], [2246, 2452, 1.0], [2452, 2465, 0.0], [2465, 2525, 1.0], [2525, 2788, 1.0], [2788, 3119, 1.0], [3119, 3274, 1.0], [3274, 3565, 1.0], [3565, 3936, 1.0], [3936, 4293, 1.0], [4293, 4600, 1.0]], "rps_lines_javascript_counts": [[0, 51, 0.0], [51, 233, 0.0], [233, 577, 0.0], [577, 590, 0.0], [590, 840, 0.0], [840, 973, 0.0], [973, 993, 0.0], [993, 1273, 0.0], [1273, 1461, 0.0], [1461, 1744, 0.0], [1744, 2246, 0.0], [2246, 2452, 0.0], [2452, 2465, 0.0], [2465, 2525, 0.0], [2525, 2788, 0.0], [2788, 3119, 0.0], [3119, 3274, 0.0], [3274, 3565, 0.0], [3565, 3936, 0.0], [3936, 4293, 0.0], [4293, 4600, 0.0]], "rps_lines_num_words": [[0, 51, 7.0], [51, 233, 31.0], [233, 577, 61.0], [577, 590, 2.0], [590, 840, 41.0], [840, 973, 22.0], [973, 993, 2.0], [993, 1273, 44.0], [1273, 1461, 34.0], [1461, 1744, 42.0], [1744, 2246, 78.0], [2246, 2452, 37.0], [2452, 2465, 2.0], [2465, 2525, 10.0], [2525, 2788, 40.0], [2788, 3119, 49.0], [3119, 3274, 25.0], [3274, 3565, 48.0], [3565, 3936, 59.0], [3936, 4293, 59.0], [4293, 4600, 52.0]], "rps_lines_numerical_chars_fraction": [[0, 51, 0.08163265], [51, 233, 0.0], [233, 577, 0.0], [577, 590, 0.0], [590, 840, 0.03688525], [840, 973, 0.03076923], [973, 993, 0.0], [993, 1273, 0.03321033], [1273, 1461, 0.0], [1461, 1744, 0.02150538], [1744, 2246, 0.01639344], [2246, 2452, 0.01980198], [2452, 2465, 0.0], [2465, 2525, 0.0], [2525, 2788, 0.01550388], [2788, 3119, 0.01246106], [3119, 3274, 0.02649007], [3274, 3565, 0.01403509], [3565, 3936, 0.03910615], [3936, 4293, 0.00854701], [4293, 4600, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 51, 0.0], [51, 233, 0.0], [233, 577, 0.0], [577, 590, 0.0], [590, 840, 0.0], [840, 973, 0.0], [973, 993, 0.0], [993, 1273, 0.0], [1273, 1461, 0.0], [1461, 1744, 0.0], [1744, 2246, 0.0], [2246, 2452, 0.0], [2452, 2465, 0.0], [2465, 2525, 0.0], [2525, 2788, 0.0], [2788, 3119, 0.0], [3119, 3274, 0.0], [3274, 3565, 0.0], [3565, 3936, 0.0], [3936, 4293, 0.0], [4293, 4600, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 51, 0.07843137], [51, 233, 0.00549451], [233, 577, 0.01744186], [577, 590, 0.15384615], [590, 840, 0.028], [840, 973, 0.13533835], [973, 993, 0.1], [993, 1273, 0.05714286], [1273, 1461, 0.0212766], [1461, 1744, 0.0459364], [1744, 2246, 0.09960159], [2246, 2452, 0.12621359], [2452, 2465, 0.15384615], [2465, 2525, 0.05], [2525, 2788, 0.04942966], [2788, 3119, 0.05135952], [3119, 3274, 0.07096774], [3274, 3565, 0.10309278], [3565, 3936, 0.0754717], [3936, 4293, 0.07563025], [4293, 4600, 0.01628664]], "rps_doc_ml_palm_score": [[0, 4600, 0.03388393]], "rps_doc_ml_wikipedia_score": [[0, 4600, null]], "rps_doc_ml_wikiref_score": [[0, 4600, 0.3046279]], "rps_doc_books_importance": [[0, 4600, -255.06989962]], "rps_doc_openwebtext_importance": [[0, 4600, 6.24751103]], "rps_doc_wikipedia_importance": [[0, 4600, -49.73248959]], "rps_doc_num_sentences": [[0, 4600, 37.0]]} |
From the Frontlines: June 21, 2010
The wrong class war, Earth’s ocean problem, and action against the BP oil spill. | 2023-14/0000/en_head.json.gz/3831 | {"url": "https://ips-dc.org/tag/annie-leonard/", "partition": "head_middle", "language": "en", "source_domain": "ips-dc.org", "date_download": "2023-03-20T09:10:48Z", "digest": "sha1:VQLTK4EQJKUBWY64HV7YYJBUQRN35KMT"} | {"ccnet_length": [[0, 115, 115.0]], "ccnet_original_length": [[0, 115, 813.0]], "ccnet_nlines": [[0, 115, 2.0]], "ccnet_original_nlines": [[0, 115, 44.0]], "ccnet_language_score": [[0, 115, 0.87]], "ccnet_perplexity": [[0, 115, 198.8]], "ccnet_bucket": [[0, 115, 0.0]], "rps_doc_curly_bracket": [[0, 115, 0.0]], "rps_doc_ldnoobw_words": [[0, 115, 0.0]], "rps_doc_lorem_ipsum": [[0, 115, 0.0]], "rps_doc_stop_word_fraction": [[0, 115, 0.18518519]], "rps_doc_ut1_blacklist": [[0, 115, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 115, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 115, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 115, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 115, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 115, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 115, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 115, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 115, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 115, 0.0]], "rps_doc_frac_all_caps_words": [[0, 115, 0.03703704]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 115, 0.0]], "rps_doc_frac_no_alph_words": [[0, 115, 0.2962963]], "rps_doc_frac_unique_words": [[0, 115, 0.9]], "rps_doc_mean_word_length": [[0, 115, 4.55]], "rps_doc_symbol_to_word_ratio": [[0, 115, 0.0]], "rps_doc_unigram_entropy": [[0, 115, 2.83094043]], "rps_doc_word_count": [[0, 115, 20.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 35, 0.0], [35, 115, 1.0]], "rps_lines_javascript_counts": [[0, 35, 0.0], [35, 115, 0.0]], "rps_lines_num_words": [[0, 35, 6.0], [35, 115, 14.0]], "rps_lines_numerical_chars_fraction": [[0, 35, 0.1875], [35, 115, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 35, 0.0], [35, 115, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 35, 0.08571429], [35, 115, 0.05]], "rps_doc_ml_palm_score": [[0, 115, -3.22e-06]], "rps_doc_ml_wikipedia_score": [[0, 115, null]], "rps_doc_ml_wikiref_score": [[0, 115, -1.001e-05]], "rps_doc_books_importance": [[0, 115, -15.57860715]], "rps_doc_openwebtext_importance": [[0, 115, -2.53746591]], "rps_doc_wikipedia_importance": [[0, 115, -6.48553464]], "rps_doc_num_sentences": [[0, 115, 1.0]]} |
Microchip to Invest $20M in a New Development Centre in Cork
Microchip Technology is investing $20M to create a new development centre based in Cork. The new facility will open during Q1 CY21 and create 60 new jobs over the next three years and approximately 200 jobs within the next seven years. The creation of this centre will reinforce Microchip’s existing presence in Ireland and boost the pool of engineering talent across key skills. Located close to the city centre, this new facility will incorporate an engineering lab to support state-of-the-art innovation and extend Microchip’s regional customer support. The project is supported by the Irish Government through IDA Ireland.
Initially, the development centre will focus on mixed-signal integrated circuit design, applications and software development for high-speed networking, timing and synchronization products, high voltage power management devices and solutions, high reliability integrated power systems and Field Programmable Gate Arrays (FPGA).
Close partnerships with Irish universities will enable the Microchip development centre to offer internships and collaborate on key next-generation initiatives. The partnership between the development centre and leading Universities in Ireland will enhance the knowledge base and skill levels of engineers in the semiconductor development space in Ireland.
The development centre will also participate in Microchip’s New College Graduate (NCG) programme, which operates worldwide, and in the Government of Ireland’s Skillnet programme which promotes the development of future skills.
The development centre will build on Microchip’s existing presence in Ireland which is a mix of operations in Dublin, Cork and Ennis. As part of a network of development centres across Europe, the Cork development centre will work seamlessly with many Microchip business units. The creation of jobs will include engineers for integrated circuit design and testing, hardware and software system design, applications development plus field and customer support.
Taoiseach Micheál Martin said “I welcome Microchip Technology’s $20m investment in a new development centre in Cork. Eventually this centre will create 200 new jobs and is further testament to the depth of engineering and research talent in the country. The partnerships established with leading Irish universities will also ensure strong opportunities for graduates in the growing digital economy. I wish them every success.”
Minister for Enterprise Trade & Employment Leo Varadkar TD said: “This is really welcome news from Microchip. There is a deep pool of talent in Cork and the South West enabling companies like Microchip to grow and embed their operations in Ireland. This investment will result in the creation of 60 new jobs over the next three years, with a further expansion of up to 200 over the next seven years. Congratulations to the team involved and best of luck for the future.”
“The new Microchip development centre in Cork will establish a significant R&D presence in Ireland and emphasise Microchip’s commitment to Ireland and Europe as a whole,’ explains Ganesh Moorthy, President and CEO-Elect of Microchip. “Cork was chosen for the development centre as it is the second-largest city in Ireland, with a growing pool of talented engineers and the Centre will add to Microchip’s ability to deliver superior products and be able to provide timely response to our customers. Availability of analogue and mixed-signal talent is another key factor in selecting Cork.” | 2023-14/0000/en_head.json.gz/3832 | {"url": "https://irishmovers.ie/news/microchip-to-invest-20m-in-a-new-development-centre-in-cork/", "partition": "head_middle", "language": "en", "source_domain": "irishmovers.ie", "date_download": "2023-03-20T08:50:14Z", "digest": "sha1:5USMYQWRXGJBHZYM7K5J5F6XMS6AEPUN"} | {"ccnet_length": [[0, 3546, 3546.0]], "ccnet_original_length": [[0, 3546, 4848.0]], "ccnet_nlines": [[0, 3546, 9.0]], "ccnet_original_nlines": [[0, 3546, 49.0]], "ccnet_language_score": [[0, 3546, 0.93]], "ccnet_perplexity": [[0, 3546, 224.5]], "ccnet_bucket": [[0, 3546, 0.0]], "rps_doc_curly_bracket": [[0, 3546, 0.0]], "rps_doc_ldnoobw_words": [[0, 3546, 0.0]], "rps_doc_lorem_ipsum": [[0, 3546, 0.0]], "rps_doc_stop_word_fraction": [[0, 3546, 0.36231884]], "rps_doc_ut1_blacklist": [[0, 3546, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 3546, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 3546, 0.0642978]], "rps_doc_frac_chars_dupe_6grams": [[0, 3546, 0.03993232]], "rps_doc_frac_chars_dupe_7grams": [[0, 3546, 0.03993232]], "rps_doc_frac_chars_dupe_8grams": [[0, 3546, 0.02030457]], "rps_doc_frac_chars_dupe_9grams": [[0, 3546, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 3546, 0.06328257]], "rps_doc_frac_chars_top_3gram": [[0, 3546, 0.03384095]], "rps_doc_frac_chars_top_4gram": [[0, 3546, 0.0213198]], "rps_doc_frac_all_caps_words": [[0, 3546, 0.02093398]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 3546, 0.0]], "rps_doc_frac_no_alph_words": [[0, 3546, 0.11916264]], "rps_doc_frac_unique_words": [[0, 3546, 0.4494382]], "rps_doc_mean_word_length": [[0, 3546, 5.53370787]], "rps_doc_symbol_to_word_ratio": [[0, 3546, 0.0]], "rps_doc_unigram_entropy": [[0, 3546, 4.85785206]], "rps_doc_word_count": [[0, 3546, 534.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 61, 0.0], [61, 688, 1.0], [688, 1016, 1.0], [1016, 1373, 1.0], [1373, 1600, 1.0], [1600, 2060, 1.0], [2060, 2487, 1.0], [2487, 2958, 1.0], [2958, 3546, 1.0]], "rps_lines_javascript_counts": [[0, 61, 0.0], [61, 688, 0.0], [688, 1016, 0.0], [1016, 1373, 0.0], [1373, 1600, 0.0], [1600, 2060, 0.0], [2060, 2487, 0.0], [2487, 2958, 0.0], [2958, 3546, 0.0]], "rps_lines_num_words": [[0, 61, 11.0], [61, 688, 98.0], [688, 1016, 40.0], [1016, 1373, 48.0], [1373, 1600, 31.0], [1600, 2060, 69.0], [2060, 2487, 64.0], [2487, 2958, 82.0], [2958, 3546, 91.0]], "rps_lines_numerical_chars_fraction": [[0, 61, 0.03389831], [61, 688, 0.01623377], [688, 1016, 0.0], [1016, 1373, 0.0], [1373, 1600, 0.0], [1600, 2060, 0.0], [2060, 2487, 0.01184834], [2487, 2958, 0.01082251], [2958, 3546, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 61, 0.0], [61, 688, 0.0], [688, 1016, 0.0], [1016, 1373, 0.0], [1373, 1600, 0.0], [1600, 2060, 0.0], [2060, 2487, 0.0], [2487, 2958, 0.0], [2958, 3546, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 61, 0.1147541], [61, 688, 0.03189793], [688, 1016, 0.02743902], [1016, 1373, 0.01960784], [1373, 1600, 0.04845815], [1600, 2060, 0.02391304], [2060, 2487, 0.02576112], [2487, 2958, 0.03821656], [2958, 3546, 0.03911565]], "rps_doc_ml_palm_score": [[0, 3546, 0.71468216]], "rps_doc_ml_wikipedia_score": [[0, 3546, null]], "rps_doc_ml_wikiref_score": [[0, 3546, 0.90819687]], "rps_doc_books_importance": [[0, 3546, -205.00132132]], "rps_doc_openwebtext_importance": [[0, 3546, 47.54000073]], "rps_doc_wikipedia_importance": [[0, 3546, -28.68697405]], "rps_doc_num_sentences": [[0, 3546, 23.0]]} |
Best Plumbing Services in Hilton, NY
Irock Plumbing offers plumbing services for your Hilton home. We’re also available 24/7 for all your plumbing emergencies!
Plumbing is one of the essential systems in your home and can also be one of the most complexes. From cleaning and cooking to bathing and drinking, a home without a working plumbing system is more like camping. Irock Plumbing is your Hilton, NY, plumbing company, and it can help you with everything from a new bathtub to sewer line replacements. With years of local expertise, we’ve seen some of the most complex plumbing repairs and solved them all. Best of all, we’re available for 24-hour emergency service, getting you the help you need, day or night.
About Hilton
Incorporated in 1885, Hilton is located in Monroe County and is contained within the Town of Parma. Over the years the Village has withstood a fire on Main Street in 1965, has recently built a new Fire Station, and hosts the annual Hilton Fire Department Carnival each year in July. Hilton is home to the annual Hilton Apple Fest which is held in the fall and brings in visitors from all over.
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ISTL provides a flexible way of meeting business’ asset needs without requiring a large capital outlay or risking equipment obsolescence.
By doing so, we are enabling economic activity acceleration in Africa through tailor made solutions to basically spread the costs of equipment & assets over a specified period of time.
This is a key factor in enabling utilization of assets which are generating value to customers, hence enabling economic activity acceleration in Kenya & the rest of Africa.
We provide innovative leasing solutions to large and medium-sized organizations. | 2023-14/0000/en_head.json.gz/3834 | {"url": "https://istlafrica.com/resource-outsourcing-leasing/equipment-asset-leasing/", "partition": "head_middle", "language": "en", "source_domain": "istlafrica.com", "date_download": "2023-03-20T10:34:37Z", "digest": "sha1:UU4HMROXRR3VEZTJ2TGBTOXEZ2BM2QP2"} | {"ccnet_length": [[0, 576, 576.0]], "ccnet_original_length": [[0, 576, 4298.0]], "ccnet_nlines": [[0, 576, 4.0]], "ccnet_original_nlines": [[0, 576, 134.0]], "ccnet_language_score": [[0, 576, 0.9]], "ccnet_perplexity": [[0, 576, 327.6]], "ccnet_bucket": [[0, 576, 0.0]], "rps_doc_curly_bracket": [[0, 576, 0.0]], "rps_doc_ldnoobw_words": [[0, 576, 0.0]], "rps_doc_lorem_ipsum": [[0, 576, 0.0]], "rps_doc_stop_word_fraction": [[0, 576, 0.36082474]], "rps_doc_ut1_blacklist": [[0, 576, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 576, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 576, 0.15833333]], "rps_doc_frac_chars_dupe_6grams": [[0, 576, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 576, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 576, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 576, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 576, 0.06666667]], "rps_doc_frac_chars_top_3gram": [[0, 576, 0.1]], "rps_doc_frac_chars_top_4gram": [[0, 576, 0.15]], "rps_doc_frac_all_caps_words": [[0, 576, 0.01030928]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 576, 0.0]], "rps_doc_frac_no_alph_words": [[0, 576, 0.10309278]], "rps_doc_frac_unique_words": [[0, 576, 0.72093023]], "rps_doc_mean_word_length": [[0, 576, 5.58139535]], "rps_doc_symbol_to_word_ratio": [[0, 576, 0.0]], "rps_doc_unigram_entropy": [[0, 576, 4.00400874]], "rps_doc_word_count": [[0, 576, 86.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 138, 1.0], [138, 323, 1.0], [323, 496, 1.0], [496, 576, 1.0]], "rps_lines_javascript_counts": [[0, 138, 0.0], [138, 323, 0.0], [323, 496, 0.0], [496, 576, 0.0]], "rps_lines_num_words": [[0, 138, 20.0], [138, 323, 29.0], [323, 496, 27.0], [496, 576, 10.0]], "rps_lines_numerical_chars_fraction": [[0, 138, 0.0], [138, 323, 0.0], [323, 496, 0.0], [496, 576, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 138, 0.0], [138, 323, 0.0], [323, 496, 0.0], [496, 576, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 138, 0.02898551], [138, 323, 0.01081081], [323, 496, 0.01734104], [496, 576, 0.0125]], "rps_doc_ml_palm_score": [[0, 576, 6.258e-05]], "rps_doc_ml_wikipedia_score": [[0, 576, null]], "rps_doc_ml_wikiref_score": [[0, 576, 7.737e-05]], "rps_doc_books_importance": [[0, 576, -22.93809382]], "rps_doc_openwebtext_importance": [[0, 576, 2.35609717]], "rps_doc_wikipedia_importance": [[0, 576, -6.32940527]], "rps_doc_num_sentences": [[0, 576, 4.0]]} |
Jose Vasquez
Jose N. Vasquez was born in Bronx, NY and grew up in Southern California from the age of nine. After graduating high school in 1992, he enlisted in the U.S. Army serving over four years of active duty as a cavalry scout assigned to the 2nd Battalion, 69th Armor Regiment, 24th Infantry Division at Fort Benning, GA, and the 3rd Squadron, 4th Cavalry Regiment, 25th Infantry Division at Schofield Barracks, HI. He was honorably discharged in December 1996 at the rank of specialist (E-4).
In April 1997, Jose enlisted in the Army Reserve serving as a combat medic with the 100th Battalion, 442nd Infantry Regiment at Fort Shafter, HI and the 1984th U.S. Army Hospital at Tripler Army Medical Center, HI where he was promoted to sergeant (E-5). He reenlisted in June 2000, as a practical nurse with the 344th Combat Support Hospital at Fort Totten, NY. His last position was as an EMT instructor with the 11th Battalion, 98th Division at Fort Hamilton, NY.
He intended to retire from the Army Reserve after twenty years or more. However, after listening to the stories of antiwar combat veterans on Democracy Now! and a period of soul-searching, Jose applied for discharge as a conscientious objector in January 2005. He learned in February that his unit was on alert for deployment and reported for duty in March 2005 at Fort Sam Houston, TX for mobilization training. After a few weeks, he was sent back to New York to complete his CO process, which was approved in May 2007. He was honorably discharged the same month at the rank of staff sergeant (E-6).
Jose joined IVAW in June 2005 and co-founded the NYC chapter serving as the president. He also served on the interim board of directors and was elected to the first official board in 2006. Jose was the Executive Director from 2009-20012. He helped organize numerous actions and events including the Veterans’ and Survivors’ March to New Orleans, Operation First Casualty in NYC, and Winter Soldier: Iraq and Afghanistan. He represented IVAW in the editing process for the Winter Soldier book published by Haymarket.
Jose is pursuing a Ph.D. in cultural anthropology at the CUNY Graduate Center where he is conducting research on militarization and the politics of sacrifice among veterans in contemporary American society. He teaches at John Jay College and works part-time as the Training Director of the Veterans Organizing Institute at Beyond the Choir.
Jose Vasquez's Posts
Keith Shannon on Countdown with Keith Olberman
Keith Shannon, the roommate of injured Occupy Oakland protester Scott Olsen and a fellow Iraq War veteran, shares what happened Tuesday night when the Oakland Police Department fired upon the crowd with rubber bullets, bean bags and tear-gas canisters, one of which gave Olsen a skull fracture and trip to the emergency room.
“I Risked My Life To Come Home To This?”
By Ryan Harvey (October 27, 2011) Scott Olsen served two tours in Iraq with the United States Marine Corps before coming home to a country lacking in jobs but thriving with high-level corruption. He “thought the banks pretty much run free and unregulated and are never held accountable for their actions,” his roommate and fellow veteran Keith...
Amnesty International Urges Restraint as Police Clamp Down on Occupy Wall Street Protests
(New York) – Amnesty International urged authorities to ensure that police show restraint in their response to Occupy Wall Street protests, following critical injuries suffered by a man in Oakland, Ca. in clashes between police and demonstrators. Read more...
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Housing Choice Voucher Program
The Housing Authority of the County of Jackson administers the Housing Choice Voucher program for Jackson, Roane, Gilmer and Calhoun Counties. The HCV Program is for families wishing to rent to a private landlord. You can apply on-line at INSERT-LINK-HERE. To qualify for the program you must be 18 and your income must meet the following guidelines. Rent is based upon 30% of the family's adjusted annual income. A few of the deductions that may be eligible are for dependents, children under the age of 18, elderly or disabled persons 62+, childcare, medical, etc. This Housing Authority has 918 voucher to be used within our area of operation. Applications are only available on-line at INSERT-LINK-HERE. Once we reach your name on the waiting list we will send you a letter to come to a briefing meeting. Which at that time you must supply us with all Birth Certificates, Social Security Cards, Marriage and/or Divorce Decrees, confirmation of pregnancy, adoption information, and ALL income information for every household member.
Number in Household
Jackson $20,600 $23,550 $26,550 $29,400 $31,800 $34,150 $36,500
Roane $19,250 $22,000 $24,7500 $27,450 $29,650 $31,850 $34,050
Calhoun $19,250 $22,000 $24,750 $27,450 $29,650 $31,850 $34,050
Gilmer $19,250 $22,000 $24,750 $27,450 $29,650 $31,850 34,050
View Fair Market Rents | 2023-14/0000/en_head.json.gz/3836 | {"url": "https://jacksonhousingauthority.org/Housing-Choice-Voucher", "partition": "head_middle", "language": "en", "source_domain": "jacksonhousingauthority.org", "date_download": "2023-03-20T10:33:39Z", "digest": "sha1:Z7LP3GNEN76QV7Z6VQHT2X4U25IMKZGS"} | {"ccnet_length": [[0, 1362, 1362.0]], "ccnet_original_length": [[0, 1362, 4032.0]], "ccnet_nlines": [[0, 1362, 8.0]], "ccnet_original_nlines": [[0, 1362, 92.0]], "ccnet_language_score": [[0, 1362, 0.89]], "ccnet_perplexity": [[0, 1362, 288.0]], "ccnet_bucket": [[0, 1362, 0.0]], "rps_doc_curly_bracket": [[0, 1362, 0.0]], "rps_doc_ldnoobw_words": [[0, 1362, 0.0]], "rps_doc_lorem_ipsum": [[0, 1362, 0.0]], "rps_doc_stop_word_fraction": [[0, 1362, 0.24324324]], "rps_doc_ut1_blacklist": [[0, 1362, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1362, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1362, 0.0657277]], "rps_doc_frac_chars_dupe_6grams": [[0, 1362, 0.0657277]], "rps_doc_frac_chars_dupe_7grams": [[0, 1362, 0.0657277]], "rps_doc_frac_chars_dupe_8grams": [[0, 1362, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1362, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1362, 0.01408451]], "rps_doc_frac_chars_top_3gram": [[0, 1362, 0.04225352]], "rps_doc_frac_chars_top_4gram": [[0, 1362, 0.05633803]], "rps_doc_frac_all_caps_words": [[0, 1362, 0.02702703]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1362, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1362, 0.44144144]], "rps_doc_frac_unique_words": [[0, 1362, 0.62085308]], "rps_doc_mean_word_length": [[0, 1362, 5.04739336]], "rps_doc_symbol_to_word_ratio": [[0, 1362, 0.0]], "rps_doc_unigram_entropy": [[0, 1362, 4.66264081]], "rps_doc_word_count": [[0, 1362, 211.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 31, 0.0], [31, 1067, 1.0], [1067, 1087, 0.0], [1087, 1151, 0.0], [1151, 1214, 0.0], [1214, 1278, 0.0], [1278, 1340, 0.0], [1340, 1362, 0.0]], "rps_lines_javascript_counts": [[0, 31, 0.0], [31, 1067, 0.0], [1067, 1087, 0.0], [1087, 1151, 0.0], [1151, 1214, 0.0], [1214, 1278, 0.0], [1278, 1340, 0.0], [1340, 1362, 0.0]], "rps_lines_num_words": [[0, 31, 4.0], [31, 1067, 168.0], [1067, 1087, 3.0], [1087, 1151, 8.0], [1151, 1214, 8.0], [1214, 1278, 8.0], [1278, 1340, 8.0], [1340, 1362, 4.0]], "rps_lines_numerical_chars_fraction": [[0, 31, 0.0], [31, 1067, 0.0109671], [1067, 1087, 0.0], [1087, 1151, 0.71428571], [1151, 1214, 0.75], [1214, 1278, 0.71428571], [1278, 1340, 0.72916667], [1340, 1362, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 31, 0.0], [31, 1067, 0.0], [1067, 1087, 0.0], [1087, 1151, 0.0], [1151, 1214, 0.0], [1214, 1278, 0.0], [1278, 1340, 0.0], [1340, 1362, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 31, 0.12903226], [31, 1067, 0.06467181], [1067, 1087, 0.1], [1087, 1151, 0.015625], [1151, 1214, 0.01587302], [1214, 1278, 0.015625], [1278, 1340, 0.01612903], [1340, 1362, 0.18181818]], "rps_doc_ml_palm_score": [[0, 1362, 0.00995195]], "rps_doc_ml_wikipedia_score": [[0, 1362, null]], "rps_doc_ml_wikiref_score": [[0, 1362, 0.001697]], "rps_doc_books_importance": [[0, 1362, -129.16200899]], "rps_doc_openwebtext_importance": [[0, 1362, -45.09288871]], "rps_doc_wikipedia_importance": [[0, 1362, -35.9883348]], "rps_doc_num_sentences": [[0, 1362, 11.0]]} |
Tag: Multatuli
Museum Multatuli: The Anti Colonial Museum
Museum Multatuli is located on Jl. Alun-Alun Timur No.8, Rangkasbitung, Lebak. The museum occupies an office and residential building built in 1923. The museum inaugurated as the first Anti-Colonial Museum in Indonesia Multatuli is the pen name of Eduard Douwes Dekker. The man who was born in Amsterdam, March 2, 1820, witnessed the practice of… | 2023-14/0000/en_head.json.gz/3837 | {"url": "https://jakartabytrain.com/tag/multatuli/", "partition": "head_middle", "language": "en", "source_domain": "jakartabytrain.com", "date_download": "2023-03-20T09:12:02Z", "digest": "sha1:ZBO3TRNY4L5PBGILHSDOWJHRN6IMMSEL"} | {"ccnet_length": [[0, 404, 404.0]], "ccnet_original_length": [[0, 404, 1955.0]], "ccnet_nlines": [[0, 404, 3.0]], "ccnet_original_nlines": [[0, 404, 70.0]], "ccnet_language_score": [[0, 404, 0.88]], "ccnet_perplexity": [[0, 404, 122.1]], "ccnet_bucket": [[0, 404, 0.0]], "rps_doc_curly_bracket": [[0, 404, 0.0]], "rps_doc_ldnoobw_words": [[0, 404, 0.0]], "rps_doc_lorem_ipsum": [[0, 404, 0.0]], "rps_doc_stop_word_fraction": [[0, 404, 0.22222222]], "rps_doc_ut1_blacklist": [[0, 404, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 404, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 404, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 404, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 404, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 404, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 404, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 404, 0.09146341]], "rps_doc_frac_chars_top_3gram": [[0, 404, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 404, 0.0]], "rps_doc_frac_all_caps_words": [[0, 404, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 404, 0.33333333]], "rps_doc_frac_no_alph_words": [[0, 404, 0.2345679]], "rps_doc_frac_unique_words": [[0, 404, 0.73015873]], "rps_doc_mean_word_length": [[0, 404, 5.20634921]], "rps_doc_symbol_to_word_ratio": [[0, 404, 0.01234568]], "rps_doc_unigram_entropy": [[0, 404, 3.5939405]], "rps_doc_word_count": [[0, 404, 63.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 15, 0.0], [15, 58, 0.0], [58, 404, 0.0]], "rps_lines_javascript_counts": [[0, 15, 0.0], [15, 58, 0.0], [58, 404, 0.0]], "rps_lines_num_words": [[0, 15, 2.0], [15, 58, 6.0], [58, 404, 55.0]], "rps_lines_numerical_chars_fraction": [[0, 15, 0.0], [15, 58, 0.0], [58, 404, 0.02994012]], "rps_lines_start_with_bulletpoint": [[0, 15, 0.0], [15, 58, 0.0], [58, 404, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 15, 0.13333333], [15, 58, 0.13953488], [58, 404, 0.06358382]], "rps_doc_ml_palm_score": [[0, 404, 0.00122172]], "rps_doc_ml_wikipedia_score": [[0, 404, null]], "rps_doc_ml_wikiref_score": [[0, 404, 0.00082052]], "rps_doc_books_importance": [[0, 404, -25.17459407]], "rps_doc_openwebtext_importance": [[0, 404, -2.9326615]], "rps_doc_wikipedia_importance": [[0, 404, 19.9387173]], "rps_doc_num_sentences": [[0, 404, 6.0]]} |
Home > New LASD head refreshes portfolio, hunting new deals
Published:Friday | November 5, 2021 | 12:08 AMKarena Bennett - Business Reporter [1]
Six months into his role as managing director of Lasco Distributors Limited, John De Silva, has started making adjustments to the portfolio of products the distribution company carries, a move intended to deepen its market share as well as gin up revenue, the growth of which has slowed since the pandemic.
LASD’s business is divided into three portfolios – nutrition, hygiene and healthcare. The changes have started with LASD’s hygiene portfolio, under which De Silva has created a ‘home care’ segment, as well as expanded the beauty and personal care products carried by the distribution company.
The company, which in year ending March 2021 set another sales record with revenue of $20.3 billion, now distributes the laundry brand Surf and has reintroduced soap brand Lifebouy to the market. Both brands are owned by Unilever, a company LASD had heavy distribution arrangements with, but was downsized in 2017 under former MD Peter Chin’s leadership, in order to reduce operating costs.
De Silva fills a post that was left vacant for two years, following Chin’s resignation.
The new MD joined LASD with over 25 years of international experience in the food and beverage, nutrition, home care and personal care business. Prior to this job, he was managing director of Unilever Caribbean Limited, based in Trinidad.
Unilever trades in home care, beauty and personal care products, and LASD has been distributing its brands, such as Breeze, Comfort, Dove, Tresemme, Vaseline, St Ives and Axe, for years.
“Lasco Distributors will continue to expand the availability of the Unilever portfolio to consumers across all relevant channels, categories and segments. The portfolio is perfectly designed to meet consumer needs for home and personal care products, through a wide range of brands, formats and price points,” De Silva told the Financial Gleaner on Thursday.
The MD says there are plans in place to ensure the accelerated roll-out of new brands, as well as the addition of new product portfolios.
Lasco Distributors represents local and foreign brands, and is the sole distributor for its sister company, Lasco Manufacturing Limited. LASD earns more revenue than LASM, but the manufacturing operation has generally made higher profit annually.
The most current numbers, covering the half-year results from April to September 2021, LASD reported earnings of $489 million off revenue of $11.5 billion. Revenue grew 15 per cent in the period, while profit was close to flat, with just a $1.3 million gain.
LASM’s half-year earnings totalled $737 million off revenues of $4.1 billion.
In conjunction with new products, De Silva says LASD will continue to widen its distribution footprint across Jamaica over the next two years. The company is also taking steps to incorporate more technology and digitalise the business.
New partnerships are being sought, amid the plans to push the flagship powdered Lasco food drink as well as iCool beverages into new markets, while beefing up quantities in markets where the distributor already has a presence.
The markets being targeted were not disclosed.
“We are in advanced discussions with several companies wishing to enter Jamaica and the wider Caribbean, and we will be launching new products in the near future,” said De Silva, a Trinidadian with market knowledge of Trinidad & Tobago, Switzerland, Dominican Republic and Mexico.
[email protected] [3]
Source URL:https://jamaica-gleaner.com/article/business/20211105/new-lasd-head-refreshes-portfolio-hunting-new-deals
[1] https://jamaica-gleaner.com/authors/karena-bennett-business-reporter [2] http://member.jamaica-gleaner.com/subscription/ [3] mailto:[email protected] | 2023-14/0000/en_head.json.gz/3838 | {"url": "https://jamaica-gleaner.com/print/823523", "partition": "head_middle", "language": "en", "source_domain": "jamaica-gleaner.com", "date_download": "2023-03-20T09:55:58Z", "digest": "sha1:4JNW5S5VINY7HU2N4PZ3LDK7D35THMNF"} | {"ccnet_length": [[0, 3836, 3836.0]], "ccnet_original_length": [[0, 3836, 4078.0]], "ccnet_nlines": [[0, 3836, 20.0]], "ccnet_original_nlines": [[0, 3836, 24.0]], "ccnet_language_score": [[0, 3836, 0.96]], "ccnet_perplexity": [[0, 3836, 308.2]], "ccnet_bucket": [[0, 3836, 0.0]], "rps_doc_curly_bracket": [[0, 3836, 0.0]], "rps_doc_ldnoobw_words": [[0, 3836, 0.0]], "rps_doc_lorem_ipsum": [[0, 3836, 0.0]], "rps_doc_stop_word_fraction": [[0, 3836, 0.30039526]], "rps_doc_ut1_blacklist": [[0, 3836, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 3836, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 3836, 0.01856]], "rps_doc_frac_chars_dupe_6grams": [[0, 3836, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 3836, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 3836, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 3836, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 3836, 0.01344]], "rps_doc_frac_chars_top_3gram": [[0, 3836, 0.01024]], "rps_doc_frac_chars_top_4gram": [[0, 3836, 0.02208]], "rps_doc_frac_all_caps_words": [[0, 3836, 0.01976285]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 3836, 0.0]], "rps_doc_frac_no_alph_words": [[0, 3836, 0.22529644]], "rps_doc_frac_unique_words": [[0, 3836, 0.53628319]], "rps_doc_mean_word_length": [[0, 3836, 5.53097345]], "rps_doc_symbol_to_word_ratio": [[0, 3836, 0.0]], "rps_doc_unigram_entropy": [[0, 3836, 5.25893784]], "rps_doc_word_count": [[0, 3836, 565.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 60, 0.0], [60, 145, 0.0], [145, 452, 1.0], [452, 745, 1.0], [745, 1136, 1.0], [1136, 1224, 1.0], [1224, 1463, 1.0], [1463, 1650, 1.0], [1650, 2009, 1.0], [2009, 2147, 1.0], [2147, 2394, 1.0], [2394, 2653, 1.0], [2653, 2731, 1.0], [2731, 2967, 1.0], [2967, 3194, 1.0], [3194, 3241, 1.0], [3241, 3522, 1.0], [3522, 3555, 0.0], [3555, 3672, 0.0], [3672, 3836, 0.0]], "rps_lines_javascript_counts": [[0, 60, 0.0], [60, 145, 0.0], [145, 452, 0.0], [452, 745, 0.0], [745, 1136, 0.0], [1136, 1224, 0.0], [1224, 1463, 0.0], [1463, 1650, 0.0], [1650, 2009, 0.0], [2009, 2147, 0.0], [2147, 2394, 0.0], [2394, 2653, 0.0], [2653, 2731, 0.0], [2731, 2967, 0.0], [2967, 3194, 0.0], [3194, 3241, 0.0], [3241, 3522, 0.0], [3522, 3555, 0.0], [3555, 3672, 0.0], [3672, 3836, 0.0]], "rps_lines_num_words": [[0, 60, 9.0], [60, 145, 10.0], [145, 452, 51.0], [452, 745, 45.0], [745, 1136, 63.0], [1136, 1224, 15.0], [1224, 1463, 39.0], [1463, 1650, 30.0], [1650, 2009, 54.0], [2009, 2147, 25.0], [2147, 2394, 35.0], [2394, 2653, 44.0], [2653, 2731, 11.0], [2731, 2967, 37.0], [2967, 3194, 37.0], [3194, 3241, 7.0], [3241, 3522, 43.0], [3522, 3555, 2.0], [3555, 3672, 2.0], [3672, 3836, 6.0]], "rps_lines_numerical_chars_fraction": [[0, 60, 0.0], [60, 145, 0.1369863], [145, 452, 0.0], [452, 745, 0.0], [745, 1136, 0.02887139], [1136, 1224, 0.0], [1224, 1463, 0.00862069], [1463, 1650, 0.0], [1650, 2009, 0.0], [2009, 2147, 0.0], [2147, 2394, 0.0], [2394, 2653, 0.05691057], [2653, 2731, 0.06944444], [2731, 2967, 0.0], [2967, 3194, 0.0], [3194, 3241, 0.0], [3241, 3522, 0.0], [3522, 3555, 0.03703704], [3555, 3672, 0.08080808], [3672, 3836, 0.02205882]], "rps_lines_start_with_bulletpoint": [[0, 60, 0.0], [60, 145, 0.0], [145, 452, 0.0], [452, 745, 0.0], [745, 1136, 0.0], [1136, 1224, 0.0], [1224, 1463, 0.0], [1463, 1650, 0.0], [1650, 2009, 0.0], [2009, 2147, 0.0], [2147, 2394, 0.0], [2394, 2653, 0.0], [2653, 2731, 0.0], [2731, 2967, 0.0], [2967, 3194, 0.0], [3194, 3241, 0.0], [3241, 3522, 0.0], [3522, 3555, 0.0], [3555, 3672, 0.0], [3672, 3836, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 60, 0.1], [60, 145, 0.10588235], [145, 452, 0.0228013], [452, 745, 0.03754266], [745, 1136, 0.03580563], [1136, 1224, 0.03409091], [1224, 1463, 0.05020921], [1463, 1650, 0.06951872], [1650, 2009, 0.02506964], [2009, 2147, 0.02173913], [2147, 2394, 0.05263158], [2394, 2653, 0.03088803], [2653, 2731, 0.05128205], [2731, 2967, 0.03813559], [2967, 3194, 0.01321586], [3194, 3241, 0.0212766], [3241, 3522, 0.04270463], [3522, 3555, 0.0], [3555, 3672, 0.03418803], [3672, 3836, 0.0]], "rps_doc_ml_palm_score": [[0, 3836, 0.15134043]], "rps_doc_ml_wikipedia_score": [[0, 3836, null]], "rps_doc_ml_wikiref_score": [[0, 3836, 0.74290168]], "rps_doc_books_importance": [[0, 3836, -289.22795977]], "rps_doc_openwebtext_importance": [[0, 3836, -14.43459682]], "rps_doc_wikipedia_importance": [[0, 3836, -113.69670702]], "rps_doc_num_sentences": [[0, 3836, 35.0]]} |
Douglas E. Roy of Chili, formerly of Malone, NY, passed away on July 8, 2021. He was predeceased by his wife, Kathy; parents, Rita and Clarence; grandson, Angelo.
Douglas is survived by his daughter, Ronette (John) West; son, Chadwick (Amy) Roy; their mother, Karen Roy; grandchildren, Rachel, Anthony and Ava West, Emma, Adeline and Camden Roy; brothers, William (Laura) Roy, Carl (Irene) Roy, Paul (Carol) Roy, Michael (Kay) Roy, Lawrence Roy; sisters, Linda (Terry) Mayville, Cathy (Bob) Bashaw, Sue (Joseph) Huszar, Tina (Art) Stowe, Darlene (Charlie) Perry; many nieces and nephews.
Doug was born at home in Westville, NY. He grew up there with his 10 siblings and attended Salmon River Central School where he graduated in 1962. In addition, he served in the army for 2 years during Vietnam. He worked at Kodak and was a lifetime member of the Chili Fire Department where he served as chief for many years as well as serving as Chief for the Monroe County Fire Chiefs Association. Doug played baseball in high school, softball as a fireman and enjoyed fishing along with being an avid Sabres and Bills fan. If you ask anyone of his close friends or family they could share many stories about how much Doug loved to have a good time
A time of sharing and celebration of Douglas' life will be held Thursday, July 15, 2021 from 5-7PM at Jennings, Nulton & Mattle Funeral Home, 1704 Penfield Road, Penfield. Those wishing may make a donation in Douglas' name to the Humane Society at Lollypop Farm. | 2023-14/0000/en_head.json.gz/3839 | {"url": "https://jenningsnultonmattlefh.com/tribute-ajax/print-obituary.html?id=3404", "partition": "head_middle", "language": "en", "source_domain": "jenningsnultonmattlefh.com", "date_download": "2023-03-20T09:23:25Z", "digest": "sha1:KHE5V2OOVNUD3ENFCCN6Y63PERIWKQPR"} | {"ccnet_length": [[0, 1500, 1500.0]], "ccnet_original_length": [[0, 1500, 1516.0]], "ccnet_nlines": [[0, 1500, 4.0]], "ccnet_original_nlines": [[0, 1500, 4.0]], "ccnet_language_score": [[0, 1500, 0.98]], "ccnet_perplexity": [[0, 1500, 287.3]], "ccnet_bucket": [[0, 1500, 0.0]], "rps_doc_curly_bracket": [[0, 1500, 0.0]], "rps_doc_ldnoobw_words": [[0, 1500, 0.0]], "rps_doc_lorem_ipsum": [[0, 1500, 0.0]], "rps_doc_stop_word_fraction": [[0, 1500, 0.26347305]], "rps_doc_ut1_blacklist": [[0, 1500, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1500, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1500, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 1500, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 1500, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1500, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1500, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1500, 0.00856898]], "rps_doc_frac_chars_top_3gram": [[0, 1500, 0.01713796]], "rps_doc_frac_chars_top_4gram": [[0, 1500, 0.0]], "rps_doc_frac_all_caps_words": [[0, 1500, 0.01497006]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1500, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1500, 0.25748503]], "rps_doc_frac_unique_words": [[0, 1500, 0.703125]], "rps_doc_mean_word_length": [[0, 1500, 4.55859375]], "rps_doc_symbol_to_word_ratio": [[0, 1500, 0.0]], "rps_doc_unigram_entropy": [[0, 1500, 4.97163388]], "rps_doc_word_count": [[0, 1500, 256.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 163, 1.0], [163, 588, 1.0], [588, 1238, 0.0], [1238, 1500, 1.0]], "rps_lines_javascript_counts": [[0, 163, 0.0], [163, 588, 0.0], [588, 1238, 0.0], [1238, 1500, 0.0]], "rps_lines_num_words": [[0, 163, 28.0], [163, 588, 63.0], [588, 1238, 121.0], [1238, 1500, 44.0]], "rps_lines_numerical_chars_fraction": [[0, 163, 0.03333333], [163, 588, 0.0], [588, 1238, 0.01092044], [1238, 1500, 0.048]], "rps_lines_start_with_bulletpoint": [[0, 163, 0.0], [163, 588, 0.0], [588, 1238, 0.0], [1238, 1500, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 163, 0.0797546], [163, 588, 0.10823529], [588, 1238, 0.04153846], [1238, 1500, 0.07633588]], "rps_doc_ml_palm_score": [[0, 1500, 0.01358092]], "rps_doc_ml_wikipedia_score": [[0, 1500, null]], "rps_doc_ml_wikiref_score": [[0, 1500, 0.05361515]], "rps_doc_books_importance": [[0, 1500, -62.5357101]], "rps_doc_openwebtext_importance": [[0, 1500, -20.94131299]], "rps_doc_wikipedia_importance": [[0, 1500, 31.85301282]], "rps_doc_num_sentences": [[0, 1500, 11.0]]} |
The Forgotten Assassination
September 6, 2019 August 12, 2019 / Jennifer L. Wright
When and where was JFK assassinated?
Chances are you can spout off the city (Dallas) and date (November 22, 1963) without blinking an eye.
How about Lincoln?
Ford’s Theater, April 15, 1865.
Alright then. How about William McKinley?
William McKinley, the 25th president of the United States, was fatally wounded by an assassin’s bullet in Buffalo, New York on this date in 1901.
Why is it so many of us can’t name this date or place…or even president?
McKinley was a soldier, the last president to have served in the Civil War, fighting in the battle of Antietam, the bloodiest battle of the four-year war. Afterwards, he went to law school but spent minimal time as an attorney before dipping his toe into politics, where he served in Congress as well as the governor of his home state of Ohio before being elected president in 1897.
With McKinley at the helm, the United States burst into a period of rapid economic growth, thanks in part to the passage of the Dingley Tariff, which raised taxes on imported goods, as well as the Gold Standard Act, which secured gold as the only standard for redeeming paper money, stabilizing the U.S. dollar bill. He also began negotiations with England over what would eventually become the Panama Canal, though an actual agreement would not be reached until after his death.
During his time as president, he also booted Spain out of four territories, cutting off diplomatic relations with the country after the American battleship Maine exploded and sank off the coast of Havana amid rising tensions with Spanish-occupied Cuba in February 1898, killing 266 sailors. The ensuing Spanish-American War, though only lasting 100 days, resulted in the complete annihilation of the Spanish fleet outside Santiago (Cuba), the seizing of Manila in the Philippines, and the annexation of Puerto Rico and Guam, effectively ending Spanish colonial dominance–an securing America’s.
McKinley was so popular, his re-election on November 6, 1900 was the largest victory for any Republican since 1872. He even won his opponent’s home state of Nebraska.
After his second inauguration on March 4, 1901, McKinley set out on a six-week tour, which was to conclude in June at the Pan-American Exposition in Buffalo, New York. However, his wife Ida fell ill while in California, pushing McKinley’s visit to the fair back until September.
On September 6, 1901, after giving a speech the day before in which he outlined his goals for his second term, McKinley received well-wishers at the Temple of Music on the Exposition grounds, where a Polish-American anarchist named Leon Czolgosz waited in line, gun concealed in a handkerchief. As he approached the president, arm extended as if to shake his hand, Czolgosz instead fired two bullets at point-blank range. One ricocheted off McKinley’s breastbone, never entering his body; the other penetrated his stomach.
McKinley survived for a few days, even appearing to improve, before an infection in his wound ultimately claimed his life. Before his death, he pleaded for mercy for his assassin, dispersing the mob that threatened to murder him before trial. He was later quoted as saying, “He [Leon] must have been some poor, misguided fellow. He didn’t know what he was doing. He couldn’t have known.”
McKinley died on September 14, 1901, surrounded by family and friends. After its time in Washington, where over a hundred thousand people waited in the rain to pay their respects, McKinley’s body was transported back to Canton, Ohio where he was interred on his family’s land until the completion of a memorial in his honor, one of dozens that sprung up across the country for the man once-described as America’s “most loved president.”
His image once graced the $500 bill, a note no longer printed. His name was once given to Denali, the highest peak in North America, but was removed by the Department of the Interior in 2015. Nearly a million dollars were donated to the construction of memorials and statues in his honor after his death, a testament to how people of his time believed he would and should be remembered. His name graces streets, schools, libraries, and civic buildings…and yet very few today could tell you who exactly William McKinley was.
How can that be?
Perhaps its the curse of history–over a hundred years have passed since McKinley’s death, and the endless cycle of politicians can leave students of history weary. But that doesn’t explain why McKinley, a man some once considered to be on par with the greatness of Washington, Jefferson, and Lincoln, is relegated to the “others” pile. A more likely reason?
Theodore Roosevelt.
Roosevelt served as McKinley’s vice president, taking over as president upon his assassination. He was young and enthusiastic, a hero of the Spanish-American War and leader of the legendary Rough Riders, a cavalry unit that saw fierce–and victorious–action in Cuba. Even before McKinley’s re-election, Roosevelt was seen as the Republican Party’s rising star, a bonafide celebrity; in fact, Roosevelt himself made most of the campaign’s speeches while McKinley stayed home.
Roosevelt served his first term without a vice president, as there was no constitutional provision at the time for filling it, and he relished the chance to prove himself. Although he kept McKinley’s cabinet (a move designed to appease McKinley’s supporters), he quickly made the office his own, his charisma and personality becoming as big of a draw as his policies. The New Deal, anti-trust laws, and conservation efforts marked his legacy just as much as his hyper-masculinity in the rapidly-changing socio-cultural environment of the early 20th century. During a time when the nation’s grief seemed to big to bear, Roosevelt’s persona was bigger, and it captured the public’s imagination like none before him.
In short, Roosevelt cast a long shadow–so long it swallowed the imprint of the man who came before. When the decision was made to erect a monument at Mount Rushmore, it was Roosevelt who was chosen to be immortalized beside Washington, Jefferson, and Lincoln…not McKinley. And today, it is Roosevelt’s name that is more likely to be remembered and repeated among a list of America’s great presidents…not McKinley’s.
McKinley was not perfect. Much has been made of his failure to advance the rights of African-Americans after the Civil War and his expansion is now viewed through a lens of imperialism. But he was still a man who served his country, and served his country well, dying at the hand of an assassin as he sought to bring America, strong and united, into the 20th century.
Roosevelt may have all the glory. But, for today at least, McKinley will be remembered.
history, historyfriday, politics, presidents
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A Legacy Bigger Than His Batting Average
April 10, 2020 April 9, 2020 / Jennifer L. Wright
I miss baseball.
I know it’s a ridiculous thing to miss in the middle of pandemic that’s taken much more important things, but still I miss baseball.
So today, I want to forget the pandemic, forget the quarantine, forget the self-isolation, and let my mind travel to the ballpark, to the crack of the bat and the smell of popcorn.
And to 1947, when baseball–and the world in general–started to change.
All because of man named Jack.
Jack Roosevelt Robinson was born January 31, 1919 in Cairo, Georgia, the youngest of five children to sharecropper parents, Mallie and Jerry Robinson. After his father abandoned the family in 1920, Mallie moved her children to Pasadena, California where she raised them as a single-parent in an all-white neighborhood. In a childhood marked by poverty and prejudice, the Robinson children found solace and strength in area athletics. Jack’s older brother Matthew (nicknamed “Mack”) excelled at track and field and competed in the 1936 Summer Olympic Games, where he won a silver medal and broke the Olympic record for the 200 meter dash–but still finished behind the legendary Jesse Owens.
Inspired by his older brother and possessing a natural athletic ability of his own, Jackie, still in high school at the time, threw himself into every sport he could. During his time at John Muir High School, he lettered in four different sports: football, basketball, track, and baseball, all of which he continued to play well into his time at Pasadena Junior College (PJC) and UCLA, which he attended upon graduation from PJC in 1939.
During his time at UCLA, he was one of only four black players on the Bruins’ 1939 football team, which went undefeated, and he won the 1940 NCAA championship in the long jump. Baseball, surprisingly, was his “worst” sport; he hit only .097 in his first season.
Any athletic dreams Jackie held, however, were put on hold by the Japanese bombing of Pearl Harbor on December 7, 1941. Instead, he became a second lieutenant in the U.S. Army, stationed with the 761st Tank Battalion in Fort Hood, Texas, where he trained and awaited deployment overseas.
It was never to occur.
On July 6, 1944, Jackie boarded an unsegregated Army bus and was surprised to hear the bus driver command him to move to the back. Although he had experienced plenty of prejudice and discrimination during his childhood and school career, he had assumed his time in the military would be different.
He refused, and the bus driver summoned the military police, who took Robinson into custody. Despite threats of court-martial, he did not back down; he openly questioned the legality of his arrest and objected to what he viewed as racial discrimination within the ranks. In the end, his charges were reduced to two counts of insubordination, and he was eventually acquitted by an all-white jury. Because of his trial, however, he missed any chance at combat; the 761st deployed overseas without him, becoming the first all-black tank until to see combat in World War II. Robinson was honorably discharged in November 1944.
Jackie returned to football, playing running back for the semi-professional Los Angeles Bulldogs before moving on to an athletic director position at Samuel Huston College in Austin, which including coaching–and sometimes playing–for the team’s fledgling basketball program.
In 1945, he signed a contract with the Kansas City Monarchs to play in the Negro Baseball League. Despite his college hiccups in the game, he excelled with the Monarchs, hitting .387, including 5 home runs, and stealing 13 bases during his 47 games with the teams. In short, he was good. And people were starting to notice.
Major League Baseball had technically been integrated since 1884, when Moses Fleetwood Walker joined the Toledo Blue Stockings. However, no African-American had played since his departure in 1889, and a deep sense of racism permeated the league. Robinson, still stinging from the prejudice that had kept him from military combat, was determined not to let it stop him again.
He and several other black players attended a try-out for the Boston Red Sox where, despite his obvious athletic powers, he was subjected to humiliation and racial slurs from the coaches and management. The “try-out,” it seemed, was conducted in jest; the team had no interest in signing black players. They were merely trying to appease the desegregationist movement sweeping through the city.
Jackie’s talent was not a joke to other teams, however. A few months later, Robinson interviewed with Branch Rickey, manager of the Brooklyn Dodgers, for a spot on the roster. It wasn’t a question of talent. Rickey already knew he had it. It was a question of whether Robinson could handle the discrimination and vitriol that was sure to follow him no matter wherever he played in the league.
“Are you looking for a Negro who’s afraid to fight back?” Robinson asked, to which Rickey replied that he needed a Negro “with enough guts not to fight back.” Rickey wanted the game to be the game; let talent and success speak for themselves.
Robinson agreed and, after a few tense months in minor leagues, during which he was segregated from white teammates, threatened with boycotts from racist patrons, and even subjected to forfeits from opposing players, he finally made his Major League debut with the Brooklyn Dodgers on April 15, 1947 before a crowd over 26,000, over half of which were African-American.
Despite racial tension inside the clubhouse, rumors of strikes from opposing teams, and physical and verbal assaults, Robinson remembered his promise to Rickey and focused on the game. During his inaugural season, he played 151 games and had 175 hits, including 12 home runs. He led the league in sacrifice hits and stolen bases, and won the Major League Baseball Rookie of the Year Award.
Let talent and success do the talking, indeed.
The following year, more African-American players joined the league, including three more on Robinson’s team alone. He had effectively broken the baseball color line. Although the United States still had (and has) a long way to go in terms of civil rights and racial equality, Robinson’s courage and determination marked a turning point. For the first time, white Americans were witnessing–and cheering–for the accomplishments and achievements of a black American. Although a slow process that’s still being worked out all these decades later, Robinson, for his part and his time, put fans of all races on the same team.
Jackie Robinson’s jersey, 42, was the first and only number to be retired by an entire league, and every year, on the anniversary of his first game with the Dodgers, Major League Baseball celebrates “Jackie Robinson Day.” The list of his athletic accomplishments is long and impressive, but his legacy goes forever beyond the baseball diamond.
Despite all his hardships, despite all the times he could have walked away, despite all the abuse he suffered for nothing but the color of his skin, Robinson remained committed to the game–and to himself. And, because of his, as stated by sports’ writer Roger Kahn, he “made his country and you and me and all of us a shade more free.”
baseball, history, historyfriday, politics, sports
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The Warsaw Ghetto in American Art and Culture
On the eve of Passover, April 19, 1943, Jews in the Warsaw Ghetto staged a now legendary revolt against their Nazi oppressors. Since that day, the deprivation and despair of life in the ghetto and the dramatic uprising of its inhabitants have captured the American cultural imagination. The Warsaw Ghetto in American Art and Culture looks at how this place and its story have been remembered in fine art, film, television, radio, theater, fiction, poetry, and comics.
Jewish Art Salon’s Advisor Samantha Baskind explores seventy years’ worth of artistic representations of the ghetto and revolt to understand why they became and remain touchstones in the American mind. Her study includes iconic works such as Leon Uris’s best-selling novel Mila 18, Roman Polanski’s Academy Award–winning film The Pianist, and Rod Serling’s teleplay In the Presence of Mine Enemies, as well as accounts in the American Jewish Yearbook and the New York Times, the art of Samuel Bak and Arthur Szyk, and the poetry of Yala Korwin and Charles Reznikoff. In probing these works, Baskind pursues key questions of Jewish identity: What links artistic representations of the ghetto to the Jewish diaspora? How is art politicized or depoliticized? Why have Americans made such a strong cultural claim on the uprising?
Vibrantly illustrated and vividly told, The Warsaw Ghetto in American Art and Culture shows the importance of the ghetto as a site of memory and creative struggle and reveals how this seminal event and locale served as a staging ground for the forging of Jewish American identity. #arthistory #Warsaw #WarsawGhettoUprising #WarsawGhetto
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Improvement Gone Bananas
December 20, 2016 A Pocket of ResistanceJim
I’m sitting in the Dallas Love Field airport watching the herd mentality at its worse because our flight is currently being portrayed as 35 minutes late ETD. It is rather amazing how air travel used to be a nice experience for the most part. Now it’s like stupid on hormones. What happened?
This led me to the bizarre antics of well-intentioned people who started with a good idea and screwed it up. Yesterday, i made the mistake of going to the Exchange/Commissary section of the 32nd Street Naval Station. It was amazing, amazing. When the back entrance on 28th Street was blocked by about 75 cars trying to get in the gate, i made a left-hand turn and went to the main entrance on 32nd Street. It was worse. Fun.
For the majority of my time in the Navy, shore patrol and base security was manned by sailors in different ratings being assigned to the ship’s shore patrol or TAD by commands to the Base Commander to perform those functions.
Some brilliant bozo, probably a lieutenant commander who had not real promotion probability came up with the idea of establishing a permanent security force by establishing the “Master at Arms” (MA) rating. He actually sold the idea to a Flag Officer and lo, it came to pass.
Entrance to bases is now a nightmare, much like flying. Security, the professional MA’s, figured out how to be secure and thus have established one of the easiest targets for terrorists available anywhere.
By my estimate, there were at least 200 or more cars waiting to get onto the base through the “secure” screenings by the gate guard. With two well-placed explosives or two semi’s, terrorists could easily wiped out around 300-plus Navy personnel and dependents without ever having to breech the base territory.
Good thinking.
This all reminds me of one of my favorite AND TRUE sea stories. It has run here before. Years ago, my command sent a third class gunner’s mate (ratings have been abolished by current Navy regime, thus eliminating a system that has been part of our history since before our Navy was established. Another brilliant attention gaining gambit by a flag.
Anyway, this gunner’s mate was immediately assigned as gate guard for the morning. About mid-morning, an admiral being riding in his command sedan by a duty driver arrived at the gate. An increased level of security had been put in effect, and the gate guard had been ordered to check everyone’s id card.
This new kid halted the vehicle, approached the driver’s open window and declared, I need to see your id’s, Admiral.”
The admiral huffed and puffed, and shouted, “Can’t you see who I am, young man? I order you to let us through.”
The gate guard petty officer, thought for a minute, and then said, “Admiral, excuse me sir. I am new to this security stuff. Am I supposed to shoot you or your driver first?”
The admiral and his driver showed their id cards to the guard, and he waved them through.
And that’s what you do when you are waiting in an airport for a delayed flight.
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Category: Dawn Richard
Posted in "Angels (Remix)", Amazon, Dawn Richard, Diddy, Dirty Money, iTunes, Kalenna, Music, Music In Ya Ear, music video, Rick Ross, Youtube
Music In Ya Ear!: Diddy – Dirty Money – Angels (Remix) ft. Rick Ross
Posted on August 17, 2010 by JNEL & J. Magazine
“Angels (Remix)” by Dirty Money featuring Rick Ross was released digitally back in February and can be purchased on iTunes and Amazon.com, among other outlets.
Music video by Diddy – Dirty Money and Rick Ross performing Angels (Remix)
Posted in "Table For One", All On The Cover, Cassie, Cassie Ventura, Currently Reading, Dawn Richard, Diddy, Janelle Monae, Jermaine Hall, JUICE ISSUE, Kalenna, Lil' Kim, newstands, Nicki Minaj, P. Diddy, Rick Ross, Vibe Magazine
All On The Cover: Diddy & The Fam Cover VIBE Magazine
Posted on July 30, 2010 July 30, 2010 by JNEL & J. Magazine
Diddy and the fam are covering VIBE’s Aug/Sept JUICE Issue!
In the cover story titled “Table For One,” written by Editor-In-Chief, Jermaine Hall, Hip-Hop’s most affluent playboy shares his thoughts on regrettable interviews, Lil Kim vs. Nicki Minaj, regaining respect and more.
Here’s an excerpt from the interview…
Dr. Dre said that the last beat that floored him was “All About the Benjamins.” How does that make you feel?
It’s humbling. I was in the studio with Dre the other day. He started working on a record for me. Watching him as a producer is watching greatness. We had a lot of similar traits. It was like looking in the mirror. He would ask questions like, “How you feel about this?” People don’t really understand true producers want to know how you feel about things. We are some of the most observant people on the planet.
What happened during the Martin Bashir interview on Nightline?
There were times in the interview when I had to give him an ultimatum. The questions weren’t being handled the right way. In hindsight, when I saw him I shouldn’t had done the interview because I know the style of interview that he does . . . The whole thing about giving a Maybach to my son, that’s really like a racist question. You don’t ask White people what they buy their kids. And they buy ‘em Porsches and convertible Bentleys and it ain’t no question. It’s really a racist question and put things back in perspective with money and the way that people still look at you. And I’m not saying that consciously he’s a racist. But he probably don’t even realize that he would not ask Steve Jobs that. He would be like Steve Jobs has that money and that’s the gift his kid is supposed to get.
Are the comments from Lil’ Kim about Nicki disheartening?
When I heard her say what she said, it didn’t really affect me. I didn’t get mad at her or anything like that. I knew how she felt. I ain’t agree with it. But also I know the motivation. I know that people say, “Oh, he’s trying to get a new Lil’ Kim.” I guess people will see in time. Yeah, Nicki’s had flavored wigs on, but besides that it ain’t even the same approach to the writing.
Pick up the 15th JUICE ISSUE for more on his interview, on stands August 16th.
Check out Diddy’s Vibe Takeover Video below…
Source: VIBE.com
Posted in Alicia Keys, Award Shows, BET, BET Awards, Beyonce’, Chaka Khan, Chris Brown, Dawn Richard, Diddy, Dirty Money, Drake, El DeBarge, Jay Z, Jermaine Jackson, Justin Bieber, Kanye West, Lady Gaga, Michael Jackson, Michael Jackson Tribute, Music News, Nicki Minaj, Patti LaBelle, Queen Latifah, Rihanna, T.I., Trey Songz, Youtube
Music News: BET 2010 Awards
Posted on June 28, 2010 June 28, 2010 by JNEL & J. Magazine
Sunday night marked the 2010 BET Awards, hosted by Queen Latifah, and an all-star roster of celebrities presented, performed, and took home top honors.
Between Prince‘s Lifetime achievement award and Queen Latifah running the show, there was plenty of royalty at last night’s 10th anniversary of the BET Awards. But in the midst of the performances of accolades, the stage was also set for a few big names to make their comebacks.
Jermaine Jackson announced the first return of the evening when he introduced the tribute to his late brother, thanking everyone for their love and support over the past year. He added, “There is one tribute performance we have yet to see…here he is.”
Chris Brown was poised behind the curtain, looking like the silhouette of Michael Jackson himself. Once he came out, there was a palpable moment of tension so strong, it could almost be felt through the TV.
Brown crotch-grabbed and moon-walked his way like a pro through the Michael Jackson songs as a supportive audience cheered him on.
But then the opening bars from “Man in the Mirror” began to play, and we all braced for the irony of the words. Brown got through about one line of the song before his voice started to quiver with tears. After a few heartfelt efforts to regain composure, Brown fell to his knees sobbing and completely gave up trying to sing as the backup track took over.
But Brown wasn’t the only one returning to the stage: Kanye West opened the show on top of a mountain – literally – as he performed his latest single, “Power.” T.I gave an upbeat performance that had the whole crowd moving, and El DeBarge was also a surprising treat as he performed a new song from his upcoming album and a medley of his R&B hits.
Queen Latifah kept the show flowing as she changed outfits about 500 times, and Alicia Keys also had a good night. She won Best Female R&B artist, Best Collaboration for her work with Jay-Z in “Empire State of Mind,” and also fit in two performances: a medley set of her own songs early on in the program, and then she joined in the Prince tribute.
But probably the best Prince performance of the night came from the one and only Patti LaBelle, who sang “Purple Rain” like we’ve never heard it before. LaBelle flicked her shoes off into the audience where Prince picked one of them up and gestured in respect to the diva.
LaBelle came back and joined Chaka Khan on stage to formally present Prince with his Lifetime Achievement Award.
Overwhelmed by the amount of praise coming from the audience, Prince asked everyone to sit down and said he was “speechless.” He started by thanking Jehovah, and then remarked on the future of music. “I do believe the future is in good hands, there is so much talent here,” he said.
Then Prince offered some words of wisdom to the young talent in the room. “I was pretty wild in my younger days and you don’t have to do what I did and you don’t have to make the mistakes I made,” he said. “Thank you for a wonderful night tonight, I’ll never forget it as long I live.”
Trey Songz took home Best Male R&B Artist and Drake won Best Male Hip Hop Artist. Nicki Minaj received the award for Best Female Hip Hop Artist and thanked the female rappers who paved the way for her.
Rihanna received the coveted Viewer’s Choice Award for “Hard,” but was not there to accept it. Also not there to accept Awards were Beyonce’ and Lady Gaga, who won Video of the Year for their collaboration in “Video Phone,” and Jay-Z was absent from the show as well.
Chris Brown had the last word, at least for the night. After his Jackson tribute, he was announced as the surprise winner of BET’s Fandemonium award, a prize determined by fan votes, beating out apparent favorites like Justin Bieber, Trey Songz and Nicki Minaj.
Stepping to the stage to receive his trophy, Brown gave a quick acceptance speech. “I let you all down before, but I won’t do it again,” he said. “I promise you.”
Here’s a breakdown of all the winners…
Winners included:
Viewers’ Choice: Rihanna (not at awards ceremony)
Best Female R&B Artist: Alicia Keys
Best Male R&B Artist: Trey Songz
Best Female Hip Hop Artist: Nicki Minaj
Best Male Hip Hop Artist: Drake
Best New Artist: Nicki Minaj
Best Group: Young Money
Video of the Year: Beyonce and Lady Gaga for “Video Phone” (not at awards ceremony)
Best Actress: Mo’Nique
Best Actor: Idris Elba
Best Movie: Precious
Sportsman of the Year: Lebron James
Sportswoman of the Year: Serena Williams
Prince also won a Lifetime achievement award and John Legend won a humanitarian award.
The show’s top performances were given by Chris Brown, who paid tribute to Michael Jackson and ended sobbing on stage during “Man In The Mirror,” and Patti LaBelle’s cover of “Purple Rain” in honor of Prince.
Below is a video from Chris Brown’s Michael Jackson Tribute:
Alicia Keys Tribute to Prince:
Source: CNN, BET, YOUTUBE
~ “Alicia Keys’ performance had me at the edge of my seat when she climbed on top of her piano. I was so nervous that she wouldn’t fall, even Prince looked nervous. As for Chris Brown, I was so excited to see him perform, and hear how the crowd cheered him on. It was one of the best performances I saw. He really knows how to break down Michael Jackson’s moves. Welcome back Chris Brown.”
Posted in "Big Pimpin'", "Gold Digger", "Hello Good Morning", 'Last Train To Paris', Danity Kane, Dawn Richard, Diddy, Dirty Money, Hype Williams, Jay Z, Kalenna, Kanye, Kanye West, Music, Music In Ya Ear, music video, P. Diddy, Rick Ross, Sean "Diddy" Combs, T.I., Youtube
Music In Ya Ear!: Diddy Dirty Money Debuts Video for “Hello Good Morning” [VIDEO]
Posted on May 13, 2010 October 22, 2010 by JNEL & J. Magazine
It’s here! Check out the hot new video from Diddy – Dirty Money, the latest project from Sean “Diddy” Combs in which he is joined by singer/songwriter Kalenna and former Danity Kane member Dawn Richard.
Rappers Rick Ross and T.I. also are featured on the track from Diddy – Dirty Money’s debut album ‘Last Train To Paris’. The video was directed by Hype Williams, the talent behind such videos as Jay-Z‘s “Big Pimpin'” and Kanye West‘s “Gold Digger.”
After numerous obstacles, Diddy‘s long awaited ‘Last Train to Paris’ will finally hit stores June 29th.
Check out the video below….
Source: YouTube, CONCRETE LOOP
Posted in Aubrey O'Day, Bedroom Blog, Danity Kane, Dawn Richard, Day26, Diddy, Making The Band 4, MTV, Que, Qwanell Mosley, Sean "Diddy" Combs, WSHH
Bedroom Blog: Dawn & Que Talk Sex
Posted on March 15, 2009 March 15, 2009 by JNEL & J. Magazine
Well fellow readers, in the past few months the media has really talked a lot of shit about, Aubrey O’ Day {former member of Danity Kane}. They’ve talked about her saying too much in her feature of Complex Magazine and of her being on the cover of Playboy. Let me just tell you, that is nothing compared to what I just watched on WSHH. I just got finished watching Dawn & Que talk about their sex life on an interview for Shade 45’s Lip Service and I must say that it was definitely TMI {Too Much Information} for their fans to hear.
I think as artists who have young teenage girls and guys as a majority of their fan base, it was very inappropriate. There is just certain things that should be kept behind closed doors amongst themselves. This interview was definitely one that should have been kept more private. This is not a good look for Que and definitely not for Dawn, being that they make themselves look so vulnerable talking about how bad they want to get back to work on their MTV show, “Making The Band 4”.
She really doesn’t sound so innocent in this interview as she looks and Que definitely doesn’t stay behind. I’m sure Diddy will not be happy to hear about his artists’ sex life, especially when they are all talking about struggling with having no money or not having any new group members for Danity Kane.
In my opinion this interview was straight nasty.
Check out the video here.
“We would like to hear your opinion. What are your thoughts?”
Posted in Alesha Renee, Aubrey O'Day, BET, Busta Rhymes, Danity Kane, Dawn Richard, Diddy, Free, Gracing Pages, John Singleton, King Magazine, Making The Band 4, Nina B, Playboy Magazine, Red Cafe, Ron Browz
Gracing Pages: Dawn Richard Graces King Magazine
Posted on February 27, 2009 March 8, 2009 by JNEL & J. Magazine
Dawn Richard, 25, one of the three remaining members (previously 5 members) of Bad Boy Records Danity Kane, the all girl female group put together on Diddy’s Making The Band Show, has made an appearance in a photo spread for King Magazine’s 50th issue. There’s an all nude photo or should we say a flesh showing photo of the singer circulating believed to be one of the photos taken for her King Magazine photo shoot.
In the revealing photo you can clearly see that Dawn Richards seems to be completely naked while sitting propped on a bar stool with her feet crossed and hands hanging over a flower vine like tattoo on her foot.
In related news, Dawn recently hosted the celebration for King Magazine 50th issue which also features a cover shoot with singer Chrisitina Milian in New York. Other celebrities that attended the event included Busta Rhymes, Free (formerly of BET 106 & Park), Ron Browz, BET’s Alesha Renee, John Singleton, Red Cafe, Nina B, amongst others.
Dawn Richards photo shoot follows behind former Danity Kane member Aubrey O’Day’s nude photo shoot for Playboy Magazine.
More photos below…Click photo for a larger view
Source: Hip Hop RX
“What are your thoughts on this shoot? Should Danity Kane get back together?” | 2023-14/0000/en_head.json.gz/3844 | {"url": "https://jnelj.wordpress.com/category/dawn-richard/", "partition": "head_middle", "language": "en", "source_domain": "jnelj.wordpress.com", "date_download": "2023-03-20T09:51:17Z", "digest": "sha1:KAF34GTRS24JN36W7BXAW7YEVIEVODCS"} | {"ccnet_length": [[0, 13121, 13121.0]], "ccnet_original_length": [[0, 13121, 17850.0]], "ccnet_nlines": [[0, 13121, 88.0]], "ccnet_original_nlines": [[0, 13121, 222.0]], "ccnet_language_score": [[0, 13121, 0.96]], "ccnet_perplexity": [[0, 13121, 258.7]], "ccnet_bucket": [[0, 13121, 0.0]], "rps_doc_curly_bracket": [[0, 13121, 0.00030485]], "rps_doc_ldnoobw_words": [[0, 13121, 10.0]], "rps_doc_lorem_ipsum": [[0, 13121, 0.0]], "rps_doc_stop_word_fraction": [[0, 13121, 0.3379358]], "rps_doc_ut1_blacklist": [[0, 13121, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 13121, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 13121, 0.04949923]], "rps_doc_frac_chars_dupe_6grams": [[0, 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Continue to the home page. | 2023-14/0000/en_head.json.gz/3845 | {"url": "https://jobs.bcpcouncil.gov.uk/ErrorHandler.aspx?aspxerrorpath=/SearchResults.aspxhc=no", "partition": "head_middle", "language": "en", "source_domain": "jobs.bcpcouncil.gov.uk", "date_download": "2023-03-20T09:34:06Z", "digest": "sha1:T2MZ3OVBKS6BY2GT3UFNRZB7QTXECBIK"} | {"ccnet_length": [[0, 405, 405.0]], "ccnet_original_length": [[0, 405, 1419.0]], "ccnet_nlines": [[0, 405, 8.0]], "ccnet_original_nlines": [[0, 405, 46.0]], "ccnet_language_score": [[0, 405, 0.95]], "ccnet_perplexity": [[0, 405, 306.7]], "ccnet_bucket": [[0, 405, 0.0]], "rps_doc_curly_bracket": [[0, 405, 0.0]], "rps_doc_ldnoobw_words": [[0, 405, 0.0]], "rps_doc_lorem_ipsum": [[0, 405, 0.0]], "rps_doc_stop_word_fraction": [[0, 405, 0.45744681]], "rps_doc_ut1_blacklist": [[0, 405, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 405, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 405, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 405, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 405, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 405, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 405, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 405, 0.04444444]], "rps_doc_frac_chars_top_3gram": [[0, 405, 0.04444444]], "rps_doc_frac_chars_top_4gram": [[0, 405, 0.0]], "rps_doc_frac_all_caps_words": [[0, 405, 0.0106383]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 405, 0.0]], "rps_doc_frac_no_alph_words": [[0, 405, 0.17021277]], "rps_doc_frac_unique_words": [[0, 405, 0.68]], "rps_doc_mean_word_length": [[0, 405, 4.2]], "rps_doc_symbol_to_word_ratio": [[0, 405, 0.0]], "rps_doc_unigram_entropy": [[0, 405, 3.74901709]], "rps_doc_word_count": [[0, 405, 75.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 44, 1.0], [44, 171, 0.0], [171, 224, 1.0], [224, 268, 1.0], [268, 303, 1.0], [303, 337, 0.0], [337, 379, 1.0], [379, 405, 1.0]], "rps_lines_javascript_counts": [[0, 44, 0.0], [44, 171, 0.0], [171, 224, 0.0], [224, 268, 0.0], [268, 303, 0.0], [303, 337, 0.0], [337, 379, 0.0], [379, 405, 0.0]], "rps_lines_num_words": [[0, 44, 8.0], [44, 171, 23.0], [171, 224, 11.0], [224, 268, 7.0], [268, 303, 7.0], [303, 337, 5.0], [337, 379, 9.0], [379, 405, 5.0]], "rps_lines_numerical_chars_fraction": [[0, 44, 0.0], [44, 171, 0.0], [171, 224, 0.0], [224, 268, 0.0], [268, 303, 0.0], [303, 337, 0.0], [337, 379, 0.0], [379, 405, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 44, 0.0], [44, 171, 0.0], [171, 224, 0.0], [224, 268, 0.0], [268, 303, 0.0], [303, 337, 0.0], [337, 379, 0.0], [379, 405, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 44, 0.02272727], [44, 171, 0.03937008], [171, 224, 0.01886792], [224, 268, 0.02272727], [268, 303, 0.02857143], [303, 337, 0.02941176], [337, 379, 0.02380952], [379, 405, 0.03846154]], "rps_doc_ml_palm_score": [[0, 405, 0.0043081]], "rps_doc_ml_wikipedia_score": [[0, 405, null]], "rps_doc_ml_wikiref_score": [[0, 405, 0.00028771]], "rps_doc_books_importance": [[0, 405, -18.77888281]], "rps_doc_openwebtext_importance": [[0, 405, -3.57627807]], "rps_doc_wikipedia_importance": [[0, 405, -51.88537088]], "rps_doc_num_sentences": [[0, 405, 7.0]]} |
0 Project Jobs at The GEO Group, Inc. | 2023-14/0000/en_head.json.gz/3846 | {"url": "https://jobs.geogroup.com/en-US/search?keywords=Project&locationLimit=3&location=&orderby=-company&facetcitystate=colorado%20springs%2Cco", "partition": "head_middle", "language": "en", "source_domain": "jobs.geogroup.com", "date_download": "2023-03-20T10:44:21Z", "digest": "sha1:4F4O4LX2V6XHV4AS6YJKG4WLDILT6KAT"} | {"ccnet_length": [[0, 37, 37.0]], "ccnet_original_length": [[0, 37, 3247.0]], "ccnet_nlines": [[0, 37, 1.0]], "ccnet_original_nlines": [[0, 37, 81.0]], "ccnet_language_score": [[0, 37, 0.74]], "ccnet_perplexity": [[0, 37, 153.4]], "ccnet_bucket": [[0, 37, 0.0]], "rps_doc_curly_bracket": [[0, 37, 0.0]], "rps_doc_ldnoobw_words": [[0, 37, 0.0]], "rps_doc_lorem_ipsum": [[0, 37, 0.0]], "rps_doc_stop_word_fraction": [[0, 37, 0.1]], "rps_doc_ut1_blacklist": [[0, 37, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 37, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 37, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 37, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 37, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 37, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 37, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 37, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 37, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 37, 0.0]], "rps_doc_frac_all_caps_words": [[0, 37, 0.1]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 37, 0.0]], "rps_doc_frac_no_alph_words": [[0, 37, 0.3]], "rps_doc_frac_unique_words": [[0, 37, 1.0]], "rps_doc_mean_word_length": [[0, 37, 3.5]], "rps_doc_symbol_to_word_ratio": [[0, 37, 0.0]], "rps_doc_unigram_entropy": [[0, 37, 2.07944154]], "rps_doc_word_count": [[0, 37, 8.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 37, 1.0]], "rps_lines_javascript_counts": [[0, 37, 0.0]], "rps_lines_num_words": [[0, 37, 8.0]], "rps_lines_numerical_chars_fraction": [[0, 37, 0.02857143]], "rps_lines_start_with_bulletpoint": [[0, 37, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 37, 0.21621622]], "rps_doc_ml_palm_score": [[0, 37, 1.347e-05]], "rps_doc_ml_wikipedia_score": [[0, 37, null]], "rps_doc_ml_wikiref_score": [[0, 37, -1.001e-05]], "rps_doc_books_importance": [[0, 37, -8.97338939]], "rps_doc_openwebtext_importance": [[0, 37, -3.30861582]], "rps_doc_wikipedia_importance": [[0, 37, -2.19131278]], "rps_doc_num_sentences": [[0, 37, 1.0]]} |
Tag: Sylvia Plath
Love is Wholeness
February 14, 2012 February 14, 2012 by jjhiii24, posted in Personal, Philosophy, Poetry, The Human Spirit
(Thanks to Trish at Creating Reciprocity for the inspiration for this message. The poem, "Mad Girl's Love Song," by Sylvia Plath is featured on her blog and you should check it out. http://creatingreciprocity.wordpress.com/2012/02/14/for-the-day-thats-in-it/ ) One of the most important reasons to express the way we feel about everything that happens to us in our lives … Continue reading Love is Wholeness
Tagged Kahlil Gibran, Sylvia Plath5 Comments | 2023-14/0000/en_head.json.gz/3847 | {"url": "https://johns-consciousness.com/tag/sylvia-plath/", "partition": "head_middle", "language": "en", "source_domain": "johns-consciousness.com", "date_download": "2023-03-20T09:16:58Z", "digest": "sha1:T2WJOJK3AHE6OUHWN5RLXLVHZNCIVYUR"} | {"ccnet_length": [[0, 594, 594.0]], "ccnet_original_length": [[0, 594, 7690.0]], "ccnet_nlines": [[0, 594, 5.0]], "ccnet_original_nlines": [[0, 594, 413.0]], "ccnet_language_score": [[0, 594, 0.92]], "ccnet_perplexity": [[0, 594, 225.5]], "ccnet_bucket": [[0, 594, 0.0]], "rps_doc_curly_bracket": [[0, 594, 0.0]], "rps_doc_ldnoobw_words": [[0, 594, 0.0]], "rps_doc_lorem_ipsum": [[0, 594, 0.0]], "rps_doc_stop_word_fraction": [[0, 594, 0.31538462]], "rps_doc_ut1_blacklist": [[0, 594, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 594, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 594, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 594, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 594, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 594, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 594, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 594, 0.0464135]], "rps_doc_frac_chars_top_3gram": [[0, 594, 0.06329114]], "rps_doc_frac_chars_top_4gram": [[0, 594, 0.0]], "rps_doc_frac_all_caps_words": [[0, 594, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 594, 0.0]], "rps_doc_frac_no_alph_words": [[0, 594, 0.28461538]], "rps_doc_frac_unique_words": [[0, 594, 0.77272727]], "rps_doc_mean_word_length": [[0, 594, 5.38636364]], "rps_doc_symbol_to_word_ratio": [[0, 594, 0.00769231]], "rps_doc_unigram_entropy": [[0, 594, 4.11005395]], "rps_doc_word_count": [[0, 594, 88.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 18, 0.0], [18, 36, 0.0], [36, 142, 0.0], [142, 550, 0.0], [550, 594, 0.0]], "rps_lines_javascript_counts": [[0, 18, 0.0], [18, 36, 0.0], [36, 142, 0.0], [142, 550, 0.0], [550, 594, 0.0]], "rps_lines_num_words": [[0, 18, 3.0], [18, 36, 3.0], [36, 142, 16.0], [142, 550, 60.0], [550, 594, 6.0]], "rps_lines_numerical_chars_fraction": [[0, 18, 0.0], [18, 36, 0.0], [36, 142, 0.14141414], [142, 550, 0.02094241], [550, 594, 0.02325581]], "rps_lines_start_with_bulletpoint": [[0, 18, 0.0], [18, 36, 0.0], [36, 142, 0.0], [142, 550, 0.0], [550, 594, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 18, 0.16666667], [18, 36, 0.11111111], [36, 142, 0.0754717], [142, 550, 0.03676471], [550, 594, 0.13636364]], "rps_doc_ml_palm_score": [[0, 594, -1.001e-05]], "rps_doc_ml_wikipedia_score": [[0, 594, null]], "rps_doc_ml_wikiref_score": [[0, 594, -9.78e-06]], "rps_doc_books_importance": [[0, 594, -73.78607073]], "rps_doc_openwebtext_importance": [[0, 594, -27.25175154]], "rps_doc_wikipedia_importance": [[0, 594, -53.63555436]], "rps_doc_num_sentences": [[0, 594, 5.0]]} |
For Appointments Call: 623-313-0111
My office is located at 21448 N 75th Ave #6 Glendale, AZ 85308. 75th Ave, just south of Deer Valley – located inside Adame Family Counseling and Wellness office (see map below).
9:00 – 4:30 on Tuesdays.
10:00 – 3:30 on Fridays.
Telehealth options are available for any resident of AZ. Please call for more information about in-home counseling options.
How much will treatment cost?
The hourly fee for my services is $150 per 50 minute session for individuals, $175 for couples.
Payment is expected prior to time of service. Cash, check, HSA, and all major credit/debit cards (Visa, Mastercard, Discover, American Express) are accepted forms of payment.
If you need a payment that fits your unique circumstances and budget, consider adjusting the frequency and/or length of appointments? You can also ask about sliding scale fees based on your financial situation.
Joy Counseling and Consulting (JCC) / Joy Giorgio, M.A., LMFT, DBTC is considered an out-of-network provider on most insurance plans.
Many clients misunderstand fee for service to mean that they can’t use their insurance, which is not the case. Nearly all insurers in our state provide out-of-network coverage. If you have out-of-network benefits, your insurance company may reimburse you for part of the cost of therapy. Call your insurance company’s customer service number and ask if you have out-of-network benefits and if the benefit can be used for counseling services. They can also tell you what percentage will be reimbursed and how much deductible, if any, you will need to meet.
I’ll be happy to provide you with the type of receipt you’ll need to submit to your insurance company. Finally, please note that most insurance companies DO NOT reimburse for marital counseling services. You must contact your specific insurance company to learn of their policy regarding payment and/or reimbursement for marital counseling services. | 2023-14/0000/en_head.json.gz/3848 | {"url": "https://joycounselingandconsulting.com/appointments/index.html", "partition": "head_middle", "language": "en", "source_domain": "joycounselingandconsulting.com", "date_download": "2023-03-20T10:10:50Z", "digest": "sha1:WFSNGKW2RWCYRW52APW4AKJQCNQUB2W2"} | {"ccnet_length": [[0, 1939, 1939.0]], "ccnet_original_length": [[0, 1939, 2548.0]], "ccnet_nlines": [[0, 1939, 12.0]], "ccnet_original_nlines": [[0, 1939, 43.0]], "ccnet_language_score": [[0, 1939, 0.94]], "ccnet_perplexity": [[0, 1939, 289.8]], "ccnet_bucket": [[0, 1939, 0.0]], "rps_doc_curly_bracket": [[0, 1939, 0.0]], "rps_doc_ldnoobw_words": [[0, 1939, 0.0]], "rps_doc_lorem_ipsum": [[0, 1939, 0.0]], "rps_doc_stop_word_fraction": [[0, 1939, 0.35235732]], "rps_doc_ut1_blacklist": [[0, 1939, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1939, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1939, 0.03715567]], "rps_doc_frac_chars_dupe_6grams": [[0, 1939, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 1939, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1939, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1939, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1939, 0.00960922]], "rps_doc_frac_chars_top_3gram": [[0, 1939, 0.01153107]], "rps_doc_frac_chars_top_4gram": [[0, 1939, 0.02690583]], "rps_doc_frac_all_caps_words": [[0, 1939, 0.02977667]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1939, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1939, 0.22828784]], "rps_doc_frac_unique_words": [[0, 1939, 0.58766234]], "rps_doc_mean_word_length": [[0, 1939, 5.06818182]], "rps_doc_symbol_to_word_ratio": [[0, 1939, 0.00248139]], "rps_doc_unigram_entropy": [[0, 1939, 4.92305717]], "rps_doc_word_count": [[0, 1939, 308.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 36, 0.0], [36, 214, 1.0], [214, 239, 1.0], [239, 264, 1.0], [264, 388, 1.0], [388, 418, 1.0], [418, 514, 1.0], [514, 689, 1.0], [689, 900, 1.0], [900, 1034, 1.0], [1034, 1590, 1.0], [1590, 1939, 1.0]], "rps_lines_javascript_counts": [[0, 36, 0.0], [36, 214, 0.0], [214, 239, 0.0], [239, 264, 0.0], [264, 388, 0.0], [388, 418, 0.0], [418, 514, 0.0], [514, 689, 0.0], [689, 900, 0.0], [900, 1034, 0.0], [1034, 1590, 0.0], [1590, 1939, 0.0]], "rps_lines_num_words": [[0, 36, 4.0], [36, 214, 32.0], [214, 239, 5.0], [239, 264, 5.0], [264, 388, 18.0], [388, 418, 5.0], [418, 514, 17.0], [514, 689, 26.0], [689, 900, 33.0], [900, 1034, 19.0], [1034, 1590, 91.0], [1590, 1939, 53.0]], "rps_lines_numerical_chars_fraction": [[0, 36, 0.3125], [36, 214, 0.08823529], [214, 239, 0.28571429], [239, 264, 0.33333333], [264, 388, 0.0], [388, 418, 0.0], [418, 514, 0.08791209], [514, 689, 0.0], [689, 900, 0.0], [900, 1034, 0.0], [1034, 1590, 0.0], [1590, 1939, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 36, 0.0], [36, 214, 0.0], [214, 239, 0.0], [239, 264, 0.0], [264, 388, 0.0], [388, 418, 0.0], [418, 514, 0.0], [514, 689, 0.0], [689, 900, 0.0], [900, 1034, 0.0], [1034, 1590, 0.0], [1590, 1939, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 36, 0.08333333], [36, 214, 0.07303371], [214, 239, 0.04], [239, 264, 0.04], [264, 388, 0.03225806], [388, 418, 0.03333333], [418, 514, 0.01041667], [514, 689, 0.05714286], [689, 900, 0.00947867], [900, 1034, 0.13432836], [1034, 1590, 0.00899281], [1590, 1939, 0.02292264]], "rps_doc_ml_palm_score": [[0, 1939, 0.01393318]], "rps_doc_ml_wikipedia_score": [[0, 1939, null]], "rps_doc_ml_wikiref_score": [[0, 1939, 0.00064152]], "rps_doc_books_importance": [[0, 1939, -194.68069658]], "rps_doc_openwebtext_importance": [[0, 1939, -48.36888848]], "rps_doc_wikipedia_importance": [[0, 1939, -173.55311722]], "rps_doc_num_sentences": [[0, 1939, 23.0]]} |
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Fall 2021, Volume 18, No. 2
Spring 2021, Volume 18, No. 1
Issues and Challenges With COVID-19: Interventions Through Social Work Practice and Perspectives
Sanjoy Roy, Ph.D., University of Delhi; Navdeep Kaur, postgraduate student, University of Delhi
Virtues in Social Work Research With Children and Families: The Ethical Accounts of Finnish PhD Theses
Anna Pekkarinen, M.Soc.Sc. (doctoral candidate), Tampere University
The Roles of Values and Advocacy Approaches in Irish Social Work Practice: Findings From an Attitudinal Survey of Practicing Social Workers
Joe Whelan, Ph.D., School of Applied Social Studies, University College Cork
Challenging the Grand Challenges for Social Work
Lisa Colón, MA, Ph.D. candidate, University of Denver
Mental Health Professionals and the Use of Social Media: Navigating Ethical Challenges
Katherine Wardi-Zonna, Ph.D., Edinboro University of Pennsylvania; Jennifer L. Hardy, Ph.D., General McLane School District; Elizabeth M. Sanders, MSSA, Edinboro University of Pennsylvania; Rachel M. Hardy, B.S., Bowling Green State University
Automated Clinical Interventions: Screening, Reporting, and Other Ethical Obligations
Allan Edward Barsky, JD, Ph.D., Florida Atlantic University
Dedication to Bruce Buchanan
Donna DeAngelis, MSW; Kathleen Hoffman, MFA; Steve Marson, Ph.D.
Editorial: Students Are Not Clients. Treating Students as Clients Is Unethical
Stephen M. Marson, Ph.D., Editor, and Paul Dovyak, MSW, LISW-S
Changes and thank you
Stephen M. Marson, Editor, and Laura Gibson, Book Review Editor
Journal of Social Work Values and Ethics, Fall 2020, Volume 17, No. 2
Spring 2015, Vol. 12, No. 1
Fall 2014, Volume 11, No.2
Fall 2012, Volume 9, No. 2
Spring 2012, Volume 9, No. 1
Summer 2009, Volume 6, No. 2
Winter 2008, Volume 5, No. 3
Fall 2004, Volume 1, No.1 | 2023-14/0000/en_head.json.gz/3849 | {"url": "https://jswve.org/archives/2020-2/2020-2-articles/", "partition": "head_middle", "language": "en", "source_domain": "jswve.org", "date_download": "2023-03-20T10:15:14Z", "digest": "sha1:RVZVZUYHRXQL4DF42RJWTVZMJN6BYXBQ"} | {"ccnet_length": [[0, 1865, 1865.0]], "ccnet_original_length": [[0, 1865, 4479.0]], "ccnet_nlines": [[0, 1865, 30.0]], "ccnet_original_nlines": [[0, 1865, 109.0]], "ccnet_language_score": [[0, 1865, 0.77]], "ccnet_perplexity": [[0, 1865, 306.9]], "ccnet_bucket": [[0, 1865, 0.0]], "rps_doc_curly_bracket": [[0, 1865, 0.0]], "rps_doc_ldnoobw_words": [[0, 1865, 0.0]], "rps_doc_lorem_ipsum": [[0, 1865, 0.0]], "rps_doc_stop_word_fraction": [[0, 1865, 0.0877193]], "rps_doc_ut1_blacklist": [[0, 1865, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1865, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1865, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 1865, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 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See all the Details That Went into This Kitchen Renovation
Today’s post is all about the planning and custom touches that went into designing the kitchen above. Not only does it look beautiful, it functions perfectly for the homeowners and the way they live. If you missed the blog I wrote […] | 2023-14/0000/en_head.json.gz/3850 | {"url": "https://karenfron.com/tag/kitchen-renovation/", "partition": "head_middle", "language": "en", "source_domain": "karenfron.com", "date_download": "2023-03-20T09:13:39Z", "digest": "sha1:3NQXGKN2EVO4AEX2WZBVQQUW2VTLHGNB"} | {"ccnet_length": [[0, 293, 293.0]], "ccnet_original_length": [[0, 293, 981.0]], "ccnet_nlines": [[0, 293, 2.0]], "ccnet_original_nlines": [[0, 293, 34.0]], "ccnet_language_score": [[0, 293, 0.96]], "ccnet_perplexity": [[0, 293, 312.6]], "ccnet_bucket": [[0, 293, 0.0]], "rps_doc_curly_bracket": [[0, 293, 0.0]], "rps_doc_ldnoobw_words": [[0, 293, 0.0]], "rps_doc_lorem_ipsum": [[0, 293, 0.0]], "rps_doc_stop_word_fraction": [[0, 293, 0.47368421]], "rps_doc_ut1_blacklist": [[0, 293, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 293, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 293, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 293, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 293, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 293, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 293, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 293, 0.06751055]], "rps_doc_frac_chars_top_3gram": [[0, 293, 0.10126582]], "rps_doc_frac_chars_top_4gram": [[0, 293, 0.0]], "rps_doc_frac_all_caps_words": [[0, 293, 0.01754386]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 293, 0.0]], "rps_doc_frac_no_alph_words": [[0, 293, 0.0877193]], "rps_doc_frac_unique_words": [[0, 293, 0.76923077]], "rps_doc_mean_word_length": [[0, 293, 4.55769231]], "rps_doc_symbol_to_word_ratio": [[0, 293, 0.01754386]], "rps_doc_unigram_entropy": [[0, 293, 3.55788569]], "rps_doc_word_count": [[0, 293, 52.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 59, 0.0], [59, 293, 0.0]], "rps_lines_javascript_counts": [[0, 59, 0.0], [59, 293, 0.0]], "rps_lines_num_words": [[0, 59, 10.0], [59, 293, 42.0]], "rps_lines_numerical_chars_fraction": [[0, 59, 0.0], [59, 293, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 59, 0.0], [59, 293, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 59, 0.11864407], [59, 293, 0.01709402]], "rps_doc_ml_palm_score": [[0, 293, 0.00163323]], "rps_doc_ml_wikipedia_score": [[0, 293, null]], "rps_doc_ml_wikiref_score": [[0, 293, -1.001e-05]], "rps_doc_books_importance": [[0, 293, -17.37515725]], "rps_doc_openwebtext_importance": [[0, 293, 0.61892589]], "rps_doc_wikipedia_importance": [[0, 293, -25.93137212]], "rps_doc_num_sentences": [[0, 293, 3.0]]} |
Category Archives: Winter Tales
Winter Tales: The Nutcracker and the Mouse King
It’s getting closer and closer to Christmas, so for the next few weeks, I’m going to highlight some tales that are centered around Christmas or winter. To start us off, one of the most classic Christmas stories: The Nutcracker and the Mouse King by E.T.A. Hoffmann. The story, first published in 1816, was turned into a balletContinue reading “Winter Tales: The Nutcracker and the Mouse King”
Posted byKate G. Jameson December 11, 2014 December 11, 2014 Posted inFairy Tale Facts, Winter TalesTags:E.T.A. Hoffmann, Fairy Tales, Tchaikovsky, The Nutcracker, The Nutcracker and the Mouse KingLeave a comment on Winter Tales: The Nutcracker and the Mouse King | 2023-14/0000/en_head.json.gz/3851 | {"url": "https://kategjameson.com/category/winter-tales/", "partition": "head_middle", "language": "en", "source_domain": "kategjameson.com", "date_download": "2023-03-20T08:55:44Z", "digest": "sha1:NAFN6LYZAFIFX44IEJOXPBT25A7E3DHG"} | {"ccnet_length": [[0, 736, 736.0]], "ccnet_original_length": [[0, 736, 1522.0]], "ccnet_nlines": [[0, 736, 4.0]], "ccnet_original_nlines": [[0, 736, 42.0]], "ccnet_language_score": [[0, 736, 0.85]], "ccnet_perplexity": [[0, 736, 156.0]], "ccnet_bucket": [[0, 736, 0.0]], "rps_doc_curly_bracket": [[0, 736, 0.0]], "rps_doc_ldnoobw_words": [[0, 736, 0.0]], "rps_doc_lorem_ipsum": [[0, 736, 0.0]], "rps_doc_stop_word_fraction": [[0, 736, 0.26451613]], "rps_doc_ut1_blacklist": [[0, 736, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 736, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 736, 0.26812816]], "rps_doc_frac_chars_dupe_6grams": [[0, 736, 0.22765599]], "rps_doc_frac_chars_dupe_7grams": [[0, 736, 0.13153457]], "rps_doc_frac_chars_dupe_8grams": [[0, 736, 0.13153457]], "rps_doc_frac_chars_dupe_9grams": [[0, 736, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 736, 0.13153457]], "rps_doc_frac_chars_top_3gram": [[0, 736, 0.13490725]], "rps_doc_frac_chars_top_4gram": [[0, 736, 0.16020236]], "rps_doc_frac_all_caps_words": [[0, 736, 0.0516129]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 736, 0.0]], "rps_doc_frac_no_alph_words": [[0, 736, 0.23225806]], "rps_doc_frac_unique_words": [[0, 736, 0.58119658]], "rps_doc_mean_word_length": [[0, 736, 5.06837607]], "rps_doc_symbol_to_word_ratio": [[0, 736, 0.0]], "rps_doc_unigram_entropy": [[0, 736, 3.86572587]], "rps_doc_word_count": [[0, 736, 117.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 32, 0.0], [32, 80, 0.0], [80, 473, 1.0], [473, 736, 0.0]], "rps_lines_javascript_counts": [[0, 32, 0.0], [32, 80, 0.0], [80, 473, 0.0], [473, 736, 0.0]], "rps_lines_num_words": [[0, 32, 4.0], [32, 80, 8.0], [80, 473, 66.0], [473, 736, 39.0]], "rps_lines_numerical_chars_fraction": [[0, 32, 0.0], [32, 80, 0.0], [80, 473, 0.01052632], [473, 736, 0.048]], "rps_lines_start_with_bulletpoint": [[0, 32, 0.0], [32, 80, 0.0], [80, 473, 0.0], [473, 736, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 32, 0.125], [32, 80, 0.125], [80, 473, 0.05597964], [473, 736, 0.12547529]], "rps_doc_ml_palm_score": [[0, 736, -9.18e-06]], "rps_doc_ml_wikipedia_score": [[0, 736, null]], "rps_doc_ml_wikiref_score": [[0, 736, -1.67e-06]], "rps_doc_books_importance": [[0, 736, -48.75952308]], "rps_doc_openwebtext_importance": [[0, 736, -13.85232742]], "rps_doc_wikipedia_importance": [[0, 736, -22.41031413]], "rps_doc_num_sentences": [[0, 736, 10.0]]} |
How to Turn Your ESL Teaching Resources into a Growing Online Business with CEO Teacher® Courtney Morgan
Today we get to chat all about ESL teaching resources with an amazing CEO Teacher® trailblazer, Courtney Morgan. What is so special about this post is that you're going to get a little behind-the-scenes look at what our coaching looks like inside of our CEO Teacher® programs. Courtney actually won the opportunity to have a recorded 1:1 coaching call with me. What is different this week, is that she got to ask all the questions and you will benefit from her questions as well as the answers from this special episode.
Courtney runs The All Access Classroom where she has developed a heart for enabling English language learners, or multilingual learners, to have access to grade-level content that mirrors their classroom experience. Her business is all about the different avenues aimed toward building equity and valuing every single diverse learner that we have in our classrooms and making sure that they're supported well.
Courtney was a second, third, and fourth-grade teacher for many years. She received her Master's in Multicultural Education at the start of her career in Virginia. It was an amazing Petri dish of learning for her at the beginning of her journey. She had the opportunity to pursue being an ESL teacher, but she loved being a classroom teacher and the right doors just didn't open at that time. So she decided to stay in the classroom because she loved it so much. Over the course of 15 years, she ended up moving to North Carolina where she currently resides.
ESL teaching resources led to CEO Teacher® Trailblazer, Courtney Morgan's, course idea!
Eventually, she started feeling a tug to become an ESL teacher and really fully pursue that option. Something that she had experienced in the classroom was a sense of overwhelm knowing that she had multilingual learners in her class who needed significant, specific support. Even as a national board certified teacher who was confident in so many areas of her own teaching practice, she still felt a sense of guilt. A sense of needing to be doing more for those students. Yet she didn't feel like she had the tools or the training or the support to do it well.
How Creating ESL Teacher Resources Changed The Trajectory of Courtney’s Life
When she transitioned into her current ESL role, that became a top priority. How could she support her fellow educators, specifically Gen Ed teachers who had all the motivation to serve those learners, but didn’t have the tools to do it? So in 2020, Courtney joined the CEO Teacher® Program thinking it sounded kind of fun. She had never made a TPT resource ever. She had bought things on TPT, but she thought creating resources on TPT was a fun side hobby. Then she started feeling more serious about the business side of things and began market research, and trying to listen to colleagues. Getting a sense of what was happening in different schools, different districts, and different states regarding supporting English learners. She realized that there are a lot of teachers that need additional support, including ESL teachers, ELL specialists, and Gen Ed teachers.
Courtney started feeling like she wanted to design a course. And fortunately, there is a lot of support in the CEO Teacher® level 2 program all about creating courses. So she had all the support she needed to get started with her dreams. She got brave and did it dirty and scared. She realized that if she didn’t put her ideas out there to see if people want it she would never know what it could become. The amount of response that she has been getting from people emailing, questions in her DM’s, districts asking if it’s something they could do for staff at their school. It has been a WILD ride.
Courtney is continuing to get a feel for what the needs really look like out there for ESL teachers. Is her course something that schools would want? Is it something that ELL teachers are needing? Now that she has had quite a few ELL teachers join the course, she is spending 2022 learning how to market it better to Gen Ed teachers. A lot of times the additional support is off their radar unless it has been specifically offered through their school.
Courtney’s success has been amazing, but it's not that no one else has experienced this. We have a lot of CEO Teacher® trailblazers that have gone through this exact same path. I love that Courtney just literally started. If you're looking at a timeline of events from when she started as a teacher entrepreneur (2020) until now, you have to realize she hasn’t been at this for 10 years. To know that she just started and just went for it in every way has been absolutely remarkable.
Turning Your ESL Teacher Resources into a Growing Online Business
That leads us to Courtney’s first question: What should she do now? She wanted a little bit of direction: should she make products that cater to her people to help them in their classrooms? Or should she go all in with this course thing? Really her business could go in many directions. She could focus on ELL teachers or ESL teachers, or districts as a whole. I encouraged her to think of the big picture.
Going all-in with her ESL teacher resources actually opened up additional opportunities.
Courtney said it's a tricky spot right now. When she first started, she developed this great grand vision for these units that she was going to develop. When she began she was asking the question of what she needed as tools and resources for the newcomer English learners in her classroom. She originally wanted to create something that was going to teach content, that was accessible and had some sort of translation or visual support. So she started creating units that would have been the unicorn of resources. As she created that first bundle she realized it was a lot. She was putting audio translation and creating differentiated levels for every lesson. Courtney reminisces about the intensity of developing the unit. When she was finished she was really proud of it. And knew it was something that could be really helpful to a lot of teachers. She still believes that, but also reflects on how incredibly time-consuming it was to create it.
On the flip side, she also has her first launch of a course under her belt. She is about to launch again and is really excited to continue to develop and hone in on the course materials, and start building a community around the course, and really flesh it out. She knows that idea continues to require work and effort. It's a lot when you're building up to a launch and you're creating email sequences and visuals and materials and all the things. Eventually, she would like to turn the course model into an evergreen program.
So she is looking at these two different paths that are both helpful for ELL teachers. Where she struggles is with her own time management. Not in the sense that she doesn’t know how to manage her time. But instead, she has a very limited amount of time as a full-time teacher. I love her question because I think that at any point in a teacher entrepreneur's journey, they are going to be faced with this question. Do I stay on the path of TPT resources or do I branch out? And what if I'm more passionate about one and than the other. I think the answer is twofold here. And I think it goes back to where you genuinely feel like this road is going to take you. And I think the answer can be different for everyone.
When we think about the path of a CEO Teacher®, especially with the trailblazer attitude, we have a specific step-by-step path. One that we feel has sustainability and predictability. For us inside of the CEO Teacher® program, we like to start with a Teachers Pay Teachers storefront because it's an easy way to make passive revenue. As Courtney said, it's a lot when you do it the right way, and put in the quality that the teachers deserve. But the great thing about TPT is that you can make money every single day after you have done the hard work in the beginning. I haven't put up a new resource on TPT in nearly three years and I'm still generating income, which is remarkable. The downfall with TPT is that you are very limited on the access that you have to those teachers who purchase from you. Meaning you don't have their email addresses. You can't get in their classrooms with them. You can't share even more stuff with them to let them know how your business is going to expand.
ELL teaching resources are how this CEO Teacher® Trailblazer grew her business.
That's where Courtney has been smart. She created her course and is now taking them on the journey. But as she said, that takes a lot of effort too. I can't believe Courtney is still in the classroom and contemplating these two options. I remember those days and 40 hours a week plus building a business and a family and it's just hard. So if you're at a crossroads and saying Kayse, this sequential path of putting all the eggs into Teachers Pay Teachers creating passive revenue may sound great in theory, but I really have to make a choice here, so do I go TPT, or do I go the path of the course?
If I'm looking at the predictable success that lasts a lifetime, I'm going to always move you into what we call the level two option. Which is the course or membership or program model, because you have a business that actually belongs to you. And that's powerful. After years and years of being on calls with online marketers where I would explain to them the phenomenon of TPT and how much money I was making. They gave me all these marketing strategies about funnels and emails. And I was like, wait a minute. I don't, I don't have my customers like email lists. And they said, well, what about their names and their email addresses? I was like, oh wait, I don't have their names either. And I don't know their demographics, I don't know how old they are and I don't know where they live. And they were like, you're crazy. And I remember being really offended by that.
I was making bank, and I felt like they just didn’t understand. Every one of them said you've got to own your own business. So a very long-winded explanation here. If you were going to take the slow path, I would go TPT all the way into level two of selling your course. If you need a fast track, I would go all-in on the course because I see this being so valuable. Courtney also said “I've got all these other courses in mind”, and that is the perfect brain of an entrepreneur. Multi-passionate with 1,000,000 branches of where the ideas could go. But if I could give any advice, looking back on the last 10 years of our CEO Teacher® journey, is that the more simple you can make it, the more successful you can be.
I am still learning this because we have our whole 2022 vision out on paper. Everything is planned. And over the break, my husband said he thinks I should cut out a really big thing that I want to do in 2022. And I was like, Oh, Heck No. And he was like, you're over-complicating it. And you know, it's interesting to think that he might be right. Now as a team we're just chatting about how we can simplify those ideas because it just makes everything in life so much easier. So if you are like me and Courtney and you're thinking of all these great ideas, I want to encourage you to ask, how can I take these ideas and encompass them into one great, beautiful masterpiece rather than a million different paintings?
ESL teachers will always need additional support. But complicating the matter isn't what they are looking for.
Courtney doesn’t want to let go of the idea of creating resources completely. That could become a recurring income opportunity for her. Setting the expectation for herself, one that's realistic and not adding pressure while she is working full time. One of her goals for this year is to really streamline her own daily schedule and systems, use her time wisely and take care of herself a little bit better.
What's really cool about the future of education is that it’s forever. We've known of these huge companies that are pushing into school systems and selling their books and their programs. And what's really cool is that now we're seeing the evolution of the educator being able to step inside of the classroom or inside of the school systems and districts. To sell programs that are actually much better for the students because they get it, they're not at this big corporate level. I really want you to dream big when you plan your business goals.
Courtney has also been adding social media to her business plan. And her next question was about ESL resources and social media platforms.
She has been going live weekly on Instagram doing a ‘Tuesday Try It'. A really quick, easy mini PD all about ESL teaching resources, and she’s come to enjoy them and definitely wants to continue doing them. She knows that Facebook continues to be king. And she wondered if she should consider doing lives there as well to build her Facebook page. She doesn't want to take on too much. So she asked if it makes sense to repurpose the content from her weekly IG lives into Facebook lives? Or would that be redundant?
I love this question because I think that as the creator, we feel that way. Like, oh, I've already said this, or, people are going to get tired of hearing from me on this subject. The average number of people that see your posts on any given platform is significantly low. Around 3% – 5% of your people see what you post. So the likelihood of them seeing what you post on both platforms is even smaller. So I say yes, to repurposing content 110%. We are following this strategy to the nth degree in 2022.
And one way that we are doing it is so we are going to have our weekly podcast, which is what we call the core content. Inside of the CEO Teacher® programs we share our strategy using our CEO Teacher® Pyramid, where our podcast core content is at the top. And then we take that and we repurpose it for all of our other things. So we're going to be going live on Facebook, sharing our strategies in a little bit more tactical way or a little more visual way. Teaching some strategies with visuals is a little bit easier than just listening to them. Same exact thing though. And then we'll also share that on Instagram and our FB posts too. I'm always going to push you to Facebook. What Facebook does is reward you in ways that Instagram never can, although IG is Facebook's child. And I think that what is so important is that people forget how powerful FB is. Or they think my people aren't really on Facebook or Facebook is old and lame. But Facebook is and will always be for the foreseeable future, the great and powerful Oz.
Core content is the driving factor in a sustainable course. Whether for an ESL teacher or a Teacher Entrepreneur.
So when we spend our money and our marketing advertising, it all goes back to what Facebook has going on. And there is a new evolution of what the internet is going to look like. I've done a lot of research recently on Meta and what that means. Basically, there have been 3 different levels of the internet over time. We're about to move into the third wave of what the internet is going to look like. Back in the day, we had dial-up with a few message options and some search engines like Yahoo and Bing, and then we moved into what the social platforms are today. The 3rd wave is moving us toward and into a virtual world.
This is what prompted me to do a lot of research because I found that FB is very interested in creating a real-world experience for its users with everyday virtual experiences. So if you could potentially teach a lesson to teachers exactly, as you would, as if you were in person with them as a presentation, you're going to be rewarded. More than people that are just setting up their phones and going live real quick. So it's really interesting to think about what teaching can become in this new world, what teaching already is. And I think that we've found that through virtual learning, but things are changing and we know that.
Getting back to Courtney’s question, I encourage everyone to actually stream to both FB and IG at the same time. It's not super easy for me, because I kind of get lost in the comments of both. But you could also just schedule them for a specific, consistent day and time and then 30 minutes later on the second platform. And the great thing about Facebook lives is that you can repurpose those for search engine optimization and so much more. We also found a lot of success with Facebook premiers. Which means you don't have to go live. They can be pre-recorded videos. So if you find time to record during the week, and then you upload them to Facebook as a premier they appear live to the people watching them. So instead of saying live and flashing, it says premiere, but our best watched Facebook live was a premiere.
Courtney’s next question was about naming ELL resources
The resources that she has envisioned all go together in a coherent set with some overlapping components.
A vocabulary element
An interactive choice board element
An assessment element
These elements are consistent across each content unit that she creates. She wondered if having a consistent naming structure for the sake and benefit of her customers to identify familiar content should override any other SEO considerations. This was a great question that we've never really covered in depth. And I think that it's a really important thing to consider. Her current resources have SEO-friendly titles. She definitely considered SEO as far as the subject area, and the content but she also used some consistent terms with whether it was a vocabulary element or an assessment element. My advice would vary depending on where people are on their CEO Teacher® journey.
A lot of students come to us and they have a great name for a product that's brand new that they've just created. I think about one of my dear friends, she has something called TABLETS and she has trademarked that term and she is known for that product now. If you type in Tablets on TPT, you're going to see her stuff. And it's amazing, but I wouldn't give that advice to someone just starting out. She was already very well established. And when she came up with this product, people were already loving everything that she did. So they would rush to buy her tablets.
But if you're brand new and you're coming up with things that no one is searching for, it's going to be really hard for people to find it. Could you potentially change it to a universal name you came up with later? Yes. So here's my recommendation for anyone just getting started with creating resources, I would optimize your key term. I would also use that universally on a lot of different products just to make sure that people understood what they were getting. If you were going to name it, the exact same thing over and over and over and over and over again, I would say absolutely not.
So here's an example of this. Our editable sight word games do really well. We have January editable sight word games, February editable sight word games, June editable sight word games, etc. We're utilizing the same long-tail keyword, ‘editable sight word games', but we're adding on that little indicator of this is for January, February, June, etc. Then kind of spice up the description. Don't start sentences the same, try to make them unique. That tells the search engine we're not really producing duplicate content.
Moving into creating ESL Teaching Resources for Teachers
Courtney has an opt-in for her ESL Teacher Resources course that has been active for nine months or so. And it's been very effective. She wondered if there was a recommended length of time to keep an effective opt-in active before either replacing it with a new one, refreshing it, or adding a second one.
My answer: if it ain't broke, don't fix it.
Originally our optin was 10 Steps To Get Started Selling Your Teaching Resources Online. We changed the title to Start or Expand Your Online Teacher Business. We made it cuter and took the steps out, and gave it a new title. And in 2022 we're actually combining some of our more beneficial smaller optins together to be one big beautiful masterpiece.
Whether you are supporting ESL teachers or Teacher Business Owners, a course or membership model is the more sustainable path.
If you want to change something and it's currently working, change up how cute it is or give it a more on-brand look. But if it's working and the title is working, don't try to fix it. My original thought for making the change was that if people have already downloaded the 10 steps workbook, I wanted them to know that we have other things that they can use. But that's going at it from the wrong perspective. You should always be thinking of your newest customer. And when someone's just coming into your world, what's going to grab their attention first. For us, it makes so much sense that people wanted the 10 steps to get started. They didn't want to ‘start or expand’, which didn't resonate with them. What I've learned more than anything though, is to keep it simple. And you have to remind yourself every single hour in the world that we live in because the shiny object syndrome is so real. The most successful people that I know have done the same thing over and over and over again. And for me, that gets really boring and I don't like it, so I want to change it. I'm trying to fall in love with the process rather than trying to change the product. I want to encourage you to do that as well. Fall in love with the process of your beautiful opt-in and how you're going to share it with the world and don't change the end product if it's doing really well.
Keep your mind focused on the people that don't know you yet, that hasn't been introduced to what you are offering, because that's the gateway that makes the most sense for them. The people that are already on your list are so important for a specific reason, a different reason than your new customers. You have to create new customers to have a thriving business. But it should be a 50/50 split. You want to love on your new customers and get as many new customers as you can while still maintaining the love and relationship with the people that matter most. Because they are the people that are committed to you. Ask yourself, “how am I nurturing and guiding people from the time that they are first introduced to me, to becoming members of my course?”
I was recently scrolling on Facebook and got hit with an ad that was talking about how nurturing customers is dead. In 2022 it said you shouldn't nurture, you should just sell. And I was like, is this really the advice that we're getting? Nurturing is still so important, especially for our customers. If you're an educator or you have some sort of connection to teachers, teachers need holding and loving on and just as their students do. So don't forget who you're speaking to.
Falling in love with teaching ESL online resources was the catalyst to Courtney's success.
Courtney uses the open/close cart model to share her ESL teaching resources through her course. Which I love because it's much easier to nurture your list this way.
It's not like you have to say buy my thing because the thing may not even be for sale. You can just introduce it in your nurture emails. As you're creating your welcome sequence, I want you to create a paragraph that you can place in multiple emails, probably two or three that leads into your program. So for example, tying in a story with your welcome sequence that leads into your program and the waitlist is super powerful. Courtney could tell a story about one of her breakthrough moments when she decided to become an ESL teacher. Or if she had a specific student that had an aha moment, and that's what led her to create the program. Then lead your customers to the paragraph of we're not currently open for enrollment, but if this is something you might be interested in, join our waitlist. And when we do open, I'll be sure to send you VIP access to get into the program. You put the ball back in their court with this style of email. You're not pushy. You're just trying to share that you have something without feeling like you're trying to sell it. And then when you decide to open the cart, you’ll want to go back in and revise that paragraph. Change that paragraph to say, now the program is open if you want to join.
We are toying with the idea of what they call pre-qualified leads. Statistics say that if someone spends money with you, they are 80% more likely to spend money with you again, especially if they like you and they love you. So could you create a very small offer that you could share in your welcome sequence? That is a pre-qualifier for your course, meaning that is something you don't take from your course. But a new small thing. You don't want somebody to feel like, I bought this and then I bought the course, and this is in the course. Perhaps a product that's not on TPT, but that belongs to you. That could allow them to go ahead and get on that VIP waitlist. But being able to get someone to spend with you means that when your cart opens, they're a lot more likely to buy from you. Kind of like a warmup, and it's building trust. It's getting people and experience with you as a teacher, as a coach, and helping them to consider how they could benefit from other things that you're offering. So maybe like a, like a paid workshop, that's just always available to people.
I always think about Amy Porterfield, you know, the GOAT. She has a systems scale as one of her evergreens. And then she also has List Builder Society, which allows people to streamline their business and grab some systems, but also build their email lists. Those two things are vital to creating a digital course. So if you buy either of those smaller offers anytime during the year and you start planning, once she opens the doors to Digital Course Academy, you’ll want into the larger product that teaches you everything. I buy courses by, I feel like the hundreds at this point, just to follow strategy, because it's really interesting to me from a marketing perspective. And that is a huge thing that people are doing right now, and it's called pre-qualifying leads.
Courtney had more great questions wondering about how often to offer her course for ESL teaching resources throughout the year. She has been trying to decide right now for this coming year, does she want two launches or three or is that too many to even consider? She feels like in the summer teachers are more available. But in the fall, not in August, September, but after the dust has settled a bit with the back to school season and teachers are like, whoa, I've got English learners in my class. What do I do now? She feels like October-ish, particularly for schools that might want to purchase the course for an entire cohort or a staff commitment would be a good choice. Then again in February with the winter break season, and then possibly July.
And I say to you, and to Courtney, if you're excited, yes, do three launches, but from experience, launch burnout is a real thing. And so it's this rollercoaster of emotion. I live for doing crazy cool things in our business, and I am not fulfilled if we're not constantly doing new things. But what I've also found is that there's a fine line between getting really excited and doing all these launches and finding happiness and balance in life. So I have to make a decision. Do I want to do three launches? Yes. Will that benefit my family? No.
When you plan to create a teacher membership or course it is always better to underpromise and overdeliver.
A good question, as you are planning out your year, is what do you want?
Do you want it to generate a lot of income? If so, grind it out and do it and make a whole lot of cash. That's really cool, but at the same time, what's really really cool? Not being burned out and being happy and not worried so much about the cash flow. Just knowing that it's going to come as your business grows. I used to say, I don't believe there's a wrong time to launch a program to teachers, but I have decided otherwise. We followed all of the numbers. And we now know that we'll never launch a program in August and September because teachers are back to school. Even our podcast downloads, over the last three years in August and September are completely down at the very bottom of our downloads. Why? Because teachers are busy! In the south, we go back in August, but everyone else goes back in September. So unless you have a specific program that is geared toward helping teachers get hired, or set up their classroom space, or get started as a brand new teacher filling out all the things, don’t launch during the back-to-school season.
Courtney reflected on how the CEO Teacher® program has taught her to consider all avenues. Modeled trial and error to try different things and see what works. Watch the data and be creative. We know that some things work, and some things don't and we tweak as we go. So it may be that you just need to experiment with it over time.
Courtney’s next question was about creating a community around ESL teacher resources.
She decided during her first launch to have a Facebook group exclusive community just for those members inside the course. And although she wasn’t seeing as much engagement as she had hoped she thinks as it grows and she gets more people, that's going to increase as well. So it's just a place where she can share announcements and information about her live Q&A times. Encourage connection and questions, contributing to each other's challenges, that sort of thing.
Courtney wondered if she should start a brand new community with her new launch, or start trying to increase engagement with the one she already has. She doesn’t want to lose the people that are invested in the community. She wants them to stay supported and have her as a resource, as a coach to ask questions. My suggestion: Remember to keep it simple. So keep just one community. And as she adds people, the members that were not active will become active again, it's like this it's like fresh blood comes in and people are like, oh yeah, I want to come in and chat.
But I want you to really think about the customer journey and where you want your business to go because you don't have a true business if you have a one-and-done thing. You want people to buy from you again and again. So you have to think about the evolution of your customer? And those people who have bought previously are 80% more likely to buy from you again.
Let me share a crazy statistic with you. 95% of our Level 1 students are engaged in our community by posting in our Facebook group, and liking or commenting on peer posts, which is exciting. We've worked really hard for that over the years, which means that when we do share an announcement, they see it, which is important. So I just want you to think about the customer journey and the community because people come for the content, but they stay for the community, once the content from the course has been consumed. I think about Kristie DeRoche and Kayla Topper and how they finally got to meet in real life. They were students of the CEO Teacher® program three years ago and they've been really close friends ever since. It is really cool that they've made this connection through the CEO Teacher® community.
Here at the CEO Teacher® they come for the content and stay for the community!
I want to encourage anyone thinking of starting a community to think about that statistic because teachers need a community and we don't have a lot of positive places online that we can go to. To create a plan to nurture them through the years and allow them to buy from you again and again so that your business begins to flourish instead of you always having to find new customers for your business to run.
And it’s OK to love on them for years before you ask for them to buy from you again.
And to leave you with some Mama Kayse advice: If I've learned anything, it is that even if you're not making as much money as you think you could be making, do what's right, and what's fair. Go ahead and give them a discount (or grandfather them into all the content, because they were the ones that loved you first.)
Whether you create ESL teaching resources or content to help teachers get organized, if you are still looking to decide between course creation and continued resource creation you can read more perspectives here…
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John Keells Group Inter-company Swimming Meet 2018
Cinnamon Grand emerged as Winners at the 9th Annual Inter-company Swimming Championships held on Saturday the 25th of August, at the SSC Swimming Pool. Walkers & Whittalls emerged as Runners Up and Centre Functions came in 3rd place.
For more photos check out our Facebook Page. | 2023-14/0000/en_head.json.gz/3853 | {"url": "https://keells.com/posts/john-keells-group-inter-company-swimming-meet-2018/", "partition": "head_middle", "language": "en", "source_domain": "keells.com", "date_download": "2023-03-20T10:38:10Z", "digest": "sha1:KXVUSZ6ANQIAMLLZNSNJENZ2NFVUGFPB"} | {"ccnet_length": [[0, 329, 329.0]], "ccnet_original_length": [[0, 329, 2233.0]], "ccnet_nlines": [[0, 329, 3.0]], "ccnet_original_nlines": [[0, 329, 111.0]], "ccnet_language_score": [[0, 329, 0.94]], "ccnet_perplexity": [[0, 329, 257.5]], "ccnet_bucket": [[0, 329, 0.0]], "rps_doc_curly_bracket": [[0, 329, 0.0]], "rps_doc_ldnoobw_words": [[0, 329, 0.0]], "rps_doc_lorem_ipsum": [[0, 329, 0.0]], "rps_doc_stop_word_fraction": [[0, 329, 0.24590164]], "rps_doc_ut1_blacklist": [[0, 329, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 329, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 329, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 329, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 329, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 329, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 329, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 329, 0.14814815]], "rps_doc_frac_chars_top_3gram": [[0, 329, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 329, 0.0]], "rps_doc_frac_all_caps_words": [[0, 329, 0.01639344]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 329, 0.0]], "rps_doc_frac_no_alph_words": [[0, 329, 0.13114754]], "rps_doc_frac_unique_words": [[0, 329, 0.84615385]], "rps_doc_mean_word_length": [[0, 329, 5.19230769]], "rps_doc_symbol_to_word_ratio": [[0, 329, 0.0]], "rps_doc_unigram_entropy": [[0, 329, 3.71784273]], "rps_doc_word_count": [[0, 329, 52.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 51, 0.0], [51, 285, 1.0], [285, 329, 1.0]], "rps_lines_javascript_counts": [[0, 51, 0.0], [51, 285, 0.0], [285, 329, 0.0]], "rps_lines_num_words": [[0, 51, 7.0], [51, 285, 37.0], [285, 329, 8.0]], "rps_lines_numerical_chars_fraction": [[0, 51, 0.08163265], [51, 285, 0.01762115], [285, 329, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 51, 0.0], [51, 285, 0.0], [285, 329, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 51, 0.11764706], [51, 285, 0.08547009], [285, 329, 0.06818182]], "rps_doc_ml_palm_score": [[0, 329, 5.567e-05]], "rps_doc_ml_wikipedia_score": [[0, 329, null]], "rps_doc_ml_wikiref_score": [[0, 329, 8.225e-05]], "rps_doc_books_importance": [[0, 329, -11.02583969]], "rps_doc_openwebtext_importance": [[0, 329, -5.80308077]], "rps_doc_wikipedia_importance": [[0, 329, -1.78810676]], "rps_doc_num_sentences": [[0, 329, 3.0]]} |
Phoenix: Dawn Command
Posted on January 26, 2015 by Keith Baker
Our world is under siege. You are among the few who can turn the tide. You have passed through death and returned stronger than before. You are a Phoenix, and you are our last and only hope.
Over the last decade I’ve worked with a lot of different RPG companies. I created Eberron with Wizards of the Coast. I helped develop the foundations of 13th Age. And I’ve done a wide range of freelance work for Atlas Games, Green Ronin, Goodman Games, Pelgrane Press and many more. Now I’m creating a roleplaying game on my own. I’ve been working on Phoenix: Dawn Command for over a year, and it’s time to start talking about it.
Phoenix uses a simple, flexible card-based system with hooks that encourage storytelling and shared narrative control. It’s a squad-driven game, and death is part of the character advancement process. Your team can accomplish great things, but you’ll be faced with difficult decisions and consequences. You’ll need to push to your limits… and beyond.
UPDATE: Phoenix Dawn Command is up on Kickstarter right now!
I’ve been testing locally and at conventions over the last year, and I’ll be expanding testing on the JoCo Cruise next week. In March I’ll be taking the game to Kickstarter. Over the next few weeks and during the Kickstarter, I’ll be posting more details about the game, the setting, and the team and history behind it. Here’s a few quick points to get things started.
What do you mean by “card-based roleplaying game?” Phoenix: Dawn Command is a roleplaying game, with a gamemaster who develops and drives the story. However, it uses cards in place of dice or other randomizers. As a player you have a deck of cards that represent the attributes and abilities of your character, and your fate is literally in your hand. This gives you a certain degree of narrative control. When you make an attack, you know what it will take to succeed; it’s a question of whether you’re willing to expend the resources necessary to make it a success.
Death is the character advancement mechanic? As a Phoenix, you learn from each death and return stronger than before. It’s not just about death itself, but how and why you die – what your character takes away from the experience. However, you can only return seven times, and you don’t return immediately. Rather than trivializing the experience, it allows personal sacrifice to be an important choice; you need to determine how and when it’s worth laying down your life.
Who else is involved in the game? This is Twogether Studios‘ (my company) first release. The game is being produced by Jennifer Ellis. My co-designer on the game is Dan Garrison. Grace Allison and Rich Ellis are creating amazing art, and I’ll get a sneak peek of that posted soon!
How can I find out more? Sign up for our mailing list here.
Are you going on the JoCo Cruise? Sign up here for an a play test spot.
I’m proud of Phoenix: Dawn Command and thrilled to finally be unveiling it – more details in upcoming weeks!
This entry was posted in Gaming Features and tagged Phoenix Dawn Command by Keith Baker. Bookmark the permalink. | 2023-14/0000/en_head.json.gz/3854 | {"url": "https://keith-baker.com/phoenix-dawn-command/", "partition": "head_middle", "language": "en", "source_domain": "keith-baker.com", "date_download": "2023-03-20T09:58:47Z", "digest": "sha1:FP64FS52KO7BTOBRBP4WFWXBDC4MN7OB"} | {"ccnet_length": [[0, 3141, 3141.0]], "ccnet_original_length": [[0, 3141, 3677.0]], "ccnet_nlines": [[0, 3141, 14.0]], "ccnet_original_nlines": [[0, 3141, 32.0]], "ccnet_language_score": [[0, 3141, 0.94]], "ccnet_perplexity": [[0, 3141, 294.6]], "ccnet_bucket": [[0, 3141, 0.0]], "rps_doc_curly_bracket": [[0, 3141, 0.0]], "rps_doc_ldnoobw_words": [[0, 3141, 0.0]], "rps_doc_lorem_ipsum": [[0, 3141, 0.0]], "rps_doc_stop_word_fraction": [[0, 3141, 0.4162963]], "rps_doc_ut1_blacklist": [[0, 3141, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 3141, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 3141, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 3141, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 3141, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 3141, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 3141, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 3141, 0.02625298]], "rps_doc_frac_chars_top_3gram": [[0, 3141, 0.04295943]], "rps_doc_frac_chars_top_4gram": [[0, 3141, 0.0159109]], "rps_doc_frac_all_caps_words": [[0, 3141, 0.02222222]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 3141, 0.0]], "rps_doc_frac_no_alph_words": [[0, 3141, 0.15555556]], "rps_doc_frac_unique_words": [[0, 3141, 0.49454545]], "rps_doc_mean_word_length": [[0, 3141, 4.57090909]], "rps_doc_symbol_to_word_ratio": [[0, 3141, 0.00148148]], "rps_doc_unigram_entropy": [[0, 3141, 5.13306547]], "rps_doc_word_count": [[0, 3141, 550.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 22, 0.0], [22, 64, 0.0], [64, 255, 1.0], [255, 686, 1.0], [686, 1037, 1.0], [1037, 1098, 1.0], [1098, 1467, 1.0], [1467, 2035, 1.0], [2035, 2507, 1.0], [2507, 2788, 1.0], [2788, 2848, 1.0], [2848, 2920, 1.0], [2920, 3029, 1.0], [3029, 3141, 1.0]], "rps_lines_javascript_counts": [[0, 22, 0.0], [22, 64, 0.0], [64, 255, 0.0], [255, 686, 0.0], [686, 1037, 0.0], [1037, 1098, 0.0], [1098, 1467, 0.0], [1467, 2035, 0.0], [2035, 2507, 0.0], [2507, 2788, 0.0], [2788, 2848, 0.0], [2848, 2920, 0.0], [2920, 3029, 0.0], [3029, 3141, 0.0]], "rps_lines_num_words": [[0, 22, 3.0], [22, 64, 8.0], [64, 255, 37.0], [255, 686, 78.0], [686, 1037, 53.0], [1037, 1098, 10.0], [1098, 1467, 66.0], [1467, 2035, 100.0], [2035, 2507, 79.0], [2507, 2788, 50.0], [2788, 2848, 13.0], [2848, 2920, 16.0], [2920, 3029, 19.0], [3029, 3141, 18.0]], "rps_lines_numerical_chars_fraction": [[0, 22, 0.0], [22, 64, 0.15], [64, 255, 0.0], [255, 686, 0.00477327], [686, 1037, 0.0], [1037, 1098, 0.0], [1098, 1467, 0.0], [1467, 2035, 0.0], [2035, 2507, 0.0], [2507, 2788, 0.0], [2788, 2848, 0.0], [2848, 2920, 0.0], [2920, 3029, 0.0], [3029, 3141, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 22, 0.0], [22, 64, 0.0], [64, 255, 0.0], [255, 686, 0.0], [686, 1037, 0.0], [1037, 1098, 0.0], [1098, 1467, 0.0], [1467, 2035, 0.0], [2035, 2507, 0.0], [2507, 2788, 0.0], [2788, 2848, 0.0], [2848, 2920, 0.0], [2920, 3029, 0.0], [3029, 3141, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 22, 0.13636364], [22, 64, 0.0952381], [64, 255, 0.02617801], [255, 686, 0.06264501], [686, 1037, 0.01139601], [1037, 1098, 0.16393443], [1098, 1467, 0.03523035], [1467, 2035, 0.01408451], [2035, 2507, 0.01271186], [2507, 2788, 0.05338078], [2788, 2848, 0.05], [2848, 2920, 0.06944444], [2920, 3029, 0.03669725], [3029, 3141, 0.08035714]], "rps_doc_ml_palm_score": [[0, 3141, 0.25745296]], "rps_doc_ml_wikipedia_score": [[0, 3141, null]], "rps_doc_ml_wikiref_score": [[0, 3141, 0.23671079]], "rps_doc_books_importance": [[0, 3141, -239.80609477]], "rps_doc_openwebtext_importance": [[0, 3141, 38.4655204]], "rps_doc_wikipedia_importance": [[0, 3141, -345.80609873]], "rps_doc_num_sentences": [[0, 3141, 42.0]]} |
An event every week that begins at 10:00 am on Wednesday and Thursday, repeating until May 19, 2022
An event every week that begins at 10:00 am on Wednesday, repeating until October 31, 2022
CLOSED, Today's Hours | 2023-14/0000/en_head.json.gz/3855 | {"url": "https://keldersfarm.com/event/closed/2022-05-19/", "partition": "head_middle", "language": "en", "source_domain": "keldersfarm.com", "date_download": "2023-03-20T09:45:52Z", "digest": "sha1:LSQ7HWM2G7X3JSK7B5HNUYNHJ5RUU5MB"} | {"ccnet_length": [[0, 212, 212.0]], "ccnet_original_length": [[0, 212, 1665.0]], "ccnet_nlines": [[0, 212, 3.0]], "ccnet_original_nlines": [[0, 212, 96.0]], "ccnet_language_score": [[0, 212, 0.97]], "ccnet_perplexity": [[0, 212, 161.8]], "ccnet_bucket": [[0, 212, 0.0]], "rps_doc_curly_bracket": [[0, 212, 0.0]], "rps_doc_ldnoobw_words": [[0, 212, 0.0]], "rps_doc_lorem_ipsum": [[0, 212, 0.0]], "rps_doc_stop_word_fraction": [[0, 212, 0.29166667]], "rps_doc_ut1_blacklist": [[0, 212, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 212, 0.53571429]], "rps_doc_frac_chars_dupe_5grams": [[0, 212, 0.53571429]], "rps_doc_frac_chars_dupe_6grams": [[0, 212, 0.53571429]], "rps_doc_frac_chars_dupe_7grams": [[0, 212, 0.53571429]], "rps_doc_frac_chars_dupe_8grams": [[0, 212, 0.53571429]], "rps_doc_frac_chars_dupe_9grams": [[0, 212, 0.53571429]], "rps_doc_frac_chars_top_2gram": [[0, 212, 0.08333333]], "rps_doc_frac_chars_top_3gram": [[0, 212, 0.14285714]], "rps_doc_frac_chars_top_4gram": [[0, 212, 0.19047619]], "rps_doc_frac_all_caps_words": [[0, 212, 0.02083333]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 212, 0.0]], "rps_doc_frac_no_alph_words": [[0, 212, 0.33333333]], "rps_doc_frac_unique_words": [[0, 212, 0.62162162]], "rps_doc_mean_word_length": [[0, 212, 4.54054054]], "rps_doc_symbol_to_word_ratio": [[0, 212, 0.0]], "rps_doc_unigram_entropy": [[0, 212, 3.0863741]], "rps_doc_word_count": [[0, 212, 37.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 100, 0.0], [100, 191, 0.0], [191, 212, 0.0]], "rps_lines_javascript_counts": [[0, 100, 0.0], [100, 191, 0.0], [191, 212, 0.0]], "rps_lines_num_words": [[0, 100, 18.0], [100, 191, 16.0], [191, 212, 3.0]], "rps_lines_numerical_chars_fraction": [[0, 100, 0.10416667], [100, 191, 0.11494253], [191, 212, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 100, 0.0], [100, 191, 0.0], [191, 212, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 100, 0.04], [100, 191, 0.03296703], [191, 212, 0.38095238]], "rps_doc_ml_palm_score": [[0, 212, -7.51e-06]], "rps_doc_ml_wikipedia_score": [[0, 212, null]], "rps_doc_ml_wikiref_score": [[0, 212, -1.001e-05]], "rps_doc_books_importance": [[0, 212, -24.70346055]], "rps_doc_openwebtext_importance": [[0, 212, -14.43225268]], "rps_doc_wikipedia_importance": [[0, 212, -17.08856463]], "rps_doc_num_sentences": [[0, 212, 1.0]]} |
Home / Savage Widetone Seamless Background Paper (#04 Sand, 107" x 36')
Savage Widetone Seamless Background Paper (#04 Sand, 107" x 36')
Photograph people and products against a smooth, uncluttered background with this 107" x 36' roll of #04 Sand Widetone Seamless Background Paper from Savage. To facilitate even lighting, the surface of the paper is non-reflective and has a fine-tooth finish. In addition to photography, the paper may be used for events, decorations, banners, and more.
The paper density is 100 pounds, or 145 gsm, an easy-to-handle resilient thickness of 7.6 mil, and comes wound on a core with a 2.125" interior diameter. A plastic sleeve protects the roll in transit and can be saved to provide continued protection when the paper is not in use. The paper should be stored vertically to reduce the possibility of warping and other damage. Photographers often use clamps to secure the paper to a backdrop stand as well as tape to secure the paper to the floor if rolled out for full-body shots. The paper is acid-free and 100% recyclable.
Note: Due to the manufacturing process, it's not uncommon for sizes to fluctuate slightly. In most cases the amount of fluctuation won't matter. | 2023-14/0000/en_head.json.gz/3856 | {"url": "https://kellards.com/products/savage-widetone-seamless-background-paper-04-sand-107-x-36", "partition": "head_middle", "language": "en", "source_domain": "kellards.com", "date_download": "2023-03-20T09:40:33Z", "digest": "sha1:7GG4TYP3G3FKEQGVWITJD5ZQH6HQHC46"} | {"ccnet_length": [[0, 1205, 1205.0]], "ccnet_original_length": [[0, 1205, 8096.0]], "ccnet_nlines": [[0, 1205, 5.0]], "ccnet_original_nlines": [[0, 1205, 232.0]], "ccnet_language_score": [[0, 1205, 0.91]], "ccnet_perplexity": [[0, 1205, 334.7]], "ccnet_bucket": [[0, 1205, 0.0]], "rps_doc_curly_bracket": [[0, 1205, 0.0]], "rps_doc_ldnoobw_words": [[0, 1205, 0.0]], "rps_doc_lorem_ipsum": [[0, 1205, 0.0]], "rps_doc_stop_word_fraction": [[0, 1205, 0.3372549]], "rps_doc_ut1_blacklist": [[0, 1205, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1205, 0.10251046]], "rps_doc_frac_chars_dupe_5grams": [[0, 1205, 0.14016736]], "rps_doc_frac_chars_dupe_6grams": [[0, 1205, 0.10251046]], "rps_doc_frac_chars_dupe_7grams": [[0, 1205, 0.10251046]], "rps_doc_frac_chars_dupe_8grams": [[0, 1205, 0.10251046]], "rps_doc_frac_chars_dupe_9grams": [[0, 1205, 0.10251046]], "rps_doc_frac_chars_top_2gram": [[0, 1205, 0.06694561]], "rps_doc_frac_chars_top_3gram": [[0, 1205, 0.08158996]], "rps_doc_frac_chars_top_4gram": [[0, 1205, 0.09728033]], "rps_doc_frac_all_caps_words": [[0, 1205, 0.00392157]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1205, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1205, 0.23921569]], "rps_doc_frac_unique_words": [[0, 1205, 0.585]], "rps_doc_mean_word_length": [[0, 1205, 4.78]], "rps_doc_symbol_to_word_ratio": [[0, 1205, 0.01176471]], "rps_doc_unigram_entropy": [[0, 1205, 4.40798446]], "rps_doc_word_count": [[0, 1205, 200.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 72, 0.0], [72, 137, 0.0], [137, 490, 1.0], [490, 1061, 1.0], [1061, 1205, 1.0]], "rps_lines_javascript_counts": [[0, 72, 0.0], [72, 137, 0.0], [137, 490, 0.0], [490, 1061, 0.0], [1061, 1205, 0.0]], "rps_lines_num_words": [[0, 72, 11.0], [72, 137, 10.0], [137, 490, 55.0], [490, 1061, 101.0], [1061, 1205, 23.0]], "rps_lines_numerical_chars_fraction": [[0, 72, 0.11111111], [72, 137, 0.12068966], [137, 490, 0.02071006], [490, 1061, 0.02707581], [1061, 1205, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 72, 0.0], [72, 137, 0.0], [137, 490, 0.0], [490, 1061, 0.0], [1061, 1205, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 72, 0.09722222], [72, 137, 0.09230769], [137, 490, 0.02549575], [490, 1061, 0.00875657], [1061, 1205, 0.02083333]], "rps_doc_ml_palm_score": [[0, 1205, 0.07320768]], "rps_doc_ml_wikipedia_score": [[0, 1205, null]], "rps_doc_ml_wikiref_score": [[0, 1205, 0.02309591]], "rps_doc_books_importance": [[0, 1205, -44.8070672]], "rps_doc_openwebtext_importance": [[0, 1205, -6.05537166]], "rps_doc_wikipedia_importance": [[0, 1205, 2.04698423]], "rps_doc_num_sentences": [[0, 1205, 12.0]]} |
06 Oct 13 types of cancer associated with obesity
Posted at 17:40h in News by Kristy Lowery 0 Comments
Obesity (BMI of 30 or greater) is linked with a higher risk of developing 13 different types of cancer. There is evidence to support a strong relationship between weight loss and cancer risk reduction. Obese individuals who have undergone bariatric surgery to aid in weight loss appear to have a lower risk of obesity-related cancers when compared to obese individuals who have not had bariatric surgery
Endometrial cancer (cancer of the lining of the uterus): Obese/overweight women are 2 to 4 times as likely to develop endometrial cancer. Extremely
obese women are about 7 times as likely to develop this cancer. The risk increases with weight gain in adulthood, particularly among women who have never used menopausal hormone therapy.
Esophageal adenocarcinoma (cancer of the esophagus): People who are overweight/obese are 2 times as likely to develop this cancer and people who are extremely obese are more than four times as likely.
Gastric cardia cancer (cancer of the upper part of the stomach): People who are obese are nearly 2 times as likely as a person with a normal weight to develop cancer in the part of the stomach that is closest to the esophagus.
Liver cancer: People who are overweight or obese are up to 2 times as likely as a person of normal weight to develop liver cancer. The association between overweight/obesity and liver cancer is stronger in men than in women.
Kidney cancer: Individuals who are overweight/obese are nearly 2 times as likely as someone of a normal weight to develop renal cell cancer, the most common form of kidney cancer.
Multiple myeloma (A cancer of plasma cells): Compared with individuals with a normal weight, overweight/obese individuals have a slight (10-20%) increase in the risk of developing multiple myeloma.
Meningioma: The risk of this slow-growing brain tumor that arises in the membranes surrounding the brain and the spinal cord is increased by about 20% in individuals who are overweight and 50% in people who are obese.
Pancreatic cancer: People who are overweight/obese are about 1.5 times as likely to develop pancreatic cancer as normal-weight people.
Colorectal cancer: People who are obese are about 30% more likely to develop colorectal cancer than an individual with a normal weight. A higher BMI is associated with increased risks of colon and rectal cancers in both men and in women, but the increases are higher for men than women.
Gallbladder cancer: People who are overweight have about a 20% increase in risk of gallbladder cancer, and people who are obese have a 60% increase in risk of gallbladder cancer with the risk increase being greater in women than men.
Breast cancer: Many studies have shown that, in postmenopausal women, a higher BMI is associated with a modest increase in risk of breast cancer. Among postmenopausal women, those who are obese have a 20% to 40% increase in risk of developing breast cancer compared with women of a normal weight. The higher risks are seen mainly in women who have never used menopausal hormone therapy and for tumors that express hormone receptors. Obesity is also a risk factor for breast cancer in men.
Ovarian cancer: Higher BMI is associated with a slight increase in the risk of ovarian cancer, particularly in women who have never used menopausal hormone therapy. For example, a 5-unit increase in BMI is associated with a 10% increase in risk among women who have never used menopausal hormone therapy.
Thyroid cancer: Higher BMI (specifically, a 5-unit increase in BMI) is associated with a 10% increase in the risk of thyroid cancer.
To learn more about the link between obesity and cancer, and the associated research, check out: https://www.cancer.gov/about-cancer/causes-prevention/risk/obesity/obesity-fact-sheet | 2023-14/0000/en_head.json.gz/3857 | {"url": "https://kentuckybariatricinstitute.com/2021/10/06/cancer-obesity/", "partition": "head_middle", "language": "en", "source_domain": "kentuckybariatricinstitute.com", "date_download": "2023-03-20T09:41:26Z", "digest": "sha1:E3OL2X7JQNB3UEB3IHA2QP5XRRMOGPPX"} | {"ccnet_length": [[0, 3856, 3856.0]], "ccnet_original_length": [[0, 3856, 5258.0]], "ccnet_nlines": [[0, 3856, 18.0]], "ccnet_original_nlines": [[0, 3856, 81.0]], "ccnet_language_score": [[0, 3856, 0.97]], "ccnet_perplexity": [[0, 3856, 180.6]], "ccnet_bucket": [[0, 3856, 0.0]], "rps_doc_curly_bracket": [[0, 3856, 0.0]], "rps_doc_ldnoobw_words": [[0, 3856, 0.0]], "rps_doc_lorem_ipsum": [[0, 3856, 0.0]], "rps_doc_stop_word_fraction": [[0, 3856, 0.38985314]], "rps_doc_ut1_blacklist": [[0, 3856, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 3856, 0.03070035]], "rps_doc_frac_chars_dupe_5grams": [[0, 3856, 0.29517109]], "rps_doc_frac_chars_dupe_6grams": [[0, 3856, 0.1851615]], "rps_doc_frac_chars_dupe_7grams": [[0, 3856, 0.13879117]], "rps_doc_frac_chars_dupe_8grams": [[0, 3856, 0.09274065]], "rps_doc_frac_chars_dupe_9grams": [[0, 3856, 0.09274065]], "rps_doc_frac_chars_top_2gram": [[0, 3856, 0.02302526]], "rps_doc_frac_chars_top_3gram": [[0, 3856, 0.0345379]], "rps_doc_frac_chars_top_4gram": [[0, 3856, 0.03038056]], "rps_doc_frac_all_caps_words": [[0, 3856, 0.01201602]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 3856, 0.0]], "rps_doc_frac_no_alph_words": [[0, 3856, 0.16421896]], "rps_doc_frac_unique_words": [[0, 3856, 0.28184713]], "rps_doc_mean_word_length": [[0, 3856, 4.97929936]], "rps_doc_symbol_to_word_ratio": [[0, 3856, 0.0]], "rps_doc_unigram_entropy": [[0, 3856, 4.51135042]], "rps_doc_word_count": [[0, 3856, 628.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 50, 0.0], [50, 103, 0.0], [103, 507, 0.0], [507, 655, 0.0], [655, 842, 1.0], [842, 1043, 1.0], [1043, 1270, 1.0], [1270, 1495, 1.0], [1495, 1675, 1.0], [1675, 1873, 1.0], [1873, 2091, 1.0], [2091, 2226, 1.0], [2226, 2513, 1.0], [2513, 2747, 1.0], [2747, 3236, 1.0], [3236, 3541, 1.0], [3541, 3674, 1.0], [3674, 3856, 0.0]], "rps_lines_javascript_counts": [[0, 50, 0.0], [50, 103, 0.0], [103, 507, 0.0], [507, 655, 0.0], [655, 842, 0.0], [842, 1043, 0.0], [1043, 1270, 0.0], [1270, 1495, 0.0], [1495, 1675, 0.0], [1675, 1873, 0.0], [1873, 2091, 0.0], [2091, 2226, 0.0], [2226, 2513, 0.0], [2513, 2747, 0.0], [2747, 3236, 0.0], [3236, 3541, 0.0], [3541, 3674, 0.0], [3674, 3856, 0.0]], "rps_lines_num_words": [[0, 50, 9.0], [50, 103, 10.0], [103, 507, 66.0], [507, 655, 23.0], [655, 842, 30.0], [842, 1043, 32.0], [1043, 1270, 43.0], [1270, 1495, 39.0], [1495, 1675, 30.0], [1675, 1873, 28.0], [1873, 2091, 37.0], [2091, 2226, 19.0], [2226, 2513, 50.0], [2513, 2747, 40.0], [2747, 3236, 83.0], [3236, 3541, 50.0], [3541, 3674, 22.0], [3674, 3856, 17.0]], "rps_lines_numerical_chars_fraction": [[0, 50, 0.08163265], [50, 103, 0.09803922], [103, 507, 0.01005025], [507, 655, 0.01408451], [655, 842, 0.00546448], [842, 1043, 0.00512821], [1043, 1270, 0.0045045], [1270, 1495, 0.00454545], [1495, 1675, 0.00571429], [1675, 1873, 0.02139037], [1873, 2091, 0.01886792], [2091, 2226, 0.01550388], [2226, 2513, 0.00711744], [2513, 2747, 0.01754386], [2747, 3236, 0.0083682], [3236, 3541, 0.01010101], [3541, 3674, 0.024], [3674, 3856, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 50, 0.0], [50, 103, 0.0], [103, 507, 0.0], [507, 655, 0.0], [655, 842, 0.0], [842, 1043, 0.0], [1043, 1270, 0.0], [1270, 1495, 0.0], [1495, 1675, 0.0], [1675, 1873, 0.0], [1873, 2091, 0.0], [2091, 2226, 0.0], [2226, 2513, 0.0], [2513, 2747, 0.0], [2747, 3236, 0.0], [3236, 3541, 0.0], [3541, 3674, 0.0], [3674, 3856, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 50, 0.02], [50, 103, 0.09433962], [103, 507, 0.01485149], [507, 655, 0.02027027], [655, 842, 0.00534759], [842, 1043, 0.00995025], [1043, 1270, 0.00881057], [1270, 1495, 0.01333333], [1495, 1675, 0.01111111], [1675, 1873, 0.01515152], [1873, 2091, 0.00917431], [2091, 2226, 0.01481481], [2226, 2513, 0.02090592], [2513, 2747, 0.00854701], [2747, 3236, 0.01635992], [3236, 3541, 0.0295082], [3541, 3674, 0.06015038], [3674, 3856, 0.00549451]], "rps_doc_ml_palm_score": [[0, 3856, 0.12443739]], "rps_doc_ml_wikipedia_score": [[0, 3856, null]], "rps_doc_ml_wikiref_score": [[0, 3856, 0.02273774]], "rps_doc_books_importance": [[0, 3856, -276.42229209]], "rps_doc_openwebtext_importance": [[0, 3856, -18.68170544]], "rps_doc_wikipedia_importance": [[0, 3856, -55.3582923]], "rps_doc_num_sentences": [[0, 3856, 27.0]]} |
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Old Spice® Manufacturer Targeted in Class Action Suit
Suit Complains of Severe Rashes and Burns On March 11, 2016, a class action suit was filed in a Columbus, Ohio federal court against Procter & Gamble, maker of hundreds of household products, including some 13 Old Spice® deodorants named in the complaint). The principal plaintiff, Rodney Colley, a resident of Virginia, alleges that the…
Negligent Misrepresentation by a CPA
It goes without saying that, when a business operation hires a CPA to provide professional services, the accountant owes a duty of care to the client and can be held liable to the client if the services are negligently rendered. But does the CPA owe a duty of care to others who are not the…
Class Action Against Volkswagen On February 22, 2016, a proposed class action lawsuit was filed in a California federal district court against Volkswagen AG (“VW”), alleging, among other things, that VW improperly modified or compromised its American diesel vehicles in order to pass government emissions tests. According to one report filed by the Wall Street…
After Data Breach, Sony Paying out Settlements in Class Action Lawsuit
The data breach which led to the ouster of Sony Pictures’ Chairman Amy Pascal has apparently come to a settlement. The settlement will pay out damages to those included in a class action lawsuit, but will not amount to much when all is said and done. Reports have the settlement fund at somewhere between $2…
Requirements for Class Action Lawsuits in Wisconsin
No business owner wants to hear that his or her company is being sued in a class action lawsuit. Aside from the obvious implication that you’ve somehow upset a whole lot of people, the downsides of defending a class action lawsuit are abundant due to the high costs associated with increased complexity. If you find…
Preparing for a Business Lawsuit
It has been demonstrated time and time again that entrepreneurship can be a highly rewarding career path. However, owning a business comes with inherent risks. The most common pitfall that has the potential to eliminate the hard work and sacrifices of a business owner is a lawsuit against your company. Each year, over 100 million… | 2023-14/0000/en_head.json.gz/3858 | {"url": "https://kerkmandunn.com/tag/lawsuits/", "partition": "head_middle", "language": "en", "source_domain": "kerkmandunn.com", "date_download": "2023-03-20T10:02:20Z", "digest": "sha1:UOHR2VELNOADYXPUGWIUKQ2X7XVEFRYA"} | {"ccnet_length": [[0, 2330, 2330.0]], "ccnet_original_length": [[0, 2330, 8199.0]], "ccnet_nlines": [[0, 2330, 12.0]], "ccnet_original_nlines": [[0, 2330, 112.0]], "ccnet_language_score": [[0, 2330, 0.97]], "ccnet_perplexity": [[0, 2330, 243.1]], "ccnet_bucket": [[0, 2330, 0.0]], "rps_doc_curly_bracket": [[0, 2330, 0.0]], "rps_doc_ldnoobw_words": [[0, 2330, 0.0]], "rps_doc_lorem_ipsum": [[0, 2330, 0.0]], "rps_doc_stop_word_fraction": [[0, 2330, 0.35227273]], "rps_doc_ut1_blacklist": [[0, 2330, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2330, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 2330, 0.03571429]], "rps_doc_frac_chars_dupe_6grams": [[0, 2330, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 2330, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 2330, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 2330, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 2330, 0.0519958]], "rps_doc_frac_chars_top_3gram": [[0, 2330, 0.04726891]], "rps_doc_frac_chars_top_4gram": [[0, 2330, 0.02993697]], "rps_doc_frac_all_caps_words": [[0, 2330, 0.01363636]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2330, 0.5]], "rps_doc_frac_no_alph_words": [[0, 2330, 0.15454545]], "rps_doc_frac_unique_words": [[0, 2330, 0.59366755]], "rps_doc_mean_word_length": [[0, 2330, 5.0237467]], "rps_doc_symbol_to_word_ratio": [[0, 2330, 0.01363636]], "rps_doc_unigram_entropy": [[0, 2330, 5.01052653]], "rps_doc_word_count": [[0, 2330, 379.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 132, 0.0], [132, 186, 0.0], [186, 525, 0.0], [525, 562, 0.0], [562, 854, 0.0], [854, 1216, 0.0], [1216, 1287, 0.0], [1287, 1596, 0.0], [1596, 1648, 0.0], [1648, 1965, 0.0], [1965, 1998, 0.0], [1998, 2330, 0.0]], "rps_lines_javascript_counts": [[0, 132, 0.0], [132, 186, 0.0], [186, 525, 0.0], [525, 562, 0.0], [562, 854, 0.0], [854, 1216, 0.0], [1216, 1287, 0.0], [1287, 1596, 0.0], [1596, 1648, 0.0], [1648, 1965, 0.0], [1965, 1998, 0.0], [1998, 2330, 0.0]], "rps_lines_num_words": [[0, 132, 14.0], [132, 186, 8.0], [186, 525, 54.0], [525, 562, 5.0], [562, 854, 55.0], [854, 1216, 55.0], [1216, 1287, 11.0], [1287, 1596, 55.0], [1596, 1648, 7.0], [1648, 1965, 55.0], [1965, 1998, 5.0], [1998, 2330, 55.0]], "rps_lines_numerical_chars_fraction": [[0, 132, 0.07563025], [132, 186, 0.0], [186, 525, 0.02453988], [525, 562, 0.0], [562, 854, 0.0], [854, 1216, 0.01699717], [1216, 1287, 0.0], [1287, 1596, 0.00328947], [1596, 1648, 0.0], [1648, 1965, 0.0], [1965, 1998, 0.0], [1998, 2330, 0.00917431]], "rps_lines_start_with_bulletpoint": [[0, 132, 0.0], [132, 186, 0.0], [186, 525, 0.0], [525, 562, 0.0], [562, 854, 0.0], [854, 1216, 0.0], [1216, 1287, 0.0], [1287, 1596, 0.0], [1596, 1648, 0.0], [1648, 1965, 0.0], [1965, 1998, 0.0], [1998, 2330, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 132, 0.09090909], [132, 186, 0.12962963], [186, 525, 0.05014749], [525, 562, 0.13513514], [562, 854, 0.02739726], [854, 1216, 0.04972376], [1216, 1287, 0.12676056], [1287, 1596, 0.02588997], [1596, 1648, 0.09615385], [1648, 1965, 0.00946372], [1965, 1998, 0.09090909], [1998, 2330, 0.01204819]], "rps_doc_ml_palm_score": [[0, 2330, 0.5589816]], "rps_doc_ml_wikipedia_score": [[0, 2330, null]], "rps_doc_ml_wikiref_score": [[0, 2330, 0.26207221]], "rps_doc_books_importance": [[0, 2330, -119.54993295]], "rps_doc_openwebtext_importance": [[0, 2330, 11.00945841]], "rps_doc_wikipedia_importance": [[0, 2330, -17.30785023]], "rps_doc_num_sentences": [[0, 2330, 11.0]]} |
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Bauer Vapor X3.7 Ice Hockey Skates Intermediate Size 4.5 D (0927-0171)
Bauer Vapor X3.7 Ice Hockey Skates Intermediate Size 4.5 D. Bauer Vapor X3.7 Skates. Were designed for the competitive hockey player looking for top-notch looks, comfort and performance at an affordable price.
The new Digi Comp boot and outsole not only look incredible, they offer more than enough support and stability for the competitive level of play. Skates are in mint condition with very minimal wear. See pictures for more detail. With the perfect combination of support, flexibility and high-end visual richness, this new boot design helps to make these skates stand out from the competition. Currently the most popular holder in the NHL, the quick-release trigger system allows players to swap out damaged for broken steel in seconds. We make every effort to ensure items are thoroughly inspected, and any flaws or defects are noted in the description and pictures. If for any reason there is a problem with a product, we will make it right! We are devoted to getting your favorite gear back in the game. LSS is dedicated to becoming the premium destination for your new/pre-owned hockey and lacrosse equipment. This item is in the category "Sporting Goods\Team Sports\Field, Ice & Roller Hockey\Skates\Men's Ice Hockey Skates". The seller is "last_shot_sports" and is located in this country: US.
This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, Taiwan, South Africa, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi Arabia, United Arab Emirates, Qatar, Kuwait, Bahrain, Republic of Croatia, Malaysia, Chile, Colombia, Costa Rica, Dominican Republic, Panama, Trinidad and Tobago, Guatemala, El Salvador, Honduras, Jamaica, Antigua and Barbuda, Aruba, Belize, Dominica, Grenada, Saint Kitts-Nevis, Saint Lucia, Montserrat, Turks and Caicos Islands, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Luxembourg, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Pakistan, Paraguay, Reunion.
Size: 4.5 D
Age Group: Intermediate
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Beyond Perfect
I have, on occasion, been criticized for using the construction “more perfect,” being told that it is incorrect and illogical. So I was happy to see Bill Poser’s post on the topic.
He defends the phrase on both logical…
… it seems likely that when we say that something is perfect we mean that its degree of perfection falls within a distance d of absolute perfection, where the value of d is contextually determined. This allows us on the one hand to cut d down to 0 by specifying that something is absolutely perfect and on the other hand to talk about things approaching more and less closely to perfection.
and historical grounds:
We the People of the United States, in Order to form a more perfect Union…
However, I think he might need to modify his logical argument to take into account the phrase “beyond perfect“! | 2023-14/0000/en_head.json.gz/3861 | {"url": "https://keywords.oxus.net/archives/2004/06/07/beyond-perfect", "partition": "head_middle", "language": "en", "source_domain": "keywords.oxus.net", "date_download": "2023-03-20T09:44:13Z", "digest": "sha1:YFARKCXSCOIZG44DCHKLXIG4KP3U746G"} | {"ccnet_length": [[0, 836, 836.0]], "ccnet_original_length": [[0, 836, 1140.0]], "ccnet_nlines": [[0, 836, 7.0]], "ccnet_original_nlines": [[0, 836, 17.0]], "ccnet_language_score": [[0, 836, 0.97]], "ccnet_perplexity": [[0, 836, 197.6]], "ccnet_bucket": [[0, 836, 0.0]], "rps_doc_curly_bracket": [[0, 836, 0.0]], "rps_doc_ldnoobw_words": [[0, 836, 0.0]], "rps_doc_lorem_ipsum": [[0, 836, 0.0]], "rps_doc_stop_word_fraction": [[0, 836, 0.53293413]], "rps_doc_ut1_blacklist": [[0, 836, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 836, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 836, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 836, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 836, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 836, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 836, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 836, 0.02218935]], "rps_doc_frac_chars_top_3gram": [[0, 836, 0.0443787]], "rps_doc_frac_chars_top_4gram": [[0, 836, 0.0]], "rps_doc_frac_all_caps_words": [[0, 836, 0.01796407]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 836, 0.28571429]], "rps_doc_frac_no_alph_words": [[0, 836, 0.11377246]], "rps_doc_frac_unique_words": [[0, 836, 0.66442953]], "rps_doc_mean_word_length": [[0, 836, 4.53691275]], "rps_doc_symbol_to_word_ratio": [[0, 836, 0.01796407]], "rps_doc_unigram_entropy": [[0, 836, 4.34909362]], "rps_doc_word_count": [[0, 836, 149.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 15, 0.0], [15, 196, 1.0], [196, 235, 0.0], [235, 626, 1.0], [626, 650, 0.0], [650, 725, 0.0], [725, 836, 1.0]], "rps_lines_javascript_counts": [[0, 15, 0.0], [15, 196, 0.0], [196, 235, 0.0], [235, 626, 0.0], [626, 650, 0.0], [650, 725, 0.0], [725, 836, 0.0]], "rps_lines_num_words": [[0, 15, 2.0], [15, 196, 32.0], [196, 235, 7.0], [235, 626, 71.0], [626, 650, 3.0], [650, 725, 15.0], [725, 836, 19.0]], "rps_lines_numerical_chars_fraction": [[0, 15, 0.0], [15, 196, 0.0], [196, 235, 0.0], [235, 626, 0.00258398], [626, 650, 0.0], [650, 725, 0.0], [725, 836, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 15, 0.0], [15, 196, 0.0], [196, 235, 0.0], [235, 626, 0.0], [626, 650, 0.0], [650, 725, 0.0], [725, 836, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 15, 0.13333333], [15, 196, 0.02762431], [196, 235, 0.02564103], [235, 626, 0.00255754], [626, 650, 0.0], [650, 725, 0.08], [725, 836, 0.01801802]], "rps_doc_ml_palm_score": [[0, 836, 0.38787776]], "rps_doc_ml_wikipedia_score": [[0, 836, null]], "rps_doc_ml_wikiref_score": [[0, 836, 0.00526822]], "rps_doc_books_importance": [[0, 836, -21.50428012]], "rps_doc_openwebtext_importance": [[0, 836, 18.52141771]], "rps_doc_wikipedia_importance": [[0, 836, -39.45270965]], "rps_doc_num_sentences": [[0, 836, 5.0]]} |
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Reference Materials/Blog
Welcoming Our New Articling Student
Posted on April 17, 2013 (May 18, 2022) by Khalil Haji
We are proud to welcome our new articling student, Aly Jivraj, to our team! Aly graduated from McGill University in 2007 with a degree in International Development and received his J.D. from the College of Law at the University of Saskatchewan in 2012. Prior to joining KH/Dunkley Law Group, Aly spent several months articling with […]
Do I need my own insurance policy if I own a condominium unit?
Posted on April 10, 2013 (January 26, 2023) by Khalil Haji
In Alberta, every condominium corporation is required to take out and maintain insurance on the common property and the individual units against perils such as fire, hail and flood. This insurance typically covers the common property and the structural elements of the units. The unit owners share in the premiums for the condominium corporation’s insurance […]
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No More Pennies!
Posted on April 2, 2013 (May 18, 2022) by Khalil Haji
Effective today, the federal government’s plan to phase out the penny takes effect. While debit and credit card transactions will continue to be calculated to the exact amount, cash transactions will be rounded to the nearest nickel. The Royal Canadian Mint has published the following Rounding Guidline to assist in getting used to the new […]
What is the effect of a CMHC or GE insured (“High-Ratio”) Mortgage?
Posted on February 15, 2013 (January 26, 2023) by Khalil Haji
In Canada, a home buyer or home owner obtaining a mortgage loan where the principal amount of the mortgage is greater than 80% of the value of the property will be required to obtain default insurance for the lender. This default insurance is typically provided by the Canada Mortgage and Housing Corporation (“CMHC”) or Genworth […]
The Priciest Home on the Market in Toronto
Posted on January 2, 2013 (May 18, 2022) by Khalil Haji
How long until we see something like this in Calgary? CLICK HERE to watch the video. KH/Dunkley Law Group […]
Interesting Considerations for Business Owners
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An interesting article from the Globe and Mail as to why you should choose your year-end carefully. CLICK HERE to read the full article. KH/Dunkley Law Group […]
Posted in Corporate
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The Prohibition on the Purchase of Residential Property by Non-Canadians Act
REFERENCE MATERIALS & BLOG
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Visit Jamaica
Taking a road trip can be a thrilling and exciting way to explore new places and create unforgettable memories.…
15 Tantalizing Jamaican Foods You Need To Try
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Tag: caring
Whitney Owens | The Challenge of Caring | K&C 13
In this episode, Gordon has a conversation with Whitney Owens about being a caregiver and living into kindness and compassion through those challenges. Whitney opens the show by talking about the book, Discernment: Reading the Signs of Daily Life by Henri J. M. Nouwen. Whitney reveals the most significant lesson she learned from that book and how it has informed her life as a mother. Then, Whitney dives straight into the importance of self-care and how it’s an essential piece of kindness and compassion. Tune in as we chat about savoring the moment, mindfulness, and creating consistent daily habits around self-care.
Meet Whitney Owens
Whitney Owens, LPC
Whitney Owens is a licensed professional counselor, group practice owner, and faith-based private practice consultant. She is located in Savannah, Georgia, where she manages a private pay group practice with 10 plus clinicians. Along with running her practice, she consults practice owners around the country on how to start and grow a successful faith-based practice. She has spoken at numerous events such as both the Georgia and Maryland annual professional counselors conference as well as trainings for Florida’s Counseling Association.
In addition to practice consulting, Whitney is an Enneagram enthusiast and offers workshops to business owners on using the Enneagram to help run their practice. In her free time, Whitney enjoys spending time with her husband and two girls, running, reading, and relaxing in the backyard.
To find out more about Whitney, visit her website: whitneyowens.com. Or you can visit Whitney’s practice website: https://watersedgecounseling.com/
How You Will Learn More About Who You Really Are
Whitney recommends reading the book Discernment: Reading the Signs of Daily Life. Spiritual leader and counselor Henri J. M. Nouwen wrote about the essential question asked by every Christian and seeker: What should I do with my life? Nouwen was a successful professor and writer. He left it all behind to care for people who have nothing; that’s where he learned everything about himself. This is the definition of kindness and compassion. Unfortunately, this is where Whitney struggles. Whitney can accomplish all these things professionally and personally. However, what is she doing if she can’t be available to her daughter?
The Importance of Support When It Comes To Self-Care
It’s really easy to get down on yourself. You will make mistakes and do the best you can; that’s all you can give. Whitney says it’s essential to reach out to other people and ask for help. For instance, Whitney was reluctant to accept help from others when it came to taking care of her child. You have to learn how to trust other people, or you’re going to wear yourself out. It takes a village to raise a child, so remember to find other people and asking for help. Support is the most significant self-care gift that you can receive. To maintain self-care, you have to be able to take a step back when you need to.
Savor The Moment As Part of Your Mindfulness Routine
Another thing that helps Whitney on her journey is mindfulness. We need to be mindful of the moment we have with our loved ones. Whitney’s little girl loves to snuggle. Find special moments with your loved ones; it’s imperative. Love is when we take moments, sit in them, and enjoy them. For instance, sometimes, Whitney has to be up in the middle of the night to get her daughter back to sleep. Instead of feeling irritated that she’s awake in the middle of the night, Whitney will savor the moment; she knows these precious times will not last forever.
Create Daily Habits Around Self-Care & Be Consistent
Find things you can do for yourself, like hobbies or exercise. It should be something that you’re excited and happy to do. For example, Whitney loves to run, so she sets aside time each day to get out and run. Find small things that you can be consistent about. It should be something that you do for yourself. We all need to create daily rituals for ourselves to keep ourselves grounded. Movement is a way to clear your head, meditate, and pray. Sometimes you’ll get your best ideas through movement. Overall, ensure you are consistent when it comes to your self-care habits. | 2023-14/0000/en_head.json.gz/3864 | {"url": "https://kindnessandcompassion.com/tag/caring/", "partition": "head_middle", "language": "en", "source_domain": "kindnessandcompassion.com", "date_download": "2023-03-20T09:50:14Z", "digest": "sha1:76S4SQ23AWZM2F2RPFABPRRCKK6JRRRU"} | {"ccnet_length": [[0, 4289, 4289.0]], "ccnet_original_length": [[0, 4289, 5816.0]], "ccnet_nlines": [[0, 4289, 16.0]], "ccnet_original_nlines": [[0, 4289, 47.0]], "ccnet_language_score": [[0, 4289, 0.96]], "ccnet_perplexity": [[0, 4289, 300.9]], "ccnet_bucket": [[0, 4289, 0.0]], "rps_doc_curly_bracket": [[0, 4289, 0.0]], "rps_doc_ldnoobw_words": [[0, 4289, 0.0]], "rps_doc_lorem_ipsum": [[0, 4289, 0.0]], "rps_doc_stop_word_fraction": [[0, 4289, 0.43352601]], "rps_doc_ut1_blacklist": [[0, 4289, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 4289, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 4289, 0.05085235]], "rps_doc_frac_chars_dupe_6grams": [[0, 4289, 0.0375614]], "rps_doc_frac_chars_dupe_7grams": [[0, 4289, 0.02542618]], "rps_doc_frac_chars_dupe_8grams": [[0, 4289, 0.02542618]], "rps_doc_frac_chars_dupe_9grams": [[0, 4289, 0.02542618]], "rps_doc_frac_chars_top_2gram": [[0, 4289, 0.01040162]], "rps_doc_frac_chars_top_3gram": [[0, 4289, 0.01820283]], "rps_doc_frac_chars_top_4gram": [[0, 4289, 0.01444669]], "rps_doc_frac_all_caps_words": [[0, 4289, 0.00924855]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 4289, 0.0]], "rps_doc_frac_no_alph_words": [[0, 4289, 0.14450867]], "rps_doc_frac_unique_words": [[0, 4289, 0.42937063]], "rps_doc_mean_word_length": [[0, 4289, 4.84055944]], "rps_doc_symbol_to_word_ratio": [[0, 4289, 0.0]], "rps_doc_unigram_entropy": [[0, 4289, 5.22268435]], "rps_doc_word_count": [[0, 4289, 715.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 12, 0.0], [12, 61, 0.0], [61, 684, 1.0], [684, 703, 0.0], [703, 722, 0.0], [722, 1264, 1.0], [1264, 1553, 1.0], [1553, 1701, 0.0], [1701, 1750, 0.0], [1750, 2380, 1.0], [2380, 2433, 0.0], [2433, 3052, 1.0], [3052, 3105, 0.0], [3105, 3660, 1.0], [3660, 3713, 0.0], [3713, 4289, 1.0]], "rps_lines_javascript_counts": [[0, 12, 0.0], [12, 61, 0.0], [61, 684, 0.0], [684, 703, 0.0], [703, 722, 0.0], [722, 1264, 0.0], [1264, 1553, 0.0], [1553, 1701, 0.0], [1701, 1750, 0.0], [1750, 2380, 0.0], [2380, 2433, 0.0], [2433, 3052, 0.0], [3052, 3105, 0.0], [3105, 3660, 0.0], [3660, 3713, 0.0], [3713, 4289, 0.0]], "rps_lines_num_words": [[0, 12, 2.0], [12, 61, 8.0], [61, 684, 101.0], [684, 703, 3.0], [703, 722, 3.0], [722, 1264, 80.0], [1264, 1553, 46.0], [1553, 1701, 18.0], [1701, 1750, 10.0], [1750, 2380, 100.0], [2380, 2433, 9.0], [2433, 3052, 118.0], [3052, 3105, 9.0], [3105, 3660, 99.0], [3660, 3713, 7.0], [3713, 4289, 102.0]], "rps_lines_numerical_chars_fraction": [[0, 12, 0.0], [12, 61, 0.04651163], [61, 684, 0.0], [684, 703, 0.0], [703, 722, 0.0], [722, 1264, 0.00377358], [1264, 1553, 0.0], [1553, 1701, 0.0], [1701, 1750, 0.0], [1750, 2380, 0.0], [2380, 2433, 0.0], [2433, 3052, 0.0], [3052, 3105, 0.0], [3105, 3660, 0.0], [3660, 3713, 0.0], [3713, 4289, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 12, 0.0], [12, 61, 0.0], [61, 684, 0.0], [684, 703, 0.0], [703, 722, 0.0], [722, 1264, 0.0], [1264, 1553, 0.0], [1553, 1701, 0.0], [1701, 1750, 0.0], [1750, 2380, 0.0], [2380, 2433, 0.0], [2433, 3052, 0.0], [3052, 3105, 0.0], [3105, 3660, 0.0], [3660, 3713, 0.0], [3713, 4289, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 12, 0.08333333], [12, 61, 0.14285714], [61, 684, 0.02889246], [684, 703, 0.15789474], [703, 722, 0.26315789], [722, 1264, 0.02214022], [1264, 1553, 0.02076125], [1553, 1701, 0.02702703], [1701, 1750, 0.20408163], [1750, 2380, 0.03333333], [2380, 2433, 0.16981132], [2433, 3052, 0.01453958], [3052, 3105, 0.1509434], [3105, 3660, 0.01801802], [3660, 3713, 0.1509434], [3713, 4289, 0.01736111]], "rps_doc_ml_palm_score": [[0, 4289, 0.08656663]], "rps_doc_ml_wikipedia_score": [[0, 4289, null]], "rps_doc_ml_wikiref_score": [[0, 4289, 0.15255165]], "rps_doc_books_importance": [[0, 4289, -181.01318245]], "rps_doc_openwebtext_importance": [[0, 4289, 9.60208525]], "rps_doc_wikipedia_importance": [[0, 4289, -372.78402129]], "rps_doc_num_sentences": [[0, 4289, 50.0]]} |
A review of complications of maxillary sinus augmentation and available treatment methods
Joongmin Kim, Hyonseok Jang
Maxillary sinus grafting is a dependable procedure that has been in use for a long time. However, clinical complications often arise. To prevent complications of maxillary sinus grafting, it is necessary to know the contra-indications, both for general implantation and for maxillary bone grafting. In addition, presence of various complications requires careful consideration of treatment method; therefore, dentists should be familiar with the treatment protocols. Complications can be divided into postoperative, immediate postoperative, and delayed postoperative complications. Particularly for the outpatient, it is necessary to quickly distinguish between treatable cases and cases for which transfer is required. The purpose of this review is to discuss the contra-indications, complications, and treatment options for complications of maxillary sinus graft.
Journal of the Korean Association of Oral and Maxillofacial Surgeons
https://doi.org/10.5125/jkaoms.2019.45.4.220
Published - 2019 Aug
Maxillary sinus
10.5125/jkaoms.2019.45.4.220
Dive into the research topics of 'A review of complications of maxillary sinus augmentation and available treatment methods'. Together they form a unique fingerprint.
Maxillary Sinus Medicine & Life Sciences 100%
Bone Transplantation Medicine & Life Sciences 33%
Maxilla Medicine & Life Sciences 30%
Dentists Medicine & Life Sciences 28%
Clinical Protocols Medicine & Life Sciences 28%
Postoperative Complications Medicine & Life Sciences 24%
Outpatients Medicine & Life Sciences 21%
Kim, J., & Jang, H. (2019). A review of complications of maxillary sinus augmentation and available treatment methods. Journal of the Korean Association of Oral and Maxillofacial Surgeons, 45(4), 220-224. https://doi.org/10.5125/jkaoms.2019.45.4.220
A review of complications of maxillary sinus augmentation and available treatment methods. / Kim, Joongmin; Jang, Hyonseok.
In: Journal of the Korean Association of Oral and Maxillofacial Surgeons, Vol. 45, No. 4, 08.2019, p. 220-224.
Kim, J & Jang, H 2019, 'A review of complications of maxillary sinus augmentation and available treatment methods', Journal of the Korean Association of Oral and Maxillofacial Surgeons, vol. 45, no. 4, pp. 220-224. https://doi.org/10.5125/jkaoms.2019.45.4.220
Kim J, Jang H. A review of complications of maxillary sinus augmentation and available treatment methods. Journal of the Korean Association of Oral and Maxillofacial Surgeons. 2019 Aug;45(4):220-224. doi: 10.5125/jkaoms.2019.45.4.220
Kim, Joongmin ; Jang, Hyonseok. / A review of complications of maxillary sinus augmentation and available treatment methods. In: Journal of the Korean Association of Oral and Maxillofacial Surgeons. 2019 ; Vol. 45, No. 4. pp. 220-224.
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Quiet end to the weekend
By CNN Newssource
Published March 15, 2023 6:16 AM
As Alzheimer’s burden grows, ability to care for US seniors faces critical challenges, report says
Khunatorn/Adobe Stock
More than 1 in 9 seniors in the United States is living with Alzheimer's disease, and the number of people affected is expected to double over the next two decades, rising to 13 million in 2050, according to a new report from the Alzheimer's Association.
(CNN) -- More than 1 in 9 seniors in the United States is living with Alzheimer's disease, and the number of people affected is expected to double over the next two decades, rising to 13 million in 2050, according to a new report from the Alzheimer's Association.
Treatments for the disease are taking promising steps forward, but some people's reluctance to discuss cognitive challenges with health care providers hinders their ability to catch early warning signs and make appropriate interventions.
"For the first time in nearly two decades, there is a class of treatments emerging to treat early-stage Alzheimer's disease. It's more important than ever for individuals to act quickly if they have memory concerns or experience symptoms," said Maria C. Carrillo, chief science officer at the Alzheimer's Association.
Most Americans would want to know that they have Alzheimer's disease if it would allow for early treatment, the report says, but most also say they wouldn't know the difference between signs of normal aging and a specific medical diagnosis of mild cognitive impairment.
Still, a survey included in the report found that only 4 out of 10 people who were concerned about the decline in their own memory and thinking skills would talk to their doctor right away when they noticed loss of memory or other cognitive abilities.
"You might just be soldiering through and lose the perspective that this is not OK," said Dr. Amy Arnsten, a professor of neuroscience at Yale School of Medicine, who was not involved with the new report. "A lot of people would be hesitant to bring it up on their own, but it can open up a whole dialogue and show that people are really needing much more support."
But nearly all primary care physicians surveyed said that they wait for patients or family members to raise these concerns, according to the new report, suggesting that communication is broken on both ends.
In January, the US Food and Drug Administration granted accelerated approval to lecanemab, one of the first experimental dementia drugs to appear to slow the progression of cognitive decline.
It targets the underlying disease process of Alzheimer's, instead of treating only the symptoms of the disease. But it has raised safety concerns due to its association with certain serious adverse events, including brain swelling and bleeding.
There are more than 140 unique therapies being tested in clinical trials that target multiple aspects of Alzheimer's biology, according to the report.
"Both physicians and patients need to make discussions about cognition a routine part of interactions," said Dr. Nicole Purcell, a neurologist and senior director of clinical practice at the Alzheimer's Association. "These new treatments treat mild cognitive impairment or early-stage Alzheimer's disease with confirmation of amyloid, so it's really important that conversations between patients and doctors happen early or as soon as symptoms occur, while treatment is still possible and offers the greatest benefit."
Some doctors who took part in the survey expressed concern about the quality of care that will follow a diagnosis of Alzheimer's or other dementia.
There's been a shortage of geriatricians for more than a decade, and it's only expected to get worse as the US population ages and the senior population jumps more than 50% by 2050.
In order to effectively care for the number of seniors who are projected to have Alzheimer's dementia in 2050, the number of practicing geriatricians would have to nearly triple, according to the report.
But more regular diagnosis of Alzheimer's disease could create an influx of patients that "could soon become a crisis" for the workforce focused on care for this and other dementia patients, according to the report.
There are also looming threats to the millions of unpaid caregivers for those with Alzheimer's.
Caregivers can experience increased negative emotions, including stress, depression and anxiety, as well as exacerbated health problems and depleted personal finances, a burden that will only continue to grow along with the number of people requiring care, the Alzheimer's Association says.
The national cost of caring for individuals living with Alzheimer's or other dementias grew $24 billion from a year ago, reaching $345 billion overall in 2023, according to the report. Caregiving assistance is worth hundreds of billions of dollars, too.
"Providing the best possible care for Alzheimer's disease requires conversations about memory at the earliest point of concern and a knowledgeable, accessible care team that includes physician specialists to diagnose, monitor disease progression and treat when appropriate," Carrillo said.
Article Topic Follows: Health
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Importance of spring cleaning for fire prevention as the spring season kicks off Monday
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Incredible Hulk # 1 Comic sells for a monstrous $ 490,000 – smashing previous sales records
Incredible Hulk # 1
A rare, high-quality Incredible Hulk # 1 comic, first published in 1962, recently sold for the record-breaking price of $ 490,000.
The values of vintage comics continue to rise across the board. “
– Vincent Zurzolo from ComicConnect.com
NEW YORK, NEW YORK, UNITED STATES, December 28, 2021 /EINPresswire.com/ – “Hulk smash!” Is everyone’s favorite giant green monster tagline and in light of a recent ComicConnect.com sale, this phase is more appropriate than ever.
A rare, high quality The Incredible Hulk # 1 comic, first released in 1962, was recently sold for a record price of $ 490,000, making it the most expensive # 1 Hulk ever!
“High-quality copies of Hulk # 1 are notoriously hard to find, due to the cheap paper used and the smudging of the gray color on the front cover,” notes Vincent Zurzolo, COO of ComicConnect.com, who managed the sale.
While ComicConnect is known for its auctions,
the company also has a strong private selling business, in which it locates collectibles that are hard to find for collectors with specific interests.
Notes Zurzolo, “The values of vintage comics keep increasing in all areas.”
This particular book is rated 9.0 Very Fine / Near Mint on the CGC scale. There are only seven top quality copies, and it is quite rare to see one for sale.
The Incredible Hulk was created by the legendary Stan Lee, who would later reveal that his inspiration was a combination of Frankenstein, Dr. Jekyll, and Mr. Hyde, and the Jewish myth of the Golem.
According to the Hulk’s origin story, the mutant was created when his alter ego, the mild-mannered scientist Dr. Bruce Banner, was exposed to toxic gamma rays in an experiment that went awry. When Banner lost his temper, he transformed into Huck, amplifying fears of nuclear annihilation of the Cold War.
Ironically, in this first issue, the Hulk is not pictured with his signature green skin, but rather a muted gray. However, because the primitive four-color printing process made the tint gray differently from page to page, Marvel has gone green in the very next issue. Regardless of the color, the famous Hulk # 1 cover image always resonates with fans.
While the initial Hulk comic book series was not popular enough to continue long term, the character continued to appear in Marvel anthologies and guest spots. Marvel finally gave him back his own title after the Hulk developed a following through his appearances with the Avengers.
This led to a string of TV shows, movies, and merchandising campaigns that made the Hulk an instantly recognizable pop culture favorite. As the values of the old comics continue to rise, as they have been over the past few years, the values of the Hulk comics are expected to rise as well.
“The new owner of this book now has a special piece of American mythology that will continue to increase in value,” says Zurzolo. “This will be the cornerstone of its collector’s investment portfolio.”
“Hulk will only get bigger over time, if you know what I mean.”
Joanne levine
Lekas & Levine RP
[email protected]
28 December 2021, 17:41 GMT
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Marvel’s Avengers Motion Comic Features The Winter Soldier’s Debut | 2023-14/0000/en_head.json.gz/3867 | {"url": "https://ksacomics.com/incredible-hulk-1-comic-sells-for-a-monstrous-490000-smashing-previous-sales-records/", "partition": "head_middle", "language": "en", "source_domain": "ksacomics.com", "date_download": "2023-03-20T10:17:31Z", "digest": "sha1:D3DKPOX3QNIC76UFE3G6D3R45NKHM4PA"} | {"ccnet_length": [[0, 3734, 3734.0]], "ccnet_original_length": [[0, 3734, 6171.0]], "ccnet_nlines": [[0, 3734, 26.0]], "ccnet_original_nlines": [[0, 3734, 140.0]], "ccnet_language_score": [[0, 3734, 0.94]], "ccnet_perplexity": [[0, 3734, 328.5]], "ccnet_bucket": [[0, 3734, 0.0]], "rps_doc_curly_bracket": [[0, 3734, 0.0]], "rps_doc_ldnoobw_words": [[0, 3734, 0.0]], "rps_doc_lorem_ipsum": [[0, 3734, 0.0]], "rps_doc_stop_word_fraction": [[0, 3734, 0.35286458]], "rps_doc_ut1_blacklist": [[0, 3734, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 3734, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 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Cherry County Commissioners Support 2nd Amendment with Resolution
by admin | Feb 26, 2020 | 2-State, Local, News
At Tuesday’s regular meeting, the Cherry County Commissioners approved a resolution in support of the second amendment in the US and Nebraska Constitutions. The resolution states that it is the right of the people to keep and bear arms and that right shall not be infringed. The resolution also states that the board affirms its support of the duly elected Sheriff of Cherry County and his efforts to uphold the constitutions.
In other business, the board continues to work with the Village of Kilgore on drainage issues and discussed ongoing efforts to install a culvert to assist with drainage. Todd Rothluenter represented the village in discussions with commissioners.
The commissioners also passed the one and six year highway improvement plan. The plan is essentially the same at last year, when extensive flooding prevented normal improvements to roads.
The discussion concerning the Veterans memorial funding was postponed until the next meeting, which will be on March 10th.
Picture used with permission from Tanya Storer. | 2023-14/0000/en_head.json.gz/3868 | {"url": "https://kvsh.com/archives/11147", "partition": "head_middle", "language": "en", "source_domain": "kvsh.com", "date_download": "2023-03-20T10:08:36Z", "digest": "sha1:XHB5XN4W5NWATY6JNJVGIBUHE5VXJTPV"} | {"ccnet_length": [[0, 1144, 1144.0]], "ccnet_original_length": [[0, 1144, 2279.0]], "ccnet_nlines": [[0, 1144, 7.0]], "ccnet_original_nlines": [[0, 1144, 97.0]], "ccnet_language_score": [[0, 1144, 0.96]], "ccnet_perplexity": [[0, 1144, 301.1]], "ccnet_bucket": [[0, 1144, 0.0]], "rps_doc_curly_bracket": [[0, 1144, 0.0]], "rps_doc_ldnoobw_words": [[0, 1144, 0.0]], "rps_doc_lorem_ipsum": [[0, 1144, 0.0]], "rps_doc_stop_word_fraction": [[0, 1144, 0.39303483]], "rps_doc_ut1_blacklist": [[0, 1144, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1144, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1144, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 1144, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 1144, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1144, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1144, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1144, 0.03809524]], "rps_doc_frac_chars_top_3gram": [[0, 1144, 0.05291005]], "rps_doc_frac_chars_top_4gram": [[0, 1144, 0.0]], "rps_doc_frac_all_caps_words": [[0, 1144, 0.00497512]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1144, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1144, 0.11442786]], "rps_doc_frac_unique_words": [[0, 1144, 0.60335196]], "rps_doc_mean_word_length": [[0, 1144, 5.27932961]], "rps_doc_symbol_to_word_ratio": [[0, 1144, 0.0]], "rps_doc_unigram_entropy": [[0, 1144, 4.34439127]], "rps_doc_word_count": [[0, 1144, 179.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 66, 0.0], [66, 113, 0.0], [113, 540, 1.0], [540, 786, 1.0], [786, 974, 1.0], [974, 1097, 1.0], [1097, 1144, 1.0]], "rps_lines_javascript_counts": [[0, 66, 0.0], [66, 113, 0.0], [113, 540, 0.0], [540, 786, 0.0], [786, 974, 0.0], [974, 1097, 0.0], [1097, 1144, 0.0]], "rps_lines_num_words": [[0, 66, 8.0], [66, 113, 8.0], [113, 540, 71.0], [540, 786, 37.0], [786, 974, 29.0], [974, 1097, 19.0], [1097, 1144, 7.0]], "rps_lines_numerical_chars_fraction": [[0, 66, 0.01538462], [66, 113, 0.18421053], [113, 540, 0.0], [540, 786, 0.0], [786, 974, 0.0], [974, 1097, 0.01666667], [1097, 1144, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 66, 0.0], [66, 113, 0.0], [113, 540, 0.0], [540, 786, 0.0], [786, 974, 0.0], [974, 1097, 0.0], [1097, 1144, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 66, 0.09090909], [66, 113, 0.08510638], [113, 540, 0.03278689], [540, 786, 0.0203252], [786, 974, 0.0106383], [974, 1097, 0.02439024], [1097, 1144, 0.06382979]], "rps_doc_ml_palm_score": [[0, 1144, 0.09498334]], "rps_doc_ml_wikipedia_score": [[0, 1144, null]], "rps_doc_ml_wikiref_score": [[0, 1144, 0.11157352]], "rps_doc_books_importance": [[0, 1144, -25.47398991]], "rps_doc_openwebtext_importance": [[0, 1144, 17.76786837]], "rps_doc_wikipedia_importance": [[0, 1144, 17.33043057]], "rps_doc_num_sentences": [[0, 1144, 9.0]]} |
It’s How You Take Life. You Don’t Let it Take You. Cowboy Wisdom.
I will be fifty my next birthday. Some days I feel like a kid, some days I feel a little old, but I don’t feel fifty. My daddy used to say age is all in your mind. It’s how you take life. You don’t let it take you.
Connie Reeves is a great example of a woman who defied injuries, financial setbacks, and, yes, age, to spend her life doing what kept her young.
I saw this picture of Constance and just had to learn more about her!
Connie was born in Eagles Pass, Texas, September 26,1901. Her grandfather gave her her first horse. She was 5 and, in that gift her destiny unfolded, though she didn’t know it at the time. Connie wanted to follow in her father’s footsteps and become a lawyer. In fact, she was one of the first women admitted to the University of Texas at Austin law school.
The Depression derailed her plans to go to law school, though, and she wound up teaching high school P.E., but the position didn’t come with enough challenges. Eager to give her students more than bruises from dodge ball, she started a cheerleading squad. And I mean one with style. According to the Texas State Historical Society, Connie’s girls “wore western-styled uniforms, consisting of blue flannel skirts, a blue bolero jacket, red satin blouse, a pearl grey Stetson hat, and a lasso rope attached by a loop at the waist of their skirt. The name of the squad was the Lassos.” The girls could throw the lassos, too, with impressive skill. They were invited to perform all over the state.
But the Depression dragged on and bills kept coming. For a little extra income, Connie hired out to teach horseback riding with her fiancé Harry Hamilton. This led to her teaching at Camp Waldemar…for the next sixty years. Estimates are she taught over 30,000 girls to ride.
She adored her students and, as it turned, a certain cowboy at the camp. Written like a romance novel, Jack Reeves was the handsome ranch hand who took care of the horses and he wanted to take care of Connie. She said yes in 1942. The two were happily married until his death in 1985.
Her love for horses and the Great American West earned Connie endless recognition and accolades, including induction into the National Cowgirl Hall of Fame. At the tender age of 100.
Perhaps more impressive, Connie never let a bad horse or fall stand between her and riding. She said she was bucked off a horse at least once for every year she rode. With dauntless determination, she climbed back into the saddle, year after year. Pins in one leg, numerous concussions, and countless broken bones not withstanding. She survived a traumatic riding accident at the age of 92 that required nine days in the hospital. Once healed, she put her foot right back in the stirrup.
But, as perhaps is fitting, Connie’s eventual death was the result of a final, fateful ride. On August 5, 2003, she fell off her favorite horse and injured her neck. Connie Reeves rode off into the sunset twelve days later.
I doubt this lady in defiance would have had her death come about in any other way.
I’d love for you to join me on https://www.facebook.com/heatherfreyblanton and
Tags: a lady in defiance, American women in history, American Women in the Revolutionary War, Becky Boone, christian fiction, Colonial America, Constance Reeves, Cowgirls, Daniel Boone, Daughters of the American Revolution, Female Patriots, Hearts in Defiance, heather blanton, heather frey blanton, historical fiction, historical romance, I Married a Cowboy, patriots, pioneer women, Rebecca Byran Boone, Revolutionary War, Settling America, Settling Kentucky, Texas History, War for Independence, Warrior's Path, what was the revolutionary war, Women in Kentucky History, Women in Missouri History, Women in North Carolina History, Women on the frontier, women spies in the american revolution, women who fought in the american revolution, women's history | 2023-14/0000/en_head.json.gz/3869 | {"url": "https://ladiesindefiance.com/tag/cowgirls/", "partition": "head_middle", "language": "en", "source_domain": "ladiesindefiance.com", "date_download": "2023-03-20T09:45:59Z", "digest": "sha1:LML2C6PTOO2CWTQ3D3F3Q5PNBS4HLCSW"} | {"ccnet_length": [[0, 3923, 3923.0]], "ccnet_original_length": [[0, 3923, 6211.0]], "ccnet_nlines": [[0, 3923, 14.0]], "ccnet_original_nlines": [[0, 3923, 108.0]], "ccnet_language_score": [[0, 3923, 0.96]], "ccnet_perplexity": [[0, 3923, 254.8]], "ccnet_bucket": [[0, 3923, 0.0]], "rps_doc_curly_bracket": [[0, 3923, 0.0]], "rps_doc_ldnoobw_words": [[0, 3923, 0.0]], "rps_doc_lorem_ipsum": [[0, 3923, 0.0]], "rps_doc_stop_word_fraction": [[0, 3923, 0.36167665]], "rps_doc_ut1_blacklist": [[0, 3923, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 3923, 0.02434337]], "rps_doc_frac_chars_dupe_5grams": [[0, 3923, 0.02434337]], "rps_doc_frac_chars_dupe_6grams": [[0, 3923, 0.02434337]], "rps_doc_frac_chars_dupe_7grams": [[0, 3923, 0.02434337]], "rps_doc_frac_chars_dupe_8grams": [[0, 3923, 0.02434337]], "rps_doc_frac_chars_dupe_9grams": [[0, 3923, 0.02434337]], "rps_doc_frac_chars_top_2gram": [[0, 3923, 0.00800769]], "rps_doc_frac_chars_top_3gram": [[0, 3923, 0.02017937]], "rps_doc_frac_chars_top_4gram": [[0, 3923, 0.00896861]], "rps_doc_frac_all_caps_words": [[0, 3923, 0.01317365]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 3923, 0.0]], "rps_doc_frac_no_alph_words": [[0, 3923, 0.17964072]], "rps_doc_frac_unique_words": [[0, 3923, 0.50148368]], "rps_doc_mean_word_length": [[0, 3923, 4.63204748]], "rps_doc_symbol_to_word_ratio": [[0, 3923, 0.0011976]], "rps_doc_unigram_entropy": [[0, 3923, 5.31773624]], "rps_doc_word_count": [[0, 3923, 674.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 66, 1.0], [66, 281, 1.0], [281, 426, 1.0], [426, 496, 1.0], [496, 854, 1.0], [854, 1548, 1.0], [1548, 1823, 1.0], [1823, 2108, 1.0], [2108, 2291, 1.0], [2291, 2779, 1.0], [2779, 3003, 1.0], [3003, 3087, 1.0], [3087, 3166, 0.0], [3166, 3923, 0.0]], "rps_lines_javascript_counts": [[0, 66, 0.0], [66, 281, 0.0], [281, 426, 0.0], [426, 496, 0.0], [496, 854, 0.0], [854, 1548, 0.0], [1548, 1823, 0.0], [1823, 2108, 0.0], [2108, 2291, 0.0], [2291, 2779, 0.0], [2779, 3003, 0.0], [3003, 3087, 0.0], [3087, 3166, 0.0], [3166, 3923, 0.0]], "rps_lines_num_words": [[0, 66, 13.0], [66, 281, 48.0], [281, 426, 26.0], [426, 496, 14.0], [496, 854, 65.0], [854, 1548, 119.0], [1548, 1823, 47.0], [1823, 2108, 55.0], [2108, 2291, 30.0], [2291, 2779, 85.0], [2779, 3003, 40.0], [3003, 3087, 17.0], [3087, 3166, 10.0], [3166, 3923, 105.0]], "rps_lines_numerical_chars_fraction": [[0, 66, 0.0], [66, 281, 0.0], [281, 426, 0.0], [426, 496, 0.0], [496, 854, 0.02023121], [854, 1548, 0.0], [1548, 1823, 0.01858736], [1823, 2108, 0.02888087], [2108, 2291, 0.01675978], [2291, 2779, 0.00421053], [2779, 3003, 0.02325581], [3003, 3087, 0.0], [3087, 3166, 0.0], [3166, 3923, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 66, 0.0], [66, 281, 0.0], [281, 426, 0.0], [426, 496, 0.0], [496, 854, 0.0], [854, 1548, 0.0], [1548, 1823, 0.0], [1823, 2108, 0.0], [2108, 2291, 0.0], [2291, 2779, 0.0], [2779, 3003, 0.0], [3003, 3087, 0.0], [3087, 3166, 0.0], [3166, 3923, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 66, 0.18181818], [66, 281, 0.0372093], [281, 426, 0.0137931], [426, 496, 0.02857143], [496, 854, 0.03351955], [854, 1548, 0.0259366], [1548, 1823, 0.03636364], [1823, 2108, 0.0245614], [2108, 2291, 0.05464481], [2291, 2779, 0.01434426], [2779, 3003, 0.02678571], [3003, 3087, 0.01190476], [3087, 3166, 0.01265823], [3166, 3923, 0.0673712]], "rps_doc_ml_palm_score": [[0, 3923, 0.52841902]], "rps_doc_ml_wikipedia_score": [[0, 3923, null]], "rps_doc_ml_wikiref_score": [[0, 3923, 0.31872433]], "rps_doc_books_importance": [[0, 3923, -18.03906393]], "rps_doc_openwebtext_importance": [[0, 3923, 37.85271386]], "rps_doc_wikipedia_importance": [[0, 3923, -94.31751555]], "rps_doc_num_sentences": [[0, 3923, 47.0]]} |
Mom Rinker — the Little Ol’ Lady Who Spied for Washington
She sat up there at the top.
There is a rock in Philadelphia along the Wissahickon Creek made famous by a little old lady who was one of George Washington’s best spies. No blond bombshell who blinded the British with her shocking good looks, she was merely an innocuous-looking little ol’ lady.
One of the complaints against King George listed in the Declaration of Independence was
“…For Quartering large bodies of armed troops among us”
Troops could and often did simply move in and take-over a family’s home. Understandably, this didn’t sit well with the property owners who weren’t in favor of the King’s rule in the first place. Molly “Mom” Rinker was one such dissatisfied English subject willing to fight for her independence. She didn’t sit idly by while British soldiers took over her family’s inn and planned their attacks. An older, matronly woman, who would ever suspect her of being a raging patriot and spy?
No one … and she planned to keep it that way. While soldiers banned the male members of her family from the dining area, Mom was kept at hand so she could wait on the redcoats. She waited on them, all right, and made sure to keep jugs of liquor and ale in the dining room so she had fewer excuses for leaving.
Then this clever little Granny-like lady would pass intelligence to Washington’s men. She was never caught; her identity never revealed. So how did she do it?
Each night after gathering her intelligence, she wrote the information on a small piece of paper and wrapped it around a tiny stone. She then wrapped yarn around the stone until she had a normal, mundane looking ball of yarn. Every day, Mom would go to a lovely little spot along her favorite creek and seat herself on a rock. From this rock, she had a pleasant view of the woods.
She would then subtly drop the ball of yarn and watch it roll down the small cliff. One of Washington’s men would retrieve the note and disappear into the brush. No one was ever the wiser. The British never saw her converse with anyone. Granny sat upon her rock and knitted stockings for her beloved Colonial soldiers. She couldn’t be the spy; had to be someone else.
The British never even searched her basket. Probably wouldn’t have found the messages anyway. Not all spying during the American Revolution required complicated cloak-and-dagger techniques. The beauty of this deception was its simplicity, an idea born of wisdom and experience. Talk about a woman who could truly say, “Mom knows best.”
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Tags: a lady in defiance, American women, American Women in the Revolutionary War, Ben Franklin, christian fiction, Colonial America, Daughters of the American Revolution, Deborah Sampson, Female Patriots, female spies in the revolutionary war, George Washington, Glenn Beck, grace and rachel martin, heather blanton, heather frey blanton, historical fiction, historical romance, Mom rinker, names of female spies in the revolutionary war, national rifle association, patriots, Penelope Barker, pioneer women, rinker's rock, Sara Franklin, Sarah Cooper, Sarah Thal, War for Independence, what was the revolutionary war, women and guns, women spies in the american revolution, women who fought in the american revolution
How Many Lives Did Mary Slocumb’s Midnight Ride for Love Save?
For it was not into my ear you whispered, but into my heart. It was not my lips you kissed, but my soul.
We all know love can drive a person to insane actions, casting caution to the wind, striving only to get to the person we love no matter the cost. Just twenty seconds of insane courage? For some, that’s enough. But not for Mary Slocumb.
Mary’s husband was a soldier serving in a North Carolina regiment during the Revolutionary War. In February of 1776, Ezekiel headed off to fight the British in the Battle of Moore’s Creek Bridge near Wilmington. Plagued with an unshakable feeling of doom, she went to bed that night and dreamed she saw her husband’s body, bloody, lifeless, and wrapped in his cloak.
Mary awoke, leaped from her bed, saddled her horse and rode hell-bent-for-leather, thirty-one miles, in the dark, through fields and swamps seeking her beloved. By daylight she heard the thunder of cannons and raced towards the sound. Mary stumbled upon a group of about twenty wounded soldiers hidden among a grove of Oaks. She immediately dismounted and soon discovered a body wrapped in her husband’s cloak. Upon closer examination, however, she realized the soldier was not her husband, nor was he dead, but he was suffering from a traumatic, very bloody head injury. Mary washed the man’s wound, dressed it, and gave him some water using a gourd she carried on her own saddle. She then spent the rest of the day nursing the other wounded soldiers. Hours passed, though, with no sign of her husband.
Then, in her own words, “I looked up and my husband, as bloody as a butcher…stood before me.”
Imagine her joy.
Imagine his shock.
What Mary and Ezekiel both did that day cannot be underestimated. Ezekiel was in the troop that chased the British back across the bridge and sent them skedaddling home to Cornwallis. This one, early victory ignited the hearts of Southern patriots and recruitment in the coastal areas of North and South Carolina and Virginia leaped!
For her part, who knows how many soldiers would have died if not for Mary showing up to nurse them? Some of you may be reading this today because of her crazy ride to find her soulmate!
Two people in love. Two people who may well have changed the course of the Revolutionary War.
P.S. Mary’s gourd is on display in the NC Museum of History and there is a status of her at Moore’s Creek Bridge.
Tags: a lady in defiance, American women, American Women in the Revolutionary War, christian fiction, Colonial America, Daughters of the American Revolution, Female Patriots, George Washington, Glenn Beck, heather frey, heather frey blanton, historical romance, Mary Slocumb, North Carolina Women in the American Revolution, patriots, Penelope Barker, unsung heroines of the American Revolution, War for Independence, what was the revolutionary war, women spies in the american revolution
Eleanor Dare of the Roanoke Lost Colony — English Grit & American Spirit
One of America’s greatest mysteries is that of The Lost Colony. Most people know the story of how, in 1587, a group of English settlers were abandoned on Roanoke Island and they were never seen again.
I wonder who they were, why they were there, what did they hope to find in America? I am especially fascinated by Eleanor White Dare. Why would a woman leave the comfort and safety of her European home for the wilds of the New World, especially knowing she is pregnant! If the name Eleanor Dare doesn’t ring a bell, then surely you know her daughter: Virginia Dare—the first English child born in America. We don’t know much about the child, but there is much to appreciate about her mother.
If we can’t say anything else about Eleanor, we must attribute to her stunning courage, savage determination, and an audacious belief in the possibilities of a New World. That’s why it is improbable she died on a desolate, 12-mile spit of land covered with windswept pines and sand spurs. Eleanor was a survivor. She would have made the best of her circumstances and worked tirelessly to find some way to let her father know her whereabouts.
In his diaries, John White, governor of the Lost Colony, speaks lovingly and respectfully of his daughter. I believe she was his confidant and that he hid nothing from her. When things went awry and the colonists were marooned on Roanoke, the group made a plan. If they were to survive, they absolutely had to get off Roanoke. They were down to practically zero provisions and it was already August—past planting season; not to mention, farming the soil on Roanoke isn’t for amateurs. Therefore, they were going to move 50 miles inland. Since the pilot would only allow one or two colonists to return to England, the group unanimously agreed that White should make the return trip. If they were in distress or under attack when they left the island, they would carve crosses on the trees.
So, here are the facts: for whatever reasons (ostensibly the war with Spain, but, this certainly debatable), John White did not return to Roanoke for three years. When he finally did make it back, the colonists were gone, their buildings had been removed (not raised—that’s important), and the word “Croatoan” had been carved into two different locations at the settlement, but no crosses were found. The colonists had in their company an Indian named Manteo, of the Croatoan tribe, who had in the past acted as an emissary and translator for the English.
Also, just within the last month, a map by John White has been discovered to hold some intriguing information. A patch hides a drawing of what looks very similar to a fort on a piece of land where the Chowan and Roanoke Rivers meet. Even more startling, on top of the patch are markings done with invisible ink! These marks seem to show something larger and more significant than a fort. The site is approximately 50 miles west.
Fact: a stone was discovered in this area in 1937 by a tourist. Upon this stone was carved the date of Ananias (Eleanor’s husband) and Virginia Dares’ deaths: 1591. On the back, addressed to “Father,” the writer relays the sorrowful tale of how the English settlers endured two years of war, followed by two years of sickness, only to be nearly annihilated in a savage Indian attack. This rock is signed with the initials “EWD.”
Probabilities: White’s map was made to hide the location of where Sir Walter Raleigh wanted to found the settlement of Raleigh. Invisible ink may have been used to hide such details if map was captured by the Spanish. When the colonists discovered that their pilot would not take them on to Chesapeake Bay, this location was a likely and logical plan B.
The stone was carved by Eleanor. I could see a grieving wife and mother, who had hung on through unimaginable degradations and hardships, sitting down, gritting her teeth against her hopelessnes, and carving. Carving a good-bye to her husband and daughter and a message of hope to her father. Scholars agree, the Olde English used in the message is perfect.
According to Eleanor’s note, only 7 English survived the Indian attack.
Rumors: for years after John White discovered his ghostly, empty fort, rumors circulated of sightings of whites living among Indians. Members of the Jamestown Company reported seeing a young white child playing along the river, but he or she quickly disappeared into the woods. There were stories of English slaves sold to tribes as far west as the mountains of North Carolina. A missionary recounted meeting Indians who were familiar with the Welsh language—there was a Welsh family among the Lost Colony. Eleanor was rumored to have married a chief and had another child. In another version, she was sold as a slave to a chief and had a child with him. These haunting, fleeting stories persisted for decades.
Eleanor would have kept going. I believe it was in her nature. Other rocks with messages on them have been found, but most likely those are hoaxes. Still, that doesn’t mean Eleanor stopped writing. We just haven’t found the rest of her story. We will; it’s in our nature.
If you’re as intrigued as I am about the Lost Colony, check out these remarkable books: Roanoke by Lee Miller, and The Lost Rocks by David La Vere.
Check out my books below to find more ladies with grit and spirit!
Tags: America Unearthed, American women, American Women in the Revolutionary War, Ben Franklin, Colonial America, dare stones, Daughters of the American Revolution, david la vere, Deborah Sampson, George Washington, Glenn Beck, Glenwood Springs, John White Governor of the Lost Colony, john white lost colony, lost colony, lost colony map, nc history, Old West History, patriots, Penelope Barker, Revolutionary War, Roanoke Island, the lost rocks, virginia dare, War for Independence, what did the dare stones say, what happened to the Lost Colony, where did the lost colony go, women of the old west, women's history
Betsy Ross — I Bet You Didn’t Know This About Her
That’s what little patriots are made of.”
My curiosity about our Founding Mothers has certainly led me to one inarguable conclusion: the above statement just ain’t so. Our Founding Mothers each had an iron will, the patience of Job, and perseverance and stubbornness enough to shame a mule.
In researching Betsy Ross, I truly came to respect those last two traits.
One of seventeen children and born into a Quaker home, Elizabeth Griscom married her first husband, John Ross, in 1773. The young man she had fallen in love was NOT a Quaker and therefore, the union was not sanctioned. Wisely or not, the couple took the matter into their own hands and eloped. Upon her return, the 21-year-old Betsy was “read out” of her congregation. Clearly not one to curl up like a wilted flower, she instead rolled up her sleeves and helped her husband open an upholstery shop in Philadelphia.
She also supported John’s decision to join the Philadelphia militia in 1775, since their love of liberty was one of the things that had brought them together. Sadly, less than a year later, he was killed in a munitions explosion. The couple had no children. Once again, Betsy rose to the occasion. She squared her shoulders, rolled up her sleeves and took over the business. Surely, this fiery widow had to be the talk of Philadelphia. A pretty woman and a patriot running her own business amidst turbulent political times. It was unheard of.
Not long after the death of her husband in 1776, George Washington, Robert Morris and George Ross (her husband’s uncle), made their historic request of Betsy. History confirms that Betsy and her husband probably knew George Washington as all three attended Christ Church, plus she had sewn some flags for the Navy, and her husband’s uncle knew George, as well. The couple was married by William Franklin, son of Benjamin, so it’s pretty obvious they moved in the right circles for Betsy to have received this request. Not to mention, she could sew like a fiend. Personally, for me, I believe the story of Betsy’s contribution to the Rebel Cause is legit. Two hundred years later, no one has offered an alternative seamstress.
Whispers down through history have also suggested Betsy may have been the “beautiful young widow” who distracted Carl Von Donop. Donop was the Hessian commander who lost the opportunity to reinforce the troops at Trenton on Dec 26, 1776, allowing George Washington a resounding victory. Quite the morale booster for the Colonial Army. Was it due in part to Betsy?
Besty married again in 1777 to mariner Joseph Ashburn. He was in Betsy’s life long enough to father two children with her. In 1780, his ship was captured by the British and Ashburn was thrown into prison, charged with treason. Not only would Betsy never see him again, but she lost her nine-month old daughter Zilla during this time, while she was pregnant with their second child Eliza.
Betsy had to have been an incredibly strong woman to keep forging ahead the way she did. She never stopped running her business and even managed to sew uniforms for the Colonial Army for several years. In 1783, she married again (this time for the last time). John Claypoole, an old friend of her family, had actually been imprisoned with her husband and was the one who delivered the news of his death.
Prison took the starch out of Claypoole, though, and he suffered from poor health for years. Still, the couple did manage to bless the world with 5 daughters. I think there is some poetic justice in that, considering all that Betsy had been through and lost to the war. Claypoole passed away in 1817 and Betsy ran the family business for another 10 years, before turning it over to her daughters.
Betsy Griscom Ross Ashworth Claypoole lived to be 84 years of age, but, of course, her story is immortal.
Tags: American women, American Women in the Revolutionary War, Ben Franklin, Colonial America, Daughters of the American Revolution, Deborah Sampson, George Washington, Glenn Beck, Glenwood Springs, Old West History, patriots, Penelope Barker, Revolutionary War, War for Independence, women of the old west
Penelope Barker Knew How to Throw One Wicked Little Soiree
“Our properties within our own territories [should not] be taxed or regulated by any power on earth but our own.” —
Thomas Jefferson, 1774
I am sad to admit that somehow I have gone 45 years without making the acquaintance of Penelope Barker. You think Sarah Palin and Michelle Bachman have big mouths? Oh, honey, then let me tell you about American patriot and Revolutionary War firebrand Penelope.
A well-to-do socialite of the Edenton, NC community, she was not blind to the abuses of the crown. In fact, having been widowed twice in her life, she was acutely aware of the cost of doing business with his Royal Highness King George. The richest woman in North Carolina, Penelope was adept at managing her household affairs and the business affairs of her third husband who traveled extensively. Frustrated by the endless and ever-increasing flow of tax money to England, Penelope was happy to share her opinion of the way his “subjects” were being treated in America. “Taxation without representation” didn’t sit well with her and the more the whispers of “independence” swirled, the more she saw the virtues of the idea.
Not one to keep her opinions to herself, Penelope decided that, while Sam Adams and his crew had done an admirable job with their little Boston tea party, it was time to show the men in this country how to throw a real soiree. Literally, Penelope knocked on the doors of all her female friends and invited them to a party. On October 25, 1774, fifty-one women gathered at the home of Mrs. Elizabeth King, brewed tea from mulberry leaves and boldly added their signatures to a declaration in support of the Colonies’ boycott of English tea and other English goods
Now, if all this sounds pretty tame, let me enlighten you on a few things. First, this was the FIRST political event ever organized by women in the history of the United States. Everyone from Susan B. Anthony to Hillary Clinton owes these women a debt of gratitude, especially considering a few of them probably took a beating from their loving husbands for this activity.
See a reminder video here
Second, this was a big deal because women just didn’t do this sort of thing. It was, quite literally, unheard of and without precedent. Gasp!
Third, Penelope knew how to grandstand. She sent a copy of the resolution to the English newspapers who printed it with mocking glee. In the letter itself, Penelope wrote, “Maybe it has been only men who have protested the king up to now. That only means we women have taken too long to let our voices be heard. We are signing our names to a document, not hiding ourselves behind costumes like the men in Boston did at their tea party. The British will know who we are.”
Penelope just wanted her sisters across the pond to know that American girls valued liberty just as much as the men. Ironically, the only surviving accounts of the declaration are in English hands. Printed in two newspapers, it explained that the ladies were “determined to give memorable proof of their patriotism” and could not be “indifferent on any occasion that appears nearly to affect the peace and happiness of our country . . . it is a duty that we owe, not only to our near and dear connections . . . but to ourselves.”
Well, the mainstream media in England had a rather odd reaction to all this: they mocked and derided the women for straying into politics, suggesting they were bad mothers or loose women. Gee, where have I heard that before? They drew unflattering cartoons of the women and wondered why the men in America couldn’t control their wives.
America, however, had a different reaction and made heroes of the women. Ladies up and down the colonies felt free to give voice to their dissatisfaction with the Crown. More tea parties popped up. In Wilmington, ladies actually set their tea on fire!
The next time you think about holding your tongue when it comes to the “long train of abuses and usurpations” being foisted upon us right now by a power-grabbing, elitist government, remember Penelope. Straighten your shoulders and speak up.
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A Mother’s Scaffolding is Temporary … it’s for a Season
Bydawn August 24, 2017 January 18, 2021
We’ve talked about the intricacies of scaffolding in it’s base and structure – how it’s put together so it is safe and provides a standard. Today I’d like to think about it’s purpose. Scaffolding is meant to be set up, yes, but it is designed to also be taken down. It’s there for the building,…
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Scaffolding is a Trustworthy Standard
Last week we thought a lot about the basis for our scaffolding: a base plate set on a firm foundation. We wanted to provide a sturdy, non-rickety form of scaffolding for our children. This is so that our kids can work Safely in Transparent Fashion. This week, I want to think more about the structure…
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Scaffolding Provides Safety in Transparent Fashion
A scaffold, we learn, is set on a firm, level base plate. This plate is the firm foundation upon which the scaffold is built and provides stability for the whole structure. Does anyone want to stand on a rickety scaffold? I can’t think so (although I have no practical experience in this matter) The metal…
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Scaffolding and the Homeschool Mom
Bydawn August 3, 2017 January 18, 2021
I don’t know where I first heard the term “scaffolding” as related to a Charlotte Mason style lesson. It was likely in an A Delectable Education podcast. I thought, “What a great metaphor.” I’ve since come to notice it a number of times and places including articles pre-dating the podcast. I’ve also seen a lot…
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Jesuit Massacre Still Haunts Salvadorans After 20 Years
Twenty years ago, three colleagues and I were the first reporters on the scene of the murders here of six Jesuit priests, their cook and her daughter, a turning point in the civil war that cost 75,000 other Salvadoran lives. As gatherings the world over commemorate the special anniversary, I remember details of that morning I do not want to forget.
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Bonnie Rene Clouse
Updated: 4 years ago / Posted Apr 11, 2018
March 7, 1959 - Jan. 25, 2018
Bonnie Clouse passed away at her home in Greenehaven, AZ in the early morning hours of January 25, 2018 after a short battle with cancer. Born March 7th, 1959 in LaCrosse, KS, she is preceded in death by her parents, Lily and Harold Skillet, and her sister Diane.
Bonnie is survived by her husband of 42 years, Ted Clouse, Jr., her two sisters, Debbie Ray (Rodney) of Pagosa Springs, CO and Terri Kirkham of Springerville, AZ, and three sons; Daniel (Fletcher), Aaron (Terrol), and Christopher (Shanna).
Bonnie was the Office Manager for Greenehaven Development Corporation, having been hired for the position by Bill and Evelyn Greene upon moving to the Page area in 1975. Her greatest joy in life was her family, and she lived for her grandchildren Gavin, Cade, Xavier (Brittani), Tamiere, Taryn, and Michael, as well as her great-grandchildren Braxton and Bradley.
Services will be held for immediate family and close friends at her home in Greenehaven.
Bonnie was the Office Manager for Greenehaven Development Corporation. | 2023-14/0000/en_head.json.gz/3873 | {"url": "https://lakepowellchronicle.com/article/bonnie-rene-clouse", "partition": "head_middle", "language": "en", "source_domain": "lakepowellchronicle.com", "date_download": "2023-03-20T09:21:45Z", "digest": "sha1:ZXTV5WF5O2OLLIYOEIE3CAP5TPYBJQ3R"} | {"ccnet_length": [[0, 1119, 1119.0]], "ccnet_original_length": [[0, 1119, 2306.0]], "ccnet_nlines": [[0, 1119, 8.0]], "ccnet_original_nlines": [[0, 1119, 81.0]], "ccnet_language_score": [[0, 1119, 0.95]], "ccnet_perplexity": [[0, 1119, 295.1]], "ccnet_bucket": [[0, 1119, 0.0]], "rps_doc_curly_bracket": [[0, 1119, 0.0]], "rps_doc_ldnoobw_words": [[0, 1119, 0.0]], "rps_doc_lorem_ipsum": [[0, 1119, 0.0]], "rps_doc_stop_word_fraction": [[0, 1119, 0.29310345]], "rps_doc_ut1_blacklist": [[0, 1119, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1119, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1119, 0.18820862]], "rps_doc_frac_chars_dupe_6grams": [[0, 1119, 0.138322]], "rps_doc_frac_chars_dupe_7grams": [[0, 1119, 0.138322]], "rps_doc_frac_chars_dupe_8grams": [[0, 1119, 0.138322]], "rps_doc_frac_chars_dupe_9grams": [[0, 1119, 0.138322]], "rps_doc_frac_chars_top_2gram": [[0, 1119, 0.01360544]], "rps_doc_frac_chars_top_3gram": [[0, 1119, 0.02040816]], "rps_doc_frac_chars_top_4gram": [[0, 1119, 0.02494331]], "rps_doc_frac_all_caps_words": [[0, 1119, 0.01724138]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1119, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1119, 0.25]], "rps_doc_frac_unique_words": [[0, 1119, 0.64864865]], "rps_doc_mean_word_length": [[0, 1119, 4.76756757]], "rps_doc_symbol_to_word_ratio": [[0, 1119, 0.0]], "rps_doc_unigram_entropy": [[0, 1119, 4.52369226]], "rps_doc_word_count": [[0, 1119, 185.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 19, 0.0], [19, 62, 0.0], [62, 92, 0.0], [92, 356, 1.0], [356, 596, 1.0], [596, 960, 1.0], [960, 1049, 1.0], [1049, 1119, 1.0]], "rps_lines_javascript_counts": [[0, 19, 0.0], [19, 62, 0.0], [62, 92, 0.0], [92, 356, 0.0], [356, 596, 0.0], [596, 960, 0.0], [960, 1049, 0.0], [1049, 1119, 0.0]], "rps_lines_num_words": [[0, 19, 3.0], [19, 62, 8.0], [62, 92, 6.0], [92, 356, 48.0], [356, 596, 38.0], [596, 960, 58.0], [960, 1049, 15.0], [1049, 1119, 9.0]], "rps_lines_numerical_chars_fraction": [[0, 19, 0.0], [19, 62, 0.18421053], [62, 92, 0.45833333], [92, 356, 0.04330709], [356, 596, 0.00913242], [596, 960, 0.01142857], [960, 1049, 0.0], [1049, 1119, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 19, 0.0], [19, 62, 0.0], [62, 92, 0.0], [92, 356, 0.0], [356, 596, 0.0], [596, 960, 0.0], [960, 1049, 0.0], [1049, 1119, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 19, 0.15789474], [19, 62, 0.06976744], [62, 92, 0.06666667], [92, 356, 0.06060606], [356, 596, 0.09166667], [596, 960, 0.05494505], [960, 1049, 0.02247191], [1049, 1119, 0.08571429]], "rps_doc_ml_palm_score": [[0, 1119, -7.75e-06]], "rps_doc_ml_wikipedia_score": [[0, 1119, null]], "rps_doc_ml_wikiref_score": [[0, 1119, 0.02600908]], "rps_doc_books_importance": [[0, 1119, -35.40688099]], "rps_doc_openwebtext_importance": [[0, 1119, -21.1324156]], "rps_doc_wikipedia_importance": [[0, 1119, 18.39773801]], "rps_doc_num_sentences": [[0, 1119, 9.0]]} |
In a quest to find a new graduate program, I have discovered what I already knew: Getting a master’s degree in something in which I’m really interested is expensive. Anything remotely ministry-inclined is more than twice as much as the degree I’m quitting. I find this to be ridiculous. How can master’s degrees in fields specifically non-profit be so expensive? Hello? I won’t be making any money with this degree?
I don’t want to go into more debt just to get a master’s degree. But I don’t really see a way around it/ I’ve read a lot about avoiding debt and I’m totally on board with that. It’s just so unavoidable.
I’ve read about how Christian women my age who want to someday get married and eventually stay at home with their kids shouldn’t acquire debt because they won’t be able to pay it off. There are two problems with that statement to me: someday and eventually. I’m not going to put off graduate school for someday or eventually.
I believe in being prudent, planning for the future (whoa how I plan), etc, but I don’t believe in just twiddling my thumbs. I have no prospects in the young man department. None. Whatsoever. I’m not waiting around for nothing. I don’t think God wants me to wait for nothing. I just don’t know what I’m waiting for or what I should do/what I should spend while I’m waiting.
Live every week like it’s shark week [Tracy Jordan, 30 Rock]
Author lakesidegirlPosted on November 8, 2010 Categories RamblingTags 2010, debt, loans, master's, non-profit, November, prudent, quitting, shark week, waiting
4 thoughts on “Waiting?”
alisonslamb says:
thank you for this
lakesidegirl says:
you’re welcome. 🙂
watch the mail.
ashpags says:
“How can master’s degrees in fields specifically non-profit be so expensive?” Alas, probably because there are no big corporate backers.
I say go for it! Don’t sit around twiddling your thumbs. Do what will make you happy! And good luck! You don’t sound like someone who’s going into debt lightly. You’re buying an education, not a flashy new car or wardrobe. Usually, that’s worth it.
Yes! My beloved non-profit would never be able to pay for me to get my master’s like a business would. I’d never even think of asking either–me getting a master’s shouldn’t be their high priority.
And, I’m most definitely going for it–I just don’t know where…That’s what next semester is for, figuring it out.
Also, maybe once I’m not working full-time AND going to school full-time, I might have time to come back to UU. I may have to pretend like I’m new, because so much has happened in the last year, for all of y’all and me! I miss it.
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St. Albert Chamber of Commerce Chair’s Award of Distinction
Landrex receives the St. Albert Chamber of Commerce Chair’s Award of Distinction, which is presented at the discretion of the Chair to a business that embodies and exhibits overall outstanding achievement and leadership in St. Albert, and an ongoing and consistent involvement in community events locally and provincially. | 2023-14/0000/en_head.json.gz/3875 | {"url": "https://landrex.com/timeline/st-albert-chamber-of-commerce-chairs-award-of-distinction/", "partition": "head_middle", "language": "en", "source_domain": "landrex.com", "date_download": "2023-03-20T09:28:12Z", "digest": "sha1:Z3FFVHVHRD7G6XHHCEAS75YQZS7B2F4O"} | {"ccnet_length": [[0, 382, 382.0]], "ccnet_original_length": [[0, 382, 1630.0]], "ccnet_nlines": [[0, 382, 2.0]], "ccnet_original_nlines": [[0, 382, 74.0]], "ccnet_language_score": [[0, 382, 0.94]], "ccnet_perplexity": [[0, 382, 204.8]], "ccnet_bucket": [[0, 382, 0.0]], "rps_doc_curly_bracket": [[0, 382, 0.0]], "rps_doc_ldnoobw_words": [[0, 382, 0.0]], "rps_doc_lorem_ipsum": [[0, 382, 0.0]], "rps_doc_stop_word_fraction": [[0, 382, 0.37313433]], "rps_doc_ut1_blacklist": [[0, 382, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 382, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 382, 0.3125]], "rps_doc_frac_chars_dupe_6grams": [[0, 382, 0.3125]], "rps_doc_frac_chars_dupe_7grams": [[0, 382, 0.3125]], "rps_doc_frac_chars_dupe_8grams": [[0, 382, 0.3125]], "rps_doc_frac_chars_dupe_9grams": [[0, 382, 0.3125]], "rps_doc_frac_chars_top_2gram": [[0, 382, 0.075]], "rps_doc_frac_chars_top_3gram": [[0, 382, 0.09375]], "rps_doc_frac_chars_top_4gram": [[0, 382, 0.10625]], "rps_doc_frac_all_caps_words": [[0, 382, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 382, 0.0]], "rps_doc_frac_no_alph_words": [[0, 382, 0.11940299]], "rps_doc_frac_unique_words": [[0, 382, 0.64912281]], "rps_doc_mean_word_length": [[0, 382, 5.61403509]], "rps_doc_symbol_to_word_ratio": [[0, 382, 0.0]], "rps_doc_unigram_entropy": [[0, 382, 3.44130292]], "rps_doc_word_count": [[0, 382, 57.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 60, 0.0], [60, 382, 1.0]], "rps_lines_javascript_counts": [[0, 60, 0.0], [60, 382, 0.0]], "rps_lines_num_words": [[0, 60, 9.0], [60, 382, 48.0]], "rps_lines_numerical_chars_fraction": [[0, 60, 0.0], [60, 382, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 60, 0.0], [60, 382, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 60, 0.11666667], [60, 382, 0.03416149]], "rps_doc_ml_palm_score": [[0, 382, 0.16933191]], "rps_doc_ml_wikipedia_score": [[0, 382, null]], "rps_doc_ml_wikiref_score": [[0, 382, 0.00043887]], "rps_doc_books_importance": [[0, 382, -14.11671362]], "rps_doc_openwebtext_importance": [[0, 382, 4.89852001]], "rps_doc_wikipedia_importance": [[0, 382, 5.11447085]], "rps_doc_num_sentences": [[0, 382, 4.0]]} |
Home » Quotable Quotes from Learning to Lead by Ron Williams.
Quotable Quotes from Learning to Lead by Ron Williams.
May 22, 2022 In Quotes 3 Mins Read By Lanre Dahunsi
Ron Williams is best known for his leadership at Aetna, where he transformed a $292 million operating loss into $2 billion in annual earnings. He serves as chairman & CEO of RW2 Enterprises, and director for American Express, Boeing, and Johnson & Johnson. He holds an MS in Management from MIT Sloan School of Management.
In Learning to Lead: The Journey to Leading Yourself, Leading Others, and Leading an Organization, former chairman and CEO of Aetna, Ronald Williams shares his leadership principles for self-leadership, leading a team and leading an organization.
Two things are essential: a deep personal commitment to excellence in everything you do and a commitment to continual improvement.
The best way to stay alive is to try to remain on everybody’s good side and pray you never get caught in the crossfire.
Looking back, the single most important thing I learned from that first job is what I didn’t want to do with my life.
Don’t let other people define who you are, what you can become, or what you can accomplish. Feel free to disregard the familiar assumptions that define the characteristics of a business leader.
If you’re comfortable with every activity in your life, then it’s probably time to start doing some new things. The sense of discomfort is a good sign—it means you are trying a fresh route that offers potential rewards far greater than those you’ll enjoy on the path of least resistance.
When making any career choice, think in terms of increasing the number of options you will have in the future. Ask yourself: If I take this job, will I have more choices at the end of the day? Avoid choices that you sense may be leading toward a dead end or simply repeating more of what you have already done.
Take it a little slower. If you focus too intently on the when in your career, you may end up sabotaging the if.
Reframing is about creating a new mental landscape with a larger scope of freedom, a greater degree of flexibility, and a set alternative ways of approaching any problem—which can often lead to new and unexpected solutions.
Expose yourself to diverse sources of new ideas. And in time, when you become an organizational leader, you can look for opportunities to connect the members of your team to such sources.
The best job, especially early in your career, is often one that provides tough, unpredictable challenges and unexpected opportunities to learn valuable life lessons.
There are two common ways to go wrong in your thinking: to rely solely on theory and to rely solely on experience. The secret is to keep the two in balance.
Everyone you work with can be a mentor— because you can learn from them all, whether or not they consciously intend to teach you.
Isadore Sharp Profile.
Book Summary: Learning to Lead by Ron Williams.
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Quotable Quotes from Finding Me: A Memoir by Viola Davis | 2023-14/0000/en_head.json.gz/3876 | {"url": "https://lanredahunsi.com/quotable-quotes-from-learning-to-lead-by-ron-williams/", "partition": "head_middle", "language": "en", "source_domain": "lanredahunsi.com", "date_download": "2023-03-20T09:24:50Z", "digest": "sha1:W67APDX2RTJIRLI3MUFVU5WPY7VM4T6T"} | {"ccnet_length": [[0, 3259, 3259.0]], "ccnet_original_length": [[0, 3259, 7418.0]], "ccnet_nlines": [[0, 3259, 25.0]], "ccnet_original_nlines": [[0, 3259, 153.0]], "ccnet_language_score": [[0, 3259, 0.95]], "ccnet_perplexity": [[0, 3259, 303.3]], "ccnet_bucket": [[0, 3259, 0.0]], "rps_doc_curly_bracket": [[0, 3259, 0.0]], "rps_doc_ldnoobw_words": [[0, 3259, 0.0]], "rps_doc_lorem_ipsum": [[0, 3259, 0.0]], "rps_doc_stop_word_fraction": [[0, 3259, 0.42064715]], "rps_doc_ut1_blacklist": [[0, 3259, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 3259, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 3259, 0.04450361]], 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Unmissable Standout Shows from the Upcoming London Fashion Week
August 13, 2022 Administrator
LFW (London Fashion Week) is a popular clothing trade show known to take place in February and September in the British Capital. It’s among the ‘Big Four’ fashion weeks and presents itself as a trade event attracting press attention.
History of LFW
Learn About LFW History
Organised by the BFC(British Fashion Council) for the London Development Agency (LDA) with help from the BIS, LFW first took place in 1983. The show was held in West London in a car park, and tents were erected outside the Commonwealth Institute in South Kensington. Young designers who debuted here include David Fielden, Betty Jackson and the Gibraltar-born John Galliano.
LFW Events
Visitors Will See New Collections from World’s Best Designers London Fashion Week 2023 promises to offer unmissable fashion events to the British Capital. Visitors will get a chance to see the latest catwalk ranges and hear from industry experts. LFW activities celebrate some of the latest trends from over 100 international and British designers, spanning menswear, womenswear and gender-neutral designs. The five-day LFW festival runs as a digital-first festival, and there’s a limited number of RSVP-required in-person and invitation-only events. Visitors should expect exhilarating shows from big names, including Simone Rocha, Richard Quinn and Roksanda.
There will also be rising-star designers, such as Halpern, Knwls and Nensi Dojaka. London Fashion Week showcases some of the most exciting new talents in the industry, thanks to the presence in the British Capital of some of the leading fashion universities and colleges.
Visitors should not miss the LFW 2023, as it will allow them to delve into the latest womenswear, menswear and gender-neutral collections.
Here is a site with more information about LFW
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Next postErawan Shrine Bangkok | 2023-14/0000/en_head.json.gz/3877 | {"url": "https://lastminutetravelblog.com/2022/08/13/unmissable-standout-shows-from-the-upcoming-london-fashion-week/", "partition": "head_middle", "language": "en", "source_domain": "lastminutetravelblog.com", "date_download": "2023-03-20T09:05:51Z", "digest": "sha1:FEG6FPGGU7JJ6KFWMYNQ64PYIN3M5QYR"} | {"ccnet_length": [[0, 1951, 1951.0]], "ccnet_original_length": [[0, 1951, 3239.0]], "ccnet_nlines": [[0, 1951, 13.0]], "ccnet_original_nlines": [[0, 1951, 61.0]], "ccnet_language_score": [[0, 1951, 0.91]], "ccnet_perplexity": [[0, 1951, 315.9]], "ccnet_bucket": [[0, 1951, 0.0]], "rps_doc_curly_bracket": [[0, 1951, 0.0]], "rps_doc_ldnoobw_words": [[0, 1951, 0.0]], "rps_doc_lorem_ipsum": [[0, 1951, 0.0]], "rps_doc_stop_word_fraction": [[0, 1951, 0.33608815]], "rps_doc_ut1_blacklist": [[0, 1951, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1951, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1951, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 1951, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 1951, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1951, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1951, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1951, 0.03235843]], "rps_doc_frac_chars_top_3gram": [[0, 1951, 0.04231487]], "rps_doc_frac_chars_top_4gram": [[0, 1951, 0.02364655]], "rps_doc_frac_all_caps_words": [[0, 1951, 0.03581267]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1951, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1951, 0.14600551]], "rps_doc_frac_unique_words": [[0, 1951, 0.5709571]], "rps_doc_mean_word_length": [[0, 1951, 5.30363036]], "rps_doc_symbol_to_word_ratio": [[0, 1951, 0.0]], "rps_doc_unigram_entropy": [[0, 1951, 4.75520001]], "rps_doc_word_count": [[0, 1951, 303.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 64, 0.0], [64, 94, 0.0], [94, 328, 1.0], [328, 343, 0.0], [343, 367, 0.0], [367, 742, 1.0], [742, 753, 0.0], [753, 1414, 1.0], [1414, 1686, 1.0], [1686, 1825, 1.0], [1825, 1872, 0.0], [1872, 1921, 0.0], [1921, 1951, 0.0]], "rps_lines_javascript_counts": [[0, 64, 0.0], [64, 94, 0.0], [94, 328, 0.0], [328, 343, 0.0], [343, 367, 0.0], [367, 742, 0.0], [742, 753, 0.0], [753, 1414, 0.0], [1414, 1686, 0.0], [1686, 1825, 0.0], [1825, 1872, 0.0], [1872, 1921, 0.0], [1921, 1951, 0.0]], "rps_lines_num_words": [[0, 64, 9.0], [64, 94, 4.0], [94, 328, 39.0], [328, 343, 3.0], [343, 367, 4.0], [367, 742, 60.0], [742, 753, 2.0], [753, 1414, 95.0], [1414, 1686, 44.0], [1686, 1825, 22.0], [1825, 1872, 9.0], [1872, 1921, 8.0], [1921, 1951, 4.0]], "rps_lines_numerical_chars_fraction": [[0, 64, 0.0], [64, 94, 0.21428571], [94, 328, 0.0], [328, 343, 0.0], [343, 367, 0.0], [367, 742, 0.01101928], [742, 753, 0.0], [753, 1414, 0.01086957], [1414, 1686, 0.0], [1686, 1825, 0.02985075], [1825, 1872, 0.0], [1872, 1921, 0.0], [1921, 1951, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 64, 0.0], [64, 94, 0.0], [94, 328, 0.0], [328, 343, 0.0], [343, 367, 0.0], [367, 742, 0.0], [742, 753, 0.0], [753, 1414, 0.0], [1414, 1686, 0.0], [1686, 1825, 0.0], [1825, 1872, 0.0], [1872, 1921, 0.0], [1921, 1951, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 64, 0.109375], [64, 94, 0.06666667], [94, 328, 0.05555556], [328, 343, 0.26666667], [343, 367, 0.25], [367, 742, 0.09066667], [742, 753, 0.36363636], [753, 1414, 0.0484115], [1414, 1686, 0.03676471], [1686, 1825, 0.02877698], [1825, 1872, 0.08510638], [1872, 1921, 0.06122449], [1921, 1951, 0.13333333]], "rps_doc_ml_palm_score": [[0, 1951, 0.05149055]], "rps_doc_ml_wikipedia_score": [[0, 1951, null]], "rps_doc_ml_wikiref_score": [[0, 1951, 0.92449659]], "rps_doc_books_importance": [[0, 1951, -98.40220133]], "rps_doc_openwebtext_importance": [[0, 1951, 2.14431873]], "rps_doc_wikipedia_importance": [[0, 1951, 5.23121951]], "rps_doc_num_sentences": [[0, 1951, 14.0]]} |
Laura D. Nufire, MSW, LCSW
Experience & Perspective
“The reason why consciousness exists, and why there is an urge to widen it and deepen it, is very simple… things go less well without it.” -Carl G. Jung
I earned my MSW in 1993 and have worked both in community mental health and in private practice with adolescents, adults, and couples. I also spent a number years running clinical trials (which included studies on bipolar disorder, pain, and schizophrenia). Both my Grandmother and Great Aunt were MSWs. The picture below is of my Grandmother at her graduation. I particularly like the fact that her diploma looks like a lightsaber!
I have been very fortunate to have had top-notch training over the years, and have studied Bowen Family Systems Theory, Ericksonian Hypnotherapy, and EMDR (Eye Movement Desensitization & Reprocessing), Internal Family Systems, and Brainspotting. I am also experienced in Solution-Focused (Brief) Therapy and Cognitive-Behavioral Therapy.
I believe that people have the internal resources necessary to grow and change, and that therapy facilitates that process. I have found that because of EMDR’s effectiveness, many of my clients prefer to work within that modality, however, other approaches are also available as needed or desired. Whatever the therapy approach, I find tremendous joy in being a part of the change process! | 2023-14/0000/en_head.json.gz/3878 | {"url": "https://lauranufire.com/about/", "partition": "head_middle", "language": "en", "source_domain": "lauranufire.com", "date_download": "2023-03-20T10:20:26Z", "digest": "sha1:T2KQ54FRNEWZ55QSATBZWCVV6VFBXUEY"} | {"ccnet_length": [[0, 1364, 1364.0]], "ccnet_original_length": [[0, 1364, 1962.0]], "ccnet_nlines": [[0, 1364, 6.0]], "ccnet_original_nlines": [[0, 1364, 45.0]], "ccnet_language_score": [[0, 1364, 0.97]], "ccnet_perplexity": [[0, 1364, 334.5]], "ccnet_bucket": [[0, 1364, 0.0]], "rps_doc_curly_bracket": [[0, 1364, 0.0]], "rps_doc_ldnoobw_words": [[0, 1364, 0.0]], "rps_doc_lorem_ipsum": [[0, 1364, 0.0]], "rps_doc_stop_word_fraction": [[0, 1364, 0.3778626]], "rps_doc_ut1_blacklist": [[0, 1364, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1364, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 1364, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 1364, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 1364, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 1364, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 1364, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 1364, 0.01265823]], "rps_doc_frac_chars_top_3gram": [[0, 1364, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 1364, 0.0]], "rps_doc_frac_all_caps_words": [[0, 1364, 0.05725191]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1364, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1364, 0.17175573]], "rps_doc_frac_unique_words": [[0, 1364, 0.6728972]], "rps_doc_mean_word_length": [[0, 1364, 5.1682243]], "rps_doc_symbol_to_word_ratio": [[0, 1364, 0.00381679]], "rps_doc_unigram_entropy": [[0, 1364, 4.70356912]], "rps_doc_word_count": [[0, 1364, 214.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 27, 0.0], [27, 52, 0.0], [52, 205, 0.0], [205, 638, 1.0], [638, 976, 1.0], [976, 1364, 1.0]], "rps_lines_javascript_counts": [[0, 27, 0.0], [27, 52, 0.0], [52, 205, 0.0], [205, 638, 0.0], [638, 976, 0.0], [976, 1364, 0.0]], "rps_lines_num_words": [[0, 27, 5.0], [27, 52, 2.0], [52, 205, 29.0], [205, 638, 71.0], [638, 976, 44.0], [976, 1364, 63.0]], "rps_lines_numerical_chars_fraction": [[0, 27, 0.0], [27, 52, 0.0], [52, 205, 0.0], [205, 638, 0.00950119], [638, 976, 0.0], [976, 1364, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 27, 0.0], [27, 52, 0.0], [52, 205, 0.0], [205, 638, 0.0], [638, 976, 0.0], [976, 1364, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 27, 0.37037037], [27, 52, 0.08], [52, 205, 0.02614379], [205, 638, 0.03464203], [638, 976, 0.07988166], [976, 1364, 0.02061856]], "rps_doc_ml_palm_score": [[0, 1364, 0.18915296]], "rps_doc_ml_wikipedia_score": [[0, 1364, null]], "rps_doc_ml_wikiref_score": [[0, 1364, 0.06182152]], "rps_doc_books_importance": [[0, 1364, -22.68082681]], "rps_doc_openwebtext_importance": [[0, 1364, -5.52263022]], "rps_doc_wikipedia_importance": [[0, 1364, -66.05598736]], "rps_doc_num_sentences": [[0, 1364, 13.0]]} |
Expertise: Consumer Protection
Group Index
0 Faculty Iuliano, Jason Associate Professor Bankruptcy, Consumer Law, Consumer Protection
Peterson appears in USA Today on Trump U analysis
University of Utah S.J. Quinney College of Law Professor Christopher L. Peterson appeared in an Oct. 25 USA Today series on “Trump and the Law.” Peterson in recent weeks has fielded several media requests to discuss his analysis outlining why there is a legally sufficient case to impeach Donald Trump under the U.S. Constitution on […]
Peterson’s work on predatory lending highlighted on DS News
S.J. Quinney College of Law Professor Chris Peterson’s work with the Consumer Financial Protection Bureau was highlighted in the May 20, 2016 issue of the service industry publication, DSnews.com Nearly five years ago, Congress created the Consumer Financial Protection Bureau (CFPB), and its sole purpose was to serve as recovery agent for the American people coming out of the […] | 2023-14/0000/en_head.json.gz/3879 | {"url": "https://law.utah.edu/expertise/consumer-protection/", "partition": "head_middle", "language": "en", "source_domain": "law.utah.edu", "date_download": "2023-03-20T09:30:03Z", "digest": "sha1:EFUKHLLNZSRIGAKWSHJALOLVPLDRCYOQ"} | {"ccnet_length": [[0, 963, 963.0]], "ccnet_original_length": [[0, 963, 3043.0]], "ccnet_nlines": [[0, 963, 7.0]], "ccnet_original_nlines": [[0, 963, 114.0]], "ccnet_language_score": [[0, 963, 0.92]], "ccnet_perplexity": [[0, 963, 232.7]], "ccnet_bucket": [[0, 963, 0.0]], "rps_doc_curly_bracket": [[0, 963, 0.0]], "rps_doc_ldnoobw_words": [[0, 963, 0.0]], "rps_doc_lorem_ipsum": [[0, 963, 0.0]], "rps_doc_stop_word_fraction": [[0, 963, 0.26404494]], "rps_doc_ut1_blacklist": [[0, 963, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 963, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 963, 0.16708861]], "rps_doc_frac_chars_dupe_6grams": [[0, 963, 0.07594937]], "rps_doc_frac_chars_dupe_7grams": [[0, 963, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 963, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 963, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 963, 0.04556962]], "rps_doc_frac_chars_top_3gram": [[0, 963, 0.04050633]], "rps_doc_frac_chars_top_4gram": [[0, 963, 0.04556962]], "rps_doc_frac_all_caps_words": [[0, 963, 0.06741573]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 963, 0.0]], "rps_doc_frac_no_alph_words": [[0, 963, 0.15730337]], "rps_doc_frac_unique_words": [[0, 963, 0.68]], "rps_doc_mean_word_length": [[0, 963, 5.26666667]], "rps_doc_symbol_to_word_ratio": [[0, 963, 0.01123596]], "rps_doc_unigram_entropy": [[0, 963, 4.43833384]], "rps_doc_word_count": [[0, 963, 150.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 31, 0.0], [31, 43, 0.0], [43, 134, 0.0], [134, 184, 0.0], [184, 521, 0.0], [521, 581, 0.0], [581, 963, 0.0]], "rps_lines_javascript_counts": [[0, 31, 0.0], [31, 43, 0.0], [43, 134, 0.0], [134, 184, 0.0], [184, 521, 0.0], [521, 581, 0.0], [581, 963, 0.0]], "rps_lines_num_words": [[0, 31, 3.0], [31, 43, 2.0], [43, 134, 11.0], [134, 184, 9.0], [184, 521, 56.0], [521, 581, 9.0], [581, 963, 60.0]], "rps_lines_numerical_chars_fraction": [[0, 31, 0.0], [31, 43, 0.0], [43, 134, 0.01149425], [134, 184, 0.0], [184, 521, 0.00611621], [521, 581, 0.0], [581, 963, 0.01617251]], "rps_lines_start_with_bulletpoint": [[0, 31, 0.0], [31, 43, 0.0], [43, 134, 0.0], [134, 184, 0.0], [184, 521, 0.0], [521, 581, 0.0], [581, 963, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 31, 0.09677419], [31, 43, 0.16666667], [43, 134, 0.10989011], [134, 184, 0.14], [184, 521, 0.07121662], [521, 581, 0.06666667], [581, 963, 0.06806283]], "rps_doc_ml_palm_score": [[0, 963, 0.00031888]], "rps_doc_ml_wikipedia_score": [[0, 963, null]], "rps_doc_ml_wikiref_score": [[0, 963, 0.02803987]], "rps_doc_books_importance": [[0, 963, -87.32156746]], "rps_doc_openwebtext_importance": [[0, 963, 4.88919132]], "rps_doc_wikipedia_importance": [[0, 963, -0.71815419]], "rps_doc_num_sentences": [[0, 963, 11.0]]} |
US Code / 2018 US Code / Title 7. Agriculture / Chapter 50. Agricultural Credit / Subchapter IV. Administrative Provisions / 7 U.S. Code §2008w. Rural Innovation Stronger Economy Grant Program
(a) Definitions
(1) Eligible entity
The term "eligible entity" means a rural jobs accelerator partnership established after December 20, 2018, that—
(A) organizes key community and regional stakeholders into a working group that—
(i) focuses on the shared goals and needs of the industry clusters that are objectively identified as existing, emerging, or declining;
(ii) represents a region defined by the partnership in accordance with subparagraph (B);
(iii) includes 1 or more representatives of—
(I) an institution of higher education (as defined in section 1001 of title 20);
(II) a private entity; or
(III) a government entity; and
(iv) has, as a lead applicant—
(I) a District Organization (as defined in section 300.3 of title 13, Code of Federal Regulations (or a successor regulation));
(II) an Indian tribe (as defined in section 5304 of title 25), or a consortium of Indian tribes;
(III) a State or a political subdivision of a State, including a special purpose unit of a State or local government engaged in economic development activities, or a consortium of political subdivisions;
(IV) an institution of higher education (as defined in section 1001 of title 20) or a consortium of institutions of higher education; or
(V) a public or private nonprofit organization; and
(B) subject to approval by the Secretary, may—
(i) serve a region that is—
(I) a single jurisdiction; or
(II) if the region is a rural area, multijurisdictional; and
(ii) define the region that the partnership represents, if the region—
(I) is large enough to contain critical elements of the industry cluster prioritized by the partnership;
(II) is small enough to enable close collaboration among members of the partnership;
(III) includes a majority of communities that are located in—
(aa) a nonmetropolitan area that qualifies as a low-income community (as defined in section 45D(e) of title 26); and
(bb) an area that has access to or has a plan to achieve broadband service (within the meaning of title VI of the Rural Electrification Act of 1936 (7 U.S.C. 950bb et seq.)); and
(IV)(aa) has a population of 50,000 or fewer inhabitants; or
(bb) for a region with a population of more than 50,000 inhabitants, is the subject of a positive determination by the Secretary with respect to a rural-in-character petition, including such a petition submitted concurrently with the application of the partnership for a grant under this section.
(2) Industry cluster
The term "industry cluster" means a broadly defined network of interconnected firms and supporting institutions in related industries that accelerate innovation, business formation, and job creation by taking advantage of assets and strengths of a region in the business environment.
(3) High-wage job
The term "high-wage job" means a job that provides a wage that is greater than the median wage for the applicable region, as determined by the Secretary.
(4) Jobs accelerator
The term "jobs accelerator" means a jobs accelerator center or program located in or serving a low-income rural community that may provide co-working space, in-demand skills training, entrepreneurship support, and any other services described in subsection (d)(1)(B).
(5) Small and disadvantaged business
The term "small and disadvantaged business" has the meaning given the term "small business concern owned and controlled by socially and economically disadvantaged individuals" in section 637(d)(3)(C) of title 15.
(b) Establishment (1) In general
The Secretary shall establish a grant program under which the Secretary shall award grants, on a competitive basis, to eligible entities to establish jobs accelerators, including related programming, that—
(A) improve the ability of distressed rural communities to create high-wage jobs, accelerate the formation of new businesses with high-growth potential, and strengthen regional economies, including by helping to build capacity in the applicable region to achieve those goals; and
(B) help rural communities identify and maximize local assets and connect to regional opportunities, networks, and industry clusters that demonstrate high growth potential.
(2) Cost-sharing (A) In general
The Federal share of the cost of any activity carried out using a grant made under paragraph (1) shall be not greater than 80 percent.
(B) In-kind contributions
The non-Federal share of the total cost of any activity carried out using a grant made under paragraph (1) may be in the form of donations or in-kind contributions of goods or services fairly valued.
(3) Selection criteria
In selecting eligible entities to receive grants under paragraph (1), the Secretary shall consider—
(A) the commitment of participating core stakeholders in the jobs accelerator partnership, including a demonstration that—
(i) investment organizations, including venture development organizations, venture capital firms, revolving loan funders, angel investment groups, community lenders, community development financial institutions, rural business investment companies, small business investment companies (as defined in section 662 of title 15), philanthropic organizations, and other institutions focused on expanding access to capital, are committed partners in the jobs accelerator partnership and willing to potentially invest in projects emerging from the jobs accelerator; and
(ii) institutions of higher education, applied research institutions, workforce development entities, and community-based organizations are willing to partner with the jobs accelerator to provide workers with skills relevant to the industry cluster needs of the region, with an emphasis on the use of on-the-job training, registered apprenticeships, customized training, classroom occupational training, or incumbent worker training;
(B) the ability of the eligible entity to provide the non-Federal share as required under paragraph (2);
(C) the identification of a targeted industry cluster;
(D) the ability of the partnership to link rural communities to markets, networks, industry clusters, and other regional opportunities and assets;
(E) other grants or loans of the Secretary and other Federal agencies that the jobs accelerator would be able to leverage; and
(F) prospects for the proposed center and related programming to have sustainability beyond the full maximum length of assistance under this subsection, including the maximum number of renewals.
(4) Grant term and renewals (A) Term
The initial term of a grant under paragraph (1) shall be 4 years.
(B) Renewal
The Secretary may extend the term of a grant under paragraph (1) for an additional period of not longer than 2 years if the Secretary is satisfied, using the evaluation under subsection (e)(2), that the grant recipient has successfully established a jobs accelerator and related programming.
(5) Geographic distribution
To the maximum extent practicable, the Secretary shall provide grants under paragraph (1) for jobs accelerators and related programming in not fewer than 25 States at any time.
(c) Grant amount
A grant awarded under subsection (b) may be in an amount equal to—
(1) not less than $500,000; and
(2) not more than $2,000,000.
(d) Use of funds (1) In general
Subject to paragraph (2), funds from a grant awarded under subsection (b) may be used—
(A) to construct, purchase, or equip a building to serve as an innovation center;
(B) to support programs to be carried out at, or in direct partnership with, the jobs accelerator that support the objectives of the jobs accelerator, including—
(i) linking rural communities and entrepreneurs to markets, networks, industry clusters, and other regional opportunities to support high-wage job creation, new business formation, business expansion, and economic growth;
(ii) integrating small businesses into a supply chain;
(iii) creating or expanding commercialization activities for new business formation;
(iv) identifying and building assets in rural communities that are crucial to supporting regional economies;
(v) facilitating the repatriation of high-wage jobs to the United States;
(vi) supporting the deployment of innovative processes, technologies, and products;
(vii) enhancing the capacity of small businesses in regional industry clusters, including small and disadvantaged businesses;
(viii) increasing United States exports and business interaction with international buyers and suppliers;
(ix) developing the skills and expertise of local workforces, entrepreneurs, and institutional partners to meet the needs of employers and prepare workers for high-wage jobs in the identified industry clusters, including the upskilling of incumbent workers;
(x) ensuring rural communities have the capacity and ability to carry out projects relating to housing, community facilities, infrastructure, or community and economic development to support regional industry cluster growth; or
(xi) any other activities that the Secretary may determine to be appropriate.
(2) Requirement (A) In general
Subject to subparagraph (B), not more than 10 percent of a grant awarded under subsection (b) shall be used for indirect costs associated with administering the grant.
(B) Increase
The Secretary may increase the percentage described in subparagraph (A) on a case-by-case basis.
(e) Annual activity report and evaluation
Not later than 1 year after receiving a grant under this section, and annually thereafter for the duration of the grant, an eligible entity shall—
(1) report to the Secretary on the activities funded with the grant; and
(2)(A) evaluate the progress that the eligible entity has made toward the strategic objectives identified in the application for the grant; and
(B) measure that progress using performance measures during the project period, which may include—
(i) high-wage jobs created;
(ii) high-wage jobs retained;
(iii) private investment leveraged;
(iv) businesses improved;
(v) new business formations;
(vi) new products or services commercialized;
(vii) improvement of the value of existing products or services under development;
(viii) regional collaboration, as measured by such metrics as—
(I) the number of organizations actively engaged in the industry cluster;
(II) the number of symposia held by the industry cluster, including organizations that are not located in the immediate region defined by the partnership; and
(III) the number of further cooperative agreements;
(ix) the number of education and training activities relating to innovation;
(x) the number of jobs relocated from outside of the United States to the region;
(xi) the amount and number of new equity investments in industry cluster firms;
(xii) the amount and number of new loans to industry cluster firms;
(xiii) the dollar increase in exports resulting from the project activities;
(xiv) the percentage of employees for which training was provided;
(xv) improvement in sales of participating businesses;
(xvi) improvement in wages paid at participating businesses;
(xvii) improvement in income of participating workers; or
(xviii) any other measure the Secretary determines to be appropriate.
(f) Authorization of appropriations
There is authorized to be appropriated to carry out this section $10,000,000 for each of fiscal years 2019 through 2023.
REFERENCES IN TEXT The Rural Electrification Act of 1936, referred to in subsec. (a)(1)(B)(ii)(III)(bb), is act May 20, 1936, ch. 432, 49 Stat. 1363. Title VI of the Act is classified generally to subchapter VI (§950bb et seq.) of chapter 31 of this title. For complete classification of this Act to the Code, see section 901 of this title and Tables.
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IPC India – Crime and Its essential elements under IPC 1860
Introduction of the Crime and its essential elements under IPC India, 1860: In every organized society certain action on the pain of punishment are prohibited. Where one person injured another and the injury could be compensated with money. The wrong person needs to pay damages or compensation to the injured person. But in some cases, the state punishes the wrongdoers with the aim of maintaining peace in the society and promoting good behavior towards each other and towards the community at large.
Definition: Essential Elements of Crime
Human being:
Mens rea (evil intent):
Actus reus:
Stages of Crime
Intention to commit crime
Preparation of Crime
Commission of Crime
Different jurists have defined the word crime as follows: – Whatever is injurious to public welfare is an offence.” According to stephen “a crime is said to be an act which is prohibited/forbidden by law and against the moral morality of the society”.
Acc. To kenny “crimes/offences are wrong whose sanction (approval or penalty). Is punitive (Intended as a punishment) and in no way unacceptable by any private person, but permissible by the crown alone, if unacceptable at all.”
The act must have been done by a human being before it can constitute a crime punishable at law. Only a human being is under obligation and capable of being published is subject of criminal law.
Mens rea is an essential ingredient of a criminal offence. “Actus non facit reum nisi mens sit rea” is well known maxim of criminal law.it means the act does not make a man guilty unless his intention were so”.
From this maxim follows another preposition “Actus me invito actus non est mens actus” means an act done by me against my will is not my act at all. This means an act in order to be punishable at law must be voluntary act and at the same time must have done with a criminal intent.
The various offences defined in the indian penal code have a guilty intention or knowledge as an essential ingredient. The words like voluntary (under sec.39 of I.P.C), reason to believe (sec.26 of I.P.C), dishonestly (sec.24 of I.P.C), fraudulently (sec.25 of I.P.C) used in the various provisions of the code incorporate the principle of mens rea.
As stated above, in the absence of guilt mind, a person is not guilty, yet there are many offences which do not require guilty mind as a necessary ingredient.
The actus rea represent the physical aspect of the crime. According to kenng “Actus reus” is such result of human conduct as the law seeks to prevent.
A human being and an evil intent are not enough to constitute a crime unless it is visible though some voluntary act or omission. Actus reus is such result of human conduct as the law seeks to intent. In other words- actus reus is the physical result of human conduct. The act done or omitted must be an act forbidden or commanded by some law.
Under Indian penal code of section 44 “Injury” is defined: According to sec.44 of IPC, the word injury denotes any harm whatsoever illegally caused to any person in body, mind, reputation or property.
Thus, we have seen that there are four elements which constitute a crime. However, there are few exception (someone or something that is not included) to this rule. Sometimes what constitutes an offence, even if the act is not accompanied by a guilty mind.
These are the cases of strict liability, for example, the offence of ‘bigamy’ under section 494 (Bigamy) is a crime even though the act is not accompanied with guilty mind. Section 399 of the Indian penal code (Making Preparation to Dacoity), sec. 402 of I.P.C. (Assembling for the Purpose of Committing Dacoity), attempt of abetment or conspiracy are crimes, but still no injury has been caused to any person.
In Indian penal code,1860 intention to commit crime is not solely punishable, because intention alone cannot constitute a crime. For the completion of a crime the following four stages has to be crossed: –
It’s a first stage of crime. The motive for an act is not a sufficiency test to determine its criminal character. Motive denotes anything that gives birth to any kind of action. An act which is unlawful cannot be excused in law on the ground, that it was committed with a good motive. Though it is not essential to prove motive but it may be considered in determining the guilt of the accused. But in the case, where the case is based on circumstantial evidence motive is relevant factor.
The second stage of crime is intention of the wrong-doer. Any act is punishable only if it has done with mens rea for achieving a particular purpose. Also, such intention must be visible through some over act otherwise sole intention is not punishable.
Motive/Purpose and Intention are not the same thing.
Mere intention to commit crime without doing any act in furtherance of such intention is not punishable.
Preparation consists in arranging all such means which are necessary for the commission of an offence. Under indian law generally preparation to commit a crime is not punishable except in following four circumstances: –
Collecting arms etc. With the intention of waging war against the government of India (sec.122 of I.P.C)
Preparation of committing depredation on territories of power at peace with the government of india(sec. 126 of I.P.C)
Preparation of making instrument for counterfeiting Indian coin and stamp (sec.233,234,253,256 and 257 of I.P.C)
Preparation of committing dacoity (section 399 of I.P.C)
The fourth stage of the crime is attempt for its commission. Successful attempt is actual commission of crime. It is not essential that every attempt for the commission of crime should be successful. But as it is an attempt towards the commission of crime, therefore every attempt crime is punishable under indian penal code.
So, preparation and effort are not the same thing. Preparation to commit a crime is different from attempt to commit it.
Indian Constitution Articles | Article 17
Information about Indian Constitution | Article 19
Right to Constitutional remedies under the Constitution of India
Categories Indian Penal Code
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We aim to procure services from organizations that align with our commitments and engage in business relationships that promote concern for people and community. | 2023-14/0000/en_head.json.gz/3882 | {"url": "https://ldr21.com/gdpr/modern-slavery/", "partition": "head_middle", "language": "en", "source_domain": "ldr21.com", "date_download": "2023-03-20T08:38:33Z", "digest": "sha1:GAU5H7UGUNKPSB6TZPUTSQ2RRJTVKTFT"} | {"ccnet_length": [[0, 1063, 1063.0]], "ccnet_original_length": [[0, 1063, 2028.0]], "ccnet_nlines": [[0, 1063, 9.0]], "ccnet_original_nlines": [[0, 1063, 68.0]], "ccnet_language_score": [[0, 1063, 0.94]], "ccnet_perplexity": [[0, 1063, 299.4]], "ccnet_bucket": [[0, 1063, 0.0]], "rps_doc_curly_bracket": [[0, 1063, 0.0]], "rps_doc_ldnoobw_words": [[0, 1063, 0.0]], "rps_doc_lorem_ipsum": [[0, 1063, 0.0]], "rps_doc_stop_word_fraction": [[0, 1063, 0.3956044]], "rps_doc_ut1_blacklist": [[0, 1063, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 1063, 0.12457531]], "rps_doc_frac_chars_dupe_5grams": [[0, 1063, 0.21291053]], "rps_doc_frac_chars_dupe_6grams": [[0, 1063, 0.21291053]], "rps_doc_frac_chars_dupe_7grams": [[0, 1063, 0.21291053]], "rps_doc_frac_chars_dupe_8grams": [[0, 1063, 0.12457531]], "rps_doc_frac_chars_dupe_9grams": [[0, 1063, 0.12457531]], "rps_doc_frac_chars_top_2gram": [[0, 1063, 0.02378256]], "rps_doc_frac_chars_top_3gram": [[0, 1063, 0.03171008]], "rps_doc_frac_chars_top_4gram": [[0, 1063, 0.04983012]], "rps_doc_frac_all_caps_words": [[0, 1063, 0.02197802]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 1063, 0.0]], "rps_doc_frac_no_alph_words": [[0, 1063, 0.06593407]], "rps_doc_frac_unique_words": [[0, 1063, 0.55029586]], "rps_doc_mean_word_length": [[0, 1063, 5.22485207]], "rps_doc_symbol_to_word_ratio": [[0, 1063, 0.0]], "rps_doc_unigram_entropy": [[0, 1063, 4.23556508]], "rps_doc_word_count": [[0, 1063, 169.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 33, 1.0], [33, 117, 1.0], [117, 270, 1.0], [270, 457, 0.0], [457, 474, 0.0], [474, 549, 0.0], [549, 800, 1.0], [800, 902, 0.0], [902, 1063, 1.0]], "rps_lines_javascript_counts": [[0, 33, 0.0], [33, 117, 0.0], [117, 270, 0.0], [270, 457, 0.0], [457, 474, 0.0], [474, 549, 0.0], [549, 800, 0.0], [800, 902, 0.0], [902, 1063, 0.0]], "rps_lines_num_words": [[0, 33, 5.0], [33, 117, 13.0], [117, 270, 27.0], [270, 457, 32.0], [457, 474, 2.0], [474, 549, 12.0], [549, 800, 38.0], [800, 902, 16.0], [902, 1063, 24.0]], "rps_lines_numerical_chars_fraction": [[0, 33, 0.0], [33, 117, 0.02469136], [117, 270, 0.01333333], [270, 457, 0.0], [457, 474, 0.0], [474, 549, 0.0], [549, 800, 0.0], [800, 902, 0.0], [902, 1063, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 33, 0.0], [33, 117, 0.0], [117, 270, 0.0], [270, 457, 0.0], [457, 474, 0.0], [474, 549, 0.0], [549, 800, 0.0], [800, 902, 0.0], [902, 1063, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 33, 0.03030303], [33, 117, 0.11904762], [117, 270, 0.02614379], [270, 457, 0.05347594], [457, 474, 0.05882353], [474, 549, 0.01333333], [549, 800, 0.00796813], [800, 902, 0.00980392], [902, 1063, 0.00621118]], "rps_doc_ml_palm_score": [[0, 1063, 0.02962595]], "rps_doc_ml_wikipedia_score": [[0, 1063, null]], "rps_doc_ml_wikiref_score": [[0, 1063, 0.02776897]], "rps_doc_books_importance": [[0, 1063, -35.27286018]], "rps_doc_openwebtext_importance": [[0, 1063, 9.01686418]], "rps_doc_wikipedia_importance": [[0, 1063, -16.86671595]], "rps_doc_num_sentences": [[0, 1063, 7.0]]} |
Tag Archives: light of Christ
Notes on the possibility of a profitable dialogue between Mormons and Protestants
This is a response to Gundek’s suggestions regarding the way forward in my project to create a profitable LDS/Evangelical dialogue. (Again, I didn’t edit this much and it might be a bit too repetitive, so please read charitably. 🙂 )
Like I have said earlier, I really don’t know much about being a converted Protestant, but I know that I now see something now that I didn’t see as a believing, spiritually minded Latter-day Saint. I am starting with the Light of Christ because the LDS will have no problem acknowledging that whatever truth I did find, it was not from an experience with the Holy Ghost, or from the Gift of the Holy Ghost. This is important because I am not LDS anymore and I want to be clear that whatever think about salvation does not threaten the LDS tradition because it comes outside of LDS covenants and outside of the Gift of the Holy Ghost. Mormonism is, by definition, the religion that is revealed outside of the understanding available through the Light of Christ, i.e. the Spirit of God, that those outside the Church have access to.
The Light of Christ seems a great place to start my dialogue with the LDS tradition because within the LDS tradition, whatever light and knowledge I have found must have come through the Light of Christ. By couching my understanding in terms of the Light of Christ, it side-steps all LDS revelation and tradition, and tries to go to the root of what non-LDS see in God that Joseph Smith may have taken for granted, or simply failed to grasp. It is no knock on Joseph Smith to claim that he did not understand the full nature of the Light of Christ, because the Light of Christ encompasses all knowledge.
In some ways I am trying to reverse-engineer my conversion process, restating the ideas that pushed me over the edge. The problem with this approach is that that once I began to recognize the reality of law and the reality of grace, and then feel the joy that this recognition brought, all kinds of ideas started clicking together to the point that I didn’t know precisely what convinced me, and how to explain why the argument was inescapable.
Posted in Uncategorized | Tagged apologetics, apostasy, atheism vs. Christianity, Book of Mormon, born again, comparative theology, interfaith dialogue, interpretation, Karl Barth, light of Christ, Mormon, Mormon Christianity, Mormon Doctrine, Mormon philosophy, Mormonism, philosophy of language, theology, Wittgenstein | 11 Replies
Joseph Smith’s bedrock message about the Light of Christ
In LDS teaching there is often a minor mistake often made in explaining the Light of Christ, but this mistake can have dramatic consequences in the minds of LDS children.
The light of Christ often defined by LDS Missionaries as the conscience, enabling people to judge good from evil. But according to doctrine, the conscience is only a manifestation of the Light of Christ. But if you judge by the Book of Mormon, the Light of Christ must also be the thing that allows you to see salvation from the conscience. A critical doctrine in the LDS Faith is that Adam and Eve were sent from the garden with a specific sort of enlightenment: (1) the knowledge of good and evil, and (2) a knowledge of their inevitable salvation from good and evil. The Books of Abraham and Moses establish that Adam and Eve knew about Christ from the time they left the Garden. Symbolically, the temple ceremony must mean that (1) all humans have a conscience, and (2) they have the capacity to understand their ultimate salvation, even before Jesus taught about it. This understanding is assumed, before any priesthood, and any of the covenants. This must be the Light of Christ.
The temple ceremony also must mean that parents have the responsibility, before anything else, to teach their children to distinguish good from evil and to choose the right, and the inevitable salvation from their wrong choices in Christ. Children must be taught that their salvation is inevitable in Christ, just as it is inevitable that they will fail to do good in nearly every choice they make. To not teach the full light of Christ, is to fail to teach the first principle of the Gospel. Without being enlightened in the mind somehow by the light of Christ it is not possible to have faith in Jesus Christ.
Posted in Uncategorized | Tagged Aquinas, Book of Mormon, Evangelicalism, Joseph Smith's bedrock message, light of Christ, Mormon Christianity, Mormon Doctrine, Mormon Mentality, Mormon Temple ceremony, Mormonism, Official Mormon Doctrine | 10 Replies
Pass the Christ-amine.
The scariest and perhaps the strongest argument in front of me that I might a Christian is that, all of a sudden, I find Kirk Cameron interesting. Kirk Cameron was once my poster child for the intellectually retarded, but now, shockingly, it seems I have no choice but to grant that there might be some genius to his approach to showing people the basics of the light of Christ, and it might be worthwhile. I might need some Christ-amine.
Posted in Uncategorized | Tagged Christ, Christian, Conversion, lds, light of Christ, Mormon | 25 Replies
The difference between the Light of Christ and the Gift of the Holy Ghost
I have probably been thinking about this way too much lately, but it seems to be an occupational hazard when what I do otherwise is make hopeless arguments for the hopeless people that are my clients.
I wanted to share a common LDS example of the difference between what the LDS call “the light of Christ” and what they call “the Gift of the Holy Ghost.” In LDS teaching, the Gift of the Holy Ghost was not on the earth at the time Jesus was on the earth. The Holy Ghost was around, but this particular state of having its “constant companionship” was not. This is the explanation of why Jesus’ disciples seemed so clueless about who He was. They were simply operating on what Jesus taught and the light of Christ. This is why Thomas doubted, this is why Peter denied Christ three times – they didn’t have the power of the Gift of the Holy Ghost to make them strong and unshakable in their testimonies. After Pentecost, when they received the “baptism of fire,” the book of Acts shows that the apostles did not falter.
This story is used in LDS teaching to show that the surest way to know that Jesus, a man, was actually God (in the LDS sense or any other sense) was by accepting the testimony of the Holy Ghost, not by seeing visions and miracles. Why? Because, as shown by Peter’s humiliating denials, and Thomas’s obstinate doubt, even the Gospels report that intimately knowing the man Jesus, watching him be crucified for his teaching (not to mention watching him raise the dead) did not fully convince them that his cause was worth being crucified for. But after Pentecost, it is pretty clear that the Apostles were all willing to “take up the cross” in the most brutally literal way. This unbelievable commitment to sacrifice for the truth – like what Stephen showed – was probably what shocked Paul out of his complacency and prompted him to see the “light of Christ” on the road to Damascus.
The flip-side of the story is also fascinating. What in the world convinced the disciples in the first place, if not the Holy Ghost? Jesus must have been essentially a social outcast, a bastard step-son of a typical family, probably treated precisely like a step-child, he clearly took comfort in the scriptures and spent plenty of time thinking about their meaning, even when he was a pre-teen. When started his ministry it probably seemed to His community that he completely lost his marbles, they were ready to stone him for his blasphemies. He was a dangerous man to be associated with from the beginning. He openly blasphemed, ate and drank with traitors, outcasts, and sinners, did not share the revolutionary politics of the day, caused public disturbances in holy places, and preached the moral bankruptcy of all of the powers that be of the day.
What was it that these early disciples saw in Jesus words that made them break away from their culture, even if they were yet unwilling to give up their lives? To the LDS it was not the Gift of the Holy Ghost, it was the words of Jesus and the light of Christ that shone in his words. The LDS believe it is these words and the light of Christ that kept the church alive, in spite of the apostasy of the clergy, and laid the groundwork for the Restoration.
Posted in Uncategorized | Tagged grace, interfaith dialogue, LDS and Evangelical Conversations, light of Christ, The Gift of the Holy Ghost., the Gospel of Jesus Christ, the philosophy of Jesus | 6 Replies
A Place Without God
The first time my wife and I attended an LDS baptism a man stood up to speak and he told the young woman being baptized that the following day they would lay hands on her and give her the gift of the Holy Ghost. He counseled her to avoid all evil afterwards and to never enter a place in which the Holy Ghost could not follow. My wife and I were stunned. This might have been the thing that stunned and offended our sensibilities more than anything we had heard in Mormonism to that point.
As we discussed it later we couldn’t imagine living a faith where the possibility existed that the Holy Spirit could not bear his presence. Our own journeys and the faith we had grown up in taught us that even in the deepest darkest places the Holy Spirit was at work convicting, counseling and comforting. Though the distractions around us may make it difficult to hear him, we believed that he always had to power to reveal himself. As God, He could always overcome the situations or atmosphere of those he wished to guide.
Jared recently directed me to an article written by Boyd K Packer on “the light of Christ” and I was encouraged to see that this concept was not absent in Mormonism, it was just renamed and attributed to the “light of Christ” rather than the Holy Spirit. The article states:
Posted in Boyd Packer, Christianity, Evangelical, Evangelicalism, lds, Mormon, Mormonism | Tagged gift of the Holy Ghost, Holy Spirit, light of Christ | 134 Replies
Zion and the Light of Christ
Along with the fact of salvation, there is another fact that is wound up in Christianity. James pointed to this fact: i.e. faith without works is dead. Once a person accepts that salvation is possible, the question remains, what should I do? The Mormon answer is actually very compelling for most people given the facts in front of them.
Joseph Smith grew up. like many Christians today, with the understanding that the Bible was the word of God. He had no sophisticated understanding of how to prioritize scriptural passages – nor did he care for sophisticated understandings – he saw the original text all as equally true. It all came from God didn’t it? The bible talks a lot about Israel, Zion, the end of the world, the Second Coming, the Kingdom of God and a whole lot of other things that would happen on earth. To him, and to many reasonable people, if the Bible is reliable, it seems like the “true” Church should be wrapped up in that stuff in a big way.
Nearly every country preacher in Joseph Smith’s time was using reason and the Bible to try to figure out how the Bible should apply to life and society in light of the dire prophecies in the text. They were incorporating “churches” based on all kinds of novel hermeneutics, visions, assimilation of science, and personal creativity. Some of this, no doubt, was simply branding and gimmicks, and the young Joseph Smith was clearly deeply cynical about the established order of things – especially given the bald-faced selling of salvation and religious competition that was going on around him. It may not be possible tell if Joseph was “saved” in the Protestant sense, but it may be also that he rejected the descriptions of salvation given by the country preachers around him, because they were too simple and self-serving. He might have thought that the way the preachers talked about salvation was corrupt as they were, or at least made way-too-simple in order to make their product more attractive. Like Joseph, these country preachers had already completely rejected the authority of the Catholic Church, every state church, and every other denomination except their own. It seemed clear to him that these men did not seek “the Lord to establish his righteousness, but every man walketh in his own way, and after the image of his own god, whose image is in the likeness of the world, and whose substance is that of an idol.” (D&C 1: 16.) He sought direction from heaven.
Posted in Uncategorized | Tagged alternative Christianity, Book of Mormon, Christianity, Conversion, Doctrine and Covenants, Evangelical, Joseph Smith, law of Christ, light of Christ, love of God, mists of darkness, Mormon testimony, Mormonism, salvation, testimony, tolstoy, utopia, Zion | 21 Replies | 2023-14/0000/en_head.json.gz/3883 | {"url": "https://ldstalk.wordpress.com/tag/light-of-christ/", "partition": "head_middle", "language": "en", "source_domain": "ldstalk.wordpress.com", "date_download": "2023-03-20T10:36:59Z", "digest": "sha1:SFKVIVZ5H4UVNBBGWGEC56U3RMAJW4RA"} | {"ccnet_length": [[0, 12945, 12945.0]], "ccnet_original_length": [[0, 12945, 16489.0]], "ccnet_nlines": [[0, 12945, 32.0]], "ccnet_original_nlines": [[0, 12945, 111.0]], "ccnet_language_score": [[0, 12945, 0.97]], "ccnet_perplexity": [[0, 12945, 285.7]], "ccnet_bucket": [[0, 12945, 0.0]], "rps_doc_curly_bracket": [[0, 12945, 0.0]], "rps_doc_ldnoobw_words": [[0, 12945, 1.0]], "rps_doc_lorem_ipsum": [[0, 12945, 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Closing Circus Cabaret of Le Jardin
Are you ready to attend the last circus cabaret in the Jardin du Monastère?
Welcome to this new and very special edition to beautifully close the summer season!
Balancing, in the air, in duet or solo, the artists of this cabaret have new acts in store for you that you won’t forget!
Visit the bar during intermission to order your favorite Quebec drink!
JOE DE PAUL
Joe De Paul is internationally renowned as a director, writer, actor, clown, and teacher. His unique physical comedy has brought him critical acclaim from the press, producers, theatres, circuses, and cabarets in Europe, the United States, and Canada. He is a veteran of numerous Cirque du Soleil productions.
Joe’s career has scaled numerous heights, in 2013 he received the META for best actor for his performance as Yves in the play Head à Tête presented by Geordie Productions at Centaur Theatre. He appeared in over 20 film and television events, and has authored and performed two full-length clown productions, Placebo, and Mr.P.P. & Joe that toured cities in Canada, France, and Spain. Amongst others, he has written, and directed comedy for Cirque du Soleil’s Kà, and Amaluna, and for six Teatro Zinzanni productions.
In addition to his stage activities, he teaches Clown for Actors at Concordia University (Montréal), and has taught at the Geneva Circus School, FRACO clown school (France); he also leads workshops for professional artists.
EmCEE
BASILE PUCEK
Basile is originally from Quebec. He started juggling at a very young age and quickly turned it into a passion. He decided to join the École nationale de cirque to pursue his dreams and make a living from his passion; and has just graduated in 2022.
According to him, L’École nationale de cirque was a learning experience for him and his passage was marked by the people he met as well as the open-mindedness and diversity of everyone.
He was recently part of the show “Après la nuit” at the MONTREAL COMPLETEMENT CIRQUE festival as well as the show “Un cabaret sans lendemain” for the Fondation 33, which works to create professional circus shows in order to develop the circus arts in remote areas, while raising funds to help victims of spinal cord injuries.
BALL JUGGLING
ALEX PAVIOST
Circus artist, contortionist and professional equilibrist, Alex is a creative and passionate artist.
In order to make a living from her passion, she acquired a solid training at L’École de Cirque de Québec from which she graduated in 2016. Since then, she has had the opportunity to refine her techniques thanks to a coaching with Sergei Volodin ( balancing/contortion coach). She has also had the chance to meet and exchange with wonderful contortionists such as Oyuna Senge and Aruna Bataa who have brought her a lot of knowledge.
For the regulars of Le Monastère, you may have already seen her on stage with her contortion act accompanied by a violin. This time, it is in a completely different discipline that you will have the opportunity to (re)discover her with her aerial act of loop silk.
LOOP SILK
CATHERINE GIRARD
After a childhood of practicing artistic gymnastics and obtaining a college diploma in dance, Catherine completed her training at l’École nationale de cirque in 2001.
During her career, she collaborated with several companies including Compagnia Finzi Pasca, Cirque Éloize, Les 7 doigts de la main, Cirque du Soleil and Cirque Alfonse.
Her curiosity and love for the circus arts have led her to develop and improve several disciplines over the years (aerial hoop, pole, hand to hand and aerial frame).
As a multidisciplinary artist, she also has a strong interest in music and theater.
She will present an act created after the pandemic that evolves around the themes of freedom and lightness.
ADELINE KERRY ET JR MADDRIPP
Adeline and Jr Maddripp are an amazing duo like we have never seen on the stage of Le Monastère! Indeed, they both dance krump, an urban dance from the Afro-American communities of Los Angeles.
Him, he was born in France, but he has been living in Quebec for many years. The Montreal krump scene considers him a master since his participation in the show Revolution.
Her, she is only 8 years old but she dances krump with maturity and with a surprising amount of soul. She was spotted with the movie Stay Still where she practices this dance.
Jr Maddripp decided to be her mentor to help her evolve in this field. Their duo recently performed in France at the Avignon Festival with their show “Silent Legacy” by choreographer Maud Le Pladec.
Their act tonight, “Meet krump”, is the story of Adeline who meets krump through Jr Maddripp. He realizes that she already has the essence in her and then passes on to her the basics and the movements of this dance of which he is a master.
KRUMP DUO
ELENA LEV
Elena Lev, born in Moscow, Russia, began her training to become a rhythmic gymnast at the age of 5, assisted and coached by her mother, Elena Lev Sr. She developed a signature hula hoop act incorporating gymnastics and contortion.
Her big breakthrough came when she was invited, at the age of 12, to join one of the iconic touring shows “Alegria” of Cirque du Soleil. She has been a performer ever since for 27 years at Cirque du Soleil, performed on 6 different shows, and many other companies and special events around the world.
She is also the author of the book “My Life Through HOOps…A Full Circle”. The autobiography of a little girl with big dreams, a big will and wishes, who never gave up despite lots of life challenges and obstacles.
We dare you to count the number of hula hoops she can spin around her at the same time!
CÉLIEN PINON
Célien grew up in a small town north of Paris. From an early age, he benefited from a varied artistic education: he began learning the violin with his mother, a professional violinist, and dance at the age of 4. Only a few years later, Célien decided to open his horizons towards the circus arts. He discovered a versatile world in which he still flourishes today.
In 2015, he joined l’École nationale de cirque de Montréal. Specialized in swinging trapeze, aerial silk and aerial rope. He asserts himself in these disciplines with an original technical vocabulary and a virtuosity that he never stops looking for and developing. A few months after his graduation in 2019, he won the gold medal at the 41st Festival Mondial de Cirque de Demain with his synchronized trapeze act in duet with Nicolas Allard.
Seeking to stimulate his creativity, Célien likes to take up challenges, such as interpreting extravagant characters with a strong character; being completely stripped of all artifice or bringing his skills as a violinist to the circus stage.
On a rock music of the 80’s from the band Mötley Crüe, he will propose us a rhythmic and delirious act of aerial rope.
AERIAL ROPE
ANNA OSTAPENKO
Anna is a multidisciplinary circus artist specializing in cane balancing, bungee, Chinese pole and hand to hand.
Although her training is in accro sport, in 2002 she auditioned for Cirque du Soleil and was accepted to be part of their new production “Varekai”.
Since 2002, Anna has worked with Cirque du Soleil in many of their touring shows for 15 years.
In 2016, she started working as an independent artist and since then, she has worked with many entertainment companies mainly with her balancing act but also a few with her bungee act.
She has a lot of experience performing on a big stage and loves to tell her story through her art to the general public.
She will be presenting her cane balancing act on Le Monastère’s stage, with which she would like to give each spectator the opportunity to interpret this act from their own point of view in reflection of their own reality.
HANDBALANCING
ENRIQUE LEON ROSENMAN CORDEU
Enrique was born and raised in Argentina. Since his early age, he has been interested in magic, music and basketball. At the age of 12 he discovered that juggling was the perfect combination of all his personal interests and started to take an interest in the circus.
While traveling in South America, he discovered that he wanted to dedicate himself to the circus and become professional. Accompanied by his clubs, he returned to Buenos Aires to train in dance and to continue his self-training. In 2020, he went to France to begin his professional training at the Esacto Lido school in Toulouse. He is still living there and is in his last year of school.
While in Montreal, he will present an act that is a dance of four: three seemingly dead objects and one fully alive juggler. In the search for a movement that is unique to club juggling, a character is born. A character that makes fun of itself by trying to find the extraordinary in the daily.
CLUB JUGGLING
DUO MICO
Maxime grew up in Victoriaville, Quebec and Caroline in Boston, Massachusetts.
Their respective journeys in the circus world began early, but it wasn’t until 2019 that their paths crossed.
This year, there was a casting call for a straps duet for a new project by Cirque du Soleil in Hangzhou, China. The role called for a caucasian male and asian female. Max was already involved in the project and Caroline was called to audition, having never done straps at the time. After auditioning in Montreal, she was luckily offered the position.
After performing together for a year, the pandemic separated them in 2020. When Max was finally able to return to China in 2021, they debuted their first show as Duo Mico on China’s Got Talent in November 2021, winning the coveted Golden Buzzer. Since then, they have competed their act at the Festival Internacional del Circ in Spain, winning the award of Budapest Varieté.
Their act is a representation of how Maxime and Caroline move together. An image speaks 1000 words, so they will try their best to show their relationship through movement. They try to break the mold in terms of intention and dynamic movement.
DUO AERIAL STRAPS
Le Monastère Team
CAROLINE LAMARRE
BREAGH LUNN
RAPHAËL VINCENT-ROCHETTE
Conceptor and Light Operator
JÉRÔME GUILLAUME
Sound Technician
JÉRÉMY VITUPIER
Stage Technician
Carolyn auclair
Artistic Co-Director & Casting Director
Sponsorship Manager
Camille Faron
kathy maguire
Anaëlle gérard
Hélène Nguyen
Le Jardin’s Event Coordinator
LUDOVIC RICHER
Thank you for the support!
We thank Patrimoine Canada for the support of these cabarets
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ÉLOGE À LA LENTEUR | 2023-14/0000/en_head.json.gz/3884 | {"url": "https://le-monastere.ca/en/cabaret-program-sept/", "partition": "head_middle", "language": "en", "source_domain": "le-monastere.ca", "date_download": "2023-03-20T10:44:44Z", "digest": "sha1:3AQ3XJXW7YUGVETB3UXPAVGP3FGX5U6V"} | {"ccnet_length": [[0, 10474, 10474.0]], "ccnet_original_length": [[0, 10474, 11536.0]], "ccnet_nlines": [[0, 10474, 87.0]], "ccnet_original_nlines": [[0, 10474, 152.0]], "ccnet_language_score": [[0, 10474, 0.97]], "ccnet_perplexity": [[0, 10474, 241.1]], "ccnet_bucket": [[0, 10474, 0.0]], "rps_doc_curly_bracket": [[0, 10474, 0.0]], "rps_doc_ldnoobw_words": [[0, 10474, 0.0]], "rps_doc_lorem_ipsum": [[0, 10474, 0.0]], "rps_doc_stop_word_fraction": [[0, 10474, 0.38989701]], "rps_doc_ut1_blacklist": [[0, 10474, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 10474, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 10474, 0.00281922]], "rps_doc_frac_chars_dupe_6grams": [[0, 10474, 0.0]], 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Learning August 12, 2019 Garcia Anderson
A Guide to Selecting the Right Early Learning Program for your Child
If your son or daughter is close to three years of age, it is time to think about getting them enrolled into an early learning program, and with so many institutions that offer early learning programs, it can seem like a daunting task to narrow the choices down to a single school. While some parents look for a school that is close to home, there’s a lot more to choosing the right learning environment for your child than close proximity, and with that in mind, here are a few aspects to consider when searching for a kindergarten school for your child.
The Right Approach to Learning – This is critical, and whether you are looking for kindergarten in Bangkok, or any other city, look for a school that understands there are multiple ways for a child to learn. The first two years of preschool should focus on learning through play, movement, art and other fun-based activities, and when you are browsing early learning programs online, take the time to read about their values and how they see learning, as well as how it best occurs.
Social, emotional and Physical Development – According to the British Early Years Foundation Stage (EYFS), a fun-based framework enables a child to develop essential life skills that will help them to reach their fullest potential, and with a range of engaging activities, the children can develop at their own pace. It is not a good idea to introduce very young children to academic learning, and some parents mistakenly think that education is a race, and the sooner the child is introduce to academic learning, the better. In fact, children aged 3-5 years learn best through engaging in fun-based activities, and an established early learning program would understand and promote learning by doing.
Parental Participation – Parents should always be actively encouraged to play a part in their child’s early learning, and with daily communication with your child’s carers, you will all be on the same page, so to speak, and your child will receive positive reinforcement in all their daily environments. Avoid any school that doesn’t encourage parent participation, as it is regarded as an essential part of the early learning process.
Small Classes – The ideal learning environment for a young child is one with no more than 15 children in the group, which gives the carers time to spend with each individual child, and if the classes have children of mixed ages, this is beneficial to both the younger and the older students. Composite classes of no more than 15 children offer the very best learning environment, and sadly, there are schools that are more interested in making a financial profit and therefore cram as many children into a class as they can.
Taking the time to select the right kindergarten school is a wise investment, and with the right encouragement and surroundings, your child will acquire the necessary skills to go on and achieve a high level of academic excellence.
Great Life Skills Building Activities for Kids of All Ages
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Portfolio / Basket Trading Strategy
Portfolio trading, also known as basket trading, is based on the mixture of different assets belonging to different financial markets (Forex, stock, futures, etc.). The concept is diversification, one of the most popular means of risk reduction.
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corriedale sheep breed | 2023-14/0000/en_head.json.gz/3887 | {"url": "https://learnnaturalfarming.com/tag/corriedale-sheep-breed/", "partition": "head_middle", "language": "en", "source_domain": "learnnaturalfarming.com", "date_download": "2023-03-20T10:15:10Z", "digest": "sha1:LMDZIKLRWYOB7U42R7NXAB2ZSZVM46NT"} | {"ccnet_length": [[0, 22, 22.0]], "ccnet_original_length": [[0, 22, 1293.0]], "ccnet_nlines": [[0, 22, 1.0]], "ccnet_original_nlines": [[0, 22, 57.0]], "ccnet_language_score": [[0, 22, 0.66]], "ccnet_perplexity": [[0, 22, 303.6]], "ccnet_bucket": [[0, 22, 0.0]], "rps_doc_curly_bracket": [[0, 22, 0.0]], "rps_doc_ldnoobw_words": [[0, 22, 0.0]], "rps_doc_lorem_ipsum": [[0, 22, 0.0]], "rps_doc_stop_word_fraction": [[0, 22, 0.0]], "rps_doc_ut1_blacklist": [[0, 22, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 22, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 22, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 22, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 22, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 22, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 22, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 22, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 22, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 22, 0.0]], "rps_doc_frac_all_caps_words": [[0, 22, 0.0]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 22, 0.0]], "rps_doc_frac_no_alph_words": [[0, 22, 0.0]], "rps_doc_frac_unique_words": [[0, 22, 1.0]], "rps_doc_mean_word_length": [[0, 22, 6.66666667]], "rps_doc_symbol_to_word_ratio": [[0, 22, 0.0]], "rps_doc_unigram_entropy": [[0, 22, 1.09861229]], "rps_doc_word_count": [[0, 22, 3.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 22, 0.0]], "rps_lines_javascript_counts": [[0, 22, 0.0]], "rps_lines_num_words": [[0, 22, 3.0]], "rps_lines_numerical_chars_fraction": [[0, 22, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 22, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 22, 0.0]], "rps_doc_ml_palm_score": [[0, 22, -1.001e-05]], "rps_doc_ml_wikipedia_score": [[0, 22, null]], "rps_doc_ml_wikiref_score": [[0, 22, -1.001e-05]], "rps_doc_books_importance": [[0, 22, -0.06299215]], "rps_doc_openwebtext_importance": [[0, 22, -0.559326]], "rps_doc_wikipedia_importance": [[0, 22, -0.57747955]], "rps_doc_num_sentences": [[0, 22, 1.0]]} |
Two Solar Eclipses Are Coming to America
Map by Michael Zeiler, GreatAmericanEclipse.com
The countdown has begun! Exactly one year from today, the first of two major solar eclipses just six months apart will occur over the Americas. On 14 October 2023, the Moon will pass directly between Earth and the Sun but will cover only 90% of the brilliant solar disk. The remaining 10% will appear as a blazing “ring of fire” around the Moon’s dark silhouette. This annular (Latin for ring-shaped) solar eclipse will be visible within a roughly 125-mile-wide path from Oregon to Texas and on into Mexico, Central America, and northern South America. Outside this path, nearly everyone in North America will have a partial solar eclipse.
Then, on 8 April 2024, we’ll have a total solar eclipse like the one that crossed the U.S. from coast to coast on 21 August 2017. As it did that day, the Moon will fully block the Sun’s bright face, turning day into night for several minutes and revealing the magnificent solar corona, our star’s wispy outer atmosphere. This time the Moon’s shadow, about 115 miles wide, will cross Mexico, sweep northeast from Texas to Maine, and then darken the Canadian Maritimes. Most of the rest of North America will have another partial solar eclipse.
Annular (left) and total solar eclipses at the same scale. Captions and credits appear further down the page.
Where and How to See Them Safely
From beginning to end, a solar eclipse lasts up to about 3 hours. For most of that time, the Moon slowly covers the Sun, then uncovers it, and the eclipse is partial. The real excitement comes in the middle, but only for those within the narrow path of the Moon’s shadow. In April 2024 the Moon’s shadow will pass over more big cities than in 2017 and give at least 30 million Americans a shot at seeing the solar corona without having to travel. But there’s a catch: in early April much of the country is still in winter’s grip. Clear skies are most likely across Mexico and Texas Hill Country, so those are the places where many ardent eclipse enthusiasts plan to go. Weather prospects for the October 2023 annular eclipse look most promising in parts of Utah, New Mexico, and Texas. Sky & Telescope offers package tours to the best places to see both eclipses (skyandtelescope.org/tours).
During partial and annular solar eclipses, the Sun remains dangerously bright at all times and must never be viewed directly except through special-purpose “eclipse glasses” or handheld viewers that comply with the ISO 12312-2 international standard. See eclipse.aas.org/safety for advice on where to get safe solar filters and on indirect viewing methods. During the brief total phase of a total solar eclipse, you can safely view the eclipsed Sun without eye protection.
“If you can get yourself into the path of the Moon’s shadow for a total eclipse, it’s definitely worth the effort,” says Rick Fienberg, Project Manager of the American Astronomical Society’s Solar Eclipse Task Force. “A 99% partial solar eclipse doesn’t get you 99% of the experience of a total solar eclipse — that last 1% is literally the difference between night and day. As the Moon covers the last 1% of the Sun over the course of a minute or so, daylight fades by 10,000 times. And the solar corona is one of the most glorious sights in all of nature!”
For the annular eclipse in 2023, observers under clear skies within the path of the Moon’s shadow from Oregon to Texas will see the “ring of fire” for up to 5 minutes. For the total eclipse six months later, totality — when the Moon fully obscures the Sun, the temperature drops, bright stars and planets dot the daytime sky, and sunrise/sunset colors ring the horizon — lasts nearly 4 minutes 30 seconds at the U.S. border with Mexico and about 3 minutes 20 seconds at the border with Canada.
Another total solar eclipse won’t cross the U.S. until August 12, 2045, so the April 2024 event is your best chance to catch totality for a generation.
Getting Organized
The AAS Solar Eclipse Task Force, which is helping to coordinate nationwide planning, is hosting a hybrid (in-person + virtual) solar eclipse planning workshop Friday-Saturday, 21-22 October 2022, at the Rochester Museum & Science Center (RMSC), 657 East Ave., Rochester, NY 14607 (eclipse.aas.org/workshops/oct2022). The theme is “Preparing Your Community for the Coming Solar Eclipses.”
The workshop is for everyone involved (or wanting to become involved) in preparing their community for the upcoming North American solar eclipses, whether on or off the eclipse path(s). Attending will be more than 150 amateur and professional astronomers; formal and informal educators; local, state, and national government officials; representatives from the tourism and hospitality industries; professionals in health, safety, transportation, and emergency management; local, state, and national park rangers; and artists, filmmakers, science writers, and event planners.
Eclipse Geometry
We get solar eclipses because, by a remarkable cosmic coincidence, the Sun and Moon appear almost exactly the same size in our sky. The Sun’s diameter is really about 400 times bigger than the Moon’s, but the Sun is also about 400 times farther away. Because Earth’s orbit around the Sun and the Moon’s orbit around Earth are both ellipses, not perfect circles, the apparent sizes of the Sun and Moon vary a little during the year (Sun) and during each month (Moon).
Our planet is closest to the Sun (perihelion) in early January and farthest (aphelion) in early July, and the Sun appears about 3% wider in January than in July — not that you’d notice. When the Moon is closest to Earth (perigee), its apparent diameter is about 11% larger than when it’s farthest (apogee); again, this effect is not too noticeable. When near perigee, the Moon can easily cover the entire solar disk and unveil the ethereal corona. But near apogee the Moon is too small to fully cover the Sun’s face, so at mideclipse a brilliant annulus (ring) of sunlight encircles the lunar silhouette.
You might wonder why we don’t have a solar eclipse at every new Moon. It’s because the Moon’s orbit around Earth is tipped about 5 degrees to Earth’s orbit around the Sun (which, from our perspective, is the Sun’s annual path through the zodiacal constellations). At new Moon, our natural satellite usually passes above or below the Sun. But twice each year, currently in April and October, the new Moon does pass in front of the Sun, so we get solar eclipses. Whether they’re partial, annular, or total depends on how precisely the Sun, Moon, and Earth align and on the distances from Earth to the Sun and Moon.
Rick Fienberg
Project Manager, AAS Solar Eclipse Task Force
Diana Hannikainen
Observing Editor, Sky & Telescope
+1 617-500-6793 x22100
Susanna Kohler
AAS Communications Manager & Press Officer
+1 202-328-2010 x127
Eclipse map:
https://aas.org/sites/default/files/2022-10/AAS_GAE_Solar_Eclipse_Paths.png
North America will soon be treated to two major solar eclipses, when the Sun, Moon, and Earth align. On 14 October 2023, anyone under clear skies within a path that sweeps from Oregon to Texas and then through parts of Central and South America will see an annular ("ring") eclipse. Just six months later, on 8 April 2024, a total solar eclipse will sweep from Mexico to Texas to the Canadian Maritimes, plunging day into night and revealing the magnificent solar corona for anyone fortunate to be within the path of totality and under clear skies. Nearly everyone in North America will have a partial solar eclipse both days. Map by Michael Zeiler (GreatAmericanEclipse.com); courtesy American Astronomical Society.
Annular solar eclipse:
https://aas.org/sites/default/files/2022-10/ASE1994May10_RTF.png
The annular solar eclipse of 10 May 1994, as seen from Ogunquit, Maine. The sky appears black because the photograph was made through a safe solar filter, which blocks all but 1 part in 100,000 of the Sun’s light. Photo by Rick Fienberg; courtesy Sky & Telescope and American Astronomical Society. This photo and the one below, of a total solar eclipse, are at the same scale.
Total solar eclipse:
https://aas.org/sites/default/files/2022-10/TSE2017Aug21_RTF_SW.png
The total solar eclipse of 21 August 2017, as seen from Madras, Oregon. This is a composite of short, medium, and long exposures. No single photo can capture the huge range of brightness exhibited by the solar corona, which is sculpted by the Sun’s magnetic field. Several red solar prominences (eruptions of glowing hydrogen gas) are visible, as are a couple of stars. Photo by Rick Fienberg, processing by Sean Walker; courtesy TravelQuest International and Sky & Telescope.
For skywatching information and astronomy news, visit SkyandTelescope.org or pick up Sky & Telescope magazine, the essential guide to astronomy since 1941. Sky & Telescope and SkyandTelescope.org are published by the American Astronomical Society, along with SkyWatch (an annual beginner's guide to the night sky) as well as books, star atlases, posters, prints, globes, apps, and other products for astronomy enthusiasts.
The American Astronomical Society (AAS), established in 1899, is a major international organization of professional astronomers, astronomy educators, and amateur astronomers. Its membership of approximately 8,000 also includes physicists, geologists, engineers, and others whose interests lie within the broad spectrum of subjects now comprising the astronomical sciences. 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Olga Gulina
Olga Gulina is director and founder of the RUSMPI-Institute on Migration Policy. She holds PhD in Migration Law (2010, University of Potsdam, Germany), PhD in Constitutional Law (2002, Bashkir State University, Russia), Certificate of Advanced Studies in Human Rights Law (2005, Helsinki Human Rights Foundation, Poland), Diploma in Law (Law Institute of Bashkir State University, Russia). She is the member of the Network of Migration in the European Union and Alumni of the Alexander von Humboldt Foundation, the European Academy of Diplomacy, the Kennan Institute and Moscow School of Political Studies. Olga has over 19 years academic and professional experiences. She has worked at the RUSMPI – Institute on Migration Policy (Germany), the Kennan Institute of the WWC (USA), the CEREN of the University of Helsinki (Finland), Menschenrechtszentrum (Germany), Law Institute of the Bashkir State University (Russia). Her field of expertise is a comparative immigration law, the EU and Russian immigration law and its enforcement, human rights law.
Published by Olga Gulina at 24/06/2020
The Economics of Migration: Russian Experience
Migration in today's world is a complex phenomenon that can have both positive and negative impact: a smart and flexible migration policy can help countries strengthen their social, economic and political ties and open up new sources of capital and investment. In contrast, an irrational and excessively restrictive migration policy can cause imbalances in the labour market and income inequalities between immigrants and local residents, potentially leading to high levels of social tension.
Is Germany Encouraging Migrants in Skilled Labour?
On 1 March 2020, a new Skilled Immigration Act will come into force in Germany. This law, like other, has contributed to migration intentions in Eastern Europe. However, a careful study of the changes introduced by the new law reveals that not all dreams of easy immigration and getting employment in Germany will come true. Who will find it easier to immigrate and find employment in Germany? What are the requirements set forth in the new law on immigration of skilled workers? These are just the questions we set out to answer.
Countries of the former Soviet Union as “Safe Countries of Origin” of asylum applicants
In EU humanitarian law, the concept of a "safe country of origin" is of utmost importance for understanding migration processes in Europe. Olga Gulina discusses why certain countries of the former Soviet Union (FSU) are recognized (or not recognized) as safe countries of origin. She outlines some of the changes in this sphere over recent years, and shares statistics of asylum applications lodged in EU member states by nationals of FSU countries.
Legal Regulation and Management of Migration in the European Union (Part 2)
Part 2. Mechanisms for Managing Humanitarian Migration to European Continent In 2014 to 2016, EU Member States faced an influx of humanitarian migration which […]
The current EU legislation on migration and asylum has been set out and interpreted in a number of legal documents. The existence of multiple […] | 2023-14/0000/en_head.json.gz/3889 | {"url": "https://legal-dialogue.org/author/olga-gulina/", "partition": "head_middle", "language": "en", "source_domain": "legal-dialogue.org", "date_download": "2023-03-20T09:32:11Z", "digest": "sha1:Y3LCOXFKSUXYCA3LN5RI7UJL2Z5MPJEU"} | {"ccnet_length": [[0, 3146, 3146.0]], "ccnet_original_length": [[0, 3146, 5818.0]], "ccnet_nlines": [[0, 3146, 12.0]], "ccnet_original_nlines": [[0, 3146, 103.0]], "ccnet_language_score": [[0, 3146, 0.93]], "ccnet_perplexity": [[0, 3146, 210.5]], "ccnet_bucket": [[0, 3146, 0.0]], "rps_doc_curly_bracket": [[0, 3146, 0.0]], "rps_doc_ldnoobw_words": [[0, 3146, 0.0]], "rps_doc_lorem_ipsum": [[0, 3146, 0.0]], "rps_doc_stop_word_fraction": [[0, 3146, 0.32864675]], "rps_doc_ut1_blacklist": [[0, 3146, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 3146, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 3146, 0.04667445]], "rps_doc_frac_chars_dupe_6grams": [[0, 3146, 0.04667445]], "rps_doc_frac_chars_dupe_7grams": [[0, 3146, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 3146, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 3146, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 3146, 0.01944769]], "rps_doc_frac_chars_top_3gram": [[0, 3146, 0.02567095]], "rps_doc_frac_chars_top_4gram": [[0, 3146, 0.03267211]], "rps_doc_frac_all_caps_words": [[0, 3146, 0.02108963]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 3146, 0.0]], "rps_doc_frac_no_alph_words": [[0, 3146, 0.15641476]], "rps_doc_frac_unique_words": [[0, 3146, 0.47154472]], "rps_doc_mean_word_length": [[0, 3146, 5.22560976]], "rps_doc_symbol_to_word_ratio": [[0, 3146, 0.00351494]], "rps_doc_unigram_entropy": [[0, 3146, 4.87096758]], "rps_doc_word_count": [[0, 3146, 492.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 12, 0.0], [12, 1063, 1.0], [1063, 1102, 0.0], [1102, 1149, 0.0], [1149, 1642, 1.0], [1642, 1693, 1.0], [1693, 2224, 1.0], [2224, 2312, 0.0], [2312, 2762, 1.0], [2762, 2838, 0.0], [2838, 3001, 0.0], [3001, 3146, 0.0]], "rps_lines_javascript_counts": [[0, 12, 0.0], [12, 1063, 0.0], [1063, 1102, 0.0], [1102, 1149, 0.0], [1149, 1642, 0.0], [1642, 1693, 0.0], [1693, 2224, 0.0], [2224, 2312, 0.0], [2312, 2762, 0.0], [2762, 2838, 0.0], [2838, 3001, 0.0], [3001, 3146, 0.0]], "rps_lines_num_words": [[0, 12, 2.0], [12, 1063, 158.0], [1063, 1102, 6.0], [1102, 1149, 6.0], [1149, 1642, 73.0], [1642, 1693, 7.0], [1693, 2224, 92.0], [2224, 2312, 14.0], [2312, 2762, 72.0], [2762, 2838, 12.0], [2838, 3001, 25.0], [3001, 3146, 25.0]], "rps_lines_numerical_chars_fraction": [[0, 12, 0.0], [12, 1063, 0.01390268], [1063, 1102, 0.22222222], [1102, 1149, 0.0], [1149, 1642, 0.0], [1642, 1693, 0.0], [1693, 2224, 0.00961538], [2224, 2312, 0.0], [2312, 2762, 0.0], [2762, 2838, 0.01369863], [2838, 3001, 0.05696203], [3001, 3146, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 12, 0.0], [12, 1063, 0.0], [1063, 1102, 0.0], [1102, 1149, 0.0], [1149, 1642, 0.0], [1642, 1693, 0.0], [1693, 2224, 0.0], [2224, 2312, 0.0], [2312, 2762, 0.0], [2762, 2838, 0.0], [2838, 3001, 0.0], [3001, 3146, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 12, 0.16666667], [12, 1063, 0.09895338], [1063, 1102, 0.07692308], [1102, 1149, 0.10638298], [1149, 1642, 0.0040568], [1642, 1693, 0.11764706], [1693, 2224, 0.02824859], [2224, 2312, 0.06818182], [2312, 2762, 0.03777778], [2762, 2838, 0.09210526], [2838, 3001, 0.07361963], [3001, 3146, 0.02758621]], "rps_doc_ml_palm_score": [[0, 3146, 0.38096577]], "rps_doc_ml_wikipedia_score": [[0, 3146, null]], "rps_doc_ml_wikiref_score": [[0, 3146, 0.37193376]], "rps_doc_books_importance": [[0, 3146, -142.88564607]], "rps_doc_openwebtext_importance": [[0, 3146, 13.05565685]], "rps_doc_wikipedia_importance": [[0, 3146, 66.58261779]], "rps_doc_num_sentences": [[0, 3146, 21.0]]} |
Governor to HC: Kerala University senate acted unlawfully, exceeded limits
The Chancellor of the University of Kerala has informed the Kerala High Court that the senate members were removed as they acted unlawfully and exceeded their jurisdiction. Governor Arif Mohammad Khan is the Chancellor of the university.
Mahir Haneef
KOCHI: The Chancellor of the University of Kerala has informed the Kerala High Court that the senate members were removed as they acted unlawfully and exceeded their jurisdiction. Governor Arif Mohammad Khan is the Chancellor of the university.
Responding to petitions (WP-C 33664/22 and others) filed by the members of the senate whose nominations were withdrawn, the Chancellor said in an affidavit that the action of the senate, chaired by the vice-chancellor, requesting the Chancellor to withdraw the Raj Bhavan’s notification, to constitute a selection committee to select the next vice-chancellor, is not in accordance with the provisions of the University Act but must be called a “marked affront”.
The notification was issued after the senate repeatedly failed to nominate a person to the three-member selection committee to choose the new vice chancellor in view of the retirement of the incumbent, the Chancellor contended. The senate was also informed that the third member, who is nominated by the senate, will be included in the selection committee as and when the nomination is made by the senate, the court was told.
The senate members do not enjoy the privilege to indulge in any illegal decision-making process against the lawful action of the Chancellor, the affidavit said. Nominees of the Chancellor becoming a party on the unanimous decision of the senate requesting to withdraw notification issued by the Chancellor is unlawful, the affidavit filed by the Chancellor through senior advocate K Jaju Babu said.
“They have gone out of bounds of their jurisdiction to exercise the authority and power which is not vested on them. It is respectfully submitted that the act of the Chancellor was in good faith to avoid all possible delays in appointing a new Vice Chancellor to the University,” the affidavit stated.
k jaju babu
arif mohammad khan | 2023-14/0000/en_head.json.gz/3890 | {"url": "https://legal.economictimes.indiatimes.com/news/industry/governor-to-hc-kerala-university-senate-acted-unlawfully-exceeded-limits/95221208", "partition": "head_middle", "language": "en", "source_domain": "legal.economictimes.indiatimes.com", "date_download": "2023-03-20T10:28:32Z", "digest": "sha1:ITWPE4VPEMYQ5UZHFBWJ64FP4RL2OCXW"} | {"ccnet_length": [[0, 2190, 2190.0]], "ccnet_original_length": [[0, 2190, 15633.0]], "ccnet_nlines": [[0, 2190, 10.0]], "ccnet_original_nlines": [[0, 2190, 168.0]], "ccnet_language_score": [[0, 2190, 0.98]], "ccnet_perplexity": [[0, 2190, 249.1]], "ccnet_bucket": [[0, 2190, 0.0]], "rps_doc_curly_bracket": [[0, 2190, 0.0]], "rps_doc_ldnoobw_words": [[0, 2190, 0.0]], "rps_doc_lorem_ipsum": [[0, 2190, 0.0]], "rps_doc_stop_word_fraction": [[0, 2190, 0.4351145]], "rps_doc_ut1_blacklist": [[0, 2190, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2190, 0.22013274]], "rps_doc_frac_chars_dupe_5grams": [[0, 2190, 0.22013274]], "rps_doc_frac_chars_dupe_6grams": [[0, 2190, 0.22013274]], "rps_doc_frac_chars_dupe_7grams": [[0, 2190, 0.22013274]], "rps_doc_frac_chars_dupe_8grams": [[0, 2190, 0.22013274]], "rps_doc_frac_chars_dupe_9grams": [[0, 2190, 0.22013274]], "rps_doc_frac_chars_top_2gram": [[0, 2190, 0.03595133]], "rps_doc_frac_chars_top_3gram": [[0, 2190, 0.0414823]], "rps_doc_frac_chars_top_4gram": [[0, 2190, 0.03982301]], "rps_doc_frac_all_caps_words": [[0, 2190, 0.01272265]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2190, 0.0]], "rps_doc_frac_no_alph_words": [[0, 2190, 0.09923664]], "rps_doc_frac_unique_words": [[0, 2190, 0.41260745]], "rps_doc_mean_word_length": [[0, 2190, 5.18051576]], "rps_doc_symbol_to_word_ratio": [[0, 2190, 0.0]], "rps_doc_unigram_entropy": [[0, 2190, 4.3074537]], "rps_doc_word_count": [[0, 2190, 349.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 75, 0.0], [75, 313, 1.0], [313, 326, 0.0], [326, 571, 1.0], [571, 1033, 1.0], [1033, 1459, 1.0], [1459, 1858, 1.0], [1858, 2160, 1.0], [2160, 2172, 0.0], [2172, 2190, 0.0]], "rps_lines_javascript_counts": [[0, 75, 0.0], [75, 313, 0.0], [313, 326, 0.0], [326, 571, 0.0], [571, 1033, 0.0], [1033, 1459, 0.0], [1459, 1858, 0.0], [1858, 2160, 0.0], [2160, 2172, 0.0], [2172, 2190, 0.0]], "rps_lines_num_words": [[0, 75, 10.0], [75, 313, 37.0], [313, 326, 2.0], [326, 571, 38.0], [571, 1033, 71.0], [1033, 1459, 71.0], [1459, 1858, 62.0], [1858, 2160, 52.0], [2160, 2172, 3.0], [2172, 2190, 3.0]], "rps_lines_numerical_chars_fraction": [[0, 75, 0.0], [75, 313, 0.0], [313, 326, 0.0], [326, 571, 0.0], [571, 1033, 0.0155902], [1033, 1459, 0.0], [1459, 1858, 0.0], [1858, 2160, 0.0], [2160, 2172, 0.0], [2172, 2190, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 75, 0.0], [75, 313, 0.0], [313, 326, 0.0], [326, 571, 0.0], [571, 1033, 0.0], [1033, 1459, 0.0], [1459, 1858, 0.0], [1858, 2160, 0.0], [2160, 2172, 0.0], [2172, 2190, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 75, 0.06666667], [75, 313, 0.05042017], [313, 326, 0.15384615], [326, 571, 0.06938776], [571, 1033, 0.02164502], [1033, 1459, 0.00704225], [1459, 1858, 0.02255639], [1858, 2160, 0.01986755], [2160, 2172, 0.0], [2172, 2190, 0.0]], "rps_doc_ml_palm_score": [[0, 2190, 0.89891207]], "rps_doc_ml_wikipedia_score": [[0, 2190, null]], "rps_doc_ml_wikiref_score": [[0, 2190, 0.92806053]], "rps_doc_books_importance": [[0, 2190, -0.93658345]], "rps_doc_openwebtext_importance": [[0, 2190, 51.71153461]], "rps_doc_wikipedia_importance": [[0, 2190, 75.78292318]], "rps_doc_num_sentences": [[0, 2190, 12.0]]} |
L'homme inconnu
Late 1970s. The Flemish writer Louis (37) decides to go to the fashionable Côte d'Azur. He hopes this new place will bring him inspiration, as after the success of his first novel he has trouble finding the inspiration for a new story; in Flanders there is too much pressure and distraction. At first sight, this seems the ideal place to start working on the new novel, but soon Louis realises that inspiration will not come naturally here either. Just when he is on the phone with his publisher about the state of affairs, lying that things are progressing smoothly, he sees a couple making love on the beach. Under pressure from the publisher, Louis decides that there is only one thing he can do; visit the couple. They introduce themselves as Melanie and Tommy. It is Tommy, in particular, who arouses something in Louis. Louis has never met anyone so handsome and self-confident. Tommy is perfection, and both outwardly and inwardly he is everything Louis has never been able/willing to be. Over the next few days, Louis can’t get Tommy out of his head. At night he even has a wet dream about it, something that hasn't happened to him since puberty. What is this? Louis doesn't know what to do with himself and decides to put his feelings and thoughts on paper. He finally starts writing. The desire for Tommy and these new feelings of lust become his subject. How will he be able to get closer to the boy with his looks and stature? Louis becomes completely obsessed with Tommy. His story starts to take shape. Louis convinces his publisher of his plan. In Flanders this will be controversial, but no less interesting. The publisher gives him tips on how to make the story even more exciting and interesting. Louis becomes obsessed with his characters and can no longer control himself. Melanie turns out to be the big obstacle in getting closer to Tommy. It seems as if Louis is making up a story with such extreme plot twists that reality and fiction begin to mix. In the post office, he sends the final version of his manuscript to his publisher. Proudly Louis walks out, but in the entrance he bumps into a couple. They turn out to be Melanie and Tommy. Louis feels caught out, but it seems as if the couple has never seen him before. How is this possible? Did Louis make all this up? What is fiction and what is reality?
Director Biography
Anthony Schatteman graduated from KASK (School of Arts) Gent in 2012. Afterwords he studied the extra theoretical master degree ‘Film Studies and Visual Culture’ at the University of Antwerp where he graduated in 2014. His first- and autobiographical shortfilm ‘Kiss me softly’ was awarded by the renowned International Shortfilm Festival in Leuven and was selected in official competition at festivals such as Frameline (San Fran), BFI Flare (London) & and the Palm Springs Shortsfest (LA). Over the past few years he directed several other short films (‘Follow me’ (2015) & ‘Petit Ami’ (2017)), music videos and television- & internet commercials for clients such as Proximus and the Belgian government. Currently Anthony is working on the script of his first feature film.
Dutch, French
Thursday, 9 June 21:45 - 23:15 / Kijkhuis 2
Saturday, 11 June 21:30 - 23:00 / Kijkhuis 2
Also in this session
1. El océano analogo
Luis Macias, 9
2. Haulout
Evgenia Arbugaeva, Maxim Arbugaev, 25
3. Carnivorous Bean Sprout
SeO, 5
4. L'homme inconnu
Anthony Schatteman, 22
5. Deep Water
Anna Dudko, 6
6. Silent Heat
Luciënne Venner, 18 | 2023-14/0000/en_head.json.gz/3891 | {"url": "https://leidenshorts.nl/film/lhomme-inconnu/", "partition": "head_middle", "language": "en", "source_domain": "leidenshorts.nl", "date_download": "2023-03-20T09:52:25Z", "digest": "sha1:U6YFXRCB2R42EXDC6IUTVX6243FB6F7W"} | {"ccnet_length": [[0, 3490, 3490.0]], "ccnet_original_length": [[0, 3490, 4090.0]], "ccnet_nlines": [[0, 3490, 20.0]], "ccnet_original_nlines": [[0, 3490, 64.0]], "ccnet_language_score": [[0, 3490, 0.97]], "ccnet_perplexity": [[0, 3490, 324.1]], "ccnet_bucket": [[0, 3490, 0.0]], "rps_doc_curly_bracket": [[0, 3490, 0.0]], "rps_doc_ldnoobw_words": [[0, 3490, 1.0]], "rps_doc_lorem_ipsum": [[0, 3490, 0.0]], "rps_doc_stop_word_fraction": [[0, 3490, 0.40083218]], "rps_doc_ut1_blacklist": [[0, 3490, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 3490, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 3490, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 3490, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 3490, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 3490, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 3490, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 3490, 0.00898634]], "rps_doc_frac_chars_top_3gram": [[0, 3490, 0.00718907]], "rps_doc_frac_chars_top_4gram": [[0, 3490, 0.00790798]], "rps_doc_frac_all_caps_words": [[0, 3490, 0.00693481]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 3490, 0.0]], "rps_doc_frac_no_alph_words": [[0, 3490, 0.19556172]], "rps_doc_frac_unique_words": [[0, 3490, 0.54103853]], "rps_doc_mean_word_length": [[0, 3490, 4.6599665]], "rps_doc_symbol_to_word_ratio": [[0, 3490, 0.0]], "rps_doc_unigram_entropy": [[0, 3490, 5.30725237]], "rps_doc_word_count": [[0, 3490, 597.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 16, 0.0], [16, 2348, 1.0], [2348, 2367, 0.0], [2367, 3143, 1.0], [3143, 3157, 0.0], [3157, 3201, 0.0], [3201, 3246, 0.0], [3246, 3267, 0.0], [3267, 3288, 0.0], [3288, 3303, 0.0], [3303, 3314, 0.0], [3314, 3352, 0.0], [3352, 3379, 0.0], [3379, 3386, 0.0], [3386, 3405, 0.0], [3405, 3428, 0.0], [3428, 3442, 0.0], [3442, 3456, 0.0], [3456, 3471, 0.0], [3471, 3490, 0.0]], "rps_lines_javascript_counts": [[0, 16, 0.0], [16, 2348, 0.0], [2348, 2367, 0.0], [2367, 3143, 0.0], [3143, 3157, 0.0], [3157, 3201, 0.0], [3201, 3246, 0.0], [3246, 3267, 0.0], [3267, 3288, 0.0], [3288, 3303, 0.0], [3303, 3314, 0.0], [3314, 3352, 0.0], [3352, 3379, 0.0], [3379, 3386, 0.0], [3386, 3405, 0.0], [3405, 3428, 0.0], [3428, 3442, 0.0], [3442, 3456, 0.0], [3456, 3471, 0.0], [3471, 3490, 0.0]], "rps_lines_num_words": [[0, 16, 2.0], [16, 2348, 417.0], [2348, 2367, 2.0], [2367, 3143, 118.0], [3143, 3157, 2.0], [3157, 3201, 7.0], [3201, 3246, 7.0], [3246, 3267, 4.0], [3267, 3288, 4.0], [3288, 3303, 3.0], [3303, 3314, 2.0], [3314, 3352, 5.0], [3352, 3379, 4.0], [3379, 3386, 2.0], [3386, 3405, 3.0], [3405, 3428, 3.0], [3428, 3442, 3.0], [3442, 3456, 3.0], [3456, 3471, 3.0], [3471, 3490, 3.0]], "rps_lines_numerical_chars_fraction": [[0, 16, 0.0], [16, 2348, 0.0026362], [2348, 2367, 0.0], [2367, 3143, 0.02144772], [3143, 3157, 0.0], [3157, 3201, 0.27777778], [3201, 3246, 0.2972973], [3246, 3267, 0.0], [3267, 3288, 0.05], [3288, 3303, 0.07692308], [3303, 3314, 0.11111111], [3314, 3352, 0.05714286], [3352, 3379, 0.04], [3379, 3386, 0.2], [3386, 3405, 0.0625], [3405, 3428, 0.0952381], [3428, 3442, 0.08333333], [3442, 3456, 0.08333333], [3456, 3471, 0.07692308], [3471, 3490, 0.10526316]], "rps_lines_start_with_bulletpoint": [[0, 16, 0.0], [16, 2348, 0.0], [2348, 2367, 0.0], [2367, 3143, 0.0], [3143, 3157, 0.0], [3157, 3201, 0.0], [3201, 3246, 0.0], [3246, 3267, 0.0], [3267, 3288, 0.0], [3288, 3303, 0.0], [3303, 3314, 0.0], [3314, 3352, 0.0], [3352, 3379, 0.0], [3379, 3386, 0.0], [3386, 3405, 0.0], [3405, 3428, 0.0], [3428, 3442, 0.0], [3442, 3456, 0.0], [3456, 3471, 0.0], [3471, 3490, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 16, 0.0625], [16, 2348, 0.02358491], [2348, 2367, 0.10526316], [2367, 3143, 0.05541237], [3143, 3157, 0.14285714], [3157, 3201, 0.06818182], [3201, 3246, 0.06666667], [3246, 3267, 0.04761905], [3267, 3288, 0.04761905], [3288, 3303, 0.13333333], [3303, 3314, 0.09090909], [3314, 3352, 0.10526316], [3352, 3379, 0.11111111], [3379, 3386, 0.28571429], [3386, 3405, 0.05263158], [3405, 3428, 0.08695652], [3428, 3442, 0.14285714], [3442, 3456, 0.14285714], [3456, 3471, 0.13333333], [3471, 3490, 0.10526316]], "rps_doc_ml_palm_score": [[0, 3490, 0.25182831]], "rps_doc_ml_wikipedia_score": [[0, 3490, null]], "rps_doc_ml_wikiref_score": [[0, 3490, 0.41776276]], "rps_doc_books_importance": [[0, 3490, -101.1646368]], "rps_doc_openwebtext_importance": [[0, 3490, 15.79545425]], "rps_doc_wikipedia_importance": [[0, 3490, -82.14833646]], "rps_doc_num_sentences": [[0, 3490, 44.0]]} |
The Ultimate Health and Fitness Solution in the 21st Century
by Lillie Garza
With the new Apple Watch Series 4, Apple will make fitness and health as fun and accessible as possible, providing you with everything you need to be more active and better yourself. From Apple Watch to iPhone and beyond, the Apple ecosystem is one of the most comprehensive and reliable for users who want to stay on top of their health and fitness.
Summary show
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What is the best way to stay healthy and fit?
Why are health and fitness important?
How do you know if you are healthy?
The importance of fitness and exercise
How To Prevent The Common Illnesses Of Our Time
Frequently Asked Questions Health and Fitness
Top 3 Myths About Health and Fitness
Are you tired of living an unhealthy lifestyle? Do you want to take control of your health and fitness? If so, you need to check out my new program, “The Ultimate Health and Fitness Solution”.
In the last decade, there has been a revolution in the health and fitness industry. With more than 15,000 fitness programs and health coaches, people are finally taking charge of their health and fitness.
But what do you do when your trainer, nutritionist, and health coach quit? You need a plan B!
Are you looking for a simple, powerful, easy, and safe way to achieve optimum physical and mental well-being? It’s not complicated. It’s called the “8-week fat loss program” developed by myself, Dr. John Romaniello, and my colleague, Dr. Jeff Volek. It has changed hundreds of thousands of lives worldwide, and the evidence is irrefutable. I’ll tell you exactly what to eat and when and how to do it in a way that works for you so that you can finally start losing weight and improving your overall health and fitness.
While I’m sure you’ve heard that eating and exercising regularly is the key to staying healthy, it doesn’t mean you should spend all of your time doing those things.
I’ve found that if I’m always working on my diet and exercise routine, I’m not as motivated to stick to them. To stay motivated, I’ve created a program that includes four elements to ensure you get the most out of your workouts and healthy eating.
Health and fitness are important because we all know that we won’t live long if we don’t stay healthy. However, not everyone realizes that staying fit is important for their life.
By fitness, I mean having a good diet, exercising regularly, and making sure you get enough sleep.
With that said, how do you know if you are healthy?
I’m not talking about a quick “healthy” checkup at the doctor. I am talking about a complete lifestyle overhaul that will change your life.
Let me ask you a few questions to help you figure out if you are, in fact, healthy.
A recent study found that physical activity is one of the most effective ways to improve overall health. According to research, exercise can improve cardiovascular health, bone density, muscle strength, and cognitive function.
You may also be interested that a recent study showed that exercise could improve brain health. This makes sense, considering that your brain comprises 60% fat.
However, there’s one problem. Most of us are stuck with sedentary lifestyles. Even if we walk every day, it’s not enough.
While exercise is important, finding a fitness program that works for you is key. I created a system that caters to everyone’s needs and preferences.
It’s called “The Ultimate Health and Fitness Solution”. It’s an online program that gives you the tools, guidance and support you need to achieve your goals.
A healthy body starts with a healthy mind. If you’re looking for a fast and effective way to take charge of your life, then you need to learn how to prevent the common illnesses of our time.
I will teach you how to eliminate the most common diseases and illnesses of our time and how to prevent them before they start.
Weight gain and obesity
Environmental illness
Q: Can you give me a brief history of how your company started?
A: My business started from my passion for health and fitness. I was never a big fan of going to the gym. But when I became pregnant, I felt it important to start incorporating some exercise into my routine. So I decided to take classes at a local gym. I fell in love with it and wanted to learn more. Soon after, I discovered that there were no good online fitness classes available then. So I decided to create my program called The Ultimate Fitness Solution. I created this program to help people achieve their fitness goals through online courses.
Q: What’s the greatest part of being an entrepreneur?
A: Being an entrepreneur gives you control over your schedule. You are not just working for someone else. You have the power to decide when to work and when to rest.
Q: What inspired you to start this company?
A: I was inspired when my mother died of cancer and realized I wasn’t in good shape. I was overweight and out of the body and didn’t feel well. I found that I had to do a lot of research to learn how to take care of myself, and I realized that most people weren’t doing it. I wanted to help people achieve the health and fitness goals they wanted, but I couldn’t find the time or resources to do it. I wanted to create a program that would make it easy to maintain my health and fitness and keep up with my life.
Q: What’s the unique thing about your program?
A: Well, we are the only health and fitness company designed specifically for women. We take into account their lifestyle and their body type and personality.
1. You must be on a restricted diet to lose weight.
2. You cannot normally eat to get enough energy to work out.
3. You must do long cardio workouts for fat loss.
Let’s face it, we all want to look our best. But, as many of us know, this cannot be easy to achieve.
With the right training, you can achieve your health and fitness goals. And once you start working out regularly, you can look and feel better than ever.
The key to success is consistency, but this doesn’t have to be boring. You can add fun, variety, and other new things to your routine. So, let’s get started!
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LeSourd & Patten
Robert M. McCallum
Civil Tax Controversy
IRS Offshore Voluntary Disclosure Program
Zapper/Suppression Software Cases
Legal Assistant: Julie P. Bonwell
Rob McCallum’s practice emphasizes the resolution of civil and criminal tax matters before the Internal Revenue Service and the Washington State Department of Revenue. He also represents clients in other federal and state criminal matters.
Prior to entering private practice, Mr. McCallum was a federal prosecutor with the Criminal Tax Section of the United States Department of Justice and an Attorney-Advisor with the United States Tax Court in Washington, D.C. While at the Department of Justice, he represented the Internal Revenue Service in grand jury investigations and criminal trials in federal district court.
Mr. McCallum is an adjunct professor at Seattle University School of Law and Golden Gate University’s Graduate Tax Program in Seattle, where he teaches several courses, including tax practice and procedure. He has received the Outstanding Faculty Member Award and Distinguished Teaching Award from Golden Gate University.
He and his wife, Diane, enjoy outdoor activities, traveling and being involved in community issues.
Georgetown University Law Center, LL.M. in Taxation, 1980
California Western School of Law, J.D., 1978
Middlebury College, B.A. Political Science, 1974
Seattle Magazine: Best Lawyers, Tax Law
Super Lawyers (Top 100)
Martindale-Hubbell: AV Rating
Best Lawyers, Lawyer of the Year 2014, Tax Law, Seattle
Distinguished Teaching Awards, Golden Gate University,
Graduate Tax Program
Outstanding Faculty Member Award, Golden Gate University,
2019 Stouder Award, which is presented on occasion by the WSBA Tax Section to exemplary tax practitioners in recognition of their dedication to the tax community, exceptional skills in the field of taxation, and display of professionalism.
Mr. McCallum is a frequent lecturer on tax controversy matters for continuing professional education programs, including Washington State Bar Association, Washington Society of Certified Public Accountants, Seattle Attorney-CPA Tax Clinic, Washington Accounting Seminars and Internal Revenue Service
October 25-27, 2010 – Speaker, Northwest Tax Institute, WSCPA, 2010 Northwest Tax Institute, Foreign Bank Reporting
May 5, 2010 – Speaker, WSCPA, 2010 International Tax Conference with Darek Jarski, Reporting Requirements for FBARs and Other Information Returns
October 25, 2009 – Speaker, Northwest Tax Institute, Business as Usual with the IRS… Not Anymore
May 5, 2008 – Speaker, WSBA, 2008 Business Law Midyear, Representing the Nonfiler
October 31, 2006 – Speaker: Northwest Tax Institute, Nuts & Bolts of Circular 230 – What You Need To Know
Summer 2006 – Adjunct Professor: Federal Tax Procedure, Golden Gate University (Seattle, Washington), Taxation 319 (Section SE1)
Co-author: “Steps to Reduce Tax and Penalties on Nonfilers,” Taxation for Accountants, Vol. 49, No. 6, 1992. Republished: The Monthly Digest of Tax Articles, Vol 43, No. 10, July 1993.
Co-author: “Representing the Nonfiler Requires a Multi-Functional Approach,” IRS Practice Alert, Vol. 6, No. 8 (Dec. 1992, Warren Gorham & Lamont)
Contributing Author: “Effectively Representing Your Client Before the ‘New’ IRS,” a project of the American Bar Association, Section of Taxation, Low Income Taxpayer Committee (ABA 2000)
Washington State Bar Association, Taxation Law Section (President, 1999-2000)
Western Region Bar Association, Internal Revenue Service Liaison Committee
American Bar Association, Section of Taxation
United States Court of Appeals for the Ninth Circuit
United States Tax Court
United States District Court for the Eastern District of Washington
United States District Court for the Western District of Washington
20 Sixth Ave NE
[email protected] | 2023-14/0000/en_head.json.gz/3893 | {"url": "https://lesourd.com/testimonial/robert-m-mccallum/", "partition": "head_middle", "language": "en", "source_domain": "lesourd.com", "date_download": "2023-03-20T09:34:24Z", "digest": "sha1:FLNF5HFENOBJ2533JSNGL3TAY6TMLGWV"} | {"ccnet_length": [[0, 3830, 3830.0]], "ccnet_original_length": [[0, 3830, 4478.0]], "ccnet_nlines": [[0, 3830, 40.0]], "ccnet_original_nlines": [[0, 3830, 77.0]], "ccnet_language_score": [[0, 3830, 0.9]], "ccnet_perplexity": [[0, 3830, 286.6]], "ccnet_bucket": [[0, 3830, 0.0]], "rps_doc_curly_bracket": [[0, 3830, 0.0]], "rps_doc_ldnoobw_words": [[0, 3830, 0.0]], "rps_doc_lorem_ipsum": [[0, 3830, 0.0]], "rps_doc_stop_word_fraction": [[0, 3830, 0.15767045]], "rps_doc_ut1_blacklist": [[0, 3830, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 3830, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 3830, 0.07213219]], "rps_doc_frac_chars_dupe_6grams": [[0, 3830, 0.04448681]], "rps_doc_frac_chars_dupe_7grams": 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FreeAmerica
exists to amplify the voices of individuals impacted by the criminal justice system and those who are working to change it.
By challenging stereotypes, breaking down barriers, and uplifting solutions, we are helping to end mass incarceration and invest in just, equitable, and thriving communities across the United States.
Growing up in Springfield, Ohio, John Legend saw firsthand how the criminal justice system impacted his family, his friends, and his neighborhood. In 2014, after years of championing educational equity through The Show Me Campaign, Legend founded FREEAMERICA, which aims to shine a light on the injustices of mass incarceration. Through both his education and criminal justice work, Legend is creating a movement to build thriving, just, and equitable communities by giving every person both freedom from systemic hurdles that hold them back and the opportunity to unlock their greatest potential.
“I just believe that it doesn’t always take a person who commits crimes over and over and over again to wind up in prison. Something can happen in your life – and it can take thirty seconds – and it can change your entire life.”
– Tonie
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Posted on August 31, 2015 December 28, 2015 by Lewis Braden
The East Wind
“As far as the east is from the west, so far hath he removed our transgressions from us.” Psalm 103:12
“In the depths of the sea of God’s forgetfulness;
Removed as the east is from west!
Far away from all power and principality,
My sins are in the depths of the sea!”
I’ve heard and sung this truth all my life, and I’ve grown to take it for granted. After all, if my sins are REALLY that far removed, why does it feel like they are sitting on my shoulder?
God who stretched out the line and measures the heavens created a directional impossibility. East will never meet west. They reach out to God’s right and to his left indefinitely, and in that created void He banished all sin and iniquity. That is the doctrine of the verse, and it is an unchangeable truth.
The power of the sin is done away with, yet the constant temptation and guilt oppresses the child of God daily. But why should it? The God of the impossible is the God of the practical. The God of the compass is the God of the wind. He not only mapped the doom of sins, he made sure that the force of sin could be endured.
The wind blows stiff and strong in Oklahoma. When you have to face it, you get grit and sand and bugs in your teeth. It can get bad, real bad(trust me, I’m a trashman!). But there is a way to be shielded from that blast: it’s not hard- you simply turn around! When the wind blows hardest from the east, it cannot get you from the west! “he stayeth his rough wind in the day of the east wind.” (Isaiah 27:8)
I didn’t say to give in, I mean resist the right way! When temptation is too strong, RUN and get away from it! It’s not about you proving how tough you are to God, it’s about admitting when you’re beat down and repenting from sin. When the tempest howls from the east, remember there are 180 degrees that it cannot cross to get to you. I think this is what the Lord meant when he taught the disciples to pray, “lead us not into temptation.” (Matthew 6:13)
I have never seen a Christian with his face and heart set on Jesus Christ that couldn’t get victory over sin. If you’re struggling today with the blast of Hell, turn your eyes upon Jesus! Get your focus off of that storm and hide in the Rock of Ages. The wind CANNOT blow on all fronts- “as far as the east is from the west, so far hath he removed our transgressions from us!”
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ByLife and Agri July 29, 2021 December 19, 2022
The strawberry is the most popular small fruit grown in the home garden. Growing strawberries is relatively easy, and they produce large quantities of good-quality fruit without requiring extra equipment. Strawberry (Fragaria ananassa) is an herbaceous perennial. New leaves, shoots, and runners emerge from the crown and root structure each year. Strawberries can be grown…
Read More GROWING STRAWBERRIESContinue
10 PLANT ORIENTED JOBS TO EXPLORE | 2023-14/0000/en_head.json.gz/3897 | {"url": "https://lifeandagri.com/tag/growing-strawberries-in-pots/", "partition": "head_middle", "language": "en", "source_domain": "lifeandagri.com", "date_download": "2023-03-20T10:26:29Z", "digest": "sha1:XC5Y673C6TWWHKAB267SRPXTO72NOIRO"} | {"ccnet_length": [[0, 495, 495.0]], "ccnet_original_length": [[0, 495, 1821.0]], "ccnet_nlines": [[0, 495, 4.0]], "ccnet_original_nlines": [[0, 495, 62.0]], "ccnet_language_score": [[0, 495, 0.89]], "ccnet_perplexity": [[0, 495, 286.9]], "ccnet_bucket": [[0, 495, 0.0]], "rps_doc_curly_bracket": [[0, 495, 0.0]], "rps_doc_ldnoobw_words": [[0, 495, 0.0]], "rps_doc_lorem_ipsum": [[0, 495, 0.0]], "rps_doc_stop_word_fraction": [[0, 495, 0.23863636]], "rps_doc_ut1_blacklist": [[0, 495, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 495, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 495, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 495, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 495, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 495, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 495, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 495, 0.0]], "rps_doc_frac_chars_top_3gram": [[0, 495, 0.0]], "rps_doc_frac_chars_top_4gram": [[0, 495, 0.0]], "rps_doc_frac_all_caps_words": [[0, 495, 0.06818182]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 495, 0.25]], "rps_doc_frac_no_alph_words": [[0, 495, 0.20454545]], "rps_doc_frac_unique_words": [[0, 495, 0.83783784]], "rps_doc_mean_word_length": [[0, 495, 5.54054054]], "rps_doc_symbol_to_word_ratio": [[0, 495, 0.01136364]], "rps_doc_unigram_entropy": [[0, 495, 4.03472227]], "rps_doc_word_count": [[0, 495, 74.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 48, 0.0], [48, 423, 0.0], [423, 462, 0.0], [462, 495, 0.0]], "rps_lines_javascript_counts": [[0, 48, 0.0], [48, 423, 0.0], [423, 462, 0.0], [462, 495, 0.0]], "rps_lines_num_words": [[0, 48, 9.0], [48, 423, 55.0], [423, 462, 4.0], [462, 495, 6.0]], "rps_lines_numerical_chars_fraction": [[0, 48, 0.26666667], [48, 423, 0.0], [423, 462, 0.0], [462, 495, 0.06060606]], "rps_lines_start_with_bulletpoint": [[0, 48, 0.0], [48, 423, 0.0], [423, 462, 0.0], [462, 495, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 48, 0.10416667], [48, 423, 0.016], [423, 462, 0.56410256], [462, 495, 0.78787879]], "rps_doc_ml_palm_score": [[0, 495, 0.00037038]], "rps_doc_ml_wikipedia_score": [[0, 495, null]], "rps_doc_ml_wikiref_score": [[0, 495, 0.00109375]], "rps_doc_books_importance": [[0, 495, -29.94424233]], "rps_doc_openwebtext_importance": [[0, 495, -9.41330611]], "rps_doc_wikipedia_importance": [[0, 495, -1.86706986]], "rps_doc_num_sentences": [[0, 495, 5.0]]} |
How to Choose a Portable Power Station (and Why You Want One)
When the next blackout hits your area, be extra prepared—and extra safe—with one of these marvels of engineering.
Jeff Somers
Photo: 4 season backpacking (Shutterstock)
The risk of blackouts is growing—our national power grid is aging, our demand for electricity is increasing, and the climate is becoming more volatile. The most common solution people think of is a gas or propane generator. These big, heavy machines provide a ton of power, but they come with some drawbacks. They require fuel and can’t be operated indoors, making this a problematic solution for folks who live in apartments or townhomes without outdoor space (and you’re supposed to run generators at least 20 feet from any structures, so you need a lot of outdoor space to use them).
That’s why everyone should probably have what’s called a portable power station. These are essentially enormous batteries that can store electricity and power a range of devices and appliances when the lights go out. If you can’t run a gas generator or want power that’s a little more portable than those 100-pound behemoths, this is a no-brainer.
Portable power station benefits
Why do you want a portable power station? Let’s use a popular model as an example: The Bluetti EB55. While these stations vary in terms of cost (the EB55 retails for about $500), features, and capacity, this is a pretty typical portable power station in a lot of ways:
It has a 537 watt-hours capacity (with a max output of 700 watts), meaning it can run a wide range of devices. The math on this is pretty simple: 537 watt-hours means it can deliver 537 watts for one hour, or one watt for 537 hours. Let’s look at what that means in practice. A typical television needs about 150 watts, so you can run it by itself for about 3.5 hours on the EB55. An 11-watt LED bulb will last more than 30 hours by itself. Together these appliances suck about 161 watts, so you could run them together for a little over three hours. The more power you pull, the shorter the charge will last.
It 12 outputs, including four USB-A ports and one USB-C port that can handle fast-charging, a wireless charging pad on top, 4 standard AC plugs, and a car DC adapter.
It uses multiple recharging options, including solar and car hookup, with the ability to combine them to speed things up
The way it works is simple: You charge the station to full power, then wait until you need it. When the lights go off, 700W is plenty of power to charge phones and laptops multiple times and run lights or small appliances—as long as the power being drawn is less than 700W, the station can handle it (it can handle surges, which often happen when you initially plug power-hungry appliances in, up to 1400W—but if you exceed the 700W limit for more than a few seconds it will shut off automatically to prevent damage).
There are a lot of benefits to having one or two of these in your house:
Safe indoors. Unlike a gas generator, you can operate these power stations indoors safely. There are no fumes or other concerns. Even if you have the outdoor space to run a generator, brief blackouts might not warrant the effort if you can just plug in a few lamps and keep your devices charged with a power station.
Portable. The EB55 weighs about 16.5 pounds—even a small gas generator will weigh close to twice that. The unit has a carrying handle, making it easy to carry from room to room as needed, or toss into the car as you escape the dystopia your neighborhood becomes with the lights off. This also means they have a wider use-case than gas generators because they can be brought along on non-emergency trips.
Solar. The easiest and fastest way to charge a portable power station is by plugging it into a wall outlet, but if the power’s out you can also hook it up to a solar panel. The EB55 has a 200W input capacity from a solar panel, so you can recharge it in about 3 hours from solar under ideal conditions (bright sun). In cloudy conditions this will obviously take longer—but unlike a gas generator, you can recharge your station throughout the day and have power again at night.
Small. Like power capacity, the size of these stations varies, but they’re generally much smaller than gas generators, making them easy to store until you need to break them out.
The bottom line: A portable power station isn’t a whole-house power solution, but it will make your next blackout a lot more comfortable.
Choosing a portable power station depends on your specific needs and lifestyle. A few things to consider:
Capacity: Think about what you’ll need to power when the lights go out and do a little research on the devices’ wattage requirements so you can calculate what watt-hour capacity you’ll need in a portable power station. If you just need to charge some phones and run a lamp or two with LED bulbs for a few hours, you might not need more than 150Wh in portable power, which you can get for less than $100. If you think you’ll need multiple days of power or need to run larger appliances you can splash out for more wattage—you can even get portable power stations that deliver 4000-5000Wh (heck, EcoFlow models are expandable with extra batteries that can take you all the way to 25,000 watt-hours), but these are very expensive and are often as large and heavy as gas generators—although these behemoths still offer the benefit of being safe to operate indoors. The sweet spot is in the 500-2000Wh range when it comes to these stations; that’s where you get the benefits of the portable part with enough power to make a difference.
Battery type: These stations are essentially just large batteries with very smart management and charging technology wrapped around them. Most will offer a Lithium-ion battery that is pretty standard in the industry, but some are made with Lithium iron phosphate batteries that last longer and are more tolerant of high temperatures. Some models, like Goal Zero’s Yeti 150, offer a user-replaceable battery, meaning you can swap out the battery if it starts to fail without replacing the entire unit.
Charging cycles: Different models offer different lifespans for the battery. The EB55 can be charged and discharged about 2,500 before the battery starts to degrade, but other models can be much lower (or higher). If you plan to use your station frequently, that’s a major consideration.
Ports: Most portable stations will offer a plethora of outputs—USB ports, wireless charging, AC ports, DC ports, etc. Think about what you’re going to need to power and make sure the model you choose offers it. The EB5 only has one USB-C port, for example, so if you need multiples of that you might look for a different configuration.
Charging options: Almost all portable power stations can be plugged into your wall to charge up, which is a great way to ensure you have a charged battery when the power cuts. But being able to recharge during a blackout is essential. Look for multiple options—solar is a must-have, though most solar panels are an additional cost. But having adapters included that allow you to recharge from your car, for example, gives you one more option for cloudy days and having the ability to combine two or more recharging methods to speed things up is a great feature.
Size: Finally, make sure you can easily store the station. If your apartment is bursting at the seams, take some measurements and balance the wattage with the unit’s size so you don’t have to keep it balanced on top of your toaster or something during the brief stretches between emergencies.
A portable power station is often a better choice than a traditional gas-powered generator, and at the very least offers a lot more flexibility during an emergency. 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♫♩I Enjoy Being A Girl ♬♪ (I’m Just Not Very Good At It…)
by Birdie in Life, Uncategorized Tags: bangs, Charlie Chaplin, curiosity, going out, hot curlers, lip balm, makeup, party
Because of a class/work schedule change tonight, I’ll be able to go out and join a party with a friend, his wife and their friends… about 15 people total. Participating in get-togethers like these is not common for me since most of my nights are filled with English classes. (And the “partying mood” is not alive and well when one is getting back home at anywhere between 9:30pm to 1:00am.)
Since there’s excitement in the air, I thought I’d do something different and use hot curlers in my hair. ** Insert LOTS of laughter here!**
Those who know me well know that I’m not really a girly girl. I don’t wear makeup. I’ve always been a jeans and t-shirt type of person. (Wore overalls for my 8th grade school pictures… my mother wasn’t thrilled about my choice.) Hair care includes washing, conditioning and if the weather is cold, blow-drying. If it’s really hot, the hair goes up in a ponytail. If it’s really cold, a hat is added.
It is fun when someone wants to put makeup on me, but after a while, the skin feels like it can’t breathe and 9 times out of 10, I totally forget about the mascara I’m wearing and rub my eyes, as I normally would. This is always followed by, “Oops…” or “Uh, oh…” after noticing there’s black stuff on my hands.
Anyway, back to the hot rollers…
At the moment, there are nine of them still in my hair. I haven’t gone to get my bangs cut recently, so one hot roller was used for my bangs, too. About an hour ago, this particular one started to fall out, so I took it out and was going to re-roll. Curiosity got the best of me… a trip to the bathroom to check the mirror… a huge laugh burst from me.
Half to the left, half to the right!
My bangs looked just like Charlie Chaplin’s feet!! Right at that moment, a good friend called and I couldn’t stop laughing to say, “Moshi moshi,” (“Hello” in Japanese) and she asked what was going on. When I explained the above, she also began giggling and said, “Why are you doing something you never do?!”
Touche’!! 🙂
So, here I am… bangs have been sprayed with water to help “calm” them down a bit and now dried to straighten them out again. A big round-brush is standing by, ready to work along with the hair dryer. We will see if the second attempt at the bangs will be a success or not.
Am thinking that the makeup will stay OFF today… the extent of it may be some Carmex lip balm. (LOVE the stuff!!)
I mean, what could go wrong with some lip balm, right? 🙂
Fingers crossed… 😀 | 2023-14/0000/en_head.json.gz/3899 | {"url": "https://lifeofaboiledegg.com/tag/party/", "partition": "head_middle", "language": "en", "source_domain": "lifeofaboiledegg.com", "date_download": "2023-03-20T10:30:05Z", "digest": "sha1:M3HMAPMSI4TPTSBZA7GV4QTZGIV25GUL"} | {"ccnet_length": [[0, 2627, 2627.0]], "ccnet_original_length": [[0, 2627, 5791.0]], "ccnet_nlines": [[0, 2627, 15.0]], "ccnet_original_nlines": [[0, 2627, 80.0]], "ccnet_language_score": [[0, 2627, 0.95]], "ccnet_perplexity": [[0, 2627, 282.1]], "ccnet_bucket": [[0, 2627, 0.0]], "rps_doc_curly_bracket": [[0, 2627, 0.0]], "rps_doc_ldnoobw_words": [[0, 2627, 0.0]], "rps_doc_lorem_ipsum": [[0, 2627, 0.0]], "rps_doc_stop_word_fraction": [[0, 2627, 0.433281]], "rps_doc_ut1_blacklist": [[0, 2627, null]], "rps_doc_frac_chars_dupe_10grams": [[0, 2627, 0.0]], "rps_doc_frac_chars_dupe_5grams": [[0, 2627, 0.0]], "rps_doc_frac_chars_dupe_6grams": [[0, 2627, 0.0]], "rps_doc_frac_chars_dupe_7grams": [[0, 2627, 0.0]], "rps_doc_frac_chars_dupe_8grams": [[0, 2627, 0.0]], "rps_doc_frac_chars_dupe_9grams": [[0, 2627, 0.0]], "rps_doc_frac_chars_top_2gram": [[0, 2627, 0.00980392]], "rps_doc_frac_chars_top_3gram": [[0, 2627, 0.00784314]], "rps_doc_frac_chars_top_4gram": [[0, 2627, 0.0]], "rps_doc_frac_all_caps_words": [[0, 2627, 0.03453689]], "rps_doc_frac_lines_end_with_ellipsis": [[0, 2627, 0.06666667]], "rps_doc_frac_no_alph_words": [[0, 2627, 0.20094192]], "rps_doc_frac_unique_words": [[0, 2627, 0.56882591]], "rps_doc_mean_word_length": [[0, 2627, 4.12955466]], "rps_doc_symbol_to_word_ratio": [[0, 2627, 0.01726845]], "rps_doc_unigram_entropy": [[0, 2627, 5.25221758]], "rps_doc_word_count": [[0, 2627, 494.0]], "rps_lines_ending_with_terminal_punctution_mark": [[0, 58, 0.0], [58, 180, 0.0], [180, 571, 0.0], [571, 712, 0.0], [712, 1112, 1.0], [1112, 1423, 1.0], [1423, 1456, 0.0], [1456, 1808, 1.0], [1808, 1845, 1.0], [1845, 2153, 1.0], [2153, 2165, 0.0], [2165, 2438, 1.0], [2438, 2552, 0.0], [2552, 2609, 0.0], [2609, 2627, 0.0]], "rps_lines_javascript_counts": [[0, 58, 0.0], [58, 180, 0.0], [180, 571, 0.0], [571, 712, 0.0], [712, 1112, 0.0], [1112, 1423, 0.0], [1423, 1456, 0.0], [1456, 1808, 0.0], [1808, 1845, 0.0], [1845, 2153, 0.0], [2153, 2165, 0.0], [2165, 2438, 0.0], [2438, 2552, 0.0], [2552, 2609, 0.0], [2609, 2627, 0.0]], "rps_lines_num_words": [[0, 58, 13.0], [58, 180, 18.0], [180, 571, 70.0], [571, 712, 24.0], [712, 1112, 73.0], [1112, 1423, 61.0], [1423, 1456, 6.0], [1456, 1808, 73.0], [1808, 1845, 8.0], [1845, 2153, 54.0], [2153, 2165, 2.0], [2165, 2438, 55.0], [2438, 2552, 22.0], [2552, 2609, 12.0], [2609, 2627, 3.0]], "rps_lines_numerical_chars_fraction": [[0, 58, 0.0], [58, 180, 0.0], [180, 571, 0.02110818], [571, 712, 0.0], [712, 1112, 0.00260417], [1112, 1423, 0.00993377], [1423, 1456, 0.0], [1456, 1808, 0.0], [1808, 1845, 0.0], [1845, 2153, 0.0], [2153, 2165, 0.0], [2165, 2438, 0.0], [2438, 2552, 0.0], [2552, 2609, 0.0], [2609, 2627, 0.0]], "rps_lines_start_with_bulletpoint": [[0, 58, 0.0], [58, 180, 0.0], [180, 571, 0.0], [571, 712, 0.0], [712, 1112, 0.0], [1112, 1423, 0.0], [1423, 1456, 0.0], [1456, 1808, 0.0], [1808, 1845, 0.0], [1845, 2153, 0.0], [2153, 2165, 0.0], [2165, 2438, 0.0], [2438, 2552, 0.0], [2552, 2609, 0.0], [2609, 2627, 0.0]], "rps_lines_uppercase_letter_fraction": [[0, 58, 0.20689655], [58, 180, 0.04918033], [180, 571, 0.01278772], [571, 712, 0.05673759], [712, 1112, 0.02], [1112, 1423, 0.02250804], [1423, 1456, 0.03030303], [1456, 1808, 0.01420455], [1808, 1845, 0.02702703], [1845, 2153, 0.03571429], [2153, 2165, 0.08333333], [2165, 2438, 0.01465201], [2438, 2552, 0.07894737], [2552, 2609, 0.01754386], [2609, 2627, 0.05555556]], "rps_doc_ml_palm_score": [[0, 2627, 0.06569445]], "rps_doc_ml_wikipedia_score": [[0, 2627, null]], "rps_doc_ml_wikiref_score": [[0, 2627, 0.00941253]], "rps_doc_books_importance": [[0, 2627, -148.39862436]], "rps_doc_openwebtext_importance": [[0, 2627, 15.75281617]], "rps_doc_wikipedia_importance": [[0, 2627, -358.61660659]], "rps_doc_num_sentences": [[0, 2627, 30.0]]} |
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